Questions

This is a list of all the questions and their associated study carrel identifiers. One can learn a lot of the "aboutness" of a text simply by reading the questions.

identifier	question
14107	Are there no records attached to so splendid an instrument?
14107	Can you hear it?
14107	Constance,I said,"whose portrait is this?
14107	Had Sir John been subjected to any mental shock; had he received any severe fright?
14107	Oh, what is it, Constance?
14107	Was he a handsome man?
14107	Whom do you mean?
14107	Yes,she answered;"but why is he in this part of the house, and why does he always play_ that_ tune?"
14107	Did you hear nothing?"
14107	Do you not know how it came into their possession?"
14107	Gaskell?"
14107	He took me by the arm, and pointing at the huddled heap, said,"Do you know whose bones those are?
14107	His thoughts, however, must, I fancy, have returned for a moment to the days when he first met your mother, for he suddenly asked,"Where is Gaskell?
14107	I am not interrupting you, am I?"
14107	I do not think I shall find any truce this side the grave; and beyond, who knows?"
14107	It is a very striking picture, is it not?"
14107	Mr. Butler looked puzzled, and approaching us, said he feared Sir John was ill-- had he made no provision for the distribution?
14107	My brother assenting, he continued,"When this man left you, Johnnie, did he walk to the door?"
14107	She was not asleep, however, but made a motion of silence, and said in a terrified whisper,"Hush; do you hear nothing?"
14107	The idea of a man or of a dead body being there shocked me violently, and I cried to my brother,"Tell me, what is it?"
14107	Were there financial difficulties; had he been subjected to any mental shock; had he received any severe fright?
14107	Why does he never come to see me?"
29361	And the father?
29361	Can it be? 29361 Do n''t you think,"said Bennett,"that his genius was the better for his poverty-- that he learned in suffering what he taught in song?"
29361	Do you think so?
29361	Ist es wahr? 29361 Now could anything be finer in its way than the Midsummer Night''s Dream music?
29361	Oh, yes,said Schumann;"will you sing it to us?"
29361	Shall we try?
29361	That''s nice of you, David,replied Schumann,"but as to Mendelssohn and me, who shall decide which of us is right?
29361	Wait a moment,said Mendelssohn; and going to the door he called softly,"Cecile, are you there?"
29361	What do you mean?
29361	What do you think of it, Bennett?
29361	What is it, sir?
29361	What was it?
29361	Yes; but what does stir them deeply?
29361	You are from England?
29361	You believe in a programme then?
29361	You have seen much of England, have you not, sir?
29361	And did I hear the strains of a vocal recital?"
29361	And has it pleased our God to lend His cheering smile in child or friend?
29361	At length I turned to Mendelssohn and said,"Is that part of the new work of yours you mentioned just now?"
29361	Can it be?
29361	Can it be?
29361	Dost thou wander through the bower, Wishing I was there with thee?
29361	Lonely, midst the moonlight''s splendour, Dost thou seek for me?
29361	May we enter, may we enter?"
29361	Means this, love will be requited?
29361	Mendelssohn and I differ about things, sometimes; but who could quarrel with him?"
29361	Mendelssohn dotes on you all, does n''t he, Bennett?"
29361	Now I no more can stay at home, The Maybells call me so: The flowers to the dance all roam, Then why should I not go?"
29361	Or, will hope by death be blighted?"
29361	Shall you mind if I scratch it through?"
29361	She turned to Schumann and said softly,"And how is Clara?"
29361	The flowers to the dance all roam, Then, why should I not go?"]
29361	Two male voices were heard declaiming in a sort of mock- melodramatic duet,"Are you at home, are you at home?
29361	When will it be ready?"
29361	You recall the verses?
29361	You''ll show him up, if he breaks his word, wo n''t you?"
29361	he said, smiling,"you like my Overture, then?"
29361	interposed Mendelssohn; and turning to me with a smile he said,"Will you allow Mr. Bennett to slander your countrymen like this?"
29361	ist es wahr?"
2662	''Twas rather a deep cut seemingly?
2662	After school- hours this week? 2662 All the choir?"
2662	And have you anything else you want to explain to me, Dewy?
2662	And how did they sound?
2662	And that when she sat for her certificate as Government teacher, she had the highest of the first class?
2662	And the blue one only on Sunday?
2662	And the saucer, if I like the cup?
2662	And then he looked at me, and at last he said,''Are you in love with Dick Dewy?'' 2662 And we wo n''t sit down in his house;''twould be looking too familiar when only just reconciled?"
2662	And what did mother say to you when you asked her?
2662	And what was she like? 2662 And what''s think now, Dick?"
2662	And when do you think you''ll have considered, father, and he may marry me?
2662	And who''s that young man?
2662	And you believed it?
2662	And you''ll be my own wife?
2662	And you''ll not call me Mr. Dewy any more?
2662	And-- Dick too?
2662	Apart from mine?
2662	Are those all of them, father?
2662	Better try over number seventy- eight before we start, I suppose?
2662	But hers is n''t so soft, is it? 2662 But how?"
2662	But is there anything in it?
2662	But perhaps,she said, with assumed indifference,"it was only because no religion was going on just then?"
2662	But surely you know?
2662	But what d''ye think she really did mean?
2662	By the way, Fancy, do you know why our quire is to be dismissed?
2662	By the way,he continued in a fresher voice, and looking up,"that young crater, the schoolmis''ess, must be sung to to- night wi''the rest?
2662	Close? 2662 Come to that, is it?
2662	Coming along the road to- day then, I suppose?
2662	D''ye know where?
2662	D''ye know who I be- e- e- e- e- e?
2662	Did Fred Shiner send the cask o''drink, Fancy?
2662	Did n''t Dick and Fancy sound well when they were called home in church last Sunday?
2662	Did ye hear that, souls?
2662	Did you encourage him?
2662	Do ye, Leaf?
2662	Do you know how it came to be his wish?
2662	Fancy, I have come to ask you if you will be my wife?
2662	Fancy, why ca n''t you answer?
2662	Fancy, you did n''t know me for a moment in my funeral clothes, did you?
2662	Farmer Ledlow''s first?
2662	Father here?
2662	Father not in the humour for''t, hey?
2662	Has she ever done more to thee?
2662	Have the craters stung ye?
2662	Have what?
2662	Have ye carried up any dinner to her?
2662	He do n''t want to go much; do ye, Thomas Leaf?
2662	He looked at me, and I looked at him, and he said,''Will you let me show you how to catch bullfinches down here by the stream?'' 2662 How long is that?"
2662	How long will you be putting on your bonnet, Fancy?
2662	How long will you be?
2662	How much?
2662	How then?
2662	How would that kind of love be taken?
2662	How''s that?
2662	Hurt who?
2662	I hardly think Leaf had better go wi''us?
2662	I may at any rate call you Fancy? 2662 I suppose you go straight on and up town?"
2662	I wish you''d tell me how to put him in the humour for it?
2662	Idd it cold inthide te hole?
2662	Is all quite safe again?
2662	Is it dangerous on the lip?
2662	Is that all? 2662 Is that thee, young Dick Dewy?"
2662	Is your grandson Dick in''ithin, William?
2662	Neighbours, there''s time enough to drink a sight of drink now afore bedtime?
2662	Never Geoffrey''s daughter Fancy?
2662	Not any more than I am?
2662	Not so much?
2662	Now keep step again, will ye?
2662	Now that''s a treat for you, is n''t it?
2662	Now to Farmer Shiner''s, and then replenish our insides, father?
2662	Now to my mind that woman is very romantical on the matter o''children?
2662	Now, Fancy, will you be my wife?
2662	O Dick,she sobbed out,"where have you been away from me?
2662	O no; the hat is well enough; but it makes you look rather too-- you wo n''t mind me saying it, dear?
2662	O, I know what you mean-- that the vicar will never let me wear muslin?
2662	O, I wish!--How did you say she wore her hair?
2662	O, how''s that?
2662	O-- that you, Master Dewy?
2662	Or that I care the least morsel of a bit for him?
2662	Perhaps she''s jist come from some musical city, and sneers at our doings?
2662	Really, you do n''t know? 2662 Really?
2662	Remember the words of the prophet Jeremiah:''Can a maid forget her ornaments, or a bride her attire?''
2662	Shall anything saucier be found than united''ooman?
2662	Strange, is n''t it, for her to be here Christmas night, Master Penny?
2662	Suppose we must let en come? 2662 Th''st hauled her back, I suppose?"
2662	Then why not stop for fellow- craters-- going to thy own father''s house too, as we be, and knowen us so well?
2662	Then why not wear the gray one on Sunday as well? 2662 They have, have n''t they, Geoffrey?"
2662	They seemed to be rather distant in manner last Sunday, I thought?
2662	Till that time will ye lend me your hand?
2662	Twice, I think you said?
2662	Very much?
2662	Very strange woman, is n''t she?
2662	We have some mixed indoors; would you kindly run and get it for me?
2662	We made a mistake I suppose then, sir? 2662 We''ve come to see''ee, sir, man and man, and no offence, I hope?"
2662	Well, but how?
2662	Well, how?
2662	Well, what do you say, Missie?
2662	Well, what is it?
2662	Well, whoever would have thought such a thing?
2662	Well, why should n''t she?
2662	Well, why should n''t the man hang up her bird- cage? 2662 Well-- ay: what did she say?
2662	What about he? 2662 What about her face?"
2662	What are you in trouble about? 2662 What did I say?"
2662	What did he say?
2662	What have you heard?
2662	What have you seen?
2662	What in the name o''righteousness can have happened?
2662	What might that ha''been?
2662	What things can you have to think o''so mortal much?
2662	What was his age when''a died?
2662	What''s she doing now, Geoffrey?
2662	What''s that?
2662	What''s the matter, dear?
2662	What''s the matter?
2662	What''s the objection to the hat? 2662 What?
2662	What?
2662	What?
2662	Whatever is father a- biding out in fuel- house so long for?
2662	Whatever will the vicar say, Fancy?
2662	Where be the boys?
2662	Where is the path?
2662	Where''s Dick?
2662	Where''s my da''ter?
2662	Which do you mean by that?
2662	Which is head man?
2662	Who was it?
2662	Who''s to say she did n''t?
2662	Why about-- between that young lady and me?
2662	Why are you so silent?
2662	Why ca n''t you exactly answer?
2662	Why did you not tell me-- why did n''t you? 2662 Why do n''t your stap- mother come down, Fancy?"
2662	Why go away?
2662	Why n- o- o- o- o- ot?
2662	Why not wear what you''ve got on?
2662	Why not? 2662 Why not?
2662	Why, Dick, is that thee? 2662 Why, Fancy?"
2662	Why, father of me?
2662	Why, we did when we were married, did n''t we, Ann?
2662	Why, what? 2662 Why?"
2662	Will it hurt him, poor thing?
2662	Will you fetch down a bit of raw- mil''cheese from pantry- shelf?
2662	Will you pass me some bread?
2662	Wonder where your grandfather James is?
2662	You see, Mr. Mayble, we''ve got-- do I keep you inconvenient long, sir?
2662	You think I''ve been cruel to thee in saying that that penniless Dick o''thine sha''n''t marry thee, I suppose?
2662	You wo n''t wear that old waistcoat, will you, Dick?
2662	''Ann,''I said to her when I was oiling my working- day boots wi''my head hanging down,''Woot hae me?''
2662	''D''ye do?''
2662	--And only having a cup by itself?
2662	A hat or a bonnet, which shall it be?
2662	And how many will that make in all, four or five?"
2662	And to save time I wo n''t wait till you have done, if you have no objection?"
2662	And what came o''t?
2662	And you know en very well too, do n''t ye, Fancy?"
2662	And, Fancy, you do care for me?"
2662	And, Mr. Mayble, I hope you''ll excuse my common way?"
2662	And, Mr. Mayble, you be not offended?
2662	At sight of him had the pink of her cheeks increased, lessened, or did it continue to cover its normal area of ground?
2662	Because you only care how you look to me, do you, dear?
2662	Brownjohn?"
2662	But it seems-- it do seem there must have been more than that to set you up in such a dreadful taking?"
2662	But no:''How d''ye do, Reuben?''
2662	But we understood the young woman did n''t want to play particularly?"
2662	But why disturb what is ordained, Richard and Reuben, and the company zhinerally?
2662	But wo n''t ye step inside?
2662	But you do love me a little, do n''t you?"
2662	But-- I know you have never encouraged him?"
2662	CHAPTER V: RETURNING HOME WARD"''A took it very well, then?"
2662	D''ye know what her mother was?"
2662	Day?"
2662	Day?"
2662	Dewy?"
2662	Dewy?"
2662	Dewy?"
2662	Dewy?"
2662	Did n''t you ever hear I was a witch?"
2662	Did our party tell''ee?"
2662	Did ye know that then she went to the training- school, and that her name stood first among the Queen''s scholars of her year?"
2662	Did you remember,--I mean did n''t you remember about my going away to- day?"
2662	Did you suppose I knew?
2662	Do I look nice really?"
2662	Do you mind dipping the tips of your fingers in the same?"
2662	Do you take sugar?"
2662	Does it make me look old?"
2662	Doom?
2662	Endorfield?"
2662	Fancy had blushed;--was it with confusion?
2662	Fancy looked interested, and Dick said,"No?"
2662	Fancy, will you marry me?"
2662	Ha''n''t I, Ann?"
2662	Have ye come for anything else?"
2662	He lowered his voice to a mysterious tone:"Neighbours, have ye noticed any sign of a scornful woman in his head, or suchlike?"
2662	He went on, and what did he do?
2662	Hey-- what did you say, my sonnies?"
2662	Hey?"
2662	How is it he''s left you?"
2662	How is it your stap- mother is n''t here?"
2662	How many times did you say he danced with her?"
2662	I did n''t say in what way your thinking of me affected the question-- perhaps inversely, do n''t you see?
2662	I hope you see our desire is reason?"
2662	I just said, Did she care about me?"
2662	I suppose th''st want to come wi''us?"
2662	I''ve been thinking we must be almost the last left in the county of the old string players?
2662	If the story- tellers could ha''got decency and good morals from true stories, who''d ha''troubled to invent parables?"
2662	Is n''t that nature and reason for gentle and simple?
2662	No one said"Know what?"
2662	Now do ye think after this that you be good enough for her?"
2662	Now is there anything else we want, Mr Dewy?"
2662	Now, I hold that that was coming it very close, Reuben?"
2662	Now, what I want to know is, what was the meaning of that speech?"
2662	Or were you behind the pier?"
2662	She dived into the hamper again, and at the end of two or three minutes looked up and said,"I suppose you do n''t mind if I ca n''t find a spoon?"
2662	She was thinking-- of her lover Dick Dewy?
2662	She''s never been stuffing into thy innocent heart that he''s in hove with her?
2662	Shiner?"
2662	That sounds very well?
2662	That you''ll clearly understand, Dewy?"
2662	There was a terrible whispering piece of work in the congregation, was n''t there, neighbour Penny?"
2662	There''s your brother Bob just as bad-- as fat as a porpoise-- wi''his low, mean,''How''st do, Ann?''
2662	They do move his soul; do n''t''em, father?"
2662	To reproach Dick?
2662	Turk seize it all, what''s that got to do wi''it?
2662	Was she a coquette?
2662	We all know one another very well, do n''t we, neighbours?"
2662	We always use kettle- holders; did n''t you learn housewifery as far as that, Mr. Dewy?
2662	We shall form a very striking object walking along in rotation, good- now, neighbours?"
2662	Well, she''s ready, I do n''t doubt?"
2662	What b''st doing here?"
2662	What have I done?"
2662	Whatever could mother be thinking about?
2662	Where have you lived all your life?"
2662	Which do I look best in?"
2662	Which is head man?"
2662	Who d''ye think''s the bitter weed in our being turned out?
2662	Who''s that?"
2662	Whoever thinks of a towel till the hands are wet?"
2662	Why not wear the one you wore at our party?"
2662	Why, I ask, as far as that do go?"
2662	Why, sonnies, a man''s not himself till he is fortified wi''a bit and a drop?
2662	Why, what''s possessing your little soul?
2662	Why, wherever could you have got it?"
2662	Will ye come with me?"
2662	Will ye just ask Dick if he''ll do me the kindness to step over to Yalbury to- morrow with my da''ter Fancy, if she''s well enough?
2662	Will you, Fancy, marry me?"
2662	Would you mind lifting the kettle off, that it may not boil dry?"
2662	You do n''t think for a moment that I did, surely, do you?"
2662	You knowed his daughter was in training?"
2662	You live with your mother, I think, Leaf?"
2662	You lively young mortals, how did you get inside there?
2662	You used to know Johnson the dairyman, William?"
2662	You''ve heard about me and-- Miss Day?"
2662	cheese you said, Fancy?"
2662	how shall I go through it?"
2662	is her hair as soft and long as this?"
2662	or a saucer by itself?"
2662	what''s that?"
2662	whatever dost thou do here?"
38949	''And how didst thou admire that, eh?'' 38949 Am I gentle, do you consider?"
38949	Am I to go to London then, mother?
38949	And did he come back?
38949	And he spoke to you, did he, Charles? 38949 And how old are you whose blossom- sorrow I certainly can not find in any form upon your maiden presence?"
38949	And it was then she ran away?
38949	And pray, tell me, sir, is she to be a dancer too?
38949	And that reward?
38949	And the least,--how do you name him?
38949	And this conservatory,--how do you use it?
38949	And what if I do? 38949 And where you were going to?"
38949	Are you not at_ all_ fonder of music than of dancing? 38949 Are you not very dull?"
38949	Are you satisfied? 38949 But do n''t you consider,--of course I do n''t know,--but do n''t you consider dancing the lowest art?"
38949	But do tell me, is he gone?
38949	But do you live in this house, then?
38949	But do you never mean to write, Charles?
38949	But do you practise without a piano?
38949	But how,I replied,"can you be sorry now?
38949	But is she not ill? 38949 But were you not at the festival, Miss Benette?"
38949	But why did you not tell your father so before he sent you here? 38949 But why did you wish me to like her, Miss Benette?"
