Questions

This is a list of all the questions and their associated study carrel identifiers. One can learn a lot of the "aboutness" of a text simply by reading the questions.

identifier	question
3625	''What do you wish, sir?'' 3625 Did I call it my work?
3625	My dear, faithful wife- to- be, did I not owe you this faithful picture of your future home life in Paris? 3625 A servant would next come forward and ask,What does Monsieur wish?"
3625	And how could he work under the paternal roof?
3625	And what novel or what drama could be compared to such a history?
3625	Are we to suppose that business cares had turned Balzac aside from all his literary projects?
3625	But meanwhile, how about his work?
3625	But when one has all the superfluities, of what use are the necessities?"
3625	But when will that day come?"
3625	But why do I use the word vanity?
3625	Did this first disastrous experience turn him aside from further business ventures?
3625	Have you any idea what they amounted to?''
3625	He realised all the baseness of it, but, he argued, would he not be indebted to it for the preservation of his talent?
3625	How and when had they become acquainted?
3625	Is it a form of second sight?
3625	Is it bitterness, disdain or anger towards him for having destroyed those fruitful meditations?
3625	Is it one of those qualities, the abuse of which might lead to madness?
3625	Might that not be almost called the origin of the Arc- de- Triomphe?
3625	One passion alone drew me away from my studious habits; yet was not this itself a form of study?
3625	Since she was to be at Neufchatel and he at Besancon, how could they resist the pleasure of a first meeting?
3625	To what do I owe this gift?
3625	Was it those wretched scribblings which had formerly caused so much merriment that now inspired him with such pride?
3625	What are you thinking of, my brother?''
3625	What happened?
3625	What is he reading?
3625	What matter?
3625	What promise of talent had he ever given to justify such absurd pretensions?
3625	What was Balzac''s life during the two years that he practised the profession of printer?
3625	What was he to do?
3625	What was his career, and what functions did he fulfil?
3625	What was the object of this journey?
3625	Why did he hesitate to come to a decision and gratefully accept the proposition made by his father?
9548	Although my wife has more brains than I, who will support her in her solitude, she whom I have accustomed to so much love?
9548	But why this uneasiness now? 9548 Is there no woman in the world for me?"
9548	Laure, Laure,he cries at this time,"my two only and immense desires-- to be loved and to be celebrated-- will they ever be satisfied?"
9548	''What does Monsieur want?''
9548	A French family, what is that?
9548	After eighteen months in the same house with Madame Hanska, could he_ really_ believe that only material difficulties kept her apart from him?
9548	And is observation a sort of memory suited to aid this lively imagination?
9548	As it is impossible for even a Balzac to live without relaxation, even if he goes without rest, what, may we ask, were his recreations at this time?
9548	Besides, blind Fortune is here, is n''t she?
9548	But what can a box do against a theatre?"
9548	Could the doctor promise him that length of time?
9548	Do we not say to ourselves here, to- day, that it is impossible for a great genius in this life to be other than a great spirit after death?
9548	Do you not wish me to have the glory of having presented you to this English''Corinne''?
9548	He will not become a member of the Academie because he has not been in Paris?
9548	How can he be expected to pay visits?
9548	How, with the acute powers of observation, and the intuition, amounting almost to second sight, with which he was gifted, could he help doing so?
9548	I said to myself:''Will this be only a new bitterness?
9548	In April, 1845, he writes:"Shall I manage to write two numbers of the''Paysans''in twelve days?
9548	Is it not rather true?
9548	Is not this the truth, I ask you who listen to me?
9548	Pretentious, is it?
9548	She whispered to him:"That makes you inclined to cry, does n''t it?
9548	The messenger was to say to him,"I have it,"and the man would answer,"As you have it, what are you waiting for?"
9548	Well, at any rate, you will at least give me six weeks?
9548	What do the Survilles think about it?
9548	What if his opportunity for work on earth were really over?
9548	What if the creations which floated through his mind while he lay suffering and helpless, were never destined to be put into shape?
9548	What if there were not time after all?
9548	What would Laure do in these circumstances?
9548	What, after all, was the use of genius except as a stepping- stone to the solid good things of the earth?
9548	What, they asked her, would be her life with a husband as eccentric, extravagant, and impecunious, as they believed Balzac to be?
9548	Where lay the advantage of superiority to ordinary men, if it could not be employed as a lever with which to raise oneself?
9548	Why must I work whether I wish to or not?
9548	Why should n''t she protect a Balzac as well as a ninny?
9548	Why?
9548	Will the skies open to me again, for me only to be driven from them?
9548	Would she not in disgust dismiss the sculptor, and choose a more eligible_ parti_ for Sophie?
9548	Yet how could Balzac find 30,000 francs?
9548	is it possible?
9548	was quite right to say:''But she?''
9548	why have I debts?
9548	you will certainly give me that?
5115	And if one does not take life like that, one can not take it in any way, and then how can one endure it? 5115 Beloved old troubadour,"would it not perhaps be opportune to rehabilitate him at the Theatre Almanzor?
5115	Do you want it?
5115	''And do you want to know what becomes of a woman whose education has consisted in George Sand''s books?
5115	... But the aforesaid old book will not be published until the first of April( like an April fool trick?)
