ILLINOIS UNIVERSITY OF ILLINOIS AT URBANA-CHAMPA1GN PRODUCTION NOTE University of Illinois at Urbana-Champaign Iibraiy Brittle Books Project, 2014.COPYRIGHT NOTIFICATION In Public Domain. Published prior to 1923. This digital copy was made from the printed version held by the University of Illinois at Urbana-Champaign. It was made in compliance with copyright law. Prepared for the Brittle Books Project, Main Library, University of Illinois at Urbana-Champaign by Northern Micrographics Brookhaven Bindery La Crosse, Wisconsin 2014STANDARD WORKS PUBLISHED BY Hew Edition [1880], with a Supplement of upwards of 4600 New Words || j and Meanings. ! WEBSTER'S DICTIONARY OF THE ENGLISH LANGUAGE. dictionary are England fa of the Work revised and im-|, & Noah PobterIJ ps. the most le of the L I B R.A R.Y OF THE U N I VER.5 ITY Of ILLINOIS From the library of Albert Anderson Pease 1873-1949 ¥ nciples ve spelling is given. |j| This has been en-ill"' K Webster and Mr.,™:!',!; y other scholars. Thelili l word is indicated which are 937.6 D3B 1663 Citations. NO ired to embody such jjfci&iiiisjij::;:; idard authors as may definitions, or nos- terest of thpught or; These are sub- to which they belong, ij1 (,which exceed 3000, m the sake of ornament le meaning of words tisfactorily explained:] without pictorial aid. ~ illailisifi'iilSISIilii! TheVoIume contains 1628 pages, more than 3000 Illustrations* and is sold; To be obtained through all Booksellers* lOglSt, Dr. U F. MAHN, naB aevoieuTMW years to perfecting this department. The VoIume cc for One Guinea. It will be found, on comparison, to be one of the cheapest! Volumes ever issued, doth, 21s.; half-bound in calf, 30s.; ralf or half-russiajl 31s. Qd.j russia, £2, iiHNew Edition, with a New Biographical feuppieuw,^ ,-x______ of 9700 Names. WEBSTER'S COMPLETE DICTIONARY OF THE ENGLISH LANGUAGE, AND GENERAL BOOK OF LITERARY REFERENCE. With 3000 Illustrations. Tho» roughly revised and improved by Chauncey A. Goodrich, DJX, LL.D., and Noah Porter, D.D., of Yale College. a One Volume, Quarto, strongly bound in cloth, 1919 pages, price £1 lit, 6., 5s, Pronoiincing Vocabulary of Scrip- tars Proper Names, W. A. Wheeler, M.A, Including a List of the Variations that occur in the Douay version of the Bible. dera Geographical Names. By the Rev. G.H. Wheeleb. Containing:—!. A List, of Prefixes, Terminations, and Formative Syllables in various Languages, with their meaning and derivation; ii. A brief List of Geographical Names (not explained by the foregoing List), with their derivation and signification, ail doubtful and obscure derivations being excluded. Pronouncing Vocabularies of Modern Geographical and biographical Names. By J. Thomas, M.D. A Pronouncing Vocabulary of Com- mon English Christian Names, with their derivations, signification, and diminutives (or nick-names), and their equivalents in several other languages. A Dictionary of Quotations. Selected and translated by William G. Webster. Containing all Words, Phrases, Proverbs, and Colloquial Expressions from the Greek, Latin, and Modern Foreign Lan- guages, which are frequently met with in literature and conversation. A New Biographical Dictionary of i upwards 9700 Names of Noted Persons, Ancient and Modern, including many now living—giving the Name, Pronunciation, Nationality, Profession, and Date of Birth and Death. A List of Abbreviations, Contrac- tions, and Arbitrary Signs used in Writing and Printing, A Classified Selection of Pictorial Illustrations (70 pagss). With references to the text. The cheapest Dictionary ever published, as it is confessedlyone cf the best. The fafco- [uction of small woodcut illustrations of technical and scientific terms adds greatly t6 the itility of the Dictionary."—Churchman^ To be obtained through aU Booksellers* 0 2 3STANDARD WORKS PUBLISHEL tis WEBSTER'S DICTIO NARY. From the Quabtbely Review, Oct 1878. '' Seventy years passed before Johnson was followed by Webster, an American writer, who faced the task of the English Dictionary with a fall appreciation of its requirements, leading to better practical results," " His laborious comparison of twenty languages, though never pub- lished, bore fruit in his own mind, and his training placed him both in knowledge and judgment far in advance of Johnson as a philologist. Webster's 4 American Dictionary of the English Language ' was pub- lished in 1828, and of course appeared at once in England, where successive re-editing hm as yet kept it in thehighestplaceas m practical Dictfonmy" " The acceptance of an American Dictionary in England has itself had immense effect in keeping up the community of speech, to break which would be a grievous harm, not to English-speaking nations alone, but to mankind. The result of this has been that the common Dictionary must suit both'sides of the Atlantic." .... 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Jc Oj rQ r I AHE design of the present work is to describe Jl within a moderate compass the rise, progress, and decline of the city of Rome, the origin and story of its more famous monuments, and, without entering into their political causes, the vicissitudes of the city, [either through domestic discord or the attacks of | external enemies. Even during the Middle Ages, ^ ancient Rome, or rather its remains, is principally kept r in view. For it would have been impossible, within ^ the prescribed limits, to give a description of the . modern city, or what may be called Christian, in con- l tradistinction to pagan, Rome. On this head only a few of the principal churches have been noticed, which, as they date their origin from the time of Constantine I., or shortly after, may be considered to belong as much (K£o the ancient as to the modern city. With a view to ^ add interest to the subject, a description of some of the ^ more striking scenes of which Rome was the theatre ^ has been attempted; and, when it was possible, brief ^ allusions have been made to the lives and residences ofvi PREFACE. those who have adorned it by their genius, or illustrated it by the prominent part which they played in its affairs. As the present attempt to give a connected history of the Roman city is, to the best of the writer's know- ledge, the first that has been made in the English lan- guage, he hopes that this circumstance may not only be a recommendation of his book to the reader's notice, but that it will also serve to excuse some of the defects which may be observed in it. The sources from which the author drew are noted at the foot of the pages; but he is here bound to acknowledge his obligations generally to the works of Dr. Papencordt, Herr Grre- gorovius, and the late M. Ampere. It only remains to say, that such passages in the first edition of this work as recent discoveries have proved to be wrong or inadequate have in this edition been cor- rected. Fortunately they are neither very numerous nor very important. The Introduction in the former edition respecting the credibility of the early Roman history is here omitted, because the subject has been treated in a more elaborate manner in my subsequent History of the Kings of Rome, and because the classical topographer may very well content himself with the views which the Romans themselves entertained respecting their ancient monuments. It is only as illustrating these views, and the texts which relate to them, that topography can havePREFACE. Vll any value in the eyes of the scholar, and not the mere archaeologist. In this edition several engravings have been intro- duced, which, it is hoped, will add interest and value to the work. Boulogne-sur-Mer, Oct., 1883. The wood-engravings have been selected from Mr. R. Burn's large work on " Rome and the Campagna," and the publishers desire to thank Mr. Burn for permission to make use of them.LIST OF ILLUSTRATIONS. Remains op the Forum of Nerva . . . {frontispiece) Cloaca Maxima.......to face page 48 Remains of the Servian Wall . . . „ „ 54 Muro Torto.......„ „ 184 Remains of the Aqua Claudia . . „ „ 250 Tomb of C. Cestius and Porta di S. Paolo . „ „ 302 Basilica of Constantine.......,,310 Arch of Constantine.....„ ,, 312 Flavian Amphitheatre 396 MAPS. The Forum, Capitol, and Palatine . to face page kkkxiii. Ancient Rome ........ at end. Erratum.—On page xxvii. footnote, for 242 read 241.CONTENTS. PREFATORY REMARKS. The Capitoline Temple, xv-xxv ; the Forum, xxv sqq. ; how en- cumbered, xxvi; the Nova Via, xxvii ; the Sacra Via, ib. 5 Temple of Divus Julius, xxviii; Rostra Julia, ib.; Lacus Juturnse, ib. j Temple of Vesta, ib. $ Domitian's Statue, ib.$ Basilica Julia, ib. ; Tabernse Veteres, ib.; Plutei, xxix ; Milliarium Aureum, xxxi $ Umbilicus Romse, ib. 5 Eostra, ib.; Graicostasis, xxxii; Comitium, ib. 5 Senaculum, xxxiv $ Curia, ib. ; Diocletian's Baths, xxxvi 5 Chalcidicum, xxxyiii; Temple of Janus, ib.; Janus Quadrifrons, ib. SECTION I. From the Earliest Times to the Burning of the City by the Gauls: A.u.c. 1—363, B.C. 753—390 (pp. 1-90). Legends anterior to the foundation of the city, 1 sqq. Evander, Carmenta, Faunus, Picus, Latinus, Janus, Saturnus, &c. ; the Saturnalia, 5 ; Hercules, 6; Cacius, ib.; legend of iEneas, 8 sq.; Castra Trojana, ib. 5 Alba Longa and its Kings, 10 sqq. ; lulus, ib. 5 Prisci Latini, ib. ; Rea Silvia, Romulus and Remus, 11 sqq. ; legends about Rome's foundation, 13 sqq. 5 Tacitus' account, 14; Signor Rosa's theory, 16 sqq.; date and name, 22 sq.; Romulean monu- ments on the Palatine, 23 5 the Asylum, 24 ; rape of the Sabines, 25 j Consualia, ib.; Spolia Opima, ib.; story of Tarpeia, 26; treaty with Tatius, 28 5 name of Quirites, ib.; importance of the Sabine element jX CONTENTS. M. Ampere's theory, 29 sqq.; Sabine and Etruscan settlements, 31 sqq. 5 reign of Tatius and Romulus, 34 sqq. 5 disappearance of Romulus, 35; reign of Numa, 36 sqq.; Quirinus, 38; Egeria, 40; reign of Tullus Hostilius, 40 sqq.; Alba Longa destroyed, ib.; reign of Ancus Marcius, 43 sqq.; origin and dynasty of the Tar- quins, 45 sqq.; reign of Tarquinius Priscus, 48 sqq. ; of Servius Tullius, 50 sqq.; of Tarquinius Superbus, 59 sqq.; expulsion of the Kings, and establishment of the Republic, 61 sqq.; Tarquin, aided by Porsena, attempts to return, 64 sqq.; Codes, ib.; CIselia, 65; battle of Lake Regillus, 67 ; Coriolanus, 68 ; Sp. Cassius, 70 ; Her- donius, ib.; Cincinnatus, 71 ; the Aventine Hill, Virginius, and the secession of the people, 72 sqq. ; war with Veii, 74 sqq. ; Cossus and the Spolia Opima, 75 ; draining of the Alban lake, 76; Yeii captured, 77; triumph of Camillus, ib.; invasion of the Gauls, battle of the Allia, 78 sq.; Rome captured, 80; assault and defence of the Capitol, 82; Rome delivered by Camillus, 83 sq.; story of the ransom examined, 84 sqq. SECTION II. From the Capture 0f Rome by the Gauls to the Accession of Augustus Ccesar: a.u.c. 363—709, B.C. 390—44 (pp. 91—184). Emigration to Veii agitated, 91 sq.; rebuilding of the city, 93 sq.; trial and execution of Manlius Capitolinus, 94 ; reappearance of the Gauls, 95 ; a pestilence propitiated, 97 sq.; Etruscan ludiones, 98 ; the pipers abscond, 99 ; works of Appius Claudius Csecus, 100 sqq.; Samnites subdued, 104; JEsculapius brought to Rome, 105 ; Pyrrhus defeated by Dentatus, 106; end of first Punic war, 107; works of Elaminius the Censor, ib. sqq.; defeat at Trasimene, 109 ; at Cannse, 110; Hannibal at Rome, 111; introduction of the drama, 112 sq.; spoliation of Greek works, 113; Cybele brought to Rome, 115 ; first apothecary's shop, 116; triumph of Scipio; his tomb, ib. $ great fire, 117 ; first Roman Basilicse, 119 sqq.; triumph of iEm. Paullus, 123 sq.; Bacchanalia; introduction of luxury, 125; improvements about the Circus Elaminius, 127 ; fall of Carthage; subjugation of Greece, 128; introduction of the triumphal arch, 129 ; beginning of civil commotions; the Gracchi, 130 sq.; works of Opimius, 132; the Roman 'Change, 133 ; Scipio and the Terentian drama, 135 sq.; the Palatine and its inhabitants, 136; Jugurtha in the Tullianum,CONTENTS. XI 137 sq.; victories and influence of Marius, 138 sq.; defeated by Sulla, 140; the first proscription, 141 ; return of Marius, 142; his death, 143; the Capitol burnt, 144; cruelty of the younger Marius, 145; return of Sulla, 146; proscriptions, 148; Sulla dictator, ib.; his retirement and death, 150; rise of Pompey, 151; Crassus, 152 sq.; Lucullus, ib.; Sallust and his gardens, 155; Basilica Paulli, 156 ; Cicero, ib.; forensic tribunals, 157 ; Hortensius, ib.; Cicero and Catiline, 159 sq.; Caesar and Clodius, 161; Cicero's Tusculan and other villas, 163; Atticus, 165 ; violence of Clodius, Cicero's banish- ment, 166 sq.; Cicero's return, 167 sq.; Milo and Clodius, 169; Curia burnt, 171; Pompey's triumph and public works, 172 sqq.; works of Julius Caesar, 176 sqq.; Caesar's ambition and murder, 181 sqq.; his funeral, 183; death of Cicero, 184. SECTION III. The Beign of Augustus Ccesar: a.u.c. 709—767, B.C. 44—a.d. 14 (pp. 185—244). Accession of Augustus, 185; general aspect of Rome, 186 sqq.; imaginary promenade, 190 sqq.; Forum Julium, 202; Campus Martius, 203; Circus Flaminius, 204; fashionable promenades, 206 ; life in the streets, 207 ; city police, 208 ; the Augustan Regions, ib. sq.; Vici and Compita, 210; municipal administration, 211 sq.; the Praetorian guard, 213; monuments restored by Augustus, 215 sqq.; new works of Augustus, 219 sq.; structures ascribed to Livia, 228 sq.; works of Agrippa, 229 sqq.; other works in the time of Augustus, 234 sq.; games exhibited by that emperor, 235 sq.; his literary patronage, 238 ; Esquiline Hill and house of Maecenas, 240 sq.; abodes of Yirgil, Horace, Propertius, ib.; Pedo Albinovanus, Martial, Ovid, and Pliny, 241; mausoleum of Augustus, 242; obelisk, 243; death of Augustus, ib. SECTION IY. From the Death of Augustus to the Death of Hadrian: A.U.C. 767—891, a.d. 14—138 (pp. 245—288). Accession and works of Tiberius, 245 sq. ; Caligula, his extrava- gances, 247 sq.; Claudius, 250; accession of Nero, ib.; great fire,xii CONTENTS. ib. sq. ; the Golden House, 255 sq.; garden, 256; Nero's insane projects, 257; death, 258; Galba, Otho, and Vitellius, ib. sq.; death of Galba, 259 ; burning of the Capitol, 261 sq.; accession of Yespasian, 263; triumph of Vespasian and Titus, 264; Temple of Peace, 266; state of the Jews „at Rome, 267 sqq. ; the Flavian amphitheatre and other works, i7&:s\q.; works of Titus, 274 sq.; works of Domitian, ib. sqq.; he institutes games, musical contests, &c., 277 ; his palace, 278 ; Nerva, 280; accession and works of Trajan, ib.; his Forum, &c., 281 sqq.; literature of the period, 285 ; accession and works of Hadrian, ib. sq.; the Moles Hadriani, 288. SECTION Y. From the Death of Hadrian to the Death of Constantine I.: a.u.c. 891—1090, a.d. 138—337 (pp. 289—331). Accession and works of Antoninus Pius, 289 sq.; M. Aurelius Antoninus and his works, 290; Commodus, 291; Septimius Severus, 292; his works, ib. sqq.; Caracalla, his baths, 295; Alexander Severus, 296 sq.; approach of the barbarians, 298; Aurelian and his wall, ib. sqq.; his triumph, 303 sq.; games and spectacles, 306; reign of Diocletian, 309; Maxentius, 310; accession and works of Constantine, 311; seat of empire transferred to Constantinople, 313; establishment of Christianity, 314 ; state of the Christians at Rome, 315 sq.; St. Peter at Rome, 317 sq.; St. Paul at Rome, 318 sq.; the Catacombs, 319; persecutions, 320; first Christian churches, 321; the seven Christian Basilipse, 322 sqq.; patriarchal Basilicse, 326 ; Pagan rites in Christian worship, 327 sqq. SECTION YI. From the Death of Constantine I. to the Extinction of the Western Empire: a.u.c. 1090—1229, a.d. 337—476 (pp. 332—362). Struggle between Christianity and paganism, 332 ; state of Rome in the fourth century, 333 ; manners of the Romans, 334 sqq.; visit of Constantius II. to Rome, 339; mixture of pagan and Christian worship, 342 ; the statue of Yictory in the Curia, 343; accession of Theodosius, 344; visit of Honorius to Rome, 346 sqq.; approach ofCONTENTS. xiii the Goths, 348 5 Alarie at Rome, 349 sq.; second and third appear- ance, 351 sq.; amount of destruction committed by the Goths, 352 ; Jewish spoils, 353 ; death of Alaric, ib.; Honorius again at Rome, ib.; progress of the Church, 354; Valentinian III. and Placidia, ib.; Attila and Pope Leo, 356 ; Genseric and the Vandals at Rome, 357 ; amount of destruction, 358; Ricimer, the king-maker, 359 sq.; he captures Rome, 360; Odoacer, 361; extinction of the Western Empire, 362. SECTION VII. From the Fall of the Western Empire to its Restoration under Charlemagne: a.d. 476—800 (pp. 363—409). Odoacer overcome by Theodoric, 363; condition of Rome, ib.; visit of Theodoric, 364 sqq.; the Roman hierarchy, 367; accession of Justinian, 369; Belisarius enters Rome, ib.; strengthens the walls, 370; Vitiges besieges Rome, 370 sq.; defeated, 373; Totila at Monte Casino, ib.; besieges Rome, 374; destruction committed by him, 375 ; Belisarius again at Rome, 376; Totila's third appear- ance, 377 ; exhibits the games of the Circus, 378; Narses recovers Rome, ib.\ defeat and death of Tejas, 379; Justinian's Pragmatic Sanction, 380; Narses dismissed, 381; appearance of Alboin and the Lombards, ib.; Gregory the Great, 382; legend of the Angel, ib.; increase of monachism, 384; political condition of Rome, 385 sq. ; position of the Pope, 387 sq. ; duchy of Rome, 388; classes of the people, 389; Rome besieged by Agilulf, 390 ; Gregory and the Emperor Phocas, ib. sq.; Phocas bestows the Pantheon on Boniface IV., 393; visit of Constans to Rome, 394; plunders the city, 395 ; pilgrimages to Rome, 396 sq.; prophecy respecting the Colosseum, ib.; Anglo-Saxon kings at Rome, ib.; Scholas Anglorum, Eran- corum, &c., 397 ; Schola Grceca, 398 ; Luitprand and Gregory II., 399; Pepin and Zacharias, 401; Stephen II. crowns Pepin at Paris, 402; Astolphus threatens Rome, ib.; epistle of St. Peter to Pepin and the Franks, 403; Pepin's gift of the Exarchate and Pentapolis, 404; Desiderius, King of the Lombards, 405; Rome becomes the city of the Popes, ib.; Charlemagne at Rome, 406 ; second and third visits, 408; revival of the Western Empire, ib.; degeneracy of Roman manners, ib.xiv CONTENTS. SECTION VIII. From the Bestoration of the Western Empire to the Close of the Middle Ages: a.d. 800 sqq. (pp. 410—456). The Saracens appear before Rome, 410 5 accession of Pope Leo IV., 411; Ineendio del Borgo, 412 5 the Civitas Leonina, ib.; the Saracens defeated, 413; Alfred the Great at Rome, 414 5 various attacks on Rome, ib. sq.; appearance of the Magyars, 415 ; degra- dation of the Papacy; Marozia and Theodora, 416 ; trade in relics, 417 ; Canute and Macbeth at Rome, ib.; Gregory VII. and Henry IV., 418 sq.; Robert Guiscard and the Normans at Rome, 419; destruction by fire, 420; Middle Age legends, 421; Rom^in nobles and their fortresses, 423 sq.; the Anonymus of Einsiedeln, 425 sqq.; medieval notices of the Capitol, 428; testimony of the Mirabilia, 429 ; of the Graphia, 431; description of that work, ib. sqq. ; and of the Mirabilia, 435; the Ordo of Canon Benedict, and route of the papal processions, 436 sqq.; causes of the decay of Roman monu- ments, 439 sqq.; from floods, ib.; from the barbarians, 440; from the civil strife of the Romans, 441 sq.; from the use and abuse of the materials, 443 sqq.; from the conversion into lime, 447 sq.; Poggio's description of Rome, 448 sqq. ; state of the city at the return of the Popes from Avignon, 453 sq.; Petrarch and Rienzi, 454; state of Rome under various Popes, ib. sq.; visit of Charles V. in 1536, 455 ; papal restorations, 456.PREFATORY TOPOGRAPHICAL REMARKS. THE following work does not specially concern Roman topography; but as the recent excavations at Rome, which I Jaad the opportunity of examining in the winter of 1882-3, have thrown a new light on some important parts of that subject, I shall here briefly advert to them, and consider some of the inferences and arguments to which they have given rise. Of these points the most interesting and most disputed is that respecting the site of the Capitoline Temple. No excavations have been undertaken for the purpose of deciding it, but some alterations made in 1865 and 1875-6, at the German embassy, where formerly stood the Caffarelli Palace, partially laid bare foundations evidently belonging to an ancient temple. The former of these excavations was examined by Oommendatore Rosa, who has given some account of what he saw in the Annali del Institute for 1865. The chief points in his paper are, that in his opinion 'the foundation blocks of tufa are not cut in the Etruscan style, being longer than they are high, though the Capitoline Temple was built by the Etruscan, Tarquin, and in all proba- bility by Tuscan workmen ; secondly, that the building must have had a north-western aspect, facing the Campus Martius and Circus Plaminius, or almost the reverse of that ascribed by Dionysius to the Temple of Jupiter Optimus Maximus. This excavation, however, seems to have been too partial to afford any satisfactory data; and I shall, therefore, pass on to the second and more extensive one made in 1875. This was conducted by the German architect, Herr Schupman, who has described what he found in a letter published by Signor Lanciani in an Article written for the AnnaU del Institute, 1876. The letter states that it results, with much probability—con molta probability—that the ground plan ofxvi PREFATORY TOPOGRAPHICAL REMARKS. the building formed a rectangle of 51 x 74 metres; but he adds that the breadth of 51 metres could not be measured. But though Herr Schupman had not arrived at entire certainty in this matter, Herr Jordan, now an eminent authority on Roman topography, asserts that the breadth of 51 metres is fixed with indisputable certainty—unzw&ifelhaft festgestellt1—and goes on to give the plan of his temple accordingly. This point, however, I will not contest with him; for if the breadth were either greater or smaller, it would make still more against his view. If greater, though it would better accord with Dionysius' account, that the temple was very nearly square, it would still further disagree with it as to the dimensions of the temple's circumference; if smaller, it would make the oblong, instead of square, shape of these foundations, still more remarkable. Besides, there is enough, I think, in the data, as accepted by Herr Jordan, to show that the remains could not have belonged to the Capitoline Temple. That gentleman, indeed, admits that he cannot reconcile his plan with the description given by Dionysius, which shows that the temple was on a lofty substructure, or platform, and measured in circumference 8 plethra, or 800 Greek feet,2 which is about the same In English measure. And it must have been nearly square; for the two smaller sides were not quite 15 feet less than the greater ones. Dionysius further says that the front faced the south and had triple rows of columns, whilst the sides had only one row. About the back he says nothing, whence it may be inferred that it was a plain wall. The temple contained cells for three gods, Jupiter, Juno, and Minerva. I will now examine Herr Jordan's reconstruction of the temple, of which he gives a plan in his brochure on the Capitol. It presents an oblong building, whose longest sides measure about 240 Greek feet (74 metres), and the shortest about 166 (51 metres); thus forming a building longer than the true one by 40 feet, and narrower, deducting the 15 feet, by 19. This structure is traversed, it is said, throughout its length by four parallel walls within the two exterior ones; and, as the temple was hexastyle, it is supposed that these six walls served to support the treble rows of six columns, which formed the portico.3 1 Capitol, fyc., p. 58 : cf. Topographie tier Staclt Bom im Alterthum, B. i. Abth. 2. Berlin, 1882. 2 Lib. iv. c. 61. 3 Topographie, B. i. Abth. ii. S. 84 sq.PREFATORY TOPOGRAPHICAL REMARKS. Xvii I am no architect, but it seems to me surprising that walls should have been built of the whole length of the temple merely to support columns which were at one of its ends. Again: as there were three cells in the temple, there must have been two interior walls to separate them, and these could have had no connection with the six walls mentioned. For though the cell of Jove was larger than either of the others, it could hardly have been three times larger; which it would have been if its dividing walls had been built on the two next to the exterior ones; and in that case, moreover, why should the two middle walls have been carried through Jove's cell ? where they could have served no purpose what- ever. Further: Jupiter's cell, where he sat on his golden throne, being broader than the others, as shown on a coin of Domitian's, would have made a difference in the intercolum- niation of the pronaos. For the columns, as shown on that coin, standing at the side of the cell, and not before it—a position which would have partially hidden the god from his worshippers—must have rendered the intervals between the six columns unequal, and they could not, therefore, have rested on six parallel and equidistant walls, as shown in Herr Jordan's plan. The form and orientation of the building offer still more ground for disputing that author's view. It is evident that Dionysius meant his description to be strictly accurate, for he gives the dimensions of the smaller sides to the fraction of a foot, when he says that they differed from the greater ones by not qwite 15 feet. Could he then have been so blind or besotted as to give only 200 feet for the length of the building, when it was actually 240 ? A difference that must have been palpable even to the most casual spectator. Or to regard as a square what was really a very pronounced oblong ? As to the orientation, Herr Jordan, taking for the front of his. temple the opposite end of it to Rosa's, makes it face nearly south-east, instead of due south, as described by Dionysius.. And if it be said that a difference of some 80 or 40 degrees m a very trifling matter, I will observe that it is sufficient to. make it utterly impossible that the statue of Jupiter, which stood before the temple, should, when turned to the east, have .faced the Curia and Forum. I will only further observe about the front that Herr Jordan places it at one of the narrow sides, whereas, as there were three cells, it is more natural to suppose that they would have occupied one of the long sides. But then the temple would have faced north- bXviii PREFATORY TOPOGRAPHICAL REMARKS. east or south-west; and though in the former case, by* a slight obliquity of vision, Jupiter might have caught a side view of the Curia and Comitium, such an aspect would have been almost directly opposite to that assigned by Dionysius, and would also completely demolish the argument from the six parallel walls. Herr Jordan is not altogether insensible to these objections, and meets them in a way only too frequent with some German writers who find their theories at variance with classical authority, namely, by contemptuously disputing it. Diony- sius, it is said, is wrong both in the dimensions and the orientation of the temple, that is, he has made two disgraceful blunders in one sentence. He was, it is said, neither a land surveyor nor an architect, and could not, or would not, make himself either. But surely it required not the skill of a land surveyor to know where lay the, south, nor that of an archi- tect to measure the length of a wall. Such egregious mistakes as he is supposed to have made would have been enough to ruin his character as an author. It might be imagined that Herr Jordan, entertaining such an opinion of him, would have dismissed him altogether, as worse than useless. But no: that seems to have been thought too bold a stroke; so it is attempted to make his account tally, in some sort at least, with Herr Jordan's notions. Although his reconstruc- tion of the temple shows a very decided oblong, yet if the sides be multiplied into one another, the product will differ from that of Dionysius' square temple by only some 3 or 4 metres 1!! On such an admirable method of reasoning it is unnecessary to waste a word. It implies that Dionysius was calculating the cubic contents of the building, instead of giving his readers an idea of its external shape and size. It appears, then, that even Herr Jordan has some mis- givings about altogether dismissing classical authority ; and indeed it is plain that all that can possibly be known about an ancient and non-existing building must be derived from ancient descriptions of it. If any remains of such buildings be discovered, the only method of identifying them must be by comparison with the descriptions ; and if they should widely differ, we can only conclude that they must have belonged to some other structure than that of which we are in search. In the present case, it may not be difficult to dis- cover what that other building was. The. temple of Juno Moneta stood on the Arx ; and that it 1 Topographies B. i. Abth. 2, p. 71.PREFATORY TOPOGRAPHICAL REMARKS, xix was a large one is evident from the fact of its having even- tually become the Roman mint. It occupied the site of the house of Manlius, who repulsed the Gauls. Their assault was made from the Porta Carmentalis, and was therefore directed against the southern summit of the hill. Manlius is awakened by the cackling of the geese sacred to Juno, which must have been on that summit; for had they and Manlius been on the northern summit, it is impossible to conceive how at such a distance the geese should have heard the stealthily clambering Gauls, or how Manlius also should have been awakened, and should have arrived in time to cast them down. Cicero expressly says that the attack was made upon the Arx;1 and though it may be allowed that the whole hill was sometimes figuratively called Arx, just as it was also termed Capitolium, yet, in speaking of actual warfare, it is reasonable to suppose that Cicero would have used the word in its proper and restricted sense. Nor does it matter whether the story of Manlius be a legend or not; for even if it were, it would have been invented in a manner conformable to the actual topography. If the foregoing observations be just, then it follows that the Capitoline temple could not possibly have been on the southern height; for it would not have afforded space for another temple of such large dimensions, and the two were admittedly on different summits. The southern height being thus negatived, we are necessarily driven to choose the other; and consequently these remains prove exactly the reverse of what Herr Jordan would make them. That writer, however, though he asserts in the most positive manner—no unusual resource with those who have a doubtful case—that the Capitoline question is finally and irrevocably settled by this discovery, yet it is plain enough that he feels some misgivings. For if the matter is so certain, why should he strive to support his view with passages from ancient writers, and. inferences from Middle Age traditions, most of which have been adduced and refuted over and over again ? With regard to the latter, it was, he says, the learning of the second half of the sixteenth century that revived the names of Mons Tarpeius and Rupes Tarpeia, and baptized after them the lanes and churches in the neighbourhood of the Capitoline hill. Exactly so: of what value, then, these names, as proofs of anything ? But it is not true, as he asserts, that they were anciently used only in Rhetoric and Poetry; for Varro, who 1 De Bepublica, il. 6.XX PREFATORY TOPOGRAPHICAL REMARKS. was an exponent of the vernacular tongue, tells us that the Capitoline hill, called in his time Oapitolium, had once borne the name of Mons Tarpeius.1 The way in which the scholars of the Middle Ages drew their inferences may be seen from the fact that Blondus was the first to give the name of Capitol to the ruins on the southern height, because a church in the neighbourhood bore the name of S. Salvator de, or in, Maximis, or Maximo ; which appellation was incontinently thought to be derived from Jupiter's second title of Optimus Maximus: and in this he was followed by Albertini and Marliani. So also in the present day by Herr Jordan,2 so far as the origin of the name is concerned ; but he thinks it was first derived in the early Middle Ages from the Porticus Maximae, near the Porticus Octavise, and might then have been transferred to S. Salvator. But the occasion of the title of this church was evidently quite different. The Turin List of Churches, quoted by Papencordt in his Stadt Bom. (§ 56), shows that it lay beyond the still existing church of S. Giorgio in Velabro; for, proceeding in a southerly direction, the List names other churches beyond S. Giorgio before arriving at S. Salvator. That church, therefore, must have lain at, or near, the Circus Maximus, and therefore in Region XL, to which it gave name; and hence doubtless the designation of the church. It is impossible to have a more striking instance of the uncritical spirit of the early topographers than their con- necting this name with the ruins on Monte Caprino.3 All traces of the real Capitoline temple had vanished long before the time of Blondus; since he mentions the church and convent of Araceli, which occupied its site, and the Senator's Palace, as the only buildings then existing on the hill.4 After the temple had been stripped of its golden roof by Genseric in the middle of the fifth century it went rapidly to decay. Some writers assert that the Basilica of Araceli was founded by Pope Gregory the Great towards the end of the sixth century, and Nibby5 writes that a church dedicated to the Virgin was founded there at the end of the seventh century ; but Casimiro, who has written its history, says that 1 De Lingua Latina, v. 41. 2 « Von dem zweiten der Beinamen des Jupiter optimus maximus ware sicherlieh, wennuberhaupt, der Beiname de (oder in) maximo gebildet worden."— Topo- graphie, B. ii. Abth. 2 Anm. 33. S. 33. 3 The reader will find more on this subject in the 8th Section of the present work. 4 Bern. Inst. i. 73, ap. Jordan ib. p. 33. 5 Moma Anticct, p. 570.PREFATORY TOPOGRAPHICAL REMARKS, xxi its origin is quite unknown.1 All that is certain is that it was called S. Maria in Gapitolio in the thirteenth century; for that appellationis given to it in a Bull of Pope Innocent IV., ann. 1250, by which he transferred it, along with the monas- tery, from the Benedictines to the Frati Minori,2 and it bears the same name in a Bull of the Anti-pope Anacletus II. in the early part of the preceding century.3 At that date the site of the Capitol was doubtless known by tradition. The same Bull mentions the Templum Majus super Alaphantum, by which must be meant the large temple, or the remains of it, on Monte Caprino, of which I have spoken. And, indeed, at that time, as there are no records of its destruction by the Barbarians, or of any church or other building having been erected on its site, it was in all probability in a tolerable state of preservation, and so remained till the Caffarelli Palace was erected on its foundations. Nor can it be contended that the term, majus, used in the Bull, means the Capitoline temple, for the name, GapitoUum, is also employed in regard to Araceli in the same instrument, thus showing that they were separate and distinct things. It merely means, " the great temple;" and, no doubt, the Capitoline having vanished, it was then the greatest at Borne. In progress of time the designation, "in Capitolio," was dropped, and the name of Araceli substituted for it. About the etymology of this name many conjectures have been hazarded, among which Nibby's derivation from aurocielo, or the golden roof, is as probable as any. At all events, however, it conveys the idea of some- thing pre-eminently grand and sacred, as a church founded on so famous a temple naturally would be. It would be irksome minutely to re-examine the passages from ancient authors adduced by Herr Jordan 4 to dissipate the lurking mistrust he evidently feels about his theory. Most of them have been frequently cited before, especially by Becker; and the late Lord Broughton,5 no mean authority, was of opinion that I had completely demolished, in my article, " Boma," the arguments founded on them. I will further observe that Herr Jordan does not insist upon the arguments from the attacks made by Herdonius and the Gauls, which may therefore be considered as refuted. I will therefore only briefly advert to the more important and the fresher points started by Herr Jordan. It is asserted that the Capitoline temple stood over the 1 Storia, fyc., p. 5, sq. 2 Ibid. p. 17. 3 Nibby, Bom. Antica, p. 508. 4 See the Topographie, B. i. S. 65 sq. 5 Italy, vol. ii. p. 12 sq.xxii PREFATORY TOPOGRAPHICAL REMARKS. Tarpeian rock on the Caffarelli height, or Monte Caprino, whilst the Ars was above the Temple of Concord, on the Clivus, and was, therefore, the Araceliheight. The Tarpeian rock is now pointed out in the garden of the German hospital. But that situation is utterly at variance with Dionysius' account of it, who says that it overhung the Forum, whence executions on it, by precipitation, might be seen :1 whereas the rock alluded to faces nearly due south, and overlooks not the Forum, but the Piazza della Consolazione, so that an execution at it, from the distance and the outline of the .hill, would have been visible only at the extreme eastern end of the Forum, provided the Romans had had telescopes. I now, therefore, recant what I have said on this subject in the Article "Boma," for, in questions concerning Eoman topo- graphy, one may tarry at Jericho till one's beard grows. The only spot on the whole Capitoline hill which answers to the description of Dionysius is where the guard-house now stands at Araceli. This,. like the Career underneath, is " imminens Foro," which, as Herr Jordan, rightly I think,, assumes, extended somewhat further northwards than at present, for want of excavation, it would seem to have done. An execution at the spot indicated would have been visible over the whole Forum. Herr Jordan asserts (p. 65) that all attacks upon the Capitoline hill are directed against the Capitol. This might be true if the southern height were the Capitol. We know of four attacks upon the Capitoline hill: by Herdonius, by the Gauls, by Gracchus, and by the Vitellians. I have shown (Momat p. 763) that Herdonius' attack was not on either height, but on the Clivus Capitolinus between both, and so proves nothing. That of the Gauls on the Clivus had been repulsed, and therefore they tried to scale the southern height, which, however, was the Arx. The last two attempts were by Romans themselves, to whom not only did the Clivus and other points accessible from the Forum offer readier access, but also the temple formed a kind of fortress, the possession of which was moreover desirable for a revo- lutionary leader, by being the seat and home of the tutelary deities of the city, and so lending a sort of prestige to his undertaking. Let us consider a little the revolutionary attempts made by Tiberius Gracchus and by the Vitellians. In the former 1 Lib. vii. 35 sq.: viii. 78. Becker's attempt (Mom. Alt. i. s. 412) to explain away the words antuvtw ofwvrwv is a good example of sophistry.PREFATORY TOPOGRAPHICAL REMARKS, xxiii Gracchus is killed, either at the entrance of the temple or on the Clivus, whilst some of his followers are hurled down the precipices,1 by which, no doubt, the historian means the precipitous part of the Oapitolium, hard by the temple, where stood the Tarpeian rock. Even now, after the lapse of 2,000 years, during which it must have undergone many changes, the aspect of the spot shows that an abrupt precipice might very well have existed there. In the other attempt, the Vitellians, having been repulsed at the Clivus, try to mount at other places, and among them by the Hundred Steps near the Career. .These steps were near the Temple of Concord, on the Clivus, and it has been assumed that Ovid alludes to this temple in the following lines: Candida te niveo posuit lux proxima templo Qua fert sublimes alta Moneta gradus. Nunc bene prospicies Latiam, Concordia, turbam, &c\—Fasti i. 638. This obscure passage is said to contain a hypallage, and that it was not Moneta that supported the steps, but, as is more reasonable, the steps that supported Moneta; and hence it is argued that the Arx containing her temple must have been the northern height. Allowing the proposed interpretation, there is still no proof that Ovid was alluding to Opimius' Temple of Concord. There were on the Capitoline hill several temples bearing that designation, and in my Article I observed that Ovid probably meant that erected by Camillus. But I had overlooked two passages in Livy,2 showing that it was more probably the temple vowed by the Praetor, L. Manlius, and dedicated A.U.C. 586. This was near the pristine residence of the Gens Manlia on the Arx, and suits well with Ovid's description of the prospect which it enjoyed. As the temple of Moneta was on the highest point of the Arx (Fasti, vi. 183), and raised on a lofty substruction, its " sub- limes gradus," near that of Concord, may have been those indicated by Herr Jordan in his plan of the Capitol near the Palazzo dei Conservatori, but which, in accordance with his theory, he assigns to the Capitoline temple. Among the old arguments and passages raked up by Herr Jordan he occasionally introduces a new one. I do not recollect having before seen the argument from the head of 1 sis- ta txiroxfti/uva KctTspprnTow. Appian, Sell. Civ. i. 16. 2 Duumviri creati M. et C. Atilii sedem Concordise, quam L. ManJius praetor voverat, dedicaverunt. Li v. xxiii. 21. The vow was : aedem inarce faciendam. Id. xxii. 23.xxiv PREFATORY TOPOGRAPHICAL REMARKS. an earthenware image of Summanus, which stood somewhere on the Capitoline temple, having been carried by a flash of lightning, or a thunderbolt, into the Tiber, whence it is argued that this could not have been done unless the temple stood on the height nearest the river. It is hardly necessary to examine this inference seriously. Even had the head been so carried a single stade, it would, I fancy, be a new fact in natural science; and, by a little more stretching, it might easily have been affirmed to have been carried two stades. Another argument is drawn from a fire beginning near the Pantheon and spreading southwards to the Porticus Octavise, which was some 200 metres distant from the southern part of the Capitoline. It is therefore impossible that the fire should have caught a building there immediately, as Herr Jordan says ('unmittelbar, p. 65). The Portico lay about opposite the middle of the hill (see Becker's plan of Eome), and might just as easily have extended to one height as the other. From the situation of Herr Jordan's temple, too, the fire must have caught the back of it, which was only a plain wall; whilst in the other case it would have caught the front with its wooden architrave and eagles, which is much more likely. The argument from the words " templum majus quod respicit super Alafantum," in the Bull of Anacletus is value- less, or rather makes against Herr Jordan's view, for as I have shown (p. xv), the word majus must be referred to the temple of Juno Moneta. Two or three of the arguments used by Herr Jordan are also brought forward by Mr. Burn, as those from Caligula's bridge and from the statue of Jove before the Capitoline temple. These I have endeavoured to refute in my Article, and will only observe now that when the bridge is said to have reached the Capitolium, that may only mean the Capi- toline hill; or, that being the act of a madman, it may really have crossed the Forum. To say that Caligula could not have done that, is to require "ut cum ratione insaniat." It was probably only a light wooden structure, calculated for a person on foot. Employers of the argument from the statue of Jove turned to the east before the Curia, appear to assume that his line of vision must have been confined to a strictly straight mathe- matical line, without allowing any latitude to the sidelong power of the eye; and yet it may be supposed that the eyes of Jove were thought to resemble those of a mortal. Any- body placing himself on the little platform before the churchPREFATORY TOPOGRAPHICAL REMARKS. XXV of Araceli and looking due east, will see the whole Forum and the Arch of Titus beyond it; and even if a strictly straight line were drawn, it would pass over the site of the Curia, one of the chief objects, according to Cicero, in the line of vision. But it is wonderful that Herr Jordan should have used this argument (p. 66), for it is certain, that had the statue been before the temple, as he places that building, it could not have gotten a view of the Curia, and only a very partial one of the Forum. The argument from the number of temples, or shrines, on the northern height, which Mr. Burn considers to be one of the decisive proofs that the Capitoline temple could not have been there, but which is not urged by Herr Jordan, seems to me to be valueless. The greater part were small ex voto affairs, nor was the difference between the size of the two heights and the two temples so great as to make the argu- ment more applicable to one than the other. From what has been said, I think it follows that the remains discovered at the German embassy, as well as all passages in ancient authors relating to the matter, when rightly interpreted, prove that the Capitoline temple could not have been on Monte Caprino, and consequently must have occupied the Araceli height. And I further think that some of these passages indisputably establish that position. I will now advert to the Forum, which, as the centre of the political life of Rome, may be said to possess even more interest than the Capitol. When I first went to Rome, more than a quarter of a century ago, to prepare my Article " Roma," the whole area of the Forum was covered with earth and rubbish to a depth of many feet, and the only object visible upon it was the column of Phocas. That column proves that at the beginning of the seventh century the Forum retained its ancient level. It was at the same date that the temporal power and grandeur of the Popes was founded by Gregory the Great; and it was to succeeding Popes and the great families either directly or remotely connected with them, that the destruction of ancient monuments is chiefly to be attributed. Their riches and power had been enormously augmented by what it is now the fashion to call the "unearned increment," arising from the natural progress in wealth of the papal city, which had become the capital of Christendom. The princes of the CHurch, and other nobles, required magnificent mansions and palaces, the materials for which were gotten fromXXY1 PREFATORY TOPOGRAPHICAL REMARKS. ancient buildings, and not only did the Popes sanction this practice, but also often adopted it themselves, especially for the erection of churches. Hence the line :— Quod non fecerunt Barbari, fecere Barberini. The custom grew with years, and it is perhaps in the century or two preceding the papacy of Leo X. that the greatest havoc in this way was perpetrated. It was in full activity in the time of Julius II., Leo the Tenth's immediate predecessor. Raphael, who was then in Rome, witnessed the destruction of many ancient buildings, and he particularly charged Bartolommeo della Rovere, apparently a relative of that Pontiff, with being guilty of the practice.1 It was not merely the carrying away of parts of these structures, and the consequent ruin of them, which caused that accumula- tion of rubbish under which the Forum lay buried. It was the custom to get pozzolana from their foundations,2 and these being destroyed, the buildings of course fell in. Hence, seeing how crowded the Forum and its vicinity were with temples and other structures, much of the mass of rubbish that formerly covered it may be accounted for. Leo X. arrested, in its more destructive form, a practice worthy only of barbarians; chiefly, perhaps, on the represen- tations ' of Raphael, who was an enthusiastic admirer of ancient art and architecture; but even Leo, by a Bull dated in Sept., 1505,3 gives permission to carry away pieces of ancient marble for building S. Peter's, on the condition, how- ever, that they should first be examined by Raphael, whom he had made architect of that Basilica, to see that there were no inscriptions upon them. Before the recent excavations, the appearance of the Forum was most disappointing to anyone imbued with ideas of Roman grandeur. The impression is considerably bettered now that it has regained its ancient level, and almost its ancient limits. But the north side4 is not yet excavated, and probably never will be during the present generation, on account of the buildings standing upon it; and we do not, therefore, gain a complete idea of its breadth. Even at its best, however, from the nature of its site, almost enclosed by 1 Projet d'un Rapport, ap. Passavant, Vie de Raphael, t. i. p. 510, note. 2 Ibid. 3 Ibid. p. 506. 4 The Forum, in its length, bears nearly south-east and north-west; but for the sake of shortness and perspicuity, I call the side on which stands the churches ofS. Martina andS. Lorenzo in Miranda, the north side; and the other sides respectively, the east, the south, and the west.PREFATORY TOPOGRAPHICAL REMARKS. XXyii hills, it could never have been,persef an object of superlative grandeur. The Forum of Pompeii, from its commanding situation, is much more striking than that of Rome; and even in size, though belonging only to a second or third-rate provincial town, it is not very much inferior. This last defect in the Roman Forum was remedied under the Empire by the addition of several adjacent ones; and it was these, together with the magnificent temples and other buildings which stood upon or surrounded the ancient one, that must alone have given this quarter of Eome an air of splendour unequalled in any other city. Before the excavations were undertaken, the limits of the Forum, except on its northern side, were known, and even the sites of the principal objects upon it might be inferred with tolerable accuracy. These, however, are now ascertained and made palpable to the sight. The pavement is shown to have sloped gently down from its western and eastern extremities to a line that may be drawn across its breadth passing between the Temple of Castor and the Basilica Julia. The purpose of these slopes was apparently for draining off the rain-water into an opening in the Cloaca Maxima, which may be seen at the eastern end of the Basilica. They are partly due to the nature of the ground, but were no doubt improved by art. Regarding the streets and roads over the Forum and in its vicinity, the Nova Via, which skirted the northern side of the Palatine, has been partially laid open; and the embou- chure of the Vious Tuscus into the Forum between the Basilica Julia and Temple of Castor has been uncovered. With respect to the Sacra Via, little that is new or certain has been established. It was known before that it passed through the Arch of Titus and entered the Forum at the Arch of Fabianus, and these portions of it are still the only ones that can be fixed with certainty. Two roads are now shown to have traversed the length of the Forum. One of these, running along the northern side of the Basilica Julia, has by some writers been called the Sacra Via, whilst others style it the Via Triumphalis. Some, again, have given the former appellation to a road skirting the northern side of the Forum, of which there are partial and disjointed traces. But I am inclined to think that the first-mentioned view has more probability, judging from Horace's account of his walk.1 For, having evidently entered the Forum at its eastern side, since 1 Sat. i. 9. See also the Text, p. 242.Xxviii PREFATORY TOPOGRAPHICAL REMARKS. he tells his bore of an acquaintance that he is going to cross the Tiber, presently, as they saunter on, they come to the Temple of Vesta, which lay on the southern side of the Forum. Finally, the road which spanned the upper part of the Forum upon arches, from the Via Bonella to the Via della Consolazione, has been demolished ; thus not only giving free access to the Clivus, but also opening out an uninterrupted view from the Forum of the objects upon it. This removal, however, having occasioned a great detour for carriages, a new road is to be made across the Clivus Capitolinus, but in a way that shall not conceal the ruins upon it. Having thus given an account of the clearance effected upon the area of the Forum and its surroundings, I will now advert to the objects discovered upon it. Of these objects one of the most important is the Temple of Divus Julius, of which the ground plan is laid bare. " It appears to have been a small building erected on a lofty substruction, and standing in the middle of the further, or eastern half of the Forum, between the temples of Yesta and Castor. It fronted the Capitol, and had a portico of six Corinthian columns, under which were the Rostra Julia, at the spot which I had before inferred.1 Opposite the middle of this temple, on its southern side, and near the north-eastern angle of the Temple of Castor, a small oval bason marks the Lacus Juturnje, where that demi-god and his brother Pollux, are said to have watered their horses after the battle at Lake Regillus. A little to the east of this a lofty circular substruction marks the site of the Temple of Vesta. Proceeding to the upper or western half of the Forum, the base of Domitian's Statue is seen, facing the temple of Julius and opposite to the eastern part of the Basilica Julia. The area of that building is now completely uncovered, so that its ground plan may be accurately traced, and even graffiti and drawings seen on the floors of its porticoes. At the south-west corner are some remains of its architectural elevation. Facing the northern side of the Basilica, on the further side of the street, perhaps the Sacra Via, that runs along it, are found disposed at regular intervals, seven rectangular structures, which some archaeologists have taken to be bases of statues, or honorary columns; whilst others, with more probability, since they have a room or hollow in them, consider to be the Tabernje Veteres. 1 Diet, of Anc. Geography, vol. ii, p. 792.PREFATORY TOPOGRAPHICAL REMARKS, xxix The rude and monstrous base of the column of Phocas is now uncovered, and offends the eyes of the spectator. Be- tween it and the church of S. Adrianolie two curious Plutei, or marble balustrades, sculptured in relief, discovered in 1872. They are about 6 feet high and 16 long, and stand opposite to each other at a distance of some 10 feet. They appear to have rested on the pavement of the Forum without any support but their own weight, a fact which seems to show that they belonged not to any building permanently erected at this spot, but had been taken from some structure and placed there, most probably at a late period of the Empire, and, perhaps, as Herr Jordan conjectures,1 at the time when the column of Phocas was erected ; an inference strengthened by the circumstance that no allusion to them is found in any ancient author. But for what purpose this was done is unknown. Being sculptured on both sides they evidently formed part of an avenue, or passage, one side being seen from within, the other from without. The reliefs on both the inward sides represent the Suovetaurilia, or sacrificial pro- cession of the boar, ram, and bull. Those on the outward sides are far more interesting to the topographer, as they show in perspective the buildings surrounding the upper part of the Forum, and represent two historical scenes enacted in it. On that facing the east an emperor is seated before the, Basilica Julia, at the upper end of the Forum. He is sur- rounded by attendants, and is setting fire to a heap of tablets, whilst a line of soldiers issuing from the Vicus Tuscus are bearing fresh tablets to the pile. On the other relief an Emperor is seen standing on the Bostra, and looking also towards the Yicus Tuscus, as shown by the statue commonly called Marsyas, but which is more probably that of Yertumnus.2 The Bostra on which he stands must therefore be the old Bostra, and the Corinthian portico on his immediate left, approached by lofty steps, belonged to the Curia. The gate on the extreme left is that of the Janus Temple, which, as I have shown in my Article, and in the present work (p. 82), lay at this spot. It is represented dn coins as having an arched gate, which is seen in the relief. Beyond the portico mentioned, and after an intervening space, the buildings on which have been effaced, follows a structure whose architec- ture resembles that of the Basilica Julia in the other relief; but it is not so extensive, having only seven intercolumnia- tions, whilst the Julia is represented with twelve, which it 1 Capitol, 8fc..8, 34, 2 See Property?, Lib. iv.'El. ii. yy. 4 and 56.XXX PREFATORY TOPOGRAPHICAL REMARKS. actually had. This building, therefore, must be the Basilica iEmilia, which was re-erected by Augustus, and is in the same style as the Julia, which faced it. It may be inquired how the Emperor, being in both reliefs at the same end of the Forum, and looking in the same direction, should in one of them see the right hand side of the Forum and in the other the left ? To which it may be replied, that by a slight inclination of the head, or of the eyes, he might have seen both. But the point of view is chosen, not with regard to the Emperor, but to the spectator, who, in one relief is supposed to be placed in front of the temple of Julius, and in the other near the old Rostra, the object of which appears to have been that the artist might be- able to delineate both sides of the Forum. Some critics, indeed, think that the south side of the Forum is shown in both reliefs, but this could not have been the case. The points of view are different, since the buildings on the Clivus Capitolinus, which are shown in one, appear not in the other. On the north side, again, are seen objects totally different from those on th£ south, as the Corinthian portico, the Janus, and the tribunal. It may be objected that, in a view from the old Rostra, the statue of Yertumnus could not have been seen on the left of the spectator. But neither in the other view could it have been seen on his right. That object seems to have been introduced merely to indicate the limits in which the scenes represented took place, that is, in the upper half of the Forum. And this is shown by the circum- stance that the statue is not in true perspective, but juts out from the ground of the relief. In this relief an Emperor is again introduced seated on the tribunal mentioned, in front of what I have called the Basilica iEmilia. That the three scenes represented in these reliefs relate to some historical event can hardly be doubted, nor that all three belong to one and the same event. In the western relief the Emperor is addressing a group of men, of whom the foremost, with uplifted right hand, is either requesting a favour, or returning thanks for one conferred. Further on, at the tribunal, with attendants behind him, he is addressing a female who stands before him, and who bears on her left arm something that, as far as its mutilated state permits to judge, resembles the packages or tablets seen in the other relief. Combining the. three scenes together, I will venture the following explanation of them, which may be taken for what it is worth. In the western relief the group of men before thePREFATORY TOPOGRAPHICAL REMARKS. xxxi Emperor are representatives of foreign cities come to beg the remission of their debts. The scene at the tribunal relates to home affairs, and the female personifies Eoma, to whom some favour is granted. In the other relief the Emperor himself is seen setting fire to an enormous pile of bonds, and that they are foreign bonds may be inferred from the circumstance that they are borne into the Forum through the Vicus Tuscus, thus showing that they have been brought to Rome by the Tiber. The Emperor has been variously called Augustus, Trajan, Hadrian, and Marcus Aurelius, who are all known to have done an act of this kind.1 But he cannot possibly have been one of the three emperors last named, for the eastern relief shows the temples of Concord and Saturn on the Clivus, and between them an arch of the Tabularium. Now this interval was filled up before the time of Trajan by Domitian's temple of Vespasian, which would have hidden the Tabularium. Palpable evidence like this in marble is worth more than all inferences from texts, however ingenious they may be. We know from Suetonius2 that Augustus burnt the tablets con- cerning old debts to the Treasury. We also learn from the following chapter of the same author that he was accustomed to administer justice at the tribunal, as he is seen to be doing in the western relief. It is, perhaps, not improbable that these slabs formed a frieze at the sides of the arch erected on the Forum in honour of Augustus. The fact of the reliefs with the sacrificial animals being in so much better preservation than those on the other sides, shows that they were inside some arched, or covered building. And it may be added that the sculpture is quite worthy of the Augustan age. Some important objects have been discovered on or before the Clivus. On the north, or right, looking from the Forum, and close to the Arch of Severus, is seen a short conical pillar on a pedestal, in all probability the Umbilicus Rom.®. Some distance to the left of this, and in front of the Temple of Saturn, is another small round pillar, which has been identified with the Milliarium Aureum. Between these two objects is a slightly curved terrace, and before it, towards the Forum, a platform of large square stones, which is with certainty identified with the Rostra, from holes in the stones 1 Mr. Parker, Architectural Hist, of Borne, p. 127, considers him to be Mar- cus Aurelius, and attributes a like act to Hadrian. His assertion about the eight fingers, or rather five and three, is fanciful. 