[Transcriber's note: Footnotes moved to end of story]



[Illustration: They look him over as if he were a fresh air child being
given a day's outing.]




LOVE CONQUERS ALL

BY ROBERT C. BENCHLEY

ILLUSTRATED BY GLUYAS WILLIAMS

1922

Printed October, 1922




ACKNOWLEDGMENT


The author thanks the editors of the following publications for their
permission to print the articles in this book: _Life, The New York
World, The New York Tribune, The Detroit Athletic Club News, and The
Consolidated Press Association_.




CONTENTS


I THE BENCHLEY-WHITTIER CORRESPONDENCE

II FAMILY LIFE IN AMERICA
   Part 1
   Part 2
   Part 3

III THIS CHILD KNOWS THE ANSWER--_DO YOU_?

IV RULES AND SUGGESTIONS FOE WATCHING AUCTION BRIDGE

V A CHRISTMAS SPECTACLE

VI HOW TO WATCH A CHESS MATCH

VII WATCHING BASEBALL

VIII HOW TO BE A SPECTATOR AT SPRING PLANTING

IX THE MANHATTADOR

X WHAT TO DO WHILE THE FAMILY IS AWAY

XI "ROLL YOUR OWN"

XII DO INSECTS THINK?

XIII THE SCORE IN THE STANDS

XIV MID-WINTER SPORTS

XV READING THE FUNNIES ALOUD

XVI OPERA SYNOPSES
   I Die Meister-Genossenschaft.
   II Il Minnestrone
   III Lucy de Lima

XVII THE YOUNG IDEA'S SHOOTING GALLERY

XVIII POLYP WITH A PAST

XIX HOLT! WHO GOES THERE?

XX THE COMMITTEE ON THE WHOLE

XXI NOTING AN INCREASE IN BIGAMY

XXII THE REAL WIGLAF: MAN AND MONARCH

XXIII FACING THE BOYS' CAMP PROBLEM

XXIV ALL ABOUT THE SILESIAN PROBLEM

XXV HAPPY THE HOME WHERE BOOKS ARE FOUND

XXVI WHEN NOT IN ROME, WHY DO AS THE ROMANS DID?

XXVII THE TOOTH, THE WHOLE TOOTH, AND NOTHING BUT THE TOOTH

XXVIII MALIGNANT MIRRORS

XXIX THE POWER OF THE PRESS

XXX HOME FOR THE HOLIDAYS

XXXI HOW TO UNDERSTAND INTERNATIONAL FINANCE

XXXII 'TWAS THE NIGHT BEFORE SUMMER

XXXIII WELCOME HOME--AND SHUT UP

XXXIV ANIMAL STORIES
   I Georgie Dog
   II Lillian Mosquito

XXXV THE TARIFF UNMASKED


LITERARY DEPARTMENT

XXXVI "TAKE ALONG A BOOK"

XXXVII CONFESSIONS OF A CHESS CHAMPION

XXXVIII "RIP VAN WINKLE"

XXXIX LITERARY LOST AND FOUND DEPT.

XL "DARKWATER"

XLI THE NEW TIME-TABLE

XLII MR. BOK'S AMERICANIZATION

XLIII ZANE GREY'S MOVIE

XLIV SUPPRESSING "JURGEN"

XLV ANTI-IBANEZ

XLVI ON BRICKLAYING

XLVII "AMERICAN ANNIVERSARIES"

XLVIII A WEEK-END WITH WELLS

XLIX ABOUT PORTLAND CEMENT

L OPEN BOOKCASES

LI TROUT-FISHING

LII "SCOUTING FOR GIRLS"

LIII HOW TO SELL GOODS

LIV "You!"

LV THE CATALOGUE SCHOOL

LVI "EFFECTIVE HOUSE ORGANS"

LVII ADVICE TO WRITERS

LVIII "THE EFFECTIVE SPEAKING VOICE"

LIX THOSE DANGEROUSLY DYNAMIC BRITISH GIRLS

LX BOOKS AND OTHER THINGS

LXI "MEASURE YOUR MIND"

LXII THE BROW-ELEVATION IN HUMOR

LXIII BUSINESS LETTERS




ILLUSTRATIONS

They look him over as if he were a fresh air child being given a day's
outing.

The watcher walks around the table, giving each hand a careful scrutiny.

"'Round and 'round the tree I go"

"Atta boy, forty-nine: Only one more to go!"

For three hours there is a great deal of screaming.

He was further aided by the breaks of the game.

Mrs. Deemster didn't enter into the spirit of the thing at all.

"That's right," says the chairman.

"If you weren't asleep what were you doing with your eyes closed?"

You would gladly change places with the most lawless of God's creatures.

I am mortified to discover that the unpleasant looking man is none other
than myself.

"I can remember you when you were that high"

She would turn away and bite her lip.

"Listen Ed! This is how it goes!"

They intimate that I had better take my few pennies and run 'round the
corner to some little haberdashery.

I thank them and walk in to the nearest dining-room table.

"Why didn't you tell us that you were reading a paper on birth control?"




LOVE CONQUERS ALL




I.

THE BENCHLEY-WHITTIER CORRESPONDENCE


Old scandals concerning the private life of Lord Byron have been revived
with the recent publication of a collection of his letters. One of the
big questions seems to be: _Did Byron send Mary Shelley's letter to Mrs.
R.B. Hoppner_? Everyone seems greatly excited about it.

Lest future generations be thrown into turmoil over my correspondence
after I am gone, I want right now to clear up the mystery which has
puzzled literary circles for over thirty years. I need hardly add that I
refer to what is known as the "Benchley-Whittier Correspondence."

The big question over which both my biographers and Whittier's might
possibly come to blows is this, as I understand it: _Did John Greenleaf
Whittier ever receive the letters I wrote to him in the late Fall of_
1890? _If he did not, who did? And under what circumstances were they
written_?

I was a very young man at the time, and Mr. Whittier was, naturally,
very old. There had been a meeting of the Save-Our-Song-Birds Club in
old Dane Hall (now demolished) in Cambridge, Massachusetts. Members had
left their coats and hats in the check-room at the foot of the stairs
(now demolished).

In passing out after a rather spirited meeting, during the course of
which Mr. Whittier and Dr. Van Blarcom had opposed each other rather
violently over the question of Baltimore orioles, the aged poet
naturally was the first to be helped into his coat. In the general
mix-up (there was considerable good-natured fooling among the members as
they left, relieved as they were from the strain of the meeting)
Whittier was given my hat by mistake. When I came to go, there was
nothing left for me but a rather seedy gray derby with a black band,
containing the initials "J.G.W." As the poet was visiting in Cambridge
at the time I took opportunity next day to write the following letter to
him:

Cambridge, Mass.
November 7, 1890.

Dear Mr. Whittier:

I am afraid that in the confusion following the Save-Our-Song-Birds
meeting last night, you were given my hat by mistake. I have yours and
will gladly exchange it if you will let me know when I may call on you.

May I not add that I am a great admirer of your verse? Have you ever
tried any musical comedy lyrics? I think that I could get you in on the
ground floor in the show game, as I know a young man who has written
several songs which E.E. Rice has said he would like to use in his next
comic opera--provided he can get words to go with them.

But we can discuss all this at our meeting, which I hope will be soon,
as your hat looks like hell on me.

Yours respectfully,

ROBERT C. BENCHLEY.

I am quite sure that this letter was mailed, as I find an entry in my
diary of that date which reads:

"Mailed a letter to J.G. Whittier. Cloudy and cooler."

Furthermore, in a death-bed confession, some ten years later, one Mary
F. Rourke, a servant employed in the house of Dr. Agassiz, with whom
Whittier was bunking at the time, admitted that she herself had taken a
letter, bearing my name in the corner of the envelope, to the poet at
his breakfast on the following morning.

But whatever became of it after it fell into his hands, I received no
reply. I waited five days, during which time I stayed in the house
rather than go out wearing the Whittier gray derby. On the sixth day I
wrote him again, as follows:

Cambridge, Mass.
Nov. 14, 1890.

Dear Mr. Whittier:

How about that hat of mine?

Yours respectfully,

ROBERT C. BENCHLEY.

I received no answer to this letter either. Concluding that the good
gray poet was either too busy or too gosh-darned mean to bother with the
thing, I myself adopted an attitude of supercilious unconcern and closed
the correspondence with the following terse message:

Cambridge, Mass.
December 4, 1890.

Dear Mr. Whittier:

It is my earnest wish that the hat of mine which you are keeping will
slip down over your eyes some day, interfering with your vision to such
an extent that you will walk off the sidewalk into the gutter and
receive painful, albeit superficial, injuries.

Your young friend,

ROBERT C. BENCHLEY.

Here the matter ended so far as I was concerned, and I trust that
biographers in the future will not let any confusion of motives or
misunderstanding of dates enter into a clear and unbiased statement of
the whole affair. We must not have another Shelley-Byron scandal.




II

FAMILY LIFE IN AMERICA


PART I

The naturalistic literature of this country has reached such a state
that no family of characters is considered true to life which does not
include at least two hypochondriacs, one sadist, and one old man who
spills food down the front of his vest. If this school progresses, the
following is what we may expect in our national literature in a year or
so.

The living-room in the Twillys' house was so damp that thick, soppy moss
grew all over the walls. It dripped on the picture of Grandfather Twilly
that hung over the melodeon, making streaks down the dirty glass like
sweat on the old man's face. It was a mean face. Grandfather Twilly had
been a mean man and had little spots of soup on the lapel of his coat.
All his children were mean and had soup spots on their clothes.

Grandma Twilly sat in the rocker over by the window, and as she rocked
the chair snapped. It sounded like Grandma Twilly's knees snapping as
they did whenever she stooped over to pull the wings off a fly. She was
a mean old thing. Her knuckles were grimy and she chewed crumbs that
she found in the bottom of her reticule. You would have hated her. She
hated herself. But most of all she hated Grandfather Twilly.

"I certainly hope you're frying good," she muttered as she looked up at
his picture.

"Hasn't the undertaker come yet, Ma?" asked young Mrs. Wilbur Twilly
petulantly. She was boiling water on the oil-heater and every now and
again would spill a little of the steaming liquid on the baby who was
playing on the floor. She hated the baby because it looked like her
father. The hot water raised little white blisters on the baby's red
neck and Mabel Twilly felt short, sharp twinges of pleasure at the
sight. It was the only pleasure she had had for four months.

"Why don't you kill yourself, Ma?" she continued. "You're only in the
way here and you know it. It's just because you're a mean old woman and
want to make trouble for us that you hang on."

Grandma Twilly shot a dirty look at her daughter-in-law. She had always
hated her. Stringy hair, Mabel had. Dank, stringy hair. Grandma Twilly
thought how it would look hanging at an Indian's belt. But all that she
did was to place her tongue against her two front teeth and make a noise
like the bath-room faucet.

Wilbur Twilly was reading the paper by the oil lamp. Wilbur had watery
blue eyes and cigar ashes all over his knees. The third and fourth
buttons of his vest were undone. It was too hideous.

He was conscious of his family seated in chairs about him. His mother,
chewing crumbs. His wife Mabel, with her stringy hair, reading. His
sister Bernice, with projecting front teeth, who sat thinking of the man
who came every day to take away the waste paper. Bernice was wondering
how long it would be before her family would discover that she had been
married to this man for three years.

How Wilbur hated them all. It didn't seem as if he could stand it any
longer. He wanted to scream and stick pins into every one of them and
then rush out and see the girl who worked in his office snapping
rubber-bands all day. He hated her too, but she wore side-combs.


PART 2

The street was covered with slimy mud. It oozed out from under Bernice's
rubbers in unpleasant bubbles until it seemed to her as if she must kill
herself. Hot air coming out from a steam laundry. Hot, stifling air.
Bernice didn't work in the laundry but she wished that she did so that
the hot air would kill her. She wanted to be stifled. She needed torture
to be happy. She also needed a good swift clout on the side of the face.

A drunken man lurched out from a door-way and flung his arms about her.
It was only her husband. She loved her husband. She loved him so much
that, as she pushed him away and into the gutter, she stuck her little
finger into his eye. She also untied his neck-tie. It was a bow
neck-tie, with white, dirty spots on it and it was wet with gin. It
didn't seem as if Bernice could stand it any longer. All the repressions
of nineteen sordid years behind protruding teeth surged through her
untidy soul. She wanted love. But it was not her husband that she loved
so fiercely. It was old Grandfather Twilly. And he was too dead.


PART 3

In the dining-room of the Twillys' house everything was very quiet. Even
the vinegar-cruet which was covered with fly-specks. Grandma Twilly lay
with her head in the baked potatoes, poisoned by Mabel, who, in her turn
had been poisoned by her husband and sprawled in an odd posture over the
china-closet. Wilbur and his sister Bernice had just finished choking
each other to death and between them completely covered the carpet in
that corner of the room where the worn spot showed the bare boards
beneath, like ribs on a chicken carcass. Only the baby survived. She had
a mean face and had great spillings of Imperial Granum down her bib. As
she looked about her at her family, a great hate surged through her tiny
body and her eyes snapped viciously. She wanted to get down from her
high-chair and show them all how much she hated them.

Bernice's husband, the man who came after the waste paper, staggered
into the room. The tips were off both his shoe-lacings. The baby
experienced a voluptuous sense of futility at the sight of the
tipless-lacings and leered suggestively at her uncle-in-law.

"We must get the roof fixed," said the man, very quietly. "It lets the
sun in."




III

THIS CHILD KNOWS THE ANSWER--DO YOU?


We are occasionally confronted in the advertisements by the picture of
an offensively bright-looking little boy, fairly popping with
information, who, it is claimed in the text, knows all the inside dope
on why fog forms in beads on a woolen coat, how long it would take to
crawl to the moon on your hands and knees, and what makes oysters so
quiet.

The taunting catch-line of the advertisement is: "This Child Knows the
Answer--Do You?" and the idea is to shame you into buying a set of books
containing answers to all the questions in the world except the question
"Where is the money coming from to buy the books?"

Any little boy knowing all these facts would unquestionably be an asset
in a business which specialized in fog-beads or lunar transportation
novelties, but he would be awful to have about the house.

"Spencer," you might say to him, "where are Daddy's slippers?" To which
he would undoubtedly answer: "I don't know, Dad," (disagreeable little
boys like that always call their fathers "Dad" and stand with their feet
wide apart and their hands in their pockets like girls playing boys'
roles on the stage) "but I _do_ know this, that all the Nordic peoples
are predisposed to astigmatism because of the glare of the sun on the
snow, and that, furthermore, if you were to place a common ordinary
marble in a glass of luke-warm cider there would be a precipitation
which, on pouring off the cider, would be found to be what we know as
parsley, just plain parsley which Cook uses every night in preparing our
dinner."

With little ones like this around the house, a new version of "The
Children's Hour" will have to be arranged, and it might as well be done
now and got over with.

_The Well-Informed Children's Hour_

  Between the dark and the day-light,
  When the night is beginning lo lower,
  Comes a pause in the day's occupation
  Which is known as the children's hour.
  'Tis then appears tiny Irving
  With the patter of little feet,
  To tell us that worms become dizzy
  At a slight application of heat.
  And Norma, the baby savant,
  Comes toddling up with the news
  That a valvular catch in the larynx
  Is the reason why Kitty mews.
  "Oh Grandpa," cries lovable Lester,
  "Jack Frost has surprised us again,
  By condensing in crystal formation
  The vapor which clings to the pane!"
  Then Roger and Lispinard Junior
  Race pantingly down through the hall
  To be first with the hot information
  That bees shed their coats in the Fall.
  No longer they clamor for stories
  As they cluster in fun 'round my knee
  But each little darling is bursting
  With a story that he must tell me,
  Giving reasons why daisies are sexless
  And what makes the turtle so dour;
  So it goes through the horrible gloaming
  Of the Well-informed Children's Hour.




IV

RULES AND SUGGESTIONS FOR WATCHING AUCTION BRIDGE


With all the expert advice that is being offered in print these days
about how to play games, it seems odd that no one has formulated a set
of rules for the spectators. The spectators are much more numerous than
the players, and seem to need more regulation. As a spectator of twenty
years standing, versed in watching all sports except six-day bicycle
races, I offer the fruit of my experience in the form of suggestions and
reminiscences which may tend to clarify the situation, or, in case there
is no situation which needs clarifying, to make one.

In the event of a favorable reaction on the part of the public, I shall
form an association, to be known as the National Amateur Audience
Association (or the N.A.A.A., if you are given to slang) of which I
shall be Treasurer. That's all I ask, the Treasurership.

This being an off-season of the year for outdoor sports (except walking,
which is getting to have neither participants nor spectators) it seems
best to start with a few remarks on the strenuous occupation of watching
a bridge game. Bridge-watchers are not so numerous as football watchers,
for instance, but they are much more in need of coordination and it will
be the aim of this article to formulate a standardized set of rules for
watching bridge which may be taken as a criterion for the whole country.


NUMBER WHO MAY WATCH

There should not be more than one watcher for each table. When there are
two, or more, confusion is apt to result and no one of the watchers can
devote his attention to the game as it should be devoted. Two watchers
are also likely to bump into each other as they make their way around
the table looking over the players' shoulders. If there are more
watchers than there are tables, two can share one table between them,
one being dummy while the other watches. In this event the first one
should watch until the hand has been dealt and six tricks taken, being
relieved by the second one for the remaining tricks and the marking down
of the score.


PRELIMINARIES

In order to avoid any charge of signalling, it will be well for the
following conversational formula to be used before the game begins:

The ring-leader of the game says to the fifth person: "Won't you join
the game and make a fourth? I have some work which I really ought to be
doing."

The fifth person replies: "Oh, no, thank you! I play a wretched game.
I'd much rather sit here and read, if you don't mind."

To which the ring-leader replies: "Pray do."

After the first hand has been dealt, the fifth person, whom we shall now
call the "watcher," puts down the book and leans forward in his (or her)
chair, craning the neck to see what is in the hand nearest him. The
strain becoming too great, he arises and approaches the table, saying:
"Do you mind if I watch a bit?"

No answer need be given to this, unless someone at the table has nerve
enough to tell the truth.


PROCEDURE

The game is now on. The watcher walks around the table, giving each hand
a careful scrutiny, groaning slightly at the sight of a poor one and
making noises of joyful anticipation at the good ones. Stopping behind
an especially unpromising array of cards, it is well to say: "Well,
unlucky at cards, lucky in love, you know." This gives the partner an
opportunity to judge his chances on the bid he is about to make, and is
perfectly fair to the other side, too, for they are not left entirely in
the dark. Thus everyone benefits by the remark.

[Illustration: The watcher walks around the table, giving each hand a
careful scrutiny.]

When the bidding begins, the watcher has considerable opportunity for
effective work. Having seen how the cards lie, he is able to stand back
and listen with a knowing expression, laughing at unjustified bids and
urging on those who should, in his estimation, plunge. At the conclusion
of the bidding he should say: "Well, we're off!"

As the hand progresses and the players become intent on the game, the
watcher may be the cause of no little innocent diversion. He may ask one
of the players for a match, or, standing behind the one who is playing
the hand, he may say:

"I'll give you three guesses as to whom I ran into on the street
yesterday. Someone you all know. Used to go to school with you, Harry
... Light hair and blue eyes ... Medium build ... Well, sir, it was Lew
Milliken. Yessir, Lew Milliken. Hadn't seen him for fifteen years. Asked
after you, Harry ... and George too. And what do you think he told me
about Chick?"

Answers may or may not be returned to these remarks, according to the
good nature of the players, but in any event, they serve their purpose
of distraction.

Particular care should be taken that no one of the players is allowed to
make a mistake. The watcher, having his mind free, is naturally in a
better position to keep track of matters of sequence and revoking. Thus,
he may say:

"The lead was over here, George," or

"I think that you refused spades a few hands ago, Lillian."

Of course, there are some watchers who have an inherited delicacy about
offering advice or talking to the players. Some people are that way.
They are interested in the game, and love to watch but they feel that
they ought not to interfere. I had a cousin who just wouldn't talk while
a hand was being played, and so, as she had to do something, she hummed.
She didn't hum very well, and her program was limited to the first two
lines of "How Firm a Foundation," but she carried it off very well and
often got the players to humming it along with her. She could also drum
rather well with her fingers on the back of the chair of one of the
players while looking over his shoulder. "How Firm a Foundation" didn't
lend itself very well to drumming; so she had a little patrol that she
worked up all by herself, beginning soft, like a drum corps in the
distance, and getting louder and louder, finally dying away again so
that you could barely near it. It was wonderful how she could do it--and
still go on living.

Those who feel this way about talking while others are playing bridge
have a great advantage over my cousin and her class if they can play the
piano. They play ever so softly, in order not to disturb, but somehow or
other you just know that they are there, and that the next to last note
in the coda is going to be very sour.

But, of course, the piano work does not technically come under the head
of watching, although when there are two watchers to a table, one may go
over to the piano while she is dummy.

But your real watcher will allow nothing to interfere with his
conscientious following of the game, and it is for real watchers only
that these suggestions have been formulated. The minute you get out of
the class of those who have the best interests of the game at heart, you
become involved in dilettantism and amateurishness, and the whole sport
of bridge-watching falls into disrepute.

The only trouble with the game as it now stands is the risk of personal
injury. This can be eliminated by the watcher insisting on each player
being frisked for weapons before the game begins and cultivating a good
serviceable defense against ordinary forms of fistic attack.




V

A CHRISTMAS SPECTACLE


_For Use in Christmas Eve Entertainments in the Vestry_

At the opening of the entertainment the Superintendent will step into
the footlights, recover his balance apologetically, and say:

"Boys and girls of the Intermediate Department, parents and friends: I
suppose you all know why we are here tonight. (At this point the
audience will titter apprehensively). Mrs. Drury and her class of little
girls have been working very hard to make this entertainment a success,
and I am sure that everyone here to-night is going to have what I
overheard one of my boys the other day calling 'some good time.'
(Indulgent laughter from the little boys). And may I add before the
curtain goes up that immediately after the entertainment we want you all
to file out into the Christian Endeavor room, where there will be a
Christmas tree, 'with all the fixin's,' as the boys say." (Shrill
whistling from the little boys and immoderate applause from everyone).

There will then be a wait of twenty-five minutes, while sounds of
hammering and dropping may be heard from behind the curtains. The Boys'
Club orchestra will render the "Poet and Peasant Overture" four times in
succession, each time differently.

At last one side of the curtains will be drawn back; the other will
catch on something and have to be released by hand; someone will whisper
loudly, "Put out the lights," following which the entire house will be
plunged into darkness. Amid catcalls from the little boys, the
footlights will at last go on, disclosing:

The windows in the rear of the vestry rather ineffectively concealed by
a group of small fir trees on standards, one of which has already fallen
over, leaving exposed a corner of the map of Palestine and the list of
gold-star classes for November. In the center of the stage is a larger
tree, undecorated, while at the extreme left, invisible to everyone in
the audience except those sitting at the extreme right, is an imitation
fireplace, leaning against the wall.

Twenty-five seconds too early little Flora Rochester will prance out
from the wings, uttering the first shrill notes of a song, and will have
to be grabbed by eager hands and pulled back. Twenty-four seconds later
the piano will begin "The Return of the Reindeer" with a powerful
accent on the first note of each bar, and Flora Rochester, Lillian
McNulty, Gertrude Hamingham and Martha Wrist will swirl on, dressed in
white, and advance heavily into the footlights, which will go out.

There will then be an interlude while Mr. Neff, the sexton, adjusts the
connection, during which the four little girls stand undecided whether
to brave it out or cry. As a compromise they giggle and are herded back
into the wings by Mrs. Drury, amid applause. When the lights go on
again, the applause becomes deafening, and as Mr. Neff walks
triumphantly away, the little boys in the audience will whistle: "There
she goes, there she goes, all dressed up in her Sunday clothes!"

"The Return of the Reindeer" will be started again and the show-girls
will reappear, this time more gingerly and somewhat dispirited. They
will, however, sing the following, to the music of the "Ballet
Pizzicato" from "Sylvia":

  "We greet you, we greet you,
  On this Christmas Eve so fine.
  We greet you, we greet you,
  And wish you a good time."

They will then turn toward the tree and Flora Rochester will advance,
hanging a silver star on one of the branches, meanwhile reciting a
verse, the only distinguishable words of which are: "_I am Faith so
strong and pure_--"

At the conclusion of her recitation, the star will fall off.

Lillian McNulty will then step forward and hang her star on a branch,
reading her lines in clear tones:

  "_And I am Hope, a virtue great,
  My gift to Christmas now I make,
  That children and grown-ups may hope today
  That tomorrow will be a merry Christmas Day_."

The hanging of the third star will be consummated by Gertrude Hamingham,
who will get as far as "_Sweet Charity I bring to place upon the
tree_--" at which point the strain will become too great and she will
forget the remainder. After several frantic glances toward the wings,
from which Mrs. Drury is sending out whispered messages to the effect
that the next line begins, "_My message bright_--" Gertrude will
disappear, crying softly.

[Illustration: "'Round and 'round the tree I go."]

After the morale of the cast has been in some measure restored by the
pianist, who, with great presence of mind, plays a few bars of "Will
There Be Any Stars In My Crown?" to cover up Gertrude's exit, Martha
Wrist will unleash a rope of silver tinsel from the foot of the tree,
and, stringing it over the boughs as she skips around in a circle, will
say, with great assurance:

  "'_Round and 'round the tree I go,
  Through the holly and the snow
  Bringing love and Christmas cheer
  Through the happy year to come._"

At this point there will be a great commotion and jangling of
sleigh-bells off-stage, and Mr. Creamer, rather poorly disguised as
Santa Claus, will emerge from the opening in the imitation fire-place. A
great popular demonstration for Mr. Creamer will follow. He will then
advance to the footlights, and, rubbing his pillow and ducking his knees
to denote joviality, will say thickly through his false beard:

"Well, well, well, what have we here? A lot of bad little boys and girls
who aren't going to get any Christmas presents this year? (Nervous
laughter from the little boys and girls). Let me see, let me see! I have
a note here from Dr. Whidden. Let's see what it says. (Reads from a
paper on which there is obviously nothing written). 'If you and the
young people of the Intermediate Department will come into the Christian
Endeavor room, I think we may have a little surprise for you ...' Well,
well, well! What do you suppose it can be? (Cries of "I know, I know!"
from sophisticated ones in the audience). Maybe it is a bottle of
castor-oil! (Raucous jeers from the little boys and elaborately
simulated disgust on the part of the little girls.) Well, anyway,
suppose we go out and see? Now if Miss Liftnagle will oblige us with a
little march on the piano, we will all form in single file--"

At this point there will ensue a stampede toward the Christian Endeavor
room, in which chairs will be broken, decorations demolished, and the
protesting Mr. Creamer badly hurt.

This will bring to a close the first part of the entertainment.




VI

HOW TO WATCH A CHESS-MATCH


Second in the list of games which it is necessary for every sportsman to
know how to watch comes chess. If you don't know how to watch chess, the
chances are that you will never have any connection with the game
whatsoever. You would not, by any chance, be playing it yourself.

I know some very nice people that play chess, mind you, and I wouldn't
have thought that I was in any way spoofing at the game. I would sooner
spoof at the people who engineered the Panama Canal or who are drawing
up plans for the vehicular tunnel under the Hudson River. I am no man to
make light of chess and its adherents, although they might very well
make light of me. In fact, they have.

But what I say is, that taking society by and large, man and boy, the
chances are that chess would be the Farmer-Labor Party among the
contestants for sporting honors.

Now, since it is settled that you probably will not want to play chess,
unless you should be laid up with a bad knee-pan or something, it
follows that, if you want to know anything about the sport at all, you
will have to watch it from the side-lines. That is what this series of
lessons aims to teach you to do, (of course, if you are going to be
nasty and say that you don't want even to watch it, why all this time
has been, wasted on my part as well as on yours).


HOW TO FIND A GAME TO WATCH

The first problem confronting the chess spectator is to find some people
who are playing. The bigger the city, the harder it is to find anyone
indulging in chess. In a small town you can usually go straight to
Wilbur Tatnuck's General Store, and be fairly sure of finding a quiet
game in progress over behind the stove and the crate of pilot-biscuit,
but as you draw away from the mitten district you find the sporting
instinct of the population cropping out in other lines and chess
becoming more and more restricted to the sheltered corners of Y.M.C.A.
club-rooms and exclusive social organizations.

However, we shall have to suppose, in order to get any article written
at all, that you have found two people playing chess somewhere. They
probably will neither see nor hear you as you come up on them so you
can stand directly behind the one who is defending the south goal
without fear of detection.


THE DETAILS OF THE GAME

At first you may think that they are both dead, but a mirror held to the
lips of the nearest contestant will probably show moisture (unless, of
course, they really should be dead, which would be a horrible ending for
a little lark like this. I once heard of a murderer who propped his two
victims up against a chess board in sporting attitudes and was able to
get as far as Seattle before his crime was discovered).

Soon you will observe a slight twitching of an eye-lid or a moistening
of the lips and then, like a greatly retarded moving-picture of a person
passing the salt, one of the players will lift a chess-man from one spot
on the board and place it on another spot.

It would be best not to stand too close to the board at this time as you
are are likely to be trampled on in the excitement. For this action that
you have just witnessed corresponds to a run around right end in a
football game or a two-bagger in baseball, and is likely to cause
considerable enthusiasm on the one hand and deep depression on the
other. They may even forget themselves to the point of shifting their
feet or changing the hands on which they are resting their foreheads.
Almost anything is liable to happen.

When the commotion has died down a little, it will be safe for you to
walk around and stand behind the other player and wait there for the
next move. While waiting it would be best to stand with the weight of
your body evenly distributed between your two feet, for you will
probably be standing there a long time and if you bear down on one foot
all of the time, that foot is bound to get tired. A comfortable stance
for watching chess is with the feet slightly apart (perhaps a foot or a
foot and a half), with a slight bend at the knees to rest the legs and
the weight of the body thrown forward on the balls of the feet. A
rhythmic rising on the toes, holding the hands behind the back, the head
well up and the chest out, introduces a note of variety into the
position which will be welcome along about dusk.

Not knowing anything about the game, you will perhaps find it difficult
at first to keep your attention on the board. This can be accomplished
by means of several little optical tricks. For instance, if you look at
the black and white squares on the board very hard and for a very long
time, they will appear to jump about and change places. The black
squares will rise from the board about a quarter of an inch and slightly
overlap the white ones. Then, if you change focus suddenly, the white
squares will do the same thing to the black ones. And finally, after
doing this until someone asks you what you are looking cross-eyed for,
if you will shut your eyes tight you will see an exact reproduction of
the chess-board, done in pink and green, in your mind's eye. By this
time, the players will be almost ready for another move.

This will make two moves that you have watched. It is now time to get a
little fancy work into your game. About an hour will have already gone
by and you should be so thoroughly grounded in the fundamentals of chess
watching that you can proceed to the next step.

Have some one of your friends bring you a chair, a table and an old
pyrography outfit, together with some book-ends on which to burn a
design.

Seat yourself at the table in the chair and (if I remember the process
correctly) squeeze the bulb attached to the needle until the latter
becomes red hot. Then, grasping the book-ends in the left hand,
carefully trace around the pencilled design with the point of the
needle. It probably will be a picture of the Lion of Lucerne, and you
will let the needle slip on the way round the face, giving it the
appearance of having shaved in a Pullman that morning. But that really
won't make any difference, for the whole thing is not so much to do a
nice pair of book-ends as to help you along in watching the chess-match.

If you have any scruples against burning wood, you may knit something,
or paste stamps in an album.

And before you know it, the game will be over and you can put on your
things and go home.




VII

WATCHING BASEBALL


D.A.C. NEWS

Eighteen men play a game of baseball and eighteen thousand watch them,
and yet those who play are the only ones who have any official direction
in the matter of rules and regulations. The eighteen thousand are
allowed to run wild. They don't have even a Spalding's Guide containing
group photographs of model organizations of fans in Fall River, Mass.,
or the Junior Rooters of Lyons, Nebraska. Whatever course of behavior a
fan follows at a game he makes up for himself. This is, of course,
ridiculous.

The first set of official rulings for spectators at baseball games has
been formulated and is herewith reproduced. It is to be hoped that in
the general cleanup which the game is undergoing, the grandstand and
bleachers will not resent a little dictation from the authorities.

In the first place, there is the question of shouting encouragement, or
otherwise, at the players. There must be no more random screaming. It
is of course understood that the players are entirely dependent on the
advice offered them from the stands for their actions in the game, and
how is a batter to know what to do if, for instance, he hears a little
man in the bleachers shouting, "Wait for 'em, Wally! Wait for 'em," and
another little man in the south stand shouting "Take a crack at the
first one, Wally!"? What would you do? What would Lincoln have done?

The official advisers in the stands must work together. They must
remember that as the batter advances toward the plate he is listening
for them to give him his instructions, and if he hears conflicting
advice there is no telling what he may do. He may even have to decide
for himself.

Therefore, before each player goes to bat, there should be a conference
among the fans who have ideas on what his course of action should be,
and as soon as a majority have come to a decision, the advice should be
shouted to the player in unison under the direction of a cheer-leader.
If there are any dissenting opinions, they may be expressed in a
minority report.

In the matter of hostile remarks addressed at an unpopular player on the
visiting team, it would probably be better to leave the wording entirely
to the individual fans. Each man has his own talents in this sort of
thing and should be allowed to develop them along natural lines. In such
crises as these in which it becomes necessary to rattle the opposing
pitcher or prevent the visiting catcher from getting a difficult foul,
all considerations of good sportsmanship should be discarded. As a
matter of fact, it is doubtful if good sportsmanship should ever be
allowed to interfere with the fan's participation in a contest. The game
must be kept free from all softening influences.

