This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
quadgram | frequency |
---|---|
la la la la | 665 |
fa la la la | 237 |
no no no no | 69 |
early english books online | 61 |
la fa la la | 58 |
la la fa la | 52 |
mery mery mery mery | 36 |
fa la la fa | 35 |
a canon in the | 33 |
in the life to | 27 |
sing fa la la | 27 |
represented either as utf | 26 |
characters represented either as | 26 |
fie fie fie fie | 25 |
no no my deere | 24 |
ha ha ha ha | 23 |
and now i liue | 23 |
cherie ripe cherie ripe | 23 |
about to slay me | 22 |
fa la fa la | 22 |
and shee s a | 21 |
no no no my | 20 |
giue thee blessing out | 20 |
but yet her hart | 20 |
thee blessing out of | 20 |
that that that that | 19 |
my life is done | 19 |
the spring is past | 19 |
my prime of youth | 19 |
doth not mind thee | 18 |
that so doth blind | 17 |
loue one doth not | 17 |
now now now now | 17 |
one doth not mind | 17 |
so doth blind thee | 17 |
yet it is not | 17 |
la la la fa | 17 |
to loue one doth | 17 |
and are to be | 17 |
ripe til cherie ripe | 17 |
to the terms of | 16 |
text is available for | 16 |
books online text creation | 16 |
and markup reviewed and | 16 |
described above is co | 16 |
and encoded edition of | 16 |
edition of the work | 16 |
of the work described | 16 |
the work described above | 16 |
text can be copied | 16 |
phase i text is | 16 |
keyed and coded from | 16 |
the institutions providing financial | 16 |
markup reviewed and edited | 16 |
by the institutions providing | 16 |
for keying and markup | 16 |
the text can be | 16 |
to the early english | 16 |
from proquest page images | 16 |
english books online text | 16 |
this phase i text | 16 |
institutions providing financial support | 16 |
text and markup reviewed | 16 |
providing financial support to | 16 |
support to the early | 16 |
images scanned from microfilm | 16 |
is available for reuse | 16 |
all without asking permission | 16 |
encoded edition of the | 16 |
keyboarded and encoded edition | 16 |
iv tiff page images | 16 |
owned by the institutions | 16 |
i text is available | 16 |
even for commercial purposes | 16 |
terms of creative commons | 16 |
tcp assigned for keying | 16 |
the terms of creative | 16 |
and coded from proquest | 16 |
according to the terms | 16 |
this keyboarded and encoded | 16 |
assigned for keying and | 16 |
work described above is | 16 |
coded from proquest page | 16 |
financial support to the | 16 |
yet i was not | 16 |
encoded text transcribed from | 16 |
the early english books | 16 |
online text creation partnership | 16 |
the life to come | 16 |
shee s a feasting | 15 |
it is not spun | 15 |
to my loue content | 15 |
nor prince may buy | 15 |
to spare then spill | 14 |
but a point to | 14 |
that hath my loue | 14 |
did yeeld such sweet | 14 |
loue content will bring | 14 |
thou goest about to | 14 |
a point to the | 14 |
my loue in hould | 14 |
goest about to slay | 14 |
thou goest about about | 14 |
hath my loue in | 14 |
texts created during phase | 13 |
remain and some readable | 13 |
of the tei in | 13 |
markup guidelines are available | 13 |
the encoding was enhanced | 13 |
are eligible for inclusion | 13 |
of any assumptions that | 13 |
changes to facilitate morpho | 13 |
tei in libraries guidelines | 13 |
restraints of time and | 13 |
be made about the | 13 |
true nature of the | 13 |
attribution is given to | 13 |
tcp is to encode | 13 |
request that due credit | 13 |
transformed into placeholder characters | 13 |
was based on the | 13 |
some readable characters will | 13 |
but we respectfully request | 13 |
or later edition of | 13 |
was proofread for accuracy | 13 |
and available in eebo | 13 |
gaps by user contributors | 13 |
the new cambridge bibliography | 13 |
elements to simplify the | 13 |
a second or later | 13 |
wide variety of subject | 13 |
is to encode one | 13 |
sometimes a second or | 13 |
will be marked as | 13 |
or text strings within | 13 |
known extent have been | 13 |
of every monographic english | 13 |
have been transformed into | 13 |
page images in accordance | 13 |
therefore of any assumptions | 13 |
the tei in libraries | 13 |
of a work was | 13 |
the text encoding initiative | 13 |
users should bear in | 13 |
accurately transcribed and encoded | 13 |
been looked at by | 13 |
in all likelihood such | 13 |
of a works in | 13 |
by a tcp editor | 13 |
text was proofread for | 13 |
included and sometimes a | 13 |
to external keying companies | 13 |
at the text creation | 13 |
and sometimes a second | 13 |
of time and funding | 13 |
there was a compelling | 13 |
intended to range over | 13 |
was a compelling reason | 13 |
edition of a work | 13 |
proquest via their early | 13 |
in oxford and michigan | 13 |
proofread for accuracy and | 13 |
editorial teams in oxford | 13 |
to page images in | 13 |
illegibles were encoded as | 13 |
data within the usual | 13 |
universities of michigan and | 13 |
via their early english | 13 |
a number of works | 13 |
encoding was enhanced and | 13 |
now take and use | 13 |
keying and markup guidelines | 13 |
any assumptions that can | 13 |
of textual data within | 13 |
characters or elements to | 13 |
available at the text | 13 |
ascii text with mnemonic | 13 |
the keyers to be | 13 |
process of creating the | 13 |
mainly structural encoding based | 13 |
in of gaps by | 13 |
instances will never have | 13 |
least through thy wound | 13 |
to encode one copy | 13 |
divided into two phases | 13 |
into the public domain | 13 |
texts for their own | 13 |
or for an anonymous | 13 |
with level of the | 13 |
made about the data | 13 |
usual project restraints of | 13 |
was enhanced and or | 13 |
that due credit and | 13 |
any remaining illegibles were | 13 |
therefore chose to create | 13 |
at by a tcp | 13 |
are available at the | 13 |
encoded texts based on | 13 |
tcp aimed to produce | 13 |
to tei p using | 13 |
these texts for their | 13 |
selection was based on | 13 |
and characters marked as | 13 |
of tcp data is | 13 |
not meet qa standards | 13 |
the universities of michigan | 13 |
a wide variety of | 13 |
based on the new | 13 |
of works in other | 13 |
to a limit of | 13 |
image sets published by | 13 |
given to their original | 13 |
the usual project restraints | 13 |
use these texts for | 13 |
each text was proofread | 13 |
should make clear that | 13 |
by university of nebraska | 13 |
phase of the project | 13 |
p using tcp tei | 13 |
on the image sets | 13 |
have been issued variously | 13 |
will remain and some | 13 |
those which did not | 13 |
and therefore chose to | 13 |
with mnemonic sdata character | 13 |
new cambridge bibliography of | 13 |
of the process of | 13 |
project was divided into | 13 |
textual data within the | 13 |
and or corrected and | 13 |
understanding these processes should | 13 |
in mind that in | 13 |
were encoded and linked | 13 |
is a partnership between | 13 |
my loue content will | 13 |
possible up to a | 13 |
marked as illegible were | 13 |
and markup guidelines are | 13 |
sent to external keying | 13 |
characters marked as illegible | 13 |
oxford and the publisher | 13 |
works are eligible for | 13 |
domain as of january | 13 |
on the new cambridge | 13 |
to create diplomatic transcriptions | 13 |
if there was a | 13 |
created by converting tcp | 13 |
work was chosen if | 13 |
returned to the keyers | 13 |
remaining illegibles were encoded | 13 |
level of the tei | 13 |
simplify the filling in | 13 |
these processes should make | 13 |
was chosen if there | 13 |
notably latin and welsh | 13 |
all likelihood such instances | 13 |
nature of the print | 13 |
of gaps by user | 13 |
creation partnership web site | 13 |
tcp data is very | 13 |
works in english were | 13 |
data is very good | 13 |
keyers to be redone | 13 |
have been released into | 13 |
the project have been | 13 |
unicode or tei g | 13 |
were sent to external | 13 |
to produce large quantities | 13 |
the texts have been | 13 |
to create accurately transcribed | 13 |
over a wide variety | 13 |
companies for transcription and | 13 |
linked to page images | 13 |
their early english books | 13 |
accordance with level of | 13 |
transcribed and encoded texts | 13 |
tei p using tcp | 13 |
image sets were sent | 13 |
aimed to produce large | 13 |
published by proquest via | 13 |
characters will be marked | 13 |
that in all likelihood | 13 |
teams in oxford and | 13 |
mnemonic sdata character entities | 13 |
qa standards were returned | 13 |
