Q O O O O O O Q Q Q O ILLPSTMTED FAMOUS fflTIST; a o a a ®. o a ci a u ■■■ II I lll>MM*li»|ll»III.M tll.l CALlFO«MlA SAN DIEGO I MOVE THE SWE] I FORGET-ME-NOTS I H \ r <;k< i\\ FOR II \ PPY I ' >V1 RS. ■^ *J IDEAL POEMS FROM THE ENGLISH POETS ILLUSTRATIONS l;V AMERICAN ARTISTS B< >ST( >N I). LOTHR( >P AND C< >MPANY FRANKLIN STRF.F/1 Copyright, 18S3. D. Lothrop & Company. Pkksswokk u\ Rockwell & Chukchill. CONTENTS. The ISrook The Three Fishers Alfred Tennyson Charles Kingsi ey The Long White Seam . Jean Ingelow O May I Join the Choir Invisible George Eliot How They Brought hie Good News From Ghent to Aix Mi >THER ami Poet Bingen ox i he Rhine . A M vn's a Max for a' i hat . Nature's Lady Ring on. Wild Bells . Ti i \ Sk\ lark The Lost ( Ihord Robert Browning ii 14 18 22 27 Mrs. I'.. I!. Browning . 33 Caroline E. S. Norton 41 Robi r r Burns . . 4S William W< irdswor i ii Ai 1 1:1 ii Tennyson Pero 1 1. Sim ii i a Am . VIDE A. PRO< l 1 R 56 60 ILLUSTRATIONS. I move the sweet forget-me-nots That grow for happy lovers, For men must work, and women must weep. By the candle's flickering gleam. " May 1 reach that purest heaven ' At Aerschot up leaped of a sudden the sun. Dead ! one of them shot by the sea in the East, And one of them shot in the West bv the sea. YY. L. Taylor Frontis. T. 1 1 ov i:\iikn i: Miss I.. B. 1 [umphrey 19 Mme. Alix En vult 23 Hv. Sandham "Tell my sister not to weep forme." Walter Shiri \w A man for a' that. She shall be sportive as the lawn. Ring out the false, ring in the 1 rue. 1 hear thy shrill delight I ,1 1 no! know v hat I was playing Or what I was dreaming then. T. HoVENDEN I ■' Parker Hum \ St. ]< >ii\ 1 1 \ f ■ 1 1 :r E ! 1 Gari W. L. Taylor 29 A I FRED FR] DERICKS 37 43 49 53 5 7 IDEAL POEMS. THE BROOK. TCOME from haunts of coot and hern, L make a sudden sally And sparkle out among the fern. To bicker down a valley. By thirty hills I hurry down. Or slip between the ridges, By twenty thorps, a little town. And half a hundred bridges. Till last by Philip's farm 1 flow To join the brimming river, For men may come and men may go, But I go on forever. 1 chatter over stony ways. In little sharps and trebles, I bubble into eddying bays, I babble on the pebbles. 1 1 12 THE BROOK. With many a curve my banks I fret By many a field and fallow, And many a fairy foreland set With willow-weed and mallow. I chatter, chatter, as I flow To join the brimming river, For men may come and men may go, But I go on forever. I wind about, and in and out. With here a blossom sailing, And here and there a lusty trout. And here and there a grayling. And here and there a foamy flake Upon me as I travel With many a silvery waterbreak Above the golden gravel. And draw them all along and flow To join the brimming river, For men may come and men may go, But I -jo on forever. THE BROOK. 13 I steal by lawns and grassy plots, I slide by hazel covers ; I move the sweet forget-me-nots That grow for happy lovers. I slip, I slide, I gloom. I glance. Among my skimming swallows ; I make the netted sunbeam dance Against my sandy shallows. I murmur under moon and stars In brambly wildernesses ; I linger by my shingly bars ; I loiter round my cresses : And out again I curve and flow To join the brimming river. For men may come and men may go, But I go on forever. THE THREE FISHERS. THREE fishers went sailing away to the West — Away to the West as the sun went down ; Each thought on the woman who loved him best, And the children stood watching them out of the town ; For men must work and women must weep ; And there's little to earn and many to keep, Though the harbor-bar be moaning;. Three wives sat up in the lighthouse tower And trimmed the lamps as the sun went down ; They looked at the squall, and they looked at the shower, And the night-rack came rolling up ragged and brown. But men must work and women must weep, Though storms he sudden and waters deep, And the harbor-bar be moaning. ■4 FOR MEN MUST WORK, AND WOMEN MUST WEEP. 77/A' THREE FISHERS. 