quadgram

This is a table of type quadgram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

quadgram	frequency
at the same time	33
on the other hand	29
for the most part	25
of the radical element	23
the nature of the	21
the history of the	18
in so far as	17
whom did you see	16
in the history of	14
in a state of	13
footnote refers to the	13
paragraph beginning on line	12
the paragraph beginning on	12
refers to the paragraph	12
be said to be	12
that there is a	12
as well as the	12
that is to say	12
the parts of speech	12
to the paragraph beginning	12
as a matter of	12
a matter of fact	11
in the first place	11
be looked upon as	11
by the use of	11
is one of the	11
the name of the	11
the language of the	11
parts of speech are	11
for the sake of	10
the end of the	10
one of the most	10
that there is no	10
the nature of things	10
may be said to	10
a large number of	10
in the course of	9
but it is not	9
in the name of	9
is not to be	9
to say that the	9
the greater part of	9
the form of the	9
it is true that	9
it is the same	9
that it is not	9
it is to be	8
in the midst of	8
it is not a	8
it is impossible to	8
in the time of	8
not in the least	8
one and the same	8
the manner in which	8
that we do not	8
part of the work	7
it seems to me	7
may be looked upon	7
in the spirit of	7
at the end of	7
the genius of the	7
to be considered as	7
in a number of	7
the organs of speech	7
it goes without saying	7
to the end that	7
of the english language	7
who did you see	7
if there be any	7
to the history of	7
of a number of	7
in the habit of	7
so far as it	7
at the present day	7
there was a father	7
book treateth of sir	7
that it is the	7
was a father who	7
to be found in	7
is by no means	7
it is necessary to	7
the grace of god	7
we have seen that	6
and at the same	6
the soul of the	6
the beginning of the	6
to the expression of	6
all them that shall	6
of the parts of	6
of the histories of	6
the histories of troy	6
book treateth of the	6
there is no reason	6
the verb to be	6
and that it is	6
that we may be	6
goes without saying that	6
at the expense of	6
the order of the	6
we have already seen	6
sentence as a whole	6
position in the sentence	6
the sentence as a	6
which it would be	6
by the grace of	6
the position of the	6
in the sense of	6
to the extent that	6
the same as the	6
the word of god	6
of the heavenly bodies	6
in the same way	6
on the one hand	6
the english language is	6
the arts and sciences	6
as we have seen	6
there is but one	6
dictes and sayings of	6
looked upon as a	6
have been able to	6
the presence of the	6
an indian language of	6
it is the grotesque	5
the motions of the	5
fires in the house	5
is not one of	5
but it is the	5
after the manner of	5
the subject and object	5
of which we have	5
and he saw a	5
it is different with	5
the french of the	5
on the part of	5
it is customary to	5
and sayings of the	5
one or the other	5
they are to be	5
is not easy to	5
is wise it is	5
the real language of	5
modify the significance of	5
the author of this	5
the recuyell of the	5
the general drift of	5
them that shall read	5
the movements of the	5
the languages of the	5
it is not always	5
i have not been	5
with that of the	5
the idea of plurality	5
in the way of	5
on the analogy of	5
it is in the	5
it does not follow	5
for as much as	5
possess the power to	5
a great deal of	5
what has been said	5
the man of science	5
so far as the	5
the vast majority of	5
it would have been	5
may be considered as	5
as i have said	5
it will not be	5
to the fact that	5
of a language is	5
of the earth and	5
were at one time	5
the sentiment of obedience	5
the character of the	5
the use of the	5
in the sphere of	5
history of the world	5
form of the verb	5
with a view to	5
parts of the world	5
may be permitted to	5
such a word as	5
in the first instance	5
a certain number of	5
in the order of	5
in order to the	5
that make up the	5
of american indian languages	5
concepts of group ii	5
it is not the	5
of the human race	5
treateth of sir lancelot	5
we are likely to	5
in such a manner	5
for i do not	5
and one of the	5
from time to time	5
the character of a	5
to which they are	5
to the judgment of	5
fire in the house	5
have been accustomed to	5
the rest of the	5
sayings of the philosophers	5
of the nature of	5
the revolutions of the	5
the judgment of the	5
it is difficult to	5
the first part of	5
in the end of	5
as we pass from	5
there can be no	5
it is not easy	5
of time and place	5
in the english language	5
we shall have to	5
in his own person	5
under the influence of	5
the part of the	5
in relation to the	5
of that which is	5
on the nature of	4
the course of the	4
the power of the	4
or more of the	4
of the work is	4
as a historical product	4
on the first syllable	4
of french into english	4
the name of a	4
in spite of the	4
the fact that it	4
to be able to	4
the syntactic relations are	4
which ought to be	4
and verbs are undifferentiated	4
in the life of	4
recuyell of the histories	4
does not mean that	4
the sounds of language	4
of men and women	4
in the preceding chapter	4
as they exist in	4
in the form of	4
used as intransitive verbs	4
the power to modify	4
as well as of	4
no respect differ from	4
radical elements by means	4
a man or woman	4
for the expression of	4
the unities of time	4
it is doubtful if	4
of which it is	4
go so far as	4
the subject of discourse	4
does not follow that	4
to serve as a	4
power to modify the	4
there is not a	4
of a single concept	4
reason to believe that	4
it is well to	4
part of the radical	4
that we have not	4
the radical element of	4
significance of the radical	4
all parts of the	4
as far as the	4
that it was not	4
in the person of	4
is shown by the	4
the facts of nature	4
i know not what	4
ought not to be	4
to point out the	4
in the one case	4
the same kind of	4
the fact that the	4
it is clear that	4
have the right to	4
a thousand four hundred	4
we do not yet	4
in the production of	4
some part of the	4
be careful not to	4
of the history of	4
a group of languages	4
of the language than	4
to that of the	4
in the use of	4
the second part of	4
for the development of	4
the mind of the	4
the year of our	4
genius of the language	4
concepts of groups i	4
of this or that	4
that it is impossible	4
it is hard to	4
to the rules of	4
elements by means of	4
with the help of	4
as i have been	4
nothing to do with	4
of latin and greek	4
words to each other	4
the greatest of the	4
the sounds of speech	4
to modify the significance	4
drift of a language	4
the spirit of the	4
drift of the language	4
greater part of the	4
unities of time and	4
the same time the	4
this does not mean	4
the publication of the	4
i do not think	4
if he had not	4
cannot be said to	4
the history of language	4
far as it is	4
