This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.
trigram | frequency |
---|---|
in the tower | 50 |
one of the | 49 |
part of the | 45 |
to have been | 43 |
the fifteenth century | 39 |
the battle of | 37 |
the fourteenth century | 33 |
the duke of | 31 |
the time of | 30 |
the earl of | 28 |
of the fifteenth | 27 |
armour of the | 26 |
the armour of | 26 |
of the armour | 26 |
baron de cosson | 26 |
of henry viii | 26 |
the fact that | 25 |
the thirteenth century | 24 |
of the fourteenth | 22 |
the middle of | 22 |
end of the | 22 |
middle of the | 22 |
tower of london | 20 |
the reign of | 20 |
in the british | 20 |
to be found | 20 |
the british museum | 19 |
the effigy of | 19 |
seen in the | 19 |
the black prince | 19 |
the sixteenth century | 18 |
that it was | 18 |
at the battle | 18 |
of the black | 18 |
at the back | 17 |
south kensington museum | 17 |
found in the | 17 |
belonging to the | 17 |
of defensive armour | 17 |
the possession of | 17 |
the end of | 17 |
be found in | 17 |
as well as | 16 |
in the possession | 16 |
of the body | 16 |
the suit of | 16 |
now in the | 16 |
that of the | 16 |
we find that | 15 |
from the effigy | 15 |
we find the | 15 |
and in the | 15 |
is to be | 15 |
half of the | 15 |
of the thirteenth | 15 |
earl of warwick | 15 |
some of the | 15 |
worn over the | 15 |
arms and armour | 14 |
at this period | 14 |
of the period | 14 |
on the left | 13 |
of the sixteenth | 13 |
the south kensington | 13 |
in which the | 13 |
of the same | 13 |
must have been | 13 |
of the earl | 13 |
the tomb of | 13 |
the weight of | 13 |
at this time | 13 |
side of the | 13 |
the seventeenth century | 13 |
seems to have | 13 |
the great helm | 12 |
to protect the | 12 |
the use of | 12 |
of the most | 12 |
breast and back | 12 |
of the century | 12 |
armour and weapons | 12 |
time of henry | 12 |
of gothic armour | 12 |
in the fifteenth | 12 |
shown on plate | 12 |
many of the | 12 |
in the guard | 12 |
the bayeux tapestry | 12 |
over the mail | 12 |
portion of the | 11 |
beginning of the | 11 |
the present day | 11 |
fighting on foot | 11 |
in the first | 11 |
of the helmet | 11 |
collection of major | 11 |
in the south | 11 |
of sir john | 11 |
is in the | 11 |
of major farquharson | 11 |
collection of mr | 11 |
of this period | 11 |
more or less | 11 |
by baron de | 11 |
of the suit | 11 |
there is a | 11 |
of the time | 10 |
time of the | 10 |
of henry vii | 10 |
of the metal | 10 |
of the armourer | 10 |
is shown on | 10 |
of the middle | 10 |
in the case | 10 |
armour in england | 10 |
cloth of gold | 10 |
the case of | 10 |
in the same | 10 |
the name of | 10 |
the close of | 10 |
be seen in | 10 |
that they were | 10 |
the king of | 10 |
worn by the | 10 |
such as the | 10 |
the beginning of | 10 |
it will be | 10 |
front of the | 10 |
in the preceding | 10 |
at the time | 10 |
the twelfth century | 9 |
formed part of | 9 |
the transition period | 9 |
of plate armour | 9 |
of the english | 9 |
the body armour | 9 |
of the lance | 9 |
close of the | 9 |
known as the | 9 |
used by the | 9 |
as early as | 9 |
the development of | 9 |
said to have | 9 |
as we have | 9 |
suit of armour | 9 |
the front of | 9 |
second half of | 9 |
the second half | 9 |
of the wearer | 9 |
to henry viii | 9 |
the left side | 9 |
of the duke | 9 |
as far as | 9 |
the history of | 9 |
a suit of | 9 |
the addition of | 9 |
from the fact | 9 |
the sword of | 9 |
the age of | 9 |
suit made for | 9 |
the work of | 9 |
master of the | 8 |
the lower edge | 8 |
sir henry lee | 8 |
on plate i | 8 |
as in the | 8 |
on the inside | 8 |
duke of burgundy | 8 |
weapons of the | 8 |
one of these | 8 |
of edward i | 8 |
on to the | 8 |
of the french | 8 |
duke of westminster | 8 |
used for the | 8 |
as that of | 8 |
to be seen | 8 |
on the right | 8 |
suits in the | 8 |
those of the | 8 |
sir christopher hatton | 8 |
used in the | 8 |
shown on the | 8 |
the breast and | 8 |
this form of | 8 |
at the present | 8 |
the wearing of | 8 |
may have been | 8 |
of the guard | 8 |
the breastplate is | 8 |
back of the | 8 |
of henry v | 8 |
the preceding chapter | 8 |
appears to have | 8 |
the back of | 8 |
shape of the | 8 |
suit of plate | 8 |
can only be | 8 |
the form of | 8 |
a part of | 8 |
and on the | 7 |
from a photograph | 7 |
is seen in | 7 |
at the sides | 7 |
the fashion of | 7 |
account of the | 7 |
the inventory of | 7 |
to be a | 7 |
in the field | 7 |
in the illustration | 7 |
by lord dillon | 7 |
was worn over | 7 |
a pair of | 7 |
of the foot | 7 |
seems to be | 7 |
the fifteenth and | 7 |
suit of the | 7 |
of windsor castle | 7 |
about the year | 7 |
sir john de | 7 |
under the mail | 7 |
of the first | 7 |
belonging to mr | 7 |
of the great | 7 |
to the knee | 7 |
at the side | 7 |
below the knee | 7 |
of the helm | 7 |
of the seventeenth | 7 |
suit in the | 7 |
of the battle | 7 |
roman de rou | 7 |
by viscount dillon | 7 |
the horse armour | 7 |
in the reign | 7 |
for fighting on | 7 |
for henry viii | 7 |
fact that the | 7 |
in the national | 7 |
the helmet and | 7 |
arms and weapons | 7 |
and we find | 7 |
the wallace collection | 7 |
may be seen | 7 |
john of eltham | 7 |
so that the | 7 |
from the tomb | 7 |
attached to the | 7 |
the suit is | 7 |
that in the | 7 |
on the outside | 7 |
much the same | 7 |
made for the | 7 |
have been the | 7 |
of the leg | 7 |
hinged at the | 7 |
part of a | 7 |
continued to be | 7 |
and weapons of | 7 |
was used for | 7 |
of the finest | 7 |
age of plate | 7 |
edge of the | 7 |
have been worn | 7 |
of one of | 7 |
use of the | 7 |
armour in the | 6 |
the wars of | 6 |
the shape of | 6 |
worn under the | 6 |
in some cases | 6 |
which we have | 6 |
described in the | 6 |
prince of wales | 6 |
the side of | 6 |
connected with the | 6 |
in no way | 6 |
album in the | 6 |
as one of | 6 |
round the neck | 6 |
shown in the | 6 |
in the thirteenth | 6 |
is shown in | 6 |
the emperor maximilian | 6 |
represented in the | 6 |
the value of | 6 |
said to be | 6 |
find that the | 6 |
to prevent the | 6 |
are in the | 6 |
does not appear | 6 |
of the horse | 6 |
of the early | 6 |
as may be | 6 |
that it is | 6 |
of richard i | 6 |
of the second | 6 |
effigy of robert | 6 |
reign of henry | 6 |
suit of henry | 6 |
earl of leicester | 6 |
on the shoulders | 6 |
of later date | 6 |
quarter of the | 6 |
in the second | 6 |
his tomb in | 6 |
but it is | 6 |
is one of | 6 |
king of france | 6 |
the visor is | 6 |
in the tilt | 6 |
began to be | 6 |
of the sword | 6 |
the first half | 6 |
on the other | 6 |
form of the | 6 |
will be seen | 6 |
fifteenth and sixteenth | 6 |
