ICK^BKSfi 
 
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 A. ^UflLDJE: 
 
 TO THE 
 
 LITERATURE OF /ESTHETICS.
 
 
 For Reading Room Only
 
 SOUTHERN B" 
 
 'ERSITY OF CALit-Uh 
 
 LIBRARY, 
 ILOS ANGELES, CAHF.
 
 A GUIDE 
 
 TO THE 
 
 LITERATURE OE ^ESTHETICS. 
 
 BY 
 
 CHARLES MILLS GAYLEY, 
 
 Professor of the English Language and Literature in the University of Ca'ifornia ; 
 
 AND 
 
 FRED NEWTON SCOTT, Ph.D., 
 
 Assistant Professor of English in the University of Michigan. 
 
 [Supplement to the Report of the Secretary of the Board of Regents, 
 
 University of California.] 
 
 4281U 
 
 BERKKLEY 
 1890.
 
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 2l 
 
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 TABLE OF CONTEXTS. 
 
 TAGK. 
 
 Preface 
 
 o 
 
 I. Esthetic Doctrines 9-43 
 
 A. Historico-Critical 9 
 
 B. Original Sources 11 
 
 I. Ancient and Mediaeval 11 
 
 ^ 2. Modern 15 
 
 I a. English and American 15 
 
 ~ ]\Iinor References 2, 
 
 0^ b. German 25 
 
 ^^ Minor References 34 
 
 c. French 35 
 
 Minor References 40 
 
 d. Italian 41 
 
 ' 3. Psychology of ^Esthetics . . . • 42 
 
 \ II. Subject-Matter ok Esthetic Theory 44-46 
 
 y A. The Agreeable and the Beautiful; the Sublime and the 
 
 Pathetic 44 
 
 B. The Mysterious, the Awful, the Horrible, etc 45 
 
 \^ C. The Incongruous, the Ludicrous, the Grotesque, etc. ... 46 
 
 c III. The Fine Arts. [Except Literature.] 47-50 
 
 ^^ A. Histories of Art 47 
 
 I. General 47 
 
 J 2. Ancient and MediiEval 48 
 
 3. Renaissance and Modern 49 
 
 B. Treati.ses on the Arts in General * 50 
 
 C. Special Treatises on the Different Arts 53-72 
 
 1. Architecture '53 
 
 2. Sculpture. . . 57 
 
 3. Ceramics 59 
 
 4. Painting 61 
 
 a. Histories and Biographies 61 
 
 b. Treatises on Painting 65 
 
 5. Engraving, Etching, etc. . . 67 
 
 6. Music 69 
 
 a. Histories of Music . . 69 
 
 b. Treatises on Music. 70
 
 6 TABLE OF CONTENTS. 
 
 - ( ^ 
 
 PAGE. 
 
 IV. IvITerature; 73-107 
 
 A. Histories and Theories in General 73 
 
 B. Poetry 76 
 
 1. General 76 
 
 2. Epic 83 
 
 3. Lyric 86 
 
 4. Drama 88 
 
 a. General 88 
 
 b. Tragedy 92 
 
 c. Comedy 95 
 
 d. Histrionics 97 
 
 5. Miscellaneous Poetical Types 99 
 
 6. Technique of Verse loi 
 
 C. Prose 104 
 
 1. The Novel 104 
 
 2. Technique of Prose ... 107 
 
 V. Criticism 108 
 
 VI. MiscEiyi^ANEOUs 115
 
 PREFACE. 
 
 Neither exhaustiveness nor ideal completeness of classifica- 
 tion is claimed for this guide to the literature of aesthetics. It 
 is mainly a list of the books consulted, in two libraries, during 
 the preparation of lectures on ^^^sthetics, and of a text-book on 
 Literar}' Criticism. Whatever claim to consideration it may 
 possess must be based on the fact that most of the works cited 
 have been found valuable by the college classes of one or the 
 other of the compilers, and that the more important subject- 
 matter has been indicated b}" definite references to volume and 
 page. The compilers hope that the simple scheme of classifica- 
 tion adopted by them may prove an efficient time-saver to the 
 student of aesthetics. 
 
 They deem it, however, only just to themselves to say that, 
 since this is but the first of a series of bibliographies designed to 
 cover a considerable portion of the field of sesthetic inquiry, the 
 list here given is necessarily of a general character. The hand- 
 books that follow will take up, in turn, special aspects of the 
 subject. For this reason minute subdivisions have, in this 
 pamphlet, been avoided; nor has any pains been taken to bring 
 together, bj^ means of cro.ss- references, all the matter upon any 
 one topic. The books and articles consulted have been classi- 
 fied as wholes, and assigned to the divisions into which they 
 most obviously fall, or into which there seems least objection 
 to putting them. Few titles have been repeated; nor has it 
 seemed feasible to supj^ly from treatises of a general or miscel- 
 laneous character the gaps resulting from an absence of appro- 
 l)riate monographs. A more liberal policy would have stretched 
 the line of references to the crack of doom. I'^or a like reason 
 the compilers have refrained from conunents upon the merits of 
 the various authorities cited. They have, however, while 
 treating of the Sicbjcct-Mattej' of Aisthctic llicory, of Types of 
 Literature, and of Critieisni, permitted themselves to su])i)k'-
 
 PREFA CE. 
 
 ment monographs and sporadic articles by indication of, or refer- 
 ence to, more exhaustive treatises already elsewhere classified. 
 
 It will be the aim of future bibliographies to take up special 
 topics of aesthetic criticism, to analyze them minutely, and to 
 collect from available sources whatever references are found to 
 bear upon them. Such a bibliography in respect of lyiterary 
 Criticism has been prepared, and will shortly be sent to press. 
 
 In the collection of material the work has of necessity been 
 confined to two University libraries, neither of which is so 
 well equipped with special treatises on aesthetics as might be 
 desired. Furthermore, since the list has been, in general, 
 limited to works consulted at the shelves, the compilers have 
 been, at times, reduced to the citation of an inferior edition, 
 although they knew that a later and, presumably, better edition 
 existed. But to bow to this inevitable has seemed wiser than to 
 circulate information at second hand. Of course, in a few cases, 
 reference has been made to volumes not owned by either library, 
 volumes, however, altogether too important to be omitted from 
 a general list. 
 
 A few signs and abbreviations may need explanation. Prog, 
 means that the work is one of the numerous and valuable Ger- 
 man S chit l-Progranime . The letter p. before numbers is used, 
 even in case of foreign works, for page, and is omitted after the 
 first reference. If the first reference is to paragraphs or sections, 
 the following numbers, unless otherwise indicated, have the same 
 significance. In the references to subject-matter, the subject fol- 
 lows immediately, and without punctuation, the number of the 
 page or paragraph. 
 
 The compilers desire to acknowledge their indebtedness to 
 Mr. J. C. Rowell, L,ibrarian of the University of California, 
 whose counsel and ready aid in all matters technical and biblio- 
 graphical, have rendered the preparation of this work much less 
 laborious than thev had feared. 
 
 June, 1890.
 
 A GUIDE 
 
 LITERATURE OF ESTHETICS, 
 
 I. ^ESTHETIC DOCTRINES. 
 
 A. Historico-Critical. 
 
 Burt, B. C. A Brief Histor}- of Greek Philosophy. Boston: 
 1889. 
 
 p. 63 Socrates, loS Plato, 1S3-5 Aristotle. 
 
 Chaignet, A., ed. Histoire de la Psychologic des Grecs. 
 Paris: 1887. 
 
 Tome Premier: Histoire de la Psychologie des Grecs avant et aprgs Aristote. 
 P. 156-S Socrates, 233-41 Plato. 
 
 Egger, E. Essai sur I'Histoirc dc la Critique chez les Grecs. 
 2'^ ed. Paris: 1886. 
 
 Encycl. Brit. 9th ed. "Esthetics." Jas. Sully. 
 
 Erdmann, J. E. Gruudriss der Geschichte der Philosophic. 
 2 V. 3'" Aufl. Berlin: 1878. 
 
 See index under " Plato," "Aristotle," " Kaiit," etc. 
 
 — — Engl. Trans. VA. by \V. S. Hough. 3 v. Eond. and 
 N. Y.: 1890. 
 
 Guhl, E., and Koner, W. The Life of the Greeks and Romans 
 described from .Vntique Monuments. Trans, from 3d Ger- 
 man ed. by F. Hueffer. Illust. Lond.: 1877. 
 
 Hartmann, E. von. Ausgewahlte Werke. Berlin: 1887. 
 
 9-12 Hft. Die dcutschc ^isthctik seit Kant. i. Ilistorisch-krit. Thl. der 
 v^-sthetik.
 
 lo A GUIDE TO THE 
 
 Lotze, H. Geschichte der ^stlietik in Deutschland. Miin- 
 chen: 1868. 
 
 Schasler, M. Kritisclie Geschichte der ^sthetik. 2 v. Ber- 
 lin: 1872. 
 
 Ueberweg-, F. History of Philosophy. Trans, by G. S. Mor- 
 ris. 2 V. N. Y.: 1872-4. 
 
 See index in v. 2 under "Esthetics," "Art," " Beautiful," etc. 
 
 Zeitschrift fiir Philos. 89 [Beigabeheft]: i. Ueber einige 
 Principienfehler der niodernen ^sthetik. Max. Schasler. 
 
 Zimmerman, R. Geschichte der ^sthetik als Philosophi- 
 scher Wissenschaft. Wien: 1858.
 
 LITERATURE OF ESTHETICS. ii 
 
 B. Original Sources. 
 
 /. Ancient and Medicsval. 
 
 Aristotle. De Arte Poetica [Vahlen's Text] with Trans, b}^ 
 E. R. Wharton. Oxford: 1883. 
 
 — A Commentan,' ilkistrating the Poetic of Aristotle ... to 
 
 which is prefixed . . . the Trans, of the Poetic. By H. 
 J. Pye. Lond. : 1792. 
 
 — Treatise on Poetn,-. Translated; with Notes . . . and two 
 
 Dissertations. By Thos. Twining. 2d ed. 2 v. By D. 
 Twining. Lond.: 1812. 
 
 p. 3-93 Imitatiou. 
 
 — De Poetica. Griechisch und deutsch; und mit . . . An- 
 
 merkungen von F. Susemihl. 2'" Aufl. Leipz.: 1S74. 
 
 — Donaldson, J. \V. The Theatre of the Greeks. 4th ed. 
 
 Camb. : 1836. 
 
 p. 155-194 Twiniag's Traus. of the Poetics. 
 
 — The Nicomachean Ethics. Trans, by F. H. Peters. Eond. : 
 
 1881. 
 
 p. 131-3 Wit, 1S5-9 Art. 
 
 — The Metaphysics. Trans, by J. H. McMahon. Bohn Eibr. 
 
 Lond.: 1857. 
 p. 4-6, 320. 
 
 — Opera Omnia. Graece et Latine. 5 v. Paris: 1862-74. 
 
 V. I. Rhetoric, Poetics, Politics; v. 2, Ethics, Metaphysics; v. 5, Index. 
 
 — The Politics. Trans. . . . by J. E. C. Welldon. Lond.: 
 
 1883. 
 
 p. 227-249 Music,' 245-6 Purging of the Emotions. 
 
 — The Rhetoric. Trans. . . . by J. E. C. Welldon. Lond.: 
 
 1886. 
 
 Bk. 2, c. 5, 8. 
 
 — Biesc, F. Die Philosophic des Aristoteles. 2 v. Berlin: 
 
 1835-42. 
 
 Bd. 2, p. 661-732 .^sthctik.
 
 12 A GUIDE TO THE 
 
 Aristotle. Bruning, G. Ueber die tragische F'urcht in der 
 Poetik des Aristoteles. Prog. 
 
 — Doring, A. Die Kunstlehre des Aristoteles. Jena: 1876. 
 
 — Frohschammer, J. Ueber die Principien der Aristotelischen 
 
 Philosophie. Mlinchen: 1881. 
 
 p. 98-106 Die Kuiist als allgemeiue Analogic iu der Aristotelischen Welterkla- 
 rung. 
 
 — Herrig's Arcliiv. 40:145-8. Ueber die Aristotelisciie Katliar- 
 
 sis. 
 
 Prog. 47:342. L,essing's und Goethe's Ansichten liber 
 
 d. Arist. Katbarsis. 
 
 — Manns, P. Die Uebre des Aristoteles von der tragiscben 
 
 Katbarsis und Hamartia. Karlsrube: 1883. 
 
 Reviewed in Zeitschrift fiir Philos. 86:130. 
 
 — Raumer, F. von. Ueber die Poetik des Aristoteles. Pam- 
 
 pblet. 115 p. 
 
 — Stiester, T. Ueber die Katbarsis in der Poetik des Aristot- 
 
 eles. Prog. 
 
 — Teicbmliller, G. Aristoteliscbe Forschungen. 3 v. in i. 
 
 Halle: 1867-9. 
 
 I, Beitrage zur Erklarung der Poetik des Aristoteles; II, Aristoteles Philosophie 
 der Kunst. 
 
 — Ueberweg, F. History of Pbilosopby. Ed. Cit. \. i., 
 
 p. 177-180. Aristotle's ^stbetics. 
 
 — Wallace, K. Outlines of the Philosoph>^ of Aristotle. Ox- 
 
 ford: 1880. 
 
 — Zeller, E. Die Philosophie der Griechen. 3"'Aufl. Leipz. : 
 
 1879. 
 
 Theil 2, Abtli. 2 Aristoteles und die alten Peripatetiker, p. 763-87 Die Kunst- 
 theorie. 
 
 Augustine, St. Opera Omnia. 12 v. in 16. Paris: 1877. 
 
 V. I, p. 1082-1194 De Musica. See also index in v. ii under " Poesis," " Poetae," 
 etc.
 
 LITERATURE OF ESTHETICS. 13 
 
 Cicero, M. Tullius. Ue Oratore libri tres. 2 v. Ed. by 
 A. S. Wilkins. Oxford: 1879. 
 
 — Bnitus de Claris Oratoribus. Erkl. von Otto Jahn. Berl. : 
 
 1865. 
 
 — Cicero on Oratory and Orators. (De Ovatore and Brutus.) 
 
 Tr. by J. S. Watson. N. Y.: i860. 
 
 Horace. Works. Trans, by C. Smart. Bohn ed. Lond.: 
 
 1858. 
 
 p. 299-325 Art of Poetry. 
 
 — Works. Trans, into English verse ... by Sir T. Martin. 
 
 2 V. Edinb.: 1881. 
 
 V. 2, p. 373-402 Art of Poetrj'. 
 
 — Xettleship, H. Eectures and Essays. Oxford: 1885. 
 
 p. 16S-187 Horace's De Arte Poetica. 
 
 Longinus, Dionysius. Quae Supersunt Graece et Latine. 
 Recens ... J. Toupius. Ace. emend. D. Ruhnkenii. 
 Editio altera. Oxford: 1778. 
 
 — On the Sublime. Trans, from the Greek. With notes . . . 
 
 by Wm. vSmith. 5th ed. Eond. : 1800. 
 
 — Traite du Sublime traduit du Grec. 
 
 See Boileau, Oeuvres Compl., p. 240-282. 
 
 Plato. The Dialogues of Plato. Trans. ... by B. Jowett. 
 4 V. N. Y.: 1872. 
 
 V. I, Ion, Phffido, Symposium, Phsedrus; v. 2, Republic [bk. 2, 376-3^3; bk. 3, 3S6- 
 404; bk. 7; bk. 9, 580-591; bk. 10, 595-608]; v. 3, Gorgias, Philebus; v. 4, Laws 
 [bk. 2; bk. 4, 719; bk. 7, 796-803, 811-17; bk. 8, 829-]. Reference to marginal 
 numbers. 
 
 — Abbott, E. Index to Plato compiled for the Second Edition 
 
 of Prof Jowett's Trans, of the Dialogues. Oxford: 1875. 
 
 \Ed.'] Hellenica. Oxford: 1880. 
 
 P. 67-180 The Theory of }%ducatioii in the Republic of Plato, by II. Nettleship ; 
 88-154 Literature and Art. 
 
 — Works. Bohn Eibr. 6 y. Loud.: 1854-61. 
 
 V. I, Phiedo (p. 80-81, 106-7), Gorgias, Phiedrus; v. 2, Republic p. 57-85, 202-231, 
 270-283, 284-298; V. 3, Banquet; v. 4, PhiUbns, Ion; v. 5, Laws [bk. 2; bk. 4, 144-5; 
 bk. 7, 261-276, 288-300; bk. 8, 312-5].
 
 14 A GUIDE TO THE 
 
 Plato. The Republic. Trans. . . . b}^ J. I^. Davies and D. J. 
 Vaughan. 2d ed. Camb. : 1858. 
 
 Loc. cit. in Jowett's Trans. Also 3d ed. 1866, and 4th ed. 186S. 
 
 — Zeller, K. Plato and the Older Academy. Trans, by S. F. 
 
 Alleyne and A. Goodwin. L,ond. • 1876. 
 p. 505-16. 
 
 Quintilian. The Institutes of Oratory. Trans, by J. S. Wat- 
 son. Bohn Libr. 2 v. I^ond.: 1882. 
 
 Xenophon. The Anabasis . . . and the Memorabilia. Trans, 
 by J. S. Watson. L^ond. : 1859. 
 
 p. 447-50 Socrates on Beaut}', 454-6 Painting and Sculpture, 499 Beauty. 
 
 — Minor Works. . . . Trans, by J. S. Watson. Bohn L,ibr. 
 
 Ivond. : 1857. 
 
 p. 176-178 Banquet, c. 5.
 
 LITERATURE OF ^ESTHETICS. 15 
 
 2. Modern. 
 
 a. English and American. 
 Addison, Jos. Works. 6 v. Lond.: 1811. 
 
 V. 4, p. 336-377; Spectator, Nos. 411-421 Imagiuation. 
 
 Alden, Jos. Elements of Intellectual Pliilosoph5\ N. Y. : 
 1866. 
 
 p. 147-162 Coguition of Beautj-. 
 
 Alison, Archibald. Essa3-s on the Nature and Principles of 
 Taste. 2 V. Edinb.: 1825. 
 
 — Blackw. 13:385. Alison explained b}' Jeflfre}'. 
 Allen, G. Physiological Esthetics. N. Y.: 1877. 
 
 — The Color-Sense. Boston: 1879. 
 
 — Mind 2:387. Grant Allen's Physiological Esthetics. J. 
 
 Sully. 
 
 — — 5:445- Esthetic Evolution in Man. G. Allen. 
 
 — Nation 25:185. Grant Allen's Ph5-siological .Esthetics. 
 
 \V. James. 
 
 Allston, Washington. Eectures on Art, and Poems. Ed. by 
 R. H. Dana. N. Y.: 1850. 
 
 Bacon, Francis. Works. Ed. by Spedding and others. 15 v. 
 N. Y. 
 
 V. 2, p. 186-8. 220-6; V. 3, 40; V. 4, 225-32; V. 6, 182-3, 202-6, 337, 418-9; V. 7, 285-7; V. 
 8, 407-9. 439-44; V. 9, 220; V. 10, 403-5- 
 
 — Fischer, Kuno. Francis Bacon und seine Nachfolger. 2** 
 
 Aufl. Eeipzig: 1875. 
 
 p. 269-283 Bacon's Poetik. 
 
 Bain, Alex. The Emotions and the Will. Eond. : 1859. 
 
 1'. 65, 91-2, 117, 143, 153 [I.aughter, 156, 182-3, 196-". 204, 225 Imitation, 246, 247-285 
 [c. 14] The ^^sthetic Kinotions. 
 
 — Mental Science. N. Y. : 1870. 
 
 p. 106 Association in I-inc Art, 122-3 Acquisitions in the Fine Arts, 149, 172-4, 289- 
 317 ^sth. Kniotions.
 
 i6 A GUIDE TO THE 
 
 Bain, Alex. The Senses and the Intellect. 2d ed. L,ond. : 1 864. 
 
 P- 452-454, 543-550, 555. 604-5, 614-624. 
 
 Bascom, J. Esthetics; or, The Science of Beauty. Newed., 
 rev. and enl. N. Y. : 1886. 
 
 Begg, W. P. The Development of Taste, and other Studies 
 in Esthetics. Glasgow: 1887. 
 
 — Rev. Philos. 23:654. W. P. Begg. The Development of 
 
 Taste. [Review.] 
 
 Bell, Sir Chas. The Anatomy and Philosophy of Expression 
 as connected with the Fine Arts. 6th ed. I^ond. : 1872. 
 
 Blackie, J. S. On Beauty . . . with an exposition of the Doc- 
 trine of the Beautiful according to Plato. Edinb. : 1858. 
 
 — Contemp. 43:813. Philosophy of the Beautiful. J. S. Blackie. 
 
 Blair, H. Eectures on Rhetoric and Belles Eettres. Phila. : 
 i860. 
 
 Brown, Thos. Lectures on the Philosophy of the Human 
 Mind. 4 V. Edinb.: 1851. 
 
 V. 3, p. 61-197, 171 Hobbes's Theory of the Ludicrous. 
 
 Burke, Edmund. Philosophical Inquiry into the Origin of 
 Our Ideas of the Sublime and Beautiful. Eond. : 1821. 
 
 — An Essay on the Sublime and Beautiful. Cassel's Nat. 
 
 Libr. N. Y. 
 
 Carlyle, Th. On Heroes, Hero-Worship and the Heroic. 
 
 N. Y.: 1846. 
 
 Lect. 3, The Hero as Poet. Lect. 5, The Hero as Man of Letters. 
 
 — Critical and Miscellaneous Essay's. 4 V. Lond. : 1857. 
 
 Coleridge, S. T. Complete Works. Ed. by Prof. Shedd. 
 7 V. N. Y.: 1853-4. 
 
 V. 3, Biographia Literaria, c. 3-4, 10-22; v. 4, p. 19-22 Definition of Poetry, 22-46 
 Drama, 275-285 The Ludicrous, 328-336 Poesy as Art, 337-343 Style, 368-70 Taste, 
 370-3 Beauty, 387-8 Wonderfulness of Prose. 
 
 — Eiterary Remains. Ed. by H. N. Coleridge. 4 v. Eond. : 
 
 1836-9. 
 
 v. 2, p. 7-12 Definition of Poetry, 12-53 Drama, 372-3 Wonderfulness of Prose.
 
 L I TERA Tl ^RE OF .^S THE TICS. 1 7 
 
 Dallas, E. S. The Gay Science. 2 v. Lond.: 1866. 
 
 Day, H. N. The Principles of Esthetics. N. Y.: 1876. 
 
 Digby, Sir K. Two Treatises . . . The Nature of Bodies 
 . . . The Nature of Man's Soul. Lond.: 1658. 
 
 Second Treatise, p. 35 Poetry. 
 
 Dryden, J. Works. Ed. b}- Sir Walter Scott. i8v. Lond.: 
 1808. 
 
 V. 2, p. 265-289 Defense of an Essay of Dramatic Poesy; v. 4, 16-27 Of Heroic 
 Plays, 211-228 Dramatic Poetrj'; v. 15, 293-3S2 An Essay of Dramatic Poesy, 
 385-396 Answer to Rymer: v. 17, 286-332 Poetry and Painting, 33^499 Trans, of 
 Du Fresnoy's Art of Painting. 
 
 Emerson, R. W, Complete Works. Riverside ed. ii v. 
 Boston: 1883-4. 
 
 V. I [Nature, etc.], p. 21-30 Beauty, 149-1S0 Literary Ethics; v. 2 [Essays— First 
 Series], 327-343 Art; v. 3 [Essays— Second Series], 9-45 The Poet; v. 6 [Conduct 
 of Life], 265-290 Beauty; v."_7 [Society and Solitude], 41-59 Art; v. 8 [Letters and 
 Social .\ims], 9-75 Poetry and Imagination, 151-166 The Comic. 
 
 Everett, C. C. Poetry, Comedy and Duty. Boston: 1888. 
 
 — The Science of Thought. Boston: 1882. 
 
 p. 153-163 Propositions of Beauty, 221-232 The Logic of .Esthetics. 
 
 Field, Geo. Outlines of Analogical Philosophy. 2 v. Lond.: 
 1839. 
 
 V. 2, p. 103-1S8. 
 
 Gray, Thos. Works in Prose and A'erse. Ed. by E. Gos.se. 
 4 V. Lond.: 1884. 
 
 V. 1, p. 293-302 Xorman .Architecture, 322-386 Metre and Rhyme. 
 
 Hamilton, E. J. The Human Mind. N. Y.: 1883. 
 p. 491-501. 
 
 Hamilton, Sir Wm. Lectures on Metaphj^sics and Logic. 2 v. 
 Boston: i860. 
 
 V. I, p. 623-633 [Lect. 46] The Beautiful and the Sublime. 
 
 — Scottish Metaphysics Reconstructed. [Anon.] Pvdinb. : 1887. 
 
 p. 192-203 Crit. of Hamilton's .lEsthetics. 
 
 Harris, Geo. A Philosophical Treatise on the Nature and 
 Constitution of Man. 2 v. Lond.: 1876. 
 
 V. 2, p. 316-351.
 
 1 8 A GUIDE TO THE 
 
 Harris, Geo. The Theory of the Arts. 2 v. L,ond.: 1869. 
 
 Hartley, David. Observations on Man. 6th [ed. L,ond. : 
 1834. 
 
 p. 262-278, 473-481 Pleasures and Paius of Imagination. 
 
 Hazlitt, W. Lectures on the English Poets and English 
 Comic Writers. Bohn Eibr. lyond. : 1876. 
 
 I, p. 1-25 Poetry; II, 1-36 Wit and Humor, 142-180 English Novelists, 181-204 
 Hogarth, 205-232 Comic Writers of the Last Century. 
 
 — Literary Remains. 2 v. Lond.: 1836. 
 
 V. I, p. 33-60 Wit; V. 2, III- 192 The Fine Arts. 
 
 — The Round Table, etc Bohn Libr. Lond.: 1871. 
 
 p. 14-20 Modern Comedy, 51-57 Milton's Versification, T02-9 Imitation, 109-113 
 Gusto, 229-235 Progress of Art. 
 
 Hobbes, Thos. English Works. Ed. by Sir Wm. Moles- 
 worth. Lond.: 1839-45. 
 
 V. 3, p. 3-17, 58; V. 4, 441-460 Answer to Davenant's Preface before Gondibert. 
 
 Hodgson, Shadworth H. The Theory of Practice. 2 v. 
 Lond.: 1870. 
 
 v. I, p. 264-305 Poetical Emotions. 
 
 Hopkins, Mark. An Outline Study of Man. N. Y.: 1873. 
 p. 199-202. 
 
 Hume, David. Essays and Treatises on Several Subjects. 
 2 V. Lond.: 1768. 
 
 V. I, p. 217-222 of Simplicity and Refinement in Writing, 244-254 Tragedy, 255- 
 281 Of the Standard of Taste. 
 
 — Philosophical Works. 4 v. Boston: 1854. 
 
 V. 2, p. 30-36 of Beauty and Deformity; v. 3, 211-216 Of Simplicity and Refine- 
 ment in Writing, 237-247 Of Tragedy, 248-273 Of the Standard of Taste; v. 4, 
 517-522 Of Essay Writing. 
 
 — A Treatise on Human Nature. Ed. by T. H. Green and 
 
 T.H.Grose. 2 v. Lond.: 1878. 
 
 v. 2, p. 95-99 of Beauty and Deformity, 151-2, 336-7. 
 
 Hutcheson, Francis. A System of Moral Philosophy. 2 v. 
 Lond.: 1855. 
 
 V. I, p. 15-19 Pleasures of Imagination, 86-7, 145-6 Tragedy.
 
 LITERATURE OF .ESTHETICS. 19 
 
 Jeffrey, F. Contributions to the Edinburgh Review. N. Y. : 
 
 1S60. 
 
 p. 13-3Q Alisou ou Taste. 
 
 — Ed. R. 7 : 307. In \\'hat Does Beauty Consist? E. Jeffrey. 
 18:1. AHson on Beaut}-. F. Jeffrey. 
 
 — Eucycl. Brit.. 8th ed. "Beauty." F. Jeffrey. 
 
 — Westm. 53 : I. Jeffre^-'s Theor>^ of Beauty. 
 Johnson, S. Works. 11 v. Oxford: 1825. 
 
