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 ^
 
 BURNS IN DRAMA.
 
 Edinburgh : Frinted by Colston ^ Son, 
 FOR 
 
 EDMONSTON & COMPANY. 
 
 LONDON .... HAMILTON, ADAMS, & CO. 
 
 CAMBRIDGE .... MACMILLAN & CO. 
 
 GLASGOW .... JAMES MACLEHOSE. 
 
 ABERDEEN .... LEWIS SMITH.
 
 BURNS IN DRAMA 
 
 TOGETHER WITH 
 
 SAVED LEAVES 
 
 EDITED BY 
 
 JAMES HUTCHISON STIRLING 
 
 
 EDINBURGH! 
 EDMONSTON & COMPANY 
 1878 
 
 > J » 
 > i » » 
 
 * > > * 
 
 ' I J > J > * 
 I > i > i » » 
 
 3 « • t > > > 
 
 ' ' a X »
 
 NO T E. 
 
 THE Saved Leaves (it is the Author speaks) are as 
 they name themselves — saved leaves. There is 
 a literary flush in most impressionable young students, 
 from sixteen to twenty-three or so — of such flush these 
 leaves are saved specimens. What is said of the Ballad 
 of Me r la will, with the dates, sufficiently orient the reader; 
 who, du reste, — so far as the collecting is concerned, — 
 will, perhaps, think of an occupation of recess. 
 
 It is different with Burns in .Drama ; which, neverthe- 
 less, was itself planned, begun, and in large part written 
 in 1855. It is scarcely necessary to remark that, by this 
 piece, no drama of plot or incident is intended, but only 
 a study of character. With this object in view, the 
 matter of concluding (partial) monologues was found 
 unfit for the form of dialogue. 
 
 The judicious reader will, probably, perceive that 
 some part of the ' saving ' element was consideration 
 of the variety of tastes. 
 
 * * ' ' * ** / * ' C 1 I t
 
 ^ 
 
 CONTENTS. 
 
 CM 
 
 23 
 
 o 
 
 tn 
 
 % 
 
 & 
 
 I. BURNS IN" DRAMA— pa&k 
 
 Act I. The Natural Jet— Awaking Youth, . . i 
 Act II. Opening Manhood — Young Blood, Young 
 
 Feelings, Young Bitterness, ... 6 
 
 Act III. Life, Love, and Horror of Eclipse, . . 17 
 
 Act IV. Edinburgh and After — The Blaze and Ashes, 30 
 
 Act v. Dumfries and the End, .... 55 
 
 Note, The Character of Burns, ... 69 
 
 n. SAVED LEAVES :— 
 
 1. The Novelist and the Milliner, .... 75 
 
 2. Venetian Madeline, ...... 83 
 
 3. The Novel Blowers ; or Hot-Pressed Heroes, . S6 
 
 4. Belshazzar's Feast, ...... 96 
 
 5. The Tale of Aihai, loo 
 
 6. The Ballad of Merla, no 
 
 7. Sleeping Beauty and Epilogue thereto, . . 137 
 
 8. The Universal Strike, 161 
 
 9. A Peep into a Welsh Iron Valley, . . .167 
 
 10. The Blacksmith's Hame, . . . . .177 
 
 11. On Wordsworth's Great Sonnet, .... 178 
 
 12. Full Dress, 179 
 
 13. Social Condition of South Wales, . . .184 
 
 14. TheNavvie, 188 
 
 15. Geenemer, . 194 
 
 16. Lonely, ........ 196 
 
 41 G^
 
 CONTENTS. 
 
 Saved Leav es — Continued. 
 
 17. Parted, 
 
 18. A Thought, 
 
 19. A Sabbath Thought, . 
 
 20. Le Triste Metier que de Voyager, 
 
 21. The Lay of the Shuttle, 
 
 22. Sonnet of the Signora Maratti Zappi, 
 
 23. The Foreign Country at Home, . 
 
 24. The Enchanted Isles, . 
 
 25. Why? 
 
 26. On Jane H. S. when a Girl, . 
 
 27. Ogrebabe the Body Snatcher, 
 
 28. ' I Am That I Am,' . 
 
 TAdE 
 
 197 
 197 
 198 
 198 
 199 
 
 2CX) 
 228 
 229 
 230 
 230 
 248
 
 BURNS IN DRAMA. 
 
 ACT I. 
 
 the natural jet — awakening youth. 
 
 Scene i. 
 
 Motmt Oliphant — Saturday NigJit — Biini^ Seventeenth 
 
 Year. 
 
 William Burness. Hawkie dead ! Just one thing after 
 another — evil upon evil — cross upon cross — and that hard- 
 hearted man, the Factor 
 
 [Enter the FACTOR.] 
 
 Mrs. Burness {with a start). Gude be wi' us ! Speak 
 o' the deil 
 
 Factor. Speak o' something nearer hame, mistress, 
 and mair to the purpose. — Are ye a' g>'te ? Ye glower as 
 if ye saw a warlock. 
 
 W. Burness. You have certainly taken us by surprise, 
 sir ; but come to the fire, and seat yourselfl 
 
 Factor. I doubt it's no worth whyle sitting, for I daur 
 say your answer is no very pat to this bit paper. 
 
 W. Burness. The ar/ears again ! 
 
 Factor. Just that same ; and no ony shorter, you'll see. 
 
 W. Burness. I see it, sir — I know it well. But what 
 can I say ? I fear my answer must get shorter : I cannot 
 pay. 
 
 Factor. But that answer I canna ony langer tak, Wil- 
 liam Burness ; I must liave the money. 
 
 A
 
 2 BURNS IN DRAMA. [ACT I. S. I. 
 
 Mrs. Burness. But listen, sir ! Surely it's no the 
 bread o' idleness that's eaten in this house ; surely it's 
 neither what \vc put in us, nor what we put on us, that 
 keeps us in your debt. We sleep little, and we work meikle. 
 We strive and we strain ; we hain and we kain ; and we 
 scrimp ourselves o' the very necessars o' life that we may 
 be burthenless and blameless before God and before man. 
 Oh, sir, sir, we mean to pay you, and we will pay you. Gie 
 us but time. Surely, surely, we do the best we can. 
 
 Factor. It's no for me, mistress, to say what you dae 
 or what ye dinna dae : I'm just here to get what's awin. 
 
 Mrs. Burness. But you ken yoursel how things have 
 gone against us — you ken yoursel what kind o' seasons 
 
 W. Burness. Agnes, Agnes, it is no use speaking — all 
 has been said : I am wearied o' words, and money I have 
 not. 
 
 Factor. But money you must have — money I'll mak 
 you have, or there's no a spoon in your haun, nor a luggie 
 on your table but '11 gang to answer for't. 
 
 Mrs. Burness. We have lost crops — we have lost cattle. 
 This very day, Hawkie, the best o' the hale byre, is dead. 
 From first to last it's been a bad bargain. 
 
 Factor. And wha made ye tak the bargain ? — were you 
 forced to it ? — was it no your ain doing ? And what business 
 had a gardener wi' a farm at all t I suppose naething less 
 would serve him than makin' lairds o' his sons, and leddies 
 o' his dochters. 
 
 W. Burness. You are not likely to understand my 
 motives, so 
 
 Factor. O ay I you are a great gentleman, are you ? 
 You could run into debt, though, and ^'g'g ithers to run into 
 debt, and a' to get tutors, and teachers, and schoolmasters 
 for your twa coofs there. It's a' edication, edication — books, 
 books — writing-masters at Dalrymple, and French anes at 
 Ayr, and honest folk canna get their ain aff ye. 
 
 W. Burness. Go on, sir, go on ! I despise your mean- 
 ness, and can keep my temper. 
 
 Factor. What business had a gardener body to tak a 
 farm at all, I ask ? But I maun humbly beg your pardon ; 
 it's no a gardener we maun ca' ye, but a great man in dis-
 
 ACT I. S. I.] BURNS IN DRAMA. 
 
 guise, a great man frae the north, that keepit a sword ance, 
 the Lord preserve us ! and gaed oot wi't. 
 
 W. B URNESS (rising). Sir, sir, sir ! 
 
 Mrs. Burness. Dinna heed him, William : he's just 
 wanting to anger ye. 
 
 W. Burness. Just so ! Well, sir, well ? O, I can still listen. 
 
 Factor. Listen and pay, listen and pay. What have I 
 to do with your losses and crosses, your bad seed, and 
 your wat harvests, your age and your aches, your granes 
 and your pains? It's what you deserve : it set you weel, an 
 auld man like you, to marry a young wife, and bring a 
 smytrie o' brats into the warld ye canna provide for. 
 
 W. Burness. Man ! will ye have done 1 It's hard, but 
 if we receive good — I tell ye, man, I will work these old 
 bones bare, I will deny this old frame all — And these young 
 things, we will wring, with the blessing of God, we will wring 
 your money out of our thews for you. If that content you, 
 go — take yourself from our sight. If not, then you must even 
 do your worst. I am old, and I am spent, and I have those 
 that need me, but I stoop no more to beg your mercy — 
 I trust in Him who has heed even of the fowls of the air 
 and the beasts of the field. 
 
 Factor. Oh, man, your airs o' resignation but mak me 
 sick, and a' your canting but hardens me : you're just a 
 d d auld hypocrite, and if you don't pay, by ! I'll 
 
 Burns {who suffering frojn headache, has been holding his 
 head, now springing up and seizing Factor). Silence, sir, 
 silence ! Another word from out your mouth, and I'll send 
 your pitiful soul straight to the father o't. 
 
 Factor {struggling). Tak aff your hands, let me alane— 
 let me alane, I say ! 
 
 Burns. No, by the Lord ! I'll grip ye harder. Must we 
 listen to such language 1 Did ye think I could sit thowless 
 by and hear my father insulted and bespittled by such a 
 slavering wretch as you .? Get out of this— out with you ! 
 Out, you mean low cent-per-cent rascal you, you paper-pens- 
 and-ink naething— out with you, or by the saul of David 
 I'll throttle you on the door-step. {Flings Factor out and 
 sliuts the door.) 
 
 Factor [at door). Rook and stook, thack and rape, ye
 
 4 BURNS IN DRAMA. [aCT I. S. I. 
 
 drafif ! Rook and stook, ye penniless beggars ! Look for 
 me the morn. 
 
 Burns {openhtg door). The morn's the Sabbath, you 
 gowk ! Will ye hornin and caption on the Lord's Day, you 
 ass of a fox ? {Shuts door.) 
 
 [W. BURNESS has buried his face in his hands., the chi/dren 
 cry, and Mrs. Burn ess endeavours to appease thein.^ 
 
 W. BuRNESS [after a pause). It is well, Robert ; but he 
 to whom the flames of God are given must not let them rive 
 after their own fashion : he must control — hold them, and 
 have them. It's done and cannot be undone, and things 
 very likely, after all, are not worse tlian they were. But I 
 suppose we have all had supper enough. Agnes, bring the 
 books. We will seek that refuge which cannot be denied 
 even to the most miserable — the captive and the prisoner. 
 
 Scene 2. 
 
 Irvine — Eglinton Woods — An Autumn Sunday — Btirns 
 on a Rustic Bridge., trees climbing up on the right behind 
 him, and a small clump a little to the left before Jiim — 
 Tops of Castle, show left, over trees. 
 
 Burns. Ha ! 'twas a good joke, and what a laugh it 
 made. What a devil they must think me — worse than any 
 
 bleezed old rake among them. And yet if they but 
 
 knew — the blate blockhead that I am — and I am twenty- 
 two ! And Ellison has rejected me ! — I suppose I could not 
 play the man enough, and force her into an adoring servi- 
 tude — carried off her feet ! I wonder now if that was love 
 I felt for her, or calf-love — calf-love, and awful respect 
 before the air she had 1 The lasses daunton me. Ah ! if 
 I could but be upsides with them for that mortification — 
 pshaw ! the half of it was play-acting. 
 
 How peacefully the water flows, a gleaming glide — a 
 gliding gleam ! How clear the concave of the sky within, 
 and how the trees point up, and up, around it. 'Tis the 
 eye of beauty. Ha ! it glamours me — it reels — my head 
 turns — I must look elsewhere. Noble that high tower, 
 those windows o'er the trees : ah ! were all that mine ! I'd 
 leap to Egypt ! Greece, and Rome, and Palestine. — Oh ! —
 
 ACT I. S. 2.] BURNS IN DRAMA. 5 
 
 damn the nail ! Why did I wave my arm in that way, the 
 dooms idiot that I was ! My Sunday coat, too ! Ye rusted 
 uselessness, and ye maun preach to me. I needna dream — 
 I am but a heckler — my father a puir auld gardener — and 
 I had neither shoon to my feet, nor hap to my head— just 
 as my brothers and sisters are at this very moment ! Queer, 
 that a bit rusty nail should be set there to tell me a' that. 
 But, frien', do ye no ken I can rhyme and mak verses — 
 O, " I dreamed I lay," and " My Nannie, O," etc., etc., etc. ! 
 But it 's true what you say for all that — I am nothing, and 
 can be nothing. Work and drudgery, poverty and obscurity, 
 care and anxiety, hanker and canker — that's the life that 
 lies before me. I have learned something, but better I were 
 a clod, and never felt. My stomach is as proud as Lucifer's, 
 and — I am the most abject of wretches, a skulking eye-sore 
 on the streets, that would fain be out of sight 
 
 How the wind rises — there must be a storm brewing ! 
 It has fallen dark all around — listen ! There is the roar of 
 battle in the trees behind : it waxes louder, louder, nearer, 
 nearer, and the attacked are driven this way — hark what a 
 howl ! And, see, the small clump in front there shudders — 
 shudders, shrieks, wails : 'tis the women, the children, and 
 the aged. Ha ! the shudder and the shriek have ceased — 
 the tide of war has rolled the other way again — how the 
 sound grows distant and more distant, faint and fainter ! 
 — Again, again ! — they come again ! — the fight redoubles ! 
 Nearer, nearer ! — no stop, no stay ! — the enemy is amongst 
 them ! — in the camp — amid the women ! 'Tis general 
 massacre, with the shriek, the howl, and din of murder. 
 But [// tJnmders\ here comes a mightier yet, to quash, and 
 quell, and overawe the pigmies — what silence of expectant 
 fear ! But now the hurricane, the lightning-eyed and thun- 
 der-winged demon of the storm, is over all. — Ha, ha ! he's 
 down upon us ! The trees convulse themselves in panic, 
 and tear themselves for flight, and lash themselves, and howl, 
 
 and desperate give up, and turn, and shiver— white. 
 
 And / shiver ; the idiot that I am, I am wet to the skin. 
 {Runs off.)
 
 BURNS IN DRAMA. [ACT II. S. I. 
 
 A C T I I. 
 
 opening manhood : young blood, young feelings, 
 young bitterness. 
 
 Scene i. 
 Mail chime Race — Neighbotirhood of the Course. 
 
 Burns. They look like cats, but they run weel, and I 
 dare say win meikle, or tyne meikle — But what have I to 
 do with them or theirs ? I have neither scot nor lot in one 
 thing or another here. Man, the pismire, 'plays such 
 fantastic tricks before high Heaven as make the angels 
 weep' — or laugh ! What a yatter, and a blatter, and a 
 stir — what a churm that Grand Stand is ! What excited 
 thrawin' o' heads, and affected liftin o' chins, and carried- 
 awa boos — the very pink of perfection — o' gomeril monkeys 
 o' men to gomeril monkeys o' women, a' gane aff at the 
 head, and mincing what they think a langage o' the gods ! 
 Od, but it's a funny thing, the hale o't ! What a life they 
 hae — what things they live for : Operas, and hells, and 
 drawing-rooms, and becks, and grins — and empty sowls, 
 by G — !^0u ay, Robin, Robin, you're a peg owre low this 
 mornin' — what ails ye, man ? 
 
 [The Laird of CoiLSFlELD/^ii'j-/^^, says, ' Good morning, 
 Mr. Burness ! '] 
 
 Good morning, sir ! It's Coilsfield — a fine fellow ! Well? 
 I don't know if the maist o' them 's that bad after a' — ony 
 waur than oursels. They're fine, frank, throuther, furthy 
 fellows, a heap o' them ! Keep aff their muir-cocks, and — 
 a' the ither corns o' that, as they really believe, superfine 
 flesh o' theirs— That's their pride ! From what a height — 
 with what exasperating sweetness— affability, God bless the 
 mark ! — they speak doon to us ! — If I could but believe that 
 it was all raree-show posture-making for the general amuse- 
 ment ! That puppy with the cigar noo, liftin his hat — Draff, 
 draff — scum, scum ! There's not one of them, but I would 
 like to shake into the reality and humility God meant for 
 them. Their pride, indeed ! — I'm as proud mysel. There's 
 the sun, and here's the gerss and the gowans, and I'm Robin 
 Burness, Mr. Burness, as Coilsfield ca's me — farmer on his
 
 ACT II. S. I.] BURNS IN DRAMA. 
 
 ain shanks, whilk are no bad anes — and I'm a buirdly chiel, 
 and can slan' \vi' the best — and I've a head, and a tongue — 
 a tongue ! — {laughs) — the Lord help them, puir things, it's 
 vveel I Hke them ! — are ye no deceivin', quo she, quo she — 
 are ye no deceivin', quo she ? Puir Bess, my wee bit sonsie 
 Bessie ! it's your innocence that reflects your daddy's guilt, 
 and, do as I like, it will, aye be, ' That's Rab Burness, he's 
 got a bastard wean ! ' There's no changin' that. And I 
 canna mim my mouth, and straik my hair, and look the 
 saunt, a bit the mair o't, but maun just stoyter on, in my ain 
 way, wi' my lass and my glass, and my quips and my cranks, 
 and my reels and my wheels — and no a waur man for the 
 hale o't. Thou knowest if I am bad — if at the core I am 
 bad. I would not hurt a straw, nor wrong a beggar. I 
 would not be false to a man — for another or myself — no, not 
 to escape hell, or win the universe. I would be good— I 
 would be good, and true, and strong. My soul is as a fierce- 
 eyed angel that would wrap the world in its indignant 
 wings, then sink in tears. O my innocent young days — 
 innocent, innocent, up to the fullest manhood — Pruts, truts ! 
 dinna mind ! — for, ' sure as three times three maks nine. 
 This chap will dearly like our kin'. So leeze me on thee, 
 
 Robin : 
 
 Robin was a rovin boy, 
 Rantin rovin, rantin rovin ; 
 Robin was a rovin boy, 
 Rantin rovin Robin ! ' 
 
 [Enter Gilbert Burness and'DxwT) Sillar.] 
 
 Ha ! Uavie, is that you ? — whaur's you twa daunerin to .' 
 You'll be after the lasses, na ? 
 
 David. Ha, ha, ha ! 
 
 Gilbert {severely). We'll leave that to you, Robert : 
 Davie and I are just having a little rational conversation. 
 
 David. Yes, we are just talking about literature. But 
 Gilbert tells me, you write yoursel, Robert .'' 
 
 Burns. I canna say that, Davie ; but thae jauds o' 
 lassies, they barm sae in a body's noddle, that 
 
 ' Green grow the rashes, O ! 
 Green grow the rashes, O ! 
 The sweetest liours that e'er I spend, 
 Arc spent amang the lasses, O !
 
 BURNS IN DRAMA. [ACT 11. S. I. 
 
 Gie me a canny hour at e'en, 
 My arms about my dearie, O ; 
 And warly cares, and warly men, 
 May a' gac lapsalteerie, O ! ' 
 
 Hech ! Davie lad, isna tliat it ? Ah man, the hizzies — my 
 blessin's on their sweet breaths ! 
 
 David. Ha, ha! Robin, you're. a terrible fellow. But 
 is't a' Scotch you write ? 
 
 Burns. A' Scotch, a' Scotch — I'm a Scotchman mysel. 
 
 David. Yes, but there's no fame to be got in that way — 
 who reads Scotch, an it bena just the Scotch ? 
 
 Burns. True, tnie. But there's Ramsay — tlierc's Fer- 
 g\isson — I suppose we maun content oursels with that kind 
 of fame. 
 
 David. An we can get it. 
 
 Burns {rathe?- put out). Ay, an we can get it. But/<7;^'re 
 sure to get it, Davie. Such a genius as yours 
 
 Gilbert. And why not ? Barbers and writers' clerks do 
 not look such privileged classes. 
 
 Burns. Poor Fcrgusson ! he died in a cell, mad. But 
 why not take Gibbie's way of it, Davie ? Ye're surely just as 
 gude as a wig-maker at all events ! Try prent, man, try 
 prent : ye may grow into a pawett, just as weel as ony ither 
 worm o' us a' into a butterflee. I hope ye keep what ye 
 write, Davie : mind you, ' Humility has depressed many a 
 genius to a hermit, but never raised one to fame.' 
 
 David. Yes : I keep some things, and print is a great 
 advantage. 
 
 Burns. Advantage, man ! do you mind what Shenstone 
 says again : 'There are numbers in the world who do not 
 want sense to make a tigure, so much as an opinion of their 
 own abilities to put them upon recording their observations, 
 and allowing them the same importance which they do to 
 those which appear in prmt' 
 
 Gilbert. The sentiment is judicious. 
 
 Burns. I should just think it is judicious. Shenstone, 
 man 
 
 Gilbert. He's a classic, no doubt ; but I do not like his 
 style. He has two which's. 
 Burns. I thought of the truth, not the style, and —
 
 ACT II. S. I.] BURNS IN DRAMA. 9 
 
 David. It's a great thing, style, though ; Gibbie and me, 
 we were just disputing whether the style of Addison or that 
 of Goldsmith was the best. 
 
 Burns. Say better, man — the comparative, you know — 
 God bless ye ! 
 
 Gilbert. Now I would say, which were the better, the 
 style of Addison, or the style of Goldsmith ; I think to 
 repeat the word style, mair harmoniouser. A man of 
 edication is known by the langage he uses. 
 
 David. Who knows what Goldsmith would have been, if 
 there had been no Addison before him. 
 
 Burns. Who knows — who knows .' — I wonder wha yon 
 lasses are. 
 
 Gilbert. Then Pope is not greater than Dryden, because 
 Dryden went before him ? 
 
 David. Well — isn't it Dryden that's the greatest ? 
 
 Gilbert. Dryden greater than Pope ! Pope is the 
 greatest Poet that ever lived — isn't he, Robert .'' 
 
 Burns. Ay, they say sae — they say sae — here's Rankine 
 comin' — but Dryden was a man — \_Ejiter Rankine] — Hoo's 
 a' wi' ye ? Hoo's a' wi' ye, man 1 
 
 Rankine. Hoch, hoch, hoch ! Three pheelosophers, 
 cheek by jowl ! ye'U hae settled the nawtion by this time. 
 Yell be ginny be the Primeer, Robin, — Davie the Lord 
 Chancellor, — and Gibbie a Bishop ! Och, hoch, hoch ! 
 Chitch, chitch, chitch ! 
 
 Burns. Better mak' me the king at ance, and then ye'll 
 be my Scotch jester, Rankine. 
 
 Rankine. The affairs o' the nawtion — och, hoch ! — the 
 affairs o' the nawtion ! 
 
 Gilbert. I do not see anything to laugh at, Mr. Rankine, 
 unless it be yourself 
 
 Rankine. Hear till him, na— hear till him ! That's a' the 
 gratitude I get for makin him a Bishop — Heegh, eegh, 
 eegh ! Chitch, chitch, chitch ! 
 
 David. That young men should get together for a little 
 intellectual recreation — that seems to you ridiculous, Mr. 
 Rankine ? 
 
 Rankine. I'm no again recreation, ye decvil, ye ; nor 
 intellect either, an I had ony ; but I've sic a mcll o' a head —
 
 10 BURNS IN DRAINIA. [aCT. II. S. I. 
 
 it's owre thick. But ne'er fash your thoomb, Davie ; you 
 and me's gude friens. And there's Maister Gilbert — sae as 
 speakin's sair wark — what say ye to a dram } Eh, Gibbie, 
 the feast o' reason, ye ken ? Hee, hee ! Chitch, chitch, 
 chitch ! 
 
 Burns. So be it ! A dram, Davie ? 
 
 David. Well 
 
 GiLBKRT. O go, if you like, Davie ; but I have other 
 things to look after. Robert ! you'll no be late the nicht. 
 
 Burns. D the lateness ! — that's as may be. 
 
 Gilbert. Good day, Mr. Rankine — come away, Davie ! 
 
 Scene 2. 
 
 Alanc/iimc — The WJiiiefoord Anns. Burns, Rankine, 
 and a jniscc/hineoiis company. 
 
 Rankine. The Minister ! Ou ay, he got gey an' fou, 
 the body, and guffawed like an idivot, daudin his feet on the 
 grun, and roarin out, ' I'm rale happy !' 
 
 Burns. Too bad, Rankine, to spot the cloth in that way. 
 
 Rankine. Drink about, drink about ! Peelly, you're as 
 mini's a bit lassie : ' No, thank ye, sir — I canna tak ony 
 mair — it's owre strong!' — Cough, man, cough — Ha, ha! 
 hee, hee ! chitch, chitch, chitch ! 
 
 Peelly. I'm daein vera week 
 
 Burns. Dinna press him, Rankine, he canna stan' 
 meikle. 
 
 Peelly. I can stan' a gude deal too — It's the nerves o' 
 my stamach — they're delicate, ye see. 
 
 Rankine. But ye maun dae something — will ye smoke ? 
 
 Peelly. I'll try, but it maks me seeck. 
 
 Rankine. Never ye mind that — ^just stick to it a' the 
 same. Lord ! an ye stick to it, ye'll get as fond o't as daft 
 Wattie after he got married. — Wattie, ye maun ken, got sae 
 fond o' his wife, he said he could ha' taen a rug o' her wi' his 
 teeth — Hee, hee, hee ! Chitch, chitch, chitch ! 
 
 Peelly. Hae, hae, hae ! That's a gude ane. 
 
 Rankine. Gude Lord, that pleases ye ! Hee, hee, hee 
 Chitch, chitch, chitch ! 
 
 Peelly. Hae, hae, hae !
 
 ACT. II. S. 2.] BURNS IN DRAMA. ll 
 
 Burns. Od, ye're a funny fallow, Rankine. 
 
 Rankine. Peelly you mean — he's just an awfu funny 
 fellow — the stories he tells — that ane, ye mind, Peelly, about 
 the coalyer ye gied the bottle to, and, takin it hame, he had 
 to tie it on the far end o' a stick, and keep it aff his person — it 
 proved so strong ! Ha, ha ! Hee, hee ! Chitch, chitch, chitch ! 
 
 Peelly. Me ! I never telt ye that — I never did that ! 
 
 Rankine. It wasna you, eithei-, the wee lassie put down 
 the twa farthins to, and asked for a bawbee spew — her 
 faither was sae fou ? Ha, ha ! Chitch, chitch, chitch ! 
 
 Peelly. I divna mind o' that cithers. 
 
 Rankine. No? divna ye — are ye no just blate, Peelly? 
 But ye maun do something extraordinar to bring ye out — 
 noo that ye're passed, Peelly — cut aff a man's head, and 
 sew't on again ! 
 
 Peelly; Heh ! the man wad dee. 
 
 Rankine. He wad dee, wad he? Hee, hee! Chitch, 
 chitch, chitch ! But we maun hae some mair drink — Mysie, 
 Mysie ! 
 
 \E liter a number of other customers, some known, some 
 unknowti — Tjuith din and confusion?^ 
 
 Burns. Confound^ them ! I wish we could have kept by 
 ourselves. 
 
 Rankine. See ! we'll push the table up into the corner, 
 and we'll be unco weel, a' the same. Lots can be done in a 
 corner — can they no, Peelly ? What ! ye're laughing, ye 
 deil, but I'm sure, ye needna be thinkin o' salts and sinny — 
 Ha, ha ! Hee, hee ! Chitch, chitch, chitch ! 
 
 Peelly. I wasna thinkin o' salts and sinny. 
 
 Rankine. No ! — but that's odd ! Hee, hee ! Chitch, 
 chitch ! 
 
 \_Miscellaneous conversation of drinkers, partly with 
 previous company, partly not.] 
 
 Phrase. How do you do, Robert? Have you been 
 reading anything new lately ? 
 
 Burns. No, nothing particular. 
 
 Phrase. Have you read Douq-las ? — And what do you 
 think of it? 
 
 Burns. Well, no great things. There are words and 
 words, and it's all to be very fine. But there is no life :
 
 12 BURNS IN DRAMA. [aCT II. S. 2. 
 
 is but the pretentious up-and-down of an empty head in the 
 air somehow. 
 
 Phrase {precipitately). That just shows your ignorance, 
 then ! It has been pronounced the very perfection of writ- 
 ing by the greatest savans in Edinburgh. 
 
 Pimples. Well, I think, myself, that Shakespeare's better. 
 The langage o' Shakspeare noo — man, it fills your mou' — it's 
 vera fiine! — I'll no say but what the like o' Pope's better, but 
 
 Creeshy. Hae ye heard about tlic quarrel atwecn 
 Maister Russell and Maister Moody .'' 
 
 Sandstone. Ay, I well believe there's some of them 
 would 
 
 Creeshy. It wasna dacent for two ministers to misca' 
 ane anither sae. 
 
 Sandstone. Ay, I well believe, there's some of them not 
 far off would 
 
 Burrel. Well, that was my own opinion, but my wife 
 thought it would be better 
 
 ^&' 
 
 Flinty. Wull your wife get het water for }^ou at twa in 
 the mornin, when ye bring a frien in — mine wull ! 
 
 Burrel (looking at Flifiiy, but cotitimii7ig). So I left it to 
 her, but I just said, Depend upon it, there's nothing like 
 scammony — and neither there is. 
 
 Gashbody. That's good snuff, Jawbone. 
 
 Jawbone. It's the best. It's a London snuff. Do you 
 know the name of the firm "i No ! Well, it's Laddy, Waddy, 
 Taddy, Brown, Baker, Butcher, & Co. — There's a name for 
 you, alarmingly long, extensively large ! 
 
 Gashbody. You've a nice box. 
 
 Jawbone. A lady gave it me. 
 
 Gashbody. You're a lucky fellow. 
 
 Jawbone. My brother — the Attorney-Clerk's Depute, you 
 know — gave me this watch : patent lever, capped, and 
 jewelled in four holes. 
 
 Gashbody. It's silver. 
 
 Jawbone. Yes : I'm to get a gold one from my father.
 
 ACT II. S. 2.] BURNS IN DRAISIA. , 13 
 
 Rankine. Weel, Johnny, what side do ye tak ? 
 
 Johnny {the Landlord). Tak ? Od, I'll tak a dram. 
 
 Rankine. Stick to that, Johnny. Be it auld licht or new 
 licht, let it aye licht on a dram. They shan't make a Pope 
 o' I— wuU they, Johnny 1 
 
 Peelly {tJiinking it time to speak). That's a fine gig our 
 Duncan's got. 
 
 Boass. a gig, has he ? 
 
 Peelly. It's pented green. 
 
 Boass. \Vi' yellow wheels. 
 
 Peelly. Hoo dae ye ken ? 
 
 Boass {roughly ritbbi?ig up Peeily's head of hair). Hoo 
 dae I ken } Ha, ha, ha ! 
 
 Rankine {to Burns., who, silent since Phrase spoke, had at 
 last laugJicd). You're laughing, Robin ! well, out wi"t, man, 
 — let us hae't. 
 
 Burns. I was just listening. 
 
 Rankine. Well, then, let us hear something — something 
 o' your ain, ye ken — a verse or twa — And here's your subject, 
 Johnny, Johnny himsel. Hoot ay, man ! just put your lips 
 to that Castalia. 
 
 Boass. But ye maun tell us whan to laugh — Ho, ho, ho ! 
 Ho, ho, ho ! 
 
 Burns {disconcerted for a inoine7it). 
 
 O Johnny, man, O Johnny ! 
 That rhymes to unco funny. 
 
 There {to Bo.\SS) laugh noo, ye haverel, if ye want to ken 
 whan ! 
 
 BOASS. Ho, ho, ho ! Ho, ho, ho ! After that, Robin, 
 gang ye awa hame. {Attempts to rub up BuRNs's hair.) 
 
 BVSKHS {starting itp.) Gang hame ! Boass, Doctor Boass 
 thae big white chaffs o' yours noo — 
 
 Rankine. Whishtna, Robin, whishtna ! Doctor, sit 
 doon. Sit doon, Doctor {poking BOASS /;/ the stomach 
 with his stick). I'll swallow ye. Doctor, — I'll swallow ye. 
 (BOASS sits down cowed). And noo, what say ye to it, 
 Johnny .'' 
 
 Johnny. O it's a' the same to me — a jug o' strong yill, a 
 bottle o' port, a full-flowin bowl, or —
 
 14 BURNS IN DRAMA. [ACT 11. S. 2. 
 
 Rankine. a bowl, a bowl ! 
 
 All. a bowl, a bowl ! 
 
 Burns. So be it. I'll pay the piper. There's the shillin, 
 be quick about it, Johnny ! And, meantime, couldna ane o' 
 ye gie's a bit sang. 
 
 [77/t.' Cure for all Care is stmg?^ 
 
 Rankine. Bravo, bravo ! And here it comes, the Cure 
 for all Care. Push in your glasses, lauds, and let's drink the 
 health o' Robin. Here's to you, Robin ! Ye're a vera deil, 
 but here's to you wi' a' my sowl ! 
 
 All. Rabbie Burness's health ! Rabbie Burness's 
 health ! 
 
 Burns ((9« his feet). I thank ye, lauds, this is kind and 
 cordial, noo, and I'm obligated to you. I'm sure it's a 
 pleasure to meet the like o' you owre a jorum o' gude 
 Scotch drink — nane o' your shilpit stuff frae France or 
 blashy trash frae Germany, but gude auld Scotch drink, 
 our mither's milk. And you, you're a' gude Scotch fallows, 
 and I like ye a' — I wunna quarrel wi' ony o' ye. There's 
 my haun, Boass, and there's my haun, Phrase. — Boass, ye 
 buckle your coat owre a crap as big as a bubbly-jock's, and, 
 haudin your head back, ye gie a did on the grun wi' your 
 stick, and a hoo-hoo o' a cough that just comes from a barrel 
 of pomposity ; but ye're a gude kind o' a man at your ain 
 fire-side, and ye'll mak a creditable bailie some day. And, 
 Phrase, ye'll mak a bonny white and black minister, dainty 
 i' the tongue, and wi' the periods o' a pendulum, and it's true 
 the savans say, ' Douglas forms wild Shakespeare into plan,' 
 — so, here's to you man, here's to you. {Laughter, cheers, 
 and cries of Here's to yoti.) 
 
 Scene 3. 
 
 Mauchline — A Dancing- Room — Reels, with floor thumping, 
 
 and shouts. 
 
 Burns {with his companions in crowd at door). Bide a 
 bit, let's see wha's a' there. There's my wanton widow, 
 Leezie, smilin and happy, and roun's an apple, a merry bit 
 body — she's dancin. There's my bit lively, black-ee'd Kate,
 
 ACT II. S. 3.] BURNS IN DRAMA. 15 
 
 and my bit gay, blue-ee'd Agnes — they're dancin. And 
 there's lowin Peggy, and simperin Sophy — they're dancin. 
 And saft Bella's dancin, and I declare there's Anna — ^just see 
 her neck, and her cheeks, and her een, a very heaven o' 
 charms — or a barrowful, by the Lord ! — I canna keep my 
 een aff her. And there's my frien' Yes, Sir, and No, Sir, 
 bouncin Bess o' the public — a coorse lump ! And, sittin 
 doon, there's that dear lassie, Betty Miller, and Tibby Turn- 
 the-Nose-up, \vi' a bit bonny white-faced thing atween them. 
 And yonder's Mysie, ' dour and din, a deil within,' gloomin 
 on everything. See, primsy Maillie's there too ; it's either 
 owre het or owre cauld, or owre something or anither, for her 
 to dance, I'm sure. Her sister, Merran wi' the glee'd een, 
 too — yonder she's sittin as she'll sit a' nicht I'm doubtin, wi' 
 the corner o' her apron atween her finger and her thoomb, 
 and her drapped head, smilin, aye smilin, but the deil o' a 
 partner to smile at. And there's saucy Maggie, that thinks 
 naebody bonny but hersel, I trow. — There noo, the dance is 
 owre — in wi' us ? 
 
 Anna. Ha, Rab ! ye maun dance wi' me. 
 
 Burns. Dance wi' you, ye jaud ! Ay to be sure, dance 
 and jump, and onything ye like wi' ye— Hoogh lass, but ye're 
 charmin. 
 
 Leezie. Gie me my fairin, Rab Burness. 
 
 Burns. ■ Losh Leezie, and is that you ? — your fairin is't .'' 
 Will ye hae a rub o' my baird } 
 
 Leezie. Ye haena ony. 
 
 Burns {luith action). Try ! 
 
 Kate. I want my fairin, too, Rab. 
 
 Agnes. And I want mine, Robert. 
 
 Bess. Ye maun dance wi' me, Burness. 
 
 Burns. Guide us ! I dinna ken what I'm to do amang 
 ye a', but what I hae I'se gie ye — to the very last o't. {Gives 
 jiti/s, kissini^, or trying to kiss each of them — music plays., 
 and they take partners.) 
 
 MvsiE. He's an impiddent fallow that Rab Burness — I 
 just hate him. 
 
 Maillie. He's a great rough brute. 
 
 Merran {smiling.) He's a funny ane. 
 
 Maggie. Ye wad a' like to get the offer o' him, though.
 
 16 BURNS IN DRAMA. [ACT II. S. 3. 
 
 Mysie wad smile, and Maillie wad beck, and, as for ye, 
 Merran — 
 
 Mekran. O me ! — I say nacthing' against him. 
 ^Maillie and Mysie mttn)Uir?[ 
 
 Jean {between Betty and Tibbie.) He's no good-looking ; 
 he's black and he's coorse — rale coorsc beside yon bonnie, 
 genteel, red-checked laud. 
 
 Beity. There's no a laud in a' the parish that's half sae 
 clever, though. 
 
 TiRi'.lE. Humph ! Wi' a' his cleverness he canna mak a 
 plack : they're as puir as kirk-mice. 
 
 Jean. Ay, and that's Rab Burness ! 
 
 Betty. Hae ye never seen him afore ? 
 
 Jean. No — never. Isn't he awfu wild ? They say — 
 they say {whispering) he's got a bastard wean. 
 
 Tibbie. Yes, that's true : He may hae dizzens o' them 
 for onything I ken, or care either ; but they keep ane at 
 hame shamelessly in his ain hoose for him, and ye may ken 
 frae that what kin' o' cattle they are — Draff! Til never look 
 the road they're on. 
 
 Betty. Ah, he's a gude fallow — a rale warm-hearted 
 laud, and sae clever ! 
 
 Jean. They say he can write poetry. 
 
 Betty. Canna he na — sic bonny sangs ! 
 
 Jean. Hasn't he awfu een — just like lowin coals? 
 
 sh — sh — shoo ! they mak me a' grue. 
 
 Tibbie. Tuts ! — He's a brute, and his folk are puir scum. 
 
 Betty. I like him, then, and I'll aye like him — there's 
 no a man in a' the kintra-side can baud a caunle to him — 
 he's that strong, and ticht, and clever. He's just a man — 
 he's just a king o' men. 
 
 Jean. She's a shameless hizzie, that Anna — hoo she pits 
 hersel up to him ! I wonder he can thole her. 
 
 Burns {in the midst of inunense glee, hearing the howl of 
 a dog, stops suddenly.) That's Luath. Luath, Luath ! Ha, 
 ye rascal, what ai-e ye daeing here ? Ye've fund me oot — 
 have ye ? Dinna devour me, man ! — wow, but ye're fain ! 
 I just wuss I could get a lass wad like me as weel's my 
 dowg. 
 
 Voices. Kick the dowg oot ! — and his maister tae ! —
 
 ACT II. S. 3.] BURNS IN DRAMA. 17 
 
 curse the fallow ! he's takin up the room to himsel. Curse 
 him, and his dowg tae ! — put them cot, put them oot ! 
 
 Burns. By the Lord that made ye ! the first amang 
 ye that puts a tae on the puir brute, I'll send to the pit 
 o' hell. 
 
 Voices {fainter on the outside). Oot wi' him ! 
 
 Betty. Look to him — there's noble^there's grand ! 
 
 Tibbie. To swear like a dragoon .'* 
 
 Jean. He's like a lion ! But they're owre mony for him 
 — I canna look. 
 
 {Curtain falls on some confusion.) 
 
 ACT in. 
 
 life, love, and horror of eclipse. 
 
 Scene i. 
 
 A Bleaching Green, Mauchline. 
 
 Jean. The clatty brute ! he's rinnin owre a' my washin. 
 Ca' aff your dowg, ca' afF your dowg, sir ! 
 
 Burns. The brute ! he's on the claes. Luath, Luath, 
 come here, sir ! I houp he hasna fyled ony thing, has he ? 
 
 Jean. No meikle. There's a sark or twa, — he's pit- 
 patted the ruffles. 
 
 Burns. Really now, I'm very sorry. You rascal you, do 
 you see what you've done ? 
 
 Jean. Dinna hit him. 
 
 Burns. No, I'll no hit him, for it's no his faut either 
 and he doesna ken ony better — if I had been payin atten- 
 tion mysel, gaun like ony body else wi' his natural een open 
 — But I'm rale vexed for you, my lassie, — What'll they say 
 to ye at ha me .'' 
 
 Jean. O, I'll gie the things a bit syn', and they'll no ken. 
 
 Burns. But that's giein you trouble— upon my word I'm 
 very sorry. 
 
 Jean. O never heed, sir ! — the trouble's naething — it's 
 dune noo, and it canna be helped — I'm glad ye didna strike 
 the puir dowg that's sae fond o' ye. — Hac ye fand a lass yet 
 to like ye as wccl as he docs ? 
 
 B
 
 18 BURNS IN DRAMA. [ACT III. S. I. 
 
 Burns. Eh ?— My lassie, what's that .'—Were ye there, 
 then ? Od, I was sure I had seen that bonnie face afore, 
 but, faith, I canna name ye. 
 
 Jean. I'm Jean Armour — Mr. Armour, the maister- 
 mason's dochter. 
 
 Burns. What ! — i' the Coogate ? Od, yc're a bit bonny 
 thing — ye'Il hae lots o' lauds, na ? 
 
 Jean. Lauds ! what way duve ye think that ? I'm owre 
 young for lauds, I'm sure. 
 
 Burns. No a preen ! I just wush ye wad tak me. 
 
 Jean. Ye wadna hae a young thing like me. 
 
 Burns. Wad I na ? 
 
 Jean. Ye hae owre mony a'ready. 
 
 Burns. I haena ony. 
 
 Jean. Ye needna tell me that ! ye hae a dizzen at least, 
 and less micht ser' ye. 
 
 Burns. A dizzen ! No, not one — why should you think 
 so ? 
 
 Jean. Ye dinna like Anna, I suppose, nor Leezie, nor 
 Kate, nor Agnes, nor Bess either ? 
 
 Burns. Bess ! a big ugly hizzie in a public-house ? 
 
 Jean. Maybe no her, then ; but there's the ithers, — Anna, 
 and Leezie, and Kate, and Agnes ? 
 
 Burns. Chuts them ! I dinna care a preen-heed for the 
 hale o' them. It's anither sort o' thing that — but you ! I 
 could love you — I could mak a queen o' ye. 
 
 Jean. I maun awa and syn' the sarks oot. 
 
 Burns. Let me come and help you. 
 
 Jean. No — dinna come wi' me. 
 
 Burns. What's the matter wi' ye ? 
 
 Jean. Naething, but dinna come wi' me. 
 
 Burns. What way no ? 
 
 Jean. Because 
 
 Burns. Because what ? 
 
 Jean. I'm frichted for you. 
 
 Burns. Frichted for me ! What maks ye frichted for 
 me ? I'm sure I wadna hurt a hair o' your heed ! I wadna 
 hurt a fly, let alane you. 
 
 Jean. They a' say ye're such a terrible blackguard. 
 
 Burns. Who says that .'' I should just like to know who.
 
 ACT III. S. I.] BURNS IN DRAMA, 19 
 
 Jean. Just everybody. 
 
 Burns. Everybody's a leear, then. I'm sure ye dinna 
 think that ill o' me — Come na {jfcan lookittg at him^ and 
 remaining silent), tell the truth — I'm sure ye dinna think 
 that ill o' me. 
 
 Jean. No — I dinna think ony ill o' ye. 
 
 Burns. You darling — that's recht, na. You're a dear 
 sweet thing. I kenned frae your bonnie saft een ye were 
 as innocent as a lamb, and couldna think ill o' onybody. 
 
 Jean. My een are no like yours, then. 
 
 Burns. What like are mine .? 
 
 Jean. I dinna ken— I canna say. 
 
 Burns. Tell me, na. 
 
 Jean. They mak me grue. 
 
 Burns {making to put his ar7n about her). You darling 
 lassie ! 
 
 Jean. Na, na — let me gang and syn' the claes. 
 
 Burns. I'll gang tae. 
 
 Jean. No, that ye maunna ! — ye maunna come ! — ye 
 maunna, na ! 
 
 Burns {Jiavi7ig followed Jean, who now rinses the linen 
 in the stream without entering it). Are they sair fyled? 
 The rascal — I could just fell him for causing you trouble. 
 
 Jean. And him sae fond o' you ! 
 
 Burns. Weel, he wfond o'me. Come here, Luath ! No, 
 I'll no touch you. Come here, man {dog springs on him, 
 and caresses him wildly). That'll dae na — gae doon, Luath ! 
 
 Jean. I think I never saw a beast as fond o' onybody 
 afore. 
 
 Burns. Ah, if I could get a lass — if I could get you, for 
 instance — to like me as weel. 
 
 Jean. Me ! I dinna ken what love is. 
 
 Burns. Couldna ye learn — from my ainsel, noo ? 
 
 Jean. Ye wadna love me. 
 
 Burns. But I do love ye. 
 
 Jean. And ye saw me ance afore, and forgot me : I 
 didna forget you. 
 
 Burns. And I didna forget you — didn't I say I kenned 
 your face .'' 
 
 Jean. Pooh ! that's naething.
 
 20 BURNS IN DRAMA. [aCT III. .S. I. 
 
 Burns. But it's everything. It proves that, even with- 
 out my ain kennin, your beauty, as it budc to do, and was 
 meant to do, had won into the very core o' me. 
 
 Jean. I hae nae beauty. 
 
 Burns. You are loveliness itself; you are as beautiful as 
 an angel. What pure innocent eyes you have — what dear 
 sweet lips ! 
 
 Jean. Dinna speak to me that way. 
 
 Burns. Why not ? 
 
 Jean. I dinna ken. Ye've got to your English, and you 
 mak me trummle. — Gang awa frae me — gang awa frae me — 
 let me synd the claes. 
 
 Burns. But I canna gang awa frae you, and if I could 
 help it, I wadna let you synd the claes — these tender little 
 hands of yours 
 
 Jean {lookmg at her hands). But what can I dae ? 
 
 Burns {taking a hand). The bit bonnie wee haun — could 
 I but take.it wi' me noo — ^just to hug it, and kiss it, and speak 
 to it the live-lang day ! 
 
 Jean. Let go my haun — let go, wuU ye ? 
 
 Burns. No, I'll no — I'll just kiss it, I wull. 
 
 Jean. Let go, let go — there's somebody comin. 
 
 Burns {letting go). There's naebody — there's naebody 
 comin. 
 
 Jean {laughing). I maun syn' the claes. 
 
 Burns. But ye canna syn' them that gait — you'll break 
 your back — you've sae far to loot. 
 
 Jean. I canna gang in the water, and you there. 
 
 Burns. But I'll no do ye ony harm — ye needna be 
 ashamed o' your leggies — they're 
 
 Jean {stoopitig so as to cover her ankles with her petti- 
 coats). Ye dinna see them, I'm sure. 
 
 Burns. Maybe I have seen them. 
 
 Jean. No — never. 
 
 Burns. Let me see them, then ? 
 
 Jean. Na, na — dinna touch me — if ye touch me I'll 
 squeal. 
 
 Burns. Gang in, and wash your sarks, then. 
 
 Jean. Gang ye awa, then — I'll no gang in the water 
 before you.
 
 ACr HI. S. I.] BURNS IN DRAMA. 21 
 
 Burns. What way no ? 
 
 Jean. Just. 
 
 Burns. Weel, I'll turn my back, and you can gang in 
 when Tm no lookin — ance you're in, it'll no matter. 
 
 Jean. No — gang ye awa a'thegither. 
 
 Burns. But I canna gang awa a'thegither. 
 
 Jean. Ye maun, though. 
 
 Burns. But I canna. 
 
 Jean. It's gettin late, and I maun syn' the claes. 
 
 Burns. Synd awa, then. 
 
 Jean. But I maun gang in the water. 
 
 Burns. Gang, then. 
 
 Jean {hesitating). Turn ye your back, then {Burns turns 
 his back) — but you'll look ? 
 
 Burns. No, I'll no look. 
 
 Jean {tucking in her petticoats, then suddenly desisting^. 
 I canna gang in the water. Indeed, indeed, ye maun 
 gang awa. 
 
 Burns. What'll ye gie me to gang awa ? 
 
 Jean. Gie ye ? I hae naething to gie you. 
 
 Burns. Ye can gie me something I wad gie a' the world 
 for. 
 
 Jean. Ay, it's true, then — ye're a blackguard after a'. 
 
 Burns. No, I'm no a blackguard, but I wad gie a' I 
 aucht for ae kiss o' your sweet wee mou. 
 
 Jean. Daft fallow ! gae 'wa wi' ye. 
 
 Burns. Gie me the kiss, then. 
 
 Jean. No. 
 
 Burns. Yes, ane. 
 
 Jean. No. 
 
 Burns. Just ane. 
 
 Jean. Maybe somebody '11 see. 
 
 Burns {taking her in his arms). There's naebody '11 see. 
 
 Jean. Noo, let me go — let me go — let me go, noo ! 
 
 Burns. You'll come and meet me the nicht at the corner 
 o' the kirk-wa. 
 
 Jean. Let me go, then. 
 
 Burns. Promise, then. 
 
 Jean. I promise — there, let me go. 
 
 Burns {whistles and calls his dog). Luath, Luath !
 
 22 burns in drama. [act iii. s. 2. 
 
 Scene 2. 
 
 Mauchline — A Mason's Meeting. 
 
 Burns. Well, it's my opinion. 
 
 Hornbook {taking stmff). It's your opinion ! — but, 
 maybe, your opinion is trash, sir, trash. You know nothing 
 of Galen, and as little of Celsus. The noble therapeutic art, 
 to the adepts in which divine honours have been paid 
 
 Burns. Ye mean the cock o' Aesculawpius — it's wonnerfu 
 how fond doctors and the gods are o' that kind o' sacrifice. 
 
 Hornbook {taking a pinch). Now, it strikes me, Robert 
 Burness, that the cutting of a cock's comb would be the com- 
 petent sacrifice at this present. 
 
 Burns. Pooh, doctor ! your gully's owre blunt. 
 
 Hornbook. I don't know — a cockerel's but green. 
 
 Flinty. Ha, ha ! Nae need o' shairpin-stanes here, I 
 think. 
 
 Hornbook. Your opinion may be acceptable, sir, when 
 you are able to tell whilk's left and whilk's recht — the heart or 
 the liver. 
 
 Flinty. Od, doctor, I'm content to ken whaur my 
 Stamach is, as witness— (/////>?^ his glass). 
 
 Dal. But, doctor, it's no sae difficile to be a doctor — 
 look to Sangrado and warm water. 
 
 Hornbook. Well, it's good in its place. The aqua 
 tepida now, or the aqua calida 
 
 Dal. Ye mean the aqua fontis, doctor — 
 
 ' That is the name the doctors use, 
 Their patients' noddles to confuse.' 
 
 Na, doctor, hooly ! 
 
 • We'll hae nae mair sic clitter-clatter. 
 But, briefly to expound the matter, 
 It shall be — Ferintosh and water, 
 
 The whilk, I trow, 
 Few drogues in doctors' shops are better 
 
 For me or you.' 
 
 And that means anither bowl, I think. 
 
 Burns. To be sure ! Some mair drink to wash awa a' 
 thae midge-tail clippins and mite-horn shavins.
 
 ACT III. S. 2.] BURNS IN DRAMA. 28 
 
 Droddums. That was a fine sermon, last Sawbath — ye 
 g^ed them a screed o' your mind about it at the kirk-door. 
 
 Burns. Did I ? Brunstane for warks, and croons o* 
 glory for blin' faith. What an eldrich cratur, wi' his chirted 
 bagpipes o' speech ! Such a theological system I never 
 heard. His doctrine o' Election maun be quite to the heart 
 o' Auld Clootie. 
 
 Droddums. But, Robert, ye ken to be elected the ae 
 way, is to be elected the ither also. 
 
 Burns. Haud your tongue, Droddums, ye ken naething 
 aboot it. 
 
 Droddums. Deed, no meikle. 
 
 Stallfed. And is an educated minister not to have more 
 weight in theology than folk who only ca' the shuttle or haud 
 the plough ? 
 
 Burns. Certainly. 
 
 Droddums. That's true. 
 
 Burns. I don't know after all. He appeals to the com- 
 mon sense of the whole of us. 
 
 Droddums. There's nae doubt he does. 
 
 Stallfed. Then a dozen years of special training can 
 place a minister only on the level of his hearers .'' 
 
 Burns. I don't say that. 
 
 Droddums. Humph I we can't say that. 
 
 Burns. And yet I don't know. What gude comes o' 
 your Latin and Greek ? College ! — ye gang in stirks, and 
 ye come out asses. 
 
 Droddums. That's true too— some folk are no meikle 
 better for the College. 
 
 Dal. Good for you, Droddums ! Ye ken ae case at least, 
 dinna ye ? 
 
 Droddums. Hoots ! I ken several. 
 
 Stallfed. It is natural to despise advantages we can 
 lay no claim to. 
 
 Burns. Advantages! What says Sterne ? 
 
 Stallfed. O, I leave Sterne to you. 
 
 Droddums. There seems something both ways. 
 
 Dal. Droddums, /^ve settled it. 
 
 Phrase. Have you read Burke's speech on the present 
 ffairs, Stallfed ?
 
 24 BURNS IN DRAMA. [ACT III. S. 2. 
 
 bTALLFED. A fine piece of eloquence, but exaggerated. 
 
 Phrase. The style is loaded. 
 
 Burns. Like a cannon, i' faith ! — heavy metal, sirs, 
 and turned the richt way. 
 
 Stallfed. You refer to America. 
 
 Burns. I refer to this, that Burke is for the oppressed — 
 for the rights of man. 
 
 Stallfed. For rebels, you mean. 
 
 Burns. Rebels! — oppressed fellow- subjects — I quite 
 glory in Burke for the side he takes. 
 
 Stallfed. Few mind him in the House. 
 
 Burns. How often is it not so? — Majorities wrong, 
 minorities right. 
 
 Phrase. You are fond of paradox, Robert. 
 
 BoosiE. He's talking nonsense. 
 
 Stutters. Doesn't know what he's saying. 
 
 Burns. And yet the highest that was ever born of woman 
 was precisely in a minority of one. 
 
 Several. Who was that 1 
 
 Burns. You don't know ! 
 
 Stallfed. He means the Saviour. But that was not 
 man. That you know, or ought to know, Mr. Robert Bur- 
 ness, was God Himself. When we speak of human matters, 
 we must use human illustrations. 
 
 Burns. But Caiaphas and Pontius Pilate — the Jews and 
 Romans who were then and there — surely it was a man they 
 saw. 
 
 Red jowl. Hush, Burness ! we cannot hear sacred things 
 irreverently talked of. 
 
 Phrase. It's injudicious. 
 
 BOOSIE. It's ignorance. 
 
 Stutters. It's empty self-conceit, /think. 
 
 Burns. Was there ever the like of this ? Am I saying 
 one word against religion — one word that the most out- 
 rageous frenzy of orthodoxy can object to ? — I deny nothing 
 — I impugn nothing. You all know my meaning well enough. 
 It is dishonesty — it is rank dishonesty and cowardice to take 
 me up in that manner. 
 
 Hornbook {taking a pinch). Mr. Robert Burness ! no
 
 ACT III. S. 2.] BURNS IN DRAMA. 25 
 
 doubt you have some — some {taking another pincJi)- — taelent, 
 but you ought to know that it is quite out of place 
 
 Burns. Pshaw ! An ass's hoof by way of a flat-iron to 
 end the dressing, is rather too much — stick to your rod, 
 doctor, — I've one in pickle for you mysel. Urinus spiritus 
 of capons ! Some books are lees frae end to end, doctor, 
 Even ministers they hae been kenned, doctor, In holy rap- 
 ture, A rousin whid at times to vend, doctor, And nail't wi' 
 scripture. 
 
 Flinty. Good, Burness, good ! it maks us hear just as 
 you speak : it's glimp and perjink. 
 
 Dal. The clink's no that ill. 
 
 Burns. Dal and Flinty, you're about the best amang 
 them 
 
 Droddums. And me, Robin, and me ! 
 
 Burns. Ay, and you, Droddums, — I see ye, man — but 
 as for the rest, they've soured my drink, and I maun awa 
 hame. That is always the way of it ! Dishonesty, cool and 
 wary, — not caring a brass farthing for the truth, — while red- 
 hot honesty — that knows nothing bid the truth — will be 
 held up to the reprobation of well-meaning fools like Stutters 
 and Redjowl, and gullible imbeciles like Boosie, and buttery- 
 mouthed prick-my-dainties like Phrase, by a great big, 
 fozie, long-toothed, jinkin-ee'd, fause-ee'd, white-faced ghost 
 of orthodoxy like Stallfed— who does not believe one word 
 — unless rhetorically. But I just say this, and I leave you. 
 — Did it not make it all the stronger for what / said, that it 
 was what ye said .? Even when Deity came to earth. Deity 
 was there precisely in a minority of one. Now, Hornbook, 
 now up with your hoof, man ! 
 
 Scene 3. 
 
 Burns and Jea'N ineeting at Night. 
 
 Jean. O, Robert ! 
 Burns. If ye're ginny greet, I'm aff. 
 Jean. I'll no greet — I'll no greet. 
 Burns. Does your father ken .'' 
 Jean. My mither telt him. 
 Burns. What did he say ?
 
 26 BURNS IN DRAMA. [ACT III. S. 3. 
 
 Jean. He turned as white as a clout, and his een ken'led 
 — I rase and ran. 
 
 Burns. And what did he say to you when you saw him 
 after ? 
 
 Jean. I havena seen him — he's taen to his bed. 
 • Burns. But I canna marry you, Jean — {Jean sobs) — I've 
 no money — I canna stay here — I've to gang abroad. 
 
 Jean. O, what will become o' me — o' me .'' What will I 
 do ? O, that I had never seen you ! 
 
 Burns. Are you vexed you have ever seen me ? 
 
 Jean. Everybody will cry shame on me — the very folk I 
 despise. 
 
 Burns. Tell me, na ! Are ye vexed ye have ever seen 
 me? 
 
 Jean. I have ither things to think o' — it's no a time to 
 talk in that way. It was sweet luve, but it's a' bye. 
 
 Burns {a/ler lo7tg silence). No ! I canna help it^I 
 canna marry — we've dune nae good in the farm — I canna 
 stay. 
 
 Jean. O me — how can I ever hand up my head again ? 
 
 Burns. Ye said ye wadna greet. 
 
 Jean. I canna help it — I'm sure I would if I could. 
 
 Burns. Try ! There's a gude lassie — Dinna greet ! 
 
 Jean. It's cruel, cruel— it's cruel o' ye — so it is. 
 
 Burns {taking her in his arms). But what can I do ? 
 
 Jean. I'm sure I've liked ye weel, weel — I'm sure I've 
 liked ye. 
 
 Burns. And I've liked you. 
 
 Jean. Ye dinna like me noo — ye canna care for me noo 
 - I'm a lost lassie. 
 
 Burns. Dinna reproach me. 
 
 Jean. I dinna reproach you — O, I'm no reproaching you, 
 I'll no reproach you. 
 
 Burns. Dinna greet, then. 
 
 Jean. I maun greet — I canna but greet — O what will 
 become o' me — o' me ? 
 
 Burns. Hush noo, my darling Jean, — dinna greet, na, — 
 dinna greet ! 
 
 Jean. Dinna touch me — dinna come near vie — I'm no 
 worth the mindin noo.
 
 ACT III. S. 3.] BURNS IN DRAMA. 27 
 
 Burns. But you are worth the mindin — you are my ain 
 dariing Jean yet — the only lassie I care a button for. 
 
 Jean. I'm naebody's lassie — naebody's darling noo — but 
 ye ken yoursel ! Ye ken yoursel, if it was a' my faut. 
 
 Burns. No indeed, puir lassie ! it wasna your faut — I've 
 been a bad fellow, Jean — can ye forgie me ? 
 
 Jean. I'm no blamin ye — there's naething to forgie — I 
 liked you owre weel, that was a' ! 
 
 Burns. And dinna I like you, Jean ? 
 
 Jean. But you're gaun awa — you're ginny lea' me — you're 
 ginny lea' me ! 
 
 Burns. I hae nae siller. 
 
 Jean. Ye dinna like me — that's it — ye canna like me noo. 
 
 Burns. By heaven, I like you ! On my knees I swear 
 it. From my soul I love you — As long as the red blood runs 
 in my veins, I'll love you ! I won't go away — I won't leave 
 you — You're my wife and my love — I'll proclaim you to be 
 my wife before the world, and I'll do day-labour, but I'll win 
 your bread for you ! 
 
 Jean. O Robert — my ain Robert ! 
 
 Scene 4. 
 
 Old Rofne Forest — Atigiist — A Moor, towards tiight. 
 
 (Burns alone.) 
 And is this the end ? — To leave my country, and my native 
 place — to sink, it may be, in a week, out of sight into a jungle 
 of the climate, a negro-driver, uncared for, unthought of, 
 never missed ! — Death in a ditch ! — O Scotland, dear old 
 Scotland, dear old Coila, the bonny braes, the rowin burns, 
 the lauds and lassies ! I, who had thought to be something 
 — I, whose soul had glowed into a million great things that 
 were to come ! — And it is this has come ! — O, all my grand, 
 grand intentions ! And my morning was so fair and promised 
 so well ! I had a good home, a kind mother, and a good 
 good father, who fired me into knowledge — but what have I 
 made of it all .'' I was quick to see and learn— quick quick 
 to feel — and I could judge for others, but for myself — No ! 
 That was another thing — that was to be left from moment 
 to moment, just to the stang of inclination. What scenes,
 
 28 BURNS IN DRAMA. [ACT III. S. 4. 
 
 what scenes, as I look back upon them ! I dare not think — 
 1 dare not think of what I am. The free conscience, the 
 honest heart that held me up — I cannot claim them now. 
 And so I fall— creeping for shelter from hiding to hiding — 
 
 For the fear of what ? — A jail ! 1 in a jail ! — a jail for me ! 
 
 — Yes, I am a ' hope-abandoned ' wretch, ' oppressed with 
 care ' — O, as for that, I never was ' fitted with an aim.' And 
 where the fault ? I might have made it different ; but is the 
 fault all mine ? O my young days ! All was bright then — 
 innocent. I worked, and I bore want — gulped humiliation 
 weekly, daily. But nothing prospered. We have done no 
 good — never — not at the last, here. — No ! it has not 
 been all my fault. And what luas mine, have I not offered 
 to repair it, all that I could ? I have not skulked cowardly 
 off — I have not cruelly turned my back. I have owned free 
 — I have stood openly forward. And how has it been taken ? 
 Marriage with me cannot solder up the character of the 
 mason — the inastcr mason's daughter ! It would be a greater 
 disgrace to him that she should be my wife, than that she 
 should have been my mistress ! And he blows the whole 
 affair abroad by hunting me into a jail for alvnent — O the 
 shillings ! — the shillings a week ! Her mother denies me 
 the house, and Jean is thowless — turns from me to them, — 
 nay, is actually smitten, they say, with the brosie red cheeks 
 of a Paisley weaver. Poor, perjured ken-nae-better ! may 
 God forgive her. I do — I love, O I love her still ! I atn 
 a forlorn wretch — I have given up my share of the farm 
 (they cannot come upon that !) — and I am as loose as 
 a knotless thread. All turn against me — her father, 
 her mother, herself, even Aitken that stood so strong by 
 me.^When he cut my name out of the lines, it was my 
 veins he cut — my heart died within me when I heard of 
 it. I am just a blackguard, a hooted blackguard. I am a 
 blackguard to them, — a blackguard to my mother, and the 
 rest of them. I am a blackguard to the town, and the whole 
 countrj'-side — and not even to the most of them a clever 
 blackguard, but distasteful and repulsive as a blasphemous, 
 impious, profane, and Godless ruffian, a wretch infamous 
 and disreputable ! As that, I have had to stand, Sunday 
 after Sunday, in the church, recognised, rebuked^ censured,
 
 ACT. III. S. 4.] BURNS IN DRAMA. ' 29 
 
 U7ider the eyes of all. What am I, then, but a common and 
 a public blackguard 1 The lady at Ballochmyle, how could 
 she write to me — acknowledge my song 1 I am a black- 
 guard to my own self : drink, bastards, freethinking ! And 
 O, such a fool as I am ! None of the ways of the world 
 mine — no reserve — all openness and ready speech. Curse 
 that garrulity and constant lapsus linguae ! I have no dis- 
 cretion, and every man is free to be familiar with me — At 
 the same time that I set them all on edge by my emphasis 
 and self-assertion. Pride of observation and remark, truly ! 
 And I am social without bounds or limits, and would have 
 them all to like and agree with me. For all that, I am but 
 a hectic mixture of hilarity and hypochondria, with a weak, 
 prurient curiosity that is the secret of my knowledge. What 
 am I good for.'' Here, on this moor, what am I good for.? 
 My cleverness has been all a delusion. The gloomy night 
 is closing over me. Storm and tempest are in the sky. 
 But I feel neither the wind nor the rain. I am an outcast. 
 Nature herself, that always smiled her gladness over me, 
 lowers now, and turns her back on me. Not one of all her 
 creatures will ever more raise a throb in me. The earth is 
 dull and the waters on it. Mournful the chirp of the birds, 
 and joyless the trees, and the windows of the heavens are 
 blank. I have been forced to let go my very name, that I 
 may no longer disgrace under it the relatives that bear it. 
 The name of infamy ! it had to be blotted from the very 
 paper that bound me to a husband's and a father's duty. 
 A father's duty ! My Bess, the poor children, what have 
 they done .'' — how can I meet before my God the reproaches 
 of those I had deserted in the smiling innocence of their 
 helpless infancy 1 But what can I do .? My reparation is 
 but a deeper injury, a deadlier insult : the wretch is too 
 poor ! And now, in the dark of night, while thunder mutters 
 and the raindrops pour, I take my last farewell. Robert 
 Burness, that was once a hope to the noblest human being 
 that ever made the name of father sacred,^Robert Burness, 
 that was once all that — is now Robert Burns, a fugitive and 
 
 a vagabond in the earth, an outcast and a blackguard ! 
 
