quadgram

This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

quadgram	frequency
of the escape wheel	91
the center of the	69
the intersection of the	60
and a half degrees	59
the impulse face of	50
impulse face of the	43
in the direction of	42
the end of the	42
angular motion of the	39
the direction of the	38
of the entrance pallet	36
one and a half	36
the radial line a	36
the position of the	32
face of the tooth	32
from the intersection of	32
the locking face of	30
the action of the	29
as shown at fig	28
the length of the	27
direction of the arrow	26
locking face of the	26
the inner angle of	26
of the pallet staff	25
we draw the line	25
at the same time	25
by means of a	25
the point of the	24
inner angle of the	24
the angular motion of	23
as shown in fig	23
degrees of angular motion	23
at right angles to	22
sweep the short arc	22
the face of the	21
fork and roller action	21
the diameter of the	21
at the end of	21
of the jewel pin	20
it is necessary to	20
the top of the	19
intersection of the line	19
center of the pallet	19
the fact that the	19
for the first time	18
face of the entrance	18
a as a center	18
at the intersection of	18
from b as a	17
the line a b	17
for the purpose of	17
its intersection with the	17
from a as a	17
and through the point	17
b as a center	17
it will be seen	17
the teeth of the	17
the extent of the	16
on the arc a	16
she said to herself	16
and establish the point	16
it is well to	16
of angular motion of	16
right angles to the	16
the fork and roller	16
the periphery of the	16
it is to be	15
the space between the	15
in the midst of	15
the point so established	15
the radial lines a	15
draw the radial line	15
by means of the	15
of the exit pallet	15
we sweep the arc	15
in the middle of	14
the axis of the	14
through an arc of	14
as a center we	14
intersection of the radial	14
periphery of the escape	14
is one of the	14
with the arc a	14
we establish the point	14
draw the line b	14
the form of a	14
the middle of the	14
in regard to the	14
to the fact that	14
what do you think	14
the detached lever escapement	14
the motion of the	14
face of the pallet	14
with the line a	14
seen in the direction	13
angle of the pallet	13
motion of the escape	13
the angular extent of	13
each side of the	13
the outer angle of	13
we show at fig	13
showed a variation of	13
on the other hand	13
on each side of	13
of the radial line	13
to the end of	12
we sweep the short	12
through the point so	12
published by the keystone	12
the arc a a	12
the back of the	12
organ of the jewelry	12
the jewelry and optical	12
on the top of	12
we lay off on	12
the other side of	12
of the several parts	12
of the jewelry and	12
intersection of the arc	12
two and a half	12
the surface of the	12
other side of the	12
the organ of the	12
the size of the	12
jewelry and optical trades	12
tooth of the escape	12
of the seventeenth century	11
indicated by the dotted	11
angular extent of the	11
the dividers set at	11
from its intersection with	11
as shown in the	11
the escape wheel and	11
center we sweep the	11
the outside of the	11
a minute or two	11
outer angle of the	11
the escape wheel is	11
of the lever escapement	11
any part of the	11
angles to the line	11
would you like to	11
all of a sudden	11
we draw the radial	11
for a long time	11
a center we sweep	11
with our dividers set	11
with the dividers set	11
a good deal of	11
and at the same	11
the thickness of the	10
it will be necessary	10
the horn of the	10
the invention of the	10
as indicated by the	10
and from the intersection	10
i tell you what	10
to the extent of	10
of the line a	10
motion of the lever	10
by means of which	10
face of the prong	10
of the balance and	10
by courtesy of messrs	10
the pendant up position	10
of the balance staff	10
the inner face of	10
diameter of the cylinder	10
of the eighteenth century	10
in the form of	10
in contact with the	10
it will be found	10
the edge of the	10
motion of the balance	10
i can tell you	10
represents the center of	10
shell of the cylinder	10
lip of the cylinder	10
with the radial line	10
it is evident that	10
in the case of	9
it is not necessary	9
great deal to learn	9
a b with the	9
one of the most	9
of the impulse face	9
angle of the entrance	9
phases of the moon	9
as it should be	9
will be found to	9
of the half shell	9
will be seen that	9
the pitch circle of	9
do you think of	9
the center of our	9
as shown at a	9
degrees on each side	9
will be necessary to	9
arc with the line	9
the name of the	9
a great deal to	9
radial line a b	9
as per second column	9
the use of the	9
set at five inches	9
as soon as the	9
the jewel pin will	9
at an angle of	9
the inside of the	9
degrees on the arc	9
the foot of the	9
with the line b	9
inner face of the	9
you think of that	9
we draw a line	9
as per fourth column	9
line a b with	9
the year of the	9
to be found in	9
angle of the exit	8
prong of the fork	8
down on the arc	8
dividers set at five	8
a side view of	8
i am the greatest	8
the tooth of the	8
to do is to	8
pitch circle of the	8
courtesy of percy webster	8
the middle temperature error	8
the bottom of the	8
is attached to the	8
shaped as shown at	8
in one of the	8
point of the tooth	8
through the center of	8
the intersection of this	8
the way to fairyland	8
side of the moon	8
so established draw the	8
the evolution of the	8
the whole of the	8
the free ends of	8
from the fact that	8
in the horizontal positions	8
of the cylinder shell	8
in proportion to the	8
test showed a variation	8
as we have said	8
when the watch is	8
i need hardly say	8
from the center of	8
in the possession of	8
of the line b	8
in the first place	8
of the arc a	8
the size of a	8
it is easy to	8
on the line a	8
find it to be	8
the art of the	8
the arc a we	8
as well as the	8
as a center sweep	8
the side of the	8
per fourth column fig	8
it would be a	8
intersection with the line	8
b with the arc	8
at the top of	8
of the prong of	8
the outer diameter of	8
by courtesy of percy	8
draw the radial lines	7
the radius of the	7
the shape of the	7
the force of the	7
point so established draw	7
center of the balance	7
the line a a	7
the line b e	7
the phases of the	7
to play with me	7
the prong of the	7
between dial up and	7
the outer face of	7
half shell of the	7
to the line a	7
a center sweep the	7
one position to any	7
a half degrees lock	7
horn of the fork	7
a half degrees to	7
from one position to	7
position to any other	7
up at the clock	7
the vertical line a	7
the equation of time	7
out of the window	7
the end of his	7
but it was not	7
the jewel pin d	7
teeth of the escape	7
vibration of the coil	7
