trigram

This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

trigram	frequency
one of the	178
the cathedral of	146
church of st	119
part of the	116
the middle ages	99
of the nave	99
the xiii century	98
the xii century	97
of the church	94
the church of	86
of the cathedral	83
of notre dame	82
of the middle	71
in bulletin monumental	67
some of the	63
of the choir	61
the xiv century	60
as well as	60
the choir of	59
de la france	59
to be found	58
of the transept	57
of the xii	57
the use of	54
of the xiii	52
is one of	49
of the same	48
of the great	47
the xv century	47
the nave of	47
of the most	46
of the building	46
in the cathedral	46
end of the	46
and in the	46
of the gothic	46
the xi century	44
be found in	43
of the first	43
the national art	42
are to be	41
the end of	41
of gothic architecture	41
of the new	40
of the national	40
in the same	39
a series of	39
notre dame at	38
bays of the	37
those of the	37
in revue de	37
in the world	37
the architecture of	36
cathedral of st	36
is to be	35
it is a	35
the work of	35
of the city	35
and it is	34
the bishop of	34
the abbey church	34
windows of the	34
in the xii	34
the walls of	33
of a building	33
that of the	32
the cathedrals of	32
there is a	32
the first to	32
the interior of	31
notre dame of	31
walls of the	31
the same time	31
the cathedral at	31
church of the	30
in the choir	30
the side aisles	30
to be the	30
of the xiv	30
abbey church of	29
of the xi	29
of the best	29
in the church	28
of the romanesque	28
in order to	28
the gothic period	28
the world war	28
of a church	27
choir of st	27
of gothic art	27
in the first	27
at the same	27
of the west	26
as a rule	26
the art of	26
it was the	26
many of the	26
churches of the	26
the king of	26
the xvi century	26
the church was	26
the tomb of	26
belongs to the	25
side of the	25
the see of	25
a kind of	25
it has been	25
use of the	25
the middle of	25
of the edifice	24
belong to the	24
parts of the	24
the architect of	24
in the nave	24
most of the	24
of le mans	24
of the world	24
in the xiii	24
wall of the	24
on the site	24
on the other	23
of the apse	23
king of france	23
that it was	23
the nave and	23
said to have	23
side by side	23
the churches of	23
bay of the	23
was the first	23
of the present	23
it is said	23
de la soc	22
the first crusade	22
the pointed arch	22
half of the	22
of the old	22
of the xv	22
the house of	22
the cathedral was	22
middle of the	22
the duke of	22
are of the	22
of the ancient	22
but it is	22
the most beautiful	22
was to be	21
in which the	21
of the french	21
it is the	21
to the north	21
the erection of	21
of the royal	21
arm of the	21
gothic architecture in	21
of the midi	21
of which the	21
to be a	21
a son of	21
the name of	20
of the main	20
art of the	20
in the midi	20
the time of	20
the plan of	20
of the style	20
as in the	20
william the conqueror	20
of the north	20
choir and transept	20
the choir was	20
is said that	19
the choir and	19
the archbishop of	19
building of the	19
the story of	19
dame of paris	19
abbatial of st	19
the fifteenth century	19
the windows of	19
and of the	19
architecture of the	19
histoire de la	19
of the renaissance	19
in the middle	19
the exterior of	19
to have been	19
at the end	18
the chapel of	18
part of a	18
of the tower	18
work of the	18
is of the	18
of the two	18
early in the	18
the making of	18
the capitals of	18
the nave is	18
that it is	18
of the art	18
it was not	18
now in the	18
it was a	18
the gothic cathedrals	18
must have been	18
of the ile	17
william of volpiano	17
well as the	17
blanche of castile	17
the building of	17
to the south	17
the nave was	17
the history of	17
john of salisbury	17
made use of	17
of the xvi	17
was one of	17
the romanesque cathedral	17
and the church	17
the lady chapel	17
of the region	17
in the xiv	16
of the town	16
more or less	16
the other hand	16
normandie monumentale et	16
la normandie monumentale	16
of the lord	16
and at the	16
of the holy	16
et de la	16
the school of	16
in the gothic	16
much of the	16
peter the venerable	16
the royal domain	16
the monks of	16
found in the	16
monumentale et pittoresque	16
a man of	16
be said to	16
it is not	16
anne of brittany	16
of the fifteenth	16
roof of the	16
the transept of	16
a gem of	16
and it was	16
built in the	16
of the capital	16
quarter of the	15
up to the	15
triforium and clearstory	15
xii and xiii	15
in the north	15
it may be	15
son of the	15
and that of	15
in the city	15
he had been	15
built from to	15
the beginning of	15
the abbot of	15
of the central	15
to the cathedral	15
the height of	15
the death of	15
the side chapels	15
in the new	15
windows in the	15
the xii and	15
the sixteenth century	15
added to the	15
which has been	15
there is no	15
of the sixteenth	15
which was to	15
the design of	15
which it is	15
the builder of	15
the gothic of	15
in order that	15
the abbatial of	15
a masterpiece of	14
in the transept	14
close of the	14
met with in	14
be met with	14
was in the	14
by means of	14
he was the	14
that in the	14
the reign of	14
in the south	14
the close of	14
the first stone	14
portion of the	14
of the abbey	14
that he was	14
had to be	14
during the first	14
architect of the	14
years of the	14
of the walls	14
notre dame de	14
and xiii centuries	14
works of the	14
on the same	14
that to the	14
so that the	14
the primary gothic	14
the center of	14