 An end, an end— Oh, were there but an end ! {I i thunders) 
 Strike me {throwing himself pro7ie upon the ground) — strike
 
 30 • BURNS IN DRAMA. [aCT. IV. S. I. 
 
 me, thou leven-bolt, strike me — helpless, hopeless, lost, 
 creation's last ! 
 
 ACT IV. 
 edinburgh and after : the blaze and ashes. 
 
 Scene i. 
 
 Edvibttrgh — Ante-Room of Public Assembly — the Hall seen 
 throtegh opening — December. 
 
 (A Guest — looking through Opening into Main Room.) 
 
 And that is Burns ! How they crowd around him — what 
 a lion they make of him ! There now, disappointing quite a 
 bevy of Lords, Ladies, Honorables, and others, it is the 
 Duchess has taken him up — the country ploughman that, 
 with his strong hodden Scotch-English, has turned all our 
 heads, — to whom cards of invitation fly by the dozen, — of 
 whom the newspapers prate all manner of anecdotes — How 
 long will it last ? — Strongish-built, and of good middle height, 
 or tallish rather, and agile, — there is manhood in the move- 
 ment and make of him — freedom — somewhat loutish in 
 shoulder and leg, though he be. — Ah, he turns — what a face 
 for energy ! LI is eyes flame, and every feature speaks. 
 Scorn and compassion, nobility and mischief there ! Dark 
 hair on a fair-arched forehead, but not positively high and 
 not positively broad. Round chin, full lips under a short, 
 pointed, but not uncomely nose — full lips, wreathed infinitely 
 between the swarthy cheeks of glowing red. Now he is 
 coming this way, with the small iry bouncing at him. 
 
 Burns (those around him vying for his attention^ till he 
 is bored out of all patieftce). And {turni7ig on a critic who 
 is talking loudly in dispraise of Gray's Elegy) what have 
 you to say against that line, sir ? 
 
 Critic. The ninth foot is too long. 
 
 Burns. But the sentiment ? 
 
 Critic. O, the sentiment ! One cannot feel it for the 
 metre, you see.
 
 ACT IV. S. I.] BURNS IN DRAMA. 3] 
 
 Burns {half aloud). And a man may be an excellent 
 critic by square and rule, but, after all, a d d blockhead. 
 
 Blair. Pardon me, Mr. Burns, but Society does not 
 usually hear 
 
 Burns. I did not see you, Dr. Blair ; and I thought I 
 spoke to myself. Perhaps, too, it was not so very far wrong. 
 
 Blair. Sincerity is a virtue, no doubt, Mr. Burns ; but 
 a virtue when over-charged degenerates into vice. And 
 then it was a clergyman you spoke to. 
 
 Burns. He talked like a blockhead ; but I respect the 
 cloth, and I am sorry if he heard me ; though, after all, he 
 pretty well deserved it. 
 
 Blair. But there is more than that, Mr. Burns. These 
 tones now. Deference is always amiable and pleasing, but 
 these dictatorial tones 
 
 Burns. I am vexed if I blundered, but I cannot help 
 speaking as I feel ; and the truth, somehow, is always on the 
 tip of my tongue. 
 
 Blair. Did we but reflect, how very perfect we ought to 
 be ourselves before we presumed to censure others 
 
 Burns. Now, Dr. Blair, you are always telling me 
 that I should not have done it, and I say so myself. 
 
 Blair. Yes, but if, in any way, I possess what gives me 
 a right to rebuke, Mr. Burns, it is my duty to insist on a 
 fault which, only glanced at and left, may become inveterate. 
 I know not that anything imports more than to give every 
 man his due, be he prince, or lord, or minister of the church. 
 
 Burns. O, if you come to that of it. Dr. Blair, I set as 
 little by princes, lords, clergy, and critics, as they by me. 
 My creed is that the man is the gold, and the rank but the 
 stamp upon it. Even a ploughman must be allowed stiff- 
 ness in his bow, if he has to meet impertinence. Why 
 should mere greatness ever embarrass him ? In a matter of 
 judgment now, I hold that there is no room for rank. If 
 even a duke submits his poems to me, am I not to judge of 
 them independently of his dukcship ? Is there such a thing 
 as a rt'z^iTrt/ judgment, which we must learn.'' 
 
 Blair. I have no wish to advise, Mr. Burns, perhaps no 
 right, but 
 
 Burns. I am as sorry to have done wrong as any other
 
 82 BURNS IN DRAMA. [aCT IV. S. I. 
 
 man, but I scorn to play the part of servility or craft. I 
 know I am what people, with a lift of the chin, call nobody. 
 I can lay claim to neither gules, argent, nor purpure ; mine 
 is a scoundrel blood, and has crept through scoundrels ever 
 since the flood : but I keep a high heart for all that. I 
 have only been found, after all, where Elijah found Elisha, 
 and I know at least one man in this world — and I do not 
 mean myself— who brings his patent of nobility direct from 
 Almighty God. Before Him, depend upon it, Dr. Blair, 
 it is enough to be true. 
 
 Blair. Mr. Burns, Mr. Burns, you have greatly mis- 
 understood me. 
 
 Burns. O I know what it is for a man to have the sense 
 of injured worth, and feel the throe of indignation at unde- 
 served neglect, as at undeserved distinction lavished on the 
 unworthy. And I have the consciousness of some merit, 
 else I should not be here ; but I hope I am neither forward, 
 vain, nor presumptuous. The world is such, and I am such, 
 that I must bear on my front an honest protest against the 
 venality and prostitution of poor men and poets. It is not 
 in manhood to submit to the sneer of contumelious great- 
 ness. For my part, indeed, I will always advertise ijiy Lord 
 — just 7}iy Lord, whilk ane o' them ye like, — and I hope 
 without derogation or offence, — that I have a fortune in the 
 plough, and a heart, I trust, as independent as his Lordship's. 
 
 Blair. You have taken the bit between your teeth, Mr. 
 Burns ; but you must come to a halt when your breath is 
 out. What I ask is this — for I say nothing against all that, 
 a man must in his place be a man, and conduct himself 
 accordingly, but — is it becoming to lay down the law } 
 Rudeness can only excite uneasiness and disgust. He who 
 is accustomed to a polite and judicious conversation 
 
 Burns. If I have been rude, there is no more to be said, 
 Dr. Blair — I kiss the rod. 
 
 Blair. I am sure you know yourself, Mr. Burns, that 
 the ribaldry of a porter or a hackney-coachman, the unre- 
 specting exclamations of a peasant or a clown 
 
 Burns. Dr. Blair, you crucify me. 
 
 Blair. It is in the conduct of life, Mr. Bums, as it is in 
 iudging the Belles Lettres. Every voice is united in applaud-
 
 ACT IV. S. I .] 
 
 BURNS IN DRAMA. 
 
 33 
 
 ing elegance, propriety, simplicity, and in denouncing coarse- 
 ness, rudeness, fustian, in either respect. That delicacy of 
 sentiment which is contracted in the exercise of judgment 
 and refinement, is necessary to both. Rustic songs, now, 
 and rural ballads please the vulgar, while he who knows the 
 charms of more finished compositions detects at once the 
 unskilfulness of their manner and the insipidity of their 
 matter. To pass one's time, for example, only in the com- 
 pany of good authors — Air. Pope, now — Corneille, Racine — • 
 
 Virgil, Lucretius — Horace, Terence, Cicero 
 
 DUGALD Stewart. Were you ever in Paris, Dr. Blair ? 
 No ! Well, I can hardly tell you how you would enjoy 
 standing in the Place die Pa)ithcon there, and reading the 
 names inscrilaed on the walls of the Bibliotheqtie de Ste. 
 Genevieve which occupies pretty well one side of the square. 
 Fancy ! — between the windows, above them, below them, 
 everywhere on the outside of that library, )-ou will find, deep- 
 sculpt in long lists, all the great writers of all the ages, and 
 
 Homer. 
 
 ^•Eschylus. 
 
 Eabelais. 
 
 Cervantes. 
 
 Newton. 
 
 Virgil. 
 
 Sophocles. 
 
 Montaigne. 
 
 Calderon. 
 
 Leibnitz. 
 
 Dante. 
 
 Euripides. 
 
 Molifere. 
 
 Petrarch. 
 
 Descartes. 
 
 Milton. 
 
 Shakespeare. 
 
 Voltaire. 
 
 Ariosto. 
 
 Diderot. 
 
 Tasso. 
 
 Corneille. 
 
 Rousseau. 
 
 Boccaccio. 
 
 D'Alembert 
 
 Blair. Really, now, Professor Stewart, that is very 
 interesting. , 
 
 D. Stewart. Some men seem actually to live in that 
 square. Dr. Blair, and for no other purpose than just to say 
 low to themselves all these names, the one after the other, — 
 Diderot, D'Alembert, Racine, Voltaire, Rousseau. 
 
 Blair. In matters of taste, that polite nation, the French, 
 certainly excels us. Compare the harmony, now, the en- 
 lightenment of reading such names with the brutality of 
 wild-beast shows, and the frivolity of fashionable attires 
 that flutter round flower-beds. To my mind it is a contrast 
 of civility and barbarism. 
 
 Burns. Names, names ! Ay, Dr. Blair, the names of 
 literature seem themselves a literature. How many men 
 are there not — high in repute, too — who, knowing notliing 
 of the books, make very effective literary play with the 
 
 C
 
 84 BURNS IN DRAMA. [aCT IV. S. I. 
 
 names of their authors — quite to the admiration, respect, 
 awe of the public indeed ; who, good souls that they are, 
 take all on credit ! Though never having read a single page 
 of either, they Jrty the names Plato and Aristotle, for example, 
 quite irresistibly ; and they are quite aware what an impres- 
 sion it makes, to flourish in our faces Homer, and Virg'.l, and 
 Cicero — how it dazzles the most, and even charms pretty well 
 all. lUit will any one put the trick in the scnles, and tell me 
 the weight of it 1 At a book-stall, the other day, I opened 
 in an old magazine, an article on an author now alive, in 
 which it was said that this author, as of preternatural powers, 
 had devoured all learning, and made himself master even of 
 the most recondite — the leviathan Proclus, and the behemoth 
 Plotinus. Meeting, soon afterwards, this said preternatural 
 author himself, I spoke to him about the article, and learnt 
 that, while he himself had never even seen any actual work 
 of either Proclus or Plotinus, and had long forgotten all the 
 little Greek he brought from college, the writer of the article, 
 again (whose name he mentioned), was, to his own positive 
 personal knowledge, utterly incapable of reading a single 
 W'Ord of Greek — anywhere — not in Proclus or Plotinus, but 
 in any schoolboy's primer ! There is a deceit here against 
 which the public has no security : it is daily in the humiliat- 
 ing position of receiving, admiring, and paying for — a nofi- 
 existoit erudition ! — and on the strength of names ! Both 
 reviewer and reviewed, now, what giants they must have 
 loomed to the reader because of Proclus and Plotinus, and 
 above all, what profound Grecians ! It is consoling to reflect 
 that the very lowliness of a Scotch versifier guarantees 
 honesty, and is beyond the suspicion of a spurious pretence. 
 Whatever he offers is at least his own, and genuine in its kind. 
 
 Blair. Well, yes, Mr. Burns, you have attracted con- 
 siderable attention and — yet, despite what Ramspy and 
 others may have done to secure the ground, it is doubtful 
 if ever Scotch will be to the moderns what Doric was to the 
 ancients. The Doric was at least a dialect among dialects. 
 
 Burns. But Fergusson, Ramsay — with such genius in 
 the works they have left — It is impossible — they must be im- 
 perishable ! One spark of Nature's fire can glorify any dialect. 
 
 Blair. Well, I am not sure, Mr. Burns. Nature is
 
 ACT IV. S. I.] BURNS IN DRAMA. 35 
 
 certainly the raw material ; but of what value is any raw 
 material until it is dressed — and who among the polite will 
 ever regard a rude lowland provincialisin as dress ? This 
 consideration of dress, indeed, decides in far more important 
 questions than we have here. Who, now, would assert an 
 equality of genius and elegance for Bunyan and Addison, or 
 for Dryden and Mr. Pope ? 
 
 Burns. Not I for one. It seems to me there is in 
 Bunyan and Dryden what no polish in Addison or Pope can 
 make up for the want of. 
 
 Blair. Bunyan ! what refinement have you there ? 
 Childish giants, and milk-maid meadows 
 
 Burns. A milk-maid meadow in the sun with butter-cups 
 and daisies, and the kye switching as they feed, is not a bad 
 picture, Dr. Blair ; but think of the stamp of popular estima- 
 tion. Bunyan has gone home to the heart of the people and 
 the peoples. His book is there in numberless editions, and 
 in numberless translations. Sterne himself sneers not at the 
 popularity it has won, but would be content to overtake it. 
 Old and young bow to the graphic touch and intense vivid- 
 ness of — the s/yle if you will — Bunyan's style, a style not 
 manufactured, but grown. The writing of Bunyan is a 
 natural stream of clear vernacular, just like natural water 
 over natural chucky-stones. His style — if you will call it 
 dress — is hodden, it may be, but it is clothes to warm and 
 cover us ; while the style of Addison is but a cobweb of 
 muslin for the glitter of a night. Addison — his style ! It 
 is so icy and thin that a seal would perish of cold, and a 
 tortoise die of inanition on it. Why, the man cries to us to 
 look to the sun and the moon, for all the world as the show- 
 man does to the right and the left. 
 
 D. Stewart (aside). Such dreadful heretical opinions 
 will kill the doctor — he is pale to the lips. 
 
 Blair (7lu'//i a gulf)). I shall not dispute it with you, Mr. 
 Burns. You know, of course, best — you are a judge of style. 
 But what of Dryden and Mr. Pope now — what do you say of 
 them ? 
 
 Burns. I am always under your authority, Dr. Blair ; but 
 I submit that Dryden is the very master of verse. What 
 masculine power, what elastic force, what natural ease !
 
 36 BURNS IN DRAMA. [aCT IV. S. I. 
 
 ' His grandeur lie derived from Heaven alone, 
 For he was great ere fortune made him so ; 
 And wars, like mists that rise against the sun, 
 Made him but greater seem, not greater grow.' 
 
 There is something of Dryden's self even in that, and what 
 a picture of Cromwell it is ! Pope, the knurlin, never could 
 have done anything like it. 
 
 Blair. I make you my compliments on your perspicacity, 
 Mr. Burns ; but the fact is, that the delicacy of sensibility 
 which opens with warmth to beauties, closes as coldly to 
 faults. It is perhaps natural that what is rough should 
 appear to you strong ; but strength itself is no set-off, as 
 I think, against perpetual slovenliness, and the incessant 
 shock of vulgar descents. To me the crassa Minerva has 
 forfeited her divinity. And, for the rest — it remains, I 
 apprehend, at the last thus : — Mr. Pope, in point, polish, 
 precision, in neatness, niceness, and elegance of execution, 
 is reached by no one, not even by Virgil. In Pope, there 
 are no disharmonies and dislocations ever and anon to grate 
 and interrupt ; all in him is perfect ; and not one product 
 does he turn out of hand but is a gem — bright, clear, sharp, 
 pure in colour, brilliant in surface, and of exquisite delicacy 
 in finish and setting. 
 
 Burns. I like the flowers of the field. Dr. Blair, better 
 than the gauds of the shop ; and it is really possible some- 
 times to spin a thread so fine that it is neither fit for weft 
 nor woof. 
 
 Blair. Taste, Mr. Burns, taste is the single desideratum ; 
 for, the superiority to vulgar prejudice which is also neces- 
 sary, taste itself gives. It is only where taste is that refine- 
 ment is understood, and even what are called strong flashes 
 perceived to be disfigurements, and not embellishments — ' A 
 cultivated taste increases sensibility to all the tender and 
 humane passions, while it tends to weaken the more violent 
 and fierce emotions. 
 
 Ingenuas didicisse fideliter artes, 
 Emollit mores, nee sinit esse feros.' 
 
 Burns. I observed that passage in your Lectures, Dr. 
 Blair. It is, perhaps, an improvement on Mr. Hume when 
 he winds up his paragraph on the delights of taste with, —
 
 ACT IV. S. I.] BURNS IN DRAMA. 37 
 
 ' It improves our sensibility for all the tender and agreeable 
 passions ; at the same time that it renders the mind incap- 
 able of the rougher and more boisterous emotions. 
 
 Ingenious die — dickie ' 
 
 Confound the Latin ! I cannot mouth it, but it is the same 
 as yours. 
 
 Blair. Ha, ha ! Ha, ha ! You are inimitable with your 
 ingenious and ingenuous dick — dickies, Mr. Burns. I own 
 I had that passage in my eye when I wrote my Lectures j but 
 no one need feel ashamed to copy Mr. Hume. Depend 
 upon it, it is all true, whoever says it, and, to quote myself 
 again, ' In the education of youth, no object has appeared in 
 every eye more important to wise men than to tincture them 
 early with a relish for the entertainments of taste.' 
 
 Burns. Well now, Dr. Blair, I saw that too, but I had 
 a little difficulty with it. The clause, ' in every eye,' was 
 probably only involuntarily introduced on, so to speak, the 
 hum of the balance ; but that ' every eye' seems suddenly re- 
 duced simply to a wise one. But that is not my difficulty — 
 I had a little difficulty in fitting together the pieces of the 
 subsequent metaphor rather. Is not to tincture connected 
 with to tinge, colour, dye ; and is not to dye with a ' relish' 
 something too forcible a figure? We might taste a dye, 
 but how could we dye a taste, or, worse still, how could we 
 dye with a taste.'' 
 
 Blair [with a sudden pant). Man, ye're a blockhead. 
 Burns. And all this time, your anger at me, Dr. Blair, 
 has been because I called the critic of Gray's Elegy that ! 
 It is true I added a word, but even that word you yourself 
 had sanctioned ; for you remember you advised me yourself 
 to change salvation into damnation, and I followed your 
 advice, humbly as in duty bound. {Dr. Blair walks 7tp and 
 down in agitation — Burns cojitinues deprecatingly.) In fact, 
 Dr. Blair, you are the only man I ever altered a printed word 
 for. I hope you know the respect I entertain for you, and 
 will kindly overlook my ploughman ways, and mitigate 
 your displeasure at me. It is to you I owe the most sensible 
 obligations. You are the greatest living literary authority. 
 Yes, Dr. Blair, of all men it is known that you arc at the 
 
 410798
 
 83 BURNS IN DRAMA. [aCT IV. S. I. 
 
 head of line wriling. Il is to you I am indebted for the 
 prince of poets, Ossian. 1 acl>Lno\\ .edge that I have dune 
 wrong — that I had no business to speak — that I should only 
 have listened. 1 grant your vast intellectual superiority — I 
 honour your excellent heart —I am proud of your patronage 
 
 —I 
 
 Blair. Well, well, say no more, Mr. Burns ; I must go 
 now, but come and see me — to-morrow night — you have got 
 a card. 
 {Exit Dr. Blair: Burns and Dugald Siewart look at 
 
 each other and laugh, the latter with his hand before 
 
 his mouth.) 
 
 Scene 2. 
 
 Neig]ibourhood of Maicchline—Top of Rising Ground- 
 April 1788 — Sunday. 
 
 (Burns alone) 
 
 What Sabbath stillness ! And He said, Peace be unto 
 you — my peace I give unto you ! His peace — peace 
 as of God's blessing — broods upon the calm — the calm of 
 the far universe. No sound ! Nor breath of wind ! The very 
 smoke is moveless from the sun-dreaming cottages. And, 
 yonder on the horizon's verge, see flash of water 'neath the 
 distant hill, but silent — silent as the rest ! Hark ! even cheer 
 of chanticleer rings but as echoing silence in the silent far. 
 
 It is the turn of fate with me. Now am I on the summit 
 of my life, even as here, upon this height, I dominate the 
 landscape. Edinburgh has come and gone ; and now it is 
 for me to settle what the rest shall be. One thing is settled 
 — I have taken Ellisland. I must plough my own land far 
 from the great, unheeded and alone. Perhaps a distant 
 echo may come back to me, should I throw them again a 
 rhyme or two. And is not that enough — what can I hope 
 for more ? I must live, and to live I must work. I was not 
 born with privilege, and neither will privilege be made for 
 me. But must I not say. Father, it is well — I thank thee 1 
 Little more than a year ago, I was a poverty-stricken, de- 
 spised, and friendless vagabond, a homeless fugitive, — and 
 now I have honour, ftime, and fortune, and I come from the
 
 ACT IV. S. 2.] BURNS IN DRAMA. 39 
 
 admiring homage of the highest in the land. The people 
 gape with awe at me, who, a {ew months ago, spurned me 
 with disgust, or could not even see me for our distances. I 
 have given comfort to the home that rocked itself in shame 
 over the thought of me — I have made glad my mother's 
 heart — and my brothers and my sisters look up to me with 
 gratitude — ay, respect — nay, wonder ! 
 
 I have the wherewithal to begin life again as a bein farmer 
 and as weel respeckit as the lave — rather with the distinc- 
 tion of a name, for at orra times I ma)- rhyme, man ! It is 
 a fair prospect. But shall I not think of what I have been 
 and seen — of what I might be and see — of what I ought to 
 be .'' They think this is enough for me — more than I had 
 any right to expect, the peasant, fallen on some peasant 
 rhymes — a ploughman, the Ayrshire Plougk?iian I Little 
 do they know me — ha ! I am more than that. I have seen 
 tluDi, I have tried tJiei)i^ and — put us as man to man — the 
 biggest of them all I will not quail to. 
 
 But no>v, it has all passed, and here in this letter of Blair's 
 I can read the whole story. But that I knew and said all 
 along — that the bubble of novelty would burst. Ah ! I 
 lived along the lines, and I knew there was not one of them 
 of that construction would bear the stress of a change. I 
 told them so, and I told them true. Not one of them all writes 
 to me even, but that good-hearted young fellow, Ainslie. I 
 said 1 expected ' contemptuous neglect ;' and no doubt 
 the ' illiberal abuse' will follow. It was not in the nature 
 of things that it could be kept up, or that I could keep it up. 
 Such a world must, in any case at last, have turned with a 
 shrug from this fury that boils in me at dishonesty and craft 
 — that rages in me at unmerited reward as at unmerited 
 neglect. 
 
 I am not of their order, they are not of Diiiie. How often, 
 thinking I had been offered boundless trust, I ivent with 
 boundless trust, to meet — a stare ! — a stare that chilled me 
 into a sense of the liberty I took, or mortified me by the 
 suspicion that I had an interest to serve — copies to sell, or 
 worse still, that I had calculated a rise from their counte- 
 nance — tlieir countenance ! — good Lord, tlic wretches ! — 
 d n them !
 
 40 BURNS IN DRAMA. [aCT. IV. S. 2. 
 
 There was not one of them with whom i was safe to let 
 myself all out — talk nonsense if I would — unless Ainslie, and 
 I have no hope but to keep him. I was never a rogue, but 
 I have been a fool all my life, and I never could conciliate 
 respectability. That, I suppose, is why they feel me, and I 
 feel n-iyself, out of place among them. They all understand 
 each other, know and expect each other's ways ; for they 
 have all one and the same object, worldly rise. Such a man 
 as I, that never made one effort for pelf or worldly rise in my 
 life, can only throw them off their gearing and out of their 
 bearings. 
 
 Yet, what a sudden change it was ! How miserable up 
 to then had almost my whole life been ! Acquiring know- 
 ledge, seeing characters, writing my bit papers — So, to rise 
 into myself with joy, and feel myself somebody, and yet, at 
 kirk and market, find myself nobody, a poor insignificant 
 devil, stalking up and down, unnoticed and unknown, passed 
 with contempt, or passed as invisible. How I used to dwell 
 on that contrast, painting the two sides, and end by looking 
 gloomily forward only to oblivion and the grave ! Or I 
 - played with it — tearfully — and fancied ' the last o't, the warst 
 o't, was only but to beg ; ' and ' that lying in kilns and barns 
 at e'en ' might, after all, not be so bad ; that I should always 
 have the freedom of 'nature's charms, the hills and woods, 
 the sweeping vales and foaming floods ;' and that I still could 
 sit on sunny braes when simmer cam, and ' sowth a tune ! ' 
 
 I was impulsive and impetuous; but oh, the wrongs of 
 life ! A man has been out of work ; his family is starving ; 
 he is weak himself, bloodless, spiritless, abject : see him 
 crouching, whining for work to cruel indifterent insolence, 
 — crouching, whining, grovelling, ever the lower and the 
 lower, the more rejection, and rejection, and rejection render 
 visible to his haggard eyes, the shelf without a loaf, the 
 grate without a fire ! Is there in human life a more mortify- 
 ing spectacle than that — in want of work, the starving father 
 of a starving family .'' Oh, 
 
 Man's inhumanity to man 
 Makes countless thousands mourn ! 
 See yonder poor o'erlaljoured wiglit, 
 So abject, mean, and vile,
 
 ACT. IV. S. 2.] BURNS IN DRAMA. 41 
 
 Who begs a brother of the earth 
 To give hhn — Ayzzv to toil ! 
 And see his lordly fellow worm 
 The poor petition spurn, 
 Unmindful though a weeping wife 
 And helpless ofl'spring mourn. 
 
 If I'm designed yon lordling's slave — 
 
 By nature's law designed — 
 
 Why was an independent wish 
 
 E'er planted in my mind ? 
 
 If not, why am I subject to 
 
 His cruelty and scorn ? 
 
 Or why has man the will and power 
 
 To make his fellows mourn ? 
 
 How these feelings raged in me as I was first in Edin- 
 burgh ! Houses upon houses, people upon people — but I 
 was an outcast among them all ; no one looked at me : 
 what was to be the end of it .? Was I to live, or was I to 
 die? My life curdled into the centre of that one thought. 
 How I wandered about the streets, wearied, foot-sore, cowed, 
 —my braces lengthened, and my breeches greasy, — looking 
 into the bookseller's windows — among all the books there, 
 not one copy of mine ! — glowering up at Allan Ramsay's 
 house, or into his old shop ; kneeling at the grave of Fer- 
 gusson, kissing the sod, not seeing it for tears, thinking I 
 should soon be there myself,— thinking it, wishing it,— a 
 wretch forlorn ! Ah yes, that was it — was I to live or was I 
 to die ? As I say, my life was curdled into the centre of 
 that one thought. 
 
 And yet it was grand : coronetted Edinburgh, throned in 
 chill gold, rock-bastioned, mountain-watched, and smiled 
 to by the enshrining sea! It was a joy to climb the hill, 
 and look abroad, from this side and from that, upon the 
 variegated landscape, far and far, — a joy to greet the castled 
 rock, like a grim old veteran, hard as iron, — a joy to see the 
 palace, where the kings held court, and whence the men of 
 the great names bore forth the bloody lion to the fray. O 
 yes, the poor wretch could feel his heart beat, and his bosom 
 lift — even before the flood came ; and it came in about a 
 week ! 
 
 They all rushed to me- they almost fought for me : lord, 
 and knight, and squire — lawyer, doctor, and priest. I was
 
 42 BURNS IN DRAMA. [aCT IV. S. 2. 
 
 tlie bruited lion of society, and I roared for everybody. But 
 I knew well what it all meant, I knew well what it was all 
 worth — I was not dazed or carried away by it : I kept my 
 feet, and my head too ! Fashion was stung, and it was a 
 blind rout. But it was only fashion. The small, know- 
 ing hat, just out, awes this year ; but absolutely droll beside 
 the grave Don of the ne.xt, it even tickles us to laugh. I 
 knew where I would be when the tide fell. 
 
 And it has fallen. — Look to this letter of Dr. Blair's : — 
 ' The success you have met with I do not think was beyond 
 your merits ; and if I have had any small hand in contribut- 
 ing to it, it gives me great pleasure.' Most unexceptionable 
 propriety, and mim-mouthcd baitedness of breath ! The 
 propriety, however, rather overleaps itself, or even falls on 
 the other : was it the smallness of the hand gave him the 
 greatness of the pleasure 1 The success was fully up to my 
 merits ! What sort of success was it ? The success of a 
 raree-show ? And it is shut up now ! I have played my 
 part, and must strip for the corduroys again. ' As far as I 
 have known and heard!' Unimpeachable distinction con- 
 descends to grant the poor devil a certificate, but guarded — 
 as it is only proper that unimpeachable distinction should be 
 guarded — ' I am happy that jou have stood it so well as far 
 as I have ever known or heard ' — still carefully guarded, you 
 see — but ' you are now, I presume, to retire to a more private 
 walk of life.' Retire ! And to a more private walk of life ! 
 Am I not as good as he is 1 Why should my walk of life be 
 more ' private' than his one ? Is it that the little ragamuffin 
 from the slums, who has succeeded in throwing his summer- 
 set to the quality has been dismissed — with a smile and a 
 penny, and the advice only due from them — to keep his face 
 clean ? 
 
 But I am all too bad. He says he has taken ' the liberty 
 of an old man,' and I am sure he means well. Still there is 
 that ineffable air : lie is a god, beneficently to look down ; / 
 a supplicant, only to look speechlessly up ! I must not forget, 
 though, that he actually condescended to quit his pinnacle at 
 times, and meet me in equality on the floor, and then I liked 
 him, at the same time, perhaps, that the rococo of the dispar- 
 agement was unconsciously recorded. It was not so pleasant
 
 ACT IV. S. 2.] BURNS IN DRAMA. 43 
 
 to see him in his pomp, ' when his eye measured the differ- 
 ence of our points of elevation,' or when he turned from me 
 to resttiiie liiniself as it were, and duly meet some ' mere 
 carcass of greatness.' Heavens ! why should there be such 
 scorpion-sting to mortal merit .'' And how conditioned might 
 the 'carcass' he met be? Why, as a carcass — a carcass 
 that, but for the salt it drew, would have putrefied, on the 
 instant, black ! Ay, there were many such carcasses — car- 
 casses of hard-heai-ted cruelty and oppression, carcasses of 
 selfish vice and frivolous indifference, carcasses of ignorance, 
 falsehood, vulgarity, and craft — and m^en like Blair would 
 fawn upon them, did they but happen to be provided with 
 the salt of office, title or pelf. How I admired the inequality 
 of accident, and said to myself, Men are put upon the palm 
 of fate, like pence upon the palm of the school-boy, and 
 tossed, to fall into offices and place — contingently^ as the latter 
 on the ground ! How common now, was it not? to find in 
 a good position some nasty, superficial, stiff, presuming cur, 
 absolutely without heart, or soul, or blood, or merit of any 
 kind, supplied too, strangely enough, with a lady of a wife 
 to suit, that was mightily genteel, an aristocratically exclu- 
 sive — pitiable lick-spittle! How common, too, to find even 
 good people unconsciously ceremonious to such cads, as 
 though they were angels from heaven, by gad ! 
 
 Blair was better than that — I mean than that presuming, 
 odious, pinchbeck of society. But, after all, what claims had 
 he for the place he took ? How very gracious his thin vanity 
 — Ha ! black but not white, green but not blue, red but not 
 yellow, elevated strokes, nauseous ingredients, polish, embel- 
 lish, relish, — it was as if the flat-iron of David Hume had 
 come over him, and turned him off, with a fold and a gloss ! 
 And Blair did not want, either, for others to keep him in 
 countenance. Mr. Pope, says the one ; Mr. Hume, even Mr. 
 Htinie, says the other ; and they are very clean, correct, and 
 dignified opposite each other ; and the ladies sit round the 
 walls, and discuss their servants and their dresses ; and you 
 have the pleasure of taking leave, by and by, a sufficiently 
 important personage who has spent his evening in society ! 
 At dinner, too, you have the opportunity of sitting well up, 
 and talking shirt-fronts. Then the chance to say ' My lord,'
 
 44 BURNS IN DRAMA. [aCT IV. S. 2. 
 
 too. One is quite in a wonderful way when one says, ' My 
 lord ;' and ' My lord' is quite in a wonderful way when ' My 
 lord ' is said to him. And, after all, it is but rat to rat : they 
 might easily let their tails down. 
 
 But it was about Dr. Blair I was thinking — well, he tells 
 me that I have every reason to be pleased with it all, and 
 that I must just go back to my place and be good — back to 
 my place and plod in the niools, that is, while they, in their 
 elegant manner, wheejee forenent each other over their 
 claret ! I heard it evened to me once that I had ' an autho- 
 ritative energy of understanding ; ' but that's no the gear 
 they want there. In a prime minister, perhaps, or a gene- 
 ral — but in a ploughman authoritative energy of understand- 
 ing only answers so long as it is to society so much unex- 
 pected tight-rope dancing. Anywhere in this world, indeed 
 — generally — authoritative energy of understanding is not 
 taken well ; mostly ill rather, as a rebuke and an offence, 
 something to be hated, snubbed, and suppressed. Eyes 
 that can see — especially in an inferior, a ploughman — are a 
 nuisance in society. 
 
 'In the midst of those employments which your situation will 
 render proper,' says Dr. Blair — (carting clung, for instance !) 
 — ' you will not neglect, I hope, the cultivation of your genius.' 
 Now, is not that grand .'' Be a ploughman, my man, for 
 your expenses, down there, but also a genius for our amuse- 
 ment up here. The king's face gives grace, they say : 
 society called me out : society ought to have considered 
 what duty it had taken on itself. Once seen, and known, 
 and acknowledged, I should have been placed and treated 
 according to my quality. But, after all, such acknowledg- 
 ment on their part, if there was such acknowledgment, bore 
 with it always that it was an accident of the moment, and 
 that I was, in effect, of another clay than they, to which they 
 were not called upon to extend the rewards reserved for 
 themselves. 
 
 Pah ! between the condescension of the statelies there who 
 cut me now, and the grovelling of the lick-spittles here who 
 used to cut me, they are all bad. I am out of conceit with 
 my species. I never thought any of them capable of much ; 
 but now that I know them to the marrow, there is not one of
 
 ACT IV. S. 2.] BURNS IN DRAMA. 45 
 
 them, d n them, on whom I can depend. High hfe and 
 
 low hfe, it is but the same thing, too. A band of school-boys 
 has its permanent varieties, and they can be all classified 
 and named. There is the dressy exquisite among them, — 
 and the guzzler, — and the proud peat, — and the birky, — and 
 there is the dull fool, and the comic fool, — and the coward 
 by admission, — and the fighter by pretension, — and the 
 empty pomposity, — and the hardened piece of brass. Well, 
 just so is it among the doctors, and the lawyers, and the 
 ministers, and the army-men, and the navy-men, and the 
 men of the lords, and the men of the commons, and the 
 princes in their palaces, and the kings and the emperors on 
 their thrones. How the business of the earth gets managed 
 at all tolerably — it is difficult to understand, but — God, God ! 
 — in what a welter of revolting corruption and infuriat- 
 ing injustice ! This lesson is left however, that on all the 
 grades men are all the same, and in the same way varied. 
 He is but a fool, then, who would sigh to be, as it is called, 
 tip, when he can be much quieter, much less galled, much less 
 molested, much more to himself, down. Still, after Edin- 
 burgh, I can never be the man I was. I am Burns now : 
 the poison of celebrity is once for all within me ; and I must 
 be accordingly convulsed, accordingly goaded. How can I 
 be expected to exhaust my body from the dawning of the 
 day to the darkening of the night with at once the sorest 
 and the commonest labours, and yet — cultivate my genius ? 
 Nay, here is a man — high in influence, too, with pensions, 
 power, and place to bestow — that actually calls to me to be 
 grateful for — want ! 
 
 ' Then, to the want of worldly gear resigned, 
 Be grateful for the weaUh of thy exhaustless mind ! ' 
 
 That is sheer impudence : it is easy for him to resign him- 
 self to want— in my person ; but let him try it in his own. 
 An exhaustless mind ! is an exhaustless mind possible in an 
 exhausted body .'' And it is off such garbage that 1 am 
 expected to feel full, and be grateful. With a breath I could 
 scatter these pigmies, and they expect me to bow down to 
 them and worship. They expect mc, while worn at the 
 plough or the spade, to feel highly honoured and to doff my
 
 45 BURNS IN DRAMA. [aCT IV. S. 2. 
 
 broad bonnet to them, if they but cock their elbows at me 
 from their driving boxes on the highways. May the devil 
 damn me black, as Macbeth says ! Why, when two rats 
 meet, should the one droop his tail, and the other cock his ? 
 Are they not both rats ? 
 
 Let a man gather what he may, or call himself what he 
 may, he can but fill his belly and cover his back, even like 
 the rest of us. ' Patience ! where's the distance throws us 
 back so far, but we may boldly speak in right, though proud 
 oppression will not hear us ? ' ' There's the respect that 
 makes calamity of so long life ! ' The belly being filled, and 
 the back being covered, the rest should be for intellect, but 
 is it .'' No : those who have superfluity will still coerce that 
 superfluity into the service of sense, as gulosity and lust, as 
 vanity, pride, malignity, and all bad passions that disgrace 
 our nature. Intellect shall be nowhere — intellect shall be 
 starved — not one penny shall be thrown to it — unless it 
 minister as sense to the surplus that will be sense. It is in 
 the element of this superfluity that the life of the world is 
 plied : that bustle that we hear, what is it all about .-^ Man is 
 what is noble in creation, yet the loud wheels of his business 
 roar for gradations and distinctions the most odious and con- 
 temptible. What mere pretentious mock, and — haw, haw ! 
 — make-believe, our grand society. We have the labels of 
 our dignity round our neck, and, with a stiff head, we wag 
 them at one another — taking on a tone in the voice, by gad ! 
 Good heavens ! and to reach this make-believe, men rack 
 themselves all the best thirty or forty years of their lives, to 
 the disappearance of life itself, and with ashes for fruit at the 
 last — ashes for fruit when they sink heart-broken into the 
 grave under the stony eyes of useless, drinking sons, and 
 equally useless, dressing daughters! 
 
 But the bells jow the half-hour between the sermons, and 
 I must bethink me that 1 am here on the ridge of life to call 
 a council with myself in regard to the future. Well, I have 
 to farm EUisland, and — I will marry Jean. Yes, I will 
 marry Jean. O, I have seen many, and as usual, they grew 
 seraphs before me, and 1 was ready to worship them, and be 
 theirs for ever, but — but — No : it is all nonsense ; Clarinda 
 will never do as a wife for me. It is no for the man to say
 
 ACr IV. S. 2.] BURNS IN DRAMA. 47 
 
 no, and she is a fine woman, and I have been blowing 
 myself into raptures. But — but — what is blown bursts, and 
 that has burst. O, ay, great natures, congenial souls, equal 
 spirits, sensibility, sympathy, and all that — it is all very well, 
 but fine feelings ben 's no the wark but, and it's wark a farmer 
 maun hae. Besides, she's no to be had — Jean I can have 
 and ought to have, for, beyond all doubt, she has the best 
 right to me. Nay, what's mair, she answers me best, and I 
 like her best. Jean is subdued to my own quality, and she'll 
 no bother me. She's young, and she's sweet, and she's 
 handsome. She's nae fine leddy — she can fyle her fingers : 
 she'll soop the flure, bile the kettle, and wash a sark. 
 Besides, what is to become of her else, and has she not 
 suffered enough already, poor lassie ? And a' for me ! 
 Jean, Jean, Jean, it's you I like, and it's you I'll marry ! And 
 I'll go and do my best at EUisland both as fiirmcr and poet 
 — Poet, poet, good Lord ! — O, I am a grand poet. And now 
 let me hame and act — I've thought enough. 
 
 Scene 3. 
 
 EUisland— Early Summer, 1789 — BURNS a/zV/z AiNSLlE 
 
 a/z^ Jean. 
 
 (Burns speaks.) 
 
 Sit ye there, — sit ye there, na. Man ! I'm blithe to see 
 you. And you are hearty and well ? That's right, that's 
 right. And you've come in good time to see us in our new 
 house. Ah man, it's all right here — that's certain ; but it's 
 all wrong where you come from. I was quite sick of it, the 
 other day, when I saw you there, and glad to get home 
 again. Lord, man ! Gin they were prospect-glasses, yon 
 folks in Princes Street, to shoot themselves out and up at 
 their ain pleasure ! But you — )'ou're no like tliem. You are 
 the ae best fallow in the world — the ae best frien that is left me. 
 Man! I'm glad to see you — Wife! Jean! send in the toddy. 
 Good lord ! we'll hae a nicht o't. Whisky, man, the best 
 you ever tasted — whisky frae my auld frien Glenconnar ; it 
 has himself in it and it's as grushie as the very heart of him. 
 Naneo' yourwatcr'd trash that's amaist tasteless the lane o't, 
 but a most liquid lump of solid excellence, with the virtue in
 
 48 BURNS IN DRAMA. [ACT IV. .S. 3. 
 
 it of five or si.x waters — only four's eneugh — Ha ! the water's 
 fine and het. Here's to ye, Ainslic, your health, man, your 
 gude health, and a hearty welcome to our new roof-tree, 
 whilk I doubtna to be as strong as the bougars o' Tantallon. 
 Od, man, you're the very man I wanted : I've got such a 
 stomachful of speech, and I wanted you to pour it all out on. 
 For there's nothing on earth I like better than a frien like 
 you to whom I can say all that I have got to say. The 
 relief and luxury of a full delivery — a revel of communica- 
 tion, a wassail and wallow, if you like, of communication — 
 that's what I like. At times like this, Ainslie, I just feel as 
 if I was a barrel turned upside down, wi' the very saul of me 
 rinnin out at the bunghole. Now that's a joy I can only 
 get wi' the like o' you. At Edinburgh the thing was impos- 
 sible. If ever I wanted to speak there — really to speak, I 
 had to mak my man fou, to say naething of mysel, or ever 
 we could get sowthered, and by that time, the tither fellow 
 was geyan often stoopit, and just grumphed. But you, it's 
 just a God's pleasure to meet the like o' you. You're frienly ; 
 you're what I call a frien ; you've blood in ye. But yon 
 cauld-hearted curmudgeons in their deegnity — Lord, man, I 
 just despise them. O ay ! — O ay / 
 
 I kenned fine what wad be the upshot o't all. Wonder up 
 to the ninth day', but the tenth day ice ; and the cold indiffer- 
 ence of never saw yoii before ever after. And what does it 
 matter? If they do not want me, as little do I want them. 
 I saw them all, and I know them all, and what was it to me 
 to jaw yon jaw ? What could I learn from them ? What 
 could they do for me? What was the good of it ? This is 
 nice, na — with a friend hke you, this is enjoyment. But 
 what enjoyment was yonder ? A heap o' bad feelings rather. 
 Out upon you, ye fools in the high places where misbegotten 
 chance has perked you up — out upon you, off with you, and 
 skulk through life in your native insignificance ! Pride, 
 affectation, and insipidity ! And by the like o' that to be 
 * received '—with the insult of patronage and the humiliation 
 of advice ! 
 
 As I say, in your Princes Street, the other day, I just felt 
 myself nobody ; the people disgusted me, and I could not 
 help muttering
 
 ACT IV. S. 3.] BURNS IN DRAMA. 49 
 
 Vain pomp and glorj^ of this world, I hate you ! 
 
 That I should be squeezed out of the way to let the carriage 
 of some gaping idiot dash past, leaving me to scart the jaups 
 out o' my cuffs ! Sma' pleasure it was, I assure you, to 
 skulk in and out among them. And it was just as bad wi' 
 them in their houses. The condescension, now, of stately, 
 self-sufficient stupidity, or the insolence of upstart indiffer- 
 ence that neglected my remark, and despised my person, 
 while the folly of some shallow title was listened to defer- 
 entially and with grave respect ! Why, I ask, should one 
 man better fare, and all men brithers? Why should yon 
 empty miscreant have the sceptre of power and the key of 
 
 riches in his puny fists, while I 1 lose appetite and heart 
 
 at the success of the knave, as I sicken to loathing at the 
 self-importance of the fool. Man, Ainslie, we are but miser- 
 able creatures — the elect with their riches and their honours 
 (and their prudence and their wisdom, bless ye !) — and the 
 neglected many, sold, blood and bone, to the insolence and 
 the cruelty of these minions. As for me, I cry with Smollett, 
 
 ' Thy spirit, independence, let me share, 
 Lord of the lion-heart and eagle-eye ! 
 Thy steps I follow with my bosom bare, 
 
 Nor heed the storm that howls along the sky ! ' 
 
 That we should be expected to shrink from every dignity of 
 man at the ivoyd — ^just the word, a word — ' lord,' borne by 
 some creature probably not half so well-made as ourselves ! 
 It may be like Satan to say so, but like Satan — and he is my 
 favourite hero — let it be : rather than tremble for subsist- 
 ence before the indifferent face of some haughty fellow-worm, 
 I would stalk a savage in the wilderness. My whole soul 
 revolts at the idea of such necessities. — O, on the brazen 
 foundation of integrity, to rear me up the frowning fortress 
 of independence, and from its daring turrets bid defiance to 
 all the storms of fate ! 
 
 Man, I was dreadfully put about by such like feelings when 
 I came here first — before the house was biggit and the wife 
 brought hame, and while they were all strangers to me. I 
 was insultingly taken in. now and then, by the small cunning 
 of some small wretch, too small to be able to sec a man ; 
 
 D
 
 50 BURNS IN DRAMA. [aCT. IV. S. 3. 
 
 and then, like a fool — the d d idiot that I was — I must 
 
 be awkward among them, as if ignorajit, and bashful, as if 
 i7iexpcricnc€d. I was quite heartless at the task, and often 
 felt such a coward in life that 1 should have ' gladly laid me 
 in my mother's lap, and been at peace.' But then — my wife 
 and children ! And so I had to go and take comfort on the 
 neck of my auld mare Jenny Geddes, the only kenned face 
 beside me, the only frien I had. But why should I trouble 
 you with all that ? We'll e'en hae anither jug, and turn the 
 picture. 
 
 Ah man, to meet the like o' you, a human being after my 
 own heart — I get half mad ; I positively feel a species of 
 idolatry which comes on me like an inspiration, and I must 
 rave— in rhyme or speech, as I do now. I have arms of love 
 for the whole human race, man. 
 
 Even you, ye helpless crew, I pity you ; 
 
 Ye whom the seeming good think sin to pity. 
 
 Ay man, I could drop tears even on the reprobate at the 
 corner of the street, whose very soul is in the tinkle of a 
 sixpence. 
 
 But softly, softly— as I say, let us turn the picture ! Re- 
 form ! what a reform would I make among the sons and 
 daughters of men ! I think of a stick whyles, and it gives 
 me great satisfaction in my ain mind to lay about me with it 
 — But where was I ? — That's no it — O ay, here it is ! 
 
 I'm set up for life now, ye deil, and all is prosperous about 
 me. I've got a farm o' my ain, and I think I'll manage it. 
 It is just the thing for me — a ploughgang that I can work 
 mysel ; for it is to my ain industry I maun trust, and what 
 it'll mak, and no to time-bargains, or buying and selling on 
 speculation. Then I have a good landlord, and it's a most 
 pleasant country, and we're not owre far frae Dumfries ; and 
 so just everything promises. I've got a bit nice house o' my 
 ain biggin — you'll see't the morn, and what fine views we hae 
 from the windows. The Nith underneath the scaur we're 
 pitched on, a noble river, clear as crystal, with bonnie banks, 
 and holms behind the banks, and groves here and there, all 
 rising and rising to the foot of the hills. Down the stream, 
 that jinks out and in most captivatingly to the south and the
 
 ACT IV. S. 3.] BURNS IN DRAMA. 51 
 
 east, there is the Isle, historical and romantic, wi' an auld 
 tower that's got a ghaist in it, and a kirkyaird no far off 
 that's haunted. Up the stream are the beautiful grounds 
 of the I riar's Carse, where I've liberty to walk and wander 
 when I will ; for he's a polite m.m Captain Riddel, and 
 has given me a key. By the bye, that's the last thing I've 
 done — what I wrote there. Here it is — ye maun hear it — 
 I think ye'll like it. 
 
 Thou whom chance may hither lead ; 
 Be thou clad in russet weed, 
 Be thou deck'd in silken stole, 
 Grave these counsels on thy soul. 
 Life is but a day at most, 
 Sprung from night, in darkness lost ; 
 Hope not sunshine every hour, 
 Fear not clouds will always lower. 
 Happiness is but a name, 
 Make content and ease thy aim : 
 Ambition is a meteor gleam ; 
 Fame a restless, idle dream ! 
 For the future be prepared, 
 Guard wherever thou can'st guard ; 
 But, thy utmost duly done, 
 Welcome what thou canst not shun. 
 Follies i^ast, give thou to air, 
 Make their consequence thy care. 
 Keep the name of man in mind, 
 And dishonour not thy kind, 
 lieverence with lowly heart 
 II im whose wondrous work thou art ; 
 Keep His goodness still in view, 
 Thy trust and thy example too. 
 
 Now, that's my experience, Ainslie, and that's my philo- 
 sophy too, an I could but practise it. But, as I was saying, 
 the future (and I aye look to the future somehow) seems 
 pretty safe now, and I've got over the worst of it here : the 
 folks about begin to ken me, and I see pretty well what I've 
 got to do. Besides, man, should the worst come to the worst, 
 I've got a ganger's commission in my pocket, and that's a 
 forty or fifty pound a-year itsel. But I can aye mak a dairy- 
 farm o' the jjlace, and I've folk about me that understand 
 that, and would manage it in my absence. 
 
 Man, how beautifully the spring comes in here ! Down 
 by the river now, in some lovvn howe, just to stand in the
 
 52 BURNS IN DRAMA, [ACT IV. S. 3. 
 
 sun, with the sweet air about ye, watching your men — a 
 state of bliss comes dirling all through you somehow, as if 
 in a dream. For I am an important man now, Ainslie, 
 looked up to by an entire household as the goodman and 
 the master ; and I've got me a family-Bible, man, and enter 
 my weans' births into it, and gather my household duly to 
 read it to them, with prayer and praise. And I've no fear 
 now — I am as happy and contented as the day is long, con- 
 triving as you see, even to rhyme at times, and grateful to 
 my rhymes that, in God's goodness, we have what we have 
 — which, even should it come to the worst, will always be 
 luxury to what either of us was born to. I have lived on 
 eighteen pence a-u eek, man. And what was I before I went 
 to Edinburgh ? But it's no canny to think o' that, and we'll 
 no speak o't ; we'll no cloud with the gloom of the morning 
 the smiles of the evening. 
 
 And I've got a wife o' my ain, man, — Jean, my darlin Jean : 
 for I took thought at last, and did right there. How could I 
 ever have had conscious peace in my own breast,— how could 
 I ever have had unmistrusting confidence in approaching my 
 God, — had I done otherwise .'' Cast out to the mercy of the 
 elements, one who had suffered so much for me, whom I 
 loved with such a long and deep-rooted feeling — her happi- 
 ness or misery for life — no ! — I dared not trifle with so sacred 
 a deposit. For I hope, Ainslie, in spite of all that's come 
 and gone, you believe and see that the foundation of me is 
 the integrity of a man. I have the sincerest reverence for 
 religion — Auld Clooty himsel canna doubt that, when he 
 hears me tacklin wee Leezie in the kitchen, every Sunday- 
 nicht, at her Shorter Carritch. 
 
 Ay, ay, Ainslie, we must believe in a God that made all 
 things, in man's immaterial and immortal nature, in a world 
 of weal or woe beyond the grave. O man, what I picture in 
 the Cottar's Satw'day Night ! The heart weaned from earth, 
 the soul affianced to its God, the correspondence fixed with 
 heaven, the pious supplication and devout thanksgiving, con- 
 stant as the vicissitudes of even and morn : that is the way 
 to live — that is the way my father lived ; and my eye reverts 
 to it, and my heart, like the sea, swells back to it, now that I 
 am myself the head of a household.
 
 ACT IV. S. 3.] BURNS IN DRAMA. 53 
 
 To mak a happy fireside clime 
 
 To weans and wife, 
 That's the true pathos and sublime 
 
 Of human life. 
 
 So farewell to you, ye light battalions that have no thought 
 but to be up and out : I enlist for life into the heavies, who 
 must first plod and contrive. But you have hardly seen her- 
 sel yet — Od man, we'll hae anither bowl, and we'll get her 
 to come ben. O ay, I see you're thinkin about somebody else ; 
 but somebody else was no to be had, man, and this wasna a 
 case to be played wi'. It's very fine, nae doubt, to have 
 Sappho in the parlour, to read the books you read, and all 
 that ; but Sappho sometimes brings her own drawbacks as 
 well — requirements of her ain that fash ; expensive habits, 
 caprice, affectation, besides that uppish screw-mouthed tattle 
 that disgusts the very soul of me. No ; Sappho's no the 
 wife for a farmer — Sappho's no the wife for Rab Burns. His 
 wife must be something else — his wife must be just what he 
 has got — nae fine leddy, but a sonsie lassie, that's as bonny 
 as she's good, as modest and eident as she's placid and cheer- 
 ful, and with a health that blooms as caller as the cheek of 
 Aurora. She has the finest wood-note wild, too, I ever 
 heard — But, good Lord, man, you must see her — I'm gettin 
 fain to see her mysel. Wife ! gudewife ! Jean ! I say, 
 Jean, we want some mair toddy — ^just anither — the last ! 
 The servants have gone to bed / — Weel, you just gie the 
 coal a bit chap yoursel — you've got warm water J Ay 
 Jean, that's like you — the best lassie in the world ! But sit 
 doon, woman — gie's your company — that's Ainslie, my frien 
 Ainslie — ye needna be frichted for him. There na ; that's 
 worth the preein — ^just taste that ! Here, Jean, here's a wee 
 drap for you, too — hoots ay ! — tak it in your ain haun, and 
 taste it ! And I want you to gie us ' My Nannie O '—Lord, 
 Ainslie, you'll hear a pipe — she rises to B natural quite aflf 
 haun. Dinna be blate, na, up ye go, Jean ! {Song.) 
 
 Ay, you may weel clap your hauns, Ainslie. A finer 
 singer — OR a finer song — weel, we'll no praise oursels. 
 But just another stave, wife ! — Od, you mak me feel quite 
 frisky — I'm so blithe to see you sittin there ! I could amaist 
 sing mysel.
 
 54: BURNS IN DRAMA. [ACT IV. S. 3. 
 
 When first I saw fair Jcanie's face, 
 
 I couldna tell what ailed me ; 
 My heart went fluttering pit-a-pat, 
 
 My een they almost failed me. 
 
 She's aye sae neat, sae trim, sac tight, 
 
 All grace does round her hover, 
 Ae look deprived me o' my heart. 
 
 And I became a lover. 
 
 She's aye, aye sae blithe, sae gay, 
 She's aye sae blithe and checrie ; 
 
 She's aye sae bonny, blithe, and gay : 
 O gin I were her dearie 1 
 
 There na, there na ! She's aye sae sweet, sae trim, sae 
 tight — isna she, Ainslie ? — O gin I were her dearie — hoots, 
 toots, Jean ! — it's a' richt — -what signifies a httle dafhn ? 
 
 I see thee dancing o'er the green, 
 
 Thy waist sae jimp, thy limbs sae clean, 
 
 Thy tempting lips, thy roguish een — 
 By heaven and earth, I love thee ! 
 
 It's true, Jean — it's true ! — by heaven and earth I love 
 thee ! Thy waist sae jimp, thy limbs sae clean — Tinie to go 
 to bed, say you ! And you're o' that opinion too, Ainslie ? 
 Well, well, I'm a sponsible character mysel noo — I must 
 mind that, and keep good hours. Well, good night, Ainslie ! 
 They're no very big, and they're plain, but ye'll hae a com- 
 fortable room, and a gude bed ; leave my wife alane for that ! 
 As for me — come awa, Jean ! — I'm just gaun aff to my 
 honeymoon — (Jean, saying ' daft fallow,' ///■/i- Jier hand before 
 his mouth, and leads him off, singi?tg as much as her hand 
 will allow hint) — 
 
 I hae a wife o' my ain, 
 
 I'll partake wi' naebody, 
 I'll tak cuckold frae nane, 
 
 I'll gie cuckold to naebody ! 
 
 Ainslie. Od ! I think I maun hae a bit dauner out 
 afore I turn in.
 
 ACT V. S. I.] BURNS IN* DRAMA. .^S 
 
 A C T V. 
 
 dumfries and the end. 
 
 Scene i. 
 Burns, in his last illness, speaks frojn his bed, to Jean. 
 
 Burns. That has done me good, Jean— thanks, my 
 lassie ! I am easier already. You are a good wife to me, 
 Jean ; and you have borne much. No say that / but I will 
 say that. — Well, that is true too : I really have not been 
 placed hke other folks. Most lives are but an indifferent 
 smooth : mine has been under the harrow — poverty, and 
 pain, and disrespect, not mended by a sun of favour at the 
 last, but only detected and exposed in its own radical incur- 
 ableness. Ay, it pleases me to dwell on it. There was a 
 child's sunshine in the cottage by the road-side where I was 
 born, doubtless ; but in the farms that followed there was, 
 even from my tenderest youth, — my very boyhood — a labour, 
 always a labour that wore me to the dregs. And so, with 
 this — even in my boyhood with this within me — I was to 
 stand among my fe'lows on the earth, an ill-clothed, ill-fed, 
 ill-set-up, clumsy, clouterly lout — a sulky, pouting, raging, 
 awkward, unlicked lout — that never durst lift his eyes to 
 either better-dressed boy or — still less — better-dressed girl. 
 Then, for my cleverness, taken up by the rakehelly older 
 ones, with whom I had no business to be, to make fun for 
 them with my haivrel tongue, while they laughed and praised, 
 
 or, as they took it into their head — d n them !— -snubbed 
 
 me. And so it went on till at the last I was to all the well- 
 regulated, respectable people, a dissolute, blasphemous, im- 
 moral blackguard — intensely hated, and intensely feared, if 
 now no longer — unless by the weakest of them, the fools — 
 despised. Then came the fire, the blaze, the conflagration 
 — Edinburgh ; and suddenly my ploughman carcase shone 
 out in a preternatural light, with dukes, and lords, and the 
 highest in the lartd, all kneeling to it. I was recognised — I 
 was come to my own at last. Moment of moments ! But 
 my heart misgave me : I knew it would break up and vanish.
 
 66 BURNS IN DRAMA. [aCT V. S. I. 
 
 Ah, but it was bitter, all the same, when the time came, and 
 the wheel that carried us all stopped to let iiic down, and 
 then whirled merrily away again, leaving me behind, shut 
 out into the dark for ever. Very benignantly,lio doubt, they 
 waved to me in parting, just to go back again, and — be 
 happy ! Antl that was all ! I was worth no more than 
 that ! Dazzled with light, I must stumble back from it into 
 the night again, and find my way as I could. I saw it all — 
 I loathed and scorned it to the core — but I became wise. 
 Ha, I cried, I have been bred to the plough, and am inde- 
 pendent. — I took counsel with myself. And, Jean, Jean, I 
 ask yourself — don't speak, don't speak !■ — was not the begin- 
 ning good .'' I took you to that farm and made you the 
 mistress of it. It promised well — I was like a patriarch of 
 old with my man-servants and my maid-servants, my cattle 
 and my stores. I was contented, and I could sowth a tune 
 to myself. Virtue's ways were pleasantness, I found. I 
 read the big ha'-Bible to my household, led their devotions, 
 and catechised them duly. I was pleased to be master 
 among so many, and, keenly feeling all that a wife and 
 family brought with them, I had no fear for the future. Even 
 as against fortune herself, I had my excise-commission in 
 my pocket. And did I not do my best ? Jean, Jean, I defy 
 you to say no — Well, that's enough — I was without blame 
 there, and it was without my blame that it all fell through. 
 The farm did not pay — it left nothing in hand, and, as usual, 
 the seasons were against us. As for the farm itself, it had 
 broom enough, and stones enough — stones ! why, after a 
 shower a field in it looked like a caus'ay. It had to be 
 left, then ; and it was with dry eyes we could quit the friend 
 that was a patron, and the neighbours that were canting 
 gossips, and knew as much of a rhinoceros as of a poet. It 
 was the service of hell, to be obliged to listen to them ; and 
 the life — • it was a drudgery beyond sufferance. These 
 miry ridges and dirty dunghills— I should have been a rook 
 at once, or a magpie, to grub among them. I was ill too. 
 For weeks and weeks I was ill : the cursed hypochondria 
 came and floored me at last. The excise was no better. 
 Two hundred miles of hard riding every week, it killed my 
 nags, it broke my arm, and it killed me — it would have
 
 ACT V. S. I.] BURNS IN DRAMA. 57 
 
 killed an elephant. We bude to go. And it was sad too — 
 especially for the weans — to leave the caller air of the fields, 
 and the gowans on the brae, and all the rough, fresh 7iatnre 
 of a farm — for this ! 
 
 And what has this done for us ? I have got up in the 
 morning as eident as any man, and minded my children's 
 lessons, Latin and a', — revolving and resolving all earnest 
 good things for them and ourselves. Then I spent the day 
 — and what man more diligently ? in the duties of my busi- 
 ness. I seized, searched, surveyed, I noted and reported, I 
 stamped leather, and I gauged ale-barrels ; and it all fagged 
 and sickened me, as it would have fagged and sickened any 
 man. How, then, could it be expected of me to act dif- 
 ferently from another man ? If other men must have rest 
 and relief, why not I ? After my day's work, and such a 
 day's work, what heart could I be expected to have for 
 writing poems .'' It was all in vain, I could not do it. I 
 turned and turned the screw, but it would not bite ; I rattled 
 and rattled the wheels, but they were locked, and would not 
 run. To get a cue, indeed, the fag-end of some auld verse, 
 and then to sowthe to it here and there — that was different ; 
 but to sit down in the evening, and just begin work over 
 again, that was impossible. And yet the aspiration was 
 there, and the canker of the balk. Care sat for ever at my 
 heart — hypochondria — apprehension — the sense as of some- 
 thing to be got that was not got, as of something to be done 
 that was not done. But we needna speak of that even 
 — I was just human like the lave, and no workman but 
 must repair by relaxation of the evening the strain of 
 the day. 
 
 Ah, and then, I was not as other men, but always in the 
 fierce extreme of an Arctic Circle or a Torrid Zone. And 
 there — the degradation of the day, the injustices of the day, 
 the contumelies of the day, had all dropped from me, and I 
 was free — free, and myself. I rose in my ' native hilarity,' 
 I rose in my ' pride of observation and remark,' and 
 throbbed like a star. I sat as upon a throne, and all men 
 listened to me. It was life, victory, triumph, consummation, 
 at last. It all led me wrong, doubtless ; and the very devils 
 from hell prowled about my unguarded hour, craving for
 
 58 BURNS IN DRAMA. [aCT V. S. I. 
 
 me soul and body, and I was beset and entrapped. But — 
 but — Well, well — can you forgive me, Jean ? — Darling ! you 
 are good. 
 
 But it was not all owing to my own sociality, cither. If 
 I was not repelled by poverty, neither was 1 dazzled by 
 greatness, and I galled its pride. — I dare sin, but 1 dare not 
 lie. True I must be : it is only truth, the truth of manhood, 
 and the truth of womanhood, that I honour or own. So I 
 could not help speaking — by right of intellect speech was 
 irrepressible to me — and I could not allow a lie — a lie of 
 speech, or a lie of conduct, or a lie of character — let it be in 
 what high places of the earth it might, to pass without an 
 exposing mark upon it. And I became unendurable to 
 them : they hated me. They knew that their gewgaws and 
 trumpery, their big houses, their man-servants in plush, 
 their gold and their silver, could not draw a look from me. 
 
 It was not that I honoured. D n the fellow, they said ; 
 
 he must do something for his bread, and he will do nothing 
 — he walks about among us all as if he were independent, 
 by gad ! Ah, and it was so; there was no man among them 
 that I ever blenched to. In spite of their own selves, they 
 subordinated themselves to me. No man of them all ever 
 got the better of me — Well — there was that man of Urr, but 
 it was all owing to his Latin, and be d d to it ! 
 
 But honour ! what is the worth of honour when we see it 
 the sport of caprice, and stick to the coat of any poor 
 creature the wind may blow it to .? Merit ! this is not a 
 place for merit. He who sets out in life with the idea that 
 the reward will be in the ratio of the desert will find himself 
 most damnably mistaken. Let him do anything good, 
 indeed ; and, to his astonishment and disgust, he will find 
 it absolutely ignored till third-rate after third-rate has drawn 
 the wages of it — ignored, commonly, is such work indeed, 
 till he, the first-rate, who has produced it, has long gone 
 where not a penny-piece can follow him. For what is called 
 society consists, for the most part, of lucky schoolboys, say, 
 whose fathers have spoken for them, and who live by inter- 
 cepting the wages of work they have no part in, unless only 
 the part of audacity, pretension, and fraud. That is the 
 scramble of the world : work and merit at the bottom, but
 
 ACT V. S. I.] BURNS IN DRAMA. 59 
 
 the lightest on the top to enjoy all. Lose his head — the 
 ploughman lose his head ! — why the ploughman despised it ! 
 There was not a note in the whole gamut that he had not 
 sounded and put at its worth. He knew ilieni^ and he knew 
 himself ; how could he have his head turned .'' 
 
