This is a table of authors, titles, dates and other bibliographic information; it is a list metadata describing the content of your study carrel. Think of it as your library.
id | author | title | date | words | sentences | pages | cache | text |
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work_x52lebkxwngbrcg5pdt3wrbwpm | (:Unkn) Unknown | STAGES OF RECOVERY IN INDIVIDUALS WITH DEEP TO PHONOLOGICAL DYSPHASIA: INSIGHT INTO TREATMENT APPROACHES | 2020 | 25628 | 2816 | 119.0 | ./cache/work_x52lebkxwngbrcg5pdt3wrbwpm.pdf | ./txt/work_x52lebkxwngbrcg5pdt3wrbwpm.txt |
work_naabgn6aujg3dd2lsn63lwchji | (:Unkn) Unknown | The Girl Gang: Women Writers of the New York City Beat Community | 2020 | 99155 | 6224 | 322.0 | ./cache/work_naabgn6aujg3dd2lsn63lwchji.pdf | ./txt/work_naabgn6aujg3dd2lsn63lwchji.txt |
work_ofrtlgpgozfjfjxs3ajrmvpmme | Adam Cadell | The Radical Violinist: Henry Flynt, Tony Conrad and the Liberation of the Violin | 2018 | 65430 | 4247 | 184.0 | ./cache/work_ofrtlgpgozfjfjxs3ajrmvpmme.pdf | ./txt/work_ofrtlgpgozfjfjxs3ajrmvpmme.txt |
work_pad4vsuqz5hxhphrssqjrk3s5e | Alan Bleakley | Force and Presence in the World of Medicine | 2017 | 5009 | 299 | 8.0 | ./cache/work_pad4vsuqz5hxhphrssqjrk3s5e.pdf | ./txt/work_pad4vsuqz5hxhphrssqjrk3s5e.txt |
work_pkhdyt6m4zgz5oulbmidhtkwfm | Alan E. Kazdin | Parent management training for conduct problems in children: Enhancing treatment to improve therapeutic change | 2018 | 144 | 26 | nan | ./cache/work_pkhdyt6m4zgz5oulbmidhtkwfm.pdf | ./txt/work_pkhdyt6m4zgz5oulbmidhtkwfm.txt |
work_tnvibjj3pbdjvghgbv367bf3pu | Albert A. Angehrn | Enhancing social interaction in competence development networks: a conceptual framework | 2008 | 83 | 11 | nan | ./cache/work_tnvibjj3pbdjvghgbv367bf3pu.pdf | ./txt/work_tnvibjj3pbdjvghgbv367bf3pu.txt |
work_yqi3blf4crgyrdmhtnskashyju | Alison Fast | Creative wandering : writing, reading, painting as knowing through a/r/tography | 2021 | 48706 | 3206 | 156.0 | ./cache/work_yqi3blf4crgyrdmhtnskashyju.pdf | ./txt/work_yqi3blf4crgyrdmhtnskashyju.txt |
work_sbauwiquvfcdrexkl4zlqyc5ta | Amal Mohan M. S. | Troubles with Reality and Order through the Imagination in a World of Disbelief and Disorder: Wallace Stevens and Supreme Fiction | 2020 | 6618 | 657 | 7.0 | ./cache/work_sbauwiquvfcdrexkl4zlqyc5ta.pdf | ./txt/work_sbauwiquvfcdrexkl4zlqyc5ta.txt |
work_nl5aw5egpzecvggsns4alonneq | Andrew Branch | All the young dudes: educational capital, masculinity and the uses of popular music | 2012 | 11230 | 625 | 48.0 | ./cache/work_nl5aw5egpzecvggsns4alonneq.pdf | ./txt/work_nl5aw5egpzecvggsns4alonneq.txt |
