YALE UNIVERSITY LIBRARY BOUGHT WITH THE INCOME of the CHARLES B. FENNELL FUND% k l a^n d^ (f) / « ^ ^ ^ a^/' jfi / ^ < 36 3 8 5 A \ f a a__ ^vv' s/ °.chambery w , ^ "g&fl °®USA como 4 * ~ \ ^bergamo 0 o / v ^ i / j {^tr^t y^/x palmanovai/r jf / r -n 1 v—-— * \novara0 7gpesc|^ * v 0 ^ 4 a^rverona /"venice _ pavia ^^ r q \ turino ^v-^^txrfytc^^ v^qmavtua- / onacetnza ^^v^ o /p arm a/0 5 ^ ^q / i « : jr ^ o < a xj^dcomacchio ravenna geno; t li pezzi^0 n o^^lulc^ leghorn |ncej 42— ajacci Elba % ^ x % ^ itavecchia' *caprera no .slnlgaglla ncona m^cerata vpv ^ v a v xi wnw^ .o ve ntecorvo-'^ffogg ia d^a r* i m a. ^ ^ _ . / v*ponza naples i °c a pu a (of ^ event! nola 38- trapan marsala pindisi otranto T A L Y 1815-1848 ^.... 9 «p mile. -38 girgent catania syracuse teller! a ^36 3|o Malta 34 36THE DAWN OF ITALIAN INDEPENDENCE ITALY FROM THE CONGRESS OF VIENNA, 1814 TO THE FALL OF VENICE, 1849 BY WILLIAM ROSCOE THAYER S' io al vero son t.imido amico, Temo di perder vita tra coloro Che questo tempo chiameranno antico. Dantb: Paradiso, xvii, u&-iaa IN TWO VOLUMES VOLUME I BOSTON AND NEW YORK HOUGHTON MIFFLIN COMPANY (Cbe Rtoerjsibe $rz?g CambrittgeCopyright, 1892, By WILLIAM roscoe THAYER All rights reserved. ninth impressionCONTENTS OF VOLUME I. BOOK FIRST. THE INHERITANCE. CHAP. FiLOB I. ROMAN AND BARBARIAN.......1 II. CHARLEMAIN AND THE SPELL, OF ROME ... 16 in. development of state and church . . . .23 IV. MANY REPUBLICS, BUT NO NATION .... 43 V. DANTE..........52 VI. THE RENAISSANCE........60 VII. REACTION AND DECLINE.......72 vm, science and FOLLY.......82 IX. NEW VOICES AND REVOLUTION.....95 BOOK SECOND. THE DOOM OF TYRANNY. i. the congress of vienna......116 n. THE RETURN OF THE DESPOTS, 1814-15 .... 139 HI. FOREIGN INTRIGUES.......179 IV. CONSPIRACIES.........190 V. NAPLES IN REVOLUTION, 1820 ..... 215 VI. THE REVOLUTION IN PIEDMONT, 1821 .... 253 vn. RETRIBUTION . . .......279 VUI. UNDERCURRENTS, 1820-30 ...... 312 EC. THE REVOLUTIONS OF 1831 ...... 342 BOOK THIRD. WHILE GREGORY XVI PONTIFICATES. I. CONSPIRACY GETS ITS LEADER......379 II. THE DECADE OF CONTRADICTIONS, 1833-43 . . . 404 in. THE POLITICAL REFORMERS......429THE DAWN OF ITALIAN INDEPENDENCE. BOOK FIRST. THE INHERITANCE. A hi serra Italia, di dolore ostello, Nave senza nocchiere in gran tempesta, Non donna di provincie, ma bordello! Dante, Purgatorio, vi, 76-78. CHAPTER I. roman and barbarian. The gradual regeneration of the Italians during the first half of the nineteenth century must be described, like the convalescence of a patient from a long sickness, by symptoms much more than by startling occurrences. We must look for signs of progress in the aspirations rather than in the achievements of any conspicuous leaders. For this movement was inward and subtle ; and its outward expression in deeds was stubbornly repressed. In order, therefore, to tell truthfully this very significant episode in the life of modern Europe, I shall draw information from many sources, passing from the narration of events to the biography of a representative man, or pausing to examine a custom or a book, which may often serve better than official documents to reveal the forces working below the surface in Italy. I shall be fortunate if I succeed by any means in recalling from the " dark back-2 THE DAWN OF ITALIAN INDEPENDENCE. ward and abysm of Time " the living motives and high influences which, penetrating the Italian heart, revived self-respect in it, and courage, and slowly fitted it to rise from serfdom to independence. When a man reforms his life, and, putting away his follies, rises to take his place among the strong and righteous,' we are edified: how much greater, then, should be our interest and edification at beholding an entire people, who, long sunk in moral and political misery, lift themselves into the comradeship of their best neighbors. This spectacle, the noblest that Europe has had to show in our century, unfolds itself to our view as we follow the history of the modern Italians. It is evident that in the brotherhood of states, as in the family or the community, the welfare of all must be attained through the excellence of each of the members according to his qualities. Every weakling, every idler, diminishes the common prosperity. To develop each individual to the utmost limit compatible with the general weal is the goal towards which destiny urges mankind. Hitherto, this process has resulted in the formation of strong individuals, and in concentrating and intensifying the traits peculiar to each race; for the first commandment given to every creature in the physical world is, Be strong, if thou wouldst survive. But individualism, when unrestrained and unspiritualized by the recognition of a larger communion of interests, is selfish and partial; it uses its strength brutishly ; its neighbor is not a brother, but an enemy, to be robbed or crippled or enslaved. The past has witnessed the endeavor of race after race to make itself supreme by absorbing all the power of its fellows and by holding them in subjection. But we stand on the threshold of a new age, in which time and distance and the barriers of Nature have been overcome ; when the products of one land can be transported swiftly to other lands, and when the utterances and events in one hemisphere are known immediately in the other. And nowROMAN AND BARBARIAN. 3 we begin to perceive that the fate of each people is interwoven with that of all the rest. Interdependence is as necessary as independence, and whatever law of trade, whatever intriguing of diplomacy, aims only at selfish and local gain, though it seems for a time to benefit the egotist, will inevitably weaken him, because it weakens his neighbors. The swarm is harmed when a single bee is harmed. The old politics took no note of this, nor have present Ministries given heed to it; but there is the fact, and all the inventions which make commercial intercourse easy, and disseminate knowledge, are prophetic of the ultimate solidarity of mankind. A crime against one will at last be seen to be a crime against all. This being true, how could Europe have real health, so long as one of her members — Italy — was sick ? Servitude debases not only the slave, but the slave-owner and those who abet him. What wealth that Austria wrung from the Italians could compensate her for the moral slough — the cruelty and selfishness — into which slie sank in order to maintain her tyranny ? And what of France and England, what of Prussia and Russia, who consented to the degradation ? The Italian, too, must have a voice in the Parliament of Nations ; he, too, must contribute to the common treasure of humanity that which he, and no other, was peculiarly adapted to produce. But first, he must be free, Italy must be an independent nation; for no man can speak the truth that is in him when the hand of an oppressor is upon his throat. How came it to pass, then, that the Italians at the beginning of the nineteenth century were not free ? that they seemed an exhausted race, fit only to grind wheat and press out oil to enrich their taskmasters ? To answer these questions, and to understand the regenerative movement which is the subject of the present work, we must take a rapid survey over the past; for in no other country was the past so tenacious and so authoritative as in Italy.4 THE DAWN OF ITALIAN INDEPENDENCE. Traditions there had the force of new and irresistible impulses elsewhere ; men lived by memory alone ; customs, feuds, aspirations, survived to shape conduct long after the particular circumstances which begot them, or the conditions which matured them, had ceased to exist. Just as, if you drove a spade into Italian soil, you might uncover an ancient statue or the fragment of a cyclopean ruin, so if you but scraped the surface of an institution or a habit, you might find that its roots shot deep into a remote antiquity. Past and present seemed to grow side by side ; you could never be sure that an influence was dead or that a trait had been forgotten. When Rienzi would have established a republic at Rome, he exhorted his hearers to be stirred by the example of their forerunners, the Gracchi, though these had been dead fourteen hundred years, and the world had been transformed. Imagine Hampden appealing to Britons by their memory of Caractacus, or Camille Desmoulins rousing the French by allusions to Vercingetorix ! In Italy alone was this possible, and we need therefore to know, at least in epitome, what was the inheritance which the Italians of whom we are to treat had received from their ancestors. From the earliest times there had never been a united Italian nation. The various tribes which occupied the peninsula were conquered one by one by the Latins, who carried Rome with them wherever they went, and who succeeded, in the reign of Augustus, in converting Italy into a uniform Roman state. After the age of the An-tonines, — that Indian summer of prosperity and glory, — the empire of Rome slowly fell asunder: within, vice and luxury and civil factions corrupted its integrity and sapped its vigor ; without, hosts of sturdy barbarians swept down the frontier-bulwarks and surged on Rome itself, — till at length Huns and Teutons had submerged the throne of the Caesars, and lay like a flood over Italy. That calamity seemed to portend the ruin of the world; and, indeed,ROMAN AND BARBARIAN. 5 for a long time after the waters had subsided, there seemed no hope of reconstructing civilization out of the wreck. The invaders mingling with their conquered subjects bred a new race, which gradually differed in language and character both from the Latin and the barbarian ; but the Latin strain predominated in this new people, which was the Italian. Our purpose does not require that we should unravel the history of the centuries of confusion and readjustment when not only Italy, but the whole Roman world was shattered, and then rudely remodeled. Peer into that time never so hard, you will scarcely discern a recognizable human face turned towards yours. You will see only masses indistinctly, like waves through a fog. Individual names there are, but they seem rather the names of personified vices and ferocities than of rational beings. Deeds there are, but collective and ill-defined, like the forces which slowly transform autumn into winter. You know that between the fifth century and the eleventh, European society was completely resmelted; that the battered metal of Paganism, being fused in the same furnace with Catholicism and Teutonism, produced an alloy such as the world had never seen. You know the chief traits of the new civil system, the chief dogmas of the new religion ; and you repeat the names of a few score kings, warriors, and popes, which stud that historical waste like surveyor's stakes to mark distances and boundaries. But to realize by the force of your imagination what an individual man thought and was, so that he lives again for you, is perhaps an impossible thing. Growth you see, and change ; but you cannot quickly perceive into what, for on the surface there are only tumults and wars, chaotic and incessant. You need not look for complex motives ; the recorded actions of the men and women of the Dark Age are almost always traceable to the elementary appetites of half-savage mankind, — to lust, to greed, to revenge, to love of fighting. The law of the strongest rules;6 THE DAWN OF ITALIAN INDEPENDENCE. the weak can get, and he expects, no mercy. Yet above the din of clashing arms, if you listen attentively you can hear the dull tapping of myriads of mattocks on the earth, and the beating of flails on the threshing-floors, and the thud of the woodman's axe in the forest; for every year, be there quiet or carnage, the soil must be tilled, the crops sown, the harvests garnered, and the fuel stored, against the coming of winter: and the nameless multitude of serfs worked on, season after season, century after century, silent, unquestioning, without hope, grinding the grain for another to eat, pressing out the wine for another to drink. Dynasties appeared and vanished, but the race of the toilers, stretching back to the day when the first man tilled the first patch of glebe, was permanent, and the sound of its tools seemed to beat out a funeral march. The peasant literally belonged to the earth, to be treated as a natural force, like spring rains or summer heats. And a few men, like to him in shape, but as unlike him in privilege as the hawk is unlike the worm, came and took from him the product of his labor., Himself but a better tool, the peasant had spade and plough to his portion; and when, worn out with travail, he sank into the earth, or was struck down by some troop of pillagers, his sons toiled in his stead. Pathetic, unmurmuring delvers of the fields, on your humble shoulders you bore the foundations of great cities and mighty empires; you bent your backs for the arrogant tread of armies ; yet you, neglected and uncivilized, were the corner-stone of civilization. How mair ages should you look down along the furrow and break its clods, before you suspected that you too were human, that you too were entitled to a share, not only of the wealth you created, but also of all the excellencies of the world ? Immemorial oppression has curved your spines earthwards, but the time shall come when, erect once more, you shall look any of your fellows in the eyes, and lifting your gaze upon the stars, you shall say, " We, too, are partakers inROMAN AND BARBARIAN. 7 the dignity of the universal scheme, of which these are the tokens and the promise." But during the Dark Age men dreamt not yet of this. Society grew as grows the coral: at first, a shapeless mass; after a century it has put forth little prongs and shoots ; after another, those shoots have lengthened into branches, until at last it stands there an organic growth, shapely and marvelous, with trunk and limbs and twigs. The social organism which then took shape and became dominant in Western Europe until the French Revolution was Feudalism. Its origin was Teutonic ; its fundamental principle, Force. Each German tribe elected as chief its strongest man. Part of the booty taken in war was distributed among the tribe in common; part was reserved for him. As the tribe prospered, his power increased, and his share of plunder — land, cattle, and captive enemies — descended to his sons. Gradually, his office became hereditary, and each tribesman swore to obey him, became " his man." In the course of three centuries the Franks had fought their way to the front of the German tribes, and Charle-main was their king. This extraordinary man, the last of a family of vigorous soldiers, is well-nigh the only being of that era whose personality can be made to live again; for he was not a monotone, nor the mere spigot of a single vice or passion, but a man of many powers, excelling as soldier, as statesman, and as patron of letters and education, very human in his defects, and almost unparalleled in his influence upon history. His genius it was which raised Feudalism into a world-system, at least for the world of Christendom. Over all France, as far south as the Ebro in Spain and as the Liris in Italy, over Germany to the Elbe and across Pannonia to the Theiss, stretched his empire. Each district was governed by a count or duke whom he appointed; and lest the provincials should imagine that distance could dim his watchfulness or weaken his supremacy, he sent every year two missi or imperial8 THE DAWN OF ITALIAN INDEPENDENCE. inspectors among them, to report upon their condition and to see that the viceroys were faithful in their stewardship. Charlemain himself traveled constantly through his realm, to inquire into the needs of his subjects, to dispense justice, to chastise rebels, and to fortify his outposts along the borderland where his domain ended and the unexplored wilderness of the barbarians began. Merciless to his enemies, — did he not cause forty-five hundred Saxons to be beheaded at Yerden ? — he put aside his wrath when they submitted, and treated them as his own people, suffering them to retain their local customs, but imposing upon all a uniform scheme of government and law. The proof of Charlemain's extraordinary genius, and of the suitableness of Feudalism to the needs of that age, lies in the fact that, before the end of his forty years' reign, a larger part of Western Europe was reduced to orderly government than had been for nearly five centuries. In an epoch when physical force was the supreme test, a system based on force came to be adopted. Charlemain had approved himself the strongest man in Christendom, as his lieutenants acknowledged by becoming his vassals. Each received his province or his estate directly from the sovereign, on condition that he should furnish a stipulated number of troops when the sovereign required them. Each great vassal, or over-lord, then subdivided his territory among other vassals on the same terms, and these again to others, down to the petty knight who had but a few score acres and half a dozen fighting retainers, and lower still to the simple freeman who had only his own sword to serve with. Below all these were the serfs, too humble to be reckoned in this scheme: like cattle, they went with the soil and were powerless to choose their masters. Force being the arbiter and self-preservation being the strongest instinct, it behooved every man to get as much force on his side as he could: the weak therefore turned to the strong and voluntarily accepted him as liege,ROMAN AND BARBARIAN. 9 and was promised protection in return £or personal service. By this strange chain, made up of links of regularly diminishing size, — the largest firmly riveted in the suzerainty of the emperor, the smallest desperately clutched by the poor freeman, — was society once more held together. So long as tlie sovereign was Charlemain, a man not only preeminently strong but also just and wise withal, Feudalism was a system capable of promoting civilization by restraining the violent; by soothing the terrors of the weak; by uniting all classes against the attacks of their common enemies, the Huns on the east and the Saracens on the south; by awakening in all that sense of mutual interdependence without which nations can be neither compact nor concordant; and by affording a ready means of communication between the head and the members. A beneficial system, we must pronounce it, so long as the head was strong and just; when, however, the head waa weak or wicked, or both, as soon came to pass, Feudalism proved most efficacious in exasperating the very evils it should have quelled. Feudalism is the contribution made by the Teutonic races to the art of government. At the time when it reached its growth under Charlemain, another power, different alike in origin and nature, but even more tremendous in its effects, rose to share the dominion of the western world. This power was Roman Christianity. The teachings of Christ, early transplanted to Rome, grew up there in a form determined by the character of the Romans. Their genius, markedly administrative and legal, imposed upon the new church an intricate system of government and a sharply defined, dogmatic expression. The necessities of those early Christians, who were now tolerated under sufferance and now persecuted without mercy, intensified their natural tendency as Romans towards a compact organization and a rigid creed. You will look in vain among the recorded utterances of Jesus for any10 THE DAWN OF ITALIAN INDEPENDENCE. sanction of a hierarchy, for any authorization of papal or ecclesiastical rule. You will find that Christ invariably addressed the individual conscience. He came to call sinners to repentance, not by scaring them into heaven through a fear of hell, but by revealing to them that righteousness alone can give lasting peace and strength to the soul. And he spoke not according to tradition, after the manner of Scribes and Pharisees, but out of his immediate conviction that virtue and right and love are absolute and eternal, not to be affected nor diminished by the opinions men may hold about them. The assent of Moses or Solomon could not make truth one jot more true; nor could the decree of the Sanhedrim make an unjust act just. Spiritual laws are absolute; they operate immediately, whether we attend to them or not; they were in the past, from the beginning ; they are in the present; they will be in the future; they pervade all time, but they are above time. And just as the physical laws discovered by Kepler and Newton were not born at the moment of discovery, so the spiritual laws unfolded by Christ did not originate with him ; better than any one else, he knew that their authority came not from him, but from the Centre and Source of Life. By a method which has fitly been called the method of " sweet reasonableness," he explained these spiritual verities, and, what was immeasurably more important, he illustrated them by the example of his own life. Let us not suppose that virtue was first taught by the gentle Galilean, — wise men had long before confessed her in many lands, and many men had led good and noble lives, — but Jesus proclaimed that all men are equal before God, and that the individual conscience is judged directly by the eternal laws of the Spirit. You are better or worse, not in proportion as men think well or ill of you, but as you obey or disobey the Inner Voice. The rank and prestige of the individual avail nothing iji the presence of these impartial laws. He who follows them, though he be a slave, hasROMAN AND BARBARIAN. 11 the spiritual strength which they alone can bestow; he who departs from them, though he be a Caesar, loses their support, and in that deprivation is punished. The equality of the moral law and the judgment of conscience, — these are Christ's teachings, and they condemn the interposition of any third party, any church or spiritual attorney. I can as soon picture him being borne in gorgeous papal apparel into St. Peter's, or, disguised in the worldly pomp of the Archbishop of Canterbury, holding a levee at Lambeth Palace., as I can believe he meant to sanction the clerical machinery and dogmas which grew up under his name, and which, under various forms, still pass for Christianity. Christ appealed at first to simple, earnest men, who needed but to have the truth put clearly, and to see it exemplified in his actions, in order to accept it. No miracles, the stage-thunder of religion, were necessary to persuade them; those were later devices for terrifying or astonishing minds less spiritual into belief, — minds that required a sign, minds that could be convinced that Jesus was the Lord, as they heard him called, only after they were assured that he had turned natural laws topsy-turvy and wrought wonders more amazing than those attributed to the gods of other nations. As if the recognition that, in both the spiritual and physical world, harmony and order prevail to attest the majesty and wisdom of God were not immeasurably more religious than the belief in any scheme of afterthoughts, interruptions, and whims! As if the turning of water into wine, or the feeding of a multitude with a few loaves and fishes, were comparable to the miracle of that career of holiness and self-abnegation, or to that Sermon on the Mount which has furnished food to millions of souls, yet cannot be exhausted ! But men cannot long live the free life of the spirit, in which virtue is its own witness and justification ; before the end of the first century, Christianity had fallen from its pure,12 THE DAWN OF ITALIAN INDEPENDENCE. spontaneous estate. The fiery genius of Paul had molten the spiritual ore and cast it into metaphysical moulds, and the Christian communities which sprang up in various parts of the Roman Empire made doctrinal agreement, rather than conduct, the test of orthodoxy. Paul, be it never forgotten, was the Oriental dragoman who interpreted Christ's message to the Greek and Latin world; and Paul, preeminently an orator and a logician, could not help adding arguments, the character of which was determined by his temperament, as he translated. Christ, a Jew, with the Jewish power of illustrating abstract truths by vivid concrete examples, had often spoken in parables; but over and over again he had warned his disciples that the truth lay in the spirit and not in the letter. Nevertheless, owing partly to the natural tendency of men to mistake the symbol for the reality, and partly to the fact that an uncritical age attaches fantastic and mystical significance to the plainest words and deeds, Christianity soon began to petrify into literalism. Nowhere was this more apparent than among the Romans, masters in rules and codes. During the first three centuries the Roman bishop enjoyed no acknowledged precedence over the bishops of Africa and the East; but when Christianity was decreed by Constantine to be the State religion, the authority of the Roman bishop gained great prestige in fact, if not in the official recognition of the other churches. The Bishop of Antioch or of Alexandria might still claim independence, but the Bishop of Rome spoke from the capital of the Empire, and he already represented a larger number of Christians than belonged to any other diocese. The rapid increase in the membership of the Roman Church required a strong organization; and whereas in early days each community had chosen its minister, the power to elect now passed out of the hands of the congregation and was usurped by the priests, who elected their superiors, and these in their turn elected theROMAN AND BARBARIAN. 13 Bishop of Rome. Then sprang up a sacerdotal clan, which arrogated to itself complete jurisdiction over the government and tenets of the church. A chasm as wide as that which separates the pariah from the brahmin separated priest from layman in this hierarchical system modeled upon Roman imperialism. When the Empire was divided by the establishment of a second capital at Byzantium, the authority of the Pope over Italy and Western Europe was naturally extended, and when the Western Empire fell asunder, it was equally natural that the people of Rome and its neighborhood should rally to the spiritual head of Rome for that protection which the civil government could no longer give. Even the barbarians respected him, and as they settled on Italian soil and became Christians, they turned to him as their religious arbiter and guide. Nominally, the emperor at Constantinople protected the church at Rome, but actually the Romans in those grievous days had to protect themselvss, whether by propitiating the temporary conqueror or by striving to resist him. Among the incessant tumults and changes, nothing was stable, nothing permanent, except the rule of the Pope. His spiritual authority, transmitted from successor to successor, could not be affected by temporal vicissitudes. The man might be driven from Rome, but the office embodied in him was beyond the hazard of his personal fortunes. Privileges and property once acquired by or bequeathed to the church did not lapse, for the church was perpetual. From the fifth to the eighth century, the Bishops of Rome established their spiritual supremacy in Italy. Even the Iconoclastic Controversy in which they engaged with the Eastern Church ended in strengthening them. The Greek Christians were the more speculative and mystical: was it not natural that the religion of a land where the language and literature of the race which had excelled in philosophy still flourished should be clothed upon with14 THE DAWN OF ITALIAN INDEPENDENCE. philosophical wraps ? The Latins, on the contrary, had produced no philosopher ; they were logical and practical, caring more for things than for thoughts; they knew the value of visible images and symbols in helping dull imaginations to perceive religious dogmas. The Popes who refused to prohibit the use of idols acted in harmony with the genius of the Latin people, and they lightened the task of converting the heathen natives of Western Europe to Christianity. A missionary who .could show an image of St. Peter or of Christ to the Teutonic barbarian was much more likely to be understood than another who labored with words to make abstractions plain. This assertion of independence not only enhanced the prestige of the Roman bishop, but also fixed upon the Roman Church that reverence for symbols which, exaggerated at later periods, became the substitutes for inner spiritual devoutness. But the Popes soon had to cope with nearer and more dangerous enemies than the Byzantine emperor. They were hard bestead by the Lombards, those long-bearded warriors who conquered Northern Italy in the sixth century, and spreading southward to Spoleto and Benevento menaced the patrimony of St. Peter itself. There being no champion for him in Italy, the Pope sought succor across the Alps of Charles Martel, king in all but name of the Frankish nation. Before Charles could descend into Lombardy and punish the tormentors of the Pope, he died. His son, Pepin the Short, succeeded him; deposed Childeric III, last of the do-nothing kings of the Merovingian line (752) ; was crowned by the Archbishop of Mayence, the Pope's representative; and erelong he compelled the Lombards to submit. This league of amity between the Popes and the Carolingians is the most important fact in the history of that age. It confirmed the papal power in Italy ; it established the precedent that the Pope's sanction of a monarch beyond the Alps was, if not absolutely indispensable, a source ofROMAN AND BARBARIAN. 15 strength and dignity ; it showed that the influence of the Byzantine emperors over the affairs of Western Europe was virtually dead; it fixed Roman Christianity, to the exclusion of Arianism, on the west. Ambition would doubtless have been a sufficient motive for urging the Frankish kings to subdue the Lombards; but this league, by making them the champions and defenders of the Roman Church, gave to their ambition a holier aspect, and thenceforward the spread of Christianity coincided with the extension of their dominion over the barbaric tribes.CHAPTER II. charlemain and the spell of rome. Pepin was followed by his greater son Charlemain, who, as we have seen, brought Central and Western Europe under his sway and organized Feudalism as an imperial system. His genius, his methods, his traditions were Teutonic, but these did not prevent him from feeling the spell of an influence which had begun to fascinate the imaginations of men long before Teuton or Hun had emerged from primitive savagery. " What's in a name ? " exclaimed the lovesick heroine of Yerona. " Everything ! " experience might have replied to her; for " the generality of mankind is wholly and absolutely governed by words and names, without — nay, for the most part, even against — the knowledge men have of things." 