5115	A little while before he died, Duveyrier, who seemed to have recovered, said to me:"Which one of us will go first?"
5115	A propos of Vendee, did you know that her paternal grandfather was, after M. Lescure, the head of the Vendee army?
5115	A propos of gypsies, do you know that there are gypsies of the sea?
5115	A shrug of the shoulders as if to say,"What do we care?"
5115	Adieu, dear master, write to me, wo n''t you?
5115	After Cannes sha n''t you return to Paris?
5115	After reflecting on it, is n''t that your opinion?
5115	Am I never to see you again there?
5115	Am I not splendid; eh?
5115	Am I not well?
5115	And Cauterets and the lake of Gaube?
5115	And Sainte- Beuve?
5115	And all the household, from Maurice to Fadet, how is it?
5115	And how about me, do n''t you think that I need help and support in my long task that is not yet finished?
5115	And how please the public when one''s nearest friends are so remote?
5115	And if one does not take life like that, one can not take it in any way, and then how can one endure it?
5115	And now, it is not good of you to say that I do not think of"my old Troubadour"; of whom then, do I think?
5115	And of this person, of this prince, who lives in the midst of an arsenal and makes use of it?
5115	And the censorship?
5115	And the little reaction that we are going to have after that?
5115	And the novel, is it getting on?
5115	And the novel?
5115	And the novel?
5115	And the preface to the Idees de M. Aubray?
5115	And the route of Saint- Sauveur?
5115	And then how measure work, how estimate the effort?
5115	And then wo n''t it be time perhaps to enjoy oneself a bit in life, and to choose subjects pleasant to the author?
5115	And then, how could reason form itself, if it does not apply itself( or if one does not apply it daily) to distinguish good from evil?
5115	And this sadness, this discontent that Paris has left with you, is it forgotten?
5115	And what difference now does death or life make to me for myself?
5115	And what, you want me to stop loving?
5115	And when are they to play this Cadio?
5115	And when shall I know?
5115	And where shall you go in the south?
5115	And you chide my anguish as a weakness, and puerile regret for a lost illusion?
5115	And you dear friend, what are you doing at this hour?
5115	And you my Benedictine, you are quite alone in your ravishing monastery, working and never going out?
5115	And you, dear friend, are you experiencing the anguish and labors of childbirth?
5115	And you, dear master, what is happening to you and all your family?
5115	And you, friend, you want me to see these things with a stoic indifference?
5115	And you, if you are in Paris, wo n''t you come to keep the Christmas Eve revels with us?
5115	And you?
5115	And, a propos of Bouilhet, she hated him then, him too this poor poet?
5115	Anyway, I shall see him next week when I am in Paris for two days, to get necessary information What is the information about?
5115	Are n''t they prudish in that set?
5115	Are n''t you coming to Paris?
5115	Are the wars between races perhaps going to begin again?
5115	Are there many like them?
5115	Are there no longer any painful external circumstances?
5115	Are they mine?
5115	Are they not, as Proudhon said,"the desolation of the Just"?
5115	Are they playing under all this some abominable comedy?
5115	Are you amused in Paris?
5115	Are you as sedentary there as at Croisset?
5115	Are you at Croisset?
5115	Are you coming to Croisset this summer to hear Saint- Antoine?
5115	Are you content?
5115	Are you ill?
5115	Are you more reasonable?
5115	Are you off for the Pyrenees?
5115	Are you reading Taine''s powerful book?
5115	Are you really amused?
5115	Are you right?
5115	Are you satisfied?
5115	Are you still alive?
5115	Are you still in Paris in this lovely weather?
5115	Are you still in Paris?
5115	Are you studying Prudhomme now?
5115	Are you the man to go to find him and explain the affair to him?
5115	Are you walking a little?
5115	Are you well again?
5115	Are you working?
5115	As for me, I do n''t care if they stand in my way, but how about the future of our generation?...
5115	As for the one I am doing, I am afraid that the idea is defective, an irremediable fault; will such weak characters be interesting?
5115	As the tumult in his senses subsides, he even ventures to offer to George Sand the anodyne of his old philosophical despair:"Why are you so sad?
5115	At Enghien, or in Paris, or in England?
5115	At present it is my little children who devour all my intellect; Aurore is a jewel, a nature before which I bow in admiration; will it last like that?
5115	At the moment when we are overcome by the plainest positivism, how can you still believe in phantoms?
5115	Before admiring Proudhon, supposing one knew Turgot?
5115	Borie has promised to look after the affair; will he do it?
5115	Briefly, what do you want me to do?
5115	But I wonder what use there is in printing my book?
5115	But a propos of the said Rochefort, have they been somewhat imbecilic?
5115	But all that does not give her back to you, does it?
5115	But did you find a compartment, and did n''t you suffer on the way?
5115	But do you think them really true to life?
5115	But how and where?
5115	But how?
5115	But how?
5115	But next week will you come?
5115	But perhaps this torment is our proper lot here below?
5115	But shall we have it?
5115	But since they have that idea, why would n''t they try your fairy play?
5115	But society( which always needs a good God, a Saviour), is n''t it perhaps capable of taking care of itself?
5115	But supposing we were conquerors?
5115	But the bourgeois, what is the use in it for them?
5115	But the censorship?
5115	But then you believe that one does not really die, since one LIVES AGAIN?
5115	But then, what idea have you of women, O, you who are of the third sex?
5115	But then, who did not love her?
5115	But there, one who has neither sex nor strength, progresses towards childhood, and it is quite otherwhere that one is renewed; WHERE?
