.......- si^i m ma IM • ' ■ • tep 81S ftCATALOGUE op the extraordinary collection of SPLENDID MANUSCRIPTS, CHIEFLY UPON VELLUM, in various languages of europe and the east, formed by M. GUGrLIELMO LIBRI, The Eminent Collector, who is obliged to leave London in consequence of ill health, and for that reason to dispose of his Literary Treasures. Jtoumpt gtotwsmpfs Ml k tab: Biblia Latina, Ssec. XI, with Miniatures; Evangelia IV, Greece, Ssec. X-XI; several copies of the Evangelists, in Latin, of Ssec. IX, -with Miniatures in the Byzantine style; various Lectionaria of the IXth and Xth Centuries, with Miniatures; a large number of the^athers of the Church, including S. Gregorius Nyssenus, Grsece, Ssec. IX; S. Joannes Chrysostomus, Grsece, Ssec. X, &c.; Two important MSS. of Saint Cyprian, one of the Yllth and the other of the IXth Century; different Works of St. Augustin, St. Jerome, St. Gregory the Great, St. Isidore, &c. &c. all of the VHIth, IXth, Xth, and Xlth Centuries; Beda in Marcum, Ssec. VIII, cotemporary with the Author; Bed^e Historia Anglorum, Ssec. XI; "Vit^e Sanctorum, Ssec. IX, X, and XI, with Ancient Designs'or Miniature's of the Anglo-Saxon School; several Collections of Liturgies, in Greek or in Latin, with the Ancient Music, written Ssec. IX, X, XI; Justiniani Digestum Novum, Ssec. XI-XII. MANY OF THE GREEK WRITERS AND NEARLY ALL THE LATIN CLASSICS, INCLUDING Lucretius (Ssec. XIV.), Lucanus (Ssec. XIII.) Claudianus (Ssec. XII.), Yegetius (Ssec. XI), Censorinus, Prudentius (Ssec. X.), Donatus (Ssec. IX.), Priscianus (Ssec. XI), Boetius (Ssec. XI.) Cassiodorus (Ssec. IX.), Grammatici (Ssec. X.), &c. &c. fMlpmtM, gtetol, mtir £%r SdentMr HMjj, Including the earliest Manuscript in existence, containing modem numerical figures ANCIENT ITALIAN POETS AND PROSE WRITERS; Works in the Limousin Dialect; Portulani and Ancient Illuminated Maps; (Sarlg Jtmlr |)0«lrg anb fttitpnMisljfb ^cmarns of Cljifjalrg; ©lb- Cnjjlislj ^odrg; AN EXTENSIVE COLLECTION OF ORIENTAL WORKS; HORJ2 AND OTHER DEVOTIONAL BOOKS, with magnificent Miniatures of the various Schools AUTOGRAPH MSS. OF TASSO, GALILEO, KEPLER, LEIBNITZ, &c. WHICH WILL BE SOLD BY AUCTION, by messes. S. LEIGH SOTHEBY & JOHN WILKINSON, auctioneers of literary property and works illustrative of the fine arts, AT THEIR HOUSE, 3, WELLINGTON STREET, STRAND, On MONDAY, 28th of MARCH, 1859, and Seven following Days-, (Sunday excepted), at One o'Clock precisely each Day. may be viewed three days prior, and catalogues had. PRINTED BT J. DAYY AND SONS, 137, LONG ACHE, LONDON.CONDITIONS OE SALE. I. The highest bidder to be the buyer; and if any dispute arise between bidders, the lot so disputed shall be immediately put up again, provided the seller cannot decide the said dispute. II. No person to advance less than 6d.; above ten shillings, Is.; above five pounds, 2s. 6d.; and so on. * III. The purchasers to give in their names and places of abode, and to pay down 10s. in the pound, if required, in part payment of the purchase-money ; in default of which the lot or lots purchased to be immediately put up again and re-sold. IY. The lots to be taken away, at the buyer's expense,immediately after the conclusion of the sale; and in default of which Messrs. S. LEIGH SOTHEBY and JOHN" WILKINSON will not hold themselves responsible if lost, stolen, damaged, or otherwise destroyed, but they will be left at the sole risk of the purchaser: If, at the expiration of One Week after the conclusion of the sale, the manuscripts or other property are not cleared or paid for, they will then be catalogued for immediate sale, and the expense, the same as if re-sold, will be added to the amount at which the books were bought. Messrs. S. LEIGH SOTHEBY and JOHN "WILKINSON will have the option of re-selling the uncleared lots either by public or private sale, without any notice being given to the defaulter. V. The manuscripts will be sold with all faults and errors of description. VI. To prevent inaccuracy in delivery, and inconvenience in the settlement of the purchases, no lot can on any account be removed during the time of sale. VII., Upon failure of complying with the above conditions, the money required and deposited in part of payment shall be forfeited; and if any loss is sust'ained in the re-seTling of such boohs as are not cleared or paid for, all charges on such re-sale shall be made good by the defaulters at this sale. Gentlemen who ccmnot attend this Sale may have their Commissions faithfully , executed by their humble Servants, S. LEIGH SOTHEBY & JOHN WILKINSON, Wellington Street, Strand.CONTENTS. Intbodtjotion (in English) . . Page ii Introduction (en Fran9ais) . . iii List of the Editions quoted in the Catalogue . . xli List of the Fac-similes . 1 Catalogue of the Libri Collection . 1 Supplement to the Catalogue . . 240 Plates. First Day's Sale . Monday, March 28th, 1859 . Page 1 Second Day's Sale . . . Tuesday, March 29th, „ 37 Third Day's gale . . "Wednesday, March 30th, „ . 72 Fourth Day's Sale . . Thursday, March 31st, „ 99 Fifth Day's Sale . . . Friday, April 1st, „ 133 Sixth Day's Sale . . Saturday, April 2nd, „ . 165 Seventh Day's Sale . Monday, April 4th, „ 205 Eighth Day's Sale . . . Tuesday, April 5th, „ 233 bINTRODUCTION*. In publishing the description of one of the most considerable Collections of Manuscripts which have been exposed to public sale for many years, we have thought it our duty to enter more into detail than is usual in Sale Catalogues. Our motives for so doing will be easily comprehended. In spite of the assistance of every kind offered to collectors,—in spite of so many minute descriptions, so many considerable catalogues, and so many excellent bibliographical works which continually make their appearance,—in fine, notwithstanding the celebrated Manuel of M. Brunet—the necessity of placing in Sale Catalogues explanatory notes to all printed books, remarkable either for their rarity or their condition, is more and more felt. How much more then must similar notes be necessary in the case of volumes which are not, like different copies belonging to the same edition, individuals of one species; but which, on the contrary, have all, as manuscripts, an importance, a value, a rarity, and, in a word, a distinct individuality ? From the first the description, if we may so define it, of a printed book has been reduced to the simplest form of expression. Apart from certain exceptions too well known to render it necessary for us to dwell on them, the name of the author, the title of the work, its size and date, the name of the printer, and that of the town where the book appeared, are sufficient to enable any one to recognize, even at a distance, that the book of which he reads the description in a catalogue is identical with that which is described in the bibliographical work before him ; besides, the tolerably frequent appearance at sales of books, even of those considered rare, while showing the general increase of their value, serves also, at least within certain limits, to fix their price. The case is different with manuscripts, which are not only too seldom met with at sales to enable us to form a correct idea of their value by these means, but which might even * For the sake of persons unacquainted with the English language, we subjoin in French this Introduction, which is intended to afford a general idea of the collection described in the present Catalogue.INTRODUCTION* En publiant la description d'une des Collections les plus considerables de Manuscrits qui aient ete livrees depuis longtemps aux encheres, nous avons cru devoir entrer dans plus de details qu'on ne le fait generalement dans les catalogues de vente. On comprendra facilement les motifs qui nous y ont porte. Malgre les secours de toute nature offerts aux collecteurs, malgre tant de descriptions minutieuses, tant de catalogues considerables, tant d'excellents ouvrages de bibliographie, qui paraissent tous les jours, enfin malgre le celebre Manuel de M. Brunet, on sent de plus en plus le besoin d'introduire dans les catalogues de vente des notes explicatives pour tous les livres imprimes que leur rarete ou leur condition rend particulierement remarquables; combien plus de telles notes ne deviennent elles pas necessaires quand il est question de volumes qui ne sont pas, comme les divers exemplaires d'une meme edition, des individus appartenant a la meme espece, mais qui au contraire ont tous, comme les manuscrits, une importance, Tine valeur, une rarete, en un mot une individuality distincte ? Des l'origine, le signalement, pour ainsi dire, d'un livre imprime a ete r£duit a sa plus simple expression. A part certaines exceptions trop connues pour qu'on ait besoin de s'y arreter, le nom de l'auteur, le titre de l'ouvrage, le format, la date, le nom de rimprimeur et celui de la ville ou le livre a paru, suflisent pour faire reconnaitre, meme de loin, que le livre dont on lit la description dans un catalogue est pareil a celui qui est decrit dans tel ouvrage de bibliographie qu'on a sous les yeux. De plus l'apparition assez frequente dans les ventes des livres meme qu'on considere comme rares, tout en montrant la progression generalement ascendante de leur valeur, sert, dans certaines limites du moms, a en determiner le prix. II en est autrement des manuscrits, qui non seulement paraissent trop rarement dans les ventes pour qu'on puisse par ce * Pour les personnes auxquelles la langue Anglaise ne serait pas famili£re, nous mettons ici en Fran9ais cette Introduction destin£e a donner une id£e g<5n£rale de la collection decrite dans ce Catalogue. 52iv INTEODUCTION. appear there in great numbers every day without their repeated occurrence assisting us, in the smallest degree, to appreciate the worth of those which might be announced, imperfectly described, in later catalogues. ¥e are far from having found a formula for the exact description of manuscripts as simple as that which we employ for printed books. In fact, without speaking of the name of the author and the title of the work, which are too often wanting in manuscripts, or of the date, which is scarcely ever indicated, and which even after a careful examination can only be determined approximately and by conjecture, the importance of a manuscript, and the value which should be set on it, depend on reasons which differ for the most part from those which guide amateurs in their choice of printed books. Except in the case of manuscripts with miniatures, or richly ornamented, which are real objects of art and generally considered as such, a true connoisseur of manuscripts will be governed in his choice by motives which not only escape the vulgar, but which often remain unknown even to those best acquainted with printed books. Thus, supposing it to contain a good various reading which might throw light on the doubtful sense of an obscure passage, some imperfect, torn and soiled manuscript of Caesar or Livy, would be more eagerly sought after by a connoisseur than one of those beautiful volumes so exquisitely written in France or Italy during the fifteenth century. Here a marginal annotation may clear up a difficulty which has puzzled the most skilful philologists; there, an abbreviation, seemingly illegible, may place us on the track of the real author of a work which has been considered anonymous. Those who know how to seek, encounter not only new facts, curious various readings, and unpublished fragments, but even discover whole works, perfectly unknown, in obscure collections, in which they thought at first sight to find only mystic reveries. At a period when parchment was scarce and dear, all vacant spaces were turned to account, and as soon as a blank page was observed in a volume, it was eagerly devoted to register facts which are sometimes to us of great interest. ^Frequently the original text was even washed off, or scratched out, and admirable pages replaced by writings no doubt less beautiful, but more suited to the wants of the moment, and it is well known what unhoped-for discoveries these erased books, these palimpsests, have yielded in our time to penetrating and skilful eyes. At a later date, when the discovery of printing caused manuscripts to be neglected, they were mutilated for the purpose of employing the fragments in all sorts of uses, and we still find occasionally in those parchment linings or fly-leaves, which the binders placed in their books, precious relics which do not escape the practised eye of an amateur. Many persons imagine that, because so many books have been printed, the science of history is complete, and that nothing remains but to add some details, and above all to daub the picture with a profusion of colours which too often only obliterate the primitive form. "When, however, we wish toINTRODUCTION. v moyen se faire une juste idee de leur valeur, mais qui meme pourraient y paraitre en grand nombre chaque jour aans que leur apparition repetee aidat en aucune fa9on a apprecier ceux qui, imparfaitement decrits, seraient annonces dans de nouveaux catalogues. Pour la description exacte des manuscrits, on est loin d'avoir trouve une forraule simple comme pour les livres imprimes. En effet, sans parler du nom de l'auteur et du titre de l'ouvrage, qui trop souvent manquent dans les manuscrits, ni de la date qui n'est presque jamais indiquee et que, meme apres un examen attentif, on ne saurait determiner que d'une manure approximative et assez conjecturale, l'importance d'un manuscrit, le prix qu' on doit y attacher, dependent de causes qui, pour la plupart, sont differentes de celles qui dirigent les amateurs dans le clioix des livres imprimes. Sauf pour les manuscrits a miniatures ou richement ornes, qui, sont de veritables objets-d'art et que generalement on considere comme tels, un bon connaisseur de manuscrits sera dirige dans son clioix par des motifs qui non seulement echappent au vulgaire, mais qui, souvent meme, demeurent inconnus aux hommes con-naissant le mieux les livres imprimes. Aussi, s'il contient une bonne variante qui puisse eclaircir le sens douteux d'un passage difficile, tel manuscrit incom-plet, sale et dechire de Cesar ou de Tite Live, sera-t-il plus avidement recherche par un connaisseur qu'un de ces beaux volumes si admirablement ecrits en France ou en Italie au XV® siecle. Ici une annotation marginale eclaircira une difficulte qui avait arrete les plus habiles philologues, la une abreviation qui avait sembl£ illisible mettra sur la voie du veritable auteur d'un ouvrage qu'on avait relegue dans la classe des anonymes. Ceux qui savent chercher, non seulement rencontrent. des faits nouveaux, des variantes curieuses, des fragments inedits, mais ils decouvrent meme des ouvrages entiers, parfaitement inconnus, dans des recueils obscurs ou, a premiere vue, l'on croirait ne rencontrer que des reveries mystiques. A une epoque ou le parchemin etait rare et cher, on mettait a profit tous les vides, et des qu'on voyait une page blanche dans un volume, on s'empressait d'y enregistrer des faits qui parfois ont pour nous un grand interet. Souvent meme on lavait, on grattait l'ancienne ecriture pour remplacer des pages admirables par des ecrits moins beaux, sans doute, mais plus appropries aux besoins du moment, et l'on sait quelles decouvertes inesperees ces livres grattes, ces palimpsestes ont procurees de nos jours a des yeux habiles et per9ants. Plus-tard, lorsque la decouverte de l'imprimerie fit negliger les manuscrits, on les mutila pour en employer les fragments a toutes sortes d'usages, et parfois nous trouvons encore dans les gardes en parchemin que les relieurs mettaient alors a leurs livres de precieux feuillets qui n'echappent pas au regard exerce de l'amateur. Bien des gens s'imaginent que parcequ'on a imprime tant de livres, la science historique est complete, et qu'il n'y a plus qu'a ajouter quelques details, et surtout qu' a verser sur le tableau une profusion de couleurs qui, trop souvent, font disparaitre la forme primitive. Pourtant quandvi INTEODUCTION. study, thoroughly, the history not only of literature and science, but also that of manners, religions, laws, and the organization of modern societies, and endeavour to discover the truth in the midst of that chaos which, on the fall of the Eoman Empire, the invasion of the barbarians produced in Europe ; when we desire to follow, step by step, the labour of reconstruction and continual renovation which has been in operation ever since, we quickly perceive that printed books do not suffice; that in many instances we have been too easily led to believe what we were taught by history which may be termed official; that bad texts, reproduced without discrimination and without criticism, have set in circulation a number of errors which have been often accepted as truths; and that even in the present day, after so many useful and important efforts, in every country, to root out these errors, it is still necessary to have recourse to manuscripts, if we wish to clear up the most difficult questions. Therefore we find men who in all ages have made for themselves an illustrious name by their historical researches, men whose labours fill us with most admiration, bestowing unceasingly their attention on manuscripts, and taking not only the liveliest interest in their preservation, but also in the publication, comparison, and purification of the texts; for therein are the most faithful and authentic monuments of the intellectual life df those generations which have laboured so much to give to the world its moral features and actual constitution. To have recourse to original writers and ancient chronicles is to take a prodigious step. "We thus get rid of those heroes in powdered wigs, who have been so long exhibited under ancient names, in books as well as on the stage. We are far from pretending that the past cannot be correctly studied in printed books, but we fearlessly assert that as the man who has recourse to original works possesses a great advantage over one who reads only compilations, so the savant who makes himself familiar with manuscripts will learn more from them respecting the language, the arts and sciences, the habits, the domestic manners, the religious belief, and the method of study of the people whose history he wishes to understand, than those who read only printed books. On all these subjects there is in manuscripts a mass of details which cannot be transferred to the book, as the physiognomy of the manuscript necessarily disappears under the labours of the editor. As the sight of Eome and Pompeii insures an incontestable superiority to the artist and the archaeologist who have inspected the original monuments instead of engravings of them, so the knowledge of manuscripts reveals to the student a multitude of facts which he would vainly seek for in printed editions. Unfortunately these manuscripts are not easily preserved. An immense number of them have already disappeared; and both by old age and a thousand different accidents, many have been destroyed, and will day after day continue to perish. A time will inevitably come when allINTRODUCTION. vii on veut £tudier a fond non seulement l'histoire litteraire et scientifique, mais aussi celle des moeurs, des religions, dea lois, de 1'organisation dea societes modernea, et tacher de decouvrir la verite au milieu de ce chaos qu'a la chute de l'Empire Eomain rinvasion des barbares avait produit en Europe ; quand on veut suivre pas a pas le travail de reconstruction et de renouvellement continuel qui depuis lors s'est opere, on s'aper9oit bien vite, que les livres imprimes ne suffiaent pas; que dans beaucoup de cas on a ete entraine trop facilement a croire ce que nous enseignait l'hiatoire qu'on pourrait appeler officielle; que de mauvais textes, reproduits sans discernement et sans critique, ont mis en circulation une multitude d'erreura, accepteea aouvent sana control e ; et que, meme aujourd'hui, aprea tant de travaux utiles et importanta faita dana tous les pays pour deraciner ces erreurs, il faut encore, si l'on veut bien s'eclairer sur les questiona les plus difficiles, avoir recours aux manuscrita. Auaai voyons nous les hommes qui de tout temps se sont fait nn nom illustre par leurs recherchea hiatoriques, ces hommes dont les travaux nous rempliaaent le plus d'admiration, porter sans cesse leurs regards vera lea manuscrita et prendre un interet tres vif a leur conaervation ainsi qu' a la publication, a la comparaiaon, et a l'epuration dea textea ; car ce sont la les monuments les plus certains, les plus authentiquea, de la vie intellectuelle de cea generations qui ont tant travaille a donner au monde sa forme morale et sa constitution actuelle. Recourir aux ecrivains originaux et aux anciennea chroniques, c'eat d£ja faire un paa immense. On se debarrasae ainsi de cea heros a perruque poudree que, sur les theatres comme dans lea livres, l'on a si longtemps montres sous d'anciena noma. Noua sommes loin de pretendre qu'on ne puisse pas bien etudier les temps passes dans les livres imprimes, mais nous ne craindrons pas d'affirmer que comme celui qui a recours aux ouvragea originaux a un grand avantage sur l'homme qui ne lit que des compilations, le savant qui se familiarise avec les manuscrita en apprendra plus sur la langue, sur les sciences, sur les arts, sur les habitudes, sur les moeurs intimes, sur les croyances, sur la maniere de travailler dea hommes dont il veut connaitre l'histoire, que ceux qui ne lisent que des imprimes. Sur toutea cea choses il y a dana les manuscrita une foule de details qu'on ne saurait faire passer dans un ouvrage ou la physionomie du manuscrit disparait necessairement par le travail de l'editeur. De meme que la vue de Rome et de Pompei assure une superiority incontestable a l'artiate et a l'archeologue qui ont examine les monuments originaux, la connaissance des manuscrita revele a l'homme d'etude une foule de faits qu'il chercherait vainement dans les impressions. Malheureusement ces manuscrits ne sont pas faciles a conserver. II en a disparu un nombre incalculable; et par la vetuste, comme par mille accidents divers, il s'en detruit et s'en detruira beaucoup tous les jours. Un moment viendra iufailliblement ou tous ceux qui existent encore aujourd'hui serontviii INTRODUCTION. those which now exist will be annihilated. This is an additional motive for publishing, as often as possible, detailed descriptions of those which time has spared, especially of those which either on account of their antiquity, or the subjects of which they treat, seem to call for a particular examination. If the descriptions contained in this Catalogue should appear sometimes too diffuse, we would take the liberty to remind the reader that in the largest and most celebrated catalogues, the analytical catalogues for instance published by Bandini or Montfaucon, the descriptions of volumes, of even comparatively slight interest, are much more considerable than those which we have given. As, in their works, those learned men had no other aim but to render the manuscripts they described thoroughly well known, we could not have been more laconic without failing in our object, which is exactly similar to theirs. Such descriptions, which alone can lead to a correct appreciation of the value of each manuscript, appear still more necessary in a sale catalogue than in a descriptive catalogue intended solely for the learned. The Collection which is now offered to the public is remarkable on more accounts than one. Independently of the large number of volumes, the materials of which it is composed will perhaps attract the attention of connoisseurs. All countries, all ages, and every branch of human learning are represented in it. Ancient manuscripts which may be termed paleographic, Latin classics, Greek and Oriental manuscripts, History, Science, Autographs, and the old French and Italian poets, constitute its principal classes. In any library a collection of more than seventy Latin manuscripts older than the twelfth century would be remarkable. The printed catalogues of many celebrated libraries, such as for instance that of Saint Mark at Venice, of the Malatestiana at Uavenna, and the Royal Library of Turin, are far from containing so large a number.* Manuscripts like these, which constitute the base of all paleographic science, and of which the savants who occupy themselves with these studies have always sought to give us as many facsimiles as possible, are becoming every day more rare and more difficult lo find. They represent the first authentic monuments of modern knowledge. They are the links of the chain which connects us with antiquity, and amateurs will find in our collection some of those primitive monuments of the seventh and eighth centuriest in which may still be perceived traces of the efforts which at every step of the social ladder, * According to the list which we have drawn up from the Catalogues of these different libraries, compiled by Pasini and Kivautella, Zanetti and Bongiovanni, and Muccioli, the Turin library contained only ten manuscripts older than the twelfth century; the Malatesta only seven^ and in the great library of Saint Mark there was but a single Latin manuscript (of the eleventh century) of an earlier date than the twelfth century. The number of manuscripts of the twelfth century, contained in these libraries, was also very limited. We speak of course of the time when these large and celebrated catalogues appeared. f See Nos. 139, 298, 495, 1111, and 1112 in the present Catalogue.INTRODUCTION. ix aneantis. C'est un motif de plus pour publier, toutes les fois que cela est possible, la description detaillee de ceux que le temps a epargnes; surtout de ceux qui, par leur antiquite ou par les matieres dont ils traitent, semblent appeler un examen particulier. Si parfois les descriptions contenues dans ce catalogue pouvaient sembler trop etendues, nous prendrions la liberty de rap-peler que dans les plua grands et les plus celebres catalogues, dans les catalogues analytiques, publies par exemple par Bandini, ou par Montfaucon, les descriptions, meme de volumes comparativement peu interessants, sont beaucoup plus considerables encore que celles que nous donnons. Comme dans leurs ouvrages ces grands erudits, n'ont eu d'autre objet que de faire bien connaitre les manu-scrits qu'ils decrivaient, nous n'aurions pu etre plus laconiques sans manquer notre but qui etait parfaitement semblable au leur. De telles descriptions, qui seules peuvent conduire a une juste appreciation de la valeur de chaque manuscrit, semblent encore plus necessaires dans un catalogue de vente que dans un catalogue descriptif, destine purement aux erudits. La Collection qui est offerte aujourd'hui au public se fait remarquer a plusieurs titres. Independamment du nombre des volumes, par sa composition elle appellera peut etre l'attention des connaisseurs. Tous les pays, toutes les epoques, toutes les branches des connaissances humaines y sont representes. Les manuscrits anciens et qu'on pourrait appeler paleogra-phiques, les classiques Latins, les manuscrits Grecs et Orientaux, l'Histoire, les Sciences, les autographes, les anciens poetes Italiens et Fran9ais en forment les classes principales. Dans toute bibliotheque une reunion de plus de 70 manuscrits latins anterieurs au XII? siecle serait remarquee. Les catalogues imprimes de plusieurs bibliotheques celebres, par exemple celle de Saint Marc de Venise, la Malatestiana de Ravenne, et la Bibliotheque Eoyale de Turin, sont loin d'en- contenir un aussi grand nombre.* De tels manuscrits qui forment la base de toute science paleographique, et dont les savants qui s'oc-cupent de ces etudes se sont toujours appliques a nous dormer le plus de facsimiles possible, deviennent tous les jours plus rares et plus difficiles a rencontrer. Ils representent pour nous les premiers monuments authentiques du savoir moderne. Ce sont les anneaux de la chaine qui nous rattache a l'antiquite, et les amateurs trouveront dans notre collection quelques uns de ces monuments primitifs du VII® et du VIII.e siecle + dans lesquels on apercjoit encore les traces des efforts qu'a tous les degres de l'echelle sociale * D'apr&s le relev6 que nous avons fait sur les catalogues de ces diverses bibliotheques r6dig6s par Pasini et Rivautella, par Zanetti et Bongiovanni, et pax Muccioli, la Bibliotheque de Turin ne contenait que dix manuscrits anterieurs au douzifeme siecle; la Bibliotheque Malatesta que sept et il n'y avait dans la grande Bibliotheque de Saint Marc qu'un seul manuscrit latin (du XI? siecle) ant6rieur au douzieme siecle. Le nombre des manuscrits du XII. siecle contenus dans ces Bibliotheques 6tait aussi tres restreint. Nous parlons toujours du moment ou ces grands et celebres catalogues ont paru. f Voyez les Nos. 139, 298, 495* 1111, 1112, du Catalogue.X INTRODUCTION. men of elevated, minds never ceased making to unite the barbarian with the Roman and Christian worlds, and to open the road on which Charlemagne was soon to enter, forcing all Europe to follow him. To write in those barbarous ages was not only a difficulty, but sometimes even a crime. The towns in which several centuries later Petrarch could find no ink to copy a precious fragment of Roman antiquity which he had discovered, were, in the time of the Merovingians, even more denuded of everything necessary to the writer. Parchment, stylus, or pen, and ink,—all was at once wanting to him who devoted himself to study, and there was no lack of danger at an epoch in which those who allowed themselves to trace geometrical or astronomical figures were accused of magic. To copy manuscripts, and thus endeavour to preserve the greatest possible number of ancient monuments, was to preserve and multiply the germs which in their later development were to contribute most powerfully to rear again the social edifice. Thus we find Charlemagne, who occupied himself with so many grand undertakings at once, bestowing particular attention on manuscripts, causing copies to be made, interesting himself in the form of the writing, declaring war with the barbarous characters (which were an additional obstacle to the amalgamation of the ancient and modern civilization), and restoring, with only slight differences, the old Roman handwriting, as if to establish another link between his people and the Romans, to whom in so many other respects he strove to assimilate them. What Charlemagne had effected in Prance, Alfred the Great soon accomplished in England, with a similar success and by the same methods. This is what rendered the work durable ; for the fifty-three expeditions of Charlemagne to the North as well as to the South of Europe, and the long struggles of Alfred against the Danes, would have been only the conflict of barbarians with other barbarians, if in giving to their people the ephemeral prestige of victory, these great men had not known how to secure to them also the less transitory superiority of a more advanced civilization. Let who will follow the sanguinary conquests of those scourges of the human race, who, if they had completely succeeded in their work of destruction, would have annihilated civilization, broken off all bonds between the different nations of the West, in order, at the utmost, to raise in deserts capitals destined, like Karakorum at a later date, to dazzle the world for an instant, and then all at once to disappear without leaving a trace behind. Por ourselves, all our sympathies are with those more modest and useful heroes, who have marched to the moral conquest of the barbarians; with those ancient missionaries of civilization who, indefatigable in their labours, have restored to Europe the unity and superiority which Rome had bestowed on it, and which the Latin church has so powerfully contributed to re-establish. Privations, sufferings, clangers, martyrdom, nothing was spared them, butINTRODUCTION. xi les hommes d'un esprit 61eve ne cessaient de faire pour rattacher au monde Romain et Chretien le monde barbare, et pour ouvrir la voie dans laquelle Charlemagne devait entrer bientot en for9ant l'Europe entiere a le suivre. Ecrire dans ces temps n'etait pas seulement une difficulty, c'etait parfois un crime. Les villes ou plusieurs siecles plus tard le Petrarque ne trouvait pas d'encre pour copier un fragment precieux de l'antiqaite latine qu'il venait de decouvrir etaient, du temps des Merovingiens, encore plus denuees de tout ce qu'il fallait a l'ecrivain. Parchemin, stylet ou plume, encre, tout faisait defaut a la fois a celui qui se vouait a l'etude, et les dangers ne manquaient pas non plus pour ceux qu'on accusait de magie lorsqu'ils se permettaient de tracer des figures de geometrie ou d'astronomie. Copier des manuscrits, tacher par ce moyen de conserver le plus grand nombre possible d'anciens monuments, c'etait garder et multiplier les germes qui, en se d^veloppant plus tard, devaient contribuer le plus a relever l'edifice social. Aussi voyons nous Charlemagne, qui s'occupait de tant de grandes choses a la fois, porter une attention particuliere vers les manuscrits, en faire faire des copies, s'int^resser a la forme de l'eeriture et, rapprochant, en cela comme en d'autres choses, ses peuples des Uomains, declarer la guerre a l'eeriture barbare (qui etait un obstacle de plus a l'almagamation de l'ancienne civilisation avec la moderne) et ramener, avec de legeres differences seulement, l'ancienne ecriture romaine, comme pour etablir un lien de plus. Ce que Charlemagne avait fait en Prance, Alfred le Grand le fit bientot en Angleterre, avec le meme succes et par les memes moyens. C'est la ce qui rendit leur oeuvre durable; car, les cinquante trois expeditions de Charlemagne au Nord comme au Sud de l'Europe, et les longues luttes du roi Alfred avec les Danois, n'auraient ete que des chocs de barbares contre d'autres barbares si, en donnant a leurs peuples le prestige passager de la victoire, ces grands hommes n'avaient su leur assurer aussi l'ascendant moms ephemere d'une civilisation plus avancee. Suive qui voudra les conquetes sanglantes de ces fieaux de l'humanite qui, s'ils avaient completement reussi dans leur ceuvre de destruction, auraient aneanti la civilisation, rompu tout lien entre les diverses nations de 1'Occident pour elever, tout au plus, dans des deserts des capitales destinees, comme plus tard Karakoroum, a eblouir un instant le monde, puis k disparaitre tout a coup sans laisser de traces. Quant a nous, toutes nos sympathies sont pour ces plus modestes et plus utiles heros, qui ont marche a la conquete morale des barbares; pour ces anciens missionnaires de Ja civilisation qui, infatigables dans leurs travaux, ont rendu a l'Europe l'unite et la suprematie que Eome lui avait donnees, et que l'Eglise latine a tant contribue a relever. Privations, soufl'rances, dangers, martyre rien ne leur fut epargne, mais rien ne les decourageait, soutenus qu'ils etaient par le zele religieux et par l'amour des lumieres, travaillant a la fois pour la cause du Christianisme et pour celle de l'ancienne civilisation. Les traces de cette double action, faible, inegale, inter-xii INTRODUCTION. nothing could discourage them, sustained as they were by religious zeal and by the love of enlightenment, from striving at the same time for the cause of Christianity and that of ancient civilization. The living traces of this two-fold action, feeble, unequal, and intermittent no doubt, but never entirely extinguished, are to be found in the manuscripts which these indefatigable men copied with their own hands. Unless consecrated by an illustrious martyrdom, the names of these pious scribes have almost all disappeared, but there remain some which all true friends of literature endeavour to preserve, and of which it would be interesting to form a complete list. "We are struck with observing how along with their humility, their self-denial, their submission to the church and to their superiors, the love of letters, the love of their book, and the sentiment of the true bibliophile peeps out in the notices which they inscribed on their manuscripts. Who would not feel emotion at the perusal of what that poor Regimbertus*, whose name was completely forgotten till now, wrote at the commencement of a volume which he had copied in the time of Charlemagne ? This manuscript would be of inestimable value had it come down to us in an entire state, for besides primitive monuments of the Teutonic languages, Latin poems, and chronicles which appear to have been lost, it contained a work of Pliny, the very title of which was unknown to us! Regimbertus loves his book, he can scarcely bring himself to part with it, he requests his brethren to preserve it carefully, and not lend it until a pledge has been given for its restitution, and in a long inscription at the commencement, he describes minutely the precautions which are to be taken that the volume may not be injured. Along with the Regimbertus, with the Otloh, one of whose autograph and unknown works will be found in this collection-!-, with the Hermannus of Cluny, who in the tenth century shewed himself an admirable caligrapher and a skilful draughtsman^, and other modest friends of literature whom this Catalogue will introduce, we wish we were able to register the names of those superior minds who, in the ninth century in Germany, used to read Homer and Virgil, and of whom Ermenricus of Elwangen complains in a work, a manuscript of which, almost cotemporary with the author, will be found in the present Catalogue§. This fact alone shows us what attractions ancient literature possessed for these primitive people who, when scarcely issued from their forests, shewed themselves capable of admiring the finest chefs-d'ceuvre of antiquity. It is to this taste for ancient letters, often compelled to hide itself in the shade, but perhaps less rare than is now imagined, that we owe the preservation of so many fine monuments of antiquity, that is to say of all that which has elevated taste, letters and intelligence in Europe. These precious monuments would have infallibly perished, if in the barbarous ages no * See No. 1112 f See No. 491. % See No. 851. § See No. 1103.INTRODUCTION. xiii mittente sans doute, mais qui ne s'eteint jamais entierement, se retrouvent encore pour ainsi dire toutes vivantes dans les livres que ces hommes infatigables copiaient de leur mains. Quand ils n'ont pas ete sanctifies par un martyre eclatant, les noms de ces pieux copistes ont presque tous disparu. II en reste quelques uns, que les veritables amis des lettres s'efforcent de con-server, et dont il serait interessant de former une lisfe complete. On est frappe de voir combien a cote de leur humilite, de leur abnegation, de leur soumission a l'eglise et a leurs superieurs, l'amour des lettres, l'amour du livre, le sentiment du veritable bibliophile, perce dans les notes qu'ils inscri-vaient sur leurs manuscrits. Qui ne serait touche en lisant ce que ce pauvre Hegimbertus,* dont le nom etait reste completement oublie jusqu' ici, ecrivait en tete d'un volume qu'il avait copie au temps de Charlemagne ? Ce manu-scrit serait pour nous d'un prix inestimable s'il nous etait arrive tout entier, car outre des monuments primitifs des langues germaniques, des poesies latines et des chroniques qui paraissent avoir ete perdueB, il contenait un ouvrage de Pline dont le titre meme nous etait inconnu ! Hegimbertus aime son livre, il a de la peine a s'en separer; il supplie ses freres de le garder precieusement, de ne le preter qu'apres avoir re$u un gage pour la restitution et, dans une longue inscription placee sur le titre, il decrit minutieusement les precautions a prendre pour que ce volume ne soit pas endommage. A cote de ce Hegimbertus, de cet Otloh dont on trouvera dans notre collection un ouvrage autographe et inconnuf, de ce Hermann de Cluny qui, au dixieme siecle, se montrait calligraphe admirable et habile dessinateurj, a cote d'autres modestes amis des lettres que ce Catalogue fera connaitre, on voudrait pouvoir enregistrer les noms de ces esprits superieurs qui, au neuvieme siecle, lisaient en Allemagne Homere et Yirgile, et dont Ermenric d'Elwangen se plaint dans un ouvrage, dont nous avons decrit un manuscrit presque con-temporain de l'auteur§. Ce seul fait montre quel attrait les lettres anciennes pouvaient offrir a des peuples primitifs, qui, a peine sortis de leurs forets, se montraient capables d'admirer les plus beaux chefs-d'oeuvre de l'antiquit£. C'est a ce gout pour les lettres anciennes, force souvent de se tenir dans l'ombre mais moins rare, peut-etre, qu'on ne 1'imagine aujourd'hui, qu'est due la conservation de tant de beaux monuments de l'antiquite; c'est a dire de tout ce qui a releve le gout, les lettres, et l'intelligence en Europe. Ces precieux monuments auraient infailliblement peri si, dans les siecles barbares, il ne se fut rencontre personne pour les comprendre et pour s'y interesser. Que le sort de l'Eglise Occidentale, dont le centre etait a Rome, se fut indissolublement attache a celui de la langue Latine le jour ou St. Jerome avaittraduit les livres saints en Latin; que^cette Eglise se soit vue.forcee, parfois meme sans s'en rendre compte, de travailler sans cesse a rapprocher les peuples nouveaux de la civilisation Latine, c'est un fait trop connu pour * Voyez le No. 1112. f Voycz le No. 491 J Yoyez lc No. 851 § Voyez le No. 1103.xiv INTRODUCTION. one had been found to understand and take an interest in them. That the fate of the Western Church, whose centre was Home, was indissolubly bound up with that of the Latin language from the day that St. Jerome translated the sacred writings into Latin; and that that church saw itself compelled, sometimes even unconsciously, to labour unceasingly to assimilate the new people to the Latin civilization, are facts too well remembered to require dwelling on. "What was effected for civilization by Italian influence and the memory of ancient Rome, which seemed to offer a perfect model of organization to the most illustrious barbarian chiefs, need not be mentioned. The obstinate and efficacious resistance which the Gauls, preparing the way for the triumphs of Charlemagne, unceasingly offered to the barbarians, and the efforts of the Visigoths to raise civilization in Spain by giving it a form which may be termed ecclesiastic, have been too frequently recorded to require further comment. It is, however, perhaps somewhat less known, especially in certain countries, that in the seventh and eighth centuries the Latin Church, too much menaced at home by all kinds of enemies, particularly the Langobards and Arabs, to be able to occupy itself freely with what was passing on the borders of the Rhine, saw all at once auxiliaries as efficient as unhoped for, rise up in an island till then almost unheard of,—Ireland, whose distance, as well as scanty riches, rendered it less exposed than the rest of Europe to the attacks of the Barbarians. We venture to hope that no one will attribute to us the ridiculous design of sketching the history of modern Europe from a manuscript point of view ; but without entering on general questions, and confining ourselves to this Catalogue, we may be permitted to observe that it is especially in manuscripts that existing traces are to be found of the labours and influence of those ancient missionaries, of those pious Irishmen, of those learned Anglo-Saxons, who, like Saint Columban, Saint Kilian, Saint Sola, Saint Burkard, Alcuin, and so many others, carried to the continent their knowledge and their zeal, and who, wherever they established themselves, nay even where they only passed, have left in caligraphy, in the arts of design, and even in literature itself the imprint of their influence. At an epoch in which books were so rare, those vagrant bishops, (yag antes) as they were then called, who unceasingly directed their course towards the Rhine to convert the Germans, did not fail to carry pious books with them, especially Breviaries, and Evangeliaria, which the disciples whom they formed in these new countries naturally applied themselves afterwards to copy and imitate. Thus one of the most ancient Irish manuscripts was discovered in Eranconia in the tomb of Saint Kilian, and this precious relic, stained with the blood of the martyr, is still cited as one of the earliest monuments of Irish art. No doubt certain pious but