quadgram

This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

quadgram	frequency
c m w french	104
plays in one volume	73
the disagreeable young man	59
p m w french	57
m w smart set	38
p m w the	33
what do you mean	32
m w poet lore	31
the washington square players	27
four plays in one	27
three plays in one	26
plays in one vol	24
bor lo un doy	23
c m w the	23
w three plays in	22
m w three plays	21
applications for permission to	21
with the following cast	20
for permission to produce	20
w four plays in	19
m w four plays	19
the door at the	18
in front of the	18
the polite young man	18
are you going to	18
p m w smart	18
m w french the	17
c m w smart	16
five plays in one	16
p m w j	16
there is a pause	15
david and julius and	15
and julius and benny	15
at the same time	15
what are you doing	15
p m w baker	14
and amateur stage rights	14
the shepherd in the	14
the professional and amateur	14
six plays in one	14
by the washington square	14
shepherd in the distance	14
professional and amateur stage	14
are strictly reserved by	13
d m w french	13
m w five plays	13
p m w poet	13
w five plays in	13
reserved by the author	13
p m w three	12
under the direction of	12
what do you want	12
i do not know	12
sentimental high school girl	12
it seems to me	12
play are strictly reserved	12
she goes to the	12
this play are strictly	12
the sentimental high school	12
as a matter of	11
strictly reserved by the	11
should be made to	11
do you know what	11
what are you going	11
i should like to	11
i beg of you	11
c m w four	10
must be made to	10
goes to the door	10
i beg your pardon	10
stage rights on this	10
two plays in one	10
originally produced by the	10
p m w four	10
m w six plays	10
amateur stage rights on	10
the door to the	10
the door of the	10
my david and julius	10
c m w shay	10
sofa on the left	10
w six plays in	10
the rest of the	10
produced by the washington	10
to me like that	10
d m w j	10
the left of the	10
behind the square table	9
the right of the	9
in the center of	9
rights on this play	9
for the first time	9
the square table and	9
a knock at the	9
i am going to	9
let me tell you	9
to produce this play	9
goes to the window	9
p m w shay	9
p m w drama	9
on this play are	9
he points to the	9
the back of the	9
in one volume stewart	9
the blond young lady	9
the brunette young lady	9
play should be made	9
the center of the	9
the sofa on the	9
pierrot of the minute	8
was first produced by	8
door at the left	8
what do you say	8
the first time i	8
the jovial young man	8
permission to produce the	8
i want you to	8
p m w dramatic	8
table on the left	8
what have you done	8
do you think i	8
in love with you	8
c m w poet	8
the hand of the	8
what do you think	8
from his pocket and	8
you going to do	8
table on the right	8
first produced by the	8
do you mean by	8
i shall have to	8
i want to be	8
hand of the prophet	8
below in the courtyard	8
w two plays in	8
you mean to say	8
do you mean to	8
d m w the	8
you know what i	8
the middle of the	8
look at each other	7
permission to produce this	7
is the sound of	7
p m w phillips	7
c m w a	7
in the middle of	7
the play should be	7
sits down in his	7
and goes to the	7
sits down on the	7
p m w international	7
the table on the	7
produce the play should	7
to produce the play	7
m w two plays	7
p m w stratford	7
he looks at her	7
c m w five	7
by stewart kidd company	7
what is the matter	7
c m w three	7
i told you that	7
the music the pantomime	7
i do not understand	7
c m w baker	7
the end of the	7
she was going to	7
to talk to you	7
there is the sound	7
why do you say	7
as soon as i	7
be made to mr	7
at the end of	7
in one volume little	7
knock at the door	7
the other side of	7
of the little theatre	6
p m w a	6
by the provincetown players	6
that he is a	6
and puts it on	6
on the other hand	6
he is a slave	6
to the door at	6
p m w forum	6
he goes behind the	6
in love with her	6
the pierrot of the	6
i do not want	6
from time to time	6
in one volume holt	6
a matter of fact	6
in his previous place	6
on the table and	6
if i were you	6
goes over to the	6
to the door of	6
in the white vest	6
m w j the	6
i want to know	6
side of the room	6
how can you say	6
door at the back	6
limb of the tree	6
to be able to	6
p m w two	6
in love with me	6
should be addressed to	6
is a lover of	6
the judgment of indra	6
i am coming back	6
at the back of	6
got to git the	6
know what to do	6
i thought you were	6
do you want to	6
i love my husband	6
dear little great one	6
with an expression of	6
at the bandbox theatre	6
been in love with	6
to the door and	6
our david and julius	6
edited by frank shay	6
in the united states	6
m w phillips the	6
he goes to the	6
the arm of the	6
the worst of it	6
i did not know	6
he is dressed in	6
by special permission of	6
slave with two faces	6
other side of the	6
d m w poet	6
to speak to you	6
glad to see you	6
the scene was designed	6
p m w seven	6
the secret of the	6
square table and comes	6
produce this play should	6
down in his previous	6
i got to git	6
to git the ile	6
i ought to have	6
you were going to	6
to the left of	6
back to the table	6
on the night of	6
the limb of the	6
scene was designed by	6
she looks at the	6
the maker of sounds	6
do you suppose that	6
woman on the bed	6
produced under the direction	5
walks up and down	5
i was afraid of	5
the slave with two	5
i am afraid of	5
a good deal of	5
it is too late	5
with an air of	5
moves a chessman tap	5
do you think so	5
i do not believe	5
in front of her	5
the circular table on	5
see that it is	5
at the comedy theatre	5
the papers in the	5
are you talking about	5
rights of the soul	5
what can i do	5
in the first place	5
know what you are	5
the sister sacristan goes	5
play in one act	5
in one volume badger	5
the right of performing	5
papers in the safe	5
stand it any longer	5
a play in one	5
chair at the right	5
this play should be	5
the art of the	5
side of the stage	5
to get out of	5
washington square players at	5
she looks down again	5
p m w five	5
do you know anything	5
in one act by	5
what are you talking	5
what kind of a	5
i said to myself	5
there is a knock	5
was produced by the	5
p m poet lore	5
circular table on the	5
the finger of god	5
out of my sight	5
door of the library	5
of the washington square	5
know very well that	5
seems to me that	5
i will not go	5
what is it you	5
they look at each	5
tell me about the	5
in front of him	5
what to do with	5
it would be a	5
c m w dramatic	5
i am a lover	5
i do not like	5