5115	But to withdraw one''s soul from what one does, what is that unhealthy fancy?
5115	But what can I do?
5115	But what difference does it make to us today?
5115	But what have I done to her?
5115	But what will be the delights of Cannes and where will be the heart to engage in them?
5115	But when shall I go?
5115	But when you are in Paris, what is to prevent you from pushing on to Croisset where everyone, including myself, adores you?
5115	But where will my letter find you?
5115	But why do I say this to you?
5115	But you, personally, how are you?
5115	By the way, how is Cadio going?
5115	By what right can a man prevent the accomplishment of the law?
5115	CCLXXXIII TO GUSTAVE FLAUBERT Nohant, 5th November, 1874 What, my Cruchard, you have been ill?
5115	Ca n''t that be done?
5115	Can I write a book to which I shall give myself heart and soul?
5115	Can anyone hate the winter in the country?
5115	Can existence divide itself?
5115	Can one believe in progress and in civilization in the face of all that is going on?
5115	Can one live peaceably, you say, when the human race is so absurd?
5115	Can one separate one''s mind from one''s heart?
5115	Can sensation itself limit itself?
5115	Can they be?
5115	Can we go peacefully to sleep when we feel the shaken earth ready to swallow up all those for whom we have lived?
5115	Can you assure them the least security?
5115	Can you see my old top- knot by the baptismal font, beside the chubby- cheeked baby, the nurse and the relatives?
5115	Can you?
5115	Come, you, your health first?
5115	Consuelo, La Comtesse de Rudolstadt, what are they?
5115	Could I be guilty of such an oversight?
5115	Could I possibly get along without you on that day?
5115	Could anything have hardened me more than having been brought up in a hospital and having played, as a child, in a dissecting amphitheatre?
5115	Dear master, Why no letters?
5115	Did Gautier, Saint- Victor, his faithful ones, neglect him?
5115	Did I send you Flamarande and the pictures of my little girls?
5115	Did I tell you that I had a visit from Tourgueneff?
5115	Did Plauchut tell you to bring a wrapper and slippers, for we do not want to sentence you to dressing up?
5115	Did n''t they have to flounder in order to arrive at''48 when they floundered much more, but so as to arrive at what should be?
5115	Did she entirely lack philosophy and patience before these infirmities?
5115	Did they respect your name, your workshop?
5115	Did they understand?
5115	Did you know that?
5115	Did you see the sand of Arbonne?
5115	Did you think that I did not know it?
5115	Dieppe, 11 March, 1871 When shall we meet?
5115	Do let yourself be influenced then by this or that temporary thing?
5115	Do n''t you agree with me that a play of very great effect could be made from it for a boulevard theatre?
5115	Do n''t you believe then in your own work?
5115	Do n''t you enjoy it, at least from your window?
5115	Do n''t you feel overwhelmed by the hatred of forty millions of men?
5115	Do n''t you love me too, and would n''t you reproach me for thinking that of no account?
5115	Do n''t you really think that since''89 they wander from the point?
5115	Do n''t you receive my letters, then?
5115	Do they make one sadder sometimes?
5115	Do you know M. Roy, the head of the management of the domains?
5115	Do you know an actress at the Odeon who plays Macduff in Macbeth?
5115	Do you know anything about it?
5115	Do you know in this Paris, which is so large, one SINGLE house where they talk about literature?
5115	Do you know that my poor Theo is very ill?
5115	Do you know that they have quite a Gallic wit and mischief?
5115	Do you know that you are INACCESSIBLE in Paris?
5115	Do you know that, while there has been a deluge everywhere, we have had, except a few downpours, fine sunshine in Brittany?
5115	Do you know that?
5115	Do you know the worst of all that?
5115	Do you know what I am going to do to complete my ecclesiastical character?
5115	Do you know where the great Tourgueneff is now?
5115	Do you know, in all history, including that of the Botocudos, anything more imbecile than the Right of the National Assembly?
5115	Do you like Victor Hugo''s preface to the Paris- Guide?
5115	Do you mean to say that I did not tell you that Saint- Antoine had been finished since last June?
5115	Do you notice how rare literary sense is?
5115	Do you recall a bit of Victor Hugo in la Legende des siecles, where a sultan is saved because he had pity on a pig?
5115	Do you see him?
5115	Do you see how they are denying it everywhere?
5115	Do you sometimes think of the"old troubadour of the Inn clock, who still sings and will continue to sing perfect love?"
5115	Do you think me very silly since you believe I am going to blame you for your primer?
5115	Do you think that if France, instead of being governed on the whole by the crowd, were in the power of the mandarins, we should be where we are now?
5115	Do you think that that bothers me?
5115	Do you think that we shall be the better off?
5115	Do you want me to ask them?
5115	Do you want me to send a carriage for you to Chateauroux on the 23d at four o''clock?
5115	Do you want to come to Nohant with me, for a change of air, even if only for two or three days?
5115	Does all that bore you?
5115	Does all this amuse you?
5115	Does it go on its way the same in Paris as in Croisset?
5115	Does n''t it seem to you that they belittle him too much?
5115	Does the law of numbers govern then the feelings and the images, and is what seems to be the exterior quite simply inside it?
5115	Does the novel get on?
5115	Dugueret?
5115	EQUILIBRIUM, that will do, and for spiritual nature?
5115	Father Hyacinthe replaces for her every friendship, every good opinion; can you understand that?
5115	Flaubert seems to say in every page of his work:''Do you want to know what is the real Valentine, the real Indiana, the real Lelia?
