Caftfornta Date THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA MEN, PLACES, AND THINGS. WORKS OF WILLIAM MATHEWS, LL.D. GETTING ON IN THE WOULD ; or, Hints on Success in Life, i volume. i 2 mo. Pages 374- Price $1-50 THE GREAT CONVERSERS, and Other Es- says, i volume, xamo. Pages 304. Price . . . 1.50 WORDS ; Their Use and Abuse, i volume. i2mo. Pages 494. Price 2 oo HOURS WITH MEN AND BOOKS, i volume. 1 2 ii m. Pages 384. Price 1.50 MONDAY-CHATS. A Selection from the " Causeries du Lundi " of C. A. Sainte-Beuve, with a Biographi- cal and Critical Introduction by the Translator, i volume. i2mo. Pages 386. Price 2.00 ORATORY AND ORATORS, i volume. i 2 mo. Pages 450. Price 2.00 LITERARY STYLE, and Other Essays, i vol- ume. i2mo. Pages 345. Price 1.50 MEN, PLACES, AND THINGS, i volume. i 2 mo. Pages 394. Price 1.50 In preparation: WIT AND HUMOR : Their Use and Abuse. MEN, PLACES, AND THINGS. BY WILLIAM MATHEWS, LLD. N LITERARY STYLE, AND OTHER ESSAYS," ETC. ETC. CHICAGO: S. C. GRIGGS AND COMPANY. 1887. Copyright, 1887, BY S. C. GBIGGS AND COMPANY. 53ntbfrsit0 JOHN WILSON AND Sox, CAMBRIDGE. PREFACE. HHHE papers in this volume have been written at intervals of time considerably apart, most of them for the present work, the rest for other publi- cations. The paper on William Wirt was written in answer to an invitation given to the author by the New York Biographical and Genealogical Society to address it on that subject ; after having been read be- fore which Society it was read before the Rhode Island Historical Society at Providence. For his knowledge of Mr. Wirt the author is indebted in no small degree to the elaborate and interesting biography by J. P. Kennedy. In the paper on " The London Pulpit " no account is given of Mr. Spurgeon, for the reason that the author has already tried to portray him and his manner in the pulpit in a previous work, " Hours with Men and Books," pp. 80-96. W. M. BOSTON, October, 1887. 196 CONTENTS. PAGE CHARACTER OF NAPOLEON 1 1 WILLIAM WIRT 20 BULWER 53 ALEXANDRA DUMAS 67 THE WEAKNESSES OF GREAT MEN 80 THE GREATNESS OF LONDON 140 THE LONDON PULPIT : ARCHDEACON FARRAR 150 CANON LIDDON 160 JOSEPH PARKER, D.D 170 REV. STOPFORD A. BROOKE, M.A 179 THE HOUSE OF COMMONS 189 THE QUEEN OF WATERING-PLACES 218 DIARIES 231 THE ADVANTAGES OF UGLINESS 237 WORRY 247 COURAGE 253 OYSTERS . 261 viii CONTENTS. PAGE- CYNICS AND CYNICISM 283 THE EXTREMES OF DRESS 289 THE TRICKS OF TYPES 295 CAUSES OF DIVORCE 305 ILLUSIONS ABOUT THE PAST 313 IMMORAL NOVELS 327 WHAT SHALL WE READ? 335 LITERARY QUOTATION 345 THE VALUE OF FAME 355 THE PHILOSOPHY OF HANDWRITING 366 INDEX 377 MEN, PLACES, AND THINGS. CHARACTER OF NAPOLEON I. PROBABLY no great man ever lived whose character has been the subject of more vehement dispute than that of Napoleon. Though sixty-five years have rolled by since he found a grave " amidst the immensity of the seas " at St. Helena, yet the discussion still goes on. That there has been a revolution in American sentiment concern- ing him, we think cannot be doubted. So long as a feeling of antipathy to England, the most unrelenting and success- ful foe of Napoleon, prevailed among us, a feeling which was the unhappy legacy of two wars between the United States and the mother-country, it was impossible for us to judge him dispassionately. The difficulty was enhanced by the dazzling effect of his then recent victories. But now that a more kindly feeling prevails toward the mother- country, Americans can look at the hero of Austerlitz through other media than the mists of prejudice ; and the result is that he is regarded by three fourths or more of the men of thought and culture in this country, not as the liberator of enslaved nations, but as a selfish and unprin- cipled despot. This verdict may be attributed in part to the masterly works of Colonel Charms and M. Lanfrey, one of 1 2: ..' ': :..:iErf, PLACES, AND THINGS. whom has exposed the popular illusions concerning the dis- aster at Waterloo, such as that it was owing to the blunders or treaeheiy of Grouch}', etc. ; and the other, having had access to a vast amount of new historic material, in me- moirs, letters, and despatches, has torn away the mask that has so long hidden Napoleon's real character. Among the writers who have tried to reverse this verdict, is Mr. John C. Ropes, of Boston, who has given his esti- mate of Napoleon in a course of lectures delivered before the Lowell Institute in that city, and since republished. The lectures are written in a vigorous, fluent, and lucid style, and form, on the whole, one of the most ingenious and plausible apologies for Napoleon's career and character that we have read. The author, though a warm admirer of Napoleon, is not bitten so badly with the mania as Headley and Abbott, but stands between Thiers, on the one hand, and Lanfrey, on the other ; though far nearer to the former than to the latter. While he justifies Napoleon's invasion of other countries, and their annexation to France, and even apologizes for the cold-blooded execution of the Due d'Enghien, which sent a thrill of horror through Europe, he, on the other hand, denounces the dethronement of the Spanish Bourbons, and admits the Emperor's folly in not securing Austria's neutrality in 1814 by yielding the Ilh rian provinces, and also in giving to the final struggle of 1815 the character of a military and political experiment, instead of identifying his cause with that of France. In justifying Napoleon's seizure upon supreme power and establishment of a despotism, Mr. Ropes makes a distinc- tion between the extension of personal liberty and the ex- tension of political power. He contends that the Emperor recognized and maintained the personal rights and liberties CHARACTER OF NAPOLEON I. 3 of the people, which the}' had won by the Revolution, while he denied them only the exercise of political powers which their previous political experience had not fitted them to use. The bitterest enemy of Napoleon will admit that it was a blessed thing for the peoples of Continental Europe to be delivered from the grinding oppression of feudal burdens and exactions. But what if this advantage was purchased at the cost of political servitude? What if, while giving the same legal rights to the bourgeois and the peasant as to the noble, the Empire robbed the people of all spontaneity, of all freedom of thought and speech, and ex- tinguished kt all the sentiments which make the individual live out of himself, whether in the past or the future"? Usurping supreme authority in all branches of the admin- istration, Napoleon crushed out every form of liberty, not only that of the tribune and that of the press, but even the libert}* of the saloti, the dearest of all to the French. The reason of this doubtless was that, as one of his his- torians tells us, he could not endure Wit, '" that eternal sceptic, the born enemy of false grandeur, the foe of char- latanism." There was not a man or woman of influence in the community who was not dogged and watched 03- his argus-eyed police. So keen-eyed and far-reaching was this espionage, that Madame de Stae'l complained that Europe had become "a great net, which entangles you at every step." In April, 1805, Napoleon directed Fouche to warn the editors of the " Debats" and the " Publiciste" that he "would never permit newspapers to sa}* or do anything contraiy to his interests." How different this from the con- duct of Frederic the Great, who, confident in his strength, ordered his attendants to put lower a placard against him- self, which had been posted too high np to be read easily ! 4 MEN, PLACES, AND THINGS. " My people," said he, u are to say what they please, and I am to do what I please." Not only was the population of France dwarfed and diminished by a conscription that forced tender youth into the ranks, but the French intellect suffered from the clamps and fetters by which it was shackled. The sources of mental power were dried up or poisoned. The civil functionaries of France were stunted in their growth, morally and mentally, and every depart- ment of the State was depressed to a dead level of medioc- rit} r . " Nothing," says Taine, u could be more satisfying to superficial judgment or more acceptable to vulgar good sense than this system, nothing better adapted to narrow egoism, nothing better ' set up ' or more prim, or fitter to discipline and control the meaner and lower qualities of human nature, but also to starve and spoil all its higher qualities." It is frequently urged in defence of Napoleon that "his task in his domestic administration was to carry out the work of the Revolution and establish it on a secure basis ; " yet who does not know that the whole drift of his despotic system was in flat contradiction to the principles of the Revolution? Allied with Russia and the Pope, married to an archduchess, the founder of a new dynasty, the restorer of titles of nobilit} 7 and of the alliance between Catholicism and despotism, the head of an ultra-medieval court, with its antiquated ceremom 7 and etiquette, what principles had Napoleon in common with those doctrines of equality on which the Revolution was based? Justly did the republican soldier General Delmas characterize the Napoleonic policy in his bitterly sarcastic reply, when, after high mass had been celebrated for the first time with pomp in the cathedral of Notre Dame, Napoleon asked him, as CHARACTER OF NAPOLEON I. 5 they left the church together, what he had thought of the ceremon}*. "Oh!" replied the General, " the mummery (capucinade) was well enough, and only wanted the pres- ence of the couple of million Frenchmen who got them- selves killed to abolish what }*ou are restoring." Let us not forget, when we are pointed to the boasted "Code," that while the despot provided for the administration of justice between man and man, he made no provision for that between the citizen and the ruler. Political offences of all offences the ones which should be tried by a jury were denied that kind of trial. These were "ar- raigned before ' special tribunals, invested with a half military character,' the ready ministers of nefarious prose- cutions, and only intended to cloak by legal forms the mur- derous purpose of the tyrant." It is said that during Napoleon's reign nine prisons were erected in place of the single Bastile destroyed by the popular rage, and they were filled with prisoners for political offences. Again, it is contended that it was as philanthropists that the French overran Italy and other countries of Europe. " The advent of the French meant to these populations escape from the misgovernment under which they labored, and a participation in the grand movement toward equal rights and privileges inaugurated by France." It is a little singular that, in executing their mission, these apostles of benevolence should have plundered and pillaged every country they came to liberate. As at home the Ja- cobins had contrived to connect the ideas of fraternity and the guillotine, so abroad they with equal ingenuity inter- preted national brotherhood into war and plunder. Who that is familiar with the Italian campaigns has forgotten ,the heavy exactions made by Napoleon on the Dukes of G MEN, PLACES, AND THINGS. Parma and Modena, in spite of their neutrality; how, without provocation, he seized on Leghorn and ruined the once flourishing commerce of Tuscany ; and how he levied on Lombardy, which he professedly came to liberate, a contribution of twenty millions of mone}', besides a million in pictures and objects of art? Though Bonaparte had entered Milan amid the enthusiastic acclamations of the citizens, yet a week sufficed to change a friendly people into a suspicious, hostile, and angry population. The peasants who rose against their plunderers were shot down or sabred like dogs. And }*et this same Bonaparte afterward, in 1814, when France was invaded by the Allies, called upon the foresters of the Vosges to " hunt the Allied soldiers to death, even as they would hunt so many wolves," that is, to do the ver3 T deeds for which he had butchered the peas- ants of Lombardy. Mr. Ropes would have us believe that it was the bigoted priests who instigated the peasants to this insurrection. It was, on the contrary, an uprising of the hard-working, industrious part of the population. Who, again, has forgotten the plunder of the Vatican, the Sistine, and other chapels, the Quirinal, the Capitol, and the man} 1 " private palaces in Rome ; and how in Venice the Doge's palace, a museum of all that was beautiful and precious in works of Greek, Roman, or Italian genius, was stripped to the bare walls ? Since the capture of Corinth by the Romans, such spoliation as this had been unknown in the world's histoiy. During all the centuries in which Italy had been the battle-field of the nations, and had been ruled successive!}- by them, the right of conquest had never, till Bonaparte's time, been exercised at the expense of Italian genius. Not only the palaces of Italy, but the galleries of Antwerp, Brussels, Dresden, Munich, Madrid, CHARACTER OF NAPOLEON I. 7 and Seville, were plundered to swell the spoils that enriched the Louvre. The city of Berne, in Switzerland, was plundered of over sixteen million francs in specie, seven millions in arms and ammunition, and eighteen millions in stores and supplies. In a letter to the Directory in 1797 Bonaparte wrote: 4 'Venice is more worthy to enjoy liberty than any other city of Italy." Who after reading this sentiment would dream that its author, defying the instructions of the French Government, could shortly afterward deliver the Kepublic of Venice, bound hand and foot, into the clutches of Austria? Yet this is what this " liberator of oppressed nations " actually did by the treaty of Campo Formio, a treaty which destroyed all that was left of the generous enthusiasm which had animated the French troops, and substituted appeals to arms for the nobler sentiments of patriotism and honor. Yet for this shameful transaction, which even Villitard, the representative of France in Ven- ice, could not communicate to the Venetian Government without breaking down in his speech and bursting into sobs, Mr. Ropes has not a word of condemnation, but naively says: "The city of Venice and its adjoining possessions he [Bonaparte] was compelled to resign to Austria as a necessary condition of peace " ! A few months before the treat} 7 , Bonaparte wrote to the munici- pality of Venice: " In all circumstances I will do all in my power to give you proofs of my desire to consolidate your liberty, and to see unhappy Italy . . . resume among great nations the rank to which she is called," etc. Will it be believed that on the very next day after this hypo- critical letter he wrote to the French Directory : " Venice can hardly survive the shock we have given her. . . . 