1 The name which captivated Charlemain, which dazzled the world for well-nigh two thousand years, — from the fifth century before to the fifteenth century after Christ, — was Rome. Among all the names uttered by men, only one other has been more potent. Roma ! There is the history of our Western races in these four letters. The stories of Greece and Palestine, of Carthage and Egypt, are as rivers which flow down from remote regions into a great lake called Rome. Antiquity is a vast ravine, from one side of which to the other reverberates the magic word Rome. A hundred and sixty years before the Christian era, the fame of the Romans was sounding through all the lands then known. Tribes which had never seen them knew that " they were mighty 1 Robert South, A Sermon preached May 9, 1686.CHARLEMAIN AND THE SPELL OF ROME. 17 and valiant men." Judas Maccabseus, the last hero of Jewish independence, bade his countrymen in their distress to seek the friendship of that invulnerable people who had their citadel on the distant Tiber. He related how " they destroyed and brought under their dominion all other kingdoms and isles that at any time resisted them, but with their friends and such as relied upon them they kept amity ; and that they had conquered kingdoms both far and nigh, insomuch as all that heard of their name were afraid of them; also that, whom they would help to a kingdom, those reign ; and whom again they would, they displace ; finally, that they were greatly exalted ; yet for all this none of them wore a crown, or was clothed in purple to be magnified."1 Thereafter, during more than four hundred years, victory upon victory, advance upon advance, added significance and lustre to the name of Rome, until the Pict among the chilly mists of Shetland, and the Hindoo in the jungles of Bengal, had seen the flash of Roman breastplates; and the nomads of Yemen and Sahara knew that far away in the centre of the world there was a nation invincible and terrible, whose arm was long and whose grasp was firm. This wonderful nation had taken up the gate-posts of civilization and set them down many hundred leagues ahead. Kingdoms which had sufficed for the ambition of Darius or the Ptolemies were mere segments in the great circle which Rome described upon three continents. The empire of Alexander was but a province; the realm of Hannibal was but a proconsulate. Rivers and mountains were no barriers to her ; over those leaped her bridges, over these wound her highways. She penetrated forests and left them cornfields behind her. Her ships rode supreme in every port. It seemed that genius through all the past had been unconsciously working for her embellishment; that the Athenian sculptors had wrought statues to adorn her palaces, and that The-1 1 Maccabees, viii, 11-14.18 THE DAWN OF ITALIAN INDEPENDENCE. ban Pharaohs had hewn obelisks to commemorate her triumphs. Think of the thirty generations which went into the augmenting of that power which we sum up in the single word Rome ! Think of the reputations, each a splendid star, whose several brightness was merged into the brightness of his fellows, to compose that galaxy which spread over a large part of the firmament of history, and will excite the wonder of mankind forever. Regulus and Collatinus, the Scipios and the Gracchi, Marius and Sulla, Cato and Cicero, Caesar and Pompey, Augustus and Hadrian, Trajan, Agricola and Aurelius, —these are but a few whose magnitude we have measured and named. But in the sound of that word Rome there is also the tramp of a thousand legions, there is the din of countless victories, there are the commands of dauntless forgotten generals and the decrees of innumerable lawgivers. No single genius lifted the fame of Rome to the stars, but the valor and energy and patience of a whole people, the concerted effort of nameless multitudes, who were not impelled by a sudden frenzy of conquest nor disheartened by a lost campaign, but who advanced slowly, steadily, rhythmically, as with the step of Fate. Rome conquered because she was strong; and she drew her strength from the integrity and patriotism of her sons during many successive generations. So strong was she that even her decline bore witness to her deep-rooted grandeur. Alexander, Napoleon, ceased to be, and their empire was as if they had never been; but Rome in her dissolution threatened the ruin of the world. Gradually, through four hundred years, luxury and vice stole vigor from her body and resoluteness from her soul, yet men still believed that she could not die; and she had lain dead in her palace already for a long season ere the barbarians dared to enter and look upon her corpse.1 1 The real fall of Rome was in a. d. 397, when Theodosius died. Alaric, the first invader who had entered the city since Brennua, just eight hundredCHARLEMAIN AND THE SPELL OF ROME. 19 But even death could not destroy the magic of the name of Rome. Freed from the limifations of fact, it lived as a disembodied spirit with an immortal existence which could not be assailed by the shock of mortal change. It had now, like a Miltonic archangel, that attribute of vagueness through which conceptions too vast for precise statement loom terrible or sublime. The visible empire still survived at Constantinople, but how weak and narrow it was compared with that idea of empire in which all that Rome had been was expressed ! The degenerate Romans, and the barbarians who settled among them, alike deemed that idea to be a part of the universal order, just as the sun and seasons were ; even though now invisible, they thought that it still held mankind together. The northern savages showed their reverence for it by the eagerness with which they sought to legitimize their conquests by obtaining for themselves the title of Roman Patrician; but they did not yet dare to assume the title of Emperor, although had one of them — Odoacer, for instance — done so, he could hardly have been prevented. In the ears of Charlemain, however, that name Roma was continually resounding, and before his mind's eye that ideal of empire kept passing, vivid and seductive. He was more than king, for he had many kings to his vassals ; he had reduced under his sway a large part of what had been the Roman Empire, and had established therein a uniform, stern government. He was, moreover, the champion of the religion which, spreading from Rome, was fast converting the West. All that he needed was the prestige of that title with which were associated the highest reach of human power and the maintenance of civilization itself. And when the Pope, representing the citizens of Rome, declared that the legitimate line of Eastern emperors had lapsed through the crimes of Irene, a woman who had years before, sacked Rome in 410. Romulus Augristulus, the last phantom emperor, was deposed by Odoacer in 476.20 THE DAWN OF ITALIAN INDEPENDENCE. usurped the Byzantine throne, and that the Romans, exercising their ancestral rigtil to elect an emperor, had chosen Charlemain, the ambition of the Frankish conqueror was realized. Just what motives led to this epoch-making act we cannot say. The Pope may have been moved by gratitude for a monarch by whom he had been succored; he may have hoped to secure good-will and protection for the future ; he may have wished to assert in this decisive fashion the independence of the Western Church from the nominal dictation of the Eastern emperors ; or he may have merely intended to acknowledge that one who deserved the title of emperor should wear it. Certainly, had Charlemain commanded, nobody could have resisted him. The most natural reasons are probably nearest the truth. In after times, when history was rewritten by papal partisans, who, disregarding fact and unabashed by anachronisms, assigned purposes retrospectively, so as to give present issues the semblance of past authority, they claimed that Charlemain derived his imperial rights from the Pope, and that the emperors were therefore subordinate to the Popes. But we may well doubt whether Charlemain would have admitted or Leo III have pressed this claim on that Christmas day, A. D. 800, when the pontiff, rising in the basilica of St. Peter's, " advanced to where Charles, who had exchanged his simple Frankish dress for the sandals and the chlamys of a Roman patrician, knelt in prayer by the high altar, and as, in the sight of all, he placed upon the brow of the barbarian chieftain the diadem of the Caesars, then bent in obeisance before him, the church rang to the shouts of the multitude, again free, again the lords and centre of the world, ' Karolo Augusto a Deo coronato magno et pacifico imperatori vita et victoria.' "1 The consequences of this act have not yet ceased to be felt. Its immediate effect was to confirm and extend the power of the Pope. The Roman form of Christianity 1 Bryce, Holy Roman Empire, p. 49.CHARLEMAIN AND THE SPELL OF ROME. 21 became thenceforth established as the State religion of the West, and the Roman Church had the aid of the secular ruler in stamping out heresy and in pushing its missions heathenwards. The Emperor gained on his side whatever advantage imagination and tradition attached to his title ; he gained also in being the official champion of the Church. His wars of conquest might now be defended by the plea of religious zeal, and he might strengthen his administration by persuading the Pope to punish with spiritual instruments the refractory subjects who would not obey the imperial command. This partnership on equal terms between Church and State was very simple in theory. God, it was believed, had intrusted the governing of mankind to two heads, one of whom, the Pope, should direct the spiritual, while the other, the Emperor, should direct the temporal affairs of men. Each should be supreme in his own province ; but since the spiritual and the temporal are as closely allied as body and soul, their governments must be harmonious, one supplementing and propping that of the other. These twin monarchs were equally necessary and equally venerable, and only in the sense that the soul is higher than the body could the Pope be said to be superior to the Emperor. God is universal; therefore the government which represents Him on earth must be universal. In antiquity only one nation succeeded in mastering the then known world ; that nation was the Roman, and the breadth and power of its empire proved that God ordained it to be the model of civil government. Later, when He had revealed His scheme of salvation, He confided it to the Roman Church to preserve and disseminate. Since that scheme applied to all men, the Church must be universal, eternal, and catholic ; and as there was but one scheme, there could be but one true religion; the Roman was therefore the sole guardian of orthodoxy. Thus, at the beginning of the ninth century, we find22 THE DAWN OF ITALIAN INDEPENDENCE. society in Western Christendom constituted under two strangely derived systems, that of Feudalism, Teutonic in origin and nature, but now popularly supposed to be the perpetuator of the Roman Empire; and that of Christianity, a Hebrew product, transformed through the genius of the Latin race into a genuine Roman institution. Rome had never created a world-religion. She imposed her laws, but not her creed, upon the tribes she overcame. She had persecuted the early Christians, not because they held odd doctrines, but because they denied the authority and disturbed the peace of the Roman State. Yet now, the real Rome being dead, her spirit was to circulate among mankind in a world-religion, and the mere tradition of her grandeur was to give lustre to an empire utterly unlike her own. Marvelous people of the Tiber, none other that ever trod the earth has left upon it footprints so deep as yours! Dead but sceptred kings, who from your urns have ruled the spirits of a long posterity, the might of your genius shall be active among men until the last Romish priest shall have said his last mass, and the last candle shall flicker on the altar.CHAPTER III. development of state and church. At the beginning of the ninth century, therefore, Western Europe has issued from chaos, and feels the need and benefit of a dual restraint. It looks up to a Roman Pope and a German-Roman Emperor. There exists at Constantinople another Emperor calling himself Roman, and a Church claiming to be Christian and catholic; but the Western Emperor troubles himself little about the former, and the Pope brands the latter as schismatic. Local interests tend more and more to separate the East from the West in spirit, and a broad zone inhabited by barbarians keeps them asunder in fact. European history, so far as it concerns us, is henceforth the history of the West, and if we think of the Byzantine Empire at all, we think of it as sinking deeper and deeper into Asiatic lethargy, which the terrible warriors of Othman shall at last plunge into the sleep from which no man wakes. Of the events in Western Europe itself that belong to the Middle Age, the epoch between. Charlemain and Dante, we can refer to only a few of the most important which directly or indirectly moulded the destiny of Italy. Imperialism and Catholicism, whose compact had been so joyfully celebrated, worked together as allies but a short time, then their separate ambitions and their conflicting interests goaded them to internecine rivalry. Soon after Charlemain's death the empire was split into three fragments. The western portion, comprising Neustria and Aquitaine, — a considerable part of what was later France, — fell to Charles the Bald; a central strip, run-24 THE DAWN OF ITALIAN INDEPENDENCE. ning from the North Sea to what was anciently Latium and including the two imperial capitals, Aix-la-Chapelle and Rome, was given to Lothair; the provinces east of the Rhine were the share of Louis, surnamed the German. These three rulers were the grandsons of Charlemain. Lothair had the title of Emperor and of King of Italy. And now it was seen that the feudal system could not, in spite of Charlemain's precautions and foresight, maintain a uniform government over Western Europe. Not only did the mutual jealousy of the three brothers prevent them from forming a common union, but also centrifugal forces too strong to be overcome had been set in motion in each kingdom. The great feudatories, who as dukes, counts, and marquises, had governed the outlying provinces of the Empire and had been checked by Charlemain, now, under weaker sovereigns, established themselves as hereditary lords, and aspired to independence. The king, whether in France or in Germany, had a smaller territory than that of his great vassals ; he could keep them obedient only by keeping them disunited. On the whole, the royal power expanded in France and dwindled in Germany ; and for this reason, — the king of the former was hereditary, of the latter elective. While the Capetians were slowly subduing their great vassals and bringing more and more land to the royal domain, the German monarchs had to cope not only with refractory nobles at home, but also with Huns, Slavs, and Scandinavians abroad. The sceptre passed from family to family; those who failed to receive it by election envied the successful and resisted their efforts to erect a dynasty. Perhaps it was still more important that the German king was also the Holy Roman Emperor; for this union of offices involved him in difficulties with the Pope, and it further embarrassed him with the affairs of Italy. Having been chosen by the electors, he must proceed to Milan to be crowned with the Iron Crown of the Lombard kings, andDEVELOPMENT OP STATE AND CHURCH. 25 thence to Rome to be anointed Emperor by the Pope. Time wrought swift changes in the land south of the Alps. New States grew up, each craving independence, and the interval between one imperial visit and the next being often long, the Italians began to lose respect for the nominal suzerainty of their foreign Emperor. But the spell of Italy had a fatal fascination for those German kings. They pursued the southward-flying phantom, leaving in the Alpine passes and on the Italian plains the withered flower of their armies. That will-o'-the-wisp enticed them on and on, but always settled at last over a graveyard. What was the magic by which Power — the reality they pursued — eluded them? Italy seemed to flourish in spite of internal discord ; proud cities and fertile plantations covered the peninsula, and the Italians who enjoyed them were merchants and prelates rather than warriors. Yet when the Emperor came to demand them as his due, they slipped from his grasp. The oily state-craft of the Italians countervailed the slow force of the Germans ; the subtle sunshine of the South bred a pestilence more deadly than an armored foe, and whom pestilence spared, voluptuousness dispatched. Hannibal, too, had found the ease of Capua more formidable than Roman legions at Cannae. Nevertheless, though baffled time after time and undone, the German kings persisted in their hopeless task; when the vision of Italy hovered before them, like men in whom the desire for strong drink returns too tempting to be controlled, they gave up all for that. Triumphs they had, indeed, but they were temporary triumphs; for while the German sovereign was making or deposing Popes, and forcing the Italians to do him homage, his restless vassals and enemies at home seized the occasion of his absence to sow sedition or to hasten attack. The league between the Empire and the26 THE DAWN OF ITALIAN INDEPENDENCE. Church inevitably brought blight and disaster to the Empire.1 The power which circumvented the Emperors in Italy, the power with which southern sunshine and voluptuousness seemed to connive, was the Papacy, the most adroit, the most plausible institution which has ever influenced for ages together the fortunes of men. In its effects mar terial, in its essence intangible, the Church of Rome forfeited the high prerogative of spirituality and preferred worldliness, from the day when a Pope first thrust himself into competition with temporal rulers. " Where your treasure is, there will your heart be also," is Christ's, warning ; the treasure which, for a thousand years past, the Popes have coveted and hoarded has been of the earth, and here have been their hearts. " No man can serve two masters : for either he will hate the one and love the other, or else he will hold to the one and despise the other. Ye cannot serve God and Mammon." 2 During more than a millennium the Papacy has been engaged in reconciling its service of two masters ; while raising one hand in the worship of God, it has stretched forth the other to catch the bounty of Mammon, and in this conflict of allegiance, its zeal, except at rare intervals, has been on the side of God's adversary. But the purpose of the historian is not merely to pass verdicts on creeds and systems ; it is rather to study the conditions amid which these rose and flourished, in order the better to understand that elemental human nature from which all religions and polities spring, and to furnish examples for the instruction of our own and after times. Little will it profit us if we imagine that Feudalism or Papalism, which to-day we have reason to condemn, was never useful. For better or for worse, these and all other systems were once the best, 1 Four emperors died in Italy : two others just after they had recrossed the Alps. 2 Matthew, vi, 24.DEVELOPMENT OF STATE AND CHURCH. 27 and by their scope and effects we can measure the period in which they were the best. We may prefer June to December, but December also has its bleak chapter in the chronicle of the year. The expansion of the Roman Church into the Roman Papacy was as natural as the expansion of the bishopric of Rome into the spiritual dictatorship of Western Christendom. The Church early acquired property in and near the Holy City, and wherever a monastery was founded it owned and tilled land. Princes made propitiatory gifts ; the faithful bequeathed money and estates. Charlemain exacted the payment of tithes to the priesthood, and in other ways fostered the institution of which he was proud to call himself the defender. The Popes soon exercised a moral influence in temporal concerns; they settled quarrels between rival claimants, and their sanction often outweighed military force. It was of course inevitable that their decision should be biased by their interests, that they should sincerely favor those who favored the Church. In theory the Empire was universal, coextensive with the Church, but its early partition, leaving the Emperor suzerain of but a portion of Charlemain's realm, created local and mutually hostile interests, while the Church remained unchanged, and had everywhere the same work to accomplish. It was a corporation with a perpetual charter, and it guarded its temporal possessions with a spiritual authority which even violent men in lawless times rarely dared to attack. And since the German king must be consecrated by the Pope before he could legally bear the title of Holy Roman Emperor, the idea of equality soon gave place to the assumption that the Emperor was inferior to the Pope ; and lesser kings sometimes acknowledged their inferiority by receiving their crowns from the Roman legate. A strong Emperor might deny the assumptions of the Pope, and might make good his own supremacy, but his strength died with him; whereas the Romish power had a continu-28 THE DAWN OF ITALIAN INDEPENDENCE. ous life. The great ecclesiastics — the archbishops, bishops, and abbots — were both temporal and spiritual lords. Their clerical office or benefice was bestowed by the Pope; to the Emperor they did homage for their secular possessions ; but in their allegiance they were clerics who labored at all times to magnify the Church. In acquiring, they were indifferently ecclesiastics or laymen; in holding, they were always ecclesiastics. If the secular sovereign arraigned them as vassals, they took refuge behind their inviolability as churchmen. Moreover, being often foreigners sent from Rome to promote Rome's interests, their resistance to the temporal sovereign was all the more bitter, in case of conflict between him and the Pope. Evidently, the dual control as planned by Charlemain and Stephen worked unequally. Feudalism, on which the integrity of the empire was staked, proved too weak to bind the members together subordinate to one head; whereas the organization of the Roman Church spread in all directions, yet at the farthest point it was firmly connected with the centre. The chief instrument in solidifying the Church was the celibacy of the clergy. Whether priest or friar, the churchman was forbidden to marry; freed, therefore, from the ties of home and the distractions and ambitions of family, he could devote his zeal wholly to the Church. Whatever his nationality by birth, he became by ordination a citizen of spiritual Rome. He eschewed his native tongue and adopted Latin, the language of the Church. His allegiance to a temporal prince he exchanged for obedience, utter and unquestioning, to the Pope. And when you multiply this churchman by thousands, and multiply those thousands by hundreds, you can estimate the vast army of clerical soldiers, all inspired by the same purpose and drilled in the same tactics, that made it possible for the Roman hierarchy to set up and maintain its supremacy in every country of Western Europe. Thanks to that rule of celibacy, Romanism kejptDEVELOPMENT OF STATE AND CHURCH. 29 its uniformity during the Middle Age, while Christendom was gradually breaking up, through the ambition of dynasties and development of nationalities, into separate States. Had it not been for a celibate 'clergy, Britain and France and Germany might each have had its national church, with its native head and clergy, independent of the Pope at Rome, whose jurisdiction would have been confined to Italy. This monstrous rule, whose influence on the politics and morals of Christendom cannot be overestimated, must not be passed by with a mere allusion, although this is not the place in which to do more than indicate its effects. Wherever you lay your finger on the degeneracy of Italian character, there you will find evidence of the pernicious-ness of sacerdotal celibacy which the Roman Church adopted and still makes compulsory. It came into Europe from the far East in the days of the early Christians. Asceticism commended itself to men who believed the world of Matter to be the creation and province of Satan, as the world of Spirit was of God, and that Satan was sleeplessly busy in devising lures to entice souls into his power. To resist Satan by renouncing the material world became, therefore, the aim of the early Christians ; and how could they show their devotion to Christ more plainly than by denying that instinct, which is, next to self-preservation, the strongest and commonest of the natural passions? The zealot who succeeded in mortifying the flesh might well feel himself secure against the other wiles of the fiend. A fashion of asceticism as intemperate as licentiousness took possession of the Church; and presently whoever aspired to the reputation of devoutness must conform to the practice of the most fanatical. If a clergyman married, it was taken as proof that he had not conquered his animal nature; that he was not satisfied with a spiritual bride, the Church, and with spiritual children, his parishioners. So extravagant was the delusion, that30 THE DAWN OF ITALIAN INDEPENDENCE. worthy fathers feared lest everybody, clericals and laymen alike, would adopt celibacy and thus cut off the race; but Jerome, one of the fiercest advocates of the practice, dispelled their fears by pointing out that virginity is a most difficult state to preserve, and that there would- always be enough backsliders to people the earth.1 And in truth many of the brethren and sisters married and bred children ; but while their weakness was condoned, it was still deemed a weakness. Christ had never married; therefore, it was urged, he held celibacy to be the higher state. In this way, many causes contributed to convert what had been voluntary self-denial into a rigid law' which churchmen must obey and laymen would strive to obey. Men whose pure lives excluded the suspicion that they pleaded from low motives protested against this unnatural prohibition. " Deprive the Church of honorable marriage," exclaimed the austere St. Bernard, " and you fill her with concubinage, incest, and all manner of nameless vice and uncleanness." 2 But the ascetics prevailed. Sacerdotal celibacy widened the gulf which already separated clergy from laity; and since the monks had taken the vow of chastity, pride forced the secular clergy to appear not less self-renouncing than they. For generations together they did indeed resist the ordinance and married; but the Popes, whether impelled, as was sometimes the case, by a desire to reform the morals of the Church, or, as was usually the case, by ambition, persevered, and finally declared sacerdotal celibacy to be the irrevocable law. And then Nature, who never forgets to punish men, whether they err through ignorance or by intent, took a terrible revenge. The very rule by which misguided zealots expected to attain purity, and by which haughty ecclesiastic's schemed to lift themselves above laymen, this rule Nature turned 1 Hieron. ad Jov. i, 36, quoted by H. C. Lea, History of Sacerdytal Celibacy (Philadelphia, 1884), p. 624. a Ibid, 331.DEVELOPMENT OF STATE AND CHURCH. 31 into an instrument of foulness and degradation. Age after age, St. Bernard's prophecy has been fulfilled. In times and countries that looked lightly on sexual immorality, ecclesiastics took no pains to conceal their profligacy; but in more recent times, among communities that assume the virtue of purity, even though they have it not, clerical debauch has been less open. /Si non caste, saltern caute, is the convenient rule. Doubtless, there have always been honest men and women in the Church, for no system is so bad that it can vitiate some temperaments ; but we speak not of Francis and Theresa, nor of their similars, we speak of the great body by whose conduct the Church is judged. This is corroded by hypocrisy ; and hypocrisy in the priest has created easy-going indifference to virtue and skeptical distrust of things spiritual in the parish. Men who have no faith in the sincerity and uprightness of their religious guides, to whom nevertheless they attribute a mysterious sanctity which does not depend upon personal goodness, are apt to deem it unimportant that they themselves be upright and sincere. And Nature has indeed taken a terrible revenge! Her law to-day is as inflexible as it was fifteen centuries ago, when Jerome and Origen, in their errant enthusiasm, thought that it could be curbed or annulled by a papal decree : ignorance led them astray, but the guilt of the Church has been increased just in proportion as experience has proved, generation after generation, that their purpose was monstrous and unattainable. As well might the Pope stand on the brink of Niagara and command the waters not to fall as bid Nature to withdraw her vital instinct from every man who puts on the priest's gown or the monk's frock. Nevertheless, this rule which sensualizes the clergy and corrupts the laity — this rule which conflicts with Nature and is the cause of patent hypocrisy — this it was that upheld the worldly sway of the Roman hierarchy and furnished agents to build up the edifice of the Papacy. It32 THE DAWN OF ITALIAN INDEPENDENCE. completed the organization of that distinct clerical caste which carried one language and one policy into many lands; a caste of religious Janissaries, of unattached bachelors, who, bound by no love to mother or wife, were pledged body and soul to obey their pontiff. And when at last there came a Pope whose strength equaled his ambition, he found that army of trained soldiers ready to do his will. That Pope was Gregory VII, popularly called Hil-debrand, the first in time and among the most eminent in rank of the men of genius of the modern Italian race. He conceived a system of world-government even more wonderful than that of Charlemain and Stephen; for he dreamed of replacing the joint control of Emperor and Pope by a single control, the Pope's. Theocracy is the legitimate ideal of any Church which pretends to be universal and infallible. Granting that men's souls must be saved, and that God has ordained one Church for their salvation, how can she fulfil her mission if the temporal government be in the hands of a ruler of whom she does not approve, or if the civil laws be not in harmony with her spiritual laws ? Man has not two separate beings ; his acts in mundane affairs cannot be set apart; and since all his acts have a moral significance, all contribute to purify or stain his soul. The State, which regards only his worldly life, is evidently incompetent, unless it be guided by the Church, to lead that life into the path of salvation. The State, therefore, must be the steward of the Church. If any precedents were needed they could be quickly found ; did not the Old Testament record the dealings of God with his chosen people, whose government was theocratic ? and evpi among the pagan Romans, was not the Emperor pontifex maximus, the nominal religious head of the Empire ? And to the record of history the Roman hierarchs had already begun to add the authority of forged decretals, and had concocted traditions which an uncritical age easily mistook for genuine.DEVELOPMENT OF STATE AND CHURCH. 