This is a table of authors, titles, dates and other bibliographic information; it is a list metadata describing the content of your study carrel. Think of it as your library.
| id | author | title | date | words | sentences | pages | cache | text |
|---|---|---|---|---|---|---|---|---|
| work_nlh4f6mtb5dd5as7e2aloruwnq | (:Unkn) Unknown | Gender Construction and Manifestation in the Art of Elaine de Kooning | 2020 | 61141.0 | 4668.0 | 204.0 | ./cache/work_nlh4f6mtb5dd5as7e2aloruwnq.pdf | ./txt/work_nlh4f6mtb5dd5as7e2aloruwnq.txt |
| work_awwathv6evcmneedcv2oh6p46u | (:Unkn) Unknown | In Plain Sight: Queer Symbolism Encoded in the Works of Marsden Hartley, Robert Rauschenberg, and Jasper Johns | 2020 | 26002.0 | 1721.0 | 102.0 | ./cache/work_awwathv6evcmneedcv2oh6p46u.pdf | ./txt/work_awwathv6evcmneedcv2oh6p46u.txt |
| work_akchoj64rzaonfacx6etoiyo2i | (:Unkn) Unknown | Lloyd Ney''s "New London Facets:" Abstraction and Rebellion in the Section of Fine Arts | 2020 | 16589.0 | 1255.0 | 76.0 | ./cache/work_akchoj64rzaonfacx6etoiyo2i.pdf | ./txt/work_akchoj64rzaonfacx6etoiyo2i.txt |
| work_vta3jcg2ybgsrpqqs5y3fmvcai | (:Unkn) Unknown | ROTHKO AND ARCHITECTURE | 2020 | 74330.0 | 6387.0 | 324.0 | ./cache/work_vta3jcg2ybgsrpqqs5y3fmvcai.pdf | ./txt/work_vta3jcg2ybgsrpqqs5y3fmvcai.txt |
| work_s4nmvmo3vrhtjdxvhwh6srrd6e | (:Unkn) Unknown | Reframing Anna Ancher: Danish Symbolist, Modernist and Independent Artist | 2020 | 101495.0 | 8945.0 | 385.0 | ./cache/work_s4nmvmo3vrhtjdxvhwh6srrd6e.pdf | ./txt/work_s4nmvmo3vrhtjdxvhwh6srrd6e.txt |
| work_a3at6r67jbh6nkdwjyabv6c7nm | (:Unkn) Unknown | SPIRITED PATTERN AND DECORATION IN CONTEMPORARY BLACK ATLANTIC ART | 2020 | 96169.0 | 6683.0 | 367.0 | ./cache/work_a3at6r67jbh6nkdwjyabv6c7nm.pdf | ./txt/work_a3at6r67jbh6nkdwjyabv6c7nm.txt |
| work_ehn5tdmkezbuzbpjzsfpbykoti | A. Karl | Modernism''s Risky Business: Gertrude Stein, Sylvia Beach, and American Consumer Capitalism | 2008 | 11.0 | 2.0 | nan | ./cache/work_ehn5tdmkezbuzbpjzsfpbykoti.pdf | ./txt/work_ehn5tdmkezbuzbpjzsfpbykoti.txt |
| work_ca4su7c6qvhwlc65xubezqbyci | A.T. Bahill | Valid models require defined levels | 2008 | 9646.0 | 1569.0 | 20.0 | ./cache/work_ca4su7c6qvhwlc65xubezqbyci.pdf | ./txt/work_ca4su7c6qvhwlc65xubezqbyci.txt |
| work_x5tggs6f5fhwvbzukdjml34vga | Achilles Delari Junior | Sentidos do "drama" na perspectiva de Vigotski: um diálogo no limiar entre arte e psicologia | 2011 | 13811.0 | 1974.0 | 18.0 | ./cache/work_x5tggs6f5fhwvbzukdjml34vga.pdf | ./txt/work_x5tggs6f5fhwvbzukdjml34vga.txt |
| work_ak3bvlltpvbgdeam2hgigb7b3y | Agata Wójcik | 0149 Adolf Sandoz, an Orientalist Painter in Algeria | 2020 | 9351.0 | 689.0 | 24.0 | ./cache/work_ak3bvlltpvbgdeam2hgigb7b3y.pdf | ./txt/work_ak3bvlltpvbgdeam2hgigb7b3y.txt |
| work_3y2rhoskqjhtvo2fy4zlszsmga | Agness Philipps | Curriculum for sculptures of the human figure in secondary schools : an historical, critical, and studio approach | 1984 | 107947.0 | 27345.0 | 175.0 | ./cache/work_3y2rhoskqjhtvo2fy4zlszsmga.pdf | ./txt/work_3y2rhoskqjhtvo2fy4zlszsmga.txt |
| work_zfktmdjwcjebtaruajnp7rv7fm | Agnieszka Rożnowska-Jasiewicz | The importance of drawing – drawing as a means of seeking form | 2019 | 5818.0 | 584.0 | 8.0 | ./cache/work_zfktmdjwcjebtaruajnp7rv7fm.pdf | ./txt/work_zfktmdjwcjebtaruajnp7rv7fm.txt |
| work_aj72oub6uzbztkyiyfiqi623we | Ailbhe Ni Bhriain | Le Livre d''Artiste: Louis Brocquy and The Tain (1969) | 2001 | 5581.0 | 370.0 | 16.0 | ./cache/work_aj72oub6uzbztkyiyfiqi623we.pdf | ./txt/work_aj72oub6uzbztkyiyfiqi623we.txt |
