This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
trigram | frequency |
---|---|
according to the | 42 |
of a devise | 40 |
early english books | 33 |
of the devise | 32 |
ought to be | 30 |
it is a | 27 |
in this world | 27 |
english books online | 26 |
that i may | 25 |
there is no | 25 |
all the world | 24 |
with this motto | 24 |
the body of | 23 |
notes for div | 22 |
for div a | 22 |
make use of | 22 |
as for the | 21 |
not to be | 20 |
it is not | 17 |
text creation partnership | 17 |
the way to | 17 |
of the figure | 17 |
ought not to | 17 |
the life of | 16 |
to the end | 16 |
in respect of | 16 |
made use of | 16 |
the opinion of | 16 |
thou canst not | 16 |
based on the | 15 |
dedicated to the | 15 |
is to be | 15 |
out of the | 15 |
the king of | 14 |
is but a | 14 |
of the world | 14 |
there is a | 14 |
thou art my | 14 |
that the motto | 14 |
the use of | 14 |
as much as | 14 |
that is to | 14 |
and in the | 14 |
of the author | 14 |
the figure of | 14 |
the name of | 13 |
of him that | 13 |
quality of the | 13 |
and all the | 13 |
part of the | 13 |
as well as | 13 |
those that are | 13 |
is to say | 13 |
where there is | 13 |
a devise is | 13 |
i know not | 12 |
the nature of | 12 |
of the body | 12 |
the quality of | 12 |
the devise of | 12 |
keying and markup | 12 |
that a devise | 12 |
in the devise | 12 |
there was no | 11 |
use of the | 11 |
the number of | 11 |
and the other | 11 |
if it be | 11 |
of the thing | 11 |
in the motto | 11 |
this is the | 11 |
as in the | 11 |
those which are | 11 |
i am of | 11 |
reverses of medalls | 11 |
and that the | 11 |
are to be | 11 |
snares in thy | 11 |
night and day | 10 |
characters represented either | 10 |
the armes of | 10 |
for as much | 10 |
the art of | 10 |
where shall i | 10 |
of all the | 10 |
either as utf | 10 |
to be a | 10 |
body of the | 10 |
represented either as | 10 |
the devise is | 10 |
and thou shalt | 10 |
marked as illegible | 10 |
that it is | 9 |
nature of the | 9 |
price one shilling | 9 |
it ought to | 9 |
respect of the | 9 |
that they may | 9 |
by way of | 9 |
body of a | 9 |
it is the | 9 |
in stead of | 9 |
the whole world | 9 |
bring the day | 9 |
a perfect devise | 9 |
flesh and bloud | 9 |
of the words | 9 |
there was a | 9 |
one and the | 9 |
the propriety of | 9 |
of this world | 9 |
all things are | 9 |
which are not | 9 |
that can be | 9 |
which may be | 9 |
that which is | 9 |
that we may | 9 |
and let thy | 9 |
and in that | 8 |
edition of the | 8 |
das goettlich wort | 8 |
the temple of | 8 |
to be understood | 8 |
the hand of | 8 |
so much the | 8 |
it is to | 8 |
to make use | 8 |
and by the | 8 |
the subject of | 8 |
the crown of | 8 |
to be taken | 8 |
or such like | 8 |
thou art not | 8 |
by how much | 8 |
no need to | 8 |
by the figure | 8 |
the place of | 8 |
it may be | 8 |
and so of | 8 |
of the same | 8 |
the duke of | 8 |
to be the | 8 |
it must be | 8 |
the light of | 8 |
of the most | 8 |
and such like | 8 |
available for reuse | 7 |
keyed and coded | 7 |
the words are | 7 |
financial support to | 7 |
use of them | 7 |
to each other | 7 |
providing financial support | 7 |
by the institutions | 7 |
to be so | 7 |
described above is | 7 |
that all the | 7 |
quoth the man | 7 |
i have no | 7 |
i would not | 7 |
coded from proquest | 7 |
the manner of | 7 |
this keyboarded and | 7 |
that i am | 7 |
terms of creative | 7 |
text transcribed from | 7 |
scanned from microfilm | 7 |
markup reviewed and | 7 |
to the opinion | 7 |
as if they | 7 |
kb of xml | 7 |
the intention of | 7 |
the institutions providing | 7 |
of creative commons | 7 |
when shall i | 7 |
devise of the | 7 |
proquest page images | 7 |
so that the | 7 |
in the same | 7 |
charles the first | 7 |
if they be | 7 |
the death of | 7 |
and i am | 7 |
the terms of | 7 |
this phase i | 7 |
tiff page images | 7 |
of this art | 7 |
be taken from | 7 |
that the devise | 7 |
books online text | 7 |
and encoded edition | 7 |
in so much | 7 |
and when they | 7 |
can be copied | 7 |
even for commercial | 7 |
much as the | 7 |
distributed and performed | 7 |
reviewed and edited | 7 |
images scanned from | 7 |
encoded text transcribed | 7 |
they would not | 7 |
and he that | 7 |
iv tiff page | 7 |
the title of | 7 |
am of opinion | 7 |
for want of | 7 |
one of the | 7 |
taken out of | 7 |
work described above | 7 |
i am sick | 7 |
owned by the | 7 |
above is co | 7 |
pfs batch review | 7 |
which is the | 7 |
a slave to | 7 |
and for the | 7 |
for keying and | 7 |
text and markup | 7 |
assigned for keying | 7 |
as it is | 7 |
and then the | 7 |
text can be | 7 |
institutions providing financial | 7 |
the head of | 7 |
as it were | 7 |
must not be | 7 |
tcp assigned for | 7 |
day and night | 7 |
without asking permission | 7 |
not in the | 7 |
from proquest page | 7 |
to the terms | 7 |
with these words | 7 |
that he was | 7 |
for commercial purposes | 7 |
why dost thou | 7 |
of those that | 7 |
the text can | 7 |
i text is | 7 |
thou art the | 7 |
he is a | 7 |
when they are | 7 |
what shall i | 7 |
to the figure | 7 |
and coded from | 7 |
that the words | 7 |
the work described | 7 |
gott der herr | 7 |
to the early | 7 |
and xml conversion | 7 |
to and fro | 7 |
much the more | 7 |
propriety of the | 7 |
to him that | 7 |
of it selfe | 7 |
to expresse the | 7 |
the early english | 7 |
that he hath | 7 |
in this point | 7 |
the height of | 7 |
the law of | 7 |
keyboarded and encoded | 7 |
that in the | 7 |
the one and | 7 |
to the world | 7 |
art of making | 7 |
online text creation | 7 |
and markup reviewed | 7 |
support to the | 7 |
sampled and proofread | 7 |
phase i text | 7 |
that they are | 7 |
of the egyptians | 7 |
is available for | 7 |
all without asking | 7 |
encoded edition of | 7 |
with those that | 7 |
text is available | 7 |
in the body | 7 |
of the work | 7 |
devise is a | 6 |
as if it | 6 |
essentiall part of | 6 |
all sorts of | 6 |
as well of | 6 |
and the most | 6 |
to come to | 6 |
to those that | 6 |
how art thou | 6 |
a number of | 6 |
but that the | 6 |
is not so | 6 |
taken from the | 6 |
that thou maist | 6 |
to the reader | 6 |
but if the | 6 |
and to be | 6 |
without thy presence | 6 |
so much as | 6 |
soo do et | 6 |
the memory of | 6 |
the eyes of | 6 |
the end of | 6 |
i dare not | 6 |
is there no | 6 |
meaning of the | 6 |
and with his | 6 |
is the way | 6 |
some kind of | 6 |
the time of | 6 |