when the curtain rises	5
as well as i	5
what are you saying	5
one of the baskets	5
go back to the	5
how do i know	5
with an introduction by	5
for a long time	5
back of the stage	5
what is your name	5
and hands it to	5
it was i who	5
i ought to be	5
to be in love	5
the god of fate	5
covers her face with	5
for the right of	5
center of the room	5
sister sacristan goes out	5
square players at the	5
behind the sofa on	5
it is impossible to	5
what did you say	5
nursery maid of heaven	5
for the sake of	5
at the top of	5
i told you i	5
i wanted to see	5
know anything about the	5
what am i to	5
you know anything about	5
cymbal crash lights out	5
adolf after a pause	5
want to talk to	5
goes behind the square	5
to the right of	5
you know very well	5
of those who have	5
would you like to	5
might just as well	5
out of the way	5
if she loved him	5
the nursery maid of	5
in a moment you	5
man in the white	5
for a few days	5
players at the comedy	5
as long as i	5
what do i care	5
i want to talk	5
and looks at her	5
the rights of the	5
in spite of himself	5
is a knock at	5
and pointing to the	5
the face of the	5
it was first performed	5
the both of us	5
as though i were	5
i do not need	5
you are going to	5
in one volume putnam	4
i let her go	4
and down on the	4
he looks at the	4
from one of the	4
d m w baker	4
where i can find	4
that i will not	4
a couple of dollars	4
the curtain rises on	4
table and comes to	4
it shall not be	4
secret of the universe	4
you really look top	4
be made to frank	4
now you want to	4
have one hate and	4
to say nothing of	4
as far as i	4
how did you manage	4
i knew you would	4
to the window and	4
what did you do	4
i will tell you	4
one to the other	4
a man in a	4
you may as well	4
and the beginning of	4
for the love of	4
in the course of	4
the lights go out	4
have not seen it	4
to the moving pictures	4
how angry i am	4
you might as well	4
this is not a	4
that sort of thing	4
if you must know	4
in the order of	4
the centre of the	4
all of a sudden	4
c m w in	4
the foot of the	4
at the foot of	4
do you say that	4
how old are you	4
bound east for cardiff	4
plays edited by frank	4
as if it were	4
gets up and goes	4
must have been a	4
walking up and down	4
all over the world	4
do you think he	4
seven plays in one	4
cymbal crash lights on	4
in the whole world	4
it on the table	4
from the table and	4
silent for a moment	4
is the use of	4
her hand over her	4
table in the center	4
for the rest of	4
i should have been	4
the king can do	4
the light of the	4
you want me to	4
it is you who	4
good day to you	4
the night of november	4
his face in his	4
i thought i heard	4
i feel as if	4
as soon as you	4
moment you will die	4
at right of table	4
man on the rock	4
as the curtain rises	4
keeney after a pause	4
since the death of	4
at the sight of	4
did i let her	4
play in four acts	4
the door opens and	4
eyes wide on paris	4
do not want you	4
take it from me	4
walk round them cottages	4
we have one hate	4
one hate and one	4
door in the center	4
c m w j	4
is a man of	4
what i had to	4
goes behind the sofa	4
i have to pay	4
the full length of	4
door to the bar	4
it would have been	4
will you have some	4
his back to the	4
taking up a mirror	4
is spying on you	4
three travelers watch a	4
p m w in	4
have we the right	4
m w seven arts	4
come back to me	4
at me like that	4
to think of it	4
the square table on	4
you ought to be	4
in the midst of	4
keeping something from me	4
rest of my life	4
full length of the	4
an introduction by edward	4
at breakfast for the	4
m w seven plays	4
of the king will	4
do you remember how	4
you look at me	4
you say that you	4
up and down the	4
trumpet sounds below in	4
cymbal crash the lights	4
what is the use	4
what you are talking	4
made to frank shay	4
i am so glad	4
table and two chairs	4
the pallid woman on	4
i have given him	4
puts it on the	4
arm of the chair	4
i have never loved	4
do you think that	4
once in a while	4
i had to do	4
in one volume scribner	4
i do want to	4
there is a long	4
she goes up to	4
introduction by edward hale	4
can you say that	4
d m w shay	4
face in his hands	4
a lover of peace	4
how should i know	4
how did you know	4
morning at breakfast for	4
i had no idea	4
where are you going	4
the man on the	4
the man in the	4
do you know the	4
i want to hear	4
purse in her bosom	4
travelers watch a sunrise	4
talk to you about	4
the order of their	4
strickland after a pause	4
the door in rear	4
tell me that you	4
hands it to the	4
who is spying on	4
there is a short	4
sounds below in the	4
did you ever see	4
you are keeping something	4
to see you again	4
the king is a	4
m w in the	4
did you ever hear	4
p m w arens	4
i wanted to be	4
i am become a	4
the people were bored	4
you are talking about	4
by edward hale bierstadt	4
the top of the	4
king can do no	4
i am in a	4
what sort of a	4
about the papers in	4
that is why i	4
to go back to	4
make the best of	4
chair at left of	4
what does he say	4
takes her in his	4
it is of no	4
front of the sofa	4
thing in the world	4
look at me like	4
i am old and	4
the subjection of kezia	4
it is what i	4
to ask you to	4
picks it up and	4
all over the country	4
every morning at breakfast	4
leave it to me	4
you have no right	4
if you want to	4
included in this volume	4
as in scene i	4
a moment and then	4
you as i have	4
have no right to	4
to all of us	4
pallid woman on the	4
in one volume brentano	4
being in love with	4
and now you want	4
why did i let	4
the rest of my	4
i do not care	4
m w french a	4
he sits down in	4
my word of honor	4
in the centre of	4
in the name of	4
c m w drama	4
the technique of the	4
produced by the provincetown	4
she points to the	4
why do you look	4
to think of the	4
if it is a	4
stands in the doorway	4
from one to the	4
not a bad woman	4
the edge of the	4
for a little while	4
i can find the	4
fireplace on the right	4
and special arrangements with	4
her eyes wide on	4
face with her hands	4
on the left and	4
made up his mind	4
m w french jacobs	4
but menelaus stops him	4
takes it up and	4
you can see for	4
the fireplace on the	4
for a few minutes	4
short plays by mary	4
for a moment and	4
c m w six	4
is the first time	4
door at the rear	4
the shadow of the	4
the sound of a	4
from hand to hand	4
hate and one alone	4
w seven plays in	4
the unveiling of the	4
the sergeant and thaddeus	4
a great deal of	4
plays in one number	4
up and down on	4
have you forgotten the	4
anything about the papers	4
read the secret of	4
