il Il ll | x< © a > SSS NO co Go oO We) VINIDYIA 4O ALIS | il 6SE6~C/700X wuLIBRARY OF THE UNIVERSITY OF VIRGINIA FROM THE ESTATE OF EMILY CLARK BALCH2 ' : 4 ry 5 3 BTHE LLANFEAR PATTERNThe LLANFEAR PATTERN By FRANCIS BIDDLE ra NEW YORK CHARLES SCRIBNER’S SONS 1927COPYRIGHT, 1927, BY CHARLES SCRIBNER’S SONS Printed in the United States of AmericaFOR EATHERINE WITH MY LOVECHAPTER Il. II. IV. VIL. Vill. XI. XII. XII. XIV. XV. XVI. XVII. CONTENTS THE GRAND Tour Low HILi THE GARDEN PARTY ACCEPTING THE SITUATION LITTLE DELANCEY PLACE DEAN & LLANFEAR PONDELLO Two WILIs. Tue NIGHT OF THE ASSEMBLY . AcTON’s AFFAIR WortTHY GENTLEWOMEN . MopERN NOTIONS . THe LLANFEARS UNITE DRIFTING ROMANCE NOBLESSE OBLIGE . OLD MartTIN AND OLD DEAN vil PAGE 16 25 37 48 59 70 88 96 108 11g 130 146 160 167 180 195CHAPTER XVIII. XIX. XXI. XXII. XXIII. XXIV. XXV. XXVI. POLITICIANS AND REFORMERS TRIUMPH OF DECENCY AFRAID OF LIFE Miss Letty CarEw ACTON’S PHILOSOPHY Tue LLANFEARS DINE Macic FREEDOM Cart DECIDES . CouNT BRACCHI CONTENTS CONTENTMENT . PAGE 209 224 233 =44 251 264. 275 289 308THE LLANFEAR PATTERNThe names and characters in this story are purely fictitious.THE LLANFEAR PATTERN CHAPTER 1 THE GRAND TOUR Cart LLANFEAR started on the grand tour late in the summer of 1904. His father had made the grand tour in 1879. Wit- ness the little leather-bound editions of Catullus and Ovid, finely printed at the end of the preceding cen- tury, picked up from the bouquimstes lining the left bank of the Seine, bits of old tapestry, a squat marble horse dug up near Ravenna. Carl took with him Childe Harold’s Pilgrimage, in the John Murray, 1832, edition, with the Finden engravings, and his father’s copy of Rogers’s Italy, a Poem, printed by Davison, Whitefriars, 1830. Carl liked nice books. The Italy had belonged to his grandfather, the sec- ond Dean Llanfear, who had perhaps bought it as a young man travelling with his father. For by that time the first Dean, the founder of the fortune if not of the family, must have already accumulated a sub- stantial wealth. He had profited with Stephen Girard ‘n the lucrative West Indian trade, and in 1814 had established the banking house of Llanfear & Company, which had since grown to such great proportions. His sons John and Dean had married well, and in- creased with the bank, living and dying in Philadel- phia. Dean begat the uncles (there were aunts, too), who were all living except Carl’s father, eight chil- dren in all, so that when the money was divided it was hardly more than enough to make them comfortable. I2 THE LLANFEAR PATTERN But John had only one child, Martin, now very old, very rich from a few careful years in the bank, very gouty and infirm from a long life devoted to the pleas- ures of the flesh. He had acquired and accumulated judiciously, a course approved by his numerous neph- ews and nieces, until, a few years ago, quite too con- firmed in his ways in their estimation to take such a step, he had married Sarah Brandt. That she was too obviously respectable did not compensate for the fact that her parents lived north of Market Street; but disapproval somewhat subsided when it was gen- erally understood that the old man was to pension her at his death and leave the bulk of his fortune to his own kith and kin. After all, it was Llanfear money -.. . Carl’s father had been different from the uncles. He had a quality of restless leadership which drove him continually and finally wore him out. “Too many ideas,’ Richard had remarked, about his younger brother. And the eldest uncle, Dean Llanfear, the banker, had assented. “Philadelphia doesn’t take to that sort of thing.” And the others had nodded their heads in approval. Yet Charles Llanfear had been orthodox, a sound churchman, an old-fashioned liberal Democrat, at a time when such views were still not unfashionable among gentlemen who could afford to entertain them. “That sort of thing,” they felt, was less definable, hinting at an uncomfortable revolt of spirit, a way he had of walking by himself... Carl met his mother in Paris. After the first week she said to him: “My dear boy, you don’t want to go on knocking about Paris with an old woman like me.”’ She was a comfortable, worldly, clever little womanTHE GRAND TOUR 3 of fifty-three. They got along very companionably for a few weeks at a time. ‘Remember, you’ve only a year to amuse yourself before you settle down to law. You can’t feel very free with me.” He smiled. ‘Free as air, mother. And I have been here a good deal before.” “That’s very sweet of you, Carl. But I think I'll leave you for a while.” “To sow some oats? It’s too hot, and I don’t fancy tourist oats.” It was part of her theory about her dead husband, projected as Carl knew to her son, that there was a provincial gravity in the Llanfear strain, not altogether becoming a gentleman. “They are rather awful. I think I'll go to Les Avants, or Montreux. You could get some climbing.” “Rather stay here, and loaf.” She looked hopeful. ‘And join me afterwards?” ‘Perfect, mother, after the oats.”’ But when he joined her in Florence in the winter, fresh from Rome, where he had never been before, his reticence was not of a kind that made her feel he was concealing anything. If only there was, occasionally, something to conceal! She didn’t want him to turn into a prig. But, after all, you couldn't change peo- ple. De gustibus. She shrugged pretty, complacent shoulders. One made the best of things. She was a comfortable, shrewd little woman, Frances Llanfear. They were at a quiet pension on the Via Biatrice. Mrs. Llanfear had a weakness for not exaggerated economies. “It is a matter,” she would say, “of keep- ing a sense of contrasts. It sharpens one, like good sauces. Americans pay only for the outside of things.4 THE LLANFEAR PATTERN The inside is usually cheaper, if you have a flair for it.”’ She admitted the flair, and padded the contrasts with the nicer luxuries of fruit and flowers, and a good bottle of wine now and then. And the inside of the Pension Rispotini needed a cer- tain amount of relief, especially if there was a man with you. Men took to pensions less easily than women. Too many women in the world, far too many in pensions. “You'll make the fourth man, Carl, and the only young one. There are the usual run of old maids, chiefly English, a solemn parson from Yorkshire, do- ing Florence; a nice old fat lazy French priest, who acquired some sort of legacy and has retired, appar- ently, into lay life; three or four very old women with the usual high collars, and huge headdresses. And the Bracchi. She’s the only American.” “Bracchi, Bracchi? . .. It sounds vaguely famil- fata “She was Amy Winterpod, one of the Salem Win- terpods, a little younger than I, though I do think she looks older. One daughter. She’s had a hard life, poor thing, knocking about cheap pensions. Everett Winterpod left really very little for a supposedly rich man, and there were scores of children.”’ “But Bracchi?” “Count Bracchi. A first-rate Roman name, in spite of the ‘Count.’ Your uncle Dean knew one of them who was in affairs. It’s a long history. I’ve heard some of it. It’s curious how people confide in me. And that flat-chested, pale-eyed little New England woman, talking, talking endlessly. She’s a lady in her own right, as your father used to say, but it all comes out. I suppose it’s the boarding houses. It startedTHE GRAND TOUR E almost immediately after they were married, and never stopped, till she finally left him for good. Hasn't stopped now, for that matter.” “But what started, what hasn’t stopped, mother? You always beat round the bush so.” How curiously like his father. “Chambermaids. In fact, any one at all, only the chambermaids seemed to predominate. An association of ideas, perhaps.’”’ She paused, but it was preferable to him to pretend obliqueness rather than appreciation. “And every one else for that matter, her friends, his friends. Now and then he’d run off with some one for a few weeks, but he always came back. I think he was fond of her.” “Why did she take him back?” “‘She’s a fool, so probably was then. And I think she was in love with him and still is.” “And the girl?” “Twenty-two or three. Looking for a husband.” And, after Carl had met Francesca Bracchi: “You didn’t,” he said to his mother, ‘‘tell me how extraordi- narily beautiful she is—but a warm beauty, superb.” “There were so many other things to talk about,” she answered him with a smile. Gosh, when mother tries to look inscrutable, thought Carl. Yet inscrutable, he felt, was a word which suited Francesca Bracchi. She had the mystery and elusive rareness of beauty, something withdrawn behind the richness of color flushing back into the olive of her skin. Only the eyes were out of keeping, pale blue like her mother’s. Her contemporaries thought Fran- cesca stiff, too self-contained; older people found her good-mannered.THE LLANFEAR PATTERN She knew Florence well, and talked about it. They went to the Pitti, Uffizi, and Bargello together, climbed the hills above S. Miniato for a supper under the stars, picnicked at Fiesole and Vallombrosa. “T hate the idea of leaving it all,” he said to her. “Do you? Sometimes I grow very tired of living over here.” “Tired of Florence?” “Of Florence, of Italy . . . You’ve been here only two weeks.”’ “Divine weeks . . . But where would you like to live?” “Tn America. You wouldn’t want to stay away al- ways.” “But I’m an American.” “So am I,” she said with spirit. “You're half Italian.” “I’m altogether American in feeling. And I’ve never even been there!” “P’m afraid it’s not half as nice as you imagine.” She looked at him gravely. ‘Don’t I seem like an American girl?” He considered. ‘Not like any I’ve ever known.” “How am I different?” “Oh, I couldn’t put it into words. It’s subtler. You feel more deeply, for one thing. You're sadder.” “How did you know that?” ‘Perhaps because you've let go with me, a little.” She smiled. “I like you, Carl.” She wondered if she were letting go too fast. Looks didn’t help you much if you never had a chance to use them. That callow professor’s son on his long vaca- tion to acquire Italian culture. And she had almostTHE GRAND TOUR 7 thought of him as a chance! Carl Llanfear was ob- viously a gentleman. Obviously a gentleman against the background of the Pension Rispotini. Odious place! The old ladies with high collars under the blue-white hair, who never appeared till dinner, asked you where you had been and what you had been doing. The Yorkshire parson wanted to talk art; the fat oily priest sought to be gal- lant in a middle-aged patronizing fashion. And her mother was always there, watching her, waiting for her, brooding over her as she always brooded, so that she wanted to scream with the strain of it. No way of getting away from it, nowhere to be alone. “After all,” Carl said, sitting at night by her side on a stone bench near the river, “they do make escape rather pleasant.” “Ghastly crew. I don’t see how mother puts up with it.” “You revolt a good deal?” ‘Well, wouldn’t you? I can hardly remember any- thing else.”’ “But your mother can. She’s got a lot of pluck, I think. You can see it by her face.” “She’s simply splendid.” Lot he knew about her mother! “It’s the talk I hate so, Carl. You can never call your soul your own. They have nothing to do, no homes of their own. Or if they have they’re prob- ably bored with them, bored and tired with everything, fussing about, always imagining things, and gossip- ing, and sticking their noses into other people’s affairs. If you take a walk with a man they smirk at you and tell each other you’re engaged, or something. It’s so common.”THE LLANFEAR PATTERN “You’re quite vehement, Francesca. Why worry about a lot of old fools?” She turned on him almost passionately. “If you knew, if you knew what I’d been through you’d un- derstand. It’s always been that. No life of my own, no freedom, no companions of my own age. And al- ways inuendoes and hints about father ... I sup- pose they think he’s a sort of public character. The Count Bracchi! But it doesn’t give them a right to say, to say . . . Forgive me. I don’t often talk this way.” “You never have to me. But why shouldn’t you?” She had her eyes on the ground, a handkerchief be- tween nervous hands. “Because you couldn’t under- stand, and it’s horrid to talk about one’s troubles.” “But I can understand.” He took her hand. It was cold and trembling, but answered the pressure of his fingers. “IT suppose,” she murmured, “it’s the moon that makes me a little wild.” She smiled up at him: “And being with a man under a hundred.” She didn’t talk much about herself. Only common people did that. Fortunately, he hadn’t resented it, hadn’t drawn into himself, the way well-bred people often did. It was all right to give an impression of sadness. But you musn’t rub it in. Men preferred to talk about themselves. She wanted to know more about Carl. And Carl found it easy to talk to her. “IT suppose I'll join the firm when I get back to Phil- adelphia. Dean & Llanfear. Uncle Morris is the head. And there’s Uncle Richard—he’s very religious—and Mr. Brackway, who’s also an uncle, married Aunt Susan. I had a chance to go to New York when ITHE GRAND TOUR 9 left the Harvard Law School. Big office. Of course they only take the honor men.” “Were you an honor man?” “Yes. I did pretty well at the Law School.” “How wonderful!” “Well, I worked hard. Not like college. College is really an awful waste of time, Francesca.” “Why is it?” “Just clubs and that sort of thing. Of course I did some reading.” “Literature?” “Oh, no. Economics, philosophy . . ae “Oh ... But why don’t you want to go to New York?” “I can’t entirely explain. It’s an instinct that I ought to go home. Father died when I was little. I can hardly remember him—a familiar gesture, the way he had of using his hands when he talked. He used to get excited . . . He was a lawyer, too. But he must have been rather unusual. He was keen about a good many things. Tremendous enthusiasm . . . I’ve heard from mother and Uncle Morris. Other people, too. Father must have left an impression. Wanted to reform things, change them. Philadelphia’s pretty corrupt, you know.” “Tsn’t that true of all American cities?” “Tn a way. But Philadelphia doesn’t seem to mind. Father thought if you could get enough people to take hold, enough young men, you could change it all. This doesn’t bore you?” “On the contrary, I find it intensely interesting.” “T feel like talking to you, somehow. I'd like to take a crack at politics.”IO THE LLANFEAR PATTERN “You might be mayor or governor.” “I wasn’t thinking of that, exactly... Only to clean up the place. It’s such a run-down old city, and they just graft all the time.” A dazzling life, she felt, lying awake at night, going over the things he had said. He was rich and free and already successful. And to her conscious mind, alive to the romance which was such a necessary decoration to reality, she admitted that she was in love with Carl, a little shyly, a little hesitantly, not without excite- ment, as became a girl of twenty-two. While below the surface of the gentle admissions her will, definite and obstinate, fixed on the determination that he should marry her. They had been picnicking, on an early day of April, on a wide meadow below Settignano, had lunched laz- ily under a group of chestnut trees, and he lay on his side, his head propped on an elbow, contentedly watch- ing the smoke curl up from he: cigarette. They were silent for a while. “It’s time to go, I suppose,” she said. “I can’t bear to go back.” “Don’t go—Francesca—not yet.” She glanced down at him, threw away the cigarette. They were silent again. Carl could not speak. He had not known, till now . . . How glorious she was, sitting there, beautiful beyond words, so beautiful he wanted to cry. She stood up, brushed out her skirt, and turned to look at the city glimmering below them in the valley. “Francesca!’”” He was on his feet and had her in his arms before she could turn. He kissed her full onTHE GRAND TOUR II the lips, held her close to him, kissed her again, long and passionately. She trembled, touching his strange face with her hands. Had she kissed him back? She kissed his lips, strange lips... “My darling,” he sobbed, “my darling!’ And as they were nearing the outskirts of Florence: ‘When shall I tell mother?” she asked him. “Your mother? Whenever you want, of course.” They were engaged, it was wonderful! She and her lover . . . But that first Kissy’ It hadn’t been what she had expected. There was something terrible about a kiss The Countess Bracchi burst into tears when her daughter told her. “But why cry, mother? Don’t you like Car “Tt isn’t that; not that . . . It’s the end of every- thing . . . I can't explain... It’s the shock, I sup- pose. You couldn't understand.” “You always say that, mother. It’s not the end of everything for me, it’s the beginning. I don't see why you should cry because I’m happy.” “You haven’t often seen me cry... The very thing I’d longed for most, achieved—exactly right, the very kind of man I'd have chosen for you—everything. I know the Llanfears—they’re solid. And I dreaded so a foreigner. But the achievement is an end. And if the skimping was a bit—mean, at least it was for you. There won't be any one to plan for now. That makes me feel a little hysterical.” “Nonsense, mother. You'll be much better off, freer to enjoy yourself a little. You’ve had a hard life.” For a moment they felt an emotional sympathy rare between them. And the Countess, looking up at her ee12 THE LLANFEAR PATTERN daughter’s face from her chair, ventured, a little un- certainly : “You won’t—you won’t be hard with him?” “Hard, mother ?” “You have a way, sometimes, when you're dis- pleased, of getting hard . . . turning in . . . So that one can’t reach you. It makes people not want to reach you.” Poor mother. She had had to pull back when her mother began to nag. But that was all over. “T couldn’t be hard with Carl, mother.” “You don’t know yet. It isn’t only with me. I’ve watched you with others.” And then Francesca heard her mother say a most surprising thing. “I sometimes think I was hard with your father.” That was as far as Amy Bracchi could go, particu- larly with her daughter. When Bracchi had come back to her after his escapades she had always cried in his arms while he comforted her as if forgiving. He had no sense of shame. Perhaps that was why he had to go to other women. She could not altogether surren- der herself to those strange pagan ways he had with her, that attracted and shocked her, till she trembled with a sense of violation of her inner personality, which she could never keep from his passionate domination. Mrs. Charles Llanfear listened to Carl’s announce- ment philosophically. It was not what she would have chosen, the daughter of an impecunious Italian, with a worldly look in her eye, which meant business in spite of that peach-bloom complexion. Poor Carl! He’d had so few love-affairs; perhaps none. It was like a girl’s marrying the year she came out. Frances Llanfear disapproved of early marriages. Carl was an attrac-THE GRAND TOUR 13 tive boy, but so undeveloped. And she had hoped he was having a flirtation with this sensuous looking creature. But the blood was good. The Bracchi oats might counterbalance the Llanfear lilies. A coat of arms, lilies couchant with oats rampant. “You can have the Little DeLancey Place house, Carl. I think I’ll go to Nice for the winter. And you should start your married life alone.” “Tt’s a nice little house,” she said later to Francesca, “and not too hard to take care of. I’m sorry I shan’t be there to open it for you. That'll be rather a chore. Philadelphia dirt is ubiquitous, and it’s been closed for nearly three years. Don't let Carl help you. He'll fuss himself into despair. They all do when it comes to house-cleaning.” Francesca thought Carl’s mother very wise. She was so practical, so helpful. The two ladies spent much time together over household details and domestic ar- rangements. They got on very well. Mrs. Llanfear liked Francesca. But Carl was difficult. You couldn’t tell. “Dexter’s 15th Street store for cakes. You had bet- ter get your poultry and game at Garty’s on 2oth, it'll be near you. I should buy your beef at Margerum’s at the Reading Market. Bradley's is better for pork and mutton. Fish is difficult. You'll have to market for that and pick out your shad.” There was a good deal of emphasis on food. Mrs. Llanfear knew about food. “Curtains? You'll not need fresh ones except per- haps in the drawing-room. I prefer Darlington for muslin, Shepherd for linen. You can get Mrs. Kelly’s second daughter to come in for a day’s sewing. It would almost pay you to have a dress made by Mrs.14 THE LLANFEAR PATTERN Kelly. You'd have all the gossip in a couple of fittings. Two dresses would make you feel like an old-timer.” “What’s it like?” “Philadelphia? Very pleasant.’’ “I feel terrified. Carl’s family sound as if they were vast and powerful.” “H'm. Yes, in a parochial way. They have a good deal of breeding, and a not unpleasant way of living. You have to conform to get along, as you do every- where else for that matter. I prefer to conform in Europe.” She spread out her small, neat, plump hands, turn- ing an emerald ring. “My sister-in-law, Mrs. Brackway, is always having rows and people don’t like her. But most of them are easy, a little dull, very loyal to their own kind. Like every one else. But of course the family counts. It’s a good name, my child.” “Oh, I know, Mrs. Llanfear.” “Yes . . . Morris has a tendency to spoil Carl. He has no children, and he was inordinately devoted to my husband. Old Dean, the banker, has the most influ- ence. You must like him. I sometimes think Carl is a little restless, poor chap. But perhaps when he’s married to you . . . And Ellis for cabs. Don’t get them at Broad Street.” “Broad Street ?” “That's the terminal of the Pennsylvania Railroad. It’s a very important railroad. Almost every one in Philadelphia is connected with it one way or another.” “How funny. I never heard of it.” ‘Never, my dear, let a Philadelphian hear you say that . . . And you’ll have my furnace man, Joseph. An old-fashioned darky, not like these impudent mod-THE GRAND TOUR 15 ern negroes . . . Don’t let the dirt get on your nerves, it’s endless. And don’t be too particular when you be- gin housekeeping. It isn’t worth it.”’ “But I’m so anxious to make Carl comfortable, to have things nice.”’ “Of course. You can’t overdo a man’s comfort. But that’s not quite the same, is it, as having things nice ?”’ Carl had made up his mind. It might be rather awful, but it had to be done. “Cesca, have you spoken to your mother about liv- ing with us?” “Living with us!” abit Ethoncht., 2.” “Carl, you don’t know mother. She’d drive you crazy in no time.”’ She saw him wince, could have bit- ten her tongue off for her mistake. “Carl, don’t mis- understand me. In the first place, mother wouldn't consider it. It wouldn’t do.” “T thought she’d knocked about a good deal and that you wouldn’t want to be away from her. That is, from what you said.” “Carl, please! Don’t look so solemn.” She nestled to him, touching his face with her long fingers. “I meant, dear, that I couldn’t bear any one else to share this.” She kissed him, kissed his mouth till nothing remained in his mind but the consciousness of her flesh, the perfume of her body, agony of longing, agony of waiting...GHAPTER, IE LOW HILL To Morris Llanfear, looking up at the quiet irregu- lar face of his country house at Chestnut Hill, on an August afternoon, all was right with his particular world. A small world, if you like, for such a large city as Philadelphia, which was spreading everywhere, reaching into the country, west along the river, west and northwest into a new network of suburbs. He sniffed at the word. A man could live in the country without being a suburbanite. A small world, but a tight little place, holding its grip pretty tight back into that definite past of leisure and gentle living. It was changing, of course; but not very fast. He was not one, like his older brother Dean, the banker, to set his face_against all change. But the good things took time to accumulate, and the accompanying sense of time to make them enjoyable. Of course when his father, Dean Llanfear, had been alive there had been fewer vulgarians elbowing their way in. But the people you knew still controlled most of the things that counted, and they did pretty much what his father had done, lived in the same roomy houses, drank very decent wine, knew good horses and rode them, read Shake- speare and Dickens and Mr. Thackeray, behaved like gentlemen .. . If only Carl would like it! And the thought of Carl’s arrival gave him a twinge of happiness, fol- lowed by his habitual Llanfear impulse to suppress emotion. After a year of travelling Carl was coming 16LOW HILL 17 home, bringing an Italian bride. He had evidently de- cided to live in Philadelphia. Well, if he wanted to _. You must let a boy choose his own way. Dean was always trying to force people the way he wanted them to go. But Carl might get fed up on it here. That would depend on the girl. No, not entirely. Carl was a bit of a rebel, as his father had been, perhaps as he, Morris, might have been if his brother had lived. Cer- tainly in that case it hadn’t depended on Carl’s mother. She wonderfully was not a rebel. Yet Charles had been happy while his health lasted, breaking his lances, not all of them either, against windmills which Morris had long ago accepted—as windmills. He looked at his watch, spoke again to Patrick about having the station wagon ready in plenty of time, picked a few dried seed pods from the rhododendron in front of the house, and joined his wife, who lay com- fortably in a long chair on the front lawn reading The Eustace Diamonds. ‘Where are you?” he asked her. She put down the book. She looked slim and cool and lazily elegant in her white muslin frock with the big puffy sleeves. Jane Llanfear grew quieter, increased her natural repose when hurry or activity threatened. “Mr. Dove’s discussion of paraphernalia. Would you like to read to me?” “T can’t sit still .. . Do you think she'll like us, Jane?” “T don’t see how she can help it.” “But we won’t know what to do with her. I wish he hadn’t married a foreigner.” “Oh, she’ll fit in. Every one fits in at Low Hill.” “T don’t see how you can take it so casually.” “What do you want me to do? Everything's ready18 THE LLANFEAR PATTERN for them. Do go away and let me read. It’s the very best part of the book.” A half hour later, as the grays trotted up the short avenue of maples which lined the entrance to Low Hill, she stood on the front porch, thinking how straight her husband sat as he drove, in his crash suit, and wondered if Carl had changed . . . till in a moment she felt his arms about her, felt herself lifted from the steps, as Carl had always lifted her when he came home, her heart torn for an instant away from its safe mooring, till she remembered, as she always re- membered on such occasions, that after all he was not hers. “This is Francesca,” Carl said. His aunt stooped down and kissed her on both cheeks. “Welcome to Low Hill,” she said. And then, as Francesca looked up without answering: ‘“You must be tired. Boat and train, and now a drive behind the grays.” “T’m not tired,” said Francesca. “But hungry, I hope,” cried Morris, coming up be- hind her, ‘‘for tea will be ready as soon as you are. Here, Shafto”—this to an ancient colored butler who was bowing in the doorway—“‘stop those gyrations and lend a hand with the bags. Carl, Shafto’s getting fat- ter and lazier every day. Patrick, try the six three for the trunks, they may be on that. Now, my dear,” and with a hand on Francesca’s shoulder he led her into the house. They had tea on the lawn under the four old tulip poplars, in front of the house. From there the smooth grass sloped down to the road, which lay out of sightLOW HILL 19 below a stone wall, almost hidden with ivy and cle- matis, and emerged beyond to climb the hill. Low Hill had been built by the second Dean Llanfear in the fif- ties, as his country house, before the railroad had reached Chestnut Hill. Morris, when he had inherited it from his father, had given up his house in town, and lived there all the year, adding to it as his convenience dictated. Originally it had been a large square stone house with front and back porches which had given way to white columns, Morris’s idea of the Virginia Colonial to which his wife had been accustomed. The four poplars were large trees when his father had built the house, and he had added maples and beech, mag- nolia and catalpa, sweet gum and oak. The trees were scattered on the lawn without much plan, but behind the house Morris had cleared them, so that you could look through the box and rose garden, over the rows of corn and tomatoes and lima beans, to the White Marsh Valley three miles below. Virginia creeper and wistaria covered the house, softening and unifying its uncertain lines and angles. Jane Llanfear sat behind the wicker table, under the trees on the lawn, pouring tea, straight, slim, and gra- cious. Shafto, old and white, with a shuffling activity, moved in and out between the chairs. “A little more buttered toast, Miss? . . . Some more tea, Mr. Carl? ... Yes, Madame .. . Try this chocolate cake, Mr. Morris.”’ Shadows crept up the lawn. The wind was quieter now, came in little puffs, springing up with a fine energy for a moment, to turn suddenly gentle in the pervading peace of the later afternoon. “That will do, Shafto,”’ said Morris Llanfear, “we'll20 THE LLANFEAR PATTERN get along very nicely now, thank you. You had better see to the unpacking of Mr. Carl’s things.” And, after the old darky had limped out of sight, “He’s getting to be an awful nuisance, Carl. He hangs over us as if we couldn’t feed ourselves. He’s too old to do much work, so redoubles his energy in ministrations.” “Has he been with you very long?” asked Fran- cesca. “Your Aunt Jane brought him with her from Char- lottesville when we were married. And he’d been with Mr. Beverley for many years then. I can’t remember when he didn’t look old.” “His name sounds familiar,’ said Francesca, “but I can’t place it.” cant VOU” Bobby Shafto’s gone to sea, Silver buckles on his knee, He'll come back and marry me, Pretty Bobby Shafto. hummed Mrs. Llanfear. “Mother Goose. But how in the world did he ac- quire the name?” “Tt was long before my time, but the story runs that when he was a little pickaninny on father’s plantation he was fond of helping look after the children, and used to sing to them. ‘Bobby Shafto’ was the song they liked best and asked oftenest for. So the name stuck.”’ “But didn’t he have any name of his own?” asked Francesca. Mrs. Llanfear smiled, and looked at her niece for a moment before answering, remembering that herLOW HILL 21 mother had been a Winterpod from Salem, Massa- chusetts. ‘“‘No, my dear, most of them weren’t named, but chose names for themselves as they grew to understanding. You see they weren’t handicapped in their choice by having any family names to select from.” Carl and his uncle laughed and Francesca smiled, after a moment, as if she had decided to join in their amusement. Extraordinarily lovely, thought Morris, as he watched her, sitting quietly in her travelling suit of brown duvetyne with silver Dutch buttons, a little black straw hat and silk veil of mauve turning to pur- ple at the edges, brown silk stockings and very neat brown shoes, foreign-looking shoes, long and narrow. Her hands lay in her lap, brown hands, well shaped. But her repose was not like Jane’s, he thought, an ex- pression of her serene nature, but self-imposed, self- controlled, like her speech. Very romantic looking, strikingly an Italian, except perhaps for her eyes. The shadows swelled in deeper pools around the feet of the trees, the sunlight grew softer and lingered, the wind played with a few prematurely fallen leaves, hesi- tated, dropped. Carl lay on his back, watching the birds, watching the gardener leading in two cows to be milked from a meadow below them, looking now and then at Francesca, wondering what she thought of it, whether she felt or shared his happiness. It was some- times hard to tell what Francesca thought. Deep waters run still. Carl’s heart went out to her, with a sudden half-shy longing, mixed with the pride of her beauty . . . He looked across the lawn to the dip of the road below, back to the trees about them, to the house, and across the corner of the vegetable garden22 THE LLANFEAR PATTERN behind the house, with the old barn and stables below, which he could just see from where they sat. “Gosh, it’s certainly great to be home,” he said. “Aunt Jane, you look prettier than ever.” She acknowledged this with the play of an imaginary fan, inclining towards him. Jane Llanfear liked com- pliments, feeling that they were a part of good man- ners. ‘Your approval carries a pleasant implication. But, Francesca, do you like your husband’s making eyes at ladies even if they are old and relatives by mar- riage?” “T think he shows very good taste,” Francesca said. It was her way to pause a moment before she answered a question. Carl laughed, jumped up, and kissed her. She wished he wouldn’t kiss her in that funny, sudden way, and couldn’t understand why he had laughed. She must ask him when they were alone. “Tt must be nice to be pretty and thin,” Carl contin- ued. ‘‘Aunt Susan’s awful fat. She gets excited at table and forgets to avoid the flesh-pots. I think she can talk faster when she’s eating. She hates to do only one thing at a time.” “By the way, Carl, Olga’s staying with us. I’m afraid she’s not well. She seems forlorn. You must be nice to her.” “Olga? Of course I’ll be nice to her, though Ger- ald’s her pet. I’ll go and see her now.” He jumped up. ‘Come along, Francesca. You'll like Olga. She’s always been with us.” They found her unpacking Carl’s things. “Olga, this is my lady.”’ “Oh, Mr. Carl. . .’ She was sniffling, trying to see through her dimmed glasses. “How do you do, Mrs. Carl. How is Mrs. Llanfear?’’LOW HILL 23 “How do you do, Miss—’” “Schlumberg. But you must call me just Olga, like Carl. He was my baby. But he’s grown.” Her lips formed a smile. Sentimental, thought Francesca. I don’t like her fussing with my things, to see if I’m properly fitted out. “You never told me about her,” she said to Carl as they went downstairs. “T never thought of her, even! Isn’t it awful the way we forget them, when they're not there. But I really love Olga.’ Morris Llanfear and his wife were waiting for them a few minutes before eight in the high ceilinged, white panelled library. “Isn’t she a darling!” Morris said. “T think so,’’ answered his wife. ‘What do you mean? You're not sure? She’s cer- tainly handsome enough.” He was longing for her approval. “Beautiful. She’s very quiet.” “Shy, merely. It’s an awful job to face the family- in-law.” His wife considered. ‘No, I don’t think she’s shy.” “Well, then, just wonderfully self-controlled. You can see by her face how much feeling she Hasan “T’m not sure.”’ ‘What room did you give them?” “T Jet Francesca choose. There wasn’t much differ- ence except that there were two beds in the front room. She chose the two beds.”THE LLANFEAR PATTERN 3 “T must say, on their honeymoon... “Sh! here they come.” “What are your plans, Carl?” “You mean about work, sir? I'd like to join you at the office, if you still want me.” “Want you! But when you went abroad you were thinking of New York.” “Oh! that—I really didn’t hesitate, especially after I was engaged. Of course, in a way it was tempting. But now that I’m married I’d be a fool to throw away everything I have here. I want to live, not just exist . . . Lhere are things I want to do.” He contem- plated his cigar. “Things father would have wanted . . . There’s so much to be done. I can hardly wait to been: :).°<” He looked so eager, so alert, so young! If only, thought Morris, watching the boy, if only the place doesn’t get him. And then, as if to console himself against that doubt: “I think Francesca’s lovely,” he said.CHAPTER III THE GARDEN PARTY LATE in September the Morris Llanfears gave a gar- den party in honor of the bride and groom. Every one was invited and every one came to see the bride. A perfect day for a garden party . . . Carriages driv- ing in from Jenkintown, from the Main Line, from Penllyn. Patrick at the horses’ heads, Shafto beam- ing, pointing the way to refreshments. A trickle of ladies in wide Leghorn hats and parasols . . . Rem- brandt Llanfear, the only unmarried uncle, immacu- late in blue serge, white waistcoat, white spats, a gar- denia—bowing to kiss Francesca’s hand. She liked that, a courtly gesture. Suddenly the house overflow- ing, the clatter of talk and laughter rising to a cres- cendo as they discovered the punch . . . Juleps in the library, tea in the drawing-room, on the lawn long white tables piled with food. Such food—you could trust Augustin & Baptiste—sugar-cured hams, savory chicken croquettes, panned oysters, cold salmon, com- plicated decorated salads, rusk rolls and crescents, vast slabs of ice cream. A serious matter, in Philadelphia, this business of eating . . And Llanfears everywhere, solid, well groomed, ubiquitous. There was a strong family look about them, the long, slightly meaningless nose, the eyes set close together, contemptuous or indulgent, depending on what they were regarding. A great many unmar- ried Llanfear ladies, of all ages, with youthful but 2526 THE LLANFEAR PATTERN lady-like impulses, constantly kissing each other . They kissed Francesca, and asked her how she liked being of the family. All the uncles and aunts were there except the Dean Llanfears. They were still at Bar Harbor. Miss Lydia Llanfear, the youngest aunt, was a woman by occupation, affecting youth—she was not over forty- eight—and a rather dashing cheerfulness. “But you must call me by my first name,” she said to Francesca. “But all my nephews and nieces do.” She sat at the tea table, a fluffy little high-colored woman in black velvet, a knotted ribbon around her throat, a cameo brooch, amethyst beads dangling in the tea cups. She played with the amethysts. “Carl’s such a dear. You must come to Pondello soon.’’ She looked a little dreamy, moved from the beginning of a sigh to a smile. Mrs. Brackway was a very different woman from her sister Lydia. She was a huge, dominating, irre- pressible matron, who sailed down on Francesca under nodding feathered headgear. “Hello, Jane,” she rumbled. ‘Well, Francesca, how are you? I'll kiss you, but don’t kiss me, I don't like it. Carl, you look pretty well. When are you going to get to work? . . . Morris, I want to talk to you about something when you get a chance . . . Carl as queer as ever? I hope you're not queer, Francesca. I don’t like queer people. Letty’s enough for one fam- ily. I understand you’re going to have my sister-in- law’s DeLancey Place house for the winter. It’s pretty cramped, but I daresay you can manage. I think Fran- ces might have come home to get you started, but she leads her own life. If you need anything come to me .. . Julius, can’t you see you’re blocking the line?” ,THE GARDEN PARTY 27 Mr. Brackway, with a look of being buttoned up too tight, dodged behind his wife, as if he were play- ing hide-and-go-seek with her, trying to get at Fran- cesca. He was not at his best at garden parties. He hated the “Julius,” which Susan had insisted on drag- ging out. Every one but his wife called him Williams ; J. Williams sounded business-like. That was one of the penalties of marrying a Llanfear, of marrying Susan .. “Julius!” He hurried after the nodding plumes. The Richard Llanfears drove over from Penilyn. He held Francesca’s hand in his for a wavering mo- ment, as if he were going to perform some sacrificial rite over her. “T hope you and Carl will go to St. Peter’s. We have three family pews there. They're seldom full.” He sighed doubtfully. “P’m so glad Carl’s going to be in your office,”’ said Francesca. He looked at her mournfully. “Yes,” he said, “I hope he’ll like it.” “Of course he will.” ‘Do you think so? We need an energetic young man. I had hoped that my son Dean would be a law- yer. But he preferred to go with his Uncle Dean, the banker, my brother. It’s a very old bank,’ he added, as if that made his son’s preference pardonable. “You and Carl must dine with your aunt and me some night, and meet some of your cousins.” Young Dean, who was at the bank, came over from the Main Line with his wife, who was the grand- daughter of that enormously rich old matriarch, Mrs.28 THE LLANFEAR PATTERN Algernon Henderson Roth. He was a solemn, spruce, unimaginative little snob, a boyish timidity hiding be- hind his stiff reserve. They kept together, apart from the gushing cousins and hearty old ladies, looking out of place away from the Main Line, trying to look exclusive. Mrs. Martin Llanfear, never permitted to forget that she was Sarah Brandt, who had lived north of Market Street, drove out from town in high state, fortifying her shrinking from these oppressive family gatherings by a new set of liveries. “Martin was not well enough to come. He sent his respects.’’ Carl wondered what he really had sent .. . “He seldom goes out. Just a drive in the Park now and then. His gout won’t permit any social life.” “But it must be hot in town in the summer.” “Yes, rather . . . Martin says he’s never comfort- able anywhere else . . . Martin and I would like to send you a little wedding present, just a little token, you know, something personal. Do you like Caldwell’s, Francesca? They have some lovely new platinum set- tings.” She slid away, panting, hoping no one could hear her pant, wondering if her hat was too gay for the Llanfear taste . Morris Llanfear gave his arm to Francesca. “Let’s get out of this mob. You can at least move on the lawn. Tired? . .. What a pretty dress... Here comes Miss Letty. Her father, DeLancey Llan- fear, was my father’s first cousin. She’s queer. There are not many queer Llanfears, I wish there were more. We’re too commonplace. I like Letty. There’s a friendly innocence about her.”THE GARDEN PARTY 29 Miss Letty was tall and thin and angular. She walked towards them with great strides, grasping in one hand an enormous black cotton umbrella as if it had been an alpinestock, the other arm swinging free. A rusty black silk dress, a white straw hat, like a man’s, perched crookedly on the back of her head, a bright- red goose’s feather protruding from it at an uncertain angle. “Hullo, Morris.” “Hullo, Letty. Here’s the bride.” “How do you do, my dear.” She stooped down to pull at a sagging stocking. And suddenly straighten- ing: “Are you warm?” “Oh, quite comfortable,” said Francesca. ‘Not that, my child. I mean in your heart.” “T hope so.” “H’m. Brides should be warm. You've married one of the nice ones. Morris and I and Gerald—he’s my great-nephew, the black sheep of the family, of course he’s not here, he’s never where he ought to be —and Carl, and Sidney Morrisoun are nice Llanfears. Dean and Susan Brackway and that little Dean, and Earnest Falcon, Gerald’s father, are not nice. There’s Earnest now, keeping an eye on me as usual. The nice ones don’t care anything about money; the others don’t care about anything else . . . Hullo, Earnest. Come and speak to your new cousin. Francesca, this is my nephew, the most sweet-tempered man in town.” Earnest Falcon offered a limp hand and jaundiced eye first to Francesca, then to Morris. “How are you, Earnest?” “Pretty rotten, thank you. I got away for just two weeks in all this beastly heat. Lillian has been30 THE LLANFEAR PATTERN with Blanche at Narragansett, but I can’t stand that fellow Perview, so I took a room at the Club.” “Earnest,” said his wife, “you oughn’t to talk that way about Jim! Francesca will get the wrong im- pression.” “Of him or of me?” He scowled at his wife. “You haven’t met my son-in-law, Mrs. Llanfear? Ghastly performance, meeting all these relations of Carl’s . . .” “Oh, I like it, Mr. Falcon. Philadelphians are so wonderfully hospitable.” He grunted. ‘Damned hole. Come along, Lillian, let’s get away.” “You're bilious, Earnest, as usual,’ said Miss Letty. And added, to his retreating back: ““You see, my dear, I can be as rude to my nephew Earnest as I like. He’s my heir-at-law, and expects to inherit my money, so he can’t answer back. Not that I’ve got anything to leave.” She was fumbling in a petticoat pocket, and finally tugged out a package wrapped in white tissue paper and blue ribbon. “One of father’s books, with his name in it... I thought you'd prefer it to something bought in the shops.’ She handed it to Francesca. “You could al- ways exchange it for another if you don’t like it. It’s rather appropriate. Good-by.”’ She was off, striding across the lawn, clutching her skirts with the free hand, as if the search for the book had disturbed some con- trolling arrangement which could not be hastily re- adjusted. They looked at the book. ‘The Happy Marriage,” by the Rev. C. P. Stickington, Harper’s, 1840; and on the fly leaf: “To my dear wife, Letitia Llanfear, fromTHE GARDEN PARTY 31 her affectionate husband, DeLancey Llanfear, May, 1841.” “That was the year Letty was born,’ ’ said Morris. Francesca was enthusiastically greeted by Billy Trush, Carl’s room-mate in college, and Nancy, his wife. “Gosh, it’s good to see you again, Carl,” cried Billy, with his high, emphatic enthusiasm. Nancy kissed Francesca . . . There didn’t seem to be much to Say. “It’s great you’re home at last, Carly “You must come right over and see us at St. Mar- tin’s,” said Nancy. “Ves,” said Carl, “we'd love to.” It irritated him not to be able to say anything more to Billy. They were such old friends. Billy worked up to a crisis, and left you there, planted. “Prospering, Billy?” “You bet lam! Everything going wonderfully.” “T think Francesca will like it here,” Nancy ven- tured. They both beamed at her, and patted her. “She’s a peach, Carl.” Billy left him with that, to punctuate everything, tie it tight, as he might have said. Good old Billy . . . Damn Billy! And then there was Carew Acton. You didn’t no- tice Mrs. Acton much. He always made her look older. Perhaps that was why she was a little apolo- getic. Francesca noticed him. His arms were too long. But that added to his look of physical power ; otherwise beautifully proportioned. It was more than physical power, she thought, an insistent and challeng- ing force behind his good-looks, something rugged and32 THE LLANFEAR PATTERN a little brutal, an impudent egotism, a cool appraisal of you as he looked at your face... . “T hope you'll come to Longmead,”’ said Mrs. Acton. “Tt’s not very far out—Rosemont. We’re not coming to town this year. I love the country in the winter, don’t you? . . . But you haven’t met Miss Dolbeare, my cousin... Miss Dolbeare is a famous horse- woman.” They passed along. “Who is he, Carl? He’s very handsome.” “Curly Acton? Dresses well, doesn’t he? His father was a Pennsylvania Railroad contractor. One of the great fortunes of the reconstruction days. Curly’s got all kinds of nerve. He’s rather disreputa- ble, but I like him.” “Disreputable ?”’ “Ladies . . . Or at least one lady. The one who was with him.” “You mean that Miss Dolbeare? How horrid... But Carl, I didn’t know they did that sort of thing here.” “What sort of thing?” “Carl, you’re disgusting . . . You know what I mean. In America, in one’s own set. . .” He considered, smiling. “Damned if I know. Curly seems to get away with it . . . There’s Ellen Thrall. She’s put her hair up. Judge Thrall is Uncle Morris’s oldest friend. They live on the other side of German- town Avenue. Ellen, you’re staying for supper, aren’t you?” A good many stayed for supper. Mrs. Rapport was there with her two daughters. She was fifteen yearsTHE GARDEN PARTY 33 older than her sister, Carl’s mother, a rosy-cheeked plump old lady in flowing black silks. Where Frances Llanfear was comfortable, her sister was benevolent. Mrs. Rapport was genial and kindly, less shrewd and more witty than Mrs. Llanfear. She loved laughter and all the things that created laughter, which gave a broad and hearty outline to her personality. She was not averse to a good story because it was improper, and thought that women should not be excluded from coarseness, which had its place in life. She was an easy-going mother, and her two daughters were untidy and unmarried. Molly was thirty-six, Grace thirty- one. Molly still clung to the idea of marriage for Grace. Men liked Grace. If she would only do some- thing to her hair and buy a new hat . . . Molly was sentimental, Grace more like her aunt, with a tough resistance to life. They were both great readers, great talkers, radical, the Llanfears said; active rather than busy; fond of children, companionable, honest. Morris Llanfear stood over a chafing-dish adding red pepper to sputtering lamb kidneys. Molly Rapport, very expert at salad dressing, stirred lettuce, tomatoes, hard-boiled eggs, and a little onion in a vast bowl, with a wooden fork and spoon. Anne Frew made tea at the other end of the table. She was Carl’s second cousin, his favorite cousin, Francesca remembered. Carl was always talking about Anne Frew . . . Clinton Frew, her husband, in riding breeches and homespun jacket, stood by the fireplace, smoking cigarettes, watching the preparations. He was a pale little man, shorter than his wife, not ill-looking, nondescript, at home every- where, very popular, beginning to be a successful bond salesman. “For the love of heaven, hurry,” he cried. “I’m34 THE LLANFEAR PATTERN famished. Haven’t had a bite since lunch, and not much then.” “No wonder,’ nine o'clock.” “Cousin Morris, those kidneys must be finished. They smell rapturous.” “Why don’t you get some cold ham,” said Carl, “till they’re ready?” “Here,” said Anne, and she gave him a thick slice of bread and butter, ‘that will hold you for a while.” They drew around the table, sitting at random, help- ing themselves to food, every one talking at once. “I’m going to sit next to you, Francesca,” said Anne, seating herself. ‘‘Here’s something to eat. Did you enjoy it all to-day, or was it too hard work?” “Well, I liked it quite well, only I never saw so many Llanfears in my life. I had no idea there were so many.” Anne laughed. “I’m one, too. There are a good many.” “But how long do you stay a Llanfear? I thought you were a Jones.” “My dear,” answered Mrs. Rapport, from across the table, “if you have a single drop of Llanfear blood in you you disclaim any other. It’s like Southern blood. You never hear any one proclaim proudly ‘I’m a Middle- Westerner,’ but if you have a great-grandmother who happened to be from the South, it doesn’t matter if all your other ancestors on both sides were from Pitts- burgh, you say with an aristocratic air ‘I’m a South- erner.’ Same with Llanfear.”’ “Awful responsibility,” murmured Francesca. “Quite the contrary. Once you’re in the family you , said Anne, glancing up, “it’s nearlyTHE GARDEN PARTY 35 can do anything you want. Would Miss Letty be at large anywhere but in Philadelphia, or here if she had a different name?” “Sure,” said Carl, “in Boston, she’d be married to her first cousin and be having first cousins once re- moved for children.” They laughed. ‘Well, Curly Acton isn’t a Llanfear, and he certainly does what he wants, and every one ac- cepts the situation,” suggested Grace Rapport. “T don’t think there is any ‘situation,’ as you call it,” said Frew, his mouth full of kidney. “Oh, Clinton! What an innocent you are! Belle Dolbeare has been Curly Acton’s mistress for ten years.” “Ts he the good-looking one,” asked Francesca, “who came with two ladies?” “A very good description, Francesca,” said Jane Llanfear. “I must say it puzzles me. Mary Acton has, as Grace said, accepted the situation, and apparently the world has followed her. But why? We couldn't all do it. Gerald’s young and unmarried, two circum- stances which should mitigate. But he’s always in hot water, and every one seems to be down on him.” “Now, Cousin Jane,” said Anne, “I won’t have any- thing said against Gerald. He’s a particular pet of mine.” “Mine, too,” said Carl. “Well, of course, I’m fond of Gerald, but he does go rather far,” said Frew. “Oh! pooh!” said his wife. “You don’t go half far enough. Give me a cigarette, and don’t say anything more about Gerald. You can’t understand him. Ger- ald and I,” she continued to Francesca, “and Carl were brought up together, and I think of Gerald and Carl36 THE LLANFEAR PATTERN like brothers. That’s why I couldn’t bear it if you didn’t grow fond of me.” Francesca and Carl went up early. Carl sat watch- ing her, as she did her hair before the mirror. He had not yet got used to that rite, still a strange mystery. Her hair was not long, but it was very thick, and fell in straight masses behind her chair. “Do you like them, Cesca? I mean Anne and Clin- ton and Molly and Grace.’ “T’m sure I will. You must give me time. I don’t make friends quickly, you know.” As she rose he took her in his arms. “Please, Carl, I’m tired.” He drew away, surprised. “Can’t I kiss you, dar- ling?” “Of course, but not like that when I’m tired.”CHAPTER IV ACCEPTING THE SITUATION Mary Acton had indeed accepted the situation, as Grace Rapport put it, for so many years that she had almost managed to persuade herself, as she had per- suuaded so many others, like Clinton Frew, who had grown up after the fact was accomplished, that indeed there was no situation to accept. If Belle Dolbeare had been less charming or less poor, had not been a Dolbeare, and through her mother, a near cousin, Mary Acton might have had fewer reasons for acquiescing in a relationship which she first spoke of lightly as “Curly’s flirtation,” and then, as passing time made such a description less apposite, “my husband’s friend- ship for Belle.”’ Belle’s mother had died when she was three. She was brought up on her father’s stock farm in the Green Spring Valley, ten miles out of Baltimore, and at seventeen, after spending her childhood and adolescence in an atmosphere of horses, grooms, mint juleps, debts, and the somewhat lurid good fellows who were her father’s companions at the race tracks, was inducted into that particular wing of fashionable so- ciety which was known locally as the “brass band.” When her father died, two years later, leaving more debts than the horses could pay, Belle had changed but little. She had not been spoiled, but she had certainly not been improved. She cried for a week, for like her father she had a soft heart; but having also like him an optimistic nature, when her cousin Mary Acton 3738 THE LLANFEAR PATTERN suggested she should spend the winter with her in Philadelphia, she dried her eyes, kissed her favorite hunter on his silky nose, and joined her cousins at Rosemont. At the end of six months she announced that she was going to work. “But what in the world at?” exclaimed Mary. “Well, I can ride a bit and my hands are rather de- cent. I think I could give riding lessons.” Mary was shocked. “I don’t think you ought, Belle, not for money at least.” Belle laughed. She had a deep gurgling laugh, like a man’s, which suited her long, rangy figure, and quiet gray eyes. “T’ve got to make money, because Curly is going to back me, and he doesn’t like investments that don’t pay.” “Oh, well,” said Mary, nettled, “if it’s all arranged.” Belle felt sorry for Mary, as she always did when Mary felt sorry for herself. But she couldn’t very well tell Mary why it had all been arranged without her being consulted. Curly had begun to make love to her. It hadn’t mattered at first, she was used to men’s making love to her, and she didn’t grudge her cousin a few kisses now and then. But lately the kisses had been of a nature not altogether cousinly. She had be- gun to be not indifferent to them, and somewhere the half-developed conscience of a child stirred, and she knew she must go. When she was on her own it would be different. She resisted Acton for a year. He was very much in love with her in those days. “But what’s the idea, Belle?” he said one day. “You do care for me, you can’t deny it.”ACCEPTING THE SITUATION 39 She looked at him quietly. It was hard for her not to tell him the truth, and she didn’t deny it. “I wanted to pay you back first,’ she answered slowly. “I don’t know. It was just an idea. It won't take long. The School’s paying awfully well, and I’ve put away something. Don’t laugh at me. I thought I would feel freer then. They couldn’t think it was for the money.”’ “But every one thinks we’re lovers now. We might as well be.” She considered this. “I suppose you’re right,” she said. She knew what she was doing, never drifting. Ii she seldom opened a book, and thought little except about her horses, and her friends, and Carew, she had an understanding of people, and knew that he was selfish and hard, and would make her suffer. Without sexual morals, without much conscience, but not with- out a philosophy for herself—to play the game, but to play it like a sportsman; not to give pain where she could help it; and, below any framed idea of con- duct, a deep instinct for realism, which made it as im- possible for her as a child to deny her feelings, and no less impossible for her to justify her actions, even to herself. She thought of Mary, of her children; she thought of Acton and herself, wanting him with all her being, moderately sensual, deeply in love, conscious, in her surrender, that she was giving herself away completely, giving him the chance to wound her, and that he would wound her as long as she loved him. The three had dined together on the night of the garden party, and Mary, pleading a headache, had gone to her room soon after dinner, leaving her hus-40 THE LLANFEAR PATTERN band and Belle in a corner of the great drawing-room at Longmead, the Actons’ house at Rosemont. Belle lay comfortably on a sofa, propped with pillows, watch- ing Acton through the smoke of her cigarette. Her figure in repose looked well-knit and strong beneath the white lawn dress which she had changed into before dinner, and she had an air of content with the moment which suited her slow movements, and slow slightly harsh voice. Acton sat near her in an armchair, puff- ing at a cigar. ““Mary’s not herself to-night,” she said, “and I don’t wonder. You were very irritating, C’rew.” “She must be pretty well used to it.” “Used to what, C’rew?”’ “Why, to living with me. It’s always irritating to have your cake and not be able to eat it.” “Not to Mary. If she could have her cake she would be content to let some one else eat it. But you won't let her have anything. Why can’t you be decent to her?” “Oh, I don’t know . . . what’s the use? She gets awfully on my nerves.” Belle studied him. “Does every one get on your nerves?” He got up, threw away his cigar, and came over to her, hands in his pockets. ‘‘Belle, it’s not you, or Mary, or any one in particular—it’s life, a damned dreary bit of business. What is there that’s worth while in it? Days to get through, and always this game of playing affection, playing politeness. It’s all such humbug.” “T don’t know,” she said. “What does it give you? Trailing about with Mary and me, trying to make both ends meet, trying to make the best of it, to hold up appearances, keeping up withACCEPTING THE SITUATION AI friends that bore you, being decent to me, and putting up with my rotten temper and fits of depression. You’ve a wretched life, Belle.” She considered this. “I don’t know, life’s rather sweet, I think. I’m happy when you are. And even when you’re not,” she added. “Of course, I’m un- happy about Mary.” Oh. Mary... “T’m fond of her, C’rew. No, you needn’t sneer. And I believe that she’s fond of me, and gets decent moments now and then because of me. I’m a safety- valve for you. I don’t believe she'd want to change. You know you are rather a pig, C’rew.” “What else can you be, if you live in a sty?” “I think you’d be happier if you thought now and then about some one else.”’ “Oh, well, if you’re going to lecture me.” She smiled lazily at him. “Not I. Id rather have my pig than not have him.” He laughed, a little harshly. “You are a good sort, old Belle.’ He walked to a small table, poured him- self out a whiskey and soda. “Have a drink ?”’ “No, thanks, dear.” “By the way, Belle, what do you think of Carl’s wife?” “I think she’s lovely.” ‘Ts that alle “Well, isn’t that enough? I take people for—granted rather I suppose. That doesn’t satisfy you.” “No, it irritates me.” “C’rew, you are in a bad humor to-night. What’s the matter?” “Don’t let’s talk about me; let’s stick to Carl’s wife. What else do you think about her?”42 THE LLANFEAR PATTERN “But, C’rew, I didn’t say a word to her. How should I know?” “At least one forms an impression.” “Yes, one forms an impression.” “Well?” “My impressions stay inside till I have something to go on.” “Well, she’s a bride, and every one says right off what they think of a bride. You usually do about any one. Besides, there is something to go on.” “Carl, you mean.” “Of course I don’t mean Carl. I mean her father.” “What about him?” “The Count Bracchi, my dear, had a very dashing reputation. You must have heard some of the on dits. There were so many of them. He was, I am given to understand, what is called a ladies’ man. He’s been separated from his wife for years, a Salem girl, who stuck to him till she couldn’t put up with his peccadil- loes any longer.”’ “Then,” said Belle, with her slow, quiet smile, “I think Francesca takes after her mother, the Salem girl.” “I bet she doesn’t, not with that full-blooded look of hers. Do you think she looks like a New Eng- lander ?” “I think she looks like a lady.” “A lady? You look like a lady.” She sat up quickly, a slow color suffusing her throat and face. “C’rew!” “Oh, I didn’t mean anything, Belle,’ he said, touch- ing her hand. She answered standing up, the color faded, quiet and self-contained. She had learned control in herACCEPTING THE SITUATION 43 years with Acton. “C’rew, I’m off to bed. You're in a rotten spoiled mood to-night, and I’m not going to stay with you to let you spill it on me. Something’s upset you more than usual.” “Belle, don’t go to bed, it’s early, and you will be going to town to-morrow. I want to talk about things. I don’t want to be alone.” “About things . . . about Francesca Llanfear, for instance?” His lips tightened. “Yes, about Francesca Llan- fear, for instance.” She was standing, her arms at her sides, watching him. “You want me to tell you whether I think you can make love to her.’ She turned it over, delib- erately. He laughed. “You do know me pretty well, my dear.”’ “Would you like to, Crew?” And, as he didn’t an- swer—‘“Oh, I see. You'd like to know first if you could, and then you’d decide whether you'd like to or not.” He flushed. “Belle, that isn’t fair, I’m not like that.” “You don’t like not to get what you want.” “But I don’t stop wanting because I can’t get ity. 4l don’t think I want anything particularly.” “Because you’ve had everything already. But I don’t think you'll get Francesca Llanfear.”’ “You assume a good deal—but if I did want hee ca” “T don’t think that would make much difference to her “Because of Carl?” “No, not because of Carl.”44 THE LLANFEAR PATTERN “Because of me, then?” There was an almost im- perceptible tremble in his voice. She noticed it, and put her two hands on his shoul- ders. “Look here, C’rew, try to believe me. You im- agine that every pretty woman who is desirable lives in an atmosphere of temptation which becomes almost in- tolerable when you walk in. It isn’t true. They like you to look at them indecently because you have looks of your own, and a show of power behind them, and they like the flair of your evil reputation. But most of them want a good deal more than a passage at arms with Carew Acton. They have an obstinate inclina- tion for happiness. I don’t know what Francesca’s kind is, but I imagine that her position would count a good deal to her; and I don’t believe she’s a head-over- heels kind. I don’t think you’d have a chance. And, C’rew’’—she smiled in a way she had when she said something disagreeable—“I think you’re a dirty swine to think or talk that way about Carl’s wife.” He backed away from her. “Belle, I'll bet you any- thing you want that I can make that girl care for me.” For a moment Belle was tempted to take him up. Betting was among the many things she found it diffi- cult to resist. But as she looked at him the situa- tion struck her as so extraordinary, that he should of- fer her such a wager, so completely unconscious of what he was doing, that she threw back her head and laughed her full-throated laughter. “Carew Acton,” she said, ‘‘you are an extraordinary person!” And she bade him good night. Acton stood looking down into the empty fireplace, his arms crossed, one foot on the low brass rail which ran around the hearth, staring at nothing, smiling a lit- tle. Belle was getting moody, he thought, she hadACCEPTING THE SITUATION 45 shown signs of it during the summer, while they had been abroad. Why couldn’t she have stayed up a lit- tle longer, to talk to him, when he wanted to talk? She was trying to dominate him the way they all tried. Mary had, at first. But that hadn’t lasted. He laughed to himself, thinking of Mary’s efforts. He liked Belle, but she mustn’t get the upper hand. Women were no good when they tried that sort of thing, lost their charm, became silly or faddish. He wondered if Francesca was like that. Not silly, but obstinate per- haps, obstinate to a point, to the point when she was in love, and then perhaps she would be silly. Queer things, women. The butler came in to close the shutters, asked if anything more were required, wavered a moment, in- tending to ask for an afternoon off the next day, hesi- tated from the glimpse he caught of his master’s un- propitious profile, muttered a “good night, sir,” to which there was no response, and withdrew. Acton looked at his watch. Ten o'clock. He couldn’t sleep for an hour. Why did every one go to bed so early? He picked a book up from the table. The Queen's Quair. That was Mary, she liked that semi-historical slop. What could he find to read? He wandered about the room, looking through the book- shelves. Edith Wharton, James, that new fellow, Wells, rather a clever blackguard . . . Bret Harte, Kipling. He pulled out Soldiers Three and sat down. Good stuff, Ortheris and Mulvaney, and the big one, what was his name? But into the Taking of Lung- tungpen drifted Francesca’s face, dark and eager and young, emerging from the casual surface contacts, now that he was alone, tempting his desire, which endowed the memory with a sensuous responsiveness46 THE LLANFEAR PATTERN out of his own mood. He threw the book down, lit a cigar, and began to pace the room, Once he paused, poured himself a drink, looked at it, put it down, and went on walking. How stuffy it was, they never aired the place properly. He must speak to Mary about it. Christ, what a life! Mary Acton, lying quietly in the immense bed, an uncut French novel on the counterpane, thought of Belle. Presently, when her mind was tired of circling the well-worn paths, she would cut the pages, and try to escape for a while. Belle was going to-morrow. It would make it harder, it always did. Belle had been gentle when she had come in to say good night, but she could not be persuaded to stay any longer. She was really hard underneath, Belle, in spite of her warm ways. It wouldn’t have hurt her to stay on a few days, while Carew was in this mood. During the summer when they were abroad together there were times when Mary’s old hatred of Belle had flared up when she and Carew did things Mary was not strong enough to do, like the climb from Pied de Mul- lera up to the Saas Fée. But she had come to depend too much on Belle to help her with Carew for the mood to last. She couldn’t love Belle, although she had tried hard in the early days, like the true Chris- tian that she imagined herself to be, sustained by the picture of a wife chaste and suffering, forgiving, hum- ble, offering her other cheek, never complaining, pray- ing. If only Carew would be nice now and then! Absorbed continually with the thought of her sacri- fice, it never occurred to her that it was made to se- cure her position and Carew’s money. And her moods of sentimental melancholy had become dear to her, ex-ACCEPTING THE SITUATION 47 cept now and then, as on this still and sleepless night of the early autumn, when perhaps by some crueller gesture on her husband’s part, or greater tenderness from his mistress, her poor little dried-up heart felt for a moment a gasp of loneliness and dim revolt. Belle Dolbeare, plaiting her long brown hair before the mirror of her dressing-table, with strong steady fingers, tried to remember Francesca’s face. But she could only bring back her own impression of the girl’s beauty. In the ten years of their intimacy Curly had left her now and then for other women. She counted them; not many, considering his restless tem- perament and idle days. He was cut out for work, and it was no wonder that money and idleness had well- nigh spoiled him. But the women had usually been of another social class, and they never held him long. She was a little puzzled about Francesca. She must get to know her. She hated the idea of fighting to hold him, but at the thought that she might lose him she grew sick and panicky. She would make the fight if she had to’% 2; She glanced without interest at the books on the reading-table by her bed, turned out the lights, and in five minutes was sleeping, as she always slept, soundly and without dreams. FP,CHAPTER V LITTLE DELANCEY PLACE Tuey moved to Little DeLancey Place early in No- vember. It came out below DeLancey Place, between 21st and 22d Streets, lay sleepily on the edge of the residential district, thrust an irregular slatternly arm to the river, straggling down to the tracks along the east bank. DeLancey Place had a charming, uneven character. To the east it dropped the “‘ittle,” and became more solid and fashionable, fell back into stables in the next square, bloomed again, dwindled, skipped the centre of the city, and reappeared as Clin- ton Street, between roth and 8th, with charming old houses, still reminiscent of roses and wistaria, and the leisurely life of fashion which had once clustered about the Delaware River. Francesca, warned by her mother-in-law, was pre- pared to find the house dirty. But such dirt! It drifted through every crack, roughening surfaces, eating into corners, blowing in particles of soft coal dust from the Baltimore and Ohio tracks along the Schuylkill River, from the coal barges, from the abattoirs and steel mills along the banks; rising in eddying whirls of dried horse manure and dust, which the municipal revolving broom occasionally swept from the centre of the street to the gutter and sidewalk. The more you scrubbed, the faster it seemed to gather. And in moments of dis- couragement she saw herself forever fighting it, hold- 48LITTLE DELANCEY PLACE 49 ing it back, as the dykes held the water in Holland, to keep it from engulfing her. It became to her the symbol of something careless and slip-shod about the city. She hated that loose, dis- ordered way of living. She had seen too much of it abroad. No tidiness, no exact and certain order; shabby, that was it, shabby and weak. Probably down- at-the-heel Southern influence. You couldn’t detect a Southern drawl, but there was a Southern looseness and surrender about the city. No backbone. She would have to be careful. Those things were insid- ious. At least her home should be neat and regular, well-organized. Carl was too easy-going . . . She was beginning to know his weaknesses. She came in early in the morning, walking up to the house through Rittenhouse Square. Charming, the Square, but shabby like the rest of the town. There was charm, too, in the decorous houses along Locust, and Spruce and Pine, blinking down at the darkies scrubbing the white marble steps, emblems of a genteel and indifferent respectability. She liked the house. It was narrow and deep, drop- ping a story in the back, irregular and broken, three or four steps up here and down there, sudden unexpected landings. It was not a convenient house, no electric light; oil lamps and gas jets, a front basement kitchen and creaking dumb-waiter, an aged and decaying brick hot-air furnace, a feeble water-pressure which on the third floor occasionally produced a trickle. But it was her first house .. . She liked getting it ready, to superintend the clean- ing and airing, to see that the rugs were properly beaten. In the midst of her work she would sit down on the huge sofa in the little sitting-room on the sec-50 THE LLANFEAR PATTERN ond floor back which overlooked the brick yard, with its latched gate and single shabby poplar, and try to picture how her things would look. She hadn’t much, but it was all good. Her mother had a flair for those things, could pick them up for nothing. She had made Francesca take all her bibelots, which consti- tuted, in the poor lady’s imagination, a kind of dot for the child, who was thus not turned out quite naked into the world. And separated from them Fran- cesca felt a little denuded. Not because they were links with a past she was hastening to forget. But she liked things which belonged to her. They created a distinction, were part of her personality, like the new pigskin travelling cases, and the lozenge from the Bracchi coat-of-arms which adorned her lilac writing paper. No more hateful pensions, with their mean pretense, the restricted dreariness of second-class hotels, the aim- less wandering life. She was Carl’s wife, Mrs. Carl Llanfear, with an established position in a great fam- ily . . . One of the best positions in Philadelphia . . . An old society, aristocratic, fastidious, exacting. In a few years and with a little more money she could be at the top. Carl was clever, he would draw clever people about them. He talked well, with his nervous gestures and quick intensity. Only he needed her to steady him, to keep him normal. She would have a drawing-room that was worth while, people that counted. She saw herself in the background, holding the threads together, a certain quiet radiance of her own ... well-dressed, of course, very well-dressed after they were better off. She projected the intimate little dinners of six or eight, election platforms, mixed receptions where fashion and art and politics rubbed elbows, a salon.LITTLE DELANCEY PLACE 51 “Madame est charmante!” . . . Washington, per- apse: 2 If only the two young colored women whom she got from Mrs. Mcllvaine would turn up on time and work a little faster. Mrs. McIlvaine was on 21st Street, just around the corner. In fact, everything in Philadelphia was just around the corner. It was most convenient. She won- dered what was in all the rest of the city. Mrs. McIlvaine didn’t deal in colored help, but she could arrange to get them. She knew every one in town and most of their maids passed through her agency. She greeted Francesca as if she had known her for years. “I've been expecting you im any fine day, Mrs. Llan- fear, and glad I am to meet you. How is Mr. Carl? You’re to have the house on DeLancey Place, I hear. It’s a bit crumbly. People ought to stay home and look after their property. But it’s a nice little place, and just the size for a young couple without encum- brances.”’ “How did you know who I was?” “Sure and hasn’t all the town been talking about the new bride, so why would I not be knowing? Now you'll be wanting a good cook and a maid. That’ll be enough to start on, and you can have a girl to come in once a week to tidy up a bit.” “That’s exactly what I came to ask you about, Mrs. McIlvaine. I should like a really nice cook. My hus- band is very particular about his food.” “And would you like Protestants or Catholics?” “Which do you think would make the best cook, Mrs. Mcllvaine?”’ “Sure there’s no difference in the cooking, only some52 THE LLANFEAR PATTERN don’t like to mix them. Mrs. Llanfear liked Irish girls, and they're mostly Catholic. The Protestants are harder to get, and they’re getting spoiled. Not enough to go around. Servants isn’t what they used tobe. Now I’ve got a nice old woman that could break you in handy. Nora.” Nora appeared and looked Francesca over with an expression of rooted malevolence. “Well?” she said. “This is Mrs. Carl Llanfear, Nora. She has Mrs. Charles Llanfear’s house on Little DeLancey Place.” Nora’s expression deepened. “I know the house. It’s a poor kind of a range and a basement kitchen.” “No children; just two to cook for.” “Don’t you think,” said Francesca when Nora had left them, “that she’s rather untidy?” “You're getting her for a cook, Mrs. Llanfear. She’s the only one I could recommend for you just now. They get eight dollars.” “A week? How awful.” “Tt is, and it’ll be ten in a few years.” The other domestic which Francesca hesitatingly ac- cepted was a red-faced, buxom young woman called Delia. “She’s green,” said Mrs. Mcllvaine, “but willing. It’s hard to find combinations that aren’t green. And she’s good-natured. You'll need that with Nora. Nora’s a little difficult sometimes. But as 1 always say, build around your cook.” It was to be a surprise for Carl. He was to walk in one evening and find everything ready. She put a pole for his coat hangers in the closet of his dressing- room. In the little back sitting-room she ranged theLITTLE DELANCEY PLACE 53 books in the long low oak bookcase which stretched al- most the length of a wall, and put his pipes about, to make him feel at home, a last propitiatory male rite. She fingered them curiously—dirty things, intensely masculine, not agreeable. When he rang the bell she let him in herself, anx- ious not to have Delia’s unruly curls his first impres- sion. He caught her to him as if he had been away for a long time. “Cesca, you darling.” “‘That’s enough, Carl, come and see it.” “Wonderful, marvellous!” “T haven’t changed the downstairs rooms much, not much anywhere for that matter. Look, there’s the Nar- cissus, on the carved oak Florentine table. I couldn’t resist getting them out... I’ve put a few of your mother’s things away, you won’t mind? But there’s the stone horse, and the long snaky dagger you like.” “Cesca, it’s perfect.” “Tt’s ours, anyway.” “Like it?”* re “Of course I do. But come and see the sitting- room. I hope you'll think it’s all right.” “Perfect—Hullo! here are my books.” He was down on his knees by them. ‘Did I show you this Molliere? Look at that setting on the title-page. Chez Le Clerc, Quay des Augustins, 1754. I got it for a franc a volume. And my Gil Blas!” “Come on. Don’t you want to see the rest?” “Dol? But it’s all so exciting! a kiss first. A kiss on each floor.” “Here’s our bedroom. It’s a lovely room, Carl, all sun. That’s my bed, I like a big bed, and I didn’t think you’d mind a single bed.”54 THE LLANFEAR PATTERN “Much wiser,” said Carl. “I get all snarled up in those great four-posters. But I suppose you’re used to them.” “Oh, Carl, before I forget.” She took him to the window. ‘What in the world is this?” Carl laughed. “I don’t wonder you asked. It’s called a busybody.” He adjusted the hood and look- ing-glass. “Look! It’s really a periscope. You can watch people on the street and see what’s going on.” He was delighted with the dressing-room arrange- ments, and touched at her thought of him. “Cesca, you’ve thought of everything.” She was happy, flushed with his approval, and Carl, intoxicated with her beauty, walking on air... “Aren’t you tired, Francesca? Why, you've put out my dinner clothes. How did you know we were going out ?”’ “We're not. I thought it would be fun to dress the first night. See, I’ve got out the charmeuse that you like.” “But we are. I’ve gotiseats for the theatre, Arnold Daly in You Never Can Tell, at the Broad.” The door-bell rang, and Delia, mounting the stairs with a loud furious energy, so that the young lovers would not be taken by surprise, bore in a long white box from Battles, out of which Francesca took a bunch of yellow roses fresh and delicious and cool. “Carl,” she said, ‘‘you are a dear.” She was happy, sitting across the dinner table from him, sitting at last at her own table, in her own house. Morris Llanfear had stuffed a bottle of champagne in Carl’s bag as he left Low Hill, which they had for din- ner. Nora did well, Francesca thought. It was a sim- ple dinner, but well cooked. Delia was a little wild,LITTLE DELANCEY PLACE 5s breathed like a threatening windstorm, and laid down the dishes tentatively, as if prepared to snatch them away again. Francesca wondered if she would know any one at the theatre. She looked well to- night, she knew, finding knowledge in her husband’s eyes, which never left her face. Her mind jumped ahead to the late evening, in their room, when he w ould take her in his arms, when he would want her, and she shivered slightly, and forced her consciousness back to this im- mediate well-being that was all about her. They were trotting down Locust Street in one of Ellis’s funny old cabs, smelling a little of the stables, a mild but pervasive smell, the driver in his long green overcoat with brass buttons and ancient high hat swaying on the box, Carl’s arm around her. “My darling, ’'m so happy.” “Don’t, Carl, you’ll crumple my dress. I want to look nice. Oh, I’m afraid we'll be late!” “Not a chance. The Broad Street Theatre waits till it’s full enough to start.” » Friends of Carl’s everywhere as they passed through the lobby, and here and there a face she knew. VG@arla@anl ly “Hullo, Peggy, hullo, Fan. This is Francesca.” A large woman, rolling a little uncertainly, in ill-fit- ting clothes, middle-aged and ruddy, with quick, shy, unfinished gestures; a younger woman, handsome and compact, a cleanly chiselled face and dark chestnut hair above her furs, head held high and a little stiffly, a well-made chin thrust forward. Margaret and Fran- ces Llanfear, daughters of old Dean lantear Margaret darted to Francesca, gave her a quick vig- orous hug, and stopped in the middle, blushing, mutter-56 THE LLANFEAR PATTERN ing a greeting. Fanny held out a cool white hand, her eyes travelling from Francesca’s darker head over her evening dress. “How are you,” she said, and smiled pleasantly. “We've heard so much about you.” “In town to open the house. Father and mother and Lydia at the Media farm. Stay very late. Hear play’s good. Come to dinner soon,” said Peggy. Seated, they were among friends. Anne and Clin- ton Frew, Billy and Nancy Thrush, Judge Thrall, and Ellen, all bright eyes and straight back. Carl was nod- ding here and there. “Peg is a darling, but very shy. The warmest heart in the world under that great bosom. Not really half as much of an old maid as Fan. Fan’s a real prig, content with dressing well, and letting you see her ankles now and then. Frightfully proud of them. Never been kissed.” “How in the world do you know?” laughed Fran- cesca. He was positive.: “You will be when you know her. A blatant kind of yirgin. There’s one other, Lydia, a bit soured, the eldest. Only one that stands up to Uncle Dean. Funny he never had a boy. He ought to—like himself—to take some of the swank out of him. He’s never let Lydia marry Dan Carew, who’s been a sort of silent partner to her for twenty years.” “Carl, is Mr. Acton always with that woman— what’s her name?” “Belle? Where are they? Oh, yes. Look, she’s waving to us. Funny when you talk of people they al- ways look around. I told you about her. Beautiful rider, Belle . . .” The orchestra were taking their seats, looking about as they tuned their instruments . . . The outer cur-LITTLE DeELANCEY PLACE 57 tain slid up, revealing on the drop a gallant, in eigh- teenth-century silks, bowing before a dainty lady who was stepping out of a broken-down carriage. “I always feel excited when I see that curtain,” said Carl. “Been here since I can remember. We used to have theatre parties here in the Christmas and Easter holidays. I think the best plays usually go to the Broad.” ’ All the way home he held her close to him, murmur- ing in her ear, kissing her hair, half articulate in the obscurity, his hands groping for her, eager hands, too eager she thought, shivering a little, so that he drew her velvet cloak closer about her. If he could only wait .. . In their room shadows lurked to engulf her. The bed was like deep water in dreams, still and dark, that opened to receive a body. She must not shrink from him. She loved him, but he overwhelmed her. His hands were gentle, caress- ip =: ‘“Pillow’d upon my soft love’s ripening breast.’ ” “What did you say, Carl?” “Nothing but that I love you, love you. Do you love me, my sweetest heart?” “You know I love you.” It was intolerable this, like a sea rising about her, swamping her, crashing and tearing at her, engulfing body and soul. He sought and found her everywhere, everywhere her spirit turned, turning to escape, to save some vestige of her inner self, to keep some spot of herself untouched, remote, never yielding herself, never her innermost self . . . Until at length, her will hard and definite, she could hold and kiss his face with the58 THE LLANFEAR PATTERN dry triumph of her victory, and grow less remotely tender to his pleading murmur—‘Do you love me, Francesca? Do you love me?”CHAPTER VI DEAN & LLANFEAR Tue law firm of Dean & Llanfear was probably the oldest in Philadelphia. Mr. Percival Dean was an ornament of the Philadelphia bar in the thirties, dur- ing the time when his friend, Nicholas Biddle, was fighting the President to preserve the United States Bank. Mr. Dean’s cousin, the first Dean Llanfear, was the head of Llanfear & Co., and the firm pros- pered with the banking house, and suffered a mild de- cline shortly before Carl’s father and uncles had be- come connected with it. Two nephews of Mr. Dean who had succeeded to the business had not moved with the times. One, already middle-aged when the Civil War broke out, had been such an outspoken Democrat that many good clients left; the other, of a scholarly turn, devoted his time to the compilation of myopic treatises on abstruse legal subjects—‘‘The Law of Deo- dand” and ‘History of Seisin.”’ The offices which Dean & Llanfear occupied were in a remodelled brick house on 4th Street between Chest- nut and Walnut Streets. The courts had once been near them on Independence Square, but had several years ago moved up to City Hall. When Morris joined as a student in the sixties, the two Dean broth- ers, both bachelors, still lived in the two large front rooms, taught their students in a room in the centre of the house, large and dark, now devoted to stenog- raphers, and transacted their diminishing affairs in the 5960 THE LLANFEAR PATTERN old library. A time-worn clerk, shrivelled, dusty, in- ebriate, shared the third story with the butler and a boy of all work, who copied letters when he was not busy shining his master’s shoes, or running across the street to Tapp’s ale-house for stout and oysters. The old Deans finally died, the old clerk was pensioned, the butler retired, and the boy of all work was now spe- cializing in a flourishing admiralty practice. Carl paused for a moment in front of the white mar- ble steps, scrupulously clean by contrast to the dirty brickwork of the rest of the house. It looked dreary and unkempt. The dust whirled drily on the curb above layers of grime along the edges of the house line. A little wave of depression broke through his senses. He pulled himself together, and walked quickly through the open door... Miss Jason at the telephone switchboard pulled with nervous fingers at the metal strap which held the re- ceiver in place, and tangled it in her gray hair. “How are you, Mr. Carl—delighted to see you looking so well—how is Mrs. Llanfear? Yes, they’re all in. Which one would you like to see, Mr. Morris, Mr. Richard, or Mr. Brackway?” Miss Jason never ad- mitted that Mr. Brackway was a member in equal standing with the others. Carl found his uncle Morris with a client, Mr. Wil- liam Reese Charter. Mr. Charter put out a soft hand which seemed to swallow Carl’s. He was a man of about sixty, heavily and largely built, with long, droop- ing white mustaches and large, slightly protuberant, blue eyes, dressed in a loosely fitting tail-coat, shabby but neat, a high collar cutting at his chin. Not quite a gentleman . . . He looked earnestly in Carl’s face,DEAN & LLANFEAR 61 stooping, and spoke deliberately. “I’m delighted to make your acquaintance, Mr. Llanfear. I knew your father and he was very kind tome. All the Llanfears have been very kind to me. You come, sir, of a line of distinguished men. The name has counted much in the annals of Philadelphia. You are fortunate, sir, to carry on its high tradition at the Philadelphia bar— a sacred trust. Well, Mr. Llanfear, I must not detain you. I see you are eager to talk to your nephew. Good- by, sir, good-by.”” He descended the stairs heavily. “There goes a good fellow,” Morris said heartily. “Worked up from an office boy. Your Uncle Dean got him a position with the bank, and then with the Reliable Trust Company. Now he’s in business for himself, handles a good many estates. Your uncle leans on him more each year. He has two pretty daughters who go about. Polly married Billy Sylves- ter. Well, come in and we’ll have a chat.” Mr. Llanfear’s office—half study, half library— filled most of the space on the second story of the back wing of the house. His desk was in an alcove at the extreme end, well lighted by the sunlight which streamed through the bay window to the south. Two comfortable leather armchairs were on either side of the soft-coal fire. From one of the tables, as they en- tered, rose a young man whose immense shock of sandy-colored hair stood straight up, like a plume, as if to add a cubit to his rather dumpy stature. He went out with a tall pile of books in his arms, steadied by his sharp little chin, which acted like a rudder to his bur- den. He closed the door behind him by a skillful twist of a foot without turning around. “Spiven’s all right,” said Morris, “but he gets on my nerves a good deal. He squats around here mostaa 62 THE LLANFEAR PATTERN of the time, running down cases. We've nicknamed him the ‘sleuth hound of the law’—‘sleuth hound,’ for short. He can always get an authority on any ques- tion if you give him enough time. He’s a typical re- sult of the case system—not a principle in his head, no power to reason. But I forget, you’re hot from the case system and I suppose won’t hear a word against it. I was brought up on text-books, with Blackstone, and Kent, and Wharton as corner-stones, and I can’t stomach this pecking at a case here and a case there, and calling it the ‘Socratic’ method . . . I want you to work all you can with Brackway. He’sa thoroughly modern lawyer. You must get into court work early, become intimate with the bar and bench. Your Uncle Richard never has, and knows more business men than lawyers. But when I was admitted I was in and out of the courts all the time . . . Carl, I want everything for you . . . And I'll get out as soon as you're thor- oughly worked in.”’ “You mustn’t spoil me, Uncle Morris.” Never fear. You won’t say that when you’ve been with us for a while. Better stop in to see Brackway.” Mr. Brackway, in the midst of dictation, beckoned Carl in, without stopping his work, pointing at the same time to the chair drawn close to his desk. Miss MacTaut, his secretary, without losing a word, found time to cast a malevolent glance at him. She hated to have Mr. Brackway’s time wasted . . . The dictation flowed on for five minutes, emphasized by thrusts in the air of Mr. Brackway’s middle finger in the direc- tion of his secretary’s head.. Mr: Brackway nodded. Miss MacTaut rose silently and hurried out, bristling with well-controlled efficiency, a perfect stenographer. Mr. Brackway held out his hand. ‘Well, Carl, I am glad to see you.”DEAN & LLANFEAR 63 “T just dropped in to pay my respects. I shan’t keep you more than a minute.” Mr. Brackway behind his desk was very different from Mr. Brackway behind his wife at the garden party. He was no longer timid, no longer at a loss. Very impressive to clients his trick of absorbed lis- tening, his studiously grave approach to a conclusion. “T’d like to go through your experience again,’ he said to Carl. ‘‘When I joined the bar eighteen years ago it was very different, small and compact. You knew every one. To-day I don’t know half the mem- bers. The older men think it’s going to the dogs, and blame it on the case system. I have a great deal of respect for your uncle Morris’s views, but on that score I can’t agree with him. They’re just as able men practising now. But they’ve changed.”’ He looked a little rueful upon this reflection. “It’s a pity, I suppose, but it’s inevitable. Men like Sergeant and Wharton, Penrose, Binney, Meredith, and the Brewsters, scholars and gentlemen, aren’t being pro- duced any more.” He pondered. “T’m not sure I’d not rather be a business lawyer, as we modern practitioners are called.” He glanced at Carl, for encouragement, and his face suddenly bright- ened. “And there’s John G. Johnson!” he cried. The telephone at his elbow rang. “Hullo. No. I can’t take the call. Say I’m in an important confer- ence, Miss Jason . . . Johnson, the greatest lawyer the world has ever seen! There’s not a New Yorker that can touch him. And he’s great in a great time, vast corporate organizations, great trusts, world-embracing corporate business . . . I know I’d rather be practis- ing now. Yes, I certainly envy you, Carl.” The telephone bell rang again. “Yes, I... Oh! saa64 THE LLANFEAR PATTERN Good gracious, I’d almost forgotten. My secretary re- minds me that I am lunching up town with your aunt. I mustn’t be late. Your aunt prefers punctuality,” he concluded with a twinkle. ‘“Good-by, Carl, I’ve just time. I am glad you’re coming. I’d meant to consult 1 | you about your Cousin Tunis, and here I’ve been gos- siping. Good-by, my boy.” And he hurried out. Carl lunched with his two uncles at the Club. Rich- ard Llanfear was five years younger than his brother Morris, shorter and heavier, tending at fifty-eight to corpulence. As a young man he had been delicate, and a warning against over-exertion had confirmed into a principle his natural disinclination to exercise. Where Morris was lean and brown from much riding and driving, Richard was heavy and padded, with mild, lobster eyes and long nose, which wavered between them uncertainly. He looked tired of life, with noth- ing but its worries to keep him going, burdened by all the things he had spent his time in acquiring—the great house on Spruce Street, filled with heavy furni- ture, hung with heavy curtains, carpeted with heavy rugs; a very substantial fortune, which he had built up by wise investments—excellent investments, bonds and mortgages, pile upon pile, stacked close in the nar- now steel boxes at Llanfear & Company, which he opened regularly on the first of each month to cut cou- pons, hating the work, but with a feeling that a man should look after what was his; a large corporate practice, weighing on his spirit when he thought with awe of the greatness of the affairs he handled; com- mittees, boards of directors, the finance committee of the Reliable Trust Company, the money of poor people to handle, to invest, to secure—a grave respon-DEAN & LLANFEAR 65 sibility. His duties as a vestryman of St. Peter’s were what he most loved or least disliked. As a boy he had indulged himself with the secret idea that he would some day be a clergyman; but his father, in characteristic fashion, had called him a fool, saying that no son of his should turn into a “damned snivel- ling parson.” A fine sturdy old gentleman, the second Dean Llanfear, who liked to have his own way... And Richard, not being of the combative stuff of which his parent was made, gave up that secret idea. At twenty-three he married Molly Vickers, the daughter of old Tom Vickers, whose blood from a so- cial standpoint was irreproachable, but whose habits were horrible. He died shortly after his daughter’s marriage, ripe in sin if not in years, leaving to his two sons a great deal of money, the blood, still presumably blue but with little else to recommend it, and a taste for the habits. Ina few years they both managed to drink themselves to death; and Molly, with a large fortune and two small boys, spent many sleepless nights and offered many tearful prayers lest they should follow in the footsteps of their grandfather and uncles. She was a simple soul, with wide trustful eyes below an un- wrinkled forehead, obviously destined for common- place joys and sufferings, sincerely devout, with a greater instinct for happiness than her husband. She shared his views of the gravity of the mortal adventure, was as conventional, and quite as narrow; but she could not pull as long a face, and there lurked in her traces of a gaiety more shamefaced than rebellious. Carl had joined the Club a few years before but had been there so little that he was surprised when the door-man greeted him by name. TA66 THE LLANFEAR PATTERN “We'll have a cocktail,” said Morris, “I’m not go- | ing back to the office. But let’s order lunch first.” 