Bibliographics

This is a table of authors, titles, dates and other bibliographic information; it is a list metadata describing the content of your study carrel. Think of it as your library.

id author title date words sentences pages cache text
work_7p7h7giinfamvfajtnitpsygia(:Unkn) UnknownChristian Mysteries in the Italian Renaissance: Typology and Syncretism in the Art of the Italian Renaissance202073608.04048.0321.0./cache/work_7p7h7giinfamvfajtnitpsygia.pdf./txt/work_7p7h7giinfamvfajtnitpsygia.txt
work_n7aqni2sybbwfgfs7q3coipra4(:Unkn) UnknownRogier van der Weyden: A Netherlandish Artist and the Ferrarese Court202015168.01090.067.0./cache/work_n7aqni2sybbwfgfs7q3coipra4.pdf./txt/work_n7aqni2sybbwfgfs7q3coipra4.txt
work_j7nmsf55djdspckwocsp3zum5eA. Gode-von AeschWilhelm Waiblinger in Italy195441158.04013.0117.0./cache/work_j7nmsf55djdspckwocsp3zum5e.pdf./txt/work_j7nmsf55djdspckwocsp3zum5e.txt
work_3utibwenwngcbow7ua6lgcwfcqA. MuravievЛ. И. ЖУРОВА, В. Ю. КРУТЕЦКИЙ, H. В. СИНИЦЫНА, Б. Л. Фонкич, К. ХВОСТОВА (изд.), Преподобный Максим Грек. Сочинения. Том I (Москва: «Индрик», 2008) 568 с. [Российская Акаде¬мия Наук: Институт Российской Истории, Сибирское отделение РАН: Институт Истории]20081192.099.03.0./cache/work_3utibwenwngcbow7ua6lgcwfcq.pdf./txt/work_3utibwenwngcbow7ua6lgcwfcq.txt
work_ruutfcfqgzbg3j5niezqauyrqiA. MuravievНина В. СИНИЦЫНА, Сказания о преподобном Максиме Греке (XVI-XVII вв.) (Москва: Издательство ПСТГУ, 2006) 136 с. [издание ПСТГУ-ИРИ РАН]2008735.068.02.0./cache/work_ruutfcfqgzbg3j5niezqauyrqi.pdf./txt/work_ruutfcfqgzbg3j5niezqauyrqi.txt
work_hovjdokejfachpds22cfi7zocuA. NichollsAdvances in Nephrology from the Necker Hospital1985789.0119.01.0./cache/work_hovjdokejfachpds22cfi7zocu.pdf./txt/work_hovjdokejfachpds22cfi7zocu.txt
work_ozxd2ionwbfhbelz65jugccfu4A.J. LeesFrom Neuron to Brain: A Cellular Approach to the Function of the Nervous System1985790.0122.01.0./cache/work_ozxd2ionwbfhbelz65jugccfu4.pdf./txt/work_ozxd2ionwbfhbelz65jugccfu4.txt
work_txfzmi2yobg6tnjfq7t2fa3n6aAbraham TamirInteraction Between Engineering, Science and Art20082049.0339.03.0./cache/work_txfzmi2yobg6tnjfq7t2fa3n6a.pdf./txt/work_txfzmi2yobg6tnjfq7t2fa3n6a.txt
work_bxudptucfjdi7cvg4vctjdnmuqAlan SangsterBook review: Double Entry: How the Merchants of Venice Shaped the Modern World and How their Invention could Make or Break the PlanetGleeson-WhiteJDouble Entry: How the Merchants of Venice Shaped the Modern World and How their Invention could Make or Break the Planet, Allen & Unwin: Sydney, 2011, 294 + viii pp.: ISBN: 978174175755220126117.0489.011.0./cache/work_bxudptucfjdi7cvg4vctjdnmuq.pdf./txt/work_bxudptucfjdi7cvg4vctjdnmuq.txt
