This is a list of all the questions and their associated study carrel identifiers. One can learn a lot of the "aboutness" of a text simply by reading the questions.
| identifier | question |
|---|---|
| 46707 | Did he? |
| 46707 | Having no spade, partner? |
| 46707 | What have I done? |
| 46707 | What''s the good of being wounded when the flask''s empty? |
| 46707 | ( Double sharp work, what?) |
| 46707 | A friend arrives on horseback, and indicates,"Coming to the meet in those?" |
| 46707 | Could it be possible? |
| 46707 | Enter Orderly Officer:"Any complaints?" |
| 46707 | He repeats:"Will you marry me?" |
| 46707 | Her answer:--"Once already I''ve asked you is it a Prop.? |
| 46707 | Her reply:--"Is this a definitive offer?" |
| 46707 | II.--SHOULD THEY HAVE GONE? |
| 46707 | III.--WAS THE PRICE TOO HIGH? |
| 46707 | Is not his monumental work the text- book for all encyclopædists of the Areopagus?... |
| 46707 | Medicine Man, with sacrificial knife uplifted, addresses her:"Will you marry me?" |
| 46707 | Might Sir William Treloar be described as a"Carpet Knight"? |
| 46707 | Quids or quod? |
| 46707 | Sancho sizes him up as a keen sahib, and enquires"Quien sabe?" |
| 46707 | THREE PROBLEM PLAYS I.--SHOULD SHE HAVE WORN THEM? |
| 46707 | They divide up into search parties, chanting"Where is the pen of the gardener''s aunt?" |
| 46707 | Tomahawks young Chief for asking"How much?" |
| 46707 | What is a hundred pounds? |
| 46707 | What is six months in gaol? |
| 46707 | What was his reward? |
| 46707 | When will the day go? |
| 46707 | if only there were an answer, it would lead to the next question,"Where is my Chardenal?" |
| 60871 | And what do you want in return for arranging all this? 60871 And what is Patroclos doing in Achilles''armor? |
| 60871 | But what can we do to speed up the shooting? 60871 Do you see this little lever in the back of the shield?" |
| 60871 | Do you want to go home? |
| 60871 | How in space did the Trojans get so far? |
| 60871 | How long must I put up with Agamemnon''s high- handedness? |
| 60871 | I presume you had a microphone planted in Hephaistos''cabin? |
| 60871 | Is Patroclos around? |
| 60871 | Is my stepdaughter interfering again? |
| 60871 | Leave? |
| 60871 | Shall we toast to that? |
| 60871 | Surely you''re not going to change the Script again? |
| 60871 | Thetis? 60871 What do you propose?" |
| 60871 | What do you want now? |
| 60871 | What''s the matter with her? |
| 60871 | Why do n''t you forget this fuss with King Agamemnon and have fun with some rosy- cheeked darling? |
| 60871 | Why, Husband,said Hera,"how can you say I had anything to do with this? |
| 60871 | Why? 60871 Zeus?" |
| 60871 | Am I not a king in Thessaly? |
| 60871 | And not only that but inject perpetuol into the barbarian to increase his life span? |
| 60871 | But tell me, child, why all the tears? |
| 60871 | But what good will all this do? |
| 60871 | Do you still want us to die so you may gather more gold and beautiful Trojan women in your greedy arms? |
| 60871 | How do you keep all those barbaric names at your tongue''s tip? |
| 60871 | I wish-- I wish--""Yes?" |
| 60871 | If she''s in love with Achilles, why would she tell Achilles she is his mother?" |
| 60871 | In love with Patroclos? |
| 60871 | Is it true what they say, that you love a barbarian, that magnificent red- haired Achilles?" |
| 60871 | My thanks?" |
| 60871 | Or are we? |
| 60871 | Really, Hera, why blame those simple, likable people for the actions of only one of them? |
| 60871 | So you can be with your barbarian lover?" |
| 60871 | That is the one thing to make Achilles so fighting mad he''ll quit sulking....""Patroclos? |
| 60871 | Then we''ll see if we can whip up a big tearjerker between that Trojan and his wife-- what''s her name?" |
| 60871 | Thersites cried out in a hoarse, jeering voice,"Agamemnon, do n''t you have enough loot? |
| 60871 | Was he not Achilles? |
| 60871 | Was he not superior to all men? |
| 60871 | What do you say to my plan?" |
| 60871 | What do you want me to do?" |
| 60871 | What have you two been up to?" |
| 60871 | Wo n''t your father be angry if somebody sends him a note telling him you''re planning to ruin the Script by running off to Italy with a barbarian? |
| 56570 | 9 IV WOULD YOU FILM WELL? |
| 56570 | ARE YOU AWARE, SIR, THAT YOU ARE DEALING WITH_ A LOYAL AMERICAN CITIZEN_?" |
| 56570 | And naturally the first question to be asked by one who is considering entering this field as a vocation is"What do they pay? |
| 56570 | And, forsooth, if they draw big salaries, why cavil about the cost of replenishing a wardrobe every now and again? |
| 56570 | Asks Enrico: SP:"ARE YOU OFFERING ME A BRIBE?" |
| 56570 | At this Rosalie is greatly cheered up, she looks and says:"Will you, dear?" |
| 56570 | CHAPTER IV WOULD YOU FILM WELL? |
| 56570 | Conwell is still more interested, asks Enrico where do I come in? |
| 56570 | Conwell says: SP:"LOOK HERE, WHAT ABOUT THE GIRL? |
| 56570 | Enrico goes to her, pinches her cheek and says: SP:"WELL, HAVE YOU MADE UP YOUR MIND TO MARRY CONWELL?" |
| 56570 | Enrico smiles and says: SP:"SO YOU''D RATHER SEE YOUR FATHER KILLED, WOULD YOU?" |
| 56570 | Enrico then crosses over to Conwell and says: SP:"ARE YOU SURE WE CAN HANDLE OLD BIRD WHEN WE''RE READY?" |
| 56570 | HOW ARE WE GOING TO LIVE UNTIL APRIL?" |
| 56570 | Has my face character, something which makes it not only beautiful, but which portrays the underlying personality? |
| 56570 | He pulls Enrico''s sleeve and says: SP:"BUT YOU HAVE TO DIE TO GET IT-- DON''T YOU?" |
| 56570 | He then shakes his head no, turns to grandpa and says:"Father, do you want any insurance?" |
| 56570 | He turns to Roland and says:"_ I say, old fellow, the place looks rather beastly bare? |
| 56570 | In analyzing your own face, then, ask yourself the following questions: Are my eyes large? |
| 56570 | Is it all true? |
| 56570 | Is my mouth small and are my teeth good? |
| 56570 | Is my nose straight? |
| 56570 | Is my skin fine and well kept? |
| 56570 | Is there money in the movies?" |
| 56570 | Roland can hardly believe his ears at this and says:"What?" |
| 56570 | Roland demands of one of the councilors: SP:"WHERE IS THE KING?" |
| 56570 | Roland looks up to him, then looks at the bills, and says: SP:"HOW DO YOU EXPECT ME TO PAY THESE BILLS ON$ 50.00 A WEEK?" |
| 56570 | Roland says a very affectionate good- by to Rosalie and says: SP:"MAY I COME TO SEE YOU THIS EVENING?" |
| 56570 | Roland then picks up the bills, runs through them again and says: SP:"THE QUESTION NOW IS-- HOW ARE WE GOING TO LIVE UNTILAPRIL?" |
| 56570 | Roland, realizing that he has got to spike this says: SP:"WHY, I TRIED TO SELL INSURANCE OUT THERE ONCE AND WHAT DO YOU THINK HAPPENED?" |
| 56570 | Rosalie, terrified, says:"Who is it?" |
| 56570 | She starts to pass him but he takes her by the hand, restrains her and says: SP:"HOW MUCH LONGER ARE YOU GOING TO KEEP ME WAITING?" |
| 56570 | She turns, looks at him, and says:"Yes?" |
| 56570 | Should he feel? |
| 56570 | The Colonel ca n''t see this at all, and says: SP:"IF YOU MARRY NOW, HOW ARE YOU GOING TO SUPPORT HER?" |
| 56570 | The Countess looks at them in a surprised way and says: SP:"AREN''T THEY ALL TO BE KILLED IN OUR REVOLUTION?" |
| 56570 | The doctor hurries after her, stops her, and says,"What do you mean?" |
| 56570 | The question resolves itself into this: Does an actor feel? |
| 56570 | The station master says: SP:"WHERE ARE YOU GOING?" |
| 56570 | Then he turns to the people and says: SP:"IS EITHER OF THESE WRETCHES FIT TO RULE THIS BEAUTIFUL COUNTRY?" |
| 56570 | Tom looks at the couch dubiously, then looks at Roland and says:"Where are you going to sleep to- night?" |
| 56570 | Tom stops Roland and shows him three cents-- all he has and whispers to him, saying: SP:"HOW DO I PAY THE TAXI?" |
| 56570 | Tom thinks a moment, finally his face brightens and he says: SP:"IF YOU''VE GOT TO SELL INSURANCE, WHY NOT SELL IT IN BUNKONIA?" |
| 56570 | WHAT DO I PAY YOU FOR?" |
| 56570 | WHAT WOULD WE DO WITHOUT THEM?" |
| 56570 | WHY NOT BRING YOUR FRIEND? |
| 56570 | WILL YOU?" |
| 56570 | With more mysterious looks, they get their heads very closely together, and the Countess says: SP:"WHAT''S THE MATTER WITH YOU FOR CONSUL? |
| 15383 | A new esthetic cocoon is broken; where will the butterfly''s wings carry him? |
| 15383 | But we may stop at once: what does it mean to say that the surroundings appear to the mind plastic and the moving pictures flat? |
| 15383 | But what is the scholar''s attitude? |
| 15383 | But why do we appreciate no less the opposite work which the artist is doing? |
| 15383 | But would it heighten the beauty of the photoplay? |
| 15383 | Does a beautiful arch or dome or tower of a building imitate any part of reality? |
| 15383 | How can we implant the idea of harmony by that which is in itself a parody on art? |
| 15383 | How can we teach the spirit of true art by a medium which is in itself the opposite of art? |
| 15383 | How does he shape the world? |
| 15383 | How does nature look when it has been remolded by the artistic temperament and imagination? |
| 15383 | How does the photoplay differ from a theater performance? |
| 15383 | How does the theater performance differ in this respect from life? |
| 15383 | How much of this noblest vehicle of thought can the photoplay conserve in its domain? |
| 15383 | Instead of feeding them with mere entertainment, why not give them food for serious thought? |
| 15383 | Is it different with a painting? |
| 15383 | Is it his aim to reproduce the landscape or the historic event? |
| 15383 | Is its architectural value dependent upon the similarity to nature? |
| 15383 | Is not an esthetic judgment of rejection demanded by good taste and sober criticism? |
| 15383 | Must we not say art is imitation of nature? |
| 15383 | Or did it start with the first presentation of successive pictures at such a speed that the impression of movement resulted? |
| 15383 | Or did the development begin with the first photographing of various phases of moving objects? |
| 15383 | Or does the melody or harmony in music offer an imitation of the surrounding world? |
| 15383 | Or was the birthday of the new art when the experimenters for the first time succeeded in projecting such rapidly passing pictures on a wall? |
| 15383 | The question arises: how does the photoplay secure the needed shifting of attention? |
| 15383 | This is the thesis which we want to prove, and the first step to it must be to ask: what is the aim of art if not the imitation of reality? |
| 15383 | Was it the first device to introduce movement into the pictures on a screen? |
| 15383 | What are the causes, and what are the effects of this movement which was undreamed of only a short time ago? |
| 15383 | What are the chances of the photoartist to bring these feelings to a convincing expression? |
| 15383 | What are the essential processes in the mind when we turn our attention to one face in the crowd, to one little flower in the wide landscape? |
| 15383 | What characterizes a particular art as such? |
| 15383 | What else is the perception of movement but the seeing of a long series of different positions? |
| 15383 | What invention marked the beginning? |
| 15383 | What is attention? |
| 15383 | What is imitated in a lyric poem? |
| 15383 | What is left in the photoplay? |
| 15383 | What is left of the real landscape when the engraver''s needle has sketched it? |
| 15383 | What is left of the tragic events in real life when the lyric poet has reshaped them in a few rhymed stanzas? |
| 15383 | What is then the difference between seeing motion in the photoplay and seeing it on the real stage? |
| 15383 | What psychological factors are involved when we watch the happenings on the screen? |
| 15383 | What was the real principle of the inner development on this artistic side? |
| 15383 | Who would have been bold enough four centuries ago to foresee the musical means and effects of the modern orchestra? |
| 15383 | Why do we, nevertheless, see a continuous movement? |
| 15383 | Why does this satisfy us? |
| 15383 | Why is it valuable to have a part of nature or life liberated from all connection with the world? |
| 15383 | Would it be at the same time a solution of the esthetic problem? |
| 15383 | Would it not involve the expectation that the artistic value would be the greater, the more the ideal of imitation is approached? |
| 15383 | Would not this color be again an addition which oversteps the essential limits of this particular art? |
| 13029 | ''Where,''cried Reginald Fitzurse,''is the traitor, Thomas Becket?'' |
| 13029 | And lest they come weeping, accursed, and alone, let us ask, how shall we recognize them? |
| 13029 | And they said:''Is not this Joseph''s son?''" |
| 13029 | Are the art schools and the art museums making themselves ready to assimilate a new art form? |
| 13029 | Are the distributors willing to send out a musician with each film? |
| 13029 | Are the institutions with a purely literary theory of life going to meet the need? |
| 13029 | But what, more specifically, are prophet- wizards? |
| 13029 | By what means shall we block it in? |
| 13029 | Can you not attain to that informal understanding in pictorial delineations of such people? |
| 13029 | Having read thus far, why not close the book and go round the corner to a photoplay theatre? |
| 13029 | He brings to one''s mind the tearful book, much loved in childhood, Parted at the Altar, or Why Was it Thus? |
| 13029 | Here are two bits from his discourse:--"Strike the dialogue from Molière''s Tartuffe, and what audience would bear its mere stage- business? |
| 13029 | How are they going to make a practical national distribution of the accompaniment? |
| 13029 | How are we to step in to the possession of such a destiny? |
| 13029 | How could memories of Ladies''Entrance squalor be made into Castles in Granada or Carcassonne? |
| 13029 | How could these people reconstruct the torn carpets and tin cans and waste- paper of their lives into mythology? |
| 13029 | How does public opinion grip the journalist? |
| 13029 | How far may it go in cultivating concerted emotion in the now ungoverned crowd? |
| 13029 | If you are so disposed, consider your answers to these questions: What play or part of a play given in this theatre did you like most to- day? |
| 13029 | Is it not possible to have a Michelangelo of photoplay sculpture? |
| 13029 | Is it too much to expect that some American prophet- wizard of the future will give us this film in the spirit of an Egyptian priest? |
| 13029 | Is there a reform worth while that can not be embodied and enforced by a builder''s invention? |
| 13029 | Is this also sculpture? |
| 13029 | Is this photoplay physician such a one? |
| 13029 | Or between Shakespeare''s Lear and any one else''s Lear? |
| 13029 | Or what is the type of institution that will ultimately take the position of leadership in culture through this new universal instrument? |
| 13029 | Prospective author- producer, do you remember Landor''s Imaginary Conversations, and Lang''s Letters to Dead Authors? |
| 13029 | Prospective author- producer, why not spend a deal of energy on the photoplay successors of the puppet- plays? |
| 13029 | Should we not look for him in the fulness of time? |
| 13029 | So without too much theorizing, why not erect our new America and move into it? |
| 13029 | Suppose the seated majesty of Moses should rise, what would be the quality of the action? |
| 13029 | There came magicians, saying,"Where is he that is born king of the Jews, for we have seen his star in the east and have come to worship him?" |
| 13029 | Though no photoplay tableau has yet approximated the brush of Inness, why not attempt to lead Jeanne through an Inness landscape? |
| 13029 | What becomes of the difference between Shakespeare and Sheridan Knowles in the film? |
| 13029 | What do I mean by New Arabia? |
| 13029 | What is the best picture you have ever seen anywhere? |
| 13029 | What is the high quixotic splendid call? |
| 13029 | What materials should the photoplay figures suggest? |
| 13029 | What pictures, seen here this month, shall we bring back?" |
| 13029 | What possibilities lie in this art, once it is understood and developed, to plant new conceptions of civic and national idealism? |
| 13029 | What shall be done in especial by this generation of idealists, whose flags rise and go down, whose battle line wavers and breaks a thousand times? |
| 13029 | What the least? |
| 13029 | When the use of alcohol is treason, what will become of those all but unbroken lines of slum saloons? |
| 13029 | When you are appraising a new film, ask yourself:"Is this motion as rapid, as godlike, as the sweep of the wings of the Samothracian?" |
| 13029 | Where is the inspired camera that will record something of what Inness beheld? |
| 13029 | Where will the money come from? |
| 13029 | Where will we find our precedents for such a cavalcade? |
| 13029 | Where will we get our story? |
| 13029 | Who do we mean by The Prophet- Wizard? |
| 13029 | Who will endow the local photoplay and the Imagist photoplay? |
| 13029 | Who will endow the successors of the present woman''s suffrage film, and other great crusading films? |
| 13029 | Who will see that the public documents and university researches take on the form of motion pictures? |
| 13029 | Who will take the first great measures to insure motion picture splendors in the church? |
| 13029 | Why are our managers so mechanical? |
| 13029 | Why can not our weekly story be henceforth some great plan that is being worked out, whose history will delight us? |
| 13029 | Why do men prefer the photoplay to the drinking place? |
| 13029 | Why do the people love Mary? |
| 13029 | Why do the people love Mary? |
| 13029 | Why do they flatten out at the moment the fancy of the tiniest reader of fairy- tales begins to be alive? |
| 13029 | Why does the audience keep coming to this type of photoplay if neither lust, love, hate, nor hunger is adequately conveyed? |
| 13029 | Why not ballot on the matter in hand? |
| 13029 | Why not face this idiosyncrasy of the camera and make the non- human object the hero indeed? |
| 13029 | Why not have the most beautiful scenes in front of the theatres, instead of those alleged to be the most thrilling? |
| 13029 | Why not rest the fevered and wandering eye, rather than make one more attempt to take it by force? |
| 13029 | Why not this for the adventure of the American architects? |
| 13029 | Why not this new splendor? |
| 13029 | Why should we not consider ourselves a deathless Panama- Pacific Exposition on a coast- to- coast scale? |
| 13029 | Why was this model of Notre Dame made with such exquisite pains? |
| 13029 | Why would you be imitators of these leaders when you might be creators in a new medium? |
| 13029 | Why? |
| 13029 | Will this land furthest west be the first to capture the inner spirit of this newest and most curious of the arts? |
| 13029 | Would not their action be as heroic as their quietness? |
| 13029 | Young artist in the audience, does it pass you by? |
| 12948 | About that place up in the country where we spent our last week- end outing, and had such a lively time--- eh, Alec? |
| 12948 | And look at all the actors they''ve gone and fetched along with them, will you? |
| 12948 | But what can it be? |
| 12948 | But, Billy,interposed Arthur,"I thought you loved to see people eat heartily all the time? |
| 12948 | Can we lower our hands now, friend? |
| 12948 | Does that mean you''ll wreck a big structure like this, sir, just to get a picture of it being blown up? |
| 12948 | How do we know what sort of a day to- morrow may turn out to be? 12948 How would it do for us to root around a bit while we have the time?" |
| 12948 | How, sir? |
| 12948 | Hugh, you remember what you the same as promised me? |
| 12948 | I forgot to ask if anybody heard a ghost laugh in the night? |
| 12948 | I suppose you must have been around some, sir? |
| 12948 | Is n''t it a modern castle built by a man years ago and meant to look like some British place in the days of Queen Elizabeth? |
| 12948 | Is this a joke? |
| 12948 | Listen, will you? |
| 12948 | Perhaps you''ll be kind enough to explain what we''re being held up this way for? |
| 12948 | Say you so, my young friend? |
| 12948 | Say, did I do the thing up in good style, boys? |
| 12948 | See that red scar on the back of my hand? |
| 12948 | The question is, do we want to stand for that couple of greasy hoboes keeping us company while we camp out here in the deserted castle? 12948 The wind, do n''t you see it''s whipped around, and is coming from a new quarter?" |
| 12948 | Then you ca n''t even give a guess, can you, Hugh? |
| 12948 | Was there ever anything so strange as our being up here just at the time they came to play their game? |
| 12948 | Well, I declare, who would ever have believed it? |
| 12948 | Well, what can you say? |
| 12948 | What do you make of it, Hugh? |
| 12948 | What good are locks and bars and bolts when they say a ghost can ooze itself in through a keyhole even? 12948 What have you guessed, Hugh?" |
| 12948 | What in the mischief can it be? |
| 12948 | What''s that you say? |
| 12948 | What''s the hurry? |
| 12948 | What''s the next stunt, Hugh? |
| 12948 | Which aunt, Alec? |
| 12948 | Who are you all, anyway? |
| 12948 | Wonder how Aunt Susan will like the blooming old shack? |
| 12948 | Yes, but did n''t you hear him say we''d appear in that last scene? |
| 12948 | Yes, go on, Hugh; what next? |
| 12948 | You woke up and heard that gibberish, did n''t you, Hugh? 12948 And now, Monkey, where did you climb inside? |
| 12948 | And you made up your mind on the spot that you just had to find out what it meant? |
| 12948 | And, say, it''s our own Arthur Cameron, would you believe it?" |
| 12948 | Are you some of that lot, boys?" |
| 12948 | But what in the wide world can it all mean? |
| 12948 | But, Hugh, why did n''t you let me in on it? |
| 12948 | CHAPTER IX WITH THE MOTION- PICTURE PEOPLE"Where did you boys spring from, I''d like to know?" |
| 12948 | CHAPTER VIII AS IN THE DAYS OF CHIVALRY"W- what''s it all mean, Hugh?" |
| 12948 | CHAPTER XII WHEN SWORDS CLASHED"I wonder if that winds up the whole show?" |
| 12948 | CHAPTER XIV OAKVALE GETS A THRILL"What''s the news, Alec?" |
| 12948 | Guess you forget the poor girl shut up in that lonesome turret room; what d''ye suppose would become of_ her_ if the fire got beyond control?" |
| 12948 | How about that, Hugh, Alec, and the rest? |
| 12948 | Hugh, it is n''t such a bad idea, after all, is it?" |
| 12948 | I suppose you mean to try and get around on the other side of them?" |
| 12948 | I wonder if they''d care to let me lend a hand at that part of the game? |
| 12948 | Is it safe to come out; and is the coast clear of ghosts?" |
| 12948 | Is that what you''ve got on the tip of your tongue, Hugh?" |
| 12948 | Is that worrying you, Alec?" |
| 12948 | Listen, will you, they''re at it again, Hugh? |
| 12948 | Mebbe now you chaps had a hand in that game, too?" |
| 12948 | Now, what''s next on the programme, Hugh?" |
| 12948 | Owls, hey? |
| 12948 | Suppose a storm came along, how could I get a good picture of the castle to send my aunt so as to pay for the elegant camera she gave me?" |
| 12948 | They tried in turn to coax Hugh, Billy, Alec, Arthur or Monkey Stallings to"open up and tell us what it all means, wo n''t you like a good fellow?" |
| 12948 | Understand that, both of you?" |
| 12948 | Was there anything doing?" |
| 12948 | What do you say to that, Hugh?" |
| 12948 | What kind of a family is it?" |
| 12948 | What''s it all mean, Hugh?" |
| 12948 | What''s to hinder me snapping off a few pictures on my own account of what''s going on over there? |
| 12948 | Who would ever want to come away up here to bury themselves from civilization, and in such a silly old rookery as this? |
| 12948 | and are we heading for that beautiful spot as fast as we can hike along?" |
| 12948 | are they going to make out to burn the old castle down? |
| 12948 | did you ever hear of such a thing?" |
| 12948 | echoed Billy;"and what for, Hugh, when we''re not at war with anybody?" |
| 12948 | listen again, will you?" |
| 12948 | listen to the big swords clashing inside the castle, will you?" |
| 12948 | what can it be?" |
| 12948 | what did you think you heard?" |
| 12948 | what do you call that?" |
| 12948 | what if it should turn out that way?" |
| 12948 | what''s this I see?" |
| 12948 | why ca n''t we get closer than this, Hugh?" |
| 8422 | - were to become conscious? |
| 8422 | A much broader issue is at stake: is it the same person? |
| 8422 | And if property rights to one''s brain and mind were firmly established- how will telepathy( if ever proven) be treated legally? |
| 8422 | And so, the mystery remains: how can I own the article- but not my brain? |
| 8422 | And what if he intended to do something, mistakenly did something else and, still, accidentally, achieved what he set out to do? |
| 8422 | And what is Dan''s role in all this? |
| 8422 | Another is the preservation of personal identity: are the person who committed the act and the person who is made to pay for it- one and the same? |
| 8422 | Are these actions and intentions in their classical senses? |
| 8422 | Are we morally responsible and accountable for the well- being and lives of those who wrong us? |
| 8422 | But do they have an identity, a self? |
| 8422 | But is n''t a big part of our self( in the form of the unconscious, full of repressed memories) unavailable to us? |
| 8422 | But should n''t have the hapless owner availed his precious place to women and children? |
| 8422 | But what about an entity that is"pure energy", a matrix of fields, a thought, immaterial yet very real, omnipresent and present nowhere? |
| 8422 | But what constitutes"destruction"or"annihilation"? |
| 8422 | But what if he intended to do one thing and out came another? |
| 8422 | Can a MIND be copyrighted or patented? |
| 8422 | Can anything be, in principle, eternal? |
| 8422 | Can we eliminate discrimination completely and if it were possible, would it have been desirable? |
| 8422 | Can we prove that it leads to his brain? |
| 8422 | Consider this, for instance: What if Dan were the victim of a Multiple Personality Disorder( now known as"Dissociative Identity Disorder")? |
| 8422 | Do n''t we develop defence mechanisms against repressed memories and fantasies, against unconscious content incongruent with our self- image? |
| 8422 | Do our moral and legal accountability and responsibility spring from the integrity of our memories? |
