This is a table of authors, titles, dates and other bibliographic information; it is a list metadata describing the content of your study carrel. Think of it as your library.
id | author | title | date | words | sentences | pages | cache | text |
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work_7nl4pggmlzfubo7v7oqam4vsfu | A. Alonso-Herrero | Probing the nuclear and circumnuclear activity of NGC 1365 in the infrared | 2012 | 13980 | 1207 | 14.0 | ./cache/work_7nl4pggmlzfubo7v7oqam4vsfu.pdf | ./txt/work_7nl4pggmlzfubo7v7oqam4vsfu.txt |
work_rusqv4ak7ndpzcdmwrid6bvn5q | A. Glassner | Digital Cubism, Part 2 | 2004 | 7379 | 667 | 12.0 | ./cache/work_rusqv4ak7ndpzcdmwrid6bvn5q.pdf | ./txt/work_rusqv4ak7ndpzcdmwrid6bvn5q.txt |
work_thnn5gbdwfgt7aqwfjrvgmraae | A. Hill | Modern symmetry | 1989 | 5914 | 766 | 5.0 | ./cache/work_thnn5gbdwfgt7aqwfjrvgmraae.pdf | ./txt/work_thnn5gbdwfgt7aqwfjrvgmraae.txt |
work_54uuqx2a6bgztdciommetdxqqe | A. Phillips | Close-Ups | 2004 | 3944 | 210 | 9.0 | ./cache/work_54uuqx2a6bgztdciommetdxqqe.pdf | ./txt/work_54uuqx2a6bgztdciommetdxqqe.txt |
work_t4al4kwsgnfthgjbtvrr7a3guq | Adrian Furnham | Personality and art preferences | 1988 | 4167 | 366 | 5.0 | ./cache/work_t4al4kwsgnfthgjbtvrr7a3guq.pdf | ./txt/work_t4al4kwsgnfthgjbtvrr7a3guq.txt |
work_kkawku2ud5bavh55imxvlgnoti | Agnesa Muharremi- Kastrati | From Expressionism to Kosovo`s Abstract Expressionism | 2019 | 1839 | 139 | 5.0 | ./cache/work_kkawku2ud5bavh55imxvlgnoti.pdf | ./txt/work_kkawku2ud5bavh55imxvlgnoti.txt |
work_yifpnnihtbeghnthvbigq4moau | Alan E. H. Emery | How Neurological Disease Can Affect an Artist''s Work | 2004 | 2548 | 700 | 6.0 | ./cache/work_yifpnnihtbeghnthvbigq4moau.pdf | ./txt/work_yifpnnihtbeghnthvbigq4moau.txt |
work_45vralls3zgxxpgyyzmd525shm | Alan Lessem | ALAN M. GILLMOR. Erik Satie. Boston: Twayne Publishers, 1988. xxvi. 387 pp | 1988 | 1744 | 143 | 4.0 | ./cache/work_45vralls3zgxxpgyyzmd525shm.pdf | ./txt/work_45vralls3zgxxpgyyzmd525shm.txt |
work_3p2ettibkvcq3mm5kvl25a6a34 | Alex Forsythe | What paint can tell us: A fractal analysis of neurological changes in seven artists | 2017 | 1167 | 249 | nan | ./cache/work_3p2ettibkvcq3mm5kvl25a6a34.pdf | ./txt/work_3p2ettibkvcq3mm5kvl25a6a34.txt |
work_f7rrehowdndh7ns7o46vhho754 | Alkim Almila Akdağ Salah | Technoscience art: A bridge between neuroesthetics and art history? | 2008 | 8873 | 602 | 9.0 | ./cache/work_f7rrehowdndh7ns7o46vhho754.pdf | ./txt/work_f7rrehowdndh7ns7o46vhho754.txt |
work_mt4o2ktwjzdgnbh5krlv3jcd5u | Almudena Alonso-Herrero | Local luminous infrared galaxies: Spatially resolved mid-infrared observations with Spitzer/IRS | 2010 | 11284 | 1002 | 13.0 | ./cache/work_mt4o2ktwjzdgnbh5krlv3jcd5u.pdf | ./txt/work_mt4o2ktwjzdgnbh5krlv3jcd5u.txt |
work_7etyy4mhgfdaxc7yg4oxiu4srq | Amr Elsherif | Split Consciousness and the Poetics of Inauthenticity: Reading Anatole Broyard''s Kafka Was the Rage | 2017 | 9613 | 622 | 21.0 | ./cache/work_7etyy4mhgfdaxc7yg4oxiu4srq.pdf | ./txt/work_7etyy4mhgfdaxc7yg4oxiu4srq.txt |
work_44kggqrnunagpjmp7qn7hdlh5e | Amy Kirschke | The Burden of Black Womanhood: Aaron Douglas and the "Apogée of Beauty" | 2010 | 4940 | 391 | 21.0 | ./cache/work_44kggqrnunagpjmp7qn7hdlh5e.pdf | ./txt/work_44kggqrnunagpjmp7qn7hdlh5e.txt |
work_bufuqwaijjgplg2qvjp5a4k5ve | Andrea Selinger | A Perceptual Grouping Hierarchy for Appearance-Based 3D Object Recognition | 1999 | 1037 | 207 | nan | ./cache/work_bufuqwaijjgplg2qvjp5a4k5ve.pdf | ./txt/work_bufuqwaijjgplg2qvjp5a4k5ve.txt |
work_wdrxjtxdrnainozlqto6nz7yui | Andrei Pop | The pinch of Expressionism in art history | 2015 | 2398 | 108 | 5.0 | ./cache/work_wdrxjtxdrnainozlqto6nz7yui.pdf | ./txt/work_wdrxjtxdrnainozlqto6nz7yui.txt |
work_wz6sll35mvgtbb5iyokfxzvhpe | Andrew S. Brierley | Antarctic Ecosystem: Are Deep Krill Ecological Outliers or Portents of a Paradigm Shift? | 2008 | 3073 | 234 | 3.0 | ./cache/work_wz6sll35mvgtbb5iyokfxzvhpe.pdf | ./txt/work_wz6sll35mvgtbb5iyokfxzvhpe.txt |
work_rc4axzqwangyhivj6lpzqv43fm | Angela Khristin Brown | Culture Shock | 2013 | 2877 | 262 | 3.0 | ./cache/work_rc4axzqwangyhivj6lpzqv43fm.pdf | ./txt/work_rc4axzqwangyhivj6lpzqv43fm.txt |
work_c6zvkubskfefhg5allbia5rzma | Angeria Rigamonti di Cutò | Staging the Modernist Self: The Self-Portraits of William Orpen | 2012 | 9929 | 601 | 14.0 | ./cache/work_c6zvkubskfefhg5allbia5rzma.pdf | ./txt/work_c6zvkubskfefhg5allbia5rzma.txt |
work_ue2m6yg5yjgqnfqktnrl5m7iua | Anne-Sophie Bories | Sex, Wine and Statelessness: Apollinaire''s Verse without Borders in ''Vendémiaire'' | 2019 | 7592 | 592 | 13.0 | ./cache/work_ue2m6yg5yjgqnfqktnrl5m7iua.pdf | ./txt/work_ue2m6yg5yjgqnfqktnrl5m7iua.txt |
