This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
quadgram | frequency |
---|---|
a part of the | 80 |
of the eighteenth century | 57 |
one of the most | 57 |
is one of the | 54 |
the rest of the | 48 |
the top of the | 44 |
it is well to | 41 |
the lines of the | 39 |
the end of the | 38 |
at the same time | 38 |
it is necessary to | 35 |
the walls of the | 31 |
to be found in | 31 |
by the use of | 30 |
side of the house | 30 |
in the way of | 29 |
on the other hand | 29 |
as well as the | 28 |
the decoration of the | 27 |
one side of the | 27 |
the size of the | 27 |
by means of a | 27 |
front of the house | 26 |
there should be a | 25 |
the spirit of the | 25 |
in the case of | 24 |
in keeping with the | 24 |
the middle of the | 24 |
part of the house | 24 |
in harmony with the | 23 |
on either side of | 23 |
the edge of the | 23 |
the center of the | 23 |
the walls of a | 22 |
on each side of | 22 |
it must be remembered | 22 |
either side of the | 22 |
on the walls of | 22 |
the beauty of the | 21 |
be found in the | 21 |
of the house and | 21 |
a great deal of | 21 |
room in the house | 21 |
of one of the | 21 |
the rear of the | 20 |
the centre of the | 20 |
in the same way | 20 |
the design of the | 20 |
at the end of | 20 |
the use of the | 20 |
the character of the | 20 |
each side of the | 19 |
the living room the | 19 |
the sides of the | 19 |
the house was built | 19 |
on the opposite side | 19 |
there is no reason | 19 |
the use of a | 19 |
the front of the | 19 |
the time of louis | 19 |
the back of the | 19 |
the furniture of the | 19 |
in one of the | 19 |
it was not until | 18 |
the fact that the | 18 |
it is to be | 18 |
must be remembered that | 18 |
the seventeenth and eighteenth | 18 |
the style of the | 18 |
it will be found | 17 |
the top and bottom | 17 |
is to be used | 17 |
side of the room | 17 |
it is one of | 17 |
seventeenth and eighteenth centuries | 17 |
the left of the | 17 |
is by no means | 17 |
as well as in | 17 |
of the room is | 17 |
is no reason why | 17 |
end of the room | 17 |
it is possible to | 17 |
rooms of the house | 16 |
in the eighteenth century | 16 |
in the center of | 16 |
a great variety of | 16 |
it is better to | 16 |
of the house is | 16 |
two views of the | 16 |
to harmonize with the | 16 |
or it may be | 16 |
be used as a | 16 |
at the left of | 16 |
the colour of the | 15 |
it is easy to | 15 |
at the top of | 15 |
of william and mary | 15 |
at one side of | 15 |
there are so many | 15 |
of the living room | 15 |
when the house was | 15 |
in the use of | 15 |
be used in the | 15 |
to be used in | 15 |
the opposite side of | 15 |
the appearance of the | 15 |
will be necessary to | 15 |
this part of the | 15 |
in front of the | 15 |
the inside of the | 15 |
it will be necessary | 15 |
opposite side of the | 15 |
the side of the | 15 |
the room in which | 15 |
the treatment of the | 15 |
may be used in | 15 |
the beginning of the | 15 |
as a matter of | 14 |
as shown in the | 14 |
the right of the | 14 |
decoration of the room | 14 |
of the most beautiful | 14 |
the height of the | 14 |
in the decoration of | 14 |
in the middle ages | 14 |
to the use of | 14 |
the arrangement of the | 14 |
as a part of | 14 |
it will be seen | 14 |
at the right of | 14 |
and at the same | 14 |
with the exception of | 14 |
for the use of | 13 |
rest of the house | 13 |
a matter of fact | 13 |
the time of the | 13 |
the work of the | 13 |
part of the room | 13 |
the early part of | 13 |
with a view to | 13 |
the development of the | 13 |
of the same colour | 13 |
the head of the | 13 |
of the seventeenth century | 13 |
at the rear of | 13 |
of the nineteenth century | 13 |
the upper part of | 13 |
in the hands of | 12 |
it is not necessary | 12 |
of the wood and | 12 |
part of the decoration | 12 |
one end of the | 12 |
out of place in | 12 |
in the early days | 12 |
the color of the | 12 |
early part of the | 12 |
the thickness of the | 12 |
is shown in the | 12 |
a fine example of | 12 |
the dining room the | 12 |
it is impossible to | 12 |
but it must be | 12 |
scheme of the room | 12 |
at the top and | 12 |
it is best to | 12 |
is said to have | 11 |
the reign of louis | 11 |
with the rest of | 11 |
upper part of the | 11 |
in the form of | 11 |
the architecture of the | 11 |
is covered with a | 11 |
in the time of | 11 |
in france and england | 11 |
in the seventeenth century | 11 |
on account of the | 11 |
in such a way | 11 |
is to be found | 11 |
at the time of | 11 |
a room in which | 11 |
on the second floor | 11 |
that there is a | 11 |
the bottom of the | 11 |
will be seen that | 11 |
in the style of | 11 |
room in which the | 11 |
at right angles to | 11 |
of the room and | 11 |
of the seventeenth and | 11 |
will be found that | 11 |
it has already been | 11 |
of the present day | 11 |
was not until the | 11 |
size of the room | 11 |
in order that the | 11 |
the length of the | 11 |
and there is a | 11 |
if you have a | 10 |
a work of art | 10 |
for the sake of | 10 |
in the middle of | 10 |
there is a certain | 10 |
if the room is | 10 |
a good example of | 10 |
as i have said | 10 |
the style of louis | 10 |
of the time of | 10 |
the edges of the | 10 |
if there is a | 10 |
at the side of | 10 |
part of the wall | 10 |
rest of the room | 10 |
it is difficult to | 10 |
of the same period | 10 |
one of the first | 10 |
the dimensions of the | 10 |
the tone of the | 10 |
in the dining room | 10 |
in the midst of | 10 |
a piece of furniture | 10 |
be a part of | 10 |
louis xv and louis | 10 |
the effect of the | 10 |
may also be used | 10 |
the shape of the | 10 |
a few years ago | 10 |
are to be used | 10 |
to the fact that | 10 |
the first thing to | 10 |
may be used for | 10 |
as if it were | 10 |
it is by no | 10 |
of the room in | 10 |
the life of the | 10 |
of the sixteenth century | 10 |
the general scheme of | 10 |
xv and louis xvi | 10 |
at the head of | 10 |
of the most interesting | 10 |
be used for the | 10 |
the place of the | 10 |
to be used as | 10 |
on the first floor | 10 |
the lady of the | 10 |
in a room of | 10 |
a small quantity of | 10 |
in a small room | 10 |
time of louis xiv | 10 |
can be made to | 10 |
with a piece of | 10 |
in the nature of | 10 |
by the fact that | 10 |
and it is the | 10 |
the introduction of the | 9 |
should not be used | 9 |
the placing of the | 9 |
take the place of | 9 |
room of this kind | 9 |
walls of the room | 9 |
there is no doubt | 9 |
room in new york | 9 |
it should not be | 9 |
in such a case | 9 |
in a room with | 9 |
now used as a | 9 |
the nature of the | 9 |
the problem of the | 9 |
be of the same | 9 |
the opening of the | 9 |
so that they may | 9 |
should be allowed to | 9 |
of the room are | 9 |
it is quite possible | 9 |
the outside of the | 9 |
may be well to | 9 |
as soon as the | 9 |
may be found in | 9 |
the charm of the | 9 |
on the inside of | 9 |
in this room is | 9 |
are not to be | 9 |
and one or two | 9 |
at one end of | 9 |
of the hall is | 9 |
the interior of the | 9 |
that it may be | 9 |
the house has been | 9 |
rear of the house | 9 |
the manner in which | 9 |
and the living room | 9 |
in place of the | 9 |
at the farther end | 9 |
it may be well | 9 |
is used as a | 9 |
that it is a | 9 |
of the louis xvi | 9 |
walls are covered with | 9 |
that it should be | 9 |
details and dimensions for | 9 |
be in harmony with | 9 |
is a fine example | 9 |
is only necessary to | 9 |
in england and america | 9 |
in some of the | 9 |
is a matter of | 9 |
there is nothing more | 9 |
it is only necessary | 9 |
in the early part | 9 |
is not necessary to | 9 |
is no doubt that | 8 |
at the front of | 8 |
the form of the | 8 |
of the old house | 8 |
in the matter of | 8 |
