trigram

This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

trigram	frequency
one of the	317
to have been	269
as well as	208
the earl of	183
on the stage	181
in the same	165
of the play	147
part of the	142
of the stage	141
there is no	137
that it was	135
at the same	135
of the same	132
the same time	131
the duke of	125
that he was	123
the end of	122
it may be	118
seems to have	117
of the theatre	115
of his own	115
of the first	115
and in the	114
it is not	112
the part of	110
it was not	106
as i have	103
the death of	101
that he had	100
in the year	100
in which he	100
the name of	98
must have been	97
of the most	96
on the subject	96
as to the	96
in which the	95
to be the	95
not to be	93
beaumont and fletcher	93
which he had	91
it will be	90
the date of	90
of the two	90
it would be	88
in the first	87
the character of	86
some of the	86
would have been	85
at the time	85
out of the	85
to be a	80
the author of	77
that of the	77
on the other	77
i do not	76
at this time	76
which i have	74
one of those	73
his royal highness	73
one of his	73
king and no	72
a man of	72
and no king	72
there is a	72
the hands of	71
account of the	70
the subject of	69
and it is	69
as it was	69
the house of	68
the course of	68
the play was	67
the inner temple	67
at drury lane	67
the time of	64
a sort of	64
history of the	64
the story of	64
he had been	64
at the end	64
as in the	63
on the th	63
that it is	63
and all the	63
the beginning of	63
could not be	63
of all the	62
at that time	62
and that the	62
the history of	62
said to have	62
it has been	62
i have been	62
to the stage	61
is to be	61
the same year	61
the life of	61
master of the	60
for the first	60
for some time	60
of the day	60
may have been	59
end of the	59
him in the	59
not have been	59
acted by the	58
upon the stage	58
but it is	58
and of the	58
according to the	58
ought to be	58
earl of pembroke	57
was one of	57
he did not	57
a king and	56
of the world	56
the cause of	56
the rest of	56
in the folio	56
of the english	56
in order to	56
share in the	56
there was a	55
in the course	55
in the play	55
the th of	55
in the house	54
it must be	54
be found in	54
the maides tragedy	54
in the following	54
he could not	53
the title of	53
of the house	53
have been the	53
the head of	53
the whole of	52
and it was	52
knight of the	52
in one of	51
the publication of	51
in his own	50
it is a	50
the lord chamberlain	50
the power of	50
was in the	50
with which he	50
on this occasion	50
house of commons	50
it is the	50
as we have	49
the first time	49
on account of	49
i have already	49
by no means	49
which he was	49
the first folio	49
of the company	49
the fact that	48
i am not	48
it was a	48
to the same	48
of the plays	48
and there is	48
with respect to	48
of the king	47
the tragedy of	47
and the other	47
of the great	47
author of the	47
it was the	47
he was not	47
of the new	47
that i have	47
romeo and juliet	46
of the sonnets	46
could not have	46
and on the	46
of the poet	46
two or three	45
have been a	45
which had been	45
as it is	45
as an actor	45
i have not	45
some of his	45
a copy of	45
but in the	45
of the burning	44
he was a	44
what i have	44
of the patent	44
the other hand	44
of beaumont and	44
of which the	44
the knight of	43
on the same	43
the success of	43
copy of the	43
on the contrary	43
in a letter	43
to whom transferred	43
entered on s	42
earl of southampton	42
was entered on	42
that in the	42
on the title	42
to be found	42
and to the	42
when he was	42
the conduct of	42
you like it	41
the best of	41
state of the	41
the reign of	41
it had been	41
might have been	41
he had not	41
i am sure	41
of which he	41
of those who	41
use of the	41
was to be	41
for the stage	41
edition of the	41
the state of	41
at the head	41
as far as	40
part of his	40
is in the	40
a letter to	40
the children of	40
of the year	40
more or less	40
the close of	40
with all the	40
of the present	40
of the revels	40
at the theatre	40
in all the	39
to which he	39
of the court	39
to the last	39
i have said	39
the play of	39
appears to have	39
as soon as	39
of the prince	39
of the people	39
of the latter	39
the burning pestle	39
was not the	38
of the other	38
those of the	38
of the lord	38
the influence of	38
i am afraid	38
side of the	38
in the world	38
in this play	38
about this time	38
to that of	38
will be found	38
of the duke	37
his share in	37
is one of	37
as much as	37
seem to have	37
in consequence of	37
to make the	37
with which the	37
the prince of	37
of one of	37
a member of	36
share of the	36
of the original	36
his description of	36
date of the	36
as early as	36
to his own	36
have been so	36
between the two	36
of the best	36
of the royal	36
a letter from	35
were to be	35
it was in	35
to make a	35
an account of	35
the master of	35
found in the	35
it is to	35
it is said	35
his edition of	35
of the actors	35
by the same	35
interest in the	35
of the whole	35
the taming of	35
of his life	35
there can be	35
of the french	35
of this play	35
at the globe	34
one of them	34
it might be	34
would not be	34
for editions see	34
i could not	34
editions see section	34
so far as	34
the use of	34
the case of	34
see section xix	34
that he would	34
of which i	34
and that he	34
who had been	33
is said to	33
and i have	33
view of the	33
for the purpose	33
a great deal	33
he was the	33
it in the	33
does not appear	33