narrow minds hoped to open the door to ecclesiastical literature only, but the exclusion sometimes pronounced against the classics was never general amongst writers who, even in" INTRODUCTION. xv qu'il soit besoin de s'y arreter. Ce qu'ont fait pour la civilisation l'influence Italienne et le souvenir de l'ancienne Home, qui semblait presenter aux plus illustres parmi les chefs barbares un module parfait d'organisation, n'a pas besoin d'etre rappele. La resistance opiniatre et eflicace que, preparant les triomphes de Charlemagne, les Graules ne cesserent jamais d'offrir a la barbarie ; les efforts des Visigoths pour relever la civilisation en Espagne en lui dormant une forme qu'on pourrait appeler ecclesiastique, tout cela est bien connu. Ce qui l'est peut etre un peu moins, dans certains pays surtout, c'est qu'au septieme et au huitieme siecle l'Eglise Latine, trop menacee chez elle par toutes sortes d'ennemis, et particulierement par les Lombards et les Arabes, pour pouvoir s'occuper librement de ce qui se passait sur les bords du Rhin, vit tout-a-coup surgir des auxiliaires aussi efficaces qu'inesperes dans une ile jusqu'alors presqu'ignoree l'lrlande, que son eloignement comme son peu de richesse avait moins exposee que -le reste de l'Europe aux incursions des Barbarea. Nous osons esperer qu'on voudra bien ne pas nous preter le projet ridicule d'esquisser l'histoire de l'Europe moderne au point de vue des manu-scrits. Mais sans aborder les questions generales et en nous renfermant dans ce catalogue, on nous permettra de faire remarquer que c'est particulierement dans les manuscrits que se rencontrent les traces encore vivantes des travaux et de l'influence de ces anciens missionnaires, de ces pieux Irlandais, de ces savants Anglo-Saxons qui, comme Saint Colomban, Saint Kilian, Saint Sole, Saint Burkard, Alcuin, et tant d'autres, allaient porter sur le continent leurs connaissances et leur zele, et qui, partout ou ils se sont etablis, la meme ou ils n'ont fait que passer, ont laisse dans la calligraphic, dans les arts du dessin, dans la litterature l'empreinte de leur influence. A une epoque ou les livres etaient si rares, ces eveques vagantes, comme on les appelait alors, qui sans cesse se dirigeaient vers le Rhin pour convertir les Germains, ne manquaient pas d'apporter avec eux des livres pieux; surtout des breviaires, des evangeliaires, que les disciples formes dans ces nouvelles contrees s'appli-quaient naturellement a reproduire et a imiter. Aussi est-ce un des plus anciens manuscrits Irlandais qui fut decouvert en Franconie dans le tom-beau de Saint Kilian, et cette precieuse relique, tachee du sang du martyr, est citee encore comme un des premiers monuments de l'art Irlandais. A la verite certains esprits, pieux, mais etroits, espererent n'ouvrir la porte qu' a la litterature ecclesiastique; pourtant l'exclusion prononcee parfois contre les anciens classiques ne fut jamais generale chez des ecrivains qui, meme dans leur rudesse, se montraient toujours imitateurs de l'antiquite. Aussi voyona nous que le celebre manuscrit de Tite Live de la Bibliotheque Imperiale de Vienne avait appartenu a un moine Irlandais, Sutbert, un de cea eveques voyageurs qui, vers la fin du septieme siecle, etaient alles precher le Christianisme et (a ce qu'il parait) enseigner l'histoire Romaine en Belgique. On ne saurait s'empecher de faire remarquer que le plus celebre de ces pieux missionnaires, Saint Colomban, avait jete les fondements, en France axvi INTRODUCTION. their rudeness, always showed themselves imitators of antiquity. Thus we find that the celebrated manuscript of Livy in the Imperial Library at Vienna, belonged to Sutbert, an Irish monk, one of those wandering bishops who, towards the close of the seventh century, had gone to preach Christianity, and, as it would seem also, to teach Roman history in Belgium. One cannot help remarking that the most celebrated of these pious missionaries, Saint Columban, laid the foundations at Luxeuil in France, at St. Grail in Switzerland, and at Bobio in Italy, of three monasteries which afterwards became famous for their admirable manuscripts, in many of which the influence of the Irish and Anglo-Saxon schools can be recognised at a glance. The library of St. Grail is too celebrated to require mention. The Bobio manuscripts are known everywhere by the discoveries which have been made in the palimpsests which once belonged to that collection. As for the manuscripts of Luxeuil, they have been dispersed, but the specimens of them which are to be found in this Catalogue*, joined to what has been published on the subject by Mabillon, O'Connor and others, prove unanswerably that in this Abbey as well as in that of Stavelot in Belgiumf, and other ancient monasteries on the continent, a school of writing and miniature had sprung up as remarkable for the beauty of its caligraphy, as for the care applied to reproduce the forms of the Anglo-Irish schools. The descriptions which will be found in the Catalogue are only intended to call attention to facts which merit further development. The beauty of the characters of certain manuscripts is so remarkable that we do not believe that either in the "Nouveau traite de Diplomatique," by the Benedictins, in the work of Mabillon, or in other works still more sumptuous, which have been recently published, there are to be found finer examples of Uncial, Rustic, or Carlo-vingian characters than those which are to be seen in the two Evangeliaria of the ninth century, and the Saint Cyprian of the same epoch, which are described under Nos. 299, 356 and 357 in the present Catalogue. The ancient ornaments and the large initial letters also deserve particular attention. Of these, the figures of the Canons in a style which may be called Pompeian, as well as the large Saint Mark of the Italian school, which are to be seen in the two Evangeliaria, cited above, are to be placed in the first rank. The Josephus of the tenth or eleventh century, with its initial letters, twelve or fifteen inches long J, the Bible of Juste-mont§, as well as other biblical manuscripts, several Fathers of the Church of the seventh and eighth centuries|), and the Passionalia, filled with beautiful figures and magnificent initials, particularly recommend themselves to attention. The Evangeliarium of Yalbeck (No. 358) executed towards the eleventh century, is remarkable for its drawings in the style of the Bible of Charles the Bald, the more especially as in them the different processes * See Nos. 139, 356, 495, 683, 891, &c. f See Nos. 496, 1115, &c. t See No. 554. § See No. 160. || See Nos. 139 and 298.INTRODUCTION. xvii Luxeuil, a St. Gall en Suisse, et & Bobio en Italie, de trois monasteres qui sont devenus celebres par leurs admirables manuscrits, dans plusieurs deaquels on peut reconnaitre a premiere vue l'influence Irlandaise et l'ecole Anglo-Saxonne. La Bibliotheque de St. Gall est trop renommee pour qu'on doive en parler ici. Les manuscrits de Bobio sont connus partout, par les decouvertes quiont ete faites dans les palimpsestes sortis de cette bibliotheque. Quant aux manuscrits de Luxeuil ils ont ete disperses, mais les specimens que l'on en trouve dans notre catalogue*, venant se joindre a ce qui a et6 publie a ce sujet par Mabillon, par O'Connor, et par d'autres savans, prou-vent, sans replique, que dans cette Abbaye, comme dans l'Abbaye de Sfcavelot en Belgiquef, et dans d'autres anciens monasteres du continent, il s'etait forme une ecole d'ecriture et de miniature, aussi remarquable par la beaute calligra-phique que par le soin avec lequel on s'y appliquait a reproduire les formes de l'ecole Anglo-Irlandaise. Les descriptions que l'on trouvera dans le Catalogue ne sauraientqu'appeler l'attention sur des faits qui meriteraient de plus grands developpements. La beaute des caracteres de certains manuscrits est remarquable et nous ne croyons pas que dans le Nouveau traite de Diplomatique par les Benedictins, dans l'ouvrage de Mabillon, ou dans d'autres livres plus somptueux publies recemment, il existe des exemples de lettres onciales, rustiquea, ou Carolines, plus belles que celles qu'on voit dans les deux Evangeliaires du neuvieme siecle ou dans le Saint Cyprien de la meme epoque qui sont decrits sous les Nos. 299, 356 et 357 de ce Catalogue. Les anciens ornements et les grandes lettres initiales semblent meriter aussi un interet particulier. En ce genre les figures des Canons, en style qu'on pourrait appeler JPompeien, ainsi que le grand Saint Marc d'ecole Italienne, qui se voyent dans les deux Evangeliaires que l'on vient de citer, se placent en premiere ligne. Le Josephe du dixieme au onzieme siecle avec ses initiales de douze a quinze pouces de hautj, la Bible de Justemont §, ainsi que d'autres manuscrits bibliques, des peres de l'eglise du septieme et du huitieme siecle||, des Passionnaires remplis de belles figures et d'initiales magnifiques, se recommandent d'eux memes a l'attention. On remarquera surtout l'Evangeliaire de Yalbeck (No. 358) execute vers le onzieme eiecle avec des figures dans le style de la Bible de Charles le Chauve, et dans lequel les divers procedes des artistes de cette epoque se montrent a decouvert. Un petit bijou du dixieme au onzieme siecle (No. 359) avec des miniatures Byzantines, aussi admirable par la beaute de l'ecriture et la finesse des ornements gn or et en argent, que par son etonnante conservation, n'a pas besoin d'une plus grande description. C'est en son genre un modele parfait que son petit format et son ancienne reliure rendent encore plus elegant et plus precieux. Pour les amateurs de Miniatures la collection dont nous * Voyez les Nos 139, 356, 495, 683, 891, etc. f Voyez les Nos. 496, 1115, etc. % Voyez le No. 554. § Yoyez le No. 160 || Yoyez les Nos. 139 et 298. cxvm INTRODUCTION. employed by the artists of that period are plainly shown. One charming bijou, of the tenth or eleventh century (No. 359), with its Byzantine miniatures, as admirable for the beauty of the writing and the fineness of the gold and silver ornaments, as for its wonderful state of preservation, needs not a longer description. It is a perfect model of its kind, and rendered still more elegant and valuable by its small size and ancient binding. To amateurs of miniatures, the collection of which we publish the description offers remarkable specimens of every style and age. It embraces Greek, Roman, Persian, Hindoo, and Chinese art, and even that of Armenia (No. 355) will be found in it; whilst the artists of Kashmir*, a country not less wonderful for a school of cali-graphy, almost unknown in Europe, than for its elegant fabrics, which all the world admires, encounter here the delineators of those Jewish miniatures t which are of such extreme rarity, and which show that there must have been a Jewish art as well as a Jewish science and literature. All this clusters around one of those inimitable chefs-ftceuvre J which Italian art produced in the time of Leo X. But it is not only art which shines in this collection. History, science and literature, properly so called, play in it a part so considerable that the mere abridgment of the new and unexpected results presented by the study of these manuscripts would almost fill a volume of itself. A single instance will suffice to prove this. Among the questions which the historians of modern literature have had to discuss, there is none more important than that of determining exactly in what measure and in what degree the knowledge of letters and of the Greek language, or at least of the Greek alphabet, had been preserved in the North and West of Europe, and of estimating correctly the part which was played by Greek literature, and the influence which it was able to exert not only before the Turkish invasion had driven the learned Greeks into Italy but even before the Arabs, by their translations, had bestowed the Greek sciences on the Neo-Latins. Manuscripts in Greek characters, written in the "West before the revival of learning, are rare, and have at all times been the object of the researches of the most learned paleographers, who had remarked that in. certain authors, the Grammarians for example, it was customary to write the Greek quotations in Roman characters §, so feeble did the knowledge of Greek literature appear to have become. Our Catalogue || offers in this respect some striking examples, which must be added to the proofs already possessed of thQ fact that the Greek language, which was cultivated, by the elite only it is true, even in the midst of the thickest darkness, was less unknown in the West than has perhaps been imagined. But without entering into the general question, there is one point on which we deem it necessary to touch more * See Nos. 157, 476 and 587. % See No. 1135. § See No. 833. | See Nos. 477 and 522. || See Nos. 174, 229, 486, 744, &c.INTRODUCTION. xix publions la description offre de remarquables specimens de tous les styles et de tous les temps; l'art Grec et Romain, l'art Persan, l'art Indou et Chinois, Fart Armenien (No. 355),s'y trouvent rassembles etles artistes du Cachemire*, pays non moins etonnant par une ecole de Calligrapbie presque inconnue en Europe, que par ces elegans tissus que tout le monde admire, s'y rencontrent avec les auteurs de ces miniatures Juivesf, qui sont d'une rarete si excessive et qui montrent qu'il y a eu un art juif comme il y a eu une science et une litterature Juives. Tout cela vient se grouper autour d'un de ces inimitables chefs d'oeuvre J que l'art Italien savait enfanter du temps de L6on X. Mais ce n'est pas l'art seul qui brille dans cette collection. L'histoire, les sciences, la litterature proprement dite y jouent un role considerable, et le resume seul des resultats nouveaux et inattendus que l'etude de ces manuscrits pourrait offrir remplirait presque un volume. TTn seul exemple suffira pour le prouver. Parmi les questions que les historiens de la litterature moderne ont eu a traiter, il n'en est guere de plus importante que celle de determiner au juste dans quelle mesure et a quel degre la connaissance des lettres et de la langue Grecque, ou du moins celle de l'alphabet Grec, avait pu se conserver dans lo Nord et 1'Occident de l'Europe ; d'apprecier le role que la litterature Grecque y a pu jouer, l'influence qu'elle y a pu exercer non seulement avant que l'invasion Turque eut refoule les savants Grecs en Italie, mais avant meme que, par les traductions qu'ils avaient faites, les Arabes eussent rendu les Sciences de la Grece aux peuples Neo-Latins. Les manuscrits en caracteres Grecs, ecrits en Occident avant la renaissance des lettres, sont rares; de tout temps ils ont ete l'objet des recherches des plus savants paleographes qui avaient re„ marque que pour certains auteurs, pour les grammairiens par exemple, on avait pris l'habitude d'ecrire les citations Grecques en caracteres Romains§, tant la connaissance des lettres Grecques semblait s'etre affaiblie. Notre Catalogue || offre a ce sujet des exemples frappants qui devront s'ajouter aux preuves que l'on avait deja de ce fait: que, meme au milieu des plus epaisses tenebres, la langue Grecque, cultivee seulement il est vrai par des hommes d'elite, a ete moins ignoree en Occident qu'on ne Fa peut-etre suppose ; mais sans entrer dans la question generale, il y a un point que nous devons toucher un peu plus particulierement. Rien n'a ete plus connu et plus repete que cette assertion de Matthieu Paris attribuant a Jean Basing l'honneur d'avoir rapporte, au milieu du treizieme siecle, d'Athenes en Angleterre, les chiffres et l'arithmetique litterale des Grecs, qui offrait tant d'avantages sur l'ecriture arithmetique des Romains. A cette assertion si positive, repetee par les plus illustres ecrivains, plusieurs manuscrits de notre Catalogue opposent un dementi formel. Comment supposer en effet * Yoyez les Nos. 157, 476, 587. f Vovez les Nos. 477 et 522. J Voyez le No. 1135. § Voyez le No. 833. || Voyez les Nos. 174, 229, 486, 744, etc. c 2XX INTRODUCTION. particularly. No story is better known or lias been more frequently repeated, than the assertion of MattheAV Paris, which attributes to John Basing the honour of having, in the middle of the thirteenth century, brought from Athens to England the figures and alphabetical arithmetic of the Greeks, which possessed so many advantages over the arithmetical system of the Romans. To this assertion, so positively repeated by the most illustrious writers, several manuscripts in our Catalogue oppose a formal denial. How, in fact, can it be supposed that there was any necessity to seek in Greece for Greek figures, when these same figures were used in the North and West of Europe in manuscripts written under Anglo-Saxon influence, and in what is generally called the Irish school ? That they were not universally known is possible, and even probable, but .that in the matter of Greek figures this ancient English traveller introduced anything unknown to the West, is an assertion which those who have seen certain manuscripts described in this Catalogue * will probably not care to repeat. The origin of our numerical system, with which it has been sought to associate the travels of John Basing, is one of the questions which have been most eagerly disputed by the learned, who have devoted themselves to the history of science. We have been careful to indicate in our Catalogue the facts which may serve to clear up this point, so interesting in the history of the progress of the human mind. Among the documents of a similar character with which this Catalogue abounds, and some of which, entirely unknown, are connected with the ancient history of the University of Oxfordf, there is one which will probably attract the attention of the learned, because it is, as far as is at present known, the oldest manuscript with a date which contains what are called Arabic numerals, and the system of position. A remarkable fact is, that everything proves this volume to have been written in England J. Astronomy, geometry, arithmetic, mechanics, naval construction, medicine, the occult sciences, cosmography, valuable JPortulani which relate both to the ancient geography of America and that of Russia§, are all things which ought to be met with in a collection, when the owner has devoted his life to the study of the sciences. We will limit ourselves to pointing out three manuscripts of this kind, which appear worthy of some attention. One is a collection of eighty-four autograph letters of Leibnitz ||. The second is a volume^", also autograph, by which we find the illustrious Kepler giving lessons on every branch of mathematics, and, according to his custom, invoking the aid of philosophy and poetry to celebrate the marvels of creation. The third will appear, perhaps, still more precious. It is the genuine treatise on the sphere, written by the hand of Galileo, in its original form**. In this work, where Galileo speaks of his own discoveries, he does not seek to irritate the Court * See Nos. 229, 298, 299, 760, 1208, &c. f See No. 664. X See No. 665. § See Nos. 825, 826, 827, 1164, etc. U See No. 1142. % See No. 573. ** See No 39£.INTRODUCTION. *xi qu'on fut reduit a aller chercher en Grece les chiffres Grecs lorsque, au Nord et a 1'Occident de l'Europe, cea chiffres 6taient souyent employes dana dea manuscrita traces sous 1'influence Anglo-Saxonne, et dana cette ecole que generalement on appelle Irlandaise ? Qu'ils ne fussent pas connus partout, c'est possible et meme probable, mais qu'en fait de chiffres Grecs cet ancien voyageur Anglais eut rapporte quelque chose d'inconnu en Occident, c'est une assertion que probablement ceux qui auront yu certains manuscrita decrits dans ce Catalogue* ne voudront plus repeter. L'origine de notre systeme de numeration, auquel on a voulu rattacher le voyage de Jean Basing, est une des questions les plus vivement debattues par les savants qui se sont voues a l'histoire des sciences. On a eu soin de signaler dans ce Catalogue les faits qui peuvent servir a eclaircir ce point si interessant dans l'histoire des progres de 1'esprit humain. Parmi les documents du meme genre dont cette collection abonde, et dont quelques uns tout a fait inconnus, se rattachenta l'ancienne histoire de l'Universite d'Oxfordf, il J en a un qui, peut etre, attirera l'attention des savans, car c'est le plus ancien manuscrit avec date, jusqu' a present connu, qui contienne les chiffres qu'on a appeles arabes et le systeme de position. Chose remarquable tout annonce que ce volume a et£ ecrit en Angleterre.J Astronomie, geometrie, arithmetique, mecanique, constructions navales, m^decine, sciences occultes, cosmographie, portulans precieux qui interessent a la fois la geographie ancienne de l'Amerique et celle de la Russie§, tout cela devait naturellement se rencontrer dans une collection dont l'auteur a voue sa vie a l'etude des sciences. Nous nous bornerons a signaler en ce genre trois manuscrita qui semblent dignes de quelque attention. L'un est une collection de quatrevingt quatre lettres autographes de Leibnitz ||; dans un autre volume autographe aussi, nous voyons l'illustre Kepler donnant des le9ons sur toutes les parties des mathematiques, et appelant, comme de coutume, a son aide la philosophie et la poe'sie pour celebrer les merveilles de la creation. Le troisieme ** semblera peut etre, encore plus precieux. C'est le veritable traite de la sphere, ecrit de la main de Galilee, et tel qu'il l'avait coni^u lui-meme. Dans cet ouvrage ou Galilee parle de sea proprea decouvertes, il ne cherche pas a irriter la cour de Rome, mais il ne fait a la philosophie peripateticienne aucune de ces concessions, que l'on trouve dans le traite apocryphe de la sphere, publie a Rome par le pere Davisi, sous le nom de Galilee, peu de temps apres la mort de cet homme celebre. Ces deux ouvrages de Kepler et de Galilee, jusqu'a present totalement inconnus, seraient dignes d'enrichir les nouvelles editions que l'ltalie et l'Allemagne ont entreprises recemment comme une sorte de monument expiatoire envers deux hommes qui ont tant fait pour la gloire de leurs pays. * Voyez les Nos. 229, 298, 299, 760, 1028, etc. f Voyez le No. 664. % Voyez le No. 665. § Voyez les Nos. 825, 826, 827, 1164, etc. || Yoyes le No. 1142. ^f Voyez le No. 573. *» Voyez le No. 399.xxii INTRODUCTION. of Rome, but lie makes none of those concessions to the peripatetic philosophy, which are found in the apocryphal treatise on the sphere, published at Rome by Father Davisi under the name of Galileo, a short time after the death of that illustrious man. These two works of Kepler and Gralileo, hitherto totally unknown, are worthy to enrich the new editions which Italy and Germany have recently undertaken as a sort of expiatory monuments to two men who have done so much for the glory of their country. Although Autographs are to form a distinct class and a separate Catalogue, a number of them deserving attention will be found herein. Along with some isolated letters, inserted either to afford points of comparison with autograph manuscripts without signatures, or bfecause they contained interesting historical documents, there will be found also collections which, as a whole, may offer a literary or historical interest, and especially some volumes written or containing notes by celebrated men. To this last-named class belong the autograph manuscripts of Augurellus, Hermolaus Barbarus, Porta, Guarini, Baruffaldi, D'Alembert, Clairaut, Mile. Germain, Abel, the collections of documents which belonged to Charles of Orleans, and other volumes with notes by Politian, Aldus Manutius, G. Manetti, the Great Conde, Apostolo Zeno, &c. The eye will be arrested also by the manuscripts of Tasso, of which some are unpublished, and others have been printed in a shape which renders them barely recognizable. These works must still await one of those critical editions too exclusively consecrated hitherto to the writers of antiquity. It would, however, be an error to suppose that the ancient classics (the objects of so much labour, and which the greatest part of even educated men read without knowing what trouble it has cost to present them with a text, we will not say pure, but sufficiently intelligible) have been printed as they were left by the authors, and that everything concerning them has been already told. Independently of works like the Polyhistor of Solinus,* for example, which from the first, in consequence of an indiscretion, appeared in a form different to that which the author afterwards gave it; independently of those books which, like the history of Eutropius have been restored by modern hands, and of which several texts are in existence, which do not accord with one another^ ; independently, in short, of those works which have been disfigured for political reasons, and of those Chronicles which, like that of Castaldo, by editors have been mutilated for a bribe}, the ancient writers are far from having reached us in their integrity, and far also from having been printed originally as they were found in manuscript. In the early times of printing, the ardour with which intellectual minds applied themselves to ancient literature wa3 so lively and so universal, that the printers besought learned men for the writings of antiquity, even those on scientific or abstruse subjects, with an eagerness equal to that with which in * See Nos. 946-94S. f See No. 353. % See Nos. 230 and 712.INTRODUCTION. xxiii Bien que les Autographes doivent former une classe particuliere et un Catalogue a part, on trouvera deja en ce genre, un grand nombre d'articles dignes de quelque interet. A cote de certaines lettres isolees, qu'on a mises ici aoit pour offrir un point de comparaison avec des manuscrits autographes sans signature, soit parce qu'elles contenaient des documents historiques interessants, on verra des recueils qui, par leur ensemble, presentent un interet litteraire ou historique, et surtout des volumes ecrits ou annotes par des hommes celebres. A cette derniere classe appartiennent les manuscrits autographes d'Augurellus, d'Hermolaus Barbarus, de Porta, de Guarini, de Baruffaldi, de d'Alembert, de Clairaut, de Melle. Germain, d'Abel, ainsi que les collections de documents ayant appartenu a Charles d'Orleans, et d'autres volumes annotes par le Politien, par Aide Manuce, par G. Manetti, par le Grand Conde, par Apostolo Zeno, etc. L'oeil s'arretera sur les manuscrits du Tasse dont quelques uns sont inedits et dont les autres ont ete publies de fa9on a les rendre tout-a-fait meconnoissables. Ces ouvrages attendent encore une de ces editions critiques jusqu' ici trop exclusivement consacrees aux ^crivains de l'antiquite. On serait pourtant dans l'erreur si l'on supposait que les anciens classiques, objet de tant de travaux, et que la plupart meme des gens instruits lisent sans savoir ce qu'il en a coute pour leur offrir un texte, nous ne dirons pas meme pur, mais suffisamment intelligible, aient ete im-primes tela que les' auteurs nous les ont laisses, et que tout soit dit sur leur compte. Independamment des ouvrages, tels que le Polyhistor de Solin* par exemple, qui d&s l'origine, par l'effet d'une indiscretion, ont paru sous une forme differente de celle que l'auteur leur a donn^e plus tard; independamment de ces livres, tels que l'histoire d'Eutrope, qui ont ete refaits par d'autres mains plus modernes et dont il existe plusieurs textes qui ne s'accordent guere t; independamment enfin de ces ouvrages, denatures pour des motifs politiques, de ces cbroniques que, comme celle de Castaldo, l'editeur a mutilees a prix d'argentj, il s'en faut de beaucoup que les allteurs anciens nous soient arrives dans leur integrite, et il s'en faut de beaucoup aussi qu'ils aient 6te d'abord imprimes tels qu'ils se trouvent dans les manuscrits. Aux premiers temps de l'imprimerie l'ardeur avec laquelle tous les esprits se portaient vers les etudes classiques etait si vive, si generale, que les im-primeurs demandaient aux erudits des ecrits de l'antiquite, meme sur des matieres scientifiques et abstruses, avec autant d'empressement qu'on en mettrait aujourd'hui a demander des nouvelles a un romancier a la xnode§. Mais les manuscrits qui contenaient ces ouvrages si recherches etaient loin de se trouver en parfait etat; souvent ils etaient incomplets, et les editions qu'on a faites d'ouvrages ainsi mutiles, se sont parfois reproduites sans que rien vint avcrtir le lecteur des lacunes que l'editeur avait eu interet a dissimuler. * Voyez les Nos. 946*943. f Voycz le No. 353. % Voyez les Nos. 230 et 712. § Voyez le No. 62.xxiv INTRODUCTION. the present day they would demand a tale from a popular novelist*. But the manuscripts which contained these works so anxiously sought for were far from being in a perfect condition. Oftentimes they were incomplete, and in some of the editions of works thus mutilated, the text was reproduced without any notice being given to the reader of lacuna, which it was the interest of the editor to conceal. It is unnecessary to state that several of the most celebrated monuments of antiquity, such as the poem of Lucretius, the Comedies of Plautus, and the writings of Quintilian, were only known at first in a very imperfect state, and that if the early printers obtained some of the classics in a state fit for publication, it was to Petrarch, to Poggius, and other celebrated men who were passionately attached to ancient literature, that they were indebted. Other immortal works, those of Tacitus and Livy for instance, were to remain incomplete, notwithstanding the successive discoveries of fragments which have been made since the publication of the first editions. Those who are familiar with manuscripts are well aware that only a very few really different copies of the same author have reached us, and that most of those in our possession are only reproductions, more or less correct or faulty, of a small number of originals which for the most part have disappeared. This is proved, for instance, by the manuscripts of Terence in which the old subscription Calliopius recensuit has been so often reproduced, and by those of Priscian, in which the very dates placed by the ancient scribe Theodore at the end of each division of the work, to mark the progress of his labour, have been copiedf. But without insisting farther on the importance of collecting and preserving copies really different, derived from original sources, and tracing how many changes have been introduced by the crowd of grammarians, abbreviators and commentators of every kind who have laboured at the ancient texts, not without leaving notable traces behind them, let us only call to mind that the learned men who, on the revival of learning, were so fortunate as to find in scattered leaves something wherewith to complete works till then imperfect, could often only fill up the lacunae, by inserting in a conjectural manner the fragments which they had discovered. This is what seems to have been the case with the poem of Lucretius, manuscripts of which are excessively rare, and of which a very ancient one will be found in this Catalogue, partly a palimpsest, with new various readings, rubrics and titles, which are not in the printed editions. In this manuscript many passages also are arranged in an order differing from that of the editions. Another volume, the translation of Aratus by Grermanicus, with an ancient commentary, described in this Catalogue (No. 62), affords a still more striking example of the way in which some ancient authors have been published by editors who did not care to confess to the public that the only texts at their disposal were imperfect or corrupt, and who by concealing the imperfec- * Sec No. 62. f See No. 833.INTRODUCTION. XXV II n'est pas n^cessaire de rappeler que plusieurs des plus c&ebres monuments de l'antiquit^, tels que le poeme de Lucrece, les comedies de Plaute, les ouvrages de Quintilien, n'ont £te connus d'abord que fort incomplets, et que si les premiers imprimeurs ont trouve quelques anciens classiques en etat d'etre publies, ils le doivent au Petrarque, au Poge et a d'autres hommes c&ebres, passiomiis pour les lettres anciennes. D'autres ouvrages immortels, ceux de Tacite et de Tite-Live par exemple, devaient rester incomplets malgre les decouvertes successives de quelques fragments retrouves apres la publication des premieres Editions. Ceux qui ont l'habitude des manuscrits savent parfaitement bien que, pour un meme auteur, il n'est arrive jusqu' a nous que tres peu de copies r^ellement diff^rentes, et que la plupart de celles qui nous restent ne sont que des reproductions plus ou moins correctes, plus ou moins fautives, d'un petit nombre de textes qui, d'ordinaire, ont dis-paru. C:est la ce que prouvent, par exemple, les manuscrits de Terence dans lesquels on a si souvent reproduit l'ancienne souscription Calliopius recensuit, ou ceux de Priscien ou l'on a meme copie les dates que cet ancien £crivain, Theodore, pla9ait a la fin de chaque division de l'ouvrage, pour marquer les progres de son travail *. Mais sans faire remarquer davantage combien il est important de s'appliquer a rassembler et a conserver les copies reellement dif-ferentes et provenant de sources diverses, et combien de changements y ont apport6 cette foule de gram mairiens, d'abreviateurs, d'annotateurs de toute espece, qui ont travaille sur les anciens textes, non sans y laisser une trace profonde, rappelons seulement, que les Audits qui a la renaissance des lettres ont ete assez heureux pour retrouver dans des feuillets epars de quoi completer un ouvrage jusqu' alors imparfait, n'ont pu souvent combler ces lacunes qu'en intercalant d'une fa9on conjecturale les fragments qu'ils avaient decouverts. C'est ce qui semble etre arrive pour le poeme de Lucrece dont les manuscrits sont d'une raret£ excessive, et dont il s'en trouve dans ce Catalogue un fort ancien, et en partie palimpseste, avec des variantes nouvelles, des rubriques et des intitules qui ne sont pas dans les editions. Dans ce manuscrit plusieurs parties sont dans un ordre different de l'im-prime. Un autre volume, la traduction d'Aratus par G-ermanicus avec un ancien commentaire, decrit dans le Catalogue (No. 62), offre un exemple encore plus frappant de la maniere dont quelques anciens auteurs ont ete publics par des £diteurs peu soucieux d'avouer au public qu'ils n'avaient eu a leur disposition que des textes incomplets ou corrompus, et qui, en dissimulant par des coupures ou des remplissages les imperfections de leur manuscrit, ont rendu presque impossible a de nouveaux editeurs un travail plus con-sciencieux et plus exact. A 1'exemple de St. Jerome qui cherchait " Non tarn pulchros Codices quam emendatos," on s'est applique surtout, en formant cette collection, a rassembler des textes purs, fournissant des variantes impor- * Voyez le No. 833.XXVI INTRODUCTION. tions of their manuscript by omissions or additions, have rendered the labours of more exact and conscientious editors almost impossible. Following the example of Saint Jerome, who sought for "Non tam pulchros Codices quam emendatos," our chief aim in forming this collection has been to bring together pure texts containing important various readings and unpublished passages, and we venture to hope that in this respect, the present Catalogue, containing a large number of classical manuscripts collected for this especial purpose, will be found to merit the attention of the learned. "Without speaking of the important various readings which are to be found in the manuscripts of Solinus, Priscian, Vegetius, Prudentius, and Cassiodorus*, those which will be observed in the manuscripts of Ovid, with some unpublished versesf, as well as those in the ancient excerpta%, and in the manuscripts of Claudian, Floras, Justin, Lucan, Martial, Persius, Pliny, and Quintus Curtius§, many of which are accompanied by unpublished commentaries, appear to us of a nature to justify this hope. A collection of Grammarians written in the tenth century, said to have belonged to Marcilius Ficinus, and which, besides unpublished fragments, contains a text almost entirely new of one of the works of Donatus || ; several manuscripts, differing greatly from the printed editions, of the Commentary of Servius on Virgil a work of such importance for the ancient history of Italy; and finally, a number of manuscripts of other grammarians, some of them of the ninth century**, invite the notice of the learned who seek to introduce to the public texts more correct, or absolutely new, of the Latin Grammarians. In dwelling thus on the necessity of consulting fresh texts, and comparing them carefully with those already published, we do not wish that any of the ideas of the Pere Hardouin should be attributed to us. In our opinion the ancient writers have really existed, and it is undoubtedly antiquity which has bequeathed to us those admirable models which this commentator of Pliny imagined in his dreams to have been fabricated during the Middle Ages. All that we will permit ourselves here to advance on this point is, that most of the texts of the ancients have only reached us after undergoing considerable alterations, from the ignorance of the copyists, the temerity and lack of intelligence of ancient emendators ([recensores), the ravages of time, and the want of discernment of many of the early editors. Proper names distorted, passages suppressed, lacunce filled up at hazard or concealed, ancient glosses introduced into the text, the original order of the work changed,—all these things are found in the editions; and those who still doubt it have only to compare the different editions of any Latin author, with whom they believe themselves well acquainted, with the manuscripts. And this is not only true * See Nos. 946, 833, 1028, 840 and 229. f See Nos. 749 754. t See No. 363. § See Nos. 2G5, 380, 558, 623, 6C1, 780, 806, 849. || See No. 424. ^f See Nos. 935-937. ** See Nos. 58, 248, 320, 726, 833-836,&cINTRODUCTION. xxvii tantes, des passages inedits, et l'on ose esperer qu'a cet egard ce Catalogue, contenant un grand nombre de manuscrits classiques, rdunis dans ce but special, pourra m^riter 1'attention des savants. Sans parler des variantes considerables qu'ontrouvera dans les manuscrits de Solin, de Priscien, de Vegece, de Prudence, de Cassiodore*, celles qu'on remarquera dans les manuscrits d'Ovide, avec des vers ineditsj-, ainsi que dans d'anciens Excerpta%, et dans les manuscrits de Claudien, de Floras, de Justin, de Lucain, de Martial, de Perse, de Pline, de Quinte Curce§, dont plusieurs sont accompagnes de com-mentaires inedits, nous semblent de nature a justifier cet espoir. Un recueil de grammairiens ecrit au Xe siecle, qu'on dit avoir appartenu a Marcile Ficin, et qui, outre des morceaux inedits, contient un texte presqu' absolument nouveau d'un des ouvrages de Donat ||; plusieurs manuscrits, tres differents des im-primes, du commentaire de Servius sur Yirgile^[, ouvrage si important pour l'histoire ancienne de l'ltalie, enfin un grand nombre de manuscrits d'autres grammairiens, dont quelques uns du IXe siecle,** s'adressent particu-li&rement aux Audits qui cherchent a offrir au public des textes plus corrects, ou meme tout-a-t'ait nouveaux, des grammairiens Latins. En appuyant ainsi sur la n&essitd de consulter de nouveaux textes et de les comparer soigneusement avec ceux qui ont £te deja publies, nous ne voudrions pas qu'on nous attribuat quelques unes des idees du Pere Hardouin. A notre avis, les anciens auteurs ont bien reellement existe, et c'est bien 1'antiquity qui nous a legue ces admirables modeles que, dans ses reveries, ce commentateur de Pline supposait avoir 6t6 fabriques au moyen age. Tout ce que nous nous permettons d'avancer ici, c'est que la plupart des textes anciens ne nous sont parvenus qu' apres avoir subi des alterations notables, par l'ignorance des copistes, par la hardiesse et le peu de lumieres des anciens correcteurs (re-censor es), par l'effet du temps et de la vetuste, et par le manque de dis-cernement de plusieurs des premiers ^diteurs. Noms propres estropies, passages supprimes, lacunes remplies au hasard ou dissimulees, anciennes gloses introduites dans le texte, disposition primitive de l'ouvrage chang No. 363. $ Voyez les Nos. 265, 380, 558, 623, 661, 780, 8063 849. U Voyez 1c No. 424. ^f Voyez les Nos. 935-937. ** Voyez les Nos. 58, 248, 320, 726, 833-836, etc.xxviii INTRODUCTION. with regard to ancient authors; for Chronicles, works of the most celebrated Poets of the Middle Ages and of the times of the revival of learning, Romances of Chivalry, and, generally, works which have not been published by authors themselves, give occasion for analagous remarks. These are matters which the learned, the savants by profession, have only too often had reason to ascertain, but of which the public in general appears to have no suspicion. Rich in Latin classics, this collection contains also some ancient Greek manuscripts of great value. None of the facsimiles published in the works, in which it has been attempted to reproduce the finest forms of ancient Greek writing, offer anything more elegant, than the manuscript of Saint Gregory of Nyssa*, which is certainly of the beginning of the ninth century. The Saint John Chrysostom, in which the shape of the characters and accents indicates an epoch almost as ancientf, and above all, the EvangeliariumJ, which, in the beauty of the writing, as well as in certain ornaments, exactly resembles the famous Codex J&bnerianus at Oxford, seem to rank in the first class of manuscripts of this kind. If ancient Greek manuscripts are not more numerous in this collection, it arises from the difficulty of procuring them, a difficulty which now-a-days is excessive, and which seems never to have been greater, "We know, in fact, that when the powerful Soliman wished to show his gratitude to the Marquis de Mendoza, a great amateur of manuscripts, who had ransomed for a large sum and restored to him his son who had been taken prisoner, this great Soliman, who had in his power all the literary riches of Greece, could find no more than thirty-one (some say thirty-two) Greek manuscripts to offer him as an acceptable present. To announce that Italian literature has not been neglected in this collection, is only to say what every one will have divined before hand. Thus, along with the finest and most remarkable manuscripts of Dante, Petrarch, and Beato Jacopone, there will be found herein rich collections of Rime Antiche, ascending even to the origin of the Italian language, Chronicles, Romances of Chivalry which have never been published, and, in a word, all that is most interesting in Italian literature. Without being so richly represented, the other modern languages are not wanting in this collection. Ancient French poems, either inedited, or mutilated in the printing, Romances of Chivalry which only exist in manuscript, two manuscripts in Limousin, one of which seems certainly to have been written for King Alphonso of Aragon, and a collection of poems in old English with the arms of Henry VIII on the binding, and which, doubtless, belonged to that sovereign, show beyond a doubt that no branch of literature has been neglected in this Catalogue. Without reproducing here a great part of the Catalogue, it would be * See No. 430. f See No. 542. J See Nc. 354.INTRODUCTION. xxix Tres riche en classiques Latins, cette collection contient aussi quelques manuscrits Grecs anciens, et d'un grand prix. Aucun des fac-similes publies dans ces ouvrages, ou l'on s'eat applique a reproduire les plus belles formes de l'ancienne ecriture Grecque, n'offre rien de plus Elegant que le manuscrit de St. Gregoire de Nysse *, qui est certainement du commencement du IX4me Biecle. Le St. Jean Chrysostome, dans lequel la forme des caracteres et des accents indique une £poque presque aussi anciennef, et surtout l'Evangeliaire J qui, par la beauts de l'dcriture, comme par certains ornements, ressemble parfaitement au fameux Codex Ebnerianus d'Oxford, semblent se placer au premier rang des manuscrits de ce genre. Si les anciens manuscrits Grecs ne sont pas plus nombreux dans cette collection, cela vient surtout de la difficult^ de se les procurer, difficult^ qui est excessive aujourd'bui et qui ne semble avoir jamais beaucoup moins grande. On sait en effet que lorsque le puissant Soliman voulut montrer sa reconnaissance au Marquis de Mendoza, grand amateur de manuscrits, qui avait rachetc k grand prix et lui avait rendu son fils retenu prisonnier, ce grand Soliman, qui avait en son pouvoir toutes les ricbesses litt^raires de la Grece, ne put trouver que 31 (d'autres disent 32) manuscrits Grecs pour lui en faire present. Annoncer que la litterature Italienne n'a pas ete negligee ici, c'est dire une cbose que tout le monde devinait d'avance. Aussi a cote des plus beaux, des plug remarquables Manuscrits du Dante, du Petrarque, du Beato Jaco-pone, on trouvera de ricbes recueils de 'Rime antiche remontant jusqu'a l'origine de la langue Italienne, des cbroniques, des Romans de Chevalerie qu'on n'a jamais publies, en un mot tout ce que la litterature Italienne offre de plus int^ressant. Sans etre aussi richement representees, les autres langues modernes ne font pas faute dans cette collection. D'anciennes poesies Fra^aises inedites, ou qu'on avait mutilees en les imprimant, des Romans de Chevalerie qui n'existent qu'en manuscrit, deux manuscrits en Limousin, dont l'un semble positivement avoir ete ecrit pour le roi Alphonse d'Aragon, et un recueil de poesies en vieux Anglais relid aux armes de Henri VII I,et qui a sans doute appartenu a ce priDce, montrent, a n'en pas douter, qu'aucune branche de la litterature ne s'y trouve negligee. A moins de reproduire ici une grande partie du Catalogue, il ne serait gu£re possible de donner un aper$u suffisant des documents historiques qui s'y rencontrent. Nous nous bornerons done a signaler un manuscrit du Xe au XI® siecle de VHistoria gentis Anglorum, par Bede, avec des variantes dignes de remarque§; un recueil considerable relatif a St. Benoit et a son temps||; un chronique du Mont Cassin en partie inedite^f; une volume rempli de pieces originates ay ant appartenu a l'Empereur Maximilien** et annotees * Voyez le No. 430. f Voyez le No. 542. J Voyez le No. 354. § Voyez le No. 140. || Yoyez le No. 143. ^ Voyez le No. 984. * * Voyez le No. 504.XXX 3NTE0DUCTI0K impossible to give a sufficient estimate of the historical documents which occur in it. We will content ourselves, therefore, with pointing out a manuscript of the tenth or eleventh century of the Historia gentis Anrjlorum by Bede, with various readings worthy of attention*, a considerable collection relative to Saint Benedict and his tiniest, a Chronicle of Monte-Cassino, partly unpublished^, a volume full of original pieces, which belonged to the Emperor Maximilian§, and containing notes by him, at the head of which will be found a new text of the Gesta Serum Francorum given by Preher, and reprinted by Dom Bouquet; different Chronicles relating to Prance, one of which seems to have belonged to Pope Clement XII[| ; the original account of the expenditure of Leo X, with a note of the sums paid to Eaphael for his labours^]"; a new Chronicle of Lupo di Giovenazzo, with a very curious local colouring, as well as the perfect Chronicle of Castaldo, which was mutilated, as we have already said, by the editors, and in which we see the Neapolitan ladies availing themselves of the license of a bal masque to address the Emperor Charles Y with bold words in favour of political exiles**, a Chronicle of the Abbey of Plorenceff, which exhibits the head of that ancient and celebrated convent entering, at the Council of Constance, into a conspiracy the object of which was to drown all the Cardinals ; and a Chronicle of PeruJJ, written in the sixteenth century, which seems to be unknown. Let us not forget several original collections made by the terrible tribunal of the Inquisition, in which will be found the details of frightful trials§§. Music, which belongs at once both to science and literature, ought naturally to find a place in a similar collection. A manuscript of Greek music||||, which appears to have escaped all researches, opens the series, which is tolerably rich in monuments of the musical" of the ninth, tenth, and eleventh centuries, written in neumes; and collections, less ancient, of theoretical and practical*** music, form also a portion of this series. Several manuscripts of the eleventh centuryt+t, in which the accents placed on Latin words have received the same form as the neumes, or musical notes, employed at that time, afford an additional argument in favour of those who think that the signs of prosody and the ancient musical notes were at first one and the same thing. Those who maintain that the Gregorian chant and the ancient neumes were nothing more than a method of fixing the pronunciation, rhythmical in certain respects, of the Latin language; may, in default of other proofs, find in the actual cadence of poetry and prose, as practised by the Oriental nations, a living example by which to explain what has been related * See No. 140. f See No. 143. J See No. 984. § See No. 504. || See Nos. 384 and 385. ^ See No. 601. ** See Nos. 230, 628, etc. ft See No. 377. JJ See No. 620. §§ See Nos. 318, 517.520, 1012, etc. |||| See No. 543. tf See Nos. 217, 358, 595, 596, 597, 760, 844, 1053,1103, 1114, 1116, etc. *** See Nos. 694, 702-705. ftt See Nos. 269, 1055 and 1103.INTRODUCTION. xxxi par lui, a la tete desquelles se trouve un nouveau texte du Gesta Rerum Francorum donne par Freher et reimprime par Dom Bouquet; diverses ch.ro-niques relatives a la France et dont l'uue parait avoir appartenu au pape Clement XII*; les comptes originaux des depenses de Leon X. avec l'indi-cation des sommes payees a Raphael pour ses travaux t; une nouvelle chro-nique de Lupo di Griovenazzo, empreinte d'une si curieuse couleur locale, ainsi que la chronique de Castaldo mutilee, nous l'avons deja dit, par les editeurs, et ou Ton voit les dames de Naples profiter de la liberte d'un bal masque pour faire entendre a Charles V, de courageuses paroles en faveur des proscrits politiques J ; enfin une Chronique de la Badia de Florence § qui montre le chef de cet ancien et celebre couvent entrant, au concile de Constance, dans une conspiration qui avait pour but de faire noyer tous les Car-dinaux, et une Chronique [| du Perou, ecrite au XVPme. siecle, et qui parait inconnue. N'oublions pas plusieurs recueils originaux formes par le terrible tribunal de l'inquisition et ou l'on trouvera les details d'epouvantables proces.