38949	But why wo n''t she go upon the stage? 38949 But you are so little: do you always dance?"
38949	But you will not be going to- morrow, I suppose?
38949	But your hands are very little less than mine; surely they can hold a pen?
38949	But, Miss Benette, how much should one love, and how, then, if one is to marry? 38949 Can not bear what?
38949	Can not you, sir?
38949	Can she tell all people their fortunes?
38949	Charles Auchester, where have you been? 38949 Charles, I want to come in,--mayn''t I a minute, please?"
38949	Dear alto, you will not be alarmed to be locked in with me, I hope, will you?
38949	Did St. Michel ever recover the use of his arm?
38949	Did he ever flog you yet?
38949	Did she dance that night, after all?
38949	Did she say those words, sir?
38949	Did you compose it?
38949	Did you copy that part yourself, Miss Benette?
38949	Did you have a class, sir, in Germany?
38949	Did you know I wanted to come close to you, sir?
38949	Did you know him, sir, before you heard of him for me?
38949	Did you like her, Miss Benette? 38949 Did you like that little dream?
38949	Did your mamma know how very much you wished it?
38949	Do I? 38949 Do n''t they all send the boys out to walk in Germany then?"
38949	Do n''t they, Mr. Davy? 38949 Do not you?
38949	Do tell me where you send them?
38949	Do you consider our conductor was a great composer?
38949	Do you go to rehearsal, then, as well as the singers?
38949	Do you know that person?
38949	Do you really practise nine hours a day, Miss Benette?
38949	Do you think I am''known of music,''Miss Benette?
38949	Do you think I shall?
38949	Do you think so? 38949 Do you think so?
38949	Do you? 38949 Does he live in a cellar, sir, or in a very old house?"
38949	Does he love him so well, then?
38949	Does he?
38949	Does it matter, sir?
38949	Frightened, sir? 38949 From notes, or by ear?"
38949	Have you ever heard_ him_ play?
38949	He did then?
38949	He fetches her, then, to go to the theatre?
38949	How am I to rest, then?
38949	How are you?
38949	How can you say so, when it was your fault that we laughed the other night?
38949	How could you be quite sure? 38949 How did you get home last night?"
38949	How do you make that out?
38949	How do you mean, sir? 38949 How is Miss Lemark?"
38949	How is the young lady this afternoon, Charles? 38949 How then, sir, did you teach him?"
38949	How was it, sir?
38949	How, sir?
38949	I am to wear one at last, then?
38949	I should like it, if you will come at the same time, and not stay longer; and Laura can come too, can she not?
38949	I should like to know, sir, whether those are the sort of rules you gave the Chevalier Seraphael when he was a little boy?
38949	I suppose she is quite a woman, Charles?
38949	I suppose, sir, you mean that some are poorer than we are, some not so well brought up, some too old, and all that?
38949	I thought you knew them all, sir?
38949	I wish you to show me the garden before I go: is this where you walk? 38949 I, sir,--how?"
38949	In Rhine wine? 38949 In the dark, sir, do you mean?"
38949	In the room?
38949	Is Mr. St. Michel the conductor, Mr. Davy, then?
38949	Is he for the profession, then?
38949	Is he handsome, Charles?
38949	Is it a picture, sir? 38949 Is it mine to thee?
38949	Is it so dear to you that you would rather seek it than all the sunshine and all the heart of spring? 38949 Is not that a Cecilia, Carlomein?"
38949	Is that a beard?
38949	Is that tall young gentleman to enter?
38949	Is this your son, Davy?
38949	It is going into the drawing- room, and being introduced, I hate; will there be many people, do you think?
38949	It is very strange, is it not, that Charles, who is very attentive generally, should be so little careful of his writing? 38949 May I tell them so, sir?"
38949	May not Miss Benette come too?
38949	Miss Benette, is that the reason you do not mean to sing in theatres?
38949	Miss Benette, where did that come from? 38949 Miss Lemark,"cried I, unfeignedly,"what are you going to do in that dress?"
38949	Mr. Davy was who,--your godfather?
38949	My favorite who, sir?
38949	No; have you?
38949	Not at the class, I suppose?
38949	Now, sir,said he,"do you see that castle?"
38949	Now, tell me, can you sing at all?
38949	Now,said I,"if it were not for Santonio, would you not find this evening very dull?"
38949	Oh, do you talk German? 38949 Oh, is Miss Lawrence here?"
38949	Oh, sir, did you ever find out who the conductor was?
38949	Oh, sir, is it you?
38949	Oh, that was Miss Benette''s mamma?
38949	Oh, was it not? 38949 Oh, what did you say?"
38949	Oh, what shop?
38949	Oh, why did you not to- day?
38949	Oh, yes; did you not know it? 38949 Quite well; and you, Miss Benette?
38949	Shall I go across and get it?
38949	Shall I sing for you, Laura?
38949	Shall I?--what is it? 38949 Shall you sing with us in all the four- parted pieces, sir?"
38949	She goes home with him, then?
38949	She lives with Miss Benette, then, Charles?
38949	She thinks you have a special gift, then?
38949	She told you herself?
38949	Signify? 38949 Sir, I am Carl; will you please to call me Carl?"
38949	Sir, did you teach when you were a little boy?
38949	Sir, do you really mean it? 38949 Sir, he has eaten it all, but he is so very sleepy; may n''t he go to bed?"
38949	Sir, however did you get to hear that? 38949 So I do, Mr. Davy; but do tell me who is that man?"
38949	So, Millicent, she would not mind my knowing a dance- artist any more than any other artist?
38949	So, Mr. Santonio, you are not ready? 38949 So, sir, this azure ribbon which you admire is also to be woven for him?"
38949	Suppose the old gentleman has gone to bed?
38949	Sure? 38949 That I have taken away his stomach, eh?
38949	Then I may go and practise with Miss Benette?
38949	Then you know who he is? 38949 There will be people in there, you mean?
38949	This moment, sir? 38949 To suffer?
38949	Was he at the festival?
38949	Was it pride,thought I,"that curled beneath those tones so flowery soft?"
38949	Was our conductor an artist?
38949	Were you sorry to say No, Miss Benette?
38949	What can it be that makes his voice so sweet, when it is such a deep voice?
38949	What do you mean, mother? 38949 What do you say, Charles?"
38949	What does she want-- I mean mother?
38949	What is he like, Star?
38949	What is it then, Miss Benette?
38949	What is it to do, then?
38949	What is that, sir?
38949	What is that?
38949	What is the first, then?
38949	What is to be done with him, eh?
38949	What sort of kindness?
38949	What sort of place shall I go to, should you think?
38949	What tribe?
38949	What weakness, master?
38949	What, another Santonio, or another Milans- André?
38949	What_ does_ make you call it a cave?
38949	When will she get up?
38949	Where are you staying, Chevalier? 38949 Where is he?"
38949	Where is this Chevalier of ours?
38949	Which of the pieces do you like best?
38949	Who is Miss Lawrence?
38949	Who is the man in a blue coat with bright buttons, now looking up at the chandelier?
38949	Who said I was coming?
38949	Who said to you about the special gift, Master Auchester? 38949 Who told you he has a Jew- beard?
38949	Who told you that? 38949 Who, sir,--the same?"
38949	Why are you left up here? 38949 Why do you suppose not?"
38949	Why like a Jew? 38949 Why not long, sir?
38949	Why not, Miss Benette?
38949	Why not, sir? 38949 Why not?"
38949	Why not?
38949	Why should I be?
38949	Why so, Miss Benette?
38949	Why so, my dear boy?
38949	Why so, sir? 38949 Why so, sir?"
38949	Why so?
38949	Why, particularly?
38949	Why, sir?
38949	Will he have a beard, sir, as he is a Jew?
38949	Will he turn his face this way though, Mr. Davy? 38949 Will it be very grand?"
38949	Will you be so good as to resume your seat?
38949	Will you go a little walk with me, and then I can better understand you or what you want to do?
38949	Will you have these flowers, then? 38949 Will you let me come to- morrow?"
38949	Will you take off your hat for a minute or two, my dear boy?
38949	Will you think me rude if I ask to look at your work?
38949	With me, is it? 38949 With that Volkslied?"
38949	With the lovely voice? 38949 Would that concerto never be over?"
38949	Would you like to learn the horn, Charles? 38949 Yes, I know it; what of that?"
38949	Yes, mother; is Mr. Davy coming?
38949	You call Mr. Davy an artist, I suppose?
38949	You call the theatre the stage, sir, do n''t you?
38949	You do not think it? 38949 You sell them, then?"
38949	You surely have not left him alone in the rain?
38949	Your conviction that you related to me in such a romantic narrative?
38949	[ 4]From David, I suppose?"
38949	''Will you take me back?
38949	''[ 5] Can you sing alto?"
38949	--I quite screamed as the reminiscence shook me,--"oh, sir, did you write the''Tone- Wreath''?"
38949	--I stamped my foot--"how dare you say so?
38949	After all, what will you do in Germany?"
38949	And I may keep this precious paper?
38949	And I want to know why she was so afraid to dance, and so afraid of you?''
38949	And I, unable to resist the opportunity, whispered to her,"Does he mean that we are to practise alone, or one by one?"
38949	And are we to hear that?
38949	And how could I but like you when you came before me like something of my own in that crowd, that multitude in nothing of me?"
38949	And if I turn him not forth a strong- winged wonder, thou wilt stand up and have to answer for him,--is it not so?"
38949	And is our hero up there still?
38949	And what is your little name?"
38949	And where is the Raphael?"
38949	Are you the new one who was coming?"
38949	Aronach bent upon me his flowing beard:"Dost thou know to refrain thyself, as well as thou knowest to rebuke thine elders?"
38949	As soon as he finished speaking, he turned and looked down upon me; and then he said,"Can I do anything for you?"
38949	At the Fürstin Haus?"
38949	Because they are rich,--Jews, I mean?"
38949	Before I left his house, and while she was waiting in the parlor, he said to me,"Would you like to see where I sleep?"
38949	Besides, was it not in the dream of that Jew, in the Bible, that the angels descended as well as ascended?"
38949	But I do, and that is sufficient, is it not?
38949	But how shall you like being locked up?"
38949	But it is by_ him_ then?"
38949	But tell me now, will you not, do you enter the school this semester?"
38949	But this one stayed, and resting his hand upon the table, inquired with politeness for a court,--"Where is your wife?
38949	But what do you think was the reply?
38949	But who is Marc?"
38949	But why did you not see the Chevalier until to- day?"
38949	But, sir, wo n''t you walk in?"
38949	Can not she act?"
38949	Can there be music without many combinations, and they each of many single sounds?"
38949	Come, say, would you like to sing in Mr. Davy''s class?
38949	Could this be the same, it struck me, who discoursed like an angel of that high throng?
38949	Davy?"
38949	Davy?"
38949	Did I not know where I should find it?
38949	Did he say''wo n''t,''Iskar?
38949	Do they live upon the smuts?"
38949	Do you ever forget anything you hear?"
38949	Do you know the Priory, on the Lawborough Road, not a great way from Mr. Hargreave''s factory?"
38949	Do you like me, Charles,--well enough to wish to know me?"
38949	Do you see your master at the awful table?
38949	Do you suppose I can go home unless you will?
38949	Do you think it is the best voice of music?"
38949	Do you understand, Charles?"
38949	Does he lock you up?"
38949	Does she know you very well?"
38949	Fred, where is my present?"
38949	Has she told you yours?"
38949	Have you a nurse too?"
38949	Have you been flogged at last?
38949	Have you begun, and how long?"
38949	Have you heard Aronach play the organ?"
38949	Having examined us, he examined also Davy, and said specially,"How are you?"
38949	He looked revengeful, too, as he helped himself; and on our coming up, he said,"Do you eat nothing, Chevalier?"
38949	He spoke as if to me, but how could I reply?
38949	His father?"
38949	How can I open the door?
38949	How could he have got in there, and how have come out upon me so suddenly without any warning?
38949	I am afraid they are frightened now,--do you think so?
38949	I am tiring you, Master Auchester?"
38949	I beg your pardon; but then, why do n''t you learn the piano?"
38949	I could eat it, if I would; for who could resist that rose- colored snow?
38949	I could not reply, for this singular prescience daunted me,--how could he tell it was_ her_ very room?
38949	I cried,"is that his name?
38949	I felt I know not how when I saw it then and there; for it was-- what picture do you think?
38949	I had known of it from my cradle; and loving it_ before_ I heard it, how did I feel for it when it was to be brought so near me?
38949	I had said to him directly we were in the street,"Dear Mr. Davy, who are those two girls whose seats are the nearest to mine?"
38949	I hope you do not expect a footman to open the door?"
38949	I hope you thought yourself enviable?"
38949	I know you are good; but what if he dies?"
38949	I mean, why only for a little while?"
38949	I said, and she almost stared, quite started to find I knew her name,"Mr. Davy told me who you were,--will you let me come and practise with you?
38949	I said,"Do you think she can, then?"
38949	I said,''Are you better to- day?''
38949	I suppose Miss Lawrence said that to you when Mr. Davy called me away to him?"
38949	I very nearly said,"Then why do you live up here?"
38949	I was indignant, I was sick, but so impotent I could only say,"Sir, has he ever heard_ you_ play?"
38949	I was positively ashamed, and, to hide my confusion, said to Laura,"Do you like violets?"
38949	If my mother said yes, would you, sir?"
38949	If some people marry not for love, what is that to me?
38949	Is it her papa who did such a thing?"
38949	Is it not ever so?
38949	Is it not so, sir?"
38949	Is it not to- day a festival, and_ every_ day in May?"
38949	Is it so difficult for me to pronounce?
38949	Is it thy place in my house to ape my guests?
38949	Is it too proud to be thanked, then?"
38949	Is she here to- day?
38949	Is she like him?"
38949	Is that his real name?"
38949	It is very pretty to dance: why were you frightened?''
38949	It was a box truly, but what sort of a box?
38949	May I not already say''thou''?"
38949	Mr. Davy, will you have the kindness to read that letter to my little boy?"
38949	Music_ is_ medicine, though, I think; do not you?"
38949	My serene contralto answered, strangely to my anticipations, and with the superior womanliness I have ascribed to her,"Is it not glorious?"
38949	Never have I been so mistaken: but how could I anticipate aught of him?
38949	Now can you say you are sure I may put faith in you?"
38949	Now will you-- that is, can you-- tell me who the conductor was?"
38949	Now, Carlomein, what am I to say to this master of yours about you?
38949	Now, what did you do for him that made him say so?"
38949	Pray do n''t you feel any curiosity about your destination?"
38949	Santonio?"
38949	Sir, do you mind telling me your name?
38949	So then I shall seem your age; and, Miss Benette, when I do grow up, will you be my friend?"
38949	So you have no curiosity to learn your fate?"
38949	Standing to eat and drink in all haste, a speculation stung me,--where was my violin?
38949	Then I am not to come in the morning?"
38949	Then I said,"My dear master, my dear, dear Herr Aronach, is that for me to keep?"
38949	Then, when she was hushed, I said,''Were you to dance, then?
38949	There are no such things as coaches in the Kell Platz, I suppose, or have the horses taken a holiday too?"
38949	They were all men, it is true; but was I a girl?
38949	This was getting away from the point, so I put in,"Is the festival to be soon, then, Lydia?"
38949	To suffer, who alone enjoy, and are satisfied, and glorify happiness above all others, and above all other things?"
38949	To those who have lost such emotions, what is left but Lethe?
38949	Was he a rich man or a poor man?"
38949	Was not my mother afraid to trust me in such a mixed multitude, with men and women her inferiors in culture and position?
38949	Was that the reason she joined the class?"
38949	Were you happy, Charles, when you were a little child?"
38949	What did he do?"
38949	What did he mean?"
38949	What did he say"courage"for?
38949	What did he tell you?
38949	What had taken place there?
38949	What have you been all doing?"
38949	What have you been doing to make it so?"
38949	What makes you call him Chevalier?
38949	What words were those?
38949	Where is Professor Aronach?"
38949	Who can take more care of him than I?
38949	Who said I was unkind to my Laura?
38949	Who shall say he does not know all hearts?"
38949	Who, so worshipping, can do anything but shudder at the meagre, crude, mistakable portraits of Shakspeare, of Verulam, of Beethoven?
38949	Why did you ask me about artists, Charles?"
38949	Why didst thou run away, my Adonais?''
38949	Why in the conservatory, I wonder?
38949	Why not ask your mother?"
38949	Will you also be very friendly with him?"
38949	Will you believe me?"
38949	Will you eat it with your bread?
38949	Will you have a game with me?"
38949	Will you now come here?"
38949	Will you take its last sigh?"
38949	Will you turn back and walk home with me?"
38949	Wo n''t you let me shake hands with you, Miss Lemark?"
38949	Would the little one go with me?
38949	Would you like to have your fortune told?"
38949	You are frightened lest Aronach should pounce upon you,--is it not?"
38949	You are to be a singer, of course?"
38949	You do not like her, Master Auchester?"
38949	You do not love him, then?"
38949	You hold with me there, I think?"
38949	You know why I wish to hear you sing together?"
38949	You will let him come to me one evening, dear madam?"
38949	[ 13] where art thou?"
38949	all those stockings, Charles?"
38949	and above all, how would he behave to me, finding me so ignorant?
38949	and am I to sing in''Hallelujah''?"
38949	and is the master home already?"
38949	and pray what is all about him?"
38949	before I could well recognize her, she stepped up to me and said, without a bow or any introductory flourish,"Are you Mr. Davy''s pupil?"
38949	did not Mr. Davy say so the other night?"
38949	do you know whose portrait that is?
38949	do you think I am like a violin?
38949	exclaimed again another, one of the professors in the town,"can it be Milans- André?"
38949	growled Aronach,"dost thou suppose I do n''t know thy hand among a thousand?
38949	have you ever tasted barley- water, with a squeeze of lemon- juice, after listening to the violin?
38949	how did you ever find out?"
38949	is it not delicious?"
38949	is that it?
38949	my goodness; where is Fred?"
38949	or perhaps that new instrument, the ophicleide?"
38949	or the flute?
38949	out of the class, sir, I suppose?"
38949	said Davy, with a kind of exultation,"what will it be when you are singing_ in_ the heart of a grand orchestra?"
38949	said I;"who else, if you had not the right, sir?