2 Augustus, c. 32.xxxii PREFATORY TOPOGRAPHICAL REMARKS. adapted for fixing the beaks of ships, from which it derived its name. The curved terrace is undoubtedly the Gr^co- f tasis, or station where ambassadors assembled before ad- mission to the senate. It was probably in ancient times raised a little higher than at present, and no more conspicuous station could have been chosen to gratify the pride and curiosity of the Eomans assembled in the Forum with the sight of those representatives of vassal nations in their various costumes. And the proof that it really was the Graecostasis will appear from the following considerations about the Comitium, which a very recent discovery enables us to define with accuracy. It is now ascertained that the Arch of Severus is built upon an ancient platform, which those who think that the Curia occupied the site of S. Adriano hold to have been the Graecostasis; but, puzzled by the terrace just alluded to, they are driven to assume that when the Graecostasis was sup- planted by the arch, the terrace was made, as it were, in memoriam of it.1 A preposterous idea! As if at a time when it was grown so entirely out of use that it could be ruthlessly destroyed, there should still have existed so great a veneration for it as to make such a memorial—and altogether, in that case, a false and deceiving one—necessary. All this confusion arises from placing the Curia at Adriano; for one error as surely begets another as night, follows twilight and makes entire darkness. Assuming this platform to have been the Comitium, everything proceeds in clear and indisputable order. We know that the Comitium; was approached by steps. 44 Statua Appi—in Comitio, irb gractibus if sis, ad laevam2 Curiae." Looking from the porch of S. Martina, the Forum lies on the left, and consequently also the steps leading from it to the platform of the' Comitium. The Curia stood upon the Comitium, but somewhat higher, being erected, like all such buildings, on a substruction, and' thus had steps descending from it. But this did not hinder them from forming a well-defined mass, and as it were, one block, marked off from the surrounding area. For we find that both were constructed at the same time, as parts of one plan,, and hence they were capable of being surrounded with one> and the same fence. " Fecitque idem (Tullus Hostilius) et saepsit de manubiis Comitium et Curiam." 3 1 See an Archaeological Article in the Times, May 18, 1883. 2 Liv. i. 36. 3 Cic. De Mejp. ii. 17.PREFATORY TOPOGRAPHICAL REMARKS. XXX111 And now we begin to understand more clearly the innova- tion of Gracchus in addressing his discourse from the Rostra to the populace in the Forum, instead of to the Curia, and the more select and aristocratic audience assembled on the Comitium: that is, by turning to the east instead of to the north. Which passage is also a proof that the Comitium could not have extended into the Forum proper, so that part of it at least was before the eastern side of the Rostra, as some writers, myself included, have thought. It was, in fact, well marked off from the Forum by the steps before mentioned. And had the Curia been at S. Adriano, it is impossible to understand Gracchus' innovation. But the crowning proof of the site of the Comitium is obtained by comparing the passages in Pliny and Yarro respecting the observation of midday. The former says that it was proclaimed from the CWmwhen the sun was perceived between the Grsecostasis and the Rostra, whilst Yarro says that the proclamation was made from the Comitium.1 This is no contradiction, but proves that the Comitium stood, as I have shown, just in front of the Curia. And the mid-day sun can be seen between the Rostra and Grsecostasis, now laid bare, only from the westernmost steps of S. Martina. The interval between those two objects cannot be discerned from S. Adriano, where, indeed, even to see them at all, one must look nearly due west instead of due south. The passage in Pliny is terribly in S. Lanciani's way; he calls it a rompica'po, and says that it is quite unnecessary to examine it after the convincing arguments, as he styles them, which he has adduced.2 These arguments I shall presently examine, and will here only observe that Pliny's words are as plain as the noon-day sun to which they relate, and if some topographers have misconstrued or misunderstood them, that is no proof that the true meaning is doubtful, but only that these critics have failed to discover it. And it must be remembered that they had not the aid which we now possess of seeing the true site of the Graecostasis and Rostra. The site of the Curia at S. Martina, where I have always placed it, tallies both with recent discoveries and with Yarro's description, which I subjoin,3 from which also we further 1 Plin. H. N. vii. 60; Varro L. L. vi. 2, 5. 2 Curia Hostilia Julia, &c. p. 9. 3 " Curia duorum generum; nam et ubi curarent sacerdotes res divinas, ut Curiae veteres ; et ubi senatus humanas, ut Curia Hostilia. Ante hanc Rostra, quojus loci id vocabulum, quod ex hostibus capta flxa sunt rostra. Sub dextera hujus, a Comitio, locus substructus, ubi nationum subsisterent legati, qui ad Senatum essent missi. Is Grsecostasis appellatus, a parte ut multa. Senaculum 0xxxiv PREFATORY TOPOGRAPHICAL REMARKS. learn the place of the Senaculum. The Rostra, he says, were in front of the Curia; to the right of them, that is, looking from the Curia, or Comitium, was the Grsecostasis, just as we now see them, and above the Grsecostasis lay the Senaculum, occupying part of the area before the Temple of Concord. And these topographical details might be supported by many other passages in ancient authors, which it would be tedious to adduce. It would require no little ingenuity to connect the objects just described with the church of S. Adriano, which lies at a considerable distance from them; a feat, however, which must be attempted by those who would place the Curia at that church. The principal exponent of this hypothesis is Signor Lanciani, in the paper before alluded to, published in the Transactions of the Accademia dei Lincei, and reprinted in a separate form (Roma, 1883). Naturally enough, S. Lan- ciani has no great predilection for ancient texts. He prefers to be guided by remains; admirable proofs, no doubt, always provided that they can be shown to agree with ancient de- scriptions, to which in all cases the ultimate appeal must lie ; and so they become not primary, but only subsidiary proofs. In the present instance S. Lanciani calls in the aid of certain plans and drawings made some three centuries ago by Antonio Sangallo, Baldassare Peruzzi, and others, which he found in the Uffizi at Florence. These drawings, plates of which are given in S. Lanciani's tract, contain plans and measurements of the churches of S. Adriano and S. Martina, and of some adjacent objects. A vignette of the primitive church of S. Adriano, by Du Perac, is also given. We are not informed with what view these drawings were made. It could hardly have been for the purpose of archaeo- logical research. That subject had been officially assigned by Pope Leo X. to Raphael, the contemporary of these artists, who was commissioned to make a plan of ancient Rome, so far as could be done, from extant edifices, for which purpose Raphael studied many ancient authors, and made surveys which appear to have extended over much the same ground as those of Sangallo and Peruzzi. He drew up a rough draft of a report upon the subject, which is preserved in the library at Munich, and has been published by Passavant in the first volume of his Life of Raphael. The MS. con- tained several plans of buildings drawn, doubtless, by supra Graecostasin, ubi aedis Coneordiae."—DeLing.Lat. iv. 32. In my Article I wrongly referred the jronoun hujus to the Curia, instead of quojus loci.PREFATORY TOPOGRAPHICAL REMARKS. XXXV Raphael, which would at least be as well worth consulting as those which S. Lanciani has given us; but I know not whether they have ever been published. Raphael appears to have been well acquainted with the Forum Transitorium, and had seen part of it destroyed only a little while before he wrote. It can hardly be supposed that Sangallo's and Peruzzi's researches, which must have required a considerable outlay both of time and money, were undertaken merely to gratify private curiosity. It is more reasonable to suppose that they were made with the view of using the area they embraced, or the vacant spaces it contained, for building purposes, and, perhaps, of combining the whole block into one magnificent structure. Indeed, S. Lanciani is of opinion that this was the object, at least, of B. Peruzzi's plan. "We are not, there- fore, to look for much special topographical information in these plans, and, indeed, the drawers of them seem not to have been well up in the knowledge requisite for that pur- pose. Some little research with that view may, perhaps, however, have been made as a secondary object, and at all events the plans, if correctly drawn, may afford some assis- tance to the topographer. If we inquire on what evidence S. Adriano is thought to have been erected on the foundations of the Curia, we find that not only is there none to that effect, but that what there is runs the contrary way. The artists, so far from thinking they were drawing the Curia, took it to be the Temple of Saturn ! Further: all documentary evidence, as quoted by Signor Lanciani himself, makes, as he admits, against his assumption.1 The greater part of the authorities, he says, give a purely Christian origin to S. Adriano; nor does he adduce a single one to support his view. A negative proof against it is, that though Maranzoni, whom he quotes in a note, enumerates several heathen buildings which had been converted into churches, he does not mention the Curia, which, in the case of so famous a building, would have been strange indeed had it really undergone that conversion. The referring it, therefore, to the Curia, is the work of S. Lanciani, or those who started and share a view which not only is in contradiction of all classical authority, but also rests solely on arbitrary assumptions. He attempts, indeed, a kind of negative proof by asserting (p. 18) that in the time of Pope Honorius I. it would have 1 See the reprint of his paper, p. 14,XXXvi PREFATORY TOPOGRAPHICAL REMARKS. been impossible to build entirely de novo such a church as S. Adriano; but this is only an arbitrary assertion. Collateral proof tends the other way. Araceli, an infinitely finer church, is by some said to have been built in the preceding century, and though its real origin is obscure, it is certainly of high antiquity. Several other fine Roman churches were built a little before and a little after S. Adriano. S. Lanciani not only takes that church to have occupied the site of the Curia: he is even of opinion that Du Perac's drawing, of which he gives a copy in Plate iii., shows not only the church of Honorius, but also the actual Curia of Diocletian; so that Honorius did not rebuild, but only con- verted it. In support of this view he contends that it has all the characteristics of the architecture of Diocletian's time, and he finds that it bears a similarity to the remains of that Emperor's Baths. If this be so, architecture must have woefully degenerated at that period. In Diocletian's time the splendid buildings which surrounded the Forum were in a state of good preservation, and it is passing strange that he should have erected, as a fellow to them, a building which has all the appearance of a common mediaeval church. He might, indeed, have been able to build nothing better, if it were true that architecture had experienced so great a fall. But it is not so. Architecture long survived the decay of the plastic arts. In the opinion of Raphael1 it flourished till the time of the latest emperors ; and he points to the Arch of Constantine, Diocletian's successor, the finest at Rome, in proof of his assertion; the sculptures on which, with the exception of those taken from Trajan's buildings, exhibit a terrible decline in art. These show the spoliation of Rome's monuments begun by its own emperors, as it was after- wards continued. It may be added that the Basilica named after Constantine, but built by Maxentius, whose enormous arches still astonish the spectator, must have been a mag- nificent structure. When S. Lanciani adverts to Diocletian's Baths we may ask, what are the remains of them? Only a small portion— the Tepidarium. But even this strikes with admiration the spectator who enters. Of the outside, indeed, much cannot now be said; but we may infer from the inside its former beauty. And we have Raphael as a witness to at least part of it. He mentions the Arch at the entrance of the Baths as one of the beautiful things destroyed in his time.2 An 1 Projet, fyc. Passavant, t. i. p. 512, 2 Ibid, p 510.PREFATORY TOPOGRAPHICAL REMARKS. XXXV11 architect capable of such a building would surely have been equal to the erecting of a handsome Curia, and would hardly have disgraced himself and his art by putting so mean a building as the church in question in juxtaposition and con- trast with so many splendid ones. To the topographer, however, this question is what the Germans call a mere Neben-sacJie in comparison with that respecting the Curia's site. It is difficult to see on what grounds, and with what reason, S. Lanciani combines the two churches of S. Martina and S. Adriano, and the two spaces between them into one enormous building, having a frontage of 50 metres. This, one would think, must have been a great deal more than enough for the accommodation of some 500 or 600 senators, who we know often assembled in temples much smaller than the church of S. Martina. And if S. Adriano was the Curia it must be on the Comitium, which could hardly have extended so far eastwards. The reason why S. Lanciani regards these separate blocks of buildings as having in ancient times formed part of one and the same enormous structure, seems to be that they adjoin at the back a common wall, apparently belonging to a Forum. But it is possible that several quite independent buildings might have done that. Again: let us look at the inconvenience resulting from S. Lanciani's arrangement. Although he will not allow the church of S. Martina to have been the Curia, he admits that it was its Secretarium. That church is separated from S. Adriano by an interval off some 80 feet, and it is not pre- tended that there was any communication between them. On the contrary, Sangallo's plan, as given and as described by S. Lanciani, presents a wall, without any opening, between the two buildings. When, therefore, the senators wanted to communicate with their scribes, they would have had to walk out of the Curia and proceed by the public road to their Secretarium ! Again : pn area large enough to contain the whole senate is assigned to the scribes employed in drawing up their Consulta, which were neither long nor frequent, and in cases requiring secrecy was done by the Patres themselves. The apsis of S. Martina would have quite sufficed for this purpose. I do not think, however, that S. Martina is built upon the actual foundations of the Curia, and thus shows its exact dimensions, but only that it occupies the Curia's site. The latter building may have been larger, and particularly may have extended rather more to the west.XXXviii PREFATORY TOPOGRAPHICAL REMARKS. Signor Lanciani gives us no notion of what the two vacant spaces between the two churches may have contained. They surely cannot have belonged to the Curia, which, with S. Adriano for its debates, and S. Martina for its scribes, would have had ample room and verge enough for all its needs. I will venture an opinion that they were occupied by the Chalcidicum, which Augustus built in contiguity with the Curia. That building seems to have occupied the site on which the Basilica Porcia previously stood, which, after its destruction by fire, does not appear to have been rebuilt. There are other circumstances besides those I have before adduced, which prove that the Curia was at S. Martina. I have shown in the Article just referred to (p. 7801) that the Janus temple, the index of peace and war, stood near the Curia, and present Arch of Severus. I will admit that Domitian erected a new Janus Quadrifrons near the present church of S. Adriano, but he did not destroy the ancient and venerable Bifrons. In fact he is known to have erected so large a number of Januses and Arches in all the Regions of the city that some wag, punning in Greek, wrote upon one of them, aptcu.2 But it would be the height of absurdity to suppose that these structures could have had any sanctity attached to them. It is certain that the original Janus con- tinued to retain its antique form and traditionary use. With whatever faults Domitian may be charged, he cannot be said to have been guilty of the destruction of ancient monu- ments; on the contrary, he is known to have restored many. And that the J anus Bifrons existed long after his time may be shown from a passage in Dion Cassius,3 regarding Didius Julianus: 87tel8t] irpog to avvsdpiov rj\0e, kcll t<$ Icivij) r<£ 7rpo rS)v Qvp&v avrov Sfvaeiv sfisXKe: which shows that the sacrifice was to be made to the Janus before the doors of the Curia, which must have been that at S. Martina, for the Quadrifrons erected by Domitian was not before the door of S. Adriano, but at the junction of four streets by its side. So Martial4 says: " Et fora tot numeras, Jane, quot ora geris; " because the streets it crossed seem to have been those leading to the Forum Eomanum, and the Forums of Julius, Augustus, and Nerva. That the Janus Bifrons existed till a late period of the Empire is shown by passages in Lampridius and Capitolinus, quoted by S. Lanciani himself (p. 28, note): "Janus geminus sua sponte apertus est;" "Gordianus, l See also the text of the present volume, p. 32, sq, 3 lxxiii. 13. 2 Suet. Dom. 13. 4 Lib. x. Ep. 27.—y s^^uTrmalrr^'art rons 'abrvcius Tiieatriim MarceHi "'%m. m&P?-. Jixno^ -^p^L. ^ej*. Moiietgg A RX Capitolma ^ * 0. QULTLGO (rltUliUb !. 'f \\| USmiia ' jj if&Tokcux# V Reference Aivdent Ruvxs and Sites of Excavations ---'. Modjit'iv Streets Mo de-vnuNcuries vvHcar lirw AM. Dom.Anxii Martii C'ic. .. dceronis CLo. „ ClodiL Con. Tempi. Concordia& Do. Eqiuts Domhruiiam, J. jtedes Divv JuliL L. Ltcpet'cab P. Futeal LibonLs Pho. Co lumnaj Fhocae S.J. Tempi. Jovis Statoris farq Donv.Tarq uuuiJ) -is TJF! Tugwr. Faiistali Ve. Tempi. VespcLsvani ° \ Jamis ^ QuadrifrorLS ^^S.i} Lorgw I vxVel.abro ^ "V Nova Via 'Auqustb DaniiH *3 V2? s llpr"1 „ L- Aiiqwqjb T "U/Collegium/ (ROJ^A qhadhata^ Wjfe' to V--MW =*%];' ^ TiihliJ /"■ G^diiu ° 0 iTabli ■1_ °stili.umS 1 Jiruii 1 _ ty/tm i 000000000 'T^0^ torlaS* iorvis TAs 1. Grcecostasijs 2 . Rostra 3 . .Rostra, Jidzau riims Colossus S a c r Area Metccsiodans S.B'onave btvetiite ■-tG WTO/lilP dWr1 §il®» oeptizoiaiixni Severi Scales 300 Yards The recent excavations on. theTaiatzn£jJ-Ul are shewn rrorn Sionor HosasIJla?z. 25oJforrv. Fabns TDyer, dir.; .E. &. liavenstcin, del. Engraved. ^Edw^TVel]PREFATORY TOPOGRAPHICAL REMARKS, xxxix aperto Jano gemino." Nor is it possible to stomach the palpable contradiction advocated by S. Lanciani, that the Quadrifrons had usurped the epithet " geminus " belonging to the Bifrons. After this array of testimony I may, per- haps, be allowed to appeal also to the Janus shown in one of the Plutei, in further proof of its situation, and that of the Curia. (Above, p. xxiii.) Another very strong proof that the Curia was at S. Martina is that the Tribunes Munatius Plancus, and Pompeius Rufus, who were haranguing from the Rostra when the Curia was on fire from the burning of Clodius' body, were driven away by the heat of the flames.1 This might very well have happened if the Curia was at S. Martina, but hardly if it had been at B. Adriano, for at the former place the Rostra were, as Asconius says, "prope juncta Curiae," as we now see them to be, whilst S. Adriano is at too considerable a distance to make such an event possible. Asconius, in Cic. Milon.HISTORY OF THE CITY OP ROME. SECTION I. FROM THE EARLIEST TIMES TO THE BUKNTNGr OF THE CITY BY THE GAOLS. HE Palatine Hill is tlie proper nucleus of ancient Rome; the centre -whence slie extended her'cir- cumference as slie gradually became tlie mistress of Italy, and at last of great part of tlie known world. There are many traditions, or, as it has become usual to call them, legends, connected with the Palatine Hill before the foundation of Rome, which are useful to be known from the frequent allusions to them which occur in ancient writers in connection with the history of the city. The most important of these traditions refers to Evander, one of the representatives of the Pelasgian immigration into Italy. Evander was a native of Pal- lantium, an Arcadian town near Tegea, and is supposed either to have seceded from, or to have lieen expelled, his country about sixty years before the Trojan war, or 1,244 years before the birth of Christ.1 He settled on a hill near the Tiber, which, from the place of his 1 For tlie immigration of Evander, see Dionys. Hal. i. 31-33, 40; Virg. Mn. viii. 333 sqq. 5 Ovid, Fast. i. 471 sqq.5 Varro, L. L. y. 53 (ed. Miill.) 5 Serv. Mn, viii. 51 sqq., &c. B2 LEGEND OF EYANDEK. birth, obtained tlie name of Pcdatium, or Mons Palatinus. Virgil1 traces the name to Pallas, who was a son of Lycaon, and founder of the Arcadian Pallantium ; but there were several variations of the story which should be mentioned here. Thus some2 traced the name of the hill to its having been the burial-place either of Pallas, son of Hercules and Dyna, a daughter of Evander; or of Pallantia, another daughter of Evander.3 All these names are connected with the Arcadian immigration ; but some etymologies refer to a totally different origin : as from Palanto, a daughter of Hyperboreus, and either* mother or wife of King Latinus; from Palatium, a colony of Aborigines in the district of Reflate ; and still more improbably from balare, or palare, the bleating, or the wandering, of sheep.4 According to the tradition received by the principal Latin writers, Evander was the son of Carmenta, an Arcadian nymph, and Mercury. Carmenta was regarded by the Romans as a prophetess, prescient of the fortunes of Rome. She is important in the history of the city as giving name to one of its gates, the Porta Carmentalis; so called from an altar dedicated to her which stood near it.5 This altar was extant in the time of Aulus Grellius and Servius.6 1 Mn. yiii. 51 sqq. Virgil, however, calls the city JPallanteimi; and this name is adopted by the topographers of the middle ages: Delegere locum et posuere in montibus urbem, Pallantis proavi de nomine Pallanteum. 2 Poljbius, ap. Dionys. Hal. i. 32 5 Festus, p. 220 (ed. Mull). 3 Serv. Mn. yiii. 51. 4 Serv. loc. cit.\ Varro, L. L. v. 53 5 Festus, p. 220 5 cf. Klausen, Mneas und die Bcnaten, p. 883 sqq. 5 Yirg. Mn. yiii. 333 sqq. ; Ov. Fast. i. 461-586; Liv. i. 7. 6 Gell. xviii. 7 ; Serv. ad Mn. yiii. 337.JANUS AND SATURNUS. 3 When Evander immigrated into Italy, Faunus was king of the Aborigines, or primitive inhabitants of Latium. According to the legend most commonly- received, there were four kings of this dynasty ; namely, Saturnus, the founder of it, Picus, Faunus, and Latinus; but Janus is sometimes mentioned as a still more ancient king, who hospitably entertained Saturn after his flight to Italy. Both Saturnus and Janus are intimately con- nected, as will appear in the sequel, with the traditional or legendary history of Home; and they are represented as established respectively on the hills known in later times as the Capitoline and the Janiculum.1 Saturnus also plays a great part in the mythical history of ancient Italy. According to Virgil, that country derived from him the name of Saturnia Tellus ; and Latium was so called because he lay hid there from the pursuit of Jupiter, from whose attacks he had fled.2 The name of Saturnus has been derived, regardless of prosody, a sake, because he first taught the Italians to live by agriculture. Hence an orderly state of society, civiliza- tion, and peace were substituted for the nomad and semi- savage way of life previously existing; the violence and disorders of which are illustrated, so far as regards the neighbourhood of Rome, by the story of Gacus, the terror of the Aventine, and by other legends. From the blessings flowing from the reign of Saturn, it was re- garded as the Grolden Age, and the phrase " Saturnia regna " became a synonym for human happiness. It resembled the idealized state of socialism and equality imagined by Rousseau and other enthusiasts, but unfor- 1 Virg. 2En. vii. 45 sqq., viii. 319 sq. $ Dion. Hal. i. 44 5 Macr. Sat. i. 7, 9. 2 Mn. viii. 322; cf. Ovid, Fast. i. 237 ; Macr. Sat. i. 7 ; Varro, L. L. v. 42, 64.4 HONS SATURNIUS—MONS TAKPEITTS. tunately never since realized. For though Saturn liad in- troduced agriculture, he had not sanctioned the institu- tion of private property; the fields were tilled for the common good, and were distinguished by no boundary marks; even the houses had no doors to exclude the visits of neighbours : Non domus ulla fores liabuit, non fixus in agris, Qui regeret cei'tis firiibus arva, lapis.1 Slavery existed not, and, as a consequence of the absence of property, a court of justice was unknown. Another result of the introduction of agriculture was wealth, which is nothing but the accumulation of stores ; whence Ops, or plenty, was said to be the wife of Saturn. From all these blessings it is not surprising that Saturnus should have been deified and worshipped by the Latins, and in fact none of their deities better deserved it. The iden- tification of Saturnus with the Greek Cronos, or Time, seems to have arisen from his being the oldest of the Latin divinities ; however, his scythe, or pruning hook, might very well typify the operations of Time, as well as his own more peculiar attributes. We will now advert to a few things in the legend of Saturn which connect him with the city of Rome. "We have already mentioned that the Capitoline Hill was originally occupied by Saturnus, whence it was called Mons Satuknius. This name it appears to have retained till the time of the Tarquins, though it also ob- tained in the interval the additional, name of Mosrs Tarpeius ; apparently from its having been the resi- dence of Tarpeia's father.2 The memory of Saturn is 1 Tibull. Eleg. i. 3, 43. 2 Proper tius, iy. 4 ; Varro, L. L. v. 41 sq.; Festus, voc. Satumia, p. 322 ; Justin, xliii. 1.TEMPLE OF SATURN. 5 still preserved at the Capitoline by the ruined portico of his temple, which stands at its foot; one of the few rnins which have partially escaped the stroke of his own scythe. Here, in primaeval times, stood an altar to him, probably on the same spot afterwards occupied by the temple. From his being considered the founder of wealth, the temple of Saturn was made the .ZErarium, or public treasury ; though the money seems to have been actually deposited in a small adjoining ^Edes, or Cella Opis, dedicated to Saturn's consort, Ops.1 Other memo- rials of Saturn at this spot, which have now vanished, were a Sacellum Ditis,2 near his altar, which, during the festival of the Saturnalia, was adorned with waxen masks; and a Porta Stercoraria, situated somewhere on the Clivus Capitolinus, or ascent to the Capitol. This gate led to a place where, in the middle of June every year, was deposited the night soil removed from the temple of Yesta; a practice emblematical of Saturn's having taught the use of manure, whence his epithet of Stercutus. An- other object on the Capitoline, probably connected with Saturn,'was the Porta Pandana, or ever-open gate; a memorial, perhaps, of the absence of doors in the Saturnian, or golden, Age. Besides these material records of Saturn at Rome, we may also mention the well-known festival of the Satur- nalia, to which we shall have frequent occasion to advert in the sequel. As Saturn was the reputed introducer of the necessary arts of life among the Aborigines, so to Evander was ascribed the introduction of those arts which contribute to polish and adorn it; as letters, musical instruments, 1 Cic. Phil. i. 7, ii. 14. 2 Macr. Sat. i. 7.6 LEGEND OF HERCULES. civil laws, and other usages which characterize a more advanced and refined society.1 The arrival of Hercules in Italy is placed a few years after the settlement of Evander. However fabulous may be this legend, it must find a place here. The Romans, at all events, believed it, and thus it is connected with some monuments and customs which existed at Rome. Her- cules, returning from his expedition to bring the oxen of Greryones to Argos, had reached the Tiber, when Cacus, a robber who infested the Aventine Hill, stole some of his cattle, and concealed them in a cave; but the lowing of the animals betrayed the perpetrator of the theft, and Cacus fell a victim to the vengeance of the offended hero. In commemoration of this act, an altar, called the Ara Maxima, was dedicated to Hercules on the spot afterwards occupied by the Forum Boarium, between the Palatine and the Tiber. Divine rites celebrated in the Greek manner formed the worship of the demigod; and two families, the Potitii and Pinarii, were appointed to perform them, as priests of Hercules, and to transmit them unchanged to their posterity.2 The erection of the Ara Maxima is attributed by some authors to Evander.3 Hercules obtained the epithet of " trium- phalis," and during the celebrations of triumphs at Rome, his statue was adorned with the dress worn by triumphant generals.4 He was also worshipped under other titles, as Hercules Custos, Musagetes, &c. The celebrity of his legend, and the importance attached to his worship, are attested by the numerous temples erected in after times in his honour, particularly in the neighbourhood of the Eorum Boarium. 1 Liv. i. 7; Tac. Ann. xi. 14; Dionys. Hal. i. 33. 2 Virg. Mn. viii. 190 sqq.; Ov. Fast. i. 543 sqq.; Liv. i. 7, ix. 29. 3 Tac. Ann. xv. 41. 4 Plin. H. N. xxxiv. 16.THE SCALES CACI. 7 Besides this legend respecting the advent of Hercules into Italy, there are other versions pretending to a more historical character which it is unnecessary to examine here, as they have little or no connection with the history of the city of Rome. It should, however, be mentioned that Dionysius of Halicarnassus represents Hercules as the leader of a great military expedition to Western Europe, and as dismissing in Italy a portion of his army, who took possession of Hons Saturnius.1 If this was so, any settlement made by Saturn on that hill must then have vanished; nor could the followers of Hercules have founded there any permanent colony, since Mons Satur- nius appears to have been uninhabited at the time when Rome was built. Diodorus Siculus represents Hercules as being hospitably received on the banks of the Tiber by Cacius and Pinarius, and as instituting on the Palatine certain sacred rites.2 The memorials which he intimates to have been preserved of these events must have been the priesthood of the Pinarian family and the Scal^ Caci on the Palatine.3 All these legends tend to show that the Romans be- lieved the Palatine to have been occupied before the advent of Romulus, which is, indeed, most probable. The name of the hill, as already said, is thought to have had its origin during the Arcadian occupation, and all the ancient traditions derive it from a proper name, except one from balare, or palare. Some modern writers indeed refer it to Pales, the shepherd's god or goddess, whence Palatua, the proper deity of the hill;4 but this rests apparently on no ancient authority. No doubt, however, that the earlier occupiers were shep- herds, down to the time of Romulus. The current 1 Lib. i. 34 sqq. 2 iv. 21. 3 Solinus, Polyhistor, i. 18. 4 Ignazio Guidi, Bull. Manic. 1881.8 THE LEGEND OF JENEAS. legend of ISTumitor and Amulius is in accordance with, this view, and a hundred times more probable than Mommsen's extravagant and totally unfounded one, that early Rome was a great commercial city. Till the occupation of it by Romulus, the Palatine seems to have been only a pasture ground, with shepherds' cottages and ovilia. We may believe, therefore, as Tacitus and others tell us, that Romulus first built a town there and that the substructions now to be seen on the south side of the hill are of his period. Modern criticism has banished to the realms of fiction the legend of ^Eneas' settlement in Italy, and apparently with justice ; yet it has become so interwoven with the history of Rome, that it must be briefly recounted here in its more popular form. Latinus, the last of the aboriginal Latin kings already mentioned, ruled during the time of the Trojan war. "When ^Eneas arrived in Italy, Latinus was already an old man, having reigned thirty-five years in peace and security. JEneas is said to have landed at or near Laurentum, a town which had been founded by King Latinus. Laurentum was the next coast town to Ostia, and probably occupied the site of the present hamlet of Capocotta, sixteen miles distant from Rome. But the sea has receded on this coast, and Laurentum, like Ostia, is at present about a couple of miles inland. In other respects the situation of the coast towns agrees with the description of Strabo.1 JEneas is related to have established a camp or citadel at no great distance from Laurentum, and to have called it Troy; and we find the district alluded to by classical authors under the names of Castra Trojana and Prsedium Trojanum.2 V Abeken MitteUtal. p. 62. 2 Cic. Ejpp. ad Atticum, ix. 13. See also Cato cited by Servius adKING LATINUS I—LAYINIUM. 9 These names at least show what an early, firm, and lasting hold the ^Eneas legend must have taken upon the Roman mind. At the time when iEneas landed, King Latinus was at war with the neighbouring nation of the Rutuli ; but on hearing of the invasion he marched against the Trojans. A hostile encounter was, however, averted by divine in- terposition, and a treaty was concluded between Latinus and iEneas, by which all the land comprised in a radius of forty stadia, or five miles, round a hill which the Trojans had occupied, was granted to them, on condi- tion of their assisting Latinus against the Rutuli. That people was defeated by the united arms of the new allies ; Lavinia, the daughter of Latinus, was given to ^Eneas in marriage ; who then built a city on the land which had been granted to him, and gave it the name of Lavinium in honour of his consort. Lavinium was seated three miles from the sea, and about the same distance from Laurentum, on the tufo hill of Pratica, where the site of the ancient town is still marked by precipitous walls.1 Lavinium became the proper centre of the .iEneas legend, the holy place of the league, and was regarded by the Romans of after times as their ancient cradle, hereditary seat, and sacred repository of their national Dii Penates, which JEneas was supposed to have brought with him from Troy.2 At a late period of the Republic, the Roman preetors, consuls, and dictators sacrificed at Lavinium to Vesta and the Penates either when they entered upon or quitted their offices ;3 and we learn from Virg. Mn\ i. 5 ; cf. ad yii. 158, xi. 316 ; Liv. i. 15 Festus, p. 367 ; Appian, Hist. Rom. i. 1. 1 Sir W. Gell, Topography, vol. ii. p. 80. 2 Varro, L. L. v. § 144. 3 Serv. ad Mn, ii. 296 5 Macrob. Sat. iii. 4.10 LATIUM—ALBA LONGA. Dionysius of Halicarnassus that in his time, that is, in the reign of the Emperor Augustus, most of the temples and other buildings reputed to have been founded there by iEneas were still extant.1 After these events, Turnus, a relative of the consort of Latinus, who had been a suitor for Lavinia's hand, having incited the Rutuli to rise, was defeated and killed by -ZEneas. King Latinus also fell in this war, when his dominions devolved to .iEneas in right of his wife Lavinia; and the Aborigines and Trojans becoming amalgamated received the common name of Latins. ^Eneas survived only three or four years the death of his father-in-law; in the fourth he was drowned in the river Numicius, during a war with the Tuscans under their leader Mezentius. After his death he was deified under the name of Pater, or Jupiter Indiges, as King Latinus had previously become Jupiter Latiaris.2 Latium, the kingdom of Latinus, and afterwards of -ZEneas, extended along the western coast of Italy, ac- cording to Pliny, for a distance of fifty miles; a com- putation, however, which is said to be deficient by ten miles.3 The inhabitants of it, before the foundation of Rome, were called Prisci Latini.4 Thirty years after the death of .ZEneas, either his son Ascanius or lulus, or the person who bore both these names, founded Alba Longa, on a ridge of Mons Albanus, and made it the new 1 Lib. i. c. 64. 2 Dionys. Hal. i. 64; Liv. i. 2 ; Virg. JEn. xii. 794, and the note of Servius; Ovid, Met. xiv. 581 sqq. $ Festus, pp. 106, 194. 3 Abeken, Mittelitalien, p. 61. 4 " Prisci Latini proprie appellati sunt hi, qui prius quam con- deretur Roma fuerunt."—Paul. Diac. p. 226. Cf. Servius ad 2En. y. 598. But according to Livy (i. 3) the Prisci Latini were the in- habitants of certain colonies founded by Latinus Silvius, the sixth Alban king. "Ab eo colonise aliquot deductse, Prisci Latini appellati."THE ALB AN KINGS. 11 capital of the Latin kingdom. Different lists are given of tlie Latin kings, the successors of Ascanius or lulus, who reigned at Alba Longa, the discrepancies of which it is not necessary to record or discuss. It will be sufficient for our present purpose to state that, ac- cording to the most generally received account, there were sixteen Latin kings of the line of JEneas, if we include that hero, namely: iEneas, Ascanius, Silvius Postumus, ^Eneas Silvius, Latinus Silvius, A]ba, Epytus or Atys, Capys, Calpetus, Tiberinus, Agrippa, Aremulus or Remulus, Aventinus, Procas, Amulius, Numitor. The sum of the reigns of these kings is computed at 432 or 433 years,1 by those authors who adopt the era of Eratosthenes, or the year 1184 B.C., as the date of the fall of Troy. It should, however, be mentioned that some writers allow only half this number of kings, and deduct a whole century from the period of their reigns; and especially that this latter computation is adopted by Virgil,2 who assigns a term of only 300 years for the reigns of the Alban kings after the death of Ascanius. The reigns of Amulius and Numitor, the last two kings, bring us to the well-known legend respecting the foundation of Rome, which our subject requires us briefly to recall to the memory of the reader. Amulius, younger son of Procas, having usurped the crown which rightfully belonged to Numitor, his elder brother, caused ^Egestus, the son of Numitor, to be put to death, and his daughter, Ilea Silvia, to become a Vestal virgin; thus obliging her, by the vow of perpetual chastity im- posed upon the priestesses of Vesta, to renounce all 1 Dionys. Hal. i. 71, ii. 2; Diodor. ap. Syncellum, t. i. p. 366 (ed. Bonn). 2 Mil. i. 272 sqq.12 ROMULUS AND REMUS. hope of marriage, and consequently of giving a legi- timate lieir to the throne which Amnliiis had usurped. But Rea was robbed of her chastity either by a mortal lover, or by the god Mars in mortal form ; and, having become pregnant, in due time gave birth to male twins, whom Amulius and his council ordered to be thrown into the river Tiber, at some distance apparently from the royal residence; while the mother was subjected to the punishment incurred by the breach of her vow. The servants of Amulius, proceeding towards the upper part of the stream, crossed the Palatine Hill, in order to carry into execution the sentence upon the children, where, finding their further progress arrested by the flooding of the river, they deposited on the water the little cradle or skiff which contained the twins, and abandoned them to their fate. The receding waters having left the infants ashore on the western declivity of the Palatine, they were there discovered by a she- wolf, who gave them suck. A woodpecker also brought them food; when certain shepherds, struck by the marvel, and inferring from it the divine origin of the children, carried them to Paustulus, a herdsman of Amulius, residing on the Palatine, who gave them to his wife, Acca Larentia, to nurse. According to some authors, Acca Larentia, from her unchaste life, was called Lurpa, and thus is explained the fable of the wolf. In process of time, the twins, under the names of Romulus and Remus, grew up to manhood on the Palatine, whence all trace of Evander's settlement ap- pears to have vanished. A quarrel between the herds- men of Numitor and Amulius, in consequence of which Remus was carried off to Alba Longa, induced Faustulus to explain to Romulus the story of his infancy.1 At 1 Another yersion of the legend represents Numitor as hayingROME INAUGURATED. 13 Alba Longa, Remus is recognized by his grandfather, Numitor, and undertakes, in conjunction with his brother Romulus, who has also an interview with Numitor, to dethrone and punish the usurper Amulius. The arrival of Faustulus at Alba Longa, at this juncture, with the cradle, or ark, in which the twins had been exposed, confirmed the truth of the recognition. By the aid of Romulus and Remus, Amulius is seized and put to death, and Numitor recovers his rightful inheri- tance. Romulus and Remus are soon after seized with a desire to erect a new and independent city, an enter- prise in which they are joined by many of the inha- bitants of Alba, especially the Trojan families; and ISTumitor supplies them with money, arms, provisions, and other necessaries, to carry out their design. But a dispute arises between the brothers as to the site of the new city. Romulus chooses the Palatine Hill, the scene of his marvellous escape and early education, while Remus prefers a spot called Remoria, which appears to have formed a portion of the Aventine. It having been agreed to decide the matter by augury, Remus, taking his station on the Aventine, first sees a flight of six vultures ; a little after, a flight of twelve appears to Romulus;1 a quarrel arises, whether the greater num- ber of the birds, or the priority of their appearance, should decide the point in question, and Remus is slain in a fight which ensues. Romulus then proceeds to substituted two other babes for the children of Rea Silvia ; that the infants were put to death by Amulius, and that the genuine twins were secretly entrusted by Numitor to Eaustulus for education. 1 Superstition has connected the twelve vultures seen by Romulus with the twelve centuries during which Rome remained an inde- pendent city, viz. from b.c. 753 to a.d. 476, when she fell under a prince bearing the same name as her founder, Romulus Augustulus.14 FOUNDATION OF ROME. build his city, after burying Remus on the Aventine, and atoning for his death by certain expiatory rites. Such is briefly the chief and most widely accepted legend respecting the foundation of Rome; into other accounts it is not necessary to enter.1 But it may be observed that, although these legends vary with regard to the name of the founder of Rome and the time of its foundation, yet they all point to the Palatine Hill as the original site of the city. Tacitus, in a well-known passage, which we subjoin at the foot of the page, gives the most precise account of the foundation of Eome and the circuit of its walls. Prom this passage it appears that the furrow which marked the line of the pomoerium was begun to be drawn from a spot in the Forum Boarinm, marked in that author's time by the bronze image of a bull, as typical of the animal which drew the plough. The line was so drawn as to include the altar of Hercules, known by the name of Ara Maxima. From this spot boundary stones were laid down at certain regular distances round the base of the Palatine. These stones ran first to the altar of Consus, from that to the Curiae Yeteres, and then to the Sacellum Larum; and the Forum and Capitol were not thought to have been added to the city till the time of Tifcus Tatius.2 1 The legends respecting the foundation of Rome have been dili- gently collected by Sir G. C. Lewis, Credibility, §c.} vol. i. p. 394 sqq. 2 " Sed initium condendi, et quod pomoerium Romulus posuerit, noscere haud absurdum reor. Igitur a foro Boario ubi eereum tauri simulacrum adspicimus, quia id genus animalium aratro subditur, sulcus designandi oppidi coeptus, ut magnam Herculis aram amplec- teretur. Inde certis spatiis interjecti lapides, per ima montis Palatini ad aram Consi, mox ad Curias Yeteres, turn ad sacellum Larum 5 forumque Romanum et Capitolium non a Romulo sed a Tito Tatio additum urbi credidere."— Ann. xii. 24.THE WALL AND POMCERIUM. 15 The furrow here mentioned does not describe the actual line of wall, but that of the pomoerium, or sacred space around it, which could not be built upon nor applied to profane uses. From the nature of the ground, however, the outside line of the pomoerium, marked by the cvpjpi, or stones, could not haye been at any great distance from the wall. It was usual also to reserve a similar vacant space within the walls. Rome was founded after the Etruscan manner, and the plough which traced the furrow, as we learn from other authors, was drawn by a cow and a bull, the bull being on the outside, the cow inside ; thus typifying the future male and female inhabitants of the city, the latter of whom were to stay at home, while the men were to be the terror of external enemies.1 At the southern extremity of the Palatine, near the Circus Maximus, remains of the wall are still extant at the foot of the hill.2 Before proceeding any further, we must endeavour to determine the outline and compass of the Romulean city. Topographers have, we believe, almost universally adopted the theory that Roma Quadrata, or the city of Romulus, embraced the whole of the hill now known as 1 Joannes Lydus, De Mensibus, iv. 50. The reader will find a full account of the ceremonies in the article Boma, Smith's Diet, of Ancient Geography, vol. ii. p. 726. We may here mention Bunsen's opinion (Beschreibicng der Stadt Bom, B. i. p. 138) that Tacitus left off the description of the line of the pomoerium at the Forum, without carrying it round to the starting place, because no wall was needed on this side, the city being protected here by a marsh. But we know that the Porta Romanula was situated in this interval; and if there was a gate, there must have been a wrall. 2 Ampere {Hist. Bom. h Borne, t. i. p. 282) observes that the site of the Porta Romanula, infimo Clivo Vict or ire, shows that the wall was at the foot of the hill.16 TOPOGRAPHY OF THE PALATINE. the Palatine; and the author of the present work fol- lowed the same view in an article on Rome which he wrote for Dr. Smith's Dictionary of Ancient Geography. But since that article was written, extensive excavations have been made npon the Palatine by order of the Emperor Napoleon III., who purchased from the ex- King of Naples that portion of it which comprises the Farnese gardens. Commendatore Rosa, the learned and able superintendent of these excavations, whose urbanity and kindness the author gladly takes this opportunity to acknowledge, has thus been enabled to make several important discoveries, not only with regard to the palace of the Caesars, but also the ancient city of Romulus, which have led him to an entirely new theory respecting Roma Quadrata. The author must confess that he finds a great deal of probability in this theory, as obligingly explained to him by Signor Rosa in several interviews during a residence at Rome in the winter of 1864-5. It is also published in a paper in the Bulletino clelV Instituto Archeologico for the year 1862. The most important result of these excavations, with regard to the topography of the Palatine Hill, is the dis- covery of an intermontium, or depression, traversing the hill from north to south, and dividing it, like the Capito- line, though not so strikingly, into two distinct heights. The eastern height embraces that portion of the hill which contains the Villa Mills, now a convent, and the Convent of S. Bonaventura, while the western is occu- pied by the Farnese gardens, the place of the excavations. From this division, or intermontium, Signor Rosa has been led to assign the name of Yelia to the eastern height, and that of Germalus to the western, and to conclude that the city of Romulus occupied only this latter portion of the hill. It must be confessed thatCIRCUIT OF THE WALLS. 17 this theory seems to agree better with the notices which we find in ancient authors respecting the Romulean city than that hitherto received, which makes it occupy the whole hill; and we will here briefly state the reasons for this conclusion. Some of these are taken from Com- mendatore Rosa's paper before referred to, and some the author has himself ventured to supply. First, then, let us take the account of Tacitus already given. If, as is commonly supposed, the Romulean city embraced the whole of the Palatine Hill, it is surprising that Tacitus should have defined such extensive limits by mentioning so few objects. The situation of most of the boundaries which he does mention is known with tolerable certainty. There can be no dispute about the site of the Forum Boarium. The Ara Consi, as I have shown in the article Roma, must have stood near the centre of the Circus Maximus, where Signor Rosa places it. The situation of the Curiae Yeteres, the next object named by Tacitus, has never been satisfactorily ascer- tained. Signor Rosa places it a little beyond the Ara Consi, about the middle of the south side of the hill, and at the corner of the newly-discovered depression, thus making it the turning-point of the Romulean wall on the south-east. Concerning the site of the Sacellum Larum, which Tacitus next mentions, little difference of opinion can be entertained. It stood on the Summa Sacra Via, near the existing Arch of Titus, and marked another angle of the walls ; whence they must have pro- ceeded onwards to the Forum, and thence to the starting- point in the Forum Boarium, though Tacitus leaves this part of the circuit undefined. Let us now observe that the fewness, as well as the situation, of the objects named by Tacitus, render it highly probable that the Romulean city was confined, as c18 ROMA QUADRATA. Commendatore Rosa thinks, to the western half of the Palatine, or, as he calls it, the Germalus. For we may remark that all the objects mentioned by the historian whose site is certainly Jcnoum lay on this portion of the hill; and that the only one wThose site is not certainly known, the Curiae Yeteres, could possibly have lain on the other portion, or the Yelia. Is it then probable, if the Romulean city covered the whole hill, that Tacitus should have defined the boundaries of one half of it by naming four objects, and those of the other and larger half by naming only one, the Curiae Yeteres ? That is, of course, conceding that this object lay on the Yelia, a thing wholly uncertain, and quite incapable of proof. By the new boundaries thus laid down, the Romulean city still forms a Roma Quadrata, though of a somewhat oblong shape, instead of the lozenge described by the whole hill. Its dimensions, too, are reduced by one- half : a circumstance, however, which, so far from being an objection to Rosa's views, serves strongly to confirm them. Most of those primaeval cities are known to have been of very small dimensions—in fact, mere arces, or citadels, rather than cities in the proper sense of the term. That the Romulean city occupied only the western half of the Palatine Hill is also very strongly confirmed by a passage of Solinus, who, speaking of Roma Quadrata, observes that it began at a wood in the Area of Apollo, and terminated at the top of the Scalse Caci, where was the cottage of Faustulus,1 The Area Apol- linis, with its wood or grove, must have formed part of the precincts of the temple which Augustus erected on 1 u Ea incipit a sylva quae est in area Apollinis, et ad supercilium scalarum Caci liabet terminum, ubi tugurium fiiit Faustuli."— Cap. i. § 18.ITS GATES. 19 the Palatine to that deity, and in all probability occupied the site on which now stands the convent of S. Bona- ventura, extending also probably to the north of that convent. This, then, would give us the eastern boundary of the Romulean city. It may be further remarked that all the objects con- nected with the story of Romulus, as well as the ancient traditions respecting the Palatine, belong to this western side of the Palatine : as the Tugurium Paustuli or Casa Romuli, the Scalse Caci, the Lupercal, the Porta Ro- manula, &c. Not a single object of this kind can be referred to the eastern portion of the hill: another con- firmation of Rosa's theory. Neither can we place any gate there. The two 'known gates of the Romulean city, the Porta Romanula and Porta Mugionis, stood on the western division of the hill. There was probably a third gate towards the Circus Maximus. Its site is not ascer- tained, but the only probable one is at the Scalae Caci, at the south-western extremity of the hill. Rosa's dis- covery of the Porta Yetus Palatii, which was identical with the Porta Mugionis, affords another argument in support of his theory. Prom the situation of this gate and the direction of the ancient pavement, it is plain that there could have been no entrance this way to the eastern portion of the hill, but only to the western. The position of the gate indicates, moreover, a line of wall intersecting the hill nearly in its centre, and along the intermontium, or - depression, to which we have already alluded. Thus far Commendatore Rosa's scheme seems pro- bable enough. He may also be correct in assigning the name of Yelia to the eastern half of the Palatine Hill. But when he calls the whole of the western half Grer- malus, we must confess our inability to follow him. It20 THE GERMALUS. is evident that tlie component parts of what is now called the Palatine Hill had originally three names, Palatium, Yelia, and Grermalus or Cermalus, which are mentioned separately by Antistius Labeo1 in enumerating the heights which formed the primitive Septimontium. Again, we learn from Yarro that the Yelia and Germalus were annexed to the Palatine;2 after which the three heights came to be regarded as one hill, under the de- nomination of the Palatine; and the hill, thus regarded as a whole, formed ultimately only one of the seven hills of Rome. A similar process took place with regard to the Esquiline, where the two distinct projections or tongues, called Oppius and Cispius, were at length con- founded in the common appellation of Mons Esquilinus. If, then, Yelia was the name of the eastern half of what in later times was called Mons Palatinus, and Grermalus of the western half, where are we to place the original hill called Palatium P It seems more probable that this last name belonged at first to the greater portion of the western division of the hill; and that Grermalus, a name said by Yarro3 to be derived from the germani, or twin brothers, Romulus and Remus, who came ashore there, belonged only to that part of this division more especially consecrated by this legend—that portion, namely, to- wards the Forum Boarium, where the Tugurium Eaustuli and other monuments of Romulus existed. The discovery of the Yetus Porta Palatii, or Porta Mugionis, identified by the ancient pavement, is most important, as it serves to fix the site of other monuments known to have stood in its vicinity. It is not far from 1 In Festus, p. 348 (Miill.). 2 " Huic (Palatio) Cermalum et. Velias conjunxerunt."—L. L, v. § 54 (Miill.). 3 Log. cit.THE YELIA. 21 the spot commonly assigned to it by topographers, but somewhat higher up on the eastern front of the Eomu- lean enclosure, as laid down by Rosa. It was entered from the Summa Nova Via, as shown in his plan of the excavations recently published:1 but the Nova Via could hardly have run into the Sacra Via, as it is made to do in that plan. It must rather have proceeded from the Porta Mugionis close under the northern side of the Palatine and skirted that hill onwards to the Velabrum : as is evident from various passages in ancient authors already cited in my article Roma. It follows, from what has been stated, that the name of Yelia, given by the German school of topographers to the ridge which now separates the valleys of the Forum and Colosseum, is incorrect. This view, which was first adopted by Eiebuhr, cannot be established on any good authority; and, if Rosa be correct, the ridge in question is no natural hill at all, but made ground, formed, probably, by excavating the lake for the garden of Nero's Glolden House, at the spot now occupied by the Colosseum (See sect. iv.). The Palatine, however, must have thrown out a spur, or projection, to the north, where the Arch of Titus now spans the Summa Sacra Yia. Roma Quadrata, as we have said, had two known gates, which, indeed, are now laid open by the excava- tions, namely, the Porta Mugionis near its north- eastern, and the Porta Romanula near its north-western, extremity, at the bottom of the Clivus Victorias. Topo- graphers are at a loss to determine the site of a third gate, and Commendatore Rosa is even of opinion that there was none. But ancient cities had generally three gates, and the most probable place for a third is, as M. Ampere 1 See the plan in this volume.22 DATE OF ROME. observes,1 where there was a descent by means of steps towards the Circus Maximus, at a place called by Plu- tarch KaXr) 'Akx?7 ; which can be no other than the Scalas Caci.2 The most commonly received date for the foundation of Rome is that of Yarro, who assigns it to a year equivalent to B.C. 753. Troy, according to the era of Eratosthenes, was taken in the year B.C. 1184 ; and, allowing 432 years for the reigns of the Alban kings, we approximate very closely to this date. There is, however, some difference on this point among Roman authorities ; Cato placing the foundation two years later, or in B.C. 751, Eabius Pictor in B.C. 747, and Cincius so low as B.C. 728. According to the legend which as- cribed the foundation of Rome to the Aberrigines, that people gave the name of Vcdentia to their settlement on the Palatine, which was translated into Rome (pu)/irj, strength) when Evander, accompanied by many Greeks, came to Italy.3 However that may be, Yalentia re- mained the secret and mysterious name of Rome, which was forbidden to be pronounced, lest, by so doing, the Penates might be conjured from the city. Hence is traced the worship of Angerona at Rome, the goddess of silence, whose statue, with her finger on her lips, stood in the little temple, or chapel, of Yolupia, near the Forum.4 1 Hist. Bom. a Bome, t. i. p. 292. 2 Plut. Bom. 20. The name of cale acte, which has puzzled topo- graphers, perhaps arose from a conversion of the Latin name, Scalse Cacl, into Greek. The first word wants nothing but a sigma, and the second has two letters of Caci. Greek transcribers would natu- rally blunder in such words, and turn them into something with a meaning in their own language. 3 Eestus in Bomam, p. 266 : Solinus, c. i. § 1. 4 Plin. H. N. iii. 9, 12 ; Macr. Sat. i. 10, iii. 9 ; Yarro, L. L. vi, § 23 (Miill.) j' Serv. ad Mn. i. 277.THE CASA ROMULI. 23 All the ancient monuments on the Palatine, connected with the Romulean or pras-Romulean times, were, as we have said, on the western side of the hill, and apparently on that part of it called the Grermalus. The Lupercal, a grotto consecrated by the Arcadian colonists to Pan, lay under a shady cliff, "gelida sub rupe," and, according to Dionysius, on the road leading to the Circus^; accord- ing to Servius, in the Circus: it, therefore, probably stood near the south-western angle of the hill.1 Near it was the sacred fig-tree, or Eicus Ruminalis, under which Romulus and Remus were suckled by the she-wolf, and the Tuguritjm Faustuli, called also Casa Romuli, where they were brought up. The Scam Caci were also in this neighbourhood, apparently near the modern church of Sta. Anastasia: and were perhaps, as we have already intimated, identical with the KciXi) 'Aktyj ; as steps are mentioned in connection with the latter, which led down towards the Circus Maximus.2 According to Vitru- vius,3 there was also a Casa Romuli on the Capitol; but this must have been built long afterwards, in com- memoration of that upon the Palatine. Ovid also alludes to a small cottage of Romulus extant in his time : Quae fuerit nostri si quseris regia nat.i, Adspice de canna straminibusque domum.4 But there is nothing to show whether it stood on the Palatine or the Capitoline, and it might possibly have been removed to the Capitoline in the later times of Rome. The first memorable incident in the history of the small city founded by Romulus was his care to increase 1 Virg. Mn. viii. 343; Dionys. Hal. i. 32, 79 ; Sery. ad 2En. viii. 90. 2 Pint. loc. cit. 3 Lib. ii. 1, § 5. 4 Fasti, iii. 183, sq.24 THE ASYLUM. its population by opening an asylum for fugitive slaves and others on tlie Capitoline Hill, tlien called Mons Saturnius; and probably on that side of it wliich faced tlie east, and subsequent Forum.1 Romulus, then, must have taken possession of Mons Saturnius; and though he does not appear to have enclosed it with a wall, like the Palatine, yet he must have erected some sort of fortifi- cation for its defence; since, in his war with Titus Tatius and the Sabines, as we shall see further on, this hill was the chief point of attack, and appears to have had a gate. It seems probable, therefore, that Romulus, as Dionysius informs us,2 had surrounded both this hill and the Aventine with a ditch and palisade, by way of protection for herdsmen and their cattle. The method of opening an asylum supplied, however, only a male population; to provide them with wives, Romulus sent ambassadors to the neighbouring nations, to solicit alliance and intermarriage for his subjects. But the rising power of Rome was already regarded with jea- lousy. The proposals of Romulus were everywhere rejected, and frequently with insult: he was advised to open an asylum for women also : by such a method would he procure wives who would be a proper match for his own people. Thus foiled, the Roman king re- solved to obtain by stratagem and force what he had failed to procure by friendly solicitations. He prepared some splendid games, called Gonsualia, in honour of the god Consus, or the equestrian Neptune,3 which were to 1 Liv. i. 8, ii, 1 j Dion. Hal. ii. 15 ; Pint. Bom. 9; &c. 2 Lib. ii. c. 37. 