17 Three corpses lay out on the shining sands In the morning gleam as the tide went down. And the women are weeping; and wringing their hands For those who will never come back to the town ; For men must work and women must weep — And the sooner it's over the sooner to sice]) — And good-by to the bar and its moaning. THE LONG WHITE SEAM. AS I came round the harbor buoy The lights began to gleam ; No wave the land-locked water stirred, The crags were white as cream. And I marked my love by candle light Sewing her long white seam. It's ay sewing ashore, my dear, Watch and steer at sea — It's reef and furl, and haul the line, Set sail and think of thee. I climbed to reach her cottage door ; Oh, sweetly my love sings ! Like a shaft of light her voice breaks forth; My soul to meet it springs As the shining water leaped of old When stirred by angel wings. Ay, longing to list anew, Awake and in my dream. But never a song she sang like this, Sewing her long white seam. 1 8 BY THE CANDLE'S i LICKERING GLEAM. THE LONG WHITE SHAM. 21 Fair fall the lights, the harbor lights, That brought me in to thee. And peace drop down on that low roof Fur the sight that I did sec And the voice, my dear, that rang so clear All for the love of me. For oh, for oh. with brows bent low, By the candle's flickering gleam. Her wedding-gown it was she vvrought, Sewing the long white seam. MAY I JOIN THE CHOIR INVISIBLE ! OMAY I join the choir invisible Of those immortal dead who live again In minds made better by their presence ; live In pulses stirred to generosity, In deeds .of daring rectitude, in scorn Of miserable aims that end with self. In thoughts sublime that pierce the night like stars, And with their mild persistence urge men's minds To vaster issues. So to live is heaven : To make undying music in the world. Breathing; a beauteous order that controls With growing sway the growing life of man. So we inherit that sweet purity For which we struggled, failed and agonized Willi widening retrospect that bred despair. Rebellious ilesh that would not be subdued, A vicious parent shaming still its child, Poor, anxious penitence is quick dissolved; MAY I REACH THAT TlklM HEAVEN! ! " O MA Y I JO IX THE CHOIR INVISIBLE ! 25 Its discords, quenched by meeting harmonies. Die in the large and charitable air ; And all our rarer, better, truer self, That sobbed religiously in yearning song, That watched to ease the burden of the world, Laboriously tracing what must be, And what may yet be better — saw rather A worthier image for the sanctuary QD v And shaped it forth before the multitude, Divinely human, raising worship so To higher reverence more mixed with love — CJ That better self shall live till human Time Shall fold its eyelids, and the human sky Be gathered like a scroll within the tomb Unread forever. This is life to come, Which martyred men have made more glorious For us who strive to follow. May T reach That purest heaven — be to other souls The cup of strength in some greal agony, Enkindle generous ardor, feed pure love, 26 O MAY I JOIN THE CHOIR INVISIBLE! Beget the smiles that have no cruelty, Be the sweet presence of a good diffused, And in diffusion ever more intense ! So shall I join the choir invisible Whose music is the gladness of the world. HOW THEY BROUGHT THE GOOD NEWS FROM GHENT TO AIX. 1 SPRANG to the stirrup, and Juris and lie: I galloped, Dirck galloped, we galloped all three; "Good speed!' cried the watch as the gate-bolts undrew, "Speed!" echoed the wall to us galloping through. Behind shut the postern, the lights sank to rest. And into the midnight we galloped abreast. Not a word to each other; we kept the great pace — Neck by neck, stride by stride, never changing our place ; I turned in my saddle and made its girths tight, Then shortened cadi stirrup and se1 the pique right, Etebuckled the check-strap, chained -lacker the bit, Nor galloped less steadily Roland a whit. 'Twas moonsel at starting; but while we drew near Lokeren, the cocks crew and twilight dawned clear; At Boom a -real yellow star came oul to see: 28 HOW THEY BROUGHT THE GOOD NEWS. At Diiifeld 'twas morning as plain as could be ; Ami from Mecheln church-steeple we heard the half- chime — So Joris broke silence with " Yet there is time ! " At Aerschot up leaped of a sudden the sun, And against him the cattle stood black every one, To stare through the mist at us galloping past ; And I saw my stout galloper Roland at last With resolute shoulders, each butting away The haze, as some bluff river headland its spray ; And his low head and crest, just one sharp ear bent back For my voice, and the other pricked out on his track, And one eye's black intelligence — ever that glance O'er its white edge at me, his own master, askance ; And the thick heavy spume-flakes, which aye and anon His fierce lips shook upwards in galloping on. By Hasselt, Dirck groaned ; and cried Joris, " Stay spur ! Your Roos galloped bravely, the fault's not in her ; We'll remember at Aix " — for one heard the quick wheeze \ I M RS( HOT Ul' I I Ml D OJ V SI I'M \ I ill SUN. HO W THE ) ' BROl 'GUT THE GOOD NE WS. 3 1 Of her chest, saw the stretched neck and