| work_57jnzzlxrbbbxjys3tzysqqpva | Alberto Toutin | Tradición e Historia en Congar: Desafío y oportunidades para una renovación en la transmisión de la fe | 2011 | 9930.0 | 1376.0 | 24.0 | ./cache/work_57jnzzlxrbbbxjys3tzysqqpva.pdf | ./txt/work_57jnzzlxrbbbxjys3tzysqqpva.txt |
| work_6paqa7gsprf3xmsbi7cjmdeh6q | Aleksander Woźniak | Aleksander Woźniak, Conversation With Seiichiro Miida | 2018 | 4975.0 | 536.0 | 68.0 | ./cache/work_6paqa7gsprf3xmsbi7cjmdeh6q.pdf | ./txt/work_6paqa7gsprf3xmsbi7cjmdeh6q.txt |
| work_qjots3p23zbcjj237ykmtskq44 | Aleksandre P. Lobodanov | The Origins of Art | 2016 | 5898.0 | 508.0 | 12.0 | ./cache/work_qjots3p23zbcjj237ykmtskq44.pdf | ./txt/work_qjots3p23zbcjj237ykmtskq44.txt |
| work_wldge5m7xzadvmimvyo534snmm | Alessandro Cossu | Le poème de l''angle droit | 2019 | 1530.0 | 164.0 | 2.0 | ./cache/work_wldge5m7xzadvmimvyo534snmm.pdf | ./txt/work_wldge5m7xzadvmimvyo534snmm.txt |
| work_n3t7oh2ndjb2lkgbyhiw4iaaqi | Alwin de Rooij | Abstract Expressions of Affect | 2013 | 17866.0 | 1550.0 | 34.0 | ./cache/work_n3t7oh2ndjb2lkgbyhiw4iaaqi.pdf | ./txt/work_n3t7oh2ndjb2lkgbyhiw4iaaqi.txt |
| work_vfo3ftdjyzabxmai72jhoghaoy | Andrew Benjamin | Line, Colour, Drawing in Kant and Hegel | 2020 | 8063.0 | 535.0 | 20.0 | ./cache/work_vfo3ftdjyzabxmai72jhoghaoy.pdf | ./txt/work_vfo3ftdjyzabxmai72jhoghaoy.txt |
| work_ly4mhuowlvgwpmmkbxcca662nq | Andy Mason | Black and White in Ink: Discourses of Resistance in South African Cartooning | 2002 | 84860.0 | 6097.0 | 305.0 | ./cache/work_ly4mhuowlvgwpmmkbxcca662nq.pdf | ./txt/work_ly4mhuowlvgwpmmkbxcca662nq.txt |
| work_vyhfsz3n3baolbdnfpp52y4qba | Aneta Pawłowska | African Art: The Journey from Ethnological Collection to the Museum of Art | 2020 | 7636.0 | 757.0 | 16.0 | ./cache/work_vyhfsz3n3baolbdnfpp52y4qba.pdf | ./txt/work_vyhfsz3n3baolbdnfpp52y4qba.txt |
| work_2dmmx4xexfdvdcqd4iwlkkrknu | Angela Munteanu | PROMOTING NATIONAL IDENTITY IN STYLISTICS OF CONTEMPORARY ARCHITECTURE AND INTERIOR DESIGN | 2020 | 3865.0 | 297.0 | 11.0 | ./cache/work_2dmmx4xexfdvdcqd4iwlkkrknu.pdf | ./txt/work_2dmmx4xexfdvdcqd4iwlkkrknu.txt |
| work_i5dlnapo25h7hihycoz2ac46sm | Angela Nuovo | Aldo Manuzio a Los Angeles. La collezione Ahmanson-Murphy all''University of California Los Angeles | 2016 | 5648.0 | 957.0 | 24.0 | ./cache/work_i5dlnapo25h7hihycoz2ac46sm.pdf | ./txt/work_i5dlnapo25h7hihycoz2ac46sm.txt |
| work_cefvqcvuwvfwtdfzd6nxykqe5a | Anita Seppä | Globalisation and the arts: the rise of new democracy, or just another pretty suit for the old emperor? | 2010 | 522.0 | 114.0 | nan | ./cache/work_cefvqcvuwvfwtdfzd6nxykqe5a.pdf | ./txt/work_cefvqcvuwvfwtdfzd6nxykqe5a.txt |
| work_tybrqbanxvdfhigsb5mvq7fbv4 | Anna Mykoniati | Is Fake the new Original? | 2018 | 7330.0 | 513.0 | 9.0 | ./cache/work_tybrqbanxvdfhigsb5mvq7fbv4.pdf | ./txt/work_tybrqbanxvdfhigsb5mvq7fbv4.txt |
| work_67tu5iqqbbagtkzsoxc2dh3pxi | Anne Dymond | 0046 Valiant, Independent, and Harmonious: Paul Signac and Neo-Impressionism after 1900 | 2020 | 12024.0 | 812.0 | 22.0 | ./cache/work_67tu5iqqbbagtkzsoxc2dh3pxi.pdf | ./txt/work_67tu5iqqbbagtkzsoxc2dh3pxi.txt |
| work_hmeboxeqj5a7da3fd6mufvwxsu | Anneka Lenssen | Adham Ismaʿil''s Arabesque: The Making of Radical Arab Painting in Syria | 2017 | 23868.0 | 1587.0 | 39.0 | ./cache/work_hmeboxeqj5a7da3fd6mufvwxsu.pdf | ./txt/work_hmeboxeqj5a7da3fd6mufvwxsu.txt |