the details of the | 8 |
makes it possible to | 8 |
from the fact that | 8 |
in a new york | 8 |
be taken into account | 8 |
in the centre of | 8 |
it must not be | 8 |
the body of the | 8 |
the greater part of | 8 |
views of the living | 8 |
the surface of the | 8 |
was used as a | 8 |
and it is a | 8 |
the house and the | 8 |
one of the chief | 8 |
as part of the | 8 |
there is a great | 8 |
the home of the | 8 |
shown in the illustration | 8 |
the salon de compagnie | 8 |
they are to be | 8 |
it is evident that | 8 |
of the colonial period | 8 |
it is in the | 8 |
the walls are covered | 8 |
members of the family | 8 |
care should be taken | 8 |
decoration of a room | 8 |
walls of a room | 8 |
in the shape of | 8 |
in this case the | 8 |
that there is no | 8 |
the louis xvi period | 8 |
the level of the | 8 |
in addition to the | 8 |
a certain amount of | 8 |
is a part of | 8 |
in the same manner | 8 |
in order to give | 8 |
as one of the | 8 |
it was in the | 8 |
this is one of | 8 |
there was a great | 8 |
the case of the | 8 |
the color scheme of | 8 |
of the italian renaissance | 8 |
may be made from | 8 |
are covered with a | 8 |
an important part of | 8 |
can be used in | 8 |
of the fifteenth century | 8 |
the foot of the | 8 |
it is a good | 8 |
of some of the | 8 |
the line of the | 8 |
a chest of drawers | 8 |
good state of preservation | 8 |
it will be noticed | 8 |
be remembered that the | 8 |
with that of the | 8 |
it was natural that | 8 |
the main lines of | 8 |
end of the eighteenth | 8 |
to do with the | 8 |
interior of the house | 8 |
the rooms of the | 8 |
of the art of | 8 |
are to be found | 8 |
important part of the | 8 |
on the back of | 8 |
old french and italian | 8 |
in the colony club | 8 |
in the present day | 8 |
the decoration of a | 8 |
general scheme of decoration | 8 |
must be taken into | 8 |
that is to be | 8 |
will be noticed that | 8 |
next step is to | 8 |
mortise and tenon joints | 8 |
the corner of the | 8 |
be noticed that the | 8 |
nothing can be more | 8 |
much of the furniture | 8 |
where the walls are | 8 |
the width of the | 8 |
two of the chambers | 8 |
the purpose for which | 8 |
other parts of the | 7 |
it should be noted | 7 |
be covered with a | 7 |
rooms in the house | 7 |
of the colonial type | 7 |
the walls have been | 7 |
the pores of the | 7 |
as illustrated in the | 7 |
it would not be | 7 |
in a small house | 7 |
in the process of | 7 |
takes the place of | 7 |
one room to another | 7 |
each end of the | 7 |
of the most important | 7 |
which are to be | 7 |
it would be a | 7 |
right angles to the | 7 |
center of the room | 7 |
of black and white | 7 |
in regard to the | 7 |
to the spirit of | 7 |
from the time of | 7 |
to the size of | 7 |
of the modern house | 7 |
that can be used | 7 |
of the decoration of | 7 |
but it is a | 7 |
well as in the | 7 |
the part of the | 7 |
is a good example | 7 |
a room of this | 7 |
in the production of | 7 |
that they may be | 7 |
it would have been | 7 |
of the present century | 7 |
which is at the | 7 |
in the ducal palace | 7 |
lady of the lake | 7 |
the ends of the | 7 |
by the side of | 7 |
to do is to | 7 |
pores of the wood | 7 |
by no means a | 7 |
what is known as | 7 |
be seen in the | 7 |
the plan of the | 7 |
and some of the | 7 |
the next step is | 7 |
end of the hall | 7 |
it may be a | 7 |
color scheme of the | 7 |
in the history of | 7 |
covered with the same | 7 |
the house was first | 7 |
in the reign of | 7 |
is now used as | 7 |
are found in the | 7 |
as well as to | 7 |
development of the modern | 7 |
room is to be | 7 |
under the name of | 7 |
in the treatment of | 7 |
thing to do is | 7 |
the comfort of the | 7 |
on the ground floor | 7 |
as well as a | 7 |
greater part of the | 7 |
or one of the | 7 |
the use of wall | 7 |
style of louis xv | 7 |
odds and ends of | 7 |
if the house is | 7 |
it is hardly necessary | 7 |
the fitness of things | 7 |
the furniture and the | 7 |
from one room to | 7 |
the addition of a | 7 |
in my own house | 7 |
the effect of a | 7 |
it is the same | 7 |
part of the process | 7 |
in which they are | 7 |
effect of the room | 7 |
one of the best | 7 |
in spite of the | 7 |
may be made to | 7 |
the name of the | 7 |
used in the room | 7 |
main part of the | 7 |
a few of the | 7 |
the influence of the | 7 |
treatment of the walls | 7 |
carried out in the | 7 |
on a white ground | 7 |
in the upper part | 7 |
there are dozens of | 7 |
the hands of a | 7 |
in the chapter on | 7 |
of the room by | 7 |
is the result of | 7 |
it is not a | 7 |
during the reign of | 7 |
as a background for | 7 |
at the foot of | 7 |
can be used for | 7 |
the louis xv period | 7 |
it was decided to | 7 |
so that it is | 7 |
side of the hall | 7 |
on the top of | 7 |
on the side of | 7 |
lines of a room | 7 |
the corners of the | 7 |
it is interesting to | 7 |
for the purpose of | 7 |
in the fifteenth century | 7 |
in the drawing room | 7 |
during the summer months | 7 |
is hardly necessary to | 7 |
it is a very | 7 |
of course there are | 6 |
may be obtained by | 6 |
of place in a | 6 |
in such a room | 6 |
be found that the | 6 |
a reproduction of an | 6 |
of black and gold | 6 |
this room is a | 6 |
said to have been | 6 |
the finish of the | 6 |
views of the dining | 6 |
the room is to | 6 |
of the house the | 6 |
with regard to the | 6 |
it is a most | 6 |
for the exercise of | 6 |
in the course of | 6 |
to be regarded as | 6 |
of the house in | 6 |
the period of the | 6 |
at each end of | 6 |
be treated as a | 6 |
of the walls and | 6 |
for a long time | 6 |
it is also a | 6 |
may be used with | 6 |
in a room where | 6 |
it is hard to | 6 |
all the year round | 6 |
one of the great | 6 |
the grain of the | 6 |
the way of furniture | 6 |
the story of the | 6 |
in many of the | 6 |
the boys and girls | 6 |
in which it is | 6 |
the best of the | 6 |
a good state of | 6 |
may be made of | 6 |
a background for the | 6 |
the atmosphere of the | 6 |
and the dining room | 6 |
part of the nineteenth | 6 |
from the main road | 6 |
and objects of art | 6 |
from time to time | 6 |
it is certain that | 6 |
so that there is | 6 |
to be used for | 6 |
come down to us | 6 |
at top and bottom | 6 |
and one of the | 6 |
in the living room | 6 |
and it is often | 6 |
feature of the house | 6 |
two and a half | 6 |
as much as possible | 6 |
the furniture should be | 6 |
not be used in | 6 |
no reason why the | 6 |
is made up of | 6 |
the hangings are of | 6 |
of the furniture of | 6 |
to make use of | 6 |
from the top of | 6 |
out of the question | 6 |
first thing to do | 6 |
was one of the | 6 |
one of the many | 6 |
to the number of | 6 |
such a way as | 6 |
the position of the | 6 |
in relation to the | 6 |
as in all other | 6 |
the main part of | 6 |
the location of the | 6 |
the fact that it | 6 |
shown in the drawing | 6 |
and there is no | 6 |
a large part of | 6 |
is apt to be | 6 |
have come to us | 6 |
in the homes of | 6 |
of the dining room | 6 |
in this case it | 6 |
the design may be | 6 |
the first step in | 6 |
in the same room | 6 |
that it would be | 6 |
it can be made | 6 |
that are to be | 6 |
the furniture of a | 6 |
the needs of the | 6 |
the floor should be | 6 |
the hands of the | 6 |
the house from the | 6 |
furniture and objects of | 6 |
used for this purpose | 6 |
seems to be the | 6 |
to the comfort of | 6 |
the decorative treatment of | 6 |
where there is a | 6 |
the slope of the | 6 |
of the fact that | 6 |
it was necessary to | 6 |
it for granted that | 6 |
the main building and | 6 |
of the style of | 6 |
there are a few | 6 |
there are a number | 6 |
of the house as | 6 |
goes without saying that | 6 |
the age of the | 6 |
thickness of the wall | 6 |
