This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
quadgram | frequency |
---|---|
in the public library | 190 |
the public library at | 185 |
in the royal library | 175 |
in the imperial library | 156 |
the royal library at | 153 |
in the library of | 146 |
royal library at paris | 141 |
the imperial library at | 138 |
imperial library at vienna | 137 |
of the fifteenth century | 90 |
one of the most | 89 |
the library of the | 89 |
the end of the | 78 |
of the sixteenth century | 57 |
the middle of the | 54 |
of the date of | 54 |
library of the arsenal | 49 |
of the fourteenth century | 47 |
public library at munich | 47 |
a copy of the | 47 |
at the end of | 46 |
the beginning of the | 46 |
of the thirteenth century | 45 |
appears to have been | 45 |
of one of the | 39 |
in the centre of | 38 |
on the score of | 37 |
in the shape of | 36 |
of the arsenal at | 35 |
in the fifteenth century | 34 |
the arsenal at paris | 34 |
bound in red morocco | 33 |
for the first time | 33 |
by the side of | 32 |
the abbey of st | 32 |
the whole of the | 32 |
at the same time | 30 |
in the form of | 30 |
early part of the | 30 |
in the same library | 30 |
on the reverse of | 30 |
public library at stuttgart | 29 |
of the twelfth century | 29 |
the early part of | 29 |
at the beginning of | 29 |
in the british museum | 28 |
in the possession of | 27 |
a great number of | 27 |
for the sake of | 27 |
was one of the | 27 |
is now in the | 27 |
with the exception of | 27 |
the centre of the | 26 |
the reverse of the | 26 |
public library at caen | 26 |
the library of ste | 26 |
the monastery of st | 26 |
for the purpose of | 25 |
of the time of | 25 |
the size of life | 25 |
is one of the | 25 |
the present is a | 24 |
in the midst of | 24 |
the church of st | 24 |
as well as the | 24 |
the top of the | 24 |
the latter part of | 24 |
the upper part of | 24 |
supposed to have been | 23 |
is bound in red | 23 |
of the size of | 23 |
is executed in a | 23 |
that is to say | 23 |
in red morocco binding | 22 |
the first edition of | 22 |
public library at strasbourg | 22 |
in our own country | 22 |
of the public library | 22 |
is considered to be | 21 |
latter part of the | 21 |
of the monastery of | 21 |
it is executed in | 21 |
considered to be the | 21 |
in the middle of | 21 |
i was told that | 21 |
the greater part of | 20 |
the close of the | 20 |
the other side of | 20 |
on the part of | 20 |
if i remember rightly | 20 |
the latter end of | 19 |
in the collection of | 19 |
in the first place | 19 |
at the sale of | 19 |
the time of the | 19 |
the book of kells | 19 |
the name of the | 19 |
in one of the | 19 |
a representation of the | 19 |
at the bottom of | 19 |
the shape of a | 19 |
a manuscript of the | 18 |
on the other side | 18 |
in spite of the | 18 |
a few of the | 18 |
first half of the | 18 |
of the eleventh century | 18 |
edition of this work | 18 |
latter end of the | 18 |
in the time of | 18 |
on each side of | 18 |
it is bound in | 18 |
the walls of the | 17 |
a large number of | 17 |
of the abbey of | 17 |
copy of the first | 17 |
the public library of | 17 |
the first half of | 17 |
end of the fifteenth | 17 |
public library at landshut | 17 |
the bottom of the | 17 |
appear to have been | 17 |
the whole of this | 17 |
one of the finest | 17 |
to be seen in | 17 |
which i have seen | 17 |
upper part of the | 16 |
other side of the | 16 |
in the sixteenth century | 16 |
of the duke of | 16 |
about the middle of | 16 |
the history of the | 16 |
of the most beautiful | 16 |
in a sort of | 16 |
manuscript of the gospels | 16 |
a good deal of | 16 |
i am not sure | 16 |
in the german language | 16 |
is said to have | 16 |
a portion of the | 16 |
of the name of | 16 |
be found in the | 16 |
of the early part | 15 |
in the fourteenth century | 15 |
each side of the | 15 |
of some of the | 15 |
by sweynheym and pannartz | 15 |
the owner of the | 15 |
for the production of | 15 |
it appears to have | 15 |
the interior of the | 15 |
what may be called | 15 |
the character of the | 15 |
towards the end of | 15 |
in some of the | 15 |
private library at stuttgart | 15 |
may be said to | 15 |
of the first edition | 15 |
the surface of the | 14 |
is supposed to have | 14 |
in the mazarine library | 14 |
the door of the | 14 |
of the latter end | 14 |
printed by the same | 14 |
the first page of | 14 |
public library at augsbourg | 14 |
half of the fifteenth | 14 |
printed by sweynheym and | 14 |
in the style of | 14 |
of the royal library | 14 |
in the bibliographical decameron | 14 |
this is a very | 14 |
library of the monastery | 14 |
one of the chief | 14 |
to be found in | 14 |
the date of the | 13 |
said to have been | 13 |
second half of the | 13 |
the second half of | 13 |
royal library at stuttgart | 13 |
the sale of the | 13 |
the library of st | 13 |
fourteenth and fifteenth centuries | 13 |
of the xvth century | 13 |
the further end of | 13 |
on the recto of | 13 |
as well as of | 13 |
the size of the | 13 |
to be of the | 13 |
from a german manuscript | 13 |
a german manuscript of | 13 |
the rest of the | 13 |
to have been the | 13 |
the immediate vicinity of | 13 |
from the library of | 13 |
and of which the | 13 |
the fourteenth and fifteenth | 13 |
the interior of this | 13 |
of the beginning of | 13 |
the master of the | 12 |
in the previous edition | 12 |
as old as the | 12 |
in the twelfth century | 12 |
of william the conqueror | 12 |
from a manuscript of | 12 |
to have been a | 12 |
is to be seen | 12 |
in the character of | 12 |
the manner in which | 12 |
to the public library | 12 |
of the school of | 12 |
at the foot of | 12 |
middle of the fourteenth | 12 |
in the preceding edition | 12 |
at the top of | 12 |
of the first leaf | 12 |
in the department of | 12 |
to have been executed | 12 |
of the same date | 12 |
with a sort of | 12 |
of the church of | 12 |
book of the gospels | 12 |
an account of the | 12 |
with regard to the | 12 |
at right angles with | 12 |
to the right of | 12 |
at the time of | 12 |
the exception of the | 12 |
the lower part of | 12 |
of the art of | 12 |
public library at nuremberg | 11 |
of a few of | 11 |
of the end of | 11 |
now preserved in the | 11 |
are to be found | 11 |
in the church of | 11 |
the recto of the | 11 |
as you may remember | 11 |
the first view of | 11 |
in the same collection | 11 |
of the xivth century | 11 |
is a copy of | 11 |
a view of the | 11 |
the body of the | 11 |
part of the sixteenth | 11 |
which i had seen | 11 |
the commencement of the | 11 |
german manuscript of the | 11 |
to the left of | 11 |
to have been written | 11 |
the banks of the | 11 |
the part of the | 11 |
is that of the | 11 |
to the abbey of | 11 |
of the fourth century | 11 |
in his right hand | 11 |
could not fail to | 11 |
the library of closterneuburg | 11 |
the sides of the | 11 |
a copy of it | 11 |
inches and a quarter | 11 |
in regard to the | 11 |
the text of the | 11 |
in the open air | 11 |
inches and a half | 11 |
of the book of | 11 |
remember to have seen | 11 |
a list of the | 11 |
and diane de poictiers | 10 |
english feet in length | 10 |
upon the top of | 10 |
it is printed in | 10 |
the summit of the | 10 |
comte de la fresnaye | 10 |
the form of the | 10 |
on account of the | 10 |
towards the close of | 10 |
in the case of | 10 |
of the first volume | 10 |
time of francis i | 10 |
a book of hours | 10 |
in the original binding | 10 |
lower part of the | 10 |
will be found in | 10 |
it is a very | 10 |
so much for the | 10 |
the monastery of chremsminster | 10 |
the mazarine library at | 10 |
mazarine library at paris | 10 |
of charles the bald | 10 |
is a very fine | 10 |
is printed in a | 10 |
the time of francis | 10 |
the influence of the | 10 |
on the other hand | 10 |
first edition of the | 10 |
the previous edition of | 10 |
on the first floor | 10 |
the author of the | 10 |
library of closterneuburg monastery | 10 |
the art of printing | 10 |