3 The Consualia, however, according to a Saturnian verse pre- served by Varro, De Vita Pop. Boon., as quoted by Nonius Marcellus, p. 13 (ed. Basle, 1842), appear to have been rustic games, consisting of running or jumping on oiled hides : Sibi pastores ludos faciunt coriis -eonsnalia.THE SABINE RAPE. 25 "be celebrated in tlie Yallis Murcia, the valley dividing the Palatine from the Aventine; and when everything was prepared he invited the neighbouring peoples to the spectacle. Thither flocked the Casninenses, the Cru- stumini, and the Antemnates ; but especially the Sabines, whose territory adjoined that of the Romans, a circum- stance which enabled them to bring their wives and children in great numbers. The guests were received with a treacherous semblance of hospitality; but, while all were intent upon the games, the Roman youths, at a given signal, rushed forth and seized the unmarried women, and their affrighted parents fled, invoking sthe gods to avenge so gross a violation of the laws of hospitality. By this act the Sabines had been chiefly injured ; and as their king Titus Tatius who resided at Cures, was the most powerful in those parts, he was solicited by the other nations to join with them in avenging the common injury. But, Tatius delaying to act till he had secretly made complete preparation, the impatient Cseninenses invaded alone the Roman territory, when their weak and disorderly forces were easily defeated. Romulus killed and despoiled with his own hands their king Acron, and took possession of their capital. This deed of the Roman king is famous both as being the first capture of spolia opima, of which, in the whole course of Roman history, we find only two other in- stances ; and, what is more to our present purpose, as having occasioned, according to Livy,1 the consecration They are thus explained by Varro : te Etiam pelles bubulas oleo per- fusas percurrebant, ibique cernuabant." Ennius speaks of the in- stitution of such games by Romulus at the dedication of the temple of Jupiter Eeretrius (ap. Serv. Georg. ii. 384). 1 Lib. i. c. 10.26 THE LEGEND OF TARPEIA. of the first Roman temple : that is, we may presume, with the exception of those which, in a city founded with Etruscan rites, must have been erected to Jupiter, Juno, and Minerva within the walls of Roma Quadrata.1 For Romulus, bearing the spoils of the vanquished king on a frame adapted to the purpose, deposited them on the Capitoline Hill at an oak regarded as sacred by the shepherds, vowing at the same time to erect there a temple to Jupiter, with the surname of Feretrius, in which in future times similar opima spoMa should be deposited.2 Romulus overcame with similar ease the Antemnates and the Crustumini, and converted their cities into Roman colonies. His victory over the Antemnates was celebrated by the institution of the Roman triumph. But meanwhile the Sabines had prepared a more for- midable attack. Having elected Tatius for their com- mander-in-chief, they marched upon Rome, and obtained by stratagem possession of Mons Saturnius, or the Capitoline Hill. This brings us to the legend of Tarpeia, of which there are several versions. According to that most commonly received, Tarpeia agreed to open the gate of the Capitol "to the Sabines, on condition of re- ceiving what they bore on their left arms, meaning their golden bracelets ; but the Sabines, availing themselves of a subterfuge, after entering the gate, overwhelmed and slew the traitress with their shields. Another ver- sion represents Tarpeia as wishing to deceive the Sabines and really bargaining for their shields, when, her inten- tion having been betrayed to Tatius, he caused her to be killed.3 Propertius describes Tarpeia as having sfcipu- 1 Servins acl JEn. i. 422. 2 Liv. i. 10 5 Dionys. Hal. ii. 33 sq. 3 Dionys. Hal. ii. 38—40 5 Liv. i. 11; Ovid, Fast. i. 261; Varro, L. L. v. 41.BATTLES IK THE FORUM. 27 lated for the iiand of Tatius as the reward of her treachery, when the Sabine monarch, instead of con- summating the marriage, pat her to death.1 The same author relates that the Capitoline Hill obtained after this event the name of Mons Tarpeius, from Tarpeius, the father of Tarpeia, who was commander of the garrison upon it at the time of: the Sabine attack; 2 but, accord- ing to a more common opinion, it was so called from Tarpeia haying been buried there. However this may be, some portion of it continued afterwards to bear the name of jU/wpes Tarpeia. The possession of Mons Saturnius had given the Sa- bines a strong position ; but their strife with the Romans was still to be decided by battle. Many engagements took place between the hostile armies in the valley between the Capitoline and Palatine hills, afterwards occupied by the Roman Forum. This district could not therefore have been entirely a swamp, though it may have been often overflowed by the Tiber, and appears even at that time to have contained a pond, or marsh, which from Mettus Curtius, a Roman combatant, who plunged into it, obtained the name of Lacus Curtius. The origin of this appellation, however, is also referred to the deed of M. Curtius, a Roman, who nearly four centuries later (b.c. 362) leaped all armed with his horse into a chasm in the Forum, or to its being a locus fulgu- ritus, enclosed by a consul named Curtius.3 We may remark here that the circumstance of two hostile armies being engaged in such a valley as this, shows that the forces on both sides must have been very small, and thus 1 Lib. v. (iv.) Eleg. 4. 2 Lib. v. Eleg. 4, vers. 93 ; cf. Liv. loc. cit. 3 Liv. i. 13, vii. 6 5 Dion. Hal. ii. 42, xiv. 20 sq.; Varro, L. L. v. 148—150.28 JUPITER STATOR. confirms the account of the fewness of Romulus' fol- lowers. These battles between the Romans and Sabines were signalized by the foundation of the Temple of Jupitejr Stator. Romulus, stationed on the high ground near the old gate of the Palatine city (Porta Mugionis), and consequently not far from the spot now occupied by the Arch of Titus, vowed to erect there a temple to Jupiter " Stator," if he would arrest the flight of the re- treating Romans. The vow was heard, and the temple in consequence founded.1 The struggle between the Sabines and the Romans still remained undecided, though the latter seemed to be gaining the superiority, when the interposition of the Sabine women put an end to the strife. They are said by some authors to have thrown themselves between the combatants, imploring on one side their fathers and brothers, on the other their husbands, to cease their strife; while other authorities represent them as pro- ceeding to the Sabine camp to solicit peace. But, in whatever way effected, a treaty was made between the two nations, by which it was agreed that Romulus and Tatius should rule jointly, and with equal authority, over the Roman people ; that the Sabines should be in- corporated into the Roman tribes and eurice; and that the united people, though individually retaining the name of Romans, should in their aggregate capacity, and in honour of the Sabines, be addressed as Quirites, the name of the inhabitants of Cures.2 The treaty, ac- cording to some authorities,3 was concluded on the Sacra Yia, which thence derived its name. It is not 1 Dionys. Hal. ii. 50; Liv. i. 12. 2 Another etymology derives the word from quiris, the Sabine name for a spear. Or. Fast. ii. 475. 3 Dionys. ii. 46 5 Festus, p. 290.THE SABINE ELEMENT. 29 probable, however, that the road was then in existence; and at all events its name began at a later period either from the sacred buildings which stood upon it or the holy processions which traversed it. Equally unfounded is the opinion of Plutarch, that the Comitium was so called from the hostile generals having met at that spot to arrange the peace. The importance of the Sabine element at Rome has not perhaps been sufficiently considered. The late M. Ampere has discussed the subject with great learning and ability in his interesting work, L'Hzstoire Romaine a Rome.1 He remarks that not only did the Romans borrow from the Sabines almost all their religious and much of their political and social organization, their customs, ceremonies, arms, &c., but also that the far greater part of the primitive population of Rome was Sabine, that most of the men who have played a part in Roman history were of Sabine extraction, and that what is called the Latin tongue contains a strong infusion of Sabine elements.2 The truth of these remarks will be apparent when we reflect that a considerable part of the Roman population must have been of Sabine blood by their mothers, and that the followers of Tatius who settled on the Quirinal and adjacent hills were perhaps at least equal in number to the Romans. But when M. Ampere goes on to argue, as Schwegler and Ihne have also done, that the Romans were in fact a conquered people, who existed only by the sufferance of the Sabines, we must confess our inability to follow him. In proof of his assertion he adduces the many Sabine names of temples and other objects which existed not only in the quarter of the city assigned to that people, but also on 1 See especially t. i. ck. xii. and xiii. 2 See t. i. p. 446.30 THE QUIRITES. the Aventine and round the Palatine itself; whence he infers that these places were held by the Sabines as in- dependent, and even hostile, possessions. But, allowing all these names to have been Sabine, the influence of that people, who formed so large a part of the population, even peacefully exerted, may serve to account for these names. M. Ampere also draws an argument to the same effect from the circumstance of the collective popu- lation receiving the Sabine name of Quirites, quoting with approbation a remark of Servius : " JSTovimus quod victi victorum nomen accipiunt;" and adducing the example of the Britons who obtained the names of Saxons and Angles, of the Gauls who were called French, of the Italians who were called Lombards, &C.1 The remark, however, holds good only in certain cases. The Gauls, when conquered by Caesar, were not called Romans; nor were the English called Normans after the Norman conquest; nor did the Irish become English after their subjugation by Henry II. It is only when the conquerors come in such overwhelming num- bers as almost entirely to drive out and supplant the original inhabitants that a change of name occurs ; and then not only of the occupiers of the country, but also of the country itself. Thus, after the Anglo-Saxon conquest, Britain became England; after the Frankish conquest, Gaul became France, after the Lombard con- quest, the north of Italy became Lombardy. But no such thing occurred at Home. This, therefore, is a strong confirmation of the truth of the account handed down to us by ancient authors, that the privileges, as well as the name, which the Sabines obtained were de- rived from treaty and agreement; and the proof is still clearer from the facts that not only did the original 1 Ibid. p. 442.MONS CiELIUS. 31 Romulean city continue to be entitled Eoma, but that this name was also extended to those quarters of the city more exclusively occupied by the Sabines, and that each individual citizen was called a Roman. But to re- turn from this digression. The settlement of the Sabines is of course a most im- portant event in the history of the city. They occupied Mons Saturnius and the adjoining Quirinal, anciently called Agonus, which were assigned to them for their abode. We must recollect that these hills were not then separated, as they are now, by the valley occupied by the Forum and Basilica of Trajan, but were connected by a sort of isthmus, or tongue, extending from the Height of Araceli to that of Magnanapoli. The Romans now pos- sessed the Csslian Hill as well as the Palatine. That hill, originally called Querquetulanus, was assigned by Romulus to Cselius Vibennus, an Etruscan chief who had assisted him against the Sabines, and hence obtained the name of Mons O^ilius. By some writers the Etrus- can leader is called Lucumo; but this perhaps is only an Etruscan name for a chief or prince.1 The Etruscan settlement on the Csslian is placed by some authors in the time of Tullus Hostilius, of Ancus Marcius, and even of Tarquinius Priscus. But authority preponderates in favour of the first statement; and if it be correct, we already find, in the reign of Romulus, three distinct races settled at Rome ; and of these the Roman race appears to have been far from enjoying the preponder- ance, to judge from the fact that, of the six subsequent kings of Rome, only one, Tullus Hostilius, was of Roman descent, and that the rest were either Sabines 1 Dionys. H. ii. 37, 42 sq. ; Cic. Eep. ii. 8; Varro, L. L. v. 46. Propertius calls the Etruscan Lucmo and Lucomedius. Meg. iv. 1, 29, and 2, 51.32 THE TEMPLE OF JANUS. or Etruscans. The original Etruscan settlement on tlie Caolian was not, however, altogether a permanent one. A portion of the new colonists having incurred the sus- picion of the Romans, they were compelled to leave the hill and take up their abode between the Oapitoline and the Palatine, a spot commanded by both those hills, which derived from its new inhabitants the name of Yicus Tusctjs. The remainder of the Etruscans were removed to a hill called Ceeliolus, which appears to have been a portion or branch of the Cselian.1 Thus the Romans of the Palatine city and the Sabines dwelling on the Capitoline and Quirinal, formed two distinct yet allied and friendly cities, governed re- spectively by Romulus and Tatius. The former of those kings continued to reside on the Palatine near the Scala3 Caci and descent towards the Vallis Murcia, not far from the modern church of Sta. Anastasia; while Tatius is supposed to have lived on that southern part of Mons Saturnius subsequently occupied by the ^Edes Monetae.2 The gate forming the entrance to the Sabine city, the same which had been betrayed to their army by Tarpeia, lay on the north-east side of the Capitoline Hill, a little to the north of the Arch of Septimius Severus. Afterwards, in the reign of Kuma, when the Roman and Sabine cities were amalgamated into one, and consequently the gate had become useless, its site was occupied by the Temple op Janus, the cele- brated index of peace and war.3 The space under the 1 Tac. Ann. iv. 65. Sometimes, however, the name is referred to the Tuscans who took refuge at Rome after the defeat of Aruns at Aricia (Liv. ii. 14;,Dionys. v. 36); whilst some writers think that it arose from the Tuscan labourers employed in building the temple of Jupiter Capitolinus having lived there. 2 Plut. Bom. 20. 3 See Ovid, Fasti, \. 255 sqq.THE YULCANAL. 33 eastern side of the Capitoline, which afterwards became the Roman Forum, served as a common place of meeting to the inhabitants of both cities, the swampy parts having been filled up with earth ; while business of state between the two kings and their senates was transacted on a more elevated spot called the Vulcanal,1 which lay- above the north-western corner of the Forum, and close to the gate, or Janus,' of the Sabine city already de- scribed. Romulus had consecrated this area to Yulcan, and had erected upon it an altar to that deity; whose place of worship, as in this instance, was allowed to be established only outside the city boundaries.2 It seems probable that the Yulcanal owed its name to some volcanic agency which had manifested itself at this spot; since?4Ovid, in his version of the legend of Tarpeia already quoted, introduces Janus describing how he repulsed the Sabines by ejaculating upon them streams of hot sul- phureous water: Oraque, qua pollens ope sum, fontana reclusi, Sumque repentinas ejaculatus aquas. Ante tamen calidis subjeci sulpkura venis, Claucleret ut Tatio fervidus humor iter.3 From the Sabines, as we have observed, were derived a great part of the Roman superstitions and religious observances. Tatius is said to have dedicated many temples to the gods, and especially to Semo Sancus, or Ditjs Fiditjs, an ancient Sabine deity, whose name of Dius signified his love of the open air; whence his temple had a perforated roof.4 It probably stood at or 1 Dionys. ii. 50. 2 Plut. Q. Boon. 44; Vitruvius, i. 7. 3 Fasti, i. 269 sqq. So also Yarro : " Ad Janum geminum aquse caldse fuerunt."—Be L. L. v. 156. 4 Ovid, Fasti, vi. 213 sqq. 5 Propert, v. 9, 74; Yarro, L. L. v. § 66. D34 ROMAN MONARCHY CONSOLIDATED. near the present Palazzo Quirinale. Also to Flora, Dijovis, Summanus, the god of nocturnal lightnings,1 Larnnda, Yortumnus, Mars, Sol, Luna, &c ;2 but most of these were probably only open spaces with altars, like the Yulcanal, and we must recollect that temples had no images before A.u.c. 170.3 They may probably have been introduced by the Etruscan kings. The joint dominion of Romulus and Tatius had lasted in harmony five years when the Sabine king was killed by some of the inhabitants of Lavinium whom he had offended.4 Romulus caused him to be interred upon the Aventine at a spot which, according to Plutarch, was called Armilustrium.5 Yarro, however, represents Tatius as haying been killed by the inhabitants of Laurentum, and calls the name of his burial-place on the Aventine Lauretum, either from his murderers, or because there was a laurel grove at that spot.6 The sole government now devolved to Romulus, and the Sabine and Roman cities became henceforth united under one monarch. Under the vigorous administration of Romulus, the city grew apace. He subdued Fidenas and made it a Roman colony ; and when the Yeientines took up arms against him on this account, he overthrew them in a great battle, so that they were glad to purchase peace by ceding to him a district close to the Tiber called S&ptem Pccgi and some salt-works at the mouth of that river. The situation of the district called Septem Pagi is not ascertained ; but it probably comprehended the Moiis Yaticanus and the 1 Festus, p. 229. 2 See Varro, L. L. v. § 74. 3 Plut. Numa, 8. 4 Liv. i. 14; Dionys. ii. 51 sq. 5 Bom. 23. 6 " In eo (Aventino) Lauretum, ab eo, quod ibi sepultus est Tatius rex, qui ab Laurentibus interfectus est; vel ab silya laurea, quod ea ibi excisa est sedificatus vicus."—L. L. v. 152.DEATH OF ROMULUS. 35 Janiculum.1 We know of no other war to wliicli the acquisition of these tracts by Rome can with probability be referred; and since the Janiculum was fortified by Ancus Marcius, as we shall see further on, it must have been in the possession of the Romans in the reign of that king. A truce of a hundred years was now made be- tween Veii and Rome, and the conditions of it were en- graved upon a brazen column.2 Romulus is also said by some writers to have reduced Cameria to subjection; but the capture of that city is placed by Livy in the reign of Tarquinius Priscus.3 In the midst, however, of these splendid successes, Romulus died after a reign of thirty-seven years. He is related to have vanished during a supernatural darkness, or eclipse, and to have been carried up to heaven in the chariot of his father Mars ; whilst a more rational account represents him as having been murdered by the senators for his tyranny, and his body secretly disposed of, so that it was never seen more.4 Romulus is supposed to have disappeared at a place in the Campus Martius called Palus Capre2ei, or Caprje, which became a locus religiosus. It lay pro- bably somewhere under the Quirinal.0 Romulus having left no heir to his crown, an interreg- num ensued which lasted a year, when Numa Pompilius, a Sabine of Cures, was elected king. His election is said to have, been effected by a compromise between the Roman and Sabine inhabitants of the city: the old Roman senators being the electors, while the person elected was to be of the Sabine race : a circumstance 1 Cf. Nibby, D' Intorni, vol. iii. p. 388. 2 Dionys. Hal. ii. 50-55 ; Liv. i. 15; Plut. Rom. 25. 3 i. 38. 4 Ibicl. i. 16; Dionys. ii. 56; Cic. Rep. i. 16, ii. 10; Ovid, Fasti, ii. 485 sqq.; Plut. Rom. 26-28. 5 Liv. i. 16; Ov. Fast. ii. 489.36 TEMPLE OF VESTA—EEGIA. •which shows the power and consideration enjoyed by that people. As Romulus extended the dominion of Rome without, so the reign of Numa was devoted to consoli- date the city within, and to civilize and improve the people by laws and religions institutions, and by all the customs and conveniences of domestic life. Hence his peaceful reign becomes highly important for the history of the city. It was his especial care to bring about a complete union between the Roman and Sabine inhabi- tants ; and as a pledge of this union • he instituted a festival in honour of Mars.1 His choice of a residence seems to testify his desire to conciliate the two elements of the Roman population, and to fuse them into a whole, as well as to display the importance which he attached to tthe observances of religion. Hence he fixed his dwelling neither in the Sabine nor the Roman city, but between both, at the south-eastern corner of the neutral ground or Forum, near the modern church of Sta. Maria Liberatrice. Although called a Regia, or palace, it ap- pears to have been a building of the most humble pre- tensions—in fact, a sort of adjunct to the Temple of Yesta which he had erected close to it; and hence we also find it called by the more humble names of Atrium Regium and Atrium Yestje. The erection of the Temple of Yesta at this spot was perhaps also done with the view of fusing and harmonizing the Sabine and Roman population. For we must recollect that as in a Roman family the hearth was its proper centre and bond of union, so the Temple of Yesta was the public hearth of the city, in which was preserved in ever-living bright- ness the eternal fire, together with the Palladium, which ^Eneas was believed to have brought with him from Troy; for whose perpetual custody Numa appointed 1 Eestus, p. 372 (Miill.).THE SACRA YIA. 37 four Vestal yirgins. But though, the ^Edes Vestji was in ordinary language called a temple, and is mentioned by that name by Horace 1 and Ovid,2 yet we must recol- lect that it was no temjplum in the proper sense of the term, but merely an cedes sacra; because, being the abode of the Vestal virgins, it had never been inaugu- rated, in order that the senate might not be able to assemble in it.3 The recent excavations in the Forum have brought' its substructions to light. It was of a circular form with a tholus or dome; and behind it, stretching towards the Palatine Hill, lay a sacred grove. It was probably along with these buildings that the Sacra Via came into existence, or at all events, if it existed before, that it obtained its name of Sacra; an appellation, however, which in the earlier times, and among laymen even in the later, was applied only to that part of the road forming the ascent from the Forum and Begia to the Summa Sacra Via, or eminence on which the Arch of Titus now stands, and where in ancient times was the dwelling of the Bex Sacrificulus. Hence in the poets we sometimes find it called Sacer Glivus.4 The Begia became in after times the residence of the Pontifex Maximus; and thus this portion of the Sacra Via, or Clivus, was bounded by the houses of two of the chiefs of the Boman hierarchy. The other foundations of Numa were impartially dis- tributed in the Boman and Sabine cities. Thus he established on the Palatine the Curia Saliorum, where the sacred ancilia and lituus Bomuli were preserved in the custody of twelve patricians chosen for that purpose. 1 Oct. i. 2, 16. 2 Fast. vi. 297. 3 Serv. ad. JEn. yii. 153. 4 See the art. Roma, in Smith's Dictionary of Ancient Geography, vol. ii. p. 774. *38 THE TEMPLE OF QUIRINUS. On the other hand, we find him erecting on the Quirinal a Temple of Romulus after the apotheosis of that monarch, and under the name of Quirinus,1 thus prose- cuting his design of uniting the two peoples by making the Roman king an inhabitant, as it were, and Dens Indiges of the Sabine city, as well as by conferring upon him a Sabine name. This temple, which is sap- posed to have stood near the present churches of S. Yitale and S. Andrea del Noviziato, was preserved by the piety of succeeding generations, and ultimately re- built by Augustus. Numa had another residence upon the Quirinal,2 and he also founded on that hill an Arx, or citadel, which probably stood on the present height of Magnanapoli, over against Ara Celi, the future seat of the Roman Capitol. After the foundation of the latter, Numa's Arx obtained the name of Capitolium Yetus. It had, as usual with the Latin cities of those times, a Temple op Jupiter, with cells of Juno and Minerva under the same roof.3 Those three divinities were sup- posed to have the special protection of the city, and therefore their joint temple, like the Capitoline temple afterwards, was to be on a spot whence they could be- hold the greater part of the walls.4 It appears from the Notitia that the temple on the Yetus Capitolinm, as well as the Temple of Quirinus, was extant in the fifth century. We have already mentioned that Numa converted the gate which formed the entrance to the Sabine city on Mons Saturnius into a Temple of Janus : and we find in this act another proof of his desire to abolish all dis- tinctions between the two cities. He could not more 1 Dionys. ii. 63 ; Ov. Fasti, ii. 509. 2 Plut. Num. 14 5 Solin. i. 21. 3 Varro, L.L. v. § 158. 4 Yicruv. i. c. 7.THE ARGIVE CHAPELS. 39 effectually attain this end than by. removing the barrier which separated them, and enabled the Sabines to lock out the Romans. Thus we see in all his proceedings an undesigned coincidence with the views attributed to him of fusing and amalgamating the Sabine and Roman population. He could not have pursued them more effectually or consistently than by the buildings which he founded and the alterations which he made. Another proof of the same purpose may perhaps be sought in Numa's establishment of districts, or parishes, by means of what are called the Akgive Chapels.1 These districts, as we have endeavoured to show in another place,2 embraced indiscriminately the Roman and Sabine cities; namely, the Caelian and Esquiline hills, and the valley between them, as well as the Quirinal, Yiminal, and Palatine. We may remark that the Aventine and Capitoline hills do not appear to have been included in this distribution; an omission which, as I am now in- clined to think, may perhaps be accounted for by their comparative want of population. We know, at all events, that the Aventine was not inhabited in Duma's time; 3 and "that the Capitoline was regarded by the Sabines rather as a military post than a dwelling-place, may be inferred from the fact that JSTuma's foundations were not in general made on that hill, but on the Quirinal, whence they extended eastwards to the Esquiline, as we perceive from the buildings already mentioned; namely, the Yetus Capitolium, the temple of Quirinus, and the Argive chapels in question. But we shall not here enter into the obscure questions connected with these chapels, which we have discussed in the article already mentioned: to which the reader is referred. 1 Varro, L. L. v. § 45. 2 Smith's Diet, of Geogr. vol. ii. p. 733. 3 Plut. Nurn, 15.40 temple of fides publica. Numais also said to have distributed the public lands among tlie poorer citizens, to have divided the country into gagi or districts, and to have established the custom of marking the boundaries of lands with stones, sacred to the god Terminus; in whose honour was celebrated the festival called Terminalia. With regard to the city we need only further mention that he erected a large temple, the only one which we hear of his having founded on the Capitoline, to Fides Publica, or public faith, and bade the flamines sacrifice to her with a fillet on the right hand as the symbol of fidelity.1 He is also said to have instituted the Roman guilds or trade corpora- tions. All his institutions were believed to have a sacred origin, and to have been suggested to him by the nymph Egebia, with whom he held secret colloquies in her grove; the reputed site of which seems to have lain near the Porta Oapena.2 Kuma died after a peaceful reign of forty-three years, and was buried on the Janiculum. He left several sons, but the monarchy was elective, and after a short inter- regnum Tullus Hostilius was elected king. The most important event in the reign of Tullus with regard-to the history of the city (a.u.c. 81-114) was the capture and destruction of Alba Longa, and the transfer of its in- habitants to Home, which thus became the chief city of the Latin League. In order to provide dwellings for these new colonists, Tullus Hostilius assigned to them the Ceelian Hill; the previous Etruscan inhabitants of which had, as we have seen, been at least for the most part removed to the Vicus Tuscus. Tullus Hostilius fixed his residence on the Caalian,3 though he had also, 1 Livy, i. 21; Cic. N. D. ii. 23 5 Val. Max. iii. 2, § 17. 2 tTuv. Sat. iii. 10 sq. 3 Liv. i. 30 5 Entrop. i. 45 Victor, Vir. III. 4.THE CURIA HOSTILIA. 41 and perhaps previously, a house on the Yelia.1 Several noble Alban families having been thus added to the Roman patricians, Tullus found it necessary to build a convenient curia, or senate-house. This building, which, as Livy tells us,2 continued to bear the name of Curia Hostilia down to the generation which preceded him, was situated, as I have shown elsewhere,3 at the north- west corner of the Eorum, adjoining the north-eastern side of the Yulcanal. Its future changes will demand our attention in a subsequent part of this work; and it is only necessary to mention here, that, as I trust it has been shown in the article Roma, although the Curia Hostilia was frequently destroyed and rebuilt, and its name altered, the senate down to the latest times con- tinued to assemble on or near the same spot; namely, that now occupied by the church of Santa Martina. For I think, for reasons given in the Preface, that is a more probable site for it than S. Adriano, as many topo- graphers hold. It may be further observed that though the Curia Hostilia was a templum, or inaugurated build- ing, without which ceremony public business could not have been transacted there, yet it was not a place at which divine service could be performed;4 for which purpose dedication and consecration by the pontiffs were further required. Thus it was precisely the reverse of the ^Edes Tests©, which was no templum, though an cedes sacra; while the Curia Hostilia was a templum, but not an cedes sacra. 1 Yarro, Fragm. de Vita Pop. Rom. in Nonius Marcellus, voc. Secundum, p. 363 5 Solinus, i. 22. 2 Loo. cit. 3 Smith's Diet, of Aug. Geogr. vol. ii. p. / 79. 4 " Curia Hostilia templum est, et sanctum non est; sed hoc ut putarent, a?dem sacram templum esse, factum quod in urbe Roma plerseque sedes sacrce sunt templa."—Varro, L. L. vii. § 10.42 THE SENACULUM—THE COMITIUM. Adjoining the Curia on its western side was an open space, called Senacultjm, wliere the senators were ac- customed to meet before entering the Curia, and where, probably, they gave audience to such magistrates as were not permitted to enter that building. It must have closely adjoined the Vulcanal; on the area of which, though in later times, and after Rome had extended her conquests over foreign nations, was another open space called G-rgecostasis, of which we shall have to speak further on. Out of the spoils of Alba Longa, Tullus Hostilius is also said to have improved the Comititjm, a space at the north-west end of the Forum, and fronting the Curia. How the Comitium obtained that name it is impossible to say. It might perhaps have been so called from its being the common meeting-place of the Roman and Sabine inhabitants; but Yarro's etymology seems pre- ferable, who derives the name from the meeting there of the Comitia Curiata and of the law courts.1 Hence the Comitium was a tern/plum, or inaugurated place, as we learn from the speech of Furius Camillus in Livy.2 The only other foundation of Tullus Hostilius which we need mention here was a Curia Saliorum on the Quirinal Hill, which he had vowed during a war with Eidense. This institution was an imitation of that of ISTuma on the Pala- tine, already mentioned ; only the Salians, established by Tullus, were devoted to the worship of Quirinus instead of Mars, and were called Salii Agonenses or Collini, from Agonus, the ancient name of the hill,3 and because 1 L. L. v. § 155. 2 " Comitia curiata, quae rem militarem continent, comitia centu- riata, quibus consules tribunosque militares creatis, ubi auspicato, nisi ubi assolent, fieri possunt ?"—Liv. v. 52. 3 Liv. i. 27 ; Dionys. ii. 70 5 Varro, L. L. vi. § 14.THE TIGILLUM SOKORIUM. 43 the three northernmost hills of Rome were called colles and regio collina, in contradistinction to the other four, which jbore the name of monies; a distinction which perhaps arose from these latter being isolated, while the others are mere tongues projecting from a common height. Of other monuments of the reign of Tullus Hostilius, we need here only mention the Tigilltjm Sororium. The tragical end of the struggle between the Horatii. and Curiatii is well known ; how the third Horatius, return- ing victorious from the combat laden with the spoils of his three opponents, was met at the entrance of the city by his sister, the betrothed of one of the Curiatii; how the maiden for bewailing her future husband was stabbed to the heart by her enraged brother; how the people absolved the condemned fratricide at the prayer of his father ; how the latter expiated his son's crimes by cer- tain rites and by making him pass under a beam or yoke, the " Sister's Beam," erected across a small street or lane leading from the Yicus Cyprius to the Carinas. On each side of it stood an altar, the one dedicated to Juno Sororia, the other to Janus Curiatius. The beam was constantly repaired at the public expense, and ap- pears to have been extant in the fifth century.1 Having completed a reign of thirty-two years, Tullus Hostilius mysteriously perished; and after another inter- regnum Ancus Marcius, a grandson of Kuma, was elected king. By the Latin wars of this monarch and the re- duction of Politorium, Tellense, Eicana, and Medullia, many of whose inhabitants he transferred to Rome, the population of that city was greatly augmented. Ancus placed many thousand Latins on the Aventine, which 1 Liv. i. 26 ; Dionys. iii. 22 ; Notitia.44 JANICULUM—PONS SUBLICIUS. hill, as we have said, appears to have been hardly in- habited previously ; he also settled many in the Yallis Murcia, near the temple of that goddess, in order to connect the Aventine with the Palatine.1 Niebuhr sup- poses 2 that these settlements were the origin of the Roman plebs, or plebeian order, properly so called, of which Ancns \vas consequently the founder, and he is followed by Dr. Arnold,3 M. Ampere,4 and others. But Sir George Cornewall Lewis has shown that such an hypothesis is totally destitute of foundation, and that the plebeian order is regarded by all the ancient writers as coeval with the origin of the city.5 Ancus also enlarged the boundaries of the city by fortifying Mons Janiculus, the hill over against Rome, on the right or western bank of the Tiber. The Jani- CULUM appears to have derived its name from an ancient tradition already mentioned that Janus had formerly founded a city on this spot, which Pliny mentions under the name of Antipolis.6 The Janiculum, however, seems to have been fortified rather for the sake of the protec- tion which it afforded to the city, than to obtain dwell- ing room for inhabitants. Ancus connected it with Rome by means of the Sublician bridge, or Pons Subli- Cius, so called from its having been built on piles (sub- licge).7 This was the first bridge constructed at Rome, and it appears to have existed till a late period of the Empire. The Janiculum was little built upon before the 1 Liv. i. 33 5 Dionys. iii. 36-46; Strabo, v. 3, § 7. 2 See B. i., Die G-emeinde unci die pleheischen Tribus, S. 428 f. (vol. i. p. 355, Engl, transl.) 3 Hist, of Rome, vol. i. p. 28. 4 Hist, Bom. a Borne, t. ii. p. 15. 5 Credibilityy $c. vol. i. p. 468. 6 Plin. iii. 9, 16 ; Virg. Mn. viii. 357, et ibi Serv. 5 Ovid,i^s^; i. 245. 7 Liv. i. 33 ; Dionys. iii. 45 ; Varro, L. L. v. § 83.THE CARCER—iEDES LABIUM. 45 time of Augustus, and it was probably never considered as being included in the Pomcerium, and therefore as forming part of the Urbs, properly so called. Varro does not mention it as included in the city. We have already mentioned the acquisition by Romu- lus of the district called Septem Pagi, and of the salt- works at the mouth of the Tiber. Ancus founded at the latter spot the town of Ostia, which subsequently became the port of Rome, and he extended "his dominion to the Tyrrhenian sea by capturing from the Veientines the Silva Mcesia. In the city he founded the Caecer Ma- mertintjs, or Mamertine prison, a name, however, not found in any classical writer, and which seems to have been given to it in the middle ages. It was situated near the Forum, below the northern height of the Capi- toline Hill, or present church of Ara Celi; one chamber of it may still be seen under the church of S. Giuseppe dei Falegnami. He also constructed the Fossa Qtjibi- titjm, which was probably a sort of fortification; but in what part of Rome it was, or whether at Rome at all, and not rather at Ostia, it is impossible to determine.1 Ancus Marcius resided near the .^Edes Labium, on the Summa Sacra Yia, or probably between that and the Porta Mugionis.2 He died in b.c. 616, after a reign of twenty-four years. After the death of Ancus, a new epoch opens in the history of the city by the introduction of the dynasty of the Tarquins. This family, though settled in the Etruscan town of Tarquinii, was of Greek extraction. Demaratus, the father of Tarquinius Priscus, belonged to the Corinthian race of the Bacchiadee, who, after holding the supreme 1 Liv. i. 33 5 Festus, p. 254 5 Victor, Vir. III. c. 5. 2 Varro in Nonius, yoc. Secundum, p. 363 5 Soliiras, c. 1, 23.46 TARQUINIUS PRISCUS. power at Corinth nearly a century, were expelled by Cypselus in the year B.C. 665 ; at which time Tullus Hostilius was king of Rome. Demaratus settled at Tarquinii, and married an Etruscan wife, by whom he had two sons, Lucumo and Aruns ; the latter, however, died in early manhood, and Lucumo inherited all the wealth of his father. Lucumo married an Etruscan wife named Tanaquil, a woman of ambitious character; who, finding that her husband, in spite of his riches and power, was excluded by the circumstance of his Greek descent from all political influence at Tarquinii, per- suaded him to migrate to Rome; where, as we have seen, an Etruscan colony had long been settled. Be- coming naturalized here, he Latinized his name of Lucumo by changing it into Lucius ; assumed from his native town the family appellation of Tarquinius; in- gratiated himself with the Roman people, and even ob- tained the friendship of their king, Ancus Marcius ; who left his youthful sons under Tarquin's guardianship. But this trust Tarquin betrayed. After the death of Ancus, he sent that monarch's sons out of the city on pretence of a hunting party, and in their absence caused himself to be elected king.1 We may here remark a few undesigned coincidences, which, as in the case of ISTuma, confer at least a high degree of probability on the traditions respecting the first Tarquin. Let us observe first that the story of the Corinthian Bacchiadae has been related by Grecian writers who treated not of Roman history, as Herodotus, Aristotle, Pausanias, and others;2 and that the acutest researches of modern criticism have not succeeded in 1 Liv. i. 34 sq.; Dionys. iii. 41 sqq. 5 Diodor. viii. 31; Strabo, v. 2, § 2. 2 Herod, y. 92; Aristot. Polit. ii. 12, &c. 5 Pausanias, ii. 4, v. 17.CORINTHIAN ART. 47 discovering anything inconsistent with Grecian history in the accounts transmitted by historians of Rome re- specting the Bacchiad emigrants at Tarquinii.1 This prima facie case of probability is strengthened a hundred- fold by the accounts which the Roman historians have left us of the magnificent architectural works completed or designed by the Tarquins at Rome. It is well known that Corinth, a city early renowned for its wealth and commerce, was the cradle of Grecian art.2 Painting is believed to have originated there, and Cleophanfcus, one of the earliest professors of that art, is said to have accompanied Demaratus to Tarquinii.3 Corinth was celebrated in very ancient times for its sculpture, and especially for works in bronze. The cedar chest adorned with bas-reliefs, in which Cypselus was said to have been concealed by his mother from the search of the Bacchiadee, was a miracle of art, and has been described at great length by Pausanias,4 in whose time it was still extant. The Corinthians were also renowned for their pottery, and especially for their architecture, which they brought to a pitch of the most elaborate perfection in the architectural order to which they gave their name. What then more probable than that a family which owed its origin to such a city should have designed at 1 Thus Sir G. Cornewall Lewis says : " The story of the flight of Demaratus from Corinth is consistent with the chronologies of both nations. . . . The commencement of the reign of Cypselus at Corinth (which is described as the cause of the flight of Demaratus) is placed at 655 B.C. 5 and the reign of Ancus is said to have lasted from 641 to 617 B.C.; so that the son of Demaratus, born at Tarquinii, might have become eminent at Rome during that king's lifetime."—Credi- bility of Early Rom. Hist. vol. i. p. 477. We may say of the story, then, with the Italians : " Se non e vero, e ben trovato." 2 Strabo, viii. 6, § 23. 4 Lib. v. c. 17-19. 3 Plin. H. JV. xxxv. 5.48 THE CLOACA MAXIMA. Rome those magnificent architectural works which are attributed to them by the Roman historians P We must recollect, too, that the accounts of these works are not introduced for the purpose of supporting any historical hypothesis, and lending a colour of truth to the narra- tive, but are given naturally and carelessly, and as it were by the way; thus forming, by an undesigned co- incidence, which the reader must perceive for himself, a very strong proof of the authenticity of these traditions. But we must now proceed briefly to describe the chief improvements and alterations which Tarquinius Priscus effected at Rome. Most of these improvements were made in the neigh- bourhood of the Porum. The most important of them, without which, indeed, the rest would have been of little use, was the vast sewer called Cloaca. Maxima, which was constructed in order to drain the Porum and Velabrum of their superfluous waters and render the soil firm and habitable. This great work, composed of three semicircular arches enclosing one another, of which the innermost has a diameter of more than twelve feet, began northwards of the Porum, and, running through the Yelabrum, discharged itself into the Tiber a little below the present Ponte Rotto; from which, when the water is low, the mouth of it may still be discerned. It was large enough to be traversed by a Roman hay-cart, and Agrippa is said to have sailed down it in a boat.1 The stone used for the construction of the Cloaca, which differs from that employed in the time of the Republic, attests it's high antiquity.2 It was after the construction of this sewer that the Lacus Curtius, according to the most probable account, 1 Dion Cassiusj xlix. 43. 2 Arnold, Hist, of Rome, vol. i. p. 52.0 JEWIT.T diLXi'ic CLOACA MAXIMA. (the upper end in the velabrum.) /. 48.THE TEMPLE OF SATURN-. 49 disappeared.1 It may be further remarked here that Tarquin introduced at Rome a great improvement in the way of constructing the masonry of walls, by re- ducing the stones to rectangular blocks, apparently of the same height, if not of the same length, instead of using the irregular masses previously employed.2 The ground being thus prepared, Tarquin caused a row of shops to be erected along the southern side of the Forum, which in process of time obtained the name of Tabern.® Veteres, in contradistinction to the Tabernse Novas subsequently built on the opposite or northern side; but at what period it does not appear. It must be confessed that these shops seem not to have been very splendid, but to have been occupied at first by butchers and other tradesmen of the like kind. At the head of the Forum and under the Capitoline Hill, Tar- quin is also said to have founded the Temple of Saturn, at the spot where the altar of that deity had previously stood. The ruin of eight columns, belonging to a late renovation of the building, still marks its original site, where Tullus had previously consecrated a fane to the same deity-.3 The temple, however, does not appear to have been dedicated till after the expulsion of the kings. But the most magnificent building designed by Tar- quinius Priscus was the Capitoline Temple of Jupiter, which he had vowed in the Sabine war. The comple- tion of it was, however, reserved for his successor, Tarquinius Superbus, and the first Tarquin appears to have done no more than mark out and prepare the 1 Varro, L. L. v. § 149. 2 See on this subject Abeken, Mittelitalien, S. 141. 3 Macrob. Sat. i. § 8. The reasons why this ruin should be con- sidered as belonging to the Temple of Saturn are given in the article Roma, p. 781 sq. e50 THE CIRCUS MAXIMUS. ground on which, it was to stand.1 The site of this famous temple has never been incontestable ascertained, though German topographers assert that they have certainly discovered it in the foundations of the Caffiarelli Palace. I have stated in the Preface the reasons why I differ from that opinion, and think, on the contrary, that that discovery proves it could not have been there. Tarquin also marked out and prepared the greater part of the Vallis Murcia, between the Palatine and Aventine, for a circus, afterwards from its vastness called Circus Maximus, for the exhibition of horse and chariot races. It was then, however, in a very rude state; and though it underwent successive improvements during several centuries, it was not altogether perfected till the time of Csesar. Tarquin.the elder appears not to have erected any buildings on it. He merely assigned to the senators, knights, and members of the thirty curise, that is, the patricians, certain places around the circus for viewing the games, on which they erected their own seats.2 - The sons of Ancus Marcius, who had been supplanted by Tarquinius Priscus, procured his assassination in the thirty-ninth year of his reign (b.c. 578).3 Tanaquil, however, concealed the death of her husband till his son- in-law, Servius Tullius, had time to seize the regal power; which he appears to have done with the con- nivance of the senate, but without having been elected by the people.4 The reign of Servius Tullius is also a most important one for the history of the Roman city. At the time of his accession the various elements of the population were become completely amalgamated, and the Seven Hills 1 Dionys. iv. 59 ; Liv. i. 56 ; Tac. Hist. iii. 72. 2 Liy. i. 35 ; Dionys. iii. 68. 3 Liv. i. 40 5 Dionys. iii. 72 sq. 4 Liy. i. 41.THE SERYIA 1st WALL. 51 -of Rome, namely, the Palatine, the Capitoline, the Quiri- nal, Yiminal, Esquiline, Cgelian, and Ayentine, were more or less covered with habitations. All these hills Servius included in a wall, and thus precisely defined the boundaries of Rome. Tarquin, indeed, is said to have planned, and may perhaps even have partially executed, this wall; but it certainly was not finished till the reign of Servius.1 Hence the whole wall is commonly ascribed to him, and called the Servian, never the Tarquinian, wall. A sort of enclosure or fortifica- tion appears, indeed, to have existed previously, but only of a rude and temporary kind.2 We shall here briefly describe the Servian Wall and its gates, according to the most probable idea which can be formed on the subject, and without discussing the controversies to which it has given rise. Beginning at the northern point of the Capitoline Hill, near the present church of Ara Celi, the wall ran in a north-easterly direction along the ridge of the Collis Quirinalis, including the isthmus, or tongue, which con- nected that hill with the Capitoline, by Monte Cavallo and the Palazzo Quirinale,3 till it reached its most northerly extension near the spot where the Yia del Maccao now intersects the Yia di Porta Pia. The gates on this portion of the line were the Porta Ratumena, close to the Capitoline; the Porta Eontinalis, at the present height of Magnanapoli; the Porta Sanqualis, so named apparently from the Temple of Semo Sancus, 1 Ibid. c. 36, 38 ; Dionys. iii. 67. Victor (Vir. III. c. 6 sq.) re- presents Tarquin as completing the wall, and Servius as only adding the agger ; but this is contrary to the best authorities. 2 Td%r\ avrou'xkha Kai (pavXa raXg spyacriaig, Dionys. loc. bit. 3 A portion of the foundations was laid bare by excavations at this spot when the author was at Kome in the winter of 1864-5, Q'f SUL U'i'X52 THE SERVIAN AGGER. already mentioned, near this spot on Monte Cavallo ; tlie Porta Salutaris, called after tlie Temple of Salus, on tlie Yia di Qnattro Fontane, on tlie eastern side of the Piazza Barberini, and the Porta Collina, at or near the northernmost point before indicated. The site of the Porta Ratumena, which is said to have been so named after a charioteer who there met his death, is testified by some sepulchral monuments just outside of it; namely, the still existing tomb of Bibulus in the Macel' de Corvi, and the remains of another sepulchre which were dis- covered in the Yia della Pedacchia. For it was a well- known custom of the Romans not to permit interments within the walls, except in certain extraordinary in- stances ; and hence the sepulchral monuments of dis- tinguished persons were erected outside the gates, along the borders of the high roads. The Porta Ratumena led to what was in later times the Yia Flaminia. At the Porta Collina, the northernmost gate, whence issued what were afterwards called the Yia Salaria and Yia Nomentana, began the Agger of Servius Tullius, which proceeded nearly three-quarters of a mile in a southerly and slightly easterly direction towards the Porta Esquilina. The agger was constructed because at this portion of the circuit the ground presented no natural elevation which might be made available for defensive purposes. It was 50 feet broad, and outside of it lay a ditch 100 feet wide and 30 feet deep. Remains of this immense work are still visible, but large portions of it have been removed to make way for the railway station. It appears to have had in the middle of it a gate called the Porta Yiminalis. The Porta Esquilina at its southern extremity stood opposite the eastern front of Sta. Maria Maggiore, about a hundred yards from the church of S. Antonio; from it issued roads leading toTHE PORTA CAPENA. 53 Tibur and Prseneste. Proceeding in a direction nearly due south, tlie wall next reached the Porta Querquetu- lana, close to the present church of SS. Pietro e Marcel- lino, near the intersection of the Yia Merulana by the Via Labicana, in the valley between the Esquiline and Caslian hills. It has been already remarked that the CsBlian was anciently called Mons Querquetulanus. The site, however, and even the existence of the Porta Quer- quetulana, which, at all events, does not appear to have been a very important one, is not altogether certain; and it may perhaps have been only another name for the next gate to the south, the Porta C^elimontana. This gate must have stood at the summit of the Yia di S. Giovanni in Laterano, where that street enters the piazza of the Lateran. Prom this point the wall trended towards the south-west, till it reached the Porta Capena, situated in the valley at the southern side of the Ceelian, on the present Yia di Porta S. Sebastiano, about three hundred yards beyond the termination of the Yia di S. Gregorio. The site of the Porta Capena is more accu- rately ascertained than that of any other of the Servian gates, from the discovery of the first milestone on the Yia Appia. That road issued from the Porta Capena, while at the distance of a few hundred yards the Yia Latina branched off towards the left. A little beyond this point of divergence, and between it and the modern Porta di S. Sebastiano, lies one of the most interesting monuments of republican Eome, the tomb of the Scipios. Prom the Porta Capena, the wall crossing the valley traversed by the brook called Aqua Crabra, now the Marrana, ascended the height where stands the church of S. Balbina; near which probably there was a gate called Layernalis. A little further south lay perhaps a Porta Raudusculana ; and hence the wall, winding a54 THE PORTA CARMENTALIS. little to the south of Sta. Saba, began to take a north- westerly, direction, till it reached the Porta N^via, near the foot of the southern extremity of the Ayentine. The site of this gate is, however, by no means certain. From this point considerable remains of the wall in its progress towards the west may still be seen on the Ayentine, in a yineyard belonging to the Collegio Romano, about halfway between the church of Sta. Prisca and the Porta S. Paolo. Hence the wall continued along the southern and western sides of the Ayentine, till it terminated at the Tiber, a little beyond the northern extremity of the hill. In this section also a portion of the wall was dis- covered in the autumn of 1855, near Sta. Sabina, during* the progress of some excavations made by the Dominican monks of that convent.1 From the northern extremity of the Aventine the wall, turning at a right angle, pro- ceeded across the low ground till it reached the bank of the river ; and in this portion of it lay the Porta Trige- mina, at the foot of the Clivus Publicius. In the line of wall between this gate and the Porta Naevia already mentioned, there was probably another, the Porta Mi- ntjcia. Its site cannot be determined, but it seems to have lain on the southern side of the Aventine. Another small strip of wall ran from the southern extremity of the Capitoline Hill to the Tiber, which it joined over against the lower end of the Insula Tiberina. The bank of the river from this point to the Porta Tri- gemina appears to have been unprotected. Close under the Capitoline Hill was the Porta Carmentalis, so named after Carmenta, the mother of Evander, whose altar stood near it; and between this gate and the river lay another, the Porta Flumentalis. In this piece of wall 1 Paper read by Cardinal Wiseman before the Royal Society of Literature, June 25, 1856.REMAINS OF THE SERVIAN WALL ON THE AVENTINE.THE SERVIAN REGIONS. 55 there may also have been, as I have endeavoured to show in the article Roma, a third gate, the Porta Trium- phalts. But this formed no common thoroughfare into the city. It was opened only on state occasions, and was not, perhaps, made till long after the time of Servius. The wall does not seem to have been carried along the western side of the Capitoline Hill, which was perhaps sufficiently defended by its precipitous nature. It is doubtful whether at this period there was a wall from the Janiculum down to the river; but, at all events, this Transtiberine district formed no proper part of the city. The circuit of the walls thus described was about six miles, and included, as we have said, the seven hills which came to be regarded in later times as the true Roman Septimontium. There appears to have been anciently another Septimontium which embraced a rather different list of hills; but the question is so obscure that we shall not enter into it here.1 Servius, probably for administrative purposes, divided the city which he had thus enclosed into four regions or districts: namely, the Suburcma, which embraced the Caslian Hill, and the southern portion of the Esquiline, known as Mons Oppius, with the adjoining valleys ; the Escjuilina, embracing the northern tongue of the Esquiline, called Mons Oispius, and extending as far as the agger of Servius ; the Gollina, including the Quirinal and Yiminal hills, with the intervening valleys; and the Palatina, which included that hill with the Yelia and Germalus.2 Why the Capitoline and Aventine with the adjacent valleys were omitted cannot be said ; but the distribution 1 See Smith's Diet, of Anc. Gcogr. vol. ii. p. 734. 2 Varro, L. L. y. § 45 sqq. (Mull).56 THE TEMPLE OF DIANA. was probably regulated by the Argive chapels, which we have already mentioned. Among the other works of Servius Tullius, besides the wall, was a Temple of Diana which he erected on the Aventine, apparently near the present church of Sta. Prisca. This temple, in imitation of the Amphic- tyonic confederacy, was to be the common sanctuary and place of meeting for the cities belonging to the Latin League,, of which Rome had become the chief through the conquest of Alba Longa; and her supremacy was tacitly acknowledged by the temple being erected with money contributed by the Latin cities. It is said to have been an imitation of the Artemisium, or Temple of Diana at Ephesus.1 The brazen column containing the terms of the league and the names of the cities be- longing to it, was preserved in the time of Dionysius. Servius Tullius, perhaps from his unexpected elevation to the crown, appears to have been a devoted worshipper of Fortune. Plutarch says that he erected several temples in honour of that goddess ;2 and we know cer- tainly of two : one in the Forum Boarium, and another on the right bank of the Tiber, dedicated under the title of Foes Fortuna.3 Servius also founded in the Forum Boarium a Temple of Mater Matuta, a surname appa- rently of Juno;4 and a Temple of Luna, probably that on the Aventine.0 He likewise completed the Mamertine prison by adding to it a subterranean dungeon, called 1 Liv. i. 45 j Dionys. iv. 26; Varro, L. L. y. § 43 5 Val. Max. vii. 3, § 1. 2 Be Fort. Bom. 10. 3 Dionys. iv. 27 ; compared with Varro, L. L. vi. § 17 (Miill). The Greek author has mistranslated the genitive fortis, from fors, by avdp&og (virilis), as if it were from fortis. 4 Liv. v. 19; Ovid, Fasti, vi. 471 sqq. 5 Tac. Ann. xv. 41.TULLIANUM—SCALJE GEMONIiE. 57 after liim Tullianum. The traveller may still visit it, and recognise the fidelity of Sallnst's description : " Est in carcere locus quod Tnlliannm appellatur, ubi paul- lulurn ascenderis ad laevam, circiter xii pedes humi depressns. Eum muniunt undique parietes, atque in- super camera lapideis fornicibus vincta: sed incultu, tenebris, odore, foeda atque terribilis ejus facies." 1 This terrible dungeon, from its impenetrable strength, was also called Hobur. In later times a flight of steps called Scalji GrEMONLE, or steps of wailing2—an epithet which M. Ampere aptly parallels with the Bridge of Sighs at the prison at Venice3—led down towards the Career, and thence to the Forum, from a place of execution situated apparently on the Capitoline; but they were not the steps pointed out by the modern ciceroni within the prison, since they were visible from the Forum.4 Whether, after completing the classification of the people and performing the lustration called Suovetcmrilia in the vast field lying between the hills and the Tiber, on which modern Rome is built, Servius, as Sir Gr. C. Lewis asserts,5 " dedicated the field to Mars, whence it acquired thenceforward the name of Campus Martinsseems doubt- ful. Livy says that it was not dedicated to that god, and did not obtain the name of Martins, till after the expulsion of the Tarquins ;6 and though Dionysius gives a different account, yet it cannot be inferred from his 1 Bell. Cat. 55; cf. Varro, L. L. v. § 151. 2 Pliny calls them Gradus Gemitorii. H. N. viii. 61. in Dr. Smith's Diet, of Greek and Roman Geography. 2 Hence the line of Juvenal: Substitit ad veteres arcus madidamque Capenam. Sat. iii. 11. 3 Frontinus, JDe Aqucecluctibus, is the chief ancient authority on the Roman aqueducts. See also Fabretti, Be Aquis et Aqucecluctibus wteris Bomce.TEMPLE OF BELLONA. 103 The only temple of Bellona, which, we know of at Rome, lay near the subsequent Circus Flaminius, in the Campus Martius; and, according to the testimony of Pliny, this temple was in existence two centuries earlier.1 It is, however, plain, from numerous instances in Roman his- tory, that the vow of a temple was frequently satisfied by the restoration of an ancient building instead of the erection of a new one. The temple served for assem- blies of the senate outside of the Pomoerium; as, for instance, when they met to accord a triumph to a victorious general, to receive foreign ambassadors, and other similar occasions. Before it was an open space on which stood the Columna Bellica. Prom this spot the Petialis, in the ceremony of declaring war, hurled a lance into a piece of ground, supposed to repre- sent the enemy's territory, when it was not possible to do so on his actual frontiers.2 To the wife of Volumnius, the colleague of Appius Claudius in the consulship, appears to have been owing a small temple, or sacellum, of Pudicitia Plebeia. Vir- ginia, though married to the plebeian Yolumnius, was herself of patrician race; yet the patrician matrons, holding that she had degraded herself by such a con- nection, excluded her from worshipping with them in the Temple of Pudicitia Patricia, situated ih the Porum Boarium ; which temple may perhaps be still represented by the little church of Sta. Maria Egiziaca. Hereupon Yirginia dedicated part of her own residence in the Yicus Longus, a street running between the Quirinal and Yiminal hills, and answering to the modern Yia di S. Yitale, for a chapel and altar of Pudicitia Plebeia. At this altar none but plebeian matrons of unimpeach- 1 Liv. x. 19 5 Plin. H. N. xxxv. 3. 2 Serv. ad 2En. ix. 53 5 Dion. Cass. Ixxi. 33.104 STATUE OF JUPITER. able chastity, and who, like the worshippers in the older temple, had been married only to one husband, were allowed to sacrifice.1 The campaign of the Romans, in B.C. 295, against the Samnites, in which the latter people were assisted by the Etruscans, Umbrians, and Gauls, and the decisive Roman victory at Sentinum, nearly put an end to the Samnite wars, which continued but a few years longer. Further victories'were gained by the Romans in B.C. 293 and 292 ; in 290, Samnium was invaded, when the Sam- nites submitted and sued for peace. Both consuls, Papirius Cursor and Sp. Carvilius, received the honour of a triumph for their victory over the Samnites, in B.C. 293. The triumph of Papirius was one of the most vSplendid that had yet been seen at Rome; The army, both horse and foot, marched past, adorned with the rewards of their bravery, among which were conspicuous many civic and mural crowns, as well as those called vallares, for scaling the ramparts of the enemy's camp. The triumph was also graced by many distinguished captives, and a vast amount of money was deposited in the treasury.2 Prom the armour taken from the sacred Samnite band a statue of Jupiter was made, and set up in the Capitol, of so enormous a size, according to Pliny, that it might be beheld by Jupiter Latiaris on Mons Albanus.3 The year B.C. 293 affords two or three other notable circumstances connected with the life of the Roman people. Papirius Cursor is said to have brought the first sundial to Rome in this year, tand to have placed it 1 Liy. x. 23. 2 Liv. x. 46. 3 H. N. xxxiv. 