Portal:Literature

Introduction

The Adventures of Pinocchio (1883) is a canonical piece of children's literature and one of the best-selling books ever published.

Literature broadly is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose fiction, drama, and poetry. In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed. Literature is a method of recording, preserving, and transmitting knowledge and entertainment.

Literature, as an art form, can also include works in various non-fiction genres, such as autobiography, diaries, memoir, letters, and the essay. Within its broad definition, literature includes non-fictional books, articles or other printed information on a particular subject. (Full article...)

Selected work

Z. Marcas is a novelette by French author Honoré de Balzac first published in 1840. Set in contemporary Paris, it describes the rise and fall of a brilliant political strategist who is abandoned by the politicians he helps into power. Destitute and forgotten, he befriends a pair of students who live next door to him in a boarding-house. The story follows their many discussions about the political situation in France.

Although Z. Marcas features characters from other Balzac stories and elements of literary realism – both hallmarks of Balzac's style – it is remembered primarily for its political themes. Balzac, a legitimist, believed that France's lack of bold leadership had led to mediocrity and ruin, and that men of quality were being ignored or worse. He maintained that the youth of France were in danger of being abandoned by the government, and predicted unrest in the years to come.

The story also explores Balzac's conviction that a person's name is a powerful indicator of his or her destiny, an idea he drew from the work of Laurence Sterne. The title character, with his keen intellect, is based on Balzac's conception of himself: a visionary genius who fails to achieve his true potential because of less talented individuals with more social power.

Selected figure

Jorge Mario Pedro Vargas Llosa, 1st Marquis of Vargas Llosa (born March 28, 1936), more commonly known as Mario Vargas Llosa (/ˈvɑːrɡəs ˈjoʊsə/; Spanish: [ˈmaɾjo ˈbaɾɣas ˈʎosa]), is a Peruvian writer, journalist, essayist, college professor, and a former politician. Vargas Llosa is one of Latin America's most significant novelists and essayists, and one of the leading writers of his generation. Some critics consider him to have had a larger international impact and worldwide audience than any other writer of the Latin American Boom. In 2010 he won the Nobel Prize in Literature, "for his cartography of structures of power and his trenchant images of the individual's resistance, revolt, and defeat."

Vargas Llosa rose to international fame in the 1960s with novels such as The Time of the Hero (La ciudad y los perros, literally The City and the Dogs, 1963/1966), The Green House (La casa verde, 1965/1968), and the monumental Conversation in the Cathedral (Conversación en la catedral, 1969/1975). He writes prolifically across an array of literary genres, including literary criticism and journalism. His novels include comedies, murder mysteries, historical novels, and political thrillers. Several, such as Captain Pantoja and the Special Service (1973/1978) and Aunt Julia and the Scriptwriter (1977/1982), have been adapted as feature films.

Many of Vargas Llosa's works are influenced by the writer's perception of Peruvian society and his own experiences as a native Peruvian. Increasingly, however, he has expanded his range, and tackled themes that arise from other parts of the world. In his essays, Vargas Llosa has made many criticisms of nationalism in different parts of the world. Another change over the course of his career has been a shift from a style and approach associated with literary modernism, to a sometimes playful postmodernism. (Full article...)

Selected excerpt

“ Something incomprehensible, vexatious and hopeless takes possession of the man's whole being. He forgets his comrade who is awaiting him, forgets the work that is to be accomplished that night, and with his whole excited spirit abandons himself to the dumb dog. He cannot convince himself that the dog does not comprehend either the danger, or his words, or the necessity of going home at once. He lifts him angrily by the skin of his neck and so carries him ten steps nearer to the house. There he deposits him carefully on the snow and commands: "Away with you, go home!" ” — Leonid Andreyev, The Burglar

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► Literature

Selected illustration

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  Ivanhoe

  Engraver: J. Cooper; Restoration: Adam Cuerden

  "Le Noir Faineant in the Hermit's Cell", an illustration from an 1886 edition of Sir Walter Scott's 1819 novel Ivanhoe. Here, we see Le Noir Faineant, or the Black Knight (Richard the Lionheart in disguise) with Friar Tuck. Scott was an early pioneer in the development of the modern novel, and largely created the genre of historical fiction by weaving together legends and characters into his own creations. Ivanhoe, the story of one of the remaining Saxon noble families at a time when the English nobility was overwhelmingly Norman, was greatly influential on the modern view of the English folk hero Robin Hood, and has inspired many adaptations around the world in theatre, opera, film, and television.