| work_xmkjis5dtjcqribkw7omt3eqtu | Asato Ikeda | Envisioning fascist space, time, and body : Japanese-painting during the Fifteen-Year War (1931-1945) | 2012 | 81181.0 | 6765.0 | 334.0 | ./cache/work_xmkjis5dtjcqribkw7omt3eqtu.pdf | ./txt/work_xmkjis5dtjcqribkw7omt3eqtu.txt |
| work_ni7xxyjxczg7riydjuyqkfa464 | Avinoam Shalem | What do we mean when we say "Islamic art"? A plea for a critical rewriting of the history of the arts of Islam | 2012 | 11318.0 | 683.0 | 18.0 | ./cache/work_ni7xxyjxczg7riydjuyqkfa464.pdf | ./txt/work_ni7xxyjxczg7riydjuyqkfa464.txt |
| work_2djdvrgasvfabehwsh7deeuecy | B. Gortais | Abstraction and art | 2003 | 144.0 | 27.0 | nan | ./cache/work_2djdvrgasvfabehwsh7deeuecy.pdf | ./txt/work_2djdvrgasvfabehwsh7deeuecy.txt |
| work_4xbni7w5cjdppgb4ahdjj25klm | B. Sibbald | CMAJ''s Salon: lateral thinking about health | 2007 | 721.0 | 76.0 | 1.0 | ./cache/work_4xbni7w5cjdppgb4ahdjj25klm.pdf | ./txt/work_4xbni7w5cjdppgb4ahdjj25klm.txt |
| work_jl3ufvuuwzacbac4s4k4slx7mi | Barbara A. Tenenbaum | At the Crossroads: Diego Rivera and His Patrons at MoMA, Rockefeller Center, and the Palace of Fine Arts. By Catha Paquette. Austin: University of Texas Press, 2017. 130 photos. Pp. 342. $95.00 cloth; $29.95 paper | 2018 | 1523.0 | 91.0 | 3.0 | ./cache/work_jl3ufvuuwzacbac4s4k4slx7mi.pdf | ./txt/work_jl3ufvuuwzacbac4s4k4slx7mi.txt |
| work_l6ssnchitneonfnevyfbhqirb4 | Barbara Lutz | Learning from Crisis? On the Transcultural Approach to Curating documenta 14 | 2018 | 14236.0 | 787.0 | 32.0 | ./cache/work_l6ssnchitneonfnevyfbhqirb4.pdf | ./txt/work_l6ssnchitneonfnevyfbhqirb4.txt |
| work_7qslytfy7nad3nx2aruejnbcpm | Beatriz Munoz-Seca | A Business Model for Cultural Services: Joint Design and Production of a Customer Experience | 2011 | 7923.0 | 677.0 | 16.0 | ./cache/work_7qslytfy7nad3nx2aruejnbcpm.pdf | ./txt/work_7qslytfy7nad3nx2aruejnbcpm.txt |
| work_p56ihlfhjzhkzday6l4kjgt2ca | Berardo Di Matteo | Art in Science: The Artist and The Disease: The Exemplary Cases of Renoir and Toulouse-Lautrec | 2017 | 2618.0 | 251.0 | 6.0 | ./cache/work_p56ihlfhjzhkzday6l4kjgt2ca.pdf | ./txt/work_p56ihlfhjzhkzday6l4kjgt2ca.txt |
| work_bnbvmodb6be2ppzezbtqjqw3fi | Bevil R. Conway | Color consilience: color through the lens of art practice, history, philosophy, and neuroscience | 2012 | 11962.0 | 1105.0 | 18.0 | ./cache/work_bnbvmodb6be2ppzezbtqjqw3fi.pdf | ./txt/work_bnbvmodb6be2ppzezbtqjqw3fi.txt |
| work_e6zohesjqrhqniazzesy4g2haq | Bevil R. Conway | Doing science making art | 2012 | 2162.0 | 165.0 | 3.0 | ./cache/work_e6zohesjqrhqniazzesy4g2haq.pdf | ./txt/work_e6zohesjqrhqniazzesy4g2haq.txt |
| work_uoa75hvy2vgahmm6shuafaifdy | Bevil R. Conway | Neuroaesthetics and the Trouble with Beauty | 2013 | 4513.0 | 436.0 | 6.0 | ./cache/work_uoa75hvy2vgahmm6shuafaifdy.pdf | ./txt/work_uoa75hvy2vgahmm6shuafaifdy.txt |
| work_jdm6sgbahngmjeztevuymgkami | Bouwen de Van Loghem | Tres artículos de Duiker. Berlage y la Nueva Objetividad. Manifiesto de Frank Lloyd Wright. Reseña del libro | 1995 | 9202.0 | 1368.0 | 16.0 | ./cache/work_jdm6sgbahngmjeztevuymgkami.pdf | ./txt/work_jdm6sgbahngmjeztevuymgkami.txt |
| work_3yc54oxe5vdnpi3vbhvzbv4d44 | Bruce Reynolds | The Persistence of Relief: Relief Sculpture in Contemporary Art | 2019 | 31282.0 | 2750.0 | 110.0 | ./cache/work_3yc54oxe5vdnpi3vbhvzbv4d44.pdf | ./txt/work_3yc54oxe5vdnpi3vbhvzbv4d44.txt |
