quadgram

This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

quadgram	frequency
one of the most	112
for the first time	92
at the age of	88
at the same time	83
at the end of	74
is one of the	72
the end of the	70
was one of the	69
from a photograph by	66
the metropolitan opera house	54
in spite of the	53
on the other hand	50
in the middle of	49
as a matter of	48
the rest of the	42
one of the greatest	42
the middle of the	41
a great deal of	40
a good deal of	38
a matter of fact	35
it seems to me	35
the back of the	34
from time to time	33
in one of the	33
the part of the	33
as one of the	33
a member of the	33
on the part of	33
in the case of	32
at the back of	32
up and down the	31
at the metropolitan opera	31
the music of the	30
of the fact that	30
as i have said	30
my mother and i	30
for the sake of	30
the old red house	28
for a long time	28
to the fact that	28
on the other side	28
at the close of	27
as well as the	27
she was going to	27
the other side of	27
in the midst of	27
under the management of	27
her first appearance in	26
the art of singing	26
retired from the stage	26
on the operatic stage	26
was not at all	25
as if he were	25
in the way of	25
in the first act	25
i want you to	25
made her first appearance	25
she said with a	25
i should like to	25
i do not know	24
of one of the	24
the close of the	24
one of the great	24
in the united states	24
other side of the	24
and at the same	23
to be able to	23
on account of the	23
it would have been	23
during the season of	23
in spite of her	22
one of the finest	22
the fact that the	22
he did not know	22
the edge of the	21
the director of the	21
the daughter of a	21
the first time in	21
is said to have	21
in a tone of	21
of the first act	21
with the exception of	21
was not to be	20
in the second act	20
the manager of the	20
i did not know	20
clara louise kellogg as	20
that it would be	20
one of the best	20
she was born in	20
that it was a	19
she was obliged to	19
in the last act	19
as if she were	19
the beginning of the	19
not in the least	19
to go to the	19
out of the window	19
face to face with	19
was a man of	19
in the spring of	19
but she did not	19
for the most part	19
the top of the	19
was the daughter of	18
at the foot of	18
at the opera comique	18
spite of the fact	18
it was in the	18
the spirit of the	18
what do you think	18
is by no means	18
i am going to	18
to the effect that	18
but it was not	18
of the great singers	18
one of the first	18
and there was no	18
she made her first	17
the story of the	17
one of the few	17
house in new york	17
that he had been	17
as soon as he	17
in the presence of	17
for the benefit of	17
that she could not	17
at the royal opera	17
made up his mind	17
that she had not	16
as far as the	16
it is one of	16
at the time of	16
the face of the	16
to sing in the	16
it is said that	16
i do not believe	16
and one of the	16
i shall never forget	16
and it was not	16
out of the room	16
in the art of	16
on the subject of	16
that he did not	16
visited the united states	16
in the matter of	16
as if it were	16
it was a great	16
as well as in	15
the daughter of the	15
was one of those	15
to me to be	15
the son of a	15
was a sort of	15
the foot of the	15
opera house in new	15
in the same way	15
at the beginning of	15
must have been a	15
which she had been	15
the door of the	15
it would be a	15
to take care of	15
the head of the	15
to sing at the	15
in the direction of	15
the manner in which	15
her in his arms	15
at the bottom of	15
i have never seen	14
of the new york	14
she looked at him	14
the fact that i	14
are you going to	14
in which she had	14
it was evident that	14
the man in the	14
the side of the	14
to go on the	14
you are going to	14
a part of the	14
did not seem to	14
the last act of	14
and there was a	14
in the form of	14
in front of the	14
as if she had	14
the opening of the	14
it must have been	14
of the prima donna	14
to do with the	14
the direction of the	14
and it was a	14
she had not been	14
it is difficult to	14
to say nothing of	13
in the days of	13
in such a way	13
it was one of	13
that he was not	13
the fact that she	13
be one of the	13
he would have been	13
the management of the	13
seemed to me that	13
on the lyric stage	13
that it was the	13
to become a singer	13
that it was not	13
it seemed to me	13
the members of the	13
the man who had	13
go on the stage	13
not be able to	13
had never before been	13
that she had been	13
with a sort of	13
on the eve of	13
of the metropolitan opera	13
for a few moments	13
it seemed as though	13
the yeomen of the	13
the latter part of	13
it was as though	13
a day or two	13
as well as a	13
in the face of	13
in the history of	13
the great singers of	13
i do not think	13
in the first place	13
as soon as she	13
more than any other	13
the way in which	13
it was not the	13
it was only a	13
did not care to	13
at the head of	13
i was going to	13
in spite of all	12
to sing in a	12
but she could not	12
out of the question	12
that he was a	12
and she did not	12
the star of the	12
that she was not	12
the character of the	12
as if i were	12
i did not care	12
of the most beautiful	12
if you do not	12
at the top of	12
seems to me that	12
in the course of	12
to do with it	12
as soon as the	12
did not know what	12
the prince of wales	12
to the conclusion that	12
the sake of the	12
he was going to	12
metropolitan opera house in	12
seems to have been	12
the academy of music	12
and there is no	12
there was no one	12
member of the company	12
of the royal opera	12
it is not a	12
in new york city	12
with the rest of	12
yeomen of the guard	12
he was in the	12
at the thought of	12
it seemed as if	12
had been in the	12
she said at last	12
in the hands of	12
at one of the	12
was by no means	12
it would not be	12
in the third act	12
the gilbert and sullivan	12
in the heart of	12
as though it were	12
and it may be	12
in the world to	12
would have been a	11
as a result of	11
it was said that	11
in spite of his	11
i shall have to	11
with one of the	11
a number of years	11
but there was no	11
the front of the	11
made up her mind	11
the first act of	11
it had not been	11
back of the stage	11
in the character of	11
it is true that	11
came back to her	11
the thought of the	11
