itte, 5 erereecee sey s aideae as LIBRARY OF THE UNIVERSITY OF VIRGINIA GIFT OF Dre Wilbur Pp, Mor gan Baltimore, Md.‘] am Alain, Mongenod’s The Seamvyv SideTHE WORKS OF HONORE DE BALZAC INTRODUCTION BY W. Po CER ENG NEW YOR fThis Edition limited to 1,000 copiesCONTENTS INTRODUCTION - - - THE SEAMY SIDE OF HISTORY: FIRST EPISODE: MADAME DE LA CHANTERIE = = - SECOND EPISODE: INITIATED - A PRINCE OF BOHEMIA A MAN OF BUSINESS - - CAOUDISSART 1 = - e SARRASINE - - - = FACINO CANE - = = - Z. MARCAS - a 2 = AN EPISODE UNDER THE TERROR PAGE 1x II4 213 251 273 285 325 341 369INTRODUCTION * [L’Envers del’ Histoire Contemporaine consists of two parts— I. “Madame de la Chanterie”; II. “L/Initié.” The first part appeared by fragments, not consecutive, in the Musée des Fa- milles in 1842, 1843, and 1844, For details, see Lovenjoul. In 1846 the three fragments, knit together by short passages, and bearing the title now given to the whole book, entered the “Scénes de la Vie Politique” of the “Comedy.” Another edi- tion in three volumes and fifty-five chapters, under the title of “La Femme de Soixante Ans,” accompanied by “L’ Enfant Maudit” and three sketches, appeared in 1847. Still another edition under the title of “Madame de la Chanterie” was issued in 1854. The second part (long announced as “Les Fréres de la Consolation’) appeared under its present title in Le Spec- tateur fépublicain, August 1-September 3, 1838. In 1854 it was published in two volumes, accompanied by “El Ver- dugo” and divided into eighteen chapters, since suppressed. In 1855 it took its place in the novel as we have it to-day in the second of the volumes supplementary to the “Comedy.” Be- ing dated from Wierzchovnia, Ukraine, December, 1847, it is evidently the last important composition that we have from Balzac’s pen. A few words with regard to the leading char- acters of the entire work will be sufficient for our purposes. Mme. de la Chanterie has been mentioned in “La Cousine Bette,” as has also the younger Montauran, “M. Nicolas.” (See “Les Chouans.”) Bryond des Tours-Miniéres, as we are informed in the novel, is the Contenson of “Splendeurs et Miséres.” Barbet and Métivier have figured in “Les Petits Bourgeois,” and the former in “Tllusions Perdues” (see also * Copyright, 1900, by Thomas Y. Crowell & Company. (ix) (Vol. XXXII)x INTRODUCTION later “Un Homme d’Affaires”). For Bordin and “Ime. de Cing-Cygne sce “Une Ténébreuse Affaire.” A glimpse of Baron de Bourlac has been given in “Les Paysans” ; his daugh- ter and grandson do not reappear. Vissard, Cibot (“Pille- Miche”), Leroi (“Marche-a-Terre’) recall “Les Chouans.” The Mongenods are known from “Modeste Mignon” (see also “T’Interdiction”). Judge Popinot recalls “L’Interdiction” and “César Birotteau.” For Frédéric Marest, see “Un Début dans la Vie” and “Le Député d’Arcis.” The poet Vernisset probably attracted little attention in “La Cousine Bette” and “Béatrix.” Alain, Godefroid, Lecamus, and Dr. Halpersohn do not reappear. Un Prince de la Bohéme appeared first under the title of “Les Fantaisies de Claudine” in the Revue Parisienne (Bal- zac’s own enterprise) August 25, 1840. In 1844 it was pub- lished, with “‘Honorine,” under its present title. Two years later it entered the “Scénes de la Vie Parisienne’ of the “Comedy.” The Revue version was republished in 1853. Cer- tain changes were made in the story in 1845, as is indicated by the double date, 1839-1845. In the version that followed “Honorine” there were two parts and twenty-seven chapters, since suppressed. It is to be noted that at one time Balzac substituted Mme. de Rastignaec for Mme. de Rochefide, al- though readers of “Béatrix” will perceive that it was to the latter that Nathan really described La Palférine, It is in- teresting to note also that the story was inscribed to Heinrich Heine, a pleasant fact which partly atones for the very un- pleasant and unnecessary attack on Balzac’s chief literary enemy, Ste. Beuve. With regard to the characters little need be said. Nathan and Mme. de Rochefide and La Palférine himself are thoroughly familiar. Mme. de la Baudraye re- calls “La Muse du Département.” Du Bruel and his wife (Tullia) have been encountered in “Les Employés,” “Un Menage de Garcon,” “Les Petits Bourgeois,” and elsewhere. (Vol. XXXII)INTRODUCTION xi The mention of Mlle. Laguerre recalls “Tes Paysans.” Z. Marcas appears below. Mlle. Chocardelle (Antonia) is the heroine of “Un Homme d’ Affaires” (see below) and has played a part in “Le Député d’Arcis.” (See also “Béatrix” and “La Cousine Bette.”) Mme. Anselme Popinot, César Birotteau’s daughter, seems out of place in this company. Un Homme d’Affaires was first printed in Le Siécle, Sep- tember 10, 1845, under the title of “Les Roueries d@’un Cré- ancier.” It formed Chapter III. of a series of “Etudes de Meurs,” being preceded by “Une Rue de Paris et son Habi- tant” (“Ciuvres Diverses”) and “Le Luther des Chapeaux” (included in “Les Comédiens sans le Savoir”). It was at first divided into two parts, suppressed when it entered, in 1846, the “Scénes de la Vie Parisienne” of the “Comedy,” under the title of “Esquisse d’Homme d’Affaires @aprés Nature.” In 1847 it was published with “Ou Ménent les Mauvaux Chemins” (“Splendeurs et Miséres,” Part III.). It took its present title in the definitive edition. Of most of the characters mentioned—for example, Malaga (“La Fausse Maitresse”), Cardot, the notary, Nathan, Lousteau, Desroches, La Palférine, Bixiou, Maxime de Trailles, Claparon, Nu- cingen, Cérizet, and Lord Dudley—no special notice need be taken here. Antonia has been mentioned above. Croizeau and Denisart do not reappear. Gaudissart IT. appeared first in La Presse, October 12, 1844, under the title of “Un Gaudissart de la Rue Richelieu; les Comédies qu’ on peut voir gratis.” It was published also in “Le Diable de Paris” (two volumes, 1845-46). It took its present title when, in 1846, it entered the “Scénes de la Vie Parisienne” of the “Comedy.” Fabien du Ronceret, who ac- companies the inevitable Bixiou, has been seen in “Béatrix,” where he wins Mme. Schontz for a wife. M. Fritot and his clerks do not reappear. For Talleyrand, see “Une Ténébreuse Affaire.” (Vol. XXXII)xil INTRODUCTION Sarrasine was first printed in the Revue de Paris, November 21 and 28, 1830, in two chapters, since suppressed. It appeared the next year in the “Romans et Contes Philosophiques.” It entered the first edition of the “Scénes de la Vie Parisienne,” 1834-35, and in 1844 was included among the same “Scenes” in the “Comedy.” The Lantys have been met in “Le Députe d’Arcis,” where the present tale is given in outline. It is difficult to determine who tells the story here to Mme. de Rochefide. Perhaps it is Conti, but the dates given in Cert- berr and Christophe, if correct, forbid any solution of what is after all a trifling problem. Facino Cane was first printed in La Chronique de Paris, March 17, 1836. It entered the “tudes Philosophiques” the next year. In 184+ it was transferred to the “Scénes de la Vie Parisienne” of the “Comedy.” It also appeared as “Le Pére Canet” in 1843, along with “La Muse du Département” and “Rosalie” (“Albert Savarus”’). The name of the hero reappears in “Massimilla Doni,” where we also encounter the names of Vendramini and Varése. Z. Marcas appeared in No. I. of the Revue Parisienne, July 25, 1840. In 1841 it was included in a collection, “Le Fruit Défendu,” under the title of “La Mort dun Ambi- tieux.” In 1846 it entered the “Scénes de la Vie Politique” of the “Comedy.” The Charles Rabourdin who tells the story is a son of the Rabourdins of “Les Employés.” Un Episode sous la Terreur appeared in 1830, forming the introduction to the “Mémoires de Sanson sur la Révolution Frangaise’—two volumes. The work was anonymous, but was due in part to the collaboration of Balzac, his portion being found to-day in the “CHuvres Diverses” under the title of “Souvenirs d’un Paria.” In 1845 the story was republished with “Modeste Mignon”; it had previously (1843) appeared in the “Royal Keepsake” as “Une Messe en 1793.” It entered the “Scénes de la Vie Politique” of the “Comedy” in 1846. (Vol. XXXII)INTRODUCTION xHi In the later versions the conclusion was considerably shortened and the tale thereby improved. The Abbé Marolles does not reappear. ‘lhe names of Beauséant and Langeais are famil- iar; that of Ragon recalls “César Birotteau.” A Sanson, son of the hero of this story, has been seen in “La Derniére In- carnation de Vautrin” (“Splendeurs et Miséres, Part IV.) ] “L’Envers de l’Histoire Contemporaine” is one of those works that naturally appeal to one class of critics and readers, and as naturally repel another class. Idealists are more or less likely to find in it what Balzac wished them to find ; realists are just as likely to dwell on the improbable and exceptional features of the story and to consider it, not as a failure, per- haps, but as far from being a masterpiece. Hence it is not surprising to have one critic tell us that among the “Etudes de Mceurs” it is the novel that most suggests the crucial scene in a great drama “in which the genius of the dramatist draws from the parterre, which is beside itself, a sudden ery of ad- miration and provokes the wild explosion of the most madden- ing applause,’ while another writes regretfully about the lamp of its author’s genius burning low. The one critic has entered too unreservedly into the spirit with which Balzac wrote; the other has confined his attention too exclusively to the details of the book. Let us see now if we can judge it fairly without calling it the “Paradiso” of the “Human Com- edy” or praising it so faintly as to induce prospective readers to put it quietly aside. It is quite evident that the character of the pious heroine was immensely attractive to Balzac, and that he intended her to make amends for certain other heroines of his—for ex- ample, la Femme de Trente Ans. He wished also to bring out once more, to the best of his ability, the regenerating power of “la religion catholique, apostolique et romaine,” as well as to transfer to fiction, some of the power and charm (Vol. XXXII)PULSE EMA RANOURRM SETA SS PURI ARS SSN SST eeeRRateaeesad gt 34 a ne Xiv INTRODUCTION of a book he admired greatly, Thomas 4 Kempis’s “Imitation.” Furthermore he probably wished to show what a finer woman than Mme. Graslin (“Le Curé de Village”), in fact a female Benassis (“Le Médecin de Campagne’’), could accomplish for the amelioration of human life, not in the country, but in the great capital itself. He would show, too, what a secret or- ganization could do in the interests of charity, and thus fur- nish the needed foil to “The Thirteen” and to the band of thieves headed by Vautrin. Such probably were the ideal purposes with which he under- took his novel, and it seems only fair to maintain that he in part accomplished them. Mme. de la Chanterie is to some of us at least a nobly attractive figure. If her sufferings are somewhat exaggerated, her genuine Christian piety is not, and in her character Balzac has made virtue far more interesting and alluring than he did in that of Mme. Mortsauf. Tach of her fellow-workers is interesting also, particularly M. Alain, and there is nothing inherently improbable in the idea that such an association could have done a great deal of good. Perhaps if he were living and writing to-day, Balzac would lay less stress on the medizeval and monastic features of his study of the problems of public charity and would treat the latter from a scientific and political point of view. His point of view was consistent, however, with what he had thought and written from the days of “Jésus-Christ en Flandre,” and although it is hard to see why “L’Envers de |’ Histoire Contemporaine” should be included among the “Scenes of Political Life,” it is still harder to see how anyone interested in modern philanthropy can fail to be attracted by a novel which is at once loftily ideal and full of practical suggestive- ness. It has concrete merits also. The opening description of the remains of old Paris is excellent; so too is the sketch of Gode- froid’s antecedents. The portrait of Mme. Vauthier, although (Vol. XXXII)INTRODUCTION KV not equal to that of the immortal Mme. Vauquer, is neverthe- less a notable one. The description of the Bourlac family, of the old father’s devotion to his afflicted daughter, of the Polish physician, of Auguste’s theft, could have been given us only by the author of the Comédie Humaine. In fact, the second part of the story is almost altogether good and inter- esting, and does not show that the lamp of Balzac’s genius was flickering. The first part, merely as a narrative, has faults soon to be mentioned, but it has the merit of making Mme. de la Chanterie known to us and is not lacking in good descrip- tions and analytical passages. Some of the ideas it expresses on the subject of the poor and of the criminal class are strik- ingly modern ; for example, the remark of M. Nicolas: “There are no atrocious scoundrels, there are diseased natures that ought to be treated at Charenton.” There are also pregnant observations worthy of Balzac in his prime—for example: “Concentration of moral forces, by whatever system, decupies their range and power.” But the novel, especially in its first portion, has grave de- fects that partly justify its harsh critics. There is too much interruption of the thread of the narrative—a fault not un- common with Balzac. The story of M. Alain is spun out and a trifle unreal. The legal documents that throw light on the career of Mme. de la Chanterie are too full of details for pages that are episodic. Even the introduction of Marche-a-Terre and Pille-Miche does not make them interesting. One has a feeling too that in describing Mme. de la Chanterie’s suffer- ings, Balzac is somewhat guilty of “piling on the agony,” and that in being suspicious of her preternatural innocence in the matter of her daughter’s intrigues Bourlac was not altogether to blame. One feels also that a little too much is made of Mme. de la Chanterie’s charity in pardoning Bourlac, and that the scene in which she does it verges on sentimental melo- drama. Bourlac is not clearly shown to have been anything | @oly Sx)xvi INTRODUCTION of a Jeffreys, many years of mortification of the spirit had chastened both judge and victim, and the latter had had full information about the sufferings of the former and about his paternal love which was at least equal to that she had for her own daughter. Exaggeration is also to be detected, probably, in the description of Bryond’s vicious character, although it must be admitted that there is seemingly. no limit to the eredulity of good people in the matter of matrimony. We conclude as we began, that the idealistic element of this novel makes a great and strong appeal, but that it lacks in part the realistic inevitableness that characterizes Balzac’s masterpieces. Yet it contains many characteristic touches. Vanda’s strange disease reminds us of “Pierrette,” of “La Cousine Bette,” of “Le Lys dans la Vallée” and