printed in double columns | 10 |
i remember to have | 10 |
the head of the | 10 |
a copy of this | 10 |
one of the principal | 10 |
in the eleventh century | 10 |
illuminated manuscripts of the | 10 |
as that of the | 10 |
are not fewer than | 10 |
in the vatican library | 10 |
in the estimation of | 10 |
belonged to prince eugene | 10 |
one of the very | 10 |
middle of the fifteenth | 10 |
which is now in | 10 |
of the library of | 10 |
the form of a | 10 |
of the fourteenth and | 10 |
of the sacred text | 10 |
but it is not | 10 |
of the most important | 9 |
is in red morocco | 9 |
the edges of the | 9 |
of the van eycks | 9 |
of this church is | 9 |
in the course of | 9 |
is among the most | 9 |
one of the noblest | 9 |
it should seem that | 9 |
inches and five eighths | 9 |
a fine copy of | 9 |
on the opposite side | 9 |
some of the most | 9 |
a great portion of | 9 |
a very fine copy | 9 |
you may remember that | 9 |
which are to be | 9 |
and there is a | 9 |
as if it had | 9 |
told me that he | 9 |
which i remember to | 9 |
in its original binding | 9 |
is a sort of | 9 |
right angles with the | 9 |
south side of the | 9 |
from the press of | 9 |
there is also a | 9 |
a copy upon vellum | 9 |
you are to know | 9 |
it seemed as if | 9 |
in the ninth century | 9 |
the sake of the | 9 |
what seemed to be | 9 |
the collection of the | 9 |
the side of the | 9 |
the south side of | 9 |
printed by fust and | 9 |
first page of the | 9 |
printed by ulric han | 9 |
the side of him | 9 |
of the xiith century | 9 |
it is doubtless a | 9 |
the conclusion of the | 9 |
the virgin and child | 9 |
it is one of | 9 |
with an account of | 9 |
fine state of preservation | 9 |
sold at the sale | 9 |
bound in blue morocco | 9 |
seem to have been | 9 |
of the order of | 9 |
of our own country | 9 |
the figure of the | 9 |
of the cathedral of | 9 |
have been found in | 9 |
in the act of | 9 |
with the commentary of | 9 |
in the chapter library | 9 |
during the fourteenth century | 9 |
of charles the great | 9 |
may be seen in | 9 |
the heat of the | 9 |
for a long time | 9 |
the publication of the | 9 |
of a copy of | 9 |
of the last leaf | 9 |
i could not help | 9 |
i am about to | 9 |
be seen in the | 9 |
copy in the royal | 9 |
the right of the | 9 |
antiquarian and picturesque tour | 9 |
of the fine arts | 9 |
be struck with the | 9 |
the ornaments of the | 9 |
a quarter of an | 9 |
here are two copies | 9 |
by the same printer | 8 |
middle of the sixteenth | 8 |
at the close of | 8 |
it is full of | 8 |
one hundred and twenty | 8 |
of this class of | 8 |
the back of the | 8 |
in the neighbourhood of | 8 |
best of my recollection | 8 |
the foot of the | 8 |
a letter of introduction | 8 |
in the immediate vicinity | 8 |
in gold and colours | 8 |
to me to be | 8 |
the height of the | 8 |
is preserved in the | 8 |
with some of the | 8 |
a copy in the | 8 |
are to be seen | 8 |
centres for the production | 8 |
part of the fifteenth | 8 |
in the way of | 8 |
in a state of | 8 |
one or two of | 8 |
to an account of | 8 |
or two of the | 8 |
the early printed books | 8 |
this is one of | 8 |
the chapel of the | 8 |
of the xvith century | 8 |
at the present day | 8 |
the life of christ | 8 |
reason to be proud | 8 |
to the library of | 8 |
the second edition of | 8 |
in the first half | 8 |
part of the fourteenth | 8 |
it is difficult to | 8 |
we drove to the | 8 |
the preceding edition of | 8 |
greater part of the | 8 |
i could not but | 8 |
a sight of the | 8 |
in the monastery of | 8 |
will not fail to | 8 |
in the seventh century | 8 |
now come to the | 8 |
some account of the | 8 |
in the french language | 8 |
i own that i | 8 |
seems to have been | 8 |
is said to be | 8 |
the first book printed | 8 |
printed in the fifteenth | 8 |
of the same period | 8 |
a great deal of | 8 |
in letters of gold | 8 |
to the best of | 8 |
am not sure whether | 8 |
the period of the | 8 |
that it was the | 8 |
in the vicinity of | 8 |
at the further end | 8 |
is of the date | 8 |
in some cases the | 8 |
the conclusion of my | 8 |
could not have been | 8 |
in favour of the | 8 |
at the door of | 8 |
the general character of | 8 |
and one of the | 8 |
interior of this church | 8 |
side of the seine | 8 |
i have yet seen | 8 |
copy is upon vellum | 8 |
of the society of | 8 |
previous edition of this | 8 |
as an example of | 8 |
it is of the | 8 |
manuscripts of this class | 8 |
in the reign of | 8 |
the manuscripts of the | 8 |
the art of the | 8 |
the duc de berri | 8 |
thing in the shape | 8 |
a word or two | 8 |
in the hands of | 8 |
copy of this edition | 8 |
in a fine state | 8 |
one or the other | 8 |
of the city of | 8 |
i make no doubt | 8 |
which i have yet | 8 |
is supposed to be | 8 |
the rue de la | 8 |
of the ninth century | 8 |
the finest copy of | 8 |
the church of the | 8 |
is printed in the | 8 |
so obliging as to | 8 |
the account of the | 8 |
the date of this | 8 |
the best of my | 8 |
by the pencil of | 8 |
the drawing of the | 8 |
the exterior of the | 8 |
of the middle ages | 8 |
the city of rouen | 8 |
the thirteenth and fourteenth | 8 |
but i must not | 8 |
the gospels of saint | 8 |
for the last time | 8 |
in my way to | 8 |
supposed to be the | 8 |
season of the year | 8 |
in the thirteenth century | 7 |
to have been printed | 7 |
at the commencement of | 7 |
of the printed books | 7 |
it is in the | 7 |
the society of antiquaries | 7 |
he told me that | 7 |
i have ever seen | 7 |
in the latin language | 7 |
the fifteenth century the | 7 |
inches and three quarters | 7 |
the front of the | 7 |
in the rue de | 7 |
by the same hand | 7 |
of art in the | 7 |
in the bodleian library | 7 |
the production of manuscripts | 7 |
this copy is upon | 7 |
of the works of | 7 |
but it has been | 7 |
seems to be the | 7 |
page of the text | 7 |
the miniatures of this | 7 |
of the text is | 7 |
the hotel of the | 7 |
in the art of | 7 |
which i had ever | 7 |
than that of the | 7 |
is probably the most | 7 |
the appearance of the | 7 |
i should say that | 7 |
is a representation of | 7 |
a fine state of | 7 |
am not sure that | 7 |
there are not fewer | 7 |
on the first page | 7 |
in the black letter | 7 |
it was impossible to | 7 |
a manner the most | 7 |
but it is a | 7 |
the abbey of jumieges | 7 |
on the south side | 7 |
was sold at the | 7 |
and upon the whole | 7 |
i have reason to | 7 |
sound and desirable copy | 7 |
of the second edition | 7 |
at the age of | 7 |
in which it is | 7 |
the imperial library of | 7 |
de la ville de | 7 |
the author of this | 7 |
struck me as being | 7 |
heat of the day | 7 |
in the library at | 7 |
was so obliging as | 7 |
the style of art | 7 |
i know not how | 7 |
the royal library of | 7 |
either of the preceding | 7 |
of this class are | 7 |
the duke of wellington | 7 |
should be observed that | 7 |
the completion of his | 7 |
but i do not | 7 |
in the month of | 7 |
the british museum possesses | 7 |
the figures of the | 7 |
part of the building | 7 |
in the same way | 7 |
may be called the | 7 |
there is a good | 7 |
as early as the | 7 |
turning to the left | 7 |
the order of the | 7 |
text is executed in | 7 |
i told him that | 7 |
edges of the leaves | 7 |
in a manner the | 7 |
two copies of this | 7 |
after the english fashion | 7 |
the comte de la | 7 |
art of manuscript illumination | 7 |
is executed in the | 7 |
the invention of printing | 7 |
on the th of | 7 |
it is a small | 7 |
fine copy of the | 7 |
with a profusion of | 7 |
what is called the | 7 |
of the whole of | 7 |
george and the dragon | 7 |
of the most magnificent | 7 |
copy in the public | 7 |
in the history of | 7 |
is printed in double | 7 |
something in the shape | 7 |
preceding edition of this | 7 |
the most beautiful and | 7 |
as far as the | 7 |
in the early part | 7 |
there is a very | 7 |
further end of the | 7 |
the text is executed | 7 |
imperial library of vienna | 7 |
by the aid of | 7 |
that it is a | 7 |
as one of the | 7 |