work_fhxmds6jbfbo7jsidd7ibey7smAlbert C LewisAbstracts19812578.0503.05.0./cache/work_fhxmds6jbfbo7jsidd7ibey7sm.pdf./txt/work_fhxmds6jbfbo7jsidd7ibey7sm.txt
work_xmy75qtsgvhxbemie3hmgd6u6aAleksandar KadijevićThe house of Marko Stojanović (1885): The first independent work of architect Konstantin Jovanović in Belgrade202015447.02056.030.0./cache/work_xmy75qtsgvhxbemie3hmgd6u6a.pdf./txt/work_xmy75qtsgvhxbemie3hmgd6u6a.txt
work_mjpp5mayqrdhrezz5rgdde775eAleksandra BanjevićLexicological Influence through Language Contacts20193551.0259.08.0./cache/work_mjpp5mayqrdhrezz5rgdde775e.pdf./txt/work_mjpp5mayqrdhrezz5rgdde775e.txt
work_fmx4anp74vfd7ps34dqgsropbmAlessandro NovaRaphael and the redefinition of art in Renaissance Italy20193266.0154.06.0./cache/work_fmx4anp74vfd7ps34dqgsropbm.pdf./txt/work_fmx4anp74vfd7ps34dqgsropbm.txt
work_6a33e6ttvfh2plfrluqaheznaiAlexandra CarterReshaping Dance through Time: A Critical View of Historical Periodisation in Relation to Pedagogy and Research20094591.0396.013.0./cache/work_6a33e6ttvfh2plfrluqaheznai.pdf./txt/work_6a33e6ttvfh2plfrluqaheznai.txt
work_2hnsj5pbofa3rpnjg7kat4mecaAlison M. HarrisProsopagnosia20071641.0126.02.0./cache/work_2hnsj5pbofa3rpnjg7kat4meca.pdf./txt/work_2hnsj5pbofa3rpnjg7kat4meca.txt
work_oiuwmjfrgbcrlg3uj3oz7yziqmAllan LangdaleLinguistic Theories and Intellectual History in Michael Baxandall''s Giotto and the Orators20097796.0437.014.0./cache/work_oiuwmjfrgbcrlg3uj3oz7yziqm.pdf./txt/work_oiuwmjfrgbcrlg3uj3oz7yziqm.txt
work_ibwu6wgcavaypov5zrsbdhkq7uAmarí PeliowskiLa conquista de la naturaleza: el imaginario arquitectónico de Alonso de Ovalle en el siglo XVII20164871.0428.010.0./cache/work_ibwu6wgcavaypov5zrsbdhkq7u.pdf./txt/work_ibwu6wgcavaypov5zrsbdhkq7u.txt
work_iym3pjsemzdphla4lfngvq4efuAmelia Carolina SparavignaA Historical Discussion of Angular Momentum and its Euler Equation20154059.0385.05.0./cache/work_iym3pjsemzdphla4lfngvq4efu.pdf./txt/work_iym3pjsemzdphla4lfngvq4efu.txt
work_rwgjb345uvewhm5mvv6nlehezeAmelia Carolina SparavignaPortraits Of Leonardo Da Vinci20113740.01301.07.0./cache/work_rwgjb345uvewhm5mvv6nleheze.pdf./txt/work_rwgjb345uvewhm5mvv6nleheze.txt
work_4mn7mq6q2nfm3ocekkk6zfxqqiAmelia Carolina SparavignaThe orientation of the Kings Knot of Stirling Castle20151349.0105.04.0./cache/work_4mn7mq6q2nfm3ocekkk6zfxqqi.pdf./txt/work_4mn7mq6q2nfm3ocekkk6zfxqqi.txt
work_bwqd52xoybcllawprh6dckpvzeAmit OmIntegrating the Integumentary System with the Arts: A Review of Dermatologic Findings in Artwork2018144.026.0nan./cache/work_bwqd52xoybcllawprh6dckpvze.pdf./txt/work_bwqd52xoybcllawprh6dckpvze.txt