other stories —Balzac having always had a certain hankering for the ab- normal in this genre, especially when the malady was produced by a secret poison. (Cf. “Ferragus” and the case of Crevel and his wife referred to above.) In other words, our great realist never entirely weaned himself from romanticism. An- other characteristic touch is seen in the account of the monu- mental work to which Bourlac was devoting himself—the “Esprit des Lois Nouvelles.” One at once thinks of Ra- bourdin’s magnum opus (“Les Employés”) and the Marquis d’Espard’s share in the treatise on China. (“L’Interdiction”.) The plots of Barbet and Métivier suggest those of the Cointets in “Illusions Perdues.” Bourlac’s parental affection almost equals that of Goriot, and the loving deception he practises _has more to justify it than that practised by Paz in “La Iausse Maitresse.” Finally we may observe that the note of the grandiose comes out in the description of Dr. Halper- sohn, who as a Polish genius would naturally prove a specially attractive character to a novelist who was making his tempo- rary abode in Poland and to whom for years all things Polish had worn an aureole of charm. (Vol: XXXII)INTRODUCTION xvii We must be quite brief with regard to the seven sketches and tales embraced in this concluding volume. Two of them, “Sarrasine” and “Un Episode sous la Terreur,” date from the great year, 1830. Three, “Facino Cane,’ “Un Prince de la Boheme,” and “Z. Marcas,” date from the middle period, 1836- 1842, when Balzac’s genius was not at its full splendor. Two, “Gaudissart II.” and “Un Homme d’ Affaires,” date from the years in which he was again writing masterpieces (1844-45). The earlier pieces are fine, each in its way; only one of the in- termediate pieces (“Z. Marcas”) is worthy of high praise; the later pieces are slight, although both are clever. “Un Prince de la Bohéme” is one of those anecdotal recitals hat Balzac was so fond of putting into the mouths of his lead- ing characters. We have already read specimens of this sort of work—for example, “La Maison Nucingen” and “Gobseck,” —and four of the present group belong to the genre, which is sometimes highly satisfactory, sometimes just the reverse. “Un Prince de la Bohéme” is generally regarded as unsatis- factory. The attack on Ste. Beuve was unjustifiable, and, being poorly executed, almost unpardonable. The description of La Palférine, who is said to have been modeled on a real habitué of a famous café, has been used by critics in defence of the thesis that Balzac did not know how to describe real gentlemen, because he showed a sneaking fondness for this shady hero’s sheer insolence and blackguardism. It is almost needless to say that these critics go too far. It is doubtful whether Balzac admired La Palférine’s blackguardism—what he admired was the almost sheer limitlessness of the fellow’s lack of shame. He had the artist’s fondness for whatever is supreme in its way, and while it may be justly claimed that there are exaggerations to be found in this story, it is only fair to claim also that it contains a good exposition of what we moderns know as “cheek.” The pages on Bohemia, on the “Jeunes gens,” the sketch of the Palférines, and the descrip- (vol. XXXII)XVili INTRODUCTION tion of the du Bruel ménage are furthermore entitled to a considerable amount of praise. Yet it is surely permissible to wish that Balzac had employed his time on something else. “Un Homme d’Affaires” and “Gaudissart II.” are more successful. In the former we have Maxime de Trailles and Cérizet, though not at their best, at least fairly worthy of themselves ; in the latter we have a sketch of the “Physiologie” type, as well as one that might easily have fitted into “Les Comédiens sans le Savoir.” There is obviously nothing great about such work, but it has a distinct though minor place in the “Comedy.” “Sarrasine,’ as we have already had occasion to remark, forms with “La Fille aux Yeux d’Or” and “Une Passion dans le Désert” a small group of stories dealing with passions that are regarded generally as lying outside the range of subjects adapted to treatment in fiction. We found an excuse for the existence of “a Fille aux Yeux d’Or” in the fact that the “Comedy” was designed to cover the entire range of human life. The date at which “Sarrasine” was composed makes this excuse inapplicable unless we can show that Balzac had fully developed his great scheme at that time. However this may be, he had given evidence of his capacity and intention to treat all forms of passion, and to such a genius much liberty must be allowed. The story shows marked powers of descrip- tion and keeps up well its uncanny interest. It is not so great as either of its companions; but like them it is subtle in its handling of a theme that is barely tolerable when treated in classical or oriental literature. It will be noted that, as in “La Fille aux Yeux @Or,” the victim of this sec- ond Grecian vice is not of French birth. “Facino Cane,” like “Sarrasine,” and like the more or less contemporaneous “Gambara” and “Massimilla Doni,” shows plainly the influence that Italy and things Ttalian had on Balzac’s mind, especially after his travels in that delightful (Vol. KXXIT) 5INTRODUCTION x1x land. The story cannot, however, be regarded as a master- piece, although the description of the blind musician is good, nor can such high praise be accorded “Z. Marcas,” which is nevertheless a strong performance. We need not discuss Balzac’s queer ideas about names and the influence they have upon their bearers, on which there is an elaborate essay in Lovenjoul’s “Roman d’Amour.” We must, however, notice the resemblance Marcas bears to the statesman Balzac would have liked to be, and we must confess that the sketch gives an excellent analysis of the weakness of Louis Philippe’s mon- archy and a fairly accurate prophecy of its fall. The dis- cussion of the bad effects of the repression of youthful genius in favor of mediocrity, is impressive and still valuable in view of the fact that democracies are always suspicious of statesmen versed in political theory. In “boss-ridden” countries and communities the fate of Marcas will be increasingly possible and pathetic. The concluding story ranks among the short masterpieces, and is an admirable composition with which to take leave of the “Comedy.” It appeals to the noblest qualities of human nature as profoundly as does “La Messe de l’Athée”; it has much of the religious charm of “Jésus-Christ en Flandre.” It is, perhaps, the finest flower of Balzac’s loyal conservatism, and it is as creditable to the race as to him, that it should have burst into immortal bloom. W. P. TRENT. (Vol. XXXII)THE SEAMY SIDE OF HISTORY FIRST EPISODE MADAME DE LA CHANTERIE ONE fine September evening, in the year 1836, a man of about thirty was leaning over the parapet of the quay at a point whence the Seine may be surveyed up stream from the Jardin des Plantes to Notre-Dame, and down in grand per- spective to the Louvre. There is no such view elsewhere in the Capital of Ideas (Paris). You are standing, as it were, on the poop of a ves- sel that has grown to vast proportions. You may dream there of Paris from Roman times to the days of the Franks, from the Normans to the Burgundians, through the Middle Ages to the Valois, Henri IV., Napoleon, and Louis Philippe. There is some vestige or building of each period to bring it to mind. The dome of Sainte-Geneviéve shelters the Quartier Latin. Behind you rises the magnificent east end of the Cathedral. The Hotel de Ville speaks of all the revolutions, the Hotel Dieu of all the miseries of Paris. After glancing at the splendors of the Louvre, take a few steps, and you can see the rags that hang out from the squalid crowd of houses that huddle between the Quai de la Tournelle and the Hétel Dieu; the authorities are, however, about to clear them away. In 1836 this astonishing picture inculcated yet another les- son. Between the gentleman who leaned over the parapet and the cathedral, the deserted plot, known of old as le Terrain, was still strewn with the ruins of the Archbishop’s palace. As we gaze there on so many suggestive objects, as the mind takes in the past and the present of the city of Paris, Religion seems (1)2 THE SEAMY SIDE OF HISTORY to have established herself there that she might lay her hands on the sorrows on both sides of the river, from the Faubourg Saint-Antoine to the Faubourg Saint-Marceau. It is to be hoped that these sublime harmonies may be com- pleted by the construction of an Episcopal palace in a Gothic style to fill the place of the meaningless buildings that now stand between the Island, the Rue d’Arcole, and the Quai de la Cite. This spot, the very heart of old Paris, is beyond anything deserted and melancholy. The waters of the Seine break against the wall with a loud noise, the Cathedral throws its shadow there at sunset. It is not strange that vast thoughts should brood there in a brain-sick man. Attracted perhaps by an accordance between his own feelings at the moment and those to which such a varied prospect must give rise, the loi- terer folded his hands over the parapet, lost in the twofold con- templation of Paris and of himself! The shadows spread, lights twinkled into being, and still he did not stir; carried on as he was by the flow of a mood of thought, big with the future, and made solemn by the past. At this instant he heard two persons approaching, whose voices had been audible on the stone bridge where they had crossed from the Island of the Cité to the Quai de la Tour- nelle. The two speakers no doubt believed themselves to be alone, and talked somewhat louder than they would have done in a more frequented place, or if they had noticed the propinquity of a stranger. From the bridge their tones be- trayed an eager discussion, bearing, as it seemed, from a few words that reached the involuntary listener, on a loan of money. As they came closer, one of the speakers, dressed as a working man, turned from the other with a gesture of de- spair. His companion looked round, called the man back, and said: “You have not a sou to pay the bridge-toll. Here!’—and he gave him a coin—‘‘and remember, my friend, it is God Himself who speaks to us when a good thought occurs to us.” The last words startled the dreamer. The man who spokeTHE SEAMY SIDE OF HISTORY 3 had no suspicion that, to use a proverbial expression, he was killing two birds with one stone; that he spoke to two un- happy creatures—a workman at his wits’ end, and a soul with- out a compass; a victim of what Panurge’s sheep call Prog- ress, and a victim of what France calls equality. These words, simple enough in themselves, acquired grandeur from the tone of the speaker, whose voice had a sort of magical charm. Are there not such voices, calm and sweet, affecting us like a view of the distant ocean? The speaker’s costume showed him to be a priest, and his face, in the last gleam of twilight, was pale, and dignified, though worn. The sight of a priest coming out of the grand Cathedral of Saint Stephen at Vienna to carry extreme unc- tion to a dying man, persuaded Werner, the famous tragic poet, to become a Catholic. The effect was much the same on our Parisian when he saw the man who, without intend- ing it, had brought him consolation; he discerned on the dark line of his horizon in the future a long streak of light where the blue of heaven was shining, and he followed the path of light, as the shepherds of the Gospel followed the voice that called to them from on high, “Christ the Lord is born !” The man of healing speech walked on under the cathedral, and by favor of Chance—which is sometimes consistent— made his way towards the street from which the loiterer had come, and whither he was returning, led there by his own mistakes in life. This young man’s name was Godefroid. As this narrative proceeds, the reader will understand the reasons for giving to the actors in it only their Christian names. And this is the reason why Godefroid, who lived near the Chausée d’Antin, was lingering at such an hour under the shadow of Notre-Dame. He was the son of a retail dealer, who, by economy, had made some little fortune, and in him centered all the ambi- tions of his parents, who dreamed of seeing him a notary in Paris. At the early age of seven he had been sent to a school, kept by the Abbé Liautard, where he was thrown together4 THE SHAMY SIDE OF HISTORY with the children of certain families of distinction, who had selected this establishment for the education of their sons, out of attachment to religion, which, under the emperor, was somewhat too much neglected in the Lycées, or public schools. At that age social inequalities are not recognized between school-fellows; but in 1821, when his studies were finished, Godefroid, articled to a notary, was not slow to perceive the distance that divided him from those with whom he had hith- erto lived on terms of intimacy. While studying the law, he found himself lost in the crowd of young men of the citizen class, who, having neither a ready- made fortune mor hereditary rank, had nothing to look to but their personal worth or persistent industry. The hopes built upon him by his father and mother, who had now retired from business, stimulated his conceit without giving him pride. His parents lived as simply as Dutch folks, not spend- ing more than a quarter of their income of twelve thousand francs; they intended to devote their savings, with half their capital, to the purchase of a connection for their son. Gode- froid, reduced also to live under the conditions of this do- mestic thrift, regarded them as so much out of proportion to his parents’ dreams and his own, that he felt disheartened. In weak characters such discouragement leads to envy. While many other men, in whom necessity, determination, and good sense were more marked than talent, went straight and stead- fastly onward in the path laid down for modest ambitions, Godefroid waxed rebellious, longed to shine, insisted on fac- ing the brightest light, and so dazzled his eyes. He tried to “get on,” but all his efforts ended in demonstrating his in- capacity. At last, clearly perceiving too great a discrepancy between his desires and his prospects, he conceived a hatred of social superiority ; he became a Liberal, and tried to make himself famous by a book; but he learned, to his cost, to re- gard talent much as he regarded rank. Having tried by turns the profession of notary, the bar, and literature, he now aimed at the higher branch of the law. At this juncture his father died. His mother, content inTHE SEAMY SIDE OF HISTORY 5 her old age with two thousand francs a year, gave up almost her whole fortune to his use. Possessor now, at five-and- twenty, of ten thousand francs a year, he thought himself rich, and he was so as compared with the past. Hitherto his life had been a series of acts with no will behind them, or of impotent willing; so, to keep pace with the age, to act, to be- come a personage, he tried to get into some circle of