 V. 2, Rambler, No. 4 Romance, 36-7 Pastorals, 86, 88, 90, 92, 94 Versification; v. 3, 
 139-140 Samson Agonistes, 156 Tragi-Comedy, 168 Poetrj'; v. 4, Adventurer, 
 58 Criticism and Poetry, Idler No. 45 Painting, 60-61 Criticism, 63 Art and Lan- 
 guage, 76, 79 Painting, 82 Beauty; v. 5, p. 55 Observations of the Tragedy of 
 Macbeth, 118-124 Shakespeare and the Unities, 366-414 Trans, of Brumoy's 
 Dissertation upon the Greek Comedy, 414-430 General Conclusion to Brumoy's 
 Greek Theatre; v. 7, p. 14-16 (Cowley) Wit, 125-142 (Milton) Epic Poetry, p. 
 301-307 Dryden as a Critic. 
 
 Karnes, Lord. Elements of Criticism. Ed. by J. R. Boyd. 
 
 1870. 
 
 Knight, R. P. An Analytical Inquiry into the Principles of 
 Taste. Eond. : 1805. 
 
 Lamb, Ch. Life Letters and Writings, Ed. ... by P. Fitz- 
 gerald. 6 V. Lond.: 1882. 
 
 V. 3, p. 259-264 My First Play, 361-371 ^On the Artificial Comedy of the Last 
 Century, 407-11 Stage Illusion; v. 4, 87 Barrenness of the Imag. Faculty in the 
 Productions of Modern Art, 18S Tragedies of Shakespeare. 
 
 Lauder, Sir T. D. Sir Uvedale Price on the Picturesque, with 
 an Essay on the Origin of Taste. Edinb. : 1842. 
 
 Macaulay, T, B. Critical, Historical and Miscellaneous 
 Essays. 6 v. N. Y.: 1861. 
 
 V. I., p. 206-11 (Milton) Poetry and Civilization, 325-351 (Dryden) Laws of Prog- 
 ress of the F"ine Arts. See also index. 
 
 McCosh, Jas. The Emotions. N. Y.: 1880. 
 
 ]■. 1^8-211. 
 
 McDermot, M. A Critical Dissertation on the Nature and 
 Principles of Taste. Lond.: 1823.
 
 20 A GUIDE TO THE 
 
 Martineau, Jas. Types of Ethical Theon*. 2 v. Oxford: 
 
 18S5. 
 
 V. I, p. 417-21 Comte, Concomitant ^^sthetic and Moral States; v. 2, 166-7 
 ^stheticism, 448-521 Esthetic IJthics, Shaftesbury, Hutcheson. 
 
 Mill, Jas. Analj'sis of the Phenomena of the Human Minck 
 2 V. Lond. : 1829. 
 
 V. I, p. 177-1S5 Imagination; v. 2, 191-20S The Objects Called Sublime and Beau- 
 tiful. 
 
 — Same. Ed. by J. S. Mill. 2 v. 2d ed. Eond.: 1878. 
 
 V. 2, p. 230-255 The Objects called Sublime and Beautiful. 
 
 Moffatt, J. C. An Introduction to the Study of JBsthetics. 
 Cincin.: 1856. 
 
 Porter, Noah. The Human Intellect. 4th ed. N. Y. : 1875. 
 p. 366-7. 
 
 Reid, Thos. Essays on the Intellectual Powers of Man. Ed. 
 hy J. Walker. 6th ed. Boston: 1855. 
 
 p. 455 Essaj' VIII, of Taste. 
 
 Reynolds, Sir Joshua. Eiterar\- Works. To which is affixed 
 a Memoir of the Author with remarks . . . illustrative of 
 his Principles and Practice. By H. W. Beechey. 2 v. 
 Lond.: 1835. 
 
 — Seven Discourses on Art. Cassell's Libr. N. Y. 
 
 Ruskin, J. "A Joy for Ever;" (and its Price in the Market): 
 being the Substance (with Additions) of two Eectures on the 
 Political Economy of Art. Orpington: 1880. 
 
 — Arrows of the Chace. 2 v. Orpington: 1880. 
 
 V. I, p. 3-252 Letters on Art, 3-50 Art Criticism and Art Education, 53-82 Pub- 
 lic Institutions and the National Gallery, 85-114 Pre-Raphaelitism, 117-158 
 Turner, 161-178 Pictures and Artists, 181-252 Architecture and Restoration; 
 V. 2, 235-264 Literary Criticism. 
 
 — Eectures on Architecture and Painting. N. Y. : 1856. 
 
 — Modem Painters. 5 v. Orpington: 1887. 
 
 — On the Old Road. 2 v. in 3. Orpington: 1885. 
 
 v. I, pt. I, p. 21-132 Lindsay's Christian Art, 133-205 Eastlake's History of Oil 
 Painting, 329-348 Pre-Raphaelitism, 349-400 Architecture; pt. 2, 405-438 Ad- 
 dress at Cambridge School of Art, 549-624 Picture Galleries, 643-698 Minor 
 Writings upon Art ; v. 2, 3-166 Fiction Fair and F'oul, 167-176 Fairy Stories.
 
 LITERATURE OF .ESTHETICS. 21 
 
 Ruskin, J. Seven Lamps of Architecture. N. Y.: 1859. 
 
 — Stones of Venice. 3 v. X. Y.: i860. 
 
 — Same. 3 V. Lond. : 1873. 
 
 — The Eagle's Nest. Ten Lectures on the Relation of Natural 
 
 Science to Art. Orpington: 1880. 
 
 — The Two Paths: being Lectures on Art, and its Application 
 
 to Decoration and Manufacture. Orpington: 1884. 
 
 — Bayne, P. Lessons from my Masters: Carlyle, Tennyson 
 
 and Ruskin. N. Y.: 1879. 
 
 p. 380-449 Ruskiii's Theories of Art. 
 
 — Japp, A. H. Three Great Teachers of Our Own Time. 
 
 Lond. : 1865. 
 
 p. 187-243 Ruskin. 
 
 — Milsand, J. L'Ksthetique anglaise: l^tude sur M. John 
 
 Ruskin. Paris: 1864. 
 
 — Rev. d. D. Mondes. i Juillet i860, and 15 Aout 1861. Une 
 
 Nouvelle Theorie de I'Art en Angleterre . . . M. John 
 Ruskin. J. Milsand. 
 
 See also Blackw. 54 •4S3; Fraser 33 :358; 55:619; For. R. [Am. cd. 137:202; Macm. 
 22 :423; Quar. [Am. ed.] 98 :2o8. 
 
 Shaftesbury, Cooper, A. A., 3d Earl of. Characteristicks. 
 3 V. 1749- 
 
 V. I, p. 3-38 Enthusiasm, 41-101 Wit and Humor, 105-245 Advice to an Autlior; 
 V. 3, 5-233 Miscellaneous, 269-279 Art of Design. See also index, v. 3, following 
 p. 267. 
 
 — Gizycki, G. von. Die Philosophic Shaftesbury's. Leipsig: 
 
 1876. 
 p. 32-34, 107-8. 
 
 Spencer, Herbert. Ivducation. N. Y.: 1S83. 
 
 p. 71-S4- 
 
 — Essays: Moral, Political and Esthetic. N. Y.: 1873. 
 
 p. 9 Philos. of Style, 149 Personal IKauty, 312 Gracefulness. 
 
 — First Principles. Lond.: 1862. 
 
 p. 313-334 The Rhythm of Motion.
 
 22 A GUIDE TO THE 
 
 Spencer, Herbert. The Primciples of Psycliology. I^ond.: 
 
 1855- 
 
 p. 584-61 1 The Feelings. 
 
 — Same. 2 v. N. Y.: 1885. 
 
 V. I, p. 272-290 Pleasures and Pains, 472-494 The Feelings; v. 2, 539-557 I,auguage 
 of the Emotions, 627-648 The Esthetic Sentiments. 
 
 Stewart, D. Works. Ed. bj- Sir Wm. Hamilton. lo v. 
 Edinb.: 1834-8. 
 
 V. 5, pt. 2, p. 189-406 Essays relative to matters of Taste. 
 
 Sully, J. Sensation and Intuition: Studies in Psychology and 
 Esthetics. Lond. : 1S74. 
 
 Essaj'S 7-9 Music, lo .Esthetic Aspects of Character, ii Character in Art, 12 I<ess- 
 ing's Hamburg Dramaturgy'. 13 Possibility of a Science of .Esthetics. 
 
 — Mind 4: 172. Harmony of Colours. J. Sully. 
 Tappan, H. P. Elements of Logic. N. Y. : 1856. 
 
 p. 80-82 .Esthetics, 99-102 Art, 185-192 The Beautiful, 315-7 The Logic of Art. 
 
 Upham, Thos. C. Elements of Mental Philosophy. 2 v. 
 N. Y.: 1856. 
 
 V. I, p. 383-398 Imagination; v. 2, 35-104. 
 
 — Same. 3d ed. Boston: 1832. 
 
 p. 455-463 Imagination, 483-520. 
 
 Van Dyke, J. C. Principles of Art. N. Y.: 1887. 
 
 Wayland, F. The Elements of Intellectual Philosophy. 
 Boston: 1855. 
 P- 351-419- 
 
 Winslow, H. Elements of Intellectual Philosophy. Boston: 
 1853- 
 
 p. 301-311 Imagination.
 
 LITERATURE OF ^^STHETICS. 23 
 
 MINOR REFERENCES. 
 
 Bower, G. S. Hartley and James Mill. Lond.: 1881. [Eng- 
 lish Philos. Ser.] 
 
 p. 191-7 ^5;sth. Doctrines. 
 
 Calvert, G. H. Essa3^s -3j)stlietical. Boston: 1875. 
 Clarke, J. F. Self-Culture. 2d ed. Boston: 1880. 
 
 p. 175-192 Education of the Imagination. 
 
 Contemp. Rev. 38: 300. Comparative Esthetics. Vernon Lee. 
 Cooke, G. W. Poets and Problems. Boston: 1886. 
 
 p. 17-53 The Poet as a Teacher, 171-267 Ruskin, 303-15 Browning's Theory of Art. 
 
 Crane, Lucy. Art and the Formation of Taste: Six lectures. 
 Illustr. by T. and W. Crane. Lond.: 1882. 
 
 Education 5:246. ^F^sthetic Element in Education. J. D. 
 Anderson. 
 
 Fowler, Th. Shaftesbury and Hutcheson. Lond.: 1882. 
 [Eng. Philos. Ser.] 
 
 p. 125-134 Shaftesbury's Theory of Beautj- and Art, 210-13 Hutcheson 's ..Esthetics. 
 
 Jardine, Geo. Outlines of Philosophical Education. 2d ed. 
 Glasgow: 1825. 
 
 p. 170-256 Taste. 
 
 J. Spec. Philos. 10: i. Philosophy of Art. G. S. Morris. 
 Maurice, F. D. Modern Philosophy. Lond.: 1862. 
 
 I". 5S8 Burke, 610-12 Lessing. 
 
 Mure, Wm. A Critical History of the Language and Litera- 
 ture of Ancient Greece. 2d ed. 5 V. Lond.: 1854-7. 
 
 V. I, p. 137-144 Principles of Art. 
 
 Nation 29: 380. Is there a Science of Esthetics? G. S. Hall. 
 
 See for same article, G. S. Hall, Aspects of German Culture, p. 101-6. 
 
 New Eng. 24:674. Principles of Art. J. M. Iloppin. 
 
 — 48:20. Commonplace /Esthetics. D. C. Ivaton. 
 
 Paget, V. [\'. Lee]. Belcaro, being essays on vSundry 
 yEsthetical Questions. Lond.: 1886. 
 
 I'. 191-229 Ruskinism, 230274 I'oetic Morality. 
 
 Pater, Walter. vStudies in the History of the Renai.s.sance. 
 Lond.: 1873. 
 
 Preface and Conclusion.
 
 24 
 
 A GUIDE rO THE 
 
 Peabody, Eliz. P., [ed.]. ^Esthetic Papers. Boston: 1849. 
 
 r. 1-4 The Word " .5^sthetic," 5-24 Criticism, 25-35 Music. 
 
 Princeton Review, N. S. 11:290 [1883-!]. 
 Esthetics. B. L,. Gildersleeve. 
 
 Grammar and 
 
 Roscoe, W. C. Poems and Essays. 2 v. lyond. : i860. 
 
 V. 2, p. 61-8 Tragedj-, 169-180 Gray's Theory of Poetic Expression. 
 
 Science 8:419. Physical Basis of ^Esthetics. 
 
 Seth, A., and Haldane, R. B., [eds.]. Essays in Philosophical 
 
 Criticism. Preface by E. Caird. Lond.: 1883. 
 
 The Philosophy of Art, by W. P. Ker.
 
 LITERATURE OF ESTHETICS. 25 
 
 b. German. 
 
 Carriere, M. ^sthetik. Die Idee des Schonen u. ihre Bewirk- 
 lichg. durch Natur, Geist, u. Kuiist. 2 v. L,eipzig: 1S73. 
 
 — Die Kunst im Zusammenhang der Culturentwickelung, und 
 
 die Ideale der Menschheit. 5 v. Leipzig: 187 1-3. 
 
 — Die sittliche Weltordnung. Leipzig: 1877. 
 
 P- 339-354 Die Kuiist. 
 
 — Das Wesen und die Fornien der Poesie. Leipzig: 1854. 
 
 — Bib. Sac. 18:227. Carriere's Esthetics. 
 
 Eye, A. von. Das Reich des Schonen. BerHn: 1878. 
 Fechner, G. T. Vorschule der ^sthetik. Leipzig: 1876. 
 
 — Zur Experimentalen ^sthetik. Leipzig: 1871. 
 
 — Mind 2: 102. Fechner's ^-Esthetics. J. Sulty. 
 
 Goethe, J. W. von. Werke, [Hempel ed.]. 36 v. in 23. 
 Berlin: 1879. 
 
 Bd. 2, p. 175-220 Kunst; Bd. 28 Schrifteii und Aufsatze zur Kunst: Bd. 29 Aufsatze 
 zur Literatur. See indexes in Bde. 2, 28 and 29, and index to Bde. 1-36 in Bd. 36. 
 
 — Sammthche Werke. 40 v. in 20. Stuttgart: 1840. 
 
 Bd. 3, p. 257-274 Verschiedenes Einzelne iiber Kunst; Bd. 30 Winckelman, Ueber 
 Laokoon, Wahrheit und Wahrscheiulichkeit, u. s. w.; Bd. 31 Von Deutsche 
 Baukunst, Verschiedenes iiber Kunst, u. s. w.; Bd. 32 Deutsche Literatur; Bd. 
 33 Auswartige Literatur und Volkspoesie; Bd. 35, p. 333-459 Theater und 
 dramatische Poesie. 
 
 — Correspondence between Schiller and Goethe. Trans, by 
 
 L. D. Schmitz. 2 v. Lond. : 1877. 
 
 V. I, p. 321-2, 324-7 Aristotle, 398-9, 428-30, 439-60 Epic and Drama; v. 2, p. 371-5. 
 Same in Goethe's Works, v. 13-14. 
 
 — Blackie, J. S. The Wisdom of Goethe. N. Y.: 1884. 
 
 p. Ixxvii-lxxxiii, 109-147, 201-221. 
 
 — Eckermann, J. P. Gesprache mit Goethe. 6'" Aufl. 3 v. 
 
 Leipzig: 1885. 
 
 See Register in Bd. 3. 
 
 — Eckermann. J. P. and M. Soret. Conversations of Goethe. 
 
 Trans, by J. Oxenford. Lond.: 1875. 
 
 See index. Same in Goethe's works v. 6. 
 
 3
 
 26 A GUIDE TO THE 
 
 Goethe, J. W. von. Goethe-Jahrbuch 1:17. Goethe und 
 lycssing. 
 
 5: 298. Zu Goethes Aufsatzen iiber Kunst, 
 
 — Rosenkranz, K. Goethe und seine Werke. Konigsberg: 
 
 1847. 
 
 p. 8-16 Der jetzige Standtpunkt der Kritik, 29-36 Die humanitaire Kritik, 65-78 
 Goethe als Kunstforscher. 
 
 — Schubarth. Zur Beurtheilung Goethe's. 2^" Aiifl. 2 v. 
 
 Breslau: 1820. 
 
 Bd. 2, p. 4S-147 Kuust und Alterthuni, 148-200 Poesie und Kritik, 201-425 iljsthet- 
 ische Aphorismen. 
 
 Grillparzer, F. Sammtliche Werke. lo v. in 5. Stuttgart: 
 1S78-9. 
 
 Bd. 9, p. 79-262 ^sthetische Studien. 
 
 Hartmann, E. von. Ausgewahlte Werke. Berlin: 1887. 
 
 13-20 Hft. Philosophie d. Schoneu, 2 Systemat. Thl. der yljsthetik. 
 
 — Phanomenologie des sittHchen Bewusstseins. Berlin: 1879. 
 
 p. 14S-162 Das Moralpriucip der kunstlerischeu Lebengestaltung. 
 
 — Philosophie des Unbewussten. 8'* Aufl. 2 v. in i. Berlin: 
 
 1878. 
 
 Bd. I, p. 233 Das Unbewusste iin sesthetischen Urtheile und in der kuustler- 
 i.schen Production; Bd. 2, p. 33S Wissenshaftlicher und Kunstgenuss. 
 
 — Philosoph}" of the Unconscious. Trans, bj' W. C. Coupland. 
 
 3 V. N. Y.: 1884. 
 
 V. I, p. 269 The Unconscious in the Esthetic Judgment and in Artistic Produc- 
 tion; V. 3, 60-66 Scientific and Art-enjoyment. 
 
 Hebenstreet, W. WissenschaftHche-literarische Encyclopadie 
 der zBsthetik. 1848. 
 
 Hegel, G. W. F. Werke. 18 v. Berlin: 1833-48. 
 
 Bd. 10, Theile 1-3 ^sthetik. 
 
 — The Introduction to Hegel's Philosophy of Fine Art. Trans. 
 
 by B. Bosanquet. Lond. : 1886. 
 
 — Brit, and For. R. 13: i. Hegel's Esthetics. 
 
 — Mind 12:597. Bosanquet's Trans, of Hegel's Introd. to 
 
 Philos. of Fine Arts. D. G. Ritchie.
 
 LITERATURE OF jESTHETICS. 27 
 
 Hegel, G. W. F. J. Spec. Philos. 1:36, 91, 169, 221; 2:39, 
 157: 3-31) ^47' 281, 317. Benard's Exposition of Hegel. 
 Trans, by J. A. Martling. 
 
 See Comment in Mind 12:599. 
 
 5:368; 6:125, 252; 7:33. Hegel's Philos. of Art — Chiv- 
 alry'. Trans, bj- S. A. Longwell. 
 
 11:337; 12:18. Symbolic Art. Hegel. Trans, by 
 
 W. M. Bryant. 
 
 12:145,277. Classical Art. Hegel. Trans, by W. M. 
 
 Br\-ant. 
 
 12:403:13:113,244,351. RomanticArt. Hegel. Trans. 
 
 by \V. M. Bryant. 
 
 — Kedney, J. S. Hegel's Esthetics. A Critical Exposition. 
 
 Chicago: 18S5. 
 
 — Ulrici, H. Ueber Princip und Methode der Hegelschen 
 
 Philosophic. Halle: 1841. 
 p. 216-244. 
 
 Hegel, G. W. F., and Michelet, C. L. The Philosophy of Art: 
 An Introduction to the Scientific Study of Esthetics. 
 Trans, from the German by \V. Hastie. Edinb. : 1886. 
 
 Herder, J. G. Sammtliche Werke. Hrsg. von B. Suphan. 
 27 V. Berlin: 1877-81. 
 
 Bd. I, p. 43-56 Schouheit; Bd. 4. 1-218 Kritische Walder oder Betrachtnngen iiber 
 die Wissenschaft und Kunst des Schoneu; Bd. 12, 1-308 Vom Geist der Kbra- 
 ishen Poesie; Bd. 22 [Kalligone], 3-122 Vom Angenehmcn und Schonen, 125- 
 224 Von Kunst und Kunstrichterei, 227-360 Vom Krhabenen und vom Ideal. 
 
 — Haym, R. Herder nach seinem Leben und seinem Werken. 
 
 2 V. Berlin: 1880-5. 
 
 Bd. I, p. 225-274; Bd. 2, p. 68-73, 697-718 Die Kalligone. 
 
 — Herrig's Archiv 17:1, 113, 337; 18:1. Herder's ^sthetik. 
 
 G. Zimmerman. 
 
 — Nevinson, H. A Sketch of Herder and his Times. Loud.: 
 
 1884. 
 
 C. 13 The Good, c. 14 The Beautiful, c. 15 The Complete.
 
 28 A GUIDE TO THE 
 
 Hermann, C. Die ^sthetik in ihrer Geschichte u. als wissen- 
 schaftliches System. I^eipzig: 1875. 
 
 Hinkel. Allgemeine yEsthetik. . 1847. 
 
 Humboldt, Alex. von. Kosmos. Stuttgart: 1845. 
 
 Bd. 2, p. 3-134 Dichterische Naturbeschreibung und Landschaftsmalerei. 
 
 — Cosmos. Trans, by E. C. Otte. 5 v. N. Y.: 1850. 
 
 V. 2, p. 1-105 Nature in Poetry and Painting. 
 
 Humboldt, W. von. Gesammelte Werke. 7 v. Berlin: 
 1841-52. 
 
 Bd. 4, p. 1-268 Ueber Gothe's Hermann und Dorothea, JEsthetische Ver.suche. 
 
 Kant, Imm. Sammtliche Werke. Hrsg. von C. Hartenstein. 
 8 V. Leipzig: 1867-8. 
 
 Bd. 2, p. 227-280 Beobachtungen iiber das Gefiihl des Schoneu und Erhabenen; 
 Bd. 5, 205-368 Kritik der ^sthetischen Urtheilskraft; Bd. 6, 386 Von der ^sthetik 
 des Beurtheilsvermogens. 
 
 — Introduction to Logic. , . . Trans, by T. K. Abbott, witb 
 
 a few notes by Coleridge. Lond. : 1885. 
 P- 5, 25, 27-8, 97. 
 
 — The Philosophy of Kant in Extracts. Selected by J. Wat- 
 
 son. New Haven: 1884. 
 
 p. 160-173 Kritik of Judgment. 
 
 — The Philosophy of Kant as contained in extracts from his 
 
 own writings. Selected and trans, b}^ J. Watson. N. Y. : 
 1888. 
 
 p. 307-323 The Critique of Judgment. 
 
 — Fenner, H. Die ^sthetik Kants und seiner Vorganger. 
 
 Biitzow: 1875. 
 
 — Caird, Edw. The Critical Philosophy of Immanuel Kant. 
 
 2 V. Glasgow: 1889. 
 
 v. 2, p. 420-476 Critique of .Elsthetic Judgment. 
 
 — Fischer, Kuno. Geschichte der neuern Philosophic. 4 v. 
 
 Munich: 1878-82. 
 
 Bd. 3, p. 231-7 Kant's Beobachtungen iiber das Gefiihl des Schouen und Erha- 
 benen; Bd. 4 399-473 Die Kritik der Urtheilskraft. 
 
 — Wallace, Wni. Kant. Edinb.: 1882. 
 
 [Blackw. Ph. Cl.] C. 13 JEsthetic Ideas.
 
 LITERATURE OF ESTHETICS. 29 
 
 Kohler, J. .-Esthetische Streifereien. Mannheim: 1S89. 
 Kostlin, K. ^Esthetik. Tubingen: 1869. 
 
 — Prolegomena zAir ^sthetik. Tubingen: 1889. Progr. 
 
 — Zeitschrift fiir Philos. 87:215. Kostlin's /Esthetik. E. von 
 
 Hartmann. 
 
 Krause, K. C. F. System der ^sthetik oder der Philosophie 
 d. Schonen und d. Schonen Kunst. Leipzig: 1882. 
 
 — Rev. Philos. 18:327. Krause. Vorlesung iiber ^sthetik. 
 
 Ch. Benard. [Review.] 
 
 — Zeitschrift flir Philos. 86: 112. Krause's ^sthetik. E. von 
 
 Hartmann. 
 
 Lavater, J. K. Ausgewahlte Schriften. Hrsg. von J. K. 
 
 Orelli. 8 v. Zurich: 1844. 
 
 Bd. I, p. 165-197 Vom Erhabeneu. 
 
 Lemcke, C. Populare ^sthetik. 2'" Aufl. Eeipzig: 1867. 
 
 — Zur Einleitung in die ^Esthetik. Heidelberg: 1862. 
 Lessing, G. E. Werke. 20 v. in 12. Berlin. 
 
 Bd. 6 Laokoou; Bd. 7 Hamburgische Dramaturgic; Bd. 11, Abth. 1-2 Kleinere 
 Schriften zur dramatischen Poesie und zur Fabel; Bd. 13, Abth. 2, p. 249-306 Wie 
 die Alten den Tod gebildet, p. 332-347 Anmerkungen zu Winekelniann's Ge- 
 schichte der Kunst. 
 
 — Hamburgische Dramaturgic. Einglt . . . von J. Buschmann. 
 
 Trier: 1882. 
 
 — Hamburgische Dramaturgic. Erl. von SchroterundTheile. 
 
 Halle: 1877. 
 
 — Laocoon. Trans. [De Quincey's Philos. Writers, v. i, 
 
 p. 234.] 
 
 — Selected Prose Works. Trans, by Beasley and Zimmern. 
 
 Bohn ed. L,ond. : 1879. 
 
 T^aocoon, How the Ancients Represented Death, and Dramatic Notes. 
 
 — Bliimncr, H. Laokoon-vStudien. lirstes Heft: Ucber den 
 
 Gebrauch der Allegoric in den bildendcn Kiinstcu. Zweites 
 Heft: Ueber den fruchtbaren Moment und das Transito- 
 rische in den bildenden Kiinstcn. I'reiburg i. B.: 188 1-2.
 
 30 A GUIDE TO THE 
 
 Lessing-, G. E. Herrig's Archiv 51:33. Materialen zu Less- 
 ing's Hamburgische Dramaturgic. Cosack. 
 
 — N. Eng. 51: 198. I^essing and the German Drama. W. L,. 
 
 Phelps. 
 
 — Sime, Jas. Lessmg. 2 v. Lond. : 1877. 
 
 V. 7, p. 247-30S; V. 2, 1-62, 76-80. 
 
 — Stahr, A. G. E. I,essing: sein L^eben und seine Werke. 
 
 3'" Aufl. 2 V. Berlin: 1864. 
 
 Theil. I, p. 168-179, 243-271, 315-361; Theil. 2, 26-30. 
 
 The Ufe and Works of G. E. I^essing. Trans, by E. P. 
 
 Evans. 2 V. Boston: 1866. 
 
 V. I, p. 183-193, 261-289, 337-3S3; V. 2, 27-30.. 
 
 — Walter, E. ly. Pressing on the Boundaries of Poetrj^ and 
 
 Painting. Ann Arbor: 1888. 
 
 [Univ. of Mich. Philos. Papers. 2d Ser., No. 3.] 
 
 Lotze, H. Geschichte der ^sthetik in Deutschland. MUnchen: 
 1868. 
 
 — Microcosmus. Trans, by E. Hamilton and E. E. C. Jones. 
 
 2 V. Edinb. : 1885. 
 
 V. I, p. 324, 578-586; V. 2, 168-9 History and Poetry, 398-443 Beauty and Art. 
 
 — Mikrokosmus. 3 v. Leipzig: 1856. 
 
 Bd. I, p. 351-2; Bd. 2, 1S5-189; Bd. 3, 45-7 Die Geschichte als gottliche Gedicht, 
 282-328 Das Schone und die Kunst. 
 
 — Outlines of Esthetics. Trans, by T. Eadd. Boston: 1886. 
 
 — Rev. Philos. 22:665. E. Koegel. Eotze's ^sthetik. F. C. 
 
 [Review.] 
 
 Meyer, B. Aus der aesthetischen Padagogik. 6 Vortrage. 
 Berlin: 1873. 
 
 Michelet, C. L. Das System der Philosophic. 4 v. in 3. 
 Berlin: 1876-9. 
 
 Bd. 3, p. 406-453 Die ^sthetik. 
 
 Mundt, Theodor. ^.sthctik. Die Idee d. Schonhcit . . . 
 U.S.7U. . . im Lichtc unscrer Zeit. Neue Ausg. Leipzig: 
 18—.
 
 LITERATURE OF ESTHETICS. 31 
 
 Olser's Briefe an eine Jungfrau, iiber die Hauptgegeustaude 
 der x55sthetik. Leipzig: 1870. 
 