the merit of	33
it is impossible	33
in the character	33
of the second	33
of the word	33
the production of	33
and in his	33
the appearance of	33
duke of york	32
have been written	32
it to the	32
from the same	32
and in a	32
him to the	32
on the part	32
after his death	32
respect to the	32
school for scandal	32
he had a	32
this was the	32
out of his	32
should have been	32
character of the	32
on the ground	32
that i was	32
of the earl	32
if he had	32
of the inner	32
in spite of	32
as you like	32
of this year	32
merchant of venice	32
the sixteenth century	32
the work of	32
as one of	32
the english stage	32
which it was	31
in my opinion	31
prince of wales	31
with regard to	31
that they were	31
the comedy of	31
to those who	31
well as the	31
owing to the	31
than that of	31
in the hands	31
it is true	31
it was acted	31
by which the	31
member of the	31
of such a	31
about the year	30
the nature of	30
reference to the	30
to the public	30
this is the	30
the object of	30
of the country	30
in the sonnets	30
the following letter	30
of sir john	30
to the earl	30
he was in	30
in addition to	30
the first part	30
he had no	30
that the play	30
be able to	30
connection with the	30
the loss of	30
the following is	30
that he has	30
wives of windsor	30
at any rate	30
of the old	30
the folio of	30
i have no	30
inns of court	30
the property of	29
the stage in	29
in the most	29
is not the	29
the number of	29
he does not	29
that he should	29
as that of	29
two of the	29
in this year	29
at the rose	29
on the death	29
in the second	29
version of the	29
but it was	29
of that year	29
taming of the	29
he would have	29
course of the	29
that of a	29
that i am	29
to which the	29
was published in	29
but there is	29
any of the	29
gentlemen of verona	29
the purpose of	29
a good deal	29
to such a	28
by way of	28
merry wives of	28
to the end	28
the play as	28
that he is	28
it to be	28
the old play	28
was not a	28
of shakespeare in	28
of the shrew	28
man in his	28
the value of	28
the works of	28
and at the	28
possession of the	28
the merry wives	28
first part of	28
one or two	28
in the country	28
i should have	28
in the case	28
the names of	28
acted at court	28
the people of	28
members of the	27
in a few	27
the possession of	27
the seventeenth century	27
that shakespeare was	27
to the theatre	27
that had been	27
i have seen	27
the play is	27
in the patent	27
of the question	27
the eyes of	27
the presence of	27
to the king	27
many of the	27
the countess of	27
in the present	27
had not been	27
to take the	27
in favour of	27
in some degree	27
the honor of	27
of my own	27
of the public	27
comedy of errors	27
to the first	27
between him and	27
at this period	27
description of the	27
a few days	27
the text of	27
the scornful ladie	27
with the same	27
to have a	27
name of the	27
i shall be	27
was the first	27
which it is	27
sir john oldcastle	26
rest of the	26
not a little	26
he would not	26
of some of	26
we have seen	26
that it would	26
behind the scenes	26
collection of sonnets	26
in a word	26
is the only	26
of drury lane	26
the advantage of	26
play of the	26
the honour of	26
on the occasion	26
into the hands	26
the first quarto	26
in the latter	26
in the original	26
as he was	26
i would not	26
every man in	26
known to have	26
was not so	26
and that of	26
account of his	26
as he had	26
for many years	26
of this kind	26
of the late	26
the right honorable	26
to see the	26
sir john vanbrugh	26
the management of	26
one of these	26
ado about nothing	26
to be an	26
earl of essex	26
the point of	26
conduct of the	26
would not have	26
there is nothing	26
the truth of	26
a kind of	25
that he could	25
it could not	25
the theatre in	25
said to be	25
of an actor	25
of the sixteenth	25
allusion to the	25
he seems to	25
if it were	25
and with the	25
the new theatre	25
i know not	25
in the last	25
of the plague	25
in the old	25
is not to	25
there is little	25
of henry vi	25
his account of	25
on the first	25
part in the	25
in conjunction with	25
little doubt that	25
part of it	25
can be no	25
sir philip sidney	25
children of the	25
the spirit of	25
was acted by	25
to him in	25
that she was	25
the memory of	25
to the poet	25
of the crown	25
the british museum	25
of the knight	25
in the theatre	24
ought not to	24
third earl of	24
much of the	24
the side of	24
a part of	24
was at the	24
acted at the	24
are to be	24
in the winter	24
the first of	24
with that of	24
that there was	24
to be made	24
the opening of	24
the composition of	24
the stage was	24
drury lane in	24
beginning of the	24
the hand of	24
was the only	24
in the two	24
this play was	24
sir richard steele	24
the edition of	24
of the last	24
the inns of	24
little more than	23
when it was	23
the school for	23
the daughter of	23
it as a	23
which i am	23
he might have	23
the faithfull shepheardesse	23
on th january	23
in such a	23
this is a	23
as i am	23
was written by	23
the same play	23
of the former	23
the liberty of	23
to see him	23
by the children	23
seems to be	23
proof of the	23
him in his	23
parts of the	23
has not been	23
in this country	23
at end of	23
to one of	23
of the party	23
in which they	23
in his humour	23
no doubt that	23
of shakespeare by	23
your royal highness	23
see memoir of	23
of the author	23
of the time	23
and i am	23
might not be	23
in all probability	23
the absence of	23