1 They studied the menu. ) “Too early for ducks,” sighed Richard. “Almost impossible to get decent game any more,” said Morris. “How about oysters?” qaltsea, “Do you like salts, Carl?” “Oh, anything, Uncle Richard.” “Soft-shell crabs?” “All right, but for God’s sake tell John to ask the chef not to fry them in those beastly bread-crumbs. Little fellows, with butter,’”’ said Richard. “Cold corned beef—that’s rather decent here, Carl— what do you say?” “Perfect, Uncle Morris. But not too much if we’re going to ride.” “No, just a good bite . . . and a crisp tomato and lettuce salad. Dessert? Very well, order it later... Here, boy. And tell John to put a pint of Clicquot ’98 on the ice. A good year. Your Uncle Richard doesn’t drink, and that will do us nicely.” They passed through the hall into the long living- rooms, two rooms thrown into one, panelled in oak, empire pressed glass chandeliers suspended from the high ceiling, where men lounged in leather armchairs, reading papers, or talked in groups by the windows. The grille was filled with a noisy cheerful crowd, lean- ing on the long mahogany bar in twos and threes, eat- ing sandwiches and drinking ale; a solid, intimate crowd, who had grown up together, had ridden and played golf, danced and dined, prospered, failed, made love, married, grown old in the same closely preservedDEAN & LLANFEAR circle, the heart of the larger circle that eddied about it. The line wavered or broke here and there from out- side pressure, but never enough to dent the hard sur- face of this little inner kernel, static, polite, indifferent to the world without, charming to its world within. There, even if you didn’t like a man, you knew at least that he belonged .. . Billy Thrush hove cheerily in, slapped Carl on the back with explosive cordiality, accepted with emphatic approval the offer of a cocktail, and asked Richard Llanfear with earnest solicitude what he thought of the municipal bond market. Judge Thrall lounged up, his eyes keen under the dishevelled mop of white hair. “I’m sure glad to see you, and to know you're going to join the bar,” he drawled to Carl, with a trace of Southern accent which twenty-five years in Philadel- phia had not quite destroyed. “How is Ellen, Judge? She’s suddenly shot up into something very handsome.” “That’s because you’ve been away, Carl. She’s nearly eighteen. She wants to go to college. She’s rather a serious girl.” “Her age . . . You'll let her gor” “T always let her do what she wants. She knows that a great deal better than I do.” “She was always an independent little thing,’ Carl. “Damned independent.” Carew Acton came over from the bar to shake hands with Carl and to tell him he was glad to see him at the Club and hoped he would come often. Carl watched his quiet motions, and wondered why the slim and compact figure, perfectly valeted, always suggested power ; power behind and within, far below the gentle y said 67 =.68 THE LLANFEAR PATTERN inflections of his voice . . . Rembrandt Llanfear, re- splendent in a cutaway, bobbed in for a drink to fortify himself against the imminent nuptials of the daughter of an old friend. “Think of it,” he said to Carl, drawing his chair closer, lowering his voice to an intimate pitch, and tap- ping him lightly on the knee with a finger, “a daugh- ter of Marie Pember old enough to get married! It’s incredible—yes, brandy and soda. A little while ago she was running round in short frocks. You wouldn’t call me old, yet her mother andI .. .” He pulled up with a jerk. After all, the Club was hardly a place for tender reminiscence. “Luncheon is ready, sir.” “Come along,” said Morris to Carl. “Your Uncle Richard must get back to the office.” “Why not all of us lunch together ?”’ suggested Judge Thrall. “T can’t,” said Acton, getting up. ‘Llanfear,” he turned to Carl, “I haven’t had a chance to congratulate you. Your wife is charming, a rare beauty.” In the dining-room eight of them, at a round table, discussed the remark. The order for a pint had been cancelled, and they were rolling dice—all except Carl, who was treated as a guest of honor—to see who should pay for the three quarts that had been substituted. “He oughtn’t to have said it, at least not the last part,” said a little round bald-headed man, Owen Roth, who spent all his time at the Club, and hated to eat alone. “T think perhaps Curly has a common streak,” ven- tured Richard Llanfear. “From his father, you know.” “But why shouldn’t he say it?” asked Carl.DEAN & LLANFEAR 69 “Tt was the way he said it,” Billy Thrush interjected, in his explosive way. ‘Almost publicly. He ought to have taken you aside.” “Gentlemen,” said Judge Thrall, “allow me to sug- gest that you're talking rot. Could anything be more charming than a compliment to a beautiful woman made to her proud husband? I'll prove it to you. Gentle- men,’ he raised his glass, “I propose the health of Carl’s bride.” They drank enthusiastically. “That sounded all right,” said Morris. They laughed. “Perhaps,” he added, “it depends on who speaks the lady’s name.” They all shook hands very warmly with Carl when he left, making him feel how glad they were that he was home, that he was here to stay, that he was one of them. He had thought of his first meal at the Club as a stiff affair, lunching alone with his uncles, the oth- ers glowering at him from where they ate... And here they were, slapping him on the back, as if he had always been a part of them. And he was a part of them, he told himself, glowing with their friendliness and hospitality—he had always been a part of them; and if he had been away for so long, it was good to know, when at last he came home, that he had not lost touch, that he could never lose touch, because after all he was a Philadelphian and a Llanfear.CHAPTER VII PONDELLO FRANCESCA was beginning to feel herself a part of the Llanfears. A vast family, touching everything, their hands on everything, related to every one, inter- married for several generations with other great names, the Deans, the Morris’s, the Madagascar Jones’s. Entrenched, solid, a great family. They clung closely together, were greatly interested in each other’s comings and goings, talked incessantly about the fam- ily past and present, gave large heavy family dinners. Francesca liked to hear about their exploits, and was apt at such intricacies as maiden names and distant cousinships. She had a neat mind, which sorted and catalogued social experiences. She soon surprised Carl by her knowledge of his relations. She cared, appar- ently, a good deal about that sort of thing... . She was cautious of first impressions, turning them through the mill of her New England conservatism, with the steady unblinking caution which in a man would have been called shrewdness. Francesca was not shrewd; she was careful, and dreaded mistakes, fear- ing that they would follow Carl’s impetuousness. It was therefore a great relief to find that the Llan- fears were just like any one else. She liked to think of the uncles in romantic terms. Dean was a gentle- man of the old school. That was where his eldest daughter Lydia got her breeding. Morris—she didn’t like Morris much, she thought he might be interfering, he treated Carl as if he owned him. Of course they 70PONDELLO 71 would have Low Hill some day, as there were no chil- dren to inherit, but she didn’t like Chestnut Hill. But Aunt Jane was a grande dame. Richard was a medieval mystic. “Nonsense, Francesca,” said Carl, “he’s a man of property.” “That’s not his inner self. He might have been an- other Savonarola.”’ “Looks more like Simple Simon,” muttered Carl. Rembrandt, of course, was a man of the world... Carl was harder to define, you couldn’t say just what he was. He seemed to be changing, ever since they had come home. She couldn’t find him, was not sure of him. He said queer things now and then. She couldn’t bear it if he were queer. It made her uncom- fortable. Francesca disliked the unknown. She couldn’t place the aunts so well. Mrs. Brack- way was an overpowering lady; she ought to have been aman. Not a bit like the youngest aunt, Lydia, who was sentimental and clinging and dependent. Mrs. Morrisoun was rather an unknown quantity. You couldn’t really appreciate Aunt Sidney, Carl said, till you saw her at Pondello. They drove over with the Morris Llanfears from Low Hill to Pondello to spend the Thanksgiving week- end. The day was full of the wine and stir of late autumn, yellow and red with leaves that fell and rus- tled, tinged with the smell of burning leaves, the smoke rising in vague spirals or sudden puffs as a rake added fuel to a smouldering pile. Carl drove, with Francesca in front, his aunt and uncle behind. Francesca watched the rolling hills and fields of hardy corn, cut and stacked bivouac fashion; the chestnuts climbing Barren Hill against the horizon; ,72 THE LLANFEAR PATTERN the yellow stubble and rich red-brown earth of the white-fenced farms, with a sense of belonging to the well-ordered country, as if she had been born and brought up there. ‘“‘There’s Pondello,” said Uncle Morris, pointing to a thickly wooded hill, from which rose, leaning a little out of the trees, a dim brown and gray house, shape- less and vast, except where the jut of a tower took striking outline. “Tt’s an odd place, straggling and ugly, with great shabby rooms and all the embalmed trash of sixty years, but full of charm. I wouldn’t change a stick. Time does something to line, and more to surface.” “T love it,”’ said Carl. They were driving up an avenue of tall oaks and pop- lars, through which Francesca could see the sugges- tion of a “park” that lay neat about the woods but had not yet subdued the meadows along its borders. The drive curved around the back of the house, a tall cold sombre shoulder, loosely hung with vines above the kitchens and outhouses that huddled beneath it, and suddenly, in a little circle still in great trees, came under a high porte-cochére. Below them the trees opened on a mile of meadow-land, smiling and quiet, cut by a brook, over which the arch of a small stone bridge seemed to hold and focus the landscape. “How lovely,” said Francesca, turning away to the steps reluctantly. There were a great many people, it seemed to her, framed in a high and friendly buzzing of talk. Mrs. Lindley Morrisoun, a tall horse of a woman, snatched her at the threshold and hurried her to a seat next her own at the tea table. She treated Francesca as if she were something fragile and exquisite. ‘‘Sit here, dear, near the fire. You must be frozen. Now don’t tryPONDELLO 73 to talk till you get some tea in you.” Mr. Morri- soun was a small, clean-shaven, vague man. “Lind- ley, have you spoken to Francesca? He’s so absent- minded, my dear. Now then Amy, some toast for Francesca. Where did you say John was, Amy? My daughter, Francesca, married a man with brains, and pays the price. He’s always doing brilliant things in his profession, finding out why people get tired or bored or married. But he never has time to come to Pondello. I believe, however, as a special compliment to the bride, he’s to drift in late to-night. ‘When I was a girl medical gentlemen were content to be general practitioners, as it was called. But they tell me this is an age of specialists, and that’s what John Sarter 1s. Where’s Gerald?” Gerald Falcon, it appeared, was taking a walk with Anne Frew, and presently they came in. “He’s our black sheep,’”’ Mrs. Morrisoun shouted to Francesca, as she introduced him. ‘Gerald, what have you been up to?” “Trying to keep up with Anne,” he said, smiling, sitting near the fire next to Francesca. Anne laughed. “It makes me sound pretty speedy.” “Where’s Clinton, Anne?” Mrs. Morrisoun asked. “Couldn’t come. Went to Baltimore on some kind of male jubilee.” “Thank goodness for that. I don’t know how I could have got any one else in. There are eleven now, twelve if Letty stays. She’s dining, but I don’t know if she’s sleeping. Lydia, who don’t you give Gerald his tea?” Lydia Llanfear had taken her sister’s place at the tea-table. ‘I’ve been making it fresh,” she said. “Here it is, Gerald.”’ a,74 THE LLANFEAR PATTERN “May I have some now,” asked Anne. “Francesca, when you’ve spent a week-end at Pondello, you'll real- ize it’s guiding principle is to make men comfortable.” Mr. Morrisoun gave a sudden gurgling laugh, and relapsed into silence. “Of course we do. I spoil Lindley within an inch of his life, but he’s too absent-minded to notice it. Aren’t you, dear? I’m sure Francesca agrees with me. She’s lived abroad so much. I hate to see men bob- bing up and down to women, the way they do in the States. It’s so indecorous. English manners are so much better than ours.” “T love to spoil men,” Lydia murmured, her eyes on Gerald. “Give me some more tea, Lydia, and don’t be an ass,” said Gerald. “Francesca, my dear,”’ said Mrs. Morrisoun, “I want you to see Pondello with me. You may not get a chance to-morrow. We have an hour before the dress- ing bell. Dinner’s at eight. You must get a rest, too. Brides need rest.” Carl was talking to Anne Frew on a sofa. He didn’t look up when Francesca rose. The others were too busy with themselves to notice her. Suddenly she felt neglected. It would be always like that. They had so much together, so much in common that could never be hers . . . She turned slowly and followed Mrs. Morrisoun into the drawing-room. It was a vast house, grown old and shabby with a gentle amiability which disarmed analysis. The room they had entered retained a certain bygone splendor of giit and yellow brocade and mirrors, scratched and dim with age, the plaster peeling from the ornatePONDELLO 75 mouldings on the ceiling. The Louis Sixteenth chairs stood about like faithful retainers in ancient liveries, in attendance to the frailer tables on their delicate carved legs, littered with small light objects, little Ital- ian olive-wood boxes, heavily embroidered runners of Spanish lace, tortoise-shell and mother-of-pearl paper- cutters, a piece of Venetian glass with one handle broken, a paper-backed French novel in a decorated Italian leather cover, a chipped magnifying-glass with a teak-wood handle. Francesca murmured some words that sounded to her like a condolence. “Oh, it’s terribly run-down, we can’t afford to keep it up decently. My grandfather built it and furnished it—spent his life here when he wasn’t travelling. Father left it to Lydia and me. Rembrandt helps us with it, though he’s not here much himself.” “What does he do?” “Nothing. He’s what they call a man about town. I wish he had a profession, not a business, you know, but a nice profession. I was always brought up to think that gentlemen didn’t go into business. But all that’s changing.” She sighed. “Of course, Mr. Mor- risoun isn’t a money maker. The Morrisouns never were.” “No?” said Francesca, not knowing exactly what to say. “No.” Mrs. Morrisoun shook her head conclusively. “No, he’s a scholar. He has his profession, of course, but he doesn’t practise.”’ Now?’ “No.” Again the head-shake. “He writes.” “Oh,” said Francesca, with a little more animation. “Novels ?”76 THE LLANFEAR PATTERN “Dear no. Treatises on international law in French. They’re sometimes published in the foreign quarter- lies. But it’s not lucrative.’ She sighed. She was proud of her scholarly and leisurely husband. They wandered through the house. Occasionally Mrs. Morrisoun would pull a drawer out of a table, stuffed with yellowing papers, menus of forgotten ban- quets, dance cards, theatre programmes, photographs. Apparently nothing was ever destroyed. “I’m always meaning to go through my papers, but when I begin I don’t like the idea of throwing anything away. And it takes so much time to tidy up. Don’t you think so? Besides, there’s plenty of room still.” They were sitting in a corner of the ball-room, across from the candles which Mrs. Morrisoun had lit on their entrance. Francesca felt tired to the point of struggling against inattention. But Aunt Sidney had not stopped talking. “You mustn’t get wrapped up in your husband, my dear. My daughter Amy mar- ried John Sarter. He’s of Jewish extraction, a Chris- tian Jew, as a matter of fact.” Francesca wondered what a Christian Jew was, and reserved the question for Carl. ‘“He’s very brilliant, and what they call a good provider. But no one ever sees Amy, she’s too much wrapped up in him and in her children. Of course she’s very happy, not like poor Anne Frew. Anne can’t have any children, you know, and she minds it terribly and doesn’t know what to do with herself,” “What’s the matter?” “No one knows. She’s seen every one, been to Wies- baden to consult that new man, I forget his name, who they say can make any one have children. But not Anne. No use. It’s too bad. She’s wild about chi-PONDELLO a9 dren. I have an idea it’s Clinton’s fault. Nice boy, but he doesn’t look like—well, like a potential father. Of course I don’t think this modern athletic craze is very wise for girls. I never would let Amy hunt. Anne’s been let run rather wild. I always thought she was fond of her cousin Gerald.” “Is Gerald her cousin?” “Second cousin. Gerald and Carl were always rather fond of Anne. I had hopes that perhaps Carl and Anne _. . But he’s made a much wiser choice in you, my dear. But don’t get wrapped up in him. That re- minds me. I want you to join the Board of the Home.” “The Home?” “The Home for Worthy Gentlewomen in Reduced Circumstances. There’s a vacancy, and we need a young energetic woman on the board, and some one who thinks like us. It’s been in the family for a hun- dred and twenty years.” “But I don’t know anything about retired gentle- women,” laughed Francesca. “Reduced. I'll tell you about it after dinner. Heav- ens!” she cried, jumping up, “there goes the dressing bell. I haven’t given you a moment to rest. Poor dear, never mind, you can sleep late and have a fat morning, as the French say. Don’t forget I must consult Carl about Letty.” She shook her head ominously. ‘“Letty’s getting very queer.” oP, Francesca was taken in to dinner on her host’s arm, with Gerald Falcon on the other side. Letty Llanfear, John Sarter, and Rembrandt Llanfear had arrived. They stood up, waiting for Mr. Morrisoun to say grace. He cleared his throat. “Never mind, Cousin Lindley, I’ll say it,” said Gerald. “Bless, O Father,78 THE LLANFEAR PATTERN these Thy Llanfears, while they fill their bellies for Thy sake. Amen.” Mr. Morrisoun, as he sat down, looked more con- fused than shocked. His wife’s voice from the other end of the table reached him over the laughter. “Never mind, Lindley, Gerald’s always been an infidel.” ‘And black sheep,” said Francesca, smiling at him. He was a big man, strongly built, with strong rough hands, and a great hooked nose, not handsome, looked like his name, she thought. The kind of a man who would say anything. He grinned down at her. “Fame gets about quickly in Philadelphia. Silly expression. Why not a black goat, symbol of Pan and his crew. I suppose if I’m a black sheep Carl’s a white one.” She looked down the table at her husband, between Mrs. Morrisoun and Letty Llanfear. Miss Letty sat straight and tense, the worn fingers of one hand crum- bling the bread before her. “Do you think he’s too white?” she asked. “Spotless. Full of reform and all that stuff. He’ll get over it if he stays here.” She didn’t like the grin—a cruel mouth. “You're evidently not interested in reform, Mr. Falcon.”’ “T think it’s a vicarious sort of life—a kind of refuge, I suppose.” “A refuge from what?” “That depends on your particular Hound of Heaven. Carl’s is, I think, a female hound.” She didn’t understand him, and tried another tack. “You’re very old friends, aren’t you—you and Carl, and Anne Frew and Mrs. Sarter ?” He looked at her quickly. ‘Why did you ask?” How queer he was. She couldn’t understand him.PONDELLO 79 She didn’t like him. Why were all these women crazy about him? “Well, you all seem very—intimate.”’ “It always seems like that to some one on the out- side. We are in cross-currents now, not a crowd. Carl and Anne, Anne and I, Anne and Amy. I think Anne holds us together. And Pondello,” he added. “Pon- dello is something very dear in common that we all come back to. The Morrisouns are absurd, if you like, but they know the charm of living. It lingers here in this funny Tuscan house more than any place I know.” She glanced sideways at him, a little surprised. “You care for those things?” “Like all truants, to come back to. If I lived here—” he opened his hands in a gesture of dismay. “Ts Philadelphia such a hopeless place to live in, then?” He stroked his mustache, considering. “Are you contented ?”’ he asked her, quite seriously. She flushed, again misunderstanding him. “Of course I’m not discontented.” “T thought not. Then you won't find it hopeless. Rather the reverse. I like it because I’ve escaped.” “How about Carl?” “T think he’ll make a fight before accepting it. He’s bound to suffer, but he’ll stay. He doesn’t know what he wants, but just now, he’s inspirited by illusions. That will die here, and then he won’t have anything else She hated him now, definitely, and with the desire to hurt him. “You're quite a cynic, aren’t you, Mr. Falcon?” But he only grinned at her, and she turned to Mr. Morrisoun, who was saying, in an almost inaudible80 THE LLANFEAR PATTERN voice, his eyes on her plate, “I haven’t been in Florence for twenty-five years. I suppose you would say it had changed considerably since then?” After port and cigars, when the men joined the women in the pleasant untidy library, Carl wanted to talk to Anne Frew, who looked extraordinarily hand- some, he thought, but he was waylaid by Mrs. Morri- soun, while with slight annoyance he saw Gerald and Anne drift to a far corner of the room. “Carl,” his aunt said, “there is something I want to consult you about. Draw your chair a little closer. There—it’s about Letty. Did you notice her to- night ?” “Not particularly.” “She’s getting very queer.” “Getting’’..", “Yes, I know. She’s always been odd. But it’s moving to a crisis.” “Change of life?” murmured Carl. “Carl! You oughtn’t to say those things. But I’ve been brought up among professional men and I’m used to their brutal frankness.” She leaned closer to him. She had nice, level, humorous eyes, Aunt Sidney, not hard but certainly not soft. Perhaps once she had been pretty. “Pm really worried about her. You know we're all very fond of Letty, and she treats Pondello like a home. But much less lately. She hardly goes out at alt now, and she stayed all last summer in town in that great dark Chestnut Street house in all the noise and dust. I thought perhaps she wasn’t well, so one day in August I went in to see her. Carl, she lives like a pauper. All the rooms were shut except the kitchen and the servants’ dining-room. She lives in the kitchenSI PONDELLO and sleeps in the dining-room. She has that dreadful old woman, Mary Miggins, cook for her, and Mary oc- cupies one of the first-floor bedrooms, and I’m sure bosses Letty horribly. I had a dreadful time getting in —front door barricaded, shutters all down. Finally, I pounded on the alley gate till Letty let me in herself, after peering at me first through the peep-hole. But she was really glad to see me, and hospitable in an awk- ward way—gave me a cup of coffee, which she made on the range. The whole place was littered with news- papers, covering the floor, piled in the corners and on the chairs. She was making a quilt out of newspapers, much warmer than eiderdown, she said, for next win- ter. And in the middle of it she suddenly went silent, and there, standing in the door, was that horrible woman.” “Mary Miggins?” “Mary Miggins, looking at us with a sullen anger out of her filthy hair. I was startled but more an- gry. I’m never afraid of servants. “Did you ring, Letty?’ I said, ‘I think your cook is waiting for you.’ “No, no,’ said Letty, a little sheepishly, ‘I don't think I rang’; and then, as the woman lingered, ‘Get out of here, can’t you!’ she shouted at her. And she got out.” “Gosh,” said Carl, and looked over to where Miss Letty sat, near Amy Sarter, on a high stool, leaning forward, one knee between her two hands, her foot thrust out, the stocking wrinkled about the ankle. “T was rather worried and I thought that old wretch might be getting money from her. So I went down to Llanfear & Co., where she’s always banked, to see what I could find out. I knew your uncle would be away, at Bar Harbor, and it would be a chance to get some82 THE LLANFEAR PATTERN information out of that nice young man, who acts as his sort of amanuensis, Mr. Spindle.” “Windle, aunty.” “I never can get his name right. He’s always so polite.” “Could you find out anything?” “Tm telling you . . . Well, I just spread the whole thing before him, and made him feel how worried we all were. Then I asked him outright how much money Letty had and how it was invested. He looked troubled, and said he didn’t know. I suggested that perhaps he could find out. He hesitated and then went out to look up her account, I suppose. He was so grave when he came back that of course I thought poor Letty had lost everything her father had left her. It must have been a pretty tidy sum, for old DeLancey Llan- fear had more than a competence for those days. Neither of the girls were tied up. So silly not to tie up women!” she paused, and wiped her face. “T was all wrong,” she resumed. “He wouldn’t tell me how much she had or what it was in. But he said her income was more than enough for her to live in real luxury, and that her investments were ‘gilt-edged,’ as he put it. I remember he said ‘Miss Llanfear is a remarkably shrewd business woman.’ That was a great relief. At least she wasn’t being bled. But, Carl, she’s very queer.” “Well, eccentric—”’ “Worse than that. Did you notice the way she was watching Gerald to-night? Of course, he’s her great- nephew, but she’s very strange with him. When he comes in she can hardly open her mouth, and her eyes never leave him.” “How does Gerald take it?” “Letty seems to amuse him. He treats her as if shePONDELLO 83 were a child, rather cavalierly. Slaps her on the back and calls her ‘good old Letty’—his great-aunt—‘good old Letty’! Carl laughed. “Well,” concluded his aunt, leaning back on her sofa, “‘it’s nice to talk to you about this, and get a man’s advice. It’s so helpful. I am glad you're back to stay, Carl, I was afraid you were getting like Gerald, and your mother’s rather a nomad. Phila- delphia needs men like you—men of standing and the old tradition. I think Francesca is a lovely girl, and so well-bred.” Everybody, thought Francesca, seemed to be kissing everybody else, except Mr. Morrisoun, who hovered about, avoiding embraces, and Gerald Falcon, loung- ing in the background, hands in his pockets. Carl and Francesca reached their room, ascending one flight, passing down another, through a large dim bathroom and a hall bedroom, where Carl bumped into a sewing dummy, all bust and wire, and loosed a pile of photographs which it was supporting. “Carl, I don’t like Gerald Falcon.” “Gerald? Oh, old Gerald’s all right. What did he say to you?” She tried to remember, finding it a little hard. “It’s more the way he says it. Sneers at everything. I think he’s terribly stuck-up. He pretends to know every one much better than any one else. And all the things we care about he laughs at.” “How do you mean?” “Well, your ideas about reform and all.” “Oh,” said Carl, “Gerald’s always been like that. He’s got a different point of view, that’s all.” “T don’t care, I bet he’s terribly immoral and— selfish.”84 THE LLANFEAR PATTERN “T think Gerald does lead rather a selfish life.” “Carl, do you think Anne Frew is very fond of her husband ?”’ “What an idea, Francesca! Of course she’s fond of Clinton, devoted to him. Whatever put such a thought in your head °”’ “Well, she seems pretty free with every one.” “Francesca! You mustn’t say things like that about Anne. She’s closer to me than almost any one. Anne’s splendid—worth the lot of us.” “Well, you certainly seem very fond of her.” “Oh, Francesca! You talk as if you were jealous.” “You needn’t worry about that .. .” He looked sharply at her. “Do you really think...” “T don’t think anything.” “Oh, well, if that’s how you feel.” He shrugged, and they undressed in silence. He lay, staring into the dark. He couldn’t under- stand her. She couldn’t be like that, suspicious and hard. Somewhere, perhaps, it had been his fault. She may have felt out of things, lonely, a resentment of hurt loneliness. Horrible, this misunderstanding, this pain between them, all about nothing. “‘Cesca, dear.” Vesta Ces are you-all right?’ ‘Yes? “Good night, darling.” “Good night.” Her voice sounded small and flat. It was too diffi- cult, he couldn’t goon... Breakfast at Pondello, a late breakfast, leisurely and extended, sweetbreads cooked with sherry, muffins,PONDELLO 85 waffles, the food kept warm in brass heaters on the heavy Victorian sideboards. Gerald had been up early riding, and ate hungrily, next to Lydia Llanfear, who piled his plate and filled his cup. Anne, across the table, quiet, brooding, flushed in her brooding. Carl watching Anne, watching Francesca. Francesca look- ing up at Carl, catching his eye, avoiding it. Damn, thought Carl, what’s the matter with her, is she really jealous of Anne—Anne and me? Anne was oblivious to everything about her, fallen into a deep mood of inner contentment, a mood he knew well, as if her spirit dreamed about her sleepy body, spirit and body one in their content, fallow, untroubled, her mood lighting the rosy glow of her body . . . Anne smiling to herself. ‘What are you staring at me like that for, Carl? Do I look queer ?”’ “T’m not staring, Anne.” “Carl’s in one of his moods this morning,” said Amy Sarter. “Does he have moods?” Francesca asked, in her level, innocent voice. “Don’t you know that yet, Francesca? Brides are blind. Part of Carl’s charm is that he’s queer.” She looked at Anne. “T won’t have him called queer,”’ cried Anne, jump- ing up. “Not by you anyway, Amy. He’s not queer.” She put her arms around Francesca, as if to protect her. “We won’t have it, will we, Francesca?” she said, and kissed her. I hate her, thought Francesca, feeling Anne’s warm kiss on her cool lips, lips that would have trembled if she had spoken. In the afternoon Carew Acton drove his four-in- maa86 THE LLANFEAR PATTERN hand over from Rosemont. They were standing un- der the high and narrow porte-cochére when Fran- cesca came out with the others, a small neat groom at the pawing leaders’ heads. “You haven’t got much room there, Acton,” said Dr. Sarter. He was a lean, rather handsome dark Jew, with an intense, intellectual face. “Plenty. I could do it on a canter.” “Bet you a ten spot,” offered Carl. “Right,” Acton straightened. “Wait a minute,” cried Francesca. “May I come on the box with you?” “May you come? ... Andrews, help Mrs. Llan- fear, I’ve got the horses. Easy, Betty, easy, girl.” m@esea® jplease:.,;.