a room in a | 6 |
on the other side | 6 |
that they cannot be | 6 |
during the sixteenth century | 6 |
a good deal of | 6 |
every room in the | 6 |
has been converted into | 6 |
the exception of the | 6 |
and finished with a | 6 |
was found to be | 6 |
as well as for | 6 |
still on the walls | 6 |
the paper on the | 6 |
i have seen a | 6 |
may be used as | 6 |
there is a little | 6 |
in the art of | 6 |
the walls are hung | 6 |
is known as the | 6 |
an old house in | 6 |
in the second story | 6 |
may be seen in | 6 |
the privacy of the | 6 |
be said that the | 6 |
the walls and ceiling | 6 |
there has been a | 6 |
there is also a | 6 |
it is desired to | 6 |
at the expense of | 6 |
a feature of the | 6 |
for the living room | 6 |
the history of the | 6 |
say nothing of the | 6 |
in the arrangement of | 6 |
to see that the | 6 |
in the days when | 6 |
lines of the furniture | 6 |
has been painted white | 6 |
of the colony club | 6 |
of the furniture and | 6 |
a line with the | 6 |
in order to make | 6 |
in the sixteenth century | 6 |
the condition of the | 6 |
the roof of the | 6 |
style of louis xvi | 6 |
it goes without saying | 6 |
it was found that | 6 |
will be able to | 6 |
the furnishing of a | 6 |
to say nothing of | 6 |
grain of the wood | 6 |
on account of its | 6 |
as if it had | 6 |
used in a room | 6 |
of the model house | 6 |
the living room and | 6 |
so that it will | 6 |
of this kind is | 6 |
the form of a | 6 |
in the first place | 6 |
with the spirit of | 6 |
the same style of | 6 |
there must be a | 6 |
the floor is covered | 6 |
arrangement of the furniture | 6 |
same colour as the | 6 |
the treatment of walls | 6 |
it is far better | 6 |
in a large house | 6 |
but it is not | 6 |
for which they were | 6 |
as has already been | 6 |
is to have the | 6 |
call attention to the | 6 |
keep in mind the | 6 |
reproduction of an old | 6 |
there are hundreds of | 6 |
with the idea of | 6 |
the renaissance in italy | 6 |
the latter part of | 6 |
that they can be | 6 |
in accordance with the | 6 |
the walls are of | 6 |
be used in a | 6 |
be seen that the | 6 |
by means of the | 6 |
italian louis xvi salon | 6 |
on one side of | 6 |
if it is a | 6 |
the way in which | 5 |
is possible to get | 5 |
to the needs of | 5 |
the room is the | 5 |
the addition of the | 5 |
point of view of | 5 |
some of them are | 5 |
the early eighteenth century | 5 |
this is not a | 5 |
will need to be | 5 |
in the process is | 5 |
side of the fireplace | 5 |
a thin coat of | 5 |
be sure that you | 5 |
of the reign of | 5 |
there is an old | 5 |
are shown in the | 5 |
a corner of the | 5 |
they should be of | 5 |
be hoped that the | 5 |
feet from the floor | 5 |
the furniture for the | 5 |
has been made to | 5 |
on the opposite wall | 5 |
treatment of a room | 5 |
with the period of | 5 |
a good way to | 5 |
in the general scheme | 5 |
should be used in | 5 |
any one who has | 5 |
which may be used | 5 |
it may be of | 5 |
care being taken to | 5 |
of the great periods | 5 |
and chests of drawers | 5 |
the washington irving house | 5 |
care must be taken | 5 |
in the accompanying drawing | 5 |
they should not be | 5 |
should be treated with | 5 |
the one on the | 5 |
on the sunny side | 5 |
the colour of a | 5 |
the floor of the | 5 |
another side of room | 5 |
out the idea of | 5 |
as a means of | 5 |
until the beginning of | 5 |
its relation to the | 5 |
should be of a | 5 |
some of the best | 5 |
the time the house | 5 |
rooms of this kind | 5 |
was divided into two | 5 |
so placed as to | 5 |
the reign of henry | 5 |
between the kitchen and | 5 |
for the display of | 5 |
to point out that | 5 |
took the place of | 5 |
the same colour scheme | 5 |
is for this reason | 5 |
which the walls are | 5 |
is found in the | 5 |
other part of the | 5 |
is a sort of | 5 |
to add to the | 5 |
the kitchen and the | 5 |
in a great variety | 5 |
in a large room | 5 |
of the work of | 5 |
height of the room | 5 |
what is called the | 5 |
adds much to the | 5 |
the dining room at | 5 |
art of interior decoration | 5 |
the best examples of | 5 |
of the chambers the | 5 |
the composition of the | 5 |
should be noted that | 5 |
was a great deal | 5 |
in this part of | 5 |
painted to match the | 5 |
the colour scheme is | 5 |
on one of the | 5 |
parts of the house | 5 |
the head and foot | 5 |
is necessary to have | 5 |
mistress of the house | 5 |
we come to the | 5 |
the same kind of | 5 |
it may be made | 5 |
of the house has | 5 |
be said to be | 5 |
of the use of | 5 |
give the impression of | 5 |
though they may be | 5 |
the old house and | 5 |
during the time of | 5 |
in the selection of | 5 |
the requirements of the | 5 |
into the hands of | 5 |
of the old french | 5 |
a louis xvi room | 5 |
to be made in | 5 |
in the room is | 5 |
furnishing of a house | 5 |
the result of the | 5 |
is a mixture of | 5 |
should not be too | 5 |
in view of the | 5 |
in a country house | 5 |
the other side of | 5 |
in conformity with the | 5 |
an integral part of | 5 |
it should be a | 5 |
in the old house | 5 |
and it should be | 5 |
sense of the word | 5 |
time of louis xvi | 5 |
a sheet of plate | 5 |
the removal of the | 5 |
in connection with the | 5 |
head of the bed | 5 |
in the manner of | 5 |
to produce the desired | 5 |
has been carried out | 5 |
the owner of the | 5 |
is shown by the | 5 |
a small piece of | 5 |
the under side of | 5 |
is far better to | 5 |
dining room at the | 5 |
the chest of drawers | 5 |
is necessary to make | 5 |
main lines of the | 5 |
step in the process | 5 |
the architectural lines of | 5 |
of a house is | 5 |
to be finished in | 5 |
in the days of | 5 |
the table and chairs | 5 |
of objects of art | 5 |
the adventures of telemachus | 5 |
eighteenth century in england | 5 |
but there is no | 5 |
that have come to | 5 |
is a good plan | 5 |
construction details and dimensions | 5 |
the furniture is of | 5 |
a room must be | 5 |
one of the rooms | 5 |
the limitations of the | 5 |
is a question of | 5 |
the franklin brett house | 5 |
latter part of the | 5 |
are fortunate enough to | 5 |
a way as to | 5 |
should never be used | 5 |
the decorations of the | 5 |
form a part of | 5 |
it possible to use | 5 |
the eighteenth century the | 5 |
is quite possible to | 5 |
coloured to match the | 5 |
are a part of | 5 |
flat against the wall | 5 |
the scope of this | 5 |
in the proportion of | 5 |
in order to be | 5 |
well to remember that | 5 |
owner of the house | 5 |
in the wall paper | 5 |
a knowledge of the | 5 |
a portion of the | 5 |
the time of william | 5 |
the general effect of | 5 |
room in a house | 5 |
carried out in all | 5 |
toward the end of | 5 |
part of the building | 5 |
out in all the | 5 |
of the fine old | 5 |
at the time the | 5 |
part of the garden | 5 |
to correspond with the | 5 |
of light and shade | 5 |
well as for the | 5 |
and that is the | 5 |
left of the hallway | 5 |
the proportions of the | 5 |
see to it that | 5 |
should be of the | 5 |
used in place of | 5 |
what may be called | 5 |
care should be exercised | 5 |
time of james i | 5 |
of the house was | 5 |
to match the stain | 5 |
in the choice of | 5 |
some of the most | 5 |
of the queen anne | 5 |
of light and air | 5 |
the first step is | 5 |
if it is to | 5 |
to the character of | 5 |
be sure that the | 5 |
back from the road | 5 |
the wall space is | 5 |
furniture of this kind | 5 |
part of the old | 5 |
of this room is | 5 |
nothing to be desired | 5 |
may be placed on | 5 |
be regarded as a | 5 |
piece of furniture is | 5 |
by the adam brothers | 5 |
for the most part | 5 |
the dark and light | 5 |
as it was called | 5 |
relation to each other | 5 |
are a number of | 5 |
room of the house | 5 |
well suited to the | 5 |