work_nnbijx2rmnfpnnlhpn2lagnxwa | Anonymous | Visual agnosia | 2012 | 2147 | 349 | 3.0 | ./cache/work_nnbijx2rmnfpnnlhpn2lagnxwa.pdf | ./txt/work_nnbijx2rmnfpnnlhpn2lagnxwa.txt |
work_geqtmszy6nhkdfeupzkzylbkse | Antonello E Scorcu | The "Right" Price for Art Collectibles:A Quantile Hedonic Regression Investigation of Picasso Paintings | 2011 | 5029 | 1020 | 22.0 | ./cache/work_geqtmszy6nhkdfeupzkzylbkse.pdf | ./txt/work_geqtmszy6nhkdfeupzkzylbkse.txt |
work_o7owrp72tvbaxcppojums7hyqe | Aparna Vinod | Enhancing Security of Image by Steganography using Reversible Texture Synthesis | 2017 | 3141 | 289 | 4.0 | ./cache/work_o7owrp72tvbaxcppojums7hyqe.pdf | ./txt/work_o7owrp72tvbaxcppojums7hyqe.txt |
work_4qh2yj2crffy5cmn7ad6fpmlby | Apoorva Ajmera | Role of Geometry on Architecture | 2020 | 4920 | 412 | 6.0 | ./cache/work_4qh2yj2crffy5cmn7ad6fpmlby.pdf | ./txt/work_4qh2yj2crffy5cmn7ad6fpmlby.txt |
work_mvyqwq4y4beudminxgzis3uuxm | April Boone | William Carlos Williams''s The Great American Novel: Flamboyance and the Beginning of Art | 2006 | 11423 | 671 | 26.0 | ./cache/work_mvyqwq4y4beudminxgzis3uuxm.pdf | ./txt/work_mvyqwq4y4beudminxgzis3uuxm.txt |
work_76k5ybqa2zd5ljx6jgahvhjk2q | Asha Gopinathan | Tips from the top of the career ladder | 2009 | 2500 | 385 | 2.0 | ./cache/work_76k5ybqa2zd5ljx6jgahvhjk2q.pdf | ./txt/work_76k5ybqa2zd5ljx6jgahvhjk2q.txt |
work_gla5w2c5tfadlma3xj53nsvt6a | Asu Besgen | Teaching/Learning Strategies Through Art: Painting and Basic Design Education | 2015 | 2584 | 204 | 8.0 | ./cache/work_gla5w2c5tfadlma3xj53nsvt6a.pdf | ./txt/work_gla5w2c5tfadlma3xj53nsvt6a.txt |
work_ou5fisx6jzcztjk5mbmukeyjle | Asu Besgen Gencosmanoglu | Criticizing architectural education through abstraction | 2010 | 3479 | 254 | 7.0 | ./cache/work_ou5fisx6jzcztjk5mbmukeyjle.pdf | ./txt/work_ou5fisx6jzcztjk5mbmukeyjle.txt |
work_zeucrcfiqjbh3em4hhlwkn426i | Axel Nesme | Antoine Cazé. John Ashbery. A contre-voix de l''Amérique | 2006 | 1331 | 230 | 4.0 | ./cache/work_zeucrcfiqjbh3em4hhlwkn426i.pdf | ./txt/work_zeucrcfiqjbh3em4hhlwkn426i.txt |
work_ro6wj5wx6rh2znf32yz74xyoqi | Ayhan ÇETIN | MODERNIST SÜREÇTE TUVAL RESMINE MALZEMEYLE MÜDAHALE | 2017 | 2327 | 320 | 6.0 | ./cache/work_ro6wj5wx6rh2znf32yz74xyoqi.pdf | ./txt/work_ro6wj5wx6rh2znf32yz74xyoqi.txt |
work_552srvuh5zf3laddryh56ai5wy | Aylin BEYOĞLU | Sanat Eğitiminde Bir Kavram Olarak Mekânın Teknolojik Gelişmelerle Sanatçıların Yapıtlarındaki Başkalaşımı | 2017 | 6269 | 1087 | 13.0 | ./cache/work_552srvuh5zf3laddryh56ai5wy.pdf | ./txt/work_552srvuh5zf3laddryh56ai5wy.txt |
work_cykqum7yx5hk5ha2d5zeoqzmom | B. Cercis TANRITANIR | GERTRUDE STEIN İN ÜÇ YAŞAMIN IN SANATÇI OLARAK ATİPİK YAPISI | 2019 | 4103 | 587 | 6.0 | ./cache/work_cykqum7yx5hk5ha2d5zeoqzmom.pdf | ./txt/work_cykqum7yx5hk5ha2d5zeoqzmom.txt |
work_2rqzebt6erhspbnlqq2qb7g62e | B. L. Hay | Les Demoiselles d''Evanston: on the aesthetics of the Wigmore chart | 2008 | 6412 | 628 | 30.0 | ./cache/work_2rqzebt6erhspbnlqq2qb7g62e.pdf | ./txt/work_2rqzebt6erhspbnlqq2qb7g62e.txt |
work_rzkgfz4kezcapoq6xv3r2tjqsu | Babak Saleh | Large-scale Classification of Fine-Art Paintings: Learning The Right Metric on The Right Feature | 2016 | 8062 | 628 | 26.0 | ./cache/work_rzkgfz4kezcapoq6xv3r2tjqsu.pdf | ./txt/work_rzkgfz4kezcapoq6xv3r2tjqsu.txt |
work_56bwtdpaxnddlddxz7a2apfvqi | Babak Saleh | Toward automated discovery of artistic influence | 2014 | 187 | 17 | nan | ./cache/work_56bwtdpaxnddlddxz7a2apfvqi.pdf | ./txt/work_56bwtdpaxnddlddxz7a2apfvqi.txt |
work_6k437otfhneuxpmvzismff5i7a | Barbara P. Castro | Integrarte: Digital Art Using Body Interaction | 2012 | 3326 | 247 | 5.0 | ./cache/work_6k437otfhneuxpmvzismff5i7a.pdf | ./txt/work_6k437otfhneuxpmvzismff5i7a.txt |
work_63zwd4ixvvg7np3axwwlelccbm | Basem L. Ra''ad | Ruskin, Turner, and Modernism | 2008 | 2076 | 130 | 3.0 | ./cache/work_63zwd4ixvvg7np3axwwlelccbm.pdf | ./txt/work_63zwd4ixvvg7np3axwwlelccbm.txt |
work_2ombz7n2c5d4dffqvm3w57opwy | Başak BOĞDAY SAYĞILI | MODADA KÜBİZM ETKİLERİ | 2018 | 2319 | 443 | 10.0 | ./cache/work_2ombz7n2c5d4dffqvm3w57opwy.pdf | ./txt/work_2ombz7n2c5d4dffqvm3w57opwy.txt |
work_n7c4pyrbmzgv7ebbe6326ab6i4 | Begoña Farré Torras | 0134 (No) Laughing Matter: Modernism and Xavier Nogués'' Cartoons | 2020 | 11094 | 661 | 28.0 | ./cache/work_n7c4pyrbmzgv7ebbe6326ab6i4.pdf | ./txt/work_n7c4pyrbmzgv7ebbe6326ab6i4.txt |