society by the help of his money. At first he fell in with journalism, which has always an open hand for any capital that comes in its way. Now, to own a newspaper is to be a Personage; it means employing talent and sharing its successes without dividing its labors. Nothing is more tempting to second-rate men than thus to rise by the brains of others. Paris has had a few parvenus of this type, whose success is a disgrace both to the age and to those who have lent a lifting shoulder. In this class of society Godefroid was soon cut out by the vulgar cunning of some and the extravagance of others, by the money of ambitious capitalists or the manceuvring of edi- tors; then he was dragged into the dissipations that a literary or political life entails, the habits of critics behind the scenes, and the amusements needed by men who work their brains hard. Thus he fell into bad company; but he there learned that he was an insignificant-looking person, and that he had one shoulder higher than the other without redeeming this malformation by any distinguished ill-nature or wit. Bad manners are a form of self-payment which actors snatch by telling the truth. Short, badly made, devoid of wit or of any strong bent, all seemed at an end for a young man at a time when for suc- cess In any career the highest gifts of mind are as nothing without luck, or the tenacity which commands luck. The revolution of 1830 poured oil on Godefroid’s wounds; he found the courage of hope, which is as good as that of de- spair. Like many another obscure journalist, he got an ap- pointment where his Liberal ideas, at loggerheads with the demands of a newly-established power, made him but a re-6 THE SHAMY SIDE OF HISTORY fractory instrument. Veneered only with Liberalism, he did not know, as superior men did, how to hold his own. To obey the Ministry was to him to surrender his opinions. And the Government itself seemed to him false to the laws that had given rise to it. Godefroid declared in favor of movement when what was needed was tenacity; he came back to Paris almost poor, but faithful to the doctrines of the opposition. Alarmed by the licentiousness of the press, and yet more - by the audacity of the republican party, he sought in retire- ment the only life suited to a being of incomplete faculties, devoid of such force as might defy the rough jolting of politi- cal life, weary too of repeated failures, of suffering and strug- gles which had won him no glory; and friendless, because friendship needs conspicuous qualities or defects, while pos- sessing feelings that were sentimental rather than deep. Was it not, in fact, the only prospect open to a young man who had already been several times cheated by pleasure, and who had grown prematurely old from friction in a social cir- cle that never rests nor lets others rest ? His mother, who was quietly dying in the peaceful village of Auteuil, sent to her son to come to her, as much for the sake of having him with her as to start him in the road where he might find the calm and simple happiness that befits such souls. She had at last taken Godefroid’s measure when she saw that at eight-and-twenty he had reduced his whole for- tune to four thousand francs a year; his desires blunted, his fancied talents extinct, his energy nullified, his ambition crushed, and his hatred for every one who rose by legitimate effort increased by his many disappointments. She tried to arrange a marriage for Godefroid with the only daughter of a retired merchant, thinking that a wife might be a guardian to his distressful mind, but the old father brought the mercenary spirit that abides in those who have been engaged in trade to bear on the question of settlements. At the end of a year of attentions and intimacy, Godefroid’s suit was rejected. In the first place, in the opinion of these case-hardened traders, the young man must necessarily haveTHE SEAMY. SIDE OF HISTORY 7 retained a deep-dyed immorality from his former pursuits; and then, even during this past year, he had drawn upon his capital both to dazzle the parents and to attract the daugh- ter. This not unpardonable vanity gave the finishing touch; the family had a horror of unthrift; and their refusal was final when they heard that Godefroid had sacrificed in six years a hundred and fifty thousand francs of his capital. The blow fell all the harder on his aching heart because the girl was not at all good-looking. Still, under his mother’s influence, Godefroid had credited the object of his addresses with a sterling character and the superior advantages of a sound judgment; he was accustomed to her face, he had stud- ied its expression, he liked the young lady’s voice, man- ners, and look. Thus, after staking the last hope of his life on this attachment, he felt the bitterest despair. His mother dying, he found himself—he whose require- ments had always followed the tide of fashion—with five thousand francs for his whole fortune, and the certainty of never being able to repair any future loss, since he saw him- self incapable of the energy which is imperatively demanded for the grim task of making a fortune. But a man who is weak, aggrieved, and irritable cannot submit to be extinguished at a blow. While still in mourn- ing, Godefroid wandered through Paris in search of some- thing to “turn up”; he dined in public rooms, he rashly intro- duced himself to strangers, he mingled in society, and met with nothing but opportunities for expenditure. As he wan- dered about the Boulevards, he was so miserable that the sight of a mother with a young daughter to marry gave him as keen a pang as that of a young man going on horseback to the Bois, of a parvenu in a smart carriage, or of an official with a rib- bon in his buttonhole. The sense of his own inadequacy told him that he could not pretend even to the more respectable of second-class positions, nor to the easiest form of office-work. And he had spirit enough to be constantly vexed, and sense enough to bewail himself in bitter self-accusation. Incapable of contending with life, conscious of certain su-8 THE SHAMY SIDE OF HISTORY perior gifts, but devoid of the will that brings them into play, feeling himself incomplete, lacking force to undertake any great work, or to resist the temptations of those tastes he had acquired from education or recklessness in his past life, he was a victim to three maladies, any one of them enough to disgust a man with life when he has ceased to exercise his religious faith. Indeed, Godefroid wore. the expression so common now among men, that it has become the Parisian type: it bears the stamp of disappointed or smothered ambi- tions, of mental distress, of hatred iulled by the apathy of a life amply filled up by the superficial and daily spectacle of Paris, of satiety seeking stimulants, of repining without tal- ent, of the affectation of force; the venom of past failure which makes @ man smile at scoffing, and scorn all that is elevating, misprize the most necessary authorities, enjoy their dilemmas, and disdain all social forms. This Parisian disease is to the active and persistent coali- tion of energetic malcontents what the soft wood is to the sap of a tree; it preserves it, covers it, and hides it. Weary of himself, Godefroid one morning resolved to give himself some reason for living. He had met a former school- fellow, who had proved to be the tortoise of the fable while he himself had been the hare. In the course of such a con- versation as is natural to old companions while walking in the sunshine on the Boulevard des Italiens, he was amazed to find that suecess had attended this man, who, apparently far less gifted than himself with talent and fortune, had sim- ply resolved each day to do as he had resolved the day before. The brain-sick man determined to imitate this simplicity of purpose. “Life in the world is like the earth,” his friend had said; “it yields in proportion to our labors.” Godefroid was in debt. As his first penance, his first duty, he required himself to live in seclusion and pay his debts out of his income. For a man who was in the habit of spending six thousand franes when he had five, it was no light thing toTHE SEAMY SIDE OF HISTORY 9 reduce his expenses to two thousand francs. He read the ad- vertisement-sheets every morning, hoping to find a place of refuge where he might live on a fixed sum, and where he might enjoy the solitude necessary to a man who wanted to study and examine himself, and discern a vocation. The manners and customs of the boarding-houses in the Quartier Latin were an offence to his taste; a private asylum, he thought, would be unhealthy; and he was fast drifting back into the fatal uncertainty of a will-less man, when the following adver- tisement caught his eye: “Small apartments, at seventy francs a month; might suit a clerk in orders. Quiet habits expected. Board included ; and the rooms will be inexpensively furnished on mutual agreement. Inquire of M. Millet, grocer, Rue Chanoinesse, by Notre-Dame, for all further particulars. ’’ Attracted by the artless style of this paragraph, and the aroma of simplicity it seemed to bear, Godefroid presented himself at the grocer’s shop at about four in the afternoon, and was told that at that hour Madame de la Chanterie was dining, and could see no one at meal-times. The lady would be visible in the evening after seven, or between ten and twelve in the morning. While he talked, Monsieur Millet took stock of Godefroid, and proceeded to put him through his first ex- amination—“Was monsieur single? Madame wished for a lodger of regular habits. The house was locked up by eleven at latest.” “Well,” said he in conclusion, “you seem to me, monsieur, to be of an age to suit Madame de la Chanterie’s views.” “What age do you suppose I am?” asked Godefroid. “Somewhere about forty,” replied the grocer. This plain answer cast Godefroid into the depths of misan- thropy and dejection. He went to dine on the Quai de la Tournelle, and returned to gaze at Notre-Dame just as the fires of the setting sun were rippling and breaking in wavelets on the buttresses of the great nave. The quay was already in shadow, while the towers still glittered in the glow, and10 THE SEAMY SIDE OF HISTORY the contrast struck Godefroid as he tasted all the bitterness which the grocer’s brutal simplicity had stirred within him. Thus the young man was oscillating between the whisper- ings of despair and the appealing tones of religious harmony aroused in his mind by the cathedral bells, when, in the dark- ness, and silence, and calm moonshine, the priest’s speech fell on his ear. Though far from devout—like most men of the century—his feelings were touched by these words, and he went back to the Rue Chanoinesse, where he had but just decided not to go. The priest and Godefroid were equally surprised on turn- ing into the Rue Massillon, opposite the north door of the cathedral, at the spot where it ends by the Rue de la Colombe, and is called Rue des Marmousets. When Godefroid stopped under the arched doorway of the house where Madame de la Chanterie lived, the priest turned round to examine him by the light of a hanging oil-lamp, which will, very likely, be one of the last to disappear in the heart of old Paris. “Do you wish to see Madame de la Chanterie, monsieur ?” asked the priest. “Yes,” replied Godefroid. “The words I have just heard you utter to that workman prove to me that this house, if you dwell in it, must be good for the soul.” “Then you witnessed my failure,” said the priest, lifting the knocker, “for I did not succeed.” “Tt seems to me that it was the workman who failed. He had begged sturdily enough for money.” “Alas!” said the priest, “one of the greatest misfortunes attending revolutions in France is that each, in its turn, of- fers a fresh premium to the ambitions of the lower classes. To rise above his status and make a fortune, which, in these days, is considered the social guarantee, the workman throws ~ himself into monstrous plots, which, if they fail, must bring those who dabble in them before the bar of human justice. This is what good-nature sometimes ends in.” The porter now opened a heavy gate, and the priest said to Godefroid :THE SEAMY SIDE OF HISTORY “Then you have come about the rooms to let?” “Yes, monsieur.” The priest and Godefroid then crossed a fairly wide court- yard, beyond which stood the black mass of a tall house, flanked by a square tower even higher than the roof, and amaz- ingly old. Those who know the history of Paris are aware that the old soil has risen so much round the cathedral, that there is not a trace to be seen of the twelve steps which originally led up to it. Hence what was the ground floor of this house must now form the cellars. There is a short flight of outer steps to the door of the tower, and inside it an ancient Vise or stairs, winding in a spiral round a newell carved to imi- tate a vine-stock. This style, resembling that of the Louis XII. staircases at Blois, dates as far back as the fourteenth century. Struck by these various signs of antiquity, Godefroid could not help exclaiming: “This tower was not built yesterday!” “Tt is said to have withstood the attacks of the Normans and to have formed part of a primeval palace of the kings of Paris; but according to more probable traditions, it was the residence of Fulbert, the famous Canon, and the uncle of Héloise.” As he spoke the priest opened the door of the apartment, which seemed to be the ground floor, and which, in fact, is now but just above the ground of both the outer and the inner courtyard—for there is a small second court. In the first room a servant sat knitting by the ght of a small lamp; she wore a cap devoid of any ornament but its gauffered cambric frills. She stuck one of the needles through her hair, but did not lay down her knitting as she rose to open the door of a drawing-room looking out on the inner court. This room was lighted up. The woman’s dress suggested to Godefroid that of some Gray Sister. “Madame, I have found you a tenant,” said the priest, showing in Godefroid, who saw in the room three men, sitting in armchairs near Madame de la Chanterie.12 THE SEAMY SIDE OF HISTORY The three gentlemen rose; the mistress of the house also ; and when the priest had pushed forward a chair for the stranger, and he had sat down in obedience to a sien from Madame de la Chanterie and an old-fashioned bidding to “Be seated,” the Parisian felt as if he were far indeed from Paris, in remote Brittany, or the backwoods of Canada. There are, perhaps, degrees of silence. Godefroid, struck already by the tranquillity of the Rue Massillon and Rue Chanoinesse, where a vehicle passes perhaps twice in a month, struck too by the stillness of the courtyard and the tower, may have felt himself at the very heart of silence, in this drawing-room, hedged round by so many old streets, old court- yards, and old walls. This part of the Island, called the Cloister, preserves the character common to all cloisters; it is damp, and cold, and monastic; silence reigns