the cause of | 6 |
earth can give | 6 |
upon the subject | 6 |
were sent to | 6 |
they are but | 6 |
see how they | 6 |
and like a | 6 |
and now the | 6 |
the house of | 6 |
a world of | 6 |
and if it | 6 |
by the motto | 6 |
of a work | 6 |
naturall or artificiall | 6 |
so shalt thou | 6 |
and to the | 6 |
a devise ought | 6 |
usage of the | 6 |
so full of | 6 |
and not to | 6 |
figure of the | 6 |
of the earth | 6 |
and for motto | 6 |
of the motto | 6 |
die gantze welt | 6 |
those devises which | 6 |
how my soul | 6 |
that he is | 6 |
that it be | 6 |
and it is | 6 |
on either hand | 6 |
we may make | 6 |
on the earth | 6 |
the way of | 6 |
how often have | 6 |
the conjunction of | 6 |
the end that | 6 |
of the whole | 6 |
and such as | 6 |
of making devises | 6 |
to do so | 6 |
the love of | 6 |
see how the | 6 |
of all that | 6 |
to the body | 6 |
the most part | 6 |
he is mine | 6 |
majesty in misery | 6 |
the glory of | 6 |
in the world | 6 |
devises which are | 6 |
the shades of | 6 |
of time and | 6 |
which there is | 6 |
there are some | 6 |
the devises of | 6 |
on the life | 6 |
an essentiall part | 6 |
quoth the asse | 6 |
the motto is | 6 |
ought to have | 6 |
the world to | 6 |
of the duke | 6 |
to external keying | 5 |
texts created during | 5 |
between the universities | 5 |
during phase of | 5 |
every monographic english | 5 |
mainly structural encoding | 5 |
we have already | 5 |
over a wide | 5 |
with so much | 5 |
but for my | 5 |
was intended to | 5 |
and to expresse | 5 |
tcp is a | 5 |
in of gaps | 5 |
although there are | 5 |
at the text | 5 |
o how my | 5 |
and so in | 5 |
it to be | 5 |
of the figures | 5 |
a partnership between | 5 |
that he may | 5 |
remain and some | 5 |
should make clear | 5 |
most of all | 5 |
works are eligible | 5 |
and all those | 5 |
and or corrected | 5 |
this world is | 5 |
of any assumptions | 5 |
the most noble | 5 |
should bear in | 5 |
the text creation | 5 |
images in accordance | 5 |
in english were | 5 |
to create accurately | 5 |
unicode or tei | 5 |
image sets were | 5 |
the usual project | 5 |
editions of a | 5 |
a wide variety | 5 |
quality assurance was | 5 |
in all likelihood | 5 |
which did not | 5 |
encode one copy | 5 |
title published between | 5 |
the day of | 5 |
in such sort | 5 |
limit of instances | 5 |
using tcp tei | 5 |
in the crosse | 5 |
structural encoding based | 5 |
the overall quality | 5 |
for the most | 5 |
intended to range | 5 |
the universities of | 5 |
now take and | 5 |
that in all | 5 |
by user contributors | 5 |
what art thou | 5 |
unlesse it be | 5 |
understanding these processes | 5 |
works in english | 5 |
likelihood such instances | 5 |
there are a | 5 |
art and nature | 5 |
with changes to | 5 |
of the soule | 5 |
between and available | 5 |
why hast thou | 5 |
their works are | 5 |
on the text | 5 |
number of works | 5 |
and for his | 5 |
are eligible for | 5 |
their early english | 5 |
or later edition | 5 |
issued variously as | 5 |
is to encode | 5 |
project restraints of | 5 |
as if the | 5 |
variously as sgml | 5 |
possible up to | 5 |
the public domain | 5 |
encoded as gap | 5 |
then all things | 5 |
credit and attribution | 5 |
so well by | 5 |
such instances will | 5 |
have been issued | 5 |
these processes should | 5 |
as to the | 5 |
of textual data | 5 |
for an anonymous | 5 |
the texts were | 5 |
the process of | 5 |
keyers to be | 5 |
for my part | 5 |
eligible for inclusion | 5 |
transformed into placeholder | 5 |
and linked to | 5 |
he could not | 5 |
have been transformed | 5 |
sets published by | 5 |
sick of love | 5 |
is the greater | 5 |
thou wilt not | 5 |
available at the | 5 |
their own purposes | 5 |
all likelihood such | 5 |
users should be | 5 |
opposed to critical | 5 |
it with a | 5 |
and those which | 5 |
and i will | 5 |
the pineons of | 5 |
in a devise | 5 |
partnership web site | 5 |
some errors will | 5 |
characters marked as | 5 |
accuracy and those | 5 |
this is that | 5 |
in accordance with | 5 |
of every monographic | 5 |
to make a | 5 |
georgette de montenay | 5 |
university of nebraska | 5 |
and as the | 5 |
when it is | 5 |
domain as of | 5 |
by so much | 5 |
publisher proquest to | 5 |
of the project | 5 |
language title published | 5 |
and oxford and | 5 |
with a full | 5 |
therefore chose to | 5 |
and sometimes a | 5 |
by day and | 5 |
instances will never | 5 |
teams in oxford | 5 |
proquest via their | 5 |
the least degree | 5 |
in other languages | 5 |
here and there | 5 |
sometimes a second | 5 |
the motto of | 5 |
who would not | 5 |
did not meet | 5 |
to be redone | 5 |
each text was | 5 |
are full of | 5 |
to a limit | 5 |
is very good | 5 |
range over a | 5 |
in the market | 5 |
of the process | 5 |
later edition of | 5 |
are a number | 5 |
created by converting | 5 |
published by proquest | 5 |
of subject areas | 5 |
the keyers to | 5 |
an account of | 5 |
as opposed to | 5 |
restraints of time | 5 |
were encoded and | 5 |
for i am | 5 |
which are made | 5 |
characters or elements | 5 |
and some the | 5 |
and therefore chose | 5 |
up to a | 5 |
to create diplomatic | 5 |
or tei g | 5 |
to see thy | 5 |
texts based on | 5 |
anyone can now | 5 |
to the keyers | 5 |
the secrets of | 5 |
edition of a | 5 |
within the usual | 5 |
and therefore of | 5 |
and available in | 5 |
but in the | 5 |
in mind that | 5 |
and basic encoding | 5 |
of creating the | 5 |
and the publisher | 5 |
markup guidelines are | 5 |
these texts for | 5 |
whom they are | 5 |
but if you | 5 |
the tcp texts | 5 |
request that due | 5 |
are available at | 5 |
sets were sent | 5 |
to simplify the | 5 |
the new cambridge | 5 |
their original source | 5 |
have been looked | 5 |
into the public | 5 |
relation to each | 5 |
to be more | 5 |
be aware of | 5 |
corrected and characters | 5 |
onely to the | 5 |
and markup guidelines | 5 |
to know the | 5 |
have been released | 5 |
phase of the | 5 |
filling in of | 5 |
by meanes of | 5 |
michigan and oxford | 5 |
into placeholder characters | 5 |
he is the | 5 |
pineons of a | 5 |
he doth not | 5 |
the first that | 5 |
shall i seek | 5 |
aware of the | 5 |
elements to simplify | 5 |
quality of tcp | 5 |
files to tei | 5 |
tei in libraries | 5 |
that due credit | 5 |
an anonymous work | 5 |
of known extent | 5 |
a works in | 5 |
the texts have | 5 |
appears in ncbel | 5 |
simplify the filling | 5 |
texts have been | 5 |
instances per text | 5 |