work_h5rtzlockrfndgvafpuunpziaq | Atko Remmel | Crossbreeding Atheism with Spirituality: Notes on Soviet and Western Attempts | 2018 | 10436 | 916 | 13.0 | ./cache/work_h5rtzlockrfndgvafpuunpziaq.pdf | ./txt/work_h5rtzlockrfndgvafpuunpziaq.txt |
work_uzpby4gncfb2bjqnhdqrpxo4h4 | Atko Remmel | Religion in secular archives. Soviet atheism and historical knowledge | 2017 | 10436 | 916 | 13.0 | ./cache/work_uzpby4gncfb2bjqnhdqrpxo4h4.pdf | ./txt/work_uzpby4gncfb2bjqnhdqrpxo4h4.txt |
work_ddzfd5nw7nbirclsz4geq25kji | Bart Eeckhout | A Ghostly Visit to London (Enter Stevens in a 500-Year-Old Bavarian Tree) | 2015 | 7061 | 337 | 15.0 | ./cache/work_ddzfd5nw7nbirclsz4geq25kji.pdf | ./txt/work_ddzfd5nw7nbirclsz4geq25kji.txt |
work_5tieywzcmjfnreck37fx64knlu | Ben Macpherson | (Re)authoring the 27 club: Bewildered voices, acousmatic audiophilia and the dangers of listening-in | 2016 | 5993 | 328 | 16.0 | ./cache/work_5tieywzcmjfnreck37fx64knlu.pdf | ./txt/work_5tieywzcmjfnreck37fx64knlu.txt |
work_j365i7y6czfvfd2xgtshh7e7ei | Bob L. Sturm | The State of the Art Ten Years After a State of the Art: Future Research in Music Information Retrieval | 2014 | 21041 | 2358 | 40.0 | ./cache/work_j365i7y6czfvfd2xgtshh7e7ei.pdf | ./txt/work_j365i7y6czfvfd2xgtshh7e7ei.txt |
work_a7tjf63yv5bqhc5ti7dye7o7wa | CARRIE ALLEN | I Got That Something That Makes Me Want to Shout: James Brown, Religion, and Gospel Music in Augusta, Georgia | 2011 | 10734 | 834 | 21.0 | ./cache/work_a7tjf63yv5bqhc5ti7dye7o7wa.pdf | ./txt/work_a7tjf63yv5bqhc5ti7dye7o7wa.txt |
work_5y7yakaz4bcjrped6syzasvwvu | Carol A. Taylor | Close Encounters of a Critical Kind | 2016 | 9989 | 629 | 34.0 | ./cache/work_5y7yakaz4bcjrped6syzasvwvu.pdf | ./txt/work_5y7yakaz4bcjrped6syzasvwvu.txt |
work_qei55uivxrdull7bcrfq4en2sy | Carol Jean Gibson | Bernard Mandeville : the importance of women in the development of civil societies | 1989 | 39902 | 2838 | 116.0 | ./cache/work_qei55uivxrdull7bcrfq4en2sy.pdf | ./txt/work_qei55uivxrdull7bcrfq4en2sy.txt |
work_qu4mhv6knfctfa3xqf774kpdwe | Carra Glatt | The Maker''s Rage: Narrative in Stevens'' Poetry | 2013 | 5365 | 326 | 13.0 | ./cache/work_qu4mhv6knfctfa3xqf774kpdwe.pdf | ./txt/work_qu4mhv6knfctfa3xqf774kpdwe.txt |
work_jci7pb77gvhddbqzszsiipfdpa | Christina Portman-Smith | ''Only as good as your last gig?'': an exploratory case study of reputational risk management amongst self-employed musicians | 2014 | 11927 | 1582 | 23.0 | ./cache/work_jci7pb77gvhddbqzszsiipfdpa.pdf | ./txt/work_jci7pb77gvhddbqzszsiipfdpa.txt |
work_ncq27ifllnbcno6fkkpogxd5u4 | Christopher Long | The Peripatetic Method: Walking with Woodbridge, Thinking with Aristotle | 2017 | 8778 | 616 | 16.0 | ./cache/work_ncq27ifllnbcno6fkkpogxd5u4.pdf | ./txt/work_ncq27ifllnbcno6fkkpogxd5u4.txt |