there unbroken, even during the noisiest hours of the day. It may also be remarked that this part of the Cité, lying between the body of the Cathedral and the river, is to the north and under the shadow of Notre- Dame. The east wind loses itself there, unchecked by any obstacle, and the fogs from the Seine are to some extent en- trapped by the blackened walls of the ancient metropolitan church. So no one will be surprised at the feeling that came over Godefroid on finding himself in this ancient abode, and in the presence of four persons as silent and as solemn as every- thing around them. He did not look about him ; his curiosity centered in Madame de la Chanterie, whose name even had al- ready puzzled him. This lady was evidently a survival from another century, not to say another world. She had a rather sweet face, with a soft, coldly-colored complexion, an aquiline nose, a benign brow, hazel eyes, and a double chin, the whole framed in curls of silver hair. Her dress could only be described by the old name of fowrreaw (literally, a sheath, a tightly-fitting dress), so literally was she cased in it, in the fashion of the eighteenth century. The material—silk of carmelite gray, finely andTHE SEAMY SIDE OF HISTORY 13 closely striped with green—seemed to have come down from the same date; the body, cut low, was hidden under a man- tilla of richer silk, flounced with black lace, and fastened at the bosom with a brooch containing a miniature. Her feet, shod in black velvet boots, rested on a little stool. Madame de la Chanterie, like her maid-servant, was knitting stockings, and had a knitting pin stuck through her waving hair under her lace cap. “Have you seen Monsieur Millet?” she asked Godefroid in the head voice peculiar to dowagers of the Faubourg Saint- Germain, as if to invite him to speak, seeing that he was al- most thunderstruck. “Yes, madame.” “IT am afraid the rooms will hardly suit you,” she went on, observing that her proposed tenant was dressed with elegance in clothes that were new and smart. Godefroid, in fact, was wearing patent leather boots, yel- low gloves, handsome shirt-studs, and a neat watch chain passed through the buttonhole of a black silk waistcoat sprigged with blue. Madame de la Chanterie took a small silver whistle out of her pocket and blew it. The woman servant came in. “Manon, child, show this gentleman the rooms. Will you, my dear friend, accompany him?” she said to the priest. “And if by any chance the rooms should suit you,” she added, rising, and looking at Godefroid, “we will afterwards dis- cuss the terms.” Godefroid bowed and went out. He heard the iron rattle of a bunch of keys which Manon took out of a drawer, and saw her light a candle in a large brass candlestick. Manon led the way without speaking a word. When he found himself on the stairs again, climbing to the upper floors, he doubted the reality of things; he felt dreaming though awake, and saw the whole world of fantastic romance such as he had read of in his hours of idleness. And any Parisian dropped here, as he was, out of the modern city with its lux- urious houses and furniture, its glittering restaurants and14 THE SEAMY SIDE OF HISTORY theatres, and all the stirring heart of Paris, would have felt as he did. The single candle carried by the servant lighted the winding stair but dimly; spiders had hung it with their dusty webs. Manon’s dress consisted of a skirt broadly pleated and made of coarse woolen stuff; the bodice was cut square at the neck, behind and before, and all her clothes seemed to move in a piece. Having reached the second floor, which had been the third, Manon stopped, turned the springs of an antique lock, and opened a door painted in coarse imitation of knotted ma- hogany. “There!” said she, leading the way. Who had lived in these rooms? A miser, an artist who had died of want, a cynic indifferent to the world, or a pious man who was alien to it? Any one of the four seemed pos- sible, as the visitor smelt the very odor of poverty, saw the greasy stains on wall-papers covered with a layer of smoke, the blackened ceilings, the windows with their small dusty panes, the brown-tiled floor, the wainscot sticky with a de- posit of fog. A damp chill came down the fireplaces, faced with carved stonework that had been painted, and with mir- rors framed in the seventeenth century. The rooms were at the angle of a square, as the house stood, enclosing the inner courtyard, but this Godefroid could not see, as it was dark. “Who used to live here?” Godefroid asked of the priest. “A Councillor to the Parlement, Madame’s grand-uncle, a Monsieur de Boisfrelon. He had been quite childish ever since the Revolution, and died in 1832 at the age of ninety- six; Madame could not bear the idea of seeing a stranger in the rooms so soon; still, she cannot endure the loss of Mente 2 “Oh, and Madame will have the place cleaned and fur- nished, to be all monsieur could wish,” added Manon. “It will only depend on how youwish to arrange the rooms,” said the priest. “They can be made into a nice sitting-room and a large bedroom and dressing-room, and the two small rooms round the corner are large enough for a spacious study.THE SEAMY SIDE OF HISTORY 15 That is how my rooms are arranged below this, and those on the next floor.” “Yes,” said Manon; “Monsieur Alain’s rooms are just like these, only that they look out on the tower.” “T think I had better see the rooms again by daylight,” said Godefroid shyly. “Perhaps so,” said Manon. The priest and Godefroid went downstairs again, leaving Manon to lock up, and she then followed to ight them down. Then, when he was in the drawing-room, Godefroid, having recovered himself, could, while talking to Madame de la Chan- terie, study the place, the personages, and the surroundings. The window-curtains of this drawing-room were of old red satin; there was a cornice-valance, and the curtains were looped with silk cord; the red tiles of the floor showed beyond an ancient tapestry carpet that was too small to cover it en- tirely. The woodwork was painted stone-color. The ceiling, divided down the middle by a joist starting from the chim- ney, looked like an addition lately conceded to modern lux- ury ; the easy-chairs were of wood painted white, with tapestry seats. A shabby clock, standing between two gilt candle- sticks, adorned the chimney-shelf. An old table with stag’s feet stood by Madame de la Chanterie, and on it were her balls of wool in a wicker basket. A clockwork lamp threw light on the picture. The three men, sitting as rigid, motionless, and speechless as Bonzes, had, like Madame de la Chanterie, evidently ceased speaking on hearing the stranger return. Their faces were perfectly cold and reserved, as befitted the room, the house, and the neighborhood. Madame de la Chanterie agreed that Godefroid’s observa- tions were just, and said that she had postponed doing any- thing till she was informed of the intentions of her lodger, or rather of her boarder; for if the lodger could conform to the ways of the household, he was to board with them—but their ways were so unlike those of Paris life! Here, in the Rue Chanoinesse, they kept country hours; every one, as a rule,16 THE SEAMY SIDE OF HISTORY had to be in by ten at night; noise was not to be endured; neither women nor children were admitted, so that their reg- ular habits might not be interfered with. No one, perhaps, but a priest could agree to such a rule. At any rate, Madame de la Chanterie wished for some one who liked plain living and had few requirements; she could only afford the most necessary furniture in the rooms. Monsieur Alain was satis- fied, however—and she bowed to one of the gentlemen—and she would do the same for the new lodger as for the old. “But,” said the priest, “I do not think that monsieur is quite inclined to come and join us in our conyent.”” “Indeed; why not?” said Monsieur Alain. “We are all quite content, and we all get on very well.” “Madame,” said Godefroid, rising, “I will have the honor of calling on you again to-morrow.” Though he was but a young man, the four old gentlemen and Madame de la Chanterie stood up, and the priest escorted him to the outer steps. A whistle sounded, and at the signal the porter appeared, lantern in hand, to conduct Godefroid to the street; then he closed the yellow gate, as heavy as that of a prison, and covered with arabesque ironwork, so old that it would be hard to determine its date. When Godefroid found himself sitting in a hackney cab and being carried to the living regions of Paris, where light and warmth reigned, all he had just seen seemed like a dream ; and as he walked along the Boulevard des Italiens, his im- pressions already seemed as remote as a memory. He could not help saying to himself: “Shall I find those people there to-morrow, I wonder 2” On the following day, when he woke in the midst of the elegance of modern luxury and the refinements of English comfort, Godefroid recalled all the details of his visit to the Cloister of Notre-Dame, and came to some conclusions in his mind as to the things he had seen there. The three gentle- men, whose appearance, attitude, and silence had left an im- pression on him, were no doubt boarders, as well as the priest.THE SEAMY SIDE OF HISTORY AT. Madame de la Chanterie’s gravity seemed to him to be the result of the reserved dignity with which she had endured some great sorrows. And yet, in spite of the explanations he gave himself, Godefroid could not help feeling that there was an air of mystery in these uncommunicative faces. He cast a glance at his furniture to choose what he could keep, what he thought indispensable; but, transporting them in fancy to the horrible rooms in the Rue Chanoinesse, he could not help laughing at the grotesque contrast they would make there, and determined to sell everything, and pay away so much as they might bring; leaving the furnishing of the rooms to Madame de la Chanterie. He longed for a new life, and the objects that could recall his old existence must be bad for him. In his craving for transformation—for his was one of those natures which rush forward at once with a bound, instead of approaching a situation step by step as others do —he was seized, as he sat at breakfast, by an idea: he would realize his fortune, pay his debts, and place the surplus with the banking firm his father had done business with. This banking house was that of Mongenod and Co., estab- lished in Paris since 1816 or 1817, a firm whose reputation had never been blown on in the midst of the commercial de- pravity which at this time had blighted, more or less, several great Paris houses. Thus, in spite of their immense wealth, the houses of Nucingen and du Tuillet, of Keller Brothers, of Palma and Co., suffer under a secret disesteem whispered, as it were, between lip and ear. Hideous transactions had led to such splendid results; and political successes, nay, mon- archical principles, had overgrown such foul beginnings, that no one in 1834 thought for a moment of the mud in which the roots were set of such majestic trees—the upholders of the State. At the same time, there was not one of these bankers that did not feel aggrieved by praises of the house of Mongenod. The Mongenods, following the example of English bankers, make no display of wealth; they do everything quite quietly, and carry on their business with such prudence, shrewdness, 2atotae 18 THH SEAMY SIDE OF HISTORY and honesty as allow them to operate with certainty from one end of the world to the other. The present head of the house, Frédéric Mongenod, is brother-in-law to the Vicomte de Fontaine. Thus his numer- ous family is connected, through the Baron de Fontaine, with Monsieur Grossetéte, the Receiver-General (brother to the Grossetéte and Co. of Limoges), with the Vandenesses, and with Planat de Baudry, another Receiver-General. This rela- tionship, after being of the greatest service to the late Monge- nod senior in his financial operations at the time of the Res- toration, had gained him the confidence of many of the old nobility, whose capital and vast savings were intrusted to his bank. Far from aiming at the peerage, like Keller, Nucin- gen, and du Tillet, the Mongenods kept out of political life, and knew no more of it than was needed for banking busi- ness. Mongenod’s bank occupies a magnificent house in the Rue de la Victoire, with a garden behind and a courtyard in front, where Madame Mongenod resided with her two sons, with whom she was in partnership. Madame la Vicomtesse de Fontaine had taken out her share on the death of the elder Mongenod in 1827. Frédéric Mongenod, a handsome fellow of about five-and-thirty, with a cold manner, as silent and reserved as a Genevese, and as neat as an Englishman, had acquired under his father all the qualifications needed in his difficult business. He was more cultivated than most bankers, for his education had given him the general knowledge which forms the curriculum of the Ecole Polytechnique; and, like many bankers, he had an occupation, a taste, outside his reg- ular business, a love of physics and chemistry. Mongenod junior, ten years younger than Frédéric, filled the place, un- der his elder brother, that a head-clerk holds under a lawyer or a notary; Frédéric was training him, as he himself had been trained by his father, in the scientific side of banking, for a banker is to money what a writer is to ideas—they both ought to know everything. Godefroid, as he mentioned his family name, could see howTHE SEAMY: SIDE OF HISTORY 19 highly his father had been respected, for he was shown through the offices at once to that next to Mongenod’s private room. This room was shut in by glass doors, so that, in spite of his wish not to listen, Godefroid overheard the conversation going on within. “Madame, your account shows sixteen hundred thousand francs on both sides of the balance sheet,” Mongenod the younger was saying. “I know not what my brother’s views may be; he alone can decide whether an advance of a hun- dred thousand francs is possible. You lacked prudence. It is not wise to put sixteen hundred thousand francs into a business - “Too loud, Louis!” said a woman’s voice. ‘Your brother’s advice is never to speak but in an undertone. There may be some one in the little waiting-room.” At this instant Frédéric Mongenod opened the door from his living rooms to his private office; he saw Godefroid, and went through to the inner room, where he bowed respectfully to the lady who was talking to his brother. He showed Godefroid in first, saying as he did so, “And whom have I the honor of addressing ?” As soon as Godefroid had announced himself, Frédéric of- fered him a chair; and while the banker was opening his desk, Louis Mongenod and the lady, who was none else than Ma- dame de la Chanterie, rose and went up to Frédéric. Then they all three went into a window recess, where they stood talking to Madame Mongenod, who was in all the secrets of the business. Jor thirty years past this clever woman had given ample proofs of her capacity, to her husband first, now to her sons, and she was, in fact, an active partner in the house, signing for it as they did. Godefroid saw in a pigeon- hole a number of boxes labeled “La Chanterie,’” and num- bered 1 to 7. When the conference was ended by a word from the Senior to his brother, “Well, then, go to the cashier,’ Madame de la Chanterie turned round, saw Godefroid, restrained a start of surprise, and then asked a few whispered questions of. Monge- nod, who replied briefly, also in a low voice.Py3. 