5115	For yourself, you blend with the beautiful a heap of alien things, the useful, the agreeable, what not?
5115	For, since the elements which make a man are limited, should not the same combinations reproduce themselves?
5115	Frankness is part of loyalty; why should it be less perfect in blame than in praise?
5115	Friday, 3d July, 1874 Is it true, dear master, that last week you came to Paris?
5115	G. Sand Have you a friend among the Rouen magistrates?
5115	G. Sand Have you any sun today?
5115	G. Sand Monday Hard work?
5115	Give me some of it?
5115	Has death perhaps no more secrets to reveal to us than life has?
5115	Has not modern criticism abandoned art for history?
5115	Has she anything to live on from the effects of M. Demidoff, her late and I think unworthy husband?
5115	Has the end come to the HUMBUGS?
5115	Has the good God ever uttered it, his opinion?
5115	Has there been anything in history more inept than the 16th of May?
5115	Have n''t you any woman whom you love or by whom you would be loved with pleasure?
5115	Have n''t you received mine sent from Dieppe?
5115	Have they quarreled about politics?
5115	Have we always been bunglers in this fair land of ours?
5115	Have we returned to the wars of races?
5115	Have you a part for my friend Parade?
5115	Have you any news of the Odeon?
5115	Have you at least arranged your affairs with Levy?
5115	Have you been able to take her to walk and to distract her a little?
5115	Have you begun your book?
5115	Have you chosen a place to study?
5115	Have you given Paris an eternal adieu?
5115	Have you known any well who love their art?
5115	Have you more courage than I have?
5115	Have you not a single member capable of protesting against ignoble attacks, against idiotic principles, against furious madness?
5115	Have you noticed that there is sometimes in the air a current of common ideas?
5115	Have you read Peres et Enfants?
5115	Have you read his new book?
5115	Have you read the Antichrist?
5115	Have you read this in the paper?
5115	Have you read, among the documents found in the Tuileries last September, a plot of a novel by Isidore?
5115	He asks me if I have thanked you for your last book?
5115	He found, shall we say?
5115	He must be very ill, doubtless with heart trouble, do n''t you think so?
5115	Her husband is very young and intelligent, ca n''t he begin over again, or take a position that will give him a living?
5115	Here we called you at the stroke of midnight on Christmas, we called your name three times, did you hear it at all?
5115	How are you?
5115	How can I make people listen to me?
5115	How can one proceed, to avoid thinking continually about one''s miserable person?
5115	How can you live by your pen if you always let yourself be duped and shorn?
5115	How did that happen?
5115	How far has the play gone?
5115	How is it that I have not croaked with it?
5115	How is your dear mother?
5115	How is your mother?
5115	How long do you stay at Cannes?
5115	How long do you stay there?
5115	How shall I thank you?
5115	How the devil do you find the connection between your ideas?
5115	How were you able to make Victorine from le Philosophe sans le savoir?
5115	How will the rehearsals of Cadio prevent you from coming to see your poor old friend this autumn?
5115	However?
5115	I address it to whom?
5115	I am looking for it with impatience, for you are not going to forget me, are you?
5115	I am not working too much, for what would become of me without work?
5115	I am sure that you are finding me grouchy and that you are going to answer me:"What difference does all that make?"
5115	I am thinking of going to Paris next month, shall you be there?
5115	I do n''t know if he is still director, or if the management has been given to the Berton, Laurent, Bernard company, do you?
5115	I embrace you and I love you, when will you give me some Flaubert to read?
5115	I embrace you, shall I say again, my old troubadour, since you have resolved to turn into an old Benedictine?
5115	I have finished my novel, and you?
5115	I have known people like him, and as these pages are dedicated to Tourgueneff it is the moment to ask you if you have read"I''Abandonnee"?
5115	I have made more money for him than Cuvillier- Fleury has, have n''t I?
5115	I know some thinkers( at least people who are called so), but an artist, where is there any?
5115	I said, WHO KNOWS?
5115	I shall do all sorts of errands for the house, for I belong to it, do I not?
5115	I shall find you there ready and courageous, sha n''t I?
5115	I should like to talk of all that with you; will you come?
5115	I submit to you the following queries: Emilien seems to me very much up in political philosophy; at that period did people see as far ahead as he?
5115	I think that you will be a little vexed with your old troubadour for not coming to the baptism of the two darlings of his friend Maurice?
5115	I told you, did n''t I, that I was working over the fairy play?
5115	I understand it, but afterward?
5115	I was told yesterday that she was very ill, why has not Maurice answered me?
5115	If I ca n''t go to Paris next month, wo n''t you come to see me here?
5115	If by chance the princess knew him and would be willing to say a word to him in favor of young Simonnet?
5115	If not, am I to keep a seat for you in my box?
5115	If you are as numerous, as powerful as one fancies, is it possible that you profess destruction and hatred as a duty?
5115	In making the extract I have altered somewhat the order of the sentences:"And what, you want me to stop loving?
5115	In that case, we are all attacked by it, by this strange illness, when we have imagination; and why should such a malady have a sex?
5115	In the play wo n''t you have to give a longer role to the wife of the good Saint- Gueltas?
5115	In what condition are we, according to your opinion?
5115	Is Prussia perhaps going to have a great drubbing which entered into the schemes of Providence for reestablishing European equilibrium?