for a minute or	7
so as to be	7
located at the intersection	7
and one or two	7
face of the exit	7
the arc of motion	7
between the radial lines	7
in order that the	7
per second column fig	7
to be able to	7
by the dotted lines	7
position test showed a	7
the beginning of the	7
on the arc f	7
on the arc k	7
of our escape wheel	7
to do this we	7
was one of the	7
the half shell of	7
on the locking face	7
of the cylinder escapement	7
fork and pallet action	7
in the opposite direction	7
the distance between the	7
outer diameter of the	7
the drawing at fig	7
is shown in fig	7
draw the line e	7
up and down the	7
the centre of the	7
of the arc of	7
seems to have been	7
year of the seasons	7
of the nineteenth century	7
of the house of	7
as if he had	7
and draw the line	7
what do you mean	7
the head of the	7
g as a center	7
from g as a	7
the day and night	7
as far as the	7
the day of the	7
the close of the	7
in the course of	7
the balance and spring	7
can be made of	7
in the pendant up	7
one of the earliest	7
on the arc m	7
the world at once	6
eight and a half	6
this arc with the	6
the problem in hand	6
in the act of	6
may be said to	6
the influence of the	6
but there was no	6
degrees and establish the	6
the line b g	6
of eight and one	6
was found to be	6
understood by inspecting fig	6
is given to the	6
be seen that the	6
and setting one leg	6
i could not help	6
it passes through the	6
to the axis of	6
axis of the balance	6
between the lines b	6
the same as the	6
degrees of roller action	6
it will be evident	6
it will be observed	6
to the line b	6
of the tooth d	6
diameter of the escape	6
of this arc with	6
you like to see	6
to have been a	6
was the son of	6
of the locking face	6
beginning and ending of	6
e as a center	6
dial up and dial	6
our dividers set at	6
from the point e	6
of the late seventeenth	6
that there is no	6
the escape wheel utilized	6
of the guard point	6
in front of the	6
up and dial down	6
outer face of the	6
the course of the	6
as shown at d	6
of veneer and marquetry	6
condition of the watch	6
the chord of the	6
over or under compensation	6
in front of him	6
quarter of an hour	6
as well as a	6
with the aid of	6
define the impulse face	6
metropolitan museum of art	6
thomas chamberlaine de chelmisforde	6
it was not till	6
the metropolitan museum of	6
about the size of	6
in such a way	6
of an escape wheel	6
from e as a	6
and establish the points	6
of one of the	6
of the balance spring	6
the jewel pin to	6
as one of the	6
the door of the	6
on the world at	6
is to be found	6
the extent of angular	6
the end of a	6
which represents the center	6
the days of the	6
and find it to	6
the country of the	6
from the center a	6
half degrees from the	6
as shown at b	6
the arc of the	6
the friction of the	6
of the art of	6
the way in which	6
it will be noticed	6
you will find that	6
so it passes through	6
action of the tooth	6
japanese striking clock with	6
an angle of twenty	6
be said to be	6
the advent of the	6
on the part of	6
it was not a	6
in a new cylinder	6
it is possible to	6
ten degrees of fork	6
a we lay off	6
i was conscious of	6
the first time in	6
the consideration of the	6
we name the point	6
out of the fork	6
of the tooth and	6
in addition to the	6
the action of a	6
five degrees of angular	6
the pendant right position	6
outer edge of the	6
the roller and fork	6
with a piece of	6
diameter of the jewel	6
the point where the	6
end of the pivot	6
intersection of this arc	6
the relation of the	6
the weight of the	6
the escape wheel to	6
on the outside of	6
the form of the	6
if he had been	6
side of the line	6
part of the world	6
be found to be	6
for the benefit of	5
good to tom drift	5
the first of the	5
was not to be	5
of the coil between	5
it is interesting to	5
all a matter of	5
one of the party	5
the width of the	5
locate the center of	5
arc of motion is	5
of the same size	5
degrees of fork action	5
the lower end of	5
from the point of	5
from time to time	5
put on dutch clocks	5
to the balance and	5
the long and short	5
embraced between the radial	5
tower of the winds	5
compared to the opposite	5
to coincide with the	5
it will be remembered	5
the measurement of time	5
the date of the	5
slot in the fork	5
is represented by the	5
degree on the arc	5
by the action of	5
establish on the arc	5
as soon as ever	5
as if he were	5
is said to have	5
a cylinder escape wheel	5
as shown at g	5
was not long in	5
and from the point	5
the introduction of the	5
the pitch circle a	5
lay off on said	5
will be understood by	5
is not to be	5
in heat compared to	5
in connection with the	5
the escape wheel in	5
on the other side	5
it is obvious that	5
portion of the staff	5
the curve of the	5
in a tone of	5
the idea of the	5
the entrance pallet c	5
the peripheral line m	5
through the intersection of	5
time required for making	5
a pair of screws	5
from two to four	5
seconds as per fourth	5
the time of the	5
indicated at the dotted	5
of the detached lever	5
william and mary period	5
a and b b	5
nothing to do with	5
to conform to the	5
what do you say	5
on the end of	5
to any part of	5
in and out of	5
tangent to the circle	5
as shown by the	5
to be derived from	5
preliminary notes and practice	5
to tell the truth	5
the fork and pallets	5
as shown at c	5
and the next test	5
the edges of the	5
free ends of the	5
when the spring is	5
the main plate a	5
rotation of the earth	5
for it but to	5
the height of the	5
and with the dividers	5
with the peripheral line	5
in the shape of	5
seconds as per second	5
as if they were	5
off on the arc	5
and it is the	5
lines a d and	5
is easy to see	5
point of the escape	5
can be obtained by	5
as shown at the	5
he set himself to	5
the line b f	5
on account of the	5
take a piece of	5
the ends of the	5
the arc a with	5
pallets to match the	5
is supposed to be	5
of heat and cold	5
center sweep the short	5
half degrees to the	5
roller and fork action	5
hour of the day	5
one of the first	5
the value of the	5
there was a little	5
way in which he	5
we set our dividers	5
from the impulse face	5
delineate the impulse face	5
establish the point n	5
will be able to	5
be good to tom	5
at the bottom of	5
and the result is	5
and the jewel pin	5
establishing the center of	5
of the cylinder and	5
a d and a	5
the motion in the	5
the pinning point at	5
falsely put on dutch	5
i would like to	5
will be noted that	5
in the same way	5
and roller action is	5
have a tendency to	5
center of the cylinder	5
four or five seconds	5
escape wheel and pallet	5
as if i had	5
would have to be	5
in which it was	5
off on said arc	5
the hours and quarters	5
vibration of the balance	5