work_j6bb3dhd7fdphpdl3we6mi7eg4Andrea RizziLatin and Vernacular in Quattrocento Florence and Beyond: An Introduction20136163.0709.014.0./cache/work_j6bb3dhd7fdphpdl3we6mi7eg4.pdf./txt/work_j6bb3dhd7fdphpdl3we6mi7eg4.txt
work_4revxqlkmbe4pamtg5ni24qc2uAndrea RizziLeonardo Bruni and the Shimmering Facets of Languages in Early Quattrocento Florence20137171.0881.016.0./cache/work_4revxqlkmbe4pamtg5ni24qc2u.pdf./txt/work_4revxqlkmbe4pamtg5ni24qc2u.txt
work_c5qxoeff2faibmot6yx2c4l5laAndrea RizziMassimo Rospocher, Il papa guerriero: Giulio II nello spazio pubblico europeo, Bologna, Il Mulino, 201520171554.081.04.0./cache/work_c5qxoeff2faibmot6yx2c4l5la.pdf./txt/work_c5qxoeff2faibmot6yx2c4l5la.txt
work_c4asicxnznajxesvk5bugp6h7mAndrea UrbaniProteomics and renaissance: accounts of the V Italian Proteomics Association Congress, Florence 201020111382.0219.02.0./cache/work_c4asicxnznajxesvk5bugp6h7m.pdf./txt/work_c4asicxnznajxesvk5bugp6h7m.txt
work_xip6ysml5nhu7jpq5vpsweynhiAndrea VegliaMichael Silk, Ingo Gildenhard, Rosemary Barrow, The Classical Tradition: Art, Literature, Thought20141420.0113.03.0./cache/work_xip6ysml5nhu7jpq5vpsweynhi.pdf./txt/work_xip6ysml5nhu7jpq5vpsweynhi.txt
work_wdrxjtxdrnainozlqto6nz7yuiAndrei PopThe pinch of Expressionism in art history20152398.0108.05.0./cache/work_wdrxjtxdrnainozlqto6nz7yui.pdf./txt/work_wdrxjtxdrnainozlqto6nz7yui.txt
work_ftjj7sec7bhhbos7apltyvvtuiAndrew WearKatharine Park, Doctors and medicine in early renaissance Florence, Princeton University Press, 1985, 8vo, pp. xii, 298, £33.4019871453.084.02.0./cache/work_ftjj7sec7bhhbos7apltyvvtui.pdf./txt/work_ftjj7sec7bhhbos7apltyvvtui.txt
work_w7b7ykvomrbizhicuzzvwuc5siAndrée HayumThe 1902 exhibition, Les Primitifs flamands: scholarly fallout and art historical reflections20149325.0570.020.0./cache/work_w7b7ykvomrbizhicuzzvwuc5si.pdf./txt/work_w7b7ykvomrbizhicuzzvwuc5si.txt
work_wfqyk7gcknhtvh3nnbvwmo7somAnn-Sophie LehmannPamela H. Smith;, Amy R. W. Meyers;, Harold J. Cook (Editors). Ways of Making and Knowing: The Material Culture of Empirical Knowledge. (Bard Graduate Center Cultural Histories of the Material World.) xi + 430 pp., illus., table, bibl., index. Ann Arbor: University of Michigan Press, 2014. $60 (cloth)20151765.0125.03.0./cache/work_wfqyk7gcknhtvh3nnbvwmo7som.pdf./txt/work_wfqyk7gcknhtvh3nnbvwmo7som.txt
work_56nc3yc2lncbvphhqvqrsic6iqAnna KarolakExperimental investigations of timber beams with stop-splayed scarf carpentry joints20206068.0529.017.0./cache/work_56nc3yc2lncbvphhqvqrsic6iq.pdf./txt/work_56nc3yc2lncbvphhqvqrsic6iq.txt