One of the chief duties of the fan is to engage in arguments with the
man behind him. This department of the game has been allowed to run down
fearfully. A great many men go to a ball game today and never speak a
word to anyone other than the members of their own party or an
occasional word of cheer to a player. This is nothing short of craven.

An ardent supporter of the home-team should go to a game prepared to
take offense, no matter what happens. He should be equipped with a stock
of ready sallies which can be used regardless of what the argument is
about or what has gone before in the exchange of words. Among the more
popular nuggets of repartee, effective on all occasions, are the
following:

"Oh, is that so?"

"Eah?"

"How do you get that way?"

"Oh, is that so?"

"So are you."

"Aw, go have your hair bobbed."

"Oh, is that so?"

"Well, what are you going to do about it?"

"Who says so?"

"Eah? Well, I'll Cincinnati you."

"Oh, is that so?"

Any one of these, if hurled with sufficient venom, is good for ten
points. And it should always be borne in mind that there is no danger of
physical harm resulting from even the most ferocious-sounding argument.
Statistics gathered by the War Department show that the percentage of
actual blows struck in grandstand arguments is one in every 43,000,000.

For those fans who are occasionally obliged to take inexperienced
lady-friends to a game, a special set of rules has been drawn up. These
include the compulsory purchase of tickets in what is called the
"Explaining Section," a block of seats set aside by the management for
the purpose. The view of the diamond from this section is not very good,
but it doesn't matter, as the men wouldn't see anything of the game
anyway and the women can see just enough to give them material for
questions and to whet their curiosity. As everyone around you is
answering questions and trying to explain score-keeping, there is not
the embarrassment which is usually attendant on being overheard by
unattached fans in the vicinity. There is also not the distracting sound
of breaking pencils and modified cursing to interfere with unattached
fans' enjoyment of the game.

Absolutely no gentlemen with uninformed ladies will be admitted to the
main stand. In order to enforce this regulation, a short examination on
the rudiments of the game will take place at the gate, in which ladies
will be expected to answer briefly the following questions: (Women
examiners will be in attendance.)

1. What game is it that is being played on this field?

2. How many games have you seen before?

3. What is (a) a pitcher; (b) a base; (c) a bat?

4. What color uniform does the home-team wear?

5. What is the name of the home-team?

6. In the following sentence, cross out the incorrect statements,
leaving the correct one: The catcher stands (1) directly behind the
pitcher in the pitcher's box; (2) at the gate taking tickets; (3)
behind the batter; (4) at the bottom of the main aisle, selling
ginger-ale.

7. What again is the name of the game you expect to see played?

8. Do you cry easily?

9. Is there anything else you would rather be doing this afternoon?

10. If so, please go and do it.

It has been decided that the American baseball fan should have a
distinctive dress. A choice has been made from among the more popular
styles and the following has been designated as regulation, embodying,
as it does, the spirit and tone of the great national pastime.

Straw hat, worn well back on the head; one cigar, unlighted, held
between teeth; coat held across knees; vest worn but unbuttoned and
open, displaying both a belt and suspenders, with gold watch-chain
connecting the bottom pockets.

The vest may be an added expense to certain fans who do not wear vests
during the summer months, but it has been decided that it is absolutely
essential to the complete costume, and no true baseball enthusiast will
hesitate in complying.




VIII

HOW TO BE A SPECTATOR AT SPRING PLANTING


The danger in watching gardening, as in watching many other sports, is
that you may be drawn into it yourself. This you must fight against.
Your sinecure standing depends on a rigid abstinence from any of the
work itself. Once you stoop over to hold one end of a string for a
groaning planter, once you lift one shovelful of earth or toss out one
stone, you become a worker and a worker is an abomination in the eyes of
the true garden watcher.

A fence is, therefore, a great help. You may take up your position on
the other side of the fence from the garden and lean heavily against it
smoking a pipe, or you may even sit on it. Anything so long as you are
out of helping distance and yet near enough so that the worker will be
within easy range of your voice. You ought to be able to point a great
deal, also.

There is much to be watched during the early stages of
garden-preparation. Nothing is so satisfying as to lean ruminatingly
against a fence and observe the slow, rhythmic swing of the digger's
back or hear the repeated scraping of the shovel-edge against some
buried rock. It sometimes is a help to the digger to sing a chanty, just
to give him the beat. And then sometimes it is not. He will tell you in
case he doesn't need it.

There is always a great deal for the watcher to do in the nature of
comment on the soil. This is especially true if it is a new garden or
has never been cultivated before by the present owner. The idea is to
keep the owner from becoming too sanguine over the prospects.

"That soil looks pretty clayey," is a good thing to say. (It is hard to
say, clearly, too. You had better practise it before trying it out on
the gardener).

"I don't think that you'll have much luck with potatoes in that kind of
earth," is another helpful approach. It is even better to go at it the
other way, finding out first what the owner expects to plant. It may be
that he isn't going to plant any potatoes, and then there you are, stuck
with a perfectly dandy prediction which has no bearing on the case. It
is time enough to pull it after he has told you that he expects to plant
peas, beans, beets, corn. Then you can interrupt him and say: "Corn?"
incredulously. "You don't expect to get any corn in that soil do you?
Don't you know that corn requires a large percentage of bi-carbonate of
soda in the soil, and I don't think, from the looks, that there is an
ounce of soda bi-carb. in your whole plot. Even if the corn does come
up, it will be so tough you can't eat it."

Then you can laugh, and call out to a neighbor, or even to the man's
wife: "Hey, what do you know? Steve here thinks he's going to get some
corn up in this soil!"

The watcher will find plenty to do when the time comes to pick the
stones out of the freshly turned-over earth. It is his work to get upon
a high place where he can survey the whole garden and detect the more
obvious rocks.

"Here is a big fella over here, Steve," he may say. Or: "Just run your
rake a little over in that corner. I'll bet you'll find a nest of them
there."

"Plymouth Rock" is a funny thing to call any particularly offensive
boulder, and is sure to get a laugh, especially if you kid the digger
good-naturedly about being a Pilgrim and landing on it. He may even give
it to you to keep.

Just as a matter of convenience for the worker, watchers have sometimes
gone to the trouble of keeping count of the number of stones thrown
out. This is done by shouting out the count after each stone has been
tossed. It makes a sort of game of the thing, and in this spirit the
digger may be urged on to make a record.

"That's forty-eight, old man! Come on now, make her fifty. Attaboy,
forty-nine! Only one more to go. We-want-fifty-we-want-fifty-we-want
fifty."

And not only stones will be found, but queer objects which have got
themselves buried in the ground during the winter-months and have become
metamorphosed, so they are half way between one thing and another. As
the digger holds one of these _objets dirt_ gingerly between his thumb
and forefinger the watcher has plenty of opportunity to shout out:

"You'd better save that. It may come in handy some day. What is it,
Eddie? Your old beard?"

And funny cracks like that.

Here is where it is going to be difficult to keep to your resolution
about not helping. After the digging, and stoning, and turning-over has
been done, and the ground is all nice and soft and loamy, the idea of
running a rake softly over the susceptible surface and leaving a
beautiful even design in its wake, is almost too tempting to be
withstood.

[Illustration: "Atta boy, forty-nine: Only one more to go!"]

The worker himself will do all that he can to make it hard for you. He
will rake with evident delight, much longer than is necessary, back and
forth, across and back, cocking his head and surveying the pattern and
fixing it up along the edges with a care which is nothing short of
insulting considering the fact that the whole thing has got to be mussed
up again when the planting begins.

If you feel that you can no longer stand it without offering to assist,
get down from the fence and go into your own house and up to your own
room. There pray for strength. By the time you come down, the owner of
the garden ought to have stopped raking and got started on the planting.

Here the watcher's task is almost entirely advisory. And, for the first
part of the planting, he should lie low and say nothing. Wait until the
planter has got his rows marked out and has wobbled along on his knees
pressing the seeds into perhaps half the length of his first row. Then
say:

"Hey there, Charlie! You've got those rows going the wrong way."

Charlie will say no he hasn't. Then he will ask what you mean the wrong
way.

"Why, you poor cod, you've got them running north and south. They ought
to go east and west. The sun rises over there, doesn't it?" (Charlie
will attempt to deny this, but you must go right on.) "And it comes on
up behind that tree and over my roof and sets over there, doesn't it?"
(By this time, Charlie will be crying with rage.) "Well, just as soon as
your beans get up an inch or two they are going to cast a shadow right
down the whole row and only those in front will ever get any sun. You
can't grow things without sun, you know."

If Charlie takes you seriously and starts in to rearrange his rows in
the other direction, you might perhaps get down off the fence and go in
the house. You have done enough. If he doesn't take you seriously, you
surely had better go in.




IX

THE MANHATTADOR


Announcements have been made of a bull-fight to be held in Madison
Square Garden, New York, in which only the more humane features of the
Spanish institution are to be retained. The bull will not be killed, or
even hurt, and horses will not be used as bait.

If a bull-fight must be held, this is of course the way to hold it, but
what features are to be substituted for the playful gorings and
stabbings of the Madrid system? Something must be done to enrage the
bull, otherwise he will just sulk in a corner or walk out on the whole
affair. Following is a suggestion for the program of events:

1. Grand parade around the ring, headed by a brass-band and the mayor in
matador's costume. Invitations to march in this parade will be issued to
every one in the bull-fighting set with the exception of the bull, who
will be ignored. This will make him pretty sore to start with.

2. After the marchers have been seated, the bull will be led into the
ring. An organized cheering section among the spectators will
immediately start jeering him, whistling, and calling "Take off those
horns, we know you!"

3. The picadors will now enter, bearing pikes with ticklers on the ends.
These will be brushed across the bull's nose as the picadors rush past
him on noisy motor-cycles. The noise of the motor-cycles is counted on
to irritate the bull quite as much as the ticklers, as he will probably
be trying to sleep at the time.

4. Enter the bandilleros, carrying various ornate articles of girls'
clothing (daisy-hat with blue ribbons, pink sash, lace jabot, etc.)
which will, one by one, be hung on the bull when he isn't looking. In
order to accomplish this, one of the bandilleros will engage the animal
in conversation while another sneaks up behind him with the frippery.
When he is quite trimmed, the bandilleros will withdraw to behind a
shelter and call him: "Lizzie!"

5. By this time, the bull will be almost crying he will be so sore. This
is the moment for the entrance of the intrepid matador. The matador will
wear an outing cap with a cutaway and Jaeger vest, and the animal will
become so infuriated by this inexcusable _mesalliance_ of garments that
he will charge madly at his antagonist. The matador, who will be
equipped with boxing-gloves, will feint with his left and pull the
daisy-hat down over the bull's eyes with his right, immediately
afterward stepping quickly to one side. The bull, blinded by the
daisies, will not know where to go next and soon will laughingly admit
that the joke has been on him. He will then allow the matador to jump on
his back and ride around the ring, making good-natured attempts to
unseat his rider.




X

WHAT TO DO WHILE THE FAMILY IS AWAY


Somewhere or other the legend has sprung up that, as soon as the family
goes away for the summer, Daddy brushes the hair over his bald spot,
ties up his shoes, and goes out on a whirlwind trip through the hellish
districts of town. The funny papers are responsible for this, just as
they are responsible for the idea that all millionaires are fat and that
Negroes are inordinately fond of watermelons.

I will not deny that for just about four minutes after the train has
left, bearing Mother, Sister, Junior, Ingabog and the mechanical walrus
on their way to Anybunkport, Daddy is suffused with a certain queer
feeling of being eleven years old and down-town alone for the first time
with fifteen cents to spend on anything he wants. The city seems to
spread itself out before him just ablaze with lights and his feet rise
lightly from the ground as if attached to toy balloons. I do not deny
that his first move is to straighten his tie.

But five minutes would be a generous allowance for the duration of this
foot-loose elation. As he leaves the station he suddenly becomes aware
of the fact that no one else has heard about his being fancy-free.
Everyone seems to be going somewhere in a very important manner. A great
many people, oddly enough seem to be going home. Ordinarily he would be
going home, too. But there would not be much sense in going home now,
without--. But come, come, this is no way to feel! Buck up, man! How
about a wild oat or two?

Around at the club the doorman says that Mr. McNartly hasn't been in all
afternoon and that Mr. Freem was in at about four-thirty but went out
again with a bag. There is no one in the lounge whom he ever saw before.
A lot of new members must have been taken in at the last meeting. The
club is running down fast. He calls up Eddie Mastayer's office but he
has gone for the day. Oh, well, someone will probably come in for
dinner. He hasn't eaten dinner at the club for a long time and there
will be just time for a swim before settling down to a nice piece of
salmon steak.

All the new members seem to be congregated now in the pool and they look
him over as if he were a fresh-air child being given a day's outing. He
becomes self-conscious and slips on the marble floor, falling and
hurting his shin quite badly. Who the hell are these people anyway? And
where is the old bunch? He emerges from the locker room much hotter than
he was before and in addition, boiling with rage.

Dinner is one of the most depressing rituals he has ever gone through
with. Even the waiters seem unfamiliar. Once he even gets up and goes
out to the front of the building to see if he hasn't got into the wrong
club-house by mistake. Pretty soon a terrible person whose name is
either Riegle or Ropple comes and sits down with him, offering as his
share of the conversation the dogmatic announcement that it has been
hotter today than it was yesterday. This is denied with some feeling,
although it is known to be true. Dessert is dispensed with for the sake
of getting away from Riegle or Ropple or whatever his name is.

Then the first gay evening looms up ahead. What to do? There is nothing
to prevent his drawing all the money out of the bank and tearing the
town wide open from the City Hall to the Soldier's Monument. There is
nothing to prevent his formally introducing himself to some nice blonde
and watching her get the meat out of a lobster-claw. There is nothing to
prevent his hiring some bootlegger to anoint him with synthetic gin
until he glows like a fire-fly and imagines that he has just been
elected Mayor on a Free Ice-Cream ticket. Absolutely nothing stands in
his way, except a dispairing vision of crepe letters before his eyes
reading:"--And For What?"

He ends up by going to the movies where he falls asleep. Rather than go
home to the empty house he stays at the club. In the morning he is at
the office at a quarter to seven.

Now there ought to be several things that a man could do at home to
relieve the tedium of his existence while the family is away. Once you
get accustomed to the sound of your footsteps on the floors and reach a
state of self-control where you don't break down and sob every time you
run into a toy which has been left standing around, there are lots of
ways of keeping yourself amused in an empty house.

You can set the victrola going and dance. You may never have had an
opportunity to get off by yourself and practice those new steps without
someone's coming suddenly into the room and making you look foolish.
(That's one big advantage about being absolutely alone in a house. You
can't _look_ foolish, no matter what you do. You may _be_ foolish, but
no one except you and your God knows about it and God probably has a
great deal too much to do to go around telling people how foolish you
were). So roll back the rugs and put on "Kalua" and, holding out one arm
in as fancy a manner as you wish, slip the other daintily about the
waist of an imaginary partner and step out. You'd be surprised to see
how graceful you are. Pretty soon you will get confidence to try a few
tricks. A very nice one is to stop in the middle of a step, point the
left toe delicately twice in time to the music, dip, and whirl. It makes
no difference if you fall on the whirl. Who cares? And when you are
through dancing you can go out to the faucet and get yourself a
drink--provided the water hasn't been turned off.

Lots of fun may also be had by going out into the kitchen and making
things with whatever is left in the pantry. There will probably be
plenty of salt and nutmegs, with boxes of cooking soda, tapioca,
corn-starch and maybe, if you are lucky, an old bottle of olives. Get
out a cook-book and choose something that looks nice in the picture. In
place of the ingredients which you do not have, substitute those which
you do, thus: nutmegs for eggs, tapioca for truffles, corn-starch and
water for milk, and so forth and so forth. Then go in and set the table
according to the instructions in the cook-book for a Washington's
Birthday party, light the candles, and with one of them set fire to the
house.

There is probably a night-train for Anybunkport which you can catch
while the place is still burning.

       *       *       *       *       *

To those male readers whose families are away for the summer:

_Tear the above story out along dotted line and mail it to the folks,
writing in pencil across the top "This guy has struck it about right."
Then drop around tonight at seven-thirty to Eddie's apartment. Joe
Reddish, John Liftwich, Harry Thibault and three others will be there
and the limit will be fifty cents. Game will_ absolutely _break up at
one-thirty. No fooling. One-thirty and not a minute longer._




XI

"ROLL YOUR OWN"


_Inside Points on Building and Maintaining a Private Tennis Court_

Now that the Great War is practically over, until the next one begins
there isn't very much that you can do with that large plot of ground
which used to be your war-garden. It is too small for a running-track
and too large for nasturtiums. Obviously, the only thing left is a
tennis-court.

One really ought to have a tennis-court of one's own. Those at the Club
are always so full that on Saturdays and Sundays the people waiting to
play look like the gallery at a Davis Cup match, and even when you do
get located you have two sets of balls to chase, yours and those of the
people in the next court.

The first thing is to decide among yourselves just what kind of court it
is to be. There are three kinds: grass, clay, and corn-meal. In Maine,
gravel courts are also very popular. Father will usually hold out for a
grass court because it gives a slower bounce to the ball and Father
isn't so quick on the bounce as he used to be. All Mother insists on is
plenty of headroom. Junior and Myrtis will want a clay one because you
can dance on a clay one in the evening. The court as finished will be a
combination grass and dirt, with a little golden-rod late in August.

A little study will be necessary before laying out the court. I mean you
can't just go out and mark a court by guess-work. You must first learn
what the dimensions are supposed to be and get as near to them as is
humanly possible. Whereas there might be a slight margin for error in
some measurements, it is absolutely essential that both sides are the
same length, otherwise you might end up by lobbing back to yourself if
you got very excited.

The worst place to get the dope on how to arrange a tennis-court is in
the Encyclopaedia Britannica. The article on TENNIS was evidently written
by the Archbishop of Canterbury. It begins by explaining that in America
tennis is called "court tennis." The only answer to that is, "You're a
cock-eyed liar!" The whole article is like this.

The name "tennis," it says, probably comes from the French "_Tenez_!"
meaning "Take it! Play!" More likely, in my opinion, it is derived from
the Polish "_Tinith_!" meaning "Go on, that was _not_ outside!"

During the Fourteenth Century the game was played by the highest people
in France. Louis X died from a chill contracted after playing. Charles V
was devoted to it, although he tried in vain to stop it as a pastime for
the lower classes (the origin of the country-club); Charles VI watched
it being played from the room where he was confined during his attack of
insanity and Du Guesclin amused himself with it during the siege of
Dinan. And, although it doesn't say so in the Encyclopaedia, Robert C.
Benchley, after playing for the first time in the season of 1922, was so
lame under the right shoulder-blade that he couldn't lift a glass to his
mouth.

This fascinating historical survey of tennis goes on to say that in the
reign of Henri IV the game was so popular that it was said that "there
were more tennis-players in Paris than drunkards in England." The
drunkards of England were so upset by this boast that they immediately
started a drive for membership with the slogan, "Five thousand more
drunkards by April 15, and to Hell with France!" One thing led to
another until war was declared.

The net does not appear until the 17th century. Up until that time a
rope, either fringed or tasseled, was stretched across the court. This
probably had to be abandoned because it was so easy to crawl under it
and chase your opponent. There might also have been ample opportunity
for the person playing at the net or at the "rope," to catch the eye of
the player directly opposite by waving his racquet high in the air and
then to kick him under the rope, knocking him for a loop while the ball
was being put into play in his territory. You have to watch these
Frenchmen every minute.

The Encyclopedia Britannica gives fifteen lines to "Tennis in America."
It says that "few tennis courts existed in America before 1880, but that
now there are courts in Boston, New York, Chicago, Tuxedo and Lakewood
and several other places." Everyone try hard to think now just where
those other places are!

Which reminds us that one of them is going to be in your side yard where
the garden used to be. After you have got the dimensions from the
Encyclopaedia, call up a professional tennis-court maker and get him to
do the job for you. Just tell him that you want "a tennis-court."

Once it is built the fun begins. According to the arrangement, each
member of the family is to have certain hours during which it belongs to
them and no one else. Thus the children can play before breakfast and
after breakfast until the sun gets around so that the west court is
shady. Then Daddy and Mother and sprightly friends may take it over.
Later in the afternoon the children have it again, and if there is any
light left after dinner Daddy can take a whirl at the ball.

What actually will happen is this: Right after breakfast Roger Beeman,
who lives across the street and who is home for the summer with a couple
of college friends who are just dandy looking, will come over and ask if
they may use the court until someone wants it. They will let Myrtis play
with them and perhaps Myrtis' girl-chum from Westover. They will play
five sets, running into scores like 19-17, and at lunch time will make
plans for a ride into the country for the afternoon. Daddy will stick
around in the offing all dressed up in his tennis-clothes waiting to
play with Uncle Ted, but somehow or other every time he approaches the
court the young people will be in the middle of a set.

[Illustration: For three hours there is a great deal of screaming.]

After lunch, Lillian Nieman, who lives three houses down the street,
will come up and ask if she may bring her cousin (just on from the West)
to play a set until someone wants the court. Lillian's cousin has never
played tennis before but she has done a lot of croquet and thinks she
ought to pick tennis up rather easily. For three hours there is a great
deal of screaming, with Lillian and her cousin hitting the ball an
aggregate of eleven times, while Daddy patters up and down the
side-lines, all dressed up in white, practising shots against the
netting.

Finally, the girls will ask him to play with them, and he will thank
them and say that he has to go in the house now as he is all
perspiration and is afraid of catching cold.

After dinner there is dancing on the court by the young people. Anyway,
Daddy is getting pretty old for tennis.




XII

DO INSECTS THINK?


In a recent book entitled, "The Psychic Life of Insects," Professor
Bouvier says that we must be careful not to credit the little winged
fellows with intelligence when they behave in what seems like an
intelligent manner. They may be only reacting. I would like to confront
the Professor with an instance of reasoning power on the part of an
insect which can not be explained away in any such manner.

During the summer of 1899, while I was at work on my treatise "Do Larvae
Laugh," we kept a female wasp at our cottage in the Adirondacks. It
really was more like a child of our own than a wasp, except that it
_looked_ more like a wasp than a child of our own. That was one of the
ways we told the difference.

It was still a young wasp when we got it (thirteen or fourteen years
old) and for some time we could not get it to eat or drink, it was so
shy. Since it was a, female, we decided to call it Miriam, but soon the
children's nickname for it--"Pudge"--became a fixture, and "Pudge" it
was from that time on.

One evening I had been working late in my laboratory fooling round with
some gin and other chemicals, and in leaving the room I tripped over a
nine of diamonds which someone had left lying on the floor and knocked
over my card catalogue containing the names and addresses of all the
larvae worth knowing in North America. The cards went everywhere.

I was too tired to stop to pick them up that night, and went sobbing to
bed, just as mad as I could be. As I went, however, I noticed the wasp
flying about in circles over the scattered cards. "Maybe Pudge will pick
them up," I said half-laughingly to myself, never thinking for one
moment that such would be the case.

When I came down the next morning Pudge was still asleep over in her
box, evidently tired out. And well she might have been. For there on the
floor lay the cards scattered all about just as I had left them the
night before. The faithful little insect had buzzed about all night
trying to come to some decision about picking them up and arranging them
in the catalogue-box, and then, figuring out for herself that, as she
knew practically nothing about larvae of any sort except wasp-larvae,
she would probably make more of a mess of rearranging them than as if
she left them on the floor for me to fix. It was just too much for her
to tackle, and, discouraged, she went over and lay down in her box,
where she cried herself to sleep.

If this is not an answer to Professor Bouvier's statement that insects
have no reasoning power, I do not know what is.




XIII

THE SCORE IN THE STANDS


The opening week of the baseball season brought out few surprises. The
line-up in the grandstands was practically the same as when the season
closed last Fall, most of the fans busying themselves before the first
game started by picking old 1921 seat checks and October peanut crumbs
out of the pockets of their light-weight overcoats.

Old-timers on the two teams recognized the familiar faces in the
bleachers and were quick to give them a welcoming cheer. The game by
innings as it was conducted by the spectators is as follows:

FIRST INNING: Scanlon, sitting in the first-base bleachers, yelled to
Ruth to lead off with a homer. Thibbets sharpened his pencil. Liebman
and O'Rourke, in the south stand, engaged in a bitter controversy over
Peckingpaugh's last-season batting average. NO RUNS.

SECOND INNING: Scanlon yelled to Bodie to to whang out a double.
Turtelot said that Bodie couldn't do it. Scanlon said "Oh, is that so?"
Turtelot said "Yes, that's so and whad' yer know about that?" Bodie
whanged out a double and Scanlon's collar came undone and he lost his
derby. Stevens announced that this made Bodie's batting average 1000 for
the season so far. Joslin laughed.

THIRD INNING: Thibbets sharpened his pencil. Zinnzer yelled to Mays to
watch out for a fast one. Steinway yelled to Mays to watch out for a
slow one. Mays fanned. O'Rourke called out and asked Brazill how all the
little brazil-nuts were. Levy turned to O'Rourke and said he'd
brazil-nut him. O'Rourke said "Eah? When do you start doing it?" Levy
said: "Right now." O'Rourke said: "All right, come on. I'm waiting."
Levy said: "Eah?" O'Rourke said: "Well, why don't you come, you big
haddock?" Levy said he'd wait for O'Rourke outside where there weren't
any ladies. NO RUNS.

FOURTH INNING: Scanlon called out to Ruth to knock a homer, Thibbets
sharpened his pencil. Scanlon yelled: "Atta-boy, Babe, whad' I tell
yer!" when Ruth got a single.

FIFTH INNING: Mrs. Whitebait asked Mr. Whitebait how you marked a
home-run on the score-card. Mr. Whitebait said: "Why do you have to
know? No one has knocked a home-run." Mrs. Whitebait said that Babe Ruth
ran home in the last inning. "Yes, I know," said Mr. Whitebait, "but it
wasn't a home-run." Mrs. W. asked him with some asperity just why it
wasn't a home-run, if a man ran home, especially if it was Babe Ruth.
Mr. W. said: "I'll tell you later. I want to watch the game." Mrs.
Whitebait began to cry a little. Mr. Whitebait groaned and snatched the
card away from her and marked a home-run for Ruth in the fourth inning.

SIXTH INNING: Thurston called out to Hasty not to let them fool him.
Wicker said that where Hasty got fooled in the first place was when he
let them tell him he could play baseball. Unknown man said that he was
"too Hasty," and laughed very hard. Thurston said that Hasty was a
better pitcher than Mays, when he was in form. Unknown man said "Eah?"
and laughed very hard again. Wicker asked how many times in seven years
Hasty was in form and Thurston replied: "Often enough for you." Unknown
man said that what Hasty needed was some hasty-pudding, and laughed so
hard that his friend had to take him out.

Thibbets sharpened his pencil.

SEVENTH INNING: Libby called "Everybody up!" as if he had just
originated the idea, and seemed proudly pleased when everyone stood up.
Taussig threw money to the boy for a bag of peanuts who tossed the bag
to Levy who kept it. Taussig to boy to Levy.

Scanlon yelled to Ruth to come through with a homer. Ruth knocked a
single and Scanlon yelled "Atta-boy, Babe! All-er way 'round! All-er way
round, Babe!" Mrs. Whitebait asked Mr. Whitebait which were the
Clevelands. Mr. Whitebait said very quietly that the Clevelands weren't
playing to-day, just New York and Philadelphia and that only two teams
could play the game at the same time, that perhaps next year they would
have it so that Cleveland and Philadelphia could both play New York at
once but the rules would have to be changed first. Mrs. Whitebait said
that he didn't have to be so nasty about is. Mr. W. said My God, who's
being nasty? Mrs. W. said that the only reason she came up with him
anyway to see the Giants play was because then she knew that he wasn't
off with a lot of bootleggers. Mr. W. said that it wasn't the Giants but
the Yankees that she was watching and where did she get that bootlegger
stuff. Mrs. W. said never mind where she got it. NO RUNS.

EIGHTH INNING: Thibbets sharpened his pencil. Litner got up and went
home. Scanlon yelled to Ruth to end up the game with a homer. Ruth
singled. Scanlon yelled "Atta-Babe!" and went home.

NINTH INNING: Stevens began figuring up the players' batting averages
for the season thus far. Wicker called over to Thurston and asked him
how Mr. Hasty was now. Thurston said "That's all right how he is." Mrs.
Whitebait said that she intended to go to her sister's for dinner and
that Mr. Whitebait could do as he liked. Mr. Whitebait told her to bet
that he would do just that. Thibbets broke his pencil.

Score: New York 11. Philadelphia 1.




XIV

MID-WINTER SPORTS


These are melancholy days for the newspaper sporting-writers. The
complaints are all in from old grads of Miami who feel that there
weren't enough Miami men on the All-American football team, and it is
too early to begin writing about the baseball training camps. Once in a
while some lady swimmer goes around a tank three hundred times, or the
holder of the Class B squash championship "meets all-comers in court
tilt," but aside from that, the sporting world is buried with the nuts
for the winter.

Since sporting-writers must live, why not introduce a few items of
general interest into their columns, accounts of the numerous contests
of speed and endurance which take place during the winter months in the
homes of our citizenry? For instance:

The nightly races between Mr. and Mrs. Theodore M. Twamly, to see who
can get into bed first, leaving the opening of the windows and putting
out of the light for the loser, was won last night for the first time
this winter by Mr. Twamly. Strategy entered largely into the victory,
Mr. Twamly getting into bed with most of his clothes on.

An interesting exhibition of endurance was given by Martin W. Lasbert at
his home last evening when he covered the distance between the
cold-water tap in his bath-room to the bedside of his young daughter,
Mertice, eighteen times in three hours, this being the number of her
demands for water to drink. When interviewed after the eighteenth lap,
Mr. Lasbert said: "I wouldn't do it another time, not if the child were
parching." Shortly after that he made his nineteenth trip.

As was exclusively predicted in these columns yesterday and in
accordance with all the dope, Chester H. Flerlie suffered his sixtieth
consecutive defeat last evening at the hands of the American Radiator
Company, the builders of his furnace. With all respect for Mr. Flerlie's
pluck in attempting, night after night, to dislodge clinkers caught in
the grate, it must be admitted, even by his host of friends, that he
might much better be engaged in some gainful occupation. The grate
tackled by the doughty challenger last night was one of the fine-tooth
comb variety (the "Non-Sifto" No. 114863), in which the clinker is
caught by a patent clutch and held securely until the wrecking-crew
arrives. At the end of the bout Mr. Flerlie was led away to his dressing
room, suffering from lacerated hands and internal injuries. "I'm
through," was his only comment.

This morning's winners in the Lymedale commuters' contest for seats on
the shady side of the car on the 8:28 were L.Y. Irman, Sydney M.
Gissith, John F. Nothman and Louis Leque. All the other seats were won
by commuters from Loose Valley, the next station above Lymedale. In
trying to scramble up the car-steps in advance of lady passengers,
Merton Steef had his right shin badly skinned and hit his jaw on the
bottom step. Time was _not_ called while his injuries were being looked
after.

[Illustration: He was further aided by the breaks of the game.]

Before an enthusiastic and notable gathering, young Lester J. Dimmik,
age three, put to rout his younger brother, Carl Withney Dimmik, Jr.,
age two, in their matutinal contest to see which can dispose of his
Wheatena first. In the early stages of the match, it began to look as if
the bantamweight would win in a walk, owing to his trick of throwing
spoonfuls of the breakfast food over his shoulder and under the tray of
his high-chair. The referees soon put a stop to this, however, and
specified that the Wheatena must be placed _in_ the mouth. This cramped
Dimmick Junior's form and it soon became impossible for him to locate
his mouth at all. At this point, young Lester took the lead, which he
maintained until he crossed the line an easy winner. As a reward he was
relieved of the necessity of eating another dish of Wheatena.

       *       *       *       *       *

Stephen L. Agnew was the lucky guest in the home of Orrin F. McNeal this
week-end, beating out Lee Stable for first chance at the bath-tub on
Sunday morning. Both contestants came out of their bed rooms at the same
time, but Agnew's room being nearer the bath-room, he made the distance
down the hall in two seconds quicker time than his somewhat heavier
opponent, and was further aided by the breaks of the game when Stable
dropped his sponge half-way down the straightaway. Agnew's time in the
bath-room was 1 hr. and 25 minutes.




XV

READING THE FUNNIES ALOUD


One of the minor enjoyable features of having children is the necessity
of reading aloud to them the colored comic sections in the Sunday
papers.

And no matter how good your intentions may have been at first to keep
the things out of the house (the comic sections, not the children)
sooner or later there comes a Sunday when you find that your little boy
has, in some underground fashion, learned of the raucous existence of
_Simon Simp_ or the _Breakback Babies_, and is demanding the current
installment with a fervor which will not be denied.

Sunday morning in our house has now become a time for low subterfuge on
the part of Doris and me in our attempts to be somewhere else when
Junior appears dragging the "funnies" (a loathsome term in itself) to be
read to him. I make believe that the furnace looks as if it might fall
apart at any minute if it is not watched closely, and Doris calls from
upstairs that she may be some time over the weekly accounts.

But sooner or later Junior ferrets one of us out and presents himself
beaming. "_Now_ will you read me the 'funnies'?" is the dread sentence
which opens the siege. It then becomes a rather ill-natured contest
between Doris and me to see which can pick the more bearable pages to
read, leaving the interminable ones, containing great balloons pregnant
with words, for the other.

I usually find that Doris has read the Briggs page to Junior before I
get downstairs, the Briggs page (and possibly the drawings of Voight's
_Lester De Pester_) being the only department that an adult mind can
dwell on and keep its self-respect. "Now _I_ will read you Briggs," says
Doris with the air of an indulgent parent, but settling down with great
relish to the task, "and Daddy will read you the others."