wars of the | 6 |
in the inventory | 6 |
rest of the | 6 |
chamber of windsor | 6 |
it was the | 6 |
of the gothic | 6 |
up to the | 6 |
the production of | 6 |
and back plates | 6 |
of charles i | 6 |
of england and | 6 |
in westminster abbey | 6 |
at a later | 6 |
the rest of | 6 |
seem to have | 6 |
we shall find | 6 |
the death of | 6 |
the national gallery | 6 |
of one piece | 6 |
the introduction of | 6 |
the catalogue of | 6 |
coat of mail | 6 |
earl of essex | 6 |
suit of sir | 6 |
of the hauberk | 6 |
on the ground | 6 |
most of the | 6 |
shown on fig | 6 |
first half of | 6 |
the helm of | 6 |
are to be | 6 |
of robert dudley | 6 |
of armour and | 6 |
preserved in the | 5 |
examples of the | 5 |
entirely covered with | 5 |
of the knight | 5 |
of the renaissance | 5 |
and ragged staff | 5 |
the brass of | 5 |
of louis xi | 5 |
a variety of | 5 |
made for henry | 5 |
this may be | 5 |
french and english | 5 |
in the effigy | 5 |
full suit of | 5 |
before referred to | 5 |
the same time | 5 |
found in a | 5 |
earl of oxford | 5 |
of the armoury | 5 |
the kindness of | 5 |
century we find | 5 |
like that of | 5 |
the field of | 5 |
fastened to the | 5 |
front and back | 5 |
shall find that | 5 |
it was used | 5 |
of the suits | 5 |
they were not | 5 |
a number of | 5 |
with raised gold | 5 |
to be from | 5 |
the same manner | 5 |
of james i | 5 |
the sollerets are | 5 |
be met with | 5 |
of about the | 5 |
surmounted by a | 5 |
and at the | 5 |
towards the middle | 5 |
on the continent | 5 |
from the beauchamp | 5 |
we may judge | 5 |
place of the | 5 |
wearing of armour | 5 |
we have seen | 5 |
specimen in the | 5 |
may judge from | 5 |
judge from the | 5 |
it is a | 5 |
owing to its | 5 |
the tassets are | 5 |
the art of | 5 |
as to the | 5 |
well as the | 5 |
a little later | 5 |
not to be | 5 |
of the head | 5 |
the hands of | 5 |
form of a | 5 |
the subject of | 5 |
in use in | 5 |
helm of sir | 5 |
as is the | 5 |
fashion of the | 5 |
of the jupon | 5 |
top of the | 5 |
when we consider | 5 |
possession of lord | 5 |
from the time | 5 |
appears in the | 5 |
covered with velvet | 5 |
of the roses | 5 |
been worn by | 5 |
portions of the | 5 |
at the lower | 5 |
in the sixteenth | 5 |
the armour is | 5 |
the tower and | 5 |
in the country | 5 |
surface to the | 5 |
armour of this | 5 |
when it was | 5 |
we have the | 5 |
about the middle | 5 |
on plate v | 5 |
the study of | 5 |
in the tournament | 5 |
to point out | 5 |
on his tomb | 5 |
to that of | 5 |
with silver guard | 5 |
the same date | 5 |
led to the | 5 |
the accession of | 5 |
it may be | 5 |
as shown on | 5 |
which is shown | 5 |
of those who | 5 |
the presence of | 5 |
lines of the | 5 |
philip of spain | 5 |
to the end | 5 |
case of the | 5 |
of henry vi | 5 |
at the top | 5 |
found on the | 5 |
the upper part | 5 |
the armourer was | 5 |
to be met | 5 |
and also in | 5 |
and of the | 5 |
of the king | 5 |
is protected by | 5 |
except in the | 5 |
time of edward | 5 |
out of the | 5 |
evolved from the | 5 |
engraved and gilt | 5 |
met with in | 5 |
reign of edward | 5 |
than that of | 5 |
to be used | 5 |
it is difficult | 5 |
introduction of the | 5 |
the top of | 5 |
in spite of | 5 |
the arms of | 5 |
the trajan column | 5 |
in one of | 5 |
helm of the | 5 |
is of the | 5 |
the shield was | 5 |
which may be | 5 |
the collection at | 5 |
to the suit | 5 |
at any rate | 5 |
the leg armour | 5 |
the mail defence | 5 |
the church of | 5 |
it must be | 5 |
fought on foot | 5 |
in the fourteenth | 5 |
figures of the | 5 |
by the kindness | 5 |
the names of | 5 |
to the waist | 5 |
tomb of sir | 5 |
the middle ages | 5 |
the manner of | 5 |
it is of | 5 |
earl of cumberland | 5 |
from the church | 5 |
as they are | 5 |
in england and | 5 |
and there are | 5 |
upper part of | 5 |
continued in use | 5 |
and it is | 5 |
of all the | 5 |
surface of the | 5 |
the city of | 5 |
there is no | 5 |
at windsor castle | 5 |
of armour in | 5 |
owing to the | 5 |
and now in | 5 |
appear to be | 5 |
at the same | 5 |
to the shoulders | 5 |
as it is | 5 |
of the conquest | 5 |
this suit is | 5 |
defensive armour and | 5 |
to the wearer | 5 |
the excellence of | 5 |
lower part of | 5 |
the pommel and | 5 |
on the trajan | 5 |
there are several | 5 |
back plates are | 4 |
the waist and | 4 |
of sir thomas | 4 |
no less than | 4 |
use at the | 4 |
of the barrel | 4 |
the left arm | 4 |
representations of armour | 4 |
of banded mail | 4 |
of the reign | 4 |
protection to the | 4 |
of baron de | 4 |
on plate iii | 4 |
in place of | 4 |
of the latter | 4 |
may be said | 4 |
the manufacture of | 4 |
william of toulouse | 4 |
this period was | 4 |
of sir christopher | 4 |
helmet of the | 4 |
possession of the | 4 |
such as that | 4 |
variety of the | 4 |
perhaps the most | 4 |
by the city | 4 |
as much as | 4 |
the ornament is | 4 |
in the windsor | 4 |
white and green | 4 |
the back and | 4 |
the date of | 4 |
in favour of | 4 |
the entry of | 4 |
reason for this | 4 |
early as the | 4 |
are of the | 4 |
have been in | 4 |
armed with the | 4 |
of king arthur | 4 |
of irene at | 4 |
to keep the | 4 |
was provided with | 4 |
suits of the | 4 |
on the side | 4 |
in the best | 4 |
the body and | 4 |
of the various | 4 |
foreign armour in | 4 |
of the cloth | 4 |
the place of | 4 |
worn at the | 4 |
the appearance of | 4 |
and some of | 4 |
with the addition | 4 |
in the museum | 4 |
was made of | 4 |
it is almost | 4 |
the helm and | 4 |
by conrad seusenhofer | 4 |
of the best | 4 |
curator of the | 4 |
for a long | 4 |
change in the | 4 |
the other hand | 4 |
due to the | 4 |
which have been | 4 |
according to the | 4 |
and the rest | 4 |
work of the | 4 |
for the production | 4 |
in the manner | 4 |
we consider the | 4 |
were in the | 4 |
are protected by | 4 |
in the temple | 4 |
different forms of | 4 |
so far as | 4 |
show that the | 4 |
believed to have | 4 |
is described in | 4 |
it would be | 4 |
of robert de | 4 |
derived from the | 4 |
on either side | 4 |
and in a | 4 |
example of the | 4 |
in use at | 4 |
church of irene | 4 |
of the wheel | 4 |
the spitzer sale | 4 |
the wearer to | 4 |
many of these | 4 |
in this country | 4 |
worn on the | 4 |
into paris in | 4 |
of this suit | 4 |
fixed to the | 4 |
in chapter iii | 4 |
space will not | 4 |
kindness of sir | 4 |
in the ground | 4 |
over the tomb | 4 |
carried by the | 4 |
of arms and | 4 |
made in two | 4 |
body of the | 4 |
the figures are | 4 |
outside of the | 4 |
aymer de valence | 4 |
the dress of | 4 |
oliver de la | 4 |
suit of mail | 4 |
defence of the | 4 |