 You see, Jean, I am back in Edinburgh again, and I think 
 I see them as they dismissed me. — and on what terms, for the 
 future ? The backs of the rank and file of greatness were 
 turned on me for ever — that I had to see and accept, and 
 with tolerable resignation ; but how was it with my gracious 
 patrons of the literary class .'' Why, they were to be my 
 gracious patrons — my most condescending and benignant 
 patrons, before whom, in return for such august and never-to- 
 be-expected attention, prostrate humility of gratitude was, 
 on the part of such highly-favoured, unlettered rusticity as 
 mine, the single duty. From what a height, now, that letter 
 of Blair's is written ! I was in his eyes not a poet as other 
 poets were — I was something outside and by-the-bye ; and 
 it was unsafe to commit himself to an opinion of me, espe- 
 cially in the way of praise. He never for a moment could 
 allow himself a thought of me beside ajiy English poet — 
 any regular, so to speak. The Scotch told upon him at 
 times, especially if it cut into the orthodox, and he could not 
 help saying it was clever j but he said it with a grudge and 
 a doubt. He could not come to a satisfactory account with 
 himself in regard to it : he ended only by looking through 
 his fingers at it, and encouraging me with but suggestive 
 hesitancy and the most guarded admission. Nor was it 
 very different with the rest. I was considerably gaped at 
 certainly ; but they could not place me, they could not name 
 me. They could only say, as the great Edinburgh news- 
 paper said, ' Burns, with propriety, has resumed t\\Qjlail — 
 but we hope he has not thrown away the quill.' It hopes, 
 the great Edinburgh newspaper hopes; it really docs not 
 know what to say. ' Burns, the ^lyrshire Bard, is now 
 enjoying the sweets of retirement at his farm. Burns, in 
 thus retiring, has acted wisely. Stephen Duck, the Poetical 
 Thresher, by his ill-advised patrons, was made a parson. 
 The poor man, hurried out of his proper element, found 
 himself c[uite unhappy ; became insane ; and with his own
 
 60 BURNS IN DRAMA. [aCT V. S. I. 
 
 hands, it is said, ended his Hfe.' You see, the inference is, 
 tliat the same deplorable exit need not be feared for Burns 
 — not from any difference of quality, mark you, but inasmuch 
 as he, for his part, has not been hurried out of his proper 
 element up to such a giddy height as only a parson can 
 bear, and, resuming his flail, has remained a thresher. 
 Burns, accordingly is, for his abnegation, equitably allowed 
 the praise of wisdom and propriety ; and he is graciously 
 rewarded with the hope that he has not thrown away his 
 quill, but remains a poetical thresher ! Stephen Duck ! — 1 
 was but a Stephen Duck ! Burns was most probably a 
 Duck ; but a Duck that might be expected not to become 
 felo de se, as he was judiciously left in his place to thresh, and 
 not exalted into a parson to preach ! 
 
 My very best and most admiring friends, now There 
 
 was Dr. Gregory, for example, how he crucified my lines to 
 a wounded hare, treating me to the corrections he might 
 offer a schoolboy, and promising me for reward, if I took the 
 hint, an equality of excellence with, and the actual notice of — 
 Mrs. Hunter ! ' Revise them carefully, and polish them to 
 the utmost — you may judge from the two last pieces of Mrs. 
 Hunter's poetry that I gave you, how much correctness and 
 high polish enhance the value of such compositions — give me 
 another edition much amended, and I will send it to Mrs. 
 Hunter — pray give me likewise for myself and Mrs. Hunter 
 too, a copy — as much amended as you please — of — of the 
 Waterfowl on Loch Turit. Let me see you when you come to 
 town, and I will show you some more of Mrs. Hunter's poems.' 
 What a reward ! To see some more of Mrs. Hunter's poems 
 — wliat a privilege and favour ! — what an opportunity for 
 Robert Burns, Ayrshire Ploughman and Poetical Thresher, 
 to learn ! Correctness and high polish, if I only under- 
 stood that — if I could only write like Mrs. Hunter! 
 And, of all things, the ' Waterfowl on Loch Turit ' too ! 
 ' Occasional verses,' a thing for the moment, nothing ! and 
 intended to be nothing — it was for that I was to be asked, 
 and it was that which, as a favourable specimen of me, was 
 to be offered to IVIrs. Hunter ! Well, it was in English, and 
 in regularly rhymed couplets ! Album-writing, in short — 
 that is what I am to aim at — that is what it is to be a poet !
 
 ACT V. S. I.] BURNS IN DRAMA. 61 
 
 Well may I ' curse the light I first surveyed, And doubly 
 curse the luckless rhyming trade.' 
 
 What has my reward been, even for the best I have done, 
 — Tarn o' Shanter, now ? — One tells me on the strength of 
 //, to do this, that, and the other something, and I shall 
 eclipse — Matthew Prior! To another it is 'a pretty tale,' 
 and, as having written it, I am ' the ingenious Mr. Robert 
 Burns !' It was quite plain that, to the minds of all of 
 them, I had not done the right thing yet — I was sadly 
 wanting, it appeared, ' in correctness and high polish.' 
 Blair cried Pope, Pope ! Gregory Mrs. Hunter, Mrs. Hunter ! 
 and it was what they wrote — what Pope wrote, what Mrs. 
 Hunter wrote — I was expected to imitate. The very best 
 said of me pointed to my ' humble and unlettered station', 
 called me a ' heaven-taught ploughman,' but opined that it 
 would be the most ridiculous of absurdities to compare ' our 
 rustic bard ' with Shakespeare. 
 
 And so it would — the squeaks of a poor Scotch whistle — 
 what are they beside those mighty English trumpet-tones .^ 
 I fear — I fear that provincial commonness, provincial vul- 
 garity, it may be, can never have a place in literature as 
 literature. I know not how to place myself. I work but in 
 a rude material, and yet — and yet — Well, if they did not 
 know where to place my rhymes any more than I do myself, 
 they might have seen what the man was, and at least given 
 him /«'j- place. I could have led them all, had they but given 
 me the truncheon ! But no ! I was to go back, and fill 
 dung-carts, and — ha ! — cultivate my genius — attain, that is, 
 to correctness and high polish ! In the event of such attain- 
 ment, I was to understand I might return, from time to time, 
 and lay my improvements at their feet, with the chance, if 
 I were duly careful, of securing a renewal of their patronage ; 
 at all events, their weighty strictures and iinpayable amend- 
 ments ! A glorious prospect for the like of me, an Ayrshire 
 ploughman ! As if the Ayrshire ploughman were not in 
 effect as well educated as any man among them — as if the 
 Ayrshire ploughman did not see all in a lightning-flash — as if 
 the Ayrshire ploughman could not carry himself as a man, 
 and be a man — a man — a man anywhere — a man to man or 
 m en, be they college professors, or princes, or nobles, or just
 
 02 BURNS IN DRAMA. [aCT V. S. I. 
 
 vho they might ! That was the curse of tlie tiling — the 
 ploughman must be a ploughman, a clown in corduroys, 
 with a common, ill-cut, rough coat — an unawakened boor 
 that could neither spell, nor sit down, nor rise up, nor walk 
 nor talk, nor look like other mortals !— my frien, that ' blatc 
 and lathcfu' scarce can weel behave ! ' 
 
 Ay, but I was Robert Burns to my own self, and my wares 
 should not be even paid for : I would not write for money. 
 O, Robert Burns had the pride of Lucifer ! And why'should 
 I publish again, or what should I publish again ? If it was 
 as before, a little worse, perhaps, or even a little better, I 
 but exposed myself to the mortification of a very much colder 
 reception. Why, Scotch rhyme, since my own, had poured 
 upon them in a deluge, and they might w^cll be sick of it. If 
 it was the elegant English they cried for, was I to go fawning 
 to my approving patrons for a guinea, and be more sensibly 
 humbled by the disappointment of the public .'* No, no ! a 
 second publication was all-impossible for me, unless, indeed, 
 I fell on something that was neither as before, nor as they 
 expected — a drama, say — or the Scotch words for the Scotch 
 airs which have proved such a labour of love to me. 
 
 So, Jean, ye see, there returns ever the o'er-come of my 
 story, What was I to do, and how was my life to be fixed ? 
 I knew myself, and I knew my place, but neither by craft 
 nor by stint could I make the fortune to suit ; and still I 
 must do my duty in the world, and have time for my rhymes 
 too. But it all failed — it all failed : thae cursed politics cam 
 in at last to finish it. I was not to mingle in politics, for- 
 sooth — my business was to act, and not to think, — whatever 
 might be concerned, it was for me to be silent and obedient ! 
 Who was I that such inhibitions were to be dictated to me ? 
 Had I not as precious a stake in my country's welfare as the 
 richest among them ? What of my boys ? Had they souls 
 qualified to inhabit only the bodies of slaves 1 What was 
 their birth-right } Should not my heart's blood stream 
 around in the attempt to defend it ? The world had arisen 
 as one man and thrown the yoke from its neck — all the 
 peoples of the earth stood up in brotherhood and shouted 
 Liberty — the greatest event the world had ever seen had 
 happened — and I, alone of all men, Robert Burns alone of
 
 ACT V. S. I.] BURNS IN DRAMA. 63 
 
 all men, was not to thrill to it ! My business was to stop 
 my ears, and guage ale-barrels ! I to remain torpid, I who 
 had writhed under the contumelious half-notice of wretches 
 whom only accident made great — by heaven ! it was impos- 
 sible. And I was an easy victim ; they had no difficulty 
 with me. 
 
 Than I, no lonely hermit (placed 
 Where never human footstep traced) 
 Less fit to play the part : — 
 
 The lucky moment to improve, 
 And just to stop, and just to move, 
 With self-respecting art. 
 
 I did not always carry dignity with me, somehow ; I could 
 check familiarity, but I provoked it too. All my life, what- 
 ever ye may think, Jean, I have despised myself as a com- 
 pound of sense and folly, and I have never been able to 
 amend my wretched inferiority. In the end, between them 
 and my own self, I felt forced to throw myself on my own 
 self-will, and retreat, reckless, utterly in revolt, with defiant 
 looks, defiant words, and even defiant indulgences — into an 
 exile that was half my own. The poet, ' in naked feeling 
 and in naked pride,' how otherwise can he be expected to 
 act in a world that has proscribed him ? And so the enemy 
 prevailed. I just managed to save myself from ruin, but all 
 my hopes were blasted. Supervisorships, collectorships, 
 competence, position, leisure, all the certainties of the future, 
 collapsed at a touch like the background of a dream. 
 
 And now I lie here, a wreck, dying — and with a wife and 
 family left to want, or the niggardly charity of the cold- 
 hearted world I hate. O Jean, Jean, you are indeed for- 
 lorn ! There's Gilbert, ay, and the money he has, but I 
 looked upon that as sacred — you'll no trouble him till the 
 last. — / may get better yet ! Ah me, lass, I doubt it. I am 
 as weak as a woman's tear, but, O yes, I'll try the Brow — 
 maybe the sea will mend me. 
 
 Along the solitary shore, 
 Where fleeting sea-fowl round me cry, 
 Across the rolling, dashing roar, 
 I'll westward turn my wistful eye. 
 
 The sea was never far from me when I was young — when I
 
 64 BURNS IN DRAMA. [ACT V. S. I. 
 
 was young ! — with my Rigs o' Barley, and my Mary Morri- 
 sons, and my Poor Mailies, and Rankine, and the Ronalds 
 o' the Bennals, and all the rest of them. I lived then — what 
 was worth the name of living, but since, existence has proved 
 but a distempered dream, a dream I wish had never been. 
 I have borne a name in the midst of it — true ! but what is a 
 name to God? Ay Jean, what are all the vanities of this 
 world ? The time was, Jean, that I was anxious and uneasy 
 when I had any illness, and perhaps not much wrong with 
 me ; but now — now that — Well, I'll no say that, — but, O 
 Jean, all my interest in this earth is gone, all my yearning is 
 for another country, I am as calm as a hushed child. How 
 the favourite verses of my youth return to me ! 
 
 ' Therefore are they before the throne of God, and serve 
 him day and night in his temple : and he that sitteth on the 
 throne shall dwell among them.' 
 
 ' They shall hunger no more, neither thirst any more ; 
 neither shall the sun light on them, nor any heat.' 
 
 ' For the Lamb which is in the midst of the throne shall 
 feed them, and shall lead them unto living fountains of 
 waters : and God shall wipe away all tears from their eyes.' 
 
 Ah Jean, the Bible — there is no book like the Bible ! Put 
 a quotation from the Bible in any one of them, the best 
 of them, Shakespeare, Milton, and on the instant, even 
 their gold is dulled into brass. Ah, it is a blessed book — 
 the comfort it brings to the afflicted ! It is the poor man's 
 friend, and the rich man's warning. It is the cement of 
 Society. In the Bible alone are there words that are as the 
 words of God. In the Bible alone is there the wisdom, and 
 the calm, and the balm, and the consolation of the other and 
 the better world. Ah me, Jean, that is the truth at last — 
 Fame is for the earth only ; it is but an ignis faticus, the 
 sno\\fall in the river, a moment white, then gone for ever. 
 
 The hope of fame, of fame for ages, is to almost all — to 
 altogether all in the end — an unsubstantial dream. But 
 call it reality, what is it worth ? Are the opinions of men in 
 general of such validity that their praise — or their blame 
 either — is of any consequence ? How often is it not the 
 case that the writer of the day who alone gets praise and 
 privilege and power and help — whom alone the young imi-
 
 ACT V. S. I.] BURNS IN DRAMA. 65 
 
 tate, and the old honour — is but a shallow charlatan that, 
 having robbed all his life some veritable immortal of his name, 
 and his place, and his very wage, dies, like a mushroom, into 
 sudden oblivion and nonentity at the last ! Blair, in Edin- 
 burgh, for example, perhaps the very weakest man within its 
 walls, is yet tacitly elected into the seat of distribution ; 
 and no man may resist his award. What sort of a tune can 
 we expect in any interest, when such a pitch-pipe as that 
 leads ? 
 
 In my day, there have been only two public funerals that 
 I have seen. The first was for a piece of shallow folly — a 
 cork that turned up in every froth. — fussing, elbowing, 
 o-esticulating, — as spurious a creature as ever God blew 
 the breath of life into,— a mountebank, — a lean and slippered 
 pantaloon, that felt his own weakness in such wise that he 
 could only cover it or carry it off by throwing a somerset, 
 from which his face emerged into yours with a grin and a 
 crrimace ; — or by goose-gobbling himself into imitation of a 
 drunk man and the consequent raising of a half-laugh on 
 the part of the company, to which it should be the means of 
 introducing him— slidingly. The second public funeral I 
 point to, was for the man v/hom — really and honestly — I be- 
 lieve to have been, morally and intellectually, the meanest 
 human being I ever met— a man who entered your room on 
 noiseless, rat-like, pit-a-pat feet— who came not straight up 
 to you then, but, rat-like, turned sideways to present himself 
 at last with shrugging shoulders, and tallowy smiles of the 
 weakest deprecation— a man of mere small craft and pitiful 
 chicane, but adroit to seize what show would for the moment 
 tell, and perfectly irresistible in a flattering make-believe you 
 smiled at, even as you yielded to it. 
 
 Think of it I an entire population turned out, silent, 
 hushed, awed, to witness the passing to the grave of the 
 coffins of men like these— nay, monuments erected in our 
 streets to men like these ! Ah— bah ! it is all nonsense, 
 Jean,— it is of no use,— there is nothing in it,— nature is 
 beautiful, and God's world is divine, — but man is a Idche, his 
 world a hell. Draw the curtain, Jean— I'll sleep.
 
 66 BURNS IN DRAMA. [aCT V. S. 2. 
 
 Scene 2. 
 Professor and Minister. 
 
 Professor speaks. 
 
 Ah! then Burns is dead. A great spirit, but mixed. His 
 understanding was as a flash that searched : what a pity so 
 little has come of it ! What a man he was when he came to 
 tlie Highlands — how he impressed the duke and the duchess, 
 and even the young lords and ladies, the children ! But, O 
 the change, when, not so long ago, after eight years of a resi- 
 dence in England, I visited him here in Dumfries ! I could 
 not help doing that. He was not the man he had been : 
 he seemed, somehow, every way emboldened. Though but 
 a very subordinate officer, for example, in the excise depart- 
 ment of government, he did not scruple to speak incautiously 
 of his political superiors. Of course, I did not smile my 
 approbation, and — that I must allow — he was easily repressed, 
 easily repressed. But in the evening he came to us in our 
 inn, and he was then — Ah ! — even less interesting. He 
 spoke as he liked, and — called for what he liked. His 
 manner was forced, as if he laboured to speak to expecta- 
 tion. He praised and blamed always with such emphasis as 
 did not admit of dissent. He drank freely, and boasted 
 unnecessarily of the excesses and orgies in which he had 
 participated. He quitted us at a late hour — three in the 
 morning — utterly exhausted. He has left behind him some 
 charming verses. Pity it is they are only Scotch. Peace be 
 with him ! he was a great spirit, and, for his circumstances, 
 a man as remarkable as many. I wish you good day, 
 Mr. Gray. 
 
 Minister {solus). 
 
 Well, well — but I daresay he means well, and is an accom- 
 plished professor, for all his fastidious finicality. Burns was 
 easily repressed — and by him ! Burns was forced in his 
 speech that night — could not the gentleman see that Burns 
 was simply out of heart with his company ? He bragged of 
 his excesses too— why what was that for, but to make, as 
 Burns would have said, the prig's hair stand on end .'' He 
 sat late, likewise, just to punish him. His emphasis, too,
 
 ACT V. S. 2.] BURNS IN DRAMA. 67 
 
 it was but partly the awkwardness, and partly the defiance 
 of his humiliating and uncongenial position. 
 
 Burns could dine out, and dip as deep as the rest did. 
 Bums could seek relief in his tap, and forget himself in com- 
 pany to an hour as late as the latest of them. Burns, with 
 his name and his fame, might have been beset on an excep- 
 tional occasion. But exceptions only prove the rule. Burns 
 was no drunkard, and Burns was not dissolute. Burns was 
 affectionate ; Burns was domestic ; a better father I have 
 never seen. How he loved his children, and tended them I 
 How he thought of the world, and their future in it ! And 
 how seriously, in their regard, his duty rose up to him 
 How pretty to see them toddling with him — to see him, ever 
 and anon, lifting them up to press the cool, soft, little cheek 
 to his, to stroke the smooth little head, and press his lips to 
 the innocent little mou' ! 
 
 Burns, too, was as conscientious, prompt, punctual a 
 servant as ever held a place. Burns abhorred debt — he 
 abhorred extravagance. Burns lived in the hope of a future 
 state ; Burns lived under the fear and awe of God. It was 
 the untoward circumstances that placed the double nature of 
 the poet in a false position where it flaixd; but, fall as he 
 might, he never ceased to be all ruth for the unfortunate — 
 all love and admiration for the pure and the good. 
 
 From first to last his position was a false one. After 
 Edinburgh, no corner of his whereabouts but — and in no 
 true light — was open to the public eye. Faults ! — yes, but 
 what was his age when he died, and what might have been 
 expected of him had he lived ten years longer? He was 
 but careless in his integrity. I hesitate not to say it : his 
 nature was sound at the core ; his soul was the light of love 
 for truth, indignant lightning at the wrong. His very life 
 was a yearning for redress ; belonged to gather the universe 
 into his embrace, and wipe away all tears from all eyes. It 
 was the very overwhelmingness of this sympathy that led 
 him wrong. He gave himself instantaneously up, as he drew 
 himself equally instantaneously back. His trust was infinite, 
 and it could be infinitely abused. His speech, in keeping 
 with his feeling, was the hyper-emphasis of the instant : no 
 man but was cither the best that ever God sent, or the worst
 
 68 BURNS IN DRAMA. [ACT V. S. 2. 
 
 that ever the devil took. Capable of wilful waywardness 
 when the child awoke in him, he was too easily won, too 
 easily lost ; and he was open to the familiarity of all men, 
 could his imagination but frame a pretext for it. 
 
 All that is much, and yet the rift of the whole nature is 
 this :■ — Whatever the sincerity of his j-f/Z-abascment, he was 
 incapable of turning the cheek, — he knew not the meaning 
 of the word humility ; — he never thoroughly realised it to 
 himself that he was, in the true sense of the word a sinner — 
 not in the true sense of the word, let his penitence at times 
 be what it might. Had it been otherwise, he would have 
 been a ripened, strengthened, and reflecting four-square 
 man, and not, as he was, almost to the last, a lightly-moved 
 and pliant boy. The sense of sin would have been as ballast 
 in him, and given him to think. In peril of eternity, the 
 need of a Redeemer felt would have softened and enriched 
 him. His eyes might have then been opened to the divine 
 significance of Christianity, and he might have recognised 
 then in rapturous illumination, what supernatural virtue, 
 what miraculous revelation of the inmost nature of God, of 
 the very secret and soul of being, lay in the Coming of the 
 Man Christ Jesus. But it was not to be : — awed by Revela- 
 tion, he was yet puzzled by it, and had to flee to what, more 
 or less, was only a religion of his own heart. (Jnania in- 
 genia sini, tanti sunt — here and hereafter — that became to 
 him almost his Thirty-nine Articles, almost his Confession 
 of Faith. 
 
 It is not for us to sorrow, or fear, or make appeal, or doubt 
 the justice of the Judge in whose dread presence is now his 
 awful stand ; but still we may suffer ourselves to dwell with 
 consolation and joy on this, That Burns, even perhaps the 
 most of all men, will, to the latest posterity, promote among 
 his fellows the cause of causes, the cause of truth, and right, 
 and gentleness, — the cause of humanity ! We, Scotch, above 
 all, ought to recollect that his very voice — tender by turns 
 and arch, simple or cutting-wise — was the very voice also 
 of our old, battle-striding, Scottish reality. Farewell, my 
 brother — farewell my brother and my master ! Had you but 
 lived these ten years longer — had your position but been less 
 hopelessly false !
 
 BURNS IN DRAMA. 69 
 
 NOTE. 
 
 THE CHARACTER OF BURNS. 
 
 For force and nature, Burns, as a poet, has never been surpassed. 
 His art — as such, and predominatingly — was not precisely on the 
 lofty scale ; but still it was led by the spontaneous sense in him of 
 a gracious and full-filled whole. At least, we would presume as 
 much from his favourite laudation ' sonsie^ Sonsie ! The burden, 
 as it would seem, suggested by the word, charmed him. In point 
 of fact, we see that he could not but flame up ever to what face or 
 figure in a 'lassie' was 'sonsie' — 'sweet, complete.' This, then, 
 we shall say, Mas the ideal that ruled Burns : it was his gaihts. A 
 blur was intolerable to him : it must instantly collapse before him 
 into the precision of a mountain-rift in the sun. And thus it is that 
 his writing literally lives. His words — clear, crisp, swift, sure — 
 come instantly home — clink, so to speak, at once to the quick. 
 Even rhyme and rhythm, with him, disappear — enrichingly, as it 
 were— into the single vitality that is alone felt. Inspiration kythes 
 expression in Burns, as naturally as the earth grass. Never were 
 there such sounds to seize the ear and cling to it, as those of his : 
 they are mnemonical merely ; they are Mnemosyne's own. The 
 due pitch is taken at a breath ; and a speech attained to, at once as 
 it is in life. It is the intense soul of the poet achieves this, — that 
 intense soul which, imbuing in the eager mordant of emotion and 
 the fiery colours of imagination, all its keen perceptions and vivid 
 intellections, strikes out, ever, with instant precision, the correspond- 
 ent sign. Sentences there are in Burns as solid and sudden as a 
 Bass Rock or an Ailsa Craig — nay, words, single words, of just such 
 quality, — words as strong as granite, and as hard (and clear) as 
 crystal to the teeth of time. In short, there is in Burns such ring 
 — such living ring of reality, as, — in an equal simplicity of truth to 
 nature, — is possessed, in this world, by no poet else. 
 
 Intensity, then, was, on the whole, the single source of all ; but, 
 specialising, may we not say that the springs of production in Burns 
 were more particularly these : feeling, fancy, and understanding, 
 together with the incorruptible loyalty and indomitable pride of a 
 most honourable and fervent manhood ? More particularly still, 
 perhaps. Burns was emphatically defer, — he was notoriously and 
 supremely clever ; and (placed as he was), it belonged to him, as 
 such, never to be found at a loss, never to be taken unawares, but 
 to be prepared always with a 'swatch' of his 'ingine.' Accordingly, 
 it was quite in keejMng that he had provided himself with red chalk 
 and a glazier's diamond. With the one, he scril)bled on the backs 
 of such rough and ready surfaces as posters, showbills, and the like, 
 — to render them, as he said, 'now fit to be presented to a lady ;' 
 and with the other, he glorified (or outraged) the window-glass of 
 inns and the rummers of his friends. Possibly, we do not so very 
 much admire the accomplishment ; the httsiness of it may repugn 
 rather. Nevertheless, there can hardly be a question but that, to
 
 '0 BURNS IN DRAMA. 
 
 liotli sides concerned, it was a main consideration. No degradation 
 of poetiy — or of genius — was, from either side, seen in it. On the 
 contrary, not only by the bystanders, on the one part — the profane 
 of cliance, with wliom, in his ballsed sympathies, he might be glad 
 to hobnob at times, — but, ahnost certainly, by himself, it was regarded 
 as the special authenticf\tion of his powers, the proper guarantee of 
 his gifts. ' Cranibo-clink ' was to them the peculiar sleight of liand 
 with which he was expected to astound everybody at a moment's 
 notice : 'Crambo-clink ' was to his own self, it is hardly more pos- 
 sible to doubt, very much his laurel. But the desecration — for 
 desecration it was — bore fruit, if, on the one side of its own, then 
 of its opposite, on the other. For, deriving hence, as we must, his 
 p'lras before meat and other such clinches (not to mention those 
 unknown tokens of his art which are said to be current, l>ut not in 
 reputal)le hantls), it is hence also — from that enormous practice and 
 intense strain of effort — that we must, at least in some considerable 
 part, derive, as well, the unparalleled facility of his general verse : 
 'The words come skelpin, rank and file,' he says, 'amaist before I 
 ken.' 
 
 But, with more special reference to character, it is important to 
 bear in mind that, throughout his whole career (for even his eight 
 closing years are only partially exceptive). Burns, whether as man 
 or as poet, was, for the most part, to use his own words, ' without an 
 aim.' Of the ambition of the world — unless at a rare moment when 
 his eye might glisten with the sense of his own superiority and of 
 the possibilities that lay in it — he had literally none. Unlike 
 Scott, who, with such self-complacent modesty, can never cease 
 explaining, and apologising, and anxiously impressing upon us this, 
 that, even when it may appear he has neglected his profession, and 
 is only wasting his time, on rhymes and riddles for children, he has 
 really not done so, and is not by any means forgetful of the main chance, 
 but, on the contrary, after having intrenched, and inwalled, and pro- 
 visioned himself with considerable forecast, in a fortalice of the law 
 itself, he is now only turning into account rather, that ' leisure ' 
 from his 'graver cares' which is simply unavoidable, and actually 
 introducing into literature — into poetry itself — the prudential con- 
 siderations of the sober head of a house and responsible father of 
 a family — Unlike the pawky Scott, Burns, we say, not only loathed 
 the idea of inspiration for the market, but, though really provident 
 of his pocket, never, at any time, it can hardly be said, made money 
 an aim, even in living. It was his faith 
 
 'That thus the royal mandate ran, 
 
 When first the human race began, 
 " The social, friendly, honest man, 
 Whate'er he be, 
 'Tis he fulfils great Nature's plan, 
 And none but hel'" 
 
 It was only at the last, perhaps, indeed, that he had learned the 
 nullity of this, his boyish illusion — the certainty that it was pre- 
 cisely the ' social, friendly, honest man ' for whom there is no place 
 here. As we see him in his career generally, he has no object but
 
 BURNS IN DRAMA. -Zl 
 
 to live. He is not born for ' the bustle of the busy ' or ' the flutter 
 of the gay.' He would live only, — as a tree in the air, as a flower 
 in the sun, as an unmastered steed on the prairies, that snorts tlje 
 foam over its head. Nevertheless, it is not alone, but among his 
 kind he would live — naturally, warmly, rapturously, among these 
 good fellows, and under the eyes of these bonnie sweet lassies. So 
 to live and love — that is enough for him ; and he is contented with 
 his place among them. They know he is clever ; they know he can 
 speak : he is Rab the Rhymer, rantin Robin. 
 
 There were implied in all that, too, the need of constant distinc- 
 tion and the greed of instant fruition. The craving ever for the 
 actuality of a full-tilling experience — this largely it was that was the 
 source of his melancholies, and convivialities, and even conquests of 
 love. Curiosity and maistrie — ' native hilarity and the pride of 
 observation and remark ' — were perpetual goads to him. He must 
 be here, he must be there ; see this, see that. It was an irresistible 
 temptation to him, as the ways of countiy life were, to win — with 
 hardly expectation of the end — this and the other advancing favour. 
 Much arose from this too, that, from the very beginning, he -had 
 been misplaced and misused. What was that coarse and imperfect 
 diet — what that premature and exhausting toil of an ail-too willing and 
 precocious boy, who, ' though forfoughten sair enough, was unco 
 proud to learn ? ' What seeds must have been sown in these ways 
 that could feed themselves afterwards only in indulgence and excess ! 
 The wonder perhaps is that, after such experiences, he was as he 
 was. He perplexes himself at times, in these young years — and it 
 is specially interesting to watch the troubles of the literary nature 
 here^with the difference of what he is in himself, and of what he is 
 to others in this and the other disparaging externality ; but, with 
 the full light of day let in, as is unavoidable, on the reality of his 
 place, and necessarily disabused thus of his all-boundless expecta- 
 tion, he will still keep an honest manly heart, and play an honest 
 manly part. Indignant at the wrong, and with nought in his future 
 but the sick heart, sore joints, and soiled wings of ceaseless, hopeless, 
 thankless labour, he will scorn favour and abhor debt. But pride 
 to his inferiors there shall be none. For them, too, there seethes 
 within him the fierce sense of the social wrong — of the injustice, of 
 the cold indiff"erence and barbarous brutality of a cruel and self- 
 pampering world. To them he will be loving, helpful, kindlyequ.il. 
 He despises — utterly despises meanness ; but he is infinitely soft to 
 what is weak, gentle, suffering, or confiding. He has a warm side 
 for the very beasts of the field, and almost a tender foot for the grass 
 he treads. Unbounded goodwill, unbounded goodwill as it were 
 simpliciter and at once, just to the light and air of heaven — that is 
 the soul of the poet, — that is the soul of Robert Burns ! He walks 
 in trust of the goodness over him, and is warm with the hope of 
 final redress. He will act as he feels, — assured that his integrity 
 will abide, — not fearing that, in meaning, he can ever prove false. 
 
 But, in this boundless sense of himself, as well as in that bound- 
 lessness of his proximate trust in others, he is incontinent of himself, 
 and lavishes himself abroad in weakness. He can get love, but — to
 
 72 RURNS IN DRAMA. 
 
 his unconcealed cliagrin — never respect. He thinks of his ' garru- 
 lousness ' with remorse; and, ever and anon, this ^lapsus liii^mae' 
 ami that ' lapsus liii^'^iac' recur to him with a shudder. The false 
 gratification that was wann in the present, he could not always 
 sacrifice to the true duty tliat was cold in the future. That the 
 clever man could become coarse, the greedy sf)u] reckless, especially 
 after work, and, more especially, after the indignities and drudgery 
 of hjs work — there is no room left for surprise. The surprise 
 rather is this, that in such circumstances, and with only desultori- 
 ness allowed him, the very latest fruit of the poet was the natural 
 purity of those dewdrops of song. Nay, anxiously reviewing all, 
 anxiously revolving all, — sifting, weighing, separating,— f)Ught not 
 this indeed to be the surprise, that, dying so young, and with so 
 much to hinder, so little to promote, he yet left behind him such 
 amplitude, and maturity, and dignity of product ?
 
 SA VED LEA VES.
 
 SA VED LEA V E S. 
 
 THE NOVELIST AND THE MILLINER.* 
 
 Not willingly we speak to you, you thin, wry-shouldered 
 Milliner — red-eyed and angular — much though you love us. 
 No ! not all the deep, devoted, strong affection that you 
 have for us can ever lessen or destroy the grudge we bear 
 you ! 
 
 What ! at shut of even and of shop — when work is done — 
 when tired needles rest in pocket-books, their shorn plumes 
 drooping from their glittering crests — when back-stitch and 
 base stitch, splay-seam, and over-seam, cuffs, and ruffs, and 
 muffs, and puffs, spencers and stomachers, are forgotten quite 
 — when skirts and bodies, mantles, frocks, pehsses, finished or 
 unfinished, thrust into half-open drawers, drooping from bed- 
 post and from window-shutter, helpless over chairs, seated 
 sinkingly beneath the table or upon, are all unthought of and 
 unseen— when chintzes, muslins, silks, satins, and satinets, 
 — when old-maid bombazette, and more old-maiden bomba- 
 zine, and even the young good looks of Indiana, mousseline 
 de laine, and Saxony, are in vain for you ; — no brittle thread, a 
 fret — no needle, intolerant of the same, pangs of vexation and 
 weariness of wrist — no sudden rent to take the breath away 
 — no wrong stitch, seen at the millionth, any more a heart- 
 break — no Lady Jane's body joined to Lady T.'s skirts, and 
 no Lady G.'s riding dress, all puffed and plaited, lined and 
 twined, finished perfect and complete, but wrong side outer- 
 most, despair and syncope ! — What ! when all these blessed 
 
 * This paper was published in Doitglas Jcrrohfs Magazine, sccoiul 
 number, Feljruary 1845.
 
 76 SAVED LEAVES. 
 
 events have taken place — when this whole painful, vulgar 
 world of clippings and cuttings, paper shapes and paper 
 patterns, broken needles, ends of thread, scattered pins and 
 empty bobbins, has sunk to you ; extinguished, like the sun, 
 in night and after hours— sit you not reading by the light of 
 those few red cinders, now fast blackening a-top, and momently 
 sinking closer and more close, jostling each other and mur- 
 muring ? Sit you not there, barely supported on the edge of 
 your receding chair, with quivering feet upon the fender? 
 Sit you not there, wide-kneed o'er the grate, unseen, at ease 
 —with stooped head, flushed cheek, and glittering eye- 
 turning so eager-rapid, with that yellow, needle-eaten finger, 
 our reddened, fair-marged pages, curling and crumpling 
 within their cracking, gizened boards ? Sit you not there, 
 we ask, absorbed— abstracted— swallowed up in wonder and 
 delight ; heeding nothing— seeing nothing— but the fair 
 Elysian world we give you, there to wander in, till even 
 odours of happy Arable— perfumes of burning worsted— (for 
 indeed, the flannel petticoat will take on process of erema- 
 causis— slow combustion) can hardly bring you to your dim 
 room and drooping skirts again ! And more ; the tire ex- 
 tinguished (by the laying-on of hands) and the fright allayed, 
 sink you not into your chair again ? Seek you not eagerly 
 to renew acquaintance with that same fair Elysian world ? 
 Strive you not to execute the strange, mysterious rites, 
 whereby accomplishment of that is had ? But alas ! do not 
 the few red cinders— now still fewer and less red — refuse to 
 hold for you the lamp whereby to see the talismanic scroll ; 
 whereby to read the letters of that magic cabala of ours 
 which opes the gates to these enchantments ? In wrathful- 
 wise seize you not the poker then ? Stir you not up the few red 
 cinders, nervously, into hectic flushes— smiles, but harbingers 
 of death— or, at best, into fitful, momentary gleams, which 
 can but seem to you sneers of malign derision, ape-like 
 mockery ; as, for one instant, playing with you, they give to 
 sight the mystical inscriptions, then snatch them back to 
 night again? 
 
 Dash you not up then, passionately, m sudden burst ot 
 galled vexation, paroxysm of fret abruptly yielded to ? Count 
 you not, with hurried, shivering feverishness, how many
 
 THE NOVELIST AND THE MILLINER. 77 
 
 chapters you have yet to read before the end may come ? 
 Dash you not down again, in dogged self-will, stooped head 
 and flushed cheek placed defiantly almost on the very bars, 
 resolute to master, ere the night shall end, our dear third 
 volume ? Sentence after sentence, fruitlessly, strain you not 
 on, desperately, frantically, in the mad attempt ? Till at 
 length, completely vanquished, wholly tamed, the breath of 
 unwilling resignation issuing relievingly from the chest, with 
 sore eyes, hair burning hot upon the brow, you find yourself 
 compelled, in exhausted hopelessness— heart-broken even — 
 to shut for the night. 
 
 And then, as you sit a good half hour yet, fall you not 
 into the pleasant, pleasant reverie ? In dream become you 
 not the Lady fair you lately read oi? See you not yourself 
 wending forth from that high castle-gate, while, stooping 
 gallantly, rides beside you that stately knight, — all clad 
 in steel, but helmet off, and black curls tossing in the breeze, 
 gazing so rapturously on you there, maiden-modest, in your 
 cotton-velvet dress, mounted on milk-white palfrey, with 
 your pinchbeck locket hanging from your neck by its watered 
 ribbon gracefully, and the gilt leather card - case, which 
 a friend bestowed, just innocently peeping from your lovely 
 hand ? 
 
 The scene changing, are you not assailed and carried off 
 by livid scowhng robbers, mysteriously silent and interest- 
 ing ? Pass you not through a whole world of adventure, 
 a thousand perils, a thousand wonders, — deep defiles, moun- 
 tains, rocks, and chestnut-trees, — setting suns, shadows and 
 moonlight, — caves, castles, trap-doors, secret passages, slid- 
 ing panels, daggers, lamps, and oratories, — one savage 
 butcher-robber, with a bull-neck and bushy eyebrows, — 
 one mild and milky — which latter befriends — secret signs, 
 looks, and scraps of comfort — escape planned, effected — 
 cottage, — old woman, — bread and milk — pursued, overtaken 
 — robbers without cottage, — awful suspense, — little incidents, 
 and suc/i dialogues ! — discovered — butcher-robber slays milky 
 one— led back in triumph ; in short, a whole host of men, all 
 scowling, stamping, tearing, struggling and fighting for the 
 single poor you, like a herd of black bulls for the one white 
 heifer ; till, at last, rescued by own brave knight — his helmet
 
 78 SAVED LEAVES. 
 
 on this time for variety — kisses and softnesses — separated 
 again — harsh sire, cruel uncle — conventcd — but, finally, 
 banns of marriage proclaimed three times on one Sunday — 
 married in pale blue satin, trimmed with blonde ; splendid 
 wedding-supper — Maggy Sharp and Mary Young invited 
 just to see — gorgeous bridal-bed — three sons and three 
 daughters, and a long life of health, wealth, and happiness ! 
 
 Or, the vision altering its shape, have you not gone to 
 that dear, native country town, to visit your poor old parents? 
 Chances there not to be a ball while you are there — some 
 charity one — in which are mingled aristocrats from the 
 castle, and respectables from the town ? Does it not 
 happen that you go thither, and that my Lord Underjaw, 
 lord of the neighbouring manor, sees you? Is he not smitten 
 with your pallid beauty, mild, silent, pale face ? Does he 
 not eagerly ask, whisperingly, ' Who is the pale lady in the 
 blue ? ' Do not the eyes and the lorgnettes of the aristocrats 
 turn at once and with a bustle towards you ? Ah ! that pale 
 face classical ; the loveliest lady there may never hope to 
 match it. Are they not amazed, chagrined, enraged to think 
 that a mere country-girl should thus outshine them? Intol- 
 lerable ! And that my Lord Underjaw should so evidently 
 be taken with her ! Do not their crops swell out big and 
 red against you, not without utterance, like a flock of pro- 
 voked turkeys ? Still do not my Lord's eyes follow you the 
 whole night over? Nay, seems he not once as if he would 
 approach — speak, ask you to dance with him ? But does 
 he not command himself? Ah ! with what thoughts go you 
 not home, of dukes, and lords, and pale ladies in the blue. 
 
 Well, on the following morning, while you chance to be in 
 Mrs. B.'s shop, drops not my lord in to purchase something ? 
 Seeks he not occasion to lengthen out his visit, ever recol- 
 lecting some new want he had ? Stands he not gazing at 
 you ? And you, behind the chair there, are you not looking 
 down, making all manner of awkward motions, drawing all 
 manner of strange figures on the ground with the toe of one 
 foot ? But ever and anon cast you not up your eyes on him 
 with sudden, furtive, seeming - artless glances, half- con- 
 sciously, half-modestly — such glances as tug strangely at the 
 thrilling heart-strings? Goes he not away at length as in
 
 THE NOVELIST AND THE MILLINER. 79 
 
 a dream, seeing nothing, hearing nothing, unconscious of 
 existence, thinking only of you, lost in wonder that the like 
 should be ? Does he not contrive to follow you again, and 
 yet again, into the same place, ever finding new occasion to 
 return ? Are there not conversations now, longer or shorter ? 
 At length, begins he not to praise, to give expression to the 
 wonder and the love wherewith you have possessed him ? 
 Venture you not timidly to call it flattery ? Seem you not to 
 think, less or more directly, to hint even, that such words 
 from him can only point to wickedness ? But is he not so 
 respectful? Surely he is filled with genuine love, if ever 
 man was ! By and by, comes he not accidentally on you 
 in your walk one day ? Is not the accident repeated ? At 
 length, are you not seen publicly to walk together ? Is not 
 ever>' woman's tongue, within the borough and beyond, elo- 
 quent on the topic, never tired of wagging on it ? What a 
 hum arises ! The whole wasp-hive roused, from the sunk 
 floor to the attics ! You are become the centre of three 
 thousand staring eyes, the pivot of the waggings of three 
 thousand envious tongues. What a flutter, and a bustle, 
 and a spite it is ! How your own little heart goes throbbing, 
 half-fearingly, half-hopingly ; and your own little head goes 
 proudly tossing in answer to a thousand vulgar lockings of 
 the eye, and shakings of the head, and outspoken utterances ! 
 How it all goes on simmering, and churming, and yammer- 
 ing around you ! while you, firm in the love of that high 
 man, and sure of yourself, bear the brunt of it all bravely, 
 though not without struggles and misgivings. But, on the 
 whole, does it not drive you closer to him ? Grow you not 
 more and more intimate ? Grow you not more and more 
 into love ? Ah ! he is so noble, and so good, so kind, so 
 gentle, and so wise, and loves you so ! What a gush of 
 tenderness comes over you, melting your whole soul ! you 
 feel as if your bosom were the only place to lay such 
 jewel in. 
 
 At length he makes proposals — dishonourable ones. 
 Haughtily, scornfully, they are repulsed at once. How 
 abjectly, how passionately he supplicates for pardon, sup- 
 plicates on his bended knees ! At length, though wrung 
 with agony, thunder-stricken, shame-stricken, yet gradually
 
 80 SAVED LEAVES. 
 
 soothed by his entreaties, and feeling him, indeed after all, 
 still the nearest, still the dearest, still the only one to whom 
 you can look for support and sympathy — sit you not on the 
 ground in a passion of bitter, bitter tears, wringing his hand 
 and sobbing out convulsively that ' you knew, you knew you 
 were but a poor poor country girl, born to drudgery and 
 misery ; that you knew, you knew you were not for him ; 
 that you deserved it all ? ' Till does he not seem as if he 
 would cry too, and strives he not to soothe you so?- — 'He 
 was only trying you, only trying you ; he had no intention.' 
 And, at length, are you not reconciled ? 
 
 By-and-by, deceived, misled, tempted by the softness he 
 has seen, and suspecting he has been hardly bold enough, 
 he repeats his wish. Ah ! does not the spirit of ten thou- 
 sand empresses heave within you .'' In what imperial dignity 
 and scorn you turn from him, hearing not his words, his 
 fervent entreaties to be heard ; you reach your home. Oh, 
 the bitterness of your abasement ! How you are crushed to 
 the earth ! How you would fain hide yourself in the earth ! 
 The shame ! — the shame ! your weak simplicity jeered and 
 laughed at ! A country girl fit for a lord ! That you should 
 have been gulled, mocked, scoffed at ! That you should not 
 have seen it all ! — that you should have been blind to it all ! 
 O, the weak, weak fool ; the bitter, bitter, deep abasement ; 
 the bitter prostration beneath the punishment ; the acknow- 
 ledgment that you deserved it all ! But, by-and-by, does 
 not the tempest lull ? — are there not tears of love, regrets, 
 hopes.'' Come there not letters — passionate appeals .'' Finally, 
 is there not a meeting, half by accident ? How the first cold- 
 ness and aloofness melts, thaws, and vanishes ; and the 
 reconcilement becomes complete ; for now he makes honour- 
 able proposals. 
 
 Then come the preparations for marriage. And now, how 
 the envy deepens and the hum increases. But are there not 
 some who cringe, and fawn, and flatter ? With what bitter 
 satisfaction do you not receive and watch them ? Then is 
 there the wedding, a very blaze of splendours. Yet do you 
 not carry it all with a sort of proud humility ? How kind 
 you are to your poor old parents ! You are never tired of 
 heaping comforts on them. You cannot resist, however.
 
 THE NOVELIST AND THE MILLINER. 81 
 
 driving into the town, in your little model of a phaeton, with 
 the two milk-white ponies, having, as the sole ornament 
 about you, one stately feather in your bonnet, bending at 
 the top gracefully, proudly enjoying the gazes and remarks 
 of all observers. Neither can you help stopping at the door 
 of old Presume's hotel, to send in your footman, patronis- 
 ingly, with an order for a few casks of porter, and an invita- 
 tion to your old intimate, half-friend, half-foe, rattling, vulgar 
 Mary Presume, who stands galled and gaping at the bar, 
 that you will be glad to see her at the Castle. Nay,— worse 
 than this, and weaker still, — hardly repressing something 
 like malicious triumph struggling up within you, can you 
 resist calling condescendingly on your best friend Maggy, 
 whose marriage tea-set, dining-tables, crystal, and evening 
 parties used to spite you so ? 
 
 Well, is not she too invited to the Castle ? and do not 
 they both come? With what inward chuckling ecstasy, 
 boiling up almost incapable of being repressed ; ready at a 
 touch to explode and scatter all — nay, does it not explode 
 when, on examining your London toilette-case, you cannot 
 help presenting Mary with a Paris bottle of perfume? But 
 with what outward coolness, nonchalance — as if they were 
 all common matters, things of course — you take them from 
 the drawing-room to the scullery, from the garret to the 
 cellar, watching, with such fierce keenness of enjoyment, 
 their wonder, amazement, envy ; but seemingly not watch- 
 ing, not noticing at all. Ah, yes ; it is all pure ecstasy — 
 ecstasy, not the less exquisite for being spiced with a little, 
 half-malignant feeling of victory and triumph ! And how 
 can they be else than amazed, wonder-stricken, envious ? Is 
 it not all tinselled footmen, ivory, ebony, or'molu, china ; 
 
 such as a Queen might But the watchman under your 
 
 window, drowsily snuffling out half- past two, breaks the 
 china, and warns you to your bed. 
 
 Ah ! and then fondly deluding yourself for the millionth 
 time, slip you not beneath the pillow our dear third volume, 
 with the extravagant determination that you will awake 
 betimes and finish it? But, alas ! you do but wake to find 
 you have overslept yourself. Languid, worn out, exhausted 
 — even more so than at laying-by of needle on the night 
 
 F
 
 82 SAVED LEAVES. 
 
 before — to you slumber hath brought no rest, repose no 
 blessing. You lie in sort of bitter-sweet prostration ; sleepy, 
 sleepy, but nervously incapable of sleep. You cannot rise ; 
 it seems as if some strange affinity — attraction — were glueing 
 you to the bed beneath ; as if some electric cloak were cling- 
 ing to your skin ; as if a weight were laid subduingly upon 
 you, chaining you down there, half willingly, half unwillingly, 
 and when, at length, with sudden effort of the will, you 
 wrench those chains in twain and spring upon the floor, go 
 you not about your little processes of dress drowsily and 
 sulkily, cold and shivering, snuffling, croaking, whimpering, 
 empty of hope, heartless, comfortless, miserable .'' For, to 
 you, as often virtually to all of us, again has this life become 
 a broken loop, a burst button-hole ; or if not burst, not 
 broken, — to the loop there is no hook ; to the button-hole, 
 no button. 
 
 Well, even then, amid the morning disarray of bed and 
 bed-appendages, let but our dear third volume, gliding from 
 its lurking-place, attract your eye, — with what eagerness, 
 half wilfully yet half remorsefully, you spring to it, — seize it, 
 — read from it ! You read, and lo ! the sorcerer has waved 
 his wand. Despite some little cjualms that weigh unseen, 
 yet not unfelt, upon your breast, prompting that unconscious 
 knocking of the hand at the door of your breast-bone, — the 
 weariness, the pains, the drudgeries of life, fall from your 
 spirit, you are free once more — free, clear, and joyous ; again 
 within the crystal battlements ; again wandering in that fair 
 Elysian world — treading a new earth — breathing a new air 
 — living a new life. And shall we — we who make all these 
 things so for you — we, by whose victorious toil it is that thus 
 there is set down for you, even in the very midst of this poor, 
 painful, vulgar, week-day world, a faery land of warmth, and 
 balm, and happiness, wherein is refuge ever, and a place for 
 you ; — we, who have endured long agonies of labour and 
 privation, thus to secure for you a magic treasure — an 
 Aladdin-lamp, whereon you need but look to call up genii 
 to your bidding — shall we, who alone below are as sun, and 
 moon, and stars, and light, and warmth to you ; as a fond 
 mother's bosom for you to nestle in, to lay your poor, wearied, 
 lacerated, palpitating heart upon, and be so happy — shall we
 
 VENETIAN MADELINE. 83 
 
 be all this and do all this for you, and shall our highest 
 recompense — ■ our best reward — our very utmost fee — be 
 some paltr)^ three-pence, doled out weekly to the circulatins; 
 library, not one thousandth part of which e'er reaches us 
 besides ? No, no ; we never can away with it ! not all the 
 deep, devoted, strong affection that you have for us, can ever 
 lessen or destroy the grudge we bear you ! 
 
 VENETIAN MADELINE. 
 
 Ah pride ! Ah pomp palatial ! 
 
 Ah Venice ! tranced in wave and air : 
 Charm-lustred air purpureal ; 
 
 Wave, limpid-lifting up the marbled stair ! 
 
 A lady and a balcony, 
 
 A white arm on the balustrade : 
 No gondola but lags to see 
 
 The dream-like beauty of the dreaming maid, — 
 
 So plain the full eye looks at them, 
 
 At gondolier and cavalier ; 
 So plain the sweet mouth smiles at them, 
 
 Strangers that pass so far and yet so near. 
 
 Half-drawn, the crimson curtains sway. 
 Caught by their golden-tasselled bond ; 
 
 While ivory and ebony 
 
 Fling pomp and splendour from the room beyond. 
 
 But purer from the crystal charm 
 
 Of down-dropt waters tearfully, 
 Balcony, maid, and snowy arm 
 
 Reel in the brimming lucid skyeyly. 
 
 In billowy burst from forth the room, 
 Hark din, hark hum of mcrrimer.t,
 
 84 SAVED LEAVES. 
 
 With ring of laughter, flung like foam 
 
 On the summed wave of step, and tramp, and instru- 
 ment! 
 
 Ah, this must be a marriage feast ! 
 
 The bride shall be that lady fair 
 Who heeds it not, but dreams, I wist, 
 
 Rocked on a thought — away, far other where. 
 
 But ' Madeline ! ho, Madeline! 
 
 Come strike with us the glad guitar. 
 What, Madeline ! Ho Madeline ! 
 
 Hist maid ! Nor dream there tranced like a star.' 
 
 Crimson and croaking in his wine, 
 
 Thus calls the bluff sire from the hum. 
 On Madeline, his Madeline ; 
 
 And Madeline returns, ' I come, I come 1 ' 
 
 ' I come, I come ! ' lutes Madeline — 
 
 ' I come, I come ;' but dreams the more, 
 
 Heeding nor voice, nor tabourine, 
 
 Nor beat of timeful feet upon the floor. 
 
 But at the curtain's inner line, 
 
 A louring face, continually 
 Watches, with glances viperine, 
 
 The maiden and the water jealously. 
 
 A ragged beard that fain must thank 
 
 Some eleemosynary moles ; 
 The figure of a mountebank ; 
 
 Pufi"-breath'd, snag-toothed, loose-legged, with shuffle 
 soles : 
 
 'Tis Gobbo of the money bags. 
 
 Who sneered he'd buy himself a wife ; 
 He eyes each gondola that lags — 
 
 But she sees not — he, cruel, grasps his knife. 
 
 Now Sol, into the west back-strode, 
 As fronting foemen royally
 
 VENETIAN MADELINE. 85 
 
 Tramples the crimson-stain(fd cloud 
 
 With glance of golden-crowned mockery. 
 
 His glove, his jewelled glove seems flung, 
 
 Imperial, on the long canal, 
 Burning rich blazonries among, 
 
 That flicker up each sculpted pedestal. 
 
 Hark note, hark lilt of flageolet, 
 
 And swift from glory of the west, 
 See glide a mystic gondolet, 
 
 With long-haired gallant in his bravery drest. 
 
 For her, for her that gondolet, 
 
 For her, for her that stately knight ! 
 Her fingers clutch the parapet 
 
 In hope, in fear — and now — Ah, wild delight — 
 
 A foot on thwart, a hand on stone, 
 
 Her knight is in the balcony ; 
 One loving arm around her thrown. 
 
 He lifts her to the balustrade — Ah see ! 
 
 A snake has slid into his breast, 
 
 A knife ; he staggers — falls — No ! she 
 Already to the boat is passed : 
 
 With laughing rattle of his cuirass, he 
 
 Has seized the dwarf, seized the small man, 
 
 And pitched him to the surging line 
 Of guests — then leaped ! A partisan 
 
 Has pushed. ' Ah Madeline ! Oh Madeline ! ' 
 
 Shrieks, livid, in the balcony, 
 
 Her sire — shrieks wild, and tears his hair. 
 But fiercely, swiftly, to the sea 
 
 Hurries the boat. A ship receives the pair. 
 
 She shakes into the breeze her sails. 
 
 She daffs the waters in her might. 
 And long before pursuit avails. 
 
 Has disappeared in silence of the night.
 
 8fi SAVED LEAVES. 
 
 But they came back — came back to plead 
 With the bhiff sire, and gained his grace — 
 
 Nay, blessings on the very deed 
 
 Had seemed past pardon, and a fault in race. 
 
 And thus it was they fled, these two ; 
 
 But from them rose a noble line 
 Of gentle women, warriors true. 
 
 To voice and vaunt Venetian Madeline.* 
 
 THE NOVEL BLOWERS;t 
 
 OR, 
 
 HOT-PRESSED HEROES. 
 
 Long, irregular, unlicked juvenal ! shall we not laugh to 
 meet you on the street ; marching along with those majestic 
 strides ; listening so pleasedly to the manly tread of your 
 thin, loose limbs ; and, ever and anon, squaring the sym- 
 metrical shoulders, as you fancy to yourself the whispers of 
 the ladies about that haughty curl of lip, that audacious 
 devil's eye, that interesting bull-neck, those whipcord sinews, 
 that iron constitution, all bone and muscle, suffering no par- 
 ticle of fat, and capable of watching, fasting, all-endurance .'' 
 In decorous handkerchief shall we not smother our side- 
 stitching ecstasies, seeing you at church laden — though, to be 
 sine, bearing up beneath the burden bravely and modestly 
 enough — laden with the eyes of that fair damsel, a few pews 
 from you, who chances to be intently envying a better bonnet 
 than her own beyond you ? At theatre too, how are our 
 diaphragms convulsed, watching the modest fortitude where- 
 with you do possess yourself, while lovely ladies in a side- 
 box never take their eyes from you ; while beautiful girls in 
 the pit, seated in the seat before you, turn ever and anon to 
 look at you ; while even the fairy dancing-women, in their 
 
 * 1849 is the date of the best of this. 
 
 t From Doui^las JcrroliTs Magazine, for May 1845.
 
 THE NOVEL BLOWERS. 87 
 
 curt chemises, smile to you from behind the footlights, and 
 with one pretty linger beckon you to the side scenes ! But 
 oh ! to get you on shipboard — or rather on the deck of some 
 river-plying steamboat ! Is it not laughter for the very gods 
 — sport for great Jove himself— to see you there, pacing 
 heroically along and across, now larboard, now starboard, in 
 full expectance of some huge adventure ? But let us ' begin 
 with the beginning ! ' — 
 
 The quay is all alive with bustle, and not less the steamer 
 there, snarling through its pavonic throat. With bursting 
 cheeks, the boy at the stern twangs his brass trumpet. By 
 the gangway, from quay to paddlebox, stand the red-faced 
 captain, with his unspotted boots, and the short, round 
 steward in his pumps and trim blue jacket. Coals are wheel- 
 ing in ; luggage throwing down ; friends shaking hands with 
 friends ; porters wiping their oily brows, standing with 
 deferential hat before their purse-unbuttoning employers. 
 Excited new arrivals bustle, shifting their little traps now 
 here, now there, chatting vivaciously : people and articles 
 of all sorts weave with each other an inextricable web of 
 movement ; and, above all, the hot summer sun shines through 
 the city smoke. Groups of well-dressed persons throng the 
 after-deck : well-paunched, many-sealed citizens, with their 
 wives and families ; dandified eldest sons, already choosing 
 from the big cigar-case ; misses, just escaped from boarding- 
 school, adjusting into efficient focus veils, shawls, and pocket- 
 handkerchiefs ; little girls holding on by mama or papa ; 
 little boys with straw hats and nankin pelisses, stooping to 
 little lap-dogs ; larger boys twisting at the steering wheel. 
 
 The bell has sounded thrice ; and the eager voyagers are 
 even sick at heart with impatience for the start, which seems 
 as if it would never come. At length, a late arrival hurry- 
 ing on board, all perspiration, flushed face, and beating 
 heart, — the gangway is pushed off, lifting the load from 
 every breast. Boom — bounce ! goes the engine. Thereat 
 raising their heavy lids, and only half awake, the sulky 
 paddles plash— plash lazily. The vessel swims. Sailors 
 running with ropes, passing them from hand to hand round 
 rigging, now coil them dripping from the river. The stone 
 quay, with its line of faces— of hand-waving friends, of
 
 88 SAVED LEAVES. 
 
 grudging idlers, of rope-ribanded and ticl<et-starred porters 
 — glides from before you. On tramps the steamer. Away, 
 away ! past factories and dockyards — past mangy banks 
 with children shouting on them — past boys in skiffs, pulling 
 out eager to the waves — past slip-docks (there are men work- 
 ing on a hull ; you see the hammer fall — soundless — but 
 with an echo). On, on the steamer scours, between stone 
 embankments, here and there undermined, and irregularly 
 washed into the stream. Before her course the waters leave 
 dry their banks to glide beneath the graceful undulation that, 
 falling sidelong from the bows, leaps ever joyously ashore, 
 sparkling and splashing among the stones, like delirious 
 dogs bounding and barking before a carriage. The tawny 
 billows, boiling up from behind the paddle-shower, in double 
 row, divided by the swirling furrow of the keel, roll far be- 
 hind in gradual subsidence. The spray sparkles. The sun 
 shines warmly on gay parasols and gayer dresses. Already 
 are the articulations firmer, the cheeks fresher, the expand- 
 ing chest robuster, in the bracing air. 
 
 Away, away ! past green meadows with grazing steers, 
 and tree-escorted, many-windowed, gliding palaces ! Past 
 slow sailing vessels — the steamer-waves clashing against 
 their heavy sides, and leaving them to glitter in the sun ! 
 Past ferry-boats, with passengers in the stern-sheets, — the 
 ferryman lying back upon his oars, far, far, behind you in 
 the troubled waters ! Past a motionless fisherman ! Past 
 a solitary on-looker, floating from before you like a dream — 
 leaving you, indeed, to dream, wondering who he is — what 
 he is — where was he going ?^What were his thoughts?— 
 But, rubby-dub-dub-dub ! a townward steamer flashes on 
 you ; a host of faces gleam on you for an instant, and — are 
 lost for ever. Now grows the river double. Islands of sand 
 and waters on the bank speak of the tides : perches of wood 
 and dikes of stone point out the steamer-track. On the left, 
 rests a rich air on velvet lawns, and trees of royal tuft with 
 ducal towers among. On the right, gently to the shelving 
 mountain-ridge, rises the green upland, with hedge-divided 
 fields — and hamlets sleeping in the sun — and the long stacks 
 of factories shooting up— and solitary cottages — and church- 
 spires through the trees. The banks widen into shores with
 
 THE NOVEL BLOWERS. 89 
 
 far-masted seaports : the river grows a sea dotted with fleets. 
 But how ?— the steamer suddenly seems to have stood stock- 
 still ! Is it that she may gaze upon the opening glory ? 
 That mighty castellated rock, cloven a-top, with soldiers' 
 windows in the cleft, — standing out there, huge, solid, like a 
 lump of lead — a solitary frown upon the liquid smooth — 
 where the sea-gulls, with motion only of the lifting deep, 
 brood on its shadow— seems impassable : we make no way. 
 Far off, swoop graceful bays lined with white cottages. 
 That island-promontory, coming down divisively, with its 
 soft Italian hills, and lawny meads green to the very verge, 
 —dips not in the deep, but, gliding on it, floats luxurious. 
 Further on, those massy hills, brown, enormous bulks of one 
 aspect, come to the water's edge, and brood, sulky, like 
 sleepy lions ; while the silver water-ways, gleaming in their 
 foldings, far between, seem paths to happiness. The air 
 has a new relish in the nostrils. The paddles churn the 
 spell-drawn, clear green waves to hissing snow. Still shines 
 the sun. Ever at the prow, the golden-hoofdd steed, his 
 dazzling feet lifts sideways on the waters. Against the sky 
 of deepest blue, in snowy flocks, half-hiding it, loose clouds 
 are floating — but, our bold Juvenal, have we then forgot 
 him ? Nay ; not so. But ye, our brother bubble-blowers 
 — we mean, volume-blowers — blowers of three volumes — 
 ye can speak of the temptation to describe ; ye can declare 
 the economy and gain thereof?* 
 
 Well, our bold Juvenal ! — Ha ! already has he not formed 
 an eye-acquaintance with that sweet young maiden ? Most 
 beautiful she is ! She does not walk — she floats. There is 
 an aura round her. The smile of seraph and the hue mellow 
 her cheek. Amorous Juvenal ! how the heart wells up ! 
 What impulse is there not, lifting one soft arm round her 
 neck, with beaming eyes and liquid voice, to whisper woo- 
 ingly, Maiden ! Canst thou love .'' But no : he feels that 
 
 * What is sketched in the preceding is the sail down the Clyde, 
 as it was years ago, when the sea in face of Dumbarton Castle was 
 covered with gulls, and the slow steamers, emerging from the close 
 river-banks where they had appeared quick, seemed, on reaching 
 the open before the rock, — then apparently a lont,' way off, — to have 
 suddenly halted. ' Dtual ' is hyperbolical for lordly.
 
 90 SAVED LF.AVES. 
 
 overmuch ; yet see the battery of charms he opens on her ! 
 Those airs of hero-hood — that walk upon the deck, toes with 
 due divergence outwards, and outer edge of heel set down 
 accurately and firmly first— those bright eyes flashing on her 
 ever as he passes — surely, all is irresistible ! He mounts 
 the paddle-box. True, brave youth, your figure shows in 
 strong relief, and gallantly you front the blast : but, on that 
 high spot, blows not the breeze somewhat familiarly against 
 your pantaloons ? Ah! now he descends. He loiters round 
 the funnel, evidently making preparations for a renewed 
 assault. His courage is wound up ; he turns ; he mounts 
 the cjuarter-deck ; once more he stalks before the fair one, 
 having dexterously opened out his upper benjamin, and 
 folded down the collar gracefully, so that the trimmer form 
 within now shines from the divided hull victoriously upon her. 
 With a natural love to elevated places, he ascends by the 
 man at the wheel, and standing there, with folded arms, 
 looks out upon the waste of waters : so stood Napoleon 
 eager for the port of Frejus ; so stood Columbus anxious 
 for the land of prophecy. Now, brave Juvenal ! now is it 
 time to seat yourself, and, leaning o'er the bulwark, meditate, 
 like a rapt poet lost in rich reverie, 
 
 When a maiden whh a dulcimer 
 In a vision once he saw. 
 
 What ! start you up again ? Ah ! that picturesque pig-sty 
 on the other side has caught your pictorial vision. Heavens ! 
 what critical acumen, what itsthetic rapture, does not that 
 attitude embody ? Can she resist.'' Impossible I But list- 
 lessly back on the seat, against the gunwale, you sink again, 
 captivatingly drooping, from one resting elbow, the taper 
 wrist, and delicate, small, white hand. One manly thigh, 
 crossing the other, lifts into favourable light one exquisite, 
 neat foot — Confusion ! that juvenile laced-shoe has spoiled 
 it all. Has she observed it ? Ah, yes ! — she must. Is there 
 not a wicked smile upon her lip ! Heavens ! what shame — 
 chagrin ! You sit stupefied, fallen double, shrunk together 
 — ' as if gradually being scorched to tinder !' That gentle- 
 man pacing the deck so unconcernedly — with such a free, 
 spontaneous, voluntary movement — with such an air of un-
 
 THE NOVEL BLOWERS. * 91 
 
 conscious consciousness that all is well with him — you quail 
 
 and shrink beneath him. The trimly booted foot elastic 
 
 from the deck — the cut-away coat — the fancy vest — the 
 
 trousers without a crease — the double-pinned cravat — the 
 
 gloves — the whole gentlemanlike turn-out — the whiskers — 
 
 ^he confirmed symmetry — the thoroughly knit frame — the 
 
 whole manly figure of tall elegance : you are overpowered, 
 
 crushed, smothered ; you cannot breathe beneath him ! 
 