^f La musique, qui tient a la fois aux sciences et a la litterature, devait naturellement avoir place dans un semblable collection. TJn manuscrit de musique Grecque ** qui parait avoir echappe a toutes les recherches, ouvre la serie assez riche en monuments de la musique ft du IX4me, du X6me, et du XI6me siecle, ecrite en neumes; des recueils moins anciens de musique theo-rique et pratique font aussi partie de cette serie. Certains manuscrits du XIfcmc siecle §§, dans lesquels on a donne aux accents places sur des mots latins, la meme forme qu'avaient les neumes, ou les notes musicales employees alors, offrent un argument de plus a ceux qui pensent que les signes de la prosodie et les anciennes notes musicales n'ont fait d'abord qu'une seule et meme chose. Les personnes qui croyent que le chant Grregorien et les anciens neumes n'ont ete qu'un moyen de determiner la prononciation, a quelques egards rhythmique, de la langue Latine, pourraient, a defaut d'autres preuves, retrouver dans la cadence actuelle de la poesie et de la prose soutenue chez les peuples Orientaux, de quoi expliquer par un exemple vivant ce qu'on nous raconte de la mani&re de declamer des G-recs et des Romains. Nous avons pu en juger nous meme en entendant lire et reciter des vers par deux savants Mahometans, aux lumieres desquels nous avons eu recours pour nous guider et pour eclaircir nos doutes dans la description des manuscrits Orientaux contenus dans cette collection. Sans parler des manuscrits historiques et scientifiques, qui seront appr£cies par les juges competents, ni des manuscrits orn^s de * Voyez les Nos. 384 et 385. f Yoyez le No. 601. J Voyez les Nos. 230, 628, etc. § Yoyez le No. 377. || Voyez le No. 620. f Yoyez les Nos. 318, 517-520, 1012, etc. ** Voyez le No. 543. ft Voyez les Nos. 217, .358, 595, 596, 597, 760, 844, 1053, 1103, 1114, 1116, etc. %t Voyez les Nos. 694, 702-705, etc. §§ Voyez les Nos. 269, 1055, 1103.xxxii INTRODUCTION. to us of the mode of declaiming among the Greeks and Romans. We have ourselves been able to judge of this in listening to the reading and enunciation of poetry of two learned Mohammedans, to whose enlightened knowledge we have had recourse, to guide us and clear up our doubts in the description of the Oriental manuscripts contained in this Collection. Without speaking of the historical and scientific manuscripts which will be appreciated by competent judges, or of the manuscripts ornamented with figures, which we have already indicated in a general way, the Apocryphal Bible of Aklimas, the marvellous accounts in which yield in no respect to the "Arabian Nights," the Cufic Koran, the Coptic Dictionary, the collection of Arabo-Spanish poets, a similar collection of Persian poets, the Bhagavat Grita in Sanskrit, written and ornamented so wonderfully, and above all, the extraordinary work of Isma'Il ibn Makri, who certainly incurred no appreciable risk when he offered to give Ms beloved wife to any one who could produce its equal,—will alone suffice to attach some interest to the Oriental part of this Collection. It is especially the description of the Oriental manuscripts which we offer to the public with hesitation. Besides the inherent difficulties in a task of this kind, in which it was necessary for almost as many literary men to take part as there were different Oriental languages, there is also a peculiar difficulty, namely, that of transcribing Oriental names in a Catalogue drawn up in English. Those persons who are unacquainted with Oriental languages, and who sometimes so boldly propose to suppress the Eastern alphabets, and write Sanskrit, Arabic and Persian in Roman characters, have no clear idea of the difficulty of such a problem, which every Orientalist endeavours to solve after his own fashion. The numerous attempts which have been made to arrive at this solution, still as distant as ever, have only succeeded hitherto in producing an infinity of different systems, and in giving the most unusual forms even to the names with which we are most familiar. For languages in which the value and pronunciation of the signs of the alphabet is almost invariable, this difficulty would not be so great, and although there certainly does not exist in Italian a letter which could render the gargling sound (to avail ourselves of an expression which the learned Richardson has set in circulation) which one of the Arabic letters represents, to European ears, yet, for most of the letters at least, the transcription would have been less awkward in Italian than in any other Western language. But this Catalogue being drawn up in English, that is to say in a language in which the vowels, and even several of the consonants, have a variable value, and one, so to speak, of position, and with which we are but imperfectly acquainted, we found ourselves in great embarrassment at the moment of choosing between the different methods of transcription, especially as we had to preserve in the notes the vulgar orthography of common words, and in the quotations the orthography, often a foreign one, of the authors whom we quoted. After having taken the adviceINTEODD CTION. xxxiii figures que nous avona deja indiques generalement, la Bible apocryphe d'Aklimas, dont les recits merveilleux ne le cedent en rien aux Contes des mille et une nuits, le Coran Cufique, le dictionnaire de la langue Copte, le recueil des poetes Arabo-Eapagnola, tel autre recueil de poetes Persans, le Bhagavat Gt-ita en Sanscrit, si merveilleusement ecrit et orne, et surtout l'ouvrage si extraordinaire d'Isma'il ibn Makri qui, certes sans courir grand danger, offrait de donner safemme cherie a quiconque en saurait faire unpareil, suffiraient seuls pour repandre quelque interet sur la partie Orientale de cette Collection. C'est surtout la description des manuscrits Orientaux que nous presen-tons avec hesitation au public. Aux difficult^ inherentes a un travail de ce genre, auquel devaient presque necessairement prendre part autant d'hommes lettres qu'il y avait de langues Orientales differentes, s'ajoute ici une difficulte toute speciale, celle de la transcription des noms Orientaux dans un Catalogue redig6 en Anglais. Les personnes qui n'ont pas l'habitude des langues Orientales, et qui parfois proposent si hardiment de supprimer les alphabets Orientaux pour ecrire le Sanscrit, le Persan, ou l'Arabe en caracteres Euro-peens, ne se font pas une idee bien nette de la difficulte d'un tel probleme, que chaque Orientaliste s'efforce de resoudre a sa maniere. Les nombreux essais qu'on a faits pour arriver a cette solution encore eloignee n'ont reussi, juaqu'a present qu'a produire une infinite de systemes differents, et a donner les formes les plus insolites aux noms meme qui nous sont le plus familiers. Pour les langues dans lesquelles la valeur et la prononciation des signes de ^'alphabet est a peu pres invariable, cette difficulte ne serait pas si grande, et bien qu'il n'existe certes pas en Italien une lettre destinee a rendre (pour nous servir d'une expression que le savant Richardson a mise en circulation) le bruit de gargarisme que repreaente pour les Europeens un des caracteres Arabes, pour la plupart des lettres du moins, la transcription aurait ete moins malaisee en Italien qu'en toute autre langue Occidentale. Mais ce Catalogue etant redige en Anglais, langue dont les voyelles et plusieurs consonnes meme n'ont qu'une valeur variable et pour ainsi dire de position, et avec laquelle nous ne sommes qu' imparfaitement familiarise, nous nous sommes trouve dans un grand embarras au moment de choisir entre les differents modes de transcription; surtout devant conserver aux mots habituels, dans les notes, l'orthographe vulgaire, et aux citations, l'orthographe souvent etrangere, des auteurs que nous citions. Apres avoir pris les avis des juges les plus competents, nous avons tache de reproduire l'ecriture plutot que la prononciation des langues Orientales; d'autant plus que c'est la ce qui a ete fait pour le Catalogue du British Museum. Nous ne nons dissimulons pas les inconvenients d'une telle resolution; le plus frappant de tous, celui qui se rencontre a l'entree du Catalogue, c'est d'avoir ete amene a ecrire JVasir-al-Din, pour designer l'astronome si connu de tous les savants sous le nom dxxxiv INTRODUCTION. of the most competent judges, we have endeavoured to reproduce rather the spelling than the pronunciation of the Oriental languages, especially as this is the method which has been followed in the Catalogue of the British Museum. We are not, however, unconscious of the inconveniences of such a resolution; the most striking of all, which will be met with at the commencement of the Catalogue, ia the having been induced to write " Nasir-al-Din " to designate the astronomer, who is known to all the learned under the name of " Nassir Eddin." In adopting this course we felt that we rendered ourselves liable perhaps to severe criticism, but in the hope to meet with some indulgence, we will permit ourselves to observe, that the difficulty of transcribing Oriental words in English characters has been long ago pointed out. It had already struck a.man, as superior for the depth of his Oriental learning as for the penetration and acumen of his mind. We would request those who may find the orthography which we have adopted capricious, to remember that in order to give an idea of the difficulty of the problem which was to be solved, with the aid of English orthography, Sir William Jones applied this test to a celebrated ode *: those who know it best by heart will probably have some difficulty to recognise the verses of the French poet in the following lines: " Law more aw day reegyeurs aw nool otrijh parellyuh Onne aw bo law preeay, Law crooellyuh kellay suh booshuh lays orellyuii, Ay noo laysuh creeay." In making thus light of what concerns the orthography of Oriental names, we do not wish to imply that in other respects our Catalogue is much less imperfect. Everything calls for indulgence in the notes, not a single line of which was in existence a few months ago, and a great part of which has been hastily drawn up by an individual who only sells a portion of his collection on account of his ill-health. Compelled for this reason to quit London, the owner could not think of dragging after him 30,000 volumes. It is only an attempt at a Catalogue Maisonne which we here present, and in this attempt we have been obliged to submit to the forms of a Sale Catalogue, and to follow the rules adopted in similar cases. Perhaps some persons will even find that we have not sufficiently observed those rules ; and in this respect we ought to address our thanks to Messrs. Sotheby and Wilkinson, who, after having afforded us themselves and by means of well-informed assistants all the support which we could desire, have permitted us, with a liberality of view which does them honour, to release ourselves from the rule more frequently than would have been supposed possible by those who are not so well acquainted as ourselves with their enlightened zeal for bibliography and the fine arts. It is to this assistance that are especially due those typographical indications and formulas which serve to draw the attention of * Jones (Sir W.) Works, (vol. I. p. 180).INTRODUCTION. xxxv de " Nassir Eddin." En prenant un tel parti, nous sentions que nous nous exposioDs peut-etre a des critiques severes; dans l'espoir de rencontrer quelque indulgence, nous nous permettrons de rappeler que cette difficulty de la transcription des mots Orientaux en langue anglaise a ete depuis longtemps signalee. Elle avait deja frappe un homme aussi superieur par la profondeur de sa science Orientale, que par la penetration et la finesse de son esprit. Que les personnes qui trouveront bizarre l'orthographe que nous avons adoptee veuillent bien se rappeler que, pour faire comprendre la difficulty du probleme qu'il s'agit de resoudre a l'aide de l'orthographe anglaise, Sir William Jones*, avait applique cet instrument a une ode celebre; ceux meme qui la savent le mieux par coeur auront peut etre quelque peine a retrouver les vers du poete Fran^ais dans les lignes que voici: "Law more aw day reegyeurs aw nool otruh parellyuh Onne aw bo law preeay, Law crooellyuh kellay suh booshuh lays orellyuh, Ay noo laysuh creeay." En faisant si bon march^ de ce qui touche a l'orthographe des manuscrits Orientaux, nous ne voulons pas donner a entendre que sous d'autres rapports notre Catalogue soit beaucoup moins imparfait. Tout reclame indulgence dans ces notes dont il n'existait pas une seule ligne il y a peu de mois, et qui, en grande partie, ont ete redigees a la hate par une personne qui ne met en vente une partie de ses Collections que pour des raisons de mauvaise sante. Force, pour ce motif, de quitter Londres nous ne pouvions songer a nous faire suivre par 30,000 volumes. Ce n'est qu'un essai de Catalogue raisonne que nous presentons ici; et dans cet essai nous avons du nous plier aux formes d'un Catalogue de vente, et suivre les habitudes adoptees en pareil cas. Peut-etre meme quelques personnes trouveront-elles que nous n'avons pas assez observe ces habitudes, et en cela nous devons adresser nos remerciments a Messrs. Sotheby et Wilkinson qui, apres nous avoir offert par eux memes et par des collaborateurs instruits tout le concours que nous pouvions desirer, nous ont permis, avec une liberalite de vues qui les honore, de nous en affran-chir plus souvent que n'auraient pu le supposer possible ceux qui ne connai-traient pas aussi bien que nous leur zele eclaire pour la bibliographie et pour les arts. C'est a ce concours zele que sont dues surtout ces indications typo-graphiques, ces formules qui servent a attirer l'attention des amateurs sur les volumes les plus remarquables, et que nous ne pouvions pas songer a faire disparaitre ; car encore un coup nous desirons qu'on veuille bien ne jamais l'oublier, ceci n'est autre chose qu'un Catalogue de Vente. Toutes les fois que cela pouvait sembler utile, on a, dans la description des volumes, Bcrupuleusement reproduit les textes, meme avec les fautes d'orthographe. Pour les manuscrits, les plus importants du moins, on a cru * Jones (Sir W.) Works (vol. I. p. 180). d 2xxxvi INTRODUCTION. amateurs to the most remarkable volumes, and winch we could not think of banishing, the more especially as we hope it will not be forgotten that this is nothing more than a Sale Catalogue. Whenever it appeared likely to be useful, we have in our descriptions of the volumes scrupulously reproduced the text, even with the orthographical errors. In the case of the most important manuscripts we have thought it necessary to give an idea of their rarity by pointing out the number of copies which are to be found in the most considerable collections on the Continent; but we have not taken the same trouble in the case of manuscripts which are in English collections, because there are abundant means of information concerning these, and we should have been afraid of not rendering justice to the learning and ability of Sir F. Madden and D' Bandinel, if we had ventured to speak in detail of the collections entrusted to those learned librarians, and so liberally placed at the disposal of the public. But although we are aware that everything which is to be found in English collections is perfectly well known in England, we could not hope that all readers would give themselves the trouble to ascertain, by laborious research, that in all countries the smaller poems attributed to Virgil and Ovid, for example, are, as well as the poems of Lucretius and Manilius, and the work of Censorinus, of an extraordinarily rare occurrence in manuscript. We have frequently also indicated unpublished works, but every one will understand that this only means that we have made, and caused to be made, all the researches possible without having discovered any edition of the work in question. As far as possible we have noted the ancient collections to which these manuscripts belonged; many of them have issued from the celebrated libraries of the Medicis, the G-rimani, the Strozzi, the Kings of Naples and Aragon, the Queen of Navarre, Griannozzo Manetti, the Congregation of Ste. Justine of Padova, Apostolo Zeno, &c. But the most remarkable manuscripts of this kind, and which on account of the richness as well as the antiquity of their binding may be styled real works of art, will be described with the printed books in ancient" and historical bindings, which, to the number of several hundreds, will speedily figure in the Catalogue of the Bare Books in our Collection. During the last few years, these volumes have been several times examined by illustrious savants and 'paleographers, whose opinion is of the highest authority in all Europe; but although these distinguished connoisseurs have perfectly agreed with us as to the age of these manuscripts, we have not imagined that on this point simple assertions ought to be accepted without verification. As a means of verifying not only the age of the manuscripts, but also the genuineness of those which we announce as autographs, numerous fac-similes accompany the Catalogue*. In order that the reader may also, * We should have wished to make known by fac-similes the magnificent miniatures described under the Nos. 157, 359, 1135,1164 of the Catalogue, but the undertaking was too difficult, and Ave have been obliged to relinquish it.INTRODUCTION. xxxvii devoir donner une idee de leur rarete en faisant connaitre le nombre d'exem-plairea qui s'en trouvent dans les Catalogues des Collections les plus considerables du Continent. Nous n'avons pas fait le meme travail a propos des manuscrits qui sont dans les collections Anglaises, car pour ceux-ci les moyens d'information abondent, et nous aurions craint de ne pas rendre justice an savoir et aux lumieres de Sir Er. Madden et du Docteur Bandinel, si nous avions os6 parler avec quelque detail des collections confiees a ces savants bibliothecaires, et mises si liberalement a la disposition du public Mais quoique nous sachions qu'on connait parf'aitement en Angleterre ce qui se trouve dans les collections anglaises, nous ne pouvions esperer que tous les lecteurs se donneraient la peine de s'assurer, par des recherches laborieuses, que, dans tous les pays, les petits poemes attribues a Ovide et a Yirgile par exemple sont, ainsi que les poemes de Lucrece, de Manilius, et l'ouvrage de Censorinus, d'une rarete extraordinaire en manuscrit. Souvent on a signale aussi les ouvrages inedits, mais chacun doit comprendre que cela signifie seulement qu'on a fait et fait faire toutes les recherches possibles, sans decouvrir aucune edition de l'ouvrage dont il s'agit. Autant qu'on l'a pu, on a indique les anciennes collections dont ces manuscrits ont fait partie; plusieurs sont sortis des bibliotheques celebres des Medicis, des Grrimani, des Strozzi, des Hois de Naples et d'Aragon, de la Heine de Navarre, de Griannozzo Manetti, de la congregation de Ste- Justine de Padoue, d'Apostolo Zeno, etc. etc. Mais en ce genre les plus remarquables, tant par la richesse que par l'antiquite de leur couverture, veritables objets d'art, seront reunis aux livres imprimes, a reliures anciennes et historiques, lesquels, au nombre de plusieurs centaines, figureront prochainement dans le Catalogue des livres rares de notre collection. Durant le cours de ces dernieres annees, ces volumes ont ete plusieurs fois examines par des savants illustres, par des paleographes dont l'opinion a la plus haute autorite dans toute l'Europe; mais bien que ces connaisseurs si distingues se soient trouves parfaitement d'accord avec nous sur l'age de ces manuscrits, nous n'avons pas cru qu'a cet egard des assertions pures et simples pussent etre acceptees sans controle. Comnie moyen de verification, non seulement pour l'age des manuscrits mais aussi pour l'autheuticite de ceux que nous annon9ons comme etant autographes, de nombreux fac-similes accompagnent ce Catalogue.* Afin que les lecteurs puissent, au besoin, verifier aussi les indications du Catalogue, on a donne une liste des editions des ouvrages qui ont ete consultes pour les notes.f Apr£s avoir pris toutes ces * Nous aurions voulu faire connaitre par des fac-similes les magnifiques miniatures d<5crites sous les Nos. 157, 357, 1135, 1164 du Catalogue, mais l'entreprise nous a sembl6 trop difficile et nous avons du y renoncer. f G6n£ralement, pour les classiques Latins, nous nous sommes servi des Collections de Yalpy et de Lemaire: ce ne 6ont pas toujours les meilleures (''ditions, mais elles sont tres repan-dues et elles offrent, pour la generality des lecteurs du moins, un moyen facile de verification; e'est ce qui nous porte & leur donner la preference.xxxviii INTRODUCTION. when necessary, verify the references in the Catalogue, we have given a list of the editions of the works which have been consulted for the notes*. After having taken all these precautions, and under all possible reservation for the errors inseparable from a similar task, and the typographical faults which the state of our eyes rendered not less inevitable, we believe that we may, without further hesitation, submit this Catalogue to the public. However imperfect our labours may be, it would have been, however, impossible to have completed them without the support and the very kind and friendly assistance which we have received at the British Museum. Known and applauded throughout Europe, the grand creation of Mr. Panizzi has no need of one suffrage more ; but what cannot even be imagined by those who have not seen it, is, that there exists in the heart of London a cupola as large as that of Saint Peter at Rome, in which every day an extensive library, admirably selected, and suitable for every kind of study, is open to all genuine students who have the absolute use of it as if it were their own, and where every one is at liberty to take the books on the shelves without even having to give himself the trouble of replacing them, acting, in fact, precisely as if he were at home, and able besides, by the help of immense Catalogues, kept in perfect order, and of attendants as intelligent as polite, to procure in a few minutes whatever is contained in a collection comprising more than five hundred thousand volumes, that is to say, the most important works of every kind which the press of every country, and in every age, has produced. Regularity, promptitude, politeness, silence, comfort, nothing is wanting in this model establishment, where are to be found not only books, but that instructive advice which every one who wishes to study is happy to find near him. Thanks to a strong impulse, communicated by the chief authorities to an administration which labours unceasingly to adopt the improvements which may contribute to the well-being of the studious public, and to facilitate its labours; thanJis to the assistance of a remarkable staff of officers who, at every step of the ladder, take care to leave nothing to be desired ; this is what nearly five hundred readers find every day at the British Museum. This is what we have ourselves experienced there, and which has been rendered peculiarly valuable to us by the kind friendship with which we are honoured by Mr. Panizzi, Mr. Jones, and Mr. Watts: we should be ungrateful if we did not offer them here the most lively expression of our gratitude. G-. LIBRI. London, January 1, 1859. * For the Latin classics we have generally cited the collections of Valpy and Lemain?; not that they are always the best editions, but as they are almost everywhere to be met with, and afford, for the generality of readers, at least, an easy means of verification, we were induced for these reasons to give them the preference.INTRODUCTION. xxxix precautions, et sous toutes les reserves possibles pour des erreurs inseparables d'un tel genre de travail, ou des fautes d'impression que l'etat de nos yeux rendait non moins inevitables, nous croyons pouvoir livrer sans plus d'hesita-tion ce Catalogue au public. Quelqu' imparfait que soit ce travail, il nous eut ete impossible pour-tant de l'accomplir sans l'appui et le concours le plus bienveillant, le plus amical, que nous avons trouve dans la Bibliotheque du British Museum. Connue et applaudie dans toute l'Europe, la grande creation de M. Panizzi n'a pas besoin d'un suffrage de plus; mais ce qu'on ne peut pas meme s'imaginer quand on ne l'a pas vu, c'est qu'il existe au centre de Londres une coupole grande comme celle de St. Pierre de Rome, dans laquelle tous les jours une bibliotheque nombreuse, parfaitement choisie et appropriee a toutes les etudes, est ouverte a tous les hommes veritablement desireux de s'instruire, qui en ont l'usage absolu comme si c'etait la leur propre, et ou chacun a la faculte de prendre les livres sur les tablettes, sans avoir meme a se donner la peine de les remettre en place, agissant enfin absolument comme chez soi, et pouvant de plus, a l'aide d'immenses catalogues tenus dans un ordre parfait, et d'employes aussi intelligents que polis, se procurer en quelques minutes tout ce que contient une collection de plus de cinq cent mille volumes, c'est a dire ce qu'a produit de plus important en tous genres la presse de toutes les epoques, de tous les pays. Regularity, promptitude, politesse, ♦ silence, confort, rien ne manque a cet etablissement modele, ou l'on trouve non seulement des livres, mais aussi les conseils eclaires que tout homme qui veut travailler est heureux de rencontrer aupres de lui. Grace h une impulsion forte, partie d'en haut, grace a une administration quis' efforce sans cesse d' adopter les ameliorations qui peuvent contribuer au bien etre du public et a faciliter ses travaux, grace au concours d'une reunion remarquable d'employes qui, a tous les degres de l'echelle, prennent a tache de ne rien laisser a desirer, c'est la ce que trouvent tous les jours pres de cinq cents lecteurs au British Museum; c'est la ce que nous y avons trouve nous-meme, et ce que nous a rendu plus precieux qu'a tout autre la bienveillante amitie dont nous honorent M. Panizzi, M. Jones, et M. "Watts; nous serions ingrat si nous ne leur offrions pas ici l'expression de notre plus vive reconnaissance. Or. LIBRI. Londres, le 1 Janvier, 1859.LIST OF THE EDITIONS OF THE WORKS EMPLOYED IN COMPILING THE CATALOGUE. (*) Adelung, an Historical Sketch of Sanscrit Literature 8vo. Oxford, 1832 Aff6 (I.) Memorie Storiche degli Scrittori Parmigiani (with the excellent continuation of Cavalier Pezzana) 4to. Parma, (•v.y.) AGOSTrNi (G. Degli) Istoria degli Scrittori Yeneziani, 2 vol. 4do. Venezia, 1752 Alberi (E.) Relazioni degli Ambasciatori Veneziani, 9 vol. 8vo. Firenze, 1839, et seq. Algazelis, Philosophia et Logica Ato. Venetiis, 1506 Allacci (Leone) Drammaturgia 4to. Venezia, 1755 Andres (G.) Dell'Origine, e dei Progressi d'Ogni Letteratura, 22 vol. 8 vo. Venezia, 1783-1800 Anthologia Veterum Latinorum Epigrammatum (a Burmanno) 2 vol. 4 to. Amstehd. 1757-73 Anthologia Veterum Latinorum Epigrammatum et Poematum, 2 vol. 8vo. Lipsice, 1835 Antoneno (S.) Somma di Vizj fOmnis mortalium curaj 4to. (Secolo XV.) Antonino (S.) Confessionale in Yolgare 4to. Firenze, 1493 Antonio (N.) Bibliotheca Hispana nova, 2 vol. folio. Matriti, 1783 Arati Opera, a Buhle, 2 vol. Lipsice, 1793-1801 Arati, Avieni, Sereni et aliorum Opera varia 4to. Venetiis, 1488 Arch^eologia, or Miscellaneous Tracts relating to Antiquity, 37 vols. 4to. and 2 vols. of Index London, 1770-1857 Archivio Storico Italiano, 26 vol 8vo. Firenze, 1842-1858 Argelati (Ph.) Bibliotheca Scriptorum Mediolanensium, 4 vol. folio. Mediol. 1745 Argelati (F.) Bibliotheca degli Volgarizzatori, 6 vol. 4to. Milano, 1767 Ariosto (L.) Rime e Satire 8vo. Firenze, 1822 Assemanni (S. E.) Catalogus Codicum Manuscriptorum Orientalium Bibliothecse Mediceae folio. Florentice, 1742 Astle (Th.) Origin of Writing 4to. London, 1803 Auctores Latinae Linguae a D. Gothofredo 4to. Geneves, 1585 Backer (Aug. et Al. de) Bibliotheque des dcrivains de la compagnie de Jdsus, 4 vol. 8vo. Liege, 1853, et seq. Baldelli (G. B.) Del Petrarca e delle sue Opere 4to. Firenze, 1797 Baldelli (G. B.) Yita di Giovanni Boccaccio 8vo. Firenze, 1806 Baldelli (G. B.) Viaggi di Marco Polo, &c. 4 vol. 4to. with atlas. Firenze, 1827 Bandini (A. M.) Catalogus Manuscriptorum Latinorum et Italicorum Bibliothecse Mediceae Laurentianae, 5 vol. , folio. Florentice, 1774-78 Bandini (A. M.) Bibliotheca Leopoldino-Laurentiana, 3 vol. folio. Florentice, 1791 Bartolocci (J.) Bibliotheca Rabbinica, 4-vol. folio. Romce, 1675-93 Batines (Colomb de) Bibliografia Dantesca, 2 vol. in 3 parts 8vo. Prato, 1845 Bed.® Opera, 12 vol. 8vo. London, 1843-44 Belcari (Feo.) Poesie 8vo. Firenze, 1833 Bibliografia Storica delle Citta e luoghi dello Stato Pontificio, 2 vol. 4to. JRoma, 1792 Bibliotheca Grenvilliana, described by J. Payne and H. Foss, 3 vol. 8vo. London, 1842, et seq. Bibliotheca Heberiana, 12 vol. 8vo. London, 1834-36 * Having been obliged, for the sake of brevity, to quote in the most concise way the works mentioned in the Catalogue, we give here the editions, at least of the most important of them, in order to enable every reader to apply to the original sources when more information is required. It must however be understood that this is a mere list of editions for reference, and not a Bibliographical work. When works, chiefly printed abroad, are still in course of publication, we have generally stated only the number of volumes already arrived in England, or more frequently we have written, v. y. (various years) without stating the number of volumes.xlii LIST OF THE EDITIONS OF THE WORKS Bibliotheca Meeraianniana, 4 vol. 8vo. Amstdod. 1824 Bibliotheque Classique Latine, publi£e par N. E. Lemaire, 144 vol. 8 vo. Paris, 1819-38 Bibliotheques Francoises de la Croix da Maine et de Du Verdier, 6 vol. 4 to. Paris, 1772 Biographical Dictionary, published by the Society for the diffusion of Useful Knowledge, 7 parts 8vo. London, 1842, et seq. Biographie Universelle, 52 vol. 8vo. Paris, 1811-28 Blume (Fr.) Iter Italicum, 2 vol. 12mo. Berlin, 1824 Boccaccio (G.) Opere Yolgari, 17 vol. 8vo. Firenze, 1827-34 Boetii (A.) Opera folio. Basilece, 1570 Boetius (A. M.) de Consolatione Philosophise libri V, et ejusdem opuscula Sacra 8vo. Lug. Bat. 1671 Boissonade, Anecdota Grseca, 5 vol. 8vo. Paris. 1829-33 Boncompagni (B.) della vita e delle versioni di Platone Tiburtino 4to. Roma, 1851 Boncompagni (B.) Vita di Gherardo Cremonense e di Gherardo da Sabionetta 4 to. Roma, 1851 Bongarsii (Jac.) Gesta Dei per .Francos, 2 vol. folio. Hanovice, 1611 Bonnor (Hon.) Arbre des Batailles (S. L.) folio. 1493 Bouquet (Dom) Recueil des Historiens des Gaules folio. Paris, (v. y.) Brunet (J. Ch.) Manuel du Libraire et de 1'Amateur, 5 vol. 8vo. Paris, J 842 Burchiello, Sonetti 8vo. Londra, 1751 Butler (A.) Lives of the Saints, 12 vol. in 2 8vo. Dublin, 1838 Campanella (T.) Opere, 2 vol. 12mo. Torino, 1854 Caraccioli (A.) Chronologi Quatuor 4to. Neapoli, 1624 Casiri Bibliotheca Arabico-Hispana, 2 vol. Matriti, 1766 Cassiano (Giovanni) Volgarizzamento Delle (Di lui) collazioni dei Santi Padri, testo di lingua inedito 8vo. Lucca, 1854 Cassiodori (M. Aur.) Opera omnia, 2 vol. folio. Venetiis, 1729 Catalogue de la Bibliotheque de Rosny 8vo. Paris, 1837 Catalogue of the Library of the Earl of Guildford, 3 parts, London, 1828-29— Ld. Collection of Manuscripts, London, 1830—Id. Library imported from Corfu, 2 parts, London, 1830 in 1 vol. 8vo. Catalogue of Manuscripts, in different languages (by Mr. Holmes) 8 vo. London, 1829 Catalogue gdn^ral des Manuscrits des bibliotheques publiques des ddpartements, tome premier 4to. Paris, 1852 Catalogo dei Manoscritti del Marchese Gino Capponi 8vo. Firenze, 1845 Catalogus Manuscriptorum Bibliothecse regise Parisiensis, 4 vol. folio. Paris. 1739-44 Cavalca (Fra. Dom.) Opera, 17 vol. 16mo. Milano, 1840 Cave (G.) Antiquitates Apostolicse, 2 vol. 12mo. London, 1834 Caye (G.) Scriptorum Ecclesiasticorum Historia Litteraria, 2 vol .folio. Oxoni, 1740-43 Censorinus de die Natali 8vo. Ludg. Batav. 1743 Chartier (Al.) Les (Euvres folio. Paris, 1528 Chasles (M.) Aperto. siec. xviii. on papeb In all probability the Lectures of Abraham Gronovius. 52 Anselmi (B. Archiepiscopi Cantuariensis) Tractatus de Casu Dyaboli et - • / Omeliae IY. super Missus est Gabriel—Isidobi (S.) Synonima ^ folio. S.33C. xiv. ON VELLUM These rare Homilies are not quoted by Fabricius in the list of the works of S. Anselm, and no Manuscript of them is to be found in the great " Cata-logus Bibliothecse Regise Parisiensis." (See also Nos. 105, 465, &c. in the present Catalogue).14 THE LIBEI MANUSCRIPTS. 2 -=> 53 Antidotabittm Mo. S^ec. xv. on paper At the end of this early Medical Manuscript are twenty-three leaves of various Kecipes both in Italian (or rather in the Venetian dialect) and Latin, amongst which, one is entitled Ungucnto de li Monichi de lordeno de Inghil-terra. This Antidotarium, (wherein are such prescriptions as Lolioc, a pollyrium with Litharge, a composition to make sealing-wax, &c.) is interesting for the history of Physic. / - a * 54 Antonii Abetini Novae Eegulse de Constructionibus Sjdc. xv. (1426), on vtsllum A Grammatical Treatise, which seems quite unknown, written on 84 leaves of pure Italian vellum, with the capitals in colours, and the name of the scribe, "Iste liber est mei ieronimi de orlandis," and the date a.d. mccccxxvi. The name of this Grammarian appears to have escaped all the Biographers and Bibliographers perused by us. Several leaves of this Manuscript are palimpsest, but the ancient handwriting is hardly visible, although in some instances (see the chapter de Consequentiis) it seems to have contained some old Italian words, which is seldom the case in palimpsests. „ •>- 55 Antonini, (S. Archiepiscopi Plorentini,) Summa brevis informatio ac in- terogatio Confessionia—Tbactatus super VII Peccata mortalia— Hegtjl^i ex Dictia B. Thomse—Bonaventubje Cardinalis Trac-tatus super Magistrum Sententiarum de Peccatis—Eg regius Trac-tatus de Peccatis mortalibus (metrice) — De Restittttione—De Ludo Alese, &c.—Manus duodecim peccantes—Rustitiantts Prater Eratri Antonio de Plorentia, missiva et responsiva simul—De Excom-munioatione (Excommunicationes reservat£e,etc.)—De Deeectibus Missae, &c. &c. 8vo. siec. xv. on papee This very complete Manual for a Father Confessor, formerly belonged- to the Congregation of S. Justina at Padua. The " Tractatus de Peccatis mortalibus " is a Latin poem of about 100 lines. In the Manus duodecim we find Manus lusoria, where is mentioned as a common sin Supponere falsos taxillos, and other tricks of the Greehs of those days. An uncommon occurrence in these instructions for Confession is the mention, that in certain sins that of the husband is more abominable than that of the wife. / - // - 56 Antonino (S.) de l'Ordine de Prati Predicatori, Arziveschovo de Pio- renza, Somma dei Vizii, dei Peccati e dei Sacramenti—Specchio della Mondicia del Core—Ambrosii Episcopi (S.) Liber Viciorum et Virtutum—Cesaeei Episcopi (B.) Liber Sermonum B. ad Monacos solitarios qui merito dicitur Speculum Monacorum—Bebnabdtjs (S.) de Prsecepto et Dispensatione vellum small folio. Sj3C. xv. on yelltjm A fine Italian Manuscript written in double columns. The " Somma dei Vizii" is the celebrated " Confessionale" of St. Antoninus, quoted by the Crusca, and begins with Omnis mortalium cura. In comparing the text with one of the most ancient 4to. editions of this work, without date, we find a great many various readings. For instance, at the beginning Manuscript. Edition. " Ma pure ad uno fine tutti intendono " Ma pure ad uno fine tuti inten- e sforzano de venire, cioe a beatitudine. deno e forzano de venire zioe debea- In generale ciascuno appetisce d'essere titudine ingeneraleciascunodesidera beato." desser beato." As to the Specchio, whether this work has any connection with those numerous manuscript works cited under the title of Trattato, by the Crusca we have been unable to discover, but undoubtedly the Italian of this work is old and pure. The Latin works, but chiefly those of Csesarius, contained in this Manuscript would afford curious various readings to a new editor. At the end there is this c6lophon " Iste liber est monasterii Sti. Georgii di Ferraria, ordinis Montis Oliveti."THE LIBRI MANUSCRIPTS. 15 Antonino (S.) Trattato intitolato " Curam iUius habe" (cioe il Con-fessionale in volgare) in the original binding 4to. S^:o. xv. on vellum A very elegant Manuscript of a work which ranks among the " Testi di Lingua." During the XVth Century it was often printed, probably because the author at the beginning strongly recommended its perusal, which, says he, " Sard, piil salutifero che leggere Dante o le cento novelle et corbaccio di messere Giovanni (Boccaccio) o sonecti o cantare de paladini et libri di Ceccho d'Ascholi hereticoBut the sainted Archbishop seems little confident of being read by the clergymen and curates of the country, of whom he says, che si dilettano poco di leggere, adding " Chi non sa queste cose sopraddette piu tosto vadi a zappare che lui si metta a confessare et meglio li sarebbe di guardare le pecore che avere cura dell' anime." The text of this Manuscript, written in Tuscany, is exceedingly pure, and affords valuable various readings. In comparing it with the 4to. edition of this work, printed at Florence by Lorenzo Morgiani, in 1493, we found that this Manuscript contains 24 pages in Italian relating to Excommunication, which are not in that edition, but which appeared in Latin only at Venice as early as 1474. Apologues, ou Parables—Traotatus moralis cum Sententiis Patrum— De Cohabitacione Mulierum cum Sacerdotibus—Tbactatus de Missa — Boethius de Scholarium Disciplina cum Commentario vetusto—Exobcismi Formula—G-lossabium Latinum—Teacjtatus de Grrammatica ex Prisciano " ad Julianum Imperatorem Consulem etPatricium" excerptus—Gtalfbjdi deVinosalvo (Angli) seupotius Jobannis de GTarlandia (Angli) Liber de iEquivocis et Opus Synony-morum, cum Commentario — Opus de Barbarismo—Cabmen de Barbarismo—Abs Grammatics 4 £ pouvoir a Asencio de Leybar, &o. calf, gilt edges folio. SiEC. xviii. on paper An official translation into French of the Proceedings respecting the Legitimacy of B. de Arracola Onate and his Brother, made by the Notary J. B. Van Brempt, with the Brussels Civic Seal and Signature of their Greffier. These Proceedings, which substantiate the Pedigree, are in a very beautiful caligraphy. 