20 THE SHAMY SIDE OF HISTORY Madame de la Chanterie wore thin prunella shoes and gray silk stockings; she had on the same dress as before, and was wrapped in the Venetian cloak that was just coming into fashion again. Her drawn bonnet of green silk, a la bonne femme, was lined with white, and her face was framed in flow- ing lace. She stood very erect, in an attitude which bore wit- ness, if not to high birth, at any rate to aristocratic habits. But for her extreme affability, she would perhaps have seemed proud. In short, she was very imposing. “Tt is not so much good luck as a dispensation of Provi- dence that has brought us together here, monsieur,” said she to Godefroid. “I was on the point of declining a boarder whose habits, as I fancied, were ill suited to those of my household; but Monsieur Mongenod has just given me some information as to your family which is——” “Indeed, madame—monsieur ” said Godefroid, address- ing the lady and the banker together, “I have no longer any family, and I came to ask advice of my late father’s banker to arrange my affairs in accordance with a new plan of life.” Godefroid told his story in a few words, and expressed his desire of leading a new life. “Formerly,” said he, “a man in my position would have turned monk; but there are now no religious Orders - “Go to live with Madame, if she will accept you as a boarder,” said Frédéric Mongenod, after exchanging glances with Madame de la Chanterie, “and do not sell your invest- ments; leave them in my hands. Give me the schedule of your debts; I will fix dates of payment with your creditors, and you can draw for your own use a hundred and fifty francs a month. It will take about two years to pay everything off. During those two years, in the home you are going to, you will have ample leisure to think of a career, especially as the peo- ple you will be living with can give you good advice.” Louis Mongenod came back with a hundred thousand-frane notes, which he gave to Madame de la Chanterie. Godefroid offered his arm to his future landlady, and took her to her hackney-coach.THE SEAMY SIDE OF HISTORY 21 “Then we shall meet again presently,” said she in a kind tone. j “At what hour shall you be at home, madame?” said Gode- froid. “In two hours’ time.” “I have time to get rid of my furniture,” said he, with a bow. During the few minutes while Madame de la Chanterie’s arm had lain on his as they walked side by side, Godefroid could not see beyond the halo cast about this woman by the words, “Your account stands at sixteen hundred thousand francs,” spoken by Louis Mongenod to a lady who buried her life in the depths of the Clottre de Notre-Dame. This idea, “She must be rich!” had entirely changed his view of things. “How old is she, I wonder?” And he had a vision of a romance in his residence in the Rue Chanoinesse. “She looks like an aristocrat; does she dabble in banking affairs?” he asked himself. And in our day nine hundred and ninety-nine men out of a thousand would have thought of the possibility of marry- ing this woman. A furniture-dealer, who was also a decorator, but chiefly an agent for furnished flats, gave about three thousand francs for all that Godefroid wished to dispose of, leaving the things in his rooms for the few days needed to clean and arrange the dreadful rooms in the Rue Chanoinesse. Thither the brain-sick youth at once repaired; he called in a painter, recommended by Madame de la Chanterie, who undertook for a moderate sum to whitewash the ceilings, clean the windows, paint the wainscoting like gray maple, and color the floors, within a week. Godefroid measured the rooms to carpet them all alike with green drugget of the cheapest de- scription. He wished everything to be uniform and as sim- ple as possible in his cell. Madame de la Chanterie approved of this. With Manon’s assistance she calculated how much white dimity would be22 THE SEAMY SIDE OF HISTORY needed for the window curtains and for a simple iron bed- stead; then she undertook to procure the stuff and to have them made for a price so small as to amaze Godefroid. With the new furniture he would send in, his apartments would not cost him more than six hundred francs. “So I can take about a thousand to Monsieur Mongenod.” “We here lead a Christian life,” said Madame de la Chan- terie, “which is, as you know, quite out of keeping with much superfluity, and I fear you still preserve too many.” As she gave her new boarder this piece of advice, she glanced at the diamond that sparkled in a ring through which the ends of Godefroid’s blue necktie were drawn. “T only mention this,’ she added, “because I perceive that you are preparing to break with the dissipated life of which you spoke with regret to Monsieur Mongenod.” Godefroid gazed at Madame de la Chanterie, listening with delight to the harmony of her clear voice; he studied her face, which was perfectly colorless, worthy to be that of one of the grave cold Dutch women so faithfully depicted by the painters of the Flemish school, faces on which a wrinkle would be impossible. “Plump and fair!” thought he, as he went away. Poul her hair is white iG Godefroid, like all weak natures, had readily accustomed himself to the idea of a new life, believing it would be per- fect happiness, and he was eager to settle in the Rue Chanoi- nesse; nevertheless, he had a gleam of prudence—or, if you like, of suspicion. Two days before moving in he went again to Monsieur Mongenod to ask for further information con- cerning the household he was going to join. During the few minutes he had spent now and then in his future home, te see what alterations were being made, he had observed the going and coming of several persons whose appearance and man- ner, without any air of mystery, suggested that they were busied in the practice of some profession, some secret occu- pation with the residents in the house. At this time many plots were afoot to help the elder branch of Bourbons to re-THE SEAMY SIDE OF HISTORY 23 mount the throne, and Godefroid believed there was some conspiracy here. But when he found himself in the banker’s private room and under his searching eye, he was ashamed of himself as he formulated his question and saw a sardonic smile on Frédéric Mongenod’s lips. “Madame la Baronne de la Chanterie,” he replied, “‘is one of the obscurest but one of the most honorable women in Paris. Have you any particular reason for asking for information ?” Godefroid fell back on flat excuses—he was arranging to live a long time with these strangers, and it was as well to know to whom he was tying himself, and the like. But the banker’s smile only became more and more ironical, and Godefroid more and more ashamed, till he blushed at the step he had taken, and got nothing by it; for he dared ask no more questions about Madame de la Chanterie or his fellow- boarders. Two days later, after dining for the last time at the Café Anglais, and seeing the first two pieces at the Variétés, at ten o'clock on a Monday night he came to sleep in the Rue Chanoi- nesse, where Manon lighted him to his room. Solitude has a charm somewhat akin to that of the wild life of savages, which no European ever gives up after having once tasted it. This may seem strange in an age when every one lives so completely in the sight of others that everybody is inquisitive about everybody else, and that privacy will soon have ceased to exist, so quickly do the eyes of the Press— the modern Argus—increase in boldness and intrusiveness}; and yet the statement is supported by the evidence of the first six Christian centuries, when no recluse ever came back to social life again. There are few mental wounds that solitude cannot cure. Thus, in the first instance, Godefroid was struck by the calm and stillness of his new abode, exactly as a tired traveler finds rest in a bath. On the day after his arrival as a boarder with Madame de Ja Chanterie, he could not help cross-examining himself onHigdouausuensen: 24 THE SHAMY SIDE OF HISTORY finding himself thus cut off from everything, even from Paris, though he was still under the shadow of its Cathedral. Here, stripped of every social vanity, there would henceforth be no witnesses to his deeds but his conscience and his fellow- boarders. This was leaving the beaten high-road of the world for an unknown track; and whither would the track lead him ? To what occupation would he find himself committed ? He had been lost in such reflections for a couple of hours, when Manon, the only servant of the establishment, knocked at his door and told him that the second breakfast was served ; they were waiting for him. Twelve was striking. The new boarder went downstairs at once, Sere by his curiosity to see the five persons with whom he was thence- forth to live. On entering the drawing-room, he found all the residents in the house standing up and dressed precisely — as they had been on the day when he had first come to make inquiries. “Did you sleep well?” asked Madame de la Chanterie. “I did not wake till ten o’clock,” said Godefroid, bowing to the four gentlemen, who returned the civility with much gravity. “We quite expected it,” said the old man, known as Mon- sieur Alain, and he smiled. “Manon spoke of the second breakfast,” Godefroid went on. “T have, I fear, already broken one of your rules without in- tending it.—At what hour do you rise?” “We do not get up quite by the rule of the monks of old,” replied Madame de la Chanterie graciously, “but, like work- men, at six in winter and at half-past three in summer. We also go to bed by the rule of the sun; we are always asleep by nine in winter, by half-past eleven. in summer. We drink some milk, which is brought from our own farm, after pray- ers, all but Monsieur Abbé de Véze, who performs early Mass at Notre-Dame—at six in summer, at seven in winter— and these gentlemen as well as I, your humble servant, at- tend that service every day.” Madame de la Chanterie finished this speech at table, where her five guests were now seated.THE SHAMY SIDE OF HISTORY 25 The dining-room, painted gray throughout, and decorated with carved wood of a design showing the taste of Louis XIV., opened out of the sort of ante-room where Manon sat, and ran parallel with Madame de la Chanterie’s room, adjoining the drawing-room, no doubt. There was no ornament but an old clock. The furniture consisted of six chairs, their oval backs upholstered with worsted-work evidently done by Madame de la Chanterie, of two mahogany sideboards, and a table to match, on which Manon placed the breakfast without spreading a cloth. The breakfast, of monastic frugality, con- sisted of a small turbot with white sauce, potatoes, a salad, and four dishes of fruit: peaches, grapes, strawberries, and green almonds; then, by way of hors d’euvre, there was honey served in the comb as in Switzerland, besides butter, radishes, cucumber, and sardines. The meal was served in china sprigged with small blue cornflowers and green leaves, a pat- tern which was no doubt luxuriously fashionable in the time of Louis XVI., but which the increasing demands of the present day have made common. “Tt is a fast day! observed Monsieur Alain. “Since we go to Mass every morning, you may suppose that we yield blindly to all the practices of the Church, even the strictest.” “And you will begin by following our example,’ added Madame de la Chanterie, with a side-glance at Godefroid, whom she had placed by her side. Of the four boarders, Godefroid already knew the names of the Abbé de Véze and Monsieur Alain; but he yet had to learn those of the other two gentlemen. They sat in silence, eating with the absorbed attention that the pious seem to de- vote to the smallest details of their meals. “And does this fine fruit also come from your farm, ma- dame?” Godefroid inquired. “Yes, monsieur,” she replied. “We have our little model farm, just as the Government has; it is our country house, about three leagues from hence, on the road to Italy, near Villeneuve-Saint-Georges.” “Tt is a little estate that belongs to us all, and will be the26 THE SHAMY SIDE OF HISTORY property of the last survivor,” said the worthy Monsieur Alain. “Oh, it is quite inconsiderable,” added Madame de la Chanterie, who seemed afraid lest Godefroid should regard this speech as a bait. “There are thirty acres of arable land,’ said one of the men unknown to Godefroid, “six acres of meadow, and an enclosure of about four acres of garden, in the midst of which our house stands; in front of it is the farm.” “But such an estate must be worth above a hundred thou- sand francs,” observed Godefroid. “Oh, we get nothing out of it but our produce,” replied the same speaker. Tle was a tall man, thin and grave. At a first glance he seemed to have served in the army; his white hair showed that he was past sixty, and his face revealed great sorrows and religious resignation. The second stranger, who appeared to be a sort of com- pound of a master of rhetoric and a man of business, was of middle height, stout but active, and his face bore traces of a joviality peculiar to the notaries and attorneys of Paris. The dress of all four men was marked by the extreme neat- ness due to personal care; and Manon’s hand was visible in the smallest details of their raiment. Their coats were per- haps ten years old, and preserved, as a priest’s clothes are preserved, by the occult powers of a housekeeper and by con- stant use. ‘These men wore, as it were, the livery of a sys- tem of life; they were all the slaves of the same thought, their looks spoke the same word, their faces wore an expression of gentle resignation, of inviting tranquillity. ““Am I indiscreet, madame,” said Godefroid, “to ask the names of these gentlemen? Iam quite prepared to tell them all about myself; may I not know as much about them as cir- cumstances allow?” “This,” said Madame de la Chanterie, introducing the tall, thin man, “is Monsieur Nicolas; he is a retired Colonel of the Gendarmerie, ranking as a Major-General_—And thisTHE SEAMY SIDE OF HISTORY 2¢ gentleman,” she went on, turning to the little stout man, “was formerly Councillor to the Bench of the King’s Goan in Paris; he retired from his functions in August 1830; his name is Mig ean Joseph. Though you joined us but yesterday, I may tell you that in the world Monsieur Nicolas bore the name of Marquis de Montauran, and Monsieur Joseph that of Lecamus, Baron de Tresnes; but to us, as to the outer world, ase names no longer exist. These gentlemen have no heirs; they have anticipated the oblivion that must fall on