work_jmovsopbjfhwzbx5h5objmaeiy | David Z. Albert | Time and Chance | 2001 | 4037 | 311 | 32.0 | ./cache/work_jmovsopbjfhwzbx5h5objmaeiy.pdf | ./txt/work_jmovsopbjfhwzbx5h5objmaeiy.txt |
work_ojwhhx4m4jdb3hxf4xfjllecxy | Donald Hutton Stanley | The self-conscious narrator in Donald Barthelme and Vladimir Nabokov | 1978 | 173960 | 41660 | 236.0 | ./cache/work_ojwhhx4m4jdb3hxf4xfjllecxy.pdf | ./txt/work_ojwhhx4m4jdb3hxf4xfjllecxy.txt |
work_aopevinn2rczvmki5sp3kv6du4 | Ellen Levy | The Songs We Know Best: John Ashbery''s Early Life by Karin Roffman | 2018 | 2652 | 141 | 6.0 | ./cache/work_aopevinn2rczvmki5sp3kv6du4.pdf | ./txt/work_aopevinn2rczvmki5sp3kv6du4.txt |
work_pzymdnlrsrg3hmejylvji2qwui | Elyse Lamm Pineau | Nos Cruzamentos entre a Performance e a Pedagogia: uma revisão prospectiva | 2010 | 10395 | 1238 | 26.0 | ./cache/work_pzymdnlrsrg3hmejylvji2qwui.pdf | ./txt/work_pzymdnlrsrg3hmejylvji2qwui.txt |
work_i5phrzznw5c4hfobj4addy632m | Erdinç DURMUŞ | AMERİKAN MODERNİZMİ VE WALLACE STEVENS''IN ŞİİRİ | 2017 | 3926 | 284 | 8.0 | ./cache/work_i5phrzznw5c4hfobj4addy632m.pdf | ./txt/work_i5phrzznw5c4hfobj4addy632m.txt |
work_vnxhtinvfrg7rgigyrex4ijsmy | F. M. Riegler | Rainbow country surgery reggae seeds smile | 2013 | 1791 | 174 | 3.0 | ./cache/work_vnxhtinvfrg7rgigyrex4ijsmy.pdf | ./txt/work_vnxhtinvfrg7rgigyrex4ijsmy.txt |
work_aavw7x2gcrcjvefazdtu3vfxpm | FERNANDO BENADON | How Hooker found his boogie: a rhythmic analysis of a classic groove | 2009 | 7644 | 552 | 14.0 | ./cache/work_aavw7x2gcrcjvefazdtu3vfxpm.pdf | ./txt/work_aavw7x2gcrcjvefazdtu3vfxpm.txt |
work_3ad4zhnt55bl5cf6q7iyypspva | Gaye Elizabeth Taylor | The Meaning of the Earth and the Will of Men: Re-examining the Nietzschean in Wallace Stevens'' "Harmonium" | 2013 | 92199 | 5306 | 309.0 | ./cache/work_3ad4zhnt55bl5cf6q7iyypspva.pdf | ./txt/work_3ad4zhnt55bl5cf6q7iyypspva.txt |
work_g6c46d7c55cfreyrg2xvzf6xe4 | Glyn White | Christine Brooke-Rose: motes, beams and the horse''s mouth | 2018 | 9321 | 548 | 24.0 | ./cache/work_g6c46d7c55cfreyrg2xvzf6xe4.pdf | ./txt/work_g6c46d7c55cfreyrg2xvzf6xe4.txt |
work_gcgn73nxpffpzmnd4jadogsbuu | Gül Bilge Han | Bir Karakuşa Bakmanın On Üç Yolu by Wallace Stevens | 2018 | 2009 | 111 | 5.0 | ./cache/work_gcgn73nxpffpzmnd4jadogsbuu.pdf | ./txt/work_gcgn73nxpffpzmnd4jadogsbuu.txt |
work_ovznndcq5bddlm7fmvin4ggyzq | H Orlefors | Positron emission tomography with 5-hydroxytryprophan in neuroendocrine tumors | 1998 | 27248 | 2840 | 83.0 | ./cache/work_ovznndcq5bddlm7fmvin4ggyzq.pdf | ./txt/work_ovznndcq5bddlm7fmvin4ggyzq.txt |
work_cxoqb4uja5ctrhdxq764cqjxuq | HANS WEISETHAUNET | Is there such a thing as the ''blue note''? | 2001 | 10677 | 677 | 18.0 | ./cache/work_cxoqb4uja5ctrhdxq764cqjxuq.pdf | ./txt/work_cxoqb4uja5ctrhdxq764cqjxuq.txt |