85 Aeeighoni (Gianbattista " Prete Bergamascho e Clericbo Florentine)," Breve et utile Refugio de' Peccatori 4to. S^ec. xvi-xvii. on paper An autograph manuscript prepared for publication, but never printed. The work is dedicated to his namesake Cardinal Pompeio Arrighoni. Mazzuchelli mentions several learned men bearing the name of Arrighoni; and amongst them the Conte Gio Batista, and the Cancelliere Gio Batista, both Poets, and living at the same time; but since the former is described as Mantovano, and the latter as Udinese, whose unpublished Sonnets were preserved in the Ongaro manuscripts, this Bergamascho was unknown to him. Cardinal Pompeo was created in 1596, and died iff 1616. 86 Aetillebie. Discours but l'Artillerie et aur le Jet des Bombea fait en " ^ ~~ l'Annee 1694, par le Sf S. R. 8vo. xvii. on paper The volume contains also "Description Historique de la Yille de Dunkerke," an important work, consisting of 340 pages, which, not being mentioned by Lelong, is probably not only unpublished but even unknown. 87 Aetillebie. Abrege des Regies du Mouvement des Corpa applicable a M la Theorie du Jet dea Bombea et autres Parties de l'Artillerie red morocco 8vo. S^;c. xviii. on papee Elegantly written, with drawings of bombs. 88 Asteologia: "In Nomine Domini, etc. Incipit quedam suma judi-cialia astronomiae, etc. intitulatur de interrogationibus quae quotidie fiunt," et alia Opuscula 4to. Sjsc. xv. on paper This manuscript formerly belonged to Cardinal Grimani, and has his autograph on the first leaf: Liber D. Grimani Carlia S. Marti. He was the son of the Doge Antonio Grimani, and was remarkable for having offered to undergo the imprisonment inflicted on his father for suffering Lepanto to be taken by the Turks, whilst Captain-General of the Fleet, and even supporting his irons when conducted into exile in chains. This filial piety excited the com- J - 4 a22 THE LIBEI MANUSCRIPTS. passion of the people, and his father was permitted to quit his place of banishment, and to sojourn at Rome, where, through the influence of his son with the Pope, he was enabled to render such eminent services to Venice that he was recalled, reinstated as Procurator of St. Mark, and on the death of Leonardo Loredani unanimously elected Doge. Cardinal Dome-nico Grimani, who died in 1523, was a great patron of learned men, and a great collector. Erasmus, in his letters, speaks highly of his magnificent library. He was so fond of a fine manuscript that we are told by Morelli that he gave 500 zecchini iVoro (a tremendous sum for that time) for an exquisitely illuminated missal (see " Notizie d'opere di disegno nella prima met£l del Secolo XVI." p. 77, 226, etc.) Cardinal Grimani was also the possessor of one of the Cartoons of Raffaelle (the Stoning of St. Stephen). The present manuscript, full of information relating to astronomical instruments and observations, is one of the few remains of that celebrated collection. A large work consisting of more than 500 pages, and giving the most minute details relating to each future event in every occurrence of life. Astrological Treatises, written in Italian, are of very rare occurrence; the present one is unpublished. Some of the tables are calculated up to 1720, but the work is earlier, as is often the case in Almanacs. From the Halliwell Collection. 91 Astbologico-Medica : Excebpta ex Ali-Ebn-Ragel et Guidone Bonato (le Exitu Morborum—De Imasinibus super Signa Zodiaci circa iEgritudines Corporis—Guillelmi Anglici civis Marsiliensis de Urina visa seu non visa—De Do mini o Planetarum naturali et accidental! super Membra Corporis humani—Cazaguebba Medici de Faventia Afforismi—De modo et ordine dandi medicinam educentem per secessum—De modo et ordine faciendi flobotomiam—Eegul^ extravagantes et utiles in Scientia Medicinae extract® de Libris 3apientium—De Eobtitudinibtjs Planetarum—De Signis, Planetis et Yentis—De Diyisione Dierum et Dominatione Humorum— Tabula cum suis Canonibus pro Inventione ascendentis—Hippo-cbatis Liber de Astrologia—Almansobis Astrologi Capitula Stel-larum — Gentilis Perusini Tractatus de Diebus creticis — De Aspectibtts Lunse cum Planetis—De Ltjminabi minore—De Diebus creticis in one vol. 4to. Sjec. xv. on papeb A. very extraordinary collection of Astronomical, Astrological, and Medico-Astrological Treatises, with diagrams, from the Library of the celebrated Apostolo Zeno, with his book-plate. The Treatise of William the Englishman, who styles himself a Citizen of Marseilles, and by profession a Physician, contains important marginal corrections and additions. The Aphorisms of Cazaguerra were totally unknown to Tiraboschi and the other authors on the literary history of Italy whom we have perused. Manuscripts of " Hippocrates de Astrologia" are of uncommon occurrence. Gentilis (Physician to Pope John XXII) was born at Foligno, and died at Perugia in 1348, and on that account he is sometimes called De Perusia. This Treatise of his on Critical Days was entirely unknown to Fabricius and Tiraboschi. The doctrine of the planetary influence upon the various illnesses long prevailed amongst physicians, who at that time were obliged to study astrology, and consequently astronomy also (see on this subject Sprengel Hist, de la Meclecine, vol. II. p. 401, 510, etc.) This collection, therefore, containing several unknown works, with additional astronomical tables (some coloured), full of Arabic numerical figures, deserves attention. From the long list of the authors prefixed in the autograph of Apostolo Zeno, it would appear that this celebrated man had made a peculiar study of this manuscript, which is finely written in an Italian hand. 89 Astrologia (Trattato di) 4to. SiEC. xvi. on paper 90 Astrologia (Trattato di) 4to. S.ec. xvii. on papebTHE LIBRI MANUSCRIPTS. 23 92 Asteonomia : Kalendaeium cum tabulis astronomicia (ab anno 1475 / - £ ad annum 1513)—Tabula regionum (cum horis, etc.)—Tabula eclipsium Solis et Luna (ab anno 1475 ad annum 1530)—Insteu-mentum orarum inequalium—Insteumentum veri motus Lunae— De Aueeo numero, et de Ciclo Solari—Tabula festorum mobilium —De Conjunctionibus et Oppositionibus Luminarium—De Eclip- _ sibus—De Magnitudine dierum (cum tabulis)—De Hobologio horizontali—Dies Paschalis (Ductu Johannis de Monteregio)— Quadeantis horologii horizontals nec non Quadratum horarium generale — Poema latinum de aspectibus Planetarum, Incipit: "Fortunata dies operum disponere causas"—Cognitiones natu-rarum secundum nativitates secundum Guidonem Bonactum— Ascendentia civitatum—Peonostica Hesdrae—Peonostica nativi-tatum secundum mathematicos—De Toniteuum significatione— Tabula Salomonis, etc.—Dispositio Galieni phisici infirmantium original cover ±to. S^c. xv. on vellum and papee A very important collection, with fine diagrams and numerous tables, both astronomical and geographical, very nicely written. Some of the geographical tables frequently allude to Britannia, Scotia, and Ibernia. The " De tonitruum Significatione," contains some remains of the Scienlia ful-guralis of the Etruscans, on the subject of which we hardly possess anything else save the fragments contained in the mutilated work of L. Lydus de Ostentis, published by the celebrated M. Hase, and a small tract written by Bede perhaps from more ancient works. 93 Asteonomia : Tabulae Planetarum folio. S^;c. xv. on papee < • / The numerical figures contained in this manuscript are all of the kind which we call Arabic. The Tables begin with the year 1300. On the subject of astronomy, see also Nos. 39, 212, 279, 483, 507, 5G&-570, 646, 664, 665, 707, 716, 793, 846, 857, 984, 1095, 1111 and 1173 in the present Catalogue. y 94 Asteonomy, " Futuh-al-Khairat fi al-'Amal bi-al-Rubu'-al-Mukantariit." An Arabic Treatise on the Use of the Quadrant, by Hussain-al-Muwakkit 4to. Sjec. xvii. on papee The author says that he has collected his work from the writings of ancient and modern astronomers. / 95 Asteonomy, " Risalah fi al-'Amal bi-al-Usturlab," by Kurshiyar Bin Lubban Halabl (of Aleppo.) In Arabic 4to. S^c. xvii. on papee A valuable Treatise on the Use of the Astrolabe. 96 Asteonomy, &c. "Risalah fi'Ilm-al-Riyazat wa al-Nujum," in Arabic .. / 4to. xvi. on papee A Treatise of Astronomy, called " Yawakit-al-Mawakit," written in verse. 97 Asteonomy. " Rahlk-al-Makhtum fi Sirr Ahkam-al-Nujum." Art of *l '/ Dialling (Horologia), in Arabic, by Shaikh Muhammad Sunnar. Copied by Shaikh Sayid Ahmad from the author's original manuscript, Anno Hegirae 1217 (a.d. 1801) 4to. S.3;c. xix. on papee 98 Asteonomy. " Risalah fi 'Ilm-al-Hissab wa al-Hayat," by Shaikh Mu- " / hammad Sunnar-al-Muwakkit, in Arabic 4ato. xviii. on paper A valuable Treatise on Dialling (Horologia), which the author says he has taken from the works of the 'Ullama-al-AndalusI (of Spain). 99 Asteonomy. "Risalah fi al-'Amal bi-al-Rubu' al-Rasum bi-al Mukantarat." ^ An Arabic Tract on the use of the Astronomical Quadrant. No author's name or date Vlnio. S^ec. xviii. on papee /24 THE LIBRI MANUSCRIPTS. 100 Astronomy. " Tas-hil-al-Matalib fi ta'adil-al-Kawalrib." The first part of an Arabic Treatise on the Revolution of the Stars, compiled from several works 4to. S_aso. xvi. on paper All the preceding Oriental manuscripts on Astronomy are scarce and valuable, with astronomical tables, diagrams, etc. We did not find any one of them mentioned in the list of works on the same subject inserted by Mr. Morley in his Description of a Planispheric Astrolabe; neither have we been able to discover any trace of them in Haji Khalfa, or even in the great work of the celebrated Von Hammer, Literatur cler Araber. These as well as other Oriental Manuscripts on Mathematics contained in this Catalogue, ought to be illustrated by Dr. Woepcke and Mahmoud Effendi, both of whom have given in the Journal Asiatique such convincing proofs of their knowledge of the subject. 101 Augurelli (J. A.) H. Strozse, M. A. Elaminii et aliorum Poemata Latina 4to. siec. xvi. on papeu A very interesting collection of separate pieces, the most important of which is the autograph Manuscript of the Crisopceia by the celebrated Augu-rellus, who was a friend of Aldus, and who died in 1524. This poem of nearly 600 lines, with many alterations and corrections, is certainly in the handwriting of the author, and some of the other pieces seem to be also in the autographs of the various authors. From an ancient note it appears that some of the verses contained in this collection " Desiderantur in prosopopoeia Ludovici Pici Mirandulaniwhich deficiency in the editions is easily accounted for when we find that the suppressed verses begin with " Verum age Sancte Pater, ccedis si tanta cupido est—Sanguinis humani si tibi tanta sitis, etc." The Crisopoeia is in the Bibliotheca Chemica of Mangetus, (vol. II. p. 371-385.) Our original Manuscript begins at the first line of Liber Primus, and ends with the last line of the same book, having the word Finis afterwards. This seems to have been the first 6ketch of the work, and it is very interesting to observe how such celebrated modern Latin poets often altered a line several times in order to give it perfection. (See facsimile.) 102 Augustinus (S. Episcopus) ad Optatum Episcopum de Origine Anim® per Epistolam ; accedunt ex Libro Retractationum de Origine Animse Hominis et de Sententia Jacobi Apostoli—Hiebonymus de Anima—Oeosii Presbyteri Epistolse ad Augustinum Episcopum de Heresibus cum Ques'tionibus et Responsionibus Augustini— Augustini Explanatio de Symbolo Apostolico et Expositio Eidei Catholicse—Abii Disputatio detestanda cum Augustini Responsione Catbolica contra Arrianos—AHBaosiiEpiscopi Liber contra eosdem Hereticos Arrianos—Aug-ustini (Aurelii) Soliloquia in the original oak boards Mo. Sjec. x-xi. on vellum A fine manuscript, consisting of 157 leaves of vellum in high state of preservation, with several painted capitals, in the style of that period. Before the Ex Libro Retractationum there are two blank pages, with some preparations for illuminations, which were not carried into effect. The Arrii disputatio with St. Augustine's reply is so scarce in Manuscripts, that not one is to be found amongst the several hundred Manuscripts of St. Augustine mentioned in the " Catalogus Bibl. Reg. Paris." This Manuscript, written in a small character, with the Rubrics in rustic capitals, in red, undoubtedly belongs to the second portion of the Xth, or the beginning of the Xlth Century, although, according to a note on the cover by a former possessor, it appears that it wa^described in a recent Catalogue as being of the XIHth, then immediately resold as being of the Xllth, and more recently again sold as of the Xlth, a curious instance of the depreciation suffered by Manuscripts, owing to unintelligent cataloguers. At the end there is a drawing of the time, in colours, representing a dragon. (See facsimile.)THE LIBEI MANUSCRIPTS. 25 103 Augustinus (S.) de Fide; Enchiridion; Tractatus contra Parmenia- /L ~ £ num Donatistam ; et Epistola ad Auxilium Episcopum Pelasaiciaio cum tota Familia excommunicato in the original binding folio. siec. xi. on vellum A fine Manuscript in double columns, with curious initials, in a perfect state of preservation. In a note at the beginning it is stated that it was written about 1050. The fly-leaves seem more ancient, and at the beginning there is a very curious Regula Monachorum, also of the Xlth Century. The whole of the numerous figures are according to the old Roman alphabetical system. (See facsimile.) 104 Auoustini (S. Aurelii) Liber de Karitate in Epistola Johannis Apostoli //) - folio. SjEC. xi. ON YELLUM A beautiful specimen of early Caligraphy, with very elegantly ornamented capital letters. Unfortunately the Octavus Sermo is defective at the end. It formerly belonged to the celebrated P. Pithou, and has his autograph. The collection of Pithou was the most celebrated, during theXVIth Century, for the antiquity of the Manuscripts contained therein, and almost two centuries after his death they became national property, and are kept in the public Libraries of Paris, Troyes and Montpellier. A few only remained in the family, and these belonging then to M. de Rosambo, who received them by inheritance, were sold at Paris in 1837, in the Duchess de Berri's Sale (Biblioth&que de Rosny), where they created a great sensation amongst collectors. The present manuscript was one of those then sold, as No. 2366. See also Nos. 431 and 490 in the present Catalogue. (See facsimile.) 105 Augustini (S.) Confessiones—Hugonis de Sancto Victore in Eccle- ^ siasten Expositio—Anselmi Cantuariensis Episcopi Homilia in "Introivit Jesus in quoddam Castellum " folio. S.ec. xi—xii. on yelltjm This volume was certainly written about the end of the Xlth or the beginning of the Xllth Century, and most probably before the death of Anselm or Hugo, whose writings are here. The Confessions of St. Augustine are the most curious of his works, and the most difficult to find in old Manuscripts. In this as well as in the two previous manuscripts the whole of the numerical figures are written according to the old Roman alphabetical System. (See facsimile.) 106 Augustinus (B.) de Amicitia atque de Humilitate et Obedientia— Cioebonis (M. T.) Lelius vel de Amicitia Liber 4>to. S.®c. xiii. on "vellum A fine manuscript. The work of Cicero has some marginal corrections and various readings, possibly from other more ancient Manuscripts, and valuable to the scholar. The text is very pure. 107 Augustini (B.) Epistolae (de Poena Damnatorum; de Yisione malorum in Poenis; de Morte; de Avaritia; de Luxuria; de Amore Mulieris fugienda; de Eva seducta a Serpente, &c. &c.)—Bebnabdi (B.) Epistolae de Omissione Ornatus Ecclesise et de Cura Altaris, et de Usura—Hiebonymi (B.) Epistolae de Concubinis fugiendis; et de Mulieribus fugiendis ; et de Divina Sapientia—Leonis Papse Sermo Assumptionis gloriosae Virginis Mariae—Ambboxii (D.) Epistolae de Ebrietate, &c.—Epistola Clericorum et Plebis Hyponensis ad B. Augustinum—De Pb2edestinatione—De Septem Dormientibus —Epistola de Jesu Christi morte, Lentuli et Pontii Pilati—De Sancta "Veronica et de turpissima Pilati Morte in one vol. 4 nomical and astrological tables. It contains also a chronology of the Turkish Sultans, elegant prose and poetical extracts, charms, &c., in various languages, Turkish, Arabic and Persian. / _ y 159 Biaz (a Persian Miscellany)—containing a Geographical and / Historical Account of India—Rubakare, or Notes of a Case in Law, tried by Mr. Courtney Smith, Judge, E. I. C. S., dated 13th Eeby. 1827—Law Memorandum, extracted from a Mohammedan Law Book—Talismans and Mohammedan Prayers, or Charms — Recipes for various Diseases—Ni'mat Khan 'Ali, Account of the Siege of Bljapur, in Hyderabad, (written in the reign of Aurangzib, by Ni'mat Khan 'All, one of the Emperor's equeries,-who was a fluent Persian poet and celebrated prose writer ; a man of extraordinary genius and brilliant accomplishments)—Husn u 'Ishk (Beauty and Love) Love Tales, by the same author—Treaties between the H. E. I. Co. and H. E. the Nawab "Wazlr Sa'adat 'AH Khan of Oude, from 1798 to 1801—Births and Deaths of the Kings of Delhi (collected from historical works, &c. by the writer and owner of this Common-place Book)—Humorous Letter, supposed to be from Ni'mat Khan 'All—Address of the G-ov. G-en. of India (Lord Bentinck), with names of his council—Geography of the whole World (fabulous)—Chronological Notes (also fabulous) —Recipes for various Diseases — Arabic Names of the Twelve Months calf gilt 8vo. S.®c. xix. on papeb An interesting collection, written in the ShiTcast amez (Persian flowing hand), which few except natives of the East can write or even read fluently. //0 - 160 Biblia Sacra Latina 2 vols. imp. folio. S^c= xi-xii. on vellum A magnificent specimen of early ca li graphy, with exquisite illuminations, but unfortunately imperfect, as it commences with the fourth verse of Isaiah. The Psalms are of the version of St. Jerome, and not the Yulgate, a very unusual occurrence in early manuscripts. The Paralipomena (Chronicles) in this manuscript follow Daniel. After the Apocalypse is the psalm "Pusillus eram," which, occurring neither in the Hebrew nor the Septuagint, was often omitted, followed by " Oratio devota de Sancto Sacramento quando Sacerdos se, preparet ad missam." It is apparent that at some period these splendid volumes belonged to the Monastery of Justemont, near Metz, as there is at the end a long and ancient inscription of Philip the Abbot (who is not in the list of the Abbots of that Monastery given in the Gallia Christiana, vol. XIII. p. 948), recounting that the lamp in the church was to be kept, "usque in eternum," withTHE LIBEI MANUSCRIPTS. 39 oil at the expense of " Arnulphus Propositus," perhaps the Arnulfus or Ernulfus of Beauvais, a friend of S. Anselm, who became afterwards Bishop of Rochester, a munificent patron of literature and art. The illuminations in gold and colours contained in the capital letters (from 6 to 8 inches in length and upwards) at the beginning of the Psalter, of the Proverbia, of the different Gospels, &c. are in the finest style of the art of that period, and deserve the attention both of the artist and the antiquary for the manner in which biblical subjects are introduced in those paintings. The Canones also are very finely coloured. The numerous numerical figures are written according to the ancient Roman alphabetical system. Although imperfect this biblical manuscript is still, even in its present state, one of the finest and richest specimens of writing of the kind which has come down to ua from our remote ancestors. The illuminations are quite in the style of those which are in the beautiful Bible formerly at St. Mary's and St. Nicholas, at Arnstein in Bavaria, now one of the principal ornaments of the British Museum; but in our Bible the characters are finer and of a more ancient shape, the ink is also blacker and more brilliant than in the Arnstein Bible. (See facsimile.') 161 Biblia Sacba Latina cum Prologis B. Hieronymi et Interpretations / £ JSTominum Hebraicorum 4ato. S^c. xiii. on vellum Beautifully written in a minute character, on vellum of the purest quality, in double columns, with the capitals illuminated in gold and colours. The initial letter to Genesis is a curious and uncommon specimen of early art, exhibiting in the capital I no less than eight representations of Christ, concluding with the Crucifixion, below which is a death's head. Several of the other capitals contain miniatures of Saints. This manuscript formerly . belonged to the Austin Friars, and is headed with the following inscription: " Biblia prcesens est Monasterii Dives Maries de Populo Romce Sac. Ordinis Fratrum Heremitarum Divi Augustini." Concerning other portions of the Bible, see also Nos. 354-58, 540, 770, 841-44, 988, &c. in the present Catalogue. 162 Biblic.® et vocum ScripturaB explicationes ., in the original oak cover 4to. S-®o. xvi. on vellum A fine specimen of Italian Caligraphy with the initial letters painted in gold on the purest vellum. This work contains the celebrated Revelationes Sanctis Brigittae, commencing In dominio Regis Norwegiae, 8fc. 194 Bbomfield (Philip) Geometry, Trigonometry, Geographical and Nau- <*r / tical Problems, &c. with the Log of H.M.S. Salisbury (Bear Admiral J. Eliot) E. Gower, Commander, during her Passage from Newfoundland to England, 1788, and a Description of various Ports 4to. S-®c. xviii. on papeb An autograph manuscript of Philip Bromfield, Junior of Lymington, who appears to have had command of the lower deck. There is also some practical information relating to the navigation of the Mediterranean, &c. ^ 195 Bbotieb (Le Pere Gabriel, Jesuite) Agrippa et Mecene ou des Gou- vernemens Democratique et Monarchique 4to. Sjec. xviii. on papeb In the autograph of the celebrated Editor of Tacitus. 196 Bbotieb (Le Pere G.) sur les Hieroglyphes S^o. xviii. on papeb In the autograph of this eminent Scholar. 197 Bubley (Gualterii, Anglici) de Yita et Moribus Philosophorum / Tractatus folio. S^ecj. xv. on papeb Walter Burley, surnamed the perspicuous Doctor, was born at Oxford in 1275 and died in 1357. He was the Head of the Nominalists, and the chief adversary of the Scotists. His Lives of the Philosophers was in great esteem during the XVth century, and ran through several editions. This fine manuscript unfortunately wants a small portion of the Life of Thales at the commencement. At the end there is an abridgement of Valerius Maximus of a later date. s -46 THE LIBRI MANUSCRIPTS. 198 Bubley (Walteri de, " Anglici") Tbactatus de Formis, Intentionibus, &c. et de Potenciis Animse " scriptus per Manus Fratris Johannis de Gelria Alamanni in Provincia Angliae in Villa London,Deo Gratias''— Ejusdem Liber Metheorum, in the handwriting of the same monk, "completus in Die Ignatii," a.d. 1425—Ejusdem Biversorum diversae Opiniones de Universalibus, in the same handwriting, dated 1427— Fobmalitates Reverendi Magistri Johannis Sharp, Ord. Carthus. unpublished, in the same handwriting 4to. Sjec. xv. (1425-27) on papeb and ytjllum A very interesting collection for the literary history of England, not only as containing, as we learn from Fabricius, an unpublished work of J. Sharp, a celebrated English Philosopher and divine of the fourteenth century, but also as being a collection of works of old English authors, copied in London, in the fifteenth century, with the date and the name of the transcriber, which is a very uncommon occurrence. h « 199 Businello (Pietro, " Segretario del Senato di Yenetia ") Informative delle Cose de Turchi riguardo alia Religione ed al Governo Civile, Ecconomico, Militare e Politico folio. siec. xviii. on papeb An autograph manuscript prepared for publication, but which does not seem to have been printed. This curious work is dedicated to the Doge Pietro Grimani. / ,, 200 Bybom (John) Universal English Short Hand 4do. S. t 275 Conclave. Discorso (di Girol. Baruffaldi Eerrarese) dell' Ambas- ciatore dello Stato Ecclesiastico al Conclave per la Sede Vacante di Clemente XII. 4to. SiEC. xviii. on paper In the same volume is a "Capitolo del S. Gio. Bat. Fagioli, fatto li 6 Aprile, al Padre D. Pantaleone Dollera, &c." The Discorso, in the autograph of Baruffaldi, is not mentioned in the Bibliografia Storica dello stato Pontijicio. - 276 Conclave dell' Anno mdcclxxiv, Dramma per Musica nel Teatro delle Dame nel Carnevale del 1774 8vo. 1774, on paper For writing this most curious satirical work the author (the Abate Sertor) remained some time imprisoned in the Castel Saiit Angelo. At the end there is the poem of Sertor to the Pope, praying for mercy.THE LIBEI MANUSCRIPTS. 65 277 Conclave. Aforismi politici per i Cardinali del Conclave fatti dall' — - E. S. Cardinal Azzolini—Capita Bullae Pii IV. de Reformatione Conclavis in Electione Romani Pontificis—Foglio coll' Eta e Patria di ciaschedun Cardinale che venne in Conclave—Dubbii sopra la Costituzione de eligendo Summo Pontifi.ee—Conclave della Sede Vacante di Papa Benedetto XI. dove fut creato Papa Clemente V. 4ito. SiEC. xviii. on paper A valuable collection of curious documents relative to Conclaves. The Aforismi by Cardinal Azzolini, who was the favorite of the famous Reine Christine de Suede, are very singular and interesting. 278 Condamine (Charles Marie de la) son Eloge par Condorcet < - / 4to. SiEC. xviii. on paper This is the Eloge pronounced by Condorcet in the French Academy of Sciences, and has the autograph corrections of the author. Prefixed is a letter, without signature, from Voltaire to the Comte d'Argental. 279 Constantini Afei, " Monachi Cassinensis," (vel potius Isaaci Israelitae) / / Viaticum, cum Notulis Grirardi Cremonensis old red morocco folio. SiEC. xii-xiii. on yexltjm This eminent physician was born at Carthage at the beginning of the X, 1 century, and after several journies to the East became a monk at Cassino. He was so learned that Petrus Diaconus designates him " Philosophicis studiis plenissime eruditus Orientis et Occidentis Magister novusque effulgens Hippocrates." The Viaticum is supposed to be a translation from the original Arabic of Ishak-Ben-Honain, the famous Israelite Doctor. This early manuscript, containing writings of Constantinus and Girardus two of the most ancient and celebrated translators of scientific works from the Arabic, deserves peculiar attention, as the numerical figures are all written according to the Roman alphabetical system, while several signs (for instance the 3) used now to express some number, are merely abbreviations of Latin words in this volume. So 3 is for uncia, 6 for Galenus, 9 for. con, and in a similar way the signs 5, -f-, &c. are used in this manuscript, a fact which must be noticed lest it should be imagined that they are figures of numbers, which at that time, even when used according to the Arabic system, were very different. Besides the commentary of Girardus, this manuscript contains some other glosses by a more modern hand. As we have already stated in the description of No. 12 in the present Catalogue, the importance of the works of the celebrated Constantinus, whose life is related by his ancient biographers in the style of the Arabian Nights, has lately been fully appreciated by M. De Renzi in his excellent and learned Collectio Salernitana (vol. I. p. 165). 280 Constantini Monaci Yiatici Libri VII.— GI-aleni Liber Tegni de sanis .. ^ et egris et neutris corporibus et signis et eorum causis—Avicenn^e Flebotomia, with curious drawings—Mauri (Magistri) Flebotomia— Liber de Sanitate—Rasis Liber Febrium—De accidentibus leprae communibua—Hipocratis Liber peri ton oxeon nachomaton Ho. SiEC. xiv. on vellum As we have already stated, this work of the monk Constantinus, the most celebrated translatorof scientific works from the Arabic during the Xlth century, has been attributed to Isaac the physician. Maurus, who was afterwards one of the luminaries of the Salernitan school, is quoted by iEgidius of Corbeil in a poem published by Leyser. According to M. De Renzi (Collectio Salernitana vol. I. p. 241) this work seems unpublished. This manuscript contains also a great number of ancient secrets and prescriptions, and, (what is very singular for the time) a large drawing of a man, with explanations relating to the system of veins and arteries.G6 THE LIBRI MANUSCRIPTS. . 281 Constitutioni Ordinationi et Directorio dell modo di vivere delle Suore del tergo Ordine della penitentia di Sco Domenico Padre de' frati predicatori che habitano nel Monasterio di Sea Caterina da Siena vergine del dco ter90 ordine presso a Sco Marco in Pirenze in the original Uncling 8vo. siec. xvi. on vellum This manuscript has the autograph approbation, dated 14 October, 1509, of the celebrated F. Thomas de Vio Caietano, General of the Order, who subsequently became a cardinal, and acted in Germany for the Papal authority against Luther. In the XVth chapter of the regulations it is stated amongst the other works which the nuns are allowed to do, that they may transcribe books and make illuminations, provided they are not lavori dishonesti. / •• 282 Contabeni (Grasp aria Cardinalis) de Magistratibus et Republica Yene-torum Libri V. 4to. Sjeo. xvi. on paper ft // 283 Contes Deyots, Pables et Paraboles, suivies de Moralites fort ' * spirituelles et instructivea ecrites en Vieux Gaulois du XIII siecle folio. StEC. xiv-xv. ON PAPER According to a note at the beginning these Contes in old French were written during the XHIth century. They are very curious, mixing up theological matters with every sort of curious and sometimes even free anecdote, exactly as in the Contes devots of the Fabliaux. Here is a specimen of the curious stories contained in this manuscript: " Ci nous dit que une preud femme vouloit gaignier XV sols au bourdel pour son mari geter hors de prison et pour ce que ungs homs, la vit de ce pleurer il li bailla XV sols sans touchier a elle et par cette bonne euvre, nostre seigneur li donna cognoissance de son sauvement et fu puis ung grans preudons." See also Nos. 58 et 683 in the present Catalogue. Jg . /^ - 284 Conti (Giusto de) La Bella Mano (Poesie A morose) 4to. SiEO. XV. ON PAPER Giusto de' Conti da Valmontone (who died 19 Nov. 1449, as stated in the Cronaca Riminese published by Muratori) was a celebrated poet who according to Tiraboschi approaches nearest to Petrarch in the sweetness of his verses, which have been named "La bella Mano," on account of his frequent allusions to the beautiful hand of his mistress. This manuscript which is headed " Justi de Comitibus Romani Utriusque Juris interpretis ac poetce clarissimi Libellus fceliciter incipit intitulatus bella mano," exhibits some valuable various readings when compared with the Verona quarto edition of 1753. As a sample we need only point out that in the third sonnet, commencing "Giunse a natura un bel pensier gentile," the first line of the last terzina reads instead of "Ed io," "E Dio mirava la piu degna forma," by which sublime idea the beauty of the Poem is greatly increased. Besides the Bella Mano, this manuscript contains at the end several sonnets written by the anonymous scribe himself, who was a great admirer of the poet and for the age, a very good poet, as appears from the following beautiful sonnet following immediately after the Bella Mano : " Non canto mai di Lauva o Beatrice " Qual fu maivistopiu eccellente ingegno, L' un tosco e 1' altro in si leggiadro stile, Spirti gentili anime elette e dive, Che d' una bella man Giusto gentile Qual piu di fama e piu d'ogni honor Con tanta altezza che piu dir non lice. degno? 0 Roma antiqua, hor nova produttrice, Pero se eterna gloria per voi vive Quel frutto ch' era spento in te senile Sia celebrato hormai nel vostro regno Ben vendicasti; ond' era oscura e vile Tra lauri, mirti e verdeggianti olive." La gloria del tuo nome alto e felice." This manuscript written about the middle of the XVth century, and perhaps in the life-time of the author (as seems indicated by the hor nova produttrice of the sonnet quoted above) was quite unknown to Mazzuchelli, who in his biography of Giusto de' Conti prefixed to the Verona edition, gave a list of all the manuscripts of this author that he could find.THE LIBKI MANUSCRIPTS. 67 285 Cookery Book. Le Nature de le Coxe i quali le Persone se dibiauo - Q uxare 8vo. SiEC. xv. on paper ' This portion forms the third part of an early medical treatise written in Italian, but which wants the first eight chapters. The Cookery-Book however is complete with the following distich at the end : " Hoc scribi me fecit opus tute Jacopino Gallica Lumbarda confusa loquela serendo." On the last leaves are various valuable recipes, " A fare acque verde ;—a scrivere oro con la pennas—a conzare lazulo;—a fare roseta Jinaj— a fare sisaj—a fare Brasilio ;—a fare Cenabrioj &c. &c. A vellum flyleaf at the end, taken from a manuscript of the Xllth century, contains the commencement of a metrical treatise on grammar: " Janua sum rudibus primam cupientibus artem " with the parsing, " Poeta quce pars est ? Nomen est. Quare est nomen, &c" This is a very curious volume; the Recipes which occupy the last six pages and contain so many useful receipts relating to the fine arts, and chiefly to the whole art of illumination, would, if published, be extremely useful to modern artists of that kind. There is also a receipt for cleaning books. The language is likewise very curious. Glue is called sisa, perhaps the origin of the English word size. 286 Cookery-Book. A collection of choice "Recipes for making Soups, Stewa, «« / ~ Puddings, Pastry and Preserving 4>to. S^eo. xvii. and xviii. on paper A very curious collection written by different hands. 287 Corelli (Jacobi, Coloniensis) Cronica Pontificum et Cardinalium (a ,, /C - 6 Silvestro usque ad Grregorium XII.) modern transcript, vellum folio. S^:o. xviii. on paper We learn from this manuscript that Corelli flourished in the year 1400, and resided in Rome during the pontificate of Gregory XII. This interesting work is not quoted in the "BibliografiaStorica dello stato Pontificio." 288 Coronelli (Padre M. V.) Prime Mosse dell' Armi Yenete contro 3 - l'lmpero Ottomano nella Campagna mdclxxxiy. ' folio. SiEC. Xvii. ON PAPER An autograph manuscript of this eminent geographer, illustrated with maps and plans, all beautifully drawn and coloured by the author himself. This work remained unknown to M. Cicogna who, in his Saggio, speaks at length of the author. Coronelli was Cosmographer to the Republic of Venice, Confessor to the Duke of Parma and General of his Order. He was an enthusiastic admirer of every thing connected with the science of geography, and was the founder of the Venetian Academy of Argonauts, the principal object of which was the increase of geographical knowledge. He also made for the Cardinal d'Estrees (who presented them to Louis XIV.) those two enormous globes which, for a number of years, were so much admired by the visitors to the great library of Paris (see Le Prince, Essai Historique, p. 145). 289 Corsini (Monsignore Ottavio) Narratione del Viaggio fatto da Firenze w 0 a Roma, da Roma in Francia con Monsig. Nuntio di N. S. a S. M. Christianissima 1621, e Notizie sulla Corte di Luigi XIII. Z «• •• 302 Dante Aligiiieri, Inferno, Purgatorio, Paeadiso. " Explicit tertia Cantica Dantis Aldicherii Poet® Plorentini que dicitur Paradisua Amen " folio. SjEC. xv. on papee This very valuable manuscript formed also a portion of the famous Antaldi Library and, as will be seen by the former possessor's autograph note on the fly-leaf, was named by himself " Antaldino secondo." In this note the Marquis Antaldi states that he purchased it from the bookseller Guidotti in 1814. Guidotti appears to have bought it (see the note at the end of the manuscript) from Paolo Costa, a name well known in Italian literature, who obtained it from the library of the Capuchins at Lugo. Unfortunately the volume is not quite perfect, as it wants the first two cantos of the Inferno, and a few fragments more in the Purgatorio and Paradiso. In spite of these imperfections it is undoubtedly of the greatest intrinsic value. Colomb de Batines, who was aware of the existence of this Codex, was unable however to furnish any description of it, although it was cited by the Marquis Antaldi in the privately printed Tract of Pesaro, 1813, mentioned in the foregoing lot, and in which he had indubitably proved its excellence by the valuable various readings he adduced. At the commence- lot / , / 300 JrP .. - 301THE LIBEI MANUSCRIPTS. 73 ment of the sixteenth century this Manuscript appears to have belonged to the Busini family of Florence, a fact established by its containing an autograph sonnet of Ho. Busini, written at the end of the volume and headed, " Sonetto facto per la Morte di Margarita d'Agnolo Busini j mori a di xi. Ottobre, 1527." Busini is a name well known in Florentine history, and Yarchi has made no unprofitable use of the admirable letters of one of this family, addressed to him during the memorable siege of Florence about this same period. We may rest assured that any manuscript of Dante preserved in a family so distinguished and so capable of appreciating a good text of the Divina Commedia would not be one of slight value. To give an adequate description of the critical importance, and to point out the most interesting various readings of this and the previous manuscript would require almost a volume. With regard to their mercantile value it will be sufficient to call to remembrance that when these celebrated Dante manuscripts were sold at Bologna by the heirs of the Marquis Antaldi, they were priced at several hundred pounds in Signor M. Guarandi's printed catalogue, in which they were described, and from which they were ordered and obtained by the gentleman who brought them to England. 303 Dante Alighieri, La Monarchia traducta da Marsilio Ficino—Fban- cesco da Monte Pulciano (Frate) Predicha fatta, 11 Dec. 1513— Poema profetico—Profetia di Frate Stopo (in ottava rima)— Profetia di Ilario Romano... l'Anno 1400 (in versi)—Pbofetia di Frate Abadio (ed altre profetie)—Visione di fra Silvestro da Marrod (1505)—Pbofetia di S. Francesco—Esamina di Frate Domenico da Pescia—Al Nome del signore Onipotente (copia di Profetia di Frate Adolo romito nelle Montagne di Luccha l'Anno 1465)—Marsilio Ficino de Deo et Anima al Magnifico Cosmo de Medici—Villani (G.) parte della Cronaca—Pbonostico di Mess. Ant. Arcoato Ferrarese nello Anno 1480, &c. &c. 4>tO. SjEO. Xvi. ON PAPEB An interesting collection, written by different hands at the beginning of the sixteenth century. All these Profezie and political poems, foretelling the ruin of Italy, show how much the Italians were agitated by the threatening state of Europe about the end of the fifteenth and the beginning of the sixteenth century. Some at least of these poems, which seem quite unknown and unpublished, deserve attention as being indicative of the state of the Italian mind at that time. Generally they have some resemblance to the ancient Profezie of Cecco d'Ascoli, quoted by Colucci (Antichita Picene, vol. XIV, p. 15). At the beginning of this manuscript the following inscription is written in pencil, giving an account of the way in which it was discovered : " Fu trovato nel 1824 nov. a Firenze abbattendo tin muro con 10 altri libri di niun pregio. Era legato in velluto cremisi con fermezze d'Argento. Io 1' ebbi cosl," Concerning Dante see also Nos. 143, 236, 374, 607, 784, 867, 869, in the present Catalogue. 304 Dati (Carlo) Lettere ad Alessandro Segni 4to. Sjeo. xvii. (1668) on papeb Seven letters in the autograph of Carlo Dati, the learned editor of the " Prose Florentine," and other publications. These curious letters generally relate to bibliographical and private matters. 305 Debentures listed and ordered to be paid in the years 1682-87 folio. S-®c. xvii. ON PAPEB Official documents, with the autograph signatures of Sir G. Legge, Lord Dartmouth, R. Graham, R. Coytmor, Sir C. Musgrave, Sir B. De Gomme, E. Sherburne, W. Bridges, and T. Gardiner.74 THE LIBRI MANUSCRIPTS.