in the time | 4 |
and were not | 4 |
it is impossible | 4 |
richly decorated with | 4 |
applied to the | 4 |
point out that | 4 |
provided with a | 4 |
of sir philip | 4 |
of edward iii | 4 |
the eighteenth century | 4 |
royal artillery institution | 4 |
of armour of | 4 |
with english wearers | 4 |
armour have been | 4 |
date than the | 4 |
by philip of | 4 |
which was worn | 4 |
from about the | 4 |
irene at constantinople | 4 |
of the twelfth | 4 |
brass of sir | 4 |
so called from | 4 |
of the many | 4 |
the tower armouries | 4 |
helms and helmets | 4 |
the helmet of | 4 |
lord grey de | 4 |
pie suit of | 4 |
on both sides | 4 |
about the end | 4 |
example of this | 4 |
the edges of | 4 |
of sir henry | 4 |
humphrey de bohun | 4 |
effigy of the | 4 |
no more than | 4 |
the painted chamber | 4 |
to the fact | 4 |
of the lock | 4 |
the lower part | 4 |
embossed and damascened | 4 |
in our illustration | 4 |
the right arm | 4 |
in canterbury cathedral | 4 |
in the suit | 4 |
bear and ragged | 4 |
is difficult to | 4 |
the blade is | 4 |
the outside of | 4 |
is that of | 4 |
it was a | 4 |
made by the | 4 |
chamber at windsor | 4 |
in the lists | 4 |
side with the | 4 |
the jacobe suits | 4 |
gauntlet from the | 4 |
of them are | 4 |
bend of the | 4 |
of the shield | 4 |
of the emperor | 4 |
than in the | 4 |
to be worn | 4 |
has been made | 4 |
is that the | 4 |
of the breastplate | 4 |
the head to | 4 |
duke of norfolk | 4 |
battle of the | 4 |
the moment of | 4 |
a piece of | 4 |
coif of mail | 4 |
in the twelfth | 4 |
attributed to william | 4 |
passed through the | 4 |
of armour is | 4 |
complete suit of | 4 |
edges of the | 4 |
name of the | 4 |
in order to | 4 |
covered with raised | 4 |
the hauberk is | 4 |
the bend of | 4 |
sir philip sidney | 4 |
defence for the | 4 |
in use for | 4 |
the period of | 4 |
also in the | 4 |
the custom of | 4 |
in addition to | 4 |
of henry iii | 4 |
the norman conquest | 4 |
the maximilian armour | 4 |
of a suit | 4 |
for the king | 4 |
was used in | 4 |
the links of | 4 |
of many of | 4 |
on the bayeux | 4 |
of the earlier | 4 |
on account of | 4 |
horse armour of | 4 |
ends of the | 4 |
effigy of sir | 4 |
in the catalogue | 4 |
a later period | 4 |
the bear and | 4 |
in the later | 4 |
costume of the | 4 |
early fourteenth century | 4 |
joan of arc | 4 |
was of the | 4 |
of the tower | 4 |
the equipment of | 4 |
of the burgonet | 4 |
the present century | 4 |
maximilian fluted armour | 4 |
the taces are | 4 |
of the armet | 4 |
of lord hothfield | 4 |
and the men | 4 |
in two pieces | 4 |
early in the | 4 |
of the late | 4 |
and it was | 4 |
standard of mail | 4 |
the reason for | 4 |
of humphrey de | 4 |
were in use | 4 |
the lower portion | 4 |
the left hand | 4 |
to the breast | 4 |
horse and foot | 4 |
and below the | 4 |
we should remember | 4 |
after the battle | 4 |
by the earl | 4 |
be seen on | 4 |
from the collection | 4 |
with red velvet | 4 |
the shoulders and | 4 |
cast in the | 4 |
must have presented | 4 |
to be the | 4 |
construction of the | 4 |
of the mail | 4 |
addition of a | 4 |
of the owner | 4 |
the jacobe album | 4 |
of the pauldron | 4 |
the whole suit | 4 |
be able to | 4 |
it was worn | 3 |
heard of in | 3 |
of king john | 3 |
back and breast | 3 |
england from the | 3 |
lower edge of | 3 |
we see the | 3 |
belonging to lord | 3 |
but they were | 3 |
on the legs | 3 |
which seems to | 3 |
was sometimes made | 3 |
protection for the | 3 |
gold damascening on | 3 |
in the various | 3 |
of the original | 3 |
of aymer de | 3 |
which has been | 3 |
the late sixteenth | 3 |
richly engraved and | 3 |
sir noel paton | 3 |
for jousts and | 3 |
the easter sepulchre | 3 |
this period for | 3 |
and the gauntlets | 3 |
of the mounted | 3 |
on ancient armour | 3 |
of louis hutin | 3 |
is the case | 3 |
instance of this | 3 |
are provided with | 3 |
or vision slit | 3 |
sir samuel meyrick | 3 |
referred to in | 3 |
the statue of | 3 |
burges collection in | 3 |
was the most | 3 |
which could be | 3 |
suit for fighting | 3 |
admit of the | 3 |
suits of this | 3 |
six feet long | 3 |
it is to | 3 |
with an estate | 3 |
worn with the | 3 |
and henry viii | 3 |
the collection of | 3 |
appear on the | 3 |
use throughout the | 3 |
exemplified in the | 3 |
to describe the | 3 |
for sir henry | 3 |
there are two | 3 |
was called the | 3 |
and also on | 3 |
to the back | 3 |
parts of the | 3 |
period of armour | 3 |
city of london | 3 |
days of the | 3 |
which belonged to | 3 |
engraved and parcel | 3 |
the isle of | 3 |
armour was still | 3 |
robert de vere | 3 |
in the roman | 3 |
the first of | 3 |
that the lance | 3 |
armour worn by | 3 |
to fight on | 3 |
earl of westmoreland | 3 |
the days of | 3 |
the imperial collections | 3 |
of the german | 3 |
is now in | 3 |
presence of the | 3 |
to suit the | 3 |
called from its | 3 |
the lines of | 3 |
we can only | 3 |
accession of henry | 3 |
be applied to | 3 |
in the bayeux | 3 |
the gothic armour | 3 |
for it is | 3 |
by the reiters | 3 |
of antiquarian interest | 3 |
fell into disuse | 3 |
during the fourteenth | 3 |
transformed into a | 3 |
to the latter | 3 |
be used for | 3 |
of our subject | 3 |
gold and silver | 3 |
the case with | 3 |
an estate of | 3 |
the shields of | 3 |
the arm and | 3 |
to the rear | 3 |
in gothic armour | 3 |
the tuilles are | 3 |
a helmet of | 3 |
there are a | 3 |
fate of the | 3 |
coronation of george | 3 |
plates of the | 3 |
form it was | 3 |
dress of the | 3 |
been found in | 3 |
to the lance | 3 |
de la marche | 3 |
it was so | 3 |
the arms and | 3 |
intended to represent | 3 |
the invention of | 3 |
de la cuirasse | 3 |
during the first | 3 |
was formed of | 3 |
the former is | 3 |
imperial collections of | 3 |
in the chapter | 3 |
in the armoury | 3 |
early seventeenth century | 3 |
years of henry | 3 |
in so many | 3 |
of arms in | 3 |
there are also | 3 |
the tower collection | 3 |
furnished with a | 3 |
and in other | 3 |
collection in the | 3 |
found at vimose | 3 |
the finest examples | 3 |
the armour in | 3 |
first of these | 3 |
to note that | 3 |
and the fact | 3 |
on to a | 3 |
will not allow | 3 |
the roll of | 3 |
from the shoulders | 3 |
refers to the | 3 |
to the same | 3 |
as in france | 3 |
to imply that | 3 |
were provided with | 3 |
of the ornament | 3 |
of which the | 3 |
matthew of paris | 3 |
an example of | 3 |
the spoils of | 3 |
the sixteenth and | 3 |
in all cases | 3 |
development of defensive | 3 |
as distinct from | 3 |
weapons and armour | 3 |
feet in length | 3 |
romance of alexander | 3 |
the shield of | 3 |
to the left | 3 |