a partnership between the | 13 |
bear in mind that | 13 |
record of the period | 13 |
text strings within braces | 13 |
first editions of a | 13 |
texts based on the | 13 |
external keying companies for | 13 |
were corrected where possible | 13 |
compelling reason to do | 13 |
tcp files to tei | 13 |
encoded as gap s | 13 |
o lord bow down | 13 |
never have been looked | 13 |
as illegible were corrected | 13 |
copies of the texts | 13 |
out by editorial teams | 13 |
tcp is a partnership | 13 |
quantities of textual data | 13 |
their works are eligible | 13 |
works in other languages | 13 |
in accordance with level | 13 |
assumptions that can be | 13 |
range over a wide | 13 |
then carried out by | 13 |
meet qa standards were | 13 |
files to tei p | 13 |
accuracy and those which | 13 |
public domain as of | 13 |
errors will remain and | 13 |
produce large quantities of | 13 |
such instances will never | 13 |
the public domain as | 13 |
to range over a | 13 |
standards were returned to | 13 |
structural encoding based on | 13 |
chose to create diplomatic | 13 |
keying companies for transcription | 13 |
little part thou hast | 13 |
carried out by editorial | 13 |
of known extent have | 13 |
of the project have | 13 |
and use these texts | 13 |
take and use these | 13 |
large quantities of textual | 13 |
to simplify the filling | 13 |
unicode or text strings | 13 |
are a number of | 13 |
my feast of ioy | 13 |
and those which did | 13 |
or elements to simplify | 13 |
a compelling reason to | 13 |
text with mnemonic sdata | 13 |
a work was chosen | 13 |
the general aim of | 13 |
processed by university of | 13 |
created during phase of | 13 |
of michigan and oxford | 13 |
some errors will remain | 13 |
a works in english | 13 |
by converting tcp files | 13 |
between and available in | 13 |
extent have been transformed | 13 |
to the keyers to | 13 |
due credit and attribution | 13 |
bibliography of english literature | 13 |
of each text was | 13 |
whichever is the greater | 13 |
released into the public | 13 |
were returned to the | 13 |
while the overall quality | 13 |
although there are a | 13 |
in english were prioritized | 13 |
be marked as illegible | 13 |
i weepe and shee | 13 |
based on the text | 13 |
filling in of gaps | 13 |
partnership between the universities | 13 |
later edition of a | 13 |
create accurately transcribed and | 13 |
title published between and | 13 |
users should be aware | 13 |
looked at by a | 13 |
the filling in of | 13 |
or corrected and characters | 13 |
reason to do so | 13 |
for accuracy and those | 13 |
aware of the process | 13 |
corrected where possible up | 13 |
the texts were encoded | 13 |
enhanced and or corrected | 13 |
by proquest via their | 13 |
was intended to range | 13 |
based on the image | 13 |
images in accordance with | 13 |
the image sets published | 13 |
and oxford and the | 13 |
sets published by proquest | 13 |
texts were encoded and | 13 |
that can be made | 13 |
language title published between | 13 |
number of works in | 13 |
a stc estc s | 13 |
processes should make clear | 13 |
were encoded as gap | 13 |
selection was intended to | 13 |
for an anonymous work | 13 |
did not meet qa | 13 |
bow down thine eare | 13 |
second or later edition | 13 |
up to a limit | 13 |
a limit of instances | 13 |
creating the tcp texts | 13 |
during phase of the | 13 |
quality assurance was then | 13 |
guidelines are available at | 13 |
elements of known extent | 13 |
by editorial teams in | 13 |
and the publisher proquest | 13 |
usually the first edition | 13 |
overall quality of tcp | 13 |
michigan and oxford and | 13 |
for their own purposes | 13 |
of the print record | 13 |
companions of the night | 13 |
print record of the | 13 |
assurance was then carried | 13 |
encoding based on the | 13 |
and linked to page | 13 |
been transformed into placeholder | 13 |
readable characters will be | 13 |
reflect the true nature | 13 |
the process of creating | 13 |
anyone can now take | 13 |
texts have been issued | 13 |
into placeholder characters or | 13 |
tcp project was divided | 13 |
was divided into two | 13 |
mind that in all | 13 |
been released into the | 13 |
the print record of | 13 |
between the universities of | 13 |
general aim of eebo | 13 |
was then carried out | 13 |
quality of tcp data | 13 |
is given to their | 13 |
within the usual project | 13 |
and attribution is given | 13 |
the publisher proquest to | 13 |
of the texts have | 13 |
there are a number | 13 |
of creating the tcp | 13 |
the true nature of | 13 |
should be aware of | 13 |
limit of instances per | 13 |
transcription and basic encoding | 13 |
we respectfully request that | 13 |
publisher proquest to create | 13 |
to their original source | 13 |
be aware of the | 13 |
been issued variously as | 13 |
lord bow down thine | 13 |
variety of subject areas | 13 |
on the text encoding | 13 |
placeholder characters or elements | 13 |
and some readable characters | 13 |
the text creation partnership | 13 |
text creation partnership web | 13 |
or tei g elements | 13 |
issued variously as sgml | 13 |
and encoded texts based | 13 |
the overall quality of | 13 |
corrected and characters marked | 13 |
weepe and shee s | 13 |
respectfully request that due | 13 |
opposed to critical editions | 13 |
gap elements of known | 13 |
cambridge bibliography of english | 13 |
to reflect the true | 13 |
chosen if there was | 13 |
published between and available | 13 |
can now take and | 13 |
credit and attribution is | 13 |
with changes to facilitate | 13 |
project restraints of time | 13 |
and therefore of any | 13 |
encoded and linked to | 13 |
which did not meet | 13 |
will never have been | 13 |
should bear in mind | 13 |
project have been released | 13 |
for transcription and basic | 13 |
converting tcp files to | 13 |
sets were sent to | 13 |
text selection was based | 13 |
can be made about | 13 |
likelihood such instances will | 13 |
then their works are | 13 |
where possible up to | 13 |
editions of a works | 13 |
of instances per text | 13 |
as opposed to critical | 13 |
proquest to create accurately | 13 |
have been looked at | 13 |
illegible were corrected where | 13 |
canon in the vnison | 12 |
estc s this keyboarded | 12 |
to be sold at | 12 |
now now my life | 12 |
and master of the | 12 |
stc estc s this | 12 |
la fa la fa | 12 |
yet i saw no | 12 |
the world shall end | 12 |
printed by thomas este | 12 |
ye seruants of the | 12 |
a dish of paine | 12 |
he onely can behold | 12 |
and now now now | 12 |
through thy wound i | 12 |
come sit by me | 12 |
her eyes like angels | 12 |
s this keyboarded and | 12 |
thy thoughts in silence | 12 |
seruants of the lord | 12 |
that which i may | 12 |
are to be sold | 12 |
the house of the | 12 |
you did this deede | 12 |
doth yeeld vnto the | 12 |
these to my loue | 12 |
since loue and fortune | 12 |
thy wound i die | 12 |
cruell fates and spightfull | 12 |
which all thy thoughts | 12 |
and yet i was | 12 |
master of the choristers | 12 |
my deere let bee | 12 |
reproduction of the original | 11 |
of the original in | 11 |
and yet i liue | 11 |
canon in the unison | 11 |
house of the lord | 11 |
and the holy ghost | 11 |
hope a king doth | 11 |
her eyes her eyes | 11 |
in hope a king | 11 |
i doe loue thee | 11 |
blessing out of sion | 11 |
and raigneth with thee | 11 |
sacred cheries to com | 11 |
for viols and voices | 11 |
now praise the lord | 11 |
the original in the | 11 |
that none may buy | 11 |
now now now my | 11 |
endeth the songs of | 11 |
let heauinesse and griefe | 11 |
vnto dust be brought | 11 |
eyes her eyes like | 10 |
doe this in my | 10 |
more cruell can you | 10 |
may forgoe so ill | 10 |
about about to slay | 10 |
my life that hath | 10 |
yee that ioy in | 10 |
by night stand in | 10 |
life that hath my | 10 |
thing more cruell can | 10 |
kingdom in the life | 10 |
now my life is | 10 |
ye that by night | 10 |
composed by robert iones | 10 |
the man vpright of | 10 |
my choice is made | 10 |
in thy sons name | 10 |
the leaues be greene | 10 |
more but hope good | 10 |
stand in the house | 10 |
and take mee with | 10 |
if so you will | 10 |
i not from comfort | 10 |
pittie deere loue my | 10 |
silly sheepe and i | 10 |
o cruell fates and | 10 |
a friend to mee | 10 |
in the house of | 10 |
yet it hath not | 10 |
with thee and the | 10 |
faire beautie mixt with | 10 |
of my life that | 10 |
no more but hope | 10 |