1816." At the end is a printed " Notice des Travaux de M. Du Villard." This author is well known for his excellent works on annuities, &c. 326 Dwarka Mahatmya, in Sanscrit green morocco folio. Sjec. xviii. ON paper We do not know whether, like the Dery Mahatnwam, this is an abstract from the Markandaya Purana. (See Adelung, an Hist. Sketch, p. 123). 327 Eames (Johannis) Mechanica sive de Motu Corporum, 2 vols. .. / 8vo. 1776, on paper By the Rev. John Eames, F.R.S., a well known Professor of Mathematics among the Dissenters. Very neatly written, with drawings. 328 Eberhardi Betuniensis (nec non Yitalis Blesensis) Poemata, scilicet: o vidii Amphitrio; Laborintus Magistri; De Arte Rhetorica; De Yersificatione, cum Hymnis ad B. Yirginem, &c.; Carmen quod incipit, "Agendum praecor novenaB" 4 des Revolutions de l'Europe et de l'Origine des Franfois folio. Sjeo. xix. on paper In the author's autograph. See also No. 724 in the present Catalogue. 678 THE LIBRI MANUSCRIPTS. y 7 " 334 Elizabeth, "Royne d'Angleterre," ses Edictz et Ordonnances / / politiques faictes en son dernier Parlement 1562, traduictz en Langue Erangoyse avec Annotations blue morocco, gilt edges 4^458 Gronoyii (Abrahami) Notae autographie in Justinum ab editis non parum discrepantes . 4tO. SiEC. xix. ON PAPER In the autograph of J. F. Adry, and entirely prepared for publication, but never printed. Adry was an indefatigable bibliographer, and wrote many most interesting prefaces for the different works edited by him. This manuscript is dated Paris mdcccxv. THE LIBRI MANUSCRIPTS. 101 473 Gulshan-i-KhusrawI, or G-arden of Khusru: A choice selection, in 6 - J'C Verse and Prose, from the most eminent Persian Authors, made at the request of Mirza Khusru Beg, an Indian nobleman, copied and collected Anno Hegirae 1246 (a.d. 1830), in six parts, viz. Parts 1, 2 and 3, various Poems, Sonnets, Epigrams, &c.; Part 4, the WAKAi'-i-Hyderabad, by Ni'mat Khan 'Ali, written in the reign of Aurang-zib, being a Satirical Account of Aurangzlb's operations against Golconda and Hyderabad; Part 5, Husn-u-'Ishk (Beauty and Love); Part 6, Ramz-al-Riyahin in praise of Shah 'Abbas, his Garden, &e. folio. SjiC. xix. ON" PAPER The last part has an ornamented title and thirty admirably illuminated pictures of flowers, shrubs and birds. The whole volume is beautifully written in the Nasta'lik character, on glazed India paper, with variegated border lines, and is handsomely bound and lettered. This is a most interesting manuscript, not only on account of the beauty of the characters and illuminations, but also for its contents. The collection of Persian poets contained in the first three parts is one of the richest of the kind, containing poems written by fifty-two of the most celebrated Persian poets, whose names are given in the manuscript, such as : Kudsl, Jam!, Sulaiman Subahl, 'Abd-Al-Wahab Nishat, Fatah 'All Khan, Badr Gull, Sayid Muhammad, Husain Isfahanl, &c. The last work is a collection of poems by the celebrated Persian poet, Ramzl, who, having offered a poem to the great Shah 'Abbas while standing in his garden, the Shall ordered the poet to write these poems in praise of the same. 474 Guzman (Francisco de) Seicientas Sentencias y Flor de Sentencias /fl glosadas (en Yerso) 4to. Sjec. xvi. (1572) on paper This interesting manuscript is in the autograph of Bonifacio Camesequi, " hijo legitime de Juan Camesequi de Stirpe e familiaridad florentina, segunda natwraleza, y primera origen y degendengia de la casa de Bai-gona ymperiul," who has added at the end his letter to " Donna Leonora de Guzman Abbadesa en el Monasterio de Sa Clara d'Sevilla," on the manner of reciting the Rosary, his letter to Senora Florentina Botti, a Confession of his Faith in which are particulars of his life, and several Indulgences, the latter in Italian and Latin. This Camesequi (or rather Carnesecchi) a Florentine Spanish writer, was no doubt a relative of the celebrated Pietro Carne secchi, who was one of the most illustrious victims of the Inquisition in the sixteenth century, and who perished miserably at Rome in 1567, preferring rather to suffer death as a reformer, than to preserve life by the abjuration of his faith. 475 Hjbreticorum Renunciatio. Incipit qualis Haereticus Patarinus ab /S renuntiatione haBresi suae atque ecclesiae Catholicse satisfaciat 4to. S^:c. xiv. on vellum At the end is a collection of quotations from Scripture remarkable for the references being in Arabic figures, some of them of unusual shape. It is well known that the Patarini heretics were persecuted during the middle ages by the Inquisition. 476 Hafiz (Muhammad Shams-al-Dln) Diwan-i-Haeiz : the Poems of J/ ^ the celebrated Poet Hafiz, in Persian gorgeously bound in the Oriental style, the inside covers displaying bouquets of painted flowers, and the outside a blaze of gold and colour 8vo. SiEC xviii. A most exquisite specimen of Oriental caligraphy, wi-itten in a very elegant Nasta'lik character on glazed paper. Each page, with the exception of the two first, which are surrounded by most elaborate borders, executed in gold and colours, is divided into two columns within a frame formed of lines executed in gold, blue, and green, having an ornamented centre. The commencement102 THE LIBRI MANUSCRIPTS. of each poem is marked by a flower painted also in colours on a gilt ground. There is also a miniature painting (Miraj-Namah) representing the ascension of Mohammed to heaven. The Diwan-i-Hafiz is esteemed by Mohammedans generally as very little inferior in beauty of style and piety of sentiment to the Koran itself, and is frequently consulted by Diviners in the East. The Emperor Nadir Shah never undertook any arduous enterprize without previously consulting this revered work. The true name of the poet was Muhammad Shams-al-Din, but he is better known by the name of Hafiz, the title applied to those who have learnt the Koran by heart. He is considered the finest lyric poet of the Persians, and independent of his literary beauties has the merit of illustrating in a remarkable degree the manners and customs of that nation. His poems to the unlearned reader would often appear licentious, but to the initiated they are mysteries in which the author, in imitation of Solomon, veils under the name of earthly love and wine his love and admiration of the divine essence. Hafiz died a.d. 1394, at his birthplace Shiraz, where his tomb is still to be seen This true gem, in which the caligraphic beauty is coupled with one of the finest specimens of Oriental binding in existence, was written and ornamented in Kashmir, no less renowned in the East for its shawls than for its ornamented manuscripts. See also No. 587 in the present Catalogue. fo^ * c> 477 Hagadah schel Pesach. The Legend of the Paschal Feast, in Hebrew folio. SiE.c. xv. on yellum A very extraordinary manuscript of one of the most popular Legends of the Jews, by some supposed to have been written as early as the second century, and by none later than the fifth. It gives in detail the Exodus from Egypt, and is read in the family circles of the Jews on the first and second evenings of the Passover. (See Bartholocci, Bibl. Rabh. vol. II, p. 389 et 764.) It is adorned with nearly one hundred curious illuminations in colours, representing Expounding the Law, Praying, Hunting, Sports, z Cooking the Lamb, Banquets, &c. although it is well known that nothing is more uncommon than to find ancient Hebrew manuscripts with illuminations of human beings and animals. (See also No. 522 in the present Catalogue.) The features, the costumes, and the dresses of the men, as well as those of the women, show that this manuscript is a remarkable specimen of the old Spanish art of illumination, of which so few are in existence. The characters are large and the headings in gold. Some illuminations are a little defaced, but for the most part they are in a good state of preservation. (See fac-simile.) _ / .. ^ 478 Hamilton (Comte Antoine) Fleur d'Epine, Conte old French red morocco, gilt, marbled edges 8vo. SiEC. xvii. ON papeb A fine specimen of caligraphy. This beautiful tale was written by the celebrated Count Hamilton, author of the delightful M&noires de Grammont. cP u /

d 479 Hashim 'Ali Khan (Mir Muhammad) surnamed Khafi Khan, the " Tarikh-i-Khafi Khan," in 2 vols. ^viz. Vol. 1 containing a History of the House of Timur (Tamerlane) from its origin to the fifteenth year of the reign of Muhammad Shah, (a.d. 1732) ; and Vol. 2, A History of Aurangzib, from his accession to the throne until his death, in the fifty-first year of his reign, viz. Anno Hegirse 1118 (a.d. 1706-7) 2 vols, folio. SiEC. xviii. on papeb This work is one of the chief authorities for the History of Hindustan. Complete manuscripts of this work are very scarce. — / — 4S0 Hebbaica Lingua. Annotationes nonnull® quae ad Hebraese Grram- matices Rationem spectant 4to. SiEC. xvi. ON papeb An autograph grammar written by some Italian Hebrew scholar of the sixteenth century.THE LIBEI MANUSCRIPTS. 103 481 Hebaldby. A very curious and extensive Collection of Foreign Genea- /~ / 2L. logies, including the principal Families of Brabant, Flanders, Gruel-derland, Holland and Germany, with manuscript Index folio. siec. xvi-xviii. on papeb This valuable Collection contains numerous pedigrees written by various hands on loose sheets of paper during the sixteenth, seventeenth and eighteenth centuries, having the coats of arms either emblazoned or drawn in trick. In several instances there are also drawings of ancient monuments. There are also in this collection several autograph letters by different learned men of the seventeenth century on the subject of Heraldry, &c. 482 Hebbabio, con Figtjbe 4to. S^ic. xv. on papeb (80 leaves) - / , Each leaf contains a rude drawing in colours of the Plant described in the opposite page. The work, which seems totally unknown, commences "Dam' el qualle te scrive li vertu de alchune herbe in lo so principio mette in parte de le vertu etproprieta de lartemissio, cfic." For the history of Botany this manuscript is invaluable. Ancient manuscript Herbarj in Italian, with drawings, are extremely scarce; one only is mentioned by Marsand, and not a single one is to be found in the immense Catalogue of the Medicean Library by Bandini. 483 Hebmanni Contbacti libeb de Compositione Astbolabii—Incipit jP Rithmachia, Incipit: "Nomen, materia intentio finis"—Libbi Almogesti Ptolomei Philudensis (Abbreviatio seu Capitulatio)— Rhetoric a et Grammaticalia Quaedam 4rto. SiEC. xii. on vellum 'An invaluable manuscript to the historian of mathematics. It is written in double columns and full of numerical tables, the whole of them according to the ancient Roman alphabetical system. It is well known that Hermannus Contractus, so celebrated for his Latin, Greek, and Arabic erudition in the first portion of the twelfth century, was one of the first to introduce amongst the Christians the sciences of the Arabs, and this work, full of Arabic names chiefly relating to astronomy, is a proof of his Oriental labours. This work was first published by Pez, in the third volume of his Thesaurus Anecdotorum, and it has recently been republished in Paris by M. Migne, in the 143rd volume of his really grand work, Palrobgiw cursus completus. In this last volume (col. 379-412) may be seen how many difficul -ties Pez had to contend with in publishing the writings' of Hermannus on the Astrolabe, from a manuscript in which perhaps different works written by different authors were mixed together. (Res obscura et perplexa, said Pez.) The present manuscript contains a text of the Liber de Compositione Astro-labii, quite different in the general disposition as well as in the details from the two works (De Menswra Astrolahii and De Utilitatibus Astrolabii), published both by Pez and M. Migne. For instance, the manuscript begins with quicunque astronomicce peritice, and contains a portion of the Liber primus of the work published under the title of " De Utilitatibus Astrolabii," {Migne, vol. 143, col. 389), and then gives the Liber de compositione Astrolabii, published by M. Migne under the same title oi De Utilitatibus Astrolabii, in the volume already quoted (col. 389). But there are great differences between this manuscript and the edition. Besides the work, De Menswra Astrolabii, as printed, the manuscript contains some additional matter, followed by several chapters, the first of which forms in the edition (col. 405) the caput primum of the second book, De Utilitatibus Astrolahii. The tables also offer considerable variations. As our manuscript is very ancient and was very probably written shortly after the death of the author (if not in his life time) we are induced to believe that we have here the true work of Hermannus, whilst Pez, in all probability, had only an interpolated copy, with subsequent additions. The Rithmachia is a work of great importance for the history of arithmetic, and of the composite or figurative numbers (nombres figures). It has nothing to do with the work published in 1496 at Paris, by Jacobus Faber Stapulensis (and republished in 1510, both folio editions, quoted by Professor De Morgan) under the name of " Rithmomachia," which is in the shape of a dialogue between Bathillus, Alcmeon, and Brontinus, with tables having104 THE LIBRI MANUSCRIPTS. Arabic numerals, quite different also from the tables with Roman alphabetical numerical figures of the manuscript. The following is a quotation from the first chapter of this work :—" Non enim aliter arismetice opus rithmachia representat quam musica in cytharis et organis, et geometria in abaci opere et astronomia in hoscopis et astrolabii sollertia consistit. Inventor ludi hujus apud Romanos Boetius fuit, quemadmodum arismetice apucl Grsecos Pytagoras et Nicomacus et alii quapropter his premissis ad negotium transeamus." The beginning of this work, as given in the title, shows that this Rithmachia is also quite different from the work with the same title contained in the manuscript 366 of the Ecole de Medecim, of Mont-pellier, (See Catabgue general des Manuscrits, vol. I, p. 433), and that it has no connection whatever with the work of Shirwood, printed at Rome, 1482, in 4to. As both Trithemius and Jcecher say, that Her-mannus Contractus composed a Rythmomachia, and the present very old manuscript contains such a work immediately after that on the Astrolabium, by the same Hermannus, we may believe that we have here the original work written by that celebrated little man. The abridgment of Ptolemy and the Rhetorica, consisting of five columns, closely written, are in a different, although ancient hand-writing. (See facsimile). / / — 484 Hermant, Le Rommans de Sapience (en Vera) folio. SiGC. xviii-xix. on paper A transcript from the original vellum Manuscript of the thirteenth century at Chartres, in the autograph of M. Herisson formerly librarian in that town. This singular biblical romance, written in old French, and consisting of about 170 leaves, has never been published. 485 Hesse. Christliche Leichtpredigten: Two (autograph) Sermons, the ' " one preached before the Clergy of Ottsberg by Jesaiaa Plocket, and the other at Langfelt by Matthew Yietz, at the Funeral of " Ludwig Landgraf von Hess en, Graf zu Catzenelleribogen Vietz Zdegenhain und Nidda ," 11 September, 1626 4to. 1626, on paper / ~ ' 486 Hieronymus (B.) Excerpta quaedam de Epiatolis B. Hieronymi 4to. SiEC. xi. on vellum On the last leaf a later possessor of this manuscript has written a Recipe 11 ad curandum dolorem occulorum," with a notice " excerptum est 1439 Moguncise." This manuscript, consisting of 130 leaves, contains the most important epistles of St. Hierome. The Greek words are finely written in small Greek capital letters, and where these are transcribed in the Roman character, they show that their pronunciation was then similar to that of the present Greek. The numerical figures are all expressed according to the Roman alphabetical system. (See facsimile.) y „ /j— - 487 Hieronymi (Divi, " Episcopi Stridonenaia ") Yita B. Hylarionis—vitie Sanctorum Patrum, calf folio. SiEC. xv. on vellum A fine manuscript on 160 leaves of very pure vellum With illuminated capitals and the following colophon: " Anno dni Millesimo Quadringentesimo vigesimo tercio Reverendus in xpo pater ac dns dns Johannes Epus War-mien lumc libru videlicet Yitas patru perme 7C (Theobaldum Argentinum?) scribi mandavit," after which there is a life of S. Hieronimus. ~ 488 Hieronymi (B.) Yita B. Malchi 4to. Sjec. xv. on paper With the name of the scribe " Iste liber est mei petri andree filius q. s. nicolai de bruscis, quando adscolam magistri Garini (Guarini)" &c. Written by a boy, probably a pupil of the celebrated Guarinus. ~ 6 489 Hieroniho. Incomincia lo Transito del beato e glorioso Hieronimo eximio doctore de la aancta Chiesia. Et in prima la epiatola de beato Eusebio.......de la Morte de eaae aanoto hieronimo 4itO. SiEC. XV. (1461) ON PAPER With the following colophon: uFinita et scritla he questa opera la quale se chiama il transito del glorioso sancto Jeronimo dottore eximio de la aanctissima chiesiaTHE LIBRI MANUSCRIPTS. 105 da Frate Valentino da Varese del Ordene da Frati Menori de Observantia lanno del segnore 1461, 4 di de Mairzo dkc." This manuscript contains the Vita ed il Transito di San Hieronimo, (the Vita e la Fine being first in the manuscript, but second in the edition) as contained in the edition of Venice 1473, in 4to., but with many important variations. For instance at the end of the Vita et la Fine we find: Manuscript. " Aduncha bona cossa he ad desiderare la temptacione. II gui dardone saspecta Xpo in cielo. Et ello per la maledictione grave non he mutato per la divina laude. Morite Sancto Jeronimo intorno ad li anni del nostro Signore Jesu Xpo trecento. Ad honore et laude sia de Dio et gloria impio et forteza. In secula Beculorum amen." 490 Hildebebti (Episcopi Turonensis) Incipiunt Versus de Sacramentis - A> (Liber de Concordia veteris ac novi Sacrificii elegiaco metro) small 4ito. S^ec. xi-xii. on vellum This manuscript was certainly written during the life of Hildebert, or shortly after the death of that celebrated Father of the Church, as the handwriting resembles rather that of the end of the eleventh century than that of the beginning of the twelfth. This manuscript belonged to Pithou, and (as well as the Nos. 104 and 431 of the present Catalogue) was sold at the Duchess of Berry's Sale (No. 2436 bis), as being of the eleventh century, which may be the case as Hildebert was born in 1057. (See fac-simile.) 491 Hilduini Abb axis C(enobii S. Dionysii in Francia Vita et Passio, S. Dionysii, Episcopi Parisiensis, et Sociobum ejus — Revelatio quae ostensa est Sancto Papse Stephano et Memoria de Consecratione Altaris Sanctorum Petri et Pauli quod est situm ante sepulchrum sanctiasimi Dionysii Sociorumque ejus, qua? revelatio et consecratio acta est v. Kal. Aug. dccliiii—Vita Sancti Symeonis Tbevibensis Auctobe Otloh Monacho 4to. Sjec. xi. on yellum This venerable and important manuscript is elegantly written in Carlovingian characters, and is certainly in the autograph of Otloh the monk, as may be seen from the dedication in his handwriting at the end. As he describes himself as being present at the death of St. Symeon and celebrating his funeral rites with two other brothers, he was probably at that time a Benedictine Monk of some Abbey situated only a short distance from the Saint's Cell. The date of the Saint's death is not given, but as Otloh distinctly states that S. Symeon died whilst Poppo was Bishop of Treves, it must have occurred somewhere between the years 1016 and 1047, the time in which that prelate is stated by Hontheim to have ruled the Diocese. At the end of the life of St. Symeon Otloh dedicates his work to St. Boniface: " Presbiter et monachus Otloh quidam vocitatus Sancte tibi librum Bonifaci tradidit istum." Ililduinus, Abbot of St. Denis, is supposed to have been the originator of the legend of St. Denis carrying his head under his arm for nearly two miles after it was cut off, but this story is probably much older as the author professes to have abridged the life from writings, both Greek and Latin, existing in his Monastery, and would hardly have dared to have forged such a miracle which, if previously not recorded, must have aroused the suspicions of even Lewis the Pious, for whom and by whose order the account was written. (See also No. 626, in the present Catalogue). Respecting this Otloh (or Othlo) monachus, whose autograph work and dedication we have here (as in No. 748 of the present Catalogue), see Fabricius (Bibl. Lat. Med. vol. V. p. 183), Oudinus {Script. Eccles. vol. II, p. 523), and Hontheim (Hist. Trcvirens. vol. I, p. 351). This life of St, Edition. " Adoncha bona cossa e desiderare la tentatione; in cui guidardone se aspecta da Christo in cielo e degli per la male-ditione grave non ce mutato per la divina laude. Finis."106 THE LIBEI MANUSCRIPTS. Symeon by Otloh has remained quite unknown to all the authors that we have been able to peruse, although they quote the life of St. Boniface as well as those of St. Nicolas, St. Wolfgang and St. Firminus, by the same writer. (See facsimile.) f({ 492 Htppocbatis Aphorismi, Greece 4l\a>v" Antonio Benivieni, who died in 1502, was a celebrated physician and a friend of Politian and Marsilius Ficinus. Mazzuchelli, who gives the pedigree of Antonio Benivieni, was not aware of this son Sebastiano. ^ -f 493 HiSTOBiiE selectse et Genesis Ethnica ex Pausania, Strabone, &c. folio. Sjsc. xvii. on papeb The Historise selectse contain lives of Polycrates, Democedes, Syloson, Pisis-tratus, Othryades, Deioces, Cyrus, Croesus, Thrasybulus, Periander, Amasis, Darius, Rhampsinitus, Anacharsis, Zamolxis, Zopyrus, Artemisia, Miltiades, Xerxes, Grelon, &c., gathered from Greek writers. The Genesis Ethnica is a most learned explanation of the names occurring in Pausanias, Strabo, &c. The work is unpublished and anonymous, but its author -was undoubtedly an excellent scholar. J - // ^ 494 Hobbes (Tliomas) Leviathan, original MS. of this celebrated work, dated May 9th, 1640, calf gilt folio. sigc. xviii. on papeb There are at the beginning the initials T. H. being those of the author in his autograph, and some corrections probably also in his handwriting. gj ^ 495 Homilijs SS. Patbtjm in Evangelia IV. folio. Syec. viii. on yelltjm This truly venerable volume contains a collection of Sermons on the Gospel for each Saint's day, commencing with that of St. Stephen. These Homi-•• lies are by Saints Fulgentius, Severianus, Hieronymus, Augustinus, Am- brosius, Gregorius Magnus, and Maximus, and by the Venerable Bede. The volume also contains "Relatio Egesippi de Jacobi* Justi Passione;" " Sermo B. Serapionis de octo Vitiis principalibus;" "Sermo Johannis Episcopi," &c. This manuscript, written in large rude Carlovrngian characters, with some mixture of uncial letters (the whole of the rubrics and quotations being in large uncial or rustic capitals, generally in red, with some large and rude initials,) belonged formerly to the celebrated Abbaye de Luxeuil, in France, and contains at the beginning a very elaborate description of its contents by the learned Benedictine Dom Victor Perrin, Keeper of the Records of the Abbey, who therein states that this manuscript is of the eighth or ninth century; and it is so rudely written that certainly it is not later than the second portion of the eighth century. Most probably at the period in which it was written, this volume was used as a church service book, and it is well known how difficult it is now to find old manuscripts of that kind—so important for the history of the liturgy—which have not been worn out by frequent use. This volume contains also several additions, such as " hymni" with the old music, &c., written by different hands during the ninth and tenth centuries. On the tenth leaf of the manuscript there is a note very probably written in the ninth century, and relating to an old inscription; which we think proper to give here: " Has litteras in lapidibus sultas, ita inveninua extra positas. Luxovico. et. Brixiae. g. ivl. Firmak. ivs. v.s.l.m." Several Manuscripts described in this Catalogue came from the ancient library of the Abbaye de Luxeuil (see Nos. 140, 356, 769, 891, etc., in the present Catalogue), which, as is well-known, was founded by the Irish St. Columban, who first settled at LuxeuiT^the inhabitants surrounding which were almost barbarians, and where the remains of a Roman colony (statues, inscriptions, etc.) were scattered about the forest. It is curious to find in the present manuscript, written perhaps a century or a century and aTHE LIBRI MANUSCRIPTS. 107 half only after the foundation of that abbey, the mention of an inscription which reminds us of the state in which that country was found by St. Columban. Respecting the travels of St. Columban, and the British literary influence exerted through him in France, Switzerland and Italy, (which influence accounts for the English or Anglo-Saxon appearance of several manuscripts described in the present Catalogue, which were perhaps copied on the continent), see the Life of St. Columban (No. 269, in the present Catalogue), the Prolegomena of 0. Connor to the Rerum Hibemicarum Scriptores, the Lives of the Saints by the Rev. A. Butler, and especially the celebrated History of Latin Christianity (vol. II. p. 100), by the Rev. H. Milman. (See facsimile.) tJ' / 496 HoMiLiiE Hiebonimi, Leonis, G-begobii, Bedje, &c. nec non lectionea veterum officiorum original binding, with brass bosses, corners and clasps Icvrgefol. S-ec. x.-xi. on yellum This venerable manuscript, which came from the celebrated monastery of Stavelot (Liber Monasterii Stapulensis), is written on 263 leaves, in double columns, in large Carlovingian characters, and is invaluable for liturgical history. It contains a great number of large capitals ornamented with the most beautiful drawings, of such pure and elegant taste as to render it certain that we never have seen anything more beautiful amongst manuscripts of this early period. These drawings have so close a resemblance to the Anglo-Saxon style (as will be seen by merely comparing them with the plate XXVI of the first volume of the well-known work, A complete View of the Manners, etc., by Strutt,) that we are induced to believe that they were either made in England, or by English artists on the Continent. {See fac-simile). 497 HoMiLiiE Dominicales et in Festis Sanctorum 4to. Sjec. xiv. on papeb s - 6 498 Honestis (Christophori de," de Bononia") Liber de Venenia / 4to. S.ec. xv. (1457) on paper From the library of Al. Padoani, with his name on the titlepage. This manuscript has the name of the scribe and date: "Scriptus per me dompnum lucam peri de pergula ad petitionem Magistri Ghirardi de forsinfronio sub annis Domini mccoolyii et die xv maii." At the end are inserted 33 leaves filled with old medical recipes, all written also during the XVth century. Fantuzzi, in his " Notizie degli Scrittori Bolognesi," (vol. VI, p. 180), mentions this work as unpublished. 499 Hobace. A Translation into English Verse 4to. Sjeo. xix. «« 500 Hobatii Flacci (Q.) Libeb Epodon, ctjm Yita £ a old French red morocco, gilt edges 8vo. S^ec. xv. (1454) on vellum A splendid specimen of Italian caligraphy, having the heads of each poem and the side * references in letters of gold. The first page, having the initial illuminated in gold and colours, is surrounded by an elegant border, in the bottom compartment of which are the arms of the owner. At the end is the name of the scribe and date thus: "Idbrum hunc Laurentius Petrini Filius et Bellantece Domus suis manibus scripsit Alio m.ccccmil." Beneath this is the following autograph memorandum: " End ego Celsm Cittadinus a Fabio Paulinio Librorum veterum venditore die XX Januarii 1603, julios duodedm'''' (Six shillings). This Celso Cittadini was the celebrated author who was born at Rome, in 1553, and died at Siena in 1627, where he had collected all sorts of rare books, manuscripts, coins, etc. It seems impossible to find a more elegant manuscript of Horace than this. 501 Hobje Diubn^:, cum Calendario / _ / in the original oak board# folio. S^c. xiv. on vellum Written in a very bold character, with illuminated capitals, having the rubrics in red ink. Half the first leaf, which probably contained a miniature, is cut off. The Calendar is very valuable for rectifying mistakes in the]08 THE LIBEI MANUSCRIPTS. various Martyrologies respecting the Saints-Days. Besides the fly-leaves, which contain musical notes, the manuscript contains also some ecclesiastical music. At the end there are several tabulae for the epacta, the golden number, etc. All the numerous figures are in the old Roman style. _ J+. - / 502 Horartum, cum Calendario in the original binding 8vo. SiEC. xv. ON paper Written by a German Scribe, who has added many of the tunes on the margins. A curious fact is that, the hymns in verses are written like prose. Amongst the saints, there occurs Saint Thomas of Canterbury. - a 503 Huetii (Petri Danielis) et aliorum Poemata 4to. SiEC. xvii. on paper In the autograph of Huet, Bishop of Avranches, one of the most learned prelates of his time, who has copied here a great number of Latin poems, even those in his own praise, written by other learned men of his time. fy ^ . « 504 Hugonis Flobiacensis G-esta Fbancorum, Sjec. xv.—Trithemii Compendium de Origine Francorum, SiEC. xvi.—Yita Friderici Bellicosi, SiEC. xvi.—Duisburgensis Civitatis, quod vetus Touto-burgum est, Primordia et Diplomata (■with an account of the English Exiles under Q. Mary finding Refuge) SiEC. xvi.—Uitsprung und Beschreibung der Stadt und Freyherr Weinsberg (containing the original story from which Burger took his Women of Weinsberg, who each took on their backs a Susband, Father or Brother, when permitted by Capitulation to remove as much as each could carry of her treasure) SiEC. xvii.—Aneang des Hussitischen Krieges, 1426, SiEC. xviii.—Maximiliani Imp. Epiatola ad Fideles Pragenaes et cseteras Civitates Bohemise Germanice et Latine, autograph of his Secre-tabt Ziegler, 1517—Friederick III, Bunda mit Frankreicli und Brief an Bischof Rudolph von Wircenig (respecting the disgraceful withholding Anne of Bretagne, the Bride of his son Maximilian) with the autograph endorsement of the Emperor Maximilian, SiEC. xvi.—Kriegsordnung wieder den Tiircken zu Kaiser Siegismunds Zeiten, with autograph endorsement of the Emperor Maximilian, SiEC. xvi.—Poli (lieginaldi Cardinalis) Epistola ad Csesarem in qua Legatum Card. Contareni commendat, Romce, 1541—Copia ein.es Schreibens Kaisers Carls an die "Wirtenberger in Betreff des Schmalkaldischen Bundes, entirely in the handwriting of Melchior Pjfinzing, the author of Theuerdanck, with corrections and endorsement in the autograph of his master (after-toards the Emperor) Maximilian ; a most interesting and beautiful specimen of the caligraphy of this celebrated poet and his patron, and a most desirable compa/nion to the Theuerdanck, SiEC. xvi.— Carmen Satyricum G-ermanice et Latine, endorsed " Carmen Glareani," in the autograph of the Emperor Maximilian—Lied des Kaisers Carl, endorsed by the Emperor Maximilian, 1546—Pas-quillus in diversas Europae Personas et Senatus, entirely in the autograph of the Emperor Maximilian, concluding xoith " Ratispone descripsi VI Julii, Anno mdxxxxyi. in Comitiis"—Wirtenpergisch Vertrag 1547, and various Documents of both sides, endorsed by the Emperor Maximilian—Sachsischeb "Vertrag 1547, endorsed by the same—Copia des Schreibens Herzog Friedrich von Sachsen an die Bohmer 1547—Maximilians Beschluss -in Betreff der Strafi'e der Prager Stande wegen ihrer Bundnisses, autograph document of this Emperor, dated 1547—Oratiuncula Augustanorum apud Cresarem Carolum V, cum Responsione Csesaris Germanice, endorsed by the Emperor Maximilian, 1547—EpiSTOLiE duo P. Mclanchthonis ctTHE LIBEI MANUSCRIPTS. 109 G. Maieri ad D. Martinum Bucerum, 1547—Neue Zeitung so der Regierung zu Ennshaim zukhomrnen yon Margraff Albrecht von Brandenburg, endorsed by the Emperor Maximilian, Sjec. xvi.— Philipp Landgraf zu Hessen Schreiben an die Rom. Kayser Maj. in Betreff des Interims, endorsed by the Emperor Maximilian, 1548— Herzog Johanns Friedrichs Antwort an Kais. Maj. in Betreff des Interim, 1549—Gedicht bey Wiedereinsetzung Herzog Johann Eriedrich von Sachsen, S^c. xvi.—Yeesus Stigelii (ni fallor) de Duce Sax. Ioa. Friderico—Ferdinand Romischer Hungerischer und Bohemiseher Kunig an die Breslauer in Betreff d. Schmalkald Bundes, endorsed by the Emperor Maximilian, 1549—Ferdinand, &c. Befehl in Betreff der Lutherischen Biicher an die Statt Wells, a very important document, with the Emperor's autograph signature and countersign, Wien, 1551—Ktjrtzer Extract aus der Handlung von Passau, 1552, with the following endorsement in the Emperor Maximilian's autograph, " Yon Georgen Miltzen Reichsschreiber zu Regenspurg von Passau geschicht," 1552—Beydeb Stennde Sachsen und Meyssen Antwurt und Bedenken auf den Fiirtrag zu Thurgau, 1552—Echo de prsecipuis Sectariorum Fructibus, Poema, Sjbc. xvi.— M'elanchthonis (P.) Schedula " Sebastiano Trombnero mittit Jo. Walthofer," autograph of Walthofer, 1561—Albrecht Hertzog von Baiern Befehl der Religion halben, mit Antwort von Cristoff von KutcTier zu Ollshof, 1552—Responsio auff die Spriich der Bibel von Jesuiten ausgezogen dariiber D. Luther falsationis beschultigt wird, an important theological document, SvEC. xvi.—Lagi (Friderici) Annotationes ad Agendam Austriacam, in the autograph of the author, Svec. xvi.—Regulius (Martinus) iiber die Agenda Austriaca, autograph letter of fourteen pages to the Emperor Maximilian, by whom it is endorsed, Sjec. xvi.—Holtzshuer (Carolus) ad Status Imperii (pro Bello Turcis inferendo) in the author's autograph, SiEC. xvi.— Lesincii (Cipriani) Urthail nach Mathematischer Kunst und Rechnung iiber d. Expedition wider den Tiircken, in the autograph of the author, 1566—Khosinger (Steffanus) zwey Trostschreiben zu der Grafin Wittfrawen Magdalena Khoteporthin, two long autograph epistles, 1566—Decretum per Imperatorem contra librum G. Ederi "die Evangelische Inquisition," 1573—Gedichte (Saty-rische) gegen den Papst und den Tiircken, SiEC. xvi.—PRjESAGiA sacra comprehendentia Statum Belli Austriaci, SiEC. xvi.—Anhalt und Haideburgerische aufgerichte Kirchenordnung, Sjec. xvi.—Das Collnisch Evangelium Johannis am 2 April und Wienerischer Hofspasquill, S,®c. xvi.—Die Fursten im Reich Reimen (Satire against Spain) Syec. xvi.—Paptstisch Religions Eide zu Passau, endorsed by the Emperor Maximilian, SiEC. xvi.—Confession, Fragen fur Bayern, CEsterreich, &c. 1579—Brief von der Landtschaft Crain iiber N. Frischlino, original and important document addressed to the Diet of Augspurg respecting the celebrated Frischlin, 1583— Beschreibtjng wie Heinrich III. von Frankreich zu Venedig sich aufbehalten hat, apparently an official report to the Emperor, 1574— Christian II. Herzog zu Sachsen Ausschreiben (Circular respecting the permission given by him for those professing the Confession ofAugsburg to reside in his dominions) 1603—Duces Electores SaxoniaB poetice descripti, Sjsc. xvi.—Trias Romana (Pasquillus) SiEC. xvi.— Ermantjng und Trost in der Verfolgungszeit, with a curious Epigraph by Dr. Martin Luther, Sjec. xvi.—Prognostica Anthonii Torquati von Ferrara und Jacob Hartmann iiber d. Tiircken, 1545— Giopardo del Regimento di Adamo Prognostica Latine et Germanice,110 THE LIBEI MANUSCRIPTS. Sjec.xyi.—SoETiLEGiUMbellicorumTumultuum, 1566—Pasquillus Pragae affixus, 1578—Erotemata Iambica, SiEc. xyi.—Prophi-ceiyngen und Prognosticationen, a curious collection of early-Prophecies, &c. in German and Latin, 1578-80—Mathias wie er zu Itomischen Keyser erwehlt und 24 Junii 1612 gekronet worden, mifc Namen der anwesenden Eiirsten neben den Churfursten und welche Grrafen und Herrn zu Bittern geschlag worden, 1612— Verzeichniss des Herrnstand (with the date of their patent of Nobility), 1609—Extracts from Aventinus, &c. respecting Persons with large Families, S;ec. xyii.—List of Towns and Villages in Bohemia, with number of Inhabitants, Sjec. xvii.—(Estereichische Stande uber d. Bohmische Unruhen, 1618—Pro euro sticatio antiqua, SiEC. xyi.—Poemata yaria Latina, containing Autograph Poems, with the signatures of their authors, viz: I. Leandri, C. D. Scepperus (1526), Henricus Baro a Staremberge (to JP. Melanchthon his tutor), J. Hildebrand (1601), J. Linckius (1596), M. Zuberus Poeta Lau-reatus, J.M.Daeberlinus, J.N. Sigmar von Schliisselberg, M.Roslerus, H.Victor (1599), Gr.Werbigius, Johannes Catsius (1595), Matthseus Anomseus, J. L. Brassicanus, M. S. Brassicanus, I. Cargius (1598), N. Harttman (1600), A. Camerarius, J. Cyprianus, J. Sennerus (1600), P. Gkmdelius (1530), E. Koherus (1599), Gr.Logi {including three on Queen Elizabeth), E. Nidermeyer, Gr. Saxenrhetor, A. Schwartz, C. "Wideman, V. "Winzemius, J. "Witer, &c. &c.—G-e-dichte von J. N. Sigmar zu Schliisselberg (1591), H. Victor, &c.— Brassicani (Jo. Amb.) Oratio, autograph MS.—Olympic MorataB Epistola ad Flaccium Ulyricum, 1553—Von dem Leiden und Sterben Jesu Christi, 1590—Mottoes adopted by noble and learned Men, from 1534 to 1563 (a large and very curious collection) SiEC. xvi. pigskin in 1 vol.foliQ. S^ec. xvi-xvii. on paper A most extraordinary collection of historical documents of the highest importance, the majority of which appear to have belonged to the Emperor Maximilian II. (Son of Ferdinand I.) as is clear from their being endorsed in his autograph. This Monarch was a pupil of Wolfgang Severus, an ardent admirer of the Lutheran tenets, and became so imbued with his tutor's spirit as to have been willing to embrace the Protestant faith had he not been persuaded to the contrary. His sentiments however were well known, and when in 1558 he was elected unanimously King of the Romans the Roman-Catholics looked forward with dread, and the Protestants with intense desire to his becoming Emperor. "When this event however took place in 1564, for political reasons, he declared himself a Catholic, but expressed his intention of protecting the Protestants by his tolerance and acting on the terms agreed upon in the Passau Treaty of 1552, which he was mainly instrumental in procuring for the Reformers. It would be useless to expatiate any more upon the importance of this volume which, besides containing a great number of pages in the handwriting- of the Emperor Maximilian and of the most celebrated Germans of his time, is full of interesting documents of the most intimate and confidential character. The Gesta Francorum at the beginning of this volume, attributed to Hugo Floriacensis, were published by Freher, and republished by Dom Bouquet in his Scriptores (vol. II. p. 542), but the text contained in the present manuscript differs considerably from the two texts given by Dom Bouquet. / __ / 505 Hugonis de Folieto (Cardinalis) Tractatus de Claustro Corporis et Animffl folio. S^c. xv. on vellum This fine and valuable manuscript was originally in the library of the "Fratrum Praedicatorum de Venecia." This work was wrongly attributed to HugoTHE LIBEI MANUSCRIPTS. 111 de Sancto Victore, and published in his opera. Hugo de Folieto, a French divine, was made a Cardinal in 1140, and he is supposed to have written an interesting work, De avium Natura, much celebrated during the middle ages. 506 Hunt, Epitome G-rotii de Jure Pacis et Belli, autograph manuscript, " with Dedication to Dr. Gierke, President of Magdalen 4*to. xvii. on papee From an autograph note of Dr. Routh prefixed, it appears that Hunt was admitted by Dr. Clerke, 24th November 1685, to the Study of the Law, and that having taken his degree of LL.D. he died in 1699, aged 41, and was buried in the Chapel of Magdalen College. 507 Hyginii (Caii Julii) Asteonomicon—Saceobosco (Joannes de) de . /a — Spera—Teattato di Abbaco e di Geometria col lunario in Lingua Yolgare, con Figure—Manus Musicales—Teactatus de duodecim signis et alia astronomica cum figuris 4to. siec. xv. on papeb An exceedingly interesting collection. Nothing is more uncommon than to find manuscripts of the Astronomicon, which is so important for the history of astronomy. Two only are mentioned in the great " Catalogus Bibl. Reg. Paris," and three by Hsenel. This present manuscript has been corrected by some learned man of the fifteenth century, who has written the variations in the readings on the margins. It is chiefly important on account of the number of the stars which are here assigned to the several constellations, this number being often different from that which is given in the printed editions, so as to induce us to believe that the disappearance of ancient stars, or the appearance of new ones, was more frequent than is generally imagined. At the end of the work of Sacrobosco (called here, J. De Sacro Busto Anglico,) we find about six pages following on the same subject, and apparently by the same author, beginning " Et quia deo auxiliante iam premisimus quod debent premitti de utriusque motibus circuli nunc inci-piamus rememorari loca terrse habitabilis." The Trattato c?'Abbaco which follows, contains several hundred pages, written by another hand, in the fifteenth century, with numerous coloured figures, and is exceedingly curious and important, for besides a considerable treatise of practical geometry, land surveying and guaging, it contains several curious algebraical problems, one of which is the following : " Uno uomo a danari in borsa e fra se medesimo piglia lo a di queli danari e pone sopra queli danari, poi piglia lo J di tutti queli danari e pone sopra, e poi piglia el quinto di queli danari e pone sopra esi e da ultimo conta queli danari e trovasi libbre 12 : quanti danari foro prima queli che avea in borsa?" This highly interesting work is without any apparent order, the last chapter being De partire ■ roote. The last work on astronomy (with very curious figures) is written in the same hand, although in a smaller handwriting than the Abbaco, and has on the page immediately before the Aries the date of 1482. This interesting manuscript belonged to Alessandro Padovani, in the sixteenth century, and in the following century to some learned inhabitant of Faenza, who wrote on the margins of the Abbaco several memoranda of a private character, coupled with mathematical problems, &c. At the beginning a librarian of theCostabili Library, from which it came, has described this most interesting work as "Algebra, trattato di, Antico e poco interessante." (!!!) 508 Ibn-ai-WaedI ('Omar) The " Kharidat-al-'Ajaib" (the Pearl of "Won- _ /A- ^ / ders), a Treatise of general Geography, Natural History, &c. in Arabic red sheep 4to. s^c. xyiii. on papee This important manuscript was copied Anno Hegirae 1115 (A. D. 1702). Ibn-al-Wardi, a most celebrated Arabic geographer, lived in the fourteenth century. Of this valuable work only a few extracts have been published, but it is frequently mentioned by the best historians of geography, such as the Viscount de Santarem, M. Lelewel, &c. This Arabic author not only describes Asia and Africa, but also Turkey in Europe and Christian Europe (including England) in this work. In the preface Ibn-al-WardI112 THE LIBEI MANUSCRIPTS. says that he has taken his work from several authors: Khwiijali Naslr-al-Tusi, Batlimus (Ptolemy), BalkhT, Mas'iidi, Ibn-al-Athir-al-jarzI (author of the " 'Ajaib-al-Makhliikat''), &c., &c. Des Guignes has given a minute account of this celebrated work in the second volume of the Notices et Ex-traicts. At the end of the present volume there is an Arabic poem on the resurrection day. / _ / 509 Ibn Ishak (Shaikh) the " Eutuh-Mise," a History of the Conquest of Egypt, in Arabic 4to. SiEC. xvii. on paper y 510 Ibn Ishak (Shaikh) the "Eutuh-Mise:" A History of the Conquest of Egypt, in Arabic SiEC. xix. on papee Both the present and the preceding manuscript contain the same important work which is different from the work of the author, commonly known under the name of Wakadi, which was published in 1825 by the learned Hamaker. Ibn Ishak says that in composing his work he consulted many authors, amongst whom he quotes Wakadi, Dawi, lbn 'Abbas, and many others. J - /3 / 511 Ibn Sina (Shaikh Abu Eais 'All Ibn Slna) " Kanun-al-Tibb:" a Treatise of Physics, Medicine, Anatomy, &c. two folio volumes. SiEC. xvit. on papee Besides the medical works of the celebrated Avicenna, these two volumes contain much additional matter on the same subject. The second volume in which is the " Mufradat Kanun " (on simple medicaments), was copied Anno Hegirae 1113 (A.D. 1690). _ — 512 Illicino (Bernardo Lapini) Yita di Honorata—In Peoditoees, Rithmi Italici 4to. SiEC. xy. on papee From the Library of S. Mariae Victoris, of Vercelli. Bernardo Illicino, or " Da Montalcino," was a physician who flourished about 1470. This Life of Madama Onorata was published at Milan in 1843, from this very manuscript, but neither the Italian verses nor the additional matter which in this manuscript occupies 21 pages. Illicino was chiefly celebrated for his commentary on Petrarch, first published at Bologna in 1475. 3 - 6 513 Immtjnitatis Ecclesiasticae Tractatus folio. Sjec. xviii. on papee A very learned Treatise on the subject extending to thirteen chapters. / n " 51.4 'Inayat Allah. The " Bahar-Danish," or Garden of Knowledge, an Oriental Eomance in Persian Prose, bound 4to. Sjec. xvii. on papee A very elegantly written manuscript of these amusing tales, which were translated into English by Jonathan Scott, and published by him at Shrewsbury in 1799. The author, 'Inayat Allah, of Delhi, lived in the beginning of the seventeenth century, during the reign of the Emperor Shah Jahan, to whom this work is dedicated. No Mohammedan or Hindoo gentleman is considered thoroughly acquainted with Persian, unless he has read the Bahar Danish. 515 Innocentitjs III. Liber de Miseria sive de Yilitate Conditionis hu-manae editus ab Innocentio tercio Lotario ab auctoris nomine vocato vellum 4ito. SiEC. xv. on papee Pope Innocent III. was the contemporary of our King John, whom he excommunicated. The work is divided into three parts: the last chapter of the second part, " De ornatu personae, mensae, et domus," contains curious details about the cosmetics employed at that time, and gives a minute description of the painted table cloths, knives with ivory handles, beds with silk covers, etc. which shows that already, in the Xllth century, luxury in domestic life was carried to a great excess in Italy. 515* Innocentius III. (seu Lotharius Diaconis) liber qui dicitur Contemptus Mundi sive de Vilitate condicionis humanse old red morocco, gilt edges 4>to. SiEC. xv. on papee / /. iTHE LIBEI MANUS CEIPTS. 113 516 Innocenzo XI. Eellatione della Scomunica fulminata dalla S.N.S. Papa Iimocentio XI contro il Marcheae di Layerdin, Ambasciatore in Eoma del Ee Cristianissimo, con Eiposta e con Protesta di quel Ee sul medesimo Oggetto folio. S^c. xvii. and xviii. on papeb Attached to this interesting manuscript are various squibs and political dis courses, together with " Una Relazione delle Funzione fatte in Roma alia .Morte di Innocenzo XI." It contains also secret informations from the Emperor to Tassinet (his ambassador at Rome, 1701), and a forged Retractatio Clemmtis XIV, dated 1774, after the suppression of the Jesuits. 517 Inquisition. Inquisitionis Pbocessus original binding folio. xvi. (1511) on vellum This curious and official manuscript contains several processes made from the middle of the XlVth century to the date of the manuscript by the Inquisition of Barcelona against various religious persons, for holding peculiar opinions concerning the divinity of Jesus Christ and thereal Presence. Early original processes of the Inquisition, like this, are of the rarest occurrence. 