the extra pieces | 3 |
a closed helmet | 3 |
the sleeping guards | 3 |
is of later | 3 |
in the dresden | 3 |
on the inner | 3 |
of battle abbey | 3 |
the construction of | 3 |
raised gold damascening | 3 |
of new bond | 3 |
in willington church | 3 |
armour of robert | 3 |
it is somewhat | 3 |
fight on foot | 3 |
the helm being | 3 |
hood of mail | 3 |
likely to be | 3 |
standard collar of | 3 |
gorget of plate | 3 |
we read of | 3 |
after the death | 3 |
gilt and engraved | 3 |
by no means | 3 |
certosa at pavia | 3 |
this was the | 3 |
the grip of | 3 |
to william pickering | 3 |
drawn over the | 3 |
from the head | 3 |
for this purpose | 3 |
in the front | 3 |
officer of the | 3 |
with the lance | 3 |
in windsor castle | 3 |
the chausses and | 3 |
from the hands | 3 |
us that the | 3 |
later date than | 3 |
than any other | 3 |
of wood and | 3 |
the armouries of | 3 |
thirteenth century the | 3 |
of the dead | 3 |
to a large | 3 |
in the seventeenth | 3 |
of this date | 3 |
with the arms | 3 |
and other weapons | 3 |
the costume of | 3 |
the dukes of | 3 |
to admit of | 3 |
by the addition | 3 |
several of these | 3 |
in any way | 3 |
is known as | 3 |
illustrated in the | 3 |
seems to imply | 3 |
by far the | 3 |
important part in | 3 |
has already been | 3 |
of much the | 3 |
the weapons of | 3 |
axe and mace | 3 |
the flower of | 3 |
history of the | 3 |
for the most | 3 |
plate over the | 3 |
that the whole | 3 |
form of helm | 3 |
old mansion in | 3 |
and by the | 3 |
the steel cap | 3 |
appearance of the | 3 |
and that the | 3 |
in lincoln cathedral | 3 |
position of the | 3 |
the sole defence | 3 |
below the waist | 3 |
of the latest | 3 |
helm from the | 3 |
or over the | 3 |
a long time | 3 |
date of the | 3 |
shown with the | 3 |
the monument to | 3 |
of the old | 3 |
dress and equipment | 3 |
development of plate | 3 |
the human form | 3 |
but has a | 3 |
that the shield | 3 |
presented by maximilian | 3 |
hung from the | 3 |
at hertford house | 3 |
in wimborne minster | 3 |
the most important | 3 |
from beneath the | 3 |
are made in | 3 |
the legs are | 3 |
sir thomas cawne | 3 |
with the gilding | 3 |
should remember that | 3 |
of the arm | 3 |
for charles i | 3 |
during the twelfth | 3 |
preserved in windsor | 3 |
so far back | 3 |
has become the | 3 |
in the picture | 3 |
it was usually | 3 |
striking contrast to | 3 |
the visor was | 3 |
three or four | 3 |
by side with | 3 |
just above the | 3 |
and over that | 3 |
tomb of john | 3 |
individuality of the | 3 |
piero di cosimo | 3 |
we examine the | 3 |
italian gothic armour | 3 |
it is generally | 3 |
had to be | 3 |
of george iv | 3 |
those suits which | 3 |
which it is | 3 |
the bellows visor | 3 |
that the mail | 3 |
de cosson in | 3 |
in the helmet | 3 |
generally used by | 3 |
to receive the | 3 |
the mailed period | 3 |
sword of the | 3 |
piece is a | 3 |
the inventories of | 3 |
the defensive armour | 3 |
with regard to | 3 |
king of the | 3 |
of foreign armour | 3 |
stern realities of | 3 |
a band of | 3 |
and the metal | 3 |
suits of plate | 3 |
in front and | 3 |
the shock of | 3 |
and above all | 3 |
covered with red | 3 |
is formed of | 3 |
ease of movement | 3 |
was but a | 3 |
the beauchamp ms | 3 |
shoulder and elbow | 3 |
the importance of | 3 |
later form of | 3 |
the defence of | 3 |
german late gothic | 3 |
use in germany | 3 |
in the direction | 3 |
in perfect preservation | 3 |
in two halves | 3 |
an officer of | 3 |
of the present | 3 |
to a leather | 3 |
on the subject | 3 |
the arms are | 3 |
to in the | 3 |
with which the | 3 |
made in one | 3 |
the armour was | 3 |
new bond street | 3 |
of pearls and | 3 |
far as can | 3 |
long and pointed | 3 |
in the former | 3 |
is of a | 3 |
with cloth of | 3 |
in the jacobe | 3 |
the meeting of | 3 |
have been made | 3 |
realities of war | 3 |
worn by philip | 3 |
captain of the | 3 |
plate armour was | 3 |
the impact of | 3 |
made in the | 3 |
mansion in the | 3 |
to the ground | 3 |
regard to the | 3 |
armour is of | 3 |
the monument of | 3 |
this gothic armour | 3 |
the magnificence of | 3 |
museum of artillery | 3 |
down the front | 3 |
on russet ground | 3 |
at the waist | 3 |
have noticed in | 3 |
could not be | 3 |
it had become | 3 |
two of the | 3 |
and armour have | 3 |
by the men | 3 |
for arms and | 3 |
of earlier date | 3 |
the dignity of | 3 |
to the helm | 3 |
is a good | 3 |
of the italian | 3 |
on plate iv | 3 |
the quality of | 3 |
set with gems | 3 |
far back as | 3 |
that even the | 3 |
from the monument | 3 |
of the last | 3 |
the most beautiful | 3 |
only the front | 3 |
under henry viii | 3 |
dictionnaire du mobilier | 3 |
made for charles | 3 |
horse armour in | 3 |
sepulchre in lincoln | 3 |
weight of armour | 3 |
in the great | 3 |
there are no | 3 |
of blued steel | 3 |
of italian make | 3 |
in civilian dress | 3 |
shield of the | 3 |
have been used | 3 |
under the armpit | 3 |
who died in | 3 |
of such a | 3 |
in the history | 3 |
of carved steel | 3 |
possession of mr | 3 |
to the duke | 3 |
the main body | 3 |
of the maximilian | 3 |
and the duke | 3 |
of the subject | 3 |
the siege of | 3 |
on foot with | 3 |
came to be | 3 |
suit of robert | 3 |
the italian suit | 3 |
sir john chandos | 3 |
ceased to be | 3 |
was on the | 3 |
the visored bassinet | 3 |
this is not | 3 |
the thickness of | 3 |
the number of | 3 |
consider that the | 3 |
the beauchamp effigy | 3 |
we have noticed | 3 |
to the value | 3 |
the armet is | 3 |
by piero di | 3 |
was to be | 3 |
used with the | 3 |
are represented in | 3 |
be from the | 3 |
it was made | 3 |
period of the | 3 |
italian or german | 3 |
been before referred | 3 |
model of banded | 3 |
the mail and | 3 |
and was used | 3 |
an old mansion | 3 |
first appears on | 3 |
of mail has | 3 |
it was either | 3 |
katharine of arragon | 3 |
and a few | 3 |
is preserved in | 3 |
a photograph by | 3 |
given up in | 3 |
strap and buckle | 3 |
was still in | 3 |
the human body | 3 |
the horse is | 3 |
to lord kenyon | 3 |
as the sole | 3 |
the decadence of | 3 |
they had been | 3 |
alluded to in | 3 |
rare to find | 3 |
from the earliest | 3 |
during the reign | 3 |
in this form | 3 |
the same as | 3 |
of large size | 3 |
combats on foot | 3 |
and with the | 3 |
this period of | 3 |
production of armour | 3 |
some cases the | 3 |
of john hampden | 3 |
for the first | 3 |
the figure of | 3 |
of richard ii | 3 |
a suit made | 3 |
the civil wars | 3 |
the sliding rivets | 3 |
convenience on horseback | 3 |
ornament on the | 3 |
windsor park tournament | 3 |
at least in | 3 |
the brocas helm | 3 |