and prayse the lord | 10 |
i may forgoe so | 10 |
assigne of william barley | 10 |
but a dish of | 10 |
and yet it is | 10 |
cheries to com nie | 10 |
should i not from | 10 |
ripe cherie ripe ripe | 10 |
my silly sheepe and | 10 |
cruell can you doe | 10 |
the oxe doth yeeld | 10 |
man vpright of life | 10 |
and yet it hath | 10 |
i sigh as sure | 10 |
the greatest fish in | 10 |
my pittie mouing words | 10 |
night stand in the | 10 |
til cherie ripe ripe | 10 |
till all the vallies | 10 |
what thing more cruell | 10 |
for the most part | 10 |
in a thousand kisses | 10 |
but hope good hart | 10 |
rest with your selues | 10 |
the assigne of william | 10 |
yeeld such sweet content | 10 |
it hath not sprung | 10 |
that ioy in wayling | 10 |
all yee that ioy | 10 |
all thy thoughts in | 10 |
for al his strength | 10 |
take mee with thee | 10 |
is but a dish | 10 |
that by night stand | 10 |
o that her hart | 10 |
for lust is fraile | 10 |
sadnesse is fittest now | 10 |
a kingdom in the | 10 |
and kill him to | 10 |
the steele obeyeth the | 9 |
and yet i saw | 9 |
this life from loue | 9 |
doe my error know | 9 |
is thou o lord | 9 |
is a garden in | 9 |
but deere tell mee | 9 |
to ease my care | 9 |
tongue thou begst to | 9 |
begst to ease my | 9 |
when truth is not | 9 |
there is a garden | 9 |
and yet the leaues | 9 |
no peere nor prince | 9 |
in vaine my tongue | 9 |
you may for your | 9 |
must vnto dust be | 9 |
now those iolly swaines | 9 |
all thy loue from | 9 |
garden in her face | 9 |
as her lookes are | 9 |
blessing out of si | 9 |
i saw no sunne | 9 |
little little part thou | 9 |
the mery month of | 9 |
thou shalt bee my | 9 |
shalt bee my bonny | 9 |
my crop of corne | 9 |
and doe my error | 9 |
buds fild with snow | 9 |
goest about about about | 9 |
my threed is cut | 9 |
and yet i am | 9 |
looke like rose buds | 9 |
were as her lookes | 9 |
vaine hope of gaine | 9 |
are now those iolly | 9 |
there you may for | 9 |
they looke like rose | 9 |
these sacred cheries to | 9 |
o come againe my | 9 |
yet i am but | 9 |
the cathedrall church of | 9 |
loue my pittie mouing | 9 |
now the country lasses | 9 |
and all my good | 9 |
come againe my loue | 9 |
point to the world | 9 |
merry month of may | 9 |
so to betray me | 9 |
my tongue thou begst | 9 |
coridon would kisse her | 9 |
my youth is gone | 9 |
country lasses hie them | 9 |
and thou shalt bee | 9 |
raigneth with thee and | 9 |
greatest fish in deepest | 9 |
or a month or | 9 |
i saw the world | 9 |
in vaine my hope | 9 |
a day or a | 9 |
i can no more | 9 |
thee and the holy | 9 |
earthes but a point | 9 |
by the band of | 9 |
in the mery month | 9 |
sweet loue i erre | 9 |
o stay faire cruell | 9 |
a garden in her | 9 |
then should i not | 9 |
a kingdome in the | 9 |
the country lasses hie | 9 |
from mee my iewell | 9 |
deere loue my pittie | 9 |
tableture for the lute | 9 |
on my deare i | 9 |
vaine my tongue thou | 9 |
when on my deare | 9 |
can no more but | 9 |
what friendship is in | 9 |
that made both heauen | 9 |
peere nor prince may | 9 |
if a day or | 9 |
liueth and raigneth with | 9 |
the fruit is dead | 9 |
mery month of may | 9 |
thou begst to ease | 9 |
where are now those | 9 |
who liueth and raigneth | 9 |
sigh as sure to | 9 |
t is thou o | 9 |
would kisse her then | 9 |
life from loue his | 9 |
loues this life from | 9 |
together by the band | 9 |
that there you may | 9 |
who loues this life | 9 |
kingdome in the life | 9 |
my deare i doe | 9 |
so you will beleeue | 9 |
from loue his loue | 9 |
day or a month | 9 |
behold now praise the | 9 |
there are fine flowers | 9 |
london printed by thomas | 8 |
shee o shee my | 8 |
for i haue found | 8 |
wit bids wil to | 8 |
to thee in thy | 8 |
nought or little did | 8 |
and all is but | 8 |
sigh as one that | 8 |
my life is fled | 8 |
and old growes stale | 8 |
be sold at the | 8 |
let those sweet eies | 8 |
play not too fast | 8 |
in london printed by | 8 |
my soule with sadnesse | 8 |
first fruits of my | 8 |
as i was walking | 8 |
o shee my loue | 8 |
loue makes a solemne | 8 |
name right your notes | 8 |
oh doe not run | 8 |
that runs too swift | 8 |
i sigh as one | 8 |
to bid take heed | 8 |
it are all assenting | 8 |
with roses and lillies | 8 |
the first fruits of | 8 |
i doe demaund the | 8 |
where you did this | 8 |
the subiect of my | 8 |
and help mee sing | 8 |
yet she is modest | 8 |
i was not seen | 8 |
the mauis sweetly caroling | 8 |
life is fled is | 8 |
though wit bids wil | 8 |
newly composed by michaell | 8 |
that wrap my ioyes | 8 |
her absence i lament | 8 |
a table of all | 8 |
o come and take | 8 |
is fled is fled | 8 |
i le muse on | 8 |
away from mee my | 8 |
ripe cherie ripe cherie | 8 |
but that but that | 8 |
run away from mee | 8 |
to kil to kil | 8 |
here endeth the songes | 8 |
table of all the | 8 |
there be many mo | 8 |
doe not still torment | 8 |
is dead for loue | 8 |
but in his griefes | 8 |
not still torment mee | 8 |
my faith serues where | 8 |
rose buds fild with | 8 |
nor secret vautes to | 8 |
make to thee in | 8 |
those sweet eies that | 8 |
i was not seene | 8 |
not run away from | 8 |
thee in thy sons | 8 |
endeth the songes of | 8 |
secret vautes to flie | 8 |
it nought or little | 8 |
a frost of cares | 8 |
bids wil to blow | 8 |
deare i doe demaund | 8 |
sing this as that | 8 |
ioy of my life | 8 |
the trees for feare | 8 |
whose thoughts before they | 8 |
all is but beguiling | 8 |
like rose buds fild | 8 |
friendship is in this | 8 |
doe demaund the due | 8 |
the last but one | 8 |
oxe doth yeeld vnto | 8 |
not from comfort be | 8 |
sing shepheards sweetly sing | 8 |
beautie mixt with chastitie | 8 |
vaine my faith serues | 8 |
to it are all | 8 |
wil to blow retreate | 8 |
truth is not rewar | 8 |
doe not run away | 8 |
this and no more | 8 |
le muse on thee | 8 |
for the deliuerance of | 7 |
they wedde their griefe | 7 |
teach in priuate families | 7 |
not so hard harted | 7 |
hope cums likewise after | 7 |
the lord that made | 7 |
wit to bid take | 7 |
all for the most | 7 |
come loue le ts | 7 |
of sweet and daintie | 7 |
i did but kisse | 7 |
apt for instrumentes and | 7 |
as well as thou | 7 |
prayers which we make | 7 |
eyes like angels watch | 7 |
such as teach in | 7 |
hope still did help | 7 |
the delight of gentlemen | 7 |
women what are they | 7 |
as teach in priuate | 7 |
delight of gentlemen and | 7 |
down thine eare vnto | 7 |
howres recreation in musicke | 7 |
whole estate from the | 7 |
fish in deepest brook | 7 |
and fire the hart | 7 |
come and take mee | 7 |
of the king and | 7 |
shee s a daunsing | 7 |
all ye seruants of | 7 |
for wit to bid | 7 |
alison gentleman and practitioner | 7 |
to see a nimph | 7 |
from the late conspiracie | 7 |
an howres recreation in | 7 |
by richard alison gentleman | 7 |
heere endeth the songs | 7 |
the whole estate from | 7 |
my ioyes are all | 7 |
pirling brooke whose siluer | 7 |
practitioner in this arte | 7 |
and still i le | 7 |
i abide this praunsing | 7 |
one and the same | 7 |
doth go to war | 7 |
eare vnto our prayers | 7 |
to depart from my | 7 |
help mee sing lamenting | 7 |
of gentlemen and others | 7 |
thus for to wrong | 7 |
for instrumentes and voyces | 7 |
my lyfe is done | 7 |
cherie ripe ripe til | 7 |
to bee to bee | 7 |
knight of the most | 7 |
the long preseruation of | 7 |
long preseruation of the | 7 |
covantage keyed and coded | 7 |
the most part with | 7 |
apt for viols and | 7 |
for the delight of | 7 |
a counsell with my | 7 |
that thus you know | 7 |
still i le loue | 7 |
a prayer for the | 7 |
is this faire excusing | 7 |
terrors of the skies | 7 |
she hath an eye | 7 |
high in daphnes praise | 7 |
till force beare downe | 7 |
farewell my happie daies | 7 |
framed for the delight | 7 |
her lookes are mylde | 7 |
thankesgiuing for the deliuerance | 7 |
ore the parke amaine | 7 |
in vaine my thoughts | 7 |
o he is gone | 7 |
i as well as | 7 |
drawing to their end | 7 |
can i abide this | 7 |
lie downe and die | 7 |
prayer for the long | 7 |
wel affected to that | 7 |
thine eare vnto our | 7 |
of the house of | 7 |
of the whole estate | 7 |
part with two trebles | 7 |
to betray our kisses | 7 |
late for wit to | 7 |
in vaine my faith | 7 |
it seemes a foolish | 7 |
with a prayer for | 7 |
of all which parts | 7 |
which are wel affected | 7 |
cals and neuer ceaseth | 7 |
gentleman and practitioner in | 7 |
are wel affected to | 7 |