518 Inquisition. Inquisitionis Pbocessus contba Elenam Obsini, Abbatissam de Castbo, pbo Eobnicatione cum Episcopo Cas-tbensi folio. S-2ec. xvi. on papeb This most curious volume contains the original record of the process instituted by the Inquisition against the Abbess of Castro (Elena of the great Roman family Orsini) on account of her having been the mistress of Francesco Cittadino, Bishop of Castro. This manuscript, consisting of about 500 pages, seems to have been a portion of a larger volume, containing apparently other processes of the Inquisition, but is complete in itself as regards this trial, which commences on leaf 181 and ends on leaf 417, beginning with the first information (dated Sept. 13th, 1573) to the 5th of May, 1574, when the prosecution was stopped by authority. The examinations are in Italian, and full of the most extraordinary details of debauchery. The Autograph Signatures of all the parties and witnesses, including those of the Abbess and the Bishop themselves are, in this remarkable volume, subscribed to the depositions. A recent French novel, the Abbesse de Castro, is based on the facts so minutely described in the present unpublished and hitherto unknown manuscript. " 519 Inquisitione. Eacconto cavato da Processi del Santo Officio di Eoma di diverse Heresie estirpate, et in particolare di quella del Padre Aniello Arciero, di Suor Giulia de Marchi e di Grioseppe de Vicariis, con la Forma dell' Abjurationi fatte in Eoma da queBti tre ultimi l'Anno 1615, vellum 4THE LIBKI MANUSCRIPTS. 12 L / 542 Joannis Chbysostomi (S.) Homilia de Exitu Adami e Pabadiso, Graece folio. S,ec. x, on vellum A venerable manuscript, written in double columns, in a large ancient Greek character, with red capitals. The form of the letters, as well as that of the accents, compared with the facsimiles and rules given by Montfaucon in his Paleographia Grceca (pp. 272-275), prove undoubtedly that this manuscript, which is slightly defective at the end, belongs to the tenth century. This is one of St. John Chrysostom's homilies, which it is very difficult to find in ancient manuscripts. From the printed Catalogus Biblio-thecce Regies Paris., we see that all the manuscripts of this work preserved in that immense collection, are of the fifteenth century, one only excepted, which is of the fourteenth. (See fac-simile.) 543 Johannis Chbysostomi (S.) Litubgia cum Notis Mttsicis gsiece " veau fauve " 8vo. S^:c. xv. on papeb This is an exceedingly interesting manuscript, as no mention whatever could be found of this musical liturgy of that celebrated father of the Greek Church. This work is quite different from anything of a similar character published (without the musical notes) under the name of S. John Chrysostom, and it does not agree with any one of the liturgical Greek works mentioned by Mr. Neale in his excellent General Introduction to the History of the Eastern Church. It seems that the work was unknown even to M. Fetis and M. Vincent, the last of whom published in the XYIth volume of the Notices et Extraits, a very considerable work on Greek music. To prove that Greek manuscripts with musical notes are of the greatest rarity, it will suffice to quote the authority of Matt. Gerbertus, who, in his work " De Cantu et Musica Sacra " (vol. I, p. 588), says, " Libros notis musicis exaratos......rarissime conspiciant vel etiam habeant Greedy This manuscript is finely written in red and black, with the Greek musical notes throughout. 544 Joannis Chbysostomi (S.) (Joh Os Aubev SvP Matheum) HomiliaB y d in Matthaeum XXV, cum Praefatione Aniani " Oronti Episcopo "— Epistola Pbesbytebi Johannis in the binding of the Tudor family folio. S^c. xi. on yellum The loss of the Anianian version of the Homilies contained in this venerable and apparently unique manuscript was much regretted, and Montfaucon in the Prcefatio to the Vllth volume of his edition of Chrysostomus, says: " Non dubito igitur quin Anianus totum homiliarum in Mattheum librum latine transtulerit Et fortassis si omnium Bibliothecarum manu-scripti codices excuterentur posset hodie tota Aniani versio erui," etc. The very curious Epistola Presbyteri Johannis, so celebrated during the middle ages, is written at the end by another hand. On the covers there are blind toolings, with the Tudor rose and the crown of England. (See facsimile). 515 Johannes Chbysostomtjs de Sacebdotio. Incipit Dialogus Johannis et Basilii Episcoporum 4-itatis," and is preceded by a Volvelle, on the centre of which an angel is depicted. It has various diagrams with Arabic numerals. At the end are two other Volvelles. Several of the other pieces are by Nico-laus de Friberg, who near the end of this important manuscript has copied a deed from the Bishop of Meissen relating to himself. He certainly was a first-rate mathematician for the time in which he lived, and besides his own writings has here collected several mathematical tracts (some metrical,) chiefly on arithmetic, on ordinary and sexagesimal fractions (minuciae vul-gares et physicse), &c. which it would be very difficult to find elsewhere. In several pages this manuscript is full of additional scientific notes (with drawings, volvelles, astronomical and meteorological tables, &c.) in Latin, with Hebrew letters, and in German, with abridgements, even in the names; and is therefore very difficult to read. The Ars Numerandi, by Sacrobosco, has several readings varying from Mr. Halliwell's edition {Rara Mathematical p. 1), and ends with the Progressio (" novenarius summa totius pro-gressionis. Et sic est finis hujus operis.") The Commentary, which is of considerable length, does not agree with any one of those quoted by Mr. Halliwell. Several leaves contain tables for dice. On leaf 224 there is a full length human figure. The Enigmata are very singular and contain algebraical questions, the solution of which requires more than ordinary skilfulness, and show that about the middle of the fifteenth century elementary algebra must have been very well understood in Germany. - 6 569 Kalendabittm pro Anno 1453, a Magistro Johanne Gemunden in "Wien, vellum 4to. S^c. xv. on vellum A very fine manuscript, consisting of 19 leaves, written in red and colours, with many astronomical tables and curious diagrams. Lalande quotes (it seems erroneously) this author at the year 1400, as we find in Falkenstein (Geschichte der Buchdruckerhwnst, p. 56,) the mention of another Almanac (a Block-Book), by the same, Ioh. de Gamundia, or Gamunden, for the year 1468. This Almanack seems quite unknown. The Saints mentioned in the Calendar render it probable that this manuscript was executed for, or copied in England, the words in Wien, signifying probably that the work was compiled in that city or that the Author resided there. _ / 570 Kalendabittm. " Durrat-al-Mudhiyat-fi-al-'Amal-al-Shamsiyah," by Shaikh Muhammad Akhsasi 4do. Sjec. xvi. on papeb An interesting work in Arabic, containing much astronomical matter connected with the Calendar, and several astronomical tables from the beginning of the Hegira, giving the length of the days in the various countries, the rising of the stars, &c. &c. Some of the numerical figures are expressed by Arabic letters, and some by the usual Arabic figures. Respecting Kalen-daria, see also Nos. 39-41, 793, etc., in the present Catalogue.THE LIBRI MANUSCRIPTS. 127 571 Kamal-al-DIn Hussain, the " Tiiyak-i-Faruk," dedicated to Shall Nur-al-Din Ni'mat Allah al-Bakl-al-Hussaini: a Treatise on the Qualities, Uses, &c. of numerous Mineral and "Vegetable Medicines, in Persian, red morocco 12mo. S.®0. xvi. ok papeb An elegant manuscript, written in the Nasta'lik character, within borders of gold, with an illuminated title-page. It has never been printed. 572 Kemna (A. L.) Geometrie, mit Figuren und Tabellen 4to. 1797, on papeb 573 Keplebi (Joannis) Opuscula Mathematica yabia autogbapha folio. S-®c. xvii. on papeb The autograph Cubsus Mathematicus of this distinguished Mathematician, and therefore a most interesting relic, which for its importance deserves more than an ordinary description. The first page commences with "Mathematica est Scientia quantitatis." The second leaf contains Pythagorei Xri/xa Kal ffiixa. Next follow Treatises on Arithmetic and Geometry with diagrams, the latter described " sw ®eto. SiEC. xvii. on papeb Don Manuel de Lira was Envoy Extraordinary from Spain to settle the Spanish losses at Maestricht, and as he appears to have met a refusal of his claims, reprisals are threatened in this paper. The Conde de Yillamediana was one of the most agreeable Poets of the Court of Philip IY, and is supposed to have been assassinated by the orders of that monarch, who suspected him of being too intimate with his queen. His romantic love and tragic death have been made the subject of modern romances. 616 Litubgia. Orationes pise, Psalmi, Hymni, Symbolum Athanasii et Officia pro communicandis Infirmis et pro Defunctis. Accedit Trac-tatulus de Arte moriendi cum Orationibus devotissimis Svo. s^ec. xv. on yellum Written on very stout vellum, with numerous musical notes. Prefixed is a Calendar, a portion of which, as well as the first leaf of this ancient Service-Book, is deficient. 617 Livii (Titi) Perbrevis Summa de Romanorum illustrium Grestis 4to. SjEC. xv. on papeb This manuscript contains the work usually printed as Decadum Epitome, and exhibits several various readings, to give an instance of which it will suffice . to state that in an important passage of this work, recently quoted by M. Mdrim^e in his so deservedly admired ha Guerre Sociale (p. 166) and concerning which the learned author very ingeniously remarks that the common reading, Marsos, is evidently an error of some scribe, the present manuscript has instead Cimbros. The marginal annotations of this manuscript seem to be, without any doubt, in the handwriting of the celebrated Her-molaus Barbarus, who wrote the Pliny which is described, No. 807, in the present Catalogue. /136 THE LIBKI MANUSCRIPTS. a — a — 618 LoaHAT-AL-SA'iDi-WA-AL-'ARABi: A Saidic (Coptic dialect) and Arabic / / Grammar and Dictionary folio. Sjsc. xvii. on papeb This important manuscript is finely written in red and black, on glazed paper, "with an ornamental cross as frontispiece. To use the words of Mr. Neale {a General Introduction to the History of the Eastern Church, vol. II. p. 1207, plate) Coptic manuscripts are of excessive rarity, but it is still more difficult to find ancient dictionaries and grammars of the Coptic language, which has lately acquired so much importance from its connection with the ancient Egyptian tongue. In- order to appreciate the great intrinsic value of this manuscript it will only be necessary to peruse what the two learned French Orientalists, M. Reinaud, and M. Dulaurier, published on the subject when describing a Coptic grammar and dictionary, now existing at Ai ontpellier. {See Catalogue general des Manuscrits des Departements, p. 360, et 718.) '« 619 Longuion (Jacques de) Si comence le voue de paonne (Roman en Vers) folio. Sjsc. xiv. on velltjm An unpublished poetical romance of chivalry, of upwards of 4000 lines. This early manuscript was* evidently written by an English scribe during the fourteenth century, and is adorned ■ with eight illuminations, in the first of which the Feast of the Peacock is depicted, the other illuminations representing warriors, battles, &c. On the fly-leaves are some curious memoranda in old English, with the prices paid, for instance, "Lady Gartyrede glovys lid. For a boshelle of wette (wheat) yin1. When y broutht lady Gartyrede to London w* nil horses xvid. Itm when y parttyd wt your lordeshp at Richemond comyng from "YValsynggam and ix horses at md a horse the some iis ind." This Vow of the Peacock is a Romance Poem (a branch of that of Alexander) founded on the subject of a Peacock killed by mistake, afterwards roasted, and forming the grand dish at the feast, whereat, in the spirit of the times, the knights vow to perform sundry feats of chivalry and the ladies fidelity in love. The author has further embellished his Poem with sundry accessories in the shape of such episodes as the famous Tilting-Match, at the close of the ceremony, and the Adventures of the Hermit Cassanus, the brother of a warrior killed in the service of Alexander, who takes up arms to revenge his death. As a specimen of the language we quote the first lines : "A lentree de may qe yverns vait a declin Qe cil oyseloun gay channtent en lour latin Boys e pres reverdissent conntre le douze temprin E nature senvoyse per soun sutil eugyn.' It is extremely valuable for the insight it affords into the manners both of chivalry and gallantry in the thirteenth century. For an account of this Poem, see Notices des Manuscripts (vol. V, p. 117). Although we have attributed this Romance of Chivalry to Jacques de Longuion, on the authority of a long note prefixed to this manuscript, in the handwriting of the learned Meon, the last publisher of the Roman de la Rose, we must, however, add that M. Paulin Paris, in his capital work (Les Manuscrits Frangais de la Bibliotheque du Roi, vol. Ill, p. 102 and 106) seems inclined to believe that the author of this Poem is still unknown. M. P. Paris states that this romance " prfoente un grand interet pour les mceurs galantes et cheva-lieres du XIII siecle." A more modern copy (of the fifteenth century, and without illuminations) of the same Romance, Les voeux du Paon, was, in 1836, at the Heber Sale of Manuscripts (No. 1395), bought by Messrs. Payne and Foss for more than forty pounds. ^ - ~~ 620 Lopez (Pedro) Relacion del Peru 4to. sieci xvi. on papeb A very important Manuscript, hitherto unpublished, and even unknown to N. Antonio (See Bibl. Hisp. Nova. vol. II, p. 209). From the dedication and the beginning of the work, it appears that this valuable production contains a narration of everything that occurred in Peru for the thirty yearsTHE LIBEI MANUSCRIPTS. 137 previous to 1570, in which year this JRelacion, consisting of 93 leaves of full and interesting information, was written. As a Pedro Lopez, a native of Carthagena in America, published a work on Surgery at the beginning of the XVIIth century, it is probable that the present work was written by him. 621 Lotsaldi monachi gesta S. Odilonis in compendium redacta 4do. Sjec. xvii. on papeb 622 Loyola (S. Ignatio) Yita di 2 vols. 4to. S^ec. xviii. on papeb / - £ Apparently unpublished, and full of curious information. 623 Ltjcani Phabsalia ' 4to. Sjec. xiii. on telltjm Xo - With the name of an early possessor, " Iste lucanus est macri filii Benaduxis de Macris qui moratur in contrata Santi Romani. Deo gratias. Amen." This valuable manuscript is written in a narrow shape (only inches by 5f) leaving much space for glosses, of which there are here two descriptions; some very old, and most probably taken from much more ancient manuscripts, and some of the fifteenth century. In the ninth book, where Lucan, describing the world then known, says, Tertia pars rerum Lybie si credere fame, etc., there is in the margins of this manuscript a map of the most curious description, which affords an additional proof of the imperfect popular notions of the time respecting general geography. This manuscript belonged formerly to the Carmelite Congregation of St. Paul at Ferrara, and is mentioned by Zacharia, in his "Iter literarium per Italiam" (vol. II, p. 158). The ancient commentary is full of valuable information, and the text of Lucan is very pure, and generally confirms the best readings of the modern editions. 624 Lucidario. Comincia el Libro del Maestro et del Discepolo.— — ^ Hoeologio della Sapientia (Dialogo fra Discepolo e Sapientia) 4to. Sjec. xvii. (1642) on papeb~ A transcript (with the date 1642), in the autograph of Antonio Rovelascho, of two celebrated ascetical works, written several centuries before. 625 Lucketii Caei (T.) de Reeum Natuba Libei VI. o ^ vellum small narrow folio. S^ec. xiv. on vellum Finely written on 135 leaves ef pure Italian vellum, with the initial capital of each book illuminated in gold and colours. At the bottom of the first page are painted the arms of the owner. The extreme rarity of manuscripts of Lucretius is such, that Hsenel found only four in all his literary journey; that very few could be found by Mr. Valpy throughout England, all but one of the fifteenth century, or of a later date; and that no manuscript of Lucretius is mentioned in the great Catalogue Bibliothecce Regicc Parisiensis, nor in the printed catalogues of the celebrated libraries of Ravenna, Turin, St. Mark at Venice, &c. The great Imperial library of Vienna possesses only a manuscript of Lucretius (of the XVth century) besides a fragment of the Xth. (See Hendlicher Catal. p. 54-55.) The present manuscript exhibits a very pure text, with various readings, taken either from some other codex, or else conjectural, written by the scribe himself on the margin. As a sample, we select Book I, line 9, diffusum has written over it diffuso ; line 11, referabilis, on margin genitabilis; line 39, turbantem—recubantem • line 55, solemus — suemus, &c. The numerous headings to be found in this manuscript wherever a change of subject occurs, are interesting, but do not appear to have ever been printed. The various readings il contains have not been pointed out, and the presumption therefore is that this important Codex is still uncollated. As a specimen of the varise lectiones we select from Book VI.: Manuscript. Valpy's Edition. Line 16—Pausa atque infestis Causa quae infestis 18—Qua3 collata foris et comoda- Quae con lata foris et conmoda tumque venire quomque venirent - 21—conspirare conspurcare At the beginning, there is a title written about a century ago. " Codex LXI. Bibliothecse Fr. Aloysi Baroni Ord. Serv, B. M. V. Emptus Romsc.13S THE LIBEI MANUSCRIPTS. Lucretius de Rerum Natura, lib. VI, Codex Ssec. XIV." This Fr. Luigi Baroni is the person who, in 1789, republished in Paris the Filostrato of Boccaccio, as if it had never been printed before. It is -well known that only a portion of Lucretius was generally known until, in the fifteenth century, the celebrated Poggio discovered, in his travels, the portion which Was missing. The present transcript, from some older codex, besides the numerous various readings and curious headings, contains most important transpositions of different parts of the poem, which are disposed in quite a different order from that in which they stand in the printed editions. (See, for instance, lib. I, v. 950—994, &c.) In all probability it was taken from a different and more ancient source than the manuscripts discovered by Poggio, who, probably, having only fragments at his disposal, was obliged to fill up the deficiencies conjecturally. (See for a similar case the description of the manuscript of Aratus, No. 62 in the present Catalogue). To add further interest to this volume, we need only point out that several leaves in this manuscript are palimpsest, or rescripts, and show the ancient characters (which, although defaced, are still visible sometimes at straight angles with the modern writing), namely, at folios 22, 36, 38, 42, 49, 53, 58, 59, 65-68, 75, 81, 82, 85, 86, 90, 91, 95, 106, 109, 111, 115-120, 125, 132, &c. The mere fact of this being a palimpsest is an additional proof of the antiquity of the manuscript, as, after the fourteenth century, vellum became so common in Italy, that it was useless to make palimpsests, which, even in manuscripts of that century, are of very rare occurrence. 626 Lttdouici Piissimi Augttsti Epistola ad Hildtjintjm abbatem. ... de colligendis ... historiis ex pretiosissima Martyris Dionisii notitia, &c.—Hilduuini ad Chludouuicum Augustum responsio— Hildtjtjini Areopagitica original "binding 4ito. Sjec. ix. on vellum (53 leaves) Nothing is more important in the ecclesiastical history of France than the Areopagitica, which gave rise during the seventeenth century to such violent discussions. The manuscripts of the Areopagitica are very scarce and comparatively modern, as we see that even in the great printed "Catalogus Bibl. Regise Parisiensis," only six manuscripts of this work are quoted, one of the eleventh, and the others of the* thirteenth, fourteenth, fifteenth and sixteenth centuries. But nothing is more rare than to find an old manuscript of the Epistola Ludouici, and the same Catalogue of the Parisian Library describes only one (and that of the fourteenth century) of this last celebrated work. As Hsenel did not find a single manuscript of this kind during his literary journey through Europe we are entitled to suppose that this is, perhaps, the oldest of all the manuscripts of this collection in existence either here or on the continent. (See also No. 491 in the present Catalogue). The present manuscript in fine Carlovingian characters, with the rubrics and titles in Rustic capitals, was certainly written during the lifetime, or a few years only after the death of Hilduinus, who is supposed to have died about the year 842. At the beginning the heading is beautifully written in red and green, in capital Rustic characters. The Areopagitica are slightly defective at the end. Amongst the interesting things, which might be gleaned from this manuscript, we find the mention of Beda Sanctus Presbiter. The numerals are ail expressed by Roman letters, and the name of the Emperor is spelt in both ways, Lvdovicus and * Chludouuieus, as we have shown at the beginning. (See fac-simile.) 627 Ltidoyisio (Cardinal") Istruttioni date a diversi Ministri per tutto il Tempo del Pontificato della Santa Memoria di Gregorio XV. suo Zio e fatte da Monsigf. Aguchia all' hora Segretario di Stato di S. Bne. old red morocco folio. siec. xvii. on papeb A volume, consisting of about one thousand pages, of great historical interest, especially "the instructions to the Abp. of Patras, when proceeding as Nuncio into Flanders, containing several particulars respecting the unfortunate M. A. De Dominis Abp. of Spalatro, and the instructions given to Msr. Massimi Bp. of Bertinoro, sent as Nuncio to Spain, with a DispensationTHE LIBRI MANUSCRIPTS. 139 for marrying the King's sister to Charles I, then Prince of Wales. These instructions show how at that period the Roman court was wont to meddle with the political interests of the whole of Europe, and particularly with those of England and Ireland. About De Dominis, a curious fact is related (leaf 111), namely, that his opinions were opposed at that time in a work written by the celebrated Jansenius, of whom the Cardinal Ludovisio says, " Giovanni Giansenio che ha la prima cathedra (in the University of Louvain), huomo piissimo, ma che non ha il valore alia pieta inferiore .... dovra V. S. render certa V Universita e la persoivi del Giansenio, quanto ella acquisiti di merito e di loda e da Sua Beatitudine si riceva V opera a gradoThis is the celebrated Giansenio who afterwards became himself so obnoxious to Rome. These Istruttioni well illustrate what we read on this subject in the admirable Port Royal, by M. Sainte Beuve, (vol. I. p. 304). 628 Lupo (Bisantio) Libro delle cose di Giovenazzo copiato da uno antico j? .. manoscritto—Maeinelli (Gius.) Compendio delDominio di Napoli e successione di Filippo secondo, vellum folio. Sjbc. xvii. on papee A very important manuscript. None of these works are mentioned in the Coleti Catalogue, or in Tiraboschi. Toppi speaks of this work of Lupo, and says it is very important, but known only as existing in manuscript. Riccio, Soria and Giustiniani are all silent concerning the work of Lupo, which is written in a dialect almost Neapolitan, and truly invaluable, as it contains the most minute information concerning the history of a Neapolitan provincial town and of the life and manners of its inhabitants up to the year 1530. The work of Marinelli, dated Molfetta, 15 Gennaro, 1596, is dedicated to Ferrando Gonzaga, Prince of Molfetta, and is written with great freedom; it was published in the fourth volume of the Raccolta di Cronache Napoletane. 629 Machiavelli (Niccola) Stone Fiorentine folio. Sjec. xvii. on papee / >, f* Manuscripts of any of the works of Machiavel are very scarce. The text in this is very good. 630 Maefei (M. di) Kaccolta di Sonetti e Canzone, con Tavola. Soneti — et Canzone di diversi Autori fatti in questo libro da me Maffio de Maffei in nome della magnifica Signora Camilla Pizuola Cittadina Trivigiana 8vo. S^c. xvi. (1575) on papee An autograph manuscript, which appears never to have been published, although it is entirely prepared for the press, with even the dedication to Camilla Pizuola. It contains besides verses by M. Gradenigo di Padoa, L. Ariosto, B. Olimpo and F. Petrarca, upwards of 100 poems by Maffei himself, chiefly amatory, addressed to Camilla. At the end of the volume are thirteen closely written pages, " Lettere d'amore fatte par me Manffio Maffei." This M. Maffei was of Treviso, and is not mentioned by Quadrio or Tiraboschi. Ancient manuscripts containing the Rime delV Ariosto are very scarce. This exhibits a very good text, and not only has it valuable various readings, but it contains also some poems attributed to Ariosto, which elsewhere were published under the names of other poets. For instance, the sonnet, "Ite vaghi augelletti al dolce tetto," which is here attributed to Ariosto, was formerly published amongst the Rime of Tibaldeo. The Rime del Petrarca contained in this volume are undoubtedly forgeries, as is clear from the stanza prima (page 307) which here begins : " Son i vostri occhij archibugetti a ruota," not only because such guns were not invented at that time, but also because the comparison is ridiculous, 631 Maffei (Marchese Scipione) Sugerimento per la perpetua Presser- " 7 vazione della Serenissima Republica Yeneta proposto nell' Anno * 1736 4to. S_asc. xviii. on papee (88 leaves) An unpublished and interesting work of the celebrated author of the Merope and Verona IllustraJta. The principles of the writer are very liberal. This work is not mentioned by any biographer of Maffei we have been able to peruse.140 THE LIBRI MANUSCRIPTS. ■ • 632 Maffei (P.) Logica, Physica, Mathematica et Metaphysica, cum Figuris 20 vols. 4to. 1761-63, on paper Written by the learned Jesuit, and evidently intended for publication. This enormous work is very valuable, and contains curious philosophical discussions. One whole volume is filled with fine figures, executed in pen and ink. /, 633 Magagnati (Girolamo) Lettere a diversi vellum 4to. S^c. xvii. on paper This is an exceedingly curious manuscript, evidently prepared for publication, with a Dedication to Giulio Melchiori, signed "Rocho Agudi," and dated " Yenetia, li X Gen. 1620." Girolamo Magagnati, the author of the poetical Play La Clomira, and of several very rare Capitoli burleschi printed at Norimbergh 1643, in 12mo. was one of the most curious characters of the seventeenth century. By profession he was a provision merchant, who, whilst sending his wines, sausages, &c: &c. to the Grand Duke of Tuscany, or the Queen of Prance, or other Princes, accompanied them, every now and then, with his poetical works. Several of the letters contained in this manuscript are addressed to the great Galileo, who, we know, was by no means indifferent to good living. In the great edition, now almost complete, of the works of Galileo, published at Florence by M. Alberi, under the patronage of the present Grand Duke of Tuscany, there are some letters written by Magagnati to Galileo, but our manuscript contains ' • others "still unpublished. Besides those to Galileo, and several Princes, there are letters of Magagnati, addressed to the Cavalier Marino, to Chia-brera, 0. Rinuccini, the Crusca Academy (in which he was inscribed) &c. &c. At the end there is a Capitolo in verse, addressed by Magagnati to Rinuccini, " In lode dell' Invidia." / << c " 634 Magalotti (Conte Lorenzo) Lettere su le Terre odorose d'Europa e d'America dette volgarmente Buccheri scritte alia Signora Marchesa Strozzi—Canzone al Signor Marchese Gr. V. Salviati—Poesie Toscane sopra i Buccheri di Cile, di Guadalaxara e di Nata alia Signora Marchesa Strozzi folio. SiEC. xvii. (1695) on paper This manuscript contains many things which are not in the edition which was given at Milan, in 1825, of these truly interesting letters, up to that time unpublished, and of which, a single manuscript is mentioned by Gamba. Prom several marginal corrections, this fine manuscript, as well as the three following, seems to have been written under the inspection of Magalotti himself; and, as it was formerly in the Strozzi Library at Florence, in all probability it was the identical volume presented by Magalotti to the , Marchioness Strozzi. / *« o 635 Magalotti (Conte Lorenzo) Canzoniere della Donna immaginaria e Copia di Lettera al Sig. Paolo Falconieri, Firenze 5 Settre-1690 folio. SiEC. Xvii. ON PAPER This manuscript contains here and there (see leaves 72 and 111) some alterations in the handwriting of the celebrated author himself, who, as is well known, was the Secretary of the Academy Del Cimento, and one of / the earliest members of the Royal Society of London. / •« ^ " 636 Magalotti (Conte Lorenzo) Lettere contro a gli Atei 2 vols, folio. SiEC. xvii. on paper A copy of this celebrated work made in the time of the author, and presented by him to Abate Mazzetti. X. /J 637 Magalotti (Conte Lorenzo) Lettera al P. D. Angelo Quirino sopra un Passo del Concilio Niceno ed altre Lettere (Scientiiiche ed erudite) folio. SiEC. xviii. on paper This manuscript, written by the Secretary of Magalotti, has an autograph heading of the author at the beginning. The volume contains also several interesting letters between Lord Somers and Magalotti, one relating to some exquisite instruments made in England at the beginning of the eighteenth century.THE LIBEI MANUSCRIPTS. 141 / /J9 638 Magia. Dissertazione circa la Stregeria con Appen dice della Magia /O Diabolica—Dissertatio de Sanctorum Cultu et Invocatione, necnon de Veneratione Reliquiarum et Sanctarum Imaginum—Disser-tazione intorno ai veri e falsi Miracoli in 1 vol. Mo. SiEC. xviii. (1777) on paper Three very learned Dissertations in the anonymous author's autograph. 639 Magkna.ni (Anton. Yincenzio) Istoria dello 'nvitto e valoroso Principe 2— Don Florismondo Principe di Bretagna e d'altri famosi Cava-lieri erranti di quel tempo; ove si raccontano le loro maravigliose Imprese e piacevoli Amori 2 parts in 1, 4to. S^c. xvi. on paper An autograph manuscript of a Romance of Chivalry, written inTreviso about 1560, hitherto unpublished, and unknown even to Count Melzi. Don Floris-mond's father is named Armato Re di Bretagna, and his mother, Auriana, is called Sister of Carlo, King of Scotland. The story is feigned to be from the pen of Heliodorus the Wise, and is divided into two parts, in the second of which the author has introduced a canzonetta, entitled "La Rosa." 640 Magnini (Carlo Antonio," Romano ") Breve Discorso sopra le Forti- ficationi folio. 1644, on paper This author is not mentioned by Tiraboschi. 641 Mahmud 'Uri' Khwajah Jahan (Munshi) the " Riyazat-al-Insha;" being the Correspondence of Muhammad Shah Bahman II, in Persian, written by bis Munshi, or Secretary 4ito. SiEC. xviii. on glazed paper Very interesting for the local history. 642 Malatesta (Monsignor Giuseppe) Storia dell' Interdetto di Yenetia (1605) folio. S^c. xvii. on paper From an old memorandum on the first page, it appears that the author of this important work, of which we cannot find any mention in Tiraboschi, Coleti, etc., was a particular friend of Pope Paul Y. It is well known how much interest the celebrated Fra Paolo Sarpi took in this Interdetto. 643 Maldachini (Donna Olimpia) Yita di vellvm folio. S^c. xviii. on paper This manuscript has important variations from the work attributed to the Abate Gualdi. See also No. 459 in the present Catalogue. 644 Malta. Instituto ed Ordinationi de' Cavalieri della Religione di ^ Malta folio. siec. xvii. (1669) on paper This copy belonged to a Knight Commander of the Order, and bears the following inscription: Questo Libro delV Ordinationi e dell III™. Sig. Com. Fra Roberto Solarifatto nelV Anno corrente del 1669, nel Mese di Luglio incomin-ciato alii 8 del d° e finito alii 17." 645 Mandeville (Johannis de, " Militis Anglicani ") Itineraritjm a Terra Anglise in Partes Iherosolymitanas et in ulteriores transmarinas Anno Domini mcccly, calf 4to. Sjec. xv. on paper An important manuscript of the Itinerary of Sir John Mandeville. 646 Manilii Astronomicon — Canones super Tabulas Alfoncii Regis / - ^ Castellae — Ptholomei Centilogium cum Comento Albugasari —Joannes de Sacrobosco de Sphaera (Germanice)—Tabula Regis Alfoncii, &c. folio. S^c. xiv. on paper An interesting collection. Prefixed is a leaf of vellum of great historical importance, as on the authority of his father, Sifridus Schleint gives particulars, in German, of the war between Bishop Adolph of Nassau and Duke Ruprecht of Heidelberg, Anno Domini mccclxxii, which, as is stated in an old note, Trithemius and Lehman have erroneously ascribed to the year 1381. J - s-142 THE LIBEI MANUSCRIPTS. Manuscripts of Manilii Astronomicon are of such extreme rarity that one only is mentioned in the great "Catalogus Bibliothecse Regise Parisiensis," and none in the printed Catalogues of the Public Libraries of Turin, Venice, etc. Hsenel did not find a single manuscript of Manilius during his travels, and one only is described by Bandini as existing in the Medicean Library. The present one is not complete at the end. The various tabula (one chronological with the Eras of Nabuchadnezzar, Alexander, <&c.) contain Arabic numerals throughout. Mansfelt (Pierre Ernst Comte de) Lettres a sa Fille Madame la Princesse de Mansfelt et a son Cousin le Comte Charles de Mansfelt folio. SiEC. Xvi. ON PAPER Four letters addressed to his daughter, one entirely autograph, dated "xii. de May, 1594," and the three others (1595,1596 and 1601) signed by him. Also five other letters to his Cousin Charles, two entirely autograph, two signed, and one without signature. As is well known P. E. De Mansfelt, one of the greatest warriors of his time, succeeded Alexander Farnese, in the general command of the low countries for the King of Spain. Mantttani (Baptistae) S. Greorgius Cappadocise (Poema) ab Astensio familiariter explanatus 4to. S^c. xvi. (circa 1501) on paper This manuscript appears to have been written by an English Scribe, and has several explanations in his native tongue. At the beginning there are some Latin verses in praise of England, commencing " Anglia terra ferax," &c. At the end is the following colophon; 11 Orate pro anima Joannis Modei Capell hujusce possessoris ac Roberti Calcati ejusdem scriptoris.'1'' Manucci (Aldo) Eleganze Latine e Toscane 4to. SiEC. xvi. (1583) on paper With the date of "the purchase of the blank book," "Emptus est Calendis Decembris mdlxxxiii." The small handwriting has a great resemblance with the handwriting of the younger Aldus contained in Tasso's Gerusalemme and other works, with autograph annotations by the same Aldus, formerly in the possession of Bishop Butler. Manuel Hydrographique des quatre Parties du Monde avec la Situation geographique des Ports de Mer les plus fr^quentes de la Terre French red morocco, gilt edges 12mo. SiEC. xviii. (1782) on paper Written at Marseilles in 1782, on 442 pages. On the title-page is the autograph of the celebrated Sir Sydney Smith. The portion relating to America, extends from page 260 to page 332. J ^ /.r ~ 651 Mar'ai Hanbali (Shaikh) " Tarikh Bait-al-Mukaddas," The History of Jerusalem, in Arabic 4to. SiEC. xvii. on paper This manuscript, written in the Naskh character, was copied anno Hegirse 1106 (a.d. 1694), and contains also the Story of Joseph (Kissah Yusuf), and a Commentary on the poetical works of 'Omar Ibn al-Fariz (Sharh-al-Dlwan Ibn-al-Fariz,) by Hassan Ibn Muhammad-al-Burnl. The Tarikh Bait-al-Mukaddas is a most important work, written anno Hegirse 900 (a.d. 1494). and giving an interesting account of the crusades. It begins with the history of the Creation, followed by the lives of Adam, Abraham, Solomon, Mohammed, and all the prophets and patriarchs. It relates the foundation ot Jerusalem; the downfall of Jerusalem by Bakt-Nasr (Nebuchad-nessar ?) and its repair by Korush (Cyrus ?) King of Persia; its ruin by the hand of Titus ; the adversity of the Jews; the invasion of Jerusalem by Caliph 'Omar; its rebuilding by 'Abd-al-Malik Ibn Marwan ; the fall of the Ka'bah, and its rebuilding by the same 'Abd-al-Malik. The description of the pilgrimages undertaken by the adherents of Mohammed to Jerusalem; an account of the crusades; the fall of Jerusalem into the hands of the Crusaders; the reconquest of that town by Sultan Salah-al- Din Yusuf; the defeat of the French; and the reconquest of Palestine by the Mohammedans. £ — 648 A s d 649 H JP 650THE LIBRI MANUSCRIPTS. 143 652 Marcheselli (Stefano" Gesuita") Contezza del Vindario Poema di Giovanni Filoteo Achillini Bolognese con Yita dello stesso Achillini folio. S^c. xviii. on paper In the autograph of Marcheselli, who prepared the work for the press, but never printed it. The Viridario is an exceedingly scarce Italian poem, printed at Bologna in 1574, in 4to, and very important for the scientific history of Italy, as (amongst other things) it contains the only contemporary mention of Scipio Ferro, who first resolved the cubic equations. Achillini was a great collector of books, pictures, medals, &c. This important unpublished biography was totally unknown to Fantuzzi, Mazzuchelli, &c. and we can not find the name of Marcheselli in the great work of the Fathers De Backer on the Ecrivains de la compagnie de J'esus. 653 Marchetti (Signore) Diario del Yiaggio della Serenissima Gran Du- /jL chessa della Toscana folio. S^c. xvii. on paper A very interesting account of the journey of the Grand Duchess to Paris and back, but unfortunately damaged in the top margin by damp. The manuscript has some autograph .corrections, and seems quite unknown, no mention of it being made in the'' Bibliografia Toscana," by Moreni. Amongst the curious things relating to this interesting Diario, there is a narration of a fishing party which took place at Fontainebleau, where the fish were caught by birds (cormorants) as is the practice even now in China. 654 Maria (B. Yirgo) cnnctis pretiosis Lapidibus assimilata et aliis Sym- bolicis Lauctibus decorata 2 vols. 4to. siec. xvi. on paper A very curious, and, according to a note on the title, unpublished, manuscript, probably written by a member of the order fratrum minorum, as a more ancient copy of it is stated to have existed in the Library " Fratrum Minorum Annuntiationis, Bononiae." 655 Mari.® (S. Yirginis) Lilii Folia sive Elogium Marianum 4to. S.EC. xvii. on paper The volume contains also several Latin elogia on Charles V. and Philip II of Spain, &c. 656 Maria (B. Yirgo). Oultus immaculatse Conceptionia B. Marise semper ^ Yirginis, adjunctis Litaniis Lauretanis, omnium Sanctorum, Defunc-torum et aeptem Psalmis poenitentialibus Yiennse Calamo delineatus a Carolo Jos. M. de H. Anno 1645 (seu potius 1715) blue morocco, gilt edges, in case VLmo. siec. xviii. (1715) on tellum A fine specimen of caligraphy, with capital letters of elegant design, drawn in pen and ink. The original date seems to have been 1715, altered afterwards into 1645. Beautifully written in a large fine hand, upon Oriental paper, ruled with red lines. This is a great poem celebrating the victory of the goddes Parvati against the giant Moisasur. 658 Marsilii, "Medicinse Monarchse et Artium Doctoris famosissimi," Abreviata Libri Phisicorum (Aristotelis) exposita et tradita Parisii folio. Sjdc. xv. (1463) on paper The name of the scribe, who concludes with a pious prayer for his ancestors, is obliterated, but we learn that it was " scripta per me.......... . (Joh. Franciscum de Guateris) hoc die xxii decembris 146iii Ivor a secunda noctis sequerttis diei, &c." and that the price was one golden ducat, " Pretium est ad me ducatus 1 auri." Another inscription at the end shows that it was purchased by Joh. Matth. ex Ferrariis, from " Joh. Francisco de Ghiateris Bidello in prcesenti aiuw 1470 die 14 Februarii." / /<7 657 Markandeya Purana, in Sanscrit oblong folio. S^ec. xviii. on paper / " ^144 THE LIBEI MANUSCRIPTS. Marsilius de Pulsibus Eebrium. Explicit Libellus de Pulsibus Febrium editum (sic) per famosissimimi Marsiliuin Scriptumque omni diligentia et Cura per Bartholomeum OyntTiium sc. JPisaurensem mdt. die 12a Octobris Tiora xxia Deo favente—Ayicenn^e Liber Canonis (per eundem scriptus) folio. SiEC. xvi. (1505) on paper At the end is bound up Auicennai Canonis Liber quintus, finely written on vellum during the fifteenth century, with the initial capital illuminated in gold and colours. This last portion has signatures at the bottom of the pages. Martenenghi (s. Maria Maddalena, "Abadessa delle Capucine di Brescia") Avvertimenti spirituali ed exortatorii con varie Lettere folio. SiEC. xviii. on paper Martialis (M. Yalerii) De Spectaculis Libellus et Epigrahmata vellum small 4to. oblong size. SiEC. xv. on yellum and paper A very valuable manuscript, with signatures to the sheets, and the name of the scribe, " Johandel Novellinus scripsit." The various readings are important, and shew that the copy has been made from an excellent and early original, in which was to be found the h in such words as thauro for tauro, harena for arena, &c. &c. In IV. de Spectaculis, this manuscript reads Trciducta est Gcctulis, as suggested by Junius, instead of Geticis of the Bodleian Codex, or the tradita Gcetulis of the printed editions. In VII. of the same book, line 7, is written Denique supplicium sceleri par venit acerbum, in red ink, instead of the usual Denique supplicium dederat necis ille paternce. In XYI, cum fert nunc stegma juventus, instead of confer nunc schema juvenci. In Epig. I, Quid igitur in ilia appetit et placetf tussit, instead of Quid ergo in ilia petitur et placet ? Tussit. To show that this Codex has never yet been collated, we give from it (leaf 7) Epigram XLVI. of Book I. entire " Edita ne brevibus pereat mihi cura libellis Dicatur potius Ton dapamibomenon" as the editor of Valpy's Edition states, " nulla lectionis varietas est in exemplaribus," and yet gives charta for cura, and S'airaneifiifievos. In Epigram XXVIII, the following variations occur, totally unnoted by him: Tu factam tibi jam, instead of rem—Exemplum nimio periculosum, for Exemplo nimium periculoso.— Monolimpotim nitore Procille, for miffu nvri/iova . vellum Ho. S.&c. xvii-xviii. on paper A very valuable manuscript, consisting of 304 pages, with numerous coloured drawings of the musical instruments (including an ancient piano), and with tunes. It contains also two Latin treatises; one, in ten books, called " Regulse Simpliciores pro componenda musica," having at end " Finis huius artis p. 16. Bapt. Chiod." a name unknown to Fetis, and therefore unpublished. The other is called " Aliud componendi modus." Besides a transcript of the tract on Arithmetic as applied to music, by Henry Grammatell (said to have been printed at Frankfort-on-the Maine in 1572, and which must be very rare as it is not quoted in the truly invaluable work on Arithmetical books by Professor De Morgan) there is a great variety of other small works in the volume, mitten about 1720, but evidently containing writings of much earlier authors, including " Gumpelnhahner, J. B. Besardi, Fabritio, C. Milanuzio, L. Viadana, Glareanus, J. Lancius," and others. The author, (A._S.) in some German verses prefixed, acknowledges that he has begged, borrowed, or stolen, wherever he could, to increase the value of his book. Concerning Music see also Nos. 507, 543, 595-597, 760. 