Bibliographics

This is a table of authors, titles, dates and other bibliographic information; it is a list metadata describing the content of your study carrel. Think of it as your library.

id author title date words sentences pages cache text
work_7nl4pggmlzfubo7v7oqam4vsfuA. Alonso-HerreroProbing the nuclear and circumnuclear activity of NGC 1365 in the infrared201213980120714.0./cache/work_7nl4pggmlzfubo7v7oqam4vsfu.pdf./txt/work_7nl4pggmlzfubo7v7oqam4vsfu.txt
work_rusqv4ak7ndpzcdmwrid6bvn5qA. GlassnerDigital Cubism, Part 22004737966712.0./cache/work_rusqv4ak7ndpzcdmwrid6bvn5q.pdf./txt/work_rusqv4ak7ndpzcdmwrid6bvn5q.txt
work_thnn5gbdwfgt7aqwfjrvgmraaeA. HillModern symmetry198959147665.0./cache/work_thnn5gbdwfgt7aqwfjrvgmraae.pdf./txt/work_thnn5gbdwfgt7aqwfjrvgmraae.txt
work_54uuqx2a6bgztdciommetdxqqeA. PhillipsClose-Ups200439442109.0./cache/work_54uuqx2a6bgztdciommetdxqqe.pdf./txt/work_54uuqx2a6bgztdciommetdxqqe.txt
work_t4al4kwsgnfthgjbtvrr7a3guqAdrian FurnhamPersonality and art preferences198841673665.0./cache/work_t4al4kwsgnfthgjbtvrr7a3guq.pdf./txt/work_t4al4kwsgnfthgjbtvrr7a3guq.txt
work_kkawku2ud5bavh55imxvlgnotiAgnesa Muharremi- KastratiFrom Expressionism to Kosovo`s Abstract Expressionism201918391395.0./cache/work_kkawku2ud5bavh55imxvlgnoti.pdf./txt/work_kkawku2ud5bavh55imxvlgnoti.txt
work_yifpnnihtbeghnthvbigq4moauAlan E. H. EmeryHow Neurological Disease Can Affect an Artist''s Work200425487006.0./cache/work_yifpnnihtbeghnthvbigq4moau.pdf./txt/work_yifpnnihtbeghnthvbigq4moau.txt
work_45vralls3zgxxpgyyzmd525shmAlan LessemALAN M. GILLMOR. Erik Satie. Boston: Twayne Publishers, 1988. xxvi. 387 pp198817441434.0./cache/work_45vralls3zgxxpgyyzmd525shm.pdf./txt/work_45vralls3zgxxpgyyzmd525shm.txt
work_3p2ettibkvcq3mm5kvl25a6a34Alex ForsytheWhat paint can tell us: A fractal analysis of neurological changes in seven artists20171167249nan./cache/work_3p2ettibkvcq3mm5kvl25a6a34.pdf./txt/work_3p2ettibkvcq3mm5kvl25a6a34.txt
work_f7rrehowdndh7ns7o46vhho754Alkim Almila Akdağ SalahTechnoscience art: A bridge between neuroesthetics and art history?200888736029.0./cache/work_f7rrehowdndh7ns7o46vhho754.pdf./txt/work_f7rrehowdndh7ns7o46vhho754.txt
work_mt4o2ktwjzdgnbh5krlv3jcd5uAlmudena Alonso-HerreroLocal luminous infrared galaxies: Spatially resolved mid-infrared observations with Spitzer/IRS201011284100213.0./cache/work_mt4o2ktwjzdgnbh5krlv3jcd5u.pdf./txt/work_mt4o2ktwjzdgnbh5krlv3jcd5u.txt