with the point | 3 |
armour in this | 3 |
defences of plate | 3 |
not allow of | 3 |
imitation of the | 3 |
of the sallad | 3 |
and also to | 3 |
be formed of | 3 |
it appears that | 3 |
it was frequently | 3 |
it is often | 3 |
in the album | 3 |
mentioned in the | 3 |
are several of | 3 |
except that the | 3 |
that they are | 3 |
for the tourney | 3 |
peire de plates | 3 |
roll of purchases | 3 |
it is in | 3 |
on the head | 3 |
a movable visor | 3 |
a most interesting | 3 |
more than a | 3 |
writes in the | 3 |
which in the | 3 |
pressure of the | 3 |
suit is in | 3 |
studded with metal | 3 |
be gathered from | 3 |
to be noticed | 3 |
of the two | 3 |
it did not | 3 |
it to the | 3 |
to the breastplate | 3 |
and sixteenth centuries | 3 |
the royal arms | 3 |
for defensive purposes | 3 |
armour from the | 3 |
two of which | 3 |
not admit of | 3 |
it may have | 3 |
still in use | 3 |
conrad seusenhofer of | 3 |
noticeable in the | 3 |
and for this | 3 |
the change in | 3 |
suit of blued | 3 |
was allowed to | 3 |
the hand and | 3 |
the archaeological journal | 3 |
in the roll | 3 |
collar of mail | 3 |
a few pieces | 3 |
formed of two | 3 |
plate and tassets | 3 |
as at the | 3 |
to western europe | 3 |
distinguished by the | 3 |
the tower of | 3 |
of time the | 3 |
the earliest times | 3 |
that it should | 3 |
the romance of | 3 |
so many of | 3 |
left side of | 3 |
to give the | 3 |
protected by the | 3 |
of the blade | 3 |
in ash church | 3 |
with double visor | 3 |
illustrated in fig | 3 |
wear and tear | 3 |
the effigy at | 3 |
the body of | 3 |
the preservation of | 3 |
bassinet from the | 3 |
of queen elizabeth | 3 |
and sixteenth century | 3 |
needless to point | 3 |
the fate of | 3 |
but the more | 3 |
as represented in | 3 |
battle of auray | 3 |
in the centre | 3 |
catalogue of the | 3 |
the young maximilian | 3 |
with any degree | 3 |
in the late | 3 |
in the text | 3 |
as is shown | 3 |
for want of | 3 |
the entry into | 3 |
noticed in a | 3 |
down to the | 3 |
sometimes made of | 3 |
armour of henry | 3 |
the absence of | 3 |
of these is | 3 |
the belief that | 3 |
in the light | 3 |
it is the | 3 |
of the man | 3 |
its use was | 3 |
but on the | 3 |
are seen in | 3 |
as the work | 3 |
remember that the | 3 |
and the foot | 3 |
concealed by the | 3 |
in the year | 3 |
a reinforcing piece | 3 |
used for tilting | 3 |
tomb in st | 3 |
the early fourteenth | 3 |
first volume of | 3 |
philip de commines | 3 |
preserved at canterbury | 3 |
the details of | 3 |
of the de | 3 |
above the knee | 3 |
row of rings | 3 |
bastard of burgundy | 3 |
in which a | 3 |
in the spitzer | 3 |
side by side | 3 |
or to the | 3 |
craft of the | 3 |
contrast to this | 3 |
of the transition | 3 |
sir giles capel | 3 |
that the suit | 3 |
in the more | 3 |
seem to be | 3 |
horse and man | 3 |
a great extent | 3 |
of the civil | 3 |
cosson in the | 3 |
with jacob topf | 3 |
into a sallad | 3 |
of the civilian | 3 |
quality of the | 3 |
at the knee | 3 |
to be able | 3 |
the great jousting | 3 |
even in the | 3 |
the same kind | 3 |
in connexion with | 3 |
it was not | 3 |
the stern realities | 3 |
back and front | 3 |
of richard beauchamp | 3 |
intimately connected with | 3 |
the english archers | 3 |
as can be | 3 |
the junction of | 3 |
in the fifty | 3 |
of the pieces | 3 |
is well known | 3 |
in england from | 3 |
but in the | 3 |
of the weapon | 3 |
the marquis of | 3 |
towards the end | 3 |
the certosa at | 3 |
with all its | 3 |
mentions that the | 3 |
the meyrick collection | 3 |
in warwick castle | 3 |
first suit of | 3 |
collection at parham | 3 |
a rigid defence | 3 |
was carried by | 3 |
connected with english | 3 |
would have been | 3 |
early sixteenth century | 3 |
and the helm | 3 |
pommel and quillons | 3 |
the difficulty of | 3 |
the richness of | 3 |
it has been | 3 |
with the armour | 3 |
helm was worn | 3 |
was either of | 3 |
fashion of armour | 3 |
two or three | 3 |
the coif of | 3 |
supposed to be | 3 |
hangs over the | 3 |
is impossible to | 3 |
in striking contrast | 3 |
the craft of | 3 |
sir george brooke | 3 |
duke of somerset | 3 |
have been found | 3 |
the light of | 3 |
for the horse | 3 |
nearly all the | 3 |
the grandfather of | 3 |
glancing surface to | 3 |
on this occasion | 3 |
a large extent | 3 |
should have been | 3 |
and even the | 3 |
for the right | 3 |
must of necessity | 3 |
easter sepulchre in | 3 |
it could be | 3 |
of sir george | 3 |
may be noted | 3 |
might have been | 3 |
on the front | 3 |
rarely met with | 3 |
robert of normandy | 3 |
the cloth of | 3 |
any degree of | 3 |
from the taces | 3 |
of john beaufort | 3 |
armour may be | 3 |
first years of | 3 |
the count de | 3 |
hance of italian | 3 |
was such that | 3 |
show how the | 3 |
of piers gaveston | 3 |
art of warre | 3 |
the edge of | 3 |
in full armour | 3 |
the bottom of | 3 |
can be gathered | 3 |
and a small | 3 |
in front of | 3 |
to a great | 3 |
it seems to | 3 |
in a suit | 3 |
the making of | 3 |
this is the | 3 |
the pressure of | 3 |
it does not | 3 |
but more often | 3 |
of the day | 3 |
were used for | 3 |
for a time | 3 |
effect of the | 3 |
of wealthy amateurs | 3 |
the museum of | 3 |
weight of the | 3 |
grey de wilton | 3 |
when prince of | 3 |
in our churches | 3 |
collection at hertford | 3 |
a portion of | 3 |
art of war | 3 |
plates of iron | 3 |
very similar to | 3 |
of john of | 3 |
first year of | 3 |
of the human | 3 |
john de melsa | 3 |
for horse and | 3 |
be put on | 3 |
of an officer | 3 |
the head is | 3 |
at hampton court | 3 |
in the wallace | 3 |
in use throughout | 3 |
and the armour | 3 |
not seem to | 3 |
also of the | 3 |
only be used | 3 |
during the wars | 3 |
to the catalogue | 3 |
the order of | 3 |
of the dukes | 3 |
small plates of | 3 |
suit is also | 3 |
described as a | 3 |
the right side | 3 |
with a high | 3 |
bottom of the | 3 |
to the excellence | 3 |
example in the | 3 |
the conical helm | 3 |
and was made | 3 |
the young king | 3 |
field of the | 3 |
of an italian | 3 |
on the field | 3 |
noticed in the | 3 |
and especially the | 3 |
part of this | 3 |
england and europe | 3 |
on a horse | 3 |
the pyrites holder | 3 |
the ends of | 3 |
the visconti tomb | 3 |
considered to be | 3 |
inventory of louis | 3 |
been noticed in | 3 |
suit of george | 3 |
in monumental effigies | 3 |
covered with leather | 3 |
taken as a | 3 |
the same suit | 3 |
in the armour | 3 |
was obtained by | 2 |
of necessity be | 2 |
growing appreciation of | 2 |
was invented in | 2 |
enriched armour armour | 2 |
to lessen the | 2 |
are made of | 2 |
at canterbury is | 2 |
