trigram

This is a table of type trigram and their frequencies. Use it to search & browse the list to learn more about your study carrel.

trigram frequency
one of the4414
as well as1999
of the most1629
part of the1514
the end of1501
of the first1488
it is a1368
in order to1337
to have been1337
it is not1330
that he was1284
and in the1243
some of the1222
the fact that1187
in spite of1178
the music of1115
for the first1114
at the same1114
there is a1093
of the great1089
out of the1084
the first time1078
the same time1076
that he had1064
there is no1052
in which the1047
in the first1043
on the other1012
of the opera1006
it is the1003
and it is996
in the same995
that it was981
of his own958
end of the955
it was not938
that of the933
he did not928
is to be926
and it was925
at the end917
one of his911
i do not905
he was a902
of the music899
it would be881
it was a875
but it is866
the part of848
the name of845
seems to have842
at the time836
at that time833
on the stage825
it may be805
the art of802
in which he801
the other hand791
the beginning of776
as to the768
a number of764
which he had750
that it is739
to be a732
when he was725
is one of704
music of the693
the age of685
must have been684
there was a683
was one of681
of the same677
in the world676
was to be674
of all the672
would have been669
of the work668
the history of667
of his life662
to be the651
on account of651
as soon as649
it will be643
it was the640
of the old637
the time of631
he had been631
the works of627
in the second623
to be found620
on the th615
in the year611
account of the600
he could not592
of the world590
the use of586
of the second584
be able to575
it must be575
the second act574
the story of572
at the age572
was in the571
not to be566
the first act564
the course of563
and at the560
the production of558
of the day558
the character of554
the th of553
so far as553
i did not551
a man of549
of the two549
it has been546
as it is544
many of the544
of the orchestra544
be found in541
at this time540
the subject of539
the death of538
said to have537
in new york535
there was no528
i could not528
on the subject525
the whole of523
the influence of521
but it was520
as in the520
of the new518
the close of516
he was not500
by no means499
this is the498
the spirit of496
a matter of494
by means of494
according to the492
the work of489
a series of489
the middle of488
with regard to485
of the musical479
as far as478
use of the471
a sort of469
the rest of468
the performance of467
as it was465
in one of464
and he was463
in the course462
which he was460
more or less460
the idea of460
the development of458
was the first455
that he would452
a kind of451
is in the451
it is true447
to go to447
of which the446
to say that444
he went to443
a long time442
beginning of the439
was born in438
in the most436
that i had435
more and more433
some of his433
up to the432
of the composer432
as he was427
which had been427
that i was425
the result of424
the hands of423
character of the421
in the last420
and of the419
the midst of419
it is to418
the effect of418
at the beginning417
those of the417
the form of415
that he is414
of the art413
had to be412
in the following411
to make the410
i have been410
found in the410
in the midst407
who had been407
it was in406
of the time405
in the middle405
of the violin405
a great deal399
of the greatest399
in addition to399
the house of398
of the whole397
a few days396
for some time396
of the last395
at the close395
of the italian394
to make a393
of one of392
i had to392
he was the390
in connection with389
is said to389
was obliged to389
place in the387
as i have387
more than a384
of the best384
he had a384
as a composer383
one of them382
in his own382
that i have381
most of the380
side of the379
the power of378
at any rate377
the first of377
of his works377
a pupil of376
director of the375
spite of the374
of which he374
close of the373
the presence of373
members of the371
was able to371
of the french370
point of view369
the king of368
member of the368
the first movement366
and all the366
that he has364
he had not364
parts of the364
that he could364
for many years364
of the instrument363
for a long363
in such a363
could not be363
to the same362
the life of360
is not a360
one of these360
of the public359
which i had359
do not know358
and that the357
the first performance354
the case of354
the words of354
the third act353
of the present353
performance of the352
that in the351
and that he349
seem to have349
he would have349
with which he349
he does not346
the success of346
with all the346
he was in346
as one of346
for a moment345
the cause of344
the direction of344
have been a343
the present day342
for a time341
on the whole340
so as to340
that i am340
years of age339
in the case338
i have not337
on the contrary337
to do with336
on the part336
in regard to335
in a letter335
of the church334
is full of333
when i was331
regard to the331
in the morning331
to do so329
the eighteenth century329
as it were327
of the people327
story of the327
this was the326
well as the325
he is a325
him in the325
was not a325
on this occasion324
it had been323
treatment of the323
the most important321
hmc music only320
is the most319
to that of319
it is in318
of his time317
that i should317
middle of the317
for the most316
and on the315
of the german315
the best of315
the point of315
the author of315
to see the313
than that of313
in the evening313
