quadgram

This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

quadgram	frequency
one of the most	143
the end of the	141
is one of the	129
in the time of	103
ecclesiastical architecture of scotland	102
on the north side	102
of the thirteenth century	101
on the south side	94
the church of st	92
is said to have	86
of the middle ages	82
of the fifteenth century	82
at the end of	78
at the east end	77
the middle of the	75
of the fourteenth century	74
the time of the	68
the cathedral of st	66
said to have been	64
the site of the	64
the beginning of the	63
the remains of the	60
in spite of the	59
of the twelfth century	58
the south side of	55
at the same time	55
the north side of	55
was one of the	54
north side of the	54
the chapel of st	53
south side of the	52
the rest of the	52
of the xiii century	51
of the xii century	51
at the west end	51
it is said that	50
in the midst of	50
the walls of the	49
the building of the	49
the history of the	48
the east end of	47
cathedral of notre dame	46
as well as the	46
of the nave and	46
in the thirteenth century	45
on the site of	45
to be found in	42
the north and south	42
seems to have been	42
the centre of the	41
the south of france	40
in the fourteenth century	39
of the sixteenth century	39
on the east side	38
of the church is	38
to be seen in	38
on each side of	38
at the time of	38
to the south of	37
east end of the	37
england of my heart	36
in the south transept	36
the chapel of the	36
each side of the	35
of the cathedral is	34
in the fifteenth century	34
the hands of the	34
the upper part of	33
the banks of the	33
be seen in the	33
the close of the	33
the windows of the	33
bays of the nave	33
in the church of	33
of the north transept	33
of the national art	33
the ruins of the	33
one of the finest	32
of the choir is	32
the north of the	32
side of the nave	32
of the xi century	31
of the south transept	31
in the presence of	31
the south of the	31
the work of the	31
the story of the	30
in the north aisle	30
as one of the	30
of the xiv century	30
dedicated in honour of	30
the valley of the	30
the church of the	30
part of the church	30
upper part of the	30
the fact that the	30
body of the church	29
it is to be	29
in the xii century	29
it is one of	29
in the reign of	29
of the choir and	29
the beauty of the	29
in the north transept	29
of the nave are	29
for the first time	28
on the banks of	28
the arches of the	28
in the south aisle	28
the name of the	28
of the nave is	28
is to be found	28
the east of the	28
of nave and choir	27
of the eighteenth century	27
for the most part	27
one of the best	27
west end of the	27
the time of henry	27
of the church was	27
the top of the	27
the roof of the	27
in spite of its	26
the exterior of the	26
with the exception of	26
the south transept is	26
the west end of	26
to the north of	26
the body of the	26
in honour of st	26
in the centre of	26
of the north aisle	26
the greater part of	26
to the memory of	26
of the church of	26
the head of the	25
at the foot of	25
of one of the	25
in the twelfth century	25
are to be found	25
the style of the	25
in the middle ages	25
to have been the	25
the height of the	25
of the early english	25
the entrance to the	25
on account of the	25
at the beginning of	25
appears to have been	25
the lower part of	25
of the eleventh century	25
and there is a	24
the seat of the	24
the interior of the	24
it is difficult to	24
the foot of the	24
the early english style	24
this part of the	24
the king of france	24
in the chapel of	24
of the cathedral of	24
in the middle of	24
the whole of the	24
is the work of	24
on the part of	24
is that of the	24
and part of the	24
the life of st	24
of the same period	23
at the hands of	23
the use of the	23
of the most beautiful	23
of the south aisle	23
the remains of a	23
the architecture of the	23
the first bishop of	23
the tomb of the	23
the restoration of the	23
the north transept is	23
the vaulting of the	23
of the house of	23
the parish church of	23
the nave of the	23
of the same date	23
of the west front	22
of the time of	22
may be said to	22
the abbey church of	22
and the church of	22
lower part of the	22
side of the choir	22
now used as a	22
to the east of	22
of the xv century	22
the nave and the	22
in the early english	22
end of the church	22
the capitals of the	22
be found in the	22
the last of the	22
of the lady chapel	22
the south wall of	22
the south choir aisle	22
in the xiii century	21
the level of the	21
in one of the	21
the fall of the	21
in the north wall	21
to do with the	21
as a matter of	21
north and south aisles	21
the main body of	21
as far as the	21
as we see it	21
the shrine of st	21
the founder of the	21
the early part of	21
the life of the	21
the capital of the	21
the erection of the	21
to have been a	20
the east side of	20
in the history of	20
on either side of	20
on the west side	20
of the present cathedral	20
of notre dame de	20
early part of the	20
abbey church of st	20
was founded in by	20
about the middle of	20
it is impossible to	20
the abbey of st	20
seem to have been	20
a part of the	20
aisle of the choir	20
the abbey of paisley	20
in the hands of	20
in the cathedral of	20
south wall of the	20
the windows in the	20
a great deal of	19
the west front is	19
notre dame de paris	19
parish church of st	19
the part of the	19
on the north and	19
into the hands of	19
end of the nave	19
are to be seen	19
to the see of	19
in the fourth century	19
greater part of the	19
in the south wall	19
the site of a	19
at the close of	19
north and south transepts	19
north aisle of the	19
in the xiv century	19
from the life of	19
of the seventeenth century	19
notre dame of paris	19
the time of edward	18
appear to have been	18
the art of the	18
to the time of	18
as we have said	18
the north choir aisle	18
of notre dame at	18
of the most interesting	18
the work of bishop	18
in the sixteenth century	18
of the interior is	18
on the th of	18
is to be seen	18
main body of the	18
the north aisle of	18
was buried in the	18
the wall of the	18
a portion of the	18
the nave and choir	18
was the first to	18
are the remains of	18
at the battle of	18
the back of the	18
the south aisle of	18
but it is not	18
are the work of	18
of the south of	18
part of the nave	18
there is a curious	18
it must have been	17
end of the thirteenth	17
the foundation of the	17
aisle of the nave	17
church of notre dame	17
the scene of the	17
of the cathedral at	17
the influence of the	17
of the work of	17
the cathedrals of france	17
in front of the	17
it would have been	17
the isle of france	17
to that of the	17
in the lady chapel	17
the east and west	17
there is no triforium	17
in the form of	17