 Poor boy ! beside him, how can you rank in her eye — in 
 
 any eye — in your own .'' You are a weed — a blot. All but 
 
 you are well — and in their place — and happy. You alone 
 
 do bear a stamp — a curse that separates you from your 
 
 fellows. Cainlike, you are brow-marked — branded on the 
 
 front — 
 
 A fixed figure for the hand of Time 
 To point his slow, unmoving finger at. 
 
 Who will look on you with eyes of admiration ? Who will 
 \o\(tyoii? She? Will not she rather find her mistake out? 
 Will not she too come to see you as you are ? Could she 
 love you beside that man ? Why think of her at all ? Shall 
 you not bring but shame, mockery, and laughter on her 1 
 O, is there no hiding-place ? Cannot you flee away — away, 
 and change it all .'' The mortification ! The rage ! The 
 misery ! All has grown yellow — fuliginous. Sulphurous 
 clouds, steaming on you, block the sweet air. Fiends with 
 sneering glee point the finger at you. The bright world has 
 become a lurid hell. Down, down the bottomless gulf of 
 burning agony, of measureless despair, you sink precipitate, 
 a rushing universe howling and yelling after you. But 
 patience ! sweet Juvenal ! patience ! for 
 
 As high as we have mounted in delight, 
 In our dejection do we sink as low. 
 
 (And vice versa). 
 
 Your exaltation will yet arrive. Nay, even now, is it not 
 arriving.'' The lady fair has disappeared below; and the 
 man — the complete man — the gentleman — has gone forward 
 to regale upon a weed : you are left, for the present, free 
 from tormentors. You begin to breathe again. The stun 
 and stound are passing rapidly. Tips of horns already pro-
 
 92 SAVED LEAVES. 
 
 trude from the protecting shell. Your natural self-delight 
 reassumes its throne. The cramped midriff, reef after reef, 
 resolves itself into unconsciousness. The troubled waters of 
 your spirit sink into clearness. By and by, thoughts of the 
 maiden fair recur again. Even as you think, wax you not 
 valiant, bold — bolder and bolder ? What if you, too, should 
 go below ? Lightly you leap up. Having buttoned your 
 coat, and screwed yourself to the enterprise, you descend 
 the slippery steps ; you enter the cabin. Mirrors and maho- 
 gany, and peopled sofas, suddenly advance upon you, like 
 an armed man. Blushing, confused, stumbling over and 
 among the innumerable beams of all those eyes that burn 
 upon you, precipitately you make your way to the shelter of 
 a sofa. You seize a book ; you hide your panic in its pages. 
 Founded upon the rock of your sofa, masked by the curtain 
 of your book, how rapidly the empty chalice of your assur- 
 ance refills again ! The liquid even swells arrogant above 
 the brim ; and must needs run over. With what an air you 
 read, or seem to read ! What astonishment your brows 
 betoken ! What determined resolution sharpens your eyes 
 to penetrate — pierce through and through the very boards 
 and paper of the book ! What can match the energy of 
 that withering sneer — the deep damnation of that cool con- 
 tempt ? Ah ! at length, fortunate author ! lucky scribe ! 
 the imperial lip, condescending graciously, relaxes into a 
 most fascinating smile ; and the book, approvingly, is laid 
 aside. 
 
 Elegantly reclining on the sofa now, you fold your arms ; 
 and there, with hat drawn down upon your brows, pic- 
 turesquely covering up one flashing eye, you sit as on a 
 throne, watching all comers — • seeing them through and 
 through — picking out the very heart of their mysteries — 
 pronouncing unappealably upon them. A child may per- 
 ceive all this. How plain then must it not be to the young 
 lady, who certainly does look somewhat frequently upon 
 you? (Poor thing! how can she help it?) Ah victory! 
 victory ! Conquest fans his wings above your head. The 
 sweet young maid is yours — irredeemably yours — the captive 
 of your bow and spear ! But what has happened ? The 
 steamer stops. Has she arrived ? She has — the voyage is
 
 THE NOVEL BLOWERS. 93 
 
 accomplished. All rise and bustle to their traps. You con- 
 trive to close upon your captive — you almost touch her — your 
 breath is on her neck, fluttering the golden hairs. Her head 
 upturning, the glorious eyes swim up on yours — when a 
 vulgar little woman — a mere bundle of two bunches, corded 
 unequally in the midst, with a head sessile on the upper one 
 — whom, all this time, you had quite forgot to look upon as 
 your maternal parent — entering with a fussy, red face, accosts 
 you loudly and unceremoniously by the name of Peter, and, 
 urging you to haste, thrusts into your hand a vile parcel in 
 a cotton handkerchief, with a most villainous resemblance to 
 a weaver's web. O Mercury ! O Apollo ! Ye, whatever 
 powers that reign o'er fiction ! And has it come to this ? 
 Although with sorrow, what can we but laugh .? 
 
 Poor youth ! but yesternight — no further gone — you read, 
 entranced you read our latest fiction, — beginning with our 
 favourite sentence of stereotyped precedency : It was on one 
 
 of those days in the close of , that a lady and two 
 
 gentlemen might be observed pacing the deck of a steamer, 
 en route, &c. ; ' wherein, by the colour of your hair, the shape 
 of your leg, the manner of your gait, the expressure of your 
 eye, forehead, and complexion, you did find yourself most 
 feelingly personated ; ' you read ; and lo ! a golden vision 
 burst upon you, that paled not with the dawn. Inspired, 
 exalted, with proud heart of expectation, and loins girt for 
 the assured, glorious enterprise, you embarked ; you stood 
 upon the deck. Alas 1 poor youth ! Has, then, the vulgar 
 touch of hands profane thus thawed the magic wax — un- 
 bound the Daedal wings — and brought you like a clod to 
 earth, gasping and gaping.' Is then the gauze and glamour 
 of our sovereign phantasies thus torn and dissipated ; the 
 intoxication of our last new novel thus rudely shaken out of 
 you .'' For was it not we who made you reel those tipsy 
 steps upon the deck.' Was it not we who charged the 
 air till even Anny Macsnufify, the tobacconist's daughter, 
 loomed a heroine — a queen — an empress in disguise .' For, 
 indeed, is not our might magical — our power enchanting? 
 Consider ! 
 
 Who makes your lank hair flow in Hyacinthine locks — 
 Antinoiis-like ringlets ? Who gives you short heels, arched
 
 94 SAVED LEAVES. 
 
 feet, brawny limbs, and well-turned ankles ? Who gives you 
 deep chests, square shoulders, and busliy eyel:)rows ? Who 
 gives you long eyelashes, blue-veined lids, mighty jaws, most 
 awful apples of Adam ? Who gives you huge thumbs, and 
 fleshy little fingers, indicating utter health and vast develop- 
 ment of muscle ? Who bestows on you that stately mien, 
 majestic carriage, high port, haughty gait, and noble bearing ? 
 Who enables your tailor, when you have just left him, after 
 a measuring, to tell such nice little stories about your well- 
 knit frame, and whole symmetrical proportions ? Who 
 makes drunk Danemen say, as erst they said of Coleridge, 
 ' Vat a noble brow ! Vat a milk-vite forehead ! Vat a god 
 you are ! ' Who {vide Byron) makes Pachas praise your 
 small ears and small hands, warrants of hero-hood, render- 
 ing all documents of blood, certificates of birth, useless, 
 unnecessary ? Who sends Bulwers to wanton in all similar 
 particulars, describing your proud, haughty, repulsive, most 
 mysterious, dark man, with sable curls, and folded arms, 
 leaning on pillars, back from the crowd in ball-rooms ? 
 Who sends Carlyles even to speak of the good laugh that 
 is in you, of your clear, penetrating eyes, imperial-swooping 
 nose of gross projection, Mahomet - like, spontaneous, 
 black-swelling veins upon the forehead? (O foppery of 
 Novelism ! what velvet cushions wilt thou not leave thy 
 slime upon !) 
 
 Yea, even as we wave the enchanting rod, the wonders 
 thicken. Who makes foundlings of you — ultimate inheritors 
 of rank? Who steals you from your own disconsolate, high- 
 born parents ? Who changes you at nurse ? Who trans- 
 forms for you that plain, common - place, pimply-faced 
 individual, generally known as Peter Smith and your 
 father ; who, though manifestly practising there the crafts 
 of penmanship and figuring to a sugar merchant, and 
 plainly and sensibly enough living on bread and beer, 
 meat and potatoes, and other the like every-day edibles 
 — is yet, in very truth, a very mysterious personage, pos- 
 sessed, no doubt, of many valuable and singular gold orna- 
 ments, with some of the finest baby-linen in the world — ail 
 of which, together with the three notable moles on your left 
 hip, are yet happily to restore you to your natural dukedom?
 
 THE NOVEL BLOWERS. 95 
 
 Who secures you charms of invisibihty, whereby you can 
 enter theatres at will, and pay no doit of entrance-money ? 
 Who gives you prizes in lotteries — fortunes at gaming-tables 
 — treasure-trove — the basis and foundation-stone of such 
 glories and happiness ; white-walled palaces with gleam- 
 ing windows, hung o'er waters, with velvet lawns aslant and 
 tufted trees above — blood-horses — yachts to cruise about the 
 Mediterranean in — a wine-cellar with probably five hundred 
 dozen of Sherry, as many of Madeira, two hundred of Port, 
 a sprinkling of Claret and Champagne, not without Burgundy 
 and old Rhenish, fifty gallons the best Glenlivat, twenty-five 
 of Cognac, a little good gin (Hollands), some Rum, several 
 dozens of Prestonpans Ale, and hogsheads of London triple 
 X ! Who floats you in a gondola at Venice, amid music, 
 and moonlight, with glowing dames to flirt with ? Who 
 enables you to make jealous the husbands of all Spain ? 
 Who trains you up, like Byron (who, by the bye, seems to 
 be the grand bean ideal of such as you), the skilfulest in 
 all the earth at small-sword, broad-sword, cudgel-play, 
 the best shot, and even the knowingest of boxers ? Then 
 again (still stimulated by us) have you not written the 
 best tragedy, the best comedy, the best farce, the best 
 melo-drama, the best song, epic poem, didactic poem, the 
 best tale, novel, and romance, the finest essay, sermon, 
 criticism, treatise, history, and leading article ? Are you 
 not the best painter, sculptor, naval admiral, horse-and-foot 
 general ? 
 
 Well : and who enables you to go through all these ad- 
 mirable businesses ? Who gives you everything you can 
 ask for — lubber-lands and Castles of Indolence of all de- 
 scriptions ? Who pampers and feeds fat all passions, prides, 
 and vanities that live within you — in most of you, to the 
 utter death of all else nobler— which, even in the highest, 
 mightiest of the earth, are well nigh strangling and suflbcat- 
 ing aught diviner growth — intellect, inspiration, mysterious 
 heavings (as to the moon, a wave), mysterious heavings 
 towards God ? 
 
 Ah, yes ! Society reels tipsily beneath our influence ; 
 youth steeps in an enervating, disintegrating bath of novcl- 
 ism : and petty vanity, fostered in our guano-compost.
 
 9G SAVED LEAVES. 
 
 driven by our artificial, hot-house heat, has every puniest 
 larva quickened to a caterpillar, till the very air is darkened 
 by a pestilential cloud of butterflies, and heaven is hid. 
 
 BELSHAZZAR'S FEAST. 
 
 Belshazzar, the king, makes a feast to-night. 
 
 The windows are flashing their floods of light 
 
 On the dazzled eye 
 
 Of the passer by. 
 
 Who pauses a moment to list the sound 
 
 Of music, and mirth, and jollity. 
 
 How the casements shake to the dancer's bound, 
 
 And the roof laughs out in joy and glee ! 
 
 Belshazzar is tired of the dance at last. 
 
 With a king's command, 
 
 He waveth his hand : 
 
 The dancers are still at his lordly will. 
 
 And silky-foot slaves have brought the repast. 
 
 Self-asserting lords of sword 
 
 And wine-cup, 
 
 Warm dames with flushing cheek and flashing eye, 
 
 Talking, laughing, 
 
 Eating, quafiing, 
 
 Pledge each other, 
 
 Feast together, 
 
 In freest license unrestrained. 
 
 Bravely the lords their liquor drink up, 
 
 Nor do the coyest dames the same deny, 
 
 But gaily strike upon the board 
 
 The flagon drained. 
 
 All indiscriminately are mingled. 
 
 No one from the rest is singled, 
 
 But the king, 
 
 High, upraised upon his seat,
 
 belshazzar's feast. 97 
 
 1 
 
 While at his feet, 
 
 There sit 
 
 His wives with jewels glittering. 
 
 O much Belshazzar loves the feast, 
 And much he loves the wine, 
 But, more than all, he loveth best 
 His peerless concubine. 
 
 And which is she .'' 
 
 — Nay, nay, — I see ! 
 
 Her arms the king embrace. 
 
 How passing fair ! 
 
 Not one is there, 
 
 Who may compare 
 
 With her in loveliness ! 
 
 And see ! 
 
 He turns to look upon the face 
 
 Of her, the beautiful and fair. 
 
 Who kneeling, leaning, clinging there. 
 
 In heart-encompassing embrace, 
 
 Empties upon her lord her bosom's treasure. 
 
 O beautiful as a dream is she I 
 
 The dance-flush blending with the white, 
 
 In soft-uniting radiance. 
 
 Glows crimson on her cheeks ; 
 
 Her jewelled bosom seeks. 
 
 Up-panting from its drapery. 
 
 To pour upon his sight 
 
 Its twain smooth lovelinesses, 
 
 With velvet glade between. 
 
 While odour with mystic influence, 
 
 Floats from her disordered tresses. 
 
 From forth her gorgeous garments disarrayed 
 In loose, voluptuous abandonment. 
 Her marble ankle, gold-enchained. 
 And delicate foot are seen, 
 With dainty, shapely, added toen. 
 Interspaced with purple sheen, 
 
 G
 
 98 SAVED LEAVES. 
 
 While the sandal strayed, 
 Which left it bare, 
 Glitters on the golden stair 
 Of the rich-enrobdd throne. 
 
 Glowing ! 
 
 Beautiful without measure, 
 
 Vivid daughter of the East, 
 
 Passion-raising queen of weirdest pleasure, 
 
 Will the mighty king resist ? 
 
 He! 
 
 Ha, already, 
 
 Is not the liquid mantle flowing. 
 
 Nearer, nearer, closer-clasping, 
 
 Round him overwhelmingly ? 
 
 Is not wheeling his unsteady 
 
 Brain in irresistible emotion's eddy ? 
 
 Till see ! 
 
 Her soft arm grasping. 
 
 He 
 
 ' Health to the king Belshazzar, 
 Health to the king Belshazzar, 
 Health to the king Belshazzar ! ' 
 From a thousand throats is roared, 
 And a thousand drained cups 
 Clash on the banquet board ; 
 Then stops 
 The mad din. 
 The while they grin. 
 Belshazzar glares : 
 Gods ! could a stamp 
 Annihilate, enswamp, 
 These jeering wassailers ! 
 
 But again, and yet again. 
 Half-sure, they bawl amain, 
 ' Health to the king Belshazzar, 
 Health to the king Belshazzar, 
 Health to the king Belshazzar ! ' 
 Till he
 
 belshazzar's feast. 99 
 
 Has smiled. 
 
 Then they, 
 
 All wild, 
 
 Smite the charged tables till the roar 
 
 Rings in the rafters, reels along the floor. 
 
 With haughty grace he rises, king. 
 
 His state in every lineament. 
 
 With haste they hush their mirth. 
 
 To hear him speak, 
 
 The master of the earth, 
 
 Whose black brows lowering. 
 
 With streak 
 
 Of flush upon the cheek, 
 
 Betray the discontent, 
 
 The half-hid temper insolent. 
 
 With left arm still caressing her, 
 
 Whose arms round him entwine, 
 
 With right he lifts his goblet up, 
 
 And sips, 
 
 Just stains in the dark wine 
 
 His lips. 
 
 Then proud, 
 
 While silence wraps the hall. 
 
 And rythmical, 
 
 Thus speaks he with a nod : — 
 
 ' Chaldeans, men of Babylon, 
 
 Topers without a paragon, 
 
 Our wine is good, and fair each cup, 
 
 And the wine it is sweet in the cups that are here, 
 
 But the wine will be better. 
 
 And its taste will be sweeter, 
 
 If we drink from the vessels of silver and gold, 
 
 That the sword and the spear 
 
 Of our warriors bold 
 
 Took from the Hebrew God ' 
 
 « « * • » 
 
 And in that hour, the fingers of a hand 
 Came forth, and wrote upon the wall
 
 100 SAVED LEAVES, 
 
 Over against the king. He saw it — wan'd ; 
 And with a sudden fall, 
 
 The cold blood left him, and his weak knees smote 
 Each other as, passively pointing still, 
 He gasped. Then horror's awful thrill 
 Congealed the hearts of all, in that dread spot, 
 Who followed the king's eye, and shivering, chill, 
 Saw the weird hand, but knew not what it wrote. 
 
 Then hoarsely he bade call his cunning men. 
 
 Soothsayer, astrologer, they came. In vain ! 
 
 Daniel alone, the prophet, captive Jew, 
 
 Could to the king Jehovah's sign construe. 
 
 Belshazzar then bethought him of the God 
 
 Whom he had braved, and knew but things of fraud 
 
 His idols, silver, and of gold, brass, wood. 
 
 He bowed. In ashes he repented him. 
 
 — Too late ! That very night Darius grim 
 
 Slew him. The Medish clarion 
 
 Blew over Babylon. 
 
 The silver idols, or of wood, brass, stone, 
 
 Were naught. God willed it. Ahriman had M-on.* 
 
 THE TALE OF AIHAI.f 
 
 In one of the cities of the plain dwelt Aihai, the son ot 
 Wosmi. And he was but a lad, and tender in his growth : 
 nevertheless he was older than his years, and riper than his 
 growth ; for he was eager in his soul and like unto a flame 
 in thinking. And, in the speed of his spirit, he undervalued 
 
 * I find on the old brown MS. of this piece, with formality of 
 signature and note of place, the following memorandum : — ' Finished 
 thus May 26, 1841, though some of it was written three years ago.' 
 
 t Though published in 185 1 (John Chapman, London), this Tale 
 was really a product of boyhood (17), as were Alcrla, Belshazzar, 
 and others.
 
 THE TALE OF AIHAI. 101 
 
 himself; setting at nought the things that were his, but 
 putting beyond all price the things that were not his : and 
 he longed with a great longing ; and his soul was a want. 
 And he feared the eyes of men, and shrank from them ; and 
 slunk through the streets of the city. For in the crowd of 
 careless passengers, glittering with ornament, graceful in 
 raiment, assured in movement, he felt himself an alien. Ah ! 
 he was not as one of them ! He was not clothed as they : 
 he could not move, walk, talk as they. He was not made 
 as they : how firm they seemed ! how easy in themselves ! 
 how at home with others ! And he cried in bitterness, that 
 he was but an owl, — a dazzled owl overtaken by the day- 
 light ; — a toad upon the palace-marble, unsightly in the 
 sunshine ! For the young men and the maidens looked 
 askance upon him, questioning his presence coldly and 
 with contempt. 
 
 And so it was that, shuddering and shrinking as from a 
 sneerer by his ear, the youth would flee, with heart a-wild 
 for refuge. 
 
 Now, it so happened that Aihai stood, one evening, afar 
 off, and looked upon the city ; and he was alone and very 
 lonely ; and his soul was bitter. The glebe lay ruddy in the 
 westering sun ; and over it the monuments of heroes flung 
 their long shadows to the east ; and the elders soberly com- 
 muned together ; and the children were at play ; and the 
 labourers crossed hastily homewards ; and the young men 
 walked with the maidens : and on the skirts of all, the gold 
 of evening hung. But Aihai stood apart as one that had 
 lost his heritage and was disowned of his kin. And he saw 
 the city, and the smoke go up from the many, many houses 
 — homes they were — ah ! and amid them all was there none 
 for him ? Why was not he too something ? Why was not 
 he too, like the rest, pleased in himself, happy in his place ? 
 So over the youth the firmament lowered ; and his face 
 darkened ; and he fled. But, after a while, he sat him down 
 — on a green slope, tree-plumed, that took the champaign in, 
 he sat him down, and wept. And, when he had wept, he 
 lifted up his eyes, and cried : ' Ai, ai ! I am but as a dwarf, 
 and misbegotten ; and I cannot sit among the men !' And 
 again he cried, saying, * Father, Father ! make it otherwise
 
 102 SAVED LEAVES. 
 
 with me ! Father, Father ! make it otherwise !' And he 
 trembled, and was afraid ; for he wist not if he did right or 
 no. But, when he had made an end of speals;ing, behold ! 
 a wind came, and the earth shook, and lie fell upon his 
 face. And he heard a voice that spake as from the meeting 
 of the winds : a7id he knew that his wish was gii'cii him. 
 And he was astonished, not moving from the spot ; but, 
 after a while, he arose, and returned to his own home. 
 
 And Aihai, in the morning, got up fearful : but, behold ! 
 in his stature he had grown ; and he was glad in heart ; 
 and went forth in merriment. And, all day long, he strode 
 about the streets, exulting ; he overlooked this thing, and he 
 measured himself by that. He followed his shadow in the 
 sun ; and he delighted himself by the water course. He 
 babbled to himself : and told himself little stories of himself. 
 His stature, which, in the language of men, was now as 
 five feet and four inches, was a good stature, he said, — a 
 sufficient stature ; and the men of that stature were squat 
 and square and brawny, with abundant muscle, not despic- 
 able of their fellows. 
 
 But evening came ; and shadows fell ; and it was not well 
 with him, even as it had seemed to be. What was his 
 stature, then, that he should be proud of it 1 or his strength 
 that he should rejoice in it.'' Not as the tall man was he ; 
 not as the strong. His height was not even as that of the 
 middle ; his height was not even as that of the most. And 
 he grew bitter as of old ; and cursed himself; and said that 
 he should be as a dwarf continually. And he wished that he 
 were only as the most — only as they that are named of the 
 average. 
 
 And Aihai arose in the morning and stood up ; and be- 
 hold ! he had waxed in his sleep ; and his stature was as 
 the stature of the most. And his heart was glad ; and he 
 was light, elastic, nimble as the very air. O, it was a good 
 height — an excellent height ! the height of such a one and 
 such a one, and a whole host of those renowned in the books ! 
 A good height ! an excellent height ! There was spring in 
 it ; there was breath in it. And he went upon the streets ; 
 and he stood by this one, and he stood by that one ; and he 
 was pleased to find so many no taller than himself.
 
 THE TALE OF AIHAI. 103 
 
 And he entered the field by the city, where the youths did 
 wrestle. And he stood up, and wrestled, and overthrew his 
 opposite, — even Hit, the son of Cush, the same that, in 
 times past, had been mightier than Aihai, and had over- 
 thrown and baffled him. But, lo ! there came a stronger 
 than Hit, and overthrew Aihai. And Aihai was foiled ; 
 and he went home in bitterness. What was his strength 
 that he should rejoice in it .'* or his stature that he should 
 be glad .'' He was not even as they that did hold the middle 
 place- He was but as the herd, — but as the common ones ; 
 but as they that sat at the trades, and as they that put on 
 smiles in the shops. His stature to-day was worse than 
 that of yesterday. Muscle and squareness were in that : 
 but in this, neither. All insignificant men were they that 
 were named of the average. And, in his mind, he saw them, 
 of a feast-day, in their ill-fitting holiday apparel, how limp 
 they were, and weak, and good for nothing ! And he was 
 ve.xed to look as they looked. It had been better had he 
 remained as yesterday — No ! — but he was not tall enough, 
 not strong enough : he was miserable. 
 
 Again Aihai stood up in the morning ; and his height 
 was increased ; and his stature was as the stature of the 
 middle. And he was pleased. At last he was a man, and 
 of the stature of a man, and none could jostle him. And 
 he arose, and went out, and walked in the streets, and pos- 
 sessed his soul in happiness. He was a right-sized man ; 
 he was firm, compact, muscular — a match for any, or a 
 match for all. 
 
 But, when he had walked a while, he heard laughter and 
 the voices of the gay behind him ; and he cowered in heart 
 and fell into himself, trembling, burning, longing to escape. 
 But the glad wave of high gallants and rich ladies, over- 
 taking, overswept him ; and, bubbling, churming, in bravery 
 and laughter, joyously swept on — out to the great sea of 
 happiness ; leaving him behind, like a weed stranded. 
 
 Then Aihai, for a space, walked as one that walkcth in a 
 swoon, the whicli resolves itself at length into misery and 
 tears. What was he to tlicm } Were they not all tall and 
 fashioned beautifully } Ah no ! he was not as other men. 
 There was a ban against him : he was not tall enough ; he
 
 101 SAVED LEAVES. 
 
 was not strong enough. He would flee away — away to far 
 lands. He would make himself a chief in the tents of the 
 stranger. He would return — he would return with ten 
 thousand glittering spearmen and ride upon his enemies. 
 
 Thus Aihai walked in dream of bitterness. The middle 
 stature .'' Yes : but that was not tall. And why (if any) 
 should not he be tall 'i Why should not men have it to 
 say of him that he was strong and tall and handsome, full 
 of beauty, manly and brave ? So his mouth was filled with 
 discontent, and he lay down in gall. 
 
 And Aihai, in the morning, when he awoke, was still sad, 
 and his heart was heavy ; and he arose not, but lying, 
 languished. And he thought to himself, where were the 
 promises of childhood — the beautiful things that boyhood 
 babbled of — the young ideal it forethrew of manhood } Ah, 
 I was beautiful then, he cried ; forehead, eyes, and wavy 
 mouth made me of a glaring and unescapable beauty. So 
 fondly as I deemed myself foredoomed to herohood — pre- 
 destinate to godship — yea, even to the godship of grace, 
 love, strength, and beauty. But see ! I am not as a man — 
 as a babe only, a deserted babe. My mother's bosom is too 
 rough for me ; her milk is bitter. My brothers are too 
 strong ; their games too rude. The wheels of this huge 
 universe clank too loudly in mine ears : I flee — I flee in 
 fear. I was not made for men : I was not made for earth ! 
 
 But when Aihai arose, behold ! his grief was turned to 
 joy ; and his complaints to merriment ; for, of a verity, again 
 he had grown ; and his stature was as the stature of five feet 
 and ten inches, well-knit, elastic, powerful. And Aihai cried 
 aloud in the greatness of his joy, and shouted out that his 
 height was the height of heights — a man's height — the height 
 of strength and activity, grace and swiftness ! 
 
 So Aihai would show himself to the maid he loved : he 
 would walk abroad with her ; he would enjoy her happiness ; 
 he would enjoy her pride. 
 
 And the twain went forth ; and both were happy : for 
 Aihai had power in every fibre and grace in every turn. As 
 they strolled on and on, a troop of the King's body-guard 
 encountered them ; and they were drunken and agog for 
 mischief; and they addressed the lovers, and the damsel in
 
 THE TALE OF AIHAI. 105 
 
 especial, coarsely and aloud. Aihai had felt himself, on 
 their approach, dwarfed : what was he to them ? what could 
 he against such gigantic weight, such grand proportions? 
 He felt rebuked by them ; he cowered under them ; in 
 thought he truckled to them. But, now, as one insolent 
 dared touch, dared seek to kiss the maid, indignation shook 
 him like a reed — with one blow he felled the ruffian, and 
 stood above him, mighty. 
 
 But what was one to ten ? 
 
 Baffled and foiled, in his chamber Aihai sat in tears and 
 misery. He was not strong enough. It did not suit that 
 men should elbow him. He should be able to stand his 
 ground with man or men : he should be inferior to none of 
 them. O, it did not suit that any man should master him ! 
 How could she love him ? He must be able to defend her 
 against the world. The first of his kind he must be, or else 
 he was worthless to her. 
 
 But Aihai slept, and was comforted, and arose, and behold ! 
 as he stood up, he was six feet high. And he leaped up, and 
 he shouted, Ha ! I am strong, strong ! with my fist I can fell 
 ye ; with my foot I can spurn ye ! 
 
 But the frame of Aihai ceased not yet awhile from grow- 
 ing ; and he was very great and very strong, and more than 
 six feet in his stature. And he sought his foes ; and, one by 
 one, he conquered them ; till the wrath of years was emptied ; 
 and a thousand petty taunts avenged : and the thunder had 
 spent itself; and the air was purged of its fire ; and Aihai, 
 at length, possessed his soul untroubled. The world was at 
 last his own. He would go home ; and with father and with 
 mother and with sister and with brother, he would sit down 
 in peace ;— to live and love resolved for ever. 
 
 And Aihai with sweet looks entered into the dwelling of 
 his kindred ; and the dog from the hearth arose and fawned 
 on him ; but silent, motionless as the grave, was the whole 
 household else. And Aihai sickened in his heart ; but he 
 sat him down, and looked at them. Sullen were they all ; 
 and neither looked nor spoke to him. His mother was out 
 of temper : the household demands of his great bulk had 
 wearied her : yet had she been very proud of him. His 
 brothers looked sourly at him : he overshadowed them ; he
 
 106 SAVED LEAVES. 
 
 ate more than his own share of the pottage ; he took up 
 more than his own room in the bed. His father sat sulky 
 with a red eye, casting up the cost of him. 
 
 Then Aihai was troubled in his soul, and, rising up, left 
 them. With a swoln heart he passed into the street. The 
 neighbours greeted him — in mockery he thought. And 
 wretched jokes were screamed to him from corners, and 
 the jeering question, ' When did he intend to stop growing ? ' 
 But Aihai heeded them not : for he was great. 
 
 So mile after mile strode Aihai onwards, neither know- 
 ing of his speed, nor of the ground he trode on. Mile after 
 mile : nor stop, nor pause : still onward, onward ! mile after 
 mile, till, suddenly, with a roar, the waves, those shaggy 
 watch-dogs of the sea, uprose and leaped at him. Then 
 Aihai paused ; and looked afar upon the waters : and be- 
 hold ! a great ship floated on the swell ; and the voices 
 of the mariners that did raise the anchor came cheerily 
 to the land. 
 
 Then swift thoughts filled the heart of Aihai ; and he said 
 to himself that he too would go forth with them to the far 
 lands where the diamond was, and the ruby and the pearl 
 and gold and ivory and things of price. His arm was 
 
 strong, he would and he would return ! So Aihai 
 
 hailed the ship ; and a boat came off for him ; and he was 
 taken on board. And his strength pleased the captain ; and 
 he was received into the number of the crew. 
 
 And many days the good ship journied over the waste of 
 waters ; and she encountered many storms. But Aihai was 
 very strong ; and his heart was very bold ; and he did great 
 things for the good ship and the captain and his crew, and 
 the lives of all. 
 
 And many days dwelt Aihai with the stranger; and he 
 was mighty in war, and overcame great princes. But it 
 came to pass that, in the fulness of time, Aihai sickened, 
 and longed for his own land, and his own home. And he 
 took ship ; and left the stranger ; and behold ! he had 
 waxed exceedingly ; and he stood now like a giant. And 
 the great ship grew to him as a place of torture. The mast 
 bent and crackled as he scaled it. The shrouds burst be- 
 neath his feet. The spars rent and the ropes tore asunder
 
 THE TALE OF AIHAI. 107 
 
 in his hands : and the sides of the ship were become un- 
 known to him. Like a perpetual sentinel, he strode along 
 the deck ; and all weathers were alike to him. The mari- 
 ners, as they heard his step above their heads, grew white 
 and trembled, for the great ship shook beneath it. Strange 
 whispers grew among them : ' Was he a man, then ? or what 
 was he ? ' 
 
 And they were still far from land ; and they saw that 
 their stores were rapidly diminishing. And they thought 
 to themselves what were they to do with this great monster 
 that grew daily taller and taller and larger and larger ? So 
 they planned plots ; and they shot arrows from their bows 
 against him. But the steel fell broken on the deck ; and 
 the conspirators, caught up, each by the nape of the neck, 
 were pitched a furlong far into the sea. 
 
 Then the rest hid themselves in the sides of the ship ; nor 
 would bring food to Aihai. But Aihai laughed ; and struck 
 his heel into the deck ; and tore the boards up ; and seized 
 upon the stores, and ate and drank and filled himself 
 
 So the great ship drifted on as if deserted ; and every 
 rope and sail remained as they had been put ; and only the 
 great shadow of Aihai fell far upon the sea. But, after a 
 time, the mariners were a-hungered ; and they crawled to 
 the feet of Aihai, and supplicated food. And Aihai gave 
 them food ; and they were filled ; and they went up upon 
 the mast, and tended the sails as they had used to do. 
 
 And Aihai cared in truth but little for his life ; neverthe- 
 less, he was well pleased when the great ship floated to the 
 walls of the well-known harbour. And Aihai left the ship 
 and stood upon the beach ; and he wist not vi'hat to do ; 
 for there could be no home for him. So with great strides 
 he strode up and down on the shore ; and his shadow that 
 moved along the sea, and his footprints in the sand, were 
 wonderful to behold. 
 
 But it so happened that the King heard of him ; and he 
 sent messengers to him there where he strode along the sea ; 
 and coinmanded him to come before him. So Aihai stood 
 before the King and his whole Court ; and they were amazed. 
 And liie king clothed liini ; and put a great sword into his 
 hand ; and set hinn before his gate to guard it. And the
 
 108 SAVED LEAVES. 
 
 people flocked to see him ; and every tongue spoke of him ; 
 and lie was a marvel throughout the land. 
 
 And the people murmured, and they said : ' We labour 
 and we toil, and behold ! we starve and our children starve ; 
 and hardly can we find the wherewithal to clothe the back 
 and fill the belly of the King's great bodyguard.' And like 
 the small birds in the shadow of the eagle's wings they lived ; 
 and they crept abroad in terror : for the bulk of Aihai 
 gloomed upon the city. And the King and his whole Court 
 hated him, and would have killed him speedily, but that 
 they feared him. 
 
 Then Aihai saw their thoughts ; and he arose in bitter- 
 ness and cried : ' My stomach, it is mocked with crumbs ; and 
 my palate, it is cheated with thimbles. I will go forth to the 
 wilderness. I will lay me down with the beasts of the field, 
 and with the wild beasts of the forest.' 
 
 And he went forth. A mighty shape, he trode the im- 
 penetrable forests ; and they crashed before him. He 
 wanted not for food ; for his feet were swift and his hands 
 were strong. Raw, uncooked, he ate it ; and he was de- 
 lirious with joy. He whooped to the eagle ; he raced with 
 the wild horse. He chased the elephant in wantonness ; 
 and sprang upon him with a shout ; and weighed him to the 
 ground, and the huge bulk stumbled powerless. The lion 
 growled and glared and made to spring on him ; and Aihai 
 also growled and glared, and mocked him, and took him by 
 the beard, and shook him. And the lion sprang ; but Aihai 
 caught him by the paws, and looked him in the face ; and 
 tossed him into the air ; and the carcass thudded on the 
 ground ; and brains and blood bespattered him. Then 
 Aihai laughed ; and fearful were the echoes from the empty 
 hills. And he plucked the oak, and tore its green head 
 piecemeal, and snapped its trunk upon his knee. He un- 
 fixed the rock, and flung it through the air. He bestrid the 
 lake : he leaped the valley. For he was wild. 
 
 And the sun, at length, stooped to the forest, and threw 
 his red eye through the trees ; while night, like a widow, 
 came and knelt upon the ground and wept. Then Aihai, on 
 the untrodden grass, stretched his vast bulk and slumbered. 
 And all night long, there were as wings and shapes about
 
 THE TALE OF AIHAI. 109 
 
 the sleeper with fearful whisperings and voice of woe. Yea 
 wo ! wo to the murmurer ! wo, wo for ever ! 
 
 But the sun arose, and, peeping into the eyes of Aihai, 
 stirred him. And Aihai stood up ; and lo ! he was taller 
 than the tallest of the mighty forest brood : their green 
 heads lay beneath him like a sea. Then Aihai was amazed, 
 and wandered to and fro in vacancy. But still with tenfold 
 speed he felt his huge frame grow and grow, up-rushing to 
 the heavens. In mid air he met the lark, that dropped in 
 terror. And the eagle rested on his head, nor knew that 
 there was life in him. 
 
 ' For ever shall I grow, for ever ! ' In panic of the sudden 
 thought, thus shouted Aihai ; and his shout was as a whirl- 
 wind that rent the hills and overwhelmed the valleys. Then 
 rushed the mighty bulk, like tempest, over earth, and from 
 the peak of Calpe leaped into the main. In vain ! Great 
 ocean, like a rivulet, but wets his feet ; and the clouds hang 
 as films upon his ankles. His foot is on the earth, as on the 
 cupola of a dome that dwindles, dwindles, leaving it. The 
 sole of his heel can find no resting place ! He falls ! See 
 him, the mighty log, falling for ever, falling, falling, falling 
 
 ' Ha ! 'tis but a dreain ! ' 
 
 On the green slope, tree-plumed, that took the champaign 
 in, the youth was sitting ; and night was over him, and the 
 unfathomable stars. And he arose : and, behold ! as he 
 stood up the veil was lifted ; and he saw the whole huge 
 universe lying in the hollow of God's hand. 
 
 That night, Aihai returned to his own home, fearless ! 
 
 ' 'Tis His,' he said, ' iiol viine.' 
 
 In the morning, he arose, smiling : he felt all men to be 
 his fellows ; and all men felt him to be theirs. 
 
 The dream is dreamed, the play is played : 
 O boy, O girl, O man, O wife ! 
 Even of such stuff the whole is made ; 
 And such the pageantry of life ! 
 
 'Tis thine — thine own — thine own to hold ; 
 Confront it ! be its joyous lord. 
 And bring, by step and station bold, 
 Tlic pliant world to accord
 
 110 SAVED LEAVES. 
 
 THE BALLAD OF MERLA. 
 
 [I SUPPOSE life, if it is ever life, is emphatically so to the hobblede- 
 hoy who is literary and a student. He, surely, yi^;v//rt///t,'r and eniin- 
 entcr — to sjieak like Descartes — lives. Ncno only it is that there is 
 for him nature. The veil is lifted from the universe, anil he sees it 
 before him golden. lie climbs the mountain, and has rapture in its 
 breath. He rushes to the sea, and wrapt in its vast monologue, 
 wanders delirious. Lake and river, rocks and trees and ilowers, 
 fountains that bubble up, the sun, the moon, the stars, clouds and 
 the firmament of blue — he sees them all for the first time : there is 
 a glamour in the very grass. Now it is, too, that his eyes fall upon 
 the maidens ; and they are all beautiful — white-browed, vermeil- 
 cheeked, golden-haired, goddesses. Nay, the very men are caught 
 up into the new glory : so strong they seem, — well-built, firm-knit, 
 and manly, so assured and self-possessed ! And books — poets ! 
 How he glows as he reads them, — how he treads as on billows of 
 bliss when alone with them, — how he raves with kindled eyes to his 
 fellows of them ! 
 
 Well now, it is such as he who, at the age of seventeen, shall 
 write the Ballad of Merla, and he shall read it then to his own little 
 band of brothers. Well, enthusiasm is the breath of their nostrils, 
 and they are all generous. Ah ! the young grass looks so fresh in 
 the dew of the morning, that they feel as he feels ; freshness is the 
 bursting word from all of them, — and they exultingly hail a deed 
 done, a work accomplished ! 
 
 That it is not. This ballad is no whole for the public. Yet, 
 carried, all these years, in one's girdle as it were, one is fain to 
 hope that, partially (but connectedly) exhibited as now, it may find 
 some kindly young reader here and there, with sympathy enough to 
 forgive the immaturity. 
 
 And now, here on the threshold, one cannot see draw near again 
 (' Jhr naht eiich luieder f) these once familiar 'n'gwxifi, {'' sliuKxiikende 
 Gestalten! ') without calling out like Goethe, — \i sic componere be at 
 all allowable : — 
 
 ' Ye come again, ye phantoms instJtbile ! 
 That long erewhile my troubled vision drew : 
 Ye press up still ! — well, good ! — then have your will.'] 
 
 INTRODUCTION. 
 
 Muse of the ballad-chant ! 
 
 What name is thine peculiarly ? 
 
 Not of the Nine thou seem'st thyself to vaunt : 
 
 Not lyred Melpomene, not staid Calliope !
 
 THE BALLAD OF MERLA. Ill 
 
 Small loss ! words may not bring 
 Thee from thy primal mountain-haunt, 
 With presence down and privilege to sing, 
 If he who calls the fit-receiving spirit want. 
 
 But not in vain he calls, 
 Whom the strong Fates such soul assign ; 
 Joy, lifting at his heart, earth-tumult quells, 
 And limpid light serene glows in his eyes divine. 
 
 Muse, simple, sylvan, lone ! 
 
 Me have thy votaries made glad. 
 
 Me filled with wish of like inspired tone, 
 
 But I no fit-receiving spirit may have had. 
 
 True theme for thee I've found, 
 
 With numbers soote to drapery. 
 
 To hang thy rich, angelic breath around, 
 
 And odorous make with fragrance of divinity. 
 
 True theme I have, theme such 
 
 As erst were those of thy inspiring. 
 
 The huge Sea-Kraken, hugest of the huge, 
 
 Huger than huge Leviathan, all ocean stirring. 
 
 I link with him, as well, 
 
 The tale of gentle lovers twain : 
 
 The past, the present, and the future tale 
 
 Of love by hard sire crossed, and all, by right, in vain. 
 
 No mortal mould below 
 
 To bind true love has warranty : 
 
 Canute may stay the tide, and Xerxes throw 
 
 The Hellespont in bonds, but love — love will be free I 
 
 Then, simple maid, consent 
 
 To drive from me, from me, afar, 
 
 New flippant, facile trippancies, but grant 
 
 Thy chastened fire, thy subdued tones oracular ! 
 
 Let thine own breath be mine ! 
 
 Me, and my first approaches, meet 
 
 With favour and strong influence divine 
 
 To lift me from the herd, and lay me by thy feet !
 
 112 SAVED LEAVES. 
 
 PART J. 
 
 Autumnal morn ! Within the fog, 
 
 The path shows white across the lea ; 
 
 The hoar-frost furs the fallen log, 
 
 Breathes on the stile, and silvers every tree, 
 
 Saving, perchance, some great pine tall, 
 Whom, mighty, in a plaiting pliant, 
 From root to twig, green ivy shall 
 Wrap, as the ringdd armour wraps a giant. 
 
 The sun, sole alchemist, transmutes 
 
 To gold, the silver of the dawn ; 
 
 The smitten path-way swiftly shoots. 
 
 Kindling and blackening, o'er the smoking lawn. 
 
 The meadows struggle into green, 
 
 And open, steaming, to the air. 
 
 With glimpse of blurrdd roof dim-seen, 
 
 And molten gleam of water here and there. 
 
 Eastward, the illuminated mist. 
 That drinks the glory of the sun. 
 Is loud with quick-voiced, eagerest 
 Lark, whose new glee is never to be done. 
 
 The crow croaks cheery overhead : 
 While the blithe cock's first lusty cheer. 
 From cot but half awakendd. 
 Falls, like new health, all caller on the ear. 
 
 So caller is the breath of morn, 
 So caller is the meadow wet, 
 So caller is the tinkle borne 
 From run of field-dividing runnelet ! 
 
 [From the introduction, we infer that what is before us is a ballad ; 
 and we expect, by consequence, if with something of chivalry and 
 romance, still, in the main, simplicity, homeliness, and, as it were,
 
 THE BALLAD OF MERLA. 113 
 
 old-world naivete. Our imagination is roused, moreover, to what is 
 legendary, by mention of the Kraken, which we dimly picture to 
 ourselves as something of unusually grisly terror. A sea-monster 
 of half a league in compass, with vast horns that, as Scott says, 
 ' welk and wave ' incessantly, it draws into its myriad clammy 
 feelers, by the mere suction of its own sinking, whatever may be 
 found floating within miles of the boiling vortex it sets up over it. 
 Certainly a monster ! And certainly also, it has been the fashion to 
 regard this monster as Init a creature of phantasy, conjured up out 
 of some mere mist, or whale, or shoal of dolphins, or one or other of 
 the two last looming through the first. It is not alien here, how- 
 ever, as will be easily understood, to remark that something may be 
 said on the other side. The description namely, which we have just 
 seen, is to be found in the A'anocgian A'atiiral History of Pontop- 
 pidan, and there is a certain weight in this. To explain, — there are 
 two Pontoppidans, for example, both Erics, and both bishops, the 
 one having been Bishop of Drontheim, and the other of Bergen. 
 Both of these celebrated men — and they were celebrated — were 
 authors, and of works still in repute ; but it is the younger who is 
 incomparably the greater and the more valuable. He it is who is 
 the author of the Xatttral Histoiij named. He wrote, also, a multi- 
 tude of other works, as, Annalcs Ecclcsiic Daithc, Marmora Datiica, 
 Gesta ct Vestigia Dationun extra Daniam, Origines Hafinenses, 
 Danskc Atlas, Glossariiim Norvagictcm. These works, all folios or 
 quartos, are described as composed with the 'greatest diligence,' as, 
 in some cases, holding the rank of ' original sources,' and, in others, 
 that of ' indispensable ' collections, as having ' enriched ' historical 
 knowledge, not only nationally, but also universally, as 'not un- 
 important contributions ' to philosophy, etc. Pontoppidan himself 
 is spoken of as 'a scholar of the first rank,' a man of 'thoroughly 
 comprehensive learning,' who, moreover, had completed his educa- 
 tion by extensive travels and by intercourse with celebrated literati. 
 The positions he occupied confirm the testimony : he was, succes- 
 sively. Court Preacher, Professor of Theology, Bishop, and (lastly) 
 Chancellor of the University of Copenhagen. It is scarcely possible 
 to doubt such a man as this. But, as regards veracity, we have to 
 consider, further, that he was remarkable for his 'piety,' being an 
 adherent of Spener, the German ' Reformer of the religious life of 
 the Protestant Church in the 17th century;' in which sense are 
 written Pontoppidan's religious works, still popularly in vogue, as 
 his Faith's Polished Loo/ciitg-- Glass, and his theological romance of 
 Meiioza, valuable for its interesting characteristics of eminent Chris- 
 tian contemporaries. The work specially before us, consisting of 
 two quarto volumes, published at Copenhagen in 1752-54, is also 
 well spoken of as a contrilnition to the sul^ject, and it was written in 
 its author's Ijest years, when, namely, he was from 50 to 56. Here, 
 then, is an authority that cannot be lightly gainsaid. Besides, 
 there is the important fact that, since Pontoppidan wrote, actual 
 sight of the monster has been twice attested on oath : once by the 
 crew of an English herring-buss, and again by a certain ship's crew ; 
 the dates being respectively Aug. 1774 and Aug. 5, 178G. To all 
 
 H
 
 114 SAVED LEAVES. 
 
 lliis testimony is now to be added that of the present writer himself 
 (not to mention quite recent tlepositions to such hutije sea-monsters), 
 who has his own g' od reasons for recomnicndint; all the facts of the 
 ensuing narrative to the Ijest belief of the reader. I may mention, 
 by the way, that Sir Walter Scott has surely made a mistake when 
 he calls Pontoppidan Bishop of Upsala, and not of Bergen. Upsala 
 is in Sweden, and Bergen is in Norway, which then belonged to 
 Denmark. 
 
 From the opening verses, we understand, further, that we are in 
 the season of autumn : ' From morn to noon, from noon to dewy 
 eve, an aiituDut's day,' followed, too, perhaps, by an autumn's night ! 
 
 The ' new trippant facile flippancies ' must, of course, be looked 
 for a life-time, or half a life-time ago. Then, that the word caller 
 .should have been used for that peculiar healthy freshness so char- 
 acterised in Scotland, need not surprise in a ballad, — considering, 
 too, that the Kraken takes us to the north. Indeed, in the very 
 next verses, we learn that we must conceive ourselves in some island 
 or other, somewhere in the region of .Scotland, and under the sway 
 of 'some war-like chief,' to whom fishing, quite as much as fighting, 
 is not unknown. 
 
 Homeliness and "naivete have been mentioned : the chances are 
 that we are to have too much of both. May they but pass muster on 
 any or all the pleas set up — especially where mere narrative is con- 
 cerned !] 
 
 Still ruddy is the chill castell, 
 And still the mist is on the sea, 
 But, up, alert, the blufif chief's hail 
 Already calls his boats out lustily. 
 
 And Merla, too, hath left her bower, 
 (To-day is even as yesterday !) 
 Already from the castle-tower, 
 Wistful, she looks afar upon the bay. 
 
 Halo-embeamed in filmy air, 
 Tranced like a nun, angelic, holy. 
 Rich-cheeked and pale, with large eye clear. 
 Of grief, and charmed lip of melancholy. 
 
 She sees, and yet sees not, the shore 
 Busy with men — mere mocks of sleep ; 
 She sees, and yet sees not, the oar 
 Flash, later, there, afar upon the deep.
 
 THE BALLAD OF MERLA. 115 
 
 [And thus we are introduced to our heroine, Meria — seeing all that 
 she sees only mechanically, watching only mechanically the depart- 
 ing boats, as they grow and grow in the mist, then fade, and break, 
 and vanish — still, to her, chillingly.] 
 
 At length, she turneth tearfully, 
 
 One step — not moving from the spot. 
 
 One step, all slowly, tearfully. 
 
 One swimming step, and pauseth on the float. 
 
 O spotless maiden without sin, 
 
 What sorrow rich, what passion warm, 
 
 Up-growing, like a flower within. 
 
 Thus sways upon its stalk thy yielding form ? 
 
 What thought divine, O lily fair ! 
 
 Films thy pale cheek ? What too full load 
 
 Weighs thy cup down } Upon the air 
 
 Why hangest thou, with soul that melts abroad .'' 
 
 This isle, it is the loneliest 
 
 Playmate of ocean and of storm, 
 
 Yet gentle were the powers whose hest 
 
 Shaped those sweet eyes — those eyes and peerless form. 
 
 O modesty, that steals a glance 
 With vailing of the virgin face, 
 In her mars not, but doth enhance 
 A queenly mien of elemental grace. 
 
 And beauty, light ethereal, 
 O'erflowing rich, glamours her trail 
 With visions that through tears recall 
 Some waning dream of shapes in fairy pale. 
 
 [It would seem, thus, that the chief and his men have left their 
 chill castcU, and struck to sea-ward of the island, — probably to bait 
 their hooks upon the ' far bank.' We are left alone, consequently, 
 with Merla, and the autumn day in further advance.] 
 
 For now 'tis noon. The hills in mass 
 Rise naked, ])are. Sharp-edged and bright, 
 Rift, rock, tree, stone, and pile of grass 
 Glance in a golden cleanness, newly dight.
 
 116 SAVED LEAVES. 
 
 Fresh from the bath all things appear, 
 
 Earth is new-born in callcriiess^ 
 
 While, buoyant in the buxom air, 
 
 Leaps lusty health and jocund cheerfulness. 
 
 The sun, with bold eye, like a knight, 
 
 Hath sprung into the heaven alone. 
 
 And holds him royal there ; his bright 
 
 Gage thrown, defiant, haught-lipped champion. 
 
 The sea, like molten metal, beads 
 
 The isle ; the gull-birds float asleep ; 
 
 The dingy tresses of the weeds. 
 
 The bulbed sea-weeds, lift with the lifting deep. 
 
 That rock, that, like a bastion, 
 
 So boldly over ocean stands. 
 
 Against whose naked front the sun 
 
 Hath showered his keen and skinkling diamonds, 
 
 Full well the foot of Merla knows ; 
 
 With grass its top is carpeted. 
 
 With green sea-grass so small and close ; 
 
 — Nay, look ! already doth the dreaming maid, 
 
 Her white hands clasped in idleness. 
 
 Sans book, sans work, almost sans motion, 
 
 Sit there in utter loneliness, 
 
 Scarce seeing the blue sky and lustrous ocean ; 
 
 Hearing in dreams the liquid 7-ilsJi 
 Of waves at play upon the rocks ; 
 Feeling in dreams the soft air filch — 
 Filch, but fling back again, her golden locks. 
 
 Strange dreams I ween, piercing the rind 
 Of cloud and sky, of wave and sea ; 
 Striving unconsciously to find 
 Light in the hall of inner mystery ! 
 
 — Yet, brooding on her own still heart 
 
 Is not, in truth, the sole intent 
 
 She has, in coming to this rock 
 
 To sit, whole days, this maiden innocent.
 
 THE BALLAD OF MERLA. 117 
 
 Dark-flowing hair and lustrous brow, 
 A manly presence, mild, kind eye, 
 Young Aidan had ; a bold true knight. 
 And famed among the first in chivalry. 
 
 He was a chief of fair Scotland, 
 
 A gallant youth, with shield and sword 
 
 Had come to help these islanders. 
 
 And done good work upon a foreign horde. 
 
 He saw young Merla — saw and loved. 
 And she saw him, and loved ere-long : 
 What could she else ? — The stately youth, 
 That was so bold in fight, so sweet in song ! 
 
 They loved : the speaking blushes came 
 On meeting of their eyes, still prone — 
 Still stupid-prone to meet, and bright 
 Ever with meaning for themselves alone. 
 
 Deep, deep as aether, and as pure, 
 Was Aidan's love. He overhung 
 As aether earth, with smiles, the maid 
 Bosomed and mantled from all scorn and wrong, 
 
 O" 
 
 And Merla loved i When he was gone, 
 All things without grew strangely dim, 
 Her life, her inmost being seemed 
 Floating in one, sole, dreamy thought of him. 
 
 Now heavier fell his arm in fight, 
 Now sweeter far his song became. 
 His plume waved loftier in the van, 
 Tameless, undaunted, rose his heart of flame. 
 
 Lovelier far the maiden grew, 
 
 Angelic in the light of love. 
 
 For love is effluence divine, 
 
 A magic thing, a garment from above. 
 
 So happy, happy, were they now. 
 
 O'er rock and cliff, by sea-shore roving 
 
 In silent, liquid happiness : 
 
 Ah happy twain, young, lovely, loved, and loving '
 
 118 SAVED LEAVES. 
 
 A land of light and melody, 
 
 A land of fairy loveliness, 
 
 These barren rocks now grew to them : 
 
 Such sheen flowed from their own deep happiness. 
 
 I15ut 'alas, alas, that this should pass !' the course of true love 
 never runs smooth, it seems ; never has, and never will ; and now 
 the cross comes, so ] 
 
 Alas, alas that it should be, — 
 
 Twin spirits o'er the yellow sand, — 
 
 They could not wander ever thus, 
 
 Bright in each other's brightness, hand in hand ! 
 
 But her gruff sire has lowered his brows — 
 Lowered his black brows, and crossed the twain : 
 A stubborn man, with rough-grown frame, 
 That fought, and fished, and lived upon the main ! 
 
 Sharp swords, swift boats, and armour good, 
 
 Peril by day, wassail by night, 
 
 Were all his care. Already he 
 
 Had chose, though never named, the favourite 
 
 Should wed the maid. Resolve remained 
 Wholly unchangeable with him ; 
 He saw the knight was bold and strong. 
 He even liked his harp of some chance time, 
 
 But never thought a stranger's blood 
 Fit match to mingle with his own. 
 And never dreamed that child of his 
 Could ever disobey his wish when known. 
 
 But slowly, by degrees, he saw 
 
 The knight and maid were still together, 
 And dimly thought that somehow this 
 Might interfere with his intention with her. 
 
 So, out, the spears, the swords, the helms, 
 All the mixed booty when they fought — 
 That he made carry to the shore, 
 Struck just division, gave the knight his lot,
 
 THE BALLAD OF MERLA. 119 
 
 And told him out at once his mind : 
 
 ' The wind blew steadily and fair 
 
 (Blunt words in blunt simplicity) 
 
 For Scotland, if the knight were going there.' 
 
 [And so he is gone, and Merla is dejected almost unto death, and 
 ' Ever thus it fares with love,' but ' fearless let the parted be,' for 
 ' Canute may stay the tide, and Xerxes throw the Hellespont in 
 bonds, but love — love will be free ! ' Or, in homelier accents, but 
 quite as true, ' Though sister, brother, mother frown, and sire say 
 nay, yet love— love loill be free ! '] 
 
 Now eve hath come ; but see ! the maid, 
 Upon the lone rock o'er the deep, 
 With tears and clasped hands, must still 
 Her hopeless, weary, weary vigil keep. 
 
 No sail, no shallop, not a skiff. 
 
 Not even a bird from that far land, 
 
 For all her dreams, hath come to her. 
 
 With sweet, sly song, — with token from his hand. 
 
 Shadows fall round, mists from the main. 
 Like Fingal's heroes rear themselves : 
 The lifting tide glugs in the rock, 
 Or washes drearily the far-off shelves. 
 
 O'er the worn sun the black clouds close ; 
 All darkles chilly to the night ; 
 P>ut still, from 'tween the closing clouds. 
 There gleams athwart the deep a sickly light, 
 
 Like glare from dying lion's eye, 
 
 Wliose blood crimsons the distant sea, — 
 
 His mighty paw, his glancing claw, 
 
 Still stretched, still strained — the clouds close frowningly. 
 
 And hark ! the maid, up-rising wild, 
 
 Upon the rock, with hot tears blind. 
 
 In words of her beloved land. 
 
 Thus throws out her moan to the chill night-wind. —
 
 120 SAVED LEAVES. 
 
 Eerie, eerie, alone, alone, 
 
 Dreary, dreary, alone, alone ! 
 
 O will he not come ? O will he not come 
 
 To my cold, cold home, to my cold, cold home ? 
 
 So cheerless the plash 
 
 Of the comfortless sea, 
 
 So fearful the flash 
 
 P'rom his eye fitfully ! 
 
 Like the hand of a ghost, 
 
 The night lifts my hair ; 
 
 Like the cry of the lost. 
 
 Flits a wail through the air ! 
 
 Eerie, eerie, dreary, dreary, 
 
 Alone, alone — alone, alone ! 
 
 O will he not come ? O will he not come 
 
 To my cold, cold home, to my cold, cold home ? 
 
 PART 11. 
 
 Night, awful, on yon island-tower, 
 Now falleth as the dew doth fall ; 
 While, slowly-gliding, pale moonshine 
 Leaves rich its lily mantle on the wall. 
 
 Sole watch to guard that lone castell. 
 The sea its steps doth nightly tell 
 Upon the beach. Hark ! its great reh * 
 Bays now, voice of a giant sentinel. 
 
 What solid calm ! deep silentness. 
 
 Up stairs, in rooms, through galleries. 
 
 Lurks, like a presence, motionless. 
 
 Dumb, sulky, huge, with heavy half-shut eyes. 
 
 The fire upon the hearth is dead ; 
 The roof is sullen, which, in glee, 
 Was as a giant overhead, 
 Ho-ho-ing to the laughter lustily. 
 
 Reh : the e here is the e in the word debt, sounded very long.
 
 THE BALLAD OF MERLA. 121 
 
 The wassail in the hall is dead, 
 Where stilly moonshine maketh way, 
 O'er cup and goblet overthrown. 
 So fairy-like 'mid revel disarray. 
 
 Drugged with fatigue, with feast and ale, 
 Both chief and vassal slumber deep ; 
 And, far apart, in secret bower, 
 Pale Merla is shut, like a flower, in sleep. 
 
 To see thee, Flower ! thy delicate leaves 
 
 All folded, fragrant, one in one, 
 
 The amorous night, breathless, throbs near. 
 
 Half-scared by the light from thy beauty thrown. 
 
 There palpitates to see thee hid 
 
 But partly, like a warm young bride. 
 
 Beneath the clinging coverlid ; 
 
 And tremblingly neighbours thy glowing side. 
 
 But back ! Perchance an arm may stray, 
 A bosom in its innocence : 
 .Shut thy bad eyes, O Night ! nor feed 
 On the sweets of her sleeping negligence ! 
 
 , And see ! as one who walks in fear 
 Of instant spring from ambushed foe. 
 But, fretting at the base restraint, 
 Shakes ever and anon his plume of snow, 
 
 Whose stirred pride, elastic, lifts 
 Itself in graceful haughtiness, 
 Stalwart and stately steppeth slow, 
 A knight — a knight in armed quietness. 
 
 He stops beneath the maiden's bower : 
 
 ■f is he, 'tis he, from iiir Scotland 1 
 
 With deep voice curbed, he breathes her name ; 
 
 But sweet her dreams — she will not understand. 
 
 His voice to lattice murmuring up, 
 
 Seems gently tapping, softly calling her ; 
 
 Now floats it through her still chamber. 
 
 Nor wakes— like lullaby, still lulling, lulling her.
 
 122 SAVED LEAVES. 
 
 For through the portals of her ears, 
 Those tones — like faint breeze murmuring on 
 Through caves, whose watch-dogs echoes are — 
 All softly to her slumbering brain have gone. 
 
 Like touch on magic talisman. 
 All lightly on her brain they smite, 
 Smite, and a thousand dreams up-spring. 
 Purple and gold, round him, her stately knight. 
 
 Many and beautiful as buds. 
 All crimson-white round summer tree, 
 When the blast in his hand hath ta'en 
 The stem, and shaken it to make him glee. 
 
 She hears, but 'tis in dreams she hears 
 That voice to sweet words consecrate : 
 Plays on her face a smile serene 
 From wavy mouth to eyelids delicate. 
 
 But louder, louder calls the knight, — 
 Too loud : shivered the tal'sman lies, 
 The purple scenes, the golden shapes 
 Are vanished, fled, like clouds at morning rise. 
 
 That voice ! she starts — her ear drinks night. 
 
 'Twas but the sea, a breaking billow. 
 
 She fears within herself, but, hushed. 
 
 She listens still, all breathless on her pillow. 
 
 No motion moveth arm or limb. 
 
 No motion moveth lip or eye : 
 
 Even like a statue, marble, dim, 
 
 The maid, on snowy arm uprist, doth lie. 
 
 That voice ! — With speed shespringeth up, 
 With speed full chastely doth she cover 
 With virgin white her virgin breast. 
 So full of joy ! — trembling to meet her lover. 
 
 She opes the door, — she listens there, — 
 Hears nought but pulsing of the night : 
 Into the hush she steps, heart-awed. 
 Into the hush, alone, with footing light.
 
 THE BALLAD OF MERLA. V2c 
 
 Than adder in her day-lit path, 
 
 A stirre'd rush can fright her more : 
 
 Convulsively her breath is held, 
 
 And clenched her hand, as creaks the ancient floor. 
 
 But slowly, cautious, step by step. 
 She glides through these old passages : 
 Whispers are near, and things of fear, 
 Creatures of night, dim, flickering phantasies. 
 
 Abrupt she stops, with failing heart, 
 Against a form encountering her : 
 'Tis but a fear ! Again she glides, 
 Her garments hea\y in the enamoured air. 
 
 A streak of white that moveth dim 
 
 In the bosom of night, she seems ; 
 
 Now bursts she out all spirit-bright, 
 
 As she lifts from the floor the crook'd moonbeams. 
 
 She reaches now her father's door ; 
 His robust breathing meets her ear : 
 Ah, round the loving daughter's heart. 
 Comes clinging grief, regret, foreboding fear. 
 
 He sighs — he coughs — he seems to wake ! 
 Has sprung the maid like startled fawn, 
 Has bounded down the castle-stair, 
 Stands now beside her lover on the lawn. 
 
 ' Aidan ! ' — ' Merla ! ' — They rush, embrace : 
 Ah happy, happy, happy twain ! 
 They part to see each other's face : 
 They rush into each other's arms again. 
 
 ' Ha — a, my Merla, mine — mine — mine ! 
 In spite of stern father I've come. 
 With boat on shore, with rowmen four : 
 Like happy birds we will sweep to our home ! ' 
 
 ' What, Aidan, will my father say 
 
 To this, to-morrow, when he wakes, 
 
 And finds his child, me — me — away — 
 
 Fled cruel me — the child his joy that makes ?
 
 124 SAVED LEAVES. 
 
 ' My Aidan, it will break his heart ; 
 
 O doubt not but I love thee well ; 
 
 But can 1 from my father part, 
 
 When well I know that word would be his knell ? ' 
 
 What loving maiden may resist 
 
 The gentle weight of loving hand ? 
 
 What loving maiden may resist 
 
 Love's fondling notes— love's cooing lippings bland 
 
 One arm around her waist is thrown, 
 One hand draws hers in gentleness ; 
 Her head droops back, but, step by step, 
 She yields — yields in unwilling willingness. 
 
 In other days, upon the shore, 
 As oft they wandered hand in hand, 
 So now, rich shapes beneath the moon, 
 They glimmer onward o'er the silver sand. 
 
 Within a creek the boat is found, 
 
 A firm, light skiff, with rowmen four ; 
 
 Obedient they to lift the maid, 
 
 And follow swiftly from the perilous shore. 
 
 Right handily they set themselves 
 To pull ; one hearty stroke gives each ; 
 The boat at once leaps to their touch, 
 Out to the sea, away from off the beach. 
 
 As chief becometh, Aidan sways 
 The helm ; exulting, to his breast, 
 With one free arm, he strains the maid, 
 And holds her folded like a bird in nest. 
 
 With hearty effort to the stroke, 
 
 The men bend back and fore, and white 
 
 Their faces are by turns, and dark. 
 
 As they lift and droop in the pale moonlight. 
 
 The rowlocks play, the ripples laugh. 
 The wet oars shine and radiance scatter ; 
 Beneath the stars the lonely boat 
 Speeds to the lily-garment on the water. 
 
 ?
 