work_m2f36fqj7bam3iaw2e7t7hydgqAnna KérchyInterview with Liliane Louvel20172863.0217.05.0./cache/work_m2f36fqj7bam3iaw2e7t7hydgq.pdf./txt/work_m2f36fqj7bam3iaw2e7t7hydgq.txt
work_33acxxkmznfkbgw4vudbsvznseAnne HoussayShaping and understanding sound: Violin makers, musicians and scientists from Renaissance to Romantism20083208.0215.05.0./cache/work_33acxxkmznfkbgw4vudbsvznse.pdf./txt/work_33acxxkmznfkbgw4vudbsvznse.txt
work_w545wb3iwvewllf6c2t5qxiay4Anthony V D''AntoniFederico di Montefeltro''s hyperkyphosis: a visual-historical case report20082661.0228.04.0./cache/work_w545wb3iwvewllf6c2t5qxiay4.pdf./txt/work_w545wb3iwvewllf6c2t5qxiay4.txt
work_pexfi5us2fdinhhrwu7zjh32uiAntonia Gatward CevizliAlireza Naser Eslami, ed., Incontri di civiltà nel Mediterraneo. L''Impero Ottomano e l''Italia del Rinascimento: Storia, arte e architettura. (Biblioteca dell''Archivum Romanicum, ser. 1, Storia, Letteratura, Paleografia 434.) Florence: Leo S. Olschki, 2014. Pp. 184; many color and 19 black-and-white figures. €25. ISBN: 97888-222-6364-3. https://www.olschki.it/static/data/Prosp/SP/2014/63643.pdf2018506.097.01.0./cache/work_pexfi5us2fdinhhrwu7zjh32ui.pdf./txt/work_pexfi5us2fdinhhrwu7zjh32ui.txt
work_ztam74ozsvd2fnxe47icvj5pkmAreli MarinaNigel Hiscock The Symbol at Your Door: Number and Geometry in Religious Architecture of the Greek and Latin Middle Ages20102327.0323.03.0./cache/work_ztam74ozsvd2fnxe47icvj5pkm.pdf./txt/work_ztam74ozsvd2fnxe47icvj5pkm.txt
work_bbhvsazkxzavhcgvimv2lgz3feAssad MeymandiHumanity, what will you choose-ominous impotence or omnipotence?2010144.025.0nan./cache/work_bbhvsazkxzavhcgvimv2lgz3fe.pdf./txt/work_bbhvsazkxzavhcgvimv2lgz3fe.txt
work_snwuc6o6z5c67pvtz7dwnwq6juAugusto LoniInsights on Funeral Practices and Insects Associated With the Tombs of King Ferrante II d''Aragona and Other Renaissance Nobles20195140.0600.08.0./cache/work_snwuc6o6z5c67pvtz7dwnwq6ju.pdf./txt/work_snwuc6o6z5c67pvtz7dwnwq6ju.txt
work_nxmwb5nqgvfp7k6dzf4wioefeqAustin Clarksonabstracts2019993.062.03.0./cache/work_nxmwb5nqgvfp7k6dzf4wioefeq.pdf./txt/work_nxmwb5nqgvfp7k6dzf4wioefeq.txt
work_zwzwjzfvkzbczohm4s2xhsqjluB. Deniz ATİLLACICERO, Murena Savunması. İstanbul 2016. Kabalcı Yayınevi, 243 sayfa. Çev. E. N. Akdoğdu Arca - M. Oktan. ISBN: 978605987235520161536.0225.04.0./cache/work_zwzwjzfvkzbczohm4s2xhsqjlu.pdf./txt/work_zwzwjzfvkzbczohm4s2xhsqjlu.txt
work_bkg2zwivxjd3bnu6imzeg3cztaB. G. MarinoDATA OPTIMIZATION FOR 3D MODELING AND ANALYSIS OF A FORTRESS ARCHITECTURE20193844.0306.05.0./cache/work_bkg2zwivxjd3bnu6imzeg3czta.pdf./txt/work_bkg2zwivxjd3bnu6imzeg3czta.txt