the works of the | 7 |
my way to the | 7 |
to the memory of | 7 |
be one of the | 7 |
of the sixth century | 7 |
the side of a | 7 |
cannot fail to be | 7 |
there can be no | 7 |
the first leaf of | 7 |
of the interior of | 7 |
a member of the | 7 |
in the habit of | 7 |
the vicinity of the | 7 |
the style of the | 7 |
it is right that | 7 |
beginning of the sixteenth | 7 |
thirteenth and fourteenth centuries | 7 |
to be the finest | 7 |
a striking contrast to | 7 |
showing the influence of | 7 |
a good example of | 7 |
have no hesitation in | 7 |
on a large scale | 7 |
close of the fifteenth | 7 |
the title of the | 7 |
the beauty of the | 7 |
the present copy is | 7 |
the sale of his | 7 |
of this very rare | 7 |
of the virgin and | 7 |
it should be observed | 7 |
take you with me | 7 |
the roof of the | 7 |
seemed to be a | 7 |
to be proud of | 6 |
to be one of | 6 |
of which is a | 6 |
the life of st | 6 |
an account of a | 6 |
at the distance of | 6 |
the aid of a | 6 |
of the mediaeval period | 6 |
agony in the garden | 6 |
cropt in the binding | 6 |
in addition to the | 6 |
this to be the | 6 |
to be struck with | 6 |
be said to be | 6 |
the language of the | 6 |
the possession of the | 6 |
and i must say | 6 |
the autograph of this | 6 |
in the gothic letter | 6 |
chapel of the virgin | 6 |
methinks i hear you | 6 |
side of the rhine | 6 |
i had never before | 6 |
the residence of the | 6 |
gospels of saint cuthbert | 6 |
of the life of | 6 |
the university of cambridge | 6 |
by one of the | 6 |
for an account of | 6 |
i must say that | 6 |
with all my heart | 6 |
of gold and silver | 6 |
nearly the whole of | 6 |
this is a sound | 6 |
lines in a full | 6 |
the father of the | 6 |
this is a fine | 6 |
beginning of the thirteenth | 6 |
the initial letters are | 6 |
present state of the | 6 |
of the human form | 6 |
to the door of | 6 |
private collection at vienna | 6 |
commencement of the sixteenth | 6 |
of the protestant religion | 6 |
the tower of the | 6 |
of the middle of | 6 |
on my return to | 6 |
as you approach the | 6 |
of a different description | 6 |
the sound of the | 6 |
in the centre is | 6 |
the town of vire | 6 |
in the interior of | 6 |
under the title of | 6 |
my good fortune to | 6 |
is not to be | 6 |
the subject of the | 6 |
as well as a | 6 |
was told that the | 6 |
school of the van | 6 |
the possession of a | 6 |
if i mistake not | 6 |
another copy of this | 6 |
which i have ever | 6 |
the art of manuscript | 6 |
technical processes of the | 6 |
in a variety of | 6 |
of what is called | 6 |
running at right angles | 6 |
to the notice of | 6 |
we were compelled to | 6 |
the justice to say | 6 |
the truth of the | 6 |
upon a purple ground | 6 |
present is a sound | 6 |
told me that the | 6 |
we see in the | 6 |
great portion of the | 6 |
a considerable number of | 6 |
end of the thirteenth | 6 |
surface of the vellum | 6 |
you with me to | 6 |
is doubtless the most | 6 |
of which i had | 6 |
to the history of | 6 |
the pencil of the | 6 |
the most curious and | 6 |
the hands of the | 6 |
on one of the | 6 |
was considered to be | 6 |
the school of alcuin | 6 |
of the first page | 6 |
one and the same | 6 |
in the manner of | 6 |
the nave of the | 6 |
end of the xvth | 6 |
at the end is | 6 |
of the kind which | 6 |
i may so speak | 6 |
the admiration of the | 6 |
the first page is | 6 |
the right and left | 6 |
of the latter part | 6 |
now in the british | 6 |
i have no hesitation | 6 |
that you should know | 6 |
to be in a | 6 |
if i may so | 6 |
first leaf of the | 6 |
of the gospels of | 6 |
manuscripts of the fifteenth | 6 |
a page from the | 6 |
on one side of | 6 |
the greater number of | 6 |
whole length portrait of | 6 |
copy of the same | 6 |
reverse of the first | 6 |
it would be difficult | 6 |
it to be a | 6 |
in many of the | 6 |
the present state of | 6 |
see the bibliographical decameron | 6 |
for size and condition | 6 |
the copy in the | 6 |
it is to be | 6 |
in the house of | 6 |
in a manner which | 6 |
may be called a | 6 |
manuscripts of the apocalypse | 6 |
without name of printer | 6 |
about english feet in | 6 |
by the help of | 6 |
to the right and | 6 |
i now come to | 6 |
i was about to | 6 |
finest copy of this | 6 |
of the thirteenth and | 6 |
end of the eleventh | 6 |
the heart of a | 6 |
would be difficult to | 6 |
manuscripts of the fourteenth | 6 |
perfect state of preservation | 6 |
to be the most | 6 |
classical and mediaeval times | 6 |
original binding of wood | 6 |
it is just possible | 6 |
as well as in | 6 |
about the year a | 6 |
to be in the | 6 |
of the surrounding country | 6 |
now in the library | 6 |
is in its original | 6 |
of which i have | 6 |
in the execution of | 6 |
book of kells and | 6 |
manner in which the | 6 |
it is now in | 6 |
that the art of | 6 |
with a pair of | 6 |
the above was written | 6 |
by the hand of | 6 |
head of the monastery | 6 |
opposite side of the | 6 |
the left of the | 6 |
in a full page | 6 |
the opposite side of | 6 |
the level of the | 6 |
is thought to be | 6 |
present is a fine | 6 |
of the corinthian order | 6 |
thing of the kind | 6 |
of the most interesting | 6 |
a full page has | 6 |
of the first aldine | 6 |
the shelves of the | 6 |
in the upper part | 6 |
the property of the | 6 |
would you believe it | 6 |
that part of the | 6 |
it is a large | 6 |
general character of the | 6 |
the west front of | 6 |
to be printed by | 6 |
a sound and desirable | 6 |
we entered the town | 6 |
half the size of | 6 |
it was not till | 6 |
in the second half | 6 |
the duke of bedford | 6 |
this is the first | 6 |
of those in the | 6 |
to have been used | 6 |
is described in the | 6 |
and perfect copy of | 6 |
the score of art | 6 |
history of the world | 6 |
norman manuscripts of the | 6 |
bibliographical antiquarian and picturesque | 6 |
upon the subject of | 6 |
to be that of | 6 |
to those of the | 6 |
that there is no | 6 |
the portrait of the | 6 |
the capital of bavaria | 6 |
in the second place | 6 |
two copies of the | 5 |
margin of the first | 5 |
that the book was | 5 |
for a copy of | 5 |
on the exterior of | 5 |
a part of the | 5 |
the twelfth and thirteenth | 5 |
than either of the | 5 |
as a piece of | 5 |
is given to the | 5 |
of this book is | 5 |
establishment of the protestant | 5 |
there is a fine | 5 |
the library of a | 5 |
simile of the autograph | 5 |
copy measures fifteen inches | 5 |
the immediate neighbourhood of | 5 |
master of the inn | 5 |
processes of the illuminator | 5 |
of the second century | 5 |
by the mention of | 5 |
to have been built | 5 |
said to be a | 5 |
a characteristic example of | 5 |
the whole has a | 5 |
to begin with the | 5 |
of the gospels which | 5 |
the rarest of all | 5 |
the book of genesis | 5 |
of the fifth century | 5 |
the ne plus ultra | 5 |
and a sort of | 5 |
the suppression of the | 5 |
over a ground of | 5 |
is surrounded by a | 5 |
the work of the | 5 |
about two hundred and | 5 |
once the property of | 5 |
as far as i | 5 |
a population of about | 5 |
on the north side | 5 |
at a considerable distance | 5 |
i was resolved to | 5 |
and i could not | 5 |
could not be less | 5 |
and more especially the | 5 |
not far from the | 5 |
that can be imagined | 5 |
of the splendour of | 5 |
the absence of the | 5 |
the month of april | 5 |
close to the very | 5 |
is right that you | 5 |
between the years and | 5 |
beginning of the fifteenth | 5 |
the midst of this | 5 |
figures of the evangelists | 5 |
we have here a | 5 |
the next post town | 5 |
a copy of his | 5 |
the emperor henry ii | 5 |
i will frankly own | 5 |
the kind which i | 5 |
after the death of | 5 |
of the roxburghe club | 5 |
of the old school | 5 |
at the hither end | 5 |
the second volume of | 5 |
rue de la paix | 5 |
written about the year | 5 |
and a half in | 5 |
and at the end | 5 |
in a handsome gothic | 5 |
are two copies of | 5 |
in the illuminations of | 5 |
on the occasion of | 5 |