it should always be | 5 |
the robert spencer house | 5 |
in the home of | 5 |
for the decoration of | 5 |
the sunny side of | 5 |
and it is this | 5 |
at the back of | 5 |
the apparent size of | 5 |
sheet of plate glass | 5 |
against a background of | 5 |
furniture of the time | 5 |
in color and design | 5 |
no reason why a | 5 |
it is essential to | 5 |
other side of the | 5 |
may be of the | 5 |
the angle of the | 5 |
carried up to the | 5 |
the same general lines | 5 |
of one or two | 5 |
this is especially true | 5 |
to be hoped that | 5 |
the frame of the | 5 |
dining room the dining | 5 |
side of the road | 5 |
illustrated in the accompanying | 5 |
broken into panels by | 5 |
of this kind in | 5 |
the face of the | 5 |
should be taken to | 5 |
of the tudor period | 5 |
there is a large | 5 |
in line with the | 5 |
every piece of furniture | 5 |
the last few years | 5 |
which they are to | 5 |
here and there a | 5 |
with the addition of | 5 |
the fact that a | 5 |
under side of the | 5 |
the eighteenth century in | 5 |
lines of the design | 5 |
within the scope of | 5 |
it is obvious that | 5 |
such a way that | 5 |
to the requirements of | 5 |
feature of the room | 5 |
seem to have been | 5 |
h and l hinges | 5 |
the panels of the | 5 |
middle of the eighteenth | 5 |
to make a room | 5 |
the time of james | 5 |
with an eye to | 5 |
the houses of the | 5 |
to one of the | 5 |
the technical high school | 5 |
there is a general | 5 |
and it is well | 5 |
under the head of | 5 |
still to be seen | 5 |
corner of the room | 5 |
with due regard to | 5 |
harmony with the rest | 5 |
be one of the | 5 |
be so placed as | 5 |
stained to match the | 5 |
for this reason that | 5 |
on the part of | 5 |
this is a very | 5 |
this can be done | 5 |
there is to be | 5 |
the better class of | 5 |
if the walls are | 5 |
illustrated in the drawing | 5 |
house was first purchased | 5 |
and this may be | 5 |
in the old days | 5 |
is used for the | 5 |
the process is to | 5 |
a house should be | 5 |
about of an inch | 5 |
so placed that the | 5 |
be well to add | 5 |
old pieces of furniture | 5 |
room in the colony | 5 |
a view to the | 5 |
it is almost impossible | 5 |
of the room was | 5 |
are used in the | 5 |
the art of interior | 5 |
in order to obtain | 5 |
take it for granted | 5 |
should be made of | 5 |
the sixteenth and seventeenth | 5 |
i do not mean | 5 |
is finished with a | 5 |
some of them have | 5 |
is due to the | 5 |
of the house to | 5 |
integral part of the | 5 |
in its relation to | 5 |
is to be hoped | 5 |
an inch from the | 5 |
there is danger of | 5 |
of furniture to be | 5 |
by one of the | 5 |
should be used for | 5 |
whenever it is possible | 5 |
is interesting to note | 5 |
the house should be | 5 |
you may be sure | 5 |
sunny side of the | 5 |
be used on the | 5 |
the same colour as | 5 |
of stone or marble | 5 |
with a background of | 5 |
many of these old | 5 |
to serve as a | 5 |
should be covered with | 5 |
in this room are | 5 |
the hall is the | 5 |
and it will be | 5 |
in the villa vertemati | 5 |
come to us from | 5 |
of of an inch | 5 |
it is important that | 5 |
to that of the | 5 |
so that it may | 5 |
the period in which | 5 |
has already been said | 4 |
of the furniture is | 4 |
be taken from the | 4 |
as well as of | 4 |
the setting of the | 4 |
a return to the | 4 |
be placed so that | 4 |
very much the same | 4 |
not only for the | 4 |
of the old building | 4 |
of the work on | 4 |
room and the dining | 4 |
is a mistake to | 4 |
of the same tint | 4 |
in the minds of | 4 |
under the direction of | 4 |
is to make the | 4 |
into the d harness | 4 |
the construction of the | 4 |
walter scott hopkins house | 4 |
it was possible to | 4 |
been given to the | 4 |
it is a mistake | 4 |
a matter of personal | 4 |
to the decoration of | 4 |
the possibilities of the | 4 |
to the subject of | 4 |
to go to the | 4 |
the remodeling of a | 4 |
an old cape cod | 4 |
if the hall is | 4 |
from the rest of | 4 |
be placed near the | 4 |
also be used in | 4 |
to have been the | 4 |
but as a rule | 4 |
will have to be | 4 |
the cultivation of tea | 4 |
has led to the | 4 |
in the fourteenth century | 4 |
of the sliding door | 4 |
room in star rock | 4 |
walls and ceiling are | 4 |
at a time when | 4 |
i can think of | 4 |
and most of the | 4 |
without regard to the | 4 |
with the colour of | 4 |
of the rooms in | 4 |
nine cases out of | 4 |
straight lines of the | 4 |
the old fireplace has | 4 |
the colony club i | 4 |
it is not the | 4 |
law of adaptation to | 4 |
is that they are | 4 |
which can be used | 4 |
restored to its original | 4 |
it is desirable to | 4 |
no part of the | 4 |
table at the head | 4 |
must not be forgotten | 4 |
architectural lines of the | 4 |
it may be used | 4 |
on a level with | 4 |
for the top and | 4 |
and it was not | 4 |
done away with the | 4 |
and it has been | 4 |
the walls are treated | 4 |
the centre of one | 4 |
top of the wall | 4 |
not only in the | 4 |
be careful not to | 4 |
is safe to say | 4 |
to return to the | 4 |
things in the world | 4 |
part of the work | 4 |
scope of this book | 4 |
and for this reason | 4 |
in the average modern | 4 |
and a great deal | 4 |
is almost impossible to | 4 |
the mistress of the | 4 |
the exterior of the | 4 |
was replaced by a | 4 |
edge of the glass | 4 |
the period of louis | 4 |
the home of mr | 4 |
of the same tone | 4 |
the owners of the | 4 |
on the outside of | 4 |
to the time of | 4 |
in new york apartment | 4 |
the introduction of a | 4 |
it is worth while | 4 |
been added to the | 4 |
new york duplex apartment | 4 |
is much the same | 4 |
it is finished in | 4 |
william and mary period | 4 |
an instance of the | 4 |
has been utilized for | 4 |
on a ground of | 4 |
should be cut out | 4 |
which was built in | 4 |
a combination of the | 4 |
so that they will | 4 |
it is only in | 4 |
the design for the | 4 |
side of same room | 4 |
there would be a | 4 |
the last years of | 4 |
beauty of the wood | 4 |
the manner of the | 4 |
had to be made | 4 |
lighted by many windows | 4 |
beginning of the present | 4 |
to the house and | 4 |
the fact that they | 4 |
by no means necessary | 4 |
of louis xv and | 4 |
house in new york | 4 |
may be covered with | 4 |
has been added at | 4 |
the law of appropriateness | 4 |
there was always a | 4 |
and at one end | 4 |
and there are many | 4 |
room and has been | 4 |
great care must be | 4 |
for which they are | 4 |
on a line with | 4 |
must be made of | 4 |
the structure of the | 4 |
to the question of | 4 |
each side of it | 4 |
in the sense of | 4 |
this is to be | 4 |
a great variety in | 4 |
the colouring of the | 4 |
until the end of | 4 |
so as not to | 4 |
both sides of the | 4 |
old fireplace has been | 4 |
chief features of the | 4 |
the principles of decoration | 4 |
purpose for which they | 4 |
the curtains hung from | 4 |
were used on the | 4 |
it is just as | 4 |
it will not be | 4 |
the panelling of the | 4 |
it is not always | 4 |
the joy of life | 4 |
placed at right angles | 4 |
if you are planning | 4 |
of one side of | 4 |
that it has been | 4 |
it is for this | 4 |
be applied to the | 4 |
should always be served | 4 |
the work on the | 4 |
in such a position | 4 |
a room done in | 4 |
in rooms of any | 4 |
be drawn at night | 4 |
relation to the other | 4 |
into one of the | 4 |
the house is of | 4 |
enough to hold a | 4 |
of the man who | 4 |
of the evolution of | 4 |
of the house a | 4 |
will do much to | 4 |
which made it possible | 4 |
in a room should | 4 |
room is the dining | 4 |
one or the other | 4 |
may be easily obtained | 4 |
of the same office | 4 |
of the last century | 4 |
this room is the | 4 |
more in keeping with | 4 |