 THE BALLAD OF MERLA. 125 
 
 She shakes the tear-drops from her eyes, 
 
 And she rises from Aidan's side, 
 
 But once again to see the isle 
 
 And pale castell, she leaves upon the tide. 
 
 ' Aidan, Aidan ! what do I see ? 
 
 Look yonder, yonder on the shore ! 
 
 See ! lights are waving hurriedly 
 
 Among the rocks where stands my father's tower ! 
 
 ' They search for me, they search for me ! 
 Our footsteps in the sand they'll trace ; 
 They'll follow us — these fierce rough men 
 Will murder thee — murder, before my face ! ' 
 
 Proud rose young Aidan in the boat, 
 And shook his haughty locks in scorn : 
 ' Ay, let them search, and let them chase, 
 They'll overtake the wind before the morn, 
 
 ' But never us ! From isle to isle, 
 
 No boat will match our wherry steady ; 
 
 Or let them come — ha-a my men, 
 
 What then ? our hearts and hands are bold and ready.' 
 
 Fierce gleam the eyes of these rowmen ; 
 They grasp their swords, the scabbards rattle ; 
 Their broad chests heave ; they shake their necks, 
 And laugh ha, ha ! like steed that snuffeth battle. 
 
 — They find the footsteps in the sand, 
 They track them downward to the water ; 
 They launch their boats, they follow fast : 
 The stern old man must overtake his daughter. 
 
 ' We'll laugh their lazy hulks to scorn ; 
 
 Our little skiff shall give them play ; 
 
 Put all your strength upon the stroke, 
 
 And tug amain, — give way, my men, give way ! ' 
 
 All white the waves hiss from the prow, 
 
 And ever, underneath the side, 
 
 With rip — ^rip — ripple regular, 
 
 And rush anon, unceasing knocks the tide.
 
 120 SAVED LEAVES. 
 
 In furrow of the keel behind, 
 
 Small whirling drops of light are seen ; 
 
 The stirred waters churm and hiss 
 
 In foamy patch, where'er the oars have been. 
 
 The rowers back and forward bend, 
 The rowlocks sound, the wherry shatters, 
 Still forward as it springs alert. 
 The lily garment peaceful on the waters. 
 
 The knight, on one side, at the stern. 
 Looks to the isle, across the tide : 
 He steers, and so at times must turn 
 Forward, and to the stars, the boat to guide. 
 
 They row and row, these good rowmen, 
 The wherry light ne'er slackens pace ; 
 Across the flood, towards the isle. 
 Still Aidan looks— Merla in Aidan's face. 
 
 And now an hour these men have rowed, 
 
 Nor of a foe appeareth sign ; 
 
 The chieftain calls to breathe a space, 
 
 Refresh themselves with rest, and food, and wine. 
 
 Well-pleased, at once they draw their oars ; 
 They wipe their brows, theirbroad chests play : 
 The oars are tilted 'neath the brim, 
 But still the willing wherry speeds away. 
 
 And now, 'tis rest and idleness ; 
 Forth now, their scrips the rowmen bring, 
 Well-stored with toothsome food nor less 
 With wine and stronger liquor gladdening. 
 
 The little skiff hath ceased to speed, 
 Rocks gently on the rippling sea ; 
 The tilted oar-blades, shining roll, 
 Down-dipping, two by two, alternately.
 
 THE BALLAD OF MERLA. 127 
 
 The rowmen with their horny hands, 
 
 In fitting mouthfuls break their bread; 
 
 They drink the lovers happiness, 
 
 Long hfe, health, wealth, and children to their bed. 
 
 [And now we may drop, for a little, the veil upon them, there so 
 well-employed. The tale of the adventure immediately further is 
 told in verses fully too bald for repetition. The reader, indeed, has 
 but too much reason to believe this in the bare and quaint reality of 
 what he has already seen. These last verses, especially, exhibit such 
 character almost in caricature ; and they would only, in this respect, 
 have been capped, had we quoted, that even ' the twain ' did not 
 despise 'such bounteous banquet then and there,' for — 'keen and 
 sharp at all times is, beneath the sky, at sea the hungry air ! ' So 
 far as what follows in the story is concerned, it will be sufficient for 
 us to conceive the enemies' three boats at length heaving in sight 
 with sail and oar ; all three working to windward of ' the wherry ' 
 — all three of them closing in upon it. Aidan, on seeing the state of 
 the case, puts his boat into the wind's eye, and rows it so. He 
 thus throws out and considerably distances his pursuers, who lose 
 way and time in hauling down, lowering, and stowing away their 
 canvas, masts, and tackle. An exciting chase ensues, the heavier 
 boats behind making up by number of oars what they want in light- 
 ness of hull. They gradually overreach and draw in upon tlie 
 wherr)', whose occupants are fain at last to draw sword and stand 
 upon the defensive. Aidan and his four followers have already 
 foiled and beaten off the two forward boats, having strongly struck 
 down with half a dozen sturdy strokes as many of their crews ; but 
 the third boat is rapidly coming up astern, and Aidan hesitates 
 what to do, for it is the white-haired old man himself who stands 
 grim in the bows, and is already stooping to seize his daughter. It 
 is now, however, that an ajipalling cry bursts upon the eai', and 
 every arm drops, suddenly palsied, while every heart beats terror- 
 stricken, and they look around them aghast. A fearful spectacle 
 meets their sight. There, but a few hundred yards from them, 
 ' welk and wave ' in the air the horns of what these mariners dreaii 
 most, the Kraken — there in reality of monstrous mass before them, 
 as they have often heard it described, of a winter evening by the fire. 
 Suddenly and at once, the boats experience a stampede ; as though 
 l)ut a bundle of cats, into the centre of which a stone has been 
 thrown, with instantaneous dispersion. In vain the old man 
 threatens them, seizes them, shakes them, strikes them, lastly pleads 
 with them. The panic-stricken crews will only obey their own fears 
 and row with all their might, keeping the monster at their stern, — 
 seeing nothing else, thinking of nothing else. A like fear has seized 
 the crew of Aidan, and they drive their agitated wherry with a like 
 unreasoning hasty force along, losing sight presently, as they had 
 already all thought, of the boats which had pursued and well-nigh 
 captured them. Aidan himself in the stern of his wherry, can only 
 take the maid into his arms, and bend as though protectingly over
 
 128 SAVED LEAVES. 
 
 her. As the distance increases between them and the vast brute, 
 'horned and monstrous on the midnight tide,' their courage revives, 
 niid they return nearer to a more ordinary frame of mind.] 
 
 A feverish chuckle of delight 
 
 (He cannot choose, it sits so high), 
 
 Breaks, sputtering out from one rowmdn, 
 
 Tliat yet they'll give the black brute the go-by. 
 
 ' Does he not sink .'" another cries. 
 
 ' Not he, not he, he has not stirred ! ' 
 
 Blinding himself, the first replies : 
 
 '■ Row hard, and never mind ! ' exclaims a third. 
 
 Ah yes ! he sinks. The mighty mass 
 
 Is slowly, slowly disappearing ; 
 
 The sea around grows clear as glass. 
 
 Towards the spot he leaves all smoothly steering. 
 
 Bubbling, churming, white and hissing. 
 Full soon, its speed, the stirr'd main quickens ; 
 Waves rise and dash o'er one another ; 
 Tossing, whirling, the boiling ferment thickens. 
 
 All fiercely hot, and glowing now, 
 (No more, no more, despair is cool I) 
 They strain their oars with racking strength. 
 And rise from off the thwarts to every pull. 
 
 They tug and tug with desperate force, 
 The boiling waves dash o'er the prow. 
 The bounding oars are curved and bent — 
 Snap ! two of them are broken at one blow. 
 
 One oar is shifted in a trice, 
 
 And two urge on each oar remaining ; 
 
 The waves the charred rowlocks quench. 
 
 The wherry cracks, rent with such fearful straining. 
 
 From aching brow to burning cheek, 
 In vain, in vain the toil drops pour ; 
 'Gainst that strong surge, they could not urge 
 The boat, light as it is, with ten for four.
 
 THE BALLAD OF MERLA. 129 
 
 They yield, they yield : they cease the strife, 
 Their useless oars they throw away ; 
 The strong men, desperate of life, 
 Lift up their eyes in silentness, and pray. 
 
 The knight bends peaceful o'er the maid, 
 
 Who hides her face, his neck upon ; 
 
 And thus, in attitude of love, 
 
 Their spirits bow in prayer before the throne. 
 
 The sea is cloven to its depths. 
 
 In middle of the white turmoil, 
 
 There where the whirlpool's black throat gapes, 
 
 Round which, for miles, the stirred waters boil. 
 
 The fear-struck waters eddy round, 
 Around, around the charmed edge ; 
 And, gurgling, down the black sides glide. 
 Drawn smoothly-lucent in a wormy ridge. 
 
 Surging in cradle of the seas, 
 
 Around the fatal gulf careering, 
 
 The little wherry snorts and quivers, 
 
 In circles less and less, fast nearing — nearing ! 
 
 It skims the brink — the stern bends in, 
 It disappears within the tide; 
 The waters howl, and hiss, and roar. 
 Tumultuous, round Aidan and his bride. 
 
 And now the monster's million arms, 
 Sliding and crawling, creeping round, 
 Like loathsome worms, in slimy folds. 
 All slippery, about the crew are wound. 
 
 [Of course all this ought to have been burned; but while \m.- 
 indignantly feel so, it may be consolatory to reflect that it will 
 come pretty well to the same thing in the end — and before long !J 
 
 I
 
 130 SAVED LEAVES. 
 
 PART III. 
 
 The black gulf closes ; and the waves, 
 
 Whose charmed stir and fierce commotion 
 
 Tore the great deep, fade by degrees, 
 
 And disappear. The gloom-browed, surly ocean. 
 
 Settling himself, and muttering 
 At this disturbance of his rest, 
 Sinks sulkily to peace again, 
 Wearing the foam of battle on his crest. 
 
 Outworn with struggle of the fight. 
 At length he sleeps ; his ruffled face 
 Smooths to a smile, and the big coil 
 Hath passed, nor leaveth of itself one trace. 
 
 No trace ! see yonder, something floats — 
 
 By heaven ! it is young Aidan brave, 
 
 He holds an oar, around the neck 
 
 Of her, the maid, one arm is clasped to save. 
 
 [Here is an escape that may appear incredible ; but, as has l)cen 
 already hinted, there are very good reasons in existence wliy tlic 
 reqdcr should implicitly trust in the information of the writer, wlio, 
 until the contrary has been proved to him, will unhesitatingly stand 
 by the certainty of his facts. And how, here, can there be any talk 
 of proof? If no one can prove anyone's death as due to the Kraken, 
 how can anyone prove the impossibility of an escape from him ? It 
 is quite enough for us that Aidan and Alerla have escaped. 
 
 Without further apology for young extravagance, I shall let the 
 thing go on now, pretty well uninterruptedly to the end. 
 
 We are to understand, then, that Merla has returned to conscious- 
 ness, and that Aidan, seeing land before him, is not without \\o\)Q of 
 speedily reaching it by aid of such swimming as the case allows, 
 while he still holds the oar and supports the maid.] 
 
 Above them is the starry sky, 
 
 y\nd, stately there, the full moon walking ; 
 
 As mother with her sleeping babes. 
 
 The sea is calm, the twain all gently rocking. 
 
 Before them there, and just at hand, 
 All pale in beauty of the moon, 
 A little isle doth sweetly smile. 
 Beckoning them on to harbours halcyon.
 
 THE BALLAD OF MERLA. lOl 
 
 With one hand round each other's neck, 
 
 And one grasping the helpful oar, 
 
 They float all gently on the sea 
 
 Towards the isle, edged with its sandy shore. 
 
 Behind, and up above the isle. 
 The blue-rimmed moon drops, visibly, 
 Aslant the white and sparkling beach, 
 Her richest robe of silvery purity. 
 
 And there the dark rocks further back, 
 Are painting on that mantle fair. 
 The quaintest figures, grim, and black, 
 With locks that stir and flicker in the air. 
 
 And still they float them gently on. 
 On to the shore, there, straight before, 
 With one hand fondly clasped around 
 Each other's neck, and one upon the oar. 
 
 Gliding in beauty of the mooft, 
 
 Soft-steals a sly sylph fitfully, 
 
 Stirring the waters with light feet, 
 
 And scattering them in radiance sportfully. 
 
 Sated with sport, the loose-haired sprite 
 Grows wild at length, grows fierce in glee ; 
 As child, brow-pained with toys it loves, 
 Rushes, breaking and tearing frettddly. 
 
 Now, with a shriek, she quits her game ; 
 
 Away, away, on swift wing flees : 
 
 For, in the west, black-lower afar 
 
 Huge clouds, all sullen-sailing in the breeze. 
 
 Mass upon mass of tawny cloud, 
 Stately, majestic, move up heaven ; 
 All coldly on their way they shroud 
 Star after star, as on and on they're driven.
 
 <l 
 
 1:32 SAVED LEAVES. 
 
 And darker grow the lovers' fears, 
 
 As onwards swell those masses grim : 
 
 With each sweet star that disappears, 
 
 The light of hope becomes more dim, more dim. 
 
 Swifter and swifter do they fly, 
 
 Their giant- horror shown more plain, 
 
 As fast they near the middle sky. 
 
 All overflowed with light, the moon's domain. 
 
 To shapes and figures passing strange. 
 
 The wild witch Fancy's forming eye 
 
 Those clouds can change, and give to range. 
 
 In pride of life and strength, throughout the sky. 
 
 Grim in the van, a huge brown cloud, 
 
 Haughty, leads on the gloomy bands. 
 
 In very shape of lion proud, 
 
 Rampant, upreared, with horrent paw that stands. 
 
 The lion-cloud, with life-like scowl, 
 
 Sullen, majestic, ramps along ; 
 
 Was it the thunder gave that growl, 
 
 Or was't the ' brool ' of that proud lion strong .'' 
 
 He presses on, and swiftly speeds 
 Towards the light-o'erflowed domain, 
 And, lofty in the van, still leads 
 Up, o'er the starry blue, his sulky train. 
 
 Though fast upon her throne they press, 
 The gentle moon is sweetly smiling, 
 All meek, in maiden loveliness. 
 Their sulky sullenness to beauty wiling. 
 
 But now the lion-cloud is near, 
 
 His strained claws are on her face, 
 
 And seem triumphantly to bear 
 
 The helpless queen, unstruggling, from her place.
 
 THE BALLAD OF MERLA. 133 
 
 But beaut/s charms the fiercest heart 
 Can, unresisting, bend and sway ; 
 And as the moon's sweet glances dart, • 
 The brute, even in her beauty, melts away. 
 
 But blacker, thicker clouds succeed ; 
 Relentless-driving in the blast, 
 Her pale face trampling, on, with speed, 
 Confusedly rush those ruffians past. 
 
 [The lovers see all these signs with sad distrust, and Aidan, though 
 redoubling his exertions, can hardly dare to whisper a hope, the 
 rather that he begins to lose sight of the friendly little isle, and 
 that nothing he says can now rouse Merla, etc.] 
 
 For coming tempest seems to call 
 The tribes of nature into life ; 
 Yea, all around, eyes glare on eyes, 
 And breath is held anticipant of strife. 
 
 Slunk to himself, the Sea is laid, 
 
 Beneath the Night, huge, black, and high, 
 
 Like brute but partly vanquished. 
 
 Beneath his foe, who stands contemptuous by : 
 
 Even like a brute beneath a man, 
 Lifting a red eye now and then. 
 But, quailing to the eye he meets, 
 Compelled to let it fall in fear again ; 
 
 GroveUing upon the blood-stained ground, 
 All his huge strength without avail. 
 Crouching in rage and dread at once. 
 Lashing his shuddering sides with restless tail ; 
 
 Catching his groan subduedly ; 
 
 Through moist, dilated nostril red 
 
 All soiled and foaming in the dust, [head ! 
 
 Snorting quick mist-wreaths round his lengthened 
 
 Above him there, the Night stands glooming, 
 (fathering her brows in wrathful-wise, 
 Muttering in thunder huskily. 
 Darting her scorn in lightnings from her eyes.
 
 134 SAVED LEAVES. 
 
 Maddened, impatient at constraint, 
 His vast sides heaving in huge throes, 
 Boiindipg, at length up-springs the Sea, 
 And shakes his mane, defiant of his foes. 
 
 The Night is all one living blaze 
 
 Of fury that the slave rebel. 
 
 And, conquered once, dare her again ; — 
 
 Resolved at once his insolence to quell. 
 
 Collecting all her strength, she hurls 
 
 Her hot shafts plunging in his side, 
 
 Her indignation and revenge, 
 
 With ponderous din, she thunders far and wide. 
 
 Blasts, in the war, like harpies, flee ; 
 They flap their wings in th' eyes of Night, 
 Dig with sharp claws the Ocean's sides. 
 Tear his white hair, and goad him to the fight. 
 
 Then away, away, up, aha ! 
 
 Screaming, shrieking, in agony 
 
 Of fiercest joy and horrid glee. 
 
 Coiled in such clasps the rousdd twain to see. 
 
 Deserted of all help within. 
 The Firmament howls wild, while pour 
 The fear-drops, swiftly and at once, 
 Heavy and thick, in one continuous shower. 
 
 — But where are they, the gentle ones .'' 
 
 Ah luckless twain ! ye cannot roam 
 
 Amid this awful battle-stoure ; 
 
 Ye must have found beneath the sea a home. 
 
 But no ! look there ! is it not they ? 
 That toppling wave will sink and then- 
 Yes, see ! yonder they sweep aloft — 
 On the white crest — into the gulf again ! 
 
 II
 
 THE BALLAD OF MERLA. 135 
 
 — The morning comes ; the storm-clouds pass ; 
 
 Smiles gaily forth the blue serene ; 
 
 The sea is cradled in sweet sleep, 
 
 And all is calm, nought tells that strife has been. 
 
 Nought, nought but that that lies so still, 
 Yonder upon the wave-smoothed sand, 
 And that — and that — vain words, vain words ! 
 Ah damp, and dank, and dead, upon the strand ! 
 
 Yes, dead upon the beach they lie. 
 Still fondly clasped, a fond, fond pair ; 
 Their dead arms round each other's neck, 
 And his wan face veiled by her golden hair. 
 
 With head bent down upon his hands, 
 Which on one upraised knee are laid, 
 Beside them kneels another form, 
 Clasping so mournfully her cold hand dead. 
 
 Ay, sure enough, the rough old man 
 At lengtii has overta'en his daughter ! 
 Apart from these, his vassal train 
 Is seen upon the beach beside the water. 
 
 Of broken boats a fire is made, 
 Behind a sheltering promontory ; 
 They dry their arms, they dry their food. 
 And talk in whispers of the dreary story. 
 
 He stayeth long, their rough old chief, 
 
 They feel uneasy ; one and all, 
 
 With reverent mien, approach the spot ; 
 
 They call : the old man will not heed their call. 
 
 They speak again :— no word, no sign ! 
 They shake him then : alas ! they shake 
 A corpse ! And through his silver hairs, 
 So mockingly, the heedless breezes wake !
 
 \:]Ci SAVF.n LEAVES. 
 
 Hast thou not failed me, Muse? 
 
 I fear, I fear ! — weak feeble me ! 
 
 I grieve me for the prayer presumptuous 
 
 I dared, ere this poor song began, to lift to thee. 
 
 And said I then, meek maid, 
 
 Of lovers when I sing and love, 
 
 Me with a breath impregn not heretofore 
 
 Bestowed on whom thy holy presence wont to move .'' 
 
 And said I, give not me, 
 
 Inflate, to sing by breath reflect 
 
 From other bard, but by straight gust from hea\-en, 
 
 Unefifortdd, unborrowed thine, primal, direct ? 
 
 Vain, silly, to believe 
 
 In puny cup of mine could burn 
 
 The sacred fire decreed to keep alive, 
 
 From century to century, only in chosen urn. 
 
 Methinks thy presence would 
 Only have shrivelled up frail me, 
 Even as the unveiled glory of the god. 
 Granting her wish, shrivelled up hapless Semele. 
 
 Was't then, so wrong to wish 
 
 That spirits of the sea, sky, earth 
 
 Should, honouring me as son of thine. 
 
 Breathe on the lyre within and shake its music forth ? 
 
 Ah no ! Yet will I deem 
 Not wholly vain this song of mine. 
 Not wholly vain this poor, weak song, but still 
 Streaked, though at intervals, with thy own voice 
 divine !
 
 SLEEPING BEAUTY. 1:^7 
 
 SLEEPING BEAUTY.* 
 I. The Island. — Ariel. 
 
 ' Yes, it is even as thou sayest, Ariel : we lie all awry, 
 twisted, contorted, crushing one another ; and our eldest 
 brother, Adler, with those, our brethren, next to him, who 
 have become his baser factors, flatterers and followers, tread 
 on us — but with a double hurt — to us first, but also to 
 themselves. They bruise our head : we bruise their heel. 
 O mother, mother I why rear us up so numerous, and then 
 die?' 
 
 ' Hush, Haiarno ! our mother is not dead, but sleepeth.' 
 
 ' Yea, Ariel, such sleep as may not wake again. Ah, no ! 
 she will awake no more ! Oh never more ! For ever shall 
 we writhe, as now, under and over one another, stinging and 
 being stung, crushing and being crushed, weltering miserable 
 in a chaos of sick life !' 
 
 ' Never, Haiarno, never will I believe it ! Never will I 
 believe such pain, and misery, and sin eternal. There comes 
 a resurrection of the beautiful. Our mother will awake. 
 She must — she will. I know it, and I see it.' 
 
 ' O Ariel ! would it were so ! O that my mother might 
 awake and see this wretchedness ! Could she but see me 
 as I stand — worn, wasted, haggard,— my thin, blue cheek 
 engrained with the small black veins that break thereon, 
 channelled by the sweat of toil, nor less, perchance, by the 
 charmed liquor that our brother Comus brews for us — my 
 skin in cracks and crusts — my bones bent, bowed, distorted 
 — my e.xhausted sinews drawn into visible cords ! Nor yet 
 so thoroughly exhausted, nor yet so wholly drained, C) 
 sinews ! Drawn — drained ! Aye indeed, well drawn, well 
 drained ! Yes, — with a bitter smile I see it and I say it — 
 these cars and chariots of pride that thunder mid our cots 
 and cottages, when Adler, with his parasites, hath deigned 
 to take the air — those huge clouds — those mighty pageants 
 
 * From Truth Seeker Mag.izinc for 1849 ; but, at least fust part, 
 was written in 1845.
 
 138 SAVED LEAVES. 
 
 of pleasure — that float upon our lakes with fire and flame to 
 drive them — have they not been dragged and drawn even 
 from the very pith of the^se lean sinews? The garment that 
 enwrappeth him, is it not woven of our brother's flesh ? 
 These cushions of his luxury, purple and exuberant, are 
 they not moulded of our brother's blood? These halls and 
 palaces — these piles of masonry that touch the clouds — 
 their supporting columns — are they not these very bones ? 
 Ay, — and more bitter is my smile — are they not cemented 
 with our sin — my sin — thy sin, Adler — the sin that thou hast 
 caused in me by thine? And is there not a curse upon 
 them ? Are they not permeated by a spell that makes tliem 
 agony— despair — crime ? Thou hast trampled on me — trod 
 me under foot — chained me in mountain-bowels — shut me 
 up with toads, and ravening rats, and dropping waters, and 
 exploding fire — forced me to ransack all fountains, lakes, and 
 rivers, to heap the wherewithal to glut thy phantasy. Thou 
 hast drained my vitals to the dregs, till I stand even thus — 
 naked, and thin, and dwarfed, and ignorant, and criminal. 
 But with what to thee, with what to thee, has all this work 
 been done — with what to thee ? The draught, has it not 
 been poison ? These cars and chariots — these pageants on 
 the lakes — these blood-moulded cushions — these piles of 
 masonry that touch the clouds — ^weigh they not upon thy 
 head, thy heart, with a weight stooping thee to hell ? Ay, 
 flee, flee ! Flee to the drugged cup of thy brother Comus ! 
 Flee to broil and battle with the beasts of the field or the 
 fowls of heaven ! Or better — fiercer far — flee to broil and 
 battle with thy own kind and kindred ! Cut — stab — hack — 
 hew thy brother ! Bathe in his glowing blood ! Clothe in 
 his steaming entrails ! — Ah ! ah ! — still is there no rest — no 
 peace — no cool ! ' 
 
 ' Unhappy ! Oh unhappy ! ' Haiarno, thy words are as 
 agonizing fire ! Me, me ! woe is me I that truth is in them ! 
 I passed the workshop — the chill, damp cell — in which our 
 brother Euplocus sits weaving. I saw him there — diseased, 
 dwarfed, famished ; and, even as I looked and listened, the 
 very voice and actual utterance of his loom did seem, 
 Revenge ! But, O Haiarno ! lift not thou thy hand against 
 thy brother Adler ! Are there not pain and sin enough :
 
 SLEEPING BEAUTY. 139 
 
 wilt thou add to them ? Wilt thou become the thing thou 
 hatest ? Wouldst thou be Adler, and make him Haiarno ? — 
 Think! Patience! Hast thou not revenge even now? 
 Saidst thou not, the very work thou dost is as a weight 
 stooping him to hell ? That very work, is it not swiftly, 
 surely, bringing thee deliverance ? ' 
 
 ' Ariel, mistake me not ! Hand of mine shall never fall 
 on Adler. His own sin consume him ! My own virtue right 
 me ! Nor am I yet so shorn of pleasure. There is still 
 some soothment for me — still some solace in my lot, hard 
 though it be. There is joy in the cup of Comus — joy in the 
 robust laugh, the unmistakeable jest, the uproarious hilarity 
 of my fellow drudges in that short evening hour that gives us 
 privilege to meet, not for vain repinings and condolings — 
 not for insane and sinful conclave of rebellion — but to sup- 
 port, and cheer, and gladden one another ! Ay, Ariel, 
 drudge — slave — helot as I am — laughter can come to me. 
 Of my very misery I can make a butt-; I can mock my grief ; 
 I can wring mirth from agony ; I can shake my fetters into 
 joyful noises. What gushing fountains of amusement are 
 not these lean muscles to me ! Lean, thin, shrunken they 
 are : but fruitful are their wombs, teeming their bellies. 
 Ariel ! Canst thou not see — almost with thine actual eye — 
 rising, like a birth, out of their fibres, those crowns, and 
 coronets, and stars, and cups, and chalices of price, that 
 liing lightly from hand to hand the jocund sparkle of the 
 peeping sun what time he lightens up the pride of Adler .'' 
 Lean muscles ! Canst thou not see them teeming — swelling 
 — overflowing like a Nilus — depositing their multitudinous 
 freight, their all-prolific, stores.'' See, rising from them, 
 innumerable as herbs that spring and spread upon the 
 unsightly bosom of the earth, the points, tags, tassels, and 
 adornments that deck the trappings and caparisons of the 
 steed of Adler ! See his hunting-spear, — the gewgaws and 
 the spectacles of Dohl, Pol's reed-trump, and the bells of 
 Fol, — the sword and shield of Goups, Mochyn's toothpick, 
 and the looking-glass of Peod, — Corbo's penknife, and the 
 manacles of Milan, — nor less, the shoebucklcs and plain 
 finger-ring of that respectable, clean-handed, clean-shirted, 
 well-regulated personage, our brother, Volp ! In profuse
 
 140 SAVED LEAVES. 
 
 luxury, spawning from them, like broods of countless croco- 
 diles rising and living from the desert sands, see Taenia's 
 spindles and the vats of Comus, Aragno's shuttles and the 
 pans of Mcliss, the implements of Getes, Scalops' strong- 
 box, Sacrante's symbol, Erro's hook, the casket, gems, and 
 precious stones of Chrysourg ! Now, showering from them, 
 see the rain that fell on Danae — those enchanting counters — 
 whereby, as by the signet of a god, Adler and the rest have 
 power to take unto themselves all flowers, plants, trees that 
 suck the bosom of the earth on plain or mountain, — all 
 animals that crop the blade, or lurk in jungles, — all handi- 
 works of man, — and man himself — their brother ! Lean 
 sinews ? Ha ! rather, are they not exhaustless laughing- 
 stocks, "fellows of infinite jest," repertories of endless merri- 
 ment? Poor am I then ? Who shall say so ? I, with thews 
 which are Aladdin-lamps to stock a universe — I, who thus 
 rain upon the ground " Barbaric pearls and gold" — I, with- 
 out whom the pomp of Adler vanishes in air, leaving him 
 lone, naked, defenceless — who again will strike — trample — 
 tread me under foot ? The slave of Adler ! His drudge — 
 his helot ! No, by the gods ! I am his lord, his master. 
 The Island is not his. 'Tis mine — mine and Euplocus's ! 
 Look to thy shuttle, Euplocus ! See it carrying round and 
 round thy brethren those marvellous threads, wrapping them 
 in warmth or luxury! See this: and reverence thyself! 
 Come ! let us sit and joke together. Let us muffle up our 
 griefs — choke them in flowers of frolic — bury them in fun ! 
 Come ! we will prattle of ourselves I Come ! we will babble 
 and believe the island ours, and we the kings of it ! ' 
 
 ' Haiarno ! bitter are thy jests ; thy smiles sardonic. O, 
 wax not into wrath ! Let not indignation and revenge kindle 
 thee to hate and wickedness. Let not malice salt, nor blood 
 defile, the sweet, clear waters of thy long-suffering wisdom. 
 Fuel for the flame is scattered all around. Beware the 
 spark ! Beware ! even as thou vainest that which thou 
 seekest ! As the oak springeth from the acorn, the hazel 
 from the hazel-nut ; so does good rise out of good, evil out 
 of evil. Each seed feeds his own kind. Maize grows not 
 on the Upas-tree. Leaves of the Sumach fall not from the 
 ear of corn. The Plantain flourishes on the tree of Good :
 
 SLEEPING BEAUTY. Ul 
 
 Apples of Discord on the tree of Evil. Hold on/ Hold 
 //'ojji / Ours shall the day be : theirs is but the night. I 
 w/// believe it. Beauty is not dead, but sleepeth. Our mother 
 will awake, arise, and give, as heretofore, her lustre into 
 keeping of the spongy air, till man shall be transfigured, and 
 shall bloom in beauty of the angels ; our bare mountains 
 shall resume their antique robes of filmy glory : and above 
 our lakes, white clouds, upcurdled in the invisible air, shall 
 brood in brighter loveliness. As of old, when angels were 
 our guests and the hosts of heaven mingled with us, "pipes 
 in the liberal air" shall soothe our flocks. Again shall " the 
 isle be full of noises, sounds and sweet airs that give delight 
 and hurt not." Again, a united brotherhood, we shall sit 
 down in peace together — all at work, yet all at leisure — 
 peopling the waste with voices — making the wilderness 
 rejoice in flowers— extracting the nobler from the baser — 
 transmuting the surplus and e.Kcess of food we lay up for the 
 body into the more precious food divine that feeds our spirits, 
 transmuting food of earth to food of heaven, corn and wine 
 to nectar and ambrosia — piercing the mysteries of this 
 enchanted island — doing the hests of our great mother — 
 weaving songs of praise and rearing altars crowned with 
 flowers or odorous flames, in incense to our far-Father— 
 living on earth only to live in heaven. Shall not this be, 
 Haiarno .? Speak ! Shall it not be? // shall.' 
 
 ' No, no, no ! dream no more, Ariel ! Thou art a thing 
 compact of dreams. And yet how balmy are these dreams 
 which Adler may not bar a chance, stray visit, like glimpses 
 of the sun, even to this poor, clouded brain of mine ! Ah 
 no ! it cannot be. There come no messengers from God to 
 man. Angels have deserted us. Our father has gone far, 
 far. Our mother, she is dead. We are abandoned orphans, 
 wicked and miserable.' 
 
 ' Thou art blind, Haiarno ! Thy very wickedness has 
 blinded thee. Else, not rarely, mightst thou see smiles of 
 our mother, Beauty, gleaming from her secret sleeping- 
 place, like moonlight, on our bewildered doings. She is not 
 dead ! She is not dead ! Yet are her footsteps glowing on 
 the earth ! By fountain and by river, in dell and wilderness, 
 the splendour is yet alive that from her garment dropped.
 
 142 SAVED LEAVES. 
 
 Adler and his parasites have not yet wholly blurred the 
 glory of her informing trail. I will arise. I will shake the 
 dust of idleness from my feet. I will gird my loins up to 
 the enterprise. I will go forth, and seek our mother where 
 haply she hath lain down apart from us to sleep. I will 
 awake her. Haiarno ! I will awake her. I have a tongue 
 of fire, a brain of images, and a heart of dew. I will awake 
 her. She will return. All shall be well. This instant will 
 I forth.' 
 
 •Alas, poor dreamy Ariel! My little fountain of the 
 gentlest lymph of love ! how little knowest thou the task 
 thy brain is all a-flame about ! Is it so easy then to leave 
 the hearth where hitherto thou hast been fed, and warmed, 
 and fostered ? Are roofs and fires, cupboards and garments, 
 then so plentiful } Will manna, as of old, rain from heaven 
 on thee ? — the dry rock gape and gush to fill thy water- 
 cruise.'' Will of himself the Sable bring to thee his coat of 
 fur ? Or will the Silkworm weave thee one ? Are then the 
 hills and plains all open to thee? — thine as much as Adler's .'' 
 Where are his guards .'' How shall you pass them .'' Where 
 is thy scrip ? Hast thou store of counters in thy girdle 
 wherewith thou mayest glut his insatiate, million myrmidons, 
 that, vigilant as the hounds of hell, do watch each avenue — 
 outlet or inlet — claiming, under a thousand different names, 
 by a thousand different devices, tax and toll of thee ? With- 
 out a counter, how canst thou even live .'" 
 
 ' Haiarno I food and raiment will be denied us nowhere. 
 Few are the wants of health : disease can find no larder 
 large enough. Small is the scrip that virtue needs : 'tis vice 
 that cannot get sufficient store of counters to be safe withal.' 
 
 ' Thou art a strange being, Ariel ! From thy youngest 
 years, thou hast been all unlike thy fellows. Placed amid 
 the factors — that superfluous and corrupted medium betwixt 
 Adler, with his retinue, and us, the helots — fed on their 
 gluttonous aliment — nursed in all their sleepy indolence — 
 how unlike them art thou ! To thee, the strong-box and 
 the increasing hoard — the swiftly swelling counter-heap — 
 offered no charms. What to thee were all their petty spites 
 and envies, their pitiful jealousies, pitiful rivalries— their 
 striving, each to outshine the other in coat or hat, in sump-
 
 SLEEPING BEAUTY. 143 
 
 tuousness of dinner, in fashion of a ring, or pattern of a 
 shoebuckle ? With their constrained and wily-purposed 
 speech and motion, thy light laugh and lighter carriage 
 sorted not. Life to thee was something more than a vain 
 showing-off of airs and dresses. Their proud frowns and 
 insolent questionings — their cruel spurnings — remorseless 
 turnings of the back — their icy looks, darting like chill 
 spears upon our woes — but ill accorded with thy fast-drop- 
 ping tears — thy wild, soft heart — thy words like balm — th)- 
 liberal hand — thy swift rush of sudden indignation. Yea, 
 Ariel ! thou art all unlike the rest of us. With us, the weeds, 
 the abjects of the island, thou hast been almost a playmate. 
 Thy kindly ways, spontaneous, unaffected courteousness, thy 
 genial frankness, and thy laughing words, fell like sunshine 
 on us, cheering, delighting. Thou hast never had the least 
 glimpse of thought that thou wert different from us. We 
 were thy equal brothers. Thou hast sat, at home and happy, 
 on our greasy stools, amid the dust and ashes of our hearths. 
 Thou hast talked, and laughed, and quaffed the cup of 
 Comus with us. With thy meaning looks, and strangely 
 penetrating words, and sunny pleasantries, thou hast been 
 to all a joy and a delight, an aid, a help, a love. Nay, even 
 dumb beasts do follow thee with love. No dog but fawns 
 on thee. The steed trembles with delight as thou approach- 
 est. Puss hath no dearer perch than knee of thine. The 
 ox, as thou speakest to him, seems mitigated and intelligent. 
 The hnnet shivers his little plumes, peeps his little head 
 oblique, and carols lustier in thy presence. On none but 
 Adler and his parasites, has the sneer of scorn descended ; 
 has a proud eye been turned, or a proud lip curled. None 
 but the drones — the factors — the unnecessary mean — hast 
 thou stretched upon the rack of sarcasm. Yet familiar as 
 thou art, and all accessible to the meanest, we feel, we know, 
 thou art above us. Thou hast indeed a tongue of fire, a 
 brain of images, and a heart of dew. Thou hast the eye to 
 see withal : for are not all of us, from Adler and the rest, 
 down to the poor Haiarno and the poorer Euplocus, but as 
 machines in crystal to thee .' Thou hast the power to make 
 thy dreams realities. The treasures of the world could bribe 
 thee to no lie ; the powers of darkness could not bend thee
 
 144 SAVED LEAVES. 
 
 to injustice ; earth and hell could not force thee from thy 
 purpose. Thou hast the subtlety to plan. Thine is the soul 
 to dare, the heart to lead thy fellows. Thou, so different 
 from all — so immeasurably superior to all — canst thou err 
 in this, thy strong belief, that Beauty liveth ? Shall I, a 
 mean and despicable worm, dare hold debate against thee 1 
 I see — I see ! It must be so ! Thou must be right. 77iote 
 hast said it : / will believe.' 
 
 ' Haiarno ! may thy faith avail thee ! Trust in it. Beauty 
 is not dead. I will awake her. She will return.' 
 
 ' O Ariel ! string thyself to this great daring ! Think of 
 the bowels of the earth — see me there, far from the voice of 
 day, the breath of heaven, toiling, toiling, evermore toiling ! 
 Think of thy brother Euplocus ! Think — O think ! Fall 
 not into temptation : sleep not by the way. Thou knowest 
 the keenness of thy being : avoid ! Beware of Adler and 
 his mates. What fascination would not thy sweet presence 
 be to them ! What delight thy pleasant quips, and bubbling 
 merriment, and wild, wild waggeries ! Have thou a care, 
 O Ariel ! Their delicate food, their enchanted liquor, and 
 their downy luxuries, have power to blot out heaven — have 
 power to crush the lamp and bury the treasure that thou 
 bear'st within. Think what a task thou hast ! Think ! — O 
 think ! ' 
 
 ' Fear not, Haiarno ! I will be firm. Hope on ! work 
 on !' 
 
 ' All flesh has corrupted its way upon the island. In 
 Adler there is no hope ; in Goups none ; in Volp none. 
 Dohl, Pol, Fol, Peod, and Mochyn, are for laughter only. 
 In Taenia there is no hope, nor in Sacrante now. Hope 
 there is none, none — none for thy aggrieved brethren, but 
 in thee, O Ariel ! Be thou true to us ! Be thou but true 
 unto thyself : thou wilt not fail thy brothers ! ' 
 
 II. Ariel Sets Out. 
 
 The clouds that marched so grimly, slowly on us, flinging 
 their heavy shadows on the ground, till all the air wan'd 
 with despair, have paused, loosening into rain ; and on the
 
 SLEEPING BEAUTY. 145 
 
 front of them, like love upon the curse, the quiet rainbow 
 glides. Hairno has set his hope on Ariel ; and Ariel has 
 found his mission. 
 
 Swiftly the word went abroad in the city that Ariel was 
 going forth to seek their mother ; and the thoughts and 
 voices of his brethren awoke around him variously. Most 
 ■ — some walking in the death-in-life of having, and others in 
 the death-and-life of twt having — had, in a manner, fallen 
 asleep ; and they muttered dreamily, as the word came to 
 them, ' Mother ! mother ! what mother .'' We have no 
 mother — have we ? ' Many, at the sound, felt as if some 
 unknown talisman were struck within them, calling up per- 
 plexingly, as now heard in wakefulness and truth, something 
 long heretofore but heard in dream and phantasy. Visions 
 of the by-gone Eden gleamed unsteadily upon them ; for- 
 gotten voices murmured in their ears ; sounds of familiar 
 melody floated from afar, tasking their memories, melting 
 their hearts. Like a great sea, heavenward they heaved. 
 
 Amazed, indignant, Adler heard, but smiled in mockery. 
 Dohl opened wider up his stolid stare. Pol squeaked and 
 threw an antic. Fol reddened to the ears with anger at the 
 fool. Peod, adjusting himself and looking backwards to his 
 heel, drawled out, ' Ariel ! what's Ariel 1 is it a bird ? ' Volp 
 laughed, ' Ha, ha ! Not bad ! A bird ! Yes, of the lark 
 sort, I fancy ; but we'll clip his wings, I doubt not, — shall 
 we not, gentlemen ? ' Corbo and Milan chuckled. 
 
 Aragno, Taenia, and Co., gecked at the youthful foolish- 
 ness, the raving madness, of the notion. Patronizingly, they 
 explained to him the beauty of divided labour; mentioned 
 the ecstasy of being the only holders in the market ; disclosed 
 how counter bred from counter, till the herd — ^just, by the 
 bye, so many worms shut in cocoons to spin for them — 
 fell down and worshipped, grudging not the sacrifice of 
 body and of soul, so that tJicy were wantless. Ariel, how- 
 ever, hearkened not, but issued to the street! 
 
 Chrysourg, Meliss, and the rest, stood in their door-ways 
 or leaned across their stalls, affecting to pity him. F.rro 
 jostled aud hooted him. But Ariel passed on, his eyes upon 
 the ground. Once only he spake, then when the tribe of 
 Simulante, with fierce murmurs, gathered around him. For 
 
 K
 
 146 SAVED LEAVES. 
 
 Simulante, though he had forgot all of their far father, all of 
 their fair mother, still made pretence of knowing them ; and 
 still had power on many hearts to fill them to the brim with 
 the most frantic malice. Now, as they crowded round him, 
 remonstrating, threatening, denouncing, pressing ever a 
 peculiar lamp upon him, urging him to take it and to walk 
 by it to a large edifice not far distant, where they asserted 
 Beauty was — Ariel paused and spake even thus: 'Is then 
 the lamp alive, my brothers .'' Is there light in it ? I see it 
 not. Do ye.-* Oil, say ye .-^ Nay, 'tis blood! That house, 
 which ye do call the house of Beauty — why, look ! the walls 
 have all fallen in ! There is no roof upon it — winds are 
 howling in it — rains are falling in it ! The loveliness and 
 music, that heretofore were as a presence there, are dead. 
 Why look ye to the west, when 'tis in the east that hope 
 arises ? Why follow ye the setting sun, now when with 
 cymbal's clash and dulcimer, and joyous acclaim of voices, 
 ye should walk over the dewy blades, in beauty of the morn- 
 ing, to meet him as he rises in the east with fresher health 
 and more abounding vigour ? Day goeth down into the 
 west, and from the east night cometh, yet in the east is 
 morning. Up ! Hail ye the orient ! Onwards ! A sun 
 stronger and more glorious will even now burst forth, like a 
 bridegroom, glowing from the bath ! ' 
 
 So spake Ariel : but they derided him the more ; and still 
 the more brandished before his eyes the lightless lamp. So 
 Ariel turned and went forth by the gate upon the desert. 
 
 Absorbed in the chafe of what liad passed, Ariel walked 
 on, unconsciously taking the path that led to the mountains. 
 'In spite of them, I will do them good,' he muttered ; 'in 
 spite of their own selves, I will do them good !' 
 
 The free air played upon his cheek, like health. His foot, 
 elastic from the springy heath, grew ever lighter. His chest 
 expanded ; every sinew strung itself. Boundless overhead 
 stretched the blue heaven. The mountains rose before him 
 like an ecstasy. The joy of solitude bubbled up within 
 him. Exultation — inspiration — thrilled him like a presence. 
 His cheek flushed; his eye lightened. He trode upon the 
 winds — he gesticulated — he cried aloud in transport. Un- 
 utterable thought found vent in rhapsody. He rolled upon
 
 SLEEPING BEAUTY. 147 
 
 the grassy earth to make it his. The pebbles in his path, 
 that looked so clear in the keen air, he threw with wild 
 strength on and on before him, still following eagerly with 
 speed to see what mystery they might chance to light on. 
 
 By degrees, emotion, quieting itself, fell placidly into 
 liquid dream ; and Ariel pressed forward, forward, heedless 
 of all outer circumstance. Suddenly, a voice cried, 'Ariel ! ' 
 He stopped, he looked, he listened. Only the bare heath 
 lay round him. Was it but fancy then ? It must have been : 
 so forward cheerily ! Again a voice cried ' Ariel ! ' he pal- 
 pitated, but pressed on. A third time rose the name of 
 ' Ariel : ' but only the more eagerly pressed Ariel onwards. 
 In an instant, however, a whole host of voices swooped 
 around him, like an exulting, overtaking multitude. The 
 youth stood still in panic ; but on this side and on that, 
 they hemmed him in and pressed and swayed him diverse. 
 — ' Ho, ho, ho ! the man to bring our mother ! ' — ' I vow 'tis 
 little Ariel!' — 'To be sure! who did you think it was .-^ — 
 ' Well : in that delicate proportion, graceful symmetry, he 
 has the thew to seize and crush.' — ' The thew ! ho, ho ! the 
 thew !' — 'He has always had great weight among us.' — 'A 
 strong man ! a mighty leader !' — 'A daring soul, sirs ! look 
 at him ! ' — ' But he wants his mother ! ' — ' He has a brain of 
 images ! ' ' Ay, ay ; stucco ones ! ' ' There's an eye for 
 you ! ' 'A clear eye ! ' 'A penetrating eye ! ' * A blue 
 one ! ' ' No ; a green ! ' 
 
 Tumultuously poor Ariel struggled and passionately he 
 strove : but with foes intangible, invisible, all was vain. 
 The teardrops burned upon his eyelids — he staggered, 
 grasped at the air, and fell. For long upon the ground, he 
 lay stunned, torpid, motionless. At length, as from a dream, 
 he raised his head and looked. He was alone upon the 
 barren heath : only the vacant air stood round him, looking 
 on in silence. Then Ariel's voice went up in agony. ' And 
 is it so, my mother ? am I thus weak .'' Ah yes ! ah yes ! I 
 feel it is so. When spoke I as a man, before the face of 
 man ? I am strengthless, purposeless, powerless. I shrink 
 — not slink, I do not slink, sweet mother — I shrink behind 
 my meanest brother. I yield my individuality to every 
 stranger. I cannot lead — Oh no ! I caimot lead. The
 
 148 SAVED LEAVES. 
 
 task was never mine. I am the vine upon the elm — in my 
 bosom there are grapes. I am but the adorning wreath that, 
 loosened from the pillar, tangles the ring.' 
 
 So mourned poor Ariel over his own shattered self. ' I 
 will return,' he cried, ' I will return. But to what, O mother? 
 To what, O father, shall I return ? One like me I knew that 
 lived a parasite of Adler. And what did Adler make of him ? 
 In gorgeous carpets sank his feet. They rode, they drove, 
 they sailed : all was joy ! He sang to them ; he found for 
 them the words they wanted. They clapped their hands in 
 praise of him ; they crowned his head with flowers. He 
 came to know them all ; he grew familiar with them ; and 
 he spoke his thoughts. He caricatured Dohl and Fol and 
 Peod ; he laughed at Pol ; he saw through Volp. Quailing 
 to Adler and to Goups, he yet vvhispered of them. He grew 
 white with revelry and tremulous. He started often and 
 alarmed them with the cry of " Mother ! " All hated him : 
 and, at length, they turned him to the street — a drunkard 
 and a driveller ! Avert the omen, father ! O, let me not be 
 as he was, father ! 
 
 ' To what shall I return ? .Shall I become as Taenia — my 
 face a blotch ; my frame a dropsy ? Late in the morning 
 shall I get up withered } Duly, over the shoulders of pale 
 young men who all day long are adding and subtracting, 
 shall my important chin arise with supercilious eye then 
 dully puckered to the knowing focus? The grateful lunch, 
 shall it be swallowed greedily ? Shall I gossip stentoriously 
 on 'change, or trifle with a paper pompously ? Ah ! ah ! — 
 shall dinner come and then, at long and last, in generous 
 vintage melted, shall eyes, shall brain be loosened ? Shall 
 my wife grow gross and tipple brandy ? Shall my daughters 
 — mere ya-ya things of satin and apothecary's odours — be 
 very graceful overhead with music, envy, and frivolity? 
 Shall my sons ruin themselves with debauchery ? Shall — 
 Pah ! why waste more words ? As Taenia I can never be. 
 As easy may the hind become a beaver as I a Taenia. What 
 then ? O what, my father, what is there for me ? O ye 
 accursed three that make this paradise a hell — food, fire, 
 raiment — how shall I find you ? The huge machine goes 
 spinning on in air ; for every one is there place ; for c\ ery
 
 SLEEPING BEAUTY. Ii9 
 
 one activity but me. Are they happy, father ? No one may 
 leave his station for a moment but 'tis filled and occupied : 
 round goes the huge machine before his eyes, leaving him 
 behind, wailing and uncared-for. O dread machine, tramp- 
 ling the sweetness out of us, hast thou no place for me .'' I 
 know a place that I might fill : but wolves have seized it. 
 Still am I offered room by them, if I but say the lamp is lit, 
 the house inhabited. And why should I not ? why should I 
 not .'' Food, fire, raiment, a station in excelsis, honour would 
 be mine ! Could I not minister to my sick brethren — tell 
 them of their far father — make them kind to one another .'' 
 Might not my foot be on the mountain or by the sea ? Could 
 I not wander, easy in myself, secure of place, building up 
 glorious thoughts within me .-* Mine would it not be, upon 
 the seventh, to blow the clarion over my unhappy brothers 
 who, all the week, live or mislive without the memory of 
 father or of mother.'' Mine to rebuild the images of our 
 parents and open heaven ? But then — the Hes — the lies .'' 
 Ah me ! like incubi, would they not brood on me ? My foot 
 might be on the mountain or by the sea : but there would 
 be no hghtness in it. No glorious thoughts could build 
 themselves amid the black woof of falsehood. Nor in the 
 still recurring, dead, appointed drudgery could my being 
 always flame. I should become even as Simulante. The 
 time was, when in the freshness of the morning, on the 
 springy heath, wandering with me, the foot of Simulante 
 was free, elastic as my own. His voice had a glad spon- 
 taneous ring in it ; and his sparkling eyes were honest. His 
 heart beat true and warm. His soul was open as the firma- 
 ment : and being leaped with him in frank exuberance. 
 
 ' But now the heavy change ! See him on the street with 
 motion stiff, mechanical, and face of stereotyped propriety, 
 as if the very air had eyes upon him. The lovely thoughts 
 that erewhile came to him, no more will visit him. Earth 
 has become a blank, the ocean leaden-like and dull. The 
 hills are smoky ; and the heavens have lost their blue. His 
 sick brethren — can he speak to them ? Does he know to 
 put the gentle finger on the wound ? Can he appease the 
 pains, the doubts, the racking agonies ? He ! he fears in- 
 fection as a plague — their bedsteads are abomination to
 
 150 SAVED LEAVES. 
 
 his clothes— he gabbles through the form, and exit. The 
 trumpet 'tis his part to blow upon the seventh, he cannot 
 lift. The seventh ! it lies ever before him like a cloud that 
 will not let the sun to shine. 'Tis an incessant bitter in his 
 cup ; he has no joy for thoughts of it. O the drudgery, the 
 drudgery ! his many windings to evade, elude, escape ! 
 
 'The solemn emptiness that takes the man from out his 
 face ; what a coarse mockery it looks, grown gross with 
 decorous, self-denying gluttony ! Seeming himself, whnt 
 fierce zeal he has for seeming ! what hatred and vindictive 
 wrath for all that is or would be / How, ostrich-like, he 
 thrusts his head into the brake, stamps his fierce feet, and 
 cries, '"Tis so, 'tis so — I say it is, I say it is !" 
 
 ' Is it then him that 1 would follow } Is it beside this man 
 I would sit? Would I make his lot mine? In narrow, 
 fierce intolerance — in the bustling restlessness of self-con- 
 ferred apostleship — is there a place for me ? Or shall mine 
 be the puffed hands folded ? Is there aught in me that 
 suits this grave hypocrisy — this clear-starched mockery — 
 this whited wall through which the coarseness of the wine- 
 press and the shambles looms like blasphemy ? Would I 
 be Simulante? Never! I will preserve my truth or die! 
 O no ! I will not let my blood away ! The world shall 
 crash, but I will on ! If I cannot live — if I cannot live — 
 why then — -I can go home — home to my Father — home to 
 God!' 
 
 Ariel bowed his head upon his hands and wept. Then to 
 the cope of heaven he raised his streaming eyes and cried : 
 'Am I not thine, my Father? am I not thine?' 
 
 Coldly stretched the firmament above his head in blank 
 monotony, nor showed one sign of sympathy. He heard a 
 lifeless rivulet purl on. He saw the wide bare heath and 
 the unmeaning sun. Then Ariel stood upon his feet and 
 shrieked into the air : ' Father ! Father ! am I thy son ? i 
 . . . . Silence, like an upstartled hound, skulked sulkily 
 to its place again. There was the same cold sky — the 
 rivulet — the wide bare heath — -and the unmeaning sun. . 
 . . . ' And is this all?' he cried, 'and is this all ? A dead 
 cold earth heavily to lift my weary feet across ! No more ! 
 Is there no more ? I ha\'e been raving all this while ! I
 
 SLEEPING BEAUTY. 151 
 
 have no father — I have no mother ! Father ? Mother ? 
 What Father? what Mother? What words are these? 
 What is father ? What is mother ? Mother ! Father ! — 
 I do perplex myself. There is earth, and there are men, 
 and it is hard, hard to live. Mother ! Father ! ' — Ariel 
 reeled upon the sward and fell. 
 
 Celestial music woke him as of old : ah ! he had but 
 dreamed. There was his mother knitting in the sun and 
 all her children round her. Across the fields, and through 
 the wood, and up the hill, and by the sea, rang their glad 
 voices. And ever and anon they came with rich things in 
 their hands to lay them at the feet of Beauty : and she 
 smiled upon them, and took their offerings, and still knit 
 them up into all lovely shapes, colours, and substances. 
 And Ariel, at her feet, lay basking in the sun ; and his 
 brothers brought him shells, and eggs of birds, and fins of 
 fish, and scales, and jewels from the mine, and bits of rocks, 
 and flowers, and leaves of trees (for he was their youngest 
 brother), and beautiful were the shapes they took as Ariel 
 placed them .... 
 
 In no Mother's lap was Ariel — the swoon had passed — on 
 the bare heath he lay. Nevertheless, on wings of that fair 
 dream he rose enkindled. ' In my own heart, in my own 
 heart,' he cried, ' there lies the earnest of the future. My 
 mother is not dead, but sleepeth. I will track her footsteps 
 — I will awake her ! ' 
 
 So Ariel anew gathered himself together ; and drew his 
 thoughts tight round him ; and fixed them in the middle 
 with resolve as with a buckle. Across the moor firmly he 
 bent himself, still muttering as he went : ' Yes, in my own 
 heart — my brothers may deny, for they forget — the sky may 
 know not, nor the earth, for they are passive, dead — but in 
 my own heart —deep in my heart of hearts, it lives — the 
 memory of my mother. At even, or in morning, or at noon, 
 'tis not in vain they visit me, these dreams and images that 
 inspire and guide. I feel, I know that I shall find her.' 
 
 Communing with himself, the youth stepped forward 
 rapidly : the moor was overpassed without his knowing it. 
 But, as his steps grew shorter, and his breath laborious,_ 
 involuntarily he raised his eyes, and, with a start of pleased
 
 152 SAVED LEAVES. 
 
 surprise, saw that he was ah'eady on the mountain. Never- 
 theless, halting not, upward, with fresh vi«;our, on the steeps 
 he threw himself ; for eagerly he longed to look abroad if 
 anywhere he might espy aught vestige of his mother — aught 
 tell-tale twinkle from her secret sleeping place. 
 
 At length he paused, wearied with exertion. Upon the 
 peak of vantage he had gained, he turned and looked afar 
 upon the ample silentness. 'The wilderness is fair,' he 
 cried, ' surpassing in its loveliness ! Blue sky and mighty 
 hills — the woods, the lakes — calm rivers and wide fields — 
 the sea ! How beautiful ! Ah, here she dwells ! Not with 
 my brothers in their sickly-heated rooms of luxury — not with 
 those others in their dark, damp cells of misery — but here ! 
 — here with the calm, broad-fronted presences that sun them 
 largely in the slumbrous air ! ' 
 
 Long stood he thus with greedy-gazing eyes ; but turned 
 at length and recommenced his journey. Higher, higher as 
 he clomb, still stronger, mightier, grew he in the faith of his 
 great inquest. Did not her very breath mysteriously seem 
 round him ? The well-known smile upon her cheek — surely 
 it was the same that now shone fitfully before him ! 
 
 Suddenly, a voice, musical, of serious ecstatic tone, rising 
 on a swell of simple, yet somewhat stately melody, struck 
 upon his ear, trancing the air. In swift amazement, casting 
 his eyes around, Ariel presently descried, upon a ledge of 
 rock, an old man sitting, rapt. Wondering who he was, 
 and what he did, the youth made towards him. As he came 
 near, something there was about the man that drew the warm 
 soul of the youth up to his lips ; and, running hastily to his 
 knees, he cried in passion, ' Tell me, tell me, for thou know'st, 
 where is my mother ?' The old man, looking on him, smiled 
 and pointed to a grotto in the rock. Ariel flew to it, and 
 entered. One glance sufficed — it held no living being but 
 himself. The cell was naked and severe of aspect. On a 
 small stone-table lay a book, on which the hermit (who had 
 followed and now passed him) reverently laid his hand. 
 Even as he touched the book, light burst from all its edges ; 
 and Ariel exclaimed, ' My mother ! what is there, there, of 
 hers?' The old man, lifting the book, went out upon the 
 grassy slope, and Ariel followed. Presently, the hermit
 
 SLEEPING BEAUTY. 15S 
 
 seated himself and motioned Ariel to his side. Then looked 
 he long into the stripling's fair young eyes, till, satisfied, he 
 nodded his head and said, ' Thou art worthy ! to thee the 
 book is open ! ' With stately, self-complacent pride of 
 aspect, he unclosed the wondrous volume. Strange joy 
 awoke in Ariel as he gazed on these mysterious pages. 
 Token after token of his mother glowed on his enraptured 
 vision. Gems they were and jewels fallen from her hair ; 
 teardrops from her own dear eyes ; smiles from her lips ; 
 glances, naivetes, espiegleries — a thousand charms : all won- 
 derfully preserved and fixed in a pure crystal that yet en- 
 hanced their loveliness ! The air pressed on and burned 
 around the book. The world without grew luminous. Ariel 
 looked up : and lo ! across the hill, afar, and down into a 
 hollow, he saw the fringes of her mantle vanishing. Ariel 
 turned eagerly to the old man, who, shutting the book with 
 much complacency, nodded his head, and cried : ' 'Tis she 
 indeed — 'tis she herself — she is asleep no more ! With me, 
 among these hills she dwells ! Follow ! ' Thus having said, 
 he rose, self-satisfied, put the book beneath his arm, and, 
 stately-stiff, walked to his grotto. 
 
 But Ariel saw him not : he was already gone. With speed 
 of light, the mountain-flank was overpassed — the margin of 
 the hollow gained. And from the brink, he peered with 
 eager-rolling eyes into the lurking places of the gulf below. 
 Ah ! no : she was not there ! The very fringes of her robe 
 had vanished utterly. But there was a whispering in the 
 trees — a nodding of the slumbrous foreheads of the opposing 
 rocks, a bubbling of the waters — a wafting of the air — a 
 murmuring of the very ground as after visit of the summer- 
 rain — that spoke her presence. Down the tangled precipice 
 sprang Ariel — down to the level of the slated floor. There 
 stood he : trees and toppling crags hung round, or lay in 
 fragments by him ; and up — up— through midst of them — 
 up, up— far over jutting shelf on shelf, a monstrous waterfall, 
 in the air, blew white and silent. There stood he in that 
 depth of depths and called out ' Mother ! ' The hollow caves 
 and deep-recessdd angles round about hoarsely woke up 
 with 'Mother!' The jutting crags above, opening their 
 half-awakened eyes, hastily cried ' Mother ! ' A hush : then
 
 154 SAVED LEAVES. 
 
 from afar, like a withdrawing wail, afar from the white, 
 silent cataract, came faintly, 'Mother!' Silence, like an 
 aroused, offended, ovcrhanginj^ deity, drew muttering back 
 on Ariel, till he ran. Over the sharp, uneven flints, he ran 
 — round every rock, and into every cave — and leaped the 
 gushing glut, and sped along the slippery shelves, and 
 through the spray into the torrent-tongut^d nook, and, up 
 the steep, past wall of rock, from ledge to ledge, hither, 
 thither, in open or in close, still calling, ' Mother, Mother,' 
 in his panic, till all the horrid depths, from pool to pinnacle, 
 were wild with hubbub and the cry of Mother.' 
 
 In vain ! No archly-hiding loveliness sprang forth mis- 
 givingly ; nor voice arose, yearning in apprehension and 
 remorse of ' Ariel, Ariel, here am I ! ' And Ariel's tears fell 
 fast ; and great sobs tore him : ' O where is she, my mother ? 
 
 my mother ! ' 
 
 Blank, silent solitude ! The place grew frightful as the 
 place of death. Ghosts of evil deeds threw gloom ; and 
 there were flittings on the dark. In haste, he clomb upon 
 the mountain ; nor stopped, but to the summit mounted. 
 Behind him, hills on hills, interminable, upheaved their 
 great backs to the sleepy air, like whales in shoals. Before 
 him lay the wide-spread champaign, and, afiir, the sea. Over 
 the illimitable spaces wistfully gazed Ariel. Longings un- 
 utterable arose. What did it all mean then, — this, that lay 
 so glorious around him — beautiful, melancholy, unfathomable 
 — like loveHness in dreamy tears ? Was he alone — alone — ■ 
 unthought of and uncared for — a waif of chance — a stray 
 weed fallen on the rock.? 
 
 Wildly he clasped his hands and cried, ' My mother ! O 
 my mother ! art thou but a dream then.?' At that instant 
 her shadow lapsed athwart the plain, and by the sea her 
 very sandals glittered. Adown the steep, precipitate ran 
 Ariel, still whispering tohimself'Tis Beauty ! ' nor stopped, 
 till, issued on the pebbly beach, he shouted ' Beauty ! ' The 
 rocks took up the name, and flung athwart the level, 
 ' Beauty.' Silence drew back anon with awful pause ! but 
 Beauty came not. ' Mock me not, mother ! Thou art here, 
 
 1 know : for all around burns with thy presence. O come 
 to me — come forth — I am vexed in heart— 'tis Ariel 
 
 tt
 
 SLEEPING BEAUTY. 155 
 
 that calls — thy Ariel — thy youngest born — thy son — thy 
 darling 1 ' 
 
 Nor form appeared ; nor voice replied. ' I do deceive 
 myself/ said Ariel, at length : ' she is not here. The old man 
 on the mountain assuredly I have mistaken. I will back to 
 him, and question further.' So he retraced his steps, and 
 once more bent him to the upland. 
 
 As he travelled on, he crossed a ri\ailet — a silver ri\-u]et it 
 was, and prettily it prattled — and there, upon the margin of 
 its pebbled bed, he spied a footstep of his mother. The 
 youth threw himself on his knees to look at it — then raised 
 his eager eyes in quest of others. A second footstep met 
 his sight — another and aiiother — then up the brook, flushed 
 with fresh hope, he ran. Up, up, he followed on, winding as 
 the brook did ; nor did his mother's footsteps in the grass 
 desert him. On, on, he ran, the rivulet ever by his side, 
 even like a playmate. On, on he ran with it under the 
 hollow rock, under the bowery tree, under the thymy bank, 
 and round the island 1 On, on, o'er grass, o'er sand, o'er 
 pebbles, and o'er lipping ledges — on, on, until the rivulet 
 grew alive to him — a presence ! How in rare, sweet places 
 she would stop — and he would stop ! And a beaming cheek 
 with glancing eyes and loving mouth M'oiild glow upon him I 
 And the twain would pantingly draw close into each other's 
 breath, like lovers ! 
 
 On, on, over the open fields — the voice of his companion 
 lost in air ! Onward to the wood, where was a gleaming in 
 it. ' .Surely it is she — my mother ! ' On through the wood 
 he ran ; among the trees he ran, still following on ; for there, 
 in very truth, he saw her rushing robes before him ! On, on, 
 with eager speed, with glowing cheek and flashing eye — on, 
 on, by fountain and by bank, by copse and wildering dingle 
 — on, on, till bursting from the brake, on the free hill, he 
 reeled. In vain ! No queenly form paced there that might 
 beseem his mother. 
 
 With wild longing at his heart and wild despair wreathed 
 like two snakes, he threw his eager eyes on all sides. At 
 length, a lambent flame, that liquidly o'erflowcd a chasm in 
 the hill, grew plain and plainer to him. The serpent-knot 
 unwreathed itself; with a cry of joy forward he sprang anew.
 
 156 SAVED LEAVES. 
 
 With swift speed soon he drew near the radiance. He 
 turned a rocl<; ; the chasm stood unveiled before him. A 
 quarry of the purest marble — tenanted by the most wondrous 
 forms. Enormous bulks of heroes lay around — vast blocks, 
 the images of bird and beast, of man and mighty god. And, 
 three parts loosened from the solid wall, great, giant forms, 
 like legends of forgotten time, stood forth a-tiptoe. Yea, 
 like a liquid wave, the rigid cliff seemed flowing, yielding up 
 to sight a doubled fist of infancy, a rounded arm, an ankle 
 delicate, shoulders of ample span, and nervy knees. And 
 one old king with haggard eyes and lips convulsed to speech, 
 came forward in the midst, stretching a sceptreless right 
 hand — omnipotence in years. And other forms there were, 
 colossal, bulking from the stone into the lustre that o'erflowed 
 the whole. 
 