5115	Is Saint- Antoine finished, that you are talking of a work of great scope?
5115	Is Saint- Antoine going well?
5115	Is he paying you for two volumes?
5115	Is he, BETWEEN OURSELVES, as intelligent as he is good?
5115	Is her deafness sudden?
5115	Is it agreed?
5115	Is it because you are a great man or a charming being?
5115	Is it eternal art?
5115	Is it foolish of me?
5115	Is it for a play that you came?
5115	Is it lovely, too?
5115	Is it not time to make justice a part of art?
5115	Is it on more or less education?
5115	Is it only since''89 that people have been floundering?
5115	Is it possible?
5115	Is it really a good position?
5115	Is it something different?
5115	Is it stoicism or fatigue?
5115	Is it stupid to be interested in such simple things?
5115	Is it the consequence of my repeated afflictions?
5115	Is it the result of a too great activity for the past eight months, or the radical absence of the feminine element in my life?
5115	Is it the result of prosperity, and does civilization involve this sickly and cowardly selfishness?
5115	Is it then irreparable?
5115	Is it to be understood, applauded?
5115	Is it to get money?
5115	Is it true what you tell me of G----?
5115	Is it wise to make them loving and affectionate early?
5115	Is n''t it a fine piece of idiocy, eh?
5115	Is n''t it a question of material care and continual diligence?
5115	Is n''t it an uneasiness, an anguish caused by the desire of an impossible SOMETHING OR OTHER?
5115	Is n''t it lovely, the moonlight on the trees covered with snow?
5115	Is n''t it rather a lack of conviction than a principle of esthetics?
5115	Is n''t it the people without taste and without ideals who get bored, do n''t enjoy anything and are useless?
5115	Is n''t it the same with you?
5115	Is n''t there anywhere a little urchin whose father you can believe you are?
5115	Is not the material explanation of the event too short?
5115	Is not the sun itself a myth?
5115	Is one old when one does not choose to be?
5115	Is she then again settled in Paris?
5115	Is that really so?
5115	Is the request indiscreet?
5115	Is there any more beautiful?
5115	Is there at this time, I do n''t say, admiration or sympathy, but the appearance of a little attention to works of art?
5115	Is there not a heritage that our beloved dead leave us?
5115	Is there perhaps profound symbolism hidden in Maurice''s work?
5115	Is this a time to put on Aisse?
5115	Is this horrible experience going to prove to the world that warfare ought to be suppressed or that civilization has to perish?
5115	Isidore or Henry V. or the kingdom of incendiaries restored by anarchy?
5115	It is a charming book, is n''t it?
5115	It is not I who can teach you how to protect yourself But have n''t you a friend who knows how to act for you?
5115	It is surely tomorrow THURSDAY that we dine together?
5115	It is true that while reading, one accepts them because of the cleverness of the execution; but afterwards?
5115	It ought to please?
5115	It would be agreeable to me to say what I think and to relieve Mister Gustave Flaubert by words, but of what importance is the said gentleman?
5115	Littre a senator?
5115	MODERATION, relative chastity, abstinence from excess, whatever you want, but that is translated by EQUILIBRIUM; am I wrong, my master?
5115	Madame Viardot, who has naturally good taste, said to me yesterday, in speaking of you:"How was she able to make one from the other?"
5115	Moreover whom could I see?
5115	Must I then describe that little creature?
5115	Must I write him?
5115	Must one find some fashion of accepting the honor, the duty, and the fatigue of living?
5115	Must she converse and read aloud?
5115	Must we wait till the middle of the winter to embrace each other?
5115	No joking?
5115	Nohant, 8 August, 1870 Are you in Paris in the midst of all this torment?
5115	Not very much, do you?
5115	Now explain to me why they put mattresses under certain falls and thorns under others?
5115	Now, forget; do n''t you know how to forget?
5115	Of what are you thinking, good head and good heart, in the midst of this bacchanal?
5115	Of what use are these pleasures of vision, and how are these impressions transformed later?
5115	One is happy, do n''t you think so, to be able to relate one''s whole life?
5115	One ought to love common people more than oneself, are they not the real unfortunates of the world?
5115	One pities a little bird that has fallen from its nest; why not pity a heap of consciences fallen in the mud?
5115	Otherwise should n''t one curse the flesh like the Catholics?
5115	Our friend Alexandre Dumas fils, to make an agreeable paradox, has boasted of its advantages in the preface to the Dame aux Camelias, has n''t he?
5115	Perhaps also even emperor of the East?
5115	Perhaps tomorrow we shall know that we have beaten, and what will there be good or useful from one or the other?
5115	Poor old fellow, did you finally sleep like a dormouse in your cabin?
5115	Pray, what is this obstinate cough?
5115	Shall I ever be in a condition to write again?
5115	Shall I ever find mine?
5115	Shall I go to Croisset this autumn?
5115	Shall I have the strength to live absolutely alone in solitude?
5115	Shall I never know it?
5115	Shall I survive it?
5115	Shall one ever get to hating piffle?
5115	Shall you be there still?
5115	Shall you stay in Nohant?
5115	Shall you stay there indefinitely?
5115	She answered me the 19th of this month: HOW SHALL I SEND THIS TO YOU?
5115	She plays and laughs, then she stops; her great eyes stare, she says: MY FATHER?
5115	Should n''t we put what society puts in each one of us?
5115	Should one excite or repress the sensitiveness of children?
5115	Should we put much or little of ourselves in them?
5115	Since when could they do without delusions?
5115	So I suppose that you will have two volumes, wo n''t you?
5115	So I think that I am going on in my natural path; am I right?
5115	So you are still working frantically?
5115	Solitude does not weigh on you?
5115	THE PEOPLE ALWAYS FEROCIOUS, you say?
5115	TO GEORGE SAND Croisset, Wednesday evening, 9 September, 1868 Is this the way to behave, dear master?
5115	TO GEORGE SAND Croisset, Wednesday evening... 1870 What has become of you, dear master, of you and yours?
5115	TO GEORGE SAND Croisset, Wednesday, 6 September Well, dear master, it seems to me that you are forgetting your troubadour, are n''t you?