their families; they are simply Monsieur Nicolas and Mon- sieur Joseph, as you will be simply Monsieur Godefroid.” As he heard these two names—one so famous in the history of Royalism from the disaster which put an end to the rising of the Chouans at the beginning of the Consulate, the other so long respected in the records of the old Parlement—Gode- froid could not repress a start of surprise; but when he looked at these survivors from the wreck of the two greatest institu- tions of the fallen monarchy, he could not detect the slightest movement of feature or change of countenance that betrayed a worldly emotion. These two men did not or would not re- member what they once had been. This was Godefroid’s first lesson. “Each name, gentlemen, is a chapter of history,” said he respectfully. “The history of our own time,” said Monsieur Joseph, “of mere ruins.” “You are in good company,” said Monsieur Alain, smiling. ‘He can be described in two words: he was a middle-class Paris citizen; a worthy man with the face of a calf, dignified by white hairs, but insipid with its eternal smile. As to the priest, the Abbé de Véze, his position was all sufficient. The priest who fulfils his mission is recognizable at the first glance when his eyes meet yours. What chiefly struck Godefroid from the first was the pro- found respect shown by the boarders to Madame de la Chan- terie; all of them, even the priest, notwithstanding the sacred dignity. conferred by his functions, behaved to her as to a28 THE SHAMY SIDE OF HISTORY queen. He also noted the temperance of each guest; they ate solely for the sake of nourishment. Madame de la Chanterie, like the rest, took but a single peach and half a bunch of grapes; but she begged the newcomer not to restrict himself in the same way, offering him every dish in turn. Godefroid’s curiosity was excited to the highest pitch by this beginning. After the meal they returned to the drawing- room, where he was left to himself; Madame de la Chanterie and her four friends held a little privy council in a window recess. This conference, in which no animation was displayed, lasted for about half an hour. They talked in undertones, exchanging remarks which each seemed to have thought out beforehand. - Now and again Monsieur Alain and Monsieur Joseph consulted their pocket-books, turning over the leaves. “You will see to the Faubourg,” said Madame de la Chanterie to Monsieur Nicolas, who went away. These were the first words Godefroid could overhear. “And you to the Quartier Saint-Marceau,” she went on, addressing Monsieur Joseph. “Will you take the Faubourg Saint-Germain and try to find what we need?” she added to the Abbé de Véze, who at once went off—‘‘And you, my dear Alain,” she added with a smile, “look into matters.——To-day’s business is all settled,” said she, returning to Godefroid. She sat down in her armchair, and took from a little work- table some under-linen ready eut out, on which she began to sew as if working against time. Godefroid, lost in conjectures, and seeing in all this a Roy- alist conspiracy, took the lady’s speech as introductory, and, seating himself by her side, watched her closely. He was struck by her singular skill in stitching; while everything about her proclaimed the great lady, she had the peculiar deftness of a paid seamstress; for every one can distinguish, by certain tricks of working, the habits of a professional from those of an amateur. “You sew,” said Godefroid, “as if you were used to the business.”THE SEAMY SIDE OF HISTORY 29 “Alas!” she said, without looking up, “I have done it ere now from necessity e Two large tears rose to the old woman’s eyes, and rolled down her cheeks on to the work she held. “Pray, forgive me, madame!” cried Godefroid. Madame de la Chanterie looked at her new inmate, and saw on his features such an expression of regret, that she nodded to him kindly. Then, after wiping her eyes, she recoy- ered the composure that characterized her face, which was not so much cold as chilled. “You here find yourself, Monsieur Godefroid—for, as you know already, you will be called only by your Christian name amid the wreckage from a great storm. We have all been stricken and wounded to the heart through family interests or damaged fortunes, by the forty years’ hurricane that over- threw royalty and religion, and scattered to the winds the elements that constituted France as it was of old. Words which seem but trivial bear a sting for us, and that is the rea- son of the silence that reigns here. We rarely speak of our- selves; we have forgotten what we were, and have found means of substituting a new life for the old life. It was because I fancied, from your revelation to the Mongenods, that there was some resemblance between your situation and our own, that I persuaded my four friends to receive you among us; in fact, we were anxious to find another recluse for our con- vent. But what do you propose to do? We do not enter on solitude without some stock of moral purpose.” “Madame, as I hear you speak, I shall be too happy to ac- cept you as the arbiter of my destiny.” “That is speaking like a man of the world,” said she. “You are trying to flatter me—a woman of sixty!—My dear boy,” she went on, “you are, you must know, among people who be- heve firmly in God, who have all felt His hand, and who have given themselves up to Him almost as completely as do the Trappists. Have you ever observed the assurance of a true priest when he has given himself to the Lord, when he heark- ens to His voice and strives to be a docile instrument under the30 THE SEAMY SIDE OF HISTORY fingers of Providence? He has shed all vanity, all self-con- sciousness, all the feelings which cause constant offences to the worldly ; his quiescence is as complete as that of the fatal- ist, his resignation enables him to endure all things. The true priest—an Abbé de Veze—is like a child with his mother ; for the Church, my dear sir, is a good mother. Well, a man may be a priest without a tonsure; not all priests are in or- ders. If we devote ourselves to doing good, we imitate the good priest, we obey God!—I am not preaching to you; I do not want to convert you; I am only explaining our life.” “Instruct me, madame,” said Godefroid, quite conquered. “IT would wish not to fail in any particular of your rules.” “You would find that too much to do; you will learn by de- grees. Above all things, never speak here of your past mis- fortunes, which are mere child’s play as compared with the terrible catastrophes with which God has stricken those with whom you are now living < All the time she spoke, Madame de la Chanterie went on pulling her thread through with distracting regularity; but at this full stop, she raised her head and looked at Godefroid ; she saw that he was spellbound by the thrilling sweetness of her voice, which had indeed a sort of apostolic unction. The young sufferer was gazing with admiration at the really extra- ordinary appearance of this woman, whose face was radiant. A faint flush tinged her wax-white cheeks, her eyes sparkled, a youthful soul gave life to the wrinkles that had acquired sweetness, and everything about her invited affection. Gode- froid sat measuring the depth of the gulf that parted this woman from vulgar souls; he saw that she had attained to an inaccessible height, whither religion had guided her; and he was still too much of the world not to be stung to the quick, not to long to go down into that gulf and climb to the sharp peak where Madame de la Chanterie stood, and to stand by her side. While he gave himself up to a thorough study of this woman, he related to her all the mortifications of his life, all he could not say at Mongenod’s, where his self-betrayal had been limited to a statement of his position.THE SEAMY. SIDE OF HISTORY 31 Poor child!” This motherly exclamation, dropping from the lips of Ma- dame de la Chanterie, fell, from time to time, like healing balm, on the young man’s heart. “What. can I find to take the place of so many hopes de- ceived, of so much disappointed affection?” said he at last, looking at the lady, who seemed lost in reverie. “I came here,” he went on, “to reflect and make up my mind. I have lost my mother—will you take her place a “But,” said she, “will you show me a son’s obedience ?” “Yes, 1f you can show me the tenderness that exacts it.” “Very well; we will try,” said she. Godefroid held out his hand to take that which the lady offered him, and raised it reverently to his lips. Madame de la Chanterie’s hands were admirably formed—neither wrin- kled, nor fat, nor thin; white enough to move a young woman to envy, and of a shape that a sculptor might copy. Godefroid had admired these hands, thinking them in harmony with the enchantment of her voice and the heavenly blue of her eye. “Wait here,” said Madame de la Chanterie, rising and go- ing into her own room. Godefroid was deeply agitated, and could not think to what he was to attribute the lady’s departure: he was not left long in perplexity, for she returned with a book in her hand. “Here, my dear boy,” said she, “are the prescriptions of a great healer of souls. When the things of everyday life have failed to give us the happiness we looked for, we must seek in a higher life, and here is the key to that new world. Read a chapter of this book morning and evening; but give it your whole attention; study every word as if it were some foreign tongue. By the end of a month you will be another man. For twenty years now have I read a chapter every day, and my three friends, Nicolas, Alain, and Joseph, would no more omit it than they would miss going to bed and getting up again; imitate them for the love of God—for my sake ” she said, with divine serenity and dignified confidence. Godefroid turned the book round and read on the back32 THE SEAMY SIDE OF HISTORY Imutation of Jesus Christ. The old lady’s artlessness and youthful candor, her certainty that she was doing him good, confounded the ex-dandy. Madame de la Chanterie had ex- actly the manner, the intense satisfaction, of a woman who might offer a hundred thousand francs to a merchant on the verge of bankruptcy. “I have used this book,” she said, “for six-and-twenty years. God grant that its use may prove contagious! Go and buy me another copy, for the hour is at hand when certain persons are coming here who must not be seen.” Godefroid bowed and went up to his rooms, where he tossed the book on a table, exclaiming: “Poor, dear woman! There a The book, like all that are constantly used, fell open at a particular place. Godefroid sat down to arrange his ideas a little, for he had gone through more agitation that morning than he had in the course of the most stormy two months of his life; his curiosity especially had never been so strongly excited. His eyes wandered mechanically, as happens with men when their minds are absorbed in meditation, and fell on the two pages that lay facing him. He read as follows :— POLEOAMIR ANDI: SOLE “On tur Royvat Roap or THE Hoty Cross.” He picked up the volume, and this paragraph of that grand book captivated his eyes as though by words of fire: “He has gone before you carrying His cross, and died for you, that you too might have strength to carry your cross, and be willing to die upon the Cross. : “Go where you will, try what you will, you will not find a grander way,or a safer way, than the way of the Holy Cross. Arrange and order all your life as you like or think fit, still you will find that, you will always have something to suffer, by your own choice or by necessity; and so you will alwaysTHE SEAMY SIDE OF HISTORY 33 find a cross. For either you will have bodily pain to bear, or some trouble of the spirit. “Sometimes God will leave you to yourself, sometimes you will be vexed by your neighbor, and, what is harder than all, you will often be weary of yourself, and there is no remedy or solace by which you can be delivered or relieved. You will have to bear your trouble as long as God decrees. For He wishes you to learn to suffer trial without consolation, to yield humbly to His will, and to become humbler by means of tribulations.” “What a book!” said Godefroid to himself, as he turned over the pages. And he came upon these words: “When you have come to feel all trouble sweet and pleasant for the love of Christ, then indeed you may say that all is well with you; you have made for yourself a heaven on earth.” Irritated by this simplicity, characteristic of strength, and enraged at being vanquished by this book, he shut it; but on the morocco cover he saw this motto, stamped in letters of gold: “Seek only that which is eternal.” “And have they found it here?” he wondered. He went out to purchase a handsome copy of the Imitation of Christ, remembering that Madame de la Chanterie would want to read a chapter that evening. He went downstairs and into the street. For a minute or two he remained stand- ing near the gate, undecided as to which way he would go, and wondering in what street, and at what bookseller’s he might find the book he needed; and he then heard the heavy sound of the outer gate shutting. Two men had just come out of the Hétel de la Chanterie— for the reader, if he has understood the character of the old house, will have recognized it as an ancient family mansion. Manon, when she had called Godefroid to breakfast, had asked 334 THE SEAMY SIDE OF HISTORY him how he had slept the first night at the Hotel de la Chan- terie, laughing as she spoke. Godefroid followed the two men, with no idea of spying on them; and they, taking him for an indifferent passer-by, talked loud enough for him to hear them in those deserted streets. The men turned down the Rue Massillon, along by the side of Notre-Dame, and across the Cathedral Square. “Well, old man, you see how easy it is to get the coppers out of em! You must talk their lingo, that is all.” “But we owe the money.” “Who to?” “To the lady a “T should like to see myself sued for debt by that old image! I would “ “You would what?