38949	sir, because she does not come with you?
38949	then how_ can_ you know?
38949	we are not going in there,--did you think so?
38949	what can I ever say to you?
38949	what do you mean?
38949	what name was that?"
38949	whatever shall I do?
38949	who art thou?"
38949	who is that coming in?"
38949	will you trust me?"
40259	A beautiful name, Charles,--is she a favorite of yours?
40259	A first violin, Charles?
40259	A large organ?
40259	A symphony, Maria? 40259 About Anastase?
40259	About Miss Benette, Charles?
40259	Afraid of Anastase, sir,--of_ Anastase_?
40259	Am I so frightful, then, Carl?
40259	Anastase melancholy? 40259 And are we all to obey him?"
40259	And did she come?
40259	And did you? 40259 And died, sir?
40259	And for that, is he not himself music? 40259 And how do you mean to achieve this copy?"
40259	And so, sir, I suppose you had determined to go without your dinner?
40259	And when, sir, and where, will it be our happiness to attend you?
40259	And why not, sir?
40259	And why not? 40259 And will you come to us, sir?"
40259	And you also, sir?
40259	And you burn less now for it? 40259 And, sir, please to tell me, am I tidy,--fit to walk with a bride and bridegroom?"
40259	Are you a professor, sir?
40259	Are you frightened, Maria?
40259	Because I shall not talk? 40259 Breakfast?"
40259	But about the rehearsals?
40259	But he will not be likely to say anything about that part of it, will he? 40259 But how does it happen that he is so constantly engaged?
40259	But how long have you been married, Mr. Davy? 40259 But how, my Charlie,--in what sense?"
40259	But if you are delicate, Fräulein Cerinthia?
40259	But is it like a musician to draw me away from my duty?
40259	But is it not the immediate consequence of such musical investment?
40259	But may I not have some, although I did not bring my violin? 40259 But that will fatigue you very much,--cannot you prevent it?
40259	But thou wilt have some trouble in coming,--shalt thou be afraid? 40259 But what is your reason, then, for choosing it, when you might choose_ mine_?"
40259	But you never told me so much, did you, my love?
40259	But you will be?
40259	But, Charles,added Davy, with his old earnestness and with a sparkling eye,"how, then, shall we see him, and where?
40259	But, Maria, what will you do? 40259 But, sir, Miss Lawrence is going to the piano: will not you play first?"
40259	But, sir, she ca n''t undertake to perfect me in the fiddle part, can she?
40259	But,I returned,"I have not heard the instrument,--is it not a splendid sort of trumpet?
40259	Can I do anything for you?
40259	Can not it be imagined by thee?
40259	Can such a one live and not suffer? 40259 Carl, I never knew you cold before,--what is it?
40259	Carl, but I do n''t love in that way all those who are musical, therefore why must it be the music that makes me love_ him_? 40259 Charles, it''s the silver wedding, do n''t you know?"
40259	Could anything be more beautiful?
40259	Did he really remember me in that manner? 40259 Did he say so?
40259	Did you think I meant it?
40259	Do I look ill, Carl? 40259 Do I look morbid, Carlomein?
40259	Do n''t you mean to be a composer, Fräulein Cerinthia?
40259	Do not you? 40259 Do you ever talk in this strange manner to Anastase, Maria,--I mean, do you tell him you love him better than music?"
40259	Do you know, I had forgotten what I had to say, in contemplating you? 40259 Do you like that little song?
40259	Do you mean that you are married to Anastase?
40259	Do you not know that Seraphael has written as no one else for the trombone? 40259 Do you think so?
40259	Does he like them so very much, then?
40259	Does he paint, though?
40259	Does it know him?
40259	Exquisite, is it? 40259 For me to sing?
40259	Going away? 40259 Has he many musical friends?"
40259	Has he suffered? 40259 Have I your permission to keep it, sir?"
40259	He brought you home, then?
40259	He carried you away, then? 40259 He never plays to you, then?"
40259	How did Miss Lawrence come to know him? 40259 How do you think I look, by the by, Miss Benette?
40259	How old, sir, shall you be on your birthday?
40259	How, sir? 40259 How, why?"
40259	I did not know you so well then, Carl; but do you suppose that music, in one sense, is not all to me? 40259 I do not think it is nothing to the purpose,--people dress to go to church, and why not, then, to honor music?
40259	I inquired why? 40259 I know, from your look, that it is about some one dying: but why is that so sad?
40259	I may not see the letter? 40259 I remember; and this Mr. Davy, is he here too?"
40259	I suppose, sir, I_ may_ have a look at the score, though?
40259	I will see them all for you, I will arrange everything; but you are not going away?
40259	I would willingly bestow it upon you if I knew how; but you know that Keble says:Whom oil and balsams kill, what salve can cure?''"
40259	If you did let me talk, what should I say? 40259 In all instances, you recommend?"
40259	In that sense no one could, for who could ever desire to awaken from that rest? 40259 Is Herr Anastase to lead the violins, then?
40259	Is Miss Benette at home?
40259	Is it so beautiful, then, Maria?
40259	Is it so very good then, sir? 40259 Is she Cerinthia?
40259	Is she at the school too?
40259	Is she singing in Italy just now?
40259	Is she such a celebrated singer, then?
40259	Is she tired?
40259	Is that it? 40259 Is that steep?"
40259	Leave me, Charlie? 40259 Maria, how do you know?
40259	Maria, what of Anastase? 40259 Maria, you are not going to write in score?
40259	Maria,I exclaimed,"dear Maria, will you tell me why this symphony makes you ill, or look so ill?
40259	Maria,I said, sitting down at the foot of a cross that was hung with faded garlands,"why do n''t you sit in the shade?
40259	May he come, Maria?
40259	Me to sing?
40259	My child, if thou wert strong and manly, how could I confide in thee? 40259 My dear Carl, how shall I feel when that moment comes?"
40259	No,--what?
40259	None? 40259 Now, what does he mean?
40259	Now? 40259 Of the Mer de Glace overture and accompaniments?"
40259	Oh, sir, do we all practise together, then? 40259 One of us, I presume?"
40259	Sarcophagus means''tomb,''does it not? 40259 Shall we hear it?"
40259	She is lying down, then?
40259	She is married, then?
40259	She suffered so?
40259	Should I tell Mr. Davy what I pay to Thonà © for keeping my house in order,--or whether I went to church on a Sunday? 40259 Sir, is it anything about myself?"
40259	Sir, what did they do with the symphony? 40259 Sir, who is she?"
40259	Sir,I replied, not stammered, for I felt my cause was good,"how was I to know I ought not to go in there?
40259	Sir,I said,"what do you want?"
40259	So you think I shall allow it? 40259 So, Carl,"she began herself,"the Chevalier took you into his room,--his very room where he writes, was it?"
40259	That she provided us both with exactly what we wanted at exactly the right time? 40259 The reason you take home to you, then, Carlomein?"
40259	The saints wear lilies, or they dream so; and dream they not the martyrs wear the roses,--have not the thorns pierced through them? 40259 The violin?
40259	The what?
40259	Then what is it, Maria?
40259	Then you had not known him before? 40259 Then, Maria, if I leave them here, on your honor, will you not touch them or attempt to write?"
40259	To travel-- going away-- where-- who with?
40259	Was it cold, then? 40259 Was that long ago, Maria?"
40259	Were you so proud, then? 40259 What about?"
40259	What are you thinking about this morning, sir?
40259	What darling, then?
40259	What did I say then that I dare not say now? 40259 What did he say?
40259	What do you mean? 40259 What do you mean?"
40259	What else, madam, would you do with it?
40259	What finish does it require? 40259 What is that, Carlomein?"
40259	What is that, sir?
40259	What is that? 40259 What is that?"
40259	What is the matter, then? 40259 What now, Charles?"
40259	What shall you call it, Maria?
40259	What sort of furniture?
40259	What things, Maria,--fur mantles, or hair so long that you can tread upon it?
40259	What was that, Maria?
40259	What, dearest sir?
40259	What, is he going to be married?
40259	What, my dear boy?
40259	Whatever shall I do?
40259	When will it be written?
40259	Where are we going, then? 40259 Where did it come from?"
40259	Where is he now?
40259	Who could refuse him? 40259 Who, Carlomein?
40259	Who, dear little Josephine,--which of them?
40259	Whose eyes, then, Carlomein?
40259	Why not? 40259 Why to_ me_?
40259	Why, Florimond?
40259	Why?
40259	Will you not love him, Florimond?
40259	Will you set me some task, then, sir? 40259 You are not shocked?"
40259	You can not?
40259	You do n''t scorn me, and point your face at me? 40259 You like to be so, I suppose?"
40259	You mean hieroglyphic?
40259	You mean what we talked about before you went, before the Chevalier went also?
40259	You mean, Maria, that if you and I were not musical,--supposing such a thing to be possible,--he would not like us nor treat us as he does now?
40259	You mean, when you say he is proud, he will not be comforted, I suppose? 40259 You received that extemporaneous extravaganza, then, Charles,--which I afterwards desired I had burned?"
40259	You spoke of rehearsals, Star,--what may these be? 40259 Young Delemann?
40259	[ 2]Why, I wonder, does he not like it?"
40259	_ She_ is, I suppose, the cleverest in all the house?
40259	A nature which is all love,--an imagination all music?"
40259	All the chorus- singers were in white; but who looked the least like her?
40259	Am I never to look at anything else?
40259	Am I to give it all up?
40259	Am I to give up my only chance of being able to live in England?
40259	Am I to waste my voice that God gave me as he gives to others a free hand or a great imagination?
40259	Am I very much changed?
40259	An oratorio?"
40259	And am I to act unconscientiously?
40259	And do you think he will marry one day?"
40259	And now for another question,--Will you go with me to this choir- day?"
40259	And shall we hear you play?"
40259	And so Aronach was angry?"
40259	And what has that to do with your coming back, and with your being melancholy,--which I can not believe quite, Maria?"
40259	And what, Millicent, of her voice and style?"
40259	And when I did speak, what do you think I said?
40259	And who, do you think, is going with him?"
40259	And will you not, as you even promised, reform the drama?"
40259	And you have drawn a line through her engagement?
40259	And you, sir?"
40259	And, indeed, what else could be done?
40259	And, pray, why is it I am not to write?
40259	Are there any shops here, Carlomein?"
40259	Are you just arrived?"
40259	Art not thou still my eldest child?
40259	Art thou angry, Carl?
40259	Auchester?"
40259	Auchester?"
40259	Auchester?"
40259	But about her,--is she young and pretty?"
40259	But am I never to sing in any?
40259	But before I could begin, he took my fiddle from my arms, and turning it round and round, demanded,"Where did you get this?"
40259	But by all the names of magic, how arose that flower- tower in the midst?
40259	But do you, therefore, object to write for the stage, in its present promiscuous position among the arts?"
40259	But had she, indeed, never learned the secret of his memory, or had she turned, indeed, its darkness into light?
40259	But how is it I have not heard of this grace, or muse, taking leave to furl her wings at your nest?
40259	But is it so wholly unexpected?"
40259	But is this strange?
40259	But it is very strange, is it not?"
40259	But may I say how sorry I am to have been so exacting this morning?
40259	But shall_ I_ hear it, Maria?"
40259	But she has not lost your good opinion?"
40259	But then, Millicent?"
40259	But then, as she said to me,"What in life does it matter about losing caste with people who have no caste to lose?"
40259	But what have I to do with voices?
40259	But who could weep in that breathless expectation?
40259	But why are you so angry with yourself because, having gone through too much happiness, you are no longer happy?
40259	But with your power and your promise of success, who would not blame those who should prevent your appearance in London?"
40259	But you must have heard of Clara?"
40259	But, Maria, what is he going away for?
40259	Can he have known this?"
40259	Can not we now go?
40259	Canst thou contrive to find thy friends in all this fuss?
40259	Carlomein, why hast thou so forgotten?
40259	Could I advise him how to improve his present method?
40259	Could it be that she was about, in any sense, to open her heart?
40259	Davy?"
40259	Davy?"
40259	Did anybody ever tell you you are audacious?
40259	Did you never have them on, Carl?"
40259	Did you think we should leave her behind?"
40259	Do I look older, and more like this world, or less?"
40259	Do I tire you?"
40259	Do n''t you think so, Millicent?"
40259	Do you know I had forgotten all about your music till this very minute?"
40259	Do you know what is to be?
40259	Do you know, Carl, that I came away because I could not bear to stay with those creatures after Florimond was gone?
40259	Do you mean the great player?
40259	Do you mean to go to this oratorio?"
40259	Do you never wish to be hidden when you see those you like?"
40259	Do you not wish you were in my place?"
40259	Does he know, and what does he think?"
40259	Does he teach here, Charles?
40259	Does not Anastase approve of your writing?"
40259	Does the Chevalier know you are to marry Anastase?"
40259	Going away?"
40259	Has he never ceased to suffer?
40259	Has he not been informing and interpenetrating himself with it the whole morning?
40259	Have you not heard?"
40259	He is, then, settled here; and is he very popular?"
40259	He spoke to Spoda,''Have you any commands for Italy,--any part of Italy?
40259	His name is David, I think?"
40259	How could she help it?"
40259	How did it first occur to you?"
40259	How did you manage to put your foot into such a nest?"
40259	How is it possible, Charles, that such progress can have been condensed into a few mere months?
40259	I again exclaimed, suddenly reminded,"what did you wear, Millicent, to be married in?"
40259	I am innocent?
40259	I could but think,"Is it possible that she has not altered more than her style of expressing herself has done?
40259	I cried, aghast,"you are not going to sit up all night?"
40259	I cried, laughing,"but why did they not write and tell me?"
40259	I felt, indeed, how could she help it?
40259	I felt,"Can Anastase have seen her?
40259	I have brought it with me on purpose,--may I fetch it?
40259	I must know it at last, must I not?"
40259	I never heard of a woman writing in score except for exercise; and how will you be pleased to hear it never once?"
40259	I said,--"Is it afraid of me?
40259	I stood lost, unaccustomed either to the freaks or the triumphs of pictorial art; I could only say in my amaze,"Are these all yours?
40259	I suppose you know he chose my master, Anastase, though he is so young, to be at the head of all the violins?"
40259	I suppose, Mr. Davy, it is his forehead you call handsome?"
40259	I then resumed,--"Does she not dance in London?
40259	I ventured to say then,--"And now, Miss Benette, I may ask you what you feel about the personality of this hero?"
40259	I was about to ask thee whether there is no country, nothing green, no pure wind, to be had within four miles?"
40259	In a chorus, I suppose, sir?"
40259	Is anybody ill?
40259	Is he going to be married?"
40259	Is he not too modest or too proud?"
40259	Is it in the North?"
40259	Is it not so, Florimond?"
40259	Is it possible, my child, that you have not dined?"
40259	Is morning ever unexcited to the enthusiast?
40259	Is nothing hidden behind it?
40259	Is she not a character?"
40259	Is that a lyre above the table?
40259	Is there no music to which you would act, then?"
40259	It can not be to concerts every evening?"
40259	It is because she is seeing other eyes in her soul, and our eyes are only just eyes to her, and nothing else,--you know what I mean, sir?"
40259	It is thine own, of course?"
40259	It will be very unfortunate for me if all those pretty houses that I see are full, and how can we get at them?"
40259	Leave has not been given, and it can not be thought of without leave,--did you not know that, Maria?
40259	May I pull it away?"
40259	Meantime, for I knew we must part, I whispered to Starwood,--"So you are happy enough, Star, I should suppose?"
40259	Night after night, in the same steps, to the same music-- music-- Is it music?
40259	Now, I know very few persons; but I am born to be known of many,--at least I suppose so, or why was I gifted with this voice, my only gift?"
40259	Now, I wanted to be very angry at the intimation, but my informant had too expressive a face; so I merely added,"They are then very wonderful?"
40259	Oh, Millicent, do you like Germany?
40259	Oh, Millicent, how did you get her to let you come?
40259	Or wilt thou leave me in the lurch for that Carl of thine?"
40259	Shall I die young, and not be believed to have died for music?
40259	Shall I ever forget it?
40259	Shall I go?"
40259	Shall I tell you how?
40259	Shall you write this evening?"
40259	She went on,--"How do you think he took it up?
40259	Sing?"
40259	That transcending picture, how would it affect him?
40259	The city of his home was before me,--but how can I call it a city?
40259	Then I said,"How is your sister, Miss Josephine?
40259	Then what on earth am I to do?
40259	There is a contralto solo,''Art Thou not from Everlasting?''
40259	They were Beethoven and Bach, as they might be known in heaven; but who, except the musician, would have known them for themselves on earth?
40259	Very strange to confess, is it?
40259	Was he going to the rehearsal, or a rehearsal of his own?
40259	Was she all to him?"
40259	Was that since_ the_ evening?"
40259	We have been married one week,--is it not, Millicent?"
40259	We may write music to psalms, I suppose, Carlomein?"
40259	What am I to endeavor, after anything that he has accomplished?
40259	What am I writing?
40259	What could I do but not lose a moment?
40259	What did you do when you awoke?"
40259	What do you think of an oratorio in Westminster Abbey, the conductor our own, the whole affair of his?
40259	What earthly inspiration could have taught her strains like these?
40259	What had he said?
40259	What has he done that could possibly raise a difficulty, or said that could create a question?
40259	What if I had kept you in my class?
40259	What if this work make you ill?"
40259	What is it now?"
40259	What is your name?"
40259	What should you do if you were in my place, feeling as I do?"
40259	What then can go wrong?"
40259	What was your scrape?
40259	What were you doing, you and Carl?
40259	What will the class do?
40259	What will you say to me, now, when I tell you I can not imagine wishing to marry the Chevalier?"
40259	Where are the ivory scissors?"
40259	Where is he now?"
40259	Whither?
40259	Who could have refused him as he stood there, and flying behind the curtain, peeped again between the folds of it and bowed?
40259	Who wrote it, made it for us, think you?''
40259	Why is it not finished, Carlomein?"
40259	Why, who could have had more, and who could have borne the same so bravely?
40259	Why?
40259	Will it be believed that Davy had brought some of his own tea, besides several other small comforts?
40259	Will you come home with me?
40259	Will you stay here with me and help me?"
40259	Wilt thou, my shadow?
40259	Without any hesitation, I knocked; but recalling to myself his temperament, I spoke simultaneously,--"Dear sir, may I come in?"