chapel of the	14
out of the	14
of flamboyant gothic	14
every part of	14
of the cloister	14
the capital of	14
the council of	14
has been called	14
the soul of	14
to end of	14
in notre dame	14
the flamboyant gothic	14
the study of	13
palace of the	13
on the north	13
the son of	13
some of them	13
had been a	13
the church is	13
such as the	13
may be said	13
it had been	13
arthur kingsley porter	13
a group of	13
the great cathedrals	13
it is to	13
gothic of the	13
the new system	13
the xix century	13
of the three	13
during the revolution	13
as it is	13
of the vault	13
none the less	13
are among the	13
the entrance to	13
worked on the	13
built by the	13
in the ile	13
to the french	13
of rayonnant gothic	13
of the earlier	13
simon de montfort	13
the base of	13
la france artistique	13
the castle of	13
france artistique et	13
center of the	13
a part of	13
he died in	13
to the same	13
of all the	13
it to be	13
it is thought	13
the twelfth century	13
church of notre	13
de la ville	13
who died in	13
the first time	13
up in the	13
the northwest tower	13
given to the	12
romanesque school of	12
the principal span	12
the head of	12
of the century	12
the count of	12
the first gothic	12
the west front	12
the eighteenth century	12
were to be	12
and to the	12
one of his	12
the thirteenth century	12
covered by a	12
il y a	12
arches of the	12
after a fire	12
can be seen	12
to be met	12
was the architect	12
interior of the	12
beginning of the	12
the transept and	12
the tower of	12
of rheims cathedral	12
is a gem	12
design of the	12
the transept is	12
of our lady	12
a fire in	12
pierre de montereau	12
the side walls	12
chapel of st	12
the beauty of	12
by the same	12
is in the	12
of his own	12
of stained glass	12
cathedral of the	12
to be seen	12
in the last	12
maurice de sully	12
de notre dame	12
the crypt of	12
villard de honnecourt	12
the fire of	12
of the early	12
to this day	12
the north tower	12
we have seen	12
the thrust of	12
few of the	12
the shape of	12
the battle of	12
the north side	12
cathedrals of france	12
the spirit of	12
in the romanesque	12
a sort of	12
of this church	12
for a time	12
to the new	12
in one of	12
of the fourteenth	12
monographie de la	12
men and women	12
part in the	12
in the xv	12
in the center	11
choir and nave	11
each of the	11
the new works	11
many of them	11
north side of	11
in the interior	11
au pays des	11
will be found	11
of louis ix	11
to the east	11
of the big	11
the streets of	11
in the dec	11
of the school	11
of the wall	11
the religious wars	11
the new art	11
of the buildings	11
within the church	11
the central vessel	11
among the most	11
with the same	11
height of the	11
it will be	11
the daughter of	11
line of the	11
to the see	11
two of the	11
which had been	11
new york and	11
that of st	11
who built the	11
to the end	11
brother of the	11
who made the	11
the windows are	11
of the bishop	11
of the king	11
at the time	11
the level of	11
in the great	11
and that the	11
in the use	11
are in the	11
be found at	11
the albigensian crusade	11
the towers of	11
took place in	11
the queen of	11
york and london	11
phase of the	11
of the exterior	11
in use in	11
the second crusade	11
the xviii century	11
consult the glossary	11
out in the	11
the clearstory windows	11
the sculpture of	11
said to be	11
is said to	11
only in the	11
bishop geoffrey de	11
level of the	11
to the church	11
the relics of	11
the plans of	11
history of the	11
said that the	11
monuments of the	11
of the builder	11
by the revolution	11
capitals of the	11
the heiress of	11
and with the	11
analysis of buildings	11
the fourteenth century	11
in the west	11
choir of the	11
was born in	11
gothic church of	11
the influence of	11
is that of	11
it was to	11
at le mans	11
end to end	11
from end to	11
would have been	11
of a great	11
of the day	11
vault of the	11
so as to	11
philippe le hardi	11
the site of	11
cathedral of tours	10
tomb of the	10
the fact that	10
the first of	10
au xie et	10
has been said	10
the choir aisle	10
the most important	10
buildings of the	10
the date of	10
the pier arches	10
specimens of the	10
london and new	10
ends of the	10
the employment of	10
the works of	10
eudes de sully	10
is full of	10
and on the	10
there was no	10
in the style	10
sculptured ornament from	10
dame at paris	10
duke of normandy	10
had been the	10
it was built	10
in the upper	10
with those of	10
after the fire	10
account of the	10
and new york	10
on the walls	10
of the northern	10
there can be	10
with which the	10
cathedral in the	10
of the greatest	10
artistique et monumentale	10
of the roof	10
in the land	10
and his son	10
when it was	10
bishop of paris	10
the present nave	10
pierre de celle	10
the abbey of	10
in the perp	10
the best gothic	10
not to be	10
of the thirteenth	10
dedicated to st	10
no one can	10
journal of the	10
the xvii century	10
a statue of	10
of the aisles	10
new system of	10
of the province	10
the cathedral is	10
the city was	10
as a whole	10
with that of	10
the men of	10
le mans cathedral	10
and those of	10
exterior of the	10
in many cases	10
the best of	10
royal institute of	10
sculpture of the	10
be seen in	10
so far as	10
in the crypt	10
romanesque cathedral of	10
to the last	10
romanesque and gothic	10
of paris cathedral	10
the royal institute	10
of plantagenet gothic	10
the axis chapel	10