work_7etyy4mhgfdaxc7yg4oxiu4srqAmr ElsherifSplit Consciousness and the Poetics of Inauthenticity: Reading Anatole Broyard''s Kafka Was the Rage2017961362221.0./cache/work_7etyy4mhgfdaxc7yg4oxiu4srq.pdf./txt/work_7etyy4mhgfdaxc7yg4oxiu4srq.txt
work_44kggqrnunagpjmp7qn7hdlh5eAmy KirschkeThe Burden of Black Womanhood: Aaron Douglas and the "Apogée of Beauty"2010494039121.0./cache/work_44kggqrnunagpjmp7qn7hdlh5e.pdf./txt/work_44kggqrnunagpjmp7qn7hdlh5e.txt
work_bufuqwaijjgplg2qvjp5a4k5veAndrea SelingerA Perceptual Grouping Hierarchy for Appearance-Based 3D Object Recognition19991037207nan./cache/work_bufuqwaijjgplg2qvjp5a4k5ve.pdf./txt/work_bufuqwaijjgplg2qvjp5a4k5ve.txt
work_wdrxjtxdrnainozlqto6nz7yuiAndrei PopThe pinch of Expressionism in art history201523981085.0./cache/work_wdrxjtxdrnainozlqto6nz7yui.pdf./txt/work_wdrxjtxdrnainozlqto6nz7yui.txt
work_wz6sll35mvgtbb5iyokfxzvhpeAndrew S. BrierleyAntarctic Ecosystem: Are Deep Krill Ecological Outliers or Portents of a Paradigm Shift?200830732343.0./cache/work_wz6sll35mvgtbb5iyokfxzvhpe.pdf./txt/work_wz6sll35mvgtbb5iyokfxzvhpe.txt
work_rc4axzqwangyhivj6lpzqv43fmAngela Khristin BrownCulture Shock201328772623.0./cache/work_rc4axzqwangyhivj6lpzqv43fm.pdf./txt/work_rc4axzqwangyhivj6lpzqv43fm.txt
work_c6zvkubskfefhg5allbia5rzmaAngeria Rigamonti di CutòStaging the Modernist Self: The Self-Portraits of William Orpen2012992960114.0./cache/work_c6zvkubskfefhg5allbia5rzma.pdf./txt/work_c6zvkubskfefhg5allbia5rzma.txt
work_ue2m6yg5yjgqnfqktnrl5m7iuaAnne-Sophie BoriesSex, Wine and Statelessness: Apollinaire''s Verse without Borders in ''Vendémiaire''2019759259213.0./cache/work_ue2m6yg5yjgqnfqktnrl5m7iua.pdf./txt/work_ue2m6yg5yjgqnfqktnrl5m7iua.txt
work_nnbijx2rmnfpnnlhpn2lagnxwaAnonymousVisual agnosia201221473493.0./cache/work_nnbijx2rmnfpnnlhpn2lagnxwa.pdf./txt/work_nnbijx2rmnfpnnlhpn2lagnxwa.txt
work_geqtmszy6nhkdfeupzkzylbkseAntonello E ScorcuThe "Right" Price for Art Collectibles:A Quantile Hedonic Regression Investigation of Picasso Paintings20115029102022.0./cache/work_geqtmszy6nhkdfeupzkzylbkse.pdf./txt/work_geqtmszy6nhkdfeupzkzylbkse.txt
work_o7owrp72tvbaxcppojums7hyqeAparna VinodEnhancing Security of Image by Steganography using Reversible Texture Synthesis201731412894.0./cache/work_o7owrp72tvbaxcppojums7hyqe.pdf./txt/work_o7owrp72tvbaxcppojums7hyqe.txt
work_4qh2yj2crffy5cmn7ad6fpmlbyApoorva AjmeraRole of Geometry on Architecture202049204126.0./cache/work_4qh2yj2crffy5cmn7ad6fpmlby.pdf./txt/work_4qh2yj2crffy5cmn7ad6fpmlby.txt
work_mvyqwq4y4beudminxgzis3uuxmApril BooneWilliam Carlos Williams''s The Great American Novel: Flamboyance and the Beginning of Art20061142367126.0./cache/work_mvyqwq4y4beudminxgzis3uuxm.pdf./txt/work_mvyqwq4y4beudminxgzis3uuxm.txt