work_pp4aupyndzamzl2l3qyhem32xy | Hannah Simpson | Where / Do I begin and end?: Circular Imagery in the Revolutionary Poetics of Stevens and Yeats | 2018 | 7642 | 454 | 17.0 | ./cache/work_pp4aupyndzamzl2l3qyhem32xy.pdf | ./txt/work_pp4aupyndzamzl2l3qyhem32xy.txt |
work_x3bdyqd7bnavdp2i22xjrlapwm | J. Hillis Miller | Quando um primitivo é como um orbe? Quando um primitivo é como um orbe? | 2008 | 10556 | 1302 | 28.0 | ./cache/work_x3bdyqd7bnavdp2i22xjrlapwm.pdf | ./txt/work_x3bdyqd7bnavdp2i22xjrlapwm.txt |
work_fekrsh7okfadfm6kkdqporjxve | J. M. Mancini | Because It Is My Culture: Technology and Agency in the Overseas U.S. Cultural History Classroom | 2010 | 3199 | 135 | 7.0 | ./cache/work_fekrsh7okfadfm6kkdqporjxve.pdf | ./txt/work_fekrsh7okfadfm6kkdqporjxve.txt |
work_r2yh2xsgkrao5aee6dkffwxypy | Jaap Hage | Conceptual Tools for Legislators Part 2: Pathways through the World of Law | 2013 | 12141 | 684 | 28.0 | ./cache/work_r2yh2xsgkrao5aee6dkffwxypy.pdf | ./txt/work_r2yh2xsgkrao5aee6dkffwxypy.txt |
work_5exozb2y6bgklpbgnoprj2ptxa | Jacyntha England | Histories of forgetting, geographies of remembering : exploring processes of witnessing and performing in senior secondary humanities classroom(s) | 2004 | 51250 | 4437 | 162.0 | ./cache/work_5exozb2y6bgklpbgnoprj2ptxa.pdf | ./txt/work_5exozb2y6bgklpbgnoprj2ptxa.txt |
work_iabdrxfur5dhhcsebcq3wiyl24 | James Mitchell | Red and Yellow Songs: A Historical Analysis of the Use of Music by the United Front for Democracy against Dictatorship (UDD) and the People''s Alliance for Democracy (PAD) in Thailand | 2011 | 14193 | 895 | 40.0 | ./cache/work_iabdrxfur5dhhcsebcq3wiyl24.pdf | ./txt/work_iabdrxfur5dhhcsebcq3wiyl24.txt |
work_alvr5uqqyneupgk6owflegmm2a | Jaqueline Warwick | I Wanna Be Me: Rock Music and the Politics of Identity. By Theodore Gracyk . Philadelphia: Temple University Press, 2001. xi, 292 pp.Disruptive Divas: Feminism, Identity and Popular Music. By Lori Burns Mélisse Lafrance . New York: Routledge, 2002. xix, 255 pp | 2004 | 5916 | 323 | 12.0 | ./cache/work_alvr5uqqyneupgk6owflegmm2a.pdf | ./txt/work_alvr5uqqyneupgk6owflegmm2a.txt |
work_rxcpvf7emngwniwtgincssigzu | Jatila van der Veen | Draw Your Physics Homework? Art as a Path to Understanding in Physics Teaching | 2012 | 23115 | 2668 | 53.0 | ./cache/work_rxcpvf7emngwniwtgincssigzu.pdf | ./txt/work_rxcpvf7emngwniwtgincssigzu.txt |
work_diayjqyh2reffpwaap2xg7lj2a | Jean Brennan | Student Stories about Mathematics: A tool to understand more about the teaching and learning of mathematics | 2018 | 95594 | 6591 | 343.0 | ./cache/work_diayjqyh2reffpwaap2xg7lj2a.pdf | ./txt/work_diayjqyh2reffpwaap2xg7lj2a.txt |