south aisle of the	17
of the decorated period	17
in the third century	17
of the nineteenth century	17
one of the earliest	17
in the days of	17
the completion of the	17
side of the church	17
as the parish church	17
the first half of	16
the choir of st	16
was built by bishop	16
normandie monumentale et pittoresque	16
in some of the	16
la normandie monumentale et	16
the general effect of	16
at the top of	16
after the death of	16
on the south is	16
the first of the	16
of the cathedral was	16
it was in the	16
of the duke of	16
bay of the nave	16
as i have said	16
first half of the	16
end of the twelfth	16
in the decorated style	16
in the case of	16
part of the cathedral	16
the date of the	16
in the south of	16
the north side is	16
was the scene of	16
the great east window	16
there is a fine	16
arm of the transept	16
the east end is	16
on the other side	16
the face of the	16
a matter of fact	16
with a series of	16
was built in the	16
the north wall of	15
of the bishop of	15
as a place of	15
one of the first	15
the tracery of the	15
from end to end	15
is said to be	15
of the abbey church	15
the high altar is	15
and the lady chapel	15
as early as the	15
the most beautiful in	15
of the nave were	15
from the time of	15
in the eighteenth century	15
be said to have	15
it may have been	15
remains of the old	15
in the heart of	15
the priory of st	15
in the civil war	15
scenes from the life	15
either side of the	15
the days of the	15
part of the original	15
east side of the	15
of the high altar	15
by reason of the	15
of the xvi century	15
said to be the	15
of the tenth century	15
was the work of	15
xii and xiii centuries	15
but it was not	15
is said that the	15
of the art of	15
to have been built	15
the xii and xiii	15
the base of the	15
wall of the nave	15
at the back of	15
in the sixth century	14
of william the conqueror	14
one of the few	14
the destruction of the	14
left to us in	14
side of the cloister	14
there is a large	14
of the north and	14
of the transept is	14
the builder of the	14
part of the building	14
at the head of	14
of the choir are	14
is one of those	14
must have been a	14
the glass of the	14
the cathedral of notre	14
the cathedrals of the	14
with north and south	14
wall of the transept	14
was dedicated to st	14
to say nothing of	14
is of the same	14
is known as the	14
of the cathedral and	14
is by no means	14
the heart of the	14
the wars of the	14
on the walls of	14
the presence of the	14
the same date as	14
be one of the	14
the choir and transept	14
the west of the	14
from the thirteenth century	14
north wall of the	14
the seat of a	14
it was not until	14
on the south of	14
the eastern end of	14
the midst of the	14
in the name of	14
in honour of the	14
the time of bishop	14
feet width of nave	14
of the king of	14
supposed to have been	14
of the end of	14
to the end of	14
so far as the	14
the north and the	14
hundred and fifty feet	14
is not to be	14
it seems to have	14
the arms of the	14
the martyrdom of st	14
is now used as	14
was founded in the	13
the east window of	13
fourteenth and fifteenth centuries	13
two bays of the	13
it has been called	13
in favour of the	13
la france artistique et	13
of the church and	13
about the same time	13
length of nave ft	13
east window of the	13
as late as the	13
the fact that it	13
in the fifth century	13
of the blessed virgin	13
the hospital of st	13
the choir is a	13
the first years of	13
during the civil war	13
of the cathedrals of	13
building of the cathedral	13
the first part of	13
has been recently restored	13
the edge of the	13
the exception of the	13
book of glasgow cathedral	13
he is said to	13
of the central tower	13
of the isle of	13
the piers of the	13
after the battle of	13
from the fact that	13
one of the greatest	13
the floor of the	13
to have been erected	13
the names of the	13
and there was a	13
on the other hand	13
of the fact that	13
to the fact that	13
the right of the	13
in the seventeenth century	13
to the church of	13
in the eleventh century	13
used as the parish	13
the side of the	13
from the twelfth century	13
it belongs to the	13
the towers of the	13
and some of the	13
at the council of	13
all that remains of	13
the west end is	13
a few years later	12
with regard to the	12
eastern end of the	12
is full of interest	12
to those of the	12
as high as the	12
one above the other	12
church of our lady	12
aisles of the nave	12
the south is the	12
it is not a	12
the triforium and clerestory	12
it has been said	12
under the rule of	12
of the xvii century	12
to the bishop of	12
after the fire of	12
and one of the	12
during the reign of	12
with respect to the	12
by the fact that	12
the choir of the	12
with that of the	12
the builders of the	12
notre dame de reims	12
new york and london	12
the south side is	12
the relics of st	12
statue of the virgin	12
same date as the	12
on his way to	12
the north of france	12
windows of the nave	12
arches of the nave	12
scottish abbeys and cathedrals	12
the house of the	12
at the base of	12
of the original norman	12
the east wall of	12
is the tomb of	12
the relics of the	12
we now enter the	12
behind the high altar	12
by reason of its	12
second half of the	12
up and down the	12
in the west wall	12
by the duke of	12
the choir and the	12
of church and state	12
of the holy trinity	12
the nave is a	12
bays of the choir	12
the abbot of cluny	12
the second half of	12
than that of the	12
and those of the	12
thirteenth and fourteenth centuries	12
set to work to	12
it is true that	12
the name of st	12
dimensions total length ft	12
the west front and	12
is the chapel of	12
end to end of	12
the removal of the	12
notre dame de la	12
first years of the	12
occupies the site of	12
in the life of	12
the east window is	12
of the abbey of	12
for the sake of	12
the kings of france	12
of a series of	12
of the kings of	12
is surmounted by a	12
a few of the	12
the time when the	12
in the early part	12
the foundations of the	12
in the course of	12
side by side with	11
it consists of a	11
and that of the	11
end of the north	11
the oldest part of	11
the cathedral is the	11
notre dame at paris	11
door of the cathedral	11
site of the present	11
it is the most	11
the west side of	11
in the world war	11
the advent of the	11
the nave from the	11
other parts of the	11
it was not the	11
of nave and aisles	11
de notre dame de	11
the body of st	11
as well as a	11
east wall of the	11
of the east end	11
it is of the	11
notre dame de noyon	11
the care of the	11
in the xv century	11
the lady chapel was	11
end of the choir	11
it is thought that	11
to one of the	11
west corner of the	11
the cathedral in the	11
side of the chancel	11