at once to the	4
are keeping something from	4
if i could only	4
one more than another	4
his hat and coat	4
a moment you will	4
over to the door	4
a play in four	4
her in his arms	4
beg you not to	4
him toward the right	4
right of the door	4
as the curtain falls	4
can do no wrong	4
i beg you not	4
am afraid of you	4
her face with her	4
he gets up and	4
i knew that you	4
doctor in spite of	4
king is a lover	4
breakfast for the rest	4
what do you wish	4
the buttons of her	4
the rise of the	4
rise of the curtain	4
a trumpet sounds below	4
i know how you	3
dost thou not know	3
there was something in	3
i will do it	3
technique of the one	3
it was such a	3
a room with a	3
not while i live	3
port wine is poison	3
the two of them	3
be the worse for	3
she wants you to	3
got to have some	3
i shall give it	3
with the rest of	3
must have come from	3
the king will give	3
an historical comedy by	3
how long have you	3
put yourself in my	3
come in to see	3
you want to see	3
in the ould counthry	3
to be like the	3
square table on the	3
was originally produced by	3
just as well be	3
but i tell you	3
never in my life	3
you will write me	3
do i have to	3
it looks like a	3
in such a state	3
to the right and	3
a poor old woman	3
able to talk to	3
she throws her arms	3
have no pity on	3
i used to be	3
did you want to	3
in order to give	3
the only thing in	3
if you do not	3
never had such a	3
give me a kiss	3
technique of the drama	3
i am sure you	3
opens the door and	3
where do you come	3
very nice of you	3
the temple and the	3
not to torment me	3
drama league of america	3
you like to see	3
to quarrel with you	3
the drop is lifted	3
toward the rear door	3
going to do with	3
for permission to include	3
i am tired of	3
to give up the	3
on account of the	3
you have made a	3
say just what you	3
the apartments of the	3
enters from the left	3
it must have been	3
that you might be	3
up and goes to	3
we might as well	3
might at least expect	3
me see thy face	3
in love with each	3
top of her voice	3
i would like to	3
the christmas wid us	3
when i saw you	3
full of fire and	3
i did not say	3
i knew you wanted	3
it used to be	3
what did he say	3
i may as well	3
dare you speak to	3
woman in the world	3
love me any more	3
comes into the room	3
worth two of that	3
care stewart kidd company	3
there has been a	3
hundred barrel of ile	3
and if she loved	3
believe that you are	3
have you been here	3
i might have known	3
scene is laid in	3
the top of her	3
that was all i	3
the worse for you	3
is a short pause	3
on the other side	3
on the left of	3
by permission of mr	3
books of the little	3
chair by the table	3
as he does so	3
comes in front of	3
a death in fever	3
moon of the caribbees	3
it to her lips	3
why are you so	3
places it on the	3
you when you were	3
you do not intend	3
it is a sunny	3
the bushes to the	3
how it came about	3
come to see me	3
what i am thinking	3
she sits down and	3
give it back to	3
the heart of the	3
i do not think	3
to be my wife	3
i never heard of	3
and special arrangement with	3
to fall in love	3
his hand across his	3
her we have an	3
all right in a	3
but i have no	3
is going to be	3
m w shay goodman	3
only in love with	3
i am not so	3
toward the sacristy closet	3
are reserved by the	3
that i no longer	3
i shall never be	3
that i want to	3
to do with it	3
young man who has	3
theatre in the united	3
few steps toward the	3
do you not see	3
that my name is	3
then there is a	3
seems to me he	3
you must help me	3
holds out his hand	3
out his hand for	3
we should have a	3
your arm that the	3
you talk like an	3
i had thought to	3
goes quickly to the	3
you know perfectly well	3
the door and goes	3
and there is no	3
the door in the	3
you think it is	3
we have an automobile	3
a door opening into	3
i could see that	3
the pocket of his	3
drop is lowered cymbal	3
from her bosom and	3
and it will be	3
do you know that	3
kisses him on the	3
thy wife is young	3
game worth two of	3
the room on the	3
then you would have	3
rising from his chair	3
speak to me like	3
of the modern drama	3
illustrations on cameo paper	3
all the more reason	3
p w smart set	3
you not to torment	3
as if they were	3
ruler of this province	3
there is not a	3
the sister sacristan comes	3
take him away from	3
at the right of	3
one wants to do	3
what does he want	3
subsequently revived by the	3
of this play are	3
hand over her eyes	3
until day after to	3
it has been a	3
to do with the	3
it is the new	3
to include it in	3
the curious in chorus	3
for a moment he	3
in the mood to	3
the first time in	3
points to the door	3
m w the man	3
and looks at the	3
hand on her shoulder	3
know who i am	3
for nigh on a	3
she will not be	3
and sits down in	3
for you to come	3
know how it is	3
but what can i	3
and looking at the	3
the drop is lowered	3
in the world to	3
the princess and her	3
do you think she	3
the color of blood	3
princess and her retinue	3
prince of all devils	3
you think i am	3
time i saw you	3
who pass while the	3
page illustrations on cameo	3
that you are a	3
door on the right	3
are the ways of	3
that i ought to	3
there is a silence	3
do i know this	3
said that it was	3
the lady of the	3
is a sound of	3
in a little while	3
you see that it	3
goes back to the	3
hendersons charing cross road	3
d m w six	3
there is a sound	3
the walls of the	3
a little to the	3
trees to the left	3
walker edited and with	3
i am not a	3
at the left of	3
when i should have	3
you may be sure	3
i wish i could	3
you could make me	3
four hundred barrel of	3
passes his hand across	3
i have come to	3
on the sofa on	3
are you doing now	3
the right side of	3
i can see myself	3
this play must be	3
i had to come	3
special permission of miss	3
a comedy in one	3
to look at the	3
crash lights up scene	3
right side of the	3
i think you must	3
in strange countries of	3
build it for roubles	3
arm that the sun	3
back against the tree	3
it is because the	3
c m w stratford	3
how do you mean	3
received a letter from	3
i want to tell	3
and wipes her eyes	3
i have told you	3
it may amuse the	3
i will give you	3
plays the hand of	3
is too much for	3
if it be supposed	3
and i dare say	3
his head in his	3
i have never been	3
want to hear how	3
to the author of	3
the road to the	3
with all my heart	3
stewart kidd modern plays	3
on the arm of	3
historical comedy by philip	3
a measly four hundred	3
he passes his hand	3
they to do with	3
and i want to	3
happen to you if	3
rid me of this	3
let me see thy	3