8 MEN, PLACES, AND THINGS. We shall take all the vessels, we shall strip the arsenal, we shall carry off all the cannon, we shall destroy the forts, we shall keep Corfu and Ancona for ourselves " ? The pretext for this wholesale robbery adds, if possible, to its shamelessness. He instructs Generals Perree and D'Hilliers to go with the French minister to the provi- sional Government of Venice, and say that the conformity of principles which exists between the French Republic and that of Venice demands that she shall immediately put her naval force on a respectable footing, to unite with France in protecting their commerce. " Seize everything" he adds, " under this pretext; but take care to call it always the Venetian navy, and have constantly on your lips the unity of the two Republics" When in 1870 victorious Prussia exacted from France a small portion of her territory, the demand was denounced by the French as a great outrage ; but by the treaty of Tilsit, in 1807, Napoleon despoiled Prussia of more than half her entire territory. Besides this, his exactions in money were over five hundred millions of francs. Again, in 1808 she had. to pay one hundred and twentj" millions of francs, to obtain a withdrawal of the French troops from her cities. Nor was this all. Every insult that could add to the humiliation of a fallen foe was inflicted upon the Prussian monarch. The war-bulletins sent to France abounded in contemptuous and sarcastic references to him, and in one of these papers the chastity of the Queen was assailed, a beautiful and excellent woman, whose untimely death was believed by the Prussian people to have been hastened b3' her grief at her country's mis- fortunes. In 1810 Napoleon annexed Holland to France, declaring that the country which the Dutch had laboriously CHARACTER OF NAPOLEON I. 9 wrested from the sea had been formed by the alluvial deposits of French rivers ! Mr. Ropes vainly tries to screen Napoleon from the just indignation of mankind for the murder of the Due d'Enghien, though, in Mr. Ropes's own words, Napoleon " preferred to assume the responsibility for the act." He (Mr. Ropes) holds that Bonaparte was not responsible for the trial of the Duke having taken place on the night it did, or "for the execution of the sentence before it had been sent to the proper authorities for revision and appro- val ; " and this notwithstanding Bonaparte had ordered that the sentence should be executed immediately, and that if the prisoner should ask permission to see him, no attention should be paid to his request, and though when the Due d'Enghien arrived at Vincennes to be tried, his grave was already dug ! The truth is, Napoleon wanted to strike the Bourbons personally, in order to terrify both them and their partisans ; and it was simply because the Due d'Enghien was within reach that he became the victim. As to the "trial," the very choice of the nocturnal hour, with its darkness, silence, and isola- tion ; the absence of the public, of witnesses, of a counsel that is not denied even to murderers, of all the forms for protecting the accused ; the stealthy alacrity with which the work was hurried through by the men whom the First Consul had chosen for his tools, all show that the whole affair was a mockery of justice, and that the condemnation and execution of the unhapp} T prince were foregone con- clusions. " We were obliged to condemn," wrote Hullin, president of the Council that pretended to try the unhappy Duke, " under pain of being condemned ourselves." In spite of falsifications and lies, in spite of the mean, 10 MEN, PLACES, AND THINGS. cowardly attempt to throw the odium of the deed upon "that wretch of a Talleyrand," Napoleon cannot escape the responsibilit}' of this heartless crime, which was planned and executed with the utmost deliberation, and which Dr. Channing justly denounced as " the act of a bandit and a savage." Nobly did Chateaubriand refuse, in the presence of the murderer and at the peril of his life, to serve the power that could so misuse authority, and "sully the very name of man." It is honorable to Coulaincourt, one of the most high-minded of the officers surrounding Napo- leon, that he indignantly resented the way in which the Emperor had sought to use him in this affair. In 1813, when he showed his personal devotion to Napoleon by spurring his horse between him and a burning shell, Coulaincourt is said, nevertheless, to have exclaimed, referring to the D'Enghien murder: "I can't believe there's a God in heaven, if that man dies upon his throne ! " To all that the admirers of Napoleon say in praise of his unique and dazzling militaiy talents, we fully assent. He had the genius of a great captain, calculating and pre- cise, yet imaginative to the highest degree. He had the art of striking men's imaginations, an eye of marvellous penetration, a swift logic, a decisive will, the subtlet}* of the Italian, the indomitable and rugged energy of the Cor- sican. Thiers, whose praise of the great captain is usually to be taken with much qualification, sa3*s justly that in him to conceive, will, execute, were a single indivisible act, of an incredible rapidity, so that between the action and the thought there was not an instant lost for reflection or resolve. One of his most remarkable traits was a peculiar aptitude for discerning and seizing in the views of others CHARACTER OF NAPOLEON I. 11 whatever could serve his own plans. M. Lanfrey observes that he had in this respect a power and rapidity of intui- tion which can be compared only to the sure eye of a bird of prey. Another faculty which he had in a remarkable degree was the power of detecting and eliciting ability in other men, so that he was served by his lieutenants, civil and military, with a marvellous efficiency that seemed an infinite multiplication of himself. With great powers of endurance, capable of sitting on horseback for sixteen or seventeen hours at a stretch, and of doing without rest or food, except by snatches, for days together, with the spring and speed of the tiger in action, he won his battles as much by the celerity of his movement b}' his rapid marching and counter-marching, first at the rear, then at the flank, and again at the front, bewildering and confound- ing his enemies ; by those night-marches, as rapid as lightning, which were among his favorite stratagems as b}* the vigor and fury of his attacks, and by the concentra- tion of a superior force on the point where he attacked or was attacked. He said truly that he won his victories as much by the legs of his soldiers as b}' their arms. Nothing can be more foolish than attempts like those of Colonel J. Mitchell, in his " Downfall of Napoleon," to underrate the great captain's military genius, by ascribing his victories to the terror his arms inspired, as if it was not to his marvellous victories that that very terror was due ! When we hear such explanations of his successes, we feel as did De Maistre when in 1814 he heard men in the salons of St. Petersburg talk of Napoleon's faults and the superiority of the Allied generals: " Je me sens le gosier serre par je ne sais quel rire convulsif aimable comme la cravate d'un pendu." A man who raised himself from 12 MEN, PLACES, AND THINGS. obscurity to a throne ; who possessed at one time three fourths of Europe ; who took more capitals in fifteen years than the greatest other captains have taken cities in a life- time ; whose will was feared as destiny ; who gave crowns to his favorites, and whose antechamber was thronged by submissive princes, such a man, as De Maistre says, " steps out of the ranks." Inferior to Caesar in good sense and practical wisdom, he yet had in a far higher degree the faculty of seizing and striking the imaginations of men. Rising far above those great masters of the art of war, Turenne and Marlborough, who fought battles as cooll}' as they played a game of chess, he, on the other hand, fell below him whom the Corsican confessed to have been the world's greatest captain, " who sprang like a bulldog at the throat of the Roman power, and who held his grasp till it was loosened in death," the fier} 7 , one- eyed Carthaginian, Hannibal. The march of Bonaparte across the Alps has been celebrated in history, eulogy, and painting ; but compared with Hannibal's, it was child's play. Backed by all the resources of France ; travelling over good roads, aided by able engineers and all the helps of modern science ; guided by abundant maps, plans, and topographical surve\*s, the French general had a compar- atively easy task. The Carthaginian, on the other hand, while thwarted by the Hanno faction at home, had not only to fight his way, for eight hundred miles, with a motley army against hostile tribes and nations, but also, without the advantages of modern engineering science, frequently to construct the roads by which his troops were to pass, and to collect all his necessaiy information from treacherous barbarians. Napoleon's feat of crossing the Great St. Bernard in winter was utterly dwarfed a few 3~ears after- CHARACTER OF NAPOLEON I. 13 ward by Macdonald, who commanded the army of the Grisons. In 1800 he crossed the Spliigen in the middle of December, leading fifteen thousand men across moun- tains of ice, where avalanches carried off whole squadrons. Intellectually a giant, Napoleon was a moral pygmy. Of all generous and exalted sentiments he was strangely desti- tute. What could be baser than his treatment of the brave Villeneuve? Though the latter had fought the English at Trafalgar against his judgment, and after repeated remon- strances, at Napoleon's peremptory command, yet, after the fleet was destroyed, the despot denounced his valiant captain as a coward and a traitor. According to M. Lan- frey, Napoleon was capable of anger, but was as utter a stranger to hatred as to sympathy ; he was governed only by calculation. No one could better feign indignation and rage when he had a purpose to serve ; there were times when he appeared to hold his passions in command by the turning of a peg, like the Tartar horse of the fairy tale, which at one moment dashed through the air at the rate of a thousand furlongs an hour, and the next stood motionless as the Caucasus. His very heroism was more the result of calculation than of fervent impulse ; and when he most startled the world into fearful admiration, he was but work- ing out an answer to some studiously considered problem of personal aggrandizement. War to him had none of that " pomp and circumstance," those dazzling attractions, which fascinate men in general. It was one of the ordinary conditions of human life, a sentiment striking!}-, though unconsciously, expressed in a question he once put to an English traveller, who, having observed that the Loo-Choo Islanders had no warlike weapons, was interrupted by the incredulous and mocking exclamation: " No weapons! 14 MEN, PLACES, AND THINGS. How do they fight, then? " He could not conceive of an anomaly so ridiculous as a nation that never waged war. Of political government, except by force, he could form no idea. In a conversation at St. Helena, in spite of " that corned}' of converted despot which he was then playing in sight of posterity," he said, with emphasis: " After all, it comes to this at bottom, that a man must be a soldier to govern. You can only govern in boots and spurs" " Conquest," said he, after the coup tfetat of the 18th Bru- maire, "made me what I am; conquest alone can main- tain me in my position." In self-knowledge Napoleon was strangely lacking. Nothing, he declared, that he had ever thought or done, was wrong in motive or act ; and he boasted that he should appear before his Maker without a fear. At St. Helena he speaks of his past life as if it had been consecrated to acts of duty and beneficence ; while in the same breath, though he had been treacherous to Sardinia, Tuscan}', Venice, and other States, as well as to men, he is perpetually complain- ing of the faithlessness of men and nations. A conscience he apparently had not. Writing to the Directory from Itaty, he suggests that if they wish to revolutionize Piedmont and unite it to the Cisalpine Republic, "the way to effect this without a collision, and without violating the treaty, would be to join a corps of ten thousand Piedmontese to our troops, and let them share our victories. Six months later, the King of Piedmont would be dethroned. It is a giant embracing a pygmy, and clasping it in his arms ; he stifles it without anybody being able to accuse him of the crime" Egotistic, selfish, treacherous, Napoleon was utterly unscrupulous, both as to his aims and the means of their attainment. In his first campaign he began to practise CHARACTER OF NAPOLEON I. 15 what he called the art of u cajoling the priests." In public he showed an exaggerated deference to " the Very Holy Father" and "the venerable prelates," as he styled the Pope and the clergy ; while to his familiars in private he spoke of them in the most contemptuous terms, such as " the old fox," and "the black-coats," or "imbecile dotards." Deplor- ing to ecclesiastics the encroachments of the Directory upon the spiritual domain, he at the same time wrote to the Directory his opinion that " Rome, once deprived of Bologna, Ferrara, and the thirt\* millions we take from her, cannot exist ; the old machine will fall to pieces when left all alone." Sending Augereau to the Director}* as the fittest man to execute a coup de main, he at the same time writes to Lavalette at Paris : u Don't trust Augereau ; he is a seditious man." He read with an ecstasy of rage Kleber's report of his evacuation of Eg} - pt, and in a letter to the consuls denounced it as " infamous ; " yet replied to Klcber with the most flattering compliments. When in May, 1805, the treaty of alliance between England and Russia was proclaimed by public report, Napoleon was exasperated, and wrote to Fouche, directing him to " get several letters published in the papers as coming from St. Petersburg, and asserting that the French are better treated there ; . . . that the English are looked on coldly ; that the plan of the Coalition has failed," etc. In Egypt, to deceive the Turks and Arabs, he did not scruple to declare that he and his arm}' were apostates from Christianity, "true Mussulmans." He boasted be- fore muftis and ulemas that he had u destroyed the Pope and overthrown the Cross ; " yet a few years afterward re- established the Catholic religion in France as a prop to his power, though, in an address to the Directory and other 16 MEN, PLACES, AND THINGS. bodies of State, he had previously ranked religion with ro}*alty and feudalism, as among the prejiidices which the French people had to conquer, and though eveiy man, woman, and child knew that he had not a tittle of regard for religion, and was playing the part of a juggler. To overcome Count Louis de Frotte, the brilliant, daring, and energetic leader of the insurrection in Lower Normandy, he offered a thousand louis to any one who would kill or cap- ture him. That there was anything barbarous in such a procedure, long ago proscribed by all civilized nations, never entered his brain. It was worthy of the man who in his last will left a legacy of ten thousand francs to the miscreant who, not long before, had attempted to assassin- ate the Duke of Wellington. One of the best expositions of Napoleon's moral code is furnished by his counsels to the King of Holland : " Never forget that, in the situation to which my political s^ystem and the interests of my Empire have called 3*011, }*our first duty is toward me, }*our second toward France. All }'our other duties, even those toward the people whom I have called you to govern, rank after these." When the mem- bers of his family whom Napoleon had placed on foreign thrones strove to lessen the burdens of their subjects, they drew down upon themselves his heavy displeasure. u La France, c'est un homme, et cet homme, c'est moi" he said, a declaration never matched in arrogance, except by the assumption of Louis XIV., " L'etat, c'est moi" In the art of lying, Napoleon had no superior. He did all in his power to mystify the battle of Marengo, which, but for Dessaix's sudden appearance and the inspired charge of Kellermann, would have been lost. After writing three conflicting false accounts of it, he ordered all the original CHARACTER OF NAPOLEON I. 17 reports of it to be destroyed. At St. Helena he spent his days in trying to falsify history, and in draping his own figure for posteritj*. No other man ever filled so large a place in the world's eye who was so vulgar in his manners and instincts. Destitute of refinement, delicacy, and self-respect, he was 44 in his inmost soul, and to the very tips of his fingers, a parvenu" What could be more brutal than his insult to his brother Jerome? " Jerome, they sa} r the majesty of kings is stamped on the brow. You may travel incognito till doomsday without being recognized." What, again, could be coarser than his bearing toward Talleyrand, when in a crowded State assemblage, because the prince had crossed him in a State matter, Napoleon assailed him with the most violent language and furious gesticulations and flourishes of the fist, so that, to avoid being struck, he was forced to retreat step by step before the angry mon- arch, until the wall prevented further