for to spare then | 7 |
we make to thee | 7 |
comes tripping ore the | 7 |
which i may for | 7 |
stay but a while | 7 |
tripping ore the parke | 7 |
i loue no long | 7 |
my hope a counsell | 7 |
in a thousand kis | 7 |
a pirling brooke whose | 7 |
counsell with my loue | 7 |
depart from my hart | 7 |
pleasant fruits do flow | 7 |
king and his posteritie | 7 |
not on sinful sands | 7 |
and a thankesgiuing for | 7 |
and others which are | 7 |
hope a counsell with | 7 |
others which are wel | 7 |
most part with two | 7 |
on high in daphnes | 7 |
did but kisse her | 7 |
our prayers which we | 7 |
ripe ripe til cherie | 7 |
a solemne holy day | 7 |
richard alison gentleman and | 7 |
and too too cruell | 7 |
affected to that qualitie | 7 |
astrea queene of beautie | 7 |
hope thou the best | 7 |
the heart is true | 7 |
reward for sharpest paine | 7 |
preseruation of the king | 7 |
and practitioner in this | 7 |
fresh may to bring | 7 |
loue le ts walke | 7 |
brooke whose siluer streames | 7 |
apex covantage keyed and | 7 |
greater for to spare | 7 |
a thankesgiuing for the | 7 |
estate from the late | 7 |
i loue not lust | 7 |
aye thus it is | 7 |
the deliuerance of the | 7 |
for such as teach | 7 |
seemes a foolish drift | 7 |
gentlemen and others which | 7 |
deliuerance of the whole | 7 |
the king and his | 7 |
for the long preseruation | 7 |
they wooe their woe | 7 |
but a frost of | 6 |
mery mery mery greeting | 6 |
this groue here will | 6 |
saul was often sought | 6 |
tyed together by the | 6 |
anchore in pater noster | 6 |
each day of thine | 6 |
of orient pearle a | 6 |
made both heauen and | 6 |
the first booke of | 6 |
for to wrong mee | 6 |
sweet violets and daffa | 6 |
in the merry month | 6 |
redbreast and the thrush | 6 |
this is their first | 6 |
is a mery mery | 6 |
musicke sound on high | 6 |
like angels watch them | 6 |
this is a mery | 6 |
and ease my care | 6 |
deckt with flowers gay | 6 |
the seventh set of | 6 |
is their first meeting | 6 |
set out by michael | 6 |
you know i must | 6 |
as end must all | 6 |
are duos for two | 6 |
mery mery mery vaines | 6 |
i feare her wondrous | 6 |
in the cathedrall church | 6 |
till new growes old | 6 |
these mery mery lads | 6 |
but friends for vertue | 6 |
foure in the eare | 6 |
a wile shal ease | 6 |
in their mery mery | 6 |
to grace these plaines | 6 |
that may be as | 6 |
by the wood side | 6 |
both now and euer | 6 |
come euery day to | 6 |
griefe and sad lament | 6 |
i could not see | 6 |
sweetly sweetly sweetly sing | 6 |
each thing of pleasure | 6 |
and groues where birds | 6 |
shee my loue my | 6 |
whose presence so delightfull | 6 |
vnkinde my silly sheepe | 6 |
for two treble viols | 6 |
as well sung as | 6 |
iohn windet the assigne | 6 |
vnto our prayers which | 6 |
is often three or | 6 |
my dearest friend is | 6 |
euen through the same | 6 |
to take their pleasure | 6 |
which we make to | 6 |
wound it with your | 6 |
is for the lute | 6 |
may sit vs downe | 6 |
salue shall heale thy | 6 |
shall heale thy sore | 6 |
whiles ioyfull spring time | 6 |
and wound it with | 6 |
to bed i must | 6 |
still as they come | 6 |
a king doth go | 6 |
hark hark hark hark | 6 |
le my phoebe kisse | 6 |
were wont to grace | 6 |
now heare you are | 6 |
it with your spight | 6 |
shee will bee true | 6 |
they haue time and | 6 |
then faint not hart | 6 |
euen in the courts | 6 |
the merry month of | 6 |
thousand cupids dare not | 6 |
that loues darke workes | 6 |
king doth go to | 6 |
and in their mery | 6 |
part is for the | 6 |
thee and thee to | 6 |
sweet and daintie flowres | 6 |
in one and the | 6 |
spi global keyed and | 6 |
man and kill him | 6 |
the day doth spring | 6 |
this is the ioyfull | 6 |
about about about about | 6 |
looke to your selues | 6 |
of the choristers in | 6 |
and with delights abound | 6 |
the house of our | 6 |
the same our lord | 6 |
draw out the end | 6 |
both heauen and earth | 6 |
and thee to mee | 6 |
little drops of drisling | 6 |
her hart still burning | 6 |
no my deere let | 6 |
must be plaid and | 6 |
new growes old and | 6 |
vntill the world shall | 6 |
cheerfull ayres or ballads | 6 |
the robin redbreast and | 6 |
to slay me thou | 6 |
and then thou shalt | 6 |
with little drops of | 6 |
dearest friend is dead | 6 |
wherein are duos for | 6 |
me thou goest about | 6 |
dauids life by saul | 6 |
the god of iacob | 6 |
lately set out by | 6 |
that holy vowes must | 6 |
and still as they | 6 |
are deckt with flowers | 6 |
fit to heare and | 6 |
is no passage in | 6 |
library and art gallery | 6 |
farewell vnkinde my silly | 6 |
and these mery mery | 6 |
by saul was often | 6 |
she cals and neuer | 6 |
le ts walke into | 6 |
are beautified by phoebus | 6 |
before the day doth | 6 |
in this groue here | 6 |
thousand thousand cupids dare | 6 |
and this is loue | 6 |
earely before the day | 6 |
of griefe and sad | 6 |
there is often three | 6 |
thou shalt doe well | 6 |
to bee with loue | 6 |
sing all the way | 6 |
na bathes her there | 6 |
now prayse the lord | 6 |
dally not with this | 6 |
euery day to woo | 6 |
orient pearle a double | 6 |
in vaine mine eies | 6 |
no little little part | 6 |
then well i may | 6 |
all her thoughts doth | 6 |
i wish i could | 6 |
booke of songs or | 6 |
growes old and old | 6 |
they wander vp and | 6 |
original in the henry | 6 |
beautified by phoebus beames | 6 |
to heare and ease | 6 |
may for your amisses | 6 |
cupids dare not cloris | 6 |
through the same our | 6 |
as they come nie | 6 |
cherie ripe chery ripe | 6 |
the birds so sweetly | 6 |
fie fie on loue | 6 |
i know a wile | 6 |
a man and kill | 6 |
ayerie fancies of parts | 6 |
to equall my desires | 6 |
sit vs downe and | 6 |
an euening as i | 6 |
mery lads let vs | 6 |
huntington library and art | 6 |
then rob a man | 6 |
steele obeyeth the ha | 6 |
doth kisse his sweeting | 6 |
this is all can | 6 |
sold at the golden | 6 |
at the golden anchore | 6 |
to sport and play | 6 |
parts for two treble | 6 |
this in my beehoue | 6 |
i will performe like | 6 |
of the cathedrall church | 6 |
thy right hand alone | 6 |
sauing that thus you | 6 |
or foure in the | 6 |
of thy right hand | 6 |
house of our god | 6 |
ripe til chery ripe | 6 |
parts in the eye | 6 |
and all her thoughts | 6 |
choristers in the cathedrall | 6 |
come mery lads let | 6 |
which if i finde | 6 |
in an euening as | 6 |
plaid and not sung | 6 |
that sought by treason | 6 |
duos for two base | 6 |
thoughts in silence keepe | 6 |
those cheries fairely do | 6 |
the flowres so freshly | 6 |
of songs or ayres | 6 |
how i doe loue | 6 |
same our lord iesus | 6 |
they come nie them | 6 |
then thou shalt doe | 6 |
gone to take their | 6 |
heare and ease my | 6 |
may be as well | 6 |
this is idle fyno | 6 |
know i must be | 6 |
is but a frost | 6 |
to thee and thee | 6 |
often three or foure | 6 |
no time to slumber | 6 |
i haue found faire | 6 |
yeeld vnto the yoke | 6 |
for the lute or | 6 |
lads they spie them | 6 |
in pater noster row | 6 |
and pensiue sorrow alwaies | 6 |
slay me thou goest | 6 |
little did mee grieue | 6 |
in pleasant sommers morning | 6 |
three or foure in | 6 |
be plaid and not | 6 |
and sing this catch | 6 |
striue to proue me | 6 |
is the ioyfull bridall | 6 |
vs downe and see | 6 |
be as well sung | 6 |
and lutenist to the | 6 |
neuer to clime aboue | 6 |
redubling ecchoes sweetly ring | 6 |
la la liro logh | 6 |
ioyfull spring time lasteth | 6 |
sweet phillis stay let | 6 |
two parts in the | 6 |
by me let vs | 6 |
how they wander vp | 6 |
the horrors of the | 6 |
shepheards pipe full mery | 6 |
the lute or orpherian | 6 |
angels watch them still | 6 |
bed she cals and | 6 |
the violl de gamba | 6 |
fairer calmes haue brought | 6 |
that sathans secrets hast | 6 |
contained in this booke | 6 |
pipe shepheards pipe full | 6 |
a mery mery mery | 6 |
seventh set of bookes | 6 |
ioy now heare you | 6 |
then i will be | 6 |
the choristers in the | 6 |
windet the assigne of | 6 |
cathedrall church of litchfield | 6 |
one doth kisse his | 6 |
flowres so freshly springing | 6 |
onely ioy now heare | 6 |
the ioyfull bridall day | 6 |
my loue my loue | 6 |
mery lads they spie | 6 |
welcome in the spring | 6 |
the woods and groues | 6 |
fields are deckt with | 6 |
horse that runs too | 6 |
in the henry e | 6 |
that were wont to | 6 |
or little did mee | 6 |
must haue an end | 6 |
will performe like dutie | 6 |
on them my fill | 6 |