40259	Without looking up, he said,--"Do you mean to say, Carlomein, that she has had no help here?"
40259	Would not you?"
40259	Would you believe it?
40259	You are ready to reply?"
40259	You did not know him all those years?"
40259	You did not say what was done with the symphony?"
40259	You have a tolerable share of courage: could you have asked him such a favor?"
40259	You have seen Seraphael, of course, and the little Burney?
40259	You know Clara?
40259	You know that Forkel has written a life of Bach?
40259	You know what I wished; yet perhaps not yet,--how should you?
40259	You know what you wrote to me about,--your last letter?"
40259	You mean it is not good for solos?"
40259	You remember the music you heard last night?
40259	You should not call him so,--why do you?
40259	You will let me call you so to- night?"
40259	already?
40259	and are you going to live_ here_?
40259	and that was the reason you took it up?
40259	and why should I wait?
40259	and why shouldest thou come out of thine?"
40259	and, if it is not rude, what did the rose and the violet have to do with this sad tale?"
40259	but surely you wo n''t sit up all night?"
40259	do n''t you like him?"
40259	for what cause, where passion strikes and stirs, have there not been martyrs?
40259	have you actually been writing?"
40259	have you seen him since that day?"
40259	he answered, with the utmost gentleness, but still unsmiling,"why should I go to bed?
40259	he whispered softly;"is she very tired?"
40259	she did not die?"
40259	where might they now remain?
40259	who would not, when he can not, rejoice to weep?
40259	why, what are you yourself?"
40259	without his breakfast?"
40259	you did not say so?
40259	you would give up your violin, your career, your place among the choir of ages?"
175	''But how? 175 ''But when he comes to his box?''
175	''Is this all? 175 Across Paris?"
175	After the performance?
175	Ah, so you know that house too?
175	All your arrangements were made?
175	Am I going mad?
175	And did you run after them?
175	And does he still tip you?
175	And does the ghost really come there?
175	And he was wearing his dress- clothes, in broad daylight?
175	And how are you to reach him, if you do n''t know how to go out by the glass?
175	And how can one enter the house on the lake without crossing the lake?
175	And how should I know?
175	And is there any hope of that, sir?
175	And nevertheless your carriage is still outside the Rotunda awaiting your orders, is it not?
175	And sack my stable?
175	And the Rue Scribe, madame, the Rue Scribe? 175 And then how would you slip it into my pocket?"
175	And to what other do you refer?
175	And what did she answer, madame?
175	And what did the box- keeper say?
175	And what did you do?
175	And what did you do?
175	And what does this groom do?
175	And what is in a forest?
175	And what is in a tree?
175	And what might you think?
175	And who is that pale young man beside him?
175	And why do you say that M. Richard ought to know better than you where the twenty- thousand francs went to?
175	And why does your mother say so?
175	And why is it your mother''s opinion?
175	And why should I hesitate to betray that monster, sir?
175	And why, may I ask?
175	And you wo n''t meddle any more in my affairs?
175	And you, Christine, tell me, do you hate him too?
175	And, when the ghost speaks to you, what does he say?
175	Are they still genuine, Moncharmin?
175	Are they still genuine, Richard?
175	Are you afraid of him?
175	Are you afraid that you will change your mind, Christine?
175	Are you at all superstitious?
175	Are you going to read the paper next?
175	Are you still on good terms with the ghost?
175	Are you sure?
175	As it is settled that we are to live together... what difference can it make to you?
175	BACKWARD?
175	Before we go, do you mind if I look in your pocket?
175	But how?
175	But suppose it were HE, Christine?
175	But tell me, Erik, why did you call that room the torture- chamber?
175	But then what is it, in Heaven''s name? 175 But then, what are we here for?"
175	But what does this mean? 175 But what is it?
175	But what were our managers doing?
175	But where are you?
175	But which eleven o''clock?
175	But who is he? 175 But why do n''t you come near me, as you used to do when you were a little boy?
175	But why do these walls obey him alone? 175 But why here, Christine?
175	Can not you guess? 175 Can you tell us where Erik is?"
175	Cesar, the white horse in the Profeta?
175	Christine Daae here?
175	Christine,I cried,"where are you?"
175	Could you make sure?
175	Darius? 175 Did it not occur to you that the musician might be hiding behind that very heap of bones?"
175	Did n''t you hear?
175	Did n''t you send the doctor of the Opera to see her?
175	Did no one see you come in, Darius?
175	Did the ghost break poor Isidore Saack''s leg?
175	Did the ghost tell you what he said in M. Maniera''s right ear?
175	Did you design that room? 175 Did you give them their tickets?"
175	Did you hear that? 175 Did you hear, Christine?"
175	Did you know that there were three other carriages there, in addition to yours?
175	Did you notice how they treat us with regard to Carlotta, Sorelli and Little Jammes?
175	Did you see any birds?
175	Did you shout that to them?
175	Do n''t you see,said Raoul,"that the woman''s fainting?"
175	Do n''t you think, Doctor, that those gentlemen had better clear the room?
175	Do n''t you think, monsieur, that this cross- examination has lasted long enough? 175 Do they imagine that, because they have been managers of the Opera, we are going to let them have a box for an indefinite period?"
175	Do you dare to suspect me?
175	Do you doubt it still, Raoul? 175 Do you mean to fight a duel?"
175	Do you think he is near us?
175	Do you think we''ve eaten her?
175	Does he love you so much?
175	Eh? 175 Erik, unloose my bonds... Am I not your prisoner?"
175	Erik,cried Christine,"do you swear to me, monster, do you swear to me that the scorpion is the one to turn?
175	Found out about what?
175	Gentlemen, it appears that you know the Opera ghost?
175	Give me back my bag, will you? 175 Had n''t we better meet outside the Opera?"
175	Has Cesar been stolen?
175	Has he done you harm?
175	Has the ghost a box? 175 Have I really committed murders?"
175	Have n''t I a reputation for knowing all about music? 175 Have you ever seen him, have you seen the Opera ghost?"
175	Have you forgotten the rosy hours of Mazenderan?
175	Have you girls heard already? 175 Have you quite made up your mind?
175	He attached no importance to what you said?
175	He took you for a bit of a madman?
175	He? 175 Hours and hours?
175	How can you have gone from this room into that dark passage, Christine? 175 How can you speak so lightly of such serious things?"
175	How do you know?
175	How do you know?
175	How do you mean, I too? 175 How do you mean?"
175	How long has she known this''genius?''
175	How much does he give you for bringing him that envelope?
175	How?
175	However, when the people arrived,roared Richard,"there was no one in the box, was there?"
175	I am the ghost''s accomplice? 175 I am thinking that we shall not see each other again...""And does that make you so radiant?"
175	I beg your pardon, monsieur but is it your intention to make fun of the law? 175 I hope, M. de Chagny,"he said,"that you have not betrayed Erik''s secret?"
175	I hope,he said,"that the notes are still there?"
175	I never said so... Who told you a thing like that? 175 I say,"he said to the stage- manager,"I ca n''t open this door: is it always so difficult?"
175	I, sir? 175 I?
175	I?
175	In the middle of the performance? 175 In what condition of mind were you?"
175	In your dressing- room?
175	Indeed?
175	Is Buquet dead?
175	Is Christine Daae here?
175	Is Christine in danger?
175	Is Christine still a good girl?
175	Is he your friend, by any chance?
175	Is it a door with a lock to it?
175	Is it possible?
175	Is it some one belonging to the theater police?
175	Is n''t it? 175 Is that long ago?"
175	Is the Angel of Music an impostor?
175	Is the mystery so very terrible?
175	Is there a stable at the Opera? 175 It''s not possible, is it?"
175	It''s you, Raoul, who say that? 175 Just now, do n''t you find something uncomfortable, disquieting, alarming in the atmosphere of this room?"
175	Know the truth, Raoul? 175 Like last time?"
175	Monsieur,she said, in a voice not much above a whisper,"who are you?"
175	Murderer of Count Philippe, what have you done with his brother and Christine Daae?
175	No one? 175 Not in the Bois nor anywhere, Raoul: you shall not see me again...""May one ask at least to what darkness you are returning?
175	Oh, are we going out by the mirror?
175	Oh, she went to Perros with her good genius, did she?
175	Oh, the ghost left a fan, did he? 175 Oh, you agree, do you?"
175	Once more, M. de Chagny, where are you going so fast?
175	Raoul de Chagny and Christine Daae?
175	Raoul, have you suddenly gone mad? 175 Raoul, why do you condemn a man whom you have never seen, whom no one knows and about whom you yourself know nothing?"
175	Really? 175 Really?
175	Really? 175 Really?"
175	Sir,said Raoul,"I do not know what your intentions are, but can you do anything to help me?
175	So Mauclair takes snuff, does he?
175	So it was the ghost who gave you this envelope and told you to substitute it for the one which we gave you? 175 So she... so she disappeared in the middle of the performance?"
175	So you knew that Christine Daae went out by that mirror?
175	Sure of what?
175	Surely you will not do anything so foolish? 175 Tell me... you can tell me, at any rate...""Well?"
175	The Comte de Chagny?
175	The joke became a little tedious; and Richard asked half- seriously and half in jest:''But, after all, what does this ghost of yours want?''
175	The real ones?
175	Then somebody does come?
175	Then the ghost had not broken his leg?
175	Then what happened that you were found in the morning lying half- dead on the steps of the high altar?
175	Then why, when you were able to run away, did you go back to him?
175	Then would you mind giving us a specimen of your little talents? 175 Then you promise to send for me sometimes, Christine?"
175	Then you want me to go back there?
175	Then you were listening behind the door?
175	Then, Raoul, you must run away with me in spite of myself; is that understood?
175	To what do we owe the honor of your visit?
175	Very well... but what does he want?
175	WHY, DIDN''T YOU SEE THAT IT WAS AN AFRICAN FOREST?
175	Was it possible for any one to hide behind the tombstones?
175	Was the gate open?
175	Was there any one in the box on the right of Box Five?
175	Was there no one in the churchyard?
175	Well, M. Mercier, are you coming? 175 Well, M. de Chagny,"exclaimed Mamma Valerius,"do n''t you know our Christine?
175	Well, but what were those people laughing at?
175	Well, have you seen them?
175	Well, the chandelier... the chandelier, Erik? 175 Well, what about his assistants?"
175	Well, what did you see, sir, or think you saw?
175	Well, what did you see? 175 Well, what has that to do with it?
175	Well, what? 175 Well, who could have thought it?"
175	What about him?
175	What are you doing?
175	What are you hiding for?
175	What are you laughing at? 175 What are you running away for?"
175	What are you saying, monsieur?
175	What are you thinking of, Christine?
175	What became of her?
175	What can you do?
175	What compels you to go back, Christine?
175	What counterbalance?
175	What did you do?
175	What did you see?
175	What do you mean by across Paris?
175	What do you mean, she has to be found? 175 What do you mean?
175	What do you mean?
175	What do you say to all this, gentlemen? 175 What do you want a safety- pin for?"
175	What do you want me to do down there for{sic}?
175	What do you want to do?
175	What do your stablemen say?
175	What does it all mean?
175	What does this mean?
175	What dressing- room?
175	What good genius?
175	What is he working at?
175	What is it they really want? 175 What is it?"
175	What is the matter with her?
175	What is this new business? 175 What more can I tell you, dear?
175	What private box?
175	What stable?
175	What tortures? 175 What was he doing?
175	What was there to tell the police? 175 What was your accompaniment?"
175	What were they doing? 175 What''s everything?"
175	What''s he doing here?
175	What''s that?
175	What''s the matter?
175	What''s the matter?
175	What''s the matter?
175	What''s this? 175 What''s this?"
175	What''s your name?
175	What''something''am I supposed to know?
175	What, still? 175 What, you want to get rid of our horses?"
175	What? 175 What?
175	What?
175	When I am better, do you mind?
175	When shall we get there? 175 When you saw me in your dressing- room, was that the first time you noticed me, Christine?"
175	When?
175	Where are you going so fast, M. de Chagny?
175	Where is the key?
175	Where?
175	Which is the way out, please?
175	Who else heard him, Christine?
175	Who has come bothering now? 175 Who is Darius?"
175	Who is Erik?
175	Who is this''Opera ghost?''
175	Who on earth are''those?''
175	Who shall not escape you?
175	Who then?
175	Who''s Lachenel?
175	Who? 175 Who?"
175	Who?
175	Whom do you mean by''he''?
175	Whom?
175	Whose name?
175	Why did you cry out, Christine?
175	Why do you ask if Christine Daae is here, M. LE COMMISSAIRE?
175	Why do you shake me like that?
175	Why do you think that you are safer in this room than on the stage?
175	Why has he fastened you, mademoiselle? 175 Why should he hold his tongue?"
175	Why should he? 175 Why try to enter my house?
175	Why, what''s that?
175	Why, yes, did n''t you know?
175	Why... as there is no one there?
175	Why?
175	Why?
175	Will you promise never to meddle with my affairs again, if I prove to you that I am loved for my own sake?
175	With Erik?
175	With whom? 175 Would he hear you?"
175	Would you mind coming with me? 175 Yes, because I love you everything... And I heard everything...""You heard what?"
175	Yes, but tell me what happened when you were on the white horse of the Profeta?
175	Yes, he spoke to me in her favor with such warmth that, if I had not known him to be Sorelli''s friend..."Really? 175 Yes; and do you remember those hours which I passed with you, Raoul... to the great danger of both of us?"
175	You are in the torture- chamber?
175	You have never seen him; he speaks to you and you believe all he says?
175	You want to fasten me with a safety- pin?
175	''Ah, I frighten you, do I?
175	''And have you considered what the loss over Box Five meant to us?
175	''Have you a safety- pin?''
175	''SHALL I TURN THE GRASSHOPPER?''
175	''SHALL I TURN THE SCORPION?''
175	''What do you mean by the rest of the time?''
175	''Will you play me something out of your Don Juan Triumphant?''
175	--and no one in the room... Why did she laugh when he reminded her of the incident of the scarf?
175	--you know-- and Eleazer stops them and says,''Whither go ye?''
175	..""The man must be either a villain, or the girl a fool: is that it?"
175	... And Christine, sir, Christine?"
175	... And are you still resolved to run away from him?"
175	... And did he believe you?"
175	... And now where are the managers?
175	... And that M. Parabise, the manager of the Credit Central, noticed nothing?
175	... And that M. de La Borderie, the ambassador, has no eyes to see with?
175	... And what a funny house, is n''t it, with landscapes like that in it?"
175	... And what did she tell you?"
175	... And what else could Christine say but no?
175	... And what was Richard doing meanwhile?"
175	... And what were you doing in that churchyard?"
175	... And where, pray?"
175	... And why ca n''t Christine marry?"
175	... Any Barrels to Sell?"
175	... Any barrels to sell?
175	... Any barrels to sell?"
175	... Are you alive?
175	... Are you listening to me?
175	... Are you sure there is no one?"
175	... By what means indeed but that of music?
175	... Did you think that Christine was free?
175	... Do n''t you see him?
175	... Do you think I will let you go like that?
175	... Do you think that I did n''t see them?
175	... Do you understand that word"ripple?"
175	... For what hell are you leaving, mysterious lady... or for what paradise?"
175	... His accomplice in what, pray?"
175	... How can you?"
175	... How should I not believe you, when you are the only one to believe me... when you are the only one not to smile when Erik''s name is mentioned?"
175	... Leave the key alone, will you, you inquisitive little thing?"
175	... My mouth is closed-- such mouth as I have-- and yet you hear my voice... Where will you have it?
175	... Or could it be that air- hole?
175	... Or these?
175	... Perhaps you think that I have another mask, eh, and that this... this... my head is a mask?
175	... Well, if they are not mad, will you explain what it means?"
175	... What can that flame be?
175	... What had become of that wonderful, mysterious artist of whom the world was never, never to hear again?
175	... What have you been doing this past fortnight?
175	... What is this tale about the Angel of Music, which you have been telling Mamma Valerius?
175	... What was going to happen?
175	... What''s the matter, Christine?
175	... Where are the managers?"
175	... Who is being tortured?
175	... Why did you want to see me?
175	... Why do n''t you answer?
175	... Why had he not returned?
175	... Why had he not returned?
175	... Would she return?
175	... You are free, there is no one to interfere with you... You go about Paris... You put on a domino to come to the ball... Why do you not go home?
175	... You are looking at my furniture?
175	... You are right, you are right; why wait till eleven o''clock to- morrow evening?
175	... You know the lake I mean?
175	... You see my lips, such lips as I have?
175	... You wo n''t have the scorpion?
175	... You''re better now, are you not?
175	... You''re laughing... Perhaps you do n''t believe me?
175	...""Is Christine engaged to be married?"
175	...""Really?"
175	...""What about the chandelier?"
175	...""You are frightened... but do you love me?
175	...""You know him then?"
175	?"
175	A box for to- night?"
175	A voice behind him said:"Do you think the Korrigans will come this evening?"
175	After all, who had seen him?
175	After all, why was n''t he there?
175	Ah, what was the time?
175	Alas, had she not declared to him that everything was finished?
175	Am I supposed to have an infectious disease?"
175	And Christine''s voice, infinitely sad and trembling, as though accompanied by tears, replied:"How can you talk like that?
175	And I remembered the two arms that had emerged from the inky waters... What poor wretch had strayed to that shore this time?
175	And can we be sure that the figure was that of the Opera ghost himself?
175	And how did it go so fast, so straight ahead, with such staring, staring eyes?
175	And it was the ghost who told you to put the other into M. Richard''s pocket?"
175	And the voice, changed and transformed, distinctly grated out these metallic syllables:"WHAT HAVE YOU DONE WITH MY BAG?"