Having been stuck for over a year with "the others" I have now reached a
stage where I utilize a sort of second sight in the reading whereby the
words are seen and pronounced without ever registering on my brain at
all. And, as I sit with Junior impassive on my lap (just why children
should so frantically seek to have the "funnies" read to them is a
mystery, for they never by any chance seem to derive the slightest
emotional pleasure from the recital but sit in stony silence as if they
rather disapproved of the whole thing after all) I have evolved a
system which enables me to carry on a little constructive thinking while
reading aloud, thereby keeping the time from being entirely wasted.
Heaven knows we get little enough opportunity to sit down and think
things out in this busy work-a-day world, so that this little period of
mental freedom is in the nature of a godsend. Thus:

    _What Is Being Read Aloud_

    "Here he says 'Gee but this is tough luck a new automobile an' no
    place to go' and the dog is saying 'It ain't so tough at that'.
    Then here in the next picture the old man says: Percy ain't in my
    class as a chauffeur, he ain't as fearless as me' and this one is
    saying 'Hello there, that looks like the old tin Lizzie that I
    gave to the General last year I guess I'll take a peek and see
    what's up' 'Well what are you doing hanging around here, what do
    you think this is a hotel?' 'Say where do you get that stuff you
    ain't no justice of the peace you know' 'Wow! Let me out let me
    out, I say' 'I'll show you biff biff wham zowie!' etc. etc."

    _Concurrent Thinking_

    "Here I am in the thirties and it is high time that I made
    something of myself. Is my job as good as I deserve? By studying
    nights I might fit myself for a better position in the foreign
    exchange department, but that would mean an outlay of money.
    Furthermore, is it, on the whole, wise to attempt to hurry the
    workings of Fate? Is not perhaps the determinist right who says
    that what we are and what we ever can be is already written in the
    books, that we can not alter the workings of Destiny one iota?
    This theory is, of course, tenable, but, on the whole, it seems to
    me that if I were to take the matter into my own hands, etc. etc."

And then, when the last pot of boiling water has been upset over the
last grandfather's back, and Junior has slid down from your lap as near
satisfied as he ever will be, you have ten or fifteen minutes of
constructive thinking behind you, which, if practiced every Sunday, will
make you President of the company within a few years.




XVI

OPERA SYNOPSES

_Some Sample Outlines of Grand Opera Plots For Home Study._


I

DIE MEISTER-GENOSSENSCHAFT

SCENE: _The Forests of Germany_.

TIME: _Antiquity_.

CAST

  STRUDEL, _God of Rain_     Basso

  SCHMALZ, _God of Slight Drizzle_     Tenor

  IMMERGLUeCK, _Goddess of the Six Primary Colors_     Soprano

  LUDWIG DAS EIWEISS, _the Knight of the Iron Duck_     Baritone

  THE WOODPECKER     Soprano

ARGUMENT

The basis of "Die Meister-Genossenschaft" is an old legend of Germany
which tells how the Whale got his Stomach.


ACT I

_The Rhine at Low Tide Just Below Weldschnoffen._--Immerglueck has grown
weary of always sitting on the same rock with the same fishes swimming
by every day, and sends for Schwuel to suggest something to do. Schwuel
asks her how she would like to have pass before her all the wonders of
the world fashioned by the hand of man. She says, rotten. He then
suggests that Ringblattz, son of Pflucht, be made to appear before her
and fight a mortal combat with the Iron Duck. This pleases Immerglueck
and she summons to her the four dwarfs: Hot Water, Cold Water, Cool, and
Cloudy. She bids them bring Ringblattz to her. They refuse, because
Pflucht has at one time rescued them from being buried alive by acorns,
and, in a rage, Immerglueck strikes them all dead with a thunderbolt.


ACT 2

_A Mountain Pass_.--Repenting of her deed, Immerglueck has sought advice
of the giants, Offen and Besitz, and they tell her that she must procure
the magic zither which confers upon its owner the power to go to sleep
while apparently carrying on a conversation. This magic zither has been
hidden for three hundred centuries in an old bureau drawer, guarded by
the Iron Duck, and, although many have attempted to rescue it, all have
died of a strange ailment just as success was within their grasp.

But Immerglueck calls to her side Dampfboot, the tinsmith of the gods,
and bids him make for her a tarnhelm or invisible cap which will enable
her to talk to people without their understanding a word she says. For a
dollar and a half extra Dampfboot throws in a magic ring which renders
its wearer insensible. Thus armed, Immerglueck starts out for Walhalla,
humming to herself.


ACT 3

_The Forest Before the Iron Duck's Bureau Drawer_.--Merglitz, who has up
till this time held his peace, now descends from a balloon and demands
the release of Betty. It has been the will of Wotan that Merglitz and
Betty should meet on earth and hate each other like poison, but
Zweiback, the druggist of the gods, has disobeyed and concocted a
love-potion which has rendered the young couple very unpleasant company.
Wotan, enraged, destroys them with a protracted heat spell.

Encouraged by this sudden turn of affairs, Immerglueck comes to earth in
a boat drawn by four white Holsteins, and, seated alone on a rock,
remembers aloud to herself the days when she was a girl. Pilgrims from
Augenblick, on their way to worship at the shrine of Schmuerr, hear the
sound of reminiscence coming from the rock and stop in their march to
sing a hymn of praise for the drying up of the crops. They do not
recognize Immerglueck, as she has her hair done differently, and think
that she is a beggar girl selling pencils.

In the meantime, Ragel, the papercutter of the gods, has fashioned
himself a sword on the forge of Schmalz, and has called the weapon
"Assistance-in-Emergency." Armed with "Assistance-in-Emergency" he comes
to earth, determined to slay the Iron Duck and carry off the beautiful
Irma.

But Frimsel overhears the plan and has a drink brewed which is given to
Ragel in a golden goblet and which, when drunk, makes him forget his
past and causes him to believe that he is Schnorr, the God of Fun. While
laboring under this spell, Ragel has a funeral pyre built on the summit
of a high mountain and, after lighting it, climbs on top of it with a
mandolin which he plays until he is consumed.

Immerglueck never marries.


II

IL MINNESTRONE

(PEASANT LOVE)

SCENE: _Venice and Old Point Comfort._

TIME: _Early 16th Century._


CAST

  ALFONSO, _Duke of Minnestrone_             Baritone

  PARTOLA, _a Peasant Girl_                   Soprano

  CLEANSO }                                        { Tenor
  TURINO  } _Young Noblemen of Venice_.       { Tenor
  BOMBO   }                                        { Basso

  LUDOVICO} _Assassins in the service of_ {     Basso
  ASTOLFO }   _Cafeteria Rusticana_       { Methodist

  _Townspeople, Cabbies and Sparrows_

ARGUMENT

"Il Minnestrone" is an allegory of the two sides of a man's nature (good
and bad), ending at last in an awfully comical mess with everyone dead.


ACT I

_A Public Square, Ferrara._--During a peasant festival held to celebrate
the sixth consecutive day of rain, Rudolpho, a young nobleman, sees
Lilliano, daughter of the village bell-ringer, dancing along throwing
artificial roses at herself. He asks of his secretary who the young
woman is, and his secretary, in order to confuse Rudolpho and thereby
win the hand of his ward, tells him that it is his (Rudolpho's) own
mother, disguised for the festival. Rudolpho is astounded. He orders her
arrest.


ACT 2

_Banquet Hall in Gorgio's Palace._--Lilliano has not forgotten Breda,
her old nurse, in spite of her troubles, and determines to avenge
herself for the many insults she received in her youth by poisoning her
(Breda). She therefore invites the old nurse to a banquet and poisons
her. Presently a knock is heard. It is Ugolfo. He has come to carry away
the body of Michelo and to leave an extra quart of pasteurized. Lilliano
tells him that she no longer loves him, at which he goes away, dragging
his feet sulkily.


ACT 3

_In Front of Emilo's House._--Still thinking of the old man's curse,
Borsa has an interview with Cleanso, believing him to be the Duke's
wife. He tells him things can't go on as they are, and Cleanso stabs
him. Just at this moment Betty comes rushing in from school and falls
in a faint. Her worst fears have been realized. She has been insulted by
Sigmundo, and presently dies of old age. In a fury, Ugolfo rushes out to
kill Sigmundo and, as he does so, the dying Rosenblatt rises on one
elbow and curses his mother.


III

LUCY DE LIMA

SCENE: _Wales_.

TIME: _1700 (Greenwich)_.

CAST

  WILLIAM WONT, _Lord of Glennnn_    Basso

  LUCY WAGSTAFF, _his daughter_     Soprano

  BERTRAM, _her lover_                Tenor

  LORD ROGER, _friend of Bertram_. Soprano

  Irma, _attendant to Lucy_           Basso

_Friends, Retainers and Members of the local Lodge of Elks._

ARGUMENT

"Lucy de Lima," is founded on the well-known story by Boccaccio of the
same name and address.


ACT I

_Gypsy Camp Near Waterbury._--The gypsies, led by Edith, go singing
through the camp on the way to the fair. Following them comes Despard,
the gypsy leader, carrying Ethel, whom he has just kidnapped from her
father, who had previously just kidnapped her from her mother. Despard
places Ethel on the ground and tells Mona, the old hag, to watch over
her. Mona nurses a secret grudge against Despard for having once cut off
her leg and decides to change Ethel for Nettie, another kidnapped child.
Ethel pleads with Mona to let her stay with Despard, for she has fallen
in love with him on the ride over. But Mona is obdurate.


ACT 2

_The Fair._--A crowd of sightseers and villagers is present. Roger
appears, looking for Laura. He can not find her. Laura appears, looking
for Roger. She can not find him. The gypsy queen approaches Roger and
thrusts into his hand the locket stolen from Lord Brym. Roger looks at
it and is frozen with astonishment, for it contains the portrait of his
mother when she was in high school. He then realizes that Laura must be
his sister, and starts out to find her.


ACT 3

_Hall in the Castle._--Lucy is seen surrounded by every luxury, but her
heart is sad. She has just been shown a forged letter from Stewart
saying that he no longer loves her, and she remembers her old free life
in the mountains and longs for another romp with Ravensbane and
Wolfshead, her old pair of rompers. The guests begin to assemble for the
wedding, each bringing a roast ox. They chide Lucy for not having her
dress changed. Just at this moment the gypsy band bursts in and Cleon
tells the wedding party that Elsie and not Edith is the child who was
stolen from the summer-house, showing the blood-stained derby as proof.
At this, Lord Brym repents and gives his blessing on the pair, while the
fishermen and their wives celebrate in the courtyard.




XVII

THE YOUNG IDEA'S SHOOTING GALLERY


Since we were determined to have Junior educated according to modern
methods of child training, a year and a half did not seem too early an
age at which to begin. As Doris said: "There is no reason why a child of
a year and a half shouldn't have rudimentary cravings for
self-expression." And really, there isn't any reason, when you come
right down to it.

Doris had been reading books on the subject, and had been talking with
Mrs. Deemster. Most of the trouble in our town can be traced back to
someone's having been talking with Mrs. Deemster. Mrs. Deemster brings
an evangelical note into the simplest social conversations, so that by
the time your wife is through the second piece of cinnamon toast she is
convinced that all children should have their knee-pants removed before
they are four, or that you should hire four servants a day on three-hour
shifts, or that, as in the present case, no child should be sent to a
regular school until he has determined for himself what his profession
is going to be and then should be sent straight from the home to Johns
Hopkins or the Sorbonne.

Junior was to be left entirely to himself, the theory being that he
would find self-expression in some form or other, and that by watching
him carefully it could be determined just what should be developed in
him, or, rather, just what he should be allowed to develop in himself.
He was not to be corrected in any way, or guided, and he was to call us
"Doris" and "Monty" instead of "Mother" and "Father." We were to be just
pals, nothing more. Otherwise, his individuality would become submerged.
I was, however, to be allowed to pay what few bills he might incur until
he should find himself.

The first month that Junior was "on his own," striving for
self-expression, he spent practically every waking hour of each day in
picking the mortar out from between the bricks in the fire-place and
eating it.

"Don't you think you ought to suggest to him that nobody who really _is_
anybody eats mortar?" I said.

"I don't like to interfere," replied Doris. "I'm trying to figure out
what it may mean. He may have the makings of a sculptor in him." But one
could see that she was a little worried, so I didn't say the cheap and
obvious thing, that at any rate he had the makings of a sculpture in him
or would have in a few more days of self-expression.

Soft putty was put at his disposal, in case he might feel like doing a
little modeling. We didn't expect much of him at first, of course; maybe
just a panther or a little General Sherman; but if that was to be his
_metier_ we weren't going to have it said that his career was nipped in
the bud for the lack of a little putty.

       *       *       *       *       *

The first thing that he did was to stop up the keyhole in the bath-room
door while I was in the tub, so that I had to crawl out on the piazza
roof and into the guest-room window. It did seem as if there might be
some way of preventing a recurrence of that sort of thing without
submerging his individuality too much. But Doris said no. If he were
disciplined now, he would grow up nursing a complex against putty and
against me and might even try to marry Aunt Marian. She had read of a
little boy who had been punished by his father for putting soap on the
cellar stairs, and from that time on, all the rest of his life, every
time he saw soap he went to bed and dreamed that he was riding in the
cab of a runaway engine dressed as Perriot, which meant, of course,
that he had a suppressed desire to kill his father.

It almost seemed, however, as if the risk were worth taking if Junior
could be shown the fundamentally anti-social nature of an act like
stuffing keyholes with putty, but nothing was done about it except to
take the putty supply away for that day.

The chief trouble came, however, in Junior's contacts with other
neighborhood children whose parents had not seen the light. When Junior
would lead a movement among the young bloods to pull up the Hemmings'
nasturtiums or would show flashes of personality by hitting little Leda
Hemming over the forehead with a trowel, Mrs. Hemming could never be
made to see that to reprimand Junior would be to crush out his God-given
individuality. All she would say was, "Just look at those nasturtiums!"
over and over again. And the Hemming children were given to understand
that it would be all right if they didn't play with Junior quite so
much.

[Illustration: Mrs. Deemster didn't enter into the spirit of the thing
at all.]

This morning, however, the thing solved itself. While expressing himself
in putty in the nursery, Junior succeeded in making a really excellent
lifemask of Mrs. Deemster's fourteen-months-old little girl who had
come over to spend the morning with him. She had a little difficulty in
breathing, but it really was a fine mask. Mrs. Deemster, however, didn't
enter into the spirit of the thing at all, and after excavating her
little girl, took Doris aside. It was decided that Junior is perhaps too
young to start in on his career unguided.

That is Junior that you can hear now, I think.




XVIII

POLYP WITH A PAST

THE STORY OF AN ORGANISM WITH A HEART


Of all forms of animal life, the polyp is probably the most neglected by
fanciers. People seem willing to pay attention to anything, cats,
lizards, canaries, or even fish, but simply because the polyp is
reserved by nature and not given to showing off or wearing its heart on
its sleeve, it is left alone under the sea to slave away at
coral-building with never a kind word or a pat on the tentacles from
anybody.

It was quite by accident that I was brought face to face with the human
side of a polyp. I had been working on a thesis on "Emotional Crises in
Sponge Life," and came upon a polyp formation on a piece of coral in the
course of my laboratory work. To say that I was astounded would be
putting it mildly. I was surprised.

The difficulty in research work in this field came in isolating a single
polyp from the rest in order to study the personal peculiarities of the
little organism, for, as is so often the case (even, I fear, with us
great big humans sometimes), the individual behaves in an entirely
different manner in private from the one he adopts when there is a crowd
around. And a polyp, among all creatures, has a minimum of time to
himself in which to sit down and think. There is always a crowd of other
polyps dropping in on him, urging him to make a fourth in a string of
coral beads or just to come out and stick around on a rock for the sake
of good-fellowship.

The one which I finally succeeded in isolating was an engaging organism
with a provocative manner and a little way of wrinkling up its ectoderm
which put you at once at your ease. There could be no formality about
your relations with this polyp five minutes after your first meeting.
You were just like one great big family.

Although I have no desire to retail gossip, I think that readers of this
treatise ought to be made aware of the fact (if, indeed, they do not
already know it) that a polyp is really neither one thing nor another in
matters of gender. One day it may be a little boy polyp, another day a
little girl, according to its whim or practical considerations of
policy. On gray days, when everything seems to be going wrong, it may
decide that it will be neither boy nor girl but will just drift. I think
that if we big human cousins of the little polyp were to follow the
example set by these lowliest of God's creatures in this matter, we all
would find, ourselves much better off in the end. Am I not right, little
polyp?

What was my surprise, then, to discover my little friend one day in a
gloomy and morose mood. It refused the peanut-butter which I had brought
it and I observed through the microscope that it was shaking with sobs.
Lifting it up with a pair of pincers I took it over to the window to let
it watch the automobiles go by, a diversion which had, in the past,
never failed to amuse. But I could see that it was not interested. A
tune from the victrola fell equally flat, even though I set my little
charge on the center of the disc and allowed it to revolve at a dizzy
pace, which frolic usually sent it into spasms of excited giggling.
Something was wrong. It was under emotional stress of the most racking
kind.

I consulted Klunzinger's "Die Korallenthiere des Rothen Meeres" and
there found that at an early age the polyp is quite likely to become the
victim of a sentimental passion which is directed at its own self.

In other words, my tiny companion was in love with itself, bitterly,
desperately, head-over-heels in love.

In an attempt to divert it from this madness, I took it on an extended
tour of the Continent, visiting all the old cathedrals and stopping at
none but the best hotels. The malady grew worse, instead of better. I
thought that perhaps the warm sun of Granada would bring the color back
into those pale tentacles, but there the inevitable romance in the soft
air was only fuel to the flame, and, in the shadow of the Alhambra, my
little polyp gave up the fight and died of a broken heart without ever
having declared its love to itself.

I returned to America shortly after not a little chastened by what I had
witnessed of Nature's wonders in the realm of passion.




XIX

HOLT! WHO GOES THERE?


The reliance of young mothers on Dr. Emmett Holt's "The Care and Feeding
of Children," has become a national custom. Especially during the early
infancy of the first baby does the son rise and set by what "Holt says."
But there are several questions which come to mind which are not
included in the handy questionnaire arranged by the noted
child-specialist, and as he is probably too busy to answer them himself,
we have compiled an appendix which he may incorporate in the next
edition of his book, if he cares to. Of course, if he doesn't care to it
isn't compulsory.


BATHING

_What should the parent wear while bathing the child?_

A rubber loin-cloth will usually be sufficient, with perhaps a pair of
elbow-guards and anti-skid gloves. A bath should never be given a child
until at least one hour after eating (that is, after the parent has
eaten).

_What are the objections to face-cloths as a means of bathing children?_

They are too easily swallowed, and after six or seven wet face-cloths
have been swallowed, the child is likely to become heavy and lethargic.

_Under what circumstances should the daily tub-bath be omitted?_

Almost any excuse will do. The bath-room may be too cold, or too hot, or
the child may be too sleepy or too wide-awake, or the parent may have
lame knees or lead poisoning. And anyway, the child had a good bath
yesterday.


CLOTHING

_How should the infant be held during dressing and undressing?_

Any carpenter will be glad to sell you a vise which can be attached to
the edge of the table. Place the infant in the vise and turn the screw
until there is a slight redness under the pressure. Be careful not to
turn it too tight or the child will resent it; but on the other hand,
care should be taken not to leave it too loose, otherwise the child will
be continually falling out on the floor, and you will never get it
dressed that way.

_What are the most important items in the baby's clothing?_

The safety-pins which are in the bureau in the next room.


WEIGHT

_How should a child be weighed?_

Place the child in the scales. The father should then sit on top of the
child to hold him down. Weigh father and child together. Then deduct the
father's weight from the gross tonnage, and the weight of the child is
the result.


FRESH AIR

_What are the objections to an infant's sleeping out-of-doors?_

Sleeping out-of-doors in the city is all right, but children sleeping
out of doors in the country are likely to be kissed by wandering cows
and things. This should never be permitted under any circumstances.


DEVELOPMENT

_When does the infant first laugh aloud?_

When father tries to pin it up for the first time.

_If at two years the child makes no attempt to talk, what should be
suspected?_

That it hasn't yet seen anyone worth talking to.


FEEDING

_What should not be fed to a child?_

Ripe olives.

_How do we know how much food a healthy child needs?_

By listening carefully.

_Which parent should go and get the child's early morning bottle?_

The one least able to feign sleep.




XX

THE COMMITTEE ON THE WHOLE


A new plan has just been submitted for running the railroads. That makes
one hundred and eleven.

The present suggestion involves the services of some sixteen committees.
Now presumably the idea is to get the roses back into the cheeks of the
railroads, so that they will go running about from place to place again
and perhaps make a little money on pleasant Saturdays and Sundays. But
if these proposed committees are anything like other committees which we
have had to do with, the following will be a fair example of how our
railroads will be run.

The sub-committee on the Punching of Rebate Slips will have a meeting
called for five o'clock in the private grill room at the Pan-American
Building. Postcards will have been sent out the day before by the
Secretary, saying: "Please try to be present as there are several
important matters to be brought up." This will so pique the curiosity of
the members that they will hardly be able to wait until five o'clock.
One will come at four o'clock by mistake and, after steaming up and down
the corridor for half an hour, will go home and send in his resignation.

At 5:10 the Secretary will bustle in with a briefcase and a map showing
the weather areas over the entire United States for the preceding year.
He will be very warm from hurrying.

At 5:15 two members of the committee will stroll in, one of them saying
to the other: "--so the Irishman turns to the Jew and says: 'Well, I
knew your father before that!' Aha-ha-ha-ha-ha-ha! 'I knew your father
before that!'"

They will then seat themselves at one end of the committee-table, just
as another member comes hurrying in. Time 5:21.

One of the story-tellers being the Chairman, he will pound
half-heartedly on the table and say: "As some of us have to get away
early, I think that we had better begin now, although Mr. Entwhistle and
Dr. Pearly are not here."

"I met Dr. Pearly last night at the Vegetarian Club dinner," says one of
the members, "and he said that he might be a little late today but that
he would surely come."

"His wife has just had a very delicate throat operation, I understand,"
offers a committeeman who is drawing concentric circles on his pad of
paper.

"Bad weather for throat operations," says the Secretary.

"That's right," says the Chairman, looking through a pile of papers for
one which he has left at home. "But let's get down to business. At the
last meeting the question arose as to whether or not it was advisable to
continue having conductors punch the little hole at the bottom of rebate
slips. As you know, the slip says, 'Not redeemable if punched here.'
Now, someone brought up the point that it seems silly to give out a
rebate slip at all if there isn't going to be any rebate on it. A
sub-committee was appointed to go into the matter, and I would like to
ask Mr. Twing, the chairman, what he has to report."

Mr. Twing will clear his throat and start to speak, but will make only
an abortive sound. He will then clear his throat again.

"Mr. Chairman, the other members of the sub-committee and myself were
unable to get exactly the data on this that we wanted and I delegated
Mr. Entwhistle to dig up something which he said he had read recently in
the files of the _Scientific American._ But Mr. Entwhistle doesn't seem
to be here today, and so I am unable to report his findings. It was,
however, the sense of the meeting that the conductors should not."

[Illustration: "That's right," says the chairman.]

"Should not what?" inquires Dr. Pearly, who has just sneaked in,
knocking three hats to the floor while hanging up his coat.

Dr. Pearly is never answered, for the Chairman looks at his watch and
says: "I'm very sorry, gentlemen, but I have an appointment at 5:45 and
must be going. Supposing I appoint a sub-committee consisting of Dr.
Pearly, Mr. Twing and Mr. Berry, to find Mr. Entwhistle and see what he
dug out of the files of the _Scientific American._ Then, at the next
meeting we can have a report from both sub-committees and will also hear
from Professor McKlicktric, who has just returned from Panama.... A
motion to adjourn is now in order. Do I hear such a motion?"

After listening carefully, he hears it, and the railroads run themselves
for another week.




XXI

NOTING AN INCREASE IN BIGAMY


Either more men are marrying more wives than ever before, or they are
getting more careless about it. During the past week bigamy has crowded
baseball out of the papers, and while this may be due in part to the
fact that it was a cold, rainy week and little baseball could be played,
yet there is a tendency to be noted there somewhere. All those wishing
to note a tendency will continue on into the next paragraph.

There is, of course, nothing new in bigamy. Anyone who goes in for it
with the idea of originating a new fad which shall be known by his name,
like the daguerreotype or potatoes O'Brien, will have to reckon with the
priority claims of several hundred generations of historical characters,
most of them wearing brown beards. Just why beards and bigamy seem to
have gone hand in hand through the ages is a matter for the professional
humorists to determine. We certainly haven't got time to do it here.

But the multiple-marriages unearthed during the past week have a
certain homey flavor lacking in some of those which have gone before.
For instance, the man in New Jersey who had two wives living right with
him all of the time in the same apartment. No need for subterfuge here,
no deceiving one about the other. It was just a matter of walking back
and forth between the dining-room and the study. This is, of course,
bigamy under ideal conditions.

But in tracing a tendency like this, we must not deal so much with
concrete cases as with drifts and curves. A couple of statistics are
also necessary, especially if it is an alarming tendency that is being
traced. The statistics follow, in alphabetical order:

In the United States during the years 1918-1919 there were 4,956,673
weddings. 2,485,845 of these were church weddings, strongly against the
wishes of the bridegrooms concerned. In these weddings 10,489,392 silver
olive-forks were received as gifts.

Starting with these figures as a basis, we turn to the report of the
Pennsylvania State Committee on Outdoor Gymnastics for the year
beginning January 4th, 1920, and ending a year later.

This report being pretty fairly uninteresting, we leave it and turn to
another report, which covers the manufacture and sale of rugs. This has
a picture of a rug in it, and a darned good likeness it is, too.

In this rug report we find that it takes a Navajo Indian only eleven
days to weave a rug 12 x 5, with a swastika design in the middle. Eleven
days. It seems incredible. Why, it takes only 365 days to make a year!

Now, having seen that there are 73,000 men and women in this country
today who can neither read nor write, and that of these only 4%, or a
little over half, are colored, what are we to conclude? What is to be
the effect on our national morale? Who is to pay this gigantic bill for
naval armament?

Before answering these questions any further than this, let us quote
from an authority on the subject, a man who has given the best years, or
at any rate some very good years, of his life to research in this field,
and who now takes exactly the stand which we have been outlining in this
article.

"I would not," he says in a speech delivered before the Girls' Friendly
Society of Laurel Hill, "I would not for one minute detract from the
glory of those who have brought this country to its present state of
financial prominence among the nations of the world, and yet as I think
back on those dark days, I am impelled to voice the protest of millions
of American citizens yet unborn."

Perhaps some of our little readers remember what the major premise of
this article was. If so, will they please communicate with the writer.

Oh, yes! Bigamy!

Well, it certainly is funny how many cases of bigamy you hear about
nowadays. Either more men are marrying more wives than ever before, or
they are getting more careless about it. (That sounds very, very
familiar. It is barely possible that it is the sentence with which this
article opens. We say so many things in the course of one article that
repetitions are quite likely to creep in).

At any rate, the tendency seems to be toward an increase in bigamy.




XXII

THE REAL WIGLAF: MAN AND MONARCH

    Much time has been devoted of late by ardent biographers to
    shedding light on misunderstood characters in history, especially
    British rulers. We cannot let injustice any longer be done to King
    Wiglaf, the much-maligned monarch of central Britain in the early
    Ninth Century.

    The fall of the kingdom of Mercia in 828 under the the onslaughts
    of Ecgberht the West-Saxon, have been laid to Wiglaf's untidy
    personal habits and his alleged mania for practical joking. The
    accompanying biographical sketch may serve to disclose some of the
    more intimate details of the character of the man and to alter in
    some degree history's unfavorable estimate of him.


Our first glimpse of the Wiglaf who was one day to become ruler of
Mercia, the heart of present-day England (music, please), is when at the
age of seven he was taken by Oswier, his father's murderer, to see Mrs.
Siddons play _Lady Macbeth._ (Every subject of biographical treatment,
regardless of the period in which he or she lived, must have been taken
at an early age to see Mrs. Siddons play _Lady Macbeth._ It is part of
the code of biography.)

While sitting in the royal box, the young prince Wiglaf was asked what
he thought of the performance. "Rotten!" he answered, and left the place
abruptly, setting fire to the building as he went out.

Beobald, in citing the above incident in his "Chronicles of Comical
Kings," calls it "an hendy hap ichabbe y-hent." And perhaps he's right.

Events proceeded in rapid succession after this for the young boy and we
next find him facing marriage with a stiff upper-lip. Mystery has always
surrounded the reasons which led to the choice of Princess Offa as
Wiglaf's bride. In fact, it has never been quite certain whether or not
she _was_ his bride. No one ever saw them together.[1] On several
occasions he is reported to have asked his chamberlain who she was as
she passed by on the street.[2]

And yet the theory persists that she was his wife, owing doubtless to
the fact that on the eve of the Battle of Otford he sent a message to
her asking where "in God's name" his clean shirts had been put when they
came back from the wash.

We come now to that period in Wiglaf's life which has been for so many
centuries the cause of historical speculation, pro and con. The
reference is, of course, to his dealings with Aethelbald, the ambassador
from Wessex. Every schoolboy has taken part in the Wiglaf-Aethelbald
controversy, but how many really know the inside facts of the case?

Examination of the correspondence between these two men shows Wiglaf to
have been simply a great, big-hearted, overgrown boy in the whole
affair. All claims of his having had an eye on the throne of Northumbria
fade away under the delightful ingenuousness of his attitude as
expressed in these letters.

"I should of thought," he writes in 821 to his sister, "that anyone who
was not cock-ide drunk would have known better than to of tried to walk
bear-foot through that eel-grass from the beech up to the bath-house
without sneekers on, which is what that ninn Aethelbald tryed to do this
AM. Well say laffter is no name for what you would of done if you had
seen him. He looked like he was trying to walk a tide-rope. Hey I yelled
at him all the way, do you think you are trying to walk a tide-rope?
Well say maybe that didn't make him sore."

Shortly after this letter was written, Wiglaf ascended the throne of
Mercia, his father having disappeared Saturday night without trace. A
peasant[3] some years after said that he met the old king walking along
a road near what is now the Scottish border, telling people that he was
carrying a letter of greeting from the Mayor of Pontygn to the Mayor of
Langoscgirh. Others say that he fell into the sea off the coast of Wales
and became what is now known as King's Rocks. This last has never been
authenticated.

At any rate, the son, on ascending the throne, became king. His first
official act was to order dinner. "A nice, juicy steak," he is said to
have called for,[4] "French fries, apple pie and a cup of coffee." It is
probable that he really said "a coff of cuppee," however, as he was a
wag of the first water and loved a joke as well as the next king.

We are now thrown into the maelstrom of contradictory historical data,
some of which credits Wiglaf with being the greatest ruler Mercia ever
had and some of which indicates that he was nothing but a royal bum. It
is not the purpose of this biography to try to settle the dispute. All
we know for a fact is that he was a very human man who had faults like
the rest of us and that shortly after becoming king he disappears from
view.

His reign began at 4 P.M. one Wednesday (no, Thursday) afternoon and
early the next morning Mercia was overrun by the West-Saxons. It is
probable that King Wiglaf was sold for old silver to help pay expenses.

FOOTNOTES:

[1] Lebody. _Witnesses of the Proximity of Wiglaf to Offa._ II. 265

[2] Rouguet. _Famous Questions in History._ III. 467

[3] _Peasant Tales and Fun-making._ II. 965.

[4] _Fifty Menus for August._--46.




XXIII

FACING THE BOYS' CAMP PROBLEM


The time seemed to have come to send Junior away to a boys' camp for the
summer. He was getting too large to have about the house during the hot
weather, and besides, getting him out of town seemed the only way to
stop the radio concerts which had been making a continuous Chautauqua of
our home-life ever since March.

I therefore got out a magazine and turned to that section of the
advertising headed, "Summer Camps and Schools." There was a staggering
array. Judging from the photographs the entire child population of the
United States spent last summer in bathing suits or on horseback, and
the pictures of them were so generic and familiar-looking that there was
a great temptation to spend the evening scrutinizing them closely to see
if you could pick out anyone you knew.

"Come on, read some out loud," said Doris in her practical way.

"'The Nooga-Wooga Camps,'" I began. "'The Garden Spot of the Micasset
Mountains. Tumbling water, calls of birds, light-hearted laughter,
horseback rides along shady trails, lasting friendships--all these are
the heritage of happy days at Nooga-Wooga.' ... I don't think much of
the costumes they give the boys to wear at Nooga-Wooga. They look rather
sissy to me."

"That's because you are looking at the Camps for Girls, dear," said
Doris. "Those are girls in Peter Thompsons and bloomers."

Hurriedly turning the page, I came to Camps for Boys.

"'Camp Wicomagisset, for Manly Boys. On famous Lake Pogoniblick in the
heart of the far-famed Wappahammock district. Campfire stories, military
drill, mountain climbing, swimming, wading, hiking, log-cabins,
sailing--' they say nothing about horseshoeing. Don't you suppose they
teach horseshoeing?"

"That probably comes in the second year for the older boys," said Doris.
"I wouldn't want Junior to plunge right into horseshoeing his first
season. We mustn't rush him."

"'Camp Wad-ne-go-gallup on the shores of Crisco Bay, Maine. Facing that
grandest of all oceans, the Atlantic. Located among the best farms where
fresh and wholesome food can be had in abundance'--yes but _is_ it had,
my dear? That's the question. Anyway, I don't like the looks of the boat
in the picture. It's too full of boys."