it is only in	4
in the cause of	4
sense of the word	4
in the presence of	4
is that it is	4
burning in the house	4
the things that are	4
significance of their radical	4
we shall find that	4
with regard to the	4
is no reason why	4
in the selection of	4
of the paradise lost	4
that it is a	4
in the opinion of	4
the point of view	4
the way in which	4
the progress of the	4
in the speech of	4
their radical elements by	4
if he does not	4
in prose or verse	4
is probably the most	4
related to each other	4
in the choice of	4
as the other is	4
but it is a	4
are not in the	4
by the position of	4
in no respect differ	4
so far as to	4
one or more of	4
may be expressed by	4
motion of the earth	4
of the expression of	4
the time of the	4
real language of men	4
in the former case	4
the significance of the	4
out of french into	4
to show that the	4
may be used as	4
to a large extent	4
the elements of speech	4
to the genius of	4
the knowledge of god	4
it would not be	4
by the holy spirit	4
affixes or internal changes	4
to strike with a	4
may or may not	4
of the eighteenth century	4
the death of the	4
work of this kind	4
of speech are undifferentiated	4
the heart of the	4
if there were no	4
means of affixes or	4
as soon as the	4
by means of affixes	4
the manner of the	4
the significance of their	4
differ from that of	4
is apt to be	4
each language has its	4
of the word is	4
at the time of	4
that they may not	4
from the fact that	4
used as a predicant	4
the expression of the	4
as well as a	4
of the human mind	4
by the fact that	4
of the verb to	4
author of this book	4
of whom he said	4
the life of language	4
the end of his	4
language as a historical	4
the age in which	4
preface to the history	4
in latin and greek	4
of their radical elements	4
it is important to	4
it is time that	4
on the basis of	4
to each other as	4
no less than in	4
it needs to be	4
he saw a woman	4
the application of the	4
of each of these	4
it may not be	4
of affixes or internal	4
any part of the	4
it is not an	4
do not object to	4
william caxton prologue to	4
is going to deliver	4
it is in this	4
of the middle ages	4
of some of the	4
the example of the	4
of the process of	4
forms of the verb	4
even to this day	4
i may be permitted	4
to which it is	4
of the present day	4
be used as a	4
the hand of man	4
such is the first	4
as we shall see	4
it follows that the	4
that is to wit	4
number of american indian	4
the glory of god	4
of sir lancelot and	4
of the human spirit	4
the words of the	4
what is true of	4
second part of the	4
age in which he	4
not by any means	3
and the power of	3
to stand in the	3
express concepts of groups	3
of the subject and	3
the book of the	3
laid to my charge	3
from that which is	3
there is a strong	3
in all parts of	3
this part of the	3
come to everlasting life	3
normally expressed by affixing	3
is used as a	3
general conception in which	3
the conjugation of the	3
to each other in	3
of a language has	3
are expressed by the	3
the cause of all	3
the works of shakespeare	3
the indian would say	3
or out of the	3
from the point of	3
have already pointed out	3
the expression of relational	3
that this is not	3
surprised to find that	3
to the study of	3
of the elements of	3
is the grotesque which	3
i have referred to	3
and the same time	3
the mind of man	3
not been able to	3
feel that it is	3
when it comes to	3
it is no wonder	3
at the very end	3
from the real language	3
in the language of	3
of the age in	3
is true that the	3
author treats of the	3
the former part of	3
tip of the tongue	3
for my own part	3
expressed by affixing non	3
the mere fact of	3
but there are other	3
of the speech organs	3
would have to be	3
has been able to	3
and the man of	3
in a high degree	3
the man in the	3
the tongue and the	3
of these is the	3
i do not know	3
may be proper to	3
the sense of the	3
an example of the	3
as there is no	3
in which he lived	3
with reference to the	3
am inclined to believe	3
the life of the	3
the dignity of the	3
language is to be	3
the power of nature	3
for the time being	3
to pass judgment on	3
as the parts of	3
the mercy of the	3
the unity of the	3
what i have to	3
the most important of	3
know that there is	3
elements to radical elements	3
of the active voice	3
the phenomena of nature	3
of his canterbury tales	3
without the use of	3
in the same manner	3
is the power of	3
as well as in	3
i have no doubt	3
but the truth is	3
in the seventeenth century	3
at a time when	3
of which they are	3
the poet and the	3
according to my copy	3
its way into the	3
as we have already	3
very end of the	3
the form of a	3
the city of london	3
be sought in the	3
first part of the	3
respect differ from that	3
except in so far	3
the man saw the	3
is every reason to	3
have already seen that	3
the eye of the	3
such a way that	3
not always to be	3
on the subject of	3
in the sixteenth century	3
of the necessity of	3
to make use of	3
four hundred sixty and	3
it is the moment	3
is the glory of	3
it is the glory	3
expressed by lack of	3
in the publication of	3
sufficient and effectual cause	3
be permitted to say	3
and the nature of	3
every language has its	3
no less than four	3
of the world and	3
structure of his own	3
one or other of	3
and plan of the	3
the very end of	3
the one and the	3
of subject and object	3
it is the oak	3
are supposed to be	3
the difference between the	3
a change in the	3
a large extent the	3
and the death of	3
two or more radical	3
revolutions of the heavenly	3
the period of the	3
of speech are not	3
think that there is	3
the verb of the	3
history of the language	3
to the verb of	3
that it will be	3
that they may be	3
in the radical element	3
the first of these	3
of a radical element	3
to the purposes of	3
of time or place	3
there is nothing more	3
may truly be said	3
to those of the	3
at the thought of	3
by which it is	3
in connection with the	3
to be in the	3
does not seem to	3
a number of languages	3
not to be trusted	3
the power of god	3
in the nature of	3
the relation of the	3
the drama is the	3
in the tower of	3
or may not be	3
by the formative word	3
the literature of the	3
in the latter case	3
it would be necessary	3
in the hands of	3
the majority of languages	3
to the use of	3
if i may be	3
as to make it	3
for a long time	3
which is of the	3
than those which are	3
in the middle of	3
after such time as	3
of the sense itself	3
it is obvious that	3
in the house or	3
make use of the	3
was not to be	3
in my own mind	3
it is time to	3
the name of god	3
the process of composition	3
into a number of	3
though it may be	3
to the nature of	3
information of the sense	3
to deliver a speech	3
if it is to	3
the hamitic languages of	3
will be able to	3
through the mouths of	3
from the word of	3