5115	TO GEORGE SAND Dear good master, Can you, for le Temps, write on Dernieres Chansons?
5115	TO GEORGE SAND Dear master, Have you promised your support to the candidacy of Duquesnel?
5115	TO GEORGE SAND Dear master, What, no news?
5115	TO GEORGE SAND Does that astonish you, dear master?
5115	TO GEORGE SAND Monday evening, 3 February, 1873 Dear master, Do I seem to have forgotten you and not to want to make the journey to Nohant?
5115	TO GEORGE SAND Righi, 14 July, 1874; What?
5115	TO GEORGE SAND Thursday Why do you leave me so long without any news of yourself, dear good master?
5115	TO GEORGE SAND Tuesday night What do I say about it, dear master?
5115	TO GEORGE SAND Wednesday Will you forgive my long delay, dear master?
5115	TO GUSTAVE FLAUBERT 18 November(?
5115	TO GUSTAVE FLAUBERT 1867(?)
5115	TO GUSTAVE FLAUBERT 20th February Then you are quite ill, dear old fellow?
5115	TO GUSTAVE FLAUBERT Nohant, 11 March, 1870 How are you, my poor child?
5115	TO GUSTAVE FLAUBERT Nohant, 16 April, 1870 What ought I to say to Levy so that he will take the first steps?
5115	TO GUSTAVE FLAUBERT Nohant, 19 December, 1869 So women are in it too?
5115	TO GUSTAVE FLAUBERT Nohant, 31 July, 1866 My good dear comrade, Will you really be in Paris these next few days as you led me to hope?
5115	TO GUSTAVE FLAUBERT Nohant, 6 September, 1871 Where are you, my dear old troubadour?
5115	TO GUSTAVE FLAUBERT Nohant, 7th May, 1875 You leave me without news of you?
5115	TO GUSTAVE FLAUBERT Paris, 8 December, 1866 You ask me what I am doing?
5115	TO GUSTAVE FLAUBERT Paris, Tuesday, 5 October, 1869 Where are you now, my dear troubadour?
5115	TO GUSTAVE FLAUBERT, at Croisset Nohant, 15 Nov., 1869 What has become of you, my dear old beloved troubadour?
5115	TO GUSTAVE FLAUBERT, at Croisset Nohant, 18 August, 1867 Where are you, my dear old fellow?
5115	TO GUSTAVE FLAUBERT, at Croissset Nohant, 30 August, 1873 Where are you to be found now?
5115	TO GUSTAVE FLAUBERT, at Paris December, 1866"Not put one''s heart into what one writes?"
5115	TO GUSTAVE FLAUBERT, in Paris Nohant, 15 November, 1875 So you are there in Paris, and have you left your apartment at the rue Murillo?
5115	TO GUSTAVE FLAUBERT, in Paris Nohant, 20 November, 1868 You say to me,"When shall we see each other?"
5115	Tell me how and why father Hugo did not have one single visit after Ruy Blas?
5115	That I have had only the time here to sleep a little, and to eat in a hurry?
5115	That disappears, you say?
5115	That is a charming story, Mademoiselle Hauterive, is n''t it?
5115	That is one of the choicest parts of your book, together with the homelife, the life in New York?
5115	That would have been very little, would it not?
5115	The Prussians occupied it; did they ruin it, dirty it, rob it?
5115	The cheeses?
5115	The individual, disowned, overwhelmed by the modern world, will he regain his importance?
5115	The people ferocious?
5115	The shopkeepers of Paris, without a guide, and without good criticism?
5115	Then you are going to start grubbing again?
5115	Then you are worrying about money?
5115	Then you think me upset, since you preach detachment to me?
5115	Then, I shall see you soon?
5115	They analyze very keenly the setting in which it was written, and the causes that produced it; but the UNCONSCIOUS poetic expression?
5115	They say that Cadio is now being rehearsed at the Porte Saint- Martin( so you have fallen out with Chilly?)
5115	This slavery to one''s profession is horrid, is n''t it?
5115	Thus, why is a relation necessary between the exact word and the musical word?
5115	To Paris or to Nohant?
5115	To what depth of imbecility shall we descend?
5115	Tourgueneff wrote me that your last work was very remarkable: then you are not DONE FOR, as you pretend?
5115	Tuesday, 11 October, 1870 Dear master, Are you still living?
5115	Undeceive yourself, and act as if Aisse had never existed; and above all no sensitiveness?
5115	Under what star were you born, pray, to unite in your person such diverse qualities, so numerous and so rare?
5115	Unfortunate International, is it true that you believe in the lie that strength is superior to right?
5115	Victor Borie is in Italy, what must I write him?
5115	Was it not a farce?
5115	Was not the fall of the Broglie ministry pleasing to you?
5115	We force ourselves to take up our work again, we resign ourselves; what is there better to do?
5115	We have had tragedy, shall we end with the opera or with the operetta?
5115	Well, and that discipline?
5115	Well, how about getting married?
5115	Well, should I find a publisher, since you are not doing so?
5115	Well?
5115	Were n''t you there then?
5115	What a lovely forest, is n''t it?
5115	What a nice bit, eh?
5115	What a way of speaking, eh?
5115	What are the stipulations and what is the compensation?
5115	What are they doing in the middle of France?
5115	What are you doing now?
5115	What can one do to get it again?
5115	What can one get hold of?
5115	What can we know of such an author?
5115	What country is going to be tranquil in this struggle of barbarity against civilization, a struggle which is going to be universal?