 Richter, Jean Paul. Vorschule der ^^sthetik. 3 v. Stutt- 
 gart: 1S13. 
 
 Schasler, M. ^^jjsthetik. (DasWissenderGegenwart, Bd. 55.) 
 1886. 
 
 — Das S^'stem der Klinste aus e. neuen, im W'esen der Kuust 
 
 begriindeten Gliederungsprincip. 2 Aufl. Leipzig: 1885. 
 
 Schelling-, F. W. J. von. Sammtliche Werke. Stuttgart: 
 1S56-61. 
 
 Bd. 5, Abth. I, p. 357 Philosophic der Kunst; Bd. 7, Abth. i, 289-329 Ueber das 
 Verhaltniss der bildenden Kiinste zu der Xatur. 
 
 — Watson, J. Schelling's Transcendental Idealism. Chicago: 
 
 1882. 
 
 C. 7 Teleology' aud Art. 
 
 Schiller, J. C. F. Sammtliche Werke. 12 v. in 6. Stuttgart: 
 1847. 
 
 Bd. 5, p. 375-383 Ueber den Gebrauch des Chors in der Tragodie; Bd. ii, 383-483; 
 Bd. 12 jJJsthetische Schrifteii. 
 
 — Sammtliche Schriften. Hrsg. von R. Kohler. 15 v. in 17. 
 
 Stuttgart: 1867-76. 
 
 Bd. 10 --Ksthetische Schrifteu; Bd. 14, p. 3-12 Ueber deu Gebrauch des Chors in 
 der Tragodie. 
 
 — The Esthetic Letters, Essays, and the Philosophical Letters. 
 
 Trans, with an Introduction by J. Weiss. Boston: 1845. 
 
 P- 1-338- See also the Introduction. 
 
 — Works: Historical Dramas, etc. Trans. Loud.: 1854. 
 
 r. 439-444 On the Use of the Chorus in Tragedy. 
 
 — Sime, Jas. Schiller. Phila.: [1882]. 
 
 p. 120-6. 
 
 — Zimmermann, R. Versuch eiiier Schillerschen ^sthetik. 
 
 Berlin: 1889. 
 
 Schlegel, A. W. von. Kritische Schriften. 2 v. Berlin: 
 1828. 
 
 Theil. I, p. 416-436; Theil. 2, 145-336.
 
 32 A GUIDE TO THE 
 
 Schlegel, F. von. The Esthetic and Miscellaneous Works. 
 Trans, by E. J. Millington. I^ond.: i860. 
 
 p. 413-424 On the Limits of the Beautiful. See also index. 
 
 Schleiermacher, F. E. D. Sammtliche Werke. Hrsg. von 
 C. Lrommatzch. 30 v. in 29. Berlin: 1835-84. 
 
 Bd. 7, Abth. 3 Vorlesungen iiber die j5Jsthetik. 
 
 Schopenhauer, A. Sammtliche Werke. Hrsg. von J. Frau- 
 enstadt. 6 v. L,eipzig: 1877. 
 
 Bd. 2, p. 197-316 Objekt der Kunst; Bd. 3, 99-112 Theorie des Lacherlichen ; Bd. 6, 
 447-4S Metaphysik des Schonen uud ^^isthetik, 536-586 Schriftstellerei und Stil. 
 
 — The World as Will and Idea. Trans, by R. B. Haldane 
 
 and J. Kemp. 3 V. lyond. : 1883. 
 
 V. I, p. 219-346 The Object of Art; v. 2, 270-2S4 Theory of the Ludicrous; v. 3, 173- 
 219, 231-244 .aesthetics. 
 
 — Bowen, F. Modern Philosoph5^ N. Y. : 1877. 
 
 p. 420-5 Schopenhauer's ilisthetics. 
 
 — Zimmern, H. Arthur Schopenhauer: His lyife and Philoso- 
 
 phy. IvOnd.: 1876. 
 
 p. 229 ^5Jsthetics. 
 
 Seemann, T. Einleitung in die ^sthetik. Dresden: 1867. 
 
 Siebeck, H. Das Wesen d. aesthetischen Anschauung. Ber- 
 lin: 1875. 
 
 Solger, K. W. F. Vorlesungen iiber die ^sthetik. 1829. 
 
 Stockl, Alb. Allgemeines Lehrbuch der JSsthetik. Mainz: 
 1889. 
 
 Ulrici, H. Gott und der Mensch. 2 v. Leipzig: 1873. 
 
 Theil. 2, p. 157-183 Der Begriff des Schonen. 
 
 Vischer, F. F. .^sthetik oder Wissenschaft des Schonen. 3 v. 
 
 Reutlingen: 1846. 
 
 — Bib. Sac. 16:469. Vischer's Esthetics. B. Sears. 
 
 Wagner, Rich. Gesamnielte Schriften und Dichtungen. 9 v. 
 Leipzig: 187 1-3. 
 
 Bd. 3, p. 9-50 Die Kunst und die Revolution, 51-210 Das Kunstwerk der Zukuufl, 
 251-268 Kunst und Klima, 269-394 Oper und Drama; Bd. 4, 3-2S4 Oper und 
 Drama; Bd. 5, 65-81 Mu.sikalische Kritik, 83-108 Das Judenthum in der Musik.
 
 LITERATURE OF ESTHETICS. 33 
 
 Wieland, C. M. Sammtliche Werke. 36 v. in 17. Leipzig: 
 1839-40. 
 
 Bd. 33, p. 201-218 Timoklea, 221-234 Theoges, 257-266 Ueber das Verhaltniss des 
 Angeuehmeu utid Schonen zuiu Xiitzlichen, "269-341; Bd. 34, 107-114, 117-170 
 Veber die Ideal der Griechischeu Kiinstler. 
 
 Wundt, W. Grundzlige der pliysiologischen Psychologie. 
 2'^ Aufl. 2 V. in I. Leipzig: 1880. 
 
 Bd. 2, p. 179-194 .iE-sthetische Elemeutargefiihle; 350-352 Hohere aesthetische 
 Gefiihle. 
 
 — Ribot, Th. German Psjxhology of To-day. Trans, by 
 
 J. M. Baldwin. N. Y.: 1886. 
 
 p. 227-230 Wundt's -Hsthetics. 
 
 Zeising, A. iEsthetische Forschungen. Frankfurt-a-M. : 1855. 
 Zimmermann, R. ^sthetik. 2 v. 1858-65. 
 
 — Studien und Kritiken zur Philosophie und ^Esthetik.
 
 34 A GUIDE TO THE 
 
 MINOR REFERENCES. 
 
 Carriere, M. Ivcssing: Schiller: Goethe: Jean Paul. Giessen: 
 1862. 
 
 Dessoir, Max. Moritz als ^sthetiker. Dunckso: 1889. 
 
 Hall, G. S. Aspects of German Culture. Boston: 1881. 
 
 p. 101-106 Is ^Esthetics a Science? [Same article in Nation. 29:380.] 
 
 Hillebrand, K. German Thought. N. Y.: 1880. 
 
 p. 84-87 I,essing and Winckelmanu, 120-130 Herder, 217-226 Schiller and Kant. 
 
 Kirchner, F. Gottfried Wilhelm I^eibnitz: sein Leben und 
 Denken. Cothen. 
 
 p. 267-279 Kunst. 
 
 Neudecker, G. Studien zur Geschichte der deutschen ^sthetik 
 seit Kant. Wurzburg: 1878. 
 
 Philos. Monatshefte. 22:59. Ein vergessener ^sthetiker. 
 [K. F. E. Trahndorf.] E. von Hartmann. 
 
 Riehl, W. H. Culturstudien aus drei Jahrhunderten. Stutt- 
 gart: 1862. 
 
 P' 333-408 Znr cesthetischen Cultnrpolitik.
 
 LITERATURE OF ^ESTHETICS. 35 
 
 c. French. 
 
 Beaumarchais, C. de. Oeuvres Completes . . . Introd. par 
 E. Fouruier. Paris: 1S76. 
 
 p. 1-8 Essai sur le Genre draraatique serieux, 67-71, 104-112, 165-6, 197-201. 
 
 Boileau-Despreaux, N. Oeuvres Completes . . . Publ. par 
 P. Cheron. Paris: 1875. 
 
 p. 91-109 L' Art Po6tique, 186-9 Discours sur la Satire, 204-240 Reflexions Critiques 
 sur quelques passages du Rh6teur Longiu, 240-282 Traits du Sublime traduit 
 du Grec de Longin, et Remarques. 
 
 — Oeuvres . . . par M. Amar. Paris: 1851. 
 
 p. 188-220 L' Art Po6tique, 358-428 Trait€ du Sublime, 429-493 Reflexions Critiques. 
 
 Bossuet, J. B. Maximes et Reflexions sur la Comedie. Nou- 
 velle ed. par A. Gazeau. Paris: iSSi. 
 
 Chenier, M.-J. Poesies, precedees d'une notice . . . par C. 
 I,abitte. Paris: 1844. 
 
 26 Partie, p. 57-79 Les Principes des Arts, 1 12-124 Essai sur la Satire. 
 
 Comte, Aug. The Positive Philosoph3\ Trans, b}' Harriet 
 Martineau. 2 v. N. Y.: 1854. 
 
 V. 2, p. 392-405, 432, 454, 559- 
 
 — Lewes, G. H. Comte's Philosophy of the Sciences. Lond.: 
 
 1853- 
 
 p. 313-16, 165 Connection of Scietice and Art. 
 
 Corneille, P. Oeuvres. Nouvelle ed. . . . par Ch. Mart}-- 
 Laveaux. 12 v. Paris: 1862-68. 
 
 Tome I, p. 13-51 Discours de 1' Utility et des Parties du Pocnie Dramatique, 52- 
 97 De la Tragedie, 98-122 Des Trois Unites, 137-141 Kxamen de M61ite, 261-273 
 Preface et Examen dc Clitaudre, 394-7 Examen de la Veuve; T. 2, 11-15 Examen 
 de la Galerie du Palais, 120-5 Examen de la Suivante, 221-3 Ex. de la Place 
 Royale, 333-9 Ex. de M^d^c, 432-3 Ex. de ^'Illusion; T. 3, S0-102 Avertissement 
 and Ex. du Cid [See p. 1-76 for the discussion regarding the Cid], 273-280 Ex. 
 d'Horace, 379-382 Ex. de Cinna, 478-485 Ex. de Polyeuctc: T. 4, 19-25 Ex. de 
 Pomp6e, 137-8 Ex. du Menteur, 285-6 Ex. de la Suite du Menteur, 418-27 Ex. de 
 Rodagune; T. 5, 10-14 Ex. de Theodore, 148-154 Ex. de H6raclius, 299-311 Ex. 
 d'Androm^de, 414-416 Ex. de Don Sanche, 505-9 p:x. de Nicom^de, 128-132 Ex. 
 d'Oedipe, 245-250 Ex. de la Toison d'Or; T. 10. 399-407 I.ettre Apolog6tiquc, 
 407-12 Discours k I'Academie. 
 
 Condillac, E. B. Oeuvres. lo v. Paris: 1798. 
 
 V. I, p. 317-341 La Musique, 342-63 La Po6sie; v. 2, p. 395-400 De I'Usage des sys- 
 tfimcs dans Ics Arts; v. 7, 337-424 Uu CharactCre du Style, 429-443 Dissertation 
 sur I'Harmonic du Style.
 
 36 A GUIDE TO THE 
 
 Cousin, V. Cours de I'histoire de la Philosophie moderne. ist 
 Ser. 5 V. Paris: 1846. 
 
 T. 2, p. 120-205 Du Beau, 419-428 Du Beau rSel et du Beau idSal; T. 4, 526-540 Reid, 
 Esth^tique. 
 
 — Du Vrai, Du Beau, et du Bien. Paris: 1853. 
 
 p. 141-270 Du Beau. 
 
 — Elements of Psycholo,^'. Trans. . . . by C. S. Henry. 4th 
 
 ed. N. Y.: 1856. 
 
 P- 543-558 Of the Beautiful and of Art. 
 
 — Lectures on the True, the Beautiful, and the Good. Trans. 
 
 by O. W. Wight. N. Y.: i860. 
 
 p. 123-214 The Beautiful. 
 
 Diderot, D. Oeuvres Completes, rev. . . . par J. Assizat. 
 20 V. Paris: 1875-7. 
 
 T. 7, p. 307-394 De la PoSsie Dramatique; T. lo, 3-42 Sur I'Origine et la Nature du 
 Beau, 461-520 Essai sur la Peinture; T. 12, 75-133 PeusSes detachSes sur la Pein- 
 ture; la Sculpture, I'Architecture, et la Poesie; T. 10-12 Salons; T. 13-17 Diet. 
 Encyclopedique. See articles " Art," " Beauts," etc. 
 
 — Morley, J. Diderot and the Encyclopaedists. N. Y.: ,1878. 
 
 p. 269-294 Art. 
 
 Guizot, F. P. G. E^tudes sur les Beaux-Arts en general. 2" 
 ed. Paris: 1852. 
 
 Guyau, Ch. L'Art au point de vue socialogique. Paris: 1889. 
 
 — Les Problemes de I'Esthetique contemporaine. Paris: 1884, 
 
 Helvetius, C. A. A Treatise on Man. Trans, by W. Hooper. 
 2 V. Lond. : 18 10. 
 
 V. 2, p. 236-240. 
 
 Hugo, V. Litterature et Philosophie melees. 2 v. Paris: 1876. 
 
 T. I, p. 101-112 Theatre, 302-9. 
 
 — Odes et Ballades. Paris: 1875. 
 
 p. 3-7. 
 
 — Theatre. 4 v. Paris: 1875-8. 
 
 T. I, p. 5-74 Preface to Cromwell, 508-14 Notes; T. 2, 3-9 Preface to Hernani; T. 4, 
 243-255 Preface to Les Burgraves. 
 
 — William Shakespeare. 2" ed. Paris: 1867. 
 
 p. 27-78 Les G6nies, 79-101 L'Art et la Science, 265-288 Le Beau: Serviteur du 
 Vrai.
 
 LITERATURE OF .ESTHETICS. 37 
 
 Hugo, V. William Shakespeare. Trans, by M. B. Anderson. 
 Chicago: 1887. 
 
 p. 36-94 Men of Genius, 95-121 Art and Science, 312-338 The Beautiful. 
 
 — Cappon, Jas. Victor Hugo: A Memoir and a Stud}-. Edinb. : 
 
 1885. 
 
 p. 56-68, 88-95. loS-iio, 369-373. 
 
 Joubert, J. Pensees precedees . . . d'une notice . . . par 
 P. de Raynal. 2 v. Paris: 1877-80. 
 
 T. 2, p. 247-262 Des Beaux-Arts, 263-272 De la Po^sie, 273-300 Du Style, 301-341 Des 
 Qualitgs de I'l^crivain, 342-390 Jugements litt^raires. 
 
 Jouffroy, Th. Cours d'Ksthetique . . . Preface par Ph. Dami- 
 
 ron. Paris: 1S45. 
 
 Laprade, Victor Richard de. Questions d'Art et de Morale. 
 Paris: 1861. 
 
 Leclercq. L'Art est Rationnel. Bruxelles. 
 
 Leveque, Ch. La Science du Beau. 2^ ed. 2 v. Paris: 1872. 
 
 — Rev. d. D. Mondes. 15 Xov. 1861. Un Nouvel Essai 
 
 d'Esthetique, "La Science du Beau " par Ch. Leveque. E. 
 Sai.sset. [Repr. in Saisset's L'Ame et la \'ie, p. 91.] 
 
 Marmontel, J. F. £ilements de Litterature. 3 V. Paris: 1846. 
 
 T. 1, p. 1-51 Essai sur le Gollt, 204-19 Beau, 306-19 Com6die, 319-24 Coinique, 344- 
 367 Critique; T. 2, 100-121 Epopee; T. 3. 90-104 Pathetique, 137-208 Po^sie, Poete, 
 Po^tique, 304-13 Satire, 352-S Sublime, 379-414 Trag6die. See other subjects in 
 index at the end of each volume. 
 
 Pascal, B. Pensees . . . suivies d'un choix des Pensees de 
 Nicole. Paris: 1852. 
 
 Premiere Partie, Art. lo, %% 24-29, 31-5; Art. 17, 367-8, 369, 378. 
 
 — Pensees. Publ. par E. Havet. Paris: 1883. 
 
 .\rt. 6, % 15, 24-29, 31-5; Art. 24, 64. 
 
 Prudhomme, Sully-. Oeuvres. Prose. L'lixpression dans 
 les Beaux- Arts. Paris: 1883. 
 
 — Rev. Philos. 19: loi. Sully-Prudhomme. L'Expression 
 
 dans les Beaux- Arts. G. Gueroult. [Review.] 
 
 Ronsard, P. de. Oeuvres Completes. Nouvelle ^d. publ. . . . 
 par P. Blanchemain. 8 v. Paris: 1857-67. 
 
 T. 7, p. 117-336 Abr6g6 de I'Art po6tique Fraii9ois, 337-341 I-a Musiquc. 
 
 42810
 
 38 A GUIDE TO THE 
 
 Rousseau, J. J. Oeuvres Completes. 4 v. Paris: 1868. 
 
 T. 3, p. 115-177 lyCttre a d'Alembert, 183-191 De I'Iniitation thfiatrale, 446-494, 512- 
 857 Kcrits sur la Musique. 
 
 — Morley, J. Rousseau. 2 v. T^ond. : 1873. 
 
 V. I, p. 298-307 R.'s Musical Theories, 332-4 Dramatic Theories. 
 
 Saint-Evremond, C. de. Oeuvres Melees. Rev. par Cb. 
 Giraud. 3 V. Paris: 1865. 
 
 T. 2, p. 320-345, 363-369 La Trag^die, 317-388 La Com^die, 389-417, 492-510. 
 
 Souriau, P. UEsthetique du Mouvertient. Paris: 1889. 
 
 Taine, H. The Ideal in Art. Trans, by J. Durand. N. Y.: 
 1869. 
 
 — Italy, Florence and Venice. Trans, by J. Durand. N. Y. : 
 
 1869. 
 
 p. 98-159 Florentine School of Art, 272-327 Venetian Art. 
 
 — Italy, Naples and Rome. Trans, by J. Durand. Lond.: 
 
 1867. 
 
 — Ivcctures on Art. Trans, by J. Durand. 2d Ser. N. Y. : 
 
 1877. [Italy, The Netherlands, Greece.] 
 
 — The Philosophy of Art. Lond.: 1867. 
 
 — Brit. Q. 68: I. Taine on Art in the Netherlands. 
 
 — Fiske, J. The Unseen World, and other Essaj^s. Boston: 
 
 1876. 
 
 p. 280 A Philosophy of Art. [Rev. of Taine's Phil, of Art.] 
 
 — N. Eng. 30:45. Taine on Art in the Netherlands. J. F. 
 
 Weir. 
 
 Vauvenargues. Oeuvres. . . . Commentaires par D.-L. Gil- 
 bert. Paris: 1857. 
 P. 15-23, 62, 94, 107-110, 233-285, 377, 396, 399, 408, 410, 425. 463, 464, 466. 
 
 — Oeuvres Posthumes et Oeuvres inedites . . . Commentaires 
 
 par D.-L. Gilbert. Paris: 1857. 
 
 p. 34, 36-40, 178-g, 274 Voltaire on Comedy, 277. 
 
 Veron, E. Esthetics. Trans, by W. H. Armstrong. Lond.: 
 
 1879.
 
 LITERATURE OF ESTHETICS. 39 
 
 Virey, J. J. L'Art de perfectiouner THomme. 2 v. Paris: 
 1809. 
 
 V. 2. p. 31-100. 
 
 Voltaire, F. M. A. de. Oeuvres Completes. 50 v. Paris: 
 1877-83. 
 
 V. 2, p. 7-46 Lettres sur I'Oedipe, 4S-52 Des trois Unites, 52-3 De I'Op^ra, 53-S Des 
 Tragedies en Prose, 311-325 Discours sur la Trag^die, la Rime, le Theatre An- 
 glais, etc.; V. 4, 4S7-505 Sur la TragMie ancienue et moderne; v. 7, 209-37 Re- 
 marques sur Sophonisbe, 484-6 Observations sur le Jules C^sar de Shakespeare; 
 V. 8, 305-363 Essai sur la Po6sie £pique, 555-So Le Temple du Gofit; v. 14, 530- 
 564 Des Beaux-Arts; v. 17, Diet. Philos., 372-6 "Aristotle," 393-425 " Art Dra- 
 matique," 429-31 "Art Po^tique," 431-4 "Arts;" v. 18, Do., 130-3 "Chant," etc., 
 284-92 "Critique," 564-92 "Epop6e;" v. 19, Do., 121-2 "Fiction," 248-50 " Genre 
 de Style," 250-2 "Gens de Lettres," 270-284 "Gofit," 427-38 "Imagination," 
 562-571 "Harmonic des Langues," 589-90 "Lieux Communs en Litt^rature," 
 590-2 " Litt^rature;" v. 20, Do., 230-3 " Poetes," 371-4 "Rime," 374-5 "Rire," 
 436-44 "Style," 561-71 "Vers et Po^sie;" v. 22, 148-156 Lettre sur la Trag^die, 
 156-162 Lettre sur la ComMie, 241-266 Conseils £L un Jourualiste; v. 23, 47-64 
 M6moire sur la Satire, 327-424 Connaissance des Beaut^s, etc.; v. 24, 211-21 
 Chaugements arrives ^ I'Art Tragique; v. 31, 173-600 Commentaires sur Cor- 
 neille; v. 32, Do., 1-375- 
 
 — Works.. Trans, by T. Smollett and Others. V. i-ii, 13-22, 
 24-35. Lond.: 1776. 
 
 V. 9. p. 1-31 The Polite .\rts; v. lo, ii, 14. 15. 18, 25, 27, Dramas; v. 17, 134-151 En- 
 glish Comedy and Tragedy; v. 22, 189-194 Fable, 198-209 Wit, 219-222 Style.
 
 40 A GUIDE TO THE 
 
 MINOR REFERENCES. 
 
 Contemp. 1:279. French Esthetics. E. Dowden. 
 Joly, M, H. Notions de Pedagogic. Paris. 
 
 C. 14 Education esthfitique. 
 
 N. Eng. 49:246. French ^^Esthetics. D. C. Eaton. 
 Perez, B. E'lvducation des le Berceau. Paris: 1880. 
 
 p. 1 21-158 I,e Sens esthfitique. 
 
 Rev. d. D. Mondes. 15 Sept. 1879. L'Esthetique Naturaliste. 
 C. Bigot. 
 
 — 15 Nov. 1 88 1. L'Art de la Nature et la Finalite esthetique 
 
 selon le spiritualisnie contemporain. A. Fouillee. 
 
 Rev. Philos. 21:281. E. E. Adam. Essai stir le Jugement 
 esthetique. C. Fonsegrive. [Review.] 
 
 — 28:225. L'Esthetique contemporaine: La Mimique dans le 
 
 Systenie des Beaux- Arts. Ch. Benard. 
 
 Rev. Pol. et Lit. 31:557. L'Esthetique de Descartes et la 
 Litterature Classique. J. Bourdeau. 
 
 — 34: 484. Questions d'Esthetique. J. Lemaitre. 
 
 Saisset, E. L'Ame et la Vie: suivie d'un Examen critique de 
 I'Esthetique Frangaise. Paris: 1864.
 
 LITERATURE OF .ESTHETICS. 41 
 
 d. Italian. 
 
 Brunnhofer, H. Giordano Bruno's Weltanschauung und Ver- 
 hangniss. Leipzig: 1882. 
 
 p. 195-200 Bruno's Kunstphilosophie. 
 
 Conti, A. L'Amionia delle Cose. 2 v. Firenze: 1878. 
 
 V. 2, p. S7-108 Come la Bellezza sia Teseuiplare d'ogni Perfeziouaiuento, 544-6 
 Che cosa e I'Arte del Bello? 549-55 Criteri dell'Estetica. 
 
 — II Bello nel Vero. 2 v. Firenze: 1872. 
 
 — Giovanni Dupre o dell' Arte. Dialoghi Due. Pisa: 1865. 
 
 Dupre, G. Pensieri sull'Arte, e Ricordi Autobiografici. Fi- 
 renze: 1882. 
 
 — Scritti Minori e Lettere .... con un appendice ai suoi 
 
 Ricordi autobiografici per Luigi Venturi. Firenze: 1882. 
 
 — Frieze, H. S. Giovanni Dupre. With two dialogues on Art, 
 
 from the Italian of Augusto Conti. lyond.: 18S6. 
 
 Gioberti, Vincenzo. Del Buono, del Bello. Firenze: 1857. 
 
 Rosmini-Serbati, Antonio. The Philosophical System of 
 Antonio Rosmini-Serbati. Trans. . . . bj^Thos. Davidson, 
 p. 359-60. 
 
 Trissino, G. G. Tutte le Opere. 2 v in i. Verona: 1729. 
 
 V. 2, p. 1-139 La Poetica. 
 
 — Sophonisbe. . . . Uebersetzt von Dr. Feit. Prog. 
 Vida, M. H. Opera. Leyden: 1541. 
 
 p. 213-274 De Arte Poetica. 
 
 4
 
 42 A GUIDE TO THE 
 
 3. Psychology of Aesthetics. 
 
 Bourget, Paul. Essais de Psychologic Contemporaine. 4" ed. 
 Paris: 1885. 
 
 p. 116-138 [Flaubert] Du Romantisme, 156-173 Theories d'Art, 175-218 Taiue. 
 
 — Nouveaux Essais de Ps3'chologie Contemporaine. Paris: 
 
 1886. 
 
 p. 99-iiS [De Lisle] Science et Poesie, 139-157 [De Goticourt] L'Objet d'Art et des 
 Lettres, 180-198 Questions de Style, 213-228 [Tourgeniev] L'Esth^tique de I'Db- 
 servation. 
 
 Cohen, H. Die dichterische Phantasie u. der Mechanismus 
 d. Bewiisstseins. Berlin: 1869. 
 
 Contemp. 12:437. Psychology in Art. H. A. Page. 
 
 Dewey, J. Ps3-cholog5\ N. Y.: 1887. 
 
 C. 7 Imagination, c. 9 Intuition, c. 15 .Esthetic Feeling. 
 
 Dimetresco, C. D. Der Schonheitsbegriff: eine aesthetisch- 
 psycholog. Studie. Leipzig: 1877. 
 
 Dreher, E. Kunst in ihrer Beziehung zur Ps^xhologie u. zur 
 Naturwissenschaft. Berlin: 1878. 
 
 Hecker, E. Die Physiologic u. Psychologic dcs Lachens und 
 des Komischcn. Berlin: 1873. 
 
 Hickok, L. P. Empirical P.sychology; or the Human Mind as 
 given in Consciousness. Schenectady: 1855. 
 p. 201-204. 
 
 — Rational Psychology. Schenectady: 1854. 
 
 p. 634-639 Esthetic Facts. 
 
 Jahn, Max. Psychologic als Grundwissenschaft der Padagogik. 
 Leipzig: 1883. 
 p. 96-103. 
 
 Jardine, Robt. The Elements of the Psycholog3^ of Cogni- 
 tion. Eond. : 1874. 
 p. 172-179. 
 
 Ladd, Geo. T. Elements of Phj-siological Psychology-. N. Y. : 
 
 1887. 
 
 p. 520-523 .Esthetic Feelings.
 
 LITER A TURE OF ^S THE TICS. 43 
 
 Mind 1 : 479. Art and Psychology-. J. Sully. 
 
 Murray, J. C. A Handbook of Psycliology. Lond. : 1885. 
 
 p. 223-235 The -^Jsthetic Ideal, 3S7-390. 
 
 Rauch, F. A. Psychology. X. Y.: 1853. 
 
 p. 233-251 Irnagiiiatioii. 
 
 Rev, d. D. Mondes. i Sept. 1873. Le Sens du Beau chez 
 les Betes, le Darwinisme psychologique et la Psychologic 
 comparee. Ch. Leveque. 
 
 — 15 Aout 1 88 1. lyC Plaisir du Beau et le Plaisir du Jen, 
 
 d'apres I'ecole de revolution. M. Guyau. 
 
 Rev. Philos. 19:652. Sur 1' emotion esthetique. F. Paulhan. 
 
 — 20: lor. S. Rubinstein. Psychologisch-sesthetische Essays. 
 