edition of the tour | 5 |
put into my hands | 5 |
outskirts of the town | 5 |
of the general character | 5 |
to be the first | 5 |
the centre of which | 5 |
of one of these | 5 |
the whole length of | 5 |
the city of strasbourg | 5 |
that it was a | 5 |
by fust and schoiffher | 5 |
thought i to myself | 5 |
in a small gothic | 5 |
it is said that | 5 |
executed in double columns | 5 |
with the rest of | 5 |
a word of french | 5 |
by the sight of | 5 |
to be the best | 5 |
is shown by the | 5 |
of the convent of | 5 |
the illuminated manuscripts of | 5 |
can be no doubt | 5 |
right that you should | 5 |
the beginning and end | 5 |
take leave of the | 5 |
be older than the | 5 |
the direction of the | 5 |
the chapter library at | 5 |
with me to the | 5 |
and in some cases | 5 |
to give you a | 5 |
it is interesting to | 5 |
of the literature of | 5 |
at this present moment | 5 |
this is a large | 5 |
throughout the whole of | 5 |
of the second half | 5 |
and in a fine | 5 |
first edition of this | 5 |
if it had been | 5 |
not fewer than three | 5 |
some of the miniatures | 5 |
as it appeared in | 5 |
in the eighth century | 5 |
as a sort of | 5 |
to return to the | 5 |
the air of a | 5 |
good example of this | 5 |
like those of the | 5 |
every point of view | 5 |
manuscripts of the thirteenth | 5 |
as i told you | 5 |
not appear to have | 5 |
of the press of | 5 |
said to be the | 5 |
to the royal library | 5 |
books in the public | 5 |
and homes of manuscripts | 5 |
of the more respectable | 5 |
it was one of | 5 |
it is among the | 5 |
you turn to the | 5 |
good reason to be | 5 |
this copy is in | 5 |
used in illuminated manuscripts | 5 |
conduct you to the | 5 |
by eight inches and | 5 |
the founder of the | 5 |
from a french manuscript | 5 |
it is supposed to | 5 |
that he was a | 5 |
that in the library | 5 |
you cannot fail to | 5 |
in the seventeenth century | 5 |
of which one is | 5 |
of the most perfect | 5 |
of the history of | 5 |
and it seemed as | 5 |
not be less than | 5 |
the possession of m | 5 |
is a sound and | 5 |
after the fashion of | 5 |
i was much struck | 5 |
for the royal library | 5 |
of st martin at | 5 |
in order that the | 5 |
it is impossible to | 5 |
portion of the building | 5 |
the folds of the | 5 |
of the church is | 5 |
seemed to be the | 5 |
letter of introduction to | 5 |
of the autograph of | 5 |
but the vellum is | 5 |
or rather of the | 5 |
the exterior of this | 5 |
of the author of | 5 |
nothing can be more | 5 |
of the academy of | 5 |
or the other of | 5 |
a fine specimen of | 5 |
i should think that | 5 |
to that of the | 5 |
statue of the virgin | 5 |
this copy measures fifteen | 5 |
the score of antiquity | 5 |
is due to the | 5 |
cut of a man | 5 |
printed in the soubiaco | 5 |
a great part of | 5 |
from the time of | 5 |
as a rule the | 5 |
for the most part | 5 |
the first of the | 5 |
inches and seven eighths | 5 |
by the introduction of | 5 |
of the nineteenth century | 5 |
of a portion of | 5 |
about one hundred and | 5 |
shall not easily forget | 5 |
as the book of | 5 |
should seem to be | 5 |
end of the twelfth | 5 |
library of chremsminster monastery | 5 |
into a sort of | 5 |
as we continued to | 5 |
printed by william nicol | 5 |
is written in a | 5 |
in the mean while | 5 |
quarter of an hour | 5 |
roman de la rose | 5 |
copy of one of | 5 |
to note that the | 5 |
the order of st | 5 |
six inches and a | 5 |
the outskirts of the | 5 |
kind which i have | 5 |
interesting to note that | 5 |
of the university of | 5 |
be as old as | 5 |
the period of its | 5 |
as you enter the | 5 |
at the conclusion of | 5 |
and the text is | 5 |
of which the first | 5 |
did not fail to | 5 |
of the town of | 5 |
in the book of | 5 |
it appeared in the | 5 |
of the chief centres | 5 |
which there is a | 5 |
must not fail to | 5 |
above the level of | 5 |
inferior to that of | 5 |
a peep at the | 5 |
it was my good | 5 |
of one of his | 5 |
to the sixteenth century | 5 |
the edge of the | 5 |
wanderings and homes of | 5 |
the department of calvados | 5 |
during the fifteenth century | 5 |
along the banks of | 5 |
copy of this very | 5 |
in that of the | 5 |
the book of the | 5 |
does not appear to | 5 |
in my humble opinion | 5 |
of the very first | 5 |
ne plus ultra of | 5 |
at the extremity of | 5 |
the wife of the | 5 |
the wanderings and homes | 5 |
the general style of | 5 |
for a sight of | 5 |
in blue morocco binding | 5 |
in the first instance | 5 |
of my visit to | 5 |
in our way to | 5 |
there is a duplicate | 5 |
printed by vindelin de | 5 |
you an account of | 5 |
the first few leaves | 5 |
vicinity of the town | 5 |
side of the nave | 5 |
on this side of | 5 |
which i had yet | 5 |
striking contrast to the | 5 |
the performance of the | 5 |
the best part of | 5 |
the top of which | 5 |
in front of the | 5 |
written and illuminated by | 5 |
the bottom of a | 5 |
is printed upon vellum | 5 |
see the opposite plate | 5 |
the production of illuminated | 5 |
turn to the right | 5 |
considered to be unique | 5 |
it is not so | 5 |
large paper copy of | 5 |
a fine sound copy | 5 |
the cathedral of ulm | 5 |
executed in a small | 5 |
on the palatine hill | 5 |
in a perfect blaze | 5 |
simile of his autograph | 5 |
the work of a | 5 |
the capital of austria | 5 |
and is bound in | 5 |
it to have been | 5 |
end to the other | 5 |
in the eighteenth century | 5 |
a portrait of the | 5 |
written and illuminated in | 5 |
in this way the | 5 |
in red and black | 5 |
in which they are | 5 |
in the soubiaco monastery | 5 |
in the xvth century | 5 |
the book of durrow | 5 |
from the fourteenth century | 5 |
to give you some | 5 |
it is in its | 5 |
for charles the great | 5 |
one of the best | 5 |
italian manuscripts of the | 5 |
say nothing of the | 5 |
first view of the | 5 |
executed in a handsome | 5 |
there is only one | 5 |
a miniature from a | 5 |
in manuscripts of the | 5 |
in the way to | 5 |
to be considered as | 5 |
to convince me that | 5 |
must be considered as | 5 |
life and writings of | 5 |
of the bayeux tapestry | 5 |
the north side of | 5 |
by the name of | 5 |
feet above the level | 5 |
measures sixteen inches and | 5 |
is about english feet | 5 |
in every point of | 5 |
the gates of the | 5 |
a beautiful example of | 5 |
seemed as if the | 5 |
is that in the | 5 |
reverse of the last | 5 |
i will begin with | 5 |
the production of a | 5 |
folds of the drapery | 5 |
give me credit for | 5 |
it is a noble | 5 |
more ancient than the | 5 |
the art of illumination | 5 |
of the same work | 5 |
of the seventh century | 5 |
it was agreed that | 5 |
be no doubt of | 5 |
i do not know | 5 |
within the walls of | 5 |
a large paper copy | 5 |
the kind offices of | 5 |
reign of francis i | 5 |
and quality of the | 5 |
the number of these | 5 |
there is a great | 5 |
tower of the cathedral | 5 |
is a large and | 5 |
copy in the imperial | 5 |
of the aldine press | 5 |
half of the thirteenth | 5 |
of a great number | 5 |
of corpus christi college | 5 |
few of the more | 5 |
the first glance of | 5 |
in the preparation of | 5 |
at the back of | 5 |
from a book of | 5 |
are to know that | 5 |
edition is printed in | 5 |
in the paris library | 5 |
royal library of france | 5 |
a french version of | 5 |
in modern russia binding | 5 |
of the most exquisite | 5 |
production of illuminated manuscripts | 5 |
of a variety of | 5 |
of what may be | 5 |
the same number of | 5 |
as a fluid pigment | 5 |
the library of chremsminster | 5 |
of a very different | 5 |
the rue de richelieu | 5 |
the first glimpse of | 5 |
of the contents of | 5 |
from the latter part | 5 |
the fury of the | 5 |
me that he had | 5 |
the reign of francis | 5 |
a french manuscript of | 5 |
the first leaf is | 5 |
part of the fourth | 5 |
of the finest and | 5 |
from the top of | 5 |
in the presence of | 5 |
it must be admitted | 5 |
seemed to be in | 4 |
in his th year | 4 |
of the same class | 4 |
in a serpentine direction | 4 |
