foreword (to the past)

Congratulations to Melissa Terras and Paul Gooding on the publication of an important new collection of essays entitled Electronic Legal Deposit: Shaping the Library Collections of the Future! This volume takes a global outlook on challenges and successes in preserving digital information, and stems from their Digital Library Futures AHRC project, which first analyzed the impact of electronic legal deposit legislation on academic libraries and their users in the UK. More from Melissa here, including “An Ark to Save Learning from Deluge? Reconceptualising Legal Deposit after the Digital Turn,” an OA version of the opening chapter she & Paul contributed to the collection.

I was honored to be asked to write a Foreword to the book, which I share here, under Facet Publishing’s Green OA agreement, as my own author’s last copy of a single chapter from an edited collection. I thought I’d post it, particularly, now — as next week not only marks World Digital Preservation Day, but another highly significant Election Day in the United States. We are four years on from the moment I describe below…

On the morning of November 9th, 2016, I looked out over a Milwaukee ballroom crowded with librarians, archivists, and specialists in digital preservation. Some were pensive. Many were weeping. Others seemed stricken.

My audience had gathered for the first joint conference of the Digital Library Federation (DLF, the US-based nonprofit organization I then directed) with its new partner, the National Digital Stewardship Alliance (NDSA)—a cross-industry group that had recently come under DLF’s wing from its place of genesis at the Library of Congress. We were strangers and friends, largely though not exclusively American, united in a community of practice and the common cause of a dedication to the future of libraries, archives, and their holdings and information services in the digital age. But it suddenly felt as if we didn’t know what information was, and whether—despite all our efforts, expertise, and the shared infrastructure that our memory institutions represented—its future could be made secure.

The unexpected outcome of the US presidential election, announced in the wee hours the night before, had cast a pall over this professional audience that crossed party lines. How could so many confident, data-driven predictions have been so wrong? What shared social understandings—built from the seeming common landscape of ubiquitous digital information that we had met to manage and survey—had never, in fact, been shared or were even commonly legible at all? And what evidentiary traces of this time would remain, in a political scene of post-truth posturing, the devaluation of expert knowledge, and the willingness of our new authorities—soon to become as evident on federal websites as in press conferences and cable news punditry—to revise and resubmit the historical record?

The weeks and months that followed, for DLF and NDSA members, were filled with action. While the End of Term Web Archive project sprang to its regular work of harvesting US federal domains at moments of presidential transition, reports that Trump administration officials had ordered the removal of information on climate change and animal welfare from the websites of the Environmental Protection agency and US Department of Agriculture fostered a fear of the widespread deletion of scientific records, and prompted emergency ‘Data Rescue’ download parties. A new DLF Government Records Transparency and Accountability working group was launched. Its members began watch-dogging preparations for the 2020 US Census and highlighting House and Senate bills meant to curtail scientific and demographic data creation; scrutinizing proposed changes to the records retention schedules of federal agencies and seeking ways to make the arcanum of their digital preservation workflows more accessible to the general public; and—amid new threats of the deportation of immigrants and the continued rise of violent nationalism—asking crucial questions about what electronic information should be made discoverable and accessible, for the protection of vulnerable persons. The Social Sciences Research Council convened a meeting on challenges to the digital preservation of documents of particular value to historians, economists, cultural anthropologists, and other social scientists, and the PEGI Project—focusing on the Preservation of Electronic Government Information—commissioned a wide-ranging report on at-risk, born-digital information meant to be held by US federal depository libraries and other cultural memory institutions for long-term public access and use.