 L. Arreat. [Review.] 
 
 Ribot, Th. English Ps3-chology. Trans. X. Y. : 1874. 
 
 t"- 231-37 Bain's and Spencer's -iisthetics. 
 
 Rubinstein, S. Psychologisch-sesthetische Essays. Heidel- 
 berg: 1878. 
 
 Sully, Jas. Outlines of Psychology. Lond.: 1884. 
 
 p. 316-329 Imagination, 531-552 ..Esthetic Sentiments. 
 
 Thompson, D. G. A System of Psychology. 2 v. Lond. : 
 1884. 
 
 v. I , p. 5S5-94 Esthetic Interests. 
 
 Viehoff, H. Die Poetik auf d. Grundlage d. Erfahrungsseelen- 
 lehre. Hrsg. von V. Kiy. Trier: 1888. 
 
 p. 3-69 Psychologisch-sesthetische Grundlage der Poetik.
 
 44 A GUIDE TO THE 
 
 II. SUBJECT-MATTER OF ^ESTHETIC THEORY. 
 
 A. The Agreeable, and the Beautiful; the Sublime, 
 
 AND THE Pathetic. 
 
 Atlantic 58: 716. Pathos in Story. 
 
 Blackw. 74: 727. Real and Ideal Beauty. 
 
 Blakey, Rob. History of the Philosophy of Mind. Lond. : 
 1850. 
 
 p. 419-515 Chief metaphysical writers who have treated of the Sublime and 
 Beautiful. 
 
 Blencke, Fr. Die Trennung d. Schonen vom Angenehmen in 
 Kant's Kritik d. sesthetischen Urtheilskraft. 
 
 Cambridge Essays 1856: 115. The Taste for the Picturesque 
 among the Greeks. E. M. Cope. 
 
 Contemp. 37:474. Greek and Christian Views of Beauty. 
 R. St. J. Tyrwhitt. 
 
 — 55:828. Orpheus in Rome: Irrelevant Talks on the Use of 
 
 the Beautiful. V. Lee. 
 
 Deutsche Rundschau 56:414. Korperschonheit. F. Merkel. 
 Ed. R. 140: 168. Canon of Beauty in Greek Art. 
 Fortn. 15: 709. Beauty and Realism. E. J. Poynter. 
 
 — 49:211. Beaut}', Composition, etc. , in Art. J. A. Symonds. 
 Gauckler, Ph. Le Beau et son Histoire. Paris: 1873. 
 
 J. Spec. Philos. 16:122. Beauty, Use, Reason. M. Tuthill. 
 
 — 17:94. The Beautiful. W. H. Kimball. 
 
 Kostlin, K. Ueber d. Schbnheitsbegriff. Tubingen: 1879. 
 Macm. 16:441. S^-mbolism of the Sublime. J. H. Stirling. 
 Maistre, J. de. Oeuvres Completes. 9 v. Lyon: 1884. 
 
 T.7, p. 306-324 Sur le Beau.
 
 LITERATURE OF .ESTHETICS. 
 
 45 
 
 Mind 4:482. Reason and Relations of Beauty. E. Gurney. 
 
 — 3:324. The Origin of the Sublime. G. Allen. 
 
 — 4: 301. The Origin of the Sense of Symmetry. G. Allen. 
 
 Postgraduate and Wooster Quarterly 2: 177. The Phi- 
 losophy of the Beautiful. K. Merz. 
 
 Rev. d. D. Mondes. i Sept. 1847. Du Beau dans I'Art, 
 d'apres M. Topfler. Th. Gautier. 
 
 — 15 Jtilliet 1854. Questions sur le Beau. E. Delacroix. 
 
 — 15 Juin 1857. Des A^ariations du Beau. E. Delacroix. 
 
 Ruskin, J. The True and the Beautiful in Nature, Art, Morals 
 and Religion. Selections from his Works by Mrs. E. C. 
 Tuthill. N. Y.: 1880. 
 
 Seidl. 
 
 Zur Geschichte d. Erhabenheitsbegriffes seit Kant. 
 
 Shedd, W. G. T. Eiteran,- Essays, 
 tiful and its Relation to Culture. 
 
 True Nature of the Beau- 
 N. Y.: 1878. 
 
 For a fuller examination of the theories of the Agreeable and the Beautiful the 
 student is referred to the following authorities already cited: P. 13 Plato; 
 p. 14 Xeuophon; p. 16 Blackie, Burke, Coleridge; p. :; Dallas, Emerson; p. 18 
 Hume; p. 19 Jeffrey, Kames; p. 2oJas. Mill; p. 20-21 Ruskin, Spencer; p. 25 Car- 
 riere; p. 26 von Hartmann, Hegel; p. 27 Herder; p. 28 Kant, Fischer; p. 29-30 
 Lessing; p. 30 Lotze; p. 31 Schiller; p. 32 Schlegel F. von, Schopenhauer, Ulrici; 
 p. 33 Wieland, M'undt; p. 36 Cousiu, Diderot; p. 37 Hugo, Joubert, L^vfique, 
 Marmontel; p. 38 Taine; p. 39 Voltaire; p. 41 Couti; Gioberti. 
 
 For the Sublime and the Pathetic see p. 16 Hurke. Carlyle; p. 19 Kanies; p. 20 Jas. 
 Mill; p. 26 Hegel; p. 27 Herder: p. 28 Kant, Fischer; p. 32 Schopenhauer; p. 35 
 Boileau-Despr^aux; p. 37 Marmontel. 
 
 B. The Mysterious, the Awful, the Horrible, etc. 
 
 Seep. 1 1-12 Aristotle; p. isPlato; p. igKames; p. 26 von Hartmann; p. 26-27 Hegel; 
 p. 28 Kant; p. 32 Schopenhauer; p. 29-30 Lessing; p. 31 Schiller; p. 35 Corncille; 
 p. 37 Marmontel; p. 38St. Evremond; p. 39 Voltaire; and, in general, the refer- 
 ences on Tragedy.
 
 46 A GUIDE TO THE 
 
 C. The Incongruous, the Ludicrou.s, the Grotesque, etc. 
 Belsham, Thos. Elements of the Philosophy of Mind. 
 
 p. 200-5 Wit. 
 
 Dowden, E. Shakespeare: A Critical Study of his Mind and 
 Art. Lond. : 1875. 
 
 P- 337-377 Humor. 
 
 Nuova Ant. 3 s. 11: 373. Richter e Tumorismo tedesco. E. 
 Nencioni. 
 
 Philos. Monatshefte 22:449. Der Begriff des Komischen in 
 der modernen ^sthetik. E. von Hartmann. 
 
 Philos. Studien [Wundt] 2:128, 327. Zur Psychologie des 
 Komischen. E. Kraepelin. 
 
 Rev. d. D. Mondes. i Sept. 1863. Ee Rire, le Comique et le 
 Risible dans I'Esprit et dans I'Art. Ch. Eeveque. 
 
 Rev. Philos. 17:584. Ee Rire, par E. Philbert. [Review.] 
 
 Spielhagen, F. Vermischte Schriften. Eeipzig: 1872. 
 
 p. 153-172 Der Humor. 
 
 Weiss, J. Wit, Humor and Shakespeare. Boston: 1876. 
 
 p. 3-71- 
 
 Whipple, E. P. Eectures on Subjects connected with Eitera- 
 tureandEife. 5th ed. Boston: 1859. 
 
 p. 84-121 Wit and Humor. 
 
 Wright, Thos. A History of Caricature and Grotesque in 
 Eiterature and Art. Eond.: 1875. 
 
 For other theories of the Ludicrous, the Grotesque, etc., consult p. 15 Bain; p. 16 
 Coleridge; p. 17 Dallas, Emerson, Everett; p. 18 Hazlitt, Hume; p. 19 Kames; 
 p. 21 Shaftesbury; p. 29-30 I^essing; p. 32 Schopenhauer; p. 35 Bossuet; p. 37 
 Marmontel; p. 38 St. Evremond; p. 39 Voltaire; and, in general, the references 
 on Comedy.
 
 LITERATURE OF ESTHETICS. 47 
 
 III. THE FINE ARTS. [Except Literature.] 
 
 A. Histories and Dictionaries of Art. 
 
 I. General. 
 
 Agincourt, Seroux d'. History of Art b}- its Monuments. 
 2 V. in I. Lond. : 1847. 
 
 Bell, N. R. E. ipseiid., D'Anvers, N.). Elementary History of 
 Art. Lond. : 1874. 
 
 Clement, C. E. Painters, Sculptors, Architects, Engravers 
 and their Works. A Handbook. Illust. 5th ed. Boston: 
 1879. 
 
 De Forrest, J. B. A Short History of Art. N. Y. 
 
 Fairholt, F. W., [ed.]. A Dictionary of Terms in Art. 
 Illust. lyond. 
 
 Jameson, Anna. Legends of the Madonna as represented in 
 the Fine Arts. Boston: 1877. 
 
 — Legends of the Monastic Orders as represented in the Fine 
 
 Arts. Boston: 1876. 
 
 — Sacred and Legendary Art. 2 v. Boston: 1879. 
 
 Llibke, W. Outlines of the History of Art. Trans, and ed. 
 by C. Cook. 2 v. N. Y.: 1878. 
 
 — and C. von Liitzow. Denkmaler der Kunst zur Uebersicht 
 
 ihres Entwickelungsganges von den ersten \"ersuchen bis 
 zu den Standpunkten der Gegenwart. 3 v. Stuttgart. 
 
 Mollet, J. W. An Illustrated Dictionary of Words used in 
 Art and Archaeology. Lond.: 18S3. 
 
 Schnaase, K. J. Fd. Geschichte der bildenden Kiinste. 2^ 
 verb. u. verm. Aufl. Unter Mitwirkung d. \'erfassers 
 bearb. von C. von Liitzow. 8 v. Diisseld. u. Stuttg. : 
 1866-79. 
 
 Spooner, S. A Biographical History of the Fine Arts. 4th 
 ed. 2 V. N. Y.: 1867. 
 
 Vasari, G. Lives of the most Eminent Painters, Sculptors 
 and Architects. Trans, by Mrs. J. Foster. 5 V. Lond.: 
 1850-52.
 
 48 A GUIDE TO THE 
 
 2. Ancient and MedicBval. 
 
 Baumeister, A., Hrsg. Denkmaler des klassischen Alter- 
 tums. 3 Bde. Miinchen u. Leipzig: 1885-88. 
 
 Burn, Robt. Roman Literature in Relation to Roman Art. 
 Lond.: 1 885. 
 
 Clement, C. E. A Handbook of Legendar>' and M^^thological 
 Art. nth ed. N. Y.: 1877. 
 
 Dyer, Thos. H. Pompeii. Lond.: 1875. 
 
 Furtwangler, W. Die Idee des Todes in den Mythen und 
 Kunstdenkmalern der Griecben. Freiburg im Breisgau: 
 
 1855- 
 
 p. 289-299 Kuust. 
 
 J. Philol. 1 : 236, 360. Cla.ssical Autborities for Ancient Art. 
 
 Lubke, W. Ecclesiastical Art in Germany during tbe Middle 
 Ages. Trans., witb appendix, by L. A. Wbeatley. Lond.: 
 1870. 
 
 Memes, J. S. Histor}- of Sculpture, Painting and Arcbitect- 
 ure. Edinb. : 1829. 
 
 Mliller, C. O. Ancient Art and its Remains. Witb additions 
 by F. G. Welcker. Trans, by Jobn Leitcb. Lond.: 1852. 
 
 Owen, A. C. Tbe Art Scbools of Mediaeval Cbristendom. 
 Ed. by J. Ruskin. Lond.: 1876. 
 
 Perrot, G. and Chas. Chipiez. A History of Art in Cbaldea 
 and Assj^ria. 2 v. Trans, by W. Armstrong. Lond.: 
 1884. 
 
 — A Histor}^ of Ancient Art in Sardinia, Judaea, Syria and 
 
 Asia Minor. 2 v. Lond.: 1890. 
 
 Reber, F. von. Gescbicbte der neueren deutscben Kunst. 
 Stuttgart: 1876. 
 
 — History- of Ancient Art. Trans, and augm. by J. T. 
 
 Clarke. Lond.: 1883.
 
 LITERATURE OF ESTHETICS. 49 
 
 Sillig, J. Dictionary of the Artists of Antiquity. Trans, by 
 H. W. Williams. Lond. : 1837. 
 
 Winckelmann, J. Sammtliche Werke. Bde. 1-12 iind Abbil- 
 dungen. Donauoschingen: 1825. 
 
 — The History' of Ancient Art. Trans, by G. H. Lodge. 2 v. 
 Boston: 1880. 
 
 J. Renaissance and Modern. 
 
 Contemp. 36:44. Dualism of the Art of the Renaissance. 
 A'. Lee. 
 
 Deutsche Rundschau 50: 195. Die Florentinische Malerei 
 und der Charakter der Kunst im Quattrocento. J. Meyer. 
 
 Jameson, Anna. Memoirs of the Early Italian Painters. 
 Boston: 1875. 
 
 Pattison, Mrs. Mark. The Renaissance of Art in France. 
 2 V. Lond.: 1S79. 
 
 Swinburne, A. C. Kssaj-s and Studies, Lond.: 1875. 
 
 P- 314-357 Old Masters at Floreuce, 358-380 Pictures of 1868. 
 
 Symonds, J. A. Renaissance in Italy: The Fine Arts. Lond.: 
 1877. 
 
 Timler, C. Renaissance in Italien. Leipz. : 1865. 
 
 For further references ou Ancient, Mediaeval, Renaissance and Modern Art, see 
 special lists under Architecture, Sculpture, Painting, Engraving, etc.
 
 50 A GUIDE TO THE 
 
 B. Treatises on the Arts in General. 
 Blackw. 145:591. Conversations on Art. W. W. Stor}\ 
 Brit, and For. Rev. 14: 512. /Esthetical Studj- of Art. 
 Brown, John. Horae Subsecivse. 3 V. Edinb. : 1882. 
 
 First Series, p. 193-209 Art aud Science; Second Ser., 215-296 Notes on Art. 
 
 Contemp. 54: 24. Art in England. F. Leighton. 
 
 Cornh. 18: 170. Taste in Art. F. T. Palgrave. 
 
 Duganne, A. Art's True Mission in America. N. Y.: 1853. 
 
 Encycl. Brit. 9th ed. "Art." Sidne}^ Colvin. 
 
 Fortnightly 30:661. Studj- of Art. S. Colvin. 
 
 Forum 7: 134. Ethics of Art. W. S. Lilly. 
 
 — 7:331. Art in Education. J. M. Hoppin. 
 Fraser 71:97, 334. Hierarch}' of Art. F. P. Cobbe. 
 Gladstone, W. E. Juventus Mundi. Eond.: 1870. 
 
 p. 516-525 Ideas of Beauty and Art in Homer. 
 
 Inge, W. R. Society in Rome under the Caesars. Eond.: 
 1888. 
 
 p. 93-118 Literature and Art. 
 
 Jameson, Anna. Sketches of Art, Literature and Character. 
 Boston: 1878. 
 
 — Studies, Stories and Memoirs. Boston: 1877. 
 
 — The Diar>- of an Ennuyee. Boston: 1876. 
 
 Mahaffy, J. P. Rambles and Studies in Greece. Eond. : 1876. 
 
 p. 282-321 Greek Music and Painting. 
 
 Missouri University Lectures. 1879. 
 
 p. 311 The Ideal and the Utility of Art. Bingham. 
 
 Morris, Wm. The Decorative Arts: Their Relation to Modem 
 Life and Progress. Lond. : 1878.
 
 LITERATURE OF ESTHETICS. 51 
 
 Murphy, Jos. J. Habit and Intelligence. 2 v. Lond. : 1869. 
 
 V. 2, p. 175-8 Historical Science of the Fine Arts. 
 
 National Rev. 1:72. Conversations in Art. W. J. Court- 
 hope. [Unbd. pams. i-ii.] 
 
 N. Eng. 50: 29. Suggestions in Art. J. C. Vandyke. 
 
 — 50:348. A Pioneer of German Art — A. J. Carstens. F. W. 
 
 Williams. 
 
 Newton, Chas. T. Essays on Art and Archaeology. L,ond. : 
 1880. 
 
 No. Am. 81:212. Origin and Character of Art. S. G. Fisher. 
 
 — 84: 379. Classical and Romantic Schools of Art. C. C. 
 
 Everett. 
 
 Palgrave, F. T. Essays on Art. lyond. : 1866. 
 
 Princeton, N. S. 11:91 [i 883-1] Art and Ethics. H. J. Van 
 Dyke. 
 
 Putnam, F. W. Conventionalism, in Ancient American Art. 
 Salem: 1887. 
 
 Rev. d. D. Mondes. 2 Sept. 1833. Un Mot sur I'Art Mod- 
 erne. A. De Musset. 
 
 — 15 Juin 1855. E'Art grec et I'Art Romain. J. J. Ampere. 
 
 — 15 Sept. 1856. t)tude sur les Beaux-Arts. M. F. Mercey. 
 
 — I Oct. 1866. Les Arts du dessin et la Science. Ch. 
 . Leveque. 
 
 — 15 Avril 1879. Ea Moralite dans I'Art. C. Martha. 
 
 — 15 Juin 1 88 1. La Delicatesse dans I'Art. C. Martha. 
 
 — 15 Nov. 1883. L'Antagonisme de I'Art et de la Science. 
 
 Ch. Guyau. 
 
 — I Avril 1886. Les Origines du Realisme. E. Miintz.
 
 52 A GUIDE TO THE 
 
 Rev. Philos. i8: 193. G. Seailles. Essai sur le genie dans 
 I'Art. L. Dauriac. [Review.] 
 
 — 20: 136. Les Comparisons entre la peinture et la musique 
 
 G. I^echalas. 
 
 — 22:337. G-. Seailles. Origine et destinees de I'Art. 
 
 Ruhmohr, Fr. Italienisclie Forschungen. Berl. : 1827-31. 
 
 Samson, G. W. Elements of Art Criticism. Phila.: 1867. 
 
 Schulz, H. W. Denkmaler der Kunst des Mittelalters in 
 Unteritalien. Dresden: i860. 
 
 Torrey, Jos. Theory of Fine Art N. Y.: 1874. 
 
 Vigny, A. de. Cinq Mars. . . . 24*^ ed., precedee de Reflex- 
 ions sur la verite dans I'art. Paris: 1877. 
 
 p. I-IO. 
 
 Wallace, H. B. Art, Scenery and Philosophy in Europe. 
 Phila.: 1855. 
 
 Westm. 96: 398. Relations of Art and Science. 
 
 Wiseman, N., Cardinal. Points of Contact between Science 
 and Art. I^ond.: 1863.
 
 LITERATURE OF ^ESTHETICS. 53 
 
 C. Special Treatises on the Different Arts. 
 
 I. Architecture. 
 Babcock, C. Elementar>' Architecture. N. Y.: 1876. 
 
 Beule, C. Ernest. Histoire de Tart grec avant Pericles. 
 Paris: 186S. 
 
 Billington, J. The Architectural Director. I^ond. : 1834. 
 
 Cofroyer, E. Architecture romaine. Paris: 1888. 
 
 Durm, Jos., ct al., [ed.]. Handbuch der Architektur. 4 v. 
 Damist.: 1883-6. 
 
 Eastlake, C. L. Hints 011 Household Taste. 3d ed. rev. 
 L,ond. : 1872. 
 
 — A History of the Gothic Revival. L,ond. : 1872. 
 
 Elmes, Jas. Memoirs of the lyife and Works of Sir Christo- 
 pher Wren, with a brief view of the Progress of Architect- 
 ure in England from the Beginning of the Reign of Charles 
 the First to the End of the Seventeenth Century. Lond. : 
 1823. 
 
 Fergusson, Jas. An Historical Inquiry into the True Princi- 
 ples of Beauty in Art, more especially with reference to 
 Architecture. Lond.: 1849. 
 
 — History of the Modern Styles of Architecture. 2d ed. 
 
 Forming the fourth volume of the New Edition of the 
 "Historj- of Architecture." 
 
 — History of Indian and Eastern Architecture. Forming the 
 
 third volume of the New Edition of the ' ' History of 
 Architecture." Eond. : 1876. 
 
 — History of the Modern Styles of Architecture. Ilhist. 
 
 Lond.: 1862. 
 
 — The Illustrated Handbook of Architecture. 2 v. Lond.: 
 
 1855-
 
 54 A GUIDE TO THE 
 
 Fergusson, Jas. A History of Architecture in all Countries, 
 from the Earliest Times to the Present Da}'. 2d ed. V. 1-2. 
 Lond.: 1874. 
 
 Gailhabaud, Jules, et al. Monuments Anciens et Modenies 
 . . . Hist, de r Architecture. 4 v. Paris: 1865-70. 
 
 Goller, Adolf. Die Entstehung der architektonischen Stil- 
 formen. Stuttg.: 1888. 
 
 Glossary of Terms used in Grecian, Roman, Italian and Gothic 
 Architecture. 5th ed. 2 v. in 3. V. i Text. V. 2, pts. 
 
 1 and 2, Plates. Oxford: 1850. 
 
 Gottgetreu, Rudolph. Eehrbuch der Hochbau — Konstruk- 
 tionen. 2 v. Berl. : 1880-2. 
 
 Gwilt, Jos. An Encyclopaedia of Architecture. Rev. by W. 
 Papworth. Lond.: 1876. 
 
 Hittorff, J., et Zanthe, L. Architecture Antique de la Sicile. 
 Paris: 1826. 
 
 Hope, Thos. An Historical Essay on Architecture. 3d ed. 
 
 2 V. V. I Text. V. 2 Plates. Lond.: 1840. 
 
 King, R. J. Handbook to the Cathedrals of England. Illust. 
 6 V. Lond.: 1869. 
 
 Laloux, V. Architecture Grecque. Illust. [Bibl. Enseignem. 
 des Beaux- Arts.] Paris: 1888. 
 
 Leeds, W. H. Rudimentary- Architecture . . . The Orders 
 and their Esthetic Principles. 2d ed. Lond.: 1852. 
 
 Lefevre, Andre. Wonders of Architecture. Illust. N. Y. : 
 1871. 
 
 Liibke, W. Geschichte der Architektur von den altesten 
 Zeiten bis zur Gegenwart dargestellt. 2 v. Leipzig: 1875. 
 
 Mothes, O. Die Baukunst des Mittelalters in Italien. Jena: 
 1882-4. 
 
 Norton, C. E. Historical Studies of Church-building in the 
 Middle Ages: Venice, Siena, Florence. New York: 1880.
 
 LITERATURE OF ^ESTHETICS. 55 
 
 Osten, F. Die Bauwerke in der Lombardei vom jteii bis zu 
 i4ten Jahrhundert. Darmstadt: 1846-54. 
 
 Otte, H. Geschichte der romanischen Baukimst in Deiitsch- 
 laiid. Leipz. : 1874. 
 
 Palladio, A. The Architecture of A. Palladio; in Four Books, 
 containing a short Treatise of the Four Orders . . . Revis'd 
 ... by Giacomo Leoni. Trans, from the Italian Original. 
 2d ed. 2 V. Lond.: 1721. 
 
 Parker, J. H. An Introduction to the Study of Gothic Archi- 
 tecture. 5th ed. Oxford: 1877. 
 
 Patte. jNIemoires sur les Objets les plus importans de I'Archi- 
 tecture. Paris: 1769. 
 
 Penrose, Francis C. Investigation of the Principles of Athe- 
 nian Architecture . . . London, Society of Dilettanti: 1888. 
 
 Redtenbacher, R. Leitfaden zum Studium der mittelalter- 
 lichen Baukunst. L,eipz.: 1881. 
 
 Ruskin, John. Lectures on Architecture and Painting; deliv. 
 Oxford, 1853. N. Y.: 1882. 
 
 — Seven Lamps of Architecture. N. Y. : 1857. Also N. Y.: 
 
 1882. 
 
 — Stones of Venice. 3 V. Lond.: 1858. 
 
 Schnaase, Karl J. Fd. Geschichte der bildenden Ktinste. 
 2" verb. u. verm. Aufl. Unter Mitwirkung des \'erfassers 
 bearb. von C. von Liitzow. 8 v. Diisseldorf und Stutt- 
 gart: 1866-79. 
 
 See under Architektur. Index. 
 
 Scott, Sir George G. Lectures on the Rise and Development 
 of Mediaeval Architecture. 2 v. Lond.: 1879. 
 
 Tuckerman, A. L. vShort History of Architecture. N. Y. : 
 1887. 
 
 Toussaint, Claude F., of Sens. Nouveau Manuel Complet 
 d'Architecture. Nouv. ed. Paris: 1857.
 
 56 A GUIDE TO THE 
 
 VioUet-le-Duc, E. E. The Habitations of Men in all Ages. 
 Trans, b)^ B. Bucknall. Illust. Boston: 1876. 
 
 — Annals of a Fortress. Trans, by B. Bucknall. Boston: 
 
 1876. 
 
 — The Story of a House. Trans, by G. M. Towle. Illust. 
 
 Boston: 1874. 
 
 — Discourses on Architecture. Trans., with an Introductory 
 
 Kssay, by H. Van Brunt and B. Bucknall. Illust. 
 Boston: 1875-1881. 
 
 — Entretiens sur 1' Architecture. 2 v. and Atlas. Paris: 
 
 1863-72. 
 
 — Dictionnaire Raisonne de 1' Architecture frangaise du xi" au 
 
 xvi'' Siecle. 10 v. Paris: 1868-75. 
 
 Vitcuvius Pollio, M. De Architectura lyibri Decern. Ed. V. 
 Rose and H. Mliller-Striibing. Deipzig: 1867. 
 
 — The Architecture of M. Vitruvius Pollio. Trans, from the 
 
 Original Latin by W. Newton. 2 v. Eond. : 1791. 
 
 Weale, John, [ed.]. Quarterly Papers on Architecture. 
 Illust. V. 1-4. Lond.: 1844-5. 
 
 White, J. Rural Architecture. Illustrated in a New Series 
 of Designs. Glasgow: 1852. 
 
 Wiebering, Le Chevalier de. Analyse descriptive, histor- 
 ique et raisonnee des Monumens de I'Antiquite, des Edi- 
 fices les plus remarquables . . . de I'ltalie. 5 v. and 
 Atlas. Munich: 1838-40. 
 
 Winckelmann, J, J. Baukunst der Alten (Sammtl. Werke, 
 vol. 2). 
 
 Wotton, Sir H. Elements of Architecture. (Reliq. Wotton- 
 ian.)
 
 LITERATURE OF .-ESTHETICS. 57 
 
 2. Sculpture. 
 
 Borboni, G. A. Delle Statue. Roma: 1661. 
 
 Carter, J. Specimens of Ancient Sculpture and Painting now 
 remaining in England from the earliest period to the reign 
 of Henr>- \'III . . . with critical and historical illustra- 
 tions by F. Douce and others. New ed. Lond.: 1838. 
 
 Cellini, Benvenuto. Duo Trattati: uno dell' orificeria, I'altro 
 della Scultura. Milano: 181 1. 
 
 — Goethe, J. W. von. Werke, Bde. 22-23. Uebersetzung 
 von Cellini. 
 
 Canova, A. The Works of Antonio Canova in Sculpture and 
 Modeling, engraved in Outline by H. Moses. With a 
 Memoir by Count Cicognara, and Descriptive Notes. 
 Lond.: 1876. 
 
 Dietrichson, L. Antinoos; eine kunstarchaologische Unter- 
 suchung. Christiania: 1884. 
 
 Flaxman, John. Lectures on Sculpture. 2d ed. Lond. : 1838. 
 
 Fortnum, C. D. E. Bronzes. [South Kensington Museum 
 Art Handbooks.] Lond.: 1877. 
 
 Grimm, H. Essays. Hanover: 1859. 
 
 p. 41-45 Die Venus von Milo; 177-260 Rafael und Michelangelo. 
 
 Kekule, Reinhard, [ed.]. Griechische Thonfiguren aus 
 Tanagra. Stuttg.: 1878. 
 
 Lee, Mrs. Hannah F. FamiHar Sketches of Sculpture and 
 Sculptors. 2 v. Bost. : 1854. 
 
 Llibke, W. History of Sculpture. Trans, by F. E. Bunnett. 
 2 V. Lond.: 1872. 
 
 Michaelis, A. Ancient Marbles in Great Britain. Trans, 
 from the German by C. A. M. Fernell. Camb.: 1882. 
 