175	And then, more gently:"Why do you cry?
175	And then?"
175	And what danger is it, M. de Chagny?"
175	And what did you do with it?"
175	And what did you see?"
175	And what do I say?
175	And what for, in Heaven''s name?"
175	And what is the something else, please?"
175	And what was that scratching, scraping, grating sound which it brought with it?
175	And why had she kept it hidden?
175	And why had she written to him?
175	And you think it funny, no doubt?"
175	And, if not, what is all this about the Opera ghost?"
175	And, if they knew of it, why had they kept it hidden?
175	And, now, what do they mean to do with that skeleton?
175	And, turning to the managers, M. Mifroid asked,"Have you an Angel of Music on the premises, gentlemen?"
175	Any barrels to sell?"
175	Any barrels to sell?"
175	Are n''t they pretty?
175	Are people so unhappy when they love?"
175	Are you going mad, Erik?
175	Are you ill?
175	Are you there?"
175	BUT HOW DO YOU LIKE THE LANDSCAPE?"
175	Besides, was he not as ugly as ever?
175	But have you promised that, Christine?"
175	But no answer, save that of our despair, of our madness: what was the time?
175	But oh, how deliciously cool were the darkness and the stairs?
175	But where are we?"
175	But who pulled the strings of that extraordinary puppet?
175	But why was this affection distressed?
175	But you love Christine Daae, do you not?"
175	But you swear you wo n''t say a word?"
175	But, perhaps I''m boring you gentlemen?"
175	But, suddenly I drew myself up on the first step, for a terrible thought had come to my mind:"What is the time?"
175	Can you remember?
175	Chapter I Is it the Ghost?
175	Chapter XXV The Scorpion or the Grasshopper: Which?
175	Christine Daae to- night?"
175	Christine appeared astonished at the Vicomte de Chagny''s coolness:"How do you understand it?"
175	Christine was with the Angel of Music?
175	Could you tell me where Christine Daae is?"
175	Could you tell me where Christine Daae is?"
175	Daae not see you come down from your room by the curious road which you selected?"
175	Daae?"
175	Did n''t you know?
175	Did the ghost really take a seat at the managers''supper- table that night, uninvited?
175	Did they know of her hidden genius?
175	Did you hear?"
175	Did you save my life only to make it unbearable to me?
175	Do I ask people who pass to tell me the time?
175	Do n''t you know that it is the bag of life and death?"
175	Do you believe me now?
175	Do you know me?"
175	Do you know this person?
175	Do you know,"said Raoul bitterly,"that it was very plucky of you to let us play at being engaged?"
175	Do you see the window now?
175	Do you think you will find that spring soon?
175	Do you understand that?"
175	Do you want to be killed?"
175	Does he not want anything else?''
175	First of all, what did you see?"
175	For God''s sake, tell me, Raoul: what happened?"
175	G.?"
175	Gabriel?"
175	Giry tossed the feathers in her dingy hat at this persistent familiarity,"excuse me, how does the ghost manage to give you your two francs?"
175	Giry, do you know what is in this envelope?"
175	Giry?"
175	Give it to me, Christine, will you?"
175	Had he not told her that he wanted to speak to her privately?
175	Has she disappeared?"
175	Have they nothing better to do?"
175	Have you never been to the Rue Scribe?"
175	Have you noticed THAT THEY WON''T LET ANY ONE TOUCH THEM?
175	Have you seen him?"
175	He asked in a low voice:"What makes you think that Christine is fond of me, madame?"
175	He at once asked:"Madame... where is Christine?"
175	He pushed, pressed, groped about, but the glass apparently obeyed no one but Erik... Perhaps actions were not enough with a glass of the kind?
175	He resumed his questions:"What sort of envelope did you put in M. Richard''s pocket?
175	He said,''What do you want?''
175	He stopped, with his heart thumping in his chest: suppose Christine Daae had been found?
175	He understood that it was she and followed her:"Is that you, Christine?"
175	He''s working, is he?"
175	Here it is in the little leather bag... What does it say?
175	Here, shall I show you some card- tricks?
175	How can I hate him, Raoul?
175	How can you have thought that, if you did not think I loved you?"
175	How could I have been so beguiled?
175	How could he tell?
175	How could you sing, sing like that while crying?"
175	How did that red moon manage to glide through the darkness, at a man''s height, with nothing to support it, at least apparently?
175	How much space is there between the branch of the tree and the dome- shaped ceiling?
175	How was it, when I saw the personal, the selfish point of view of the voice, that I did not suspect some impostor?
175	I am going... to die...""Where are Raoul de Chagny and Christine Daae?"
175	I could not get a word in; and what do you think he shouted at me?
175	I have decided to tell you something serious, very serious... Do you remember the legend of the Angel of Music?"
175	I heard the Angel of Music?"
175	I mean, to help Christine Daae?"
175	I tell you, a cracking sound: are you deaf?"
175	I tried to push them away and asked,''Who are you?
175	I''m a very good- looking fellow, eh?
175	I, a thief, I?"
175	I?
175	I?
175	If Erik were good- looking, would you love me, Christine?"
175	In a trembling voice, she said:"Me?
175	In a voice growling and rolling like thunder, he roared:"Why should I know better than you where the twenty- thousand francs went to?
175	In his inexperience, he now asked himself with terror what game the girl was playing?
175	In that case, Christine, why did you follow him that time?
175	In the name of their love?
175	In the table?
175	In those little ebony boxes on the mantelpiece?
175	In your left ear?
175	In your right ear?
175	Into what whirlpool had she been dragged?
175	Is it Erik?
175	Is it the cat?
175	Is it the ghost?
175	Is n''t it natural, after what I saw?"
175	Is n''t it very hot here?"
175	It bent down over the Persian and said, in his ear:"Are you better, daroga?
175	It was a calculated stroke and we have to find out about it... And what are the managers doing all this time?
175	It''s for the envelope, I suppose?"
175	Lachenel?"
175	Listen, dear, it''s in the little box on the right of the mantelpiece: what does it say?
175	M. de Chagny noticed it and asked:"What is the matter, sir?"
175	Man, genius, or ghost, is it you?"
175	My stud- groom?"
175	No one came and disturbed us, I suppose?"
175	Of Raoul?
175	Of whom was Christine Daae the victim?
175	Oh, so you''re suspecting me now, are you?
175	Oh, why had she refused to leave earlier?
175	Others pretend that it''s the acting- manager''s doorkeeper...""My doorkeeper?
175	Outside, in the street, he passed his trembling hands over the huge stones, felt for outlets... met with iron bars... were those they?
175	Perhaps he was expected to utter certain words?
175	Perhaps you can tell me why, when Mother Giry came down to the foyer just now, Mercier took her by the hand and hurried her away with him?"
175	Pointing to the stretcher, he asked mechanically:"What''s that?"
175	Raoul looked her in the eyes and said roughly:"So he lives down there, does he?"
175	Really?
175	Really?"
175	Remy continued:"What is the sense of this new mania of theirs?
175	Rid myself of that nightmare?
175	Servants appeared, carrying lights; Count Philippe, terribly anxious:"What is it?"
175	Shall we curse him?
175	Shall we go down?"
175	Shall we pity him?
175	She had no lack of them, had she?
175	She turned as white as a sheet and stammered:"Who told you?"
175	She walked up to Richard''s table and asked, rather anxiously:"What do you mean?
175	She went up to the door and, in a quavering voice, asked:"Who''s there?"
175	Sit down again at once, will you?
175	So you maintain that Christine Daae was carried off by an angel: an angel of the Opera, no doubt?"
175	So----""But you have spoken to the ghost, my good lady?"
175	Suppose we try to repeat your movements; shall we?"
175	That''s not much, is it?
175	The Persian stopped Raoul and, in the softest of whispers, asked:"What did you say to the commissary?"
175	The forest?"
175	The ghost?"
175	The lighted window, right up there?
175	The man''s voice spoke again:"Are you very tired?"
175	The night when Carlotta gave her famous''co- ack''?"
175	The story of the ghost is all humbug, is n''t it?
175	The voice repeated angrily:"What have you done with my bag?
175	Then he cried:"Is that you, Erik?
175	Then he turns round again, but, this time, to the left; and what do you think he sees?
175	Then this ghost of yours is a woman?"
175	Then, as she seemed to have nothing more to do at Perros and, in fact, was doing nothing there, why did she not go back to Paris at once?
175	There are no tortures, are there?"
175	There have been plenty of secret marriages: why not a secret engagement?
175	There was a silence; and then Raoul asked:"Did your father tell you that I love you, Christine, and that I can not live without you?"
175	There, turn round... are you glad?
175	They said,''Look in the box: there''s no one there, is there?''
175	To me?
175	To what extent, at this time, was she really a victim?
175	To whom?
175	Up to what point could an opera- singer make a fool of a good- natured young man, quite new to love?
175	WHY WON''T THEY HAVE ANY ONE COME NEAR THEM NOW?"
175	WON''T THEY HAVE ANY ONE COME NEAR THEM?"
175	Waited for what?
175	Was all this serious?
175	Was n''t that right?"
175	Water to drink?
175	Water?
175	Well, are you satisfied?
175	Well, what the subscribers wanted to know was, why had Debienne and Poligny applied to Daae, when Carlotta was taken ill?
175	Well?"
175	Well?"
175	Were they between the bed and the window- pane or behind the pane, that is to say, on the balcony?
175	Were we to die as he had done?
175	Were we to die here, drowned in the torture- chamber?
175	What a state I am in, am I not?
175	What are you thinking of?
175	What are you two doing here?
175	What can it matter, So we have wine?"
175	What could there be in that cellar which opened before us?
175	What do you think he said?
175	What does it say in the little box on the left?
175	What does it say?
175	What echo?
175	What finer retinue could be expected for his funeral?
175	What had become of her?
175	What had happened?
175	What had she said?
175	What had this Erik to do with Christine''s sighs and why was she pitying Erik when Raoul was so unhappy?
175	What influence had she undergone?
175	What is it?"
175	What is the time now?
175	What is the time, Christine?"
175	What is this farce?"
175	What monster had carried her off and by what means?
175	What was she thinking of?
175	What was that miracle?
175	What was the time?
175	What was to become of us in the midst of that awful solitude?
175	What witchcraft had snatched her, away before the eyes of thousands of enthusiastic onlookers and from the arms of Carolus Fonta himself?
175	What?
175	What?"
175	When all is said, you are free to conduct your little business as you think best, are you not?
175	When the two were alone again, Moncharmin leaned over to Richard:"Then Daae has friends?"
175	When you went to your dressing- room, did you not say,''Poor Erik?''
175	When, at last, I cleared the Louis- Philippe room of you, I came back alone...""What have you done with the Vicomte de Chagny?"
175	Where are you going?
175	Where could she be going, at this hour, when every one was fast asleep at Perros?
175	Where had Christine gone?
175	Where is Erik''s voice now?
175	Where is it?"
175	Where is the voice?''
175	Where?''
175	Which way would she return?
175	Which way, which way had Christine gone?
175	Who are you?"
175	Who could tell us the time?
175	Who had put it there?
175	Who is that man?"
175	Who knows but that the score of DON JUAN TRIUMPHANT might yet be discovered in the house on the lake?
175	Who was''the other one,''the one whose requiem we now heard sung?
175	Who would venture to assert as much?
175	Whom do you expect to give a cry, in this house?
175	Whose prisoner was she?
175	Why deceive us further?
175	Why did he ring?
175	Why did she not come to roam with him through the country where they had so many memories in common?
175	Why did she not recognize him?
175	Why did you not at once rid yourself of that abominable nightmare?"
175	Why did you stand up, with radiant features, as though you were really hearing angels?
175	Why did you try to reassure me?
175	Why do n''t you answer, Gabriel?
175	Why had he not killed him?
175	Why had he not put them out for good?
175	Why had she toyed with the threatening catastrophe?
175	Why had so great a treasure been kept from them all that time?
175	Why torture me still more?
175	Why toyed with the monster''s heart?
175	Why wait for to- morrow?
175	Why were you there with that little chap?
175	Why?
175	Why?"
175	With extraordinary calmness, he at once replied:"So you are not dead in there?
175	With her?"
175	Without knowing how?
175	Would she not prefer to espouse death itself rather than that living corpse?
175	Would you like to see?
175	Would you like to see?
175	YOU think you heard a man''s voice, I suppose?"
175	Yes, I kissed her alive...""And now she is dead?"
175	Yes, he would like to see if, with that woman instead of the old lunatic, Box Five would continue to astonish the natives?
175	Yesterday afternoon-- in broad day- light----""Gabriel, the chorus- master?"
175	You are going to- night?
175	You have heard about the Opera ghost, have you not, Raoul?"
175	You have seen our managers WALK BACKWARD?
175	You know what you promised me, Erik?
175	You saw branches And what are the branches?"
175	You say that, after listening to the performance, he is to wait for you in the dining- room on the lake?"
175	You were not content to hear me, eh?
175	You''re free now... Oh, my poor Christine, look at your wrists: tell me, have I hurt them?
175	You''re not going to faint, are you... as there is no one there?
175	[ 1] And why?
175	[ Illustration: two page color illustration]"Are we very far from the lake, sir?"
175	he?"
175	l''Ambassadeur I entreat you not to touch M. le Directeur''?"
3727	''Doth the moon shine that night we play our play?''
3727	--I at YOU?
3727	A lie? 3727 All because I wish to go out alone for once.--But did I even want to?
3727	All that time? 3727 Am I his keeper?
3727	Am I in the habit of saying things I do n''t mean? 3727 An''by moonlight, too-- but say, is there a moon?
3727	And England has absolutely no chance? 3727 And Ephie did not know that?"
3727	And am I not right?
3727	And are we not friends, pray?
3727	And did it really matter so much whether I came back or not?
3727	And do you know why?
3727	And even if I wanted to go when the time came, how do you expect me to know so long beforehand? 3727 And for the sake of his dancing, you can forget what a puppy he is?"
3727	And how did she hear it?
3727	And if that letter had n''t come, you would n''t have told me?
3727	And is n''t it just for that very reason that I speak as I do? 3727 And it is for ever?"
3727	And morally?
3727	And shall I tell you what my reward has been for not going? 3727 And since then-- well?"
3727	And that''s all?
3727	And the Saxon dialect is barbarous, is n''t it?
3727	And the contamination? 3727 And what business of yours is it to feel dissatisfied, I''d like to know?
3727	And what do I care whether you''re mad or not? 3727 And what has all this to do with to- night?"
3727	And why not?
3727	And why not?
3727	And why talk about it to- night? 3727 And why, pray, are you to be the exception?"
3727	And you expect me to believe that?
3727	And you feel aggrieved?
3727	And you knew this and never said a word to me?
3727	And you really disliked teaching so?
3727	And you will let me say''DU''to you?
3727	And you will never get tired of me?--never?
3727	And you wo n''t bear me a grudge, if things go badly?--I mean if you are disappointed, or dissatisfied?
3727	And you, Heinz? 3727 Any more?--are there any more?
3727	Are n''t you ashamed, woman, at your age, to set a servant spying at keyholes?--or, what is more likely, spying yourself? 3727 Are they for me?"
3727	Are those your people?
3727	Are you a friend of his, may I ask?
3727	Are you always so cruel?
3727	Are you an old resident here?
3727	Are you asleep?
3727	Are you going to make a long stay?
3727	Are you mad? 3727 Are you not enjoying yourself, Ephie?"
3727	Are you really enjoying yourself so much? 3727 Are you still such an outsider,"he asked,"after all this time-- in my society-- as to attach importance to a word?
3727	Are you sure of that? 3727 Are you tired of studying, Ephie?"
3727	Are you tired of waiting for me?
3727	Are you tired, Louise?
3727	Are you warmer now?
3727	Art!--pooh, pooh!--what''s art got to do with it? 3727 At last?--Why, what does that mean?"
3727	Bless your heart, what should I do in there, among all you young people? 3727 But I must go back a little.--If you remember, Maurice, you wrote to me while I was away, did n''t you?"
3727	But are you really? 3727 But do you want to make me hate you, too?
3727	But if I assure you it is not true? 3727 But is it possible that still interests you?"
3727	But is there ever a moment in the day when you do n''t want me? 3727 But not practising?
3727	But now you intend to stay, I think you said?
3727	But that-- that American!--you would have married him?
3727	But was n''t a place being kept open for you in a school?
3727	But what is it, darling? 3727 But what of the present?"
3727	But why are you angry?
3727	But why on earth not?
3727	But why, if you despise a person like that-- why have her always about you?
3727	But why? 3727 But you knew, and yet took her there?"
3727	But you shall.--Do you think I live for anything else? 3727 But you would rather I was a wooden doll-- is that it How is one to please you?