33 Many things combined to make Hildebrand's scheme appear realizable. The Church had already large possessions in Italy, over which she ruled as temporal sovereign. The creation of the College of Cardinals in 1059 permanently established a small and exclusive aristocracy in the Church, and seemed to assure the election of Popes who would carry out a uniform policy. The rise of several independent kingdoms over which the Emperor could not maintain his sovereignty tempted the Church to usurp the position of arbiter and peacemaker among them. The Emperors themselves seemed to acknowledge, in the ceremony of consecration, that they derived their authority from the spiritual power. Hildebrand, quick to perceive the opportunity which two centuries had slowly prepared, was quick to seize it. He boldly proclaimed his theocratic system. Thus rose the Papacy, a temporal institution governed by ecclesiastics, who in their struggle for its aggrandizement equipped themselves with weapons spiritual and weapons material. At first they hoped to bring all Western Europe under their sway, but gradually they had to content themselves with the possession of a part of Central Italy. The Emperors from the outset resisted their encroachment. " They refused to confirm bishops whom the Popes installed in German dioceses contrary to their wishes ; again and again they descended with strong armies into Italy, to compel the arrogant pontiff to retreat into his legitimate position. Many the expeditions, long the wars over investitures, varying the fortunes; but on the whole, the Popes triumphed. They did not, indeed, win the temporal control over the northern kingdoms, but they retained their mastery over the ecclesiastical organization in them, and prevented the formation of national churches. Hildebrand kept Henry IV barefoot and shivering for three days and nights at Canossa, ere he would allow him to appear in his presence and beg for forgive'34 THE DAWN OF ITALIAN INDEPENDENCE. ness. Frederick Barbarossa, the most puissant monarch since Charlemain, was haughty in defiance ; yet he too humbled himself, and on the steps of the Church of St. Mark in Venice he fell at the feet of Alexander III and was granted pardon.1 A strenuous Emperor might depose a hostile Pope, but his victory was only transient; for the Emperors were confronted by an invisible policy, — the same yesterday, to-day, and forever, and not to be exterminated by the displacement of whosoever happened to be its temporary spokesman. In every diocese, in every parish, were the upholders of that policy, and they could not be silenced. On the whole, then, the prestige of the Empire was shattered against the invisible armor of Rome, but the spiritual influence of the Popes declined in proportion as they rose to be worldly monarchs. The idea of the Papacy, shorn and discredited, has survived down to the present time, although there have been but six or seven Popes in as many centuries with sufficient personal force to realize in small measure, and for a brief season, the earth-embracing dream of Hildebrand. 1 When at length Western Christendom emerged from the Middle Age, what was the condition of its inhabitants ? With what power did men battle with this life ? With what faith did they apprehend the life to come ? How had a thousand years of Roman Christianity and half as many years of Feudalism left them? There can be no doubt, I think, that the average European of the thirteenth century was on a lower plane than the Roman citizen of the second century had been. He had a smaller respect for law, a duller sense of justice. He had not yet learned to curb his brutal passions; he still relied upon 1 In much later times, Joseph II of Austria thought that he could strengthen liis empire by breaking- free from Roman interference ; but after a few years he surrendered, and Austria has been since then the most servile daughter of the Church. Even Napoleon, even Bismarck, after a highhanded resistance, saw the advantage, if not the need, of compromising with the Yatican.DEVELOPMENT OF STATE AND CHURCH. 35 physical strength as the test of right and the criterion of honor. He was cut off from political activity ; he had almost wholly lost touch with nature. His religion was partly superstitious, partly fanatical, administered by a corrupt or an ignorant priesthood, who made piety to consist in the performance of certain stipulated outward acts. The Popes, like the Roman Emperors, had arrogated to themselves a sort of divinity. The religious rites were, to the eye of Reason, not a whit less fantastic than the sacrifice of the flamens or the auspices of the augurs. The pagan worship of minor gods was perpetuated in the Catholic worship of saints. The subtle, circular arguments of the theologians — the speculations as to the color of God's beard, and as to whether Christ ascended naked or clothed into Heaven — were sterile and foolish compared with the spiritual discussions of the Neo-plato-nists and the ethical precepts of the later Stoics. If the Church restrained society at all, hers was a restraint of terror. She scared men with menaces of damnation, rather than drew them to virtue by the sweet persuasiveness of love. Hell seemed so inevitable that it became necessary to build an antechamber to it, a Purgatory, whence souls had a chance to escape, in spite of their sinfulness, into Heaven. Fear lies very deep in the human heart, so deep as to be an elemental instinct; no wonder, therefore, that Romanism and Calvinism — the two forms of Christianity that have bound men most firmly — clinched their doctrinal fetters in this instinct of fear. God a tyrant, religion a terror, — that is the upshot of mediaeval Christianity. Neither poet, nor seer, nor saint, has yet drawn a picture of Heaven that satisfies the soul; nothing better have they foreshadowed than an eternity spent in playing harps, wearing crowns, and singing hosannas. And, indeed, no prognostic can be drawn of everlasting bliss, because the divine desire of the soul yearns for in' finite expansion in ways which it cannot even surmise J36 THE DAWN OF ITALIAN INDEPENDENCE. whereas the outlines of the theologic vision are finite, fixed, monotonous, — and bliss shuns limits and monotony. But of Hell, on the other hand, representations so vivid have been conceived, that millions with but a vague notion of Heaven have believed in the reality of Hell. Hell is material and physical, and since the first man scorched his fingers in fire, the dullest have understood that a place in which flames rage forever and burn without destroying the whole body is a place to be avoided. By keeping this terror vividly present, the Roman Church became and has remained a dominant religion, and it was in possessing this dread that the mediaeval man differed most widely from the man of pagan Rome. In spite of this deterrent neither the mediaeval man, nor his posterity for many generations, rose in many respects above the plane where natural passions have full sway: his lust, his anger, his selfishness, his pride, his cunning, were the impulses he obeyed. Seldom can you find, in all the wars and intrigues which make up the history of a long period, motives higher than those of a well-developed animal. Emerging from the Middle Age, man was losing that religious enthusiasm which expressed itself in the building of cathedrals and in the Crusades ; his creed which, so long as it had been unreflectingly emotional, had not wanted picturesqueness, was now poured into the rigid matrix of theology. Superstition, which like the naive guesses of children had had a certain charm, was now, through the casuistry of schoolmen's logic, declared to be demonstrable truth. Faith had become a dogma, and worship was becoming a commercial transaction. The Church had marked off a little patch of knowledge, beyond which there was nothing to know : in that the inquirer might get what fodder he could, although, truth to tell, the grass had long since been nibbled to tlie roots. Or we may picture him as a caged squirrel, whirling in his wire wheel and never advancing, while just out-DEVELOPMENT OF STATE AND CHURCH. 37 side is freedom, — the broad branches of the pines, the shagbarks with their nuts, the oaks with their acorns. To wonder why he was content with this confinement, why the universe could not stir his curiosity, is to fail to comprehend him ; the mediaeval man was bent on getting to heaven, and was taught that everything of earth would delay his journey thither; the Church knew the mystic watchword, the Open sesame which would unlock Peter's door; to know that rendered all other knowledge as unnecessary as would be a whole dictionary of words to a merchant who knew the combination of letters which unlocks the safe where his treasure is stored. The layman lacked even the formal juiceless training of the clerics ; many of the princes whose renown still survives could not write their names. The earth, whose laws it behooves us to study if we would not be crushed by them, was still under the ban. The Mosaic fables and the Ptolemaic guesses were the only keys to nature's mysteries. Science, whether of experiment or observation, was not; criticism was not; because tradition, which acts on the reason like laughing-gas on the brain, put the reason to sleep and produced phantasmagoric dreaming. The curious who pried into physical secrets were accused of practicing the Black Art, because Satan alone, it was believed, knew the mechanism of the physical world. Sorcery, witchcraft, ordeals, alchemy, astrology, — these are some of the rubrics under which the superstitions of that age might be described. This uncritical state of mind fostered the growth of all sorts of incongruities, of miracles in religion, of legends in history. The Church was the sole judge of truth, and she quashed any investigation that might conflict with her assumptions. Much that was fanciful and picturesque casts a glamour over this strange period, in which romancers have found those contrasts which surprise and charm the imagination; but it was, nevertheless, a period of passage which bequeathed to pos-38 THE DAWN OF ITALIAN INDEPENDENCE. terity no information in religion, politics, or sociology, by which later men could steer with profit. Those are the great epochs, and those only, in which Reason, untram-meled by arbitrary tethers, unprejudiced by partisanship and tradition, looks Fact squarely in the eyes and discovers Truth there; and the truths so discovered are of imperishable value to mankind. It is a law of human progress that a strong habit or institution can be overcome only by something stronger. On this principle depends the conservation of society and the sequence of character ; for if men and nations changed suddenly, either for better or worse, life would be unstable, lawless, a thing of weather-cocks. Furthermore, a system which may have been the best possible in one era — and we cannot deny that Feudalism and Catholicism were such—r becomes harmful and a hindrance when altered conditions have suggested a system better adapted to the new needs and ideals of mankind. Modern history narrates the struggle between men bent on reorganizing society according to new ideals, and men who, satisfied with the old, regard the new as dangerous. To the former, change wears the aspect of life and growth, to the latter of dissolution and death. The inventory of the legacies bequeathed by the Middle Age to the modern world contains first a Church claiming to be catholic and infallible. The product of a semi-barbarous and uncritical age, — the fruit of Hebraism grafted on the decaying trunk of Roman Imperialism, — she preserved the dogmas and discipline which enabled her to overcome myth-beguiled and violent barbarians. After the fourth century, when the old Roman civilization dissolved and the very existence of social order was imperiled, this Church tamed the hordes which repeopled Europe and diffused principles of unity among them. These conditions no longer exist. Reason and not Authority is now the rule by which, in theory at least, men govern theirDEVELOPMENT OF STATE AND CHURCH. 39 affairs; but in the course of this history we shall see how the Roman Church, still clinging to the methods which proved potent over the heathen of the sixth century, and sufficed for the monks and schoolmen of the twelfth, erects her authority in the face of the nineteenth century, and forgets that only by Reason can Reason be vanquished. And as if it were not labor enough to fight with antiquated weapons for her spiritual supremacy, she would compel the modern world to recognize her carnal offspring, the temporal Papacy, begotten amid conditions long ago obsolete. The second mediaeval heirloom is the idea of monarchical government: the assumption that a king rules by divine right, that he is the fountain of honor and source of justice, that his will is absolute law, so that he may dispose of the service, property, and lives of his subjects as suits his whim. As a corollary from this is the division of society into three classes, nobility and clergy forming the privileged class, merchants or bourgeoisie the middle class, and peasants and common laborers the lowest or servile class. Only the king is his own master; all the others in some sense belong to him. A wonderful scheme. Upper class did not work, unless the performance of Church ceremonies and the fighting of battles were work; yet both nobles and clergy, whether they were idle or diligent, received tithes and taxes. Middle class worked with the head, and enjoyed what wealth remained to it after paying tribute to king, count, and Church. Lower class worked with the hand, yet was of no more account than cattle which worked with the hoof; for all its products, after deducting enough wool for its homespun jerkin and enough wheat for its daily loaf, passed upward to enrich its superiors. Labor is the law of life ; every man must earn his food, apparel, and lodging ; the gods do not give, they lend, and men must repay their loan; happiness itself, if attained at all, can be at-40 THE DAWN OF ITALIAN INDEPENDENCE. tained only through work ; but the Feudal scheme bestowed the highest rewards on those who did not toil, while demeaning the many who with head or hand toiled for the privileged few. The law of primogeniture kept great estates intact, and transmitted titles to idleness from generation to generation, by making birth a lottery, in which the first-born drew the grand prize and his younger brothers drew blanks. Finally, woman held a position inferior to man in society and before the law; the singers of chivalry had lifted her above the level of mere sexual companionship, but she was in fact treated as a subordinate, and could not be treated otherwise in a system framed by men who, as warriors, looked upon women as weak but pleasant solaces during the unheroic interludes of peace, or who, as priests, regarded them as decoys set by the Devil to entrap pilgrims on their way to heaven. These are among the bequests. and posthumous influences which the modern world has received from mediaeval times, ancestral taints and hereditary diseases from which Europe has not yet wholly purged herself. What was beneficent died with its season, leaving its husk, its symbol, to deceive mankind. When the Cid was dead, they clad his body in his armor, and put his good sword Colada in his hand, and set him upon his steed Bavieca, and then, a squire sustaining the corpse on each side, they led him forth from the city; and at sight of him approaching, the army of the Saracens were seized with fear and fled while the hero was still afar off. Verily, most tenacious among men is the worship of a symbol after its reality has vanished. Look at Europe at any moment during the past ages, and see how ghosts bearing great names and dummies dressed in royal garments have lorded it over her. At Rome, for instance, see the mightiest symbol, — the Pope; in reality he should be meek, unselfish, pure, spiritual, as becomes the successor of Peter the Fisherman and the representative of J esus of Nazareth; butDEVELOPMENT OF STATE AND CHURCH. 41 Popes long since exchanged humility for a monarch's pomp; they have been by turns worldly, proud, licentious, cruel, ignorant, — as far removed from the Christlike ideal as their hell from heaven; and yet being clothed in the symbol, they have had the reverence which the reality once drew to it. The pontiff cannot foretell whether he shall live to behold to-morrow's sun, nevertheless the keys of eternity jangle on his girdle. Or look at that other symbol, — the Holy Roman Emperor; that, too, was a reality in Charlemain ; it meant an invincible conqueror, a wise legislator ; it meant a ruler strong enough to yoke order upon the turbulence of Western Christendom ; it stood for prudent counsel and power to enforce it. But when Charlemain died, only his name, like a mantle, survived, to be worn by men who had barely a province loyal to them, or by weaklings unfit for camp and council, until even boys were swaddled in its folds. And yet the sight of that symbol inspired some of that awe which originally only Charlemain could inspire, as if some of his vigor had been diffused through his imperial robes, there to lie latent for ages. And only a little while ago men were among us who as schoolboys learned the name of the then reigning Emperor, and who remembered when the news came that the very symbol of the Holy Roman Empire was no more. And so with the other titles which distinguish the peerage of modern Europe: the duke was originally the leader of an army, a skilful general and brave fighter; the count was the Emperor's companion, chosen for valor or shrewdness ; the marquis was the Emperor's deputy, charged to defend the march between the Empire and barbarians. But these titles became hereditary, and sons who had no soldierly qualities decked themselves in symbols their sires had made significant ; till by and by the court dandies and rich merchants and the bastards of royal mistresses wore the honors once intended for champions in war. The Emperor likewise42 THE DAWN OF ITALIAN INDEPENDENCE. was served by a cupbearer, a steward, a marshal, and a chamberlain; and these titles also were bestowed later upon courtiers who had never raised a goblet (except to their own lips), or borne a platter, or groomed a horse, or made a bed. In many other instances we might point out how Reality slipped away from its symbol, with the consequent perversion and misapplication of symbols, and the gradual dulling of the senses to Reality; but in the Roman Church, as elaborated by mediaeval theologians, and in the monarchical institution of modern times, we have the best illustrations of the pertinacity of symbols. The veneration paid to the relics of departed saints, and to the robes and titles of living potentates, is the expression of one of the strongest instincts of human nature, — the tendency, that is, to mistake the symbol for the reality, the body for the soul, the letter for the spirit. Nevertheless, " the letter killeth, but the spirit giveth life."CHAPTER IV. many republics, but no nation. We have thus far measured roughly the trunk of that new society which sprang up in Europe after the fall of the Western Empire, — a tree rooted in the soil of Teu-tonism and manured by the decaying Roman civilization: for Providence, to whom nothing is waste, uses corrupt races, like dead leaves, to fertilize exhausted human nature for other crops. We must now examine more particularly the branch which earliest stretched out from that trunk; we must confine ourselves to the development of the Italian people. Why was it that Italy, the first country to revive, did not revive as a nation? We see plainly enough that the principle of nationality was shaping the people of the North into distinct States, and that, by the end of the Middle Age, these States had a recognized existence: why was it that the Italians, so superior to the northerners at the start, failed to attain national unity ? Three causes opposed the tendency to a national union in Italy and doomed her to a thousand years of thraldom, discord, and shame: these were first, the Papacy, which, in spite of its Italian origin and methods, strove to extend its sway over Christendom, instead of confining itself to the peninsula; second, the Empire, whose head, a foreigner, being the nominal King of Italy, brooked no native rival; and third, the astonishingly rapid development of small States, from the Alps to Sicily. In no other country in the world, not even in Greece, has a race manifested so varied a sensibility as in Italy. The wonderful keenness, delicacy, and energy of the Ital-44 THE DAWN OF ITALIAN INDEPENDENCE. ia.n character, responsive to the smallest diversity of place and condition, blossomed in new forms of individuality, each differing from the rest. At a time when England or France had hardly one centre from which the national life-blood pulsated through all the members of the people, in Italy there were a score of such centres, each distinct, each throbbing with life. Indeed, there were too many hearts, too many little republics; the competition among them was too incessant; the area from which each drew its sustenance was too narrow. Having exhausted their own store, they fell to devouring each other, till tyrants mightier and more rapacious than they came and found them an easy quarry. This marvelous individuality, so intense and productive of splendid monuments in art, in religion, in government, in literature, was the glory of Italy, and insured for her the everlasting interest of men. But she bought distinction at the expense of her political independence, and she, who led the nations to that modern civilization out of which they have drawn their freedom, was destined not to be free. Like a discoverer, whose genius had added to the power and wealth and happiness of mankind, she was condemned to live poor and forlorn. More than once in the early age was she teased by the delusive prospect of independence. At the dissolution of the Western Empire, Odoacer united the peninsula in his Ostrogothic kingdom, which Theodoric, the first of the barbarians who displayed talents of administration, strengthened. But at his death, Justinian, the Eastern Emperor, reasserted his claims in Italy, and dispatched thither first Belisarius and then Narses, who routed Theodoric's heirs and brought their possessions under the rule of Byzantine exarchs. Justinian died, and another Teutonic tribe, the Lombards, settled in Northern Italy; they were fierce and lawless, but nevertheless they had force, — the first element of superiority, — and they might in time have been tamed into civilization throughMANY REPUBLICS, BUT NO NATION. 45 the influence of the people they had conquered. But just as they were becoming paramount, the Pope, harassed and terrified by their encroachments, sent over the Alps and besought Charles Martel to hasten to his assistance. Gregory III is the name of this pontiff who set the example of calling foreigners into Italy, — a precedent followed century after century, till the ruin of the country was complete. Charles Martel died before he could punish the Lombards, but his son Pepin, and his grandson Charlemain, obeyed similar calls, and reduced the Lombards to the condition of vassals. Italy became a fief of the Emperor, who was crowned king at Milan. When Charlemain's dominion fell in pieces, Italy was left in confusion; almost abandoned by her nominal sovereign, she was the victim of the ambition of her native princes, who fought to possess her. Again it seemed likely that an Italian, descended from the Lombard princes, would establish himself as king; but a strong Emperor, Otto I, marched against him, humbled him, renewed the compact between the Empire and the Church, and left a terrible warning for all future aspirants. Otto it was who fixed those relations between the Emperor and the Pope which formed the basis of mediaeval polity and were the cause of mediaeval conflicts. The Popes, as we have seen, gained in this struggle; but they had the aggrandizement of the Papacy, and not the welfare of Italy, in view. Had they dreamed of uniting the Italians in one State, they would have been prevented by the Italians themselves ; for local competition was too vehement to allow the republics to merge their individual privileges for the sake of a larger collective freedom. To secure advantages for itself, by propitiating now the Emperor and now the Pope, according as the one or the other happened to be uppermost, was therefore the policy of each republic. Thus in Italy there was no general movement towards national coherence. There sprang up no dynasty, — like46 THE DAWN OF ITALIAN INDEPENDENCE. that of the Capets in France, or of Wessex in England, or of the Saxons in Germany, — to arouse in the Italians the sense of a common fatherland, broader than the frontiers of any province, and including the interests of every district. There was, instead, a bourgeoning of many separate communities, in almost any one of which flourished a higher civilization than could then be found north of the Alps. As early as the time of Charlemain, the Greek cities of Southern Italy prospered. Their ships traded with Constantinople and the Levant. The coin of Amalfi passed current along the shores of the Mediterranean. The School of Medicine at Salerno1 had already, in the ninth century, a wide reputation. When the Norman invasion crippled these southern States, — so small, but sturdy, — others came to their growth in the north, Pisa first, then Genoa and Venice. The sea wonderfully promotes enterprises in those who dwell along its shores. Its paths lead to all countries; its severities and dangers toughen the body and call forth presence of mind and fortitude. Thus its children, the seafaring nations, have been brave and alert, and by their intercourse with other people they have escaped the stagnation of pastoral life. Amalfi and Pisa, Genoa and Venice, these were the medi-£eval children of the sea: breathing its strong salt air and shrinking not from its stern hazards, they acquired some of the inexhaustible energy of the ocean itself. Each was an example of the quickness and sane vigor with which the new Italian race threw itself into the work of mastering the obstacles amid which it was placed, and of drawing from them, as from a quarry, the materials of a new civilization. But not alone along its seaboard was Italy active. Her inland towns had suffered less than her rural districts from the Teutonic inundation. It is a common error to 1 For an account of this earliest European university, see Coppi: Le TJniversith Italiane nel Medio Evo (Florence, 1880).MANY REPUBLICS, BUT NO NATION. 47 suppose that the barbarians exterminated the peoples whom they conquered; nowhere was this true, in Italy least of all. Their position there has been aptly likened to that of the English conquerors in India, under the Mogul Empire; "they were in it, but not of it."1 Inferior in numbers to their subjects, they gradually became fused with them. The Teuton was merely a fighter, but he quickly perceived that the wealth which was his prize in Italy depended upon the preservation of a system of agriculture, industry, and law that had been perfected by the vanquished race. He was shrewd enough not to destroy those who possessed the key to this system, — a key which unlocked the treasure he coveted. He had brought his own tribal laws, but these, complicated, fluctuating, and unwritten, disappeared before the permanent and clearly codified laws of Rome. He had brought his own ^ods, but these, too, vanished before the new religion of Rome. He felt the mighty spell of learning, — that intangible power which survives the shock of armies and iooks disdainfully upon the rude triumphs of brute force, — and he knew that only from his subjects was that learning to be had. A king he was, but a king dependent upon counselors who excelled him in everything except physical strength. Thus was he moulded on all sides by the subtle influence of the race he had overcome. The Roman had been mastered by the culture of his Greek bondsmen, so that the most eminent Augustan works seem only to echo the deathless Athenian voices; in like manner, but even more completely, the Teuton in Italy was absorbed in the survival of Roman civilization. In Italy, moreover, feudalism took a weaker hold than in the Transalpine countries. The absence of a stalwart sovereign favored the growth of many small States. The cities had never quite lost the municipal and legal customs 1 R. W. Church: The Beginning of the Middle Ages, p. 19.48 THE DAWN OF ITALIAN INDEPENDENCE. handed down from imperial times, and they were therefore fitted for the rapid expansion of civic life. Each city had its count, the nominal representative of the Emperor, and its bishop, who derived his authority from the Pope; and it was natural that these two rulers should strive to outwit each other, and that the burghers should gain concessions for themselves by supporting now one and now the other. Like a household in which the father and mother having quarreled, the spoilt child gets permission from one parent to do what the other forbids, so the citizens of Lombardy or Tuscany profited by the rivalry between the Empire and the Papacy. During the twelfth century the towns were, with but few exceptions, on the side of the Pope, as the master to be less feared. Frederick Barbarossa, the mediaeval sovereign whom history and legend agree in honoring next after Charlemain, came into Italy to subdue the rebellious Lombard cities. At the first onset he succeeded; Milan was destroyed after a cruel siege; Crema, her ally, also fell. For Milan's neighbors, jealous of her supremacy, had looked on with malicious satisfaction while she suffered; but by the light of her burning dwellings they saw their own danger. For the first time in their history Italians forgot their local spites, recognized a common duty to each other, and formed a league, They helped to rebuild Milan, and then prepared to fight together for freedom. Frederick returned, full of wrath and confident of victory. The Milanese, who had time to summon only a few allies from Piacenza, Verona, Brescia, and Novara, met him at Legnano, May 29, 1176. The Germans had almost conquered, when they were checked by a band of brave youths, who called themselves the Company of Death. The waverers rallied; from resisting they advanced, and the Germans in their turn wavered, then retreated, then fled. Frederick himself barely escaped capture; his camp was pillaged, his army dispersed. For the firstMANY REPUBLICS, BUT NO NATION. 49 time Italians had fought man to man with foreign invaders and routed them; for the first time, and almost for the last, until the present century. That victory of Legnano might have been the harbinger of a new era for Italy. The patriotism then kindled might have welded the States in the north into a confederation, which should have gradually stretched southward; but there were too many forces eager to shatter such a fabric. The Pope, though he rejoiced at his adversary's humiliation, in nowise intended that the cities should pass out of his own control: and the cities, having wrested large concessions from Frederick, fell to wrangling amongst themselves. The danger from abroad being surmounted, they dissolved their union, and each pressed forward in its own concerns, striving to outrun its neighbor, and unscrupulous in the choice of means by which to circumvent or to excel him. During two hundred years, Northern and Central Italy were torn by the quarrels of factions, in which city raised its arm against city, and brother against brother. It was as if a vehement wind contended against a strong tide. Two great parties —the Guelfs (Pope) and the Ghibellines (Emperor) — divided the allegiance of the contestants; but in each town local feuds and family ambitions gave a different complexion to the struggle. . A tiff between lovers, a dispute between merchants, a fancied insult, a suspected encroachment, — these were trifles sufficient to set a whole province in a blaze which burned luridly long after its cause was consumed and forgotten. Nevertheless, we can discern amid this incessant confusion that mighty changes were unfolding. The cities, despite wars, grew rich, and their control passed from the old nobles, whose titles had originated with the Pope or the Emperor, into the hands of the merchants and tradesmen. These, organizing in arts or guilds, chose representatives who administered the commonwealth and were50 THE DAWN OF ITALIAN INDEPENDENCE. amenable to all the citizens. The government was therefore popular, or republican, but no longer stable. The passion for freedom was impetuous, but not yet tolerant. Restless competition and pitiless strife sharpened the wits, and quickened that tendency to strong individuality which had already been set in motion by the varieties of interest, place, and tradition. Characters remarkable for their intensity, deeds conspicuous for their heroism or their wickedness, astonish us wherever we look into that epoch. The monotony of the Middle Age had been succeeded by an unexampled diversity; its grim seriousness had been broken by the loud laughter of the Goliardi; instead of masses drifting sluggishly, we behold individuals, sharply defined and strong, each rushing with the turbulence of a mountain torrent. But as civic power descended to lower and lower levels, it became more and more unstable, till at last it reached the rabble, always fickle, always ready to hearken to demagogues. Swift changes, tumults, proscriptions, and at last exhaustion, — that is the inevitable sequence in the degeneration of popular governments; and when exhaustion supervenes, the tyrant steps in. By the beginning of the fourteenth century, the energy of the Italian republics was spent: each lay panting for the strong man to come to take from it that fatal gift of liberty which it had not known how to preserve. Yet how rich, how surpassing rich, was the Italian genius at that time! Its political experiments, so brilliant and so instructive, gave but one outlet to that versatile and fervent nature. Within a hundred years appeared Thomas Aquinas, the "angelic doctor," who dressed Roman theology in the garb it wears to-day; Niccolo the Pisan, earliest of modern sculptors; Arnolfo, the first in time and all but the first in achievement of modern architects ; Giotto, who left one of the perfect buildings in the world, and whose inexhaustible imagination outlined theMANY REPUBLICS, BUT NO NATION. 