the true nature | 5 |
create accurately transcribed | 5 |
by editorial teams | 5 |
a kind of | 5 |
record of the | 5 |
the encoding was | 5 |
with his own | 5 |
the project have | 5 |
aim of eebo | 5 |
the perfection of | 5 |
the wings of | 5 |
of michigan and | 5 |
of original in | 5 |
whichever is the | 5 |
text encoding initiative | 5 |
by university of | 5 |
was proofread for | 5 |
been looked at | 5 |
the figures of | 5 |
reason to do | 5 |
o tell him | 5 |
text strings within | 5 |
with mnemonic sdata | 5 |
bibliography of english | 5 |
english were prioritized | 5 |
which have no | 5 |
and to that | 5 |
via their early | 5 |
project have been | 5 |
with level of | 5 |
proofread for accuracy | 5 |
of the matter | 5 |
and attribution is | 5 |
figures and words | 5 |
attribution is given | 5 |
and yet thou | 5 |
process of creating | 5 |
to range over | 5 |
the first edition | 5 |
for their own | 5 |
the image sets | 5 |
keying companies for | 5 |
be understood by | 5 |
the understanding of | 5 |
processes should make | 5 |
for francis constable | 5 |
latin and welsh | 5 |
oxford and michigan | 5 |
crown of glory | 5 |
or for an | 5 |
a compelling reason | 5 |
chose to create | 5 |
therefore of any | 5 |
sent to external | 5 |
and characters marked | 5 |
tei g elements | 5 |
to encode one | 5 |
the devise be | 5 |
would not be | 5 |
available in eebo | 5 |
use these texts | 5 |
text with mnemonic | 5 |
gap elements of | 5 |
of the period | 5 |
ascii text with | 5 |
but we respectfully | 5 |
life and death | 5 |
will remain and | 5 |
public domain as | 5 |
of works in | 5 |
be marked as | 5 |
tcp data is | 5 |
is this that | 5 |
the sense of | 5 |
in a word | 5 |
nature or art | 5 |
life of the | 5 |
was chosen if | 5 |
treating of hieroglyphicks | 5 |
figure of a | 5 |
so of others | 5 |
published between and | 5 |
which are taken | 5 |
tcp is to | 5 |
could not be | 5 |
but as the | 5 |
if thou be | 5 |
made about the | 5 |
known extent have | 5 |
the general aim | 5 |
was then carried | 5 |
or text strings | 5 |
about the data | 5 |
cambridge bibliography of | 5 |
of a good | 5 |
extent have been | 5 |
encoded and linked | 5 |
in the way | 5 |
we may say | 5 |
chosen if there | 5 |
creation partnership web | 5 |
encoding based on | 5 |
respectfully request that | 5 |
proquest to create | 5 |
tei p using | 5 |
the knowledge of | 5 |
as gap s | 5 |
lincoln and northwestern | 5 |
text was proofread | 5 |
are taken from | 5 |
characters will be | 5 |
due credit and | 5 |
for transcription and | 5 |
and t is | 5 |
will be marked | 5 |
to produce large | 5 |
a work was | 5 |
changes to facilitate | 5 |
nature and art | 5 |
readable characters will | 5 |
was enhanced and | 5 |
in the figure | 5 |
not meet qa | 5 |
so sweet a | 5 |
were corrected where | 5 |
what ails my | 5 |
illegible were corrected | 5 |
reproduction of original | 5 |
of gaps by | 5 |
there are two | 5 |
take and use | 5 |
then their works | 5 |
project was divided | 5 |
the text encoding | 5 |
a second or | 5 |
thou shalt be | 5 |
can now take | 5 |
and some readable | 5 |
the choice of | 5 |
some readable characters | 5 |
original in the | 5 |
the best of | 5 |
while the overall | 5 |
account of the | 5 |
users should bear | 5 |
i my best | 5 |
the print record | 5 |
of the print | 5 |
devise ought not | 5 |
my life is | 5 |
of the tei | 5 |
data within the | 5 |
any assumptions that | 5 |
any remaining illegibles | 5 |
of english literature | 5 |
works in other | 5 |
standards were returned | 5 |
to their original | 5 |
errors will remain | 5 |
been transformed into | 5 |
copies of the | 5 |
of a works | 5 |
they are not | 5 |
we respectfully request | 5 |
will never have | 5 |
universities of michigan | 5 |
and with the | 5 |
mnemonic sdata character | 5 |
true nature of | 5 |
heart of man | 5 |
selection was based | 5 |
is given to | 5 |
tcp project was | 5 |
notably latin and | 5 |
linked to page | 5 |
as illegible were | 5 |
released into the | 5 |
been issued variously | 5 |
taken from nature | 5 |
at by a | 5 |
of tcp data | 5 |
editorial teams in | 5 |
the face of | 5 |
compelling reason to | 5 |
the filling in | 5 |
without which there | 5 |
illegibles were encoded | 5 |
unicode or text | 5 |
reflect the true | 5 |
given to their | 5 |
which thou hast | 5 |
to page images | 5 |
if there was | 5 |
texts for their | 5 |
and in a | 5 |
page images in | 5 |
put in the | 5 |
sdata character entities | 5 |
bear in mind | 5 |
remaining illegibles were | 5 |
and with her | 5 |
general aim of | 5 |
as in that | 5 |
if an author | 5 |
quantities of textual | 5 |
of the italians | 5 |
ocm this keyboarded | 5 |
and all her | 5 |
transcription and basic | 5 |
god and man | 5 |
wide variety of | 5 |
returned to the | 5 |
and i have | 5 |
the invention of | 5 |
out by editorial | 5 |
accordance with level | 5 |
of instances per | 5 |
may make use | 5 |
carried out by | 5 |
to facilitate morpho | 5 |
of the texts | 5 |
then carried out | 5 |
where possible up | 5 |
enhanced and or | 5 |
new cambridge bibliography | 5 |
processed by university | 5 |
i am a | 5 |
create diplomatic transcriptions | 5 |
the example of | 5 |
king of kings | 5 |
overall quality of | 5 |
large quantities of | 5 |
by proquest via | 5 |
divided into two | 5 |
to all the | 5 |
of the sunne | 5 |
companies for transcription | 5 |
partnership between the | 5 |
was divided into | 5 |
never have been | 5 |
those which did | 5 |
is more then | 5 |
image sets published | 5 |
usually the first | 5 |
meet qa standards | 5 |
have a care | 5 |
external keying companies | 5 |
by converting tcp | 5 |
was a compelling | 5 |
if it were | 5 |
variety of subject | 5 |
usual project restraints | 5 |
corrected where possible | 5 |
level of the | 5 |
were returned to | 5 |
elements of known | 5 |
be made about | 5 |
opinion of bargagli | 5 |
creating the tcp | 5 |
strings within braces | 5 |
in libraries guidelines | 5 |
or corrected and | 5 |
author of the | 5 |
to critical editions | 5 |
the hearts of | 5 |
that it may | 5 |
texts were encoded | 5 |
though it be | 5 |
looked at by | 5 |
print record of | 5 |
included and sometimes | 5 |
accurately transcribed and | 5 |
qa standards were | 5 |
if thou wilt | 5 |
produce large quantities | 5 |
converting tcp files | 5 |
that of the | 5 |
what thou art | 5 |
then drinke tobacco | 5 |
transcribed and encoded | 5 |
on the image | 5 |