| 8422 | Does John Malkovich OWN his brain? |
| 8422 | Does this amount to obliteration? |
| 8422 | Does this mean that we are not morally responsible for others? |
| 8422 | Does this process of acquisition endow us with property rights? |
| 8422 | For what is intellectual property but a mere record of the brain''s activities? |
| 8422 | Has n''t Greenleaf Sr. actually adopted him? |
| 8422 | How can anyone be responsible for the well- being and lives of other people- if he did not CHOOSE to be so responsible? |
| 8422 | How can we reconcile this contradiction? |
| 8422 | If Dan were to be punished for a crime he does n''t have the faintest recollection of committing- would n''t he feel horribly wronged? |
| 8422 | If no one knows WHAT is the mind- how can it be the subject of laws and rights? |
| 8422 | If so, does not the discoverer of the portal hold equal rights to John Malkovich''s mind, an integral part thereof? |
| 8422 | If the answer is in the affirmative, in which sense are they the same, the physical, the mental? |
| 8422 | If yes, why do we"pull the plug"on them so often? |
| 8422 | Is it better to live happily in a perfectly detailed delusion- or to survive unhappily but free of its hold? |
| 8422 | Is it equally safe to say that no one- neither an observer, nor the person himself- can prove( or disprove) the non- existence of his self- identity? |
| 8422 | Is it still"functioning"? |
| 8422 | Is n''t it a contradiction in terms to remember the unconscious? |
| 8422 | Is n''t this act of rebelliousness bound to lead us down the path of apocalypse? |
| 8422 | Is one''s brain- one''s PROPERTY? |
| 8422 | Is our brain"acquired"? |
| 8422 | Is the exercise of judgement the usurpation of divine powers and attributes? |
| 8422 | Is the murderous Dan the same person as the current Dan? |
| 8422 | Is the"overlap"only limited and probabilistic? |
| 8422 | Is there a way to PROVE that one has visited another''s mind? |
| 8422 | Is this identity automatic? |
| 8422 | It casts doubt over the meaningfulness of the question with which we ended the exposition:"Who, exactly, then, is Dan?" |
| 8422 | Moreover, can he prove that the portal leads to HIS mind, that it is HIS mind that is being visited? |
| 8422 | Once such technology is available- should n''t authorized bodies of inspection have access to the brains of our leaders on a periodic basis? |
| 8422 | Or is vengeance justified in such a case? |
| 8422 | Or mind reading? |
| 8422 | Should Dan be held( morally and, as a result, perhaps legally as well) accountable for Jack''s murder? |
| 8422 | Should Dan still be held responsible? |
| 8422 | Should his decisions and actions be constrained by an over- riding code of right and wrong? |
| 8422 | Should not he have obeyed the captain''s orders(= the marine law)? |
| 8422 | Should we obey his commandments blindly or should we exercise judgement? |
| 8422 | Should we succumb to laws that put our lives at risk( fight in a war, sink with a ship)? |
| 8422 | Should"Joseph"be held responsible for the crime"John"committed? |
| 8422 | The Director Weir asks: should God be allowed to be immoral or should he be bound by morality and ethics? |
| 8422 | The basic question is"whose brain is it, anyway"? |
| 8422 | The brain is natural and life''s pivot- could this be why we can not fully own it? |
| 8422 | The causal discourse, therefore, is problematic( how can a cause lead to an effect, indistinguishable from itself?). |
| 8422 | The recording of dreams? |
| 8422 | The root question is: is there any difference between making decisions and feeling certain of making them( not having made them)? |
| 8422 | The serious problem is this: WHY should anyone pay in his future for his actions in the past? |
| 8422 | To put the question in sharper relief: are we morally obliged to save the life and livelihood of someone who greatly wronged us? |
| 8422 | Was this a morally right decision? |
| 8422 | What if Dan''s conscious part were to become his unconscious and his unconscious part- his conscious? |
| 8422 | What if a computer were to refuse to correlate its internal( virtual) reality with the reality of its makers? |
| 8422 | What if he were to reappear 50 years after he"vanished"? |
| 8422 | What if he were to reappear for a period of 90 days- only to"vanish"again? |
| 8422 | What if it were to impose its own reality on us and make it the privileged one? |
| 8422 | What if one of his"alters"( i.e., one of the multitude of"identities"sharing Dan''s mind and body) committed the crime? |
| 8422 | What if the alter"John"committed the crime and then"vanished", leaving behind another alter( let us say,"Joseph") in control? |
| 8422 | What if the brain in vitro( in the above example) could not communicate with us at all? |
| 8422 | What if"John"were to reappear 10 years after he"vanished"? |
| 8422 | What if, due to a mishap, the roles were reversed? |
| 8422 | When we postulate memory- do n''t we already presuppose the existence of a"remembering agent"with an established self- identity? |
| 8422 | Which child to sentence to death- which one to sentence to life? |
| 8422 | Who is Dan? |
| 8422 | Who, exactly, then, is Dan? |
| 8422 | Why can not we conceive of a world in which acts and outcomes are divorced? |
| 8422 | Why do I have the right to ruin the article at will- but not to annihilate my brain at whim? |
| 8422 | Why do we all feel that the owner should have stayed on and faced his inevitable death? |
| 8422 | Why should we think one basis for discrimination preferable to another? |
| 8422 | Would it be correct to say that no one can prove that a report about the non- existence of his( or another''s) self- identity is true or false? |
| 8422 | Would n''t he be justified in feeling so? |
| 8422 | Would we have rendered the same judgement had the Titanic''s fate been the outcome of accident and accident alone? |
| 8422 | Would we still say that it is"the same"Dan and that he retains his self- identity? |
| 8422 | Would we still think it is possessed of a self? |
| 8422 | subliminal perceptions, beliefs, drives, emotions, desires, etc.)? |
| 44621 | A CASE OF INSUBORDINATION? |
| 44621 | A RESEARCH PROBLEM: INERT(?) |
| 44621 | A RESEARCH PROBLEM: INERT(?) |
| 44621 | A TREE IS A TREE IS A TREE? |
| 44621 | A TREE IS A TREE IS A TREE? |
| 44621 | AGAIN? |
| 44621 | ARE OUR SCHOOLS UP- TO- DATE? |
| 44621 | ARE POETS PEOPLE? |
| 44621 | ARE YOU EARNING THE RIGHT TO ASK THEM TO BUY? |
| 44621 | ARE YOU EARNING THE RIGHT TO ASK THEM TO BUY? |
| 44621 | ARE YOU EARNING THE RIGHT TO ASK THEM TO BUY? |
| 44621 | ARE YOU EARNING THE RIGHT TO MANAGE OTHERS? |
| 44621 | ARE YOU EARNING THE RIGHT TO MANAGE OTHERS? |
| 44621 | ARE YOU EARNING THE RIGHT TO MANAGE OTHERS? |
| 44621 | ARE YOU LISTENING? |
| 44621 | ARE YOU LISTENING? |
| 44621 | ARE YOU THE ONE? |
| 44621 | ARE YOU THE ONE? |
| 44621 | ART: WHAT IS IT? |
| 44621 | ASSIGNMENT K. Mea Productions, Inc. WHO''S BEEN SLEEPING IN MY BED? |
| 44621 | American Diabetes Assn., Inc. HOW SURE ARE YOU? |
| 44621 | CAN YOU HEAR ME? |
| 44621 | CAR 54, WHERE ARE YOU? |
| 44621 | COMPANY OF COWARDS? |
| 44621 | COMPANY OF COWARDS? |
| 44621 | COMPANY OF COWARDS? |
| 44621 | FAMILIES AND HISTORY: WHY IS MY NAME ANDERSON? |
| 44621 | FAMILIES AND HISTORY: WHY IS MY NAME ANDERSON? |
| 44621 | FAMILIES AND HISTORY: WHY IS MY NAME ANDERSON? |
| 44621 | FAMILIES AND HISTORY: WHY IS MY NAME ANDERSON? |
| 44621 | FAMILIES AND TRANSPORTATION: WHAT''S A POCKET FOR? |
| 44621 | FAMILIES AND TRANSPORTATION: WHAT''S A POCKET FOR? |
| 44621 | FAMILIES AND TRANSPORTATION: WHAT''S A POCKET FOR? |
| 44621 | FAMILIES AND TRANSPORTATION: WHAT''S A POCKET FOR? |
| 44621 | French, Warren G. ARE POETS PEOPLE? |
| 44621 | Georgia Textile Manufacturers Assn., Inc. WHERE''S THE SAFETY CATCH? |
| 44621 | Gibraltar Productions, Inc. MAN''S FAVORITE SPORT? |
| 44621 | HALT, WHO GROWS THERE? |
| 44621 | HOOK LINE AND WHAT KNOT? |
| 44621 | HOOK LINE AND WHAT KNOT? |
| 44621 | HOW BIG? |
| 44621 | HOW DO I LOVE THEE? |
| 44621 | HOW DO I LOVE THEE? |
| 44621 | HOW DO I LOVE THEE? |
| 44621 | HOW DOES A GARDEN GROW? |
| 44621 | HOW DOES MY CHILD LEARN TO READ? |
| 44621 | HOW GOOD IS A GOOD GUY? |
| 44621 | HOW MANY 1/2''S IS 3/2? |
| 44621 | HOW MUCH HOMEWORK IS ENOUGH? |
| 44621 | HOW MUCH LOVING DOES A NORMAL COUPLE NEED? |
| 44621 | HOW SOFT IS A CLOUD? |
| 44621 | HOW SOFT IS A CLOUD? |
| 44621 | HOW SOLID IS ROCK? |
| 44621 | HOW SOLID IS ROCK? |
| 44621 | HOW SURE ARE YOU? |
| 44621 | HOW VAST IS SPACE? |
| 44621 | HOW VAST IS SPACE? |
| 44621 | HOW WAS THAT AGAIN? |
| 44621 | HOW WAS THAT AGAIN? |
| 44621 | IS PARIS BURNING? |
| 44621 | IS PARIS BURNING? |
| 44621 | IS PARIS BURNING? |
| 44621 | IS PARIS BURNING? |
| 44621 | IS SMOKING WORTH IT? |
| 44621 | IS SMOKING WORTH IT? |
| 44621 | IS THERE A DOCTOR IN THE MOUSE? |
| 44621 | JOBS FOR MEN: WHERE AM I GOING? |
| 44621 | JOBS FOR MEN: WHERE AM I GOING? |
| 44621 | JOBS FOR MEN: WHERE AM I GOING? |
| 44621 | JOBS FOR MEN: WHERE AM I GOING? |
| 44621 | JUSTICE FOR ALL? |
| 44621 | LONELY, OR A LONER? |
| 44621 | LONELY, OR A LONER? |
| 44621 | LSD, THE TRIP TO WHERE? |
| 44621 | LSD, THE TRIP TO WHERE? |
| 44621 | Lance Productions, Inc. WHAT WILL THEY THINK OF NEXT? |
| 44621 | Laurel Productions, Inc. MAN''S FAVORITE SPORT? |
| 44621 | MAN''S FAVORITE SPORT? |
| 44621 | MARRIAGE: WHAT KIND FOR YOU? |
| 44621 | ME IN MEDIA? |
| 44621 | ME IN MEDIA? |
| 44621 | METROPOLIS-- CREATOR OR DESTROYER? |
| 44621 | METROPOLIS-- CREATOR OR DESTROYER? |
| 44621 | METROPOLIS-- CREATOR OR DESTROYER? |
| 44621 | MY LIFE TO LIVE? |
| 44621 | Marianne Productions, S.A. IS PARIS BURNING? |
| 44621 | Menninger Foundation, Topeka, Kan. WHO CARES ABOUT JAMIE? |
| 44621 | NARCOTICS-- WHY NOT? |
| 44621 | Nonnenmacher, Nicholas T. PEACE OR COMMUNISM? |
| 44621 | OR? |
| 44621 | OR? |
| 44621 | PEACE OR COMMUNISM? |
| 44621 | Peeler, Richard E. CERAMICS, WHAT, WHY, HOW? |
| 44621 | Phillips, Roger M. HOW WAS YOUR EVENING? |
| 44621 | REDWOODS-- SAVED? |
| 44621 | REDWOODS-- SAVED? |
| 44621 | REMEMBER EDDIE SIMPSON? |
| 44621 | SANTO DOMINGO, WHY ARE WE THERE? |
| 44621 | SANTO DOMINGO, WHY ARE WE THERE? |
| 44621 | SHOULD I KNOW MY CHILD''S IQ? |
| 44621 | SILENT NIGHTS? |
| 44621 | SILENT NIGHTS? |
| 44621 | SMOKE, ANYONE? |
| 44621 | SMOKE, ANYONE? |
| 44621 | Sib Tower 12, Inc. IS THERE A DOCTOR IN THE MOUSE? |
| 44621 | THE MAKING OF THE PRESIDENT, 1960. WHO IN''68? |
| 44621 | Transcontinental Films, Inc. IS PARIS BURNING? |
| 44621 | WATCHA WATCHIN''? |
| 44621 | WATCHA WATCHIN''? |
| 44621 | WHAT ABOUT SEX? |
| 44621 | WHAT ABOUT SEX? |
| 44621 | WHAT ABOUT THE''61 CHEVY''S? |
| 44621 | WHAT ABOUT THE''61 CHEVY''S? |
| 44621 | WHAT ARE FOSSILS? |
| 44621 | WHAT ARE FOSSILS? |
| 44621 | WHAT ARE STARS MADE OF? |
| 44621 | WHAT ARE TEACHING MACHINES? |
| 44621 | WHAT ARE THINGS MADE OF? |
| 44621 | WHAT CAN I CONTRIBUTE? |
| 44621 | WHAT CAN I CONTRIBUTE? |
| 44621 | WHAT CAN I CONTRIBUTE? |
| 44621 | WHAT COLOR ARE YOU? |
| 44621 | WHAT DID YOU DO IN THE WAR, DADDY? |
| 44621 | WHAT DID YOU DO IN THE WAR, DADDY? |
| 44621 | WHAT DIRECTION? |
| 44621 | WHAT DIRECTION? |
| 44621 | WHAT DOES HUCKLEBERRY FINN SAY? |
| 44621 | WHAT DOES OUR FLAG MEAN? |
| 44621 | WHAT EVER HAPPENED TO BABY JANE? |
| 44621 | WHAT EVER HAPPENED TO BABY JANE? |
| 44621 | WHAT EVER HAPPENED TO BABY JANE? |
| 44621 | WHAT EVER HAPPENED TO BABY JANE? |
| 44621 | WHAT FINER PURPOSE? |
| 44621 | WHAT FINER PURPOSE? |
| 44621 | WHAT FIRST? |
| 44621 | WHAT FIRST? |
| 44621 | WHAT HAPPENS NEXT? |
| 44621 | WHAT HOLDS SATELLITES IN ORBIT? |
| 44621 | WHAT HOLDS SATELLITES IN ORBIT? |
| 44621 | WHAT IS A BIRD? |
| 44621 | WHAT IS A FISH? |
| 44621 | WHAT IS A FORCE? |
| 44621 | WHAT IS A GLACIER? |
| 44621 | WHAT IS A GLACIER? |
| 44621 | WHAT IS A MAMMAL? |
| 44621 | WHAT IS A NEIGHBORHOOD? |
| 44621 | WHAT IS A PAINTING? |
| 44621 | WHAT IS A PAINTING? |
| 44621 | WHAT IS A PAINTING? |
| 44621 | WHAT IS A REPTILE? |
| 44621 | WHAT IS A VOLCANO? |
| 44621 | WHAT IS A VOLCANO? |
| 44621 | WHAT IS ACTIVE AND CREATIVE READING? |
| 44621 | WHAT IS ACTIVE AND CREATIVE READING? |
| 44621 | WHAT IS ACTIVE AND CREATIVE READING? |
| 44621 | WHAT IS ACTIVE AND CREATIVE READING? |
| 44621 | WHAT IS AN AMPHIBIAN? |
| 44621 | WHAT IS AN ECLIPSE? |
| 44621 | WHAT IS AUTOMATION? |
| 44621 | WHAT IS ECOLOGY? |
| 44621 | WHAT IS EFFECTIVE READING? |
| 44621 | WHAT IS EFFECTIVE READING? |
| 44621 | WHAT IS EFFECTIVE READING? |
| 44621 | WHAT IS EFFECTIVE READING? |
| 44621 | WHAT IS ELECTRIC CURRENT? |
| 44621 | WHAT IS EROSION? |
| 44621 | WHAT IS EROSION? |
| 44621 | WHAT IS MEANING? |
| 44621 | WHAT IS POETRY? |
| 44621 | WHAT IS RHYTHM? |
| 44621 | WHAT IS SCIENCE? |
| 44621 | WHAT IS SPACE? |
| 44621 | WHAT IS UNIFORM MOTION? |
| 44621 | WHAT KIND OF GOVERNMENT HAVE WE? |
| 44621 | WHAT MAKES CLOUDS? |
| 44621 | WHAT MAKES CLOUDS? |
| 44621 | WHAT MAKES THE WIND BLOW? |
| 44621 | WHAT MAKES THE WIND BLOW? |
| 44621 | WHAT MAKES WEATHER? |
| 44621 | WHAT ON EARTH? |
| 44621 | WHAT''S IMPORTANT? |
| 44621 | WHAT''S IMPORTANT? |
| 44621 | WHAT''S IN A STORY? |
| 44621 | WHAT''S IN SIGHT? |
| 44621 | WHAT''S IN SIGHT? |
| 44621 | WHAT''S INSIDE THE EARTH? |
| 44621 | WHAT''S IT GOING TO COST YOU? |
| 44621 | WHAT''S IT GOING TO COST YOU? |
| 44621 | WHAT''S LEFT? |
| 44621 | WHAT''S LEFT? |
| 44621 | WHAT''S MY LION? |
| 44621 | WHAT''S NEW PUSSYCAT? |
| 44621 | WHAT''S NEW PUSSYCAT? |
| 44621 | WHAT''S NEW PUSSYCAT? |
| 44621 | WHAT''S SO IMPORTANT ABOUT A WHEEL? |
| 44621 | WHAT''S SO IMPORTANT ABOUT A WHEEL? |
| 44621 | WHAT''S SO IMPORTANT ABOUT A WHEEL? |
| 44621 | WHAT''S THE BIG ATTRACTION? |
| 44621 | WHAT''S THE DIFFERENCE? |
| 44621 | WHAT''S THE GOOD OF A TEST? |
| 44621 | WHAT''S THE GOOD OF A TEST? |
| 44621 | WHAT''S THE GOOD OF A TEST? |
| 44621 | WHAT''S UP DOWN UNDER? |
| 44621 | WHAT''S UP DOWN UNDER? |
| 44621 | WHERE DOES OUR MEAT COME FROM? |
| 44621 | WHICH IS WITCH? |
| 44621 | WHICH IS WITCH? |
| 44621 | WHICH WAY IS NORTH? |
| 44621 | WHICH WAY IS PARADISE? |
| 44621 | WHICH WAY IS PARADISE? |
| 44621 | WHICH WAY? |
| 44621 | WHICH WAY? |
| 44621 | WHO CARES ABOUT JAMIE? |
| 44621 | WHO DO VOODOO? |
| 44621 | WHO IN''68? |
| 44621 | WHO IS DRIVING? |
| 44621 | WHO IS DRIVING? |
| 44621 | WHO KILLED ROY BROWN? |
| 44621 | WHO KILLED ROY BROWN? |
| 44621 | WHO SCENT YOU? |
| 44621 | WHO SHALL LIVE? |
| 44621 | WHO SHALL LIVE? |
| 44621 | WHO WAS THAT LADY? |
| 44621 | WHO WAS THAT LADY? |
| 44621 | WHO WAS THAT LADY? |
| 44621 | WHO''S AFRAID OF VIRGINIA WOOLF? |
| 44621 | WHO''S AFRAID OF VIRGINIA WOOLF? |
| 44621 | WHO''S BEEN SLEEPING IN MY BED? |
| 44621 | WHO''S BEEN SLEEPING IN MY BED? |
| 44621 | WHO''S BEEN SLEEPING IN MY BED? |
| 44621 | WHO''S MINDING THE STORE? |
| 44621 | WHO''S MINDING THE STORE? |
| 44621 | WHO''S MINDING THE STORE? |
| 44621 | WHO, WHAT, WHEN, WHERE, WHY? |
| 44621 | WHOM SHALL WE FEAR? |
| 44621 | WHY BRACEROS? |
| 44621 | WHY BRACEROS? |
| 44621 | WHY COMMUNICATION SATELLITES? |
| 44621 | WHY DO WE STILL HAVE MOUNTAINS? |
| 44621 | WHY DO WE STILL HAVE MOUNTAINS? |
| 44621 | WHY EAT OUR VEGETABLES? |
| 44621 | WHY IS IT? |
| 44621 | WILL WE HAVE YEAR''ROUND SCHOOLS? |
| 44621 | Whirlpool Corp. HOW MANY MEALS TO THE MOON? |
| 44621 | YOU CHALLENGE ME TO A WHAT? |
| 44621 | YOU SAW A WHAT? |
| 44621 | YOU WANNA KNOW WHAT REALLY GOES ON IN A HOSPITAL? |
| 44621 | YOU''RE WHAT? |
| 44621 | YUGOSLAVIA: BRIDGE OR TIGHTROPE? |
| 19969 | A clod-- a country bumpkin? 19969 And leave me down here? |
| 19969 | And no animals are in here; are they? |
| 19969 | And was it you who made the queer noises in the barn, and scared the girls? |
| 19969 | And we can stay here until then; ca n''t we? |
| 19969 | And we were never so glad to see anyone in all our lives; were we? |
| 19969 | And we''ll have to lose th''place? |
| 19969 | And what did dad say? |
| 19969 | And why should he have run when you hailed him? |
| 19969 | And you think he broke this lock to let the bull out? |
| 19969 | Another bug? |
| 19969 | Are we all here; nobody missing? |
| 19969 | Are we to be carried down the ladders? |
| 19969 | Are you hurt, my dear sir? |
| 19969 | Are you much hurt? |
| 19969 | Are you so scared that even a bug ca n''t look at you, sister mine? 19969 Are you sure you''re all right, and able to walk, Alice?" |
| 19969 | Are you sure you''re all right? |
| 19969 | Besides, Oak Farm is n''t exactly in Beatonville; is it, Russ? |
| 19969 | But can you drive horses? |
| 19969 | But could n''t you tell from the papers he left where he had invested the money-- his own, as well as your father''s? |
| 19969 | But did you try to find what he had done with the money? 19969 But how am I to do it in-- this?" |
| 19969 | But on what charge do you arrest me? |
| 19969 | But when is our train coming? |
| 19969 | But where are you going, Daddy? |
| 19969 | But why did your uncle need to borrow money when he had so much of his own? |
| 19969 | But your goat wo n''t bite; will he? |
| 19969 | Ca n''t someone do something? |
| 19969 | Comforting; is n''t he? |
| 19969 | Could it have been bats flying about? |
| 19969 | Could n''t you give us a little more time, Sheriff Hasell? |
| 19969 | Did he break loose? |
| 19969 | Did it hurt much? |
| 19969 | Did you ever know Isaac Apgar? |
| 19969 | Did you search for his things? |
| 19969 | Did you steal that dog, too?'' 19969 Did-- did you hear that?" |
| 19969 | Do n''t you want to come, Daddy? |
| 19969 | Do you mean it? |
| 19969 | Do you mean it? |
| 19969 | Do you mean the odor of that fried chicken? |
| 19969 | Do you suppose he could be one of those men who tried to get your patent? |
| 19969 | Do you think I''d let an act like this get past me? 19969 Do you want to get him? |
| 19969 | Does that mean Paul-- or Russ? |
| 19969 | Does that show he''s sampling it? |
| 19969 | Does your head hurt? |
| 19969 | Does your sting hurt much? |
| 19969 | Eh? 19969 Have I got to fall overboard out of any more boats?" |
| 19969 | Have you any papers to show that your father let him have the money? |
| 19969 | He was in the Apgar barn; was n''t he? |
| 19969 | How can something happen? |
| 19969 | How could it be? 19969 How did it all come about? |
| 19969 | How did it happen? |
| 19969 | How did you come to go to the cabin? |
| 19969 | How did you come to know about this? |
| 19969 | How did you hear of it? |
| 19969 | How do we know it was his? |
| 19969 | How''m I goin''t''git up? |
| 19969 | I mean was n''t there some sort of a mystery connected with Sandy Apgar, the young farmer who works it? 19969 I think we had better tell Sandy----""What is it you want to tell me?" |
| 19969 | I wonder what I''ll have to do next? |
| 19969 | I wonder what has happened to him? |
| 19969 | I wonder what in the world his game can be, anyhow? |
| 19969 | I wonder what is going on? |
| 19969 | I''ll just love that; wo n''t you, Ruth? |
| 19969 | Is any one hurt? |
| 19969 | Is anybody hurt? |
| 19969 | Is he hurt? |
| 19969 | Is he there? |
| 19969 | Is it a-- er-- a gentle beast? |
| 19969 | Is it your dog? |
| 19969 | Is my dog safe? |
| 19969 | Is n''t dot der answer? |
| 19969 | Is n''t it killing, Ruth? |
| 19969 | Is n''t she horrid, to try to put on such airs here? |
| 19969 | Is n''t there a bridge somewhere around here, where we can cross? |
| 19969 | Is n''t there something queer about it? |
| 19969 | Is there any such thing as good luck? 19969 It was n''t one of those men who tried to get Russ''s patent; was it?" |
| 19969 | It''s sort of suspicious; ai n''t it? |
| 19969 | Lobsters? 19969 May we go with you?" |
| 19969 | Mystery? |
| 19969 | Nothing was disturbed last night, though; was there? |
| 19969 | Now then, Mister whatever- your- name- is,began the squire,"what about you?" |
| 19969 | Now, is everyone here? |
| 19969 | Oh, how can you? |
| 19969 | Oh, where are you going? |
| 19969 | Oh, why do you always think of such nervous, scary things? |
| 19969 | Really, Alice? |
| 19969 | Shall I like it? |
| 19969 | So you got him; eh? |
| 19969 | Suppose he had kept on? |
| 19969 | Suppose we go out and see what caused it? 19969 Suspicion of what?" |
| 19969 | That you,''Bige? |
| 19969 | Then it is trouble? |
| 19969 | Then you are n''t going to swim back? |
| 19969 | Vot for you do dot to me? |
| 19969 | Vy should n''t ve make ourselves yet into a committee und all go after him? |
| 19969 | Was that his cabin? |
| 19969 | Was there? |
| 19969 | Water scenes? |
| 19969 | Well, Daddy dear, wo n''t it be just fine to have fresh eggs? |
| 19969 | What about looking for his money? |
| 19969 | What are you doing? |
| 19969 | What are you going to do? |
| 19969 | What for, pray? |
| 19969 | What for? |
| 19969 | What for? |
| 19969 | What had we better do? |
| 19969 | What in the world are you doing that for? |
| 19969 | What in the world for? |
| 19969 | What is it this time? |
| 19969 | What is it? 19969 What is it?" |
| 19969 | What is it? |
| 19969 | What is it? |
| 19969 | What kind of a dog was he? |
| 19969 | What lost dog? |
| 19969 | What of it? 19969 What shall we do, Ruth?" |
| 19969 | What sort of a place is it? |
| 19969 | What sort of a scene will it be a part of? |
| 19969 | What was his object? |
| 19969 | What was that? |
| 19969 | What''ll you do? |
| 19969 | What''s that? |
| 19969 | What''s the matter-- cut yourself? |
| 19969 | What''s the matter? |
| 19969 | What, dear? |
| 19969 | What? 19969 What?" |
| 19969 | When are they going to begin taking the pictures? |
| 19969 | Where is he? |
| 19969 | Where is he? |
| 19969 | Where is the bell- boy? |
| 19969 | Which way was he headed? |
| 19969 | Who do you think he was? |
| 19969 | Who is there? |
| 19969 | Who was he? |
| 19969 | Who''s going to be rescued? |
| 19969 | Who''s going to ride in that cart? |
| 19969 | Why did I ever go into moving pictures? |
| 19969 | Why do n''t you practice it? |
| 19969 | Why do you carry your camera, Russ? |
| 19969 | Why is to- day better than any other day? |
| 19969 | Why not? 19969 Why not?" |
| 19969 | Why so? |
| 19969 | Why, Alice, you would n''t do that; would you? |
| 19969 | Yes-- but what is that to you? |
| 19969 | You did n''t get any word; did you? |
| 19969 | You do n''t mean to say you''re going to keep on in this moving picture business all winter, do you? |
| 19969 | You have n''t been finding money for the mortgage; have you? |
| 19969 | You say you found Isaac Apgar''s hidden wealth? |
| 19969 | *****"Well, I wonder what sort of''stunts''we''ll have to do next, Ruth?" |
| 19969 | A. D.''Were n''t those hers?" |
| 19969 | Alice called,"ca n''t I go fishing, too?" |
| 19969 | And so it was an accident?" |
| 19969 | And so you found the hidden box? |
| 19969 | And why had not the man come to meet them with the umbrella, while he was about it? |
| 19969 | Apgar?" |
| 19969 | Are n''t those reels, as you call''em, valuable?" |
| 19969 | Are you about to be put off the farm?" |
| 19969 | Bunn?" |
| 19969 | But what do the men make all that noise for?" |
| 19969 | But you say he was livin''in it?" |
| 19969 | CHAPTER XVII IN THE WOODS"What-- what can it be?" |
| 19969 | CHAPTER XXIII THE MONEY BOX"What did he say?" |
| 19969 | Can you film him, Russ?" |
| 19969 | Chance for what?" |
| 19969 | Do n''t you want the barn burned?" |
| 19969 | Does anyone stay here?" |
| 19969 | Have a good journey?" |
| 19969 | Have n''t I been studying my part for the last week? |
| 19969 | Have n''t you some such building on the place-- one that is n''t of much use?" |
| 19969 | Have you anything to eat out at your place?" |
| 19969 | Have you ever been to Oak Farm, Russ?" |
| 19969 | Have you got any enemies?" |
| 19969 | How long will it take us to get to your farm?" |
| 19969 | How was it?" |
| 19969 | I become a country fireman?" |
| 19969 | I guess, Paul, you do n''t care to be seen in that rig; do you?" |
| 19969 | I just love the work; do n''t you, Ruth?" |
| 19969 | I play that character?" |
| 19969 | I wonder what sort of parts I''ll get? |
| 19969 | I wonder what system of illumination they have?" |
| 19969 | Is everything all right?" |
| 19969 | Is there anything peculiar about us?" |
| 19969 | Is to- day Friday, the thirteenth?" |
| 19969 | May n''t we stay, Daddy?" |
| 19969 | Me carry someone from a burning building? |
| 19969 | Me in movin''pictures? |
| 19969 | Meanwhile, what of Russ, Paul and the mysterious man? |
| 19969 | Now Squire, I suppose the foreclosure is off; ai n''t it? |
| 19969 | Oh, Rex, where are you?" |
| 19969 | Oh, why did I ever get into this wretched business?" |
| 19969 | Pertell?" |
| 19969 | Pertell?" |
| 19969 | Plenty of film on hand?" |
| 19969 | Russ, I suppose your camera is in shape?" |
| 19969 | Sandy seemed to hang back and the manager asked him:"Do you want to give up your part in it, now that you have your money again? |
| 19969 | Say, he can run some; ca n''t he?" |
| 19969 | Shall we go home, now?" |
| 19969 | Sneed?" |
| 19969 | Suppose this barn should catch fire? |
| 19969 | Then he said, very quietly:"Where is that hoe?" |
| 19969 | They will be quiet now; wo n''t they, Sandy?" |
| 19969 | Think you can do it?" |
| 19969 | Vhy shoult I get der vay oudt?" |
| 19969 | Was he a friend of yours?" |
| 19969 | Was this the man who had run out of the barn? |
| 19969 | We can go on from the point where the horses started to run; ca n''t we?" |
| 19969 | What became of the money he got from your father?" |
| 19969 | What caused it; did the crops fail?" |
| 19969 | What do you say if we look for another engagement? |
| 19969 | What had we better do? |
| 19969 | What have you found?" |
| 19969 | What sort of a dog was it, Alice?" |
| 19969 | What would happen to us?" |
| 19969 | What''s that? |
| 19969 | What''s that?" |
| 19969 | What-- what do you mean? |
| 19969 | Which track will it be on, Russ?" |
| 19969 | Who can he be?" |
| 19969 | Who could have taken you?" |
| 19969 | Who is he, anyhow, Sandy?" |
| 19969 | Who was he?" |
| 19969 | Why did n''t you get out of the way?" |
| 19969 | Why not, I''d like to know?" |
| 19969 | Will you please cut that line?" |
| 19969 | You means dot I vet him all ofer?" |
| 19969 | You say the noise was just like the one you heard before?" |
| 19969 | You want to; do n''t you, Ruth?" |
| 19969 | You wo n''t mind; will you, Daddy?" |
| 19969 | You''ll not go upstairs now; will you, Alice, dear?" |
| 19969 | cried Mr. Pertell,"What does all this mean?" |
| 19969 | cried Russ,"why not put Sandy in the picture, too?" |
| 17118 | Am I boring you? |
| 17118 | An''they do that fer money? |