work_76k5ybqa2zd5ljx6jgahvhjk2qAsha GopinathanTips from the top of the career ladder200925003852.0./cache/work_76k5ybqa2zd5ljx6jgahvhjk2q.pdf./txt/work_76k5ybqa2zd5ljx6jgahvhjk2q.txt
work_gla5w2c5tfadlma3xj53nsvt6aAsu BesgenTeaching/Learning Strategies Through Art: Painting and Basic Design Education201525842048.0./cache/work_gla5w2c5tfadlma3xj53nsvt6a.pdf./txt/work_gla5w2c5tfadlma3xj53nsvt6a.txt
work_ou5fisx6jzcztjk5mbmukeyjleAsu Besgen GencosmanogluCriticizing architectural education through abstraction201034792547.0./cache/work_ou5fisx6jzcztjk5mbmukeyjle.pdf./txt/work_ou5fisx6jzcztjk5mbmukeyjle.txt
work_zeucrcfiqjbh3em4hhlwkn426iAxel NesmeAntoine Cazé. John Ashbery. A contre-voix de l''Amérique200613312304.0./cache/work_zeucrcfiqjbh3em4hhlwkn426i.pdf./txt/work_zeucrcfiqjbh3em4hhlwkn426i.txt
work_ro6wj5wx6rh2znf32yz74xyoqiAyhan ÇETINMODERNIST SÜREÇTE TUVAL RESMINE MALZEMEYLE MÜDAHALE201723273206.0./cache/work_ro6wj5wx6rh2znf32yz74xyoqi.pdf./txt/work_ro6wj5wx6rh2znf32yz74xyoqi.txt
work_552srvuh5zf3laddryh56ai5wyAylin BEYOĞLUSanat Eğitiminde Bir Kavram Olarak Mekânın Teknolojik Gelişmelerle Sanatçıların Yapıtlarındaki Başkalaşımı20176269108713.0./cache/work_552srvuh5zf3laddryh56ai5wy.pdf./txt/work_552srvuh5zf3laddryh56ai5wy.txt
work_cykqum7yx5hk5ha2d5zeoqzmomB. Cercis TANRITANIRGERTRUDE STEIN İN ÜÇ YAŞAMIN IN SANATÇI OLARAK ATİPİK YAPISI201941035876.0./cache/work_cykqum7yx5hk5ha2d5zeoqzmom.pdf./txt/work_cykqum7yx5hk5ha2d5zeoqzmom.txt
work_2rqzebt6erhspbnlqq2qb7g62eB. L. HayLes Demoiselles d''Evanston: on the aesthetics of the Wigmore chart2008641262830.0./cache/work_2rqzebt6erhspbnlqq2qb7g62e.pdf./txt/work_2rqzebt6erhspbnlqq2qb7g62e.txt
work_rzkgfz4kezcapoq6xv3r2tjqsuBabak SalehLarge-scale Classification of Fine-Art Paintings: Learning The Right Metric on The Right Feature2016806262826.0./cache/work_rzkgfz4kezcapoq6xv3r2tjqsu.pdf./txt/work_rzkgfz4kezcapoq6xv3r2tjqsu.txt
work_56bwtdpaxnddlddxz7a2apfvqiBabak SalehToward automated discovery of artistic influence201418717nan./cache/work_56bwtdpaxnddlddxz7a2apfvqi.pdf./txt/work_56bwtdpaxnddlddxz7a2apfvqi.txt
work_6k437otfhneuxpmvzismff5i7aBarbara P. CastroIntegrarte: Digital Art Using Body Interaction201233262475.0./cache/work_6k437otfhneuxpmvzismff5i7a.pdf./txt/work_6k437otfhneuxpmvzismff5i7a.txt
work_63zwd4ixvvg7np3axwwlelccbmBasem L. Ra''adRuskin, Turner, and Modernism200820761303.0./cache/work_63zwd4ixvvg7np3axwwlelccbm.pdf./txt/work_63zwd4ixvvg7np3axwwlelccbm.txt