and i used to	11
the name of the	11
but at the same	11
that is to say	11
the music of this	11
for a few minutes	11
in front of her	11
if she had not	11
of the art of	11
of her voice and	11
said to have been	11
the fact that he	11
in love with her	11
it was not until	11
was so great that	11
le nozze di figaro	11
in the light of	11
the shadow of the	11
that i did not	11
there was not a	11
as though she had	11
on the concert stage	11
was that of a	11
the age of sixteen	11
of the opera house	11
it was impossible to	11
and that she had	11
he was a man	11
i want to know	11
in one of his	11
at the door of	11
for he was a	11
to be in the	11
and he did not	11
that i could not	11
the success of the	11
in robert le diable	11
the last of the	11
in which she was	11
that he had a	11
retirement from the stage	11
it was to be	11
out of the way	11
on the night of	11
to return to the	11
for the purpose of	11
latter part of the	10
i think it was	10
i beg your pardon	10
the royal italian opera	10
of the most difficult	10
members of the company	10
all the time i	10
it had been a	10
in a way that	10
that she should have	10
at the house of	10
she was one of	10
the heart of the	10
i was to sing	10
appeared on the stage	10
the art of the	10
of clara louise kellogg	10
that i was to	10
that he could not	10
go to the theatre	10
attracted the attention of	10
turned out to be	10
that there was something	10
on the day of	10
i was obliged to	10
of the lyric stage	10
her voice was a	10
so far as i	10
he used to say	10
by the fact that	10
nothing to do with	10
every now and then	10
to the united states	10
for the young singer	10
at the last moment	10
when she returned to	10
end of the season	10
i felt that i	10
the manhattan opera house	10
in a state of	10
under the direction of	10
star of the north	10
the new york casino	10
but it is a	10
of the most brilliant	10
once in a while	10
there is no need	10
if she had been	10
the people in the	10
of the part of	10
at the academy of	10
the meaning of the	10
in the eyes of	10
i have ever seen	10
i have never been	10
the charm of her	10
in the annals of	10
with a sigh of	10
for the rest of	10
in connection with the	10
the beauty of her	10
at the expense of	10
what do you mean	10
at a salary of	10
as a member of	10
the end of her	10
the attention of the	10
on the occasion of	10
she could not have	10
in a low voice	10
there are so many	10
he was born in	10
the age of twenty	10
a quarter of a	10
the greater part of	10
at the grand opera	10
created the part of	10
and i do not	10
the bottom of the	10
over and over again	10
the duke of plaza	10
the presence of the	10
going to be a	10
once told me that	10
proved to be a	10
and many of the	10
in a runaway girl	10
when it comes to	10
be able to sing	10
to sing in opera	10
he was able to	10
came to see me	10
that she was a	10
and it is a	10
that there was a	10
for a few days	10
and in a few	10
in a few moments	10
and her eyes were	10
that she had never	10
to the end of	10
i went to the	9
he said at last	9
of the old school	9
if it had been	9
the night of the	9
the conclusion of the	9
is not to be	9
to go on with	9
should be able to	9
had been able to	9
to make a career	9
do you think of	9
first appearance on the	9
in the fact that	9
the corner of the	9
it is probable that	9
was supposed to be	9
as she had been	9
i had to have	9
he was a great	9
to say that she	9
the form of a	9
the time i was	9
of the english public	9
by the time she	9
the age of six	9
an engagement at the	9
if i had been	9
the study of the	9
asked me to sing	9
all parts of the	9
a matter of course	9
that she was going	9
and at the age	9
in the opera of	9
as if he had	9
but he did not	9
the end of his	9
an idea of the	9
of the greatest of	9
made his first appearance	9
the fact that her	9
he was not a	9
is the result of	9
in the musical world	9
she went to the	9
was not in the	9
when she made her	9
she would have been	9
from the stage and	9
this is one of	9
it may have been	9
prima donnas of the	9
in regard to the	9
metropolitan in new york	9
at the stage door	9
such a way that	9
for the love of	9
the metropolitan in new	9
that she did not	9
the first time i	9
to be one of	9
first appearance in opera	9
he seemed to be	9
i thought you were	9
occurred to her that	9
i was asked to	9
it is a great	9
at the conclusion of	9
i did not see	9
i am glad to	9
with an air of	9
must be able to	9
the hands of the	9
at the manhattan opera	9
the day of the	9
of some of the	9
he shook his head	9
quality of her voice	9
she was at the	9
when it came to	9
there must have been	9
sing the part of	9
to be a singer	9
be able to do	9
a sigh of relief	9
that she would be	9
and in spite of	9
he had not been	9
the pirates of penzance	9
and went to the	9
of a man who	9
the work of the	9
with the aid of	9
great singers of the	9
and that was the	9
the right kind of	9
she had never been	9
was a member of	9
appearance on the stage	9
the idol of the	9
it is impossible to	9
as soon as i	9
the body of the	9
it is easy to	9
thing in the world	9
since the days of	9
made up my mind	9
it was at the	9
held out her hand	9
of the united states	9
in the world of	9
a place in the	9
it may be that	9
to go back to	9
on one of the	9
about the same time	9
in front of him	9
came behind the scenes	9
he was one of	9
as it had been	8
a certain amount of	8
there can be no	8
to sing the part	8
and he was a	8
all the way from	8
of being able to	8
and i had to	8
but at this moment	8
in a short time	8
her father was a	8
asked me if i	8
one of the leading	8
the entrance of the	8
something more than a	8
what it means to	8
so far as to	8
that she had made	8
seemed to me to	8
but i do not	8
but he could not	8
the second act of	8
in all parts of	8
this does not mean	8
the only way to	8
of the french stage	8
walked up and down	8
but there was something	8
so that he could	8
the age of twelve	8
but she was not	8
and the following year	8
jack and the beanstalk	8
was going to be	8
occurred to him that	8
to become a great	8
the time of her	8
there must be a	8
that i have been	8
she was engaged for	8
with a sense of	8
could not have been	8
fallen in love with	8
with an expression of	8
it was not only	8
going on the stage	8