Over time, reflective, pedagogical, and awareness-raising projects like Endangered Data Week emerged, ties among the NDSA and international organizations like the UK-based Digital Preservation Coalition were strengthened, and conversations on college campuses (fueled by the Cambridge Analytica scandal and the work of scholars of race, technology, and social media like Safiya Noble and Siva Vaidhyanathan) turned more squarely to data ethics and algorithmic literacy. Frenetic Data Rescue parties gave over to the more measured advocacy and storytelling approach of the Data Refuge movement. And in the UK, an AHRC-funded ‘Digital Library Futures’ project led by Paul Gooding and Melissa Terras (the seed of this edited collection) offered a golden opportunity to reflect—in the light of altered global understandings of the preservation and access challenges surrounding digital information—on the parliamentary Legal Deposit Libraries (Non Print Works) Regulations of 2013, which extended collecting practices dating to the Early Modern Period to new media formats beyond the book.

You hold in your hands (or view on your screens, or listen to through e-readers, or encounter in some other way I can’t yet foresee) an important and timely volume. It is well balanced between reflection-and-outlook and practice-and-method in what our editors call the ‘contested space’ of e-legal deposit—taking on the international and very long-term consequences of our present-day conception, regulation, assembly, positioning, and use of library-held digital collections.

In other words, the essays assembled here cross space and time. The editors take a necessarily global view in bringing together a broad array of national approaches to the legal deposit of materials that already circulate in world-wide networks. And while the authors they’ve invited to contribute certainly take a long view of digital information, they also frequently address, head-on, the ways that electronic legal deposit forces our attention not just on posterity, but on the here-and-now of what media consumption means and how it works in the digital age. Rather than asking us to rest our imaginations on a far-future prospect in which reading is conducted as it ever was in print (was any such act, as Jerome McGann would ask, self-identical?), the authors of these essays, collectively, assert that the kaleidoscopic mediations of e-legal deposit show us we’ve never really known what reading is. 

The best thinkers on libraries question the very assumptions that our memory institutions rest upon, while elevating and honoring both their promise and the centuries of labor and careful (if not always disinterested or benign) intent that have made them what they are. Melissa Terras and Paul Gooding are among the best, and the perspectives they have assembled here—from publishers, eminent librarians and archivists, technologists, organizers, and scholars—make this edited collection an essential contribution to the literature on digital preservation. It is a necessary book that grapples with legal, practical, technical, and conceptual problems: with the distinctive visions and values of libraries; with the necessarily concomitant development of policies and platforms; and even with the very nature of our documentary heritage, at a moment when print-era logics break down.

What I most appreciate is that this book—like the notion of e-legal deposit itself—calls for careful consideration of both present-day services and research possibilities not yet dreamt of. In this, it serves the true mission of legal deposit libraries: to be a stable bridge between a past that is perpetually constructed by our acts of preservation and erasure—and the many futures we may mediate but can barely imagine.

a pledge: self-examination and concrete action in the JMU Libraries

“The beauty of anti-racism is that you don’t have to pretend to be free of racism to be an anti-racist. Anti-racism is the commitment to fight racism wherever you find it, including in yourself. And it’s the only way forward.” — Ijeoma Oluo, author of So You Want to Talk About Race.

Black lives matter. Too long have we allowed acts of racism and deeply ingrained, institutionalized forces of white supremacy to devalue, endanger, and grievously harm Black people and members of other minoritized and marginalized groups. State-sanctioned violence and racial terror exist alongside slower and more deep-seated forces of inequality, anti-Blackness, colonization, militarization, class warfare, and oppression.

As members of the JMU Libraries Dean’s Council and Council on Diversity, Equity, and Inclusion, we acknowledge these forces to be both national and local, shaping the daily lived experiences of our students, faculty, staff, and community members. As a blended library and educational technology organization operating within a PWI, the JMU Libraries both participates in and is damaged by the whiteness and privilege of our institutions and fields. Supporting the James Madison University community through a global pandemic has helped us see imbalances, biases, and fault lines of inequality more clearly.

We pledge self-examination and concrete action. Libraries and educational technology organizations hold power, and can share or even cede it. As we strive to create welcoming spaces and services for all members of our community, we assert the fundamental non-neutrality of libraries and the necessity of taking visible and real action against the forces of racism and oppression that affect BIPOC students, faculty, staff, and community members.