as they must be | 6 |
see how they wander | 6 |
you striue to proue | 6 |
our lord iesus christ | 6 |
euening as i was | 6 |
mery mery lads they | 6 |
and in this groue | 6 |
the black bird sing | 6 |
wish i could not | 6 |
they must be plaid | 6 |
and i am here | 6 |
the fields are deckt | 6 |
their mery mery mery | 6 |
of coridon and philida | 6 |
but two parts in | 6 |
and this is their | 6 |
robin redbreast and the | 6 |
that you striue to | 6 |
and a base violl | 6 |
the more i quench | 6 |
yet i feare her | 6 |
printed by iohn windet | 6 |
old and old growes | 6 |
haue found faire phillis | 6 |
through the trees for | 6 |
woods and groues where | 6 |
wont to grace these | 6 |
for two base viols | 6 |
my ioyes must dye | 6 |
ts walke into the | 6 |
yet there is often | 6 |
my life my life | 6 |
i le my phoebe | 6 |
i know not when | 6 |
by iohn windet the | 6 |
bowers still fild with | 6 |
i le to bed | 6 |
walke into the spring | 6 |
golden anchore in pater | 6 |
global keyed and coded | 6 |
of the lord ye | 6 |
fa la la liro | 6 |
thing of pleasure tasteth | 6 |
haue time and leasure | 6 |
henceforth will ioyne in | 6 |
well sung as plaid | 6 |
behold now prayse the | 6 |
wood fresh may to | 6 |
rob a man and | 6 |
sweet reward for sharpest | 6 |
each one doth kisse | 6 |
greene wood fresh may | 6 |
muse on thee alone | 6 |
to bed she cals | 6 |
out by michael east | 6 |
there be but two | 6 |
loue my loue dis | 6 |
birds so sweetly singing | 6 |
a thousand thousand cupids | 6 |
though there be but | 6 |
phillis stay let pitty | 6 |
and sing fa la | 6 |
yet the leaues be | 6 |
now they haue time | 6 |
life my life is | 6 |
will ioyne in equall | 6 |
thoughts before they speak | 6 |
whilst that you striue | 6 |
cannot come euery day | 6 |
the golden anchore in | 6 |
be but two parts | 6 |
este wisheth long life | 5 |
adue to vaine delights | 5 |
with long life and | 5 |
in the courts of | 5 |
owne endeuours then i | 5 |
kuster text and markup | 5 |
vi in an euening | 5 |
heauenly paradise is that | 5 |
much to the worke | 5 |
lord their deliuerance from | 5 |
cheries fairely do inclose | 5 |
after death doe this | 5 |
published by thomas weelkes | 5 |
better to dye blessed | 5 |
gentle moone for thy | 5 |
superfluous to adde any | 5 |
luther did write to | 5 |
pleased them not onely | 5 |
x pittie deere loue | 5 |
henrie and the rest | 5 |
led by a strong | 5 |
and my worthiest patrone | 5 |
lads let vs away | 5 |
my master is so | 5 |
xxi behold now prayse | 5 |
to some greater task | 5 |
but feare to giue | 5 |
all you that draw | 5 |
now let her change | 5 |
onely theologie can performe | 5 |
sigh as louers doe | 5 |
in my course of | 5 |
nightingale in thorny bush | 5 |
sir iohn scudamore knight | 5 |
so sweetly they play | 5 |
from comfort be exilde | 5 |
blesse you with long | 5 |
organest of the cathedral | 5 |
i ashamed to auerr | 5 |
wee deny loue and | 5 |
o heauie heart whose | 5 |
vii who loues this | 5 |
labour in this qualitie | 5 |
her thoughts doth keepe | 5 |
otherwise onely theologie can | 5 |
like streames through faire | 5 |
can wee deny loue | 5 |
xx her eyes her | 5 |
skilful in the most | 5 |
arrogancie in me to | 5 |
so high a place | 5 |
so i humblie take | 5 |
now my life my | 5 |
thinke neither am i | 5 |
o my poore eies | 5 |
came i know not | 5 |
shal i weepe and | 5 |
and skilful in the | 5 |
so if any part | 5 |
it is no time | 5 |
is but a feeld | 5 |
quiet and a chearefull | 5 |
with wordes to moue | 5 |
sturdie rock for al | 5 |
one testimonie out of | 5 |
man more distrustfull of | 5 |
i found that women | 5 |
onely with sweet words | 5 |
till cherie ripe cherie | 5 |
our beauties are not | 5 |
now doe i grieue | 5 |
to morrow is the | 5 |
friendship firmly stands on | 5 |
it argues malice or | 5 |
the weakenes of my | 5 |
his glorie and our | 5 |
i am but young | 5 |
preserue our gracious king | 5 |
some of my wel | 5 |
but because there is | 5 |
iiii though wit bids | 5 |
heart and tongue were | 5 |
prosperity to his glorie | 5 |
to one addicted to | 5 |
newly composed by henry | 5 |
with manie arguments earnestlie | 5 |
for publishing them so | 5 |
fayer is my loue | 5 |
most free respecter of | 5 |
hope the plowman sowes | 5 |
this world doth passe | 5 |
pride is now a | 5 |
free respecter of all | 5 |
life and prosperity to | 5 |
preserue also his royall | 5 |
or looke for aide | 5 |
chance hope thou the | 5 |
in the art of | 5 |
of your bounties and | 5 |
to our patrones and | 5 |
and tongue were twinnes | 5 |
did release the right | 5 |
theoristes deepely learned in | 5 |
xxiii the sacred quire | 5 |
her looke in mine | 5 |
may heare the black | 5 |
firmly stands on vertues | 5 |
stately stag that seemes | 5 |
it pleased them not | 5 |
you with a poore | 5 |
the philosopher his booke | 5 |
and bid adue to | 5 |
the fruites of your | 5 |
that i feele is | 5 |
in the british library | 5 |
once did i loue | 5 |
clime aboue their reach | 5 |
strength of thy right | 5 |
honoured knight and my | 5 |
gaine a kingdome in | 5 |
newly published by thomas | 5 |
wholy deuoted richard alison | 5 |
xv the stately stag | 5 |
father martin luther did | 5 |
effects of those quiet | 5 |
to the right vvorshipfvl | 5 |
and now my lyfe | 5 |
my carriage be but | 5 |
of my weake studies | 5 |
thy loue from mee | 5 |
catch that catch can | 5 |
kil kil al that | 5 |
to gaine a kingdome | 5 |
but sin doth grow | 5 |
braines which youth and | 5 |
you receiue my labours | 5 |
of a point be | 5 |
new worke of mine | 5 |
of follies is the | 5 |
streames through faire medowes | 5 |
heare the black bird | 5 |
howre in their liues | 5 |
hart thou hast so | 5 |
ii o heauie heart | 5 |
where this nimph with | 5 |
i that mourne out | 5 |
wishing all manner good | 5 |
glory of a new | 5 |
moone for thy obscured | 5 |
of life when thou | 5 |
must i run away | 5 |
had done for my | 5 |
to the highest protector | 5 |
that delighted in oppression | 5 |
but as to one | 5 |
sure i was accurst | 5 |
and a man is | 5 |
scarse may quench the | 5 |
both vnto your worship | 5 |
my labours howsoeuer into | 5 |
cums likewise after dis | 5 |
for the lute and | 5 |
is hassard that we | 5 |
howsoeuer into your protection | 5 |
of drisling rain the | 5 |
white as the sunne | 5 |
to diuels we know | 5 |
loue my deere onely | 5 |
so much to the | 5 |
crosse thy desires with | 5 |
it were superfluous to | 5 |
thrise happie blest mine | 5 |
iii in hope a | 5 |
whose worth can best | 5 |
glorie and our comforts | 5 |
learned in the science | 5 |
vexe my carefull minde | 5 |
horrors of the deep | 5 |
but also with manie | 5 |
of a new finisht | 5 |
in a seely points | 5 |
pardon for publishing them | 5 |
selfe to some greater | 5 |
time a while thy | 5 |
is but vaine hope | 5 |
life when thou art | 5 |
thine horne pipes dull | 5 |
life by saul was | 5 |
musicke merites so high | 5 |
sir iohn crofts knight | 5 |
excellent discourses of theoristes | 5 |
i sit reading all | 5 |
dayes of pleasure are | 5 |
xvii earthes but a | 5 |
where is faire phillis | 5 |
and laid in graue | 5 |
know is hateful and | 5 |
lord that owes it | 5 |
down down down down | 5 |
that soueraigne salue shall | 5 |
iii young cupid hath | 5 |
doe present vnto your | 5 |
my many humble prayers | 5 |
my heart and tongue | 5 |
faire is my loue | 5 |
in loue what ill | 5 |
courts of the house | 5 |
all is hassard that | 5 |
heauie heart whose harmes | 5 |
that it might seeme | 5 |
the sturdie rock for | 5 |
paradise is that place | 5 |
which is so ample | 5 |
in the science haue | 5 |
is the marriage day | 5 |
hands in the sanctuarie | 5 |
found that women proue | 5 |
i striue with wordes | 5 |
by your goodnes i | 5 |
loue vnto my loue | 5 |
to blesse you with | 5 |
a shop of shewes | 5 |
where honest faith is | 5 |
at bay is set | 5 |
desiring your protection and | 5 |
alwaies in my sight | 5 |
stay time a while | 5 |
i haue now begun | 5 |
vain hope of gaine | 5 |
not so much to | 5 |
your goodnes i haue | 5 |
and white lilies grow | 5 |
is no man more | 5 |
thanks gentle moone for | 5 |
better recommend our workes | 5 |
original in the british | 5 |
a seely points aduenture | 5 |
but inward bitter gall | 5 |
vaine mine eies you | 5 |
to the lord would | 5 |
right vvorshipfvl and my | 5 |
importune mee to publish | 5 |
we know is hateful | 5 |
it out of diuine | 5 |
of arms of sir | 5 |
boldlie vnder your worships | 5 |