work_2ombz7n2c5d4dffqvm3w57opwyBaşak BOĞDAY SAYĞILIMODADA KÜBİZM ETKİLERİ2018231944310.0./cache/work_2ombz7n2c5d4dffqvm3w57opwy.pdf./txt/work_2ombz7n2c5d4dffqvm3w57opwy.txt
work_n7c4pyrbmzgv7ebbe6326ab6i4Begoña Farré Torras0134 (No) Laughing Matter: Modernism and Xavier Nogués'' Cartoons20201109466128.0./cache/work_n7c4pyrbmzgv7ebbe6326ab6i4.pdf./txt/work_n7c4pyrbmzgv7ebbe6326ab6i4.txt
work_5idtrfxf2rf4tez2ghofu6fcxeBelén Atencia Conde-Pumpido0250 Synthetic Cubism at War: New Necessities, New Challenges2020974762820.0./cache/work_5idtrfxf2rf4tez2ghofu6fcxe.pdf./txt/work_5idtrfxf2rf4tez2ghofu6fcxe.txt
work_cfgvouqxtfebdkul25qusp5tcqBenjamin ThomasBibliography: Australian and New Zealand art historiography201110647124536.0./cache/work_cfgvouqxtfebdkul25qusp5tcq.pdf./txt/work_cfgvouqxtfebdkul25qusp5tcq.txt
work_qjkupq7xrneetdryv3htr6dnfmBharath SriramanA historic overview of the interplay of theology and philosophy in the arts, mathematics and sciences20088880141617.0./cache/work_qjkupq7xrneetdryv3htr6dnfm.pdf./txt/work_qjkupq7xrneetdryv3htr6dnfm.txt
work_6nc2l533hbdxzpejjluuvvnb5mBlair AlexanderAesthetic preference and resemblance of viewer''s personality to paintings198335344003.0./cache/work_6nc2l533hbdxzpejjluuvvnb5m.pdf./txt/work_6nc2l533hbdxzpejjluuvvnb5m.txt
work_4fyt37tolbd4ljubsi2ik553tmBlaise Agüera y ArcasArt in the Age of Machine Intelligence201758474019.0./cache/work_4fyt37tolbd4ljubsi2ik553tm.pdf./txt/work_4fyt37tolbd4ljubsi2ik553tm.txt
work_owpchexgyreinio7dpkf2mx63yBojana NikolicCreative work of Jovan Grgurovic2015324368214.0./cache/work_owpchexgyreinio7dpkf2mx63y.pdf./txt/work_owpchexgyreinio7dpkf2mx63y.txt
work_dhgy45sganeclajnmjbluxv6kaBranislav JakovljevicUnframe Malevich!: Ineffability and Sublimity in Suprematism2004760061415.0./cache/work_dhgy45sganeclajnmjbluxv6ka.pdf./txt/work_dhgy45sganeclajnmjbluxv6ka.txt
work_hmcpkmj7iredlmeajm4ujaemg4Bruno Antonio PanseraA Note on Discrete Multitime Recurrences of Samuelson-Hicks Type201629943655.0./cache/work_hmcpkmj7iredlmeajm4ujaemg4.pdf./txt/work_hmcpkmj7iredlmeajm4ujaemg4.txt
work_iolbob2zmfdj3ftjwxa5kemj5mBÜLENT CERCİS TANRITANIRTHE USE OF CAMERA-EYE TECHNIQUE IN THE THREE SOLDIERS AND MANHATTAN TRANSFER201647253556.0./cache/work_iolbob2zmfdj3ftjwxa5kemj5m.pdf./txt/work_iolbob2zmfdj3ftjwxa5kemj5m.txt
work_6gu5gx47urgpnlzz4uyj4fgunmBéatrice Joyeux-PrunelPeripheral Circulations, Transient Centralities: The International Geography of the Avant-Gardes in the Interwar Period (1918–1940)20181224091624.0./cache/work_6gu5gx47urgpnlzz4uyj4fgunm.pdf./txt/work_6gu5gx47urgpnlzz4uyj4fgunm.txt