| work_6gu5gx47urgpnlzz4uyj4fgunm | Béatrice Joyeux-Prunel | Peripheral Circulations, Transient Centralities: The International Geography of the Avant-Gardes in the Interwar Period (1918–1940) | 2018 | 12240.0 | 916.0 | 24.0 | ./cache/work_6gu5gx47urgpnlzz4uyj4fgunm.pdf | ./txt/work_6gu5gx47urgpnlzz4uyj4fgunm.txt |
| work_yc365vslyrdulcm7u7roacikku | C. Chalmers | Splendide Californie!: Selections by French Artists in California History, 1786-1900 | 2000 | 579.0 | 129.0 | nan | ./cache/work_yc365vslyrdulcm7u7roacikku.pdf | ./txt/work_yc365vslyrdulcm7u7roacikku.txt |
| work_3cwttq2vdvh6tclkclpefeprg4 | C. Feller | Case studies of soil in art | 2015 | 9692.0 | 697.0 | 17.0 | ./cache/work_3cwttq2vdvh6tclkclpefeprg4.pdf | ./txt/work_3cwttq2vdvh6tclkclpefeprg4.txt |
| work_xfy6bpxbrbdxxc34453jiwulp4 | C. Feller | From soil in art towards Soil Art | 2015 | 15622.0 | 2707.0 | 48.0 | ./cache/work_xfy6bpxbrbdxxc34453jiwulp4.pdf | ./txt/work_xfy6bpxbrbdxxc34453jiwulp4.txt |
| work_ticexmmmjfff5pxtsxdgogthsi | C.B Viner | The Formal Deviant: The Innovative Features of E. E. Cummings''s ''next to of course god america i'' | 2019 | 2734.0 | 278.0 | 5.0 | ./cache/work_ticexmmmjfff5pxtsxdgogthsi.pdf | ./txt/work_ticexmmmjfff5pxtsxdgogthsi.txt |
| work_rvnl5eeftvexvm36byxjk4pll4 | Caren M. Walker | Engagement in philosophical dialogue facilitates children''s reasoning about subjectivity | 2013 | 8597.0 | 811.0 | 12.0 | ./cache/work_rvnl5eeftvexvm36byxjk4pll4.pdf | ./txt/work_rvnl5eeftvexvm36byxjk4pll4.txt |
| work_uemeax6g7bguzeoedgmxdhiwzm | Carmen Rodríguez Pedret | Resurrection of Antoni Gaudí in Post-War Media. A Critical Chronology. 1945-1965 | 2019 | 15059.0 | 1296.0 | 32.0 | ./cache/work_uemeax6g7bguzeoedgmxdhiwzm.pdf | ./txt/work_uemeax6g7bguzeoedgmxdhiwzm.txt |
| work_li7f6zj7bfdnpkeofl3b3z7ufe | Carolyn Watts | America in the Transatlantic Imagination: The Ballets Russes and John Alden Carpenter''s Skyscrapers | 2015 | 40881.0 | 2867.0 | 131.0 | ./cache/work_li7f6zj7bfdnpkeofl3b3z7ufe.pdf | ./txt/work_li7f6zj7bfdnpkeofl3b3z7ufe.txt |
| work_52zqxwdayrfclchz2qt3qdtd6m | Clara Soudan | Spells of our inhabiting: transitioning from the spectre of Gnostic estrangement to a philosophy of entangled overflowing | 2020 | 86816.0 | 4809.0 | 269.0 | ./cache/work_52zqxwdayrfclchz2qt3qdtd6m.pdf | ./txt/work_52zqxwdayrfclchz2qt3qdtd6m.txt |
| work_z4q52f6clzchvc52apjamqwkmm | Claudia Chaseling | Spatial painting and the mutative perspective: how painting can breach spatial dimensions and transfer meaning through abstraction | 2019 | 4679.0 | 4620.0 | 167.0 | ./cache/work_z4q52f6clzchvc52apjamqwkmm.pdf | ./txt/work_z4q52f6clzchvc52apjamqwkmm.txt |
| work_evhxhw6tardqhcvso3buefaxcm | Colin C. Venters | Query by Colour : Investigating the Efficacy of Query Paradigms for Visual Information Retrieval | 2011 | 9664.0 | 825.0 | 24.0 | ./cache/work_evhxhw6tardqhcvso3buefaxcm.pdf | ./txt/work_evhxhw6tardqhcvso3buefaxcm.txt |
| work_sudnax3w2zhv5j4t6udqraxtv4 | Cora Ginsburg | Cora Ginsburg - Modern. A Catalogue of 20th century printed & woven textiles 2017 | 2018 | 7673.0 | 442.0 | 17.0 | ./cache/work_sudnax3w2zhv5j4t6udqraxtv4.pdf | ./txt/work_sudnax3w2zhv5j4t6udqraxtv4.txt |
| work_65vugdayivdkdd5irruqvmspfm | Cristina Silaghi | Plenitudes of Painting: Wilhelm Worringer and the Relationshipbetween Abstraction and Representation in European Paintingat the Beginning of the Twentieth Century | 2015 | 161020.0 | 11317.0 | 410.0 | ./cache/work_65vugdayivdkdd5irruqvmspfm.pdf | ./txt/work_65vugdayivdkdd5irruqvmspfm.txt |
