trigram

This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

trigram	frequency
out of the	103
the creative imagination	82
one of the	76
in order to	76
a sort of	69
it was a	68
there was a	66
of the imagination	66
on the other	62
that it was	56
as soon as	56
it is a	55
it would be	50
of the creative	49
for a moment	46
the nature of	46
it was the	46
he could not	45
the empty house	45
it is not	41
it is the	41
there was no	40
the other hand	40
the end of	38
the judge and	38
of the house	38
that she was	37
according to the	37
into the room	36
the rest of	36
that it is	36
nature of the	36
a good deal	35
and his wife	35
and it was	35
the work of	34
part of the	34
in the world	34
judge and his	33
down to the	33
that he was	33
of the world	33
in the house	33
but it was	32
at the same	32
a long time	32
it has been	31
it must be	31
the form of	31
as if he	31
of the mind	30
he had been	30
was going to	30
seemed to be	30
in spite of	30
in front of	30
the little girl	29
it was not	29
would have been	28
and all the	28
the first time	28
that she had	28
back to the	28
she had been	27
end of the	27
the imagination is	27
the same time	27
to go to	27
this form of	27
side of the	27
up to the	26
the development of	26
be able to	26
of all the	25
that he had	25
and then she	25
to be sure	25
do you think	25
not at all	25
she did not	25
as if she	25
out of his	24
i did not	24
and in the	24
the sound of	24
this is the	24
in the air	23
for a long	23
is not a	23
a great deal	23
up and down	23
of the plynck	23
to see the	23
form of imagination	23
all the time	23
and then i	23
in which the	22
it was very	22
the top of	22
a kind of	22
at that moment	22
he did not	22
one of them	22
back into the	22
in the night	21
she went on	21
i do not	21
as to the	21
that they were	21
more and more	21
the case of	21
in regard to	21
the edge of	21
of the room	21
in a very	21
there is no	21
i think it	21
development of the	21
all the way	21
and there was	21
the dashahed zouaves	21
it will be	21
little by little	21
in the room	20
they were all	20
as if they	20
for the first	20
in such a	20
by this time	20
he was a	20
he began to	20
it does not	20
some of the	20
it seemed to	20
when he was	20
and he was	20
by means of	20
the fact that	20
the result of	20
a little girl	19
at the end	19
she had never	19
there is a	19
down the path	19
as well as	19
to be a	19
in the form	19
for it was	19
she was not	19
she could not	19
as fast as	19
the idea of	19
in the same	19
corner of the	19
and they were	19
that he could	18
was a very	18
was a little	18
if they had	18
it was all	18
we know that	18
in a word	18
of the unconscious	18
as in the	18
that of the	18
the constructive imagination	18
i thought it	18
to say that	18
a lot of	18
on this point	18
he went on	18
between the two	18
out of her	18
the beginning of	18
as much as	18
and when he	18
i want to	18
all this time	18
and began to	18
front of the	17
of the little	17
rest of the	17
so that the	17
and the baby	17
had ever seen	17
seems to me	17
felt as if	17
must have been	17
let us note	17
it is an	17
that in the	17
it was only	17
the corner of	17
and in a	17
is no longer	17
but he was	17
and the little	17
and she was	17
wind of the	17
in the first	17
as long as	17
every one of	16
the moment of	16
more than a	16
out into the	16
up in the	16
of the earth	16
as far as	16
association of ideas	16
working of the	16
top of the	16
if he was	16
a state of	16
had not been	16
all about it	16
the history of	16
edge of the	16
it would have	16
looked as if	15
it might be	15
study of the	15
the state of	15
to tell you	15
the echo of	15
the old lady	15
the first gunkus	15
on to the	15
the power of	15
and then we	15
echo of the	15
he would have	15
if she was	15
and i was	15
to look at	15
was to be	15
should like to	15
but it is	15
they had been	15
you may be	15
two or three	15
great deal of	15
in a moment	15
to see you	15
the brown teddy	15
to the window	15
in the case	15
all at once	15
because it is	15
she could see	14
he wanted to	14
the bottom of	14
did not know	14
the wind of	14
through the air	14
of the empty	14
out in the	14
he was so	14
that seemed to	14
and then the	14
the middle of	14
for him to	14
of the window	14
as it was	14
we have seen	14
and she had	14
forms of the	14
the name of	14
and then they	14
he was not	14
was in the	14
in the sciences	14
to see what	14
and it is	14
in the sky	14
and for a	14
how do you	14
to do with	14
good deal of	14
the diffluent imagination	14
it had been	14
could not help	14
at each other	13
and the children	13
by way of	13
to think of	13
i had to	13
be all right	13
in the morning	13
a period of	13
the course of	13
was a good	13
on the subject	13
work of the	13
at the door	13
been able to	13
was full of	13
is only a	13
into the air	13
a few minutes	13
large number of	13
as if it	13
and he could	13
all the rest	13
of the other	13
she would have	13