he must have	23
i think i	23
he is not	23
the triumph of	23
scene of the	23
a new play	23
ought to have	23
is not a	23
i did not	23
in the reign	23
of the following	23
about the same	23
and a few	22
the next day	22
part of this	22
after the death	22
them to the	22
on this subject	22
have been in	22
from the following	22
in a very	22
more than a	22
now and then	22
in the hay	22
company of players	22
supposed to have	22
of second volume	22
that this was	22
could not but	22
at any time	22
the king of	22
and by the	22
of his plays	22
i cannot help	22
of the theatres	22
who died in	22
even in the	22
through all the	22
end of second	22
right honorable gentleman	22
date of composition	22
in possession of	22
most of them	22
appear to have	22
the theatre royal	22
company of actors	22
the list of	22
i have heard	22
comedy of the	22
taming of a	22
a collection of	22
there was no	22
was not to	22
death of the	22
the manner of	22
of a shrew	22
when it is	22
of the family	22
but i am	22
was produced at	22
and from the	22
for his own	22
may not be	22
from one of	22
to be of	22
could have been	22
from the first	22
to the house	22
that he did	22
to give the	22
soon as the	22
his life of	22
no reason to	22
of the three	22
from the stage	22
the sonnets of	21
the opinion of	21
in the autumn	21
said sir william	21
a state of	21
there is not	21
there is an	21
not in the	21
by which he	21
he was to	21
of the period	21
that i had	21
a year or	21
for the same	21
most of the	21
his share of	21
a series of	21
much ado about	21
but i have	21
the authority of	21
the greater part	21
to tell you	21
was entered s	21
of the principal	21
the effect of	21
the aid of	21
was born in	21
he is a	21
the accession of	21
great deal of	21
dedication of the	21
his opinion of	21
i think it	21
play was written	21
hands of the	21
and the following	21
him to be	21
made use of	21
his history of	21
edition of shakespeare	21
the performance of	21
to drury lane	21
i will not	21
as to be	21
to whom he	21
in the very	21
whole of the	21
in the text	21
in which shakespeare	21
not to have	21
are in the	21
to him by	21
in the british	21
the said sir	21
a number of	21
that they had	21
of the many	21
the affairs of	21
that can be	21
as if he	21
on which the	21
the words of	21
which has been	20
the spring of	20
of these plays	20
and when the	20
of which was	20
in connection with	20
of richard iii	20
an act of	20
that there is	20
greater part of	20
in his sonnets	20
of this work	20
the hero of	20
the month of	20
the middle of	20
more than the	20
of king john	20
he may have	20
in the new	20
a matter of	20
was made to	20
i have a	20
on th february	20
whom he had	20
it is in	20
connected with the	20
the attention of	20
in that year	20
the autumn of	20
to all the	20
a list of	20
in the part	20
produced at drury	20
in the spring	20
of a man	20
the only one	20
duke of buckingham	20
for want of	20
to make it	20
three or four	20
a right to	20
to the lord	20
place in the	20
favour of the	20
them in the	20
which he has	20
of his father	20
well as of	20
with a view	20
from his own	20
of his friend	20
of what i	20
of the dramatist	20
to have had	20
to show that	20
it should be	20
instance of the	20
on his own	20
been able to	20
as might be	20
of his royal	20
him in a	20
to the author	19
than in the	19
more than one	19
that ends well	19
it in his	19
in the possession	19
up to the	19
the charge of	19
at the haymarket	19
portion of the	19
and death of	19
at the beginning	19
we may be	19
the son of	19
years of age	19
and a king	19
to the prince	19
or in the	19
i have given	19
year or two	19
of which they	19
of the quarto	19
the means of	19
in the church	19
the king and	19
appeared in the	19
time of his	19
the reputation of	19
the two stages	19
address to the	19
which they had	19
like that of	19
to the best	19
of the book	19
of it to	19
had been a	19
this sort of	19
the wife of	19
at court in	19
we shall see	19
of the greatest	19
i need not	19
of a play	19
the age of	19
the period of	19
it would have	19
in which it	19
of the constitution	19
was the original	19
the profits of	19
of the young	19
printed in the	19
first printed in	19
in the other	19
the question of	19
it is probable	19
at a time	19
relating to the	19
the merchant of	19
a few years	19
to the other	19
the father of	19
of the season	19
to whom the	19
to speak of	19
before the king	19
to be as	19
this part of	19
in any other	19
measure for measure	19
life of mr	19
the payment of	19
i have done	19
of their own	19
of the story	19
well that ends	19
of his works	19
to do with	19
be said to	19
any part of	19
there had been	19
of the minister	19
to be so	19
the globe theatre	19
comparison between the	19
and some of	19
of the life	19
himself and his	19
of his friends	19
the remainder of	19
the quarto of	19
here and there	19
first published in	19
life and death	18
to be taken	18
return to the	18
the last of	18
must be the	18
the dignity of	18
shakespeare and his	18
and he was	18
a share in	18
earl of dorset	18
the effects of	18
power of the	18
was on the	18
to be paid	18
to enter into	18
two gentlemen of	18
of his wit	18
in the whole	18
written by him	18
do not know	18
him from the	18
if they were	18
the life and	18
appears from the	18
by him to	18
it is of	18
in the mean	18
the second part	18
the company of	18
with those of	18