| work_c6ettxiwdbdpvj3yiirl456fay | Csilla Markója | The modification of meaning: Cézanne, Hildebrand, Meier-Graefe and the problems of cultural transfer | 2019 | 10952.0 | 580.0 | 23.0 | ./cache/work_c6ettxiwdbdpvj3yiirl456fay.pdf | ./txt/work_c6ettxiwdbdpvj3yiirl456fay.txt |
| work_3kr63fmm5fcwzgwwtykns3m3te | D. Mangaiyarkarasi | Controlled blueshift of the resonant wavelength in porous silicon microcavities using ion irradiation | 2006 | nan | nan | nan | nan | nan |
| work_awuaiypxevbbrkuvv7uz4dejca | D. Mangaiyarkarasi | Porous silicon microcavities fabricated using ion irradiation | 2007 | nan | nan | nan | nan | nan |
| work_cpepy23c2nbcnddjdodrffvuqa | D. Raoult | Microbe Interactions Undermine Predictions | 2011 | 807.0 | 149.0 | nan | ./cache/work_cpepy23c2nbcnddjdodrffvuqa.pdf | ./txt/work_cpepy23c2nbcnddjdodrffvuqa.txt |
| work_evq7jwmjufa6pjlx3wsz3wzel4 | Damian Lizun | A preliminary study of Liu Kang''s palette and the discovery and interpretation of hidden paint layers | 2020 | 8928.0 | 1847.0 | 18.0 | ./cache/work_evq7jwmjufa6pjlx3wsz3wzel4.pdf | ./txt/work_evq7jwmjufa6pjlx3wsz3wzel4.txt |
| work_n5qsfhdyrrhsbexrn7ha2sxixu | Daniela Comelli | Time-Resolved Photoluminescence Microscopy for the Analysis of Semiconductor-Based Paint Layers | 2017 | 11354.0 | 852.0 | 16.0 | ./cache/work_n5qsfhdyrrhsbexrn7ha2sxixu.pdf | ./txt/work_n5qsfhdyrrhsbexrn7ha2sxixu.txt |
| work_4ygjgk5dwzgrrpfhf3exddce4a | Danne Jobin | Gerald Vizenor''s Transnational Aesthetics in Blue Ravens | 2019 | 9699.0 | 470.0 | 23.0 | ./cache/work_4ygjgk5dwzgrrpfhf3exddce4a.pdf | ./txt/work_4ygjgk5dwzgrrpfhf3exddce4a.txt |
| work_ox7suoy5fnejtnuey5pd7una6a | David Anfam | Retrato de uma ideia | 2011 | 2126.0 | 268.0 | 6.0 | ./cache/work_ox7suoy5fnejtnuey5pd7una6a.pdf | ./txt/work_ox7suoy5fnejtnuey5pd7una6a.txt |
| work_k5lw5nq3rvd7bayygaf3wqwigq | David W. Galenson | Masterpieces and Markets: Why the Most Famous Modern Paintings Are Not by American Artists | 2002 | 10967.0 | 927.0 | 40.0 | ./cache/work_k5lw5nq3rvd7bayygaf3wqwigq.pdf | ./txt/work_k5lw5nq3rvd7bayygaf3wqwigq.txt |
| work_jum53bzee5e4hg6h6rxwidrbvy | Deniz GÖKDUMAN | RESİM SANATINDA 1940-1960 YILLARI ARASINDA SOYUT DIŞAVURUMCU AKIMLAR | 2018 | 8318.0 | 1410.0 | 22.0 | ./cache/work_jum53bzee5e4hg6h6rxwidrbvy.pdf | ./txt/work_jum53bzee5e4hg6h6rxwidrbvy.txt |
| work_up4ci7mpprcj3jrphmcdymnbvm | Diogo Ponte | Carl Gustav Jung, Quantum Physics and the Spiritual Mind: A Mystical Vision of the Twenty-First Century | 2013 | 10295.0 | 694.0 | 18.0 | ./cache/work_up4ci7mpprcj3jrphmcdymnbvm.pdf | ./txt/work_up4ci7mpprcj3jrphmcdymnbvm.txt |
| work_fw5hn5vfkjbwfjszhpzvrlh7ry | Djordje Alfirevic | Visual expression in architecture | 2011 | 8450.0 | 1159.0 | 13.0 | ./cache/work_fw5hn5vfkjbwfjszhpzvrlh7ry.pdf | ./txt/work_fw5hn5vfkjbwfjszhpzvrlh7ry.txt |
| work_ff6mnzj25zegrct2ipe5o6jtxq | E. Pouyet | 2D X-ray and FTIR micro-analysis of the degradation of cadmium yellow pigment in paintings of Henri Matisse | 2015 | 9975.0 | 963.0 | 14.0 | ./cache/work_ff6mnzj25zegrct2ipe5o6jtxq.pdf | ./txt/work_ff6mnzj25zegrct2ipe5o6jtxq.txt |
| work_zojz72rwnbfbpltbb3t5fpjea4 | Elizabeth Gail Kirk | Neo-orientalism : ugly women and the Parisian avant-garde, 1905-1908 | 1988 | 132365.0 | 35526.0 | 164.0 | ./cache/work_zojz72rwnbfbpltbb3t5fpjea4.pdf | ./txt/work_zojz72rwnbfbpltbb3t5fpjea4.txt |