| 17118 | And are there manatees down here? |
| 17118 | And can you take us to that steamer? |
| 17118 | And get one for me; will you, Paul? |
| 17118 | And is this your place? |
| 17118 | And it looks as though we''d have to-- eh? |
| 17118 | And now the question is-- what are we to do? |
| 17118 | And what next? |
| 17118 | And where are we going, may I ask? |
| 17118 | And yet is n''t it queer we do n''t see some sign of life? |
| 17118 | And you say they went out to get rare flowers? |
| 17118 | Any more fort stuff? |
| 17118 | Anyone there? |
| 17118 | Are there any more like it? |
| 17118 | Are they dangerous? |
| 17118 | Are they dangerous? |
| 17118 | Are they lowering the boat? |
| 17118 | Are we as scary as all that? |
| 17118 | Are we going to blow up? |
| 17118 | Are we in it? |
| 17118 | Are you afraid to go there? |
| 17118 | Are you coming with us, Captain Falcon-- you and your sailors? |
| 17118 | Are you going to leave the bobcat there? |
| 17118 | Are you sure it is only fire--_drill_? |
| 17118 | Are your ladies comfortable? |
| 17118 | Beg pardon, my dear sir, but are we going to a_ very_ wild part of this country? |
| 17118 | But if they do n''t come back until dark, what shall we do? |
| 17118 | But suppose we have to take to the boats at night? |
| 17118 | But what are we going to do? |
| 17118 | But what can we do? |
| 17118 | But what is a chap to do? 17118 Can I, Miss? |
| 17118 | Can they get at us? |
| 17118 | Can you find it? |
| 17118 | Can you see anything? |
| 17118 | Can you tell us where we are, and where the_ Magnolia_ is tied up? |
| 17118 | Did you get any reply? |
| 17118 | Did you know them? |
| 17118 | Did you meet a handsome prisoner? |
| 17118 | Do n''t knock-- call,suggested Russ, and, raising his voice, he fairly shouted:"Is anyone here?" |
| 17118 | Do n''t you remember us-- the moving picture girls? |
| 17118 | Do n''t you think they''ll find us-- or we them-- by breakfast time? |
| 17118 | Do n''t you think we could keep on rowing, and perhaps find the steamer, Russ? |
| 17118 | Do n''t you want to come for a row? |
| 17118 | Do those boats go very fast? |
| 17118 | Do you call alligators lovely? |
| 17118 | Do you mean moving pictures? |
| 17118 | Do you mean to say you are filming me in this state? |
| 17118 | Do you really think it''s gone? |
| 17118 | Do you really think so? |
| 17118 | Do you suppose for one instant-- er, ah-- that I am going to let the public see me like this? |
| 17118 | Do you think it safe? |
| 17118 | Do you think we''ll_ ever_ be able to reach it, old man? |
| 17118 | Do you think you can pilot us to that steamer? |
| 17118 | Do you-- er-- ah-- mean to say that you_ filmed_ me? |
| 17118 | Do-- do you mean, we are-- lost? |
| 17118 | Does any one know what has become of them? |
| 17118 | Does it worry you, Ruth? |
| 17118 | Does this mean-- does it indicate that we are to take to the boats? |
| 17118 | Dost wish to quaff a cup? |
| 17118 | Excuse me,remarked the German actor, softly,"but vy iss it necessary dot I rescue him?" |
| 17118 | Going to make all your pictures around here? |
| 17118 | Hand me that gun, Paul, I''ll try--"Oh, you''re not going after it-- in the dark, are you? |
| 17118 | Happened? 17118 Has anyone been here lately?" |
| 17118 | Have I got to go in more mud and water? |
| 17118 | Have they made any search for them? |
| 17118 | How about going ashore? |
| 17118 | How are we going to get farther into the interior? |
| 17118 | How are you coming on, Russ? |
| 17118 | How could you? |
| 17118 | How do you ever stand it? 17118 How does an alligator sound?" |
| 17118 | How is your throat, Daddy? |
| 17118 | How large is it, Russ? |
| 17118 | How long ago was it? |
| 17118 | How will you summon the_ Bell_? |
| 17118 | How''s that? |
| 17118 | I beg your pardon, Miss,began the soldier, with a salute,"but has old Jake annoyed you?" |
| 17118 | I fancy I can fix it,said Russ,"but the question is: Which way to go? |
| 17118 | I wonder if alligators eat alligator pears? |
| 17118 | I wonder if it is true-- as he says-- that there is no danger? |
| 17118 | I wonder if it would be impolite to open the door, or the curtain, and look in? |
| 17118 | I wonder if they mean us? |
| 17118 | I wonder if they will take any pictures here? |
| 17118 | I wonder if we could get it? |
| 17118 | I wonder if we had n''t better shout again, and fire a few shots? |
| 17118 | I wonder if we ought to take all these light waists? |
| 17118 | I wonder what sort of a stateroom we''ll have here, Laura? |
| 17118 | I wonder what will happen to us out there? |
| 17118 | I wonder what will happen to- morrow? |
| 17118 | I-- ah-- er-- presume we shall have a little time to-- er-- see the sights of St. Augustine; will we not? |
| 17118 | In the meanwhile-- the fire may gain? |
| 17118 | Into the wilds? |
| 17118 | Is he all right? |
| 17118 | Is n''t it dangerous? |
| 17118 | Is n''t it silly? |
| 17118 | Is n''t it wild and desolate in here? |
| 17118 | Is n''t it wonderful here? |
| 17118 | Is that a light-- a lantern-- off there? |
| 17118 | Is that so? 17118 Is the ship sinking?" |
| 17118 | Is there any more? |
| 17118 | Is there any-- er-- any society there? |
| 17118 | Is this really the fountain Ponce de Leon thought would give eternal youth? |
| 17118 | Is this your place, Uncle? |
| 17118 | Is your throat better? |
| 17118 | It seems so-- so--began Ruth, but Alice interrupted with:"Why should n''t he get the film? |
| 17118 | Kin I show yo''all a way outen dish yeah woods? 17118 Many in Florida? |
| 17118 | May I? |
| 17118 | Me? 17118 Must that be done?" |
| 17118 | My, how long ago that seems; does n''t it? |
| 17118 | No one missing? |
| 17118 | Now I wonder how one is to knock at a palm leaf door? |
| 17118 | Oh, Daddy, is the boat going to sink? |
| 17118 | Oh, are you going to shoot? |
| 17118 | Oh, but can you tell us where our steamer is? |
| 17118 | Oh, but is n''t it a strange coincidence? |
| 17118 | Oh, can you see him? |
| 17118 | Oh, did n''t you hear it? |
| 17118 | Oh, how can you be so heartless? |
| 17118 | Oh, how did you ever get here? |
| 17118 | Oh, is n''t this the most awful thing you ever saw, or heard of? |
| 17118 | Oh, is that really here? |
| 17118 | Oh, must we really go in those little things? |
| 17118 | Oh, what is it? 17118 Oh, what is it?" |
| 17118 | Oh, what shall we do? |
| 17118 | Oh, what will become of us? |
| 17118 | Oh, whoever you are, can you show us the way out of this wilderness? |
| 17118 | Oh, you are with the moving picture company; are n''t you? |
| 17118 | Oh-- you-- you know us? |
| 17118 | On account of thinking of those girls? |
| 17118 | Only, do n''t you think it''s better to stay in the boat? |
| 17118 | Othello? 17118 Ought n''t we to be at the steamer by this time?" |
| 17118 | Photographers? |
| 17118 | Picture- players; eh? |
| 17118 | Punish him? 17118 Ready?" |
| 17118 | Suppose he had jumped into the boat? |
| 17118 | Suppose it should be us? |
| 17118 | That was a mistake on the part of Mr. Pertell; was n''t it, Ruth? |
| 17118 | That''s down among the Everglades; is n''t it? |
| 17118 | The colored man told him as well as he could, and Mr. Madison decided to set off in search of this flower-- if an orchid is a flower? |
| 17118 | The second question is-- Will you wait for the_ Bell_ to come up? 17118 Then the fire is n''t altogether under control?" |
| 17118 | Then you wo n''t punish him? |
| 17118 | There are no alligators in this bay; are there? |
| 17118 | There may finally be no necessity for leaving our own ship, I take it? |
| 17118 | Was he? |
| 17118 | Was n''t it a dandy race? |
| 17118 | Was n''t it? |
| 17118 | Well, Paul, where is it to be-- you''re the guide? |
| 17118 | Well, are we all here? |
| 17118 | Well, are we all ready? |
| 17118 | Well, was n''t that what you meant? |
| 17118 | What about alligators? |
| 17118 | What about it? |
| 17118 | What are we to do? |
| 17118 | What are you going to do when we are gone? |
| 17118 | What can we do? |
| 17118 | What do you mean? |
| 17118 | What do you wonder? |
| 17118 | What for? |
| 17118 | What had we better do? |
| 17118 | What has happened? |
| 17118 | What is it? 17118 What is it?" |
| 17118 | What is it? |
| 17118 | What is it? |
| 17118 | What is it? |
| 17118 | What is that, Captain? |
| 17118 | What is the other alternative? |
| 17118 | What is the report? |
| 17118 | What sort of a hut is it? |
| 17118 | What sort of flowers were they after? |
| 17118 | What was it? |
| 17118 | What was that? |
| 17118 | What''s a sea cow? |
| 17118 | What''s it all about? |
| 17118 | What''s that? |
| 17118 | What''s that? |
| 17118 | What''s that? |
| 17118 | What-- what shall we do? |
| 17118 | What? |
| 17118 | Where are we going from here? |
| 17118 | Where are we going next? |
| 17118 | Where are you going? |
| 17118 | Where in Florida was it? |
| 17118 | Where is Ruth? |
| 17118 | Where shall we go? |
| 17118 | Where this time? |
| 17118 | Where''s Pop Snooks? |
| 17118 | Where''s your map? |
| 17118 | Where? |
| 17118 | Who can it be? |
| 17118 | Who has been here? |
| 17118 | Who is not going, Mr. Sneed, pray? |
| 17118 | Who knows but what it may preserve us, out in those dismal swamps? |
| 17118 | Who wants mail, when you can sit out on deck and look at such a scene as that? |
| 17118 | Who, the lovers get stuck in a bog? |
| 17118 | Who-- me? 17118 Why do n''t you say orange blossoms while you''re about it?" |
| 17118 | Why not? 17118 Why not?" |
| 17118 | Why not? |
| 17118 | Why not? |
| 17118 | Why not? |
| 17118 | Why should n''t I go close? |
| 17118 | Why, dear? |
| 17118 | Why, sister of mine? |
| 17118 | Why, what''s the matter? |
| 17118 | Why, where have you been? |
| 17118 | Why, you ca n''t expect a man who has just been rescued from New York Bay to look as though he came out of a band- box; can you, dear man? |
| 17118 | Why? |
| 17118 | Why? |
| 17118 | Will we have to go in one of the small boats, like that? |
| 17118 | Will you take me out after oranges, Paul? |
| 17118 | With no result? |
| 17118 | Wo n''t it be fine, Ruth? |
| 17118 | Wo n''t you tell us who you are? |
| 17118 | Wonder what''s happened now? |
| 17118 | Would it be any better to get out and walk? |
| 17118 | Would n''t they go first to the place where we took the picnic films? |
| 17118 | Yes, dear, what is it? |
| 17118 | Yes, is n''t it wonderful, after all the storm and stress of the fire, to be in this lovely, calm place? |
| 17118 | Yes? |
| 17118 | You are not troubled with_ mal- de- mer_, then? |
| 17118 | You do n''t mind that; do you, sister mine? 17118 You would n''t expect to swim; would you?" |
| 17118 | You''ll come, wo n''t you, Ruth? |
| 17118 | And the hut itself does n''t seem like a very permanent sort of residence; does it?" |
| 17118 | And who could be unfriendly in that beautiful spot, and on the reputed site of the Fountain of Youth? |
| 17118 | Are any of the horrid things around here?" |
| 17118 | Are you up in your parts?" |
| 17118 | Augustine?" |
| 17118 | Be you folks on that steamer?" |
| 17118 | But who cares? |
| 17118 | By the way, where did it say those girls started from? |
| 17118 | CHAPTER XXIV THE LOST ARE FOUND"What does it mean?" |
| 17118 | Could n''t we tear those into strips--?" |
| 17118 | Do you hear? |
| 17118 | Do you mean it?" |
| 17118 | Do you mean it?" |
| 17118 | Hab yo''all seen any photographers round''bout yeah?" |
| 17118 | Hand me the powder; will you? |
| 17118 | Have you been bothering some of the women visitors?" |
| 17118 | He recovered himself, however, and called out:"Whut-- whut yo''all doin''at mah cabin?" |
| 17118 | How can one get enough to eat in them?" |
| 17118 | I wonder if he really believed he had found it?" |
| 17118 | I wonder if they can have been found by this time?" |
| 17118 | I wonder what became of that animal you shot, Russ? |
| 17118 | Is it going to attack us?" |
| 17118 | Is n''t it too bad about them? |
| 17118 | Is n''t that the truth?" |
| 17118 | Is n''t the weather glorious?" |
| 17118 | It is n''t a bit rough; is it?" |
| 17118 | It makes a big difference; does n''t it?" |
| 17118 | Leave you alone with that beast? |
| 17118 | My dear man, can you forgive me?" |
| 17118 | Oh, by the way, did Mr. Towne arrive? |
| 17118 | Oh, say, did you notice how much color Laura had on to- day? |
| 17118 | Oh, what is it?" |
| 17118 | Pleasant prospect; is n''t it?" |
| 17118 | Suppose we get lost, as those two girls are?" |
| 17118 | Switzer?" |
| 17118 | Then the two girls hurried forward, and one of them exclaimed:"Oh, have you come for us?" |
| 17118 | There is no danger; is there, Paul?" |
| 17118 | What do you mean?" |
| 17118 | What do you say we go out to the old city gates, and then to Fort Marion?" |
| 17118 | What for?" |
| 17118 | What is it-- a tiger?" |
| 17118 | What shall we do?" |
| 17118 | What would be next-- where would the next meal come from? |
| 17118 | What would come next? |
| 17118 | Where all does yo''all want t''go? |
| 17118 | Where did you get that rug? |
| 17118 | Where did you get that?" |
| 17118 | Where is the bog hole?" |
| 17118 | Where were you?" |
| 17118 | Who are they?" |
| 17118 | Who speaks of Othello?" |
| 17118 | Why ca n''t you be cheerful?" |
| 17118 | Why should it? |
| 17118 | Yo''ai n''t gwine t''send po''ole Jake away; is yo'', Missie?" |
| 17118 | Yo''all did n''t see''em; did yo''all?" |
| 17118 | You folks live around here? |
| 17118 | You''re not in any real danger; are you?" |
| 17118 | cried Ruth, pausing with the comb half way through a thick strand of hair,"suppose it should be those two girls we met?" |
| 17118 | the soldier exclaimed,"have n''t I told you time and again to keep away from here? |
| 1283 | A big fight; eh? |
| 1283 | A native fight, eh? 1283 A warning?" |
| 1283 | All ready? |
| 1283 | An''ca n''t yo''-all take a picture ob de chicken coop? |
| 1283 | And are you expected to get pictures of it shooting out flames and smoke, Tom? |
| 1283 | And are you going with us? |
| 1283 | And so he got away? |
| 1283 | And supposing it does not happen? |
| 1283 | And when it does happen, Tom, are you going to stand in front of it, and snap- shot it? |
| 1283 | And where will the battle take place? |
| 1283 | And why should n''t I be? |
| 1283 | Any one I know? 1283 Any particular one? |
| 1283 | Anything wrong? |
| 1283 | Are those Englishmen taking pictures yet? |
| 1283 | Are you all off? |
| 1283 | Are you all ready? |
| 1283 | Are you getting good pictures, Tom? |
| 1283 | Are you going to save them? |
| 1283 | Are you going to take his offer? |
| 1283 | Are you going up very far? |
| 1283 | Are you sure he was after the chickens? |
| 1283 | Are you sure, Rad? |
| 1283 | Beg pardon,said the taller of the two, addressing our hero,"but could you lend us a roll of film? |
| 1283 | But are you and I going to stay up all night to do stunts in front of it? |
| 1283 | But what about staying here now? 1283 But what about the chicken thief?" |
| 1283 | But why should they start a fire? |
| 1283 | But will the lions come up if they see the light? |
| 1283 | But you will; wo n''t you? |
| 1283 | Ca n''t something be done, Tom? |
| 1283 | Ca n''t we do anything, Tom? |
| 1283 | Did he get away? |
| 1283 | Did they chloroform us? |
| 1283 | Did ye cotch de raskil? |
| 1283 | Did ye cotch him, Massa Tom? |
| 1283 | Did you get that, Tom? |
| 1283 | Did you hear that? |
| 1283 | Did you know who he was? |
| 1283 | Did you try? |
| 1283 | Do you know where you are going? |
| 1283 | Do you remember what we were talking about, when that interruption came? |
| 1283 | Do you stand under me? |
| 1283 | Do you think we can make them understand what we want? |
| 1283 | Does n''t he know what you contemplate? |
| 1283 | Eh? 1283 From over by that drinking pool?" |
| 1283 | From who? 1283 Get a picture?" |
| 1283 | Going down? |
| 1283 | Going how? |
| 1283 | Has anything happened? |
| 1283 | Have you any films in the camera now? |
| 1283 | Have you any idea what you will do next? |
| 1283 | Have you done any yet? |
| 1283 | Have you the rolls of films? |
| 1283 | He your friend? |
| 1283 | Him? 1283 How about it, Tom?" |
| 1283 | How about the giant? |
| 1283 | How are you going to do that, Tom? |
| 1283 | How are you going to stop it? |
| 1283 | How can you fix it? |
| 1283 | How do you feel? |
| 1283 | How do you imagine they worked that trick on us? |
| 1283 | How is the moving picture camera coming on? |
| 1283 | How long? |
| 1283 | I see your point, but--"You want to know why I come to you; do n''t you? |
| 1283 | I wonder what became of those men who started to make so much trouble for you, Tom? |
| 1283 | I wonder why those chaps ca n''t let me alone? 1283 I wonder why?" |
| 1283 | If we take him along in the airship, will we be able to float, Tom? |
| 1283 | Important business; eh, Koku? 1283 Is Mr. Damon going along?" |
| 1283 | Is anything else gone? |
| 1283 | Is it blazing much, Rad? |
| 1283 | Is it true? |
| 1283 | Is n''t he the greatest ever-- Mr. Period, I mean? |
| 1283 | Is she working, Tom? |
| 1283 | Is there any danger? |
| 1283 | Is this Mr. Tom Swift? |
| 1283 | Look, Tom, what''s that? |
| 1283 | Mr. Tom all right? |
| 1283 | Mr. Tom, where you be? 1283 My telegram? |
| 1283 | Not going? |
| 1283 | Nothing like that happens? |
| 1283 | Now do you get me? 1283 Now when can you go?" |
| 1283 | Oh, Koku, it''s you; is it? |
| 1283 | Oh, Tom, were n''t you dreadfully frightened when you saw that burning river of lava coming toward you? |
| 1283 | Quick business; eh? 1283 Say, do n''t you smell something?" |
| 1283 | See anything? |
| 1283 | See that, Ned? |
| 1283 | So then you do n''t know where you''re going next? |
| 1283 | Some one else? 1283 Something like smoke?" |
| 1283 | Suah? 1283 That is, see how it works?" |
| 1283 | The North Pole? |
| 1283 | Then he did n''t make out your programme completely before you started? |
| 1283 | Then you are going to take Koku? |
| 1283 | To- morrow? 1283 Tom, did you ever know me to refuse an invitation from you? |
| 1283 | Turn back? |
| 1283 | Was it a full grown man, or some one about my size? |
| 1283 | We''d better be going up; had n''t we Tom? |
| 1283 | Well, Tom, have you made up your mind? |
| 1283 | Well, how soon will you be ready to start out again? |
| 1283 | Well, what am I going to do about it? |
| 1283 | Well, what''s next on the programme? |
| 1283 | Well, what''s up, Tom? |
| 1283 | Well, where to now? |
| 1283 | Well? |
| 1283 | Were all the films clear that I sent you? |
| 1283 | What are you doing? |
| 1283 | What are you going to do first? |
| 1283 | What are you going to do? 1283 What are you going to do?" |
| 1283 | What are you going to do? |
| 1283 | What are you going to do? |
| 1283 | What can we do? |
| 1283 | What do you mean by that? 1283 What do you think of it, Tom?" |
| 1283 | What for? |
| 1283 | What happened, Tom? 1283 What has happened?" |
| 1283 | What has? |
| 1283 | What if the natives do n''t fight, Tom? 1283 What in the world do you want to go make a big jump like that for? |
| 1283 | What in the world happened to me? 1283 What is it?" |
| 1283 | What is it? |
| 1283 | What is it? |
| 1283 | What is it? |
| 1283 | What kind of a camera are you going to use? |
| 1283 | What kind of danger are you looking for? |
| 1283 | What kind? |
| 1283 | What''s that choking us, Tom? |
| 1283 | What''s that? |
| 1283 | What''s that? |
| 1283 | What''s the matter with me going ahead? |
| 1283 | What''s up now? |
| 1283 | What''s up now? |
| 1283 | What''s up? |
| 1283 | What''s wrong, Ned? |
| 1283 | What? |
| 1283 | Where are you taking us, my dear chap? |
| 1283 | Where is your next stopping place, Tom? |
| 1283 | Where to now? |
| 1283 | Where you want him? |
| 1283 | Where? |
| 1283 | Which of you is Tom Swift? |
| 1283 | Which one is that? |
| 1283 | Who brought me out? |
| 1283 | Who did it? 1283 Who is it, Koku?" |
| 1283 | Who was that man? |
| 1283 | Who''s there? |
| 1283 | Who? |
| 1283 | Why did he go out so quickly? |
| 1283 | Why did n''t I think of it? 1283 Why do n''t they think to use the hose?" |
| 1283 | Why do you ask that? |
| 1283 | Why not? |
| 1283 | Why, Tom? |
| 1283 | Why, are n''t you going to take any more views of the elephants? |
| 1283 | Why, are you going to leave the camera out, all night? |
| 1283 | Why, did you notice anything unusual? |
| 1283 | Why, what''s the matter? |
| 1283 | Will you go? |
| 1283 | Will you have time? |
| 1283 | Wo n''t you stop all night? |
| 1283 | Yes, Mr. Tom; what is it? |
| 1283 | Yes, what about him? |
| 1283 | Yes, what is it? 1283 Yes? |
| 1283 | You do n''t mean that; do you Tom? |
| 1283 | You will? 1283 A new kind of magazine gun? |
| 1283 | Advertising scheme-- get me?" |
| 1283 | And those scoundrels took your camera; eh?" |
| 1283 | And what do you expect to get in that mountain land?" |
| 1283 | Are you going all the way by your airship?" |
| 1283 | But how does Mr. Period know that it''s going to get into action when we want it to?" |
| 1283 | But how is the camera coming on?" |
| 1283 | But who can I get?" |
| 1283 | But wo n''t it be dangerous, Tom?" |
| 1283 | CHAPTER VI TRYING THE CAMERA"Well, what do you think of that?" |
| 1283 | CHAPTER VII WHAT THE CAMERA CAUGHT"Well, is she working, Tom?" |
| 1283 | CHAPTER VIII PHOTOS FROM THE AIRSHIP"Well, Tom, how is it going?" |
| 1283 | CHAPTER X UNEXPECTED EXCITEMENT"Well, what do you know about that, Tom?" |
| 1283 | CHAPTER XIII A SHOT IN TIME"Tom, did you ever see anything like it in your life?" |
| 1283 | CHAPTER XVII SUSPICIOUS STRANGERS"Off to Africa; eh?" |
| 1283 | CHAPTER XXIII AT THE VOLCANO"And you''ve got to snap- shot a volcano?" |
| 1283 | Could you connect them with Turbot and Eckert?" |
| 1283 | Damon?" |
| 1283 | Did I get kicked by that mule Boomerang of Eradicate''s, that I''ve heard so much about? |
| 1283 | Did he send in his card?" |
| 1283 | Did n''t they frighten you, especially when the rhinoceros charged you?" |
| 1283 | Did you get my letter?" |
| 1283 | Did you notice that fellow who was in here a minute ago, when I asked for a telegram?" |
| 1283 | Did you see anything of a tramp around here?" |
| 1283 | Did you see anything of the fellows, Koku, or Eradicate?" |
| 1283 | Did you see him, Rad?" |
| 1283 | Do n''t you want Koku to shift the deflecting rudder? |
| 1283 | Do you get me?" |
| 1283 | Do you know the other chap-- the one who ran out when I asked for my telegram?" |
| 1283 | Do you know who sent me to see you?" |
| 1283 | Do you see anything of them, Ned?" |
| 1283 | Fair, is n''t it?" |
| 1283 | Get the idea? |
| 1283 | Go down to earth with this awful volcano spouting fire?" |
| 1283 | Got your camera ready?" |
| 1283 | Have you damaged my camera?" |
| 1283 | Have you gone crazy?" |
| 1283 | How did Koku come to arrive in time?" |
| 1283 | How did it happen?" |
| 1283 | How soon can you start for Calcutta?" |
| 1283 | How''s that? |
| 1283 | How''s that? |
| 1283 | I wonder what the game was? |
| 1283 | I--""How did you know about them?" |
| 1283 | Is he in the front office?" |
| 1283 | Is it Vesuvius? |
| 1283 | Is it here?" |
| 1283 | Is it the''Blessing Man?''" |
| 1283 | Is that beast really dead? |
| 1283 | Is that giant of yours anywhere about?" |
| 1283 | It must be a swift camera-- catch on-- you''re Swift, and you make a swift camera; see the point?" |
| 1283 | It was about ten o''clock the next day, when Ned, who had relieved Tom on watch, uttered a cry:"What is it?" |
| 1283 | Mr. Period pulled out his watch, opened it quickly, snapped it shut again, and exclaimed:"Well, how about it, Tom Swift? |
| 1283 | My necktie is n''t spotted; is it?" |
| 1283 | Nestor?" |
| 1283 | Now when do you think you can start?" |
| 1283 | Now will you?" |
| 1283 | One of the hunters, evidently the chief, shaking his fist at our hero, cried:"Ca n''t you take your blooming ship out of the way, my man? |
| 1283 | Or are we too late for it?" |
| 1283 | Or was it an earthquake, such as I want to get a picture of? |
| 1283 | Period?" |
| 1283 | Say, I wonder if they''ll get''em all off?" |
| 1283 | Say, Ned, it''s erupting all right, is n''t it?" |
| 1283 | Say, did you see how they stared at Koku?" |
| 1283 | See it?" |
| 1283 | See those two men, and some sort of a machine they''ve got stuck up on stilts? |
| 1283 | Slowly he opened his eyes, and in a faint voice asked:"Where-- am-- I?" |
| 1283 | This is one; is n''t he?" |
| 1283 | Tom?" |
| 1283 | What about those Englishmen?" |
| 1283 | What are you going to try for next?" |
| 1283 | What for?" |
| 1283 | What hair- raising stunt are you going to try next, Tom?" |
| 1283 | What happened?" |
| 1283 | What in the world is the matter with him?" |
| 1283 | What is it?" |
| 1283 | What is matter?" |
| 1283 | What is your answer to my offer?" |
| 1283 | What would you do, Ned?" |
| 1283 | What''s his hurry getting in here?" |
| 1283 | What''s that? |
| 1283 | What''s the matter?" |
| 1283 | What''s up now, Tom Swift?" |
| 1283 | When will you start?" |
| 1283 | Where are you going?" |
| 1283 | Where is Tom?" |
| 1283 | Where''s Tom Swift?" |
| 1283 | Who did it?" |
| 1283 | Who else? |
| 1283 | Who for?" |
| 1283 | Who took it?" |
| 1283 | Who was he, and what did he do?" |
| 1283 | Whom do you think the other chap is?" |
| 1283 | Why are they always trying to get my secret inventions?" |
| 1283 | Why do n''t they invent cameras of their own? |
| 1283 | Why do n''t you go yourself?" |
| 1283 | Why?" |
| 1283 | Will there be any danger, Tom, do you think?" |
| 1283 | You do n''t mean to say you wo n''t get them for me?" |
| 1283 | You do n''t suppose any one wanted that shaft to fall on you; do you?" |
| 1283 | You''ve go to go?" |
| 1283 | You''ve got to go, Tom Swift, do you hear that? |
| 1283 | asked Tom, of the missionaries who lived not far from Stanley Falls,"that there is to be a native battle? |
| 1283 | might we see your camera?" |
| 30285 | Any news? |
| 30285 | Any news? |
| 30285 | Any news? |
| 30285 | Are you from London? |
| 30285 | Are you going over? |
| 30285 | Are you going to give me a good show? 30285 Are you going to take any more scenes?" |
| 30285 | Are you ready? |
| 30285 | Are you the Kinema man? |
| 30285 | Are you the''movie''man? 30285 Are you the''movie- man''?" |
| 30285 | Are you the----? |
| 30285 | Brother Bosche will shortly have a rise in life? |
| 30285 | Busy day for you? |
| 30285 | But you''re not coming after us with that affair, are you? |
| 30285 | By the way,I said to the pilot, as we went off to tea,"how long were we up there altogether?" |
| 30285 | Ca n''t Bosche let you alone here? |