of colour in a | 4 |
there are no pictures | 4 |
from the standpoint of | 4 |
with which it is | 4 |
birds of paradise and | 4 |
it is intended to | 4 |
it may be said | 4 |
in which the house | 4 |
is easy to see | 4 |
which is to be | 4 |
the furnishing of the | 4 |
there will be no | 4 |
house was to be | 4 |
with the character of | 4 |
in the size of | 4 |
the ducal palace at | 4 |
until the time of | 4 |
to which it is | 4 |
of such a room | 4 |
pieces of furniture were | 4 |
was a part of | 4 |
what might be called | 4 |
not be able to | 4 |
a certain number of | 4 |
can be made of | 4 |
the living room two | 4 |
there are many kinds | 4 |
one on each side | 4 |
of a series of | 4 |
the work of construction | 4 |
to the eye and | 4 |
the subject of the | 4 |
manner in which the | 4 |
in good condition and | 4 |
has been built with | 4 |
of the straight line | 4 |
the place of honor | 4 |
in the better class | 4 |
to say that the | 4 |
furnishing of this room | 4 |
a motif from the | 4 |
but it may be | 4 |
in order to show | 4 |
nothing could be more | 4 |
treatment of a very | 4 |
already been said that | 4 |
it is quite impossible | 4 |
be so placed that | 4 |
the side of a | 4 |
of the different rooms | 4 |
it is as much | 4 |
here and there in | 4 |
to the general effect | 4 |
reign of louis xiv | 4 |
in the section on | 4 |
top of the room | 4 |
out of the way | 4 |
as possible to the | 4 |
the windows of the | 4 |
that even in the | 4 |
the hangings of the | 4 |
to be seen in | 4 |
living room the living | 4 |
but there are many | 4 |
every part of the | 4 |
be placed against the | 4 |
should be placed so | 4 |
the result of this | 4 |
of a room must | 4 |
is sure to be | 4 |
were a part of | 4 |
effect may be produced | 4 |
make the best of | 4 |
a large number of | 4 |
in line and colour | 4 |
is likely to be | 4 |
blues and greens and | 4 |
attention was paid to | 4 |
rear of the living | 4 |
for this part of | 4 |
a good plan to | 4 |
the planning of the | 4 |
the stock for the | 4 |
should consist of a | 4 |
the space between the | 4 |
are one of the | 4 |
that it is the | 4 |
a new york house | 4 |
between the two windows | 4 |
the walls may be | 4 |
from the under side | 4 |
with a sense of | 4 |
one of the old | 4 |
room at the left | 4 |
to be the most | 4 |
the true spirit of | 4 |
must never be forgotten | 4 |
it would be well | 4 |
from which it is | 4 |
age of the house | 4 |
the best period of | 4 |
be used with great | 4 |
house that has been | 4 |
the davenport brown house | 4 |
chairs and tables of | 4 |
at the left is | 4 |
in italy and france | 4 |
large enough to hold | 4 |
a room of average | 4 |
distribution of the work | 4 |
are to be had | 4 |
there is no more | 4 |
is well to remember | 4 |
in the olden times | 4 |
to keep in mind | 4 |
and many of the | 4 |
when not in use | 4 |
in an old farmhouse | 4 |
by the present owner | 4 |
designed and made by | 4 |
atmosphere of the room | 4 |
a considerable number of | 4 |
on a cream ground | 4 |
the rooms in which | 4 |
it is to this | 4 |
furnishings of the room | 4 |
sixteenth and seventeenth centuries | 4 |
they may be made | 4 |
in the furnishing of | 4 |
along the edge of | 4 |
hall in city house | 4 |
see that it is | 4 |
of adaptation to purpose | 4 |
been added at the | 4 |
the top of a | 4 |
the same time be | 4 |
by the size of | 4 |
the chief feature of | 4 |
the case is different | 4 |
in black and white | 4 |
period of louis xvi | 4 |
in order to secure | 4 |
came to the throne | 4 |
and the walls are | 4 |
more formal than the | 4 |
and there in the | 4 |
that many of the | 4 |
is to be made | 4 |
beauty of line and | 4 |
great periods of decoration | 4 |
it is only by | 4 |
so as to be | 4 |
on a piece of | 4 |
it is true that | 4 |
means of access to | 4 |
be made in the | 4 |
although it is not | 4 |
used a great deal | 4 |
through the centre of | 4 |
in the accompanying drawings | 4 |
and there must be | 4 |
there is a beautiful | 4 |
it may be that | 4 |
top of the window | 4 |
that it is in | 4 |
that is to say | 4 |
lines of the room | 4 |
is also a good | 4 |
a room which is | 4 |
the characteristics of the | 4 |
as indicated in the | 4 |
in the thickness of | 4 |
curtains at the windows | 4 |
avoid the use of | 4 |
is carried out in | 4 |
of the entrance hall | 4 |
plan of the room | 4 |
up to the cornice | 4 |
woven in one piece | 4 |
the architectural treatment of | 4 |
placed on the table | 4 |
due to the fact | 4 |
and covered with a | 4 |
is it to be | 4 |
to match the woodwork | 4 |
should be kept in | 4 |
were built into the | 4 |
the height of a | 4 |
if the furniture is | 4 |
if your rooms are | 4 |
a reproduction of a | 4 |
should be plenty of | 4 |
is placed in the | 4 |
is the fact that | 4 |
tudor and jacobean periods | 4 |
seats and backs of | 4 |
it is no longer | 4 |
the shell of the | 4 |
may not be able | 4 |
the problem of design | 4 |
chairs and sofas and | 4 |
to make sure that | 4 |
the cornice of the | 4 |
applied with a brush | 4 |
of the louis xv | 4 |
the model house the | 4 |
to the consistency of | 4 |
of the beauty of | 4 |
an object of art | 4 |
the paper was put | 4 |
or two of the | 4 |
from the centre of | 4 |
the chief features of | 4 |
in the rear of | 4 |
the world has known | 4 |
that they should be | 4 |
and other pieces of | 4 |
careful study of the | 4 |
so far as the | 4 |
have come down to | 4 |
fact that it is | 4 |
in the neighbourhood of | 4 |
are said to be | 4 |
our sense of the | 4 |
more restful in effect | 4 |
hardly necessary to say | 4 |
side of the chimney | 4 |
the decorative scheme of | 4 |
been converted into a | 4 |
was placed in the | 4 |
ceased to be a | 4 |
living room and the | 4 |
the process of construction | 4 |
it is not so | 4 |
has already been pointed | 4 |
is not to be | 4 |
floor is covered with | 4 |
the plans of the | 4 |
the room and the | 4 |
the room should be | 4 |
may be used to | 4 |
of chairs and sofas | 4 |
in such good condition | 4 |
the purposes for which | 4 |
should be placed near | 4 |
in addition to this | 4 |
and the floor is | 4 |
this piece of furniture | 4 |
there is a charming | 4 |
than it really is | 4 |
in our sense of | 4 |
walls are hung with | 4 |
remodeling of a farmhouse | 4 |
it possible to have | 4 |
but it will be | 4 |
as a sort of | 4 |
divided into two parts | 4 |
rest of the furniture | 4 |
be kept out of | 4 |
spirit of the old | 4 |
are many kinds of | 4 |
the result of a | 4 |
another example of the | 4 |
of a pair of | 4 |
in common with the | 4 |
and it is only | 4 |
as in the case | 4 |
there should be plenty | 4 |
the weaving of the | 4 |
the regency and louis | 4 |
may be made by | 4 |
in order that it | 4 |
library of louis xvi | 4 |
is best to use | 4 |
the salon de famille | 4 |
all parts of the | 4 |
an italian louis xvi | 4 |
it must never be | 4 |
complete body of architecture | 4 |
room in which it | 4 |
of the entrance door | 4 |
that where there is | 4 |
and it is not | 4 |
the curve of the | 4 |
there can be no | 4 |
as far as the | 4 |
top of the plate | 4 |
permission of the butterick | 4 |
it is curious to | 4 |
the house is a | 4 |
was used in the | 4 |
pointed out that the | 4 |
it may be the | 4 |
part of the eighteenth | 4 |
may be served with | 4 |
the time of its | 4 |
in the discussion of | 4 |
the creation of a | 4 |
in white with a | 4 |
we have in mind | 4 |
sides of the room | 4 |
are by no means | 4 |
was cut in the | 4 |
in the right place | 4 |
were made for the | 4 |
the art of decoration | 4 |
head and foot boards | 4 |
to the best advantage | 4 |
with the style of | 4 |
of these old houses | 4 |
of a piece of | 4 |
by permission of the | 4 |
goes a long way | 4 |