and out of the	5
the lower portion of	5
a we draw the	5
at the back of	5
due to the fact	5
at the other end	5
in the vertical positions	5
nothing for it but	5
and if it is	5
every now and then	5
as far as it	5
back of the tooth	5
is shown by the	5
half the diameter of	5
there will be no	5
a half degrees on	5
establish the point c	5
the holes nearest the	5
the slot in the	5
draw the line a	5
our dividers set to	5
the free end of	5
one leg of our	5
into the hands of	5
the hole in the	5
a piece of steel	5
in the teeth of	5
one to the other	5
for the reception of	5
to the right of	5
a a and b	5
lay off on the	5
and through the points	5
on the dial to	5
to those who have	5
of high grade watches	5
passing through the point	5
against the end of	5
the king and queen	5
the fact that it	5
defines the locking face	5
the tooth and the	5
to take care of	5
in the drawing at	5
of the entrance lip	5
will be observed that	5
is placed in the	5
with the arc i	5
a part of the	5
the heel of the	5
in relation to the	5
as is consistent with	5
in the flat positions	5
a fine example of	5
in the reign of	5
with the addition of	5
as a matter of	5
of the fork and	5
by the kindness of	5
the train of wheels	5
putting in a new	5
thousandths of an inch	5
day of the week	5
to do with the	5
arc a with the	5
mean time screws and	5
a matter of fancy	5
would have been a	5
the meridian of greenwich	5
and relation of the	5
at the prospect of	5
say a few words	5
face to face with	5
the difference between the	5
free end of the	5
at the sight of	5
the location of the	5
must have been a	5
lower end of the	5
of the inner angle	5
long and short days	5
it for granted that	5
by no means the	5
are now ready to	5
is a side view	5
the other end of	5
wheel and pallet staff	5
escape wheel utilized by	5
of the arrow j	5
were found to be	5
the north of england	5
a quarter of a	5
art of the clockmaker	5
be found that the	5
of the exit lip	5
tom drift was not	5
extent of angular motion	5
the outer edge of	5
of the regulator bar	5
to be understood that	5
center of the escape	5
do you think i	5
lower portion of the	5
to the radial line	5
it will be noted	5
with the movement by	5
as we have seen	5
in this case the	5
a fork and roller	5
radial lines a d	4
in the lathe and	4
the sliding center i	4
for the escape wheel	4
of the collet and	4
at one end of	4
degrees of pallet action	4
arcs a a and	4
radius of the arc	4
inner surface of the	4
and it is not	4
center of the rims	4
angle of the impulse	4
of an inch in	4
of the lacquered clock	4
and from this point	4
a careful study of	4
of the nodding mandarins	4
square of first column	4
come to play with	4
the several branches of	4
of the action of	4
sat down on the	4
with reference to the	4
piece of brass wire	4
intersection of the lines	4
point of the graver	4
set the discharging jewel	4
it seems to me	4
english masters of clockmaking	4
draw a line from	4
working in the teeth	4
miss grizzel and miss	4
and one of the	4
for half an hour	4
in the corner of	4
the dial should be	4
the same number of	4
alterations and labor utilized	4
for the jewel pin	4
the back end of	4
to the escape wheel	4
be understood that the	4
face of our pallet	4
at the point of	4
to be in the	4
griselda opened her eyes	4
of the horn of	4
the time consumed in	4
the fact that they	4
right and left positions	4
impulse to the balance	4
we are now ready	4
of the roller and	4
the authorities of the	4
passes through the point	4
set to embrace the	4
we establish on the	4
one of the great	4
on the arc b	4
at the other side	4
at the point c	4
to the ninth holes	4
leg of the dividers	4
such a lot of	4
in the great saloon	4
of one and one	4
to the left of	4
the right of the	4
established draw the radial	4
shown in the cut	4
to act on the	4
the upper part of	4
to allow of the	4
felt as if she	4
in the fact that	4
be said to have	4
days in a year	4
my master and i	4
is a noticeable feature	4
and there was a	4
position of the inner	4
means of which the	4
to the entrance pallet	4
the aid of the	4
the balance in the	4
of the dial is	4
to speak to you	4
end of the lever	4
is found on a	4
the power of the	4
of the teeth of	4
by the impulse face	4
established we draw the	4
impulse faces of the	4
half a dozen times	4
if i had been	4
the midst of which	4
degrees on said arc	4
the reader will see	4
as light as possible	4
center of the chord	4
through the point of	4
motion of the fork	4
and next moment the	4
the fork in the	4
and from b as	4
thickness of the cylinder	4
one by one the	4
tooth d and pallet	4
motion of the sun	4
that portion of the	4
is caused by the	4
the plane of the	4
from hour to hour	4
the part of the	4
the meaning of the	4
the flight of time	4
for the reason that	4
for pendant up variation	4
brass lantern clock by	4
the detent spring e	4
of the grandfather clock	4
in the large drawing	4
chats on old furniture	4
of the motive power	4
the space on the	4
and from g as	4
outside of the cylinder	4
between the tooth and	4
fourth of an inch	4
the pallets to match	4
the exit lip of	4
the cylinder and the	4
changing forms of the	4
the lines a a	4
to each other as	4
in spite of the	4
will be found that	4
you may be sure	4
required for making the	4
call attention to the	4
its use as a	4
with the center of	4
of the arc which	4
the place in which	4
intersection of said arc	4
being located at the	4
end of the staff	4
the brass lantern clock	4
the arc which defines	4
the slot of the	4
length of the pivot	4
all parts of the	4
the line e g	4
of the tooth a	4
we would beg to	4
the jewel pin is	4
at the close of	4
horary branches and celestial	4
the dawn of science	4
the manner in which	4
to obtain the best	4
this is caused by	4
in accordance with the	4
the locking angle of	4
of the royal society	4
they nodded to the	4
by this maker is	4
a half degrees from	4
the intersection of said	4
through the point n	4
you are going to	4
the inventor of the	4
how my heart beat	4
it should not be	4
on the pallet staff	4
of the periphery of	4
in which he had	4
off thirty degrees on	4
radial line a f	4
i was going to	4
going to be ill	4
so as to allow	4
finish all the lower	4
japanese clock with vertical	4
one to play with	4
just as he was	4
arc which defines the	4
represents the periphery of	4
the day after to	4
in a manner that	4
of a great art	4
it looks as if	4
motion of the pallet	4
of the balance as	4
represented by the dotted	4
make the most of	4
the dial of a	4
half degrees of escape	4
out into the garden	4
a view of fig	4
from the point t	4
the hero of the	4
of said arc with	4
the first thing to	4