in a few	13
and then he	13
who had been	13
what it was	13
this is a	13
in the direction	13
in the middle	13
of his own	13
a matter of	13
a great many	13
i should like	13
the house was	13
of the brain	13
that they are	13
had to go	13
ought to have	13
as for the	13
for us to	13
he could see	13
there was something	13
man in the	13
now and then	13
the way to	13
what do you	13
it was like	13
in all the	13
would have to	12
thought it was	12
they have a	12
the children had	12
up into the	12
to get the	12
there was nothing	12
she had a	12
of course it	12
over to the	12
before he could	12
up in a	12
the next morning	12
the need of	12
for a minute	12
on the floor	12
the other side	12
he was the	12
what is it	12
was the first	12
was not a	12
and at the	12
as he looked	12
he saw the	12
it is very	12
it seems to	12
in his own	12
she was so	12
all sorts of	12
but there was	12
more or less	12
to speak to	12
the human mind	12
one of these	12
it was quite	12
the head of	12
on account of	12
once or twice	12
to see her	12
of the governess	12
may be sure	12
out on the	12
him to the	12
of the subject	12
the origin of	12
down upon the	12
it is necessary	12
in favor of	12
because of the	12
seemed to have	12
in the course	12
a large number	12
as he was	12
a very nice	12
of the great	12
ought to be	12
all the same	11
it in the	11
did not seem	11
and of the	11
as it is	11
to the nature	11
a bit of	11
as big as	11
he saw that	11
is not at	11
of which is	11
the people who	11
of the wind	11
go back to	11
imagination is a	11
had never seen	11
sara had never	11
there was the	11
so far as	11
to the other	11
principle of unity	11
and down the	11
has been said	11
all the more	11
in the strict	11
and the governess	11
the side of	11
the point of	11
that is the	11
the plastic imagination	11
go to the	11
as they were	11
of the child	11
most of the	11
for he was	11
i tell you	11
she had not	11
i think i	11
came back to	11
she was a	11
he heard the	11
that it had	11
the influence of	11
when she saw	11
here and there	11
than the snoodle	11
that they had	11
depends on the	11
go to bed	11
older than the	11
the size of	11
it was no	11
it was too	11
that it has	11
the strict sense	11
the first thing	11
the effect of	11
with illustrations by	11
just as the	11
a good many	11
when she was	11
peterkin and i	11
the japanese doll	11
and i had	11
that was the	11
the direction of	11
the age of	11
look at the	11
down on the	11
but she was	11
in his mind	11
think it was	11
glad to see	11
on the edge	11
regard to the	11
to the house	11
to go on	11
might have been	11
the other children	11
what it is	11
and so on	11
the study of	11
saw that it	11
the conditions of	10
the front door	10
in order that	10
though it was	10
for her to	10
the realm of	10
as good as	10
if we had	10
he was going	10
the absence of	10
on the contrary	10
of imagination is	10
of the body	10
the unconscious factor	10
what in the	10
as regards the	10
some of them	10
was one of	10
him with a	10
to the governess	10
as old as	10
the governess had	10
the middle ages	10
was only a	10
came into the	10
form of the	10
and the next	10
imagination in the	10
out of it	10
a piece of	10
could not understand	10
power of the	10
if we were	10
imagination in its	10
of the two	10
only in the	10
if she had	10
it may be	10
it to the	10
of the night	10
it was impossible	10
out of a	10
which is a	10
next door to	10
and they all	10
if he had	10
of the door	10
in a way	10
the children were	10
in the hall	10
she looked at	10
of the party	10
the little judge	10
he had to	10
up at the	10
and he felt	10
in her hand	10
us note that	10
you very much	10
i could not	10
as we have	10
she was sure	10
at the first	10
it is in	10
the creation of	10
to come to	10
first of all	10
you know that	10
of the judge	10
of the way	10
of the most	10
would be a	10
just at that	10
is a matter	10
in his ears	10
to his wife	10
that she could	10
he had not	10
the other day	10
is in the	10
was no longer	10
it was an	10
the surface of	10
that i had	10
a part of	10
one of his	10
as she could	10
we may say	10
the pleasure of	10
and the other	10
to have a	10
there is an	10
the door of	10
of the middle	10
she had ever	10
the man in	10
in the moon	10
which is the	10
a moment or	10
the working of	10
down into the	10
to make a	10
the last time	10
had to be	10
in his hand	10
from the first	9
on the bed	9
close to the	9
to the front	9
had happened to	9
creative imagination in	9
of one of	9
moment or two	9
imagination is not	9
and sat down	9
the latter is	9
said in a	9
is at the	9
the ideal is	9
that sort of	9
to his own	9
looked like a	9
to see if	9
i know what	9
we do not	9
who was the	9
got into the	9
the judge built	9
conditions of the	9
reduced to a	9
father and mother	9
is the same	9
do you know	9
and a little	9
want you to	9
as he had	9
he felt as	9
let us take	9
sort of thing	9
so that she	9
and he began	9
i do believe	9