the score of312
but in the312
the nature of312
the style of311
the study of310
in the music310
a good deal310
of the gods310
are to be309
one of those308
is not the307
may have been307
of those who307
of the house307
rest of the307
but he was306
at the piano306
and there is306
with which the306
the music is306
ought to be305
of the theatre305
and i was304
the number of303
idea of the303
for it is302
the sake of302
the expression of302
here and there301
of his art301
for the sake300
a member of299
song of the299
the composition of299
for the purpose299
not at all299
might have been298
a few years297
as we have297
in the opera297
it is said297
the sound of296
in this country296
it is only296
to me that296
the daughter of295
the first part295
in the history295
as a matter295
in all the295
as much as295
the head of294
i am not294
the musical world294
was a great293
development of the292
of such a289
that she was289
that of a288
to return to288
we have seen288
movement of the288
part in the288
of the young288
may be said287
he has been287
had not been286
spirit of the285
which i have284
the opera was284
in a few284
with the exception284
this is a283
if he had282
of the year282
of the other281
music in the280
history of the280
seems to be279
back to the279
in the orchestra279
in love with279
was born at278
in the way278
and in a278
in those days278
which it is278
such as the277
the same year277
have been the276
the purpose of275
he had to275
of the piano275
of a new274
appears to have274
connection with the274
in the third273
of the latter273
the exception of273
a piece of272
portion of the272
i had been272
seems to me272
it does not272
the most part271
it seems to271
in e flat271
known as the271
in the musical270
there is nothing270
the father of269
that is to269
as that of269
so that the269
for me to268
as long as268
the opening of267
for the piano266
and to the266
in b flat266
when it was266
a performance of265
on the piano265
a state of264
the way of264
been able to264
to be in264
in order that264
it should be264
much of the263
that he should263
two or three263
the title of263
name of the263
owing to the262
the second part262
down to the262
it was only262
of the season261
at the theatre261
the son of261
the appearance of260
went to the260
that they were260
followed by a260
the composer of260
in c minor260
to the end260
to the first259
to give the259
the first to259
of music in259
of his work258
seemed to be258
the united states258
did not know258
one or two258
of the drama258
it is impossible257
the following year257
to have a256
whole of the256
to give a256
given to the256
of this kind255
that there was252
a letter to252
on one occasion252
works of the252
sense of the252
to the public251
of which i251
is that of250
the possession of250
the song of250
but there is250
and for the250
of a great249
in this way249
form of the249
if it were249
i should have248
in a very248
of the city248
in this respect247
of the eighteenth247
of the audience247
a work of247
it in the247
on the same246
the first and246
him to the246
i shall be246
that there is246
the duke of245
it to the245
knowledge of the245
were to be245
at all events245
as he had244
of the kind244
in the old244
of some of244
academy of music244
in accordance with244
must not be243
in the summer242
to which he242
to his own242
part of his242
at the present242
for the last241
and with the241
from the first241
the nineteenth century241
not in the240
told me that240
a part of239
the place of239
as a whole239
many of his239
the summer of239
as i was239
be said to239
was at the238
by way of238
that he might238
of the stage238
he would not238
of the man237
in consequence of237
the metropolitan opera236
the position of236
fact that the235
to the great235
will be found235
and the other234
he is the234
i have already233
is to say233
with the most232
to hear the232
the light of232
of the modern232
to play the231
in the matter231
at the first231
the heart of231
of the th231
as they are231
the object of230
of the highest230
the value of230
the benefit of230
to take the230
it was to230
which has been230
and i have229
him as a229
should have been229
in which i229
and i am229
some of them228
to come to228
of the three227
from time to227
and the whole227
to the world227
the work is227
time to time227
i have never227
which is the227
of the master227
a short time226
and when the225
the work was225
the service of223
i have no223
for him to223
that she had223
history of music223
of his compositions223
with the same223
in the early222
that i could222
to which the222
the last act222
is the only222
with the greatest222
of the royal222
a couple of222
and by the221
those who have221
and his wife221
i should like221
i went to221
he began to221
of the court220
of which is220
of music and220
the next day220
in the art220
in the form220
at one time219
the members of219
the days of219
we do not219
to his father219
was not the219
of this work218
the man who218
in the house218
of his music217
of the words217
between the two217
in c major217
view of the217
where he was216
for a few216
to the other216
of the grail216
in front of216
of the king216
he had the215
first time in215
in the latter215
this is not215
the attention of214
of the grand214
the italian opera214
the names of214
to be able213
when he had213
the genius of213
and the music213
should not be213
the most beautiful212