18. There is some doubt whether the statue was dedicated by Papirius or Carvilius.AESCULAPIUS BROUGHT TO ROME. 105 before the Temple of Quirinus ;1 but, as it was not con- structed for the latitude of Rome, it did not show the time correctly. This defect, however, does not appear to have been remedied for nearly a century afterwards, when Q. Marcius Philippus set up a correct dial. It was not till B.C. 159 that P. Scipio Nasica erected in his censorship a public clepsydra, which showed the lapse of time by the escape of water, a contrivance invented by the Greeks, and somewhat resembling the hourglass. It had the palpable advantage over the sundial of show- ing the time in the night and • in cloudy weather. In the same year, on account of the victories achieved, the spectators of the Roman games are first said to have worn crowns or garlands on their heads ; and the Greek custom was introduced of presenting the victors with a palm-branch. But these triumphs and successes were counterbalanced by a dreadful pestilence which ravaged the city this year. The Sibylline books, being consulted, directed that JEsculapius should be brought from Epi- daurus to Rome. The consuls, however, were too much occupied that year with the war to do anything more than order a sujpplicatio for one day to .iEsculapius. After the plague had lasted three years, ambassadors were at length despatched to Bpidaurus, to bring the statue of the healing god to Rome. A snake, held to contain the deity himself, went on board the trireme with the statue, and, the vessel having touched for a short time at Antium, the snake made for the land, and proceeded to a temple of .iEsculapius. After remaining there three days, coiled round a tall palm-tree, it re-em- barked of its own accord, and, being carried up the Tiber to Rome, swam across the river to the Insula Tiberina, 1 H. N. vii. 60.106 TEMPLE OF iESCULAPIUS. where, in compliance with tbe manifest will of the god, a temple was erected to ^Esculapius. Although resorted to by invalids, the temple does not appear to have been connected with a hospital, like that at Epidaurus.1 The almost constant wars of the Romans with the people of Magna Grrgecia and other countries, with Pyrrhus, King of Epirus, and at last with Carthage, prevented much improvement at Rome during more than a century. Yet when Pyrrhus invaded Italy to assist the Tarentines against the Romans in b.c. 287, Rome, from its numerous public buildings, temples, and other monuments, must have already assumed an air of considerable grandeur; for his ambassadors reported to him that the whole city resembled a vast temple, and the senate appeared a council of gods.2 The triumph of M. Curius Dentatus after the reduction of Tarentum was distinguished by some new features. Hitherto the triumphal car had been followed only by the flocks and herds of the Volscians or Sabines, the waggons of the Gauls, the broken arms of the Samnites ; but now might be seen Molossians, Thessalians, and Macedonians, be- sides captives from Bruttium, Apulia, and Lucania, and gold, purple cloth, statues, pictures, and all the art and luxury of Tarentum, instead of brass and silver. What most struck the Romans, however, were - the enormous elephants with their towers, formerly the objects of their fears, but which now, with bended neck and an apparent feeling of their captivity, docilely followed the victorious cavalry.3 The spoils won from Pyrrhus enabled Dentatus to 1 Liv. x. 47, and Epit. xi.; Valer. Max. 1, 8, § 2; Ov. Metam. xv. 622 sqq. ; Plin. H. N. xxix. 22. 2 Floras, Ep. i. 18, § 20. 3 Floras, Ep. i. 18, § 27 sq.THE DUILIAIST COLUMN. 107 commence the aqueduct called Anio Vetus, in b.c. 273. As its name implies, the water was taken from tlie Anio above Tibur, at the distance of 20 miles from Rome ; but the route was so circuitous that the total length of the aqueduct was 43 miles. Like the Aqua Appia, the greater part of its course was underground, only 221 ■passns, or 1,105 feet, being upon arches.1 Remains of it are still extant near the present Porta Maggiore. The victory of C. Duillius over the Carthaginian fleet, ofE Myl88 in Sicily, in the first Punic war (b.c. 260) ? the first great naval triumph of the Romans, was sig- nalized by the erection of a pillar in the Forum, called, from its being ornamented with the beaks of the captured vessels, the " Columna Rostrata." It stood on the Co- mitium, and the base of it has been discovered near the Arch of Severus.2 During the same war, L. Cornelius Scipio, the captor of Aleria, in Sardinia, and admiral of the Roman fleet, erected outside the Porta Capena, and near the Temple of Mars, a temple to Tempestas, in commemoration of the narrow escape of his fleet from shipwreck off that island.3 The end of the first Punic war enabled the Romans to shut the Temple of Janns, b.c. 235, the first occasion of its being closed since the reign of Numa; soon, how- ever, to be reopened, and not to be shut again till after the battle of Actium.4 Some important works were undertaken in the period between the first and second Pnnic wars. C. Flaminras^ who was censor in b.c. 220, began to construct the great highway called after him Via Flaminia. This was the 1 Front. Aq. 5. 2 Serv. ad Georg. iii. 29; Plin. H. N. xxxiv. 11. 3 Inscrip. on his tomb 5 and Ov. Fast. vi. 192 sq. 4 Liy. i. 19.108 PRATA FLAMINIA AND CIRCUS. great northern road of Italy, as the Via Appia was the main southern outlet from Rome. Leaving the city by the Porta Ratumena, the Yia Flaminia proceeded through the Campus Martius nearly on the same line, but a little to the east, of the modern Corso, passing subsequently through the Porta Flaminia of the Aurelian walls, at a little distance from the present Porta del Popolo. At about three miles from the Porta Ratu- mena, it crossed the Tiber by the Pons Milvius, and proceeded on to Ariminum (Rimini), a distance of 210 miles. This road, the construction of which became possible through the submission of Etruria andUmbria, facilitated operations against the Gauls. The same censor constructed the Circus Flaminius, in the fields called Prata Flaminia at the southern ex- tremity of the Campus Martius. The carceres of the Circus, or starting-place of the chariots, were at no great distance from the Capitoline Hill, while its circular end lay towards the river. Hence it must have occu- pied the sites of the present Palazzo Mattei, the Yia delle Botteghe Oscure, and the church of Sta. Caterina de' Funari, where traces of it are said to have existed in the sixteenth century.1 After the construction of this Circus, meetings of the people previously held in the Prata Flaminia were transferred to it.2 Close by was the Ovile, or place for holding the Comitia Centu- riata, which in early times was surrounded with a rude fence, resembling a sheepfold, whence its name.3 In the Circus were exhibited the Ludi Plebeii and the Ludi Saoculares, called also Taurii, or Tarentini, from a place in the Campus Martins bearing the name of Tarentum, 1 Lucio Fauno, Ant. di Roma, lib. iv. c. 23. 2 Liv. xxvii. 21; Cic. ad Att. i. 14. 3 Liy. xxvi, 22; Juv. Sat. vi. 528.BATTLE OF TRASIMENE. 109 which had a subterranean Ara Ditis Patris et Proser- pinse. We may here add that it was only a few years previously (b.0. 228) that carceres for starting the chariots had been erected at the Circus Maximus.1 But Maminius, who had adorned and improved Rome by these noble and useful works, became the involuntary instrument of her disgrace. The second Punic war broke out in b.c. 218, and the Romans had to struggle for existence against the greatest captain of any age. Hannibal, after passing the Alps and gaining several victories, directed his march upon Rome. Prodigies which had filled the Romans with alarm had to be averted by various expiations; a lectisternium, a sacri- fice at the Temple of Saturn, and a public feast, were celebrated; the Saturnalia were proclaimed day and night through the city, and the people were directed to observe that time as a perpetual festival. Maminius, who was now consul, and whose rashness and demo- cratic principles led him to oppose old patrician forms and traditions, alarmed at the rapid approach of Han- nibal, hastily quitted Rome on pretence of a private journey, without having taken the auspices or cele- brated the Latin fetes, and he refused to listen to any orders for his return.2 With the same precipitancy he led his army into an ambush which Hannibal had laid for him at Lake Trasimene, where he expiated his rash- ness with his life and a terrible defeat, which cost Rome 15,000 men (b.c. 217).. Two temples vowed after this battle, one to Mens, the other to Venus Eetcina, were erected close together on the Capitol, and consecrated by Q. Pabius Maximus and T. Otacilius Crassus, in b.c. 215.3 1 Liv. viii. 20 ; Yarro, L. L. v. § 154. 2 Liv. xxi. 63, xxii. 1 sqq. 3 Liv. -xxii. 10, xxiii. 515 Cic. N, D. ii. 23.110 THE LUDI APOLLINARES. The defeat of Terentius Yarro by Hannibal at Cannse, the following year, was a still more terrible blow. The victor was hourly expected at Rome, and portents again agitated the public mind, especially the nnchastity of two Yestals, Opimia and Moronia. One of these was buried alive at the Porta Collina, the other escaped the same fate by suicide. As a further expiation, after con- sulting the Sibylline books, two men and two women, of Greek and Gallic race, were buried alive in a stone vault in the Forum Boarium. The place, says Livy, was already imbued with human sacrifices, though he disclaims the practice as un-Eoman.1 A more humane and cheerful way of propitiating the gods was by the institution of the Ludi Apollinares in compliance with the prophecies of one Marcius, though the idea of them appears to have been borrowed from the Greeks. They were celebrated in the Circus Maximus. During the year which followed the disaster at Cannge, Home displayed every mark of grief and humiliation. The senate quitted the Curia, the preetor abandoned the Comitium, to deliberate and to administer justice near the Porta Capena, the side threatened by Hannibal. But it was not till B.C. 211 that Hannibal, approaching by rapid marches on the Yia Latina, reached the Anio before his presence was suspected. The proconsul Ful- vius had, however, preceded him, by forced marches on the Yia Appia; and entering Home by the Porta Capena, and marching through the city by the Carina, he pitched 1 Such sacrifices were abolished at Rome by a decree pf the senate, B.C. 97 ; nevertheless we read of two human victims being decapitated in the Campus Martius, B.C. 46, by order of the Pontifices, and their heads affixed to the Regia. Pliny mentions even in his age the inter- ment alive of Gallic and other men and women. H. N. xxviii. 3. Cf. Dion. Cass, xliii. 24.THE CAMP OF HANNIBAL. Ill liis camp on the Esquiline,1 outside the Servian agger, between the Porta Esquilina and Porta Collina. Hither came the consuls and the senate to deliberate. Arrange- ments were made for the defence of the city, and it was ordered that a tolerably full senate should remain assembled on the Porum, to give their advice on any emergency. The camp of Hannibal was now but three miles distant from Rome ; and that commander ventured to make a reconnaissance round the walls with an escort of only 2,000 horse. But the imperturbable fortitude of the Roman people, the knowledge that, in spite of his presence, they had despatched several corps of cavalry to Spain, nay, that the very ground on which his camp stood had been sold at auction without any diminution of price, discouraged Hannibal as much as the loss of a battle. After the empty bravado of launching a javelin into a city which he could not take, he hastily struck his camp, and, marching to the sanctuary of Peronia at the foot of Soracte, consoled himself for his disappoint- ment at Rome by plundering that wealthy shrine.2 Thus was the city delivered from the greatest danger which had threatened it since its capture by the Grauls. Although the third century before the Christian era shows but little progress in the city of Rome, it was marked by a striking improvement in the literary culti- vation of the Romans. The regular drama is not relished except by a people that has attained to a considerable degree of civilization. It was the last sort of poetry brought to any perfection among the Greeks; and the same observation will apply, we believe, to most other nations. Thus Chaucer and Grower in England had written epic and other poetry two centuries before the 1 Liv. xxvi. 8 sqq. 2 Ibid. 11.112 THE DRAMA AT ROME. establishment of regular dramatic entertainments. The drama, like a]l the more elegant arts of life, was derived by the Romans from the Greeks, and was first intro- duced at Rome after the conquest of Magna Grascia. During the wars in that country, the poet Andronicus, a native of Tarentum, was captured and brought to Rome, where he became the slave of M, Livius Salinator, and derived from him the surname of Livius. Having sufficiently mastered the Latin language to be able to write in it, Livius Andronicus brought out a considerable number of plays, which, however, appear to have been little more than translations from the Greek. The first of them was exhibited in B.C. 240. But however rude and barbarous the language at least of these dramas may have been, they seem not only to have been extant in the time of Horace, but even to have been read in schools,1 whence it would appear that there must have been a sort of Latin literature before the time of those authors who are reputed to have been the earliest Roman historians.2 It must not be supposed, however, that there was any regular theatre at Rome at this period. The Roman aristocracy, like the English Puritans, set their faces against dramatic entertainments, as injurious to public morality. Although the building of a stone theatre had been commenced, P. Cornelius Scipio Nasica, in his consulship in B.C. 155, induced the senate to order its demolition.3 Thus, even to the times of Plautus and Terence, plays were represented at Rome on wooden stages, or scaffoldings, resembling probably those on which the Mysteries and Moralities of the middle ages 1 Ejop. ii. 1, 69 sq. 2 Liv. vii. 2 ; Cic. Brut. 18; Sueton. De ill. Gramm. 1; Gell. xvii. 21. 3 Liv. Epit. xlviii.TEMPLE OF HONOS ET VIRTUS. 113 were performed, and the aiidience appears to have beheld them standing. Poets in the time of Livius were called scribes, an appellation which seems to show that the Roman public had no very exalted idea of the poetical vocation. A building on the Aventine appears, however, to have been assigned for the use of Livius and of a troop of players; and after his death, "scribes" and actors were accustomed to meet in the Temple of Minerva on that hill to celebrate his praises and offer gifts in his honour.1 The drama at Rome was continued by Nasvius, who was probably a Campanian;2 but it belongs not to this work to trace the history of Roman literature, except so far as it may be connected with the history of the city and its inhabitants. We need, therefore, only further mention here, that Ennius, also a dramatist, but better known as the first great Latin epic poet, who flourished soon after Livius Andronicus, towards the end of the third century b.c., lived in a humble dwelling on the Aventine, attended only by one female slave. That plebeian hill may therefore be regarded as the Helicon of the Roman muses, when they lived in republican fashion without much patronage from the great. Besides the adoption of the Greek drama, the Romans likewise acquired a taste for Grecian works of art, im- bibed, it is said, through the capture of Syracuse by Marcellus, in b.c. 212. That event likewise afforded the first precedent for ruthless spoliation both of sacred and profane objects under the pretext of the right of war. Marcellus placed part of the pictures and statues plun- dered from the Syracusans in the Temple of Honos and Yietus, which he had founded near the Porta Capena. 1 Pestus, p. 333. 2 See the article on Nsevius, in Dr. Smith's Dictionary of Greek and Roman Biography. I114 INTRODUCTION OF GLADIATORS. Nearly all of these had vanished in the time of Livy, a circumstance which that historian "regards as a sign of the displeasure of the gods at such practices.1 Tarentum yielded almost as many works of art as Syracuse, although Eabius, its captor, showed more compunction in plunder- ing them.2 In the war with Philip V. of Macedon, which broke out towards the end of the third century B.C., the Romans, though they professed themselves the friends of the Greeks, brought away a great many pictures and statues from Eretria.3 But the influence of Greek civilization was not power- ful enough to counteract entirely the barbarous taste of the Romans, to the majority of whom gladiatorial com- bats were more attractive than the scenic beauties of the Grecian muse. That cruel entertainment was first intro- duced at Rome by M. and D. Brutus, at the funeral of their father in B.C. 264, when gladiators fought in the Eorum Boarium.4 The spectacle, however, was soon transferred to the Eorum Romanum; and instead of being confined, as at first, to funerals, was extended to festive entertainments, and at length adopted by the magistrates as one of the most popular methods of cele- brating public festivals. Besides art and literature, another effect of conquest was to introduce at Rome new forms of superstition. The Romans, like most pagans, readily adopted the gods of other nations, as we have already seen from the in- troduction of Apollo, JEsculapius, and other Greek divinities. Erequent showers of stones, a portent often mentioned by the Roman historians, could, according to the Sibylline books, be expiated only by bringing to 1 Livy, xxv. 40. 2 Ibid, xxvii. 16. 3 Ibid. xxxii. 16. 4 Liy. Epit. xvi.; Yaler. Max. ii. 4 § 7.TEMPLE OF CYBELE—GR^ECOSTASIS. 115 Rome Cybele, or tlie Idaean mother. This deity was originally represented by a shapeless black stone, reputed to have fallen from heaven; whence probably its pre- sumed efficacy at the present juncture. Attalus, king of Pergamus, an ally of the Romans, engaged to transfer this sacred object into their hands from its shrine in the town of Pessinus in Phrygia; and P. Cornelius Scipio, the'youthful brother of Africanus, accounted the worthiest and most virtuous among the Romans, was selected to receive the goddess (b.C. 204). Having proceeded to Ostia in fulfilment of this mission, and received the sacred stone from the priests, he delivered it into the hands of the matrons who had accompanied him, by whom it was borne in solemn state to Rome, and placed in the Temple of Victory on the Palatine Hill. Here it was adored by multitudes who crowded to it with offer- ings, and its arrival was celebrated by a lectisternium and the Megalesian games. Thirteen years later, a round temple, or tholus, was erected on the Palatine for its reception, and dedicated by M. Junius Brutus, b.c. 191. The goddess was now represented by a statue, with its face to the east; the temple was adorned with a painting of Corybantes, and plays were acted in front of it.1 It must have been about this time that the Gmcostasis was erected near the Curia, apparently a mere open platform, designed as a waiting-place for foreign ambas- sadors before they were admitted to an audience of the senate. Its situation on the Vulcanal made it con- spicuous from the Forum; and the sight of envoys from various nations, Greeks and Gauls, Asiatics and Egyptians, in their national costumes, and frequently 1 Liv. xxix. 14, xxxvi. 36 j Martial, i. 70, 9.116 TRIUMPH OF SCIPIO AFRICANUS. bearing splendid gifts, must to Roman pride and love of pageantry have rendered the spectacle almost as gra- tifying as a triumph. Another Greek art introduced at Home about this period was the practice of medicine. Archagathus, a Greek, appears to have opened the first surgeon and apothecary's shop, B.C. 219. He was received with such welcome that the shop was purchased for him at the public expense, and he was presented with the Jus Qui- ritium. But he seems to have been a perfect Sangrado, and by too free a use of the knife, and other heroical remedies, soon altogether disgusted the Romans with the medical art.1 The century closed with the triumph of 'Scipio in B.C. 201, one of the most magnificent hitherto beheld. The victor at Zama deposited in the public treasury more than 100,000 pounds weight of silver. The name of Africanus, with which he was greeted by the people, initiated the custom of illustrating a fortunate general by the appellation of a conquered people ; but King Syphax is said to have been released by an opportune death from the ignominy of adorning his conqueror's triumph.2 Other honours, little short of idolatry, the Romans, in the flush and full tide of success, would have heaped upon Scipio ; they were modestly declined, but he nevertheless lived to experience the fickleness and ingratitude of his countrymen, and to learn that not even services like his can always insure a lasting popu- larity. He retired in disgust to Liternum, and some say he could never be induced to return to Rome. Yet it is uncertain whether he was buried at Liternum or in 1 Plin. H. N. xxix. 6. 2 Liv. xxv. 45 ; Yal. Max. iv. 1, § 6. Polybius, however (xvi. 23? § 6)? says that Syphax was actually led in triumph.TOMB OF THE SCIPIOS. 117 ilie family tomb of the Scipios on the Via Appia, a few hundred yards outside the Porta Capena. In the time of Livy, monuments to him were extant at both places. At the Roman tomb were three statues, said to represent Scipio himself, his brother Lucius, and the poet Ennius, whom Africanus had as it were adopted into the family.1 This tomb, still extant, is perhaps one of the most interesting monuments of the republican period; though its present state conyeys but an imperfect idea of the original structure. It was at least as ancient as L. Scipio Barbatus, consul in B.C. 298; the inscription on whose sarcophagus, still preserved in the Vatican, is the oldest contemporary record of any Roman. Many other records of the Scipios and their friends have also been carried from this tomb to the Vatican, and their places supplied by copies.2 Close to it were the tombs of the Servilii, Metelli, and other distinguished families, all traces of which have now disappeared.3 The close of the third century before the Christian era was marked by some terrible fires. One of these, in B.C. 213, raged two days and a night, levelling all between the Salinee, near the Porta Trigemina, and the Porta Carmentalis, including the ^Equim^lium and Vicus Jugarius; whence it spread beyond the gate, and destroyed many buildings both sacred and profane. Among the former were the Temples of Fortune, Mater Matuta, and Hope.4 Another still more destructive fire occurred in B.C. 211, which, from its breaking out at once in several places near the Forum, was ascribed to incendiaries. The Tabernee Septem, on the south side 1 Liv. xxxviii. 56. 2 Eor a description of the tomb see Visconti, Mon. degli Scipioni. Cf. Nibby, Roma Ant. t. ii. p. 562 sq. 3 Cic. Tusc. i. 7. 4 Liv. xxiv. 47.118 IMPROVEMENT IN ARCHITECTURE. of the Forum, were destroyed; the Atrium Hegium shared the same fate, and even, the Temple of Yesta was with difficulty saved. On the north side of the Forum, the Argentariae, or silversmiths' shops, subsequently called Novas, the Lautumiee, the fish-market, besides many private houses, were consumed. Some noble Cam- panian youths, convicted on the evidence of a slave, were executed for this act, which they had committed out of revenge for the putting to death of some of their rela- tives by the proconsul, Fulvius Flaccus.1 A few years later, B.C. 192, a fire in the Forum Boarium destroyed all the buildings near the Tiber, with a great deal of valuable merchandise.2 The second century before the Christian era shows a marked improvement in the city. The Romans had now reduced all Italy, had humbled Carthage, and were beginning to turn their thoughts to conquests in Greece* Their intercourse with the inhabitants of Magna Graecia and Sicily had tended to improve their architectural taste, as well as to introduce among them other refine- ments. It is at all events certain that at the beginning of the second century B.C. were erected some splendid buildings of a kind hitherto unknown at Home. He who stands on the Roman Forum, and surveys its narrow limits, can hardly fail to be struck with surprise, mixed with something like disappointment, that so small a place should have been the scene of such grand his- torical events, the council-chamber, as it were, whence a " people king " agitated and controlled the affairs of the world. It is, however, probable that we are not yet presented with its whole breadth, and that a consider- able space on its northern side, still covered with earth 1 Li v. xxvi. 27. 2 Ibid. xxxv. 40.ROMAN BASILICAS. 119 and buildings, anciently formed part of it. Even so, how- ever, the Romans themselves, as their conquests grew and their ideas expanded with them, seem to have ex- perienced a similar feeling. Hence their attempts to relieve and enlarge the Forum, first by the construction of Basilicas, and at length, in the imperial times, by the addition of several adjacent Fora. The idea of the Basilica, as well as its name, was evidently borrowed from the Greeks; and the trroa ficuTtXeios at Athens, in which the apxm' fiaffiXevg administered justice, probably furnished the model. When we speak, therefore, of a Roman Basilica, we must supplement this adjective form with some substantive understood, such as portions or cedes; just as the Greek has also the substantive form flaviXiK)}, with the omission of trroa or olda. A Basilica was a large building used at once as a law-court and a sort of exchange. Hence its utility in relieving the Forum, which also served in both those capacities. It was of an oblong form, and, according to architectural rules, the breadth should not be more than one half nor less than one third of the length.1 At first it appears to have been open to the air, and surrounded only with a peristyle having two rows of columns, one resting upon the other; the lower row being of larger dimensions than the upper ones. From this exposure to the air Vitruvius recommends that Basilicas should be built in the warmest and most sheltered part of a Forum; but the later Romans obviated this inconvenience by sur- rounding them with a wall. The interior generally con- sisted of three parts; a central jporticus, answering to the nave of a modern church, with two rows of columns at each side, forming two aisles. At one end of the central 1 Vitruv. y. 1, § 4.120 BASILICA POUCIA. portions, or nave, was the tribunal of the judge, com- monly of a circular form, though sometimes square. Such was in general the disposition of a Basilica, though of course there were occasional variations. The first building of this sort constructed at Eome was the Basilica Pokcia, so called from its having been founded by M. Porcius Cato in his censorship, b.c. 184.1 In order to make room for it, four of the Tabernse on the north side of the Forum were purchased, and behind these the houses of Meenius and Titius, in the place called Lautumias. Meenius, however, retained one of the columns of his house with a balcony on the top of it, whence he might view the gladiatoral combats in the Porum.2 The Basilica Porcia must have closely ad- joined the eastern side of the Curia Hostilia, since it was consumed in the same fire as the latter building, when the body of Clodius was burnt.3 After this period we hear no more of this Basilica. Behind it was the Porum Piscatorium, or fish-market, the noisome smells of which are described by Plautus as driving into the Porum the subbasilicam, or frequenters of the Basilica.4 Cato also caused the pipes to be cut off: by means of 1 There is some difficulty about the date, as Plautus, who is commonly supposed to have died in B.C. 184, mentions the Basilica more than once. Might the Basilica have been erected in the sedile- ship of Cato, B.C. 199 ? 2 M. Ampere{Hist. Bom. a Bome, t. iv. p. 270, note) questions whether in my article Boma, p. 786,1 hare done right in distinguish- ing this column from the Columna Msenia on the Forum. The latter, perhaps, never existed; but, if so, the mistake is Pliny's, who may have been misled by a similarity of name. Cicero (Pro Best. 58) seems to refer to a column of the house. See above, p. 96. 3 Liv. xxxix. 44; Ascon. ad Cic. fro Mil. Arg. p. 34 (Orelli); Schol. ad Horcti. Sat. i. 3, 21. 4 Capt. iv. 2, 23.BASILICA iEMILIA ET FULYIA. 121 which private individuals, to the detriment of the public, diverted the water of the aqueducts ; also private build- ings to be demolished which encroached upon the public streets or places; the fountains and ponds to be paved, and, where necessary, to be covered with stone; new drains to be constructed on the Aventine and other places where they did not yet exist.1 He had previously, when consul in b.c. 195 with Valerius Flaccus, also his colleague in the censorship, caused the Villa Publica and the Atrium Libertatis to be repaired and enlarged;2 so that he and Flaccus may be regarded as two of the greatest benefactors of the city. The Basilica Porcia was soon followed by the Basilica Fulvia, also called jEmilia et Fulvia, from its having been founded in the censorship of M. ^Bmilius Lepidus and M. Fulvius Nobilior, b.c. 179. All its subsequent restorations and embellishments appear, however, to have been due to the gens ^Emilia. As this Basilica is de- scribed as situated behind the Argentarise Novee, which had replaced the butchers' shops, it must have adjoined the Porcia, and consequently lain to the east of the church of S. Adriano.3 We shall have occasion to men- tion its restorations further on. Fulvius Nobilior, after the conquest of -ZEtolia, in b.c. 189, had already adorned Rome with a Temple op Hercules, as leader of the Muses (Hercules Musarum, or MovaaylrrfQ). It stood in the Campus Martius, a little south of the Circus Flaminius. He had also brought to Rome from Am- bracia, which had formerly been the residence of King Pyrrhus, a great patron of art, 230 marble statues and 285 of bronze, besides pictures.4 Two or three years 1 Liv. xxxix. 44. 2 Ibicl. xxxiv. 44. 3 Ibicl. xl. 51 ; Varr. L. L. vi. § 4 (Mull.). 4 Liv. xxxviii. 9, xxxix. 5 ; Polyb. xxii. 13.122 EMPORIUM—BASILICA SEMPRONIA. before, M. ^Emilius Lepidus, with, his colleague in the asdileship, L. JEmilius Paullus, had founded an Em- porium, or place of landing and sale for sea-carried goods, on tlie banks of the Tiber, just outside the Porta Trige- mina, and under the western side of the Aventine. At this spot they also erected a portico, and another leading from the Porta Fontinalis to the altar of Mars in the Campus Martius.1 The district under the Aventine was also mucli improved by Lepidus and Nobilior in their censorship, by the construction of a harbour, as well as of a bridge, over the Tiber, which obtained the name of Pons .^Emilius. They also founded a market and other porticoes.2 The same censors caused the shields, ensigns, and other offerings to be removed, with which the pedi- ment and columns of the Capitoline temple had become encumbered.3 The censorship of Q. Fulvius Flaccus and A. Postumius Albinus, in b.c. 174, was likewise re- markable for many improvements; and especially for the paving of the streets of the city with, flint, and of the roads and footpaths outside the walls with gravel.4 A third Basilica, the Sempronia, was erected by the censor T. Sempronius Gracchus, the father of the two demagogues, in b.c. 169. This building must have been on the south, side of the Forum, since the house of Scipio Africanus, together with some butchers' shops behind the Tabernas Yeteres, were purchased in order to obtain a site for it. Its situation is also marked as being near the statue of Yertumnus, which stood where the Yicus Tuscus ran into the Forum.5 From these particulars we may gather that it stood on or near the spot afterwards occupied by the Basilica Julia; but its later history is unknown. 1 Liv. xxxv. 10. 2 Ibid. xl. 51. 3 Ibid, 4 Ibid. xli. 27. 5 Ibid. xli. v. 16.TRIUMPH OF iEMILIUS PAULLUS. 123 The overthrow of Perseus at Pydna, B.C. 168, afforded Ms conqueror, ^Emilius Paullus, tlie grandest triumph hitherto beheld at Rome. That of L. Cornelius Scipio, surnamed Asiaticus, for the defeat of Antiochus at Magnesia, B.C. 190, had indeed been one of no ordinary splendour, and had far exceeded that of his brother Africanus for his victory over Hannibal. Between two and three hundred standards, 134 images of cities, 1,231 elephants' teeth, 234 golden crowns, a vast amount of gold and silver, coined and uncoined or in plate, 32 captive generals or governors, had been paraded before the eyes of the admiring Romans by Asiaticus.1 But the pageant seems to have occupied only one day, while that of JEmilius Paullus lasted three. Starting in the Campus Martius, the long-drawn pomp passed through the Circus Maminius, and entered the city by the Porta Triumphalis, which, as we have said, appears to have been between the Porta Carmentalis and Porta Flumen- tana, in that portion of the wall which ran from the Capitoline Hill to the Tiber.2 Hence it proceeded through the Circus Maximus, the valley which divides the Palatine from the Cselian, along the Sacra Yia, and so over the Forum to the Capitol. Both the Circuses, the Forum, in which scaffolds had been erected, and other open places, from which a view could be obtained, were filled by the people, dressed in white: the temples stood open, adorned with festoons and garlands, and reeking with perfumes and incense. The whole of the first day scarcely sufficed to display the pictures and statues which had been taken, and were now carried in 1 Liv.xxxvii. 59. 2 Respecting the much-disputed situation of this gate, the reader is referred to the article Boma, in Dr. Smith's Diet, of Greek and Horn. Geography, vol. ii. pp. 751-754.124 PERSEUS LED CAPTIVE. 250 chariots. The second day was occupied with, parad- ing Cretan, Thracian, and Macedonian arms. These were followed by 3,000 men carrying cups and vases; among the last, 750 contained each three talents in silver money. Early on the third day, amid the strains of martial music, 120 fatted cows, adorned with ribands, were seen advancing, conducted by youths with beautiful sashes. Behind them came children, bearing gold and silver paterae. Then followed men carrying 77 vases filled with gold coin to the value of three talents each; also gold cups adorned with precious stones, and the golden plate of Perseus. This part of the procession was closed by the chariot of the Macedonian king, in which were his arms and diadem. Presently were seen the three children of Perseus, surrounded by their attendants, and with tearful eyes and uplifted hands imploring the pity of the spectators. Perseus himself followed, overwhelmed and dejected by the greatness of his misfortune. The Macedonian had not taken his conqueror's hint, that he might have escaped this degradation by an act of suicide. Before the triumphal chariot of ^Emilius Paullus were borne 400 golden crowns, presented by so many cities that had done him homage. The conqueror was clothed in purple, and bore in his hand a laurel-branch.1 Perseus, after his defeat at Pydna, had taken refuge in Samothrace, where he surrendered himself to the prgetor Cn. Octavius. Octavius obtained in consequence a naval triumph the following year, B.C. 167. The wealth which he had amassed in Greece enabled him to build a magnificent house on the Palatine Hill, one of the first examples of elegant domestic architecture,2 and also to 1 Plutarch, Paul. Mm. 32 sqq. 2 Cic. De Off. i. 39.POSTICUS OCTAYIA OR CORINTHIA. 125 erect a handsome double portico, which from him was called the Porticus Octavia, and, from the capitals of its columns being bronze, Porticus Corinthia. It lay to the west of the Circus Flaminius. Augustus rebuilt it, but dedicated it again under the name of its original founder,1 his ancestor. As Rome advanced in magnificence and splendour5 and its inhabitants in elegance and refinement of life, so also grew profligacy and corruption. Open and scan- dalous proofs of this occurred early in the second century b.c. The introduction of the Greek Bacchanalia became a fertile source of all kinds of vice. The veil of religion served to conceal the most horrible debaucheries; pro- miscuous assemblies of men and women were stimulated by feasting, wine, and revelry, to lust and shamelessness ; the cries of innocent victims lured to these infernal orgies for purposes of abuse were drowned amid wild bacchanalian shouts and the noise of drums and cymbals. From the same dens of iniquity proceeded false accusers, perjured witnesses, forgers of wills and other documents, poisoners, murderers. In this great conspiracy of vice more than seven thousand men and women are said to have been implicated. The matter being at length brought under the cognizance of the magistrates, the Bacchanalia were prohibited at Home and throughout Italy by a senatusconsultum, b.c. 186.2 About the same time we find Livy complaining of the introduction of luxury at Rome through the army of Asia. Then were first seen bronze beds with sumptuous coverlets, sideboards, tables with one foot. Pantomimists, female musicians, and other diversions were introduced 1 Yell. Pat. ii. 1 (who speaks of it as " in Circo ") 5 Plin. H. N. xxxiv. 7 ; Pestus, p. 178. 2 Liv. xxxix. 8-18.126 THE POSTICUS METELLI. at banquets; the feast itself was prepared with greater care and expense; the cook, anciently the vi]est and cheapest of slaves, began to rise in value, and his func- tion to assume the rank of an art. Yet, adds the historian, what was then seen was but the seed of future luxury.1 There were still, indeed, a few who, like old Cato the censor, adhered to the earlier Roman plainness and simplicity. Yet, although Cato procured a decree for the banishment of Greek philosophers and rhetoricians, hated all physicians, more particularly because they were Greeks, and persuaded the senate to dismiss as soon as possible the Athenian ambassadors Carneades, Diogenes, and Critolaus, we nevertheless find this old-fashioned Roman yielding at last to the spirit of the times, and devoting himself in his old age to the study of Greek literature. A. CaBcilius Metellus, after his triumph, in b.c. 146, for the defeat of Andriscus in Macedonia, an achieve- ment which procured for him the name of Macedonicus, founded the Posticus Metelli, near the Circus Fla- minius, on the eastern side of the Temple of Hercules Musarum. This portico was afterwards superseded by the Porticus Octaviae, erected by Augustus. The Porticus Metelli enclosed two temples of Jupiter Stator and Juno, of which the last at least appears to have been previously erected. One of them was of marble, the first instance of the sort at Rome. Before these temples Metellus placed the celebrated group of twenty-five bronze statues which he had brought from Greece. They had been executed by Lysippus for Alexander the Great, and represented that conqueror himself, and twenty-four horsemen of his troop who had fallen at the Granicus.2 1 Li v. xxxix. 16. 2 Yell. Pat. i. 115 Vitr. iii. 2.TEMPLES 11st THE PKATA FLAMINIA. 127 The district about the Circus Flaminius had become daring this century the favourite place for the erection of public monuments. M. ^Emilius Lepidus had dedi- cated there, in b.c. 179, a Temple to Diana, and another to Juno Regina.1 A few years later was erected, near the same spot, a temple of Fortuna Equestris, pursuant to a yow of Q. Fulvius Flaccus in a battle against the Celtiberians, b.c. 176. The occasion of it was a suc- cessful charge of cavalry, which decided the fortune of the day in favour of the Romans. It was dedicated by Fulvius in his censorship, three years after the battle. He had determined to make it one of the most magnifi- cent temples in the city; with which view he proceeded into Bruttium, and, having stripped of(: half the marble tiles from the Temple of Juno Lacinia, brought them by sea to Rome. But this sacrilege was denounced by the senate, and the plan of Fulvius frustrated.2 The temple was extant in the time of Yitruvius, near the theatre of Pompey;3 yet, strangely enough, seems to have vanished in the time of Tiberius, when no temple of Fortune, with the title of Equestris, could be found at Rome.4 In the same neighbourhood, a Temple of Mars was afterwards erected by D. Junius Brutus, surnamed Cal- laicus or Gallsscus, for his victories over the Gallicians in b.c. 136. Its vestibule was adorned with inscriptions in verse by the poet Accius.5 We also read of Temples of Neptune, of Castor and Pollux, perhaps also of Yulcan, in the same district; but these were probably mere sacella.6 The same year which saw the triumph of Metellus 1 Liy. xl. 52. 2 Liv. xl. 40, 44; xlii. 3, 10. 3 De Archit. iii. 3. 4 Tac. Ann, iii. 71. 5 Cic. pro Arch. 10 ; Yal. Max. viii. 14, 2. 6 Vitruv. iv. 8, 4.128 THE THREE SIBYLS, OR TRIA FATA. (b.c. 146) also beheld the fall of Carthage, as well as the taking of Corinth by Mummius and final subjuga- tion of Greece. These two important events appear not, however, to have occasioned the erection of any im- portant monument; but many chefs d'ceuvre of Greek art were brought from Corinth to Home. The bar- barous ignorance of Mummius is immortalized by the well-known story of his binding the shippers to replace them in case of loss ! The gem of these spoils was a picture of Bacchus, by Aristides, which was placed in the Temple of Bacchus, Ceres, and Proserpine.1 Rome was now growing exceedingly rich in works of Greek art, which were used to adorn the more celebrated temples and porticoes. Even the Forum itself, besides statues of Roman origin, contained some connected only with Grecian history. Such were those of Aleibiades and Pythagoras, which stood near the Comitium. Before the Rostra were statues of the Three Sibyls, which, at a later period, obtained the name of Tria Fata. The balconies of the Tabernss, on the south side of the Forum, were covered with pictures by Serapion. The Comitium was adorned with a fresco-painting, brought from Sparta, which had been preserved by detaching the bricks on which it had been traced.2 The Septa, or Ovile, was also decorated with works of art, and especially with two celebrated groups for which the keepers were responsible with their lives ; one represent- ing Pan and young Olympus, the other Chiron and the youthful Achilles.3 About the middle of the century (b.c. 144) was con- structed the Aqtja Marcia, so called from its builder, Q. 3 Plin. H. N. xxxv. 8, 1, and 36, 6; Strabo, viii. 6, 23. 2 Plin. H. N. xxxv. 37, 2, and 49, 4, &c. 3 Ibid, xxxvi. 4.THE FORNIX FABIANUS. 129 Marcius Rex. It was one of the noblest of the Roman aqueducts, being lofty enough to supply the Capitoline Hill. Its source was thirty-six miles from Rome, near the Yia Valeria; yet so circuitous was its route, that its whole length was about sixty-two miles, of which nearly seven were on arches. Its water was the purest and coldest brought to Rome. Augustus added another source to it, about a mile distant; but this duct, called Aqua Augusta, was not accounted a separate aqueduct.1 Soon after was constructed the Aqua Tepula, in the censorship of Cn. Servilius Caspio and L. Cassius Lon- ginus, b.c. 127. It began about ten miles from Rome, at a point two miles to the right of the Yia Appia. The second century b.c. had witnessed the origin at Rome of the triumphal arch, a sort of structure peculiar to the Romans. The idea of it may possibly have been suggested by the Porta Triumphalis, through which the fortunate general to whom a triumph had been accorded entered the city. But that gate was common to all victorious captains, and left no special memorial of any particular achievement, like the Fornix, or Arcus Tri- umphalis. L. Stertinius first introduced a monument of this kind in b.c. 196, in commemoration of his victories in Spain, by erecting three arches, two in the Forum Boarium, and one in the Circus Maximus. A few years after Scipio Africanus built another on the Clivus Capi- tolinus. All these arches appear to have been sur- mounted with gilt statues.2 The only other triumphal arch erected during the republican times was the Fornix Fabius, or Fabianus, built by Q. Fabius Allobrogicus, in b.c. 121, in honour of his victories over the Allobroges. This arch spanned the Yia Sacra where it entered the 1 Front. 12; Plin. H. N. xxxi. 24; Strab. v. 3. 2 Li v. xxxiii. 27, xxxvii. 3. K130 TEMPLE OF LIBERTAS. Forum, and thus occupied one of the most conspicuous sites in Rome. It is alluded to more than once by Cicero, who mentions an anecdote of Memmius bowing his head whenever he passed through it.1 This he did, it is said, out of a conceit of his own greatness; but, looking at the story from our own point of view in con- nection with the architecture of the city, we are perhaps entitled to infer from it that the arch was not remark- able for loftiness. In the imperial times these arches began to assume more magnificent dimensions, and were sometimes built for other purposes than the commemora- tion of triumphs. We have seen that hitherto the dedication, or the de- struction, of many, indeed most, of the Roman monu- ments was the result of foreign wars: we have now reached a period when civil discord was to produce the same effects. Towards the latter part of the second century b.c. those intestine broils commenced which at length, by undermining the aristocratic element of the Republic, paved the way for the despotism of the Empire. 'They were begun by the Gracchi, the two celebrated tribunes, in whose family democratic principles and a love of liberty appear to have been hereditary. An ancestor had erected a Temple to Libertas on the Aven- tine, which his son, Tib. Sempronius Gracchus, the conqueror of Hanno at Beneventum, b.c. 214, adorned with a picture concerning that event.2 The murder of Tiberius Gracchus on the Capitol, b.c. 133, was the first blood shed at Rome in domestic strife. He was killed near the entrance of the Temple of Fides, where the senate was assembled; the ancient structure before mentioned 1 Be Or at. ii. 66 5 cf. Pro Plane. 7. 2 Liv. xxiv. 16.THE LUCUS FURINJE. 131 as founded by Numa, which stood close to the temple of tlie Capitoline Jove.1 Twelve years later, tlie brother of Tiberius, the tribune Cains Sempronius Gracchus, in- curred the same fate. The agrarian laws and other in- novations of Caius Gracchus had drawn down upon him the hatred of the aristocratic party, at that time led by the consul, L. Opimius. Serious riots took place, and the accidental slaughter of one Antyllius, said to be an attendant of the consul's, by the partisans of Gracchus, led to further violence. On the third day of the riots, M. Eulvius Flaccus, Gracchus' principal adherent, having organized a body of armed men, took possession of the Aventine; whither also the tribune repaired, but with a mind disposed for peace, with which view he de- spatched the youthful son of Maccus as a sort of ambas- sador to the senate. But Opimius, who had resolved on more violent measures, caused the youth to be cast into prison, and he himself, at the head of an armed band, marched upon^ the Aventine. The rioters were soon dispersed; Maccus was slain as he fled ; Gracchus with- drew into the Temple of Luna, with the intention of committing suicide; but, being dissuaded from that purpose by his friends, sought to escape over the Tiber. By the devotion of his followers, who sacrificed their lives for him, he passed in safety the wooden bridge leading to the Janiculum, and, accompanied only by a single slave, made his way to the Lucus Furim.2 Here, being unable to procure a horse, he fell either by his 1 Above, p. 40. Cf. A pp. B. C. i. 16. 2 Cicero (Nat. Deor. iii. 18) calls it the Grove of the Furies, but those Attic Deities do not appear to have been naturalized at Rome; and we may infer from Varro (L. L. vi. § 19, Mull.) that Furina was some indigenous goddess.132 TEMPLE OF CONCORD. own liand or that of his faithful attendant.1 About 3,000 persons are said to have fallen in this aifray, and all the adherents of Gracchus that could be captured were strangled in prison. Tranquillity haying been restored by these violent measures, Opimius, by command of the senate, dedicated a Temple to Concord (b.c. 121). This temple, like the Senaculum, appears to have occupied part of the elevated platform called the Vulcanal.2 During some excavations at this spot in 1817 were found some votive inscriptions, in three of which might be read the name of Concordia. Remains of the substruction of the temple may still be seen just above the Arch of Severus. It was probably only a reconstruction of a previous Temple of Concord, which appears to have been erected on the same spot by Cn. Flavius in b.c. 305.3 It has been sometimes taken for that dedicated by Furius Camillus in b.c. 367, which, however, seems to have been seated on the Arx.4 The temple of Opimius must have been a building of some magnitude, since we find the senate assembling in it at the time of Catiline's conspiracy.5 It appears to have contained many valuable works of art.6 In the same year, or a little after, the consul Opimius also erected the Basilica Opimia. This building seems almost to have adjoined the Temple of Concord, on its northern side, and lay to the west of the Curia Hostilia, occupying pretty nearly the site of the modern church 1 Plut. in G. Gracch. 17 ; Veil. Pat. ii. 65 Appian, B. C. i. 26 ; Aur. Vict. Be Vir. III. c. 65. 2 Nibby, Del Foro Romano, p. 139. 3 Liv. ix. 46 ; Varro, L. L. v. p. 156 (Mull.); Appian, loc. ciU 4 On this question see the article Roma, p. 765 sq. 5 Sail. B. Gat. 46 5 Cic. Gat. iii. 9. 6 Plin. H. N. xxxiv. 19, xxxvi. 67.THE BASILICA OPIMIA. 133 of S. Giuseppe. It seems probable that it obtained in later times the name of Basilica Argentaria ; it is at least certain that the Notitia mentions such a Basilica near this spot, of the origin of which we can give no account, unless we assume it to have been the Opimia ■under a new name. The street called Salita di Marforio, which runs close to it, bore, in the middle ages, the name of Clivus Argentarius, and the surrounding dis- trict that of Insula Argentaria.1 We have seen that the butchers' shops on the north side of the Forum had been converted long before this period into silversmiths' shops, called " Argentarise Novse." These silversmiths were the bankers and pawnbrokers of Rome; and the extension of Roman commerce, resulting from the growth of the empire, required, no doubt, the additional space of the Basilica for traders of this description. All this part of the city became, in fact, the Roman Change. The district, or rather street, in which the money- changers dwelt, was called "Janus," no doubt from the celebrated temple which stood here; and the middle part of it, as we see from allusions in classical writers, was the focus of all monetary transactions—the Lombard Street of Rome. Thus Horace : Postquam omnis res mea Janum Ad medium fracta est.2 1 Montfaucon, Diar. Ital. p. 293. The Ordo Bomanus, belonging to the 12th century, quoted by Mabillon, Museo Ital. t. ii. p. 118, thus describes the pope's route : " Prosiliens ante S. Marcum ascendit sub ,-arcu manus carnese per Clivum Argentarium inter insulam ejusdem nominis (the former Basilica) et Capitolium, descendit ante privatam Mamertini 5 intrat sub arcu triumphali inter templum Fat ale et .templum Concordise." The Templum Fatale was the ancient Janus, and appears hence to have stood a little before the Mamertine prison. 2 Sat. ii. 3, 18, et ibi Heindorf. Compare Cic. Off. ii. 25 : " De ■quserenda, de collocanda pecunia, vellem etiam de utenda, commodius134 THE SCIPIOS AND THE GRACCHI. The Scipios, though, connected by marriage with the gens Sempronia, to which the Gracchi belonged—for Cornelia, the daughter of Scipio Africanus, had married Tiberius Sempronius Gracchus, and became, by him,, the mother of the celebrated tribunes—were their chief opponents, and devoted themselves to the support of the- ancient aristocratic principles of the Roman constitution. Scipio Nasica, surnamed Serapio, had led the senators; in the attack upon Tiberius Gracchus, which resulted in the death of that tribune. The most distinguished member of the family at this period was Scipio ^Emi- lianus, called also Africanus Minor, the conqueror of Carthage and Numantia. ^Emilianus belonged to the family only by adoption. He was the son of L. ^Emiliu& Paullus, the conqueror of Macedonia, and had been adopted by the elder son of the first Africanus. Although he had strengthened the connection between the Scipios. and the Gracchi by his marriage with Sempronia, sister of the tribunes, he was nevertheless one of their most- determined opponents. He was absent in Spain during the riots in which Tiberius Gracchus fell; but on his* return to Rome he openly proclaimed his approbation- of the deed. He afterwards led the aristocratic party in opposing the measures of Caius Gracchus and Fulvius Flaccus; and there is reason to believe that he was murdered in consequence by one of the members of their faction.1 a quibusdam optimis viris ad Janum medium sedentibus, quam ab ullis philosophis ulla in schola,'disputatur." Cf. Hor. Epp. i. 1, 54 : "hsec Janus summus ab imo Perdocet." Where the scholiast observes : " Janus hie platea dicitur, ubi mercatores et foeneratores- sortis causa convenire solebant." 1 Val. Max. vi. 2, 3 5 Plut. Tib. Gr. 21, C. Qr. 10 5 Yell. Pat. ih 4; Appian, B. C. i. 19 sq.TERENCE AND THE DRAMA. 135 Scipio JEmilianus is remarkable as the promoter of literature, the friend of Lselius and Polybius, and the patron of Terence. Scipio and Lsslius were not only the best Greek scholars of the age, but were also among the first refiners of the Latin tongue, and are thought to have assisted Terence in writing his comedies. Their friendship has been immortalized by Cicero's dialogue, entitled "LeaLius, sive de Amicitia." To the liberality of Scipio Terence appears to have owed a small estate of twenty acres on the Appian Way, near the Temple of Mars ;1 and we may perhaps infer from the situation of the family tomb, that the Scipios possessed a consider- able property in this district. The drama had now been introduced about a quarter of a century at Eome; but it was still a kind of exotic plant, nourished only in the hotbed of aristocratic patronage, and never destined to strike healthy and vigorous root in Roman soil. No regular theatre had yet been erected for the performance of plays, which were still exhibited on scaffolds, or tem- porary stages; and we may infer from Terence's frequent appeals to his audience to preserve order, that his elegant pictures of life were but little suited to the coarse taste of the Romans.2 His six remaining plays were exhibited in the years B.C. 166-160, four of them at the Megalesian games. At this time, however, had arisen a species of composition peculiarly Roman. Lucilius, founder of the Roman Satire, was also the friend of Scipio and Laalius. The severe and caustic wit of such productions was more congenial to Roman taste than the elegant and elaborate comedy derived from the Greeks, and was 1 rtizans whom he had hired, when they occupied the Grreecostasis and the steps of the Curia, sufficed to disperse the senators.3 At length, however, this violent man was to fall by violence. We shall here anticipate his end. Milo, a rival bully, who 1 Acl Att. iv. 2. 2 Cic. Be Har. Besp. 11; Pro domo, 5, 7. 3 Cic *ad Quint. Fr. ii. 1.170 DEATH OF CLODIUS. espoused the patrician cause, was always surrounded with a troop of gladiators. In the year B.C. 53, both were candidates for public office; Milo for the consulate, Clodius for the prsetorship. "We may imagine the scenes of violence that occurred between two such ruffians. Cicero, in a letter to Atticus, describes how he saw a band of tatterdemalions with a lantern assembled at Clodius' door during the night; meanwhile Milo with his gladiators occupied the Campus Martius, and effec- tually hindered the Comitia being held there on the following day.1 A little before, Clodius had besieged Milo in his house on the Germalus, or that part of the Palatine which overhangs the Velabrum; and Milo, to save his life, had been compelled to fly to the house of P. Sulla.2 In January, B.C. 52, Milo and Clodius with their trains accidentally met near Bo villas, on the Appian Way, when a quarrel ensued among their retainers, in which Clodius was killed. Sex. Tedius, a senator, who found his body lying in the road, had it conveyed to his house upon the Palatine; where Eulvia, the wife of Clodius, excited the sympathy of the people by her lamentations, and by showing them her husband's wounds. So great was the crowd that gathered round, that a senator was crushed to death. At length two tribunes caused the body to be carried to the Forum, where it was exposed, naked and disfigured with dirt and blood, before the Rostra. The tribunes then mounted the Rostra, and harangued the multitude, till, their passions having been inflamed, Clodius' brother per- suaded them to take the body into the Curia, and there burn it, as a mark of contempt and an insult to the senate. A sort of funeral pile was hastily formed of the 1 Ad Att. iv. 3. 2 Ibid.THE CURIA BURNT. 171 tribunals on the Forum, benches, tables, writings, and other combustible materials at hand, which were then set on fire. The flames sufficed not to consume the corpse; but, as no doubt was the intention of the per- petrators, they caught the Curia and reduced it to ashes.1 The Basilica Porcia and other neighbouring buildings shared the same fate. Such was the end of the ancient senate-house, which had lasted from the time of Tullus Hostilius. Night had now closed in, and the partisans of Clodius celebrated the funeral feast by the light of the conflagration. During several days Rome was abandoned to fire and sword. Order was at length restored by the arrival of Pompey at Rome. He was named sole consul, and caused some laws to be enacted for the repression of these disorders, for which purpose also he was empowered to levy troops. The senate, having assembled in the Campus Martius, authorized the sepulture of Clodius, and decreed that the Curia Hostilia, which had been repaired by Sulla, should be rebuilt by his son Faustus, and called in honour of that family, Curia Cornelia. But these last resolutions were not destined to be executed. Pom- pey, who had caused Milo to be brought to trial, was obliged during its progress to preserve order in the Forum with a band of soldiers. The shops were closed, and Home wore an air of consternation. It was under such circumstances that Cicero rose to defend Milo, amid the hootings and threats of Clodius' adherents. Cicero spoke at the tribunal before the Temple of Castor; Pompey was seated at a distance, near the Temple of Saturn, at the upper end of the Foruin; and, as M. Ampere observes, a knowledge of their respective situa- 1 Dion Cass. xl. 49; Ascon. ad Cic. p. Mil, Arg. p. 34.172 FRENCH AND ROMAN REVOLUTIONS. tions explains the passage in which. Cicero, addressing Pompey, exclaims : "I appeal to you, and I raise my voice that you may hear me."1 It was not only a natural, but a necessary, conse- quence, that scenes like those we have just described should terminate at last in a military despotism. The first use of political society is the preservation of order and the safety of life and property. Where these are violated with impunity, year after year, by brutal dema- gogues and a lawless mob, the security afforded by a tyranny may be found a pleasant relief. The despotism of one man is, at all events, less extensively felt than that of thousands, and the cruelty and injustice of an irresponsible mob is a hundredfold more terrible than the capricious brutality of an individual. The Roman and the French revolutions teach the same lesson, and show that there can be no true liberty where there is no order and no respect for the laws. In France there was but one man capable of seizing the advantage offered by an unbridled democracy. In Rome there were two aspirants of equal pretensions, though not of equal ability; and thus the choice of a master had to be decided by a civil war. Pompey and Csesar courted the favour of the people in the coming struggle by the benefits which they conferred upon them, not the least among which were the public works which they executed at Rome. To these, as our proper subject, we shall confine ourselves. In B.C. 61, Pompey celebrated his third triumph with extraordinary splendour. Names of many eastern coun- tries and kingdoms, of innumerable cities and castles, 1 " Te enim jam appello, et ea voce ut me exaudire possis."—Pro Mil. 25. Cf. Hist. Bom. a Borne, t. iv. p. 584.POMPEY'S TEMPLE OF MINERVA. 173 were exhibited on bronze tablets ; barbaric pearl and gold now figured in the long-drawn procession in place of the masterpieces of Grecian art; captured kings, or their families, or the hostages they had delivered, tes- tified the extent and completeness of his conquests. He himself appeared in a car resplendent with jewels, and wearing a purple chlamys which had belonged to Alexander the Great. A dress which might readily suggest the extent of his aspirations ! Pompey now rested from his military labours, and sought only to enjoy and turn to the best account the glory which he had earned. After his triumph he erected a Temple to Minerva, in which a pompous inscription recorded his achievements.1 This temple has given name to the church of Sta. Maria sopra Minerva, near the Pantheon, built, as its title indicates, over the ancient temple. The beautiful statue of Minerva, now in the Vatican, called the Minerva Giustiniani, was found in the adjoining Dominican convent. Pompey also erected a Temple to Hercules Victor in the Forum Boarium.2 Might these two temples have been designed to typify the union of wisdom and force, as the source of his vic- tories P The erection of a stone theatre (b.c. 55), the first of the kind at Rome, was a splendid gift to the people, and might go far to counterbalance the popu- larity which Caasar was now acquiring by his victories in Gaul. Hitherto Rome had seen nothing but wooden theatres, mostly of a temporary kind; some of which, however, especially that of M. Scaurus, in b.c. 59, had been constructed with great magnificence. It could accommodate 80,000 persons, and had between its nume- 1 The inscription is recorded by Pliny, B% N. vii. 27. 