if they were	9
the foot of	9
at the head	9
he does not	9
very glad to	9
he was always	9
for she had	9
as if we	9
what she had	9
at the beginning	9
looked at the	9
the open window	9
we had to	9
in all directions	9
and i think	9
going to be	9
to sum up	9
the house that	9
she would not	9
over his shoulder	9
of the human	9
surface of the	9
the next thing	9
a few moments	9
the stars and	9
had time to	9
is found in	9
to go back	9
soon as he	9
part of it	9
to play with	9
what he had	9
of the first	9
was such a	9
him and the	9
state of the	9
was the only	9
at a time	9
we had been	9
for some time	9
like to see	9
the snoodle was	9
any of the	9
as she spoke	9
states of consciousness	9
this was a	9
the room was	9
we have already	9
that the judge	9
or of the	9
a little boy	9
the difference between	9
he had just	9
and the first	9
that there is	9
in his head	9
the mechanism of	9
the scientific imagination	9
a voice that	9
made up of	9
on the whole	9
he looked at	9
to find out	9
said the judge	9
on the one	9
began to feel	9
the life of	9
he had never	9
and she said	9
it was so	9
of the old	9
in the way	9
and that it	9
we shall see	9
the night before	9
conception of the	9
the face of	9
about the parrot	9
of the word	9
of the sea	9
it is only	9
would not have	9
could not have	9
at the foot	9
and all that	9
of the sky	9
the psychology of	9
of the moon	9
into the sky	9
the principle of	9
and when she	9
and as the	8
what to do	8
aside from the	8
and that of	8
house that the	8
and it had	8
into the garden	8
as she was	8
had never been	8
soon as the	8
do you do	8
of them had	8
to the drawing	8
for you to	8
with a good	8
he was quite	8
the walls of	8
opened his eyes	8
but i was	8
to miss bogle	8
the mystic imagination	8
of the constructive	8
to tell the	8
all of a	8
of a sudden	8
and with a	8
door of the	8
were going to	8
minute or two	8
is full of	8
the same way	8
the practical imagination	8
she turned to	8
the part of	8
to hill horton	8
he had seen	8
he felt sure	8
live in the	8
of the table	8
in this way	8
not need to	8
distinction between the	8
the one hand	8
there would be	8
come to see	8
in the distance	8
have been very	8
was a sort	8
to the first	8
of this work	8
to see him	8
he would be	8
in its development	8
head of the	8
various forms of	8
what has been	8
up to her	8
i can tell	8
i think we	8
for an instant	8
the whole of	8
the theory of	8
could see the	8
to show that	8
ever so many	8
to be the	8
but i think	8
middle of the	8
of the imaginative	8
the various forms	8
he realised that	8
in a whisper	8
brothers and sisters	8
that must be	8
if it had	8
point of view	8
course it was	8
face to face	8
of which the	8
to be in	8
she saw that	8
a form of	8
makes use of	8
the possibility of	8
that of a	8
and when i	8
according to his	8
of the individual	8
the shape of	8
with such a	8
the only one	8
and the same	8
to keep up	8
the judge was	8
on the right	8
the emotional factor	8
law of the	8
and then it	8
in the realm	8
sara had ever	8
the window and	8
the importance of	8
so much about	8
i went on	8
there must be	8
but he could	8
of the question	8
but at last	8
that we had	8
in a hurry	8
to that of	8
we did not	8
as though he	8
a good thing	8
is subject to	8
the air was	8
sound of the	8
the forms of	8
to speak of	8
but i did	8
those who have	8
the first to	8
had been so	8
and the moon	8
it was really	8
of the west	8
just as you	8
on top of	8
to each other	8
so long as	8
there was not	8
and on the	8
at first he	8
of the day	8
such are the	8
did not see	8
sara could see	8
i was not	8
a minute or	8
that would be	8
there was one	8
of a man	8
tell you what	8
on the top	8
of his mind	8
after a while	8
a long way	8
things like that	8
in the old	8
seemed as if	8
is going to	8
i have a	8
them to the	8
that i was	8
and she did	8
filled him with	8
said the echo	8
the expression of	8
i told you	8
walls of the	8
at the time	8
while she was	8
the other two	8
went into the	8
in which he	8
said the teacup	8
for the last	8
the presence of	8
you like to	8
the man of	8
before he had	8
i want you	8
of this kind	8
the room and	8
i saw that	8
of the emotional	8
not seem to	8
the logic of	8
the way she	8
in another minute	8
the existence of	8
the trees and	8
they had a	8
return to the	8
of his head	8
and this is	8
center of attraction	8
caught sight of	8
i had not	8
was the most	8
that it would	8
to the end	8
may say that	8
she began to	8
like to have	8
she had to	8
was not very	8
she was very	8
and as he	8
to go out	8
i think you	8
of it all	8
soon as she	8
the house with	8
it was his	8
thought of it	8
and the judge	8
from head to	8
the horror of	8
and there were	8
head to foot	8
the type of	8
may have been	8
a number of	8
it had a	8
the imaginative type	8
the emotional life	7
nature of this	7
because he was	7
and have a	7
i wonder if	7
the joy of	7
has its own	7
no one to	7
form of a	7
they were the	7
a plan of	7