work_6jnmwcpvsnhwlpuquvpuy3d6pyC. Alex LonghurstReviews of Books20161294773.0./cache/work_6jnmwcpvsnhwlpuquvpuy3d6py.pdf./txt/work_6jnmwcpvsnhwlpuquvpuy3d6py.txt
work_a2fzifj6hvcmtoqpba5t2hpeh4C. R. KinneyShaping Fantasies2011112nan./cache/work_a2fzifj6hvcmtoqpba5t2hpeh4.pdf./txt/work_a2fzifj6hvcmtoqpba5t2hpeh4.txt
work_ticexmmmjfff5pxtsxdgogthsiC.B VinerThe Formal Deviant: The Innovative Features of E. E. Cummings''s ''next to of course god america i''201927342785.0./cache/work_ticexmmmjfff5pxtsxdgogthsi.pdf./txt/work_ticexmmmjfff5pxtsxdgogthsi.txt
work_fl2igszzarhptdth4lokxwxkjuC.F.B. MillerOf Picassology2009518nan./cache/work_fl2igszzarhptdth4lokxwxkju.pdf./txt/work_fl2igszzarhptdth4lokxwxkju.txt
work_mztlw2p7n5d33csgwq7ulrqbpiCameron McEwanLudwig Hilberseimer and Metropolisarchitecture: The Analogue, the Blasé Attitude, the Multitude2018864156815.0./cache/work_mztlw2p7n5d33csgwq7ulrqbpi.pdf./txt/work_mztlw2p7n5d33csgwq7ulrqbpi.txt
work_xrud3tueirdvbltvpdv73aua5iCarl EinsteinNotes on Cubism2004384522311.0./cache/work_xrud3tueirdvbltvpdv73aua5i.pdf./txt/work_xrud3tueirdvbltvpdv73aua5i.txt
work_2sa7xuq3angurk6nwkbp7bysu4Carlotta M. CorpronDesigning with Light1949239242032137.0./cache/work_2sa7xuq3angurk6nwkbp7bysu4.pdf./txt/work_2sa7xuq3angurk6nwkbp7bysu4.txt
work_dnvtcbcjjbbbplarhep3eg6wyeCaterina AlbanoThe Exhibition as an Experiment: An Analogy and Its Implications2018929067021.0./cache/work_dnvtcbcjjbbbplarhep3eg6wye.pdf./txt/work_dnvtcbcjjbbbplarhep3eg6wye.txt
work_ftymkrhfirevdmdt6om36mndxyCatherine FlynnIntroduction: Joycean Avant-Gardes201526091396.0./cache/work_ftymkrhfirevdmdt6om36mndxy.pdf./txt/work_ftymkrhfirevdmdt6om36mndxy.txt
work_qayquofmsrdhdgblyhfzo6snrqChen ChiyuThe combination of Chinese and Western influences on Chinese modern ink painting with Lin Fengmian, Zhang Ding and Wu Guanzhong as Examples2019626036524.0./cache/work_qayquofmsrdhdgblyhfzo6snrq.pdf./txt/work_qayquofmsrdhdgblyhfzo6snrq.txt
work_wzdtbyuk75cnvaacbixfx5tb2yChiara AmbrosioCubism and the Fourth Dimension20161040961019.0./cache/work_wzdtbyuk75cnvaacbixfx5tb2y.pdf./txt/work_wzdtbyuk75cnvaacbixfx5tb2y.txt
work_5kaew3vrjrcrvmxowu3rf5k6vuChip LivingstonRoyals (Cedar Sigo)20191499773.0./cache/work_5kaew3vrjrcrvmxowu3rf5k6vu.pdf./txt/work_5kaew3vrjrcrvmxowu3rf5k6vu.txt
work_l5uts7gievbsbgpzfbnb2tjdcaChristan Earl GrantA Challenge for Long-Term Knowledge Base Maintenance201516171473.0./cache/work_l5uts7gievbsbgpzfbnb2tjdca.pdf./txt/work_l5uts7gievbsbgpzfbnb2tjdca.txt
