This is a list of all the questions and their associated study carrel identifiers. One can learn a lot of the "aboutness" of a text simply by reading the questions.
| identifier | question |
|---|---|
| 35812 | Alone? |
| 35812 | And where is your rough draft? |
| 35812 | Are you really always so hard at work? |
| 35812 | But surely you know somebody who could write you one? |
| 35812 | But what are you dreaming of? 35812 But-- do you know you draw like your father?" |
| 35812 | But-- when can I see you without disturbing you? |
| 35812 | Did you do this? |
| 35812 | Gentlemen,he said,"who wrote these lines?" |
| 35812 | Is that so? 35812 Vous plait- il recevoir des lois de l''étranger? |
| 35812 | Well, Jean, what is it? |
| 35812 | Well, little man,said he,"what is this I hear? |
| 35812 | After all, what is this so- called_ naturalism_ in Art? |
| 35812 | And how goes your work, my dear fellow? |
| 35812 | And is not universal suffrage, the great achievement of these modern days, the irrevocable verdict of the sovereign populace? |
| 35812 | And what are you doing with yourself?" |
| 35812 | And what compensation for that which is bestowed on them can be expected from such a class? |
| 35812 | And what has this century done, I will not say for the pleasure, but for the happiness of the human race? |
| 35812 | And what is a school, after all, but a gymnasium? |
| 35812 | And what will happen now? |
| 35812 | And will no director produce that charming opera,"Beatrix et Bénédict?" |
| 35812 | Are you afraid there will not be room enough for you? |
| 35812 | Astronomy? |
| 35812 | At each change he would ask,"What key am I playing in?" |
| 35812 | But how about genius? |
| 35812 | But how about those letters of introduction, frequently requesting some service on your part which you can not well refuse? |
| 35812 | But the musician? |
| 35812 | But these fears( some of them were hopes perhaps?) |
| 35812 | But what could be more hideous than to hear all the bells in the town strike at once? |
| 35812 | But what does this prove? |
| 35812 | But what is a musician to do at Rome? |
| 35812 | But why? |
| 35812 | By what right, I ask, do they invoke the Future, when within a few days they must have become in its eyes that very Past they will have none of? |
| 35812 | Can you get him up in the mornings when you get up yourself, you early bird? |
| 35812 | Chemistry? |
| 35812 | Did Beethoven slay Mozart? |
| 35812 | Did not Voltaire( a clever man, if ever there was one) declare that no one person was as clever as all the rest put together? |
| 35812 | Do I mean that it is the best thing I have written? |
| 35812 | Do they really believe he is given over utterly to_ technique_, as though mechanical proficiency constituted his whole art? |
| 35812 | Do you believe that, as Celimène says in the play,"C''est être savant que trouver à redire"? |
| 35812 | Do you know how to draw?" |
| 35812 | Do you really and truly think?..." |
| 35812 | Does it mean that Nature should be the foundation and starting point in all art? |
| 35812 | Does not his whole existence depend on an amassed capital of knowledge? |
| 35812 | Does not the voice of the people equal the voice divine? |
| 35812 | Eh, dear boy? |
| 35812 | Eh? |
| 35812 | Has not each department its own special form of gymnastics? |
| 35812 | He caught sight of the sketch- book under my arm, and with that bright and piercing glance of his, he said--"What''s that under your arm?" |
| 35812 | He opened his eyes very wide, and looking hard at me, he asked--"Where the devil did you hear that?" |
| 35812 | How can the world judge anything? |
| 35812 | How many times had she to set and clean the palettes with her own hands? |
| 35812 | How many times since then have I been told:"Saint- Saëns? |
| 35812 | How many would even now have remained unfinished, had she not taken them in hand herself? |
| 35812 | How shall I describe it as it deserves? |
| 35812 | I looked up and answered,"You surely do n''t think I''m doing it for pleasure, do you?" |
| 35812 | Is he not taught to read, and write, and ride, and walk, and use weapons, and play on various instruments? |
| 35812 | Is it not a position in itself to be able to call oneself Mozart or Rossini?" |
| 35812 | Is it the shadow cast by the dark deeds of former days, to which the city seems predestined by its very situation? |
| 35812 | Is not man primarily an_ educated_ being? |
| 35812 | Is not the balance of happiness and charm on the side of cultivation and abundant growth? |
| 35812 | Is there any poverty in all the world so pitiful as this? |
| 35812 | Is there no difference betwixt the man and the instrument he uses? |
| 35812 | Is there no middle course? |
| 35812 | Law? |
| 35812 | Look first at a fertile, well- tilled field, and then at a strip of fallow land? |
| 35812 | Mechanics? |
| 35812 | Must you refuse to admit other men''s talent or genius in order to prove your own? |
| 35812 | Now really? |
| 35812 | Now, what is society? |
| 35812 | Physical science? |
| 35812 | Shall we never hear his"Te Deum,"in all its grandeur of conception? |
| 35812 | So how was I to write to you? |
| 35812 | Supposing the heart were bidden not to work so hard, to take a little rest-- to amuse itself, in short? |
| 35812 | Victor or vanquished, will France emerge a republic? |
| 35812 | Vous convient- il qu''un homme Do nt le vrai pouvoir est à Rome Sur mon trône ose m''outrager? |
| 35812 | Was it the world at large that formed Raphael and Michael Angelo, Mozart and Beethoven, Newton and Galileo? |
| 35812 | Well, we all have our tastes; why should not Monsieur Ingres have his? |
| 35812 | Were not Raphael, Mozart, Beethoven, all men of genius? |
| 35812 | What do you think of Monsieur Ingres''s picture? |
| 35812 | What for? |
| 35812 | What have you done with Courtépée? |
| 35812 | What is his function with regard to this conception of Nature, and, as I may almost say, this investment of her capital? |
| 35812 | What is progress, forsooth, but the onward march of intelligence, in the light of love? |
| 35812 | What is the use? |
| 35812 | What music is he to listen to? |
| 35812 | What of the Tiber, with its stern waters, eloquent of the crimes they have engulphed, and the calm of that Roman Campagna through which they roll? |
| 35812 | What of the silence, which teaches a man to listen to what is passing within his own soul? |
| 35812 | What on earth are you thinking of? |
| 35812 | What will the year 1871 bring us? |
| 35812 | What, then, is an artist? |
| 35812 | What_ artistic_ benefit can he gain there? |
| 35812 | Where are they?" |
| 35812 | Who are you working with?" |
| 35812 | Why did St. Theresa never recollect having heard a bad sermon? |
| 35812 | Will Rossini prevent Mendelssohn from living on? |
| 35812 | Would you erect such wavering contradictory decrees into an infallible jurisdiction? |
| 35812 | You want to be a musician?" |
| 35812 | already? |
| 35812 | are eloquence and virtuosity one and the same thing? |
| 35812 | dear friend, will no one rise up and lead our brave- hearted Frenchmen on some steady line of conduct? |
| 35812 | he said,"is that you? |
| 35812 | were you the small boy who solfa- ed so well?" |
| 35812 | what harmonies? |
| 35812 | what''s the matter, my boy?" |
| 35812 | you look at it in that way, do you? |