This is a list of all the questions and their associated study carrel identifiers. One can learn a lot of the "aboutness" of a text simply by reading the questions.
| identifier | question |
|---|---|
| 46241 | Nor, Now you have made your beauty, what are you going to do with it? |
| 46241 | Well, how is this beauty to be obtained? |
| 46241 | You have not got to say, Now you have your story, how are you going to embellish it? |
| 45170 | Ninth Century?" |
| 40250 | 1498( FLORENCE, 1493?)] |
| 40250 | We might go( who knows how much further?) |
| 40250 | _ Fior di Virtù_( Florence, 1493? |
| 26473 | Where is the light of thine eye? |
| 26473 | Where is thy pearl, and thy silver and gold, And the diadem bright on thy head of old? 26473 Why is that cypress tree bowed and bent?" |
| 26473 | Ere A, B, C, are rightly apprehended, How canst thou con the pages of the_ QUR''AN? |
| 26473 | He asked after the King, saying,''How is my son the King? |
| 26473 | What was the vital force that brought about this cultural evolution and unification? |
| 26473 | _"Where is thy youth, and thy beauty, and pride?" |
| 26473 | is he in good health?'' |
| 45332 | Arcanum habeat quo pennam formet ut habilis sit et ydonea ad scribendum...... Habeat dentem canis(?) |
| 45332 | Et spectaculum habeat ne ob errorem moram disspendiosam(?). |
| 45332 | Habeat etiam pumicem mordacem et planulam ad pactandum(?) |
| 45332 | He should have the tooth of a dog(?) |
| 45332 | The scribe should have an_ epicaustorium_[304] covered with leather; he should have an_ arcanum_( pen- knife?) |
| 45332 | The scribe should sit in an arm chair, with arms raised on each side to support a desk or? |
| 45129 | How many might in time have wise been made, Before their time, had they not thought them so? 45129 Is''t a time to talk When we should be munching?" |
| 45129 | What artist e''er was master of his trade Yer he began his prenticeship to know? |
| 45129 | _ Ibid._"To spur beyond Its wiser will the jaded appetite, Is this for pleasure? |
| 27916 | Boy,he said, severely,"what affair of thine is this matter about Brother Stephen? |
| 27916 | Yes, sir,answered Gabriel, coming up to the road; and then,"Art thou Gabriel?" |
| 27916 | ), and brought all the flowers for the borders? |
| 27916 | And then he said beseechingly:"But surely King Louis will help them? |
| 27916 | And then, as he looked sharply at Gabriel, he added,"Did Brother Stephen send thee hither? |
| 27916 | Art thou ill?" |
| 27916 | Canst thou make ink and grind colours and prepare gold size?" |
| 27916 | Canst thou rule lines without blotting? |
| 27916 | Had he not brought back their father and the sheep? |
| 27916 | Had he not gathered the thorny hawthorn, and pricked his fingers, and spent days and days making the ink? |
| 27916 | Had he not, week after week, ground the colours and the gold till his arms ached, and his hands were blistered? |
| 27916 | Is this the farm of the peasant Viaud?" |
| 27916 | Surely our gracious sovereign will not allow such injustice and cruelty?" |
| 27916 | Was he not working so hard? |
| 27916 | Who art thou?" |
| 27916 | Why was Brother Stephen chained? |
| 27916 | he said,"what hast thou found that seems to please thee?" |
| 27916 | will you not command Brother Stephen to be set free from his chain?" |
| 18212 | Are you God? |
| 18212 | But did I not in vain try to make him understand that this brilliant gold would hurt the faces, and completely ruin the effect of colour?... |
| 18212 | It is of the same hardness, and though of a different colour, must be classified with the sapphire: what better classification do you want? 18212 What, Mother?" |
| 18212 | Why do you hang on the cross? |
| 18212 | Ai n''t these all stones and all different?'' |
| 18212 | An old Italian book enjoins the polishing of this imitation ebony as follows:"Is the wood to be polished with burnt pumice stone? |
| 18212 | And for the binding of these beautiful volumes, how was the leather obtained? |
| 18212 | And to draw and design the wild and tame Beasts of the forest and field? |
| 18212 | And what shall we say of the acrobatic antics of Leofwine and Gyrth when meeting their deaths in battle? |
| 18212 | And yet who shall say whether a"dress- reform"Laura would have charmed any more surely the eye of the poet? |
| 18212 | Do I consider that horse well proportioned, or do I not? |
| 18212 | If the lights and shadows fall pleasantly, how little one stops to inquire,"What is the subject? |
| 18212 | If this were the allowance of pensioners, what must have been the proportion among the well- to- do? |
| 18212 | In De Luna''s"Diologos Familiarea,"a Spanish work of 1669, the following conversation is given:"How much has your worship paid for this cabinet? |
| 18212 | Is that woman in good drawing?" |
| 18212 | Is there no deceit in these goodlye shows? |
| 18212 | On the cross is an inscription in the form of a dialogue:"My son?" |
| 18212 | St. Bernard concludes with the universal argument:"Oh, God, if one is not ashamed of these puerilities, why does not one at least spare the expense?" |
| 18212 | The sentiment is not entirely disinterested; but are not motives generally mixed? |
| 18212 | Was it in the nature of a confession or an accusation of some hitherto unknown occurrence? |
| 18212 | What were the early influences of Nicola Pisano, that helped to make him so much more more modern, more truly classic, than any of his age? |
| 18212 | What wood is it made of? |
| 18212 | Who shall say what revelation may have been embodied in these words? |
| 18212 | Yes, and why the devil do n''t you add pearls, too, among the jewels, ai n''t they fish bones?" |
| 18212 | has n''t the air got its sun?" |