do you think i	8
was engaged for the	8
did not have to	8
in new york in	8
fact that he had	8
i was able to	8
the memory of her	8
you mean to say	8
does not mean that	8
that it might be	8
with a view to	8
when i went to	8
as well as i	8
was engaged to sing	8
that i was a	8
that there was no	8
if he had been	8
he went on to	8
gilbert and sullivan operas	8
for a number of	8
became a member of	8
to which she had	8
she sang in the	8
to the edge of	8
i should have been	8
it was on the	8
you want me to	8
one of the two	8
on the stage in	8
in the part of	8
in the study of	8
in new york and	8
i have been told	8
by the entrance of	8
he knew that he	8
in a few years	8
it will be a	8
on the stage and	8
when i was a	8
belle of new york	8
so far as the	8
the fact that they	8
the metropolitan opera company	8
she was a good	8
that it was all	8
had the advantage of	8
as if they had	8
that i should have	8
never to be forgotten	8
to get rid of	8
up her mind to	8
quarter of a century	8
she would like to	8
in the name of	8
in spite of this	8
it is not the	8
now and then a	8
behind the scenes to	8
as a singer of	8
a man who has	8
a few days later	8
the duke and duchess	8
to have been the	8
a tour of the	8
as soon as you	8
that he would have	8
the life of the	8
long and long ago	8
the time of the	8
to put up with	8
due to the fact	8
he told me that	8
as though she were	8
at that time was	8
was the first to	8
that it was only	8
it was not a	8
that one of the	8
was silent a moment	8
each other in the	8
that sort of thing	8
it is a very	8
at the sight of	8
the steps of the	8
fell in love with	8
house on the hill	8
to the best advantage	8
photograph by black case	8
was to sing in	8
with a look of	8
it is better to	8
it was as if	8
i want to go	8
for the singer to	8
she was a very	8
for the time being	8
into the hands of	8
she said in a	8
out of the house	8
i think it is	8
she was able to	8
mother and i were	8
she had made her	8
one side of the	8
one of her most	8
would not have been	8
that it is not	8
stood for a moment	8
was engaged at the	8
it was he who	8
first appearance at the	8
it was at this	8
all that could be	8
she shook her head	8
became a pupil of	8
behind the scenes and	8
have been able to	8
he had been a	8
the imperial opera house	8
there was only one	8
he is going to	8
it is interesting to	8
like that of a	8
there is no other	8
theme of the opera	8
quarter of an hour	8
is perhaps the most	8
she went to paris	8
the daughter of an	8
of the eighteenth century	8
of the members of	7
that he would not	7
from the stage in	7
that he was in	7
his first appearance in	7
the prince and princess	7
her appearance in the	7
after the death of	7
but in spite of	7
for a singer to	7
the time she had	7
becoming more and more	7
in she went to	7
took the part of	7
under the spell of	7
have a good time	7
a few years ago	7
as marguerite in faust	7
the door opened and	7
at the present day	7
when he was a	7
the hands of a	7
was supposed to have	7
the death of her	7
to come and see	7
in the french capital	7
but it was a	7
i was singing in	7
side of the street	7
he did not understand	7
there seemed to be	7
in the old days	7
said in a tone	7
all over the country	7
go back to the	7
for so many years	7
a few of the	7
director of the opera	7
in the best of	7
the age of fifteen	7
front of the house	7
by one of the	7
for a moment he	7
on the american stage	7
not by any means	7
in she made her	7
in the opera house	7
corner of the house	7
that i had been	7
duke and duchess of	7
of the present day	7
came to new york	7
she was about to	7
my dear miss kellogg	7
the importance of the	7
she appeared in the	7
that it is a	7
wot i worked for	7
in love with a	7
the end of a	7
many of the most	7
and she had not	7
went to new york	7
it is to be	7
at this time was	7
at this time of	7
as much as possible	7
and it was only	7
she saw that the	7
so much of the	7
the subject of the	7
in order to give	7
leader of the orchestra	7
on the top of	7
in some of the	7
for a little while	7
looked at him with	7
the result was that	7
on the stage to	7
it was a very	7
do you know what	7
the sight of the	7
the surface of the	7
by the time the	7
it was the first	7
i have never heard	7
out of the ordinary	7
her first appearance was	7
and he had been	7
if it were a	7
on her return to	7
of a woman who	7
he said to me	7
at a time when	7
when we were at	7
the sound of a	7
lost no time in	7
the leader of the	7
octaves and a half	7
but it is not	7
to those who have	7
la figlia del reggimento	7
there has been a	7
at the court of	7
as well as of	7
told her that he	7
as much as i	7
like that of the	7
it was in this	7
this sort of thing	7
if you have the	7
if it had not	7
to do is to	7
and for many years	7
the ends of the	7
as if they were	7
she was in the	7
if he had not	7
that did not care	7
the second act is	7
on the verge of	7
to be a great	7
of the most popular	7
miss clara louise kellogg	7
he looked at her	7
would have been the	7
and she was not	7
to come back to	7
of the great singer	7
her voice was not	7
know what to do	7
the stage for a	7
to the door and	7
was at that time	7
i can assure you	7
the art of song	7
which he did not	7
did not want to	7
to say that i	7
the stage of the	7
and by the time	7
the upper part of	7
between him and the	7
end of the room	7
an engagement to sing	7
there is no one	7
put an end to	7
there had been a	7
as a means of	7
i do not want	7
i have come to	7
in the line of	7
to the young singer	7
in london and paris	7
it may be said	7
some of the most	7
always seemed to me	7
the belle of new	7
a year or two	7
and i did not	7
she held out her	7
used to say that	7
to new york to	7
it occurred to him	7
do not believe that	7
which was to be	7
you will have to	7
in most of the	7
into one of the	7
the hearts of the	7
and the result was	7
the mouth of the	7
the use of the	7
told me that she	7
and all the other	7
singing the part of	7
in love with the	7
she was a woman	7
she had been a	7
on the stage at	7
at the opera house	7
management of the breath	7
in the new york	7
in all the world	7
control of the breath	7
her one of the	7
might have been a	7
was something of a	7
there was a long	7
two hundred and fifty	7
was in new york	7