love for love	18
it is possible	18
him as a	18
of the subject	18
not one of	18
of it in	18
in all his	18
the strength of	18
of a good	18
list of the	18
at one time	18
theatre in the	18
the civil war	18
sir courtly nice	18
and for the	18
of the elizabethan	18
had not the	18
we have already	18
in his preface	18
of colley cibber	18
by the lord	18
and his friends	18
of all his	18
of the globe	18
some of them	18
is that of	18
in vain the	18
the want of	18
a view to	18
of his death	18
a time when	18
which may be	18
i have the	18
of the opera	18
he had the	18
pounds a year	18
union of the	18
among his papers	18
it is certain	18
a mind to	18
have had a	18
of the woman	18
it appears from	18
likely to be	18
the idea of	18
we have it	18
will not be	18
which was the	18
with the most	18
no more than	18
on th april	18
in the early	18
the gentlemen of	18
more than once	18
under the title	18
the marriage of	18
it was to	18
the mind of	18
close of the	18
the summer of	18
of any other	18
the blackfriars theatre	18
his company of	18
and lord grenville	17
the voice of	17
to his royal	17
to be sure	17
the pleasure of	17
an allusion to	17
was no doubt	17
to those of	17
as a whole	17
will be seen	17
the merry devil	17
than any other	17
the way of	17
after he had	17
in the next	17
it is that	17
is little doubt	17
latter end of	17
the assistance of	17
the patronage of	17
by the following	17
due to the	17
i shall not	17
would be a	17
as has been	17
actors in the	17
the establishment of	17
of the night	17
alexander the great	17
given by the	17
of the patentees	17
the reader will	17
on both sides	17
and as the	17
soon after the	17
to the present	17
in the summer	17
came into the	17
the fate of	17
he should be	17
the service of	17
reason to believe	17
the first and	17
by one of	17
on th november	17
to which i	17
to believe that	17
on one side	17
of the plot	17
an old play	17
that i should	17
in the middle	17
of a few	17
text of the	17
have not been	17
a few months	17
the issue of	17
there are some	17
and with a	17
while he was	17
and of his	17
of romeo and	17
supposed to be	17
the minds of	17
to me to	17
merry devil of	17
the following passage	17
founded on the	17
publication of the	17
and that his	17
any of his	17
to be in	17
prologue to the	17
to return to	17
to give it	17
a friend of	17
two noble kinsmen	17
which they were	17
or of the	17
the account of	17
the commencement of	17
the mean time	17
the majority of	17
be the first	17
the battle of	17
of the poems	17
to say that	17
in the least	17
for a time	17
from that of	17
of the town	17
and that it	17
at the close	17
i am very	17
in accordance with	17
the government of	17
it is no	17
as long as	17
should not have	17
if i had	17
given to the	17
may be sure	17
apology for the	17
in the way	17
in love with	17
is no reason	16
subject of the	16
reign of king	16
the existence of	16
to his friend	16
the french revolution	16
me to the	16
the glory of	16
had a mind	16
that it had	16
to give them	16
of the poets	16
which i shall	16
then in the	16
in a manner	16
of sir richard	16
those who have	16
have been made	16
of the chief	16
by the prince	16
as there is	16
from which the	16
of a letter	16
either of them	16
now in the	16
the heart of	16
an actor of	16
a degree of	16
as they were	16
none of the	16
regard to the	16
on the side	16
the chapel children	16
to give you	16
the friends of	16
that if he	16
to give a	16
a company of	16
in the dedication	16
the two noble	16
of his party	16
on th march	16
of the said	16
the following year	16
who was then	16
the two houses	16
as of the	16
many of his	16
of a different	16
of the law	16
it cannot be	16
love in a	16
we find that	16
the careless husband	16
the force of	16
the authorship of	16
the collection of	16
it was at	16
and as he	16
in the edition	16
of an old	16
and the earl	16
must be owned	16
an apology for	16
examination of the	16
for which he	16
period of his	16
a letter of	16
opening of the	16
of the name	16
that was not	16
his first appearance	16
into good society	16
the latter end	16
had not yet	16
i have found	16
and one of	16
by shakespeare in	16
the feelings of	16
we could not	16
the language of	16
a short time	16
i have often	16
the place of	16
give me leave	16
of the chapel	16
as an actress	16
of his career	16
the right of	16
i have had	16
management of the	16
part of henry	16
the writer of	16
is no doubt	16
have been more	16
upon the subject	16
on th december	16
troylus and cressida	16
not only the	16
he had already	16
as i can	16
good deal of	16
doubt that the	16
much the same	16
the order of	16
in some of	16
in the epilogue	16
and if the	16
the theory that	16
translation of the	16
was obliged to	16
description of mrs	16
they were not	16
according to his	15
is impossible to	15
in my power	15
venus and adonis	15
no less than	15
of which we	15
played by the	15
it in a	15
in all its	15
should not be	15
i should not	15
of the speech	15
as we shall	15
was that of	15
in the month	15
of a theatre	15
on th september	15
in the morning	15
as it were	15
i was not	15
each of the	15
in the third	15
to prove that	15
may be said	15
his connection with	15
a young man	15
they have been	15
of new place	15
occurs in the	15
years of the	15
them in their	15
nature of the	15
upon which the	15
date of production	15
of the property	15
mentioned in the	15