3727	But you''re surely not going to take what a sick person says seriously?
3727	By inches? 3727 Ca n''t you come, too, then?--if you are afraid to let me out of your sight?"
3727	Ca n''t you get a cup of tea?--something to warm you?
3727	Can you not see how I love you-- and how I suffer?
3727	Can you really believe it? 3727 Can you still ask that?
3727	Chance? 3727 Childish?--you call it childish?"
3727	Could I dress before him? 3727 Could that not be laid before him?"
3727	Could you spare me a little attention now?
3727	Death?
3727	Did I ask you to go there?--did I?
3727	Did you enjoy it, darling? 3727 Did you ever see such a gloomy air?
3727	Did you notice, Maurice, as you came along, how full the air was of different scents to- night?
3727	Did you think I was lost? 3727 Disturb?"
3727	Do I really deserve that thrust?
3727	Do n''t feel up to much this morning... eh? 3727 Do n''t yer hear?
3727	Do n''t you hear what I say? 3727 Do n''t you hear?"
3727	Do n''t you wish YOU could skate like that?
3727	Do you ever think of death?
3727	Do you expect me to believe that?
3727	Do you hear me?
3727	Do you know what that means?
3727	Do you know what time it is? 3727 Do you know what you''re saying?"
3727	Do you know you''ve been shut up in here for three days now?
3727	Do you know, I once thought you did n''t care a jot what people said of you?
3727	Do you know-- but you''re sure not to know that either-- you gave me a nasty turn to- night?
3727	Do you mean Lulu?
3727	Do you mean to say you''ve spoken to Heinz about things of that kind?--discussed his relations with other women?
3727	Do you need reminding that I knew Heinz before I had ever heard of you?
3727	Do you never write verses?
3727	Do you realise what it means if you go?
3727	Do you see that? 3727 Do you think I do n''t know why you''ve decked yourself out like this?"
3727	Do you think I should have been there, if I had been ashamed of it?
3727	Do you think I should say it, if it were n''t?
3727	Do you think I''m not up to their tricks? 3727 Do you think he''d budge?"
3727	Do you think she''d have me?
3727	Do you think when a man says a thing like that he forgets it?
3727	Do you want another? 3727 Do you want me to tell you again that dancing is one of the things I love best?
3727	Do you want to make me believe that what he says there is true?
3727	Do you wish to say it''s my fault? 3727 Do you, indeed?"
3727	Do you?
3727	Do?--what do you want to do? 3727 Does it seem so to you?
3727	Does it?
3727	Eh? 3727 Ephie, dear, do you hear?
3727	Ephie, love, how shall we punish him?
3727	Eugen!--Eugen is here?
3727	Excuse me, who is Herries?
3727	Fools, of course?
3727	For ever and ever... what do you take me for? 3727 For goodness''sake, let those things alone, ca n''t you?"
3727	For him? 3727 For me?
3727	For you?--kill myself for you?
3727	GEH'', KLEINER, SEI NETT!--won''t you come again?
3727	Glad? 3727 Go and do it then!--who''s hindering you?"
3727	Go away from Leipzig? 3727 Go home?
3727	Go?--who?
3727	Going away? 3727 Going away?"
3727	Good God, ca n''t you get it into your head that I want to work?
3727	Good Heavens, what are you doing out of bed?
3727	Good? 3727 Handsome?
3727	Has it indeed?
3727	Have I no influence over you any more-- none at all?
3727	Have n''t I good reason to be? 3727 Have n''t I warned you, Maurice, not to mix yourself up in Louise''s affairs?
3727	Have n''t you a word for me? 3727 Have n''t you done enough already, in giving yourself to me?"
3727	Have n''t you got one, Amalie?
3727	Have you any more insults for me?
3727	Have you ever had mercy on me?
3727	Have you forgotten a certain evening in this room, three years ago?
3727	Have you had enough of me?
3727	Have you no ears? 3727 Have you noticed anything strange about Ephie lately?
3727	Have you remembered everything he pointed out to you at your last lesson?
3727	He?--who?--what?
3727	Heinz is a freak.--And Maurice Guest, what about him?
3727	Heinz!--what is it?
3727	Heinz?
3727	Help her?
3727	Help me?--you?
3727	Here?--Do you know what you''re saying?
3727	Him? 3727 Home?
3727	How CAN you repeat such atrocious scandal?
3727	How can I help you, if you wo n''t tell me what the matter is?
3727	How can I say? 3727 How can she possibly get on with only those strangers about her?"
3727	How could I know you as you were then? 3727 How could I?
3727	How could I? 3727 How d''ye do?
3727	How do YOU know?
3727	How do you know whether I cared for her or not?
3727	How do you know?
3727	How going on?
3727	How is it one do n''t ever see you now?
3727	How is she? 3727 How long have you two been''DU''to each other?"
3727	How should I know now?
3727	How should I know? 3727 How should I know?"
3727	How should I remember? 3727 How you got on?"
3727	How''s he getting on with it?
3727	How?
3727	However are you going to make that possible?
3727	Hurt her?
3727	I and pessimism? 3727 I do n''t want your umbrella, I tell you.--Or have you two?"
3727	I have never really loved you?
3727	I help you?--in this? 3727 I hope you do n''t claim a monopoly of them?"
3727	I know? 3727 I know?"
3727	I know?
3727	I mean is this a time more people leave than in spring?
3727	I need n''t say again, need I, darling, what the past weeks have meant to me? 3727 I no right?"
3727	I not myself?--not well? 3727 I not touch you?"
3727	I say it''s your move.--That''s rough on Guest, is n''t it?
3727	I say, Madeleine, it ca n''t be true, what they say-- that you are thinking of... of marrying that old German?
3727	I say, old fellow, are you sure it''s all square about Lulu and this Dresden business?
3727	I should think I have.--Do you suppose it means nothing to me to be so despicably poor as I am? 3727 I stood quite close to you, you say, Maurice?
3727	I suppose you know it? 3727 I suppose you think it''s homely?"
3727	I suppose you''re hard at work already?
3727	I think one has just a fine time here, do n''t you?
3727	I would n''t shake hands with you this afternoon, but now-- if you will? 3727 I''m nothing of the sort!--But you''ll at least allow me to resent seeing a friend of mine in the claws of this... this vampire?"
3727	I''m sorry, Maurice, very sorry-- you believe me''do n''t you, when I say so? 3727 I''ve diggings there, do n''t you know?
3727	I, you? 3727 I?
3727	I? 3727 I?
3727	I?
3727	I?--and not have enemies?
3727	If I do n''t care, why should you?
3727	If it were you?--yes?
3727	Ill? 3727 In imagination, do you know, I''m carried just three years backwards?
3727	Indeed? 3727 Indeed?
3727	Indeed?
3727	Indeed?
3727	Indeed?
3727	Introduce you to Louise?
3727	Is anything the matter to- day? 3727 Is anything the matter to- night?
3727	Is he drinking?
3727	Is it my fault that she acts like a wet- nurse? 3727 Is it possible for me to be more yours than I am?"
3727	Is it really you? 3727 Is it so late?"
3727	Is it you, old man? 3727 Is n''t he divine?"
3727	Is n''t it enough-- for a fellow to go on in that way?
3727	Is n''t it just sweet?
3727	Is n''t it worth while sacrificing a brief present to a long future?
3727	Is n''t there a droschke anywhere?
3727	Is not that just a little rash?
3727	Is she jealous?
3727	Is she... dangerously ill?
3727	Is that all you''ve got to say?
3727	Is that all? 3727 Is that all?"
3727	Is that nothing? 3727 Is that so?
3727	Is that so? 3727 Is that so?"
3727	Is that so?
3727	Is that what you brought me out for? 3727 Is that you?"
3727	Is there anything wrong in thinking so? 3727 Is there-- can nothing be done for him, Heinz?"
3727	Is zat your brozzer?
3727	It is very fine, is it not?
3727	It''s no good beating about the bush.--And do you realise what it-- what failure means for us, Louise?
3727	JAWOHL-- but on what condition?
3727	Jealous?--in seven devils''name, why jealous? 3727 Joke!--who is joking?"
3727	Joking apart, I''ve come to you to- day, merely to ask if you do n''t think your present little affair has gone far enough?
3727	Just let me hear your scale, will you?
3727	Kind to me? 3727 Krafft can tell us; he let her go; is she?--is it true?"
3727	Leaving? 3727 Let me see-- what was it now?
3727	Liar?
3727	Like what?--what do you mean? 3727 Louise!--can''t you forgive me?--for what I said the other night?"
3727	Love!--need we talk about love?
3727	Lulu stupid? 3727 Madeleine, tell me-- I would n''t ask anyone but you-- what sort of a fellow IS this Schilsky?"
3727	Marry you? 3727 Maurice Guest?"
3727	Maurice!--what is it? 3727 Maurice, say, do many people go away from here in the fall?--leave the Con., I would say?"
3727	May I come in?
3727	Me? 3727 Me?
3727	Miss Dufrayer?
3727	Miss you? 3727 Miss--?"
3727	Morry, you must n''t tell tales on me,she whispered; and added pettishly:"Why ever did you just come to- night?"
3727	Move?
3727	Move?
3727	Mr. Schilsky? 3727 Music?"
3727	Must one give thanks then, if one''s friend does n''t turn out a genius?
3727	Must?
3727	My God, what am I doing?--what have I done?
3727	My dear Madeleine, do you think I could afford to live in a palace?
3727	My friend Dove tells me you are interested in German literature?
3727	My good fellow, did you ever bear of a man worth his salt, who did n''t have enemies? 3727 No bad news, I hope?"
3727	No right to say what I like of him? 3727 No.--I do n''t know.--How should I know?"
3727	Not dance again?--I? 3727 Not look glad?
3727	Not natural? 3727 Not touch you!--why not?"
3727	Not true?
3727	Nothing? 3727 Now then, is it all right?"
3727	Now then, mother, have n''t you got that beer yet?
3727	Now upon my soul, who would have thought of seeing you here, you baggage, you?
3727	Now what has Joan been saying about me?
3727	Now where the deuce is that letter?
3727	Now you will not leave me, Maurice?
3727	Now, it''s all right, is n''t it? 3727 Of what?--of you, perhaps?
3727	Offended? 3727 Oh, WHY must you be like this to- night?"
3727	Oh, you English, you English!--was there ever a people like you? 3727 Oh, you poor, crazy fool, what made you tell me?"
3727	Old Joan, what do you know about it?
3727	On your own responsibility? 3727 Or else it is not true?"
3727	Or only tired?
3727	Or shall you forget your promise?
3727	Or tell me what I ask about the Sister?
3727	Perhaps? 3727 Pity!--I no pity?"
3727	Plans? 3727 Pray, what else do you expect to do?"
3727	Promise?--again? 3727 Prove it?"
3727	Puppy?
3727	Really? 3727 Really?
3727	Registrar?
3727	Ridiculous? 3727 SAG''''MAL KLEINER-- will you come again?"
3727	Say, do you boys know the river has six inches and will be open to- morrow, if it is n''t to- day?
3727	Say, you people, why do n''t we fix up a party an''go up it nights? 3727 Schilsky?
3727	Seriously, now, I suppose you would n''t admit what this DRESSUR, this HOHE SCHULE Guest is going through, might be of service to him in the end?
3727	Shall we go? 3727 She has never been used to walking and is easily tired-- aren''t you, my pet?"
3727	She? 3727 So late already?
3727	So you could n''t interfere, I see? 3727 So you, too, then, like any other woman, would marry just for the sake of marrying?"
3727	Strange? 3727 Such a night seemed doubly wild after the long, still days that had gone before it-- do you remember?--Oh, why had it all to end?
3727	Surely you have n''t been expecting her to come up here? 3727 Talking of fools,"she said slowly,"have you seen anything of Maurice Guest lately?"
3727	Tell me, Louise, how do you manage to keep out of his way?
3727	Tell me, Louise,he said suddenly;"why do you look at me like that?
3727	Tell me,she added a moment later, in a changed tone:"where do you intend to settle when you return to England?
3727	Tell me-- you KUPPLERIN, you!--does he know her?
3727	Tell you? 3727 That''s surely reversing the order of things, is n''t it?
3727	The deuce, why do n''t you keep clear of them?
3727	The fact is I-- Can I do anything for you, Madeleine?
3727	The matter? 3727 The waiter only said he thought you must be a stranger here: DER HERR IST GEWISS FREMD IN LEIPZIG?"
3727	Then I ca n''t persuade you?
3727	Then I may come at five? 3727 Then I shall not see Ephie again?"
3727	Then do you remember, too, what you said to me? 3727 Then it WAS you, I saw, in the NONNE-- by the weir?"
3727	Then it''s true?
3727	Then she is not going away?
3727	Then she is not with him?
3727	Then she is still here? 3727 Then what do you want?"
3727	Then why try to improve me?
3727	Then you advise me to stay?
3727	Then you decline my proposal, do you?
3727	Then you do n''t care for dancing?
3727	Then you had a pleasant walk?
3727	Then you know Miss Dufrayer?
3727	Then you wo n''t tell me?
3727	Then you wo n''t tell me?
3727	Then you''ll let him come here again?
3727	Then you... you admit it?
3727	There you are again?
3727	Three boys, are you not? 3727 Three?
3727	Time goes like a flash.--Now, look here, as one who knows the ways of the place, would you let me give you a piece of advice? 3727 To whom?
3727	To- day you believe I''m real, do n''t you? 3727 To- night?"
3727	To- night?
3727	Too much?
3727	Too seriously?
3727	Too seriously?
3727	True?
3727	WHY did you tell me? 3727 Was n''t it for you to make the chance?
3727	Was that lie necessary?--for me?
3727	Well, and if so-- was there anything strange in that?
3727	Well, and what of that, pray?
3727	Well, are you not going to speak to me to- day?
3727	Well, can I help that?--how men look at me?
3727	Well, how on earth am I to know when to be frank with you, and when not? 3727 Well, what is it?
3727	Well?
3727	Were the days long without me?
3727	What ARE you thinking of?
3727	What I say or think has surely no weight with you?
3727	What I say?
3727	What IS the matter, Joan? 3727 What are you doing here to- day?"
3727	What are you doing there? 3727 What are you doing, Ephie?
3727	What are you going to do?
3727	What are you sitting there for?
3727	What business is it of yours?
3727	What can I do for you? 3727 What can I do to show you how I love you?
3727	What did you do with yourself in summer?
3727	What do I care for your dress or your hair? 3727 What do YOU mean?
3727	What do you go to such places for? 3727 What do you mean?
3727	What do you mean? 3727 What do you mean?"
3727	What do you mean?
3727	What do you say? 3727 What do you want me to say, dear discontent?
3727	What friend?
3727	What has the old woman given you?
3727	What have I done to be subjected to such a visitation? 3727 What have I done to make you look at me like that?"
3727	What ill wind blows you here to- day?
3727	What in God''s name is the meaning of this? 3727 What in the name of Heaven are you doing down there?"
3727	What in the name of goodness did you climb the stairs for?
3727	What is it all about, Ephie?
3727	What is it then?
3727	What is it, Louise? 3727 What is it, darling?
3727	What is it? 3727 What is it?
3727	What is it? 3727 What is it?
3727	What is it? 3727 What is it?--what did you mean?"
3727	What is she like?--what is she like? 3727 What is the matter?"
3727	What right have you to speak to me like this?
3727	What sort of a fellow?
3727	What the deuce was I to do? 3727 What the devil do you mean by it?
3727	What was it? 3727 What was it?"
3727	What!--you still here?
3727	What''s all this about? 3727 What''s he playing, do you know?"
3727	What''s the matter with you?
3727	What''s the matter, Maurice? 3727 What''s the matter?
3727	What''s the matter? 3727 What''s the matter?
3727	What''s three? 3727 What''s wrong with it?"
3727	What''s your name?
3727	What, the old louse made conditions, did she?
3727	What? 3727 What?--he, too?"
3727	What?--rooked, are you? 3727 Whatever is the matter?
3727	When I have told you again and again that''s just what I ca n''t do?
3727	When does he go?
3727	When was it? 3727 When?
3727	Where are we going?
3727	Where did you get it?
3727	Where do you think of going for a walk?
3727	Where had you got that one from, then?
3727	Where to? 3727 Where?
3727	Where?
3727	Which?
3727	Who am I to sit in judgment? 3727 Who asked you to sit alone?--Where are you going?"
3727	Who is it?
3727	Who was it? 3727 Who would n''t rather break stones by the roadside than be a teacher?"
3727	Who''s he doing that to?
3727	Why I want to know?
3727	Why are you going this way?
3727	Why are you so late?
3727	Why are you so quiet? 3727 Why are you wearing that rose?"
3727	Why did n''t you come sooner?
3727	Why did n''t you wake me? 3727 Why did you go out?"
3727	Why did you never take private lessons from him?
3727	Why do n''t you do it yourself?
3727	Why do n''t you look where you''re going? 3727 Why do n''t you say something, Joan?"
3727	Why do n''t you-- or rather, why did n''t you move? 3727 Why do we ever do foolish things?"
3727	Why do you ask?
3727	Why do you brood over these things, if you find them so awful? 3727 Why do you love me?"
3727	Why do you stay with me?
3727	Why do you want to go home? 3727 Why does one usually sit down?"
3727	Why drag in that cad''s name? 3727 Why is a woman so impossible?
3727	Why is it-- what is the matter with me?--that I must upset your life like this? 3727 Why liar?
3727	Why not, indeed? 3727 Why not?
3727	Why not?
3727	Why not?
3727	Why on earth get personal?
3727	Why should I say what you know so well?
3727	Why should I? 3727 Why the devil ca n''t you open your mouth?
3727	Why the devil does n''t he come?
3727	Why try to destroy such happiness as we have? 3727 Why were you against it?
3727	Why what''s the matter? 3727 Why would n''t you let me have my way at first?"
3727	Why you''ve bedizened yourself? 3727 Why, Maurice, what do you mean?
3727	Why, Maurice?
3727	Why, dearest? 3727 Why, however does that happen?"
3727	Why, in the name of goodness, did n''t you bring this in when it came?
3727	Why, yes, are n''t you?
3727	Why, yes, of course, why not?
3727	Why, you do n''t mean to say you knew?
3727	Why? 3727 Why?
3727	Why?
3727	Why?--why do you want to be introduced to her?
3727	Will nothing else do, Maurice? 3727 Will you do something for me, Lulu?"
3727	Will you let me help you?
3727	Will you listen quietly?
3727	Will you swear to me you did n''t know?
3727	Will you?
3727	With ME-- eh?
3727	Wo n''t you even let me sleep?
3727	Wo n''t you give me a more definite promise than that?
3727	Wo n''t you tell me what it is?
3727	Wo n''t you... then you wo n''t come out with me?
3727	Would it make you love me more?
3727	Would you like to go home?
3727	Would you like to leave off and go away?
3727	Would you mind much if I asked you not to come?
3727	Yes, and why?
3727	Yes, but I say, one can hardly make him responsible for being a Jew, can you? 3727 Yes, but afterwards?"
3727	Yes, but what about to- morrow?--and to- morrow''s work?
3727	Yes, do n''t faint, it''s I, Maurice.--But what''s the matter? 3727 Yes.--Goodness, there''s nothing wonderful in that, is there?
3727	Yes... and I? 3727 Yes... and you recommend?
3727	Yes; what is it?
3727	Yes?
3727	You are back, too, then? 3727 You are going away?"
3727	You are going away?
3727	You are never to do it again-- do you hear?--Why did n''t you give the fellow in charge?
3727	You are not going to leave me?--like this?
3727	You did n''t come here, I suppose, to remark on my family?
3727	You do n''t care for dancing?
3727	You do n''t mean to say you went to see him, Ephie?--alone?--at his room?
3727	You do n''t say so?
3727	You drunken SCHWEIN, ca n''t you see the door''s open?
3727	You got my note then?
3727	You have been ill?
3727	You have come back?
3727	You have no secrets from me, I suppose?
3727	You have sent Sister Martha away?
3727	You here again?
3727	You knew he was going away?--or did n''t you?
3727	You knew it was coming then?
3727	You know, I suppose, that he has been travelling with Zeppelin? 3727 You look just as if you were posing for the John in a Rubens Crucifixion.--Feel shaky?