a hundred years	7
i am sure	7
place in the	7
he could never	7
for a little	7
and of course	7
the voice of	7
in the least	7
i thought i	7
a mode of	7
order to be	7
said that the	7
it was just	7
for they were	7
opened the door	7
in and out	7
than any other	7
interested in the	7
in a low	7
to the witch	7
members of the	7
the necessity of	7
the world of	7
to make sure	7
the time of	7
a special case	7
the degree of	7
back in the	7
in the yard	7
thought it would	7
she told him	7
the fine arts	7
me in the	7
that have been	7
to go home	7
sara noticed that	7
one of her	7
and they are	7
for the sake	7
will have to	7
i suppose you	7
one of those	7
in the whole	7
was not so	7
forms of imagination	7
and there is	7
they came to	7
to face with	7
the external world	7
to me that	7
and the teacup	7
had been a	7
he was too	7
in the empty	7
was impossible to	7
bottom of the	7
it as a	7
he saw a	7
am so glad	7
of pure imagination	7
to his feet	7
papa and mamma	7
the bed and	7
to get into	7
and now the	7
to think that	7
in the east	7
did not want	7
to the right	7
as she had	7
imagination of the	7
come back to	7
two forms of	7
at the entrance	7
of the whole	7
that moment the	7
the whole world	7
it was hard	7
of their own	7
the plastic arts	7
much as to	7
thing to do	7
so that you	7
we were not	7
of the trees	7
to see that	7
i never thought	7
of a great	7
down the road	7
even in the	7
in a single	7
was ready to	7
anything about it	7
great or small	7
sense of the	7
and such a	7
i shall be	7
go on to	7
do with the	7
he was being	7
the frightened children	7
rest of it	7
so as to	7
in the garden	7
i think she	7
came to the	7
of the future	7
i heard the	7
will be found	7
in place of	7
of course i	7
that had been	7
him in the	7
the plynck and	7
back to her	7
the first part	7
could see that	7
construction in images	7
in a row	7
it is needless	7
seem to be	7
life of the	7
branches of the	7
at the top	7
more than he	7
with a great	7
to see it	7
we were all	7
as i was	7
was not quite	7
i had a	7
on the front	7
other side of	7
the parrot and	7
he had no	7
and i were	7
or at least	7
could not be	7
the day before	7
pirlaps and avrillia	7
or of a	7
i felt as	7
view of the	7
the best of	7
though he was	7
on one side	7
of lindsay square	7
you ought to	7
looking up at	7
saw that the	7
the east parlor	7
at the parrot	7
found in the	7
of the children	7
to the junction	7
but they were	7
there had been	7
i was going	7
so it was	7
as though it	7
he could do	7
because i was	7
the room where	7
for fear of	7
a crowd of	7
was like a	7
foot of the	7
and i daresay	7
soon as i	7
will be a	7
and it would	7
a pair of	7
the sake of	7
he tried to	7
a tendency to	7
to meet me	7
looked at it	7
you would have	7
to the ground	7
in every direction	7
are going to	7
going to call	7
and a third	7
the tops of	7
that we have	7
we have just	7
but she had	7
favor of the	7
i felt sure	7
direction of the	7
in the corner	7
in primitive man	7
he looked down	7
and i know	7
more than the	7
of a little	7
that she did	7
i am afraid	7
that he did	7
of the dashahed	7
had meant to	7
of the closets	7
the intellectual factor	7
and he knew	7
i shall not	7
thinking by analogy	7
that i have	7
has often been	7
to make him	7
of the image	7
to take the	7
the noise of	7
in some ways	7
sure it was	7
of the tree	7
up with the	7
this time they	7
to the little	7
of a large	7
of her own	7
they had gone	7
it is that	7
rose and fell	7
of the development	7
you will see	7
when we were	7
she had said	7
at the table	7
is at first	7
in the nature	7
is not the	7
she was still	7
sara saw that	7
in the drawing	7
what she was	7
let us recall	7
types of imagination	7
which we shall	7
that she might	7
his eyes and	7
than that of	7
is needless to	7
round and round	7
in her eyes	7
the blue plush	7
to talk to	7
all he could	7
time and space	7
and he looked	7
how many times	7
what to say	7
of the tunnel	7
of the big	7
sort of a	7
of the free	7
to be made	7
when i was	7
be necessary to	7
it seemed as	7
to the imagination	7
got out of	7
as large as	7
as he spoke	7
in the darkness	7
turned into a	7
nothing of the	7
and even the	7
said at last	7
with a little	7
to be able	7
he was very	7
the way of	7
as i have	7
the imagination in	7
shall i do	7
he managed to	7
at the other	7
and looked at	7
pete and i	7
have a good	7
about the little	7
that we may	7
and this time	7
but a little	7
and at last	7
was made of	7
i was afraid	7
to know what	7
that she would	7
as i could	6
of the pool	6
blue plush grass	6
that the creative	6
she was always	6
in the clock	6
the line of	6
just as she	6
as we had	6
i might have	6
i could see	6
to admit that	6
his older self	6
if it is	6
had to do	6
men and women	6
and i thought	6
not want to	6
to look after	6
in the presence	6
in at the	6
in the higher	6
way to the	6
guest of honor	6
the house to	6
in his arms	6
to rock terrace	6
you see the	6
to do is	6
and that she	6