that he had not	7
as though he were	7
men and women who	7
of the flying dutchman	7
i began to study	7
come out of the	7
to make a success	7
he might have been	7
there was a little	7
on the th of	7
to get away from	7
of which i was	7
in the world for	7
there have been many	7
made a tour of	7
in the habit of	7
would be glad to	7
came to the conclusion	7
the midst of a	7
said with a smile	7
a man who had	7
i have been so	7
is the one who	7
the occasion of a	7
at the height of	7
her voice is a	7
as i used to	7
had a right to	7
the sound of the	7
and some of them	7
the queen of the	7
of the italian school	7
she retired from the	7
else in the world	7
was asked to sing	7
and i have never	7
a photograph by black	7
have no right to	7
i could not help	7
and some of the	7
she did not know	7
to take her to	7
of the man who	7
the chicago opera company	7
to say that you	7
the beauty of the	7
i was taken to	7
had the pleasure of	7
it must be remembered	7
the course of the	7
it is a pity	7
going to have a	7
was at this time	7
to the point of	7
to me that the	7
was the son of	7
want to go to	7
to have been a	6
possible for me to	6
that he was the	6
by the side of	6
was old enough to	6
for she had been	6
three times a week	6
as far as he	6
retires from the stage	6
opera in new york	6
that is why i	6
the works of the	6
the scene in which	6
as i now dress	6
for she was not	6
have nothing to do	6
in the same year	6
i am sorry to	6
to take her in	6
the character of her	6
the quality of the	6
lady maud did not	6
was silent for a	6
thank you so much	6
at that time the	6
there was no answer	6
in paris and london	6
from beginning to end	6
was placed in the	6
a photograph by mora	6
that she would not	6
before the london public	6
all the time that	6
she created the part	6
of robert le diable	6
in many of the	6
that i had not	6
that he had no	6
a young man who	6
to the highest pitch	6
before the end of	6
the scene of the	6
how do you do	6
and it was in	6
the great god pan	6
a very early age	6
a long time to	6
and that she was	6
by no means the	6
the end of that	6
had a chance to	6
to me in the	6
glad to see you	6
to have my voice	6
that i am a	6
for any one to	6
mouth of the cave	6
feel as if i	6
with the idea of	6
a good part of	6
stars of the opera	6
say nothing of the	6
the end of this	6
for she was a	6
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not know how to	6
of the middle ages	6
the enthusiasm of the	6
she began to sing	6
for a short time	6
i had to do	6
i now dress it	6
in the operatic world	6
the old italian operas	6
would you like to	6
they are in the	6
of the most important	6
operas in which she	6
grey in a runaway	6
on account of her	6
in and out of	6
one of the very	6
for a moment and	6
in she returned to	6
had not the least	6
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she was to be	6
as though you were	6
a man of the	6
she was sent to	6
in the operas of	6
a great friend of	6
towards the end of	6
that she has been	6
the palm of his	6
many of the great	6
to come to the	6
to see if she	6
would be able to	6
sang the part of	6
a photograph by sarony	6
she was not a	6
at one time she	6
had it not been	6
went on the stage	6
the age of eighteen	6
i am inclined to	6
the voice of the	6
way out of the	6
that she was the	6
i do not care	6
by means of a	6
i used to dress	6
do not want to	6
it is hard to	6
i do not mean	6
in a few months	6
the world at large	6
at the other end	6
on board the jeanne	6
she continued to sing	6
on the english stage	6
to be found in	6
i could do it	6
did not occur to	6
was the occasion of	6
the study of repertoire	6
and made her way	6
the song of the	6
two octaves and a	6
it was not possible	6
was going to happen	6
the owner of the	6
she did not see	6
do you mean to	6
the middle of a	6
the grand opera house	6
sat down at the	6
in half an hour	6
it was not so	6
the first performance of	6
if i had not	6
is the first time	6
it used to be	6
one or two of	6
it seemed to her	6
of the russian ballet	6
that i would be	6
the midst of the	6
as far back as	6
me to go on	6
in a little while	6
was kind enough to	6
but to return to	6
all the rest of	6
and that he had	6
mean to say that	6
for me to sing	6
take the place of	6
well as in the	6
in which he was	6
i ought not to	6
engaged to be married	6
to be married to	6
at a very early	6
used to dress it	6
say that it was	6
of the first magnitude	6
to the study of	6
at the imperial opera	6
in the season of	6
between husband and wife	6
not the least doubt	6
in my power to	6
stood in the doorway	6
one or the other	6
for more than a	6
yeoman of the guard	6
the bennett and moulton	6
sure that it was	6
it is the same	6
in the music of	6
for a moment she	6
the sound of his	6
two or three times	6
with which she was	6
which one of the	6
considered one of the	6
become a prima donna	6
as long as he	6
it was not long	6
that it was impossible	6
i should not be	6
as he was in	6
was to be a	6
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the house of the	6
by the sight of	6
and that is the	6
in which i was	6
was quite sure that	6
this is not a	6
he did not care	6
the haven of memory	6
the third act of	6
and at the end	6
take the trouble to	6
she was the daughter	6
and in a moment	6
to become a prima	6
in which she sang	6
in the morning and	6
on the first night	6
the singer must have	6
the eyes of the	6
beauty of her voice	6
a vast amount of	6
back of the house	6
to one of the	6
is no need for	6
i do not see	6
three or four times	6
at an early age	6
a woman of the	6
without the aid of	6
she was the first	6
in which he had	6
that it was her	6
in contrast to the	6
academy of music in	6
most of the great	6
the benefit of the	6
she knew that he	6
middle of the stage	6
the time came for	6
the door behind her	6
for one of the	6
the size of a	6
and it is said	6
but i am not	6
and one or two	6
there is only one	6
it was time to	6
on the sea gull	6
he asked me to	6
almost as soon as	6
there was such a	6
walked home very slowly	6
if i have to	6
by the time i	6
was said to be	6
had an opportunity to	6
to the theatre and	6
the matter with you	6
with some of the	6
diana shook her head	6
man in the world	6
she opened her eyes	6
when i was in	6