51 types for three centuries of painters; Dante, the world-poet; Petrarch, the man of universal erudition, and the singer of the deathless sonnets; Boccaccio, the father of modern prose. These are names which, viewed individually, shine among the brightest in the constellations of Art and Learning; but they represent more than themselves, more than the isolated achievements of genius.1 A whole race expressed itself through them, — a race sensitive to the least touch of beauty, brimming with the wine of passion, trained and stimulated and disenthralled by all varieties of experience. At last, after more than a thousand years of silence or stammering, the human spirit had again a voice. It spoke through many forms of art and literature, religion was its oracle, the great universities were its mouthpieces, new forms of government were its tribune, and still there remained to it messages to be expressed through the humble daily affairs of men. The Italians were the pioneers in commerce, they organized a banking system,2 they were probably the first X) write policies of insurance. Their merchants and fabrics were known in all the marts of Europe; the florin of Florence 3 and the ducat of Venice circulated from London in the West to Samarcand in the East. Manners, which sweeten and smooth social intercourse, by marking out a neutral ground where personalities the most antagonistic can meet without clashing, were already far advanced in refinement among the Italians, at a time when German princes and English barons were still uncouth. Even upon tools and household utensils this pervasive and exuberant spirit left its mark of grace, wedding utility to beauty, were it only in the manufacture of a hinge or of a latitern. Such was the activity of the Italian spirit, in spite of incessant unrest, and of the lack of a concerted national life. 1 Remark that all these, except St. Thomas, were Tuscans. The elder Villani, the earliest modern historian, might be added to the list. 2 The Bank of Venice was founded in 1171. 8 The first florin was coined in 1252.CHAPTER V. dante. Of Dante we must speak, however briefly, because neither the character of the Italians nor the subsequent history of Italy can be understood, unless the genius and influence of Dante be in some measure computed. Whether you look at him as poet or as man, he is equally wonderful, and it was his fortune to undergo the mysteries of mortality at a unique period in the progress of mankind. Other great men, — David, Pericles, Caesar, Shakespeare, Moli&re, Goethe, — coming at a great moment in their country's political or intellectual development, stand forever as its representative and epitome: but Dante is more than this; he is not only the consummation of Florentine genius, not only the exemplar of the Italian race, but he embodies one form of European civilization, and he leads the way to the next. His poem is alike the most vivid and varied record of mediaeval conditions, and the noblest expression of the only European religion which has deserved the name Catholic. In that . poem you may read the actual life of Dante's contemporaries and the ideal life towards which the purest of them aspired. It was possible for him to know all that was known in his time — good fortune which, owing to the continual widening and particularization of knowledge, has been denied to his successors; so we may say truly of his erudition that it was universal. But erudition of itself is impotent: how many of the erudite have we not seen bending under a huge burden of facts, but palsied in will and shriveled in heart, to die at last famished, vDANTE. 53 like the ass in the fable, powerless to reach the sack of meal strapped on his back? Dante had learning and much more than learning; he had passion and imagination, the poet's supreme equipment; and he had experience with life on many levels; and thus he transmuted scholasticism, theology, statecraft, into living realities, making allegories concrete, and turning the concrete deeds of men into symbols of wide and perpetual significance. That " Divine Comedy " of his was the emancipation and warrant of the modern intellect. Twelve hundred years had elapsed since Europe had been ennobled by a masterpiece. The colossal fragments of classical literature astonished and discouraged the mediaeval mind; for the power which created them seemed to have vanished along with the youth of the world. The doom of inferiority was evident and men accepted it, until Dante's epic broke the spell of the Past. Let Greece bring her Homer and Rome her Yirgil, here was their peer, who, speaking a new tongue, bore witness to a genius as inexhaustible, as lofty, as any in antiquity. Dante wavered, it is said, between writing in Latin and writing in Italian: by choosing Italian, he gave a patent of nobility to every modern language. The vernacular had been hitherto a sort of Cinderella, a household drudge, good enough for singing rustic songs and legends, good enough for kitchen gossip and peasant wooing, whilst Latin and Greek, the two proud sisters, read learned books in the parlor, and talked theology with the bishop in his palace.1 Dante, like the prince in the fairy tale, came and made a princess of the despised one. In so doing he confirmed the European tendency towards national life, of which language is the most obvious outward sign; the popular 1 I need hardly remind the reader that in Dante's time Greek -was nn< known to Italian scholars; they read Aristotle and Homer in Latin trans-lations.54 THE DAWN OF ITALIAN INDEPENDENCE. speech in England, France, Spain, Germany, and Italy became the vehicle for literary expression, as well as the medium for daily intercourse, and although Latin was employed by scholars down to the eighteenth century, the most precious works of literature since Dante's time have been written in the language spoken and understood by the people. The Italian sonnets of Petrarch are as fresh as the sweet notes of nightingale or throstle, whereas his Latin epic is as mute as some antediluvian bird, some epiornis, whose huge skeleton is dug from its sepulchre of primeval slime; a few ringing songs of Ulrich von Hutten outlive the learned sarcasms of Erasmus. Thus in its form "The Divine Comedy "is an epoch-making book; indeed, none other in literature so well deserves that title; for it authorized the new peoples to write after their own fashion, unabashed by antique precedents, and it determined the utterance of Chaucer and Cervantes, of Camoens and Montaigne. In its subject, also, it is equally original. The great poets of antiquity had sung the exploits of legendary heroes, the fortunes of princely families, the passions of very human gods; Dante wrote the epic of the human soul. Here is a theme which, for reality and interest, surpasses all the rest. The conflict in the soul between good and evil, — what Trojan War, what Battle of Giants, is so awful as that? The progress of the soul through the hell, purgatory, and paradise of earthly experience, — its wrestling with temptation, its alliance with virtue, its vision of a perfection hovering, beautiful but elusive, along the future's horizon,—what Odyssey is so impressive, so varied as that? And Dante illustrates this universal moral order, not by cold, dead abstractions, but by living examples; he shows pride and lust, loving-kindness and sanctity, as we all know* them, through individuals. He ransacks past and present for specimens of every variety of character. He tells us, inDANTE. 55 words how few but how indelible, what each one did, and we know from the deed what each one was. In that work of his, Medizevalism and Catholicism are summed up: a world-polity and a world-religion utter their highest message to mankind. But there is in "The Divine Comedy " something deeper, something more permanent than any social or religious system: there is in it the imperishable substance of human nature, out of which all creeds and systems are woven, and into which they all dissolve. The Mediaevalism, except as a symbol, is obsolete; the Catholicism affronts our modern reason; the philosophy sounds strange to our modern ears; but we can strip all these away without impairing the essential worth beneath; having done so, we shall perceive that under those transient forms one of the four or five men who have seen farthest and clearest into the mystery of life is dealing with that which perpetually concerns the soul. Time shall make our own conclusions on these themes ancient; the language wherein our philosophy is clothed shall look awkward and outlandish to posterity, just as the scholastic dialect looks to our eyes; but then, as now, he who studies the pages of Dante shall learn the most important of lessons, come V uom s' eterna,—how man makes his life eternal, by mastering the appetites of the flesh, by denying self, and by cleaving to those ideals of the spirit which neither wane nor die, but rise in ever-widening spires towards the empyrean of all-embracing and immortal Truth; the life which lifts man above the shock and accident and baseness of earthly existence, and fits him to depart trustfully, equipped for the possibilities which eternity hides. "Follow thou thy star, thou shalt not fail of a glorious haven,"1 that is Dante's counsel to all men; to his countrymen he spoke further, according to their needs. It is as a national hero and an influence, rather than as a poet, 1 Inferno, xv, 55, 56.56 THE DAWN OF ITALIAN INDEPENDENCE. that he should be treated by the historian of modern Italy. Not only was he "the Father of the Tuscan tongue," but he was also the prophet of an Italy in which the cruelty and corruption of tyrants should cease, of an Italy in which, under one wise and just ruler, the cities of the hills and the cities of the plain and the sea should live in peace and mutual helpfulness. Dante did not, indeed, dream of a nation independent of the Empire, but he pleaded for a united nation, having its own laws and governors, guided and protected by the Emperor. And, what was most important, he denounced the temporal covetousness of the Papacy as unholy; he denounced the Decretals, not because they were forged, — that was not known in his time, — but because they degraded the Church, by converting it into a monster of simony and worldliness; he denounced the irreverence of placing Tradition on an equality with the Scriptures; he denounced the lewdness and pride of those who, sitting in the chair of St. Peter and representing Christ on earth, forsook things spiritual for things carnal, and used their sacred office as a net wherewith to catch the bribes of Mammon or as a cloak to hide their profligate lives. Graven ineffaceably in Dante's epic was this truth, reiterated by every sage and every prophet, that wealth and power, which minister to the desires of the senses, poison and pervert the spirit. This truth, easily verifiable in the case of each particular soul, Dante applied to the Church, the universal soul of Christendom. He cried out against pastors who turned their shepherd's crooks into swords, and who through avarice had become as wolves. In the circle of Hell where simoniacs are punished, he placed Nicholas III, and rebuked him and all Popes like him: "Ye have made you a god of gold and silver: and what difference is there between you and the idolater save that he worships one and ye a hundred? Ah, Constantine! of how much ill was mother, not thyDANTE. 57 conversion, but that dowry which the first rich Father received from thee! "1 So unerring was Dante's moral sense that hardly one of the judgments pronounced by him have been set aside. In so far as he believed that the government of the world by one spiritual and one temporal sovereign was still possible, he was the spokesman of the highest mediaeval ideal; but in declaring that Church and State must be independent, and that the Pope defiled his spiritual functions in usurping the prerogatives of the Emperor, Dante was the forerunner of the wisest statesmen and purest moralists of modern times. And thus his "Divine Comedy " became to his countrymen a political Bible, in which they learned the cause of their evils and the remedies for them. It was so mighty a book that neither Popes nor tyrants nor inquisitors could suppress it. It was the delight of the scholar and the comfort of the patriot; to the earnest it brought wisdom which "is conversant with the mysteries of the knowledge of God." Its phrases became household words, and dignified the speech of peasants. No other book, except the Bible in Protestant countries, has so completely saturated the thoughts of a whole people. Wherever it was read, there were heard, as if issuing from a holy oracle, condemnation of the hate and jealousy which kept Italians asunder, and of princes who strangled liberty, and that awful judgment on Popes who made their holy offices like to the scarlet woman prophesied in the Apocalypse, "the habitation of devils, and the hold of every foul spirit, and a cage of every unclean and hateful bird: for all nations have drunk of the wine of the wrath of her fornication, and the kings of the earth have committed fornication with her, and the merchants of the earth are waxed rich through the abundance of her delicacies." 2 1 Inferno, xix, 112-117, Norton's translation. 2 Revelation xviii, 2, 3.58 THE DAWN OF ITALIAN INDEPENDENCE. "The Divine Comedy " became a Bible for the Italians: by that fact we measure the majesty and the wisdom and the truthfulness of the man. So firm was his integrity and so intense his spirituality, that he strengthened and purified whatsoever souls came fully under his influence. With the vehemence of Paul, he had the catholicity of Shakespeare. Men call him a Ghibelline, or a White, to specify certain phases of his activity, as they give names to the bays and inlets of the ocean; but his nature overflowed the coast-line of partisanship. During five centuries, wherever there was an Italian who amid civil discords longed for harmony and under oppression longed for freedom, and who, despite the pettiness and abominations of his time, still kept his soul pure and his aim" high, there was found a disciple of Dante. The patriot languishing in some Austrian dungeon, or wandering ii, exile along the banks of the Thames or the La Plata, refreshed his fortitude by the words and example of that other exile who had tasted "the salt bread of strangers" and abandoned "everything beloved," and who yet had exclaimed, "Can I not from any corner of the earth behold the sun and stars ? Can I not everywhere under the heavens meditate the all-sweet truths, except I first make myself ignoble ? " 1 And the statesman who was to achieve the independence and unification of Italy only summed up the policy of Dante in that phrase forever memorable, "A free Church in a free State." Thus briefly must we speak — and on this subject much would be little — concerning the unique position of Dante in the literature of Europe and in the history of Italy, because it is more important to understand him than to know by heart the brawls and revolutions which tormented Italy from the twelfth to the sixteenth century. His influence flows, like the Nile, through each later age, ready to fertilize the souls of men. At times, his coun- 1 Letter to a Florentine Friend (Epistolce, x).DANTE. 59 trymen, like modern Egyptians, have gazed blankly a£ the mighty current; at times they have drawn life-giving water from it. And the river has flowed on, majestic and too deep for noise, bearing with it a force capable of regenerating a nation, and forming not only an unbroken connection between the past and the present, but also the one bond of union, the one common object of reverent admiration for the divided and factious Italians.CHAPTER VI. the henaissance. Dante came, indeed, at the critical nloment. Fifty years later his faith must have been less complete, his statecraft less certain. For then, instead of expressing the ideals of Catholicism and of mediaeval Imperialism in their purity, he would have been troubled by the stirring of new influences, whose touch could not be resisted though their import was not yet clear. He would have seen that the Empire, to which he appealed as the universal peacemaker, having hopelessly lost its universality, was shrunk to be merely the appanage of a German prince; he would have seen the Church, no longer one and catholic, but split by a schism from which she never truly recovered; he would have seen the glory of free Florence already past meridian, and her liberty handed over to a foreign lord; he would have seen the other Italian republics, exhausted by feuds, fall into the clutches of cruel, selfish despots; above all, he would have felt the first exhilaration of Humanism, of that revival of learning which truly deserves the name New Birth, because the souls of men were born anew into a life of liberty and reason, through the rediscovery of the old learning. We have so long enjoyed the results of this spiritual revolution that we can hardly realize the enthusiasm, the wonder and delight, which swept through the hearts of those who first felt its stress. You who have known the divine fervor of a love deep, pure, and irresistible,— when the old self drops away like a clod from the soul, and the world dances in gladness, and hope is infinite, and beingTHE RENAISSANCE. 61 is suffused with the radiance and tenderness of one Beloved, — you who have known this ecstasy of passion may perhaps understand the revelation which captivated and transformed the early Humanists. To these there came, as from the heaven of Truth, an angel, a messenger, with tidings of great joy. "You have wandered far," said the Angel: "you have been misled by false guides. That Promised Land, that Happy Country for which you yearn, lies not before, but behind you. Wearied by your march, cast down by the cheerlessness of the desert you have traversed, you have sought peace where it cannot be found. You have shut yourselves up in cloistered cells, and lo! joy was not there. You have worshiped phantoms of terror, and lo! they could not soothe your dread. The cobwebs of theology, spun athwart your window, have shut out the light. You have called yourselves the children of God, yet have you fled from yourselves as from creatures accurst. You have fixed your eyes on a life hereafter; to purchase that you sell this life, and postpone for a little while the enjoyment of those pleasures you covet now. As if God were a broker or a bailiff! The religion you profess does not comfort you: in the devout it breeds sickly foreboding and selfish piety; it connives at the sanctimoniousness of hypocrites; it stupefies the ignorant with superstitions; it restrains not the violent; it neither deters the wicked, nor touches the indifferent, nor protects the weak. You have been taught that to be saved you must become like clowns and frightened children; and having dwindled to their stature, heaven seems farther from you than ever before. "But I bring you tidings of men who, living in the morning of the world, looked upon the earth and saw that it was fair; of men who crouched not in slavish worship of terror, nor deemed it unlawful to enjoy the largess of the gods. They opened windows in all sides of their62 THE DAWN OF ITALIAN INDEPENDENCE. dwelling, and Beauty greeted them wherever they gazed. They made no cage for their mind, but they bade it soar through the aether, believing that it could never outfly the boundless expanses which the Divine Planner had created, nor alight on any perch His fingers had not made. They did not cramp their powers, nor mutilate their faculties; they found health in the full use of all their gifts, and they learned that were their endowment an hundred-fold richer, it would not suffice to drain the source of joy. They were strong, and heroic were their deeds. They were wise, and cherishing Nature they learned her secrets, in order that, allied with her laws, they might confirm their footsteps and perpetuate their existence on the earth. They envisaged death without shrinking, and if they looked to an Elysian life beyond, it was because they had felt, more deeply than other men, that the life here may be elysian and divine. Emulate them. Learn from them the wonder and beauty and joy of living. Learc from them to realize one world at a time." In this wise spake the Spirit, and it was as if a stranger should come to a community of aged folk, interned in a cheerless valley, and should tell them that just across the mountains lay a plain full of verdure and sunshine, amid which gushed the Fountain of Perpetual Youth. The best minds of Italy were aroused, and before a gen eration had passed, they were engaged with an eagerness never before devoted to learning, upon the collection and interpretation of that classical literature which they believed contained the precious gospel. And immeasurable were the results to which that movement led; for mankind, like Antaeus, gathers fresh vigor from every contact with Nature, and till now, for more than a thousand years, mankind had ignored Nature. The Renaissance liberated the intelligence and reinstated reason; it was, as Michelet has tersely expressed it, the discovery of man and the discovery of the world.THE RENAISSANCE. 63 That theological conception of both which had grown up during the Dark and Middle Ages, and which, the Church insisted, embraced all truth, was now seen to have no basis in fact, being but a nightmare spawned by ascetic brains. The Renaissance proved the continuity of human development, — a view condemned as sacrilegious by dogmatists, who had asserted that a great and impassable gulf rolled between those who lived before Christ and those who, born since his time and believing on him, were ransomed from everlasting punishment by his sacrifice. This narrow and abominable creed, which set apart a little flock of the elect and doomed the majority of the race to perdition, inevitably exalted faith above conduct and struck at the roots of virtue by assuming that the goodness of the best of the ancients was of no avail, whereas the wickedest of moderns could from his deathbed sneak into heaven by acknowledging Christ. As if the moral laws were not eternal, but were first invented when Christ, their pure exemplar, walked among men in the reign of Tiberius! as if the Greek or Hindoo who had ordered his life by them could fail to be spiritualized by them! Error is nevertheless error, be it maintained by Jew or by Gentile, and charity is charity, whether it sweetens the heart of Samaritan or of Parsee. To this sense of the unity and continuity of mankind the Humanists gradually rose. As long as Catholicism was the only system, who could say that it was not the best ? But when the revival of the study of antiquity introduced another standard, so-called pagan, Catholicism could be compared with it, — and comparison is the mother of criticism. The intellect, after its long servitude to tyrant dogmas, rioted in its freedom and ran to the extreme of indiscriminately despising everything Catholic and of approving everything Classic. In its intent, however, the Renaissance was not a reli-64. THE DAWN OF ITALIAN INDEPENDENCE. gious revolution, like its scion the Reformation; it was an intellectual solvent. Men plunged eagerly into the newly-discovered sea and brought up pearls which they esteemed more precious than any gems in kingly crown or papal tiara. Little suspecting whither the new impulse was leading them, the highest dignitaries of the Church joined with the humblest lay scholars in pursuit of the antique ideal. To possess a classic manuscript, or to be the patron of a noted Humanist, made the reputation of a bishop; monks rummaged their archives for long-forgotten books; the recovery of a Greek tragedy or of one of Cicero's orations was hailed throughout Christendom as an incalculable benefit; copies of the classics were worth a prince's ransom; and Pope Nicholas V, in the middle of the fifteenth century, accounted it his proudest glory to be the promoter of that revived paganism which consorted strangely with the Church whose crown he wore. The Italian intellect had at last its liberty, but this intellectual deliverance coincided with the complete political servitude of Italy. The restless republics were no longer free. Each had fallen into the control of a powerful family which strove to perpetuate its dynasty. The cry was no more "Guelf against Ghibelline," but "Vis-conti against Sforza," or "Medici against Pazzi." First tyrants of the strong arm; then tyrants of the long purse. Even Genoa and Venice, which retained the semblance of republics, were bound under the tyranny of small oligarchies. From the fourteenth century, citizens no longer fought for their rights, or for revenge, they hired mercenaries to fight for them; war itself became a commercial transaction, and the despot who paid best, secured the ablest condottiere and the most troops. Then began that shame of Switzerland, — the leasing of her freemen to crush the efforts of peoples who strove against their masters. Shame indeed, — which has been branded on everyTHE RENAISSANCE. 65 language of Europe, where the word Swiss means not only the dwellers among the Alps, but also the hirelings ever ready to sell their valor to the highest bidder, whether he were the autocrat of the Tuileries or of the Vatican. The employment of mercenaries indicates a decline in patriotism; it is the sure forerunner of servitude. In Italy, as we have seen, patriotism had never been national, but always intensely local. The Florentine, for instance, fought heroically for Florence when a rival, like Pisa or Siena, attacked her, but at home, his devotion to faction was stronger than his devotion to the State; and like the Florentine were the other Italians. Whereas the tyrant, who usually owed his power to a partisan triumph, kept it by stimulating civic vanity; he would have it believed that works whereby the strength and lustre of his house were increased were really intended for the glory of the commonwealth. How adroit they were, those tyrants! How thoroughly they understood all the wiles by which a high-spirited and suspicious people could be brought almost unawares under the yoke! The vulgar tricks — the jpanern et circenses — by which the imperial tyrants had amused and lulled the Roman populace could not have lured the intellectual Tuscans; for them the decoy must be more spiritual and more cunning. So the tyrants of the Renaissance encouraged Humanism in all its forms. They drew round themselves whosoever was eminent in letters or in art. At their courts, the manifold genius of Italy had full play to express itself in everything, except in government. Outside of this reservation, the poet, painter, or scholar was free. He was extolled; he was almost deified. Princes vied with each other to secure his services; they were ready to go to war over him. The spirit of art, which quickened Italy from the fourteenth to the sixteenth century, poured forth imperishable works, and the lords of the cities shone in the light reflected from those works. Men almost forgot that66 THE DAWN OF ITALIAN INDEPENDENCE. Florence was politically enslaved, in their admiration for Lorenzo tlie Magnificent. He a tyrant? Why, at his symposia at Cajano you might hear him discourse as comrade and equal with Pico and Politian and the stripling Buonarotti! So at night the few bright stars impress us more than do the vast starless spaces. These despots were so friendly to the blossoming talents of the Renaissance that some later critics have asserted that only under similar conditions can the highest arts attain full growth, and that the glorious result was well worth the price paid for it, — political freedom. But this inference is false, because it is drawn from too short a retrospect of those causes which prepared the Italians to be masters in art. It was in the earlier days of liberty, in the strife and competition of politics, in the liberalizing activity of commerce, in the spiritualizing influence of faith, that the Italian nature got its keenness, vigor, intensity and breadth, — the very qualities which prepared it for Humanism. Luxury and licentiousness can never originate great works of art; at most, they can but patronize great artists, who unconsciously derive their powers from a spiritual fund bequeathed to them by ancestors endowed with qualities which luxury does most to destroy. The splendid achievements mistakenly assigned to the patronage of Lorenzo, and Julius II and Leo X, bear witness to a bygone integrity, without which the reigns of those princes would have been as barren of artistic glory as was the reign of any Byzantine voluptuary. The Italian genius, prevented by local conditions from pouring itself out in permanent free institutions, flowed all the more impetuously through the sluices which were open. The vision of beauty and of the hoard of knowledge captivated and for a time absorbed a race which had been tormented by fierce and inconclusive quarrels; and the tyrants under whose dominion these men fellTHE RENAISSANCE. 