recession? What more vulgar than his studied attack on Lord Whitworth, which was carried so far that a shudder ran through the circle lest he should finish by a blow! What a contrast between his coarse language and bullying manner, and the calm, dignified bearing of Metternich, in their interview in June, 1813 ! It was during this interview that Napoleon made, without a blush, the cold-blooded avowal: " You are not a soldier. You have not learned to despise the lives of others and your own. What are two hundred thousand men to me f " When he could not bend and mould to his will the Prussian minister, Hardenberg, he insulted him in the " Moniteur." He called him a traitor and a perjurer, and accused him of " selling himself to the eternal enemies of the Continent." To justify his language, 2 18 MEN, PLACES, AND THINGS. he published a falsified copy of a letter which the Prussian minister had written to Lord Harrowby. But of all his coarse and violent acts, his insulting language to the magis- trate Lecourbe, who, as one of Moreau's judges at the trial of that general, had dared to vote for his acquittal, was the crowning one. When Lecourbe presented himself after- ward at an audience at the Tuileries, with the members of the court of Paris, Napoleon advanced quickly toward him, and in a violent tone said : " How can you dare to pollute my palace with your presence ? Awa} T , prevaricating judge, away ! " At one of the fetes given to Napoleon in Paris, the words of Scripture, "I am that I am," were placed over the throne in letters of gold. It is well known that he 3'awned all through the ceremonies of his coronation, and that when the Pope approached to place the crown upon his brow, Napoleon snatched it from his hands and crowned himself. If Mr. Ropes can persuade the men of this countiy to admire such a despot, we trust that, for the honor of the sex, no woman will become a convert to his views. That Napoleon held an essentially Oriental opinion of women is shown by his treatment of Mesdames de Stael, Recamier, de Balbi, de Damas, de Chevreuse, d'Avaux, and others famous for wit, beauty, or virtue. To ally himself with a royal house, he cast off the devoted Josephine and married Maria Louisa of Austria, a mesalliance under which the House of Hapsburg alwa} T s writhed, and which did not even secure the neutrality of Austria in his struggles with the Allies. In spite of all the special pleading of Napoleon's wor- shippers, it is evident that his ruling purpose was self- agorandizeinent, and that he was utterly unscrupulous CHARACTP:R OF NAPOLEON i. 19 about the means for its attainment. Power was his supreme object, not a power which should awaken calm admiration, but power which should dazzle, electrify, and overwhelm. His greatest crime was not that he murdered D'Enghien ; not that, contrary to the faith of a solemn treat}', he shut up Toussaint 1'Ouverture in the freezing dungeons of the Fort of Joux, there to perish ; riot that he ordered Frotte to be shot, though he had surrendered him- self on Bonaparte's announcement that, if he did so, he might count on the generosity of the government ; not that he shot Palm for selling a book on the degradation of Ger- man} T , of whose contents the man was probably ignorant ; not that he massacred twenty-five hundred prisoners at Jaffa, though they had surrendered on condition that their lives should be spared, a condition solemnly accepted and ratified "on the faith of a Christian:" but that he aggra- vated to a disease the traditional bias of the French nation to war, and therefore to despotism : that he corrupted its morality by a successful course of spoliation ; that he vio- lently perverted education to serve the cause of tyranny, and converted religion into an engine of despotism ; that he persecuted and silenced genius ; that he deprived the par- liamentary assembly of all representative character; that he established a monarchy as absolute as that of Louis XIV. ; and finally, that he turned Europe into a camp, and made societ}' retrace its steps to those ages of calamity and darkness when the only law was the sword. WILLIAM WIRT. all the attractive forms of literature, there is no one that combines fascination and profit in a greater degree than biography. The charm of history itself, which only can vie with it in instructiveness and interest, is due mainly to the fact that it is the essence of many biographies. Yet all memoirs are not equally valuable ; and as a means of inspiration, as a subject for imitative study, the biography of a man of genius is, we think, less helpful than that of a common mortal who is endowed with good, but not seraphic abilities. The mass of men, it must be remembered, belong to the latter class. They are not great wits, but mortals with mediocre gifts ; and to all such and especially to every youthful aspirant who is himself no winged soul it is far less important to know how the eagle on his strong and swift pinion can reach the mountain crest, than to learn the way in which, more slowly and laboriously, but not the less surely, a pedestrian may plant his foot on the summit. The examples most men need are such as will show them, not how to soar, but how to climb. The study of the lives of men of genius acts disastrously on the young reader in two ways. On the one hand, he may be cheated into the delusion that the same fire burns within himself, and thus waste his time and energ3 r in striving after the unattainable ; or, on the other, conscious that he lacks the vivida vis animi of the prodigy WILLIAM WIRT. 21 portrayed, he ma}' wonder and admire, but will be rather discouraged than stimulated to action. Contrasting his own pygnw powers with those of the giant of the biog- raphy, he will shut the book with the feeling that the lessons of such a life are suited to the aristocracy only, not to the democracy, of intellect. It is because William Wirt, begin- ning life an orphan, climbed rather than flew to the heights of honor ; because he was, in the best sense of a much- abused term, a self-made man rather than one of extraor- dinary natural endowments, a man \\\\o fought his waj r to eminence step by step against difficulties, temptations, and trials, yet preserved the whiteness of his soul amid all the sullying influences of his calling, that we deem his career eminently worthy of description, praise, and imitation. William Wirt, the son of Jacob Wirt, was born in Bladensburg, Maryland, Nov. 8, 1772. His father was a Swiss, his mother a German. The father, who was a tavern- keeper in comfortable circumstances, died when William was less than two years old ; Henrietta, his mother, died before he had attained his eighth year, and he passed into the family and under the guardianship of his uncle, Jasper Wirt, who was also a Swiss and resided near the village of his nativit}'. This village, since famous in our annals as a battle and duelling ground, but now a drowsy and stagnant hamlet, was then the most active and bustling place of trade in Mainland. There was a large tobacco inspection there ; and several rich merchants, together with some Scotch and other foreign factors with large capitals, gave by their manner of living a show of opulence to the town. Between his seventh and his eleventh }*ear the bo} T was sent to several classical schools, and finallj', at eleven, was trans- ferred to a very flourishing one, kept by the Rev. James 22 MEN, PLACES, AND THINGS. Hunt, a Presbyterian clergyman in Montgomery Count}*. Here he remained till the school was broken up, that is, till 1787, and here, under an accomplished and sympa- thetic teacher, he received during four years the chief part of his education, being carried through all the Greek and Latin classics then usually taught in grammar-schools, and instructed in geography and some branches of mathematics, including arithmetic, trigonometry, surveying, and the first six books of Euclid. During two years he boarded with Mr. Hunt, whose most valuable possession was a good general libraiy, in which young Wirt, now a lad of twelve or thirteen, browsed with a keen and indiscriminate appetite. His love for reading was first kindled by " Guy, Earl of Warwick," borrowed from a carpenter emplo}*ed by Mr. Hunt, and then fanned by an odd volume of " Peregrine Pickle." The British dramatists were next devoured with insatiable appetite ; and then, from sheer exhaustion of such pabulum, he was driven to Pope, Addison, and Home's " Elements of Criticism." In after life Mr. Wirt was accustomed to speak with regret of this habit of promiscuous reading, which, acquired thus earl}', had, he thought, diverted his mind from sys- tematic study. In this sentiment we cannot but think that he erred. The truth is, that this voracious and indis- criminate appetite of boys for books, this disposition to flit about, bee-like, among the roses and honeysuckles of literature, and ride -them of their sweets, is Nature's own prompting. The instincts of genius, its natural cravings, arc the best guide to its proper nutriment. Not till it has explored its own world, and tried all the tempting fruits within its reach, can it tell what are its affinities, or what congenial and nutritious things Nature has provided WILLIAM WIRT. 23 for it. Many an eminent man has owed the inspiration of a life to a book which chance threw in his way when he was a boy. Franklin traced his entire career to Cotton Mather's " Essays to do good," which fell into his hands when he was in his teens. Cobbett, at eleven, bought Swift's "Tale of a Tub," and it proved to him a kind of "birth of intellect." The current of Jeremy Bentham's thoughts was directed for life by a single phrase caught at the end of a pamphlet. The genius of Faraday was fired by the volumes which he read as a bookseller's apprentice : and it was an odd volume of Racine, picked up at a stall on the qua}*, that made the poet of Toulon. Mr. Hunt used to give his boys one da}' during the court- week at Montgomery Court-house to go and hear the lawyers plead. Headed by the dominie, the whole troop walked four miles to the hall of justice and took seats in the unoccupied jury-box. This sport the boys enjoyed with such zest that they determined to have a court of their own. Young Wirt was appointed to draw up a constitu- tion, which he speedily reported, with a letter of apology for its imperfections. When Mr. Hunt's school was broken up, his pupil was but fifteen, and, his patrimony being nearly exhausted, had no means of continuing his education. From this strait the " constitution" and letter of apology were, fortunately, instrumental in delivering him. Among the boys at school when these juvenile trifles were pro- duced was Ninian Edwards, afterward governor of Illinois, son of Benjamin Edwards, who resided in Montgomery Count}', and subsequently represented that district in Con- gress. On his return home, young Edwards took with him the constitution and letter for the amusement of his father, who fancied he saw in them signs of more than ordinary 24 MEN, PLACES, AND THINGS. talents. On the strength of these essays, for he had never seen their author, and upon the favorable report, perhaps, of his schoolmates, Mr. Edwards kindly wrote to young Wirt, inviting him to reside in his family as private tutor to Ninian and two nephews. He offered him, at the same time, the use of his library for the prosecution of his own studies. The invitation was joyfully accepted ; and to this gentleman's happy cast of character, to his conver- sation, precepts, and example, Mr. Wirt ever afterward attributed all that was best or happiest in the bias of his own mind and character. The 3*oung tutor had now chosen the Bar for his pro- fession. Possessing many qualities that were prophetic of success, he had also some marked disqualifications. Not only was he shy and timid when appearing in public, but he had a nervous rapidity of utterance. To overcome these defects, Mr. Edwards kindly advised him, reminding him of his natural advantages, and assuring him that almost every man who had risen to distinction had fought against obstacles as great as his own. Under Mr. Edwards's roof he stayed twenty months, spending his time in teaching, in classical and historical studies, in writing, and in prepa- ration for the calling to which he was to devote his life. Being threatened with consumption, he rode on horse- back to Georgia, spent a winter there, and, returning North, was at his majority licensed to practise law. With the advantages of a vigorous constitution, a good person and carriage, and a prepossessing appearance, but with the drawbacks of a meagre legal equipment and a great deal of constitutional timidit}', he began his professional career at Culpepper Court-house. Virginia. With a cop}' of Black- stone, two volumes of "Don Quixote," and a volume of WILLIAM W1RT. 25 u Tristram Shand}*," his entire stock of legal and literary artillery, he was ready to exasperate the bickerings of Doe and Roe according to the most approved precedents. The urbanity which naturally characterized him was then alloyed by some brusqueness and impetuosity of manner, a fault due, probabty, to diffidence, which gives an air of vehemence to what is only hurry. His utterance was still faultj-. A person who knew him not long after this period says that when heated in argument his ideas seemed to outstrip his powers of expression ; his tongue appeared too large ; he clipped some of his words badly ; his voice, sweet and musical in conversation, or when undisturbed by that timidity which prevented his control of it, grew loud and harsh ; his articulation rapid, indistinct, and imperfect. In his first case he was more successful than his friends had expected. Luckily his temper was roused by an incident in the trial, so that he forgot the alarms natural to the occasion, and pressed his points with recollection and firmness. In 1795 he married Mildred, the eldest daughter of Dr. George Gilmer, and took up his residence at Pen Park, the seat of that gentleman, near Charlottesville. A person who knew him well at that time says that he had never known any other man so highly engaging and prepossessing. 