 What are they ? — whence ? — amazed stood Ariel, when a 
 low moan near him startled him to look where, on a bunch 
 of green herbs, sat a fair boy with drooping head and idle 
 chisel in his listless hand. Ere Ariel had time to question 
 him, he raised a sudden glance, and cried : ' Ueceasdd 
 majesty I sought to make alive, once more to sway us into 
 peace — but see !' — He pointed to the prostrate mightinesses 
 and sobbed — ' But thou — thy mien is gentle and thine eyes 
 are like mine own— what would'st thou ? whence com'st 
 thou ? what dost thou seek ? ' 
 
 ' Fair youth,' said Ariel, ' that doubtless art my brother, 
 our mother hath gone forth and wandered from us, and I, 
 for that contention and confusion rack us, do follow on all 
 paths to find her ; and dints of her footing often have I 
 found, but her great presence never.' 
 
 ' To that end I, too, came forth — at least to bring lost rule 
 among us — but yet of father or of mother heard I never — 
 for me this fallen majesty alone had hope — but art thou sure 
 'tis not a dream.'" 
 
 Hereat there rose into the air a wail so sweet that one 
 youth stopped, and both stared breathless. ' 'Tis sweetness 
 not of earth,' at length gasped Ariel : ' such accents were my 
 mother's — Adieu, fair brother ! longer I may not tarry ! ' 
 Thus speaking, he had sprung forward in the direction of 
 the voice, nor heard (or heeded not if heard) the stranger
 
 SLEEPING BEAUTY. 157 
 
 cry, * Come back ! I know the voice ! Come back 1 and I 
 win tell ' 
 
 Erelong the sudden youth had gained the borders of a 
 lake from which the wail proceeded. The liquid pity of the 
 sound enriched the very air that fell like balm upon the 
 wanderer. Halting, he gazed around. At length, upon the 
 middle of the lake he spied a frail form drooping from a 
 little skiff. A slender youth it was, emaciated and grey, and 
 O ! with such a face of sorrow ! The heart of Ariel was 
 torn within him, as he looked on him. Drawing to the 
 water's edge, he stood and listened while this new vision 
 sang such meaning, melting things of Adler and Haiarno 
 and the rest, and of their misery and sin, that all around 
 grew dewy-luminous, and Ariel, moved to the very core, 
 exclaimed : ' My mother ! Strange youth that hast her 
 voice. My mother ! give me my mother ! ' 
 
 Sudden, at the word, the stranger in the skiff arose as if 
 convulsed, and tore his hair and shrieked : ' We have no 
 mother ! Father or mother had we never ! Spawn of the 
 earth are we, and playthings of the fiend ! ' Thus shrieking, 
 the form collapsed into the boat, dead ; but from its breast 
 awoke a dove that rose into the air and hovered o'er the 
 lake and flew away, at length, swiftly, yearningly, to the 
 city. And Ariel watched it as it flew ; and saw it stoop 
 upon the city, but in an instant rise again. And as it rose 
 its glossy wings seemed flecked with blood. Natheless it 
 stooped again, but rose again and bloodier than before. 
 And Ariel's own heart bled within him as he saw this 
 gentle loveliness still stoop and rise, and rise and stoop, 
 and find no resting-place, and flag as if exhausted, till a 
 gust took it and bore it away, winging, flickering, into the 
 west. 
 
 Ariel was stupified and sank upon the ground. ' What 
 could it all mean?' he thought! 'Was it all vain, then ? 
 Was his search delusion?' 'Twilight was coming on and 
 doubt clung round him. Over the low mist that crept along 
 the lake, like breath upon a mirror, he looked — over the 
 plain he looked afar to where the mountains dreamily with- 
 drew themselves, till a form arose from them, advancing, 
 gliding towards him. Up, from the mountains and the
 
 15S SAVED LEAVES. 
 
 plains, the figure grew and gathered, shaping itself. A 
 woman of unutterable loveliness, it seemed, majestic and 
 serene. Unable to contain himself, throbbing with hope, 
 the youth sprang forward. Stopped then the loveliness, and 
 back — and back — withdrew. Panting, he ran, he shrieked. 
 In vain ! the swifter he pursued, the swifter she drew back, 
 till, like the juggle of a shifted glass, she vanished — and the 
 hills were there. Then Ariel retraced his steps, vexed, 
 galled, desperate ; lo ! still backward as he went, again the 
 hills shot suddenly away, melting into each other and the 
 form. Again ran Ariel to meet — again the loveliness with- 
 drew. Then fell a whisper on his ear and thus : 
 
 ' In vain, sweet youth, in vain ! The more thou followest, 
 the more shall I withdraw. Beautiful I am of mould, but 
 lifeless. With me is no warm heart to lay thine own upon. 
 I am thy shadow. Dwell not thou' with me — Medusa-like, 
 I will transform thee — look!' Like glare of optic lens,a 
 round of mighty light fell sudden on the mountain, bringing 
 out alone, the old man on his crag, sepulchral. No lock of 
 silver hair — no pebble in the rock — but, in the light, was 
 definite. So changed he was — that aged solitary. Frigid 
 as stone he seemed, narrow and indurated : a very portion 
 of the rock, he seemed, barren and bald and vacant and 
 poor and thin and selfish ! 
 
 The light withdrew and darkness re-assumed its own. 
 The figure of a man, haggard and dissipated, with power 
 upon his brow and pride upon his lip, pacing hastily to the 
 city, brushed past Ariel, muttering : ' Pshaw ! there is not 
 even good pistol-practice in a desert ! ' 
 
 Bewildered, tranced in thought, stood Ariel. Hour after 
 hour passed by, but still he moved not. At length, at mid- 
 night, when only the stars were out, he turned and bent him 
 to the city. 
 
 Epilogue, 
 
 I SHOULD not hesitate, even now, to reproduce the conclusion of 
 ' Sleeping Beauty,' did I but .sufficiently remember it. That I do 
 not. And this is a great regret to me, for I acknowledge myself to 
 regard this writing as about my best ; while, as respects thinking 
 again, considerable correction would have followed of what in the
 
 SLEEPING BEAUTY. 159 
 
 foregoing may only appear product of the heat and haste of youth. 
 In that marvellous preface which Keat — he of the most opulent 
 poetic promise of any man, probably, for the years he died at — wrote 
 in l8i8 to the ' Endymion,' it is said : ' The imagination of a boy is 
 healthy, and the mature imagination of a man is heallhy ; but there is a 
 space of life between, in which the soul is in a ferment, the character 
 undecided, the way of life uncertain, the ambition thick-sighted,' etc. 
 I know not that the imagination of the boy will be generally sup- 
 posed to have the advantage, even in health, over the imagination 
 of the youth, but I doubt not that the words quoted will be ac- 
 knowledged admirably to name the latter. To this latter, it may 
 appear, that ' Sleeping Beauty ' largely owes birth ; and certainly 
 these views of labour, the middle-classes — society in general, have a 
 youthful look. I do not think, however, that their author ever 
 regarded labour as an evil. Not only did he know what labour is, 
 and its necessity, in the abstract, but he had seen much labour, of 
 many kinds, and with perfect perception of its benefits, not only 
 objectively, but subjectively. Far from being a calamity to the 
 subjects themselves, labour as labour is their happiness and health. 
 In verj' truth, labour alone is life, and to live is the sole earthly 
 enjoyment. Let any man watch the workman, and he will find 
 that labour is not even hard. The Navvie does as much work as 
 any man, but with what unresting ease, the breath not an inspiration 
 quickened, nor the pulse one throb ! Carpenters, tailors, shoemakers, 
 shop-keepers, even mill-workers, colliers, miners, can joke and laugh: 
 their work is but their happiest way of spending the day, and they 
 know it. What concerns the middle-classes, again, is a more am- 
 biguous matter, and the general question itself is a more complicated 
 one. -There is no doubt that the young man was caught by the idea 
 that the working-class alone produced the wealth, while the middle- 
 class, without adding to this wealth, only cunningly contrived, through 
 their education, to get the handling of it. Doubtless, there are abuses: 
 doubtless there is quite a host of non-producers now-a-days— men, 
 really, and in every way, idlers — who live, and live in prodigality, by 
 simply taking, so to speak, rides on the property of others. Still, it 
 is beyond a doubt that, under a good government, the stewardship of 
 the nation can by no better means be achieved, than by a mean — a 
 middle-class of capitalists who have what they have, in ultimate in- 
 stances only through their own industry. Even suppose government 
 to be made the sole capitalist, it never could come directly face to 
 'ace with labour ; it would still be necessarily separated from it 
 by a whole middle-class of functionaries. Then, too, the system 
 would be artificial, and temptations to abuse irresistible. At 
 present, however often the word conventional may be used, and 
 not irrelevantly, in this connection, society is not really artificial ; 
 it is a growth, and, with all its shortcomings, the best growth 
 possible. The sight of unworthy wealth is bitter, while that of 
 vicious poverty stirs sorrow to the core ; but these must be. Ex- 
 ternality not more certainly necessitates inequalities physically, than 
 inequalities meta])hysically. The consolation is that while penalty 
 is the law for both conditions, there is a door of escape even from
 
 160 SAVED LEAVES. 
 
 the latter. There are in this world hard, hard lots, beset often 
 with dilTiculties and obstructions, all but insurmountable, still it 
 is true, that no man need remain poor. The Modern State is 
 the natural organization of men — of men on laliour. As woven 
 of the universal, the particular, and the singular, it is a life. 
 There wants but full consciousness of these constituents to bring 
 all speedily into a very tolerable perfection. Ikit, at all events, 
 as regards what is specially in question, wherever, using the terms 
 of Aristotle, there is the %£'f''7-£;/i/?3J, there must also be the 
 a^yjTiXT'jiv^ and that is, even in the Aristotelian sense of the 
 wortl, a middle-class of leaders, directors, managers, guides. It 
 is quite certain, however, that that fellow Volp is the great evil of 
 society at present. The plausible fellow intercepts all the wages, 
 and even the credit, of the actual workman. It is pretty much the 
 fault of the people : the people will turn away from the common- 
 place reality in its knee-bagged trousers to take the imposing fiction 
 in its robes. They should really give themselves a little trouble 
 to find the vn'z.-n dcr kennt itnd kann unci tvill. Besides Volp, there 
 occur in this essay a few other passable character-generalisations, 
 perhaps. 
 
 It is not to be understood, either, that, though Simulante be 
 only an imposter, there was ever any thought of undervaluing the 
 genuine vSacrante. The true, ultimate, supreme cement of society, 
 to take it only so, and not in its specially sacred bearing on the 
 individual, was always known and fervently appreciated. Let us 
 say but this here. How can you be secure of your oaths in a court 
 of law, if you have not religion to breathe into them life, validity, 
 necessity ? Let it be a light thing to swear falsely to serve oneself, 
 though with injury to others, and how long will society subsist ? 
 When the fire died out in Greece, the Particular woke up for itself, 
 and gnawed the universe into dust. When religion failed, that is, 
 to enforce the sanctity of an oath, the Sycophants were let loose 
 to serve themselves by swearing away the life, and property, and 
 validity of all that was as yet sound. 
 
 Let Simulante be treated as he may, then, it is quite certain that 
 Sacrante (who also, as we see, might be named Integrante) was 
 perfectly understood and honoured — nay, that he lay in the original 
 plan as the main agent in the discovery and restoration of Beauty, 
 who was solemnly to be conducted back to her re-built home. 
 
 Of the conclusion of the piece nothing remains but the following 
 passage from a monologue of Ariel ; — 
 
 Far and wide the bosom of the earth is wounded, and her own blood 
 disfigures it. The bowels of the earth dragg -d forth, hide her green 
 flanks with blue deformity ; while cumbersome around, mid smoking 
 sulphur and distasteful ash, lie rocks in blocks, with bulks of metal 
 and unseemly log. In vain, in vain the quest of Beauty here ! 
 Nor with my brethren that do weave their motion, as into a web, 
 with these dead things, is any memory of our mother left, — O weari- 
 ness ! To weave my motion even as theirs, — shut my far eyes, 
 and fold my world-attaining wings, — be clothed, be filled, — in void 
 hours, for diversion, read forged legends of the parents we forget, —
 
 SLEEPING BEAUTY. 161 
 
 and so wax old, incapable, and die ! Most mighty consummation ! 
 Can it be ? Is there no more ? For nought but this, these huge 
 appliances — laborious upgrowth from the womb of time of multi- 
 form relations numberless, that mock with purpose, but are pur- 
 poseless ; — countless, never-ending kything from the lap of Nought, 
 of entities prodigious, that do come and go, affecting, unaffecting ; 
 —stupendous up-lift of over-globing vast, with jewelled nights, 
 and days fleece-draperied, with purple linings, crimson fringe, and 
 golden tassels from the sun himself, in look of whom the planets 
 live, or die not having ; — green earths silvered by moons that 
 feed the fairies, trailing rich mantles by the rills, where lilies 
 swoon and trees stoop over ; — mountains, and seas, and meadows, 
 with churm of myriad existences ; — rooms fire-scarletted to comfort, 
 with ring of childhood's laugh, and wave of woman, — and all 
 the strange without of airy spire and smoking pinnacle, mansions 
 in shade, lit windows, teeming streets? Inexplicable whole, — 
 a joy, a sorrow, and an awe— that ends in nothing! Ah me! 
 I know ; — I know not ! See ! with wings invisible my brothers 
 blind have over-run the earth, and seized it to them. They forge 
 an adamantine hand to grasp it, and in their clutch it crumples, 
 yielding its virtue up. Yea, mountain, and sea, and arid steppfe 
 of the east, contract to bounds, and lie upon their palm — yet 
 still for evil! Darkness, and blindness, and confusion, wanton 
 the more ; and life is misery. Small creatures coralline, when 
 untold millions of their race had died in elder aeons, did,' from 
 the abyss of ocean, piling their own corpses up, extrude this 
 island. Such creatures, then, are we, that lift a dead rock to 
 the lipping sea, and cease ? And now some mightier dynasty is 
 on the dawn — now that the earth is fictile — some mightier 
 dynasty, heedless of us, or ignorant of us, to carry up, not 
 man, but man's poor workings higher, leaving him behind, un- 
 sepulchred in thought, himselt unthinking. 
 
 THE UNIVERSAL STRIKE.* 
 
 O MUSE ! I too would sing. I, all untried, 
 
 Am passionate to don the golden woof, 
 
 And cleave Empyrean with a penn of pride. 
 
 Ah, let me ! Be thou strong in my behoof ! 
 
 Great are the souls that dare. To front the proof, 
 
 Is glorious : and I, if but one spark 
 
 Of intellect 1 strike, fear not the hoof 
 
 Of malice. Let the crow croak ! Hangs my mark 
 
 High : and I would trample only death and the dark. 
 
 Planned, and the first eight Spenserian sUn/.as written in 1845. 
 
 L
 
 Ifi2 SAVED LEAVF.S. 
 
 Which of the Nine — which star of all the Nine 
 
 Picrides beacons adventurous me ? 
 
 Shall Clio's plectron smite a mighty line? 
 
 The lyre of rich-enrobed Melpomene, 
 
 Or flute of flowered Euterpe shall it be, 
 
 That guides ? Neither. The trumpet I would blow 
 
 That Spenser blew, and, mighty, marched as he. 
 
 Who in resounding panoply did glow, 
 
 The god, Phoebus Apollo with his silver bow. 
 
 Big words, big words ! All vanity ! The weight, 
 Why lift of work ? O life ! O weariness ! 
 Far better were it not, inoccupate, 
 To dream, and dream, and dream, in idleness- 
 Dream after dream in large reposddness ? 
 The air is heavy and my limbs are weak ; 
 I cannot lift them — cannot bear the stress 
 Of movement. Stale the best and flat : why seek 
 Jargon's illimitable nothingness to eke ? 
 
 Where is the worth of this great thing, a bard ? 
 What use on earth the tuneful calling bland .'' 
 One line — one word, is oftentimes more hard 
 To turn, than is the glebe beneath the hand 
 Of labour. See ! yon clown upon the land, 
 Hath cut the crop, gathered and bundled it, 
 An ample store sufficient to withstand 
 The teeth of many living men ; and yet. 
 In the same time, these are the verses I have writ. 
 
 The mountains travail that a mouse be born : 
 
 And what have I to do with such vain toil .'' 
 
 Where is the virtue of this twisted horn 
 
 Of verbiage.'' What good to droil and moil. 
 
 Laborious, in poor word-catching coil 
 
 Of authorship ? I will throw up the task ; 
 
 And, haply, disentangled from the broil, 
 
 Sit on an eminence, nor will I ask 
 
 Power to myself, but in the light of others bask.
 
 THE UNIVERSAL STRIKE. IGo 
 
 And here to lull us, the naive old man 
 With bud of prime upon his caller cheek, 
 And on his lip, the sign Saturnian, 
 And big-mouthed thunder of the olden Greek- 
 Homer ! full bard ! full man !— yet in the freak 
 Of Juno he believes ; nor thinks the fry 
 Of stupid stories of that paltry pique 
 That split Olympus, and perplexed the sky, 
 And glutted hell, and dogs, and all the birds, a lie. 
 
 Yet him we'll hear ! first lark that took the air, 
 And piped to morning over leaguered Troy .'' 
 Yes him, the first that did of Delphi dare 
 To breathe the inspiration and the joy, 
 Blind Melesigenes ! simple as a boy 
 In unaffected manhood — Pah ! no more ! 
 No more ! I'm sick of this eternal oi. 
 Achilles is a braggart and a bore, 
 Ulysses too, and Diomedes good to roar. 
 
 ? 
 
 Prithee the use of this ! What good, I ask. 
 Poor Homer's pains to measure short and long 
 Bethink you, sirs ! what merit in the task 
 Of vexing words, to extricate ding-dong 
 J'rom perverse combinations, haply wrong 
 Even at the best ? Time were but wasted by it. 
 Fine Greek ? Fine platitude, I think--sing-song— 
 Fine childishness, these tales of babes unquiet, 
 Bragging, and throwing stones, and eating equal diet. 
 
 There's dancing prattle of Anacreon, 
 
 Leering with roses on his old head, and 
 
 Red wine-stain on his lip : a skeleton 
 
 Grins livelier. As little can I stand 
 
 Who wrote the ' Clouds,' though quite a master-hand 
 
 Z/i-'s named ; but silly, boyish, and jejune. 
 
 And coarse, and common, at least that is planned. 
 
 And Tragedy is worse : it were a boon * 
 
 These Choruses were sunk in mid-sea, late or scum.
 
 lO; SAVED LEAVES. 
 
 TJuyregoodfor Histo7y ; but if Greece fail. 
 
 Try Rome. Catullus has a grace, and prig 
 
 Virgil, no doubt, it is, gives Milton scale 
 
 •Of his best pauses, breaks, and rhythm big ; 
 
 Then Horace, dirty, laughing, little pig, 
 
 (His Iter see), a pretty quill has got. 
 
 Yet, neither he nor Virgil's worth a fig 
 
 In truth, — wood, after all, their verse ; their thought 
 
 Idle, or else just from some Greek or other caught. 
 
 Come home, then,— Shakespeare take ! O yes, were we 
 
 The ruffling bluster of the surf once through, 
 
 Out to the clear depths of his proper sea, 
 
 'Twere well ; ay, and the best ; but that irks so ! 
 
 Milton, for images, for mighty blow 
 
 And peal of organ, feet innumerable 
 
 Of verse, is undisputed master now : 
 
 But then — the angels in their comfiany-drill. 
 
 And Son fired at with cannon by the devils in hell ! 
 
 Weak, miserable caricature all that ! 
 So, rather let me sit me by the fire. 
 With English Chaucer and with Burns the Scot ; 
 Compared with whom, thin even is Moliere, 
 Voltaire wants depth, and Dante's simple lyre 
 Simply chants nightmare, slow and battle-like,— 
 But no ! it seems I must myself aspire 
 Gravely to sing or say — no tale antike — 
 The END DEFINITIVE, the Ujihiersal Strike. 
 
 Broods an horizon low, green, brown, morose. 
 Over the sullen ice, moveless in block. 
 Upon the snow, chill, miserable, congealed. 
 But semi-dormant, dull, a thing that starves. 
 Motionless by a rift, a bear, head down : 
 Motionless over against, an Eskimo, 
 His pointed hut slow-heeling over edge 
 Of the dim universe, asleep in dream. 
 Far on the hill, by a felled tree, there sits 
 The wood-cutter, his hatchet in his lap,
 
 THE UNIVERSAL STRIKE. 165 
 
 Idle. Upon the water by the bank, 
 
 The raft at its moorings will not even sway. 
 
 The stream itself, as though with eyes abashed. 
 
 Just slinks by the shut doors and windows blank 
 
 Of smokeless cottages, nor lifts a gleam. 
 
 Immovable upon the field the steers : 
 
 A moveless ploughman with a moveless plough. 
 
 Within the city, silent, dead, the Trades 
 
 Sit idle with their implements in hand, — 
 
 Shuttle or hammer, saw, or knife, or plane. 
 
 Over a hoof between his knees, the smith 
 
 Stoops, still, the steed not moving by the wall. 
 
 The butcher stands, his knife upon the whet. 
 
 The grocer stirs not by a scale dropped plumb, 
 
 The while one customer has turned to leave, 
 
 A parcel in her hand. The draper stays 
 
 His wand upon the cloth. That thief himself 
 
 Has stopped, the lock awry upon the door. 
 
 A postman by a bell, with housemaid, who 
 
 Stretches for a brown letter, thimble-sealed. 
 
 Speaks not, but stares — each at the other — blank. 
 
 The helmeted policeman, on the street. 
 
 Stands still, his hands within his belt. How still 
 
 Are all the patients in the hospital — 
 
 The doctor by that bedside seems asleep, 
 
 His fingers on the pulse ! The lawyer sleeps. 
 
 The pen within his thumb. The baker sleeps. 
 
 There, by his batch that smokes not, and his man 
 
 Sleeps, towelling over the pail his foot. 
 
 That file of soldiers, with their shouldered arms, 
 
 And the capped man in front of them, who holds 
 
 A cane, are toys — toys that a child has set. 
 
 The life-guard and his horse seem stone. No crank 
 
 Awakes, or anvil starts, or levers roll. 
 
 And motionless is every whirling wheel 
 
 In factories, whose very air has lost 
 
 Its dust, spectral with dead machinery. 
 
 The jeweller in his booth, with head on hand. 
 
 Sits underneath his glittering trinkctry 
 
 In the glazed window, — ouches, brooches, chains,
 
 16ti SAVED LEAVES. 
 
 iSciyl and bezel, clas]) and carkanet. 
 
 '['he blower stands, the bottle in his hand, 
 
 His cheeks still full. The beggar by the door, 
 
 Knocks not. The master at the work-house gate, 
 
 Offers a loaf the pauper will not take. 
 
 The priest, with incense in his hand, has stopped, 
 
 Sudden, by the altar, as though he asked 
 
 What am I, then ? — what is it that I do ? 
 
 Within the silent palace sits the king 
 
 With idle sceptre, moveless, on his throne. 
 
 Amid his white-locked, gowned senators, 
 
 Whose lidded looks are all upon the ground. 
 
 No sound, no movement anywhere in all 
 
 The ghastly thoroughfares and naked roofs. 
 
 Nought but a stirless shine across the plain. 
 
 O'er villages, and fields, and up the hills. 
 
 Afar upon the sea, against the sky, 
 
 The rigging of a ship, and, at its side, 
 
 A smokeless steamer, idle as a cork. 
 
 The sun glares in his place, and the white moon 
 
 .Stares back upon him, dull. The universe 
 
 Folds into itself, sinking to the blank 
 
 And all-devouring maw of nothingness. 
 
 'Tis gone : no world, no space, no time, no God ! 
 
 Nothing ! A null eternity that knows 
 
 Nor pause, nor continuity — a blank ! 
 
 lilank all ! A blank of blanks, — blank, blank, blank,blank ! 
 
 No I turns on its ^olian hinge the gate ! 
 Bursts forth into the blank the universe ! 
 The winds are joyous round the mountain tops ; 
 The laughing sun plays with them ; and the mill 
 Loud-switches in the seething pool, the while 
 The miller at his door lends a quick hand 
 To load the busy cart. His children shout ! 
 We live. Life, while we live, is glad and gay. 
 And sweet. Die when we may, most surely soon 
 Will come the consummation : we shall see 
 At last THE END within the hand of God.
 
 A PEEP INTO A WELSH IRON VALLEY. 167 
 
 A PEEP INTO A WELSH IRON VALLEY.* 
 
 Such a peep must be a novelty to many of our readers ; and 
 as Wales — from the exertions of a Welsh Educational 
 League, from certain motions in Parliament, and from the 
 appointment of a Special Commission of Inquiry — has be- 
 come a subject of some considerable agitation of late, we 
 trust that our present attempt will prove neither unseason- 
 able nor unwelcome. To him, indeed, whose eyes and ears 
 are constantly dazzled and dinned by the ceaseless sights 
 and sounds of city-thoroughfares, a glance, as from the top of 
 St. Paul's, into the little busy nest of one of these remote 
 Welsh Iron Valleys, may come not unpleasantly. Merthjr 
 is by far the most important of them all ; but for the present, 
 we shall direct our eyes to a smaller and a prettier. 
 
 There, then, it lies beneath our feet ! We can see into the 
 very streets and house-row spaces that straggle through the 
 bottom of it ; some portion of a true picture of Wales, and 
 life in Wales, surely we shall attain to. There it lies, in the 
 splendour of an autumnal sun. How beautifully small it is ! 
 How miniature-like, somehow ! A gently-curving sweep it 
 is between these two low mountain ridges, which, leaving the 
 skirts of the high, bleak common on the verge of which we 
 stand, approach to form it. The roots of the two ridges 
 seem to digitate into each other, down there, at the far end ; 
 but their tops remain apart, giving sight to a remote moun- 
 tain with the white dot of a cottage far away, and no other 
 object visible. For there is a crystal clearness in the air 
 to-day, that makes the distant present ; bringing localities, 
 usually considered out and beyond our own, somehow, for 
 the nonce, into the very midst of us, — associating the whole 
 family of hills around into one peaceful brotherhood of 
 neighbours. 
 
 Beautiful, beneath our feet, lies now our miniature valley, all 
 golden in the sun of autumn. Patches of dark-foliagcd trees, 
 irregularly embossing the mountain-sides, contrast delight- 
 fully with the lighter, fresher green that flows between and 
 around them. From the straggling street, that zig-zags, 
 
 * From Douglas Jerrold'' s Alagazinc for October 1847.
 
 168 SAVED LEAVES. 
 
 intenuptcdly, through the bottom of the valley, there are 
 cottages in clusters, raying out on all sides : white cottages 
 in clusters, up and up the slopes on either side, dwindling in 
 number, till, here and there, beneath the summit, they are 
 seen sohtary. How delightfully they seem to doze, these 
 high solitary ones, on the flanks of the mountain, gleaming 
 over trees, or shining above the fence-divided fields, which 
 now are so peculiar — some freshly-green, from which the 
 later hay has just been swept — some waving with yellow 
 corn — some cut up into, and picturesquely dotted with, the 
 bundled sheaves. 
 
 See there, far down, backed by the digitated roots of the 
 tree-embossed mountain, far over these fresh fields, a stack 
 shoots up ! There is white steam at the base of it, curling 
 up the tall, clean column. Beautiful ! Beautiful are the 
 trees, and the fields, and the mountain flanks ; but in that 
 whole lovely landscape is there one object more strikingly 
 beautiful than the tall, symmetrical stalk, shooting up from 
 the trees, with the snowy steam at the base of it ? There is 
 a most peculiar charm in it. It looks healthy, somehow — 
 cheerful. It wears nothing of the sulky gloom its b\-ethren 
 of the city wear. It shoots up so peacefully happy-like, with 
 the fleecy steam beneath, curling up the side of it — all con- 
 trasting so pleasingly with the blue sky, and the trees, and 
 the fields, and the hills around. 
 
 Nearer us (just by us, indeed — we can just faintly hear 
 the breathing of the blast) are the dingy well-smoked towers 
 of the blast-furnaces. Grim, and black, and ancient-looking, 
 standing in a range ; by day almost deserted-hke — their caps 
 of flame all doffed in presence of the sun ; and, save the 
 filler wheeling his barrow to the top, hardly an individual to 
 be seen. 
 
 Farther down, is the many-chimneyed forge ; the gleam 
 of the molten metal fitfully conquers the golden splendour of 
 the season. You can see the rapid roll of machinery there, 
 and the busy movements of mapy men. 
 
 There, again, are the dirty, black, smouldering coke-yards 
 —their lights all killed, like the stars, by the sun. Strange 
 shapes of women, are they not, these that move about 
 amongst the smoke and dust? These are the coke girls,
 
 A PEEP INTO A WELSH IRON VALLEY. 169 
 
 wearing black straw-bonnets, with coarse pinafores, that, 
 girded in the middle, cover them from the throat to 
 about a foot above their clogs. There they are, eyes, lips, 
 nose, every inch of them, except their red gums and pearly 
 teeth, saturated with coal-dust — there they are, in storm and 
 shine, raking among these clouds of sulphury smoke and 
 stifling soot, at five or si.x shillings a-week ! They are laugh- 
 ing and chatting (not to say swearing) vigorously, however. 
 Nay, see there ! the governor must be out of sight : a party 
 of them have just succeeded in pushing one of their unlucky 
 coadjutors of the male species into the water-course. What 
 unmistakeable gesticulations of laughter and intensest mirth ! 
 Among men, they do the work of men ; their strength is that 
 of men ; their language that of men ; their actions those of 
 men — a nice nursery for the wives and mothers of Welsh 
 workmen the coke-yard must be. 
 
 Looking now to the expanded mountain flanks, what are 
 these that seem mole-hills from Brobdingnag? These are 
 the tips. Levels are driven, in many places, into the moun- 
 tain, and these are the rubbish mounds at the mouths of 
 them, swelling, almost, into new hills themselves, and in- 
 creasing, from day to day, as the laden trams, or tram-car- 
 riages, are tipped over them. See, on the top of one of 
 them, are metal tram-plates, gleaming in the sun ! On the 
 tram-road (a sort of railroad) formed by them, a horse drags 
 a laden tram along. He is stopped — unyoked. The tram 
 is pushed forward to the very verge of the tip. There are 
 two girls, in every respect like their sisters of the coke-yard, 
 busy undoing the fastenings. The tram is tipped up till its 
 cargo of shale-rubbish falls off, down the shelving sides of 
 the mound. 
 
 Tip after tip ! Why, the whole hill is dotted with them. 
 What monsters some of them are ! How they differ in 
 colour ! — grey, and blue, and reddish ! Some of them are 
 evidently the refuse of the furnace or the forge. Some of 
 them seem smouldering and sulphury. Some of them look 
 deserted : the coarser grasses grow thinly around their 
 bases; and lazy cattle, here and there, chewing the cud, 
 stare stupidly from their tops, dead to the glory of the scene, 
 but dreaming, somehow, in an un-idca'd way, of their secu-
 
 170 SAVED LEAVES. 
 
 rity from tlie swords and spears of the gads. W'liat wear 
 and tear of muscle — what waste of human breath and sweat 
 it must have taken to dig the shale which forms these rub- 
 bish-tips ! And not shale alone — that is but the refuse. 
 Where are the innumerable tons of coal or iron-ore that 
 came along with it .'' What life, then, must there not be, at 
 this moment, within these mountains ! 
 
 Yonder is a balance-pit. Instead of a level, driven more 
 or less horizontally into the hill, to meet the mineral, a pit 
 has there been sunk upon it. There it stands, with its pro- 
 tecting roof over it, at the middle of its rubbish-tip, sur- 
 rounded by its orderly ranges of mine (or iron-ore). The 
 little pool of water that feeds it lies there, on the side of the 
 hill ; and there is the little watercourse that connects the 
 two. See I through the open side of the pit-covering, a tram 
 has reached the top; it is run off; it contains shale ; and is 
 dragged forward to be tipped. An empty tram is run on in its 
 place. See, a wire is drawn ; a gush of water falls from the 
 roof into the tram. It fills — it sinks. A tram of mine rises 
 at the other side. What troops of girls are there, dressed 
 like those of the coke-yard, but, like the men and horses 
 around, all of an ochrey or brick-dust aspect ! Their task 
 is to sort the mine — to pile it up into orderly heaps of certain 
 dimensions. 
 
 See, along that tram-road, are teams of five or six horses 
 dragging trams laden with lime for the blast-furnaces I 
 Yonder is a canal with boats on it. And hark ! the whistle 
 of a locomotive ! See, it comes hiss-hiss-hissing up a rail- 
 way ! Here too then has the Wordsworth-hated engine 
 penetrated. True poet ! rigid, high, but thin and narrow 
 man ! even amidst these discordant screams and hisses, 
 canst thou not hear Milton's 'Cathedral Music.'" Canst 
 thou not see the Catholic front of Shakespeare there "^ Canst 
 thou not see thyself there ? Ugly monster as it is to thee, 
 banishing all poetry and beauty, it brings Shakespeare and 
 Milton and Wordsworth to lift their poor Welsh brethren 
 nearer heaven. All earthly as these flames and smoke and 
 steam may seem to thee, yet, in the midst of them, even 
 wings of angels turn up ever and anon radiantly ! 
 
 There, then, is the u-hole valley lustrous in tlie sun. You
 
 A FEEP INTO A WELSH IRON VALLEV. 171 
 
 see it all at a glance : the gentle, alternate slopes — the em- 
 bossing foliage — the fresh fields — the cottages, single or in 
 clusters — the stacks and engine-houses — the furnaces — the 
 forges — the black coke-yards — the balance-pits and pools — 
 the red mine banks— the tips and the lazy cattle — the strag- 
 gling street ! How beautiful it is ! How peacefully distinct 
 in the clear sunshine ! How the crystal air cuts out every- 
 thing like a gem ! All seems indeed gem-like — miniature- 
 like, with filmy iridescent fringes somehow here and there, 
 as if it were through a reversed opera-glass we saw it all ! 
 
 Such, then, is the physical aspect of our valley ; let us 
 now discover what forms life assumes in it. 
 
 Looking along the turnpike road beneath our feet, and 
 through the village, what objects do we see ? There are 
 horses in droves carrying wood. There are black little 
 girls, urging on demurest donkeys. Their panniers are 
 laden with coal till the fetlocks of the poor creatures seem, 
 at every step, sinking to the ground. How vivaciously the 
 coal-black, white- teethed little women (of from nine to 
 twelve) ply their work. They are adepts at the whip. 
 Their ' Chick,' ' Chick,' ' Come up, Boxer,' ' Come up, 
 Sharper,' are most fascinating to hear. Horses and don- 
 keys, by the bye, are all worked in English, even by those 
 who do not understand a word of it. There are wives and 
 daughters carrying victuals to their husbands and fathers. 
 There is a circle of women round a well. What an oppor- 
 tunity for gossip — not neglected ! The pitcher of one of 
 them is just filled. A large-sized vessel it is, something 
 like a Roman Amphora. A coil of cloth, extemporaneously 
 twisted out of an apron, or a towel, or something similar, 
 being put upon her crown, a neighbour assists her to lift the 
 jar thereon, and off she straddles cautiously, like Rebecca 
 from the fountain. Is it the weight of the water, or the 
 quality of it, or what is it, that produces that unsightly wen 
 on the neck of one so fresh and rosy .'' 
 
 Yonder are the members of a benefit-club marching in full 
 procession. The men arc first, with tidy clothes and white 
 gloves. They have sashes, banners, emblems, staves, and 
 rods of office. The women follow them. How well and 
 cleanly clad they are ! Substantial gowns, large, comfort-
 
 172 SAVED LEAVES. 
 
 able shawls ; the sugar-loaf hat, with broad brim, fastened 
 coquettishly a little on one side, and snowy muslin bordering 
 their rosy faces. Reader ! You shall travel many a mile of 
 Her Majesty's dominions, yet fail to meet any such band of 
 jolly, rosy damsels. We mean the unmarried ones ; for they 
 have employment out of doors ; they are guiltless of stays ; 
 their cheeks are clear ; their forms are full and healthy. The 
 married ones, for the most part, however, have no such look. 
 Shut up in their close cottages, debarred of air and exercise, 
 worried by drunken husbands, their forms are no longer full 
 and firm ; the clear fresh health forsakes their cheeks ; with 
 everlasting tea and bacon, perhaps with tobacco and strong 
 liquors, dyspepsia soon sets in with all the horrors of flatu- 
 lence and hypochondriacism. 
 
 Yonder is a funeral. In the midst of a seeming rabble of 
 men and women, old and young, on horseback or on foot, in 
 clothes of all colours, without order or arrangement, the 
 corpse is carried. This has been some workman merely. 
 Had it been any one of note, we should have had the 
 clergyman and the doctor in the van, on horseback pro- 
 bably, followed at seemly distance by the undertaker and 
 the furnisher of mournings, all four with black gloves, and 
 several yards of broad black silk about their hats and 
 dangling down their backs. The silk and the gloves, by 
 the bye, are gifts from the relatives of the deceased : the 
 silk becomes profitable, we are free to say, in the shape of 
 aprons to wife, daughter, or other female favourite. The 
 reader shall make his own reflections on this selection of 
 four such functionaries to lead the column to the grave. 
 The clergyman, the undertaker, the furnisher of mournings 
 can be understood, but the doctor — we will leave it— it is a 
 sheer piece of practical waggery. But our workman's funeral 
 — hark 1 as they go a Welsh psalm is raised. How solemnly 
 it rises! The motley rabble has assumed a new look. How 
 the melody has fused and glassed it ! It looks holy now- 
 sacred. Ah ! but the church is far, the day is fine, the way 
 is pleasant ; the fewest will return in soberness. To many 
 a man and woman there, this funeral is but a ' spree.' 
 
 Yonder appears to be a wedding party. Two couples, in 
 Sunday apparel, walk arm-in-arm, following each other
 
 A PEEP IXTO A WELSH IRON VALLEY. 173 
 
 Doubtless, they have been spHced by the Parish-Registrar, 
 who bids fair to do the Vicar out of all his marriage fees. 
 By way of wedding-jaunt, they are now in process of making 
 a tour of the principal pubHc-houses. The admonitions they 
 receive from their friends in each, however instructive and 
 encouraging, are more remarkable for straightforwardness, 
 than for elegance, or even decency, of speech. The bride- 
 groom seems already, by sundry symptoms, to acknowledge 
 the virtue of the various taps he has achieved. 
 
 The doctor, on horseback, in sportsman's jacket, with some 
 dogs behind him ; a farmer or two, on business ; a Scotch 
 teaman poking his brassy face from house to house ; men 
 hawking Titanic stockings bundled across a stick ; children 
 at play ; one or two red miners or black colliers staggering 
 by some public-house ; women carrying water-jars on their 
 head : such are the objects to be seen in a Welsh village. 
 Of these, the women are the most striking and peculiar : the 
 affection they display for the cast-off articles of their hus- 
 bands' wardrobes is to a stranger quite touching. The hat 
 seems to be generally set aside as economical wear for a 
 man's grandmother. As for his wife, you shall meet her in 
 his waistcoat ; you shall meet her in his shoes ; you shall 
 meet her in his coat, with her hands jauntily stuck in the 
 pockets, and looking, the reader may be assured, infinitely 
 amusing. The only marital garment that seems unworn by 
 them out of doors, is the small-clothes : a vesture so sacred 
 is only for the hearth. 
 
 But let us look nearer at the village. Let us peep a little 
 into that double row of houses just beneath us. What huts 
 these houses are ! How irregularly built. Doors that enforce 
 the decorum of a salaam, not without record of the lesson 
 remaining on the hat of him who is rude enough to enter 
 covered. Windows a foot or so square ; one-half of many 
 of them not glazed, but wooden. Small sleeping-rooms, 
 small eating-rooms, we guess, are these. The row seems 
 populous too. What miserable little bits of garden ground. 
 What wretched fences, irregular, tumble-down compromises 
 of stick and stone. What indescribable little erections all 
 about, indeed, of stick or stone, for purposes the most varied. 
 What old barrels lying down to hold dog or hog. What old
 
 174 SAVKI) I.RAVF.S. 
 
 barrels standing up to hold coals, or the brock of swine. 
 What cow-houses, donkey-houses, horse-houses, dog, duck, 
 and hen-houses. What porkers, with their farrow, grunting 
 about. What asses standing motionless, statuesque. What 
 busy children. What fun that wicked one is having, who 
 has thrown himself sack-wise across that astonished porker, 
 and is thus being half-dragged, half-carried. A larger party 
 are busy tormenting a poor donkey. What fun they have — 
 boys, and girls, and pigs, ducks, donkeys, and dogs. How 
 the women bustle ! carrying water, liring ovens, running 
 about with huge loaves, bringing from the shop great loads 
 of flour upon their heads, liming the outside of their houses, 
 washing at tubs, spreading clothes upon their bits of hedges, 
 picking up squalling infants who have tumbled in the gutter, 
 rescuing bloody-nosed urchins from skirmishes — Nay, there 
 are two skirmishing themselves ! What gesticulation ! What 
 words ! Words ! The very men, who are by chance about, 
 slink into their houses in the purest shame. 
 
 We have been struck, by the bye, for the last half-hour, 
 though we have not mentioned it (but we suppose we must), 
 with the continual appearance of a certain utensil. Like 
 Goldsmith's stocking, which was ' a cap by night, a stocking 
 all the day,' it also has a double function — one of the night, 
 the other of the day. Reader ! its use by night you already 
 know and respect. Its use by day, or rather uses, for they 
 are legion, will astonish you, should you come to Wales ; 
 but mind, you must not laugh. Let it be brandished and 
 flourished before your eyes, in a thousand quarters, to a 
 thousand purposes, respect it still ! Let the damsel bring it 
 thee decorously with hand -towel and with soap to wash 
 therein, with gravity accept, and thankfully. 
 
 And this, then, is a Welsh iron-valley. Behind us, in that 
 mountain, are quarries, clinking with the hammers of tliose 
 that hew the lime to flux the ore. In the bowels of the 
 earth, beneath our feet, are men, half-naked, cutting, by the 
 light of candles, from the walls of narrow chambers, coal, to 
 f^irm the coke which melts it. But perhaps, they are idling 
 now. Assembled in some common passage, illuminated by 
 the combination of their candles, they sit them on the 
 ground, smoking their pipes, drinking their small - beer ;
 
 A PEEP INTO A WELSH IRON VALLEY. 175 
 
 while water all around drips from the roof ; explosive 
 gas murmurs through bubbles on the walls, or, here and 
 there, in a considerable stream, blows loudly through 
 ' a blower ; ' the dark mineral glitters on the lading tram ; 
 and terriers, seated by their masters' victuals, bay the rats 
 from them. 
 
 Miners, too, beneath our feet, with pickaxe, or with 
 blasting-powder, loosen from the earth the ore. Horses, 
 through long passages, drag in darkness the minerals to the 
 light. Boys of eight or nine, or younger, spend the day by 
 doors that guide the current of the air, which is the life of 
 all within. By locomotive along railway, or by horse on 
 tram-road, these materials of lime, and coal, and ore, are 
 brought to the furnaces. Stout wenches, with huge hammers, 
 break suitably the hme and mine. Others assist the coking 
 of the coal. The filler wheels his barrow of mine, or lime, 
 or coke, into the crackling flame of the blast-furnace. At 
 the bottom of the furnace, the moulder lays his moulds. 
 The furnace is tapped ; the molten brilliance flows forth 
 in a solid stream, filling up, one after one so takingly, its 
 appointed channels. 
 
 Lank figures of firemen, there, in the forge, reheat the 
 metal. Their thin, swarthy, sweat-dripping faces gleam 
 in the light of the open oven, as, ever and anon, with 
 long rods, they poke the melting mass. How the white- 
 hot metal flashes hither and thither all about the forge ! 
 How it spurts and sparkles beneath the squeezer ! How 
 beautifully, red-hot, it is gradually rolled into long bars 
 by the wheels of the rolling mill ! Along canal, tram- 
 way, or railway, the finished metal is now carried to the 
 port, whence it is shipped, to civilize the world. 
 
 And these workmen have all cottages, and wives, and 
 families. And there are agents, and master-men, and 
 gaffers, to rule and guide them. And there are shopkeepers 
 to feed and clothe them. And there are lawyers, and 
 surgeons, and druggists, to minister, each of his craft, to 
 them. And, there, in London, is the flower, the blossom 
 of the whole, the Iron King himself, whose task it is to 
 find a proper outlet for the labour of the valley. Sorry 
 are we that, among all these functionaries, the school-
 
 17fi SAVED LEAVES. 
 
 master niay not be named ; but the way is clearing for 
 him, and there is work for him. 
 
 Such are the elements of Welsh society ; few, simple, most 
 easy of dissection, were it our present task to do so. 
 
 But, as we look and meditate, evening comes. There is 
 a peculiar glory all around. The radiance in the grass is 
 yet a clearer gold ; and stand out still more gem-like 
 every tree, stone, and cottage in the valley. The sun 
 shines as between bars of a long rail of splendour-over- 
 flowed clouds. The milkmaid is on the golden common, 
 with her pail. That pit-mouth bristles suddenly with men 
 that seem springing from the soil. Groups of colliers come 
 from the hill ; tobacco-smoke stains the pure air around 
 them. Bands of men and bands of women, in parallel roads 
 homewards, exchange, in boisterous mirth, the rudest jokes. 
 Down house-rows children run to meet iheir fathers. Al- 
 ready, the lover, on the stile, sits by his mistress ; full many 
 a sweet word has his native tongue to woo withal. Women 
 are carrying water in yet a greater bustle. From mouths of 
 levels, bestridden by coal-black, white-teethed little urchins, 
 issue the willing work-horses. With their broad, clayey 
 blinders, straps, girths, and other tackle, they look like 
 skeletons — fossil skeletons — newly dug. How they snuff 
 their way, well pleased, homewards ! Into what clumsy 
 races their tyrannous little masters drive them ! There ! 
 they have reached a river-bed : how they enjoy the fresh- 
 ness ! With what delight they flounce and plash about, 
 and butt the water with their nostrils ! 
 
 Through open doors now gleams many a naked figure ; 
 fathers, brothers, husbands, sons, in grave ablution before 
 the faces of their unconcerned daughters, sisters, wives, and 
 mothers. But small accommodation for the toilet have even 
 the girls, we guess. 
 
 On bridges, and by blank walls of houses, gather now 
 young and old to idle, smoking their pipes ; blithe in their 
 relief from toil ; fresh in their clean clothes and well-washed 
 skins. The more fatigued, and these are not a few, have 
 gone at once to bed. From rare cottages the evening 
 hymn arises. The taps are filling. Dance and the harp 
 are heard : shouts of revelry and mirth. Hark, too,
 
 THE BLACKSMITH'S HAME. 177 
 
 there are execrations, imprecations, curses, and sounds of 
 tumult, where some intoxicated wretch fights wilh his 
 brother. 
 
 Night falls deeper upon them and us. The furnaces 
 blaze up, and make the sky a flame. The heart of all 
 the valley, which is the blast-engine, beats now audibly 
 in the hush of night. The mountains indistinctly loom. 
 The stars are out. And once more, the wkai-does- 
 H-vican! —\h& mystery of all — the awe of all — falls on 
 the heart of the penman. 
 
 THE BLACKSMITH'S HAME. 
 
 O BONNIE and sweet is my ain wife at hame. 
 Whatever comes owre us, she's ever the same ; 
 And hard do I hammer this red bar o' airn 
 At the thochts o' my hame, my wife, and my bairn. 
 
 O fu' licht is my heart, and loupin' wi' glee, 
 As darker and darker the smiddy I see, 
 And brichter and brichter, at every new heat, 
 The airn on the studdy so stoutly I beat. 
 
 hi 
 
 When ' sax o'clock,' ' sax o'clock's' ilka bell's sang. 
 Flung down is my hammer wi' loud-ringing bang ; 
 My shirt sleeves unbuckled, and, no to tak' lang. 
 My coat I tear doon and put on as I gang. 
 
 Fu' soon I'm at hame ; no to file her sweet face, 
 I wash mysel' clean, and put on ither claes, 
 Tlicn 1 yield to the love my bosom maks warm, 
 I kiss Mary's lips and the bairn's on her arm. 
 
 How pleasant is a' at my ain humble hame ; 
 My wife's glossy black hair's bun' trig wi' its kame ; 
 Her gown, tho' but coorse, is as neat as is seen ; 
 Clean soopit's the flure, and the her'stane fu' clean. 
 
 M
 
 178 SAVED LEAVES. 
 
 The jams on the inside are as white as can be, 
 But tlicy're black on the outside, and sparkHn' to see ; 
 The parritch are toomcd at the ingle sae bricht — 
 Neither het nor owre cauld, but just unco richt. 
 
 The nicht flichters by ere we think it begun, 
 
 In daffin', and kissin', and dandhn' our son. 
 
 But whiles Mary sews, and some good book I read — 
 
 My bairn in my bosic lays doon its wee head. 
 
 O bonnie and sweet is my ain wife at hame, 
 
 Whatever conies owre us, she's ever the same. 
 
 Ye drinkers, in whisky nae langer you'd tine 
 
 Your hard-gotten gains, were your Maries like mine.* 
 
 ON WORDSWORTH'S GREAT SONNET. 
 
 Many, with eye dilate, from some such perch, 
 
 In similar observances, have seen 
 
 The huge wide city in its morning sheen ; 
 
 And, though they felt the longing and the search 
 
 For apt expression, not could call it bare, 
 
 * In a notice of ' English Songs and Ballads by Alexander Hume,' 
 that appears in Tail's Magazine for March 1838, the editor lakes 
 courage to print the above ' very rude effusion.' It ' has been for 
 some time lying upon our table,' he continues, but ' we could 
 scarcely have ventured it forth alone.' Then there follow a goodly 
 number of very amusing remarks on the ' Glaswegian sturdy smiter 
 upon the anvil,' who looms big and clumsy before the editorial 
 imagination, instead of the stripling student who had assumed the 
 character. So stowed away in the middle of the critical review of 
 another, its presence in Tait's Magazine escaped notice till October 
 1841, when the fact was discovered and pointed out by a friend. 
 Tait, however, was found to have unaccountably made the ' very 
 rude effusion' so very much ruder, that it was judged proper to 
 send it with an explanatory letter to the editor of the Glasgow 
 Courier. Both letter and song may be read in the issue of that 
 broadsheet for the 14th October 1841. The application, Avhethcr to 
 the one editor or the other, was a pseudonymous one.
 
 FULL DRESS. 179 
 
 Open unto the fields ajid to t/w sky. 
 The domes that were asleep in smokeless air, 
 The mighty heart, the river ghding by. 
 Were felt, not also felt the power to name : 
 Bewildered intellect, struggling, could frame 
 No utterance. But he, the mighty one, 
 Had but to see to pour his words divine ; 
 His eye, keen-flashing, instant, seized upon 
 The mystery, — gave character and sign.* 
 
 FULL D R E S S.t 
 
 Fair Reader, do not fear ! I assure you I am not going to 
 touch your crinolines. No ; let them overshadow ' man\' a 
 rood'^ — an acre, if you please,— still for the present they are 
 safe for me. The base of the pyramid I abandon to avenging 
 fire or the assaults oi Punch; my business is with the apex. 
 In other words, what you name full dress or low dress is 
 offensive to my sympathies and my judgment ; and I must 
 remonstrate with you. 
 
 It is cjuite possible that, in what I am going to say, I may 
 hurt your modesty ; but, depend upon it, you have your re- 
 venge d'avancc, for, I assure you, you have often enough 
 hurt mine. I could fill the whole newspaper with descriptions 
 of my experiences. I could write a complete Natural His- 
 tory of full-dress ladies. The single subject of elbows, I 
 may hint, has given rise to observations that would swell 
 a volume. I confine myself here, however, to indication 
 only ; I am content to suggest, and shall not have the 
 indelicacy to discuss or illustrate. 
 
 * Written in July 1839, these lines (then njimed sonnet !) ajipcar 
 in TaWs Ma:^azinc for July 1842, with more than one error, hut, to 
 my intense disgust specially, M'ith bare, which single word is the 
 centre of the whole, misprinted 'Fair.' The initials C. B. stand for 
 the pseudonym Charles Broughton. 
 
 t Written, at the request of a lady friend, in The EnglisJnvoman's 
 Review, for January i, 1859.
 
 180 SAVED LEAVES. 
 
 But, is it defensible then ? Dear, sweet, fair reader, can 
 you defend that — not that dress — that no-dress? Just look 
 at it ? Take another peep in the glass ! Have you a single 
 word to say for it ? Oh, ay, yes, — I know that — you have 
 much to say iox yourself: but have )'ou anything to say for 
 // — that dress-undress or undress-dress? Is there a single 
 idea that corresponds to it ? Is there anything in the eternal 
 fitness of things to give a pretext for it ? Can you give a 
 reason for it ? I know very well that it is the mode of the 
 day, the custom, the fashion. But is there any thought at 
 the bottom of this mode of the day? Is the custom, as 
 Thomas Carlyle would ask, a veracious custom — one, 
 namely, that is in harmony with the laws of the universe ? 
 Will Fashion just please to draw that stately robe of hers a 
 little on one side, and let me see the ground she stands on ? 
 I know why people dress : it is for warmth — it is for decency 
 — it is for ornament. 'Qui yotc — you undress! Of course, 
 it is quite natural to undress too : we undress to change — 
 we undress to bathe — we undress to sleep. But just tell me, 
 dear Lucy, why did you and your sisters. Carry and Kate, 
 the other evening, when papa asked Bob Burton and Ned 
 Norton to dine with us — why did you and they, on that 
 occasion, not dress, I say, but ?/;/dress for dinner ? A healthy 
 youngster each, the main concern of both was a good tuck-in; 
 and neither could be expected to be patient of distraction. 
 It struck me that the shoulder of mutton was thrown out of 
 countenance by that of Carry — to say nothing of the breast 
 of turkey being spoiled for some similar reason on the part 
 of Kate. Now, why was this ? Had only papa and my old- 
 fashioned self been present, you would have been in dress ; 
 why, then, just because Ned and Bob were there, did you 
 happen to be in undress ? I know we have the face naked, 
 and I know we must have the face naked. I know too, that, 
 for the most part we have the hand naked ; and I know the 
 reason why. It is for use. But are we to allege, then, any 
 similar reason as regards the bust? No doubt, both Bob 
 and Ned are eligible young gentlemen, each of them quite 
 capable of effecting a very handsome marriage settlement; 
 but did you actually hope to catch either by the quality of 
 — really, I must say it — by the quality of your skin ? And
 
 FULL DRESS. 181 
 
 did then an English maiden dress — no, undress — for in- 
 spection to an EngHsh gentleman, even as some Circassian 
 animal might display her qualities to some unscrupulous 
 Turk? Is it here, then, that Occidental Civilization and 
 Oriental Barbarism meet ? In the selecting of a wife, are 
 English gentlemen to apply, and, in the obtaining of a 
 husband, are English maidens to accept, the categories of 
 a grazier or a butcher? If bodily quality is the criterion, 
 why the limitation ? Why not become the whole Circassian? 
 Your eyes glow, dear Lucy ; you indignantly resent the 
 imputation ; you point to dear, respectable, elderly Aunt 
 Joan seated there, in similar array to that of Carry, Kate, 
 and yourself, and, certainly, very flecklessly innocent of 
 all design on either Neddy or Bobby ; you point to 
 her, as if you triumphantly exclaimed, ' How can you 
 impute to us such odious thoughts with her before 
 you?' True, dear Lucy; but, suppose I say, you are 
 sly little chits, and keenly alive to the effects of contrast ? 
 But , nay — I see the tears rise — I do not say that — I 
 do not think that — I know that you dressed so, and 
 that you sat so dressed, without one thought in your 
 innocent little hearts a saint might blush for. I know 
 that you dressed so because you thought it was just the 
 way you should, and the only way you could dress — in the 
 circumstances. But are you not shame-faced at the very 
 thought that such a misconstruction should be even dreamed? 
 You feel that it is wrong — you feel the whole absurdity — you 
 will amend it all — you will change it all. And, ah, dear 
 Lucy ! therein you will reap your own reward. The pro- 
 spective wife, the prospective mother will become to every 
 eye all the clearer, all the fuller for the change ; nor will the 
 woman lose by it. Her charms will be all the sweeter, 
 all the dearer for concealment, nor will indication of the 
 inner health or of the inner beauty fail her ; for still the 
 hand, the face, the elastic tread, the easy gait, the light 
 wave will give their evidence, and still the roseate mouth 
 will stamp it. 
 
 I speak the truth, dear Lucy, you may depend upon it : 
 Dress is for civilisation ; undress for barbarism. These 
 naked arms and necks and shoulders are out of place in
 
 182 SAVED LEAVES. 
 
 modern culture ; they are but remnants of the coarse times 
 of our ancestors, when the indecent bust of the drawing- 
 room was but the pendant of the disgusting drunkenness of 
 the dining-room ; they are in harmony with the manners of 
 those days only when Pnirns insulted the Lady of Woodley 
 Park, or when Sir Timothy Thicket, escorting, outraged 
 Narcissa, and her brother pardoned him. 
 
 People dressed, I said, for warmth, for decency, for orna- 
 ment. From this it follows that the question is capable of a 
 sanitary, a moral, and an aesthetic point of view. But will 
 either of these enable us to see why, overshadowing the 
 whole earth with the prodigality of your nether, you should 
 astound the whole heavens with the parsimony of your upper 
 habiliments .'' The moral point of view, though submitted to 
 no regular discussion, has, I think, been sufficiently indicated, 
 nor can the custom boast the smallest crescent of its counte- 
 nance. I know there are defenders ; I know that Christopher 
 North, in contidential communication with the worthy Shep- 
 herd, gives in adhesion to the custom ; but read him not, 
 believe him not. Despite the golden poesy that offers it, 
 accept no reason that is but sensuousness. Morally, the 
 custom is untenable. 
 
 But let us see now, if Morality reject, will Health approve.'' 
 
 Born into this world, and into this climate, without a 
 natural, we are compelled to demand from the ingenuity of 
 man an artificial fell. And if there be one portion of our 
 persons that more imperatively than any other demands 
 the covering of that fell, it is precisely that portion which 
 modern fashion has decided to leave bare and naked — 
 bare and naked in the most dangerous circumstances, 
 in the most ineligible places, and in the most susceptible 
 subjects. 
 
 The particular portion, for instance, is the upper part of 
 the chest, which, with the neck, constitutes the very region, 
 the very habitat of cold. Diseases of the respiratory organs, 
 in the forms of phthisis and inflammation, are, in these 
 islands, alone more fatal than all the rest beside. Yet the 
 respiratory organs are precisely those which, with curious 
 inconsistency, we select to neglect. We cover the feet, we 
 cover the limbs ; the hands themselves we cover. Tic will
 
 FULL DRESS. 183 
 
 not allow us too much to uncover the very face. As regards 
 the chest, however, the seat of organs, nerves, and vessels 
 the vitallest of the system, we will be hardy ; the free 
 breath of heaven shall have its own will there ; and there, 
 where we should make most exception, we shall make least 
 exception. 
 
 Then, again, consider the scene and circumstances in 
 which we perpetrate the exception. In the snug parlour, in 
 the small family circle, where the fire is never far, we clothe 
 our wives and daughters to the throat. It is for wide 
 theatres, for airy ball-rooms, v,-ith all concomitants of car- 
 riages, gusty doorways, breezy passages, drafty windows — 
 it is for these, presided over by vapours of the night, — it is 
 for the dining-room of state, lofty, large, heated probably 
 for the occasion, where the chill of general uninhabitedness 
 thrills the marrow ; — it is for such places as these, and in 
 such circumstances as these, that we reserve ourselves the 
 privilege of uncovering the very tenderest and most suscep- 
 tible organs of the very tenderest and most susceptible 
 subjects. For our own selves we are infinitely wiser, 
 infinitely more cautious. Ozcr broad chests, cased in incom- 
 parably thicker hides, covered often by their own natural 
 fells, must be further fortified by chamois or by flannel, with 
 additional defence in the shape of some dozen outworks. 
 The strange inconsistency — men dress thus, and women so ! 
 So careless about the chest, too — in ball-rooms, say, admire 
 the anxiety about the hand ! Are not the contradictions 
 monstrous .-* 
 
 But if the custom show thus in the light of moral and 
 sanitary laws, how now does it relate itself to the a^sthetical ? 
 Is there beauty in the custom .'' 
 
 The beauty of the beautiful we shall not deny : but only 
 in the beautiful is there beauty, and not all are beautiful. I 
 take higher ground than this, however, and assert that the 
 custom of exposing the chest in public places and in public 
 company, as practised at present, is supported by no single 
 principle of art — even in the beautiful. Our low dresses, in 
 fact, represent a compromise. They are not there simply 
 on principles of art, as drapery to enhance ; th.cy are hypo- 
 critical and doublcfaced ; they would be artistic, but they
 
 18-1 SAVED LEAVES. 
 
 must be conventional ; art is their wish, but respectability 
 their necessity. Endeavouring at duality, they lose each 
 unity, and remain at the last unsatisfactory and ineffectual. 
 But suppose them to succeed ; suppose them to prove them- 
 selves thoroughly icsthctic ; suppose them to appear and to 
 be the lawful drapery of beauty — then, I ask, for beauty thus 
 aesthetically draped, are public places fitting theatres, or 
 public company meet spectators .-* To enjoy the society of 
 an amiable lady, at the concert, at the theatre, at the 
 evening party, is it necessary that she should show me 
 her neck and shoulders.'' Is it to look at necks and 
 shoulders that we meet in public .'' And if they are not 
 expected to be looked at, why act as if they were expected 
 to be looked at .'' 
 
 But I must stop. Positively, dear readers, the best use to 
 which you can put those complicated skirts is to turn them 
 up upon those simple shoulders. 
 
 SOCIAL CONDiriON OF SOUTH WALES.* 
 
 In the very midst of the most cultivated nation on the 
 earth, a tribe is to be found speaking a foreign language, 
 nearly uneducated, nearly uncivilised. And how few among 
 us know anything about it ! Of New South Wales, divided 
 from us by the whole globe, we are eager to hear the latest 
 particular : of Old South Wales, seated in the midst of us, 
 we hardly hear at all. Sydney and Hobart Town have 
 become familiar to us as household words ; while Pontypool 
 and Merthyr-Tydvil are as names unknown ; or as sounds 
 which we may have sometime heard, but have now forgotten ; 
 
 * Yxoxn. Douglas Jcrrold'' s Weekly N'eivspaper, for Saturday, August 
 I, 1846, under the signature of Fluellen, and followed by two papers 
 on the Welsh Utopia. Augmented experience induces me to add 
 that Welsh workmen and workwomen are not worse, but, probably, 
 much more innocent than their neighbours.
 
 SOCIAL CONDITION OF SOUTH WALES. 185 
 
 sounds, strange and foreign to our ears, reminding us of far- 
 off regions — of places ancient, effete, and out of date. 
 
 Only now and then it is, when the poor Welsh claim 
 kindred with Rebecca, wear petticoats, and manifest con- 
 siderable ill-will to turn-pike gates : only at times of out- 
 break is it that a British Public can be understood to credit 
 the actual existence of any such tribe. 
 
 Old South Wales, however, despite its uncouth Rymneys, 
 Ebbw-vales, Tredegars, and Nantyglos, or rather in conse- 
 quence of these, is at present worth a vast deal more to us 
 than the whole huge territory of New South Wales. The 
 buried treasures of Old South Wales have as yet been but 
 scraped upon in a corner or two : she has still wealth in her 
 bosom sufficient to keep the bellows blowing and the hammer 
 falling for some two thousand years yet. from Abergavenny 
 in Monmouth, to Llanelly in Carmarthen, and from these, 
 over Glamorgan and the skirts of Brecon, to the Severn and 
 the sea, more than ten times ten huge blast furnaces, with 
 their blazing forges and their blazing coke-yards, cast nightly 
 to the clouds a flame which may be seen in England. Day 
 and night, the rush of their heavy breathings goes forth over 
 the barren hills. Day and night, the molten mineral slackens 
 not to flow into its appointed moulds. Day and night, are 
 the sinews of men, and the thews of metal compelling it into 
 strength and shape. And for what? To cover England 
 with glittering roads of sv.iftness, — to give to Englishmen 
 a power on space and time. The poor tribe then, who is 
 effecting, and has effected, so much for us, is surely not to 
 be neglected. Some hundred thousand of them toiling day 
 and night for us in the damps of the mine, — in the heats of 
 the furnace, — surely they deserve some recompense at our 
 hands. And what recompense can we make them better 
 than education? 
 
 Other things they either already have, or readily can have, 
 — for there is no lack of money among them. The salaries 
 of the numerous master-men and skilled workmen are liberal 
 and comfortable ; ordinary firemen can command from si.x 
 to eight pounds a month ; even miners and colliers can earn 
 a wage of from fifteen to twenty shillings a week : and these 
 earnings can often be doubled, or at least much augniented,
 
 186 SAVED LEAVES. 
 
 by those of tlicir children ; for, be they growing or grown, 
 male or female, there is work for them all. There is no 
 necessary lack of money among them, then ; but there is 
 lack enough of the wisdom to guide it. It matters little 
 what money they make : less or more may make some 
 difference in their drink, but little in their comfort. He 
 who fails to melt his wages into simple cwrw (beer), con- 
 trives to effect his object by brandy, or even by wine. 
 