was good enough to	6
she would not have	6
and she could not	6
in addition to the	6
it was decided that	6
was very glad to	6
the audience at the	6
would have liked to	6
as soon as we	6
would like to have	6
than any other singer	6
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he was ready to	6
to believe that she	6
the genius of the	6
at this moment the	6
his first appearance at	6
the greatest singers of	6
which was one of	6
a quarter of an	6
the result is that	6
to learn how to	6
in the front row	6
is going to be	6
be said to have	6
when she was singing	6
a knock at the	6
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it was during this	6
in point of fact	6
for a few months	6
and so i had	6
and a minute later	6
went back to the	6
this was the first	6
and she was the	6
is interrupted by the	6
just as she was	6
to be on the	6
the other end of	6
for the last time	6
up his mind to	6
but i have been	6
the voices of the	6
she was received with	6
at the feet of	6
to look at it	6
of the same year	6
in which she appeared	6
if it is not	6
woman in the world	6
is a sort of	6
continued to sing in	6
there will be no	6
felt that i was	6
he was a very	6
italian opera in america	6
under the shadow of	6
the author of the	6
i shall be able	6
far as i know	6
to take up the	6
like to see you	6
the interest of the	6
that she can sing	6
about the middle of	6
from all parts of	6
if i did not	6
has been able to	6
and most of the	6
in order to get	6
he is one of	6
the annals of the	6
if he were not	6
in the following year	6
the young singer should	6
an american prima donna	6
i have always been	6
he was a most	6
it never occurred to	6
open the mouth without	6
there was something about	6
the effect of the	6
and was one of	6
when i was singing	6
in response to a	6
the man on the	6
was a great success	6
impossible for her to	6
to the extent of	6
a moment later she	6
had been brought up	6
to hear her sing	6
at the sound of	6
as though they were	6
it was the only	6
the case of the	6
in addition to her	6
there are plenty of	6
i said to myself	6
it would be impossible	6
to the top of	6
become a great singer	6
to be allowed to	6
and not at all	6
the sight of her	6
my first appearance in	6
he was obliged to	6
as every one knows	6
of the first performance	6
there is so much	6
from head to foot	6
there must be some	6
at one end of	6
there is no reason	6
with a little laugh	6
winnifred grey in a	6
her voice and her	6
a letter from the	6
shall be able to	6
told him that he	6
the zenith of her	6
than any one else	6
she must have been	6
and it is the	6
one of the principal	6
nothing in the world	6
who had been so	6
that she might be	6
from the fact that	6
if they do not	6
i know that i	6
as a young man	6
i think i should	6
with a kind of	6
became one of the	6
retire from the stage	6
was the result of	6
the house on the	6
of a series of	6
to the strains of	6
seemed to be the	6
to return to my	6
did not care for	6
in the act of	6
to make the most	6
of the opera in	6
the apple of discord	6
a friend of mine	6
so that she could	6
the rear of the	6
in any other way	6
the back of her	6
may be able to	6
it had to be	6
on the stage as	6
i had no idea	6
she had never seen	6
it was impossible for	6
out into the street	6
said that he had	6
when she was in	6
under the name of	6
from the standpoint of	6
to the old red	6
one of them was	6
tour in the united	6
as soon as possible	6
do you think you	6
the first time that	6
one end of the	6
may be said to	6
she appeared at the	6
to each other in	6
as far as possible	6
in the palm of	6
in time for the	6
she was unable to	6
in a sort of	6
they were to be	6
and when she had	6
the rest of us	6
as well as to	6
of the opera was	6
first appearance in london	6
came to the door	6
it was not till	5
my good fortune to	5
made a great impression	5
never be able to	5
they were going to	5
i think i shall	5
more and more to	5
that it was time	5
for me to say	5
a great deal more	5
the early part of	5
meaning of the music	5
she had not the	5
in the field of	5
of the opera is	5
has always seemed to	5
the age of thirteen	5
to take advantage of	5
are going to be	5
to be a little	5
i have heard her	5
that i shall never	5
did you do it	5
i have said before	5
she felt that she	5
the mouth without inhaling	5
who was born in	5
other members of the	5
of the season she	5
the next moment he	5
was a woman of	5
did not know that	5
a good general education	5
on a concert tour	5
he must have been	5
and that it was	5
is a man of	5
a thousand times more	5
of the garcia family	5
and he told me	5
a concert tour in	5
she had come to	5
what can be done	5
he was about to	5
of the man in	5
but crowned and blessed	5
i had never seen	5
the time when i	5
in the belle of	5
in a few hours	5
had come to her	5
it was then that	5
in the hope of	5
a student at the	5
had no idea of	5
a great deal about	5
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during a performance of	5
her hand on the	5
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go on with the	5
the return of the	5
i had not the	5
a matter of business	5
the bottom of my	5
the rector and joan	5
in the winter of	5
clara louise kellogg from	5
valentine in les huguenots	5
every one of them	5
louise kellogg from a	5
of the same kind	5
he was to be	5
music in new york	5
of the night before	5
it was a curious	5
when i am not	5
was a man who	5
he was at the	5
what to do with	5
i do not remember	5
such an extent that	5
out of my head	5
was immediately engaged for	5
a man who was	5
it was more than	5
the traditions of the	5
once your love but	5
in the same house	5
seemed to me a	5
the wife of the	5
did not know how	5
he had come to	5
take advantage of the	5
better than any one	5
he had tried to	5
room at artemis lodge	5
in new york with	5
ends of the earth	5
of the great french	5
been able to do	5
she stretched out her	5
at the new york	5
that if he were	5
she ought to be	5
the musical life of	5
than if she had	5
the kingdom of gladness	5
those who have seen	5
once upon a time	5
her that he was	5
on the score of	5
as though he had	5
at the metropolitan in	5
by the arrival of	5
with me to the	5
margaret and van torp	5
to the sea gull	5
must be remembered that	5