"'Opossum Mountain Camp for Boys. Unusual sports and trips'--Ah,
possibly condor stalking! That certainly would be unusual. But
dangerous! I'd hate to think of Junior crawling about over ledges,
stalking condors. And it says here that there is a dietitian and a
camp-mother, as well."

"Camp-mother?" Doris sniffed, "Probably she thinks she knows how to
bring up children--"

Just then Junior came in to announce that he had signed up for a job for
the summer, working on the farm of Eddie Westover's uncle. So in view of
this added income, I felt that I could afford a little vacation myself,
and am leaving on July 1st for Camp Mionogonett in the foothills of the
Rokomokos, "a Paradise for Manly Men."




XXIV

ALL ABOUT THE SILESIAN PROBLEM


So much controversy has been aroused over Silesia it is high time that
the average man in this country had a clearer idea of the problem. At
present many people think that if you add oxygen to Silesia you will get
oxide of silesia and can take spots out of clothes with it.

A definite statement of the whole Upper Silesian question is therefore
due, and, for those who care to listen, about to be made.

The trouble started at the treaty of Noblitz in 1773. You have no idea
what a perfectly rotten treaty that was. It was negotiated by the Grand
Duke Ludwig of Saxe-Goatherd-Cobalt, whose sister married a Morrisey and
settled in Fall River. The aim and ambition of Ludwig's life was to
annex Spielzeugingen to Nichtrauschen, thereby augmenting his duchy and
at the same time having a dandy time. And he was the kind of man who
would stop at nothing when it came time to augment his duchy.

In this treaty, then, Ludwig insisted on a clause making Silesia a
monogamy. This was very clever, as it brought the Centrist party in
Silesia into direct conflict with the party who wanted to restore the
young Prince Niblick to the throne; thereby causing no end of trouble
and nasty feeling.

With these obstacles out of the way, the greed and ambition of Ludwig
were practically unrestrained. In fact, some historians say that they
knew no bounds. Summoning the Storkrath, or common council (composed of
three classes: the nobles, the welterweights, and the licensed pilots)
he said to them: (according to Taine)

"An army can travel ten days on its stomach, but who the hell wants to
be an army?"

This saying has become a by-word in history and is now remembered long
after the Grand Duke Ludwig has been forgotten. But at the time, Ludwig
received nothing short of an ovation for it, and succeeded in winning
over the obstructionists to his side. This made everyone in favor of his
disposition of Silesia except the Silesians. And, as they could neither
read nor write, they thought that they still belonged to Holland and
cheered a dyke every time they saw one.

The question remained in abeyance therefore, for a century and a
quarter. Then, in 1805, three years after the accession of Ralph
Rittenhouse to the throne of England, the storm broke again. The
occasion was the partition of Parchesie by the Great Powers, by which
the towns of Zweiback, Ulmhausen and Ost Wilp were united to form what
is known as the "industrial triangle" on the Upper Silesian border.
These towns are situated in the heart of the pumice district and could
alone supply France and Germany with pumice for fifty years, provided it
didn't rain. Bismarck once called Ost Wilp "the pumice heart of the
world," and he was about right, too.

It will therefore be seen how important it was to France that this
"industrial triangle" on the Silesian border should belong to Germany.
At the conference which designated the border line, Gambetta,
representing France, insisted that the line should follow the course of
the Iser River ("iser on one side or the other," was the way he is
reported to have phrased it), which would divide the pumice deposits
into three areas, the fourth being the dummy. This would never do.

Experts were called in to see if it might not be possible to so divide
the district that France might get a quarter, Germany a quarter and
England fifty cents. It was suggested that the line be drawn down
through Globe-Wernicke to the mouth of the Iser. As Gambetta said, the
line had to be drawn somewhere and it might as well be there. But Lord
Hay-Paunceforte, representing England, refused to concede the point and
for a time it looked like an open breach. But matters were smoothed over
by the holding of a plebiscite in all the towns of Upper Silesia. The
result of this plebiscite was taken and exactly reversed by the council,
so that the entire Engadine Valley was given to Sweden, who didn't want
it anyway.

And there the matter now stands.




XXV

"HAPPY THE HOME WHERE BOOKS ARE FOUND"


By way of egging people on to buy Dr. Eliot's Five Foot Shelf of books,
the publishers are resorting to an advertisement in which are depicted
two married couples, one reading together by the library table, the
other playing some two-handed game of cards which is evidently boring
them considerably. The query is "Which One of These Couples Will be the
Happier in Five Years?" the implication being that the young people who
buy Dr. Eliot's books will, by constant reading aloud to each other from
the works of the world's best writers, cement a companionship which will
put to shame the illiterate union of the young card players.

Granted that most two-handed games of cards _are_ dull enough to result
in divorce at the end of five years, they cannot be compared to
co-operative family reading as a system of home-wrecking. If this were a
betting periodical, we would have ten dollars to place on the chance of
the following being the condition of affairs in the literary family at
the end of the stated time:

(_The husband is reading his evening newspaper. The wife appears,
bringing a volume from the Five Foot Shelf. Tonight it is Darwin's
"Origin of Species_.")

WIFE: Hurry up and finish that paper. We'll never get along in this
Darwin if we don't begin earlier than we did last night.

HUSBAND: Well, suppose we didn't get along in it. That would suit me all
right.

WIFE: If you don't want me to read it to you, just say so ...
(_after-thought_) if it's so far over your head, just say so.

HUSBAND: It's not over my head at all. It's just dull. Why don't you
read some more out of that Italian novel?

WIFE: Ugh! I hate that. I suppose you'd rather have me read "The Sheik."

HUSBAND (_nastily_): No-I-wouldn't-rather-have-you-read-"The Sheik." Go
on ahead with your Darwin. I'm listening.

WIFE: It's not _my_ Darwin. I simply want to know a little something,
that's all. Of course, _you_ know everything, so you don't have to read
anything more.

HUSBAND: Go on, go on.

WIFE: That last book we read was so far over--

HUSBAND: Go on, go on.

WIFE: (_reads in an injured tone one and a half pages on the selective
processes of pigeons_): You're asleep!

HUSBAND: I am not. The last words you read were "to this conclusion."

WIFE: Yes, well, what were the words before that?

HUSBAND: How should I know? I'm not learning the thing to recite
somewhere, am I?

WIFE: Well, it's very funny that you didn't notice when I read the last
sentence backwards. And if you weren't asleep what were you doing with
your eyes closed?

HUSBAND: I got smoke in them and was resting them for a minute. Haven't
I got a right to rest my eyes a minute?

WIFE: I suppose it rests your eyes to breathe through your mouth and
hold your head way over on one side.

HUSBAND: Yes it does, and wha'd'yer think of _that_?

[Illustration: "If you weren't asleep what were you doing with your eyes
closed?"]

WIFE: Go on and read your newspaper. That's just about your mental
speed.

HUSBAND: I'm perfectly willing to read books in this set if you'd pick
any decent ones.

WIFE: Yes, you are.

HUSBAND: Wha'd'yer mean "Yes you are"?

WIFE: Just what I said.

(_This goes on for ten minutes and then husband draws a revolver and
kills his wife_.)




XXVI

WHEN NOT IN ROME, WHY DO AS THE ROMANS DID?


There is a growing sentiment among sign painters that when a sign or
notice is to be put up in a public place it should be written in
characters that are at least legible, so that, to quote "The Manchester
Guardian" (as every one seems to do) "He who runs may read."

This does not strike one as being an unseemly pandering to popular
favor. The supposition is that the sign is put there to be read,
otherwise it would have been turned over to an inmate of the Odd Fellows
Home to be engraved on the head of a pin. And what could be a more fair
requirement than that it should be readable?

Advertising, with its billboard message of rustless screens and
co-educational turkish-baths, has done much to further the good cause,
and a glance through the files of newspapers of seventy-five years ago,
when the big news story of the day was played up in diamond type easily
deciphered in a strong light with the naked eye, shows that news
printing has not, to use a slang phrase, stood still.

But in the midst of this uniform progress we find a stagnant spot.
Surrounded by legends that are patent and easy to read and understand,
we find the stone-cutter and the architect still putting up tablets and
cornerstones, monuments and cornices, with dates disguised in Roman
numerals. It is as if it were a game, in which they were saying, "The
number we are thinking of is even; it begins with M; it has five digits
and when they are spread out, end to end, they occupy three feet of
space. You have until we count to one hundred to guess what it is."

Roman numerals are all right for a rainy Sunday afternoon or to take a
convalescent's mind from his illness, but to put them in a public place,
where the reader stands a good chance of being run over by a dray if he
spends more than fifty seconds in their perusal, is not in keeping with
the efficiency of the age. If for no other reason than the extra space
they take, involving more marble, more of the cutter's time and wear and
tear on his instruments, not to mention the big overhead, you would
think that Roman numerals would have been abolished long ago.

Of course, they can be figured out if you're good at that sort of
thing. By working on your cuff and backs of envelopes, you can translate
them in no time at all compared to the time taken by a cocoon to change
into a butterfly, for instance. All you have to do is remember that "M"
stands for either "_millium_," meaning thousand, or for "million." By
referring to the context you can tell which is more probable. If, for
example, it is a date, you can tell right away that it doesn't mean
"million," for there isn't any "million" in our dates. And there is
one-seventh or eighth of your number deciphered already. Then "C," of
course, stands for "_centum_," which you can translate by working
backwards at it, taking such a word as "century" or "per cent," and
looking up what they come from, and there you have it! By this time it
is hardly the middle of the afternoon, and all you have before you is a
combination of X's, I's and an L, the latter standing for "Elevated
Railway," and "Licorice," or, if you cross it with two little horizontal
lines, it stands for the English pound, which is equivalent to about
four dollars and eighty-odd cents in real money. Simple as sawing
through a log.

But it takes time. That's the big trouble with it. You can't do the
right thing by the office and go in for Roman numerals, too. And since
most of the people who pass such inscriptions are dependent on their
own earnings, why not cater to them a bit and let them in on the secret?

Probably the only reason that the people haven't risen up and demanded a
reform along these lines is because so few of them really give a hang
what the inscription says. If the American Antiquarian Turn-Verein
doesn't care about stating in understandable figures the date on which
the cornerstone of their building was laid, the average citizen is
perfectly willing to let the matter drop right there.

But it would never do to revert to Roman numerals in, say, the
arrangement of time-tables. How long would the commuter stand it if he
had to mumble to himself for twenty minutes and use up the margins of
his newspaper before he could figure out what was the next train after
the 5:18? Or this, over the telephone between wife and husband:

"Hello, dear! I think I'll come in town for lunch. What trains can I
get?"

"Just a minute--I'll look them up. Hold the wire.... Let's see, here's
one at XII:LVIII, that's twelve, and L is a thousand and V is five and
three I's are three; that makes 12:one thousand.... that can't be
right.... now XII certainly is twelve, and L ... what does L stand
for?... I say; what--does--L--stand--for?... Well, ask Heima.... What
does she say?... Fifty?... Sure, that makes it come out all right....
12:58.... What time is it now?... 1 o'clock?... Well, the next one
leaves Oakam at I:XLIV.... that's ..." etc.

Batting averages and the standing of teams in the leagues are another
department where the introduction of Roman numerals would be suicide for
the political party in power at the time. For of all things that are
essential to the day's work of the voter, an early enlightenment in the
matter of the home team's standing and the numerical progress of the
favorite batsman are of primary importance. This information has to be
gleaned on the way to work in the morning, and, except for those who
come in to work each day from North Philadelphia or the Croton
Reservoir, it would be a physical impossibility to figure the tables out
and get any of the day's news besides.

                             CLVB BATTING RECORDS
--------------------------------------------------------------------------
            Games    At Bat       Runs      B.H.     S.B.   S.H.   Aver.

Detroit      CLII  MMMMMXXCIX    DCLIII  MCCCXXXIII CLXVIII CC    CCLXII
Chicago      CLI   MMMMCMXL      DLXXI   MCCXLVI    CLXXIX  CCXXI CCLII
Cleveland    CLII  MMMMCMXXXVII  DCXIX   MCCXXXI    CL      CCXXI CCXLIX
Boston       CLI   MMMMDCCCLXXIV DXXXIV  MCXCI      CXXXVI  CCXXV CCXLV
New York     CL    MMMMCMLXXXVII DLIV    MCCXXX     CLXXV   CLXV  CXLVII
Washington   CLIII MMMMCMXXVIII  DV      MCXC       CLXIII  CLXV  CCXDI
St. Louis    CLV   MMMMMLXV      DLXXIV  MCCXXI     CCVII   CLXII CCXLI
Philadelphia CXLIX MMMMDCCCXXVI  CCCCXVI MCXLIII    CXLIII  CLV   CCXXXVII

                  YOU CAN'T DO RIGHT BY THE OFFICE AND GO IN FOR
                               ROMAN NUMERALS TOO.

On matters such as these the proletariat would have protested the Roman
numeral long ago. If they are willing to let its reactionary use on
tablets and monuments stand it is because of their indifference to
influences which do not directly affect their pocketbooks. But if it
could be put up to them in a powerful cartoon, showing the Architect and
the Stone-Cutter dressed in frock coats and silk hats, with their
pockets full of money, stepping on the Common People so that he cannot
see what is written on the tablet behind them, then perhaps the public
would realize how they are being imposed on.

For that there is an organized movement among architects and
stone-cutters to keep these things from the citizenry there can no
longer be any doubt. It is not only a matter of the Roman numerals. How
about the use of the "V" when "U" should be used? You will always see it
in inscriptions. "SVMNER BVILDING" is one of the least offensive.
Perhaps the excuse is that "V" is more adapted to stone-lettering. Then
why not carry this principle out further? Why not use the letter H when
S is meant? Or substitute K for B? If the idea is to deceive, and to
make it easier for the stone-cutter, a pleasing effect could be got from
the inscription, "Erected in 1897 by the Society of Arts and Grafts",
by making it read: "EKEATEW IZ MXIXLXIXLXXII LY THE XNLIEZY OF AEXA ZNL
ELAFTX." There you have letters that are all adapted to stone-cutting;
they look well together, and they are, in toto, as intelligible as most
inscriptions.




XXVII

THE TOOTH, THE WHOLE TOOTH, AND NOTHING BUT THE TOOTH


Some well-known saying (it doesn't make much difference what) is proved
by the fact that everyone likes to talk about his experiences at the
dentist's. For years and years little articles like this have been
written on the subject, little jokes like some that I shall presently
make have been made, and people in general have been telling other
people just what emotions they experience when they crawl into the old
red plush guillotine.

They like to explain to each other how they feel when the dentist puts
"that buzzer thing" against their bicuspids, and, if sufficiently
pressed, they will describe their sensations on mouthing a rubber dam.

"I'll tell you what I hate," they will say with great relish, "when he
takes that little nut-pick and begins to scrape. Ugh!"

"Oh, I'll tell you what's worse than that," says the friend, not to be
outdone, "when he is poking around careless-like, and strikes a nerve.
Wow!"

And if there are more than two people at the experience-meeting,
everyone will chip in and tell what he or she considers to be the worst
phase of the dentist's work, all present enjoying the narration hugely
and none so much as the narrator who has suffered so.

This sort of thing has been going on ever since the first mammoth gold
tooth was hung out as a bait to folks in search of a good time. (By the
way, when _did_ the present obnoxious system of dentistry begin? It
can't be so very long ago that the electric auger was invented, and
where would a dentist be without an electric auger? Yet you never hear
of Amalgam Filling Day, or any other anniversary in the dental year).
There must be a conspiracy of silence on the part of the trade to keep
hidden the names of the men who are responsible for all this.

However many years it may be that dentists have been plying their trade,
in all that time people have never tired of talking about their teeth.
This is probably due to the inscrutable workings of Nature who is always
supplying new teeth to talk about.

As a matter of fact, the actual time and suffering in the chair is only
a fraction of the gross expenditure connected with the affair. The
preliminary period, about which nobody talks, is much the worse. This
dates from the discovery of the wayward tooth and extends to the moment
when the dentist places his foot on the automatic hoist which jacks you
up into range. Giving gas for tooth-extraction is all very humane in its
way, but the time for anaesthetics is when the patient first decides
that he must go to the dentist. From then on, until the first excavation
is started, should be shrouded in oblivion.

There is probably no moment more appalling than that in which the
tongue, running idly over the teeth in a moment of care-free play, comes
suddenly upon the ragged edge of a space from which the old familiar
filling has disappeared. The world stops and you look meditatively up to
the corner of the ceiling. Then quickly you draw your tongue away, and
try to laugh the affair off, saying to yourself:

"Stuff and nonsense, my good fellow! There is nothing the matter with
your tooth. Your nerves are upset after a hard day's work, that's all."

Having decided this to your satisfaction, you slyly, and with a poor
attempt at being casual, slide the tongue back along the line of
adjacent teeth, hoping against hope that it will reach the end without
mishap.

But there it is! There can be no doubt about it this time. The tooth
simply has got to be filled by someone, and the only person who can
fill it with anything permanent is a dentist. You wonder if you might
not be able to patch it up yourself for the time being,--a year or
so--perhaps with a little spruce-gum and a coating of new-skin. It is
fairly far back, and wouldn't have to be a very sightly job.

But this has an impracticable sound, even to you. You might want to eat
some peanut-brittle (you never can tell when someone might offer you
peanut-brittle these days), and the new-skin, while serviceable enough
in the case of cream soups and custards, couldn't be expected to stand
up under heavy crunching.

So you admit that, since the thing has got to be filled, it might as
well be a dentist who does the job.

This much decided, all that is necessary is to call him up and make an
appointment.

Let us say that this resolve is made on Tuesday. That afternoon you
start to look up the dentist's number in the telephone-book. A great
wave of relief sweeps over you when you discover that it isn't there.
How can you be expected to make an appointment with a man who hasn't got
a telephone? And how can you have a tooth filled without making an
appointment? The whole thing is impossible, and that's all there is to
it. God knows you did your best.

On Wednesday there is a slightly more insistent twinge, owing to bad
management of a sip of ice water. You decide that you simply must get in
touch with that dentist when you get back from lunch. But you know how
those things are. First one thing and then another came up, and a man
came in from Providence who had to be shown around the office, and by
the time you had a minute to yourself it was five o'clock. And, anyway,
the tooth didn't bother you again. You wouldn't be surprised if, by
being careful, you could get along with it as it is until the end of the
week when you will have more time. A man has to think of his business,
after all, and what is a little personal discomfort in the shape of an
unfilled tooth to the satisfaction of work well done in the office?

By Saturday morning you are fairly reconciled to going ahead, but it is
only a half day and probably he has no appointments left, anyway. Monday
is really the time. You can begin the week afresh. After all, Monday is
really the logical day to start in going to the dentist.

Bright and early Monday morning you make another try at the
telephone-book, and find, to your horror, that some time between now and
last Tuesday the dentist's name and number have been inserted into the
directory. There it is. There is no getting around it: "Burgess, Jas.
Kendal, DDS.... Courtland--2654". There is really nothing left to do but
to call him up. Fortunately the line is busy, which gives you a
perfectly good excuse for putting it over until Tuesday. But on Tuesday
luck is against you and you get a clear connection with the doctor
himself. An appointment is arranged for Thursday afternoon at 3:30.

Thursday afternoon, and here it is only Tuesday morning! Almost anything
may happen between now and then. We might declare war on Mexico, and off
you'd have to go, dentist appointment or no dentist appointment. Surely
a man couldn't let a date to have a tooth filled stand in the way of his
doing his duty to his country. Or the social revolution might start on
Wednesday, and by Thursday the whole town might be in ashes. You can
picture yourself standing, Thursday afternoon at 3.30 on the ruins of
the City Hall, fighting off marauding bands of reds, and saying to
yourself, with a sigh of relief: "Only to think! At this time I was to
have been climbing into the dentist's chair!" You never can tell when
your luck will turn in a thing like that.

But Wednesday goes by and nothing happens. And Thursday morning dawns
without even a word from the dentist saying that he has been called
suddenly out of town to lecture before the Incisor Club. Apparently,
everything is working against you.

By this time, your tongue has taken up a permanent resting-place in the
vacant tooth, and is causing you to talk indistinctly and incoherently.
Somehow you feel that if the dentist opens your mouth and finds the tip
of your tongue in the tooth, he will be deceived and go away without
doing anything.

The only thing left is for you to call him up and say that you have just
killed a man and are being arrested and can't possibly keep your
appointment. But any dentist would see through that. He would laugh
right into his transmitter at you. There is probably no excuse which it
would be possible to invent which a dentist has not already heard eighty
or ninety times. No, you might as well see the thing through now.

Luncheon is a ghastly rite. The whole left side of your jaw has suddenly
developed an acute sensitiveness and the disaffection has spread to the
four teeth on either side of the original one. You doubt if it will be
possible for him to touch it at all. Perhaps all he intends to do this
time is to look at it anyway. You might even suggest that to him. You
could very easily come in again soon and have him do the actual work.

Three-thirty draws near. A horrible time of day at best. Just when a
man's vitality is lowest. Before stepping in out of the sunlight into
the building in which the dental parlor is, you take one look about you
at the happy people scurrying by in the street. Carefree children that
they are! What do they know of Life? Probably that man in the
silly-looking hat never had trouble with so much as his baby-teeth.
There they go, pushing and jostling each other, just as if within ten
feet of them there was not a man who stands on the brink of the Great
Misadventure. Ah well! Life is like that!

Into the elevator. The last hope is gone. The door clangs and you look
hopelessly about you at the stupid faces of your fellow passengers. How
can people be so clownish? Of course, there is always the chance that
the elevator will fall and that you will all be terribly hurt. But that
is too much to expect. You dismiss it from your thoughts as too
impractical, too visionary. Things don't work out as happily as that in
real life.

You feel a certain glow of heroic pride when you tell the operator the
right floor number. You might just as easily have told him a floor too
high or too low, and that would, at least, have caused delay. But after
all, a man must prove himself a man and the least you can do is to meet
Fate with an unflinching eye and give the right floor number.

Too often has the scene in the dentist's waiting-room been described for
me to try to do it again here. They are all alike. The antiseptic smell,
the ominous hum from the operating-rooms, the 1921 "Literary Digests,"
and the silent, sullen, group of waiting patients, each trying to look
unconcerned and cordially disliking everyone else in the room,--all
these have been sung by poets of far greater lyric powers than mine.
(Not that I really think that they _are_ greater than mine, but that's
the customary form of excuse for not writing something you haven't got
time or space to do. As a matter of fact, I think I could do it much
better than it has ever been done before).

I can only say that, as you sit looking, with unseeing eyes, through a
large book entitled, "The Great War in Pictures," you would gladly
change places with the most lowly of God's creatures. It is
inconceivable that there should be anyone worse off than you, unless
perhaps it is some of the poor wretches who are waiting with you.

That one over in the arm-chair, nervously tearing to shreds a copy of
"The Dental Review and Practical Inlay Worker." She may have something
frightful the trouble with her. She couldn't possibly look more worried.
Perhaps it is very, very painful. This thought cheers you up
considerably. What cowards women are in times like these!

And then there comes the sound of voices from the next room.

"All right, Doctor, and if it gives me any more pain shall I call you
up?... Do you think that it will bleed much more?... Saturday morning,
then, at eleven.... Good bye, Doctor."

And a middle-aged woman emerges (all women are middle-aged when emerging
from the dentist's office) looking as if she were playing the big
emotional scene in "John Ferguson." A wisp of hair waves dissolutely
across her forehead between her eyes. Her face is pale, except for a
slight inflammation at the corners of her mouth, and in her eyes is that
far-away look of one who has been face to face with Life. But she is
through. She should care how she looks.

[Illustration: You would gladly change places with the most lawless of
God's creatures.]

The nurse appears, and looks inquiringly at each one in the room. Each
one in the room evades the nurse's glance in one last, futile attempt to
fool someone and get away without seeing the dentist. But she spots you
and nods pleasantly. God, how pleasantly she nods! There ought to be a
law against people being as pleasant as that.

"The doctor will see you now," she says.

The English language may hold a more disagreeable combination of words
than "The doctor will see you now." I am willing to concede something to
the phrase "Have you anything to say before the current is turned on."
That may be worse for the moment, but it doesn't last so long. For
continued, unmitigating depression, I know nothing to equal "The doctor
will see you now." But I'm not narrow-minded about it. I'm willing to
consider other possibilities.

Smiling feebly, you trip over the extended feet of the man next to you,
and stagger into the delivery-room, where, amid a ghastly array of
death-masks of teeth, blue flames waving eerily from Bunsen burners, and
the drowning sound of perpetually running water which chokes and gurgles
at intervals, you sink into the chair and close your eyes.

       *       *       *       *       *

But now let us consider the spiritual exaltation that comes when you are
at last let down and turned loose. It is all over, and what did it
amount to? Why, nothing at all. A-ha-ha-ha-ha-ha! Nothing at all.

You suddenly develop a particular friendship for the dentist. A splendid
fellow, really. You ask him questions about his instruments. What does
he use this thing for, for instance? Well, well, to think, of a little
thing like that making all that trouble. A-ha-ha-ha-ha-ha!... And the
dentist's family, how are they? Isn't that fine!

Gaily you shake hands with him and straighten your tie. Forgotten is the
fact that you have another appointment with him for Monday. There is no
such thing as Monday. You are through for today, and all's right with
the world.

As you pass out through the waiting-room, you leer at the others
unpleasantly. The poor fishes! Why can't they take their medicine like
grown people and not sit there moping as if they were going to be shot?

Heigh-ho! Here's the elevator-man! A charming fellow! You wonder if he
knows that you have just had a tooth filled. You feel tempted to tell
him and slap him on the back. You feel tempted to tell everyone out in
the bright, cheery street. And what a wonderful street it is too! All
full of nice, black snow and water. After all, Life is sweet!

And then you go and find the first person whom you can accost without
being arrested and explain to him just what it was that the dentist did
to you, and how you felt, and what you have got to have done next time.

Which brings us right back to where we were in the beginning, and
perhaps accounts for everyone's liking to divulge their dental secrets
to others. It may be a sort of hysterical relief that, for the time
being, it is all over with.




XXVIII

MALIGNANT MIRRORS


As a rule, I try not to look into mirrors any more than is absolutely
necessary. Things are depressing enough as they are without my going out
of my way to make myself miserable.

But every once in a while it is unavoidable. There are certain mirrors
in town with which I am brought face to face on occasion and there is
nothing to do but make the best of it. I have come to classify them
according to the harshness with which they fling the truth into my face.

I am unquestionably at my worst in the mirror before which I try on
hats. I may have been going along all winter thinking of other things,
dwelling on what people tell me is really a splendid spiritual side to
my nature, thinking of myself as rather a fine sort of person, not
dashing perhaps, but one from whose countenance shines a great light of
honesty and courage which is even more to be desired than physical
beauty. I rather imagine that little children on the street and grizzled
Supreme Court justices out for a walk turn as I pass and say "A fine
face. Plain, but fine."

Then I go in to buy a hat. The mirror in the hat store is triplicate, so
that you see yourself not only head-on but from each side. The
appearance that I present to myself in this mirror is that of three
police-department photographs showing all possible approaches to the
face of Harry DuChamps, alias Harry Duval, alias Harry Duffy, wanted in
Rochester for the murder of Nettie Lubitch, age 5. All that is missing
is the longitudinal scar across the right cheek.

I have never seen a meaner face than mine is in the hat-store mirror. I
could stand its not being handsome. I could even stand looking weak in
an attractive, man-about-town sort of way. But in the right hand mirror
there confronts me a hang-dog face, the face of a yellow craven, while
at the left leers an even more repulsive type, sensual and cruel.

Furthermore, even though I have had a hair-cut that very day, there is
an unkempt fringe showing over my collar in back and the collar itself,
(a Wimpet, 14-1/2, which looked so well on the young man in the
car-card) seems to be something that would be worn by a Maine guide when
he goes into Portland for the day. My suit needs pressing and there is
a general air of its having been given to me, with ten dollars, by the
State on my departure from Sing Sing the day before.

But for an unfavorable full-length view, nothing can compare with the
one that I get of myself as I pass the shoe-store on the corner. They
have a mirror in the window, so set that it catches the reflection of
people as they step up on the curb. When there are other forms in the
picture it is not always easy to identify yourself at first, especially
at a distance, and every morning on my way to work, unless I
deliberately avert my face, I am mortified to discover that the
unpleasant-looking man, with the rather effeminate, swinging gait, whom
I see mincing along through the crowd, is none other than myself.

[Illustration: I am mortified to discover that the unpleasant looking
man is none other than myself.]

The only good mirror in the list is the one in the elevator of my
clothing-store. There is a subdued light in the car, a sort of golden
glow which softens and idealizes, and the mirror shows only a two-thirds
length, making it impossible to see how badly the cuffs on my trousers
bag over the tops of my shoes. Here I become myself again. I have even
thought that I might be handsome if I paid as much attention to my looks
as some men do. In this mirror, my clothes look (for the last time) as
similar clothes look on well-dressed men. A hat which is in every
respect perfect when seen here, immediately becomes a senatorial
sombrero when I step out into the street, but for the brief space of
time while I am in that elevator, I am the _distingue_, clean-cut,
splendid figure of a man that the original blue-prints called for. I
wonder if it takes much experience to run an elevator, for if it
doesn't, I would like to make my life-work running that car with the
magic mirror.




XXIX

THE POWER OF THE PRESS


The Police Commissioner of New York City explains the wave of crime in
that city by blaming the newspapers. The newspapers, he says, are
constantly printing accounts of robberies and murders, and these
accounts simply encourage other criminals to come to New York and do the
same. If the papers would stop giving all this publicity to crime, the
crooks might forget that there was such a thing. As it is, they read
about it in their newspapers every morning, and sooner or later have to
go out and try it for themselves.

This is a terrible thought, but suggests a convenient alibi for other
errant citizens. Thus we may read the following NEWS NOTES:

Benjamin W. Gleam, age forty-two, of 1946 Ruby Avenue, The Bronx, was
arrested last night for appearing in the Late Byzantine Room of the
Museum of Fine Arts clad only in a suit of medium-weight underwear. When
questioned Gleam said that he had seen so many pictures in the newspaper
advertisements of respectable men and women going about in their
underwear, drinking tea, jumping hurdles and holding family reunions,
that he simply couldn't stand it any longer, and had to try it for
himself. "The newspapers did it," he is quoted as saying.

Mrs. Leonia M. Eggcup, who was arrested yesterday on the charge of
bigamy, issued a statement today through her attorneys, Wine, Women and
Song.

"I am charged with having eleven husbands, all living in various parts
of the United States," reads the statement. "This charge is correct. But
before I pay the extreme penalty, I want to have the public understand
that I am not to blame. It is the fault of the press of this country.
Day after day I read the list of marriages in my morning paper. Day
after day I saw people after people getting married. Finally the thing
got into my blood, and although I was married at the time, I felt that I
simply had to be married again. Then, no sooner would I become settled
in my new home, than the constant incitement to further matrimonial
ventures would come through the columns of the daily press. I fell, it
is true, but if there is any justice in this land, it will be the
newspapers and not I who will suffer."




XXX

HOME FOR THE HOLIDAYS


As a pretty tribute to that element of our population which is under
twenty-two years of age, these are called "the Holidays."

This is the only chance that the janitors of the schools and colleges
have to soak the floors of the recitation halls with oil to catch the
dust of the next semester, and while this is being done there is nothing
to do with the students but to send them home for a week or two. Thus it
happened that the term "holidays" is applied to that period of the year
when everybody else is working just twice as hard and twice as long
during the week to make up for that precious day which must be lost to
the Sales Campaign or the Record Output on Christmas Day.

For those who are home from school and college it is called, in the
catalogues of their institutions, a "recess" or "vacation," and the
general impression is allowed to get abroad among the parents that it is
to be a period of rest and recuperation. Arthur and Alice have been
working so hard at school or college that two weeks of good quiet
home-life and home cooking will put them right on their feet again,
ready to pitch into that chemistry course in which, owing to an
incompetent instructor, they did not do very well last term.

That the theory of rest during vacation is fallacious can be proved by
hiding in the coat closet of the home of any college or school youth
home for Christmas recess. Admission to the coat closet may be forced by
making yourself out to be a government official or an inspector of gas
meters. Once hidden among the overshoes, you will overhear the following
little earnest drama, entitled "Home for the Holidays."

There was a banging of the front door, and Edgar has arrived. A round of
kisses, an exchange of health reports, and Edgar is bounding upstairs.

"Dinner in half an hour," says Mother.

"Sorry," shouts Edgar from the bath-tub, "but I've got to go out to the
Whortleberry's to a dinner dance. Got the bid last week. Say, have I got
any dress-studs at home here? Mine are in my trunk."

Father's studs are requisitioned and the family cluster at Edgar's door
to slide in a few conversational phrases while he is getting the best of
his dress shirt.

"How have you been?" (Three guesses as to who it is that asks this.)

"Oh, all right. Say, have I got any pumps at home? Mine are in the
trunk. Where are those old ones I had last summer?"

"Don't you want me to tie your tie for you?" (Two guesses as to who it
is that asks this.)

"No, thanks. Can I get my laundry done by tomorrow night? I've got to go
out to the Clamps' at Short Neck for over the week-end to a bob-sledding
party, and when I get back from there Mrs. Dibble is giving a dinner and
theatre party."

"Don't you want to eat a little dinner here before you go to the
Whortleberry's?" (One guess as to who it is that asks this.)

But Edgar has bounded down the stairs and left the Family to comfort
each other with such observations as "He looks tired," "I think that he
has filled out a little," or "I wonder if he's studying too hard."

You might stay in the coat-closet for the entire two weeks and not hear
much more of Edgar than this. His parents don't. They catch him as he is
going up and down stairs and while he is putting the studs into his
shirt, and are thankful for that. They really get into closer touch with
him while he is at college, for he writes them a weekly letter then.