 Mitchell, Lucy M. A Hi.stor}^ of Ancient Sculpture. N. Y. : 
 
 1.S.S3. 
 5
 
 58 A GUIDE TO THE 
 
 Mothes, O. Geschichte der Baukunst und Bildhauerei Vene- 
 digs. Leipz. : 1859. 
 
 Murray, A. S. Histor}^ of Greek Sculpture. 2 v. Lond. : 
 
 1880-83. 
 
 Overbeck, J. Geschichte der griechischen Plastik. lyeipzig: 
 
 1857- 
 
 — Same. 3" umgearb. u. verm. Aufl. 2 v. Leipzig: 1881-2. 
 
 Perkins, Charles C. Historical Handbook of Italian Sculpt- 
 ure. N. Y.: 1883. 
 
 — Tuscan Sculptors: Their Lives, Works and Times; with 
 
 Illustrations from Original Drawings and Photographs. 2 v. 
 lyond. : 1864. 
 
 Perry, W. C. Greek and Roman Sculpture. Lond. : 1882. 
 
 Plon, E. Thorwaldsen: His Life and Works. Trans, by I. M. 
 Luyster. Illust. 2d Am. ed. Boston: 1874. 
 
 Ruskin, John. Aratra PenteHci: Six Lectures on the Elements 
 of Sculpture delivered at Oxford, 1870. Oxford: 1872. 
 
 Rydberg, Victor. Roman Daj^s. Trans, by A. C. Clark. 2d 
 ed. N. Y.: 1887. 
 
 p. 1-208 Sculpture. 
 
 Semper, H. Uebersicht der Geschichte der toskanischen 
 Sculptur. Ziirich: 1869. 
 
 — und Barth, W. Ueber die hervorragendsten Bildhauer- 
 
 Architek ten der ital. Renaissance. Dresden: 1S80. 
 
 Upcott, L. E. An Introduction to Greek Sculpture. Oxford: 
 1887. 
 
 Waldstein, Chas. Essays on the Art of Pheidias. Camb. : 
 1889. 
 
 Westmacott, R. Handbook of Sculpture, Ancient and Mod- 
 ern. Edinb. : 1864. 
 
 — Sculpture. [Encycl. Metr., v. 5.]
 
 LITERATURE OF ESTHETICS. 59 
 
 J. Ceraviics. 
 
 Audsley, G. A., and Bowes, J. L. Keramic Art of Japan. 
 Lond. : 1 88 1. 
 
 Birch, S. History of Ancient Potter}-. Lend.: 1858. 
 
 Blake, W. P. Ceramic Art. Report Intern. Exhib. \'ienna, 
 1873. X. Y.: 1875. 
 
 — Ceramics, Glass and Glassware. [Reports U. S. Commis. 
 
 Paris Expos.] 3 v. 1878. 
 
 Bohn, H. G. Guide to the Knowledge of Potter}-, etc. Cata- 
 logue of Bernal Collection. Eond. : 1857. 
 
 Brongniart, A. Traite des Arts Ceramiques. 2 v. Paris: 
 1854. 
 
 Deck, J. T. Faience. [Bibl. I'Enseignem. Beaux-Arts.] 
 Paris: 1887. 
 
 Dubreuil. Porcelaine.. [Fr^my, Encj-cl. Chimique. Vol. 5.] 
 1885. 
 
 Elliott, C. W. Potter)^ and Porcelain, from Early Times to 
 1876. N. Y.: 1878. 
 
 Hartt, C. F. Notes on the Manufacture of Potter}- among 
 Savage Races. R. dej.: 1875. 
 
 Jacquemart, Albert. History of the Ceramic Art. Trans, 
 by Mrs. Bury Palliser. Eond. : 1873. 
 
 — Merveilles de la Ceramique. [Bibl. des Merveilles.] 2 v. 
 
 Paris: 1866-8. 
 
 Julien, S. Histoire et Fabrication de la Porcelaine Chinoise; 
 trans, par Julien. Notes et additions par Salvetat, A. Me- 
 moire sur la Porcelaine du Jappn; tr. par Dr. J. Hoffmann. 
 Paris: 1856. 
 
 Marryat, Jos. A History of Pottery and Porcelain, Meditieval 
 and Modern. 3d ed. Eond.: 1868.
 
 6o A GUIDE TO THE 
 
 Morley, H. Palissy, the Potter. The Life of Bernard Palissy 
 ofSaintes. New ed. 'Lond. : 1878. 
 
 Moses, H. Vases from the Collection of Sir Henry Engle- 
 field, Bart. Drawn and engraved by H. Moses. Lond. 
 
 Palissy, B. Oeuvres Completes . . . avec des Notes et tine 
 Notice historique par Paul-Antoine Cap. Paris: 1844. 
 
 — Enjubault, l^m. L'Art Ceramique et Bernard Palissy. 
 
 Paris: 1858. 
 
 — Jonveaux, E^m. Histoire de Trois Potiers Celebres: Palissy, 
 
 Wedgwood, Bottger. Paris: 1874. 
 
 — Salles, Jules. ]E)tude sur Bernard de Palissy: precedee par 
 
 . . . recherches sur I'art ceramique. Paris: 1856. 
 
 Porter, G. R. Porcelain and Glass Manufacture. [Cab. Cycl.] 
 Phila.: 1832. 
 
 Pettier, Andre Ariodant. Histoire de la Faience de Rouen. 
 Rouen: 1870. 
 
 Prime, W. C. Pottery- and Porcelain of All Times and Nations. 
 
 N. Y.: 1878. 
 
 Schumann, Ludwig F. Kunst durchsichtiges Porzellan und 
 weisses Steingut. 11. s. w. Weimar: 1835. 
 
 Young", J. J. Ceramic Art: History and Manufacture. N. Y. : 
 
 1878. 
 
 Zeigler, J. Ijtudes Ceramiques. Recherche des Principes du 
 Beau, etc. Paris: 1850.
 
 LIT ERA TV RE OF ^S THE TICS. 6 1 
 
 ^. Painting. 
 
 a. Histories and Biographies. 
 
 Church, W. E. W. M. Thackeray as au Artist and Art- 
 Critic. An Essay. Privately printed. 
 
 Clement, C. E., and Hutton, L. Artists of the Nineteenth 
 Century. A Handbook. 2 v. Boston: 1879. 
 
 Crowe, J. A., [ed.]. Handbook of Painting. The German, 
 Flemish and Dutch Schools. Based on the Handbook of 
 Kugler. Remodeled by Dr. Waagen. New ed. Illust. 
 2 V. Lond.: 1879. 
 
 — and Cavalcaselle, G. B. The Early Flemish Painters: 
 
 Notices of their Lives and Works. 2d ed. Lond. : 1872. 
 
 Titian; His Life and Times. 2 v. Illust. Lond.: 1877. 
 
 Raphael: His Life and Works. 2 v. Lond.: 1882-85. 
 
 A new History of Painting in Italy from the Second to 
 
 the Sixteenth Centurs-. 3 V. Lond.: 1864-66. 
 
 A History- of Painting in North Italy . . . from the 
 
 Fourteenth to the Sixteenth Century. 2 v. Lond.: 
 1871-74. 
 
 Cunning-ham, Allan. The life of Sir David Wilkie; with his 
 Journals, Tours, and Critical Remarks on Works of Art: 
 and a Selection from his Correspondence. 3 v. Lond. : 
 1843. 
 
 — The Lives of the Most Eminent British Painters, Sculptors 
 
 and Architects. 6 v. Lond.: 1829-33. 
 
 Dobson, Austin. Thomas Bewick and his Pupils. Illust. 
 Lond.: 1884. 
 
 Duppa, R. The Life of Michel Angelo Buonarroti, with his 
 Poetry and Letters. 2d ed. Lond.: 1807. 
 
 — and Quatremdre de Quincey. The Lives and Works of 
 
 Michael Angelo and Rai)hael. Illust. Lond.: 1856.
 
 62 A GUIDE TO THE 
 
 Eastlake, Sir C. L., [ed.]. Handbook of Painting. The 
 Italian Schools. Based on the Handbook of Kugler. 4th 
 ed. Revised ... by Lady Eastlake. Illiist. 2 v. 
 Lond. : 1874. 
 
 Gilchrist, Alex. Life of WilHam Blake. Illust. 2 v. Lond.: 
 1863. 
 
 Grimm, H. Life of Michael Angelo. Trans, by F. E. Bun- 
 nett. 9th ed. 2 v. Boston: 1877. 
 
 Hamerton, P. G. The Life of J. M. W. Turner. Illust. 
 Boston: 1879. 
 
 Illustrated Biographies of the Great Artists. Lond.: 
 
 1880-83. 
 
 Clavide leLorrain, by O. J. Dullea; Correggio, by M. C. Heaton; Dellia Robbia and 
 Cellini, by L. Scott; Albrecht Diirer, by R. F. Heath; Figure Painters of Hol- 
 land, by Gower; Fra Angelico, Masaccio and Botticelli, by C. M. Phillimore; 
 Fra Bartolommeo, Albertinelli and Andrea del Sarto, by L. Scott; Gainsbor- 
 ough and Constable, by G. M. Brock-Arnold; Ghiberti and Donatello, by I,. 
 Scott; Giotto, by Harry Quilter; Hogarth, by Austin Dobson; Hans Holbein, 
 by Jos. Cundall; Landseer, by F. G. Stevens; Leonardo da Vinci; Little Mas- 
 ters of Germany, by W. B. Scott; Mantegna and Francia, by Julia Cartwright; 
 Meissonier, by J. W. Mollet; Michelangelo Buonarotti, by Clement; Mu- 
 rillo, by E. F. Minor; Overbeck, by J. B. Atkinson; Raphael, by N. D'Anvers; 
 Rembrandt, byJ.W. Mollet; Reynolds, by F. S. Pulling; Romney and Law- 
 rence, by Gower; Rubens, by C. W. Kett; Tintoretto, by W. R. Oster; Titian,, 
 by R. F. Heath: Turner, by W. C. Monkhouse; Vandyck ar»d Hals, by P. R. 
 Head; Velasquez, by E. Stowe; Vernet and Delaroche, by J. R. Rees; Watteau, 
 by J. W. Mollet; Wilkie, by J. W. Mollet. 
 
 Janitscheck. Die deutsche Malerei. Berlin: 1889. 
 
 Jerrold, B. The Life of George Cniikshank, in Two Epochs. 
 Illust. 2 V. N. Y.: 1882. 
 
 Justi, Karl. Velasquez und seine Zeit. Bonn: 1888. 
 
 Krell, Dr. Die Klassiker der Malerei. Stuttgart. 
 
 Kugler, F. T. Handbuch der Kunstgeschichte. 5*^ Aufl. 
 bearb. von W. Liibke. 2 v. Stuttgart: 1872. 
 
 Lacroix, Paul. The Arts in the Middle Ages, and at the 
 Period of the Renaissance. Trans, by J. Daffome. 
 Illust. . . . by F. Kellerhoven. Lond.: 1870. 
 
 — Sciences et Lettres au Moj^en Age et a I'E^poque de la Renais- 
 sance. Illust. par Compere, Daumont, Pralon et Werner. 
 2" ed. Paris: 1877.
 
 LITERATURE OF ESTHETICS. 63 
 
 Lanzi, A. L. The History of Painting in Italy: from the period 
 of the Revival of the Fine Arts to the end of the Eight- 
 eenth Century. Trans, by Thos. Roscoe. 6 v. Lond. : 
 1828. 
 
 Leslie, Chas. Robert. Autobiographical Recollections b}' the 
 late Charles Robert Leslie, R. A. Ed., with a prefatory- 
 Essay on Leslie as an Artist, and Selections from his Corre- 
 spondence, by Tom Taylor. Boston: i860. 
 
 Mason, G. C. The Life and Works of Gilbert Stuart; with 
 Selections from Stuart's Portraits Reproduced on Steel and 
 by Photogravure. N. Y.: 1879. 
 
 Merlo, J. J. Die Meister der altkolnischen Schule. Koln: 
 1852. 
 
 Meyer, Julius. Correggio. Leipz.: 1871. 
 
 Mollet, J. W. An Illustrated Dictionarj^ of Words used in 
 Art and Archaeology. Lond.: 1883. 
 
 Morgan, Lady. The Life and Times of Salvator Rosa. 2 v. 
 Lond.: 1824. 
 
 Northcote, Jas. The Life of Titian. 2 v. Lond.: 1830. 
 
 Passavant, J. D. Raphael of Urbino and his Father, Giovanni 
 Santi. Illust. Lond.: 1872. 
 
 Pater, W. Imaginary- Portraits. Lond.: 1887. 
 
 Scott, W. B. Murillo and the Spanish School of Painting. 
 Fifteen engravings on steel and nineteen on wood; with 
 an account of the school and its great masters. Lond. : 
 
 1873- 
 
 Scheibler, L. A. Die Meister der Kolner Malerschule. Bonn: 
 
 1S80. 
 
 Swinburne, A. C. William Blake. A Critical Essay. Illust. 
 Lond.: 1868. 
 
 Tuckerman, H. T. Book of the Artists. American Artist 
 Life . . . with an appendix containing an account of Nota- 
 ble Pictures and Private Collections. N. Y.: 1867.
 
 64 A GUIDE TO THE 
 
 Vertue, Geo. Anecdotes of Painting in England; with some 
 Account of the Principal Artists, and Incidental Notes on 
 other Arts, . . . digested and published . . . b\' the Hon. 
 Horace Walpole; with considerable additions bj- the Rev. 
 Jas. Dalloway. 5 v. Lond.: 1828. 
 
 Viardot, Louis, and other writers. An Illustrated History of 
 Painters of all Schools. Loud.: 1877. 
 
 Woltmann, A. Holbein und seine Zeit. 
 
 — and Woermann, K. History of Painting. Trans, by 
 Clara Bell. 2 v. Lond.: 1887.
 
 LITERATURE OF ESTHETICS. 65 
 
 b. Treatises on Painting. 
 
 Armitage, E. Lectures on Painting; delivered to the students 
 of the Royal Academy. X. Y. : 18S3. 
 
 Art Year Book, i884. American Art. Prepared and pub- 
 lished by the New England Institute. Boston. 
 
 Contains examples of various graphic processes, and of aiiplied art. 
 
 Boot, W. H. J. Trees, and How to Paint Them in Water 
 Colors. Illust. lyond. : 1883. 
 
 Burnet, J. A Treatise on Painting. In four parts. Illust. 
 New ed. Lond.: 1880. 
 
 Catalogue of the Art Department of the New England Manu- 
 facturers and Mechanics' Institute. Boston: 1883. 
 
 Supplemented b\- etchings, albertypes, and photo-engravings from the original 
 drawings, and by a series of short articles on "Various Phases of American 
 Art." 
 
 Camper, P. Differences des Traits du Visage. Autrecht: 1791. 
 
 Da Vinci, Leonardo. A Treatise on Painting. Trans. . . . 
 by J. F. Rigaud. Illust. To which is prefixed a life of 
 the author . . . by J. W. Brown. Loud.: 1835. 
 
 Diderot, Denis. Essai sur la peinture. [In Ocuvrcs, Ed. Cit. 
 V. 8.] 
 
 Encyl. Brit. 9th ed. "Painting." G. Reid. 
 
 — "Schools of Painting." J. H. Middleton. 
 
 Hamerton, P. G. A Painter's Camp. 2d ed. Lond. : 1S66. 
 
 — The Graphic Arts; a treatise on the varieties of drawing, 
 
 painting and engraving, in comparison with each other and 
 with nature. Boston: 1882. 
 
 Haydon, B. R. Correspondence and Table Talk; with a Me- 
 moir b}' his son, F. W. Haydon. 2 v. Boston: 1877. 
 
 — Lectures on Painting and Design. 2 v. Lond.: 1844-46. 
 
 V. 2, p. 251-283 Beauty. 
 
 Herrick, H. W. Water Color Painting. Illust. Artists' ed. 
 N. v.: 1882.
 
 66 A GUIDE TO THE 
 
 Hermann, C. .li^sthetische Farbenlehre. I^eipzig: 1876. 
 
 Hogarth, W.m. The Works of WilHam Hogarth in a series 
 of Engravings; with Descriptions and a Comment on their 
 Moral Tendency, by the Rev. J. Trusler. Lond. : 1833, 
 
 — The Works of Wilham Hogarth, [inckiding the "Analysis 
 
 of Beaut}',"] elucidated b}' descriptions, critical, moral and 
 historical, ... to which is prefixed some account of his 
 life. By Thos. Clerk. 2 v. Lond.: 1812. 
 
 Hollar, W. The Dance of Death; from the original designs 
 of Hans Holbein. Illustrated with thirt5'-three plates en- 
 graved by W. Hollar; with descriptions in English and 
 French. Lond. : 1 8 1 6. 
 
 Lermolieff, Morelli. Ueber die italienischen Bilder in d. Gale- 
 rien zu Miinchen, Dresden und Berlin. Leipz.: 1880. 
 
 Merimee, M. J. F. L. The Art of Painting in Oil and in 
 Fresco . . . Trans. . . . with original observations . . . 
 by W. B. S. Taylor. Lond.: 1839. 
 
 Michelangelo. Drawings and Studies by Michelangelo in the 
 University Galleries, Oxford. Etched and engraved by 
 Jos. Fisher. New ed. Lond.: 1879. 
 
 Noble, L. L. The Course of Empire, Voyage of Life and other 
 Pictures of Thos. Cole, N. A. N. Y.: 1853. 
 
 Rahn, R. Ein Besuch in Ravenna. Leipz.: 1869. 
 
 Ruskin, John. Modern Painters. 5 V. N. Y.: 1883. 
 
 — Lectures on Architecture and Painting. N. Y. : 1882. 
 
 Tyrwhitt, Rev. R. St. John. Handbook of Pictorial Art; 
 with a chapter on perspective by A. Macdonald. 2d ed. 
 Oxford: 1875. 
 
 Wedmore, F. The Masters of Genre Painting. Illust. 
 Lond.. 1880. 
 
 Wornum, R. N., [ed.]. Lectures on Painting by the Royal 
 Academicians. Lond.: 1848.
 
 LITERATURE OF ^ESTHETICS. 67 
 
 J. Engraving, Etching, etc. 
 Baker, W. S. Origin and Antiquity of Engraving. Boston: 
 
 — William Sharp, Engraver; with a Descriptive Catalogue of 
 
 his Works. Phila.: 1875. 
 
 Cellini, B. Memoirs . . . with Notes and Observations of 
 G. P. Caq^ani. Trans, by Thos. Roscoe. Eond. : 1850. 
 
 Delaborde, Henri. Gravure: precis elementaire de ses origines 
 . . . procedes . . . histoire. Paris: 188-. 
 
 Didot, Ambr. Firmin. Essai Typogr. et Bibliogr. sur I'His- 
 toire de la Gravure sur Bois. Paris: 1863. 
 
 Duplessis, G. Coup d'oeil sur I'Histoire de la Gravure. Paris: 
 
 1881. 
 
 Diirer, Alb. Album. [Hrsg. von Kaulbach, W. von, und 
 Kreling, A.] 42 plates. Niirnb. 
 
 — Humiliation and Exaltation of our Redeemer. 32 prints. 
 
 [Ed. John Allen.] Lond.: 1856. 
 
 — Schefer, E. Artist's Married Eife. Trans, by Mrs. T. R. 
 
 Stodart. N. Y.: 1867. 
 
 Emerson, W. A. Handbook of Wood Engraving . . . Prac- 
 tical Instruction . . . Hist. Art. New ed. Bost. : 1881. 
 
 Fielding, T. H. The Art of Engraving. Eond. : 1844. 
 
 Gillray, James. Works from the Original Plates. 2 v. 
 Lond.: 1849-51. 
 
 v. I Portrait of Gillray and 582 subjects; v. 2 Suppressed Plates, 45 in luunber. 
 
 — Wright, Thos., and PZvans, R. H. Historical and Descrip- 
 
 tive Account of the Caricatures of Gillray. Lond.: 1851. 
 
 Hamerton, P. G. The litcher's Handbook. Illust. 3d ed. 
 Lond.: 1881. 
 
 — Etching and Etchers. 3d ed. Lond.: 1880.
 
 68 A GUIDE TO THE 
 
 Hogarth, William. Original and Genuine Works. Lond. : 
 
 1 79-. 
 
 io8 pieces on Sg sheets. 2 portraits. 
 
 Jackson, J. A Treatise on Wood Engraving, Historical and 
 Practical. Illvist. L,ond. : 1839. 
 
 Lalanne, Max. A Treatise on Etching. Text and plates. 
 Trans, from the second French ed. by S. R. Koehler; with 
 an introductory' chapter and notes by the translator. Boston: 
 1880. 
 
 Landseer, J. Lectures on the Art of Engraving, delivered at 
 the Royal Institution of Great Britain. Eond. : 1807. 
 
 Lindsay, Rev. J. Engraving. [Encycl. Metr., v. 5.] 
 
 Lostalot, Alfred de. Procedes de la Gravure. Paris: 1882. 
 
 Maberley, J. The Print Collector. Ed. with notes, account 
 of Etching, bibhogr. of Engraving, by Rob. Hoe, Jr. 
 
 N. Y.: 1880. 
 
 Norton, J. T. Wood Carving. 2 v. [Reports U. S. Commis. 
 Paris Expos., 1878.] 
 
 Picart, Bernard, ef Stosch, Phil,, Baron von. Pierres 
 antiques gravees. Amst. : 1724. 
 
 — Winckelmann, J. J. Beschreibung der geschnittenen Steine 
 des seligen Baron Stosch. Werke, v. 9. 
 
 Ruskin, J. Ariadne Florentina. Six Lectures on Wood and 
 Metal Engraving. Orpington: 1876. 
 
 Walpole, Horace, Earl of Orford. Catalogue, and Lives 
 of Engravers. Life of George \'ertue. 
 
 See Walpole's Works, v. 4.
 
 LITERATURE OF ^ESTHETICS. 69 
 
 6. Music. 
 
 a. Histories of Music. 
 
 Ambros, A. W. Geschichte der Miisik. 5 v. Leipzig: 
 1880-82. 
 
 Burney, Charles. General Histon- of Music. 4 v. Loud. : 
 1776-89. 
 
 Commettant, Oscar. Musique: les Musiciens et les Instru- 
 ments de Musique chez les difFerents peuples du monde. 
 Paris: 1869. 
 
 Coussemaker, C: E, H: de. L'Art Harmonique aux xii'' et 
 xiii" Siecles. Paris: 1865. 
 
 — Histoire de THamionie au moyen Age. Paris: 1852. 
 
 Edwards, S. Histor>^ of the Opera. 2d ed. L,ond. : 1862. 
 
 Hueffer, Francis, [ed.]. Great Musicians. Lond.: 1881. 
 
 Hullah, J. The Histon.- of Modern Music. 3d ed. Lond.: 
 1881. 
 
 — The Third or Transition Period of Musical History. 2d ed. 
 
 Lond.: 1876. 
 
 Kiesewelter, R, G, History of the Modern Music of Western 
 Europe. Trans, b}^ R. Mliller. Lond.: 1848. 
 
 Langhans, W. Die Geschichte der Musik des i7ten, iSten 
 und i9ten Jahrhunderts. (In chron. Anschlusse an die Mu- 
 sik-geschichte von A. W. Ambros.) 2 v. Leipzig: 1884-87. 
 
 Lavoix, H.,y?/j-. Histoire de la Musique. Paris: 1884, 
 
 Ritter, F. L. History of Music. Boston: 1876.
 
 70 A GUIDE TO THE 
 
 b. Treatises on Music. 
 
 Adams, John S. Five Thousand Musical Temis; a complete 
 dictionary of L,atin, Greek, Hebrew . . . Spanish, English 
 words . . . and signs. Including the dictionaries of 
 Busb}', Czemy, Crassineau and Hamilton; also a treatise on 
 playing the organ. Boston: 1851. 
 
 Boetius. Flinf Biicher liber die Musik. Aus der Lateinischen 
 . . . libertragen und mit besonderer Beriicksichtigung d-er 
 griechischen Harmonik sachlich erklart von O. Paul. 
 Leipzig: 1872. 
 
 Bahr, O. Das Tonsystem unserer Musik. Leipzig: 1882. 
 
 Baker, Th. Ueber die Musik der Nordamerikanischen Wilden. 
 Leipzig: 1882. 
 
 Clement, Felix. Musiciens celebres, depuis le i6''siecle jusqu'a 
 nos jours. Paris: 1868. 
 
 Curwen, J. A Tract on Musical Statics. Lond. 
 
 — Musical Theor}-. Lond. 
 
 Descartes, R. du Perrot. Abregedela Musique. Oeuvres, v. 5. 
 
 Engel, C. Musical Mj'ths and Facts. 2 v. Lond.: 1876. 
 
 Grove, Sir Geo. A Dictionar}- of Music and Musicians. 4 v. 
 
 Lend.: 1880-89. 
 
 Gurney, Edm. The Power of Sound. Lond.: 1880. 
 
 C. 23 Musical Criticism. 
 
 Gwilt, Joseph. Music. [Enc3-cl. Metr., v. 5.] 
 
 Hart, George. Violin and its Music. Lond.: 1881. 
 
 Hastings, Thos. Dissertation on Musical Taste. N. Y. : 1853. 
 
 Hauptmann, M. The Nature of Harmony and Metre. Trans, 
 and ed. by \V. E. Heathcote. N. Y.: 1888. 
 
 Haweis, Rev. H. R. Music and Morals. N. Y. : 1875.
 
 LITERATURE OF yESTHETICS. -ji 
 
 Helmholtz, H. L. F. Sensations of Tone as a Physiological 
 Basis for the Theory of Music. Trans, and ed. by A. J. 
 Ellis. lyond.: 1875. 
 
 Jefferson, Joseph. Lyra Evangelica: an Essay on Instru- 
 mental Music in Christian Worship, f/f. Lond. : 1805. 
 
 Meshakah, Mikhail, of Damascus. Treatise on Arabian Music. 
 Trans, by Eli Smith. (Jour. Amer. Orient. Soc. , v. 5.) 
 
 Ouseley, Sir F. A. G. A Treatise on Musical Form and 
 General Composition. Oxford: 1875. 
 
 Philos. Monatshefte 20:518. C. Stumpf's Tonpsychologie. 
 R. Falckenberg. 
 
 Pole, Wm. The Philosophy of Music. Lond.: 1879. 
 
 Postgraduate and Wooster Quarterly 1:91. Schopenhau- 
 er's Musical Philosophy. K. Merz. 
 
 Reissmann, Aug. Zur ^E^sthetik der Tonkunst. Berlin: 1879. 
 
 Rev. Philos. 17:36. L'Esthetique Musicale en France. V 
 Psychologic des Timbres. 27:113, \T Psychologic du 
 Quatuor. Ch. Leveque. 
 
 — 17:276. Sur le Mode d'action de la musique. G. Lechalas. 
 
 — 17:318. J. Weber. Les Illusions Musicales. F. Paulhan. 
 
 [Review.] 
 
 — 20:617. Sur la Representation des Melodies. C. Stumpf. 
 
 — 22:81. La Loi d'i^volution de la Sensation Musicale. Ch. 
 
 Henry. 
 
 Rev. Pol. et Lit. 31:338. La Voix des Instruments. Ch. 
 Leveque. 
 
 Rice, I. L. What is Music? N. Y.: 1875. 
 
 Riemann, Hugo. Musikalische Logik. Leipzig. 
 
 Ritter, F. L. Music in America. N. Y.: 1883. 
 
 — Music in England. X. Y.: 1883.
 
 72 A GUIDE TO THE 
 
 Ritz, J. Untersuchungen iiber die Zusammensetzung der 
 Klange der Streichinstrumente. Ph^^sikalisch-musik- 
 theoretische Abhandlungen. Miinclien: 1883. 
 
 Rousseau, J. J. Dictiounaire de Musique. 2 v. Paris: 1823. 
 (In Oeuvres, Ed. Cit. v. 17-18.) Avec des Notes. 2 v. 
 Paris: 1839. {\n.0e7ivres,v. 13-14.) E^crits sur la Musique. 
 (In Oenvres, v. 12.) 
 
 Schubart, C. F. D. Ideen zu einer ^55sthetik der Tonkunst. 
 (In JVerke, v. 5.) 
 
 Schumann, Rob. Music and Musicians. Trans., ed. and 
 annot. by Fanny R. Ritter. 2 v. Lend.: 1877-1880. 
 
 Stumpf, C. Tonpsychologie. V. i. Leipzig: 1883. 
 