there is not212
even in the212
the love of212
a man who212
the greatest of212
he had no212
should like to212
nature of the212
life of the212
of the past211
there can be211
whom he had211
manner in which211
to those who211
the state of211
had come to211
would be a211
of the principal211
work of the210
the occasion of210
in the spring210
would not be210
any of the210
be regarded as210
away from the210
not seem to209
in which she209
written for the209
than any other208
which he has208
metropolitan opera house208
was on the208
of the period207
i should be207
with that of207
which i was207
at the opera206
he was born206
and one of206
and when he206
master of the206
which it was206
opening of the205
he came to205
to the music205
in the theatre204
is a very204
we have the204
of the country204
on to the203
of the english203
to one of203
will not be203
that they are203
to me to203
he used to202
i had not202
the sense of202
and with a202
one of my202
and in his201
the court of201
of the story201
is not to201
the voice of201
of the original201
which we have201
first performance of201
to listen to201
acquainted with the201
the manner of201
i have a200
as i had200
he seems to200
a letter from200
the date of200
of the piece200
the scene of200
of the sonata199
of his genius199
the beauty of199
of the voice199
go to the199
the first place199
in which they199
of the third199
all sorts of199
was about to199
at a concert198
a visit to198
more than one198
the list of198
by the way198
in the presence198
all that is198
half of the198
to an end197
to be sure197
for the benefit197
that it would197
he was to197
return to the197
set to work197
has not been197
as a man196
he returned to196
they do not196
she was a196
interest in the196
to have the195
in the church195
come to the195
a young man195
on the occasion195
would not have195
daughter of the195
the aid of194
she had been194
for the present194
about this time194
and a half194
in the end193
in the hands193
of which was193
and i had193
attention to the193
he is not193
the introduction of193
the side of193
had been a193
he must have193
the thought of193
and there was193
influence of the193
at one of193
course of the192
there is an192
an account of192
seemed to me192
study of the192
me in the192
said to be192
see page image192
work of art191
the hand of191
at once to191
art of music191
the memory of191
the prima donna191
and then the190
are in the190
in the very190
it would have190
the philharmonic society190
the back of190
of a man190
came to the189
the young man189
during the last189
i was not189
due to the189
himself to the189
it is an189
great deal of189
the spring of188
of the organ188
to be done188
the world of188
at the head188
the time when188
could not have188
effect of the187
on the first187
the publication of187
that he did187
the progress of187
of the company186
it to be186
the acquaintance of186
connected with the186
set to music186
at the house186
i was in186
of the early186
of the concert186
of the song185
as for the185
to write a185
which may be185
instead of the184
of the subject184
of the fact184
which was to183
in the next183
it was at183
of the works183
to whom he183
a few words182
on the violin182
for which he182
the absence of182
as an artist182
at a time182
that is the182
of a few182
the habit of181
in the work181
of the future181
it is very181
in the meantime181
large number of181
he wrote to180
account of his180
the flying dutchman180
can be no180
the grand duke179
the sight of179
the city of179
in which it179
music for the179
the only one179
of the family179
there are many179
way in which178
good deal of178
i had a178
of their own178
as they were178
had not yet178
the sixteenth century178
the wife of178
if i had178
to think of178
the archduke rudolph177
be said that177
by the fact177
it might be177
him in his177
was in a177
it is as176
the piano and176
can only be176
the loss of176
as if he176
years of his176
it is difficult176
success of the176
no less than176
of the pianoforte176
only a few176
i beg you175
together with the175
the arrival of175
no doubt that175
composer of the175
they did not175
in the least175
they are not175
at this moment174
not have been174
was a very173
three or four173
the church of173
he was very173
one of her173
is impossible to173
to him in173
of the performance173
like that of173
as a rule173
the day of173
that i may173
to the last172
each of the172
he was so172
and some of172
in a minor172
the academy of172
and as the172
if it is172
only in the172
the opera of171
for he was171
the pleasure of171
i was to171
of the word170
to find a170
not only the170
the seventeenth century170
author of the170
and he had170
is true that170
with whom he170
again and again170
when she was170
it is quite170
him that he170
and this is170
is difficult to169
was produced in169
of his friends169
way to the169
a few of169
to new york169
the eyes of169
head of the169
words of the169
in a manner169
out of his169
was the only169
the last of169
of the town168
now and then168
was not to168
of which we168
the meaning of168
but they are168
at the metropolitan168
i have said168
the prince of168
in the autumn168
not so much168
has already been167
of the finest167
son of the167
as i am167
in the new167
by reason of167
who was a167
was that of166
of his career166
the top of166
description of the166
in the country166
and the first166
scene of the165