—You would pay her, I can tell you.” “You’re right there, for if I paid 1 could get more out of her afterwards than I got to-day.” “But wouldn’t it be better to take their advice and set up on the square?” “Get out!” “Since she said she could find some one to stand security ?” “But we should have to give up life © “T am sick of ‘life’-—it is not life to be always working in the vineyards " “No; but didn’t the Abbé throw over old Marin the other day. He wouldn’t give him a thing.” “Ay, but old Marin wanted to play such a game as no one can win at that has not thousands at his back.” At this moment the two men, who were dressed like work- ing foremen, suddenly doubled, and retraced their steps to cross the bridge by the Hétel-Dieu to the Place Maubert; Godefroid stood aside; but seeing that he was following them closely, the men exchanged looks of suspicion, and they were evidently vexed at having spoken out so plainly. Godefroid was indeed all the more interested in the con- versation because it reminded him of the scene between the Abbé de Véze and the workman on the evening of his first eall.THE SEAMY SIDE OF HISTORY 30 “What goes on at Madame de la Chanterie’s?” he asked himself once more. As he thought over this question, he made his way to a bookshop in the Rue Saint-Jacques, and returned home with a very handsome copy of the best edition of The Imitation that has been published in France. As he walked slowly homewards to be punctual to the dinner-hour, he went over in his mind all his experience of the morning, and found his soul singularly refreshed by it. He was possessed indeed by intense curiosity, but that curi- osity paled before an indefinable wish; he was attracted by Madame de la Chanterie, he felt a vehement longing to attach himself to her, to devote himself for her, to please her and deserve her praise; in short, he was aware of a Platonic pas- sion; he felt that there was unfathomed greatness in that soul, and that he must learn to know it thoroughly. He was eager to discover the secrets of the life of these pure-minded Catholics. And then, in this little congregation of the Faith- ful, practical religion was so intimately allied with all that is most majestic in the Frenchwoman, that he resolved to do his utmost to be admitted to the fold. Such a vein of feeling would have been sudden indeed in a man of busy life; but Godefroid, as we have seen, was in the position of a ship- wrecked wretch who clings to the most fragile bough, hoping that it may bear him, and his soul was ploughed land, ready to receive any seed. He found the four gentlemen in the drawing-room, and he presented the book to Madame de la Chanterie, saying: “T would not leave you without a copy for this evening.” “God grant,” said she, looking at the splendid volume, “that this may be your last fit of elegance!” And seeing that the four men had reduced the smallest details of their raiment to what was strictly decent and useful, noticing too that this principle was rigorously carried out in every detail of the house, Godefroid understood the purpose of this reproof so delicately expressed. “Madame,” said she, “the men you benefited this morning si dey,36 THE SHEAMY SIDE OF HISTORY are monsters. Without intending it, I overheard what they were saying as they went away, and it was full of the blackest ingratitude.” “The two iron-workers from the Rue Mouffctard,” said Madame de la Chanterie to Monsieur Nicolas, “that is your concern a “The fish gets off the hook more than once before it is caught,” said Monsieur Alain, laughing. Madame de la Chanterie’s entire indifference on hearing of the immediate ingratitude of the men to whom she had certainly given money amazed Godefroid, who became thoughtful. Monsieur Alain and the old lawyer made the dinner a cheerful meal; but the soldier was constantly grave, sad, and cold; his countenance bore the ineradicable stamp of a bitter sorrow, a perennial grief. Madame de la Chanterie was equally attentive to all. Godefroid felt that he was watched by these men, whose prudence was not less than their piety, and vanity led him to imitate their reserve, so he measured his words carefully. This first day, indeed, was far more lively than those which came after. Godefroid, finding himself shut out from all serious matters, was obliged, during the early morning and the evening when he was alone in his rooms, to read The Imitation of Christ, and he finally studied it as we must study a book when we are imprisoned with that one alone. We then feel to the book as we should towards a woman with whom we dwelt in solitude; we must either love or hate the ‘woman; and in the same way we must enter into the spirit of the author or not read ten lines of his work. Now it is impossible not to be held captive by The Imita- tion, which is to dogma what action is to thought. The Catholic spirit thrills through it, moves and works in it, struggles in it hand to hand with the life of man. That book is a trusty friend. It speaks to every passion, to every difficulty, even to the most worldly ; it answers every objection, it is more eloquent than any preacher, for it speaks with yourTHE SEAMY SIDE OF HISTORY oT own voice—a voice that rises from your own heart and that you hear with your soul. In short, it is the Gospel interpreted and adapted to all times and seasons, controlling every situa- tion. It is strange indeed that the Church should not have canonized Gerson, for the Holy Spirit certainly guided his pen. To Godefroid the Hotel de la Chanterie contained a woman as well as a book; every day he was more and more bewitched by her. In her he found flowers buried under the snow of many winters; he had glimpses of such a sacred friendship as religion sanctions, as the angels smile on—as bound those five, in fact—and against which no evil could prevail. There is a sentiment superior to all others, an affection of soul for soul which resembles those rare blossoms that grow on the loftiest peaks of the earth. One or two examples are shown us in a century; lovers are sometimes united by it; and it aecounts for certain faithful attachments which would be inexplicable by the ordinary laws of the world. In such an attachment there are no disappointments, no differences, no vanities, no rivalries, no contrasts even, so intimately fused are two spiritual natures. It was this immense and infinite feeling, the outcome of Catholic charity, that Godefroid was beginning to dream of. At times he could not believe in the spectacle before his eyes, and-he sought to find reasons for the sublime friendships between these five persons, wondering to find true Catholics, Christians of the most primitive type, in Paris, and in 1836. A week after entering the house, Godefroid had seen such a number of people come and go, he had overheard fragments of conversation in which such serious matters were discussed, that he understood that the existence of this council of five was full of prodigious activity. He noticed that not one of them slept more than six hours at most. Each of them had, as it were, lived through a first day before they met at the second breakfast. Strangers brought in or carried away sums of money, sometimes rather considerable. Mongenod’s cashier38 THE SEAMY SIDE OF HISTORY came very often, always early in the morning, so that his work in the bank should not be interfered with by this busi- ness, which was independent of the regular affairs of the House. One evening Monsieur Mongenod himself called, and Gode- froid observed a touch of filial familiarity in his tone to Mon- sieur Alain, mingled with the deep respect he showed to him, as to Madame de la Chanterie’s three other boarders. That evening the banker only asked Godefroid the most ordinary questions: Was he comfortable? Did he mean to stay ? and so forth, advising him to persevere in his determina- tion. “There is but one thing wanting to make me happy,” said Godefroid. “And what is that?” said the banker. “An occupation.” “An occupation!” cried the Abbé de Véze. “Then you have changed your mind; you came to our retreat in search of rest.” “But without prayer, which gives life to the cloister; with- out meditation, which peoples the desert, rest becomes a dis- ease,” said Monsieur Joseph sententiously. “Learn bookkeeping,” said Mongenod, smiling. “In the course of a few months you may be of great use to my friends here——” “Oh, with the greatest pleasure,” exclaimed Godefroid. The next day was Sunday. Madame de la Chanterie de- sired her boarder to give her his arm and to escort her to High Mass. “This,” she said, “is the only thing I desire to force upon you. Many a time during the week I have been moved to speak to you of your salvation; but I do not think the time has come. You would have plenty to occupy you if you shared our beliefs, for you would also share our labors.” At Mass, Godefroid observed the fervency of Messieurs Nicolas, Joseph, and Alain. Having, during these few days, convinced himself of the superior intellect of these three men, dTHE SEHEAMY SIDE OF HISTORY 39 their perspicacity, extensive learning, and lofty spirit, he concluded that if they could thus abase themselves, the Cath- olic religion must contain mysteries which had hitherto es- caped his ken. “And, after all,” said he to himself, “it is the religion of Bossuet, of Pascal, of Racine, of Saint-Louis, of Louis XVL., of Raphael, Michael Angelo, and Ximenes, of Bayard and du Guesclin—and how should such a poor creature as I com- pare myself with these great brains, statesmen, poets, war- riors cee Were it not that a great lesson is to be derived from these trivial details, it would be foolish in such times as these to dwell on them; but they are indispensable to the interest of this narrative, which the readers of our day will, indeed, find it hard to believe, beginning as it does by an almost ridiculous incident—the influence exerted by a woman of sixty over a young man who had tried everything and found it wanting. “You did not pray,” said Madame de la Chanterie to Gode- froid as they came out of Notre-Dame. “Not for any one, not even for the peace of your mother’s soul!” Godefroid reddened, but said nothing. “Do me the pleasure,’ Madame de la Chanterie went on, “to go to your room, and not to come down to the drawing- room for an hour. And for the love of me, meditate on a chap- ter of the 2mttation—the first of the Third Book, entitled ‘On CHRIST SPEAKING WITHIN THE [FAITHFUL SOUL.’ ” Godefroid bowed coolly, and went upstairs. “The Devil take ’em all!” he exclaimed, now really in a rage. “What the deuce do they want of me here? What game are they playing? Pshaw! Every woman, even the veriest bigot, is full of tricks, and if Madame” (the name the board- ers gave their hostess) “does not want me downstairs, it is because they are plotting something against me.” With this notion in his head, he tried to look out of his own window into that of the drawing-room, but the plan of the building did not allow of it. Then he went down one flight, but hastily ran up again; for it struck him that in a40 THH SHEAMY SIDE OF HISTORY house where the principal inhabitants held such strict prin- ciples, an act of espionage would lead to his immediate dis- missal. Now, to lose the esteem of those five persons seemed to him as serious a matter as public dishonor. He waited about three-quarters of an hour, resolved to take Madame de la Chanterie by surprise, and to go down a little before the time she had named. He intended to ex- cuse himself by a fib, saying that his watch was in fault, and twenty minutes too fast. He went down cautiously, without a sound, and on reaching the drawing-room door opened it suddenly. He saw a man, still young but already famous, a poet whom he had often met in society, Victor de Vernisset, kneeling on one knee before Madame de la Chanterie and kissing the hem of her gown. The sky falling in splinters as if it were made of crystal, as the ancients believed, would have amazed Gode- froid less than this sight. The most shocking ideas besieged his brain, and the reaction was even more terrible when, just as he was about to utter the first sarcasm that rose to his lips, he saw Monsieur Alain standing in a corner, counting thou- sand-franc notes. In an instant Vernisset had started to his feet. Good Mon- sieur Alain stared in astonishment. Madame de la Chanterie flashed a look that petrified Godefroid, for the doubtful ex- pression in the new boarder’s face had not' escaped her. “Monsieur is one of us,” she said to the young author, in- troducing Godefroid. “You are a happy man, my dear fellow,” said Vernisset. “You are saved!—But, madame,” he went on, turning to Madame de la Chanterie, “if all Paris could have seen me, I should be delighted. Nothing can ever pay my debt to you. I am your slave for ever! I am yours, body and soul. Com- mand in whatever you will, I will obey; my gratitude knows no bounds. I owe you my life—it is yours.” “Come, come,” said the worthy Alain, “do not be rash. Only work; and, above all, never attack religion in your writ- ings.—And remember you are in debt.”THE SEAMY SIDE OF HISTORY 4} He handed him an envelope bulging with the banknotes he had counted out. Victor de Vernisset’s eyes filled with tears. He respectfully kissed Madame de la Chanterie’s hand, and went away after shaking hands with Monsieur Alain and with Godefroid. “You did not obey Madame,” said the good man solemnly ; and his face had an expression of sadness, such as Godefroid had not yet seen on it. “That is a capital crime. If it oc- curs again, we must part.—It would be very hard on you, after having seemed worthy of our confidence ue “My dear Alain,” said Madame de la Chanterie, “be so good, for my sake, as to say nothing of this act of folly. We must not expect too much of a newcomer who has had no great sorrows, who has no religion—who has nothing, in fact, but great curiosity concerning every vocation, and who as yet does not believe in us.” “Forgive me, madame,” replied Godefroid. “From this moment J will be worthy of you; I submit to every test you may think necessary before initiating me into the secret of your labors; and if Monsieur the Abbé will undertake to en- lighten me, I give myself up to him, soul and reason.” These words made Madame de la Chanterie so happy that a faint flush rose to her cheeks, she clasped Godefroid’s hand and pressed it, saying, with strange emotion, “That is well!” In the evening, after dinner, Godefroid saw a Vicar-Gen- eral of the Diocese of Paris, who came to call, two canons, two retired mayors of Paris, and a lady who devoted herself to the poor. There was no gambling; the conversation was general, and cheerful without being futile. A visitor who greatly surprised Godefroid was the Com- tesse de Saint-Cygne, one of the loftiest stars of the aristo- cratic spheres, whose drawing-room was quite inaccessible to the citizen class and to parvenus. ‘The mere presence of this great lady in Madame de la Chanterie’s room was suffi- ciently amazing; but the way in which the two women met and treated each other was to Godefroid quite inexplicable, for it bore witness to an intimacy and constant intercourse42 THE SEAMY SIDE OF HISTORY which proved the high merit of Madame de la Chanterie. Madame de Saint-Cygne was gracious and friendly to her friend’s four friends, and very respectful to Monsieur Nico- las. As may be seen, social vanity still had a hold on Godefroid, who, hitherto undecided, now determined to yield, with or without conviction, to everything Madame de la Chanterie and her friends might require of him, to succeed in being affiliated by them to their Order, or initiated into their secrets, promising himself that until then he would not definitely commit himself. On the following day, he went to the bookkeeper recom- mended by Madame de la Chanterie, agreed with him as to the hours when they were to work together, and so disposed of all his time; for the Abbé de Véze was to catechize him in the morning, he spent two hours of every day learning book- keeping, and between breakfast and dinner he worked at the exercises