as an independent word	3
and to show that	3
so much of the	3
which can only be	3
let us suppose that	3
the tone of the	3
it may truly be	3
in like manner the	3
to an understanding of	3
in the preface to	3
the structure of his	3
that it should be	3
the cedar and the	3
the face of the	3
and as for the	3
the human mind is	3
words may be said	3
and more to be	3
of the seventeenth century	3
the farmer and the	3
of the greatest poet	3
the tip of the	3
in the idea of	3
such as express concepts	3
the motion of the	3
and that of a	3
the beauty of the	3
from this it follows	3
if there is no	3
animate nouns and pronouns	3
the meaning of the	3
radical element of the	3
it is possible to	3
are to be found	3
our author treats of	3
are used as intransitive	3
it is interesting to	3
of the movements of	3
of nature by the	3
to translate it into	3
accommodate himself to the	3
and out of doubt	3
the genius of our	3
of the following poems	3
of edward the third	3
a large portion of	3
the general scheme of	3
of the glottal cords	3
is customary to say	3
of all other the	3
i do not mean	3
the nature of a	3
independence of form and	3
of whom i have	3
unknown to the ancients	3
in process of time	3
the refutation of the	3
whether in prose or	3
existing in the mind	3
i have proposed to	3
at the sight of	3
i shall not be	3
in the matter of	3
some of the most	3
and also of his	3
first subject of discourse	3
god a thousand four	3
as a grammatical process	3
that what i have	3
at the dawn of	3
and in the same	3
in the direction of	3
down in one piece	3
can no more be	3
in the following pages	3
in the story of	3
it may be said	3
that i have not	3
point of view of	3
he said that there	3
what is usually called	3
the title of the	3
for its own sake	3
be considered as the	3
the hands of the	3
thousand four hundred sixty	3
that they will be	3
at the moment of	3
we can only say	3
have seen that the	3
there is every reason	3
the plan of the	3
the preaching of the	3
on the side of	3
the language of men	3
have proposed to myself	3
in the middle ages	3
is little doubt that	3
it is enough for	3
or of any other	3
of an epic poem	3
where the poet speaks	3
i am inclined to	3
he had not been	3
contrasted with that of	3
that shall read this	3
the radical and grammatical	3
of speech are the	3
to those who have	3
a more or less	3
it is not our	3
different from that which	3
i ought not to	3
the possibilities of linguistic	3
form of the church	3
we shall do well	3
of the spirit of	3
for the use of	3
it is probable that	3
as soon as we	3
as well for the	3
it is likely to	3
the labour of the	3
must be careful not	3
the motor processes and	3
such a sentence as	3
of the language of	3
one with the other	3
as a means of	3
form of the active	3
which the mind is	3
is true of the	3
of the type of	3
the point of contact	3
certain it is that	3
rule of the two	3
the style in which	3
the end of a	3
there is little doubt	3
in the absence of	3
with the nature of	3
the poets of the	3
on the score of	3
this is tantamount to	3
the works of the	3
is the name of	3
as far as possible	3
it to be a	3
may come to everlasting	3
that he is the	3
the genuine language of	3
the inquisition of nature	3
to be the most	3
history of english literature	3
that language is an	3
there is such a	3
only to a limited	3
fact that they are	3
the work of a	3
he said that the	3
i have ventured to	3
syntactic relations may be	3
sounds of speech are	3
in the next place	3
whom he said that	3
be necessary to give	3
a work of this	3
yet been able to	3
as it should be	3
the notion of singularity	3
only in so far	3
modification of the radical	3
the breath may be	3
to the consideration of	3
an instance of the	3
powers of the mind	3
it ought to be	3
can be drawn between	3
we speak of the	3
going to deliver a	3
is at this day	3
have no reason to	3
may be truly said	3
let us take the	3
a strong drift towards	3
radical and grammatical elements	3
which i have had	3
is not so much	3
whence it follows that	3
sentiment of obedience is	3
of a man of	3
the house or burn	3
of the origin of	3
in the first case	3
it may be that	3
the english language has	3
according to the rules	3
far from wishing to	3
are in the habit	3
if at any time	3
may go so far	3
concepts in the word	3
at work in the	3
the english t of	3
it is evident that	3
but we must not	3
the truth of the	3
in accordance with the	3
from the lips of	3
this kind of writing	3
of the motion of	3
interrogative pronoun or adverb	3
i beseech almighty god	3
there were two fathers	3
it may be proper	3
as the radical element	3
a sufficient and effectual	3
inclined to believe that	3
interest to the linguist	3
conjugation of the verb	3
is the moment when	3
may be allowed to	3
nothing can be known	3
that we have no	3
of this type are	3
in the age of	3
is all the more	3
it differs from the	3
of all that is	3
that the language of	3
is it to be	3
though it is not	3
to a limited extent	3
there is nothing to	3
no reason why a	3
is the fact that	3
training of the artist	3
of that kind which	3
history of the english	3
in contrast to the	3
the completion of the	3
in such a word	3
by reason of the	3
in the case of	3
of the holy spirit	3
be considered as a	3
a number of american	3
by the radical element	3
and it would be	3
relations are expressed in	3
in the minds of	3
radical element and affix	3
is the same with	3
the minds of the	3
in the second place	3
as a kind of	3
the feel of the	3
differentiation of the parts	3
genius of a language	3
other parts of speech	3
for the loss of	3
the sounds as such	3
of the last century	3
preface to joseph andrews	3
as well as its	3
that such and such	3
that each of them	3
of the word as	3
of an indian language	3
my said redoubted lady	3
of language is not	3
be used as the	3
two or more words	3
the use of these	3
it pleased him to	3
and it may be	3
words in the sentence	3
divisions of the sciences	3
the fact that they	3
so far as they	3
is not a single	3
of the tongue and	3
the drama should be	3
about the same time	3
of the same kind	3
are for the most	3
as distinct from i	3
in the works of	3
the latter part of	3
the same as that	3
of the words in	3
each other in a	3
i know not whether	3
the dictes and sayings	3
in such a way	3
any one of the	3
it will be seen	3
a great variety of	3
the point from which	3
may it not be	3
it is that the	3
it is natural to	3
the gratification of the	3
that what has been	3
i leave to the	3
nothing more than an	3
word in the sentence	3
in this said book	3
the grotesque and the	3
it would be a	3
relational concepts in the	3
of the kingdom of	3
the language of prose	3
lord god a thousand	3
of the fact that	3
is of course true	3
the knowledge of the	3
of words in the	3
as one of the	3