have been an	15
the mouth of	15
year of his	15
study of the	15
is well known	15
the sum of	15
and henry vi	15
the family of	15
to in the	15
of his character	15
to make him	15
in the matter	15
so many of	15
to make his	15
letter to the	15
of the ministry	15
be no doubt	15
it was probably	15
the allusions to	15
sir thomas skipwith	15
one of which	15
they could not	15
but as i	15
or any other	15
plays of the	15
to which his	15
of which is	15
the occasion of	15
duke of portland	15
i shall give	15
to the duke	15
there are many	15
plays in the	15
of his literary	15
the judgment of	15
for several years	15
by his own	15
that of his	15
of the nation	15
come to the	15
being able to	15
might be expected	15
of his age	15
order of the	15
him for the	15
of the church	15
was acted at	15
names of the	15
has already been	15
when i was	15
was printed in	15
the same author	15
for some years	15
the dedication of	15
i ought to	15
we have no	15
the style of	15
the court of	15
of the maides	15
i have made	15
opinion of the	15
with all his	15
of the text	15
for he was	15
the form of	15
those who are	15
new theatre in	15
as if it	15
on th may	15
in the right	15
by some of	15
i have to	15
to which they	15
translation of shakespeare	15
as they are	15
of his sonnets	15
some of those	15
earl of derby	15
in his hand	15
down to the	15
it does not	15
but that i	15
to account for	15
was first published	15
after the restoration	15
of all that	15
in defence of	15
he and his	15
the interest of	14
public record office	14
to any other	14
i should be	14
on th october	14
countess of rutland	14
not only of	14
without the least	14
is not so	14
entered on the	14
of a new	14
not be so	14
of his contemporaries	14
if i am	14
which the latter	14
may be a	14
who was a	14
drawn up by	14
in the cause	14
added to the	14
from time to	14
the identity of	14
for their own	14
of his political	14
it is only	14
the genius of	14
devil of edmonton	14
following is the	14
the same subject	14
we were not	14
by those who	14
knowledge of the	14
letter from mr	14
references to the	14
york and lancaster	14
and to have	14
and the rest	14
speaking of the	14
addressed to a	14
the national portrait	14
relations with the	14
that they are	14
at a loss	14
a proof of	14
but i must	14
cause of the	14
national portrait gallery	14
in which i	14
and a half	14
the union of	14
the stage and	14
a study of	14
let us see	14
his treatment of	14
though i have	14
allusions to the	14
it is clear	14
either of the	14
the midst of	14
in imitation of	14
time to time	14
it is well	14
to have taken	14
the stage as	14
with whom he	14
in favor of	14
accounts of the	14
was the most	14
the credit of	14
it was written	14
in which a	14
this play is	14
he was at	14
and it may	14
to the great	14
point of view	14
time of the	14
the interests of	14
as late as	14
the trial of	14
of the work	14
the patron of	14
and his wife	14
him and his	14
by him in	14
second part of	14
in a great	14
of what he	14
of the irish	14
of this country	14
such was the	14
and i think	14
to go to	14
performed at court	14
had been the	14
of the city	14
for the last	14
in consideration of	14
i thought it	14
it is evident	14
there has been	14
the introduction of	14
the progress of	14
came to be	14
the pride of	14
be regarded as	14
of the drama	14
was able to	14
to take a	14
as it may	14
a play of	14
such as the	14
to the two	14
by the duke	14
at court by	14
i had not	14
for me to	14
his interest in	14
production of the	14
at a later	14
given in the	14
the characters of	14
is but a	14
spirit of the	14
had been acted	14
which he made	14
as we know	14
the taste of	14
of his first	14
in the end	14
of the very	14
many of them	14
the duchess of	14
at a distance	14
the fortunes of	14
not appear to	14
people of england	14
of james i	14
was first acted	14
the conclusion that	14
they did not	14
of the one	14
but to the	14
manner in which	14
with him in	14
in the presence	14
he should have	14
not the least	14
of the comedy	14
the discussion of	14
that in this	14
a portion of	14
it must have	13
of henry v	13
they had been	13
he may be	13
but that the	13
to him the	13
i had been	13
i had the	13
in my own	13
not long before	13
the scenes of	13
we find the	13
of his being	13
authority of the	13
his love of	13
when he is	13
to the company	13
with which his	13
do not think	13
it is now	13
with which they	13
a volume of	13
of his share	13
on th june	13
written in the	13
me in the	13
man out of	13
himself to the	13
a visit to	13
the support of	13
of our own	13
of his humour	13
the foure playes	13
only in the	13
to the reader	13
was in a	13
of a king	13
of the character	13
the spanish friar	13
the consideration of	13
portions of the	13
had been for	13
so as to	13
the expression of	13
of that time	13
it was lately	13
the preface to	13
refers to the	13
shakespeare in the	13
in a more	13
was the author	13
for a moment	13
to a very	13
his manner of	13
submitted to the	13
by the earl	13
the members of	13
he was an	13
head of the	13
of queen elizabeth	13
and not to	13
with all its	13
who had a	13
but when the	13
first earl of	13
of that play	13
it was no	13
the circumstances of	13
appears in the	13
when they were	13
title of the	13
we find him	13
the same kind	13
the stage of	13
it necessary to	13
one hundred and	13
alluded to in	13
sir godfrey kneller	13