2 Vitr. iii. 3 $ Calend, Amit.174 pompey's theatre. rous pillars 3,000 bronze statues.1 One of these wooden theatres had been overthrown in a great storm and inundation, which also carried away the Pons Sublicius, and destroyed many houses and vessels, in b.c. 60. The falling in of the theatre caused the death of a great many spectators.2 A prejudice still existed at Rome against the erection of a stone theatre, which, however, Pompey eluded by an artifice. He erected at the top of it a temple to Yenus Yictrix; and thus the benches seemed to serve as steps by which it might be reached. The theatre was in the Campus Martius, close to the modern Campo di Fiori, and remains of it may still be discerned in the Palazzo Pio and the adjoining cellars and stables.3 The curvature of the walls is still in- dicated by that of the streets near the Palazzo Pio. The little church of Sta. Maria in Grrotta Pinta was so called from its having been constructed in one of the vaults which supported the benches, in which were mural paint- ings. Here also was an inscription to Yenus Yictrix. The adjoining Piazza dei Satiri owes its name to the discovery of two satyrs, now in the court of the Capito- line Museum, which are supposed to have adorned the scena, or stage. The theatre was so arranged as to serve for the exhibition of gladiators and wild beasts as well as dramatic entertainments. It was capable of holding 40,000 persons.4 It appears not to have been completed till Pompey's third consulate, in b.c. 52, to judge from the anecdote of his hesitation whether he should call himself consul tertio or tertium. This knotty gram- matical point was referred to Cicero, who evaded the 1 Plin. H. N. xxxvi. 24, 7. 2 Dion Cass, xxxvii. 58. 3 Canina, Ed. ant. di B. t. iii, p. 7 sqq., iv. pi. cliii—clviii. 4 Plin. H. N. xxxvi. 24, 7 5 Tac. Ann. xiv. 20 5 Tertull. De Sped. 10.HIS EXTRAORDINARY GAMES. 175 difficulty by suggesting that only the letters tert should "be inscribed.1 Pompey celebrated the opening of his theatre with some magnificent combats of wild beasts, in which five hundred lions and twenty elephants are said to have been killed. But altogether the fortunate soldier seems to have displayed in these entertainments more magnificence than taste. Cicero, who loved not such shows, but who attended out of complaisance towards Pompey, severely criticizes them, and ridicules the introduction of six hundred mules in the Clytcem- nestra, the three thousand cups in the Trojan Horse, and the manoeuvres of the infantry and cavalry.2 Pompey seems to have forestalled Horace's subject of complaint many years after: Quatuor aut plures aulsea premuntur in horas, Dum fugiunt equitum turmse peditumque cater vse. Mox trahitur manibus regum Fortuna retortis ; Esseda festinant, pilenta, petorrita, naves. Si foret in terris, rideret Democritus. Scriptores autem narrare putaret asello Eabellam surdo.3 Pompey, however, wished not to please connoisseurs, but the Roman populace, and knew its tastes. About the same time he built near his theatre a new and more sumptuous house for himself, surrounded with gardens. That in the Carinse, which he had inhabited up to the time of his triumph, was a comparatively modest one for that period, and the voluptuous Antony had wondered where he could have supped in it.4 He also erected a portico behind the scena of his theatre, the proper place for one, according to Yitruvius, which 1 Tiro, ap. A. Gell. Noot, Att. x. 1. 2 Ad Fam. vii. 1. 3 Epp. ii. 1, 189 sqq. 4 Pint. Pomp. 44.176 pompey's curia. served to shelter the spectators in bad weather. *It became one of the most fashionable lounges in Rome.1 Near it was another portico, called, from its hundred columns, Hecatostylon ; though some writers have con- sidered this to be only another name for the Posticus Pompeii, Both indeed appear to have contained groves of plane-trees, and to have been consumed in the same conflagration; but Martial speaks of them as distinct places, and the same thing may be inferred from a frag- ment of. the Capitoline plan.2 Pompey adorned his portico with the images, in chains, of fourteen nations he had conquered, and it was hence also called Posticus Nationum or ad Nationes. It contained a Curia, or senate-house, the Curia Pompeii, also sometimes used for the performance of plays. Csesar was not behindhand with his rival in captivat- ing the people by adding to the magnificence of Home. Before Pompey's return from the east, however, when their rivalry had not yet been so decidedly declared, Caesar, at the commencement of his prsetorship, in b.c. 62, with no view of obliging Pompey, but to gain the multitude by appearing to favour him, proposed that the reconstruction of the Capitoline temple, to which, as we have said, some little still remained to be done, should be completed by Pompey; so that his name alone should be inscribed in the dedication, to the exclusion of that of Catulus as well as of Sulla. Csesar even accused Catulus of malversation in his functions. Such a charge could not apply to the labour bestowed on the building, which, as under Tarquinius Superbus, when it was made a ground of complaint against that king, was 1 Catull. liii. 6 ; Ov. Ars Am. i. 67. 2 Mart. ii. 14 5 cf. Canina, Indie, p. 373. See also Vitrnv. v. 9 ; Prop. ii. 32, 11.THE TABULAR1UM REBUILT. 177 compulsory and unpaid. Catulus had roofed tlie temple with gilt tiles, and the accusation must haye regarded this and similar expenses. But the patrician party made a great stir in favour of Catulus, and carried the day. Sixteen or seventeen years after, when Ceesar had become all-powerful, the senate decreed that the name of Catulus should be erased from the temple, and that of Cassar substituted.1 Tacitus, however, tells us2 that the name of Catulus remained till the time of Vitellius, and his testimony is confirmed by two inscrip- tions still extant, so that the decree seems not to have been carried into execution.3 The original Tabularium, a sort of record office, appears to have been burnt in the same fire which destroyed the temple. Catulus rebuilt it under the eastern side of the Area Capitolina, and considerable remains of it may still be seen under the Palazzo del Senatore. The inscription recording its re- building by Catulus was extant in the time of Poggio, and even of JSTardini; so that the structure must have lasted till the latest period of the Empire.4 The Tabu- larium seems not to have been so called before the time of Catulus; previously it was named JEJrarium,5 and it may possibly have communicated with the -ZErarium behind the Temple of Saturn. The front of it formed a sort of portico of two storeys, as could be seen in the time of Poggio. At present only part of the lower 1 Dion Cass, xxxvii. 44, xliii. 14; Cic. In Verr. Act. ii. lib. iv. c. 315 Suet. Ccbs. 15. 2 Hist. iii. 72. The passage is a good example of his brevity. 3 Lanciani, Bull. 1875, p. 168. 4 Polyb. iii. 26$ Poggio, De Van. Fort. lib. i. p. 8 5 Nardini, Bom. Ant. lib. v. c. 13. M. de Rossi has restored the inscription (Nuova Baccol. d'lscriz. p. 101). 5 Liv. iii. 69, &c. N178 FORUM JULII CJESARIS. arcade remains, one of the few monnments of the re- publican times. The most magnificent of Caesar's architectural plans was the enlargement of the Forum, or rather the addi- tion of a new one in connection with it. The plan of it seems to have been conceived about the year b.o. 54, as we see from a letter of Cicero's to Atticus.1 It was to extend from the Basilica Paulli to the Atrium Liber- tatis, a hall where slaves received their manumission, which seems to have stood on that tongue of land which then connected the Capitoline and Quirinal hills.2 The money necessary to execute this project by buying the ground required for it, together with the houses, Cicero states at 60,000,000 sesterces, or about 500,000L As usual in such cases, however, this estimate appears to have been much under the mark, and before the work was completed it cost almost double that sum.3 Yet after all it seems not to have been executed on the magnificent scale first projected. It could not have ex- tended so far westwards as the Atrium Libertatis, since its frontage towards the Forum Romanum, which in- cluded the Curia, was apparently only some 200 feet, though it ran back 330 or 340. It was not dedicated till after the battle of Pharsalia and Caesar's triumph in B.o. 45. It contained a Temple of Yenus Gtenitris which he had vowed before the commencement of the civil war. Caesar did not live to see his Forum entirely completed. It was dedicated so prematurely that the statue of Yenus was represented by a plaster cast.4 The temple was surrounded by a refiavos, or open space, destined for the hearing of causes and other legal business.5 1 Lib. iv. 16. 2 See the article Roma, p. 79S a. 3 Suet. Cces, 26; Plin. H. N. xxxvi. 24, 2. 4 Plin. H. N. xxxv. 45. 5 App, JB. C. ii. 102.THE CURIA JULIA. 179 Caesar, as we learn from the same letter of Cicero's to Atticus, at tlie same time projected a magnificent Septa in the Campus Martins for the Comitia Tributa, consisting of a covered "building of marble, with a portico enclosing a space of ground a mile square. The Septa Julia adjoined the Villa Publica, and most probably occupied the site of the Palazzo Doria and church of Sta. Maria in Yia Lata. Among the magnificent plans of Caesar's never executed, we read of his intention to divert the course of the Tiber from the Milvian Bridge to the foot of the Yatican Hill, and thus to convert the Ager Yaticanus inte a new Campus Martius, and ap- propriate the old one to building purposes;1 also to erect a temple of unparalleled size to Mars, and to ex- cavate a theatre of vast dimensions in the side of the Tarpeian Mount.2 He also began the Basilica Julia, on the site of the Sempronia, but did not live to finish it. The Curia Hostilia, burnt down at the funeral of Clodius, had been rebuilt by Eaustus, the son of Sulla; but Csesar caused this structure to be demolished in order to erect in its place the Curia Julia.3 We must also here mention that Caesar erected new Rostra in the eastern or further portion of the Forum, between the Temple of Castor and the Regia. This part of the Eorum was now appropriated by the demagogues for their harangues, and Caesar, who used himself to hold forth occasionally from the steps of the Temple of Castor, agreeably to his revolutionary principles, accommodated them with a place to speak from. The Comitium, the aristocratic portion of the Eorum, was now compara- 1 Cic. ad Att. xiii. 33. 2 Suet. Cess. 44. 3 Diet, of Anc. Qeogr. vol. ii. p. 790 sq. ; where I have endea- voured to show that the senate-house, originally called Curia Hostilia, and afterwards by different names, always occupied the same spot.180 FIRST TRIUMVIRATE. tively deserted; but tlie ancient Rostra there were not destroyed, and appear to have been occasionally used after this period. The statues of Sulla and Pompey, which had stood near the old Rostra, were removed to the new. Subsequently two statues of Caesar were also erected here, and an equestrian one of Octavian.1 Even the sums given by Caesar in bribery were some- times employed in adorning the city. Thus the eloquent and profligate tribune Curio, whom he bought with 100,000 sesterces, erected a double theatre upon pivots, the two parts of which being united formed the first am- phitheatre at Rome.2 Caesar is also said to have pur- chased .^Emilius Paullus with 1,500 talents,3 or about 360,000Z., which would have gone a good way in the reconstruction of his Basilica. The first triumvirate of Pompey, Caesar, and Crassus was a certain presage of the fall of the Republic. Crassus, who would not have had the genius to with- stand Caesar, fell in an expedition against the Parthians ; and Pompey, who had lost much of his popularity in his later years, was compelled to fly from Rome after Caesar had passed the Rubicon. As Caesar approached, Pompey proposed to transfer the seat of government to Capua, a city, as we learn from one of Cicero's speeches against Rullus,4 in many respects superior to Rome; its streets more spacious, and, being built in a plain, without the inconvenience arising from the Roman hills. But such a retreat was impracticable, and at last Pompey fled, to 1 Dion Cass. xlii. 18, xliii. 49 ; App. B. C. iii. 41; Ascon. ad Cic„ p. Mil. 5 5 Suet. C p. 794. 2 Ibid. 3 Suet. Aug. 29. 4 Ibid, 91.THE FORUM AUGUSTI. 225 A Temple of Juventus, on tlie Palatine. A temple to this deity had previously been erected by C. Licinius Lucullus, but in the Circus Maximus. The Forum Augusti with the Temple of Mars Ultor. This was one of the noblest and most useful of the public works of Augustus. We haye already adverted to the haste with which this Forum was completed, in order to provide accommodation for the crowds which overflowed the Forum Romanum and Forum Julium. The obsti- nacy of some neighbouring householders, who would not part with their property, obliged Augustus to circum- scribe it within narrower limits than he had originally intended; a fact which shows that the authority of Augustus was not so absolute as might be supposed.1 I take this opportunity to remedy a defect which Lord Broughton has pointed out in my article on Rome.2 There can, I think, be no doubt that the Arco de' Pantani, and the wall which extends some hundred yards on both sides of it, show the limits of Augustus' Forum on the north-east. Its opposite boundary is probably marked by the Via Alessandrina, or may per- haps have extended a few yards to the south-west of that street. It was here joined by the Forum Julii. The three tall Corinthian columns, close to the Arco de* Pantani, are no doubt remains of the splendid temple of Mars Ultor, the presiding deity of the Forum, as Yenus Grenitrix was of Cassar's. Both deities were claimed among the ancestors of the Julia gens, while the title of Ultor marked the war and the victory by which, agreeably to his vow, Augustus had avenged his father's death: 1 " Forum angustius fecit, non ausns extorquere possessoribus proximas domos."—Suet. Aug. 56. 2 Italy, vol. ii. p. 79. Q226 THE THEATRE OF MARCELLUS. Mars ades, et satia scelerato sanguine ferrum 5 Stetque favor causa pro meliore tuus. Templa feres, et, me victore, vocaberis Ultor.1 The porticoes which extended on each side of the temple with a gentle curve, contained statues of distin- guished Roman generals. The banquets of the Salii were transferred to this temple, a circumstance which led to its identification, from the discovery of an inscrip- tion here, recording the mansiones of these priests.2 Like the priesthood in general, they appear to have been fond of good living, and there is a well-known anecdote of the Emperor Claudius having been lured, by the steams of their banquet, from his judicial functions in the adjacent Forum. The temple was appropriated to such meetings of the senate in which matters connected with wars and triumphs were debated. Lastly, not among the least splendid erections of Augustus recorded in the Monumentum Ancyranum, was the Theatre of Marcellus, which he built in honour of his youthful and promising nephew, carried off some years before by an untimely fate. The theatre seems to have been projected and actually begun by Julius Ca3sar; but probably little progress had been made in it. We learn from the Monumentum Ancyranum that it stood close to the Temple of Apollo; not that on the Palatine, but the ancient one between the Circus Fla- minius and the Forum Olitorium, near the Porticus Octaviee. It was dedicated either in the year 13 or 11 b.c.3 Considerable remains of this theatre are still extant in the Piazza Montanara. It was capable of holding 20,000 persons. 1 Ov. Fast. v. 575 sqq. 2 Canina, Foro Bom. p. 150. 3 Dion Cass. liii. 30, liv. 26; Plin. If. N. yiii. 25.THE POSTICUS OCTAYIiE. 227 There are one or two otlier buildings said by his- torians to have been erected by Augustus, but not recorded in the Monumentum Ancyranum. These are the portico called after his sister Porticus Octavice, in contra- distinction to the Porticus Octayia already mentioned, and the Porticus Livia6, after his wife. Suetonius1 affirms that these buildings were erected by Augustus in the name of his sister and his wife, and Dion Oassius asserts the same thing respecting the Portico of Li via.2 There seems to be no good reason why Augustus should have omitted these works from his list, if he really erected them, any more than the Theatre of Marcellus or the Basilica Julia, which, in like manner, he dedicated not in his own name. Ovid, who was a contemporary, and therefore likely to be better informed than the his- torians quoted, alludes to these two porticoes, as the independent works of those whose names they bore, placing them in the same category with the works of Agrippa: Quseque soror conjuxque ducis monumenta pararunt,, Navalique gener cinctus honore caput.3 These lines seem to confirm the silence of the Monu- mentum, unless it should be thought that Augustus, out of gallantry, wished that the works erected in the names of his wife and sister should be attributed entirely to them. The Porticus Octavl® occupied, as we have already said,4 the site of that built by Metellus in b.c. 146. It contained a celebrated library, probably in that part called the " Schola in Porticibus Octavise." Here the senate occasionally assembled, as in the Palatine library, 1 Aug. 29. 2 liv. 23. 3 Ar. Am. iii. 391. 4 Above, p. 126.228 THE PORTICUS LIVIiE. whence we sometimes find it called " Curia Octavias." There are still some remains of it extant in the Pes- cheria, near the precincts of the Ghetto. The Posticus Liyi^), a quadrangular structure, oc- cupied the house of Vedius Pollio on the Esquiline. Its site cannot be accurately determined, "but it seems probable that it lay near the Macellum Livianum, also apparently a work of Liyia, not far from the present church of Sta. Maria Maggiore. Dion Cassius1 tells us that it came into the possession of Augustus by the testament of Yedius Pollio. Augustus directed it to be pulled down, as being too large and magnificent for a private individual, and caused the Porticus Liviaa to be erected on its site. Ovid's account2 agrees in the main with this, except that, consistently with a passage before quoted, he says not that the portico was erected by Augustus, though doubtless the ground must have been his. Li via also erected here a Temple of Concord : Te quoque magnifica, Concordia, dedicat sede Livia, quam caro prsestitit ilia viro. Disce tamen, veniens JEtas, ubi Livia nunc est Porticus, immense tecta fuisse domus. Urbis opus domus una fuit, spatiumque tenebat Quo brevius muris oppida multa tenent. Hsec sequata solo est, nullo sub crimine regni, Sed quia luxuria visa nocere sua. Sustinuit tantas operum subvertere moles, Totque suas hseres perdere Caesar opes. Sic agitur censura, et sic exempla parantur, Quum vindex, alios quod monet, ipse facit. From which lines, though the poet plays with the double meaning of the word concordia, it may be probably inferred that the temple was built at Livia's 1 liv. 23. 2 Fasti, vi. 637 sqq.THE PANTHEON. 229 expense. The enormous area of Pollio's house also favours the supposition that room might have been found here for the Macellum, as well as for the portico with its temple. The assertion of Becker1 that they could have had nothing in common, "because the Ma- cellum is mentioned by the Notitia in the fifth region and the Portico in the third, is utterly valueless, or rather serves to strengthen our conjecture. We have seen that these two regions adjoined each other, one embracing the northern, the other the southern tongue of the Esquiline; and it is just at their juncture, no great way from Sta. Maria Maggiore, that the Macellum probably lay. But whether it was a reconstruction of the Forum Esquilinum there is nothing to determine. There are no remains of these buildings extant. Lastly, there appears to have been a triumphal arch, or Fornix Augusti, erected in honour .of Augustus, but whether by himself or one of his successors cannot be said. It is supposed to have stood on the Forum, not far from the temple of Julius Caesar,2 and possibly, therefore, on the other side of it from the Fornix Fabianus.. Agrippa, the son-in-law of Augustus, also adorned the city with several noble structures, and, next to the emperor himself, did more for Rome than any other person of that period. The Pantheon, the best preserved monument of Rome, and still remaining almost in its pristine state, attests his taste and munificence. It stands almost in the centre of the Campus Martius, and must have encroached further into its space than any building had hitherto done. According to the inscrip- 1 Bom, Alterth. B. i. S. 543, Anm. 1144. 2 Scholiast, ad Virg. 2En. viii. 606.230 THE BATHS OF AGRIPPA. tion, still legible, it was erected in Agrippa's third consulate, consequently in B.C. 27. Notwithstanding its name, it seems probable that the Pantheon contained only the images of the deities more immediately con- nected with the Julian race and the history of Rome, as Mars, Venus, &c., including that of the first Caesar. Some modern writers will have it that it was the calidarium of Agrippa's baths; but it is called temjplum by ancient writers. Its excellent state of preservation is attributed in part to its haying been converted into a Christian church so early as the reign of Phocas. In this new character it obtained the name of Sta. Maria, della Rotonda, or ad Marty res. The Thermae A grippe, or Baths of Agrippa, though far inferior to many subsequent foundations of the same sort, yet mark an epoch in the history of the city by being the first of those establishments which afterwards- became so prominent a feature of Home. The Roman populace, which surely much needed the bath, had not yet been accommodated with any public one where they might wash and refresh themselves either gratis, or at all events for a mere trifle. But this was only one of the features of a Roman bath, which likewise contained gymnasia, or halls appropriated to athletic exercises, apartments for philosophical discussions, lectures, poetical recitations, &c. The Baths of Agrippa stood at the back of his Pantheon. Some vestiges of them still remain,, and have been laid open by recent excavations. In order to supply these baths, Agrippa constructed the aqueduct called Aqua Yirgo. This aqueduct com- menced on the Via CQllatina, eight miles from Rome,, and was conducted underground by a circuitous route- till it reached the suburbs, whence, from the declivities of the Pincian Hill, it was carried upon arches thaTHE AQUA JULIA. 231 remainder of tlie way. It still supplies the Fontana Trevi, being the only aqueduct on the left bank of the Tiber that remains at all serviceable. Agrippa also united the ancient Aqua Tepula with the Aqua Julia, which he had constructed. The latter commenced two miles beyond the Tepula on the Yia Latina. After their junction they flowed in a united stream as far as the Piscina Publica, which probably lay somewhere near the Porta Latina of the Aurelian walls.1 They issued again from the Piscina in two separate channels, both conducted over the Aqua Marcia, so that of the three ducts the Julia was the uppermost, the Marcia the lowest, and the Tepula in the middle. Prom the Piscina they must have trended to the north, passing close to the present Porta Maggiore, where remains of them may still be seen. Hence they proceeded to the modern Porta S. Lorenzo, formed out of their arches. Here they disappeared under ground till they again emerged at the Porta Viminalis of the Servian walls, about the middle of the agger.2 Till the time of the Claudian aqueduct, which flowed over the Porta Mag- giore, they were the highest at Rome. The Marcia, as we have said, was capable of serving the Capitol. 1 Becker {Bom. Alterth. B. i. S. 520) asserts that the Piscina Publica had vanished long before the time of Augustus, quoting Eestus, p. 213 : "Piscinae publicse hodieque nomen manet, ipsa non extat: ad quam et natatum et exercitationis alioqui causa veniebat populus." But Festus, though his age is not certainly known, un- doubtedly lived long after the time of Augustus. The reason of the name being retained was that the twelfth region was, as we have seen, called after it. Hence, when we read in Ammianus Marcellinus (xxii. 4) that the obelisk on the Lateran was conveyed u per Ostien- sem portam Piscinamque Publicum " this of course only means through the district so called. 2 Frontinus, § xix.232 THE TEMPLE OF NEPTUNE. Agrippa also erected near the Septa the Diribitorium, destined probably for the examination of the ballot- boxes after elections. Its immense but unsupported roof, the largest in Rome, rendered it one of the wonders of the city.1 Its great size made it capable of being con- verted into a theatre, to which purpose Caligula some- times applied it in very hot weather.2 Agrippa appears not to have lived to finish this building, which was dedicated by Augustus after his death. Other works of Agrippa were the portico called Porticus Europe, from a picture of the rape of Europa,3 and the Porticus Argo- nautarum, so named from its being adorned with a pic- ture of the Argonauts. It seems probable that this portico tfciclosed a Temple or Basilica of Neptune. Agrippa's glory was derived from his naval victories, for which he had been honoured with a corona navalis; and it was natural that he should dedicate some of his buildings to the god of that element on which he had achieved his success. It has been thought that the eleven tall columns in front of the Dogana di Terra in the Piazza di Pietra, not far from the Antonine column, are remains of this temple. At all events we know not where else to place the IIogel()u)veiov mentioned by Dion Cassius in this region. This temple must have been a still further advance into the open space of the Campus Martius.4 By some, however, these columns are as- signed, but without much probability, to a temple of M. Aurelius. We also read of a Campus Agripp^e in this neighbour- hood (Regio VII., or Via Lata), which seems to have 1 Dion Cass. lv. 8 ; Plin. H.N. xxxvi. 15, 24. 2 Dion Cass. lix. 7. 3 Mart ii. 14, iii. 20, xi. 1 4 Dion Cass. liii. 27, lxvi. 24; Spart. Hcidr. 19 ; Canina, Indicciz. p. 406 ; Nibby, Roma Ant. t. ii. p. 681.THEATRE OF STATILIUS TAURUS. 233 been a sort of park or garden containing porticoes and gymnasia, and forming an agreeable promenade. It must have lain on tlie eastern side of the Via Lata, and was opened by Augustus after the death of Agrippa. It contained a portico called after Agrippa's sister Por- ticus Pol j), sometimes also after himself Porticus Vipsania. The name of Vipsania seems to have been corrupted in the Notitia into Gypsiani. This portico appears to have served as a sort of barracks.1 Agrippa, besides executing these great works, seems also to have exercised a careful superintendence over the city in general, as may be inferred from the anec- dote of his cleansing the Cloaca Maxima, and sailing up it in a boat. Besides the immediate family of Augustus, some of his courtiers, to gratify his known taste for improving and adorning the city, erected at their own expense some magnificent works. Thus Statilius Taurus, one of his most distinguished generals, built an amphi- theatre of stone, the first permanent one at Rome, and the sole one till the foundation of the Colosseum. It was somewhere in the Campus Martius, but its site, as we have already said, has not been satisfactorily ascer- tained. In like manner L. Cornelius Balbus, who had served under Julius Caesar, built a Stone Theatre, and in connection with it a covered portico, or Crypt. They stood probably near the western extremity of the Circus Maminius ; but no remains of them exist, and their exact situation cannot be pointed out. L. Marcius Philippus, the stepfather of Augustus, rebuilt the Temple of Hercules Musarum, founded, as we have already said,2 by M. Eulvius Nobilior, and surrounded it with a portico, called after him Porticus Philippi. 1 Dion Cass. lv. 8 ; Tac. H. i. 31 5 Plut. Gralba, 25. 2 Above, p. 121.234 IMPROVED STATE OF ROME. In like manner L. Cornificius built a Temple of Diana, Asinius Pollio an Atrium Libertatis, and Munatius Plancus a Temple of Saturn ;1 but whether these were entirely new buildings, or, as seems more probable, re- novations of old ones, cannot be said. It is plain from this account of the works of Au- gustus, and his family and friends, that the aspect of Rome in certain quarters must have become much more splendid during his reign than it was before. The Forum, by the completion of the Curia and the Basilica Julia, the addition of the Chalcidicum to the former, the erection of the temple of Julius, and other minor improvements, had assumed a much more finished and magnificent aspect; while the extension of it by means of the Forum Augusti must have greatly added both to its beauty and convenience. On the other side of it the building of the palace on the Pala- tine, with the Temple of Apollo and other adjoining structures, must have imparted to this hill an air of imperial grandeur, which no private buildings, however magnificent, could have conferred upon it, and have given an entirely new feature to the city. The quarter of the Circus Flaminius and Campus Martius had been rendered much more splendid by the erection of the many temples, porticoes, theatres, and other buildings, just recorded. As Strabo intimates, it had begun to assume the appearance of a separate and substantive town, and, except with regard to size, a more magnificent one than the ancient city; since most of its buildings were places of public devotion, amusement, or recreation, while the few private houses that existed there seem to have been remarkable for grandeur. When we consider also the 1 Suet. Aug. 29.GAMES EXHIBITED BY AUGUSTUS. 235 numerous restorations of ancient buildings effected by Augustus throughout the city, and the improvements made on the Esquiline in the name of his consort Livia, we may be inclined to allow that his assertion of haying converted the city from brick into marble was no idle vaunt. More, in fact, was done for Rome during this single reign than in any other period of equal extent till we come to the time of Nero. But the improve- ments of that emperor were aided by the accidental circumstance of a tremendous conflagration; without which it would have been impossible to get rid of that labyrinth of narrow, winding, zigzag streets, which con- tinued to disfigure the greater part of Rome, even after the time of Augustus. As that emperor thought fit to record on brass and marble, along with his greatest achievements, the archi- tectural improvements which we have just described, so also he did not disdain to notify, in the same manner, the games and sports with which he had amused the people, and the almost inestimable gifts with which he had enriched the temples of the gods: as of Divus Julius, Apollo, Vesta, Mars Ultor, and especially the Capitoline Jove. In the many gladiatorial combats exhibited in his own name and in the names of his sons, he states that about 10,000 men had been engaged—a small army! These combats were given not only in the Forum and in the amphitheatre of Statilius Taurus, but also in the Circus and the Septa. He twice exhibited in his own name the Greek athletic sports, and once in the names of his nephews, having prepared a temporary place for the spectacle in the Campus Martius. He pre- sided forty-seven times at the regular games, either by virtue of his office or in the place of absent magistrates. He once celebrated the Ludi Seeculares, after having236 THE NEMUS C^SARUM. carefully consulted the Sibylline books, as magister of the college of Quindecemviri sacris f acinndis; for which, occasion Horace composed his well - known Carmen Seeculare. Six-and-twenty times he exhibited in the Circus, the Forum, and the amphitheatre of Taurus, venationes, that is the slaughter of wild beasts brought from Africa, in which about 3,500 of these animals were killed. For the first time he delighted and as- tonished the Romans with the spectacle of a naval com- bat ; for which purpose he caused a large lake or Nau- machia to be excavated at the Tiber, at the spot after- wards called Nemus C^isarum, which park or garden must therefore have closely adjoined the river. The Nau- machia was 1,800 feet, or more than the third of a mile long, and 1,200 feet broad. There is some difficulty about its exact site. The Monwnentum Ancyranum men- tions it as being trans Tiberim, while Tacitus1 speaks of it as cis Tiberim. Suetonius, on the other hand, says that it was circa Tiberim,2 round about the Tiber. May not this explain the difficulty P The soil was excavated on both sides of the Tiber, so that the river itself helped to form part of the basin. Thus the Isaumachia might with propriety be said to be on either side of the Tiber. But the jSTemus C^sarum—that is, of Caius and Lucius, the grandsons of Augustus, whose name the emperor gave to it—was undoubtedly on the right bank of the Tiber, as we learn from the following lines of Statius : Continuo dextras flavi pete Thybridis oras, Lydia qua penitus stagnum navale coercet Ripa, suburbanisque vadum prsetexitur hortis.3 1 Ann. xii. 56. 2 Aug. 43. 3 Silvcs, iv. 4, 5 sqq. A. W. Zumpt, in his commentary on the Mon. Ancyranum, p. 78, denies that this passage fixes the localityTHE NAUMACHIA. 237 It follows, therefore, if the Naumachia lay on one bank alone, it must have been the right bank ; and Augustus, by mentioning this side in his inscription, hits two objects at once, the Lake and the Grrove, or Garden. However this may be, it appears that he exhibited thirty large ships of war (rostratas naves) in this naval fight, besides a greater number of smaller ones, and that about three thousand men took part in it, without counting* the rowers. The Naumachia of Augustus existed a con- siderable time, and seems to have obtained the name of Vetus Naumachia1 after the construction of Domitian's. We need only further mention that Augustus exhibited this naval spectacle on the occasion of his dedicating the Temple of Mars TTlt'or, B.C. 2.2 Such were the works with which Augustus adorned Rome, and the shows and pastimes with which he entertained its inhabitants. To discuss his political labours and the character of his government belongs not to our subject; though it no doubt formed part of his policy to keep the Romans in good humour by add- ing to the splendour of their capital, and amusing them of the Nemus; because, says he, Statins may be alluding to the Naumachia made by Domitian. This remark is almost as unfortunate as that on the temples on the Aventine. It does not appear that any grove adjoined Domitian's lake; while it is quite certain that there was one at that of Augustus. It must be allowed, however, that the words " penitus coercet" somewhat militate against our conjecture that the Naumachia was open to the Tiber; though the coercion of three sides of the vadum might be enough to justify a poetical expression. 1 Suetonius, however, must have used that name by a jproleypsis when mentioning the naval combat exhibited by Titus: " edidit et navale prselium in veteri naumachia," Tit. 7. It was called Vetus in the time of Suetonius, but not in that of Titus. 2 Yell. Pat. ii. 100. Cf. Suet. Aug. 43 ; Tac. Ann. xii. 56, xiv. 15.238 THE CAMPUS ESQUILINUS. with mock combats and the slaughter of wild beasts. There is, however, one feature of his life and times which, as it is in some respects connected with the history of the city, we cannot pass over in silence. His patronage of literature procured for his reign the title of the Augus- tan age ; and the swarm of men of genius and learning whom his patronage attracted to the capital must have been a peculiar feature of its society. We are unfortu- nately too little acquainted with the history of most of them to be able to recall their city lives. It would seem, however, that the Esquiline had at this time become the chief seat of the Roman muses, as the Aventine had been in the time of Ennius. This, too, like the Aven- tine, seems to have been a sort of proscribed hill during the republican times. Fashion appears to have turned her back on it; at least we read not of any distinguished persons who resided here, except in the Carinas at its western extremity, though the wealthy freedman Vedius Pollio had erected here his enormous mansion. Several of its districts "and monuments were of a melancholy and repulsive character; as the Tigillum Sororium and the Yicus Sceleratus, the altars of Mala Eortuna and Eebris ; the Subura, a low, disagreeable neighbourhood, lay close to it; but, worse than all these, part of it appears to have been occupied by a large pauper burial- ground, the Campus Esquilinus, where the bodies were thrown without much covering of earth: a place offen- sive to the sight and injurious to the health. It was only the rich and great who could aspire to the honours of the grave : yet slaves and paupers must be buried as well as they ; and a tract outside the agger, conse- quently just beyond the ancient Servian pomoerium, was selected for this purpose. It seems, however, also to have contained tombs of a somewhat pretentious cha-THE GARDENS OF MAECENAS. 239 racter:1 tliose probably of rich well-to.do burgesses, yet not great enough to command the posthumous honour of a roadside mausoleum. "We gather these particulars from Horace, who has laid here the scene of Canidia's incantations: Nec in sepulcris pauperum prudens anus Novendiales dissipare pulveres.2 And again in his Satires : Hue prius angustis ejecta cadavera cellis Conservus vili portanda locabat in area. Hoc miserse plebi stabat commune sepulcrum, Pantolabo scurrse, Nomentanoque nepoti. Mille pedes in fronte trecentos cippus in agrum Hie dabat. He then proceeds to describe the incantations of Canidia and her fellow-sorceress Sagana : Has nullo perdere possum Nee prohibere modo, simul ae vaga luna decorum Protulit os, quin ossa legant herbasque nocentes. Yidi egomet nigra succinctam vadere palla Canidiam, pedibus nudis passoque capillo, Cum, Sagana majore ululantem : pallor utrasque Fecerat horrendas aspectu, &c. Serpentes atque videres Infernas errare canes; lunamque rubentem, Ne foret liis testis, post magna latere sepulcra.3 Maecenas, however, had converted this charnel-field into a garden or park, the Horti M^ecenatis; thus rendering the spot both healthy and agreeable : Nunc licet Esquiliis habitare salubribus atque Aggere in aprico spatiari, quo modo tristes Albis informem spectabant ossibus agrum.4 1 Cic. Phil. ix. 7. 3 Sat. i. 8. 2 Epod. xvii. 47. 4 Ibid.240 THE HOUSE OF MAECENAS. Maecenas, the munificent patron of the Roman literati, lived upon tlie Esquiline, and this probably was his motive for abolishing, or at least improving, the Campus Esquilinus, for it seems to have remained a place of burial, though doubtless of a more decent kind, and even a place of execution, as we learn from Suetonius in his life of the Emperor Claudius.1 His house is sup- posed to have stood upon the site at present occupied by the ruins of the Baths of Titus, on that part of the hill which overhangs the valley of the Colosseum. It ap- pears from several allusions to have been a very lofty structure. Horace calls it a " molem propinquam nubi- bus arduis,"2 and Suetonius characterizes it by the name of "turris."3 Hence it afforded Nero a conve- nient post for beholding the conflagration of Rome. For it had become the property of the imperial family. Maecenas bequeathed it to Augustus, and it became the residence of Tiberius after his return from Rhodes.4 This lends a probability to its having been ultimately converted by Titus into a bath. It was natural that the Roman literati should cluster round their great patron. Yirgil, we are told, dwelt upon the Esquiline, close to the Horti M^cenatis. Here also was the abode of Propertius, as we learn from himself: I, puer, et citus hsec ali^ua propone columna, Et dominum Exquiliis scribe habitare tuum.5 Propertius, as well as Yirgil, took a great interest in the antiquities of the city, as appears from the many 1 " Civitatem Romanam usurpantes in Campo Esquilino securi percussit."—Claud. 25. 2 Od. ii. 20, 10. 3 Nero, 31. 4 Id. Tib. 15. 5 Eleg. iv. (iii.) 23, 23.THE LACUS ORPHEI. 241 allusions to the subject in his poems. It seems probable also that Horace dwelt, when in town, upon the Esqui- line; but though he has left us so many notices of his life and habits, he nowhere tells us where he lived at Rome. The probability that his abode was not far from that of his friend and patron is strengthened by the de- scription of his stroll down the Sacra Via. He was going to visit a friend who lived on the other side of the Tiber: Trans Tiberim longe cubat is, prope Csesaris hortos 51 and from the Esquline his direct road would have lain along the Sacra Via, which began just under the Esqui- line ; keeping to the left, towards the Temple of Vesta, when he approached the Forum as we see he did : Ventum erat ad Vestee, &c.2 Pedo Albinovanus, an elegant poet of the Augustan age, but of whom little or nothing remains, also dwelt, as may be, inferred from some lines of Martial, on the Esquiline, just at the top of the ascent from the Subura through the Vicus Cyprius. At the summit was the fountain called Lacus Oephei, a circular basin with an elevated rock in the middle, on which stood a statue of Orpheus with the enchanted beasts around him.3 Close to this fountain was Pedo's house (" Illic parva tui domus Pedonis "), which is rendered still more interest- ing by the circumstance that it afterwards became the residence of the younger Pliny; as we learn from the same poem of Martial's : Nee doctum satis et parum sever urn, Sed non rusticulum nimis libellum, 1 Sat. i. 9, 18. 2 Ibid. 35. e 3 Mart. x. 19.242 oyid's house. Facutido mea Plinio Thalia I perfer, &c.1 Otlier wits of that period probably lived in the same neighbourhood. Ovid was rather too young to enjoy the patronage of Meocenas. He seems to have lived near the Capitol, and probably at the southern extremity of the Quirinal; whence his house would have com- manded a view of the temples on the Capitoline : Jamque quiescebant voces liominumque canumque, Lunaque nocturnos alta regebat equos. Hanc ego suspiciens, et ab kac Capitolia eernens, Quae nostro frustra juncta fuere Lari; ISTumina vicinis habitantia sedibus, inquam, Jamque oculis nunquam templa videnda meis; Dique relinquendi, quos Urbs habet alta Quirini, Este salutati tempus in ornne mihi.2 The same thing may be inferred from the elegy in which he describes the route of his book, which he had sent home, and which was conveyed to the imperial palace by some benevolent citizen: Paruit, et ducens : Hsec sunt fora Csesaris, inquit, Hsec est a sacris quae via nomen habet. Hie locus est. Yestse, qui Pallada servat et ignem : Hie fuit antiqui regia parva Numse. Inde petens dextram : Porta est, ait, ista Palati, &c.3 The way to the palace from the Quirinal would have lain through the Forum Julium, and along the Sacra Via on the south side of the Forum Romanum. Among his other buildings, Augustus forgot not that which was to contain his mortal remains, and thus at once to circumscribe and record his greatness. The 1 Cf. Plin. Epp. lib. iii. ep. 21 : " Alloquitur Musam (Martialis), mandat ut domum meam in Esquiliis quserat." 2 Trist. i. 3, 27 sqq. 3 Trist. iii. 1, 27 sqq.MAUSOLEUM OF AUGUSTUS. 243 northern pa.rt of the Campus Martins, between tlie Via Maminia and the river, had for some time been selected as the burying-place of distinguished persons. Here lay the remains of Sulla, of Hirtius and Pansa, of Julius Caesar, his aunt and daughter. Those of some of Augustus' nearer connections, Marcellus, Agrippa, Octavia, Drusus, were deposited in a magnificent Mausoleum which Augustus erected at this spot as the tomb of the imperial family, and answered that pur- pose down to the time of Hadrian. The ruins of this mausoleum may still be seen between the Yia di Ripetta, the Yia de' Schiavoni, and the Yia de' Pontefici. It need only be further recorded here of the works of Augustus, that he caused to be brought to Eome from Heliopolis the obelisk which now stands on Monte Citorio, one of the most celebrated, though not the largest, in Rome. Originally it served the purpose of a sundial, whence it was called Solaeium Augusti. It stood in the Campus Martius on an immense marble floor, on which were delineated the necessary figures, not only to exhibit the hours, but also the increase and decrease of the days.1 Two obelisks brought from Egypt by the Emperor Claudius were also originally placed before the Mausoleum of Augustus. They are those which now stand, one before Sta. Maria Maggiore, and the other on Monte Cavallo. Augustus died at Nola a.d. 14. His body, having been brought to Rome, was carried into the Forum on a bier, and placed before the Temple of Divus Julius at its further extremity, where Tiberius read a panegyric over it. The same ceremony was repeated at the old 1 Plm. H. N. xxxvi. 15.244 FUNERAL OF AUGUSTUS. Rostra by Drusus, the son of Tiberius; after which, a number of senators carried the bier on their shoulders through the Porta Triumphalis into the Campus Mar- tius, where the body was burnt; and the ashes haying been collected with the usual rites by Liyia, who re- mained on the spot five days, were deposited in the mausoleum.1 1 Suet. Aug. c. 100 5 Dion Cass. lvi. 34, 42.245 SECTION IV. from the death of augustus to the death of hadrian. UGrUSTUS was a wise and prudent ruler, and perhaps, under the circumstances, the best that the Romans could have had at that period. He was content with the substance of power, and sought to conciliate his subjects, and accustom them to his yoke, by the moderate use which he made of it. Nothing can prove more strongly the politic effect of his reign than that it tamed the Romans to endure the gloomy tyrant who succeeded him. The reign of Tiberius is almost a blank in the history of the city. He did not once amuse the people by the exhibition of games or spectacles, and was but rarely present at those given by others. He commenced, according to Suetonius, only two public works, both of which he left unfinished, or, at all events, undedicated. These were a Temple of Augustus, and the restoration of the scena of Pompey's theatre. The temple must have stood on the north- west side of the Palatine, as Caligula made it serve the purpose of a pier for the bridge which he threw over to the Capitoline Hill.1 While the temple was building, a golden statue of Augustus was deposited on a couch in 1 Suet. Tib. 47, Cal. 21 sq.; Tac. Ann. vi. 45.246 THE DOMUS TIBERIANA. the Temple of Mars lilt or. Suetonius also tells us 1 tliat Tiberius dedicated the Temples of Concord and Castor in his own name and that of his brother Drusus ;; but this he did before he became emperor, and these temples were probably among the eighty-two restored by Augustus. On the south-western side of the Pala- tine Tiberius enlarged the imperial palace by building, or adding to, the Domus Tiberiana. This structure,, overhanging the Yelabrum, had probably been a family house before, as Tiberius is said to have been born upon the Palatine. It appears to have had a library distinct from that of the Augustan palace.2 Suetonius, in his enumeration of the works of Tiberius, has, however, omitted the Triumphal Arch which he erected, a.d. 16, in commemoration of the re- covery of the military ensigns which Yarus had lost; a feat indeed performed by Grermanicus, but under the auspices of Tiberius. The arch must have stood at the- top of the Forum, near the Milliarium Aureum, and close to the Temple of Saturn,3 probably spanning the- Yicus Jugarius, which led into the Sacra Yia and the Forum at this spot. Some remains of piers belonging to it are recently thought to have been discovered there but no description of the arch is to be fonnd in ancient anthors. It was probably demolished when the Temple of Yespasian was built, either on architectural grounds, or by reason of its unpopularity. Tiberius also erected a Temple of Fors Fortuna in the year mentioned, and probably on the same occasion, in the Horti Csesaris on the right bank of the Tiber. But though Tiberius undertook few public buildings, 1 Tib. 20; Dion Cass. Ivi. 25. 2 Vopiscus, Prob. 2. 3 Tac. Ann. ii. 41.Caligula's palace. 247 lie must be allowed the merit of having assisted to re- store the damage occasioned by two great fires which occurred in his reign. One of these appears to have destroyed all the buildings on the Cselian Hill. A statue of Tiberius which stood in the house of a senator named Junius alone escaped the flames, on which ac- count it was proposed to change the name of the hill to Augustus; but if this name was ever applied to the hill, it certainly did not remain long in use. The other fire, which broke out near the Circus Maximus, destroyed that part of it which lay contiguous to the Aventine, as well as some buildings on that hill. Tiberius is said to have reimbursed to the owners the price of the houses destroyed in these conflagrations.1 When we add, what we have already mentioned, that Tiberius established the praetorian camp near the Servian agger, we have recorded everything notable that he effected in the city. Caligula, who ascended the throne on the death of Tiberius in A.D. 37, was half, if not quite, a madman; and nothing shows it more than his architectural feats. He extended the imperial palace towards the Forum, so as to make the Temple of Castor and Pollux a sort of vestibule. The passage into the palace passed between the statues of the Dioscuri; and he boasted of having converted them into his janitors or doorkeepers. Some- times he would take his stand between the two, and thus appear to receive the adorations of those who came to worship.2 Another extravagant feat was that just mentioned, of throwing a bridge from the Palatine to the Capitoline Hill, making the Temple of Augustus serve as a kind of pier; for he affirmed that Jove had 1 Tac. Ann. iv. 64, vi. 45. 2 Suet. Cal% 22 5 Dion Cass. lix. 28.248 THE HORTI AG-RIPPING. invited him to become liis contubernalis and comrade. And, to carry out this proj ect fully, lie began to build a residence on the Area Capitolina, but the work never proceeded beyond laying the foundations, being pro- bably interrupted by his death. Nay, he wished to become, as it w;ere, the rival of Jove, and to be wor- shipped instead of him as Jupiter Latiaris. With which view he ordered the statue of the Olympian Jupiter to be brought to Rome; when the head was to have been cut off and another substituted bearing his own likeness. A temple for this deity was hastily erected on the Palatine ; but the Greek statue was accidentally hindered from being brought, the vessel built purposely for its conveyance having been destroyed by lightning. Caligula was very angry with Jupiter for this ill-natured act; but he would not be frustrated of his purpose, and caused a golden image of himself to be set up in the temple, clothed in his usual dress. He himself officiated as his own priest, or Flamen Dialis, in conjunction with his horse Incitatus. The richest people in Rome contended with one another to be admitted into the new priesthood, and he made them pay handsomely for the honour.1 Caligula seems also to have made other extensive alterations by build- ing at the north-western angle of the Palatine, and altogether his works were on so large a scale that Pliny compares them with those of Nero.2 Among them was a circus which he built in the district of the Vatican, in the Horti Ageippin.®, or gardens of his mother Agrippina, which probably occupied the site on which S. Peter's now stands. But this circus seems not to 1 Suet, and Dion Cass. II. cc. 2 " Bis vidimus urbem totam cingi domibus principum Caii et Neronis."—H. N. xxxvi. 24, 5.THE CIRCUS NERONIS. 249 have been finished, or at all events never to have been used during the reign of Caligula. It was afterwards called the Circus Neronis, from its frequent employ- ment by that emperor ; though it appears to have been previously used by Claudius.1 It was also called Caianum, from Caligula,2 and is mentioned by that name in the Notitia. Caligula was assassinated after a reign of four years, a.d. 41. He was at first hastily buried in the Horti Lamiani on the Esquiline, but his remains were after- wards burnt by his sisters and reinterred.3 The Horti Lamiani were probably the property of JElius Lamia, to whom Horace addressed one of his odes ;4 at least we learn from Yalerius Maximus that the JElian family dwelt near the Trophies of Marius.5 Caligula was suc- ceeded by Claudius, the chief works of whose reign were the two aqueducts, Aqua Claudia and Anio Novus, which had been begun by Caligula, but left incomplete. The sources of both these aqueducts were on the Yia Sublacensis ; those of the Claudia near the thirty-eighth milestone, those of the Anio Novus four miles further on. The latter was the longest and noblest of all the Roman aqueducts, its course being nearly 59 miles in length, and some of its arches 109 feet in height.6 They entered Home in a double stream at the present Porta Maggiore, the Claudia flowing underneath the Anio ISTovus. The gate is formed by two arches of the duct; on the attic above, containing the channels for the water, are three inscriptions recording its construc- tion by Claudius, and its reparation by Yespasian and Titus. Originally the water began to be distributed at 1 Plin. H. N. xxxvi. 15 5 Suet. Claud. 21. 2 Dion Cass. lix. 14. 3 Suet. Calig.5§. 4 i. 26. 5 iv. 4,8. 6 Front. § 13 sqq.250 NERO'S DOMUS TRANS1TORIA. this point by pipes, but Nero continued the duct oyer the Ceslian Hill in order to supply his lake. Remains of this part may be seen at the Piazza di S. Giovanni Laterano. Claudius also constructed the port of Ostia. The triumphal arch decreed by the senate to Drusus, the father of Claudius,1 and built on the Appian Way, is probably that which still exists not far from the Porta S. Sebastiano. Claudius on his accession demolished all that Caligula had added to the palace beyond the limits of the Pala- tine, and as he does not appear to have built here him- self, the palace continued to consist of the houses of Augustus, Tiberius, and Caligula. Claudius was suc- ceeded by Nero in a.d. 54. This emperor, though per- haps not quite so mad as Caligula, had as insane a passion for building, and especially for extending the limits of his palace, which already embraced half the Palatine Hill. We have seen that Msecenas bequeathed his house on the Esquiline to Augustus; it had remained in the imperial family, and Nero determined to extend the precincts of the palace to the Esquiline so as to include it. He must consequently have appropriated to this purpose the remainder, or eastern side, of the Pala- tine Hill, together with the valley between it and the Esquiline, which afterwards became the site of the Colosseum. As the ground which he had thus appro- priated embraced a considerable portion of the very heart of the city, it was necessary to leave the existing thoroughfares, and on this account he called his new palace Domus Transitoria. But the great fire which occurred at Rome in a.d. 65, whether accidentally or purposely, cleared the ground in this quarter, and 1 Suet. Claud. 1.REMAINS OF THE AQUA CLAUDIA. p. 250.NERO'S FIRE. 251 enabled him to carry out a much more magnificent design. This conflagration lasted six days and seven nights. It broke out at the eastern extremity of the Circus Maximus, in some shops containing combustible mate- rials, and, spreading to the north and west, completely destroyed three whole regions of the city, and severely damaged seven more. We have no account of all the public monuments that perished on this occasion, but we know that among them were some of the most venerable from their antiquity, as the Temple of Luna founded by Servius Tullius, the fane and altar called Magna which Evander was said to have dedicated to Hercules, the Temple of Jupiter Stator founded by Romulus, the Hegia of Numa, the Temple of Vesta, and that of the Penates of the Roman people. As these monuments encircled the Palatine Hill, it would be natural to conclude that the imperial palaces on its summit must also have been destroyed. Yet if this was the case they appear to have been rebuilt on the original plan, as we find them mentioned subsequently by their former names; and that the palace of Augustus did not suffer very severely may be inferred from the fact that Suetonius states some of his furniture, beds and tables, to have been still in existence in his time.1 The public buildings around the Forum must also have been much damaged; but we know that the Capitol escaped, as the building of Sulla and Catulus lasted till the Vitellian riots. Many masterpieces of Greek art, many antique and genuine monuments of the ancient Roman times, things which could never be replaced, perished on this occasion. The ancient monuments continued to be 1 Aug. 73.252 DID NERO BURN ROME? regretted by the elder citizens even amidst the splendour of the new city which rose npon their ashes. A vast amonnt of treasure was also destroyed, and a great many lives were lost. Nero was at Antium when the fire broke out, but he hastened back to Rome when he heard that his new palace was in danger. He appears to have done all that he could to relieve the distress of the people. He threw open to them all the buildings of Agrippa, as well as his own gardens in the Vatican district; he caused temporary buildings to be erected in the Campus Mar- tius and other places; he sent for furniture from Ostia and other neighbouring towns; and he directed the price of corn to be reduced to three nummi (the modius), or, according to the computation of Gibbon, 155. the English quarter.1 But these acts failed to gain him popularity. For it was whispered that, while the fire was raging, he had seized the opportunity to gratify his taste for scenic effect, and, dressed in appropriate theatrical costume, had sung the destruction of Troy amid the flames which so vividly recalled that ancient calamity. Another and graver charge was that he had wilfully caused the fire. Tacitus neither accepts nor rejects the accusation, but mentions it as made by some authors, while others attributed the conflagration to chance. A fresh outbreak of the fire on a smaller scale seems more probably Nero's work, as it recommenced in the gardens of his minion Tigellinus. Nero perhaps improved the occasion to make short work of it in certain parts. However this may be, it cannot be denied that wise and useful measures were adopted for the rebuilding of 1 jDecline and Fall, vol. ii. p. 232; note (Smith's ed. 1854).REBUILDING OF THE CITY. 253 the city. The streets were laid out on an orderly plan ; they were made broader, the houses were not built so high, and the fronts of the insulce were protected by porticoes, which Nero erected at his own expense. The rubbish caused by the fire was carried down to the marshes about Ostia in the vessels which had brought up corn from that port. Certain parts of the houses were to be built, without wood, of Grabine and Alban stone, thought to be impervious to fire. Each house was to have a wall of its own, and not a common wall between two. Guardians were appointed for the aque- ducts, so that the water should not be cut ofE by individuals, and there might consequently be a larger supply for public use, and everybody was directed to have appliances in readiness for extinguishing fire. All the public buildings destroyed seem to have been rebuilt on the original plan, and continued to be mentioned subsequently by the names which they had borne pre- viously to the fire. To avert the displeasure of the gods, so plainly sig- nified by this great calamity, the Sibylline books were consulted. Agreeably to their directions, a sujppUcatio was made to Yulcan, Ceres, and Proserpine; Juno also was propitiated by married women, first in her temple on the Capitoline Hill, and then on the nearest sea- shore, whence water was brought to besprinkle her temple and image at Rome. But neither these expiations, nor the bounty of Nero, sufficed to satisfy the public mind. Rumours continued to be circulated that the fire was premeditated. To obviate this suspicion, or at least to divert the thoughts of the people into another channel, Nero devised a method as cruel as it was in- effectual. It is now that we first hear of the Christians at Rome, and, according to the testimony of Tacitus,254 PERSECUTION OF THE CHRISTIANS. they amounted to a large number.1 The Christian wor- ship, then necessarily performed in private conventicles, and addressed not to any image of the deity adored, was calculated to inflame the Roman mind with hatred and suspicion. It was so nnlike their own, in which the statue of each god represented an ever-present deity ostentatiously worshipped in open day with ceremony and pomp and .sacrifice; and men are ever prone to suspect and hate those who differ from them in religion. Nero, therefore, in persecuting the Christians did an acceptable and popular act. He first seized some few from whom by horrible tortures a confession was extorted, or said to have been extorted, and they were then compelled to denounce their fellow Christians. A great number of these were convicted; not so much, says the historian, of the arson as of hatred of the human race ; a suspicion which perhaps originated from their not frequenting the theatres and circuses, and from their withdrawing themselves in a great measure from the commerce of mankind. The sort of punish- ment adopted by Nero was agreeable to the Roman taste. He gave some games in his circus in the Vatican district, during which he mixed familiarly with the people in the dress of a charioteer, and sometimes dis- charged the functions of one by mounting a chariot. Some of the unhappy Christians having been covered with the skins of wild beasts, were exposed to be torn to pieces by ferocious dogs; some were crucified; others, wrapped probably in combustible materials, were made, when the shades of evening descended, to serve the purpose of torches; an example afterwards adopted by the Christians themselves, or by some at least who 1 "Multitudo ingens."—Ann.^v. 44.NERO'S GOLDEN HOUSE. 