work_5idtrfxf2rf4tez2ghofu6fcxe | Belén Atencia Conde-Pumpido | 0250 Synthetic Cubism at War: New Necessities, New Challenges | 2020 | 9747 | 628 | 20.0 | ./cache/work_5idtrfxf2rf4tez2ghofu6fcxe.pdf | ./txt/work_5idtrfxf2rf4tez2ghofu6fcxe.txt |
work_cfgvouqxtfebdkul25qusp5tcq | Benjamin Thomas | Bibliography: Australian and New Zealand art historiography | 2011 | 10647 | 1245 | 36.0 | ./cache/work_cfgvouqxtfebdkul25qusp5tcq.pdf | ./txt/work_cfgvouqxtfebdkul25qusp5tcq.txt |
work_qjkupq7xrneetdryv3htr6dnfm | Bharath Sriraman | A historic overview of the interplay of theology and philosophy in the arts, mathematics and sciences | 2008 | 8880 | 1416 | 17.0 | ./cache/work_qjkupq7xrneetdryv3htr6dnfm.pdf | ./txt/work_qjkupq7xrneetdryv3htr6dnfm.txt |
work_6nc2l533hbdxzpejjluuvvnb5m | Blair Alexander | Aesthetic preference and resemblance of viewer''s personality to paintings | 1983 | 3534 | 400 | 3.0 | ./cache/work_6nc2l533hbdxzpejjluuvvnb5m.pdf | ./txt/work_6nc2l533hbdxzpejjluuvvnb5m.txt |
work_4fyt37tolbd4ljubsi2ik553tm | Blaise Agüera y Arcas | Art in the Age of Machine Intelligence | 2017 | 5847 | 401 | 9.0 | ./cache/work_4fyt37tolbd4ljubsi2ik553tm.pdf | ./txt/work_4fyt37tolbd4ljubsi2ik553tm.txt |
work_owpchexgyreinio7dpkf2mx63y | Bojana Nikolic | Creative work of Jovan Grgurovic | 2015 | 3243 | 682 | 14.0 | ./cache/work_owpchexgyreinio7dpkf2mx63y.pdf | ./txt/work_owpchexgyreinio7dpkf2mx63y.txt |
work_dhgy45sganeclajnmjbluxv6ka | Branislav Jakovljevic | Unframe Malevich!: Ineffability and Sublimity in Suprematism | 2004 | 7600 | 614 | 15.0 | ./cache/work_dhgy45sganeclajnmjbluxv6ka.pdf | ./txt/work_dhgy45sganeclajnmjbluxv6ka.txt |
work_hmcpkmj7iredlmeajm4ujaemg4 | Bruno Antonio Pansera | A Note on Discrete Multitime Recurrences of Samuelson-Hicks Type | 2016 | 2994 | 365 | 5.0 | ./cache/work_hmcpkmj7iredlmeajm4ujaemg4.pdf | ./txt/work_hmcpkmj7iredlmeajm4ujaemg4.txt |
work_iolbob2zmfdj3ftjwxa5kemj5m | BÜLENT CERCİS TANRITANIR | THE USE OF CAMERA-EYE TECHNIQUE IN THE THREE SOLDIERS AND MANHATTAN TRANSFER | 2016 | 4725 | 355 | 6.0 | ./cache/work_iolbob2zmfdj3ftjwxa5kemj5m.pdf | ./txt/work_iolbob2zmfdj3ftjwxa5kemj5m.txt |
work_6gu5gx47urgpnlzz4uyj4fgunm | Béatrice Joyeux-Prunel | Peripheral Circulations, Transient Centralities: The International Geography of the Avant-Gardes in the Interwar Period (1918–1940) | 2018 | 12240 | 916 | 24.0 | ./cache/work_6gu5gx47urgpnlzz4uyj4fgunm.pdf | ./txt/work_6gu5gx47urgpnlzz4uyj4fgunm.txt |
work_6jnmwcpvsnhwlpuquvpuy3d6py | C. Alex Longhurst | Reviews of Books | 2016 | 1294 | 77 | 3.0 | ./cache/work_6jnmwcpvsnhwlpuquvpuy3d6py.pdf | ./txt/work_6jnmwcpvsnhwlpuquvpuy3d6py.txt |
work_a2fzifj6hvcmtoqpba5t2hpeh4 | C. R. Kinney | Shaping Fantasies | 2011 | 11 | 2 | nan | ./cache/work_a2fzifj6hvcmtoqpba5t2hpeh4.pdf | ./txt/work_a2fzifj6hvcmtoqpba5t2hpeh4.txt |
work_ticexmmmjfff5pxtsxdgogthsi | C.B Viner | The Formal Deviant: The Innovative Features of E. E. Cummings''s ''next to of course god america i'' | 2019 | 2734 | 278 | 5.0 | ./cache/work_ticexmmmjfff5pxtsxdgogthsi.pdf | ./txt/work_ticexmmmjfff5pxtsxdgogthsi.txt |
work_fl2igszzarhptdth4lokxwxkju | C.F.B. Miller | Of Picassology | 2009 | 51 | 8 | nan | ./cache/work_fl2igszzarhptdth4lokxwxkju.pdf | ./txt/work_fl2igszzarhptdth4lokxwxkju.txt |
work_mztlw2p7n5d33csgwq7ulrqbpi | Cameron McEwan | Ludwig Hilberseimer and Metropolisarchitecture: The Analogue, the Blasé Attitude, the Multitude | 2018 | 8641 | 568 | 15.0 | ./cache/work_mztlw2p7n5d33csgwq7ulrqbpi.pdf | ./txt/work_mztlw2p7n5d33csgwq7ulrqbpi.txt |
work_xrud3tueirdvbltvpdv73aua5i | Carl Einstein | Notes on Cubism | 2004 | 3845 | 223 | 11.0 | ./cache/work_xrud3tueirdvbltvpdv73aua5i.pdf | ./txt/work_xrud3tueirdvbltvpdv73aua5i.txt |
work_2sa7xuq3angurk6nwkbp7bysu4 | Carlotta M. Corpron | Designing with Light | 1949 | 23924 | 2032 | 137.0 | ./cache/work_2sa7xuq3angurk6nwkbp7bysu4.pdf | ./txt/work_2sa7xuq3angurk6nwkbp7bysu4.txt |
work_dnvtcbcjjbbbplarhep3eg6wye | Caterina Albano | The Exhibition as an Experiment: An Analogy and Its Implications | 2018 | 9290 | 670 | 21.0 | ./cache/work_dnvtcbcjjbbbplarhep3eg6wye.pdf | ./txt/work_dnvtcbcjjbbbplarhep3eg6wye.txt |
work_ftymkrhfirevdmdt6om36mndxy | Catherine Flynn | Introduction: Joycean Avant-Gardes | 2015 | 2609 | 139 | 6.0 | ./cache/work_ftymkrhfirevdmdt6om36mndxy.pdf | ./txt/work_ftymkrhfirevdmdt6om36mndxy.txt |
work_qayquofmsrdhdgblyhfzo6snrq | Chen Chiyu | The combination of Chinese and Western influences on Chinese modern ink painting with Lin Fengmian, Zhang Ding and Wu Guanzhong as Examples | 2019 | 6260 | 365 | 24.0 | ./cache/work_qayquofmsrdhdgblyhfzo6snrq.pdf | ./txt/work_qayquofmsrdhdgblyhfzo6snrq.txt |