| 30285 | Can you get away in the morning, Malins? 30285 Can you see them on your right? |
| 30285 | Can you tell me, sir, if there is a machine- gun position hereabouts? 30285 Captain----, I presume?" |
| 30285 | D---- and---- who are you? 30285 Did you get me in that last scene?" |
| 30285 | Do n''t cheer me up, will you? |
| 30285 | Do n''t you think it''s a good idea? |
| 30285 | Do you get many cases like that? |
| 30285 | Do you know it? |
| 30285 | Do you know that I was the chap who filmed that scene? 30285 Do you know the exact time?" |
| 30285 | Do you know what time the King is due? |
| 30285 | Do you think it will be too early for me-- so far as the light is concerned? |
| 30285 | Do you think the bridge will take the weight of my car? |
| 30285 | Do you want to get it? |
| 30285 | Doing_ what_? |
| 30285 | Gad, sir,he said,"are you the kinema man? |
| 30285 | General---- told me you were coming; what do you want? |
| 30285 | General----, sir? |
| 30285 | Go easy, wo n''t you? |
| 30285 | Go? |
| 30285 | Has Fritz been sending you these souvenirs very often? |
| 30285 | Have they been shelling the avenues much? |
| 30285 | Have you a life- belt? |
| 30285 | Have you been successful? |
| 30285 | Have you been to Bovincourt? |
| 30285 | Have you cleaned this place out? |
| 30285 | Have you come to film our show? |
| 30285 | Have you got a trench map? 30285 Have you got any corpses here?" |
| 30285 | Have you seen''Jacob''s Ladder''? |
| 30285 | How about getting round to have a look at it? |
| 30285 | How are things going? |
| 30285 | How are things going? |
| 30285 | How close is this to the town? |
| 30285 | How do you like it? |
| 30285 | How far is that from the Bosche front line? |
| 30285 | How have you got on? |
| 30285 | How many miles is she doing? |
| 30285 | How much more? |
| 30285 | How''s the head, old chap? |
| 30285 | How''s your section, sergeant? 30285 Hullo, Malins,"he said,"still about? |
| 30285 | Hullo, what''s up? 30285 Hullo,"I said to one passing through on a stretcher,"got a''blighty''?" |
| 30285 | I say, Malins,he said,"did you find your handle?" |
| 30285 | I say,he called out,"come into my dug- out to- night, will you? |
| 30285 | I want to get on further, is there any other village near by? |
| 30285 | I will guide you with my lamp-- by the way, where are you going? |
| 30285 | If the weather improves ever such a little it will pay us for waiting, and of course it will suit you much better? |
| 30285 | Is Fritz strafing there much? |
| 30285 | Is everything ready? |
| 30285 | Is it possible to film actual events with the French troops in the Vosges and Alsace? |
| 30285 | Is it possible to go any lower? |
| 30285 | Is it the King? |
| 30285 | Is it urgent? |
| 30285 | Is n''t there a place in our front trench? |
| 30285 | Is that gun ready? |
| 30285 | Is that official? |
| 30285 | Let me know how you get on, wo n''t you? 30285 My dear chap,"he said,"are you serious?" |
| 30285 | Oh, by the way, sir, what time does the mine go up? |
| 30285 | Ready? |
| 30285 | Serious? |
| 30285 | Shall we go higher? 30285 Take me on, too, will you?" |
| 30285 | That''s been done by our guns in five days; some mess, eh? |
| 30285 | The password, if you please? |
| 30285 | This is an extraordinary state of affairs, is n''t it? 30285 Too high, eh?" |
| 30285 | Vraignes, of course, is quite clear? |
| 30285 | Was there some hitch in the arrangement? |
| 30285 | Well, what''s the news? 30285 Well, what''s the next move?" |
| 30285 | Well, which way do I take? |
| 30285 | Well,I said, with a grin,"do you think this car of mine would look like an armoured car at a distance?" |
| 30285 | Well,said he,"what about the height? |
| 30285 | Well? |
| 30285 | Were they unable to come for me? |
| 30285 | What an extraordinary place; how deep is it? |
| 30285 | What are we now? |
| 30285 | What are we waiting for? |
| 30285 | What do you say? 30285 What do you think of that?" |
| 30285 | What do you think? |
| 30285 | What do you want, monsieur? |
| 30285 | What if I do n''t come back? |
| 30285 | What in the world am I lying here for? |
| 30285 | What in the world''s up? |
| 30285 | What is it? |
| 30285 | What is the distance from Bosche lines? |
| 30285 | What news? 30285 What time does the barrage start?" |
| 30285 | What time is zero hour? |
| 30285 | What time is zero- hour? |
| 30285 | What would the morrow bring forth? |
| 30285 | What''s funny? |
| 30285 | What''s the height now? |
| 30285 | What''s the height? |
| 30285 | What''s the matter? |
| 30285 | What''s the matter? |
| 30285 | What''s the programme now? |
| 30285 | What''s up? 30285 What''s up?" |
| 30285 | What''s wrong? |
| 30285 | What''s wrong? |
| 30285 | What? |
| 30285 | When are you going to''blow''----? |
| 30285 | Where do we go? |
| 30285 | Where do you propose to take it? |
| 30285 | Where for to- day? |
| 30285 | Where have you heard that term used? |
| 30285 | Where is Bosche? |
| 30285 | Where is L----? |
| 30285 | Where is the attack taking place, and at what time? |
| 30285 | Where the deuce am I? |
| 30285 | Where the deuce is your outfit? |
| 30285 | Where the devil have you been? |
| 30285 | Where the devil is that fellow? |
| 30285 | Where''s Bosche? |
| 30285 | Where''s he hit? |
| 30285 | Where''s----? |
| 30285 | Who are you taking? |
| 30285 | Who''s coming? |
| 30285 | Whose mine are they blowing? |
| 30285 | Why? |
| 30285 | Will this do for him? |
| 30285 | Will you let me have a man to help me with my tripod? |
| 30285 | Will you take us, sir? 30285 Would your Majesty stand over there?" |
| 30285 | Yes,I said,"I suppose you''ll spiral down?" |
| 30285 | Yes,he said;"come in, will you? |
| 30285 | You are the''movie''man, eh? 30285 You quite understand, do n''t you? |
| 30285 | You''ve pulled through? |
| 30285 | ''Ave yer passed a dead''orse? |
| 30285 | --And Try to Discover What It Is-- A Wonderful Night Scene-- Dawn Breaks and Reveals a Marvellous Monster-- What Is It? |
| 30285 | --And Try to Discover What It Is-- A Wonderful Night Scene-- Dawn Breaks and Reveals a Marvellous Monster-- What Is It? |
| 30285 | A great many asked me as they came through:"Was I in the picture, sir?" |
| 30285 | Actinic conditions improved considerably, and I was just congratulating myself on my good fortune when----"What''s that, sir?" |
| 30285 | All fit?" |
| 30285 | Always on the go, eh? |
| 30285 | An officer came forward and said in astonished tones:"Where the devil have you fellows come from?" |
| 30285 | And what do you think I found there, sir?" |
| 30285 | And yet why should they? |
| 30285 | Any news?" |
| 30285 | Anything doing here?" |
| 30285 | Anything doing?" |
| 30285 | Anything wrong?" |
| 30285 | Anyway, whether they are called the''Hush Hushers''or''Tanks,''what the dickens are they? |
| 30285 | Anyway, you can make your own arrangements, I suppose, about views?" |
| 30285 | Anyway, you''re all right for''Blighty,''"and to cheer him up I continued in a bantering strain:"You knew how to manage it, eh? |
| 30285 | Apparently he was held up a minute or two later by some one else, for in the distance I heard a voice,"Do you know where---- Company is, sir?" |
| 30285 | Are there any dug- outs at the battery?" |
| 30285 | Are you fitted up?" |
| 30285 | Are you game?" |
| 30285 | Before leaving, the Major wished me success, and asked me whether I was prepared to wait until a"blow"came off? |
| 30285 | Bloody? |
| 30285 | But are you_ militaire_?" |
| 30285 | But why recount the horrors of the scene? |
| 30285 | But, seriously, are you really going to film''The Day''?" |
| 30285 | By the way, are you leaving your car there?" |
| 30285 | Can you hitch two or three of your horses on and help me out on to the road?" |
| 30285 | Can you let me have a guide, to show me the quickest and best way?" |
| 30285 | Can you realise what my thoughts were at that precise moment? |
| 30285 | Can you see it there?" |
| 30285 | Cawn''t yer see, mate, I''m taking up company rations? |
| 30285 | Did I care to accompany him? |
| 30285 | Did I know that I had drawn the enemy''s fire, which was very nearly an unpardonable offence? |
| 30285 | Did you realise till you saw it what this vast battle- front was like? |
| 30285 | Do come, wo n''t you? |
| 30285 | Do you know where---- Company is? |
| 30285 | Do you notice whether he is coming nearer?" |
| 30285 | Does that suggest possibilities to you?" |
| 30285 | Feel all right?" |
| 30285 | From the corner some one shouted:"Tell brother Fritz if he gets out of''the limits,''wo n''t you?" |
| 30285 | General Burstall was there, and as soon as he saw me he came up and said:"Hullo, Malins, you here? |
| 30285 | Got a drink on you?" |
| 30285 | Had the Bosche seen it? |
| 30285 | Has it justified itself? |
| 30285 | Have a cup of tea at my canteen, will you?" |
| 30285 | Have you a light, Monsieur Andrew?" |
| 30285 | Have you one to spare?" |
| 30285 | Have you really come to photograph''The Day''?" |
| 30285 | How about food? |
| 30285 | How did he know I was coming here? |
| 30285 | How much?" |
| 30285 | How the devil did you manage it? |
| 30285 | How would you like to go?" |
| 30285 | How''s Brother Bosche?" |
| 30285 | How''s the time going?" |
| 30285 | Hush!''?" |
| 30285 | I asked myself;"why should n''t I run the remaining distance?" |
| 30285 | I stopped the car and asked an old man who, by his ribbons, had been through the 1870 war:"Where is the Mayor?" |
| 30285 | I was told by the interpreter afterwards that he was glad I did not do so, as they would have been very wrath? |
| 30285 | I went up to her and explained in my best French that I had brought bread and sausages for the people, would she share them out? |
| 30285 | Is this war? |
| 30285 | Lend me your torch, will you?" |
| 30285 | Man? |
| 30285 | Now?" |
| 30285 | Same terms, eh? |
| 30285 | Shall I follow the trenches directly overhead or a little to one side?" |
| 30285 | Shall I get there about eleven o''clock and fix up?" |
| 30285 | Shall we take some to the villages?" |
| 30285 | Suddenly a voice echoed from the depths:"Will you come down, sir?" |
| 30285 | That is Villers- Carbonel, is it not?" |
| 30285 | That those who came back wounded and broken still had that smile? |
| 30285 | Then suddenly,"What are_ you_ doing here?" |
| 30285 | This remark,"Had I heard something?" |
| 30285 | Those going in to take their places: were they gloomy? |
| 30285 | Turning to the Captain, I said:"Will you give me an orderly? |
| 30285 | Was he British or Hun? |
| 30285 | We are going to give the village an intense bombardment this afternoon, at 4 o''clock; perhaps you would like to obtain that?" |
| 30285 | We cursed and swore about it; who would n''t? |
| 30285 | Were they coming into the village? |
| 30285 | What about blankets and grub?" |
| 30285 | What can I do, monsieur? |
| 30285 | What do you want now?" |
| 30285 | What effect did it have upon you? |
| 30285 | What guns are you using?" |
| 30285 | What had happened to them? |
| 30285 | What has happened?" |
| 30285 | What in the world was it? |
| 30285 | What is a tolerably safe height over''Bosche''?" |
| 30285 | What is it?" |
| 30285 | What time does it come off?" |
| 30285 | What was Bosche up to? |
| 30285 | What was he? |
| 30285 | What was it? |
| 30285 | What will be the result? |
| 30285 | What''s our speed?" |
| 30285 | What''s wrong?" |
| 30285 | When on earth did you arrive in the village?" |
| 30285 | When? |
| 30285 | Where are you going?" |
| 30285 | Where did these Bosches come from?" |
| 30285 | Where were they? |
| 30285 | Where''s the other man? |
| 30285 | Who could imagine anything more wonderful, more fantastic? |
| 30285 | Who on earth could live in it? |
| 30285 | Who told him?" |
| 30285 | Who, if they could see him now, could ever have any doubts as to the issue of the war? |
| 30285 | Why could n''t Bosche put that shell a little nearer? |
| 30285 | Why does n''t he play cricket? |
| 30285 | Why does n''t it go up? |
| 30285 | Why?" |
| 30285 | Why?" |
| 30285 | Will monsieur sit down?" |
| 30285 | Will our advance patrols constitute the official photographers for the future? |
| 30285 | Will this height suit you? |
| 30285 | Will you be on the quay at Boulogne to- morrow morning by twelve o''clock? |
| 30285 | Will you come?" |
| 30285 | Will you help me?" |
| 30285 | Will you let us introduce the doctor? |
| 30285 | Will you share a snack with us?" |
| 30285 | Would I like to film the scene? |
| 30285 | Would it go up before I had time to reload? |
| 30285 | Would nothing ever happen? |
| 30285 | Would our men rush the crater and occupy it? |
| 30285 | Would they reach him? |
| 30285 | Would you care to come? |
| 30285 | You are prepared to stay up there, of course?" |
| 30285 | You are''Movies,''are n''t you? |
| 30285 | You can imagine what it would be like over there, ca n''t you?" |
| 30285 | You know the trenches round here: where can I see the village to the best advantage?" |
| 30285 | [ Illustration: THE STATE OF THE TRENCHES IN WHICH WE LIVED AND SLEPT(?) |
| 30285 | came the reply,"who is it?" |
| 30285 | he said,"if so would you mind putting it on? |
| 30285 | you got clear then?" |
| 10776 | A warning? |
| 10776 | All right? |
| 10776 | Am I intruding? |
| 10776 | And if you do go, may I have the honor of accompanying you to the Isthmus? |
| 10776 | And so these young men saved us-- saved our lives? 10776 And so you''re going to get some Gatun pictures and then quit-- eh?" |
| 10776 | And take Alcando with us? |
| 10776 | And these really are the young gentlemen whom I seek? |
| 10776 | And we have two more locks to go through? |
| 10776 | And we start up the Canal in the morning? |
| 10776 | And we''re going to get one of those slides on our films? |
| 10776 | And were you really looking for us? |
| 10776 | And who would dare to explode dynamite at the dam? |
| 10776 | And who would that be? |
| 10776 | And yet you may go; shall you not? |
| 10776 | And you are taking pictures now? |
| 10776 | Another landslide? |
| 10776 | Are n''t you coming in? |
| 10776 | Are n''t you glad to know he is n''t a spy, or anything like that? |
| 10776 | Are we really sinking? |
| 10776 | Are you able to walk back to the farmhouse where we are boarding? |
| 10776 | Are you all right? |
| 10776 | Are you boys going into the jungle? |
| 10776 | Are you fully recovered, Joe? |
| 10776 | Are you going with us to California? 10776 Are you hurt? |
| 10776 | Are you in such a hurry to see them? |
| 10776 | Are you sure the wires are disconnected, boys? |
| 10776 | Are you the moving picture boys? |
| 10776 | Back where? |
| 10776 | Better get our cameras ready; had n''t we, Blake? |
| 10776 | But are there really volcanic eruptions down there? |
| 10776 | But how can you take moving pictures of such small things as ants? |
| 10776 | But how did you and the other officials hear all this? |
| 10776 | But how does it do it? |
| 10776 | But so you have decided to go to the Canal? |
| 10776 | But what for? |
| 10776 | But what is it? |
| 10776 | But where is Blake? |
| 10776 | But who would want to blow up the dam? |
| 10776 | But why should Mr. Alcando try to blow up the dam at all? |
| 10776 | Can you get out-- can you walk? |
| 10776 | Can you make it? |
| 10776 | Could he have meant that? |
| 10776 | Could n''t you if you had a very big flashlight that would last for several minutes? |
| 10776 | Did anything-- that is, anything that fellow said-- or did-- strike you as being-- well, let''s say-- queer? |
| 10776 | Did we fall? |
| 10776 | Did you read the letter all the way through? |
| 10776 | Do n''t you hear a ticking? |
| 10776 | Do n''t you think it''s here? |
| 10776 | Do n''t you wish you had this easy job? |
| 10776 | Do they eat them? |
| 10776 | Do you mean a big slide in Culebra Cut? |
| 10776 | Do you really think so? |
| 10776 | Do you think-- I mean, would it be possible for me to--"To take some pictures? 10776 Do you-- er-- really have to get very close to get pictures of the big slides?" |
| 10776 | Dynamite? 10776 Eat''em, or make houses of''em?" |
| 10776 | Even if you have to make the slide yourself? |
| 10776 | Feel better now? |
| 10776 | Flash- light powder? 10776 Get any pictures?" |
| 10776 | Gone out, you mean? |
| 10776 | Hand me that other roll of film; will you, please? |
| 10776 | Hardly enough to cause anyone to commit such a crime as that, do you think? |
| 10776 | Has n''t Birdie Lee written yet? |
| 10776 | Has n''t Mabel written to you this week? |
| 10776 | Have what? |
| 10776 | Have you any wild beasts in these jungles? |
| 10776 | How about him? |
| 10776 | How are we to continue our journey? |
| 10776 | How are you coming on? |
| 10776 | How can we help? |
| 10776 | How can we stop them? |
| 10776 | How could anything else happen after being squeezed in that kind of a cider press? 10776 How did it happen?" |
| 10776 | How did it happen? |
| 10776 | How did you know we were here? |
| 10776 | How do you feel? |
| 10776 | How does it come in? |
| 10776 | How does the Spaniard strike you? |
| 10776 | How high is it? |
| 10776 | How long do you think it will be before I can take some views myself? |
| 10776 | How soon can you be ready to go? |
| 10776 | How''d your father come to get our letter, Sam? |
| 10776 | I mean how are you going to stop that runaway, or rescue those fellows? |
| 10776 | I mean that more slides are likely to occur; are they not? |
| 10776 | I surely hear that ticking in this berth; do n''t you? |
| 10776 | I wonder how our films are coming out? |
| 10776 | I wonder if I can stop him with one shot? |
| 10776 | I wonder what that meant? |
| 10776 | I wonder what the''next time''will be? |
| 10776 | I wonder what we''ll see next? |
| 10776 | I wonder what''s up? |
| 10776 | I wonder who it is? 10776 Is he as bad as ever?" |
| 10776 | Is iguana really good eating? |
| 10776 | Is it about Panama? |
| 10776 | Is it fixed? |
| 10776 | Is something--? |
| 10776 | Is that so? |
| 10776 | It comes in from the bottom; does n''t it, Captain Watson? |
| 10776 | Make of it? 10776 Meat? |
| 10776 | No, but it is queer; is n''t it? |
| 10776 | No, but seriously, what do you make of it all? |
| 10776 | No-- why should we? |
| 10776 | Not very cheerful; is he? |
| 10776 | Nothing more suspicious; eh? |
| 10776 | Now I wonder how that happened? |
| 10776 | Only how can it be done? 10776 Only,"said Blake to Joe afterward,"why was he in such a hurry to get rid of him, and afraid that we might meet him?" |
| 10776 | Out there? |
| 10776 | Over the top? |
| 10776 | Perhaps that was a--"Who''s getting suspicious now? |
| 10776 | Queer sort of a chap; is n''t he? |
| 10776 | Queer? 10776 Remember that time, Blake, when we were filming the volcano, and the ground opened right at your feet?" |
| 10776 | Seen anything of Alcando''s alarm clock model lately? |
| 10776 | Shall I read it, Joe? |
| 10776 | So you think that''s the reason, eh? |
| 10776 | Strange? 10776 Suppose he does perfect it? |
| 10776 | Suspicious, you mean? |
| 10776 | That-- that box--"What about it? |
| 10776 | The flashlight powder-- I wonder if we can get enough of that? |
| 10776 | Then we''d better get--"Do you mean by an earthquake? |
| 10776 | Then you have confirmatory evidence of what my letter says? |
| 10776 | Then you have n''t altogether gotten over your suspicions of him? |
| 10776 | Then you wo n''t make any fuss? |
| 10776 | Was there a misunderstanding in signals? |
| 10776 | We can use that automatic camera, too; ca n''t we? |
| 10776 | We have n''t heard whether Mr. Hadley likes our work or not? |
| 10776 | Well, are you all ready, boys? |
| 10776 | Well, it might be, and--"And you''re afraid he will get ahead of you in your invention of a focus tube; are n''t you? |
| 10776 | Well, then, we''ll consider it settled-- we''ll go to Panama? |
| 10776 | Well, this is n''t exactly the quiet life we looked for in the canal zone; is it, Blake? |
| 10776 | Well, what are your plans now, boys? |
| 10776 | Well, what do you think about it all? |
| 10776 | Well, what do you think of him now? |
| 10776 | Well, what were you going to say about that collision? |
| 10776 | Well, what''s next on the programme? |
| 10776 | Well, when do we start? |
| 10776 | Well, you have n''t seen anything more suspicious about him; have you? |
| 10776 | Well? |
| 10776 | What about an earthquake? |
| 10776 | What about; that gun business? |
| 10776 | What are we to do now, Blake? 10776 What are you looking at?" |
| 10776 | What are you talking about? |
| 10776 | What can I do? |
| 10776 | What did he say? |
| 10776 | What do they do with''em? |
| 10776 | What do you mean? |
| 10776 | What do you mean? |
| 10776 | What do you think of him, anyhow? |
| 10776 | What for? |
| 10776 | What happened? |
| 10776 | What if she has n''t? |
| 10776 | What in the world do they do that for? |
| 10776 | What is it? |
| 10776 | What made you act so funny, Blake, when you picked up that piece of paper? |
| 10776 | What then? |
| 10776 | What were you going to say it was that time when I stopped you? |
| 10776 | What will happen? |
| 10776 | What would happen if you did hit the chain? |
| 10776 | What''ll we do? |
| 10776 | What''s on? |
| 10776 | What''s that you said? |
| 10776 | What''s that-- swim the rest of the way,asked Joe,"and have Mr. Alcando make pictures of us?" |
| 10776 | What''s that? |
| 10776 | What''s that? |
| 10776 | What''s that? |
| 10776 | What''s the matter, Blake, have n''t you anything to say? |
| 10776 | What''s the matter? |
| 10776 | What''s the matter? |
| 10776 | What''s the matter? |
| 10776 | What''s up now? |
| 10776 | What''s up? |
| 10776 | What''s up? |
| 10776 | What-- what''s that? |
| 10776 | What? |
| 10776 | Where are you going? |
| 10776 | Where can it be? 10776 Where does it go?" |
| 10776 | Where was this? |
| 10776 | Where-- where are we? |
| 10776 | Who is he? |
| 10776 | Who''s there? 10776 Why did n''t I think of that before, instead of standing here mooning? |
| 10776 | Why do n''t you ask Mr. Baker to lend you a rig? |
| 10776 | Why not? |
| 10776 | Why not? |
| 10776 | Why? |
| 10776 | Why? |
| 10776 | Why? |
| 10776 | Will we really have to jump overboard? |
| 10776 | With a flashlight? |
| 10776 | Yes, but what would cause a slide? |
| 10776 | Yes, but what? |
| 10776 | You ca n''t get any pictures in here, I suppose? |
| 10776 | You did n''t let her out to the full at that; did you? |
| 10776 | You do n''t mean to say you think this fellow is an international spy; do you? 10776 You have?" |
| 10776 | You mean the-- dam itself? |
| 10776 | You mean to take moving pictures of the blowing up of the dam? |
| 10776 | You met the young Spaniard who had a letter of introduction to you; did you not? |
| 10776 | You''re the regular early worm this morning; are n''t you? |
| 10776 | You''ve made up your mind to go to Panama; have n''t you? |
| 10776 | Alcando?" |
| 10776 | And did anything more develop about his knowing the captain of that vessel that sunk the_ Nama_?" |
| 10776 | And it''s here where those big slides have been?" |
| 10776 | And once in a while you''ll see a--""What''s that?" |
| 10776 | And where will you have the other?" |
| 10776 | Anything more about that alarm clock of his? |
| 10776 | Are there many alligators in this stream?" |
| 10776 | Are you all right?" |
| 10776 | Are you not glad? |
| 10776 | As he started to go away Joe remarked:"Where are you wearing your watch? |
| 10776 | Blake drew a long breath, and replied, questioningly:"What do you think of it?" |
| 10776 | But I wonder what we are going to do for a boat now?" |
| 10776 | But do n''t you hear that noise?" |
| 10776 | But say, Joe, what sort of a watch have you that ticks so loudly?" |
| 10776 | But what''s that you''re reading; and what do you mean about being on the jump?" |
| 10776 | But where is he?" |
| 10776 | But where is our horse?" |
| 10776 | CHAPTER II ON THE BRINK"What-- what''s your plan, Blake?" |
| 10776 | CHAPTER XI ALONG THE CANAL"Blake, did you hear that?" |
| 10776 | CHAPTER XII ALMOST AN ACCIDENT"What''s that big, long affair, jutting out so far from the locks?" |
| 10776 | CHAPTER XIII IN THE JUNGLE"What will we do with the cameras, Blake? |
| 10776 | CHAPTER XXII A WARNING"What is the matter?" |
| 10776 | Can you walk?" |
| 10776 | Did I get any pictures?" |
| 10776 | Do n''t you?" |
| 10776 | Do you know anyone on board her?" |
| 10776 | For the runner asked:"You will not fail us?" |
| 10776 | Funny, though, that we did n''t get any mail; was n''t it?" |
| 10776 | Get any yourself?" |
| 10776 | Hadley?" |
| 10776 | Have you any flash- light powder?" |
| 10776 | Have you any flashlight powder?" |
| 10776 | Have you told that Spaniard?" |
| 10776 | He explained, did he not, that his company wished to show scenes along the line of their railroad, to attract prospective customers?" |
| 10776 | He will laugh when he finds out his mistake; will he not?" |
| 10776 | How did Alcando make out?" |
| 10776 | How did it happen?" |
| 10776 | How many do you want?" |
| 10776 | I do n''t want to break the combination; do you?" |
| 10776 | I say, Blake,"and Joe''s voice took on a confidential tone,"you have n''t noticed anything strange about him, have you?" |
| 10776 | I suppose you do take big moving pictures-- I mean pictures of big scenes, do you not?" |
| 10776 | I wonder if we''ve got time?" |
| 10776 | I wonder what he really did think he was up to, anyhow?" |
| 10776 | I wonder what it all meant?" |
| 10776 | I wonder what it is, and why he has it in his bed?" |
| 10776 | I wonder what we''d better do with it? |
| 10776 | I wonder where Alcando--?" |
| 10776 | Is that what you mean, señor-- I should say, sir?" |
| 10776 | Maybe we''d better get a doctor?" |
| 10776 | Now when are we to start, how do we go, where shall we make our headquarters and so on?" |
| 10776 | Say, but is n''t it dark?" |
| 10776 | So if you''re going--""I think we had better go; do n''t you?" |
| 10776 | So you are off?" |
| 10776 | That letter for you?" |
| 10776 | Then, clearly across the intervening space, came the words:"Are you sure the machine works right?" |
| 10776 | To tell that Spaniard he could, or could not, go with us?" |
| 10776 | Trying to get secrets of the United States fortifications at the Canal?" |
| 10776 | Was it an alarm after all? |
| 10776 | Well, have you pictures enough?" |
| 10776 | Well, you wo n''t go without me; will you?" |
| 10776 | What do you mean?" |
| 10776 | What do you suppose he meant?" |
| 10776 | What do you think of him?" |
| 10776 | What in the world does he mean?" |
| 10776 | What of it?" |
| 10776 | What was the matter, anyhow?" |