67 shrewdly fostered pursuits which diverted attention from lost liberty, and which clothed tyranny itself in gorgeous robes. And thus the Renaissance — Italy's most precious gift to the modern world — failed to bring lasting benefit to the Italians, — the only modern people from whom that movement could have originated, or by whom it could have been nurtured: not from this failure, however, should we argue that the Renaissance was bad, nor that the efflorescence of the noble arts must necessarily be accompanied by a decay of character or liberty. The fifteenth century, in which the Renaissance rose almost to its zenith in Italy, is in many respects the most important of the Christian era, unless posterity shall assign that distinction to our own century. It witnessed the close of many old influences and the beginning of many new ones which have slowly remodeled the civilized world. Among its momentous achievements were the voyages of Columbus to America and of the Portuguese to India, which not only revealed the sphericity and therefore the extent of the earth, but also threw open new continents to the enterprise and greed of Europeans. And just as Columbus by his voyage westward dispelled ignorance concerning man's terrestrial home, so Copernicus, navigating in thought the celestial spaces, ascertained that our globe and her sister planets revolve about the sun, and he surmised, further, that the solar system itself is but one among innumerable stellar families, of which each star is the parent. This discovery is the most profound that Science has ever made, if we judge it, as we should judge it, by the conclusions subsequently deduced from it concerning the position of the earth in the universe and of man's destiny on the earth; for it has swept away the Ptolemaic errors on which dogmatic Christianity had elaborated its assumptions, and it has shown the earth to be, not the centre of creation, but a tiny ball encircled by myriads of orbs inconceivably vast. As£8 THE DAWN OF ITALIAN INDEPENDENCE. there is but one cosmos, these revelations due to the fortitude of Columbus and to the imagination of Copernicus can never be repeated, and Science since their time has but formulated the laws of the material world and of organic life, to which they furnished the clue. These were the two supreme achievements of fifteenth century men: but there were many others, almost equally remarkable, whose effect was felt at once. There were those great agents of equality, the invention of printing and the introduction of gunpowder: the former brought the best thoughts of all times into the reach of every reader, thus breaking up the little aristocracy of learning; the latter leveled the disparity between knight and foot-soldier, by supplying the weak with a weapon which made him the peer of the strong, thus shattering a military system based on bodily force. In politics, there was the crystallization of Western Europe into those units which have existed, in spite of temporary variation, down to the present day. England, having abandoned the long struggle to maintain her sway over part of France, and having healed her internal dissensions between the Houses of York and Lancaster, became a compact nation. France, likewise, being rid of English interference, and having defeated her most dangerous vassal, the Duke of Burgundy, began her independent career. In Spain, the union of the crowns of Castile and Aragon produced a strong monarchy, destined in the next century to take the lead in Europe. All these kingdoms were ostensibly dynastic, but the dynasty in each derived its power from the fact that it had a coherent nation behind it. And now kings began to claim that they ruled by "divine right," — a claim originally asserted by the Emperor to offset the pretensions of the Pope. In Germany, the Empire took on irrevocably the character of a local sovereignty hereditary in the House of Hapsburg, while half a score of small princedoms were independentTHE RENAISSANCE. 69 of it in all but name. Hungary reached her highest renown under John Hunyadi and Matthias Corvinus; Bohemia made a magnificent effort to secure a place among progressive and free States; and the kings of Muscovy, by conquering some of their neighbors and by shaking off the Turkish yoke in the South, laid the foundation for the vast Empire of modern Russia. The Mahometans quenched the Byzantine Empire and established themselves in Constantinople; but their advent in Eastern Europe was soon followed by the expulsion of the Saracens from Spain. Throughout Italy, principalities and duchies were erected on the ruins of spent republics. The Papacy, returning from its exile at Avignon, made Rome once more the central city of Christendom, and assumed definitively the role of a temporal power, astute and unscrupulous in its political methods, and often shockingly corrupt in its morals. The unity of the Church was disturbed by a schism only less fatal than that of the Reformation to its pretensions of catholicity. The revolt of the Bohemians, one of the noblest of religious movements, but not yet adequately esteemed; the persecution of the Lollards in England; the first whisperings of Luther's forerunners in Germany; the effort of Savonarola to regenerate Florence while a Bor-gian Pope was bestializing Rome; the founding of the Inquisition; — these are some of the religious symptoms and prognostics of that prolific century. Add to all these the fact that the Renaissance was sweeping like a vernal influence through every part of the Italian intellect, quickening knowledge, thawing the frosts of dogma, dropping the pollen of new hope, and cherishing the buds of Art and Poetry, whilst over outward Nature it breathed an atmosphere unspeakably enchanting, and you will understand in some measure the marvels of that time. Then originated criticism and that curiosity which tests with the flame of reason every70 THE DAWN OF ITALIAN INDEPENDENCE. phenomenon of life. Then was couched the cataract which dogma had spun, film on film, across the vision of man; he groped no longer purblind, but looked at each object point-blank and asked its meaning. He was skeptical of the old explanations, but his was the skepticism which stimulates research, in the belief that a final and satisfactory answer can be wrested from the taciturn gods, and not the skepticism of those who, having found every avenue of knowledge end at the foot of a precipice, cry out in despair that there is no thoroughfare. To the man of the fifteenth century all seemed discoverable: he had found the key to the door of the Temple of Life, and as he crossed the threshold an immense hope thrilled him. Possibly, possibly he might discover within the answers to those immemorial secrets, — human origin and destiny, and the principle of being; possibly he might in that holy of holies stand face to face with God! The quest was irresistibly enticing: men set forth on it as enthusiastically as their fathers had set forth on the Crusades; but now the universe, and not an empty sepulchre, was to be won. The Church encouraged her priests and prelates to be among the pioneers, and only when she saw that Humanism menaced her very existence did she cry halt; but it was long before she was obeyed, even in outward acts of conformity. For then it was that Nicholas V and Pius II, both intoxicated with the new paganism, derived more glory from their patronage of the classic revival than from their triple mitre. Then it was that Brunelleschi, Ghiberti, and Donatello, Masaccio, Fra A-ngelico, the Bellini, Carpaccio, Lippi, and Botticelli made the arts once more the interpreters of the soul; when Leonardo da Vinci, endowed with nearly every faculty, and each a master's, attained his prime; when the court of Alfonso was renowned at Naples, when the Medici gave Florence splendor in lieu of freedom, and the Vis-conti made Milan magnificent; then it was that MichaelTHE RENAISSANCE. 71 Angelo, Raphael, Titian, and Giorgione were born in Italy, and when, beyond the Alps, Memling and Van Eyck flourished, and Diirer and Holbein were born; when Luther and Erasmus grew up in Germany, and Rabelais, who was to paint with sardonic humor the paradoxes of the new age, passed from boyhood to youth in France. Verily, a marvelous century! And how many of the names by which we refer to it were Italian!CHAPTER VII. reaction and decline. The century which followed brought only disaster to Italy, — disaster embittered by the remorse which comes with the knowledge that the humiliation has been deserved, — humiliation all the deeper when contrasted with the intellectual and aesthetic superiority of the victims. The genius of Italy supplied Christendom with the priceless agents of liberty and culture, — as Greece had supplied Rome, and Rome her Teutonic conquerors, — at the very time when the Italians showed that they were incapable of using liberty, and that culture without civic and personal morals is as the apples of Sodom. During the Middle Age, Italy had been frequently ravaged by the expeditions of the German Emperors, who had at least the excuse that they came to assert their titular right. Many Popes had renewed the invitation first sent by Gregory III to Charles Martel. Charles of Anjou had established a French dynasty at Naples; John of Bohemia, the Duke of Athens, Ladislaus of Hungary, and the Aragonese princes, had each left an impress more or less ephemeral. But now, in the sixteenth century, Italy became the prey of invaders who could plead neither feudal rights nor an ill-advised invitation, — imperial burglars and royal robbers, whose sole object was to plunder the treasure which she could amass but not defend. French and German and Spaniard fought over the booty they wrested from her, turning her fertile plains into battlefields, and making her cities desolate with pilla.ge and slaughter. Her riches and her enlighteningREACTION AND DECLINE. 73 influence passed over Alps and beyond the sea, but for her there was joy no more. And when the foreigner paused in his cruelty, the inveterate feuds of her native tyrants burst forth afresh. Her princes were no longer of the stamp of Lorenzo the Magnificent, and of Frederick of Urbino: bastard Medici were Dukes of Florence; the Farnese lorded it at Parma and Piacenza; the papal throne passed from Medici to Farnese, then to Caraffa, then to Borghese. What were the aims and methods of a tyrant you read in Machiavelli's "Prince." Perfidy and cunning were then the highest qualities of the governor; fawning and deceit, of the governed. Personal valor had departed; private morals, whether of honesty in man or chastity in woman, were not looked for. Debauch produced now imbecility and now blood-madness, — a diabolical desire to kill, which waxed greedier in killing. The records of almost any noble family at that period would furnish episodes more abominable than the delirium of a modern French novelist could invent.1 Even the virtuous remnant held itself not aloof from the wicked majority, — a dismal and significant fact. Pietro Aretino, an epitome of foul sensuality and of intellectual effrontery, was the favorite of princes and the comrade of poets, painters, and philosophers. Titian had him for an intimate, even Michael Angelo, the austere, addressed him as "my lord and brother."2 In Benvenuto Cellini, you have an example as distinct and amazing as in Aretino, — of the sixteenth century Italian; and in Iago, Shakespeare has immortalized another common type. Italians in their days of bondage have been too ready to point to this era as the most splendid in their history. 1 Eleven members of the Medici family came to violent ends between 1535 and 1585. The crimes of the Cenci, of Vittoria Accoramboni and others, were not exceptional. 2 Rime e Prose di M. A. Buonarotti (Milan, 1821), p. 224. Tintoret, however, treated Aretino as he deserved; see Ridolfi's work on Venetian Painters.74 THE DAWN OF ITALIAN INDEPENDENCE. How they have extolled the age of Leo the Tenth and of the House of Este, and forgotten the shame implied in the supremacy of such princes! The splendor was that of a burning edifice, which for a time illumines the twilight; then embers and flickering jets of flame; then ashes and desolation and darkness. Before the end of this century, every talent by which Italians had purchased glory was spent. Painting had descended through the stages of mannerism, coarseness, and brutality, to ineptitude; flourishing latest in Venice, where there was still a phantom of civic independence, and dying there with Tintoret, the last of the masters; to be revived now and then by some school of eclectics, who fumbled among the works of the dead for ornaments and inspiration. Poetry, already become an elegant diversion, was silent after Tasso. Classical study was fossilizing through pedantry, or volatilizing through dilettanteism. Statecraft meant bargaining with bravi and concocting poisons. The Renaissance, the noblest regenerative influence man had felt since the introduction of Christianity, had failed in Italy. The tidings of joy that the Angel had brought to the fourteenth century were now a mockery. Why, we ask, should this be? Why should a message of truth and life mislead men to error and death? Was it not because the message of the Renaissance had been perverted, just as Christianity itself had been perverted? Was it not because the Italian character, through lack of moral and political soundness, could absorb only what was intellectual or esthetic in that inspiration? Under the mediaeval Church, the moral nature of the Italians had sunk so low that it responded as little to the best ethics of paganism as to the precepts of Christ. Through superstition and terror, the Church could still hold the peasants, but over the educated she was powerless. They had before them the example of a profligate priesthood, to show how completely holy functions can be severedREACTION AND DECLINE. 75 from righteous living. The Church insisted that no matter how vicious the priest, the offices performed by him could not be affected; the water was always pure, no matter how foul the vessel that held it. And the Italians came to look upon conduct as independent of principle ; live how they might, they could buy indulgences, at the price fixed by the Church auctioneers. The revival of classic learning appealed, therefore, to their intellect and not to their morals; the masters of Greece and Rome stimulated their artistic instinct and whetted their wit, but failed to uplift their character; and before long it was not .ZEschylus nor Sophocles,1 not Plato, nor Tacitus, nor Marcus Aurelius, to whom they listened, but Ovid and Martial and Anacreon, and those other ancients who have recorded, and in recording have gilded, the vices of Greece and Rome. And from preferring these authors, it was but a step to imitating them. The Renaissance, then, had not in Italy a firm moral nature to build upon, nor was there any other commanding motive, such as patriotism, to counteract the tendency to local and personal selfishness. Everybody worked for his private glory and his own gain. The intellectual liberty proclaimed by the Renaissance sank into license; individualism was exaggerated to amazing proportions; not character, but success, was the object of desire, and success justified any baseness, any crime. Self-respect and its twin self-control were not; neither was there recognition of duty to others, of a common humanity and common interests, for which selfish desires must be renounced. Where could there be fellowship when each man saw in his fellow a rival, an enemy, bent on possessing the prize which both coveted, whether that prize were 1 I recall no Renaissance masterpiece inspired by either of these tragedians, or by Homer. The unnatural amours of Jupiter, the antics of satyrs, nymphs and fauns of doubtful respectability, supply, on the contrary, the best masters with themes.76 THE DAWN OF ITALIAN INDEPENDENCE. the tyranny of a city or the favor of a prince, the embraces of a mistress or the wide-echoing reports of fame? The lesson of the Renaissance in Italy is plain to read. The intellectual nature divorced from the moral nature may burn never so brightly for a time, but it will surely destroy itself at last. Man may build him a palace of art or a treasury of knowledge, and shut himself in it, and declare that here is all he needs, that the interests of his fellows concern him not. But by and by those frescoed walls shall begin to contract; the light of the sun and the voices of humanity shall enter no more; the wretch shall shriek for assistance, but no one shall hear him, and that palace which was the pride of his selfishness shall fall upon him and be his tomb. In nations not less than in men, the surety of permanence is the blending of enlightenment and integrity, of mind and soul. That is not culture which does not purify and sweeten conduct, embodying in fair deeds the beauty which delights the spirit. "The beautiful is higher than the good, because it includes the good," — so runs Goethe's maxim: but, alas for the Italians of the Renaissance! their beautiful included not the good, and therefore their arts from being spiritual became intellectual, and from intellectual they became carnal. The sixteenth century, which witnessed this culmination and decline in Italy, ushered in the Reformation beyond the Alps. The first aim of the reformers was to correct the abuses in the Church; but these were found to be so inveterate that it was impossible to say which was Church and which abuse. So the Lutherans organized a new Church to suit themselves. By this act they postulated the right of every person to liberty of conscience, the chief boon of Protestantism, although Protestants have often been as quick as Catholics to persecute dissenters. As by the revival of classical learning another standard of life had been recovered, by which to judge Catholicism,REACTION AND DECLINE. 77 so long the only standard; so by the expansion of Protestantism, Europe had the benefit of a further comparison. We might suppose that the Italians, who had been the first to welcome the Renaissance, would have been eager to accept the Reformation, the offshoot of the Renaissance; on the contrary, they were scarcely moved by it, and for these reasons: the educated Italians were so debased that they were indifferent to religion; there were no princes who, like many in the North, espoused Protestantism for political reasons; and finally, when the hierarchy discovered that it had something more than a monkish squabble to deal with, — that, in fact, the German movement threatened the overthrow of papal power at home and abroad,,— the instinct of self-preservation warned it to reject compromise and to stamp out every shoot of heresy on Italian soil. Each priest, each monk in Italy could be relied upon to uphold the institution to which he owed his livelihood; the princes, many of whom belonged to papal families, and the aristocracy, which was copartner with the Church in the enjoyment of special privileges, knew that the Church was their best friend. While in the North, therefore, political considerations had far more influence than is usually acknowledged in deciding rulers to take up the popular religious reforms as a means to their personal advancement,1 there were lacking in Italy both popular enthusiasm and leaders to direct it. Thus the Reformation saved the Papacy from complete collapse. Another century of uninterrupted decay, such as had gone on between 1300 and 1500, must have left it moribund. But the appearance of a rival roused it to make a desperate struggle for life. The Inquisition be- 11 need hardly refer to the motives for which Henry VIII threw over Catholicism in England. Equally worldly and striking was the conversion of Sweden to Protestantism; see P. B. Watson: The Swedish Revolution (Boston, 1889).78 THE DAWN OF ITALIAN INDEPENDENCE. came its incomparable instrument for detecting and punishing heretics; the Company of Jesus, composed of men as subtle in intellect as they were zealous in spirit, became its chief agent in sowing the seeds of reaction. At the Council of Trent, Romanism, like the arrogant but fond Danish king, planted its throne on the beach and said to the inflowing tide, "Thus far shalt thou go and no farther;" and even to-day, although the waves have plainly swept in, engulfing that throne in their resistless rise, the Pope, from his rock of refuge farther inland, repeats that forbiddance in tones just as haughty, and there are those who would fain believe that the waters will obey him. We must not, however, deny to some of the promoters of the Catholic reaction the admiration due to sincerity; Loyola and Bellarmine were as sincerely fanatical as Calvin and Knox, Bonner was as mercilessly earnest as Cranmer or Latimer. Even the Inquisition, whose name has become loathsome to the tongue, was, from the Catholic standpoint, salutary in purpose and consistent in method: for the vitalest concern to every man is the everlasting welfare of his soul, and, once admitting that any Church controls the means to that welfare, she is in duty bound to save him from perdition by stretching him on the rack, or even by burning him, — in order that he may not corrupt other souls, if, after long persuasion, he remains incorrigible. We need waste no time in exploding this theory, which is the logical outcome of every creed pretending to be infallible, and which once seemed equally true to Puritan and Papist; we have learned that genuine devoutness cannot be superinduced by wrenching limbs asunder, nor by any physical torture, and that ideas cannot be destroyed by the fire which consumes the body: to state such beliefs is to refute them. Just at this time, therefore, when the genius of Italy was nearing the limit of its superb artistic productiveness, when the last spark of communal liberty had beenREACTION AND DECLINE. 79 quenched, and the moral sense was dullest, the Church tightened the bonds of her authority over the minds and consciences of the Italians. Her dogmas were more formal, her rules more explicit than ever before; and she had agents more alert and powerful for seizing those who were suspected, and for punishing those convicted of heresy. As a result, she secured a general outward conformity to her commands. Skepticism and irreligion did not cease, they merely ceased from openly avowing themselves. Among a people where few had deep moral convictions, it was not to be supposed that many would jeopard their lives by proclaiming themselves unorthodox; martyrdom seemed foolish, when life and the privilege of free-thinking could be bought cheap by performing the outward acts prescribed by the Church. If with pistol cocked you spring upon an unarmed man and say, "Profess what I tell you, or die," he will probably submit, especially if he happens to have no belief which he deems worth dying for. Catholicism, then, assumed that character in Italy which it retained down to the middle of the present century. Those who believed it at all, believed it bigotedly; the skeptical were either silent or disingenuous. For all there was a rigid formality, which the devout bowed to voluntarily, the doubting as a matter of prudence. Superstition spread. Government, intrusted to priests, or to the parasites of incapable tyrants, became as inefficient as corrupt. Nepotism controlled the( Papacy. The Italian, debarred from exercising himself in civic affairs, and forbidden to use his reason outside of the pinfold of dogma, frittered away his intellect over trifles. He vaunted his recondite erudition. He amused himself by writing ponderous works on insignificant themes, carrying to an extreme that fashion of the late Renaissance which substituted Latin for Italian. To turn a period like Cicero, to mimic Martial in an epigram, were the80 THE DAWN OF ITALIAN INDEPENDENCE. aims of every one who pretended to cultivation. If we could believe the tablets and epitaphs which meet the stranger's eye in every town in Italy, recording that "this was the house," or "this is the tomb of So-and-So, the peer of Virgil in poetry, of Cicero in eloquence, of Horace in wit," we must conclude that the Italian intellect was never so luxuriant as in the two centuries between Tasso and Alfieri. But the great number of those immortals and the unstinted praise make us suspicious. Those little reputations of a village, those heroes of a clique, those fireflies which the uncritical mistook for stars, what were they but indications of the intellectual beggary of that time? Affectation pervaded manners and the arts. Painting still had some skill of technique, but no soul nor taste; even color, the supreme gift of the Venetians, became ashen and ghastly,1 as if dissolution were near. Sculpture and architecture blustered in the bombast of the Baroque School, and then simpered in the puerilities of the Rococo. Yet there was endless talk about art; and the collections of paintings and statues, that are among the most precious visible products of the Renaissance, were gradually formed. Elegance of a certain pompous sort was not wanting to the intercourse of the nobility. Ecclesiastical pageants were never more magnificent. How many millions of candles — from those tallow lights at a penny which the poor burn to solace the souls of friends in Purgatory, to those huge standards of wax, too heavy for one man to carry, and kindled only on state occasions — were consumed at Italy's myriad altars every year? How many hundred millions in a century ? Festivals of the Church, processions, banquets, and celebrations of the nobility, the laying out of parks, the embellishment of villas, the erection of votive chapels and mausoleums, — on ends such as 1 As in the works of Tiepolo, the most prominent Venetian painter of the eighteenth century.REACTION AND DECLINE. 81 these prelates and nobles spent the wealth which, according to the shrewd system they maintained, flowed through the channels of privilege into their yawning coffers. Beyond the Alps, great events and pregnant changes were to record: a Cromwell in England, a Grand Mon-arque in France, the sturdy independence of the Dutch, a Thirty Years' War in Germany, Sweden striding confidently into the European arena, the Electorate of Brandenburg expanding into the Kingdom of Prussia, Muscovy waxing ominously strong in the North, and in America the sapling liberty transplanted from England growing into a tree, — all this, while Italy remained inert and backward, scarcely noting what occurred. And she in her turn was forgotten by her neighbors, except when they coveted her riches or passed her provinces as marriage dowers from one prince to another., Spain was her taskmaster, — Spain the bigoted, the bloodthirsty, the corrupting. Were it not for the business and intrigues of the papal court with the rest of the Catholic world, we might declare that Italy had no concern in the international life of Europe for more than two hundred years. How, indeed, could it be otherwise ? Had not the Council of Trent decreed that progress was damnable, that the Renaissance should be expunged, and that Italians should slink back into the condition of the Middle Age?CHAPTER VIII. science and folly. At last Italy seems hopelessly fallen. Corroding dogmas, tireless Jesuits, a vindictive Inquisition, and the Spaniards have like fabled vampires settled upon her exhausted body to suck out the last drop of life-blood. The mission of Spain has been to brutalize whatever people she has ruled; the Huns of old slaughtered the bodies, the modern Spaniards have spared the lives only to befoul the souls of their victims. To Italy they did, indeed, bring peace, — but what a peace! " The invasions ceased," says Balbo: "for the stranger who hectored us screened us from invaders. Intestine wars ceased: the same stranger took away their cause by bridling national ambitions. Popular revolutions ceased: the stranger bridled the peoples! "1 From the Treaty of Cateau-Cambresis (1559) onward, a black shadow mantled Italy, — the shadow of the iniquities of Spain. Nevertheless, in spite of political and moral decadence, the Italian genius was not dead. It exercised itself in the Drama and in Music, — the only arts which, like exotics in a greenhouse, can flourish amid despotism. Early in the sixteenth century, dramatic literature had been revived on classic models by Machiavelli, Dovizio, and Ariosto, but the Drama, being tied to the apron-strings of its venerable nurse, — the Unities, — never learned to walk; whereas low comedy, the farce, and the burlesque, springing from humble native origin, and having neither Plautus nor Terence for sponsor, nor Aristo-1 Balbo: Storia d1 Italia (10th ed.), p. 313.SCIENCE AND FOLLY. 83 tie for pedagogue, grew up to represent the life of the lower classes, and was at last introduced into polite society by Goldoni, the most genuine of comic writers. Pales-trina was the earliest master of musical composition; after him Music gradually became secularized, and, in Peri's opera "Euridice," it was first wedded to the Drama. But the most important field in which the Italian gen ius labored between the Council of Trent and the French Revolution was that of Science; and as if to symbolize the change from Art to Science, Galileo was born on the day of Michael Angelo's death (February 18,1564). The men of science worked amid the greatest obstacles: on the one hand, civil and ecclesiastical rulers were united to strangle free investigation; on the other, pedants and dilettanti took no interest in and gave no encouragement to investigators. Only recently have we come to know how many of the ideas which are the leaven of our time were engendered by neglected Italians, whose fame has been inherited by more fortunate Germans, Frenchmen, or Britons. Were the cryptographic notes of Leonardo da Yinci fully edited, it would be found that he deserved to rank among the foremost inventors and natural philosophers of the world; for receptivity so universal, observation so keen, a power to specialize so perfectly blended with a power to generalize, have perhaps never been developed to so remarkable a degree as in him; but his encyclopaedic discoveries were veiled for three centuries behind a cipher, and an army of investigators had caught up with and surpassed him, before his cipher was interpreted. This happened also to Giordano Bruno, the precursor of modern rationalists. His restless mind wandered through the domain of knowledge, came to the frontier beyond which the Church asserted there was nothing, crossed it as galliardly as a swallow flies over a hedge, and found a limitless, living universe, of which Christendom and the earth are but a speck. And when,84 THE DAWN OF ITALIAN INDEPENDENCE. in his unmethodic roaming, lie returned and told of some of the wonders he had seen, the Inquisition caught him in its clutches, imprisoned him, tortured him, burnt him. A little earlier than this, Paleario, another liberal thinker who had dared to say that the "Inquisition is a poniard aimed at all writers," perished at the stake; a little later Yannini, teaching at Toulouse what we call rationalism, and the Church calls heresy, was seized and done to death. Whatever may be the value of these men's speculations, the preciousness of their example cannot be blinked; right or wrong, they died for their ideas, — and there is no higher test of sincerity than that. They by their martyrdom and others by their exile proved that Italians were capable of sacrificing everything for their convictions.? Bruno had declared among other "abominable heresies" that there are innumerable worlds; shortly after his death a more illustrious victim, Galileo, was threatened with torture for affirming this and other corollaries of the Copernican system. One would think that the theory of the plurality of worlds testified to the majesty of an omnipotent God, but the Inquisition thought otherwise ; for the inhabitants of those other worlds must need salvation, and Christ must therefore be kept busy traveling from world to world on his redeeming mission. The doctrine of the Incarnation was sufficiently improbable when applied to the earth only; to conceive of the same process as going forward successively in all the habitable orbs of the firmanent was to stretch improbability even beyond the clasp of faith. So the Church declared this new theory, which puzzled faith and degraded man from his solitary honor as the peculiar favorite of the Almighty, to be heretical. From this example we perceive how quick the Church was to scent danger in scientific investigation. Galileo was not, indeed, burned, but he was harassed until his spirit broke. Contempora-1 Cf. Berti: Giordano Bruno da Nola : Sua Vita e Sua Dottrina (18S9).SCIENCE AND FOLLY. 