work_6gz4dwsda5ha3nr7yfkkaprpkyBarbara H. BerrieMining for Color: New Blues, Yellows, and Translucent Paint201510901.0873.027.0./cache/work_6gz4dwsda5ha3nr7yfkkaprpky.pdf./txt/work_6gz4dwsda5ha3nr7yfkkaprpky.txt
work_abyopwfy7bdqrmyjftzhera3taBenjamin SchewelPost-Secularism in a World-Historical Light: The Axial Age Thesis as an Alternative to Secularization20184563.0350.08.0./cache/work_abyopwfy7bdqrmyjftzhera3ta.pdf./txt/work_abyopwfy7bdqrmyjftzhera3ta.txt
work_be3khgmimzemfb2c64aluqvryiBernadett BajnócziArchaeometric characterization of 17th-century tin-glazed Anabaptist (Hutterite) faience artefacts from North-East-Hungary201413088.01538.037.0./cache/work_be3khgmimzemfb2c64aluqvryi.pdf./txt/work_be3khgmimzemfb2c64aluqvryi.txt
work_3r2nuqzigrab7f2wwf7zhiewvyBert ScholtensA critique on the theory of financial intermediation20003629.0248.09.0./cache/work_3r2nuqzigrab7f2wwf7zhiewvy.pdf./txt/work_3r2nuqzigrab7f2wwf7zhiewvy.txt
work_6gbywtxgtbatfaqnvshtpwbyveBiljana ArandjelovicBerlin between past, present and future20093628.0442.09.0./cache/work_6gbywtxgtbatfaqnvshtpwbyve.pdf./txt/work_6gbywtxgtbatfaqnvshtpwbyve.txt
work_hzwke6umhrfxbocnluw4wwbmliBoussy ZidanCross- Cultural Exchange Between the Islamic World and Europe (Iznik ceramic and Italian maiolica as a case study)201913123.01412.046.0./cache/work_hzwke6umhrfxbocnluw4wwbmli.pdf./txt/work_hzwke6umhrfxbocnluw4wwbmli.txt
work_qyqvrq7om5hm5mspqieyhs3kxuBranko MitrovićRuminations on the dark side: history of art as rage and denials200912767.0806.022.0./cache/work_qyqvrq7om5hm5mspqieyhs3kxu.pdf./txt/work_qyqvrq7om5hm5mspqieyhs3kxu.txt
work_cwwnowqwojggxomm4bklamgzuiBrendan LarvorWhat can the Philosophy of Mathematics Learn from the History of Mathematics?20087639.0545.015.0./cache/work_cwwnowqwojggxomm4bklamgzui.pdf./txt/work_cwwnowqwojggxomm4bklamgzui.txt
work_czhyll5jrjan5oak6m2a4uwp2iBrian jeffrey MaxsonKings and tyrants: Leonardo Bruni''s translation of Xenophon''sHiero201010160.0748.020.0./cache/work_czhyll5jrjan5oak6m2a4uwp2i.pdf./txt/work_czhyll5jrjan5oak6m2a4uwp2i.txt
work_64ceqmrdrjfhndvhflpjgfgur4Bruno BlondéIn ''splendid isolation''. A comparative perspective on the historiographies of the ''material renaissance'' and the ''consumer revolution''201513396.01372.021.0./cache/work_64ceqmrdrjfhndvhflpjgfgur4.pdf./txt/work_64ceqmrdrjfhndvhflpjgfgur4.txt
work_t23htd37fzavbmcylyujhzeutaBryan LefermanBook Review: Bronzino - Renaissance Painter As Poet20041584.090.04.0./cache/work_t23htd37fzavbmcylyujhzeuta.pdf./txt/work_t23htd37fzavbmcylyujhzeuta.txt