| 10776 | What''s the matter with you, anyhow? |
| 10776 | What''s the matter with you-- oversleep?" |
| 10776 | When are you going to make the last of the spillway views?" |
| 10776 | When he did open his lips it was to ask:"Well, what do you think of it, Blake?" |
| 10776 | Where are you?" |
| 10776 | Where can he get meat in the jungle, unless he spears a tapir?" |
| 10776 | Where''s the little camera and case?" |
| 10776 | Will you do it?" |
| 10776 | Would Joe and Blake be in time? |
| 10776 | You mean going to Panama?" |
| 10776 | You think that curious box is some attachment for a moving picture camera; do you?" |
| 17744 | A big white cloth? |
| 17744 | A signal for what? |
| 17744 | A white flag? 17744 Actual fighting?" |
| 17744 | Ah, that''s one of your songs, is n''t it? |
| 17744 | Ah, then you are in the duty, too? 17744 All ready, boys?" |
| 17744 | An accident? |
| 17744 | And are you the official artists? |
| 17744 | And does n''t it strike you as being peculiar? |
| 17744 | And his machine ran into yours? |
| 17744 | And now do you feel equal to a little more strenuous work? |
| 17744 | And the price? |
| 17744 | And what are we to do in the meanwhile? |
| 17744 | And what happens next? |
| 17744 | And what is the charge? |
| 17744 | And you let him take a light for that? |
| 17744 | And you told him? |
| 17744 | And you, my friends of the movies-- you camera men, as you call yourselves-- you are going to France also? |
| 17744 | Are n''t you two working together against us and for Germany? |
| 17744 | Are we in the danger zone yet? |
| 17744 | Are we really arrested? |
| 17744 | Are we suspected of being spies? |
| 17744 | Are we torpedoed? |
| 17744 | As it is now, could we go down there? |
| 17744 | Blake-- and you, too, Joe-- are you game for some dangerous work? |
| 17744 | But can you manage, hurt as you are? |
| 17744 | But did n''t we have our passports all right? 17744 But had n''t we better tell Captain Merceau?" |
| 17744 | But how are we going to know when that German spy signals the submarine and fails to convey his full meaning, Blake? |
| 17744 | But how does that depth charge work? |
| 17744 | But the destroyers will convoy us, wo n''t they? |
| 17744 | But what does it all mean, anyhow? |
| 17744 | But what happened? 17744 But what happened?" |
| 17744 | But what happened? |
| 17744 | But who is this fellow, anyhow, Charlie? 17744 Can we get out?" |
| 17744 | Can you see anything? |
| 17744 | Can you tell me something about your work? |
| 17744 | Could it, by any chance, have been Secor and Labenstein who got our films? |
| 17744 | Did he want anything? |
| 17744 | Did n''t you hear me yelling at you to put on your helmets? |
| 17744 | Did the boss tell you just what we were to do? |
| 17744 | Did they get our machines? |
| 17744 | Did you ever see such a farce as when the Confederates were hidden in the orchard and the Unionists stormed over the stone wall? 17744 Did you leave them here?" |
| 17744 | Did you say it was an_ accident_? |
| 17744 | Did you say you can see somebody in there? |
| 17744 | Did you say you wanted to borrow a pocket electric flash lamp? |
| 17744 | Did you see where he was standing when the submarine came out of the water? |
| 17744 | Did you want to talk about him? |
| 17744 | Do n''t you think we''ll come back? |
| 17744 | Do you know anything about him, Captain Merceau? |
| 17744 | Do you know anything about these flashlights, Joe? |
| 17744 | Do you mean a signal of surrender? |
| 17744 | Do you mean such as we had in Earthquake Land? |
| 17744 | Do you mean you gave him a light with a battery in it that was almost played out? |
| 17744 | Do you mean-- er-- that his legs are so easily broken-- as macaroni is broken? |
| 17744 | Do you suppose we''ll really find the films there? |
| 17744 | Do you think he saw us? |
| 17744 | Do you think they are making the raid to help us? |
| 17744 | Do you think we''d better go down? |
| 17744 | Do you think you''d like to tackle the job? |
| 17744 | Does Mr. Hadley say how we are to go? |
| 17744 | Does that mean we are to get our permits? |
| 17744 | Down at Wrightstown, is it? |
| 17744 | From whom is your letter? |
| 17744 | Going to film this? |
| 17744 | Has n''t your friend a spare light? |
| 17744 | Have you made some views of a torpedo? |
| 17744 | Have you seen him before? |
| 17744 | Have you seen them? |
| 17744 | Have you summoned any submarines lately? |
| 17744 | Have you, by any chance, one that you could spare me? |
| 17744 | He did? 17744 His legs macaroni?" |
| 17744 | How about you, Duncan? |
| 17744 | How better? 17744 How did they do that?" |
| 17744 | How do you figure it out, Blake? |
| 17744 | How long have they been this way? |
| 17744 | How so? |
| 17744 | How? |
| 17744 | I fancy you''ll just have to stay here and-- what is it you say-- split kindling? |
| 17744 | I mean, aside from his having run into you, which he claims was an accident? |
| 17744 | I mean, where do we go from here? |
| 17744 | I wonder how it all happened? |
| 17744 | I''ve got to help''em back-- but how? |
| 17744 | If we go up and leave Blake alone with this fellow, may not something happen? 17744 In what way?" |
| 17744 | In what way? |
| 17744 | Is anybody hurt? |
| 17744 | Is he badly hurt? |
| 17744 | Is he eager for you to get over on the other side? |
| 17744 | Is it of any use to continue? |
| 17744 | Is n''t this as good a place as any? |
| 17744 | Is that between the lines? |
| 17744 | Is that why you gave it to him? |
| 17744 | Is your side all right? |
| 17744 | It did n''t go so badly, do you think? |
| 17744 | It may be,admitted Blake;"but does it concern us?" |
| 17744 | Just came down from deck, did he? |
| 17744 | Just what do you think this fellow''s game is? |
| 17744 | Like anything we''ve done before? |
| 17744 | May I see that letter? |
| 17744 | My friend? |
| 17744 | New York, eh? 17744 None of my business? |
| 17744 | Notice those two moving shadows? |
| 17744 | Now I wonder,thought Blake to himself, as Joe made ready to leave,"why he thinks it worth his while to tell that untruth? |
| 17744 | Now they can begin the_ parlez vous Française?_ business as soon as they please. |
| 17744 | One of ours, do you think? |
| 17744 | One what? |
| 17744 | Or seen a periscope? |
| 17744 | Or under the sea? |
| 17744 | Ours? |
| 17744 | S''posing he did? |
| 17744 | Say, would n''t it be great if we could get one? |
| 17744 | Shall we put up a kick or a fight? |
| 17744 | Shall we tell Charlie? |
| 17744 | So? |
| 17744 | That Jew firm which tried to cut under us in the contract for making views of animals in Bronx Park? |
| 17744 | The main one is, where are the films now, and where did those fellows go with them? |
| 17744 | The next question is, what''s to be done? 17744 The old man is sort of on his ear this morning, is n''t he, Blake?" |
| 17744 | The question is, can we get them back? |
| 17744 | Then may we get on the firing line? |
| 17744 | Then we are going back with you? |
| 17744 | Then what are you going to do? |
| 17744 | Then you have n''t seen anything of our friends across the hall? |
| 17744 | Then you think it all a plot? |
| 17744 | They are? |
| 17744 | Thunder? |
| 17744 | To the war? |
| 17744 | Treason? |
| 17744 | Was that what exploded? |
| 17744 | We''ve got to find out something about this, though, have n''t we? |
| 17744 | Well, Buddy, coming to get yours? |
| 17744 | Well, if he did n''t bite you what are you yelling about? |
| 17744 | Well, then----"What is his game? |
| 17744 | Well, what happened to us? |
| 17744 | Well? |
| 17744 | Well? |
| 17744 | Well? |
| 17744 | What about Lieutenant Secor? |
| 17744 | What about the Frenchman? |
| 17744 | What about the boxes of exposed film-- the ones the War Office is so anxious to get? |
| 17744 | What accident was it? |
| 17744 | What are we going to do about it? |
| 17744 | What are you going to do when you do see them? |
| 17744 | What are you looking for, Buddies? |
| 17744 | What can I do for you? |
| 17744 | What do you mean? |
| 17744 | What does he mean? |
| 17744 | What does that mean? |
| 17744 | What fellow? |
| 17744 | What happened? |
| 17744 | What in the world for? |
| 17744 | What in the world for? |
| 17744 | What is it? |
| 17744 | What is it? |
| 17744 | What is it? |
| 17744 | What is it? |
| 17744 | What is it? |
| 17744 | What is it? |
| 17744 | What two fellows were they you saw? |
| 17744 | What two fellows? |
| 17744 | What was going on up here? 17744 What was that?" |
| 17744 | What with? |
| 17744 | What you doing? |
| 17744 | What''d you say to that? |
| 17744 | What''s down in there? |
| 17744 | What''s that you said it was? |
| 17744 | What''s that? |
| 17744 | What''s that? |
| 17744 | What''s that? |
| 17744 | What''s that? |
| 17744 | What''s that? |
| 17744 | What''s the matter? 17744 What''s the matter?" |
| 17744 | What''s the matter? |
| 17744 | What''s the trouble, Mac? |
| 17744 | What''s up? |
| 17744 | What''s wrong between you and Monsieur Secor? |
| 17744 | What-- what do you mean? |
| 17744 | When do we sail? |
| 17744 | Where are they? |
| 17744 | Where are we going, anyhow? |
| 17744 | Where are you from? |
| 17744 | Where are you going? |
| 17744 | Where''ll we go? |
| 17744 | Where''s the hut-- or whatever it is? |
| 17744 | Which two? |
| 17744 | Who are you-- what do you want? |
| 17744 | Who knows? |
| 17744 | Who made that charge? |
| 17744 | Who said so? |
| 17744 | Who? |
| 17744 | Why billiard table? |
| 17744 | Why did n''t you say before, Blake, that you had a letter from this fellow? |
| 17744 | Why did n''t you say so at first? 17744 Why do n''t we drop some bombs?" |
| 17744 | Why is n''t it? |
| 17744 | Why not go and ask this fellow what he means by spying on us? |
| 17744 | Why not? |
| 17744 | Why not? |
| 17744 | Why not? |
| 17744 | Why should they want them? |
| 17744 | Why that hour? |
| 17744 | Why? |
| 17744 | Wonder how Blake''s making out? |
| 17744 | Yes; would n''t you call it that if you saw one of our army officers having a secret talk with a German enemy? |
| 17744 | You are going back to France, then? |
| 17744 | You mean----? |
| 17744 | You say some one ran into you? |
| 17744 | You''re not going below, are you? |
| 17744 | Am I right?" |
| 17744 | And Blake a moment later added:"On what grounds?" |
| 17744 | And were n''t our papers in proper shape?" |
| 17744 | And what made him so careless? |
| 17744 | And when they were thus out of sight, and the vessel was gathering way under her own power, Joe burst out with:"Say, what does all this mean? |
| 17744 | Are they not both in the same hand?" |
| 17744 | Are we torpedoed?" |
| 17744 | Are you alive?" |
| 17744 | Are you newspaper fellows?" |
| 17744 | Boys, are you game for some actual fighting?" |
| 17744 | But are these the new official films?" |
| 17744 | But how''s the side?" |
| 17744 | But it passed in an instant as he cried to Blake:"Hurt Buddy?" |
| 17744 | But please rush it along, will you?" |
| 17744 | But where do you get current from? |
| 17744 | But where in the world are they?" |
| 17744 | By the way, what''s his army title?" |
| 17744 | C.?" |
| 17744 | Ca n''t you get a little more life into your people?" |
| 17744 | Can we get out?" |
| 17744 | Charlie opened his eyes and looked about him, asking:"What happened? |
| 17744 | Did he have any idea we were observing him?" |
| 17744 | Did you fellows happen to notice what they were doing when the submarine was attacking us?" |
| 17744 | Did you say you had seen this Frenchman before, Mac?" |
| 17744 | Did you think I would leave you here to go back to your own? |
| 17744 | Do n''t you see a light there?" |
| 17744 | Do n''t you see what his game is?" |
| 17744 | Do you boys feel equal to the task?" |
| 17744 | Do you see it?" |
| 17744 | Do you think it possible, Blake?" |
| 17744 | Got plenty of powder in''em so there''ll be lots of smoke?" |
| 17744 | Hadley?" |
| 17744 | He sat up, demanding:"What is it? |
| 17744 | He''ll need to flash a light for some little time to make sure to attract the attention of the submarine, wo n''t he?" |
| 17744 | How about it, Blake?" |
| 17744 | How does it seem, to be under fire?" |
| 17744 | How''re you making it?" |
| 17744 | I presume you have passports and the regulation papers?" |
| 17744 | I wonder what became of those two fellows?" |
| 17744 | I wonder what he wants to ask us?" |
| 17744 | If we could go to one show----""You say there''s a projector here?" |
| 17744 | In short, how would you like to go to Europe?" |
| 17744 | In what way?" |
| 17744 | Is any one hurt?" |
| 17744 | Is he mad because I was a bit late getting here with the extra reels of film?" |
| 17744 | It is a secret mission, is it not? |
| 17744 | None of our business that he follows us aboard this ship when we''re going over to get official war films? |
| 17744 | Now, then, Jake, how about you?" |
| 17744 | Now, then, what about the cannon? |
| 17744 | Of course he can say we saw only his lighted cigarette, or something like that, and where would we be?" |
| 17744 | Pretty close call, was it?" |
| 17744 | So it was your films that I had the misfortune to spoil? |
| 17744 | The knock was given again, and the voice of the Frenchman asked:"Are you within, my friends of the camera? |
| 17744 | Was it his handkerchief, Blake?" |
| 17744 | What does he mean?" |
| 17744 | What else do you mean?" |
| 17744 | What happened? |
| 17744 | What is his game?" |
| 17744 | What is that delightful slang you have-- remember it no more? |
| 17744 | What would be their fate as they crossed it and ventured on the other side-- the side held by the Germans? |
| 17744 | What''s it all about, anyhow? |
| 17744 | When are you going to give a show?" |
| 17744 | Where am I?" |
| 17744 | Where are you fellows from?" |
| 17744 | Where''s the Confederate army, anyhow? |
| 17744 | Why did n''t you let me go over and ask him what he meant by following us on board this vessel?" |
| 17744 | Would n''t it be great if we could get that?" |
| 17744 | You are under orders?" |
| 17744 | exclaimed Mr. Hadley,"is this supposed to be a desperate, bloody battle, or a game of tennis?" |
| 17744 | he called, and his voice sounded strange in that dark and broken tunnel,"is any one here but me? |
| 17744 | hurt?" |
| 20349 | A bear? |
| 20349 | All ready down there, Russ? |
| 20349 | All ready now? |
| 20349 | All ready? |
| 20349 | And can I have a gun? |
| 20349 | And was n''t he making notes, just as I said, of our new big play? |
| 20349 | And will you? |
| 20349 | Are n''t they? 20349 Are the Indians really dangerous?" |
| 20349 | Are we safe here? |
| 20349 | Are you all ready? |
| 20349 | Are you getting this, Russ? |
| 20349 | Are you glad, Alice? |
| 20349 | Are-- are they stopping any? |
| 20349 | As prisoners? |
| 20349 | Brand? |
| 20349 | But I have often read of cowboys going on a-- on a rampage, I believe it is called-- or is it stampede? |
| 20349 | But can you spare the time? |
| 20349 | But is n''t it dangerous to ride so close to the steers? |
| 20349 | But it will be out of the question to remain a week-- and you say that it will take that long? |
| 20349 | But suppose something-- happened? |
| 20349 | But suppose-- suppose something happens? |
| 20349 | But what are we to do? |
| 20349 | But what are you using two cameras for? |
| 20349 | But where are the Indians? |
| 20349 | But where did those cowboys come from? |
| 20349 | But where is it? |
| 20349 | But why? |
| 20349 | But you? 20349 Ca n''t I come in on that?" |
| 20349 | Ca n''t we get our wraps? |
| 20349 | Can anything have occurred to gain us the anger of any of the inhabitants of this place? |
| 20349 | Can you-- er-- tell me when it_ will_ go off? |
| 20349 | Can''t-- can''t we go back? |
| 20349 | Could n''t you catch them? |
| 20349 | Could you read my smoke? |
| 20349 | Daddy, do you want me to become a cowgirl? |
| 20349 | Did they get away? |
| 20349 | Did you ask him that? |
| 20349 | Did you get close enough to recognize them? |
| 20349 | Did you get that, Russ? |
| 20349 | Did you have any more trouble with that spy? |
| 20349 | Did you invent that? |
| 20349 | Did you see those men over that way? |
| 20349 | Do n''t you dare----"I was only going to say that he has not seemed well since coming back from Florida-- what was the harm in that? |
| 20349 | Do n''t you want to go with them? |
| 20349 | Do their ceremonies last as long as that? |
| 20349 | Do you feel better now, Daddy? |
| 20349 | Do you know just where we are going, Russ? |
| 20349 | Do you really mean it? |
| 20349 | Do you see any opening, either backward or forward? |
| 20349 | Do you think they can stop''em? |
| 20349 | Do you think they did that? |
| 20349 | Do you think you''re going to like it here, Alice? |
| 20349 | Do you-- do you mean to say you took a film of me running away from that-- that cow? |
| 20349 | Everyone calls him Pete; why should n''t I? |
| 20349 | Grab that waist of mine; will you, Alice? 20349 Grab the other fellow; will you? |
| 20349 | Has Russ gone? |
| 20349 | Has anything happened? |
| 20349 | Have we done anything else since we left New York, pray? |
| 20349 | Have you new plans? |
| 20349 | Have you the key? |
| 20349 | How can you do that? |
| 20349 | How can you make a smoke signal? |
| 20349 | How can you say such things-- at a time like this? |
| 20349 | How can you tell? |
| 20349 | How deep? |
| 20349 | How do they explode the glycerine? |
| 20349 | How do you know? |
| 20349 | How do you mean-- by hiring them away from you? |
| 20349 | How do you mean? |
| 20349 | How do you shoot a well? |
| 20349 | How''s that? |
| 20349 | How? |
| 20349 | How? |
| 20349 | I say, no offense, stranger,he went on,"but what brand do you use?" |
| 20349 | I wonder if the Indians can be there now, doing some of their snake ceremonies? |
| 20349 | I wonder if we could n''t see them? 20349 I wonder what his object was?" |
| 20349 | I wonder what in the world it''s all about, anyhow? |
| 20349 | I wonder what started that? |
| 20349 | I wonder what will happen next? |
| 20349 | I wonder why he is going in there? |
| 20349 | I wonder----? |
| 20349 | Is n''t it lonesome here? |
| 20349 | Is n''t it nice here? |
| 20349 | Is n''t it? |
| 20349 | Is n''t it? |
| 20349 | Is that about what you wanted? |
| 20349 | Is that an oil well? |
| 20349 | Is that one of yours left out by mistake? |
| 20349 | Is that realistic enough for you? |
| 20349 | Is that so? 20349 Is that so?" |
| 20349 | Is there any danger? 20349 Is-- er-- is there any real danger?" |
| 20349 | Is-- is that so? |
| 20349 | Is-- is there any safe place? |
| 20349 | It will look realistic enough; wo n''t it, Russ? |
| 20349 | It''s that''Quaker Maid;''is n''t it? |
| 20349 | It-- it is n''t dangerous; is it? |
| 20349 | Like it? 20349 My father-- and the others?" |
| 20349 | Now the question is: Who was it? |
| 20349 | Now who''s to blame? |
| 20349 | Now, how can we get hold of him? |
| 20349 | Oh, Daddy, will it be safe? |
| 20349 | Oh, I get all wet; do I? |
| 20349 | Oh, am I safe? |
| 20349 | Oh, but you wo n''t go there; will you? |
| 20349 | Oh, have you more plans in prospect? |
| 20349 | Oh, is it as dangerous as that? |
| 20349 | Oh, is n''t it though? 20349 Oh, is there any danger?" |
| 20349 | Oh, suppose our car does n''t stop in time? 20349 Oh, what can have happened?" |
| 20349 | Oh, what does it mean? |
| 20349 | Oh, what is it? |
| 20349 | Oh, what shall we do? 20349 Oh, what shall we do?" |
| 20349 | Oh, what shall we do? |
| 20349 | Oh, where can we hide? |
| 20349 | Oh-- Oh, must we go with them? 20349 Pete? |
| 20349 | Shall I get that? |
| 20349 | Shall I go? |
| 20349 | So we are to go West; eh? |
| 20349 | Someone else hurt with a needle, I wonder? |
| 20349 | Something new? |
| 20349 | Startin''who up? |
| 20349 | Suppose they are n''t there? |
| 20349 | Suppose they drive us back? |
| 20349 | Suppose we go for a last ride? |
| 20349 | That you, Baldy? |
| 20349 | That? 20349 That? |
| 20349 | Then he refuses to let us go? |
| 20349 | Then it was n''t a case of pocket picking at all? |
| 20349 | Then you advise submitting quietly? |
| 20349 | Then you know the Indians are there? |
| 20349 | There will be a real chase and----"Oh, how can you like such things? |
| 20349 | Two cameras? |
| 20349 | We might make it into some sort of a play like''Quo Vadis?'' |
| 20349 | Well, it''s easy enough to say:''Get after the fellows who took the reel,''spoke Baldy Johnson,"but who were they, and where shall we start?" |
| 20349 | Well, what''s to be done? |
| 20349 | What about? |
| 20349 | What are rustlers? |
| 20349 | What are you going to do? |
| 20349 | What are you starting''em up again for? |
| 20349 | What did he say? |
| 20349 | What do you make of the action of that International man? |
| 20349 | What do you mean? |
| 20349 | What does that mean? |
| 20349 | What expression, Ruth? |
| 20349 | What happened after we left? |
| 20349 | What has happened now? |
| 20349 | What have you in them? |
| 20349 | What have you to say for yourself? |
| 20349 | What in the world is that? |
| 20349 | What is he saying? |
| 20349 | What is he-- a wholesale dealer? |
| 20349 | What is it, Ruth? |
| 20349 | What is it? 20349 What is it? |
| 20349 | What is it? 20349 What is it?" |
| 20349 | What is it? |
| 20349 | What is it? |
| 20349 | What is the trouble? 20349 What is?" |
| 20349 | What makes you think so? |
| 20349 | What outfit is that, fellows? |
| 20349 | What sort of a man is he? |
| 20349 | What started the cattle off the second time? 20349 What time to- morrow is it?" |
| 20349 | What warning? |
| 20349 | What would a cowboy be doing with a moving picture camera? |
| 20349 | What''s it all about? |
| 20349 | What''s that big open place over there? |
| 20349 | What''s that, Russ? |
| 20349 | What''s that-- you wo n''t have to fuss so about dress? |
| 20349 | What''s that? |
| 20349 | What''s the matter? |
| 20349 | What''s the matter? |
| 20349 | What''s the matter? |
| 20349 | What''s the matter? |
| 20349 | What''s the matter? |
| 20349 | What''s the trouble? |
| 20349 | What''s the trouble? |
| 20349 | What-- what does he do with that? |
| 20349 | Where are they? |
| 20349 | Where are we going? |
| 20349 | Where are you going, Russ? |
| 20349 | Where are you going? |
| 20349 | Where is it? |
| 20349 | Where''s daddy? |
| 20349 | Who are they? |
| 20349 | Who is it? |
| 20349 | Who''s been followin''on your trail ever since you started out to make your big drama''East and West''? |
| 20349 | Who''s that coming after us? |
| 20349 | Who? |
| 20349 | Why did n''t they wait until we got past? |
| 20349 | Why do n''t you try moving pictures? |
| 20349 | Why should n''t I? 20349 Why, where could we sleep, and what could we eat?" |
| 20349 | Why, who could they be, to do such a dastardly thing as that? |
| 20349 | Will we have to stay here? |
| 20349 | Wo n''t it be dangerous? |
| 20349 | Would it be safe to do anything-- I mean to try to get away by force? |
| 20349 | Would they do that? |
| 20349 | You did n''t tell them to put in a second scene of the stampede; did you? |
| 20349 | You do n''t mean that big reel-- that important one which is a sort of key to all the rest-- is missing; do you? |
| 20349 | You have n''t seen any more of them? |
| 20349 | You mean after I have made the reels? |
| 20349 | You mean the boys from the Double ranch? |
| 20349 | You mean those fellows set another fire? |
| 20349 | You mean----? |
| 20349 | You''re not hurt; are you, girls? |
| 20349 | Are n''t you?" |
| 20349 | Are the girls safe?" |
| 20349 | Are those my slippers?" |
| 20349 | Are we not welcome here?" |
| 20349 | Are you ready to go to the studio? |
| 20349 | CHAPTER II WESTERN PLANS"What is it, Walsh? |
| 20349 | CHAPTER III A DARING FEAT"Oh, Ruth, did you hear? |
| 20349 | CHAPTER XIV A WARNING"Oh, does n''t it hurt them?" |
| 20349 | CHAPTER XVI PRISONERS"Russ, are you going to try to get a film?" |
| 20349 | CHAPTER XXV THE ROUND- UP"What''s the matter?" |
| 20349 | Ca n''t we go to that fire escape?" |
| 20349 | Can it be-- cabbage?" |
| 20349 | Den ve must----""Oh, if we ca n''t go back, what has become of those whom we left behind?" |
| 20349 | Did you have any trouble gettin''past their guard line, boys?" |
| 20349 | Do any of you know him?" |
| 20349 | Do they do a snake dance, and things like that?" |
| 20349 | Do you call him by his first name so soon?" |
| 20349 | Do you think daddy is quite well?" |
| 20349 | How''s that?" |
| 20349 | I wonder if daddy took his key?" |
| 20349 | Iss dot not so Paul, my boy?" |
| 20349 | Now, who''s the boss of this outfit?" |
| 20349 | Oh, what has happened?" |
| 20349 | Oh, what is it?" |
| 20349 | Oh, what is it?" |
| 20349 | Pertell?" |
| 20349 | Pertell?" |
| 20349 | Pop, you have some guns in the baggage; have you not?" |
| 20349 | Shall we jump?" |
| 20349 | Since when?" |
| 20349 | Suppose we go over the cliff, instead of the stuffed figures?" |
| 20349 | There will be cowboy and Indian pictures to be made, and----""_ Wild_ Indians?" |
| 20349 | Think you can work that, Russ?" |
| 20349 | Tony, will you let us use Bruno?" |
| 20349 | Was n''t that what I said, Pete?" |
| 20349 | What do you mean by sneaking in here, trying to get our secrets? |
| 20349 | What does it mean?" |
| 20349 | What does it mean?" |
| 20349 | What is the trouble?" |
| 20349 | What of you?" |
| 20349 | What shall we do?" |
| 20349 | What sort of stuff do you use on your hair? |
| 20349 | When? |
| 20349 | Where are you going to plant the smash?" |
| 20349 | Where you goin''?" |
| 20349 | Where''s Mr. Pertell? |
| 20349 | Where?" |
| 20349 | Why?" |
| 20349 | Would the cowboys be able to turn them aside in time? |
| 20349 | Would there be an opening in the circle-- an opening by which they could escape? |
| 20349 | You did n''t know him; did you?" |
| 20349 | You have a plumber''s kit; have n''t you, Pop?" |
| 20349 | called one of the cowboys,"ca n''t some of them actor folks do a song and dance?" |
| 20349 | she asked, adding in a half- bantering tone:"Is it haunted?" |
| 20349 | you do n''t do that; do you?" |
| 23677 | A camera? 23677 A dress one?" |
| 23677 | A real wreck? |
| 23677 | A spread, eh? 23677 A storm; eh?" |
| 23677 | All ready? |
| 23677 | All ready? |
| 23677 | Am I supposed to be in on that? |
| 23677 | And I''m to be funny? |
| 23677 | And have I really a sister? |
| 23677 | And how can we get there? |
| 23677 | And if they were, what could they pick up? |
| 23677 | And so you are chums; eh? |
| 23677 | And so you got other good ones? |
| 23677 | And so you''re here to get moving pictures; eh? 23677 And there''s no way of telling where he went?" |