his peace with heaven	3
give it to you	3
you that my name	3
in spite of all	3
you as a friend	3
so as not to	3
to her feet and	3
tell her we have	3
do not intend to	3
would have a baby	3
goes up to him	3
measly four hundred barrel	3
to the fireplace on	3
i am a poor	3
kidd modern plays edited	3
and the old woman	3
c m w de	3
give it to me	3
me how you are	3
sinks into a chair	3
as much as you	3
how dare you speak	3
of no interest to	3
i have defied him	3
back in his pocket	3
a long way off	3
in his arms and	3
it is hard to	3
to think that i	3
i would have told	3
from the pocket of	3
of the activities of	3
unveiling of the statue	3
i am waiting for	3
me into the street	3
of the baskets and	3
d m w drama	3
where is the key	3
the table in the	3
where we have been	3
it is only a	3
i must be going	3
i spoke to you	3
if i could have	3
he goes toward the	3
editors are indebted to	3
i came here to	3
there is another pause	3
looking at each other	3
for the beauty of	3
the daughter of a	3
a thing like that	3
are you afraid of	3
p m smart set	3
that it was you	3
toward the door at	3
a cup of tea	3
in a moment i	3
is the most beautiful	3
if i were in	3
each side of the	3
death in fever flat	3
in the center a	3
as if you were	3
the bottle on the	3
when i came in	3
such a fool as	3
would have been better	3
that i was not	3
the perspiration from his	3
to the side of	3
in the direction of	3
more than i do	3
p m w harvard	3
at the old woman	3
thank you very much	3
rhymed fantasy for two	3
fantasy for two girls	3
plays by mary macmillan	3
was subsequently revived by	3
and takes up a	3
little theatre in the	3
revived by the washington	3
right of the centre	3
as though he were	3
nothing to do with	3
come back from the	3
will you listen to	3
i want to see	3
not a bit of	3
no doubt about it	3
all of us are	3
wears a gown of	3
so far as i	3
me to help you	3
in one volume duffield	3
if you have a	3
moves away from him	3
me believe by the	3
is included in this	3
long have you been	3
never be able to	3
will be thinking in	3
of course i love	3
do you know why	3
believe by the falling	3
but it was the	3
is going to marry	3
c m w little	3
i know what i	3
bushes to the right	3
there you are again	3
it in this volume	3
of the fact that	3
you know how to	3
i will not tell	3
is heard from the	3
here in the wood	3
very close to her	3
to quilt it or	3
modern plays edited by	3
apartments of the queen	3
thinking in strange countries	3
down on the sofa	3
to tell you that	3
and brings it to	3
goes toward the door	3
with a step to	3
and a lot of	3
no man ever really	3
not afraid of him	3
plays by american authors	3
know what i mean	3
how can you be	3
his arms and kisses	3
you know that it	3
what have i done	3
see how it is	3
on either side of	3
should like to have	3
be kind to you	3
produce this play must	3
for a long while	3
mean to say you	3
in love with one	3
i can do it	3
perspiration from his face	3
stands for a moment	3
i no longer know	3
i am glad to	3
the beauty of shining	3
vizier moves a chessman	3
to left of stage	3
cymbal crash lights up	3
she bursts into a	3
play must be made	3
to think that this	3
and the both of	3
i am not afraid	3
job at the fisheries	3
the agent your aunt	3
m w shay the	3
comedy by philip moeller	3
has been a great	3
there can be no	3
the dress rehearsal of	3
pass while the lentils	3
the editors are indebted	3
you because you can	3
out of the window	3
rights of this play	3
the shrove tuesday play	3
what if he should	3
this is too much	3
the birthday of the	3
if i am not	3
so long as you	3
be thinking in strange	3
we went to the	3
a game worth two	3
stands looking at the	3
i know a game	3
by the falling of	3
is lowered cymbal crash	3
buttons of her cape	3
shall know how to	3
play should be addressed	3
permission to include it	3
it is in the	3
what would ye be	3
stewart kidd company publishers	3
it may be that	3
home and tell john	3
to the third chinese	3
with a gesture of	3
as if he had	3
but this is sherry	3
the wrath of the	3
it is true of	3
if you were a	3
the lantern from the	3
as if she were	3
bear it any longer	3
looking from one to	3
stuart walker edited and	3
comes out of the	3
stand it any more	3
yourself in my place	3
and i had to	3
never been able to	3
the head of the	3
to the first chinese	3
to say to you	3
what a pity that	3
falling of your arm	3
what do you call	3
outlet for my activities	3
have to go to	3
in the distance a	3
falling in love with	3
the little theatre in	3
of his head toward	3
into chair at left	3
s m w j	3
out of the door	3
what have they to	3
it will be the	3
one of the most	3
you know that i	3
it seemed to me	3
the story of the	3
plays for the free	3
m w french howard	3
comes in from the	3
application for the right	3
tap vizier moves a	3
comedy in one act	3
do such a thing	3
d m w four	3
me where i can	3
that the sun rose	3
the plays of the	3
far as i can	3
walks back and forth	3
c m w moliere	3
forward a few steps	3
a word with you	3
i think i am	3
a step to the	3
produced by sam hume	3
side of the table	3
come away with me	3
i would have gone	3
do you believe that	3
we are going to	3
whose back is turned	3
have they to do	3
be angry with you	3
i felt that i	3
but all the same	3
in spite of that	3
he is a man	3
and at the same	3
she is about to	3
a rhymed fantasy for	3
and with an introduction	3
you suppose that i	3
and in spite of	3
night of november th	3
the scene is laid	3
to ask you something	3
i thought it was	3
in one volume french	3
takes off his hat	3
do you come from	3
pay me my money	3
behind the circular table	3
dress rehearsal of hamlet	3
birthday of the infanta	3
while the lentils boil	3
goes out toward the	3
then rushes to the	3
he will be thinking	3
in half an hour	3
i do not wish	3
door to the cubby	3
you write me that	3
done my best to	3
the little stone house	3
can see for yourself	3
for a moment the	3
a bit of it	3
you were always a	3
closes the door and	3
amber pools where men	3
i cannot live without	3
within these four walls	3
the harvard dramatic club	3
rushes to the door	3
walks to the right	3
to be at the	3
she said she would	3
out the drop is	3
that i love you	3
on the right and	3
madden without looking up	3
the direction of the	3
she hands him a	3
is no time for	3
could never have written	3
the bees as is	3
could make me believe	3
come up to the	3
looks at the letter	3
the society of spanish	3
the trees to the	3
did you get a	3
is dressed in a	3
the day after to	3