work_xdoebvg2xjdothtumetvtrbxyi | Jeremy David Prindle | The devil''s prayers: metal music in Iran | 2014 | 83606 | 7815 | 294.0 | ./cache/work_xdoebvg2xjdothtumetvtrbxyi.pdf | ./txt/work_xdoebvg2xjdothtumetvtrbxyi.txt |
work_ptrqatik2rb7lbpzhlct52ldwe | Jill Michelle Jensen | Educating without bannisters : Hannah Arendt on thinking, willing, and judging | 2020 | 70784 | 4013 | 235.0 | ./cache/work_ptrqatik2rb7lbpzhlct52ldwe.pdf | ./txt/work_ptrqatik2rb7lbpzhlct52ldwe.txt |
work_rlncehiymneivk2tz4osco76x4 | Joan McArthur-Blair | The inner life : a conversation with leaders in British Columbia post-secondary education | 2004 | 51430 | 3940 | 180.0 | ./cache/work_rlncehiymneivk2tz4osco76x4.pdf | ./txt/work_rlncehiymneivk2tz4osco76x4.txt |
work_sbzmsxzvxjfllgndwbkg4mbxcu | Joanne Richardson | ''The pleasures of merely circulation'' : the interpretive anthropology of Clifford Geerts and the ''postmodern'' anthropology of James Clifford : a deconstructive reading | 1990 | 152679 | 38535 | 228.0 | ./cache/work_sbzmsxzvxjfllgndwbkg4mbxcu.pdf | ./txt/work_sbzmsxzvxjfllgndwbkg4mbxcu.txt |
work_a3zuymezwjasjlu6wd4t7fayeu | Joe. Wilkins | Mississippi Stories | 2007 | 11037 | 1040 | 23.0 | ./cache/work_a3zuymezwjasjlu6wd4t7fayeu.pdf | ./txt/work_a3zuymezwjasjlu6wd4t7fayeu.txt |
work_kn4fgkn445ffhhfosf6vgxny44 | John Tarlton | Neglected Knowing: Some Characteristics of Positive Aesthetic Experience in Painting | 2018 | 106168 | 7344 | 339.0 | ./cache/work_kn4fgkn445ffhhfosf6vgxny44.pdf | ./txt/work_kn4fgkn445ffhhfosf6vgxny44.txt |
work_7jagcly6b5dzdjjdpzoel2kol4 | Juan Ignacio Vallejos | Dance, Sexuality, and Utopian Subversion Under the Argentine Dictatorship of the 1960s: The Case of Oscar Aráiz''s The Rite of Spring and Ana Itelman''s Phaedra | 2016 | 11630 | 868 | 19.0 | ./cache/work_7jagcly6b5dzdjjdpzoel2kol4.pdf | ./txt/work_7jagcly6b5dzdjjdpzoel2kol4.txt |
work_n6e2b2a7hfek5mijm7rziwgm64 | Justine M. Thacker | When it is apt to adapt: Flexible reasoning guides children''s use of talker identity and disfluency cues | 2018 | 8624 | 682 | 15.0 | ./cache/work_n6e2b2a7hfek5mijm7rziwgm64.pdf | ./txt/work_n6e2b2a7hfek5mijm7rziwgm64.txt |
work_epvsrtmnfzadbdob3jqjc7ix7a | Keith Darrel Eccleston | Oscillations of the absolute : an examination of the implications of Wallace Stevens'' "Central Poetry." | 1964 | 107009 | 21767 | 193.0 | ./cache/work_epvsrtmnfzadbdob3jqjc7ix7a.pdf | ./txt/work_epvsrtmnfzadbdob3jqjc7ix7a.txt |
work_hej7xirnsnfgfooktxrcq6ge7q | Kendra Leonard | The Lady Vanishes: Vocality and Agency in Cinematic Ophelias | 2016 | 7487 | 487 | 18.0 | ./cache/work_hej7xirnsnfgfooktxrcq6ge7q.pdf | ./txt/work_hej7xirnsnfgfooktxrcq6ge7q.txt |