on the following day | 4 |
the air of the | 4 |
to be the oldest | 4 |
and the present is | 4 |
the very rare edition | 4 |
first few leaves are | 4 |
perfect of their kind | 4 |
now to be seen | 4 |
are by no means | 4 |
giulio clovio and other | 4 |
other branches of art | 4 |
of the miniatures in | 4 |
is doubtless a very | 4 |
late cup of tea | 4 |
i was glad to | 4 |
manuscript of the eleventh | 4 |
figures are of the | 4 |
in the very best | 4 |
the monastery of closterneuburg | 4 |
one pair of stairs | 4 |
manner in which this | 4 |
the work in question | 4 |
one of the earliest | 4 |
of my friend mr | 4 |
best part of a | 4 |
paper copy in the | 4 |
was the work of | 4 |
to the fact that | 4 |
at his death in | 4 |
of the crown of | 4 |
which dates from the | 4 |
of the central tower | 4 |
if not the only | 4 |
to the size of | 4 |
to do but to | 4 |
i learn that the | 4 |
impressions of the sacred | 4 |
this is a beautiful | 4 |
the reputation of the | 4 |
told that it was | 4 |
to that in the | 4 |
whole of the interior | 4 |
the number of the | 4 |
my admiration of the | 4 |
bears the date of | 4 |
be considered as the | 4 |
any thing of the | 4 |
was a man of | 4 |
which is surrounded by | 4 |
as well as with | 4 |
more than a century | 4 |
the precincts of the | 4 |
capital letters of gold | 4 |
i am quite sure | 4 |
in capital letters of | 4 |
the art of writing | 4 |
on either side of | 4 |
in spite of all | 4 |
by vindelin de spira | 4 |
has not yet been | 4 |
and i should think | 4 |
drove to the principal | 4 |
of four or five | 4 |
is in the library | 4 |
of an illuminated manuscript | 4 |
books printed upon vellum | 4 |
on the opposite page | 4 |
the time of louis | 4 |
it is here that | 4 |
the birth of the | 4 |
half the height of | 4 |
than that of st | 4 |
to the height of | 4 |
it is high time | 4 |
is that of st | 4 |
our way to the | 4 |
the house of the | 4 |
fail to be struck | 4 |
by the fact that | 4 |
that i have been | 4 |
have reason to remember | 4 |
of the most popular | 4 |
for the library in | 4 |
sides of the binding | 4 |
the extreme length of | 4 |
a manuscript in the | 4 |
of which the greater | 4 |
the production of fine | 4 |
is divided into three | 4 |
struck off upon vellum | 4 |
nothing can exceed the | 4 |
of the present king | 4 |
over the door of | 4 |
the cathedral of coutances | 4 |
he is said to | 4 |
my return to england | 4 |
nave of the abbey | 4 |
who reigned from to | 4 |
in the chapel of | 4 |
it is in red | 4 |
of hours in the | 4 |
edition of this tour | 4 |
that it has been | 4 |
of the more ancient | 4 |
of the goldsmith and | 4 |
on the eve of | 4 |
side of the binding | 4 |
edges to the leaves | 4 |
the benedictional of aethelwold | 4 |
i must be allowed | 4 |
a pair of horses | 4 |
down to the time | 4 |
to do with the | 4 |
century the art of | 4 |
is a whole length | 4 |
a very small portion | 4 |
not fewer than four | 4 |
the countenance of the | 4 |
greek and latin mss | 4 |
side of the leaf | 4 |
as that in the | 4 |
at the head of | 4 |
the copy in question | 4 |
of fine illuminated manuscripts | 4 |
of which my last | 4 |
which is considered to | 4 |
of diane de poictiers | 4 |
it is at once | 4 |
the marquis de chateaugiron | 4 |
the windows of the | 4 |
the crown of hungary | 4 |
miniatures of this class | 4 |
as far back as | 4 |
the library of corpus | 4 |
it may be said | 4 |
supposed to be of | 4 |
black and red ink | 4 |
measures fifteen inches and | 4 |
had nothing to do | 4 |
book is bound in | 4 |
in the account of | 4 |
in the university of | 4 |
the school of the | 4 |
of which i was | 4 |
it is evident that | 4 |
last leaf of the | 4 |
the text is written | 4 |
i must not fail | 4 |
very rare edition of | 4 |
some of these are | 4 |
under the name of | 4 |
one side of the | 4 |
through the streets of | 4 |
the site of the | 4 |
i had seen in | 4 |
age of charles the | 4 |
he is just now | 4 |
in his left hand | 4 |
it should be remembered | 4 |
in a very large | 4 |
to conduct me to | 4 |
now in the imperial | 4 |
is now preserved in | 4 |
may remember that i | 4 |
the cloisters of the | 4 |
of the irish school | 4 |
to part with this | 4 |
the first large illumination | 4 |
in manuscripts of this | 4 |
be scarcely less than | 4 |
a page from a | 4 |
the possession of messrs | 4 |
he seemed to be | 4 |
the miniatures in the | 4 |
in other branches of | 4 |
should like to have | 4 |
is a fine copy | 4 |
the colour of the | 4 |
a man on horseback | 4 |
twelfth and thirteenth centuries | 4 |
was succeeded by the | 4 |
in my own country | 4 |
with which i was | 4 |
to have belonged to | 4 |
upon the site of | 4 |
in my humble judgment | 4 |
the place of the | 4 |
a statue of the | 4 |
doubtless among the most | 4 |
the time of my | 4 |
the way to the | 4 |
this is doubtless a | 4 |
the art of illuminating | 4 |
take upon me to | 4 |
one hundred and thirty | 4 |
the end is the | 4 |
and some of the | 4 |
half of the sixteenth | 4 |
and i began to | 4 |
the splendour of its | 4 |
of which he was | 4 |
the whole had a | 4 |
of the adjacent country | 4 |
any portion of the | 4 |
the gospels of macdurnan | 4 |
and turning to the | 4 |
for the purposes of | 4 |
a notion of the | 4 |
the original wooden binding | 4 |
a most beautiful and | 4 |
i can hardly describe | 4 |
of the members of | 4 |
the whole of a | 4 |
byzantine manuscript of the | 4 |
the earlier part of | 4 |
the treasures of this | 4 |
the department of the | 4 |
the room in which | 4 |
in which i am | 4 |
or name of printer | 4 |
must be admitted that | 4 |
the name of a | 4 |
of a man on | 4 |
we seemed to be | 4 |
period of its execution | 4 |
of writing and illuminating | 4 |
is at the bottom | 4 |
of the xiiith century | 4 |
in the city of | 4 |
a whole length of | 4 |
and it was not | 4 |
the contents of the | 4 |
full of nature and | 4 |
copy of it upon | 4 |
in the catalogue of | 4 |
example of greek drawing | 4 |
is to be found | 4 |
submitted to the public | 4 |
one of the side | 4 |
manuscript of the fourteenth | 4 |
is in the centre | 4 |
one hundred and fifty | 4 |
copy measures thirteen inches | 4 |
of the south transept | 4 |
an example of the | 4 |
every thing in the | 4 |
of nature and of | 4 |
of almost every thing | 4 |
at the point of | 4 |
put an end to | 4 |
the press of the | 4 |
object of my visit | 4 |
the hand of a | 4 |
of the west front | 4 |
the last leaf but | 4 |
not easily forget the | 4 |
this appears to have | 4 |
the materials and technical | 4 |
an example of this | 4 |
the finest manuscripts of | 4 |
nothing to do but | 4 |
to have been made | 4 |
not a creature was | 4 |
manuscripts of this period | 4 |
of the architecture of | 4 |
believe it to be | 4 |
the gospels of the | 4 |
on to the vellum | 4 |
reason to think that | 4 |
in the following year | 4 |
a copy of a | 4 |
is interesting to note | 4 |
of the work in | 4 |
the architecture of the | 4 |
in the language of | 4 |
one end to the | 4 |
copy of the gospels | 4 |
which seems to be | 4 |
of the tenth century | 4 |
a great variety of | 4 |
the result of the | 4 |
it was in the | 4 |
the fille de chambre | 4 |
it might have been | 4 |
in a series of | 4 |
side of the channel | 4 |
accompanied me to the | 4 |
shows a miniature from | 4 |
equal in modern value | 4 |
of the most ancient | 4 |
is the figure of | 4 |
nothing less than a | 4 |
to the number of | 4 |
this copy measures thirteen | 4 |
in the same year | 4 |
there seems to be | 4 |
the sight of the | 4 |
here is a copy | 4 |
by ten inches and | 4 |
the names of the | 4 |
lower margin of the | 4 |
the agony in the | 4 |
of the exterior of | 4 |
it will be seen | 4 |
a quarter of a | 4 |
i am indebted to | 4 |
it is now high | 4 |
in the latter part | 4 |
state of the fine | 4 |
in the miniatures of | 4 |
vaudevires of olivier basselin | 4 |
the world has ever | 4 |
out of my recollection | 4 |
about three hundred and | 4 |