given in the165
of the nineteenth165
the foundation of165
at the last165
expression of the165
in the highest165
at the moment165
it is that164
in the beginning164
followed by the164
he might have164
was not until164
it as a164
time of the164
of the symphony164
was destined to164
took place in164
to the present164
by the composer164
as to be164
with a view163
possession of the163
to the most163
while he was163
not fail to163
in his life163
i had the163
the face of162
in some of162
on the ground162
of a very162
at the conservatoire162
being able to162
and that of162
under the direction162
at the door162
more than the162
tristan und isolde161
the greater part161
in the original161
it seemed to160
of italian opera160
the period of160
reference to the160
which have been160
to make his160
to be given160
to make it160
the conclusion of160
he was at159
of the sea159
the centre of159
a sense of159
a set of159
by this time159
and when i159
the shape of159
for several years159
presence of the159
and as a159
matter of fact159
may not be158
that of his158
that had been158
of the score158
all the more158
but i have158
of an opera158
well as in158
the origin of158
to take a157
i will not157
and in this157
was a man157
especially in the157
the queen of157
of which are157
c sharp minor157
is not so157
to each other157
the last time157
for the time157
the same way156
in the distance156
the treatment of156
after the first156
and the same156
to speak of156
of his most156
men and women156
me to the156
that she is156
had been the155
it must have155
and he is155
front of the155
he would be155
the most brilliant155
the last movement155
father of the155
the entrance of155
in his mind155
to the opera155
for the stage155
beauty of the155
so long as155
to the fact155
the necessity of155
but he had155
back of the154
to believe that154
the hope of154
it did not154
than in the154
the manner in154
to the theatre154
in d minor154
was not only154
the key of154
him by the154
is the same154
at the back154
the honour of154
of new york154
him to be154
said to me154
repetition of the153
appeared in the153
early in the153
this was a153
in the great153
the same as153
it cannot be153
is the first153
what do you153
is a great153
the autumn of153
and that is153
of the ring153
the matter of153
and the most152
the people of152
it is now152
at this period152
because of the152
many of them152
far as the152
of the middle152
has never been152
all the world152
i am a152
and did not152
theme of the152
we find the152
have to be151
the composer was151
hands of the151
if i were151
on the point151
of the wood151
there are no151
a large number151
to become a151
to show that151
to a certain151
he had already151
of the human151
after his death150
at last the150
the management of150
to leave the150
to the piano150
the overture to150
in the present150
does not seem150
of its own150
i was a150
to such a150
out in the150
the middle ages150
to him the150
of the instruments149
him with the149
was the most149
are full of149
those who are149
the mind of149
i am sure149
to me in149
manager of the149
in the works149
to the point148
and that it148
said that he148
of my life148
in d major148
them in the148
it was his148
it is no148
proved to be148
i have to147
it is all147
so that i147
and from the147
e flat major147
was followed by147
up in the147
he wished to147
at the very147
we have already147
in search of147
as a musician147
the order of147
a friend of147
to the old146
she did not146
is that the146
the majority of146
subject of the146
belonging to the146
to the composer146
me that he146
the director of146
made in the146
a copy of146
to see him146
a period of146
of the various146
in he was146
in his music145
seen in the145
as a pianist145
had been in145
greater part of145
the glory of145
it is well145
and full of145
and at last145
you do not145
in g minor145
the music was145
to the king145
written in the145
was received with145
we shall see145
made use of145
was produced at144
of the bow144
version of the144
to the musical144
and i will144
was unable to144
to all the144
he was able144
spite of his144
produced at the144
for the violin144
to have had144
for all the144
the new york144
has been said144
him in a144
so to speak144
b flat major144
ought to have144
of the earth144
none of the143
to go on143
the present time143
is said that143
two of the143
on the following143
added to the143
not only in143
that he may143
work on the143
it is possible143
form of a143
for piano and143
of the text143
a flat major143
but i am143
him with a143
and so on143
we have a143
heard in the143
may be found143
to be of142
belongs to the142
is well known142
most of his142
place of the142
were in the142
to sing in142
for it was142
after he had142
he was always142
in all its142
at covent garden142
for the pianoforte142
which was the142
that you will142
given by the142
i shall not142
the construction of142
say that the142
the invention of141
of her voice141
so that he141
the most popular141
he said to141
was also a141
i have seen141
as the most141
we are told141
time in the141
he was an141
have been made140
in the hope140
the door of140
the commencement of140
on this point140
from the beginning140
conductor of the140
at the court140
a letter of140
which took place140
with the words140
was going to140
of the movement139
because it is139
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