archbishop of sens	10
of the madeleine	10
the interior is	10
the absence of	10
of british architects	10
a few of	10
founder of the	10
entrance to the	10
thought that the	10
was begun in	10
construction and design	10
tower of st	10
the palace of	10
the present church	10
a work of	10
a succession of	10
because of the	10
vestiges of the	10
in the clearstory	10
abbey of st	10
of the virgin	10
the little people	10
of the cross	10
institute of british	10
of the abbaye	10
the names of	10
and there is	10
the ducal palace	9
the construction of	9
of the country	9
the chanson de	9
of rouen cathedral	9
gothic art in	9
gothic cathedrals of	9
et au xiie	9
soul of the	9
of gothic cathedrals	9
first of the	9
heart of france	9
third of the	9
plan of the	9
by which the	9
when in the	9
the rest of	9
westernmost bays of	9
of the abbatial	9
the intersecting ribs	9
the presence of	9
people of the	9
of the classic	9
to be buried	9
rest of the	9
the feet of	9
of which is	9
in the region	9
the buildings of	9
for the first	9
and from the	9
i of england	9
the walls are	9
the majority of	9
according to the	9
the new cathedral	9
which can be	9
to those of	9
the birth of	9
bishop of chartres	9
say that the	9
the south of	9
the high altar	9
story of the	9
the hands of	9
work on the	9
as if the	9
of anne of	9
to that of	9
the french crown	9
la ville de	9
the same period	9
in the latter	9
the avignon popes	9
when he died	9
of the architect	9
as those of	9
stone of the	9
the present cathedral	9
count of anjou	9
over the aisles	9
the completion of	9
of normandy and	9
abbot of st	9
be taken as	9
the latter part	9
in the present	9
the procession path	9
to which the	9
of the eastern	9
one of them	9
over the side	9
of colored glass	9
at any rate	9
in the xi	9
of westminster abbey	9
of the marne	9
daughter of the	9
remi at rheims	9
des sculpteurs romans	9
early part of	9
men of the	9
nave of the	9
after the revolution	9
was able to	9
in the e	9
of the four	9
by the english	9
than that of	9
which is the	9
pays des sculpteurs	9
as the xiii	9
the builders of	9
the vaults of	9
the main arcade	9
and by the	9
of the italian	9
of a column	9
nave of st	9
the life of	9
than in the	9
the heads of	9
erection of the	9
years of age	9
the city of	9
cathedral is the	9
churches of france	9
formed by the	9
the great church	9
the heart of	9
it is in	9
of flying buttresses	9
and notre dame	9
xie et au	9
the possession of	9
georges de boscherville	9
chanson de roland	9
cathedral was begun	9
thinks that the	9
nave and the	9
latter part of	9
of the cupola	9
face of the	9
in every part	9
it is an	9
the corner stone	9
first stone of	9
and in many	9
of the time	9
of that period	9
hall of the	9
the apse of	9
of the upper	9
in by the	9
the east end	9
beauty of the	9
another of the	9
of a gothic	9
may be taken	9
and when the	9
north of the	9
reconstruction of the	9
the early part	9
during the last	8
two bays of	8
examples of the	8
in large part	8
end of france	8
of france was	8
of the people	8
the southwest tower	8
of the english	8
in a gothic	8
thrust of the	8
as for example	8
consists of a	8
the cupola church	8
history of france	8
in the time	8
the cathedral school	8
a few years	8
of william the	8
the ends of	8
characteristic of the	8
les vitraux de	8
and with a	8
the nave are	8
was buried in	8
et ses environs	8
capital of the	8
at the battle	8
gazette des beaux	8
the second half	8
the kingdom of	8
at that time	8
was finished by	8
it was in	8
transept and choir	8
each vault section	8
to the first	8
known as the	8
feature of the	8
the whole of	8
is thought that	8
the designs of	8
of a wall	8
the present choir	8
in that same	8
time of the	8
the treatment of	8
like that of	8
is the most	8
those in the	8
there was a	8
the collapse of	8
two westernmost bays	8
is to the	8
the masonry roof	8
little people of	8
period of the	8
to make the	8
is called the	8
the field of	8
was built from	8
the bishops of	8
who had been	8
and in that	8
employed in the	8
of amiens cathedral	8
in the early	8
among the first	8
in the cathedrals	8
the last judgment	8
which they are	8
the flying buttress	8
duke of aquitaine	8
in the east	8
archbishop of canterbury	8
of the last	8
hildebert de lavardin	8
the transition from	8
the church at	8
from to the	8
la chaise dieu	8
of the piers	8
the city ramparts	8
the bishop who	8
of the sainte	8
as that of	8
at the west	8
at chartres and	8
in the ambulatory	8
there are no	8
more than the	8
tree of jesse	8
the characteristics of	8
a number of	8
they say that	8
may have been	8
of the towers	8
of the capitals	8
in le mans	8
from the same	8
they are the	8
of tours cathedral	8
for illustrations consult	8
the building is	8
john the baptist	8
piers of the	8
in gothic architecture	8
of the transepts	8
formed part of	8
in the abbey	8
and the cathedral	8
the earliest gothic	8
held to be	8
who began the	8
of the earliest	8
to the xiii	8
cathedral of le	8
can be no	8
a portion of	8
the line of	8
the third crusade	8
in the course	8
among the best	8
notre dame was	8
in the presence	8
the choir is	8
cathedral of paris	8
he was a	8
system of building	8
cathedral of chartres	8
the effect of	8
the kings of	8
henry ii of	8
of the side	8
the ruins of	8
at the council	8
one of its	8
master of the	8
the vitrine art	8
was begun by	8
portions of the	8
abbey church at	8
in the main	8