she opened the door	5
it did not occur	5
and it was said	5
who had been a	5
so there is no	5
to change her mind	5
now and then by	5
knew that he was	5
the admiration of the	5
one way or the	5
i drove to the	5
which i had to	5
royal opera in berlin	5
a bit of it	5
the following year she	5
i had made my	5
the atmosphere of the	5
and when he had	5
man in the moon	5
the contents of the	5
had the air of	5
when he was in	5
was fortunate enough to	5
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are to be found	5
it ought to be	5
as if it had	5
as though it had	5
was destined to be	5
the united states in	5
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that some of the	5
i had not been	5
i think of it	5
to that of the	5
told her that she	5
the notes of the	5
may not have been	5
is one of them	5
that her voice was	5
fact that i was	5
men and women of	5
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it is related that	5
at the idea of	5
for a moment in	5
was my good fortune	5
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knew that she was	5
there was plenty of	5
looking at him with	5
for two years she	5
is a part of	5
where she had been	5
was one of her	5
was not one of	5
wanted to know what	5
the man she loved	5
one of my most	5
way or the other	5
and the music of	5
at the paris conservatoire	5
and there is a	5
should like to see	5
of it was that	5
it was to the	5
to give her a	5
she was aware of	5
one of which was	5
way in which she	5
it was a little	5
she was invited to	5
the critic of the	5
we are told that	5
of a few of	5
of the voice and	5
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career as an artist	5
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as i was a	5
as a woman of	5
of the piano and	5
in new york the	5
for it was a	5
if they had been	5
in the shape of	5
for an operatic career	5
to get back to	5
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was obliged to go	5
in the rear of	5
that they did not	5
and from that time	5
i wonder if i	5
idea of singing in	5
her part in the	5
was under the management	5
sat down on the	5
never been able to	5
i had to sing	5
the face of a	5
of the third act	5
in the old italian	5
a case in point	5
going to tell you	5
on the point of	5
and she went to	5
received a letter from	5
the eyes of a	5
the management of mr	5
a good natural voice	5
me all the time	5
the yeoman of the	5
that there had been	5
as much as she	5
returned to new york	5
she said to herself	5
out of the water	5
this is the way	5
i have been in	5
for me to do	5
between nine and ten	5
felt that it was	5
go back to him	5
as if i had	5
any one who has	5
it would seem that	5
in the service of	5
he had taken the	5
in which i have	5
the opera had been	5
he was accustomed to	5
in a general way	5
to think of the	5
in gilbert and sullivan	5
was so successful that	5
if i were you	5
her first appearance as	5
rising of the curtain	5
to whom she was	5
the latter half of	5
at la scala in	5
saw that he was	5
in honor of the	5
the woman who had	5
being one of the	5
part of the world	5
i had been in	5
in such operas as	5
had heard her sing	5
take her in his	5
at a little distance	5
is no reason to	5
in a higher key	5
presented her with a	5
opera of that name	5
the first act is	5
it was easy to	5
where she made her	5
the first part of	5
singers of the world	5
the young singer to	5
the last scene of	5
did not mean to	5
i am very fond	5
the opposite side of	5
the world of art	5
she might have been	5
the effects of the	5
the shelter of the	5
the singer who is	5
i found myself in	5
it is the most	5
the aid of a	5
and when she was	5
that i may be	5
was not only a	5
not a happy one	5
did not wish to	5
the curtain rises upon	5
was the name of	5
on the stage for	5
was due to the	5
first time in the	5
and jean de reszke	5
though she had been	5
he does not know	5
no right to ask	5
i have heard that	5
later in the season	5
a singer of the	5
not one of the	5
i must have a	5
it was all very	5
that it was in	5
on his way to	5
the last time i	5
something out of the	5
after the first act	5
it not been for	5
him out of the	5
upper part of the	5
at one side of	5
it was difficult to	5
nothing to do but	5
for her in the	5
a great deal to	5
she sang at the	5
back to the house	5
it was in that	5
used to come to	5
of the royal family	5
the part of a	5
went up to the	5
on the stage of	5
does not seem to	5
the boston symphony orchestra	5
want you to come	5
about the size of	5
opposite side of the	5
point of view of	5
and out of the	5
of a great artist	5
after an absence of	5
i was in my	5
to the work of	5
because it is the	5
and she had a	5
an hour a day	5
it was a sort	5
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she told me that	5
must have a voice	5
of which she was	5
it had occurred to	5
it was she who	5
on the evening of	5
one hundred and fifty	5
it seemed to be	5
appearance in opera in	5
i must say that	5
of one of her	5
three or four years	5
which would have been	5
the force of her	5
a woman of genius	5
beyond the fact that	5
than it had been	5
up my mind to	5
now that you are	5
had a voice of	5
that was the beginning	5
on the threshold of	5
the words of a	5
two and a half	5
is followed by a	5
to sing for the	5
threw open the door	5
story is told of	5
the sound of her	5
the following year he	5
carl rosa opera company	5
to hear me sing	5
he will not be	5
he made his first	5
i have said that	5
the beginning of a	5
to the door of	5
come up to the	5
to be sure that	5
so i had to	5
was twelve years old	5
he had had a	5
she had been in	5
the most difficult of	5
if it were not	5
i have seen her	5
was going to do	5
of the italian opera	5
of sight of the	5
that i was not	5
beautiful and fascinating woman	5
with the greatest care	5
how once your love	5
large sum of money	5
i was on the	5
secrets of a savoyard	5
had not the slightest	5
and she began to	5
in the process of	5
end of the first	5
in the open air	5
it will not be	5
if you are not	5
at the crystal palace	5
in the bohemian girl	5
i began to feel	5
in my own case	5
the new york herald	5
the size of the	5
do you want to	5
love but crowned and	5
the teacher of the	5
in a position to	5
she once told me	5