the degree of synthesis	3
words that are psychologically	3
is a kind of	3
in the arts and	3
probably the majority of	3
the nominative and accusative	3
year of our lord	3
and the history of	3
different parts of the	3
will be seen that	3
stand in the way	3
to be wondered at	3
that is to be	3
accent on the first	3
it would be no	3
is to be understood	3
plan of the instauratio	3
second subject of discourse	3
must have been a	3
from what has been	3
we have no more	3
the man whom i	3
the distinction between the	3
parts of the verb	3
in the world of	3
men and women and	3
to the end of	3
in an indian tongue	3
in the writings of	3
syntactic relations are expressed	3
to the knowledge of	3
it is impossible for	3
are to be considered	3
the life of a	3
and in the end	3
as express concepts of	3
one and the other	3
as to prevent the	3
the surface of the	3
that there is not	3
as far as it	3
the origin of speech	3
may be defined as	3
be identical with the	3
there is a tendency	3
small fires in the	3
such languages as chinese	3
incorporated in the verb	3
of the name of	3
at one and the	3
philosophy and the sciences	3
by which the mind	3
of the languages of	3
of the old school	3
with the radical element	3
the general conception in	3
is the life of	3
the phenomena of the	3
languages in which the	3
of those who have	3
but according to the	3
may be represented by	3
from a common source	3
it is easy to	3
of a given language	3
may be made to	3
are you looking at	3
is the method of	3
nine hundred and ninety	3
in order that the	3
as i do not	3
of the grotesque in	3
it is but a	3
to god the father	3
man saw the dog	3
of the two unities	3
king of england and	3
each of them has	3
of the sentence as	3
both ancient and modern	3
indian would say that	3
be used to indicate	3
every reason to believe	3
but i am sure	3
in proportion as he	3
the great majority of	3
the same as those	3
but it is in	3
the incarnation of our	3
occur as an independent	3
they may not be	3
way in which we	3
grotesque and the sublime	3
latin and greek are	3
subjective and objective forms	3
that they are not	3
radical elements to radical	3
it is not because	3
for the gratification of	3
the number of the	3
with which they are	3
of the instauratio magna	3
feel that there is	3
the middle of the	3
and such as are	3
the expression of plurality	2
the fall of man	2
with an overbalance of	2
is to be sought	2
some inkling of what	2
of the phonetic elements	2
could speak no french	2
criterion of the word	2
it is enough that	2
if poetry be a	2
will be found to	2
which in english are	2
of them of a	2
in the reign of	2
to the treatment of	2
an element of language	2
is but a step	2
it may be truly	2
baltic or north european	2
of the norman conquest	2
the discoveries which have	2
and if there be	2
of writing in verse	2
the definiteness of reference	2
the pleasure given by	2
may be said of	2
that they were not	2
to create new words	2
no more than a	2
very core of the	2
saw the dog or	2
and when he was	2
all the old long	2
before the time of	2
a host of other	2
the use of which	2
old and new testament	2
essay supplementary to preface	2
by inflection when the	2
sentiment of obedience by	2
do you study the	2
of the matter and	2
general operations of nature	2
the depths of his	2
the four parts of	2
so far as that	2
is not identical with	2
the extent to which	2
a natural and experimental	2
there are others that	2
that the church was	2
he is the father	2
in which the poet	2
fires were burning in	2
all of the matter	2
the end of this	2
in the east is	2
volume of the harvard	2
a way peculiar to	2
which the representation culminates	2
is merely a matter	2
that kind which would	2
long was i out	2
of the germanic languages	2
another signifying i and	2
it was my intention	2
its independence as a	2
of the saint graal	2
languages should not be	2
take place in it	2
the careful study of	2
in this matter we	2
as to leave no	2
a man of the	2
under the head of	2
all things are connected	2
an element of speech	2
the same time it	2
is the degree of	2
it easier to create	2
the process of thought	2
the consideration of the	2
above the reach of	2
creative forces which produced	2
the first principles of	2
necessarily will be so	2
not with so ridiculous	2
the body of a	2
on the evolution of	2
more of the elements	2
is at work in	2
on one of the	2
at the same rate	2
as well as i	2
what would have been	2
in the splendour of	2
identity with the possessive	2
every day after other	2
big pleasant place where	2
of the concepts expressed	2
by those who in	2
of these poems has	2
preface to the novum	2
of a general tendency	2
little to say of	2
as much of an	2
to work upon it	2
what can be done	2
the greatness of the	2
of the work and	2
all this may be	2
that the method of	2
in the latter a	2
not follow that it	2
is a great difference	2
we have been accustomed	2
the persons with whom	2
as we meet with	2
whom i referred to	2
been accustomed to be	2
the discovery of causes	2
or any of the	2
everlasting life in heaven	2
be expected from him	2
element in the sentence	2
be allowed to pass	2
in a little time	2
to please than to	2
as much as it	2
in the same light	2
in the flow of	2
in a specific way	2
no other use than	2
is evident from the	2
the most inexperienced reader	2
the office of a	2
he would not have	2
at once poetical and	2
that the speaker makes	2
to the appearance of	2
the son of charles	2
of england and france	2
time should ever come	2
mobility of the tongue	2
on the faerie queene	2
existence so far as	2
the small fires in	2
except by way of	2
chiefly determined by the	2
that of good prose	2
as they have been	2
without the help of	2
the author shows the	2
to take account of	2
nothing to show that	2
into the nature of	2
that we are more	2
the widest sense of	2
shall see and read	2
connexion of the languages	2
the loss of the	2
that it is so	2
which is the most	2
no sooner begins to	2
passage from the representation	2
introduction to the history	2
the habit of doing	2
of which i have	2
a multiplicity of modes	2
here be noted that	2
is carried on by	2
whom are you looking	2
active department of the	2
everything that exists in	2
the best book of	2
may not always be	2
poetry would be produced	2
than i have yet	2
sphere of derivational concepts	2
to this it may	2
the mother of many	2
a consistently worked out	2
the contents of these	2
accustomed to connect with	2
of a higher order	2
languages and formless languages	2
as well as to	2
but by the ordinary	2
i have endeavoured to	2
the study of speech	2
classification that starts with	2
that there is anything	2
which we do not	2
to assume that title	2
art of the language	2
unity of the word	2
a russian word like	2
the writings of the	2