41 His figure was strikingly elegant and commanding; his face of the first order of masculine beauty, animated, and expressing high intellect. His manners took the tone of his heart : they were frank, open, and cordial ; and his con- versation, to which his reading and early pursuits had given a classic tinge, was polished, gay, and witty. Alto- gether, he was a most fascinating companion, and to persons of his own age irresistibly and universally win- 26 MEN, PLACES, AND THINGS. ning." Unfortunately, these ver}' fascinations have their perils, which are by no means easily avoided. The fashion of the time increased the danger. A boundless hospitality among the gentlemen of the country, his biographer tells us, opened every door to the indulgence of convivial habits. Every dinner-party was a revel, every visit a temptation. The members of the Bar especially indulged in a license of free living, which, alwa}'s hovering on the verge of excess, often overstepped it. It is not strange that Wirt, so susceptible to the influences of good fellowship, some- times in these S3 T mposia forgot the dictates of prudence, and passed the bounds of temperance. Nor is it strange, under these circumstances, that his aspirations and aims were misunderstood. There is little doubt that in these days he was generally regarded rather as a gay and fasci- nating companion, a bon vivant full of animal spirits, wit, and humor, than as an ambitious law\-er who had placed before himself a lofty ideal, and who to attain it was willing 4t to scorn delights, and live laborious days." But these surface indications, which concealed the deeps of his nature, were misleading. No doubt he wasted many hours, which, rightly used, would have given him a greater mastery of the law ; no doubt, too, we discover, even when he did apply him- self to his profession, a painful want of system in his studies. But we must remember that great ability tramples upon ordinaiy rules, and is a rule unto itself. The syste- matic stud}' which is good for nineteen minds out of twentj', may be bad for the twentieth, which maj* reject it with instinctive distaste. Certain it is that no two minds above the common level ever acquired their knowledge in the same order, or fixed it by the same methods in the memoiy. WILLIAM WIRT. 27 One man reads a book carefully through, page by page ; another dives into the middle of it, seizes its leading idea, plucks out the heart of its mystery, and throws it by. One man likes to begin with the elements of a science, and clear away each difficult}' as he goes along ; another prefers plunging into a mass of heterogeneous matter, for the pleasure of seeing new lights breaking upon him, confi- dent that he will emerge somGwhere, and that he will be abundantly rewarded in the end. Either of these systems may be good for the individual, though not for all. We know from his subsequent success that Wirt must have studied, if not methodically, \*et after a way of his own ; and we are told that besides the law, he studied the fathers of English literature, Bacon, Hooker, Barrow, South, Locke, and Milton, with whose writings the library of Dr. Gilmer abounded. From these old "wells of English undefiled" he drank deep draughts, and acquired that wealth and vigor of thought and that masteiy of language which characterized his subsequent speeches and conversation. In the midst of these studies, while enjoying what may be considered as the golden days of his youth, Mr. Wirt was suddenly bowed down by a severe affliction. In the fifth year of his married life the wife upon whom he had doted was snatched from him by disease. An aching memor}' drove him to Richmond, and soon after he became clerk to the House of Delegates. He held this place for three sessions of the Legislature, when he was elected by that body Chancellor of the Eastern District of Virginia. This appointment, considering that Mr. Wirt was but twent}'-nine 3'ears old, was a remarkable testimony to his abilities. The duties of his new office required him to live at Williamsburg ; and iu a letter to his friend Gamble he 28 MEN, PLACES, AND THINGS. gives the following reason for accepting the appointment: "I wished to leave Richmond on many accounts. I dropped into a circle dear to me for the amiable and bril- liant traits which belonged to it, but in which I had found that during several months I was dissipating my health, my time, my mone}', and 1113' reputation. This conviction dwelt so strongly, so incessantly on my mind, that all my cheerfulness forsook me, and I awoke many a morning with the feelings of a madman." Tn the same year (1801), he married Elizabeth, daughter of Colonel Gamble, of Rich- mond, a lad} r for whom he continued to feel, all his life, the most romantic attachment. Six months later he resigned the chancellorship and returned to Richmond. He now wrote for the " Richmond Argus "the noted " Letters of the British Spy," which, though rarely read to-day, were once in- every library. These letters, written in a vivid and luxuriant style, are chiefly studies of eloquence and eloquent public men, and may be regarded, in spite of the exceptional excellence of " The Blind Preacher," as rather a prophecy of literary skill than the fulfilment, an earnest of some future achievement, rather than the achievement itself. They were thrown off, with little care, in the intervals of severe pro- fessional toil, and with scarcely a dream of the popularity they won. Their success was due partly to the. lack of criticism at that time in this country, and partly to the eagerness of the public, in the dearth of indigenous litera- ture, to welcome an}^ clever effort to increase its stock. A fortunate occasion for Mr. Wirt's fame occurred the next year, when the celebrated trial of Aaron Burr for treason took place in Richmond. This trial, to which we shall refer again, began in the winter of 1807, and Mr. WILLIAM WIRT. 29 Wirt, by order of President Jefferson, was retained to aid the United States attorney in the prosecution. In the brilliant array of counsel on the occasion, no one shone more conspicuously than he. In 1808 Mr. Wirt was elected to the House of Delegates in Virginia, the only time he could be prevailed upon to sit in a legislative bodj'. In 1804 he wrote for the " Richmond Enquirer" a series of essays entitled "The Rainbow," and in 1810 the series of didactic and ethical essays entitled " The Old Bachelor," which, collected into a volume, passed through several editions. The essays were modelled after those of the " Spectator," and treat of female education, Virginian manners, the criticism of Americans b}' foreign travellers, the fine arts, and especially oratory (of the Bar, the Pulpit, and the Senate), a theme on which he never tired of writ- ing. The best of these papers is that on the "Eloquence of the Pulpit." It is a powerful and passionate protest, worth}' of a Bautain or a Fenelon, against the coldness that so often reigns there. In 1816 Mr. Wirt was appointed a District-Attorney of the United States, and in the next year Attorney-General, an office which he held with signal honor for twelve years. Though in the causes which it became his official duty to prosecute or defend he was often pitted against the most eminent legal graybeards in the land, he proved himself a match for all the acuteness and learning that could be arrayed against him. In 1826 he was offered, but declined to accept, the presidency of the University of Virginia. In June, 1829, Mr. Wirt went to Boston, for the first time, to argue a cause against Daniel Webster. The attentions that were showered upon him by the citizens 30 MEN, PLACES, AND THINGS. strongly affected him, and he wrote to his friend Judge Carr that he thought the people of Boston were the most agreeable in the United States. "I expected," he sa}~s, " to find them cold, slry, and suspicious. I found them, on the contraiy, open, playful, and generous. Would to Heaven the people of Virginia and Massachusetts knew each other better ! What a host of absurd and repulsive prejudices would that knowledge put to flight!" Again: " Webster receives and treats me with a kindness and cor- diality that cannot be exceeded. 4 Our people thought highly of }"ou,' he told me, ; but had no idea of your strength. You will carry back a higher reputation than you brought with .you.' All this was so warmly and so earnestly said that it made me love him." Mr. Wirt visited President Quinc}^ of 'Harvard College, and was greatl}' pleased with the dexterity with which the latter extricated himself in conversation from an embarrassing situation. The President asked his visitor in what college he graduated. "I was obliged to admit," says Mr. Wirt, 44 that I had never been a student of any college. A shade of embarrassment, scarcely perceptible, just flitted across his countenance ; but he recovered in an instant, and added most gracefully /' Upon my word, you furnish a very strong argument against the utility of a college education.' / At the close of Mr. Adams's administration Mr. Wirt re- moved to Baltimore, where in 1832 he was nominated by the Anti-Masonic party as a candidate for the Presidency of the United States, a nomination which he, most un- wisely, we think, accepted. In Januaiy, 1834, he went to Washington to attend the usual term of the Supreme Court, before which he had some cases of great magnitude, and discharged his duties till the 8th of February. On the WILLIAM WIRT. 31 evening of that da}', which was Saturda}*, he was playful, and sanguine of success in an argument which he was to make on Mondaj'. On Sunda}' he went to church at the Capitol, a mile from his lodgings, and in walking home in a damp, chilly atmosphere, took cold. That evening he felt indisposed ; on Monday was confined to his room ; on the succeeding days grew worse and worse ; and finally, on Tuesday, the 18th, died of erysipelas at the age of sixty-two. Mr. Wirt was conspicuous for his personal beauty, both in his youth and in his prime. His face was one in which a physiognomist would have delighted. The massive out- line of his countenance ; the clear, dark-blue eyes looking out beneath arching eyebrows and a broad, majestic fore- head ; the large Roman nose, thin and well-formed lips, ample chin, and light hair clustering in crisp and luxuriant curls upon his brow ? suggested, according to his biogra- pher, Mr. Kennedy, a resemblance to Goethe. His height, which was above six feet, his broad shoulders, ample chest, and general fulness of development, with the erectness of his carriage, added much to the dignity and stateliness of his appearance. The general gravit}* of his look was relieved by the ever-changing expression of his 63*6, which, if it was usually pensive with thought, yet frequently sparkled with a quiet, lurking humor, that continually welled up from the depths of his soul, and provoked a laugh before a word was uttered. The most striking characteristic of Mr. Wirt was devo- tion to his profession. From the day it was chosen, he kept before him a lofty ideal, to which, except for a few brief intervals of time, he strained every nerve to attain. To this main end, as to a focal point, all other studies 32 MEN, PLACES, AND THINGS. his literary, historical, and scientific, as well as his legal acquisitions, were made to converge. While he was, as truly as any rnan ever was, the architect of his own fortune, yet he was greatly facilitated in his achievements by the valuable acquaintances he made at different stages of his career. As he entered upon life it was his happy fortune to be knit to some of the noblest hearts about him in a friendship which gilded with an almost romantic light the whole of his earthly pilgrimage. In his profession he rose rapidly and honorably, step by step, to the summit, unas- sailed by emy, while political honors again and again were pressed upon him, which he promptly declined to accept. Few men who have won so many prizes in life's lottery have maintained such a modesty of demeanor. Never for a moment does he seem to have been intoxicated by suc- cess ; never does his affection for his earlj' friends seem to have been shaken, or his relish for the joys of home to have been less keen or pure ; never, even when ranking with Webster, Martin, and Pinkne}', does he betray the faintest symptom of arrogance or conceit. On the contraiy, noth- ing is more marked in his correspondence than the un- feigned opinion which he again and again expresses, that his success was utterly disproportionate to his merits. In a letter written to a young lawyer in 1818 he says : " I lost the best part of my life indulging the frolics of fancy ; and the consequence is, that it will take all the rest of it to con- vince the world that I have common-sense." In another letter to the same person we find him giving this advice : 4 'Be not in haste to raise the superstructure ofyourora- toiy. This was my fault. For want of better advice, I began my building at the top / and it will remain a castle in the air to the end of time." WILLIAM WIRT. 33 Incredible as these confessions may seem to us who think of its author as one of the most powerful advocates of his time, there is no doubt that at the start he made the mistake he so frankly acknowledges. Gifted with a rare fluency, a brilliant wit, and a vivid imagination, he was tempted in his addresses to aim less at argumentative strength than at the qualities which captivate the crowd. The reputation which he thus acquired for excelling in the ornate rather than in the severer qualities of oratory, ad- hered to him even after it had ceased to be well founded. The public estimate was confirmed by the specimens of his eloquence that appeared in popular works, all of which were of a florid rather than of a classic character. The consciousness of this' defect seems to have haunted him long after he came upon the broader theatre of his fame ; for we find him not onty perpetually denouncing " the florid and Asiatic style " of oratorj* in his letters, characterizing wit and fancy as " dangerous allies," and emphasizing u strength, cogency, and comprehension " as the qualities demanded in modern oratoiy, but laboring with indefati- gable perseverance to obtain a better reputation in the courts of justice. The truth is that he and Everett were the last of the classical speakers of the old school ; and because he felt that this school had had its day, and that a more direct, terse, and pungent style of oratory would be demanded by our fiery and impatient age, he urges upon novices the cultivation of vigor and force rather than the graces of speech. Writing to F. W. Gilmer in 1818, he says: "In your arguments at the Bar let argument strongly predominate. Sacrifice 3*011 r flowers, and let 3*our columns be Doric rather than composite ; the better medium is Ionic. Avoid, as you would the gates of Death, 3 34 MEN, PLACES, AND THINGS. the reputation for floridity. Small though your bod}*, let the march of your mind be the stride of a seven-leagued giant." Fifteen years later, in a letter to another young lawyer, he presses the same point home with equal force : 4 - The age of ornament is over ; that of utility has suc- ceeded. The pugnae quam pompae aptius is the order of the day, and men fight now with the clenched fist, not with the open hand, with logic, not with rhetoric. It is the rough, abrupt strength of Webster which has given him his fame." Again, in his address to the Literary Societies of Rutgers College, in 1830, he says: "It is to the cultivation of a sound judgment that 3*011 must direct your chief mental efforts. Young gentlemen are exceedingly apt to make a sad mistake on this subject. Hand inexpertus loquor. There is a pleasure in the indulgence of the lighter fac- ulties, fane}*, imagination, wit, and there is an admira- tion which follows their successful display, which youthful vanity can with difficulty resist. But throw this brilliant youth into the same arena with an antagonist who has gone for strength of mind, and whose reason and judg- ment have been the chief objects of discipline, and you will see the sparkling diamond reduced to carbon and pounded to dust." Finally, in the most brilliant and eloquent let- ter he ever wrote, a masterpiece of powerful and im- pressive writing, the letter to H. W. Miller, of Chapel Hill College, North Carolina, in 1833, the impression made by which, when published in the same 3*ear, we distinctly remember, Mr. Wirt says : "Direct 3*0111* intellectual efforts principally to the cultivation of the strong, mascu- line qualities of the mind. Learn (I repeat it) to think, to think deeply, comprehensively, powerfully, and WILLIAM WIRT. 35 learn the simple, nervous language which is appropriate to that kind of thinking. Read the legal and political argu- ments of Chief-Justice Marshall, and those of Alexander Hamilton, which are coming out. Read them, study them ; and see with what an omnipotent sweep of thought they range over the whole field of any subject they take in hand, and that with a scythe so keen that not a straw is left standing behind them. Brace yourself up to these great efforts. Strike for the giant character of mind, and leave prettiness and frivolity to triflers. ... In what style of eloquence 3*011 are best fitted to excel, you yourself, if destined to excellence, are the best judge. I can only tell 3"ou that the florid and Asiatic st3'le is not the taste of the age. The strong, and even the rugged and ab- rupt, are far more successful. Bold propositions boldly and briefly expressed ; pithy sentences ; nervous common- sense ; strong phrases ; the feliciter audax both in lan- guage and conception ; well-compacted periods ; sudden and strong masses of light; an apt adage, in English or Latin ; a keen sarcasm, a merciless personality, a mortal thrust, these are the beauties and deformities that now make a speaker the most interesting. A gentleman and a Christian will conform to the reigning taste so far only as his principles and habits of decorum will