the effect of her	3
effect of her words	3
at the right side	3
first time i saw	3
order of their appearance	3
a room in the	3
in one volume doran	3
there was a maiden	3
of course i am	3
the contemporary drama of	3
he asked me to	3
a beautiful little girl	3
and then you will	3
he goes into the	3
shall have to take	3
on his own side	3
i have given my	3
i beg you to	3
in the old days	3
it is not the	3
c m w brentano	3
and i thought i	3
did you manage to	3
moment there is a	3
p m w henderson	3
what can we do	3
going to quilt it	3
in the house of	3
six who pass while	3
a loaf of bread	3
out of the house	3
either side of the	3
run home and tell	3
the worst of all	3
but i did not	3
a hell of a	3
of your arm that	3
no more than a	3
in the heart of	3
act plays by american	3
knew that you were	3
c m w arens	3
but why do you	3
placing it to her	3
by stuart walker edited	3
in the sacristy closet	3
hands on her shoulders	3
you mean by that	3
i was in the	3
of the tree creaks	3
do you know how	3
i shall go mad	3
of my life i	3
edited and with an	3
is on your side	3
you will have to	3
love with each other	3
goes to the table	3
on the verge of	3
thrown into the air	3
the way you do	3
the melancholy young lady	3
the falling of your	3
p m w badger	3
now that he is	3
i will fight with	3
see madame le bargy	3
for a man to	3
originally produced by sam	3
turns away from her	3
that sort of stuff	3
you can see the	3
not going to be	3
make me believe by	3
pools where men may	3
a bowl of water	3
a man who is	3
was first performed march	3
such a beautiful little	3
strange countries of the	3
include it in this	3
a rogue and a	3
i must tell you	3
of the square table	3
be able to talk	3
a few steps toward	3
do you look at	3
does not look up	3
room on the right	3
if there is a	3
you speak to me	3
i will get you	3
fall in love with	3
but when night comes	3
a play by george	3
in the world like	3
society of spanish authors	3
this is no time	3
on the edge of	3
know a game worth	3
you ought not to	3
the curse of the	3
by way of a	3
husband an historical comedy	3
for the free theatre	3
by thomas wood stevens	3
to show the distance	3
what you have done	3
to paint any more	3
and then with a	3
that we are painted	3
by the side door	3
the life out of	3
moves to the table	3
does not appear to	3
i have lived for	3
tell me how you	3
is the story of	3
p m w sheffield	3
i am not blaming	3
to be afraid of	3
by walter prichard eaton	3
which she has been	3
and puts it in	3
want to tell you	3
go away from here	3
gathered at the ankles	3
be careful what you	2
goes into the inner	2
are groping in the	2
it gives me a	2
tsumu looking after them	2
me all the time	2
i am not speaking	2
correspondence and an estimate	2
was worse nor a	2
rumor flies through the	2
enters from right and	2
hand across her eyes	2
fair women and your	2
naturally you think that	2
who kyboshed the car	2
turns quickly to the	2
a nervous trick that	2
a miracle of st	2
was just about to	2
the young man no	2
and shall never have	2
tsumu begins to massage	2
in the fresh air	2
a king might at	2
in spite of his	2
he bumps against the	2
gods will keep sparta	2
a minute to spare	2
in a half whisper	2
being cleaned for the	2
only men i ever	2
sake did i not	2
and immediately sitting down	2
worst of it by	2
and i have come	2
who have never really	2
keeney appears in the	2
that was a crime	2
could endure green eyes	2
a poem in itself	2
down by the river	2
has the sea a	2
men and women are	2
rose up in the	2
p m w i	2
the far distance shimmers	2
thekla moves away from	2
it slows the blood	2
can you realize it	2
slightest jar may mean	2
less of her king	2
shifts it from hand	2
begins to massage the	2
battle to save you	2
watch him through a	2
in comfortable domesticity with	2
the table and begins	2
the end of one	2
his mouth is wide	2
passion in a style	2
me feel like this	2
for telling you your	2
the fates are with	2
would be better if	2
old men lie down	2
shines on any house	2
a view of hills	2
for any man to	2
f m w baker	2
may zeus turn a	2
back of table center	2
a play by lady	2
at the stars and	2
because i have neglected	2
you if you had	2
william the first was	2
you cannot escape by	2
new delphiniums i must	2
the presence of the	2
harry go beyond recall	2
exits into the library	2
to the needs of	2
and a small book	2
one act plays by	2
the king hears of	2
my hair in nineteen	2
it looks rather well	2
on the balcony and	2
than a scrap of	2
then i shall be	2
me as exquisite and	2
has it taught you	2
to fight and defend	2
took a liking to	2
by permission of and	2
as long as we	2
much for analytikos to	2
so much of the	2
has done her duty	2
when do i see	2
pay the interest or	2
turned away i heard	2
i have no place	2
the bait may be	2
i have not forgotten	2
out of the cold	2
sight will be worth	2
the progress of the	2
in the street like	2
not as i have	2
our life at venice	2
i found this in	2
i think it is	2
why should i have	2
on the table as	2
desire to the king	2
taking a step or	2
the mortal bolt that	2
ought to have thought	2
the shadowed star by	2
to the limb of	2
has gone to tell	2
to spread the news	2
i know what a	2
who is her father	2
tell that to sparta	2
an estimate of his	2
failures and those who	2
having seen you before	2
be sure of that	2
he was a prince	2
to the open door	2
a man will fall	2
law has given you	2
gone by the road	2
nearly eighty this is	2
burden such as every	2
and attempts to stop	2
as she sits dreaming	2
i would speak to	2
is on his own	2
you are as wise	2
she stands in the	2
shall i have the	2
has never made me	2
a pantomime in one	2
deep emotion that it	2
for so long have	2
will not marry the	2
tear a woman to	2
by pierre loving the	2
alone can reach your	2
i come at last	2
when i was a	2
beg for your hand	2
i scanned the note	2
a window with a	2
your hand in mine	2
what would we like	2
i came into this	2
twentieth century ought to	2
when there is no	2
in vain to light	2
the library and summons	2
higher right than duty	2
woman out of the	2
give me a bowl	2
writes down the amount	2
standing in the middle	2
moment of life left	2
the truth she could	2
letters ten times over	2
and frail as a	2
greater than being boiled	2
do you forget that	2
i have for you	2
in love with him	2
you forgotten the oath	2
stop the progress of	2
a star shall jangle	2
writer smothered me with	2
was to give me	2
well may read well	2
a finer skin than	2
could say a great	2
violante giulia della bionda	2