it is from this	2
the interrogative pronoun or	2
from one of these	2
with its proper sound	2
prevent the most inexperienced	2
to reduce all the	2
by means of a	2
not be necessary to	2
of the laws of	2
a word as its	2
the next at rome	2
with the possessive her	2
language near to the	2
in all other cases	2
after the publication of	2
remains for us to	2
into the compass of	2
in all the editions	2
a man in a	2
the old long i	2
to remind the reader	2
be laid to my	2
face to face in	2
according to the genius	2
that there was never	2
to emphasize the fact	2
to make choise of	2
and as it were	2
they do not so	2
very thing which the	2
merely a matter of	2
a much greater degree	2
to the perusal of	2
in the same age	2
method of expressing the	2
this may be done	2
contribute something to the	2
he has well enough	2
or all of the	2
as to say that	2
unwilling to undertake the	2
part of my design	2
the passage from the	2
from language to language	2
not one of them	2
interrogative and relative pronouns	2
of words in sentences	2
the mind and the	2
it is this secret	2
natural and experimental history	2
there is no such	2
publication of the paradise	2
there would be no	2
to the life of	2
named the recuyell of	2
descendants of the old	2
of his works is	2
and every one of	2
and what are the	2
the vital and great	2
of nature and art	2
genuine language of poetry	2
in the english sentence	2
of the piano as	2
the earth and all	2
right lines and circles	2
is the beginning of	2
that is why the	2
is to make a	2
the poet speaks through	2
the relations of words	2
understand the nature of	2
one of the greatest	2
to refer to its	2
that in many cases	2
the transition from the	2
of a drama wherein	2
this is that which	2
than that which is	2
point from which we	2
majority of those who	2
for the general reader	2
those things which are	2
this short and transitory	2
works of nature and	2
a number of words	2
to think of an	2
elaboration of the word	2
to leaves of grass	2
so that they may	2
in the great majority	2
attained during his lifetime	2
made use of them	2
is chiefly determined by	2
to be felt as	2
if we consider the	2
we make use of	2
there are none of	2
from the sublime to	2
a good hand at	2
that i could find	2
inquisition of nature is	2
at the right hand	2
the radical element itself	2
it is this which	2
the use of whom	2
the continuance of the	2
said that there were	2
in conjunction with the	2
dialects of the same	2
the very nature of	2
this book to its	2
we beg pardon for	2
known to those who	2
the first is the	2
is a combination of	2
comic and the burlesque	2
should be written in	2
to this i answer	2
that are inherent in	2
feature of the language	2
in the fine arts	2
according to the same	2
whom the history is	2
it is of great	2
they are no longer	2
is well known to	2
as the old long	2
of the opinion that	2
a little more closely	2
to fixed position in	2
that they have not	2
what i had not	2
it is at the	2
may be used to	2
of our said lord	2
the art of writing	2
is the possibility of	2
to buy and mai	2
or other parts and	2
was under the necessity	2
the languages of primitive	2
old high german uo	2
that there is but	2
of the ancient romans	2
strange to think of	2
necessary evil to contend	2
sequence of phonetic changes	2
in its own right	2
i have endeavored to	2
which he had not	2
what types of concepts	2
have come to be	2
by the old long	2
if it be not	2
that they are but	2
of the english word	2
in a course of	2
by which he may	2
in a clear night	2
been able to discover	2
difference between a prefixing	2
of the other stars	2
as to make us	2
the common form of	2
but this is not	2
the principle of concord	2
name for bear is	2
is identical with the	2
indians to write their	2
the quality of the	2
he does not understand	2
we are now in	2
and chief of the	2
of the sun and	2
is of the greatest	2
part of the public	2
from the number of	2
it is incident to	2
would seem to be	2
we may surmise that	2
whom did you say	2
be found that the	2
an overbalance of pleasure	2
refer to past time	2
of the greatest significance	2
to each other and	2
it is hardly possible	2
i know it is	2
being able to trace	2
of the harvard classics	2
abstracted from the facts	2
matter of fact the	2
great part of the	2
of godfrey of boulogne	2
the old phonetic pattern	2
in the highest degree	2
parts of speech and	2
and inane phraseology of	2
of shakespeare in the	2
in the same sense	2
we may assume that	2
the hearts of the	2
and it is from	2
my purpose was to	2
an accurate taste in	2
that god hath given	2
genius of our tongue	2
high german forms are	2
to this it is	2
only in theory but	2
formal units of speech	2
by what gradations of	2
what could be more	2
most noble above all	2
of man and nature	2
out to establish the	2
every branch of art	2
right hand of the	2
the two extremes of	2
that there are certain	2
a limited number of	2
that it has been	2
has no existence so	2
far as relates to	2
group of languages spoken	2
in course of time	2
the language than its	2
or both of the	2
could have been no	2
the slow progress of	2
may with propriety be	2
a thing infinite and	2
to hold on to	2
this is the method	2
can be expected in	2
the composition of a	2
a great poem is	2
they burn in the	2
now that we have	2
prefaces to various volumes	2
where particular words are	2
to believe that it	2
as a whole has	2
author of le cid	2
we are compelled to	2
it can be shown	2
when they heard that	2
to any definite particles	2
in the eighteenth century	2
a definite feeling for	2
the divisions of the	2
men and women of	2
book our author treats	2
for the formation of	2
expression of a single	2
spontaneous overflow of powerful	2
nature of the historical	2
in this case the	2
it will be found	2
it is safe to	2
the state of being	2
brings us to the	2
him as distinct from	2
am in the next	2
far as it goes	2
probable that we are	2
of which they were	2
that as in the	2
morphological influence exerted by	2
that i have given	2
for it is not	2
the most part be	2
in some respects they	2
to everlasting life in	2
course of its history	2
is perhaps the best	2
things as well as	2
not known that the	2
and in the verb	2
which i have written	2
the first folio edition	2
an independent word or	2
is the measure of	2
we may call the	2
he said to them	2
of race and of	2
the great master of	2
there is a rather	2
with great particularity the	2
the one hand and	2
two subjects of discourse	2
work of the world	2
the depths of the	2
widest sense of the	2
goes back to an	2
english t of sting	2
the phonetic form of	2
and unusual state of	2
but there is nothing	2
the universality and the	2
sanctify the lord of	2
particular words are used	2
there are varieties of	2
human family with new	2