3727	You mean about Louise?
3727	You mean that I''m getting old?--and ugly?
3727	You mean to go to that dance?
3727	You refuse? 3727 You saw me?"
3727	You talk just as if you had had experience in the class of man.--Do you really think it makes things any better? 3727 You think so poorly of me then?
3727	You told me you were going away; why do you not go? 3727 You want his moral character?
3727	You were n''t in England at all, I think you said? 3727 You will surely not be so childish?"
3727	You wo n''t tell me you did n''t know from the first there had been... something between Heinz and me?
3727	You would miss me, if I left?
3727	You would never do that, would you?
3727	You''re afraid of me, are you? 3727 You''re easily satisfied.--But tell me, honestly now, Maurice, what possible good can that do you?"
3727	You''re piano, are you not?
3727	You''ve got the audacity to ask that?
3727	''You are a quarter of an hour late: where have you been?
3727	... How?
3727	... had your sleep out?"
3727	... thinking?
3727	... why do n''t you say it?
3727	... why you were going out?
3727	... why you''ve spied and gaped eternally from one side of the street to the other?"
3727	...""Then he really promised to marry you, did he?"
3727	?
3727	?--don''t you know he has had two wives, and is divorced from both?"
3727	?--don''t you know he has had two wives, and is divorced from both?"
3727	A good fellow-- wasn''t he?
3727	A letter has come in a strange writing: who is it from?
3727	A miserable bungler, a wretched dilettant-- or have you another word for it?
3727	About to go, she said:"Louise is back-- did you know?"
3727	Admit all I''ve been saying.--And do you think I can realise that, and be happy?
3727	After all, what business was it of his?
3727	Am I a person of this weak, straw- like consistency, to be tossed about by every wind that blows?
3727	And Ephie?--what of her?
3727	And I do feel I could gain an immense deal in another year.--Now, what do you think?"
3727	And I''m afraid I must tell it from the beginning.--You did n''t suspect, I fear, that... well, that Ephie had a fancy for some one here?"
3727	And added:"Will you not come in?
3727	And alone?"
3727	And as Johanna only murmured something that was inaudible, he added lamely:"Then you do n''t think much of Heine?"
3727	And for what?
3727	And have n''t you said yourself that I am killing myself, shut up in here?--that I must go out and mix with people?
3727	And have you begun to think of advertising yourself yet?"
3727	And he tormented himself with such a question as: should a new crisis in her life arise, would she, now that she knows you, turn to you?
3727	And he would cling to it-- for who knew what the future held in store for him?
3727	And how I could n''t understand?
3727	And how is one to help it when one hears that that ineffable creature is no better than she ought to be?"
3727	And it''s here, mind you, that I have doubts of our friend.--Is it clear to you?"
3727	And it''s to your own advantage, I think, not to make a noise.--May I smoke?"
3727	And not in the least repugnant.--But care?"
3727	And the floor at the PRUSSE is still better, do n''t you know?
3727	And then, then...""Then----?"
3727	And then, why should n''t I confess it?
3727	And then... but you assure me, do n''t you, that you will not take what I am going to say amiss?"
3727	And violets?
3727	And what can he know of you?"
3727	And what in all the world was he to do with himself now?
3727	And when does he go?"
3727	And who knows what a friend is, who has n''t an enemy to match him?
3727	And yet what could he have done?
3727	And you do, do n''t you?
3727	And you thought, did n''t you, you poor little fool, that he only cared for you?
3727	And you will grant that Heine is the only German writer who has had anything approaching a style?"
3727	And you?"
3727	Another blind attraction only needed to seize her, and what, then, would become of constancy and truth?
3727	Are a fellow''s chief obligations not his obligations to himself?"
3727	Are n''t these children awful?
3727	Are n''t you happy enough not to care?"
3727	Are you beginning to care less for me?
3727	Are you cold?--that you''re trembling like this?"
3727	Are you engaged to Louise?"
3727	Are you ill?
3727	Are you ill?"
3727	Are you ill?"
3727	Are you not a little sorry for me?
3727	Are you not afraid your nerves will go through with you, and make you do something foolish?"
3727	Are you satisfied?"
3727	Are you so far forward already that it is n''t necessary?
3727	Are you sure you would like it?"
3727	Arrived at the corner where the street ran out into the KONIGSPLATZ, which turning would Schilsky take?
3727	As it seemed likely that she was going to let the subject rest here, he persisted:"But suppose I asked you-- what would you say?"
3727	As long as she has her beauty, a woman is under no necessity to bolster up her conscience, or to be reasonable, or to think.--Think?
3727	As she took her music from him, she asked:"By the way, when shall we be at liberty to congratulate you?"
3727	At this moment, she felt mainly curious: would the strange aversion to his touch return?
3727	Avery Hill?--Johanna Cayhill?
3727	Bah!--what''s three?"
3727	Besides, she had lied so artlessly to the others, without a tremor of her candid eyes-- why should she not lie to him, too?
3727	Besides, was this not what he had been bracing himself to expect?
3727	Besides, when sensation had left you-- the soul, the spirit, whatever you liked to call it-- what did it matter what afterwards became of your body?
3727	Brain fever?"
3727	But Bendel is good, too, in his way, and is much sought after by the Americans-- you''re not American, are you?
3727	But I feel to- night that if I could have been what I once hoped to be-- no, how shall I put it?
3727	But I?
3727	But Madeleine persisted: could she be of any help to him?
3727	But Madeleine was in earnest:"Other people have done it-- why should n''t we?
3727	But Maurice only said:"Indeed?"
3727	But Maurice was once a friend of ours-- you do n''t deny it, I hope?"
3727	But a moment later, he fixed Schilsky sharply, and asked:"You want my opinion, do you?"
3727	But a moment later, she cried out:"Why do n''t you go away yourself?
3727	But all I asked of him was common honesty-- to be open with me: it was n''t much to ask, was it?
3727	But as Maurice made no mien to explain matters further, she so far conquered her aversion as to ask:"What have you done to her?"
3727	But do you think, for a moment, you''d be happy in such a position of dependence?"
3727	But does that, do you think, make it any the easier for me?"
3727	But had she?
3727	But if we, ourselves, know that what''s being said is not true, what can it matter?"
3727	But if, on some such occasion, Johanna said to her:"Where ARE your thoughts, Ephie?"
3727	But lilac, Maurice, great sprays and bunches of lilac- white and purple-- you know, do n''t you, who will always be associated with lilac for me?
3727	But shall I speak next to the furniture of the room?"
3727	But she has n''t behaved a bit pretty-- I presume you heard tell of what took place here this fall?"
3727	But she made him wince by responding with perfect candour:"With her?
3727	But she repeated:"What can I do?
3727	But suppose it done, with all pomp and ceremony, what will you get from it?
3727	But that I should want to know her-- there''s nothing strange in that, is there?
3727	But the future-- tell me, have thought of the future?"
3727	But the moment she speaks, every illusion is shattered.--Why I do n''t go there on a Sunday?
3727	But was it after all any more than a girlish escapade?"
3727	But was no one but herself awake to the change that was taking place in the child, day by day?
3727	But what condition do you think the old wretch made?
3727	But what could he hope to accomplish, under a complete change of method, in the few months that were left?
3727	But what have I done, that you should take less thought for my feelings than if I were a dog?"
3727	But what if, having staked everything on it, you should discover that you had mistaken your calling altogether?
3727	But who can tell what may happen if you persist in remaining on here by yourself, in the state you are in?"
3727	But why is your face so red?
3727	But why talk about these things?"
3727	But you ca n''t deceive me.--Do you think I do n''t know why you''re stopping here?"
3727	But you can at least say for what?
3727	But you do n''t expect Englishwomen to join your harem, do, you?"
3727	But you wo n''t give me up just yet for all that, will you?
3727	But you-- where have you been?"
3727	But, oh, how can one care as I did, and yet be able to plot and plan?
3727	Ca n''t you, for once, be man enough to put an open question?"
3727	Call that a speesch?"
3727	Can you never be content?"
3727	Cayhill?"
3727	Come, let us be two rational people-- yes?
3727	Come, let us talk sensibly this afternoon, and look things straight in the face.--You want to marry me, you say, and let the rest come?
3727	Could I not wait?"
3727	Could he say that?
3727	Could his feelings, those feelings which, a week or two ago, he had believed unalterable, have changed in so short a time?
3727	Could n''t you hear that he has just come back from England, and is calling on his friends?"
3727	Could nothing satisfy her, she asked herself?
3727	Could she not be content for twenty- four hours on end?
3727	Could you even yesterday have spoken as you do to- day?
3727	Dearest, are you-- can you really be happy like this?"
3727	Dearest, what is it?
3727	Did I need to know?"
3727	Did I take a pfennig from him in payment?--when I saw that he had talent?
3727	Did Louise know or suspect anything?
3727	Did he really expect her to grant it?
3727	Did he think she had nothing else to do than to carry things in and out of his room?
3727	Did n''t he treat you from beginning to end like the scoundrel he was?"
3727	Did no one know what had happened to him?
3727	Did you hear what she said?
3727	Did you perceive?"
3727	Did you think I was lost?"
3727	Do care and consideration carry no weight?
3727	Do n''t try to make it fast to the future; while you do that, it''s going-- do you think one can draw out happiness like a thread?
3727	Do n''t you hear me?"
3727	Do n''t you know Schilsky?
3727	Do n''t you see I''m here?"
3727	Do n''t you think better of him than that?"
3727	Do n''t you think you take what has happened here a little too seriously?
3727	Do they think I''m done for, because of this?
3727	Do you believe, when you answer a question in the affirmative or the negative, that you are actually telling the truth?
3727	Do you call it kind to come here and try to set me against the man I love best in the world?
3727	Do you come here to read from sight?"
3727	Do you know the time?"
3727	Do you know why to- night is doubly hard to bear?
3727	Do you really believe if I had my own way, I should be anywhere but here with you?"
3727	Do you really think I like standing alone?
3727	Do you really think it is of any value?
3727	Do you remember some of those evenings at the theatre, on the balcony between the acts?
3727	Do you remember that spring evening, when you came rushing in here to me?
3727	Do you remember?"
3727	Do you remember?"
3727	Do you thank me for it?
3727	Do you think I shall hurt her?
3727	Do you think I''d be here if I were n''t?"
3727	Do you think I''m a fool?
3727	Do you think a man is going to come to nearly fifty without knowing something of life?
3727	Do you think anyone else would want the responsibility of it?"
3727	Do you think it gives me a higher opinion of you, to hear you talk like that about some one I once cared for?
3727	Do you think it makes a jot of difference whether you call it art or... pludderdump?
3727	Do you think it would make him care more for me to know that I had nearly died of love for another man?"
3727	Do you think one can change one''s feelings so easily?
3727	Do you think then, darling, I could speak as I have to- night?"
3727	Do you think you could introduce me to her?"
3727	Do you think, for instance, if I answered yes or no, in the present case, it would be true?
3727	Do you want to drown yourself?"
3727	Do you want to know how Lulu has treated me for staying on here?
3727	Do you want to teach me how to manage a woman?
3727	Do you wish to say it''s my doing that he came here to- day?--Don''t you believe me?"
3727	Does he still exist?"
3727	Does it never occur to you that you may put other people in awkward positions, by not keeping your word?
3727	Does it not seem very strange after America?"
3727	Does n''t the plan tempt you?"
3727	Does nothing matter to her but tangible success?
3727	Does she pry on you?"
3727	English music must continue to languish, without hope of reform?"
3727	Even Maurice was bad enough-- what concern of his was it how she enjoyed herself?
3727	Even matched against the blackguardly egoism of what you call genius?--Or will you tell me that he considered you?
3727	Ever seen the race?
3727	Everything bad has come from that.--Why could n''t you have held back, and refused me?
3727	First, however, that lady said in a surprised tone:"Say, that was Mr. Schilsky, was n''t it?
3727	For I ca n''t expect a PENSION to keep dinner hot for me till nearly three o''clock-- can I?
3727	For I''ve always thought of you as a saviour in the hour of need, do n''t you know?
3727	For I?--what am I?
3727	For how long?"
3727	For if there are rumours going the round about me, what on earth is one to say of you?
3727	For though she WERE being treated like a piece of lumber, what did it matter to her?
3727	For what was the use of his speaking?
3727	For what, in God''s name, were they waiting?
3727	For you perhaps?--for you to regain your senses?"
3727	Good Heavens, what''s the matter?
3727	Good gracious, do you think they want me?--me, or any other petticoat?
3727	Guest, wo n''t you drink coffee with me one afternoon?
3727	Guest,--we are all dying to know-- however have you gotten Louise Dufrayer along here this evening?
3727	Guest?
3727	Guest?"
3727	Had he really been free to make a choice?
3727	Had he really believed that matters could always dally on, in this pleasant, torturous way?
3727	Had he then accused her?--laid the blame at her door?
3727	Had it not formed an invisible barrier between them?
3727	Had not all roads led here?
3727	Had not this shadow lurked in their love from the very beginning?
3727	Had she, perhaps, for weeks past been suffering under the knowledge?
3727	Has anything happened?"
3727	Has anything happened?"
3727	Has she gone out?
3727	Has your work gone badly?"
3727	Have I been asleep long?"
3727	Have I had a chance?"
3727	Have YOU anything like that to show-- you Joseph, you?"
3727	Have n''t I a right to expect some gratitude from them in return?--Gratitude?
3727	Have n''t I made that clear?"
3727	Have n''t I myself had pupils turn to me from Bulow and Rubinstein?
3727	Have you been here long?"
3727	Have you forgotten already that I only came home the day before yesterday?"
3727	Have you forgotten me?"
3727	Have you had a single billet- doux?"
3727	Have you kissed another girl for months?
3727	Have you not had proof enough?
3727	Have you, too, heard Louise Dufrayer''s name coupled with that of a man called Herries?"
3727	He choked back, with an effort, the eloquent words that came to his lips; of what use was it to make himself still more ridiculous in her eyes?
3727	He could have sworn to voice and dress; but to whom in all the world was she talking, so confidentially?
3727	He did not believe she would have told him-- would there, indeed, have been any need for her to do so?
3727	He might stay; they both might stay; she could make him happy, and ward off the change she so dreaded.--Who was she to stick at it?
3727	He tore open the envelope with unsteady fingers; what could Heinz have to write to him about?
3727	He tried to imagine himself saying:"Louise, will you marry me?"
3727	He''s an old??
3727	He''s an old??
3727	His ferocity died away; none of the hard words he had had ready crossed his lips; all he said, and in his gentlest voice, was:"Have I frightened you?"
3727	How COULD you!--what induced you to do such a foolish thing?"
3727	How I know?
3727	How can I practise when you stand there talking?"
3727	How can I?
3727	How can you get on alone, I should like to know?
3727	How chance?"
3727	How could he set up his ambitions before them, to be bowled over like so many ninepins?
3727	How could such things be?
3727	How had he had the heart to treat her so cruelly?
3727	How is Madeleine?"
3727	How is that?"
3727	How long would the fat, ugly Brunnhilde stand talking to Siegmund and the woman who lay so ungracefully between his knees?
3727	How much did she give you?"
3727	How often am I to tell you that?
3727	How often?
3727	How was it then?
3727	However despondent I get about myself?
3727	I am really not accustomed----""Then I''m not to be forgiven?"
3727	I ca n''t bear to see you so unhappy.--And yet I have n''t done anything, have I?
3727	I could not possibly stay on Wednesday night-- why did n''t you time your arrival better?
3727	I did n''t answer your letter at the time because... What should you say, Maurice, if I told you now, that I intended to take your advice?"
3727	I don''t-- Oh, say, do look at her, is n''t she a peach?"
3727	I felt dissatisfied with myself and...""Dissatisfied?"
3727	I felt that some one was beside me, but I did n''t see who it was, till I heard a man''s voice say:''SCHONE SACHEN, FRAULEIN, WAS?''
3727	I find it too stimulating, too ANREGEND, do n''t you know?
3727	I hate the sight of the fellow.--You did n''t know he was coming, did you, or you would n''t have seen him?"
3727	I hurt you?"
3727	I knew you could n''t be different-- that it was n''t your fault if you were faint- hearted and... and-- But you?--what do you do?
3727	I mean if I knew... that you had never cared for anyone... if you had never belonged to anyone but me?
3727	I must be plainer.--Do sit down, and do n''t fidget so.--How long have you been here now?
3727	I never know your thoughts; I''ve never once been able to read them; you always keep something back.--Why is it, dear?
3727	I ought to have told you before.--Louise... you must see that things ca n''t go on like this any longer?"
3727	I see that; and my poor, foolish mother is doing her best to foster it.--You smile?
3727	I swear?"
3727	I thought I would run up... you''re surprised to see me?"
3727	I went on looking into the window, till he said:''DARF ICH IHNEN ETWASS KAUFEN?
3727	I wish a great storm would come, and shake the house, and make the branches of the trees beat against the panes-- do you remember?
3727	I wish you were dead!--Do you see that river?
3727	I with you?"
3727	I would have done it gladly if I could-- isn''t that just what I''ve been saying?
3727	I''ll act as banker, too, and you can regard it as a loan in the meantime, and pay me back when you''re richer.--Now what do you say?
3727	I''ll let you know-- will that do?
3727	I''ll stop now I''m here-- oh, ca n''t we go quicker?
3727	I''m damned fond of Lulu, boys, and I''ve always done my best by her-- is there anyone here who wants to say I have n''t?"
3727	I''m still young, am I not?
3727	I''ve learnt to see that, by degrees, though I do n''t know in the least what it is.--But even suppose I were mistaken-- who could tell me that I was?
3727	I?
3727	IS IT REALLY SO HARD TO WRITE TO LULU?
3727	If I deny what you heard-- does that tell you that I have longed with all my heart for it to come to pass?
3727	If I do, he''ll give me the G major-- that''s a temptation, is n''t it?
3727	If I give you my word that you have been misinformed?"
3727	If everything lay clear and straight before us, do you think I should bother about anything but you?
3727	If she had let me see that something was going on, which she did not want to tell me about, do you think I should have forced her?"