Nerve-racking as this sort of life is to the youth who is supposed to
be resting during his vacation, it might be even more wearing if he were
to stay within the Family precincts. Once in a while one of the parties
for which he has been signed up falls through, and he is forced to spend
the evening at home. At first it is somewhat embarrassing to be thrown
in with strangers for a meal like that, but, as the evening wears on,
the ice is broken and things assume a more easy swing. The Family begins
to make remarks.

"You must stand up straighter, my boy," says Father, placing his hand
between Edgar's shoulder-blades. "You are slouching badly. I noticed it
as you walked down the street this morning."

"Do all the boys wear soft-collared shirts like that?" asks Mother.
"Personally, I think that they look very untidy. They are all right for
tennis and things like that, but I wish you'd put on a starched collar
when you are in the house. You never see Elmer Quiggly wearing a collar
like that. He always looks neat."

"For heaven's sake, Eddie," says Sister, "take off that tie. You
certainly do get the most terrific-looking things to put around your
neck. It looks like a Masonic apron. Let me go with you when you buy
your next batch."

By this time Edgar has his back against the wall and is breathing hard.
What do these folks know of what is being done?

If it is not family heckling it may be that even more insidious trial,
the third degree. This is usually inflicted by semi-relatives and
neighbors. The formulae are something like this:

"Well, how do you like your school?"

"I suppose you have plenty of time for pranks, eh?"

"What a good time you boys must have! It isn't so much what you get out
of books that will help you in after life, I have found, but the
friendships made in college. Meeting so many boys from all parts of the
country--why, it's a liberal education in itself."

"What was the matter with the football team this season?"

"Let's see, how many more years have you? What, only one more! Well,
well, and I can remember you when you were that high, and used to come
over to my house wearing a little green dress, with big mother-of-pearl
buttons. You certainly were a cute little boy, and used to call our cook
'Sna-sna.' And here you are, almost a senior."

[Illustration: "I can remember you when you were that high."]

"Oh, are you 1924? I wonder if you know a fellow
named--er--Mellish--Spencer Mellish? I met him at the beach last summer.
I am pretty sure that he is in your class--well, no, maybe it was
1918."

After an hour or two of this Edgar is willing to go back to college and
take an extra course in Blacksmithing, Chipping and Filing, given during
the Christmas vacation, rather than run the risk of getting caught
again. And, whichever way you look at it, whether he spends his time
getting into and out of his evening clothes, or goes crazy answering
questions and defending his mode of dress, it all adds up to the same in
the end--fatigue and depletion and what the doctor would call "a general
run-down nervous condition."

       *       *       *       *       *

The younger you are the more frayed you get. Little Wilbur comes home
from school, where he has been put to bed at 8:30 every night with the
rest of the fifth form boys: and has had to brush his hair in the
presence of the head-master's wife, and dives into what might be called
a veritable maelstrom of activity. From a diet of cereal and
fruit-whips, he is turned loose in the butler's pantry among the
maraschino cherries and given a free rein at the various children's
parties, where individual pound-cake Santas and brandied walnuts are
followed by an afternoon at "Treasure Island," with the result that he
comes home and insists on tipping every one in the family the black
spot and breaks the cheval glass when he is denied going to the six-day
bicycle race at two in the morning.

       *       *       *       *       *

Little girls do practically the same, and, if they are over fourteen, go
back to school with the added burden of an _affaire de coeur_ contracted
during the recess. In general, it takes about a month or two of good,
hard schooling and overstudy to put the child back on its feet after the
Christmas rest at home.

       *       *       *       *       *

Which leads us to the conclusion that our educational system is all
wrong. It is obvious that the child should be kept at home for eight
months out of the year and sent to school for the vacations.




XXXI

HOW TO UNDERSTAND INTERNATIONAL FINANCE


It is high time that someone came out with a clear statement of the
international financial situation. For weeks and weeks officials have
been rushing about holding conferences and councils and having their
pictures taken going up and down the steps of buildings. Then, after
each conference, the newspapers have printed a lot of figures showing
the latest returns on how much Germany owes the bank. And none of it
means anything.

Now there is a certain principle which has to be followed in all
financial discussions involving sums over one hundred dollars. There is
probably not more than one hundred dollars in actual cash in circulation
today. That is, if you were to call in all the bills and silver and gold
in the country at noon tomorrow and pile them up on the table, you would
find that you had just about one hundred dollars, with perhaps several
Canadian pennies and a few peppermint life-savers. All the rest of the
money you hear about doesn't exist. It is conversation-money. When you
hear of a transaction involving $50,000,000 it means that one firm wrote
"50,000,000" on a piece of paper and gave it to another firm, and the
other firm took it home and said "Look, Momma, I got $50,000,000!" But
when Momma asked for a dollar and a quarter out of it to pay the man who
washed the windows, the answer probably was that the firm hadn't got
more than seventy cents in cash.

This is the principle of finance. So long as you can pronounce any
number above a thousand, you have got that much money. You can't work
this scheme with the shoe-store man or the restaurant-owner, but it goes
big on Wall St. or in international financial circles.

This much understood, we see that when the Allies demand 132,000,000,000
gold marks from Germany they know very well that nobody in Germany has
ever seen 132,000,000,000 gold marks and never will. A more surprised
and disappointed lot of boys you couldn't ask to see than the Supreme
Financial Council would be if Germany were actually to send them a
money-order for the full amount demanded.

What they mean is that, taken all in all, Germany owes the world
132,000,000,000 gold marks plus carfare. This includes everything,
breakage, meals sent to room, good will, everything. Now, it is
understood that if they really meant this, Germany couldn't even draw
cards; so the principle on which the thing is figured out is as follows:
(Watch this closely; there is a trick in it).

You put down a lot of figures, like this. Any figures will do, so long
as you can't read them quickly:

132,000,000,000 gold marks

$33,000,000,000 on a current value basis

$21,000,000,000 on reparation account plus 12-1/2% yearly tax on German
exports

11,000,000,000 gold fish

$1.35 amusement tax

866,000 miles. Diameter of the sun

2,000,000,000

27,000,000,000

31,000,000,000

Then you add them together and subtract the number you first thought of.
This leaves 11. And the card you hold in your hand is the seven of
diamonds. Am I right?




XXXII

'TWAS THE NIGHT BEFORE SUMMER

(_An Imaginary Watch-Night with the Weather Man_)


It was 11 o'clock on the night of June 20. We were seated in the office
of the Weather Bureau on the twenty-ninth floor of the Whitehall
Building, the Weather Man and I, and we were waiting for summer to come.
It was officially due on June 21. We had the almanac's word for it and
years and years of precedent, but still the Weather Man was skeptical.

It had been a hard spring for the Weather Man. Day after day he had been
forced to run a signed statement in the daily papers to the effect that
some time during that day there would probably be showers. And day after
day, with a ghastly consistency, his prophecy had come true. People had
come to dislike him personally; old jokes about him were brought out and
oiled and given a trial spin down the road a piece before appearing in
funny columns and vaudeville skits, and the sporting writers, frenzied
by the task of filling their space with nothing but tables of batting
averages, had become positively libellous.

And now summer was at hand, and with it the promise of the sun. The
Weather Man nibbled at his thumb nail. The clock on the wall said 11:15.

"It just couldn't go back on us now," he said, plaintively, "when it
means so much to us. It always _has_ come on the 21st."

There was not much that I could say. I didn't want to hold out any false
hope, for I am a child in arms in matters of astronomy, or whatever it
is that makes weather.

"I often remember hearing my father tell," I ventured, "how every year
on the 21st of June summer always used to come, rain or shine, until
they came to look for it on that date, and to count from then as the
beginning of the season. It seems as if"--

"I know," he interrupted, "but there have been so many upsetting things
during the past twelve months. We can't check up this year by any other
years. All we can do is wait and see."

A gust of wind from Jersey ran along the side of the building, shaking
at the windows. The Weather Man shuddered, and looked out of the corner
of his eye at the anemometer-register which stood on a table in the
middle of the room. It indicated whatever anemometers do indicate when
they want to register bad news. I considerately looked out at the
window.

"You've no idea," he said at last, in a low voice, "of how this last
rainy spell has affected my home life. For the first two or three days,
although I got dark looks from slight acquaintances, there was always a
cheery welcome waiting for me when I got home, and the Little Woman
would say, 'Never mind, Ray, it will soon be pleasant, and we all know
that it's not your fault, anyway.'

"But then, after a week had passed and there had been nothing but rain
and showers and rain, I began to notice a change. When I would swing in
at the gate she would meet me and say, in a far-away voice, 'Well, what
is it for to-morrow?' And I would have to say 'Probably cloudy, with
occasional showers and light easterly gales.' At which she would turn
away and bite her lip, and once I thought I saw her eye-lashes wet.

"Then, one night, the break came. It had started out to be a perfect
day, just such as one reads about, but along about noon it began to
cloud over and soon the rain poured down in rain-gauges-full.

[Illustration: She would turn away and bite her lip.]

"I was all discouraged, and as I wrote out the forecast for the papers,
'Rain to-morrow and Friday,' I felt like giving the whole thing up and
going back to Vermont to live.

"When I got home, Alice was there with her things on, waiting for me.

"'You needn't tell me what it's going to be to-morrow,' she sobbed. 'I
know. Every one knows. The whole world knows. I used to think that it
wasn't your fault, but when the children come home from school crying
because they have been plagued for being the Weather Man's children,
when every time I go out I know that the neighbors are talking behind my
back and saying "How does she stand it?" when every paper I read, every
bulletin I see, stares me in the face with great letters saying,
"Weather Man predicts more rain," or "Lynch the Weather Man and let the
baseball season go on," then I think it is time for us to come to an
understanding. I am going over to mother's until you can do better.'"

The Weather Man got up and went to the window. Out there over the
Battery there was a spot casting a sickly glow through the cloud-banks
which filled the sky.

"That's the moon up there behind the fog," he said, and laughed a bitter
cackle.

It was now 11:45. The thermograph was writing busily in red ink on the
little diagrammed cuff provided for that purpose, writing all about the
temperature. The Weather Man inspected the fine, jagged line as it
leaked out of the pen on the chart. Then he walked over to the window
again and stood looking out over the bay.

"You'd think that people would have a little gratitude," he said in a
low voice, "and not hit at a man who has done so much for them. If it
weren't for me where would the art of American conversation be to-day?
If there were no weather to talk about, how could there be any dinner
parties or church sociables or sidewalk chats?

"All I have to do is put out a real scorcher or a continued cold snap,
and I can drive off the boards the biggest news story that was ever
launched or draw the teeth out of the most delicate international
situation.

"I have saved more reputations and social functions than any other
influence in American life, and yet here, when the home office sends me
a rummy lot of weather, over which I have no control, everybody jumps on
me."

He pulled savagely at the window shade and pressed his nose against the
pane in silence for a while.

There was no sound but the ticking of the anemometer and the steady
scratching of the thermograph. I looked at the clock. 11:47.

Suddenly the telegraph over in the corner snapped like a bunch of
firecrackers. In a second the Weather Man was at its side, taking down
the message:

NEW ORLEANS, LA NHRUFKYOTLDMRELPWZWOTUDK HEAVY PRECIPITATION SOUTH
WESTERLY GALES LETTER FOLLOWS

NEW ORLEANS U S WEATHER BUREAU

"Poor fellow," muttered the Weather Man, who even in his own tense
excitement did not forget the troubles of his brother weather prophet in
New Orleans, "I know just how he feels. I hope he's not married."

He glanced at the clock. It was 11:56. In four minutes summer would be
due, and with summer a clearer sky, renewed friendships and a united
family for the Weather Man. If it failed him--I dreaded to think of what
might happen. It was twenty-nine floors to the pavement below, and I am
not a powerful man physically.

Together we sat at the table by the thermograph and watched the red line
draw mountain ranges along the 50 degree line. From our seats we could
look out over the Statue of Liberty and see the cloud-dimmed glow which
told of a censored moon. The Weather Man was making nervous little pokes
at his collar, as if it had a rough edge that was cutting his neck.

Suddenly he gripped the table. Somewhere a clock was beginning to strike
twelve. I shut my eyes and waited.

Ten-eleven-twelve!

"Look, Newspaper Man, look!" he shrieked and grabbed me by the tie.

I opened my eyes and looked at the thermograph. At the last stroke of
the clock the red line had given a little, final quaver on the 50 degree
line and then had shot up like a rocket until it struck 72 degrees and
lay there trembling and heaving like a runner after a race.

But it was not at this that the Weather Man was pointing. There, out in
the murky sky, the stroke of twelve had ripped apart the clouds and a
large, milk-fed moon was fairly crashing its way through, laying out a
straight-away course of silver cinders across the harbor, and in all
parts of the heavens stars were breaking out like a rash. In two minutes
it had become a balmy, languorous night. Summer had come!

I turned to the Weather Man. He was wiping the palms of his hands on his
hips and looking foolishly happy. I said nothing. There was nothing that
could be said.

Before we left the office he stopped to write out the prophecy for
Wednesday, June 21, the First Day of Summer. "Fair and warmer, with
slowly rising temperatur." His hand trembled so as he wrote that he
forgot the final "e". Then we went out and he turned toward his home.

On Wednesday, June 21, it rained.




XXXIII

WELCOME HOME--AND SHUT UP!


There are a few weeks which bid fair to be pretty trying ones in our
national life. They will mark the return to the city of thousands and
thousands of vacationists after two months or two weeks of feverish
recuperation and there is probably no more obnoxious class of citizen,
taken end for end, than the returning vacationist.

In the first place, they are all so offensively healthy. They come
crashing through the train-shed, all brown and peeling, as if their
health were something they had acquired through some particular credit
to themselves. If it were possible, some of them would wear their
sun-burned noses on their watch-chains, like Phi Beta Kappa keys.

They have got so used to going about all summer in bathing suits and
shirts open at the neck that they look like professional wrestlers in
stiff collars and seem to be on the point of bursting out at any minute.
And they always make a great deal of noise getting off the train.

"Where's Bessie?" they scream, "Ned, where's Bessie?... Have you got
the thermos bottles?... Well, here's the old station just as it was when
we left it (hysterical laughter).... Wallace, you simply must carry your
pail and shovel. Mamma can't carry _everything_, you know.... Mamma told
you that if you wanted to bring your pail and shovel home you would have
to carry it yourself, don't you remember Mamma told you that,
Wallace?... Wallace, listen!... Edna, have you got Bessie?... Harry's
gone after the trunks.... At least, he _said_ that was where he was
going.... Look, there's the Dexter Building, looking just the same. Big
as life and twice as natural.... I know, Wallace, Mamma's just as hot as
you are. But you don't hear Mamma crying do you?... I wonder where Bert
is.... He said he'd be down to meet us sure.... Here, give me that cape,
Lillian.... You're dragging it all over the ground.... _Here's Bert!...
Whoo-hoo, Bert_!... Here we are!... Spencer, there's Daddy!... Whoo-hoo,
Daddy!... Junior, wipe that gum off your shoe this minute.... _Where's
Bessie_?"

And so they go, all the way out into the street and the cab and home,
millions of them. It's terrible.

And when they get home things are just about as bad, except there aren't
so many people to see them. At the sight of eight Sunday and sixty-two
daily papers strewn over the front porch and lawn, there are loud
screams of imprecation at Daddy for having forgotten to order them
stopped. Daddy insists that he did order them stopped and that it is
that damn fool boy.

"I guess you weren't home much during July," says Mamma bitterly, "or
you would have noticed that something was wrong." (Daddy didn't join the
family until August.)

"There were no papers delivered during July," says Daddy very firmly and
quietly, "at least, I didn't see any." (Stepping on one dated July 19.)

The inside of the house resembles some place you might bet a man a
hundred dollars he daren't spend the night in. Dead men's feet seem to
be protruding from behind sofas and there is a damp smell as if the
rooms had been closed pending the arrival of the coroner.

Junior runs upstairs to see if his switching engine is where he left it
and comes falling down stairs panting with terror announcing that there
is Something in the guest-room. At that moment there is a sound of
someone leaving the house by the back door. Daddy is elected by popular
vote to go upstairs and see what has happened, although he insists that
he has to wait down stairs as the man with the trunks will be there at
any minute. After five minutes of cagey manoeuvering around in the hall
outside the guest-room door, he returns looking for Junior, saying that
it was simply a pile of things left on the bed covered with a sheet.
"Aha-ha-ha-ha-ha!"

Then comes the unpacking. It has been estimated that in the trunks of
returning vacationists, taking this section of the country as a whole,
the following articles will be pulled out during the next few weeks:

Sneakers, full of sand.

Bathing suits, still damp from the "one last swim."

Dead tennis balls.

Last month's magazines, bought for reading in the grove.

Shells and pretty stones picked up on the beach for decoration purposes,
for which there has suddenly become no use at all.

Horse-shoe crabs, salvaged by children who refused to leave them behind.

Lace scarfs and shawls, bought from itinerant Armenians.

Remnants of tubes formerly containing sunburn ointment, half-filled
bottles of citronella and white shoe-dressing.

White flannel trousers, ready for the cleaners.

Snap-shots, showing Ed and Mollie on the beach in their bathing suits.

Snap-shots which show nothing at all.

Faded flowers, dance-cards and assorted sentimental objects, calculated
to bring up tender memories of summer evenings.

Uncompleted knit-sweaters.

Then begins the tour of the neighborhood, comparing summer-vacation
experiences. To each returning vacationist it seems as if everyone in
town must be interested in what he or she did during the summer. They
stop perfect strangers on the streets and say: "Well, a week ago today
at this time we were all walking up to the Post-Office for the mail.
Right out in front of the Post-Office were the fish-houses and you ought
to have seen Billy one night leading a lobster home on a string. That
was the night we all went swimming by moon-light."

"Yeah?" says the stranger, and pushes his way past.

Then two people get together who have been to different places. Neither
wants to hear about the other's summer--and neither does. Both talk at
once and pull snap-shots out of their pockets.

"Here's where we used to take our lunch--"

"That's nothing. Steve had a friend up the lake who had a launch--"

"--and everyday there was something doing over at the Casino--"

"--and you ought to have seen Miriam, she was a sight--"

Pretty soon they come to blows trying to make each other listen. The
only trouble is they never quite kill each other. If only one could be
killed it would be a great help.

The next ban on immigration should be on returning vacationists. Have
government officials stationed in each city and keep everyone out who
won't give a bond to shut up and go right to work.




XXXIV

ANIMAL STORIES

_How Georgie Dog Gets the Rubbers on the Guest Room Bed_


Old Mother Nature gathered all her little pupils about her for the daily
lesson in "How the Animals Do the Things They Do." Every day Waldo
Lizard, Edna Elephant and Lawrence Walrus came to Mother Nature's
school, and there learned all about the useless feats performed by their
brother and sister animals.

"Today," said Mother Nature, "we shall find out how it is that Georgie
Dog manages to get the muddy rubbers from the hall closet, up the
stairs, and onto the nice white bedspread in the guest room. You must be
sure to listen carefully and pay strict attention to what Georgie Dog
says. Only, don't take too much of it seriously, for Georgie is an awful
liar."

And, sure enough, in came Georgie Dog, wagging his entire torso in a
paroxysm of camaradarie, although everyone knew that he had no use for
Waldo Lizard.

"Tell us, Georgie," said Mother Nature, "how do you do your clever work
of rubber-dragging? We would like so much to know. Wouldn't we,
children?"

"No, Mother Nature!" came the instant response from the children.

So Georgie Dog began.

"Well, I'll tell you; it's this way," he said, snapping at a fly. "You
have to be very niftig about it. First of all, I lie by the door of the
hall closet until I see a nice pair of muddy rubbers kicked into it."

"How muddy ought they to be?" asked Edna Elephant, although little
enough use she would have for the information.

"I am glad that you asked that question," replied Georgie. "Personally;
I like to have mud on them about the consistency of gurry--that is, not
too wet--because then it will all drip off on the way upstairs, and not
so dry that it scrapes off on the carpet. For we must save it all for
the bedspread, you know.

"As soon as the rubbers are safely in the hall closet, I make a great
deal of todo about going into the other room, in order to give the
impression that there is nothing interesting enough in the hall to keep
me there. A good, loud yawn helps to disarm any suspicion of undue
excitement. I sometimes even chew a bit of fringe on the sofa and take a
scolding for it--anything to draw attention from the rubbers. Then, when
everyone is at dinner, I sneak out and drag them forth."

"And how do you manage to take them both at once?" piped up Lawrence
Walrus.

"I am glad that you asked that question," said Georgie, "because I was
trying to avoid it. You can never guess what the answer is. It is very
difficult to take two at a time, and so we usually have to take one and
then go back and get the other. I had a cousin once who knew a grip
which could be worked on the backs of overshoes, by means of which he
could drag two at a time, but he was an exceptionally fine dragger. He
once took a pair of rubber boots from the barn into the front room,
where a wedding was taking place, and put them on the bride's train. Of
course, not one dog in a million could hope to do that.

"Once upstairs, it is quite easy getting them into the guest room,
unless the door happens to be shut. Then what do you think I do? I go
around through the bath-room window onto the roof, and walk around to
the sleeping porch, and climb down into the guest room that way. It is
a lot of trouble, but I think that you will agree with me that the
results are worth it.

"Climbing up on the bed with the rubbers in my mouth is difficult, but
it doesn't make any difference if some of the mud comes off on the side
of the bedspread. In fact, it all helps in the final effect. I usually
try to smear them around when I get them at last on the spread, and if I
can leave one of them on the pillow, I feel that it's a pretty fine
little old world, after all. This done, and I am off."

And Georgie Dog suddenly disappeared in official pursuit of an
automobile going eighty-five miles an hour.

"So now," said Mother Nature to her little pupils, "we have heard all
about Georgie Dog's work. To-morrow we may listen to Lillian Mosquito
tell how she makes her voice carry across a room."




ANIMAL STORIES


II

_How Lillian Mosquito Projects Her Voice_


All the children came crowding around Mother Nature one cold, raw
afternoon in summer, crying in unison:

"Oh, Mother Nature, you promised us that you would tell us how Lillian
Mosquito projects her voice! You promised that you would tell us how
Lillian Mosquito projects her voice!"

"So I did! So I did!" said Mother Nature, laying down an oak, the leaves
of which she was tipping with scarlet for the fall trade. "And so I
will! So I will!"

At which Waldo Lizard, Edna Elephant and Lawrence Walrus jumped with
imitation joy, for they had hoped to have an afternoon off.

Mother Nature led them across the fields to the piazza of a clubhouse on
which there was an exposed ankle belonging to one of the members. There,
as she had expected, they found Lillian Mosquito having tea.

"Lillian," called Mother Nature, "come off a minute. I have some little
friends here who would like to know how it is that you manage to hum in
such a manner as to give the impression of being just outside the ear
of a person in bed, when actually you are across the room."

"Will you kindly repeat the question?" said Lillian flying over to the
railing.

"We want to know," said Mother Nature, "how it is that very often, when
you have been fairly caught, it turns out that you have escaped without
injury."

"I would prefer to answer the question as it was first put," said
Lillian.

So Waldo Lizard, Edna Elephant and Lawrence Walrus, seeing that there
was no way out, cried:

"Yes, yes, Lillian, do tell us."

"First of all, you must know," began Lillian Mosquito, "that my chief
duty is to annoy. Whatever else I do, however many bites I total in the
course of the evening, I do not consider that I have 'made good' unless
I have caused a great deal of annoyance while doing it. A bite, quietly
executed and not discovered by the victim until morning, does me no
good. It is my duty, and my pleasure, to play with him before biting, as
you have often heard a cat plays with a mouse, tormenting him with
apprehension and making him struggle to defend himself.... If I am using
too long words for you, please stop me."

"Stop!" cried Waldo Lizard, reaching for his hat, with the idea of
possibly getting to the ball park by the fifth inning.

But he was prevented from leaving by kindly old Mother Nature, who
stepped on him with her kindly old heel, and Lillian Mosquito continued:

"I must therefore, you see, be able to use my little voice with great
skill. Of course, the first thing to do is to make my victim think that
I am nearer to him than I really am. To do this, I sit quite still, let
us say, on the footboard of the bed, and, beginning to hum in a very,
very low tone of voice, increase the volume and raise the pitch
gradually, thereby giving the effect of approaching the pillow.

"The man in bed thinks that he hears me coming toward his head, and I
can often see him, waiting with clenched teeth until he thinks that I am
near enough to swat. Sometimes I strike a quick little grace-note, as if
I were right above him and about to make a landing. It is great fun at
such times to see him suddenly strike himself over the ear (they always
think that I am right at their ear), and then feel carefully between his
finger tips to see if he has caught me. Then, too, there is always the
pleasure of thinking that perhaps he has hurt himself quite badly by the
blow. I have often known victims of mine to deafen themselves
permanently by jarring their eardrums in their wild attempts to catch
me."

"What fun! What fun!" cried Edna Elephant. "I must try it myself just as
soon as ever I get home."

"It is often a good plan to make believe that you have been caught after
one of the swats," continued Lillian Mosquito, "and to keep quiet for a
while. It makes him cocky. He thinks that he has demonstrated the
superiority of man over the rest of the animals. Then he rolls over and
starts to sleep. This is the time to begin work on him again. After he
has slapped himself all over the face and head, and after he has put on
the light and made a search of the room and then gone back to bed to
think up some new words, that is the time when I usually bring the
climax about.

"Gradually approaching him from the right, I hum loudly at his ear.
Then, suddenly becoming quiet, I fly silently and quickly around to his
neck. Just as he hits himself on the ear, I bite his neck and fly away.
And, _voila_, there you are!"

"How true that is!" said Mother Nature. "_Voila_, there we are!... Come,
children, let us go now, for we must be up bright and early to-morrow to
learn how Lois Hen scratches up the beets and Swiss chard in the
gentlemen's gardens."




XXXV

THE TARIFF UNMASKED


Let us get this tariff thing cleared up, once and for all. An
explanation is due the American people, and obviously this is the place
to make it.

Viewing the whole thing, schedule by schedule, we find it indefensible.
In Schedule A alone the list of necessities on which the tax is to be
raised includes Persian berries, extract of nutgalls and isinglass. Take
isinglass alone. With prices shooting up in this market, what is to
become of our picture post-cards? Where once for a nickel you could get
a picture of the Woolworth Building ablaze with lights with the sun
setting and the moon rising in the background, under the proposed tariff
it will easily set you back fifteen cents. This is all very well for the
rich who can get their picture post-cards at wholesale, but how are the
poor to get their art?

The only justifiable increase in this schedule is on "blues,
in pulp, dried, etc." If this will serve to reduce the amount
of "Those Lonesome-Onesome-Wonesome Blues" and "I've Got the
Left-All-Alone-in-The-Magazine-Reading-Room-of-the-Public-Library Blues"
with which our popular song market has been flooded for the past five
years, we could almost bring ourselves to vote for the entire tariff
bill as it stands.

_Schedule B_

Here we find a tremendous increase in the tax on grindstones.
Householders and travelers in general do not appreciate what this means.
It means that, next year, when you are returning from Europe, you will
have to pay a duty on those Dutch grindstones that you always bring back
to the cousins, a duty which will make the importation of more than
three prohibitive. This will lead to an orgy of grindstone smuggling,
making it necessary for hitherto respectable people to become
law-breakers by concealing grindstones about their clothing and in the
trays of their trunks. Think this over.

_Schedule C_

Right at the start of this list we find charcoal bars being boosted.
Have our children no rights? What is a train-ride with children without
Hershey's charcoal bars? Or gypsum? What more picturesque on a ride
through the country-side than a band of gypsum encamped by the road
with their bright colors and gay tambourine playing? Are these simple
folk to be kept out of this country simply because a Republican tariff
insists on raising the tax on gypsum?

_Schedule D_

A way to evade the injustice of this schedule is in the matter of marble
slabs. "Marble slabs, rubbed" are going to cost more to import than
"marble slabs, unrubbed." What we are planning to do in this office is
to get in a quantity of unrubbed marble slabs and then rub them
ourselves. A coarse, dry towel is very good for rubbing, they say.

Any further discussion of the details of this iniquitous tariff would
only enrage us to a point of incoherence. Perhaps a short list of some
of the things you will have to do without under the new arrangement will
serve to enrage you also:

Senegal gum, buchu leaves, lava tips for burners, magic lantern strips,
spiegeleisen nut washers, butchers' skewers and gun wads.

Now write to your congressman!




LITERARY DEPARTMENT




XXXVI

"TAKE ALONG A BOOK"


There seems to be a concerted effort, manifest in the "Take Along a
Book" drive, to induce vacationists to slip at least one volume into the
trunk before getting Daddy to jump on it.

This is a fine idea, for there is always a space between the end of the
tennis-racquet and the box of soap in which the shoe-whitening is liable
to tip over unless you jam a book in with it. Any book will do.

It is usually a book that you have been meaning to read all Spring, one
that you have got so used to lying about to people who have asked you if
you have read it that you have almost kidded yourself into believing
that you really have read it. You picture yourself out in the hammock or
down on the rocks, with a pillow under your head and pipe or a box of
candy near at hand, just devouring page after page of it. The only thing
that worries you is what you will read when you have finished that. "Oh,
well," you think, "there will probably be some books in the town
library. Maybe I can get Gibbon there. This summer will be a good time
to read Gibbon through."

Your trunk doesn't reach the cottage until four days after you arrive,
owing to the ferry-pilots' strike. You don't get it unpacked down as far
as the layer in which the book is until you have been there a week.

Then the book is taken out and put on the table. In transit it has tried
to eat its way through a pair of tramping-boots, with the result that
one corner and the first twenty pages have become dog-eared, but that
won't interfere with its being read.

Several other things do interfere, however. The nice weather, for
instance. You start out from your room in the morning and somehow or
other never get back to it except when you are in a hurry to get ready
for meals or for bed. You try to read in bed one night, but you can't
seem to fix your sun-burned shoulders in a comfortable position.

You take the book down to luncheon and leave it at the table. And you
don't miss it for three days. When you find it again it has large
blisters on page 35 where some water was dropped on it.

Then Mrs. Beatty, who lives in Montclair in the winter time (no matter
where you go for the summer, you always meet some people who live in
Montclair in the winter), borrows the book, as she has heard so much
about it. Two weeks later she brings it back, and explains that Prince
got hold of it one afternoon and chewed just a little of the back off,
but says that she doesn't think it will be noticed when the book is in
the bookcase.

Back to the table in the bedroom it goes and is used to keep unanswered
post-cards in. It also is convenient as a backing for cards which you
yourself are writing. And the flyleaf makes an excellent place for a
bridge-score if there isn't any other paper handy.

When it comes time to pack up for home, you shake the sand from among
the leaves and save out the book to be read on the train. And you leave
it in the automobile that takes you to the station.

But for all that, "take along a book." It might rain all summer.




XXXVII

CONFESSIONS OF A CHESS CHAMPION


With the opening of the baseball season, the sporting urge stirs in
one's blood and we turn to such books as "My Chess Career," by J.R.
Capablanca. Mr. Capablanca, I gather from his text, plays chess very
well. Wherein he unquestionably has something on me.

His book is a combination of autobiography and pictorial examples of
difficult games he has participated in and won. I could understand the
autobiographical part perfectly, but although I have seen chess diagrams
in the evening papers for years, I never have been able to become
nervous over one. It has always seemed to me that when you have seen one
diagram of a chessboard you have seen them all. Therefore, I can give
only a superficial review of the technical parts of Mr. Capablanca's
book.

       *       *       *       *       *

His personal reminiscences, however, are full of poignant episodes. For
instance, let us take an incident which occurred in his early boyhood
when he found out what sort of man his father really was--a sombre event
in the life of any boy, much more so for the boy Capablanca.

"I was born in Havana, the capital of the Island of Cuba," he says, "the
19th of November, 1888. I was not yet five years old when by accident I
came into my father's private office and found him playing with another
gentleman. I had never seen a game of chess before; the pieces
interested me and I went the next day to see them play again. The third
day, as I looked on, my father, a very poor beginner, moved a Knight
from a white square to another white square. His opponent, apparently
not a better player, did not notice it. My father won, and I proceeded
to call him a cheat and to laugh."

Imagine the feelings of a young boy entering his father's private office
and seeing a man whom he had been brought up to love and to revere
moving a Knight from one white square to another. It is a wonder that
the boy had the courage to grow up at all with a start in life like
that.

But he did grow up, and at the age of eight, in spite of the advice of
doctors, he was a frequent visitor at the Havana Chess Club. As he says
in describing this period of his career, "Soon Don Celso Golmayo, the
strongest player there, was unable to give me a rook." So you can see
how good he was. Don Celso couldn't give him a rook. And if Don Celso
couldn't, who on earth could?

In his introduction, Mr. Capablanca (I wish that I could get it out of
my head that Mr. Capablanca is possibly a relation of the Casablanca boy
who did the right thing by the burning deck. They are, of course, two
entirely different people)--in his introduction, Mr. Capablanca says:

"Conceit I consider a foolish thing; but more foolish still is that
false modesty that vainly attempts to conceal that which all facts tend
to prove."

It is this straining to overcome a foolish, false modesty which leads
him to say, in connection with his matches with members of the Manhattan
Chess Club. "As one by one I mowed them down without the loss of a
single game, my superiority became apparent." Or, in speaking of his
"endings" (a term we chess experts use to designate the last part of our
game), to murmur modestly: "The endings I already played very well, and
to my mind had attained the high standard for which they were in the
future to be well known." Mr. Capablanca will have to watch that false
modesty of his. It will get him into trouble some day.

Although this column makes no pretense of carrying sporting news, it
seems only right to print a part of the running story of the big game
between Capablanca and Dr. O.S. Bernstein in the San Sebastian
tournament of 1911. Capablanca wore the white, while Dr. Bernstein
upheld the honor of the black.