clock with vertical dial	4
a piece of brass	4
on the line b	4
watch in his pocket	4
the corner of the	4
the arbor of the	4
the time of day	4
there are a great	4
the line g m	4
it is in the	4
slot of the fork	4
of the cylinder is	4
its arc of vibration	4
in the lever escapement	4
the son of a	4
to enable us to	4
e with the arc	4
will now take up	4
relation of the parts	4
the radius of any	4
of the chord of	4
a pair of dividers	4
in the centre of	4
now come to the	4
the place of the	4
at the beginning of	4
of the angular motion	4
the hour of the	4
upon the face of	4
of four or five	4
a line from the	4
position alterations and labor	4
one leg at the	4
the lower part of	4
at the foot of	4
days on the world	4
as he did so	4
have been made in	4
he flapped his wings	4
to know the time	4
coil between the pins	4
the seat for the	4
it would have been	4
is a view of	4
with the point of	4
true in the round	4
setting one leg at	4
the short arc i	4
with the arc m	4
located the inner angle	4
be found to have	4
at the rate of	4
it seemed to griselda	4
the entrance pallet e	4
there is but one	4
the next test showed	4
leg of our dividers	4
the arcs a a	4
due to the balance	4
it is usual to	4
said one of the	4
the regulator pins were	4
as he called it	4
cuckoo in a cage	4
country of the nodding	4
a small hole in	4
for the present we	4
name falsely put on	4
fourths of a degree	4
f we draw the	4
a good deal more	4
of wheels and pinions	4
extent of the jewel	4
it was no use	4
this will be understood	4
but it is a	4
the early nineteenth century	4
liverpool and the district	4
on the subject of	4
by the fact that	4
it is impossible to	4
concrete examples showing definite	4
take it for granted	4
the peripheral line a	4
and for the first	4
the radial line b	4
that the jewel pin	4
can afford to be	4
exit lip of the	4
is fastened to the	4
a neutral locking face	4
delineate the locking face	4
we will see that	4
intersection with the peripheral	4
is to be expected	4
much obliged to you	4
the end of twenty	4
at the british museum	4
edge of the dial	4
she could not help	4
between the lines a	4
of the over coil	4
c e and c	4
part of a clock	4
will be evident on	4
two days on the	4
as if by magic	4
we refer to fig	4
of the pallet and	4
after the invention of	4
next position test showed	4
be found in the	4
for the pallet staff	4
the next position test	4
to see that the	4
precession of the equinoxes	4
lower side of the	4
this is due to	4
of one and a	4
that is to say	4
it would not be	4
in front of her	4
i want to know	4
if it does not	4
of striking hours and	4
equal vibration of the	4
the age of the	4
the time in the	4
and as soon as	4
of the guard pin	4
step of the snail	4
a quarter of an	4
off one and a	4
it is safe to	4
the balance should be	4
of the fact that	4
to delineate a fork	4
exactly the same way	4
the swing of the	4
the lower side of	4
of the slot in	4
escape wheel and the	4
with equidistant locking faces	4
by the dotted line	4
it is not to	4
in the habit of	4
the arc of vibration	4
heat compared to cold	4
is by means of	4
ten degrees of angular	4
intersection of the short	4
can readily see that	4
we are going to	4
degrees of angular extent	4
space between the coils	4
i wish i could	4
was a sort of	4
d and pallet c	4
chord of the arc	4
battersea enamel and shagreen	4
the line b b	4
of the watch or	4
made so as to	4
it is possible that	4
set our dividers to	4
the detent spring h	4
twelve degrees to the	4
of the arc l	4
a cuckoo in a	4
as a center draw	4
the ornamentation of the	4
is of the same	4
in the early days	4
to isochronism and positions	4
lines c e and	4
the slide g n	4
the spring should be	4
the reception of the	4
at the moment of	4
there will be a	4
and off they set	4
of a piece of	4
but i dare say	4
to make the most	4
of the minute hand	4
at the thought of	4
screws in the holes	4
from the point b	4
the mean time screws	4
from bank to bank	4
radial line a g	4
thing to do is	4
days of the week	4
draw the vertical line	4
be understood by inspecting	4
is indicated by the	4
be removed from the	4
off two and a	4
other end of the	4
of the tooth is	4
we will now take	4
the number of seconds	4
vibrations of the balance	4
to the radius of	4
ten inches in diameter	4
let us imagine that	4
was silent for a	4
part of the mechanism	4
the late seventeenth century	4
to the intersection of	4
we thus see that	4
easy to see that	4
within the limits of	4
it seemed to her	4
the difference in the	4
in keeping with the	4
in the proper position	4
from the point n	4
pass out of the	4
per cent of the	4
dial by james arthur	4
the hands of a	4
years of the nineteenth	4
was by no means	4
will see that the	4
the william and mary	4
in a split chuck	4
in this instance the	4
grizzel and miss tabitha	4
by the courtesy of	4
the short arc l	4
in exactly the same	4
the spring can be	4
tooth lever escapement with	4
the thrust of the	4
the shell of the	4
branches and celestial stems	4
looking up at the	4
which we have divided	4
i had leisure to	4
and as he looked	4
an escape wheel of	4
is not necessary to	4
established draw the line	4
you have a great	4
that he did not	4
a half degrees of	4
copper jars dropping water	4
the same as if	4
appearance of the balance	4
it is probable that	4
the pendant up rate	4
and it is quite	4
by the aid of	4
the maker of a	4
this form of tooth	4
as i have said	4
cottage and farmhouse furniture	4
was not at all	4
is due to the	4
of the wheel teeth	4
than that of the	4
pair of screws from	4
out of his way	4
and method of calculating	4
in the second square	4
and it will be	4
just the same as	3
english table or mantel	3
it will be all	3
degrees from the intersection	3
how could i be	3
delineate a fork and	3
periphery of our escape	3
consumed in making the	3
a great deal of	3
with a pair of	3
side view of the	3
will not work in	3
the best way to	3
the hands may be	3
a very long time	3
we define the impulse	3
second step of the	3
the next test in	3
greater part of the	3
my heart beat as	3
proud of being a	3
is interesting to note	3
ends of the balance	3
like that of a	3
and with that he	3
in an instant he	3
she got to the	3
take in our dividers	3
few notes on watches	3
impulse planes of the	3
would be able to	3
the horizontal positions are	3
and then came the	3
number of days in	3
do is to set	3
we draw through the	3
the evolution of styles	3
freedom for end shake	3
temperature variation is not	3
the line f h	3
that there is a	3
the linear extent of	3
at the point where	3
escape wheel and pallets	3
to be done is	3
shown in the first	3
the pallets and fork	3
the lock on the	3