in the xi century	11
it was here that	11
a work of the	11
the church of scotland	11
side of the cathedral	11
history of the cathedral	11
the ancient capital of	11
this is one of	11
one hundred and fifty	11
piers of the nave	11
and in spite of	11
it is probable that	11
it is hard to	11
of the history of	11
mary queen of scots	11
that on the north	11
is not of the	11
in keeping with the	11
between it and the	11
a good deal of	11
west wall of the	11
the thirteenth and fourteenth	11
portion of the cathedral	11
dimensions length of nave	11
a fine example of	11
the cathedral of the	11
the form of a	11
the residence of the	11
to make room for	11
in the perpendicular style	11
was used as a	11
the view of the	11
the power of the	11
the palace of the	11
in the east window	11
the department of the	11
feet height of nave	11
latter part of the	11
similar to that of	11
there can be no	11
of early english design	11
from the fourteenth century	11
but it is a	11
a large number of	11
is later than the	11
wall of the south	11
in the days when	11
in the words of	11
notre dame des doms	11
rest of the church	11
the altar of st	11
formed part of the	11
the first stone of	11
the tower of the	11
are the ruins of	11
the course of the	11
which is said to	11
is remarkable for its	11
to the abbey of	11
the latter part of	11
the details of the	11
figure of our lord	11
the mouth of the	11
end of the fifteenth	11
in the nave and	11
the bishopric was founded	11
this portion of the	11
we come to the	11
was raised to the	11
two hundred and fifty	11
end of the south	11
is supposed to have	11
i do not know	11
is obtained from the	11
as we have seen	11
walls of the nave	11
was known as the	11
on the day of	11
we may be sure	11
that it was a	11
would seem to be	11
of the church in	10
of the same name	10
in the way of	10
of the exterior of	10
principal building dates norman	10
the crypt of the	10
the plan of the	10
the author of the	10
the choir is of	10
of the xviii century	10
are a series of	10
given over to the	10
the eastern part of	10
of the walls of	10
the line of the	10
eastern part of the	10
of the bishops of	10
the fourteenth and fifteenth	10
france artistique et monumentale	10
of the cathedral are	10
in the center of	10
the north and east	10
dedicated to the virgin	10
oldest part of the	10
west side of the	10
the royal institute of	10
and dates from the	10
the development of the	10
is pronounced to be	10
of the royal institute	10
say nothing of the	10
on one of the	10
and was buried in	10
the place of the	10
is part of the	10
the west wall of	10
south of the nave	10
would appear to have	10
after a fire in	10
in the choir and	10
in the north of	10
took place in the	10
of some of the	10
on the north of	10
to be one of	10
over the high altar	10
when the church was	10
it is well to	10
of the gothic cathedrals	10
east corner of the	10
that is to say	10
first part of the	10
the church is the	10
the houses of the	10
that it was the	10
until the time of	10
the other side of	10
and at the same	10
in the style of	10
of the present church	10
the most beautiful of	10
in the first years	10
the same time as	10
london and new york	10
the cathedral and the	10
the hall of the	10
it must be owned	10
the door of the	10
institute of british architects	10
the patron saint of	10
one of the great	10
from time to time	10
destroyed by fire in	10
the spandrels of the	10
it is known that	10
of the finest in	10
is a gem of	10
at the eastern end	10
the church is a	10
of the counts of	10
is earlier than the	10
the shadow of the	10
is a row of	10
one of the largest	10
the position of the	10
of the nave was	10
the eleventh and twelfth	10
journal of the royal	10
st thomas of canterbury	10
a member of the	10
in the crypt of	10
by one of the	10
one hundred and thirty	10
can be seen in	10
of the west end	10
the nave and aisles	10
eleventh and twelfth centuries	10
royal institute of british	10
a statue of the	10
the possession of the	10
the end of a	10
an account of the	10
was rebuilt in the	10
a great number of	10
of our lord and	10
the tower of st	10
it is said to	10
for the use of	10
by the bishop of	10
are some of the	10
with the rest of	10
in spite of all	10
of the holy cross	10
the characteristics of the	10
before the end of	9
the virgin and child	9
the gothic of the	9
by a series of	9
still to be seen	9
the cause of the	9
de la ville de	9
the west front of	9
and dedicated to st	9
the twelfth and thirteenth	9
be said to be	9
some of the best	9
one of the oldest	9
of the great cathedrals	9
pays des sculpteurs romans	9
height of nave ft	9
the finest in england	9
xie et au xiie	9
is flanked by two	9
the same time the	9
that it is a	9
as a work of	9
length of choir ft	9
seat of a bishop	9
the vault of the	9
dates from the twelfth	9
of the best examples	9
part of the walls	9
the death of the	9
yet to be seen	9
in the valley of	9
it is in the	9
by the end of	9
in a sort of	9
of the virgin and	9
in the cathedrals of	9
in memory of the	9
the south aisle is	9
if it were not	9
the spirit of the	9
it would seem to	9
became the first bishop	9
on their way to	9
in the south choir	9
norman work in the	9
the finest examples of	9
it was he who	9
one to the other	9
and it is said	9
figure of the virgin	9
for the purpose of	9
is the monument of	9
is of early english	9
not seem to have	9
on the edge of	9
was the seat of	9
the way in which	9
the clerestory windows are	9
in england of my	9
of the monastic buildings	9
and most of the	9
au pays des sculpteurs	9
in the new forest	9
is left of the	9
general effect of the	9
in the development of	9
in imitation of the	9
the little church of	9
length of nave and	9
to the right of	9
part of the north	9
it is possible that	9
the great west window	9
of the first rank	9
the little town of	9
the country round about	9
of the order of	9
the opening of the	9
of gothic art in	9
as the xiii century	9
in the following year	9
part of the present	9
the south end of	9
of the civil war	9
of the choir aisle	9
was the first bishop	9
the tomb of st	9
that it is the	9
may have been the	9
is divided into two	9
part of the tower	9
of the city is	9
the archbishop of canterbury	9
over the side aisles	9
a little of the	9
the glory of the	9
on the north is	9
of simon de montfort	9
twelfth and thirteenth centuries	9
has been much restored	9
will be found in	9
to that of st	9
to the holy trinity	9
it one of the	9
would seem to have	9
north and south sides	9
wall of the choir	9
view of the cathedral	9
as that of the	9
upon the site of	9
been added to the	9
to the height of	9
the manner in which	9
on the opposite side	9
a fragment of the	9
the apostle of the	9