and imaginary commercial correspondence set him by his master. Some few days thus passed, during which Godefroid learned the charm of a life of which every hour has its em- ployment. The recurrence of the same duties at fixed hours, and perfect regularity, sufficiently account for many happy lives, and prove how deeply the founders of religious orders had meditated on human nature. Godefroid, who had made up his mind to learn of the Abbé de Véze, had already begun to feel qualms as to his future life, and to discover that he was ignorant of the importance of religious matters. Finally, day by day, Madame de la Chanterie, with whom he always sat for about an hour after the second breakfast, revealed some fresh treasures of her nature; he had never conceived of goodness so complete, so all-embracing. A wo- man as old as Madame de la Chanterie seemed to be has none of the triviality of a young woman; she is a friend who may offer you every feminine dainty, who displays all the grace and refinement with which Nature inspires woman to please man, but who no longer asks for a return; she may be exe-THE SEAMY SIDE OF HISTORY 43 crable or exquisite, for all her demands on life are buried beneath the skin—or are dead; and Madame de la Chanterie was exquisite. She seemed never to have been young; her looks never spoke of the past. Far from allaying his curi- osity, Godefroid’s increased intimacy with this beautiful char- acter, and the discoveries he made day by day, increased his desire to know something of the previous history of the wo- man he now saw as a saint. Had she ever loved? Had she been married? Had she been a mother? There was nothing in her suggestive of the old maid; she had all the elegance of a woman of birth; and her strong health, and the extraor- dinary charm of her conversation, seemed to reveal a heay- enly life, a sort of ignorance of the world. Excepting the worthy and cheerful Alain, all these persons had known suffer- ing; but Monsieur Nicolas himself seemed to give the palm of martyrdom to Madame de la Chanterie; nevertheless, the memory of her sorrows was so entirely suppressed by Catholic resignation, and her secret occupations, that she seemed to have been always happy. “You are the life of your friends,” said Godefroid to her one day. “You are the bond that unites them; you are the housekeeper, so to speak, of a great work; and as we are all mortal, I cannot but wonder what would beeome of your association without you.” “Yes, that is what they fear; but Providence—to whom we owe our bookkeeper,” said she with a smile—“will doubt- less provide. However, I shall think it over a “And will your bookkeeper soon find himself at work for your business?” asked Godefroid, laughing. “That must depend on him,” she said with a smile. “If he is sincerely religious, truly pious, has not the smallest con- ceit, does not trouble his head about the wealth of the estab- lishment, and endeavors to rise superior to petty social con- siderations by soaring on the wings God has bestowed on us 2? “Which are they ?” “Simplicity and purity,’ 2. replied Madame de la Chanterie.44 THE SEAMY SIDE OF HISTORY “Your ignorance proves that you neglect reading your book,” she added, laughing at the innocent trap she had laid to dis- cover whether Godefroid read the Imitation of Christ. “Soak your mind in Saint Paul’s chapter on Charity. It is not you who will be devoted to us, but we to you,” she said with a lofty look, “and it will be your part to keep account of the greatest riches ever possessed by any sovereign; you will have the same enjoyment of them as we have; and let me tell you, if you remember the Thousand and One Nights, that the treas- ures of Aladdin are as nothing in comparison with ours. In- deed, for a year past, we have not known what to do; it was too much for us. We needed a bookkeeper.” As she spoke she studied Godefroid’s face; he knew not what to think of this strange confidence; but the scene be- tween Madame de la Chanterie and the elder Madame Monge- nod had often recurred to him, and he hesitated between doubt and belief. “Yes, you would be very fortunate!” said she. Godefroid was so consumed by curiosity, that from that instant he resolved to undermine the reserve of the four friends, and to ask them about themselves. Now, of all Madame de la Chanterie’s boarders, the one who most at- tracted Godefroid, and who was the most fitted in all ways to invite the sympathy of people of every class, was the kindly, cheerful, and unaffected Monsieur Alain. , By what means had Providence guided this simple-minded being to this sec- ular convent, where the votaries lived under rules as strictly observed, in perfect freedom and in the midst of Paris, as though they were under the sternest of Priors? What drama, what catastrophe, had made him turn aside from his road through the world to take a path so hard to tread across the troubles of a great city? One evening Godefroid determined to call on his neighbor, with the purpose of satisfying a curiosity which was more excited by the incredibility of any catastrophe in such a man’sTHE SHAMY SIDE OF HISTORY 45 life than it could have been by the expectation of listening to some terrible episode in the life of a pirate. On hearing the reply, “Come in,” in answer to two modest raps on the door, Godefroid turned the key, which was always in the lock, and found Monsieur Alain seated in his chimney corner, reading a chapter of the Imitation before going to bed by the light of two wax candles with green shades, such as whist-players use. The worthy man had on his trousers and a dressing-gown of thick gray flannel; his feet were raised to the level of the fire on a hassock worked in cross-stitch—as his slippers were also—by Madame de la Chanterie. His striking old head, with its circlet of white hair, almost re- sembling that of an old monk, stood out, a lighter spot against the brown background of an immense armchair. Monsieur Alain quietly laid his book, with its worn cor- ners, on the little table with twisted legs, while with the other hand he waved the young man to the second armchair, remoy- ing his glasses, which nipped the end of his nose. “Are you unwell, that you have come down so late?” he asked. “Dear Monsieur Alain,” Godefroid frankly replied, “I am a prey to curiosity which a single word from you will prove to be very innocent or very indiscreet, and that is enough to show you in what spirit I shall venture to ask a question.” “Oh, ho! and what is it?” said he, with an almost mischiev- ous sparkle in his eye. “What was the circumstance that induced you to lead the life you lead here? For to embrace such a doctrine of utter renunciation, a man must be disgusted with the world, must have been deeply wounded, or have wounded others.” “Why, why, my boy?” replied the old man, and his full lips parted in one of those smiles which made his ruddy mouth one of the most affectionate that the genius of a painter could conceive of. “May he not feel touched to the deepest pity by the sight of the woes to be seen within the walls of Paris? Did Saint Vincent de Paul,need the goad of remorse or of wounded vanity to devote himself to foundling babes?”46 THE SEAMY SIDE OF HISTORY “Such an answer shuts my mouth all the more effectually, because if ever a soul was a match for that of the Christian hero, it is yours,” replied Godefroid. In spite of the thickening given by age to his yellow and wrinkled face, the old man colored crimson, for he might seem to have invited the culogium, though his well-known modesty forbade the idea that he had thought of it. Gode- froid knew full well that Madame de la Chanterie’s guests had no taste for this kind of incense. And yet good Monsieur Alain’s guilelessness was more distressed by this scruple than a young maid would have been by some evil suggestion. “Though I am far from resembling him in spirit,” replied Monsieur Alain, “I certainly am like him in appearance a Godefroid was about to speak, but was checked by a ges- ture from the old man, whose nose had in fact the bulbous appearance of the Saint’s, and whose face, much like that of some old vinedresser, was the very duplicate of the coarse, common countenance of the founder of the Foundling Hos- pital. “As to that, you are right,” he went on: “my vocation to this work was the result of an impulse of repentance in consequence of an adventure 0 “An adventure! You!” said Godefroid softly, who at this word forgot what he had been about to say. “Oh, the story I have to tell will seem to you a mere trifle, a foolish business; but before the tribunal of conscience Mt looked different. If, after having heard me, you persist in your wish to join in our labors, you will understand that feel- Ings are in inverse proportion to our strength of soul, and that a matter which would not trouble a Freethinker may greatly weigh on a feeble Christian.” After this prelude, the neophyte’s curiosity had risen to an indescribable pitch. What could be the crime of this good soul whom Madame de la Chanterie had nicknamed her Paschal Lamb? It was as exciting as a book entitled The Crimes of a Sheep. Sheep, perhaps, are ferocious to the grass and flowers. If we listen to one of the mildest republicans of our day, the best creatures living are cruel to something. ButTHE SHEAMY SIDE OF HISTORY 47 good Monsieur Alain! He, who, like Sterne’s Uncle Toby, would not crush a fly when it had stung him twenty times! This beautiful soul—tortured by repentance! These reflections filled up the pause made by the old man after he had said, “Listen, then!” and during which he pushed forward the footstool under Godefroid’s feet that they might share it. “T was a little over thirty,” said he; “it was in the year ’98, so far as I recollect, a time when young men of thirty had the experience of men of sixty. One morning, a little before my breakfast hour at nine o’clock, my old housekeeper an- nounced one of the few friends left to me by the storms of the Revolution. So my first words were to ask him to break- fast. My friend, whose name was Mongenod, a young fellow of eight-and-twerity, accepted, but with some hesitancy. I had not seen him since 1793 2 “Mongenod!” cried Godefroid, “the——?” “Tf you want to know the end of the story before the be- ginning,” the old man put in with a smile, “how am I to tell it ee Godefroid settled himself with an air that promised perfect silence. “When Mongenod had seated himself,” the good man went on, “I observed that his shoes were dreadfully worn. His spotted stockings had been so often washed, that it was hard to recognize that they were of silk. His knee-breeches were of nankeen-colored kerseymere, so faded as to tell of long wear, emphasized by stains in many places, and their buckles, instead of steel, seemed to me to be of common iron; his shoe- buckles were to match. His flowered white waistcoat, yellow with long use, his shirt with its frayed pleated frill, revealed extreme though decent poverty. Finally, his coat—a houppe- lande, as we called such a coat, with a single collar like a very short cape—was enough to assure me that my friend had fallen on bad times. This coat of nut-brown cloth, extremely threadbare, and brushed with excessive care, had a rim of grease or powder round the collar, and buttons off which the48 THE SEAMY SIDE OF HISTORY plating had worn to the copper. In fact, the whole outfit was so wretched, that I could not bear to look at it. His erush hat—a semicircular structure of beaver, which it was then customary to carry under one arm instead of weaving it on the head—must have survived many changes of government. “However, my friend had no doubt just spent a few sous to have his head dressed by a barber, for he was freshly shaved, and his hair, fastened into a club with a comb, was luxuriously powdered, and smelled of pomatum. I could see two chains hanging parallel out of his fobs, chains of tarnished steel, but no sign of the watches within. It was winter, but Monge- nod had no cloak, for some large drops of melting snow fallen from the eaves under which he had walked for shelter lay on the collar of his coat. When he drew off his rabbit- fur gloves and I saw his right hand, I could perceive the traces of some kind of hard labor. “Now, his father, an advocate in the higher court, had left him some little fortune—five or six thousand francs a year. I at once understood that Mongenod had come to borrow of me. I had in a certain hiding-place two hundred louis in gold, an enormous sum at that time, when it represented I know not how many hundred thousand francs in paper as- signats. “Mongenod and I had been schoolfellows at the Collage des Grassins, and we had been thrown together again in the same lawyer’s office—an honest man, the worthy Bordin. When two men have spent their boyhood together and shared the follies of their youth, there is an almost sacred bond of sym- pathy between them; the man’s voice and look stir certain chords in your heart, which never vibrate but to the particular memories that he can rouse. Even if you have some cause to complain of such a comrade, that does not wipe out every claim of friendship, and between us there had not been the slightest quarrel. “In 1787, when his father died, Mongenod had been a richer man than I; and though I had never borrowed from him, I had owed to him certain pleasures which my father’sTHE SHAMY SIDE OF HISTORY 49 strictness would have prohibited. But for my friend’s gen- erosity, I should not have seen the first performance of the Marriage of Figaro. “Mongenod was at that time what was called a finished gentleman, a man about town and attentive to ‘the ladies” I constantly reproved him for his too great facility in making friends and obliging them; his purse was constantly open, he lived largely, he would have stood surety for you after meet- ing you twice——Dear me, dear me! You have started me on reminiscences of my youth!” cried Monsieur Alain, with a bright smile at Godefroid as he paused. “You are not vexed with me?” said Godefroid. “No, no. And you may judge by the minute details I am giving you how large a place the event filled in my life.— Mongenod, with a good heart and plenty of courage, some- thing of a Voltairean, was inclined to play the fine gentle- man,” Monsieur Alain went on. “His education at the Gras- sins, where noblemen’s sons were to be met, and his adventures of gallantry, had given him the polish of men of rank, in those days termed Aristocrats. So you may imagine how great was my consternation at observing in Mongenod such signs of poverty as degraded him in my eyes from the elegant young Mongenod I had known in 1787, when my eyes wan- dered from his face to examine his clothes. “However, at that time of general public penury, some wily folks assumed an appearance of wretchedness; and as others no doubt had ample reasons for assuming a disguise, I hoped for some explanation, and invited it. “What a plight you are in, my dear Mongenod?’ said I, accepting a pinch of snuff, which he offered me from a box of imitation gold. “