work_ft5wuzvif5brrpx6vltficy2qmChristiane HellmanzikLocation matters: Estimating cluster premiums for prominent modern artists20101030224nan./cache/work_ft5wuzvif5brrpx6vltficy2qm.pdf./txt/work_ft5wuzvif5brrpx6vltficy2qm.txt
work_qam6c65mqnbzllv3sepo6atapeChristine Ferguson''The More Subtle Inquisitor:'' Arthur Machen as Early Reviewer of Dubliners for Grant Richards2016382127412.0./cache/work_qam6c65mqnbzllv3sepo6atape.pdf./txt/work_qam6c65mqnbzllv3sepo6atape.txt
work_peetdbq6rjb7tmykaumq4y5ksuChristophe SchinckusFrom Cubist Simultaneity to Quantum Complementarity201643283018.0./cache/work_peetdbq6rjb7tmykaumq4y5ksu.pdf./txt/work_peetdbq6rjb7tmykaumq4y5ksu.txt
work_6deeimjrfve7bpjcc77u45bodeChua Yan PiawEstablishing a Brain Styles Test: The YBRAINS Test201157915139.0./cache/work_6deeimjrfve7bpjcc77u45bode.pdf./txt/work_6deeimjrfve7bpjcc77u45bode.txt
work_4r4bfhb4dngefilqgf2rxvbkymChua Yan PiawHindrances to Internal Creative Thinking and Thinking Styles of Malaysian Teacher Trainees in the Specialist Teachers'' Training Institute201137212996.0./cache/work_4r4bfhb4dngefilqgf2rxvbkym.pdf./txt/work_4r4bfhb4dngefilqgf2rxvbkym.txt
work_shp3zxdswzfaffv6bvet5g5xumChua Yan PiawaBuilding a test to assess creative and critical thinking simultaneously201053835309.0./cache/work_shp3zxdswzfaffv6bvet5g5xum.pdf./txt/work_shp3zxdswzfaffv6bvet5g5xum.txt
work_wkzpkfnnbfg7dphhcwtpdfuzx4Clark BucknerAutonomy, pluralism, play: Danto, Greenberg, Kant, and the philosophy of art history2013522114nan./cache/work_wkzpkfnnbfg7dphhcwtpdfuzx4.pdf./txt/work_wkzpkfnnbfg7dphhcwtpdfuzx4.txt
work_tunrihlei5fexe5hczy6dyr7kiClaudia MuthGive Me Gestalt! Preference for Cubist Artworks Revealing High Detectability of Objects201320521942.0./cache/work_tunrihlei5fexe5hczy6dyr7ki.pdf./txt/work_tunrihlei5fexe5hczy6dyr7ki.txt
work_2xw4b4og4zg2xc5tv6ywfgxgiiClemens ThornquistBasic Research in Art: Foundational Problems in Fashion Design Explored through the Art Itself2014863359622.0./cache/work_2xw4b4og4zg2xc5tv6ywfgxgii.pdf./txt/work_2xw4b4og4zg2xc5tv6ywfgxgii.txt
work_s4tcslocarhbbgqwbmhduvoljmCorinna CzujackDo art specialists form unbiased pre-sale estimates? An application for Picasso paintings200431324226.0./cache/work_s4tcslocarhbbgqwbmhduvoljm.pdf./txt/work_s4tcslocarhbbgqwbmhduvoljm.txt
work_mevee444jbcu5j3f4ubuafejsmCorinne AndersenI Am Not Who "I" Pretend to Be: The Autobiography of Alice B. Toklas and its Photographic Frontispiece20055808103813.0./cache/work_mevee444jbcu5j3f4ubuafejsm.pdf./txt/work_mevee444jbcu5j3f4ubuafejsm.txt