it would be difficult	5
so it was with	5
a sense of humour	5
it is the custom	5
the most difficult to	5
man of the world	5
on the deck of	5
end of the war	5
when the curtain fell	5
when she was only	5
how do you know	5
he could not see	5
i am convinced that	5
as a great artist	5
was no one to	5
ought not to have	5
was born in at	5
the new york times	5
the rest of my	5
to a certain extent	5
director and his assistants	5
the hero of the	5
and all the time	5
of the second act	5
if i were a	5
of the great composer	5
the door closed behind	5
the effect of this	5
it was some time	5
this was followed by	5
in regard to her	5
the history of the	5
more than a quarter	5
the performance of the	5
later in the day	5
a sense of humor	5
for many years was	5
it did not matter	5
she was to sing	5
the fourth act of	5
to any one who	5
is no other way	5
that there is no	5
right down to the	5
looking down at her	5
i had to put	5
to sing for her	5
in any branch of	5
singers of the day	5
there is not one	5
do not know what	5
what in the world	5
had to be made	5
when asked if she	5
and she saw that	5
you are not a	5
other end of the	5
was for many years	5
down to the footlights	5
the action of the	5
is a matter of	5
i think there is	5
who had been the	5
knock at the door	5
he was a member	5
been one of the	5
is the daughter of	5
the whole of the	5
to give me a	5
through the medium of	5
the part of marguerite	5
a great variety of	5
in the latter part	5
what was going on	5
to learn to sing	5
but she does not	5
when she came back	5
go upon the stage	5
i wish i had	5
to such an extent	5
great success in london	5
in the salon of	5
it is always a	5
in the nature of	5
the title of the	5
do you know that	5
her first appearance on	5
the voice of a	5
was out of the	5
and it is to	5
he was not to	5
to make such a	5
that i had to	5
under the care of	5
happened to be the	5
said to be the	5
nothing more than a	5
though she did not	5
he was engaged at	5
for a day or	5
we went to the	5
from first to last	5
the captain of the	5
a large sum of	5
must have been in	5
is due to the	5
for the display of	5
not being able to	5
her next engagement was	5
on the stage with	5
the orchestra like a	5
out of sight of	5
i am not a	5
but it must be	5
it seems to be	5
the range of the	5
as i look back	5
of the two women	5
have been told that	5
my career as a	5
work on the stage	5
of the royal italian	5
and party on board	5
worked for in essex	5
that the art of	5
by the presence of	5
it should not be	5
to look at him	5
she has never been	5
is looked upon as	5
was very fond of	5
it is a story	5
engaged to sing at	5
had nothing to do	5
with miss de gervais	5
to give up the	5
what is the matter	5
she had brought him	5
could not fail to	5
the heart of a	5
the back of his	5
i was told that	5
seems to me a	5
of music in new	5
you think you could	5
did not see him	5
it is a fact	5
was evident that the	5
he would not have	5
there could be no	5
not sing at all	5
what do you say	5
the young singer is	5
he would have to	5
of a great singer	5
the career of the	5
this man who had	5
to be a good	5
in such a manner	5
and he was not	5
is followed by the	5
i was to make	5
the victim of a	5
found it difficult to	5
she retires from the	5
and i could not	5
by the end of	5
went to the window	5
do you mean that	5
in one of her	5
when he went to	5
as long as i	5
when i came to	5
conception of the character	5
and a couple of	5
was a very good	5
on the edge of	5
of which i am	5
the story of a	5
is not at all	5
while she was singing	5
when she had finished	5
far as i can	5
it was my good	5
she did not look	5
going to be married	5
for her to sing	5
and a half octaves	5
it was only the	5
the order of the	5
when i was studying	5
is the only way	5
on the french stage	5
time to dress for	5
in the list of	5
she became a pupil	5
thought that he had	5
i should have to	5
i was in the	5
and i have a	5
as to be almost	5
was too much for	5
saw that she was	5
and had to be	5
the piano and its	5
the banks of the	5
dowager duchess of somerset	5
it was not to	5
it out of the	5
to be the most	5
to say that it	5
she came back to	5
she gave a little	5
i worked for in	5
your love but crowned	5
of the opera company	5
for two or three	5
you think of that	5
not a bit of	5
back in her chair	5
he had not seen	5
where i had been	5
at the present time	5
he was out of	5
i told him that	5
come back to you	5
to be an artist	5
the air like a	5
that was the way	5
of her own personality	5
of the young singer	5
from the effects of	5
during the process of	5
the wear and tear	5
so much to learn	5
came back to him	5
when she was a	5
prima donna at the	5
to the lyric stage	5
him that he was	5
the excitement of the	5
she visited the united	5
beyond the reach of	5
was born in the	5
his connection with the	5
in spite of its	5
from the very beginning	5
seemed to be no	5
the intendant of the	5
i ought to have	5
side of the footlights	5
on the opposite side	5
she had made a	5
that you have a	5
when she was about	5
the idea of the	5
on the breast of	5
had been obliged to	5
was brought out in	5
when the curtain rises	5
in which i had	5
in a few minutes	5
the advantage of the	5
in the prime of	5
is heard in the	5
anything in the world	5
do not think that	5
from the theatre to	5
in the mean time	5
in those days i	5
looked up at the	5
she was supposed to	5
on the side of	5
occurred to me that	5
the operas in which	5
the value of work	5
and she was obliged	5
the floor of the	5
that she was quite	5
in the choir of	5
but it does not	5
by the time he	5
in concert and oratorio	5
he said in a	5
brought back to her	5
it proved to be	5
he was born at	5
as an interpreter of	5
my father and mother	5
first appearance in the	5
on the lookout for	5
down on his luck	5
i could not have	5
all that there is	5
a man in the	5
a part in which	5
i have never had	5
there was a sort	5
the words of the	5
say that i am	5
i am sure it	5
that it did not	5
is the most difficult	5
and a little later	5
what i am doing	5
to the verge of	5
at her with a	5
of the greatest singers	5
that she was to	5
it will be very	5
in order to make	5
in the depths of	5
she could not sing	5
there was nothing to	5
as she would have	5