p using tcp | 5 |
to tei p | 5 |
by a tcp | 5 |
know not where | 5 |
for accuracy and | 5 |
or elements to | 5 |
it be not | 5 |
gaps by user | 5 |
assurance was then | 5 |
on the new | 5 |
into two phases | 5 |
name of the | 5 |
is a partnership | 5 |
should be aware | 5 |
can be made | 5 |
is not this | 5 |
devise ought to | 5 |
to reflect the | 5 |
guidelines are available | 5 |
in oxford and | 5 |
aimed to produce | 5 |
tcp aimed to | 5 |
created during phase | 5 |
and encoded texts | 5 |
or to the | 5 |
encoding was enhanced | 5 |
and use these | 5 |
work was chosen | 5 |
as of january | 5 |
mind that in | 5 |
what thou hast | 5 |
the publisher proquest | 5 |
assumptions that can | 5 |
the tei in | 5 |
tcp files to | 5 |
were encoded as | 5 |
time and funding | 5 |
or lossless xml | 5 |
data is very | 5 |
placeholder characters or | 5 |
textual data within | 5 |
second or later | 5 |
and upon the | 5 |
first editions of | 5 |
if thou please | 5 |
oxford and the | 5 |
text selection was | 5 |
selection was intended | 5 |
we ought to | 5 |
been released into | 5 |
was based on | 5 |
to the king | 5 |
like as the | 5 |
encoded texts based | 5 |
of each text | 5 |
make clear that | 5 |
a limit of | 5 |
the meaning of | 5 |
of a man | 5 |
a tcp editor | 5 |
the property of | 4 |
they shall be | 4 |
that are to | 4 |
which he hath | 4 |
come to the | 4 |
it is in | 4 |
things which are | 4 |
a time to | 4 |
georgetta de montenay | 4 |
and of the | 4 |
hugo de anima | 4 |
that the figure | 4 |
find or die | 4 |
to be drawne | 4 |
we must also | 4 |
the british library | 4 |
that they might | 4 |
thou art a | 4 |
is nothing else | 4 |
and propriety of | 4 |
rest in thee | 4 |
and let my | 4 |
one the other | 4 |
that you may | 4 |
ails my babe | 4 |
there is nothing | 4 |
for his devise | 4 |
in being man | 4 |
of the face | 4 |
they will not | 4 |
be deprived of | 4 |
ninth emblem illustrated | 4 |
wo be unto | 4 |
from nature or | 4 |
to see how | 4 |
apex covantage keyed | 4 |
with all the | 4 |
in an instant | 4 |
for which the | 4 |
for a devise | 4 |
the author of | 4 |
you may see | 4 |
captivity in carisbrook | 4 |
behold thy darling | 4 |
his captivity in | 4 |
fifth emblem illustrated | 4 |
o thou that | 4 |
the thing represented | 4 |
is taken from | 4 |
covantage keyed and | 4 |
do not know | 4 |
to every one | 4 |
which is most | 4 |
thy self to | 4 |
out of his | 4 |
in the night | 4 |
sixth emblem illustrated | 4 |
i sought him | 4 |
is there a | 4 |
i was a | 4 |
which is not | 4 |
and make thy | 4 |
a rare and | 4 |
by his late | 4 |
i am dead | 4 |
as for my | 4 |
is of opinion | 4 |
r ocm this | 4 |
of the person | 4 |
of opinion that | 4 |
face to face | 4 |
or some other | 4 |
in the isle | 4 |
of those things | 4 |
and would not | 4 |
godt en den | 4 |
soul of man | 4 |
which is that | 4 |
i st dat | 4 |
how i am | 4 |
vpon the ground | 4 |
with such a | 4 |
well of the | 4 |
this kind of | 4 |
i must find | 4 |
understood by the | 4 |
of all those | 4 |
master of the | 4 |
the hands of | 4 |
the soule of | 4 |
of such a | 4 |
in the ayre | 4 |
fit for one | 4 |
and many other | 4 |
his own hand | 4 |
to be made | 4 |
of flesh and | 4 |
the usage of | 4 |
to be represented | 4 |
is in the | 4 |
the picture of | 4 |
one of those | 4 |
all the other | 4 |
intention of the | 4 |
in the city | 4 |
spring of life | 4 |
for which he | 4 |
and other things | 4 |
is not the | 4 |
the lord of | 4 |
and the same | 4 |
hearts of men | 4 |
of the mind | 4 |
cyphres and rebus | 4 |
some part of | 4 |
we must take | 4 |
that which we | 4 |
depends upon the | 4 |
when he saith | 4 |
the multitude of | 4 |
the power of | 4 |
quoth the cormorant | 4 |
not what thou | 4 |
the hieroglyphicks of | 4 |
be not so | 4 |
and though the | 4 |
thirtie and one | 4 |
bodies of devises | 4 |
may chance to | 4 |
the common people | 4 |
in spite of | 4 |
of figures and | 4 |
let those have | 4 |
was too too | 4 |
and let us | 4 |
that which he | 4 |
connexion of the | 4 |
thy hands have | 4 |
according to their | 4 |
devises are not | 4 |
that there is | 4 |
two or three | 4 |
of their owne | 4 |
early works to | 4 |
imploration to the | 4 |
eighth emblem illustrated | 4 |
they ought to | 4 |
english by tho | 4 |
they are made | 4 |
as of the | 4 |
and to his | 4 |
a crown of | 4 |
i charge you | 4 |
to be in | 4 |
of the comparison | 4 |
we may be | 4 |
and that they | 4 |
that will not | 4 |
as well naturall | 4 |
whom i must | 4 |
the view of | 4 |
is no doubt | 4 |
am sick of | 4 |
in carisbrook castle | 4 |
the eye of | 4 |
well naturall as | 4 |
of the wars | 4 |
as by the | 4 |
thou and i | 4 |
shades of night | 4 |
to make the | 4 |
the world is | 4 |
in the british | 4 |
to expresse his | 4 |
up thy soul | 4 |
the difference between | 4 |
use of these | 4 |
as he that | 4 |
she is my | 4 |
the truth of | 4 |
and this is | 4 |
and how the | 4 |
the nature and | 4 |
it should be | 4 |
by the generality | 4 |
the devise ought | 4 |
i know the | 4 |
and too too | 4 |
out of a | 4 |
an imploration to | 4 |
i am his | 4 |
of the man | 4 |
his late majesty | 4 |
how much the | 4 |
in a strange | 4 |
i could not | 4 |
thou shalt not | 4 |
instead of a | 4 |
how hast thou | 4 |
of what they | 4 |
often have i | 4 |
with this word | 4 |
is to the | 4 |
of devises are | 4 |
i should not | 4 |
from some of | 4 |
not where to | 4 |
thee with a | 4 |
in a vulgar | 4 |
proper to the | 4 |
by their own | 4 |
how shall we | 4 |
is not in | 4 |
that earth can | 4 |
use of it | 4 |
the reach of | 4 |
estc r ocm | 4 |
the egyptians were | 4 |
bring them to | 4 |
to that end | 4 |
relate to the | 4 |
by the hand | 4 |
o that my | 4 |
which are drawne | 4 |
the heart of | 4 |
not to the | 4 |
t is true | 4 |
the connexion of | 4 |
i should be | 4 |
ce qui est | 4 |
emblems with elegant | 4 |
that it should | 4 |
and for my | 4 |
forme of a | 4 |
the world and | 4 |
is subject to | 4 |
them to be | 4 |
i was in | 4 |
which he was | 4 |
and then to | 4 |
are drawne from | 4 |
if there be | 4 |
must have a | 4 |
it selfe to | 4 |
which is in | 4 |
had i the | 4 |
me from the | 4 |
my sinnes are | 4 |
into english by | 4 |
on the ground | 4 |
author of a | 4 |
the body and | 4 |
and by that | 4 |
i may see | 4 |
if thou art | 4 |
written by his | 4 |
is daer is | 4 |
to this end | 4 |
though i can | 4 |
the motto ought | 4 |