be easy to	6
into the yard	6
to get out	6
began to realise	6
the action of	6
the whole affair	6
of the pirate	6
a very good	6
for all the	6
it is no	6
than anything else	6
see that the	6
something had happened	6
want to go	6
he was alone	6
that i am	6
them in the	6
only a few	6
a way that	6
they were as	6
i have to	6
the high elms	6
which has been	6
the baby was	6
corner of lindsay	6
in the child	6
they are all	6
at the junction	6
down at the	6
and put them	6
he seemed to	6
in both cases	6
she said in	6
and the rest	6
over the sea	6
on the lawn	6
the wings of	6
of the following	6
came to him	6
not so much	6
door to the	6
and i have	6
it must have	6
at one time	6
of the practical	6
for hill horton	6
are in the	6
i should think	6
for some minutes	6
we must be	6
in the water	6
who live in	6
think of something	6
is necessary to	6
know that the	6
is only the	6
the ivory doors	6
though she was	6
know what to	6
came to a	6
you are the	6
in the absence	6
and kissed him	6
it was clear	6
the place of	6
nothing to do	6
i was just	6
have to go	6
with the other	6
up to a	6
seemed to him	6
light of the	6
have come to	6
in some way	6
she saw the	6
into his face	6
because they have	6
it is to	6
were in the	6
after he had	6
about in the	6
the distinction between	6
step by step	6
the air with	6
tell you that	6
but in the	6
they had not	6
fact that the	6
have been a	6
the time that	6
the passage from	6
we shall study	6
was on the	6
while they were	6
the greater part	6
of the kind	6
of the afternoon	6
that i could	6
out from the	6
to help him	6
was beginning to	6
and she could	6
but it must	6
to the floor	6
there were a	6
the solution of	6
of the gugollaph	6
his head in	6
account of the	6
by the hand	6
as hard as	6
felt that she	6
that the imagination	6
cried the governess	6
and if you	6
him into the	6
of the country	6
heard father say	6
of the prose	6
of the clock	6
give rise to	6
but she could	6
not a bit	6
where we were	6
they reached the	6
but of course	6
determination of the	6
of the second	6
noticed that the	6
somewhere in the	6
for a time	6
the author of	6
have to be	6
the plynck was	6
under the influence	6
time they had	6
the motor elements	6
in the wind	6
for the moment	6
and he would	6
the heart of	6
a little to	6
in those days	6
and i said	6
which it is	6
origin of the	6
come out of	6
importance of the	6
in time to	6
billy and satan	6
to see us	6
around the fountain	6
that we must	6
lived in the	6
to make them	6
he will be	6
in a more	6
empty house was	6
and in their	6
the guest of	6
tops of the	6
never thought of	6
we have a	6
and that is	6
although it is	6
a picture of	6
up to this	6
to be very	6
the imagination that	6
said the plynck	6
as it were	6
the prospect of	6
or on the	6
we shall have	6
of the motor	6
him on the	6
closet with the	6
the same as	6
he was ready	6
for a few	6
of you to	6
pure and simple	6
when he looked	6
is reducible to	6
of the principal	6
a series of	6
so that he	6
on the second	6
he thought of	6
them on the	6
you must be	6
so fast that	6
of his life	6
it was that	6
with the wind	6
the arms of	6
a little while	6
while the boys	6
do you mean	6
it did not	6
knew it was	6
did you get	6
we are not	6
that we were	6
or in the	6
to live in	6
and made him	6
seem to me	6
from the empty	6
because they are	6
we ought to	6
it at once	6
play in the	6
they were not	6
the sight of	6
she seemed to	6
followed by a	6
no sign of	6
of the diffluent	6
the law of	6
he heard a	6
back to him	6
in her mind	6
by the side	6
were we to	6
with all the	6
up with a	6
when it was	6
psychology of the	6
george and helen	6
i had been	6
burst out laughing	6
in the other	6
the branches of	6
at the most	6
he looked up	6
with the same	6
where he had	6
the light of	6
before it was	6
she was glad	6
them into the	6
was a long	6
that they have	6
the creative power	6
that may be	6
satan and turk	6
the moon was	6
about the room	6
out for a	6
that she must	6
she had heard	6
of her head	6
the poor little	6
on one of	6
into her hands	6
but this is	6
he wants to	6
said to me	6
it is evident	6
when they had	6
so they all	6
of the others	6
beginning of the	6
of the men	6
there is the	6
and a half	6
is necessary that	6
of course you	6
a feeling of	6
the only thing	6
a work of	6
in her head	6
in the most	6
reducible to two	6
through the trap	6
away from the	6
to do it	6
of the zouaves	6
her eyes were	6
association by contrast	6
is just as	6
like to know	6
to do the	6
sprang from the	6
at the corner	6
shook her head	6
can tell you	6
we could not	6
her in the	6
the period of	6
and if we	6
out of sight	6
the predominance of	6
it is more	6
in consequence of	6
results from a	6
shall we do	6
o misty moon	6
you will be	6
very fond of	6
at the bottom	6
time for the	6
so much as	6
top of his	6
of the bed	6
alone in the	6
of which we	6
a question of	6
between him and	6
got to the	6
at this moment	6
and i felt	6