second half of	8
a mass of	8
in the second	8
belonged to the	8
xiii century the	8
surmounted by a	8
owing to the	8
seen in the	8
of the windows	8
the addition of	8
the apse chapels	8
from the first	8
was built the	8
choir and the	8
window of the	8
flank of the	8
first to use	8
as it was	8
the conqueror and	8
the banks of	8
development of gothic	8
contributed toward the	8
the episcopal palace	8
guillaume de champeaux	8
of paris university	8
the work was	8
the ribs of	8
a nephew of	8
of the hundred	8
the greatest of	8
in the town	8
henry i of	8
house of the	8
duke of burgundy	8
of the house	8
begun by the	8
in the lower	8
illustrations consult the	8
of the past	8
gothic art of	8
architecture of france	8
the course of	8
by the french	8
the town hall	8
was built in	8
of the work	8
in some of	8
a gothic vault	8
of the age	8
dedicated to the	8
and many of	8
the scene of	8
each of which	8
time that the	8
in the museum	8
the dedication of	8
of the albigensian	8
he made the	8
name of the	8
good example of	8
taylor et nodier	8
midi de la	8
by the great	7
the side of	7
was not the	7
window in the	7
in honor of	7
he and his	7
of his day	7
of its own	7
it was an	7
it is one	7
as the choir	7
upon which the	7
in the cloister	7
in the art	7
banks of the	7
a church of	7
et la sculpture	7
in all the	7
of rheims and	7
school of sculpture	7
they have been	7
but they are	7
and the choir	7
images of the	7
of one of	7
place in the	7
of the architecture	7
first half of	7
after the year	7
it would have	7
the piers of	7
man of genius	7
in the xvi	7
marked by a	7
the surface of	7
gothic church in	7
on the banks	7
the first half	7
it to the	7
the series of	7
that they were	7
the north rose	7
the transept was	7
at the crossing	7
the first part	7
of the twelfth	7
the origin of	7
and the nave	7
north and south	7
each of these	7
the style of	7
on either side	7
of the monastery	7
appeared in the	7
and the other	7
on the day	7
the first quarter	7
the forest of	7
claim to be	7
opening of the	7
section of the	7
abbot of cluny	7
the gift of	7
bishop guillaume de	7
and the first	7
of the second	7
who was to	7
the cradle of	7
carried on the	7
a host of	7
of the very	7
to the great	7
of the vitrine	7
built by st	7
transferred to the	7
the two westernmost	7
the arms of	7
of side chapels	7
the ix century	7
and as a	7
is known as	7
the hall of	7
the land of	7
in france and	7
they were the	7
was laid in	7
especially in the	7
to the other	7
of the norman	7
which we call	7
of a roof	7
the top of	7
west front of	7
de la tour	7
of the pier	7
the best works	7
ii of england	7
eastern end of	7
as it had	7
de la fin	7
in journal of	7
gothic art was	7
religieux de la	7
throughout the church	7
a gothic church	7
vaults of the	7
the vii century	7
to the gothic	7
of the eighteenth	7
the foundations of	7
and some of	7
to the xii	7
a hundred years	7
shape of the	7
the ascending line	7
in the spandrels	7
of the castle	7
of a new	7
as high as	7
first quarter of	7
fin du moyen	7
it was only	7
its wealth of	7
of the stone	7
on one side	7
effect of the	7
michel colombe et	7
the abbey was	7
of the whole	7
where he had	7
which may be	7
gothic churches of	7
the style in	7
brought to the	7
hugues de st	7
architects of the	7
not in the	7
at the western	7
was replaced by	7
then came the	7
la fin du	7
of the later	7
came from the	7
the eastern end	7
to use the	7
the opening of	7
the stones of	7
was begun about	7
in gazette des	7
eastern wall of	7
bulletin de la	7
south of the	7
in a church	7
a brother of	7
than any other	7
due to the	7
is divided into	7
those who have	7
the people of	7
lady chapel of	7
in the royal	7
treatment of the	7
light and shade	7
the upper part	7
leader of the	7
and finished by	7
in the streets	7
of the latter	7
and his wife	7
by side with	7
the french king	7
the form of	7
of these churches	7
from the east	7
was founded in	7
geoffrey the handsome	7
of the order	7
some of its	7
tower of the	7
the north of	7
the spaces between	7
even in the	7
of the cathedrals	7
renaissance architecture in	7
in the xviii	7
at the base	7
the part of	7
jean sans peur	7
of chartres was	7
archbishop of rheims	7
monks of st	7
of english gothic	7
bernard of clairvaux	7
and as the	7
the lord of	7
the development of	7
first part of	7
it belongs to	7
taken as a	7
of the late	7
of the plantagenet	7
but it was	7
all over france	7
the face of	7
by the king	7
with its own	7
in the flamboyant	7
francis the first	7
can be found	7
all through the	7
the day of	7
a contemporary of	7
east end of	7
resemblance to the	7
to the nave	7
of chartres and	7
body of the	7
picard et fils	7
church at st	7
of such a	7
of the burgundian	7
century religious wars	7
lancets in the	7
study of the	7
diagonals of the	7
gregory of tours	7
in the reign	7
tribunes over the	7
arms of the	7
features of the	7
to mark the	7
making of the	7
like those of	7
the vi century	7
outline of the	7
by architecture we	7
have been the	7
to the level	7
to the eye	7
three hundred years	7
the purpose of	7
roofs and vaults	7
of the interior	7
the western towers	7
is a good	7
builder of the	7
to make a	7
the eastern arm	7
spirit of the	7
the glossary under	7
a good example	7
the roof of	7
colombe et la	7
of which are	7
more and more	7
and the two	7
the new choir	7
the gothic art	7
came to the	7
of the transition	7