permit." That Mr. Wirt succeeded at last, b3' dint of incessant painstaking, in changing his own st3*le of oratoiy, in accor- dance with these hints to others, is known to all who have read his speeches. While he never ceased to relieve the stress and weariness of argument with playful sallies of wit and humor, yet it was in argumentative ability the power of close, cogent, logical reasoning that he mainly excelled. In the words of one of his favorite quotations, 36 MEN, PLACES, AND THINGS. he came into the forum, " not decorated for pomp, but armed for battle." His power of analysis was remarkable, and his discrimination keen. He excelled in clearness of statement, in discernment of vital points, and in the vigorous presentation of principles. Bestowing great labor upon his cases, he often swept the whole field of discussion, so as to leave little for his associates to glean ; and some- times, it is said, he even anticipated and answered all his opponent's arguments so perfectly as " to leave him nothing to say which had not been better said already." In meeting the unforeseen points that come up suddenly for discussion, where the argument of counsel must be instant and off-hand, he was remarkably prompt and effective. Yet he required preparation, and would not speak without it. Dinner- table oratory and stump-speaking he despised. Among his most powerful legal arguments were those which he delivered on the trial of Burr, in the case of McCulloch vs. The State of Maryland, in the Dartmouth College case, in the great New York steamboat case of Gibbons vs. Og- den, in the Cherokee case, and in the defence of Judge Peck before the Senate of the United States. The first of these speeches, that against Burr, was a masterpiece of its class, replete throughout with eloquent appeal, polished wit, keen repartee, and cogent reasoning. In the famous passage on Blennerhasset we see how eagerly he escaped from the thraldom of a purely technical discussion and sported in the field of rhetorical display, where he could soar without a rival. The passage in which he speaks of the wife of Blennerhasset, the beautiful and tender partner of his bosom, whom he lately " permitted not the winds of sum- mer 'to visit too roughly/" as ''shivering at midnight on the wintry banks of the Ohio, and mingling her tears with the WILLIAM WIRT. 37 torrents that froze as they fell," has been a favorite piece for schoolboy declamation ever since it fell from the lips of its author ; and the fact that, though worn to shreds by continual repetition, it still has power to charm, is proof of its rare, though somewhat florid, beauty. The argument made by Mr. Wirt in behalf of the Cherokee Indians against the tyrannical encroachments of the State of Georgia, did equal honor to his head and heart. Regarding the storm of abuse which his espousal of the cause brought upon him, he wrote to a friend: "If I had declined this engagement from a cowardly fear of the consequences, I should never have been able to hold up my head again. The curse of Kehatna would have been a benediction, compared with the conscious self-abasement that would have preyed upon me." Mr. Wirt's argument in defence of Judge Peck, of St. Louis, impeached before the United States Senate for the alleged abuse of his judicial authority, was in many respects the most masterly he ever pronounced. In its union of logical analysis with rhetorical power and beauty, it has rarely been surpassed. The best proof of its cogency and force is that, though at the opening of the trial the tide of popular feeling set strongl\ r against Mr. Wirt's client, it gradually grew weaker, and when the defence was closed, turned in his favor. When the vote was taken, it stood twenty-one for conviction, twentj'-two against ; and the judge was acquitted. At the beginning of his career Mr. Wirt was troubled, as we have seen, with bashfulness and timidity" ; but as he advanced in j^ears he rioted in the consciousness of his strength, and loved nothing better than to meet with a foe- man worthy of his steel. For a long time he had desired 38 MEN, PLACES, AND THINGS. to break a lance with the colossus of the Maryland Bar, Mr. Pinkney; and in 1816 he had the opportunity. Probably no practitioner in the United States courts cast at that time a larger shadow over the land than this great lawyer. His manner was haught}', alert, and guarded ; his brow severe ; his civilities short and measured. The haughtiness of his temper was manifested in his carriage, of which it has been said that it was more than erect, it was perpendicular. His port at the bar towards his equals was antagonistic and defiant; he asked no favors, and he granted none. When about to argue a case he was nervous and restless, burning with a kind of impatient rage for the fray. Pro- fessor Ticknor, who saw him once on such an occasion, says that he showed, by frequently moving in his seat, and by the convulsive twitches of his face, how anxious he was to come to the conflict. "At last the judges ceased to read, and he sprang into the arena like a lion that had been loosed by his keepers on the gladiator who awaited him." Few lawyers of equal ability have manifested such a care about their toilet ; his dress suggested a Beau Brum- mel rather than the giant of the American Bar. In spite of all this foppishness and many affectations, he was a great legal logician, with " as fine a legal head," Rufus Choate used to say, u as ever was grown in America." Both Clay and Webster pronounced him the greatest orator they had ever heard. Artemas Ward, being once asked to speak in public, said: "I have the gift of oratory, but I haven't it with me." How many eloquent men there are who find them- selves, at times, in this predicament ! ' ' What a scathing reply I might have made to my adversary," is the regret- ful reflection that occurs to many a lawyer and politician WILLIAM WIRT. 39 as he retires, heated and discomfited, from a contest in which his memory proved treacherous to him. While he is on his legs, his ideas seem to desert him ; but the mo- ment he sits down, he invents the happiest retorts, his knowledge of the subject comes upon him like a flood, the most unanswerable arguments flash upon him without an effort. Mr. Wirt was one of the readiest of men; yet something like this was his experience in his first encounter with Pinkney, in 1816, who was then at the zenith of his fame. Having argued the cause before, and being en- grossed with other cares, he relied upon his notes for recalling the different topics to his mind ; but at the last moment found that they were lost. Being interrupted in- cessantly by callers while trying to study the case, he was obliged, in this hopeless condition, to go to the court-room and contend with Pinknej*. Writing afterward to Judge Carr, he says: " Had I been prepared, how should I have gloried in that theatre, that concourse, and that adversary ! . . -. I gave, indeed, some hits which produced a visible and animating effect ; but my courage sank, and I suppose my manner fett^ under the conscious imbecility of my argu- ment. I was comforted, however, b} T finding that Pinkney mended the matter very little, if at all. . . . Had the cause been to argue over again on the next da}', I could have shivered him ; for his discussion revived all my forgotten topics, and, as I lay in bed on the following morning, argu- ments poured themselves before me as from a cornucopia. I should have wept at the consideration of what I had lost, if I had not prevented it by leaping out of bed, and be- ginning to sing and dance like a maniac. ... I must contrive, somehow or other, to get another cause in that court, that I may show them I can do better. . . . With 40 MEN, PLACES, AND THINGS. full preparation, I should not be afraid of a comparison with Pirikney at any point, before genuine judges of correct debate." Wirt's first impression of Pinkney, derived from this struggle, was not favorable. Two years later he writes to a friend : "I expect to go to Baltimore again, early next month, and to have another grapple with Glendower Pink- ney. ; The blood more stirs,' you know, ' to rouse the lion than to start the hare.' A debate with Pinkney is exercise and health. With all his fame, I have en- countered men who have hit harder. I find much pleasure in meeting him. . . . To foil him in a fair fight, and in the face of the United States, on his own theatre, would be a crown so imperishable that I feel a kind of youthful pleasure in preparing for the combat." In 1822 Mr. Pinkney, having overtaxed his strength in a case be- fore the Supreme Court, died of an inflammation of the brain ; and we find Mr. Wirt, who had now had many dia- lectic contests with this Titan of the Bar, doing full justice to his powers. "He was a great man," writes Wirt to a friend. "No man dared to grapple with him without the most perfect preparation and the full possession of all his strength. In the last two encounters with him I was well sat- isfied, and should never have been otherwise when entirely ready. To draw his supremacy into question anywhere, was honor enough for ambition as moderate as mine." Few public speakers have combined so many physical qualifications of the orator as William Wirt. His manly and striking figure, his intellectual face, his clear, musical voice, his graceful gesture, won the favor of his hearer in advance. In manner he was calm, self-possessed, and de- liberate, rarely soaring to lofty heights of oratory, and still WILLIAM WIRT. 41 more rarely sinking to tameness. His gestures were pre- studied, but the art with which he concealed his art is said to have been consummate. He was not, in the highest sense, a natural orator ; we mean that he did not come into the world, like Henry Clay or Patrick Henry, with an imperative commission to speak written in his blood and on his brain. He spoke easily, and often eloquently ; but was not urged to it irresistibly by the trumpet-call of his spon- taneous enthusiasms, as the war-horse snuffs the battle from afar. His usual key, his biographer sa3*s, was that of earnest and animated argument, alternated with that of a playful and sprightly humor. Though he was not wanting in force or fire, and could denounce wickedness, in high places or low, with great vehemence and energy, }*et as a rule his oratory was not of that fervid, bold, and impetuous kind which sways all classes of men with absolute do- minion, rousing and calming their passions at the speaker's will. Except on rare occasions, it was graceful, polished, and scholar-like, sparkling with pleasant fancies, and cheating the spell-bound listener out of all sense of the lapse of time. Hence he was a favorite of the ladies, who flocked to hear him, and, to his surprise, however dry or abstruse the theme, listened with apparent delight to his longest and most argumentative speeches. In early life, as we have seen, there was more impetuosity in his manner, and his articulation was rapid, thick, and indistinct. By dint of incessant self-schooling he conquered all these de- fects ; and adopting a lofty ideal of excellence, which he strove unceasingty to reach, he gradually developed and perfected his natural powers to a degree that made him the rival in eloquence of Emmett and Pinkney, and the compeer in argument of Hopkinson, Pinkney, and Webster. 42 MEN, PLACES, AND THINGS. A well-known writer, who heard many of Mr. Wirt's forensic addresses, thinks that the power of ridiculing his adversary was Mr. Wirt's forte. " After he had demon- strated the absurdity of his opponent's arguments with a clearness which the most critical logician would have ad- mired ; . . . after he had called up the truths of philos- ophy, the experience of histoiy, and the beauties of poetr}', all coming like spirits thronging to his call ; he would, if the opposite part}' deserved the infliction, pour forth upon him a lava-like ridicule, which flamed while it burned, and which was at once terrible and beautiful, terrible from its severity and truth, and beautiful from the chaste language in which it was conve3'ed." * It is said that when Mr. Pinkney began to write out his great speech in the kt Nereid" case, he was so disappointed in the effect when he saw it on paper that he threw down his pen ; he saw at once the enormous difference in power there is between a speech written and a speech delivered. " How apt are we," says Mr. Wirt, "to forget this differ- ence in making our estimate of Demosthenes and Cicero ! We measure them only by the speeches they have left us, forgetting that the speech itself is only the hundredth part of the orator's power." In reading Mr. Wirt's own speeches, this caution, if we would avoid disappointment, needs emphatically to be heeded. It is a sad truth, that of all the great products of creative art, eloquence is the only one that does not survive the creator. The words of a masterpiece of oratorical genius may be caught and jotted down with literal exactness ; but the attitude and the look, the voice and the gesture, are lost forever. The aroma, 1 F. W. Thomas, author of "Clinton Bradshaw," etc. WILLIAM WIKT. 43 the finer essences, have vanished ; only the dead husk remains. We have thus far, for convenience, omitted to speak of Mr. Wirt's biographical work, the well-known Life of Patrick Henry. The task of writing this book he found the toughest that had ever engaged his pen. After years of toil he was half tempted to abandon it altogether. The necessity of stating facts with scrupulous precision, when, as he ex- pressed it, " his pen wanted perpetually to career and frolic it awa}', " was like a stone tied to the wings of his fancy. To write under such a restraint was like trying to run, tied up in a bag. In a letter to a friend he thus complains : "My pen wants perpetually to career and frolic it away. But it must not be. I must move like Sterne's mule over the plains of Languedoc, 4 as slow as foot can fall,' and that, too, without one vintage frolic with Nanette on the green, or even the relief of a mulberry-tree to stop and take a pinch of snuff at. I was very sensible, when I began, that 1 was not in the narrative gait. I tried it ever and over again, almost as often as Gibbon did, to hit the ke3'-note, and without his success. I determined, therefore, to move forward, in hopes that my palfrey would get broke by de- grees, and learn, by and by, to obey the slightest touch of the snaffle. But I am now in my hundred and seventh page, . . . and yet I am as far to seek as ever, for the light- some, lucid, simple graces of composition. You may think this affectation, if 3*011 please, or }'ou may think it a jest ; but the dying confession of a felon under the gallows . . . is not more true, nor much more mortifying." The difficulty here so pathetically portrayed was not half so disheartening as the dearth of facts, which compelled the biographer to evolve his hero, in the German fashion, out of 44 MEN, PLACES, AND THINGS. the depths of his moral consciousness. At every step he was obliged to stop and let fly a volley of letters over the State ; and when the answers came, their statements were so contradictory that it was impossible to reconcile them. The truth is, that Patrick Hemy was hardly more than a name. His vast fame rested upon a tradition which gave only the A r aguest and most shadowy outlines of an intellect- ual colossus. Like the bones of an antediluvian giant, only a few fragments of his speeches remain to testify to his moral stature. Will's portraiture of the man is brilliant, but the coloring is too deep. The work burns and glows with the Southern heart of the writer, and, while exhibiting much dramatic power and insight into character, has too much of the charm of a romance. Occasionally, though not often, as one of his critics has said, the rapid march of the narrative u breaks into the canter of the jury-haranguing Iaw3*er or the stump-speaking politician." The popular feeling regarding the work is well illustrated by an anecdote told of Mr. Wirt and the Hon. Thomas Corwin, of Ohio. Mr. Wirt was once opposed to