is divisible by four	3
go to make up	3
jewel pin is in	3
is an important part	3
correspond to the line	3
you speak to me	3
such a way as	3
same days of the	3
not to be found	3
to the half shell	3
as if seen from	3
fourth of a turn	3
the line e f	3
the short arc t	3
and what to collect	3
time consumed in making	3
what is known as	3
suffice it to say	3
half a degree of	3
with circular pallets and	3
very kind of you	3
the pallet staff and	3
let us suppose the	3
postpaid on receipt of	3
have a great deal	3
the impulse planes of	3
may be obtained from	3
to the surface of	3
at the distance of	3
foot of the gauge	3
at the dotted lines	3
that some of the	3
see that it is	3
that the action of	3
of the chinese taste	3
three or four times	3
a from the point	3
we reason on the	3
nature of marquetry clock	3
to be a butterfly	3
it will now be	3
below the horizontal line	3
concentricity of the hairspring	3
and it would be	3
establish the point d	3
and japanese methods of	3
of william and mary	3
there is no reason	3
had nothing for it	3
of the pendulum spring	3
outside of the tube	3
is evident that the	3
it is not my	3
the impulse to the	3
it is found that	3
the cylinder and escape	3
points of the hairspring	3
let us consider the	3
fast in heat compared	3
an arc of eight	3
hands on the dial	3
as much of the	3
the oscillations of the	3
afford to be without	3
face of a pallet	3
to make way for	3
toward the center of	3
panel of the door	3
with a number of	3
it is hardly necessary	3
introduced into england by	3
arc indicated by the	3
we find that the	3
how do you like	3
there are many instances	3
to see for yourself	3
in the latter case	3
he wondered if the	3
sent postpaid to any	3
the extreme extent of	3
value and what to	3
the cost of the	3
do this we draw	3
the first test in	3
cuckoo cleared his throat	3
to be friends with	3
be better understood by	3
could not have been	3
stability of the grandfather	3
oscillations of the pendulum	3
the condition of the	3
of the outer angle	3
care must be exercised	3
between the lines g	3
of the tooth as	3
a center is swept	3
when the pins are	3
if we reason on	3
are you up to	3
the radial line e	3
the house of commons	3
lock on the exit	3
bear to think of	3
extent of the locking	3
not so much as	3
the escape wheel at	3
the same letters of	3
it is quite important	3
html version of this	3
i we lay off	3
such a way that	3
form part of the	3
over one and one	3
to aid in this	3
by the graphic method	3
inside of the shell	3
force of the hairspring	3
position indicated by the	3
set the index arc	3
the ruins of herculaneum	3
philadelphia city hall clock	3
impress on our readers	3
and the fact that	3
the radial lines c	3
of the balance to	3
force of the mainspring	3
the angle of the	3
clocks in the provinces	3
i cannot tell you	3
a pair of thin	3
halifax and the district	3
same letters of reference	3
the tooth d is	3
side view of fig	3
hour on a large	3
a bracket or wall	3
project gutenberg also has	3
either slow or fast	3
not a bit of	3
the radial lines k	3
in our dividers and	3
care must be taken	3
the second step of	3
come to an end	3
portion of the cylinder	3
we make use of	3
on which our time	3
the spring may be	3
on the arc l	3
is a fine example	3
be as light as	3
a balance of this	3
next test showed a	3
museum and art gallery	3
are supposed to be	3
fall of the weights	3
clock by george aicken	3
the proper position to	3
of such an escapement	3
be able to judge	3
arc a a we	3
but it was too	3
the end stone is	3
a line at right	3
the pendulum rod is	3
for the sake of	3
the point of contact	3
as it is to	3
a large escapement model	3
there are always two	3
and place it in	3
will take it for	3
dutch east india company	3
griselda shut her eyes	3
in the manufacture of	3
world on receipt of	3
seat for the roller	3
measure down on the	3
it was in the	3
the hour hand is	3
of the balance in	3
a segment of a	3
a piece of flat	3
the index arc c	3
angle of the tooth	3
could hardly have been	3
by the position of	3
of the staff is	3
there would be no	3
thirty degrees of roller	3
to a great extent	3
the rim of the	3
in the pendant right	3
the first time he	3
you like to know	3
and at right angles	3
cent of the watches	3
is established the point	3
is placed on the	3
in the days of	3
on a large bell	3
my aunts must have	3
the purpose for which	3
on the next page	3
as this is a	3
somewhere on this arc	3
the hour on a	3
the late seventeenth and	3
it was a sad	3
the position indicated by	3
to go to bed	3
on the impulse jewel	3
to the line c	3
it is by means	3
when a watch is	3
the members of the	3
at the time of	3
quarters of a degree	3
of which he himself	3
its early introduction into	3
the books of the	3
tenth of a second	3
the watch is running	3
it is a good	3
the jewel pin a	3
face of the horn	3
a a and a	3
like to see for	3
incline of the tooth	3
was going to be	3
fork and jewel pin	3
sent postpaid on receipt	3
a few notes on	3
of the lantern clock	3
the movement of this	3
of his way to	3
a large number of	3
the object of this	3
can be made from	3
in the end of	3
is that they are	3
the greater part of	3
to go to sleep	3
on the inner angle	3
of the watch and	3
the tooth d and	3
variation from one position	3
sound when the watch	3
and if it be	3
which is called the	3
free ends of rims	3
me that it is	3
as much as possible	3
the needle should be	3
is located at the	3
the pillars which support	3
introduction into this country	3
peculiarities of the lacquered	3
was not a very	3
were in the air	3
been made by the	3
heel of the tooth	3
alteration made was to	3
to represent the pitch	3
degrees each side of	3
minute and second hands	3
and there is no	3
some time or other	3
as illustrated at fig	3
some distance from the	3
from the escape wheel	3
the perfection of the	3
strike the hours and	3
see that as the	3
pendant up as per	3
in the verge escapement	3
to play with you	3
lines a b and	3
be obtained by shifting	3
being one of the	3
one end of which	3
the pendant right and	3
we show at a	3
there is no mistaking	3
utilized by the pallet	3
they should not be	3
now proceed to delineate	3
the first time the	3
on the large drawing	3
a vague sort of	3
five seconds in the	3
slow or fast in	3
early introduction into this	3
upon the axis of	3
of a pair of	3
end of the bar	3
and at the end	3
it was a sort	3
relations of the several	3
be as well to	3
as to allow of	3
let us suppose a	3
as a center is	3
and how do you	3
it does not require	3
with the hot water	3
of the mechanism of	3
is to be made	3
of such a thing	3
the coil between them	3
center of gravity of	3