| 23677 | And you rescued your enemies, too? 23677 Any special vessels in view?" |
| 23677 | Are n''t you going to tell me? |
| 23677 | Are you Nate Duncan''s son? |
| 23677 | Are you going to-- gulp-- let me-- glub-- sink out here? 23677 Are you sure it is n''t dynamite?" |
| 23677 | Are you sure this is the place? |
| 23677 | Are you the lads that have rooms sixty- six and sixty- seven? |
| 23677 | Are-- are you going to put us in jail? |
| 23677 | Be you plumb crazy? 23677 But are you Mr. Nathaniel Duncan?" |
| 23677 | But has he shipped? |
| 23677 | But how are you going to do it? |
| 23677 | But in that case,asked Joe,"why did n''t he leave some word as to where he was going?" |
| 23677 | But what about my sister? |
| 23677 | But what could the Indians want with them? |
| 23677 | But what has that got to do with Joe''s father? |
| 23677 | But what is it all about? 23677 But what is the matter? |
| 23677 | But where are they now? |
| 23677 | But where did he go? |
| 23677 | But why did you leave so suddenly, and why did the officer come for you the next day? |
| 23677 | But wo n''t it be risky to go out there in the darkness to bring in the ponies and burros? |
| 23677 | Ca n''t you get some of the fishermen from around here? |
| 23677 | Ca n''t you see some side path we can take? |
| 23677 | Can we find her? |
| 23677 | Can you see anything of a light? |
| 23677 | Can you see him? |
| 23677 | Can you see the vessel? |
| 23677 | Come on, Hank, you can follow an Indian trail; ca n''t you? |
| 23677 | Come where? |
| 23677 | Did I understand him to say that one of you is a Duncan? |
| 23677 | Did I understand you to say I had to rush out of a burning building? |
| 23677 | Did he-- did he get my letter? |
| 23677 | Did n''t he leave any trace at all? |
| 23677 | Did they get any of our horses-- or things? |
| 23677 | Did you mean for us to help catch''em? |
| 23677 | Did you want the devourin''element to consume that buildin''? |
| 23677 | Did-- did you see anything, Hank? |
| 23677 | Disappeared? |
| 23677 | Do I have to fall overboard? |
| 23677 | Do n''t you call it wrong to set up a false light to lure unsuspecting captains on the rocks, so you can get your pickings? 23677 Do n''t you?" |
| 23677 | Do you happen to know of a Mr. Duncan there? |
| 23677 | Do you mean to accuse Joe''s father of being in with the wreckers? |
| 23677 | Do you mean to say you wo n''t go on with this act? 23677 Do you mean to say, Blake, that this man whom I''ve traced after such hard work, is n''t any relation to me-- haven''t I any folks, after all?" |
| 23677 | Do you really mean that? |
| 23677 | Do you think he''ll be gone? |
| 23677 | Do you want that in the picture? |
| 23677 | Do-- do you think they''ll shoot? |
| 23677 | Does it mean a fight? |
| 23677 | Experimenting? 23677 Feel any brighter?" |
| 23677 | Get_ me_ one? |
| 23677 | Had enough? |
| 23677 | Has Joe a sister, too? |
| 23677 | Have we been robbed? |
| 23677 | Have you got the lantern fixed so that she''ll flash like the other? |
| 23677 | He was n''t; eh? |
| 23677 | Hold on, C. C.; what''s the matter? |
| 23677 | How are you making out, Blake? |
| 23677 | How can I ever tell Joe the news? |
| 23677 | How dare you poke one out of the window, right toward one of our largest banks, and go out, leaving the mechanism clicking? 23677 How did you happen to come to help us?" |
| 23677 | How''s that? |
| 23677 | How? |
| 23677 | How? |
| 23677 | I guess you do n''t quite believe that, Hank; do you? |
| 23677 | I hardly know, and yet----"Maybe they''re experimenting with a new kind of light? |
| 23677 | I mean, lad,and the lighthouse keeper''s tones sank to a whisper;"I mean, if I tell you something, can you keep it from him?" |
| 23677 | I wonder if all the Moquis and Navajos who skipped off their reservations have been driven back? |
| 23677 | I wonder if he will ever get this? |
| 23677 | I wonder if my father is in any such storm as this, on his way to China? |
| 23677 | I wonder if my father looks like that? |
| 23677 | I wonder if the folks who look at moving pictures realize how they are made? |
| 23677 | I wonder if we''ll go through another scare like that? |
| 23677 | I wonder what I shall say to him, when I first see him, Blake? |
| 23677 | I wonder what he''s looking for? |
| 23677 | I wonder what kind of a man he''ll be? |
| 23677 | I wonder what will be next on the program? |
| 23677 | I wonder when we can go to San Francisco? |
| 23677 | I-- I wonder if that''s him-- my father? |
| 23677 | I-- I''m to be shipwrecked; am I? |
| 23677 | If you''ve driven''em off, so they ca n''t try any of their dastardly tricks to lure vessels ashore, is n''t that all you want? 23677 If-- if you-- are you my father?" |
| 23677 | Is it-- is it that he is n''t my father, after all? |
| 23677 | Is there anything wrong-- is Mr. Duncan wanted for anything? 23677 Is-- is that right?" |
| 23677 | It may seem a heartless thing to do, but why ca n''t we get some moving pictures of this? |
| 23677 | Joe Duncan? 23677 Joe''s father; eh?" |
| 23677 | Joe, how will it seem to see yourself on a screen? |
| 23677 | Lucky? |
| 23677 | Matter? 23677 My name cleared-- and my son with me-- what else could I want?" |
| 23677 | My sister? |
| 23677 | Never hold anything back? |
| 23677 | Oh, ca n''t you look on the bright side? |
| 23677 | Oh, why did I ever get into this business? 23677 Our own words?" |
| 23677 | Robbed? 23677 Say, what do you imagine they are doing?" |
| 23677 | Say, what do you think they are? |
| 23677 | Say, you do n''t mean to tell me you snapped what happened? |
| 23677 | Scenes at night? |
| 23677 | See any of''em, Hank? |
| 23677 | So that''s how the scoundrels are planning to work; are they? |
| 23677 | So you did n''t get scalped, after all? |
| 23677 | That is, unless you''re----"Afraid? 23677 That will be hard to do; wo n''t it?" |
| 23677 | That''s it, C. C."But to rush out I''ve got to go in; have n''t I? |
| 23677 | The Rockypoint light? |
| 23677 | The question is-- where did they go? |
| 23677 | The wreck-- it''ll come close on shore, the guard says; why not make some moving pictures of it? 23677 Then you do n''t mind if we go?" |
| 23677 | These movin''pictures are n''t like tintypes; are they? |
| 23677 | They do n''t; eh? |
| 23677 | Think of it? |
| 23677 | Throw that prod; ca n''t you? 23677 Trouble? |
| 23677 | Want it to burn? |
| 23677 | Was there some mistake? 23677 We''ll do it; eh, Joe?" |
| 23677 | Well, I''m not saying we are, either; but if your father is n''t a wrecker why did he run away before the officers came for him? 23677 Well, something will happen, I''m sure,"declared C. C."When do we move?" |
| 23677 | Well, what about this? |
| 23677 | Well, what do you think? |
| 23677 | Well, you have n''t any more infernal machines; have you, boys? |
| 23677 | Well? |
| 23677 | Well? |
| 23677 | What can we do? |
| 23677 | What can we do? |
| 23677 | What did they take? |
| 23677 | What do you mean? |
| 23677 | What do you think is the best thing to do? |
| 23677 | What do you want to spoil their welcome for, just as we have a little spread arranged for them? |
| 23677 | What for? |
| 23677 | What for? |
| 23677 | What is it? |
| 23677 | What is it? |
| 23677 | What is it? |
| 23677 | What is it? |
| 23677 | What is it? |
| 23677 | What is it? |
| 23677 | What is it? |
| 23677 | What is it? |
| 23677 | What is it? |
| 23677 | What is it? |
| 23677 | What is it? |
| 23677 | What is it? |
| 23677 | What is she like? 23677 What is your name?" |
| 23677 | What makes you ask that? |
| 23677 | What makes you say that? |
| 23677 | What makes you think I have a secret, Joe? |
| 23677 | What makes you think so? |
| 23677 | What shall we do if we find them? |
| 23677 | What shall we do? |
| 23677 | What sort of a man was he? |
| 23677 | What sort? |
| 23677 | What were you going to say, Blake? |
| 23677 | What''s best to be done? |
| 23677 | What''s best to be done? |
| 23677 | What''s it all about? |
| 23677 | What''s it going to be about? |
| 23677 | What''s that, Blake? |
| 23677 | What''s that? |
| 23677 | What''s that? |
| 23677 | What''s that? |
| 23677 | What''s that? |
| 23677 | What''s that? |
| 23677 | What''s the joke? |
| 23677 | What''s the matter? |
| 23677 | What''s this? |
| 23677 | What? |
| 23677 | What? |
| 23677 | Where has he gone? |
| 23677 | Where is he? |
| 23677 | Where is she? |
| 23677 | Where is she? |
| 23677 | Which way shall we go, Blake? |
| 23677 | Which way shall we shoot? |
| 23677 | Who sent you? |
| 23677 | Who-- the fish, or Jake? |
| 23677 | Who? |
| 23677 | Why ca n''t you be cheerful? |
| 23677 | Why did you have to leave so suddenly? |
| 23677 | Why not? |
| 23677 | Why not? |
| 23677 | Why not? |
| 23677 | Why so? |
| 23677 | Why was that? |
| 23677 | Why, has anything happened there? |
| 23677 | Why, what do you mean? |
| 23677 | Why, you do n''t think they''re around here; do you? |
| 23677 | Why, you''re not going to come any of that gloomy C. C. business on me; are you? |
| 23677 | Why-- why? |
| 23677 | Why? |
| 23677 | Why? |
| 23677 | Will he come back when he knows of the wrecking charge that may be made against him? 23677 Will he, though?" |
| 23677 | Will it be a real wreck scene? |
| 23677 | Will the haul- rope stand it? |
| 23677 | Will they run, do you think? |
| 23677 | Will we have to go very far to sea? |
| 23677 | Work hard? 23677 Would you mind telling me why you left so suddenly?" |
| 23677 | Wrecked? |
| 23677 | Wreckers; eh? |
| 23677 | Yes, he''s right astern, but that fish----"Is he coming after Jake? |
| 23677 | You did n''t know he was a sailor? 23677 You have n''t seen us work so very hard; have you?" |
| 23677 | You''re not going to have the real fire now; are you? |
| 23677 | A wreck; eh? |
| 23677 | Are there any more of you aboard-- or any children?" |
| 23677 | Are you all right, Jake?" |
| 23677 | Are you going to balk as you did in the Indian scene?" |
| 23677 | Are you my son?" |
| 23677 | Are you really in this queer business of taking moving pictures?" |
| 23677 | Blake, is there anything you''re holding back from me?" |
| 23677 | But I mean, what will we do after that? |
| 23677 | But I wonder if the men will come back after the alarm we gave''em?" |
| 23677 | But I wonder what it will be next?" |
| 23677 | But what does it mean?" |
| 23677 | But why are you asking?" |
| 23677 | But you wo n''t leave me; will you, Joe?" |
| 23677 | But, Joe, did you notice just what it was that big wrecker said?" |
| 23677 | But----""Now what''s the answer? |
| 23677 | CHAPTER II A DARING RAID"Where are they?" |
| 23677 | CHAPTER V A NEW KIND OF DRAMA"And so you really got what you went for; eh, boys?" |
| 23677 | CHAPTER XI A STRANGE CHARGE"Are you going to take a camera with you, boys?" |
| 23677 | CHAPTER XVI JOE SUSPECTS SOMETHING"What''ll we do, Blake?" |
| 23677 | CHAPTER XXIII THE DOOMED VESSEL"You say there''s a wreck?" |
| 23677 | Can you prove your innocence?" |
| 23677 | Can you-- can you save the others? |
| 23677 | Did Duncan have a son?" |
| 23677 | Did I ever see her when we were both little?" |
| 23677 | Did you happen to hear, boys, when they expected to play that wicked game?" |
| 23677 | Did you_ want_ her to burn?" |
| 23677 | Do you hear me? |
| 23677 | Do you know where Mr. Duncan went?" |
| 23677 | Duncan?" |
| 23677 | Duncan?" |
| 23677 | Duncan?" |
| 23677 | For a moment Joe seemed to stiffen as he heard the name, and then, in a hoarse whisper, he turned to Blake and said:"Did you hear that? |
| 23677 | Go back to New York?" |
| 23677 | Got everything, Blake?" |
| 23677 | Has he committed any crime, or is he wanted by anyone?" |
| 23677 | Have you a plan, Blake?" |
| 23677 | He''s been traveling all over, you know, looking for you and your sister----""Sister?" |
| 23677 | His face showed his disappointment so unmistakably that Blake called out:"What''s the matter, Joe?" |
| 23677 | How dare you?" |
| 23677 | How do you know but what this light was put here as a range finder for us fishermen?" |
| 23677 | I guess I''ll just say:''Hello, Dad; do you know me?''" |
| 23677 | I suppose you know what sort of men those were that we just got away from?" |
| 23677 | I wonder how many there are?" |
| 23677 | I wonder what they can be up to?" |
| 23677 | I wonder why he went away?" |
| 23677 | I wonder, though, if the story is known about San Diego? |
| 23677 | If he was innocent why did n''t he stay and fight it out? |
| 23677 | Is Mr. Duncan-- is he-- dead?" |
| 23677 | Is anything troubling you?" |
| 23677 | Is my father somewhere around here, after all?" |
| 23677 | Is n''t his father here?" |
| 23677 | Is n''t there any way in which we may get a clue to the direction he took?" |
| 23677 | It must n''t be allowed to pull out-- do you understand? |
| 23677 | It''s what Hemp said about your father; is n''t it?" |
| 23677 | Jolly? |
| 23677 | Moving pictures; eh? |
| 23677 | Not our prize Indian pictures?" |
| 23677 | Now what is it?" |
| 23677 | Now you see footprints going off to the left and right from this point; do n''t you?" |
| 23677 | Of what charge?" |
| 23677 | Oh, is it possible? |
| 23677 | Or, The Tyler Will If you had been poor and were suddenly left a half- million dollars, what would you do with it? |
| 23677 | Ringold?" |
| 23677 | Ringold?" |
| 23677 | Say, do n''t you know your father''s business?" |
| 23677 | So he''s somewhere on the southern California coast?" |
| 23677 | Stanton?" |
| 23677 | Suppose he has gone? |
| 23677 | The lighthouse keeper turned, surveyed the boy and in a pleasant voice asked:"Well?" |
| 23677 | Was he a sailor?" |
| 23677 | Was he the Duncan from somewhere down the coast?" |
| 23677 | Was there a girl?" |
| 23677 | We''re down pretty low; are n''t we, Blake?" |
| 23677 | Well, what shall we do?" |
| 23677 | What became of Munson?" |
| 23677 | What have we done that''s wrong?" |
| 23677 | What kind?" |
| 23677 | What makes you think that?" |
| 23677 | What''s that?" |
| 23677 | Where is he?" |
| 23677 | Where''s Jake?" |
| 23677 | Why, what do you mean?" |
| 23677 | Why?" |
| 23677 | You mean that, maybe, after all, he left because he was afraid of the wreckers, and not because he had done anything wrong?" |
| 23677 | You tell each other all your secrets, I suppose?" |
| 23677 | You wo n''t tell him; will you?" |
| 23677 | You''re not going to have it said that you let a little cat''s paw of wind like this beat you; are you?" |
| 23677 | asked the lad, eagerly;"is my father----?" |
| 23677 | exclaimed the hotel clerk;"do you think it could be that, officer?" |
| 20347 | A knife? 20347 After deer, eh? |
| 20347 | Alice how could you? |
| 20347 | Alice,cried Ruth,"do you really think we are lost?" |
| 20347 | All ready? |
| 20347 | All right? |
| 20347 | And about Mr. DeVere''s note? |
| 20347 | And if they do n''t? |
| 20347 | And may I come? |
| 20347 | And we would have to stay here? |
| 20347 | And what are the next plans-- I mean what sort of pictures are you going to make next? |
| 20347 | And what is it? |
| 20347 | And who are you? |
| 20347 | And you have no idea where they came from? |
| 20347 | And you never saw them before? |
| 20347 | Are n''t you cold? |
| 20347 | Are n''t you crazy about it, sister mine? |
| 20347 | Are n''t you hurt, Dan? |
| 20347 | Are there good hotels there? |
| 20347 | Are we to go off to some farm again? |
| 20347 | Are you feeling better now, Daddy? |
| 20347 | Are you going? |
| 20347 | Are you hurt? |
| 20347 | Are you ill? |
| 20347 | Awful? 20347 But how are we going to get away without them seeing us?" |
| 20347 | But suppose he sues, as he threatened? |
| 20347 | But what about our baggage? |
| 20347 | But what are we to do? |
| 20347 | But what are we to do? |
| 20347 | But where will I get fence rails? |
| 20347 | But who will be John Ridd? 20347 But, Alice, if we are so played out by that little trip, how are we ever going to get back to Elk Lodge?" |
| 20347 | Ca n''t we go on? |
| 20347 | Ca n''t you give us something different from what we have been having? |
| 20347 | Can they make you do that, Daddy? |
| 20347 | Can you ever forgive me for bringing you out in such weather as this? |
| 20347 | Come on, Ruth-- Alice-- shall we walk? |
| 20347 | Could n''t they trail us with-- with bloodhounds? |
| 20347 | Could we come over to your lumber camp some day? |
| 20347 | Could we, Ruth? |
| 20347 | Daddy, are you all right? |
| 20347 | Dan Merley up here? |
| 20347 | Did he tell you to come here? |
| 20347 | Did they film any big plays to- day? |
| 20347 | Did those other two men go with him? |
| 20347 | Did you get that spill, Russ? |
| 20347 | Did you notice that man, Alice? |
| 20347 | Did you pay him by check? |
| 20347 | Did you see who one of those men was? |
| 20347 | Did you tell your father about Dan Merley? |
| 20347 | Do I wear my tall hat? |
| 20347 | Do n''t you see that fence? |
| 20347 | Do n''t you want to come, Daddy? |
| 20347 | Do they really make a business of it? |
| 20347 | Do you feel any better, Daddy? |
| 20347 | Do you feel like-- talking? |
| 20347 | Do you see someone? 20347 Do you suppose he really thinks so-- that he is honest in his belief that you never paid him?" |
| 20347 | Do you think I had better write to the court, and to the lawyers of the street car company? |
| 20347 | Do you think it is a game? |
| 20347 | Do you think they will come for us? |
| 20347 | Do you think we''re going to have another blizzard? |
| 20347 | Do you think you ever saw him before? |
| 20347 | Do you think your client will go on with the street car suit? |
| 20347 | Do you-- do you mean my-- my father? |
| 20347 | Does it ever happen that you ca n''t get out to the barns? |
| 20347 | Does that mean you are_ not_ in love? |
| 20347 | Does your company ever get as far as Florida? |
| 20347 | Does your throat hurt you much, Daddy? |
| 20347 | Follow them? 20347 For instruction or amusement?" |
| 20347 | Found fault with everything; eh? |
| 20347 | Has Merley bothered him again? |
| 20347 | Has he the camera? |
| 20347 | Have we enough to last through a storm? |
| 20347 | Have you a knife? |
| 20347 | Have you seen some of those strange men about again, hunting on your preserves? |
| 20347 | He must have been hurt, and yet-- er-- was he in a sensible condition, Russ? |
| 20347 | Here, can someone hold the reins while I get out? |
| 20347 | How about our rations? |
| 20347 | How are we coming on? |
| 20347 | How are you? |
| 20347 | How can we be, when all we have to do is to follow the path back to Elk Lodge? |
| 20347 | How could I what? |
| 20347 | How did the lawyers know you were here? |
| 20347 | How did you come to get that? |
| 20347 | How do you know all this? |
| 20347 | How would you like to go to Florida? |
| 20347 | Hurt? 20347 I do n''t much fancy it; but what am I to do?" |
| 20347 | I like them; do n''t you? |
| 20347 | I suppose you heard what that man said? |
| 20347 | I think so-- why? |
| 20347 | I will; eh? 20347 I wonder how the Apgars are getting on, now that their farm is safe?" |
| 20347 | I wonder if daddy has come back yet? |
| 20347 | I wonder what he can want? 20347 I wonder what it can be?" |
| 20347 | I wonder what makes him so late? |
| 20347 | I wonder what will happen down there? |
| 20347 | I wonder where he is? |
| 20347 | I-- er-- I-- what does this mean? |
| 20347 | If he walks over here to ask for that five hundred dollars again, I''ll----"You say he was walking around? |
| 20347 | If we ever do? |
| 20347 | If what was safe? |
| 20347 | Is Dan Merley making more trouble? |
| 20347 | Is Jagle a doctor? |
| 20347 | Is Mr. Pertell there? |
| 20347 | Is diss der right vay to do it? |
| 20347 | Is he in? 20347 Is he out searching, too?" |
| 20347 | Is it bad news? 20347 Is it the one that is something like the story of Lorna Doone?" |
| 20347 | Is n''t it? |
| 20347 | Is n''t this jolly, Ruth? |
| 20347 | Is that why Russ has threads on his coat sleeve-- was it his coat you were mending? |
| 20347 | Is that you, Alice? |
| 20347 | Is that your real name? |
| 20347 | Is there any trouble here? |
| 20347 | Is there skating about here? |
| 20347 | Is there some trouble with the film company? 20347 Is your throat any better?" |
| 20347 | Listen Daddy, whom do you think we saw? |
| 20347 | Make your poor old daddy spend his hard- earned money, will you? |
| 20347 | Matter? 20347 May we come?" |
| 20347 | Maybe he''d like salt better, for I''ve read of salt- licks that animals visit, but sugar will do on a pinch; wo n''t it, old fellow? |
| 20347 | More coasting? |
| 20347 | Must I get into this silly coasting play? |
| 20347 | Must you go? |
| 20347 | My fault, how? |
| 20347 | Not Dan Merley up here? |
| 20347 | Not wear my high hat? 20347 Now I wonder which of these sleighs is ours?" |
| 20347 | Now then, is anyone hurt? |
| 20347 | Oh, Alice, how can you say so? 20347 Oh, Daddy dear, what is it?" |
| 20347 | Oh, but is n''t it perfectly heavenly out here? 20347 Oh, but suppose he jabs me with his horns?" |
| 20347 | Oh, can you make it into a rug? |
| 20347 | Oh, could we get any? |
| 20347 | Oh, how can he be so cruel? |
| 20347 | Oh, how can you so tempt fate? |
| 20347 | Oh, is it the trouble about the five hundred dollars? |
| 20347 | Oh, suppose they should not be home? |
| 20347 | Oh, what is it? |
| 20347 | Oh, what shall we do? |
| 20347 | Oh, what shall we do? |
| 20347 | Really? |
| 20347 | Reindeers-- like Santa Claus has? |
| 20347 | Serious? |
| 20347 | Shall I approach him, Russ? |
| 20347 | Shall I get this? |
| 20347 | Shall we take it? |
| 20347 | Shall we try to go in? |
| 20347 | Shall we? |
| 20347 | Snowshoes for your camera? |
| 20347 | So those fellows were around again; eh? |
| 20347 | Sorry to trouble you,spoke Miss Pennington,"but have you any cold cream and-- er-- powder? |
| 20347 | Suppose I do n''t go? |
| 20347 | Suppose we got snowed in? |
| 20347 | That''s what it will, Russ; but what can be done? |
| 20347 | Then we wo n''t starve? |
| 20347 | Then we''ll come and see you; wo n''t we Ruth? |
| 20347 | Then what are we to do? |
| 20347 | There will not be much danger that we will be caught in another blizzard; will there? |
| 20347 | They ca n''t sue you up here in this wilderness though; can they? |
| 20347 | Think we''ll make it? |
| 20347 | Und ve vill starf den; ai n''t dot so? |
| 20347 | Ve vill starf alretty; vill ve not, mine gloomy friendt? |
| 20347 | Vos you vaiting for us mit dot gun? |
| 20347 | Walk? 20347 Was my father there?" |
| 20347 | Was someone in here while I was gone-- those camera scoundrels, Russ? |
| 20347 | We ca n''t take any moving pictures; can we? |
| 20347 | Well, what''s to be done? |
| 20347 | What about those new plans? |
| 20347 | What are they, Daddy? |
| 20347 | What are you looking for? |
| 20347 | What are you making? |
| 20347 | What did Mr. Pertell say? |
| 20347 | What do you mean? |
| 20347 | What happened? |
| 20347 | What happened? |
| 20347 | What is all the excitement about, Alice? |
| 20347 | What is it then? |
| 20347 | What is it? |
| 20347 | What is it? |
| 20347 | What is it? |
| 20347 | What is that? |
| 20347 | What is the trouble? |
| 20347 | What luck, Daddy? |
| 20347 | What makes you think so? |
| 20347 | What man? |
| 20347 | What now? |
| 20347 | What of it? |
| 20347 | What paper? |
| 20347 | What really happened? |
| 20347 | What shall we do-- go to the other cabin? |
| 20347 | What shall we do? |
| 20347 | What sort of a beast is that-- a young bear? |
| 20347 | What''s happened? |
| 20347 | What''s that you said? |
| 20347 | What''s that? |
| 20347 | What''s the ice cave? |
| 20347 | What''s the matter here? 20347 What''s the matter now?" |
| 20347 | What''s the matter with you girls in there? |
| 20347 | What''s the matter-- cut yourself? |
| 20347 | What''s the matter? |
| 20347 | What''s the matter? |
| 20347 | What, leave? 20347 What, me steer a bobsled down that hill?" |
| 20347 | What, pray? 20347 What-- what did you want to see Mr. DeVere about?" |
| 20347 | What-- what was that you said? |
| 20347 | What? 20347 When are we to leave?" |
| 20347 | Where are you hurt? |
| 20347 | Where is Deerfield, if one may ask? |
| 20347 | Where is that paper? |
| 20347 | Where''s Ruth? |
| 20347 | Where? |
| 20347 | Who can give them to us? |
| 20347 | Who is it? |
| 20347 | Who wants to come for a trip to the ice cave? |
| 20347 | Who was this Emerson-- a moving picture fellow? |
| 20347 | Who would you share your troubles with, if not with us? 20347 Who, Fripp and Jagle? |
| 20347 | Who, me? 20347 Who?" |
| 20347 | Why are you so anxious? |
| 20347 | Why did n''t you call for help? |
| 20347 | Why do n''t you want to do this act? |
| 20347 | Why does n''t someone get a doctor? |
| 20347 | Why must you always ask for Ruth when I meet you alone? |
| 20347 | Why not? |
| 20347 | Why not? |
| 20347 | Why should n''t he-- if it''s true? |
| 20347 | Why should n''t you? |
| 20347 | Why was not food brought with us in anticipation of this emergency? |
| 20347 | Why, is there any danger that we can not? |
| 20347 | Why? |
| 20347 | Why? |
| 20347 | Why? |
| 20347 | Will it be safe? |
| 20347 | Will there be deers there? |
| 20347 | Will you be able to go on with the play? |
| 20347 | Will you come, Ruth? |
| 20347 | Will you, Ruth? |
| 20347 | Will you, really? 20347 Wo n''t you sit down, Russ? |
| 20347 | Yes? |
| 20347 | You do n''t like what? |
| 20347 | You do n''t mean he was one of the men who tried to get Russ''s patent; do you? |
| 20347 | You have brought Mr. DeVere''s promissory note with you; have you not? |
| 20347 | You mean that man who came to see you when we lived in the other apartment-- the nicer one? |
| 20347 | You mean the hunter who looked as though he wanted to shoot some of us? |
| 20347 | You say they are strangers about here? |
| 20347 | You will have to reply to the lawyers, though; wo n''t you, daddy? |
| 20347 | And say, did you notice his eyes?" |
| 20347 | And yet you saw him walking?" |
| 20347 | Are they coming for us?" |
| 20347 | Are you afraid something has happened to him?" |
| 20347 | Black?" |
| 20347 | But Alice, did you see how Merley seems to have recovered from his accident? |
| 20347 | But is n''t it queer how soon he recovered from his injury?" |
| 20347 | But what are they saying? |
| 20347 | But what happened?" |
| 20347 | But why are you so impatient? |
| 20347 | CHAPTER III RUSS TO THE RESCUE"Where''s the boss?" |
| 20347 | CHAPTER XVII THE RESCUE"What happened?" |
| 20347 | Can he be going to make trouble for me?" |
| 20347 | Can we take that with us?" |
| 20347 | Come now, have you everything?" |