85 neous with him, Campanella, a pioneer in scientific study, who urged that the laws of Nature must be sought in Nature, and not in Aristotle, suffered, partly for political reasons and partly for alleged heresies, an imprisonment lasting twenty-seven years. Sarpi, an eminent scholar and the best historian of his time, was secretly menaced by the Jesuits. Such the treatment awaiting men whose researches might conflict with the assumptions which the Council of Trent had mistaken for eternal truth. Brains and perseverance were not wanting in Italy; but with what cheer could they be applied when the path of Science, always arduous, led to the dungeon or the stake?1 Patiently, and for the most part obscurely, those disciples of science toiled; with the menace of the Inquisition always hanging over them, yet unable to frighten them from their brave and genial task. Like the earthworms, which bore underground to fertilize the soil, their invaluable work was unappreciated. On the surface, butterflies, gaudy of hue and indolent of flight, creatures without sting or industry, flitted to and fro, complacent and careless; as if the eternal forces of the universe had been in travail but to bring forth butterflies, the frail product and glory of creation. Behold the noblesse of Italy disporting itself during the eighteenth century, after the manner of jeweled insects; behold high-born and pedantic Italians reduced to silliness, yet even in silliness proving themselves masters. Every people has had its interims of affectation, its holidays of folly, its nights of moonshine and sentimentality; but the Italian Arcadians 1 Among many names deserving mention, I can specify but a few: In Medicine, Falloppi® and Vesalius; in Natural History and Physics, Torri-celli, Cassini, Redi, Malpighi, and Magalotti; in the Philosophy of History, Vico ; in Sociology, Beccaria and Bandini; in Electricity, Galvani and Volta; in Mathematics, Lagrange. Lyell (in his Principles of Geology) enumerates twenty-one Italians who advanced that science between the sixteenth and nineteenth centuries. See also Libri'a Histoire des Sciences Mathdmatiques en Italie.86 THE DAWN OF ITALIAN INDEPENDENCE. surpassed them all. And to follow the Italian genius to the end of its long pilgrimage we must now turn aside into imaginary pastures and listen to the pipings of mock-shepherds and watch the gambols of make-believe shepherdesses. In the year 1690 some poetasters at Rome were wont to go into the neighboring country, where, reclining beneath pine or chestnut, they read their effusions to each other. Real poetry was long since dead; but now that they had nothing to say, a legion of rhymsters started up to say it. One day, a party of these having gathered in the fields beyond the Castle of St. Angelo, one of them, stirred by the conclusion of a fellow's verses, exclaimed, "Lo, Arcadia has come to life again for us! " All were delighted by this discovery, and they planned forthwith an Academy to be called "The Arcadian." Crescimbeni, whose brain the irreverent described as being "half wood and half lead," was the foremost in this enterprise. The Academy soon flourished. Everybody was eager to belong to it. Cardinals and priests, judges and cavaliers, ladies and literati, flocked to its meetings. The Arcadian community was established on republican principles, each sheep being as good as his neighbors, whatever difference in rank might separate them in the unpoetical world outside. Jesus Christ was unanimously elected the Tutelar President, and Christina, the tomboy ex-Queen of Sweden, who had died on the very day the Academy was projected, was chosen its patroness and honored with funeral rites. The Arcadians met in the parks of its illustrious members. In the Giustiniani Gardens there was. an open lawny space encircled by trees, and this they called their " theatre," which they provided with two rows of seats, "simple and rustic, but pleasing and delicious, being all clothed in odorous myrtle and interwoven with green laurel.' Here nymphs and shepherds listened to bucolic poets, or mingled in pastoral dances. They gave classic or mon-SCIENCE AND FOLLY. 87 grel-classic names to everything, and to themselves. Beautiful Faustina Maratta was "Aglaura Cidonia," Marchioness Massima was "Fidalma," Rolli was "the modern Propertius," macaw-beaked Crescimbeni was "Alfesibeo," Gravina, the learned jurisconsult, was "Opico." They proposed to themselves this task: "to exterminate bad taste, and to prevent its resurrection by pursuing it continually whithersoever it may hide or nest, even into fortresses and villas least known and least suspected." The Arcadians thought themselves crusaders: not theirs to free the Holy Sepulchre from Paynim foes, but "to redeem Parnassus, Helicon, Pindar, Hippocrene, Apollo, the Muses, and Pegasus, fallen under the bondage of Christian dogs." They reckoned by Olympiads, they celebrated Olympic games. Gravina wrote the laws of the Academy, which were engraved on tablets of marble and preserved in the serbatojo or sacristy. Crescimbeni not only directed the revels of the Arcadians and wrote their chronicles in many great volumes, but he also edited what we may not irreverently term the official Arcadian cook-book, containing recipes for preparing canzoni and sonnets, maggiolate, cobole, seroni, motti, mottetti, strambotti, rispetti, barzelate, disperate and contradisperate, matinades and serenades, gypsy-songs, oracles, nenie, epicedi, birthday odes, and all other varieties of Orphic pastry. Angiolo di Costanzo, a mediocre sonneteer of the sixteenth century, was singled out as the master for Arcadians to imitate, and a part of the Arcadian ceremonial was the reading of a dissertation on one of Costanzo's sonnets. The acute Crescimbeni declared that four of these sonnets contain "all that is necessary for Tuscan lyric poetry." Dom John V of Portugal was so grateful for honors showed him at Rome by the Arcadians, that he bestowed upon them a strip of land on the Janiculum, which they named the Parrhasian Grove, and resorted to in summer.88 THE DAWN OF ITALIAN INDEPENDENCE. Portraits of distinguished shepherds and shepherdesses were hung there, and when Arcadians died, —for death enters even Arcadia, — magnificent pyramids were raised to them. The fame of the Academy spread so rapidly that within two years fifty-eight colonies had been established outside of the capital, and the colonists numbered above thirteen hundred. The peninsula was infected by a species of epidemic, a Phoeban influenza, whose victims sneezed in rhythm. The business of saving souls and of governing States seemed trivial and sordid to these thirteen hundred poets, amid whose twittering the notes of vulgarer Academies, like the Intronati, the Stravaganti, the Umidi, or the Imbecilli, were drowned. What pictures the imagination paints of plump dowagers weaving laurel crowns for venerable but still amorous prelates! Of shepherds, sad, mad, passionate, disconsolate, breathing their sighs upon the zephyrs of the Villa Odescalchi or wandering rueful through the melancholy cypress-lanes of the Villa d' Este! Of pompous Gravina, quitting legal folios to chirp madrigals in Fidal-ma's bower! Of Crescimbeni, having piped all day on his syrinx, devoting his night to immortalizing Arcadia in his history! A herculean task he found it, for the poets to be immortalized soon numbered thousands, and new ones hourly appeared: so that in despair he wrote all their names on slips of paper, and shook them up, and drew forth a few for Fame to blazon. Can we not see Monsignor Daphnis and the Countess Chloe billing and cooing beside an Arcadian haycock, or Narcissus, — known in plain life as Abbe Frugoni, —gazing at himself in a fountain ? And here His Eminence the Cardinal, transformed into Corydon, adores Her Grace the Duchess, — who as Phyllis or Dorinda tends imaginary sheep; what time the Duke, with periwig on head and crook in hand, frisks over the sward or darts into the shadowy bosks, in pursuit of some portly nymph, still coy, though the mother of many children!SCIENCE AND FOLLY. 89 Let us draw near and listen to some of these poets. Lucinio — whose real name is Meloncelli (little melons) — yearns to be turned into a swan, for no evil purpose, but simply that he may expire singing praises to the Delphic god. Siralgo wishes to be changed into a laurel, so that the Muses may come and cut the name of Delia, his mistress, on the bark. Gantila, a lachrymose, middle-aged gentleman, unable to restrain his tears night or day, forefeels that Cupid will turn him into a river; and he is not sorry, because he can then serve as a mirror to the beautiful but obdurate face which he has borne and still bears in his bosom. Thyrsis tells us that having plaited a little straw basket, he put a kiss in it and sent it to his sweetheart; but Cupid slyly hid his darts therein, and when the unwary Nigella lifted the cover, she was of course hopelessly wounded.1 Oh edifying innocence of shepherds in broadcloth and shepherdesses in brocades! Having heard each other's idyls till their Arcadian ears were cloyed, and having gamboled till their aristocratic legs were weary, they were served a banquet of pastoral dainties, borne by lackeys into a rustic cabin. Strange freak of fate! At a time when few or none had any more the capacity to feel passion, — whose voice is poetry, — the wit and rank of a whole people succumbed to this mild delirium, which they mistook for the divine poetic frenzy. Then, when there was no genuine sympathy for real shepherds and husbandmen, nor for any other toiler, the elite of Italy put on this mask of rusticity, not for once only, nor for a single carnival of silliness, but for well-nigh a century. The Arcadians exorcised Marini and all the demons of bad taste; they had their jubilees, at one of which they crowned Perfetti, who sang his improvisations to the accompaniment of a harpsichord; at another they crowned Corilla Olimpica,2 1 Crescimbeni: L' Arcadia (Rome, 1711), pp. 310-12. ® Her real name was Maddalena Monelli.90 THE DAWN OF ITALIAN INDEPENDENCE. a squint-eyed improvisatrice, whom Madame de Stael subsequently made the heroine of "Corinne." They importuned high and low with their honors: Goethe himself avoided the absurdity of a coronation at the Capitol only by accepting membership in their Academy and by promising to cultivate the Field of Melpomene. But alas for the ten thousand fleeting Apollos, and alas for the blissful reign of Bo-peep! Arcadia itself, its legion of poets, its bevies of shepherdesses, — " semi-nymphs, semi-nuns,"— its naiads, fauns, and Pythian priestesses, faded into the inane, from which like a vapor they had emerged. Their very names are forgotten, or if one or two — Frugoni's, for. instance — be remembered, it is to give personality and a semblance of life to an age of nonsense, which would otherwise seem too silly, too fantastic, to have ever been real.1 Nero fiddled, we are told, while Rome was burning. The aristocracy of Italy danced and piped in equal unconcern during the eighteenth century, when there was kindling a conflagration destined to consume crowns and privileges, and to singe even the vestments of the Pope. Pipe and dance, shepherds and shepherdesses! Frisk, innocent sheep, for the hour is at hand when the wolves shall come. M. Voltaire is turning not only your verses, but also your religion, into ridicule. Can your Church survive that? Contempt follows close upon sarcasm, and after contempt — what ? M. Rousseau, too, is preaching a strange social doctrine; he avows that those rustics, 1 For details see Cresoimbeni; also Emiliani-Giudici and other historians of Italian literature ; in English, Vernon Lee's diffuse but entertaining essay (in her Studies of the Eighteenth Century in Italy) should be consulted. I quote her clever summary of Arcadian bombast: • " The sun cooled itself in the ■waters of rivers which were on fire ; the celestial sieve, resplendent with shining holes, was swept by the bristly back of the Apennines; love was an infernal heaven and a celestial hell, it was burning ice and freezing fire, and was inspired by ladies made up entirely of coral, gold thread, lilies, roses, and ivory, on whose lips sat Cupids, shooting arrows which were snakes." Page 11.SCIENCE AND FOLLY. 91 whom you condescend to mimic, have hearts and souls, and that, were classes ranked according to nature and natural rights, you would not be uppermost. What if the peasants take counsel of Jean Jacques and forcibly claim their own; think you to tame their savage breasts with madrigals, or to drive them back by flourishing your ribboned crooks? Futile questions. Arcadians stoop not to such vulgar fancies; they reck not what may happen to barbarians beyond the mountains. Butterflies which come in summer believe that summer is made for them; what can they know of other seasons ? Merciful nature bids numbness to precede dissolution, otherwise the agony of death would be too cruel. And yet, even in Italy there were little signs and warnings that a calamity was approaching. Viewed on the surface, the most important change was the expulsion of the Spaniards and the accession of the Austrians, — a change of taskmaster, but not of conditions. Bourbons of the House of Austria ruled Milan and Mantua, Tuscany and the Two Sicilies. Leopold, Grand Duke of Tuscany, framed a code restricting the privilege of the Church in his dominion, and his brother, Joseph the Second, — a skeptic and cynic, — introduced into the Empire reforms that threatened to disestablish Catholicism as the State religion. But the Papacy, like an experienced coquette, knew the value of persistence, and now by upbraiding, now by caressing, and now by threatening, she recovered her ascendency. Nor should we pass by unmentioned the efforts of at least one able Pope to purify the Curia; nor the suppression of the Jesuits. But amelioration dependent on one man lasted only his lifetime, and soon the Revolution came, to make all changes suspected by the civil and hierarchical tyrants, and to reunite Rome and Austria in a communion of terror. Nevertheless, it is significant that Leopold looked to economists and philosophers, and not to church-92 THE DAWN OF ITALIAN INDEPENDENCE. men, for counsel, and that he, the son of Maria Theresa, was the first ruler in Italy to respond to the changing current and to propose laws prophetic of the modern spirit. Another symptom is the greater frequency and sincerity of the utterance by un-Arcadian Italians of their desire to be free. That desire was certainly old. It resounded from Dante's volume, like the undertone of a cataract. Dante predicted the coming of a greyhound who should put to flight the wolves that harried Italy; he believed that the Emperor could quell the strife of Guelfs and Ghibellines, restore peace and unity to the disordered land, and restrain the arrogance of the Church. But even before Dante died, the fulfilment of his dream appeared plainly improbable, and though, with the course of time, it became impossible, still the dream itself, the desire, nestled close in the hearts of the noblest Italians. They mistook the isolated and spasmodic outbursts of dying liberty for birth-throes. Petrarch lamented that Italy, "aged, otiose, and slow," seemed not to feel her ills. "Will she sleep forever, and will no one arouse her?" he exclaimed, appealing to the patriotism of Rienzi.1 When Rienzi's brief illusion had been dispelled, the poet turned to the lords of Italy, and urged them to arm for her liberation. "Behold with pity the tears of your dolorous people, which only from you, after God, await repose; and if you show but one sign of pity, Virtue against Fury will take up arms; and short will be the combat; for the old-time valor in Italian hearts is not yet dead." A noble appeal, but the grandees heeded it not.2 Two centuries later, Machiavelli, in closing his treatise, "The Prince," invoked Lorenzo de' Medici, to whom he dedicated that sphinx-like book, to come to the rescue of his country. "I cannot express," he writes, "with what love that redeemer would be 1 Canzone a Cola di Rienzo. 2 Canzone a' Grandi d' Italia.SCIENCE AND FOLLY. 93 received in all the provinces that have suffered through these foreign inundations; with what thirst for vengeance, with what stubborn faith, with what pity, with what tears. What gates would be shut against him? What peoples would deny him obedience ? What envy would oppose him? What Italian would deny him homage? This foreign dominion stinketh in the nostrils of every one."1 But the degenerate Medici could not be moved to noble action. The plaint passed on from mouth to mouth, becoming less vehement because the belief that the future could bring succor began to wane. Only the strong heart dares to hope amid adversities. Chiabrera, the courtly verse-maker of the sixteenth century, bade his countrymen to arise, not to shake off their tyrants, but to save themselves from even worse ignominy, — the oppression of the Turks. The glory of the past, the freedom that would never return, now inspired the utterance of the few in whom a sense of the dignity of patriotism still throbbed. As among the later Jews, the voices were voices of lamentation, not of courage; what-might-have-been stifled what-shall-be. Filicaja, in a sonnet which Italians still love, poured out this despairing wail: "Italy, Italy, thou to whom fortune gave the fatal gift of beauty, whence hast thou this dower of infinite woes, which, written by great sorrow, thou bearest on thy brow? Would thou wert less beautiful, or at least more strong, so that he who seems to be destroyed by the rays of thy beauty and who yet betrays thee to Death, might fear thee more, or love thee less. For then thou wouldst not behold the army - torrents sweep down from the Alps, nor Gallic troops drink the blood-tinged waters of the Po; nor wouldst thou see thyself, girded with a sword not thine, fight with the arms of foreign peoples, to serve always, 1 II Principe, chap. 26.94 THE DAWN OF ITALIAN INDEPENDENCE. whether victorious or vanquished."1 It is related that when Napoleon's army was crossing the Alps, an avalanche swept a bugler from the path into a ravine far below; and his comrades heard his bugle sound, faintei and fainter, until the snows and cold silenced him: from such a depth of hopelessness, Filicaja's melancholy note floated to the ears of his countrymen; and it had many echoes. 1 Byron paraphrased the opening of this sonnat in Ckilde Harold, iv, 42.CHAPTEK IX. new voices and revolution. At last, about the time when Arcadians were growing ridiculous even to themselves, Italy was startled by a new voice, — which had in it the resonance of trumpet and drum. Here was no dirge, but a reveille, no lamentation, but a defiance, which rang through the peninsula. For the first time since Tasso, an Italian poet was heard beyond the Alps. Europe was astonished that Italy, the ancient mother of great men, should bear in her old age such a son as Alfieri; but he was plainly hers and no changeling, for in his speech, his gestures, and his mien he resembled the mighty children of her prime. In his life, Alfieri was wild and wayward; equally vehement in his appetite for women, his craze for horses, and his hatred of tyrants. He galloped over Eur6pe from Lisbon to St. Petersburg in a coach-and-six, not to observe customs nor to admire monuments, but to ease a restlessness which could be eased only by motion. After a youth of promiscuous libertinism, he centred his affections during the last part of his life on the Countess of Albany, wife and subsequently widow of the Young Pretender. Yet his character did not lack high qualities: he was as firm in friendship as implacable in enmity; he was without sordidness; he was consistently independent even to haughtiness, in his demeanor towards princes. The pedantry and mawkishness of his contemporaries he despised, and he ridiculed alike the follies of the Arcadians and the servile imitators of the French. A rigid republican, he denounced as unrepublican the excesses into which the96 THE DAWN OF ITALIAN INDEPENDENCE. French Revolution was urged by Robespierre and St. Just. His tragedies reveal the man. He took for his subjects the career of the Brutuses, of Timoleon, of Saul, and the Conspiracy of the Pazzi, or he revamped the classic legends of Agamemnon, Merope, and Antigone. Any personage, any episode, by which he could illustrate the corruption of kings and the manful resistance of citizens, set his imagination aflame. He breathed no sighs for irrevocable grandeur, no regrets for the past, he chided submissiveness, and instigated revolt. Regicide and the slaying of tyrants he extolled, if freedom could be attained by no other means. As Italian literature had been sterile in tragedies, Al-fieri, in supplying this void, was revered as the completer of the intellectual glory of his race. He seemed to tower above Sophocles and Shakespeare, and held that pinnacle until his power and art ceased to be novel. Then his critics, piqued at finding that he had been lifted higher than he deserved, set him down in a place lower than he deserved. By that time the fashion in letters had veered towards Romanticism; political events had scattered republican- doctrines everywhere; men needed no longer to be aroused, but to be guided. So Alfieri's reputation suffered, as that of every author whose work has a historic rather than a literary significance must suffer: but now, neither blinded by political hopes nor biased by the appeals of a literary clique, we can judge him impartially. We see in him a man of extraordinary energy, and we may well doubt whether talents purely intellectual ever produced more splendid results. Every trick of rhetoric, every subtlety of oratory, is under Alfieri's control. His method is that of the French dramatists, who wind up their plot as a boy stretches his catapult, until it seems as if the elastic must break: and then — presto! the missile is discharged, the plot is solved. Your interest is fixed on the tension, on the strength with which theNEW VOICES AND REVOLUTION. 97 elastic is drawn, rather than on the accuracy of the aim. Alfieri wastes nothing, and tolerates no superfluities. He astonishes and excites, but does not charm us; we are dazzled, but not warmed by his genius. We may say of him what Schiller said of Madame de Stael: "In everything which we call philosophy, consequently in all the ultimate and highest stages, one is at strife with her, and remains so in spite of all discussion. But nature and feeling are in her better than her metaphysics, and her fine intellect rises to the capacity of genius. She tries to explain, to understand, and to measure everything; she admits of nothing obscure or unintelligible; and those things which cannot be illuminated by her torch have no existence for her!"1 Qualities similar to these Alfieri possessed so abundantly that he earned a conspicuous place in literature. But it is as an historical figure in the regeneration of Italy that he most concerns us, and will be longest remembered. After two hundred years of rhyming gabblers and drowsy pedants, he came and spoke with all the vehemence and vigor of a man. The work before the Italians called for energy, and Alfieri was the trumpet through which that call, startling and metallic, was sounded. He blew a strong blast, and the effeminate guitar-strumming was heard no more. Contemporary with Alfieri was Parini, a quiet, kindly man, the mildest of satirists, who describes dispassionately the follies of society and leaves the reader to laugh at them. The theme of his principal poem is the daily life of a fashionable young noble. In his odes and shorter pieces, he depicts the simple virtues or reveals the charms of every-day nature. He finds, for instance, in the discovery of vaccination a subject more worthy than battles or conquerors of our esteem. His influence may be compared to Cowper's in England; for he brought poetry back from extravagance and vapidity to the con- 1 Correspondence between Goethe and Schiller (London, 1879), ii, 470.98 THE DAWN OF ITALIAN INDEPENDENCE. templation of actual life, with its common -sorrows and pleasures, — unheroic, if you will, and yet often touched by gleams of true sentiment and nobleness. Among the painted Jezebels of Arcadia, his sober Muse walked unaffectedly and at first unobserved, but after a while men turned in disgust from them to her, and made her their model. So Parini has justly been called the regenerator of modern Italian poetry. A little younger than Alfieri and Parini were Monti and Foscolo, two men who represented so well the character of Italians at the end of the eighteenth and beginning of the nineteenth century, that in reviewing their careers, we shall best understand their countrymen at this period. Italians still spend superlative adjectives when they speak of the talents of Yincenzo Monti, and for the sake of those talents, they generously forgive the ignominy of his life; but we may doubt whether they still read his poetry with pleasure equal to their praise. Of the historical importance of Monti and his works there can be, however, no question. Born near Alfonsine, in Romagna, in the year 1754, he went to Rome to devote himself to letters. There he found the Arcadians still tending their flocks, and for a while, he chimed in with their pastoral ditties. His first effusions, like those of most receptive youths, echoed the prevailing tone of his time, but they had in them besides something original and un-Arcadian, that attracted attention. Thanks to the patronage of Cardinal Scipio Borghese, he became erelong the most popular verse-maker in Rome. His was one of those natures to whom it is easy to discover good qualities in those who feed with flattery and clothe with honors, and for fifteen years it was his agreeable duty to extol the virtues of his protector and to magnify the achievements of the Pope, by whom also he was graciously favored. There is an old story of a Christian lady so benign that she had always something kindly to sayNEW VOICES AND KEVOLUTION. 99 about everybody. One of her family, provoked by her uniform amiability, exclaimed at last, "But you must admit that there's nothing praiseworthy in the Devil! " "On the contrary," replied the good woman, "I think we might well take a lesson from his diligence." Monti likewise had eyes only for the excellence of the Roman court, at a time when less interested critics saw chiefly its faults. Nevertheless, he had a mind which responded quickly to high influences; he soon scorned the silliness of Arcadia and was stirred by Alfieri, Shakespeare, and Dante. He sympathized in the abstract with heroes and patriots, and expressed his sympathy so far as it was discreet to do so, by attributing to his protectors the heroic traits which he admired. Few men have been more richly gifted than he with that intellectual prudence which mixes just as much of radicalism with the antidote of conformity as will make a pleasant draught for those in power. When the French Revolution burst forth, Monti was still in Rome, writing praises of Pius YI, and when, shortly after, Ugo Bassville, a revolutionary disciple, came to the Holy City, preached republican heresies, and was killed by the mob, Monti was inspired to write one of his most famous poems, in which he reprobated the bloody events in France. Bassville, in the poem, could expiate his crime of having joined the regicides only by passing through hell and witnessing there the terrific punishments decreed for them, and by waiting at the gate of heaven until the Bourbon monarchy should be restored to France. Monti, no doubt, had planned to end his poem with a fine peroration, glittering with praise of absolute monarchs and of papal benevolence; but unfortunately for poetic symmetry, and for the repentant spirit of Bassville impatient to enter into bliss, the restoration of the Bourbons was delayed. Monti published his work without its final canto; his fame increased, but the soul of Bassville still waits.100 THE DAWN OF ITALIAN INDEPENDENCE. Presently down into Italy came General Bonaparte, and changed the fashion of poetry and politics. Monti, the alert, was among the earliest to greet the rising sun. He had been deceived by the lurid flames of the Reign of Terror, which, he now saw, were but forerunners of the day of freedom; he had confused the excesses of the Revolution with its true purpose, and this was plainly enough to bring liberty and equality to all men, even to Italians. Ah, how joyfully he welcomed the effulgent deliverer, — how easy it was to indulge the sublime sentiment of patriotism, now that every one was patriotic. Wishing, he said, "to merit well of a free fatherland, by writing at last as a free man," he poured forth in a single year (1797) three canticles, entitled "Fanaticism," "Superstition," and "The Peril," in which he execrated the upholders of that Old Regime, whose bread he had eaten and whose purse he had tapped for well-nigh twenty years. And to show the thoroughness of his conversion, he addressed to Bonaparte an ode in which the young conqueror figured as Prometheus. If there be by any other man of equal rank eulogies as fulsome as those which Monti showered upon Napoleon, I have not seen them. "O illustrious God of War, for a God thou surely art!" he exclaims at one time; at another, he likens Napoleon bringing order out of chaos in France to God himself stretching forth His hand over the primeval abyss. The hyperbole of adulation could hit no higher! When a law was passed to cut off from preferment all those who had written against liberty since 1792, Monti promptly issued a poetical apology for his Bassvillian blunder, was granted pardon, and appointed to the chair of belles-lettres at Milan. For an interval his prospects darkened, when the Austrians and Russians, profiting by Napoleon's absence in Egypt, invaded Italy: but Napoleon returned; the victory of Marengo swept the invaders back into their North, and secured to France for ^ourtesnNEW VOICES AND REVOLUTION. 