| work_bmag6nnf4fd2zpweha7tgjnqqi | Eneus Trindade Barreto | Counterfeit and their museums: observation of the aesthetic categories of the pirate consumption | 2013 | 5643.0 | 781.0 | 20.0 | ./cache/work_bmag6nnf4fd2zpweha7tgjnqqi.pdf | ./txt/work_bmag6nnf4fd2zpweha7tgjnqqi.txt |
| work_oeovey4y7zbtfhtvvmpdl2nice | Enrique Solanich Sotomayor | Escultura pública y la cúpula de la Basílica de Lourdes de Santiago | 2006 | 2504.0 | 335.0 | 12.0 | ./cache/work_oeovey4y7zbtfhtvvmpdl2nice.pdf | ./txt/work_oeovey4y7zbtfhtvvmpdl2nice.txt |
| work_zksgqxtqoffpjoe736e7lerjd4 | Esranur Kılınç | İNÖNÜ ÜNİVERSİTESİ SOSYAL BİLİMLERİ ENSTİTÜSÜ ÖZNE-NESNE İLİŞKİSİ BAĞLAMINDA PSİKODİNAMİK YAKLAŞIMLARIN İMGELEM YOLUYLA GERÇEKÜSTÜ RESİMSEL ANLAMLANDIRMALARI | 2019 | 35316.0 | 5639.0 | 169.0 | ./cache/work_zksgqxtqoffpjoe736e7lerjd4.pdf | ./txt/work_zksgqxtqoffpjoe736e7lerjd4.txt |
| work_22zh7shbzrflfep4wo6tsx77lu | Eva Malisius | Creativity takes courage: Integrating video assignments into academic courses and blended programs | 2018 | 7224.0 | 533.0 | 21.0 | ./cache/work_22zh7shbzrflfep4wo6tsx77lu.pdf | ./txt/work_22zh7shbzrflfep4wo6tsx77lu.txt |
| work_kbtwahs5nvguvnprpzlsfkwt3q | Evan Kowalski | Impairment and Disability: Renoir''s Adaptive Coping Strategies against Rheumatoid Arthritis | 2012 | 144.0 | 25.0 | nan | ./cache/work_kbtwahs5nvguvnprpzlsfkwt3q.pdf | ./txt/work_kbtwahs5nvguvnprpzlsfkwt3q.txt |
| work_y42a4nbndnbzljk5umufzjodta | Evrim Emir-Sayers | Gauging Proximities: An Inquiry into a Possible Nexus between Middle Eastern and Western Painting | 2014 | 4076.0 | 287.0 | 11.0 | ./cache/work_y42a4nbndnbzljk5umufzjodta.pdf | ./txt/work_y42a4nbndnbzljk5umufzjodta.txt |
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| work_6zmwsbf2ofgqzj4o3nh3gp6vce | Frances Buchanan | Distributed aggregation of heterogeneous Web-based Fine Art Information: enabling multi-source accessibility and curation | 2015 | 11171.0 | 749.0 | 17.0 | ./cache/work_6zmwsbf2ofgqzj4o3nh3gp6vce.pdf | ./txt/work_6zmwsbf2ofgqzj4o3nh3gp6vce.txt |
| work_dmclryopmbc2ljdtxp7haskoty | Francesco Carelli | ''Painting with scissors'': Matisse and creativity in illness | 2014 | 144.0 | 26.0 | nan | ./cache/work_dmclryopmbc2ljdtxp7haskoty.pdf | ./txt/work_dmclryopmbc2ljdtxp7haskoty.txt |
| work_asooqphl2za3bostk6uorwuxqy | François Fédier | En torno a El Origen de la obra de arte de Martin Heidegger | 2016 | 5395.0 | 692.0 | 11.0 | ./cache/work_asooqphl2za3bostk6uorwuxqy.pdf | ./txt/work_asooqphl2za3bostk6uorwuxqy.txt |
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| work_isggktgsl5gw5fxih43evvgpei | Gergely Barki | 0090 The Steins and the Hungarians | 2020 | 14959.0 | 1346.0 | 29.0 | ./cache/work_isggktgsl5gw5fxih43evvgpei.pdf | ./txt/work_isggktgsl5gw5fxih43evvgpei.txt |
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| work_7o5vcdq4frblpbcmzvgvtuh5nq | Gul ERBAY ASLITURK | 20. YÜZYIL RESİM VE HEYKELLERİNİN YUNAN MİTOLOJİSİ VE İKİCİLİK KAVRAMI AÇISINDAN DEĞERLENDİRİLMESİNE YÖNELİK BİR ARAŞTIRMA | 2016 | 7787.0 | 1362.0 | 36.0 | ./cache/work_7o5vcdq4frblpbcmzvgvtuh5nq.pdf | ./txt/work_7o5vcdq4frblpbcmzvgvtuh5nq.txt |
| work_pgbyrtel4fbubhglbnokwwoxbm | GÜLDEREN GÖRENEK | MODERN SANAT | 2020 | 4998.0 | 845.0 | 13.0 | ./cache/work_pgbyrtel4fbubhglbnokwwoxbm.pdf | ./txt/work_pgbyrtel4fbubhglbnokwwoxbm.txt |
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| work_q4az75f22fdihf7jx5zocsf3we | Ian Charles Ahles | The Music of Phillip Houghton: Interpreting the Influence of Visual Art Works in his Compositions | 2019 | 26365.0 | 3366.0 | 111.0 | ./cache/work_q4az75f22fdihf7jx5zocsf3we.pdf | ./txt/work_q4az75f22fdihf7jx5zocsf3we.txt |