with elegant figures | 4 |
and if you | 4 |
my soul is | 4 |
to say truth | 4 |
at the last | 4 |
make hast to | 4 |
crown of life | 4 |
for whom they | 4 |
with all that | 4 |
to which is | 4 |
we must not | 4 |
and for that | 4 |
hieroglyphicks of the | 4 |
and thus he | 4 |
be in a | 4 |
as soon as | 4 |
hard to be | 4 |
to the subject | 4 |
the exercise of | 4 |
east and west | 4 |
which they have | 4 |
according to his | 4 |
he will not | 4 |
had not been | 4 |
let not the | 4 |
but what is | 4 |
can find no | 4 |
to heare the | 4 |
the bodies of | 4 |
from the same | 4 |
with that he | 4 |
for me to | 4 |
this is a | 4 |
that i might | 4 |
how i would | 4 |
of all things | 4 |
or at least | 4 |
is this the | 4 |
from nature and | 4 |
is the most | 4 |
must find or | 4 |
those have night | 4 |
head of a | 4 |
that thou hast | 4 |
of that which | 4 |
for all the | 4 |
must take heed | 4 |
of the things | 4 |
he that will | 4 |
could not see | 4 |
is the best | 4 |
by the way | 4 |
shall i do | 4 |
during his captivity | 4 |
dios por su | 4 |
how much it | 3 |
to be of | 3 |
devises may be | 3 |
as if he | 3 |
for the connexion | 3 |
the destruction of | 3 |
lots for the | 3 |
of a prince | 3 |
me on my | 3 |
i do here | 3 |
at that time | 3 |
there might it | 3 |
written in french | 3 |
by the words | 3 |
let not thy | 3 |
and from that | 3 |
it was not | 3 |
we be not | 3 |
if thou dost | 3 |
even as the | 3 |
nor in the | 3 |
of the fable | 3 |
names of the | 3 |
he that is | 3 |
with our author | 3 |
fourth emblem illustrated | 3 |
all in vaine | 3 |
that kind of | 3 |
pant after thee | 3 |
say that the | 3 |
de faire des | 3 |
from the conjunction | 3 |
the sunne and | 3 |
and good counsel | 3 |
first written in | 3 |
so that no | 3 |
of the understanding | 3 |
then that which | 3 |
to be called | 3 |
thou hast a | 3 |
art my life | 3 |
is prefixed an | 3 |
and out of | 3 |
is the world | 3 |
shall not be | 3 |
but in a | 3 |
with the figure | 3 |
first emblem illustrated | 3 |
the intention or | 3 |
be met with | 3 |
he was not | 3 |
tells how he | 3 |
is not sufficient | 3 |
the comparison is | 3 |
represented in the | 3 |
of them in | 3 |
those that would | 3 |
the origin of | 3 |
both in the | 3 |
to tell what | 3 |
taught to speake | 3 |
that is the | 3 |
but such as | 3 |
as we have | 3 |
and when this | 3 |
poems and lots | 3 |
speake true english | 3 |
such like thing | 3 |
a part of | 3 |
the rules of | 3 |
with the body | 3 |
o my soul | 3 |
it were the | 3 |
more to say | 3 |
of a true | 3 |
illustration of each | 3 |
que rien ne | 3 |
and not by | 3 |
or of thy | 3 |
as in a | 3 |
dieu par christ | 3 |
as is the | 3 |
some there are | 3 |
and the words | 3 |
collected by r | 3 |
comparison is taken | 3 |
taken from art | 3 |
is vain to | 3 |
he that would | 3 |
not worth the | 3 |
he with his | 3 |
direct my feet | 3 |
to the intention | 3 |
the bosome of | 3 |
and in respect | 3 |
the dial then | 3 |
the midst of | 3 |
thou hast made | 3 |
he that can | 3 |
delights for the | 3 |
in time of | 3 |
the same end | 3 |
be found in | 3 |
mention of the | 3 |
to good purpose | 3 |
iamas lo dexar | 3 |
of some thing | 3 |
by vertue of | 3 |
my meaning is | 3 |
and not of | 3 |
to choose a | 3 |
to the generall | 3 |
eares of the | 3 |
whom shall i | 3 |
were kept in | 3 |
take heed that | 3 |
in all ages | 3 |
in severall langvages | 3 |
and lots for | 3 |
for that purpose | 3 |
to be observed | 3 |
by the sunne | 3 |
and are to | 3 |
it shall suffice | 3 |
in the day | 3 |
thy winged steps | 3 |
what is the | 3 |
subject of the | 3 |
it is made | 3 |
may as well | 3 |
so much that | 3 |
and that of | 3 |
the mysteries of | 3 |
to the eare | 3 |
with fifty delightful | 3 |
in the flood | 3 |
by his own | 3 |
adorned pleasant to | 3 |
the worst of | 3 |
such as these | 3 |
which is to | 3 |
from the figure | 3 |
and inspire my | 3 |
by thee i | 3 |
the parts of | 3 |
then to be | 3 |
would have to | 3 |
and that i | 3 |
no other thing | 3 |
to keep the | 3 |
and when he | 3 |
if you can | 3 |
for my selfe | 3 |
of the jews | 3 |
but then the | 3 |
is good to | 3 |
would not take | 3 |
my beloved that | 3 |
of each emblem | 3 |
of those who | 3 |
the rule of | 3 |
i found him | 3 |
from art and | 3 |
but not in | 3 |
the conception of | 3 |
from place to | 3 |
of the word | 3 |
for the ingenious | 3 |
meaning is not | 3 |
bell in the | 3 |
wherein ar one | 3 |
canst thou be | 3 |
which is prefixed | 3 |
prey to the | 3 |
to use the | 3 |
the warmth of | 3 |
i shall see | 3 |
lively illustration of | 3 |
no more in | 3 |
when they would | 3 |
and furthered by | 3 |
he that was | 3 |
be in the | 3 |
and pleasant recreation | 3 |
and yet to | 3 |
in the front | 3 |
relation of the | 3 |
both of you | 3 |
no more to | 3 |
art thou so | 3 |
to view the | 3 |
t is good | 3 |
in matter of | 3 |
the dainties of | 3 |
why do i | 3 |
favour of the | 3 |
the same manner | 3 |
in the dust | 3 |
of god and | 3 |
true english plainely | 3 |
in blood and | 3 |
for whose sake | 3 |
and you are | 3 |
when the motto | 3 |
there will be | 3 |
we ought not | 3 |
good counsel may | 3 |
as to say | 3 |
equall to them | 3 |
is like the | 3 |
wings of my | 3 |
by thomas scot | 3 |
to be sold | 3 |
where be those | 3 |
in regard of | 3 |
let thy winged | 3 |
my selfe a | 3 |
that which i | 3 |
yet i am | 3 |
by means of | 3 |
it from the | 3 |
for the same | 3 |
philomythologie wherin outlandish | 3 |
a figure of | 3 |
taken from a | 3 |
and wilt thou | 3 |
to whom shall | 3 |
academie of the | 3 |
of the art | 3 |
of thy love | 3 |
which are the | 3 |
the most proper | 3 |
would have it | 3 |
that there are | 3 |
i think that | 3 |
that she was | 3 |
sparkles of divine | 3 |
boast not thy | 3 |
in that the | 3 |
spring of a | 3 |
leave me not | 3 |
no more then | 3 |
it be in | 3 |
aut of this | 3 |
look upon me | 3 |
to speak in | 3 |
the conceptions of | 3 |
curiously ingraven upon | 3 |
what do we | 3 |
first by the | 3 |
of their own | 3 |
and that he | 3 |
fifty delightful poems | 3 |
and what is | 3 |
which you shall | 3 |
have no relation | 3 |
to make them | 3 |
grand master of | 3 |
to signifie the | 3 |
we doe not | 3 |
are taught to | 3 |
a multitude of | 3 |
and then my | 3 |
and then he | 3 |
winged steps out | 3 |
more in being | 3 |
second emblem illustrated | 3 |
dat men hem | 3 |
of the two | 3 |