away from the bank	3
we continue the line	3
interesting to note that	3
felt that there was	3
radial lines a b	3
perpendicular to the line	3
but this is not	3
space between the lines	3
position in which they	3
to true up the	3
the jewel pin and	3
table or mantel clocks	3
to be expected that	3
radius of the circle	3
lever escapement with circular	3
the fact that in	3
marks on the dial	3
in the pocket of	3
use the point of	3
of the spring is	3
the lock of the	3
suppose we have a	3
that you have a	3
if it had been	3
but there was a	3
up the consideration of	3
space on the arc	3
the escape wheel of	3
necessary for him to	3
methods of measuring time	3
not always due to	3
use of veneer and	3
is possible to obtain	3
tooth has passed the	3
to the measurement of	3
of the corporation of	3
thirty degrees of angular	3
in the main plate	3
of chinese and japanese	3
must have come back	3
should be noted that	3
middle of the night	3
the watch should be	3
have gone to the	3
the same relations to	3
lay off thirty degrees	3
the total time required	3
on the exit pallet	3
on the balance staff	3
the engagement of the	3
between the points b	3
if he had but	3
sixty degrees of the	3
such an extent that	3
with the exception of	3
chinese and japanese methods	3
the art of lacquer	3
the pallet center at	3
off my coat and	3
lock of the tooth	3
dial of a clock	3
in case that the	3
back end of the	3
center is swept the	3
in honour of the	3
leg at the point	3
be noticed that the	3
the period of veneer	3
the panel of the	3
of the arrow i	3
the number of degrees	3
as per sixth column	3
the prospect of the	3
to that of the	3
of the inner coil	3
a period of time	3
held in the chuck	3
if the watch is	3
where the outer angle	3
the proper point of	3
corner of the room	3
seconds as per sixth	3
top of the clock	3
the turned down portion	3
the same time as	3
it was not easy	3
middle or normal temperature	3
at the same instant	3
the balance with the	3
on the right side	3
five years of the	3
the state of the	3
jewel pin will just	3
the rest of the	3
on the line e	3
the term bracket clock	3
the cuckoo cleared his	3
there is no doubt	3
explaining to a customer	3
a little more than	3
the points b and	3
our dividers to the	3
in a series of	3
griselda gave a little	3
of an inch thick	3
the extreme point of	3
teeth of the rack	3
drawing shown at fig	3
the latitude of the	3
the impulse roller is	3
the motive power in	3
wheel utilized by the	3
in the chapter on	3
the same time the	3
as soon as he	3
and i dare say	3
variation of eleven seconds	3
great english masters of	3
that the distance between	3
the point e we	3
methods of time keeping	3
each end of the	3
the outside of our	3
first time in his	3
eighth of an inch	3
the courtesy of the	3
careful study of the	3
point at which the	3
how ever did you	3
to be used in	3
so as to get	3
very much on the	3
i found myself in	3
to have the pallets	3
so that when the	3
the life of a	3
for ten degrees of	3
as if seen in	3
the grinding and polishing	3
that it can be	3
inside of the arc	3
i am indebted for	3
when we speak of	3
make way for the	3
of the world on	3
degrees and draw the	3
ten degrees from the	3
do so want to	3
at the metropolitan museum	3
top of the dial	3
a center we draw	3
as far as they	3
it would appear that	3
a b and a	3
to agree with the	3
it should be noted	3
bear in mind that	3
six degrees on the	3
competition with french elaboration	3
how do you know	3
four seconds as per	3
to see how the	3
after they have been	3
with a very little	3
at the point f	3
as long as i	3
jewel pin will not	3
this form of escapement	3
the variation in the	3
and from e as	3
to say nothing of	3
said arc with the	3
branches of a great	3
slow compared to the	3
as if i were	3
half degrees on the	3
f e with the	3
shown at the dotted	3
he had entered it	3
addendum of the escape	3
as a center and	3
one degree on the	3
that they did not	3
the spring equinoctial point	3
to the action of	3
of the pallet stone	3
the line c d	3
for a moment the	3
to go back to	3
invention of the pendulum	3
we have now come	3
the pallet staff at	3
will have to be	3
quite important that the	3
will be explained later	3
go back to bed	3
of the new testament	3
the time when the	3
in the five positions	3
is the fact that	3
to be seen in	3
than in any other	3
of thick sheet brass	3
fact that we are	3
is well to make	3
gus and his friend	3
a close position rate	3
with a strong glass	3
of the coil from	3
where are that cuckoo	3
we take a piece	3
what to value and	3
five position test showed	3
it is the most	3
with that of the	3
in order that we	3
we find that in	3
gives impulse to the	3
to a radial line	3
of me at the	3
and the pendant up	3
an inch in diameter	3
to finish all the	3
by the use of	3
at the present time	3
all right in theory	3
the line n p	3
forget all about it	3
well to make the	3
and ending of a	3
ten degrees of pallet	3
the aid of a	3
on the entrance pallet	3
which represents the periphery	3
found on clocks in	3
it ought to be	3
ending of a day	3
now take up the	3
position and relation of	3
will be noticed that	3
in the holes nearest	3
just as the tooth	3
it would be as	3
i want you to	3
do you mean by	3
three and a half	3
column at its full	3
is about the right	3
where the gold spring	3
pinned at the fast	3
of day and night	3
the jewel pin as	3
in his pocket and	3
of an inch from	3
with a view to	3
of our pallet staff	3
of the diameter of	3
what you would have	3
of more than one	3
the relations of the	3
some point on the	3
to take me to	3
be noted that the	3
of twelve degrees to	3
in a minute or	3
drawing the line a	3
end of the guard	3
can be made to	3
the regularity of the	3
variation is not always	3
the same manner as	3
it was found that	3
there is nothing to	3
what would become of	3
of the outside of	3
each of the four	3
circle of the jewel	3
the time at which	3
at the dotted line	3
the inner surface of	3
degrees to a radial	3
the design of the	3
seasons as a unit	3
for long and short	3
as we have already	3
with the balance at	3
a g with the	3
for a moment he	3
said the little boy	3
as much as to	3
the great series of	3
as good results as	3
gutenberg also has an	3
the arc indicated by	3
to make room for	3
be done is to	3
as she had never	3
i might be a	3
at some time or	3
to find the cuckoo	3
example of his work	3
more than he had	3
the side towards the	3
for all practical purposes	3
first five position test	3
arc embraced between the	3
pin is in the	3
was plain to see	3
proceed to delineate a	3
establish the center of	3
the seasons as a	3
the guard pin is	3
always two days on	3