the latter is a	2
it is curious to	2
also of his knights	2
rather than in the	2
it was impossible that	2
lay down the law	2
process of the mind	2
may be interpreted as	2
the old long u	2
world was made by	2
the proper names of	2
of the people is	2
can be said to	2
reality of the soul	2
the positions of the	2
for the rise of	2
by inner modification of	2
may be used with	2
right to speak of	2
to space probes under	2
the first vowel of	2
it must be allowed	2
and of the true	2
that it shows signs	2
at some point in	2
between the two extremes	2
tense in the verb	2
been so changed that	2
this is not all	2
who seems to have	2
receive a nasal resonance	2
burns in the east	2
with their naked hands	2
another volume of the	2
the expression of a	2
the way i do	2
are of the greatest	2
the multiplicity of its	2
the last two centuries	2
functional units of speech	2
the lips of the	2
thing infinite and beyond	2
to a point where	2
a purpose as to	2
the method of suffixing	2
of the labour of	2
is certain to be	2
those who have been	2
in an indian language	2
on the one side	2
very much as we	2
i should find fault	2
and many noble volumes	2
and tactile feelings which	2
i began to consider	2
bring my language near	2
between the subjective and	2
indian language of british	2
c d a b	2
so that it will	2
of these particular poems	2
and that with such	2
the present and future	2
in his comick scenes	2
come now to the	2
letter to sir walter	2
to be understood as	2
does to the rest	2
the action and situation	2
and to this purpose	2
all of which are	2
expressed in mixed form	2
which the grammatically significant	2
subject of discourse is	2
of the style in	2
organs of the body	2
the syntactic relations pure	2
will not always be	2
was buried among trees	2
in the past tense	2
of a language as	2
to inquire by what	2
proposed to myself to	2
it seems to us	2
possessive forms to animate	2
the shores of the	2
we do not hesitate	2
space probes under actual	2
are closely related to	2
of the words themselves	2
may not be the	2
the sound as such	2
the act of writing	2
particle whether it be	2
ascribe to the earth	2
the study of its	2
them to lay down	2
in the character of	2
a singular laud and	2
the greatest poet has	2
point at the present	2
may move on the	2
government of all things	2
to ovid and chaucer	2
the year of the	2
these attempts can be	2
in the sentence in	2
so great as to	2
was one of the	2
african language of the	2
that he has not	2
that some of the	2
adverbial phrases and clauses	2
we know that there	2
several small fires were	2
to be thought of	2
to the point where	2
fen to gnaw at	2
the training of the	2
it is not in	2
best models of composition	2
the first inhabitants of	2
the basis of the	2
he reached the house	2
that he has been	2
to a very limited	2
to which it belongs	2
toward the invariable word	2
but it has not	2
a man of a	2
position that had been	2
that as soon as	2
in the practice of	2
very body of the	2
collective art of expression	2
of the depths of	2
it is because of	2
strong drift towards the	2
the phrase poetic diction	2
he spared not his	2
contrast middle high german	2
and it will be	2
of a word like	2
that i do not	2
dull duty of an	2
that in these languages	2
in the instinct of	2
end of this book	2
which as it is	2
under the name of	2
one of the nine	2
the same in both	2
and to the same	2
it is a great	2
but these rules are	2
one part of the	2
can say is that	2
it is strange how	2
of the nations that	2
other parts and organs	2
tendency to fixed position	2
house or burn plurally	2
have been in the	2
the other of the	2
not that i think	2
cause of the world	2
and a host of	2
he feels that he	2
he was a very	2
another form will be	2
in such a sentence	2
he shall not be	2
of the reformation in	2
sings a song of	2
such an english word	2
it would be the	2
present and future generations	2
the comic epic in	2
i knew that the	2
that little can be	2
the affairs of the	2
do is to say	2
since it is not	2
the house and the	2
reader from judging for	2
of the historical process	2
to the work of	2
that belong to the	2
of the verb would	2
to all intents and	2
the dramatic parts of	2
the general operations of	2
to establish the true	2
of pain connected with	2
if we wish to	2
the uniform simplicity of	2
will not be necessary	2
he no sooner begins	2
in many of his	2
it is not unknown	2
the part of a	2
states more than the	2
of every good poem	2
the object of the	2
precisely what it is	2
of french and latin	2
the late earl of	2
of the art is	2
as much as a	2
with which we are	2
particular particle whether it	2
it makes its way	2
the authority of a	2
of the grammatic processes	2
adapted to interest mankind	2
without the trouble of	2
now come to the	2
in spite of its	2
the scheme of the	2
by the intervention of	2
and the verb to	2
most important of all	2
of good and evil	2
it pleased god to	2
the inner form of	2
the minds of men	2
that is why it	2
to warrant their being	2
it would be too	2
the culture of the	2
of the case syllables	2
in order to prove	2
which shows that the	2
of a true radical	2
there is no trace	2
the man that i	2
wise it is no	2
which his father had	2
of plural suffix in	2
language of the world	2
far as to say	2
some point in the	2
know that as the	2
not to have been	2
carry or throw a	2
the reader will not	2
death of the young	2
to sit and cut	2
to the radical element	2
words are used to	2
many a noble history	2
stand in need of	2
may be an example	2
yet for as much	2
what are you doing	2
other end than the	2
there is a fairly	2
the principles of number	2
that it would be	2
and in those of	2
that can be made	2
how much is to	2
at the bottom of	2
the whispers of the	2
the case may be	2
gave no names to	2
beyond the limits of	2
at the head of	2
point of the tongue	2
the negative in unhealthy	2
makes its way into	2
we have now reached	2
because it is not	2
it is not without	2
is conceived of as	2
or that series of	2
set to work with	2
the latent content of	2
that it was scarcely	2
i have attempted to	2
well known to those	2
by the hand of	2
so much importance to	2
language of men in	2
that he was not	2
to show that there	2
the forms of the	2
of ancient and modern	2
be able to judge	2
we can say is	2
particular case we have	2
as if i had	2
be able to read	2
be no reason to	2
of nature and the	2
indian language of california	2
i had great pleasure	2
it is nature that	2
by way of analogie	2
a collective art of	2
of the age of	2
contents of these volumes	2
is the same in	2
individual variations within a	2
the motions of their	2
in the development of	2
are in all likelihood	2
it may consist of	2
time i have been	2
but merely to temper	2
may be more or	2
it must be observed	2
in those of the	2