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| work_gkiht3f6dvf77dt2snzzol4f6i | Jacques E.C. Hymans | The Changing Color of Money: European Currency Iconography and Collective Identity | 2004 | 70.0 | 13.0 | nan | ./cache/work_gkiht3f6dvf77dt2snzzol4f6i.pdf | ./txt/work_gkiht3f6dvf77dt2snzzol4f6i.txt |
| work_i6wyhdtt2rfztm27clqz7t7uc4 | Jae-Cheol Moon | Modernist painting style in Disney animation | 2013 | 4784.0 | 1299.0 | 23.0 | ./cache/work_i6wyhdtt2rfztm27clqz7t7uc4.pdf | ./txt/work_i6wyhdtt2rfztm27clqz7t7uc4.txt |
| work_gtdysu3cofhs5e2mhztywvtw2a | James Tanaka | The role of color in high-level vision | 2001 | 4192.0 | 358.0 | 5.0 | ./cache/work_gtdysu3cofhs5e2mhztywvtw2a.pdf | ./txt/work_gtdysu3cofhs5e2mhztywvtw2a.txt |
| work_dur6qvtlwzgphd6wtjn6o6amuq | Janet T. Marquardt | Defining French ''Romanesque'': the Zodiaque series | 2009 | 7057.0 | 389.0 | 15.0 | ./cache/work_dur6qvtlwzgphd6wtjn6o6amuq.pdf | ./txt/work_dur6qvtlwzgphd6wtjn6o6amuq.txt |
| work_rtk3f7jgx5dgdhhfqyfffkueya | Janice Baker | Arcadian modernism and national identity: The ''Murdoch press'' and the 1939 Australian Herald ''Exhibition of French and British Contemporary Art'' | 2013 | 6260.0 | 355.0 | 10.0 | ./cache/work_rtk3f7jgx5dgdhhfqyfffkueya.pdf | ./txt/work_rtk3f7jgx5dgdhhfqyfffkueya.txt |
| work_wepcc2uehrdjpgy2hh77oyam54 | Jasmine Pearl Cress | Plants in Change : agency | aesthetics | globalization | managment | 2020 | 43923.0 | 5558.0 | 120.0 | ./cache/work_wepcc2uehrdjpgy2hh77oyam54.pdf | ./txt/work_wepcc2uehrdjpgy2hh77oyam54.txt |
| work_o25d35eu3jhvtmxkmdid5hqb7e | Jean-François Staszak | Primitivism and the other. History of art and cultural geography | 2004 | 811.0 | 191.0 | nan | ./cache/work_o25d35eu3jhvtmxkmdid5hqb7e.pdf | ./txt/work_o25d35eu3jhvtmxkmdid5hqb7e.txt |
| work_rkdu3oxhwre2revmkg6rfyn7me | Jeff Kramer | Is abstraction the key to computing? | 2007 | 5381.0 | 488.0 | 6.0 | ./cache/work_rkdu3oxhwre2revmkg6rfyn7me.pdf | ./txt/work_rkdu3oxhwre2revmkg6rfyn7me.txt |
| work_r4snsamedncdre4fldvz5bbb6i | Jennifer Mass | SR-FTIR imaging of the altered cadmium sulfide yellow paints in Henri Matisse''s Le Bonheur de vivre (1905–6) – examination of visually distinct degradation regions | 2013 | 10924.0 | 1581.0 | 12.0 | ./cache/work_r4snsamedncdre4fldvz5bbb6i.pdf | ./txt/work_r4snsamedncdre4fldvz5bbb6i.txt |
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| work_zo6j6bkr55dcfgevn7xicimila | Jeremy J. Kramer | Specters of the vessel : Sōdeisha, Isamu Noguchi, and nonfunctional ceramic art in postwar Japan | 2020 | 17825.0 | 1189.0 | 68.0 | ./cache/work_zo6j6bkr55dcfgevn7xicimila.pdf | ./txt/work_zo6j6bkr55dcfgevn7xicimila.txt |
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| work_zeqqiyzq6bbuvfyzsse3b7w5gm | Jonathan Koestlé-Cate | Secular Pegs and God-Shaped Holes | 2012 | 7178.0 | 465.0 | 20.0 | ./cache/work_zeqqiyzq6bbuvfyzsse3b7w5gm.pdf | ./txt/work_zeqqiyzq6bbuvfyzsse3b7w5gm.txt |
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| work_xj23nld4g5bvtmbyl3epakp2pi | Josephine Berry | On a Walkway to Hell: Vantages on Art and Life''s Exhaustion | 2020 | 7076.0 | 391.0 | 21.0 | ./cache/work_xj23nld4g5bvtmbyl3epakp2pi.pdf | ./txt/work_xj23nld4g5bvtmbyl3epakp2pi.txt |