has been said	13
the consequences of	13
that he might	13
to think that	13
the original play	13
in the city	13
but he is	13
in any case	13
that i can	13
the patent to	13
who was the	13
had left the	13
his dedication of	13
this may be	13
i am now	13
it is but	13
lives of the	13
seen in the	13
she was the	13
the provoked husband	13
every man out	13
is a very	13
hero of the	13
head of a	13
scenes of the	13
if i should	13
the terms of	13
for him to	13
that could be	13
government of the	13
answer to the	13
hundred and fifty	13
the first english	13
of the national	13
but for the	13
upon the same	13
it appears that	13
the two gentlemen	13
part of a	13
in the preface	13
the privy council	13
been in the	13
the description of	13
which sheridan had	13
years after the	13
him by the	13
at covent garden	13
have been told	13
men of letters	13
in the eyes	13
the bodleian library	13
which they have	13
the second and	13
not only to	13
the office of	13
to have the	13
those who were	13
and had been	13
published in the	13
had it been	13
three of the	13
drummond of hawthornden	13
the actors of	13
i cannot but	13
was intended to	13
for it was	13
the vanity of	13
you may be	13
all the world	13
let it be	13
a hundred and	13
on either side	13
of henry viii	13
affairs of the	13
in the manner	13
of the school	13
following letter from	13
the stage to	13
and to his	13
that is to	13
i confess i	13
the two companies	13
is of the	13
short view of	13
addressed to the	13
for it is	13
the prospect of	13
vogue of the	13
the business of	13
and that in	13
if i have	13
and others in	13
the care of	13
the same date	13
it was that	13
it is difficult	13
his voice and	13
the height of	13
the present year	13
success of the	13
of the rivals	13
were in the	13
for such a	13
of his time	13
when he had	13
had been so	13
that ever was	13
the conclusion of	13
was first printed	13
it was his	13
had never been	13
antony and cleopatra	13
by james shirley	13
was not only	13
of the third	13
performance of the	13
of his heart	13
a specimen of	13
early in the	13
grey and lord	13
copies of the	13
of the war	13
in the later	13
the practice of	13
in a new	13
for his benefit	13
of a fine	13
of the manuscript	13
of a very	13
be in the	13
yet it was	13
the task of	13
the other side	13
and when he	13
appeal to the	13
as the most	13
in the seventeenth	13
of the scene	13
the epilogue to	13
property of the	13
rule a wife	13
lord grey and	13
and of which	13
to the queen	13
in his mind	13
of his family	13
is supposed to	13
the university of	13
of don quixote	13
the theatre was	13
i assure you	13
of the coxcombe	13
a character of	13
in his lifetime	13
i am sorry	13
with each other	13
years after his	13
of the kind	13
to the true	13
this was not	13
in the great	12
might not have	12
to the whole	12
a man who	12
than those of	12
the expense of	12
the noble lord	12
by the king	12
attributed to him	12
the first edition	12
with such a	12
in point of	12
to be more	12
to make them	12
was in his	12
he could have	12
an instance of	12
it might not	12
is probable that	12
have been as	12
made to the	12
sonnets to patrons	12
patronage of the	12
if i were	12
authorship of the	12
he must be	12
the speech of	12
in this case	12
for my part	12
the freedom of	12
page of the	12
that sort of	12
in the parish	12
preface to the	12
addressed to him	12
and n n	12
appears by the	12
to the people	12
and the whole	12
the favour of	12
by all the	12
produced at the	12
of the state	12
under the same	12
referred to in	12
gave him a	12
is clear that	12
at the curtain	12
is the most	12
had the advantage	12
or two of	12
in the preceding	12
composition of the	12
the world of	12
and his company	12
i dare say	12
the benefit of	12
is that the	12
i cannot say	12
in the midst	12
description of his	12
as many as	12
of national biography	12
gentlemen of the	12
is possible that	12
admitted to the	12
that i think	12
the merits of	12
and that they	12
a few lines	12
sonnets addressed to	12
name of play	12
is found in	12
more than two	12
the year before	12
of these two	12
the sight of	12
the manager of	12
well as in	12
the second quarto	12
have had the	12
may be of	12
account of a	12
to the new	12
in his life	12
i believe that	12
use of it	12
that all the	12
of the characters	12
for the time	12
are not to	12
in mind of	12
that some of	12
to the contrary	12
what sort of	12
the scene of	12
the painting by	12
i might have	12
it by the	12
this year was	12
the early part	12
one in the	12
in henley street	12
the first night	12
in the public	12
consideration of the	12
at the period	12
and the same	12
the other two	12
the piece was	12
the plays of	12
the gunpowder plot	12
large number of	12
edition of his	12
to the latter	12
by the author	12
and the only	12
the excellence of	12
he has been	12
i never saw	12
in the list	12
prefixed to the	12
to the general	12
the man who	12
royal highness had	12
to be done	12
they are not	12
the same sort	12
at hampton court	12
at that period	12
of my life	12
in a riddle	12
the proprietors of	12
we do not	12
the result of	12
come up to	12
as not to	12
richard the third	12
the man of	12
to the effect	12
he was born	12
did not act	12
the price of	12
university of california	12
to come to	12
a few words	12
in he was	12
of it was	12
question of the	12
by beaumont and	12
as if they	12
first and second	12