work_wzdtbyuk75cnvaacbixfx5tb2y | Chiara Ambrosio | Cubism and the Fourth Dimension | 2016 | 10409 | 610 | 19.0 | ./cache/work_wzdtbyuk75cnvaacbixfx5tb2y.pdf | ./txt/work_wzdtbyuk75cnvaacbixfx5tb2y.txt |
work_5kaew3vrjrcrvmxowu3rf5k6vu | Chip Livingston | Royals (Cedar Sigo) | 2019 | 1499 | 77 | 3.0 | ./cache/work_5kaew3vrjrcrvmxowu3rf5k6vu.pdf | ./txt/work_5kaew3vrjrcrvmxowu3rf5k6vu.txt |
work_l5uts7gievbsbgpzfbnb2tjdca | Christan Earl Grant | A Challenge for Long-Term Knowledge Base Maintenance | 2015 | 1617 | 147 | 3.0 | ./cache/work_l5uts7gievbsbgpzfbnb2tjdca.pdf | ./txt/work_l5uts7gievbsbgpzfbnb2tjdca.txt |
work_ft5wuzvif5brrpx6vltficy2qm | Christiane Hellmanzik | Location matters: Estimating cluster premiums for prominent modern artists | 2010 | 1030 | 224 | nan | ./cache/work_ft5wuzvif5brrpx6vltficy2qm.pdf | ./txt/work_ft5wuzvif5brrpx6vltficy2qm.txt |
work_qam6c65mqnbzllv3sepo6atape | Christine Ferguson | ''The More Subtle Inquisitor:'' Arthur Machen as Early Reviewer of Dubliners for Grant Richards | 2016 | 3821 | 274 | 12.0 | ./cache/work_qam6c65mqnbzllv3sepo6atape.pdf | ./txt/work_qam6c65mqnbzllv3sepo6atape.txt |
work_peetdbq6rjb7tmykaumq4y5ksu | Christophe Schinckus | From Cubist Simultaneity to Quantum Complementarity | 2016 | 4328 | 301 | 8.0 | ./cache/work_peetdbq6rjb7tmykaumq4y5ksu.pdf | ./txt/work_peetdbq6rjb7tmykaumq4y5ksu.txt |
work_6deeimjrfve7bpjcc77u45bode | Chua Yan Piaw | Establishing a Brain Styles Test: The YBRAINS Test | 2011 | 5791 | 513 | 9.0 | ./cache/work_6deeimjrfve7bpjcc77u45bode.pdf | ./txt/work_6deeimjrfve7bpjcc77u45bode.txt |
work_4r4bfhb4dngefilqgf2rxvbkym | Chua Yan Piaw | Hindrances to Internal Creative Thinking and Thinking Styles of Malaysian Teacher Trainees in the Specialist Teachers'' Training Institute | 2011 | 3721 | 299 | 6.0 | ./cache/work_4r4bfhb4dngefilqgf2rxvbkym.pdf | ./txt/work_4r4bfhb4dngefilqgf2rxvbkym.txt |
work_shp3zxdswzfaffv6bvet5g5xum | Chua Yan Piawa | Building a test to assess creative and critical thinking simultaneously | 2010 | 5383 | 530 | 9.0 | ./cache/work_shp3zxdswzfaffv6bvet5g5xum.pdf | ./txt/work_shp3zxdswzfaffv6bvet5g5xum.txt |
work_wkzpkfnnbfg7dphhcwtpdfuzx4 | Clark Buckner | Autonomy, pluralism, play: Danto, Greenberg, Kant, and the philosophy of art history | 2013 | 522 | 114 | nan | ./cache/work_wkzpkfnnbfg7dphhcwtpdfuzx4.pdf | ./txt/work_wkzpkfnnbfg7dphhcwtpdfuzx4.txt |
work_tunrihlei5fexe5hczy6dyr7ki | Claudia Muth | Give Me Gestalt! Preference for Cubist Artworks Revealing High Detectability of Objects | 2013 | 2052 | 194 | 2.0 | ./cache/work_tunrihlei5fexe5hczy6dyr7ki.pdf | ./txt/work_tunrihlei5fexe5hczy6dyr7ki.txt |
work_2xw4b4og4zg2xc5tv6ywfgxgii | Clemens Thornquist | Basic Research in Art: Foundational Problems in Fashion Design Explored through the Art Itself | 2014 | 8633 | 596 | 22.0 | ./cache/work_2xw4b4og4zg2xc5tv6ywfgxgii.pdf | ./txt/work_2xw4b4og4zg2xc5tv6ywfgxgii.txt |
work_s4tcslocarhbbgqwbmhduvoljm | Corinna Czujack | Do art specialists form unbiased pre-sale estimates? An application for Picasso paintings | 2004 | 3132 | 422 | 6.0 | ./cache/work_s4tcslocarhbbgqwbmhduvoljm.pdf | ./txt/work_s4tcslocarhbbgqwbmhduvoljm.txt |
work_mevee444jbcu5j3f4ubuafejsm | Corinne Andersen | I Am Not Who "I" Pretend to Be: The Autobiography of Alice B. Toklas and its Photographic Frontispiece | 2005 | 5808 | 1038 | 13.0 | ./cache/work_mevee444jbcu5j3f4ubuafejsm.pdf | ./txt/work_mevee444jbcu5j3f4ubuafejsm.txt |
work_2r7krepbu5dfbo62iz6g2csqfe | Crisanta Oana Moldovan | The Impact of the Antiwar Elites'' Activities on the International Life and Politics | 2013 | 3607 | 225 | 6.0 | ./cache/work_2r7krepbu5dfbo62iz6g2csqfe.pdf | ./txt/work_2r7krepbu5dfbo62iz6g2csqfe.txt |
work_ximkvuexyfdsnj67es2qpvupji | Cristian-Robert Velescu | Marcel Duchamp, Constantin Brancusi, Victor Brauner : leurs rencontres et les retombées sur leurs œuvres | 2013 | 11545 | 2068 | 30.0 | ./cache/work_ximkvuexyfdsnj67es2qpvupji.pdf | ./txt/work_ximkvuexyfdsnj67es2qpvupji.txt |
work_qstpugqrvzgaxdmw6pvyaqym6m | Cristina Elgue-Martini | American Space and European Theory. Dialogd in Literature and Painting | 2016 | 4052 | 517 | 8.0 | ./cache/work_qstpugqrvzgaxdmw6pvyaqym6m.pdf | ./txt/work_qstpugqrvzgaxdmw6pvyaqym6m.txt |
work_c6ettxiwdbdpvj3yiirl456fay | Csilla Markója | The modification of meaning: Cézanne, Hildebrand, Meier-Graefe and the problems of cultural transfer | 2019 | 10952 | 580 | 23.0 | ./cache/work_c6ettxiwdbdpvj3yiirl456fay.pdf | ./txt/work_c6ettxiwdbdpvj3yiirl456fay.txt |