the east window has	9
the lady chapel is	9
when the see was	9
of the great cathedral	9
to the french crown	9
nothing could be more	9
that there was a	9
the best examples of	9
the north aisle is	9
the gable of the	9
of the east window	9
the center of the	9
site of the old	9
it was one of	9
of anne of brittany	9
to the west of	9
by the fall of	9
the carving of the	9
it is easy to	9
of the new church	9
than those of the	9
beginning of the nineteenth	9
in the possession of	9
part of the city	9
the early years of	9
in the use of	9
was destroyed in the	9
we do not know	9
it is not so	9
of the earl of	9
the old church of	9
gothic church of st	9
it is certain that	9
we see it to	9
au xie et au	9
there is a very	9
of our lord in	9
is believed to have	9
when he came to	9
of notre dame was	9
was destroyed by fire	9
midi de la france	9
the richness of the	9
the thirteenth century the	9
notre dame de rouen	9
interior of the cathedral	9
bishop of the diocese	8
the soul of the	8
the decoration of the	8
the cathedral of tours	8
and the church was	8
the monks of st	8
after the manner of	8
in one of these	8
may or may not	8
a bishopric in the	8
to the level of	8
one of the three	8
with those of the	8
of the fifth century	8
it dates from the	8
same time as the	8
in the abbey church	8
in the diocese of	8
the attention of the	8
notre dame de st	8
is seen in the	8
end of the cathedral	8
are said to have	8
for a long time	8
to end of france	8
the gothic cathedrals of	8
most beautiful in england	8
towards the end of	8
part of the old	8
the dissolution of monasteries	8
the outside of the	8
exterior of the cathedral	8
the head of a	8
the remainder of the	8
in the beginning of	8
the church of england	8
the transept is a	8
of the abbot of	8
fall of the tower	8
the design of the	8
the old and new	8
of this cathedral is	8
the west front has	8
the cathedral of paris	8
been one of the	8
interior of the nave	8
it was necessary to	8
xi and xii centuries	8
a more or less	8
are the tombs of	8
notre dame de rodez	8
in the cathedral was	8
the kingdom of france	8
the condition of the	8
end of the eighteenth	8
the reign of henry	8
north side is the	8
century and a half	8
was used as the	8
it is only a	8
of the choir was	8
in the spandrels of	8
time of henry viii	8
and the cathedral of	8
in the capilla de	8
is so full of	8
the new system of	8
is a very ancient	8
so far as its	8
in the centre is	8
but there is a	8
the nave is the	8
to be the most	8
the construction of the	8
of the thirteenth and	8
the first quarter of	8
the fabric of the	8
in conjunction with the	8
from that of the	8
on the capitals of	8
a figure of the	8
a chapel in the	8
the ancient cathedral of	8
tower over the crossing	8
in the seventh century	8
two hundred years later	8
as if it were	8
walls of the choir	8
work of the fourteenth	8
of the north wall	8
the memory of the	8
of the finest examples	8
the fourteenth century the	8
on the same site	8
the tympanum of the	8
the choir and transepts	8
the great church of	8
was erected by bishop	8
at this time the	8
in connection with the	8
believed to have been	8
the little people of	8
in the shape of	8
of notre dame of	8
in the eighth century	8
in the xviii century	8
in all the world	8
in spite of this	8
the affairs of the	8
of the building is	8
the effect of the	8
battle of the marne	8
but in spite of	8
the tree of jesse	8
there are some curious	8
is a fine example	8
which at one time	8
of the martyrdom of	8
the era of the	8
in the same year	8
the xiii century the	8
portion of the west	8
in the end of	8
as if it had	8
one of the loveliest	8
the rule of the	8
of the lack of	8
and it is to	8
of the knights of	8
king robert the bruce	8
to the building of	8
by far the most	8
the early sixteenth century	8
only part of the	8
on the west of	8
of ferdinand and isabella	8
during the rule of	8
was begun by bishop	8
on the east of	8
the sculpture of the	8
the latter years of	8
of the wealth of	8
in so far as	8
windows of the choir	8
the church by the	8
he was able to	8
was erected in the	8
to be the oldest	8
of the greatest of	8
the pavement of the	8
of the life of	8
notre dame de laon	8
who lived in the	8
and is said to	8
as a parish church	8
it has been suggested	8
it may be that	8
in accordance with the	8
it was not till	8
founded by henry viii	8
and the remains of	8
the outbreak of the	8
was destroyed by the	8
the high altar of	8
little church of st	8
other side of the	8
before the high altar	8
during the fifteenth century	8
the feast of st	8
to the house of	8
similar to the north	8
and it is not	8
a good example of	8
the last half of	8
the church has been	8
set up in the	8
to the same period	8
from the rest of	8
of the windows of	8
our lord in glory	8
to a far greater	8
is the chantry of	8
for the glory of	8
in the perpendicular period	8
the most interesting of	8
the central tower is	8
of the last judgment	8
and is one of	8
the work of abbot	8
ancient cathedral of st	8
been inserted in the	8
the nature of the	8
and the chapel of	8
tower of the cathedral	8
part of the edifice	8
the early history of	8
the transition from the	8
a fine view of	8
the master of the	8
and it may be	8
the support of the	8
became the seat of	8
the glory of god	8
that on the south	8
the remains of an	8
choir and lady chapel	8
must have been the	8
the great bell of	8
first quarter of the	8
the cathedral was the	8
as those of the	8
the spot where the	8
of our lady and	8
a work of art	8
of the old norman	8
at a time when	8
being one of the	8
and it was not	8
took possession of the	8
of the great church	8
by sir gilbert scott	8
the bottom of the	8
to the extent of	8
the nave are of	8
the pillars of the	8
henry i of england	8
is due to the	8
could not have been	8
of the city of	7
at the death of	7
by means of a	7
of the first crusade	7
used as a parish	7
windows on each side	7
notre dame de moulins	7
there are a few	7
the reign of edward	7
bishopric was founded in	7
the collegiate church of	7
of the th century	7
the time of st	7
the confluence of the	7
one hundred and twenty	7
and notre dame at	7
our lady and st	7
the dean and chapter	7
was crowned king of	7
than in any other	7
the romanesque cathedral of	7
in gazette des beaux	7
of the king and	7
during the middle ages	7
a hundred and fifty	7
towers of the cathedral	7
dates only from the	7
is that of a	7
of the university of	7
the church on the	7
and the duke of	7
the finest in the	7
is not so much	7
is to be feared	7
there is no doubt	7
in a gothic church	7
the lady chapel at	7
the first to use	7
what is called the	7
it is not the	7
is by far the	7
under the protection of	7
notre dame du port	7