The tense moment of the game had been reached. Capablanca has the ball
on Dr. Bernstein's 3-yard line on the second down, with a minute and a
half to play. The stands are wild. Cries of "Hold 'em, Bernstein!" and
"Touchdown, Capablanca!" ring out on the frosty November air.

Brave voices are singing the fighting song entitled "Capablanca's Day"
which runs as follows:

  "Oh, sweep, sweep across the board,
  With your castles, queens, and pawns;
  We are with you, all Havana's horde,
  Till the sun of victory dawns;
  Then it's fight, _fight_, FIGHT!
  To your last white knight,
  For the truth must win alway,
  And our hearts beat true
  Old "J.R." for you
  On Capa-blanca's Day."

"Up to this point the game had proceeded along the lines generally
recommended by the masters," writes Capablanca. "The last move, however,
is a slight deviation from the regular course, which brings this Knight
back to B in order to leave open the diagonal for the Q, and besides is
more in accordance with the defensive nature of the game. Much more
could be said as to the reasons that make Kt - B the preferred move of
most masters.... Of course, lest there be some misapprehension, let me
state that the move Kt - B is made in conjunction with K R - K, which
comes first."

It is lucky that Mr. Casablanca made that explanation, for I was being
seized with just that misapprehension which he feared. (Mr.
_Capablanca_, I mean.)

Below is the box-score by innings:

  1.  P - K4.         P - K4.
  2.  Kt - QB3.       Kt - QB3.
  3.  P - B4.         P x P.
  4.  Kt - B3.        P - K Kt4.

(Game called on account of darkness.)




XXXVIII

"RIP VAN WINKLE"


After all, there is nothing like a good folk-opera for wholesome fun,
and the boy who can turn out a rollicking folk-opera for old and young
is Percy MacKaye. His latest is a riot from start to finish. You can buy
it in book form, published by Knopf. Just ask for "Rip Van Winkle" and
spend the evening falling out of your chair. (You wake up just as soon
as you fall and are all ready again for a fresh start.)

Of course it is a little rough in spots, but you know what Percy MacKaye
is when he gets loose on a folk-opera. It is good, clean Rabelaisian
fun, such as was in "Washington, the Man Who Made Us." I always felt
that it was very prudish of the police to stop that play just as it was
commencing its run. Or maybe it wasn't the police that stopped it.
Something did, I remember.

But "Rip Van Winkle" has much more zip to it than "Washington" had. In
the first place, the lyrics are better. They have more of a lilt to them
than the lines of the earlier work had. Here is the song hit of the
first act, sung by the Goose Girl. Try this over on your piano:

  _Kaaterskill, Kaaterskill,
  Cloud on the Kaaterskill!
  Will it be fair, or lower?
  Silver rings
  On my pond I see;
  And my gander he
  Shook both his white wings
  Like a sunshine shower_.

I venture to say that Irving Berlin himself couldn't have done anything
catchier than that by way of a lyric. Or this little snatch of a refrain
sung by the old women of the town:

  _Nay, nay, nay!
  A sunshine shower
  Won't last a half an hour_.

The trouble with most lyrics is that they are written by song-writers
who have had no education. Mr. MacKaye's college training shows itself
in every line of the opera. There is a subtlety of rhyme-scheme, a
delicacy of meter, and, above all, an originality of thought and
expression which promises much for the school of university-bred
lyricists. Here, for instance, is a lyric which Joe McCarthy could
never have written:

  _Up spoke Nancy, spanking Nancy,
  Says, "My feet are far too dancy, Dancy O!
  So foot-on-the-grass,
  Foot-on-the-grass,
  Foot-on-the-grass is my fancy, O!_"

Of course this is a folk-opera. And you can get away with a great deal
of that "dancy-o" stuff when you call it a folk-opera. You can throw it
all back on the old folk at home and they can't say a word.

But even the local wits of Rip Van Winkle's time would have repudiated
the comedy lines which Mr. MacKaye gives Rip to say in which "Katy-did"
and "Katy-didn't" figure prominently as the nub, followed, before you
have time to stop laughing, by one about "whip poor Will"
(whippoorwill--get it?). If "Rip Van Winkle" is ever produced again, Ed
Wynn should be cast as Rip. He would eat that line alive.

       *       *       *       *       *

Ed Wynn, by the way, might do wonders by the opera if he could get the
rights to produce it in his own way. Let Mr. MacKaye's name stay on the
programme, but give Ed Wynn the white card to do as he might see fit
with the book. For instance, one of Mr. MacKaye's characters is named
"Dirck Spuytenduyvil." Let him stand as he is, but give him two cousins,
"Mynheer Yonkers" and "Jan One Hundred and Eighty-third Street." The
three of them could do a comedy tumbling act. There is practically no
end to the features that could be introduced to tone the thing up.

The basic idea of "Rip Van Winkle" would lend itself admirably to
Broadway treatment, for Mr. MacKaye has taken liberties, with the legend
and introduced the topical idea of a Magic Flask, containing home-made
hootch. Hendrick Hudson, the Captain of the Catskill Bowling Team, is
the lucky possessor of the doctor's prescription and formula, and it is
in order to take a trial spin with the brew that Rip first goes up to
the mountain. Here are Hendrick's very words of invitation:

  _You'll be right welcome. I will let you taste
  A wonder drink we brew aboard the Half Moon.
  Whoever drinks the Magic Flask thereof
  Forgets all lapse of time
  And wanders ever in the fairy season
  Of youth and spring.
  Come join me in the mountains
  At mid of night
  And there I promise you the Magic Flask_.

And so at mid of night Rip fell for the promise of wandering "in the
fairy season," as so many have done at the invitation of a man who has
"made a little something at home which you couldn't tell from the real
stuff." Rip got out of it easily. He simply went to sleep for twenty
years. You ought to see a man I know.

There is a note in the front of the volume saying that no public reading
of "Rip Van Winkle" may be given without first getting the author's
permission. It ought to be made much more difficult to do than that.




XXXIX

LITERARY LOST AND FOUND DEPARTMENT

With Scant Apology to the Book Section of the _New York Times_.


"OLD BLACK TILLIE"

H.G.L.--When I was a little girl, my nurse, used to recite a poem
something like the following (as near as I can remember). I wonder if
anyone can give me the missing lines?

  "_Old Black Tillie lived in the dell,
  Heigh-ho with a rum-tum-tum!
  Something, something, something like a lot of hell,
  Heigh-ho with a rum-tum-tum!
  She wasn't very something and she wasn't very fat
  But_--"

"VICTOR HUGO'S DEATH"

M.K.C.--Is it true that Victor Hugo did not die but is still living in a
little shack in Colorado?

"I'M SORRY THAT I SPELT THE WORD"

J.R.A.--Can anyone help me out by furnishing the last three words to the
following stanza which I learned in school and of which I have forgotten
the last three words, thereby driving myself crazy?

  "'_I'm sorry that I spelt the word,
  I hate to go above you,
  Because--' the brown eyes lower fell,
  'Because, you see, ---- ---- ----.'_"

"GOD'S IN HIS HEAVEN"

J.A.E.--Where did Mark Twain write the following?

  "_God's in his heaven:
  All's right with the world._"

"SHE DWELT BESIDE"

N.K.Y.--Can someone locate this for me and tell the author?

  "_She dwelt among untrodden ways,
  Beside the springs of Dove,
  To me she gave sweet Charity,
  But greater far is Love._"

"THE GOLDEN WEDDING"

K.L.F.--Who wrote the following and what does it mean?

  "_Oh, de golden wedding,
  Oh, de golden wedding,
  Oh, de golden wedding,
  De golden, golden wedding_!"


ANSWERS

"WHEN GRANDMA WAS A GIRL"

LUTHER F. NEAM, Flushing, L.I.--The poem asked for by "E.J.K." was
recited at a Free Soil riot in Ashburg, Kansas, in July, 1850. It was
entitled, "And That's the Way They Did It When Grandma Was a Girl," and
was written by Bishop Leander B. Rizzard. The last line runs:

"_And that's they way they did it, when Grandma was a girl_."

Others who answered this query were: Lillian W. East, of Albany; Martin
B. Forsch, New York City, and Henry Cabot Lodge, Nahant.

"LET US THEN BE UP AND DOING"

Roger F. Nilkette, Presto, N.J.--Replying to the query in your last
issue concerning the origin of the lines:

  "_Let us then be up and doing,
  With a heart for any fate.
  Still achieving, still pursuing,
  Learn to labor and to wait_."

I remember hearing these lines read at a gathering in the Second Baptist
Church of Presto, N.J., when I was a young man, by the Reverend Harley
N. Ankle. It was said at the time among his parishioners that he himself
wrote them and on being questioned on the matter he did not deny it,
simply smiling and saying, "I'm glad if you liked them." They were
henceforth known in Presto as "Dr. Ankle's verse" and were set to music
and sung at his funeral.

"THE DECEMBER BRIDE, OR OLD ROBIN"

Charles B. Rennit, Boston, N.H.--The whole poem wanted by "H.J.O." is as
follows, and appeared in _Hostetter's Annual_ in 1843.

  1

  "'_Twas in the bleak December that I took her for my bride;
  How well do I remember how she fluttered by my side;
  My Nellie dear, it was not long before you up and died,
  And they buried her at eight-thirty in the morning_.

  2

  "_Oh, do not tell me of the charms of maidens far and near,
  Their charming ways and manners I do not care to hear,
  For Lucy dear was to me so very, very dear,
  And they buried her at eight-thirty in the morning_.

  3

  "_Then it's merrily, merrily, merrily, whoa!
  To the old gray church they come and go,
  Some to be married and some to be buried,
  And old Robin has gone for the mail_."

"THE OLD KING'S JOKE"

F.J. BRUFF, Hammick, Conn.--In a recent issue of your paper, Lillian F.
Grothman asked for the remainder of a poem which began: "_The King of
Sweden made a joke, ha, ha!_"

I can furnish all of this poem, having written it myself, for which I
was expelled from St. Domino's School in 1895. If Miss Grothman will
meet me in the green room at the Biltmore for tea on Wednesday next at
4:30, she will be supplied with the missing words.




XL

"DARKWATER"


We have so many, many problems in America. Books are constantly being
written offering solutions for them, but still they persist.

There are volumes on auction bridge, family budgets and mind-training. A
great many people have ideas on what should be done to relieve the
country of certain undesirable persons who have displayed a lack of
sympathy with American institutions. (As if American institutions needed
sympathy!) And some of the more generous-minded among us are writing
books showing our duty to the struggling young nationalities of Europe.
It is bewildering to be confronted by all these problems, each demanding
intelligent solution.

Little wonder, then, that we have no time for writing books on the one
problem which is exclusively our own. With so many wrongs in the world
to be righted, who can blame us for overlooking the one tragic wrong
which lies at our door? With so many heathen to whom the word of God
must be brought and so many wild revolutionists in whom must be
instilled a respect for law and order, is it strange that we should
ourselves sometimes lump the word of God and the principles of law and
order together under the head of "sentimentality" and shrug our
shoulders? Justice in the abstract is our aim--any American will tell
you that--so why haggle over details and insist on justice for the
negro?

But W.E.B. Du Bois does insist on justice for the negro, and in his book
"Darkwater" (Harcourt, Brace & Co.) his voice rings out in a bitter
warning through the complacent quiet which usually reigns around this
problem of America. Mr. Du Bois seems to forget that we have the affairs
of a great many people to attend to and persists in calling our
attention to this affair of our own. And what is worse, in the minds of
all well-bred persons he does not do it at all politely. He seems to be
quite distressed about something.

Maybe it is because he finds himself, a man of superior mind and of
sensitive spirit who is a graduate of Harvard, a professor and a sincere
worker for the betterment of mankind, relegated to an inferior order by
many men and women who are obviously his inferiors, simply because he
happens to differ from them in the color of his skin. Maybe it is
because he sees the people of his own race who have not had his
advantages (if a negro may ever be said to have received an advantage)
being crowded into an ignominious spiritual serfdom equally as bad as
the physical serfdom from which they were so recently freed. Maybe it is
because of these things that Mr. Du Bois seems overwrought.

Or perhaps it is because he reads each day of how jealous we are, as a
Nation, of the sanctity of our Constitution, how we revere it and draw a
flashing sword against its detractors, and then sees this very
Constitution being flouted as a matter of course in those districts
where the amendment giving the negroes a right to vote is popularly
considered one of the five funniest jokes in the world.

Perhaps he hears candidates for office insisting on a reign of law or a
plea for order above all things, by some sentimentalist or other, or
public speakers advising those who have not respect for American
institutions to go back whence they came, and then sees whole sections
of the country violating every principle of law and order and mocking
American institutions for the sake of teaching a "nigger" his place.

Perhaps during the war he heard of the bloody crimes of our enemies, and
saw preachers and editors and statesmen stand aghast at the barbaric
atrocities which won for the German the name of Hun, and then looked
toward his own people and saw them being burned, disembowelled and
tortured with a civic unanimity and tacit legal sanction which made the
word Hun sound weak.

Perhaps he has heard it boasted that in America every man who is honest,
industrious and intelligent has a good chance to win out, and has seen
honest, industrious and intelligent men whose skins are black stopped
short by a wall so high and so thick that all they can do, on having
reached that far, is to bow their heads and go slowly back.

Any one of these reasons should have been sufficient for having written
"Darkwater."

It is unfortunate that Mr. Du Bois should have raised this question of
our own responsibility just at this time when we were showing off so
nicely. It may remind some one that instead of taking over a
protectorate of Armenia we might better take over a protectorate of the
State of Georgia, which yearly leads the proud list of lynchers. But
then, there will not be enough people who see Mr. Du Bois's book to
cause any great national movement, so we are quite sure, for the time
being, of being able to devote our energies to the solution of our
other problems.

       *       *       *       *       *

Don't forget, therefore, to write your Congressman about a universal
daylight-saving bill, and give a little thought, if you can, to the
question of the vehicular tunnel.




XLI

THE NEW TIME-TABLE


The new time-table of the New York Central Railroad (New York Central
Railroad, Harlem Division. Form 113. Corrected to March 28, 1922) is an
attractive folder, done in black and white, for the suburban trade. It
slips neatly into the pocket, where it easily becomes lost among letters
and bills, appearing again only when you have procured another.

So much for its physical features. Of the text matter it is difficult to
write without passion. No more disheartening work has been put on the
market this season.

In an attempt to evade the Daylight-Saving Law the New York Central has
kept its clocks at what is called "Eastern Standard Time," meaning that
it is standard on East 42d Street between Vanderbilt and Lexington
Avenues. Practically everywhere else in New York the clocks are an hour
ahead.

It is this "Eastern Standard Time" that gives the time-table its
distinctive flavor. Each train has been demoted one hour, and then, for
fear that it would be too easy to understand this, an extra three or
four minutes have been thrown in or taken out, just, so that no mistake
can help being made.

In order to read the new time-table understandingly the following
procedure is now necessary:

Take a room in some quiet family hotel where the noise from the street
is reduced to minimum. Place the time-table on the writing-desk and sit
in front of it, holding a pencil in the right hand and a watch (Eastern
Christian Time) in the left. Then decide on the time you think you would
like to reach home. Let us say that you usually have dinner at 7. You
would, if you could do just what you wanted, reach Valhalla at 6:30.
Very well. It takes about an hour from the Grand Central Terminal to
Valhalla. How about a train leaving around 5:30?

       *       *       *       *       *

Look at the time-table for a train which leaves about 2:45 (Eastern
Standard Time). Write down, "2:45" on a piece of paper. Add 150.
Subtract the number of stations that Valhalla is above White Plains.
Sharpen your pencil and bind up your cut finger and subtract the number
you first thought of, and the result will show the number of Presidents
of the United States who have been assassinated while in office. Then go
over to the Grand Central Terminal and ask one of the information
clerks what you want to know.

[Illustration: "Listen, Ed! This is how it goes!"]

They will be glad to see you, for during the last three days they have
been actually hungering for the sight of a human face. Sometimes it has
seemed to them that the silence and loneliness there behind the
information counter would drive them mad. If some one--any one--would
only come and speak to them! That is why one of them is over in the
corner chewing up time-tables into small balls and playing marbles with
them. He has gone mad from loneliness. The other clerk, the one who is
looking at the tip of his nose and mumbling Lincoln's Gettysburg
Address, has only a few more minutes before he too succumbs.

       *       *       *       *       *

And that low, rumbling sound, what is that? It comes from the crowd of
commuters standing in front of the gate of what used to be the 5:56. Let
us draw near and hear what they are discussing. Why, it is the new
time-table, of all things!

"Listen, Ed. This is how it goes. This train that goes at 4:25 according
to this time-table is really the old 5:20. See? What you do is add an
hour"--

"Aw, what kind of talk is that? Add an hour to your grandmother! You
subtract an hour from the time as given here. This is Eastern Standard
Time. See, it says right here: 'The time shown in this folder is Eastern
Standard Time, one hour slower than Daylight-Saving Time.' See? One hour
slower. You subtract."

"Here, you guys are both way off. I just asked one of the trainmen. The
5:56 has gone. It went at 4:20. The next train that we get is the 6:20
which goes at 5:19. Look, see here. It says 5:19 on the time-table but
that means that by your watch it is 6:19"--

"By my watch it is not 6:19. My watch I set by the clock in the station
this morning when I came in"--

"Well, the clock in the station is wrong. That is, the clock in the
station is an hour ahead of all the other clocks."

"An hour ahead? An hour behind, you mean."

"The clock in the station is an hour ahead. I know what I'm talking
about."

"Now listen, Jo. Didn't you see in the paper Monday morning"--

"Yaas, I saw in the paper Monday morning, and it said that"--

"Look, Gus. By my watch--look, Gus--listen, Gus--by my watch"--

"Aw, you and your watch! What's that got to do with it?"

"Now looka here. On this time-table it says"--

"Lissen, Eddie"--

Whatever else its publishers may say about it, the new New York Central
time-table bids fair to be the most-talked-of publication of the
season.




XLII

MR. BOK'S AMERICANIZATION


If ever you should feel important enough to write an autobiography to
give to the world, and dislike to say all the nice things about yourself
that you feel really ought to be said, just write it in the third
person. Edward Bok has done this in "The Americanization of Edward Bok"
and the effect is quite touching in its modesty.

In "An Explanation" at the beginning of the book Mr. Bok disclaims any
credit for the winning ways and remarkable success of his hero, Edward
Bok. Edward Bok, the little Dutch boy who landed in America in 1870 and
later became the editor of the greatest women's advertising medium in
the country, is an entirely different person from the Edward Bok who is
telling the story. You understand this to begin with. Otherwise you may
misjudge the author.

"I have again and again found myself," writes Mr. Bok, "watching with
intense amusement and interest the Edward Bok of this book at work....
His tastes, his outlook, his manner of looking at things were totally
at variance with my own.... He has had and has been a personality apart
from my private self."

The only connection between Edward Bok the editor and Edward Bok the
autobiographer seems to be that Editor Bok allows Author Bok to have a
checking account in his bank under their common name.

Thus completely detached from his hero, Mr. Bok proceeds and is able to
narrate on page 3, in the manner of Horatio Alger, how young Edward,
taunted by his Brooklyn schoolmates, gave a sound thrashing to the
ringleader, after which he found himself "looking into the eyes of a
crowd of very respectful boys and giggling girls, who readily made a
passageway for his brother and himself when they indicated a desire to
leave the school-yard and go home."

He can also, without seeming in the least conceited, tell how, through
his clear-sighted firmness in refusing to write in the Spencerian manner
prescribed in school, he succeeded in bringing the Principal and the
whole Board of Education to their senses, resulting in a complete
reversal of the public-school policy in the matter of handwriting
instruction.

The Horatio Alger note is dominant throughout the story of young
Edward's boyhood. His cheerfulness and business sagacity so impressed
everyone with whom he came in contact that he was soon outdistancing all
the other boys in the process of self-advancement. And no one is more
smilingly tolerant of the irresistible progress of young Edward Bok in
making friends and money than Edward Bok the impersonal author of the
book. He just loves to see the young boy get ahead.

       *       *       *       *       *

It will perhaps aid in getting an idea of the personality and confident
presence of the Boy Bok to state that he was a feverish collector of
autographs. Whenever any famous personage came to town the young man
would find out at what hotel he was staying and would proceed to hound
him until he had got him to write his name, with some appropriate
sentiment, in a little book. In advertising the present volume the
publishers give a list of names of historical characters who feature in
Mr. Bok's reminiscences--Gens. Grant and Garfield, Oliver Wendell
Holmes, Longfellow, Emerson and dozens of others. And so they do figure
in the book, but as victims of the young Dutch boy's passion for
autographs. Still, perhaps, they did not mind, for the author gives us
to understand that they were all so charmed with the prepossessing
manner and intelligent bearing of the young autograph hound that they
not only were continually asking him to dinner (he usually timed his
visit so as to catch them just as they were entering the dining-room)
but insisted on giving him letters of introduction to their friends.

Only Mrs. Abraham Lincoln and Ralph Waldo Emerson neglected to register
extreme pleasure at being approached by the smiling lad. Both Mrs.
Lincoln and Emerson were failing in their minds at the time, however,
which satisfactorily explains their coolness, at least for the author.
In Mrs. Lincoln's case an attempt was made to interest her in an
autographed photograph of Gen. Grant. But "Edward saw that the widow of
the great Lincoln did not mentally respond to his pleasure in his
possession." Could it have been possible that the widow of the great
Lincoln was a trifle bored?

The account of the intrusion on Emerson in Concord borders on the
sacrilegious. Here was the venerable philosopher, five months before his
death, when his great mind had already gone on before him, being visited
by a strange lad with a passion for autographs, who sat and watched for
those lucid moments when then sun would break through the clouded brain,
making it possible for Emerson to hold the pen and form the letters of
his name. Then young Edward was off, with another trophy in his belt and
another stride made in his progress toward Americanization. Lovers of
Emerson could wish that the impersonal editor of these memoirs had
omitted the account of this victory.

       *       *       *       *       *

Americanization seems, from the present document, to consist of, first,
making as many influential friends as possible who may be able to help
you at some future time; second, making as much money as possible (young
Edward used his position as stenographer to Jay Gould to glean tips on
the market, thereby cleaning up for himself and his Sunday-school
teacher at Plymouth Church), and third, keeping your eye open for the
main chance.

In conclusion, nothing more fitting could be quoted than the touching
caption under the picture of the author's grandmother, "who counselled
each of her children to make the world a better and more beautiful place
to live in--a counsel which is now being carried on by her
grandchildren, one of whom is Edward Bok."

Could detachment of author and hero be more complete?




XLIII

ZANE GREY'S MOVIE


The hum of the moving-picture machine is the predominating note in "The
Mysterious Rider," Zane Grey's latest contribution to the literature of
unrealism. All that is necessary for a complete illusion is the
insertion of three or four news photographs at the end, showing how they
catch salmon in the Columbia River, the allegorical floats in the Los
Angeles Carnival of Roses and the ice-covered fire ruins in the business
section of Worcester, Mass.

In order that the change from book to film may be made as quickly as
possible, the author has written his story in the language of the
moving-picture subtitle. All that the continuity-writer in the studio
will have to do will be to take every third sentence from the book and
make a subtitle from it. We might save him the trouble and do it here,
together with some suggestions for incidental decorations.

Remember, nothing will be quoted below which is not in the exact wording
of Zane Grey's text. We first see Columbine Belllounds, adopted
daughter of old Belllounds the rancher of Colorado. She is riding along
the trail overlooking the valley.

"TODAY GIRLISH ORDEALS AND GRIEFS SEEMED BACK IN THE PAST: SHE WAS A
WOMAN AT NINETEEN AND FACE TO FACE WITH THE FIRST GREAT PROBLEM IN HER
LIFE." (Suggestion for title decoration: A pair of reluctant feet
standing at the junction of a brook and a river.)

She stops to pick some columbines and soliloquizes. The author says:
"She spoke aloud, as if the sound of her voice might convince her," but
it is not clear from the text just what she expected to be convinced of.
Here is her argument to herself:

"COLUMBINE!... SO THEY NAMED ME--THOSE MINERS WHO FOUND ME--A BABY--LOST
IN THE WOODS--ASLEEP AMONG THE COLUMBINES." (Decorative nasturtiums.)

Having convinced herself in these reassuring words as she stands alone
on the ridge in God's great outdoors, she explains that she has promised
to marry Jack Belllounds, the worthless son of her foster-father,
although any one can tell that she is in love with Wilson Moore, a
cow-puncher on the ranch. You will understand what a sacrifice this was
to be when the author says that "the lower part of Jack Belllounds's
face was weak."

To the ranch comes "Hell-Bent" Wade, the mysterious man of the plains.
He applies for a job, and not only that, but he gets it, which gives him
a chance to let us know that:

"EIGHTEEN YEARS AGO HE HAD DRIVEN THE WOMAN HE LOVED AWAY FROM HIM, OUT
INTO THE WORLD WITH HER BABY GIRL ... JEALOUS FOOL!... TOO LATE HAD HE
DISCOVERED HIS FATAL BLUNDER.... THAT WAS BENT WADE'S SECRET." (Fancy
sketch of a secret.)

And as we already know that Columbine is almost nineteen (I think she
told herself this fact aloud once when she was out riding alone, just to
convince herself), the shock is not so great as it might have been to
hear Wade murmur aloud (doubtless to convince himself too), "Baby would
have been--let's see--'most nineteen years old now--if she'd lived."

Any bets on who Columbine really is?

       *       *       *       *       *

Let us digress from the scenario a minute to cite a scintillating
passage, one of many in the book. Wade is speaking:

"'You can never tell what a dog is until you know him. Dogs are like
men. Some of 'em look good, but they're really bad. An' that works the
other way round.'"

Oscar Wilde stuff, that is. How often have you felt the truth of what
Mr. Grey says here, and yet have never been able to put it into words!
It is this ability to put thoughts into words that makes him one of our
most popular authors today.

       *       *       *       *       *

But enough of this. "Hell-Bent" Wade determines that his little gel
shall not know him as her father, and, furthermore, that she shall not
marry Jack Belllounds. So he goes to the cabin of Wils Moore and tells
him that Columbine is unhappy at the thought of her approaching--you
guessed it--nuptials.

"PARD! SHE LOVES ME--STILL?"

"WILS, HERS IS THE KIND THAT GROWS STRONGER WITH TIME, I KNOW." (Heart
and an hour-glass intertwined.)

       *       *       *       *       *

Let it be said right here, however, that Jack Belllounds, rough and
villainous as he is, is the kind of cow-puncher who says to his father:
"I still love you, dad, despite the cruel thing you did to me." No
cow-puncher who says "despite" can be entirely bad. Neither can he be a
cow-puncher.

It is later, after a thrilling series of physical encounters, that
Columbine tells Jack Belllounds in so many words that she loves Wils
Moore. "Then Wade saw the glory of her--saw her mother again in that
proud, fierce uplift of face that flamed red and then blazed white--saw
hate and passion and love in all their primal nakedness.

"LOVE HIM! LOVE WILSON MOORE? YES, YOU FOOL! I LOVE HIM! YES! YES! YES!"
(Decorative heart, in which a little door slowly opens, showing the face
of Columbine.)

       *       *       *       *       *

But time is short and there is a Semon comedy to follow immediately
after this. So all that we can divulge is that Jack has Wils Moore
wrongly accused of cattle-rustling, bringing down on his own head the
following chatty bit from his affianced bride:

"SO THAT'S YOUR REVENGE.... BUT YOU'RE TO RECKON WITH ME, JACK
BELLLOUNDS! YOU VILLAIN! YOU DEVIL! YOU"--

It would be unfair to the millions of readers who will struggle for
possession of the circulating-library copies of "The Mysterious Rider"
to tell just what happens after this. But need we hesitate to divulge
that the final subtitle will be:

"'I HAVE FAITH AND HOPE AND LOVE, FOR I AM HIS DAUGHTER.' A FAINT, COOL
BREEZE STRAYED THROUGH THE ASPENS, RUSTLING THE LEAVES WHISPERINGLY, AND
THE SLENDER COLUMBINES, GLEAMING PALE IN THE TWILIGHT LIFTED THEIR SWEET
FACES." (Decorative bull.)




XLIV

SUPPRESSING "JURGEN"


Of course it was silly to suppress "Jurgen." That goes without saying.
But it seems equally silly, because of its being suppressed, to hail it
as high art. It is simply Mr. James Branch Cabell's quaint way of
telling a raw story and it isn't particularly his own way, either.
Personally, I like the modern method much better.

"Jurgen" is a frank imitation of the old-time pornographers and although
it is a very good imitation, it need not rank Mr. Cabell any higher than
the maker of a plaster-of-paris copy of some Boeotian sculptural oddity.

The author, in defense of his fortunate book, lifts his eyebrows and
says, "Honi soit." He claims, and quite rightly, that everything he has
written has at least one decent meaning, and that anyone who reads
anything indecent into it automatically convicts himself of being in a
pathological condition. The question is, if Mr. Cabell had been
convinced beforehand that nowhere in all this broad land would there be
anyone who would read another meaning into his lily-white words, would
he ever have bothered to write the book at all?

Mr. Cabell is admittedly a genealogist. He is an earnest student of the
literature of past centuries. He has become so steeped in the phrases
and literary mannerisms of the middle and upper-middle ages that, even
in his book of modern essays "Beyond Life," he is constantly emitting
strange words which were last used by the correspondents who covered the
crusades. No man has to be as artificially obsolete as Mr. Cabell is. He
likes to be.

In "Jurgen" he has simply let himself go. There is no pretense of
writing like a modern. There is no pretense of writing in the style of
even James Branch Cabell. It is frankly "in the manner of" those ancient
authors whose works are sold surreptitiously to college students by
gentlemen who whisper their selling-talk behind a line of red sample
bindings. And it is not in the manner of Rabelais, although Rabelais's
name has been frequently used in describing "Jurgen." Rabelais seldom
hid his thought behind two meanings. There was only one meaning, and you
could take it or leave it. And Rabelais would never have said "Honi
soit" by way of defense.

The general effect is one of Fielding or Sterne telling the story of
Sir Gawain and the Green Knight, with their own embellishments, to the
boys at the club.

       *       *       *       *       *

If all that is necessary to produce a work of art is to take a drummer's
story and tell it in dusty English, we might try our luck with the
modern smoking-car yarn about the traveling-man who came to the country
hotel late at night, and see how far we can get with it in the manner of
James Branch Cabell imitating Fielding imitating someone else.

       *       *       *       *       *

It is a tale which they narrate in Nouveau Rochelle, saying: In the old
days there came one night a traveling man to an inn, and the night was
late, and he was sore beset, what with rag-tag-and-bob-tail. Eftsoons he
made known his wants to the churl behind the desk, who was named
Gogyrvan. And thus he spake:

"Any rooms?"

"Indeed, sir, no," was Gogyrvan's glose.

"Now but this is an deplorable thing, God wot," says the traveling man.
"Fie, brother, but you think awry. Come, don smart your thinking-cap and
answer me again. An' you have forgot my query; it was: 'Any rooms,
bo?'"

Whereat the churl behind the desk gat him down from his stool and closed
one eye in a wink.

"There is one room," he says, and places his forefinger along the side
of his nose, in the manner of a man who places his forefinger along the
side of his nose.

But at this point I am stopped short by the warning passage through the
room of a cold, damp current of air as from the grave, and I know that
it is one of Mr. Sumner's vice deputies flitting by on his rounds in
defense of the public morals. So I can go no further, for public morals
must be defended even at the cost of public morality (a statement which
means nothing but which sounds rather well, I think. I shall try to work
it in again some time).

But perhaps enough has been said to show that it is perfectly easy to
write something that will sound classic if you can only remember enough
old words. When Mr. Cabell has learned the language, he ought to write a
good book in modern English. There are lots of people who read it and
they speak very highly of it as a means of expression.

But there are certain things that you cannot express in it without
sounding crass, which would be a disadvantage in telling a story like
"Jurgen."




XLV

ANTI-IBANEZ


While on the subject of books which we read because we think we ought
to, and while Vicente Blasco Ibanez is on the ocean and can't hear what
is being said, let's form a secret society.

I will be one of any three to meet behind a barn and admit that I would
not give a good gosh darn if a fortune-teller were to tell me tomorrow
that I should never, never have a chance to read another book by the
great Spanish novelist.

Any of the American reading public who desire to join this secret
society may do so without fear of publicity, as the names will not be
given out. The only means of distinguishing a fellow-member will be a
tiny gold emblem, to be worn in the lapel, representing the figure
(couchant) of Spain's most touted animal. The motto will be
"Nimmermehr," which is a German translation of the Spanish phrase "Not
even once again."

       *       *       *       *       *

Simply because I myself am not impressed by a book, I have no authority
to brand anyone who does not like it as a poseur and say that he is
only making believe that he likes it. And there must be a great many
highly literary people who really and sincerely do think that Senor
Blasco's books are the finest novels of the epoch.

It would therefore be presumptuous of me to say that Spain is now, for
the first time since before 1898, in a position to kid the United States
and, vicariously through watching her famous son count his royalties and
gate receipts, to feel avenged for the loss of her islands. If America
has found something superfine in Ibanez that his countrymen have missed,
then America is of course to be congratulated and not kidded.

But probably no one was more surprised than Blasco when he suddenly
found himself a lion in our literary arena instead of in his accustomed
role of bull in his home ring. And those who know say that you could
have knocked his compatriots over with a feather when the news came that
old man Ibanez's son had made good in the United States to the extent of
something like five hundred million pesetas.