up one pair of | 4 |
in a preceding page | 4 |
this class of illumination | 4 |
of the mazarine bible | 4 |
rare edition of the | 4 |
english feet in height | 4 |
with a fine brush | 4 |
level of the sea | 4 |
full page has thirty | 4 |
i must not omit | 4 |
with those of the | 4 |
me credit for having | 4 |
i was well pleased | 4 |
than half a century | 4 |
some of the principal | 4 |
of an inch in | 4 |
on the high road | 4 |
also a whole length | 4 |
the late king of | 4 |
is one hundred and | 4 |
the antiquity of the | 4 |
to the end of | 4 |
beautiful example of this | 4 |
of the vellum is | 4 |
the parent of the | 4 |
was my good fortune | 4 |
that the world has | 4 |
the fourteenth century in | 4 |
the last leaf of | 4 |
bottom of the first | 4 |
the age of charles | 4 |
am now about to | 4 |
i am now about | 4 |
sale of his library | 4 |
a perfect blaze of | 4 |
library of the king | 4 |
the fourteenth century the | 4 |
the time of alexander | 4 |
but it is time | 4 |
it remains only to | 4 |
in the second volume | 4 |
the ninth and tenth | 4 |
manuscript of the twelfth | 4 |
and technical processes of | 4 |
to the introduction of | 4 |
of the leaves are | 4 |
any thing but a | 4 |
far back as the | 4 |
both sides of the | 4 |
the history of this | 4 |
were used in the | 4 |
the illuminators of the | 4 |
cannot fail to strike | 4 |
of the human figure | 4 |
which my last letter | 4 |
stopped to change horses | 4 |
the exterior and interior | 4 |
manuscripts of the gospels | 4 |
is undoubtedly of the | 4 |
the libraries of the | 4 |
which i deem it | 4 |
the first and second | 4 |
to say nothing of | 4 |
is now high time | 4 |
is a figure of | 4 |
on the ground floor | 4 |
of the inn was | 4 |
the books in the | 4 |
it appears to be | 4 |
to the fourteenth century | 4 |
i am persuaded that | 4 |
it measures fifteen inches | 4 |
was much struck with | 4 |
the lower margin of | 4 |
told me that i | 4 |
manner in which it | 4 |
to the top of | 4 |
it was difficult to | 4 |
is doubtless among the | 4 |
of the same romance | 4 |
of the style of | 4 |
third edition of the | 4 |
of the finest manuscripts | 4 |
a flight of steps | 4 |
close of the fourteenth | 4 |
it was in fact | 4 |
west front of the | 4 |
from the windows of | 4 |
banks of the seine | 4 |
i had never seen | 4 |
of men and women | 4 |
i had ever seen | 4 |
to what may be | 4 |
of the kind i | 4 |
the vault of the | 4 |
in a perfect state | 4 |
to the collection of | 4 |
figure of the virgin | 4 |
which is bound in | 4 |
of the very best | 4 |
of the birth of | 4 |
i was anxious to | 4 |
become the property of | 4 |
end of the first | 4 |
there is a copy | 4 |
was executed for the | 4 |
quarter of an inch | 4 |
of alcuin of york | 4 |
the attention of the | 4 |
with gold and colours | 4 |
production of fine illuminated | 4 |
in the fitzwilliam museum | 4 |
my account of the | 4 |
the th of the | 4 |
copy of the vaudevires | 4 |
of a later period | 4 |
of the decameron of | 4 |
described in the bibl | 4 |
the estimation of the | 4 |
in the book way | 4 |
in which the figures | 4 |
of it upon vellum | 4 |
should be remembered that | 4 |
of art of the | 4 |
annals of the aldine | 4 |
the object of my | 4 |
the object of this | 4 |
of the figures of | 4 |
within a quarter of | 4 |
to the summit of | 4 |
returning now to the | 4 |
public library at cambridge | 4 |
its original wooden binding | 4 |
the marriage of the | 4 |
since the above was | 4 |
i send you a | 4 |
printed in the gothic | 4 |
manuscript of the beginning | 4 |
the figure of christ | 4 |
in gold and silver | 4 |
to give you an | 4 |
of which you have | 4 |
as soon as he | 4 |
and at the same | 4 |
of giulio clovio and | 4 |
the library in question | 4 |
fully described in the | 4 |
conclusion of my last | 4 |
of the owner of | 4 |
the cambridge university library | 4 |
fifteenth and sixteenth centuries | 4 |
without date or place | 4 |
of which he had | 4 |
copy of this work | 4 |
in classical and mediaeval | 4 |
greater number of the | 4 |
a portion of it | 4 |
with the aid of | 4 |
the rays of a | 4 |
materials and technical processes | 4 |
extreme length of the | 4 |
in my power to | 4 |
of the second leaf | 4 |
rue de la grosse | 4 |
the marquis de sommariva | 4 |
me that he was | 4 |
of art in italy | 4 |
i have not seen | 4 |
the centre is a | 4 |
second edition of the | 4 |
of the grimani breviary | 4 |
in old red morocco | 4 |
in the original wooden | 4 |
a perfect copy of | 4 |
the possession of mr | 4 |
was a copy of | 4 |
of the population of | 4 |
not sure that i | 4 |
the elevation of the | 4 |
the baron von moll | 4 |
a late cup of | 4 |
which may be said | 4 |
a good number of | 4 |
beginning of the text | 4 |
the backs of the | 4 |
of the castle of | 4 |
upon one of the | 4 |
in the main the | 4 |
i am not able | 4 |
till the thirteenth century | 4 |
it is indeed a | 4 |
me that it was | 4 |
from beginning to end | 4 |
the reign of charles | 4 |
either side of the | 4 |
on the painters of | 4 |
the contents of this | 4 |
with a reed pen | 4 |
was given to the | 4 |
is seen in the | 4 |
for the reception of | 4 |
must be allowed to | 4 |
founder of the monastery | 4 |
possession of a copy | 4 |
of anne of brittany | 4 |
with which it is | 4 |
during the first half | 4 |
in the first volume | 4 |
it is a pity | 4 |
of the british museum | 4 |
by far the most | 4 |
a letter to the | 4 |
great part of the | 4 |
which i have just | 4 |
is perhaps no where | 4 |
of the tower of | 4 |
to the monastery of | 4 |
pointed out to me | 4 |
and others of the | 4 |
five in the morning | 4 |
of richly illuminated manuscripts | 4 |
of the italian renaissance | 4 |
it is a fine | 4 |
on the whole the | 4 |
i do assure you | 4 |
took place in the | 4 |
there had been a | 4 |
and of which he | 4 |
early printed books of | 4 |
of the expenses of | 4 |
the golden gospels of | 4 |
first book printed at | 4 |
and i was told | 4 |
be the ne plus | 4 |
we were about to | 4 |
the interior of a | 4 |
of the grand turc | 4 |
of the emperor henry | 4 |
i shall not easily | 4 |
in possession of the | 4 |
the case of the | 4 |
the first volume of | 4 |
a bibliographical antiquarian and | 4 |
the back part of | 4 |
with the date of | 4 |
in a blaze of | 4 |
the chapter library of | 4 |
the fourth century b | 4 |
the roman de la | 4 |
the extremity of the | 4 |
end of the century | 4 |
it is not likely | 4 |
also used as a | 4 |
of the same subject | 4 |
we caught the first | 4 |
of the national guard | 4 |
the remainder of the | 4 |
madame la duchesse de | 4 |
looking out of window | 4 |
the general appearance of | 4 |
it is hardly possible | 4 |
to have been produced | 4 |
any thing in the | 4 |
north side of the | 4 |
had never before seen | 4 |
a production of the | 4 |
in its original wooden | 4 |
part of the eleventh | 4 |
a bright blue sky | 4 |
copy of this book | 4 |
an immense number of | 4 |
i must not forget | 4 |
the capital of the | 4 |
there was no time | 4 |
be the finest in | 4 |
as if he were | 4 |
the execution of the | 4 |
two copies upon vellum | 4 |
i suspect it to | 4 |
which i seemed to | 4 |
the ashes of the | 4 |
the collection of mr | 4 |
the duties of his | 4 |
the very sight of | 4 |
make you acquainted with | 4 |
on both sides of | 4 |
have been in the | 4 |
the text is in | 4 |
from a byzantine manuscript | 4 |
you will give me | 4 |
of the byzantine style | 4 |
of the holy trinity | 4 |
in modern value to | 4 |
end of the sixteenth | 4 |
one end of the | 4 |
school of alcuin of | 4 |
to the imperial library | 4 |
is given in the | 4 |
the exception of a | 4 |
rather than of the | 4 |
the illuminations of the | 4 |
it is time to | 4 |
to be a very | 4 |
i do not think | 4 |
on the following morning | 4 |
i send you the | 4 |
the countenances of the | 4 |
i think it was | 4 |
the door of a | 4 |
the painting of the | 4 |
which i ever saw | 4 |
have been cut out | 4 |
abbot of the monastery | 4 |