the chief church	7
monument of the	7
the new gothic	7
of the saviour	7
churches in the	7
and pointed arches	6
la guerre de	6
of le puy	6
of the dead	6
the pier arcade	6
to the pope	6
of this building	6
and the most	6
more of the	6
portal of the	6
the diagonals of	6
la renaissance en	6
it must be	6
the new order	6
to the west	6
may be called	6
the counts of	6
xii century the	6
by the present	6
it is true	6
des antiquaires de	6
set in the	6
one side of	6
a pupil of	6
the early renaissance	6
out from the	6
final phase of	6
placed side by	6
in receding planes	6
there are the	6
the big church	6
by no means	6
cathedral of rheims	6
should have been	6
the inspiration of	6
one of these	6
the latter was	6
bishop of amiens	6
led to the	6
south of france	6
church was begun	6
and his brother	6
hundred and fifty	6
to the transept	6
front of the	6
walls between the	6
the iconography of	6
of lyons cathedral	6
is the church	6
the portals of	6
of the lower	6
at the trumeau	6
the weight of	6
late in the	6
of the mount	6
de son temps	6
the roofs of	6
church was rebuilt	6
the italian renaissance	6
in the capital	6
the city in	6
to which it	6
the order of	6
of the duke	6
open on the	6
and the south	6
been said that	6
was the bishop	6
on his way	6
may be found	6
some have thought	6
each arm of	6
of the ducal	6
at her trial	6
a central tower	6
the most famous	6
laid the first	6
was founded by	6
a tower of	6
in the case	6
from pavement to	6
and the next	6
nave and transepts	6
and renaissance architecture	6
the transverse arches	6
buried in the	6
to be of	6
the mother of	6
was succeeded by	6
during the hundred	6
gothic cathedral in	6
of the churches	6
of primary gothic	6
of the western	6
side aisles were	6
tells us that	6
as early as	6
rise to the	6
from romanesque to	6
the introduction of	6
which he had	6
during the xiii	6
romanesque church of	6
to which they	6
his first crusade	6
chief church of	6
century windows in	6
the placing of	6
in the chapel	6
used in the	6
gothic buildings are	6
of the stones	6
transept of the	6
phase of gothic	6
on which the	6
place of honor	6
the case of	6
the central lantern	6
one or more	6
in the later	6
to the soul	6
france built her	6
such was the	6
one or two	6
the formation of	6
example of this	6
and transept are	6
paris and geneva	6
the first period	6
the fourth crusade	6
compared with the	6
there is little	6
arts and crafts	6
the advent of	6
transept and the	6
work was done	6
of francis i	6
we meet with	6
at the feet	6
in some cases	6
a pioneer in	6
there is much	6
tracery of the	6
de la vie	6
about the same	6
the final phase	6
in the national	6
and the side	6
even as the	6
of the few	6
belonging to the	6
on the field	6
and his successor	6
the upper vaulting	6
seem to be	6
and in a	6
the greater part	6
the mystery plays	6
the hour of	6
the cathedral and	6
of the white	6
of some of	6
at the angles	6
was dedicated in	6
of the alps	6
work in the	6
the roman empire	6
of the small	6
the foundation stone	6
the tower is	6
to the early	6
to see the	6
also in the	6
fell on the	6
days of the	6
care of the	6
upper part of	6
art is the	6
in the sixteenth	6
of which we	6
aisles of the	6
and the tower	6
the new church	6
best works of	6
a church or	6
since it was	6
a greek cross	6
built by bishop	6
in the province	6
in the ancient	6
which took place	6
space between the	6
are the most	6
bishop maurice de	6
and part of	6
as the church	6
been called the	6
in the days	6
the gothic cathedral	6
the best known	6
son of a	6
in proportion to	6
and le mans	6
imitation of christ	6
to the abbey	6
ground plan of	6
of angers cathedral	6
of the axis	6
founded in by	6
of the south	6
in the old	6
could not be	6
from the designs	6
idea of the	6
of henry ii	6
lived in the	6
cathedral is a	6
an example of	6
le mans and	6
stories of the	6
of france and	6
alphonse of poitiers	6
in the square	6
is shown by	6
because of his	6
and all the	6
of bordeaux cathedral	6
on the church	6
gothic and renaissance	6
et ses monuments	6
of the roman	6
houses of france	6
the crown of	6
the liberal arts	6
one bay of	6
of the avignon	6
of the six	6
and many a	6
set up in	6
was to lead	6
to the king	6
the plantagenet school	6
pavement to vault	6
the most imposing	6
there are two	6
possession of the	6
but in the	6
was made the	6
the ambulatory and	6
to those who	6
in the norman	6
the days when	6
king of england	6
of the portals	6
of the entire	6
the crossing of	6
of which was	6
the glory of	6
midway in the	6
set on the	6
or to the	6
after the death	6
the architects of	6
it is well	6
on the capitals	6
the number of	6
birth of the	6
the institute of	6
in bulletin de	6
bishop of le	6
placed in the	6
the body of	6
trial in rouen	6
quality of the	6
of the apostles	6
the main building	6
battle of the	6
six miles from	6
gothic architecture had	6
he founded the	6
du midi de	6
yolande of aragon	6
purpose of a	6
the upper church	6
bertrada de montfort	6
architecture in france	6
as was the	6
in main part	6
made by the	6
though it is	6
western doors of	6
the fall of	6
of light and	6
during the middle	6
it was his	6
the law of	6
xiii century closed	6
deterioration of the	6
of the duchy	6
les origines de	6
to the english	6
destroyed by the	6
sir theodore andreas	6
thought to be	6
abbey church was	6
development of the	6
the love of	6
was brought to	6
of sens cathedral	6