• 

  "The Queen of Hearts"

  Restoration: Lise Broer

  William Wallace Denslow's illustration of the poem "The Queen of Hearts" from a 1901 issue of Mother Goose. The poem was originally published in 1782 as part of a set of four playing card based poems, but proved to be far more popular than the others. By 1785 it had been set to music, and it forms the basis of the plot of Lewis Carroll's Alice in Wonderland, Chapter XI: "Who Stole the Tarts?" Although it was originally published in a magazine for adults, it is now best known as a nursery rhyme.

• 

  The Sleeping Beauty

  Illustration: W. E. F. Britten; restoration: Adam Cuerden

  "The Sleeping Beauty" is a poem written by Alfred, Lord Tennyson, and published in 1830; it was later expanded and published in 1842 as "The Day-Dream". Based on the fairy tale Sleeping Beauty, the poem (as with many of Tennyson's adaptations of existing literary works) focuses on a single aspect of the story, the appearance of the eponymous character as she sleeps.
  
  This illustration by W. E. F. Britten was published in 1901 to accompany a reprinting of "The Sleeping Beauty". It accompanies the poem's final lines: "She sleeps, nor dreams, but ever dwells / A perfect form in perfect rest."

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  "The Canterville Ghost"

  Artist: Wallace Goldsmith; Restoration: Adam Cuerden

  A scene from "The Canterville Ghost", Oscar Wilde's first published story, which is about an American family that moves into a haunted house in England. However, instead of being frightened of the eponymous ghost, they turn the tables and prank him, such as in this scene, where the twin boys have set up a butter-slide, causing the ghost to slip down the staircase. The story satirises both the unrefined tastes of Americans and the determination of the British to guard their traditions.

• 

  Dan'l Druce, Blacksmith

  Artist: Francis S. Walker; Engraving: Brothers Dalziel
  Restoration: Adam Cuerden

  Hermann Vezin in the title role of Dan'l Druce, Blacksmith, an 1876 play by W. S. Gilbert. In the story, Druce begins as a miser and drunkard whose wife has left him. Two army deserters find shelter at his house, but they rob him and abandon a baby girl there. Many years later, Druce has become a blacksmith, and the two men return to try to claim the girl. The play was a success, running for about 100 performances and enjoying tours and several revivals.

• 

  The Last of the Mohicans

  Illustration: Frank T. Merrill; restoration: Chris Woodrich

  An illustration from 1896 edition of James Fenimore Cooper's The Last of the Mohicans. Set during the French and Indian War, the novel details the transport of two young women to Fort William Henry. Among the caravan guarding the women are the frontiersman Natty Bumppo, the Major Duncan Heyward, and the Indians Chingachgook and Uncas. In this scene, Bumppo (disguised as a bear) fights against the novel's villain, Magua, as two of his compatriots look on.

• 

  Scientific romance

  Artist: Albert Robida

  A typical 20th-century aerial rotating house, as drawn by Albert Robida. The drawing shows a dwelling structure in the scientific romance style elevated above rooftops and designed to revolve and adjust in various directions. An occupant in the lower right points to an airship with a fish-shaped balloon in the sky, while a woman rides a bucket elevator on the left. Meanwhile, children fly a kite from the balcony as a dog watches from its rooftop doghouse.

• 

  Pride and Prejudice

  Artist: George Pickering, Engraver: William Greatbatch; Restoration: Adam Cuerden

  One of the two earliest illustrations of Jane Austen's novel Pride and Prejudice, which was first published on January 28, 1813. This engraving comes from the first illustrated edition, published twenty years later, and depicts Elizabeth Bennet (the main protagonist, right) and her father, in fashions that were common in the 1830s, not the story's original time setting. The novel is told from Bennet's point of view and deals with issues of manners, upbringing, moral rightness, education and marriage in the aristocratic society of early 19th century England. The novel retains a fascination for modern readers, having sold some 20 million copies worldwide and continuing near the top of lists of 'most loved books'.

• 

  The Song of Los

  Illustration: William Blake

  The Song of Los is an epic poem by William Blake first published in 1795 and considered part of his prophetic books. The poem consists of two sections, "Africa" and "Asia": in the first section Blake catalogues the decline of morality in Europe, which he blames on both the African slave trade and enlightenment philosophers, whereas in the second section he describes a worldwide revolution, urged by the eponymous Los.
  
  The illustration here is from the book's frontispiece and shows Urizen presiding over the decline of morality.

• 

  Divine Comedy

  Restoration: Adam Cuerden

  An engraving of Charon, in Greek mythology the ferryman of Hades who carried souls of the newly deceased across the River Styx that divided the world of the living from the world of the dead. This illustration is from French engraver Gustave Doré's 1857 set of illustrations for Dante Alighieri's Divine Comedy, an Italian epic poem depicting an allegorical vision of the Christian afterlife. Here, Charon is shown coming to ferry souls across the river Acheron to Hell. The caption is from Henry Francis Cary's translation, from which this particular copy is taken:
  
  And, lo! toward us in a bark
  Comes on an old man, hoary white with eld,
  Crying "Woe to you, wicked spirits!"