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| work_lzapa7ym3rac3gium7fbirfhcm | Julie-Anne Milinski | The Botanical within the Built: Visual Art and Urban Botany | 2018 | 53653.0 | 4241.0 | 211.0 | ./cache/work_lzapa7ym3rac3gium7fbirfhcm.pdf | ./txt/work_lzapa7ym3rac3gium7fbirfhcm.txt |
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| work_scaivxdlb5fpdm3cdpazcpfrta | Kai Lei | A landscape approach towards ecological restoration and sustainable development of mining areas | 2016 | 7366.0 | 1015.0 | 11.0 | ./cache/work_scaivxdlb5fpdm3cdpazcpfrta.pdf | ./txt/work_scaivxdlb5fpdm3cdpazcpfrta.txt |
| work_glgzrbza2fgnxg7j7wpxpqieum | Karen Linda Sens | A discussion of the stylistic development in the dated oil paintings of Lionel Lemoine Fitzgerald (1890-1956) | 1978 | 35527.0 | 3936.0 | 139.0 | ./cache/work_glgzrbza2fgnxg7j7wpxpqieum.pdf | ./txt/work_glgzrbza2fgnxg7j7wpxpqieum.txt |
| work_q4va5r55pjaxnevd44bxqudwd4 | Kate Kangaslahti | Painting the National Portrait: Retrospective Exhibitions of French and Italian Art in the 1930''s | 2015 | 29438.0 | 2360.0 | 76.0 | ./cache/work_q4va5r55pjaxnevd44bxqudwd4.pdf | ./txt/work_q4va5r55pjaxnevd44bxqudwd4.txt |
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| work_powd6hp7prekhfalihfvqzntau | Kelvin Chuah | Instant Malaysia: Imagining a Nation at the Commonwealth Institute | 2019 | 59697.0 | 6271.0 | 113.0 | ./cache/work_powd6hp7prekhfalihfvqzntau.pdf | ./txt/work_powd6hp7prekhfalihfvqzntau.txt |
| work_dekvm2hchje3pl33tpeoosmn4e | Kim Pilkjær Simonsen | Formation of zinc oxalate from zinc white in various oil binding media: the influence of atmospheric carbon dioxide by reaction with 13CO2 | 2020 | 7528.0 | 692.0 | 11.0 | ./cache/work_dekvm2hchje3pl33tpeoosmn4e.pdf | ./txt/work_dekvm2hchje3pl33tpeoosmn4e.txt |
| work_dt5lpkr3zrgsvhuvb4ouu72zji | Koreen Ramessar | Trace and traceability—a call for regulatory harmony | 2008 | 3712.0 | 484.0 | 4.0 | ./cache/work_dt5lpkr3zrgsvhuvb4ouu72zji.pdf | ./txt/work_dt5lpkr3zrgsvhuvb4ouu72zji.txt |
| work_blnkiy37nrd2dblh35dqg6dd3q | Kubilay Aktulum | METİNSEL TÜRSELLİK VE MODA Metinlerarasılık - Giysilerarasılık - Üstgiysisellik | 2019 | 11731.0 | 1674.0 | 37.0 | ./cache/work_blnkiy37nrd2dblh35dqg6dd3q.pdf | ./txt/work_blnkiy37nrd2dblh35dqg6dd3q.txt |
| work_vwzxskvxkjh65mruup4zx7no5e | Kurt Siehr | CHRONICLES 2005 (January 1, 2005–December 31, 2005) | 2006 | 23572.0 | 2142.0 | 75.0 | ./cache/work_vwzxskvxkjh65mruup4zx7no5e.pdf | ./txt/work_vwzxskvxkjh65mruup4zx7no5e.txt |
| work_xftlvbuar5hnxa5ldohw6z2zmy | Kurt Siehr | CHRONICLES: January 1, 2006–December 31, 2006 | 2007 | 23950.0 | 2197.0 | 74.0 | ./cache/work_xftlvbuar5hnxa5ldohw6z2zmy.pdf | ./txt/work_xftlvbuar5hnxa5ldohw6z2zmy.txt |
| work_ymrfq2x54vbrxpaj6zsy6nfrzq | Kurt Siehr | January 1, 2009–December 31, 2009 | 2010 | 20106.0 | 1791.0 | 62.0 | ./cache/work_ymrfq2x54vbrxpaj6zsy6nfrzq.pdf | ./txt/work_ymrfq2x54vbrxpaj6zsy6nfrzq.txt |
| work_dqud2adhprei3jnj4zdro365pa | Laura Giacopetti | First principles study of the optical emission of cadmium yellow: Role of cadmium vacancies | 2018 | 4058.0 | 373.0 | 8.0 | ./cache/work_dqud2adhprei3jnj4zdro365pa.pdf | ./txt/work_dqud2adhprei3jnj4zdro365pa.txt |
| work_npqenegou5ejphlebsmz7lmupm | Laura Moure Cecchini | The "Mostra del Quarantennio" and the Canon of Modern Art at the Venice Biennale in the Interwar Period | 2015 | 12405.0 | 1112.0 | 35.0 | ./cache/work_npqenegou5ejphlebsmz7lmupm.pdf | ./txt/work_npqenegou5ejphlebsmz7lmupm.txt |
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