 It is education, and not money, that is wanting. Bodily 
 and mentally, at present, their lives seem but one long 
 disease. Their fare is coarse ; consisting principally of 
 fat bacon, cheese, tea, bread, and potatoes : for whatever 
 ducks, fowls, geese, or fresh meat they may purchase and 
 carry home in the delirium of a Saturday, have all dis- 
 appeared by the Monday ; and, for the rest of the week, 
 the diet is, as for the preceding one, fat bacon, cheese, tea, 
 bread, and potatoes. Thus existing in a mere alternation 
 of hard work and drunken excess, — living often in damp, 
 close, ill - ventilated houses, — sleeping often where the 
 drunken head may drunkenly roll on the bare ground, 
 in the open air, — unsupported by wholesome food — inherit- 
 ing from his parents the seeds of tubercle, scrofula, or other 
 cachectic ailment, — bleached to a pallid blue by the dark- 
 ness of the pit, or scorched to a copper-red by the flame of 
 the forge, — thin, meagre, haggard, — the poor Welsh work- 
 man has to suffer the aches of mortality comparatively soon 
 in life, bows down into a premature old age, and sinks finally 
 into an early grave. 
 
 Such but too frequently is the physical lot of the Welsh 
 workman : his moral can easily be understood to correspond 
 to it. A large proportion of them speak no English ; very 
 few can read it ; and still fewer can write it. Anything like 
 a taste for letters is all but unknown among them. Libraries 
 can hardly be said to exist ; and what few there may be are 
 not among the iron-works. In Merthyr, the capital of the 
 whole iron district, containing a population of upwards of 
 forty thousand, the experiment of even an ordinary novel- 
 circulating library we understand to have signally failed. 
 
 As may be expected, then, their enjoyments and recrea- 
 tions are coarse and sensual. Drunkenness and lack of
 
 SOCIAL CONDITION OF SOUTH WALES. 187 
 
 chastity everywhere abound. It is not uncommon for a girl 
 with two illegitimate children, the one being but half-brother 
 or half-sister to the other, to find herself a husband who is 
 father to neither. For a girl, indeed, ' to have a child to her 
 cradle ere she has a husband to her bed,' is an event of every 
 day. In short, from the way in which actions, and the names 
 of actions, seem indifferent to them, — from their primitive 
 directness and unwithholding naivete of speech, — their pro- 
 gress in civilisation can be readily inferred. 
 
 Practical religion, which would teach a man to live in this 
 life only for another, has but small scope in Wales : in 
 sundry localities, however, a ranting Methodism, something 
 akin to dram-drinking, is, on certain occasions, very fervid 
 indeed. In short, the whole want is, Education — something 
 to humanise — something to elevate — something to infuse into 
 them the high thought and noble feeling which it has taken 
 so many ages — so many lives and deaths of Platos and 
 Socrateses, of Alfreds, and Shakespeares, and Miltons, and 
 many thousands more — to build up among us. It is not 
 with their original nature that the fault lies. The activity, 
 which, in some sixty years, has lit up their mountains with 
 so many furnaces, and covered so many miles of England, 
 and France, and Russia with paths of iron — that activity is 
 an earnest that much dwells in them. There is in these 
 very riots and vagaries, which we alluded to, a vigour that 
 promises. Under the old-fashioned coif of Rebecca lurks 
 a man. They are an impulsive people : of subtle, agile 
 intellect, ready and susceptible ; singularly prone to defer- 
 ence and obedience; h\x\. sji, studious of neiv tilings as they 
 were in the days of Ca:sar and Tacitus. A nature of tliis 
 description as, in a state of barbarism, it can sink to be 
 double-tongued, slippery, and slavish, or — by the same law 
 of nature which makes a bully at once braggart and dastard 
 — to be vindictive, overbearing, insolent, and tyrannical ; so, 
 in a state of civilisation, it can rise to the e.xtremest pitch of 
 courtesy, hospitality, intelligence, and refinement ; and of 
 this latter condition, it is our daily comfort and happiness 
 to have many practical examples in the persons of our 
 private friends. 
 
 Our remarks draw near to a close. Enough, we hope, has
 
 188 SAVED LEAVES. 
 
 been said to call some attention to these interesting remnants 
 of the Ancient Britons — to these interesting rehcjuicC of the 
 merciless Achilles of war and barbarian rapacity. We have 
 endeavoured to speak of them as they are — ' Nothing ex- 
 tenuating, nor setting down aught in malice.' We have 
 stated nothing but what wc have seen with our own eyes — 
 nothing but what we have had years' experience of. We 
 shall expect, however, the usual limitations to be allowed 
 us : we shall expect the reader to understand that our 
 observations have been directed chiefly to the population 
 of the iron-works ; and that, even in the midst of the 
 degradation we have described, there must still be many 
 instances of powerful muscles, green old age, intact purity, 
 perfect piety, and high culture. We do not wish to speak 
 ill of the Welsh ; but we hope to have the power of speaking 
 better of them ; and we rejoice in these petitions, public 
 meetings, newspaper paragraphs, and all the other signs of 
 a spirited agitation for education in Wales which prompted 
 these remarks. 
 
 THE N A V V I E.* 
 
 Many a time, as rubbing our hands, we have passed briskly 
 to our snug seat at once by the fire and the breakfast-table 
 — many a time has the navvie's figure, seen in that passing 
 glance through the window we crossed, smitten us with mis- 
 givings ; for, when we reflected that there he had been, on 
 the side of that mountain, labouring away solidly and stolidly, 
 picking out the earth, stroke after stroke, beneath his feet, 
 and making a sufficient shelf thereon slowly, patiently, surely 
 — these three good hours that we had been but steaming and 
 stewing ourselves in bed, we could hardly bring ourselves to 
 believe that we deserved our breakfast : and many a time we 
 
 * From The Leader for Dec. 21, 1 850. I do not wish to be under- 
 stood as quite subscribing the political or philosophical part of this 
 paper now ; but otherwise, there is, perhaps, something of pic- 
 turesqueness and truth in it.
 
 THE NAVVIE. 189 
 
 have resoh-ed, like Emerson, ' that the workmen on the rail- 
 way should no longer shame us.' 
 
 We have observed our friend for hours on that strange 
 perch which distance reduced to a nonentity, drilling, pick- 
 ing, shovelling, and blasting ; and we have wondered all the 
 time how on earth it was he did not fall. We have been as 
 attentive as himself, too, to the warning of ' Fire ! ' and have 
 winked both eyes and ears (to talk Irish) more, probably, 
 than himself, while watching the smoke of the fusee, and 
 waiting for the shock of the explosion. And then, on the 
 assurance of ' All right,' we have run (in thought) with as 
 much interest as he to inspect the expected havoc of the 
 blast. We know, the bigger the piece of rock that fell, the 
 greater was his delight, and the greater was ours. 
 
 There is no time allowed the navvie for the gratification 
 of curiosity, however : there he is again picking away in the 
 same 'unhasting, yet unresting,' business-like fashion, while 
 the earth and stones clatter down the slope, incessant as rain 
 and continuous as rain, till suddenly, as ' Yo-ho ! ' rings out 
 from end to end of ' the cutting,' the whole swarm of them 
 falls instantly into new arrangements. It is dinner-time, in 
 fact ; the waggon stands still ; the hand-barrow, laid down 
 on its side, seems sprawling for help ; the pick, the shovel, 
 the jumper are idle on the ground. Some of the navvies, 
 with their upper clothes thrown loosely over their shoulders, 
 you see running to their not distant lodgings ; while others 
 stroll forward to some eligible spot where their wives or 
 sweethearts await them with their dinners. Dinner with 
 them consists of bacon, and tea or cocoa ; but many, in lieu 
 of the bacon, have only cheese. The pic-nickers fall often 
 into groups from which the laughter and the talk are hearty 
 enough, and loud enough, but hardly Attic. There is a 
 numerous third class, however, who seem to have neither 
 wives nor sweethearts, and who go not home to their lodg- 
 ings. Members of this class we have seen picturesquely 
 dotted along the middle of a cutting, at due intervals from 
 each other, discussing their dinners on their feet— perhaps, 
 too, in a steam of rain. The meal witli them consisted 
 simply of bread and cheese : and we assure the reader that 
 only actual vision can convey the delightful manner in which
 
 190 SAVED LEAVES. 
 
 the clasp-knife dealt now with the caseous cube and now 
 with the cereal ; and carried the sections of either unerringly 
 to the grinders. 
 
 It is amazing to every onlooker that the navvie is not 
 momently in receipt of a broken head ; so perilous is his 
 place both below and above. From long experience, how- 
 ever, he has learned dexterity ; and you would be delighted 
 to sec him, when a break takes place, press himself closely 
 against the side and escape, or throw himself boldly head- 
 long with it, thereby, though half-buried, saving himself 
 from the shock of ' the muck ; ' and falling from great heights 
 softer many a time than could have been thought possible. 
 Poor fellow ! he is not always so lucky, however ; but may 
 not unfrequently, be seen, pale, bloody, mangled, carried 
 home by means of a plank on the shoulders of four of his 
 comrades. Even in such circumstances, however, he is 
 ' hard ' and ' plucky ; ' and pleases himself to shout for his 
 pipe or a 'drop of summut.' In such seasons 'his mate' 
 usually sticks very close by him ; cooking his victuals, ad- 
 ministering his medicines, and smoothing the pillow for his 
 aching limbs. He does not desert him, as we know, even 
 when he lies blackening in cholera, but wets his lips and 
 replaces the bedclothes on his restless limbs, till both are 
 superfluous. 
 
 By and by comes the final ' Yo-ho ' that sends them worn 
 and weary to their scanty suppers, their never-failing pipes, 
 and their early beds. Morning sees them on the mountain- 
 side again, pursuing the same routine. Wet days, Satur- 
 days, Sundays, and pay-days, vi^ith accidents, and ' the tramp,' 
 are the only periods of change to them. Wet days do not 
 seem pleasant to the navvie ; his pipe fails to give employ- 
 ment enough ; he seems as restless and unsatisfiable as the 
 fowls. Not seldom, however, you hear and see him cheer- 
 fully cobbling his boots ; or, it may be, delightfully dealing 
 a well-thumbed pack of cards. Of a fine Sunday, perched 
 on a gate with his pipe in his mouth, or roaming about the 
 country in bands, he appears happy enough ; still we are 
 inclined to believe that even Sunday is not a very happy 
 day with him. 
 
 'The pay' may, though we doubt it much, be a happy
 
 THE NAVVIE. 191 
 
 time to him ; but it is a beastly time to all spectators. Till 
 every farthing of his money has vanished, night and day he 
 is drunk. There they are, he and his mates, for days and 
 days after the pay, staggering about the public-house in the 
 most disgusting fashion ; or, like warriors on the battle-field, 
 lying strewn along the borders of the highway, asleep in the 
 most brutal drunkenness, and in broad daylight too, perhaps 
 not noon. The painful coarseness of these scenes is beyond 
 words. We cannot say, however, that the navvie is a crea- 
 ture of any delicacy. He is nice in nothing. Many a time 
 we have come upon him rising and shaking himself from — a 
 couch that quite satisfied him — the corner of a haystack. 
 We have assisted more than once, too, to recover him from 
 the asphyxia induced by the carbonic acid gas of the lime- 
 kiln, by the side of which he had stretched himself for the 
 night. Neither is he averse to barns or other outhouses ; 
 but vexes the farmer by his pertinacious attachment to these. 
 We have even seen him located in a cold, stone cavern, and, 
 ogre-like (would you believe it.?) munching pleasantly a raw 
 leg of mutton or cube of beef. For, if his lodgings are not 
 nice, neither are his victuals. Bread and cheese are the 
 staple of them, though he may have bacon, when he can 
 afford it, and fresh meat once a week. He cooks for himself 
 not unfrequently, when cookery is required ; but on the occa- 
 sion we allude to, it seems the needful apparatus had been 
 amissing, and he had e'en set his canines to work without it. 
 
 If such be his habits in regard to lodging, eating, and 
 drinking, he is not one whit nicer in the article of clothing. 
 His wardrobe is very limited. Often have we seen his only 
 shirt — as we have come upon him in some secluded spot by 
 brook, river, or canal — take on, beneath his own stift" fingers, 
 a peculiar saffron hue at length, which to him was at once 
 the token of cleanness and the signal to stop ; and many a 
 time have we seen him stand dreamy by the hedge that held 
 to the sun this same saffron-hued habiliment. 
 
 Among other things, it must be confessed that the navvie 
 is seldom a favourite in any neighbourhood which he may 
 happen to favour with his temporary residence. This we 
 suspect to arise less from the mode of his entrance than from 
 that of his departure. The fact is, the navvie has no prin-
 
 192 SAVED LEAVES. 
 
 ciple ; he lives to slope, and to slope means to slink off 
 without paying one's debts. No genuine navvie believes 
 this wrong ; it is his one cleverness, his solitary talent, his 
 single bright point ; and it is, perhaps, hardly to be won- 
 dered at that, in his pride of the same, the more he can 
 practise it the greater is his glory. It is almost universally 
 the case with him that, when he has been time enough any- 
 where to get comfortably in arrears with landladies and other 
 natives, he gets quietly up through the night, makes up his 
 bundle — not always omitting to include in it any stray knick- 
 nack that may come by accident to hand — and slopes. 
 
 We are afraid, after all, that we have not succeeded in 
 making the navvie agreeable to the reader. This brute, 
 possessed of not one rational idea, that consents to such a 
 beastly existence only for the delight of drunkenness and 
 the triumph of sloping, you will hardly smile on. You know 
 the work he does ; you know his firmness in accidents ; his 
 steadfastness to his mate ; still he will not go down with you. 
 And, when you meet him on his ' tramp,' by some roadside, 
 with his brown cheeks and brown throat, his broad shoul- 
 ders, hands of horn, and sturdy limbs, with his cap or billy- 
 cock on his head, his loose neckerchief, his folded down 
 collar, his blue striped slop, with the heart worked on the 
 front of it, and his moleskin trousers turned up above his 
 sufficient lace-up boots, you desire to get out of his way. 
 You like neither him nor his mate. You think the things he 
 has sloped with are in that sack on his back, and that 
 bundle in his hand. You will not give him charity. You 
 are still more averse to him if he wears earrings, and has a 
 fresh young lass by his side, that seem---, from the neck down- 
 wards, all Indian silk pocket handkerchiefs. 
 
 Well, reader, perhaps you are right. But then the ques- 
 tion i-^ : should all this be allowed .-' Are there no arguments 
 here for those ' Industrial Regiments' of Thomas Carlyle? 
 Are there no arguments here for association ? The strange 
 condition of society — that of high refinement, high civilisa- 
 tion, this — God bless the mark ! and beasts for the harness 
 — beasts of the most undeniable draight, the most unques- 
 tionable burden — ungroomed, unstabled, fed on the most 
 villainous straw and husks, that know neither hay nor corn —
 
 THE NAVVIE. 193 
 
 allowed to roam at large, unbadged, uncollared, and un- 
 ticketed, trampling on the gardens of the poor industrious, 
 and eating up the substance of the struggling widow and the 
 unwilling pauper. In the whole railway group is not to be 
 found one well-placed figure. Can the contractor who em- 
 ploys the navvies, who knows their fortunes, and who lives 
 by them, conceive himself such ? Can the tommy-shop 
 keeper, with the perfumes on him of rancid cheese, sour 
 bread, and rusty bacon indescribably mingled ? Can the 
 ganger, 'hollering' six days a-week, for the sum of thirty 
 shillings, the most blasphemous imprecations ? Can the 
 navvie himself believe himself a well-placed figure ? It is 
 monstrous that such a dissolute — such a loose, incoherent, 
 inarticulate, miserable condition of society should be longer 
 tolerated ! Impossible to change it ! How so ? Could not 
 these beasts of burden have, at least, each a number and an 
 appointed place? Could not their several capabilities be 
 approximately known and registered ? Could it not be made 
 impossible that any one of them should fall aside from the 
 highway and die, as we have seen him more than once, in a 
 corner — starved, unhelped, unnoticed, and uncarcd for? 
 Could it not be made impossible that any one of them 
 should fail of sound cheese, sweet bread, and fresh butter — 
 that any one of them should fail of a shed over his head, or 
 a clean shirt on his back — that any one of them should be 
 found a drunken log upon the turnpike — that any one of 
 them should steal off like a thief in the night, putting his 
 brutal tongue with brutal triumph into his cheek, with the 
 idiotical chuckle that he carried in his haversack the hard- 
 won earnings of that pinched widow who had made his bed, 
 and done sundry other acts of kindness for him this month 
 and more ? We will not believe it. We will believe that all 
 of them can be ordered. We will believe that contractors 
 gangers, and navvies are all susceptible of law j that all of 
 them can be so placed that the work shall be done, and 
 better done, and yet that each of them shall be bodily, 
 morally, and intellectually looked to and cared for, so that, 
 in the individual and the aggregate, the best and largest 
 result shall issue. 
 
 The function of the navvie is a good one. He is breaking 
 
 N
 
 191' ■ SAM.l) LEAVES. 
 
 down the narrow, the limited, the sectarian, the particular, 
 and bringing^ rapidly the large, the general, the catholic, the 
 universal. Look at him, even in this island, what work he 
 does ! How he tosses Scotland into England, and spreads 
 England into Scotland ! How he kneads those Welsh 
 mountains, as if they were but clay in his fingers, and 
 scatters all impediments easily, and pours upon the aston- 
 ished Celt the light and air which the terrible and hated 
 Saxon has been, for so many centuries industriously, but 
 unconsciously accumulating for him ! And the doer of this 
 remains in the state we have described ! We hope it will 
 not be for long, however. We hope that Association will 
 speedily enable him to hold up his head with the best of us. 
 At all events, we hope ere long to see him no ownerless 
 beast of burden, wandering at large to the misery of himself 
 and the increased misery of the already over-miserable, but 
 a clean and wholesome, a disciplined and drilled, an edu- 
 cated, healthy, and happy soldier of labour, proud of his 
 regiment, proud of his cantonments, proud of himself. 
 
 G E E N E M E R. 
 
 O DREAM-BORN sloth ! will then the rose 
 No longer blush upon the frame ? 
 
 No hyacinth his lids unclose ? 
 
 No lily waste ? no violet faint with shame ? 
 
 Or, if the listless needle plot. 
 
 Languid, such drooping shapes to feed, ■ 
 Will but the meek forget-me-not 
 
 Burst, unexpected, from the bleared brede? 
 
 Must now thy books, too, never fail, 
 LTnread, to drop upon the knee ? 
 
 Sudden, the smitten lute to wail 
 A broken-hearted wailing, wailingly ?
 
 GEENEMER. 195 
 
 Canst thou not stoop thy hand to pour 
 
 Caresses on thy spaniel's neck, 
 But falhng tears shall vex him sore, 
 
 Pawing and whimpering as his heart would break ? 
 
 Canst thou not coax thy singing-bird — 
 
 Cheeping sad question, rueful-eyed — 
 Not coax him with one weary word, 
 
 But sobs shall slay each syllable beside ? 
 
 Thy steed — Ah gentle ! — wherefore droops 
 
 Thy neck on his ? what poison preys 
 Deliciously within, and stoops 
 
 Voluptuous langour over all thy days ? 
 
 Make me thy confidant, O sweet ! 
 
 Unbosom all thy sad estate 
 To me. To me the woe repeat. 
 
 The pain give me — on me let fall the weight. 
 
 Nay, sit not on the ground, nor press 
 
 Thy pale hands on thy dripping eyes. 
 Up to my arms, lorn loveliness ! 
 
 My tears with thine — Nay, nay, arise, arise ! 
 
 Come, lay thy head upon my neck, 
 And weep thy fill — weep there the shower 
 
 That thus o'erladens thee. There take 
 
 Thou shelter, sweet, bastioned as by a tower. 
 
 Ay, maid ! No shaping of the will 
 
 Art thou, no mock of phantasy ! 
 Thy veins run blood, warm, palpable ; 
 
 There, in thine eyes, the very thought I see ! 
 
 O come, then, to my arms, thou all ! 
 
 Let me enfold thee gently so — 
 Hold thee, and fold thee, and enwall 
 
 Thy beauty from the soil of mortal woe ! 
 
 Surely, I will protect and guard 
 Thy tenderness from aught of harm ! 
 
 Repulsive am I not, nor hard 
 
 Of heart, but as a very woman warm.
 
 196 SAVED LEAVES. 
 
 Surely, I will be good and kind 
 To thee : O surely I will love 
 
 Thee whole and sole, and I will wind 
 Thee in my heart, all tender as a dove ! 
 
 Autumn 1846. 
 
 LONELY. 
 
 My heart, my heart 
 Is the delicate cup 
 Of a wilding flower 
 Apart, apart. 
 That gathereth up 
 The dew and the shower 
 Of love, of love. 
 Till filled, till filled, 
 Quite filled to the brim, 
 With the rich clear drop 
 
 Hung over the rim, 
 
 The delicate cup 
 
 Must needs, must needs 
 
 Let fall its sweet stores 
 
 On the nearest flowers, 
 
 Or weeds, or weeds. 
 
 Ah me, ah me ! 
 
 Ah for a sweet shape 
 
 To let fall the weight of my love on. 
 
 O to hold, and to fold. 
 
 To cling and caress, 
 
 To weep and to sleep 
 
 In the rich recess 
 
 Of the deep-folded bosom ! 
 
 But now, but now, 
 
 My falling shower 
 
 On horse, or hound, 
 
 On bird, or flower 
 
 So weary, weary, and unmeaning ! 
 
 Sept. 1844.
 
 PARTED. 197 
 
 1845. 
 
 1839. 
 
 PARTED. 
 
 Ah yes, there has been many 
 
 A happy wedded pair ; 
 But never, never any 
 
 Who loved, and loved sincere. 
 
 'Tis they are happy only 
 
 Who wed for wealth or state, 
 
 While true love sitteth lonely 
 Divided from her mate. 
 
 O mourning, mourning, mourning, 
 Sits true love all the day, 
 
 O mourning, mourning, mourning 
 For him that is away ! 
 
 A THOUGHT. 
 
 (FROM A PAPER BURNED.) 
 
 That moody carking will 
 Which keepeth strict account of grie\-ances, 
 But as for favours and advantages, 
 Has no receipt, gives no acknowledgment. 
 
 A SABBATH THOUGHT. 
 
 Calm Sabbath now hath come again, 
 From toil to call 
 Us weary, 
 Worn, that stoop :
 
 198 SAVED LEAVES. 
 
 A calmer cometh swift amain, 
 To change it all : 
 Why fear ye ? 
 Sucet, why droop ? 
 
 1845. 
 
 LE TRISTE METIER QUE DE VOYAGER. 
 
 C1842 — Union Street, Aberdeen, by Monument iinth 
 Bon-Accord on it — in the dark.) 
 
 Ah me, ah me, what shall I 
 
 Or think, or say, or do ? 
 Ah me, ah me, what shall I 
 
 Nor think, nor say, nor do ? 
 Weary, weary, all I 
 
 Or think, or say, or do : 
 Weary, weary, all I 
 
 Nor think, nor say, nor do ! 
 
 THE LAY OF THE SHUTTLE.* 
 
 Be at it — have at it ! 
 'Tis my blood and my brain ; 
 But at it— still at it ! 
 'Twill avenge me again. 
 
 From the crow of the cock till the middle of night 
 Am I weaving and weaving, to get me a bite 
 Of potatoes and salt, with some straw for my bed : 
 And I'm weary and wasted — I would I were dead ! 
 Be at it — have at it, etc. 
 
 * From Douglas Jerrohr s Shilling Magazine for June 1845. This, 
 as a friend said then, was taking the 'shilling' rather 'on the soft 
 side.'
 
 THE LAY OF THE SHUTTLE. 199 
 
 See my wife — she is pallid ; blue, bloodless, her lip ; 
 And the babe from her bosom seeks vainly to sip ; 
 And my children are stunted, starved, wicked, I ween : 
 O my God I that such sights on Thy earth should be seen ! 
 Be at it — have at it, etc. 
 
 O, they think that I weave them a garment of pride ; 
 On a mantle of Nessus my shuttle is plied. 
 Like a snake 'twill envvreath them, and wrap them in flame ; 
 And their charmed cups shall quench not the pangs of the 
 same. 
 
 Be at it — have at it, etc. 
 
 Yet I will not in plot or conspiracy join ; 
 But still patient I'll sit at this hard task of mine ; 
 And, still patient, this shuttle for weapon I'll wield, 
 Till at length, without bloodshed, I conquer the field. 
 Be at it — have at it, etc. 
 
 SONxMET OF THE SIGNORA MARATTI ZAPPI, 
 
 TO AN OLD FLAME OF HER HUSBAND'S. 
 
 Donna, che tanto al mio bel sol piacesti, 
 
 Che ancor de' preg* tuoi parla sovente ; 
 
 Lodando ora il bel crine, ora il ridente, 
 
 Tuo labbro, ed ora i saggi detti oncsti. 
 
 Dimmi ; quando le luci a lui volgesti, 
 
 Tacque egli mai qual' uom' che nulla sente ? 
 
 O le turbate luci alteramente 
 
 (Come a me volge) a tc volger vedesti ? 
 
 De' tuoi bei lumi alle due chiare faci 
 
 lo so ch'egli arse un tempo, e so che allora . . . 
 
 Ma tu declini al suol gli occhi vivaci 1 
 
 Veggo il rossor che le tuc guancie infiora, 
 
 Parla, rispondi : ah non risponder, taci ; 
 
 Taci, sc mi vuoi dir, ch' ci t'aina ancora.
 
 200 SAVED LEAVES. 
 
 (Translation.) 
 
 Lady ! who once my heart's lord pleased'st so, 
 That of thy graces yet oft talk is bred, 
 With praises, now of hair, and now of red 
 Lips that could syllable what chaste thoughts owe. 
 Tell me : when thou thine eyes on his didst throw, 
 Fell he cjuick silent, as whom sense has fled ? 
 Rose then — O the strange eyes impassioned ! — 
 Rose they on thee in the dear way I know? 
 Of the twin lights within thine evelids I 
 Know that he burned one time, and know that then 
 But thou throw'st down thy quick eyes suddenly, 
 Blushes I see upon thy cheeks obtain : 
 Speak, reply ! — No ! — Ah speak not nor reply — 
 Speak not if 'tis to say these loves remain ! 
 1853- 
 
 THE FOREIGN COUNTRY AT HOME: 
 
 Or, The Mineral Field of South Wales.* 
 
 No. I. 
 
 Here, for centuries has the Principality sat at the elbow 
 of the Kingdom, and been all but ^wholly overlooked. This 
 is more especially the case as regards those southern 
 counties ; for remoter than the northern, and enjoying no 
 similar reputation for the picturesque, they saw not on their 
 borders any populous foci of manufacturing Saxons to attract 
 the emigration of the needy, or supply the immigration of 
 the curious. In such circumstances, the peculiar language 
 and the peculiar people were allowed to rise up as a nearly 
 impassable wall of division, till certainly within a century, 
 and almost within the last generation. 
 
 Some stray Saxon did, at length, however, though it is 
 hard to say how, overleap this barrier and enter on these 
 
 * From Lei^li Hunt's /oiirnal iox January and March 1851.
 
 THE FOREIGN COUNTRY AT HOME. 201 
 
 secluded valleys — with feelings similar, we may suppose, to 
 those with which even now the awed adventurer bursts on 
 some unknown region of the far America. There, among 
 the lonely hills, from which the startled sheep and uncouth 
 shepherd looked down on him in apprehension and surprise, 
 he lit his solitary furnace, and sat by it till the flame uprose 
 to heaven and covered counties and glared on England. 
 Even now, the possession of all these vast appliances is 
 almost wholly with an individual, almost wholly with a 
 Saxon. There are only some half a dozen iron masters 
 in South Wales ; and their names — Crawshay, Guest, 
 Bailey, Thompson, Homfray, Fothergill, Hill, etc. — twang, 
 almost all of them, of the north of England. These are but 
 few individuals to achieve such an enormous result ; and the 
 time they required is almost as remarkable for brevity as 
 they themselves for paucity. For we may state that time 
 boldly to have been hardly more than tifty years. These 
 fifty years they have turned to good account, however ; in 
 these fifty years these half a dozen individuals have contrived 
 to blow a blast, and kindle a flame, that is heard and seen 
 from the steppes of the Tartar to the savannahs of the 
 Indian. Like necromancers, they have thrown mountains 
 into throes, the molten lava of whose eruptions has descended 
 on these barbarous steppes and uncivilised savannahs, in 
 lines and paths by which the angels move. 
 
 There are names in that half dozen which, in London and 
 elsewhere, are perhaps better known than his ; but every one 
 actually on the spot knows well that the Crawshay is, par 
 exxcllcnce^ the Welsh iron master. Richard Crawshay, the 
 founder of the family, and of several others besides, was but 
 the grandfather of the present William Crawshay ; and, if 
 not the first, was about the first who cut the sod of these 
 mountains. His life would be interesting and instructive ; 
 little, however, is known of it unless what his grandson was 
 pleased to tell us at a dinner in Merthyr. He was of respect- 
 able Yorkshire parents, rode his own pony to London, sold 
 it for a few pounds, entered an ironmonger's shop as a lad, 
 rose step by step till he possessed a business of his own and 
 accumulated capital. What first attracted him to Wales, 
 does not appear ; but he seems to have been always of a
 
 202 SAVED LEAVES. 
 
 shrewd and speculative turn of mind. His grandson 
 humorously records his application of these qualities to 
 the pushing of flat irons and the outwitting of the London 
 washerwomen. I have been told also that he once boasted, 
 on the occasion of a public dinner, that he had purchased at 
 a Government sale a lot of old ordnance, on which he had 
 received from the exigencies of the Egyptian Pacha, whose 
 envoy had arrived in town that very day, and for that very 
 sale, but just too late, — a profit of (I think, but I am almost 
 afraid to state the sum) some ^90,000, ' a handsome fortune 
 for his eldest daughter, and that without more ado than 
 scratching his name on a bit of paper.' A well-known, 
 somewhat talkative, mineral surveyor in these regions, is 
 my authority for this ; and I can no further vouch for it. 
 
 The descendants of this shrewd and vigorous speculator 
 have not played the prodigal with their inheritance, but 
 have extended and increased it vastly — so vastly that they 
 stand not last in that strange group of millionaires which is 
 the monstrous and unnatural product of these latter ages. 
 The Crawshay family, however, is not the only one of 
 millionaire eminence in South Wales : there are others 
 of ' the half dozen ' eligible to the same position. 
 
 Not so much, then, the heap of iron as of gold that these 
 men have piled to themselves, is it, that has at length 
 attracted the curiosity of the nation. The nation may be 
 as curious now as it pleases, however : its curiosity is all too 
 late ; for it is highly improbable that such heaps of gold will 
 ever be riddled out of the Welsh ore again. The day has 
 gone by for that. These half a dozen iron masters have 
 possessed advantages by no means transferable. They have, 
 for the most part, obtained their materials for nothing, nearly 
 nothing, or (by sub-leases) less than nothing, and have had 
 no costs but those of mining, manufacture, and transport. 
 These costs have, undoubtedly, grown gradually less and 
 less, by diminution in wages, improvements in processes, 
 and vastly facilitated methods of transport. In all these 
 three particulars, the contrast between now and formerly 
 is very striking. The careworn workman of the present 
 day, restricted often to bread and cheese for sustenance 
 (for I have been assured that the old indispensable bacon
 
 THE FOREIGN COUNTRY AT HOME. 203 
 
 must be given up), looks abject beside that devil-me-care 
 swaggerer of the past, whose money even wine cannot melt 
 fast enough ; and these broad highways, easy waterways, 
 and swift metal ways look marvellous in comparison with 
 those straggling strings of mules, each laden with bars of 
 iron, leaving the lonely furnace lonelily wheezing in the 
 valleys, to wander over the lonely hills, in weary progress 
 to the coast. The diminution of these costs, however, is 
 not sufficient to enable the manufacturer to realise anything 
 like the same result as formerly. Old leases fall in daily ; 
 and rent will henceforth infinitely increase the price of the 
 materials, as competition will henceforth infinitely diminish 
 the profits of them. The Welsh iron masters, then, have 
 reached their acme, and must now, like all other sublunary 
 things, culminate and decline ; and he, among them, who 
 desires to maintain his place, must now look as sharply to 
 his pence as heretofore to his pounds. Nay, it were advis- 
 able, perhaps, to look now even to the farthings. 
 
 Still I am inclined to say, that there are yet great possi- 
 bilities here ; and that, though recklessness cannot be 
 trusted for a moment longer, still industry may. Goethe 
 exclaimed of Germany: 'Here, or nowhere, is America!' 
 and with as much propriety the change may be rung of 
 ' Here, or nowhere, is Australia !' — here in old South 
 Wales, in the very midst of us, is New South Wales ! 
 
 The untouched mineral wealth here, both in coal and iron, 
 is yet immense, and will make our kettles boil for us a thou- 
 sand years after the fuel of England and Scotland is quite 
 exhausted. In time, then, it must call around it some of the 
 most numerous populations in the island. 
 
 Railways which, with trunk and branches, are now as 
 a vital tree in Britain, shoot rapidly hither, absorbing our 
 produce and bringing that of others in exchange. How fast 
 the wall of separation yields and falls ! Everywhere, the 
 English bonnet replaces the Welsh beaver ; and the Cym- 
 raeg falls back from the Saisenaeg. ' Dim Saisenaeg ! dim 
 Saisenaeg !' (No English, no English !) said the astonished 
 Thomas Carlyle, ' dim .Saisenaeg from every dyke - side 
 and house-corner ! I think the first thing the poor bodies 
 have to do is to learn English ! ' That is precisely the thing
 
 204 SAVED LEAVES, 
 
 they have to do certainly ; but if the grim master come again, 
 he will find it swiftly adoing. The changes which even six 
 years have wrought are simply amazing. Cardiff and Swan- 
 sea think themselves English now ; and exclaim to Mcrthyr 
 and Aberdare, like Dr. Caius, ' Follow my heels, Jack Rugby.' 
 
 In the wilds, where, some forty years ago, for miles and 
 miles over the barren desolation, no object moved but the 
 sheep, the sheep dog, and the shepherd — in those very wilds, 
 where, some forty years ago, an old Welsh crone, not with- 
 out misgivings, passed her hand inquiringly from the head to 
 the heel of an English stripling, muttering, ' Diew ! diew ! a 
 Sais is he } ' and exclaiming at length, in the most posed 
 astonishment, ' N'enwdyn ! the sam' as we, the sam' as we 
 he is ! ' — in these very wilds are scores upon scores of mighty 
 blast furnaces, and thousands upon thousands of populous 
 homesteads. The rapidity with which such places as 
 Nantyglo, Tredegar, Rhymney, Dowlais, Merthyr, Aber- 
 dare, etc., have grown and risen is altogether wonderful : 
 the reader will excuse, however, the omission of statistics, 
 which, content with the general statement, he would himself, 
 in all probability, skip. 
 
 If the country has been so recently and so imperfectly 
 known, the people, to my thinking, remain still so, and more 
 so. Gray's poems called attention to their ancient literature ; 
 and there were, as there are always, a sufficient number of 
 leisure-laden antiquaries delighted to grapple with such dis- 
 interments. These bones and skeletons of the past, then, 
 have been well cleansed and well studied, till now, to my 
 belief, their lesson is read. But it is quite different with the 
 living people. They have not found their Gray yet, nor 
 their antiquaries to unsepulchre, cleanse, re-articulate, and 
 demonstrate them. They remain a virgin quarry of un- 
 known statuary. At least I, for my part, have not yet met 
 in literature any one piece of genuine Welsh characterization. 
 Shakespeare gives us Fluellen and Sir Hugh Evans ; and 
 Smollett, borrowing much from him, follows with his Morgan 
 and Winnifred Jenkins. These, so far as I can see, have 
 hitherto constituted the lay figures of Welsh characters to 
 the whole literary guild ; but I cannot help pronouncing 
 them utterly unlike the originals. A genuine trait has not
 
 THE FOREIGN COUNTRY AT HOME. 205 
 
 escaped Shakespeare in his Owen Glendower ; but the others 
 I cannot acknowledge to be Cymry at all. The essential 
 Welsh characteristics, and even the peculiar Welsh-English, 
 are no more to be found in these — less, perhaps — than the 
 true Irish or Scotch in Captains MacMorris and Jamy. 
 
 Take up Carleton and see the genuine Irish, or Gait, and 
 see the genuine Scotch ; and believe that the contrast be- 
 tween them and Shakespeare in their nationalities, is not 
 greater than that that would arise were there an analogous 
 Welsh writer to be found for the comparison — in this nation- 
 ality. In the brave and blunt Fluellen, although I have 
 certainly seen his like, as an exception in Wales, I cannot 
 see the cowering and supple outline of the modem Welsh- 
 man. With the generous, spontaneous Morgan, though him 
 too I know as an exception, I am equally at fault. Humphry 
 Clinker, Matthew Bramble, Tabitha Bramble, are, I should 
 think, of any country ; and as for the silly and mincing 
 Winnifred, she is much liker a cockney waiting-maid or bar- 
 girl, than the sturdy, rosy wenches we see here on the tips 
 or in the fields. 
 
 In fact, we have in South Wales the possibility of endless 
 volumes, not only of new scenery but of new character. In 
 the manners, conceptions, dialects, and general nature of 
 these Shir-gar (Carmarthen) labourers, carriers, seedsmen, 
 stocking-men — of these Glamorgan limers, miners, colliers, 
 puddlers, bailers, squeezers, cokers, hauliers — of these iron- 
 masters, mine-agents, mill-agents, gaffers — of these preachers, 
 parsons, doctors, shopkeepers, farmers — of these (in addition) 
 English contractors, navigators, bagmen — of these Scotch 
 mechanics, woodwards, gardeners, teamen — and of these 
 Irish hodmen and beggars : in these, I say, are to be found 
 the materials of new writing to an infinite extent yet. There 
 is accessible here, even a fund of new adventure ; for the 
 Merthyr Riots, the Newport Riots, and the Rebecca Riots 
 abound with that. In short, there is here such an ensemble 
 of fresh scenery, fresh manners, fresh dialect, fresh charac- 
 ters, fresh anecdotes, and fresh adventures, that, for the sake 
 of the reader (and still more of myself), I heartily wish I were 
 a Scott, a Gait, a Banim, a Lever, a Dickens, or a Thackeray ; 
 but, gulping down lugubriously, with what resignation I may
 
 L'OG SAVED LEAVES. 
 
 the recognition that I am unfortunately not so, I have yet a 
 certain self-satisfaction and self-complacency in having it in 
 my power to proclaim the suggestive fact to those who are. 
 So ye, ' our brother bubble-blowers, — we mean volume- 
 blowers — blowers of three volumes' — fall on and welcome ! 
 There is plenty and to spare. 
 
 No. II. 
 
 As a youth, like Jean Paul — if you will be good-natured 
 enough to allow me, 'sicparvum componere magno.' — 
 I never was known to be great in geography, but small 
 rather, in fact, very very small ; a defect which, I am 
 sorry to say, the Parvus, unlike the Magnus, has not 
 yet set himself to abolish. My surprise was great 
 then, when, long before I ever dreamed of being in 
 Wales, I saw, in a surgeon's consulting room, a young 
 Welsh sailor, who could not speak one word of English, 
 unless — not Walez — but Waless or Weiss be allowed 
 the designation The peculiar short, innocent, and 
 smiling way in which he pronounced this word, remains, 
 together with his face, figure, and poor blistered hands, \ 
 
 quite on terms of acquaintanceship with me ; and con- j 
 
 stitutes my first Welsh experience. \ 
 
 My second occurred when I, a genial youth, hight ' 
 
 the Clerk of Copemanhurst, with three other genial but 
 older youths, hight respectively Locksley, Athelstane, and ^ 
 
 the Black Knight, students all, strode it all the long ) 
 
 summer days gallantly up and down a certain lovely ( 
 
 and delightful watering-place. All objects had interest | 
 
 to us in those days, and one of those we met oftenest, 
 and enjoyed the most, was a tallow-faced, full-figured, 
 middle-aged woman, clad in rather plain and common 
 habiliments, and seated in a green-painted wooden box 
 on three wheels, the moving power of which box was 
 a slender commonplace -looking man, of from thirty to 
 thirty-five. There seemed some command in the dark 
 angles of the cheeks of the lady, and some resignation 
 in the bland jaws of her gentleman hackney. This
 
 THE FOREIGN COUNTRY AT HOME. 207 
 
 appearance was too picturesque to escape our attention. 
 Locksley told us — us, Athelstane, the Blaclc Knight, 
 and the Clerk of Copemanhurst — that the dame in the 
 chariot, finding herself possessed of a small indepen- 
 dency, incapable of self-transport, and insecure of her 
 donkey, had adventurously advertised herself and her 
 substance in the newspapers, with the view of procuring, 
 in the person of a husband, a substitute for the distrusted 
 animal. 
 
 The present motive-power of the chariot, Locksley con- 
 tinued, had eagerly responded, and after due inspection 
 been happily accepted. He had turned out, the freebooter 
 avouched, a somewhat creditable husband to fall from an 
 advertisement, and — quiet in harness. He did at times, 
 certainly, said he of the green, when he chanced to have a 
 copper in his pocket, suddenly vanish from his charge, but 
 reappear with a blander smile and a more deferential stoop 
 than ever. The close of the intelligence was, that he was a 
 Welshman. 'Humph ! a Welshman !' said the Black Knight. 
 ' Eh ! a Welshman, is he?' said Athelstane. 'A Welshman !' 
 said the Clerk. And all four, having thus disburthened 
 themselves, looked for a moment questioningly into each 
 other's faces, till Athelstane burst out with a loud guffaw 
 and the memorable distich — 
 
 ' Taffy was a Welshman, Taffy was a thief, etc' 
 
 All of us, you may guess, joined heartily both in guffaw 
 and distich, for we all felt that the former was at our own 
 ignorance ; and that the latter contained the sum total of 
 the knowledge of the whole of us — Clerk, Athelstane, 
 I'.lack Knight, Locksley and all — in regard to Wales and 
 the Welsh. 
 
 During that summer, then, you may well suppose, 'There's 
 Taffy !' 'Here comes Taffy!' were among the pleasantest 
 events of the day. I recollect we encountered the lady and 
 the chariot on one of those occasions when Taffy, having 
 happened to possess a specimen of copper in his pocket, 
 had gone to deposit the same, leaving his charge in the 
 very middle of the highway. The countenance of the lady 
 looked black ! her hands were folded on her chest ; and her
 
 208 SAVED LEAVES. 
 
 lips were screwed expressively together. She seemed any- 
 thing but comfortable, and was becoming rapidly less so 
 under the approach of a large herd of ill-behaved cattle. 
 The Black Knight, however, stood chivalrously to the rescue, 
 gallantly supported by the bold outlaw, while Athclstane with 
 unusual vigour blew out his well-spccklcd cheeks, into an 
 alarming ' shoo ! ' meant for the cattle ; and even the Clerk 
 showed himself not unsympathetic. We had the pleasure 
 to witness presently the quiet return of the bland Tafly, who 
 only wiped his mouth and smiled. The lady said nothing ; 
 and the chariot moved on, leaving Knight, Clerk, Athel- 
 stane, and Locksley looking for a considerable time de- 
 lightedly after them. 
 
 There are other passages in the joint adventures of these 
 genial four, perhaps not unworthy of the reader's ear; but as 
 they are not further germane to the subject, for the present 
 I leave them. It is singular, however, that of these four, the 
 two who were certainly the most ignorant of anything Welsh, 
 rejoice now, the one in his Welsh author-craft, and the other 
 in his Welsh wife. 
 
 I now approach a much later period. When the order 
 came to me in London to proceed to Wales — South Wales, 
 my ignorance of geography was the cause again of many 
 curious feelings to me. Pontypool ! I had never heard of 
 the place. What could it be like .'' What would the people 
 be doing there .-^ Was it there Rebecca and her daughters 
 were? Should I see Rebecca? Then how I betook myself 
 to the map, and assured myself by actual vision that there 
 was such a place, and that it was spelt Pont-y-pool ! Pont- 
 y-pool ! What a strange old-world sound it had ! It looked 
 coifed, somehow : it was a witch, and dressed like a witch, 
 and the handle of the broomstick came up to her chin ! 
 Then the names beside it — Nant-y-glo, Tredegar, Sirhowy! 
 Abersychan, Ebbw-vale, they were all coifed, they were all 
 witches, they had all broomsticks ; and there was Owen 
 Glendower coming in among them with the ' Moldwarp,' 
 and ' the goats were running from the mountains.' 
 
 How pleased I was to write to my friends that I was going 
 down to Rebecca and her daughters, and that the way was 
 by Bristol, and through Newport, where Frost and the
 
 THE FOREIGN COUNTRY AT HOME. 209 
 
 Chartists belonged to ; and how I spelled it Pont-y-Pool, 
 and figured to myself the smiling surprise of the whole 
 group ! 
 
 There seemed nothing out of the way in the Welsh 
 steamer that lay in the lowest of the Bristol basins. There 
 was a red-faced little captain ; there were shawls, mufflers, 
 and great-coats aft, horses amid decks, and Irish forward ; 
 there was also a seat in the side of the hutch over the stairs 
 of the cabin : all, in short, was quite as usual. I recollect 
 the red rocks on each side of the Avon were well worth 
 looking at, but the river itself — was it a river .'' Ah, but we 
 should come to the sea presently — we were in it now — we 
 had passed Pill — was this sea ? Were these dirty, yellow 
 clay-washings sea .'' How unlike the seas I knew — clear to 
 their deepest depths of unstained crystal — into which it was 
 such a joy to look over the vessel's prow, as the beak below 
 struck into white opacity the allbut invisible water ! 
 
 The human being I specially remember during this voyage 
 was a tall, light, stiff, elderly Welshman, who walked with a 
 stick, a slight stoop, and an eternal simper. He accosted 
 me early in the voyage, and talked of — our destination — 
 Newport. It was Newport, Newport, Newport, — nothing 
 but Newport ; — there never was such a place as Newport. 
 It had the largest dock-gate — I think it was a dock-gate — I 
 took it, at all events, to be the largest of any known gate on 
 any known dock — and I was duly impressed with the intelli- 
 gence. ' Yiss, sure, it was a famoos place Newport — it beat 
 — it beat — what did it beat, sir .? — it beat Cardiff ! ' ' Did 
 it ?' I ejaculated, with surprise, trying, at the same time, to 
 weave within my brain some relative simulacra of these twii 
 unseen, unknown great places. ' Yiss, indeed ! yiss, to good- 
 ness ! it beat — it beat — it 'ud beat Bristol ! ' Even this, 
 however, did not raise in me any very immense incredulity ; 
 for I must own I had, for what I had seen of Bristol — the 
 lowest basin, namely, and the narrow, yellow, muddy ditch 
 they called a river — anything but respect. 
 
 I was not the only one he addressed, however. There 
 was a great raw-boned Scotchman, with red hair, six feet 
 and a half high, whose ear he repeatedly climbed a-tiptoe 
 to, and whom I overheard saying — ' Ay, mun, dee ye say 
 
 O
 
 •210 SAVF.I) I.F.AVF.S. 
 
 sac? Od, it'll be anither Glesscae ! ' There was an Irish- 
 man, too, who iisked him — ' Was it ever in his luck to see 
 Cark ? ' A Bristolian also amused me much. He was so 
 short, and stout, and heavy, that it was politic in him to 
 retain his first and only seat during the whole passage. I 
 recollect he struck me, by the contour of his abdomen, to 
 have swallowed an aggravated orange ; and the expert way 
 in which he swirled into one mass and chucked sixpenny- 
 worth of brandy — not into his mouth — but at once into the 
 very middle of his aggravated orange, I shall never for- 
 get. He always shook his head recusantly at my friend ; 
 but his Bristol rs rolled so that I could not follow him 
 well. 
 
 There was a little man with big whiskers and spectacles, 
 likewise, whom I watched my friend attack : the answer was 
 such an abrupt, curt, sudden hee-hee-hee, like the neigh of a 
 small pony, accompanied by such an instant retreat to the 
 protection of a stout little gentleman who sat by the pilot, 
 that my friend was left standing in astonishment. (I was 
 astonished myself.) By-and-by he recovered, however, and. 
 shuffling along the deck, passed this group of two ; passed 
 and passed again, casting glances as he passed. At length 
 he stopped, and dropped into the ear of the stout gentleman, 
 ' Newport beats Cardiff out and out at this present, however!' 
 Now, the stout gentleman was a round-faced, little gentle- 
 man, all cheek, with just a sprout of a nose sufficient for the 
 purposes of his barber ; and the moment these words were 
 uttered, that all cheek of his blackened, and his sprout of a 
 nose whitened, and he cluck-clucked, gobble-gobbled out 
 angrily such a series of stutters about the docks, the Cardiff 
 docks, and his most noble the Marquis of Bute, that, ghastly 
 and gasping, the Newportite was fain to withdraw himself to 
 me. For solace, he told me his story yet once more ; and 
 it would have been worth seeing my courteous air of atten- 
 tion and acceptance, while I could scarcely decently cover 
 the agonies of my internal laughter, and his rueful dubious- 
 ness of aspect while he scrutinised me for some manifesta- 
 tion of the demorahsing influence which his rejection by the 
 Cardiff" man must have produced on me. On the whole, 
 however, I think I must have been a capital subject for this
 
 THK FOREIGN COUNTRY AT HOME. 211 
 
 Xewportite to show the picture of his darling to. I recollect 
 he asked me if I was an Irishman. 
 
 How I looked out over the bows of the steamer, and across 
 the broader opacity of the Severn for the Welsh hills, expect- 
 ing, like a fool, to see something unusual about them ! When, 
 at length, they hove in sight through the mist, I remember I 
 thought them green and low ! We entered, by-and-by, 
 another httle ditch, much like the Avon one, or smaller ; 
 smaller it must have been, for the steamer took the ground 
 occasionally. Now it was that I looked for the huge dock 
 and the consequent contained navy, but all in vain. After 
 some time, I remember a deserted-looking bridge stood up 
 ahead of us ; and we came to a stop by the deserted-looking 
 right side of the ditch. I hired a quiet-looking steerage 
 passenger to carry my luggage ; and got into a terrible row 
 therefor with a man on the bank who called himself the 
 steamer-porter, and wanted to piit my traps on his hand- 
 barrow whether I would or no. I stuck to the no, however ; 
 but had plenty of abuse for my punishment, and sundry 
 additions to my style. 
 
 I overtook my friend, the Newportite, on the bridge, walk- 
 ing brisker than could have been expected, and snuffing up 
 the air with uncommon satisfaction. I passed him with a 
 simple ' Well, we have arrived, sir J ' for I hadn't the heart 
 to ask for the dock. I have since heard, however, that there 
 really is something superior in that kind at Newport. 
 
 I recollect nothing of Newport, but that the street end by 
 the bridge, where the Pontypool coach awaited me, for one, 
 was breezy ; that I saw a string of Irish limping along the 
 middle of the road ; and that the policemen wore cutlasses. 
 As I passed through the town on the top of the coach, I 
 caught a farewell glimpse of my friend the Newportite : he 
 was tapping at a little green door ; and I made sure there 
 was hot tea with toasted cheese and leeks ready within for 
 him. Years have passed ; and I have never seen Newport 
 since : and these are very wretched impressions of mir.c, but 
 I find them genuine. 
 
 Night, now, very soon fell upon us ; and as I sat on the 
 top of that coach, I snuffed up the air into my nostril with a 
 strenuous and sincere endeavour to detect its Welsh-'/tw.
 
 212 SAVED LEAVES. 
 
 How I listened, too, to the conversation of the driver, with 
 all the unknown and almost unseen individuals who, at any 
 jjlace of temporary stop, accosted him ! Not a word escaped 
 me —I was so eager to pry into differences. There was a 
 different accent certainly ; but it was all English still ; and, 
 though it was very dark, there seemed the usual sort of trees 
 and hedges at the side of the road. One woman, I recollect, 
 who sat beside me, was very liberal (to herself) with her 
 pocket-pistol. 
 
 By-and-by, we rattled impededly over some new-laid 
 stones ; passed between some houses ; and the coach 
 stopped. A servant-man issued from an opened door ; and 
 
 asked ? myself. I gave the coachman his 
 
 gratuity ; descended ; and stood till my luggage was 
 lowered. The coach rattled off into the dark night ; the 
 man shouldered my luggage ; and I followed him unknown 
 into a house unknown, 'to face people unknown, in this 
 unknown, unseen, strange witch of a place that was written 
 down Pont-y-Pool. 
 
 Part III. 
 
 PONT-Y-POOI.. 
 
 I RECOLLECT I went to bed on my first night in Pont-y-Pool 
 quite impatient for the dawn to lift the curtain from the pic- 
 ture. In the morning, I saw a good many of the poorer 
 class of inhabitants before I had an opportunity of inspect- 
 ing their abodes ; I remember they looked by no means 
 discrepant fi-om my previous conceptions in regard to coifs, 
 broom-sticks, and witches. The old women, muffled in their 
 long, dark, straight cloaks, and with their sharp faces peering 
 from between the full borders of their white caps, over which 
 their old taper-crowned hats arose, jvere sib to nobod}', if not 
 to Graymalkin. And the men with their unsteady eyes and 
 their thin oval countenances, their generally spare forms, 
 their coarse, flocky, ill-made, blue coats with brass buttons, 
 accorded not insufficiently with similar ideas ; especially if 
 they j/ZiJ-added corduroy small clothes buttoned on worsted 
 stockings., and superadded, under their hats (many of them
 
 THE FOREIGN COUNTRY AT HOME. 21o 
 
 flaccidly shapeless) a three-cornered cotton handkerchief 
 tied, in token of illness, over their heads, around their faces, 
 and beneath their chins. The concihatoriness of their atti- 
 tudes, too, looks, and intonations struck me forcibly ; they 
 seemed quite simple, harmless sort of creatures ; and looked 
 as if they just waited for something — anything — to go off 
 with, and would take the cuff as readily as the bite. Their 
 accent too, and use of words — I heard as yet no Welsh 
 proper — were very peculiar ; and tallied by no means with 
 the samples I had met in books. 
 
 My general conception of Pont-y-Pool is of a defile be- 
 tween two mountain ridges ; one of which — that on your 
 visionary left hand, reader ! — though wooded here and there, 
 is in the main yellow, plashy, and barren, while the other — 
 the park principally of Mr. Leigh— is beautifully fresh and 
 green, with tree-clusters and shrub-clusters varying it taste- 
 fully ; and between these ridges floats an atmosphere of blue 
 smoke overhanging a narrow line of houses, perhaps a mile 
 long, creeping up windingly through the gorge, or, better, 
 the gutter beneath. The population is employed, as in 
 other South-Welsh localities, in the raising of coal and iron, 
 and the manufacture of the latter ; and you have in all the 
 sub-defiles, at either extremity of the town, the usual dirty, 
 sloppy tram-roads, with horses dragging rows of tram-wag- 
 gons on them, and smoky furnaces, and flaming forges, and 
 rubbish-tips, and engine-houses, and incline plains, and all 
 other accessories of this sort of industry. 
 
 Of places in Pont-y-Pool, I recollect, in particular, a steep 
 lane, bordered by sparse rows of cots, which was appropri- 
 ately termed Sow Hill ; for the huts and their adjuncts bore 
 a wonderful resemblance to the appurtenances of that cleanly 
 creature. 
 
 With the names of localities, by the by, how puzzled I was, 
 — and how hopelessly I floundered amid the intricacies of 
 such words as Pontnewynydd, Pentwyn, Golynos, Cwm 
 P.ran, etc., till the irritation of my Welsh host pronounced 
 mc an e.xtraordinary speller ! I thought it a highly justi- 
 fiable revanche to ask him if Paralisis for Paralysis were 
 not original and eccentric. 
 
 Pentwyn was a very peculiar defile, I recollect, that wound
 
 214 SAVED LEAVES. 
 
 up along a dirty little brook, between lustreless blue tips, 
 destitute of even a blade of vegetation, with windows of 
 meagre cottage-rows glittering over their tops, or at their 
 bottoms, or anywhere about them. A great square house — 
 some office, I suppose — in the middle of the gullet, not far 
 from the furnaces, black, gloomy, and quite grown over with 
 a moss of soot, always appeared to me an appropriate mansion 
 for Beelzebub. I never passed it but I thought I saw his 
 eyes through the dull, dim windows. The great, round 
 breast of the Garn Mountain beyond it, yellow and barren, 
 sprinkled all over with the thinnest, the coldest, the bleakest 
 looking houses that man ever shivered to gaze at, is another 
 object I cannot forget. Then, how strange it was to ride 
 through the deserted furnaces on the top of the Varteg Hill, 
 and see the substantial structures of the works all falling 
 into decay. The horse's hoofs struck one with fear ; and 
 seemed to rouse from their lurking-places all manner of 
 jotaifiny creatures. I think there are no objects so melan- 
 choly as wheels awry, and prostrate cylinders, as grass- 
 grown tram-roads, and inclines all rusted out of glitter ; as 
 piecemeal buildings, and rows of abandoned cottages, whose 
 windows glisten on you idly, but ghastly and meaningly. 
 
 From the hill over Cwm Bran, I recollect there was a fine 
 view of the country that stretched and spread to Newport 
 and the Severn. I think it was about my only delight in 
 Pont-y-Pool, to catch from that hill the far glitter of the sea ; 
 and if to that the white glimpse of a sail were added, the 
 charm was complete. 
 
 Many other recollections occur to me ; but I am not writ- 
 ing my life, and mean to trouble the reader with no more 
 than may enable him to realise some idea of the people and 
 the place. I must not omit, however, the figure of a school- 
 master. There was a stout little fellow, with ragged, dusty, 
 snuffy brown clothes, and a rabbit-skin cap, through the top 
 of which his own hair appeared. He had a broad, smooth, 
 ruddy-sallow face ; and looked to me like one of those men 
 who dyspeptically fatten within doors, without exercise, 
 amid dust and cobwebs. They told me he was a teacher 1 
 He snivelled and stuttered, not her Majesty's English. I 
 wondered what he taught, and whom he taught. But 1
 
 THE FOREIGN COUNTRY AT HOME. 21a 
 
 think I was as much surprised with the farms and farm- 
 houses as with anything else I saw here ; and with the 
 description of one of these I shall now wind up this paper. 
 I confess that it is not one specially belonging to Pont-y- 
 Pool ; but it is generically. 
 
 Turning from the highway, you dismount from your horse 
 to open that wooden gate which stands across the termina- 
 tion, or commencement, of that stony pathway. The bars 
 of the gate are fractured, loose, oily, and green. The hinges 
 are of twisted withes, and the hasp is a loop of straw at 
 present over the gate-post. You displace this loop, you 
 push open this gate, which drags on the ground, and 
 gives you, between opening and shutting, and inveigling 
 your horse through, no small amount of trouble. With 
 soiled hands or gloves, you re-ascend your steed then, and 
 proceed upwards in a narrow lane, just capable, here and 
 there, of two horses passing one another. It is covered with 
 rougher and bigger stones than you fancy, and, in wet 
 weather, is a brook. You have good evidence of this, for 
 you find one-half of the pathway washed down the slope on 
 your right hand occasionally ; and you cause your charger 
 to hug the prickly fence as you cross the chasm, more 
 closely than is pleasant either to his hide or your clothes. 
 These fences, by the by, are of the most irregular descrip- 
 tion, and, in general, owe many obligations to an indigene- 
 ous crop of briars, brambles, and willows. The pathway, on 
 the whole, looks as if it had not been used for the last forty 
 years ; and you are frequently tempted to stop and turn, 
 especially as now and then it winds from, rather than 
 towards, the house you aim at. Moreover, you come ever 
 and anon upon faults j that is, on spots where the path 
 seems abruptly to terminate. You are induced then to put 
 your horse on a footpath through a wood, which footpath 
 again becomes speedily plural, and throws you into a perfect 
 tornado of apprehension and annoyance. Or, perhaps, you 
 are tempted to enter into a plashy field where the deep holes, 
 in which have sunk the feet of other horses, are so numerous, 
 and divari/:ate so, that you don't know which angle of the 
 field to make for. By and by, perhaps, you find you are not 
 far from being right by the welcome reappearance of some
 
 216 SAVED LEAVES. 
 
 trace of your first friend the fenced, stony pathway on the 
 other side of these bushes. Then, struck with instant terror 
 of being a trespasser, you make a desperate effort to carry 
 these bushes and regain your guide. Most probably you 
 take some time, now turning down and now up, to suc- 
 ceed in this ; and then, with sundry tears, and scratches, 
 and twig-pencilhngs, you only succeed to fail ; for your guide 
 speedily forsakes you again, and leaves you once more for- 
 lorn and hopeless by some other wood or some other field. 
 The fact is, the legitimate path to a Welsh farm-house is 
 always on the opposite side of the fence from what you sup- 
 pose the right one ; and this apparently regular, hedged-in 
 pathway is only a pitfall and a snare, and probably never 
 was known to have been used by any mortal man but )ourself. 
 
 Somehow or another, and after a perfect novel of adven- 
 tures, you find yourself lost in a little wood of twigs : you arc 
 blind yourself; and your horse, between scrambling through 
 bushes, and stumbling over roots, and slipping on green 
 stumps of cut trees, is driven quite wild, and you get appre- 
 hensive of your powers of management ; you dismount and 
 make him fast somewhere and somehow, but in such dubious 
 fashion as haunts you afterwards. On foot now, you make 
 your way through bushes and fences, and across calf-deep 
 fields, and over rude dry-walls tumbling all abroad, and gain 
 at last the purlieus of the farm-house. 
 
 You find yourself now in a little chaos of bulging, dry- 
 stone structures, with heaps. of rubbish, not in one place, but 
 in all. Everything, in fact, looks so indescribably ruinous, 
 confused, desolate, and deserted, that you are at a loss what 
 to do. You cannot, for your life, make out which is cow- 
 house and which is stable. Nay, worse, you cannot, for the 
 life of you, make out which is out-house and which is dwel- 
 ling-house, and suppose you do decide on this latter, you 
 cannot, for ten lives of you, make out which is back and 
 which is front. That rank little paddock, with its forlorn 
 cabbages and droop-headed leeks, with its tumble-down 
 borders of stick, stone, iron-hoop, old barrel, thorn-hedge, 
 bramble, briar, or defunct chair, can never be the garden ! 
 At length, however, as you stumble noisily over the rubbish- 
 heaps, or into the pits between the stones that somebody
 
 & 
 
 THE FOREIGN COUNTRY AT HOME. 217 
 
 dreamed to have used as flags, you are relieved from these 
 perplexities, if thrown into others, by the sudden yelp and 
 rush of some half a dozen of a peculiar race of small, blue- 
 ray, long-nosed, milk-eyed collies. A human voice follows 
 them, shouting out some such sounds as ' Ki ! ki ! rast ! 
 rast ! tau zone ki ! On't bite, shir ! she not bite ! ' Appre- 
 hensive and watchful, in spite of these assurances, you 
 approach the speaker, followed by your canine attendants, 
 now silent and snuffing at you. You stoop under a low 
 doorway, in obedience to invitation, and cross over a 
 guttered threshold, turning short on the left hand into the 
 apartment your inviter leads you. You are some time 
 before you can accommodate your pupils to the change of 
 light ; but presently you find it is a kitchen you have been 
 introduced into. Y'ou have not gone more than a step or 
 two but you find yourself by the fireplace, which is in the 
 same wall as the doorway through which you turned short. 
 A wooden chair, glossy and black, is brought for you as guest ; 
 and you sit down opposite the fire. The fireplace, you find, 
 occupies the whole of one wall, except, in one corner, the 
 door of entrance, and in the other, another door ; the fire, 
 however, is itself the smallest, worst fed little fire you can 
 well conceive, and looks a nonentity in the middle of that 
 gigantic chimney. From the wall behind and from those at 
 the sides, a broad ledge runs out on a level with the height 
 of the grate, and clasps this little peep of a fire. The inner 
 corner, on the left hand, yawns into a cavern, which is the 
 mouth of the oven. Billets of wood protrude from it ; and, 
 hung over the fire, you see bundles of smaller wood drying. 
 These bundles, however, are not sufficient to prevent day- 
 light from descending the chimney. Within this capacious 
 chimney, you may possibly perceive a rope line with clothes 
 across it. The fender you discern to be the segment of the 
 iron wheel of some defunct tram. 
 
 Well, there you are opposite this bit glimpse of a fire, to 
 which the farmer seems unable to get you near enough ; for 
 his speech as yet is a constant exhortation to you to 'come 
 on the fire,' to 'sit on the fire'; and you observe that his j- 
 wavers between its own functions and that oi sh. The land- 
 lord's son is sitting on the ledge on one side of the grate,
 
 218 SAVED I.KAVES. 
 
 and his wife on the other, while he himself is lost in a capa- 
 cious chair, such as you see only in Wales. It is wrought 
 by the hand, and consists of sort of basket-work, sort of mat- 
 work, sort of bee-hive work. It is like a soldier's sentry- 
 box ; it has a back and a canopy ; it has arms for you to 
 rest on ; it has no apparent legs, but is worked all round, 
 from the seat down close to the ground. It is not a chair — 
 in fact, it is a kind of small apartment ; and no breath of air 
 from the back or the sides, from beneath or from above, can 
 by any possibility reach its occupant. 
 
 Well, there you are respectively, while a bimchy, red- 
 armed, red-faced, tow-headed wench is rubbing up plates 
 behind you, tramping about in an uncouth, hurried way, and 
 with shoes that sound like the feet of horses. The landlord 
 is a thin old man, toothless, with a small conciliatory counten- 
 ance, and eyes that lick you. The goodwife looks sturdier, 
 and more on her own centre ; she is younger than her lord, 
 and has a round, well-coloured face, with bright black eyes. 
 The boy on the other side of the grate is a lout : he seems 
 the ver)^ emblem of helpless vacuity. 
 