which he is	12
the first to	12
in the wrong	12
be out of	12
i shall therefore	12
earl of huntingdon	12
in the quarto	12
the city of	12
but that he	12
the bottom of	12
be sure that	12
but as a	12
this is not	12
it would not	12
addition to the	12
out of my	12
the eighteenth century	12
well as to	12
that a man	12
for in the	12
in a play	12
this was a	12
assigned to shakespeare	12
of her husband	12
the return of	12
that you have	12
in his manner	12
we are told	12
second and third	12
the middle temple	12
in all these	12
i am the	12
with so much	12
of the highest	12
will be no	12
relative to the	12
in his hands	12
the music of	12
the vogue of	12
to be called	12
within a few	12
as appears by	12
i can only	12
the moment of	12
took place in	12
has always been	12
be one of	12
in answer to	12
you have been	12
was acted in	12
to the play	12
that is not	12
upon the whole	12
and in that	12
discussion of the	12
to have seen	12
to have made	12
to the memory	12
and that a	12
in the stage	12
was buried at	12
the annals of	12
drury lane theatre	12
himself in the	12
for the life	12
only one of	12
he might be	12
was by no	12
which shakespeare had	12
miseries of enforced	12
many years after	12
was an actor	12
on the power	12
a writer of	12
of henry iv	12
it may have	12
by the way	12
one of their	12
of the folio	12
they would have	12
for a month	12
is of a	12
of all this	12
is difficult to	12
that such a	12
to make any	12
was buried in	12
treatment of the	12
in his edition	12
with the other	12
they had not	12
reason to be	12
made for the	12
the prince and	11
the day of	11
have not yet	11
the sense of	11
reason to think	11
the manner in	11
that we were	11
but there was	11
but a few	11
that if the	11
was of the	11
the example of	11
of his actors	11
the fame of	11
as a new	11
the beauty of	11
me leave to	11
to see it	11
get rid of	11
of the queen	11
you will be	11
which is the	11
in no way	11
he appears to	11
to him that	11
the transformation of	11
to the most	11
no proof that	11
belonged to the	11
equal to the	11
a good actor	11
to a friend	11
the following extract	11
at the bottom	11
old play of	11
it was first	11
of the persons	11
the owner of	11
the face of	11
the picture by	11
in the main	11
by the minister	11
in the kingdom	11
have been no	11
of charles ii	11
the ground that	11
to be seen	11
an eminent actor	11
at this moment	11
enough to be	11
shares in the	11
shakespeare in his	11
feelings of the	11
the poet and	11
to his successors	11
in the history	11
in my possession	11
i am convinced	11
in common with	11
where there is	11
in the prologue	11
the society of	11
in the one	11
the first two	11
few of the	11
i have elsewhere	11
printed from a	11
davies of hereford	11
at this date	11
may i not	11
of the seventeenth	11
him of the	11
the intention of	11
who has been	11
to make this	11
in its original	11
the choice of	11
writing for the	11
there may be	11
would have done	11
honour of the	11
and those of	11
of the mind	11
of the opposition	11
from the time	11
foure playes in	11
lick at the	11
have been acted	11
from the theatre	11
so much to	11
first day of	11
is known to	11
of queen anne	11
of the various	11
belongs to the	11
been acted by	11
in the variorum	11
is to the	11
they may be	11
his translation of	11
but that of	11
is a curious	11
fox and mr	11
far as i	11
as for the	11
performances at court	11
before it was	11
who seems to	11
in the opening	11
likely to have	11
the following lines	11
i would have	11
an opportunity of	11
in the royal	11
which will be	11
is certain that	11
have reason to	11
to give up	11
that have been	11
i had a	11
of the action	11
of the few	11
him at the	11
most of his	11
his prologue to	11
in any of	11
been for some	11
so much as	11
the hearts of	11
in any way	11
a little more	11
always to be	11
the powers of	11
was at this	11
said that the	11
two of his	11
a passage in	11
you will not	11
in the globe	11
to sir thomas	11
and has not	11
led to the	11
of the marriage	11
in the best	11
which i had	11
at the laureat	11
evidence of the	11
not only in	11
made by the	11
presented by the	11
to the old	11
the biographia dramatica	11
it was intended	11
a few of	11
returned to the	11
is to say	11
his powers of	11
a comparison of	11
new shakspere society	11
in this instance	11
editions of the	11
to beaumont and	11
value of the	11
at the moment	11
the drury lane	11
as a dramatist	11
to be acted	11
on the very	11
there is every	11
the parish of	11
daughter of the	11
he came to	11
sense of the	11
death of mr	11
it did not	11
as a man	11
duke of newcastle	11
appears to me	11
company in the	11
interest of the	11
the direction of	11
the first day	11
in the collection	11
superior to his	11
the public record	11
in proportion to	11
the last word	11
actor of the	11
but from the	11
of his most	11
that you are	11
of the authors	11
liberty of the	11
sir william davenant	11
with the exception	11
the first scene	11
for that purpose	11
out of humour	11
it may not	11
himself to be	11
first english actress	11
speech of mr	11
of plays and	11
in the general	11
form of the	11
the year following	11
of the blackfriars	11
at the age	11
in the sixteenth	11
early part of	11
of a young	11
any one of	11
i think the	11
his death in	11
which was published	11
as i was	11
he died in	11
i may be	11
patron of the	11
the next year	11