101 years the control of Italy. Monti throve exceedingly during that period. He was chosen Poet Laureate to the Cisalpine Republic, and, later, Historiographer to the Kingdom of Italy; and in order that his Pegasus might not be worn out by treadmill work, he was relieved of his duties as professor, but allowed to draw a salary therefor. Napoleon was eager to entice authors into his service; but in spite of favors and subsidies, he could command only the mediocre; Monti's reputation was the most conspicuous which he bought.1 When Napoleon made himself Emperor, and there was no longer a reason for cherishing the delusion that he was a disinterested champion of liberty, Monti, the official songster at Milan, moulted his democratic feathers and strutted magnificent in imperial plumage. His ardent muse could not be restrained from caroling whenever there was a Napoleonic victory or wedding or baptism to celebrate. It was marvelous how the smallest happening in the imperial family kindled his imagination; how punctually his song came, sometimes even before it had been commanded by his master! There were not lacking, of course, voices which accused him of apostasy and cringing; but then, envy is a sin to which literary men are proverbially prone, and he could console himself with the thought that his detractors would gladly have received, even from the tyrant they affected to abhor, the fat pension which came to him every month. Prosperous genius, if it be not annoyed by modesty, finds a new meaning in the fable of the Sour Grapes. Monti did feel, nevertheless, that his friends had some reason for regarding his position as ambiguous, for he wrote to Mel -chior Cesarotti, in 1805: "I am touching the Pindaric 1 De Gubernatia, in his study of Manzoni (Florence, 1879), gives some amusing- specimens of these subsidized penny-a-liners' adulation. One, Gagliuffi by name, turned the Code Napoleon into heroic couplets. See pp. 211-15.102 THE DAWN OF ITALIAN INDEPENDENCE. chord for the Emperor Napoleon. The government has thus commanded me, and I must perforce obey. God grant that the love of country do not draw me to a too great liberty of thought, and that I respect the hero, without betraying the duty of a citizen. I follow a path where the desire of the nation does not accord very well with the political condition, and I am afraid of ruining myself. May St. Apollo aid me, and do you beseech me to circumspection and prudence."1 How naive is that prayer that his patriotism may not draw him to a too great liberty of thought! Just when Monti intended to throw off his disguise we do not know. The fall of Napoleon gave him an opportunity of abjuring forever his gilded bondage, but he did not avail himself of it. On the contrary, he made haste, when Northern Italy passed into Austria's keeping, to ingratiate himself with the new tyrant. He greeted the Austrian Emperor as "the wise, the just, the best of kings," a whirlwind in war, a zephyr in peace. But Francis had a wholesome dread of authors: literary activity is a sign of wakeful brains, and wakeful brains are too apt to concoct incendiary thoughts, which lead the populace to revolutionary deeds. To suppress and not to encourage the intellectual life of his subjects was, therefore, the wise policy of Francis. He abolished the office of historiographer, either because he intended that his subjects should be too happy to need an annalist, or because he suspected that there might be matters which had better not be recorded. Still, he allowed Monti to draw a small pension, in return for which poetic tribute was dutifully paid. In his later years Monti harmed Italy by renewing a Dryasdust dispute concerning the purity of the Italian language, and he frittered away his talents over the questions whether Italian be Tuscan or Tuscan 1 Quoted by Mestica: Mamale della Letteratura Italiana (Florence, 1886), i, 33.NEW VOICES AND REVOLUTION. 103 be Italian, whether a writer should use words not found in the works of the fourteenth century, or whether words added to the vocabulary since 1400 should not also be recognized. A fine quarrel for the foremost writer of his time to engage in; worthy to be fbught out by servile pedants, amid much taking of snuff and frequent rubbing of spectacles, in dim, dusty attics. An appetizing dish of chaff to set before a people who, deceived in their hope of independence, crushed to earth but not killed, were hungering for words of liberty which should be as strong wine to their resolve. The Austrians chuckled to see their bondsmen voluntarily return to the threshing of old quibbles, in which too much of the intelligence of later Italians had worn itself out. Absolutism had learned that it had nothing to fear from pedants. Monti in this fashion sank into an old age of poverty and neglect, all his trimming and talents of no avail; distrusted by his countrymen, unfeared by -his countrymen's enemies, he died in 1828. His contemporaries dubbed him Abbe Monti, Citizen Monti, Courtier Monti, to designate the different phases of his sycophancy, but the man Monti did not change. To his family he was kind, even tender; to his friends, he was affectionate; but he was vain and vulgarly ambitious. He loved to move among smiling faces, though they were those of flatterers; he loved to see himself the favorite of the great, though the great were tyrants. At heart, he preferred virtue and liberty, and we can imagine that he covered the margins of his Dante with approving notes: but it is one thing to be intellectually hospitable to noble thoughts, and quite another thing to obey them "in the scorn of consequence." Monti had behind him and about him a society which had long ago divorced precepts from practice; which took it for granted that the guardians and exemplars of morality would themselves be neither chaste nor humble, neither charitable nor sin-104 THE DAWN OF ITALIAN INDEPENDENCE. cere. His life, and that of most of his fellows, was of the intellect and not of the conscience, and the intellect, greedy of applause, makes worldly success a duty. Moreover, the alternative was very real, and very stern: poverty for certain, probably imprisonment,, perhaps exile, possibly death, —those were the grim conditions he must choose, if he preferred independence to compromise. He exonerated himself by reflecting that his intentions and sympathies were excellent; perhaps self-deception went so far that he thought himself a martyr to circumstances, and blamed destiny for spreading ignoble nets before the steps of one who might otherwise have stridden with a regal gait through the world. He could plead that he had counteracted so far as possible the effect of his fawning poems, by sprinkling upon them patriotic sentiments, which the alert would find and interpret. "My duty as husband and father," he wrote, "made me belie my countenance and speech; listening to the voice of nature made me seem guilty; but so beautiful a fault does not merit the blush of shame."1 It would have been too cruel to drag Monti's delinquency again into the light, merely to illustrate the fact that intellectual ability is often without conscience. The public press furnishes daily evidence that the hand can write what the heart does not believe; so that to strengthen a statement by "the honor of a journalist" would in most cases provoke sarcastic laughter. He is condemned to live in the history of Italy's regeneration, because he was the most conspicuous of those Italians who, in spite of mental ability and good intentions, failed from lack of moral courage. The new ideals urged them forward, but the spiritual enervation of centuries held them back. Not without reason has Monti been called "the last poet of the past." Although Monti's-public career could serve but as a —- 1 From his poem " La Superstizione."NEW VOICES AND REVOLUTION. 105 warning, and although his writings were too often base, yet he did positive good to the Italian literature of his time. He wrote with force, he seized upon living subjects, he showed that the real substance of poetry lay in the great events by which men's souls were actually moved, and not in the archaic puerilities of mock shepherds and shepherdesses. The best Italian critics agree that he infused into the verse-forms he used a vigor unknown since Tasso sang. When he was not restrained by prudential motives, he could speak plainly. "Mute sittest thou," he says to Italy, at the time of the Congress of Udine; "at every shock thou castest down thy glances tremblingly; and in thy fear thou knowest not whether fetters or freedom await thee. O more vile than unfortunate! O derided slave of thy slaves! Not thus would thy countenance be dejected, nor thy feet chafed with shackles, if cowardly pride and long fornication with tyrants and Levites had not softened the sinews of thy native valor. Honored spouses these, whom thou hast preferred to Brutus and to Scipio! A fine exchange, a shrewd judgment, forsooth! She who had the universe for slave now sings psalms, and a mitre is the crest of her helmet."1 A sad truth, we confess; but a truth that comes strangely from lips which have just lauded the mitred leader of the psalm-singing choir, and which, a little later, lauded the new tyrants. In the anthologies, Monti still holds a considerable field, and editors still append footnotes exhorting the studious youth to be thrilled at the proper passages, but to me the reading of Monti's poems gives little pleasure. The constant inversions, in imitation of Latin models, are artificial; the alleged grandeur is grandiose. Monti does not soar like a bird; he leaps like a kangaroo, and while he surprises you by the height and length of some of his bounds, you see that he is quickly on the earth again. Between 1 Ode per il Congresso d' Udine, 1797.106 THE DAWN OF ITALIAN INDEPENDENCE. leap and leap there is a succession of very fluent, often melodious, commonplaces. In this respect, he resembles the English poet Young; and if his verse has a larger space allotted to it in Italian manuals than Young's has in English manuals, it. is not because he excels Young, but because English poetry has had many subsequent poets far superior to Young, whereas later Italy has had few superior to Monti; and because, above all, Monti is associated with a great period in Italy's growth, whereas Young speaks to us out of a period when the poetic life of England was barren. Of different stamp was Ugo Foscolo, born in 1779 on the island of Zante, then a Venetian possession. His father, a physician, was a Venetian, his mother, Diamante Spaty, a Greek. Foscolo's first schoolbooks were Plutarch and Xenophon. After his father's death, his mother and her children settled at Venice in 1793. Ugo attended the lectures of Melchior Cesarotti at the University of Pa via; he was precocious in versifying, and was swept, while still a youth, into the current of active life by the revolutionary tumults in Italy. In a fine ode he addressed Bonaparte as the "Liberator," but when, soon afterwards, Bonaparte by the deceitful treaty of Campo Formio extinguished the Republic of Venice and sold Venetia to Austria, Foscolo's illusions as to the probity of the Liberator were dispelled. Upon Napoleon's return from Egypt, the young poet republished the ode, adding thereto a dedication in which he exhorted the victor to fulfill his mission as the bringer of liberty, and not of servitude, to the distressed nations. "Our age," he said, "will have a Tacitus, who will hand down your sentence to severe posterity." But Napoleon's ambition, having tasted power, was not to be satiated by patriotic appeals; he assumed the title of Emperor in France, and converted the Cisalpine Republic into the Kingdom of Italy, of which he was king. Foscolo tacitly submitted to theNEW VOICES AND REVOLUTION. 107 change, tacitly, but not ignobly; he served in the imperial army in France, and accepted the chair of oratory at Pavia, but thenceforth he wrote no praises of Napoleon. Indeed, he took so little pains to disguise his republican opinions that his professorship was soon abolished, and he had to shift as best he could. Literature is at all times a precarious profession, but never more precarious than when the free utterance of authors is muzzled; to Foscolo's credit be it recorded that, unlike Monti, he never spiced his speech to the taste of his censors. In ,1811 he brought out at the Scala Theatre in Milan a tragedy called "Agamemnon; " the official ferrets scented in it meanings which the author disavowed: Agamemnon, they said, was intended for Napoleon, Ajax was the exiled General Moreau, and Utysses was Fouche, Imperial Minister of Police. The play was prohibited and Foscolo banished. Three years later, when the Napoleonic kingdom was tottering, he returned to Milan and took part in the unsuccessful attempt to resist the Austrians; but when they had by craft reestablished themselves, and required every Italian to swear allegiance to Francis, Foscolo refused and fled to Switzerland. He went thence to England, and wore out the remainder of his life in exile, writing articles for the English reviews and giving lessons in Italian. He died there in 1827. Foscolo's poems are more genuine than Monti's, for they spring out of the man's soul, and not out of his intellect. The poet does not set traps for the approbation of critics, nor for the ducats of patrons. Patriotism finds in them nothing to blot, nothing to extenuate. When the French, in one of their democratic deliriums, were for prohibiting the erection of tombstones and other memorials to the dead, as being a custom whereby the aristocratic and rich displayed even in death a pomp and an arrogance inconsistent with poor but honest democracy, Foscolo — in his most noted poem, "The Sepulchres"—*108 THE DAWN OF ITALIAN INDEPENDENCE. defended the practice, and showed how the tombs of heroes keep alive the memory of noble deeds and rebuke the littleness of posterity. He described himself as a man who heard the continual rumbling of passions within him, as being "rich in vices and in virtues;" and, so bitter was exile, as being "sad for the most part and solitary, ever pensive, and incredulous alike of hope and fear." A man of great gifts, impulsive, quick to resent wrongs and quick to forgive them, although he wrote a Wertherian romance, yet he could endure to live in spite of disillusions more poignant than those which drove his hero, Jacopo Ortis, to suicide. In the weariness of exile he served his country better than he knew, by acquainting Englishmen with the genius of Dante and by showing them the almost unknown spectacle of an incorruptible Italian, who preferred banishment and poverty abroad to oppression and sycophancy at home. Italians could better spare Foscolo's writings from their literature than his example of integrity from their history. These two men represent the two prominent classes into which Italians were divided during1 the Napoleonic era, and for nearly a generation beyond it. The one, facile and unscrupulous, preferred liberty in theory, but bent the pregnant hinges of the knee to any master from whom rewards and favors could be obtained; the other, setting principles above self, sacrificed self rather than submit. From the former class no good came, nor could come; by the latter was slowly accumulated that moral force which alone could make Italy worthy of freedom, and could endure all shocks, all rebuffs, until freedom was at last won. There was, besides, a third class, composed of the princes of the Old Regime and of their parasites and proteges, who were consistently and inflexibly hostile to any change which threatened to diminish their inherited privileges. The eighteenth century approached its last decade, but these deluded creatures still dwelt in their mediaeval paradise, and thought it permanent.NEW VOICES AND REVOLUTION. 109 The Revolutionary War in America set a dangerous example to Europe, but the Italians no more thought of imitating the sturdy colonists, than of flying when they saw a hawk circle above them. The existence of the American Republic doubtless made independence seem possible, but I cannot discover t that it had as yet excited more than a languid interest in Italy, when the French Revolution burst forth terrific. Since the subversion of the Roman Empire under the flood of Teutonic invasion, such a catastrophe had not been known. Now, as then, a regime which had endured for so many centuries that Europeans had come to regard it as eternal, was confronted by strange, terrible enemies, who seemed to be agents of chaos and anarchy. These enemies were not Goths, nor Huns, nor Turks, but members of the very social system which had been created and held together by the Old Regime; the struggle, therefore, was not between the civilized and the barbarians, but between one class and another, between the privileged few and the unprivileged many. Aristocracy found itself set upon by its great pack of underlings, like Actaeon by his hounds. No wonder that the wisest spectators of that contest failed to realize its import. Little guessed Mirabeau, when he flung down defiance to the king's messenger at the Tennis Court, whither the current was sweeping; little foresaw Burke, when he looked aghast at the orgies of the Reign of Terror, that in those convulsions, though the old world-order was passing away, a new and juster one was coming into life. When such men were unaware of the mighty change impending, it is not to be supposed that the princes of Italy understood at first the omens flashing across the skies France-ward. Their anxiety was perhaps as great as that of one who receives news that a neighbor is suffering from an acute but not deadly fever. But when French royalty was insulted, imprisoned, and then guillotined,110 THE DAWN OF ITALIAN INDEPENDENCE. they realized their own danger, and prayed that the allied monarchies of Europe might dispatch the revolutionary monster at Paris. Then was the time for Italy to free herself. But those Italians who read Alfieri and dreamed of liberty were too divided, too unskilled to seize the opportunity held out to them. The habit of ten centuries made them look to foreign lands for leadership. At the most, they trusted that in the amazing changes, Fortune would assist them. The mere fact of change was a most encouraging prognostic. Like gamblers, they watched the wheel a-spinning, and relied upon their luck. And suddenly, beyond all expectations, a leader arose. Napoleon, leaping on the back of the revolutionary Bucephalus, rode him over Europe, and where his hoofs struck, the earth quaked and thrones toppled over. Napoleon, himself an Italian, galloped down into Italy, swept the armies of Austria before him, appealed to the Italians to strike for freedom, promised them independence, and then, caught in a frenzy of selfish ambition, he broke l^s promise, and made Italy an appendage of his Empire. The Cisalpine Republic was transformed into a kingdom governed by his stepson Beauharnais; Etruria was a toy for his sister Eliza; the Parthenopean Republic became a kingdom ruled by his brother-in-law Murat. Napoleon undeniably betrayed the hope of the Italians, but even in betraying he benefited them. He was a great reality, stalking over Europe and exposing immemorial shams. By a stroke of the pen he signed the burial-certificate of the Holy Roman Empire; he touched the Republic of Venice, and it dissolved in ashes, as the body of a queen crumbles when its sepulchre is opened; he carried the Pope about with him, like a parrot in a cage; he made ridiculous the old tactics in war; he made obsolete the old methods in peace; he set up Merit instead of Privilege to be the ladder of promotion. While Bourbons or Hohenzollerns or Hapsburgs or Romanoffs slunk away inNEW VOICES AND REVOLUTION. Ill terror from the back door of their palace, he strode imperiously through the front portal, mounted the grand staircase, sat in the king's seat in the banqueting-hall, and slept in the royal bed. He put the Iron Crown of Charlemain on his upstart brow and distributed half the sceptres of Europe among his vulgarian relatives — that was the reductio ad absurdum of that old pretense, the divine right of kings. He manufactured an aristocracy as "easily as he had organized an army, raising butchers' sons, taverners, and lawyers' clerks to principalities and dukedoms, and grafting them by marriage on the loftiest family trees. The Empire he founded fell, because he, too, lost his hold upon reality and came to make compacts with impostures; but the effect of his deeds remained. Such might of pure intellect has been applied to State affairs by no other man unless by Caesar. Astonished, you follow him through court to camp, and from camp to council, yet you have not seen his activity flag. He had time for framing codes and appointing a legion of officeholders; for building bridges and laying out roads; for scandal and amours; for reading the correspondence of numberless envoys; for deciding where a picture should be hung or a statue erected; for discussing antiquities with Denon and Champollion; for devising liveries for his lackeys and uniforms for his generals; for ridiculing his wife's dresses and his sister's manners. Nothing escaped his intellect, — it took in the most weighty business and the most trivial. In mental vigor he was a colossus, in moral character a dwarf: carnal and selfish as a man, yet imperial beyond all others as a conqueror. He did not create the Revolution, but he had the power, and he alone, to grasp the thunderbolts the Revolution had forged, and to hurl them as if he were Jove. He so identified that movement, which had been long maturing, with his personal fortunes, as to blind Europe for more112 THE DAWN OF ITALIAN INDEPENDENCE. than a generation to the irresistible principles behind him. She imagined that in crushing him she could crush the new world-order and restore the Past. Fame shone round him, as from a sun, lighting up all who came near him, were they friends or foes; a troop of lesser men — Wellington, Nelson, Bliicher, Schwarzenberg, Archduke Charles, Wittgenstein, Kutusoff — won enduring renown merely in resisting him. But Napoleon's great achievement was to discredit the Past. Force less Titanic than his could not have broken up the petrified crust of European society. He seemed to his contemporaries a destructive whirlwind; but after he had passed, they beheld the seeds of regeneration springing up in his track. Thus when Napoleon reconstructed Europe, Italy did not attain independence; she did not even get unity, for the master-carver cut her into several slices to feed his favorite dogs of war: nevertheless, she gained much. She woke from torpor to activity; she lived in the Present. Instead of being stranded like a rotting hulk, she was once more swept into the current of European destiny. The Napoleonic administration, though autocratic, was centuries in advance of that of Pope or Bourbon. The watchword of the new era, " La carriere ouverte aux talents," called for able officials; antiquated placemen were laid on the shelf. Civilians succeeded to ecclesiastics in every department of government. The Code Napoleon did away with mediaeval courts, recognized equality before the law, and promoted respect for justice. Incessant campaigns and the military conscription not only made the Italians fighters, — between 1796 and 1814, Italy furnished 360,000 soldiers to the imperial armies, — but also broke down provincial barriers and encouraged national spirit. It was something to fight for the Kingdom of Italy, though that kingdom had a foreign sovereign. The Lombard who marched side by side withNEW VOICES AND REVOLUTION. 113 the Romagnole or the Neapolitan felt that they came of the same kindred and had interests in common. Above all, Italy learned that her petty princes and even the Pope himself, whom they had regarded as necessary and incurable evils, could be ousted by a strong hand. Thus were the Italians rejuvenated by contact with the European Autocrat; thus did they store up some of tho strength and courage which are given out in days of stress and mighty undertakings. Perceiving that they could not act for themselves whilst Napoleon lived, they looked forward to his death as the signal for new changes, out of which they might pluck the fulfilment of their desire. And here we may close our retrospect of the growth of Italy. Henceforth we shall follow the Italians in their struggle to secure independence and unity by means of elements and against obstacles which many centuries had prepared for them. That struggle was all the harder because of the conflict among these elements and because the Past has had over no other European people so strong and paralyzing a hold as over the Italians. Institutions which at one era had been beneficial remained like the trunks of dead trees overgrown with living vines; how to cut down the dead and save the living was the task before Italy. In our retrospect we have seen how the Roman Empire grew languid in prosperity, then rotted in vice, and finally fell asunder; how the Teutonic invaders, having conquered, gradually mixed with the races of western Europe, and how, from the mingling, new races were born. We have seen the Bishop of Rome lift himself into the primacy of the Christian world and unite with Charlemain to organize society under a dual government; and how the Pope stealthily reached forth his hand and surely seized temporal power. We have glanced at Feu-114 THE DAWN OF ITALIAN INDEPENDENCE. dalism, the source of mediaeval and modern class distinctions ; we have surveyed the rise and overweening expansion of the priesthood, with its demoralizing asceticism, — whence came the divorce between conduct and profession ; we have noted the solidification of dogmas, — whence came the divorce between. reason and faith. We have seen a multitude of small republics spring into nervous life, toss and waste themselves in internecine feuds and local jealousies, and remember only their mutual spites when, exhausted, they succumbed to tyrants. We have seen Italy the prey of foreign invaders, — of Saracens, Franks, Normans, Germans, French, Spaniards, who robbed her treasure and stultified her people. We have seen her genius express itself in many forms: how Italy was the pioneer in commerce and industry; how letters revived through her enthusiasm; how Dante, greatest of her sons, broke the spell of antiquity; how, having formulated and maintained the religion of Christendom, she was the first to feel the liberating breath of the Renaissance, which carried to other lands principles by which the unique tyranny of that religion was destroyed. And just as the rest of the world was becoming more tolerant, we have seen the rivets of clericalism driven deeper into her soul, — Inquisitors burning her liberal thinkers at the stake, Jesuits repressing education and controlling government. We have seen her aristocracy slip down from magnificent licentiousness to brutality, and from brutality to the emasculate follies of Arcadia. Yet we. saw, too, that she put forth new branches from her aged stem, — Science, Music, the Drama, — and that each bore fruit. We have seen the dark shadows of Spain and Austria hanging like a pall over her land, and then Napoleonic clouds blown across her sky, still dark, but with fitful gleams breaking through the rifts. We have seen her debased by servitude to foreign conquerors, debased by the treachery of native tyrants, debased byNEW VOICES AND REVOLUTION. 115 the hypocrisy, worldliness, and superstition of her Church. And we have seen that from the time of Charlemain to the time of Napoleon, she was never mistress of herself, but always the victim of foreign rapacity. All this was her inheritance, when, at the beginning of the nineteenth century, she seriously resolved to be free. Like a beautiful woman under the spell of a mesmerist, she had so often sinned and been so often baffled in her efforts to recover her freedom, that she had begun to despair of her will-power: then Napoleon came and banished her Evil Genius for a time, and the fibres of her will tingled with new strength. Can she revive? Can a nation, like a man, turn from a career of shame and rise, not only above the effects, but also above the memory of evil ways ? To this question the following pages of this history will give in part an answer.BOOK SECOND. THE DOOM OF TYRANNY. Libert^, va cercando, che b si cara, Come sa chi per lei vita rifiuta. Dante, Purgatorio, i, 71, 72. CHAPTER I. the congress of vienna. In the month of March, 1815, the Congress of Vienna had been five months in session. After twenty years of warfare, the royalties and aristocracies of Europe were assembled to celebrate the return of pcace. So august a concourse had not been seen in modern times: two emperors, several kings, potentates by the dozen and diplomats by the score, with their retinues and their regiments, with women and with prelates, made boundless jubilee, and promised each other that the Old Regime thus happily restored should nevermore be disturbed. Revelry by night, endless chatter by day; monarchs amusing themselves with the dissipations of one of the naughtiest capitals of Europe; ministers inditing protocols and memoranda; courtly urbanity on the surface, reptilian intrigues and jealousies and hatreds in the depths; balls, masquerades, banquets, and hunting parties alternating with conferences and map-makings; princes, dames, milliners, pastry-cooks, and lackeys all toiling without truce in this carnival of gayety, — such was the mixture of business and play at Vienna during the winter of 1814-1815. For the Lion who had so longTHE CONGRESS OF VIENNA. 117 desolated Europe had been overpowered, and was now caged in Elba, wherefore the lesser beasts were met to carouse over his capture and to divide his booty. Reynard the Fox, his Excellency Prince Metternich, acted as master of ceremonies and distributor of spoils. But the proceedings were so slow, and so often interrupted by festivities, that one of the revelers, the cynical Prince de Ligne, declared that "/e Congres danse, mais ne marche pas," "the Congress dances, but does not advance." Nevertheless, by the beginning of March, the chief topics had been discussed,1 although the discussion had been so hot that there was immediate danger that the peacemakers would fall to fighting among themselves. Then, happily for them, news was brought that the Lion had escaped from his cage. On the morning of March 7 a servant brought a dispatch to Prince Metternich, who was still in bed. He saw the words, "Urgent, from the Consul General at Genoa," but being sleepy, he turned over for another nap. Unable to sleep, however, he reached for the envelope, broke the seal, and read, "The English Commissary, Campbell, has just appeared in the harbor, to inquire whether Napoleon has been seen in Genoa, as he has disappeared from the Island of Elba; this question being answered in the negative, the English ship has again put out to sea." Metternich rose at once. "I was dressed in a few minutes," he says, "and before eight o'clock I was with the Emperor. He read the dispatch, and said to me quietly and calmly, as he always did on great occasions: 'Napoleon seems to wish to play the adventurer: that is his concern; ours is to secure to the world that peace which he has disturbed for years. Go 1 The Congress had two sessions, namely, that of the Five Powers — Austria, Russia, Prussia, France, and England; and that of the Eight. Powers, in which, besides these five, Spain, Portugal, and Sweden took part. All the smaller States had also accredited representatives.118 THE DAWN OF ITALIAN INDEPENDENCE. without delay to the Emperor of Russia and the King of Prussia, and tell them that I am ready to order my army back to France. I do not doubt but that both monarchs will agree with me.' At a quarter past eight I was with the Emperor Alexander, who dismissed me with the same words as the Emperor Francis had used. At half past eight I received a similar declaration from the mouth of King Frederick William III. At nine o'clock I was at my house again, where I had directed the Field-Marshal Prince Schwarzenberg to meet me. At ten o'clock the ministers of the four Powers came at my request. At the same hour adjutants were already on their way in all directions, to order the armies to halt who were returning home. Thus war was decided on in less than an hour." 1 From this official report we learn that in cases of emergency imperial chancellors can make haste, and that august monarchs can dispense with the usual ambages of ceremonial. History records no other instance where two emperors and a king, in night-cap and ruffled night-gown, declared war in bed at eight o'clock in the morning. But the resolve thus promptly taken was prosecuted with vigor. And while the Allied Armies were driving Napoleon to bay, the diplomats at Vienna proceeded to finish their partition of spoils. On June 9, 1815, just nine days before Waterloo, the articles of the treaty were signed, the distribution was completed, and the Congress adjourned. The principle which guided the Congress was very simple. "We will ignore the Revolution and its results, and restore Europe to its condition previous to 1789," said the monarchs and their minions. But, as much had been destroyed which could not be replaced, and as the events of a quarter of a century had brought the various Powers into new relations, it was decided to make a fresh partition where restoration was impossible. One common in-1 Metternich : Memoirs (New York, 1881), i, 254-5.THE CONGRESS OF VIENNA. 