255 claimed tliat name.1 But Nero missed his purpose. Although, the Christians were disliked, this persecution, so evidently instituted to gratify the savageness of a despot, and not for the public good, only procured them commiseration. The vast space cleared by the fire afforded Nero the opportunity of building a palace still' more extravagant than the first, to which, from its richness and splendour, he gave the name of Aueea Domus, or the golden house. It is difficult to form any very precise idea of this palace from the descriptions in ancient authors.2 It may be conjectured, however, that it occupied all that height on which the Temple of Yenus and Home and the convent of Sta. Francesca Eomana now stand; and it seems protlable that this hill itself may in a great degree have arisen from the earth excavated to make the lake behind it, and subsequently from the ruins of the palace. The front would naturally have been turned towards the Forum and Capitol, and this inference is confirmed by some accounts in ancient authors. Sue- tonius mentions that the colossal statue of Nero, which was 120 feet high, stood in the vestibule of the palace, and we learn from Dion Cassius 3 that Yespasian in his ■sixth consulate (a.d. 75), when he dedicated his Temple of Peace, caused the colossus, which could not have been far from the precincts of that temple, to be removed .and set up on the Sacra Yia at the back of the palace. Hie ubi sidereus propius videt astra colossus Et crescunt media pegmata celsa via, Invidiosa feri radiabant atria regis, Unaque jam tota stabat in urbe domus.4 1 Eor the fire of Rome and its consequences see Tacit. Ann. xv. *38-44; Suet. Ner. 38; Dion Cass. lxii. 16. 2 The principal are Suet. Ner. 31 ; Mart. Be Spect. ii. 3 lxvi. 15. 4 Mart. ibid.256 NERO'S COLOSSUS. Vespasian's motive for changing the situation of the statue probably was that it might face the main entrance of his amphitheatre, the plan of which must have now been laid, though it was not perfected till some years afterwards. Pliny, who saw the colossus after its removal, says that it was 110 feet high, so that Suetonius probably included the base. It was the work of Zeno- dorus, a celebrated artist, and is said to have been a striking likeness of Nero.1 Dion Cassius, who speaks only from hearsay, calls its height 100 feet. Hadrian, when he built his Temple of Venus and Rome, removed the colossus a few yards further to the north,2 where its base may still be seen, in order probably that it might not interfere with the facade of that structure; but it still stood close to the amphitheatre and on the Sacra Via. The back front of the palace thus looked towards the lake which Nero had caused to be made in the valley afterwards occupied by the Flavian amphitheatre; the water was supplied by the Claudian aqueduct and Anio Novus, which, as we have seen, he had caused to be prolonged over the Cselian Hill. It appears to have been conducted over the Arch of Dolabella, near the Piazza della Navicella; which, as we learn from an inscription on it, was erected in the consulship of Dola- bella and Silanus, A.d. 10; but the purpose of it has never been satisfactorily ascertained. Round about the lake were sprinkled clusters of buildings which resem- bled cities, and, if the perspective had been duly ob- served and the size of the buildings regulated accord- ingly, we may imagine that this would have given an appearance of great extension to the water, and would have formed no mean attempt at landscape gardening, 1 Plin. H. N. xxxiv. 7, § 18. 2 Spart. Hadr. 19.THE THERMS NERONIAJSTuE. 257 i£ such an expression may be allowed. Beyond the lake, the declivities of the Caelian and Esquiline were con- verted into fields, vineyards, pastures, and woods, filled with a multitude of cattle and wild beasts. The imperial domains are said to have been comprised in three por- ticoes each a mile long; which circuit would have com- prehended the Esquiline, part of the Cgelian, and the Palatine. The house itself was adorned with gold, gems, and mother-of-pearl. The coenationes or dining- rooms had movable ivory ceilings, with carvings of flowers, and were provided with pipes to sprinkle per- fumes from above. The principal coenatio was circular, and turned night and day like the earth. The baths were provided with sea-water and water from the Albula, whose sulphureous properties were much esteemed. When this palace was completed, Nero was in a good degree contented, and condescended to remark that "he had at last begun to live like a man." 1 In fact he had engrossed the greater part of the city, and contemplated changing its name to ISTeropolis. Hence an epigram of those days: Eoma domus fiet: Veios migrate, Quirites, Si non et Yeios occupat ista domus. But he had also formed the insane project of enlarging the city in proportion, by extending its walls to Ostia, and bringing the sea into the old city by means of a canal.2 It should not however be omitted that Nero did something for the convenience of the people, as well as for the gratification of his own vanity, by building some baths, the Therms Neroniam:, near those of Agrippa. They were afterwards enlarged and improved 1 Suet. Nero, 31. S 2 Ibid. 16.258 DEATH OF NERO. by Alexander Severus; from -whom they derived the name of Therms Alexandrine, by which they are men- tioned in the Notitia.1 He also founded a market, supposed to be that called Macellum Magnum, on the Caelian Hill, near the Temple of Claudius.2 We are not surprised to hear that, by his extravagance in build- ing, accompanied with an equal extravagance in feasting and all kinds of debauchery, he had at length exhausted even the means which the empire of the world placed at his disposal, so that he could not even pay his troops, and was at length reduced to rob the temples, and melt down the gold and silver images of the gods, among tHem those of the Dii Penates. Want of money no doubt hastened his fall; for the troops, who would have stood by him had they been well paid, were easily per- suaded to proclaim the insurgent Gralba emperor. Nero was compelled to fly, and with irresolute hand at length succeeded in inflicting a mortal wound upon himself in the house of his freedman Phaon, a few miles from Rome (a.d. 68). He was permitted to have a sumptuous funeral, and his ashes were deposited in a family tomb of the Domitii upon the Collis Hortorum, or Pincian Hill.3 Such was the end of the last of the Csesars. The short and turbulent reigns of Gralba, Otho, and Vitellius contribute but few materials towards a history of the city. Gralba lost the empire by his niggardliness, as Nero had done by his extravagance. The latter was unable to provide the pay which he owed his troops; the former was unwilling to give the donative which he had promised them. After a reign of half a year, Gralba was supplanted by Otho, who, being disappointed of succeed- 1 Begio ix. 2 Dion Cass. Ixi. 18 ; Notitia, Beg. ii. 3 Suet. Ner. 50.RISE AND FALL OF GALBA. 259 ing to tlie throne by adoption, resolved to seize it by force. But lie dissembled to the last. On the very day that his plot was to be executed, he attended upon Galba in the palace, by whom as usual he was saluted with a kiss. He assisted at a sacrifice made by Galba, during which the haruspex warned the emperor of a domestic enemy; and then, pretending that he was wanted by an architect and some builders, but who were in reality soldiers whom he had appointed to meet him at the Milliarium Aureum, under the Temple of Saturn, Otho slipped out by the back part of the palace through the Domus Tiberiana into the Velabrum, and so pro- ceeded to the place of rendezvous. Here he was saluted emperor by some two dozen soldiers, and was then con- ducted to the pra3torian camp, being joined on the road by about the same number. The news of the sedition soon reached the ears of Galba, and filled him with trepidation. It also spread through the city, and the palace was soon filled with a rabble clamorously demanding the death of Otho and the conspirators; though in truth they did not care a straw about the matter, and only amused themselves by making a noise, as if they had been in the circus or theatre. After long hesitation Gralba determined to proceed to the Forum; and as, on account of his old age, he could not bear the pressure of the crowd, he was carried in a chair. But the insurrection of the soldiers was now complete. Some advised Galba to return to the palace, some to seek the Capitol, others to mount the Bostra. In truth, however, he was no longer master of his actions. A dense crowd had filled the Forum and the adjacent Basilicse and temples ; a crowd not violent or noisy, but silent, sullen, and curious to vsee the issue. Galba was swayed to and fro at the260 RISE AND FALL OF OTHO. mercy of this living mass, and could do nothing but obey its impulse. A body of cavalry arrived at the charge, and soon cleared the Forum. Those who were carrying Galba let him fall in the middle of it, close to the Lacus Curtius, where he was soon despatched by the soldiers. Titus Yinius, consul with Galba, was slain before the Temple of Divus Julius; Piso Licinianus, whom only four days before Galba had adopted as his son, and consequently as his successor, took refuge in the Temple of Yesta, where a public slave concealed him in his cell. But from this hiding-place he was dragged forth, and killed at the entrance of the temple.1 Otho, during his brief reign, seemed determined to adopt the acts of Nero, and is even said to have assumed his name. He caused Nero's statues to be re-erected, and recalled his ministers and officers. One of his first acts was to sign an order for fifty million sesterces, or nearly 400,000L, in order to complete the Golden House ; which, therefore, must have been very far from finished at the time of Nero's death.2 But in a few months Otho lost the empire in the same violent way in which he had obtained it. Defeated near Bedriacum by Yitellius, who had commanded the legions in Germany, he put an end to his own life. Yitellius entered Eome in July, A.D. 69, with military pomp; then proceeding to the Capitol, he embraced his mother, and saluted her with the name of Augusta. But Yespasian, who had been despatched by Nero to conduct the Jewish war, had been already acknowledged emperor by the governor of Egypt; and all the East followed the example. Yitellius, hearing of the approach of the legions who had declared for Yespasian in the north, determined to 1 Tac. Hist. i. 27, 39-42; Suet. Oth. 6. 2 Suet. Oth. 7.THE CAPITOL BURNT. 261 resign, and is said to have made terms with. Sabinus, who led Vespasian's party at Rome. But his troops were not of the same mind. They attacked and defeated the soldiers of Sabinus, who thereupon took refuge in the Capitol. Here, against the wish of Vitellius him- self, they were besieged by his soldiers. It was on this occasion that the Capitoline temple was burnt. The soldiers of Vitellius, without any commands from him, made a spontaneous and disorderly attack upon the Capitol. They attempted to force their way up the Cliyus Capitolinus; but being armed only with swords they were unable to force the gate at the top of it. Meanwhile the besieged had mounted the roof of a portico which lay on the right-hand side of the Cliyus, or that nearest the summit of the hill, whence they plied the Vitellians with stones and tiles. The latter now threw burning brands upon the portico, the fire occa- sioned by which destroyed the gate; but Sabinus pre- vented them from entering by blocking up the gateway with statues. The Vitellians now sought other means of access, by the Hundred Steps at the Tarpeian rock, and by the grove of the Asylum. On this side, no danger being apprehended from external enemies, private houses had been suffered to be built, the roofs of which, were as high as the summit of the hill. Either the besiegers or the besieged, but more probably the latter,1 set fire to these houses, as a means of repelling the invaders. From the houses the flames caught the por- ticoes surrounding the Capitoline temple, and spreading thence to the timbers which, supported the pediment, 1 Atticus, one of Sabinus' adherents, confessed that he did it; but it is not certain whether his confession was sincere. Tac. Hist, iii. 75.262 FALL OF VITELLIUS. the whole building was destroyed, without haying been attacked or defended.1 This diaster deprived Sabinus and his followers of all presence of mind; and meanwhile the Vitellians broke in, destroying everything with fire and sword. Tha few who resisted were killed, and Sabinns was captured.. Domitian, £he younger son of Vespasian, who had ac- companied his uncle Sabinus to the Capitol, at first con- cealed himself in the apartment of the sedituus, or keeper of the temple; then, having put on the linen dress of those who ministered at the altar, he escaped unobserved among a number of those ministers, and hid himself in the house of one of his father's clients near the Vela- brum. When his father attained supreme power, Do- mitian caused the lodge or contubernium of the asdituus- to be pulled down, and dedicated on its site a little chapel to Jupiter Conservator, with an altar on which his adventure was sculptured. Afterwards, when he became emperor himself, he consecrated a large temple to Jupiter Cnstos, with his own image in the bosom of the god. Sabinus was led in chains to Vitellius, who wished to pardon him, and from the steps of his palace besought on his behalf the clemency of the mob. But they were determined to have a victim. Sabinus was killed and mutilated, and his headless trunk dragged to the Scalse Gremonias.2 But Vitellius derived no advantage from this tempo- rary success, nor from a victory gained by his brother at Terracina. The troops who had declared for Vespa- sian entered Rome the same day that Sabinus had been killed, and were soon masters of the city. Vitellius at first fled to the house of his wife upon the Aventine,, 1 Tac. Hist. iii. 71. 3 Ibid. 74.THE CAPITOL REBUILT. 263 but, with his habitual irresolution, again returned to the palace. Here, howeyer, he found himself deserted by everybody; even the meanest slave slunk from his presence, so he hid himself in despair in the remotest part of the building. Being discovered, he was dragged away to the Scalae G-emonise, and there despatched with many blows, in the very place where the body of Sabinus had been exhibited. In the reigns of Vespasian and his two sons, Rome received a vast addition to her architectural glories. When Vespasian arrived in Rome in the year 70, he found many parts of the city still in a ruinous state, just as they had been left by the fire of JSTero. To remedy this defect, he issued a decree authorizing any- body who pleased to occupy the vacant spots and build upon them, if the owners neglected to do so. The Temple of Jupiter Capitolinus was also level with the ground. Suetonius tells us that Vespasian took such an interest in its reconstruction that he was the first who began to remove the rubbish, and carried away some of it on his own shoulders.1 But Tacitus, who gives a more circumstantial account of the matter, re- lates that Vespasian before his return had entrusted the restoration of the temple to L. Vestinus of the eques- trian order, who laid the first stone of the new building with great solemnity on the 21st of June. The new temple was of the same form and size as the ancient one, which, the haruspices said, the gods would not allow to be altered; only its height was somewhat increased.2 Titus, the son of Vespasian, whom he had left to conduct the Jewish war, returned to Rome in 71, after having captured Jerusalem. The senate had decreed a 1 Vesp. 8. 2 Tac. Hist, iv. 53.264 TRIUMPH OF VESPASIAN AND TITUS. separate triumph both to Yespasian and Titus, but they resolved to celebrate a joint one. Josephus has left us a rather minute description of this triumph. As generals cum irwperio were not allowed to enter the city, Yespa- sian and Titus spent the night before their triumphal entry at the temple of Isis and Serapis, outside the walls. By whom this temple had been founded cannot be said, but its site is pretty certain. Juvenal mentions it as being very near the ancient Ovile,1 or, what is the same thing, the more modern Septa; and apparently between it and the Pantheon of Agrippa, near the present church of Sta. Maria sopra Minerva. Many statues and other objects found in this neighbourhood confirm this posi- tion.2 The troops having mustered round this building early in the morning, the emperor and his son, crowned with laurel, marched at their head to the Porticus Octavia, where they were met by the senate, magistrates, and principal citizens. In front of the portico a sug- gestum had been erected, with two curule chairs, tin which they took their seats. Here they were saluted with the acclamations of the soldiery, prolonged till Yespasian commanded silence ; then he arose, and, hav- ing covered the greater part of his head, pronounced the accustomed prayers. Titus having done the same, after a short address from Yespasian the soldiers were dismissed to the breakfast provided for them. During this interval Yespasian and Titus withdrew to the Porta Triumphalis; where they took some refreshment, and, having put on their triumphal robes, sacrificed to the gods which stood before the gate. They then returned to their troops, and caused the triumphal procession to 1 " Antiquo quse proxima snrgit Ovili."—Sat. vi. 527. 2 Nibby,Boma nelV anno 1838, t. ii. p. 673.THE JEWISH SPOILS. 265 pass through the theatres, those probably of Pompey and Marcellus,1 in order that a greater number of per- sons might obtain a sight of it. For all Rome had flocked forth to behold the procession, and scarcely left room for its passage. The historian then proceeds to describe the richness of the spoils displayed; the vast quantity of gold and silver, precious stones, and ivory; the statues of the gods, remarkable for their size, material, and workman- ship ; the troops of different animals; the representa- tions of the incidents of the war, and other things of various kinds. But the most remarkable of the spoils were those taken in the Temple of Jerusalem. These comprised a golden table, equal to many talents in weight, and a golden candlestick, consisting of a base from which rose a staff or column, with branches di- verging from it like tridents, at the end of each of which was a lamp. The number of these branches was seven, that being a number esteemed by the Jews. The procession of spoils was closed by the Jewish table of the laws. Then, preceded by many persons bearing images of Victory, made of ivory or gold, came Vespa- sian and his two sons ; and it is remarkable that they were on horseback and not in triumphal chariots. So wound the slow pomp along through the city and up the Capitoline Hill to the Temple of Jupiter Optimus Maximus; which, we may suppose, had now again risen 1 This now appears to me to be the most probable interpretation of the words dia r&v Qearpiov: first, because the Circus can hardly come under the name of a theatre 5 and secondly, because Josephus mentions this as an exceptional instance, done to gratify the crowd; whereas the triumphs always passed through the Circus. Josephus, indeed, does not say that Vespasian and Titus returned from the Porta Triumphalis; but that may easily be understood.266 THE TEMPLUM OR FORUM PACIS. from its ashes. Before the temple it halted awhile, according to custom, till the death of the conquered general of the enemy should be announced. This was Simon, the son of Griora, who, after haying been ex- hibited in the procession among the captives, was dragged with a cord round his neck to the place of execution overhanging the Forum, and scourged with rods as he went. The announcement of his death was received with acclamations ; then the sacrifices commenced, and after a solemn thanksgiving the emperor and his sons returned to the palace, where they gave a splendid ban- quet; and the feasting was universal throughout the city.1 Vespasian, when he had regulated the affairs of the Empire, determined to erect a splendid Temple op Peace. The site which he selected for it was near the north- eastern extremity of the Forum. As it was surrounded with a large open space, it must have served, like the Fora of Julius and Augustus, to relieve the Forum Eomanum; and indeed it sometimes bore the name of Forum Pacis. The temple was a most magnificent struc- ture, and the interior was adorned with chefs-d'oeuvre of Greek sculpture and painting, which seem to have been mostly taken from Nero's palace; for Vespasian caused that monument of insane extravagance to be demolished. Here also were placed the Jewish spoils, except the laws and the veil of the temple, which were deposited in the imperial palace. To the temple was annexed a library which served not only for study, but also for the meet- ings of literary men. The temple was burnt down in the reign of Commodus, and does not appear to have been restored.2 Vespasian also erected on the Cselian 1 Josephus, De Bell. Jud. lib. vii. c. 5. 2 Suetonius, Vesp. 9 ; Plin. H. N. xxxvi. 24 $ Josephus, B. J. vii. 5, sub fin.; A. Gell. y. 21.THE JEWS AT ROME. 267 Hill a Temple to the Emperor Claudius, which had been begun by Agrippina, but destroyed by Nero.1 The exact site of it, however, cannot be determined. As a great number of Jews appear to have resorted to Rome, after the capture of Jerusalem by Titus, it may be proper to say a few words respecting their con- dition there. The capture of Jerusalem by Pompey in b.c. 63, on which occasion Sulla's son, Eaustus, was the first man to scale the walls, appears to have caused the settlement of many Jews at Rome. Pompey brought thither a number of Jewish slaves, and after this time we begin to hear of Jewish freedmen and other Hebrews, at- tracted probably to the Roman capital by views of trade and speculation. Pompey, accompanied by some of his officers, appears to have penetrated into the holy of holies, which the chief priest alone was permitted to enter, and there to* have viewed the golden table and candlesticks already described, with other sacred utensils, besides consecrated money to the value of two million talents ; but he touched nothing of all these things, and, the day after his entry, directed the temple to be puri- fied and worship to be resumed as usual. The treasure was afterwards plundered by Orassus. Judsea retained its own princes, who lived on friendly terms with the first Roman emperors. Julius Caesar appears to have favoured them ; they deplored his death with weeping and lamentations, and gathered round his tomb for nights together.2 Philon Judaeus, in his description of the embassy to Caligula,3 of which he was himself the head, adverts to the mildness with which Augustus had 1 Suet. Vesjp. 9. 2 Suet. Jul. Cces. 84. 3 Opera, p. 728 (Paris, 1552).268 CALIGULA AND AGRIPPA. treated the Jews. He allowed them to observe the customs of their forefathers, to hold their synagogues, to observe their Sabbath, to receive the distributions of corn on the following day, and to transmit money to Jerusalem, for the purpose of sacrifice ; nay, he is even said to have adorned the Jewish Temple with costly offerings, and to have caused splendid sacrifices to be made there. Several Jewish princes who visited Rome were treated with great distinction, and some were even educated at the imperial court. Agrippa, the grandson of Herod, was brought up with Claudius, the future emperor, and with Drusus, the son of Tiberius; he formed an intimacy with Caligula, who made him king, of the Jews. Towards the Jews in general that em- peror, however, conceived a great animosity, because they were the only people who refused to recognize his divinity; and he received the embassy of Philon and the Jews at Alexandria with every mark of contumely and insult. He directed Petronius, governor, of Syria, to cause his statue to be erected in the temple at Jeru- salem. The scene which ensued touched even the heart of Petronius. He entreated the emperor to alter his purpose, and Caligula at last yielded to the representa- tions of his early friend Agrippa, who came to Rome to intercede with him. But it is with the domestic life of the Jews at Rome that we are more particularly concerned. Under Julius Caesar and Augustus they appear to have been perfectly unmolested. They seem at this period to have lived chiefly in the Transtiberine district; but they were not confined to any particular place, and had full liberty to move about the city and transact their business. There must have been many thousand Jews at Rome in the time of Augustus. Josephus relates that an embassyBANISHMENT OF JEWS. 269 from Jerusalem to that emperor was joined at Rome by more than 8,000 Jews,1 who may be presumed to have been adnlt males. At first the Jews and Christians were regarded by the Romans as the same sect, which was natural enough, as most of the early Christians were converted Jews ;2 and as they were thus confounded, so they experienced the same persecutions. Tiberius, by the advice of Seja- nus, banished 4,000 Jews to Sardinia, where they were to serve against the bandits and were expected to perish by the climate;3 the rest were ordered to leave Italy unless they renounced their religion before a fixed day. This severity appears to have been excited by the roguery and malpractices of four of the sect. But Tiberius, having afterwards discovered the innocence of the great mass of them, not only pardoned them, but also conferred upon them many benefits. In the year 51 they were again driven from the city by Claudius. But they always returned. Titus brought a great num- ber of Jewish captives to Home. Among them was Berenice, the beautiful daughter of Agrippa Herodes I., whom he made his mistress, and would have made his wife but for fear of the Romans. Vespasian and Titus permitted the Jews to remain at Rome; but they were treated with a sort of contempt; nor did Titus deem it consistent with his dignity to assume from his conquest of them the title of Judaicus. They were now obliged to offer to the Capitoline Jupiter the tribute which they had been accustomed to pay into the treasury of their 1 Ant.lib. xvii. c. 11 (12). 2 Thus Suetonius says of them : " Judseos impulsore Christo assi- due tumultuantes, Roma expulit."—Claud. 25. 3 "Et si ob gravitatem coeli interissent, vile damnum."—Tac. Ann. ii. 85. Cf. Joseph. Ant. lib. xviii. c. 3 (4) ; Suet. Tib. 36.270 GIPSY LIFE OF THE JEWS. temple. Domitian confined them, singularly enough, to the valley of Egeria, where they seem to have lived in gipsy fashion, their whole furniture being a basket and a bundle of hay: Nunc sacri fontis nemus et delubra locantur Judseisj quorum cophinus foenumque supellex.1 Like the gipsies, too, they picked up some money by fortune-telling: JEre minuto Qualiacunque voles Judsei somnia vendunt.2 Prom these and other arts they fell into such contempt that it was a reproach to have been seen in one of their synagogues ; though the worship of Isis, Mithras, Pria- pus, or any other outlandish deity, might be attended with impunity. After the time of Domitian we have few notices of the Jews at Rome; though no doubt great numbers of them repaired thither after the second overthrow of Jerusalem by Hadrian. Alexander Severus allowed them to settle in the Trastevere, which seems to have been peopled by Jews till a late period of the middle ages, as the Bridge of S. Angelo was called the Jews' Bridge.3 But to return from this digression. Yespasian may probably have found room for his Temple of Peace, a splendid monument of his Jewish triumphs, from the space having been cleared by Nero's fire, and not again entirely occupied. It is certain at least that Nero's insane extravagance in laying out his gardens afforded Yespasian the opportunity of building 1 Juvenal, Sat. iii. 13. 2 Ibid. vi. 546. 3 An account of the Jews in Rome, from Pompey to Nero, will be found in Aringhi, Roma Subterranea, 1. ii. c. 23. Cf. Gregoro- vius, Figuren, §c.THE FLAVIAN AMPHITHEATRE. 271 his amphitheatre, the greatest architectural wonder of the world. Augustus appears to have entertained the idea of erecting an amphitheatre in the middle of the city;1 but was probably deterred by the many more necessary and pressing works which he was compelled to undertake. A new amphitheatre had indeed now also become necessary, as that of Statilius Taurus had been destroyed in the fire of Nero.2 The expanse of ground covered by Nero's lake offered an excellent site for such a building. It seems probable that the arena was considerably lower than it is at present, since it was sometimes converted into a Naumachia, on which occasions the water would have been supplied by Nero's aqueduct, which, as we have seen, he had brought hither to feed his lake. It forms no part of our purpose to enter into a minute descrip- tion of this wonderful structure. Its form is an ellipsis, the length of the major axis from the outside wall being 620 feet, and of the minor axis 513. The arena is con- siderably less than half these dimensions. It was sur- rounded by a podium and seats rising in three divisions, or storeys, to a height of 157 feet, and calculated to contain 87,000 spectators. The name of Colosseum which it bore in the dark ages was probably derived from its magnitude. The Flavian Amphitheatre seems to have been com- menced after the Jewish triumph. Vespasian did not live to finish it. Titus dedicated it in the year 80, though it does not appear to have been completed till the reign of Domitian. At the same time Titus dedi- cated his baths, the Therms Titi, which stood upon the Esquiline, at no great distance from the amphitheatre, 1 Suet. Vesp. 9. 2 Dion Cass. Ixii. 18.272 BATHS OF TITUS. where considerable remains of them may still be seen. I am now inclined to think that they occupied the site on which the house of Maecenas had previously stood. They had been built in a hurry—Martial calls them " velocia munera " 1—in order probably to be dedicated along with the amphitheatre. This ceremony was per- formed with unparalleled magnificence; the games ex- hibited lasted a hundred days. There was a combat of storks, and another of four elephants. The number of wild beasts killed was 5,000—Dion Cassius says 9,000 —some of which were despatched by women. There were also many combats of gladiators, in pairs and in troops. The amphitheatre having been suddenly filled with water, horses, bulls, and other animals were brought in,1 which had been taught to perform in the water the same evolutions which they went through on land. Vessels were then introduced, which represented the sea-fight between the Corinthians and Corcyreans. Similar sports were also exhibited in the grove of Gaius and Lucius, and in the Naumachia which Augustus had excavated there.2 As appurtenances, apparently, of the amphitheatre, we find mentioned on the adjacent Cselian Hill certain of the gladiatorial schools and places where the gladia- tors armed themselves, where their dead bodies were stripped, and where the wounded were tended. Such are the Ludus Matutinus and Gallicus, or Dacicus, the 1 De Sped. ii. 7. Cf. Suet.: " tliermis juxta celeriter extructis." Tit. 7. It may be observed that in the same poem Martial calls the ground on which the baths stood part of the ager, park or garden, of Nero, so that the Golden House could not have stood here. But the baths were undoubtedly erected on the site of a large building formerly existing; most probably the house of Maecenas, burnt down in the fire. 2 Dion Cass. lxvi. 25 ; Suet.. Tit. 7; Eutrop. lib. vii. c. 21.THE META SUDANS. 273 Spoliarium, Saniarium, and Armamentarium, mentioned in the Notibia in the second region, or Csslimontium. Under the south-western side of the amphitheatre stood the fountain called Meta Sudans, the ruins of which in the midst of a circular basin may still be seen. The chroniclers1 call it a work of Domitian, but it must have existed before his time, as it is mentioned by Seneca,2 and is seen on a medal struck in the eighth consulship of Titus to commemorate the dedication of the amphitheatre. Domitian, however, who was also consul for the seventh time that year, may possibly have restored the fountain. At the western end of the amphitheatre, as we have already said, Yespasian had re-erected Nero's Colossus. He had, however, previously caused it to be altered into an image of Apollo, by taking off Nero's head and sub- stituting that of the sun-god surrounded with rays. Hence Martial: Nec te detineat miri radiata Colossi Quae Rhodium moles vincere gaudet opus.3 To any one who had arrived at the Summa Sacra Via, as Martial supposes his book had, the Colossus must then have been a very conspicuous and striking object, as Hadrian's Temple of Yenus and Rome was not yet there to interrupt the view, and the Colossus itself, as we have said, probably stood upon its site. The Emperor Commodus is related to have again taken off the head and to have substituted a likeness of himself, adding the attributes of Hercules.4 But it must have been 1 Quoted by Becker, Bom. Alterth. B. i. S. 530. 2 Ep. 56. 3 Lib. i. 70 (71), vers. 7. Suetonius states that Yespasian very handsomely remunerated the artist who altered the statue. Vesp. 18. 4 Dion Cass, lxxii. 22; Lamprid. Comm. 17. T274 FIRE IN CIRCUS FLAMINIUS. subsequently restored to the likeness of Apollo, as it is described in the Notitia1 as having seven rays round its head, each twenty-two feet long. But the measurement of twelve feet, assigned to these rays by the pseudo Victor, is probably more correct. The larger measure would be out of all proportion, and is probably an error of the copyist. The statue must have existed till at least the beginning of the sixth century, as it is men- tioned by Cassiodorus; after which we lose all trace of it. ' . In a short reign of two years Titus could do little more than complete the buildings which his father had begun. It is probable that he had planned the trium- phal arch which bears his name, but he certainly did not live to complete it; and we shall therefore describe it under the works of Domitian. This last-named emperor adorned the city with a great many buildings, for some of which room had been prepared by a great fire which happened in the year 80, the same in which Titus had dedicated the amphitheatre. This conflagra- tion, which raged three days and nights, was particu- larly destructive in the region of the Circus Elaminius lying immediately under the Oapitoline Hill, as well as to that hill itself. The Temple of Isis and Serapis, the Septa, the buildings erected here by Agrippa, namely, the Temple of Neptune, the Baths, the Pantheon, and the Diribitorium, with the theatre of Balbus, the scena of Pompey's theatre, and the Porticus 0 eta via, were destroyed or injured, also the Temple of Jupiter Capi- tolinus, and the temples which surrounded it.2 Domi- tian restored all these buildings, the Capitol especially with great splendour, and affixed his own name to them 1 Beg io iv. 2 Dion Cass. lxvi. 24; Suet. Tit. 8.THE FORUM TRANSITORIUM. 275 without mentioning their founders; a device, however, which did not succeed in robbing these of their due honour. He is also said by late writers to have restored the Curia; but Suetonius, in enumerating his restora- tions, does not mention it, which, had it been a fact, he would surely have done in the case of so important a building. Besides these restorations he undertook several new works. Among these were the Temple to Jupiter Custos on the Capitol, to which we have already alluded. A Temple of Vespasian and Titus on the Clivus Capitolinus, of which three columns still remain, close to the south side of the Temple of Con- cord. The Temple of the Gens Flavia, mentioned by Suetonius, appears to have been distinct from this. Domitian erected it on the site of the house in which he was born, in a place called ad Malum Ptmicum, or the Pomegranate, in the sixth region, and consequently on the Quirinal Hill. It appears to have served as a sort of mausoleum for the Flavian family; as we learn that the remains of Julia, the daughter of Titus, as well as those of Domitian himself, were deposited there.1 From the frequent laudatory allusions to it in Martial, it would seem to have been a magnificent structure.2 The Forum Transitorium was founded by Domitian, but was completed by Nerva, whence it also obtained the name of Forum Nerv^. It adjoined the Forum Augustum and Forum Julium on the east, and was consequently situated between them and the Temple of Peace. It was called Pervium, or Transitorium, probably because a street ran through it from north to south, which was not the case with the other Fora. It was also called Forum Palladium, because it contained 1 Suet. Dom. 1 and 17. 2 Lib. ix. 4, 35.276 JANUS QUADRIFKONS. a large Temple of Pallas, or Minerva, a deity for whom Domitian affected a particular veneration. The two large half-buried columns, called the Colonnacce, "before the baker's shop at the corner of the Yia della Croce Bianca, running out from the Yia Alessandrina, may- have belonged to this temple, or perhaps more probably, as some writers are of opinion, formed part of a shrine of Minerva inserted in the wall which enclosed the Forum. Domitian also erected here a Janus Quadrifrons, or archway with four gates, like that which still exists in the Forum Boarium. Hence Martial: Pervius exiguos habitabas ante Penates, Plurima qua medium Roma terebat iter. Nunc tua Csesareis cinguntur limina donis, Et fora tot numeras, Jane, quot ora geris.1 There was most probably a statue in it of Janus with four faces, but we cannot believe with JSTibby2 that it became the temple of peace and war. The little ancient bronze Temple of Janus near the Curia still remained to discharge the functions assigned to it by E"uma. Thus Statius: Attollit vultus, et utroque a limine grates Janus agit: quem tu, vicina Pace ligatum, Omnia jussisti componere bella, novique In leges jurare/m3— where we see that Janus gives thanks from his old temple with two gates ; though another image of him in the new Forum is adverted to, and its position indicated near the Temple of Peace. Procopius also adverts to the bronze temple and the Janus with two faces, as re- maining in his time in its ancient position.4 1 Lib. x. 28. 2 Eoma neW anno 1838, t. ii. p. 225. 3 Sylvce, iy. 1, 11. 4 Bell. Goth. i. 25.ARCH OF TITUS. 277 Just in this neighbourhood, on the eastern side of the Temple of Peace, Domitian appears to have possessed some spice warehouses, on the spot where the Basilica of Constantine afterwards stood; a circumstance from which we may infer that the Eastern spice trade had become a sort of imperial monopoly.1 At the top of the Velian ridge, spanning the Summa Sacra Yia, Domitian seems to have erected the triumphal Abch to his brother Titus, still one of the most elegant monuments of an- cient Rome. Its sculptures record the Jewish triumph of that emperor. Among them may be seen the seven candlesticks which, as already mentioned, he brought from Jerusalem; whence during the middle ages the arch obtained the name of Arcus Septem Lucernarum. The apotheosis of Titus is represented in the middle of the vault. The erection of arches and archways was a peculiar whim of Domitian's, for Janus shared his veneration with Minerva. The temple of that goddess which he is said to have built may have been at S. Adriano. Domitian took a great interest in games and sports of all kinds. To the ancient colours, or fac- tions, of the Circus, albata, prasina, russata, and veneta, he added two new ones, the aurata and purpurea. He built a permanent Stadium2 for foot-races after the Grecian fashion, for which Julius Cassar and Augustus had erected only temporary and occasional ones. It probably occupied the site of the Piazza Navona, as Becker conjectures. He repaired the Temple of Minerva, which, as already related, had been founded by Pompey near the spot afterwards occupied by the Baths of Agrippa. He also erected in the same neighbourhood an Odeum, or roofed theatre for musical performances, 1 Cat. Imp. Vienn. p. 243. 2 Suet. Dom. 5.278 domitian's palace. capable of holding from 10,000 to 12,000 persons. These musical contests formed part of the games which he instituted in honour of the Capitoline Jupiter; for he could never forget what he owed to that deity, who had preserved him from the Vitellians. These games were celebrated every five years, and consisted of musical, equestrian, and gymnastic contests. He presided at them in person in a Greek dress, and having on his head a golden crown with the effigies of Jupiter, Juno, and Minerva.1 Among his other works was also a new JSTaumachia, which probably lay in the Vatican district; St. Peter's being designated in the dark ages as " apud Naumachiam." 2 The space in this district called Nau- machici also comprised a sepulchral pyramid, larger than the existing one of Cestius, which in the middle ages was called " Sepulcrum Romuli." It existed till near the end of the fifteenth century, when it was demolished by Pope Alexander VI.3 Besides these foundations, which served for the re- recreation of the people as well as his own, Domitian made many improvements and additions in the palace on the Palatine. He appears to have added several dicetce, a portico called Sicilia, a dining-room to which he gave the name of Coenatio Jovis, and other things. One of the most striking features of his new palace was its extraordinary height. Martial describes it as tower- ing above the clouds: JEthera sic intrat, nitidis ut conditus astris Inferiore tonet nube serenus apex.4 1 Suet. Dom. 4. 2 Anas. Leon. c. 90; Montfaucon, Diar. Ital. p. 291. 3 "In Naumachia est sepulcrum Romuli quod vocatur meta."— Mir ah. Bom. 4 Lib. viii. 36, 7.THE GARDENS OF ADONIS. 279 And Statius compares the ceiling to the cope of heaven : Fessis vix culmina prendas Visibus auratique putes laquearia coeli.1 Adjoining the palace seem to have been the Gardens of Adonis, mentioned by Philostratus as the place where Domitian received the philosopher Apollonius.2 These gardens must have been situated on the eastern side of the Palatine Hill, the only place where there is room for them. That Domitian's additions extended towards this quarter may also be inferred from his building on the Caslian Hill a banqueting room called Mica Aurea.3 But, in the midst of all this splendour and luxury, the tyrant went in daily fear of assassination. He could not even walk in his old palace without dreading some lurking murderer, perhaps among the very persons who were escorting him ; and he therefore caused the walls of the portico in which he usually walked to be covered with a shining substance called johengites, so as to serve as a mirror, and show what the persons behind him were about.4 It will be seen from the preceding account that Domitian must be reckoned among the emperors who did much for Rome in the way of architectural adorn- ment. Martial, his flatterer, says, that if the gods should have to settle with him for what he had done for them, Jove would become bankrupt though he should sell all Olympus.5 But these are the only merits which could give him any pretension to the colossal equestrian statue erected to him in the Forum. From Statius' description of it,6 we see that it faced the temple of Julius Ceesar. 1 Silv. iv. 2, 30. 2 De Vita Apollonii Tyanei, vii. 14. 3 Mart. ii. 59. 4 Suet. Bom. 14. 5 Lib. ix. ep. 4. 6 Silv. i. 1.280 domitian's statue. Hinc obvia limina pandit, Qui fessus bellis, adscitse munere prolis, Primus iter nostris ostendit in sethera divis. On the right hand was the Basilica Julia, on the left the Basilica Pauli: At laterum passus liinc Julia tecta tuentur, Illinc belligeri sublimis regia Pauli. Behind him was his father Vespasian, and the deity Concord, in their temples on the Clivus Capitolinus, as already indicated: Terga pater blandoque videt Concordia vultu. The head of the statue must have been turned a little to the right; as it is described as looking towards the Palatium and the Temple of Vesta. Domitian met the death which he had always appre- hended. He was assassinated by some of his own officers, A.d. 96. The reign of Nerva, who succeeded him, was too short to permit him to do much towards the embellishment of the city; but he dedicated the !Forum Transitorium already described, which Domitian had left incomplete; after which it appears to have borne Nerva's name.1 Nerva was succeeded by M. Ulpius Trajanus, whom he had adopted. Trajan's reign lasted nineteen years (a.d. 98-117). The family of the Ulpii appears to have possessed a residence on the northern side of the Aven- tine, where Trajan lived previously to his accession to the empire. Trajan must be reckoned among the em- perors who did the most for the improvement of Rome. His taste for building and bequeathing his monuments to posterity seems to have been quite a passion, which 1 Suet. Bom. 5; Aur. Yict. Be Cas. 12.trajan's forum. 281 he sometimes indulged not altogether fairly, if we may believe the anecdote that he was accustomed to inscribe his name on buildings which he had merely restored, as if he had been their founder; a practice which procured him the nickname of "pellitory" (herba parietina), a kind of parasitical plant that grows upon walls.1 Among the monuments of this emperor may be enumerated the Thermae Trajani, near the church of S. Martino, to the north of those of Titus. No remains of them are in existence. A Theatre in the Campus Martius, and probably in the same neighbourhood a Basilica Mar- ciam, so called in honour of his sister. The theatre appears to have been demolished by Hadrian.2 The aqueduct called Aqua Trajana and Ciminia, commencing in the neighbourhood of the Lacus Sabatinus, or Lago di Bracciano, and running to the Janiculum; where it was employed to turn the corn mills on the descent. This duct still conveys the water of the Acqua Paola, and the mills continue to subsist probably much in the same situation as eighteen hundred years ago. But the Forum Trajani was the greatest and most magnificent of all this emperor's undertakings. Under this name may be comprehended three distinct works: namely, the Forum, properly so called, adjoining on the west those of Julius and Augustus ; a large Basilica, the Basilica Ulpia, having on its western side an open area on which stood, and still stands, the celebrated Column ; lastly, at the extremity of all these, a magnificent Temple, dedicated by Hadrian to Trajan, but which the latter emperor may probably have contemplated erecting. The architect of these great works, which are 1 Amm. Marcell. lib. xxvii. c. 3, § 5. 2 Spart. Hadr. 9.282 trajan's column. supposed to have been, designed if not begun by Domi- tian, was Apollodorus of Damascus.1 We have already remarked that the Quirinal at this part threw out a sort of isthmus or projection towards the Capitoline Hill, which it was necessary to level in order to gain room for the new Forum. It is recorded by Dion Cassius,2 and, indeed, an inscription on the column tells the same thing, that the earth was exca- vated to the height of the pillar, or 128 Roman feet. How great an improvement this must have been will appear when we consider that by this means a broad and noble thoroughfare was made between the ancient city and that handsome quarter of it which had sprung up about the Circus Flaminius, before approachable only through a narrow, steep, and inconvenient street. The whole length of these magnificent works, from the archway by which the new Forum was entered from the Forum of Augustus, to the extremity of the area on the other side in which stood the Temple of Trajan, was 1,100 Roman feet, which is only a very little less than English measure.3 The column stood precisely in the middle. This beautiful pillar, still one of the most striking objects at Rome, was the first of the kind erected in that city, though the Greeks appear to have had such monuments previously.4 The area of the temple extended to the north-west as far as the church of S. Romualdo. This part is now covered with build- ings; namely, the palaces Torlonia and Yalentini, and the two churches near the column. The area in which the column stands is from east to west eighty feet. On 1 Dion. Cass. lxix. 4. 2 Ixviii. 16. 3 The modern Roman foot is 11tVt> English in.; the ancient Ro- man foot about 1 lyxnj English inches. 4 Ampere, t. iv. p. 46.THE BASILICA ULPIA. 283 each, side of it, north, and south, were two libraries, the Bibliotheca Gr^ca and the Latina. They are called by Aulus Grellius "Bibliotheca Templi Trajani,"1 and in fact they stood, like the column, just in front of the temple. The pillar has a diameter of between twelve and thirteen feet at the base, diminishing by only a little more than a foot at the top. It appears to have been destined by Trajan for a sepulchre. All the niches in the mau- soleum of Augustus were now full, Nerva being the last whose ashes were deposited there. Those of Trajan appear to have been placed either under the column or in the pedestal.2 A colossal statue of Trajan, holding in his hand a golden globe, stood originally on the summit, which Pope Sixtus V. replaced with a statue of S. Peter. A spiral band of bas-reliefs encircles the column from top to bottom, the width of the band gra- dually enlarging as it ascends, so that the figures, which are about two feet in height at the bottom, appear to the spectator of the same size throughout. The figures, between two and three thousand in number, represent- ing Trajan's Dacian wars, are beautifully sculptured, and form a rich repertory of costumes. Next to the area of the column on the east, stretching lengthways across the western boundary of the Forum Trajani so as to form one of its sides, lay the Basilica Ulpia, so called from the name of the gens to which Trajan belonged. Its length cannot be accurately de- termined, but was probably about 300 feet, and its width 185 feet. It was divided by four rows of columns into five naves, of which the centre one was 85 feet broad, and the four side ones 18 feet.3 It is 1 N. A. xi. 17. 2 Dion. Cass. Ixix. 2; Eutrop. viii. 5. 3 Nibby, Boma, tfc. t. ii. p. 193.284 THE LAST CLASSICS. supposed to have been terminated at each extremity by semicircular buildings or porticoes, and some topo- graphers have even ventured to indicate their uses; but it is by no means certain that they even existed. Next to the Basilica on the east was the Forum, called also Atrium Fori Trajani, a square open space of 300 feet on every side, enclosed by porticoes. In the middle stood a colossal equestrian statue of Trajan. On the north-east side of this Atrium, that is, under the Quirinal Hill, are the remains of a semicircular sub- struction of brickwork, which, from its being of the same level as the Forum, and corresponding with its lines, formed no doubt a part or adjunct of it. The space was perhaps occupied by shops. It is supposed that there was a similar building on the other side of the Forum, under the Capitol. The porticoes which formed the arcs of these semicircles gave the Forum its rectangular form. The Forum was entered at its eastern extremity by a triumphal arch, some vestiges of which are recorded by Flaminio Vacca as existing in his time.1 In the reigns of Domitian and Trajan flourished the last school of Roman literature that is fairly entitled to be called classical. By a caprice of nature not easily to be explained, Domitian united with a cruelty quite idiotic a certain sort of talent and a love for litera- ture and art. In his reign and that of his successor flourished Silius Italicus, Statius, Martial, Juvenal, Pliny the younger, Tacitus, Quinctilian, and a few other authors whom it is not necessary here to enu- merate. But we have few particulars of their lives, and little or nothing to connect them with a history of 1 Memorie. No. 40.LITERARY STYLE. 285 the city. Pliny, as we have seen in the preceding sec- tion, dwelt upon the Esquiline. His friend Martial, as we learn from his epigrams, lived near the Temple of Flora and the ancient Capitol on the Quirinal, and ap- parently on the south-western side of the hill, as his house commanded a view of the Porticus Yipsania in the Campus Agrippae.1 Of the city life of the other writers named we have no particulars, though there is perhaps enough in some passages of Juvenal's writings, and in their general tone of dissatisfaction and bitter- ness, to warrant a conjecture that he was, notwithstand- ing the account of his being the son of a rich freed- man, a lodger of scanty means, and nearly approaching the condition of a garreteer of the last century in Eng- land. A comparison of his writings with those of Horace, and of Tacitus with Livy, will show what an alteration had been effected in the taste and style of the Romans by a century of despotism. All the bon- homie of the Augustan age, the trusting and almost childish confidence in a form of government not yet tested by experience, had vanished, leaving dark sus- picions, only too much warranted by facts. Hence a style full of epigram and point, in which home truths and profound observations were conveyed in the fewest possible words. It seemed as if these later authors dreaded to give their thoughts free and natural utter- ance, and were thus led to condense what they did say into a form that should be long remembered, and leave a sting behind. Trajan died in 117, and was succeeded by Hadrian. This emperor had also a taste for architecture, and erected many public works. Hadrian appears to have 1 Lib. v. 22, 2, and i. 108, 2.286 TEMPLE OF VENUS AND ROME. possessed a private residence in the twelfth region, or Piscina Publica, where it is mentioned in the Notitia along with a house of Cornificia. This lady was the sister of M. Antoninus, whom Hadrian had adopted. Hadrian transferred into the same region a Temple of the Bona Dea which had previously stood on the Aven- tine, by causing it to be rebuilt under the hill. Hence it obtained the name of Templum Bom De.® Sub- SAxoNiE.1 But the greatest works of this emperor were the Temple of Yenus and Rome, and his mausoleum, together with the bridge which connected it with the city. The Temple of Yenus and Rome, called also Templum TTrbis, stood nearly parallel with the Summa Sacra Yia and Arch of Titus, facing on one side the Colos- seum, on the other the Forum. Thus it occupied the site on which had previously stood the atrium of Nero's Golden House. Dion Cassius relates that Hadrian designed this temple himself,2 and that he sent the plan of it to Apollodorus, the architect of Trajan's works, with whom he appears to have previously had some dis- putes, in order to show the artist what he could do without his assistance. The pungent criticisms of Apollodorus, who is said to have remarked that the temple should have been built on a loftier substruction, and that the cells were not high enough for the images of the goddesses, who, if they rose from their seats, would not be able to go out, are said to have vexed Hadrian to such a degree that he caused the un- fortunate architect to be put to death. The temple was erected on an artificial terrace or substruction, 500 feet long, and 300 broad, and about 26 feet high. 1 Spart. Hctclr. 19. 2 Lib. Ixix. 4.nero's colossus moved. 287 The vaultings or arches of this may still be seen on the side facing the Colosseum. The temple consisted of two cells, the absides or tribnnes of which lay back to back ; so that one of the goddesses looked towards the Colosseum, the other towards the Forum. The absis fronting the Colosseum still remains; the other is engrossed by the convent of Sta. Francesca. The temple was surrounded with a portico 400 feet long and 200 broad. Another portico of about 400 columns ran round the boundaries of the terrace or enclosure. The columns are estimated to have been about 40 feet high. The roof of the temple was composed of bronze tiles, as appears from the fact related by Anastasius, that, when the Emperor Heraclius visited Rome, Pope Honorius I. obtained the gift of them in order to roof St. Peter's. The Colossus of Nero was again removed wdien this temple was built, and placed on the pedestal which may still be seen on the north-west side of the Colosseum.1 From medals of Hadrian and his succes- sor Antoninus Pius, representing the temple, it appears that Rome had the epithet of ceterna, and Yenus of felix.2 Altogether it must have been among the most magnificent structures of the sort in Rome. It is men- tioned by Ammianus Marcellinus in conjunction with the Capitoline temple, the Flavian amphitheatre, the Pantheon, and other of the grandest buildings of Rome. It has been seen that the mausoleum of Augustus was full, and that Trajan had consequently erected his column for a tomb. Hence Hadrian was led to build a mausoleum for himself and his successors on the plan of that of Augustus. The spot he chose for it was on the opposite bank of the river, in the gardens of Domi- 1 Spart. Hadr. 19. 2 Nibby, Roma nelV anno 1838, t. ii. p. 626.288 Hadrian's mausoleum. tian, where the remains of it have been converted into the Castle of S. Angelo. It was probably completed in the lifetime of Hadrian, as his adopted son iElius Verus, who died a little before him, appears to have been buried in it. It seems to have been used as an imperial sepulchre down to the time of Septimius Severus.1 The Moles Hadriani is still one of the most remarkable monuments of Home. The Pons ^Glius, built by Hadrian as an approach to the mauso- leum, occupied the same spot as the present Ponte di S. Angelo. The splendid villa built by Hadrian at the foot of the ascent to Tivoli lies not within the compass of this work. 1 Nibby, Boma, $c. t. ii. p. 492 sqq.289 SECTION Y. from the death of hadrian to the death of constantine i. IN" the reign of Hadrian Rome had attained its greatest pitch of architectural splendoiir ; and al- though some magnificent structures were erected after his time, we must, on the whole, date from this period the decline of the city. Hadrian, who died in 138, was succeeded by Anto- ninus Pius. We have few monuments of this emperor. He may possibly have erected the temple which stands at the north-eastern corner of the Forum to his consort Faustina, which after his death was made common to them both. Remains of this temple may still be seen at the church of S. Lorenzo in Miranda, many feet under the present level of the soil. They consist of eight cipollino columns, with an architrave adorned with arabesques, forming part of the pronaos, or vesti- bule, of the temple. Some remains of the cella are also extant. The columns are of a fine style of art. Antoninus Pius probably also built the Hadrianum,1 or Temple of Hadrian, in the Campus Martius, and the Basilica Matidl®, erected in honour of Hadrian's wife. From an anecdote told by Capitolinus, it would appear 1 Notitia, Reg. ix. U290 antojstine's temple and column. that Antoninus inhabited that part of the palace called Domus Tiberiana. He had summoned the philosopher Apollonius from Chalcis, in Eubcea, to undertake the education of his adopted son, Marcus Aurelius. When Apollonius arrived in Rome, the emperor sent for him to the palace; but the philosopher replied that the pupil should come to the master and not the master to the pupil. Antoninus smiled at the philosophic inde- pendence of Apollonius, and observed that it had been easier to bring him from Chalcis to Rome than to make him come from his own house to the palace.1 Nor did M. Aurelius Antoninus, who succeeded Pius in 161, contribute much to the adornment of Rome; for the Templum Antonini and Columna Cochlis were erected after his death. Of the temple no vestiges now remain. It has sometimes been supposed that the pillars in the Piazza di Pietra belonged to it; but they are much too far from the column to authorize such a conjecture. It seems more probable that the temple occupied the site of the present Palazzo Chigi. The column, the temple, and the priests who were to admin- ister to the deified emperor, were voted with one accord both by patricians and plebeians after his death.2 The column, which is in the Piazza Oolonna in the Corso, is an imitation of that of Trajan, but in a lower style of art; nor is it in so good a state of preservation. The bas-reliefs represent the wars against the Quadi, Mar- comanni, and Sarmatee. Its height is only a few feet short of Trajan's column. It was originally crowned with a statue of M. Aurelius, replaced by Pope Sixtus V. with that of St. Paul. The original statue is supposed to have been carried off by Constans II. 1 Capitol. Ant. Pins, 10. 2 Aurel. Victor. De Ccesar. c. xvi. 13.FIRE UNDER COMMODUS. 291 When we have named the triumphal arch of M. Aurelius, we have mentioned all the monuments of this emperor that are worth recording. This arch stood in the Corso near the Piazza Fiano, and was in existence till Pope Alexander VII. demolished it in 1662. The bas-reliefs with which it was ornamented may still be seen in the Palazzo de' Conservatori. The Emperor Commodus, who succeeded M. Aurelius, and reigned from 180-192, made not many additions to the city. According to the Guriosum, he built some baths in Regio I.; but their history is obscure. The most remarkable incident in the history of the city during the reign of this emperor is a devastating fire which lasted several days and caused much destruction, especially in the neighbourhood of the Forum. It began in a house near Vespasian's Temple of Peace after a slight shock of earthquake. The temple was burnt down to the impoverishment of many, as it appears to have served as a bank of deposit. Hence the fire spread to the spice warehouses of Domitian, and from them across the Forum to the Palatine. The Temple of Vesta was destroyed, on which occasion the Palladium was for the first time seen by profane eyes : for the Vestal vir- gins, in order to save it from the flames, bore it along the Sacra Via to the house of the Hex Sacrificulus. A great part of the palace was also destroyed, together with both the libraries and nearly all the documents relating to the Empire. It was on this occasion that Galen's shop on the Sacra Via was burnt down ; when, as he tells us himself, he lost some of his works of which there were no other copies in Rome.1 The fire was at last extinguished by a heavy fall of rain. 1 Dion Cass, lxxii. 