3727	If so, does the fault lie with my want of talent, or--""Or with ME, perhaps?"
3727	If that''s true, what does it mean?
3727	If you could tell me what I ought to read... or, perhaps, advise me a little?"
3727	In the face of this frankness, it was on Maurice''s tongue to say:"Then it was you, I saw?"
3727	Inches only?
3727	Is anything the matter?"
3727	Is anything the matter?"
3727	Is he in debt to you?"
3727	Is he so irregular?"
3727	Is it my fault?
3727	Is it really you, at last?
3727	Is it really you?"
3727	Is it right that I should be left like this?--thrown away like a broken plate?
3727	Is it true that he has gone away?"
3727	Is it very important?"
3727	Is it you?
3727	Is it you?
3727	Is she any better than I am?
3727	Is she very ill?"
3727	Is that not proof enough?
3727	Is that what you call being under her thumb?"
3727	Is there an inch of you that does n''t believe in my love for you?
3727	Is there anything else you want to know?"
3727	Is there anything to pay?"
3727	Is there no hope for me?"
3727	Is there no shame left in you?"
3727	Is there not, just beyond, a resting- place?--and cool, green shadows?
3727	Is there nothing I can do to make you sorry?"
3727	Is there something beneath it all that I can not fathom?
3727	It was n''t true, was it?
3727	It would never have occurred to him, would it, to torment you and make you suffer for his own failure?
3727	Johanna drew several threads across a hole she was darning, before she repeated, in the same decided tone:"Do you hear me, mother?
3727	Kiss me, too, ca n''t you?"
3727	Listen!--can you resist that music?
3727	Look here, do you see that?"
3727	Look here, tell me-- this sort of thing is so unsatisfactory-- is there no other place I could see you?
3727	Louise!--you are NOT going to him?"
3727	MAURICE GUEST by Henry Handel Richardson Part I S''amor non e che dunque e quel ch''io sento?
3727	Ma s''egli e amor, per Dio, che cosa e quale?
3727	Maurice laid down his knife, and, in the first break, asked abruptly:"When does he go?"
3727	Maurice let a few seconds elapse, then asked without preamble:"Who is that?"
3727	Maurice, is n''t it possible?
3727	May I ask whom you are with?"
3727	Me under her thumb?"
3727	Might she not, at any moment, turn the corner and be before him?
3727	Might she not, this very instant, be going in the same direction as he, in the next street?
3727	Must one always say why?
3727	My dear fellow, how is that?
3727	My gloves-- where is my glove?
3727	Necessary to live!--who has ever proved that it is?"
3727	No, she said to herself, why should she?
3727	No?
3727	No?
3727	Not but what I''ve heard she feels pretty mean about it now-- beg pardon?--how I know?
3727	Nothing binds us, and health is the first and chief----""Go home?"
3727	Now in addition, he asked himself: what has happened to make her like this?
3727	Now we''ve come back, and we have to face work and the workaday world-- you see what I mean, I''m sure?"
3727	Now, do you think if you said to an English station- master:''Sir, I saw the luggage with my own eyes,''he would not believe you?
3727	Now, weeks go by and I do n''t see her; she has broken with every one-- for Louise is not a girl to do things by halves.--Introduce you?
3727	Now?
3727	Of poor, plain, ordinary me?"
3727	Oh, do n''t you see me?"
3727	Oh, why did you bring me?"
3727	Oh, why did you take me to that dreadful woman?
3727	Oh, wo n''t you understand?"
3727	Oh, you foolish boy, what is the matter with you to- night?
3727	One''s friends are only too glad to avoid giving a downright opinion, and then, too, which of them would one care to trust?
3727	Or are you only tired?"
3727	Or are you, perhaps, simple enough to believe any man living would get over what I have to tell him, and care for me afterwards in the same way?"
3727	Or did we ask too much?
3727	Or is it a fact that you are not feeling up to the mark?"
3727	Or perhaps it is only AUF WIEDERSEHEN?"
3727	Or perhaps you did n''t know that Heinz is the attendant spirit of that heaven- born genius?"
3727	Or walking home-- those glorious nights-- when some one was so silent... so moody-- do you remember?"
3727	Or was it only that, at the sight of the flowers, a kind of refrain had begun to run through his head: she loves roses, loves roses?
3727	Our Joachim IN SPE?"
3727	People have been talking, have they?
3727	Petersburg?"
3727	Pray, do you know what time it is?"
3727	Really nothing?"
3727	Really?--after a night in the train?
3727	SHALL YOU HAVE A GREAT DEAL TO SHOW ME WHEN I COME HOME?
3727	Say, are you acquainted with Miss Moses?
3727	Schiller and Goethe WERE great poets, were n''t they?
3727	Schilsky?"
3727	Shall you and I be friends?"
3727	Shall you and I go on?"
3727	Shall you and I lead off?"
3727	She checked herself, and substituted--"trouble you about it, if it were?
3727	She did not wish the young men good- night, but, in passing Maurice, she said in an unfriendly tone:"Do you know what time it is?"
3727	She disappeared inside the building; but a few minutes later returned, and said she was going for a walk: would he come, too?
3727	She stopped her gossip to say:"You thought she had gone, did n''t you?
3727	She supported herself on the table; her indecision seemed to increase, and several seconds passed before she said:"Wo n''t you sit down?"
3727	She waited, curious to see what would come next, and presently he echoed, in his vague way:"Paris, did you say?--Really?"
3727	Somewhere, not very long ago, this face had been before him, and had stared at him in the same disconcerting manner-- but where?
3727	Take your hat off that table!--What did you mean by bursting into the room when you heard some one was here?
3727	Tell me now: are n''t you about done with Guest?"
3727	Tell me, what do you think of?"
3727	Tell me, what of Heinz?
3727	Thank you ever so much for being so good to me-- oh, wo n''t you tell me your name?"
3727	That I do anything to make them?"
3727	That black thing you had on last time was ripping-- awfully jolly, do n''t you know?"
3727	That is very, very good of you, and I shall never forget it.--But what does it mean, Maurice?
3727	That will do your head good-- for you have a splitting headache, have n''t you?
3727	That''s a key, is n''t it, you drunken hog?
3727	That''s always been a wish of yours, has n''t it?"
3727	The features, save for a peremptory turn of mouth and chin, were unremarkable, and the expression was distant, unchanging... but what was that to him?
3727	The next is our dance, is n''t it?"
3727	The only course he could think of was to lay the matter before Johanna; and yet what would the use of that be?
3727	The pretty girl served me-- do you remember the pretty girl with the yellow hair, who tried to make friends with you last summer?
3727	The soul?"
3727	Then he asked:"Who has given you this one?"
3727	Then he said abruptly, in a tone which he meant to be easy, but which was only jaunty:"And how do you like being in Germany, Miss Cayhill?
3727	Then we''re not going for a walk?"
3727	Then you did n''t know?"
3727	Then you did n''t want to speak to me, as you said?
3727	Then you would n''t tell him, for instance, that only a few months ago, you were eating your heart out for some one else?"
3727	There was never time, was there?
3727	Thinks he''ll sneak after her himself, does he?--What in Jesus''name is it to him how I treat her?
3727	This fact is, just at this moment, he was intent on watching some ladies: were they going to notice him or not?
3727	This was going rather too far; but no one protested, except Ford, the pianist, who said in English:"Speesch?
3727	This, to- day, is her last particular friend.--Is that biographical matter enough?"
3727	To Maurice''s remark that she seemed to take a pleasure in destroying them, she returned a casual:"What does it matter?"
3727	To have absolutely nothing to offer you?"
3727	To stay-- for what?
3727	To what degree is she mine, was she his?
3727	To- morrow?"
3727	WAS?"
3727	WHAT is to become of us?"
3727	WHAT''S the matter with you?"
3727	WHERE is your sister?
3727	WILL YOU COME TO ME THIS EVENING?
3727	WILL YOU COME TO ME THIS EVENING?
3727	Was Ephie chafing, in secret, at his prolonged absences, and was she, girl- like, anxious to conceal it from him?
3727	Was a woman''s nature capable of it?
3727	Was he ill?
3727	Was his nature one of so little stability?
3727	Was it because he had stared so long at it, or was it really changed in sleep?
3727	Was it eternally her lot to come to the end of things, before they had properly begun?
3727	Was it mere exaggeration, or was he really worth so much more than all the rest of us?
3727	Was it not deluding himself to say break out?
3727	Was it pique?
3727	Was it possible to be so positive?
3727	Was it red?
3727	Was it that he was able to make the effort required for a leap, then, the leap over, could not right himself again?
3727	Was it, he asked himself, because he had so little whole- hearted endurance, that when once a thing was within his grasp, that grasp slackened?
3727	Was its presence to- day a result of his aimless irritation?
3727	Was spricht die tiefe Mitternacht?
3727	Was such a thing credible?
3727	Was there any room then for common sense between us?
3727	Was there ever such a fool as he?
3727	Was there, after all, something in her nature that he could not, would not, understand?
3727	Was, then, his own idea of her wholly false?
3727	We have got to be serious for a little-- have you ever thought, Louise, how seldom you and I have talked seriously together?
3727	We hoped we might meet there, do n''t you remember?
3727	We''re past that stage, I think.--Besides, are you so simple as to believe it would make any difference?"
3727	Well, make haste now-- what is it?"
3727	Well, now I hear that he, in turn, is to be laid on the shelf.--Is that true, or is n''t it?"
3727	Well, you did n''t get much, did you, for your energy?
3727	Were n''t we happy enough?
3727	Were you afraid?
3727	Were you afraid?"
3727	Were you amused?
3727	Were you very happy?--or were you unhappy?
3727	What CAN you find in it all?"
3727	What COULD it have been but the sensual caprice of a moment?--but a fleeting, manlike desire for the piquancy of change?
3727	What am I to do?
3727	What anomaly was here?
3727	What are you doing here?"
3727	What are you doing here?"
3727	What are you doing?"
3727	What are your plans?"
3727	What brings you here?"
3727	What can you know of his real character?
3727	What could it be?
3727	What could she be doing?
3727	What did all these others matter to him?
3727	What did it matter what the damned cranky Englishman said?
3727	What did it mean?
3727	What do they cost?"
3727	What do you do with yourself all day?
3727	What do you mean?"
3727	What do you mean?"
3727	What do you say to that?"
3727	What do you say?"
3727	What do you say?"
3727	What do you think he answered?
3727	What do you want to know for?
3727	What does a-- what does any beautiful woman want with a soul, or brains, or morals, or whatever you choose to call it?
3727	What does it matter whether I miss you or not?
3727	What does it matter?
3727	What for?"
3727	What had brought about this change?
3727	What had happened to change him?
3727	What had happened?
3727	What had he expected?
3727	What had she had for the other that she could not give him?--that she wilfully refrained from giving him?
3727	What had she thought?--what had she felt?
3727	What has put such foolish thoughts into your head?"
3727	What has that got to do with it?"
3727	What has your peace of mind to do with me?"
3727	What have you been doing with yourself?"
3727	What if every one took himself so seriously?--and talked of failure because on a single occasion he did n''t do himself justice?"
3727	What if he did not care?
3727	What if her pulses should not answer his?
3727	What if she never came back again?--if she had left the place quietly, of set purpose?--if these windows were closed for good and all?
3727	What is Ephie doing at your rooms?"
3727	What is her name?"
3727	What is it?"
3727	What is the colour of her hair?"
3727	What is the matter with you?"
3727	What is the matter?
3727	What is wrong?--and what is right?
3727	What is''giving a word''?
3727	What nonsense is this?
3727	What on earth are you doing here?"
3727	What on earth is the matter with you?"
3727	What room is there for me in your plans of work?"
3727	What she?"
3727	What the deuce did he mean by guffawing like that when you told him who was coming?"
3727	What the devil do you mean?"
3727	What though he has enjoyed life?
3727	What use had he made of the cymbals?
3727	What was Dove with his pompous twaddle to him?
3727	What was art to them but an empty name, a pastime for the drones and idlers of existence?
3727	What was he thinking of?
3727	What was she to do?--what was to become of her, when the short dark days came down again, and shut her in?
3727	What was she?
3727	What will she say to me?
3727	What wonder if she did, ultimately, turn from him?
3727	What''s all this fuss about?
3727	What''s the matter with you to- day that you do n''t know your own mind for two minutes together?"
3727	What''s the matter with you?
3727	What''s the matter, child?
3727	What''s the matter?
3727	What''s the matter?
3727	What''s the matter?"
3727	What''s the matter?"
3727	What?
3727	What?--you were there, too?
3727	When he had finished, she said:"So Heinz has raked up that old story again, has he?"
3727	When will she be back?"
3727	When you are more to me than my own life?"
3727	Where are you hiding her?
3727	Where else should I be?
3727	Where have you been?
3727	Where have you been?"
3727	Where have you been?"
3727	Where is he?
3727	Where to?"
3727	Where''s the place?"
3727	Which of them do you mean?"
3727	Which?
3727	While looking over to Maurice, he said:"No doubt you found that very pretty and affecting?"
3727	Who could foresee that, on a certain day, an idea of this kind would break out in him-- like a canker?
3727	Who could say if, by doing this, he might not drive away what was perhaps a phantom of his own uneasy brain?
3727	Who is it you want now?"
3727	Who is?
3727	Who knows if you would have told me either?--Would you have told me, Louise?"
3727	Who the deuce is it?"
3727	Who was Liszt?
3727	Who was the lady?
3727	Why are you like this?
3727	Why are you saying these things?
3727	Why are you so angry with the person?
3727	Why are you so different?--so changed?"
3727	Why could n''t I, too, be one of those favoured mortals...?
3727	Why did n''t you let me die?"
3727	Why did n''t you stop then, and be introduced to her, if you were so anxious?"
3727	Why do n''t he write them himself?"
3727	Why do n''t you ask me straight out where I have been?--and what I have done?
3727	Why do you ask?"
3727	Why do you come back on it to- night?
3727	Why do you come here, Madeleine, and talk like that to me?
3727	Why do you treat me like this?
3727	Why does n''t she go away?"
3727	Why has he gone?"
3727	Why have you locked the door?
3727	Why have you not already gone?"
3727	Why have you not asked me to dance?"
3727	Why is one not readier to make the spring?--and what would one''s sensations be?
3727	Why must time go just the same over happiness and unhappiness alike?"
3727	Why on earth should that trouble you?
3727	Why rake up old scores?
3727	Why should he take her to task for what she chose to do?
3727	Why should it?"
3727	Why should one think of death when one is alive and well?"
3727	Why should she be ill?
3727	Why should the whole sport of the evening be spoilt in this fashion?
3727	Why should you alone not know that I was only jealous of a single person, and that was Krafft?"
3727	Why wo n''t you agree?
3727	Why, he demanded of himself, should it not have occurred to him before?--once, twenty, a hundred times?
3727	Why, if it means so much to you, could n''t you have bought a ticket and come too?
3727	Why, in Heaven''s name, had he not taken both her hands, as they stood in the passage, and insisted on her confessing to him?
3727	Why, oh why, had he needed to bring them to her, on this night of all others?
3727	Why?"
3727	Will he NEVER come back?
3727	Will he be away long?"
3727	Will you look at it, please?"
3727	Will you look on me as that sister for a little, and let me give you some sound advice?
3727	Will you not go away from here, for a time?--go away and be with people who know nothing of... all this-- people you do n''t need to be afraid of?
3727	Will you not tell me yours?"
3727	Will you tell me you do n''t know who''s-- don''t know he''s here?"
3727	Will you?"
3727	Wo n''t you dance with me?--when I ask you?"
3727	Wo n''t you tell me?"
3727	Work?--what had she to do with work?
3727	Would anyone else have done as much for his girl?
3727	Would days and days of happiness be too much after we have been separated for a week?--after Wednesday night?--after what you said to me yesterday?"
3727	Would he always have been content to be third party, and miserable outsider?
3727	Would he go to the right, where lay the BRUDERSTRASSE, or would he take the lower street to the left?
3727	Would he speak to her in the next interval, or would he not?
3727	Would it never end?
3727	Would the signal never go up?
3727	Would there be any harm in my going?"
3727	Would they have come if they had n''t known what my method was worth?
3727	Would you believe it, we did not make fifty kilometers in the hour, and yet our engine broke down before Magdeburg?"
3727	Yes, what did I tell you?
3727	Yet had anyone, he asked himself, more obstacles to overcome than he, in his efforts to set himself free?
3727	Yet what if the child were fretting?
3727	You are so strange sometimes.--Tell me, dearest, WHY did you go out?
3727	You call him a scoundrel, but what of her?
3727	You do n''t want to be ill all the winter?"
3727	You do n''t want to go away, darling, do you?"
3727	You expect to be beaten, when you make a confession of that sort?"
3727	You have always been kind to me; you''re not going to fail me now that I really need help?
3727	You have no pity for me?"
3727	You have the ticket, you say?
3727	You have thoughts, too?"
3727	You know that, do n''t you?
3727	You know, dear, from the very beginning there has been something wrong, a kind of barrier between us has n''t there?
3727	You like roses, too, do n''t you?
3727	You said Louise, I think?"
3727	You seem to enjoy finding out things you can feel hurt by.--But have I ever complained?
3727	You still intend staying on here, and fighting out the problem of existence?
3727	You surely do n''t want to say he''s incapable of allowing one to have an independent opinion?
3727	You think no good thing can come out of me?"
3727	You will be ready?
3727	You will go out tomorrow, yes?--to please me?"
3727	You will help me to look, will you not?"
3727	You will never leave me, will you?"
3727	You will write, Morry, wo n''t you, and tell me what goes on?
3727	You wo n''t?
3727	You would be, Louise?
3727	You would n''t care if your past were gone?
3727	You''re surely not going to take what Heinz said, seriously?
3727	You''ve only written two bars since I saw you this morning: what have you been doing?
3727	You''ve put on another tie: who have you been to see?''
3727	cried Madeleine; and, as she looked round the room:"And where is Sister Martha?"
3727	of course?"
3727	she demanded; and when he had told her:"And since then?"
3727	when?