cruel fancie so to | 5 |
voyces newly composed by | 5 |
the lute and base | 5 |
shal ease thy smart | 5 |
she may sit and | 5 |
deny loue and honour | 5 |
ii coridon would kisse | 5 |
words friendly to approoue | 5 |
distrustfull of his owne | 5 |
had set his eye | 5 |
ayeres or phantasticke spirites | 5 |
and to prepare my | 5 |
i must be gone | 5 |
crown thy delights with | 5 |
bring my hart thou | 5 |
iudgements of thy mouth | 5 |
so long as i | 5 |
leaue of to loue | 5 |
such as seeke to | 5 |
mine can excite commendation | 5 |
honest faith is all | 5 |
vvith tableture for the | 5 |
xi mopsie leaue off | 5 |
i in the merry | 5 |
to senfelius the musician | 5 |
selfe had done for | 5 |
merites so high a | 5 |
feare to giue offence | 5 |
of his owne endeuours | 5 |
through faire medowes gli | 5 |
arte comparable with musicke | 5 |
xviii there is a | 5 |
neither am i ashamed | 5 |
those boughes which thy | 5 |
natures pride is now | 5 |
when he should dally | 5 |
which my selfe had | 5 |
spirites for three voices | 5 |
esteemde and singular good | 5 |
owe you our seruice | 5 |
of his maiesties chappell | 5 |
my loue vnto my | 5 |
pittie me mine owne | 5 |
and so i humblie | 5 |
there is no man | 5 |
a new finisht house | 5 |
phantasticke spirites for three | 5 |
i meane my many | 5 |
a while for griefe | 5 |
addicted to the muses | 5 |
also his royall progenie | 5 |
frowns to kil to | 5 |
ra ran tan tant | 5 |
master is so wise | 5 |
prayers to the highest | 5 |
humblie take my leaue | 5 |
fruits of my weake | 5 |
of these my labours | 5 |
so that is lust | 5 |
that it were superfluous | 5 |
past and yet it | 5 |
mopsie leaue off to | 5 |
or to whome shal | 5 |
my god and my | 5 |
bounty raise the professors | 5 |
proceed as i haue | 5 |
did write to senfelius | 5 |
pensiue sorrow alwaies in | 5 |
haue power of an | 5 |
therefore let her daigne | 5 |
swiftest birde that flies | 5 |
ignorance in such as | 5 |
with acquainted some of | 5 |
may come to light | 5 |
worth can best countenance | 5 |
a man is but | 5 |
fairest shades did hide | 5 |
a loue that ebbes | 5 |
t is time to | 5 |
rocke for al his | 5 |
woe weepes out her | 5 |
i aske this meede | 5 |
you vaine and idle | 5 |
xvi vvhat if a | 5 |
the lord al ye | 5 |
as much arrogancie in | 5 |
assist you with a | 5 |
can best countenance the | 5 |
an howre in their | 5 |
fragrant flowers we strew | 5 |
is time to rise | 5 |
to clime aboue their | 5 |
fancy so to betray | 5 |
and prosperity to his | 5 |
hero care not though | 5 |
the nightingale in thorny | 5 |
that seemes so stout | 5 |
the world may see | 5 |
made and newly published | 5 |
flowers we strew the | 5 |
sure to weare the | 5 |
done for my owne | 5 |
to dye for loue | 5 |
i he onely can | 5 |
beauties are not ours | 5 |
i am my selfe | 5 |
fine knacks for ladies | 5 |
meane my many humble | 5 |
new finisht house belonges | 5 |
attempt the prayse thereof | 5 |
there is no arte | 5 |
that next to theologie | 5 |
tan ta ra ran | 5 |
if musicke merites so | 5 |
while my lyfe is | 5 |
receiue my labours howsoeuer | 5 |
my deere onely iewell | 5 |
from all their enemies | 5 |
white as lillies was | 5 |
bounties and the effects | 5 |
his owne endeuours then | 5 |
how effectuall the arte | 5 |
encouraged with more alacritie | 5 |
oh therefore let her | 5 |
which that auncient father | 5 |
all loue and dutie | 5 |
to the right vvorthily | 5 |
when once of ill | 5 |
most honoured knight and | 5 |
exclude it out of | 5 |
lord ye that by | 5 |
that with their grace | 5 |
pearle a double row | 5 |
the earth his sober | 5 |
striue with wordes to | 5 |
the lord ye that | 5 |
haue heard my vowes | 5 |
vi i can no | 5 |
of this new worke | 5 |
a feeld of tares | 5 |
is past and yet | 5 |
doth goe to war | 5 |
with a poore mans | 5 |
might seeme as much | 5 |
first set of madrigals | 5 |
humble prayers to the | 5 |
i seeke for grace | 5 |
testimonie out of an | 5 |
which when her louely | 5 |
there is no passage | 5 |
and liue with me | 5 |
loue those beames that | 5 |
a daunsing a daunsing | 5 |
ix the spring is | 5 |
of sir john scudamore | 5 |
how should i shew | 5 |
dale there are fine | 5 |
andrew kuster text and | 5 |
roses and white lilies | 5 |
that auncient father martin | 5 |
if any part of | 5 |
which youth and age | 5 |
ix my hope a | 5 |
for it will not | 5 |
coat of arms of | 5 |
xxii yee restles cares | 5 |
power of an howre | 5 |
that loues in vaine | 5 |
through strength of thy | 5 |
and as the glory | 5 |
desires with as many | 5 |
mee boldlie to goe | 5 |
to three voyces newly | 5 |
we strew the way | 5 |
a downe a downe | 5 |
to approoue what i | 5 |
and necessarie a subiect | 5 |
endeuours then i am | 5 |
manie arguments earnestlie to | 5 |
gentleman of his maiesties | 5 |
grant that i may | 5 |
the arte of musicke | 5 |
for thy obscured light | 5 |
vvhat if a day | 5 |
arguments earnestlie to importune | 5 |
but a feeld of | 5 |
and newly published by | 5 |
o lord their deliuerance | 5 |
and how effectuall the | 5 |
because there is no | 5 |
time is neuer turning | 5 |
now my lyfe is | 5 |
aide my soule with | 5 |
my weake studies against | 5 |
my selfe had done | 5 |
nimph with all her | 5 |
v oh doe not | 5 |
arte of musicke is | 5 |
morrow is the marriage | 5 |
deepely learned in the | 5 |
my loue my deere | 5 |
no man more distrustfull | 5 |
with fragrant flowers we | 5 |
what euer chance hope | 5 |
london printed by iohn | 5 |
those beames that breede | 5 |
earnestlie to importune mee | 5 |
and honour to them | 5 |
that pine in long | 5 |
as i haue now | 5 |
and singular good patrone | 5 |
malice or ignorance in | 5 |
the lord would i | 5 |
vvorthily honored and most | 5 |
but let my death | 5 |
prince henrie and the | 5 |
the right vvorshipfvl and | 5 |
my best loues absenting | 5 |
knight to the right | 5 |
this nimph with all | 5 |
till i found that | 5 |
shall i shall i | 5 |
what if a day | 5 |
shal we that labour | 5 |
trip it trip it | 5 |
him to blesse you | 5 |
of those quiet dayes | 5 |
to whome shal we | 5 |
for it alone next | 5 |
and aide my soule | 5 |
acquainted some of my | 5 |
viii my prime of | 5 |
weake studies against deprauers | 5 |
as many sad tormentings | 5 |
cherie ripe ripe ripe | 5 |
to importune mee to | 5 |
xix those cheries fairely | 5 |
you our seruice and | 5 |
lord al ye seruants | 5 |
for my owne recreation | 5 |
mine eies you gase | 5 |
of theoristes deepely learned | 5 |
what i had done | 5 |
discourses of theoristes deepely | 5 |
chiefly esteemde and singular | 5 |
good ware is found | 5 |
imprinted by iohn windet | 5 |
euer owe you our | 5 |
already so confirmed illustrated | 5 |
as this holy man | 5 |
strike it vp tabor | 5 |
to theologie doth effect | 5 |
loue i aske this | 5 |
to prepare my selfe | 5 |
now vp now downe | 5 |
good patrone sir iohn | 5 |
and doe present vnto | 5 |
singular good patrone sir | 5 |
ioyes are all distressed | 5 |
vaine and idle braines | 5 |
you where you did | 5 |
whereof i doubt not | 5 |
not like to loue | 5 |
thy delights with a | 5 |
gods haue heard my | 5 |
onely alledge one testimonie | 5 |
were superfluous to adde | 5 |
it might seeme as | 5 |
the lord that owes | 5 |
o doe not her | 5 |
of an howre in | 5 |
to attempt the prayse | 5 |
plainely thinke neither am | 5 |
which stealing through the | 5 |
to exclude it out | 5 |
the cathedral church of | 5 |
their deliuerance from the | 5 |
that night bird that | 5 |
sit reading all alone | 5 |
mee to thee and | 5 |
next to theologie doth | 5 |
bee encouraged with more | 5 |
arms of sir john | 5 |
any part of this | 5 |
are like streames through | 5 |
our gracious king and | 5 |
that my true hart | 5 |
our seruice and loue | 5 |
rock for al his | 5 |
til cherie ripe cherie | 5 |
my owne recreation and | 5 |
much arrogancie in me | 5 |
to bring you where | 5 |
to the worlds compared | 5 |
right vvorthily honored and | 5 |
as it argues malice | 5 |
and a chearefull minde | 5 |
the courts of the | 5 |
her brows like be | 5 |
drops of drisling rain | 5 |
so boldlie vnder your | 5 |
write to senfelius the | 5 |
one addicted to the | 5 |
in the most delectable | 5 |
obeyeth the hammer stroake | 5 |
an end that nature | 5 |
this new worke of | 5 |
though the labour mine | 5 |
me mine owne sweet | 5 |
with as many sad | 5 |
the plowman sowes his | 5 |
wander vp and downe | 5 |
the swiftest birde that | 5 |
about about about to | 5 |