 Tagore, Sourindro Mohun. Yantra Kosha. Musical Instru- 
 ments of Ancient and Modern India, and otber Countries. 
 Calcutta: 1875. (In Bengalee.) 
 
 Taylor, Sedley. Science of Music. N. Y. : 1875. 
 
 — Sound and Music. Loud.: 1873. 
 
 Thibaut, A, F. J. On Purity iu Musical Art. Trans, from 
 the German by W. H. Gladstone. Lond. : 1877. 
 
 Wagner, Richard. Art Life and Theories of Wagner: 
 selected from his writings, and trans, by E. L. Burlingame. 
 X. Y.: 1875. 
 
 Weber, G. The Theon,- of Musical Composition. Trans. 
 . . . with notes by J. F. Warner; ed. . . . by J. Bishop. 
 2 V. Lond.: 1851. 
 
 Wolf, Ferdinand. Ueber die Lais, Sequenzen und Leiche. 
 Ein Beitrag. Heidelb. : 1841. 
 
 Zamminer, F. Die Musik und die Musikalischen Instrumente 
 in ihrer Beziehung zu den Gesetzen der Akustik. Giessen: 
 
 1855- 
 
 Zeitschrift fiir Philos. 89:293. C. Stumpf's " Musikpsj-chol- 
 ogie in England. " Th. Lipps.
 
 LITERATURE OF .ESTHETICS. 73 
 
 IV. LITERATURE. 
 A. Histories and Theories in General. 
 Arnold, M. Discourses in America. Lond. : 18S5. 
 
 p. 72-137 Literature and Science. 
 
 Bascom, John. Philosophy of English Literature. X. Y. : 
 1886. 
 
 Berington, Jos. Literary History of the Middle Ages [A. D. 
 1400-1453]. Loud.: 1846. 
 
 Bornhak, G. Lexikon der allgemeinen Literatur-geschichte. 
 Die Xational-literatur der ausserdeutschen A'olker aller 
 Zeiteu . . . Zugleich Lexikon der Poetik. Leipz.: 1882. 
 
 Brande, W. T., and Cox, G. W. Dictionary of Science, Lit- 
 erature and Art. Xew ed. 3 V. Lond.: 1867. 
 
 Brandes, Georg". Die Literatur des neunzehnten Jahrhunderts 
 in ihren Hauptstromungen. Ueberszt. und eingeleitet 
 von A. Schodtmann. 5 v. in 3. Berlin: 1872-83. 
 
 V. I Die Eniigranten-Iyiteratur; v. 2 Die romantische Schule in Deutschland; v. 3 
 Die Reaktion in Frankreich; v. 4 Der Naturalisnius in England; v. 5 Die 
 romantische Schule in Frankreich. 
 
 Coppee, H. English Literature: considered as an interpreter of 
 English Histor>'. Phila. : 1873. 
 
 Gatschenberger, Stephan. Geschichte der enghschen Lit- 
 eratur — mit besonderer Berticksichtigung der politischen und 
 Sitten-Geschichte Englands. 3 v. Prag, Wien: 1859-62. 
 
 Hallam, H. Introduction [to the Literature of Europe, in the 
 15th, 1 6th and 17th centuries. 4 V. Lond.: 1S37-9. 
 
 Heine, Heinrich. The Romantic School. Trans, by S. F. 
 Fleishman. N. Y.: 1882. 
 
 — Zur Geschichte der neueren Schonen Literatur in Deutsch- 
 land. 2 V. Paris: 1833-5. 
 
 Marmontel, J. F. I'Uements de Litterature. 3 v. Paris: 
 1846-7. 
 6
 
 74 A GUIDE TO THE 
 
 Morley, H. English Writers. Lond.: 1887. 
 
 V. 1, p. 1-121 Development of Literature. 
 
 Mundt, Theodor. Geschichte der lyiteratur der Gegenwart. 
 2^ Aufl. Leipz.: 1853. 
 
 Nodier, C. Romans. Paris: 1850. 
 
 p. 7-19 Des Types eu LittSrature. 
 
 Nuova Ant. 3 S. 12:609. L'Avvenimento della letteratura 
 universale. G. Chiarini. 
 
 Posnett, H. M. Comparative Literature. N. Y.: 1886. 
 
 Raumer, F: L. G. von. Handbuch zur Geschichte der lyitera- 
 tur. 4 V. in 2. Leipz.: 1864-6. 
 
 Rev. Philos. 18:704. L. Arreat. La Morale dans le Drame, 
 I'jE^popee et le Roman. B. Perez. [Review.] 
 
 Sacy, S. U. Silvestre de, and others. Rapport sur le Progres 
 des Lettres. Paris: 1868. 
 
 p. 5-21 La Critique, 35-44 Le Roman. 
 
 Sainte-Beuve, C. A. Causeries du Lundi. 3'' ed. 15 v. 
 Paris: 1857-62. 
 
 Tome 3, p. 38-55 Qu'est-ce qu'un Classique? T. 15. 345 Sur la Morale et I'Art; 356 
 De la Tradition en LittSrature. 
 
 Scherer, Edm. E^tudes critiques sur la Litterature contempo- 
 raine. 9 v. Paris; 1863-89. 
 
 T. I, p. 239-254 La Critique historique; T. 4, 25-34 L'Avenir de la Poesie, 113-139 
 La Portefeuille de Ste. Beuve, 253-259 La MSthode de M. Taine, 261-272 M. Taine 
 et la Philos. de I'Art Grec; T. 5, 319-340 De la Traduction. 
 
 Scherr, Joh. Allgemeine Geschichte der Literatur. Stuttg. : , 
 1851. 
 
 Schlegel, Karl W. F. von. Sammtliche Werke. lo v. 
 Wien: 1822. 
 
 V. 1-2 Geschichte der alten und neuen Literatur. 
 
 — Lectures on the Historj' of Literature. Trans. Lond. : 1876. 
 p. 1-12. 
 
 Schlosser, F. C. Weltgeschichte [zu 1871] f iir das deutsche 
 Yolk. 2"Aufl. 19 V. in 10. Oberhausen und Leipz.: 1876. 
 
 v. 1-2 History of the Literature and Culture of the i8th Century.
 
 LITERATURE OF ESTHETICS. 75 
 
 Scott, Sir W. Essays on Chivaln-, Romance and the Drama. 
 [Misc. Prose Works, v. 6.] Edinb. : 1834. 
 
 p. 129-216 Roniance, 219-395 Drama. 
 
 Simonde de Sismondi, J. C. L. Historical View of the Litera- 
 ture of the South of Europe. Trans, by T. Roscoe. 2 v. 
 X. v.: 1885. 4 V. Loud.: 1823. 
 
 Stael, Mme. de. De la Litterature. Paris: 1845. 
 p. 213-529. 
 
 Taine, H. A. History of English Literature. Trans, hy H. 
 Van Laun. Eond. : 1883. 
 
 V. I. p. 1-36 Couditions of Literary Development. 
 
 Woolsey, T. D. Revival of Letters in the 14th and 15th Cen- 
 turies. Pamphlet, 114 pages. 1864-5.
 
 76 A GUIDE TO THE 
 
 B. Poetry. 
 /. General. 
 
 Alembert, J. C. R. d'. Oeiivres. 5 v. Paris: 182 1-2. 
 
 V. 4 Dialogue entre la Poesie et la Philosophic, etc. 
 
 Arnold, M. Kssays in Criticism. Second series. I^ond. : 1888. 
 
 p. 1-55 The Study of Poetry. 
 
 Austin, Alfred. Prince Lucifer. 2d ed. Lond. : 1887. 
 
 ^ p. vii-xxi Ou the End and Limits of Objective Poetry. 
 
 Bain, A. On Teaching English: with ... an Enquiry into 
 the Definition of Poetr>^ Lond.: 1887. 
 p. 207-256. 
 
 Blackw. 6: 363. Progressive Changes in Poetical Style. 
 
 — 11: 153. How Far is Poetry an Art? 
 
 — 27:706. Art of Poetry. 
 
 — 38:829. Philosophy of Poetry. 
 
 Brit. Q. [Am. ed.] 57: 92. A Theory of Poetry. Wm. Knight. 
 [Repr. in W. Knight's Studies in Philos. and Lit., p. 264- 
 282.] 
 
 Brooke, Rev. Stopford A. Theology in the English Poets. 
 N. Y.: 1875. 
 
 Browning, Robt. On the Poet, objective and subjective; on 
 the Latter's Aim; on Shelley as Man and Poet. 2d ed. 
 [Browning Soc. Papers, No. i.] Lond.: 1881. 
 
 Brunswick. Wordsworth's Theorie der Poetischen Kunst. 
 Halle: 1884. Prog. 
 
 Bryant, W. C. Prose Writings. Ed. by Parke Godwin. 2 v. 
 
 N. Y.: 1884. 
 
 V. I, p. 3-44 Lectures on Poetry, 57-67 On Trisyllabic Feet in Iambic Measure. 
 
 Buchanan, Robt, David Gray, and other Essays, chiefly on 
 Poetry. Lond.: 1868. 
 p. 3-60. 
 
 Contemp. 2:535. Poetical Feeling for Nature. E. Dowden.
 
 LITER A rVRE OF .-ES THE TICS. 'j-j 
 
 Contemp, 39:682. Morality in Poetry. V.Lee. 
 
 Cotterill, H. B. An Introduction to the Study of Poetr}-. 
 Lond. : 1SS2. 
 
 Courthope, W. J. The Liberal Movement in English Litera- 
 ture. Lond.: 1S85. 
 
 p. 3-32 Definition of Poetrj-, 71-10S Wordsworth's Theory of Poetry, 197-240 
 Prospects of Poetry. 
 
 Doyle, Sir F. H. Lectures on Poetry. Lond.: 1869. 
 Dryden, John. Prose Works. Ed. Cit. 
 
 V. 2-4 Essays on Dramatic, Heroic, Satiric, Epic Poetry. 
 
 Emerson, R. W. Complete Works. Ed. Cit. 
 
 V. 3, p. 9-45 The Poet; v. S, 9-75 Poetry and Imagination. 
 
 Encycl. Brit. 9th ed. "Poetn,-." Theodore Watts. 
 Everett, C. C. Poetry, Comedy and Duty. Ed. Cit. 
 Fortn. 12: 163. vScientific Study of Poetry. F. T. Palgrave. 
 
 — 32:686. M. Arnold on Poetry. 
 
 — 49:568. Science et Poesie. P. Bourget. 
 Forum 7: 175. What is a Great Poet? E. Gosse. 
 Fuller, S. M. Papers on Literature and Art. N. Y. : 1848. 
 
 Pt. 1, p. 5S-9q Modern British Poets; pt. 2, p. 1-21 Poets of the People; et passim. 
 
 Gellert, C. F. Sammtliche Schriften. lo v. in 5. Bern: 
 
 1774-5- 
 
 Bd. 7, p. 1 17-154 Wie Weit sich der Nutzen der Regeln in der Beredsamkeit und 
 Poesie erstrecke. 
 
 Gildon, Ch. The Complete Art of Poetry. 2 v. Lond.: 1718. 
 Gosse, Edmund. From Shakespeare to Pope. Lond.: 1885. 
 
 — Seventeenth Century Studies. History of EngHsh Poetry. 
 
 Lond.: 1883. 
 
 Gottschall, Rudolph. Poetik. Die Dichtkunst und ilire 
 Technik. 3' verb. Aufl. 2 v. in i. Breslau: 1873. 
 
 Gummere, F. B. A Handbook of Poetics. Boston: 1885.
 
 78 A GUIDE TO THE 
 
 Gurney, E. Tertium Quid. 2 v. lyond. : 1887. 
 
 V. 2, p. 119-191 Poets, Critics and Class-Lists, 191-251 The Appreciation of 
 Poetry. 
 
 Harington, Sir John. An Apologie of Poetr.v. [In Trans, of 
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 Haslewood, J., [ed.]. Ancient Critical Essay.s upon English 
 Poets and Poesy. 2 v. L,ond. : 1811-15. 
 
 V. I Puttenham; v. 2 Webbe, James I, Campion, Daniel, Boulton, Letters of 
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 Heilprin, Michael. Historical Poetry of the Ancient Hebrews. 
 Trans, and critically examined. 2 v. N. Y.: 1S79. 
 
 Herder, J. G. von. Spirit of Hebrew Poetry. Trans, by 
 James Marsh. 2 v. Burlington: 1833. 
 
 Herrig-'s Archiv 10:112. Sprache d. Poesie u. Poesie d. 
 Sprache. 
 
 — 45- 35- Ueber d. aesthetische, psychologische . . . Beurtheil- 
 
 ung eines Dichters. 
 
 — 45:58. Ueber Wesen und Zweck der Kiinst . . . und der 
 
 Poesie. 
 
 Howells, W. D. Modern Italian Poets. N. Y. • 1887. 
 
 Humboldt, F. W. H. Alexander von. Cosmos. Trans, from 
 the German by E. C. Otte and W. S. Dallas. 5 v. N. Y. : 
 1862. 
 
 See Article on Poetic Descriptions of Nature. 
 
 Hunt, Leigh. Selections from the Enghsh Poets. N. Y.: 
 1857- 
 
 Pt. I Imagination and F'ancy, p. 1-49 "What is Poetry?" pt. 2, p. 1-50 Illustra- 
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 James I of England. The Essays of a Prentise in the Divine 
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 P- 53-69. 
 
 Johnson, S. Eives of the English Poets. Op. Cit. 
 
 V. 5-6.
 
 LITERATURE OF .ESTHETICS. 79 
 
 Kleinpaul, E. Poetik. 8" umg. und verni. Aufl. Leipz. : 
 1879. 
 
 Thl. I Die Dichtuugsfonuen; Thl. 2 Die Dichtiuigssprache; Thl. 3 Die Dich- 
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 Knight, Wm, Studies in Philosophy and Literature. Lond. : 
 1879. 
 
 p. 264-2S2 A Contributiou towards a Theory of Poetry. 
 
 Lodge, J. Defense of Poetry-, Music and Stage Plan's, etc. 
 Lond.: 1853. 
 
 Lessing, G. E. Laocoon. The Limits of Painting and Poetry. 
 Trans, b}' Ellen Frothingham. Boston: 1S77. 
 
 Lowell, J. R. Lectures on the English Poets. [Lowell Insti- 
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 Lect. I Definition of Poetrj-. 
 
 Lowth, R. Lectures on the Sacred Poetry of the Hebrews. 
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 — Michaelis, J. D. In Roberti Lowth Praelectiones de Sacra 
 
 Poesi Hebraeorum Notae et Epimetra. Oxon: 1763. 
 
 Macm. 44: 26S. Two Theories of Poetr>'. A. Tilley. 
 
 — 53:5. Culture and Science. E. A. Sonnenschein. 
 
 — 53: 184. The Poetic Imagination. A. Tilley. 
 
 — 53:332. Province and Study of Poetry-. V. T. Palgrave, 
 
 — 53:428. Musical and Picturesque Elements in Poetry. F. 
 
 Whittaker. 
 
 Masson, D, Essays Biographical and Critical. Camb. : 1856. 
 
 p. 409-446 Theories of Poetry, 447-475 Prose and Verse. 
 
 Mayer, K. A. Leitfaden derdeutschen Poetik. Leipz. : 1869. 
 Mill, J. S. Dissertations and Discussions. 3 V. Boston: 1865. 
 
 V. I , p. 89-120 Thoughts on Poetry and its Varieties. 
 
 Minto, W. Characteristics of the English Poets from Chaucer 
 to vSliirley. lulinb. : 1874.
 
 8o . A GUIDE TO THE 
 
 Montaigne, Michel de. Essais. Paris: 1870. 
 
 p. 109 Poesie. 
 
 — Works. Trans, by \V. Hazlitt. Ed. by O. W. Wight. 
 
 4 V. N. Y.: 1859. 
 
 V. I, p. 326-7 Poetry. 
 
 Morris, G. S. British Thought and Thinkers. Chicago: 1 880. 
 
 p. So-97 Philosophy and Poetry. 
 
 Moyse, C. E. Poetry as a Fine Art. Lond. : 1883. 
 Newman, F. W. Miscellanies. 3 V. Lond.: 1869-89. 
 
 V. I. p. 65-145 Lectures on Poetry. 
 
 Noel, R. Essays on Poetry and Poets. Lond.: 1886. 
 
 p. 1-35 Poetic Interpretation of Nature. 
 
 No. Am. 132: 195. Poetry of the Future. W. Whitman. 
 
 No. Brit. 19:297. Theories of Poetry. D. Masson. 
 
 Open Court 3: 1727. Poetry and Science. C. Thomas. 
 
 Overland Mo. 14:129. The Old Notion of Poetry. J. V. 
 Cheney. 
 
 — 14:230. Who are the Great Poets ? J. \'. Cheney. 
 Pater, W. Appreciations. Lond.: 1889. 
 
 p. 213-228 ^Esthetic Poetry. 228-243 D. G. Rossetti, 243-264 Postscript. 
 
 Peacock, T. L. Works. 3 V. Lond.: 1875. 
 
 V. 3, p 324-338 The Four Ages of Poetry. 
 
 Poe, E. A. Works. Ed. by J. H. Ingram. 4 v. Edinb.: 
 1875- 
 
 V. 3, p. 197-219 The Poetic Principle, 219-265 The Rationale of Verse, 266-278 The 
 Philosophj- of Composition. 
 
 Puttenham, Geo. The Arte of English Poesie. Engl. Reprints. 
 . . . Ed. by E. Arber. Lond.: 1869. 
 
 Quinet, Edgar. Oeuvres Completes. 30 v. Paris. 
 
 V. 9, De I'Histoire de la Poesie. 
 
 Raymond, G. L. Poetry as a Representative Art. N. Y. : 1886.
 
 LITERATURE OF ESTHETICS. 8i 
 
 Rev. Philos. 17:179,258. L'Esthetiqiie du A'ers Moderiie. 
 Ch. Guyau. 
 
 — 18:232. D. Tarrozo. A Poesia Philosophica. B. Perez. 
 
 [Review.] 
 
 Rosenkranz, K. Poesie mid ilire Geschichte. Konigsb. : 1855. 
 
 Selkirk, J. B. Ethics and Esthetics of Modern Poetry. 
 Lond.: 1878. 
 
 Shairp, J. C. Aspects of Poetry. Boston: 1882. 
 
 Shelley, P. B. Works ... ed. ... by H. B. Fomian. 8 v. 
 Lond.: 1880. 
 
 V. 7, p. 99-144 Defense of Poetrj', 145-6 Three Fragments on Beauty. 
 
 — Rossetti, W. M. Memoir of Percy Bysshe Shelley. Lond.: 
 
 1886. 
 
 p. 93-96 Shelley on the Fine Arts. 
 
 Sidney, Sir Ph, An Apologie for Poetrie. Engl. Reprints. 
 ... Ed. by E. Arber. Lond.: 1868. 
 
 — Astrophel and Stella und Defence of Poesie . . . Hrsg. von 
 
 E. Flugel. Halle: 1889. 
 
 p. xliv-xlix. 
 
 Sutermeister, Otto. Leitfaden der Poetik. 2" verb. Aufl. 
 Ziirich: 1874. 
 
 Van Dyke, H. The Poetry of Tennyson. N. Y.: 1889. 
 
 Vida, M. G. Art of Poetry. Trans, by C. Pitt. 
 
 Viehoff, H. Poetik auf der Grundlage der Erfahrungsseelen- 
 lehre. Hrsg. von \'ictor Kiy. Trier: 1888. 
 
 Wackernagel, W. Poetik, Rhetorik nnd Stilistik. Hrsg. 
 von L. vSieber. Halle: 1873. 
 
 Ward, T. H., [ed.]. English Poets: Selections, with critical 
 introductions by various authors, and a general introduc- 
 tion by M. Arnold. 4 v. Lond. and N. Y.: 188 1.
 
 82 A GUIDE TO THE 
 
 Warton, T. Histon- of English Poetry from the 1 2th to the 
 Close of the i6th Centur\-. Ed. by W. C. Hazlitt. 4 v. 
 Lond. : 1871. 
 
 Webbe, Wm. A Discourse of English Poetrie Engl. Re- 
 prints. . . . Ed. by E. Arber. Lond.: 1S70. 
 
 Wordsworth, Wm. Prose Works. Ed. by A. B. Grosart. 
 3 V. Eond.: 1876. 
 
 V. 2, p. 79-100 Principles of Poetry, 101-5 Poetic Diction. 106-130 Poetry as 
 Study, 131-143 Poetry as Observation and Description.
 
 LITERATURE OF ^ESTHETICS. 83 
 
 2. Epic. 
 Aristotle. Poetics. (Wharton's Ed.) 
 
 Ill, i; V,4-5: VIII, 1-4; XVIII, 4-6; XXIII-XXVI. 
 
 Biihr, J. C. F. Geschichte der romischen Literatur. 4"' Aufl. 
 3 V. Karlsruhe: 1868-70. 
 
 Bd. I, p. 340-36 J Epos. 
 
 Blackw. 40: 734-744. Herder on the Epic. 
 
 Bossu, R. de. Traite du Poeme lipique. Paris: 1708. 
 
 — Dacier, Andre. Bossu's Treatise of the Epick Poem, etc. 
 
 Lond.: 17 19. 
 
 Bulfinch, T. The Age of Chivalry. Boston: 1859. 
 
 — The Age of Fable. Boston: 1870. 
 
 — Legends of Charlemagne; or Romance of the Middle Ages. 
 
 Boston: 1864. 
 
 Collins, W.L. Homer s Iliad. N. Y.:i885. [Engl. CI.] 
 
 — Homer's Odyssey. N. Y.: 1885. [Engl. CI.] 
 
 — Virgil. Phila.: 1878. [Engl. CI.] 
 
 Dippold, G. T. The Great Epics of Mediaeval Germany. 
 Boston: 1882. 
 
 Dryden, John. Prose Works. Ed. Cit. 
 
 V. 4 Discourse on Epick Poetry. 
 
 Gautier, L. Ees P^popees Frangaises. 4 v. Paris: 1878. 
 
 Gentleman's Mag. 1735. Essay on the Epic. 
 !'• 356-3^0. 
 
 Gladstone, W. E. Studies on Homer and the Homeric Age. 
 3 V. Oxford: 1858. 
 
 V. 3, p. 500-545- 
 
 Goethe, J. W. von. Werke. (Hempel ed.) 
 
 Bd. 29. 
 
 Gum mere, F. B. Poetics. Ed. Cit. 
 p. 7-40.
 
 84 A GUIDE TO THE 
 
 Hapgood, I. F. Epic Songs of Russia. Introd. note bj^ F. J. 
 Child. N. Y.: 1886. 
 
 Introduction. 
 
 Hegel, G. W. F. Werke. Ed. Cit. 
 
 Bd. 10, Thl. 3, p. 326-396. 
 
 — Kedney's Hegel's ^^sthetics. Ed. Cit. 
 
 p. 276-2S2. 
 
 Herder, J. G. Sammtliche Werke. Ed. Cit. 
 
 Bd. 3, p. 195-272. 
 
 Hericault, Ch. d'. Essai sur I'Origine de I'fipopee Fran^aise. 
 Paris: 1859. 
 
 Jebb, R. C. Homer: x\n Introduction to the Iliad and Odyssey. 
 2d ed. Glasgow: 1887. 
 
 C. I. 
 
 Kalevala. Trans, by J. M. Crawford. 2 v. N. Y.: 1888. 
 
 Preface. 
 
 — Trans, from the German by J. A. Porter. N. Y. : 1873. 
 
 Preface. 
 
 Kleinpaul, E. Poetik. Ed. Cit. 
 
 Thl. 3 p. 105-86 Epische Poesie. 
 
 Le Due, L. Ea Finlande . . . avec la Trad . . . de . . . le 
 Kalewala. 2 v. Paris: 1845. 
 
 Marmontel, J. F. E^lements de Litterature. Ed. Cit. 
 
 T. 2, p. 101-121. 
 
 Neele, H. Eectures on English Poetr}-. London: 1830. 
 
 Lecture 2, p. 41-7S Epic and Narrative Poetry. 
 
 Nettleship, H. Lectures and Essays. Oxford: 1885. 
 P. 97-142. 
 
 No. Am. 107:501-542. Epic Philosophy. D. A. Wasson. 
 
 Pierron, A. Histoire de la Litterature Romaine. 2''ed. Paris: 
 
 1857- 
 
 Rev. d. D. Mondes III: 4: 41. Cycle de Vladimir. Rambaud. 
 
 — 11:67:848. Theories Nouvelles. Boissier.
 
 LITERATURE OF .ESTHETICS. 85 
 
 Schasler, M. Kritische Geschichte der ^sthetik. Ed. Cit. 
 
 Bd. I, p. 156-159. 
 
 Schopenhauer, A. The World as Will and as Idea. Ed. Cit. 
 
 V. I, p. 321, 324-325. 413: V. 3, 211-212. 
 
 Sellar, W. Y. The Roman Poets of the Augustan Age. 
 \'irgil. Oxford: 1877. 
 
 Simcox, G. A. A History of Latin Literature from Ennius to 
 Boethius. 2 v. Lond. : 1883. 
 
 V. T, p. 265-275. 
 
 Ten Brink, B. Earlj^ English Literature. Trans, by H. M. 
 Kennedy. Lond.: 1883. 
 p. 13-22. 
 
 Teuffel, W. S. A Histon,- of Roman Literature. Trans. . . . 
 by W. Wagner. 2 v. Lond.: 1S73. 
 
 Viehoff, H. Die Poetik. Ed. Cit. 
 
 p. 494 Die dramatische und die epische Poesie. 
 
 Vischer, F. T. Op. Cit. 
 
 Bd. 3, Abschn. 2, Hft. 5, p. 1261, 1265-1321, 1324 ct seq., 1348, 1376, 13S9. 
 
 Voltaire. Oeuvres Completes. Ed. Cit. 
 
 See under Voltaire, p. 39.
 
 86 A GUIDE TO THE 
 
 J. Lyric. 
 Carriere, M. Die Kunst. Ed. Cit. 
 
 Bd. I, p. 533-547 Spruchdichtung und Kunstlyrik; Bd. 3. Abth. i, p. 2S1-307 Die 
 Lj'rik und Gedankendichtung; Abth. 2, p. 504-519 Die I,>Tik, Petrarca. 
 
 Coleridge, H. Notes on the British Poets. Essays. 
 
 V 2. 
 
 Ed. R. 40: 443. Lyric Poetry of Spain. 
 
 Fraser 102:627. Three Phases of Lyric Poetry. T. Ba3'ne, 
 
 Gummere, F. B. Poetics. Ed. Cit. 
 
 P- 39-57. 154, 199- * 
 
 Hegel, G. W. F. Werke. Ed. Cit. 
 
 Bd. 10. Abth. 3, p. 419-478. 
 
 — Kednej-'s Hegel's Esthetics. Ed. Cit. 
 
 p. 282-286 The Lyric. 
 
 Herrig's Archiv 2S: 165. Die Entwickelung der Lyrik in der 
 klassischen Literatur-periode. 
 
 — 35: 1-34. Ueber den inneren Ban u. den Abschluss d. 
 
 lyrischen Gedichtes. 
 
 — 70: 253. Beitrage zur Geschichte der mittelenglischen L3'rik. 
 Kleinpaul, E. Poetik. Ed. Cit. 
 
 Thl. 3, p. 29-105 Lyrische Poesie. 
 
 Lotze, H. Outlines of J^sthetics. Ed. Cit. 
 p. 99-102. 
 
 Michelet, C. L. The Philosophy of Art. (In Hastie's Trans, 
 of Hegel and Michelet.) 
 
 p. 94-100. 
 
 Mill, J, S. Dissertations. Ed. Cit. 
 
 V. I, p. S9-120 Thoughts on Poetry and its Varieties. 
 
 Richter, J. P. F. Vorschule der ^sthetik. Ed. Cit. 
 
 Abth. 2. p. 5S9-600.
 
 LITERATURE OF ESTHETICS. 87 
 
 Sat. R. 57:25. English L^'rics. 
 
 — 62:692. Lyrics from the Song-Books of the EHzabethan 
 
 Age. 
 
 Schopenhauer, A. The World as Will and as Idea. Ed. Cit. 
 
 V. I, p. 321-324. 
 
 Stedman, E. C. Poets of America. Boston: 1885. 
 
 See Index. 
 
 — Victorian Poets. Boston: 1879. 
 
 See Index. 
 