it with the	11
in that of	11
as the only	11
fact that the	11
to him from	11
not so much	11
of ben jonson	11
so great a	11
with whom the	11
of the works	11
if he were	11
play was acted	11
in which we	11
the bishop of	11
that in his	11
children of her	11
the person of	11
of his genius	11
but with a	11
draft of the	11
and if i	11
has been so	11
some account of	11
made in the	11
a few weeks	11
note on page	11
shakespeare did not	11
at the new	11
it was thought	11
life of the	11
been one of	11
he continued to	11
for the future	11
to let him	11
though it is	11
a mark of	11
i have only	11
the jew of	11
to whom i	11
the church of	11
to the publick	11
the play to	11
the world to	11
the stage for	11
if it be	11
of the profits	11
the reader may	11
it is curious	11
to the throne	11
of king james	11
be expected from	11
was granted to	11
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playes in one	11
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his own name	11
the notice of	11
there will be	11
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upon which he	11
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the red bull	11
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at the university	11
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let you know	11
him with the	11
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book of the	11
in his first	11
sir john falstaff	11
could hardly have	11
the accounts of	11
a reference to	11
not only from	11
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a line of	11
the yorkshire tragedy	11
on the day	11
of the age	11
life of shakespeare	11
in their own	11
in this respect	11
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the assumption that	11
in london in	11
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comparison of the	10
from a letter	10
papal tyranny in	10
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of him in	10
he had never	10
a place in	10
a quarter of	10
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of the early	10
years younger than	10
glass for london	10
with the stage	10
not long after	10
by francis beaumont	10
in a volume	10
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by his royal	10
only to be	10
shillings a week	10
in the induction	10
the second folio	10
the sincerity of	10
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at the first	10
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return from parnassus	10
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or at least	10
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owner of the	10
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this same year	10
pleased with the	10
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licensed for publication	10
thought proper to	10
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have the honor	10
on the list	10
the actors in	10
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the entry of	10
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in place of	10
i came to	10
the principal actors	10
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of the rest	10
discovery of the	10
and i believe	10
if it had	10
letter to him	10
plays at court	10
as i shall	10
famous victories of	10
of the shakespeare	10
not at all	10
men and women	10
the profession of	10
speech on the	10
shows that the	10
with his own	10
that she had	10
the details of	10
and now the	10
that the most	10
house of lords	10
with the greatest	10
of sir philip	10
plays of shakespeare	10
at least one	10
which i was	10
the latter part	10
the same company	10
for a short	10
he would never	10
the pen of	10
son of the	10
if you have	10
to let the	10
the following account	10
of the verse	10
no more of	10
letter from the	10
scourge of folly	10
the better of	10
him into the	10
of a great	10
that on the	10
course of his	10
of his mind	10
occupied by the	10
tribute to the	10
but i do	10
his quarrel with	10
on the one	10
from the date	10
the consent of	10
the famous victories	10
tyranny in the	10
advantage of the	10
which shakespeare was	10
he was then	10
for a few	10
was written in	10
which he could	10
it hath been	10
though he was	10
of the government	10
more to be	10
of the manor	10
company at the	10
of any one	10
that to the	10
even of the	10
not seem to	10
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father of the	10
not be able	10
and he is	10
to ben jonson	10
situation of the	10
the act of	10
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all i have	10
of enforced marriage	10
to which it	10
for whom entered	10
in some measure	10
tragedy of the	10
all the rest	10
the company was	10
of his theatrical	10
be the case	10
there were two	10
a man in	10
to go into	10
more likely to	10
of the scenes	10
confirmed by the	10
up in the	10
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i should like	10
theatre royal in	10
contribution to the	10
german translation of	10
those who had	10
some years after	10
the chance of	10
story of the	10
and the duke	10
the prevalence of	10
can be traced	10
duke of devonshire	10
which must be	10
to see you	10
tells us that	10
appear in the	10
to act at	10
have already said	10
that may be	10
might be the	10
the same name	10
to write a	10
in like manner	10
the necessity of	10