it was also | 2 |
to the custom | 2 |
that of william | 2 |
very well armed | 2 |
the effects of | 2 |
it was an | 2 |
property of the | 2 |
is a cast | 2 |
he paid a | 2 |
not only in | 2 |
of late fifteenth | 2 |
english tournament helm | 2 |
is described as | 2 |
coif and mufflers | 2 |
a diminutive of | 2 |
fine in form | 2 |
of french armour | 2 |
can best be | 2 |
to meet the | 2 |
age of enriched | 2 |
the small equestrian | 2 |
the badges of | 2 |
fourteenth century are | 2 |
possibly belonging to | 2 |
on state occasions | 2 |
the trigger the | 2 |
of mail which | 2 |
of dress and | 2 |
the pike was | 2 |
warwick slays a | 2 |
to wear the | 2 |
developed into a | 2 |
the effigy attributed | 2 |
occurs in the | 2 |
of this gothic | 2 |
it came into | 2 |
to the upper | 2 |
figured in the | 2 |
the direction of | 2 |
age of mail | 2 |
painting and sculpture | 2 |
to the french | 2 |
on the hauberk | 2 |
appears on the | 2 |
over the forehead | 2 |
it had been | 2 |
the tactics of | 2 |
preserved in a | 2 |
armet on the | 2 |
the strap and | 2 |
armorial bearings of | 2 |
the bulk of | 2 |
from county down | 2 |
is so essentially | 2 |
him on the | 2 |
is true of | 2 |
badge of the | 2 |
the wallace collections | 2 |
the example fig | 2 |
the different pieces | 2 |
of enriched armour | 2 |
silver armour of | 2 |
of the master | 2 |
their preservation to | 2 |
chandos and the | 2 |
and conical helmets | 2 |
with the leg | 2 |
and european armouries | 2 |
of the cid | 2 |
a separate piece | 2 |
shock of the | 2 |
great russell street | 2 |
essential part of | 2 |
fine italian gauntlets | 2 |
a leather thong | 2 |
lord of rimini | 2 |
were armed with | 2 |
as will be | 2 |
are now in | 2 |
the sword for | 2 |
which had a | 2 |
effigies in our | 2 |
gold set with | 2 |
the leg is | 2 |
the left shoulder | 2 |
in the left | 2 |
of his armour | 2 |
that it would | 2 |
of the plate | 2 |
that the invention | 2 |
of this work | 2 |
of a horse | 2 |
tilting helmet of | 2 |
in imitation of | 2 |
till the moment | 2 |
the finest of | 2 |
to my own | 2 |
and pointed sollerets | 2 |
and is a | 2 |
that they had | 2 |
of armour was | 2 |
the figure is | 2 |
the neck and | 2 |
blows of the | 2 |
the tower weighs | 2 |
attached to a | 2 |
had been adopted | 2 |
armed with scythes | 2 |
suit of charles | 2 |
of plate or | 2 |
transferring the weight | 2 |
the first opportunity | 2 |
in english and | 2 |
or white armour | 2 |
decoration of the | 2 |
known as ailettes | 2 |
all of them | 2 |
often covered with | 2 |
well represented in | 2 |
to imitate the | 2 |
of the work | 2 |
of staff weapons | 2 |
armour from eaton | 2 |
can hardly be | 2 |
of a single | 2 |
this is a | 2 |
history of our | 2 |
next few years | 2 |
is also to | 2 |
the effect of | 2 |
impact of a | 2 |
in england i | 2 |
puffings and slashings | 2 |
to study the | 2 |
and sliding over | 2 |
silver badge of | 2 |
the varied forms | 2 |
the arm defences | 2 |
illustration of this | 2 |
on foot and | 2 |
headpiece of the | 2 |
earls of warwick | 2 |
attachment of the | 2 |
in this reign | 2 |
the capture of | 2 |
over the hauberk | 2 |
of chain mail | 2 |
the mounted knight | 2 |
strap on the | 2 |
given by the | 2 |
sheathed in plate | 2 |
the year we | 2 |
hollows and projections | 2 |
sixteenth century armet | 2 |
to represent the | 2 |
is a magnificent | 2 |
the flutings of | 2 |
that of his | 2 |
is that made | 2 |
that of a | 2 |
maximilian armour from | 2 |
with a visor | 2 |
far as we | 2 |
means of defence | 2 |
the suit worn | 2 |
cleaning of armour | 2 |
pictures of the | 2 |
on the pommel | 2 |
of the famous | 2 |
in a point | 2 |
of which there | 2 |
of arthur we | 2 |
in the drawing | 2 |
taking the place | 2 |
the further changes | 2 |
held to the | 2 |
of this armour | 2 |
the cloth skirts | 2 |
the additional protection | 2 |
have seen in | 2 |
pieces as the | 2 |
complete suit for | 2 |
the mail is | 2 |
the different forms | 2 |
of the designs | 2 |
place in the | 2 |
is furnished with | 2 |
the barrel has | 2 |
on which are | 2 |
armour has been | 2 |
by sir henry | 2 |
in making a | 2 |
arthur we read | 2 |
in length and | 2 |
silks and satins | 2 |
back as the | 2 |
in it was | 2 |
starkie gardner illustration | 2 |
precisely the same | 2 |
they were generally | 2 |
it with a | 2 |
sir hugh calverley | 2 |
meshes of a | 2 |
bassinet transformed into | 2 |
the most singular | 2 |
of drawings by | 2 |
for the foot | 2 |
who consult meyrick | 2 |
mailed horse appears | 2 |
the breastplate are | 2 |
in the other | 2 |
members of the | 2 |
and back views | 2 |
routed by the | 2 |
marked with the | 2 |
and the whole | 2 |
has been noticed | 2 |
probably of james | 2 |
it is well | 2 |
index list of | 2 |
more complete and | 2 |
to this country | 2 |
in regard to | 2 |
seen on the | 2 |
of warwick slays | 2 |
prince at canterbury | 2 |
in the zeughaus | 2 |
represented in every | 2 |
bodies of men | 2 |
of sir richard | 2 |
a later time | 2 |
de la porte | 2 |
made of many | 2 |
pratt of new | 2 |
and inlaid with | 2 |
is the great | 2 |
have been evolved | 2 |
appears to be | 2 |
been made to | 2 |
frettez de perles | 2 |
of burgundy from | 2 |
the right gauntlet | 2 |
pieces of metal | 2 |
probably be formed | 2 |
chapter vii weapons | 2 |
seal of richard | 2 |
to the thickness | 2 |
scalloped along the | 2 |
on the pauldron | 2 |
grip of silver | 2 |
of the intrinsic | 2 |
contour of the | 2 |
method of making | 2 |
same suit as | 2 |
black prince at | 2 |
that in time | 2 |
contributed to the | 2 |
the father of | 2 |
are fastened with | 2 |
agricultural implement of | 2 |
much later date | 2 |
of rare form | 2 |
position in the | 2 |
instructions for the | 2 |
alternate row of | 2 |
it is rare | 2 |
in compliment to | 2 |
a guard of | 2 |
english archers are | 2 |
the head by | 2 |
son of henry | 2 |
bascinet from the | 2 |
the accoutrements of | 2 |
sword in the | 2 |
to retain the | 2 |
as the year | 2 |
during the sixteenth | 2 |
protect the wearer | 2 |
the wearer from | 2 |
on blue steel | 2 |
method of using | 2 |
for the forefinger | 2 |
taces are hung | 2 |
they were used | 2 |
great helm of | 2 |
like sir john | 2 |
is almost superfluous | 2 |
the beauchamp pageants | 2 |
such a defence | 2 |
is the most | 2 |
the late prince | 2 |
reaching to the | 2 |
been made in | 2 |
lined with leather | 2 |
of the family | 2 |
adopted by the | 2 |
so long as | 2 |
culminating point of | 2 |
kinds of defensive | 2 |
by the duke | 2 |
who might have | 2 |
on the brass | 2 |
feature of the | 2 |
records of the | 2 |