shoe in his	6
and her eyes	6
horror of the	6
and a good	6
invention in the	6
size of a	6
is the most	6
i never saw	6
thought of that	6
and the room	6
when we got	6
them in order	6
the same moment	6
to be at	6
the same in	6
as you can	6
we shall be	6
like that of	6
you think you	6
it makes use	6
looking at the	6
the nineteenth century	6
meant to do	6
is evident that	6
looked at me	6
in all its	6
of course we	6
if you please	6
and as they	6
the imagination of	6
got to do	6
spite of the	6
opposed to the	6
and as she	6
that had happened	6
in the nursery	6
and the plynck	6
see that it	5
in the plastic	5
and seemed to	5
the plynck in	5
and the air	5
said the first	5
of them were	5
influence of the	5
of the camp	5
when the wind	5
the fixed idea	5
in the face	5
belonging to the	5
you come to	5
to keep it	5
of such a	5
not only the	5
thank you very	5
where he was	5
when he saw	5
went on to	5
the third stage	5
for the house	5
must be very	5
be found in	5
let us consider	5
hither and thither	5
what sort of	5
a little way	5
work of a	5
she knew that	5
to a very	5
the next time	5
in the country	5
as she stood	5
i began to	5
thing in the	5
going to have	5
the eyes of	5
that was all	5
in the beginning	5
he noticed that	5
the queen of	5
i used to	5
a little bit	5
it is rather	5
was that the	5
front of him	5
part of this	5
the memory of	5
that was a	5
the greater number	5
in my pocket	5
in its place	5
though he did	5
the act of	5
was all the	5
it was for	5
which he was	5
for them to	5
of the ground	5
feel as if	5
to the judge	5
her eyes on	5
there has been	5
before she had	5
from the earth	5
so that they	5
at least i	5
into the night	5
us in the	5
she said this	5
reduces itself to	5
was a great	5
all manner of	5
him through the	5
it on the	5
of the garden	5
to keep him	5
on his face	5
am going to	5
had always been	5
it to me	5
was very glad	5
think of that	5
into the little	5
would be so	5
the hours passed	5
was going on	5
him as if	5
and try to	5
queen of the	5
of the gunki	5
we see that	5
he felt a	5
i was a	5
think of anything	5
on her own	5
to the parrot	5
in the end	5
to be so	5
if it would	5
one on the	5
in which it	5
it was certainly	5
they do not	5
part of her	5
might as well	5
which did not	5
the use of	5
the excitement of	5
the united states	5
had no difficulty	5
and we could	5
would never have	5
afraid of the	5
in the two	5
the more he	5
i am so	5
that we are	5
to the reader	5
to know that	5
a center of	5
to come from	5
it seems that	5
in the evening	5
no one will	5
the flight of	5
owner of the	5
to see his	5
is due to	5
if she were	5
one that is	5
the number of	5
all forms of	5
stared at the	5
doubt as to	5
not the same	5
the quantity of	5
to the children	5
boys and girls	5
gazing at the	5
it was in	5
one and the	5
the hypothesis of	5
of the hall	5
were in a	5
thought of the	5
to her and	5
macmillan and co	5
at the tickets	5
on the left	5
be regarded as	5
know how many	5
imagination is the	5
in the ranks	5
the appearance of	5
have to do	5
just as we	5
keep up with	5
go into the	5
into the parlor	5
and i can	5
that part of	5
felt sure she	5
there is one	5
it is often	5
thinking of the	5
been said that	5
have a little	5
that you can	5
too dark to	5
this was the	5
the back of	5
the march and	5
to the balcony	5
but in order	5
no difficulty in	5
we hear the	5
type of imagination	5
not in the	5
they were to	5
if i had	5
did not mean	5
and just at	5
to him and	5
he went to	5
while he was	5
in the mind	5
her back to	5
of imagination that	5
seemed to come	5
and had to	5
looked up and	5
he has a	5
the time came	5
out of their	5
the spell of	5
to help us	5
strict sense of	5
thought he had	5
so i thought	5
that all the	5
place at the	5
have seen that	5
at this time	5
in the picture	5
not have been	5
between these two	5
did not quite	5
gave him a	5
for one thing	5
the motor element	5
caught his breath	5
creation of myths	5
said to herself	5
come into the	5
the higher animals	5
a little more	5
tends to become	5
each other with	5
had gone to	5
the room with	5
to the great	5
on the nature	5
the esthetic imagination	5
a group of	5
people who live	5
and the parrot	5
she was just	5
bed in the	5
the entrance of	5
come to the	5
and the more	5
over the house	5
in a book	5
in a sort	5
we have to	5
and it seemed	5
to ask her	5
to have been	5
the level of	5
arises from a	5
he had time	5
is one of	5
shook his head	5
looked at us	5
that there are	5
of the things	5
she tried to	5
on the balcony	5
is a well	5
folds of the	5
it was on	5
and his eyes	5
in the practical	5
most of all	5
a moment he	5
story of the	5
of the water	5
him from the	5
on a level	5
up the steps	5
to the corner	5
to be done	5
a good time	5
in the pool	5
of the very	5
a quarter of	5
going to london	5
we shall try	5
of the latter	5
of the family	5
along the road	5
to try to	5
the governess was	5
all the children	5
to this point	5