a careful study of | 4 |
be placed in the | 4 |
regency and louis xv | 4 |
in the development of | 4 |
is quite impossible to | 4 |
the decorative effect of | 4 |
is often difficult to | 4 |
was found that the | 4 |
are apt to be | 4 |
it is safe to | 4 |
the quality of the | 4 |
regarded as one of | 4 |
is well to have | 4 |
in front of it | 4 |
the walls should be | 4 |
the fireplace and the | 4 |
architecture of the renaissance | 4 |
selection and preparation of | 4 |
for the treatment of | 4 |
room may be a | 4 |
to be observed in | 4 |
the colour of your | 4 |
if one has a | 4 |
time of william and | 4 |
on the walls in | 4 |
there are many fine | 4 |
come to be regarded | 4 |
the scheme of decoration | 4 |
was built in the | 4 |
charm of the room | 4 |
handed down to us | 4 |
been pointed out that | 4 |
must not be overlooked | 4 |
any of the other | 4 |
of the colour scheme | 4 |
of the butterick publishing | 4 |
lines of the walls | 4 |
it is often possible | 4 |
decorative scheme of the | 4 |
if the windows are | 4 |
it will be remembered | 4 |
it is a curious | 4 |
so that the light | 4 |
peep at the moon | 4 |
and the other the | 4 |
the case may be | 4 |
exterior of the house | 4 |
and they should be | 4 |
it is often difficult | 4 |
is out of the | 4 |
to be worked out | 4 |
each one of which | 4 |
to the other rooms | 4 |
be in keeping with | 4 |
doing away with the | 4 |
in the distribution of | 4 |
shown in the accompanying | 4 |
may be made in | 4 |
may be purchased for | 4 |
this is the most | 4 |
it was to be | 4 |
to bring out the | 4 |
can be made by | 4 |
care must be exercised | 4 |
had the pleasure of | 4 |
if one does not | 4 |
a room may be | 4 |
held in place by | 4 |
the space above the | 4 |
woodwork of the room | 4 |
then there are the | 4 |
there should be no | 4 |
it is a great | 4 |
the butterick publishing co | 4 |
of the room to | 4 |
to be made of | 4 |
of a fine old | 4 |
by the addition of | 4 |
first step in the | 4 |
and the treatment of | 4 |
and in order to | 4 |
the same tint as | 4 |
was put on the | 4 |
has already been explained | 4 |
to those who are | 4 |
the foundation of the | 4 |
with the introduction of | 4 |
in the average house | 4 |
it is essential that | 4 |
in the washington irving | 4 |
the arts and crafts | 4 |
was at its height | 4 |
painted white to match | 4 |
of the room should | 4 |
the best way of | 4 |
already been pointed out | 4 |
where there is no | 4 |
the one in the | 4 |
time the house was | 4 |
one of which is | 4 |
the room will be | 4 |
has been given to | 4 |
for it must be | 4 |
is to be a | 4 |
one or two of | 4 |
in imitation of the | 4 |
to call attention to | 4 |
makes it necessary to | 4 |
no doubt that the | 4 |
of doors and windows | 4 |
in colour with the | 4 |
this case it is | 4 |
the queen anne period | 4 |
illustrated in plate v | 4 |
of the same color | 4 |
paper was put on | 4 |
of the three louis | 4 |
as the case may | 4 |
of the vocational school | 4 |
pictures on the walls | 4 |
a peep at the | 4 |
i have said before | 4 |
found to be in | 4 |
a picture of the | 4 |
the importance of the | 4 |
in scale with the | 4 |
inches of the plain | 4 |
the walter scott hopkins | 4 |
the h and l | 4 |
in that case the | 4 |
it is of the | 4 |
old cape cod house | 4 |
a thing of the | 4 |
in addition to these | 4 |
the boys of the | 4 |
seems to have been | 4 |
there is nothing that | 4 |
end of the seventeenth | 4 |
became more and more | 4 |
use it as a | 4 |
it will be observed | 4 |
i had the pleasure | 4 |
have been handed down | 4 |
if the design is | 4 |
white to match the | 4 |
about the middle of | 4 |
should be one of | 4 |
may be had for | 4 |
on the market to | 4 |
and the paper was | 4 |
the impression of being | 4 |
of the most attractive | 4 |
instead of the usual | 4 |
and yet there is | 4 |
is designed to be | 4 |
on the north side | 4 |
they can be made | 4 |
with the result that | 4 |
is to make a | 4 |
had ceased to be | 4 |
if there is to | 4 |
it is more than | 4 |
of mesdames de france | 4 |
the pattern of the | 4 |
of place in the | 4 |
same style of decoration | 4 |
of more importance than | 4 |
for it is the | 4 |
in the seventeenth and | 4 |
as they are in | 4 |
to harmonise with the | 4 |
of the details of | 4 |
is curious to note | 4 |
in the placing of | 4 |
of a room is | 4 |
the idea of the | 4 |
were used in the | 4 |
would be out of | 4 |
of the technical high | 4 |
and it is to | 4 |
of the louis xiv | 4 |
and a pair of | 4 |
fine example of a | 4 |
the entrance hall is | 4 |
on the crest of | 4 |
as a work of | 4 |
so arranged that they | 4 |
most of the furniture | 3 |
rooms of a certain | 3 |
the attention of the | 3 |
and the principles of | 3 |
in the possession of | 3 |
of the chippendale chairs | 3 |
should be carefully planned | 3 |
and the reign of | 3 |
curtains hung from the | 3 |
and it may be | 3 |
of which is a | 3 |
and because it is | 3 |
go to the expense | 3 |
you will find a | 3 |
a good idea of | 3 |
of luxury and comfort | 3 |
drawing is shown to | 3 |
parts are to be | 3 |
the bay of naples | 3 |
the proper treatment for | 3 |
of the formal luncheon | 3 |
that they could be | 3 |
full width of the | 3 |
has been thrown out | 3 |
placed in front of | 3 |
to the edge of | 3 |
gauge copper is required | 3 |
out the beauty of | 3 |
in rooms of a | 3 |
of color to the | 3 |
of the first floor | 3 |
the background of the | 3 |
since there is no | 3 |
is largely a matter | 3 |
came into its own | 3 |
the house and is | 3 |
else in the room | 3 |
reminds one of the | 3 |
within the last few | 3 |
is worth while to | 3 |
other pieces of furniture | 3 |
so placed that it | 3 |
but they should not | 3 |
member of the family | 3 |
was built at the | 3 |
lines of the roof | 3 |
design and tool a | 3 |
a large country house | 3 |
the only way to | 3 |
end of the post | 3 |
they belong to the | 3 |
in so far as | 3 |
the beginning of a | 3 |
i have seen such | 3 |
but it should be | 3 |
have to be made | 3 |
room two views of | 3 |
the materials used in | 3 |
and it is usually | 3 |
but i have seen | 3 |
a photograph of the | 3 |
proportion is the good | 3 |
the use of an | 3 |
the surface should be | 3 |
been a part of | 3 |
possible to have a | 3 |
a reproduction of the | 3 |
little odds and ends | 3 |
to the rest of | 3 |
the true principles of | 3 |
cut to length and | 3 |
foot of the stairs | 3 |
good of its kind | 3 |
not be forgotten that | 3 |
no matter what the | 3 |
side of the window | 3 |
not a matter of | 3 |
of the history of | 3 |
it is a matter | 3 |
the attractiveness of the | 3 |
rose and blue and | 3 |
a narrow border of | 3 |
in an old house | 3 |
and should therefore be | 3 |
it is apt to | 3 |
it is a little | 3 |
an excuse for a | 3 |
in the sala del | 3 |
of the present owner | 3 |
purpose for which the | 3 |
to the original structure | 3 |
kitchen and the dining | 3 |
the curtains may be | 3 |
and in good taste | 3 |
who knows how to | 3 |
in order to get | 3 |
the latter should be | 3 |
of colour to the | 3 |
the lighting fixtures are | 3 |
been so arranged that | 3 |
rose and blue chintz | 3 |
is carried around the | 3 |
they are the most | 3 |
some of the details | 3 |
needed are as follows | 3 |
which may be found | 3 |
is obvious that the | 3 |
is typical of the | 3 |
the passing of the | 3 |
the exterior and the | 3 |
to the atmosphere of | 3 |
as well as an | 3 |
as time goes on | 3 |
and yet it is | 3 |
which has been added | 3 |
mistake to think that | 3 |
would have to be | 3 |
both large and small | 3 |
of a country house | 3 |
is treated as a | 3 |
than in any other | 3 |
the way of pictures | 3 |
suggestions for the design | 3 |