work_2i25ljjs3bb4xg7bkujugnrqhi | Cécile Godefroy | La photographie au service du simultanisme | 2002 | 3729 | 544 | 8.0 | ./cache/work_2i25ljjs3bb4xg7bkujugnrqhi.pdf | ./txt/work_2i25ljjs3bb4xg7bkujugnrqhi.txt |
work_aaej5rkaobf5bozvyiwvz7xhvy | D. A. Dale | Mid‐Infrared Spectral Diagnostics of Nuclear and Extranuclear Regions in Nearby Galaxies | 2006 | 9860 | 1010 | 30.0 | ./cache/work_aaej5rkaobf5bozvyiwvz7xhvy.pdf | ./txt/work_aaej5rkaobf5bozvyiwvz7xhvy.txt |
work_b4nytp5k35gqrjthqmywcrrctm | D. W. Zaidel | Braque and Kokoschka: Brain Tissue Injury and Preservation of Artistic Skill | 2017 | 4527 | 444 | 7.0 | ./cache/work_b4nytp5k35gqrjthqmywcrrctm.pdf | ./txt/work_b4nytp5k35gqrjthqmywcrrctm.txt |
work_kwfl4iul45cozal3vf7ftnf4ie | DAVID W. GALENSON | TWO PATHS TO ABSTRACT ART: KANDINSKYAND MALEVICH | 2008 | 6296 | 477 | 25.0 | ./cache/work_kwfl4iul45cozal3vf7ftnf4ie.pdf | ./txt/work_kwfl4iul45cozal3vf7ftnf4ie.txt |
work_ur2jx45sprb3ndr32hhgznfz24 | Daniel Albright | Postmodern Interpretations of Satie''s Parade | 2001 | 9315 | 561 | 19.0 | ./cache/work_ur2jx45sprb3ndr32hhgznfz24.pdf | ./txt/work_ur2jx45sprb3ndr32hhgznfz24.txt |
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work_7nyvjiogy5a6xp2jp2zc7snwdm | Derya Can | İlköğretim Ders Kitaplarında Engellilik | 2017 | 5688 | 1203 | 15.0 | ./cache/work_7nyvjiogy5a6xp2jp2zc7snwdm.pdf | ./txt/work_7nyvjiogy5a6xp2jp2zc7snwdm.txt |
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work_cecd5xfg4ne5tcwasixvyvd4d4 | Doina Lemny | Modigliani : l''expérience de la sculpture auprès de Brancusi | 2015 | 3545 | 620 | 8.0 | ./cache/work_cecd5xfg4ne5tcwasixvyvd4d4.pdf | ./txt/work_cecd5xfg4ne5tcwasixvyvd4d4.txt |
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work_qfvoz35dm5fdlcrzyn5xfpdr3y | Ekaterina M. Tolstikhina | Revisiting the Issues of Studying the Creative Heritage of Kazimir Malevich: Russian and Foreign Bibliography | 2020 | 3728 | 300 | 7.0 | ./cache/work_qfvoz35dm5fdlcrzyn5xfpdr3y.pdf | ./txt/work_qfvoz35dm5fdlcrzyn5xfpdr3y.txt |
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work_2wy23a6rmvawfd6nozdlua63um | Eleni Kefala | Horacio Coppola: Towards an Aesthetic Genealogy | 2016 | 15983 | 1040 | 57.0 | ./cache/work_2wy23a6rmvawfd6nozdlua63um.pdf | ./txt/work_2wy23a6rmvawfd6nozdlua63um.txt |
work_w3ae4vpqvfbfrhhvi5kti2cnym | Emeline Jouve | Entretien avec Lise Avignon et Emma Morin, Gertrude Stein au théâtre : Le monde est rond (G. Stein, L. Avignon) ; Listen to Me (G. Stein, E. Morin) | 2016 | 9194 | 1433 | 22.0 | ./cache/work_w3ae4vpqvfbfrhhvi5kti2cnym.pdf | ./txt/work_w3ae4vpqvfbfrhhvi5kti2cnym.txt |
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work_jicpyjza2zd4bazvgx6lovkujm | Emma Findlay-White | Acoustic Space, Marshall McLuhan and Links to Medieval Philosophers and Beyond: Center Everywhere and Margin Nowhere | 2016 | 4852 | 383 | 8.0 | ./cache/work_jicpyjza2zd4bazvgx6lovkujm.pdf | ./txt/work_jicpyjza2zd4bazvgx6lovkujm.txt |
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work_5db3ph27xjglrnqxqk2efrn35q | L. Danchin | Marcel Storr: a new case of clandestine outsider art | 2015 | 1513 | 113 | 3.0 | ./cache/work_5db3ph27xjglrnqxqk2efrn35q.pdf | ./txt/work_5db3ph27xjglrnqxqk2efrn35q.txt |
work_dwbce4xknbd67n42askpdnnpym | L. M. Hill | The Visual Art of Invisible Man: Ellison''s Portrait of Blackness | 2009 | 11820 | 672 | 30.0 | ./cache/work_dwbce4xknbd67n42askpdnnpym.pdf | ./txt/work_dwbce4xknbd67n42askpdnnpym.txt |
work_vima2n5bdrdt3bs7oxw5okqszq | LAURA ZATTRA | Hugues Dufourt, La musique spectrale. Une révolution épistémologique (Paris: Éditions Delatour, 2014), ISBN 978-2-7521-0206-5 (pb) | 2018 | 2857 | 147 | 7.0 | ./cache/work_vima2n5bdrdt3bs7oxw5okqszq.pdf | ./txt/work_vima2n5bdrdt3bs7oxw5okqszq.txt |
work_zhxszqeu5bfwrjfbxstxknflbm | Lavinia Brydon | A history of 1970s experimental film: Britain''s decade of diversity | 2016 | 1227 | 65 | 4.0 | ./cache/work_zhxszqeu5bfwrjfbxstxknflbm.pdf | ./txt/work_zhxszqeu5bfwrjfbxstxknflbm.txt |
work_buvggge5uffi7o7mdbpk6oxbgu | Lawrence G. Lenke | Commentary: Artificial Intelligence for Adult Spinal Deformity | 2019 | 1193 | 69 | 2.0 | ./cache/work_buvggge5uffi7o7mdbpk6oxbgu.pdf | ./txt/work_buvggge5uffi7o7mdbpk6oxbgu.txt |
work_fztfhu2csfg3vjhnqjbwppqwmq | Leigh E. Rich | Art, (In)Visibility, and Ebola | 2014 | 4754 | 414 | 7.0 | ./cache/work_fztfhu2csfg3vjhnqjbwppqwmq.pdf | ./txt/work_fztfhu2csfg3vjhnqjbwppqwmq.txt |
work_khvrfiqc4rai5fdugjkkwk73te | Leo Rafolt | America and the Non-European World in the Plays of Josip Kosor''s "Parisian Cycle" | 2006 | 9436 | 564 | 22.0 | ./cache/work_khvrfiqc4rai5fdugjkkwk73te.pdf | ./txt/work_khvrfiqc4rai5fdugjkkwk73te.txt |