| 20347 | DeVere?" |
| 20347 | Did you just come from the studio?" |
| 20347 | Did you notice him particularly?" |
| 20347 | Do n''t they know that this is a private preserve?" |
| 20347 | Do n''t you see?" |
| 20347 | Do n''t you think we''d better run to the other cabin while we have the chance?" |
| 20347 | Do n''t you want to walk with_ me_?" |
| 20347 | Do you hear? |
| 20347 | For a moment no one spoke, and then Paul asked, quietly:"What are we going to do?" |
| 20347 | Great scenic productions, such as"Quo Vadis?" |
| 20347 | Hark, is that daddy?" |
| 20347 | Has anyone seen it?" |
| 20347 | Has anything happened?" |
| 20347 | Has daddy come home?" |
| 20347 | He said I''d been drinking too much; did n''t he?" |
| 20347 | I hold his note, and if he does n''t pay me I''ll----""What will you do?" |
| 20347 | I presume if we drop both suits that you will not show these pictures in court?" |
| 20347 | I simply can not pay that five hundred dollars; and yet, if I don''t----""Can they lock you up, Daddy?" |
| 20347 | I wonder if it would do to follow those men?" |
| 20347 | I wonder if we''d better telephone?" |
| 20347 | In a few moments he resumed:"Did you ever hear me speak of a Dan Merley?" |
| 20347 | Is it far off?" |
| 20347 | Is one of them Merley?" |
| 20347 | Is that the money? |
| 20347 | Is there anything I can get for you? |
| 20347 | Is your father out?" |
| 20347 | It was two days later that Russ said to the actor:"Can you make it convenient to be at our film studio this evening?" |
| 20347 | May I have the pleasure of sending it to you?" |
| 20347 | May I steer a bob?" |
| 20347 | Me leave? |
| 20347 | Not at all conceited; am I?" |
| 20347 | Now leave at once, do you hear?" |
| 20347 | Oh, is n''t it provoking? |
| 20347 | Oh, suppose we should be lost?" |
| 20347 | Pertell?" |
| 20347 | Really, he was nice; was n''t he? |
| 20347 | Russ, will you see just how bad it is?" |
| 20347 | Shall I bring back anything for supper?" |
| 20347 | Shall we, Alice?" |
| 20347 | Sisters, I take it?" |
| 20347 | Sneed?" |
| 20347 | They tried to keep to the path, but after a few moments of battling with the storm, Ruth cried:"Alice where are we?" |
| 20347 | Vot does dis mean?" |
| 20347 | Want to come?" |
| 20347 | What did you want to get in the way of the car for, anyhow?" |
| 20347 | What do you mean; standing there in this storm? |
| 20347 | What do you mean?" |
| 20347 | What happened?" |
| 20347 | What in the world for?" |
| 20347 | What kept you? |
| 20347 | What put that idea into your head?" |
| 20347 | What sort of views do you expect to get?" |
| 20347 | What was that?" |
| 20347 | Where are you going?" |
| 20347 | Where are you? |
| 20347 | Where''s his proof? |
| 20347 | Where''s his proof?" |
| 20347 | Who says so?" |
| 20347 | Why ca n''t we take the forward bob from under the rear sled and put it in place of the broken one on the first sled? |
| 20347 | Why did n''t you think of that before?" |
| 20347 | Why?" |
| 20347 | Wo n''t it seem odd to be trailed by dogs? |
| 20347 | Would you mind getting me that throat spray and medicine Dr. Rathby left? |
| 20347 | Yes, but what good is that?" |
| 20347 | Yet where could they go? |
| 20347 | You do n''t want him here; do you?" |
| 20347 | You have n''t lost your engagement; have you, Daddy?" |
| 20347 | he called to the sturdy man, in big boots, who was stalking about among the sleds,"is everything all right for us?" |
| 20347 | she cried,"what is the matter?" |
| 20347 | was all Miss Dixon said, and then she called:"Paul, come here; wo n''t you? |
| 18699 | A ship is always a lady, is n''t she, Paul? |
| 18699 | A-- a lime- juicer? |
| 18699 | All of what, Miss? |
| 18699 | Anchor? |
| 18699 | And are we going to sleep here and eat here, Jack? |
| 18699 | And is that why you acted so-- so queer? |
| 18699 | And it would n''t be too rough for the motorboat? |
| 18699 | And leave us here? |
| 18699 | And why? 18699 Anything much to do this afternoon?" |
| 18699 | Are these some of the actor folks? |
| 18699 | Are we sinking? |
| 18699 | Are we to do any''stunts,''while Russ is taking pictures? |
| 18699 | Are you able to go out there, Miss DeVere? |
| 18699 | Are you all right? |
| 18699 | Are you going to travel alone in the motorboat? |
| 18699 | Ask him? |
| 18699 | Buried treasure? 18699 But Alice, how did_ you_ know that dreadful thing?" |
| 18699 | But I ought to get justice in the end, ought I not? |
| 18699 | But I wonder who he is? |
| 18699 | But about yourself? |
| 18699 | But ca n''t they arrest you at sea, if there should be such a possibility that they recognized you? |
| 18699 | But how can they recognize you? |
| 18699 | But how would they know you? |
| 18699 | But if the ship is changed so, how could any of the British officers, provided any are on that steamer, recognize her? |
| 18699 | But is n''t the unjust charge outlawed now? |
| 18699 | But the Hole--? |
| 18699 | But what about? |
| 18699 | But what became of you? |
| 18699 | But what does it all mean-- that enmity you say Captain Brisco has against Jack? |
| 18699 | But what has happened to her? |
| 18699 | But----"You did? |
| 18699 | Ca n''t I? |
| 18699 | Ca n''t we-- can''t we wade back to shore? |
| 18699 | Ca n''t you disprove the mutiny charge? |
| 18699 | Ca n''t you? |
| 18699 | Can you walk out there, Alice? |
| 18699 | Cheerful, are n''t you? |
| 18699 | Cheese? |
| 18699 | Could n''t we take just a look at the_ Mary Ellen_ while we are here? |
| 18699 | Could they come here and take you? |
| 18699 | Danger? 18699 Did Brisco really plot to get the_ Mary Ellen_?" |
| 18699 | Did you want to hear what he would have said? |
| 18699 | Disappeared? 18699 Do n''t you remember?" |
| 18699 | Do what? |
| 18699 | Do you mean that young man who was waving to Miss Dixon? |
| 18699 | Do you see the schooner? |
| 18699 | Do you think it will be rough? |
| 18699 | Do you think the_ Mary Ellen_ will prove to be a safe boat in which to go to sea? |
| 18699 | Do you understand the play? |
| 18699 | Does n''t it scare you, Alice? |
| 18699 | Does your throat pain you much? |
| 18699 | Downstairs, Miss? |
| 18699 | For instance-- who? |
| 18699 | Has anything happened? |
| 18699 | Has she any speed? |
| 18699 | Have you plenty of lifeboats? |
| 18699 | Have you succeeded in convincing him? |
| 18699 | He did n''t say that she was unsafe, did he? |
| 18699 | How about it, Russ? 18699 How can you tell?" |
| 18699 | How could it be? |
| 18699 | How did it happen? |
| 18699 | How do you mean? |
| 18699 | How long ago was all this? |
| 18699 | How soon do we go? |
| 18699 | I do that there, do I? |
| 18699 | I say there, Mr. Jepson,ordered the commander,"will you go forward, and see how the bitts are standing up under the strain of that hawser? |
| 18699 | I wonder if that''s all for us today? |
| 18699 | I wonder if the captain of the steamer will ask us to tea? 18699 I wonder if we will get near the''Hole in the Wall''that Jack told about? |
| 18699 | I wonder what he wants, anyhow? 18699 I wonder what he was doing all alone there in the cabin?" |
| 18699 | If he were tossed overboard, who did it? |
| 18699 | In on what? |
| 18699 | Is it really you? 18699 Is it, Paul?" |
| 18699 | Is n''t it romantic-- stopping to speak to a steamer at sea? |
| 18699 | Is n''t that she, over there? |
| 18699 | Is that so, Miss? 18699 Is that so? |
| 18699 | Is the water deep? |
| 18699 | Is there any real danger, Captain? |
| 18699 | Is your throat bad again? |
| 18699 | It is a British vessel, is n''t it? |
| 18699 | It was a tiresome day; was n''t it, dear? |
| 18699 | It wo n''t be a_ real_ shipwreck; will it? |
| 18699 | More trouble? |
| 18699 | Mr. Jepson, will you kindly go forward and see how the men are coming on with that caulking? |
| 18699 | Mr. Pertell said he''d signal us with a flag when he thought we had enough, but I do n''t see anything of a signal, do you? |
| 18699 | Not short- handed, are you? |
| 18699 | Now how are you coming on? 18699 Oh, Alice, are you hurt?" |
| 18699 | Oh, Alice, is your hat spoiled? |
| 18699 | Oh, and could we see where we sleep? |
| 18699 | Oh, are we going there? |
| 18699 | Oh, are you all right? |
| 18699 | Oh, have they saved him? |
| 18699 | Oh, it''s make believe; is it? |
| 18699 | Oh, that''s my part, is it? 18699 Oh, what has happened?" |
| 18699 | Oh, why_ did_ I have to go and sneeze just then? |
| 18699 | Or whatever the right sea- term is for under the deck? |
| 18699 | Others here? 18699 Real? |
| 18699 | Russ-- Mr. Bunn-- Switzer-- a boat-- where''s that fisherman-- where''s the life- saving station? 18699 Say, what do you fellows mean, anyhow?" |
| 18699 | Say, where is the schooner, anyhow? |
| 18699 | Shall I carry you? |
| 18699 | Shall I make you a cup of tea, dear? 18699 Shall we lower away?" |
| 18699 | Sort of funny thinking he knew you, was n''t it? |
| 18699 | Steal the papers? |
| 18699 | Suppose we are n''t? |
| 18699 | Tell me dear-- is he-- is he dead? |
| 18699 | That''s just the point-- can it? |
| 18699 | The picture? |
| 18699 | The police? |
| 18699 | The staterooms? 18699 The tide has risen?" |
| 18699 | Then how did you come to do it? |
| 18699 | Then may I go below? |
| 18699 | Then you are going to be ready in time? |
| 18699 | Then you would not advise us to put on life preservers? |
| 18699 | To see the_ Mary Ellen_ again? 18699 Too late? |
| 18699 | Too nice? 18699 Was that it?" |
| 18699 | Was the rarebit good? |
| 18699 | We are going out in a big schooner, and----"A real schooner? |
| 18699 | We could work around and----"Who''s in charge of this ship; you or me? |
| 18699 | Well, Alice,remarked Ruth one day, as they were on their way up the coast in a steamer,"did you have enough of sea- life this trip?" |
| 18699 | Well, I never--"Ca n''t you take a joke? |
| 18699 | Well, how about it? |
| 18699 | Well, how about those sodas now? |
| 18699 | Well, how is the great marine drama coming on? |
| 18699 | Well, the_ Ajax_ is going to be rocked in the cradle of the deep, is n''t she? |
| 18699 | Well, then, how would the British authorities know you? |
| 18699 | Well, what of it, Daddy? |
| 18699 | Well, what of it? |
| 18699 | Well, what''s the matter with it? |
| 18699 | Well, what''s to be done? |
| 18699 | Well, where is the schooner, if you can see her? |
| 18699 | Were n''t these fellers chasing you? |
| 18699 | What about the mainmast? |
| 18699 | What are you doing here? |
| 18699 | What are you going to do? |
| 18699 | What can be done about picking up the motorboat? |
| 18699 | What did I tell you? |
| 18699 | What did I tell you? |
| 18699 | What do we mean? 18699 What do you mean by that?" |
| 18699 | What do you mean, Miss? |
| 18699 | What do you mean? |
| 18699 | What do you mean? |
| 18699 | What do you mean? |
| 18699 | What do you mean? |
| 18699 | What do you think of her, Paul? |
| 18699 | What does this mean? |
| 18699 | What does this mean? |
| 18699 | What for? |
| 18699 | What happened? |
| 18699 | What in the world are you talking about? |
| 18699 | What is it now? |
| 18699 | What is it they call it-- the alley? |
| 18699 | What is it? 18699 What is it? |
| 18699 | What is it? |
| 18699 | What is it? |
| 18699 | What is it? |
| 18699 | What is the matter now? |
| 18699 | What is the matter? |
| 18699 | What is the plot you spoke of? |
| 18699 | What of it? |
| 18699 | What vessel is that? |
| 18699 | What''s it all about? |
| 18699 | What''s that for? |
| 18699 | What''s that to you? |
| 18699 | What''s that? |
| 18699 | What''s that? |
| 18699 | What''s that? |
| 18699 | What''s the matter? |
| 18699 | What''s the matter? |
| 18699 | What''s the matter? |
| 18699 | What''s the matter? |
| 18699 | What''s the use of steering a course when you do n''t know whether it''s right or not? |
| 18699 | What''s this-- more of the mystery? |
| 18699 | What''s up? |
| 18699 | What? 18699 What_ shall_ we do?" |
| 18699 | Where away? |
| 18699 | Where away? |
| 18699 | Where do we land? |
| 18699 | Where is the craft now, if I may ask? |
| 18699 | Where you going? |
| 18699 | Where? |
| 18699 | Which one was it? |
| 18699 | Who''s she? 18699 Who''s there?" |
| 18699 | Who? 18699 Who?" |
| 18699 | Who? |
| 18699 | Who? |
| 18699 | Why did n''t I think of that before? 18699 Why do n''t they show a light? |
| 18699 | Why do you ask? |
| 18699 | Why lime juice? |
| 18699 | Why not? |
| 18699 | Why not? |
| 18699 | Why not? |
| 18699 | Why, Daddy, what is the matter? |
| 18699 | Why, are you tired? |
| 18699 | Why, ca n''t you see her? |
| 18699 | Why, is n''t that your name? |
| 18699 | Why, you are n''t thinking that they may be after you, are you, Jack? 18699 Why?" |
| 18699 | Why? |
| 18699 | Will help ever come? |
| 18699 | Will you be able to go on? |
| 18699 | Wo n''t wait for whom? |
| 18699 | Wrong? 18699 Yes, did n''t you like what you saw below?" |
| 18699 | You did n''t? |
| 18699 | You knew I would n''t be left though, did n''t you? |
| 18699 | You know something about motor- boats, do n''t you? |
| 18699 | A new actress?" |
| 18699 | A signal flag broke out at her mast, and Captain Brisco, seeing it, exclaimed impatiently:"What can they want with us?" |
| 18699 | After you on that old mutiny charge?" |
| 18699 | And did a look pass between him and Captain Brisco-- a look full of meaning? |
| 18699 | And is there any cheese?" |
| 18699 | And-- er-- who might you be?" |
| 18699 | Are you goin''to put me reefin''sails or scrubbin''decks?" |
| 18699 | Blake?" |
| 18699 | But I wonder what Mr. Pertell is doing?" |
| 18699 | But if he had, where was he now? |
| 18699 | But what am I to do?" |
| 18699 | But what do I get; eh? |
| 18699 | But where was the_ Mary Ellen_? |
| 18699 | CHAPTER XIX DISABLED"How much longer you going to be?" |
| 18699 | CHAPTER XVI THE ACCUSATION"What''s this?" |
| 18699 | CHAPTER XX IN THE VORTEX"Have n''t we looked distressed long enough?" |
| 18699 | Can it have anything to do with the mutiny, I wonder?" |
| 18699 | Can that be him-- after these years? |
| 18699 | Could it be that Captain Brisco, and the man with whom he was so friendly, were in a plot? |
| 18699 | Did Alice fancy it, or did Lacomb wince, and shrink back? |
| 18699 | Did I say danger, Miss?" |
| 18699 | Did Russ come out with you?" |
| 18699 | Did n''t I tell you? |
| 18699 | Dit you hurt yourself?" |
| 18699 | Do n''t you know I did n''t?" |
| 18699 | Do we Alice?" |
| 18699 | Do you accept?" |
| 18699 | Do you think he''ll do?" |
| 18699 | Has anything happened? |
| 18699 | Has it anything to do with-- buried treasure?" |
| 18699 | He vants dot you shouldt altogedder preak your neck, ai n''t it?" |
| 18699 | Him captain?" |
| 18699 | How about it?" |
| 18699 | How is the boat? |
| 18699 | I ask you what do I get? |
| 18699 | I did n''t know where the voyage was, but I signed on, an''come here; did n''t I?" |
| 18699 | I wonder how it feels to fall overboard?" |
| 18699 | I wonder what he wants, anyhow?" |
| 18699 | Is anything wrong at the moving picture studio?" |
| 18699 | Is n''t it a shame, when everything was going so nicely?" |
| 18699 | Is n''t it too bad she has to be sunk?" |
| 18699 | Is she all ready to start?" |
| 18699 | Is there any cheese?" |
| 18699 | Is this takin''of them papers a make believe game?" |
| 18699 | It was so evident that it startled her-- the more so as she heard him murmur:"Going all by herself; eh? |
| 18699 | Jepson?" |
| 18699 | Mr. Pertell, you''re not going to permit this, are you? |
| 18699 | Of the mutinous crew?" |
| 18699 | Oh what is it?" |
| 18699 | Oh, what is it?" |
| 18699 | Oh, what shall I do?" |
| 18699 | Oh, why did I ever leave the legitimate stage?" |
| 18699 | Pirates?" |
| 18699 | Say, did n''t we have fun at Rocky Ranch?" |
| 18699 | Shall we take the girls over to the schooner?" |
| 18699 | Sneed-- and-- Russ?" |
| 18699 | Suddenly he turned to Alice and asked:"Is this craft to make a voyage all by herself?" |
| 18699 | That''s what you want, is n''t it?" |
| 18699 | The only one near him was Lacomb, and what object could he have in wanting to drown Jack? |
| 18699 | There was nothin''wrong in it?" |
| 18699 | Think we''re going to lie here all Summer? |
| 18699 | To what did Jack have reference? |
| 18699 | Was anything-- wrong?" |
| 18699 | What are they? |
| 18699 | What did it all mean? |
| 18699 | What did it mean? |
| 18699 | What do we mean? |
| 18699 | What do you mean?" |
| 18699 | What do you mean?" |
| 18699 | What do you mean?" |
| 18699 | What do you mean?" |
| 18699 | What do you say we take Alice, and go for a little trip to the Erie Basin?" |
| 18699 | What do you say?" |
| 18699 | What is going on?" |
| 18699 | What is it?" |
| 18699 | What is that?" |
| 18699 | What made you ask that?" |
| 18699 | What meant the words they had overheard? |
| 18699 | What of? |
| 18699 | What shall we do? |
| 18699 | What sort of a yarn was Jepson giving you?" |
| 18699 | What''s this? |
| 18699 | What''s this?" |
| 18699 | Where are you going, Alice?" |
| 18699 | Who is captain of this ship?" |
| 18699 | Who is he?" |
| 18699 | Who knows? |
| 18699 | Who wants whom, and who does n''t want whom-- and what?" |
| 18699 | Who''s firin''a shot across my bows? |
| 18699 | Why do you think they may be on that steamer?" |
| 18699 | Why not make the pictures of the shipwreck now? |
| 18699 | Why, is that remarkable?" |
| 18699 | Wo n''t you walk this way?" |
| 18699 | You knew that, did n''t you?" |
| 18699 | You wo n''t mind a little rough and tumble work, will you?" |
| 20348 | A boat-- what boat? |
| 20348 | After all these years? 20348 All ready for the jump?" |
| 20348 | All ready, there, Switzer? |
| 20348 | Alone? |
| 20348 | Am I to do that riding act? |
| 20348 | An old newspaper? 20348 And are you sure she was found?" |
| 20348 | And be blown to pieces? |
| 20348 | And did n''t I do my first aid business well? |
| 20348 | And did n''t you know where you were going before you asked? |
| 20348 | And did you bring Estelle? |
| 20348 | And did you change your stateroom? |
| 20348 | And the name Estelle Brown? |
| 20348 | And was it yours? |
| 20348 | And what did you do? |
| 20348 | And what was your father''s name? |
| 20348 | And where are the guns and horses? |
| 20348 | And who is Auntie Amma? |
| 20348 | And will they work in with our players? |
| 20348 | And wo n''t they hurt pap''s cow- critters, neither? |
| 20348 | And yet if you were n''t in the West how did you learn to ride so well? |
| 20348 | And you really believe that lieutenant knows her? |
| 20348 | And you wo n''t tell her you do n''t believe she is what she seems to be? |
| 20348 | Any what? |
| 20348 | Are n''t those dresses sweet? |
| 20348 | Are n''t you nervous for fear you''ll fall? |
| 20348 | Are they going to fire again? |
| 20348 | Are you all here? |
| 20348 | Are you all right? |
| 20348 | Are you bound by some vow of secrecy? 20348 Are you deaf?" |
| 20348 | Are you faint? |
| 20348 | Are you going to film them all? |
| 20348 | Are you posing for Faith, Hope and Charity? |
| 20348 | Are you ready? |
| 20348 | Are you really going to jump your horse down a cliff? |
| 20348 | Are you sure none of you was hurt when that shell exploded? |
| 20348 | Are you sure you did n''t take it after that? |
| 20348 | Are you sure you''re all right, Paul? |
| 20348 | Boston? 20348 But what about water?" |
| 20348 | But what did you do? |
| 20348 | But what made my memory come back? |
| 20348 | But where did you come from, what were you doing there, where were your people? |
| 20348 | But who bought your ticket-- who engaged your stateroom? |
| 20348 | But why did you drive them in here to spoil the picture? |
| 20348 | But you want to find your folks, do n''t you? |
| 20348 | Ca n''t? 20348 Did Estelle Brown strike you as being peculiar?" |
| 20348 | Did I do all right, Daddy? |
| 20348 | Did I faint? |
| 20348 | Did I? 20348 Did I?" |
| 20348 | Did a cow critter or a sheep step on you? |
| 20348 | Did he annoy you much, Alice? |
| 20348 | Did it make you faint to see the blood? |
| 20348 | Did n''t you make some inquiries? |
| 20348 | Did n''t you see the eggs before you jumped among''em? |
| 20348 | Did she ask for us? |
| 20348 | Did that occur to you? |
| 20348 | Did what? |
| 20348 | Did you do much jumping out West? |
| 20348 | Did you fall? 20348 Did you find in what name your room was taken?" |
| 20348 | Did you learn in the West? |
| 20348 | Did you like it? 20348 Did you see anything of any one in Miss Dixon''s room?" |
| 20348 | Did you see how pathetic she looked when we got letters and she did n''t? |
| 20348 | Did you see how sharply the man looked at us? |
| 20348 | Did you speak to her about it? |
| 20348 | Did you tell any of this to Mr. Pertell or to the other moving picture managers? |
| 20348 | Do n''t you expect anything? |
| 20348 | Do n''t you hear me? |
| 20348 | Do n''t you know me, dear? |
| 20348 | Do n''t you know me-- Alice DeVere? 20348 Do n''t you know me-- us?" |
| 20348 | Do n''t you remember? 20348 Do we have any part in the battle scenes?" |
| 20348 | Do you feel bad? |
| 20348 | Do you know what I think? |
| 20348 | Do you like it better than anything else? |
| 20348 | Do you notice how every one is staring at us? |
| 20348 | Do you think so? 20348 Do you want that paper?" |
| 20348 | Does Estelle yet admit her identity? |
| 20348 | Eh? 20348 Estelle what? |
| 20348 | Estelle, do n''t you know me? |
| 20348 | Even the lieutenant? |
| 20348 | Fine day, is n''t it? 20348 Haf you any more barns vot need burning down?" |
| 20348 | Has anything happened? |
| 20348 | Have you been in this business long? |
| 20348 | Have you lost something? |
| 20348 | How about you, Russ? |
| 20348 | How came it, do you think, Mr. Apgar, that the hen laid her eggs right where I was to make my landing when escaping from the Confederates? |
| 20348 | How did Mr. Pertell come to pick out Oak Farm for the war plays? |
| 20348 | How did they come to want that sort of stuff? |
| 20348 | How is that? |
| 20348 | How should I know? |
| 20348 | How-- how are you feeling? |
| 20348 | How? |
| 20348 | I did? |
| 20348 | I from the West? 20348 I say, who got the reward?" |
| 20348 | I wonder who she is? |
| 20348 | I wonder----began Alice, when there came a knock on their door, and a voice demanded:"I say, girls!--are you there?" |
| 20348 | I''m sorry it is lost----"Why do n''t you say taken? |
| 20348 | I? 20348 In a minute? |
| 20348 | In the West? 20348 Is Miss Brown in?" |
| 20348 | Is everything ready? |
| 20348 | Is he going to get my film? |
| 20348 | Is he here? |
| 20348 | Is her head injured? |
| 20348 | Is n''t he running the machine all right? |
| 20348 | Is n''t it sweet? |
| 20348 | Is n''t she a wonder? |
| 20348 | Is n''t she there? |
| 20348 | Is some one hurt? |
| 20348 | Is that the name of your doll? |
| 20348 | Is that the one I''m in? |
| 20348 | Is there anything for me? |
| 20348 | Is your name Estelle? |
| 20348 | Is your name Passamore? |
| 20348 | It could be called''Who is Estelle Brown?'' |
| 20348 | It''s sure to be if Russ told you, is n''t it, Ruth? |
| 20348 | Just how did you come to get into it? |
| 20348 | Lieutenant Varley? |
| 20348 | Like it? 20348 Like to meet her?" |
| 20348 | May I have the pleasure? |
| 20348 | No ticket? |
| 20348 | Now, Alice, I do n''t want to be heartless, but will you be ready to go on in this, or shall we abandon it and make a retake? |
| 20348 | Oh, Alice-- mighty? |
| 20348 | Oh, I wonder if I could have taken Miss Dixon''s ring in my second personality? |
| 20348 | Oh, I wonder if I dare tell you? |
| 20348 | Oh, what is it? |
| 20348 | Oh, what shall we do? |
| 20348 | On the ocean? |
| 20348 | Passamore? |
| 20348 | Peculiar? 20348 Perhaps you ca n''t read that notice?" |
| 20348 | Plumped himself down in a hen''s nest, did he? |
| 20348 | Ready, Alice? |
| 20348 | Say what? |
| 20348 | See them? 20348 Shall I keep on with the film?" |
| 20348 | Shall we film this? |
| 20348 | Shall we have time? |
| 20348 | Shall you want me again to- day? |
| 20348 | She here? 20348 Side- step, Alice?" |
| 20348 | Some smelling salts-- some ammonia-- shall I call any one-- the doctor----? |
| 20348 | Sure of herself-- what do you mean? |
| 20348 | That was one of your valuable rings, was n''t it, dear? |
| 20348 | The question is,said Ruth,"what can we do to help you? |
| 20348 | Then for a row on the lake? |
| 20348 | Then it is a mystery? |
| 20348 | Then she is in no immediate danger? |
| 20348 | Then you think he still feels sure she is the girl he met in Portland? |
| 20348 | Then your hopes that Boston would prove to be your home were not borne out? |
| 20348 | Those shoes? 20348 Was he at all fresh?" |
| 20348 | Was it a mistake? |
| 20348 | Was it real money? |
| 20348 | Was it? |
| 20348 | Was it? |
| 20348 | Was n''t it queer he should be mistaken? |
| 20348 | Was n''t it? |
| 20348 | Was what? |
| 20348 | Well, have you quite recovered from your wounds? |
| 20348 | Well, what is next on the program? |
| 20348 | Were you hurt? |
| 20348 | Were you speaking to me? |
| 20348 | Were you working in the studio to- day? 20348 Were your people in the profession?" |
| 20348 | What about Estelle? |
| 20348 | What about Lieutenant Varley? |
| 20348 | What about it, Alice? |
| 20348 | What about the horse we drove over? |
| 20348 | What are they trying to do, kill us? |
| 20348 | What do you mean, Switzer, by going off just at train time? |
| 20348 | What do you mean? 20348 What do you mean?" |
| 20348 | What do you think of him, Estelle? |
| 20348 | What does this mean? 20348 What doll do you want?" |
| 20348 | What happened? 20348 What happened?" |
| 20348 | What in the world are they doing that for? |
| 20348 | What in the world are you doing? |
| 20348 | What in the world does he mean? |
| 20348 | What is it? 20348 What is the matter, Estelle?" |
| 20348 | What is your father''s name? |
| 20348 | What is your father''s name? |
| 20348 | What paper? |
| 20348 | What reward? |
| 20348 | What sort of water did you strike? |
| 20348 | What was it? |
| 20348 | What''d you use-- a post- hole digger? |
| 20348 | What''s gone? |
| 20348 | What''s that? 20348 What''s that?" |
| 20348 | What''s the matter now? 20348 What''s the matter with the scene?" |
| 20348 | What''s the matter with your eyes, Estelle? |
| 20348 | What''s the matter, Estelle? |
| 20348 | What''s the matter-- are we late? |
| 20348 | What''s the matter? 20348 What''s the matter?" |
| 20348 | What''s the trouble? |
| 20348 | What-- again? |
| 20348 | What-- what does she mean? |
| 20348 | What-- what does this mean? |
| 20348 | Where did you learn it all? |