• 

  Childe Harold's Pilgrimage

  Engraving: I. H. Jones; Restoration: Adam Cuerden

  The frontispiece to a c. 1825 edition of Childe Harold's Pilgrimage, a lengthy narrative poem by Lord Byron. The poem describes the travels and reflections of a world-weary young man who, disillusioned with a life of pleasure and revelry, looks for distraction in foreign lands. In a wider sense, it is an expression of the melancholy and disillusionment felt by a generation weary of the wars of the post-Revolutionary and Napoleonic eras. This poem proved to be quite popular upon its publication in 1812. Byron himself said of this, "I awoke one morning and found myself famous."

• 

  Auld Lang Syne

  Engraving: John Masey Wright (artist) and John Rogers (engraver); restoration: Adam Cuerden

  A mid-19th century illustration for "Auld Lang Syne", a Scots poem written by Robert Burns in 1788 and set to a traditional melody. It is traditionally used in the English-speaking world to bid farewell to the old year at the stroke of midnight on New Year's Eve; this has led to the song being used to close other activities as well.

• 

  Suikoden

  Woodblock artist: Utagawa Kuniyoshi

  This woodblock print, titled Kinhyōshi yōrin, hero of the Suikoden, is one of a series created by the Japanese artist Utagawa Kuniyoshi between 1827 and 1830 illustrating the 108 Suikoden ("Water Margin"). The publication of the series catapulted Kuniyoshi to fame. The story of the Suikoden is an adaptation of the Chinese Shuǐhǔ Zhuàn; during the 1800s, the publication of this woodblock series and other translations of the novel created a Suikoden craze in Japan. Following the great commercial success of the Kuniyoshi series, other ukiyo-e artists were commissioned to produce prints of the Suikoden heroes, which began to be shown as Japanese heroes rather than the original Chinese personages. The hero portrayed in this print is Yang Lin.

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  The Water-Babies, A Fairy Tale for a Land Baby

  Artist: Jessie Willcox Smith; Restoration: ErikTheBikeMan

  Mrs. Bedonebyasyoudid, a character named after the Golden Rule, from The Water-Babies, A Fairy Tale for a Land Baby, a children's novel by Charles Kingsley. Published in 1863, the book was extremely popular in England, and was a mainstay of British children's literature for many decades. The book had been intended in part as a satire, a tract against child labour, as well as a serious critique of the closed-minded approaches of many scientists of the day in their response to Charles Darwin's ideas on evolution.

• 

  Caterpillar, Alice's Adventures in Wonderland

  Artist: Sir John Tenniel

  Sir John Tenniel's illustration of the Caterpillar for Lewis Carroll's classic children's book, Alice's Adventures in Wonderland. The illustration is noted for its ambiguous central figure, which can be viewed as having either a human male's face with pointed nose and protruding lower lip or as the head end of an actual caterpillar, with the right three "true" legs visible. The small symbol in the lower left is composed of Tenniel's initials, which was how he signed most of his work for the book. The partially obscured word in the lower left-center is the last name of Edward Dalziel, the engraver of the piece.

Did you know

• ... that the John Steinbeck play adaptation Of Mice and Men debuted on Broadway while the novel of the same name was still on the best seller lists?
• ... that Samuel Taylor Coleridge's Eminent Characters series includes: a lawyer, a speaker, a Unitarian, a general, a rebel, a betrayer, a poet, an actress, a philosopher, a friend, a playwright and a lord?
• ... that The Insider, a roman à clef, was Prime Minister P V Narasimha Rao's first novel?
• ... that a possible source for the poem The Fox, the Wolf and the Husbandman, by the 15th-century Scottish poet Robert Henryson, was Aesop's Fables as published by William Caxton?
• ... that Maria Konopnicka's poem Rota became so popular it was seen as an unofficial anthem of Poland?

Today in literature

28 December

• 1619 - Antoine Furetière, French writer born
• 1859 - Thomas Macaulay, British poet died
• 1877 - Nikolai Alekseevich Nekrasov, Russian poet died
• 1902 - Shen Congwen, Chinese writer born
• 1918 - Olavo Bilac, Brazilian poet died
• 1922 - Stan Lee, American comic book writer born
• 1931 - Guy Debord, French writer born
• 1932 - Manuel Puig, Argentine writer born
• 1945 - Theodore Dreiser, American author died
• 2001 - William X. Kienzle, American novelist died
• 2004 - Susan Sontag, American writer died

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