work_wyiy3rj7jjcv3jf2ttvyjkn7gm | Leonardo Baglioni | La teoria dei punti di concorso nella scenografia di Guidobaldo del Monte | 2018 | 4470 | 362 | 12.0 | ./cache/work_wyiy3rj7jjcv3jf2ttvyjkn7gm.pdf | ./txt/work_wyiy3rj7jjcv3jf2ttvyjkn7gm.txt |
work_fob6cvfp5jfddciyatjracx5pa | Li-La Park | Art Mask Converged Design Based on an Expression Method of Cubism | 2017 | 2726 | 747 | 6.0 | ./cache/work_fob6cvfp5jfddciyatjracx5pa.pdf | ./txt/work_fob6cvfp5jfddciyatjracx5pa.txt |
work_i7agcnvwnbbgpctxr5j7oquo6q | Lidia Falomo Bernarduzzi | Cross Fertilization Between Museums and Schools, Science and Art, History and Multimedia | 2015 | 8401 | 573 | 22.0 | ./cache/work_i7agcnvwnbbgpctxr5j7oquo6q.pdf | ./txt/work_i7agcnvwnbbgpctxr5j7oquo6q.txt |
work_qblac7ctoveq5ldft75qxl6k3a | Lidia Pivovarova | Word Clustering for Historical Newspapers Analysis | 2019 | 4464 | 331 | 8.0 | ./cache/work_qblac7ctoveq5ldft75qxl6k3a.pdf | ./txt/work_qblac7ctoveq5ldft75qxl6k3a.txt |
work_adpnv3whprf27kdrotiizenltm | Linda Dalrymple Henderson | Editor''s Introduction: I. Writing Modern Art and Science – An Overview; II. Cubism, Futurism, and Ether Physics in the Early Twentieth Century | 2004 | 23830 | 2009 | 44.0 | ./cache/work_adpnv3whprf27kdrotiizenltm.pdf | ./txt/work_adpnv3whprf27kdrotiizenltm.txt |
work_k2nyanvrtre7hff5oj35ndbnde | Linda M. Mueller | The symbiosis between art and architecture as evidenced in Le Corbusier''s Ronchamp | 2004 | 44915 | 3592 | 138.0 | ./cache/work_k2nyanvrtre7hff5oj35ndbnde.pdf | ./txt/work_k2nyanvrtre7hff5oj35ndbnde.txt |
work_4xbrhou5rbhjrfbdzz64f7bnea | Ling Wang | Study on Analyses of Pleasure Trends and Aesthetic Characteristics of Accessories of Haute Couture Design - Focused on Haute Couture Collections from 2005 S/S to 2013 S/S - | 2013 | 5563 | 456 | 15.0 | ./cache/work_4xbrhou5rbhjrfbdzz64f7bnea.pdf | ./txt/work_4xbrhou5rbhjrfbdzz64f7bnea.txt |
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work_f5wdwlg6n5gankff3pdo7gztvq | M. J. Disney | Deep Observations with the Parkes 21-cm Multibeam System | 1999 | 1741 | 169 | 4.0 | ./cache/work_f5wdwlg6n5gankff3pdo7gztvq.pdf | ./txt/work_f5wdwlg6n5gankff3pdo7gztvq.txt |
work_avjmuievxbddblbh33u6nyuoba | M. Lluïsa Faxedas Brujats | 0135 Barradas'' Vibrationism and its Catalan Context | 2020 | 8794 | 532 | 20.0 | ./cache/work_avjmuievxbddblbh33u6nyuoba.pdf | ./txt/work_avjmuievxbddblbh33u6nyuoba.txt |
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work_bdh3ehgvqjbkhmtdonr4wva6ea | M. S. Noble | Beyond XSPEC: Toward Highly Configurable Astrophysical Analysis | 2008 | 101 | 9 | nan | ./cache/work_bdh3ehgvqjbkhmtdonr4wva6ea.pdf | ./txt/work_bdh3ehgvqjbkhmtdonr4wva6ea.txt |
work_t2htj46bineddewmhk73pqm6wi | M.F. Cohen | The Moment Camera | 2006 | 3553 | 305 | 6.0 | ./cache/work_t2htj46bineddewmhk73pqm6wi.pdf | ./txt/work_t2htj46bineddewmhk73pqm6wi.txt |
work_hcwnsav7pnfsxexfztstqxj76q | Madeline H. Caviness | Seeking modernity through the Romanesque: G. G. King and E. H. Lowber behind a camera in Spain c. 1910-25 | 2014 | 11746 | 670 | 30.0 | ./cache/work_hcwnsav7pnfsxexfztstqxj76q.pdf | ./txt/work_hcwnsav7pnfsxexfztstqxj76q.txt |
work_yka77d2przgyfjoo3t6ml44uoi | Mahmoud Elkouriny | Aesthetic Philosophy of Art Resilience as a Global Art Movement and its Impact on Contemporary Interior Design | 2020 | 3949 | 265 | 12.0 | ./cache/work_yka77d2przgyfjoo3t6ml44uoi.pdf | ./txt/work_yka77d2przgyfjoo3t6ml44uoi.txt |
work_elcqofaysrhwdkrm27b22egkwu | Manoj Majhi | Computer Graphics And Understanding Semiotics In Design | 2013 | 2870 | 382 | 4.0 | ./cache/work_elcqofaysrhwdkrm27b22egkwu.pdf | ./txt/work_elcqofaysrhwdkrm27b22egkwu.txt |
work_xbfyijwjija2zfmwtem6nhmiyq | Marcello Sessa | The Modernist Iconography of Sleep. Leo Steinberg, Picasso and The Representation of States of Consciousness | 2021 | 8049 | 631 | 22.0 | ./cache/work_xbfyijwjija2zfmwtem6nhmiyq.pdf | ./txt/work_xbfyijwjija2zfmwtem6nhmiyq.txt |
work_vubtjpuogjbyhdu6bmqa7oms2y | Marcos Nadal | Hemispheric asymmetry of liking for representational and abstract paintings | 2017 | 761 | 136 | nan | ./cache/work_vubtjpuogjbyhdu6bmqa7oms2y.pdf | ./txt/work_vubtjpuogjbyhdu6bmqa7oms2y.txt |
work_z3mseq72qrgn5i66j244arq3wq | Margaret Noodin | Nokaa-Zagaakwa''on Gaawiin Zagaakwasiiaag: Tender Buttons Unfastened | 2018 | 5468 | 322 | 14.0 | ./cache/work_z3mseq72qrgn5i66j244arq3wq.pdf | ./txt/work_z3mseq72qrgn5i66j244arq3wq.txt |