Mr. Corwin as counsel in a law case, and tried in a somewhat novel way to discredit the testimony of Mr. Corwin's chief witness, on whose dis- crimination and accuracy everything hinged, by showing that he was a person of egregious credulity. "Have you ever read Gulliver's Travels?" said Wirt to the witness. " Yes." " Do you believe it all? " " W-a-11, }*es, Square, I don't know but I do." The same answer was returned to questions about the "Life of Sinbad the Sailor," the " Adventures of Baron Munchausen," and other like works ; Corwin all the while fidgeting and turning nervously in his seat. Having thus utterly discredited the witness, Mr. Wirt, with a triumphant gesture and a bland smile, said : WILLIAM WIRT. 45 " You can have the witness, Brother Corwin." "I have but one question more," said Corwin: "have you ever read Will's Life of Patrick Henry?" "Yes." "Do you believe it all?" " Wh}', no, Square, I can't quite swallow that." Mr. Wirt's memory was exceedingly retentive, and in readiness and felicity of quotation he was rarely surpassed. He was familiar with the Latin classics, and had marked in his copies of Horace, Seneca, Quintilian, etc., nearly every striking thought and sentiment. A pocket edition of Horace was often thumbed during his journeys ; but Seneca, with his brilliant and pointed antitheses, was his favorite. In his legal arguments he often cited an illustration from the classics with telling effect. In the peroration of his argu- ment in the great New York steamboat case of Gibbons vs. Ogden, he retorted on Mr. Emmett a quotation of his from Virgil with signal skill. The chief question in the case was whether the laws of New York, which conferred upon Fulton and Livingston the exclusive right to navigate its waters with steamboats, were or were not a violation of the Constitution of the United States. Mr. Emmett, at the close of his speech, eloquently personified the great State of New York as casting her eyes over the ocean, beholding everywhere the triumphs of her genius, and exultingly asking, " Quae regio in terris nostri non plena laboris ? " Mr. Wirt saw with an eagle eye the error his antagonist had committed ; and giving the true translation of laboris, which here means, we hardly need to say, not " labor," but "suffering," or "misfortune," turned the tables upon him as follows : 46 MEN, PLACES, AND THINGS. " Sir, it was not in the moment of triumph, nor with the feelings of triumph, that ^Eneas uttered that exclamation. It was when, with his faithful Achates by his side, he was surveying the works of art with which the palace of Carthage was adorned, and his attention had been caught by a representation of the battles of Troy. There he saw the sons of Atreus, and Priam, and the fierce Achilles. The whole extent of his misfortunes, the loss and desola- tion of his friends, the fall of his beloved country, rushed upon his recollection : 'Constitit, et lacrimans, Quis jam locus, inquit, Achate, Quae regio in terris nostri non plena laboris ? ' ' Mr. Wirt then vividly depicted the disastrous results of the policy of New York ; showing that three States were already on the eve of conflict, and that unless the Court should interpose, the war of legislation would become a war of blows. "Your republican institutions will perish in the conflict ; 3'our Constitution will fall ; the last hope of na- tions will be gone. . . . Then, sir, when New York shall look upon this scene of ruin, if she have the generous feel- ings which I believe her to have, it will not be with her head aloft, in the pride of conscious triumph, 4 her rapt soul sitting in her e3*es.' No, sir, no ! Dejected, with shame and confusion, drooping under the weight of her sorrow, with a voice suffocated with despair, well may she exclaim, ' . . . Quis jam locus, . . . Quae regio in terris nostri non plena laboris?' " Mr. Wirt was very happy in his occasional literary ad- dresses, as in his eulogy on Adams and Jefferson, deliv- ered before Congress in 1829, which Abraham Hay ward, in the London " Quarterl}* Review" for March, 1841, pro- nounced " the best which this remarkable coincidence l has 1 The deaths of Adams and Jefferson on the same clay. WILLIAM WIRT. 47 called forth ;" and in his address at Rutger's College, in 1830, a spirit-stirring discourse to the students, which must have roused them like the sound of a trumpet. The latter production, which was published in pamphlet form by the literary societies to which it was addressed, passed rapidly through three editions, and was republished in England. It was also translated into the French language and the German, and published in Paris and in a leading German city. A fourth American edition was issued in 1852. We can give but one extract from this eloquent and high-toned address, in which, portraying the man of decisive integrit}', the author unconsciously paints one of his own most salient moral features : DECISIVE INTEGRITY. The man who is so conscious of the rectitude of his intentions as to be willing to open his bosom to the inspection of the world, is in possession of one of the strongest pillars of a decided character. The course of such a man will be firm and steady, because he has nothing to fear from the world, and is sure of the approbation and support of Heaven ; while the man who is conscious of secret and dark designs, which, if known, would blast him, is perpetually shrink- ing and dodging from public observation, and is afraid of all around, and much more of all above, him. Such a man may, indeed, pursue his iniquitous plans steadily; he may waste himself to a skeleton in the guilty pursuit ; but it is impossible that he can pursue them with the same health-inspiring confidence and exulting alacrity with him who feels at every step that he is in the pursuit of honest ends by honest means. The clear, unclouded brow, the open countenance, the brilliant eye which can look an honest man steadfastly yet courteously in the face, the healthfully beating heart, and the firm, elastic step, belong to him only whose bosom is free from guile, and who knows that all his motives and purposes are pure and right. Why should such a 48 MEN, PLACES, AND THINGS. man falter in his course? He may be slandered, he may be de-. serted by the world ; but he has that within which will keep him erect, and enable him to move onward in his course, with his eyes fixed on Heaven, which he knows will not desert him. Let your first step, then, in that discipline which is to give you decision of character, be the heroic determination to be honest men, and to preserve this character through every vicissitude of fortune, and in every relation which connects you with society. I do not use this phrase "honest men " in the narrow sense, merely, of meeting your pecuniary engagements and paying your debts ; for this the common pride of gentlemen will constrain you to do. I use it in its larger sense of discharging all your duties, both public and private, both open and secret, with the most scrupulous, Heaven- attesting integrity : in that sense, further, which drives from the bosom all little, dark, crooked, sordid, debasing considerations of self, and substitutes in their place a bolder, loftier, and nobler spirit : one that will dispose you to consider yourselves as born not so much for yourselves as for your country and your fellow- creatures, and which will lead you to act on every occasion sincerely, justly, generously, magnanimously. There is a morality on a larger scale, perfectly consistent with a just attention to your own affairs, which it would be the height of folly to neglect : a generous expansion, a proud elevation and con- scious greatness of character, which is the best preparation for a decided course in every situation into which you can be thrown ; and it is to this high and noble tone of character that I would have you to aspire. I would not have you to resemble those weak and meagre streamlets, which lose their direction at every petty impe- diment that presents itself, and stop, and turn back, and creep around, and search out every little channel through which they may wind their feeble and sickly course. Nor yet would I have you resemble the headlong torrent that carries havoc in its mad career. But I would have you like the ocean, that noblest emblem of majestic decision, which in the calmest hour still heaves its re- sistless might of waters to the shore, filling the heavens, day and night, with the echoes of its sublime declaration of independence, and tossing and sporting on its bed with an imperial consciousness of strength that laughs at opposition. It is this depth and weight WILLIAM WIKT. 49 and power and purity of character that I would have you to re- semble ; and I would have you, like the waters of the ocean, to become the purer by your own action. It is amusing to contrast Mr. Wirt's fees for legal ser- vices with the sums charged by lawyers to-day. We have in our possession an elaborate autograph letter of his, con- sisting of six large quarto pages, giving his opinion in a knotty case. At the close he says, in substance, that as he has spent a great deal of thought and trouble on the case, involving a laborious search of the record and decree in it, and a sketch of a course of defence, he hopes that he will not be deemed unreasonable in asking his correspondent to send him twenty dollars. Few men ever had a keener sense of the ludicrous than Mr. Wirt. Referring to some drollery in one of his letters, he says: "I have always found a little nonsense a capital preparative for a dry and close argument." He then tells of a pun which, he sa}*s, made him laugh vociferously. " There is a gentleman in who is otherwise very handsome, but with the misfortune of having a nose with- out a bridge, a mere abortive proboscis. C was re- marking in compain- one da}- the noble expression of his countenance. ' Oh ! but that unfortunate nose/ said a lacly. 4 Nose ! ' replied C ; 4 if it had a bridge, it would be very passable' " Of all humorous writers Sterne was Mr. Wirt's favorite. To the exquisite drolleries that lie in ambush on every page of "Tristram Shandy" he was never tired of referring. Though usually buoyant and hopeful, Mr. Wirt was some- times exceedingly despondent ; and in his self-criticisms he was more keen and unsparing than his worst enemj 7 . In a letter to a friend he complains of the lack of concentration 4 50 MEN, PLACES, AND THINGS. in his legal addresses. "Though I see the track plainly before me, yet, like an ill-disciplined race-horse, I am per- petually bolting or flying the way, and this, too, perhaps, in the very crisis of the argument. . . . On the other hand, here is John Marshall, whose mind seems to be little else than a mountain of barren and stupendous rocks, an in- exhaustible quarry, from which he draws his materials and builds his fabrics, rude and Gothic, but of such strength that neither time nor force can beat them down ; a fellow who would not turn off from the right line of his argument, though a Paradise should rise to tempt him." Again, in 1810, he writes to the same person : " I can never cease to deplore the years of my youth that I have murdered in idleness and folly. ... I now think that I know all the flaws and weak places of my mind. I know which of the muscles want tone and vigor, and which are braced bej'ond the point of health. . . . But now the character of my mind is fixed ; and as to any beneficial change, one might as well call upon a tailor, who has sat upon his shopboard till the calves of his legs are shrivelled, to carry the burdens of a porter, or upon a man whose hand is violently shaken with palsy, to split hairs with a razor." Mr. Wirt wrote verse, and sang, and played upon several musical instruments. He even wrote a play, entitled " The Path of Pleasure," for the Richmond stage ; but we cannot say whether it was performed or not. In private life he was held in the highest esteem. His conversation was full of interest and charm. Enriched, as it was, with the results, always at command, of his multifarious read- ing, it was suggestive and thought provoking, yet easy, playful, and sparkling with wit and humor. His manner was always dignified, yet courteous and winning, and his WILLIAM WIRT. 51 voice modulated with the nicest taste and skill. He was not an ambitious talker, striving constantly to say smart things ; he had no elaborated impromptus, no cut-and-dried repartees ; he never drew the conversation into an ambush, that he might give play to his sharpshooters when he had tricked men within their reach. The strong religious cast of Mr. Wirt's mind was visible to all who knew him. Even in the most thoughtless daj's of his youth he was keenly susceptible to religious impres- sions. After the death of his youngest daughter, in 1831, the religious reverence which had been a sentiment of his heart became a pervading passion. The buoyancy of spirit which before, even in his gravest moments, broke forth in sudden and irrepressible sallies, was lost forever. He gave up many of his pet and long-cherished schemes and fancies, read the Scriptures daily, studied theology, cultivated habits of prayer and meditation, and wrote much on religious themes. He took great interest in missionaiy and Bible societies, in Sundaj'-schools, and became pres- ident of the State Bible Society of Maryland. He read Hooker, Baxter, Faber, Flavel, Hall, Doddridge, and Jay. Of Baxter he writes to his daughter: " I took up the ' Saints' Rest ' lately, and found it like an old sandal-wood box, as fresh and fragrant as if it had just been made, al- though it has been exhaling its odor for a hundred and eighty years." Such, in conclusion, were the life and character of Wil- liam Wirt. Is it too much to say, that in the whole circle of eminent advocates who have adorned the American Bar, there is no one whose career is more worthy of imitation ? Beginning life with a lofty ideal ; keeping ever before his eyes that aliquid vastum et immenswn of which he so 52 MEN, PLACES, AND THINGS. often' speaks, he won the highest honors of a profession in which, perhaps, more than in any other, eminence is a test of ability and acquirement. Scorning the low and disingenuous arts of his profession ; despising the cheap successes of those " gowned vultures," or, as Milton terms them, those tk hired masters of tongue-fence," who seek only for pelf and popular applause, he sought by hard thinking and by broad and comprehensive studies, by the mastery of philosophy, history, literature, and science, to build up his reputation upon a solid base. Using his pen habitually as a means of self-improvement, he became a read}' and polished writer, and won b}~ his books, orations, and addresses, literary laurels worthy of a professional author. Stainless in his professional integrity, conscien- tious in the discharge of his duties, keenly sensitive to praise, yet the severest of self-critics, patient of labor, and opulent in the mental stores which only patient labor can suppl}*, warm in his affections, faithful in his friendships, a powerful advocate, a polished orator, a fervid patriot, a sincere Christian, and a noble man, he has left an example which, in the words of Daniel Webster, " those who seek to raise themselves to great heights of professional emi- nence will emulously study. Fortunate indeed will be the few who shall imitate it successful!