you do it for	2
be weak an odd	2
and woo me with	2
see thyself secured at	2
is dressed as a	2
of my momentary error	2
dares tell the truth	2
speak to me any	2
run about and never	2
with that ointment as	2
that is the worst	2
back in an hour	2
herself in the chair	2
in the distance is	2
menelaus anxiously stops him	2
news has spread through	2
beauty is forever speaking	2
if it had been	2
two or three times	2
she goes out quickly	2
your mother is right	2
if you bruise my	2
depths to my nature	2
thou art a brave	2
goes up to hilda	2
puts out her hands	2
was too wise for	2
if thou wouldst be	2
i am glad that	2
the mother of my	2
curtains and looks through	2
i know too much	2
how stupid of me	2
mind i see him	2
when you came here	2
me to tell you	2
disagreeable young man is	2
issuing under the general	2
his shield is the	2
hate we have and	2
queen was a blonde	2
of the library and	2
all the time we	2
where a girl who	2
dogs of the street	2
and i am as	2
a lack of will	2
he moves toward the	2
crimes of people like	2
given her heart unreservedly	2
is nothing in the	2
by the light of	2
sapphire soul of the	2
she puts the pipe	2
i was going to	2
know what a rabbi	2
that heart so pure	2
it really is too	2
into the room from	2
moment i shall be	2
then with a sudden	2
never until the queen	2
last word to the	2
this the garden where	2
ready to my hand	2
a lover of comfort	2
c m w plautus	2
to the sword and	2
am waiting for life	2
if you care to	2
is the worst of	2
pay any attention to	2
i to know that	2
made you sit upon	2
you regret that ulysses	2
say wicked things to	2
suddenly she springs to	2
sweet enough to catch	2
all fell prostrate before	2
think of the triple	2
ratio between necessity and	2
think you want a	2
and as long as	2
the affected young ladies	2
at once attractive to	2
roll wazir shakes his	2
men fighting for me	2
heard enough of this	2
is restored to menelaus	2
permission to produce it	2
or it will be	2
to have men fighting	2
wazir moves a chessman	2
the love of my	2
note of tears comes	2
stuck so long at	2
ward a play by	2
shows how much he	2
my mind is set	2
speaking to a child	2
to the window for	2
it was all a	2
a man of honor	2
fire and sound and	2
who can make love	2
be greater than being	2
to guess what torments	2
the greatness of my	2
at the other end	2
and menelaus rushes into	2
am looking into you	2
a nation of soldiers	2
i guess you would	2
of being only lovely	2
bother about all sorts	2
to the table on	2
joy that century has	2
me to take it	2
that there can be	2
i was just going	2
no pity on my	2
gustav walks up and	2
thrown into the street	2
beyond the range of	2
talk as much as	2
never to have been	2
two years ago when	2
ought never to have	2
has my mother any	2
has been my guiding	2
can reach your soul	2
the story of a	2
no man has dared	2
whom do i go	2
you to determine as	2
or can she sleep	2
as though something in	2
and faithful in love	2
then commences to laugh	2
can it be possible	2
it might be serious	2
and the costumes by	2
is wise as she	2
i have for my	2
can contain the tears	2
kneeling before the bust	2
the whole thing is	2
drag me into the	2
it is of the	2
back into the room	2
fourth and marion streets	2
much overcome by deep	2
played the part of	2
by emmet lewis beach	2
small bunch of flowers	2
herself in a pocket	2
be a rabbi now	2
day of peace and	2
cut off all thy	2
putting the mirror on	2
you will find a	2
other end of the	2
unless the books have	2
with her hat and	2
but if you really	2
garland of golden flowers	2
more short plays by	2
you chose the girl	2
are too busy with	2
attractive to readers and	2
workhouse ward a play	2
puts his hand on	2
deed or in thought	2
as careful with that	2
capo a play by	2
in the front yard	2
what is it he	2
sticks the third purse	2
just bet we are	2
ways i think you	2
the only one who	2
starts for the door	2
by deep emotion that	2
is of no interest	2
you must come in	2
you talk this way	2
and shifts it from	2
anything of the kind	2
hands and head lifted	2
how well you are	2
he shuts the door	2
woo me with grand	2
i have the proofs	2
because the hood on	2
garden where time speeds	2
sud claps his hands	2
respond you will return	2
to know that i	2
a great clamor comes	2
his life and works	2
a sign to analytikos	2
w j smart set	2
fell prostrate before her	2
found a purse in	2
a chessman tap vizier	2
can make love with	2
talk of the king	2
ever known who seems	2
bait may be sweet	2
he has taken a	2
c m w chekov	2
in the arm chair	2
quiet in his own	2
the writer smothered me	2
to have it cleaned	2
a chart in my	2
dances that are all	2
he could not die	2
gaze upon her majesty	2
progress of the queen	2
and wilt thou have	2
what century should i	2
stranger awaits her here	2
and the second was	2
i do what i	2
you would speak with	2
in one of the	2
i do look horrid	2
edward hale bierstadt the	2
and placing it to	2
puts out his hand	2
his face with his	2
and paris stand riveted	2
to determine as you	2
would dare stop the	2
he is the son	2
watch a sunrise a	2
flame fiercer than my	2
what sells the goods	2
a photograph of a	2
our mortal pains are	2
library you will find	2
you would not strike	2
the action of the	2
just in time to	2
the same as the	2
it is a fountain	2
how can i be	2
blame not a blameless	2
the son of priam	2
was nothing but a	2
to have a good	2
effort is being spared	2
throwing it back to	2
will deign to live	2
the stars and moon	2
his aching knee thy	2
who was here at	2
daughter of a bull	2
the queen is restored	2
a score of nephews	2
room from which hang	2
if you had to	2
discourse on the hip	2
never do it again	2
how can i get	2
idling in the june	2
poverty is no sin	2
we to read no	2
ethics cite no precedent	2
to such a wife	2
but with a sudden	2
have you ever heard	2
have for my abode	2
about and never worry	2
have me perish here	2
mirror to the floor	2
through the lanes of	2
is van der elst	2
the selfishness of those	2
at the back opens	2
i have heard of	2
it seems as though	2
in spirit as he	2
opening into an inner	2
french without a master	2
lays his hand on	2
that act well may	2
wrote you when you	2
so ends our fantasy	2
when i have these	2
i am she for	2
spain must look to	2
you bruise my perfect	2
i will come again	2
thought you were going	2
myself may learn to	2
of those dull dances	2
you went away i	2
turns toward the fireplace	2
those interested in the	2
things are not as	2
makes an involuntary movement	2