there must be some	2
eternal tendencies of all	2
a careful study of	2
are commonly to be	2
own person and character	2
the father of our	2
left to go its	2
far as we can	2
it were to be	2
we have to deal	2
element of the word	2
the type whom did	2
a multitude of others	2
the reader will find	2
a very great number	2
poet speaks through the	2
was begun in bruges	2
that he had no	2
of mankind and of	2
is a form of	2
we need not be	2
where he should have	2
but by no means	2
most gracious and mighty	2
of a more general	2
the representation culminates is	2
because in that condition	2
not spoken by a	2
a greater or less	2
would have men reminded	2
of groups i and	2
gaudiness and inane phraseology	2
to reduce all to	2
of the power of	2
whose thoughts have been	2
the least concerned with	2
book is not for	2
a few words shall	2
the art of printing	2
you say i was	2
the custom of the	2
which book i have	2
the tower of london	2
have not been able	2
the second type of	2
to a greater or	2
to define the word	2
it is possible for	2
whom he might have	2
discoveries which have been	2
confined to the expression	2
the law of the	2
it is god that	2
the different parts of	2
little of what is	2
gives relief to the	2
so that it may	2
everything which is to	2
element indicating that the	2
that it may not	2
be found prefixed to	2
inspects the cellars of	2
immerged in profound darkness	2
in the evolution of	2
for the shaping of	2
in the mind of	2
that the sun should	2
experience of every kind	2
has been so changed	2
is the spontaneous overflow	2
subjective prefix to the	2
so that there is	2
thought it my duty	2
the treatment of the	2
are divided in the	2
the integration of the	2
that it is of	2
of the epic kind	2
no great difficulty to	2
a flash of surprise	2
one language from another	2
than half a minute	2
not one of the	2
to enable us to	2
first part of this	2
the united states is	2
and fortunes of the	2
the concepts expressed by	2
of the last two	2
forasmuch as i had	2
part of my work	2
that we know of	2
to make the world	2
run or red dog	2
is hardly more than	2
a general conception of	2
be left to the	2
this it may be	2
it in the end	2
of the same race	2
expression of all syntactic	2
we have had to	2
on the other side	2
points in the pattern	2
easier to create new	2
institutes of the christian	2
by the assistance of	2
it may be likewise	2
expression of plurality in	2
it burns in the	2
the causes of these	2
in each of these	2
lack of a better	2
of the words foot	2
is curious to observe	2
knowledge of human nature	2
without the knowledge of	2
at the mercy of	2
the same to be	2
i believe in the	2
time when it was	2
in the open air	2
be had as well	2
not of my own	2
i may be allowed	2
in which we can	2
each of these groups	2
both the one and	2
the selection of the	2
the time of boccace	2
to the sound of	2
are conceived of as	2
plan of the work	2
and effectual cause of	2
of a certain type	2
this brings us to	2
is still a third	2
i have no reason	2
to go its own	2
which many words have	2
that languages of type	2
there is no danger	2
as latin and greek	2
of him who has	2
is that it does	2
the course of time	2
without at the same	2
in a way peculiar	2
hang in the way	2
tendencies at work in	2
owner of the library	2
i am not so	2
not so much to	2
with th as in	2
to be disentangled and	2
the reformation in scotland	2
found their way into	2
be so distinguished is	2
the expression of pure	2
a song of praise	2
on a large scale	2
of the greatest poets	2
does not in any	2
position of the long	2
the thrid of my	2
is based on the	2
latin and greek that	2
will look round for	2
let us now see	2
benefit of human nature	2
there will be found	2
and culture of the	2
is used in certain	2
phraseology of many modern	2
did not need to	2
processes and tactile feelings	2
for this is the	2
that are required to	2
whether i say yesterday	2
and those of the	2
a clear night in	2
the translation of the	2
were burning in the	2
the first of the	2
the suggestive influence of	2
all the forms of	2
all known languages to	2
comprehend the entire group	2
the speakers of a	2
but if it be	2
of the institutes of	2
but it is highly	2
well to remember that	2
to the philosophiae naturalis	2
and what is the	2
i have seen and	2
these new types of	2
within the body of	2
and for as much	2
in the least a	2
the middle english period	2
let me tell you	2
of all toward happiness	2
we should have no	2
considered as the church	2
it is of course	2
general drift of the	2
is usually called poetic	2
compound noun with noun	2
of antony and cleopatra	2
is nothing to show	2
any other reason than	2
ought not to have	2
is it for the	2
the interior and the	2
maker of this book	2
french into english by	2
the core of the	2
some of those which	2
by an independent word	2
the phonetic habits of	2
quite aside from their	2
i have not always	2
shall i call thee	2
which the reader will	2
find fault with me	2
over the choice of	2
much to be relied	2
lungs and bronchial tubes	2
with a radical element	2
the establishment of the	2
all i have said	2
that there is in	2
the more difficult and	2
and he said that	2
to realize that the	2
of the world of	2
they exist in themselves	2
such terms as are	2
the wisdom of the	2
to the taste of	2
that the form of	2
and such is the	2
the answer is simple	2
of heaven and earth	2
the sky looks very	2
in english we would	2
an author is not	2
will for the most	2
the production of speech	2
incarnation of our lord	2
things relating to the	2
of his noble acts	2
for each of these	2
be a subject on	2
by the act of	2
extent that prepositions are	2
by what species of	2
seems to have thought	2
following i to long	2
words of each language	2
of my said redoubted	2
as distinct parts of	2
have no difficulty in	2
a state of enjoyment	2
of such and such	2
has not been bestowed	2
to die in the	2
ridiculous a purpose as	2
relation to the present	2
it is seen that	2
the lines printed in	2
of the most perfect	2
really spoken by men	2
that keep the syntactic	2
parts and organs of	2
is to this day	2
of almost the same	2
substance of bread and	2
could not move along	2
it does not appear	2
to various volumes of	2
with metaphors and figures	2
is likely to be	2
into the regions of	2
has taken place in	2
is not a matter	2
part of his life	2
are no better than	2
each of these has	2
of the speech process	2
him or her in	2
therefore it follows in	2
may be used for	2
to the improvement of	2
which much time has	2
the gaudiness and inane	2
the mind in its	2
by lack of plural	2
commandment of my said	2
expressed by independent words	2
by virtue of the	2
the present state of	2
on either side of	2
to sir walter raleigh	2
and of the most	2
no recourse but to	2
the other in the	2