or any of the | 3 |
if you happen to | 3 |
to rearrange a room | 3 |
should be exercised to | 3 |
there are many reasons | 3 |
it is not wise | 3 |
problem of the bowl | 3 |
been applied to the | 3 |
and restoration of old | 3 |
everything else in the | 3 |
made it necessary to | 3 |
be of one color | 3 |
earliest wall papers in | 3 |
may be said of | 3 |
do not mean to | 3 |
it was during the | 3 |
the french and english | 3 |
if your house has | 3 |
the lines of a | 3 |
the middle ages the | 3 |
should be laid off | 3 |
is applied to the | 3 |
of the people who | 3 |
to the composition of | 3 |
the time of charles | 3 |
spirit of the time | 3 |
the distribution of the | 3 |
collection of empire furniture | 3 |
wall is broken by | 3 |
a very small room | 3 |
for treatment of a | 3 |
of the doors and | 3 |
name of the house | 3 |
time of its purchase | 3 |
is not at all | 3 |
be depended upon to | 3 |
the details of construction | 3 |
the early days of | 3 |
must be beautiful in | 3 |
made in this way | 3 |
finish of the room | 3 |
and used as a | 3 |
must bear in mind | 3 |
it would be impossible | 3 |
the purchase of the | 3 |
the charm of a | 3 |
shores of cape cod | 3 |
of the salon de | 3 |
within the reach of | 3 |
has done much to | 3 |
all in the same | 3 |
made at this time | 3 |
at the windows are | 3 |
the right is the | 3 |
can be easily made | 3 |
may be made up | 3 |
a very small bedroom | 3 |
the work of an | 3 |
the substitution of the | 3 |
on the parlor of | 3 |
it had been a | 3 |
of french or italian | 3 |
the head of a | 3 |
part of the decorative | 3 |
in france in the | 3 |
of great value to | 3 |
you will find that | 3 |
drawn together at night | 3 |
there is a wide | 3 |
in a modern house | 3 |
those who wish to | 3 |
the little house of | 3 |
in this case we | 3 |
with the same material | 3 |
some of the old | 3 |
of view of the | 3 |
lose sight of the | 3 |
became the fashion to | 3 |
of a few years | 3 |
in france and italy | 3 |
interesting to note that | 3 |
in the heart of | 3 |
makes it possible for | 3 |
reproduction of william and | 3 |
in an uptown house | 3 |
with reference to light | 3 |
the richness of the | 3 |
side of which is | 3 |
the panelling of doors | 3 |
and other objects of | 3 |
the making of a | 3 |
legs of the furniture | 3 |
things that have come | 3 |
if one has to | 3 |
it can be used | 3 |
used in this way | 3 |
in plates v and | 3 |
it is supposed to | 3 |
of the fitness of | 3 |
the effect is not | 3 |
so far as we | 3 |
for gas and electricity | 3 |
and comfort to the | 3 |
the design of a | 3 |
of a sort of | 3 |
the spacing of the | 3 |
in such cases the | 3 |
of the original building | 3 |
is especially true of | 3 |
of the rest of | 3 |
a drawing is shown | 3 |
as in other problems | 3 |
the carving on the | 3 |
of the reasons why | 3 |
the rooms in the | 3 |
of the georgian period | 3 |
the second story is | 3 |
the woodwork has been | 3 |
if it is in | 3 |
should be at least | 3 |
the beauty of a | 3 |
any room in the | 3 |
an angle of degrees | 3 |
can be found in | 3 |
make it possible to | 3 |
may be said that | 3 |
size of the dining | 3 |
canvas tents to decorative | 3 |
top and bottom rails | 3 |
lines of the wall | 3 |
was much like that | 3 |
now owned by the | 3 |
there shall be no | 3 |
with the color scheme | 3 |
the same period in | 3 |
time of charles ii | 3 |
the majority of people | 3 |
from the home of | 3 |
in any of the | 3 |
every article of furniture | 3 |
too large for the | 3 |
of the same silk | 3 |
as it is not | 3 |
of the same dimensions | 3 |
the palais de justice | 3 |
a coat of white | 3 |
the hall from the | 3 |
it would be difficult | 3 |
bottom rails should be | 3 |
is in reality a | 3 |
any one of the | 3 |
and that it is | 3 |
the house as it | 3 |
wall broken into panels | 3 |
is a most attractive | 3 |
to furnish a house | 3 |
fitted up as a | 3 |
cannot do better than | 3 |
the room is too | 3 |
there is so much | 3 |
of the wall paper | 3 |
be thought of in | 3 |
well as to the | 3 |
is to be served | 3 |
feature of this room | 3 |
for the earl of | 3 |
it will be readily | 3 |
reign of louis xiii | 3 |
the detail of the | 3 |
the way to the | 3 |
in favor of a | 3 |
if your house is | 3 |
room at the right | 3 |
and shape of the | 3 |
in the palace of | 3 |
the great amount of | 3 |
house was built by | 3 |
easy to see that | 3 |
background for all this | 3 |
composition of the room | 3 |
the door into the | 3 |
is no wonder that | 3 |
which may be of | 3 |
the reach of the | 3 |
motif from the chintz | 3 |
it must have been | 3 |
the old french and | 3 |
to the shape of | 3 |
of the sixteenth and | 3 |
which had to be | 3 |
on both sides of | 3 |
all of the colonial | 3 |
to be had in | 3 |
will be observed that | 3 |
of the finish of | 3 |
the general use of | 3 |
quite different from a | 3 |
furnished with colonial pieces | 3 |
an example of a | 3 |
should be finished with | 3 |
out of keeping with | 3 |
has already been suggested | 3 |
or more of these | 3 |
foot of the bed | 3 |
nature of the case | 3 |
can be placed in | 3 |
is at the same | 3 |
stock required for one | 3 |
for a country house | 3 |
have been out of | 3 |
to be one of | 3 |
of a room in | 3 |
color of the room | 3 |
there must always be | 3 |
with the dimensions of | 3 |
it what you will | 3 |
with a sheet of | 3 |
there is a special | 3 |
there are infinite possibilities | 3 |
size and height of | 3 |
you can imagine the | 3 |
story of the evolution | 3 |
with a design in | 3 |
there is room for | 3 |
to match the trim | 3 |
try to get a | 3 |
be beautiful in itself | 3 |
the reaction from the | 3 |
the texture of the | 3 |
the fact that many | 3 |
scheme is carried out | 3 |
when they were used | 3 |
of the house are | 3 |
is to be drawn | 3 |
in the latter part | 3 |
has been carefully planned | 3 |
may be secured by | 3 |
the hall was the | 3 |
might be made of | 3 |
to produce this effect | 3 |
iv wall papers in | 3 |
indicated in the drawing | 3 |
and the result is | 3 |
is afforded by the | 3 |
of directoire and empire | 3 |
the doors and windows | 3 |
into a most attractive | 3 |
to the attractiveness of | 3 |
exposure of the room | 3 |
and even in the | 3 |
two hundred years old | 3 |
taken not to have | 3 |
be made with a | 3 |
a room or house | 3 |
designed and executed by | 3 |
at the intersection of | 3 |
character of the room | 3 |
be treated with a | 3 |
should be chosen in | 3 |
and one can easily | 3 |
that have been built | 3 |
has been added to | 3 |
they may be of | 3 |
straight up and down | 3 |
and canvas tents to | 3 |
farther end of the | 3 |
mean to say that | 3 |
to the old house | 3 |
of a very small | 3 |
to go into the | 3 |
special reference to the | 3 |
consider the effect of | 3 |
one must remember that | 3 |
the last ten years | 3 |
bread and butter plate | 3 |
the sala degli sposi | 3 |
the attractiveness of a | 3 |
to conform with the | 3 |
keeping with the period | 3 |
the bread and butter | 3 |
of art in the | 3 |
improvement in the art | 3 |
made up of two | 3 |
of the bedroom suite | 3 |
the good breeding of | 3 |
of the decorative scheme | 3 |
one of the other | 3 |
but if it is | 3 |
i think there is | 3 |
in the room are | 3 |
is an instance of | 3 |
outside of the house | 3 |
on the panels of | 3 |
it is in a | 3 |
the ducal palace of | 3 |
is no reason for | 3 |
shall be able to | 3 |
the tools needed are | 3 |
as you will see | 3 |
a scheme of decoration | 3 |
has to be considered | 3 |
this room was originally | 3 |
have a right to | 3 |
beams in the ceiling | 3 |
the picture and the | 3 |
be allowed to dry | 3 |
d thread into the | 3 |
of the design in | 3 |