work_leofnl3hijcq3iaumr7qgdkgqe | Kurt Werner | Modal Processor Effects Inspired by Hammond Tonewheel Organs | 2016 | 8123 | 986 | 19.0 | ./cache/work_leofnl3hijcq3iaumr7qgdkgqe.pdf | ./txt/work_leofnl3hijcq3iaumr7qgdkgqe.txt |
work_jedxx6m335dufn7qlhs7xcuecm | Les Back | How Blue Can You Get? B.B. King, Planetary Humanism and the Blues behind Bars | 2015 | 5070 | 376 | 11.0 | ./cache/work_jedxx6m335dufn7qlhs7xcuecm.pdf | ./txt/work_jedxx6m335dufn7qlhs7xcuecm.txt |
work_7hath36sl5g5jjurucr5vlajsq | Lindsay C. Mitchell | The meaning of an education : lifelong learning and the blues | 2010 | 81919 | 7996 | 320.0 | ./cache/work_7hath36sl5g5jjurucr5vlajsq.pdf | ./txt/work_7hath36sl5g5jjurucr5vlajsq.txt |
work_qz6lfui3mvaq7ky2qsuuphmzya | Lucy Durán | POYI! Bamana jeli music, Mali and the blues | 2013 | 19966 | 1897 | 37.0 | ./cache/work_qz6lfui3mvaq7ky2qsuuphmzya.pdf | ./txt/work_qz6lfui3mvaq7ky2qsuuphmzya.txt |
work_azepeftgqzgbpfxxtiy7eadhw4 | Luke O''Loughlin | No one is an island | 2018 | 278 | 45 | nan | ./cache/work_azepeftgqzgbpfxxtiy7eadhw4.pdf | ./txt/work_azepeftgqzgbpfxxtiy7eadhw4.txt |
work_oi4iiyfejjaphdavtw26kh64ki | Margaret Mills Harper | Crazy Jane and Professor Eucalyptus: Self-Dissolution in the Later Poetry of Yeats and Stevens | 2018 | 7017 | 447 | 16.0 | ./cache/work_oi4iiyfejjaphdavtw26kh64ki.pdf | ./txt/work_oi4iiyfejjaphdavtw26kh64ki.txt |
work_uedjmuarsrftnpqwyswlnmp2su | Marie-France Berard | On the experience of encountering art in museum spaces : an inquiry with Gilles Deleuze''s concepts of desire and assemblage | 2017 | 70010 | 4326 | 246.0 | ./cache/work_uedjmuarsrftnpqwyswlnmp2su.pdf | ./txt/work_uedjmuarsrftnpqwyswlnmp2su.txt |
work_a3q3uy2ibjaaniqbnaq2rhwc3e | Mark Burke | Frege, Hilbert, and Structuralism | 2015 | 129153 | 7682 | 239.0 | ./cache/work_a3q3uy2ibjaaniqbnaq2rhwc3e.pdf | ./txt/work_a3q3uy2ibjaaniqbnaq2rhwc3e.txt |
work_qwarbhwkc5dhvcbxj2sq4nb26m | Martin James Smith | The Narrated Self: How can the combination of writing and photography be used to represent individual experience | 2019 | 50763 | 3805 | 198.0 | ./cache/work_qwarbhwkc5dhvcbxj2sq4nb26m.pdf | ./txt/work_qwarbhwkc5dhvcbxj2sq4nb26m.txt |
work_fjzrgm4tgrhalbcrqogypk3ovi | Matthew Mongrain | Light from Canada: The Poetics of James Schuyler | 2013 | 32698 | 2033 | 127.0 | ./cache/work_fjzrgm4tgrhalbcrqogypk3ovi.pdf | ./txt/work_fjzrgm4tgrhalbcrqogypk3ovi.txt |
work_hmnduvushzffzhtto7saw4xzy4 | Mia Johnson | A comparative study of visual elements in traditional art images and computer graphics | 1993 | 48047 | 4292 | 279.0 | ./cache/work_hmnduvushzffzhtto7saw4xzy4.pdf | ./txt/work_hmnduvushzffzhtto7saw4xzy4.txt |