24; Herodian. Hist. i. 44 ; Galen, De Composi. Medicamen. i. 1.292 THE SEPTIZONIUM. This calamity occurred shortly before the end of the reign of Commodus. The three emperors who suc- ceeded him, Pertinax, Didius Julianus, and Pescennius Niger, reigned only about a year, and were followed by Septimius Severus, an emperor who, according to the lights of those times, did much for the adornment of Rome. He appears to have made good the damage occasioned by the fire, and also to have restored the buildings which were falling into decay through the effects of time ; retaining upon them the names of their respective founders.1 Besides rebuilding the palace, he added to it, at the southern extremity of the Palatine, the building called the Septizonium. This was extant till the time of Pope Sixtus V. (1585-1590), who caused it to be demolished in order to use the pillars in the Vatican. From views of it taken before that epoch, it appears to have been a sort of portico, having three storeys of columns. According to Spartianus, Severus erected it to serve as a vestibule, or atrium, to the palace, so that his countrymen, on arriving at Home from Africa by the Via Appia, might have a striking impression of his imperial grandeur.2 Various etymo- logies have been given of its name, but none that is satisfactory, nor can its proper destination be explained with certainty. Another monument of Septimius Severus, which still exists in a good state of preservation, is the Triumphal Arch at the top of the Forum. It appears to have been erected in 203, in commemoration of the Parthian and Arabian victories of Severus, and was originally dedi- cated fco him and his two sons, Antoninus, commonly called Caracalla, from a Gaulish cloak with a hood 1 Spart. Sever. 23. 2 Ibid. ;24.ARCHES OF SEYERUS. 293 which, he was accustomed to wear, and Geta. Bat Caracalla, after the murder of his brother, caused his name to be erased from the inscription, and its place to be filled with words in praise of his father and himself. It has three archways ; a large one in the middle and two smaller at each side; but all communicating with one another by means of still smaller arches inside. It stands on a platform above the level of the Forum, and the side arches were originally approached by seven steps.1 The arch shows the decline of architectural taste. It is a heavy structure, especially the attic; and the columns and bas-reliefs exhibit a great falling off" since the time of Trajan. From a medal of Antoninus (Caracalla) it appears that on the summit of the arch was a triumphal car drawn by six horses, with two figures in it, representing probably Severus and Cara- calla. At each side of the car was a foot-soldier, and at each extremity a horse-soldier. The little arch close to the church of S. Giorgio in Yelabro, called Arcus Argentarius, was also erected in honour of Septimius Severus, his sons Antoninus and G-eta, and his wife Julia Pia, by the bankers and mer- chants who transacted^ business at this spot, as appears from an inscription on its southern face. This arch marks the boundary between the Yelabrum and Forum Boarium. It is, however, properly no arch, but a gate- way, the lintel being horizontal. The principal subject of the ill-executed sculptures upon it is a sacrifice. Septimius Severus is supposed to have constructed an aqueduct, the Aqua Severiana, for the service of some baths, the Therms Severiaioi, which he built in the first region, or Porta Capena ;2 but we have no authen- 1 Nibby, Boma, §g, t. ii. p. 477. 2 Spart. 8'ever, 19.294 THE LATERAN PALACE. tic accounts about either. Severus, who spent his money as liberally as he sought it greedily, was in the habit of presenting his friends with palaces. Among these were the Domus Laterani on the C^lian Hill, and the Domus Septem Parthorum, which lay in the district to the south of it1 The former of these buildings had been the property of the consul Plautius Lateranus, who was put to death for his participation in Piso's conspiracy against Nero.2 His property appears to have been con- fiscated; and, the palace having thus become an im- perial heirloom, Severus was able to present it to a descendant probably of the same family. Juvenal in- sinuates that the wealth of Lateranus was the cause of his destruction, and at the same time intimates the magnificence of his palace : Temporibus diris igitur, jussuque Neronis, Longinum et magnos Senecse prsedivitis hortos Clausit et egregias Lateranorum obsidet sedes Tota cohors ; rarus venit in coenacula miles.3 But there can be no doubt, from the account of Tacitus, that Lateranus was really implicated in Piso's conspi- racy. We shall have again to advert to this palace under the reign of Oonstantine, when by a rare fate it became one of the most distinguished edifices of modern Rome. The Domus Parthorum we know from its being mentioned in the Notitia in the twelfth region, or Pis- cina Publica, as well as by Victor. It may probably have been the residence of some Parthian nobles whom Severus brought with him to Rome after his eastern conquests. Their effeminate habits have been stigma- tized by Tertullian.4 The Domus Cilonis, also men- 1 Aur. Victor, Epit. 20. 3 Sat, x. 15 sqq. 2 Tac. Ann. xv. 49, 60. 4 De cultu fem. i. 6.THE BATHS OF CARACALLA. 295 tioned in the twelfth region, might have been another of these palaces, probably belonging to Kilo, the friend of Severus and tutor of his sons, who had been Prae- fectus Urbi under him. Caracalla sent some soldiers to murder him ; who, after plundering his house, dragged him almost naked—for they had taken him in the bath—along the Sacra Via towards the palace. But his condition excited the commiseration of the people and of the civic guard, formerly under his orders ; which so alarmed Caracalla that he thought it prudent to rescue Kilo, and even to display a hypocritical affection for him.1 When we have mentioned the Mausoleum of Septi- mius Severus, we have named all the monuments of this emperor that are of any importance. This has been sometimes confounded with the Septizonium already described; and, indeed, it appears to have been an imi- tation of it on a minor scale, and situated on the Via Appia. Severus caused it to be built in his lifetime.2 Caracalla succeeded his father in 211. This murderer and fratricide was fond of building. He was a par- ticular devotee of the goddess Isis, to whom he is said to have erected several temples; but the only one we can mention, and that only on conjecture, is the Isium alluded to by Trebellius Pollio on the Caelian.3 His greatest work was his baths, the Therms Antoniniam, or Caracalla, situated on the right-hand side of the Yia di Porta S. Sebastiano, anciently the Yia Appia, near the church of SS. ISTereo ed Achilleo. The re- mains of them are the most perfect of any of the Roman baths, and cover so enormous an area as to fill 1 Dion Cass. Ixxvii. 4 ; cf. Spartian, Came, 3. 2 Spartian, Greta,'7* 3 Trig. Tyrr. 25 $ cf. Spart. Car. 9.296 THE AMPHITHEATRUM CASTRENSE. the spectator with astonishment. The unsupported roof of the Cella Soliaris, or warm bath, was of such vast extent that the architects and mechanicians of the time of Oonstantine declared that it could not be imi- tated.1 The porticoes which surrounded the baths were added by Heliogabalus, and completed by Alexander Severus. The building now formed a perfect square of 1,100 feet on every side, without reckoning the projec- tions of the circular tribunes. To supply the baths, Caracalla is said to haye formed the aqueduct called Aqua Antoniniana, of which, however, there is no satis- factory account; and as an approach to them he caused to be made the Via Nova, one of the handsomest streets in Rome.2 Caracalla died in 217, and was succeeded, after the brief reigns of Macrinus and Diadumenus, by Ela- gabalus, in 218. To this emperor are attributed a Circus and gardens near the Amphitheatrum Castrense and present church of S. Croce in Gerusalemme. It is impossible to say by whom the amphitheatre just men- tioned was constructed; but some antiquaries infer from the style of the building that it was earlier than the Colosseum, and refer it to the reign of Tiberius, or at latest of Nero.3 Elagabalus, or Heliogabalus, dedi- cated on the Palatine a temple to his namesake, the Syrian sun-god, and opened there a public bath which appears to have been worse than a brothel.4 Alexander Severus, who obtained the imperial crown 1 Spartian. Came. 9; Sever. 21. By cella soliaris Spartian appears to mean the apartment for the warm bath, called solium by Cicero, In Pison. 27. 2 Victor, Be Cms. xxi.; Spart. loc. cit, 3 Nibby, Boma nelV anno 1838, t. i. p. 397 sq. 4 Lampr. Helidgab. c. 8.ARCH OF GALLIE1STUS. 297 after the assassination of this despicable tyrant in 222, enriched the city with a few structures, but none of them of much importance. He constructed an aque- duct, the Aqua Alexandria, identical with the present Aqua Felice, for the service of some baths which he had built;1 and he erected a cliceta, or sort of casino, which he dedicated to his mother, Julia Mammsea, whence its name of Ad Mammam. He is said also to have paved some of the streets upon the Palatine with porphyry and verde antico; in which he followed the example of Elagabalus.2 From the time of Alexander Severus to the accession of Aurelian in 270, we find few notices of any interest respecting the city, and indeed it would be wearisome to recount every minor alteration that took pla.ce in these declining days of Roman splendour. The celebra- tion of the secular games for the thousandth anniver- sary of the city by the Emperor Philippus the Arab (244-249) deserves, both for its singularity and for the occasion, a passing word of notice. A large collection of rare animals, procured by the younger Grordian for his triumph, was exhibited at this festival. The zebra, the elk, the giraffe, the ostrich, and other strange ani- mals were then seen for the first time by the great majority of the Roman people, mixed with elephants, African hysenas, and Indian tigers.3 From this period there is nothing to detain us till the reign of Aurelian; though we may mention by the way the Arch of Gal- lienus, which is still extant close to the church of S. Yito and at no great distance from Sta. Maria Mag- giore. The inscription shows it to have been dedicated to Grallienus and his consort Salonina. It has been 1 Lamprid. Alex. Sever. 25. 2 Ibid, and c. 26. 3 Capitol. Gordiani Tres, c. 33.298 WALL OF AURELIAjN". thought to occupy the site of the Porta Esquilina of the Servian wall, and at all events it could not have been far distant from that gate. The time was now at hand when the Romans, who had hitherto thought only of extending or securing their conquests over the greater part of the known world, would have to fight for their own existence. In the year 259, in the reign of Grallienus, the Alemanni had invaded Italy and appeared almost in sight of Borne; and again in 270 vast hordes of them, having eluded the vigilance of Aurelian, once more crossed the Alps and penetrated into Umbria. In a great battle fought at Placentia, the balance of victory appeared to incline in favour of the barbarians; but Aurelian suc- ceeded in defeating them at Fanum Fortunse, and in almost exterminating their host in a third battle near Pavia. These dangers admonished him of the necessity of providing for the safety of the capital. The Servian walls had not only been long overstepped by the grow- ing suburbs of the city, but even every trace of them had almost entirely vanished; and Rome, with all her temples and treasures, the portentous growth of ten centuries of conquest and empire, appeared to lie at the mercy of any barbarians who might be attracted by the fame of her wealth and her widespread renown. In the contemplation of such a calamity, Aurelian determined to surround the city with a new and more extensive wall. This wall, begun by Aurelian and completed by Probus, was repaired by Honorius, and appears to have been identical in position with that by which Home is still surrounded. In naming the gates, we use the names of those in the wall as repaired by Honorius; for though it is probable that many of these bore thePORTA FLAMINIA, NOW DEL POPOLO. 299 same names in the time of Aurelian, yet this is not certain, except with regard to one of them, the Porta Ostiensis; through which, as we learn from Ammianns Marcelliniis,1 was conveyed the obelisk which Constan- tius caused to be erected in the Circus Maximus. The northernmost gate of the Aurelian wall was the Porta Flaminia, spanning the road of the same name. It stood near the present Porta del Popolo, but a little to the east of it, and apparently on the descent of the Pincian Hill; since its situation is described by Pro- copius as somewhat steep and difficult of access.2 This gate must, however, have been removed to the site of the Porta del Popolo before the pontificate of Gregory II. (715-731), since Anastasius, in his life of that pope, describes it as being exposed to inundations of the Tiber.3 Yet it appears to have retained the name of Plaminia down at least to the fifteenth century, as it is so called in a life of Pope Martin V.4 The next gate to the Maminia, proceeding to the east, or right, was the Porta Pinciana, which must be repre- sented by the present gate of the same name. Again* towards the east, we come to the Porta Salaria, still called Porta Salara, at the top of the Yia di Porta Salara. It seems probable that a corruption of this name may have given rise to that of Porta Belisaria, which occurs once or twice in Procopius.5 The next gate, proceeding always in the same direction, was the Porta Nomentana, spanning, as its name implies, the Via IsTomentana. Pope Pius IV. substituted for it in 1564 the present Porta Pia; on issuing from which is 1 xvii. 4, § 14. 2 Bell. Goth, i. 23. 3 Nibby, Roma, $c. t. i. p. 138. 4 Ap. Muratori, Scripp. Rer. Ital. t. iii. pt. ii. col. 864. 5 See Urlichs, in Class. Mus. vol. iii. p. 196.300 PORTA PRiENESTINAj OR MAGGrlORE. seen the site of tlie ancient gate, marked by two towers at a little distance on the right. From this point the wall proceeded to enclose the Praetorian Gamp, trending thence in a southern direc- tion to the Porta Tiburtina, in all probability the modern S. Lorenzo. In the camp itself were four gates, which, however, cannot properly be said to belong to the city : namely, two Portce Principales at the northern and southern sides, the Porta Decumana on the eastern side, and the Porta Prcetoria on the western. Thus the last, which in field camps faced the enemy, here faced the city; an unmistakable indication of the purpose which the Praetorian Camp was intended to serve. Close under the south side of the camp was a gate spanning the road which issued from the Porta Yiminalis of the Servian walls; but which appears to have been walled up at a very early period, and is hence called Porta Clausa. Over the Porta Tiburtina, or S. Lorenzo, as well as over two or three more gates, is an inscription recording the restoration of the walls by Arcadius and Honorius. The gate is formed by an arch of the Aquae Marcia, Tepula, and Julia, which flow one over the other in different ducts. The Porta Prmestina, now Porta Maggiore, the next gate in succession, is likewise formed of a double arch of the Aqua Claudia and Anio Yetus, which flow over it. This gate has the same inscription as that on the Porta Tiburtina. Its modern name is said to be derived from its leading to the Basilica of Sta. Maria Maggiore. It seems also to have been called Porta della Donna, that is, of the Madonna, as appears from a diary of the fifteenth century published by Muratori.1 Ber, Ital. Scriptt. ap. Nibby, Roma, $c. t. i. p. 146.MONUMENT OF EURYSACES. 301 Just outside the gate, on the left-hand side, is the curi- ous monument of Eurysaces, the baker. Here also was a vivarium for keeping the wild beasts used in the public spectacles. From this point the wall follows for some distance the line of the Aqua Claudia in a south- easterly direction; then, describing an acute angle, trends to the south-west, and, embracing the Amphi- theatrum Castrense, proceeds in this direction as far as the Piazza Ferratella. In this length of wall was the Porta Asinaria, which spanned the road of that name, but which is now superseded by the Porta S. Giovanni, built by Pope Gregory XIII. a little to the east of it. The modern name is of course derived from St. John Lateran, near which the gate stands; and in like manner the ancient gate was called in the middle ages Latera- nensis. Just beyond it are vast substructions supposed to have belonged to the house of Plautius Lateranus. At the angle formed by the walls at the Piazza Ferra- tella was also a gate supposed to be that called Porta Metronis by St. Gregory the Great in one of his epistles; but its origin, and even the proper spelling of its name, are uncertain. Hence the wall takes a southerly direc- tion till it reaches the Porta Latina, and a little further on the Porta Appia, standing over the roads so called, which, as we have seen, diverged shortly after the Appia had issued from the ancient Porta Oapena. The Porta Latina is closed, and the Porta Appia has now become'the Porta di S. Sebastiano, from the celebrated church which stands some way beyond it. The wall now proceeds for a considerable space nearly due west till it reaches the Porta Ostiensis. After the building of the famous Basilica of St. Paul this gate was called Porta di S. Paolo, an appellation which, as we see from Procopius, it obtained as early as the sixth302 PYKAMID OF CESTIUS. century, the Basilica having been founded by Valen- tinian II. and Theodosius. Close to it, built into the wall, is the Pyramid of Cestius, a tomb of the republi- can period, but thought in the middle ages to be the sepulchre of Remus. Hence the wall ran to the river, so as to include Monte Testaccio, northwards up its bank to a point opposite that where the wall of the Janiculum also reached the Tiber. On the right bank of the river the wall ascended to the height of the Janiculum where stood the Porta Aurelia, now Porta S. Pancrazio. Close to the Tiber was the Porta Portuensis, having the same inscription which may be seen over the Tiburtina. This gate was demolished by Urban VIII., who built in its stead the Porta Portese. The Porta Aurelia, so called from the Via Aurelia, obtained in the middle ages the name of Aurea, by which it is mentioned in the Mirabilia Romce, written about the twelfth century; but it seems also to have been called S. Pancratius in the time of Procopius. The Janiculum, from the colour of its sand, was vul- garly called Mons Aureus, whence the present name of Montorio. From "the Porta Aurelia the wall again de- scended to the river, which it appears to have reached near, or a little above, the present Ponte Sisto. We know not certainly of any gate in this tract, though one called Septimiana is mentioned. From the Ponte Sisto the wall appears to have run along the left bank of the Tiber till it arrived parallel with the Porta Flaminia, which it joined; but no re- mains of it are now visible in this part. In this tract we find only one gate, that called by Procopius, to all appearance erroneously, Porta Aurelia, standing on the left bank of the river, at the entrance of the Pons iElius, leading to the Mole of Hadrian. There could hardlyTOMB OF C. CESTIUS AND PORTA DI SAN PAOLO.aurelian's triumph. 303 have been two gates called Aurelia. We find it called in the Mirabilia, "Porta Collina ad Castelliim Adriani;" and it is mentioned by the same name in the Ordo Eiomanus of the Canonicus Benedetto published by Mabillon.1 But this also must have been a confusion of names. It appears to have been also called Porta S. Petri as early as the time of Procopius, who men- tions it under that apellation.2 The Aurelian wall was fortified with battlements and towers, between which arcades, or covered ways, afforded secure communica- tion. There are still some remains of these arcades, especially at the Porta S. Sebastiano. During the reign of Aurelian the ancient glories of Rome seemed for a while to revive. For his numerous victories in various lands he celebrated in 274 as magni- ficent a triumph as any that Rome had hitherto beheld. It has been described by Yopiscus ;3 but we shall here insert the description of it by Gibbon, after that author : "The pomp was opened by twenty elephants, four royal tigers, and above two hundred of the most curious animals from every climate of the north, the east, and the south. They were followed by sixteen hundred gladiators, devoted to the cruel amusement of the amphi- theatre. The wealth of Asia, the arms and ensigns of so many conquered nations, and the magnificent plate and wardrobe of the Syrian queen, were disposed in exact symmetry or artful disorder. The ambassadors of the most remote parts of the earth, of ^Ethiopia, Arabia, Persia, Bactriana, India, and China, all remark- able by their rich or singular dresses, displayed the fame and power of the Roman emperor, who exposed 1 Musceum Ital. t. ii. p. 143. 2 B. a. i. 19. 3 Aurel. c. 33.304 QUEEN ZENOBIA CAPTIVE. likewise to the public view tlie presents that he had re- ceived, and particularly a great number of crowns of gold, the offerings of grateful cities. The victories of Aurelian were attested by the long train of captives who reluctantly attended his triumph—Goths, Yandals, Sarmatians, Alemanni, Franks, Gauls, Syrians, and Egyptians. Each people was distinguished by its pecu- liar inscription, and the title of Amazons was bestowed on ten martial heroines of the Gothic nation who had been taken in arms. But every eye, disregarding the crowd of captives, was fixed on the Emperor Tetricus, and the Queen of the East. The former, as well as his son, whom he had created Augustus, was dressed in Gallic trousers, a saffron tunic, and a robe of purple. The beauteous figure of Zenobia was confined by fetters of gold; a slave supported the gold chain which en- circled her neck, and she almost fainted under the in- tolerable weight of jewels. She preceded on foot the magnificent chariot in which she once hoped to enter the gates of Rome. It was followed by two other chariots, still more sumptuous, of Odenathus and of the Persian monarch. The triumphal car of Aurelian (it had formerly been used by a Gothic king) was drawn, on this memorable occasion, either by four stags or by four elephants. The most illustrious of the senate, the people, and the army closed the solemn procession. Unfeigned joy, wonder, and gratitude swelled the accla- mations of the multitude; but the satisfaction of the senate was clouded by the appearance of Tetricus; nor could they suppress a rising murmur that the haughty emperor should thus expose to public ignominy the person of a Roman and a magistrate. " But however in the treatment of his unfortunate rivals Aurelian might indulge his pride, he behavedPALACE OF TETRICUS. 305 towards them with a generous clemency, which was sel- dom exercised by the ancient conquerors. Princes who without success had defended their throne or freedom, were frequently strangled in prison as soon as the tri- umphal pomp ascended the Capitol. These usurpers, whom their defeat had convicted of the crime of trea- son, were permitted to spend their lives in affluence and honourable repose. The emperor presented Zenobia with an elegant villa at Tibur or Tivoli, about twenty miles from the capital; the Syrian queen insensibly sank into a Roman matron, her daughters married into noble families, and her race was not yet extinct in the fifth century. Tetricus and his son were reinstated in their rank and fortunes. They erected on the Ceelian Hill a magnificent palace, and as soon as it was finished invited Aurelian to supper. On his entrance he was agreeably surprised with a picture which represented their singular history. They were delineated offering to the emperor a civic crown and the sceptre of Gaul, and again receiving at his hands the ornaments of the sena- torial dignity. The father was afterwards invested with the government of Lucania, and Aurelian, who soon admitted the abdicated monarch to his friendship and conversation, familiarly asked him whether it was not more desirable to administer a province of Italy than to reign beyond the Alps. The son long continued a re- spectable member of the senate; nor was there any one of the Roman nobility more esteemed by Aurelian, as well as by his successors. " So long and so various was the pomp of Aurelian's triumph, that, although it opened with the dawn of day, the slow majesty of the procession ascended not the Capitol before the ninth hour ; and it was already dark when the emperor returned to the palace. The festival x306 TEMPLE OF THE SUN. was protracted by theatrical representations, tlie games of the circus, the hunting of wild beasts, combats of gladiators, and naval engagements. Liberal donatives were distributed to the army and people, and several institutions, agreeable or beneficial to the city, con- tributed to perpetuate the glory of Aurelian. A con- siderable portion of his oriental spoils was consecrated to the gods of Rome; the Capitol, and every other temple, glittered with the offerings of his ostentatious piety ; and the Temple of the Sun alone received above fifteen thousand pounds of gold. This last was a magni- ficent structure, erected by the emperor on the side of the Quirinal Hill, and dedicated, soon after the triumph, to that deity whom Aurelian adored as the parent of his life and fortunes. His mother had been an inferior priestess in a chapel of the Sun; a peculiar devotion to the god of light was a sentiment which the fortunate peasant imbibed in his infancy; and every step of his elevation, every victory of his reign, fortified supersti- tion by gratitude."1 The site of Aurelian's Temple of the Sun has been the subject of much dispute among topographers; but we think there can be little doubt that Gibbon has pro- perly placed it, and it may very probably be identified with the remains of a large building in the Colonna gardens. For the reasons which have led the author to this conclusion, the reader is referred to Dr. Smith's Dictionary of Ancient Geography, vol. ii. p. 830 sq. During this period the public spectacles at least, and the sports of the Circus and amphitheatre, betrayed no symptoms of the declining state of the Empire. Nothing could exceed the magnificence of the games exhibited 1 Decline and Fall, ch. xi.GAMES OF PROBUS. 307 by Probus. The Circus was transformed into the like- ness of a forest by the transplanting of a large quantity of full-grown trees, and thousands of ostriches, stags, and wild boars, having been let loose in it, were aban- doned to be chased by the populace. On the following day was given a venatio, in which many hundreds of lions, tigers, and bears were killed.1 The third* day was devoted to the slaughter of the nobler animal, man, and three hundred pairs of gladiators displayed their fero- city and skill. The spectacles exhibited in the Flavian amphitheatre at this period were perhaps still more magnificent, and in the reign of Oarinus appear to have exceeded anything before remembered. "We cannot better present an idea of them to the reader than in the words of the eloquent historian whom we have already quoted. "The slopes of the vast concave which formed the inside were filled and surrounded with sixty or eighty rows of seats, of marble likewise, covered with cushions, and ca- pable of receiving with ease above four-score thousand spectators. Sixty-four vomitories (for by that name the doors were very aptly distinguished) poured forth the im- mense multitude ; and the entrances, passages, and stair- cases were contrived with such exquisite skill, that each person, whether of the senatorial, the equestrian, or the plebeian order, arrived at his destined place without trouble or confusion. Nothing was omitted which, in any respect, could be subservient to the convenience and pleasure of the spectators. They were protected from the sun and rain by an ample canopy, occasionally drawn over their heads. The air was continually re- freshed by the playing of fountains, and profusely im- pregnated by the grateful scent of aromatics. In the 1 Vopiscus, Prob. c. 19.308 GAMES OF CARINUS. centre of the edifice, the arena, or stage, was strewed with the finest sand, and successively assumed the most different forms. At one moment it seemed to rise out of the earth, like the garden of the Hesperides, and was afterwards broken into the rocks and caverns of Thrace. The subterraneous pipes conveyed an inexhaustible supply of water, and what had just before appeared a level plain might be suddenly converted into a wide lake, covered with armed vessels, and replenished with the monsters of the deep. In the decoration of these scenes, the Roman emperors displayed their wealth and liberality; and we read on various occasions that the whole furni- ture of the amphitheatre consisted either of silver, or of gold, or of amber. The poet who describes the games of Carinus, in the character of a shepherd attracted to the capital by the fame of their magnificence, affirms that the nets designed as a defence against the wild beasts were of gold wire; that the porticoes were gilded; and that the belt, or circle, which divided the several ranks of spectators from each other, was studded with a precious mosaic of beautiful stones." 1 1 Gibbon. Decline and Fall, ch. xii. The poet alluded to is Cal- purnius, Eclog. 7. It is, indeed, far from certain that, as Gibbon assumes, Calpurnius was contemporary with Carinus. Some critics, as Sarpe (Quasi. JPhilol. Rostock, 1819, p. 11 sqq.), who is followed by Weber in his edition of the Latin poets, with that love of para- dox and hardihood of assertion which characterize German critics, have even placed him in the reign of Nero. But the Flavian amphitheatre, which is certainly described in the 7th Eclogue, as is plain from its situation among the hills (v. 32), was not then built; and as the citizen who converses with Cory don was an old man, the time of the poem must necessarily be placed at earliest fifty years after Titus, or a.d. 130. On the other hand, we know from Vopis- cus that Carinus celebrated some fantastically splendid games; and Calpurnius' line," quae patula juvenis deus edit arena " (ver. 6), agrees with the age of Carinus.BATHS OF DIOCLETIAN. 309 Such, were the spectacles with which an enslaved and degenerate people consoled themselves for the loss of liberty; but, whatever may have been their gorgeous- ness and grandeur, they are far indeed removed from the interest and sublimity which environ the earlier and simpler scenes of Roman history. The reign of Diocletian, the successor of Carinus, gave the first decisive blow to th.e predominance of the city, and in a few more years the capital of the world was to be transferred to the shores of the Bosphorus. In the incipient collapse of the empire, Rome appeared to be too far removed from the frontiers. Diocletian and Maximian, his associate in the empire, chose respec- tively Nicomedia in Bithynia and Mediolannm in Gallia Oisalpina for their residences, which, by their embellish- ments, seemed to grow into new capitals. The continued absence of Diocletian from Home not only occasioned its splendour to decay, but also struck a deadly blow at the power and authority of the senate, who ceased to be consulted on the affairs of the Empire. Nearly twenty years of his reign had elapsed before Diocletian visited for the first time the Roman capital, when he celebrated a triumph which, though not precisely the last, as G-ibbon says,1 was among- the last which that city be- held (a.d. 302). His stay at Rome did not exceed two months, and shortly afterwards he abdicated the im- perial throne and retired to Salona. Yet during this short visit he founded the Therms Diocletiam, the largest and most splendid of the baths hitherto erected a>t Rome. They are said by Olympiodorus to have con- tained twice the number of seats for bathers of those of Caracalla, which had sixteen hundred. To confer 1 Decline and Fall, vol. ii. p. 89.310 BASILICA OF CONSTANTINE. an additional attraction npon them, the Bjbliotheca Ulpia was transferred thither from the Forum of Tra- jan.1 They were situated on the Quirinal Hill, close to the western side of the Servian agger, and their length occupied the greater part of the space between the Porta Collina and the Porta Viminalis. Their remains,, being in a more frequented part of the town than the Thermae Antoninianso, have not been so well preserved, and the general plan of them can no longer be traced. But the tepidarium, with its vast unsupported roof, still forms the magnificent Carthusian church of Sta. Maria degli Angeli; to which purpose it was converted by Michael Angelo Buonarotti in the pontificate of Pius IV. The baths of Diocletian, Nero, and Agrippa were in use in the middle of the fifth century, as appears from a poem of Sidonius: Hinc ad balnea non Neroniana Nee quae Agrippa dedifc, vel ille cujus Bustum Dalmaticse vident Salonse: Ad thermas tamen ire sed libebat Privato bene praebitas pudori.2 According to an ancient tradition, the Christians,, among the other persecutions which they suffered from Diocletian, were forced to labour at the construction of these baths. Diocletian is also said to have rebuilt the Curia, destroyed in a great fire which happened under his predecessor, Carinus. But heathen Rome was now drawing towards its close. A few more years, and the persecuted Christians were to see their religion become that of the state. The last monuments of pagan Rome were added by Maxentius and Constantine. To the former emperor must be attributed the Basilica Con- 1 Vopisc. Prob, 2. 2 Carm. xxiii. 494 sqq.THE BASILICA OF CONSTANTINE. ARCH OF CONSTANTINE. 311 STANTINI, erected by him,1 bnt dedicated after his death by Constantine ; of which such vast remains still exist not far from the Colosseum. This Basilica appears to have occupied the site of the spice warehouses of Do- mitian, the destruction of which in the fire of Com- modus we have already related. For a long while the three large arches which remain of it were supposed to have belonged to Yespasian's Temple of Peace, till Nibby, in his work Bel Foro Eomano, gave them their true designation. Maxentius also built the Circus on the Yia Appia, about two miles from Rome, near the tomb of Csecilia Metella.2 It is still sufficiently preserved to convey to the reader an idea of the arrangements of an ancient circus. A large portion of it was excavated in 1825 at the expense of Duke Torlonia, and under the inspection of Signor Nibby. Constantine, after defeating Maxentius near the Mil- vian Bridge, October 28, 312, made his entry into Rome. His victory was recorded, but probably some years after- wards, by the Fornix Constantinj, the last existing monument of any importance of ancient Rome. This arch, which spans the top of the Yia di S. Grregorio, or ancient Yia Triumphalis, near the Flavian amphitheatre, the best preserved of all that remain, is a striking proof of the decay of art among the Romans. Not, indeed, the structure itself, which is noble and well proportioned. It is remarked by Raffiaelle that architecture was the last art that decayed at Rome, the buildings of the later emperors being as good as those of the first; in 1 Victor, De Cces. cap. xl. § 26. The account of Victor is con- firmed by the finding of a coin bearing the name of Maxentius in the masonry of one of the arches in 1828. Beschreib. der Stadt Rom. B. iii. S. 298. 2 Catalogus Impy. Viennensis, t. ii. p. 248.312 JANUS QUADRIFRONS IN YELABRO. proof of which lie mentions this arcli and tlie baths of Diocletian, tlie architecture of which was also fine, but the paintings and sculptures execrable.1 The same was the case with this arch, except such parts of it as are composed of spoils taken from some monument of Tra- jan's. These are the columns, part of the entablature, the statues of the barbarian prisoners, all the bas-reliefs of the attics, and the four medallions on each face. The bas-reliefs on the walls of the middle or greater arch are supposed to belong to the time of Grordian, and all the rest may be attributed to Constantine; namely, those on the pedestals of the columns, the fillet or band oyer the smaller arches which is carried along the sides, the keystones of the greater arch, the figures oyer the arches, the medallions at the sides, and the images in the smaller arches.2 Not only does the style of the bas- reliefs attributed to the age of Trajan prove them to be of that epoch; their subjects also can be referred to events in the history of that emperor. The original inscription on the arch stated that Constantine had triumphed over the tyrant and his party by the favour of Jupiter Opti- mus Maximus (nutu Jovis O. M.) ; but these words were subsequently erased, and instead of them were substituted " Instinctu Divinitatis," by the inspiration of the deity.3 The large square building called Janus Quadrifrons, near the church of S. Giorgio in Yelabro, is also referred, with much probability, by Bunsen4 to the time of Con- 1 See Lettere di Castiglione, p. 149 (ed. Padova, 1796). This letter, though placed among those of Castiglione, is that addressed by Raffaelle to Pope Leo X. respecting the state of Pome and its monuments. See Boscoe's Life of Leo X. ch. xxii. It will be found in Passavant, Vie de Raphael, i860, t. i. p. 508 sqq. 2 Nibby, Roma, t. i. p. 445. 3 Orelli, Inscr. Lat. no. 1075. 4 Beschreibung, Anhang, iii. p. 663.THE ARCH OF CONST ANTINE, NORTH SIDE, THE META SUDANS IN FRONT {seep. 273).BATHS OF CONSTANTINO. 313 itotme, Like the triumphal arch, it Beams to have been constructed of the fragments of other buildings, 'ftod its architecture is said to resemble the style of the time of that emperor. Constantino also erected on the Quirinal some hatha, the Teikm-1 Ookstahotiam, the last apparently erected at Rome, From the somewhat disparaging way in which they are mentioned by Aurelius Victor,1 we may conclude that they did not equal in splendour the baths of Diocletian or Carae&lla. Some remains of them appear to hare been extant in the sixteenth century at the Palazzo Bospigliosi* The colossal figures now on the Quirinal, supposed to be the work of Pheidias, ap- pear to have stood before these baths till they were re- moved to their present position by Pope Sixtus V, The period was now arrayed when Bome was to ex- perience the two most important revolutions that occur in the whole course of her history . She was to cease to be the capital of the Roman. Empire; but, by the establish* mmt of Christianity, she was ultimately to become the capital of the Christian world. While it was necessary to coerce the city, the military despotism of Augustus and Tiberius had been supported and secured by the establishment of the praetorian guard and camp. But it soon became apparent, and was in- deed a necessary consequence of a despotism upheld by force, that the true seat of empire lay not at Bome, but wherever the military power was predominant; and as the extended frontiers of the Empire required large forces to be maintained in the most remote provinces, it 1 " Opus cseterls hand multo disp&r,"—De Cms, cap, xl. 4 27,314 THE BEAT OF EMFIB'E OHAKQ-ED, was frequently here that this predominance was to be found. (Mba first succeeded, by means of the military command which he held in Gaul, in overthrowing tha tot represeatatxTe of the Owars. and seating liimsd! upon the imperial throne, From this period the Empire was frequently obtained by the successful rebellion of & victorious general, and a peaceful or hereditary succes- sion began to form the exception rather than the rule Under these circumstances the political influence of Borne gradually decayed. The long absence of several of the emperors in the prosecution of their wars served still further to weaken the prestige of the capital Dio- cletian, by establishing Ms residence at Mcoxaedia, vir- tually transferred thither the seat of empire, and at length in 830 Constantino the Great, who was almost as much a stranger to Borne as Diocletian had been, solemnly removed his residence and government to By* ssanfeLum, on the shores of the Boaphorns, which took from him the name of Constantinople, Although Rome has been called the u eternal city," an opinion had very early prevailed that she was destined to no very pro- tracted period of existence, Julius CiBsar was thought to have contemplated transferring the seat of empire to Troy, its reputed ancient cradle, and a similar schema appears to have been agitated in the time of .Augustus/ Constantino is even said to have built the gates of hk new city close to the grave of Ajax, where the Grecian ships were stationed, when a dream or vision admo- nished him to choose another site.2. The other innovation of 0 oastanime, the establish- ment of Christianity as the religion of the state, is of skill 1 See Sneton, Cm, 79 j Hor* Od, iii, 3, * Zosmius, ii, 30 $ Socmen, JJiU* Eccl* iL 3,HEATHEN TEMPLES CONFISCATED. 315 peater importance in the history of the world, and even piAaps of the city whose vicissitudes it is our more Immble province to record. For to this cause must be eMefy ascribed, together with the change introduced into the manners and customs of the Bomans, the decay if those buildings which had been the chief character- ise c and ornament of pagan Bome, and the erection of new ones more in consonance with the altered habits of the citizens. Writers of all parties agree that Oonstan- tine, after the celebration of his Yicennalia in 326, con- feoated many heathen temples, and transferred them with their revenues to the church. He also caused the doors of the temples to be removed, and the tiles to be stripped from the roofs, that they might sooner fall to decay,1 It seems probable, however, that these measures were put into execution chiefly in the provinces, and had but little effect at Borne, The persecution of the Christians by Hero was per- haps only the caprice of a tyrant who wished to divert from himself to an unpopular sect the suspicion of having caused a terrible calamity. But the formal in- quisition into the manners of the Christians by such a ruler as Trajan shows that they must have multiplied to such an extent as to have become objects of anxiety a&d suspicion to the government. It forms no part of our plan to enter into the persecutions suffered by the Christians; but it must be remembered that if they were persecuted by some emperors, they were tolerated, and even favoured, by others. Septimius Severus treated them with marked, distinction, retained them in his do- mestic service, and even employed a Christian as tutor 1 Cod. Justin, i. 5,1 $ Soerafc, Hkt, Eccl. i 85 Cedremia, i, p, 478 (ed. Boon,) 5 Lasadx, Unt&rgamg de$ Bdhnumm, p, 32.316 PROGRESS OF THE CHRISTIANS. of his son Caracalla; till the increase of their number through his own indulgence inspired him with alarm, and induced him to take some measures to restrain it. These restraints were, however, removed under his im- mediate successors ; and during more than the third of a century, or a whole generation, the Christians enjoyed an unrestricted freedom. Under Alexander Severus they obtained some important privileges; they were allowed to purchase land, to build churches, to choose their ministers, and to exercise their worship in public.1 It may be inferred, indeed, from some passages of Scrip- ture, that the Christians must have had churches from the earliest period;2 but secret ones, and at most con- nived at, not tolerated, by the government. The suc- ceeding emperors down to Diocletian, with the excep- tions of Maximin, Decius, and Valerian, were indifferent, if not favourable, to the Christians ; and even Diocletian himself for the far greater part of his reign treated them with mildness and toleration, though towards the end of it they were subjected to the most violent persecu- tion which they had yet experienced. But his colleague Gralerius, who had been the instigator of this cruelty, repented of it before his death, and published the cele- brated Edict of Toleration which gave peace to the Christian church. The long periods of tranquillity en- joyed by the Christians must have been favourable to the increase of their numbers ; and we can explain the later persecutions only on the ground that this increase had made them formidable to the state. Nor had they become important by their numbers only, but also by the offices which they filled and the part which they 1 Lamprid. Alex. Sever, c. 49. 2 See especially St. Paul's First Epistle to the Corinthians, xi. 18.ST. PETER AT ROME. 317 played in public life. Tertullian, who flourished about the middle of the third century, describes them as abounding in the military as well as the civil employ- ments of the state; as being found in the camp as well as in the palace, the senate, and the forum.1 When, therefore, about three-quarters of a century later, in the year 324, Constantine exhorted all his subjects to follow his example by embracing Christianity, we must pre- sume that the Christian church had become not only very powerful by its numbers, but also very influential through the important posts filled by many of its members. The nature of the present work, however, confines our attention to the state of the Christians in Rome, of which we shall proceed to give a brief outline. History does not record the reputed visit of St. Peter to Rome; but it forms one of the traditions of the Romish church. According to Eusebius, the apostle came to Rome in the second year of the Emperor Claudius; but the statement of Lactantius and the Liber PontificaUs, by which his visit is placed in the reign of Nero, is more in accordance with probability. It is possible that he may have spent ten years at Rome, a.d. 55-65; and at all events it is probable that he was there in the last year of his life, and that he suffered martydom by crucifixion in the Neronian persecution in the year 65. He was succeeded in the bishopric by Linus.2 Tradition is equally vague respecting the place of St. Peter's residence at Rome. According to one account, he lived in the house of the Senator Pudens 1 " Hesterni sumus et vestra omnia implevimus, urbes, insulas, castella, municipia, conciliabula, castra ipsa, tribus, decurias, pala- tium, senatum, forum ; sola vobis relinquimus templa."—Apol. c. 37. 2 Pagi, JBreviar. Gestor. Pont. Bom. t. i. p. 3 sq.318 church of pudentiana. and his wife Priscilla, situated in the Yicus Patricius, a street running from the Subura through the valley between the Yiminal and Esquiline, and represented by the modern streets called Via Urbana and Yia Sta. Pudenziana. Here he is said to have established a church or house of prayer, which, from the daughter of Pudens, obtained the name of Pudentiana. At this spot, not far from Sta. Maria Maggiore, a church of this name still exists, and is the first Roman church mentioned in the Liber Pontificalis. The old mosaics in its tribune are reckoned among the finest in Rome. The neighbouring church of Sta. Prassede seems to have taken its name from the sister of Pudenziana; but though this also ap- pears to have been a very ancient church, as two priests of that title are mentioned in the acts of the Council held by Pope Symmachus in 499, yet there are no defi- nite accounts of its foundation. According to other traditions which have not such an appearance of authen- ticity, St. Peter took up his abode near the present church of Sta. Cecilia in the Trasteyere, a.d. 45. He is also said to have dwelt upon the Aventine with Aquila and Prisca, a Jewish couple that had been converted to Christianity, supposed to have been of the same family as the Aquila and Priscilla, whom St. Paul met at Corinth after the expulsion of the Jews from Rome by the Emperor Claudius.1 The visit of St. Paul to Rome, whither he was brought as a prisoner in company with St. Luke, and his dwelling there two years in a house which he had hired, are recorded in the Acts of the Apostles. During this period he seems to have been retained in a sort of sur- veillance, though with liberty to preach and receive his 1 Acts, xviii. 2.ST. PAUL AT ROME. 319 friends. According to tradition, lie dwelt in the Via Lata. Beyond this period there is no authentic account of the life of St. Paul; but it is pretty certain that he suffered martyrdom at Eome, and in all probability in company with St. Peter at the time of Nero's persecu- tion. According to a tradition, they were both led forth to execution by the Porta Trigemina, and along the Yia Ostiensis; and St. Paul was put to death at a place called Aquae Salvise, not far from the magnificent Basilica that bears his name.1 But St. Peter was con- ducted back either to the Janiculum, or more probably to Nero's Circus, near the present Basilica of St. Peter, and there crucified; and it is said with his head down- wards, agreeably to his own request. In the early ages of the church, in the midst of these dangers and persecutions, and even down to the middle of the fifth century, the Christians of Rome resorted to large subterranean caverns outside the walls, which served them at once as places of refuge and conceal- ment, as churches wherein to exercise their sacred rites, and as places of interment for their dead. These caverns are now commonly known by the name® of Cata- combs ; but in ancient times they were also called Arece, Oryjptce, and Goemeteria. According to the most general opinion, which«is also that of Bosio and his editor Aringhi,2 these catacombs were constructed by the Christians in the sandpits, or galleries, called arenarice, or arenifodince, excavated by the pagan Romans for the purpose of procuring building materials. That such excavations existed we know from the testimony of classical writers. Cicero mentions some arenari outside the Porta Esquilina;3 and Suetonius, in relating the 1 Aringhi, Boma Stibterr. lib. iii. c. 2. 2 Ibicl. lib.i.e. 1. 3 Pro Ql%ent. 13.320 SUBTERRANEAN ROME. death of Nero, describes how Phaon exhorted him to enter a cavern formed by excavating the sand.1 The Cavaliere de Rossi has recently treated this subject in a large and learned publication.2 In a dissertation by his brother, Michele Stefano de Rossi, entitled Analisi Geo- logica ed Architettonica, which the Cavaliere has annexed to his work, it is laid down that the catacombs, with very trifling exceptions, are entirely the work of the Christians.3 Into this subject, on which volumes might be written, we shall not enter; and those readers who are curious on the subject are therefore referred to the work just mentioned. It should, however, be stated that one of the results of Cavaliere de Rossi's investi- gations is to transfer the catacombs of S. Calixtus from the church of S. Sebastian", where they are commonly placed, to a spot rather nearer Rome between the Via Appia and Yia Ardeatina.4 We have already adverted, when describing the per- secution of Nero, to the hatred with which the Chris- tians were regarded by the Roman populace. During two or three centuries they were considered as the proper expiatory victims of any public calamity ; and on such occasions * their death was clamorously de- manded by the people assembled in the theatres. A still 1 Ner. 48. 2 La Roma sotteranea Christiana, descritta ed illustrata dal Cav. G. B. de Rossi, torn. i. Roma, 1864. 3 " I cemeteri sotteranei di Roma sono stati scavati dai cristiani fossori tranne pochissime eccezioni, le quali importanti per la storia, nell' ampiezza pero della sotteranea escavazione scompajono; e possono veramente dirsi quello, che i matematici appellano una quantita infinitesima e da non essere tenuta a calcolo."—A pp. p. 39. Two of the catacombs are Jewish. 4 Roma sott. Christ, p. 250.PROGRESS OF CHRISTIANITY. 321 worse fate was invoked upon the Christian yirgins.1 A conspicuous martyr among these inhuman sacrifices was Ignatius, bishop of Syria, who by command of Trajan was thrown to the wild beasts in the amphitheatre during the festival of the Saturnalia. Yet in spite of these persecutions the church continued to flourish at Rome. The number of Christians there in the middle of the third century has been estimated, from an authentic statement of the number of their clergy, at about 50,000.2 Christian Rome is said to have been divided so early as the reign of Domitian into seven parishes, but only in order to write the history of the martyrs. Euaristus, who was bishop of Rome in the time of Trajanp is supposed to have first adapted these divisions to ecclesiastical purposes by appointing seven priests and seven deacons.3 Churches are said to have been built at Rome in the third century, but nothing is certain before the time of Constantine. The first ecclesiastical architects could not, on reli- gious grounds, take the heathen temples for their models, and they therefore resorted to the civil buildings of the Romans, and especially the Basilicaa; which also from their structure were better adapted to Christian worship. The seven primeval churches of Rome, said to have been founded by Constantine, are of this description: namely, that of the Lateran, the Yatican, S. Paolo fuori le Mura, Sta. Croce in Gerusalemme, Sta. Agnese out- 1 " Si Tyberis aseendit ad moenia, si Nilus non ascendit in arva, si coelum stetit, si terra movit, si fames, si lues, statim, c Christianos ad leonem!5"—Tertull. Apol. c. 40. An alliterative cry, which probably afforded much amusement to those brutal minds, was: " Virgines ad lenonem ! "—Ibid. 48 sub fin. 2 Eusebius, ap. Gibbon, vol. ii. p. 211 (Smith's ed.). 3 Anastasius, in Vitis Clementis et Euaristi. Y322 CHRISTIAN BASILICA. side the Porta Eomentana (or Porta Pia), S. Lorenzo fuori le Mura (about half a mile outside the Porta S. Lorenzo), and SS. Petrus et Marcellinus outside the Porta Maggiore. But it is very doubtful whether Con- stantine founded all these churches. When the origin of a church was lost in remote antiquity, it was convenient to refer it to the first Christian emperor; but the only one that can be ascribed to him with certainty is that of the Lateran. His consort Eausta possessed the palace of the Laterani on the Ceelian, a family which we have already had occasion to mention; and it is believed that Constantine gave that part of it more particularly called Domus Faustse to the bishop of Rome for a dwelling. It is also thought that at the request of Pope Sylvester he erected there a Basilica dedicated to the Saviour and consecrated it in 319. This church has always been regarded as the first in dignity not only in Home but in all the world, and is hence entitled Sacrosancta later a- nensis ecclesia, omnium urbis et orbis ecclesiarum mater et ca^ut. It retained its name of Salvatore, or the Saviour, till 1144; when, Pope Lucius II. having added the wor- ship of St. John the Baptist and St. John the Evange- list, it thenceforth obtained the name of Basilica diLS. Giovanni in Laterano. It forms no part of our plan to describe the Roman churches; but as the seven before enumerated were re- garded with a peculiar veneration, we shall here briefly record the origin of the remainder of them.1 The Basilica of S. Pietro in Yaticano, which may now be said to have virtually eclipsed the mother-church of the Roman bishopric in the Lateran, was at first inferior 1 A principal authority respecting the churches erected by Con- stantine is Ciampini, Be sacris csdificiis a Constantino Magno ex- tructis.S. PIETEO m YATICANO. 323 to it, nor is its origin so authentically attested. It is affirmed that the body of St. Peter was interred after his martyrdom in the Christian cemetery in the Vatican, and that Anacletus, the fourth bishop of Rome, erected over his tomb a chapel or oratory. This chapel is said to have been converted by Oonstantine into a church, or Basilica, in honour of St. Peter, which was dedicated by Pope Sylvester in 324. According to the Liber Pontifi- calis, the Basilica was built on the site of a temple of Apollo. This temple is only legendary; but when the Basilica was rebuilt at the beginning of the sixteenth century, inscriptions were dug up relating to the Tawro- bolia and Kriobolia, showing that the worship of Cybele had formerly been celebrated here. This worship, in all its repulsive forms, maintained itself the longest at Rome; and Prudentius, who flourished in the latter half of the fourth century, has described in his Hymn to S. Homanus the horrible sacrifices with which it was attended. The latest of the inscriptions referred to ap- pears to belong to the year 390;1 a fact which seems to militate very strongly against the possibility of the Basilica having been founded by Oonstantine. The original Basilica remained in existence more than eleven centuries, when Pope Nicholas V. conceived the idea of erecting a new one. Little, however, was done till the time of Julius II., who laid the first stone of the new edifice in 1506. It was to be constructed after the plans of Bramante, but many alterations were made in it by succeeding popes. Leo X. proceeded with the building with the assistance of Griuliano Giamberti, Giocondo da Verona, and especially of HaJfaelle Sanzio ; after whose death in 1520 the work was intrusted to Baldassare 1 See Beugnot, Hist, de la Destruction du Paganisme, t. i. p. 159, note.324 S. PAOLO FUORI LE MURA. Peruzzi. Pope Paul III. having ascended the papal chair called in Michelangiolo, who continued to direct the building under his three successors, Julius III., Marcellus II., and Paul IY. The Basilica, however, still underwent many alterations, and was not completely finished till the Pontificate of Pius VI, (1775-1800) Paul V. (Borghese), who ascended the papal throne in 1605, wishing to include all the parts of the ancient Basilica in the new one, intrusted the work to Carlo Maderno. This architect, whose labours were completed by Bernini, converted the Greek cross of the Basilica into a Latin one by lengthening the nave, and added the present portico and fa9ade. The effect of these alterations has been most unfortunate. Besides other architectural defects of detail, the two following are most injurious to the general appearance of the Basilica: the drum of the cupola cannot be seen even from the furthest extremity of the Piazza, while on entering, in- stead of being struck by the majesty of the cupola, one perceives only a sort of gash in the roof.1 These defects are at once obvious even to the unprofessional beholder, and require no architectural knowledge to be condemned. S. Paolo fuori le Mura, or sulla Via Ostiense, was erected in honour of the fellow-martyr of St. Peter. The tradition respecting the origin of this Basilica is precisely similar to that regarding St. Peter's ; namely, that Anacletus erected, an oratorium over Paul's se- pulchre, which at the request of Sylvester was con- verted into a church by Constantine, an. 324. Valen- tinian II. began to rebuild it in 386, and the new edifice was completed by his successor Honorius. Some of the pillars which adorned it are said to have been taken 1 Milizia, ap. Nibby, Roma Mod. t. i. p. 600.OTHER BASILICiE. 325 from tlie Mausoleum of Hadrian. The ancient Basilica was burnt down in 1823, but has since been restored more magnificently than before. The Basilica of Sta. Croce tist G-erttsalemme, close to the Amphitheatrum Castrense, is related to have been erected by Constantine in the imperial gardens called Sessorium. Hence it is sometimes called Basilica Sesso- riana ; sometimes also Heleniana, from Constantine's mother. Its more common name of Santa Croce is de- rived from a fragment of the cross preserved in it, sup- posed to have been discovered by Helena. The Basilica of Sta. Agnese (sulla Via Nomentana), about two miles from Porta Pia, was, it is said, erected by Constantine at the prayer of his daughter Constan- tina. St. Agnes suffered martyrdom in 310, and the church was erected over the cemetery in which she had. been buried, and which formed part of the imperial do- mains. This church, although it has been restored several times, is remarkable as the only one which has preserved the characteristic of the ancient Basilicse, by having an upper portico over a lower one. S. Lorenzo fuori le Mura is also one of the Basilicas ascribed to Constantine. It was built in the cemetery of S. Ciriaca, a Roman matron who caused the bodies of the martyrs to be buried there, and among them that of S. Lorenzo, first deacon of the Roman church. This Basilica, as well as St. Paul's, has been celebrated in the verses of Prudentius.1 The Church of SS. Pietro e Marcellino, the last of the seven, stood under the Ceelian Hill, just outside the ancient Porta Querquetulana, and not far from the Lateran. We shall also mention here two other Basilicas to 1 Peristeph. Hymn. ii. 525 sqq., xii. 45-54.326 S. SEBASTIANO AND S. MARIA MAGrGrlORE. complete the number of all tlie Homan churches to which that name has been applied. These are the Basilica S. Sebastiano fuori delle Mura, and Sta. Maria Maggiore. S. Sebastian, which stands about two miles beyond the gate of the same name, was built over what is com- monly called the cemetery of Calixtus, the most cele- brated of the ancient catacombs. The date of its foundation is altogether uncertain, though by some writers it has been ascribed to Constantine. Sta. Maria Maggiore, one of the four patriarchal Ba- silicas, the others being the Lateran, St. Peter's, and St. Paul without the Walls, is thought to have been founded in the middle of the fourth century, in the pontificate of Liberius. It stands on the highest point of the Esquiline near the ancient Macellum Livise. It was sometimes called Sta. Maria ad Wives, from a pro- digious f&ll of snow early in August on the spot where it stands ; which, according to the legend, gave occa- sion to its foundation. Its name of Maggiore was de- rived from its being the first Roman church dedicated to the Virgin. The worship of the Virgin appears not, however, to have been officially recognized at Rome till the following century. The first prominent trace of Mariolatry is in the reign of Pope Sixtus III. (432-440), who rebuilt and enlarged the Basilica, adorned it with splendid mosaics, and consecrated it to the Mother of God.1 Of the churches above enumerated, seven, although they gave no title to a cardinal, were regarded as the chief and most venerable of Home, and were, in the middle ages, the objects of the visits of the "Western 1 Anastasius, Vita Sixti III. § 64.CONSTANTINE'S CHRISTIANITY. 