 Viehoff, H. Die Poetik. Ed. Cit. 
 
 p. 469-91 Die Lyrik. 
 
 Vischer, F. T. Op. Cit. 
 
 Bd. 3, Thl. 3, Abschn. 2, Hft. 5, p. 1322-1374. 
 
 Westm, 98: 54. Greek Lyrical Poetry.
 
 88 A GUIDE TO THE 
 
 y. Drama. 
 
 a. General. 
 
 Archer, Wm. About the Theatre: Essays and Studies. Lond. : 
 1886. 
 
 — English Dramatists of To-day. Lond. : 1882. 
 
 Arreat, L. La Morale dans le Drame, I'i^popee et le Roman. 
 Paris: 1884. 
 
 Austin, A. Savonarola. A Tragedy. Lond. : 188 1. 
 
 Preface. 
 
 Becq de Fouquieres, L. L'Art de la Mise en Scene. Essai 
 d'Esthetique Theatrale. Paris: 1884. 
 
 Blackw. 59: 54. Greek and Romantic Drama. 
 
 Breitinger, H. Ees Unites d'Aristote avant le Cid de Corneille. 
 Geneva: 1879. 
 
 Collier, J. P. History of English Dramatic Poetry to the Time 
 of Shakespeare, ^/r. 3 V. Lond.: 1S31. 
 
 Contemp. 23:363. Dramatic Aspects of Art. J. Pollock. 
 
 — 50: 299. The Dramatic and Undramatic. V. Lee. 
 Cornh. 26: 155. Dramatic Situation and Character. 
 
 Donne, W, B. Essays on the Drama. 2d ed. Lond.: 1863. 
 Dryden, John. Op. Cit. 
 
 V. 2 Essay of Dramatick Poesy. 
 
 Dumas, A., [yz/j-]. Theatre Com plet. 6^ ed. 6 v. in 3. Paris: 
 1875-80. 
 
 V. 3> P- 3-27. 199-209; V. 5, 3-19. 
 
 Diintzer, H. Lessing als Dramatiker und Dramaturg. [Erlaut. 
 zu d. deutsch. Klass. 30, 31.] Leipzig: 1874. 
 
 Ed. Rev. 36:442. Lord Byron's Tragedies. F.Jeffrey. 
 
 Encycl. Brit. 9th ed. "Drama." A.W.Ward.
 
 LITERATURE OF .ESTHETICS. 89 
 
 Freytag', G. Die Technik des Dramas. 4"" Aufl. Leipzig: 
 1881. 
 
 — Gesammelte Werke. 22 V. Leipzig: 1887-S8. 
 
 V. 14 Die Technik des Dramas. 
 
 Fuller, S. M. Papers on Literature and Art. Ed. Cit. 
 
 Pt. 2, p. 100-151 The Modern Drama. 
 
 Galaxy 23:396, 508. The Dramatic Canons. F. Whittaker. 
 
 Gervinus, G. G. Shakespeare Commentaries. Trans, by 
 F. E. Bunnett. New ed. rev. Lond.: 1877. 
 
 Guizot, F. P. G. Shakespeare and His Times. N. Y. : 1855. 
 
 p. 124-157 Dramatic Construction. 
 
 Herrig-'s Archiv 70: 129. Zur Einfiihrung in das Studium der 
 dramatischen Dichtkunst. A. Goerth. 
 
 Hiffernan, Paul. Dramatic Genius: In five books. 2d ed. 
 Lond.: 1772. 
 
 Kingsley, Ch. Plays and Puritans, and other Historical Essay's. 
 Lond.: 1885. 
 
 p. 4-79- 
 
 Klein, J. L. Geschichte des Dramas. 13 v. Leipzig: 1865-76. 
 Kleinpaul, E. Poetik. Ed. Cit. 
 
 Thl. 3, p. 186-213 Dramatische Poesie. 
 
 Leeds, Josiah W. Theatre. Non-accordance of Stage Plays 
 with the Christian Profession. Phila. : 1884. 
 
 Lowe, R. W. A Bibliographical Account of English Theat- 
 rical Literature from the earliest times. Lond.: 1888. 
 
 Macm. 40: 244. Dramatization of Novels. 
 
 Matthews, J. B. French Dramatists of the 19th Century. 
 N. Y.: 188 1. 
 p. 1-14. 
 
 Moulton, R. G. Shakespeare as a Dramatic Artist. Lond.: 
 1885. 
 
 7
 
 90 A GUIDE TO THE 
 
 Mliller, A." Lehrbuch der griechischen Biihnenalterthiimer. 
 Freiberg i. B.: 1886. 
 
 Nation 38: 543. Methods of English Playwrights. 
 
 No. Am. 126:40. Dramatic Composition. D. Boucicault. 
 
 Northbrooke, J. Treatise against Dicing, Dancing, Plays and 
 Interludes, etc. [Shakesp. Soc, v. 15.] Lond. : 1843. 
 
 Perry, T. S. English Literature in the i8th Centur3\ N. Y.: 
 1883. 
 
 p. 1S3-204 The Unities. 
 
 Rousseau, J. J. Oeuvres. Ed. Cit. 
 
 V. 2 Lettre a M. d'Alenibert sur les Spectacles. Apologie du Theatre par :Mar- 
 moutel. 
 
 Saint-Marc Girardin. Cours de Litterature Dramatique on 
 de r Usage des Passions dans le Drame. 4*^ ed. 2 v. 
 Paris: 1852. f ed. 5 v. Paris: 1868. 
 
 — Lectures on Dramatic Literature. First series. Trans, b}' 
 
 R. G. Barnwell. N. Y.: 1849. 
 
 Sanborn, F. B., [ed.]. The Life and Genius of Goethe as a 
 Playwright. Boston: 1886. 
 
 p. 189-217 Goethe as a Plaj'wrigiit. 
 
 Sat. R. 55:56. Persian Farce. 
 
 Schlegel, A. W. von. Dramatische Kunst und Literatur. 
 Vorlesungen. 2"^ Ausg. 3 V. Heidelb.: 1817. 
 
 — Same. Sammtliche Werke. 
 
 V. 5-6. 
 
 — A Course of Lectures on Dramatic Art and Literature. Trans. 
 
 by John Black. Lond.: 1861. 
 
 — Same. See J. \V. Donaldson. Theatre of the Greeks, p. 
 
 291-480. 
 
 Simpson-Baikie, E. The Dramatic Unities. 3d ed. Lond. : 
 1878.
 
 LITER A TL ^RE OF ^ES THE TICS. 9 1 
 
 Snider, D. J. System of Shakespeare's Dramas. 2 v. St. 
 Louis: 1877. 
 
 V. 1, p. 5-44 The Dramatic, 47-51 Nature of Tragedy, 279-301 Nature of Comedy. 
 
 Stapfer, P. Shakespeare and Classical Aiitiquitj-. Trans, by 
 E. J. Carey. Lond. : 1880. 
 
 p. 40-56 Classical Precepts enforced by Sidney, 57-72 Shakespeare and the Unities. 
 
 Theatre, 'Si, 1:208. Dramatic Construction. S. Grund3\ 
 
 — '85, 1 : 269. What does the Public Want? W. Archer. 
 
 Tomlins, F. G. A Brief View of the English Drama. Eond. : 
 1840. 
 
 Ulrici, H. Shakespeare's Dramatic Art. Bohn Libr. 2 v. 
 Eond. : 1876. 
 
 P- 334-356 Characterization. 
 
 Vega Carpio, L. F. de. Colleccion de las Obras Sueltas. 21 
 V. Madrid: 1776-9. 
 
 Tomo 4, p. 405-17 Arte nuevo de hacer Comedias, 461-4S2 Discurso sobre la uueva 
 Poesie, 513-522 Question sobre el Honor debido a la Poesie. 
 
 Voltaire. Oeuvres Completes. Ed. Cit. 
 
 See under I'oltaire, p. 39. 
 
 Ward, A. W. A History of English Dramatic Literature to 
 the Death of Queen Anne. 2 v. Eond.: 1875, 
 
 V. I. p. viii-xvi.
 
 92 A GUIDE TO THE 
 
 b. Tragedy. 
 Aristotle. Poetics. (Wharton's ed.) 
 
 VI; VII; IX, ii; XI, 4, 6; XIII; XIV; XV, 8; XVII, 2; XIX. 3; XXIV, S; XXV; 
 XXVI. 
 
 — Ethics. Ed. Cit. 
 
 Bk. II, c. 1-6. 
 
 — PoHtics. Ed. Cit. 
 
 Bk. V, c. 5-7. 
 
 — Rhetoric. Ed. Cit. 
 
 Bk. II, c. 5, 8. 
 
 Baumgart, H. Aristoteles, Lessing und Goethe. tJeber das 
 ethische und das sesthetische Princip der Tragodie. Leip- 
 zig': 1877. 
 
 Blackw. 47: 145. Theorv^ of Greek Tragedy. 
 
 Bohtz, Aug. W. Idee des Tragischen. Gottingen: 1836. 
 
 Colby, J. Rose. Some Ethical Aspects of Later Elizabethan 
 Tragedy. Preceded b}" an examination of Aristotle's 
 Theorj- of Tragedy. Ann Arbor: 1886. 
 
 De Quincey, T. Letters to a Young Man and other Papers. 
 Boston: 1854. 
 
 p. 101-123 Theory of Greek Tragedy. v 
 
 Donaldson, J. W. The Theatre of the Greeks. 4th ed. 
 Cambridge: 1836. 
 
 p. 155-194 Twining's Trans, of Aristotle's Poetics. 291-4S0 Traus. of Schlegel's 
 Lectures on the Drama. 
 
 Egger, Jos. Katharsis-Studien. Wien: 1883. 
 Everett, C. C. Poetiy^, Comedy and Duty. Ed. Cit. 
 
 P. 127-1.55 The Tragic Forces. 
 
 Feller, W. Die Tragische Katharsis in der Anfassung Les- 
 sings. Leipz.: 1889. 
 
 Freytag, G. Technik des Dramas. Ed. Cit. 
 
 p. 7, 16-23, 74-90, 214-227, 258-273 Das Tragische. 
 
 Goethe-Jahrbuch 3:132. Goethe's Ansicht iiber das Wesen 
 der Tragodie.
 
 LITERATURE OF .ESTHETICS. 93 
 
 Greinz, R. H. Die tragischen Motiven in der deutschen Dich- 
 tung seit Goethe's Tode. Dresd. : 1889, 
 
 Hegel, G. W. F. Ed. Cit. 
 
 Bd. 10:3, p. 479-344 Die draraatische Poesie, 526-33 Das Priucip der Tragodie. 
 
 — Kedney's Hegel's .-Esthetics. Ed. Cit. 
 
 p. 2S7-301 Dramatic Poetry. 
 
 Herrig^'s Archiv 26: 129. Das Tragischeund das Schicksal. 
 
 — 26: 289. Schiller liber die Tragodie. 
 
 — 47: 145. Katharsis und Gloirecultus. F. Meyer. 
 
 — 47:305-6. Ueber d. Riihm als tragischen Princip. 
 Lessing, G. Hamburgische Dramaturgic. Ed. Cit. 
 
 No. 32. 37-39, 73-S5 Die Reinigung des Mitleids und der Furcht. No. 48-50 Trag- 
 ische Ueberraschung. 
 
 Kleinpaul, E. Poetik. Ed. Cit. 
 
 Thl. 3, p. 213-37 Die Tragodie. 
 
 Marmontel, J. F. E^lements de Litterature. Ed. Cit. 
 
 \ . 3 Article on Tragedie. 
 
 McDermot, M. A Philosophical Inquiry into the Source of 
 the Pleasures derived from Tragic Representations. lyond. : 
 1824. 
 
 Neue Jahrbuch f. Philol. u. Paed. iii:8i. Der Begrifif der 
 tragischen Katharsis. H. Baumgart. 
 
 Patin. Etudes sur les Tragiques Grecs. Eschyle. 4'' ^d. 
 Paris: 1871. 
 P. 1-164. 
 
 Rev. d. D. Mondes. 15 Sept. 1875. La Psychologic dans les 
 tragedies de Racine. Paul Janet. 
 
 Rev. Philos. 23: S3. J. Duboc. Die Tragik vom Standpunkte 
 des Optimismus, mit Bezugname auf die moderne Tragodie. 
 L. .A.rreat. [Review.] 
 
 Ribbeck, O. Die romische Tragodie im Zeitalter der Republik. 
 Leipzig: 1875.
 
 94 A GUIDE TO THE 
 
 Rymer, Th. The Tragedies of the Last Age Considered and 
 Examined. 2d ed. Lond. : 1692. Also a Short View of 
 Tragedy". Lond. : 1693. 
 
 Saint-Marc Girardin. Essais de Litterature et de Morale. 
 2 V. Paris: 1853. 
 
 p. 371-g La TragMie Grecque et la Tragedie Franfaise, 407-412 De I'luspiration 
 et de I'Expression. 
 
 Schiller, J. C. F. von. Esthetic Letters. Ed. Cit. 
 Schlegel, A. W. von. Dramatic Art. Ed. Cit. 
 
 p. 43, 66 et seq., 77-144. And on The Greek Drajuatists. 
 
 Schopenhauer, A. World as Will and as Idea. Ed. Cit. 
 
 V. I, p. 326-30 Tragedy the Summit of Poetical Art: v. 3, p. 212-220 .5Jsthetics of 
 Tragedy, p. 454 Purification of the Emotions. 
 
 — Reich, E. Schopenhauer als PhilosophderTragodie. Wieii: 
 
 1S89. ; 
 
 Snider, D. J. System of Shakespeare's Dramas. 
 
 V. I, p. 1-31, 47-51 Nature of Tragedj'. 
 
 Voltaire. Oeuvres Completes. Ed. Cit. 
 
 See under Voltaire, p. 39. 
 
 For special references to Aristotle's Doctrine of Kathal'sis, see under ARISTOTLE, 
 p. 12.
 
 LITERATURE OF .ESTHETICS. 95 
 
 c. Comed\'. 
 Aristotle. Poetics. (Wharton's ed.) 
 
 II, 4; V; XIII, S. 
 
 — Ethics. Ed. Cit. 
 
 Bk. IV, S. 
 
 — Rhetoric. Ed. Cit. 
 
 Bk. I, c. II, <s 29; Bk. II, c. 12, % 16; Bk. Ill, c. 3, ^4: c. iS, $ 7. 
 
 Bossuet, J. B. Maximes et Reflexions sur la Comedie. Ed. 
 Cit. Paris: 1881. 
 
 Diderot, D. Oeuvres. Ed. Cit. 
 
 V. I, p. 46, note 2, L'Objet de la Coiuedie; v. 7, p. 308-13 De la Comedie Serieiise; 
 V. S, p. 361-426 Paradoxe sur la ComSdie. 
 
 Everett, C. C. Poetry, Comedy and Duty. Ed. Cit. . 
 
 Fitzgerald, P. Principles of Comedy and Dramatic Effect. 
 Lond. : 1870. 
 
 Fraser 89: 235. Modem Comedy. 
 
 Hazlitt, W. Lectures on English Poetry. Ed. Cit. 
 
 Pt. 2, p. 205-32 Comic Writers of the I,ast Century. 
 
 — Round Table. Ed. Cit. 
 
 p. 14-20 Modern Comedy. 
 
 Hegel, G. W. F. Werke. Ed. Cit. 
 
 Bd. 10:2, p. 213-15, 226-28 Das Komische; Bd. 10:3, p. 533-37 Princip d. Comodie. 
 
 — Kedney's Hegel's Esthetics. Ed. Cit. 
 
 p. 292-8. 
 
 Kleinpaul, E. Poetik. Ed. Cit, 
 
 Thl. 3, p. 237-52 Die Komcjdie und Schauspiel. 
 
 Lamb, C. Life, Letters and Writings. Ed. Cit. 
 
 V. 3, p. 361-71 Artificial Comedy of the Last Century. 
 
 Lessing, G. Hamburgi.sche Dramaturgic. Ed. Cit, 
 
 No. 28-29, 5' Komodie, 86-92 Komische Charactere. 
 
 Macaulay, T. B. Works. Ed. Cit. 
 
 V. 4, p. 350-411 Comic Dramatists of the Restoration [.A.rt. I.cigh Hunt]. .\lso 
 in Ed. Rev. 72:490,
 
 96 A GUIDE JO THE 
 
 Marmontel, J. F. E^lements de lyitterature. Ed. Cit. 
 
 V. I, p. 306-ig Comedie. 
 
 No. Am. 99: 364. Modern Italian Comedy W. D. Howells. 
 
 Nuova Ant. 3 S. 12:5. La Comedia del Secolo xx. T. 
 Formioni. 
 
 Princ. N. S. 11:273 [1883-1]- Modern Comedy. J. B. 
 Matthews. 
 
 Schopenhauer, A. World as Will and as Idea, Ed. Cit. 
 
 V. 3: 21S Comedy as Distinguished from Tragedy. 
 
 Snider, D. J. System of Shakespeare's Dramas. Ed. Cit. 
 
 V. I, p. 40, 279-303 Comedy or Mediated Drama. 
 
 Vischer, F. T. ^sthetik. Ed. Cit. 
 
 Bd. 3. p. 1431-46 Komodie; and see Register, end Bd. 3 2 Abschn. s- 
 
 Westm. 64:302. Greek Comedy. 
 — 65: 188. Athenian Comedy.
 
 LIT ERA TURE OF JES THE TICS. 97 
 
 d.' Histrionics. 
 
 Baker, H. B. English Actors from Shakespeare to Macready, 
 2 V. X. v.: 1879. 
 
 Betterton, Thos. History of the English Stage, from the 
 Restauration to the Present Time. Eond.: 1741. 
 
 Brown, T. A. History of the American Stage. N. Y.: 1870. 
 
 Campardon, E. Ees Comediens du Roi . . . pendant les 
 deux derniers Siecles. Paris: 1879. 
 
 Collier, J. P. Lives of the Original Actors in Shakespeare's 
 Pla}-s. Eond. : 1853. 
 
 (Shakesp. Soc. v. i6.) 
 
 Cook, D. Book of the Play. 2 v. Eond. 
 
 \'. I, p. 1S7-203 Prologues; v. 2, 314-328 Epilogues. 
 
 — Nights at the Play. Eond. 
 
 Doran, John, Annals of the English Stage from Thomas Bet- 
 terton to Edmund Kean. [1660-1830.] Introd. by R. H. 
 Stoddard. 2 v. N. Y.: 1880. 
 
 Dunlap, W, History- of the American Theatre. Eond.: 1833. 
 
 Fitzgerald, P. New History of the English Stage. 2 v. 
 Eond.: 1882. 
 
 — The Romance of the English Stage. Eond.: 1874. 
 Gait, J. Eives of the Players. Eond.-: 1831. 
 Houssaye, A. Ees Comediennes de Moliere. Paris: 1879. 
 
 — Princesses de Comedie et Decsses d'Opera. Paris: 1858. 
 
 Hunt, J. H. L. Critical Essays on the Performers of the Eon- 
 don Theatres, etc. Eond.: 1807. 
 
 Hutton, L. Plays and Players. N. Y.: 1876. 
 
 Irving, H. The Art of Acting. Chicago.
 
 98 A GUIDE TO THE 
 
 J. Hellen. Stud. 2:309. Bird-Masks on the Greek Stage. 
 Smith. 
 
 Lewes, G. H. On Actors and the Art of Acting. N. Y. : 
 1880. 
 
 Macready, W. C. Reminiscences and Selections from his 
 Diaries and Letters. Ed. by Sir F. Pollock. X. Y.: 1875. 
 
 Morley, H. The Journal of a London Playgoer. Lond. : 1886. 
 
 Morris, Mowbray. Essays in Theatrical Criticism. Lond.: 
 1882. 
 
 Murdoch, J. E. The Stage; or Recollections of Actors and 
 Acting. Phila.: 1880. 
 
 Nineteenth Cent. 1 1 : 567. Education for Dramatic Art. H. 
 Aide. 
 
 Russell, W. C. Representative Actors. Lond. 
 
 Wright, J. A. Historia Histrionica. [1699.] Dodsley. 
 
 V. 15.
 
 LITERATURE OF .ESTHETICS. 99 
 
 5. Miscellaneous Poetical Types. 
 
 Banville, Theodore de. Petit Traite de Poesie Frangaise. 
 Paris: 1881. 
 
 Besant, W. The French Humorists. Lond. : 1873. 
 
 p. 1-3 Satire. 
 
 Blair, H. Rhetoric. Ed. Cii. 
 
 II, 234 On Satire. 
 
 Dacier, Andre. An Essay upon Satyr. Trans, from the 
 French. Paris: 17 19. 
 
 Dobson, A. Foreign Forms of Verse. In W. D. Adams's 
 Latter-da}' Lyrics. Lond. : 1878. 
 
 Dryden, John. Op. Cit. 
 
 V. 3 On the Origin and Progress of Satire. 
 
 Encycl. Brit. Article on Satire. 
 Florian. Fables, etc. Paris: 1850. 
 
 p. 9-20 De la Fable, 277-285 Essai sur la Pastorelle. 
 
 Gosse, E. Plea for Certain Kxotic Forms of Verse. Cornh. 
 Mag. July, 1877. 
 
 Gramont, F. de. Les Vers Frangais. Paris. 
 
 Hegel, G. W. F. Philosophy of Art. Trans, by \V. ^L Bry- 
 ant. N. Y.: 1879. 
 
 p. 78-82 Satire. 
 
 Herder, J. G. Werke. Ed. Cit. 
 
 V. 1 : 492 Satire. 
 
 Hood, Tom. Practical Guide to English Versification. Lend. : 
 
 i«77- 
 
 Hunt, Leigh, and Lee, S. A. The Book of the Sonnet. 2 v. 
 Lond.: 1867. 
 
 V. I, p. 3-91 Essay on the Sonnet. 
 
 J. Hellen. Stud. 2: 233. Byzantine Satire. Tozer. 
 
 Laprade, V. R. de. Questions d'Art. E.d. Cit. 
 p. 301.
 
 loo A GUIDE TO THE 
 
 Littell's Liv. Age 152:109; 46:366; 73:85. Requirements of 
 
 Satire. 
 
 Main, David M., [ed.]. A Treasim- of English Sonnets. N. Y. •, 
 
 18S1. 
 
 Milton, J. Sonnets. Ed. by M. Pattison. Lond.: 1883. 
 
 p. 7-60 The Sonuet. 
 
 Petit de Julleville, Louis. La Comedie et les Moeurs en 
 France au Moyen Age. Paris: 1886. 
 
 p. 208-329 Satire. 
 
 Rosenkranz, K. Die Poetik. Ed. Cit. 
 
 p. 539-588 Die classische National-poesie der romanischen Volker. 
 
 Schiller, J. C. F. .Esthetic Letters, Essaj's, etc. Ed. Cit. 
 
 On Simple and Sentimental Poetry, %% on Satire, Elegiac, etc. 
 
 Sharp, W., [ed.]. Sonnets of this Century; with a Critical In- 
 troduction on the Sonnet. Lond.: 1887. 
 
 Temple Bar 22: 190. Literature of Satire. 
 
 Tomlinson, C. Sonnet: its Origin, Structure and Place in 
 Poetry. Lond.: 1874. 
 
 Viehoff, H. Poetik. Ed. Cit. 
 
 Bch. I, p. 357-391 Von den neueru entlehnte Strophenformen. 370 DasSonett. 
 
 Voltaire. Oeuvres. Ed. Cit. 
 
 V. 42: 355- 
 
 Waddington, S. English Sonnets by English Writers. 2d 
 ed. Lond.: 1888. 
 
 p. 191-221 History and Composition of the Sonnet. 
 
 White, Gleeson, comp. Ballades and Rondeaus, Chants Royal, 
 Sestinas, Villanelles, etc.: selected, with chapter on the 
 various forms. Lond.: 1887.
 
 LITERATURE OF AESTHETICS. loi 
 
 6. TecJinique of Verse. 
 
 Abbott, E. A., and Seeley, J. R. English Lessons for English 
 People. Boston: 1872. 
 
 p. 145-221 Metre. 
 
 Archiv f. Philol. u. Paed. 2: 268-307. Ueber Hermann's Lehre 
 vom \'ortrage der griechischen nnd lateinischen \'ers. 
 F. A. Gotthold. 
 
 Becq de Fouquieres, L. Traite general de la \'ersification 
 frangaise. Paris: 1879. 
 
 Bellanger, L. Etudes Historiques et Philologiques sur la 
 Rime Franfaise. Paris et Angers: 1876. 
 
 Belling, E. Beitrage zur Metrik Goethes. 
 
 Blackie, J. S. Horae Hellenicae. Lond.: 1874. 
 
 p. 278-296 English Hexameters. 
 
 Blackw. 7: 641. Sweetness of Versification. J. Spedding. 
 
 Bysshe, E. The Art of English Poetr3\ 2 v. Lond.: 1762. 
 
 Cay ley, C. B. Pedigree of English Heroic Verse. Transact. 
 Philol. Soc, p. 43. Lond.: 1867. 
 
 — Remarks on English Hexameters. Transact. Philol. Soc, 
 p. 67. Lond.: 1862-3. 
 
 Cornh. 15:620. Blank Verse. 
 
 Dlihr. Ueber Metrik und Rhythmik. Prog. 
 
 Everett, E. A System of English Versification. N. V.:i848. 
 
 Gottschall, R. Poetik. Die Uichtkunst und ihre Techuik. 
 Breslau: 1873. 
 
 Grabow, A. Ueber Musik in der deutschen vSprache. Lemgo: 
 1876. Prog.' 
 
 Gramont, F. de. Les Vers PVan^ais. Paris. 
 
 Gray, T. Works. 5 v. Lond.: 1858. 
 
 V. 5, p. 223 Observations on English Metre.
 
 I02 A GUIDE TO THE 
 
 Guest, E. A Histor}- of English Rhythms. 2 v. I^oiid. : 
 
 1838. 
 
 — A History- of EngHsh Rhythms. A new edition. Ed. by 
 \V. W. Skeat. Eond.: 1882. 
 
 Hadley, J. Essays Philological and Critical. 
 
 p. S1-109 On Ancient Greek Rhythm and Metre. 
 
 Hazlitt, W. Round Table. Ed. Cit. 
 
 Milton's Versification. 
 
 Herrig's Archiv 4:52. Der deutsche Vers. 
 
 Hood, Tom. Practical Guide to English Versification. Ed. Cit. 
 
 Huemer, J. Untersuchungen liber die altesten lateinisch- 
 christlichen Rhythmen. Wien: 1879. 
 
 Hultsch, F. Metrologicorum Scriptorum Reliquiae. Leipz.: 
 1S74. 
 
 Jenkin, Fleeming. Papers, Literary, Scientific, etc. Ed. by 
 S. Colvin and J. A. Ewing. Lond.: 1887T 
 
 V. I, p. 93-9 Artist and Critic, 149-170 Rhythm in English Verse. 
 
 Lamartine, Alphonse de. Selected Poems, etc. Ed. ... by 
 G. O. Curme. Boston: 1888. 
 
 p. 139-146 French Versification. 
 
 Lanier, S. The Science of Enghsh Verse. N. Y.: 1880. 
 
 Mayor, J. B. Chapters on English Metres. Lond.: 1886. 
 
 Minckwitz, J. Lehrbuch der deutschen Verskunst. 3*' Aufl. 
 Leipz.: 1854. 
 
 Poe, E. A. Op. Cit. 
 
 V. 3, p. 219-265 The Rationale of Verse. 
 
 Ruskin, J. Elements of English Prosody for Use in St. 
 George's Schools. Orpington: 1880. 
 
 Schipper, J. Englische Metrik-in historischer . . . Entwicke- 
 lung. 2 V. Bonn: 1881-88.
 
 LITERATURE OF .ESTHETICS. 103 
 
 Schmidt, J. H. H. Introduction to the Rhythmic and Metric 
 of the Classical Languages. Trans, by J. W. White. 
 Boston: 187S. 
 
 Schubert, H. De Anglosaxonum Arte Metrica. Dissert. 
 Berlin: 1S70. 
 
 Sylvester, J, J. The Laws of \'erse; or Principles of \'ersi- 
 fication Exemplified in Metrical Translations. Lond. : 1870. 
 
 — Fortn. 14:448. Sylvester's Laws of Verse. C. M. Ingleby. 
 
 Tobler, Adolf. \'om franzosischen A^rsbau alter und neuer 
 Zeit. 2' Aufl. Leipz.: 1883. 
 