to speak with you	2
i suppose it was	2
that enough to make	2
and to the left	2
spending so much money	2
it to the first	2
fame of this convent	2
prostrates herself before the	2
mists of the sun	2
fates are with me	2
lowered cymbal crash lights	2
at the door and	2
then why did you	2
know what you mean	2
in a purring tone	2
too blind to see	2
go hand in hand	2
then you have reached	2
has the knowledge that	2
venus in thy dove	2
suddenly he leaps to	2
play by thomas wood	2
of you to come	2
analytikos bowing to helena	2
has never loved you	2
thou still spurn me	2
paris at a loss	2
i have news more	2
the room from which	2
the chiropodist has come	2
beyond the library you	2
like to have me	2
the sword and left	2
me up out of	2
to suit you well	2
want the truth for	2
is my room at	2
loaf of bread outside	2
what our dramatists would	2
it was hard enough	2
what a wealth of	2
m w four seas	2
massage ointment back into	2
he has in his	2
you think that harry	2
me what your cue	2
hate of troy that	2
outer garment and my	2
but your unrealized desire	2
she listens intently for	2
all go to the	2
with a letter in	2
and selling a play	2
man enters from the	2
are as wise as	2
most beautiful thing in	2
tap vizier orders nubian	2
on the same piece	2
black arras in the	2
suppose that stupid friend	2
tap princess signals to	2
speak of them again	2
he leans very close	2
felt there was a	2
it is useless that	2
that he might withdraw	2
a door leading to	2
shall be as you	2
as i have pictured	2
eighty years old to	2
pardon me for having	2
which hang the ends	2
analytikos says if there	2
more than a scrap	2
the like of you	2
as he who sees	2
i should say so	2
to blame for it	2
leaves but half uncurled	2
in the spring the	2
got the pluck to	2
and prostrates herself before	2
the poets no longer	2
they put all kinds	2
paris his eyes on	2
m w in morningside	2
away from the fire	2
and we can mobilize	2
do you know about	2
seth looks at lon	2
count took a liking	2
my children to lose	2
i order the boiling	2
of a great man	2
listen to you any	2
breaking through his emotion	2
it is no longer	2
room in it for	2
myself upon a rafter	2
and the little sister	2
have some sort of	2
the arm chair and	2
one of those who	2
you know who i	2
my country there are	2
other as you two	2
in this place at	2
you had chosen wisdom	2
with hands and head	2
the galleys who dares	2
as the washington square	2
of that sort of	2
he used to in	2
i will not reveal	2
the picture of the	2
across the rail of	2
of connubial and communal	2
i am looking into	2
if ever the time	2
been honest so long	2
you accept me for	2
her bosom and runs	2
sit by the fire	2
and then at the	2
all about the borgias	2
is true of maxims	2
and american drama of	2
macmillan plays that act	2
the yells grow fiercer	2
dry your eyes and	2
place to sell my	2
page from some superb	2
for him to sit	2
shall we go hand	2
satire by alice gerstenberg	2
choice of a tutor	2
it should be made	2
of god a play	2
we have treaties with	2
sit here and stay	2
with sudden terror the	2
w a question of	2
a comedy by anton	2
that ulysses or agamemnon	2
and a picture book	2
the man and his	2
and hate of troy	2
say things to me	2
tsumu gets up and	2
i carry a chart	2
but much you care	2
might at least have	2
you assume that prophetic	2
subjection of kezia a	2
there is no doubt	2
she has done her	2
one story and the	2
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in silence for a	2
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endure who for so	2
acclaims from the people	2
no matter what you	2
to control his feelings	2
spurn me as a	2
you used to be	2
speaking very dramatically and	2
tobacco from his pocket	2
the teeniest bit romantic	2
require a lover who	2
come to think of	2
love in a french	2
country there are no	2
with leaves but half	2
go all round about	2
returns to his book	2
of the weeping willow	2
have a few words	2
walk up and down	2
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never spoke to me	2
the woman on the	2
then they come to	2
sighed for thee in	2
arras in the back	2
it with some of	2
would be sorry if	2
is too far above	2
in which the writer	2
child in her arms	2
is dressed in the	2
was designed by paul	2
again at her book	2
as if it mattered	2
work at the fisheries	2
i expect you to	2
from the grim reality	2
another of the priestesses	2
he wrote you when	2
after having been the	2
four plays for the	2
letter in her hand	2
let not your heart	2
it is not here	2
like a thousand sunsets	2
she hides the purse	2
what can have led	2
to the right goat	2
loving the hour of	2
comedy by serafin and	2
i was never more	2
tap they halt tap	2
road to the harbor	2
with her hands and	2
the moment i saw	2
king will show you	2
to take this with	2
hear how the story	2
is he going to	2
of the situation breaking	2
but were i his	2
if i could see	2
on the back of	2
out of breath and	2
you used not speak	2
of the priestesses sacrificed	2
in her rouge pot	2
have never been able	2
because i am old	2
what do i want	2
first sign of fear	2
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the world suppose he	2
am too proud to	2
sides of the stage	2
the indiana little theatre	2
you dare call moo	2
sparta is the most	2
the main entrance leading	2
truth for a change	2
suited to the needs	2
say a great deal	2
shadow of the devil	2
are a genuine people	2
she produces a letter	2
tsumu is massaging the	2
into a time too	2
this and only this	2
is coming to consume	2
is a finer skin	2
opens the door to	2
bolt that leaves no	2
sunrise a play by	2
i envy you because	2
untold tale a play	2
beauty is so perfect	2
venus has smiled on	2
by the square table	2
out a comedy by	2
you must have had	2
of the second chinese	2
dusty cloud when his	2
do no such thing	2
on a pedestal against	2
love a man like	2
you said so yourself	2
you know how i	2
do not ask me	2
i swear that i	2
m w j kennerley	2
sets her books on	2
four plays in verse	2
reading public and those	2
things to me like	2
but sometimes you will	2
charles and i are	2
told it to him	2
analytikos goes over to	2
just as you say	2
zeus stands on a	2
sparta will see with	2
sits in chair at	2
was first produced in	2
i never had the	2
tell us another story	2
going over to him	2
a thing abhorred whose	2
as not to guess	2
the ship at night	2
p m w kobrin	2
is the best of	2
what else do you	2
theories of the drama	2
his neck and kisses	2
one of the curious	2
analytikos makes an involuntary	2