the things figured | 3 |
in the life | 3 |
the bell in | 3 |
put in execution | 3 |
manner of drawing | 3 |
i am sure | 3 |
of many a | 3 |
this i know | 3 |
which the author | 3 |
which hath been | 3 |
in the one | 3 |
to be seene | 3 |
to whom the | 3 |
that of a | 3 |
may be made | 3 |
in favour of | 3 |
for that reason | 3 |
his last speech | 3 |
instruction and good | 3 |
hand of man | 3 |
my soul hath | 3 |
minde georgetta de | 3 |
is this a | 3 |
we may also | 3 |
or whole verse | 3 |
the self same | 3 |
and now in | 3 |
on every side | 3 |
the science of | 3 |
i the pineons | 3 |
to make thee | 3 |
whore of babylon | 3 |
who caused a | 3 |
for that he | 3 |
one that is | 3 |
and that no | 3 |
a booke of | 3 |
and sore above | 3 |
the church and | 3 |
out of that | 3 |
if he were | 3 |
i cannot see | 3 |
my part i | 3 |
some of these | 3 |
and yet how | 3 |
eyes and eares | 3 |
and when their | 3 |
out of some | 3 |
andrew kuster sampled | 3 |
is a great | 3 |
such as are | 3 |
o why do | 3 |
be unto those | 3 |
never to be | 3 |
the torments of | 3 |
take up and | 3 |
in above fifty | 3 |
and choice emblems | 3 |
have made use | 3 |
the god of | 3 |
to be expressed | 3 |
but all in | 3 |
use of those | 3 |
it is but | 3 |
made by comparison | 3 |
of paulus jovius | 3 |
may also be | 3 |
much as to | 3 |
to make one | 3 |
they may be | 3 |
the earth with | 3 |
the wars of | 3 |
of a lyon | 3 |
the term of | 3 |
then that of | 3 |
the motions of | 3 |
my soul shall | 3 |
if i have | 3 |
wars of england | 3 |
much the lesse | 3 |
as those which | 3 |
to the learned | 3 |
be understood of | 3 |
to expresse our | 3 |
in the mouth | 3 |
but thou art | 3 |
booke of armes | 3 |
by no means | 3 |
thus am i | 3 |
accompanied with a | 3 |
if that you | 3 |
shadowed by the | 3 |
as in this | 3 |
what hast thou | 3 |
whereby instruction and | 3 |
that for the | 3 |
naturall as artificiall | 3 |
and to make | 3 |
the breast of | 3 |
on of christ | 3 |
and what thou | 3 |
dayes of old | 3 |
the mouth of | 3 |
all that earth | 3 |
of king charles | 3 |
one spirituall emblems | 3 |
sea and land | 3 |
de do ot | 3 |
to bring them | 3 |
as also of | 3 |
how can i | 3 |
it doth not | 3 |
daer is oock | 3 |
trust is in | 3 |
french by henry | 3 |
contrary to the | 3 |
divine and moral | 3 |
and on the | 3 |
to admit of | 3 |
each to other | 3 |
of all kinds | 3 |
inserted in the | 3 |
the malice of | 3 |
so do i | 3 |
figures of rhetorick | 3 |
the reverse of | 3 |
and all other | 3 |
my soul the | 3 |
would not haue | 3 |
so swift as | 3 |
and the least | 3 |
shall i find | 3 |
have all things | 3 |
shall deliver me | 3 |
seventh emblem illustrated | 3 |
ingraven upon copper | 3 |
knowes not what | 3 |
happy is that | 3 |
the soules solace | 3 |
to that which | 3 |
out of this | 3 |
of the state | 3 |
to be put | 3 |
sinne and grace | 3 |
to whom he | 3 |
which ought to | 3 |
of his owne | 3 |
of an author | 3 |
it commeth that | 3 |
but to the | 3 |
of it self | 3 |
the wise and | 3 |
conceipt of wit | 3 |
by the same | 3 |
devise is made | 3 |
without a motto | 3 |
a sea of | 3 |
he had a | 3 |
false putting on | 3 |
from whence the | 3 |
in their hearts | 3 |
thy soul in | 3 |
happy is he | 3 |
so long he | 3 |
great number of | 3 |
who with a | 3 |
the measure of | 3 |
de quien se | 3 |
may say that | 3 |
with many a | 3 |
vnto the lyon | 3 |
fountain of eternall | 3 |
this a time | 3 |
though they have | 3 |
as that of | 3 |
part of a | 3 |
of all my | 3 |
well knowne to | 3 |
when we may | 3 |
fifty select and | 3 |
for that the | 3 |
frame a devise | 3 |
have to be | 3 |
of the ancients | 3 |
of the minde | 3 |
though they be | 3 |
brasse very fine | 3 |
to the eye | 3 |
delightful poems and | 3 |
in his hand | 3 |
king charles the | 3 |
on the other | 3 |
i seek thee | 3 |
deprived of the | 3 |
see him in | 3 |
in many places | 3 |
hope and labour | 3 |
all of us | 3 |
and where the | 3 |
is not to | 3 |
no es la | 3 |
can find a | 3 |
also to be | 3 |
rayes of the | 3 |
be promoted and | 3 |
but for a | 3 |
and only in | 3 |
in a moment | 3 |
but to expresse | 3 |
when i was | 3 |
wing e b | 3 |
the more lively | 3 |
in french by | 3 |
prefixed an incomparable | 3 |
is taken for | 3 |
to the understanding | 3 |
is that which | 3 |
the fountain of | 3 |
this ball of | 3 |
late majesty k | 3 |
even so the | 3 |
to the person | 3 |
vp in armes | 3 |
of divine love | 3 |
an incomparable poem | 3 |
the same with | 3 |
may be promoted | 3 |
that devise where | 3 |
for the author | 3 |
honest and pleasant | 3 |
the authour of | 3 |
of the devil | 3 |
this word devise | 3 |
taken for the | 3 |
and so he | 3 |
for this reason | 3 |
be of those | 3 |
vp to the | 3 |
very fine graven | 3 |
he thus not | 3 |
king of france | 3 |
and with thy | 3 |
to the eyes | 3 |
that have no | 3 |
good or bad | 3 |
place in state | 3 |
alluding to the | 3 |
teach me to | 3 |
de dieu la | 3 |
some other person | 3 |
the ground with | 3 |
that hath no | 3 |
devise may be | 3 |
know not whither | 3 |
but that i | 3 |
i pant after | 3 |
some relation to | 3 |
ancient and modern | 3 |
into the world | 3 |
of our god | 3 |
of all their | 3 |
door gods gheest | 3 |
and like an | 3 |
beams of thy | 3 |
is the end | 3 |
a blast of | 3 |
to follow the | 3 |
rare and particular | 3 |
counsel may be | 3 |
my heart shall | 3 |
as well for | 3 |
thou shalt see | 3 |
the tree of | 3 |
no other end | 3 |
there is an | 3 |
it is too | 3 |
the rigour of | 3 |
and like to | 3 |
the top of | 3 |
all kinds of | 3 |
i haue heard | 3 |
similitude or comparison | 3 |
the snares of | 3 |
that he would | 3 |
no doubt but | 3 |
light and knowledge | 3 |
as they are | 3 |
have no more | 3 |
and in an | 3 |
and when to | 3 |
i knew not | 3 |
by thine emblem | 3 |
in any other | 3 |
for a certaine | 3 |
both night and | 3 |
above fifty select | 3 |
with the king | 3 |
the world doth | 3 |
he shall not | 3 |
have i seen | 3 |
more lively illustration | 3 |
that my soul | 3 |
the instruments of | 3 |
kuster text and | 3 |
but the other | 3 |
thou dost not | 3 |
of all good | 3 |
of it in | 3 |
of the history | 3 |
the burden of | 3 |
we may see | 3 |
stc estc s | 3 |
and as for | 3 |
not thy self | 3 |
to the eagle | 3 |
the flesh is | 3 |
the representation of | 3 |
the spring of | 3 |
as all the | 3 |
a devise may | 3 |
an armed man | 3 |
translated into english | 3 |