 The landlord having now got you as near the fire as he 
 can, observes to you, proud of his English, ' Tish fine dai I ' 
 (Pronounce dai, dye.) To which, you having responded, he 
 adds, ' Verree fine dai I ' There is then a pause, which is 
 terminated by the landlord opening and holding towards you 
 a small, round-headed, flat tin-box containing snufif — light 
 high-dried Welsh ; and at the same time uttering the inter- 
 rogative word ' Shnufif .-" and the deprecatory ones, 'Take 
 pinch !' You accept, you inhale, you sneeze; he puts his 
 finger on the cuff of your coat, and bringing his white thin 
 face to yours, he says, ' Shnuff good ! 'tish good shnufT!' 
 The goodwife then says some W^elsh to you, at which you 
 looking aghast, both say, ' Meelk ! ha' dracht meelk ! ' You 
 refuse or accept, and in either case, especially the former, 
 there is another painful pause. You put various questions, 
 but you are hardly understood, and you find the landlord's 
 English limited to, ' I 'stand you now,' or ' I not 'stand you 
 now,' with ' yiss, yiss ! ' ' ay, sure,' and a few such phrases. 
 So finding yourself precluded from the use of your tongue, 
 you fall back on your eyes.
 
 THE FOREIGN COUNTRY AT HOME. ' 210 
 
 The room is raftered, and so exceedingly low that you 
 cannot walk erect without bringing down about your ears 
 the contents of some basket, or sending your entertainer's 
 best hat rolling on the ground, or, at all events, spoiling 
 your own by contact with some side of bacon. The floor is 
 an earthen one, and of very uneven superficies ; — in fact, 
 you had seen the bacon, but it was the irregularity of the 
 floor that caused you to lurch against it. 
 
 Opposite the fireplace, and taking up, like it, the whole of 
 its own wall, except two doors in the corners symmetrically 
 facing the other two, is a black, well-polished dresser with a 
 well-filled plate-rack. The wall on your left hand as you 
 front this dresser is pierced by a small window, under which 
 is a little clean round table of white wood with some three- 
 legged stools beside it. The opposite wall has also a little 
 window, away in one corner of it, but it consists of a single 
 pane. On the ledge of it, there is a flower in a cracked 
 black teapot, and a Welsh testament lies beside it. Along 
 this wall is a sufficiently long wooden table, or perhaps a 
 large chest. 
 
 The chair you sit on came through that door opposite to 
 the one you entered by ; and you find that it belongs to a 
 small flagged bedroom, possessed of a small window and a 
 small fireplace. There is a bedstead with blue-checked 
 curtains, a chest of drawers, a corner cupboard, and a chair 
 or two. The other door, at the other extremity of the same 
 wall, leads into a small pantry. 
 
 The remaining door, that at one side of the fireplace and 
 facing this last, leads up, by a stair that only custom can 
 enable you to ascend with impunity, into a boarded loft. 
 There is no furniture but one or two stump bedsteads with 
 very inferior adjuncts. The naked slates or thatch are 
 above your head, and beneath your feet are naked, ill- 
 fastened planks, that gape from each other and give you 
 glimpses into the kitchen below. 
 
 Such is a very fair specimen of the Welsh farm-houses in 
 the neighbourhood of the iron-works. The majority, 
 indeed, are much, much inferior to this ; and the few that 
 are superior, you would scarcely call superior; perhaps they 
 are superior by virtue of possessing a long-legged copper
 
 220 SAVED I.KAVr.S. 
 
 warming-pan. You arc pleased, in fact, with the appearance 
 of ahiiost nothing in these farm-houses. You find, in com- 
 ing in at the first door, that if you had not turned short into 
 the thick-walled second doorway immediately on your left, 
 but had gone straight forwards into the dark, you would 
 have been among the landlord's three or four cows ; and if 
 you had had light enough to see by, you would have been 
 astonished at the roughness, rudeness, and irregularity of 
 all the appliances. There is a confused, tumble-down, 
 neglected look everywhere, in short ; and you wonder mightily 
 how things are managed at all. The landlord seems to do 
 nothing ; come up when you like, the old man is either just 
 as you find him now, or limping in a desolate fashion, with 
 the help of a stick, from stepping-stone to stepping-stone 
 through the debris of his farm-yard ; and you lose yourself 
 in speculation as to how the deuce, and when the deuce, he 
 gets his farm farmed. 
 
 The truth is, he has two or three horses, and they, under 
 the guidance of his sons, are at this moment hauling under- 
 ground. That lout on the fireplace should have been also 
 there to-day ; but he has injured his foot. The hire of these 
 horses brings in a little money ; and one way and another, 
 he and his sons manage to get out of their farm food for 
 their horses, their cows, their pigs, and their geese. And if 
 they be situated on an upland, as they generally are, they 
 superadd to these some sheep. 
 
 In taking leave of your landlord, you complain of the 
 road ; and he acknowledges, 'Tish bad wai, verree bad wai, 
 angcommon ! ' You ask for a better, you ask for the way, 
 but are fain to pretend an understanding of the explanation, 
 and betake yourself to your way, and thereafter to the turn- 
 pike, glad at heart when, after your old difficulties, you once 
 more reach the same. 
 
 Part IV. 
 Abergavenny to Swan.sea. 
 
 I had certainly no reason to be dissatisfied with Pont-y-pool 
 on the score of insufficient Welshness ; for, in all conscience,
 
 THK FOREIGN COUNTRY AT HOME. 221 
 
 it was Welsh enough. I learned, however, that, whatever it 
 might be in reality, it was nominally not Welsh but English. 
 ?vIonmouthshire, in short, had been taken into England, and 
 ranked now as an English county. Ponty-y-pool was still 
 England, then — how provoking ! To think that I had not 
 escaped from England even in a place that spelled its name 
 with a small y in the middle ! It was quite teasing that I 
 could not yet say I had been in Wales — that, in fact, I might 
 never be in Wales at all ; and I longed to be able to set 
 down my foot on soil that neither map nor mortal could 
 deny to be Welsh. 
 
 The opportunity came sooner than I expected ; and, 
 leaving the Welsh of Pont-y-pool with tears in my eyes, 
 and the firm belief that they were the most simple, cour- 
 teous, credulous, and primitive of peoples, I found myself 
 one fine spring afternoon on the box of a rattling, dashing, 
 thorough-going mail en route for Merthyr and Swansea via 
 Abergavenny. The coachman was communicative, full of 
 the most knowing experiences in water - vermin and the 
 dodges for taking them, and I, in the excitement of the 
 fresh, bright afternoon, and the new adventure, the best of 
 listeners. I did not miss, however, the glorious landscape 
 of rich, rich fields that lay far away, for miles and miles, 
 upon my right ; and, in the midst of the necessary ejacula- 
 tions of delighted surprise at the feats of otters, badgers, and 
 what not, I kept muttering to myself 'beautiful Monmouth, 
 beautiful Monmouth ! ' I had to stay a night in Aber- 
 gavenny, much to my own satisfaction, for Humphrey 
 Cli7iker had made it a glorified creature of the mind to 
 me. I did not stay much in mine inn, then ; nor did I 
 repair to the billiard-room, which coachee, mistaking my 
 tastes, but, at the same time, gratifying me amazingly 
 therein, had recommended to me ; but I strolled up and 
 clown the town, and was never tired of poking into every 
 street and lane I chanced upon. 
 
 In tlie morning, too, I had a little available time, and that 
 I applied to a walk into the surrounding country. Truly, it 
 was most beautiful ! No man need be sorry to go and live 
 in Abergavenny. There is one green mountain there, of 
 singular shape, which it is quite a joy to gaze on ; there is
 
 222 SAVr.D LEAVES. 
 
 a lovely, pastoral stream, too, clear, and bright, and musical ; 
 there are pleasant, pleasant roads, that well out away into 
 pleasant, pleasant fields, between sweet hedges, and past 
 neat gateways with honeysuckled lodges ; and the town 
 itself is as clean and wholesome as mind can wish for. 
 Altogether, Abergavenny abides in my remembrance like 
 the perfumed leaves of some sweet-briar I had plucked. 
 Yet I obtained no more than a glance of it, and was 
 speedily on my way towards stranger quarters. And often 
 have I thought to myself since of the crowds of pilgrims to 
 Chepstow and the Wye who, in all probability, have stood 
 in Abergavenny by its one strange hill, and never fancied 
 to themselves the still more wondrous regions wliich the 
 Merthyr mail had power to open to them. I do not think 
 there is in the kingdom such another ride as this, from 
 Abergavenny to Swansea. I do not believe that to be 
 carried to New Zealand would present much greater con- 
 trasts than these iron highlands have for him who as yet 
 only knows the well-cultivated lowlands. The clear Welsh 
 air ; the long ridges of hills that run like combs over bleak, 
 bare commons ; the exquisite miniature little valleys, that 
 nestle in the mountain-bosoms down from these ; the equally 
 exquisite, rich, narrow straths, that lie like green ribands 
 between two parallel hill-ranges ; the uncouth houses ; the 
 uncouth towns of such ; the uncouth language, the strange 
 shapes of pliant forms and supple features ; the gigantic 
 iron-works, that, amid blue, excavated mountains, thunder 
 with the most indescribable din, and belch forth fire and 
 smoke upon the scene ; all is novel, strange, and unex- 
 ampled ; and all these things the ride from Abergavenny 
 to Swansea abundantly possesses. 
 
 Leaving the rich scenery around Abergavenny, and soon 
 after the coachman has pointed out to you the position of 
 Crick-Howel, you are whirled through the most unsightly 
 naked defiles, up steep precipices, and across the necks of 
 mountains — up and on, over barren moors, through long 
 cold villages of such mean aspect, that the gentleman you 
 meet on horseback seems strangely out of place ; and you 
 wonder if he does, or if he can, live there ! On you are 
 borne, in this way, past the very skirts of all the great iron-
 
 THE FOREIGN COUNTRY AT HOME. 223 
 
 works — Clydach, Nant-y-glo, Sirhowy, Ebbwvale, Tredegar, 
 Rhymney — on, till, coming down Dowlais hill, with Merth)r 
 at your feet, you are lost in amazement. That mountain on 
 your left is certainly from the hell of Milton — there is not a 
 vestige of green on it ; blue, smoky, sulphury, it has an 
 excavated, underground look everywhere. Then the houses 
 — and the furnaces — and the strange population — you never 
 saw such sights. 
 
 The coach changes horses here ; and, as you stand on the 
 steps of the Castle Inn in this strange place, you feel cjuite 
 floaty. This, you are told, is the scene of the Merthyr riots ; 
 and you feel still floatier as you body forth before your eyes 
 a picture like the following : — 
 
 Prone to novelty, as of old, excitable and blustering, the 
 thousands of these motley savages have gathered into crowds, 
 with inflamed faces that promise perdition to the whole 
 universe ; they sway hither and thither before the door, 
 clashing their staves, clicking their fowling - pieces, and 
 gnashing forth their never - ending volleys of ' Diaouls.' 
 They have already cleared several shops of bread, cheese, 
 and beer ; and one house they have wholly gutted of its 
 contents. One old woman, escaping thence with a jar of 
 whisky as a lawful spoil, shouts out, simple soul, ' Tyma 
 Reform ! Tyma Reform ! ' ' Reform ha? come ! Reform 
 has come at last.' Some sixty 93d Highlanders have been 
 hurriedly marched from Brecon ; and one-half of them 
 stand now in file before the door you stand on, leaning 
 on their muskets, and eating their bread and cheese, while 
 the scummy river of the mob, hoarse in Welsh, flows around 
 and between them. Their comrades are within the house ; 
 and the iron-masters from the windows, by threats and 
 conciliations, endeavour to disperse the rabble. In vain : 
 clamour, bluster, swagger, and gesticulation, are as rank as 
 ever ; and it seems a very explosion of ' diaouls.' The 
 Highlanders, however, or, as to this day they are called in 
 Welsh, the Little Petticoats, are quite impervious ; Welsh 
 oaths fall dead on them ; they eat their victuals. Suddenly, 
 there is a cry, a rush, a bustle : the muskets of the inappre- 
 hensive soldiery are seized by the mob, and crash now on 
 the skulls of their owners. Stunned, stupid, bleeding, hat-
 
 224 SAVED LEAVES. 
 
 less, weaponless, these few Highlanders are tossed upon the 
 waves of the crowd, still struggling for the haven of the inn. 
 The sword of an officer is sheathed in the body of a ring- 
 leader. The sharp crack of musketry rings on the ear. 
 The mob fires into the windows ; and bullets pass between 
 iron-masters. The Little Petticoats within, indignant at 
 the usage of their comrades, reply with interest ; reply and 
 again reply. The street is clear : the mob has dispersed 
 suddenly into their cabins or into the defiles of their tips. 
 But. all night long, there are tumult, agitation, apprehen- 
 sion, and excitement everywhere. The gentlemen and the 
 soldiery repair to Penydarran House, and fortify the same. 
 Brave messengers, with determined hearts, ride through the 
 darkness to Cardiff, to Brecon, to Swansea, in quest of arms, 
 in quest of military. One of these makes the journey, on the 
 same horse, in the same night, twice between Merthyr and 
 Cardiff ; bringing arms and driving through the crowd each 
 time scatheless. Morning breaks: from Tredegar — Rhymney 
 — from all over the hills — from Newbridge, from Aberdare, 
 from Hirwain — from every colliery or iron-work, far or near, 
 come droves of workmen to swell the numbers of the insur- 
 gents, who, wild with excitement, fire off the conquered 
 muskets, and threaten and gesticulate in the most furious 
 fashion. Two black flags are seen ; and the Hirwain men 
 brandish one dipped in blood : the very hands of its bearer 
 are incarnadine with the same ; but it is the blood of a calf 
 — a calf killed for the purpose ! The tips have their thou- 
 sands ; the hill over Aberdare has its thousands ; and, on 
 the stony precipices that overhang the Brecon road, there 
 arc other thousands. These last have allowed a detach- 
 ment of yeomanry sent to meet and escort the ammunition 
 and remainder of the Highlanders momently expected from 
 Brecon — to pass ; but they intend to keep them there. The 
 mouth of the defile is blocked up by a numerous band ; and 
 all up the precipices, there are others busy unfixing the 
 rocks, and ready to roll them down on the heads of all who 
 may be bold enough to try a passage. 
 
 The Swansea Yeomanry, mounted in hot haste, come 
 tearing up from Swansea, gallop sword in hand through all 
 but deserted Hirwain, and, with the most fearful menaces,
 
 THE FOREIGN COUNTRY AT HOME. 22.") 
 
 valiantly threaten the bodies and frighten the souls of the 
 few peaceable inhabitants who, remaining behind, have still 
 curiosity enough to turn out and see these heroes. But into 
 your houses again ! we Swansea yeomanry, we dash at 
 you and flourish the glittering steel above your heads ; into 
 your houses ! we will settle you, ye savages of the hills, ye 
 scum and riff-raff that dare make a disturbance in his 
 Majesty's dominions. Ha ! they flee before us ! we have 
 made clean work of it. On to Merthyr then, my gallant 
 men, and do the same; are we not from Swansea? But 
 what cloud is that on Aberdare hill awaiting us ? Workmen 
 in thousands ! How slow our horses have become ! The 
 cloud approaches, breaking on us as with a thunder-storm of 
 Welsh oaths. We are powerless here. Gentlemen, gentle- 
 men ! leave us our lives. Here are our pistols ! here are our 
 swords ! all but that one — for God's sake, gentlemen, do not 
 take that sword, it was at the battle of Waterloo ! ' Hurra, 
 hurra ! hurra for the sword that was at the battle of Water- 
 loo ! ' Ride back, gentlemen yeomanry, through deserted 
 Hirwain ! jingle what metal trappings may still remain to 
 you, and pass through swiftly ! 
 
 Thus brawl and bluster the dingy multitudes of the hills ; 
 and still the gentlemen are at Penydarran, with the handful 
 of Little Petticoats. The Little Petticoats are at their ease, 
 however, and know what they know. They are increased to 
 about a hundred now ; for the ammunition and the reinforce- 
 ment have found a way over the hills to them. There are 
 also some three hundred mounted yeomanry. The various 
 multitudes have now collected into one multitude, and have 
 settled on the Merthyr tips. The gentlemen, with the yeo- 
 manry and the Highlanders, leave their fastnesses now, and 
 march upon them. The Riot Act is read ; they are called 
 on to disperse : they refuse. Forward ! brave mounted yeo- 
 manry ! The brave mounted yeomanry are sluggish. ' Right 
 and left, then,' shouts a brave man, ' and my little Highlanders 
 will do it.' The hundred Little T'etticoats step to the front — 
 forward upon thousands : they level their muskets: they are 
 in act to fire : an iron-master throws himself before them, 
 yet again beseeches the mob ; — succeeds. The motley 
 
 P
 
 2'26 SAVED LEAVES. 
 
 rabble melts from their eyes like snow ; and the Merthyr 
 hots have come to their conclusion. 
 
 Now begins the chase of the law ; — ringleaders are seized 
 in their beds ; guns, swords, and other spoils are recovered. 
 Une man — a simple fool of a fellow, the leader of the attack 
 — swings round beneath the gallows ; the hills are found 
 in anecdotes for a generation ; and the Little Petticoats 
 remain personages of almost mythic renown. 
 
 Such is the picture you body forth, as you stand on the 
 steps of the Castle Inn, floatingly. Suddenly military music 
 strikes on the ear, surging the heart, and filling the eyes. 
 A brass band comes up the street ; behind it is a brawny 
 figure, with the front, power, and reputation of a young 
 Antony. That is an iron-master ; and that is his surgeon 
 beside him. They are followed by an orderly procession 
 of well-dressed workmen, with sashes, banners, and other 
 paraphernalia. 
 
 The coach is ready again, however, and you must go. On 
 through Merthyr, and past Cyfarthfa ; wondering at the 
 monstrous blue tips and the castellated building with lovely 
 grounds in the midst of them. As you mount the hill, you 
 see, down in the valley, tents erected : thither wends the pro- 
 cession you have seen ; and, as you listen to the romantic 
 story of the coachman, in regard to the iron-masters in 
 question, about their amazing personal strength ; their reck- 
 lessness of heat or cold, of wet or dry, of night or day, of 
 time or season ; their power of doing the work of any one 
 workman, in their gigantic works, above ground or under 
 ground, as well as that workman, and better than that work- 
 man — as you hear this tale, I say, and as you see the scene 
 of festivity before your eyes, and hear the glorious music 
 floating up the valley, and re-image the heroic figure that 
 you saw, knowing, moreover, that he is a millionaire, and 
 that these are but his workmen beside him — you believe that 
 the old times are resuscitated — -the grand old times, when 
 master mingled with man, rest with toil, and festivity with 
 drudgery. 
 
 Thus you dream ; but the coach stops not. Up the hill, 
 higher — higher— over such a barren mountain. Behold now^ 
 at your feet, another valley, into which you must descend !
 
 THE FOREIGN COUNTRY AT HOME. 
 
 There, on your left, nestling in that mountain-bosom, is 
 Aberdare. Down straight before you, on that bleak 
 common, that runs, strip-like, along that bleak comb of a 
 ridge, smokes little Hirwain. Down the hill, on through 
 that meagre, naked, squalid-looking Hirwain. Over the 
 common, down into Cwm Neath ; and now, is not this 
 lovely ? A long, green riband, flat, narrow ; between two 
 such picturesque mountain ridges, stretching to the sea. 
 
 Vou stop not, however ; you come to low-lying Neath, with 
 collieries and a seaport. Leaving Neath, you pass through 
 the great copper works — the works where three-fourths of 
 the copper in the world are extracted from the ore. Merthyr 
 was unsightly enough ; but what do you think of this .'' Foul 
 boats in foul ditches, ghastly woodwork, chimneys coated with 
 pollution, low, tumble-down huts smoking in the midst of 
 such inconceivable lurid refuse, the vapour of verdigris for 
 an atmosphere, and all around for miles bare and herbage- 
 less — blasted by the poisonous copper whose ' savour of 
 metal sick ' your palate is even now vainly endeavouring to 
 extrude. Courage ! you have passed them. Swansea re- 
 . ceives you ; cheerful, cleanly, wholesome, somewhat fust 
 
 ' Swansea, with the bay of the Mumbles and the sea-breeze^ 
 
 and the sea-view glorious and refreshing. 
 
 Such is a rapid sketch of the ride from Abergavenny to 
 Swansea ; and I hope that the reader will now believe that 
 for grandeur and for squalor, for beauty and for ugliness, 
 for importance and for meanness, for interestingness and 
 uninterestingness, it is unsurpassed in the kingdom.
 
 22S SAVED LEAVES. 
 
 THE ENCHANTED ISLES. 
 
 So fresh they seem, so invitingly fair, 
 
 Those isles in the sapphire sea ; 
 
 ^'et are there but few who approach would dare 
 
 Those isles in the sapphire sea — 
 
 Those two little isles like emeralds green 
 
 Dropped into the sapphire sea — 
 
 From the sapphire depths of the sky serene, 
 
 Dropped into the sapphire sea. 
 
 For they say the sky, on a day, was rent — 
 
 The blue sky was rent in twain ; 
 
 And forth from its sapphire bosom it sent 
 
 Two diamonds instead of rain — 
 
 Two diamonds, where lie those islands green, 
 
 Dropped into the sapphire sea — 
 
 From the sapphire depths of the sky serene, 
 
 Dropped into the sapphire sea. 
 
 And the ocean bore them upon her breast. 
 
 And round them the sea-weeds grew, 
 
 And with their green arms the white stones caressed, 
 
 Till islands they seemed to view — 
 
 Two fair little isles like emeralds green 
 
 Dropped into the sapphire sea — 
 
 From the sapphire depths of the sky serene. 
 
 Dropped into the sapphire sea. 
 
 But how from the sky those diamonds fell. 
 
 And two islets green should grow. 
 
 Is more than anyone ever can tell. 
 
 For this is all that they know : — 
 
 Those two little isles, like emeralds green, 
 
 Dropped into the sapphire sea — 
 
 From the sapphire depths of the sky serene, 
 
 Dropped into the sapphire sea ! 
 
 Amelia.
 
 WHY ? 229 
 
 WHY? 
 
 ' Why, wherefore, why,' the breezes sigh, 
 ' Must we, for ever wand'ring, blow 
 
 O'er trees and flowers, secure that grow 
 
 In one fixed resting-spot ? ' 
 
 And, ' Why, why, why,' the flowers cry, 
 ' Are we thus born so bright and fair 
 To scent awhile the thankless air. 
 And then to fade and rot ? ' 
 
 The sea roars, — ' Why, unceasingly, 
 Against the shore must I thus dash me — 
 The helpless sport of winds that lash me 
 To fury as they list ? ' 
 
 Drearily, ' Why,' as they glide by. 
 The moments mourn, ' must we pass on — 
 Scarce sooner here than we are gone, 
 Unreckoned and unmissed ? ' 
 
 ' The azure sky, why, tell us, why,' 
 The golden sunbeams sadly grieve, 
 
 ' Our glorious home why must we leave. 
 On this gross earth to lie ?' 
 
 And, ' Why, O why,' says man, 'am I ? ' 
 ' Why do 1 live ? why is my life 
 Beset with troubles, cares, and strife ? 
 O why is life — death, why ? ' 
 
 Amelia.
 
 '^'^>0 SAVED LEAVES. 
 
 On jane H. S. when A GIRL. 
 
 Bv Rev. A. R. 
 
 Love peeps amid those tresses fair 
 That circle round that brow of white, 
 Like wavy clouds that wait the moon 
 In the still night. 
 
 Love laughs beneath the silken lash 
 Of tliy mild, radiant, speaking eye, 
 A fairer star than evening brings 
 To deck the sky. 
 
 Love sits upon thy ruby lip, 
 And whispers gently of a kiss, ■ 
 And raises dreams of life with thee 
 In wedded bliss. 
 
 Love leans him on that stainless neck, 
 And points him to that bosom pure : 
 Happy the wight whose hopes on earth 
 Rest there secure ! 
 
 OGREBABE, THE BODY-SNATCHER.* 
 
 It was on a gusty, rainy December's afternoon of the year 
 1 8 — that a knot of students might have been seen huddled 
 shiveringly round a somewhat scanty fire in the dissecting- 
 room of the ancient university of G . The tables were 
 
 not altogether devoid of the materials proper to the place, 
 but the day was too miserable for work ; and only one 
 enthusiastic plodder, with dribbling, coppery nose, still hung 
 
 * Among the earliest papers.
 
 OGREBABE, THE BODY-SNATCHER. 231 
 
 over the beloved task, plying assiduously the forceps and 
 the scissors, but compelled, from time to time, to relinquish 
 both, and foster his fingers in the recesses of his more 
 grateful pockets. 
 
 All was indeed cheerless and comfortless : the light, 
 coming dully through the rain-bleared skylight, fell chilly 
 on the leaden floor, and the oily-moist macerating tubs, and 
 the wooden benches, and the drying preparations, and the 
 skeletons, and the unctuous tables with dead men's bones or 
 dead men's mutilated selves on them. All was indeed 
 dreary, dull, and comfortless. Ever and anon, the wind 
 rolled lugubriously in the chimney ; the slates rattled on 
 the roof, and the rain, drifting swiftly on the blast, fell 
 plashingly, in a flood, against the weather corner of the 
 court beneath. 
 
 The conversation by the fire had dropped to an occasional 
 word, startling, as it broke upon the ear, to speaker as well 
 as hearer. Some, with open book on knee, sat looking at 
 the coals, idle : the majority, pipe in mouth, smoked on, 
 puff after pufl", noiselessly, in silence. 
 
 The internal sympathised with the external ; the shadows 
 of the material fell on the spiritual ; till even the entrance of 
 their Professor could only seem something mysterious, and 
 awake in each the idea of a messenger freighted with woe. 
 Nor did this feeling subside when the learned personage, 
 whose approach was thus received, turning short on the 
 group, asked suddenly : ' Which of you knows Erfine.^' 
 All stared aghast, their hearts knocking at their ribs. 
 ' Does any of you know the town of Erfine '^ ' 
 * I do,' gasped out at length a youth of some nineteen or 
 twenty, who sat holding a book on one knee and a skull on 
 the other — ' I do ; ' and his cheeks, marble-pale but the 
 moment before, flushed scarlet. 
 
 ' Intimately — do you know it intimately ? ' 
 ' He goes often enough there, at all events,' waggishly 
 slipped in the mischievous Will Johnstone. 
 
 The Professor, looking at the speaker, perceived his mean- 
 ing and smiled. The smile was caught up and passed, like 
 a reflexion, from lip to lip. Me of the skull, Ogrebabe by 
 name, flushed deeper and deeper ; but bashfulncss and
 
 232 SAVED LEAVES. 
 
 confusion swallowed up all outcome of anger ; and in 
 reply to the Professor, he stammered out ! ' O yes, sir, I 
 think I know Erfine.' 
 
 ' The churchyard — do you know it ? ' 
 
 ' Yes, sir, I have been in it often.' 
 
 'Well, what say you to a visit, on such a night as this — 
 not to your sweetheart, mind you, but — to the churchyard ? ' 
 
 All looked to the skylight and shrugged their shoulders, 
 excepting only the individual questioned, who, like one who 
 had suddenly seen light in the dark of confusion, answered 
 catchingly : ' I will go at once, sir, if I can be of any use.' 
 
 ' But it is a long journey, and the night is rough, and there 
 might be rough work, and I should like a stronger man ' — 
 the youth seemed to sink collapsed while the unconscious 
 Professor continued — 
 
 ' The matter, you see, is this — I am told a prime subject 
 was buried there yesterday — and it is an easy churchyard to 
 open, for the walls are low, and, what is better, the soil is 
 sand, and may be dug with one's fingers. It is well watched, 
 however ; but then on such a night as this— in short, if there 
 are three lusty fellows among you willing to go with this 
 young man here, I will find the horse, and all the needfuls.' 
 
 There was a considerable pause. 
 
 At length, Corrigan, an Irishman, made answer that 'may 
 be, he'd be taking the trip himself.' And for such a trip 
 Corrigan was peculiarly well qualified. At the first glance 
 you saw nothing beyond the common in his frame ; but 
 when once the decision of the man, exhibited in actual fact, 
 had attracted your especial notice, then it was that his 
 round chest and singularly muscular arms were, once for 
 all, done justice to. His lips were protruded into a hard, 
 habitual smile ; and there was something of cruelty about 
 his eyes and the corners of his brows : in short, to all who 
 examined this Irishm^ narrowly he appeared to be, what he 
 really was, cold, cruel, impassable — active, sinewy, powerful. 
 
 ' Well, very well ; we shall say nothing against you, 
 Corrigan,' said the Professor. 'Now, who else will go — 
 somebody that can drive now?' 
 
 ' I will go,' said Will Johnstone, ' since Ogrebabe's going, 
 and I can drive.'
 
 THE BODY-SNATCHER. 233 
 
 All eyes were now turned on the new candidate, who bore 
 the infliction with the utmost composure. The smile on his 
 thin lips seemed to anticipate, yet take derisively, a low 
 estimate of his personal powers on the part of the specta- 
 tors ; for he was but of middle size and middle stature, with 
 the promise of activity merely. His trimly-cut, straight, fair 
 hair was accurately parted, and brought strictly in a half 
 curl to the corners of his high, round forehead. Fair, linear 
 brows overhung a cold grey eye that twinkled a laugh. His 
 cheeks, smooth, palish, freckled, were somewhat contracted 
 under the cheek bones. His lips were tense, and kept his 
 chin always blue. His nose was small, straight, and 
 decided. There was in the carriage, if not in the shape 
 of his head, something that denoted firmness. Altogether, 
 you would have fancied to yourself, from the whole expres- 
 sion and appearance of the man, that in conversation he 
 would be given to chaffing, and that, as a surgeon, he would 
 be enterprising and imperturbable. 
 
 ' We just want one more, and who'll be he .f" ' said the 
 Professor. 
 
 ' Mr. Muller, I am sure, will join us, and complete the 
 party,' replied Johnstone, with mock sincerity. 
 
 Mr. Muller, the gentleman thus addressed, more generally 
 known as Big Muller, exhibiting the appearance of the very 
 man adapted for such an enterprise, seemed in no ways 
 desirous of the distinction, however. 
 
 He was a large man, with a full, well-coloured, whiskerless 
 face, and a mop of a head, with rough, tufty hair on it. He 
 had a swaggering gait and an elbowing intrusive manner, a 
 loud voice and an insolent laugh. He carried always a 
 huge cudgel ; and had contrived in many ways to make 
 himself a universal pest. Of late, however, he had figured 
 in a new character — in that, namely, of Will Johnstone's 
 last-found butt. Will looked a dwarf to him ; nevertheless, 
 he had found out the trick of the monster, and was in the 
 daily habit of trotting him out, in the coolest, most unflinch- 
 ing manner imaginable, much to the delight of the ecjually 
 willing but less daring herd, who had suffered from the 
 bully's insolence. 
 
 ' You will join us, I am sure, Mr. Muller,' repeated John-
 
 231 SAVED LEAVES. 
 
 Stone. Muller's red face had paled and waned ; his eyes 
 seemed retreating, ostrich-like, from sight, as if thereby to 
 conceal their bulky owner. But, attention having been once 
 drawn to him, escape was impossible. 
 
 ' The very man ! ' exclaimed the Professor. 
 
 ' He'll carry, surely,' sneered Corrigan. 
 
 And he of the skull, Ogrebabe, who had been absorbed in 
 a hot, coppery sulk ever since the Professor had so inno- 
 cently slighted his strength, burst out into an uncontrollable 
 peal of laughter. 
 
 ' Don't show the white feather, Muller,' deprecated John- 
 stone : ' you'll come .'' ' 
 
 In short, refusal was impossible ; and attempting to spread 
 himself and regain his usual bullying bearing, but sufficiently 
 betraying his inward feelings by an involuntary sigh, he 
 followed his comrades into the sanctum of the Professor, in 
 order to settle the plan of the campaign. 
 
 That was a matter speedily effected ; and the Professor 
 promising to have his share of the arrangements completed 
 and in readiness by eight o'clock, dismissed the adventurers 
 to accomplish theirs. 
 
 Corrigan, for his part, sauntered back into the dissecting- 
 room, muttering to himself ' the sack would be just the thing 
 for his shoulders, and sure the boys would never forget a 
 drop of the real.' 
 
 Big Muller swaggered home, rotating his cudgel vigor- 
 ously, and alarmed the entire street by the thunder of his 
 knock. In the space of ten minutes after obtaining entrance, 
 he had contrived to turn the whole house topsy-turvy. The 
 servant-maid was sent one way, the landlady's daughter 
 another, her son a third, and herself every way ; while her 
 other lodgers, each in his solitary chamber, roused from 
 study, sat gaping, terrified at the import of the hitherto 
 unprecedented hurly-burly, intimations of which, from time 
 to time, not unintentionally reached their ears. 
 
 As for Johnstone and Ogrebabe, the former alleging that 
 
 his apartments were nearest, and promising a sufficiency of 
 
 all the needful stores and accoutrements, persuaded the 
 
 latter to accompany him home. 
 
 By the way, Johnstone amused himself, as usual, at the
 
 OGREBABE, THE BODY-SNATCHER. 235 
 
 expense of his more susceptible companion. With his 
 little 7ieedly laugh, and his two little eyes contracted to 
 bodkins, he proceeded to re-open the wound which the 
 Professor had so unwittingly inflicted, and in the most 
 dexterous fashion insinuated that a deficiency of personal 
 strength on the part of Ogrebabe was obvious to everybody. 
 In short, for the greater part of the way, poor Ogrebabe, 
 whose light and youthful figure really gave promise of all 
 manliness, was kept wincing and flinching till the circum- 
 scribed giant within him, heaving in throes beneath a very 
 Aetna of sensitive obstruction, had well nigh burst up 
 and with preternatural vehemence overwhelmed the sneerer. 
 Johnstone, however, contrived to put about just in the nick 
 of time, and falling off in a pleasant breeze, laudatory of 
 Ogrebabe's really fine chest, muscular arms, noble face, 
 and generally hard frame, triumphantly carried him before 
 the wind, with soothed feelings, homewards. 
 
 The storm still fitfully brawled, carrying the rain with it, 
 as the old college clock struck eight. Corrigan, Johnstone, 
 and Ogrebabe stood under the gateway execrating Muller, 
 who had not yet arrived ; while Quasimodo, the porter, at 
 the edge of the kerb-stone, held the little mare, not in the 
 pleasantest humour. The seats of the vehicle being cushion- 
 less, however, ran no risk of soaking, so that the inconveni- 
 ence of the position seemed limited to Quasimodo alone, 
 whose garments the wind most vexatiously assaulted. As 
 for the little mare, a short-backed, round-barrelled, well- 
 armed, compact little creature, the very image of a trotter, 
 she stood within the shafts with the most exemplary patience. 
 
 The carriage was a two-wheeled one, light but roomy ; in 
 shape something like what are now denominated dog-carts, 
 with seats for tv/o in front, and the like accommodation 
 behind, but so put that the occupiers of one department sat 
 back to back with those of the other. Beneath the seats, 
 there ran a cell, familiarly known as the crypt, capable of 
 holding what may be supposed. At present, it contained a 
 spade, a mattock, a small crowbar, and little Fan's feed bag. 
 
 Ogrebabe and Johnstone were well muffled up, and armed 
 each with a flask of brandy and a stout stick. Corrigan too
 
 236 SAVED LEAVES. 
 
 could show a shilella, but the sacks necessary for the cam- 
 paign were all he could boast of in the way of wrapper. 
 
 Occasionally, the little mare gave a stamp ; the wind a 
 leap and a howl ; Quasimodo a clutch at his hat ; the trio 
 an impatient exclamation : and thus they stood a full quarter 
 of an hour before the heavy figure of Mullcr loomed in sight. 
 * Here he comes, at last,' exclaimed Johnstone, ' hang it ! 
 Muller, where have you been ?' But without waiting for his 
 answer, the three sprang at once forward to the vehicle. 
 Corrigan and Ogrebabe, as if by agreement, placed them- 
 selves in the rear, so that the vacant place by Johnstone, who 
 was assuming the reins, was left for Muller. 
 
 ' All right. Quasi ! let go ! ' and away down the street 
 sprang the little mare. The wet pavements lay glittering 
 beneath the lamplights. On trotted the little mare merrily, 
 heedless of wind or rain. On, down Hill Street, round the 
 corner, and away into Spine Street, with its long line of 
 lamps tearfully stretching far into the night. On, away, 
 street after street ; over the bridge with the swollen river 
 roaring beneath. Down into the dark, narrow, tortuous 
 suburbs. Out on the highway, and away bowling, till 
 brought up by the rough gitr-gur, rick-ruck-rick of some 
 new-laid stones. Clear of that and away again, amid the 
 howling wind, between hedges dimly seen, under trees 
 struggling in the blast, and shaking their wet heads over 
 the travellers. On past garden-walls, and mansion-gate- 
 ways, and low cottages, and little victualler's shops just 
 shutting. Away, past a yew - gloomed churchyard with 
 upright gravestones, and a sulky square tower in the midst. 
 Away, round turns, and over little bridges ; up hill and 
 down hill ! Past collieries gleamed-on by romantic-looking 
 tires ; the heavy beams above the pit showing spectral, and 
 the clank of the machinery sounding eerily ! 
 
 A heavy momentary shower falls, every now and then, 
 from a gust of wind suddenly on the travellers ; but these 
 showers get rarer and rarer ; and the dark blue sky with 
 bright stars, occasionally looks out between clouds that drift 
 swiftly over it. Far away, on the left, however, sits darkness 
 round a hill, growling at intervals and lancing lightning 
 angrily.
 
 OGREBABE, THE BODY-SNATCHER. 2?)? 
 
 On runs the little mare, round a turn, down a hill, rattling 
 over the stony street of a long village. Up again, out, and 
 away, along the rim of a hill overhanging a deep ravine with 
 picturesque lights far down in the bottom of it. On and on, 
 into the realms of night, gathered fires, now and then, shoot- 
 ing up over the length and breadth of blank windows, up to 
 the roof, suddenly as they pass. On, past the gaunt remains 
 of a giant cotton mill, looking ghastly on them with its 
 thousand vacant eyes, as they enter its shadow. On, round 
 the base of a mountain. Swift, step, step, through a sleep- 
 ing village that echoes on them. Out to, and along, the 
 margin of a lake, its waters lashing the bank. Past the 
 lake, on and up to a high table land, and away straight 
 towards the sea. 
 
 The reader knows full well that our adventurers were not 
 quite innocent, all this time, of the flasks. Corrigan, in par- 
 ticular, had paid considerable attention to a bottle of whisky 
 of Muller's ; and even the brandy of the other two had not 
 been neglected. 
 
 The rain had now almost entirely gone off; but the sky, 
 though bright with stars, was moonless, and, for the most 
 part, shrouded with swiftly-drifting clouds. In spite of the 
 storm, the travellers found themselves comparatively dry ; 
 and, on the whole, though more and more silent, they were 
 in good heart for the weighty part of the enterprise, which 
 was now approaching. 
 
 Every object began now to wear a familiar face to Ogre- 
 babe. The trees rustled like acquaintances. Not a broken 
 hedge, or stone-wall, or old post but seemed a friend to him. 
 O ! the exultation with which he had trod that footpath— 
 the blow of triumph which, once in other days, his stick had 
 inflicted, till it rung again, on that iron gate, when, with his 
 feet, he had vanquished the barriers of space between him 
 and Iicr ! Her? Ah ! was not that the very bank whereon 
 he had sat with her ? was it not on that very spot that that 
 so pleasant word had fallen — that that so innocent, betray- 
 ing, little look had escaped? 
 
 On, on ! not a stone but had its memories. And now 
 what object had he ? What was his errand now ? So 
 different ! It made him shudder. No boundless exulta-
 
 23.S SAVED LEAVES. 
 
 tion in his heart now ! His face not now aflame with 
 joy and eager expectation. His limbs not now firm with 
 the triumph of a weary thirty miles conquered beneath 
 them ! Each well known object, as it glided towards him, 
 remained not now behind but seemed to come with him, a 
 weight. Ah, what heaviness lay upon his heart — pressing 
 him twofold ! The tears came like rivers down his cheeks 
 — he could not stay them ! There was the toll — the tree — 
 the wall — the lane — ah me ! the very garden ! He shut his 
 eyes — he would not look. 
 
 The stony street rattled now beneath the wheels. Every 
 jolt struck upon his heart. Shut though his eyes were, not 
 a house — not a turn — but was clear and visible to them ! 
 Quietly they passed along through the sleeping town — not 
 one of all the four but breathed oppressedly in the silence. 
 
 They reached the bridge that over-arched the river, and 
 halted there. Getting out, the carriage was led down the 
 declivity by the side of the bridge to the river. The tide 
 was up, and the stream was flooded by the rain, so that 
 they could not go under the first arch of the bridge, as had 
 been previously intended. 
 
 Leaving Muller and Johnstone for the present with the 
 eio-, Oerebabe and Corrigan, with the implements on their 
 shoulders, set out now for the churchyard, which sat on an 
 eminence above the river with its tall spire shooting up into 
 die night. 
 
 Stumbling along over rough stones and among wet grass, 
 our two adventurers soon began cautiously to ascend, and 
 speedily reached that corner of the wall near which the 
 subject was represented to be buried. It was not without 
 disappointment, although they had been led to expect no 
 better, that the first object that met their eyes, as they 
 looked over the low wall, was a sufficient watchman's box, 
 lighted, and within twenty paces of the tree at the foot of 
 which lay the grave in question. 
 
 The door was shut, however, and the little window looked 
 but dim and harmless. Without hesitation, Corrigan threw 
 himself over the fence, took the tools from Ogrebabe, and, 
 bidding him hasten back for Muller, crept towards the grave 
 and set to work. A huge tombstone lay upon the grave, and
 
 OGREBABE, THE BODY-SNATCHER. 239 
 
 seemed to be an eft'ectual barrier to all profanation. A 
 stranger over-looking the scene, would have chuckled to 
 himself, and fancied Corrigan fairly foiled. Corrigan was 
 too old a hand to be so easily dispirited ; and, stepping one 
 pace back from the head of the grave, he commenced to 
 scoop out a small opening, certainly less than two feet 
 square. As he dug further and further, the passage began 
 to slant slightly in the direction of the head of the coffin, 
 the exact depth of which the Professor had been made 
 aware of. 
 
 Leaving Corrigan digging away nothing daunted, almost 
 in the very glimmer of the dim little window of the watch- 
 box, let us follow Ogrebabe. He had advanced to the brow 
 of the declivity, and was on the point of descending, when 
 he suddenly paused ; then, after a moment's hesitation, he 
 turned abruptly along the wall in the direction of the town, 
 muttering to himself, ' I will see the window ! ' 
 
 Reaching the old familiar streets, swiftly he sped through 
 them ; and soon, with palpitating heart, drew near the well- 
 known dwelling. He stood by it. This was Erfine ; and he 
 was here on such an errand ! All seemed to swim around 
 him — the houses to topple and nod rebukingly over him. 
 He tried a gate— it was barred and locked. Without a 
 moment's thought he quitted it, ran along the street, up 
 another, climbed a wall, crossed a garden, scrambled over a 
 fence, and, slipping noiselessly along, speedily stood by a 
 glazed door. The latch was in his hand — the latch so often 
 lifted ; every ring and turn, and knob and accidental chip 
 on which were so familiar to him. He lifted it, and pressed, 
 but there was no entrance. ' I will knock,' thought he. 
 "St! what nonsense! What am I about.?' He turned 
 away and stood beneath a window — her window. He 
 reached the sill, and attempted to look through. In vain ! 
 the shutters were all closed ; no chink, no cranny could he 
 find. He turned away in tears. 
 
 Slowly he retraced his steps ; but, regaining his buoyancy, 
 he cried gaily, as he sprang over the wall, ' Good bye ! old 
 garden ; Christmas is near — soon shall I see your old face 
 again.' So, with lightened heart and quick steps, he made 
 for the bridge. 
 
 & 
 
 t>
 
 240 SAVED LEAVES. 
 
 Reaching his companions, and arranging with Johnstone 
 to bring up the gig the moment he heard a whistle, and 
 have it directed so that, in the event of an alarm, they might 
 dash over the bridge and return by another though con- 
 siderably longer route — to return the way they came would 
 be easy if there were no alarm — he bade Muller follow him 
 to the assistance of Corrigan. 
 
 Johnstone was now left alono, and in a position that cer- 
 tainly well merited the Scotch appellation eerie. While 
 Muller was with him he had been comparatively comfort- 
 able : nay, as usual, he had contrived to gain amusement 
 from him by playing on his fears ; keeping up a constant 
 series of abrupt questions, as, ' Was that a voice ? Do you 
 see that man, Muller?' and more of a like sort. Now, 
 however, alone, in the dark, in a strange place, on such an 
 errand, without one friendly sound but that of the little 
 mare munching in her seed-bag — the case was widely 
 different, and, in spite of his firmness, Johnstone felt himself 
 miserably trepidated. The wind wailed in the arches of the 
 bridge most pitifully ; some trees rustled not far off quite 
 disagreeably : then there was the gurgle and the rush of the 
 river, and the hoarse roar of the not distant sea advancing 
 ever and anon, like a legion of enemies. Altogether, John- 
 stone felt very queer ; but he kept his place steadily till — - — 
 but let us rejoin the others. 
 
 Corrigan, whom they found on the outside of the wall, 
 and not on the inside, where he Imd been left, received 
 Ogrebabe and Muller with a pretty decided imprecation on 
 their slowness, to which Ogrebabe thought best to make no 
 reply ; but asked him how he got on. ' On ! I might have 
 had the divil in the poke by this time, but the dirty fellow, 
 the watchman, has been bothering and putting me out 
 entirely. The spade clinked on a bothering bit of stone ; 
 and what does the fool do but put his ugly face out. Faith ! 
 I thought he had twigged me, for he levelled his gun, but 
 never a bit did I budge, and he dropped it again. He's in a 
 trifle of fear himself, for he would not leave his box though 
 he had his wife at the back of him.' 
 
 ' His wife?' said Ogrebabe. 
 
 'Ay, a woman that took him up a drop of something ; but
 
 OGREBABE, THE BODY-SNATCHER. 241 
 
 I believe she's going by this time — so, Muller, if you 
 please, just give me that glazed hat and that pea-jacket of 
 yours, and you take these, if you please. I have a trick in 
 my head worth two of the dirty watchman's.' 
 
 Muller made the exchange without a word of contradiction ; 
 and Corrigan, while equipping himself, proceeded to say, 
 'There is no use going on with the job, you see, for the 
 fellow's ears are open — but you step in, do you hear, and 
 finish it, when you see me take off his attention.' 
 
 Corrigan was soon out of sight ; and Ogrebabe and Muller 
 stood looking over the wall, under the branches of the tree, 
 wondering in what manner their comrade would accom- 
 plish his purpose. They had not stood long when, the 
 watch-box opening, a woman stepped out with some empty 
 dishes in her hand ; and, bidding the occupant good night, 
 departed into the darkness towards the gate of the church- 
 yard. Presently, she came running back, however, scream- 
 ing at the pitch of her voice, pursued, to the consternation 
 of both Muller and Ogrebabe, by a drunken sailor ; who, 
 cursing his eyes, swore loudly he would see what the wench 
 was about at such a time of night. The woman flew into 
 the box trembling like a bird, while her husband, trembling 
 quite as much as his helpmate, took up his weapon and stood 
 in the door-way. ' The top of the morning to you, my boy !' 
 shouted the sailor — and it was much to the relief of Ogre- 
 babe and Muller, who had forgot the nature of the habili- 
 ments the latter had just parted with, 'that, in the tipsy tar, 
 
 they recognised — Con'igan ' the top of the morning 
 
 to you ! and this is it — is it .'' by my sowl ! and it is watching 
 you are — and this is the Missis^ is it ? Well, no harm done ! 
 Just steering home, do you see ? — too much stingo aboard — 
 lost bearings — sails of your good woman hove in sight — 
 afeard of nothing above or below, gave chase to the old lass, 
 do you see ? and here I am and no harm done.' The watch- 
 man growled — such a growl as made one understand tliat 
 from the collapse of apprehension he had stiffened himself 
 gradually up to the dignity of his office, and said, 'Well, go 
 you back the way you came, my man, — the sooner you find 
 yourself between the sheets the better for you, I guess.' 'By 
 Jappers ! my boy,' responded Corrigan, ' I'm not off so soon. 
 
 Q
 
 •242 SAVED LEAVES. 
 
 There's a bit of a fire — here's a drop of the right stuff 
 — I say, old lass, just try a smell of it to take the fright out of 
 you ; ' and entering boldly within the watch-box, he proffered 
 Muller's whisky bottle to the half-reassured female. 
 
 O gallant, brave John Barleycorn ! In five minutes tlic 
 three, with sparkling eyes and smiling mouths, got quite 
 happy together ; the daring Irishman keeping up the char- 
 acter of a sailor, in tl'^e main, sufficiently well. The door of 
 the box remained open, however, and Muller and Ogre babe 
 found it impossible to proceed to the work. 
 
 By and by, the woman taking her departure, Corrigan, in 
 tipsy gallantr)', offered to accompany her, but was forcibly 
 detained by the husband, who, shutting the door, set Corrigan 
 down by the fire, saying that ' his bottle was too good to lose 
 yet.' 
 
 Ogrcbabe and MuIIer now leaped over the wall, and pro- 
 ceeded to accomplish what Corrigan had so manfully begun. 
 They found, indeed, that he had made wonderful progress ; 
 and was already four feet beneath the surface. Taking it 
 by spells, the two were soon far on in the work. The 
 laughter of the watchman and the loud tones of Corrigan, 
 ever and anon reaching their ears, infused courage and 
 confidence into them. 
 
 Almost exhausted with fatigue, and sweating at every 
 pore, at length they found their task just on the point of 
 accomplishment. The unfortunate corpse was safely stowed 
 away in the sack, and lay on the outside of the wall. Muller, 
 who had been assisting Ogrcbabe to effect this, had just 
 stepped back in order to fill in the earth and leave all 
 apparently as it had been before. Somehow, hoAvever, he 
 missed his footing, reeled, stumbled, and fell into the open- 
 ing, sliding down to the very bottom till his feet struck and 
 sounded loudly against the empty coffin. Corrigan and the 
 watchman who, drinking, talking, and laughing, had both 
 failed to hear many little sounds which silence might have 
 betrayed, both started up with affright, though for very 
 different reasons. The Irishman had presence of mind 
 enough, however, to be the first to seize the musket ; and, 
 standing in the doorway, he prevented the poor watchman 
 from having a single glimpse. Looking to the grave, he
 
 OGREBABE, THE BODY-SNATCHER. 243 
 
 could see Muller scrambling out of the hole, and having 
 succeeded in that, to the dismay of the Irishman, throwing 
 himself over the wall in the wildest fashion imaginable, dis- 
 placing the very stones of it till they rolled down noisily. 
 
 'D the fools! they're off— good night, mister — sorry 
 
 to part,' exclaimed Corrigan ; and flinging the musket rattling 
 far among the tombstones, he vaulted over the wall, and dis- 
 appeared after his companions. 
 
 The throwing of the gun was a blunder, however, for it 
 went off with a loud report in the stillness of the night ; and 
 the astonished watchman, at length comprehending the trick, 
 rushed out towards the houses, shouting at the very pitch of 
 his voice. Muller, in clearing the wall, would have at once 
 bounded down the slope and left the subject to its fate ; but 
 Ogrebabe, seizing him, compelled him to take a hold, and 
 the two together, in spite of their burthen, ran down on the 
 wings of the wind towards the bridge. Corrigan soon gained 
 on them, however ; and Muller hearing his steps and fancy- 
 ing him some pursuer, let go his hold of the corpse and ran 
 off frantic with panic. With an imprecation on his cowardice, 
 Corrigan caught the burthen just as it was falling, and bear- 
 ing more than half the weight of it, he, with Ogrebabe, soon 
 reached the carriage. 
 
 Johnstone, apprised of their approach, and that something 
 was wrong by the manner of it, had the vehicle in readiness, 
 head to the bridge. Muller was in vain urging him to drive 
 off, assuring him that both Corrigan and Ogrebabe had 
 certainly been caught. Up came the two panting, and, 
 quick as lightning, thrust the subject into the crypt ; then, 
 leaping to their seats, gave the word to Johnstone to drive 
 for very life. 
 
 By this time, the alarm had become general ; the church 
 bells were ringing tumultuously ; and there was shouting 
 sufficient almost to awaken the dead. 
 
 Over the bridge sprang willingly the little mare, and 
 round a corner into a long row of houses. On through the 
 row at the top of her speed she dashed, passing here and 
 there some half-naked householder standing bewildered by 
 his door. To their horror, just as they cleared the row, they 
 came suddenly on a toll-bar. Swift as thought, Corrigan
 
 214 SAVKD LEAVES. 
 
 & 
 
 sprang out to open it, but, the toll-man, issuing in his shirt 
 at the same moment, grappled with him. The shouts behind 
 them waxed louder and louder. Muller sat incapable ; but 
 Ogrebabe had leaped to the rescue of Corrigan ; and John- 
 stone having thrust the reins into Muller's helpless lingers, 
 had also leaped out and was doing his best to unfasten the 
 gate. 
 
 Down fell the toll-keeper senseless on the ground ; the 
 gate swung open ; our adventurers rushed to their places — 
 just as the rabble came upon them ; and Corrigan, with a 
 blow of his cudgel, levelling the foremost of them, who had 
 laid a sacrilegious hand on the rim of the carriage, away 
 sprang the little mare amid the disappointed howl of her 
 pursuers. On they drove at full gallop, the shouts of the 
 townsmen falling fainter and fainter behind them. 'Hurra, 
 hurra, hurra ! ' shouted Corrigan. ' Go it, my cripples ! 
 bowl along, my darlings — all right again for ye ! ' And 
 along a fine level road skirting the sea they bowled away 
 rarely. 'Hush! Is that a horse behind us.'" said John- 
 stone. What silence for a moment ! * By Jin, we're done 
 for after all ! ' exclaimed Corrigan. ' Push on — push on— 
 don't stop !' cried Ogrebabe. There are two roads on a 
 bit — we take the long one — they are likeliest to take the 
 short one ! ' 
 
 On they drove, listening most anxiously. Presently they 
 passed the meeting of the two roads ; and taking the right- 
 hand one, they kept still along the sea, whose roar almost 
 intercepted the sound of their wheels. Driving at a some- 
 what gentler pace, they still listened with all their ears. The 
 pursuing hoofs, which were now heard more and more dis- 
 tinctly, ceased suddenly to sound. They had paused by the 
 parting of the roads. It was a moment's pause ; and 
 instantly they were heard behind them again. Muller 
 groaned, and, rising from his seat, seemed half inclined to 
 seek refuge in a flight across the fields. Corrigan, impre- 
 cating a series of the most horrible curses, ended with, 
 ' We'll be sent over the water, by G — .' ' No, hang it ! let's 
 try again ! ' whispered Ogrebabe, with a peculiar tone. 
 ' There's but one horse behind us, and surely we can man- 
 age one fellow. Halt, Johnstone, never fear ! let the mare
 
 OGREBABE, THE RODY-SNATCHER. 245 
 
 breathe a bit ! Now, Muller ; now, if there is any pluck in 
 you !' Johnstone had pulled up, and Ogrebabe and Cor- 
 rigan, followed by the reluctant Muller, advanced along the 
 road towards the approaching horseman. In brief words 
 Ogrebabe explained his intention ; and Corrigan had only 
 time to mutter, ' Good, by J — ! ' ere the rider came upon 
 them. Seeing the three, he pulled in, and asked hurriedly 
 ' had they met a gig ? ' 'A gig ! no ; but there's a carrier's 
 cart gone by ! ' ' The rascals have gone the other way, 
 then,' cried the rider ; and turning his steed hastily, he was 
 just riding off when, to the dismay of our adventurers, the 
 little mare suddenly neighed loud, long, and unmistakeably. 
 The horseman, while his steed was just returning a friendly 
 answer, paused, apparently scenting the ruse ; but Ogre- 
 babe, stepping forward, drew him suddenly to the ground. 
 Corrigan and Muller secured him, while Ogrebabe, to whom 
 the approach of other horses was now too evident, seized the 
 bridle of the masterless steed, leaped into the saddle, and 
 dashed forward to meet the new-comers. Shouting out ' The 
 other way, the other way ! the rascals have gone the other 
 way,' he galloped into the teeth and right through the midst 
 of them. The party halted ; but on drove Ogrebabe as 
 hard as his horse could carry him— on through an indis- 
 criminate rabble on foot, still shouting out, ' The other way, 
 the other way ! ' On he dashed— on to the turn and up the 
 other road at swiftest speed. Then presently drawing bridle, 
 and satisfied that the whole rout followed him, he vaulted 
 from the saddle, gave the horse a blow that sent him gallop- 
 ing wildly up the road, leaped the fence, ran through the 
 wood that covered the angle between the two roads, and 
 presently bounded out at the side of his companions. In 
 half a minute the four were off again at full trot, leaving the 
 unfortunate wight, whose horse had been so serviceable to 
 Ogrebabe, bound hand and foot, and his mouth gagged, by 
 the side of the road. 
 
 Leaving them to pursue their further journey amid exult- 
 ing libations of brandy from the flask till every one of them, 
 except the driver, had taken at least too much, we shall 
 revert to the dissecting room. 
 
 It was five in the morning ; and some dozen of the more
 
 246 SAVED LEAVES. 
 
 enthusiastic students were assembled tlicrc, anxious for the 
 return of our adventurers. The tire was but green, and the 
 leaden floor was miserably cold ; not a few feet were stamp- 
 ing ; not a few teeth were chattering. An oil lamp standing 
 on a table, not far from the fire, lit the room but dimly ; and 
 the buzzing, spitting blazes of the black, kindling coals, looked 
 but comfortless. 
 
 Our old friend, the plodder, with his hands in his pockets, 
 still sniffing at the water-drop on his red nose, kept wander- 
 ing about the room, peering at this and the other anatomical 
 knick-knack. Quasimodo, having done his best by the fire, 
 began his never-failing story of how he had entered the 
 Ram's Horn churchyard — dug up a handsome man — clad 
 him in an old greatcoat and a pair of shoes of his own, with 
 a broken-down hat — and carried him home in the character 
 of a drunk friend — triumphantl) — all by himself. 
 
 Quasi croaked on at his story ; the black coals exploded 
 and simmered ; and the plodder wandered about, pausing 
 occasionally, however, to look over the heads of the group 
 lound Quasi, and listen a moment, his two little eyes 
 twinkling a most simply guileless, innocent smile, the 
 while. 
 
 So wore the time away, till at length the sound of wheels 
 was heard down the court. ' There they are ' ! and away 
 sprang Quasi, with the agility of a rhinoceros, to give his 
 assistance. Presently, in rolled our adventurers, exulting, 
 flushed in the face, and not without an occasional lurch in 
 their gait. Quasi followed them bearing the sack, which he 
 deposited on the empty table with the lamp on it. All 
 crowded round to see the interesting process of unsacking. 
 
 ' Here's a set of fools ! ' roared Quasi, as he pulled the sack 
 ofif, and the feet of the subject protruded through the mouth 
 of it. ' Here's a set of fools ! they've brought the clothes 
 with them.' ' The divil ! ' exclaimed Corrigan. ' That's not 
 my fault anyways — but what matter ? we may be just as well 
 taken up for robbery as for murder, for we have had a divil 
 of a shindy.' 
 
 'Clothes — clothes! what about the clothes.?' stuttered 
 Ogrebabe, on whom the adventure, if not the libations, had 
 taken very decided effect — 'Clothes,' he stuttered out,
 
 OGREBABE, THE BODY-SNATCHER. 247 
 
 approaching the foot of the table where the white wrappages 
 of the lower half of the body, freed from the sack, now 
 shone in sight — ' What's the use of clothes in a dissecting- 
 room, I should like to know ? — No modesty here, by Juno — 
 Come, old lass, let's see your lily-white ankles ! ' and with 
 both hands he took hold of the bottom of the dress, as if he 
 would tear it up. But just as he did this, Quasimodo, dis- 
 engaging the sack from the rest of the corpse, disclosed the 
 mild, meek features of a most lovely, fair-haired girl. 
 All eyes were riveted on the face ; and every heart was 
 hushed ; till from Ogrebabe's deepest bosom burst, in a long, 
 wild cry, the name of Helen ! An avalanche seemed fallen 
 — a thunderbolt — but Corrigan, more than half tipsy, ex- 
 claiming, ' You know her — do you .'' Shan't know tier long, 
 
 by ,' snatched up a cleaver with the evident intention of 
 
 — what was not uncommon in those days of inaccessible sub- 
 jects — disfiguring the corpse. A low, husky whisper thrilled 
 through the room — 'Corrigan, I will kill you if you strike ;' 
 and the arm of the ruffian was clutched by Ogrebabe. The 
 Irishman, however, with a contemptuous look, half shook 
 the stripling off", and aimed a blow at the cold, angelic 
 countenance. The blow fell short, and only smote the lamp 
 from the table, leaving the room in darkness. There was a 
 shriek — there was the silence of death ! The moon, gleam- 
 ing suddenly through the skylight, left a smile on the pale 
 meek face of the corpse ; and showed Corrigan unsteadilv 
 leaning against the wall, and holding on by the edge of the 
 table. A swift drip, drip, drip was pattering on tlie leaden 
 floor; and there, in the moonlight, liquidly widening itself, 
 lay a pool of blood. An indescribable groan broke from the 
 hearts of all. A cloud snatched the light away. A shuffle 
 was heard — then the closing of the outer door. ' He's off",' 
 cried Johnstone, rushing to the door, followed by most of 
 them. Down the stair — down the courts — into the street — 
 they ran. A dark object carrying something white, was 
 seen speeding with swift but uncertain steps at a distance 
 before them. Presently, it was seen to stumble — to fall — 
 then a wild cry pierced the darkness. ' Ha ! Helen, Helen ! 
 He tore your smock, did he 1 — he tore your smock, but he 
 has it, the villain — he has it ! ' Johnstone and his com-
 
 2J8 SAVED LEAVES. 
 
 panions reached the spot. It was Ogrebabe with his dead 
 and desecrated Helen. 
 
 The noise that these events excited, and the legal pro- 
 ceedings consequent upon them, can easily be conceived, 
 and need not be detailed. Corrigan recovered from his wound, 
 and went to practise in the West Indies. Muller, as big 
 and blatant as ever, but with the virtue of sobriety, is a 
 country practitioner. Johnstone is one of our most skilful 
 practical surgeons, a professor at a university, and a lecturer 
 in an hospital. As for poor Ogrebabe, — what better could 
 there be for him? — he died, in the delirium of fever, mur- 
 muring 'Helen ! ' * 
 
 'I AM THAT I AM:'t 
 
 An Interpretation and a Summary. 
 
 By J. H. S. 
 
 I never was, nor will be, but I am ; 
 
 And all that was, or will be, is but Me, 
 
 Here is the mystery, and here the veil 
 
 That never was by mortal man upraised. 
 
 Hearken ! — There is, and ^/ui/ there is, is but 
 
 The one necessity, th' eternal vnist : 
 
 Matter that, starred into itself, is form, 
 
 And form that, struck, even as a crystal struck, 
 
 Is matter. Scattered so, the grains are black 
 
 And many, but the diamond is one 
 
 Diaphanous. Transparent or opaque 
 
 * It may appear impossible, nowadays, that Ogrebabe should not 
 have heard of the death of Helen ; but in days before the present 
 postage system, people of the class indicated rarely wrote letters or 
 received any. People, there and then, only trusted to see each 
 other, after months it might be. All objections, however, must 
 yield to facts ; and it is a fact, that such young gentleman saw^to 
 his horror, and with change of his whole life — such young lady so 
 brought in for dissection. 
 
 + Yzovcv Journal of Speculative Philosophy, for October 1S77.
 
 *I AM THAT I AM.' 210 
 
 The spicula, according to its turn. 
 
 Circumference and centre are but one. 
 
 What is, must belly into sense, or be 
 
 Blank nothing. Webs are but the one of one 
 
 In cross, and difference is identity. 
 
 I see myself into the universe 
 
 Eclipsing into me. Within myself 
 
 I am the rich solution of myself. 
 
 Solvent and solvend both. Yea, I am one ; 
 
 But my own ratio fills me, which, secerned 
 
 Apart from me, is no more me, but mine — 
 
 The world ! — even externality in play. 
 
 One absolute proportion is the whole, 
 
 One sole relation, whose correlatives 
 
 Are at once the multitudinous vast 
 
 And unity, — finite and infinite, — 
 
 Matter and mind,— the creature and its God. 
 
 My ac/.is object, as the shadow held 
 
 In pulsing of my wheels invisible. ' 
 
 From nought to nought of two eternities, 
 
 Springs the gross waterfall, strong, compact, huge, 
 
 But still is not, the moment that it is : 
 
 / am, I am, and I am that I am. 
 
 And you that come, you have my riches all 
 
 In fee. But externality is blind. 
 
 Lawless in law. Be thou but me, and then 
 
 The steps are but the steps, slipp'ry themselves 
 
 And in themselves of no account. Enjoy 
 
 Thou me, and let my will be thine alone : 
 
 The one is many, and the many one. 
 
 Herein is peace divine and the great life 
 
 That is the all : Shakespeare and Socrates, 
 
 And poets old, prophets and saintly priests, 
 The woods, the sea, the glory of the stars, 
 Man and the life of man, in streets, in fields, 
 Children and the woman by the hearth — ^Love ! 
 Nor doubt but He, Jesus of Nazareth, 
 Will make thee sweet in life, and in death mine. 
 Come thou to mc through Him ! come thou in prayer — 
 Come, when thy heart is weak and fails thee, Come ! 
 
 R
 
 250 SAVED LEAVES. 
 
 Brute is the world in externality, 
 
 And blind, still stumbling in contingency ; 
 
 But I, even I, am Lord : I will control 
 
 The monstrous masses as they wheel, and check 
 
 Them there, and smooth the pillow for thy head,— 
 
 Make thou thyself but mine— but me— in Prayer ! 
 
 COLSTON AND SON, PRINTERS, EDINBURGH.
 
 WORKS BY JAMES HUTCHISOI STIRLIK}. 
 
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