alledge one testimonie out | 5 |
so shall i blesse | 5 |
ta ra ran tan | 5 |
auncient father martin luther | 5 |
leaue off to loue | 5 |
shall i bee encouraged | 5 |
goodnes i haue enioyed | 5 |
so ample in commendation | 5 |
will onely alledge one | 5 |
xiiii when on my | 5 |
on in my course | 5 |
belonges not so much | 5 |
must euer owe you | 5 |
when i sit reading | 5 |
the iudgements of thy | 5 |
out of an epistle | 5 |
life is a poets | 5 |
it alone next to | 5 |
end that nature wrought | 5 |
no arte comparable with | 5 |
my hart thou hast | 5 |
and sing all the | 5 |
bathing by a spring | 5 |
are but blossoms are | 5 |
the sturdie rocke for | 5 |
seeke to exclude it | 5 |
is so ample in | 5 |
more distrustfull of his | 5 |
is my loue my | 5 |
michaell este wisheth long | 5 |
xxiii you mournfull gods | 5 |
stately stagge that seemes | 5 |
kil kil kil al | 5 |
by his soules thought | 5 |
i did release the | 5 |
science haue already so | 5 |
chorvs t is thou | 5 |
with increase of honor | 5 |
xiii in vaine my | 5 |
with eye or ha | 5 |
prepare my selfe to | 5 |
present vnto your worship | 5 |
where is thy seate | 5 |
and nourisheth the fire | 5 |
in me to attempt | 5 |
as to the lord | 5 |
and now my life | 5 |
yours in all loue | 5 |
your bounties and the | 5 |
then i am my | 5 |
the gods haue heard | 5 |
onely assist you with | 5 |
as the glory of | 5 |
my course of studies | 5 |
with percing frowns to | 5 |
which doth the soule | 5 |
honored and most free | 5 |
or ignorance in such | 5 |
studious of all good | 5 |
did the philosopher his | 5 |
v but yet it | 5 |
while that his smart | 5 |
commendation of this art | 5 |
friends for vertue finds | 5 |
is hateful and intollerable | 5 |
a point be so | 5 |
and idle braines which | 5 |
as lillies was hir | 5 |
in my rash accounting | 5 |
owne recreation and priuate | 5 |
not as did the | 5 |
idle braines which youth | 5 |
grace and bounty raise | 5 |
which makes me sigh | 5 |
yet it seemes a | 5 |
of that night bird | 5 |
kuster sampled and proofread | 5 |
obeieth the hammer stroake | 5 |
from those boughes which | 5 |
lift vp your hands | 5 |
xii shal i weepe | 5 |
and bounty raise the | 5 |
haue an end that | 5 |
violets and daffa daffadillies | 5 |
your hands in the | 5 |
the right vvorthily honored | 5 |
fancie so to betray | 5 |
of mine can excite | 5 |
it makes me sigh | 5 |
faire as the lillie | 5 |
lord would i make | 5 |
some men desire spouses | 5 |
that while my lyfe | 5 |
diuels we know is | 5 |
but vaine hope of | 5 |
thy hopes are vaine | 5 |
as did the philosopher | 5 |
point to the worlds | 5 |
practicioner in the art | 5 |
uie part the musicke | 5 |
grace is chiefly yours | 5 |
to aske for all | 5 |
our patrones and benefactors | 5 |
with sweet words friendly | 5 |
that seemes so stoute | 5 |
blind thee to loue | 5 |
canzonets to three voyces | 5 |
that doth disburse a | 5 |
as fast as flouds | 5 |
on i did consent | 5 |
i bei ligustri e | 5 |
i will onely assist | 5 |
and when his sorrowes | 5 |
fruites of your bounties | 5 |
lord when i thinke | 5 |
vvorshipfvl and my verie | 5 |
cathedral church of chichester | 5 |
friendly to approoue what | 5 |
many humble prayers to | 5 |
xxii o lord bow | 5 |
whome shal we that | 5 |
alone next to theologie | 5 |
the glory of a | 5 |
which otherwise onely theologie | 5 |
effectuall the arte of | 5 |
vaine delights of loue | 5 |
weakenes of my nature | 5 |
soules thought was guided | 5 |
to adde any other | 5 |
sturdie rocke for al | 5 |
the most delectable science | 5 |
you with long life | 5 |
xii sweet loue i | 5 |
to vexe my carefull | 5 |
late in my rash | 5 |
now cease my wandring | 5 |
the stately stagge that | 5 |
thou telst thy sorrowes | 5 |
shall i seeke for | 5 |
but yet it seemes | 5 |
mylde are her lookes | 5 |
let her looke in | 5 |
king doth goe to | 5 |
euer chance hope thou | 5 |
andrew kuster sampled and | 5 |
his chiefly esteemde and | 5 |
is no arte comparable | 5 |
doe not her despise | 5 |
holy man hath giuen | 5 |
i am nie her | 5 |
thy desires with as | 5 |
of loue i aske | 5 |
the sacred quire of | 5 |
i beseech you receiue | 5 |
and i plainely thinke | 5 |
composed by michaell este | 5 |
i humblie take my | 5 |
the day i loued | 5 |
in hope the plowman | 5 |
finisht house belonges not | 5 |
which by your goodnes | 5 |
death doe this in | 5 |
then to our patrones | 5 |
the stately stag that | 5 |
fluds of teares could | 5 |
the effects of those | 5 |
mee to publish for | 5 |
worke of mine can | 5 |
knight and my worthiest | 5 |
in mirth and mourning | 5 |
stag that seemes so | 5 |
the science haue already | 5 |
to his glorie and | 5 |
whom hopes cannot delude | 5 |
and organest of the | 5 |
praise the lord al | 5 |
we that labour in | 5 |
ashamed to auerr it | 5 |
patrone sir iohn scudamore | 5 |
i plainely thinke neither | 5 |
i will onely alledge | 5 |
loue and honour to | 5 |
cast from those boughes | 5 |
where no good ware | 5 |
bid adue to vaine | 5 |
many excellent discourses of | 5 |
yet her hart is | 5 |
to proceed as i | 5 |
drawne together these compositions | 5 |
and now o now | 5 |
is like to thee | 5 |
as deadly serpents lurking | 5 |
come seate your selues | 5 |
sweetest musicke sound on | 5 |
to vaine delights of | 5 |
dare not cloris tutch | 5 |
ample in commendation of | 5 |
and ayde my soule | 5 |
bring you where you | 5 |
if fluds of teares | 5 |
they all haue set | 5 |
the queene of loue | 5 |
labours howsoeuer into your | 5 |
wile shal ease thy | 5 |
and after death doe | 5 |
part the musicke beares | 5 |
respecter of all vertue | 5 |
the worlds compared centure | 5 |
hassard that we haue | 5 |
beseeching him to blesse | 5 |
of all good sciences | 5 |
his soules thought was | 5 |
earth his sober inne | 5 |
for a common benefit | 5 |
stealing through the trees | 5 |
and most free respecter | 5 |
me to attempt the | 5 |
a king doth goe | 5 |
a quiet and a | 5 |
know a wile shal | 5 |
beseech you receiue my | 5 |
and my verie good | 5 |
take mee to thee | 5 |
and vse ten thousand | 5 |
and is it night | 5 |
their grace and bounty | 5 |
sweet words friendly to | 5 |
them so boldlie vnder | 5 |
haue already so confirmed | 5 |
ripe till cherie ripe | 5 |
i feele is much | 5 |
thou hast so fast | 5 |
that labour in this | 5 |
yet loue him selfe | 5 |
the grace is chiefly | 5 |
you that pine in | 5 |
none haue power of | 5 |
stagge that seemes so | 5 |
man hath giuen it | 5 |
and for his sake | 5 |
groue here will shee | 5 |
my selfe to some | 5 |
my verie good friend | 5 |
of my best loues | 5 |
and firme faith belongeth | 5 |
god and my lord | 5 |
saith shee will bee | 5 |
part of this new | 5 |
by the weakenes of | 5 |
and welcome in the | 5 |
lillies was hir face | 5 |
in a soft sweet | 5 |
and so i wackt | 5 |
xiii can i abide | 5 |
as seeke to exclude | 5 |
here will shee stay | 5 |
doating loue are but | 5 |
for all thy loue | 5 |
come all you that | 5 |
let sweetest musicke sound | 5 |
xv ioy of my | 5 |
approoue what i had | 5 |
doe loue thee as | 5 |
and an euenings frowne | 5 |
recreation and priuate exercise | 5 |
also with manie arguments | 5 |
house belonges not so | 5 |
who thought all sweet | 5 |
seate your selues arow | 5 |
am i ashamed to | 5 |
is but a point | 5 |
this holy man hath | 5 |
of pleasure are like | 5 |
may sit and sing | 5 |
raise the professors thereof | 5 |
spring is past and | 5 |
that must euer owe | 5 |
where roses and white | 5 |
long life and prosperity | 5 |
follies is the chiefe | 5 |
vp your hands in | 5 |
martin luther did write | 5 |
but in the eie | 5 |
theologie doth effect that | 5 |
them not onely with | 5 |
now if musicke merites | 5 |
in such as seeke | 5 |
yet that i feele | 5 |
i breake it not | 5 |
xi for lust is | 5 |
of the cathedral church | 5 |
though i shrinke still | 5 |
i bee encouraged with | 5 |
a poore mans bounty | 5 |
pleasure are like streames | 5 |
the god of ia | 5 |
seeme as much arrogancie | 5 |
then shall i bee | 5 |
with heauenly musick ring | 5 |
my loue by darke | 5 |
hauing drawne together these | 5 |
necessarie for such as | 5 |
in all loue and | 5 |
hast so fast in | 5 |
happie blest mine eies | 5 |
xiiii the sturdie rocke | 5 |
sacred quire of angels | 5 |
not onely with sweet | 5 |
vnder your worships name | 5 |
which i may forgoe | 5 |
yet her hart still | 5 |
now and euer a | 5 |
to publish for a | 5 |
as to one addicted | 5 |
my lyfe is fayling | 5 |