}' ! " BULWER. life of Edward George Earle Lytton is a vivid illustration of the marvels tbat may be performed by a man of mere talent, toiling with indefatigable energy through a long series of years. We say " talent;" for that he had that only, though in the very highest degree, and was not, though he narrowly escaped being, a genius, we think is very clear. Had he been such, he would not, probably, have scattered his forces over so large a field. Instead of lighting up the whole horizon of thought, he would have condensed his sheet-lightning into a few lumi- nous points or a single powerful bolt. As it was, neither intellectually nor morally was his mind determined with overwhelming force in any one direction, upon no one sub- ject did his affections centre ; and the result was, that while he astonished the world by his breadth of sympathy and variety of mental faculty, he never reached the pinnacle of excellence and fame, the topmost peak of the literary Alps, but only a lofty summit. That he was a tireless worker, the scores of books which he spun from his brain bear witness. Poet, dramatist, novelist, essayist, orator, historian, and pamphleteer, he "swung round the entire circle " of literary effort, and won high success in every- thing he attempted. Possessing rank and ample fortune, he regarded these accidents, in the words of his own Mel- notte, " as the incentives to exertion, not the title-deeds of 54 MEN, PLACES, AND THINGS. sloth," and worked, to the ver}* end of his da}-s, as hard as any bookseller's hack in Great Britain. That he should have toiled so hard, even after having overcome his early disadvantages and won riches and position, is a still greater marvel, and compels the admiration of those who would otherwise find it hard to forget his foibles. It is hard to write books when one is clothed in rags and labor- ing to make the pot boil ; but it is harder still when one is clothed in purple and fine linen, and faring sumptuously every day. Many a spiritual giant lies buried under a mountain of gold. To hunt and shoot and live in clover ; to frequent clubs and operas and Almack's, enjoying the variety of London sight-seeing, morning calls, and Par- liamentary small-talk, during the season, and then off to the country mansion, with its well-stocked preserves and its thousand delightful pleasures, alternated with a few months on the Scotch moors, or a run across the Continent to Venice or Rome, all this, it has been truly said, is ex- ceedingly attractive, but it is by no means calculated to make a man " scorn delights, and live laborious days." It was to his mother, a woman of great energy and rare accomplishments, that Bulwer was indebted for the forma- tion and guidance of his literary tastes. Her father was a profound scholar, and the first Hebraist of his day. A favorite book of her son in his childhood was Percy's " Reliques," which was the match that fired his genius ; for he wrote some ballads in imitation of it when onl}* five or six years old. He went to no public school, but graduated at Cambridge, where he competed successful!}' for the prize poem of his 3'ear. Better in man}' respects than the uni- versity education was " the life-education," to use one of his own terms, which he got in part by wandering over BULWER. 55 England and Scotland on foot during the Long Vacation, and afterward by travelling through France on horse- back. He began to publish at the age of two and twent}*. 44 Weeds and Wild Flowers," his first book, was followed by u O'Neil, or the Rebel," a BjTonic poem minus the Byron. "Falkland," his first novel, appeared next year, but fell dead from the press, being too sentimental even for the Laura Matildas of the circulating-libraries. It was a history and anatysis of illicit passion, which, though full of faults, had yet so much promise of better things that Col- burn, the publisher, offered 500 for a three-volume novel from the same pen. " I will give you one that shall be sure to succeed," was the answer. The first volume of 44 Pelham " was already written, and the manuscript of the whole was soon in Colburn's hands. Colburn's chief reader condemned it as " utterly worthless." His second reader's report was more favorable. Three or four days afterward Colburn called the two critics to his room and said : " I have read Mr. Bulwcr's novel, and it is my decided opinion that it will be the book of the year." The publisher judged rightly; it was in "Pelham" that Bulwer first fairly caught the world's ear. For two months the work seemed likely to be doomed to oblivion. Critics, not seeing its purpose, and taking its satire literally, treated it with cen- sure or indifference. But suddenly it won an immense pop- ularity ; it was a sensation, a novelty in English romance; and it caused a permanent change in masculine costume. 44 One, at least, of the changes which the book effected in matters of dress," says Bulwer's son, in his biography of his father, " has kept its ground to this day. Lady Fran- ces Pelham sa}'s, in a letter to her son : ' Apropos of the complexion : I did not like that blue coat you wore when I 56 MEN, PLACES, AND THINGS. last saw 3'ou. You look best in black, which is a great compliment ; for people must be very distinguished in ap- pearance to do so.' Till then the coats worn for evening dress were of different colors, brown, green, or blue, ac- cording to the fane}* of the wearer ; and Lord Orford tells me that the adoption of the now invariable black dates from the publication of * Pelham.' All the contemporaries of Pelham would appear to have been simultaneously possessed with the idea that they were entitled to take to themselves the ' great compliment ' paid by Ladj' Frances to her son." In "Pelham" the author gave what many thought a sympathetic portraiture of a gentleman, a dand3 T of a superior order, something more than what Cow- per calls " a fine-puss gentleman, that's all perfume," but still a worshipper at the shrine of fashion, and more care- ful about the cut of his coat and the style of his whiskers than about the furnishing of his brains. The book has many clever epigrams and some powerful passages, a few, such as Tyrrel's death-scene, that are artistically fin- ished, and, though shallow as a whole, showed that there was power in the author. For his next novel, "The Disowned," Bulwer received 800, and for "Devereux," which soon followed it, 1,500. In 1830 he became editor of Colburn's " New Monthly Magazine." In "Paul Clifford," with its skilfully woven plot, a novel which was fiercely lashed by the moralists, Bulwer took a somewhat higher flight; but even yet his wings were not fairly fledged. It was in " Eugene Aram" that he first showed the mettle that was in him ; it was the first distinct print of the lion's foot. Being early interested in the story of his hero, he set to work to col- lect the particulars of his life ; and these he wove into BULWER. 57 a powerful and fascinating romance. In this story he has aimed to show what strange influences sometimes checker the web of life ; how a mind essentially noble, by deviating by an almost imperceptible angle from the path of virtue, may be gradually lured on till it is hopelessly entangled in the meshes of sin. Obsta principiis, " Resist begin- nings," is the moral which he preaches with fearful emphasis in every page. Do not dally with sin, or listen to the faintest suggestions of the tempter ; and rely upon it that, with whatever secrecy one may commit a crime, there is an avenging Fury tracking the blood-stained, which, sooner or later, will drag him and his sin to the light. Some critics have objected to the psychological truthfulness of Eugene Aram's portrait. Is it possible, they have asked, for a man to be betrayed into a dreadful crime at the very mo- ment when he is full of ardor for truth and virtue? Can a man harbor in his bosom a household devil in the shape of a consciousness of being a murderer without the whole mental atmosphere being made foul and poisonous? Those who ask these questions forget that Eugene Aram did not strike the blow which caused the death, and found, doubt- less, in this a plausible reason for his own self-justifica- tion. They forget that, morally as well as physically, we are "fearfully and wonderfully made;" that when man trusts to his reason alone, and suffers his instincts to be overmastered by his intellect, his better feelings to be cheated by the casuistries of the brain, there is no inconsistency of which he may not be guilty, no deed of horror which he ma}' not commit. The female characters in this work, especially Madeline and Ellinor, are regarded by Bulwer's admirers as masterpieces of portraiture. 58 MEN, PLACES, AND THINGS. Ill " Ernest Maltravers" and "Alice" we have some exquisite portraitures of character, especially of female loveliness ; and we well remember the almost breathless interest with which the inveterate novel-readers of our younger days hung over the pages of the former novel. Just before these appeared "The Last Days of Pompeii" and " Rienzi," two of Bulwer's most powerful historical romances ; and, some seven years later, " The Last of the Barons," which some critics have pronounced intolerably tedious and heavy, others, one of the most brilliant works of its class that ever was written. " Zanoni" and " Night and Morning," two of his purest and most imaginative fictions, added to his fame ; but it is in " My Novel" and "The Caxtons" that his genius takes its grandest flight, winging its way almost to the highest heaven of invention. In these productions the author puts forth all his strength ; they are the final development of his powers, the "bright, consummate flower" of all his faculties, the product of his genius in its happiest mood. They are marked through- out by that calmness which indicates the greatest strength, that simplicit}- and repose which are always found in a per- fect style. If they dazzle and astonish less than some of the author's other efforts, they are infinitely more pleasing; and if they do not abound in rapid adventures, or quicken the pulse with thrilling situations, culminating points ot passion, and romantic interest, they nevertheless idealize common life, transfigure lowl}' persons and objects, and show the poetic beauty as well as the soul of goodness which are to be found in the humbler classes of society. Among the most striking passages in " The Caxtons " are those relating to Robert Hall and to the benign influence of Christianitj' in soothing the sorrows of mankind, allu- BULWER. 59 sions which have opened to Bulwer's genius the door of many a heart that had been obstinately closed to it before. Of Bulwer as a novelist it must be said that, on the whole, he hardly ranks in the ve^ first class. Minute and acute in observation, possessing the rarest powers of descrip- tion and characterization, and exhibiting a versatility that is aUsolutely marvellous, he has talent rather than genius ; and rarely, even when he works his most potent spells, affects us like Scott or Dickens. He rarely takes our breath away as we follow his eagle flights, or makes the cordage of our heart to crack, like the great necromancers of English fiction. He is analytical rather than impulsive ; elaborate and circuitous rather than direct and concentrating. He has more fancy than imagination, more head that heart, and works by rule rather than from instinct. In reading even his happiest works, we feel that he is a novelist more by an effort of intellectual determination than by the pos- session of a gift that will not rest unexercised. A con- summate artist, he produces his effects by repeated touches, never by a few masterty strokes of the pencil ; and the constant succession of minute details at last wearies the eye, and palls on the mind. In one part of the novelist's art he is, indeed, a master; namel}', in the construction of a plot. His characters glide through the intricacies of his story without a suspicion by the reader of the denoue- ment, till the clew of his skill extricates them from the laby- rinth in which they are involved ; but they are generally pale phantoms, that leave no impression of reality upon the reader's mind, no feeling that they are men and women whom we have loved or hated or laughed at in the flesh. Everywhere the workmanship excels the stuff; it is rather 60 MEN, PLACES, AND THINGS. mechanical work than creation ; and the reader feels that there is more power and true philosophy of life in one fresh, vigorous, and strongly drawn scene of Fielding or Scott than in whole libraries of Pelhams and Paul Cliffords, where the art, however great, is not subtle enough to con- ceal the artist. "Was Bulwer a poet? His verse unquestionably has man}' poetical qualities, grace, inelod}', striking imagery, picturesqueness, but lacks that i3'sterious something, that divine afflatus, which we call poetr}'. The vigor, polish, and terseness of " St. Stephen's" would not dis- honor the masculine genius of Dryden ; " The Lost Tales of Miletus" have charmed scholars with their playful fancy ; and the translations from Schiller have been pro- nounced by Carlyle the ones from which an English reader will get the most vivid idea of the German poet. In satir- ical verse he is sometimes very happy. What could be better of its kind than the following? " He seemed to turn to you his willing cheek, And beg you not to smite too hard the other ; He seized his victim with a smile so meek, And wept so fondly o'er his erring brother, No wolf more righteous on a lamb could sup : You vexed his stream, he grieved and ate you up." Had Bulwer dramatic genius? Only in a moderate degree, if we have correctly analyzed his mental qualities. Besides the disqualifications already hinted at, he is too aristocratic in his tastes, has too little sympathy with humanity when rough and unpolished, to excel in dramatic writing. The men and women he loves to paint are ideal, not the flesh-and-blood men and women we brush against in the streets. Yet "Richelieu," in which Macready used BULWER. 61 to personate the Cardinal, is full of plot, fire, and en- erg}' ; and it will be long before "The Lady of Lyons," with all its absurdities, will lose its hold on the stage. It is said that there is not an actress there who does not prefer the part of Pauline to any other. A writer in the London " Pall Mall Gazette" tells an interesting anec- dote regarding this last play. Like man}' other literary men, Bulwer was anxious to test by anonymous publication ' the value of public opinion regarding this work, and there- fore "The Lady of Lyons" was brought out anonymously on the first night it was played. Excepting Macready, who was to personate Claude Melnotte, nobody had been al- lowed to know the secret of the authorship of the play. Be- tween the acts Dickens, who had been one of a delighted audience, went behind the scenes to talk over the play with Macready and Bulwer, congratulating Macready on his won- derful impersonation of Claude Melnotte. Dickens was in raptures with the whole thing, and asked Bulwer what he thought of it. Bulwer affected to find some fault with the plot, and suggested improvements here and there in the various situations. " Come, now," said Dickens, " it is not like you, Bulwer, to cavil at such small things as those. The man who wrote the play ma}* have imitated your work here and there, perhaps, but he is a deuced clever fellow for all that. To hear you speak so unfairly is almost enough to make one think that you are jealous." The papers the next morning lauded the play to the skies, even going so far as to suggest that it would be well for Mr. Bulwer to take pattern by this unknown writer, and try to improve himself in those particular points in which the anonymous author of "The Lady of Lyons "had been so brilliantly successful. About a fortnight later Bulwer's authorship of 62 MEN, PLACES, AND THINGS. the play was made known, to the mingled consternation and amusement of the critics and the general public. Was Bulwer an orator ? That depends upon our defini- tion of oratoiy. If by it is meant that rapturous enthusiasm, that burning passion, that " furious pride and joy of the soul " which calls up all the imagination of the speaker, and makes his rhetoric become a whirlwind, and his logic fire, then Bulwer was not an orator. Of the inspiration that prompted Chatham's indignant burst in reply to the Duke of Richmond, Thurlow's scathing answer to the Duke of Grafton, G rattan's overwhelming denunciation of Flood, or Erskine's sublime apostrophe on the trial of Stockdale, when he spoke of the " savage " in terms so startling and triumphant, Bulwer has hardly a spark. But if by oratory is meant simply the power of making an earnest, lively, polished, and interesting speech, full of ingenious turns and shrewd sense, then Bulwer was an orator, as his well-known speeches before the Edinburgh University and at Leeds abundantly show. Entering Parliament early, he speedily got the ear of the House, in spite of a weak voice, a rather florid stj'le, and a certain appearance of fastidious nicety in dress which by no means accords with the notions of that assembly. He did not often rise to speak ; but when he did, his speeches were carefully prepared, and had the dubious merit of reading well. On one occasion his speech on Lord Derby's Reform Bill in 1859 he rose to an unwonted pitch of eloquence; veterans in the House declared that it equalled anything they had ever heard at Westminster. But, generally, the chief fault of his speeches was their artificial'^. Not only was his voice most studiously modulated, and his excessive action carefully pre-studied, but his hair, his mustache, his BULWER. 