he seems to have	7
it was erected by	7
the battle of hastings	7
to the north and	7
are of the same	7
from north to south	7
by the earl of	7
michel colombe et la	7
it will be noticed	7
the see was suppressed	7
will be noticed that	7
in that of the	7
of our lady of	7
was a man of	7
in the nave of	7
la fin du moyen	7
with the remains of	7
an examination of the	7
on one side of	7
and the bishop of	7
of the houses of	7
to be seen at	7
for the reception of	7
a representation of the	7
du midi de la	7
eastern wall of the	7
the site of an	7
was probably built by	7
the early days of	7
banks of the river	7
hundred and thirty feet	7
and on either side	7
people of the lord	7
notre dame de coutances	7
there is a central	7
in addition to the	7
both inside and out	7
of the chapel of	7
the only part of	7
on the field of	7
we may still see	7
last half of the	7
the dawn of the	7
and on the west	7
the south wall is	7
of the side aisles	7
the bays of the	7
the king and his	7
has been called the	7
in the walls of	7
from the end of	7
but it has been	7
the nave was finished	7
the abbatial of st	7
of the fourteenth and	7
of the early sixteenth	7
the church and the	7
by the erection of	7
in journal of the	7
in the choir of	7
a place of pilgrimage	7
of the perpendicular style	7
as well as in	7
the ambulatory of the	7
to the north side	7
in the year of	7
of the church were	7
up to the time	7
on either side are	7
the gardens of the	7
the glass in the	7
that of the cathedral	7
has been said that	7
they are of the	7
tells us that he	7
i know not what	7
the cathedrals of northern	7
in the annals of	7
to that in the	7
of the transept and	7
the rebuilding of the	7
the chanson de roland	7
palace of the popes	7
the xi and xii	7
when viewed from the	7
windows in the north	7
latter years of the	7
in the xii and	7
site of a roman	7
the south aisle are	7
dedicated to the holy	7
the gothic art of	7
beginning of the thirteenth	7
in place of the	7
was held to be	7
in the choir are	7
the form of the	7
it is not of	7
it would seem that	7
was built from to	7
to the beauty of	7
for the building of	7
is that of st	7
is still to be	7
the transepts are of	7
was at one time	7
the foundations of a	7
was the capital of	7
the son of the	7
there was a great	7
half of the thirteenth	7
one of them is	7
before the middle of	7
there is a great	7
early in the morning	7
it is possible to	7
of the glories of	7
the one to the	7
notre dame de bourg	7
window of the south	7
great church of st	7
what remains of the	7
now used as the	7
has been replaced by	7
that part of the	7
of the gothic of	7
the character of the	7
the appearance of the	7
the triforium of the	7
the erection of a	7
of the old testament	7
dame de le puy	7
was responsible for the	7
designed by sir g	7
has been suggested that	7
to the lady chapel	7
much of the old	7
door in the north	7
since the days of	7
in the east wall	7
one of which is	7
the glass is modern	7
like that of the	7
the th of august	7
the thickness of the	7
the roof is modern	7
the first time in	7
the church is of	7
the time of elizabeth	7
who is said to	7
and on the north	7
erected in memory of	7
far greater degree than	7
on the side of	7
the confines of the	7
of first pointed work	7
the maid of orleans	7
fell into the hands	7
is another of those	7
quarters of the city	7
at his own expense	7
henry ii of england	7
with the arms of	7
none the less than	7
end of the sixteenth	7
spite of the fact	7
on the top of	7
was begun in by	7
is to be remarked	7
of the most important	7
in the west front	7
the day of the	7
at the present day	7
it was decided to	7
south of the loire	7
north and the south	7
the time of louis	7
of the middle age	7
was founded by the	7
the words of the	7
notre dame de chartres	7
eastern portion of the	7
middle of the fourteenth	7
there are no transepts	7
if one is to	7
a list of the	7
it is to the	7
roof of the nave	7
dates from the fourteenth	7
not a little of	7
on the south are	7
to have been in	7
part of the town	7
similar to those of	7
south choir aisle is	7
to be those of	7
of the west wall	7
the north transept and	7
the heads of the	7
of adam and eve	7
on the occasion of	7
was part of the	7
of notre dame is	7
is well worthy of	7
there is not a	7
may be seen in	7
new system of building	7
the north is the	7
was connected with the	7
chapel at the east	7
great part of the	7
a far greater degree	7
little people of the	7
some of the windows	7
of the old church	7
not be able to	7
the clerestory of the	7
from the east in	7
former cathedral of notre	7
notre dame de bayonne	7
the north transept has	7
in memory of bishop	7
much to do with	7
wall of the north	7
cathedrals of northern france	7
de la fin du	7
under the direction of	7
and it was only	7
most of the windows	7
built on the site	7
is all that remains	7
to be the first	7
arches in each bay	7
of the city are	7
we are told that	7
was brought to the	7
day it is a	7
in the wars of	7
chapel of the holy	7
of the cathedral which	7
the nave is of	7
the troublous times of	7
founder of the college	7
be noticed that the	7
hundred and fifty years	7
in which it was	7
is on the south	7
in comparison with the	7
early years of the	7
the xii century the	7
the best of the	7
the altar of the	7
the order of the	7
laid the first stone	7
in place of a	7
the early english period	7
the greatest of the	7
the core of the	7
of the choir were	7
it was begun in	7
at the feet of	7
of st thomas of	7
westernmost bays of the	7
the sides of the	7
not only in the	7
notre dame de le	7
religieux de la fin	7
that remains of the	7
end of the century	7
stained glass tours in	7
the central tower was	7
notre dame de clermont	7
here and there a	7
the feast of the	7
it is evident that	6
of the vitrine art	6
about the end of	6
of the old work	6
style of the architecture	6
go to make up	6
on the east is	6
priory of st pancras	6
the see of canterbury	6
there is but one	6
the present cathedral was	6
on the eve of	6
with the title of	6
of the church has	6
the history of england	6
that of the decorated	6
does not appear to	6
the arch of the	6
it is but a	6
in the choir was	6
the largest and most	6
in common with the	6
the entrance of the	6
notre dame de cambrai	6
commission des monuments historiques	6
of this part of	6
of the new forest	6
high altar is a	6
due to the fact	6
the early fourteenth century	6
the murder of the	6
he was one of	6
it has been so	6
and in the south	6
a century and a	6
in the cathedral and	6
of the diocese of	6
the time of king	6
from the top of	6
above the high altar	6
and the west front	6
of the central light	6
the fate of the	6
of one hundred and	6
coloured glass of the	6