the next season she	5
to go down to	5
and it would be	5
so that it was	5
the training of the	5
the first half of	5
the opera comique in	5
had fallen in love	5
than that of any	5
to speak of the	5
and yet it is	5
which she appeared in	5
in new york as	5
as far as i	5
it is only a	5
with the music of	5
the royal opera house	5
in she made a	5
it need not be	5
in the fall of	5
that she had a	5
what was going to	5
you ask me to	5
he had left her	5
to think of it	5
came back to the	5
no one had ever	5
one hundred and twenty	5
in the right way	5
idol of the public	5
the wife of an	5
the door of a	5
up in the air	5
as i told you	5
was still in the	5
there were times when	5
was the beginning of	5
as long as she	5
half an hour later	5
he was a good	5
i did not realise	4
one of the english	4
my way to the	4
she thought of the	4
season at the metropolitan	4
led her to the	4
was followed by a	4
the fact that one	4
than he had been	4
i have had a	4
for good and all	4
and i was engaged	4
seemed to him that	4
in she sang at	4
it may be fancied	4
can be done without	4
there anything i can	4
but i find that	4
learn how to sing	4
end of that time	4
she was old enough	4
first half of the	4
want you to go	4
and the rest of	4
did not like the	4
at the san carlo	4
was a great friend	4
with a tinge of	4
and moulton opera company	4
i have always found	4
in such parts as	4
she was a well	4
do not mean to	4
the opening bars of	4
range of her voice	4
never for a moment	4
there is nothing like	4
german singer of the	4
and shook her head	4
at last i shall	4
and it will be	4
the edge of her	4
almost seemed as though	4
and it is very	4
every member of the	4
in my own mind	4
my dear young lady	4
as in the case	4
was the subject of	4
out of his own	4
greatest singers of the	4
study the art of	4
as she went down	4
of any of the	4
made a dive for	4
was a case of	4
in which it had	4
would be likely to	4
when she appeared in	4
of the breath is	4
i had been singing	4
there was to be	4
in her own language	4
during the summer of	4
knew that she had	4
if i am not	4
under sentence of death	4
but that she had	4
and for a time	4
while she was in	4
i had not had	4
as i have already	4
was taught singing by	4
had forgotten all about	4
the result of the	4
as a little girl	4
in the mind of	4
and his eyes were	4
be a part of	4
the same time to	4
so many of the	4
the aid of the	4
she was singing at	4
you feel that you	4
was then that i	4
and she sang the	4
to hear great singers	4
in the rue de	4
say that it is	4
she has always been	4
but no one could	4
in a letter to	4
but there is no	4
singers in the world	4
that here was a	4
i think he was	4
you ought to be	4
need not be said	4
while we were in	4
my sister and i	4
the carl rosa opera	4
do not believe it	4
for which he was	4
he went back to	4
the secrets of a	4
had not been for	4
the music of mozart	4
figure of a woman	4
and looked at the	4
the fact that it	4
on the stage was	4
she said in her	4
right kind of a	4
this is by no	4
that of any other	4
in the world is	4
the misses green were	4
they will not be	4
he had told her	4
to keep out of	4
in less than a	4
in which she made	4
the place of the	4
here and there by	4
which enabled her to	4
the quality of her	4
there had been some	4
going to do with	4
it would be much	4
it was a man	4
and this is a	4
to sing with the	4
had the effect of	4
looked up to see	4
he was not at	4
was a good deal	4
much to do with	4
to be obliged to	4
be a great singer	4
did not make a	4
i had to wait	4
that there was nothing	4
to the literature of	4
more than a few	4
the matter of the	4
years of my life	4
singer of the century	4
forgotten all about the	4
at the piano and	4
a voice that is	4
she did not understand	4
waiting for an answer	4
to the prima donna	4
it was time for	4
to return to america	4
and other parts of	4
a point of honour	4
was a great artist	4
characteristics as a singer	4
is a good example	4
he did not even	4
was impossible for a	4
such a way as	4
as well as great	4
when he had his	4
i would have to	4
the th of december	4
i thought it was	4
had no intention of	4
than any of the	4
the first thing that	4
houses of the world	4
the height of her	4
he had never been	4
his knowledge of the	4
him as soon as	4
of the nature of	4
to see if he	4
by a host of	4
the united states and	4
the managers of the	4
a professor of singing	4
that he himself was	4
you do not love	4
is one of those	4
i thought she was	4
in new york is	4
and if he had	4
with each other in	4
that could be desired	4
the impression that she	4
and i advise you	4
so far as she	4
i was not to	4
at the door and	4
in the front of	4
he was in his	4
the ladies of the	4
a long time since	4
to me that i	4
enough to be a	4
as much as you	4
with adrienne de gervais	4
into the room and	4
i was glad to	4
the man did not	4
if i could only	4
i will tell you	4
of the house and	4
nearly a quarter of	4
and the curtain descends	4
the idol of her	4
her for the first	4
know what it was	4
the singer must be	4
the news of her	4
that i shall be	4
that might have been	4
she sang at a	4
one of the chief	4
close of the season	4
the middle of it	4
make the most of	4
has told me that	4
the same as the	4
on the road to	4
is a story of	4
he felt that he	4
had no idea that	4
i was only a	4
when he was not	4
each vowel in turn	4
was amazed at the	4
at the right time	4
on a pile of	4
when i was about	4
on one occasion he	4
and she does not	4
and asked to see	4
and it must be	4
i did not like	4
art of bel canto	4
there will not be	4
to keep up the	4
of the most notable	4
place in the world	4
to go with him	4
the first time the	4
a flock of birds	4
first appearance was in	4
seems to be the	4
in those days were	4
that he was never	4
i know not what	4
another member of the	4
of the swedish nightingale	4
the figure of the	4
was considered to be	4
i came to the	4
in so far as	4
first produced at the	4
then and there to	4
well as i do	4
catch a glimpse of	4
that he had had	4
a singer who was	4
would not be able	4
old academy of music	4
in which she is	4
in the country with	4
am not going to	4
she was in a	4
of the first rank	4
the music of his	4
to compare her with	4
at the very outset	4
that i was going	4
it is well to	4