make a room look | 3 |
the engravings of abraham | 3 |
portion of the house | 3 |
thing of the past | 3 |
each piece of furniture | 3 |
are reproductions of old | 3 |
the house was very | 3 |
a room in the | 3 |
the street to the | 3 |
the kitchen and its | 3 |
hem at the bottom | 3 |
was imported from paris | 3 |
half an inch from | 3 |
at the bottom and | 3 |
weaving of the pattern | 3 |
the rooms have been | 3 |
the ornament of the | 3 |
the laws of harmony | 3 |
part of the architectural | 3 |
amount of wall space | 3 |
in the corner of | 3 |
and early nineteenth centuries | 3 |
in good state of | 3 |
the house have been | 3 |
is of the greatest | 3 |
adds greatly to the | 3 |
will be found to | 3 |
to bear in mind | 3 |
be added in the | 3 |
the green of the | 3 |
with the architecture of | 3 |
other rooms of the | 3 |
of a new york | 3 |
black and gold lacquer | 3 |
it must be a | 3 |
room there is a | 3 |
the sense of fitness | 3 |
manner in which they | 3 |
same way as the | 3 |
he is able to | 3 |
chest of drawers a | 3 |
it is not only | 3 |
wall papers in america | 3 |
the full width of | 3 |
tables and chairs are | 3 |
after the death of | 3 |
and some of them | 3 |
of house and garden | 3 |
in tolerably good repair | 3 |
to hold a reading | 3 |
may be placed in | 3 |
me to go into | 3 |
the average modern house | 3 |
for the first time | 3 |
gray and white and | 3 |
there are no more | 3 |
an old house at | 3 |
it will be noted | 3 |
many of the rooms | 3 |
the colors of the | 3 |
to improve its appearance | 3 |
to the charm of | 3 |
with the top of | 3 |
of the plain cream | 3 |
been utilized for a | 3 |
another view of the | 3 |
and height of the | 3 |
have the effect of | 3 |
the revival of directoire | 3 |
because it is a | 3 |
for it is often | 3 |
up to the ceiling | 3 |
white is always a | 3 |
part of the bedroom | 3 |
or in some other | 3 |
the kind of wood | 3 |
to keep out the | 3 |
the mattress and springs | 3 |
made it possible to | 3 |
the change in the | 3 |
that it is necessary | 3 |
the walls painted in | 3 |
house as well as | 3 |
in any scheme of | 3 |
to be told that | 3 |
harmonize with the room | 3 |
of the sala degli | 3 |
good idea of the | 3 |
of the middle ages | 3 |
the beauty of line | 3 |
in which it was | 3 |
in the absence of | 3 |
a room with a | 3 |
used on the walls | 3 |
not out of place | 3 |
that none of the | 3 |
stone or marble floors | 3 |
almost impossible to find | 3 |
it should seem to | 3 |
which the house was | 3 |
be allowed to remain | 3 |
boys of the woodworking | 3 |
the effect of this | 3 |
the art of the | 3 |
as it is called | 3 |
not overlooked in the | 3 |
much better than the | 3 |
in front of a | 3 |
following the lines of | 3 |
all the eighteenth century | 3 |
be quite out of | 3 |
on account of their | 3 |
of the house which | 3 |
is often necessary to | 3 |
in many cases the | 3 |
floors and floor coverings | 3 |
the shadow of a | 3 |
as compared with the | 3 |
is a series of | 3 |
in the bayard thayer | 3 |
the excessive use of | 3 |
this room should be | 3 |
it should be allowed | 3 |
one of the few | 3 |
by the village carpenter | 3 |
it is not too | 3 |
more or less as | 3 |
in a large country | 3 |
of the family are | 3 |
which were used as | 3 |
than would have been | 3 |
is the foundation of | 3 |
old washington irving house | 3 |
charm of the old | 3 |
any other room in | 3 |
shown by the fact | 3 |
living room at the | 3 |
the character of your | 3 |
were thrown into one | 3 |
furniture of the louis | 3 |
and these should be | 3 |
directly into the living | 3 |
another side of same | 3 |
if the room be | 3 |
furniture of the period | 3 |
that there shall be | 3 |
the shores of cape | 3 |
will make a room | 3 |
the personality of its | 3 |
a part of a | 3 |
be attached to the | 3 |
to its original size | 3 |
will depend upon the | 3 |
and this can be | 3 |
with a narrow fringe | 3 |
painted wall broken into | 3 |
give the appearance of | 3 |
was the result of | 3 |
some of the furniture | 3 |
how to prepare and | 3 |
opens directly into the | 3 |
to accomplish this result | 3 |
curious to note that | 3 |
a blue and white | 3 |
the old kitchen chimney | 3 |
to a coat of | 3 |
it must be done | 3 |
to the period of | 3 |
lines of the original | 3 |
such as gray and | 3 |
have been in the | 3 |
and a half stories | 3 |
only a few years | 3 |
study of the subject | 3 |
walls and canvas tents | 3 |
throws of the shuttle | 3 |
overlooked in the distribution | 3 |
be taken not to | 3 |
papers in historic homes | 3 |
was due to the | 3 |
and the use of | 3 |
of great decorative value | 3 |
in the palais de | 3 |
never be forgotten that | 3 |
effects are produced by | 3 |
to those of the | 3 |
part of the period | 3 |
modern english and american | 3 |
as the result of | 3 |
to have the best | 3 |
the springing of the | 3 |
are all in the | 3 |
in a way which | 3 |
and toward the end | 3 |
as an example of | 3 |
a colour to harmonize | 3 |
we must remember that | 3 |
that it is as | 3 |
of the metropolitan museum | 3 |
were not overlooked in | 3 |
coat of white paint | 3 |
the trellis room of | 3 |
are covered with the | 3 |
one on either side | 3 |
called for in the | 3 |
without interfering with the | 3 |
the room in the | 3 |
the whole side of | 3 |
slope of the roof | 3 |
necessary to provide a | 3 |
the doors of the | 3 |
the disposition of the | 3 |
the great periods of | 3 |
comfort as well as | 3 |
which they are intended | 3 |
treatment of the over | 3 |
for a summer home | 3 |
inmates of the house | 3 |
the chairs should be | 3 |
the back of a | 3 |
as a general rule | 3 |
one of the fine | 3 |
used as a dining | 3 |
we shall see that | 3 |
in the habit of | 3 |
the general tone of | 3 |
in the modern sense | 3 |
to the uses of | 3 |
the materials and tools | 3 |
in the work of | 3 |
the aspect of the | 3 |
is a curious fact | 3 |
call it what you | 3 |
first half of the | 3 |
is a pleasure to | 3 |
of the end pieces | 3 |
a room it is | 3 |
there is a long | 3 |
it was thought that | 3 |
the upper and lower | 3 |
as we know it | 3 |
house of many mirrors | 3 |
and which can be | 3 |
especially well suited to | 3 |
they are very much | 3 |
the coverings of the | 3 |
in all the world | 3 |
be used in any | 3 |
to the general scheme | 3 |
table and chairs are | 3 |
have the advantage of | 3 |
his staircase in the | 3 |
it was put on | 3 |
the appearance of being | 3 |
is worthy of the | 3 |
is quite possible that | 3 |
end of the fifteenth | 3 |
errors have been corrected | 3 |
bedroom in this house | 3 |
old time wall papers | 3 |
hangings and chair coverings | 3 |
are hung with a | 3 |
may be made very | 3 |
the furnishings of the | 3 |
the louis xiv style | 3 |
may be beautiful in | 3 |
the house in its | 3 |
is that it is | 3 |
spirit of the room | 3 |
we have the same | 3 |
between the house and | 3 |
on the treatment of | 3 |
now ready to be | 3 |
there is a fine | 3 |
stain is made by | 3 |
has ceased to be | 3 |
pleasing contrast with the | 3 |
of the walls is | 3 |
was restored to its | 3 |
the exposure of the | 3 |
there are some very | 3 |
is possible to find | 3 |
fundamental principles of design | 3 |
like those of louis | 3 |
on the right of | 3 |
of the house were | 3 |
of the william and | 3 |
of periods in furniture | 3 |
but in the average | 3 |
there are many ways | 3 |
revival of directoire and | 3 |
or a combination of | 3 |
explained by the fact | 3 |
given two coats of | 3 |
while the walls and | 3 |
are of the same | 3 |
in the long run | 3 |
be used with the | 3 |
was built in by | 3 |
this room with its | 3 |
secured by means of | 3 |
it to be a | 3 |
colour in a room | 3 |
the chances are that | 3 |