780, 844, 846, 892, 1053, 1103, 1114-1117, in the present Catalogue.156 THE LIBRI MANUSCRIPTS. / X '* 700 Mustafa Ibn Ahmad Hallak, tlie "Tarikh Nihnyat-al-Talab bi- Mawaki'al-Sham," A Historv of Sham (Syria) from Anno Hegirae 1154 to 1195 (a.d. 1740 to 1780) in Arabic folio. SyEC. xviii. ON paper X v /7 " 707 Muskier (Joannis Alcidii, " Medici et Philosophi Lotharingi") Miscel-/ laneorum Liber unus Anno 1636 4do. SiEC. xvii. (1636-41) on paper A stout volume of 950 pages, in the Authors Autograph, evidently intended for the press, with an index of the contents, and a portrait of the author, aged 43 (a drawing) prefixed. The following slight view of the Treatises contained will afford some notion of this interesting manuscript. De Grammatica; Nomina selectiora et Aclagia; de Linguis (especially de Lingua Hetrusca); de Poetica Acrosticha; de Rhetorica; Philosophia Mo-ralis; Orationes; de Sympathia et Antipathia Rerum ; de Imaginatione; de Tempore ejusque Partibus; de Arte Divinatoria; de Auguriis et Auspiciis; de Astronomia; de Geographicis quibusclam ; de Pythagora; de JVumeris; de Musica et Musis; de Rebus Divinis; de Deo; de Diis; de Sectis Philosophorum; de Sectis Medicorum ; &c. &c. Inserted (pp. 49-56) are engraved Polyglott Alphabets and " Elogia Dei-parse." The Preface, in " Artem Oratoriam," is dated " Urbini Anno, 1636." One of the Orations is in Italian, and though it was delivered by " Alessandro Sentinelli in Urbino nella Cappella di S. Filippo Neri, 1637," the author claims it as 11 da me composta." There is also a dramatic Predica della Passione di N. S. Jesu Christo. At p. 205 is an Autograph Sonnet, with the poet's signature, addressed to Giovanni Alcidis Monier Medico Lorenese by " Giovanni Leone Sempronio Poeta laureato dottore in legge d'Urbino," author of Boemondo, a poem thus praised by Quadrio : " Occupa peroilprimo luogo tra quelli delV infelice suo secolo." A Treatise de Grapho-mantia is also in Italian. The Treatise de Chiromantia has drawings. The work de Sectis Philosophorum et Medicorum, dated Placentiae, 1641, contains, under " de Secta Magica," a treatise de Magia. This work, illustrated with numerous scientific diagrams and plates, is a true cyclopaedia of the state of learning, chiefly in Italy, during the seventeenth century; and contains much valuable information which it would be difficult to find elsewhere. Prefixed to each special treatise, there is a bibliography of the subject. r /P •• 708 Muwali, the " Nazm-al-Durrar," or String of Pearls, containing Persian Poems by Muwali, consisting of Moral Tales and Religious Effusions, dedicated to Shah Tahmasp, King of Persia, Anno Hegirae 936 (a.d. 1529) 8vo. SiEC. xvi. on Oriental paper Neatly written in the Nasta'lilc character, with an illuminated title-page within gilt borders. Never printed. , - 709 Mystere. C'y commence la Nativite de nostre Sir Jhesu Crist 8vo. SiEC. xviii. on paper A transcript of this rare Mystery, containing several variations from the edition. /6 - Ji 710 Naninus de Marsiliis " Libro chiamato Roxaruin Odor Yitae, Eoxaro Odore de la Vita" 4to. 1440, on paper An autograph manuscript with the following colophon: "Ego Naninus d*Marsiliis propria manu scripsi et die XXII Junii MCCCCXL. explevi." This curious Italian work on Moral Ethics (as well as its Author) appears to be totally unknown. The writer quotes Aristotle, Cicero, Seneca, Prudentius and the Fathers. In illustrating "Inter dispares mores non cadit amicitia," he says, " io me delectasse del studio e uno altro del giocho de lidadi (Dice)." At the end there is an index " per abacho che rimanda al capitolo," with Arabic numerical figures. On the last page a " Iohannes de Cantero de Almania " (of Germany), who (in the XVth century) possessed this manuscript, has written besides his name these two rather curious Germano-Italic verses. " Homo in amavato sans dinare." " Prcnd una canestro e vate pickare."THE LIBRI MANUSCRIPTS. 157 4 - ^ " 711 Napoleon I. Projet de Budjet pour les Depenses de 1810, Service du Grand Maitre des Ceremonies et Depenses folio. siec. xix. (1810) on paper An official authenticated copy of the expenses incurred for the marriage and coronation of the Emperor Napoleon I. In confirmation of the "well known fact that the Emperor Napoleon paid great attention to economy, we find here that the whole of the expenses for the ceremony of his marriage with the daughter of the Emperor of Austria were less than 165,000 francs (about £6,600). 712 Napoli. Alcuni Particolari degni di memoria et di annotatione iquali sono accaduti nella Citta et nel Regno di Napoli per il Tempo iche D. Pietro di Toledo fa Yicere et per molti anni dopoi con i Tumulti del Anno 1547; et la Ribellione del Principe di Salerno et altre cose seguite 4to. S^ec. xvi. on papeb This work written by a cotemporary author generally agrees with the Castaldo (see No. 230 in the present Catalogue). But in the present manuscript the text is older and more genuine, and offers many important various readings, while the previous one (No. 230) contains some additional documents (see for instance the letter of the Emperor Charles V at the beginning of the third book) which are not in the present. Written by an eye-witness, this work, which relates the great insurrection of- the Neapolitans against the attempt to introduce the Spanish Inquisition into their city, is full of curious anecdotes, duels, murders, etc. It speaks for instance of the Emperor Charles Y. attending a masked ball, and being detected and taken in by the Princess of Salerno. 713 Napoli. Summaria e breve Relatione de le Intrate de la Regia Corte del Regno di Napoli, delli Pagamenti fiscali, delle Dohane (Custom House) folio. S^c. xvi. on papeb A fiscal document of considerable historical and statistical importance. The numerous names mentioned therein render it also most interesting to genealogists. For the history of trade this work, consisting of 216 leaves, is also very interesting. 714 Napoli. Principum Neapolitanorum Conjurationis Anno mdcco. His- toria folio. S.®c. xviii. on papeb We cpuld not find any mention either of this work, or of the previous one, in the works of Soria, Giustiniani, and Riccio. 715 Nappini (CanonicoBartolomeo) Opere Poetiche 4tto. S^ec. xviii. on papeb Nappini, who died at Rome in 1717, upwards of 80 years of age, was a Member of the Accademia degl' Infecondi, and because he preferred it to the rising Arcadia, Crescimbeni was so indignant that he disdained to take notice of him in his Storia. Tiraboschi, however, praises him, and speaking of his -verses says, " Sono in istil pedantesco, nel quale egli ha molta grazia e feli-cita." This stile pedantesco is a very curious mixture of Latin and Italian. A great portion of these poems being of the most free and satirical description were never published. 716 NasIk-al-DIn Tusi (Muhammad bin-Hassan bin-Muhammad) " Zij- /J/ - Ilkham," Astronomical ' Ilkhanite' Tables (in Persian) Oriental binding folio. SiEC. xiv. (1322) on Obiental papeb A most valuable manuscript. It is hardly necessary to mention, that Nasir-al-Dln, born a.d. 1201, was perhaps the greatest philosopher and astronomer of his age. Employed by Holagu, the grandson of Chinglz Khan, to erect the great observatory of Megarah, he collected there the most celebrated astronomers of Asia and Africa, and with their help was able in a few years to construct these tables, which, although one of the most important monuments of astronomy, still remain unpublished, whilst other Oriental tables, probably of less importance, have found learned editors and illustrators. The " Zij-IlkhanI," was presented to the son of Holagu, Anno Hegiree > ^158 THE LIBEI MANUSCRIPTS. 668 (a.d. 1269), and the present manuscript was written Anno Hegirae 722 (only fifty-four years afterwards), as it appears from an Arabic note in a co temporary hand, written in red on the title (the third leaf of the manuscript). This inscription says, that this manuscript was written in the year of Hegirae " Isnan wa 'ishrin wa sitt miyah," which signifies six hundred and twenty-two, but it is easy to see that an Arabic letter has been erased in order to change seven into six, and thus make it appear older, forgetting that by rendering it so old, the copy must actually have been made before the work itself was written. This ancient volume, which is beautifully written in red and black, with numerous tables, and a fine ornament in gold and colours at the beginning, is one of the most important Oriental scientific manuscripts ever offered for public sale. 717 Nativite. Cy commance la Nativite Nostre Sire Jhesucrist 8uo. siec. xviii. on paper A transcript of this very rare Mystery, with tracings of five ancient woodcuts, and several philological annotations on the margins in the handwriting of the learned bibliographer H6risson. Navigation. Petit Livre, ou sont en suite les Principes de la Navigation et un Forme de Carte qui demontre le Cours des Marees par toute l'Europe avec la Rose qui montre 1'heure du plain et basse Mer, &c. "Eaict a Lisbone par Christofle Troadec du Conquet" 4to. Sjec. xvii. (1645) on vallum A very curious Treatise on Navigation, with diagrams, and an illuminated map of England, France, and Spain. It contains several chapters or small tracts on the subject, the first in gold and colours, being: Moyen de trouver le Nombre d'Or—II. Eose pour scavoir les Noms des Yentz—III. Rose pour scavoir quel heure il est le Souleil—IY. Rose pour scavoir comment et de combien le Souleil et la Lune se lougnet—Y. Rose pour scavoir quel Maree—YI. Rose pour scavoir de combien les aultres Marees—VII. Rose pour scavoir 1'heure du coucher et lever de la Lune a perpetuette— VIII. Rose pour scavoir combien de Lieues il faut courir en chaqun Erde-vant pour ellever un Degre de Lattitude — IX. Rose pour scavoir la Declineson de l'Etoille du Nort—X. Carte des Costes de l1 Europe (including the Coasts of England, Scotland and Ireland)—XI. Carte des Courses— XII. Table pour trouver la nouvelle Lune a perpetuitte—XIII. Pour scavoir sans Ayde de Livre l'Epacte, " on which is painted a hand with the manner of calculating." The various drawings, maps, and tables of this manuscript contain a collection of all the practical means used by navigators about the middle of the seventeenth century. We have been unable to find any mention of Chr. Troadec in any work relating to the History of Geography that we have perused. Newdorfeer (Johann, Rechenmaister, 1531) Arithmetica, Germanice vellum square 12mo. S^ec. xvi. on vellum Probably composed for Sebald Hiibner in 1531, as at the end is the following autograph inscription: " Sebolt Hiibner ist diess puchlein im 1531 jor," with his monogram beneath. A subsequent possessor was " Jacob Week, Anno 1537, in Lyon." The Arithmetica of Newdorffer is quoted only from hearsay im the Index by Professor de Morgan, who, it seems, was unable to see the work itself; a fact which is a sufficient proof of the rarity of the book. This manuscript is nicely written, with capitals in gold. Nicephorus Melissenus, " Crotoniates Episcopus," de Trinitate et alia Opuscula ejusdem, Graece—Michaelis Epistolse, Greece—QuiES-tiones in tres Libros Aristotelis de Anima Latine—Tractatus de Sacramento Eucharistise, vellum 4sto. Sjec. xvii. on paper No manuscript of " Nicephorus de Trinitate " is to be found in the " Catalogus Bibliothecse Regue Parisiensis." - 719 j(\ — 720THE LIBEI MANUSCRIPTS. 159 721 Nicodemi Eyangelium—Augttstinus (B.) de Vita Christiana— Altebcatio Ecclesiae et Synagogae—Ai,cuintjs (Anglus) de Virtu-tibus et Yitiis Uuidoni Comiti in the original binding, with clasp square 8vo. SiEC. ix. on vellum In every respect this manuscript, consisting of 273 pages, and written by different scribes in the finest small Carlovingian characters, deserves a special attention. Without alluding to the work of the celebrated Alcuin, in a manuscript almost cotemporary with the author, the appearance of the spurious Evangelium Nicodemi (which is at the end of the volume), in a manuscript of the ninth century, is rather an extraordinary fact, for even modern copies of this forged Gospel or Romance are very scarce. Haenel only mentions two copies of the fourteenth and fifteenth centuries, and two more without any description, which shows that they were of even less importance. In the great Medicean Library of Florence there is not a single copy of this work, and we see from the printed " Catalogus Bibliothecse Regise Parisiensis,1' that amongst the six manuscripts of Nicodemus which are in that wonderful collection, five belong to the fourteenth or fifteenth centuries, and one, the earliest, can hardly be older than the beginning of the twelfth century, as it occurs in a collection, in which is contained an historical account of some transactions which took place during the year 1095. (See facsimile). 722 Nicolai Smyrnaei de Supputariia Digitorum G-estibus, Graece et Latine, /f (cum Figuris Manuum et Digitorum) 8vo. S^c. xviii. on papeb ' In the beautiful autograph of the celebrated Richard Porson, who appears to have transcribed it for the press. According to Fabricius, this interesting work, connected with the history of Arithmetic, was known to Bede when he wrote on the subject, De Loquela Digitorum. 723 Nicholaus Esculanus Ordinis Prsedicatorum de Eloquentia, quae in »« d obscuro et subtili stillo in libria declamationum Senecae latet, in claro et apto stillo posita folio. S^c. xiv. on papeb An unpublished manuscript of a work by Nicolas de Esculo, totally unknown to all the biographers of this eminent author, although a tolerably ample account of his other writings will be found in the " Scriptores Ord. Prsedicatorum," by Quetif and Echard. 724 Nicomaqtje l'Arithmetique, avec un Extrait de Theon, traduite en ^ Frar^aia par H. J. Eisenmann folio. S^:c. xix. on papeb In the autograph of the translator, with interesting notes, and ready for publication. Very valuable for the history of Arithmetic. (See No. 329 in the present Catalogue.) , 725 Nizam-al-DTn Ahmad Bin Muhammad Mukim al-Harawi (of Herat) // - * " Tabkat-i-Akbari," A general History of India down to the thirty-seventh year of the Heign of Akbar Shah, or a.d. 1593 Indian binding folio. S^c. xvii. on papeb This is one of the most celebrated histories of India, and India alone forms the subject-matter of the work, to the exclusion of the histories of other countries. Ferishta, and other Eastern historians, by whom it is sometimes called the Tawaflkh-i-Nizaml, have borrowed from it. The author died Anno Hegirse 1003 (a.d. 1594), and was buried in his own garden at Lahore. The present manuscript was copied Anno Hegirae 1071 (a.d. 1659). Mr. Morley, in his Catalogue (p. 58-61), gives a long account of this important work. 726 Nonii Mabcelli, " Peripatethici Tyburticensis," Compendiosa Doc- tbina pee llxebas ad ellium de Pbopeietate sebmonum folio. . S-23C. xiv. ON VELLUM A very elegant manuscript of this highly important grammarian, finely written, in double columns, on 122 leaves of Italian vellum, and exhibiting many A160 THE LIBEI MANUSCRIPTS. important various readings. The following, taken from tlie first page, will be sufficient to point out its great value to the critical scholar and editor : Manuscript. As printed in Gothofredi Corpus. " Ut £Etas mala est, mors mala est ergo Ut aatas mala est ergo merx Nam prudentissime noster Maro diem (omits partiens) partiens primas partes Quod petis senia et jurgia." Quot pestes, senia et jurgia." Manuscripts of Nonius Marcellus are of uncommon occurrence. Hsenel found only four of them during his literary journey throughout Europe. 727 Northtjmbria (Roberto Dudleo, Duca di) Disegni di Nate e Nitoya Maniera di Fortificatione royal folio, mdcxxix. on paper These designs for ships and for naval fortifications are executed in a very artistic manner, and undoubtedly were sketched by a Florentine artist of great skill. The frontispiece representing a ship, &c. in full sail, is a drawing well worthy of being framed. On folio 26, beneath a drawing of a curve, is inscribed, " 11 Garbo del San Cosimo fatto clal Duca di Northumbrian The lines laid down for building each vessel are in English feet, and the volume is rendered more interesting, not only by manuscript descriptions, but also by drawings of the various engines used in shipbuilding, anchors, boats, spars, masts, &c. This valuable manuscript is the production of the celebrated Sir Robert Dudley, Earl of Warwick, who assumed the title of Duke of Northumberland in 1620, when created by the Pope a Duke of the Roman Empire. He was Grand Chamberlain to the Duchess of Florence, wife of Cosmo II. and sister of the Emperor Ferdinand II, and was author of the extremely rare work entitled "DelV Arcano del Mare," so remarkable for valuable projects for the improvement of navigation. No doubt Sir Robert Dudley composed this bulky work, consisting of several hundred large drawings of ships, guns, engines, fortifications, &c. in order to show to his Medicean protector how he could improve his fleet and naval defences, by imitating English ships and gunnery. Amongst these drawings there are several described as English ships, and, generally, the measures are both in English feet {piede Inglesi) and braccia tiorentine. There are also several drawings relating to the porto di Livorno, (which this nobleman was the means of greatly enlarging and rendering more frequented by building the mole, and getting the Grand Duke to declare it a free port) the whole with explanations, &c. A more important manuscript for the history of ship building and nautical engines is not to be foimd. From different inscriptions at the beginning, it appears that this manuscript was in the possession of the noble family of Borromeo, at Padua, since 1689. 728 Nott (Sam.) Themata, Epistolae, Declamationes, Prselectiones in Persium, Ajrfstotelem, &c. 8vo. 1760, on paper An autograph manuscript from the Library of his Son the Rev. J. F. Nott. 729 Noyelle Italiane—Novella d'Amadio Niccolucci—Noyelle X di G. F. Grazzini detto il Lasca—Piceria di Santa Nafilla d'Annibal Caro—Parlamento d'un Plebeo Fiorentino d' A. Niccolucci— Relazione dell' Ornani—Lettera di Galileo Galilei—L'Amobe di Carlo Gonzaga Duca di Mantova e della Contessa Margherita della R. scritto dal Sig. Giulio Capocoda—Il Mercurio Poatiglione half calf folio. SiEC. xvii. on paper An interesting collection. Amadio Niccolucci, is by a sort of anagram, the pseudonyme under which the Inquisition tolerated, during the seventeenth century in Italy, the mention or printing of the name of Niccolo Machia-velli. The letter of Galileo is the celebrated Epistle to Madama Cris-tina, which was so obnoxious to the Inquisition and was so rigorously suppressed. Nothing is more uncommon than to find old manuscripts of the Novelle del Lasca (Grazzini), which, on account of their licentiousness, were only circulated in secret, and not allowed to be printed before the middle of the last century. The readings of this manuscript are excellent.THE LIBEI MANUSCRIPTS. 1G1 /f 730 Novelli (Alexandri Pauli) de clarissimo Castri Franci (Castel Franco), ^ / Praetore D. Georgio Semitecolo Oratio 4do. 1584, on paper An autograph manuscript, dated " v. Kalendas Decembris, mdlxxxiiii." 731 Nuremberg. Drawings of Thirty-eight Coats of Arms of tlie principal ^ Families in Nuremberg, beautifully emblazoned in gold, silver and ' colours 4>to. siec. xvi. on vellum 732 Officium Beatae Marise Virginis Romanae Curiae—Missa B. Mariae 7 ** ^ Virginia—Officium Mortuorum—Septem Psalmi Penitentiales et ' Letaniae—Officium Sancti Spiritus—Offioium Sanctae Crucis green silk 12mo. S.®c. xv. on vellum Beautifully written on Italian vellum, with six miniatures and numerous richly illuminated capitals in gold and colours, having the name of the scribe at the end of the Officium Mortuorum, " Et scriptum manu M. Christofori de la turre." Prefixed is a Calendar with an illuminated capital at the commencement of each month. Next follows a painting of an altar, having for inscription, " Sacratis. Virgini. Marie. DiCATUM,"in golden capitals. The first page is finely illuminated with a miniature in the centre (the Annunciation). To each of the other services, are appropriate miniatures ' executed in gold and colours, in the style of Maitre Simon, " the Master of Distances." 733 Oeficiitm Yirginis Marie secundum consuetudinem Eomane curie cum Calendario 12mo. SiEC. xv. on vellum Written by an Italian Scribe on pure vellum, and adorned with five small Miniatures or capital letters, two of the pages having elegant borders, the first of which surrounds a graceful " Madonna and Child." The Calendar is rich in Benedictine Saints. 734 Officium Beatae Mariae Yirginis, cum Calendario. Accedit Officium ^ ' Sanctae Crucis 8vo. S^ec. xv. on vellum Written by the French Scribe, Jaquin, with singular illuminated capitals, and having (a rare occurrence) his autograph at the end of the first Service. Several of the prayers are in the French language. The volume does not appear quite complete. ^ ^ 735 Officium sacratissimi corporis domini nostri jesu christi crucifixi YlmO. SiEC. xv. on vellum Very neatly written by an Italian Scribe, and adorned with ten Miniatures (arms of the former possessor and Scenes from the Life of Our Saviour), executed in gold and colours. " Figurate per me franciscum a libris anno d. mcccclx," is written under the first painting by a more recent hand. . 736 Oliva (Fabio, " di Forli") Vita di Catherina Sforza de Medici morta & nel 1508, vellum folio. S.ec. xvii. on paper Catherina Sforza was celebrated for the great courage she displayed in opposing Caesar Borgia, as she had previously resisted a rebellion, during which she made that famous heroic answer mentioned by several historians, but which decency forbids us to repeat, when urged to surrender, or her son who had been made prisoner should be put to death. Neither Sismondi in his article in the Biographie Universelle, nor Tiraboschi, have made any mention of this important work by Oliva, which seems quite unknown, as we could not find any mention of it either in the excellent index of the Archivio Storico, or in the Catalogo dei Manoscritti posseduti dal Marchese G. Capponi, a collection so rich in every thing connected with Italian history, and of which the learned owner makes such splendid use. 737 Oliverii Michaelis Senensis, Artiuin et Medicinae Doctoris, de ° Divina Sapientia Opusculum 4 /t - 761 Paolo IV. Avvenimenti del Pontificato di Paolo IV e della Casa Carafa con i Capi del Processo del Cardinal Carlo Carafa e loro Difese folio. siec. xvii-xviii. on paper A most interesting and unpublished collection, apparently written by one of the Carafa family, who, on the title page, has placed his initials, F. C. — Cardinal Caraffa, as History informs us, was hanged on the 4th of March, 1561, by the order of Pope Pius IY. as an accomplice in the murder of the Countess di Montorio, and for other crimes. This voluminous manuscript (more than 800 pages) contains most curious documents respecting the whole transaction, as well as relating to the reversal of the sentence on the Caraffa family by order of Pope Pius V, who also commanded the chief judge, Al. Pallontieri, who pronounced the first sentence, to be decapitated. We do not find in the Archivio Storico Italiano any mention of the documents contained in this volume. / fn — 762 Papal Documents. Constitutions S. Collegii — Excerpta ex Decretis Consistorialibus—Cardinalium et Episcoporum Nomina qui vel Capti vel occisi sunt a Principibus saecularibus—Instructions Alexandri VI, datse Buzardo Nuntio ituro ad Bajazetem Turcarum Imperatorem Anno mccccxciy.—Epistola Card. Gri-THE LIBEI MANUSCRIPTS. 169 maldi—Romans Electiones super dubiis Conclavis—Qu^enam cavere quse yero noil teneantur Cardiualea in Electione Pontificis—Aeo-eismi Politici per il Conclave del Sig. Ca,rd. Azzolini—Modus eligendi Pontifices—Quid spectare debeat Cardiiialis in eligendo Pontifice—Esclusiva de i Re se debba attendersi nell' Elettione del S. P. Romano—Il So gusto di Pasquino—Le Eoubieb de l'Europe ou le Logement des Nations, Princes et Particuliers dans les Rues de Paris, avec leurs Proverbes—Sonetti nello Sede vacante d'lnno-centio XI.—Risposta al Colascione di 3 Corde—Il Botteghino restaurato—Poeta Ammalato per essere uscito il Bando contro le Satire—Folium Rescriptorum—Relatione di quanto si e negotiato in questa lunga e pericolosa malatia del Papa 18 Xbre 1699— Sonetti, Eco et altre Poesie 4to. siec. xvii. on papeb This manuscript, containing several hundred pages, is full of the most curious information. Most of these tracts are unpublished, and although the manuscript was evidently written in Rome, they are generally against the Roman Court. Some of the Poems are written in the Romanesco dialect. To find in a manuscript written at Rome the celebrated Instructions of Alexander VI. is a matter of the rarest occurrence. 763 Papii (Joannis, " Academiae Bituricensis Praesidis ") Album Amicorum, 1619-1623, half morocco folio. S.EC. xvii. (1619-23) on papeb A Collection of Twenty-five Coats of Arms, splendidly emblazoned in gold, silver and colours, with inscriptions addressed to Papius in the autographs of their owners. Amongst these are the autograph signatures of Sigismund Baron Schneeberg, 1619; G. 0. T. Krausse, 1619; J. R. Hund, 1620; Paulus Rantzovius, 1621; Ulrich Truchses, 1622; H. Yalckenaer, 1622; Jacobus Florenty, 1623; &c. &c. &c. Papius was the protector of the German students in the University of Bourges in France. 764 Pababol^; Salomonis, Ecclesiastes, Cantica, Libeb Sapienti^;, Ecclesiasticus (liber Jesu Eilii Syrachi) cum G-lossis folio. S.®c. xii. on tellum A fine biblical manuscript, with large and curious illuminated initials, apparently written by an English scribe. 765 Pabliament. The Maner of Parliamente in the tyme of Kyng Edwarde ~ and of Etheldrede, and William the Conqueror, &c. 4to. S.&C. xvi. ON PAPEB A transcript of " a little old parchment booke remayning with the clerke of the parliament," written circa 1560. Though held as very high authority by Lord Coke, we do not find that it has been printed. 766 Pasquino in Estasi—Stanze sopra il Mai Erancese J vellum 4do. S.ec. xvii. on papeb The Pasquino is a satirical and free dialogue in the style of Aretino. The Stanze have every appearance of being in the handwriting of Alessandro Tassoni, the celebrated author of the Secchia Rapita. This poem, of a very free character, seems quite unknown. A singular fact is, that it is written in the same rhime that Ariosto used in the Orlando Furioso, of which it is a sort of parody, as will be apparent from the first stanza here subjoined: " Le gomme, 1'inquietudmi, i dolori, E le galliche bolle io scrivo e canto, Che fur quando i Francesi traditori Passaro i monti e Italia offeser tanto, In Napoli spargendo i frutti e i fiori Di questo morbo, a cui del legno santo Tal hor 1' acqua non giova, e spesso invano V adopra ogni rimedio ingegno humano." /170 THE LIBRI MANUSCRIPTS. 0 ,, v, 767 Passio Sancti Sebastiani atque Sancti Yincentii Levitt. Inclu- duntur etiam Passiones SS. Tranquillini, Marcelliani et Marii Mar-tyrum, item et S. Tyburtii Martyria 4do. Sjsc. x-xi. on vellum A very ancient manuscript, well written, in a beautiful Carlovingian hand. {See facsimile.) £ 768 Passion de Jesus Christ—Ichi comesche la passio du sauueur et redeptuer ihesu christ chelo le quattre eualiste 8vO. S.ec. xv. on p ape it Curiously written, in a 6ort of dialect. grf •• 769 Passionale Sanctorum Martyeum, &c. scilicet—Yita et Actus Sci Silvestri Papse Urbis Rome—Yita Seae G-enofevse Yirginis— Yita S. Benedicti—Yita S. Remigii Episcopi et Confessoris— Passiones S. Felicia Presbyteri, S. Marcelli Papae aliorumque— YiTiE S. Hadelini Confessoris (aliorumque Sanctorum multorum) half morocco folio. SiEC. xi. on vellum A splendid manuscript of the Ancient Passionale, with several of the large capitals flourished in elegant designs, that of the "Passio S. Bartholomei Apostoli," representing a triple Cathedral. In the " Vita Sanctissimi Servatii Tungrensis Ecclesise Antistitis," the Greek words TvwOl creavriv occur, written hnoti ce aytwn. Amongst other Lives preserved in this venerable manuscript are the apocryphal accounts of the Martyrdoms of St. Peter and St. Paul, written as here stated, " a Lino Episcopo Romano Grseca lingua... et ecclesiis orientalibus destinatum." These Lives of Saints are very valuable, as they contain much information respecting the history of Europe after the fall of the Roman Empire, which, without the help of such biographies, would be involved in much greater darkness than it is. The Lives of Saint Genofeve, of S. Remigius, S. Vitis, S. Symphorianus, S. ServatiUs, S. Benedictus, and of several other saints, are considerable 4 works intimately connected with the history of Italy and France at the \ very beginning of what is called modern history. The drawing of the three churches embodied in the large capital I, which is at the beginning of the Passio S. Bartholomei affords one of the rarest specimens of architectural drawings during that period, and the very first words of the same Life (which is full of curious information relating to ancient India) show that the author was acquainted with the existence of the three different Indias of the ancients, a fact not so generally known as it ought to be, but which explains some passages of ancient classical history, which, otherwise it would be very difficult to understand. These words are: "Indie tres esse apud historiographos dicuntur. Prima est India qnse ad . etMopiam mittit. Secunda quse ad medos. Tertia quas finem facit; Nam ex uno latere tenebrarum regionem gerit, ex alio mare oceanum." Of the lives of Saints, known as Passionalia, which are held in great estimation amongst learned men, only a very few can compete with the present, either on account of their antiquity, or of the number of lives they contain. Our manuscript, consisting of about 170 leaves, is written in double columns, in very fine Roman characters, without any mixture of any Gothic form whatever. In the great Catalogus Bibliothecce Regice Parisiensis there is an immense number of these Vitce Sanctorum, but, with a few exceptions, the manuscripts in which they are contained belong to .the thirteenth, fourteenth, and fifteenth eenturies. We must add that the present manuscript contains a Passio S. Gengulfi martyris quce est Vidusneati, connected with the history of Pippinus rex Francorum, which life of St. Gengulfus we have not found in the Index of the said Catalogus Bibliothecce Regice, and therefore we are induced to believe that this life, which is also interesting as forming (under the title of Hystoria S. Gangolfi) the subject of one of the poems of the celebrated Hrosvita, is exceedingly scarce. We do not know if this S. Gengulfus has any connexion with the S. Gennulfus whose life is in a manuscript of the twelfth century at Montpellier (Catalogue General de$ Manuscrits, p. 292). (See fac-simile.)£ THE LIBEI MANUSCRIPTS. 171 770 Pauli (S.) Epistolje cum GTlossis morocco small folio. S.®c. xi. on vellum Beautifully written in the character which was used in Europe before the introduction of the angular gothic, with fine illuminated initials executed in gold and colours in the style peculiar to that period. The glosses are written in a very fine small character (See facsimile). 771 Pauli de Pergula Tractatus Logicae, " Explicit feliciter Tractatus logice ^f magri Pauli de La pgula p'itissirni Viri die Scto Epiphanie sexto Januarii per me Marim. de sctonaz0. Canoicm. Rerem. 1454"—Ejus- dem Tractatus de Sensu, &c. " Explicit Tractatus de Senssu com- • ~ posito et diviso edito a praeclarissimo viro Magistro Paulo Pergulensi doctissimo et famosissimo die octavo Januarii 1454, in Monasterio S. Johannis de Viridario Paduae. Deo sit Laus et Gloria, Amen. Deo Gracias, Amen"—Ejusdeh Sophiamata Asinina 8vo. S.ec. xv. (1454) on papeb Paulo della Pergola was a celebrated professor of philosophy at Venice and died in 1451. Tiraboschi, who gives a minute account of his works, did not know of these curious Sophismata Asinina. 772 Pauli de Pergula Logica et Versus breves super omnes Begulas Sup- / ~ ^ positionum—Alexandbi (de Alexandria, Ordinis Minorum Gene-ralis) Methaphisica 8VO. S.e0. xv. pabtly on papee, pabtly on tellum Wadding, in his Scripiores Ord. Min. (p. 5), informs us that Alexander de Alexandria was elected General of the Order in 1313, and died in 1314. He also says that the Commentaries on Metaphysics existing under the name of Alexander ab Hales are his, but does not mention this work. 773 Pauli Veneti Commentarium super Libris Posteriorum (Aristotelis) / « / folio. Sjec. xv. on papeb Paul the Venetian, according to writers on the Augustine Order, was one of the family of the Niccoletti, and on entering the order first studied at Oxford, and then at Padua, where he died in 1429. His reputation was so great that in the Acts of the University of Padua, as cited by Facciolati, he is called "Doctor profundissimus, omniumque liberalium Artium in Orbe Monarcha." The famous physician Michele Savonarola, his pupil, has gratefully recorded the fame of his master, whom he styles " Principe de filosofi del nostro tempo e mio glorioso maestro la cui illustre farm e sparsa per Vuniversita tutte d1 Italia. Egli compose opere di logica e di fisica delle quali si giovano mirabilmente i nostri leUori nello spiegare a' discepoli i Mrri d? Aristotile." The Logic, or Dialectica here mentioned, was so prized in the XVth century that the University of Padua, in 1496, ordered it to be adopted as the Public Lecture Book. On the first page there are the arms of an ancient owner, with a large capital, both printed in colours. 774 Pauli de Veneciis, Logica 4to. S.ec. xv. (1425) on vellum This manuscript of the Logica Magna has the date with the name of the Scribe, and of the place where it was written: "Explicit logica rnagistripauli de veneciis scripta in Civitate Novarce in tempore Sanctissimi Domini Papce Martini quinti pontificatus s. VII, necnon Philippi Marice Ducis Mediolanensis et patris scriptori qui scripsit, cum magna frequentia in Anno mccccxxv. ultima marcii." At the end of this fine manuscript there is a sort of philosophical classification of human knowledge and of everything in existence. 775 Pebini (Giuseppe, " della Comp. di Giesu") Orazione per l'lncoro- nazione del Ser, Luca Inurea Doge di Genova in the author's autograph folio. S-ffic, xvii. on papeb J>172 THE LIBRI MANUSCRIPTS. /i- — 776 Perizonii (J.) Notse in Terentii Andriam et Eunuchum calf gilt 8vo. . SiEC. xvii. on paper An interesting and unpublished work of this celebrated scholar. 1L_ — 777 Perizonii (J.) Dictata in Suetonium, vellum 4tto. SiEC. xviii. on paper Unpublished. / - d 778 Perizonii (J.) Dictata in Suetonium 4to. SiEC. xviii. on papee / a — 779 Peesian Miscellany, consisting of The Mizan, an Arabic Primer, in Persian, anonymous, but supposed to be by Shaikh Sa'di of Shiraz; this copy was written by Munshi 'Ittisam-al-Din, of Bajnore in Bengal, whilst on a visit to England during the reign of George III, Anno Hegirse 1180 (a.d. 1765-6)—The Munsha'ah, An Arabic Grammar, also in Persian, by the Author of the Mizan, and written by the above dexterous scribe in the same year—Risalah dae Bayan-i-Zaban-i-Eaesi, An Essay on the Persian Language, by the same penman—A Rhyming Dictionaey of Hindi words—Miscellaneous Notes on Quickness of Intellect, Talent, Penetration, &c.; also, Arabic, Turkish and Persian Numerical Figures, with an Almanac, &c.—The Stoey of the Kazi of Baghdad, and the Thief—The dastue-al-'Amal-i-Akbar Shah, The Rules of King Akbar Shah, extracted from the Correspondence of Abu-al-Eaizi—Lettee from H. M. the Shah of Persia, to H. M. George III. — Lettee from the Nawab Mir Muhammad Ja'ffir Khan to Lord Clive, while in England—Lettee from H. R. H. Prince 'All Gohar to Lord Clive, while Governor-General of India, no date—'AezI (or Statement) of Col. Clive in reply to H. R. H. the Mirza 'All Gohar —A Recipe for making Indian Ink—Remarks on the Manners, Customs and Ideas of Englishmen and Mohammedans—Poems, Miscellaneous—A tew English Sentences, in Persian characters, with their Meanings in Persian—Etjlogium on England by the copyist himself—The Munshi's ('lttisam-al-Din) own Account of himself—An Essay on the impropriety of making the Munshls and Diwans stand up in the presence of their European superiors in India, the Author pointing out the origin of the Custom, and complaining of the same treatment towards himself while a sojourner in Great Britain (a.d. 1765-6)—An Eulogy by the Amanuensis (the said Munshi) himself on H. M. George III, with an Account of his own Travels, in Persian verse lound folio. SiEC. xviii. on paper A very interesting collection, in a beautiful Nasta'lik character, containing curious documents and a very entertaining Oriental autobiography, in which England and English manners, of the last century, are described by an Oriental eyewitness. 780 Peesii Elacci (Auli) Satie^i cum Glossis.—Commentaeius perye- TUSTUS IN SATIRAS PeRSII 8^0. SiEC. X. ON YELLUM This ancient and valuable manuscript formerly belonged to the famous Apostolo Zeno, and has his book-plate, with the title " Persii Satyrae " in his handwriting. It affords many valuable readings, and confirms many of the conjectural emendations of Koenig. For instance, Sat. Y. 19, this manuscript reads bullatis, as adopted by him, although Casaubon asserts that every manuscript exhibits pullatis. The gloss written over is " bulla vestis infiata." As a specimen of the text of this manuscript, we select fromTHE LIBBI MANUSCRIPTS. 173 Satire I, lines 8 to 12, placing Koenig's text (of the Valpy Collection) in the parallel column: Manuscript. Edition. "Nam Romse est quis non? at si fas "Nam Romasquis non? ah si fasdicere! dicere: sed fas sed fas Tunc cum ad canitiem et nostrum Tunc, cum ad canitiem et nostrum istud vivere triste istud vivere tristi Axpexi ac nucibus facimus qusecum- Aspexi et nuclbns facimus qusecunque que relictis relictis; Cum sapimus patruos tunc tunc igno- Cum sapimus patruos: tunc, tunc igno- scere nolo scite. Nolo Quid faciam sed sum petulanti splene Quid faciam? Sed sum petulanti cachinno splene cachinno. We have purposely selected this difficult passage, because Kcenig points it out as minime sanus, and proposes to read " Nam Romae quis non? at qui fas dicere? Qui fas? Tunc cum ad canitiem et nostrum id vivere triste Aspexi, et nucibus facimus qusecumque relictis? Cum sapimus patruos? Et hinc ignoscere nolo. Quid faciam? sed sum petulanti splene cachinno." This manuscript consists of 40 leaves, written in a small Carlovingian character. The first 18 leaves contain the Satyrae, with many marginal and interlineary glosses of the same time, in minute characters; and the subsequent 22 (written also at the same period, but by a different scribe) contain a portion of the author's life, and a commentary of great importance, quite different from and much larger than that which that great scholar, Pithou, published in 1585 from a celebrated manuscript now in the library of Montpellier. Neither this last manuscript, nor any of the manuscripts of Persius, which are described in the great " Catalogus Bibliothecse Regiae Parisiensis," are to be preferred to the present one, which would afford much information to a new commentator on this extremely difficult author. On the 18th leaf, after the end of Persius, there is the divisio of the Roman Libra in semis, deunx, dodrans, &c. with Roman numerical characters, and those curious signs which were used by the Romans to express some fractional numbers, and which are of very rare occurrence in manuscripts, especially of so early a period. The Notes used in this manuscript totally differ from those which Bede and Alibaldus used for the same purpose, and which are published by Gothofredus in his Auctores lingua Latince. The flyleaves contain some hymns, with ancient musical notes. (See fac-simile.) 781 Perussiis (Loys de, " Escuyer de Coumons, Vassal de N. S. P. le Pape 6 - << et Chevalier de son Ordre") Le Tiers Discours des Gruerres ou Troubles de ce Temps (1564-1572), calf 4« 784 Peteaeca (Francesco) Eime.—Canethobic-2ii docteina duplex Small folio. s-ffic. xiv. on yellum A very important Collection from the Rinuccini Library, sold in 1848, with the arms of the family on the book. At the end of the volume there is a memorandum from M. Follini, Keeper of the Magliabechi Library of Florence, stating that in 1827 he bought for that library the second portion of this manuscript, which is now restored to its first part, loose. This portion of the manuscript was probably abstracted (with many other books) from the Rinuccini, then sold to the Magliabechi, and finally restored (with a few other books) to its former possessor. Some of the works contained in this volume are very rare in manuscript. The curious Poem of Proba is so scarce that Hsenel, in his bibliographical tour, found only a single manuscript of it, and that at Basle. The glosses on Virgil (the beginning of which is deficient) are old, and most probably taken from a more ancient manuscript of Roman descent. These glosses have nothing to do with the Commentary of Servius. After the Georgica there is a Clausula, containing in two pages a sort of introduction to the Bucolica, agreeing in some respects with Servius' Introduction to the same work but differing in several important points; for instance, in this manuscript we read that (instead of Virgil's being the son of a mechanic or rustic, as in Servius and Donatus) his parents were " De honoratissimis civium suorum sic ipse in Culic'e ait Vos ego non dubitare summis efferre parentes." (Sic). The Para-doxa contain some curious various readings. Like the other small spurious works of Ovid, the Pulex is of no common occurrence in manuscripts. The Poetria Novella is by Gualfredus de Vinosalvo, a celebrated Englishman and188 THE LIBR] MANUSCRIPTS. Poet of the beginning of the 13th century. This work was published by Ley-ser, in his Historia Poetarum medii cevi, but without the commentary or the frequent headings of the numerous chapters into which the work is divided in this manuscript. The volume, the whole of which was written by the same hand, has the date at the end of the Poetria written in the following manner: Expletum hoc opus fuit anno domini M? hj? xLv? die xxviij decembris, tempore Papse Clementis VI," which shows a curious instance of numerical abridgment. g ~ 837 Peospeeus. Commentaria in Epigrammata S. Prosperi Aquitanici folio. S^ec. xiv. ON PAPEE With a large illuminated initial. The author of this ancient commentary, and the work itself, seem both unknown. // — 838 Peoteebs and Adages (Hindi), 1154 in all, alphabetically arranged small folio. S^ec. xix. on india papee An interesting work written in the Nasta'lik character, and probably prepared for publication. / -— 839 Peoteebs and Sayings in Persian, 1074 in all, in alphabetical order, and in Verse folio. SiEC. xix. on papee A very curious manuscript without date or compiler's name. v 840 Peudentii Clementis (Aurelii) Opeea, cum Glossis in the original binding, with clasps square *kto. SiEC. x. ON yullum The rarity of the old manuscripts of Prudentius is so great, that not above three or four are known written before the fourteenth or fifteenth centimes. The importance therefore to scholars of so early a manuscript as the present, hitherto uncollated, is sufficiently obvious, and fully justifies a quotation to point out a few of the numerous new and important readings it exhibits. The heading to the first hymn is, " Ymnus ad Gallicinium," (the very term used by Varro), instead of " Galli Cantum; and Hymn V. line 6, gives " iEgros sopore desides " instead of " segros, soporos, desides." Manuscript. Valpy's Edition. Hymn I, line 62, Lingua locutus lubrica est Lingua locntus lubrico est Hymn X., Ymnus circa Exequias de- Hymnus circa Exequias defuncti functorum effigisti effigiasti Tua sunt tua rector utraque Tua sunt, tua, rector, utique: Tibi copula jungitur horum Tibi copula jungitur horum: Tibi dum vegetata cohserent Tibi dum vegetata cohcerent, —* Spiritus simul et caro vivit Et spiritus et caro servit {Gloss, at servit) Recisa sed ista seorsum Recissa sed ista seorsum Proprios revocantur in Solvunt hominum perimuntque; hortus Perit alitus aethera fervens Humus excipit arida corpus, Humus excipit arida corpus Animaj rapit aura liquorem. Siccunctacreatanecesse est. Quia cuncta creata necesse est. A description of the metres made use of by Prudentius is prefixed to each Poem in red ink. The ancient Glosses are extremely valuable for the interpretation of this author. After the Passio Sanctse Agnetis, there is in this manuscript a poem with this title: "Versus Constantinse Constantini filise, scripti in cabsida basilicse quam condidit in honore Agnetis Virginis." to which poem a former owner has affixed a marginal remark, stating that it is unpublished. This venerable manuscript, written in the finest Carlovingian characters, with the rubrics and headings in fine rustic capitals, written in red ink, with curious large initials, is in the finest state of preservation. (See fac-simile.JTHE LIBRI MANUSCRIPTS. 