work_2r7krepbu5dfbo62iz6g2csqfeCrisanta Oana MoldovanThe Impact of the Antiwar Elites'' Activities on the International Life and Politics201336072256.0./cache/work_2r7krepbu5dfbo62iz6g2csqfe.pdf./txt/work_2r7krepbu5dfbo62iz6g2csqfe.txt
work_ximkvuexyfdsnj67es2qpvupjiCristian-Robert VelescuMarcel Duchamp, Constantin Brancusi, Victor Brauner : leurs rencontres et les retombées sur leurs œuvres201311545206830.0./cache/work_ximkvuexyfdsnj67es2qpvupji.pdf./txt/work_ximkvuexyfdsnj67es2qpvupji.txt
work_qstpugqrvzgaxdmw6pvyaqym6mCristina Elgue-MartiniAmerican Space and European Theory. Dialogd in Literature and Painting201640525178.0./cache/work_qstpugqrvzgaxdmw6pvyaqym6m.pdf./txt/work_qstpugqrvzgaxdmw6pvyaqym6m.txt
work_c6ettxiwdbdpvj3yiirl456fayCsilla MarkójaThe modification of meaning: Cézanne, Hildebrand, Meier-Graefe and the problems of cultural transfer20191095258023.0./cache/work_c6ettxiwdbdpvj3yiirl456fay.pdf./txt/work_c6ettxiwdbdpvj3yiirl456fay.txt
work_2i25ljjs3bb4xg7bkujugnrqhiCécile GodefroyLa photographie au service du simultanisme200237295448.0./cache/work_2i25ljjs3bb4xg7bkujugnrqhi.pdf./txt/work_2i25ljjs3bb4xg7bkujugnrqhi.txt
work_aaej5rkaobf5bozvyiwvz7xhvyD. A. DaleMid‐Infrared Spectral Diagnostics of Nuclear and Extranuclear Regions in Nearby Galaxies20069860101030.0./cache/work_aaej5rkaobf5bozvyiwvz7xhvy.pdf./txt/work_aaej5rkaobf5bozvyiwvz7xhvy.txt
work_b4nytp5k35gqrjthqmywcrrctmD. W. ZaidelBraque and Kokoschka: Brain Tissue Injury and Preservation of Artistic Skill201745274447.0./cache/work_b4nytp5k35gqrjthqmywcrrctm.pdf./txt/work_b4nytp5k35gqrjthqmywcrrctm.txt
work_kwfl4iul45cozal3vf7ftnf4ieDAVID W. GALENSONTWO PATHS TO ABSTRACT ART: KANDINSKYAND MALEVICH2008629647725.0./cache/work_kwfl4iul45cozal3vf7ftnf4ie.pdf./txt/work_kwfl4iul45cozal3vf7ftnf4ie.txt
work_ur2jx45sprb3ndr32hhgznfz24Daniel AlbrightPostmodern Interpretations of Satie''s Parade2001931556119.0./cache/work_ur2jx45sprb3ndr32hhgznfz24.pdf./txt/work_ur2jx45sprb3ndr32hhgznfz24.txt
work_6rhckfp6sfexzkr2kpwgs3kr2uDaniel Melo RibeiroArt and cartography as a critique of borders201846993716.0./cache/work_6rhckfp6sfexzkr2kpwgs3kr2u.pdf./txt/work_6rhckfp6sfexzkr2kpwgs3kr2u.txt
work_cktbuccfhndwlm3imnhbwcxaxyDaniel Ruschel-DutraA mid-IR comparative analysis of the Seyfert galaxies NGC 7213 and NGC 1386201485617249.0./cache/work_cktbuccfhndwlm3imnhbwcxaxy.pdf./txt/work_cktbuccfhndwlm3imnhbwcxaxy.txt
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