as the suit | 2 |
sixteenth century the | 2 |
butt of the | 2 |
first seen in | 2 |
helm over the | 2 |
ridged bassinet with | 2 |
whom it was | 2 |
for the feet | 2 |
in white and | 2 |
under the emblazoned | 2 |
sir oliver de | 2 |
the english were | 2 |
of some of | 2 |
drawing was not | 2 |
discovered in the | 2 |
the ground with | 2 |
of the armouries | 2 |
shown in our | 2 |
edward i in | 2 |
armourers in their | 2 |
is the one | 2 |
and is mentioned | 2 |
model of the | 2 |
show that it | 2 |
or it was | 2 |
a place in | 2 |
the limits of | 2 |
some of these | 2 |
of which were | 2 |
bolted to the | 2 |
and beauty of | 2 |
from the gothic | 2 |
the account of | 2 |
visor thrown into | 2 |
on the frontispiece | 2 |
a good deal | 2 |
improvement of firearms | 2 |
as an armourer | 2 |
the metal used | 2 |
in his art | 2 |
intended in the | 2 |
hinged on the | 2 |
his monument in | 2 |
the steel was | 2 |
defences of the | 2 |
or strips of | 2 |
inventory of piers | 2 |
the life of | 2 |
which was executed | 2 |
in his livre | 2 |
decadence in the | 2 |
the left leg | 2 |
into the fray | 2 |
the most interesting | 2 |
the pan cover | 2 |
thick quilted gambeson | 2 |
the outside and | 2 |
with closed helmet | 2 |
specimen of the | 2 |
the trading towns | 2 |
is composed of | 2 |
ought to be | 2 |
to the tower | 2 |
in the back | 2 |
of the roman | 2 |
and its constructional | 2 |
of mail or | 2 |
of the bassinet | 2 |
the armour by | 2 |
exposed to view | 2 |
and added to | 2 |
collections of europe | 2 |
overlapping of the | 2 |
armour at its | 2 |
gothic armour have | 2 |
death of their | 2 |
stafford chase the | 2 |
art of enamelling | 2 |
this variety is | 2 |
those shown on | 2 |
preface to the | 2 |
and it appears | 2 |
of edward vi | 2 |
this fashion in | 2 |
with jewelled fillet | 2 |
effigy of john | 2 |
as a means | 2 |
effect that they | 2 |
those materials were | 2 |
so well armed | 2 |
in the collections | 2 |
described by baron | 2 |
visconti monument at | 2 |
civil war in | 2 |
one knight and | 2 |
an upper and | 2 |
to fix the | 2 |
of the chief | 2 |
w t a | 2 |
end was a | 2 |
that the work | 2 |
firearms and gunlocks | 2 |
uniform of the | 2 |
would probably be | 2 |
in the french | 2 |
it was carried | 2 |
is needless to | 2 |
the grip is | 2 |
plates page i | 2 |
in mail over | 2 |
the fourth or | 2 |
shield in the | 2 |
meet with the | 2 |
the leg was | 2 |
this helm is | 2 |
on the part | 2 |
suit of prince | 2 |
damascening on russet | 2 |
arm and hand | 2 |
figures on plate | 2 |
and armed with | 2 |
and the bottom | 2 |
part and the | 2 |
the bascinet is | 2 |
does not seem | 2 |
possession of captain | 2 |
sight of the | 2 |
of which is | 2 |
by archers and | 2 |
yet they were | 2 |
lithe and supple | 2 |
for combats on | 2 |
sent to the | 2 |
of the soleret | 2 |
plate of the | 2 |
was still worn | 2 |
by the man | 2 |
the collections of | 2 |
gunlocks by major | 2 |
a series of | 2 |
course of time | 2 |
the dover castle | 2 |
of the horses | 2 |
details of dress | 2 |
the quilted gambeson | 2 |
of speres comprised | 2 |
if we are | 2 |
are formed of | 2 |
the twelfth and | 2 |
been alluded to | 2 |
in contemporary records | 2 |
and lack of | 2 |
figure of a | 2 |
the front plate | 2 |
and tear of | 2 |
years of the | 2 |
the same way | 2 |
as lord dillon | 2 |
is not the | 2 |
and when we | 2 |
gilt and graven | 2 |
list of illustrations | 2 |
of an inch | 2 |
remarkable that the | 2 |
is also a | 2 |
instance of the | 2 |
at the clarendon | 2 |
the civil war | 2 |
pride of the | 2 |
those writers who | 2 |
originated with the | 2 |
and not to | 2 |
down from the | 2 |
reproduction of the | 2 |
more recent writers | 2 |
loss on the | 2 |
is decorated with | 2 |
called by the | 2 |
the surface of | 2 |
many of those | 2 |
with long knives | 2 |
pairs of plates | 2 |
which had been | 2 |
the opposing weapon | 2 |
within a few | 2 |
in the armouries | 2 |
be said to | 2 |
it continued to | 2 |
used in conjunction | 2 |
in the romance | 2 |
show that these | 2 |
this period in | 2 |
place the fact | 2 |
to it is | 2 |
we are forced | 2 |
when opposed to | 2 |
of this century | 2 |
this part of | 2 |
in war and | 2 |
a young man | 2 |
it is true | 2 |
so that it | 2 |
the powers of | 2 |
have been much | 2 |
by means of | 2 |
on the entry | 2 |
simplicity and constructional | 2 |
something like a | 2 |
in large pieces | 2 |
at the end | 2 |
iv plate armour | 2 |
equipment of the | 2 |
sweeping lines embossed | 2 |
of the moorish | 2 |
the imitation of | 2 |
it is more | 2 |
chapter v horse | 2 |
it in the | 2 |
exist in the | 2 |
short and heavy | 2 |
fluting on the | 2 |
with national badges | 2 |
in chased steel | 2 |
illustration london seeley | 2 |
of the dagger | 2 |
and the upstanding | 2 |
and part of | 2 |
archers of the | 2 |
met with on | 2 |
the rerebrace is | 2 |
engraved by stothard | 2 |
with the history | 2 |
the cast in | 2 |
sir richard pembridge | 2 |
been identified by | 2 |
vogue for some | 2 |
the pauldron which | 2 |
sometimes the helmets | 2 |
far the most | 2 |
materials were made | 2 |
important is the | 2 |
as compared to | 2 |
for louis xiv | 2 |
in staindrop church | 2 |
closely resembling the | 2 |
the enemy to | 2 |
burgundy from the | 2 |
capture of the | 2 |
the more common | 2 |
battle of cassel | 2 |
on the long | 2 |
colman of augsburg | 2 |
lies in the | 2 |
from the early | 2 |
dressed like the | 2 |
pieces in the | 2 |
reproduced in facsimile | 2 |
out of one | 2 |
hauberk from sinigaglia | 2 |
of the shaft | 2 |
often richly decorated | 2 |
piece of metal | 2 |
of gloucester and | 2 |
year we find | 2 |
down the shaft | 2 |
through each alternate | 2 |
defence from an | 2 |
coloured plates page | 2 |
have been invented | 2 |
addition to the | 2 |
whether it was | 2 |
acting on the | 2 |
it appears in | 2 |
skill of the | 2 |
that could not | 2 |
and armour at | 2 |
above the grip | 2 |
was intended to | 2 |
in vogue for | 2 |
have been before | 2 |
of henry ii | 2 |
by henry viii | 2 |
it is not | 2 |
the upstanding neck | 2 |
badges and inscription | 2 |
the surcoat was | 2 |
of the pope | 2 |
pavis or pavoise | 2 |
and sculptured records | 2 |
riveted to the | 2 |
an even more | 2 |
his own time | 2 |
in inventories and | 2 |
the fatigue of | 2 |
of the nineteenth | 2 |
but it was | 2 |
and stafford chase | 2 |
with the sliding | 2 |
favour of buff | 2 |
found to be | 2 |
the flutings which | 2 |
its simplest form | 2 |
queen isabel into | 2 |
is regarded by | 2 |
in the crystal | 2 |
is that in | 2 |
the tower inventory | 2 |