work_arludgr2yvfndhq4sgdsgwhgwmC. DoreStructural Simulations and Conservation Analysis -Historic Building Information Model (HBIM)20154193.0330.07.0./cache/work_arludgr2yvfndhq4sgdsgwhgwm.pdf./txt/work_arludgr2yvfndhq4sgdsgwhgwm.txt
work_qrgfwpeionck3mquhuuq3scbkuC. Guglieri RodriguezA comparative study of Hispano-Moorish and Italian Renaissance lustred majolicas by using X-ray absorption spectroscopy20155684.0711.07.0./cache/work_qrgfwpeionck3mquhuuq3scbku.pdf./txt/work_qrgfwpeionck3mquhuuq3scbku.txt
work_npormd7kbzcmxhkxpufdqjc2reC. PisuCLOUD GIS AND 3D MODELLING TO ENHANCE SARDINIAN LATE GOTHIC ARCHITECTURAL HERITAGE20134877.0376.06.0./cache/work_npormd7kbzcmxhkxpufdqjc2re.pdf./txt/work_npormd7kbzcmxhkxpufdqjc2re.txt
work_c4xeq4nfxzffrm6w5esboioqkaCAROL M. RICHARDSONSt Joseph, St Peter, Jean Gerson and the Guelphs20119813.0735.038.0./cache/work_c4xeq4nfxzffrm6w5esboioqka.pdf./txt/work_c4xeq4nfxzffrm6w5esboioqka.txt
work_qk36od2cbjdbfkp3iskax7fh24CarboniAn Ontological Approach to the Description of Visual and Iconographical Representations201914487.0865.020.0./cache/work_qk36od2cbjdbfkp3iskax7fh24.pdf./txt/work_qk36od2cbjdbfkp3iskax7fh24.txt
work_wc7xyrmcyjfdvcumwybolxql4uCarlo M. OrangesBody Contouring2016614.0122.0nan./cache/work_wc7xyrmcyjfdvcumwybolxql4u.pdf./txt/work_wc7xyrmcyjfdvcumwybolxql4u.txt
work_es5wgnmjdjemvobxhxrsjtdhyiCaterina CardamoneVarietas, Mediocritas and Annehmlichkeit: The Reception of the Classical Tradition in the Work of Josef Frank and Its Viennese Context202010611.01096.021.0./cache/work_es5wgnmjdjemvobxhxrsjtdhyi.pdf./txt/work_es5wgnmjdjemvobxhxrsjtdhyi.txt
work_hav2puxacjev3dq63pemt7wt5qCatherine L. HoweyCeremonial Culture in Pre-Modern Europe (review)20101290.068.04.0./cache/work_hav2puxacjev3dq63pemt7wt5q.pdf./txt/work_hav2puxacjev3dq63pemt7wt5q.txt
work_nxievuo4wbbyfozobtna32gqeiCatriona MacRaeWilma Elizabeth Gemmell2007144.026.0nan./cache/work_nxievuo4wbbyfozobtna32gqei.pdf./txt/work_nxievuo4wbbyfozobtna32gqei.txt
work_72767d3fu5fevg3uf5k3rbk7vuCecilia MuratoriFrom Animal Bodies To Human Souls: (Pseudo-)Aristotelian Animals in Della Porta''s Physiognomics201710617.0740.041.0./cache/work_72767d3fu5fevg3uf5k3rbk7vu.pdf./txt/work_72767d3fu5fevg3uf5k3rbk7vu.txt
work_gbma37pz4ndptjduyabnecbwuaCharlotte DrewThe colourful career of Sir. John Charles Robinson: collecting and curating at the early South Kensington Museum20187479.0348.016.0./cache/work_gbma37pz4ndptjduyabnecbwua.pdf./txt/work_gbma37pz4ndptjduyabnecbwua.txt
work_fstfhgvg6ve4tmxjs2xhbxq3taChitra SankaranMateriality, Devotion and Compromise: A Study of Goddess Films of South India201511283.01035.035.0./cache/work_fstfhgvg6ve4tmxjs2xhbxq3ta.pdf./txt/work_fstfhgvg6ve4tmxjs2xhbxq3ta.txt