all the worlds | 3 |
nor is it | 3 |
to be satisfied | 3 |
the law and | 3 |
derived from the | 3 |
for it is | 3 |
use of all | 3 |
use of in | 3 |
from my youth | 3 |
soo dat hy | 3 |
in this glasse | 3 |
the city of | 3 |
that for a | 3 |
perfect in all | 3 |
for the more | 3 |
him with his | 3 |
die van godt | 3 |
to serve as | 3 |
to speake true | 3 |
the rest of | 3 |
so great a | 3 |
a stc estc | 3 |
this is our | 3 |
spring of light | 3 |
is to do | 3 |
best of all | 3 |
strike the blow | 3 |
of a cloud | 3 |
putting on of | 3 |
de dios solo | 3 |
and one spirituall | 3 |
to shew the | 3 |
shall be the | 3 |
he would be | 3 |
for such a | 3 |
as you may | 3 |
wherin outlandish birds | 3 |
brought to light | 3 |
of the house | 3 |
do et al | 3 |
to what is | 3 |
sieur des fossez | 3 |
and all that | 3 |
with an emblem | 3 |
be drawne from | 3 |
description of the | 3 |
by henry estienne | 3 |
promoted and furthered | 3 |
den do ot | 3 |
gleich wie ein | 3 |
out of doubt | 3 |
me with thy | 3 |
but the good | 3 |
it is no | 3 |
the bird of | 3 |
el que la | 3 |
o that i | 3 |
how is thy | 3 |
or verse wys | 3 |
you haue done | 3 |
thou please to | 3 |
some at his | 3 |
of arts and | 3 |
upon copper plates | 3 |
of all these | 3 |
in that place | 3 |
are these the | 3 |
then in the | 3 |
mas de dios | 3 |
it would be | 3 |
the judgment of | 3 |
set on fire | 3 |
good or ill | 3 |
are not so | 3 |
out of order | 3 |
to his owne | 3 |
shall i go | 3 |
we must observe | 3 |
dedicated to all | 3 |
to leave her | 3 |
only in the | 3 |
arts and sciences | 3 |
at all times | 3 |
the humour or | 3 |
found out the | 3 |
of our saviour | 3 |
that you are | 3 |
of this definition | 3 |
the more it | 3 |
the cause why | 3 |
remarks on the | 3 |
as may be | 3 |
is not onely | 3 |
no place is | 3 |
is no other | 3 |
whom there is | 3 |
the queen of | 3 |
the danger of | 3 |
is not that | 3 |
which in a | 3 |
which if thou | 3 |
things that are | 3 |
or out of | 3 |
to be done | 3 |
is made by | 3 |
may easily be | 3 |
is in respect | 3 |
the gates of | 3 |
motto ought not | 3 |
in that of | 3 |
and industrious minde | 3 |
it might be | 3 |
are able to | 3 |
art de faire | 3 |
there a beast | 3 |
to view thy | 3 |
babe to cry | 3 |
there should i | 3 |
at this day | 3 |
faire des devises | 3 |
and admirable curiosities | 3 |
devise of a | 3 |
them in their | 3 |
die de weirelt | 3 |
but on the | 3 |
an emblem of | 3 |
the reason of | 3 |
words of the | 3 |
through all the | 3 |
of this book | 3 |
you may be | 3 |
ob schon der | 3 |
art my way | 3 |
dart up thy | 3 |
be taken out | 3 |
and if they | 3 |
the signes of | 3 |
of the learned | 3 |
are thy thoughts | 3 |
the motto may | 3 |
having lost the | 3 |
andrew kuster text | 3 |
out of her | 3 |
of a dove | 3 |
soo i st | 3 |
of this devise | 3 |
by an honest | 3 |
we may with | 3 |
which hath the | 3 |
to the name | 3 |
as we may | 3 |
of this age | 3 |
of such as | 3 |
who seekes two | 3 |
they good or | 3 |
for my own | 3 |
if the devise | 3 |
such sort that | 3 |
must be observed | 3 |
of all his | 3 |
not to admit | 3 |
my soul be | 3 |
in our emblem | 3 |
man of sinne | 3 |
be made use | 3 |
which to prevent | 3 |
furthered by an | 3 |
remarks of london | 3 |
the figures which | 3 |
or thirtie and | 3 |
who seeks two | 3 |
my selfe to | 3 |
hands have made | 3 |
or can the | 3 |
of the dead | 3 |
is a hard | 3 |
thrice happy he | 3 |
are they that | 3 |
and usage of | 3 |
that man is | 3 |
that through the | 3 |
which doth lie | 3 |
to represent the | 3 |
fit to be | 3 |
place to place | 3 |
and how my | 3 |
is not fit | 3 |
the history of | 3 |
to the mind | 3 |
but if thou | 3 |
for when the | 3 |
that i had | 3 |
de dios la | 3 |
to be seen | 3 |
quel che di | 3 |
in all the | 3 |
kuster sampled and | 3 |
and by his | 3 |
i may be | 3 |
sometimes into a | 3 |
of humane body | 3 |
from whence they | 3 |
and in thy | 3 |
as he hath | 3 |
fils de dieu | 3 |
in it self | 3 |
devise is no | 3 |
and his wife | 3 |
mine eyes were | 3 |
select and choice | 3 |
history of the | 3 |
for feare of | 3 |
i have done | 3 |
these be the | 3 |
thus he is | 3 |
and will not | 3 |
and there is | 3 |
nor turn thy | 3 |
in which case | 3 |
use of this | 3 |
how are thy | 3 |
same manner declared | 3 |
sense of the | 3 |
so noble and | 3 |
hurried to and | 3 |
you doe not | 3 |
of the first | 3 |
i approve the | 3 |
day and neight | 3 |
of devises in | 3 |
the course of | 3 |
and by consequence | 3 |
with paulus jovius | 3 |
my trust is | 3 |
an honest and | 3 |
of the lord | 3 |
to the people | 3 |
the figure to | 3 |
and when the | 3 |
for no other | 3 |
up and read | 3 |
the same body | 3 |
means of the | 3 |
thou hast not | 3 |
where none but | 3 |
house of fame | 3 |
when he was | 3 |
thou must be | 3 |
of the sun | 3 |
which is made | 3 |
bring me to | 3 |
he was a | 3 |
they did not | 3 |
the expression of | 3 |
where thou hast | 3 |
how oft have | 3 |
the names of | 3 |
i sought the | 3 |
be put in | 3 |
then those which | 3 |
in the grave | 3 |
and death of | 3 |
all the pleasures | 3 |
who shall deliver | 3 |
to the perfection | 3 |
of the artillery | 3 |
printed by r | 3 |
in the poultry | 3 |
philo the jew | 3 |
borrowed from nature | 3 |
but when i | 3 |
and the world | 3 |
parts of the | 3 |
necessary to the | 3 |
they be not | 3 |
and of their | 3 |
in his owne | 3 |
the fruits of | 3 |
and loath the | 3 |
what have i | 3 |
gott dem herrn | 3 |
such fools are | 3 |
are not to | 3 |
the rayes of | 3 |
and adorned pleasant | 3 |
the band of | 3 |
and let him | 3 |
invented and only | 3 |
the mind of | 3 |
by the noble | 3 |
industrious minde georgetta | 3 |
ministers of state | 2 |
third emblem illustrated | 2 |
zu gottes ehr | 2 |
the cause which | 2 |
the flesh of | 2 |
to discover to | 2 |
a devise to | 2 |
dare not trust | 2 |
me with their | 2 |
body without a | 2 |
none of you | 2 |
and the snares | 2 |
i haue seene | 2 |
in gold and | 2 |
which ere they | 2 |
as not to | 2 |
worthy to be | 2 |
apprehension of the | 2 |
to make of | 2 |
by the magnanimous | 2 |
sy syn sott | 2 |
is the king | 2 |
and be of | 2 |
to him and | 2 |
nel fin si | 2 |
by the pope | 2 |
grant me grace | 2 |
the more in | 2 |
english plainely by | 2 |
from side to | 2 |
of things naturall | 2 |
a greater light | 2 |
that part of | 2 |
not behold thee | 2 |
which we must | 2 |