conduct me to the | 4 |
a byzantine manuscript of | 4 |
the course of the | 4 |
of which there are | 4 |
copy is bound in | 4 |
in the outskirts of | 4 |
and a great number | 4 |
wife of the conqueror | 4 |
of several of the | 4 |
the illuminations in this | 4 |
i cannot pretend to | 4 |
from about the middle | 4 |
account of the printed | 4 |
of the most celebrated | 4 |
the very summit of | 4 |
impression is executed in | 4 |
on the site of | 4 |
upon the shelves of | 4 |
towers of the cathedral | 4 |
for the writing of | 4 |
during the late revolution | 4 |
inches and three eighths | 4 |
will give me credit | 4 |
of a capuchin monastery | 4 |
complete view of the | 4 |
to bear in mind | 4 |
copy of the vulgate | 4 |
from the further end | 4 |
to be among the | 4 |
of the same leaf | 4 |
in the finest possible | 4 |
to be the ne | 4 |
did me the honour | 4 |
is a small folio | 4 |
part of the town | 4 |
the recollection of the | 4 |
be of the latter | 4 |
an account of some | 4 |
in an octavo volume | 4 |
public library of stuttgart | 4 |
he was pleased to | 4 |
library of a capuchin | 4 |
at work in the | 4 |
of the figure of | 4 |
of which i am | 4 |
to have a little | 4 |
this book is bound | 4 |
the use of gold | 4 |
is the date of | 4 |
a notice of the | 4 |
under the patronage of | 4 |
to have been in | 4 |
than those in the | 4 |
the latter of which | 4 |
i should like to | 4 |
and three quarters in | 4 |
in the garden of | 4 |
the produce of the | 4 |
the printed books of | 4 |
no where to be | 4 |
which it has been | 4 |
cannot be less than | 4 |
the noise of the | 4 |
as may be seen | 4 |
an illuminator of manuscripts | 4 |
the whole effect is | 4 |
i had yet seen | 4 |
the doors of the | 4 |
the nave from the | 4 |
at the hotel of | 4 |
leaf of the text | 4 |
been written and illuminated | 4 |
by fust and schoeffher | 4 |
and that it was | 4 |
in the manuscripts of | 4 |
last leaf but one | 4 |
private library of the | 4 |
between five and six | 4 |
such a copy of | 4 |
the value of the | 4 |
you ought to know | 4 |
during the thirteenth century | 4 |
on the vault of | 4 |
of the xith century | 4 |
of which it is | 4 |
the whole is in | 4 |
that it would be | 4 |
as if it were | 4 |
this was one of | 4 |
nothing to do with | 4 |
be said to have | 4 |
in the rue st | 4 |
this impression is executed | 4 |
now in the possession | 4 |
but some of the | 4 |
greater part of which | 4 |
the third volume of | 4 |
the imperial library in | 4 |
the text is printed | 4 |
the productions of the | 4 |
the return of the | 4 |
date of this manuscript | 4 |
in the arabesque manner | 4 |
are now in the | 4 |
of which there is | 4 |
classical manuscripts written with | 4 |
for the benefit of | 4 |
a duplicate of this | 4 |
of the second volume | 4 |
the fifteenth and sixteenth | 4 |
was built in the | 4 |
is not only the | 4 |
this copy to be | 4 |
very summit of the | 4 |
during the sixteenth century | 4 |
the benedictine monastery of | 4 |
library of trinity college | 4 |
the latter half of | 4 |
the most important of | 4 |
on a reduced scale | 4 |
me the honour of | 4 |
at a time when | 4 |
since the publication of | 4 |
of the eighth century | 4 |
which is in the | 4 |
an interesting example of | 4 |
books of the gospels | 4 |
was also used as | 4 |
works of art of | 4 |
copies were struck off | 4 |
the accounts of the | 4 |
a century after the | 4 |
but upon the whole | 4 |
monte sancto di dio | 4 |
books of this class | 4 |
the polish protestant bible | 4 |
the library in st | 4 |
by which we had | 3 |
proceed to give you | 3 |
the tomb of the | 3 |
top of the page | 3 |
on the completion of | 3 |
the like number of | 3 |
the lateness of the | 3 |
is on the recto | 3 |
by three inches and | 3 |
it is kept in | 3 |
along the upper part | 3 |
a ground of burnished | 3 |
british museum possesses a | 3 |
the cathedral of augsburg | 3 |
which seemed to be | 3 |
every now and then | 3 |
mention has been made | 3 |
the most exquisite workmanship | 3 |
not fewer than twenty | 3 |
number of manuscripts were | 3 |
on the lower margin | 3 |
general observations upon the | 3 |
in the cambridge university | 3 |
have good reason to | 3 |
the editio princeps of | 3 |
and it was agreed | 3 |
public library of this | 3 |
the largest in the | 3 |
was taken to paris | 3 |
of a very high | 3 |
of which the base | 3 |
catalogue of the library | 3 |
was not long in | 3 |
whole surface of the | 3 |
is executed in double | 3 |
for me to forget | 3 |
fifteen inches and a | 3 |
it had been the | 3 |
through to the other | 3 |
place of our destination | 3 |
is just possible that | 3 |
some three or four | 3 |
the pages of the | 3 |
at length we reached | 3 |
i found him in | 3 |
very small portion of | 3 |
is not of the | 3 |
last letter left me | 3 |
the vaudevires of olivier | 3 |
copy of the mazarine | 3 |
carried on in the | 3 |
are said to be | 3 |
a great many of | 3 |
the books of the | 3 |
it was quite dark | 3 |
for students of history | 3 |
of the department of | 3 |
manuscripts of the best | 3 |
not as a rule | 3 |
in her right hand | 3 |
the genius of the | 3 |
but one of the | 3 |
reverse of the same | 3 |
where else to be | 3 |
the figures are of | 3 |
covered with a profusion | 3 |
foliage of the trees | 3 |
on the walls of | 3 |
am not able to | 3 |
is perhaps the most | 3 |
author of the work | 3 |
in the back ground | 3 |
to be in good | 3 |
a small piece of | 3 |
are of rare occurrence | 3 |
the cuts are coloured | 3 |
richly illuminated manuscripts of | 3 |
the centre of this | 3 |
effect of which is | 3 |
that in the royal | 3 |
the period of congresses | 3 |
santa maria degli angeli | 3 |
suspect it to be | 3 |
the martyrdom of saint | 3 |
same as that of | 3 |
and illuminated in the | 3 |
fourteenth or fifteenth century | 3 |
and in one of | 3 |
upwards of one hundred | 3 |
twenty years of age | 3 |
in italy in the | 3 |
john and saint luke | 3 |
not readily forget the | 3 |
is the church of | 3 |
carriages of every description | 3 |
of gold and colour | 3 |
but my attention was | 3 |
be classed among the | 3 |
particularly deserving of attention | 3 |
possess a copy of | 3 |
never saw another copy | 3 |
to the cause of | 3 |
as may be the | 3 |
repaid the toil of | 3 |
the more ancient and | 3 |
to be the same | 3 |
by means of a | 3 |
the celebration of mass | 3 |
to be produced in | 3 |
once in the possession | 3 |
stone is of a | 3 |
to the use of | 3 |
in a straight line | 3 |
a large proportion of | 3 |
fragment of the book | 3 |
which is in red | 3 |
which the greater part | 3 |
this season of the | 3 |
is the work of | 3 |
a collection of prints | 3 |
not to be struck | 3 |
the study of the | 3 |
of an edition of | 3 |
of the twelfth and | 3 |
writing of the text | 3 |
speak a word of | 3 |
every feature of the | 3 |
which i have been | 3 |
is worthy of the | 3 |
now in the munich | 3 |
about two inches in | 3 |
in the side chapels | 3 |
the great beauty of | 3 |
of saint john and | 3 |
of the most famous | 3 |
of a group of | 3 |
we had just quitted | 3 |
large paper copy in | 3 |
perfect copy of it | 3 |
monastery of st martin | 3 |
convinced us that we | 3 |
in one of them | 3 |
the third volume is | 3 |
when we entered the | 3 |
of the marquis de | 3 |
place vendome and the | 3 |
the last in the | 3 |
attention was directed to | 3 |
was a native of | 3 |
of the champ de | 3 |
a figure of the | 3 |
which was written and | 3 |
less than half a | 3 |
very fine copy of | 3 |
the vellum is rather | 3 |
and the fine arts | 3 |
place before you a | 3 |
of livia on the | 3 |
to pay my respects | 3 |
but sound and perfect | 3 |
in the series of | 3 |
which was painted for | 3 |
is estimated at about | 3 |
bible of charles the | 3 |
of the benedictine abbey | 3 |
hotel of the crown | 3 |
used in the manuscripts | 3 |
the remains of an | 3 |
put in competition with | 3 |
is afforded by the | 3 |
the chief centres in | 3 |