For, like the prophet whom some one was telling about, Ibanez was not
known at home as a particularly hot tamale. But, then, he never had such
a persistent publisher in Spain, and book-advertising is not the art
there that it is in America. When the final accounting of the great
success of "The Four Horsemen of the Apocalypse" in this country is
taken, honorable mention must be made of the man at the E.P. Dutton &
Co. store who had charge of the advertising.

       *       *       *       *       *

The great Spanish novelist was in the French propaganda service during
the war. It was his job to make Germany unpopular in Spanish. "The Four
Horsemen of the Apocalypse" is obviously propaganda, and not
particularly subtle propaganda either. Certain chapters might have come
direct from our own Creel committee, and one may still be true to the
Allied cause and yet maintain that propaganda and literature do not mix
with any degree of illusion.

There is no question, of course, that those chapters in the book which
are descriptive of the advance and subsequent retreat of the German
troops under the eye of Don Marcelo are masterpieces of descriptive
reporting. But Philip Gibbs has given us a whole book of masterpieces of
descriptive reporting which do not bear the stamp of approval of the
official propaganda bureau. And, furthermore, Philip Gibbs does not wear
a sport shirt open at the neck. At least, he never had his picture taken
that way.

As for the rest of the books that were dragged out from the Spanish for
"storehouse" when "The Four Horsemen" romped in winners, I can speak
only as I would speak of "The World's Most Famous Battles" or "Heroines
in Shakespeare." I have looked them over. I gave "Mare Nostrum" a great
deal of my very valuable time because the advertisements spoke so highly
of it. "Woman Triumphant" took less time because I decided to stop
earlier in the book. "Blood and Sand" I passed up, having once seen a
Madrid bull-fight for myself, which may account for this nasty attitude
I have toward any Spanish product. I am told, however, that this is the
best of them all.

It is remarkable that for a writer who seems to have left such an
indelible imprint in the minds of the American people, whose works have
been ranked with the greatest of all time and who received more
publicity during one day of his visit here than Charles Dickens received
during his whole sojourn in America, Senor Blasco and his works form a
remarkably small part of the spontaneous literary conversation of the
day. The characters which he has created have not taken any appreciable
hold in the public imagination. Their names are never used as examples
of anything. Who were some of his chief characters, by the way? What did
they say that was worth remembering? What did they do that characters
have not been doing for many generations? Did you ever hear anyone say,
"He talks like a character in Ibanez," or "This might have happened in
one of Ibanez's books"?

Of course it is possible for a man to write a great book from which no
one would quote. That is probably happening all the time. But it is
because no one has read it. Here we have an author whose vogue in this
country, according to statistics, is equal to that of any writer of
novels in the world. And as soon as his publicity department stops
functioning, I should like to lay a little bet that he will not be heard
of again.




XLVI

ON BRICKLAYING


After a series of introspective accounts of the babyhood, childhood,
adolescence and inevitably gloomy maturity of countless men and women,
it is refreshing to turn to "Bricklaying in Modern Practice," by Stewart
Scrimshaw. "Heigh-ho!" one says. "Back to normal again!"

For bricklaying is nothing if not normal, and Mr. Scrimshaw has given
just enough of the romantic charm of artistic enthusiasm to make it
positively fascinating.

"There was a time when man did not know how to lay bricks," he says in
his scholarly introductory chapter on "The Ancient Art," "a time when he
did not know how to make bricks. There was a time when fortresses and
cathedrals were unknown, and churches and residences were not to be seen
on the face of the earth. But today we see wonderful architecture, noble
and glorious structures, magnificent skyscrapers and pretty home-like
bungalows."

To one who has been scouring Westchester County for the past two months
looking at the structures which are being offered for sale as homes,
"pretty home-like bungalows" comes as _le mot juste_. They certainly are
no more than pretty home-like.

       *       *       *       *       *

One cannot read far in Mr. Scrimshaw's book without blushing for the
inadequacy of modern education. We are turned out of our schools as
educated young men and women, and yet what college graduate here tonight
can tell me when the first brick in America was made? Or even where it
was made?... I thought not.

Well, it was made in New Haven in 1650. Mr. Scrimshaw does not say what
it was made for, but a conjecture would be that it was the handiwork of
Yale students for tactical use in the Harvard game. (Oh, I know that
Yale wasn't running in 1650, but what difference does that make in an
informal little article like this? It is getting so that a man can't
make any statement at all without being caught up on it by some busybody
or other.)

       *       *       *       *       *

But let's get down to the art itself.

Mr. Scrimshaw's first bit of advice is very sound. "The bricklayer
should first take a keen glance at the scaffolding upon which he is to
work, to see that there is nothing broken or dangerous connected with
it.... This is essential, because more important than anything else to
him is the preservation of his life and limb."

Oh, Mr. Scrimshaw, how true that is! If I were a bricklayer I would
devote practically my whole morning inspecting the scaffolding on which
I was to work. Whatever else I shirked, I would put my whole heart and
soul into this part of my task. Every rope should be tested, every board
examined, and I doubt if even then I would go up on the scaffold. Any
bricks that I could not lay with my feet on terra firma (there is a joke
somewhere about terra cotta, but I'm busy now) could be laid by some one
else.

       *       *       *       *       *

But we don't seem to be getting ahead in our instruction in practical
bricklaying. Well, all right, take this:

"Pressed bricks, which are buttered, can be laid with a one-eighth-inch
joint, although a joint of three-sixteenths of an inch is to be
preferred."

Joe, get this gentleman a joint of three-sixteenths of an inch,
buttered. Service, that's our motto!

       *       *       *       *       *

It takes a book like this to make a man realize what he misses in his
everyday life. For instance, who would think that right here in New York
there were people who specialized in corbeling? Rain or shine, hot or
cold, you will find them corbeling around like Trojans. Or when they are
not corbeling they may be toothing. (I too thought that this might be a
misprint for "teething," but it is spelled "toothing" throughout the
book, so I guess that Mr. Scrimshaw knows what he is about.) Of all
departments of bricklaying I should think that it would be more fun to
tooth than to do anything else. But it must be tiring work. I suppose
that many a bricklayer's wife has said to her neighbor, "I am having a
terrible time with my husband this week. He is toothing, and comes home
so cross and irritable that nothing suits him."

Another thing that a bricklayer has to be careful of, according to the
author (and I have no reason to contest his warning), is the danger of
stepping on spawls. If there is one word that I would leave with the
young bricklayer about to enter his trade it is "Beware of the spawls,
my boy." They are insidious, those spawls are. You think you are all
right and then--pouf! Or maybe "crash" would be a better descriptive
word. Whatever noise is made by a spawl when stepped on is the one I
want. Perhaps "swawk" would do. I'll have to look up "spawl" first, I
guess.

Well, anyway, there you have practical bricklaying in a nutshell. Of
course there are lots of other points in the book and some dandy
pictures and it would pay you to read it. But in case you haven't time,
just skim over this resume again and you will have the gist of it.




XLVII

"AMERICAN ANNIVERSARIES"


Mr. Phillip R. Dillon has compiled and published in his "American
Anniversaries" a book for men who do things. For every day in the year
there is a record of something which has been accomplished in American
history. For instance, under Jan. 1 we find that the parcel-post system
was inaugurated in the United States in 1913, while Jan. 2 is given as
the anniversary of the battle of Murfreesboro (or Stone's River, as you
prefer). The whole book is like that; just one surprise after another.

What, for instance, do you suppose that Saturday marked the completion
of?... Presuming that no one has answered correctly, I will disclose
(after consulting Mr. Dillon's book) that July 31 marked the completion
of the 253d year since the signing of the Treaty of Breda. But what, you
may say--and doubtless are saying at this very minute--what has the
Treaty of Breda (which everyone knows was signed in Holland by
representatives of England, France, Holland and Denmark) got to do with
American history? And right there is where Mr. Dillon and I would have
you. In the Treaty of Breda, Acadia (or Nova Scotia) was given to France
and New York and New Jersey were confirmed to England. So, you see,
inhabitants of New York and New Jersey (and, after all, who isn't?)
should have especial cause for celebrating July 31 as Breda Day, for if
it hadn't been for that treaty we might have belonged to Poland and been
mixed up in all the mess that is now going on over there.

       *       *       *       *       *

I must confess that I turned to the date of the anniversary of my own
birth with no little expectation. Of course I am not so very well known
except among the tradespeople in my town, but I should be willing to
enter myself in a popularity contest with the Treaty of Breda. But
evidently there is a conspiracy of silence directed against me on the
part of the makers of anniversary books and calendars. While no mention
was made of my having been born on Sept. 15, considerable space was
given to recording the fact that on that date in 1840 a patent for a
knitting machine was issued to the inventor, who was none other than
Isaac Wixan Lamb of Salem, Mass.

Now I would be the last one to belittle the importance of knitting or
the invention of a knitting machine. I know some very nice people who
knit a great deal. But really, when it comes to anniversaries I don't
see where Isaac Wixon Lamb gets off to crash in ahead of me or a great
many other people that I could name. And it doesn't help any, either, to
find that James Fenimore Cooper and William Howard Taft are both
mentioned as having been born on that day or that the chief basic patent
for gasoline automobiles in America was issued in 1895 to George B.
Selden. It certainly was a big day for patents. But one realizes more
than ever after reading this section that you have to have a big name to
get into an anniversary book. The average citizen has no show at all.

       *       *       *       *       *

In spite of these rather obvious omissions, Mr. Dillon's Book is both
valuable and readable. Especially in those events which occurred early
in the country's history is there material for comparison with the
happenings of the present day, events which will some day be
incorporated in a similar book compiled by some energetic successor of
Mr. Dillon.

For instance, under Oct. 27, 1659, we find that William Robinson and
Marmaduke Stevenson were banished from New Hampshire on the charge of
being Quakers and were later executed for returning to the colony.
Imagine!

And on Dec. 8, 1837, Wendell Phillips delivered his first abolition
speech at Boston in Faneuil Hall, as a result of which he got himself
known around Boston as an undesirable citizen, a dangerous radical and a
revolutionary trouble-maker. It hardly seems possible now, does it?

And on July 4, 1776--but there, why rub it in?




XLVIII

A WEEK-END WITH WELLS


In the February Bookman there is an informal article by John Elliot
called "At Home with H.G. Wells" in which we are let in on the ground
floor in the Wells household and shown "H.G." (as his friends and his
wife call him) at play. It is an interesting glimpse at the small doings
of a great man, but there is one feature of those doings which has an
ominous sound.

"The Wells that everyone loves who sees him at Easton is the human
Wells, the family Wells, the jovial Wells, Wells the host of some Sunday
afternoon party. For a distance of ten or twenty miles round folks come
on Sunday to play hockey and have tea. Old and young--people from down
London who never played hockey before in their lives; country farmers
and their daughters, and everybody else who lives in the district--troop
over and bring whoever happens to be the week-end guest. Wells is
delightful to them all. He doesn't give a rap if they are solid Tories,
Bolsheviks, Liberals, or men and women of no political leanings, Can
you play hockey? is all that matters. If you say No you are rushed
toward a pile of sticks and given one and told to go in the forward
line; if you say Yes you are probably made a vice captain on the spot."

       *       *       *       *       *

I am frank to confess that this sounds perfectly terrible to me. I can't
imagine a worse place in which to spend a week-end than one where your
host is always boisterously forcing you to take part in games and dances
about which you know nothing. A week-end guest ought to be ignored,
allowed to rummage about alone among the books, live stock and cold food
in the ice-box whenever he feels like it, and not rushed willy-nilly
(something good could be done using the famous Willy-Nilly
correspondence as a base, but not here), into whatever the family itself
may consider a good time.

In such a household as the Wells household must be you are greeted by
your hostess in a robust manner with "So glad you're on time. The match
begins at two." And when you say "What match," you are told that there
is a little tennis tournament on for the week-end and that you and Hank
are scheduled to start the thing off with a bang. "But I haven't played
tennis for five years," you protest, thinking of the delightful privacy
of your own little hall bedroom in town. "Never mind, it will all come
back to you. Bill has got some extra things all put out for you
upstairs." So you start off your week-end by making a dub of yourself
and are known from that afternoon on by the people who didn't catch your
name as "the man who had such a funny serve."

Or if it isn't that, it's dancing. Immediately after dinner, just as you
are about to settle down for a comfortable evening by the fire, you
notice that they are rolling back the rugs. "House-cleaning?" you
suggest, with a nervous little laugh. "Oh, no, just a little dancing in
your honor." And then you tell them that your honor will be satisfied
perfectly without dancing, that you haven't danced since you left
school, that you don't dance very well, or that you have hurt
your foot; to which the only reply is an encouraging laugh and a
hail-fellow-well-met push out into the middle of the floor.

A pox on both your house parties!

       *       *       *       *       *

And yet, in a way, that is just what one might expect from Mr. Wells. He
has done the same thing to me in his books many a time. I personally
have but little facility for world-repairing. I haven't the slightest
idea of how one would go about making things better. And yet before I am
more than two-thirds of the way through "Joan and Peter" or "The
Undying Fire" or "The Outline of History," Mr. Wells has me out on the
hockey-field waving a stick with a magnificent enthusiasm but no aim,
rushing up and down and calling, "Come on, now!" to no one in
particular.

No matter how discouraging things seem when I pick up a Wells book, or
how averse I may be to launching out on a crusade of any sort, I always
end by walking with a firm step to the door (feeling, somehow, that I
have grown quite a bit taller and much handsomer) and saying quietly:
"Meadows, my suit of armor, please; the one with a chain-mail shirt and
a purple plume."

This, of course, is silly, as any of Mr. Wells's critics will tell you.
It is the effect that he has on irresponsible, visionary minds. But if
all the irresponsible, visionary minds in the world become sufficiently
belligerent through a continued reading of Mr. Wells, or even of the New
Testament, who knows but what they may become just practical enough to
take a hand at running things? They couldn't do much worse than the
responsible, practical minds have done, now, could they?




XLIX

ABOUT PORTLAND CEMENT


Portland cement is "the finely pulverized product resulting from the
calcination to incipient fusion of an intimate mixture of properly
proportioned argillaceous and calcareous materials and to which no
addition greater than 3 per cent has been made subsequent to
calcination."

That, in a word, is the keynote of H. Colin Campbell's "How to Use
Cement for Concrete Construction." In case you should never read any
more of the book, you would have that.

But to the reader who is not satisfied with this taste of the secret of
cement construction and who reads on into Mr. Campbell's work, there is
revealed a veritable mine of information. And in the light of the recent
turn of events one might even call it significant. (Any turn of events
will do.)

       *       *       *       *       *

The first chapter is given over to a plea for concrete. Judging from the
claims made for concrete by Mr. Campbell, it will accomplish everything
that a return to Republican administration would do, and wouldn't be
anywhere near so costly. It will make your barn fireproof; it will
insure clean milk for your children; it will provide a safe housing for
your automobile. Farm prosperity and concrete go hand in hand.

In case there are any other members of society who have been with me in
thinking that Portland cement is a product of Portland, Me., or
Portland, Ore., it might as well be stated right here and now that
America had nothing to do with the founding of the industry, and that
the lucky Portland is an island off the south coast of England.

It was a bright sunny afternoon in May, 1824, when Joseph Aspdin, an
intelligent bricklayer of Leeds, England, was carelessly calcining a
mixture of limestone and clay, as bricklayers often do on their days
off, that he suddenly discovered, on reducing the resulting clinker to a
powder, that this substance, on hardening, resembled nothing so much as
the yellowish-gray stone found in the quarries on the Isle of Portland.
(How Joe knew what grew on the Isle of Portland when his home was in
Leeds is not explained. Maybe he spent his summers at the Portland
House, within three minutes of the bathing beach.)

At any rate, on discovering the remarkable similarity between the mess
he had cooked up and Portland stone, he called to his wife and said:
"Eunice, come here a minute! What does this remind you of?"

The usually cheerful brow of Eunice Aspdin clouded for the fraction of a
second.

"That night up at Bert and Edna's?" she ventured.

"No, no, my dear," said the intelligent bricklayer, slightly irked.
"Anyone could see that this here substance is a dead ringer for Portland
stone, and I am going to make heaps and heaps of it and call it
'Portland cement.' It is little enough that I can do for the old
island."

And so that's how Portland cement was named. Rumor hath it that the
first Portland cement in America was made at Allentown, Pa., in 1875,
but I wouldn't want to be quoted as having said that. But I will say
that the total annual production in this country is now over 90,000,000
barrels.

       *       *       *       *       *

It is interesting to note that cement is usually packed in cloth sacks,
although sometimes paper bags are used.

"A charge is made for packing cement in paper bags," the books says.
"These, of course, are not redeemable."

One can understand their not wanting to take back a paper bag in which
cement has been wrapped. The wonder is that the bag lasts until you get
home with it. I tried to take six cantaloups home in a paper bag the
other night and had a bad enough time of it. Cement, when it is in good
form, must be much worse than cantaloup, and the redeemable remnants of
the bag must be negligible. But why charge extra for using paper bags?
That seems like adding whatever it is you add to injury. Apologies,
rather than extra charge, should be in order. However, I suppose that
these cement people understand their business. I shall know enough to
watch out, however, and insist on having whatever cement I may be called
upon to carry home done up in a cloth sack. "Not in a paper bag, if you
please," I shall say very politely to the clerk.




L

OPEN BOOKCASES


Things have come to a pretty pass when a man can't buy a bookcase that
hasn't got glass doors on it. What are we becoming--a nation of
weaklings?

All over New York city I have been,--trying to get something in which to
keep books. And what am I shown? Curio cabinets, inclosed whatnots,
museum cases in which to display fragments from the neolithic age, and
glass-faced sarcophagi for dead butterflies.

"But I am apt to use my books at any time," I explain to the salesman.
"I never can tell when it is coming on me. And when I want a book I want
it quickly. I don't want to have to send down to the office for the key,
and I don't want to have to manipulate any trick ball-bearings and open
up a case as if I were getting cream-puffs out for a customer. I want a
bookcase for books and not books for a bookcase."

(I really don't say all those clever things to the clerk. It took me
quite a while to think them up. What I really say is, timidly, "Haven't
you any bookcases without glass doors?" and when they say "No," I thank
them and walk into the nearest dining-room table.)

But if they keep on getting arrogant about it I shall speak up to them
one of these fine days. When I ask for an open-faced bookcase they look
with a scornful smile across the salesroom toward the mahogany
four-posters and say:

"Oh, no, we don't carry those any more. We don't have any call for them.
Every one uses the glass-doored ones now. They keep the books much
cleaner."

Then the ideal procedure for a real book-lover would be to keep his
books in the original box, snugly packed in excelsior, with the lid
nailed down. Then they would be nice and clean. And the sun couldn't get
at them and ruin the bindings. Faugh! (Try saying that. It doesn't work
out at all as you think it's going to. And it makes you feel very silly
for having tried it.)

       *       *       *       *       *

Why, in the elder days bookcases with glass doors were owned only by
people who filled them with ten volumes of a pictorial history of the
Civil War (including some swell steel engravings), "Walks and Talks
with John L. Stoddard" and "Daily Thoughts for Daily Needs," done in
robin's-egg blue with a watered silk bookmark dangling out. A set of Sir
Walter Scott always helps fill out a bookcase with glass doors. It looks
well from the front and shows that you know good literature when you see
it. And you don't have to keep opening and shutting the doors to get it
out, for you never want to get it out.

[Illustration: I thank them and walk into the nearest dining-room
table.]

A bookcase with glass doors used to be a sign that somewhere in the room
there was a crayon portrait of Father when he was a young man, with a
real piece of glass stuck on the portrait to represent a diamond stud.

And now we are told that "every one buys bookcases with glass doors; we
have no call for others." Soon we shall be told that the thing to do is
to buy the false backs of bindings, such as they have in stage
libraries, to string across behind the glass. It will keep us from
reading too much, and then, too, no one will want to borrow our books.

       *       *       *       *       *

But one clerk told me the truth. And I am just fearless enough to tell
it here. I know that it will kill my chances for the Presidency, but I
cannot stop to think of that.

After advising me to have a carpenter build me the kind of bookcase I
wanted, and after I had told him that I had my name in for a carpenter
but wasn't due to get him until late in the fall, as he was waiting for
prices to go higher before taking the job on, the clerk said:

"That's it. It's the price. You see the furniture manufacturers can make
much more money out of a bookcase with glass doors than they can
without. When by hanging glass doors on a piece of furniture at but
little more expense to themselves they can get a much bigger profit,
what's the sense in making them without glass doors? They have just
stopped making them, that's all."

So you see the American people are being practically forced into buying
glass doors whether they want them or not. Is that right? Is it fair?
Where is our personal liberty going to? What is becoming of our
traditional American institutions?

I don't know.




LI

TROUT-FISHING


I never knew very much about trout-fishing anyway, and I certainly had
no inkling that a trout-fisher had to be so deceitful until I read
"Trout-Fishing in Brooks," by G. Garrow-Green. The thing is appalling.
Evidently the sport is nothing but a constant series of compromises with
one's better nature, what with sneaking about pretending to be something
that one is not, trying to fool the fish into thinking one thing when
just the reverse is true, and in general behaving in an underhanded and
tricky manner throughout the day.

The very first and evidently the most important exhortation in the book
is, "Whatever you do, keep out of sight of the fish." Is that open and
above-board? Is it honorable?

"Trout invariably lie in running water with their noses pointed against
the current, and therefore whatever general chance of concealment there
may be rests in fishing from behind them. The moral is that the
brook-angler must both walk and fish upstream."

It seems as if a lot of trouble might be saved the fisherman, in case he
really didn't want to walk upstream but had to get to some point
downstream before 6 o'clock, to adopt some disguise which would deceive
the fish into thinking that he had no intention of catching them anyway.
A pair of blue glasses and a cane would give the effect of the wearer
being blind and harmless, and could be thrown aside very quickly when
the time came to show one's self in one's true colors to the fish. If
there were two anglers they might talk in loud tones about their dislike
for fish in any form, and then, when the trout were quite reassured and
swimming close to the bank they could suddenly be shot with a pistol.

       *       *       *       *       *

But a little further on comes a suggestion for a much more elaborate bit
of subterfuge.

The author says that in the early season trout are often engaged with
larvae at the bottom and do not show on the surface. It is then a good
plan, he says, to sink the flies well, moving in short jerks to imitate
nymphs.

You can see that imitating a nymph will call for a lot of rehearsing,
but I doubt very much if moving in short jerks is the way in which to go
about it. I have never actually seen a nymph, though if I had I should
not be likely to admit it, and I can think of no possible way in which I
could give an adequate illusion of being one myself. Even the most
stupid of trout could easily divine that I was masquerading, and then
the question would immediately arise in its mind: "If he is not a nymph,
then what is his object in going about like that trying to imitate one?
He is up to no good, I'll be bound."

And crash! away would go the trout before I could put my clothes back
on.

       *       *       *       *       *

There is an interesting note on the care and feeding of worms on page
67. One hundred and fifty worms are placed in a tin and allowed to work
their way down into packed moss.

"A little fresh milk poured in occasionally is sufficient food," writes
Mr. Garrow-Green, in the style of Dr. Holt. "So disposed, the worms soon
become bright, lively and tough."

It is easy to understand why one should want to have bright worms, so
long as they don't know that they are bright and try to show off before
company, but why deliberately set out to make them tough? Good manners
they may not be expected to acquire, but a worm with a cultivated
vulgarity sounds intolerable. Imagine 150 very tough worms all crowded
together in one tin! "Canaille" is the only word to describe it.

       *       *       *       *       *

I suppose that it is my ignorance of fishing parlance which makes the
following sentence a bit hazy:

"Much has been written about bringing a fish downstream to help drown
it, as no doubt it does; still, this is often impracticable."

I can think of nothing more impracticable than trying to drown a fish
under any conditions, upstream or down, but I suppose that Mr.
Garrow-Green knows what he is talking about.

And in at least one of his passages I follow him perfectly. In speaking
of the time of day for fly-fishing in the spring he says:

"'Carpe diem' is a good watchword when trout are in the humor." At
least, I know a good pun when I see one.




LII

"SCOUTING FOR GIRLS"


"Scouting for Girls" is not the kind of book you think it is. The verb
"to scout" is intransitive in this case. As a matter of fact, instead of
being a volume of advice to men on how to get along with girls, it is
full of advice to girls on how to get along without men, that is, within
reason, of course.

It is issued by the Girl Scouts and is very subtle anti-man propaganda.
I can't find that men are mentioned anywhere in the book. It is given
over entirely to telling girls how to chop down trees, tie knots in
ropes, and things like that. Now, as a man, I am very jealous of my
man's prerogative of chopping down trees and tying knots in ropes, and I
resent the teaching of young girls to usurp my province in these
matters. Any young girl who has taken one lesson in knot-tying will be
able to make me appear very silly at it. After two lessons she could tie
me hand and foot to a tree and go away with my watch and commutation
ticket. And then I would look fine, wouldn't I? Small wonder to me that
I hail the Girl Scout movement as a menace and urge its being nipped in
the bud as you would nip a viper in the bud. I would not be surprised if
there were Russian Soviet money back of it somewhere.

A companion volume to "Scouting for Girls" is "Campward, Ho!" a manual
for Girl Scout camps. The keynote is sounded on the first page by a
quotation from Chaucer, beginning:

  "_When that Aprille with his schowres swoote
  The drought of March hath perced to the roote,
  And bathus every veyne in swich licour,
  Of which vertue engendred is the flour._"

One can almost hear the girls singing that of an evening as they sit
around the campfire tying knots in ropes. It is really an ideal camping
song, because even the littlest girls can sing the words without
understanding what they mean.

But it really lacks the lilt of the "Marching Song" printed further on
in the book. This is to be sung to the tune of "Where Do We Go From
Here, Boys?" Bear this in mind while humming it to yourself:

  _MARCHING SONG

  Where do we go from here, girls, where do we go from here?
  Anywhere (our Captain[5]) leads we'll follow, never fear.
  The world is full of dandy girls, but wait till we appear--
      Then!
  Girl Scouts, Girl Scouts, give us a hearty cheer_!

A very stirring marching song, without doubt, but what would they do if
the leader's name happened to be something like Mary Louise Abercrombie
or Elizabeth Van Der Water? They just couldn't have a Captain with such
a long name, that's all. And there you have unfair discrimination
creeping into your camp right at the start.

In "Scouting for Girls" there is some useful information concerning
smoke signals. In case you are lost, or want to communicate with your
friends who are beyond shouting distance, it is much quicker than
telephoning to build a clear, hot fire and cover it with green stuff or
rotten wood so that it will send up a solid column of black smoke. By
spreading and lifting a blanket over this smudge the column can be cut
up into pieces, long or short (this is the way it explains it in the
book, but it doesn't sound plausible to me), and by a preconcerted code
these can be made to convey tidings.

For instance, one steady smoke means "Here is camp."

Two steady smokes mean "I am lost. Come and help me."

Three smokes in a row mean "Good news!"

I suppose that the Pollyanna of the camping party is constantly sending
up three smokes in a row on the slightest provocation, and then when the
rest of the outfit have raced across country for miles to find out what
the good news is she probably shows them, with great enthusiasm, that
some fringed gentians are already in blossom or that the flicker's eggs
have hatched. Unfortunately, there is no smoke code given for snappy
replies, but in the next paragraph it tells how to carry on a
conversation with pistol shots. One of these would serve the purpose for
repartee.

FOOTNOTES:

[5] Supply Captain's name.




LIII

HOW TO SELL GOODS


The Retail Merchants' Association ought to buy up all the copies of
"Elements of Retail Salesmanship," by Paul Westley Ivey (Macmillan), and
not let a single one get into the hands of a customer, for once the
buying public reads what is written there the game is up. It tells all
about how to sell goods to people, how to appeal to their weaknesses,
how to exert subtle influences which will win them over in spite of
themselves. Houdini might as well issue a pamphlet giving in detail his
methods of escape as for the merchants of this country to let this book
remain in circulation.

The art of salesmanship is founded, according to Mr. Ivey, on, first, a
thorough knowledge of the goods which are to be sold, and second, a
knowledge of the customer. By knowing the customer you know what line of
argument will most appeal to him. There are several lines in popular
use. First is the appeal to the instinct of self-preservation--i.e.,
social self-preservation. The customer is made to feel that in order to
preserve her social standing she must buy the article in question. "She
must be made to feel what a disparaged social self would mean to her
mental comfort."

It is reassuring to know that it is a recognized ruse on the part of the
salesman to intimate that unless you buy a particular article you will
have to totter through life branded as the arch-piker. I have always
taken this attitude of the clerks perfectly seriously. In fact, I have
worried quite a bit about it.

In the store where I am allowed to buy my clothes it is quite the thing
among the salesmen to see which one of them can degrade me most. They
intimate that, while they have no legal means of refusing to sell their
goods to me, it really would be much more in keeping with things if I
were to take the few pennies that I have at my disposal and run around
the corner to some little haberdashery for my shirts and ties. Every
time I come out from that store I feel like Ethel Barrymore in
"Declassee." Much worse, in fact, for I haven't any good looks to fall
back upon.

[Illustration: They intimate that I had better take my few pennies and
run 'round the corner to some little haberdashery.]

But now that I know the clerks are simply acting all that scorn in an
attempt to appeal to my instinct for the preservation of my social self,
I can face them without flinching. When that pompous old boy with the
sandy mustache who has always looked upon me as a member of the
degenerate Juke family tries to tell me that if I don't take the
five-dollar cravat he won't be responsible for the way in which decent
people will receive me when I go out on the street, I will reach across
the counter and playfully pull his own necktie out from his waistcoat
and scream, "I know you, you old rascal! You got that stuff from page 68
of 'Elements of Retail Salesmanship' (Macmillan)."

       *       *       *       *       *

Other traits which a salesperson may appeal to in the customer are:
Vanity, parental pride, greed, imitation, curiosity and selfishness. One
really gets in touch with a lot of nice people in this work and can
bring out the very best that is in them.

Customers are divided into groups indicative of temperament. There is
first the Impulsive or Nervous Customer. She is easily recognized
because she walks into the store in "a quick, sometimes jerky manner.
Her eyes are keen-looking; her expression is intense, oftentimes
appearing strained." She must be approached promptly, according to the
book, and what she desires must be quickly ascertained. Since these are
the rules for selling to people who enter the store in this manner, it
might be well, no matter how lethargic you may be by nature, to assume
the appearance of the Impulsive or Nervous Customer as soon as you enter
the store, adopting a quick, even jerky manner and making your eyes as
keen-looking as possible, with an intense expression, oftentimes
appearing strained. Then the clerk will size you up as type No. 1 and
will approach you promptly. After she has quickly filled your order you
may drop the impulsive pose and assume your natural, slow manner again,
whereupon the clerk will doubtless be highly amused at having been so
cleverly fooled into giving quick service.

       *       *       *       *       *

The opposite type is known as the Deliberate Customer. She walks slowly
and in a dignified manner. Her facial expression is calm and poised.
"Gestures are uncommon, but if existing tend to be slow and
inconspicuous." She can wait.

Then there is the Vacillating or Indecisive Customer, the Confident or
Decisive Customer (this one should be treated with subtle flattery and
agreement with all her views), The Talkative or Friendly Customer, and
the Silent or Indifferent one. All these have their little weaknesses,
and the perfect salesperson will learn to know these and play to them.

There seems to be only one thing left for the customer to do in order
to meet this concerted attack upon his personality. That is, to hire
some expert like Mr. Ivey to study the different types of sales men and
women and formulate methods of meeting their offensive. Thus, if I am of
the type designated as the Vacillating or Indecisive Customer, I ought
to know what to do when confronted by a salesman of the Aristocratic,
Scornful type, so that I may not be bulldozed into buying something I do
not want.

If I could only find such a book of instructions I would go tomorrow and
order a black cotton engineer's shirt from that sandy-mustached salesman
and bawl him out if he raised his eyebrows. But not having the book, I
shall go in and, without a murmur, buy a $3 silk shirt for $18 and slink
out feeling that if I had been any kind of sport at all I would also
have bought that cork helmet in the showcase.




LIV

"YOU!"


In the window of the grocery store to which I used to be sent after a
pound of Mocha and Java mixed and a dozen of your best oranges, there
was a cardboard figure of a clerk in a white coat pointing his finger at
the passers-by. As I remember, he was accusing you of not taking home a
bottle of Moxie, and pretty guilty it made you feel too.

This man was, I believe, the pioneer in what has since become a great
literary movement. He founded the "You, Mr. Business-Man!" school of
direct appeal. It is strictly an advertising property and has long been
used to sell merchandise to people who never can resist the flattery of
being addressed personally. When used as an advertisement it is usually
accompanied by an illustration built along the lines of the pioneer
grocery-clerk, pointing a virile finger at you from the page of the
magazine, and putting the whole thing on a personal basis by
addressing you as "You, Mr. Rider-in-the-Open-Cars!" or "You, Mr.
Wearer-of-141/2-Shirts!" The appeal is instantaneous.

In straight reading-matter, bound in book form and sold as literature,
this Moxie talk becomes a volume of inspirational sermonizing, and
instead of selling cooling drinks or warming applications, it throws
dynamic paragraph after dynamic paragraph into the fight for efficiency,
concentration, self-confidence and personality on the part of our body
politic. A homely virtue such as was taught us at our mother's knee (or
across our mother's knees) at the age of four, in a dozen or so simple
words, is taken and blown up into a book in which it is stated very
impressively in a series of short, snappy sentences, all saying the same
thing.

Such a book is called, for instance "You," written by Irving R. Allen.

       *       *       *       *       *

"You" takes 275 pages to divulge a secret of success. It would not be
fair to Mr. Allen to give it away here after he has spent so much time
concealing it. But it might be possible to give some idea of the
importance of Mr. Allen's discovery by stating one of my own, somewhat
in the manner in which he has stated his. I will give my little
contribution to the world's inspiration the title of

HEY, YOU!