5115	What country is going to be tranquil in this struggle of barbarity against civilization, a struggle which is going to be universal?"
5115	What day next week will you dine with me at Magny''s?
5115	What did the Catholics do to meet a great danger?
5115	What difference did it make between the sublime and the ridiculous?
5115	What difference does it make if they cut you up in this or that paper?
5115	What difference does it make whether one has a hundred thousand enemies if one is loved by two or three good souls?
5115	What do I care for this or that group of men, these names which have become standards, these personalities which have become catchwords?
5115	What do I know?
5115	What do you say?
5115	What do you say?
5115	What do you say?
5115	What do you think I am reading now to distract myself?
5115	What do you think about it?
5115	What do you think about it?
5115	What do you think of le Figaro, which reproached him for wearing at his son''s funeral,"a soft hat"?
5115	What do you think of my friend Maury, who kept the tricolor over the Archives all during the Commune?
5115	What do you think of my friend Saint- Victor, who has refused to write an article about it because he finds"the book bad"?
5115	What do you think of their books?
5115	What does he lack?
5115	What does it mean?
5115	What form should one take to express occasionally one''s opinion on the things of this world, without the risk of passing later for an imbecile?
5115	What has become of you?
5115	What has he paid you up to now?
5115	What has she against you now that passion has become ancient history?
5115	What is art without the hearts and minds on which one pours it?
5115	What is being hysterical?
5115	What is broken?
5115	What is coming here from Croisset, for a man?
5115	What is it that I have had for the past four months?
5115	What is it that you call some one in HIGH FINANCE?
5115	What is my illness?
5115	What is the measure that the most advanced proposed after Varennes?
5115	What is the use of making concessions?
5115	What is to become of you?
5115	What is your advice, you who have brought up an intelligent and charming niece?
5115	What kind of a society is it that becomes paralyzed in the midst of its expansions, because tomorrow can bring a storm?