work_zos6577fdvbqtbkzlelcl4lhh4 | Maria C. Fellie | Sinergias: Poesía, física y pintura en la España del siglo XX by Candelas Gala | 2018 | 1381 | 87 | 3.0 | ./cache/work_zos6577fdvbqtbkzlelcl4lhh4.pdf | ./txt/work_zos6577fdvbqtbkzlelcl4lhh4.txt |
work_qif525nstzaa3lzea6awzhcuci | Maria Linda Falcidieno | Textual Images and Visual Texts. Comparative Languages | 2017 | 3676 | 139 | 9.0 | ./cache/work_qif525nstzaa3lzea6awzhcuci.pdf | ./txt/work_qif525nstzaa3lzea6awzhcuci.txt |
work_dbllj5j3lvguri2ppeiimlqc4e | Mariana Aguirre | Ardengo Soffici''s The Room of the Mannequins: Primitivism, Classicism and French Modernism | 2017 | 11139 | 1032 | 30.0 | ./cache/work_dbllj5j3lvguri2ppeiimlqc4e.pdf | ./txt/work_dbllj5j3lvguri2ppeiimlqc4e.txt |
work_6m6rbfyfj5ar3cxdi4zgt2fvq4 | Marianne Hirsch | Editor''s Column: Collateral Damage | 2004 | 4147 | 286 | 7.0 | ./cache/work_6m6rbfyfj5ar3cxdi4zgt2fvq4.pdf | ./txt/work_6m6rbfyfj5ar3cxdi4zgt2fvq4.txt |
work_oqnmp54e6fggfkhi5z6gd6xldi | Marija Kertakova | Fashion during the 20th century post-war periods | 2019 | 4846 | 359 | 10.0 | ./cache/work_oqnmp54e6fggfkhi5z6gd6xldi.pdf | ./txt/work_oqnmp54e6fggfkhi5z6gd6xldi.txt |
work_icywckx4abdipdz4f5t67x7ipu | Mark A. Runco | Simplifying Theories of Creativity and Revisiting the Criterion Problem: A Comment on Simonton''s (2009) Hierarchical Model of Domain-Specific Disposition, Development, and Achievement | 2009 | 2939 | 185 | 11.0 | ./cache/work_icywckx4abdipdz4f5t67x7ipu.pdf | ./txt/work_icywckx4abdipdz4f5t67x7ipu.txt |
work_dh42o6tjqjgn3ngmihchmv4era | Marta Edling | From Margin to Margin? The Stockholm Paris Axis 1944–1953 | 2019 | 10734 | 880 | 17.0 | ./cache/work_dh42o6tjqjgn3ngmihchmv4era.pdf | ./txt/work_dh42o6tjqjgn3ngmihchmv4era.txt |
work_kg4veu57rffyrbimseo7llgdga | Marta Magagnini | Photographic Rhapsodies. Pictures for Designing Architecture, Architecture for Designing Pictures | 2017 | 5574 | 425 | 12.0 | ./cache/work_kg4veu57rffyrbimseo7llgdga.pdf | ./txt/work_kg4veu57rffyrbimseo7llgdga.txt |
work_glf3yv3ftzerdnmqscsosxbhxa | Martin Braund | The ''Great Divide'': How the Arts Contribute to Science and Science Education | 2019 | 10778 | 918 | 18.0 | ./cache/work_glf3yv3ftzerdnmqscsosxbhxa.pdf | ./txt/work_glf3yv3ftzerdnmqscsosxbhxa.txt |
work_3vrdecx2cnce5gry6qf3q4wk3u | Martin Camps | César Chávez y la Unión: Una historia victoriosa de los de abajo by Víctor Fuentes | 2018 | 2228 | 229 | 4.0 | ./cache/work_3vrdecx2cnce5gry6qf3q4wk3u.pdf | ./txt/work_3vrdecx2cnce5gry6qf3q4wk3u.txt |
work_mlz4tezg5bauzgqytyjj6qetum | Martin Scheuregger | Responding to the modernist fragment | 2015 | 3270 | 157 | 7.0 | ./cache/work_mlz4tezg5bauzgqytyjj6qetum.pdf | ./txt/work_mlz4tezg5bauzgqytyjj6qetum.txt |
work_x5v47elnjrglthtwwntosrpuga | Marzieh Imani | Bio-Inspired Design Approach Analysis: A Case Study Of Antoni Gaudi And Santiago Calatrava | 2017 | 1746 | 607 | 7.0 | ./cache/work_x5v47elnjrglthtwwntosrpuga.pdf | ./txt/work_x5v47elnjrglthtwwntosrpuga.txt |
work_u7cbox4pvbfnxo77ooefowammq | María Noel Lapoujade | Life Imaginaries in Gaseous Societies | 2018 | 4906 | 352 | 9.0 | ./cache/work_u7cbox4pvbfnxo77ooefowammq.pdf | ./txt/work_u7cbox4pvbfnxo77ooefowammq.txt |
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work_nznr2jjkdrhwdnjtvrdgivvur4 | Meghan Bissonnette | From "The New Sculpture" to Garden Statuary: the suppression of Abstract Expressionist sculpture | 2015 | 9678 | 528 | 19.0 | ./cache/work_nznr2jjkdrhwdnjtvrdgivvur4.pdf | ./txt/work_nznr2jjkdrhwdnjtvrdgivvur4.txt |
work_h2utktdsb5darmkuxrd66hvclu | Melek AKYÜREK | RESMİN SOYUT VE SOYUTLAMADAKİ YÜZÜ: YENİ-PLASTİSİZM | 2017 | 5156 | 939 | 16.0 | ./cache/work_h2utktdsb5darmkuxrd66hvclu.pdf | ./txt/work_h2utktdsb5darmkuxrd66hvclu.txt |
work_dxgfcqixyrclvkhuqzvzsqnhwy | Meng Jun | Contemporary Art Characteristics of Original Costume Design | 2020 | 2931 | 183 | 7.0 | ./cache/work_dxgfcqixyrclvkhuqzvzsqnhwy.pdf | ./txt/work_dxgfcqixyrclvkhuqzvzsqnhwy.txt |
work_t2omzu37qbhorfinel7pxnc73i | Meral Batur | Space Changing in the Art with the Digitalisation | 2012 | 2669 | 251 | 4.0 | ./cache/work_t2omzu37qbhorfinel7pxnc73i.pdf | ./txt/work_t2omzu37qbhorfinel7pxnc73i.txt |
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work_4c7fwu7xc5eollxmmdo5pfb5om | Michael Crow | R&D laboratory classification and public policy: The effects of environmental context on laboratory behavior | 1987 | 15912 | 2571 | 22.0 | ./cache/work_4c7fwu7xc5eollxmmdo5pfb5om.pdf | ./txt/work_4c7fwu7xc5eollxmmdo5pfb5om.txt |