You and I are alone.

No, don't try to get away. That door is locked. I won't hurt you--much.

What I want to do is make you see yourself. I want you, when you put
down this book, to say, "I know myself!" I want you to be able to look
at yourself in the mirror and say: "Why, certainly I remember you, Mr.
Addington Simms of Seattle, you old Rotary Club dog! How's your merger?"

And the only way that you can ever be able to do this is to read this
book through.

Then read it through again.

Then read it through again.

Then ring Dougherty's bell and ask for "Chester."

Now let's get down to business.

I knew a man once who had made a million dollars. If he hadn't been
arrested he would have made another million.

Do you see what I mean?

If not, go back and read that over a second time. It's worth it. I wrote
it for you to read. You, do you hear me? You!

If you want to know the secret of this man's success, of the success of
hundreds of other men just like him, if you want to make his success
your success, you must first learn the rule.

What is this rule? you may ask.

Go ahead and ask it.

Very well, since you ask.

It is a rule which has kept J.P. Morgan what he is. It is a rule which
gives John D. Rockefeller the right to be known as the Baptist man
alive. It is a rule which is responsible for the continued existence of
every successful man of today.

And now I am going to tell it to you.

You, the you that you know, the real you, are going to learn the secret.

Can you bear it?

Here it is:

You can't win if you breathe under water.

Read that again.

Read it backward.

It may sound simple to you now. You may say to yourself, "What do you
take me for, a baby boy?"

Well, you paid good money for this book, didn't you?




LV

THE CATALOGUE SCHOOL


Without wishing in the least to detract from the praise due to Sinclair
Lewis for the remarkable accuracy with which he reports details in his
"Main Street," it is interesting to speculate on how other books might
have read had their authors had Mr. Lewis's flair for minutiae and their
publishers enough paper to print the result.

For instance, Carol Kennicott, the heroine, whenever she is overtaken by
an emotional scene, is given to looking out at the nearest window to
hide her feelings, whereupon the author goes to great lengths to
describe just exactly what came within her range of vision. Nothing
escapes him, even to shreds of excelsior lying on the ground in back of
Howland & Gould's grocery store.

       *       *       *       *       *

Let us suppose that Harriet Beecher Stowe had been endowed with Mr.
Lewis's gift for reporting and had indulged herself in it to the extent
of the following in "Uncle Tom's Cabin:"

"Slowly Simon Legree raised his whip-arm to strike the prostrate body
of the old negro. As he did so his eye wandered across the plantation to
the slaves' quarters which crouched blistering in the sun. Cowed as they
were, as only ramshackle buildings can be cowed, they presented their
gray boards, each eaten with four or five knot-holes, to the elements in
abject submission. The door of one hung loose by a rust-encased hinge,
of which only one screw remained on duty, and that by sheer willpower of
two or three threads. Legree could not quite make out how many threads
there were on the screw, but he guessed, and Simon Legree's guess was
nearly always right. On the ground at the threshold lay a banjo G
string, curled like a blond snake ready to strike at the reddish, brown
inner husk of a nut of some sort which was blowing about within reach.
There were also several crumbs of corn-pone, well-done, a shred of
tobacco which had fallen from the pipe of some negro slave before the
fire had consumed more than its very tip, an old shoe which had, Legree
noticed by the maker's name, been bought in Boston in its palmier days,
doubtless by a Yankee cousin of one of Uncle Tom's former owners, and an
indiscriminate pile of old second editions of a Richmond newspaper,
sweet-potato peelings and seeds of unripe watermelons.

"Swish! The blow descended on the crouching form of Uncle Tom."

       *       *       *       *       *

Or Sir Walter Scott:

"Sadly Rowena turned from her lover's side and looked out over the
courtyard of the castle. Beneath her she saw the cobble-stones all
scratched and marred with gray bruises from the horses' hoofs, a faded
purple ribbon dropped from the mandolin of a minstrel, three slightly
imperfect wassails and a trencher with a nick on the rim, all that had
not been used of the wild boar at last night's feast, a peach-stone like
a wrinkled almond nestling in a sardine tin. Slowly she faced her
knight:

"'Prithee,' she said."

       *       *       *       *       *

And I am not at all sure that "Uncle Tom's Cabin" and "Ivanhoe" wouldn't
have made better reading if they had lapsed into the photographic at
times. Mr. Lewis may overdo it, but I expect to re-read "Main Street"
some day, and that is more encouragement than I can hold out to Mrs.
Stowe or Sir Walter Scott.




LVI

"EFFECTIVE HOUSE ORGANS"


To the hurrying commuter as he waits for his two cents change at the
news stand it looks as if all the periodicals in the United States were
on display there, none of which he ever has quite time enough to buy. It
seems incredible that there should be presses enough in the country to
print all the matter that he sees hanging from wires, piled on the
counter and dangling from clips over the edge, to say nothing of his
conceiving of there being other periodicals in circulation which he
never even hears about. But any one knowing the commuter well enough to
call him "dearie" might tell him in slightly worn vernacular that he
doesn't know the half of it.

One cannot get a true idea of the amount of sideline printing that is
done in this country without reading "Effective House Organs," written
by Robert E. Ramsay. The mass effect of this book is appalling. Page
after page of clear-cut illustrations show reproductions of hundreds and
hundreds of house-organ covers and give the reader a hopeless sensation
of going down for the third time. Such names as "Gas Logic,"
"Crane-ing," "Hidden's Hints," "The Y. and E. Idea," "Vim," "Tick Talk"
and "The Smileage" show that Yankee ingenuity has invaded the publishing
field, which means that the literature of business is on its way to
becoming the literature of the land.

For those who are so illiterate as not to be familiar with the
literature of business, I quote a definition of the word "house organ":

"A house magazine or bulletin to dealers, customers or employees,
designed to promote goodwill, increase sales, induce better salesmanship
or develop better profits."

       *       *       *       *       *

In spite of Mr. Ramsay's exceedingly thorough treatment of his subject,
there is one type of house organ to which he devotes much too little
space. This is the so-called "employee or internal house organ" and is
designed to keep the help happy and contented with their lot and to spur
them on to extra effort in making it a banner year for the stockholders.
The possibilities of this sort of house organ in the solution of the
problem of industrial unrest are limitless.

Publications for light reading among employees are usually called by
such titles as "Diblee Doings," "Tinkham Topics," "The Mooney and
Carmiechal Machine Lather" or "Better Belting News."

First of all, they carry news notes of happenings among the employees,
so that a real spirit of cooperation and team-play may be fostered.
These news notes include such as the following:

"Eddie Lingard of the Screen Room force, was observed last Saturday
evening between the mystic hours of six-thirty with a certain party from
the Shipping Room, said party in a tan knit sweater, on their way to
Ollie's. Come, 'fess up, Eddie!"

"Everyone is wondering who the person is who put chocolate peppermints
in some of the girls' pockets while they were hanging in the Girls' Rest
Room Thursday afternoon, it being so hot that they melted and
practically ruined some of their clothing. Some folks have a funny sense
of humor."

       *       *       *       *       *

Then there are excerpts from speeches made by the Rev. Charles Aubrey
Eaton and young Mr. Rockefeller or by the President and Treasurer of the
Diamond Motor Sales Corporation, saying, in part:

"The man who makes good in any line of work is the man who gives the
best there is in him. He doesn't watch the clock. He doesn't kick when
he fails to get that raise that he may have expected. He just digs into
the job harder and makes the dust fly. And when some one comes along
waving a red flag and tries to make him stop work and strike for more
money, he turns on the agitator and says: 'You get the h---- out of
here. I know my job better than you do. I know my boss better than you
do, and I know that he is going to give me the square deal just as soon
as he can see his way clear to do it. And in the mean time I am going to
WORK!'

"That is the kind of man who makes good."

       *       *       *       *       *

And then there are efficiency contests, with the force divided into
teams trying to see which one can wrap the most containers or stamp the
largest number of covers in the week. The winning team gets a felt
banner and their names are printed in full in that week's issue of "Pep"
or "Nosey News."

And biographies of employees who have been with the company for more
than fifty years, with photographs, and a little notice written by the
Superintendent saying that this will show the company's appreciation of
Mr. Gomble's loyal and unswerving allegiance to his duty, implying that
any one else who does his duty for fifty years will also get his
picture in the paper and a notice by the Superintendent.

It will easily be seen how this sort of house organ can be made to
promote good feeling and esprit de corps among the help. If only more
concerns could be prevailed upon to bring this message of weekly or
monthly good cheer to their employees, who knows but what the whole
caldron of industrial unrest might not suddenly simmer down to mere
nothingness? It has been said that all that is necessary is for capital
and labor to understand each other. Certainly such a house organ helps
the employees to understand their employers.

Perhaps some one will start a house organ edited by the employees for
circulation among the bosses, containing newsy notes about the owners'
families, quotations from Karl Marx and the results of the
profit-sharing contest between the various mills of the district.

This would complete the circle of understanding.




LVII

ADVICE TO WRITERS


Two books have emerged from the hundreds that are being published on the
art of writing. One of them is "The Lure of the Pen," by Flora
Klickmann, and the other is "Learning to Write," a collection of
Stevenson's meditations on the subject, issued by Scribners. At first
glance one might say that the betting would be at least eight to one on
Stevenson. But for real, solid, sensible advice in the matter of writing
and selling stories in the modern market, Miss Klickmann romps in an
easy winner.

It must be admitted that John William Rogers Jr., who collected the
Stevenson material, warns the reader in his introduction that the book
is not intended to serve as "a macadamized, mile-posted road to the
secret of writing," but simply as a help to those who want to write and
who are interested to know how Stevenson did it. So we mustn't compare
it too closely with Miss Klickmann's book, which is quite frankly a
mile-posted road, with little sub-headings along the side of the page
such as we used to have in Fiske's Elementary American History. But
Miss Klickmann will save the editors of the country a great deal more
trouble than Stevenson's advice ever will. She is the editor of an
English magazine herself, and has suffered.

       *       *       *       *       *

Where Miss Klickmann enumerates the pitfalls which the candidate must
avoid and points out qualities which every good piece of writing should
have, Stevenson writes a delightful essay on "The Profession of Letters"
or "A Gossip on Romance." These essays are very inspiring. They are too
inspiring. They make the reader feel that he can go out and write like
Stevenson. And then a lot of two-cent stamps are wasted and a lot more
editors are cross when they get home at night.

On the other hand, the result of Miss Klickmann's book is to make the
reader who feels a writing spell coming on stop and give pause. He finds
enumerated among the horrors of manuscript-reading several items which
he was on the point of injecting into his own manuscript with
considerable pride. He may decide that the old job in the shipping-room
isn't so bad after all, with its little envelope coming in regularly
every week. As a former member of the local manuscript-readers' union, I
will give one of three rousing cheers for any good work that Miss
Klickmann may do in this field. One writer kept very busy at work in the
shipping-room every day is a victory for literature. I used to have a
job in a shipping-room myself, so I know.

If, for instance, the subject under discussion were that of learning to
skate, Miss Klickmann might advise as follows:

1. Don't try to skate if your ankles are weak.

2. Get skates that fit you. A skate which can't be put on when you get
to the pond, or one which drags behind your foot by the strap, is worse
than no skate at all.

3. If you are sure that you are ready, get on your feet and skate.

On the same subject, Scribners might bring to light something that
Stevenson had written to a young friend about to take his first lesson
in skating, reading as follows:

"To know the secret of skating is, indeed, I have always thought, the
beginning of winter-long pleasance. It comes as sweet deliverance from
the tedium of indoor isolation and brings exhilaration, now with a swift
glide to the right, now with a deft swerve to the left, now with a deep
breath of healthy air, now with a long exhalation of ozone, which the
lungs, like greedy misers, have cast aside after draining it of its
treasure. But it is not health that we love nor exhilaration that we
seek, though we may think so; our design and our sufficient reward is to
verify our own existence, say what you will.

"And so, my dear young friend, I would say to you: Open up your heart;
sing as you skate; sing inharmoniously if you will, but sing! A man may
skate with all the skill in the world; he may glide forward with
incredible deftness and curve backward with divine grace, and yet if he
be not master of his emotions as well as of his feet, I would say--and
here Fate steps in--that he has failed."

       *       *       *       *       *

There is, of course, plenty of good advice in the Stevenson book. But it
is much better as pure reading matter than as advice to the young idea
or even the middle-aged idea. It may have been all right for Stevenson
to "play the sedulous ape" and consciously imitate the style of Hazlitt,
Lamb, Montaigne and the rest, but if the rest of us were to try it there
would result a terrible plague of insufferably artificial and affected
authors, all playing the sedulous ape and all looking the part.

On the whole, the Stevenson book makes good reading and Miss Klickmann
gives good advice.




LVIII

"THE EFFECTIVE SPEAKING VOICE"


Joseph A. Mosher begins his book on "The Effective Speaking Voice" by
saying:

"Among the many developments of the great war was a widespread activity
in public speaking."

Mr. Mosher, to adopt a technical term of elocution, has said a mouthful.
Whatever else the war did for us, it raised overnight an army of public
speakers among the civilian population, many of whom seem not yet to
have received their discharge. It is the aim of Mr. Mosher's book to
keep this Landwehr in fighting trim and aid in recruiting its ranks,
possibly against the next war. Until every nation on earth has subjected
its public speakers to a devastating operation on the larynx no true
disarmament can be said to have taken place.

       *       *       *       *       *

In the first place there are exercises which must be performed by the
man who would have an effective speaking voice, exercises similar to
Walter Camp's Daily Dozen. You stand erect, with the chest held
moderately high. (Moderation in all things is the best rule to follow,
no matter what you are doing.) Place the thumbs just above the hips,
with the fingers forward over the waist to note the muscular action.
Then you inhale and exhale and make the sound of "ah" and the sound of
"ah-oo-oh," and, if you aren't self-conscious, you say "wah-we-wi-wa,"
slowly, ten or a dozen times.

"The student should stop at once if signs of dizziness appear," says the
book, but it does not say whether the symptoms are to be looked for in
the student himself or in the rest of the family.

       *       *       *       *       *

The author does the public a rather bad turn when he suggests to student
speakers that, under stress, they might use what is known as the
"orotund." The orotund quality in public speaking is saved for passages
containing grandeur of thought, when the orator feels the need of a
larger, fuller, more resonant and sounding voice to be in keeping with
the sentiment. Its effect is somewhat that of a chant, and here is how
you do it:

The chest is raised and tensed, the cavities of the mouth and pharynx
are enlarged, more breath is directed into the nasal chambers and the
lips are opened more widely to give free passage to the increased volume
of voice.

The effectiveness of the orotund might be somewhat reduced if the
audience knew the conscious mechanical processes which went to make it
up. Or if, in the Congressional Record, instead of (laughter and
applause) the vocal technique of the orator could be indicated, how few
would be the wars into which impassioned Senators could plunge us! For
example, Mr. Thurston's plea for intervention in Cuba:

"The time for action has come. (Tensing the chest.) No greater reason
for it can exist tomorrow than exists today. (Enlarging the cavities of
the mouth.) Every hour's delay only adds another chapter to the awful
story of misery and death. (Enlarging the cavities of the pharynx.) Only
one power can intervene--the United States of America. (Directing more
breath into the nasal chambers.) Ours is the one great nation of the New
World--the mother of republics. (Elevating the diaphragm.) We cannot
refuse to accept this responsibility which the God of the Universe has
placed upon us as the one great power of the New World. We must act!
(Raising the tongue and thrusting it forward so that the edges of the
blade are pressed against the upper grinders.) What shall our action be?
(Lifting the voice-box very high and the edges of the tongue blade
against the soft palate, leaving only a small central groove for the
passage of air.)"

       *       *       *       *       *

The aspirate quality, or whisper, is very effective when well handled,
and the book gives a few exercises for practice's sake. Try whispering a
few of them, if you are sure that you are alone in the room. You will
sound very silly if you are overheard.

a. "I can't tell just how it happened; I think the beam fell on me."

b. "Keep back; wait till I see if the coast is clear."

c. "Ask the man next to you if he'll let me see his programme."

d. "Hark! What was that?"

e. "It's too steep--he'll never make it--oh, this is terrible!"

       *       *       *       *       *

For the cheery evening's reading, if you happen to be feeling low in
your mind, let me recommend that section of "The Effective Speaking
Voice" which deals with "the Subdued Range." The selections for the
practice-reading include the following well-known nuggets in lighter
vein:

"The Wounded Soldier," "The Death of Molly Cass," "The Little Cripple's
Garden," "The Burial of Little Nell," "The Light of Other Days," "The
Baby is Dead," "King David Mourns for Absalom," and "The Days That Are
No More."

After all, a good laugh never does anyone any harm.




LIX

THOSE DANGEROUSLY DYNAMIC BRITISH GIRLS


It is difficult to get into Rose Macaulay's "Dangerous Ages" once you
discover that it is going to be about another one of those offensively
healthy English families. Ever since "Mr. Britling" we have been deluged
with accounts from overseas of whole droves of British brothers and
sisters, mothers and fathers, grandfathers and grandmothers, who all get
out at six in the morning and play hockey all over the place. Each has
some strange, intimate name like "Bim," or "Pleda," or "Goots," and you
can never tell which are the brothers and which the sisters until they
begin to have children along in the tenth or eleventh chapter.

In "Dangerous Ages" they swim. Dozens of them, all in the same family,
go splashing in at once and persist in calling out health slogans to one
another across the waves. There are _Neville_ and _Rodney_ and _Gerda_
and _Kay_, and one or two very old ladies whose relationship to the rest
of the clan is never very definitely established. Grandma, for some
reason or other, doesn't go in swimming that day, doubtless because she
had already been in before breakfast and her suit wasn't dry.

These dynamic British girls are always full of ruddy health and current
information. They go about kidding each other on the second reading of
the Home Rule bill or fooling in their girlish way about the chances of
the Labor candidate in the coming Duncastershire elections. It is
getting so that no novel of British life will be complete without
somewhere in its pages a scene like the following:

"A chance visitor at The Beetles some autumn morning along about five
o'clock might have been surprised to see a trail of dog-trotting figures
winding their way heatedly across the meadow. No one but a chance
visitor would be surprised, however, for it was well known to invited
guests that the entire Willetts family ran cross-country down to the
outskirts of London and back every morning before breakfast, a matter of
fourteen miles. In the lead was, of course, Dungeon in running costume,
followed closely by the flaxen-haired Mid and snub-nosed Boola, then
Arlix and Linny, striving valiantly for fourth place but not reckoning
on the fleet-footed Meeda, who was no longer content to hobble in the
vanguard with Grandpa Willetts and Grandpa's old mother, who still
insisted on cross-country running, although she had long since been put
on the retired list at the Club.

[Illustration: "Why didn't you tell us that you were reading a paper on
birth control?"]

"'Oh, Linny,' called out Dungeon over her shoulder, 'you young minx! Why
didn't you tell us that you were reading a paper on Birth Control at the
next meeting of the Spiddix? Twiller just told me today. It's too
ripping of you!'

"'Silly goose,' panted Linny, stumbling over a hedgerow, 'how about what
the vicar said the other night about your inferiority complex? It was
toppo, and you know it.'

"'It won't be long now before we'll have disenfranchisement through,
anyway,' muttered Grandpa Willetts, crashing down into a stone quarry,
at which exhibition of reaction a loud chorus of laughter went up from
the entire family, who by this time had reached Nogroton and were
bursting with health."




LX

BOOKS AND OTHER THINGS


For those to whom the purple-and-gold filigreed covers of Florence L.
Barclay's books bring a stirring of the sap and a fluttering of the
susceptible heart, "Returned Empty" comes as a languorous relief from
the stolid realism of most present-day writing. One reads it and swoons.
And on opening one's eyes again, one hears old family retainers
murmuring in soft retentive accents: "Here, sip some of this, my lord;
'twill bring the roses back to those cheeks and the strength to those
poor limbs." It's elegant, that's all there is to it, elegant.

"Returned Empty" was the inscription on the wrappings which enfolded the
tiny but aristocratic form of a man-child left on the steps of the
Foundlings Institution one moonless October night. There was also some
reference to Luke, xii., 6, which in return refers to five sparrows sold
for two farthings. What more natural, then, than for the matron to name
the little one Luke Sparrow?

Luke was an odd boy but refined. So odd that he used to go about
looking in at people's windows when they forgot to pull down the shades,
and so refined that he never wished to be inside with them.

But one night, when he was thirty years old, he looked in at the window
of a very refined and elegant mansion and saw a woman. In the simple
words of the author, "in court or cottage alike she would be queen."
That's the kind of woman she was.

And what do you think? She saw Luke looking in. Not only saw him but
came over to the window and told him that she had been expecting him.
Well, you could have knocked Luke over with a feather. However, he
allowed himself to be ushered in by the butler (everything in the house
was elegant like that) and up to a room where he found evening clothes,
bath-salts and grand things of that nature. On passing a box of books
which stood in the hall he read the name on it "before he realized what
he was doing." Of course the minute he thought what an unrefined thing
it was to do he stopped, but it was too late. He had already seen that
his hostess's name was "Lady Tintagel."

When later he met her down in the luxurious dining-room she was just as
refined as ever. And so was he. They both were so refined that she had
to tell the butler to "serve the fruit in the Oak Room, Thomas."

       *       *       *       *       *

Once in the Oak Room she told him her strange tale. It seemed that he
was her husband. He didn't remember it, but he was. He had been drowned
some years before and she had wished so hard that he might come back to
life that finally he had been born again in the body of Luke Sparrow.
It's funny how things work out like that sometimes.

But Luke, who, as has been said before, was an odd boy, took it very
hard and said that he didn't want to be brought back to life. Not even
when she told him that his name was now Sir Nigel Guido Cadross
Tintagel, Bart. He became very cross and said that he was going out and
drown himself all over again, just to show her that she shouldn't have
gone meddling with his spirit life. He was too refined to say so, but
when you consider that he was just thirty, and his wife, owing to the
difference in time between the spirit world and this, had gone on
growing old until she was now pushing sixty, he had a certain amount of
justice on his side. But of course she was Lady Tintagel, and all the
lovers of Florence Barclay will understand that that is something.

So, after reciting Tennyson's "Crossing the Bar," at her request
(credit is given in the front of the book for the use of this poem, and
only rightly too, for without it the story could never have been
written), he goes out into the ocean. But there--we mustn't give too
much of the plot away. All that one need know is that Luke or Sir Nigel,
as you wish (and what reader of Florence Barclay wouldn't prefer Sir
Nigel?), was so cultured that he said, "Nobody in the whole world knows
it, save you and I," and referred to "flotsam and jetson" as he was
swimming out into the path of the rising sun. "Jetsam" is such an ugly
word.

It is only fitting that on his tombstone Lady Tintagel should have had
inscribed an impressive and high-sounding misquotation from the Bible.




LXI

"MEASURE YOUR MIND"


"Measure Your Mind" by M.R. Traube and Frank Parker Stockbridge, is apt
to be a very discouraging book if you have any doubt at all about your
own mental capacity. From a hasty glance through the various tests I
figure it out that I would be classified in Group B, indicating "Low
Average Ability," reserved usually for those just learning to speak the
English language and preparing for a career of holding a spike while
another man hits it. If they ever adopt the "menti-meter tests" on this
journal I shall last just about forty-five minutes.

And the trouble is that each test starts off so easily. You begin to
think that you are so good that no one has ever appreciated you. There
is for instance, a series of twenty-four pictures (very badly drawn too,
Mr. Frank Parker Stockbridge. You think you are so smart, picking flaws
with people's intelligence. If I couldn't draw a better head than the
one on page 131 I would throw up the whole business). At any rate, in
each one of these pictures there is something wrong (wholly apart from
the drawing). You are supposed to pick out the incongruous feature, and
you have 180 seconds in which to tear the twenty-four pictures to
pieces.

       *       *       *       *       *

The first one is easy. The rabbit has one human ear. In the second one
the woman's eye is in her hair. Pretty soft, you say to yourself. In the
third the bird has three legs. It looks like a cinch. Following in quick
succession come a man with his mouth in his forehead, a horse with cow's
horns, a mouse with rabbit's ears, etc. You will have time for a
handspring before your 180 seconds are up.

But then they get tricky. There is a post-card with a stamp upside down.
Well, what's wrong with that? Certainly there is no affront to nature in
a stamp upside down. Neither is there in a man's looking through the
large end of a telescope if he wants to. You can't arbitrarily say at
the top of the page, "Mark the thing that is wrong," and then have a
picture of a house with one window larger than all the others and expect
any one to agree with you that it is necessarily _wrong_. It may look
queer, but so does the whole picture. You can't tell; the big window may
open from a room that needs a big window. I am not going to stultify
myself by making things wrong about which I know none of the facts. Who
am I that I should condemn a man for looking through the large end of a
telescope? Personally, I like to look through the large end of a
telescope. It only shows the state of personal liberty in this country
when a picture of a man looking at a ship through the large end of a
telescope is held before the young and branded as "wrong."

       *       *       *       *       *

Arguing these points with yourself takes up quite a bit of time and you
get so out of patience with the man that made up the examination that
you lose all heart in it.

Then come some pictures about which I am frankly in the dark. There is a
Ford car with a rather funny-looking mud-guard, but who can pick out any
one feature of a Ford and say that it is wrong? It may look wrong but
I'll bet that the car in this picture as it stands could pass many a big
car on a hill.

Then there is a boy holding a bat, and while his position isn't all that
a coach could ask, the only radically wrong thing that I can detect
about the picture is that he is evidently playing baseball in a clean
white shirt with a necktie and a rather natty cap set perfectly straight
on his head. It is true he has his right thumb laid along the edge of
the bat, but maybe he likes to bunt that way. There is something in the
picture that I don't get, I am afraid, just as there is in the picture
of two men playing golf. One is about to putt. Aside from the fact that
his putter seems just a trifle long, I should have to give up my guess
and take my defeat like a man.

But I do refuse to concede anything on Picture No. 22. Here a baby is
shown sitting on the floor. He appears to be about a year and a half
old. Incidentally, he is a very plain baby. Strewn about him on the
floor are the toys that he has been playing with. There are a ball, a
rattle, a ring, a doll, a bell and a pair of roller-skates. Evidently,
the candidate is supposed to be aghast at the roller-skates in the
possession of such a small child.

The man who drew that picture had evidently never furnished playthings
for a small child. I can imagine nothing that would delight a child of a
year and a half more than a pair of roller-skates to chew and spin and
hit himself in the face with. They could also be dropped on Daddy when
Daddy was lying on the floor in an attempt to be sociable. Of all the
toys arranged before the child, the roller-skates are the most logical.
I suppose that the author of this test would insist on calling a picture
wrong which showed a baby with a safety-razor in his hand or an
overshoe on his head, and yet a photograph of the Public Library could
not be more true to life.

That is my great trouble in taking tests and examinations of any kind. I
always want to argue with the examiner, because the examiner is always
so obviously wrong.




LXII

THE BROW-ELEVATION IN HUMOR


After an author has been dead for some time, it becomes increasingly
difficult for his publishers to get out a new book by him each year.
Without recourse to the ouija board, Harper & Brothers manage to do very
well by Mark Twain, considering that all they have to work with are the
books that he wrote when he was alive. Each year we get something from
the pen of the famous humorist, even though the ink has faded slightly.
An introduction by Albert Bigelow Paine and a hitherto unpublished
photograph as a frontspiece, and there you are--the season's new Mark
Twain book.

This season it is "Moments With Mark Twain," a collection of excerpts
from his works for quick and handy reading. We may look for further
books in this series in 1923, 1924, 1925, &c., to be entitled "Half
Hours With Mark Twain" (the selections a trifle longer), "Pleasant
Week-Ends With Mark Twain," "Indian Summer With Mark Twain," &c.

There is an interesting comparison between this sample bottle of the
humor of Mark Twain and that contained in the volume entitled "Something
Else Again," by Franklin P. Adams. The latter is a volume of verse and
burlesques which have appeared in the newspapers and magazines.

In the days when Mark Twain was writing, it was considered good form to
spoof not only the classics but surplus learning of any kind. A man was
popularly known as an affected cuss when he could handle anything more
erudite than a nasal past participle or two in his own language, and any
one who wanted to qualify as a humorist had to be able to mispronounce
any word of over three syllables.

Thus we find Mark Twain, in the selections given in this volume, having
amusing trouble with the pronunciation of Michael Angelo and Leonardo da
Vinci, expressing surprise that Michael Angelo was dead, picking flaws
in the old master's execution and complaining of the use of foreign
words which have their equivalent "in a nobler language--English."

There certainly is no harm in this school of humor, and it has its
earnest and prosperous exponents today. In fact, a large majority of the
people still like to have some one poke fun at the things in which they
themselves are not proficient, whether it be pronunciation, Latin or
bricklaying.

       *       *       *       *       *

But there is an increasingly large section of the reading public who
while they may not be expert in Latin composition, nevertheless do not
think that a Latin word in itself is a cause for laughter. A French
phrase thrown in now and then for metrical effect does not strike them
as essentially an affectation, and they are willing to have references
made to characters whose native language may not have been that noblest
of all languages, our native tongue.

That such a school of readers exists is proved by the popularity of
F.P.A's verses and prose. If any one had told Mark Twain that a man
could run a daily newspaper column in New York and amass any degree of
fame through translations of the "Odes of Horace" into the vernacular,
the veteran humorist would probably have slapped Albert Bigelow Paine on
the back and taken the next boat for Bermuda. And yet in "Something Else
Again" we find some sixteen translations of Horace and other
"furriners," exotic phrases such as "eheu fugaces" and "ex parte" used
without making faces over them, and a popular exposition of highly
technical verse forms which James Russell Lowell and Hal Longfellow
would have considered terrifically high-brow. And yet thousands of
American business men quote F.P.A. to thousands of other American
business men every morning.

       *       *       *       *       *

Can it be said that the American people are not so low-brow as they like
to pretend? There is a great deal of affectation in this homespun frame
of mind, and many a man makes believe that he doesn't know things simply
because no one has ever written about them in the American Magazine. If
the truth were known, we are all a great deal better educated than we
will admit, and the derisive laughter with which we greet signs of
culture is sometimes very hollow. In F.P.A. we find a combination which
makes it possible for us to admit our learning and still be held
honorable men. It is a good sign that his following is increasing.




LXIII

BUSINESS LETTERS


A text-book on English composition, giving examples of good and bad
letter-writing, is always a mine of possibilities for one given to
ruminating and with nothing in particular to do. In "Business Man's
English" the specimen letters are unusually interesting. It seems almost
as if the authors, Wallace Edgar Bartholomew and Floyd Hurlbut, had
selected their examples with a view to their fiction possibilities. It
also seems to the reader as if he were opening someone else's mail.

For instance, the following is given as a type of "very short letter,
well placed":


       *       *       *       *       *

Mr. Richard T. Green,
Employment Department,
Travellers' Insurance Co.,
Chicago, Ill.

Dear Mr. Green:

The young man about whom you inquire has much native ability and while
in our employ proved himself a master of office routine.

I regret to say, however, that he left us under circumstances that
would not justify our recommending him to you.

Cordially yours,

C.S. THOMPSON

       *       *       *       *       *

Now I want to know what those "circumstances" were. And in lieu of the
facts, I am afraid that I shall have to imagine some circumstances for
myself. Personally, I don't believe that the "young man" was to blame.
Bad companions, maybe, or I shouldn't be at all surprised if he was
shielding someone else, perhaps a young lady stenographer with whom he
was in love. The more I think of it the more I am sure that this was the
secret of the whole thing. You see, he was a good worker and had, Mr.
Thompson admits, proved himself a master of office routine. Although Mr.
Thompson doesn't say so, I have no doubt but that he would have been
promoted very shortly.

And then he fell in love with a little brown-eyed stenographer. You know
how it is yourself. She had an invalid mother at home and was probably
trying to save enough money to send her father to college. And whatever
she did, it couldn't have been so very bad, for she was such a nice
girl.

Well, at any rate, it looks to me as if the young man, while he was
arranging the pads of paper for the regular Monday morning conference,
overheard the office-manager telling about this affair (I have good
reason to believe that it was a matter of carelessness in the payroll)
and saying that he considered the little brown-eyed girl dishonest.

At this the young man drew himself up to his full height and, looking
the office-manager squarely in the eye, said:

"No, Mr. Hostetter; it was I who did it, and I will take the
consequences. And I want it understood that no finger of suspicion shall
be pointed at Agnes Fairchild, than whom no truer, sweeter girl ever
lived!"

"I am sorry to hear this, Ralph," said Mr. Hostetter. "You know what
this means."

"I do, sir," said Ralph, and turned to look out over the chimney-pots of
the city, biting his under lip very tight.

And on Saturday Ralph left.

       *       *       *       *       *

Since then he has applied at countless places for work, but always they
have written to his old employer, Mr. Thompson, for a reference, and
have received a letter similar to the one given here as an example.
Naturally, they have not felt like taking him on. You cannot blame them.
And, in a way, you cannot blame Mr. Thompson. You see, Mr. Hostetter
didn't tell Mr. Thompson all the circumstances of the affair. He just
said that Ralph had confessed to responsibility for the payroll mix-up.
If Mr. Thompson had been there at the time I am sure that he would have
divined that Ralph was shielding Miss Fairchild, for Mr. Thompson liked
Ralph. You can see that from his letter.

But as it stands now things are pretty black for the boy, and it
certainly seems as if in this great city there ought to be some one who
will give him a job without writing to Mr. Thompson about him. This
department will be open as a clearing-house for offers of work for a
young man of great native ability and master of office routine who is
just at present, unfortunately, unable to give any references, but who
will, I am quite sure, justify any trust that may be placed in him in
the future.






ture.






tify any trust that may be placed in him in
the future.