staggering knees, And sunk tail, and horrible heave of the flank. As down on her haunches she shuddered and sank. So we were left galloping, Juris and I, Past Looz and past Tongres, no cloud in the sky; The broad sun above laughed a pitiless laugh ; o 1 o * 'Neath our feet broke the brittle bright stubble like chaff; Till over by Delhem a dome spire sprung white And "Gallop," gasped Jons, "for Aix is in sight! "How they'll greet 11s!" — and all in a momenl his roan Rolled neck and croup over, lay dead as a stone; And there was my Roland to hear the whole weight Of the news which alone could save Aix from her fate, With his nostrils like pits full of Mood to the brim, And with circle- of red for his eye-sockets' rim. Then I casl loose mv buff-coat, each holster let fall. Shook \ Thou dost float and run. Like an unbodied joy whose race is just begun. 60 TO A SKYLARK. 61 The pale purple even Melts around thy flight; Like a star of heaven, In the broad daylight Thou art unseen, but yet I hear thy shrill delight — Keen as are the arrows Of that silver sphere Whose intense lamp narrows In the white dawn clear Until we hardly see, we feel, that it is there. All the earth and air "With thy voice is loud, As, when night is bare, From one lonely cloud The moon rains out her beams, and heaven is overflowed. What thou art we know not ; What is most like thee? From rainbow-clouds there How not Drops so bright to sec As from thy presence showers ;i rain of melody : — 62 TO A SKYLARK. Like a poet hidden In the light of thought, Singing hymns unbidden. Till the world is wrought To sympathy with hopes and fears it heeded not ; Like a high-born maiden In a palace tower. Soothing her love-laden Soul in secret hour With music sweet as love which overflows her bower ; Like a glow-worm golden In a dell of dew, Scattering unbeh olden Its aerial hue Among the flowers and grass which screen it from the view ; Like a rose embowered In its own green leaves, By warm winds deflowered, Till the scent it gives Makes faint with too much heat these heavy-winged thieves ; THOU ART UNSEEN, BUT VET I HEAR TH\ SHRILL DELIGHT. TO A SKYLARK, 65 Sound of vernal showers On the twinkling grass, Rain-awakened flowers — All that ever was Joyous and clear and fresh — thy music cloth surpass. Teach us, sprite or bird, What sweet thoughts are thine : I have never heard Praise of love or wine That panted forth a flood of rapture so divine. Chorus hymeneal, Or triumphal chaunt, Matched with thine, would be all But an empty vaunt — A thing wherein we feel there is sonic hidden want. What objects are the fountains Of the happy strain ? What fields, or waves or mountains? What shapes of sky or plain ? What love of thine own kind? what ignorance of pain ? 66 TO A SKYLARK. With thy clear keen joyance Languor cann ■ : \ near the Thou lovest, mew love's sad sal ty. Waking or asleep. Th . :i must deem Things more tru ind d Than v. Is .:u. Or h ■ )uld thy i. - :. v in such a cry-- .. sti : before and aft An 1 pun : . is not; Our si] si _ -r With - s fraught; Oui - best songs re those that tell of sad/, si thought. l \ if v - rn II .-•■ and pride ai : ir, If we v things born Not to s " ir, I . w " I w thy joy w< - me n> TO A SKYLARK. 6; Bettcr than all measures Of delightful sound, Better than all treasures That in books are found. Thy skill to poet were, thou scorner of the ground ! Teach me half the gladness That thv brain must know. Such harmonious madness From my lips would flow The world should listen then as 1 am listening now. THE LOST CHORD. *EATED one day at the organ, I was weary and ill at ease. s And my lingers wandered idly Over the noisy keys. I do not know what I was playing. Or what I was dreaming then ; But I struck one chord of music Like the sound of a great amen. It Hooded the crimson twilight Like the close of an angel's psalm, And it lay on my fevered spirit With a touch of infinite calm. It quieted pain and sorrow. Like love overcoming strife ; It seemed the harmonious echo From our discordant life. 68 I DO N< IT KN< IW w II \ I I W VS PLAYING, OR WHA I ! WAS DREAMING Till \ . THE LOST CHORD. It linked all perplexed meanings Into one perfect peace, And trembled away into silence As if it were loath to cease. I have sought, but I seek it vainly, That one lost chord divine, That came from the soul of the organ And entered into mine. It may be that death's bright angel Will speak in that chord again. It may be that only in heaven I shall hear that grand amen. 2020 3W UC SOUTHERN REGIONAL LIBRARY FACILITY II I I II I till IIH1III AA 000 273 297 2 W I