work_73kj5zqdvfdrdpkps2tku4cpuq | Michael Harris | Exhibit Review: Mathématiques, un dépaysement soudain (Sudden Disorientation in a Paris Museum) | 2012 | 4474 | 243 | 5.0 | ./cache/work_73kj5zqdvfdrdpkps2tku4cpuq.pdf | ./txt/work_73kj5zqdvfdrdpkps2tku4cpuq.txt |
work_4zhhjnhvgzc7hil6njyeq6ma7y | Michael L.J. Apuzzo | THE ALCHEMY OF IDEAS | 2008 | 6267 | 687 | 10.0 | ./cache/work_4zhhjnhvgzc7hil6njyeq6ma7y.pdf | ./txt/work_4zhhjnhvgzc7hil6njyeq6ma7y.txt |
work_mkpr3g5edbalhh3vgk63lcrkc4 | Michael Mayer | Neurospine Endoscopic Spinal Surgery, 2nd Issue | 2020 | 722 | 59 | 2.0 | ./cache/work_mkpr3g5edbalhh3vgk63lcrkc4.pdf | ./txt/work_mkpr3g5edbalhh3vgk63lcrkc4.txt |
work_cjalbmpehjec3k35fxyffpvnee | Michael Renner | New Images. Imagination in the Process of Aesthetic Practice—The Process of Collage | 2017 | 6143 | 467 | 12.0 | ./cache/work_cjalbmpehjec3k35fxyffpvnee.pdf | ./txt/work_cjalbmpehjec3k35fxyffpvnee.txt |
work_www3gs6ttbakrl2hh46e7rwa6m | Michel Puig | Petite histoire de mon théâtre musical | 1982 | 5029 | 722 | 13.0 | ./cache/work_www3gs6ttbakrl2hh46e7rwa6m.pdf | ./txt/work_www3gs6ttbakrl2hh46e7rwa6m.txt |
work_kvcyshqzefhjdc5mtwkbvviug4 | Miguel Pereira-Santaella | Spitzer/IRS Mapping of Local Luminous Infrared Galaxies | 2008 | 934 | 109 | 4.0 | ./cache/work_kvcyshqzefhjdc5mtwkbvviug4.pdf | ./txt/work_kvcyshqzefhjdc5mtwkbvviug4.txt |
work_hv56n6cff5boxfriobxxjm77qi | Miguel Rodríguez | SigmaKB | 2016 | 808 | 172 | nan | ./cache/work_hv56n6cff5boxfriobxxjm77qi.pdf | ./txt/work_hv56n6cff5boxfriobxxjm77qi.txt |
work_6ztm3ktxi5aazbuuov4mo2k2ty | Mihai OLARIU | COPYRIGHT PROTECTED PLASTIC ARTWORK IN THE LIGHT OF THE EUROPEAN AND ROMANIAN LAWS AND THE ARTWORK VALUE RELEVANCE | 2018 | 98 | 14 | nan | ./cache/work_6ztm3ktxi5aazbuuov4mo2k2ty.pdf | ./txt/work_6ztm3ktxi5aazbuuov4mo2k2ty.txt |
work_kxefpnvbnfblfb6bj5udiwsd6e | Milena Bartlová | Continuity and discontinuity in the Czech legacy of the Vienna School of Art History | 2013 | 5922 | 347 | 10.0 | ./cache/work_kxefpnvbnfblfb6bj5udiwsd6e.pdf | ./txt/work_kxefpnvbnfblfb6bj5udiwsd6e.txt |
work_6y5oq2y2nrapbkxhyebr77dh2i | Milena Bartlová | Czech art history and Marxism | 2012 | 8020 | 412 | 14.0 | ./cache/work_6y5oq2y2nrapbkxhyebr77dh2i.pdf | ./txt/work_6y5oq2y2nrapbkxhyebr77dh2i.txt |
work_eddh6e24vjgnddxsiiulmcng2i | Milica Ivić | Benjamin Buhloh. Recepcija nasleđa avangarde / Benjamin Buchloh. Reception of Avant-Garde Heritage | 2013 | 4468 | 725 | 8.0 | ./cache/work_eddh6e24vjgnddxsiiulmcng2i.pdf | ./txt/work_eddh6e24vjgnddxsiiulmcng2i.txt |
work_frymu6uqqbg2lhypatlm3bqxee | Miloš Duraj | Monuments of the Czech Republic on the UNESCO World Heritage Site List and their Significance for Geotourism | 2016 | 3925 | 351 | 6.0 | ./cache/work_frymu6uqqbg2lhypatlm3bqxee.pdf | ./txt/work_frymu6uqqbg2lhypatlm3bqxee.txt |
work_e5y7di6xz5di3mt56cmjhsr7lm | Mona Holmqvist Olander | The Effect of Illustration on Improving Text Comprehension in Dyslexic Adults | 2016 | 171 | 44 | nan | ./cache/work_e5y7di6xz5di3mt56cmjhsr7lm.pdf | ./txt/work_e5y7di6xz5di3mt56cmjhsr7lm.txt |
work_mpeihe564banzpeqvtvfdgoi3u | Morton H. Levine | Prehistoric Art and Ideology | 1957 | 9118 | 684 | 17.0 | ./cache/work_mpeihe564banzpeqvtvfdgoi3u.pdf | ./txt/work_mpeihe564banzpeqvtvfdgoi3u.txt |
work_xfqwejkwjjftbjuaemcfaoyjk4 | Myoung-Sik Han | A Study on the Baroque Characteristics Expressed in Architecture by Richard Meier | 2013 | 4692 | 1250 | 8.0 | ./cache/work_xfqwejkwjjftbjuaemcfaoyjk4.pdf | ./txt/work_xfqwejkwjjftbjuaemcfaoyjk4.txt |
work_rp4v7nkgoffezf5pvt73iaorji | N. L. J. Cox | Polycyclic aromatic hydrocarbons and molecular hydrogen in oxygen-rich planetary nebulae: the case of NGC 6720 | 2015 | 4825 | 426 | 5.0 | ./cache/work_rp4v7nkgoffezf5pvt73iaorji.pdf | ./txt/work_rp4v7nkgoffezf5pvt73iaorji.txt |
work_qg4vepv2nbg6rkfpb7ebmhvlei | N. Pariente | On jumping genes and other things: Interview with Fred Gage, Adler Professor at the Salk Institute | 2014 | 30 | 2 | nan | ./cache/work_qg4vepv2nbg6rkfpb7ebmhvlei.pdf | ./txt/work_qg4vepv2nbg6rkfpb7ebmhvlei.txt |
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work_ixnssjlu4nfsdp6jiy5upane54 | NIKA Maklena | 10 The Concept of "Black Humour" at French and Greek Writers | 2015 | 3833 | 236 | 8.0 | ./cache/work_ixnssjlu4nfsdp6jiy5upane54.pdf | ./txt/work_ixnssjlu4nfsdp6jiy5upane54.txt |
work_w2u6ihedkzdnpnqq7432qhvxmu | Nada Miletic | Children''s Creative Work – A Comparative Approach to Teaching Visual Art and Music | 2013 | 2733 | 181 | 5.0 | ./cache/work_w2u6ihedkzdnpnqq7432qhvxmu.pdf | ./txt/work_w2u6ihedkzdnpnqq7432qhvxmu.txt |
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