out of the cylinder	3
not work in practice	3
collet as shown at	3
on an enlarged scale	3
in front of a	3
she had a great	3
latitude of the place	3
of the axis of	3
are intended to be	3
before we proceed to	3
placed in front of	3
two or three of	3
have now come to	3
you know tom drift	3
to embrace the space	3
are a great many	3
of angular motion to	3
how he had been	3
both are moving with	3
i thought you were	3
to the slow point	3
one of the two	3
to set the discharging	3
two to four seconds	3
of the regulator pins	3
end of the rack	3
it is not a	3
to the age of	3
as indicated at the	3
of the impulse roller	3
you are ready to	3
appears to have been	3
total time required for	3
out of poise and	3
i am going to	3
difference it would make	3
the alteration made was	3
the tooth d would	3
of the detent spring	3
and dried in sawdust	3
first thing to do	3
to her own room	3
we set the index	3
he had been shot	3
also has an html	3
a particular style of	3
as a basis for	3
the addendum of the	3
the tooth a and	3
blow of the hammer	3
we have already explained	3
new balance staff and	3
result is that the	3
what are you up	3
engaging surfaces of the	3
to the opposite position	3
which the cylinder is	3
bring the pallets to	3
how my master and	3
outside of our cylinder	3
extent of the tooth	3
allow me to introduce	3
is quite important that	3
degrees to the left	3
several branches of a	3
as shown at e	3
four hours in each	3
end of the horn	3
and from the center	3
the result will be	3
one rotation of the	3
was easy to guess	3
attempt to make the	3
it was a little	3
scottish and irish clocks	3
by courtesy of edward	3
the over coil and	3
of english table or	3
alcohol lamp until the	3
the extreme fast point	3
and one by one	3
at its full value	3
set for long and	3
of screws from the	3
a way that the	3
i have no doubt	3
the work of the	3
he had been a	3
intersection of the collet	3
an html version of	3
to the effect that	3
the old masters of	3
of the pallet b	3
the second square of	3
how to find the	3
the tooth c will	3
of the intersection of	3
is to be understood	3
an important part of	3
at each of the	3
in the same manner	3
on the detached lever	3
at each end of	3
for the several parts	3
the sense of a	3
the fork and jewel	3
striking and alarum clocks	3
so the jewel pin	3
my coat and waistcoat	3
of motion of the	3
a piece of peg	3
a loss to understand	3
common origin of design	3
of the line f	3
postpaid to any part	3
it is understood that	3
it is of the	3
side of the intersection	3
draw through the points	3
was not the only	3
the entrance lip of	3
of the seasons as	3
as is shown at	3
as shown on the	3
by the end of	3
time and its measurement	3
so much as the	3
to impress on our	3
astronomical motions on which	3
and will be found	3
the world on receipt	3
in the united states	3
as he had been	3
as an example we	3
looked like a fairy	3
and so it was	3
related to each other	3
arc of eight and	3
pendant right and left	3
seemed to griselda that	3
strikes the hour on	3
had been able to	3
of the day at	3
file which includes the	3
rounded and highly polished	3
be placed on a	3
the line a g	3
on the perfection of	3
we will find the	3
the same days of	3
it may have been	3
seemed to be a	3
radial lines c e	3
the use of veneer	3
think it advisable to	3
the arc f is	3
continuance of manufacture in	3
the first time i	3
in all its details	3
in a cement chuck	3
quarters of an hour	3
on the back of	3
the same effect as	3
to perform its functions	3
it is the best	3
the reign of george	3
have been made by	3
the balance at rest	3
clockmakers found on clocks	3
the points so established	3
ornamentation of the spandrel	3
took no notice of	3
are you all right	3
there was no answer	3
the regulator bar b	3
line at right angles	3
to one turn or	3
elastic force of the	3
that one of the	3
old clocks and watches	3
to be expected in	3
half the sense of	3
position of the hands	3
and if the watch	3
clock by this maker	3
are always two days	3
the point of attachment	3
to make the pallets	3
through the point v	3
results to be expected	3
been made in the	3
held in his hand	3
the pocket of a	3
volume to chats on	3
and found to be	3
the incline of the	3
to think of it	3
no end of a	3
escapement with circular pallets	3
b we establish the	3
of this file which	3
any one of the	3
we all know that	3
it would be just	3
was no other than	3
the sun and moon	3
dial and its character	3
know how to make	3
for granted that you	3
from the use of	3
what wonder if he	3
the hood of the	3
and as for the	3
the adjustment of watches	3
of the balance seat	3
to look about me	3
the application of the	3
and that is the	3
of the horn k	3
this maker is illustrated	3
and dead beat escapements	3
i had been a	3
in his essay on	3
it was not so	3
and the center of	3
of the lever and	3
in the action of	3
or fast in heat	3
in the center of	3
part of the balance	3
the great english masters	3
be expected that the	3
at the time the	3
as shown at f	3
the line b h	3
the changing forms of	3
and i want to	3
to match the fork	3
said he to himself	3
clock is wound up	3
impulse to the pendulum	3
at a loss to	3
bracket clock a misnomer	3
can be determined by	3
degrees from its intersection	3
he seems to have	3
but there is a	3
is not always due	3
one pair of screws	3
the dial down position	3
the line t y	3
period of veneer and	3
one of the best	3
thrust of the escape	3
evolution of the long	3
evolution of the hands	3
necessary to say that	3
possible to obtain a	3
the general condition of	3
that there was a	3
arc of one and	3
and from a as	3
the weight of a	3
of the outer diameter	3
make up to him	3
e and c g	3
in the dial up	3
five position adjusting consists	3
as the reader will	3
of a cylinder escape	3
all the way home	3
the same size as	3
should be taken to	3
the point at which	3
spreading or closing the	3
the point r and	3
a detached lever escapement	3
the two horizontal positions	3
the stability of the	3
that sort of thing	3
the line f e	3
out of the way	3
as a bracket or	3
surfaces of the wheel	3
as she had expected	3
the fork vibrates through	3
in a position to	3
for combined cylindrical lenses	3
then there was a	3
of the great saloon	3
above the horizontal line	3
the middle or normal	3
proved that the motion	3
position adjusting consists of	3
and down the terrace	3
of days in a	3
what do they mean	3
the act of unlocking	3
seconds slow in heat	3
of the same make	3
point of the spring	3
i should have been	3
angular extent on the	3
able to judge of	3
ten and a half	3
the line a c	3
the best part of	3
the fact that there	3
local day and night	3