walls of the aisles	6
is not a great	6
the tomb of a	6
as its first bishop	6
in the parish church	6
the rear of the	6
the property of the	6
is at the west	6
founded by david i	6
the old saxon church	6
in the face of	6
to be found at	6
from original water colours	6
is the church of	6
the time of james	6
the very heart of	6
was founded by david	6
but there is no	6
in the church was	6
is a series of	6
the cathedral is a	6
in the province of	6
of the ancient church	6
which have taken place	6
our lord and the	6
of alfred the great	6
as it was in	6
at the shrine of	6
the crossing is a	6
one bay of the	6
the most interesting and	6
of the great gothic	6
in the british museum	6
from one of the	6
one of the seven	6
voyage au pays des	6
by the name of	6
the style is decorated	6
by the monks of	6
effect of the interior	6
some parts of the	6
the men of the	6
been placed in the	6
of which we are	6
at the bottom of	6
as a result of	6
is a combination of	6
cathedrals of great britain	6
that the cathedral of	6
it was impossible to	6
commissioners of henry viii	6
parts of the church	6
so many of the	6
sir thomas de trafford	6
the elder lady chapel	6
claim to be the	6
if we except the	6
was the church of	6
an example of the	6
half of the xii	6
have been built in	6
are the arms of	6
the figures in the	6
placed side by side	6
signs of the zodiac	6
in the first century	6
old quarters of the	6
years of the thirteenth	6
he was succeeded by	6
adoration of the magi	6
the growth of the	6
the ecclesiastical architecture of	6
brass to the memory	6
those on the north	6
to be noted in	6
is in the south	6
it has been thought	6
a study of the	6
in order to make	6
with the help of	6
the capital of a	6
in the north side	6
of the choir of	6
that the church was	6
the tomb of bishop	6
the church of san	6
of the ninth century	6
have been one of	6
towards the close of	6
men and women of	6
restoration of the monarchy	6
doorway in the south	6
the midst of a	6
the xiii century closed	6
of the archbishop of	6
that on the left	6
the coming of the	6
be seen on the	6
in the latter part	6
notre dame de bayeux	6
the vaults of the	6
the transept and the	6
of the perpendicular period	6
south door of the	6
the monuments of the	6
quarter of the xii	6
in bulletin de la	6
the benefit of the	6
the institute of france	6
the work of a	6
reproductions from original water	6
in the bishop of	6
the ruins of a	6
that there was no	6
is a good example	6
a son of the	6
by no means the	6
bulletin de la soc	6
of the windows in	6
have said that the	6
the eastern wall of	6
the kings of england	6
the cathedrals of southern	6
of the dukes of	6
that of the nave	6
of the sixth century	6
by the use of	6
coronation of the virgin	6
in the early morning	6
the war of the	6
retablo over the high	6
is very similar to	6
part of the fourteenth	6
the people of the	6
and beauty of the	6
to be allowed to	6
was added to the	6
was divided into two	6
here and there by	6
caused it to be	6
it is a most	6
the tower and the	6
the doorway of the	6
the cathedral itself is	6
with the intention of	6
in the shadow of	6
which is one of	6
he it was who	6
the south and west	6
one of the chapels	6
which dates from the	6
considered one of the	6
of the attributes of	6
in one of which	6
the springing of the	6
the north side we	6
of the south saxons	6
collegiate church of st	6
on either side the	6
the east of this	6
the monastery of st	6
from pavement to vault	6
to have been of	6
of interest in the	6
that of the choir	6
set fire to the	6
in the th century	6
from east to west	6
france by francis miltoun	6
the choir stalls are	6
side we see the	6
the monument of sir	6
flanked by two towers	6
the best example of	6
plan of the cathedral	6
of one of these	6
of the cathedral in	6
will now examine the	6
it must be admitted	6
to be remarked in	6
of the present nave	6
in other parts of	6
angle of the transept	6
from the fifteenth century	6
of the town and	6
was appointed to the	6
on the road to	6
from the centre of	6
remains of the ancient	6
era of the great	6
were added in the	6
to the priory of	6
of the clerestory windows	6
for some of the	6
stood on the site	6
was that of the	6
is to be noted	6
of the transept are	6
the art of church	6
at the east of	6
nave from the choir	6
the upper portion of	6
of the cathedrals at	6
the lady chapel of	6
and there is no	6
more than any other	6
it was built by	6
us back to the	6
been built in the	6
it is not to	6
of the main arcade	6
is of the fourteenth	6
and the greater part	6
of the first order	6
the fifteenth and sixteenth	6
as it is to	6
not one of the	6
from the sixteenth century	6
manner in which the	6
the last years of	6
was founded here in	6
to the north aisle	6
doorway in the north	6
to the dignity of	6
of the cistercian order	6
the difference between the	6
and finished by his	6
it is divided into	6
to remind one of	6
when the city was	6
near the east end	6
the crown of thorns	6
the first time that	6
he was forced to	6
which seems to have	6
the period of the	6
descent from the cross	6
window of the north	6
it appears to have	6
is in no way	6
of the characteristics of	6
chapel of the virgin	6
in the interior of	6
of the tower and	6
and at the end	6
east of the north	6
is a figure of	6
the most beautiful and	6
the monuments here are	6
of the building of	6
so far as to	6
in the art of	6
within the walls of	6
during the time of	6
of the south wall	6
at the time when	6
the foundation stone of	6
of the old and	6
about the beginning of	6
the roofs of the	6
used as a vestry	6
to the monks of	6
that it has been	6
of the edifice is	6
fifteenth and sixteenth centuries	6
the walls of this	6
is of the thirteenth	6
the last stage of	6
to the use of	6
was replaced by the	6
is a mass of	6
the war of independence	6
by francis miltoun the	6
the weight of the	6
completion of the nave	6
the passage of the	6
of the tower of	6
of the windows are	6
the nave to the	6
half of the fourteenth	6
has been restored in	6
one hundred and ten	6
be the work of	6
of the same character	6
on his return from	6
is a very fine	6
miltoun the cathedrals of	6
the university of paris	6
not by any means	6
from the middle of	6
at each of the	6
the city of the	6
i could not help	6
to be seen to	6
the archbishop of rheims	6
are the monuments of	6
in which he had	6
which may have been	6
the choir is the	6
the north and west	6
the doorway in the	6
of the norman style	6
the founding of the	6
scottish cathedrals and abbeys	6
as well as of	6
and in the gable	6
in the see of	6
staircase leading to the	6
francis miltoun the cathedrals	6
of the south side	6
consists of a choir	6
it may well be	6
of a french cathedral	6