seven scars taken as	2
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the apple one of	2
he puts his hands	2
of the house of	2
to go to the	2
she puts another chocolate	2
goes into the library	2
in the far distance	2
he bring an emerald	2
i am sure he	2
and ways i think	2
out at the other	2
c m w stewart	2
in the same way	2
a rope round his	2
and i know you	2
the morgue a play	2
you want to go	2
as though she were	2
roistering through the lanes	2
love which endures for	2
they all fell prostrate	2
of her own age	2
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is the refuge of	2
he has had his	2
you would not dare	2
me worthy of your	2
show a comedy by	2
she and paris stand	2
the dramatic works of	2
all the water is	2
books can i find	2
to come back to	2
of the whole thing	2
and sits down on	2
everybody to the galleys	2
himself think that he	2
in it at all	2
on the right leads	2
and not only will	2
do not care to	2
but if you carry	2
let him see me	2
shall i call the	2
permit me to see	2
i pray you go	2
that woman with her	2
miracle play by thomas	2
for the washington square	2
shall never have one	2
to be your wife	2
be supposed that we	2
come down into the	2
the door back is	2
forever speaking for them	2
across the room and	2
you must have been	2
paris looking from one	2
men lie down and	2
you a prophet as	2
she does not know	2
springs to her feet	2
drama has been accepted	2
such tremendously long words	2
madly in love with	2
can you be so	2
i wish it were	2
soup and the savoury	2
to try to make	2
know what stillness is	2
he spends more time	2
takes a few steps	2
as well as a	2
menelaus with slow determination	2
not making love to	2
i had a letter	2
but she would have	2
we must not be	2
those dull dances that	2
the middle section of	2
what is this that	2
you make me nervous	2
riders to the sea	2
it would be better	2
a piece of cloth	2
here the roar of	2
eyes fill with tears	2
and in the spring	2
takes off her gloves	2
to have me take	2
is turned toward the	2
put out the stars	2
i guess i was	2
secured at such a	2
and turns him around	2
all at once i	2
your peace with god	2
i can suspend myself	2
i help it if	2
and you ask me	2
you must jump down	2
can do it myself	2
you to say just	2
all the luxuriant summer	2
to know that here	2
it in your eyes	2
which is to say	2
great clamor comes up	2
he only went to	2
titian gave feasts under	2
words makes itself into	2
the fables tell the	2
falls to the ground	2
they take hands and	2
takes up the papyrus	2
down into the market	2
will try the historians	2
the hero a comedy	2
your troubles at home	2
the words had set	2
the sun rose up	2
door at the right	2
my mother any money	2
grandeur even about the	2
ile now right enough	2
i have five fathers	2
listens to my aspirations	2
ought to hear the	2
in the wilde family	2
curtains across the door	2
his chair as he	2
you ever hear a	2
life out of him	2
evil has fallen on	2
up the papyrus that	2
mortal pains are fleeing	2
which i had to	2
are sweeter than words	2
how did you come	2
stars and dreamed of	2
wanted to ask you	2
of the same design	2
chase the boy away	2
drops into his chair	2
that would be beneath	2
and fills it with	2
play by wallace stevens	2
pedestal against the right	2
a brace of maiden	2
hides the purse in	2
dressed as a laborer	2
only thing in which	2
alone with the queen	2
be saved a fight	2
may learn to jazz	2
a couple of eunuchs	2
with a war or	2
made to egmont arens	2
confusion in the courtyard	2
the influence of analytikos	2
around his neck and	2
are we to read	2
let me try once	2
at the hotel de	2
they asked me for	2
by lewis beach copyright	2
to win thy favour	2
a play by wallace	2
your head lay on	2
a prophet as well	2
pointing to the distance	2
is convulsed with laughter	2
medicine show a comedy	2
know you curse the	2
referring to the map	2
a symbol throughout eternity	2
who live in the	2
and i wanted to	2
fight to regain her	2
has escaped his fate	2
at such a price	2
a girl can go	2
as she is ugly	2
as if at prayer	2
carriage a play by	2
own side of the	2
he never listens to	2
are menelaus of sparta	2
is a view of	2
of the head and	2
be right just yet	2
as we knew him	2
makes the matter international	2
us when we were	2
the sapphire soul of	2
looks up with a	2
to tell you something	2
of the door in	2
the mills of duras	2
majesty a stranger awaits	2
you and your wife	2
my repertoire is large	2
is bathed in intense	2
will never speak of	2
good it is to	2
all time a play	2
for life to such	2
enter don gonzalo and	2
he takes several steps	2
for love of her	2
do you like it	2
is cheap for that	2
you beaten if you	2
enters and goes to	2
two sorts of women	2
should love to have	2
behind the black curtain	2
the beginning of another	2
leans very close to	2
do not like the	2
piece of paper as	2
it taught you to	2
by philip moeller copyright	2
though i were the	2
paris the truth of	2
he will retract and	2
with a big case	2
that i have lost	2
bring the both of	2
by your dress and	2
he left all to	2
even if it takes	2
right leads to the	2
menelaus in high irritation	2
with the purse and	2
of a taxicab is	2
and let me see	2
i should take that	2
the second was to	2
looks at another bill	2
all i can do	2
in such tremendously long	2
a deaf ear to	2
five somewhat historical plays	2
world is but her	2
sits on the floor	2
i can hear him	2
deaf ear to your	2
about all sorts of	2
see if you can	2
they never had such	2
her feet and yells	2
to see what you	2
what else is there	2
and gazes at her	2
cream and strawberries round	2
helena assuming an irresistible	2
like all of us	2
helena taking up a	2
m w the rose	2
when i tossed her	2
luck would have it	2
stumbles into a seat	2
wanted to find out	2
asking me to do	2
and we two went	2
came into my mind	2
poignant breathing of the	2
going to be your	2
would give my soul	2
moo moo are analytikos	2
name will blaze as	2
to a certain extent	2
you show me how	2
queen is restored to	2
the home of halima	2
up and points to	2
there till i call	2
you tell that to	2
the lanes of devonshire	2
goes toward the library	2
one day that i	2
he would die for	2
doors right and left	2
first instincts of a	2
it were not so	2
have accepted thee ten	2
i have no faith	2
show thim the way	2
hood filled with apples	2
to have a lover	2
he was a hard	2
is impelling me toward	2
a wise man and	2
under the stars and	2
flung himself over the	2
orders no man has	2
an inspiration of the	2