Specifically, and in order to “fight racism wherever [we] find it, including in [ourselves],” we commit to:

  • Listen to BIPOC and student voices, recognizing that they have long spoken on these issues and have too often gone unheard.
  • Educate ourselves and ask questions of all the work we do. (“To what end? To whose benefit? Whose comfort is centered? Who has most agency and voice? Who is silenced, ignored, or harmed? Who is elevated, honored, and made to feel safe? Who can experience and express joy?”) 
  • Set public and increasingly measurable goals related to diversity, equity, inclusion, and anti-racism, so that we may be held accountable.
  • Continue to examine, revise, and augment our collections, services, policies, spending patterns, and commitments, in order to institutionalize better practices and create offerings with enduring impact.
  • Learn from, and do better by, our own colleagues.

We are a predominantly white organization and it is likely that we will make mistakes as we try to live up to this pledge. When that happens, we will do the work to learn and rectify. We will apologize, examine our actions and embedded power structures, attempt to mitigate any harm caused by our actions, and we will do better.

Continue reading “a pledge: self-examination and concrete action in the JMU Libraries”

change us, too

[The following is a brief talk I gave at the opening plenary of RBMS 2019, a meeting of the Rare Books and Manuscripts section of the ACRL/ALA. This year’s theme was “Response and Responsibility: Special Collections and Climate Change,” and my co-panelists were Frances Beinecke of the National Resources Defense Council and Brenda Ekwurzel of the Union of Concerned Scientists. Many thanks to 2019 conference chairs Ben Goldman and Kate Hutchens, session chair Melissa Hubbard, and outgoing RBMS chair Shannon Supple. The talk draws together some of my past writings, all of which are linked to and freely available. Images in my slide deck, as here, were by Catherine Nelson.]

Six years ago, I began writing about cultural heritage and cultural memory in the context of our ongoing climate disaster. Starting to write and talk publicly was a frank attempt to assuage my terror and my grief—my personal grief at past and coming losses in the natural world, and the sense of terror growing inside me, both at the long-term future of the digital and physical collections in my charge, and at the unplanned-for environmental hardships and accelerating social unrest my two young children, then six and nine years old, would one day face.

I latched, as people trained as scholars sometimes do, onto a set of rich and varied theoretical frameworks. These were developed by others grappling with the exact same existential dread: some quite recent, some going back to the 1960s, the 1920s, even the 1870s—demonstrating, for me, not just the continuity of scientific agreement on the facts of climate change and the need for collective action (as my co-panelists have demonstrated), but scholarly and artistic agreement on the generative value of responses from what would become the environmental humanities and from practices I might call green speculative design. The concepts and theories I lighted on, however, served another function. They allowed me simultaneously to elevate and to sublimate many of my hardest-hitting feelings. In other words, I put my fears into a linguistic machine labeled “the Anthropocene”—engineered to extract angst and allow me to crank out historicized, lyrical melancholy on the other end.

Since then I’ve also become concerned that, alongside and through the explicit, theoretical frameworks I found in the literature, I leaned unconsciously—as cis-gender white women and other members of dominant groups almost inevitably do—on implicit frameworks of white supremacy, on my gender privilege, and on the settler ideologies that got us here in the first place, all of which uphold and support the kind of emotional and fundamentally self-centered response I was first disposed to make. I see more clearly now that none of this is about my own relatively vastly privileged children and well-tended collections—except insofar as both of them exist within broader networks and collectives of care, as one achingly beloved and all-too-transitory part.

Please don’t misunderstand me: it remains absolutely vital that we honor our attachments, and acknowledge the complexity and deep reality of our emotional responses to living through the sixth great mass extinction of life on this planet—vital to compassionate teaching and leadership, to responsible stewardship, and to defining value systems that help us become more humane in the face of problems of inhuman scale. Grappling with our emotions as librarians and archivists (and as curators, conservators, collectors, community organizers, scholars, and scientists) will be a major part of the work of this conference. It is also vital to doing work that appreciates its own inner standing point, and uses its positionality to promote understanding and effect change.