119 terest, the need of exterminating the revolutionary spirit, bound the sovereigns together; after deferring to this, each grabbed as much for his private use as his neighbors would permit. The strongest took large slices; the weak, but not less greedy, snarled over the crumbs and morsels that remained. When it came to cutting up Italy, which had from time immemorial set forth a feast for foreign despots, there was much wrangling, much envy; but Metternich held the knife and carved to suit himself. After Napoleon's first abdication in 1814, most of the Italian States saw that their old rulers would return; but Murat still held the Kingdom of Naples and Beauharnais the Northern Kingdom. Now it was decided that Austria should annex Venetia, Milan, and Mantua, together with Istria and Dalmatiaon the eastern shore of the Adriatic.1 To the Archduke Francis of Este, an Austrian, were allotted the Duchies of Modena, Reggio, and Mirandola; the Archduchess Mary Beatrix of Este received the Duchy of Massa, the Principality of Carrara, and imperial fiefs in the Lunigiana.2 The King of Piedmont, who had lived in retreat on the island of Sardinia during the Napoleonic upheaval, had to cede a part of Savoy to the Canton of Geneva, for which he was compensated by the Republic of Genoa.3 The Genoese protested; they pointed to their long career of liberty and to their past glory; they begged to be allowed to preserve the independent government which Lord Bentinck had recently set up. Their envoy, Marquis Brignole, pleaded eloquently, but in vain; the Powers wished to make the King of Piedmont strong enough to resist possible French invasions, and accordingly, in January, 1815, he took possession of the Genoese.4 When it came to the question of Tuscany and Parma, the Spanish plenipotentiary Labrador and the French plenipotentiary Talleyrand fought hard for their 1 Treaty of Vienna, § 93. 2 Treaty, § 98. 3 Treaty, §§ 80, 85. 4 Flasaan: Histoire du Congres de Vienne (Paria, 1829), ii, 89.120 THE DAWN OF ITALIAN INDEPENDENCE. respective governments; but Metternich stopped their arguments by bluntly declaring that "the Tuscan matter is not an object of discussion, but of war."1 Archduke Ferdinand of Austria was therefore restored to Tuscany, with sovereignty over the Principality of Piombino, of which Prince Ludovisi Buoncompagni enjoyed the revenues; Maria Louisa, daughter of the Emperor of Austria, and wife of Napoleon, was given the Duchies of Parma, Pia-cenza, and Guastalla, the succession to be determined later.2 To the other Maria Louisa, Infanta of Spain, and her son Charles Louis, was offered the Principality of Lucca together with a perpetual annuity of 500,000 livres; an offer which she, who had once enjoyed the sounding title of Queen of Etruria, at first refused, but subsequently accepted. It was agreed that at the extinction of her line, Lucca should revert to the Grand Duke of Tuscany.3 Cardinal Consalvi urged that to the Pope be restored those possessions from which he had been driven. The Cardinal pleaded, "not from temporal motives, but for the maintenance of oaths taken by the Pontiff at his elevation, — oaths according to which he could alienate nothing from the domains of the Church, of which he was only the usufructuary." 4 The pious request was heard; the Pope was again temporal lord of the Marches, of Camerino and its dependencies, of Benevento and Ponte Corvo, — these two were embedded in Neapolitan territory, — and of the Legations, Ravenna, Bologna, Forli, and Ferrara. But he grumbled because Avignon and the Yenaissin in Southeastern France were taken from him, and because Austria, in order to complete her military frontier, insisted on keeping garrisons in Ferrara and Comacchio.6 Ferdinand IV, who, thanks to the English, had been able to hold Sicily whilst the French were in Naples, was restored to his realm on the 1 Flassan, ii, 106. 2 Treaty, §§ 99, 100. 8 Treaty, § 101. 4 Flassan, ii, 118. 5 Treaty, § 103.THE CONGRESS OF VIENNA. 121 mainland. Such were the provisions, so far as concerned Italy, of the treaty signed and sealed by the European spoils-distributors, "in the name of the Most Holy and Indivisible Trinity," at Vienna, June 9, 1815. Were the Italians satisfied? No. Had they been consulted? No. Did their dissatisfaction matter? No. That generous but deluded knight, Don Quixote, once mistook a flock of sheep for a hostile army; Metternich, the champion of the Old Regime, mistook the human populations of Europe for sheep. According to him, the Almighty was pleased to create a few privileged persons, to whom the earth and all that in it dwelt belonged. These few, with their families, their favorites and their priests, were of a different genus from the common herd of humanity. Like Shepherd-Kings, they drove their people to pasture, or to shearing, or to slaughter, without consulting them. We must confess that the people had too often, by their stupidity and compliance, justified monarchs in holding this unscientific view; but at last the unprivileged classes had, in the French Revolution, announced with sudden and unprecedented vehemence that they were bipeds and not quadrupeds, and that they, too, as sons of Adam, had human rights. Metternich and the European sovereigns regarded this assertion as proof that a strange madness had infected their sheep; and when the flocks began to run amuck at the heels of a colossal bell-wether, threatening the existence of sheep-dogs and shepherds, Metternich and his monarchs were amazed; but now, having bound the bell-wether, it was believed that the frenzy would soon subside, and that the sheep would graze as peaceably as before. During the period between 1815 and 1848 we shall often hear Metternich tell the peoples of Europe, "You are sheep," while the peoples endeavor to prove by every means in their power that they are men. To understand this conflict we must know the character122 THE DAWN OF ITALIAN INDEPENDENCE. and policy of Prince Metternich, who succeeded to the dictatorship of Europe that Napoleon lost at Waterloo. A system has rarely been so completely embodied in one man as was the revived Old Regime in Metternich, who, ruling by a few formulas, was himself a formula by whose help we can reduce to lowest terms the products of his time. Born of noble parents in 1773, in Rhineland, he studied for a while at Strasburg, ju^t after a young Corsican named Napoleon Bonaparte had left that University; he remembered with a certain pride that the same masters taught both of them fencing and mathematics. His studies were interrupted by social distractions into which his father's position at the Viennese Court got him an early admittance. When but seventeen years old he represented the Westphalian Bench at the coronation of Emperor Leopold at Frankfort, and two years later in the same capacity he saw Francis I crowned, and he led the ball with the beautiful Princess Louise of Mecklenburg, — afterwards Queen of Prussia and mother of William, first Emperor of Germany. Then he followed his father to Belgium, but the vrar disturbed his studies and he went to England, where he became acquainted with the leading politicians and inspected the mechanism of Parliament, which, he says, "was not without use in his subsequent career." Returning to Austria, he married the granddaughter of Kaunitz, that statesman who had been the adviser of Maria Theresa and the antagonist of Frederick the Great. On his own avowal, Metternich had no ambition to enter public life, for he measured his abilities and found them so modest that he preferred to devote himself to a gentlemanlike pursuit of science and letters. But Emperor Francis saw promising qualities in him, and bade him to be ready against duty's summons; to which the young courtier, despite his modesty, replied that he would. His first diplomatic mission was to the Congress of Rastadt, which ended abortively through no fault ofTHE CONGRESS OF VIENNA. 123 his; then, in 1801, he was appointed minister to Saxony, where he began to cultivate his peculiar powers. Dresden was one stage on the road to Berlin and St. Petersburg, and offered him rich opportunities for studying the intrigues of Prussian and Russian emissaries, and for acquainting himself with the new crop of European diplomatists. His strength lay in watching. Unimpassioned, observant, patient, he could wait, like Jason, while the dragon of the Revolution uncoiled its huge bulk before him, and then, where he saw a vital spot bared, there he plunged his sword. He knew his country's resources; he knew his adversary's preponderance; he had unfailing tact, unruffled suavity, and he risked nothing .by untimely rashness. His sojourn at Dresden brought no immediate victory to Austria's schemes, but it secured his promotion to the embassy at Berlin. There, too, his achievement was seemingly barren; since he was expected to bind the fickle resolution of a king who veered now, under the instigation of Haugwitz, towards France, and now, under the instigation of Hardenberg, towards Russia. War broke out: Napoleon crushed Russia and Austria at Aus-terlitz, and Prussia, in spite of Metternich's efforts, had so planned that, by her insincerity and indecision, she was sure of immunity whichever might win. Still, Metternich's efforts were not forgotten. Francis nominated him ambassador to St. Petersburg, when Napoleon, who had taken a fancy to the polished young diplomatist, requested that he should be sent to represent Austria at Paris. "I do not think it was a good inspiration of Napoleon's," he writes in his "Memoirs," "which called me to functions which gave me the opportunity of appreciating his excellences, but also the possibility of discovering the faults which at last led him to ruin, and freed Europe from the oppression under which it languished." 1 To Paris Metternich went, reluctantly, but not tim-1 Memoirs, 67.124 THE DAWN OF ITALIAN INDEPENDENCE. idly; knowing the difficulties which lay before the Austrian ambassador at the Court of Austria's recent conqueror, but resolved to improve this occasion for studying Napoleon, "the incarnation of the Revolution," in the hope of finding his vulnerable spot. If we are to believe Metternich's "Memoirs," we must believe that already in 1806 he regarded himself as destined to humble Napoleon, and that he foresaw much that came to pass; but those "Memoirs" were written years later, when retrospect could be dressed up as foresight, with the evident intent of magnifying the wisdom of their author.1 At the raw and gaudy Napoleonic Court he was a perfect specimen of eighteenth century aristocracy. In person not commanding yet pleasing, in manner elegant but not stiff, choosing to be deemed frivolous rather than earnest, too self-controlled to be surprised into petulance or anger, he soon shone as a star of the first magnitude in Napoleon's hastily-improvised social firmament. He did not forget that Napoleon was a parvenu, but with the tafet of a man of superior breeding, he took part in the pomp, and kept his derision to himself. He was affable and insinuating, but, when occasion demanded, he showed firmness as well as pliability. He announced at the outset to Napoleon that he was charged by Emperor Francis to promote friendly relations between Austria and France, but these relations, he said, "must not be confounded with submission." So he pursued his purpose, apparently intoxicated with court gayeties, but really scrutinizing Napoleon and his satellites, sounding the temper of the French people, investigating the resources of the Empire, and picking up what hints he could of the Emperor's intentions. A high-bred libertine, his liaisons with the women of the French Court — among others, with Caroline Murat, Napoleon's sister — served not only to gratify his vanity 1 Some specimens of Metternich's skill in editing may be found in Mal-teson's clear monograph: Life of Prince Metternich (Philadelphia, 18S8).THE CONGRESS OF VIENNA. 125 but also to put him in possession of secrets which he could not worm from the more wary men. In brief, he played finely the part of licensed eavesdropper which diplomacy dignified by the name of ambassador. All that he knew or surmised, he reported duly to Vienna; and perhaps it was from relying too much on his information that Austria declared war in 1809. Napoleon quickly brought Austria to terms at Wagram. "We have much to retrieve," said Francis to Metternich as they witnessed the losing battle. The Emperor's first step towards retrieval was to appoint Metternich Chief Minister of the Empire. The moment was indeed black. The past ten years had been strewn with the wrecks of ambitious but unsuccessful ministers. Thugut had been discredited at Marengo, Cobenzl at Austerlitz, Stadion at Wagram; the finances verged on bankruptcy; the army was beaten and discouraged; diplomatic relations with the other Powers which had coalesced against Napoleon were frayed. But Metternich assumed his new duties, unprejudiced by responsibility for the last disaster or for the ignominious peace. His policy was to restore as rapidly and secretly as he could the finances and the army, and to reach out for new combinations with Austria's former partners. Then came the proposition that Napoleon should marry Maria Louisa, the Emperor's daughter. Metternich, seeing that Austria had much to gain and little to lose, approved of it. If Napoleon should maintain his supremacy, a Napoleonic-Haps-burger dynasty might rule Europe for generations; if he should grow weak, the mere marriage-tie would not prevent Austria from seeking alliances with Napoleon's enemies. Moreover, Napoleon was intriguing to marry a Russian grand duchess, if Maria Louisa refused, and the union of France and Russia might be fatal to Austria. Therefore, Metternich approved, Francis consented, and the old House of Hapsburg was united to the upstart House of Bonaparte.126 THE DAWN OF ITALIAN INDEPENDENCE. Metternich hastened to Paris, ostensibly to escort Maria Louisa to her husband, —although he took a different route from hers, — but really to fathom the hidden plans in Napoleon's mind. He was thus occupied six months instead of six weeks, and was able on his return to Vienna to inform Francis that 1811 would be a year of outward peace, during which Napoleon might prepare for a campaign against Russia in 1812. Austria, he added, must arm and hold aloof, ready to take fortune by either hand. Thenceforward, Metternich played his role with consummate duplicity. He signed a treaty of alliance with Napoleon and equipped a corps of 30,000 for the right wing of the Grand Army; but at the same time he assured the Czar that Austria's feelings towards Russia were friendly, — and the Czar, believing that Metternich acted from compulsion rather than from preference, bore him no malice. When space and the elements achieved what half a dozen European coalitions had failed to achieve,—the destruction of Napoleon's army, — Metternich deemed the hour of Austria's deliverance near. He saw that Napoleon, though checked, was not yet crushed, that he would strain every sinew to retrieve in 1813 the prestige lost in 1812. Austria was still bound to France by treaty, but Metternich had no intention of respecting it. Increasing the strength of the Austrian army as quietly as possible, he announced that Austria's sole interest was to mediate between thfe belligerents. Napoleon, however, was suspicious and ordered his agent Otto to pin the slippery Chancellor to his obligations. But Metternich fooled Otto as easily as a juggler mystifies a child. Then Narbonne, a subtle diplomatist, was sent to Vienna, and he thrust so near the truth that Metternich was embarrassed. "Why was Austria arming? Oh, merely to be in the position where she could forcibly mediate, should her offices as peacemaker be rejected." Napoleon scented treachery, but heTHE CONGRESS OF VIENNA. 127 hoped to outstrip it. At Liitzen and Bautzen he whipped the Russians and Prussians. Then there was a brief pause, for victory had been as costly to him as defeat to his enemies. Metternich, having already secretly intimated to the Allies that he intended to join them, exclaimed, "The hour has struck;" but he still delayed to take the irrevocable step, because Austria still required a few weeks to complete her armament. Summoned to Dresden to confer with Napoleon, his one purpose there was to dissemble in order to gain time. The Emperor and Chancellor met at the former's quarters in the Mar-colini Garden. That interview is surely one of the most memorable set down in human annals. On the one hand, Napoleon, a lion at bay, representing in some fashion a world-system destined to revolutionize Europe; on the other hand, Metternich, a fox, representing a world-system which but recently seemed hopelessly stricken, and now seems on the point of resurrection, — these are the speakers in the dialogue. The Lion storms, threatens, coaxes: the Fox listens calmly, almost disdainfully, calculating the strength of the trap into which his foe must fall. It is an eight-hours' parley between the Present, still confident of its superiority, and the Past, unexpectedly come back to life and covetous of its former power. The Lion roars, but the Fox does not tremble: time was when the King of Beasts did not roar but did strike, and now sound and fury signify nothing. Napoleon leads Metternich into an inner room and shows him the map of Europe: Austria, he declares, shall have this compensation and that, if she but hold true to France; for France and Austria together may laugh at coalitions. Metternich is evasive, he promises nothing; he is already thinking how long it will take his army in Bohemia to march over to the allied camp. Napoleon appeals to the pride of the Hapsburgs: was it for nothing that he wedded128 THE DAWN OF ITALIAN INDEPENDENCE. the Austrian archduchess? Metternich replies that fam-ily considerations cannot interfere with his master's duty to his State. Napoleon in wrath flings his hat on the floor; Metternich, leaning imperturbably against a cabinet, does not condescend to pick it up; the Old Regime no longer fears the Revolution. From noon till night the fateful encounter lasts. Neither is deceived by his antagonist's ruses; each feels that there can be no league, no compromise between the systems they represent; each knows the other too well to hope to dupe him. At last they part, the irrevocable word still unsaid. Metternich lingers yet a few days at Dresden. They agree upon a conference to be held at Prague to discuss the terms of peace, — a pretense which neither means shall be more than a pretense; but it secures for Metternich the twenty days needed for his army in Bohemia, and for Napoleon time to replete the regiments decimated in the late battles. And so, with peace on their lips, but war in their hearts, Metternich finally quits Napoleon and Dresden. The Austrian Fox has counted the allied forces, they outnumber the French three to one; he is satisfied that the Old Regime can now overwhelm this terrific " incarnation of the Revolution." Napoleon, on his side, measures the full stature of his peril, but trusts that his genius and desperation may countervail the odds against him, and resolves to die fighting as a Lion should. The sham truce ends; beacon fires flash the news from peak to peak in Bohemia that Austria has declared war against Napoleon. The Allies press on Dresden and are hurled back by a Titanic effort. For a moment it seems that Napoleon may triumph. But he fails to pursue his advantage, his generals are worsted, and he falls back on Leipzig. There, in mid-battle, the Saxons desert him, the odds are too great, and he loses. Metternich has won. His tactics in this campaign may stand forever as a pattern of the methods of the old school of diplomacy.THE CONGRESS OF VIENNA. 129 With equal, cunning he managed the policy of the Allies during their first invasion of France. When the Prussians were too eager for vengeance, he checked them by exciting the jealousy of the Czar, and when the Czar was headstrong, he brought him to terms by threatening to withdraw the Austrian army from the Alliance. At the Congress of Vienna he was both chart-maker and pilot. He dictated his views at the session of the diplomats; he strutted with monarchs in the drawing-rooms; he dallied with duchesses in their boudoirs. When the greed of Prussia and Russia would have devoured prey which Austria, not less greedy but more circumspect, wished to keep from them, he formed a secret treaty with France and England and was prepared to resist the northern gluttons by arms. He so thwarted and badgered the Czar, that Alexander, in a passion, sent a second to him to demand an apology or a duel. What a spectacle that would have been, the Autocrat of all the Russias and the Chancellor of the Austrian State engaged in a duel, while all the monarchs and ministers of Europe looked on! Metternich would not apologize; he merely insinuated that the misunderstanding was due to the deafness of the Prussian minister, and Emperor Francis was able to patch up a reconciliation. For the sake of his liaison with Murat's wife, Metternich would have kept Murat on the throne of Naples, and his persistency in pressing this matter might have brought the Congress to blows, had not Murat, by untimely impetuosity, put himself beyond the pale of even Metternich's favor. Napoleon's escape from Elba caused the Powers to drop their quarrels, and to complete more harmoniously the division of their booty. Thus conniving, bullying, cajoling, neutralizing greed with greed, patient at waiting, quick at striking, Metternich presided over the deliberations of the Congress of Vienna, and wrote the treaty there proclaimed as the new charter of Europe. Waterloo swept from the scene the only rival whom he feared.130 THE DAWN OF ITALIAN INDEPENDENCE. Metternich's political creed was simple:.lie believed in absolute monarchy, privileged aristocracy, and a multitude of obedient subjects. It was for the interest of crown and court to treat these last well, to give them as sheep good pasturage and shelter; but if they were neglected, or abused, or even killed, there was no redress; no society for the prevention of cruelty to animals had as yet been organized. Metternich saw that the French Revolution attacked this social system,— that its promoters would have substituted representative for autocratic government; and he was shrewd enough to see that the rulers who would thus be chosen would rarely be those who owed their position to birth or privilege. If he perceived with equal clearness the rising spirit of nationality and its tendency, he acted as if unaware that it must be reckoned with. Yet this spirit had already given tremendous strength to France in her repulse of the first European coalition; it had been one of the secrets of Napoleon's success, in that he took care to identify his glory with that of the French people; it had been used by him to incite Italy, Poland, and Hungary, and then spurned when he thought it had served his purpose; it had kindled Prussia, nay all Germany, to such a fever of indignation that the Germans rose as one man in 1813 to throw off Napoleon's yoke. But Metternich ignored this principle, — at the most he laughed at it as a silly enthusiasm, an effervescence of political idealism, not to be encouraged. In reconstructing Europe, he attended only to dynastic interests. When it was necessary to cut a race into several slices, and to give these to different monarchs, he did so without scruple; for peace depended upon keeping, as nearly as possible, the equilibrium among the greeds of the various gluttons. His cardinal mistake was in supposing that by ridding Europe of Napoleon he had destroyed the Revolution. Napoleon was not the true embodiment of the Revolution; he was aTHE CONGRESS OF VIENNA. 131 despot who differed only in his genius and methods from the hereditary despots, — a man of force so herculean that he could bridle the vast energy liberated in 1789, and drive it along the road of his personal ambition. In thus confounding Napoleon's cause with that of the Revolution, Metternich made a blunder common to the politicians of his time, and often repeated by later historians, especially in England. In 1815 much contributed to justify this error. Europe was thoroughly exhausted; the wars of twenty years had been waged for ambition and not for principle; Europe now asked for peace at any terms. The Arch-disturber being finally crushed, Metternich proposed to restore the good old times when the Corsican Ogre and the Reign of Terror were as yet undreamt of, and the divine right of kings was as yet inviolate. To accomplish this, it was only necessary to prevent any of the legitimate sovereigns from getting more than his share of the plunder; and then to agree that the division should be irrevocable. There were five great monarchs and a score of princelings, each of whom, like the Do-nothing Kings of yore, had his Mayor of the Palace, or Chancellor, or Minister, to take counsel with and to be guided by. 16 is a strange fact that God should have intrusted the government of the world to a few sovereigns, but it is stranger that, this being His pleasure, He neglected to endow them with ability to govern. The humor of this paradox escaped the notice of mankind until very recently; the sovereigns themselves have not yet perceived it, and they are certain never to be enlightened by their masters, the Ministers. Metternich himself enjoyed too well the Teality of power to fret because a mediocrity wore the trappings of power. He valued things, not names. If his cynic eyes saw many absurdities, he repressed his smile and gravely performed them; for he knew that they too were essentials in the system from which his infiu-132 THE DAWN OF ITALIAN INDEPENDENCE. ence sprang. Dutifully he walked through his figure in the court quadrille, and stickled for the observance of the minutest punctilio. Perhaps he wished to believe that there was some occult virtue in these things themselves, — as a half-skeptic might wish to be benefited by-touching holy relics, — at any rate, he held them to be indispensable for maintaining that form of society in which he was supreme. His almanac plainly read 1815, but he covenanted with his wit to humor the oligarchy which believed itself living in 1770; so a physician humors the follies of his mildly insane patients. He had in Emperor Francis a perfect master, a sovereign with just enough force to seem to act of his own motion, but not keen enough to see that his thoughts and will merely echoed Metternich's suggestions. As an Athenian actor spoke through a mask in order that his voice might carry farther, so Metternich's utterances gained in volume and authority in passing through the Emperor's lips. Europe being thus at the disposal of a few monarchs and their counselors, diplomacy, — the art of ruling by chicane, — was brought to its highest pitch, and the control of Europe must needs pass to the diplomat who excelled in craft. A pretense of virtue was of course made; for even arrant villains do not publish themselves by that name, and in diplomacy as in other arts, perfection consists in hiding art. At the instigation of the Czar, the Emperor of Austria and the King of Prussia joined in forming at Paris (September 14, 1815) what is known as the Holy Alliance, a compact in which those three monarchs solemnly declare "that the present act has for its object to manifest in the face of the universe their immovable determination to take for the rule of their conduct, whether in the administration of their respective States, or in their political relations with any other government, only the precepts of this holy (Christian) religion, —precepts of justice, of charity, and of peace,THE CONGRESS OF VIENNA. 133 which, far from being applicable to private life alone, should on the contrary directly influence the resolutions of princes and guide their actions, as being the only means in order to consolidate human institutions and to remedy their imperfections." The tender-hearted mon-archs added that they would be as brothers to each other, and "as fathers of a family toward their subjects and armies."1 Metternich, the worldly-wise, smiled at this manifesto as "nothing more than a philanthropic aspiration clothed in a religious garb." He suspected that the evil-minded would misinterpret and that the jokers would ridicule it, but none knew better than he the flimsiness of diplomatic agreements, and accordingly he consented to it. Christianity has had many crimes committed in its name; the Holy Alliance made Christianity the cloak under which the kings of Europe conspired to perpetuate the helotage of their subjects. Metternich found it all the easier to direct kings whose common interest it was to uphold the paternal system therein approved. He exerted his influence over each of them separately; if the monarch were obdurate, he wheedled his minister; if the minister were wary, he prejudiced the monarch against him.2 Now by flattery, and now by specious argument, he won his advantage. When the Czar or the Prussian king grew restive at Austria's adroitly-concealed domination over them, Metternich frightened them by hinting that he had information of revolutionary plots about to explode in their realms. He made secret combinations between Austria and each of the Powers, so that, should one of them encroach, he could overwhelm it by an unexpected coalition. Like a trickster at cards, he marked every card in the pack and could always play the ace. He judged characters as he found them plastic or rigid in his 1 Flassan, iii. 2 Thus he tried to prejudice Alexander against Capo d1 Istria, and Frederick William against Stein.134 THE DAWN OF ITALIAN INDEPENDENCE. hands: George the Fourth was a noble prince and an uncorrupted gentleman; Castlereagh was a wise and just statesman; but Canning was a " maleficent meteor," Stein a dangerous visionary, and Capo d' Istria a fool. "Why-is it," he asks in a tone of condescending pity, "that so many fools are thoroughly good men?"1 He wrote in one vein to the king, in another to the king's adviser.2 He would find justification for his claims in some treaty or custom centuries old, or he would unblushingly ignore any clause of a treaty which he himself had signed.3 He cold the truth when he knew it would not be believed; he prevaricated when he intended his falsehood should pass for truth. This was diplomacy, these the "Christian precepts" by which one hundred and fifty millions of Europeans were governed. In a society where every one lies, falsehoods of equal cunning nullify each other. Metternich took care that his should excel in verisimilitude and in subtlety. It was an open battle of craft; but his craft was as superior to that of his competitors as a slow, undetectable poison is more often fatal than the hasty stab of a bravo. He fished both with hooks and nets: if one broke, the other held. The chief falsehood, still potent to deceive, was to persuade nations that their interests coincided with the ambitions of dynasties and cabinets. When the Czar quarrels with the Austrian emperor, for instance, he persuades his Russians that they have a personal grievance against the peoples of Austria; and an army of Muscovite peasants set forth to slaughter an army of Austrian peasants: a wonderful delusion, which kings and chancellors will profit by, until the populations of Europe rise above the level of sheep ! Metternich, who cared nothing for national sentiments, 1 Memoirs, iii, 304. 2 As in the case of Louis Philippe and Guizot; see Mazade : Un Chan-cellier