the ambulatory of	6
the upper windows	6
nave and aisles	6
three of the	6
a masonry roof	6
of the column	6
the eastern wall	6
mullions and transoms	6
were in the	6
of them were	6
romanesque cathedral was	6
and a few	6
queen of heaven	6
example of the	6
institute of france	6
up and down	6
again in the	6
church of ste	6
the blood of	6
school of chartres	6
voyage au pays	6
equal to the	6
of the university	6
all of them	6
in the churches	6
pioneer in the	6
the upper walls	6
century to the	6
there is not	6
the xiii and	6
the abbatial was	6
palais de justice	6
of the loire	6
the dukes of	6
it would be	6
were held in	6
away in the	6
as one of	6
of the chief	6
tower and spire	6
the features of	6
a building of	6
picture of the	6
of northern france	6
date of the	6
crown of thorns	6
that of a	6
the rebuilding of	6
the nave were	6
the days of	6
of louis xii	6
of the pointed	6
because of its	6
the desire to	6
the destruction of	6
life of the	6
during the world	6
not a few	6
devoted to the	6
from chartres cathedral	6
the ancient city	6
abbot of clairvaux	6
of the popes	6
of the living	6
as we have	6
ambulatory and radiating	6
here and there	6
two or more	6
in the night	6
jaime el conquistador	6
the black prince	6
the university of	6
the lower walls	6
in the shape	5
xiv century was	5
tracery in the	5
round and pointed	5
knew how to	5
of the arch	5
the revival of	5
guy de la	5
england in the	5
is covered with	5
of the final	5
of the base	5
the point of	5
it had not	5
the genius of	5
abbot of the	5
of the xvii	5
by the use	5
architecture after the	5
the collegiate church	5
xi century the	5
of a vault	5
the spandrels of	5
of the features	5
of the palace	5
of christian doctrine	5
of the tracery	5
is that the	5
the points of	5
lecoy de la	5
bishop of noyon	5
flamboyant gothic church	5
this is the	5
columns and piers	5
renaissance en france	5
of pierre de	5
addition of a	5
at the east	5
the confines of	5
on the first	5
nord de la	5
the women of	5
symbols of the	5
des ducs de	5
collapse of the	5
a school of	5
the rebirth of	5
in the ix	5
head of the	5
cathedral has been	5
in france the	5
the architect was	5
with a large	5
and for the	5
built during the	5
queen of france	5
pierre at caen	5
details of the	5
cathedrals of the	5
from the ground	5
relics of the	5
they were not	5
as the first	5
cathedral of bordeaux	5
jean de matha	5
and there are	5
the last quarter	5
on the cathedral	5
hundred years later	5
we owe the	5
of the bird	5
tomb in the	5
be the most	5
which we have	5
the skill with	5
the clearstory of	5
the horizontal line	5
in which it	5
of paris was	5
the annals of	5
choir was completed	5
that he would	5
the requirements of	5
university of paris	5
the stones are	5
in the xix	5
close resemblance to	5
the eaves of	5
religieuse en france	5
with the cry	5
foundation stone of	5
its main parts	5
romanesque to gothic	5
his way to	5
stands at the	5
which they were	5
only a few	5
gothic art is	5
the patron of	5
a few miles	5
to start the	5
at his own	5
notice historique et	5
cathedral of meaux	5
of a tower	5
one of st	5
five great houses	5
appears in the	5
it is probable	5
a symbol of	5
cupola church of	5
gothic cathedral of	5
in the formation	5
at a time	5
nave and choir	5
half a century	5
are full of	5
and the netherlands	5
of the vaulting	5
to or up	5
of the triforium	5
friend of st	5
where there is	5
is attributed to	5
in this church	5
in the heart	5
to the choir	5
begun in the	5
the church in	5
of louis xiv	5
between the active	5
parts of a	5
the apse is	5
on the west	5
the lives of	5
the north and	5
statistique monumentale du	5
later than the	5
its stained glass	5
and of his	5
ambulatory of the	5
aspect of the	5
ornament from rheims	5
the western entrance	5
in the flat	5
built her cathedrals	5
the romanesque school	5
in the fourteenth	5
chapelle at paris	5
used by the	5
in the schools	5
era of the	5
gothic churches in	5
type of the	5
and women of	5
the most conspicuous	5
of the five	5
in a chapel	5
the dawn of	5
a close resemblance	5
in the sculpture	5
the best examples	5
of the revolution	5
de cent ans	5
the south arm	5
in this country	5
the title of	5
a great gothic	5
be referred to	5
the albigensian wars	5
guerre de cent	5
the same date	5
as a kind	5
in france are	5
prototype for the	5
be one of	5
perhaps the most	5
the surfaces of	5
it would seem	5
blood of the	5
it can be	5
was a pupil	5
in the former	5
and he had	5
of the xviii	5
miles to the	5
series of mouldings	5
housed in the	5
doors of the	5
it may have	5
may be named	5
that she was	5
on the marne	5
the grand canal	5
the arches of	5
was to become	5
the list of	5
at the cathedral	5
that part of	5
of the true	5
for a century	5
had come to	5
devoted to st	5
to do with	5
each bay of	5
and the bishop	5
the south tower	5
to the national	5
in the late	5
in many of	5
a canon of	5
replaced by the	5
church of aquitaine	5
a monk of	5
to destroy the	5
primary gothic church	5
in its choir	5
of its features	5
in any other	5
the care of	5
of laon cathedral	5
early th century	5
and xv centuries	5
to his own	5
base of the	5
in the golden	5
the principle of	5
greater part of	5
in spite of	5
the present edifice	5
the coming of	5
on each side	5
which would have	5
the maker of	5
not have been	5
at the entrance	5
than those of	5
of the period	5
images at the	5