But I’ve felt my own orientation changing. For me, all of this is, every day, less and less about my feelings on special collections and climate change—except to the degree that those feelings drive me toward actions that have systemic impact and are consonant with a set of values we may share. So this is a brief talk that will try to walk you (for what it’s worth) along the intellectual path I’ve taken over the past six years—in the space of about sixteen minutes.

Continue reading “change us, too”

from the grass roots

[This is a cleaned-up version of the text from which I spoke at the 2019 conference of Research Libraries UK, held at the Wellcome Collection in London last week. I’d like to thank my wonderful hosts for an opportunity to reflect on my time at DLF. As I said to the crowd, I hope the talk offers some useful—or at least productively vexing—ideas.]

At a meeting in which the status of libraries as “neutral spaces” has been asserted and lauded, I feel obligated to confess: I’m not a believer in dispassionate and disinterested neutrality—not for human beings nor for the institutions that we continually reinforce or reinvent, based on our interactions in and through them. My training as a humanities scholar has shown me all the ways that it is in fact impossible for us to step wholly out of our multiple, layered, subjective positions, interpretive frameworks, and embodied existence. It has also taught me the dangers of assuming—no matter how noble our intentions—that socially constructed institutions might likewise escape their historical and contemporary positioning, and somehow operate as neutral actors in neutral space.

Happily, we don’t need neutrality to move constructively from independent points of view to shared understandings and collective action. There are models for this. The ones I will focus on today are broadly “DH-adjacent,” and they depend, sometimes uncomfortably, on the vulnerability, subjectivity, and autonomy of the people who engage with them—foregrounding the ways that individual professional roles intersect with personal lives as they come together around shared missions and goals. And as I discuss them, please note that I’ll be referring to the digital humanities and to digital librarianship somewhat loosely—in their cultural lineaments—speaking to the diffuse and socially constructed way both are practiced on the ground. In particular, I’ll reference a DH that is (for my purposes today) relatively unconcerned with technologies, methods, and objects of study. It’s my hope that shifting our focus—after much fruitful discussion, this week, of concrete research support—to a digital humanities that can also be understood as organizational, positional, and intersubjective might prompt some structural attunement to new ways of working in libraries.

And I do this here, at a consortial gathering of “the most significant research libraries in the UK and Ireland,” because I think that self-consciously expanding our attention in library leadership from the pragmatic provision of data, platforms, skills-teaching, and research support for DH, outward to its larger organizational frame is one way of cracking open serious and opportune contributions by people who would not consider themselves digital humanists at all. This likely includes many of you, your colleagues in university administration across areas and functions, and most members of your libraries’ personnel. Such a change in focus invites all of us to be attentive to the deeper and fundamentally different kinds of engagement and transformation we might foster through DH as a vector and perhaps with only simple re-inflections of the resources we already devote to the field. It could also open our organizations up to illuminating partnerships with communities of practice who frankly don’t give a fig about academic disciplinary labels or whether they are or are not “doing DH.”

I also speak to library leaders because my call is not for work to be done by individual scholars as researchers and teachers alone, nor even by small teams of librarians laboring in support of the research and cultural heritage enterprise—but rather by our fully-engaged institutions as altered structures of power.

Continue reading “from the grass roots”

how the light gets in

I took a chance on a hackberry bowl at a farmer’s market—blue-stained and turned like a drop of water. It’s a good name for it. He had hacked it down at the bottom of his garden. (They’re filling in the timber where the oaks aren’t coming back.)

But the craftsman had never worked that kind of wood before, kiln-dried at steamy summer’s height. “Will it split?”

It did. Now it’s winter, and I make kintsukuroi, a golden repair. I found the wax conservators use on gilded picture-frames, and had some mailed from London. It softens in the heat of hands.

Go on. Let the dry air crack you open. You can break and be mended again.

hackberry bowl, repaired