327 pilgrims. These were St. John Lateran, St. Peter's, St. Paul's, S. Lorenzo, Sta. Maria Maggiore, S. Sebastian in the Appian Way, and Sta. Croce in Grerusalemme. From describing the origin of the first Basilicas, and the conversion of heathen buildings into Christian churches, it is a natural transition to consider whether any of the rites of pagan worship also passed into the Christian service. The first Roman converts to Chris- tianity appear to have had very inadequate ideas of the sublime purity of the Grospel, and to have entertained a strange medley of pagan idolatry and Christian truth. The Emperor Alexander Severus, who had imbibed from his mother Mammsea a singular regard for the Christian religion, is said to have placed in his domestic chapel the images of Abraham, of Orpheus, of Apollonius, and of Christ, as the' four chief sages who had instructed mankind in the methods of adoring the Supreme Deity.1 Constantine himself, the first Christian emperor, was deeply imbued with the superstitions of paganism; he had been Pontifex Maximus, and it was only a little while before his death that he was formally received by baptism into the Christian church. He was particularly devoted to the worship of Apollo, and he attempted to conciliate his pagan and his Christian subjects by the respect which he appeared to entertain for the religion of both. An edict enjoining the solemn observance of Sunday was balanced in the same year by another di- recting that when the palace or any other public build- ing should be struck by lightning, the haruspices should be regularly consulted.2 There is indeed an edict of May 16th, 319, fordidding an haruspex to enter a private house under pain of being burnt, whilst he who called 1 Lampr. Alex. Sever, c. 29. 2 Codex Theod. xvi. 10, 1.328 PAGANISM AND CHRISTIANITY MIXEIX him in was to be banished, and his goods were to be confiscated. But the secret exercise of this art for un- lawful purposes had been forbidden many centuries before by the Twelve Tables and afterwards by the Emperor Tiberius,1 and Constantine's edict just referred to proceeds to allow its exercise in open day in the temples and at the public altars.2 It may be presumed that such a sovereign might have beheld without con- cern the intermixture of heathen with Christian rites; nay, that he might have favoured such a mixture as a means of inducing his pagan subjects the more readily to obey his exhortations for the adoption of Christianity. Such a mode was perhaps also generally felt, so far as it could be allowed, to be a necessary compromise in the rude and sudden transition from paganism to a religion of so opposite a character. Of the fact, however, whatever may have been its cause—and we can imagine no more probable one— there can be no doubt. The resemblance between some of the pagan and the Roman Catholic rites is too strik- ing to be ignored even by the most careless observer. We shall here adduce some of the most remarkable instances, and leave the reader to form his own con- clusion.3 The tonsure of the Roman Catholic priests appears to have been borrowed from those of Anubis,4 the wor- ship of which Egyptian deity had long been introduced at Rome. Thus we are told that the Emperor Commo- 1 " Haruspices secreto ac sine testibus consuli vetuit."—Suet. Tiber, 63. 2 Cod. Theod. ix. 16, 1 and 2. 3 See on this subject Middleton's Letter from Rome, from which, the greater part of the following illustrations have been taken. 4 Herod, ii. 36.PAGAN RITES IN CHRISTIAN WORSHIP. 329 dus got his head shaved in order that he might carry the god in procession.1 The burning of lamps or candles was a frequent cus- tom in the pagan worship, as it now is in that of the Roman Catholic church,2 and the gifts of lamps and candlesticks to temples and altars are frequently re- corded in inscriptions. The burning of lights seems to have been originally substituted for the sacrifice of hu- man victims, and the altars of Saturn, which had once reeked with human blood, were afterwards adored in- stead with lighted candles.3 Lights appear to have been burnt in ancient Rome before the Compitalian Lares, just as we now see them before the images of the Madonna. So, too, the bearing of torches in monkish funeral processions was a heathen custom, as we see from Yirgil's description mi the funeral of Pallas: Arcades ad portas ruere, et de more vetusto Eunereas rapuere faces : lucet via longo Ordine flammarum, et late disci'iminat agros.4 The ancient idols were dressed out in curious and costly robes, and the pagan priests carried them about in pro- cessions just as their Roman Catholic successors do at the present day.5 The pagans had a vessel of holy water, called by the 1 Lamprid. Comm. 9. 2 " Placuere et lychnuchi pensiles in delubris."— Plin. H. N. xxxiv. 8. 3 i( Quia non solum virum sed et lumina (pwra significat," says Macrobius, Sat. i. 7—the interpretation of a genuine grammarian! Yet centuries before Lucretius (ii. 77) had compared the fleeting life of man to a lamp : Et quasi cursores vitai lampada tradunt. 4 JEn. xi. 143. 5 Tertullian, De Idolatr.330 HOLY WATER—EX VOTO'S. Greeks irepippavTripiov, by the Latins aquiminarium or atnula, placed at the entrance of their temples, where- with to besprinkle themselves ; the water in which, as is still the custom, appears to have been mixed with salt. Ion, in Euripides, alludes to this purgation, but from the living fountain : a\\' & Qoifiov AfX^oi Okpcnrsg rag KaaraXiag apyvpueideTg (3aiv£T£ divag, tcaOapcug Se dpoaoig me. Paris, 1850. 3 See Gesch.der Stadt Bom, B. iii. S. 554, and Ozanam's introduc- tory Notice.432 DATE OF THE " GRAPHIA." date than the middle of the twelfth century can indeed admit of no dispute, since it mentions the tomb of Pope Anastasins IV., who died in 1154. The question as to how far it reaches back presents more difficulty. The last part of it, which describes the ceremonial for the reception of an emperor, the naming of a patrician, &c., Gregorovius refers to the time of Otho II. or III. (973 to the end of the century) ; whilst Ozanam, we think with more probability, assigns it to the time of the Greek emperors, and consequently to a period earlier than the middle of the eighth century, when the con- nection between Rome and Constantinople was broken off. We think that Ozanam's view is supported by the many Greek names of persons and things, though writ- ten with Latin letters, that occur in this part of the treatise, which would hardly have been used under the German emperors ; and also by the nature of the cere- monial enjoined. Take for instance the explanation of the term Monocrcitor, or Emperor : " Monocrator appel- latur a singularitate. Monos namque, grece, latine dicitur unus et singularis. Orator, grece, latine prin- ceps." What possible use could there have been for such explanations in connection with the German Caesars P Wor can we believe that one of these emperors would have put on a chlamys, or a Dalmatica diarrho- dina, and other extravagant dresses, crowns, and other ornaments described in this ceremonial; or that he would have been accompanied by eunuchs, or have re- quired the people to bow down their heads before him to the ground. All these things bespeak the despotic and oriental manners of the Byzantine court; and even the very name of the book, GrctjoMa, shows it to have had a Greek origin. The Gravida consists of three parts : a sort of historicalITS ABSURDITIES. 433 introduction ; a description of the city and its monu- ments, which in the main coincides with the Mirabilia, but with many remarkable deviations ; and the imperial ritual to which we have already alluded. The introduc- tory part recounts the origin of Rome in a series of absurd legends, in which Scripture is mixed up with the heathen mythology. After the confusion of tongues at Babel, Noah is said to have passed into Italy, and to have founded a city named after himself, at a spot not far from Rome. Janus, who is made the son of Noah, with a grandson of the same name, the son of Japhet, and Cames,1 an aboriginal, built soon after, on the other side of the Tiber, a palace called Janiculum ; while Nimrod, who is identified with Saturn, fortified the Capitol. Other personages of the heathen mythology are then introduced, but in strange confusion. Italus, at the head of a body of Syracusans, is related to have built a city on the Albula, or Tiber, which he called after himself. The construction of no fewer than seven cities at or near the same spot is then recorded— namely, an Argive city named Valentia under the Capi- 1 Cames is also mentioned by Macrobius (Sat. i. c. 7) as an indi- genous prince or hero, who founded the Janiculum. May he be the same personage as Camens, represented by Yirgil (2En. x. 562) as king of Amyclse, and the greatest proprietor of land among the Ausonians ? Several of the Italian cities claimed an origin froni the sons of Noah. Thus Milan traced its foundation to Subres, a grand- son of Japhet 5 Tubal, son of Japhet, was said to have built Ravenna; Florence ascribed its foundation to Jupiter, son of Ham, who came to Europe with his wife Electra, and his astrologer Apollo, and built on the hill of Fiesole the first city in the world! Ozanam, Documents In edits, p. 85 sq. According to the same author, there still exists in the communal palace at Viterbo a picture repre- senting Noah landing on the coast of Italy, and dividing the land among his sons. F F434 MEDIEVAL ABSURDITIES. toliiie Hill; a city erected by Tibris, an aboriginal, near tlie river of the same name; one on the Palatine, by the Arcadian Evander ; one in the valley, by Coribam, king of the Sacrani; one by Glaucus, a descendant of Jove; one by the daughter of .ZEneas, on the Palatine; a palace and mausoleum by Aventinus Silvius, king of Alba, on the Aventine; lastly, after the destruction of Troy, Romulus, a descendant of Priam, included all these cities in a wall, and called the new one thus created Eome, after himself. Nearly all the nobles of the earth, with their wives and children, came to dwell there— Etrurians, Sabines, Albans, Tusculans, Politanenses, Telenenses, Eicanes, Janiculenses, Camerinenses, Ealisci, Lucani, and Itali! One sees what may be expected from the learning and judgment of such an author. Nevertheless, if he and the compiler of the Mirabilia, a book only less absurd because it is less long, had merely professed to tell us of the Roman monuments, what they themselves saw, we might have formed some idea of the state of Rome in the twelfth or thirteenth century, in spite of the extra- vagant legends which they have inserted. Unfortu- nately, however, they do not confine themselves to this, but pretend, so far as their barbarous Latin is intel- ligible, to give a description of Pagan Rome, such as it existed in the time of the Republic and Empire;1 and we have consequently no means of knowing, in their 1 "Haec et alia multa templa et palatia Imperatorum, Consilium, Senatorum, Prefectorumque tempore Paganorum (or Dictatorum) in hac Romse urbe fuere, sicut in priscis annalibus legimus, et oculis nostris vidimus, et ab antiquis audivimus, Quantse essent pulcritu- dinis auri, argenti, seris, eboris ac pretiosorum lapidum, scriptis ad posterum memoriam melius reducere curavimus."—Grajphia, ap. Ozanam, p. 171. The Mirabilia has a similar passage sub Jin.SOME SPECIMENS. 435 enumeration of the monnments, what were actually in existence, and wliat were mentioned only from former works and from tradition. A few more specimens will serve to show how little the books we are noticing can be relied on. Hadrian's Temple of Venus and Rome was considered to be the Temple of Romulus, and the two cells in it were thought to be dedicated to Piety and Concord. In this temple Romulus was said to have placed a golden statue of him- self, with the affirmation, " It shall not fall till a virgin brings forth." As soon as the Virgin Mary gave birth to Christ, the statue fell.1 The Arch of Severus was called the Arch of Julius Caesar and the Senators, which seems to show that the inscription on it must have been at that time hidden by buildings on or near the arch ;2 and indeed in Montfaucon's edition of the Mirabilia we read that it was then occupied by towers called De Bratis.3 Vespasian's and Titus' Temple of Peace is said to be "juxta Lateranum;"4 while in another passage we find it indicated in the right place but under a wrong name.0 But it would be needless to multiply 1 " Arcus Vespasiani et Titi, ad Sanctam Mariam Novam, inter Pallantem (Pallanteum, the Virgilian name for the Palatine) et templum Romuli."—Graphia, p. 157. "In Palatio Romuli sunt duae sedes Pietatis et Concordise, ubi Romulus posuit statuam suam auream, dicens: Non cadet donee virgo pariat. Statim ut Virgo Maria peperit, ilia corruit."—Ibid. 158. 2 " Arcus Julii Csesaris et Senatorum inter sedem Concordise et Templum Fatale" (the Temple of Janus).—Graphia, p. 157. 3 " Arcus Julii Csesaris et Senatorum ante S. Martinam, ubi modo .sunt turres de Bratis."—Mirabilia, p. 18, where the word Sena- torum shows that tradition placed the Curia at S. Martina. 4 Graphia, p. 160. 5 " In ecclesia S. Cosmatis est templum asilum. Retro fait tem- plum Pacis et Latonse."—Ibid. p. 167.436 THE " ORDO " OF CANON BENEDICT. instances to show how untrustworthy, for the most part? are these topographical guides. The Ordo of the Canon Benedict (Ordo Homanus XI.), describing the route from St. Peter's to the Lateran taken by the procession of the pope after his corona- tion, in which the more striking ancient monuments were purposely visited,1 also affords a glimpse of them during the middle ages. This Ordo is addressed to Guido di Castello, who afterwards became Pope Celes- tine, and must, therefore, have been written before the year 1143.2 The procession, which formed a sort of papal triumph, was commonly called II Possesso, and the route taken was named " Sacra Via," like the sacer- dotal road in ancient Rome. The pageant was repeated every year on the second holiday after Easter Sunday.3 When mass was ended at St. Peter's, the pope was crowned in front of that Basilica. Here he mounted his horse with a crown on his head, and returned to the Palace of the Lateran by the following " Sacra Yia: " through the portico, oyer Hadrian's bridge, and under the triumphal arch of Theodosius, Yalentinian, and Grratian, to the Palace of Chromatius,4 where the Jews 1 Gregorovius (B. iv. S. 6]4, Anm. 2) thinks that the serpentine line taken by the procession was adopted because the direct route was encumbered with rubbish. But the evident intention was to visit the most remarkable ancient monuments extant. 2 See Mabillon, Mtisceum Ital. t. ii. p. 125 sqq. 3 See Cancellieri, Storia de* solenni Possessi de* sommi Ponteficir c. iii. § 4, p. 10 (Roma, 1802). The necessary extract from the Ordo will also be found in this work, and in Fea's Dissertazione, 8fc. Ac- cording to Mabillon (ap. Cancellieri, p. 1), the first coronation of a pope was that of Leo III. in 795. 4 The Grajphia places this palace " ad S. Stephanum in Piscina," p. 170. Parts of this palace were discovered when the Church of S. Sebastian in the Via S. Lucia was pulled down. Beschr. der Stadt Bom. B. iii. 3, S. 84.ROUTE OF THE POPE. 437 saluted him with, a song of praise (faciunt laudem) ; then through the district called Parione between the Circus of Alexander (Piazza Navona) and the Theatre of Pompey, turning then to the Portico of Agrippina (ap- parently the Pantheon), so through the place or region called Pinea (Rione Pigna), near the Palatine;1 then passing in front of St. Mark's (adjoining the present Palazzo di Venezia), the procession passed through the arch called Manus Carnea3, ascended the Clivus Argen- tarius, between the insula of the same name and the Capitol (the Salita di Marforio),2 descending before the Mamertine prison. The pope then passed through the triumphal arch (that of Severus), which lies be- tween the Templum Patale (the Temple of Janus) and the Temple of Concord; whence, proceeding between the Porum of Trajan and that of Csesar, he passed through the Arch of Nerva, between the Temple of Minerva and that of Janus.3 He then proceeded along the payed road before the Asylum—it is impossible to say what may be meant by this evidently wild conjecture— 1 According to Gregorovius, B. iv. S. 613, a place anciently called ad Pallcicenas, near St. Mark's. 2 By the insula must be meant the place where the Basilica Argen- taria once stood. Observe here the north-eastern summit of the Capitoline hill called Capitol. The " Arcus Manns Carnese " cannot be identified with any certainty, but the Mirabilia seems to attri- bute it to Antoninus. The Grajphia explains its name by the fol- lowing legend :—The Emperor Diocletian had ordered Sta. Lucia to be beaten to death here with rods. The man who beat her was turned into stone; but his hand has remained flesh to the present day! P. 158. 3 The text has subintrat arcum Nerviae," which is plainly an error for t( Nervse." The Forum Transitorium of Nerva adjoined that of Caesar $ and it appears from this passage that the archway between them was extant in the 12th century. But Benedict has evidently -confounded the Emperor Nerva with the goddess Minerva. We438 MONUMENTS IN TWELFTH CENTURY. where Simon Magus fell close to the Temple of Romulus;1 then through the triumphal arch of Titus and Yespasian, or, as it is called, of the Seven Candlesticks ; descending thence to the Meta Sudans, in front of the triumphal arch of Constantine, and turning to the left before the Amphitheatre, the procession returned to the Lateran by the Sancta Yia, or Holy Way, close to the Colosseum. As the Ordo of Benedict is an official programme, we may be sure that the objects which it mentions were in existence; and thus, so far as it goes, it is a more trust- worthy guide than the Gravida or Mirabilia as to the state of the Roman monuments in the twelfth century ; though, like the Des-criptio Hegionum of the Anonymus of Einsiedeln, it is not exhaustive, and mentions only those which occur on a certain route. We may gather from it that, in addition to the monuments which we still see, the following ones at least were then in exis- tence: the triumphal arch of Theodosius, Yalentinian, and Gratian ; the stadium of Domitian (or at least some remains of it), which seems then to have borne the name of the Circus of Alexander, possibly from some resto- rations by Alexander Severus ; the theatre of Pompey, though doubtless in ruins, the very site of which is now uncertain; an arch under the north-west side of the Capitol; the little Temple of Janus, or at all events have seen that Domitian, whose Forum it really was, erected here a Temple of Minerva, and also a Temple of Janus (see above, p. 276), quite distinct from the little bronze Temple of Janus. These are the two temples which Benedict intends to specify. 1 Gregorovius (B. i. S. 614, Anm.), rejecting here both the conjec- ture of Becker that by this is meant the JEdes Penatium, and that of Bunsen, that the Temple of Venus and Rome is intended, thinks- that the Basilica Constantini is meant. But I have already shown that at this time, as Bunsen assumes, .the Temple of Yenus and Rome passed for that of Romulus.CAUSES OF ROME'S DESTRUCTION. 439 some memorial of the spot where it stood; remains of the fora of CsBsar and Nerva, with the arch leading into the last; .Domitian's Temple of Minerva (near the Golotmacce), and his Janns Quadrifrons, or archway with four gates. Gibbon, in the last chapter of his great work, has enumerated the four following causes of the decay of the Roman monuments: 1, the injuries of time and nature; 2, the hostile attacks of the barbarians and Christians ; 3, the use and abuse of the materials; 4, the domestic quarrels of the Romans. That the lapse of time alone, unaided by the natural phenomena of hurri- canes, earthquakes, fires, and inundations, would have had but little effect, is evident front the fine state of preservation of some of the Roman monuments after a period of1 near 2,000 years. Earthquakes and hurri- canes, though not of a very destructive kind, have no doubt sometimes occurred at Rome; but it would be impossible precisely to indicate any damage to the an- cient monuments which they might have occasioned. The most destructive earthquake recorded is that of the year 1349, mentioned by Petrarch in his letters.1 But the damage which he particularizes was confined to comparatively modern buildings: the Tor de' Conti, the church of St. Paul, and the roof of the Lateran. The ruin of the south side of- the Colosseum has indeed been sometimes attributed to this earthquake, but it does not appear that this opinion rests on any satisfactory autho- rity. Tremendous overflowings of the Tiber are re- corded in the time of Gregory the Great, in the seventh and eighth centuries, in 1345, in 1530, and other years. One which occurred in 791 is said to have carried away 1 Lib. x. ep. 2.440 INUNDATIONS—BARBARIAN DAMAGE. the Flaminian gate, and borne it a long way up the city.1 But inundations would act only on the low-lying parts of Rome near the Tiber, and even here they would be powerless against the nobler and more solid struc- tures. The Mausolea of Augustus and Hadrian, the Pan- theon, the theatre of Marcellus, the J anus at the Forum Boarium, and even the Arch of the Goldsmiths, and the two little temples now converted into the churches of Sta. Maria del Sole and Sta. Maria Egiziaca, which are of no great strength, and stand close to the brink of the Tiber, have survived all the overflowings of that river. Fire would be a more destructive element, and when the city was in a tolerably perfect state it doubtless occasioned some damage : but in the middle ages, when only the more solid monuments had survived, and when these had become in a great measure isolated from other buildings, the risk from fire would have constantly diminished. We agree with Gribbon in thinking that the barba- rians, however they may have plundered Rome, did comparatively little damage to its monuments. When we consider the state of their engineering science, how often they fruitlessly besieged Rome, where they seldom effected an entry except through treachery and strata- gem, we may confidently infer that, even admitting they had been inclined to destroy the buildings, they would not have wantonly undertaken a task which, before the use of gunpowder, must have presented enormous diffi- culties and demanded much labour. The charges against the barbarians are for the most part couched in vague and general terms, and many of them are evident exaggerations: as when Pope Grelasius says that "Alaric 1 Anastas. Vit. Adriani, § 356.CIVIL WARFARE. 441 overturned the city; " when Cassiodorus, and after him Philostorgius, says that most of the wonders of Rome were burnt, &C.1 If we analyze these accounts, we find only three specific cases of damage to the ancient monuments : the burning of the house of Sallust near the Salarian gate by Alaric; the stripping of the gilt tiles from the Capi- toline Temple by Genseric; and the destruction of the aqueducts by Yitiges. The second instance shows that the barbarian conquerors cared only for such objects as were of marketable value. The destruction of the aqueducts was a mere strategical act for the purpose of forcing the city to surrender ; and though its effect was to cause the ruin of the baths, Yitiges cannot be justly charged with haying maliciously sought that result. We cannot agree with Gibbon in thinking that "the most potent and forcible cause of destruction was the domestic hostilities of the Romans themselves." This cause he finds in the custom of the nobles of erecting their towers on the ancient temples and arches. But before the use of gunpowder, or even after, the attack of a fortress was very far from implying its total de- struction. The fortification, if it could be taken at all, was generally carried by assault and scaling. The very number of these towers during the middle ages, not only in Rome, but also in other Italian cities, and indeed through a great part of Europe, proves how impreg- nable they were. At Rome, the same fortresses seem to have remained in the possession of the same families for several generations. Hence, in spite of the batter- ing-rams and enormous stones which we read of as being employed in this domestic warfare, we are inclined to 1 See the passages collected by Lord Broughton, Italy, vol. i. ch. 9. Lord Broughton has very carefully investigated the causes of the destruction of Roman monuments.442 ANCIENT MONUMENTS HOW PRESERVED. adopt, what may seem a very paradoxical opinion, that the appropriation of the ancient monuments by the nobles, and the conversion of them into strongholds, rather tended, on the whole, to their preservation. It saved them from neglect and decay, from pillage and appropriation for the sake of their building materials, or the lime which they afforded. An argument in con- firmation of this view may be adduced from the fact that nearly all the monuments which Gibbon mentions as having been converted into fortresses are among the best preserved. The " triumphal monument of Julius Caesar " is, as we have seen, no other than the arch of Septimius Severus. 'The arch of Titus is in a very toler- able state of preservation, although it formed part of the fortress of the Frangipani; and the same may be said of the Colosseum, which was included in their enceinte. The Colosseum probably came into the pos- session of the Frangipani in the eleventh century. In the following century we find them sheltering two popes in it, Innocent II. and Alexander III. About the middle of the thirteenth century, the Frangipani were driven out by the Annibaldi, who held it to 1312 ; after which it appears to have again become the property of the State. The defective portions of that building were not knocked down by battering-rams, but were most probably carried off peaceably and leisurely to build modern palaces and churches. Nothing can impress us with a stronger idea of this magnificent structure, than the fact that some of the finest palaces in Rome were built out of a small part of its materials. The arch of Antoninus, if it ever existed, has certainly disappeared, but in what manner is unknown. The Mole of Hadrian, which has endured more sieges than any fortress in Rome, still subsists. The Septizonium of Severus, which, asROME DEMOLISHED BY THE ROMANS. 443 Gibbon observes," was capable of standing against a royal army," survived to be pulled down by Pope Sixtus V. The sepulchre of Metella, which the historian describes as having " sunk nnder its outworks," is still standing. Of the theatres of Pompey and Marcellus, the strong- holds of the Savelli and Ursini families, the former has .vanished, but a good portion of the latter exists. Bat the theatre of Pompey can hardly have been destroyed by a siege; and out of the whole list of monuments mentioned by Gibbon, there is not one the destruction of which can with any certainty be referred to such a cause. We are therefore inclined to think that to Gibbon's third cause, the use and abuse of the materials, the de- struction of the Roman monuments must principally be attributed. Under this head we include the destruction of the pagan temples and monuments through the zeal of the early Roman Christians, the conversion of them into churches by the emperors and popes, the appropria- tion of the materials either for building purposes, or for making lime; as well as the removal of buildings for what was considered to be the improvement of the city. We do not mean to deny that all the causes enumerated by Gibbon may, in a greater or less degree, have con- tributed to the destruction of the Roman monuments. We only mean to assert that by far th^most destructive cause was the use, or abuse, of the materials, and that the Romans were the principal demolishers of their own city. This spoliation was at least as early as the time of Constantine, who robbed an Arch of Trajan to deck his own, and even carried off some objects to Byzan- tium. After the introduction of Christianity at Rome, pagan temples suffered through neglect, as well as through the violence of the Christians. An exulting444 TEMPLES CONVERTED INTO CHURCHES. passage of St. Jerome paints in lively colours their state in the fourth century. " The once golden Capitol is now squalid. All the Roman temples are covered with soot and cobwebs; and an overflowing population rushes past the half-demolished shrines to repair to the tombs of the martyrs." 1 The early Christians were prompted both by religion and economy to convert the pagan temples into churches. Fabricius, in his Description of Rome, mentions fifty-eight churches which had been erected on sites where temples had previously stood.2 In such cases even their very names were for the most part obliterated by those given to the new structures. The process of spoliation, conversion, and destruction was pursued by the emperors and the popes, and even by private individuals. We read of a widow making a present of eight columns, belonging to a ruined temple on the Quirinal, to the Emperor Justinian, for the church of Sta. Sophia at Constantinople.3 From this anecdote we may conclude that pieces of ground con- taining very considerable ancient ruins were liable to come into the possession of private individuals, who might dispose of the remains as caprice or cupidity dictated. The edicts frequently promulgated by the emperors forbidding the destruction of the ancient monuments show that the practice was common. The lead, iron, and bronze were frequently extracted by common pilferers ; a practice which hastened the decay of the structures. The emperors always claimed a property in the public buildings of Rome, and in this respect the popes appear to have become their heirs. 1 Epist. vii. ad Lcetam (Ep. 57, ed. Benedict). 2 Eabricius, Descrip. Bonus, c. ix. ap. Grsev. Ant, Rom. t. iii. p 419 sqq. 3 Eea, Bissertazione, p. 302, note.SPOLIATION BY EMPERORS. 445 We have already mentioned that the sanction of Phocas was obtained for the conversion of the Pantheon into a Christian church. Amongst instances of spoliation by emperors and popes, we hear of Heraclius granting to Pope Honorins the bronze tiles either on the Temple of Venus and Rome, or on that assigned to Romulus, for the roof of St. Peter's.1 Charlemagne carried oE many columns from Rome to decorate his Basilica at Aix-la- Chapelle.2 During the dark ages, the Roman people, after the establishment of a popular and senatorial go- vernment in 1144, appear to have had a much greater veneration than their magistrates for the ancient monu- ments. By a decree of the senate and people in 1162, it was ordained that death and confiscation should be the penalties for any injury wantonly inflicted on the column of Trajan. But this good example did not be- come a precedent, or, at all events, was not extended to other monuments. The column of Trajan belonged at that time to the nuns of S. Ciriacus, while that of M. Aurelius was attached to the convent of S. Syl- vester.3 Otto, senator of Rome, about the middle of the fourteenth century, granted the marble of a temple on the Quirinal for the steps forming the ascent to the church of Araceli. The following are some of the more prominent instances, collected by Lord Broughton, of the appropriation by the popes of ancient materials to modern buildings or other acts of destruc- tion4:—Gregory III. transferred nine columns from some ancient building to St. Peter's. Adrian I., in order to enlarge the church of Sta. Maria in Cosmedin, 1 Anastas. Hon. sub init. 2 See the authorities cited by Gibbon, ch. lxxi. note 30. 3 Fea, Dissertazione, p. 355, sq. 5 GregoroY. B. iv. S. 641. 4 Italy) ch. ix.446 SPOLIATION BY POPES. pulled down a building of Tiburtine stone of such vast dimensions that the labour of a great number of men was employed a whole year in demolishing it. In more modern times, Paul II. (Pietro Barbo) built a palace out of the stones of the Colosseum. The same struc- ture served as an inexhaustible quarry to Paul III. (Farnese) and his nephews. Paul III. also contributed to the destruction of the theatre of Marcellus, Trajan's Forum, the temple of Faustina, and other buildings. Sixtus IY. (della Rovere) demolished an ancient temple near Sta. Maria in Cosmedin, the remains of a bridge, and the tomb of the Domitii, near the present Porta del Popolo: the burial-place of Nero.1 Alexander YI. (Borgia) demolished a pyramid to make way for a gallery between the Vatican and S. Angelo. The same pyramid had been stripped of its marble many centuries before by Pope Donus I. Sixtus Y. (Peretti) demo- lished the remains of the Septizonium and used them at St. Peter's, besides destroying other buildings. Urban YIII. (Barberini) stripped the portico of the Pantheon of its bronze, and carried off part of the base of the tomb of Cecilia Metella to construct the Fontana Trevi. Paul Y. (Borghese) placed the only remaining column of the Temple of Peace before the Basilica of Sta. Maria Maggiore, and took for his fountain on the Janiculum the entablature and pediment of a building in the Forum of Nerva. The last vestiges of the Circus Maximus seem also to have been removed in the time of Paul Y. From the instances given, to which many more might be, added, it is hardly too much to assume 1 Domitian was buried in the temple, or mausoleum, of the Flavian family (Suet. Bomit. 17), which, as we have seen, lay on the Quirinal (above, p. 275). Nero was buried on the Pincian Hill, in the tomb of the Domitii (above, p. 258).BUILDINGS SPOILED FOR LIME. 447 that the columns and marbles which adorn the Roman churches are for the most part spoils of ancient temples and other structures. The last act of spoliation com- mitted by a pope appears to be the pulling down of an ancient arch in the Corso, at the Palazzo Piano, by Alexander VII. (Chigi, 1655-1667). From bas-reliefs preserved in the Palazzo de' Conservatory it appears to have been an arch of M. Aurelius. Besides the appropriation of the materials of ancient monuments to new structures, another fatal cause of de- struction was the practice of converting them into lime. Flavio Biondo, the earliest author who wrote a book on the antiquities of Rome, in the first half of the fifteenth century, complains that when he saw vineyards existing on the former sites of magnificent buildings, the square Tiburtine stones of which had been reduced to lime, he felt inclined to loathe Rome as a residence.1 ^Eneas Sylvius, afterwards Pope Pius II., in a poem addressed to Bartolommeo Roverella, makes a similar complaint: Oblectat me, Roma, tuas spectare ruinas, Ex cujus lapsu gloria prisca patet. Sed tuus hie populus muris defossa vetustis Calcis in obsequium marmora dura coquit. Impia tercentum si sic gens egerit annos, Nullum huic indicium nobilitatis erit.2 About the same period, or rather earlier, Manuel Ch.ry.so- loras, in a letter to John Palaaologus in which he in- stitutes a comparison between modern and ancient Rome, adverts to the same deplorable practice, and remarks that the city seemed to live on itself and to be nourished by its own destruction.3 The Florentine Poggio, whose 1 Roma Instaurata, lib. iii. p. 33. 2 Mabillon, Mus. Ital. t. i. p. 95. 3 avrrjv vft eavTrjg rpetyevOcti iccii ava\iOG9ai.—'EmcrroXr} irpog rov 'Iojavvrjv ficicnXta, p. 109 (Paris, 1655).448 ROMAN REMAINS IN POGGIO'S TIME. treatise De Varietate Fortunes, describing the ruins of Rome, was written just before the death of Pope Martin Y. in 1430, complains that the whole Temple of Concord, which, when he first came to Rome, was almost entire, had been reduced to lime within his memory.1 If this process was carried on at so fearful a rate, it is easy to infer how great must have been the destruction from it. The same destructive process was continued at least down to the time of Pope Leo X. Castiglione, or rather Raphael, in a letter to that pontiff on the state of Rome, complains that monuments had been destroyed by the popes; that their foundations had been under- mined to procure pozzolano; that modern Rome was almost entirely composed of the remains of ancient marble ; that many monuments had disappeared during the twelve years he had lived in the city; as an obelisk in the Via Alessandrina, an unfortunate arch, and many columns and temples. The chief perpetrator of all this mischief was a certain M. Bartolommeo della Rovere.2 After this enumeration it will hardly perhaps be denied that the Romans themselves, their emperors, popes, and magistrates, were by very far the principal destroyers of Rome; and that not by their civil wars, but by their works in time of peace. Poggio has fortunately left us in the treatise before cited a description of the Roman ruins as they existed in his time ; from which it appears that they were not much more than what may still be seen. He sat down to contemplate them among the fragments of the Tar- 1 " Romani postmodum ad calcem sedem totam et portions partem, disjectis columnis, sunt demoliti."—Ap. Sallengre, Nov. Thesaur. t. i. p. 505 A. 2 Lettere di Castiglione, p. 150: Passavant, Vie de Baphael, t. i. p. 265.REPUBLICAN REMAINS. 449 peian citadel itself, behind tlie Imge marble threshold of some gate that has now disappeared; where his eye- sight or his memory supplied him with the following catalogue.1 There were then extant two arcades belonging to the Tabularium, of which only the lower one now remains. The building was then used as a public depot for salt, and contained an inscription recording its building by the consuls Q. Lutatius and Q. Catulus. The Pons Fabricius at the Insula Tiberina, and an arch of Tibur- tine stone over a road near the Aventine, erected by P. Lentulus Scipio and T. Quinetius Crispinus, have now disappeared. This arch is not mentioned in the Mira- bilia and Grajphia. Also the so-called trophies of Marius on the Esquiline. The pyramid of Cestius, and the tomb of 0. Publicius Bibulus near the Capitol still exist. These were all the remains of republican Rome. It may be observed that the author takes no notice of regal Rome, as the Cloaca Maxima and Servian walls. Of the works of the time of Augustus, all that re- mained entire were the Pantheon and an arch of Tibur- tine stone, inscribed with the name of Augustus, be- tween the Palatine Hill and the Tiber. This arch has also vanished, nor is it mentioned in the topographies just cited, though they give an arch of Octavian at the church of S. Lorenzo in Lucina. But this is the arch of Marcus Aurelius pulled down by Alexander VII. Of a later , period, three arches nearly entire out of six of Vespasian's Temple of Peace and one column. It may be suspected that these were the three arches still extant of the Basilica Constantini, which Poggio 1 See Sallengre, Nov. Thesaur. Ant. Bom. t. i. p. 501 sqq. G G450 REMAINS AT THE FORUM. does not mention and could not have overlooked. Part of the ancient wall of what he calls the Temple of Ro- mulus, at the church of SS. Cosma e Damiano. Some columns of the portico of the Temple of Antoninus and Faustina-, which are still extant. Remains of the Temple of Castor and Pollux—mistakenly so called for Venus and Rome—at Sta. Maria Nova. The round temple near the Tiber and Aventine—it is a good way from that hill—which he assigns to Yesta. A portion of a temple of Minerva, near the present Piazza Minerva, and a portico close to it buried under ruins, which served as a quarry for stones to make chalk. The walls of this temple were still standing in the time of An- dreas Fulvius.1 A part of the portico of the Temple of Concord, to which we have before adverted. But this temple is now generally held to be that of Saturn, which Poggio places at S. Adrian : thinking probably that the Forum ran north and south, instead of east and west. The Temple of Concord, as we have seen, lay behind the arch of Severus. Poggio does not mention the three columns of the Temple of Titus and Yespasian. A portico of the Temple of Mercury at the fish-market. This, no doubt, is the Porticus Octavia in the Pescheria. A Temple of Apollo at St. Peter's. Whatever may have been this temple, it has been destroyed by the en- largement of the Basilica. A very ancient temple of Tiburtine stone with a single vault; then occupied by the church of S. Michele in Statera, under the supposed Tarpeian rock. From its name it was erroneously taken to be the Temple of Jupiter Stator. A Temple of Juno Lucina was thought to have existed at S. Lorenzo in Lucina; of course, also from the name. There were no 1 See his Ant. Urb. Bom.VARIOUS OTHER REMAINS. 451 remains of it. Large and well-preserved remains of the baths of Diocletian and Severus Antoninxis (Caracalla). Portions of the baths of Constantine on the Quirinal, much inferior to those just mentioned. They were iden- tified by an inscription. Large and handsome remains of the baths of Alexander Severus, near the Pantheon. A few ruins of the baths of Domitian (Titus). The triumphal arches of Severus, Titus, and Constantine, almost entire, as they are now. The remains of an arch of Nerva, perhaps in the Forum Nervas, and the same arch apparently which Haffaelle mentions as having been carried off from the Yia Alessandrina. Parts of an arch of Trajan near what Poggio calls the Comitium. This was, perhaps, at the entrance of Trajan's Forum. Two arches on the Yia Flaminia, or Corso: one near S. Lorenzo in Lucina, vulgarly called Triopolis, was the arch of M. Aurelius already mentioned. The name of the other could not be deciphered. It was probably that vulgarly known as the Arcus Manus Carneae near St. Mark's, quite at the top of the Corso.1 Another of Gallienus, which Poggio places on the Yia Nomentana, but which really stands on the ancient Yia Prsenestina, near the church of S. Yito. Of all the aqueducts the Aqua Yirgo alone was in use; the rest were in ruins, and the course of some could not even be conjectured. Poggio describes the Colosseum as having been more than half destroyed to make lime; an evident exaggera- tion. Part of a theatre between the supposed Tarpeian Rock and the Tiber, which our author describes as having been projected by Julius Caesar. This must have been the theatre of Marcellus, which appears not to have been known by that name in the middle ages. 1 See above, p. 437.452 POGGIO'S OMISSIONS. The Mirabilia and GrcupJiia call it Theatrum Antonini. Opposite to it were several marble columns, said to be a portion of a round Temple of Jupiter, then occupied with new buildings and gardens. A third amphitheatre of brick, let into the city walls, near Sta. Croce in Greru- salemme. A large open space for sports and spectacles called Agonis (the Piazza Navona). The mausolea of Augustus and Hadrian and the bridge of the latter em- peror. The mausoleum of Augustus looked like a hill, was covered with vines, and bore the name of Augusta. That of Hadrian, called the Castle of S. Angelo, in great part destroyed, though the inscription was extant. The column of Trajan with part of the inscription, and that of Antoninus (M. Aurelius), of which the inscription was obliterated. The tomb of Cecilia Metella on the Yia Appia, the greater part of which had been reduced to lime (an evident exaggeration). Also a sepulchre of M. Antius Lupus on the Ostian Way. The enumeration of Poggio is evidently incomplete. He omits the Circus of Maxentius, near the tomb of CsBcilia Mebella, the Circus Maximus, some remnants of which seem to have been in existence nearly two cen- turies later, the double Janus in the Forum Boarium, the Septizonium, destroyed by Sixtus V., the ruins of the imperial palace, and perhaps two or three minor objects. Yet we may infer that some parts of the palace of the Csesars must have existed in the time of Poggio in a tolerable state of preservation ; since even as late as the pontificate of Innocent X. (1644-55), a room was discovered adorned with gold tapestry, and others the walls of which were covered with silver leaf.1 All trace of the theatre of Pompey may then have vanished 1 Gregorovius, B. iii. S. 567.ROME UNDER EUGESTIUS IV. 453 while the tomb of the Scipios and the adjacent Colum- barium were not yet disinterred. At the time when Poggio wrote, the popes had re- turned from Avignon, but the schism was not yet entirely healed, nor the papal authority indisputably established. The Romans rose against and expelled Eugenius IY. in 1434, but were soon glad again to sub- mit to a sway which they found to be milder than that of the Grhibelline nobles. After the doings which we have recorded of some of the popes, we cannot but agree with Lord Broughton's opinion that their absence was on the whole rather favourable than otherwise to the ancient monuments : though, no doubt, the modern city suffered in other respects by their residence at Avignon. At Urban VI.'s return, Rome numbered only 17,000 inhabitants.1 In the time of Eugenius IY., Rome, ob- serves a modern historian, " was become a city of herds- men ; its inhabitants were not distinguishable from the peasants of the neighbouring country. The hills had long been abandoned, and the only part inhabited was the plain along the windings of the Tiber; there was no pavement in the narrow streets, and these were rendered yet darker by the balconies and the buttresses which propped one house against another; the cattle wandered about as in a village. From S. Silvestro to the Porta del Popolo, all was garden and marsh, the haunt of flocks of wild ducks. The very memory of antiquity seemed almost effaced; the Oapitol was become the Goats' Hill (Monte Oaprino), the Forum Romanum the Gows Field (Carwpo Vaccino). The strangest legends were associated with the few remaining monuments." 2 1 Cancellieri, ap. Lord Broughton, vol. i. p. 407 ; cf. Guicciardini, lib. xv. 2 Ranke's Popes, vol. i. p. 480 (Mrs. Austin's translation).454 SCENES ON THE CAPITOL. With the final return of the popes the prosperity of Rome revived. But the progress of modern Rome was destructive of the ancient city. Like Saturn, she devoured her own children. Pope Boniface IX. (1389-1394) first erected on the Capitol, on the ruins of the Tabularium, a residence for the Senator and his assessors.1 The traditions attached to this spot naturally rendered it an object of attraction in all popular movements. It was here that the revolu- tionary government of Arnold of Brescia established itself (1144) ; when Pope Lucius II., in a desperate attempt to regain his temporal power, was slain with a stone while assaulting it. Here, Petrarch had received his laurel crown (1341) ; here, the tribune Rienzi had promulgated the laws of the "good estate." At this period nothing existed on the Capitol but the church and convent of Ara Celi and a few ruins. Yet the cry of the' people at the coronation of Petrarch, " Long life to the Oapitol and the poet! "2 shows that the scene it- self was still more present to their minds than the principal actor on it. The repairs of ancient buildings and the erection of new ones, afterwards vigorously prosecuted by Martin Y., Eugenius IV., Nicholas V., and other pontiffs, destroyed many an ancient relic. Of Nicholas especially, the constructive energy had been so pernicious that iEneas Sylvius, whose poeti- cal feeling and classical taste had been offended by the wholesale destruction of ancient monuments, issued in 1462 a bull prohibiting the practice.3 Nevertheless, 1 At this period the administration of justice at Rome was in- trusted to a senator, the native of a place at least forty miles from Rome, and annually elected, assisted by three judges, also foreigner^ The municipal government was conducted by three Conservators. 2 Gibbon, vol. viii. p. 227. 3 Fea, Dissertazione, fyc. p. 373.ENTRY OF CHARLES Y. INTO ROME. 455 a good deal was done in this way by Sixtus IV., the chief founder of the modern city, and by other succeeding pontiffs. Even the revival of literature and good taste in the pontificate of Leo X. did not at once put an end to this barbarous practice ; on which head we have already quoted the complaints of Raffaelle. A little after, Paul III. (Farnese) (1534-1550) em- ployed Michael Angelo to lay out the Piazza del Cam- pidoglio; when he designed the Capitoline Museum and the palace of the Conservators. Pius IV., Gregory XIII., and Sixtus V., added the sculptures and other orna- ments that now, with questionable taste, adorn the steps and balustrade. The equestrian statue of M. Aurelius was removed from the Lateran to the Capitol by Michael Angelo in 1538. That artist had also designed the modern approach on the occasion of the visit of the emperor Charles V. in 1536. Habelais, who was at Home at that time, has described in one of his letters the nevy road which was made for Charles's entry: viz., from the Grate of S. Sebastian to the Temple of Peace, the Amphitheatre, and the Capitol, passing through the triumphal arches of Constantine, Vespasian and Titus, Numetianus (P), and others. Then, by the Palace of St. Mark, the Campo di Fiori, and before the Farnese Palace, where the pope was accustomed to re- side, by the river banks (F), and under the Castle of S. Angelo. In order to make this road, more than 200 houses and three or four churches were levelled to the ground.1 Thus, for this peaceable entry, more de- 1 " Et l'on a fait par le commandement du Pape un chemin nou- veau par lequel il doit entrer : s^avoir est, de la Porte S. Sebastien tirant au Champ-doly, Templum Pacis et 1'Amphitheatre. Et le fait-on passer sous les antiques Arcs Triomphaux de Constantin, de Vespasian et Titus, de Numetianus et autres. Puis a cote du Palais S. Marc, et de la par camp de Plour et devant le Palais Par-456 RESTORATIONS BY THE POPES. struction was doubtless committed than by the troops of Charles' coadjutor Bourbon at the capture of Rome some years before. After the time of Alexander VII., the popes cannot be charged with any further desecration of the monu- ments ; on the contrary, they have devoted considerable care to their preservation. Among the most notable acts of this sort may be mentioned the restoration of the arch of Constantine by Clement XII., and the wall built by Pius VII. to support the Colosseum. In 1750, Benedict XIV. consecrated that structure to the Christians, who had suffered martyrdom in it. It may be doubtful whether the re-erection of an obelisk on a place where it had not originally stood may be appro- priately termed a restoration, but it may, at all events, be deemed an improvement. Sixtus V. re-erected no fewer than four obelisks. Innocent X., Alexander VII., Clement XI., and Pius VI. also distinguished them- selves in this way.- Pius re-erected three obelisks. Much has recently been done at Home in the way of discovery and restoration, but many inestimable trea- sures of art, as well as important fragments and in- scriptions, might doubtless be disinterred from the huge mass of soil and rubbish under which the ancient city is buried, if any adequate funds could be provided for such a purpose. The Emperor Napoleon III. set a noble example in this direction by his operations on the Palatine, which entitle him to the gratitude of all the lovers of antiquity; and the present Roman govern- ment has followed ifc with a laudable zeal. nese, ou soulait demeurer le Pape 5 puis par les Banques et dessous le Chateau S. Ange. Pour lequel chemin dresser et egaler on a demoly et abbattu plus de deux cens maisons, et trois ou quatre eglises ras terre."—Rabelais, Lettre viii. p. 20 (Brux. 1710).INDEX OF MONUMENTS AND PLACES. AD Ad Busta Gallica, 83; Capita Bubula, 219; Malum Puni- cum, 275 ; Palmam, 364. .ZEdes Sacra (see Temple); dis- tinguished from Templum, 41. ^Equimselium, 74. JErarium, 5, 177. Agger of Servius, 52. Amphitheatre, Castrense, 296; Flavian, 271 sq.; of Statilius Taurus, 233. Angelo, S., castle of, 383. Apollinare, 74. Aqueducts : Alexandrina, 29 7 ; Alsietina, 218 ; Anio Novus, 249 ; Anio Vetus, 107 ; An- toniniana, 295 ; Appia, 102; Augusta, 129, 218; Claudia, 249 ; Marcia, 128; Severiana, 293; Tepula, 117; Trajana et Ciminia, 281; Virgo, 230. Ara, of Aius Locutius, 94; Mar- tis, 53; Maxima, 6. Arcus (see Fornix). BRI Area Apollinis, 18, 222; Capi- tolina, 174. Argentarise Novse, 117, 121. Argive chapels, 39. Armilustrium, 34. Arx, 83, 192, 197. Asylum, 24. Atrium Libertatis, 178; Miner- vae, 200; Regium, or Yestse, 36. Aventine, the, 6, 13, 14, 72. Basilica described, 119; iEmilia, or Paulli, 155; Argentaria, 133; Constantini, 310; Fulvia, 1215 Julia, xxviii, 179, 198, 218; Marcianes, 281; Mati- dise, 289; Opimia, 132; Porcia, 120, 171 ; Sempronia, 122 5 Ulpia, 281, 283. Baths (see Thermae). Bibliotheca G-raeea et Latina (of Augustus), 223; of Trajan, 283. Bridges (see Pons).458 INDEX OF MONUMENTS AND PLACES. BUR Burgus Saxonum, 398. Cseliolus, 32. Caianum, 248. Campus Agrippse, 232; Esqui- linus, 238; Martialis, 204; Martins, 57, 62, 204 5 Scele- ratus, 99. Capitolium Yetus, 38; Novum, 59; taken, 71; burnt, 261; rebuilt, 263; restored, 274; plundered by Genseric, 357. Caput Africse, 426. Career Mamertinus, 45. Carinse, 70, 151. Casa Eomuli, 23. Castra Preetoria, 213. Catacombs, 319. Centum Gradus, 261. Cermalus (see Germalus). Chalcidicum, xxxviii, 199. Churches, seven primeval, 321; Sta. Agnese, 325; Sta. Croce in Gerusalemme, ib.; Lateran, 321; S. Lorenzo, 325; Sta. Maria Maggiore, 326 ; S. Paolo, 324; S. Pietro, 322; in Yincoli, 358 ; e Marcellino, 325; Sta. Prassede, 318; Sta. Pudentiana, ib.; S. Sebastiano, 326. Cicero's Yillas, 163. Circus Agonalis (see Stadium); Elagabali, 296 ; Flaminius, 108; Maxentii,3115 Maximus, 50; Neronis, 249; Sallustii, 155. Cispius, 20. Civitas Leonina, 412. Clivus Argentarius, 437; Capi- FOR tolinus, 199; Publicius, 77 5 Sacer, 37, 193; Urbius, 58; Yictorise, 21|. Cloaca Maxima, 48. Cohortes Yigilum, 212. Colles and Montes distinguished, 43. Collis Agonus or Quirinalis, 31; Pincianus or Hortorum, 154. Colosseum or Colys£eus, 396. Colossus of Nero, 255, 273. Columna M. Aurelii, 290; Bel- lica, 103 ; Msenia, 96; Phocse, 392; Rostrata, 107; Trajani, 281. Comitium, xxxii, 42, 197. Compita Larum, 210. Curia Cornelia, 171; Hostilia, 41; Julia, 179, 200, 219; Pompeii, 176, 184; Saliorum, 37, 42. Curiae Yeteres, 18. Diseta ad Mammam, 297. Diribitorium, 232. Doliola, 79. Domus (see House). Egeria, grove of, 40. Emporium, 122. Equiria, 58. Esquiline, the, 238. Eicus Ruminalis, 23, 197. Fornix or Arcus Triumphalis: Argentarius, 293 ; Augusti, 229; Aurelii, 291; Constan- tini, 311; Dolabellse, 256; Drusi, 427; Fabianus, 129, 195; Gallieni, 297 ; ManusINDEX OF MONUMENTS AND PLACES. 459 FOR Carnese, 437; Septem Lucer- narum, 277 ; Severi, 292 ; Theodosii, 438; Tiberii, 246 ; Titi, 277 5 Trajani, 283. Forum Augusti, 225 ; Boarium, 14; Esquilinum, 140; Julii, 202, 218; Nervse (also Palla- dium and Transitorium), 275; Pacis, 266 ; Piscatorium, 120, 202 5 Komanum,xxv-xxxi,48, 201; Trajani, 281, 284. Fossa Quiritium, 45. Gardens (see Horti), Gates (see Porta). Germalus, 19. Gladiatorial schools, 272. Grsecostasis,xxxii, 115. Horti Adonidis, 279; Agrippinae, 248; Lamiani, ib.; Luculli, 154; Maecenatis, 239 ; Sallus- tiani, 155; Servilii, ib.; Ti- gellini, 252. House of Atticus, 165; Catiline, 159; Catulus, 153; Cicero, 162, 168; Cilo, 294; Clodius, 162; Crassipes, 164; Crassus, 152; Drusus, 137; Fulvius Flaccus, ib.; Galen, 291; C. Gracchus, 136; Hadrian, 285; Horace, 241; Hortensius, 158 ; Lateranorum, 294; Lepidus, 153; Lucullus, ib.; Maecenas, 239 ; Martial, 285 ; Milo, 170; Octavius, Cn., 124; Ovid, 242; St. Paul, 319; Pedo Albino- vanus, 241 ; Pliny, junr., ib.; Pompey, 175; Propertius, 240; Publicola, 63; Pudens and MON Priscilla, 317; Scaurus, 162; SeptemParthorum, 294; Sulla, 151; Virgil, 240. Insula Argentaria, 133; Tiberina, 62. Insulse, 187. Janiculum, 44. Janus, district or street, 133, 199; Quadrifrons, xxxviii, 276; Quadrifrons in Forum Boarium, 312. Kctkif 'Aktti, 22, 23. Lacus Curtius, 27, 48 ; Juturnae, xxviii; Orphei,24l; Servilius, 117. Lauretum, 34. Lautumiae, 120. Lucus Furinae, 131; Pcetelinus, 95 ; Yestae, 37. Lupercal, 23. Macellum Liyianum, 228 ; Mag- num, 258. Maeniana, 188. Mausoleum Augusti, 243; Ha- driani, 287; Severi, 295. Meta Sudans, 273. Mica Aurea, 279. Milliarium Aureum, xxxi, 196, 224. Mons Arentinus: Caelius and Caeliolus, 31, 32; Capitolinus, 59; Janiculus, 3; Querque- tulanus, 53; Sacer, 73; Satur- nius, 4, 7; Tarpeius, 4, 27 5 Yaticanus, 203.460 INDEX OP MONUMENTS AND PLACES. MON Monte Cassino, 374. Naumachia of Augustus, 236; of Domitian, 278. Navalia, 204. Nemus Csesarum, 236. Obelisk of Constantius, 341. Odeum, 277. Oppius, 20. Ostia, 45. Ovile, 108. Palace of Augustus, 220; Cali- gula, 247 ; Domitian, 278 5 Nero (Domus Transitoria and Aurea), 250, 255 ; Pincian, 371; Tiberius, 246. Palatine Hill, name, 1; excava- tions, 16. Palatium, 20, 220 (see Palatine) Palus Caprese, 35. Piscina Publica, 231. Platese, 187. Plutei, xxix. Pomoerium Romuli, 15 sq. Pons JElius, 288 ; JEmilius, 122 ; Sublicius, 44. Population of Rome, 213. Porta Appia, 301; Asinaria, ib.; Aurelia, 302; Belisaria, 299 ; Cselimontana, 53; Capena, ib.; Carmentalis, 54 ; Clausa, 300; Collina, 52 ; Esquilina, ib.; Flaminia, 299; Flumentalis, 54; Fontinalis, 51; Latina, 301; Lavernalis,53; Metronis, 301; Minucia, 54 ; Mugionis, 21; Nsevia, 54; Nomentana, 299 ; Ostiensis, 301; Pandana, ROM 5; Pinciana, 299; Portuensis, 302 ; Prsenestina, 300; Quer- quetulana, 53; Ratumena,51; Raudusculana, 53; Romanula, 21; Salaria, 299 ; Salutaris, 52 ; Sanqualis, 51; Scelerata, 75 ; Stercoraria, 5 ; Tiburtina, 300; Trigemina, 54; Trium- phalis, 55 ; Yiminalis, 52. Porticus JEmilia, 122; Argonau- tarum, 232 ; Catuli, 139 5 Europse, 232 ; Hecatostylon, 176; Livise, 227 sq.; Metelli, 126 ; Minuciae (Vetus and Frumentaria), 139; Nationum, 176; Octavia or Corinthia, 125; Octavise, 227 sq.; Phi- lippi, 233 ; Poise, ib.; Pompeii, 176; Yipsania, 233. Prata Flaminia, 74, 108 ; Mucia, 66; Quinctia, 71. Pulvinar, 217. Puteal Libonis or Scribonianum, 157. Quirinal, the, 31. Regia, 36 sq. Regions of Servius Tullius, 55; of Augustus, 208 sq. Roma Quadrata, 14 sq.; Com- mendatore Rosa's theory of, 15 sq. Rome, foundation legends, 13 sq.; secret name, 22; becomes a Republic, 61; taken by the Gauls, 80; rebuilding of, 93 ; general aspect, 186; popula- tion, 213; Nero's fire, 251; rebuilt, 252; fire under Titus,INDEX OF MONUMENTS AND PLAGES. 461 EOS 274; under Commodus, 291 ; transfer of the capital to By- zantium,313; taken by Alaric, 350; second and third capture, 351; taken by Genseric, 357 ; by Ricimer, 360; entered by Belisarius, 369; besieged by Yitiges, 371 sq.; captured by Totila, 374 sq.; by Narses, 379; besieged by the Lom- bards, 402 ; threatened by the Saracens, 410-414; at return of the Popes, 453; entry of Charles Y., 455. Rostra, xxxi, 96 ; Caesar's, 179 ; Julia, xxviii, 224. Rupes Tarpeia, 27. Sacellum Ditis, 5 ; Stat® Matris, 211; Strenise, 193; Volupise, 22 ; Yulcani Quieti, 211. Sallustricum, 155. Scalse Annulariae, 219 ; Caci, 7, 22 sq.; Gemonise, 57. Schola Anglorum, Francorum, Grsecorum, &c., 397 ; Xantha, 196. Senaculum, xxxiv, 39. Septa Julia, 162, 203. Septem Pagi, 34. Septimontium, 55. Septizonium, 292. Sepulcrum Romuli, 278. Solarium Augusti, 243. Stadium Domitiani, 277. Statues: the Dioscuri, 422; Her- cules Victor, or Sullanus, 150 ; Sulla, 149 ; Yertumnus, 211; Domitian, xxviii, 279; Greek, at Rome, 113; number of, TEM 333, 364, 380, 420; Stilicho, 348; of Yictory, 343. Subura, 241. Tabernse Yeteres, xxviii, 49; Novae, 72. Tabular ium, 177. Tarentum, 108. Tarpeian rock, 197. Temple of ^Esculapius, 106; Antoninus, 290; Apollo, 74, 222; Augustus, 245 ; Bellona, 102; Bonse Dese Subsaxonese, 286; the Camense, 162 ; Capi- toline, xv-xxv; Castor and Pollux, 67, 127, 198; Ceres, Liber and Libera,68; Claudius, 267 ; Concord, 132, 228 ; Cy- bele, 115, 217; Diana, 56,127; Divus Julius, xxviii, 224; Fa- tale, 393 ; Faustina, 289 ; Fides Publica, 40; Flora, 77 ; Fors Fortuna, 56, 246; For- tuna, 139; Fortuna Eques- tris, 127 ; Fortuna Muliebris, 68; Gentis Flavise, 275; Ha- drian, 289; Hercules Custos, 150 ; Hercules Musarum, 121, 233; Hercules Yictor, 150; Honos et Virtus, 113; Isisand Serapis, 264 ; Janus, xxxviiiy 32; Juno Moneta, 95; Juno Regina, 77,127; Jupiter Capi- tolinus (Vetus), 38, 59 (cf. 62, 144, 176); Jupiter Custos, 262, 275; Jupiter Feretrius, 26; Jupiter Latialis, 61; Jupiter and Libertas, 215 ; Jupiter Stator,28,126; Jupiter Tonans, 224; Juventus, 225 ; Larium,462 INDEX OF MONUMENTS AND PLACES. THJL 45, 217 ; Libertas, 130; Luna, 56; Mars, 58, 93, 127 ; Mars Ultor, 225; Mater Matuta, 56, 77 5 Mens, 109, 127, 232; Minerva, 113, 173 ; Neptunus, 232; Pallas, 276; Pantheon, 229, 393; Peace, 266; Pena- tium, 217 ; Pudicitia Patricia, 103; Pudicitia Plebeia, ib.; Quirinus, 38; Saturntts, 49, 62; Semo Sancus, 33; Sol, 306; Tellus, 70; Tempestas, 107 ; Trajan, 281 ; Venus Erycina, 109; Yenus Genitrix, 178 ; Venus Victrix, 174 ; Venus and Roma, 286, 394; Vespasian and Titus, 275; Vesta, xxviii, 36; Vica Pota, 63; Victory, 115; Vulcan, 127. Theatre of Balbus, 233; Mar- cellus, 226; Pompey, 175; Scaurus, ib.; Trajani, 281. Thermae Agrippse, 230; Alex- andrine, 258 ; Antoninianae or Caracallse, 295 ; Commodi, 291; Constantini, 313; Dio- cletiani, xxxvi, 309 ; Neronis, 257 ; SallustiansB, 155 ; Seve- rianse, 293; Titi, 271; Tra- jani, 281. Tigillum Sororium, 43. WAL Tomb of Bibulus, 52; Cestius, 302; the Domitii, 258 ; Eu- rysaces, 301; the Scipios, 117. Tria Fata, 394. Tribunal Aurelium, 157 ; of the Praetor, 156. Tropsea Marii, 338. Tugurium Faustuli, 23. Tullianum, 57. Umbilicus Romae, xxxi. Vallis Murcia, 25, 32. Velabrum, 21. Velia, 19,21. Via Appia, 101; Flaminia, 107, 203; Lata, ib.; Latina, 102 ; Nova,xxvii, 197, 296; Sacra, xxvii,28,37,193,198. Vicinia, 210. Vicus Cyprius, 58; Jugarius, 197 ; Longus, 187 ; Patricius, 318; Sceleratus, 59 ; Tuscus, 32, 198. Villa Publica, 76. Vulcanal, 33. Walls,of Aurelian, 298; restored by Honorius, 348 ; of Romu- lus, 14 sq.; Servius Tullius, 51. CHISWICK PRESS :—C. WHITTINGHAM AND CO., TOOKS COURT, CHANCERY LANE.Reference Ancient Ruins & Sites of Excavations Limits of Regions Modern Names in hair line Scales <> Vffla, Rorqhese Miiro tortc RdelPopolo Divided into X1Y Regions. Drawn bv E G .Ravensteiu, F R G S csd 880 l ard.6 % Stat.Mile 500 IlomanRabm /ORJJM S IjimjdMjcaw^ CoVxncu Maxis.AtigusU \\v*i , AS Hr* yt-Horti - 19 Pxaetoria » / - \\* ■ WjOTiv.'.....«» ^Jrc-MAurel Prata Oumctia Covers Campus/ .Aerippee ? ^| JJ'C,,S Plaiidjxiu; mrrAail Balbi A. ft/ fodmS^ 37 ctav M: cK^rfo^'X SepUmiana/ Ionic Aed.n<*<* Me 7 N 26 Jamt Rons Cestui,s Roiis ALemum.s Q „ IV. %Toj'.noai- Mmm Uirhc% R. Azu P. S. Pacncrazio. \ Ws Aed. EercuUsml Ilfii T. jWpT'jjjjaiaeW'- Amptu uieatruiri rurrctancu JDomus Rons Sitbluju! U^ateramtflarv mltufirf/is W ^ " \ 1 Arc- ^4- .Jk'16 y^^'kuelban 5... BidSSs 17: ©4-^ ® w>-r TaiSKtoj^£*mit ZManae- =3': s? M 0 N P. Porte azzzj-^ AY E ]ST T I N u ^l§i\ -^nnnr' ^ -Jw nit dta/Lix u Metrora: Regions. RRortueiwis avernalzs I. Porta/ Cap end/ XT Caetarwrdivm/ Iff. Is is et Ser-apzs IV* Temp bjwnj Rajcis V. Rccqtalicu^ YE. Altcu Semitcu VJI. Vicu Lato "V1TT RoTVjn Ramuxnixm JSTagraxrw JK. Cb-cus Rlxwurmis X. Ralatkurv XI. Circus MaocmubS XII. 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