a gothic cathedral	5
the romanesque choir	5
palais des papes	5
in the earlier	5
are the work	5
the imitation of	5
which it was	5
a forerunner of	5
last of the	5
eaves of the	5
in the renaissance	5
the same in	5
pointed arch was	5
is called a	5
walls of a	5
the early english	5
pier arcades of	5
of charles vii	5
he had a	5
from the early	5
many of these	5
the south portal	5
think that the	5
services were held	5
has its own	5
in french art	5
the meaning of	5
the founder of	5
not far away	5
in the year	5
of the principal	5
the western end	5
who designed the	5
great houses of	5
be called the	5
the renewal of	5
france and england	5
attached to the	5
of them are	5
feet in height	5
and one of	5
a vision of	5
as those at	5
of gothic sculpture	5
of those who	5
would seem to	5
cathedral of troyes	5
is probable that	5
that was to	5
by a gothic	5
it was thought	5
the outer aisle	5
made a school	5
stood on the	5
last quarter of	5
is a building	5
of philippe le	5
from westminster abbey	5
was carried to	5
the region of	5
nave is a	5
france and the	5
completion of the	5
the gothic palaces	5
the transept are	5
in which they	5
of the conqueror	5
that there was	5
top of the	5
transept is a	5
of the st	5
reconstructed in the	5
as it now	5
the northern arm	5
at the beginning	5
were used in	5
possesses its own	5
two hundred years	5
was made by	5
lower stories of	5
it should be	5
to lead to	5
for the king	5
under the northwest	5
bishop jean de	5
northwest tower of	5
statue of st	5
in the fifteenth	5
how france built	5
that the gothic	5
who was the	5
the openings are	5
the appearance of	5
of the archangel	5
the position of	5
of the oise	5
the village of	5
the sons of	5
arcade of the	5
the first bishop	5
the size of	5
the loss of	5
and so did	5
as it were	5
long as the	5
to the very	5
the canticle of	5
the site where	5
the seventeenth century	5
to feed the	5
the creation of	5
with which it	5
the hand of	5
the ancient church	5
mother of god	5
with the choir	5
in southern france	5
more than it	5
between the side	5
are covered by	5
of an arch	5
the apse and	5
made up of	5
the revolution the	5
may be seen	5
principles of gothic	5
the rue st	5
to pass into	5
the same type	5
led in the	5
as can be	5
and when he	5
are some of	5
the three western	5
in the thirteenth	5
than the choir	5
its own triforium	5
he proceeded to	5
in it were	5
over the crossing	5
the cathedrals at	5
robert the magnificent	5
of the soul	5
jean le bon	5
by one of	5
the choir screen	5
the same year	5
on the middle	5
portals of the	5
a chapel of	5
edifice of the	5
well as in	5
of the other	5
of france the	5
vitraux de la	5
of the lesser	5
in the vi	5
of the templars	5
to some extent	5
dame de paris	5
church dedicated to	5
there is something	5
play of light	5
side aisles of	5
began to be	5
a day when	5
it is known	5
certain number of	5
quadrangle of the	5
middle ages was	5
in memory of	5
the square east	5
of auxerre cathedral	5
archbishop of rouen	5
was not a	5
over the choir	5
its name from	5
was added to	5
in the piers	5
the v century	5
of the nation	5
schism of the	5
to read the	5
the abbatial at	5
in the western	5
the great gothic	5
view from the	5
be named as	5
as soon as	5
them to the	5
of france have	5
flamboyant gothic monuments	5
embedded in the	5
the perpendicular period	5
residence of the	5
stands on the	5
a flamboyant gothic	5
use in the	5
from notre dame	5
skill with which	5
from rheims cathedral	5
hands of the	5
consisting of a	5
crossing of the	5
is a noble	5
king of the	5
by the duke	5
de la renaissance	5
series of small	5
to the middle	5
when he came	5
of his church	5
gothic in the	5
guillaume de passavant	5
or up to	5
as the best	5
the upper choir	5
duke of bedford	5
is not so	5
we know that	5
at its best	5
the largest in	5
characteristics of the	5
close to the	5
the stone roof	5
theodore andreas cook	5
site of the	5
built the choir	5
before the close	5
it was begun	5
with the gothic	5
style in which	5
founded by the	5
of louis vii	5
of the louvre	5
the congregation of	5
to be made	5
by way of	5
of jean de	5
foundations of the	5
each with its	5
the old and	5
the paris school	5
to the bishop	5
the era of	5
there is the	5
the same architect	5
arcisse de caumont	5
is a large	5
of the finest	5
dedication of st	5
flying buttresses were	5
of the aisle	5
in the most	5
the chapter house	5
collegiate church of	5
of francis the	5
as are the	5
cistercian abbatial of	5
the clocher vieux	5
in the very	5
returned to the	5
corner stone of	5
as time went	5
of the land	5
projecting from the	5
it was he	5
remains of the	5
the place of	5
the prelate who	5
which are of	5
as to the	5
gothic architecture of	5
the windows in	5
of chartres cathedral	5
hour of the	5
are vestiges of	5
time went on	5
of churches and	5
the west towers	5
school of gothic	5
the gothic architects	5
on the outer	5
and the chapel	5
of the xix	5
crypt of st	5
of which he	5
and a choir	5
modeled on the	5
most beautiful tower	5
filled in with	5
of a high	5
that they are	5
the old testament	5
relics of st	5
in a building	5
classic and renaissance	5
of the spire	5
cathedral of clermont	5
passed into the	5
jean de berry	5
he and the	5
works of art	5
make use of	5
the imagery of	5
of this period	5
in that city	5
stone roof was	5
to its own	5
was destroyed in	5
as is the	5
the round arch	5
and the same	5