articulations of the | 2 |
of the fourth | 2 |
large bodies of | 2 |
from rare to | 2 |
english and european | 2 |
and also that | 2 |
th lord cobham | 2 |
sixteenth and seventeenth | 2 |
to the steel | 2 |
helmet of bronze | 2 |
the bassinet and | 2 |
was employed for | 2 |
as in fig | 2 |
a weapon of | 2 |
to allow the | 2 |
with foliage and | 2 |
and is the | 2 |
have reference to | 2 |
defensive armour with | 2 |
forming part of | 2 |
philip the fair | 2 |
earl of derby | 2 |
of the which | 2 |
to each man | 2 |
of armour we | 2 |
retinewe of speres | 2 |
the dresden museum | 2 |
a knight in | 2 |
appear to have | 2 |
in this work | 2 |
the earlier periods | 2 |
with or without | 2 |
and is of | 2 |
tomb of the | 2 |
over or under | 2 |
in describing the | 2 |
that there is | 2 |
of laminated plates | 2 |
arms of the | 2 |
from sir noel | 2 |
helmet belonging to | 2 |
more than any | 2 |
st earl of | 2 |
used in its | 2 |
gilded steel covered | 2 |
of the left | 2 |
as to be | 2 |
in his armour | 2 |
of the rings | 2 |
to the effect | 2 |
inventories of the | 2 |
of all that | 2 |
it is quite | 2 |
on the winning | 2 |
they were so | 2 |
on the armour | 2 |
tomb of edmund | 2 |
most renowned of | 2 |
this style of | 2 |
to students of | 2 |
a specimen of | 2 |
and was not | 2 |
the man is | 2 |
for the knee | 2 |
the plate armour | 2 |
the first two | 2 |
the salient points | 2 |
all helms and | 2 |
with silver gilt | 2 |
if not greater | 2 |
of arming is | 2 |
wear the great | 2 |
rarely used for | 2 |
a matchless series | 2 |
for sir christopher | 2 |
with sword and | 2 |
and the latter | 2 |
differed from the | 2 |
appreciation of the | 2 |
on the shield | 2 |
not appear that | 2 |
because they were | 2 |
history attaches to | 2 |
after the accession | 2 |
that for many | 2 |
and weapons in | 2 |
of these helms | 2 |
in the tyrol | 2 |
painted chamber at | 2 |
and back defences | 2 |
a form of | 2 |
called the tapul | 2 |
represented on the | 2 |
drawing of the | 2 |
generally made in | 2 |
as consisting of | 2 |
less than the | 2 |
the expense of | 2 |
the housings are | 2 |
while the latter | 2 |
of cassel in | 2 |
between every two | 2 |
is the only | 2 |
such that it | 2 |
there are three | 2 |
suits made by | 2 |
the tower is | 2 |
helmet of an | 2 |
in every part | 2 |
time of richard | 2 |
the head being | 2 |
among the jewels | 2 |
of brass rings | 2 |
the idea that | 2 |
the latter end | 2 |
margins of the | 2 |
admit that this | 2 |
with a preface | 2 |
large number of | 2 |
the spanish rapier | 2 |
the taste for | 2 |
served to distinguish | 2 |
a suit in | 2 |
us to the | 2 |
and the low | 2 |
casque of an | 2 |
picture of the | 2 |
for ceremonial use | 2 |
in the introduction | 2 |
of a net | 2 |
of the different | 2 |
italy and spain | 2 |
this assertion is | 2 |
lined with satin | 2 |
waist to knee | 2 |
with this weapon | 2 |
most important is | 2 |
pair of fine | 2 |
french manuscript of | 2 |
in this chapter | 2 |
in process of | 2 |
jambeux were of | 2 |
on which it | 2 |
is a most | 2 |
london seeley and | 2 |
the setvans brass | 2 |
the greater part | 2 |
the exaltation of | 2 |
is but a | 2 |
the court of | 2 |
viii and maximilian | 2 |
folds of linen | 2 |
of the beautiful | 2 |
well as one | 2 |
mention of horse | 2 |
distinct from the | 2 |
it is shown | 2 |
of a more | 2 |
of robert of | 2 |
and the first | 2 |
good example of | 2 |
during the period | 2 |
of their owners | 2 |
had ceased to | 2 |
collection of seymour | 2 |
it would appear | 2 |
connected with our | 2 |
in the battle | 2 |
gilding slightly restored | 2 |
the tapul of | 2 |
step by step | 2 |
in the italian | 2 |
and crest of | 2 |
of illustrations coloured | 2 |
coverings of the | 2 |
armour is very | 2 |
to the head | 2 |
produced at the | 2 |
ragged staff on | 2 |
each other in | 2 |
the thick quilted | 2 |
the flat top | 2 |
the coverings of | 2 |
over each other | 2 |
have been at | 2 |
collections in england | 2 |
on left side | 2 |
superfluous to point | 2 |
by hauser menet | 2 |
the person of | 2 |
of the th | 2 |
observes that it | 2 |
was worn by | 2 |
the armoury at | 2 |
armet of rare | 2 |
to be armed | 2 |
decadence of armour | 2 |
are preserved with | 2 |
they are of | 2 |
staff on the | 2 |
and used in | 2 |
the vast bulk | 2 |
is at the | 2 |
death of the | 2 |
inlaid with silver | 2 |
was made for | 2 |
used for this | 2 |
frequently decorated with | 2 |
matchless series of | 2 |
armouries of vienna | 2 |
a ridged bassinet | 2 |
few pieces in | 2 |
early age of | 2 |
guard consisted of | 2 |
the perfection of | 2 |
horse of the | 2 |
in the way | 2 |
likeness to the | 2 |
will of the | 2 |
english and french | 2 |
same as the | 2 |
till recent times | 2 |
in the inventories | 2 |
faced with leather | 2 |
the horses of | 2 |
chapter iv plate | 2 |
appears on royal | 2 |
at the bridle | 2 |
evolution of the | 2 |
the french chivalry | 2 |
of the taces | 2 |
william the conqueror | 2 |
from the easter | 2 |
of the pan | 2 |
of sir noel | 2 |
of the armourers | 2 |
find in the | 2 |
with guard for | 2 |
it is remarkable | 2 |
this period that | 2 |
been handed down | 2 |
of the bodyguards | 2 |
this is by | 2 |
with the original | 2 |
tomb in the | 2 |
of the defence | 2 |
they are represented | 2 |
this date was | 2 |
about the same | 2 |
thus protecting the | 2 |
of mail in | 2 |
consisting of a | 2 |
the sword and | 2 |
from the romance | 2 |
the improvement of | 2 |
natural state or | 2 |
arms to the | 2 |
with visor and | 2 |
freedom of movement | 2 |
coronet and mantelet | 2 |
the single mail | 2 |
helm and crest | 2 |
italian suit of | 2 |
and seems to | 2 |
of the norman | 2 |
could be thrown | 2 |
a smooth surface | 2 |
the tassets were | 2 |
of edmund crouchback | 2 |
they are generally | 2 |
it was found | 2 |
period of defensive | 2 |
chase the duke | 2 |
as the breast | 2 |
au vif de | 2 |
when the tassets | 2 |
of blued and | 2 |
is called the | 2 |
designed in the | 2 |
of lethal weapons | 2 |
abbot thomas de | 2 |
the upper leg | 2 |
is represented in | 2 |
yeomen of the | 2 |
arms and legs | 2 |
to the net | 2 |
attributed to the | 2 |
milan in his | 2 |
the ornament of | 2 |
the bandes de | 2 |
monument at pavia | 2 |
embossed burgundian armour | 2 |
some of which | 2 |
it is needless | 2 |
qualities of steel | 2 |
the neighbouring church | 2 |
effigy of ralph | 2 |
used only for | 2 |
caps and greaves | 2 |
the same order | 2 |
seen at the | 2 |
and weighs lb | 2 |
a defence of | 2 |
not only of | 2 |
the suit are | 2 |
ornament of the | 2 |
coverings for the | 2 |