189 841 Psaltebium Davidis, cum Glossa. Accedant Hyrnni ex Vetere Tea- // - tamento, half morocco small folio. SiEC. x-xi. on vellum Beautifully written on very pure vellum with the letter B at the commencement of the first Psalms, illuminated in gold and colours, apparently by an Anglo-Saxon artist. The manuscript is written in a rather large fine Roman-Carlo vingian character of the period, the rubrics, etc. being in capital red rustic letters. (See fac simile). 842 PSALTEBIUM CUM GLOSSIS ancient binding of the XV. Century, with engraved and lettered brasses // - folio. S.ec. xi. ON VELLUM A venerable manuscript written in a fine large Carlovingian character in blue and red, the glosses being of the same kind, but, as usual, smaller. The volume is ornamented with very finely illuminated capitals in the style of the time. The first leaf containing merely the word Beatus (probably an illumination) appears to be wanting. Prefixed is the " Epistola D. Hiero-nimi ad Paulam, etc. de psalterii emendatione," which was evidently written during the fifteenth century, after the erasure of some ancient characters still visible. On the first page there is the Parvus eram of David in Greek and Latin, written in a very ancient hand. At the end there is a Laus Psabiorum, written in the sixteenth century, and on the covers inside are the decalogue and some medical prescriptions. (See facsimile). 843 PSALTEEIUM DaVIDIS, CONFESSIO FlDEI S. AtHANASII, LlTANIiE, &c. ^ cum Calendabio calf gilt 4 to. SiEC. xiv. on yellum A very elegant manuscript, with illuminated capitals and several hundred grotesque figures filling up the vacant spaces at the end of each verse, by an English scribe. As a specimen of early English art it is extremely interesting. 844 Psalmobum Explanatio—Seemo Innocentii Pap® in Concilio generali - de Pascha—Hymni Ecclesiastici—Cantica Canticorum—Paba- pheasis Libri qui dicitur Cantica Canticorum et alia with musical notes, calf 4ito. SiEC. xii, xiii, and xiv. on yellum This volume is a collection of works, written by various scribes at different times. The music, dispersed through the manuscript, which consists of ten pages, is with old musical notes. There are several Latin hymns in the volume, one of which begins with " Salve mater salvatoris vas electre, vas honoris, vas ccelestis gratiae," and some abstractsfrom S. Augustin. (See fac-simile). 845 Ptholomei centiloquium (cum commentario Haly Heber Rodan)— Teactatus de creticis diebua—Almansobis liber capitulorum (translatus de Arabico in Latinum a Platone tyburtino quern deus exultet in civitate Barchinonica, Anno Arabum 530, (a.d. 1135,) etc )—Centiloquium Hermetis—Hebmetis tremigisti Elores— Sahel descriptio praeceptorum qui in omnibus noscenda occurrunt negotiis—Mercuricis Babilonise auforifinae calf arms on the side folio. Sjsc. xiii. on yellum A very important scientific collection, finely written on pure vellum with diagrams. The numerical figures are all according to the Arabic system, which is important as the manuscript is dated, and at the end of the Liber Almansoris (after the name of the translator) there is the following inscription: " Conterius lunatus cumensis scripsi cum dei laude 1268 xpi." The first leaf of Ptolemy seems deficient. Concerning the celebrated Plato Tyburtinus consult his biography by Prince Buoncompagni, which however shows that no manuscript of the Liber Almansoris was known to the learned author. .190 THE LIBRI MANUSCRIPTS. — 846 Ptjbbachii (Qeorgii, " Astronomi celebratissimi") Theories novae Planetarum—Tractattts de Horologio—Cantus, cum notis musicis —De Passionibtts Planetarum—De Motu octavae sphaerae—De Declinatione et Latitudine—De Algorithmo Tabula Mo. s^ic. xv. ok papeb An interesting mathematical collection with diagrams, and numerous Tabulae having Arabic numerical figures. In the Tractatus De Declinatione, &c., there is a long quotation from Franciscus de Manfredonia. The Algorithmus which relates to the Arabic system begins as follows : " Algorithmus dicitur a.™ Ton apiQfxov a novo quidem modus numerandi a quodam Algo nomine inventus. Numerorum autem alius est digitus, alius articulus, alius compo-situs, &c." This Algorithmus, containing the sum of some progressions (including that of the odd numbers), and which seems unpublished, is very-interesting for the history of arithmetic, and is followed by several Tabulce , for astronomical and ecclesiastical purposes. / - O - 847 Putei (Jacobi) Recolecta super prima Infortiatium (de Matrimonio soluto, de Testamentis, de Liberia et Postumis, de vulgari et pupilari Substitutione) et alia folio. S^c. xv. (1462) on papeb An important Autograph manuscript dated die 9° Nov. 1462, which proves to a certainty that Jacobo del Pozzo did not die in 1453, as stated in the " Atti dell' University di Pavia," and that Tiraboschi was right in doubting the correctness of that statement, after he had discovered in the Ducal Archives a letter from the Reformers of the University of Ferrara to Duke Borso, dated the second of December 1461, expressing a desire that Pozzo should be called to a chair in that University " poiche e uno de* piu famosi dottori." This application appears to have been complied with, for Borsetti in his Historia Gymnasii Ferrariensis (torn. II. p. 49.) distinctly enumerates him among the professors in 1466. This Jacopo del Pozzo was unquestionably one of the most learned lawyers of his time, and as such is mentioned by the poet Antonio d'Asti " Ut Jacobus Puteus, qui jure in utraque tenetwr Consultus tota magnus in Ausonia." He sprang from a noble family in Alessandria, but having been driven from thence by the civil wars, he, on account of his surpassing knowledge of the law, became first professor at Pavia and afterwards at Ferrara. If we credit Borsetti, he subsequently became a senator at Milan, where he died in 1486. This work, consisting of several hundred pages (on some of which the learned author has indulged in writing Italian amatory verses, and drawing ludicrous sketches), seems quite unknown. This Jacobus Puteus (Del Pozzo) was amongst the ancestors of the present Emanuel del Pozzo Prince della Cisterna, who conspicuously supports the honour of his ancient name. (See also No. 259 in the present Catalogue). / — 848 Quadbiga Spibituale. Incommencialo libro decto Quadriga Spirituale. —Antonitjs de Flobentia (S. Ordinis Praedicatorum) de VII Yitiis Capitalibus, Italice (Omnium mortalium cura) small 8vo. S^c. xv. on yelltjm Both written in the purest Italian, by a Tuscan scribe. This manuscript affords a great number of interesting various readings. The first work indulges too much in abominable inquiries about " il Vitio della Lussuria." 4 'i *« 849 Quintus Cubtius de Rebus gestis Alexandri Magni folio. S.ec. xv. on tellttm Very elegantly written by an Italian scribe with capitals illuminated in gold and colours. It is well known that only a portion of this Latin classic has come down to us, the first two books having been lost, and several lacuna existing in those remaining. It is generally believed that the whole work was originally divided into ten books, and there is hardly any trustworthy authority against such a belief, except a manuscript which belonged to theTHE LIBEI MANUSCRIPTS. 191 celebrated Vossius, where, to one of the lacunce, he found a marginal note stating " Deficit finis x. lib. principii xi.," and the mention of a xiiith book made by Pub. Candidus in his Italian translation, first printed at Florence 1478. The present manuscript however affords an additional proof that the work must have originally consisted of more than ten books, as at the back of the leaf 152 we find, attached to a well-known lacuna, the follows ing marginal note in the same handwriting as the manuscript, " Deficit finis x. et principium xi." This remarkable note must have been taken from an older manuscript, as the books of the present one are numbered by the copyist i, ii, iii, to viii, instead of iii, iv, to x, as they ought to be, and he could not therefore have suggested a lacuna between book x. and xi.; as, according to his own wrong numeration, the lacuna would be in the viiith book, and not in the xth. This fine manuscript, consisting of 161 leaves, written upon the purest white vellum, affords a good number of various readings, which it would be impossible to point out here, but which deserve the attention of the scholar. Numerous old marginal corrections occur on almost every page. 850 Quinti CuBTii,Epiatolae et diversorum ad ipsum: "Paduae die xi Aprilis, mcccclxxviiii. complevi"—Caroli Aretini, Homerica Carmina— Leonardo Aretini, actus primus comcediae primse Aristophanis, latinis versibus translata, et alia 8vo. S^ec. xv. on paper These singular and almost unknown Apocryphal Epistles of Quintus Curtius are divided into Five Books. This Quintus Curtius must not be confounded with the Historian of Alexander, as the forger's intention was to make his author an old Roman General, having among his correspondents Hannibal, Asdrubal, Fabricius Consul, &c. Not a single manuscript of these apocryphal epistles was found in the public libraries visited by Haenel. They were published at Reggio by Ugo de Rugeriis in 1500, and reprinted at the end of the first volume of his Bibliothecd Laiina, by Fabricius (4to. edition). The Poemata, as well as the Homeric versions (also in Latin verse) of -Carolus Marsuppinus, surnamed Aretinus, seem, with the exception of the Batrachomyomachia, unpublished. Mazzuchelli mentions this translation of Aristophanes only from a manuscript formerly in the possession of Gr. Degli Aromatarj. 851 Eabani Mauri Liber super Hieremia. " Rabanus Eccellentissimo Imperatori Hluthario Virtus Vita et Salus perpetua post Commen-tariolos quos mea Parvitas in Eptaticum (Heptateuchum), &c. ad extremum in Hieremiam manum misi ut collectis undique Sanctorum patrum sententiis hujus quoque prophet® sensus aliquantulum avido lectori aperirem " folio. S-®c. x. on vellum This venerable manuscript, closing with : "Hie liber descriptus est jussu Domni Maioli Abbatis ab Herimanno sacerdote licet indigno et monachorum omnium ultimo et prselibati patris voto oblatus sancto petro cluniensi ccenobio. Oratscriptor quatenus quicunque eum manibus susceperit legendum veniam illi a Domino imploret peccaminum:" is undoubtedly the identical codex seen by the celebrated Mabillon, at Cluny, as in his Iter Burgundieum he has accurately given the above colophon. As St. Mayeul (Maiolus) was Abbot of that celebrated Monastery, from A.D. 948 to A.D. 994 (see Gallia Christiana, vol. IV, col. 1127-28), it is clear that the copyist, Herimann, must have transcribed it within those forty-seven years. To the Student desirous of ascertaining with precision the date of early manuscripts, the acquisition of unquestionable authorities is of the highest importance. ,, ^ Here is now presented a most desirable example of nearly every style of penmanship in use during the tenth century. The author Rabanus, if not actually an Englishman (as erroneously asserted by Riccobaldi of Ferrara, Ptolemeo of Lucca, and numerous others), is connected with the English literature by being the pupil of the celebrated Alcuin. Manuscripts of this work of Rabanus are exceedingly scarce. Haenel had seen only one in the celebrated library of Saint Galle, and that containing only the second portion of the -Commentary upon Jeremiah. No manuscript copy of this work is192 THE LIBEI MANUSCRIPTS. mentioned in the printed " Catalogus Bibl. Regise Paris." nor in that of the Medicean Library of Florence, etc., etc. To a new editor this manuscript ■would prove invaluable, as, the work being very important and full of quotations from ancient authors, the volume has been in the same century in which it was written, revised and corrected by a learned pen. This manuscript is in the finest Carlovingian small letter, with the rubrics in small rustic capitals, generally in green or red, the Greek words being exceedingly well written in small capitals. At the beginning of the work there is a very curious large illuminated capital of the time, representing the Prophet attended by two other figures. {See facsimile). / // ^ 852 Rabini (cujusdam) liber de triplici Ordine Librorum Yeteria Testa-menti, de triplici Prserogativa David, de Anno Jubilaeo, &c. &c. folio. siec. xii-xiii. on yelltjm At the commencement of this important manuscript is written " Liber est cujusdam Rabini super Bibliam." At the end there are some additional theological matters in an Italian handwriting of the fourteenth century. The numerical figures are written according to the ancient Roman alphabetical system. / - ^ 853 Raccolta d'Opere Spirituali (in prosa e in verso) 4 C°- li quali esso per sua gratia si degno comunicarli con una devota religiosa la quale . . li conferio meco, etc. This last tract is written by a more recent hand. / ~ 854 Racine (J.) Atalia, Tragedia tradotta dal Prancese (in prosa Italiana) 4 . \ / This is a transcript of an original vellum manuscript, written in the fifteenth century, and, when Quadrio wrote in 1741, belonging to the learned Domenico Ongaro of Udine. This transcript is the identical manuscript, prepared by Ongaro himself for the press by adding notes and conjectural emendations of the text, all written in blue ink. In a separate volume, Ongaro has placed his observations and researches to discover the author of these Poems, which are most elegant, and worthy of the best poet of the age in which they were written. The volume contains 474 Sonetti, 13 Canzoni, 6 Sestine, and 10 Serventesi, which, in the opinion of Quadrio (vol. II, p. 224-25) were written by Bartolommeo Costabili, who, for a conspiracy against Alfonso d'Este, Duke of Ferrara, was decapitated about 1533. The researches, however, of Ongaro, written with a considerable amount of erudition and critical acumen, tend to prove that Quadrio is mistaken, and that these Poems, written near the middle of the fifteenth century, are the productions of a most distinguished Ferrarese Poet, who could not therefore be the Costabili to whom Quadrio assigned them. The fine illuminated border round the first page of this transcript is a copy of thjCt in the original manuscript, which cannot now be traced, and is198 THE LIBEI MANUSCRIPTS. therefore probably destroyed, leaving tlie present transcript the only copy known of these ancient Poems, which, in every respect, deserve the attention of lovers of ancient Italian poetry. See also No. 739 in the present Catalogue. ^ y — 872 Rime Antiche folio. S,ec. xix. of paper A transcript from early manuscripts, ready for the press. The authors contained are: Ser Bonagiunta Orbicciani da Lucca, Piero delle Vigne, Dino Fresco-baldi Fiorentino, Francesco Rinuccini, Simone Serdini da Siena decto Saviozo, Ser Lapo Gianni, &c. Many of these Rime are unpublished. // 873 Rime yarie 4to. siec. xvii. on paper This volume contains Italian Poems, chiefly amorous, by Giulio Strozzi, Salviati, Cibo, Duca di Mantova, 0. Rinuccini, Cicognini, Caporali, Adimari, &c. &c.; Latin Epigrams and Verses (some Macaronic) by Pope Urban VIII, J. P. Orlandi, B. Viviani, Salvmi, &c. &c. Several of these Poems are in the autograph of their various authors who are well known in the history of Italian literature. Some are of a free character; for instance, the Macaronic Poem, De Zanina et Marito, which begins with " In die dominico gambis dum staret apertis—Supra sedens portam bella Zanina suam," etc. We were not able to find any mention of this poem either in the very interesting Macaroneana, by M. De Le Pierre, or in the excellent article on the Macaronic poetry, by M. G. Brunet, published in the first volume of the Bibliophile Beige. If ' — 874 Rinaldi (Giovanni de, Ferrarese) Vari e diverai Ritratti delle Virtudi et Vizi; delle Scienze et Arti; delle Allegrezze e Mestizie; e d'AItri Affetti e Naturali Potenze che puono servire non solo a valorosi et mamorati Cavaglieri in occasioni de Bagordi, Giostre e Tornei. ma anco a Pittori et a Scoltori folio. siec. xvii. on paper Autograph unpublished manuscript, consisting of several hundred pages of a highly valuable work, undertaken at the request of Gasparo Venturino, who, according to Borsetti, lived about 1600, and whom the author describes as " Pittore nostro Ferrarese mio carissimo arnico." It appears to have been the rough notes for an alphabetical work intended for the use of painters and sculptors, a great portion being afterwards copied by the author, and corrected throughout. The author is not mentioned by Tira-boschi, or other biographers that we have been able to peruse. £ — 875 Roberti Sermo de Fine Mundi et alise Gonciones 4to. s.&c. xiv. on paper Written on a beautiful paper with a gloss to appear like vellum. It is very difficult to trace the author of these Sermons amongst so many (chiefly English) Boberti who wrote Sermons, and whose names are quoted by Fabricius. / ~ / — 876 Roddi (Filippo) " Dottor di Legge Ferrarese," della Nobilta della Cittk di Ferrara et delle Famiglie nobili di quella 4to. Sjec. xvii. on paper An autograph unpublished manuscript, written in or about 1620, with marginal additions. Ughi (Dizionario Storico degli Uornini illustri Ferraresi, vol. II, p. 126), makes this author a professor in 1528, and dying " non molto vecchio;" but this must be either a mistake of confounding an earlier namesake with the writer of the Annali Ferraresi (claimed in his Preface to the present Treatise as written by himself, many years previously), or Roddi must have been above 100 years old when he died, for here, in the Preface, he distinctly mentions that his fourth book concludes with the year 1600, and in the work itself (p. 19) has the following sentence : " dall1 anno 1221 fino al presente che sono anni 399," thus clearly showing that this passage was written in 1620. The author states in the preface, that he compiled this work (which was unknown to Ughi) from 66 manuscripts. We were unable to find any mention of this work either in the Archivio Storico Italiano, or in the Catalogo clei Manoscritli del Marchese G. Capponi.THE LIBRI MANUSCRIPTS. 199 877 Roma. Relatione della Corte Romana composta estemporaneamente da - / - / un Personnaggio per Servitio di sua Eccellenza il Sig. Marchese Clemente Vitelli Ambasciadore straordinario al Sommo Pontefice Innocentio XII. per S. A. R. il Granduca Toscano Cosmo III. 4to. SiEC. xvii. OK PAPER A very interesting manuscript, containing Lives of all the then living Cardinals, with the most curious and private information respecting them. For instance, it is stated (page 103) that Cardinal Camus (made a Cardinal by Pope Innocentius XI in 1686) had only a few years previously prostituted the sacrament by giving the communion to a pig at Fontainebleau. The account of the scandalous conduct of Cardinal Ratzioyouki (p. 107, &c.) is " also extremely curious, and would be sought in vain elsewhere. Very likely this Relatione agrees, in a great portion at least, with the work described under the No. 1155 in the Catalogo dei Manoscritti del Marchese G. Capponi. 878 Romancero. Collecion de Romances e Glosas Espanoles / - / ^ 4to. SjEC. xix. on paper This manuscript is in the handwriting of the celebrated German poet Tieck, and contains several extremely rare poetical romances of chivalry (Floriseo, Baldovino, El Danes Urgel, Reynaldo de Montalva, Los doze Pares de Francia, Roldan, &c. &c.) written during the fifteenth century, and collected by Tieck very probably for publication. 879 Romans de la Rose, " Ou lart damours est toute enclose " (commence par Ghiillaume de Lorris et acheve par Jean de Meung diet Clopinel) calf folio. S^ic. xiv. on telltjm Written in double columns in the first part of the fourteenth century by an English scribe, and adorned with fourteen illuminations in gold and colours, executed in the style of early English art. Amongst these paintings is a portrait of Jean Clopinel, (with his name written over it), seated at his desk writing, probably taken from the original, as the manuscript is undoubtedly cotemporary with the age of the Continuator, who is supposed to have died in Paris about 1322. This portrait is the more important because it represents him as a friar. The value of the manuscript is further enhanced by the fact of its presenting the old text as the authors wrote, without any attempt of the transcribers to substitute other expressions for what the more modern copyists chose to call obsolete, a mania carried to such a height in the fifteenth and sixteenth centuries (chiefly in the editions), as completely to alter not only the language but even the facts narrated. In spite of all its defects, the Roman de la Rose, at once the fashion on its appearance, continues to be regarded by the French as one of the most important as well as most ancient monuments of their language and poesy. Like the Canterbury Tales of Chaucer, by the ingenuity and naivete displayed in the construction of the poem the reader is rendered more indulgent to the sallies of wit, even though occasionally obscured by an abuse of erudition and imagination. There is a charm reigning throughout, that even induces modern readers to pardon the author for the dirt with which he has outraged decency in some of his episodes which, throughout, are rich in tales and satiric traits of character, but which were most severely censured four centuries ago by the celebrated J. Gerson, who, in one of his sermons, spoke of this work in the following terms: " Si esset mihi liber Romancii de Rosa, qui esset unicus et valeret mille pecu-niarum libras, comburerem eum potius quam-ipsum venderem ad publicandum eum sicut est. Si scirem ipsum (Joannem Meldunensem) non egisse poenitentiam, non potius rogarem pro eo, quam pro Juda." Fortunately the French collectors did not pay any more attention to those anathemas of the Chancellor of the University of Paris than the Italians paid to the less angry but, at the same time, strong expressions of200 THE LIBRI MANUSCRIPTS. \ .» S'- Antonino against Dante, Boccaccio, etc. (See No. 59 in the present Catalogue). At the end there are some additional verses, written during the fifteenth century " Par la grant hayne d'anverse Qui dedans faulx semblant converse, Fu Clopinel aux camps couvert Pour ceu qu'il et voir descouvert, &c." Jti v 880 Romant de la Rose " Ou lart damours est toute enclose " (commence par Guillaume de Loris et acheve par Jean de Meun diet Clopinel) " veaufauvegilt edges folio. SiEC. xiv. on vellum A very early and fine manuscript of. this celebrated poem, probably written shortly after its completion, by an English or Anglo-Norman Scribe. It is adorned with numerous capitals and eighteen miniature paintings, executed in gold and colours, by an early British artist, having the first page decorated also with an elegant border, and the illumination at the commencement of the continuation by Jean de Meun, being a portrait of the Poet. The last three leaves have been supplied by a more recent scribe. The text is very good, and contains numerous valuable various readings. £ o 881 Rondeaulx en Rime Franqoise calf extra folio. SiEC. xv-xvi. on vellum Beautifully written by a French Scribe, about the end of the fifteenth or beginning of the sixteenth century, with a great number of illuminated initials. A former possessor has written on the fly leaves, that this is nothing more than the collection of Rondeaulx printed in 8vo. at Paris in 1527, attributed to the celebrated P. Gringoire. But such is not the case, for on comparing this manuscript with the above edition (of which a copy formerly belonging to the " Bibliotheca Regia " of Paris, is in the King's library at the British Museum) we found, that although the edition contains a number of Rondeaulx which are in this manuscript, yet there are important various readings, and even several Rondeaulx which are not printed therein. For instance, the first Rondeau, Par faulx rapport maintz hommes vertueux, in the manuscript is entirely different from the same in the edition, in which it begins with Par faulx raportzje me voys esperdu; in fact the whole of the Rondeau being different except the Refrain, Par faulx rapport. The second Rondeau of the manuscript (Pour bien regner fault estre liberal), is not in the printed collection, &e. &c. Amongst the numerous Rondeaulx contained in this manuscript, hut not in the edition, there is one " En peu de temps propos de femme change," which, no doubt, was imitated by Francis I, King of France, in his celebrated song : Souvent femme varie. Without entering *■ , into any further details, we may add, that this fine manuscript (which con- tains several hundred Rondeaulx, and at the end some additional lines in prose and verse, addressed to some lady by her lover) is a true gem for the Collector op Ancient French Poetry. / ^ /7 — 882 Rossetti (Jo. Alfonso," Ferrarese ") Principio Mezzo e Fine per inten-/ dere la militare Architettura, slightly stained ild red morocco folio. S^ec. xvii. (1653-67) on paper An autograph unpublished manuscript, with numerous coloured drawings by the author himself. Prefixed are the Arms of Pope Clement IX, and Cardinal Rossetti, in gold and colours. The author appears to have commenced this work in 1645, " doppo essere tornato d' Inghilterka," and to have intended to dedicate his production to Pope Alexander VII, whose Arms are painted in the corner of one of the large drawings, although cut out at the commencement and those of Clement IX substituted, with the word Clemente pasted ovej: Alessandro below. The upper portion of the leaves of this very curious manuscript is water-stained.THE LIBEI MANUSCRIPTS. 201 _ / 883 Rossignoli (Nicolo) Oratione nella Venuta del Clarissimo Proveditor Chr. Cannale a Zara mdxxxxxv. adi xx Aprile 4to. S^ic. xvi. (1555) on papeb An unpublished and autograph manuscript. Prefixed is a Sonnet, by Rossignoli, addressed to Cristofero Cannale Proveditor dell' Armata. The author is not mentioned by Quadrio or Tiraboschi. 884 Rouelle (Gr. E.) Procedes Chimiques, (Annee 1752). Maniere de peindre lea Indiennes dont on se servoit chez M. le Due a Chantilly. Maniere de fabriquer les Toilles peintes dana l'lnde telle que M. « Beaulieu Capitaine de Vaisseau l'a fait executer devant luy a Pon-dichery 4to. S^c. xviii. on papeb An interesting volume for Cotton Manufacturers. Rouelle was one of the greatest Chymists that France has produced. This manuscript contains several curious drawings, and a list of the singular chemical hieroglyphics used by the alchemists, and which Rouelle employed up to the year 1752. 885 Ruffo or Russo (Laurentio de Urbe, dicto) Libro de la Gene- ^ - ^ batione et G-uida, Infebmita et Cuea deli Cavalli (reducto in Lingua Italiana per Eratrem Antonium de Barulo aeu Barlecta) folio. S^c. xv. (1422) on vellum This valuable manuscript, finely written in double columns, was executed for ' Nicholas III. Marquis of Este and Ferrara as is apparent from the colophon : " Explicit liber menescalciae equorum compositus a Laurentio dicto Ruzo de Urbe Marescalco et Familiare quondam Reverendissimi Patris et Domini Domini Neapoleonis et Sancti Adriani Dyaconi Cardinalis, trans-latus in laycam (sic pro laicam seu Italicam) linguam per Fratrem Antonium de Barulo seu Barlecta, quorum animae requiescant in pace ambo, Anno Domini 1422, scriptus pro 111. et excelso Domino Domino Nicolao 3° Marchione Estensi ac Ferrari® in temporalibus et spiritualibus Yicario pro Sancta Romana Ecclesia Generali." This work possesses an additional value for the history of scientific discovery, as Ruzo is the earliest known author who has given recipes for the manufacture of a sort of fulminating powder, by adding mercury, in making what he calls Polvere del Trono. The first capital has been cut out by some Goth, which renders the first chapter defective of a few words. Although a little spoiled by the scribe, the translation by Antonio di Barolo or Barletta is executed with considerable elegance and purity of language, but it has never been printed, for the name of the translator does not appear even in the work of Maz-zuchelli, who mentions other writers calling themselves Barolo, Barulo, and Barletta. The work of Laurent Rutius or Rufus, &c., was the text-book from which so many works on farriery have been made, generally preserving the name of the original author, but so altering and adding everywhere, as to make entirely new works as is the case with this manuscript. In fact, the present manuscript contains a totally different work from the " Arte de cognoscer la natura del Cavael (sic) .... coposita per miser zorda russo," translated into Italian by Frate Gabrielo Bruno in 1492, and published (at Venice in the same year?) without date in 4to. 886 Ruspagiarius (M. Antonius) de Epidemia et de Morbo G-allico— Ejusdem, Tractatua Chiragrarum et Podagrarum frigidarum et calidarum et de Vulneribus et Epilepticia 8vo. S^ic. xvi. (1547) on papeb An unpublished manuscript, prepared for publication by the author's brother, who has prefixed a preface addressed to his nephew, dated "Regii mi Nonas Sextilis mdxlvii." On the fly-leaves, at the beginning and end, are numerous medical recipes and secrets, to many of which the names of the authors are prefixed, one being headed " Pretioso Elettuario del Medico del Re d'lnghil-terra, c&c." Neither the work nor the author himself, who was of Reggh di Modena, are quoted by Tiraboschi, either in the Storia della Letteratura Italiana, or in the Biblioteca Modenese.202 THE LIBEI MANUSCRIPTS. Sab'at Asrar-al-Illahiyah, or " JNTuzhat-al-Nafus.'' The Seven Eevela-tions of God, or the Delight of the Soul. (An Arabic Christian work, containing seven chapters on the Birth of Christ, Moses, David, Solomon, the Soul, Death, and the Day of Judgment. By two Priests named Eahiyar and Kasis, written at Bawuna in Egypt, A.D. 1471) folio. SiEC. XV. ON PAPER An interesting work which seems perfectly unknown. Sabatier (Andancien Prefet) Memoire sur la Dette publique et Aper 6 922 Seaman (Gru.) Januae Latinitatis vestibulum Turcice redditum 8vo. siec. xvii. on paper An autograph unpublished manuscript in Turkish and Latin. ^ /7 — 923 Sedulii Liber Pascalis Carminia—Augustini (S.j Libellus de Dis-/ ciplina Christianorum in 1 vol. 4 Tliis important historical manuscript contains in six parts, the letters written by Pietro delle Vigne, usually termed Peter des Vignes, in his public and private capacity of Secretary to the Emperor Frederic II, during his quarrel with Pope Gregory IX, and which by the learned are looked upon as one of the most precious documents that have come down to us. The first page of this manuscript has a capital illuminated in gold and colours, and is surrounded by an ornamented border. On the cover is pasted a cotemporary German document from the Council of Nuremberg. It would be very useful to a new editor to collate this manuscript. The very beginning of the first letter compared with the edition of Iselius (Basle, 1740, 2 vol. 8vo.) will show how abundant is the manuscript in various readings : Manuscript. Edition. " Collegerunt pontifices et pharisey Collegerunt pontifices et pliarasaji con-Consilium in unum et adversus princi- silium in unum adversus principem et pem christum deum convenerunt quid." Romanorum Imperatorem quid." On the first leaf there is a curious epistola metrica of the Emperor to the Pope, with the answer of the Pontif. Virg-ilii Maronis jEnetdos Libri XII. Accedunt Virgilii Tetras-ticon, Disticon et Versus de se ipso ; Epitaphia super Tumulum Yirgilii facta a XII Sapientibus; Exprobatio Yirgilii in Yetulam; Epithaphia Hectoris et Achillis ; Ille ego qui quondam, &c.; Yersus XXII (Jamque adeo, &c.) quos Varius et Tucca sustulisse dicuntur; Tbomse de Aquino versus super Tumulum S. Petri Martyris, &c.— Capra Aurea super Eneidos yirailii 4to. Sjec. xviii. on paper This history of the early coins of the kingdom of Naples (with their value and weight) is very interesting. 1076 ZIj Muhammad Shaki, Solar and Lunar Tables; also Tables of the Planets, calf folio. S^c. xviii. on paper This valuable manuscript was probably compiled for the learned Orientalist Wm. Hunter, as it bears his autograph signature and additions. It subsequently belonged to Sir T. Stamford Raffles. These tables on Oriental paper were written in the east, and as the Arabic names of the months are mentioned they were most probably translated from the Arabic or Persian. 1077 Ziegleri (Jacobi) Palestina. Evangelicae Historiae et Actuum Aposto- lorum Itinerarium. Schondia, Grcenlandia, &c. Crudelitas Christierni Regis Daniae perpetrata in Proceres Suetiae et Populum Holmensem, &c. 4to. s.ec. xvi. on paper An autograph manuscript of a very interesting work, with the maps neatly drawn. 1078 Zucchetti (Decano Sebastiano) Raccolta di Poesie Euggitive e Prose 4to. Sjdc. xviii. on paper Containing autograph poems by Camillo Ranieri Zuchetti, Contadino Mancini, Alessandro Ghiidi, &c.; several autograph letters of the Abate Quechetti j Political Discourses; Relations of the Venetian Ambassadors, Basadonna and Erizzo, at Rome; &c., &c. Some of those poems are addressed to the Stuarts, then as exiled princes at Rome. A beautiful and martial Canzone of Guidi is addressed to Italy, but at the top of it, in a handwriting of the written " Canzone del Sigr Alessandro Guidi che non e stampata . . . per degni rispetti." (! 1!.)240 THE LIBEI MANUSCRIPTS. SUPPLEMENT. LOT 1079 Abu Muhammad ' Abd-Allah-al-Khazraji (Dhiya-al-Din), a Commentary upon the metrical work of Abu Muhammad, entitled" Al-Khazrajiyat," by Badr-al-Din bin 'Omar—Sharh-al-Andalusi, a Commentary upon the' 'Arudh or Metrics of Abu-al-Taish-al-Andalusi—The Text of the Metrical Treatise of Abu-al-Jaish folio. SiEC. xviii. on paper For an account of the Kasidah-al-Khazrajiyat, called also Ramizah, see Haji Khalfa, (Yol. III., p. 840, and Yol. IY. p. 536). The Khazrajlyat is also mentioned again by Haji Khaha in his notice of the 'Arudh-al-AndalusI (vol. IY. p. 200). See also Casiri (Bibl. Arab. Hisp. vol. II. p. 42.) Both these works are celebrated among the Arabs, and Muhammad bin Abl Bakr-al-DamaminI states that when he first obtained a copy of the Khazrajiyat, he was so delighted with it, that he gave up the society of his friends, and would scarcely allow himself any sleep in his eagerness to master the work. 1080 Abu-al-Kasim Muhammad Ibn Muhammad-al-Slmawi-al-'Iraki, "jKitab Akallm-al-Saba't or " Risalah Haft Iklim." A Geographical - Description of the " Seven Regions " in Persian 8vo. S.33c. xviii. on paper This work is mentioned by D'Herbelot at the article, Ketab Acalirn Alsebaat. It is, like all the ancient descriptions of the earth, full of useful inform-'ation, mixed with the most extraordinary tales. As a sample, the author mentions wheat the size of hen's eggs; a fountain which will prolong life to 500 years, but rendering the drinker an eunuch; a city called Nahawund (said to have been built by Noah), in which exists a stone, near which any one sleeping will dream of what he must do to obtain his object. 1081 Abu-al-Kasim 'Abd-al-Malik Ibn 'Abd-Allah Ibn Badrun-al-Hazrami " Sharh-al-'Abdunia." The History of the Conquest of Ctesiphon, Seleucia, &c. by the Caliphs (in Arabic) red morocco 4to. Sjec. xvi. ok glazed pa!*er A very interesting work, both for the history of the Byzantine and Mohammedan empires, beautifully written in the Naskh character. As we have not been able to find this author either in D'Herbelot, or in the Catalogues of the Arabic Manuscripts in the Paris, or Medicean libraries, or in that of the British Asiatic Society, this manuscript must be very scarce. 1081* Alberti Magni Ordinis Prsedicatorum Speculum Astrologies folio. SiEC. xiv. ON PAPER On a single leaf at the end, in the same handwriting as the manuscript, is a table of the moveable feasts from 1371 to 1375, and on the back of it, the day on which Easter will fall, from 1371 to 1380. 1082 Amaltheo (Gio. Batt. " Segretario della Eeppublica di Ragugia ") Letter of Recommendation for M. Michel Menzi, in Italian, in the Autograph of this distinguished Poet, dated " di Ragugia A xx di Marzo mdlix." folio. 1559, on paper Three autograph letters of Fr. Amalteo relating to the Italian Theatre and Italian plays are added to the letter of G-. B. Amaltheo.THE LIBEI MANUSCRIPTS. 241 1082* Abistotelis de physico auditu Hebraice folio. S^ec. xvi. on paper This Hebrew translation is very scarce. It is one of the few remains of the scientific labours of the Jews during the middle ages. 1083 Amerighi (Abbate Marco) II Principe Celidoro di Persia Invenzione favolosa al Serenissimo Perdinando II0 Gran Duca di Toscana vellum, with arms of the Grand Duke Ferdinand II. on sides, folio 1666. on paper An autograph unpublished manuscript, as presented by the author to the Grand Duke, with the dedication dated " Firenze 20 Sett6 1666." This work seems totally unknown to all bibliographers, and even Mazzuchelli, speaking of this author, mentions only the " Sventurate Grandezze di Oronte published at Rome in 1677. 1084 Barbartts (Hermolaus) Autograph Letter to tbe celebrated Picus Mirandulanus, dated Kalis Januarii, 1488 folio. Sjec. xv. on paper A very important letter, in which Ermolao Barbaro, so celebrated for his numerous works, entreats the young Pico della Mirandola to proceed boldly in his literary career. He speaks of Lorenzo de Medicis, Politian, Marsilius Ficinus, and other celebrated men of the time, and rejoices to hear of the increase of the great Medicean library. See also Nos. 617 and 807 in the present Catalogue. 1085 Biot (J. B.) Memoire sur les Surfaces folio. siec. xix. on paper Twenty-nine leaves in the autograph of Mademoiselle Sophie Germain, celebrated for being one of the most skilful mathematicians of her age. See also Nos. 413 and 414 in the present Catalogue. 1086 Cameron. Extrait des Registres du Conseil d'Etat du Roy sur la Requete presentee au Roy, par Jean Cameron de Grlen Kyngy et par la Dame Elizabeth Hamilton son Epouse folio. SjEC. xviii. on paper Valuable for the pedigree of the Cameron family. The celebrated genealogist d'Hozier had refused to admit the preuves de noblesse of the Misses Cameron, but the Conseil d'Etat reversed that decision. 1087 Chinese Drawings. A collection of 92 exquisitely painted Delinea- tions of the Costume, Butterflies, Birds, Plowers and Shipping of China, executed in the most brilliant tints upon india or rice-paper, by Native Artists, in the very best style of Chinese Ornamentation, and mounted in a portfolio of tinted paper half blue morocco oblong folio. Sjec. xix. on paper 1088 Chinese Drawings. A collection of 80 exquisitely coloured Drawings of Eruits and Plowers, executed by a Native Artist in colours on Chinese paper, and mounted on tinted, half blue morocco oblong folio. SiEC. xix. on paper To each of these beautiful drawings its name is appended in Chinese characters. 1089 Chinese Punishments. A collection of 20 Drawings, exquisitely painted in the most vivid colours on rice-paper by a Native Artist oblong folio. S.®c. xix. on paper 1090 Chinese Drawings. A collection of 14 Delineations of the Sports of Children, finely painted in colours on rice-paper folio. S.ec. xix. on paper 1091 Chinese Drawings. A collection of 12 exquisite Paintings on rice- paper, representing the Manners and Customs of the Mandarins, finished in the best style of Chinese Art, in gold and colours folio. S^c. xix. on paper r242 THE LIBEI MANUSCRIPTS. / ^ 1092 Chinese Drawings. A collection of 12 Paintings on rice-paper, in which are represented the Cries of the "Wandering Trades of China, finely executed in brilliant colours oblong folio. SvEC. xix. on paper ^ I (\ - 1093 Chinese Drawings. A collection of 14 curious Paintings on rice-paper, executed in the most brilliant colours, and representing the * whole Progress of the Tea-Trade, with Views of the Islands, Canton River and Canton oblong folio. Svec. xix. on paper The drawings contained in the preceding seven volumes are unusually fine. 1094 Clemente X. Bandi generali da osservarsi di Commissione di N. S. Clemente Papa decimo (cum Annotationibus manuscriptis) folio. Roma, 1074, on paper These manuscript notes fill 265 pages, the Bandi themselves being printed. The penalties ordered against offenders are so cruel (torture and death being inflicted for comparatively light offences by these Bandi), that they seem to have emanated from some barbarous African ruler. As an instance of the Draconian severity of these Bandi, read the following: " Dispone parimente sua Eminenza (il Cardinal Altieri), che qualunque persona presumesse attaccare mettere o poire corna, pitture o altre cose vituperose e brutte •. _ . alia porta, o muro, o in strada avanti della casa d'alcuna persona benclie fosse pubblica meretrice, o fare imbrattamento d'inchiostro, o altra sporcizia, o bruttura, incorra in pena della galera perpetua et anco della vita, seconda la qualita del fatto, ad arbitrio di sua Eminenza." / -<, ^ — 1095 Computus cyrometralis sive Ars Computistica et Calculatoria, tractans de Tempore in se et Instrumentorum Partibus cum Commento— Computus Norembergensis sive Libri duo de Motibus Solis et Lunse et de Effectibus pervenientibus ex Motibus, cum Commento " Anno • Domini mccccxxxi0 quarta feria post Judica finitus est liber iste per me Jacobum Sobernheym (vel Obernheym?), &c."—Tabulje varise et Kalendarium—Tractatus de Planetis, Stellis, &c. cum Tabulis Motuum—Composicio novarum theoricarum cum rectilineiis —De Horologiis faciendis—De Motu Solis et Lunse, de Eclipsibus, &c. cum Tabulis—Compositio Quadrantis Astrolabii plani cum Tabulis, in the original binding 4sto. Sjsc. xv. on paper This valuable collection of- Astronomical Treatises, apparently unpublished, was formerly in the possession of the Monastery of St. Matthew the Apostle, several of the pages being marked " Codex Monasterii Sancti Matthise Apostoli." It is very distinctly written, and illustrated with various well-drawn diagrams. The " Computus cyrometralis " is in prose and verse, as is also the " Computus Norembergensis." The name of Sobernheym or Obernheym is unknown to Lalande. The various tables throughout this important manuscript are in Arabic numerals. Towards the end, there is a table with the longitude and latitude of several towns of various countries, including England. Inside, on the cover, there are some fragments of an ancient manuscript of the IXth century. Besides the works which we have just mentioned, there is in this volume much additional matter, relating to astronomy, chronology, &c., &c., in the shape of tables, notes, &c., &c., inserted throughout. The Tractatus astrolabii begins with " Quamvis de astrolabii compositione tam modernorum quam veterum, &c." —■- y — 1096 Conclaye. Lista delle robbe che si hanno da portare in conclave per servitio de un Cardinale—Soliloquia in conclave in quo creatus fuit Clemens VIII. (et alia) folio. SiEC. xvii. on paper With a very curious account (but not complete) of the adventures of some Christian ladies amongst the Turks. The Lista is so considerable, and so many curious things are mentioned in it, that at least some extracts from it deserve publication.THE LIBEI MANUSCKIPTS. 243 1097 Cornelius Nepos " Emilius Probus de illuetribus Ducibus exterarum // ^ G-entium" 4do. S.®c. xv. on papeb Manuscripts of Cornelius Nepos are not of common occurrence. Only three, with this title, are described in the great Catalogus Bibl. Regies, Parisiensis. 1098 Cursus De Sacramento Dominic® Passionis—A mmaestramenti d'un ^ guardiano-ai suoi frati 4 afflrar .tUTLS tjtM.tMl^tSTlS A&>0702^1*101^15 MAX cjupddiwf fusion locutifurn >i&'rvgznfutfimnw pa.tr "b u er C a t s: E-xPLicat' C^Ft TV Lit Tl (J- ■aim utter fUtt> fLudmtir eft fmftreruTn medrrcnf Hac, ergp rxtiorL&, non aco^xaXc Arrmjiuim honomrein. r°so7. Y -pi AxiTec^ C6N6K\T 1 o Sic e^TVT umefTSt difporjjli-^ mxzsr etuf^urix. lofepk - a.ttdc-^ua.rnconttcnz^rrc' l^aerrcveflr Imrrero kikenfdefpLfcJ, J^O S e"pt> Xtrrern uu-etuC citmefV&Z lufbaC, SZ poller LN ci PIT AkGl/MflSTUM T^Ticuseu^ ^GLTSVA^T M WPI04. Y| rtctptr Ubcr deluntart btrdi] duguftm1iN) ejnfbU e gsvkt ^vr -v-r5 fMyitis InCipiurrrc^TviiU U^enchiridion- bean Xvimiftini a^Laiurrrriu prirnic^num axtc urbtc^*- t* B c, i r ^ m X 6- lb- JT9298 •U IX 1H- •tfr {S k TV. 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