state of mind	5
she said to	5
on the first	5
happened to be	5
his wings were	5
at another time	5
more than once	5
we had not	5
of the last	5
quite ready to	5
depend on the	5
less than a	5
character of the	5
what kind of	5
come from the	5
of which i	5
is a kind	5
these are the	5
of the plastic	5
strictly so called	5
that i should	5
was glad to	5
we know the	5
instead of the	5
she said she	5
of its development	5
like a man	5
was so kind	5
how did you	5
the unifying principle	5
such a lot	5
see what was	5
what shall i	5
when i said	5
in her hands	5
the pirate isle	5
as if the	5
but the baby	5
to the left	5
as they had	5
in the dark	5
this time the	5
be a prisoner	5
in the shadows	5
i should say	5
in my own	5
the world is	5
away in the	5
in the centre	5
in one of	5
all through the	5
type of the	5
she was going	5
get into the	5
that we should	5
the cause of	5
and she began	5
was a new	5
i should have	5
plan of the	5
for there was	5
had spoken of	5
that if we	5
the right of	5
not to be	5
forms of invention	5
all about the	5
the myth is	5
itself in the	5
as he did	5
and as soon	5
of the past	5
idea of a	5
wants to go	5
he must have	5
he was flying	5
interior of the	5
was filled with	5
a point of	5
could think of	5
it is known	5
has been able	5
they had to	5
a letter to	5
the young ladies	5
as you see	5
of its own	5
to see how	5
thought she had	5
in the branches	5
rests on a	5
it in his	5
i shall never	5
for some reason	5
and told him	5
children had all	5
just the same	5
march and encampment	5
that he is	5
would like to	5
told him that	5
revival of images	5
end of a	5
of the inventor	5
it has its	5
we were very	5
to the stars	5
the limits of	5
it was as	5
the children are	5
in addition to	5
in the act	5
he was in	5
leaves of the	5
of the regiment	5
have you got	5
with a sudden	5
it may have	5
say that this	5
fill the parsonage	5
of the south	5
superior to the	5
would be very	5
have been the	5
he could only	5
when the time	5
he must be	5
preponderance of the	5
and when we	5
the creative activity	5
a little like	5
presence of the	5
and encampment of	5
on the point	5
to save him	5
the moment you	5
most of them	5
her with a	5
show that it	5
let us return	5
outline of the	5
remarks on the	5
see the parrot	5
that the children	5
there never was	5
a glimpse of	5
over and over	5
shall not dwell	5
go to sleep	5
better than the	5
come down to	5
if it were	5
but she did	5
to his eyes	5
she had got	5
then she said	5
this time he	5
i love you	5
let us now	5
social and political	5
you think the	5
on the roof	5
of the myth	5
forms of association	5
as quickly as	5
side by side	5
he had heard	5
of the balcony	5
of the images	5
to get up	5
on the grass	5
went back to	5
at least in	5
history of the	5
sort of way	5
to make the	5
be at home	5
could not tell	5
not hesitate to	5
to make it	5
though he could	5
of the open	5
it necessary to	5
it was of	5
we have been	5
to write a	5
in other words	5
could have been	5
waiting for the	5
time to be	5
as to say	5
and in another	5
such is the	5
on the window	5
and when they	5
evident that the	5
which we may	5
which we have	5
had no idea	5
is a good	5
would be easy	5
round the room	5
passed through the	5
face of the	5
to the earth	5
the smoke house	5
as bright as	5
as she said	5
would have given	5
if you can	5
on the piazza	5
out to the	5
of the man	5
on all sides	5
the older self	5
i think they	5
where i was	5
if he were	5
said it was	5
the meaning of	5
association by contiguity	5
he told her	5
would you like	5
i wish you	5
see that he	5
tell me what	5
followed by the	5
to have the	5
could it be	5
was rather a	5
out of this	5
tell us what	5
up in his	5
said he was	5
so glad you	5
get out of	5
could not quite	5
the commercial imagination	5
what was the	5
that there was	5
and a hundred	5
they are the	5
for me to	5
she ought to	5
but he felt	5
of this form	5
on each side	5
of the time	5
listening to him	5
the east wind	5
but i never	5
depths of the	5
if it was	5
the folds of	5
she realized that	5
with a very	5
his right hand	5
a very long	5
at this point	5
that you will	5
for a second	5
here is a	5
not even the	5
the terror of	5
she told me	5
as if i	5
think it will	5
he saw her	5
he made the	5
there seemed to	5
looked at him	5
in proportion as	5
that was what	5
to keep her	5
accompanied by a	5
far as the	5
as a whole	5
then the judge	5
combinations of images	5
again in the	5
because she is	5
we should have	5
lot of things	5
added to the	5
for the time	5
i am glad	5
to go into	5
a new sound	5
first time that	5
the opposite of	5
was the very	5
i believe he	5
modes of association	5
if there were	5
was that she	5
to hear what	5
must be the	5
under the form	5
to fill the	5
is the first	5
i think the	5
what had happened	5
what he said	5
sara could not	5
of the dimple	5
to the very	5
a very clear	5
they were in	5
said the leader	5
encampment of the	5
the other end	5
something like that	5