 Vetter, Ferd. Zum Muspilli und zur germani.schen Allitera- 
 tions-poesie. Wien: 1872. 
 
 Viehoff, H. Poetik. Ed. Cit. 
 
 Bch. I. p. 3-451 Vers uud Strophenbau. 
 
 Walker, W. S. Shakespeare's Versification. Lond.: 1854. 
 
 Webbe, W. Discourse of English Poetrie . . . Reformation 
 of our English Verse. (Arber's Reprint.) Lond.: 1870. 
 
 Westphal, R., [ed.]. Scriptores Metrici Graeci. Leipz.: 1866. 
 
 V. I, Hephaestion, De Metris Encheiridiou et de Poemate Libellus. Proclus, 
 Chrestomathia Graminatica. 
 
 Wolf, Ferd. Ueber die Lais, etc. Ed. Cit. Ein Beitrag zur 
 Geschichte der rhythmischen Formen . . . der Volkslieder 
 , . . Kirchen und Kunstlieder im Mittelalter. Heidelb. : 
 1841.
 
 I04 A GUIDE TO THE 
 
 C. Prose. 
 /. The Novel. 
 
 Andover Rev. 12: 134. The Psychology of the Modern Novel. 
 G. T. Ladd. 
 
 Auerbach, B. Goethe uiid die Erzahlungskunst. Stuttgart: 
 1861. 
 
 Besant, W. The Art of Fiction. Boston: 1S84. 
 Cambridge Essays. Lond. : 1855. 
 
 p. 148-192 Relation of Novels to Life. F. Stephen. 
 
 Contemp. 54:674. The Religious Novel. R. T. Davidson. 
 Critic 4-249. Art of Fiction. A. Lang. 
 
 — 4:297. Art of Fiction. W. Besant. [From the Spectator.] 
 
 — 5:284. Besant's Art of Fiction. R.L.Stevenson. [Repr. 
 
 from Longman's, 5: 139.] 
 
 Dial 5: 132. Besant on Fiction. M. B. Anderson. 
 Dunlop, J. History of Fiction. Lond.: 1845. 
 
 — Ed. R. 24: 38. Dunlop's History of Fiction. W. Hazlitt. 
 
 — Quar. 13:384. Dunlop's History of Fiction. 
 
 Eliot, Geo. Essa^^s and Leaves from a Note Book. 2d ed. 
 Edinb.: 1884. 
 
 p. 366-371 story Telling. 
 
 Forsyth, W. The Novels and Novelists of the Eighteenth 
 Century, in illustration of the Manners and Morals of the 
 Age. N. Y.: 1871. 
 
 Fortn. 49: 112. Present State of the Novel. G. Saintsbury. 
 
 Giles, H. Illustrations of Genius. Boston: 1S59. 
 
 p. gi-iii Fiction. 
 
 Green, Thos. H. Works. Lond.: 1885. 
 
 V. 3, p. 20 Xw Estimate of the Value and Influence of Works of Fiction in Mod- 
 ern Times. Analysis of same by Nettleship.
 
 LITERATURE OF .ESTHETICS. 105 
 
 Herrig's Archiv 48:369. Die romische Novelle, 391 Die 
 deutsche Xovelle und der deutsche Roman. Hartung. 
 
 — 49: 89. Ueber der griechische Xovelle. Hartung. 
 
 — 50: I. Die byzantische Novelle. Hartung. 
 
 — 55: 1. Grundlinien einer Theorie des Romans. H. Keiter. 
 
 Lanier, S. The English Novel and the Principle of its Devel- 
 opment. N. Y. : 1883. 
 
 Leypoldt, F. ReadingDiar>'of Modern Fiction. N. Y. :i8Si. 
 
 Lippincott 13:273. Modem French Fiction. F. Asheton. 
 
 Longm. 4: 502. Art of Fiction. H. James, Jr. 
 
 — 5: 139. Art of Fiction. R. L. Stevenson. [Same art. in 
 
 Critic 5:284.] 
 
 Masson, D. British Novelists and their Styles: being a Criti- 
 cal sketch of the Histor>' of British Prose Fiction. Boston: 
 1859. 
 
 Matthews, B. Pen and Ink. N. Y.: 1888. 
 
 p. 66-94 The Philosophy of the Short Story. 
 
 Meredith, Geo. The Egoist. Lond.: 1886. 
 
 C. I. 
 
 Nation 36: 185. The Novel of To-day. A. G. Sedgewick. 
 
 — 39:260. Art of Fiction. G. Norton. 
 
 New Engl. 50: 333. The Commonplace in Fiction. O. W. 
 Firkins. 
 
 N. Princ. i : 386. The Novel of our Times. F. N. Zabriskie. 
 
 — 2:305. The Modem Novel. T. S. Perr}'. 
 
 Nineteenth Cent. 7:941: 8:195, 394, 748; 10:516. Fiction, 
 Fair and Foul. J. Ruskin. 
 
 v. 8, p. 401-3 Tests of Style. 
 
 — 8:88. vStor>' Telling. Jas. Payn. 
 
 8
 
 io6 A GUIDE TO THE 
 
 Noble, J. A. Morality in English Fiction. Liverpool. 
 
 Quar. Rev. 163:34. Growth of the English Novel. 
 
 Rev. d. D. Mondes. i Avr. 1875. Le Roman realiste con- 
 temporain. Brunetiere. 
 
 — I Juin, 1877. L'Erudition dans le Roman. Brunetiere. 
 
 — 15 Fevr. 1880. Le Roman experimental. Brunetiere. 
 
 — 15 Avr. 1 88 1. Le Reportage dans le Roman. Brunetiere. 
 
 — 15 Sept. 1 88 1. Les Origines du Roman naturaliste. Brune- 
 
 tiere. 
 
 — 15 Nov. 1881. La Casuistique dans le Roman. Brunetiere. 
 
 See also 15 Fevr. and 15 Mai, 1882; 15 Fevr, 1883; i Aoftt 1884; i Mai and i Jui!. 
 18S5; 15 Oct. 1889. 
 
 — 15 Sept. 1879. L'Esthetique naturaliste. C. Bigot. 
 
 — I Fevr. 1887. Le Roman au temps de Shakespeare. J. J. 
 
 Jusserand. 
 
 Schmidt, Julian. Bilder aus dem geistigen Leben unserer 
 Zeit. 4 V. Leipzig: 1870-5. 
 
 Bd. 3, p. 373-3S4 Die Ideale; Bd. 4, 272-339 Studieii iiber deu eiiglischen Roman. 
 
 Scrib. M. 5:620. Fiction as a Literar}^ Form. H. W. Mabie. 
 Trollope, A. An Autobiography. 2 v. Edinb. : 1883. 
 
 V. 2, p. 25-62 On Novels and the Art of Writing Them, 88-100 On Criticism. 
 
 Tuckerman, B. A History of Prose Fiction. N. Y. : 1882. 
 Westm. 29:73. Philosophy of Fiction. F. Burditt. 
 
 Yardley, E. The Supernatural in Romantic Fiction. Lond. : 
 
 1880.
 
 LITERATURE OF .ESTHETICS. 107 
 
 2. Technique of Prose. 
 
 Am. J. Philol. 6:344. Two Points in French Style. P. B. 
 Marcou. 
 
 Contemp. 47:548. Style. R. L. Stevenson. [Same art. in 
 Critic 6: 1S9, 199. 213.] 
 
 Critic 8: 7, 19, 57. R. L. Stevenson: His Style and Thought. 
 W. Archer. 
 
 De Quincey, T. Historical and Critical Essays. 2 v. Boston: 
 1853- 
 
 V. 2, p. 61-216 style. 
 
 Fortn. 41: 712. Literary Style: Le St3'le c'est rhomme. E. R. 
 Lytton. 
 
 — 50:728. Style. W. Pater. 
 
 Herrig-'s Archiv 4: 357. Proben stylistischer Analyse. 
 
 — 6:216. Der Styl ist der man selbst. Ochsmann. , 
 Higginson, T. W. Atlantic Essays. Boston: 187 1. 
 
 p. 23-47 Literature as an Art. 
 
 Long, Geo. An Old Man's Thoughts about Many Things. 
 2d ed. Lond. : 1872. 
 
 p. 92-161 style. 
 
 Minto, Wm. Manual of English Prose Literature ... de- 
 signed . . . to show Characteristics of Style. Edinb. : 1872. 
 
 Neue Jahrb. f. Philol. u. Paed. 135:681. Zur Geschichte der 
 Stilarten. H. Liers. 
 
 Renton, W. The Logic of Style, being an Introduction to 
 Critical Science. Lond.: 1874. 
 
 Saintsbury, G. Specimens of linglish Prose St3'le . . . with 
 an Introd. Essay. 
 
 p. xv-xlv. 
 
 Spencer, Herbert. Op Cif. The Philosophy of Style.
 
 io8 A GUIDE TO THE 
 
 V. CRITICISM. 
 
 Andover Review 3:47. Tradition, Criticism and Science. 
 
 Ainger, A. Charles I.amb. [Engl. M. of L. Ser.] N. Y.: 
 1882. 
 
 p. 168-1S2 Lamb's Place as a Critic. 
 
 Arnold, M. Essays in Criticism. Boston: i86g. 
 
 p. 1-38 Function of Criticism. 
 
 Atlan. 56:665. Principles of Art Criticism. E. R. Sill. 
 
 Bagehot, Walter. Literary Studies. Ed. by R. H. Hntton. 
 2 V. lyond. : 1879. 
 
 Batteux, Charles, Vabbe. Les Beaux Arts reduits a une 
 meme principe. Paris: 1747. 
 
 — Ees Quatres Poetiques d'Aristote, d'Horace, de Vida, de 
 
 Despreaux. Paris: 1771. 
 
 Blackw. 17:74. Criticism of Poetry. 
 
 Bodmer, J. J. Kritische Abhandlung von dem Wunderbaren 
 in der Poesie, //. s. zv. Zurich: 1740. 
 
 — Kritische Betrachtungen liber die poetischen Gemahlde der 
 
 Dichter. Mit Vorrede von J. J. Breitinger. Zurich: 1741. 
 
 — Vier kritische Gedichte. Ed. w. preface by T. Baechtold. 
 
 Berlin: 1883. 
 
 Boeckh, A. Encyklopadie und Methodologie der philologischen 
 Wissenschaften. Hrsg. von E. Bratuscheck. L,eipz. : 1877. 
 
 p. 169-254 Theorie der Kritik, 272-5 Cultus und Kunst. 
 
 Bonhours, Dominique. La Maniere de Bien Penser dans les 
 Ouvrages d' Esprit. Dialogues. Amsterd. : 1688. 
 
 Brandes, Georg. Die Litteratur des neunzehnten Jahrhunderts 
 in ihren Hauptstromungen. 
 
 Bd. 5, p. 374 Sainte-Beuve und die raoderne Kritik. 
 
 Brimley, Geo. Essays. Ed. by W. G. Clark. 3d ed. Lond.: 
 
 1868. 
 
 p. 184-203 Poetry and Criticism.
 
 LITERATURE OF ESTHETICS. 109 
 
 Brunetiere, Ferd. Critical Essays and Reviews. Rev. d. D. 
 Moudes, /^rjTj-//;/; beginning i Avril, 1875. 
 
 Caine, T. H. Cobwebs of Criticism. Lond. : 1883. 
 
 Carlyle, Thomas. Critical and Miscellaneous Essays. Ed. 
 
 at. 
 
 Contemp. 11: loi. Art Criticism. R. St. J. Tyrwhitt. 
 
 — 40:884: 41:124. Old and New Canons of Criticism of 
 
 Poetn,'. A. Austin. 
 
 Cook, A, S. The Touchstones of Poetry. Selected from the 
 Writings of Matthew Arnold and John Ruskiu ; with Introd. 
 by A. S. Cook. San Fran.: 1887. 
 
 Dennis, John. Remarks on Pope's Rape of the Lock. Lond. : 
 
 1728. 
 
 — Select Works. 2 v. Lond.: 17 18. 
 
 Deutsche Rundschau 51:398. Bemerkungen iiber Werth 
 und Wirkung der Kunstkritik. H. Grimm. 
 
 Du Bos, Jean Baptiste. Reflexions Critiques sur la Poesie, 
 et sur la Peinture. 3 V. Paris: 1755. 
 
 Dowden, E. Shakespeare: A Critical Study of his Mind and 
 Art. Lond.: 1875. 
 
 — Studies in Literature. 1789-1877. Lond.: 1887. 
 Flaubert, G. Correspondance. i'" S. 1830-50. Paris: 1887. 
 
 — Lettres a G. Sand. Paris: 1884. 
 
 Fontenelle, B. LeB. de. Oeuvres. fitudes .sur sa vie par 
 \'oltaire et al. Paris: 1852. 
 
 On the Pastoral. 
 
 Fortn. 1:85, 185, 572, 697; 2:257, 689. The Principles of Suc- 
 cess in Literature. G. H. Lewes, 
 
 — 32:210. Art Criticism. S. Colvin. 
 
 — 37' 339- Decay of Criticism. G. Allen.
 
 no A GUIDE TO THE 
 
 Fuller, S. M. Papers on Literature and Art. N. Y.: 1848. 
 
 Pt. I, p. 1-9 A Short Essay on Critics, p. 11-14 -^ Dialogue. 
 
 Geddes, Prof. Every Man His Own Critic. Pamphlet. 
 
 Goldsmith, O. Complete Works. Ed. by James Prior. 4 V. 
 lyond. : 1837. 
 
 v. I, p. 250-322 Essays on A Taste for Belles Lettres. Poetry, etc.. p. 387-463 An 
 Enquiry into the Present State of Polite Learning in Europe, p. 557-66 Pref- 
 ace to The Beauties of English Poetry; v. 3, p. 431-500 Miscellaneous Criticism; 
 V. 4, p. 345-49S Criticism relating to Poetry and the Belles Lettres. 
 
 Gosse, Edm. From Shakespeare to Pope. Ed. Cit. 
 
 — Seventeenth Century Studies. Ed. Cit. 
 
 — History of English Literature in the Eighteenth Century. 
 
 Eond. : 1889. (Being vol. i of A New History of English 
 Literature. Macmillan, publ.) 
 
 Greg, W. R. Literary and Social Judgments. Bost. : 1873. 
 
 Harper's Monthly Magazine. Editor's Study, v. 72 et seq., 
 passhn. W. D. Ho wells. 
 
 Harris, James. Works. Ed. by the Earl of Malmesbury. 
 New ed. 5 v. Lond. : 1803. 
 
 V. I Concerning Art, Music, Painting, and Poetry; v. 2 Hermes, concerning Uni- 
 versal Grammar; v. 4, 5 Philological Inquiries. 
 
 Hennequin, E. La Critique Scientifique. Paris: 1888. 
 
 Herrig's Archiv 1 1 : 294. Des Phases de la Critique en France. 
 Peschier. 
 
 — 6:349. Die Kritik, besonders die sesthetische Kritik. 
 Hueffer, F. Italian and other Studies. Lond.: 18S3. 
 
 p. 213-237 Musical Criticism. 
 
 Jennings, H. J. Curiosities of Criticism. Lond.: i88r. 
 Larroumet. Marivaux, sa vie et ses Oeuvres. Paris: 1882. 
 
 p. 5og-6i. 
 
 Le Bossu, R. de. Traite du Poeme Epique. N. ed. Paris: 
 1708. 
 
 Lippincott 13:355. Critic and Arti.st. T. M. Coan.
 
 LITER A TURE OF .ES THE TICS. 1 1 1 
 
 Lowell, J. R, Among my Books. Bost. : 1870. 
 
 — The same. 2d ser. Bost.: 1876. 
 
 — A Fable for Critics, etc. Bost.: 1859. 
 
 — My Study-windows. i6th ed. Bost.: 1882. 
 
 — Wilkinson, \V. C. Mr. Lowell's Prose. Scribn. Mont hi}', 
 
 V. 4, 1872, pp. 75, 227, 339. 
 
 Macaulay, J. B. Essays, Critical and Miscellaneous. New and 
 rev. ed. X. Y.: 1861. 
 
 Macmillan 38:246. Criticism and Creation. J. C. Shairp. 
 
 — 53: 278. Some Random Reflections on Criticism. 
 Mazzarella, B. Delia Critica Libri Tre. Geneva: 1866. 
 
 V. 1 Storia della Critica. 
 
 Morley, John. Critical Miscellanies. 3 V. Lond.: 1871-86, 
 
 — Diderot and the Encj'clopaedists. 2 v. Lond.: 1878. 
 
 — Rousseau. 2 v. Lond.: 1873. 
 
 — Voltaire. Lond.: 1872. 
 
 — [ed.]. English Men of Letters. 38 v. Lond. and N. Y.: 
 
 1878-87. 
 
 Moulton, R. G. Shakespeare as a Dramatic Artist. Oxford: 
 1885. 
 
 p. 1-40 Literary Criticism as an Inductive Science, 227-2S7 Dramatic Criticism as 
 an Inductive Science. 
 
 — Macni. 54:45. Criticism as an Inductive Science. \Vm. 
 
 Archer. [Review of R. G. Moulton's Shakespeare as a 
 Dramatic Artist.] 
 
 — Nation 41:201. A New Inductive Science. G. E. Wood- 
 
 berry. [Review of R. G. Moulton's Shakespeare as a 
 Dramatic Artist.] 
 
 — Robertson, J. M. Essays Towards a Critical Method. 
 
 Lond.: 1889. 
 
 p. 47-64 Recent Nihilism, p. 64-704 The Problem Stated.
 
 112 A GUIDE TO THE 
 
 No. Brit. R. 42: 158. Arnold's Kssays in Cnticism. 
 
 Pater, W. Appreciations; with an Essay on St^de. London : 
 
 1889. 
 
 Pellissier, G. Le Mouvement litteraire au xix" Siecle. Paris: 
 1889. 
 
 — Rev. d. D. Mondes. 15 Oct. 1889. Review by Brunetiere. 
 
 Pope, A. Works. Ed. by Elwin & Courthope. 5 v. Lond. : 
 1871-86. 
 
 V. 2, p. 3-1 1 1 Essay ou Criticism. 
 
 Ralph, James. The Case of Authors. Lond. : 1758. 
 Repplier, A. Books and Men. Boston: 1888, 
 
 p. 125-155 Curiosities of Criticism. 
 
 Rev. d. D. Mondes. i Nov. 1863. ly'Art par la Critique. 
 Chas. de Remusat. 
 
 — I Fevr. 1882. La Critique Contemporaine et les Causes de 
 
 son AfFaiblissement. E. Caro. 
 
 — I Jan. 1887. La Critique Musicale au Siecle dernier — Le 
 
 Sy Sterne de Giuck. R. de Recy. 
 
 Rev. Philos. 27:83. La Critique Scientifique, par iv. Henne- 
 quin. L. Arreat. [Review.] 
 
 Richardson, Jonathan. Works. New ed. Lond.: 1792. 
 
 I The Theory of Painting, II Essay ou the Art of Criticism, III The Science of 
 a Connoisseur. 
 
 Robertson, J. M. Essays Towards a Critical Method. Lond. : 
 1889. 
 
 Roscommon, Wentworth Dillon, Earl of. Essay on Trau-s- 
 lated \'erse in Campbell's British Poets. Ed. Cit. 
 
 v. 4, p. 249. 
 
 Saintsbury, George. History of Elizabethan Literature. 
 Lond. : 1887. (Being vol. 2 of A History of English Litera- 
 ture. Macmillan, publ.) 
 
 Snider, D. J. Goethe's Faust. First part. Chicago: 1886. 
 
 p. 75-101 Critical Standards.
 
 LITER A rURE OF ^S THE TICS. 1 1 3 
 
 Stephen, Leslie. Hours in a Library. 3 V. Lond. : 1874-9. 
 
 — English Thought in the Eighteenth Centur}-. 2 v. Lond. : 
 
 1876. 
 
 V. 2 The Literary Reaction. 
 
 Swift, Jonathan. Works. Ed. by Walter Scott. 19 v. 
 Edinb.: 1S14. 
 
 V. I, p. xlix The Present State of Wit; v. 9, p. 331 A Tritical Essay upon the Fac- 
 ulties of the Mind, p. 341 A Proposal for Correcting . . . the English Tongue, 
 etc., p. 377 On Conversation, p. 3S9 Letter of Advice to a Young Poet; v. 11 (Tale 
 of a Tub), p. 92 A Digression concerning Critics, p. 213 Battle of the Books; 
 V. 13, p. 15 Martinus Scriblerus, or the Art of Sinking in Poetry (by Swift and 
 Pope). 
 
 Symonds, J. A. Renaissance in Italy. The Catholic Reac- 
 tion. 2 V. Lond.: 1886. 
 
 Part 2, p. 396-402 Fundamental Principles of Criticism 
 
 — Revival of Learning. N. Y. : 188 1. 
 
 Tooke, John Home. Epea Pteroenta; or The Diversions of 
 Purley. ist Anier. from 2d Lond. ed. 2 v. Phila.: 
 1806-7. 
 
 — Hazlitt, W. Literary- Remains. Ed. Cit. 
 
 V. I Tooke's Diversions of Purley. 
 
 Tuckerman, H. T. Characteristics of Literature. Phila.: 
 1849. 
 
 — Same. 2d ser. Phila.: 1851. 
 
 — Essaj-s, Biographical and Critical. Bost. : 1857. 
 
 Westm. 80: 468. Aims and Methods of Criticism. 
 
 Wilkinson, W, C. Edwin Arnold as a Poetiser: The Light 
 of Asia Examined. N. Y.: 1885. 
 
 Wilson, John r/j(?7^<:/., Christopher Worth). Works. Ed. by 
 T. F. Ferrier. 12 v. Edinb., Lond.: 1855-8. 
 
 V. 1-4 Noctes Ambrosianae; v. 5-8 Essays Critical and Imaginative. 
 
 Consult on Ancient Criticism; p. 11 Aristotle; p. 13 Cicero, Horace, Longinus; 
 p. 14 Quintilian. 
 
 For the history of English Criticism consult, in addition to authors given above, 
 p. 15 Addison, Alison; p. 16 Bain, Begg, Blair, Burke, Carlyle Coleridge; p. 17 
 Dallas, Dryden, Emerson. Everett Gray, Sir W. Hamilton; p. 18 Hartley,
 
 114 A GUIDE TO THE 
 
 Hazlitt, Hobbes, Huine; p. 19 Jeffrey, Johnson Karnes, Macaulay; p. 2oJas. 
 Martineau, Jas. Mill, Reid, Reynolds, Ruskin; p. 21 Shaftesbury; p. 22 Sully; 
 p. 23 Paget, Pater; c. 73 Hallain; p. 74 Posnett; p. 75 Scott; p. 76 Browning; pp. 
 76 and 88 Austin; p. 77 Courthope; p. 78 Gurney, Harington. James I, Johnson; 
 p. 79 J. S. Mill; p. So Poe, Putteuhara; p. Si Shairp, Shelley. Sir P. Sidney; 
 p. 82 Warton, Webbe, Wordsworth; p. 87Stedman; pp. 92 and 107 De Quincey; 
 p. 94 Rymer; p. 95 Lamb; p. loi Bysshe; pp. 102 and 105 Lanier; p. 104 Besant: 
 p. 107 Spencer. 
 
 For German theories of Criticism, see also p. 25, 26 Carriere, Goethe; p. 26, 27 
 Hegel, Herder; p. 28 A. von Humboldt, \V. von Humboldt, Kant, Fischer; 
 p. 29 Lessing; p. 30 Lotze; p. 31 Richter, Schasler, Schelling, Schiller, A. W. 
 von Schlegel; p. 32 F. von Schlegel, Schopenhauer, Wagner: pp. 32 and 91 Ulrici; 
 p. 32 Wundt; p. 73 Heine. 
 
 For French theories of Criticism, see also p. 35 Beaumarchais, Boileau-Despr6- 
 aux, Bossuet, Corneille, Condillac; p. 36 Cousin, Diderot, Guizot, Hugo; p. 37 
 Joubert, Marmontel, Pascal, Sully-Prudhomme; p. 38 Rousseau, St. Evremond. 
 Taine; p. 39 Voltaire; p. 74 Sainte-Beuve, Scherer; p. So Montaigne; p. 90 .St. 
 Marc Girardin.
 
 LIT ERA TURE OF .ES THE TICS. 1 1 5 
 
 VI. MISCELLANEOUS. 
 
 Amiel, H.-F. Fragments d'un Journal Intime, precedes d'une 
 Etude par Edm. Scherer. 4*" ed. 2 v. in i. Geneva: 1885. 
 
 Tome 2, p. 72 La Critique, iii Taine, 194 L'Art de la Composition, 23S-40, 244 La 
 Critique, 248-251, 300, 301-2 La Nouvelle. 
 
 Bayne, P. Essays in Biography and Criticism, ist series. 
 Boston: i860. 
 
 p. 2S1-333 Ruskin and his Critics, 363-S3 The Modern Novel. 
 
 Correspondance litteraire, philosophique et critique par 
 Grimm, Diderot, Ra^-nal, Meister, etc., revue . . . par 
 M. Tounieux. i6 v. Paris: 1877-82. 
 
 Index in Tome i6. 
 
 Ed. R. 54:39. Greek Philosophy of Taste. I). K. Sandford. 
 
 Elze, K. Grundriss der englischen Philologie. 2'" Aufl. 
 Halle: 1889. 
 
 p. 60-99 Kritik, 343-360 Stilistik, 361-3S6 Metrik. 
 
 Friedlander, L. Uarstellungen aus der Sittengeschichte 
 Roms. 5''" Aufl. 3 v. Leipzig: 1881. 
 
 Thl. 2, p. 391-433 Das Theatre; Th. 3, 153-328 Die Kiinste, 329-476 Die Schone 
 Litteratur. 
 
 Galton, Francis. Hereditary Genius. X. Y. : 1877. 
 
 p. 167-191 Literary Men, 225-256 Poets, Mu.sicians, Painters. 
 
 Holbeach, H. Henry Holbeach, Student in Life and Philoso- 
 phy. 2 V. Lond. : 1865. 
 
 V. I, p. 256-292 To a Young Lady about to write a Novel, 293-310 To a Youug 
 Man about to become a Critic. 
 
 Kingsley, Ch. Literary and General Lectures and Essays. 
 Lond.: 1880. 
 
 p. 3-31 Greek Drama, 187-226 Poetry of Sacred and Legendary Art [Rev. of Jlrs. 
 Jame.son], 229-241 English Composition. 
 
 Miiller, K. O. Geschichte der griechischen Litteratur. Bd. i. 
 Stuggart: 1882. 
 
 p. 247-274 ISIusik, 496-529 Tragodie. 
 
 — A History of The Literature of Ancient Greece. Trans, 
 and continued by J.' W. Donaldson. 3 V. Loud.: 1S58. 
 
 V. I, p. 197-217 Music, 392-419 Tragedy; v. 2, p. 1-18 Conu-dy.
 
 1 16 LITER A rURE OF ^S THE TICS. 
 
 19th Cent. 25:35. The Decay of Lying. O.Wilde. 
 Oxford English Prize Essays. 5 v. Oxford: 1830-36. 
 
 V. I, p. 15-33 Sculpture, 35-5S Architecture, 59-79 Affinity between Painting and 
 Writing, 167-17S Dramatic Composition, 241-273 Ancient and Modern Poetry; 
 V. 3, p. 147-170 Comparative Estimate of Sculpture and Painting [Milman], 245- 
 269 Drama; v. 4, p. 131-154 Civilization and Art. 
 
 Ribot, Th. Heredity. Trans. N. Y.: 1875. 
 
 p. 53-65 Heredity of the Imagination. 
 
 Symonds, J. A. Renaissance in Italy. Lond. : 1881. Italian 
 Literature. 
 
 I, p. 12S-136 Origin of Italian Prose, 207-209 Alberti's Assays on the Arts. 
 
 — Sketches in Italy and Greece. Lond. : 1879. 
 
 — Sketches and Studies in Italy. Lond.: 1879. 
 
 — Studies of the Greek Poets. First series. 2d ed. Lond.: 
 
 1877. 
 
 p. 219-222 Law of Sequence in Art, 289-315 Ancient and Modern Tragedy, 412-438 
 The Genius of Greek Art. 
 
 — Studies of the Greek Poets. Second series. Lond.: 1876. 
 
 p. 373-3S1. 
 
 Vinet, Alex. Outlines of Philosophy and Literature. 2d ed. 
 
 p. 457-639 Literature, Poetry and Eloquence.
 
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