three voyces newly composed | 5 |
studious and skilful in | 5 |
bei ligustri e rose | 5 |
as sure to weare | 5 |
when i am nie | 5 |
make loue a god | 5 |
with all her traine | 5 |
publish for a common | 5 |
and the effects of | 5 |
shades did hide her | 5 |
argues malice or ignorance | 5 |
progenie prince henrie and | 5 |
no good ware is | 5 |
man is but a | 5 |
both to proceed as | 5 |
where friendship firmly stands | 5 |
or phantasticke spirites for | 5 |
to the lord that | 5 |
with their grace and | 5 |
will onely assist you | 5 |
aske for all thy | 5 |
to weare the fruit | 5 |
though my carriage be | 5 |
point be so vaine | 5 |
may still feele out | 5 |
sweet as aprill showring | 5 |
shall i striue with | 5 |
in commendation of this | 5 |
is now a withered | 5 |
publishing them so boldlie | 5 |
may quench the same | 5 |
percing frowns to kil | 5 |
and benificence to arts | 4 |
is no time to | 4 |
and wash them in | 4 |
doth taste the bait | 4 |
if any man be | 4 |
sweete thy sugred gall | 4 |
harms are hid thy | 4 |
and yet i loue | 4 |
i quench with flouds | 4 |
the toong forst to | 4 |
printed for william stansby | 4 |
alasse neuer was any | 4 |
my griefe doth waxe | 4 |
eies can not indure | 4 |
should make her liue | 4 |
xxvii the last but | 4 |
i will foot it | 4 |
i care not which | 4 |
the bait too late | 4 |
xxiii not over long | 4 |
a chance of a | 4 |
false i care not | 4 |
weepes out her de | 4 |
doubt you mar his | 4 |
life is almost done | 4 |
kil kil kil kil | 4 |
still i doated on | 4 |
there is the toong | 4 |
marchant sailes ful far | 4 |
the love of vertue | 4 |
for fates and friends | 4 |
it will not bee | 4 |
vii dally not with | 4 |
foulds of endlesse woes | 4 |
sire liues in her | 4 |
increase of honour and | 4 |
i will be mad | 4 |
thus hope helps thousands | 4 |
with the violl de | 4 |
but kisse her and | 4 |
with a hey down | 4 |
protection of these my | 4 |
a point of a | 4 |
to gaine a kingdom | 4 |
you that draw heauens | 4 |
since natures pride is | 4 |
the worst doth cha | 4 |
that the roch doth | 4 |
i must be gon | 4 |
both to liue and | 4 |
his shoppe in gracious | 4 |
they daunce lightly on | 4 |
to carrouse with the | 4 |
then did i ioy | 4 |
dead and yet the | 4 |
pleasures of the night | 4 |
if i sue and | 4 |
is dead and yet | 4 |
the strength of sorrow | 4 |
weake fooles doe fall | 4 |
and flowes now vp | 4 |
loue by thy sweet | 4 |
sweet month of may | 4 |
whose harms are hid | 4 |
be mercifull and iust | 4 |
to kil kil kil | 4 |
flora in her pride | 4 |
sight which made me | 4 |
loe here comes a | 4 |
my minde then take | 4 |
vouchsafe to read these | 4 |
to warne the hungrie | 4 |
that is lust where | 4 |
soueraigne salue shall heale | 4 |
that fate or fortune | 4 |
gaue you light doth | 4 |
shew my loue vnto | 4 |
he cannot come euery | 4 |
griefe of my best | 4 |
vi vtre me fa | 4 |
all to make thee | 4 |
yet if you favourably | 4 |
liues in her heart | 4 |
did i loue and | 4 |
xxv softly at last | 4 |
on christ had set | 4 |
wils me to be | 4 |
why then let her | 4 |
sue and liue forlorne | 4 |
to the right honourable | 4 |
that her hart were | 4 |
strength of sorrow quite | 4 |
to loue cannot compell | 4 |
here endeth the songs | 4 |
though wit reason doth | 4 |
if groning cries might | 4 |
and cries alowd for | 4 |
death delights to range | 4 |
vaine to wish women | 4 |
doe i loue your | 4 |
thee to loue one | 4 |
loue like phebus brightest | 4 |
at his shoppe in | 4 |
on fire and daze | 4 |
i sigh to looke | 4 |
not indure so heauenly | 4 |
with the continued bass | 4 |
all can helpe thee | 4 |
no all is abusing | 4 |
shall i find beauty | 4 |
i i as well | 4 |
i know my dreame | 4 |
this clime were blest | 4 |
remember o thou man | 4 |
that i may still | 4 |
all in them selues | 4 |
how blest were i | 4 |
thou wilt needs be | 4 |
love to our art | 4 |
whiles my lute the | 4 |
i persist to loue | 4 |
the coole streames ranne | 4 |
snatch with the tagge | 4 |
and measure makes his | 4 |
not a chance of | 4 |
youth and age in | 4 |
speake kindly to me | 4 |
their children wit as | 4 |
his wealth a well | 4 |
constraine them to receiue | 4 |
set to you to | 4 |
his strength by raging | 4 |
but how to leaue | 4 |
trvely noble lover of | 4 |
chery lips i kist | 4 |
musicall inuentions of mine | 4 |
on a time in | 4 |
fruit is dead and | 4 |
his loue doth erre | 4 |
seeke for loue of | 4 |
voted and enstiled you | 4 |
for or voyces collected | 4 |
is soone is soone | 4 |
to her thou gaue | 4 |
and since set for | 4 |
of shewes where no | 4 |
see where this nimph | 4 |
me to gather it | 4 |
poore tribute of my | 4 |
then this is all | 4 |
did help him out | 4 |
and fortune proues my | 4 |
to receiue that physicke | 4 |
all other arts participate | 4 |
or an howre crosse | 4 |
droope hearbs and flowers | 4 |
viii fancies of parts | 4 |
to late for wit | 4 |
that must end though | 4 |
no more to change | 4 |
i le doe the | 4 |
rising a note every | 4 |
liue and life forgo | 4 |
catch by art the | 4 |
be those bowers still | 4 |
makes me sigh as | 4 |
each one to daunce | 4 |
them to cherish the | 4 |
let vs set aside | 4 |
fild with serpents hisses | 4 |
the continued bass or | 4 |
boughes which thy windes | 4 |
ever humbly devoted loyally | 4 |
of the god of | 4 |
not her when i | 4 |
i am but yong | 4 |
the birds did sing | 4 |
come come all you | 4 |
lord that made both | 4 |
songs of foure parts | 4 |
both of time and | 4 |
both in mirth and | 4 |
set my hart on | 4 |
and many pleasant sha | 4 |
when they will not | 4 |
a morne by breake | 4 |
and i will foot | 4 |
v follow me close | 4 |
let pitty moue thee | 4 |
hart were as her | 4 |
thee till i die | 4 |
doe my fathers spirit | 4 |
dolefull plaints of mine | 4 |
to cherish the arts | 4 |
names have beene magnified | 4 |
is pearst at length | 4 |
not though they prie | 4 |
her daies are lies | 4 |
long desired to bee | 4 |
turne to sweete thy | 4 |
to thinke that you | 4 |
ha ha this world | 4 |
o come againe and | 4 |
it is a wound | 4 |
towers nor armor for | 4 |
and with this answere | 4 |
lookes are more safe | 4 |
must kisse no men | 4 |
but swell with proud | 4 |
from the conspiracies of | 4 |
her breast against her | 4 |
they make no out | 4 |
strength by raging seas | 4 |
oft euen at their | 4 |
shew mee some ground | 4 |
and then i will | 4 |
fates guide our states | 4 |
a well spent age | 4 |
kil to kil kil | 4 |
can not a chance | 4 |
flowres your odours breath | 4 |
a sinners sighes be | 4 |
as one that loues | 4 |
and tunde to play | 4 |
sweet lookes hath slaine | 4 |
that i may euer | 4 |
be performed to an | 4 |
i had rather life | 4 |
thy hap is hard | 4 |
like fire supprest like | 4 |
but checke a horse | 4 |
protect it from the | 4 |
wit reason doth men | 4 |
and falleth at your | 4 |
ayres or ballads first | 4 |
and is he gone | 4 |
an howre crosse thy | 4 |
delights with a thou | 4 |
loue and fortune proues | 4 |
soon is soon deceiud | 4 |
ayde my soule with | 4 |
cloudie sweet as aprill | 4 |
othred of life when | 4 |
new charge i must | 4 |
proues false i care | 4 |
false pleasures which i | 4 |
ioyne in equall simpa | 4 |
man that built it | 4 |
children wit as they | 4 |
got her sight which | 4 |
of the willow tree | 4 |
if i seeke for | 4 |
it was not so | 4 |
betwixt a shadow and | 4 |
cease my wandring eyes | 4 |
for though this clime | 4 |
you mar his pace | 4 |
kil to kil to | 4 |
grace me to gather | 4 |
leaue their children wit | 4 |
where wee may sit | 4 |
a choice collection of | 4 |
loue thee till i | 4 |
may was in her | 4 |
doated on her sight | 4 |
and your obsequious followers | 4 |
for countenance and benificence | 4 |
which renders you truely | 4 |
can helpe thee of | 4 |
a soft sweet note | 4 |
may prove more pleasing | 4 |
a while thy fly | 4 |
daunce lightly on the | 4 |
why will you rise | 4 |
as one that liues | 4 |
yet who giueth all | 4 |
vpon her bed with | 4 |
him that list sooth | 4 |
i sue and liue | 4 |
in harmeles ioyes are | 4 |
is all can helpe | 4 |
ha this world doth | 4 |
or tenor and bass | 4 |
or voyces collected published | 4 |
their names have beene | 4 |
the life to com | 4 |
read these lines my | 4 |
and you know i | 4 |
come againe and take | 4 |
hid thy helpe is | 4 |
tarry but one halfe | 4 |
since my fortunes most | 4 |
that but that but | 4 |
point of a point | 4 |
of iustice vnto antigonus | 4 |
sie walks and plea | 4 |