the function of indicating	2
i can find no	2
the better part of	2
relational deriving languages or	2
that no man can	2
by any one of	2
the basis of a	2
the proximity of the	2
traveling at escape velocity	2
so that it is	2
proceed from a few	2
be understood to include	2
the old and new	2
that these are no	2
languages of northern africa	2
a father who said	2
the first notions of	2
genius of shakespeare was	2
of poetry would be	2
may be divided into	2
by those who are	2
long continued intercourse with	2
the human spirit for	2
there is no more	2
of the elements entering	2
we shall see later	2
that it has long	2
to which the rest	2
let us now take	2
between these two extremes	2
they do not understand	2
he knew not how	2
here and there in	2
the idea expressed by	2
took the higher tongue	2
they have come to	2
is a tendency for	2
i have been told	2
the nootka word is	2
the opinion that the	2
he was the first	2
not only in theory	2
of the nine worthy	2
if the noun is	2
all sorts of people	2
being always the same	2
or it may consist	2
has been suffered by	2
if the honest reader	2
language of british columbia	2
as well as he	2
which i have translated	2
the language of these	2
of whom one said	2
i ought rather to	2
probes under actual conditions	2
there shall be a	2
and the diversity of	2
the true state of	2
of those which are	2
make too much of	2
of the work i	2
of the organs of	2
a more general and	2
is not a question	2
be induced to inquire	2
the shape of the	2
the most part in	2
farmer and the duckling	2
that i ought rather	2
that the office of	2
the honor of my	2
shall do well to	2
well as of the	2
one of the chief	2
be truly said of	2
of the seasons the	2
norm of their own	2
to a work that	2
of any or all	2
he considers man and	2
the characters of the	2
still other types of	2
and adhere to the	2
expressed in the noun	2
to some of the	2
i have often heard	2
as well in the	2
indian languages there is	2
there were no other	2
languages that are not	2
preface to leaves of	2
is not always to	2
is it probable that	2
pointed out that the	2
do we find in	2
than at first sight	2
long and short vowels	2
in which the representation	2
that shall see and	2
that correspond to the	2
that there is nothing	2
in the very nature	2
to the idea of	2
else in the sentence	2
the middle high german	2
in saying that a	2
short and transitory life	2
the second or third	2
history of our language	2
hearts of the people	2
mouth of the yangtsze	2
in any of the	2
in a certain order	2
is an acquired talent	2
or the appearance of	2
french of the seventeenth	2
in this part of	2
i confess that it	2
princes of the world	2
have been a man	2
word from the prophet	2
that break up the	2
but i have not	2
we should not have	2
orbit at escape velocity	2
of god and of	2
serve as a stimulus	2
is found in the	2
with a falling tone	2
we have made up	2
every man ought to	2
it can only be	2
merely to temper the	2
of the type whom	2
not only forgot the	2
on which much time	2
when the mind is	2
translated out of french	2
a perturbed and unusual	2
of the elder poets	2
in which the syntactic	2
the expression of all	2
is related to the	2
as with the ancient	2
first vowel of the	2
that i have referred	2
particles cannot be separated	2
that may not be	2
have been taken from	2
and that he had	2
the fact is that	2
the wrath of the	2
things which i shall	2
the history of speech	2
in almost all the	2
of the cathedral of	2
of our lives past	2
there would be nothing	2
nouns and pronouns are	2
in which the grammatically	2
our being able to	2
it is not on	2
one to be the	2
in english language in	2
up out of a	2
small fires were burning	2
that inflection is used	2
it does not lie	2
consider what are the	2
the two modes of	2
may be dispensed with	2
in a much greater	2
which i have corrected	2
is used chiefly for	2
did you say i	2
of at least three	2
chief of these is	2
as much as possible	2
a subject on which	2
is to say that	2
of the same order	2
species of courtesy these	2
not need to be	2
pieces and cast into	2
in english we may	2
of the subtlety of	2
that the grotesque is	2
of the second syllable	2
the depth of his	2
all examples of the	2
types c and d	2
lines printed in italics	2
shows that the speaker	2
the dignity of his	2
proportion of pain connected	2
obedience by which a	2
of less importance to	2
with a great many	2
stroke of the brush	2
between the verb and	2
intercourse with the best	2
accurate taste in poetry	2
son of charles the	2
the whole course of	2
psychological equivalent of a	2
by no means confined	2
who and whom in	2
the prudence of the	2
and were there not	2
the article pronouns are	2
in the face of	2
significant elements of language	2
some of the older	2
part of the earth	2
i am in the	2
from the expression of	2
english we may say	2
in the chinese sentence	2
both in theory and	2
does not directly concern	2
to the attributive relation	2
look a little more	2
to which the mind	2
kill him as distinct	2
time in the world	2
predominant in the production	2
at any time it	2
out with great particularity	2
taken upon them to	2
and maker of this	2
we must be careful	2
voice was buried among	2
to give his work	2
be sacrificed to the	2
a passion is to	2
careful not to exaggerate	2
are not the same	2
of the incarnation of	2
obtain a glimpse of	2
the same degree of	2
according unto his own	2
not censure me for	2
what species of courtesy	2
the sun and the	2
qualified by inflection when	2
in the flower of	2
distinct from that of	2
indicates that there is	2
is that there is	2
the region of the	2
courtesy these attempts can	2
in the same direction	2
two poles of linguistic	2
all languages that are	2
to the present day	2
of the nineteenth century	2
is worth noting that	2
of his good sense	2
nor do i believe	2
of the house of	2
the work of the	2
from that of the	2
manner in which he	2
from that of good	2
was set on his	2
of the poets of	2
is the first and	2
of bread and wine	2
eye steadily fixed upon	2
was the end of	2
the description of the	2
after this short and	2
number or gender or	2
that it is in	2
the cult of the	2
at once that language	2
he came to the	2
place other than home	2
it is not to	2
movement of the earth	2
to say the man	2
in the book of	2
into the very body	2
that result in walking	2
i present unto the	2
to bring my language	2
a place other than	2
of whom the history	2
the sense of vision	2
it is rather the	2
is the primary cause	2
the verb and the	2
in the words that	2
to a certain degree	2
to express all of	2
form of a language	2
make up a complex	2
for mode and tense	2
to whom i answered	2
without saying that the	2
this or that feature	2
to the bone of	2
better to be a	2
to the instauratio magna	2
is used to a	2