work_eobo4ufgabgldlsfaujzygkvse | Nailson dos Santos Cunha | Generating guitar solos by integer programming | 2017 | 748 | 170 | nan | ./cache/work_eobo4ufgabgldlsfaujzygkvse.pdf | ./txt/work_eobo4ufgabgldlsfaujzygkvse.txt |
work_k5bw4r2hwnhcrieuqvtm4cyxui | Norma Jamieson | The creative writing course in the British Columbia senior secondary school : a telephoto examination with accompanying curriculum development guidelines | 1977 | 167730 | 45180 | 235.0 | ./cache/work_k5bw4r2hwnhcrieuqvtm4cyxui.pdf | ./txt/work_k5bw4r2hwnhcrieuqvtm4cyxui.txt |
work_vpxxzkt23jbbvle4fwzw3wuzpi | P. G. O''Seaghdha | Close but not proximate: The significance of phonological segments in speaking depends on their functional engagement | 2012 | 747 | 96 | 1.0 | ./cache/work_vpxxzkt23jbbvle4fwzw3wuzpi.pdf | ./txt/work_vpxxzkt23jbbvle4fwzw3wuzpi.txt |
work_moejrmbnj5hoff6j7vuwx4ryza | P.K. Page | The Blue Guitar | 2004 | 748 | 86 | 5.0 | ./cache/work_moejrmbnj5hoff6j7vuwx4ryza.pdf | ./txt/work_moejrmbnj5hoff6j7vuwx4ryza.txt |
work_fos67nw6zjb6lblxc72ggtzakq | Patrik N. Juslin | Communication of emotions in vocal expression and music performance: Different channels, same code? | 2003 | 44200 | 14640 | 45.0 | ./cache/work_fos67nw6zjb6lblxc72ggtzakq.pdf | ./txt/work_fos67nw6zjb6lblxc72ggtzakq.txt |
work_wiovv3okjzetthjn4z5upaiyda | Paul Atkinson | Hairy Guys in Sheds: The Rough and Ready World of DIY Cigar Box Guitar Makers | 2018 | 11164 | 1026 | 32.0 | ./cache/work_wiovv3okjzetthjn4z5upaiyda.pdf | ./txt/work_wiovv3okjzetthjn4z5upaiyda.txt |
work_hx534dx2hzcc7jbq4yljmyezpi | Richard T Harrison | Leadership, leadership development and all that jazz | 2016 | 10567 | 658 | 23.0 | ./cache/work_hx534dx2hzcc7jbq4yljmyezpi.pdf | ./txt/work_hx534dx2hzcc7jbq4yljmyezpi.txt |
work_6gyfuq7rgjfetmbgkdjywbyz3e | Roy Porter | Lay medical knowledge in the eighteenth century: The evidence of the Gentleman''s Magazine | 1985 | 17954 | 1744 | 31.0 | ./cache/work_6gyfuq7rgjfetmbgkdjywbyz3e.pdf | ./txt/work_6gyfuq7rgjfetmbgkdjywbyz3e.txt |
work_5wgmcxajqzfhxp4gvy3vai6z44 | Rupert Till | Pop stars and idolatry: an investigation of the worship of popular music icons, and the music and cult of Prince | 2010 | 6515 | 451 | 15.0 | ./cache/work_5wgmcxajqzfhxp4gvy3vai6z44.pdf | ./txt/work_5wgmcxajqzfhxp4gvy3vai6z44.txt |
work_nar7abtvm5b2rjlx4fblx2ryqe | Ryan Dohoney | ''Élan Vital … and How to Fake it'': Morton Feldman and Merle Marsicano''s Vernacular Metaphysics | 2019 | 8029 | 688 | 19.0 | ./cache/work_nar7abtvm5b2rjlx4fblx2ryqe.pdf | ./txt/work_nar7abtvm5b2rjlx4fblx2ryqe.txt |