the children looked	5
never heard of	5
i know a	5
not one of	5
of new combinations	5
when the children	5
so that i	5
after she had	5
both of you	5
was not at	5
it with the	5
been possible to	5
it is possible	5
like the one	5
must be recognized	5
wings of the	5
the baby to	5
such a thing	5
he stood there	5
they had all	5
there are no	5
not going to	5
bending over him	5
was thinking of	5
did not answer	5
case of the	5
and that was	5
be recognized that	5
and the way	5
so there was	5
this is not	5
in the parlor	5
felt that he	5
on both sides	5
here in the	5
for the rest	5
by the way	5
ought to see	5
of which he	5
as they are	5
it was easy	5
to him the	5
is made up	5
sorry for her	5
but this time	5
to his lips	5
always have to	5
and satan and	5
to maintain that	5
with the most	5
us return to	5
i wish i	5
when we have	5
to leave the	5
when he got	5
and saw the	5
i think that	5
a very little	5
put them in	5
was only the	5
realm of the	5
the powers of	5
to say it	5
powers of nature	5
has given rise	5
mean to say	5
she took the	5
greater part of	5
of the affective	5
in the depths	5
told him to	5
special case of	5
if you are	5
and tried to	5
we find the	5
to her that	5
had seen the	5
when i went	5
think so too	5
was obliged to	5
made use of	5
hole in the	5
i suppose he	5
the moon and	5
had never heard	5
if you do	5
clapping her hands	5
me all about	5
to note that	5
he did so	5
sat on the	5
is older than	5
they have been	5
and let us	5
he stopped short	5
did not like	5
to give the	5
with all his	5
perhaps it was	5
to have tea	5
where she was	5
against the wall	5
tears in her	5
he wished to	5
so interested in	5
the house and	5
she is older	5
him as he	5
sight of her	5
the boy knew	5
into her face	4
all kinds of	4
an object of	4
the initial moment	4
in the second	4
if he could	4
again to the	4
in the parsonage	4
to put it	4
i was glad	4
consists of a	4
have spoken to	4
to keep from	4
that you are	4
the names of	4
i expect to	4
it was she	4
the world that	4
in the last	4
was quite ready	4
no sooner did	4
the invention of	4
it were a	4
have liked to	4
we should be	4
all of us	4
of the external	4
poets and artists	4
he ought to	4
quite a long	4
the roar of	4
combination of images	4
with so much	4
a condition of	4
i must have	4
will be very	4
only a special	4
the mythic activity	4
as you will	4
and once more	4
the floor and	4
his shoe in	4
its very nature	4
we had better	4
in her pocket	4
the subject of	4
father was a	4
one of my	4
face with the	4
in his right	4
have you been	4
so i had	4
had just left	4
of the feathers	4
as the children	4
the function of	4
her arms round	4
nothing of it	4
him in a	4
they were so	4
dependent on the	4
with his hands	4
and just as	4
had been in	4
opposite of the	4
in the very	4
turned to her	4
came up to	4
and i shall	4
i remember that	4
there were no	4
even if we	4
said to her	4
in a loud	4
but as the	4
when the moon	4
but with a	4
going to do	4
across to the	4
many of them	4
the rim of	4
the others to	4
who does not	4
we were going	4
we used to	4
was too much	4
a low tone	4
was hard for	4
the pictures of	4
that could not	4
was ready for	4
the determination of	4
he had got	4
this was said	4
they ought to	4
all was still	4
we ran off	4
no one could	4
if i could	4
for my own	4
is impossible to	4
whipped cream cushion	4
is there any	4
a world of	4
not mean to	4
where they were	4
am glad to	4
in the social	4
open the door	4
but i suppose	4
of the company	4
clapped her hands	4
the social and	4
to the room	4
they all went	4
to enter into	4
it was to	4
to do this	4
to have any	4
to esthetic creation	4
write a letter	4
his eyes were	4
ever since the	4
stood on the	4
age of the	4
for several minutes	4
for he had	4
in his hands	4
is true of	4
the path toward	4
was something about	4
we got there	4
have done it	4
she had already	4
just what i	4
was very good	4
sign of the	4
he said in	4
had ever been	4
the shadow of	4
but the boy	4
of the earliest	4
a need of	4
in the soul	4
and with that	4
when she had	4
very proud of	4
had been rather	4
catch sight of	4
we must go	4
the world had	4
for this purpose	4
be sought in	4
said the lady	4
lots of things	4
the air and	4
but at that	4
with nothing to	4
as a fact	4
was very kind	4
be sure to	4
for the creative	4
and to this	4
them with a	4
hogo the mogo	4
all the world	4
into a frog	4
to come and	4
and the boy	4
instinct in general	4
to talk about	4
look out for	4
plynck and her	4
for the judge	4
in the present	4
i will explain	4
up her mind	4
saw that he	4
to the same	4
was talking to	4
was more than	4
to the extreme	4
as he stood	4
again and again	4
her own toadstool	4
and the poor	4
is but a	4
would be the	4
limit myself to	4
after a moment	4
to become objectified	4
was afraid you	4
image of a	4
his wife were	4
and after the	4
they all came	4
passed into the	4
in the attic	4
seemed to sara	4
as if by	4
a very fine	4