with which they were | 3 |
much superior to any | 3 |
it may not be | 3 |
a fine genuine copy | 3 |
village and castle of | 3 |
of the bibliographical decameron | 3 |
of the reign of | 3 |
i shall never forget | 3 |
the first and last | 3 |
in the day time | 3 |
it will not be | 3 |
a very fine and | 3 |
may be so called | 3 |
the gallery at althorp | 3 |
especially in the fifteenth | 3 |
to present me with | 3 |
title is over a | 3 |
reverend thomas frognall dibdin | 3 |
of the library is | 3 |
is in truth a | 3 |
the same subject continued | 3 |
have been written and | 3 |
the same style of | 3 |
the rectos of the | 3 |
by the use of | 3 |
the progress of the | 3 |
fishery is carried on | 3 |
is a good deal | 3 |
representation of the agony | 3 |
from an eleventh century | 3 |
the most pleasing and | 3 |
martyrdom of saint benedicta | 3 |
reminded me of the | 3 |
a very high order | 3 |
in more senses than | 3 |
both in figure and | 3 |
one word of french | 3 |
book of hours in | 3 |
are not in the | 3 |
especially that of the | 3 |
it is very large | 3 |
thuileries and the louvre | 3 |
in one or the | 3 |
shall lead the way | 3 |
but i check myself | 3 |
leaf of the first | 3 |
it was impossible for | 3 |
twelfth century psalter in | 3 |
written on quaternions of | 3 |
at any rate it | 3 |
the cathedral church of | 3 |
the fact that the | 3 |
which appear to have | 3 |
in a later hand | 3 |
in the apse of | 3 |
the very commencement of | 3 |
of the cologne school | 3 |
style of art is | 3 |
that i did not | 3 |
for the public library | 3 |
what appeared to be | 3 |
is far from being | 3 |
the backgrounds of the | 3 |
and written in the | 3 |
part of the choir | 3 |
of the manuscripts of | 3 |
of santa maria degli | 3 |
body of the church | 3 |
the score of rarity | 3 |
helps for students of | 3 |
it is not only | 3 |
the better part of | 3 |
with the hope of | 3 |
in a quarto form | 3 |
before passing on to | 3 |
of st michael at | 3 |
an enthusiastic patron of | 3 |
it has a few | 3 |
do not seem to | 3 |
the second century a | 3 |
as works of art | 3 |
medal of louis xii | 3 |
side of the water | 3 |
is evident that the | 3 |
do not know that | 3 |
i had nothing to | 3 |
of the royal academy | 3 |
alley of the cloister | 3 |
the royal academy at | 3 |
of many of the | 3 |
in the immediate neighbourhood | 3 |
directly on to the | 3 |
of a mile from | 3 |
of the guild of | 3 |
birth of the virgin | 3 |
nave from the side | 3 |
i was of course | 3 |
spire of the cathedral | 3 |
should seem to have | 3 |
the mention of a | 3 |
of his left arm | 3 |
during the time of | 3 |
of about the same | 3 |
there was only one | 3 |
of great beauty and | 3 |
the adoration of the | 3 |
is a half length | 3 |
what may be considered | 3 |
measuring six inches and | 3 |
vie with that of | 3 |
it is a mere | 3 |
in our route to | 3 |
is the first time | 3 |
of saint cuthbert in | 3 |
one of the two | 3 |
am quite sure that | 3 |
in one of his | 3 |
the exterior of which | 3 |
under the influence of | 3 |
is the first edition | 3 |
public library at rouen | 3 |
the introduction of the | 3 |
such as the book | 3 |
a variety of description | 3 |
executed about the year | 3 |
i speak of the | 3 |
of the same metal | 3 |
to have been usual | 3 |
the order in which | 3 |
which are placed in | 3 |
we find that the | 3 |
this is a magnificent | 3 |
an opportunity of visiting | 3 |
of the greek hours | 3 |
public library at vire | 3 |
livia on the palatine | 3 |
one of which the | 3 |
meditations upon the life | 3 |
by the same printers | 3 |
the style of their | 3 |
of the finest style | 3 |
almost the whole of | 3 |
one half of the | 3 |
about four or five | 3 |
is by no means | 3 |
by the reverend thomas | 3 |
among the most magnificent | 3 |
but be struck with | 3 |
the rest of europe | 3 |
of the duke de | 3 |
as it was called | 3 |
this edition is printed | 3 |
the library of earl | 3 |
to the time of | 3 |
in the direction of | 3 |
have been produced in | 3 |
has been cruelly cropt | 3 |
the bodleian library at | 3 |
the sculptor of the | 3 |
and character of the | 3 |
corpus christi college at | 3 |
at the beginning and | 3 |
catalogue of his own | 3 |
surmounted by a small | 3 |
that it was of | 3 |
without date or name | 3 |
as it should be | 3 |
i returned to my | 3 |
in all its parts | 3 |
in some cases a | 3 |
be of the thirteenth | 3 |
to the very top | 3 |
from one of the | 3 |
faciendum literas capitales gloucas | 3 |
which we see in | 3 |
book of hours of | 3 |
in every respect the | 3 |
turned to the right | 3 |
was a sort of | 3 |
to say that the | 3 |
are written in a | 3 |
the synod of whitby | 3 |
but there was no | 3 |
take this to be | 3 |
when i was at | 3 |
i take this to | 3 |
letters of gold and | 3 |
which one is upon | 3 |
kneeling figure of the | 3 |
manuscripts of the finest | 3 |
an introduction to the | 3 |
telling me that he | 3 |
of the vaudevires of | 3 |
of its having been | 3 |
that of the emperor | 3 |
it measures twelve inches | 3 |
sense of the word | 3 |
of this subterraneous abode | 3 |
the first time in | 3 |
in five minutes i | 3 |
on the back of | 3 |
colours of all hues | 3 |
the one in the | 3 |
had once belonged to | 3 |
the examination of the | 3 |
in the memory of | 3 |
an account of it | 3 |
the stone is of | 3 |
i believe it to | 3 |
nothing less than the | 3 |
the high road from | 3 |
the vellum is also | 3 |
such a collection of | 3 |
only a portion of | 3 |
cut off by the | 3 |
best inn in the | 3 |
for the gallery at | 3 |
in which i have | 3 |
to be a copy | 3 |
is full of nature | 3 |
as it is called | 3 |
there are upwards of | 3 |
to mount to the | 3 |
as it did in | 3 |
of two or three | 3 |
an account of my | 3 |
an account of this | 3 |
not be displeased to | 3 |
as they were in | 3 |
by boiling down shreds | 3 |
the influence of manuscript | 3 |
and a quarter in | 3 |
head of william the | 3 |
part of the world | 3 |
from one side to | 3 |
on the conclusion of | 3 |
page from a book | 3 |
i had ever beheld | 3 |
a small portion of | 3 |
i fear it will | 3 |
where will you find | 3 |
eleven inches and a | 3 |
the edge of a | 3 |
the preceding is over | 3 |
to be a fine | 3 |
was difficult to say | 3 |
preceding is over a | 3 |
i suspect this copy | 3 |
the present seems to | 3 |
which is called the | 3 |
never been surpassed by | 3 |
a most extensive and | 3 |
for two or three | 3 |
the margin of the | 3 |
of the most elaborate | 3 |
monastery appears to have | 3 |
the tenth and eleventh | 3 |
the landlord of the | 3 |
front of the church | 3 |
to the press of | 3 |
always rains at salzburg | 3 |
the hither end of | 3 |
and to some extent | 3 |
the merits of the | 3 |
for a long period | 3 |
at the feet of | 3 |
the top of a | 3 |
manuscripts of the second | 3 |
which was executed in | 3 |
the midst of the | 3 |
to be the work | 3 |
the royal palace of | 3 |
is on the reverse | 3 |
it is on the | 3 |
it must have been | 3 |
in those of the | 3 |
much in the same | 3 |
consider it to be | 3 |
was to be done | 3 |
was largely used in | 3 |
it is intended to | 3 |
my first visit to | 3 |
on the outsides of | 3 |
it was only the | 3 |
there are comparatively few | 3 |
it was during the | 3 |
virgil of the vatican | 3 |
copy in the world | 3 |
manuscript of the ninth | 3 |
of the life and | 3 |
the express date of | 3 |
the champ de drap | 3 |
which could not be | 3 |
from the collection of | 3 |
in one of my | 3 |
of the previous edition | 3 |
copies in the public | 3 |
first glimpse of the | 3 |
what might this mean | 3 |
a visit to the | 3 |
favourite diane de poictiers | 3 |
not fail to strike | 3 |
office of the virgin | 3 |
the border is of | 3 |
to be a real | 3 |
is in the form | 3 |
as late as the | 3 |
and the other in | 3 |
use of gold and | 3 |
or rather to the | 3 |
not been able to | 3 |
have been built by | 3 |
thus we find that | 3 |
of the cathedral church | 3 |