work_lwrjm2qsujfuphgdwfl7v43thq | Santiago Rodríguez Guerrero-Strachan | De la simple existencia: Antología poética by Wallace Stevens, and: La roca by Wallace Stevens, and: Poemas tardíos by Wallace Stevens, and: Ideas de orden by Wallace Stevens, and: Las auroras de otoño y otros poemas by Wallace Stevens (review) | 2013 | 1749 | 122 | 5.0 | ./cache/work_lwrjm2qsujfuphgdwfl7v43thq.pdf | ./txt/work_lwrjm2qsujfuphgdwfl7v43thq.txt |
work_nytswgbk3rg23dvozgfrwbvrae | Sarah Lynn Banting | Common ground and the city : assumed community in Vancouver fiction and theatre | 2010 | 101767 | 5675 | 312.0 | ./cache/work_nytswgbk3rg23dvozgfrwbvrae.pdf | ./txt/work_nytswgbk3rg23dvozgfrwbvrae.txt |
work_a7ef57sw2jbkvkxhdpxfasm24q | Scot Brown | The Blues/Funk Futurism of Roger Troutman | 2013 | 2060 | 127 | 6.0 | ./cache/work_a7ef57sw2jbkvkxhdpxfasm24q.pdf | ./txt/work_a7ef57sw2jbkvkxhdpxfasm24q.txt |
work_3asa5qxlenh3tm63bffpvzd46i | Simon Critchley | Surfaciality: Some Poems by Fernando Pessoa, one by Wallace Stevens, and the Brief Sketch of a Poetic Ontology | 2018 | 8358 | 641 | 21.0 | ./cache/work_3asa5qxlenh3tm63bffpvzd46i.pdf | ./txt/work_3asa5qxlenh3tm63bffpvzd46i.txt |
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work_6ujzcidklbfgvb5iyz5lmhqgre | Tim Armstrong | Player Piano: Poetry and Sonic Modernity | 2007 | 8455 | 464 | 21.0 | ./cache/work_6ujzcidklbfgvb5iyz5lmhqgre.pdf | ./txt/work_6ujzcidklbfgvb5iyz5lmhqgre.txt |
work_2tudfn6p7vbovpiu2j5biw4d4m | Tony Sharpe | Dead Opposites or "Reconciled among the Stars"?: Stevens and Eliot | 2018 | 7465 | 410 | 16.0 | ./cache/work_2tudfn6p7vbovpiu2j5biw4d4m.pdf | ./txt/work_2tudfn6p7vbovpiu2j5biw4d4m.txt |
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work_yppx6jysffe23gqdmnc3ct625i | Vanessa Frances Newby | Walk the Line: Examining the Factors that Enable Peacemakers to Influence Their Local Security Environment | 2018 | 104188 | 6557 | 284.0 | ./cache/work_yppx6jysffe23gqdmnc3ct625i.pdf | ./txt/work_yppx6jysffe23gqdmnc3ct625i.txt |
work_3ahu3wcizfh2be3s7s5tt7blb4 | W. Vaughn McCall | Electroconvulsive Therapy in the Treatment of the "Blues" | 2017 | 144 | 27 | nan | ./cache/work_3ahu3wcizfh2be3s7s5tt7blb4.pdf | ./txt/work_3ahu3wcizfh2be3s7s5tt7blb4.txt |
work_y2ghdzlmrzbbdnpatg35kv4kre | WILLIAM WATKIN | Let''s Make a List: James Schuyler''s Taxonomic Autobiography | 2002 | 11888 | 646 | 26.0 | ./cache/work_y2ghdzlmrzbbdnpatg35kv4kre.pdf | ./txt/work_y2ghdzlmrzbbdnpatg35kv4kre.txt |
work_ey3akxayzjgadk4cym2yumlv44 | Wallace (Katy), Katherine | A new materialist turn toward the textbook: an exploration of the relationship between history textbooks and historical narratives | 2019 | 56608 | 4167 | 191.0 | ./cache/work_ey3akxayzjgadk4cym2yumlv44.pdf | ./txt/work_ey3akxayzjgadk4cym2yumlv44.txt |