hood of the clock	3
and what do you	3
be borne in mind	3
of the verge escapement	3
plane of the equator	3
is not necessary that	3
of its own accord	3
it is such a	3
this part of the	3
five degrees and establish	3
represent the center of	3
of a clock by	3
leg rests at the	3
an even number of	3
proper point of attachment	3
this file which includes	3
revolution of the earth	3
the resistance of the	3
the mechanism of the	3
at the back end	3
came out of the	3
of the impulse plane	3
the impulse faces of	3
like to know the	3
the extent to which	3
could i be tired	3
lay off one and	3
rate of the watch	3
power of the mainspring	3
of a chronometer escapement	3
of the circle n	3
was a little boat	3
is to be hoped	3
the jewel pin in	3
attention to the fact	3
of gus and his	3
was conscious of nothing	3
rest for the tooth	3
minute or two the	3
in the hands of	3
will be seen the	3
in the use of	3
dial of clock by	3
piece of peg wood	3
twelve degrees of angular	3
upon the books of	3
center of our cylinder	3
by one of the	3
courtesy of edward campbell	3
circle described by the	3
escape wheel at a	3
weight and inertia of	3
go out of his	3
the engaging surfaces of	3
lines a a and	3
vertical line a k	3
entrance lip of the	3
it is advisable to	3
i dare say you	3
not to be understood	3
act of parliament clocks	3
use as a bracket	3
of clockmakers found on	3
series of english table	3
day of the month	3
days of the month	3
companion volume to chats	3
i know the way	3
what will be the	3
line a b and	3
take up the consideration	3
on the arc i	3
would be a good	3
the gold spring is	3
will not pass out	3
so as not to	3
a considerable amount of	3
the point c we	3
the incongruities of marquetry	3
to the dotted line	3
had a letter from	3
the greatest and the	3
pinning points of the	3
the names of the	3
essay on the detached	3
like to be told	3
the hand of the	3
but i tell you	3
all the better for	3
i can assure you	3
shellac dissolved in alcohol	3
c we lay off	3
time in his life	3
of a lever escapement	3
to such an extent	3
griselda thought it was	3
derivative nature of marquetry	3
are not to be	3
she had ever seen	3
the conclusion to which	3
arc a we lay	3
my uncle and aunt	3
just as she had	3
as a unit for	3
inch wide and one	3
we have divided into	3
you are very kind	3
on cottage and farmhouse	3
and from its intersection	3
to delineate the exit	3
what do you want	3
as indicated at a	3
the lines e g	3
hours of the day	3
anchor escapement for clocks	3
part of the verge	3
the line of thrust	3
may be considered as	3
seemed to her that	3
one after the other	3
to a certain extent	3
the midst of a	3
has not yet been	3
the line a f	3
as to the extent	3
she looked like a	3
the period of lacquer	3
line a g with	3
so as to prevent	3
of the spring equinox	3
will be obtained by	3
locking angle of the	3
an inch from the	3
from all parts of	3
because of the fact	3
a few words about	3
to play with him	3
the result is that	3
hat on his head	3
it is one of	3
has an html version	3
face of the teeth	3
as will be seen	3
is derived from the	3
we delineate the impulse	3
lower part of the	3
of the meridian of	3
a greater number of	3
we draw from the	3
the same as in	3
as soon as they	3
the dial up position	3
the bed or frame	3
pallets to conform to	3
that my master was	3
as they should be	3
of such a model	3
not pass out of	3
of the national museum	3
in reply to the	3
the present we will	3
of the arrow c	3
fact that there are	3
the result of the	3
the best of all	3
the impulse jewel has	3
of the metropolitan museum	3
the first day of	3
me from his pocket	3
to represent the center	3
the extremes of temperature	3
furniture not lacquered work	3
when the balance was	3
the circle n n	3
and for this reason	3
the radial line p	3
if the jewel pin	3
draw a line at	3
as will be explained	3
in the first chapter	3
of the window and	3
we draw the vertical	3
place the balance in	3
do you know tom	3
took it into his	3
in the face of	3
circle of the escape	3
that shown in fig	3
pin will not pass	3
they set to work	3
with the line g	3
as to allow the	3
to have been in	3
to call attention to	3
we draw the short	3
we can readily see	3
one or two workmen	3
end of the rims	3
if seen in the	3
delineate the entrance pallet	3
to the present day	3
enough to make the	3
the jewel and the	3
he was only a	3
draw the line n	3
as illustrated in fig	3
i wonder if it	3
the one to the	3
locate the position of	3
great series of english	3
that he could not	3
should be made of	3
direction of the axis	3
could not help feeling	3
direction indicated by the	3
coincide with the center	3
as well as for	3
the diagram at fig	3
and relation of parts	3
the effect of the	3
seconds from one position	3
to the width of	3
of the space between	3
center of our pallet	3
moving a pair of	3
day and night ring	3
the various phases of	3
vibrates through an arc	3
one turn or less	3
we now come to	3
we show in fig	3
of the passing hollow	3
on clocks in the	3
it is important that	3
out of the room	3
is to set the	3
as english as the	3
me out of the	3
it was not long	3
no common origin of	3
the dial and its	3
so that they will	3
when the balance is	3
as to just what	3
on the opposite side	3
distortions of compensation balances	3
there can be no	3
by the dotted outline	3
to value and what	3
he was ready to	3
ends of the rims	3
at the expense of	3
to sit down and	3
in the pendant down	3
reducing the arc of	3
and with our dividers	3
be added to the	3
the lip of the	3
extent of the lock	3
the rate of the	3
the addition of a	3
of holding the graver	3
of the line g	3
it would seem that	3
did you ever hear	3
end of the fusee	3
version of this file	3
it was a good	3
through the points so	3
correct the mean time	3
at the sound of	3
in which it is	3
that the arc of	3
motions on which our	3
horn of the detent	3
teeth of an escape	3
names of clockmakers found	3
as to whether the	3
be said that the	3
put in a new	3
it was time to	3
to say that she	3
chats on english china	3
if the rate is	3
sweep the arc i	3
and position of the	3
always due to the	3
up to the front	3
point of the drill	3
the fact that we	3
me out of his	3
line through the center	3
he caught sight of	3
cylinder and escape wheel	3
for this was the	3
i should like to	3
the dress of a	3
we will now proceed	3
the head of a	3
of gravity of the	3
we locate the point	3
of the outer face	3
i do so want	3
the line b d	3
the little boy to	3
it is certain that	3
and when it was	3
end of the arbor	3
to aid us in	3
to the days of	3
of the acting roller	3
anchor and dead beat	3
it would be the	3
impulse face of our	3