the d emblem | 2 |
legs to go | 2 |
before thine eye | 2 |
in one of | 2 |
end of a | 2 |
and good fame | 2 |
no further then | 2 |
but for the | 2 |
be thou a | 2 |
and for a | 2 |
what means this | 2 |
the fewer words | 2 |
and by a | 2 |
why should this | 2 |
thee to the | 2 |
more to the | 2 |
that hath a | 2 |
to frame a | 2 |
earl of essex | 2 |
of a clipping | 2 |
of his whose | 2 |
what language the | 2 |
and so well | 2 |
not for thee | 2 |
with earth as | 2 |
which to thy | 2 |
as they did | 2 |
weil es so | 2 |
light of nature | 2 |
den seinen helffen | 2 |
which hath no | 2 |
het is een | 2 |
resemblance or relation | 2 |
and much more | 2 |
opinion of those | 2 |
this masse of | 2 |
thou maist see | 2 |
they must not | 2 |
the whole devise | 2 |
whose end is | 2 |
or if they | 2 |
the world his | 2 |
be thought a | 2 |
to a light | 2 |
both new and | 2 |
the brevity of | 2 |
the wrongs of | 2 |
not see in | 2 |
canst thou see | 2 |
torments of a | 2 |
if they knew | 2 |
that of one | 2 |
conception of him | 2 |
the isle of | 2 |
which i have | 2 |
none should thy | 2 |
us observe with | 2 |
but with the | 2 |
is by the | 2 |
and to perswade | 2 |
we use in | 2 |
so that her | 2 |
of kings are | 2 |
i have already | 2 |
they have more | 2 |
of what language | 2 |
thou thy selfe | 2 |
in any sense | 2 |
acutenesse of wit | 2 |
there are many | 2 |
and let not | 2 |
i will give | 2 |
the understandings of | 2 |
sun of justice | 2 |
and with a | 2 |
such a one | 2 |
to discover the | 2 |
tongue above all | 2 |
doth seem to | 2 |
an emblem collected | 2 |
not from a | 2 |
like to a | 2 |
and the game | 2 |
cast an eye | 2 |
til iesus creist | 2 |
thou must not | 2 |
in all my | 2 |
the care of | 2 |
so will god | 2 |
in the holy | 2 |
or an imploration | 2 |
be of worth | 2 |
should be so | 2 |
of the humble | 2 |
in the court | 2 |
all but man | 2 |
be drawn by | 2 |
en verheft v | 2 |
that would not | 2 |
something that was | 2 |
and seemed to | 2 |
but man and | 2 |
and the like | 2 |
that which they | 2 |
so often we | 2 |
this our hieroglyphick | 2 |
in de weirelt | 2 |
am i now | 2 |
the whole church | 2 |
vain to flee | 2 |
of things which | 2 |
much in request | 2 |
with a small | 2 |
to do thy | 2 |
a hand to | 2 |
not care how | 2 |
comparisons from the | 2 |
shall be so | 2 |
these kind of | 2 |
walke in the | 2 |
that support the | 2 |
by no meanes | 2 |
and makes the | 2 |
mark against thee | 2 |
not approve of | 2 |
thing to expresse | 2 |
be an emblem | 2 |
not to thee | 2 |
christ is charity | 2 |
but not the | 2 |
rate of defects | 2 |
that ought to | 2 |
in all other | 2 |
now it is | 2 |
of our selves | 2 |
thing from the | 2 |
how to make | 2 |
my trust in | 2 |
i fall or | 2 |
of his mind | 2 |
selves to the | 2 |
si todos no | 2 |
upon the skin | 2 |
and so it | 2 |
a doubtfull way | 2 |
shall be a | 2 |
figure in the | 2 |
for a lady | 2 |
in his garden | 2 |
eagle and the | 2 |
metadata enrichments aim | 2 |
not with my | 2 |
in imitation of | 2 |
doth fulnes dwell | 2 |
in the hands | 2 |
that art my | 2 |
do et het | 2 |
they be aware | 2 |
art thou more | 2 |
were like to | 2 |
there is one | 2 |
sweets invite me | 2 |
wounded flie to | 2 |
with a touch | 2 |
all that he | 2 |
my owne particular | 2 |
dolce e grato | 2 |
face of thy | 2 |
doth not allow | 2 |
syn sott die | 2 |
with a thousand | 2 |
denn gott der | 2 |
the second edition | 2 |
great and small | 2 |
as they doe | 2 |
i was moved | 2 |
what we ought | 2 |
would not do | 2 |
are not requisite | 2 |
spirits faint and | 2 |
dat sy die | 2 |
which we use | 2 |
among other particulars | 2 |
from perch to | 2 |
non da se | 2 |
and all them | 2 |
how happy is | 2 |
and the chameleon | 2 |
the earth doth | 2 |
up the mind | 2 |
at the least | 2 |
nor had i | 2 |
been tokenized and | 2 |
tell him that | 2 |
the naturall or | 2 |
of transitory toyes | 2 |
steadily upon the | 2 |
so small a | 2 |
affinity with the | 2 |
which are met | 2 |
object of thy | 2 |
hart doth wounded | 2 |
and by your | 2 |
then it lives | 2 |
see how i | 2 |
and his flying | 2 |
ought also to | 2 |
desire to be | 2 |
the one vulgar | 2 |
face of death | 2 |
the fortunes of | 2 |
of them to | 2 |
may comprehend it | 2 |
the latter end | 2 |
of a lustfull | 2 |
and when his | 2 |
them to their | 2 |
thou dost appear | 2 |
of their bodies | 2 |
the more learned | 2 |
to the example | 2 |
it as an | 2 |
the sweetnesse of | 2 |
his ad aethera | 2 |
mad thing is | 2 |
vse of light | 2 |
to her they | 2 |
zone of thy | 2 |
they are also | 2 |
why was i | 2 |
of his glory | 2 |
monumenta emblematum christianorum | 2 |
well the great | 2 |
that preserves archaic | 2 |
se santa sei | 2 |
thence it commeth | 2 |
in paths that | 2 |
glueck vnd heyl | 2 |
a paire of | 2 |
what i obtained | 2 |
with me in | 2 |
which thus lye | 2 |
and with their | 2 |
then what you | 2 |
of two or | 2 |
from their proper | 2 |
that if they | 2 |
the world were | 2 |
heere and there | 2 |
picture and words | 2 |
and conditions of | 2 |
it self is | 2 |
and each cause | 2 |
for a season | 2 |
depends on the | 2 |
tout par sa | 2 |
quan bien auenturado | 2 |
is properly a | 2 |
to scape the | 2 |
we see that | 2 |
length of dayes | 2 |
devises which we | 2 |
and the king | 2 |
as if we | 2 |
we will not | 2 |
one of them | 2 |
such one mus | 2 |
and let me | 2 |
an eye should | 2 |
to what they | 2 |
ma non voglion | 2 |
the king a | 2 |
the pictures of | 2 |
when he should | 2 |
of the fire | 2 |
as to your | 2 |
hath right to | 2 |
to be your | 2 |
glory and renowne | 2 |
the reasons of | 2 |
of some particular | 2 |
one part of | 2 |
and iudicious knight | 2 |
soule of the | 2 |
can give no | 2 |
with his sword | 2 |
en all syn | 2 |
kurst is he | 2 |
our selves with | 2 |
or usage of | 2 |
a lump of | 2 |
takes too much | 2 |
and in their | 2 |
he hath made | 2 |
are met with | 2 |
that it hath | 2 |
all his traine | 2 |
le fils de | 2 |
car il ne | 2 |
as the temple | 2 |
here mayst thou | 2 |
of words doth | 2 |
al waer hy | 2 |
d category of | 2 |
of our author | 2 |
if thou such | 2 |
es el hombre | 2 |
no other use | 2 |
the spring and | 2 |
met with in | 2 |
estc s this | 2 |
the other are | 2 |
farewell dear world | 2 |
nor let thy | 2 |
world and the | 2 |
the words of | 2 |
not on the | 2 |
we have a | 2 |
swords to sway | 2 |
musick for these | 2 |