| 20348 | Where is Carl Switzer? |
| 20348 | Where is he? |
| 20348 | Where''s Alice? |
| 20348 | Where''s Alice? |
| 20348 | Which of you is ill? |
| 20348 | Who gave you that doll? |
| 20348 | Who got the reward? |
| 20348 | Who is your father? |
| 20348 | Who said I was on a ranch? |
| 20348 | Who told you to get in the spotlight? 20348 Who, the man that was shot?" |
| 20348 | Who-- me? |
| 20348 | Whom are you calling Estelle? |
| 20348 | Why ca n''t you? |
| 20348 | Why did you do that? |
| 20348 | Why did you stand on your toes, and open your mouths? |
| 20348 | Why do n''t you look where you''re going? |
| 20348 | Why do you say that? 20348 Why is she going to leave?" |
| 20348 | Why not? |
| 20348 | Why not? |
| 20348 | Why not? |
| 20348 | Why should she be? |
| 20348 | Why should she, providing I grant that you are right? |
| 20348 | Why, I was just wondering how many years ago it was-- ten, at least, since it was popular, is n''t it? |
| 20348 | Why, do n''t you know? 20348 Why, what have I done now?" |
| 20348 | Why, what''s wrong with it? |
| 20348 | Why? |
| 20348 | Will you stand by me if I do? |
| 20348 | Will you take me, Paul? |
| 20348 | Wo n''t it spoil your hill? |
| 20348 | Would n''t he let you go on board? |
| 20348 | Would n''t it be dreadful? 20348 Would you like to hear the rest?" |
| 20348 | Yes, but how can you? |
| 20348 | Yes; do n''t you remember? 20348 You ca n''t? |
| 20348 | You do n''t mean that some of your pretty extra girls have eloped with some of your dashing cowboy soldiers, do you? 20348 You do n''t take part in the actual charge, do you?" |
| 20348 | You girls are not going to retire, just because you have a little money, are you? |
| 20348 | You got him all right as he went through the window, did n''t you, Russ? |
| 20348 | You mean in the swing under the apple tree? |
| 20348 | You mean that little chip diamond ring of yours with the red garnets around it? |
| 20348 | You mean? |
| 20348 | You two have n''t quarreled, have you? |
| 20348 | Your big jump? |
| 20348 | Your father who gave you the doll, Estelle Brown? 20348 Your ring? |
| 20348 | Youse is actors, ai n''t youse? |
| 20348 | A retake?" |
| 20348 | Ai n''t this the horspital?" |
| 20348 | Alice, who was reading a motion picture magazine, was startled by hearing a voice saying, almost in her ear:"Is Miss Brown in?" |
| 20348 | All ready now?" |
| 20348 | An account of what? |
| 20348 | And I just love moving pictures, do n''t you?" |
| 20348 | And did you bring Estelle Brown?" |
| 20348 | And if you will still be as nice to me as you always have been----""Why should n''t we be?" |
| 20348 | Are you going to die this time?" |
| 20348 | Are you ready?" |
| 20348 | Are you ready?" |
| 20348 | But are you not the young lady whom I met some years ago in Portland, Oregon, inquiring how to get to New York?" |
| 20348 | But now I have told you, what do you think?" |
| 20348 | But then, who knows what might have happened in the life that is a blank to me-- in the life that lies beyond that impenetrable wall of the past? |
| 20348 | But what else happened? |
| 20348 | But what''s the matter with the shoes, Ruth?" |
| 20348 | But why does she deny her identity?" |
| 20348 | CHAPTER II OFF FOR OAK FARM"What''s that, Russ? |
| 20348 | CHAPTER XIV IN THE SMOKE"Do you think he''ll die?" |
| 20348 | CHAPTER XVI A RETAKE"What''s the matter over there?" |
| 20348 | CHAPTER XVII ESTELLE''S STORY"What''s the matter?" |
| 20348 | CHAPTER XVIII"WHAT CAN WE DO?" |
| 20348 | CHAPTER XXIII A BAD FALL"Have you made up your mind yet, Estelle?" |
| 20348 | Ca n''t we switch the two armies around?" |
| 20348 | Den dat''s differunt alretty yet again, was n''t it so?" |
| 20348 | Did any of''em get in, Russ?" |
| 20348 | Did it you?" |
| 20348 | Did n''t I tell you Estelle said he must have taken her for some one else, as she had never been in Portland in her life? |
| 20348 | Did n''t we just carry you out for dead? |
| 20348 | Did you ever?" |
| 20348 | Did you notice me riding?" |
| 20348 | Do n''t you know us, Estelle?" |
| 20348 | Do n''t you know your own name?" |
| 20348 | Do n''t you remember? |
| 20348 | Do n''t you remember?" |
| 20348 | Do n''t you remember?" |
| 20348 | Do n''t you?" |
| 20348 | Do you want to be trampled on or pierced with those sharp horns, Alice?" |
| 20348 | Does he do a Dutch act?" |
| 20348 | Does yer mean dat funny, moon- faced man what talks like a pretzel?" |
| 20348 | Give up the movies? |
| 20348 | Has he lost his legs?" |
| 20348 | Has she left?" |
| 20348 | Have n''t I got der time?" |
| 20348 | Have the papers been missing anything?" |
| 20348 | Have you? |
| 20348 | How are you goin''to git water out of there?" |
| 20348 | How dare you?" |
| 20348 | How did you?" |
| 20348 | How many would survive what was to follow? |
| 20348 | How would you like it not to know who you are?" |
| 20348 | I only wish I did have a well- filled purse, do n''t you, Alice?" |
| 20348 | I wonder if she could be around here? |
| 20348 | If Miss Brown is n''t home, do you want to go over to the village with me?" |
| 20348 | Is it dangerous for you to reveal the past?" |
| 20348 | Is n''t it quaint?" |
| 20348 | Is the place on fire?" |
| 20348 | Is your horse all right?" |
| 20348 | It-- it is just that I-- that I---- Oh, I wonder if I can tell you?" |
| 20348 | Let me come in, will you? |
| 20348 | Oh, and did I leave you to carry him all alone? |
| 20348 | Oh, did you hear that?" |
| 20348 | Oh, what shall I do?" |
| 20348 | Oh, why do n''t they come to me?" |
| 20348 | Or would her words trail off into the meaningless babble of the afflicted? |
| 20348 | Perhaps you can tell me where I can find him?" |
| 20348 | Perhaps you want me to say it was-- borrowed?" |
| 20348 | Suppose I should turn out to be some one altogether horrid?" |
| 20348 | Tell me, are you badly hurt?" |
| 20348 | The picture will be a success, wo n''t it?" |
| 20348 | Then Alice''s voice was heard calling:"I say, Ruth, are you and Estelle coming? |
| 20348 | Think you I would have precipitated myself into their midst had I done so?" |
| 20348 | This babbling of strange names? |
| 20348 | Want to take a run in to town? |
| 20348 | Was it possible that they were on the track of discovering the identity of the girl who now denied the name she had given? |
| 20348 | Was it the last part she was to play? |
| 20348 | Was it the taking of this that Estelle was hinting at? |
| 20348 | Was she ever found?" |
| 20348 | Was there a palace scene?" |
| 20348 | What are you registering?" |
| 20348 | What can we do? |
| 20348 | What did it mean? |
| 20348 | What do you mean? |
| 20348 | What do you mean?" |
| 20348 | What has happened? |
| 20348 | What is it that interests you?" |
| 20348 | What is outside of that would not photograph; so what is the use of building it? |
| 20348 | What makes you think it was n''t?" |
| 20348 | What''ll the audience think if they see you walking again? |
| 20348 | What''s that?" |
| 20348 | What''s the idea?" |
| 20348 | What''s the matter with them? |
| 20348 | What''s the matter?" |
| 20348 | What''s the matter?" |
| 20348 | Where were they? |
| 20348 | Where''s Ruth?" |
| 20348 | Who else is going?" |
| 20348 | Who is Estelle?" |
| 20348 | Who is he?" |
| 20348 | Why am I here? |
| 20348 | Why ca n''t I come in?" |
| 20348 | Why do n''t you bring me my doll?" |
| 20348 | Why do n''t you bring my doll?" |
| 20348 | Why not? |
| 20348 | Why not?" |
| 20348 | Why was I going to Cleveland? |
| 20348 | Why, what do you mean?" |
| 20348 | Would she be able to answer? |
| 20348 | Would she come safely out of it? |
| 20348 | Would the obviously injured brain be able to sift out the right reply from the mass of words that hitherto had been meaningless? |
| 20348 | Would the stricken girl give an answer that would be a clue to her identity-- the identity she had denied? |
| 20348 | You are both made up, I see?" |
| 20348 | You do n''t mean about the ring?" |
| 20348 | You do n''t want that, do you?" |
| 20348 | You have plenty of them, have n''t you, Pop Snooks?" |
| 20348 | _ you_ are not thinking of it, are you?" |
| 20348 | but do n''t you just love the guns and horses?" |
| 20348 | he began,"but did you reach your destination safely?" |
| 20348 | not at home? |
| 20348 | what''s it all about?" |
| 20348 | what''s that?" |
| 20348 | where are you?" |
| 20348 | will there be rats and mice?" |
| 19171 | ''Moving picture girls''; eh? 19171 A mystery? |
| 19171 | A week? 19171 Ai n''t they nice, Jimmie?" |
| 19171 | Alice, dear,he faltered,"What is the address of that-- that moving picture manager?" |
| 19171 | Am I really like her, Ruth? 19171 Am I, really?" |
| 19171 | An engagement for daddy? |
| 19171 | And did n''t he say when he''d be home? |
| 19171 | And do I produce Shakespeare? |
| 19171 | And does he call you Alice? |
| 19171 | And is our play a''first run''? |
| 19171 | And what did you do? |
| 19171 | And what happened next? |
| 19171 | And where are the men now? |
| 19171 | And where did you take it? |
| 19171 | And where do you live? |
| 19171 | And who were the two men? |
| 19171 | And you open in three weeks, you say, Dad? |
| 19171 | And-- are you sorry? |
| 19171 | Anything I can do to help you? |
| 19171 | Are n''t there such things as understudies? 19171 Are you all ready, Russ?" |
| 19171 | Are you all ready? |
| 19171 | Are you busy? |
| 19171 | Are you going to play parts here? |
| 19171 | Are you hurt? |
| 19171 | Are you looking for work? |
| 19171 | Are you sure that door is locked? |
| 19171 | Are you there, Miss DeVere? 19171 Are you-- are you hurt?" |
| 19171 | As bad as that? |
| 19171 | But I wonder what is keeping daddy? 19171 But do n''t you think he''d consider this?" |
| 19171 | But how can you get it if it''s patented? |
| 19171 | But how could he? |
| 19171 | But how should I know-- any more than you do about Paul Ardite? |
| 19171 | But if they only have the model, and you still have some of the finished appliances,asked Alice,"ca n''t you get ahead of them yet?" |
| 19171 | But is n''t it too bad? 19171 But is the pay sufficient?" |
| 19171 | But what about the rent? |
| 19171 | But what can be done? 19171 But what is it all about?" |
| 19171 | But what will you do? |
| 19171 | But where did they go? |
| 19171 | But who was this man-- what did he have to do with it? |
| 19171 | But, really, Ruth, I just love it; do n''t you? |
| 19171 | Ca n''t you get some trace of them? |
| 19171 | Ca n''t you get them? |
| 19171 | Ca n''t you tell us? 19171 Can I go, or do I have to appear in court?" |
| 19171 | Can we go and see you act for the camera, Daddy? |
| 19171 | Could he have stolen the patent? |
| 19171 | Could n''t you make it go? |
| 19171 | Did I do all right? |
| 19171 | Did Simp Wolley get it? |
| 19171 | Did dad say? |
| 19171 | Did he get it? |
| 19171 | Did he try to come in here, to escape from you? |
| 19171 | Did he, really? |
| 19171 | Did it come on suddenly? |
| 19171 | Did n''t I take it myself? |
| 19171 | Did n''t going to the doctor''s office help any? |
| 19171 | Did that ever happen? |
| 19171 | Did you ever have an experience like this before? |
| 19171 | Did you ever hear Russ say where it was he was having his patent attachment made? |
| 19171 | Did you get that, Russ? |
| 19171 | Did you happen to notice the number on the messenger boy''s cap? |
| 19171 | Did you hear any more about that man you say tried to steal your invention? |
| 19171 | Did you hear what Mr. Pertell said to me? |
| 19171 | Did you know this was here? |
| 19171 | Did you like your part, Ruth? |
| 19171 | Did-- did they put in someone else? |
| 19171 | Do I have to get into that small boat? |
| 19171 | Do n''t they know where he went? |
| 19171 | Do n''t you see, Ruth, that daddy''s going into the movies will be our only salvation? |
| 19171 | Do n''t you want to come to see our show to- night? 19171 Do n''t your ears burn?" |
| 19171 | Do we owe much more, Ruth? |
| 19171 | Do you call him Paul? |
| 19171 | Do you know of anybody who wants a young lady to do anything-- that a young lady, such as I, could do? |
| 19171 | Do you know who that messenger boy was? |
| 19171 | Do you like your parts? |
| 19171 | Do you live there all alone? |
| 19171 | Do you mean to tell us you went and filmed our parts with somebody else in the cast? |
| 19171 | Do you really mean it? |
| 19171 | Do you think-- I mean-- would you call that a successful film, Russ? |
| 19171 | Do you want to come? |
| 19171 | Does-- does it hurt you, Daddy? |
| 19171 | Europe? |
| 19171 | Everybody here? |
| 19171 | For-- for how long? |
| 19171 | Get it away from you? |
| 19171 | Glad? 19171 Good fresh film?" |
| 19171 | Got that chair, Pop? |
| 19171 | Had n''t you better notify the police? |
| 19171 | Happened? 19171 Have we any eggs?" |
| 19171 | Have you got a part you like, Ruth? |
| 19171 | He does n''t know about it? |
| 19171 | How about your props? |
| 19171 | How are you, Russ? |
| 19171 | How do you manage it? |
| 19171 | How is the patent? 19171 How was it?" |
| 19171 | How was it? |
| 19171 | How''d you guess? |
| 19171 | I don''t--"You do n''t know what to make of me? 19171 I want something pretty to wear; do n''t you?" |
| 19171 | I wonder how men can be so mean as to want to take what is n''t theirs? |
| 19171 | I wonder what I had better do? |
| 19171 | I wonder what can have happened to him? |
| 19171 | I wonder what success he had negotiating a loan? |
| 19171 | I wonder what was meant? |
| 19171 | I wonder what we''ll see? |
| 19171 | Indeed he is; is n''t he, Ruth? |
| 19171 | Is Mr. Russ Dalwood there? 19171 Is he any better?" |
| 19171 | Is he? |
| 19171 | Is my hat on crooked; or did one of my feathers get into your eye? 19171 Is n''t Mrs. Dalwood here?" |
| 19171 | Is n''t it fine to have two such daughters as these? |
| 19171 | Is n''t it wonderful? |
| 19171 | Is someone hurt? |
| 19171 | Is that what you came for? |
| 19171 | Is your camera all ready, Russ? |
| 19171 | Is your farm a large one? |
| 19171 | Let me see; have we the rent ready, Ruth? |
| 19171 | Let''s see, you''re in''A Man''s Home;''are n''t you? |
| 19171 | Like it? 19171 May I go, Daddy?" |
| 19171 | May we go, Daddy? |
| 19171 | May we have some salt? |
| 19171 | Moving pictures; eh? |
| 19171 | Mr. DeVere,the manager went on,"I believe you told me at one time that you did not care to do any acting that took you out in the open; am I right?" |
| 19171 | Neither did I. Russ, how did you come to think of it? |
| 19171 | No-- nothing like that; only you looked-- say, Alice, has anything happened? |
| 19171 | Not at the studio; have you-- so late? |
| 19171 | Now then-- all ready? |
| 19171 | Now, then, Pop, how are you coming on with that fence? |
| 19171 | Oh, Mr. Pertell, can you spare a moment? |
| 19171 | Oh, are you working on a patent? |
| 19171 | Oh, have I done something wrong? |
| 19171 | Oh, have n''t you? |
| 19171 | Oh, hello, Russ; is that you? |
| 19171 | Oh, say, Ruth,and her voice went to a whisper,"do you really think I''m an ingenue-- like Miss Dixon?" |
| 19171 | Oh, that''s the way they do it? |
| 19171 | Oh, then it''s been definitely decided that we are to go there? |
| 19171 | Oh, what do you imagine it will be like-- in the country? |
| 19171 | Oh, what has happened? |
| 19171 | Oh, what''s the matter now? |
| 19171 | Oh, what''s the trouble now? |
| 19171 | Oh, where have you been? |
| 19171 | Oh, will you ever grow up? |
| 19171 | Oh, you mean the jolly one? |
| 19171 | Only a chance did you say? |
| 19171 | Out where? 19171 Purposely, do you mean-- to spoil them?" |
| 19171 | Really? |
| 19171 | Really? |
| 19171 | Shall I get a doctor? |
| 19171 | Shall we speak the lines aloud? |
| 19171 | Shall we, Ruth? |
| 19171 | So he was masquerading as that; eh? |
| 19171 | So that''s the game; is it? |
| 19171 | So, you were afraid of hurting my feelings; were you? |
| 19171 | Sorry for what? |
| 19171 | Surely you do n''t mind going with me to the manager''s office? 19171 Than vot you means?" |
| 19171 | That is, if they have no objection to going out of doors? |
| 19171 | Then I ca n''t go to rehearsal in the morning? |
| 19171 | Then he''ll wait until you''re better? |
| 19171 | Then it was n''t so bad as you expected; was it, Daddy? |
| 19171 | Then we are going on the rural circuit? |
| 19171 | Then you need money very badly? |
| 19171 | There are some bills that must be paid or----"Or what, Sister? |
| 19171 | To buy? |
| 19171 | Vot you mean? 19171 Was n''t that fine?" |
| 19171 | Was there a fight, Russ? |
| 19171 | Well, Daddy? |
| 19171 | Well, I am surprised; are n''t you, Russ? 19171 Well, are n''t those two young ladies here yet?" |
| 19171 | Well, how goes it? |
| 19171 | Well, what can I do? 19171 Well, what do you know about that?" |
| 19171 | Well, what do you say, girls? 19171 Well, what else is there to be done?" |
| 19171 | Well, what? |
| 19171 | Well,asked Russ, impatiently,"do n''t you like the idea?" |
| 19171 | Well? |
| 19171 | Well? |
| 19171 | Well? |
| 19171 | What are you doing? |
| 19171 | What are you going to do? |
| 19171 | What did Mr. Cross say? |
| 19171 | What did he want? |
| 19171 | What did you mean by saying you had this same trouble before, Dad? |
| 19171 | What do you mean, Alice? |
| 19171 | What do you mean? 19171 What do you mean?" |
| 19171 | What does that mean? |
| 19171 | What does''released''mean? |
| 19171 | What for? |
| 19171 | What had we better do? |
| 19171 | What happened, Dad? |
| 19171 | What is it? 19171 What is it? |
| 19171 | What is it? |
| 19171 | What is it? |
| 19171 | What is the play? |
| 19171 | What man? |
| 19171 | What next? |
| 19171 | What other two? |
| 19171 | What part have you? |
| 19171 | What part is it you object to? |
| 19171 | What shall we do? |
| 19171 | What sort of parts are they? |
| 19171 | What theater did he say he was going to open at? |
| 19171 | What things? |
| 19171 | What was it? |
| 19171 | What would Ruth say if she saw me now? |
| 19171 | What would you do? |
| 19171 | What''s the matter now? |
| 19171 | What''s the matter? |
| 19171 | What, Alice? 19171 What? |
| 19171 | What? |
| 19171 | When do you think we can, Russ? |
| 19171 | Where are you going? |
| 19171 | Where did you get it? |
| 19171 | Where have the men gone with the model? |
| 19171 | Where is Mr. Pertell? 19171 Where is the Odeon?" |
| 19171 | Where''s Russ? |
| 19171 | Where-- where is it? |
| 19171 | Where? |
| 19171 | Where? |
| 19171 | Who gave it to him? |
| 19171 | Who is it? |
| 19171 | Who knows,he said,"but what it may mend the broken fortunes of the DeVere family?" |
| 19171 | Who was it? |
| 19171 | Who would ever have thought that we would get to be moving picture girls? 19171 Who, Simp Wolley? |
| 19171 | Who, those two girls in that play? |
| 19171 | Who-- who is it? |
| 19171 | Who-- who was it? |
| 19171 | Whose horse is it? |
| 19171 | Why ca n''t we do something to earn money? |
| 19171 | Why not? 19171 Why not?" |
| 19171 | Why, Russ, where have you been? |
| 19171 | Why, is the place on fire? |
| 19171 | Why, what''s the matter with your part? |
| 19171 | Why, would you and your sister like to be in them? |
| 19171 | Why? |
| 19171 | Will you be able to go on, when we make the film over again? |
| 19171 | Will you do that? |
| 19171 | Will you, really? |
| 19171 | Wo n''t you like it? |
| 19171 | Would n''t you like to try it, Ruth? |
| 19171 | Would you like it, Ruth? |
| 19171 | Yah, but how would you like to haf a rag stuffed in your mout so vot you could n''t breath yet for five minutes? 19171 Yes; ai n''t you folks going to Europe?" |
| 19171 | You could not take a rest for a week? |
| 19171 | You would n''t want him to be a beggar; would you? |
| 19171 | A hipperperpotamusses? |
| 19171 | A little later, as the girls were walking along with Mr. DeVere, he asked them:"Well, how did you like your parts in the movies?" |
| 19171 | A place for me?" |
| 19171 | Alone?" |
| 19171 | And besides, what are shirt sleeves? |
| 19171 | And yet,"he added so softly that the manager did not hear"what am I to do? |
| 19171 | And you do n''t know where? |
| 19171 | Are more of them coming in this little cockleshell?" |
| 19171 | Are n''t you glad? |
| 19171 | Are you with me?" |
| 19171 | Ashamed of her old daddy hugging and kissing her; is she?" |
| 19171 | Burton?" |
| 19171 | But I wonder what made Sandy so sad, and so much in need of money? |
| 19171 | But are you sure you''re all right-- that he wo n''t come back again?" |
| 19171 | But how do they make moving pictures?" |
| 19171 | But is n''t it-- er-- rather common?" |
| 19171 | But it''s awfully hard; is n''t it?" |
| 19171 | But what is there?" |
| 19171 | But, Ruth, why are n''t you jolly once in a while? |
| 19171 | CHAPTER XIV AN EMERGENCY"Did you enjoy yourself, Alice?" |
| 19171 | CHAPTER XVII A PROMISE"Now then, are we all ready?" |
| 19171 | CHAPTER XVIII A HIT"Ruth, I do hope it''s a success; do n''t you?" |
| 19171 | CHAPTER XXII THE WARNING"Did you hear that?" |
| 19171 | CHAPTER XXIV THE PURSUIT"How did it happen, Russ?" |
| 19171 | Ca n''t you get a few days off?" |
| 19171 | Ca n''t you give me something that will enable me to go on-- some medicine that will act quickly? |
| 19171 | Can he ride a horse-- does he know anything about cowboy life, or miners?" |
| 19171 | Can you come aboard for a little trip? |
| 19171 | Can you think of anything else to do?" |
| 19171 | Can your father act, Miss?" |
| 19171 | Did n''t dad act in his during the duel scene in"Lord Graham''s Secret?" |
| 19171 | Did you happen to notice the number?" |
| 19171 | Do n''t you feel like singing and dancing? |
| 19171 | Do n''t you remember what a terrible cold I had? |
| 19171 | Do you intend to film some of those?" |
| 19171 | Do you think you''d like it?" |
| 19171 | Do you want to talk to Russ, in case he''s there?" |
| 19171 | Dot I should sit in it so?" |
| 19171 | Father is Mr. Felix Apgar-- maybe you''ve heard of him?" |
| 19171 | Foolish styles; are n''t they?" |
| 19171 | For I do so want to go on the rural circuit; do n''t you?" |
| 19171 | Go ahead, Russ-- what can I do for you?" |
| 19171 | Had you run out much film?" |
| 19171 | Hark, is that dad''s step?" |
| 19171 | Have you forgotten?" |
| 19171 | Have you got it?" |
| 19171 | He suggested that we two go to a restaurant, and I think I''d like it-- don''t you? |
| 19171 | How about it, Mr. DeVere; would you let them substitute in this drama? |
| 19171 | How can we warn Russ?" |
| 19171 | How can you be so-- so boisterous?" |
| 19171 | How could there?" |
| 19171 | How much have we in the purse?" |
| 19171 | How much money have you, Ruth?" |
| 19171 | How vould you like dot; hey? |
| 19171 | I am to break der chair ven I sits on it, yes? |
| 19171 | I have had this trouble before, and----""You have, Father?" |
| 19171 | I shall only move my lips, and who knows but, in time, my voice may come back?" |
| 19171 | I wonder how that big drama came out? |
| 19171 | I wonder what I am cast for?" |
| 19171 | I''ll do anything----""Then, Daddy, why do n''t you let me tell about the moving pictures?" |
| 19171 | In that small boat? |
| 19171 | Is your place old- fashioned?" |
| 19171 | It needed but a look at his face to show that he had been unsuccessful, but Ruth could not forbear asking:"Well, Daddy?" |
| 19171 | It''s good; is n''t it?" |
| 19171 | Just some nice men, in their shirt sleeves, turning cranks----""In their shirt sleeves?" |
| 19171 | Left ten minutes ago? |
| 19171 | May I come in?" |
| 19171 | May the girls go in?" |
| 19171 | Miss Dixon, shall I send for a doctor?" |
| 19171 | Now shall I take you home?" |
| 19171 | Now the question is: Where did they take my model?" |
| 19171 | Now, Mr. Switzer, and Miss Dixon----well, what is it?" |
| 19171 | Now, Russ, how is the camera working?" |
| 19171 | Oh, Ruth, what are we to do, anyhow? |
| 19171 | Oh, Ruth, when will you ever give up trying to pretend we are what we are not? |
| 19171 | Oh, are you sure the door is locked?" |
| 19171 | Oh, has n''t this been an exciting day?" |
| 19171 | Pertell?" |
| 19171 | Pertell?" |
| 19171 | Pop, where''s that safe?" |
| 19171 | Pop-- where''s Pop?" |
| 19171 | Quick, ca n''t you get him?" |
| 19171 | Really, are n''t you glad that dad has an engagement at last? |
| 19171 | Shall we accept of our neighbor''s hospitality?" |
| 19171 | Shall we go, Ruth?" |
| 19171 | So he wants an engagement here; eh?" |
| 19171 | So my apology is accepted; is it?" |
| 19171 | Spare a minute? |
| 19171 | That''s it; is n''t it, sister mine? |
| 19171 | Then we are behind with the rent, Ruth?" |
| 19171 | Vot is n''t der matter?" |
| 19171 | Vot you tink I am? |
| 19171 | Was it dust in your throat on the street?" |
| 19171 | Were n''t you going to say-- rude?" |
| 19171 | Were n''t you?" |
| 19171 | What about lunch? |
| 19171 | What actor has not? |
| 19171 | What are my daughters to do?" |
| 19171 | What did he say,"asked Alice,"when you went down to Mrs. Reilley''s telephone to talk to him?" |
| 19171 | What did you think it was made of-- iron?" |
| 19171 | What do you mean?" |
| 19171 | What do you say, Mr. DeVere? |
| 19171 | What has happened?" |
| 19171 | What have we to eat? |
| 19171 | What have you?" |
| 19171 | What is it now, Carl?" |
| 19171 | What is it?" |
| 19171 | What is to become of us?" |
| 19171 | What is yours?" |
| 19171 | What shall we do?" |
| 19171 | What sort?" |
| 19171 | What was it?" |
| 19171 | What''s it about? |
| 19171 | What''s your name?" |
| 19171 | Where is Mr. Pertell? |
| 19171 | Where is he? |
| 19171 | Where''s daddy?" |
| 19171 | Why always that''maiden all forlorn''look on your face? |
| 19171 | Why that far- away, distant look in your eyes--''Anne, Sister Anne, dost see anyone approaching?'' |
| 19171 | Why, look at Sarah Bernhardt, doing her famous plays before the camera? |
| 19171 | Will you girls try?" |
| 19171 | Wo n''t that be splendid?" |
| 19171 | Wo n''t you come and see the manager? |
| 19171 | Wo n''t you, Daddy?" |
| 19171 | Would n''t his milk- white steed look sweet then? |
| 19171 | Yet could he do it?" |
| 19171 | You dake our fence avay, und vat I goin''t''lean on ven I makes eyes at Miss Dixon? |
| 19171 | You say he ca n''t speak, but he can act?" |
| 19171 | You''ve often noticed how jerky the pictures are at times?" |
| 19171 | You-- aren''t going to be one of those-- manicures; are you?" |
| 19171 | asked Ruth, as Alice entered the apartment a little later,"did you do anything rash?" |
| 19171 | he broke in,"what do you say to an ice cream soda? |
| 19171 | is n''t it queer to see yourself, and hear yourself criticised?" |