5115	What kind of a woman do you want as a companion for your mother?
5115	What luck if you could say as much!--But what a fine winter, do n''t you think so?
5115	What men will they meet to protect them and continue our work?
5115	What more can one exact?
5115	What news of your play?
5115	What ones?
5115	What shall one call it in material nature?
5115	What shall one get excited about?
5115	What shall we answer?
5115	What shall we believe in, then?
5115	What sort of a republic is that?
5115	What sort of archeology is Maurice busy with?
5115	What sorts of information do n''t I need, for the book that I am undertaking?
5115	What to tell you about myself?
5115	What trouble was going on in the depths of my being?
5115	What was it you meant?
5115	What will be the reaction from the infamous Commune?
5115	What will become of the weak souls?
5115	What will this winter be?
5115	What words did you exchange at the time of this payment?
5115	What would be the result?
5115	What would it be on leaving Nohant?
5115	What''s our next move?
5115	When I did Madame Bovary I was asked many times:"Is it Madame X. whom you meant to depict?"
5115	When I lost Rollinat, did n''t you write to me to love the more those who were left?
5115	When do you return?
5115	When indeed can I start at it?
5115	When lightning strikes, are we calm because we have heard the thunder rumble a long time before?
5115	When one sees the patient writhing in agony is there any consolation in understanding his illness thoroughly?
5115	When shall I see you?
5115	When shall I see you?
5115	When shall we be WISE as the ancients understood it?
5115	When shall we meet again, now?
5115	When shall we meet now?
5115	When shall we meet?
5115	When shall we meet?
5115	When shall we meet?
5115	When shall you go south?
5115	When will it be over?
5115	When will that be?
5115	When will they be artists, only artists, but really artists?
5115	When will you come here?
5115	When you saw them, had they opened the galgal of Lockmariaker and cleared away the ground near Plouharnel?
5115	When your business is finished, why not come to Paris for some time?
5115	Whence come these attacks of melancholy that overwhelm one at times?
5115	Whence do we come and whither do we go?
5115	Where are you, Maurice, and the others?
5115	Where did you ever see the south conquer the north, and the Catholics dominate the Protestants?
5115	Where do you go then?
5115	Where do you know a criticism?
5115	Where do you think I have come from?
5115	Where is it?
5115	Where is the Princess Mathilde?
5115	Where is the model?
5115	Where is the woman now?
5115	Where is there a sign of an idea?
5115	Where is there an idiot comparable to the Bayard of modern times?
5115	Where it comes from?
5115	Where shall you be?
5115	Where should liberty exist if not in passion?
5115	Where?
5115	Where?
5115	Who are the actors, etc.?
5115	Who is talking about putting yourself on the stage?
5115	Who is the critic who reads the book that he has to criticise?
5115	Who is there who is anxious about the work in itself, in an intense way?
5115	Who is wrong?
5115	Who knows if in twenty or in forty years, a grandson of Jerome will not be our master?
5115	Who knows, perhaps your example has sustained me?
5115	Who pray is bothering about art nowadays?
5115	Who then will fill the theatres?
5115	Who would think that, with my appearance and my tranquil old age, I would still love EXCESS?
5115	Who, pray, should give them, and who, pray, should formulate them, if not you?
5115	Whom do you want to have with us?
5115	Whom shall I see now when I go to Paris?
5115	Why am I in love with Siverain?
5115	Why annoy oneself about such a miserable subject?
5115	Why are n''t you here?
5115	Why are you so said?
5115	Why ca n''t we live together, why is life always so badly arranged?
5115	Why did n''t I die from it?
5115	Why did n''t you come this autumn?
5115	Why did n''t you come to us with Madame Viardot and Tourgueneff?
5115	Why did we not know anything about him?
5115	Why did you resist your good impulse?
5115	Why did your trip remain unpublished?
5115	Why do I love you more than most of the others, even more than old and well- tried friends?
5115	Why do all the parties regard themselves as having joint interests with the rascals who exploit them?
5115	Why do n''t you consider the Theatre Francais?
5115	Why do they abhor us so fiercely?
5115	Why do you feel"the great bonds broken?"
5115	Why do you say often that you wish you were dead?
5115	Why does Levy admire Ponsard and Octave Feuillet more than father Dumas and you?
5115	Why does it happen that one always makes a verse when one restrains his thought too much?
5115	Why does n''t he write books, since he is rich and has talent?
5115	Why does not Duquesnel go to find General Ladmirault, Jules Simon, Thiers?
5115	Why force oneself?
5115	Why have n''t I that?
5115	Why is the theatre such a general cause of delirium?
5115	Why not live with those one loves?
5115	Why not?
5115	Why not?
5115	Why publish then?
5115	Why publish, in these abominable times?
5115	Why publish?
5115	Why should n''t you come to us in September?
5115	Why should the sight of a bill put me in a rage?
5115	Why so?
5115	Why such inaction?
5115	Why write for the papers, when one can make books, and when one is not perishing of hunger?
5115	Why?
5115	Why?
5115	Why?
5115	Why?
5115	Why?
5115	Why?
5115	Will an idea fall from Heaven suitable to my temperament?
5115	Will he succeed in making her digest and sleep?
5115	Will it be inconvenient if I come to see you?
5115	Will they have finished with hollow metaphysics and conventional ideas?
5115	Will they or will they not possess the object of their ardent desires?
5115	Will you be there?
5115	Will you come into the land, of my dreams, if I succeed in finding the road?
5115	Will you do it?
5115	Will you find me a refuge in my old age which is drawing near to death?
5115	Will you put the enclosed answer in the mail?
5115	Will your nephew and niece go to the gallery or the balcony seats?
5115	With whom shall I talk of what interests me?
5115	Wo n''t you come to see us?
5115	Would formidable bleedings be useful?
5115	Would it have been the better for that?
5115	Would it then be only more or less wealth that would classify men into two distinct parties?
5115	Would you believe that I have not seen Sainte- Beuve?
5115	You always astonish me with your painstaking work; is it a coquetry?
5115	You are reading that, you?
5115	You are right a thousand times over, but by what means could it be otherwise?
5115	You are too truly superior not to arouse envy and you do n''t care, do you?
5115	You are working?
5115	You are wrathful, oh very well, I like that better than if you were laughing at it; but when you are calmer and when you reflect?
5115	You do n''t tell me of your mother; is she in Paris with her grandchild?
5115	You do not speak of a COMPLETE EDITION?
5115	You know that?
5115	You must be content?
5115	You said rightly that in order to work, a certain lightness was needed; where is it to be found in these accursed times?
5115	You say to develop one''s self in every direction?
5115	You understand me, do n''t you?
5115	You want me to say that I have been mistaken all my life, that humanity is contemptible, hateful, that it always has been and always will be so?
5115	You want me to say that I have been mistaken all my life, that humanity is contemptible, hateful, that it has always been and always will be so?
5115	You want me to say: man is made thus, crime is his expression, infamy is his nature?
5115	You were pleased with my two novels?
5115	You will have finished your rehearsals, you will have had a success, perhaps you will be in the mood to return to material life, eating truffles?
5115	You wo n''t go there without seeing the Cirque of Gavarnie, and the road that leads there, will you?
5115	You would perhaps do France a great service?
5115	Your articles in le Temps, which have had a great success, are widely read and who knows?
5115	Your books, your bibelots, did you find them all?
5115	Your chosen chiefs, your governors, your inspirers, are they all brigands and idiots?
5115	Your courage has not declined?
5115	Your niece continues to improve, does she not?
5115	Your old George Sand Did you receive my pamphlets on the faience?
5115	Your work?
5115	and silly?
5115	and you, dear good master, that play that they talk about, is it finished?
5115	another time she says: MAMMA?
5115	are you correcting proof like a galley slave, up to the last minute?
5115	but I do n''t see it yet very clearly; what can one do without sun and without heat?
5115	dear master, you too are demoralized, sad?
5115	ill?
5115	in building up her strength?
5115	its composition, its style?
5115	or is it Saint- Antoine that is going to spread its wings over the entire universe?
5115	or wait until my trip to Paris?
5115	perhaps of my wretched book?
5115	that virtue?
5115	the point of view of the author?
5115	what shall we do with it?
5115	where are you nestled?
5115	who can know?
5115	why and how?
5115	you have finished Saint- Antoine?
5115	you have not such a conscience as that, have you?
5115	you in Paris, in Nohant, or elsewhere?
5115	your mother''s health?