that from the	5
town hall at	5
the same height	5
own triforium and	5
of flamboyant art	5
merovingian and carolingian	5
collegiate of notre	5
westernmost bays were	5
he is said	5
by a series	5
in those days	5
bear a close	5
for the most	5
a sexpartite vault	5
of great size	5
at the louvre	5
by the middle	5
the new architecture	5
of the procession	5
who had known	5
was covered with	5
yved at braine	5
a stone roof	5
architect of st	5
he was born	5
for a new	5
in the twelfth	5
bishop eudes de	5
in the walls	5
field of honor	5
it is impossible	5
took place the	5
first line of	5
they are to	5
and radiating chapels	5
taste of the	5
the church the	5
a time when	5
his death in	5
gothic choir of	5
philippe le bon	5
between the two	5
a certain number	5
surface of the	5
of which it	5
of john the	5
what is called	5
in the wall	5
was laid the	5
arcades of the	5
chapel of navarre	5
his own expense	5
tradition says that	5
of the good	5
the choir were	5
judith of brittany	5
of romanesque art	5
use of diagonals	5
of norman romanesque	5
in rouen cathedral	5
the king to	5
at the apse	5
which we give	5
begun in by	5
was not yet	5
the iv century	5
notre dame is	5
some of which	5
in the development	5
sides of the	5
in the architecture	5
rebuilt in the	5
between it and	5
four hundred feet	5
of great beauty	5
cathedral in france	5
cult of the	5
were the first	5
door of the	5
to the ancient	5
the romanesque nave	5
was a man	5
church in the	5
the first plan	5
by abbot suger	5
one of which	5
back from the	5
by urban ii	5
as late as	5
when it is	5
of the newly	5
was made a	5
the siege of	5
the fate of	5
above the ground	5
proved by the	5
lighting of the	5
the double aisles	5
has already been	5
in lyons cathedral	5
the architect to	5
it was given	5
portion of a	5
specimen of the	5
book of hours	5
but they were	5
de la champagne	5
of this cathedral	5
et description de	5
the classic orders	5
of ground supports	5
perhaps it was	5
south arm of	5
the french throne	5
when he had	5
was a pioneer	5
is a masterpiece	5
the future louis	5
the holy city	5
a row of	5
the gothic principle	5
in the far	5
monks of cluny	5
the advance of	4
the cathedral church	4
of his life	4
town hall of	4
time it was	4
corners of the	4
windows are to	4
in french cathedrals	4
de la bourgogne	4
the spell of	4
a line of	4
gothic architecture was	4
of apogee gothic	4
side aisles are	4
raised above the	4
and fifty feet	4
stone of notre	4
century and a	4
and was the	4
they must have	4
the plantagenet gothic	4
ten years later	4
who led the	4
one on the	4
as in france	4
view of the	4
it was found	4
as if to	4
the first bay	4
the heavenly jerusalem	4
cathedral at florence	4
lover of the	4
the idea of	4
an apsidal chapel	4
the ermine of	4
during the xvi	4
in place of	4
depuis le xive	4
covered by an	4
of the saints	4
counts of champagne	4
use of a	4
to build the	4
man of his	4
basic forces that	4
divided into two	4
for the gothic	4
in the transition	4
by annibale lippi	4
end of th	4
in santa maria	4
of the heavenly	4
gothic choir was	4
in sens cathedral	4
to add to	4
dame at semur	4
in the village	4
canons of the	4
held the see	4
are the best	4
the first line	4
and so on	4
the founders of	4
early use of	4
the church to	4
begun in and	4
the time that	4
guidance of the	4
the triforium is	4
in by bishop	4
wiped out by	4
later in the	4
associated with the	4
church or cathedral	4
loved by the	4
little church of	4
appear in the	4
is impossible to	4
are the two	4
is made of	4
to serve as	4
die away in	4
at the corners	4
that open on	4
of its bishop	4
by bishop guillaume	4
right angles to	4
guillaume de sens	4
of the chevet	4
religieux du xiiie	4
first third of	4
was burned in	4
the first martyr	4
added in the	4
tour de beurre	4
on the loire	4
of which were	4
the foundation of	4
they are not	4
new choir of	4
centuries of the	4
the middle vessel	4
church which was	4
at one time	4
western front of	4
xii century and	4
the romanesque of	4
not yet twenty	4
there came to	4
rather than a	4
the biblia pauperum	4
church in which	4
four of the	4
addition to the	4
is devoted to	4
france a new	4
of this sort	4
the curving aisle	4
is at the	4
century was built	4
council of the	4
the deterioration of	4
greek and latin	4
the principles of	4
for the royal	4
the best in	4
some of these	4
of brittany and	4
was added the	4
archbishop of the	4
women of the	4
center from which	4
story of a	4
was soon to	4
the outer wall	4
whole of the	4
most beautiful of	4
best of the	4
plantagenet tombs at	4
that there is	4
us from the	4
of william of	4
resemblance to those	4
flat eastern wall	4
and the east	4
the west end	4
part of its	4
the crypt and	4
sernin at toulouse	4
his own cathedral	4
romanesque abbatial of	4
house of jaques	4
nephew of st	4
the new style	4
us to read	4
early renaissance corbel	4
those of st	4
the first step	4
from a frieze	4
the first days	4
those parts of	4
a ribbed cupola	4
a fifth rib	4
instead of a	4
down to us	4
cathedrals of clermont	4
be cited as	4
of the door	4
part of his	4
for twenty years	4
of the v	4
memorial of the	4
of his age	4
of his cathedral	4
down to the	4
have been impossible	4
chartres and bourges	4
the actual nave	4
the outline of	4
a building which	4
of the hill	4
the whole gothic	4
was the work	4
the memory of	4
the south side	4
in a style	4
half the height	4