put an end to	6
the king and the	6
the cathedral of saint	6
in the royal domain	6
in the latter years	6
window on the south	6
the most important of	6
the side aisles of	6
is perhaps the most	6
is the most beautiful	6
that it is only	6
old church of st	6
vaulting of the roof	6
it was not a	6
in the streets of	6
to the shrine of	6
the choir from the	6
histoire de la ville	6
the two westernmost bays	6
the norman work of	6
the reconstruction of the	6
we will now examine	6
to the xiii century	6
the tower and spire	6
of the choir aisles	6
the college of st	6
as a sort of	6
who was responsible for	6
are on the north	6
of the school of	6
and at the east	6
in the cathedral the	6
part of the thirteenth	6
is possessed of a	6
the edge of a	6
belongs to the same	6
the south transept are	6
some two hundred and	6
in the choir is	6
the east in the	6
the origin of the	6
and the building of	6
was begun in and	6
the churches of the	6
the signs of the	6
choir is of the	6
the birth of the	6
of the most ancient	6
which stood on the	6
the buttresses of the	6
of the reign of	6
century notre dame de	6
for a short time	6
is a very interesting	6
the eye of the	6
the terrors of the	6
time of edward i	6
been replaced by a	6
of the roman catholic	6
of the city itself	6
the north porch is	6
was not until the	6
of the churches of	6
close of the thirteenth	6
end of this aisle	6
during the world war	6
of the cathedral the	6
of this church is	6
church of st nicholas	6
window at the west	6
it was built in	6
the two eastern bays	6
restoration of the cathedral	6
as to make it	6
in the xvi century	6
of the original building	6
breadth of nave ft	6
began to rebuild the	6
at the south end	6
nave of the church	6
work in the cathedral	6
came out of the	6
the former cathedral of	6
a tree of jesse	6
of the church at	6
of many of the	6
in the decorated period	6
the authority of the	6
in honour of our	6
the centre of a	6
was held by the	6
of which it is	6
the church of rome	6
the loss of the	6
to the north is	6
is late early english	6
nothing of the sort	6
the east wall is	6
the conversion of the	6
figures of our lord	6
in memory of his	6
shared the fate of	6
of the see of	6
chapel dedicated to st	6
the reign of the	6
the arrival of the	6
bishop maurice de sully	6
cathedrals of southern france	6
the beauties of the	6
that it was not	6
filled with modern glass	6
the birthplace of the	6
to the days of	6
of the xix century	6
interior of the church	6
aisles of the choir	6
in the cathedral is	6
among the first to	6
that of the north	6
was the centre of	6
nave and the choir	6
on the death of	6
beginning of the fifteenth	6
built the lady chapel	6
nave are of the	6
height of central tower	6
is the result of	6
the church we see	6
at one time the	6
the top of a	6
of the east wall	6
south end of the	6
a relic of the	6
the protection of the	6
the making of the	6
as is also the	6
colombe et la sculpture	6
in and finished in	6
end of the xi	6
the exterior of this	6
of light and shade	6
in part from the	6
first bishop of the	6
of the black prince	6
the precincts of the	6
as well as to	6
is similar to the	6
middle pointed or decorated	6
by virtue of the	6
have been erected by	6
it is recorded that	6
and this is the	6
it was the first	6
a symbol of the	6
the buildings of the	6
part of the choir	6
to be that of	6
the revenues of the	6
the most famous of	6
the ancient church of	6
destroyed at the reformation	6
a great part of	6
had it not been	6
of the city and	6
along the south side	6
of a great church	6
has been much altered	6
a remarkable series of	6
the right and left	6
the church was dedicated	6
of the college of	5
the great number of	5
that he was a	5
on behalf of the	5
of norman work in	5
so great was the	5
in the work of	5
of the people of	5
and there was no	5
the latter half of	5
pillars of the choir	5
were built in the	5
to all intents and	5
where there is a	5
porch of the cathedral	5
the choir and aisles	5
of the tomb is	5
windows of the cathedral	5
one of the noblest	5
little remains of the	5
in the nineteenth century	5
replaced by the present	5
the like of which	5
benoit et vincent de	5
of the present day	5
and of the same	5
clerestory of the choir	5
the old town of	5
of st mary magdalen	5
of the xii and	5
middle of the xiii	5
there is a small	5
rose of the transept	5
of le mans cathedral	5
marks the site of	5
the portal of the	5
the dissolution of the	5
since the time of	5
upper parts of the	5
there seems to have	5
the blessed virgin mary	5
so i went on	5
the south of england	5
width of the nave	5
similar to that in	5
from romanesque to gothic	5
seventeenth and eighteenth centuries	5
within the confines of	5
wars of the roses	5
the lover of churches	5
to the number of	5
of the town is	5
the absence of the	5
former cathedral of st	5
the ancient province of	5
and there is an	5
the fourteenth century and	5
of the fourth century	5
the spring of the	5
the finest view is	5
the western part of	5
of the city ramparts	5
the south transept we	5
restored in memory of	5
the proportions of the	5
the lord of the	5
the coronation of the	5
little to do with	5
width of nave ft	5
are a number of	5
that we owe the	5
of the windows is	5
is not so very	5
they must have been	5
have been the work	5
those of the nave	5
on the left is	5
the crucifixion and the	5
in each of the	5
we are not surprised	5
one side of the	5
the house of god	5
it is a very	5
abbey was founded in	5
chaucer and his pilgrims	5
the cathedral of chartres	5
the home of the	5
from to by the	5
parts of the edifice	5
the creation of the	5
lady chapel in the	5
which it has been	5
was finished by abbot	5
guerre de cent ans	5
of the remains of	5
the hand of the	5
in the direction of	5
windows of the aisles	5
parts of the structure	5
we are in the	5
windows have been inserted	5
the late duke of	5
the ribs of the	5
of france at the	5
the thrust of the	5
and cloisters of the	5
the effigy of the	5
of la grande chartreuse	5
to say the least	5
of england of my	5
parts of the choir	5
the church of notre	5
in the lower town	5
best seen from the	5
is a masterpiece of	5
were it not for	5
had also abbeys at	5
the army of the	5
collegiate of notre dame	5
xith and xiith centuries	5
are of the thirteenth	5
end of the xiii	5
the cathedral from the	5
east of the cathedral	5
of the ancient city	5
was not to be	5
the great weight of	5
and the story of	5
of gothic architecture in	5
the famous shrine of	5
have been added to	5
the glories of the	5
but in the main	5
of a past age	5
the life of christ	5
view is that of	5
in the village of	5
of the hospital of	5
an important part in	5
north of the choir	5
the church in the	5