work_bhtvuqlpirh2dijvcd6jc4dzlqChristopher S. Wood''Aby Warburg, Homo victor'' [A translation (back into English, and with some revisions) of the article that appeared in French: ''Aby Warburg, Homo victor'', in Cahiers du Musée national d''art moderne 118, 2011/12, 81-101]201411061.0687.024.0./cache/work_bhtvuqlpirh2dijvcd6jc4dzlq.pdf./txt/work_bhtvuqlpirh2dijvcd6jc4dzlq.txt
work_emm25ddpgvg2zb4zx4rvxhpfmaCorrado ConfalonieriQuale Virgilio? Note sul finale del "Furioso"20134786.0762.017.0./cache/work_emm25ddpgvg2zb4zx4rvxhpfma.pdf./txt/work_emm25ddpgvg2zb4zx4rvxhpfma.txt
work_qioebu6z4vgynitaulujxlfvuiD WishartConvention cities: Seattle1984144.025.0nan./cache/work_qioebu6z4vgynitaulujxlfvui.pdf./txt/work_qioebu6z4vgynitaulujxlfvui.txt
work_oteoyqdqpjburjcolcxqpgyjhyD. J. SIVETERThe Brady Medal20081538.096.04.0./cache/work_oteoyqdqpjburjcolcxqpgyjhy.pdf./txt/work_oteoyqdqpjburjcolcxqpgyjhy.txt
work_o44x43bfbjdufccy5dmzkaatsyDaniela del Pesco''The Italian Renaissance in the nineteenth century: revision, revival and return''. Review of: The Italian Renaissance in the Nineteenth Century. Revision, Revival and Return, edited by Lina Bolzoni and Alina Payne, I Tatti Research Series, 1, Harvard University Press-Officina Libraria, Milan 201820192677.0107.05.0./cache/work_o44x43bfbjdufccy5dmzkaatsy.pdf./txt/work_o44x43bfbjdufccy5dmzkaatsy.txt
work_dlope6rpsneh5dhqdzdooc4bz4David Cast''Vasari''s words''. Review of: Douglas Biow, Vasari''s Words: The Lives of the Artists as a History of Ideas in the Italian Renaissance, Cambridge University Press: Cambridge 201820191981.076.04.0./cache/work_dlope6rpsneh5dhqdzdooc4bz4.pdf./txt/work_dlope6rpsneh5dhqdzdooc4bz4.txt
work_zsdrzwz7ynb3vjqqn3733zemiuDavid H. PriceJacopo de'' Barbari: Künstlerschaft und Hofkultur um 1500. Beate Böckem. Studien zur Kunst 32. Cologne: Böhlau Verlag, 2016. 516 pp. €6520191465.097.03.0./cache/work_zsdrzwz7ynb3vjqqn3733zemiu.pdf./txt/work_zsdrzwz7ynb3vjqqn3733zemiu.txt
work_fd3cvpjtmbg3diaabq64drrwoyDavid MalkielRenaissance in the Graveyard: The Hebrew Tombstones of Padua and Ashkenazic Acculturation in Sixteenth-Century Italy – CORRIGENDUM2014600.0153.01.0./cache/work_fd3cvpjtmbg3diaabq64drrwoy.pdf./txt/work_fd3cvpjtmbg3diaabq64drrwoy.txt
work_mv3d5gxclzdchj7ijh4penhfbuDavide LazzeriA systematic reappraisal of the fifth finger in Renaissance paintings2014144.026.0nan./cache/work_mv3d5gxclzdchj7ijh4penhfbu.pdf./txt/work_mv3d5gxclzdchj7ijh4penhfbu.txt
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