sixteenth and seventeenth centuries	5
as a cathedral city	5
windows in the aisles	5
the whole structure is	5
walls are covered with	5
of the original structure	5
west angle of the	5
the england of my	5
as the cathedral of	5
a certain number of	5
is much to be	5
he and his successors	5
as though it were	5
not to be found	5
which would seem to	5
in the tracery lights	5
the base of a	5
width of nave and	5
where he died in	5
art of the builder	5
side there is a	5
can be no doubt	5
the south transept and	5
the ornamentation of the	5
some remains of the	5
the east is the	5
of the next century	5
east end of this	5
it would be difficult	5
in spite of his	5
the history of france	5
is a work of	5
down the high street	5
the symbols of the	5
the church in france	5
one of the last	5
the cathedral of meaux	5
for the support of	5
chapel on the south	5
the whole length of	5
affairs of church and	5
in his left hand	5
the grandeur of the	5
built in the thirteenth	5
great houses of france	5
the cathedrals of great	5
entering the choir we	5
the basin of the	5
he was the first	5
was a suffragan of	5
there is not one	5
is shown by the	5
has been added to	5
has passed through many	5
upper portion of the	5
both north and south	5
of the modern world	5
and in the same	5
as we shall see	5
in the high street	5
the new choir of	5
is the most ancient	5
will be found at	5
in regard to the	5
said to be a	5
begun in and finished	5
the east end and	5
to the xii century	5
is the cause of	5
from the church of	5
glass of the windows	5
the cathedral and its	5
it was the most	5
north and south walls	5
for the lover of	5
with each other in	5
that to the south	5
assumption of the blessed	5
the palais de justice	5
put a stop to	5
the metropolitan church of	5
rest of the world	5
and the cathedral was	5
there is a beautiful	5
is a very good	5
france built her cathedrals	5
a noble specimen of	5
on a level with	5
the extreme east end	5
the sixteenth and seventeenth	5
in the forest of	5
the feet of the	5
rises high above the	5
he could not have	5
sir theodore andreas cook	5
a glance at the	5
and the richness of	5
on the left bank	5
one of the fairest	5
half the height of	5
the first pointed style	5
arcade of the nave	5
for the lack of	5
the see was founded	5
of the nave illustration	5
honour of our lady	5
the west front was	5
of english gothic art	5
of the avignon popes	5
of the lower church	5
the view from the	5
on each side are	5
to the beginning of	5
the choir of lincoln	5
in this part of	5
that of the west	5
was the builder of	5
buildings of the city	5
only one of the	5
who was in the	5
the present cathedral of	5
stands on the site	5
the members of the	5
tradition has it that	5
as a kind of	5
all intents and purposes	5
the monks of the	5
of which she was	5
of the apse and	5
did after their kind	5
scarcely more than a	5
a monument to the	5
from the lady chapel	5
and the rest of	5
first bay of the	5
had been founded by	5
the nave was built	5
is a marvel of	5
the general effect is	5
in the eastern wall	5
nave and choir is	5
the establishment of the	5
windows of the north	5
towers on either side	5
by the middle of	5
in the north and	5
is connected with the	5
as might be expected	5
above it is the	5
the wall at the	5
cupola church of aquitaine	5
the xi century the	5
we must remember that	5
the bosses of the	5
of the nature of	5
church of san pedro	5
portion of the church	5
rank as one of	5
of the life and	5
did much for the	5
with which it is	5
of the most curious	5
the mouldings of the	5
is the story of	5
are among the best	5
was the gift of	5
gothic church of the	5
la guerre de cent	5
the service of the	5
the romanesque school of	5
from the west end	5
of the city to	5
side of the west	5
were said to have	5
as a centre of	5
the life of a	5
and it is only	5
the aisles of the	5
is true that the	5
to be in the	5
left bank of the	5
north and south of	5
seat of the bishopric	5
the same width as	5
at the junction of	5
the xiv century was	5
beginning of the sixteenth	5
the disposition of the	5
has been inserted in	5
monuments in the nave	5
the portals of the	5
the convent of the	5
walls between the side	5
to be seen here	5
colour of the stone	5
and the number of	5
in the streets and	5
and is now used	5
time of the revolution	5
of mary queen of	5
the tour de beurre	5
the troubles of the	5
the collapse of the	5
it was dedicated in	5
that some of the	5
of the rest of	5
effect produced by the	5
first stone of the	5
the emblems of the	5
louis de la rochelle	5
an imitation of the	5
is on the east	5
the meeting of the	5
portion of the choir	5
to the south transept	5
in order to give	5
feet in length and	5
by the west door	5
was filled with the	5
tell the story of	5
the outline of the	5
more than a few	5
ambulatory and radiating chapels	5
the assumption of the	5
when the choir was	5
i set out from	5
hundred and twenty feet	5
who was born in	5
the treatment of the	5
and on the south	5
to the right and	5
the prince of wales	5
of the same type	5
i would i could	5
all the rest of	5
from side to side	5
part of a church	5
built up in the	5
of the church by	5
and the high altar	5
pier arcades of the	5
and is of the	5
how france built her	5
the largest in england	5
by way of the	5
bishop of the city	5
in the footsteps of	5
the case of the	5
that they might be	5
little city of the	5
of the holy ghost	5
of the high street	5
of the family of	5
both the north and	5
from one to the	5
that the church of	5
in every part of	5
the work was done	5
between the side chapels	5
of which we have	5
if this be so	5
is to be presumed	5
for which he had	5
it was founded by	5
of france in the	5
on the river bank	5
a copy of the	5
one of the men	5
which leads to the	5
to add to the	5
the field of honor	5
last quarter of the	5
of late perpendicular work	5
walls of the cathedral	5
to be the best	5
it is a pity	5
of the eleventh and	5
that the work was	5
what thinkest thou of	5
in the ix century	5
the great central tower	5
during the thirteenth century	5
famous shrine of st	5
under the name of	5
the prior of st	5
when compared with the	5
a large perpendicular window	5
by no means an	5
of the church to	5
adoration of the shepherds	5
on account of its	5
and the cathedral at	5
the result of the	5
and that in the	5
the transepts and the	5
order had also abbeys	5
presence of the king	5
a reconstruction of the	5
norman character of the	5
the dignity of a	5
from the south aisle	5
middle of the thirteenth	5
it was so in	5
life of the people	5
of a late date	5
in the early years	5
by the archbishop of	5
was rebuilt by bishop	5
there seemed to be	5
the founders of the	5
roof of the choir	5