63 dress and deportment, had an equally elaborate air. In spite of all this, his appearance on the platform was, on the whole, in his favor. Tall, spare, and attenuated, he presented a fine head and face, of which a long, aquiline nose, and a broad, retreating forehead were the most marked characteristics. The former feature was truly Dantean in length and shape, such a sign-post as Napo- leon would have gloried in. If, as some men think, extra- ordinary strength and persistence of effort are indicated by an elephantine proboscis, then Bulwer must have been a remarkable man. For lack of space, we have said nothing of Bulwer's his- tories. The startling vraisemblance with which he has re- produced the ancient Roman times, and breathed life into the skeletons of Herculaneum and Pompeii, as well as his vivid, scholarl}-, and well-studied " Athens: its Rise and Fall," show that had he concentrated his powers on some great period of history, he might have produced a master- piece worth}- to rank with the polished productions of Hume and Macau la} r . Had he concentrated his powers ! Here we have the secret of Bulwer's failure to attain the highest renown as a writer. Many-sidedness is fatal to fame. Had Bulwer written his novels only, or only " My Novel " and " The Caxtons," he would have excited less jealousy and de- traction, and his reputation as an author would have been greater. " It was said of Edouard Fournier : ' Get homme- la sait tout ; il ne sait que cela, inais il le sait bien ; ' yet Fournier remains an obscure litterateur." We live in an age of specialism. Universality of knowledge, encyclopedic culture, is held incompatible with solidity and depth ; and the man who, scorning the principle of the division of labor, 64 MEN, PLACES, AND THINGS. excels in a great variet}' of pursuits, must expect to hold only a secondaiy place in the estimation of his fellow-men. That Bulwer was aristocratic in his opinions and tastes, is known to every reader of his works. In two of his latest novels, the "Coming Race" and the "Parisians," which abound in keen, rapier-like thrusts at the vices, follies, and foibles of the times, he depicts the rottenness of French so- ciet}', and tries to show that health and salvation can come to it only through its aristocracy. But though "he ab- horred the politics of destruction and disintegration," his son declares that he was an ardent reformer wherever he rec- ognized a rational promise of practical improvement. The same tendency, we are told, induced in early life the dan- dyism which made him scrupulously careful of the cut of his coat and the fashion of his waistcoat. It has long been the fashion in some circles to sneer at Bulwer Lytton as a bundle of affectations, a mere dilet- tante. " His soul," says an enemy, " is not brave enough for truth." The fact probably is, that, as an apologist has suggested, he was brave enough to face any truth, but his policy held check upon his soul. He knew what a strong, bull-headed thing the world is, and he loved popularity too well to risk having it trampled down by hoofs. N. P. Willis, in his " Pencillings," says of him : " I liked his man- ners extremely. He ran up to Lady Blessington with the joyous heartiness of a boy let out of school ; and the ' How d' ye, Bulwer?' went round, as he shook hands with every- body, in the style of welcome usually given to the 'best fellow in the world.' ... I can imagine no st3*le of con- versation calculated to be more agreeable than Bulwer's, gay, quick, various, half-satirical, and always fresh and different from even-body else." At the farewell dinner BULWER. 65 given to Macready upon his leaving the stage, at which Bulwer was chairman, Charles Dickens thus spoke of the author of the " Caxtons : " "In the path we both tread, I have uniformly found him to be, from the first, the most generous of men, quick to encourage, slow to disparage, and ever anxious to assert the dignity of the order of which he is so great an ornament, ... a man entirely without the little grudging jealousies that so often disparage its brightness " (that is, of literature) . There must have been much that was noble in a man who could elicit such tributes as these. They are the more creditable to him, because his temperament was naturally sensitive and irritable, an ir- ritability which the constant overtasking of his faculties and his enforced confinement rendered morbid!}' acute. Like Milton, Goethe, and many other authors, Bulwer strangely mistook his strongest points, and set the highest value upon his poorest works. He often declared that he was content to rest his fame upon his " King Arthur," which few of his warmest admirers have read ; and he was greed}' of praise for his tyrical poetry, which won him little credit in the Old World or the New. u I have alwa}-s found," he sa3~s, " that one is never so successful as when one is least sanguine. I fell into the deepest despondency about ; Pompeii ' and * Eugene Aram,' and was certain, nay, presumptuous, about c Devereux,' which is the least generally popular of my writings." The great lesson to be learned from this glance at Bul- wer's life and writings is the precious value of persistency of effort, the only lever by which genius or talent can move the world. He teaches, as few men have taught, -the might and worth that lie in determined struggle and in- vincible perseverance. He did not carry the temple of 5 66 MEN, PLACES, AND THINGS. fame by a coup de main, like Byron and others who "woke up one morning and found themselves famous," but by slow sap and siege, pursued, against many tempta- tions to self-indulgent ease, through man} 7 weary years. Bulwer worked his way to distinction, worked it, though long tortured by ill-health ; worked it through failure, sneers, and ridicule. That nimbleness of the pen which enabled him to dash off a volume every year, was acquired only by long and arduous effort and stud3 r . Writing at first slowly and with great difficulty, he resolved, we are told, to master the stubborn instrument of thought, and mastered it. Some of his essays and what can be more exquisite than those of " Caxtoniana " ? were rewritten at least nine or ten times. Behold the results of his industr}', over seventy volumes, or more than one for ever}* 3'ear of his life ; and many of these upon subjects exacting long and careful research ! And how many hours, think 3*ou, he devoted to study, to reading and writing, to accomplish these prodigious results ? Not more, he tells us, than three hours a day ; and when Parliament was sitting, less than that. " But then," he adds, and this is the lesson, perhaps, which his life sounds in the ears of all literary laborers, " dur- ing those hours I have given my whole attention to what I icas about." ALEXANDRE DUMAS. the famous men who have died in Europe during the last quarter of a century, the great quadroon must be considered one of the most remarkable. He was cer- tainly, regarding his career from his own stand-point, one of the luckiest men that ever lived. Excepting his death, his life, to speak Hibernice, was one unbroken series of for- tunate events from the cradle to the grave. Blessed with an iron frame that could bear any strain of toil or dissipa- tion, and a brain of lignum-vitae toughness as well as in- exhaustible fertility, he went on coining his thoughts and feelings into napoleons to an extent that lias scarcely a parallel in modern literature, and reminds one of the feats of magicians in the Arabian tales. Indeed, there was something Oriental in the whole constitution of the man, not only in the necromancy with which he conjured fabulous sums from his inkstand, but in his gigantesque ph}*sique, his tropical imagination, his superhuman bodily and mental feats, his vast expenses, his profuse liberality, and his dar- ing profligacies. That he did not break down under labors at which Lope de Vega would have stood appalled, and to the very verge of threescore and ten could snap his finger at a ten-volume romance as a bagatelle, is a physiological enigma which may challenge the genius of a Dalton for its solution. From his earliest childhood Dumas exhibited the natural instincts of his African blood, an intense love of physical 68 MEN, PLACES, AND THINGS. display, an extraordinary aptitude for bodily exercise, and the love of an East Indian for everything that might be viewed as a feat. The feeling was purely hereditary, his father, the Republican General, having been notorious for the same passion. In his Memoirs Dumas tells us that his father had great physical strength, but though he was five feet nine inches (French) high, had the hand and foot of a woman. <; His foot, in particular, was the despair of his mistresses, whose slippers he was rarely unable to wear. At the epoch of his marriage his calf was exactly the size of my mother's waist. His wild mode of living had devel- oped his address and his strength in an extraordinary man- ner. As to his muscular force, it had become proverbial in the arm}'. More than once he amused himself in the riding- school, while passing under a beam, by taking this beam between his arms and lifting his horse off the ground be- tween his legs." We are further told that if he found a sergeant cheating the bivouac of its ennui by holding be- fore his admiring inferiors a musket by the barrel, at full stretch, the exhibition would rouse at once the lurking devil of display in the dark-skinned General, who would proceed at once to demonstrate his own superiority. Not content to rival the subordinate, he would dwarf him into insignifi- cance, quadrupling the difficulty b}~ a new and overwhelm- ing combination, wherein a series of muskets were seen to protrude in a direct and undeviating line of rigidity from the iron fingers of the performer ! Martial feats were achieved by this African Ajax which make the story of Horatius Codes insipid. In a chance encounter with a troop of Austrian cavalry in a narrow pass, General Dumas, alone, threw his giant bulk " full man}' a rood" across the path ; fired his duelling-pistols with the rapidity and death- ALEXANDRE DUMAS. 69 like accuracy of modern revolvers ; and, one horseman still remaining unscathed, while, unfortunately, our hero missed his sword at this critical moment, he thanks to a fertile brain most dexterouslj' terminated the struggle by whisking his adversary from his saddle, transferring him crosswise to his own, backing out of the melee, and return- ing triumphant and unmolested to his own outposts ! At another time, commanding as a brigadier a look-out party of four dragoons, he fell in unexpectedly with an enemy's patrol composed of thirteen Tyrolese chasseurs and a corporal. He instantly charged them, and pursued them as they retreated into a small meadow surrounded by a ditch wide enough to stop cavalry. Clearing the ditch on his spirited horse, he found himself in an instant in the midst of the thirteen chasseurs, who, stupefied by such har- dihood, presented their arms and surrendered ! The con- queror collected the thirteen rifles into a single bundle, placed them on his saddle-bow, compelled the thirteen pris- oners to move up to his four dragoons on the other side of the ditch, and, having repassed the ditch with the last man, brought his prisoners to headquarters. Credat Judceus Apella! will be the exclamation of the American reader at this exploit, which, as a British reviewer says, has no parallel except that of the Irishman who, single-handed, took four Frenchmen prisoners by surrounding them ! Thus descended and thus organized, Dumas the son began his giant labors, performing feats of literary execu- tion that almost stagger credulity. Had he husbanded his strength, instead of burning the candle at both ends, he might have continued dashing off plays, novels, and his- tories even into the nineties, and rivalled in the number of his works the Roman author whose body was burned on a 70 MEN, PLACES, AND THINGS. funeral-pile of his own productions. As it was, however, he died at a good time, except that Paris was too deeply absorbed in matters of graver and more pressing interest to think of the dying romancer who had exhausted his ener- gies in ministering to her amusement. Amid the shock of arms, his death failed to create that sensation the prospect of which would have been to him its chief compensation. Yet he had the happiness to preserve his illusions almost to the last ; and when he had sucked out of life all its sweet- ness, and the crowd was already beginning to turn to other idols, he passed awa}*, fancying that publishers and direct- ors were still thronging his antechamber as in the good old time, and that new romances from his pen were coveted as greedily as when his genius was in its prime. Of all the romancers of the nineteenth century, Dumas will certainly rank in future histories of literature as the most prolific, if not as the most charming. Since Lope de Vega there has been no one who could compare with him in rabbit-like fecundity ; Scott and Balzac were barren in comparison, and " solitary horseman " James utterly dis- tanced in the race of the pen. Writing at all hours, by night and by day ; thinking always of to-morrow, never of 3*esterda}' or to-day ; reading nothing which he had written ; with a thousand literary projects fermenting in his brain, he reminds one of those blast-furnaces which have but one day of repose in a year. While dashing off one novel, plans of a dozen new ones were revolving in his brain ; as soon as one romance or vaudeville had burst the shell, another was hatched, and clamorous for disclosure. It is rarely that even in France one meets with so great a writer espe- cialty so consummate an artist as Dumas confessedly was whose parturition is so easy. Generally, men of genius ALEXANDRE DUMAS. 71 are slow and laborious in composition, for the very reason that the fertility of their minds supplies a superabundance of thought, and their high standard of taste renders them fastidious in the choice and perfection of their materials. But Dumas, with all his marvellous fertility of invention, was never troubled with the "embarrassment of riches;" gestation followed instantly upon conception, and no envi- ous Juno, to use Milton's phrase, "sat cross-legged over the nativity of his intellectual offspring." Writing, some years ago, to a Belgian journal to excuse himself for his delay in furnishing the second of a promised series of ar- ticles, he coolly sa}'s: "In that eight months I have written something like thirty volumes." On reckoning them up, however, he finds that he has understated the number. " Bon ! " he exclaims, with exquisite sang- froid ; "you see that it turns out there are thirty-seven volumes instead of thirty : fespere queje suis beaujouer!" Only Dumas could have written those volumes in that time ; only Dumas could have spoken of the feat in that tone of superb carelessness. " I have written something like thirty volumes, and, on reckoning, it turns out that I forgot seven, a mere bagatelle ; the affair of a couple of idle mornings ! " This fierce haste, this agile skimming of the streams of fiction, the enemies of Dumas declare, argue but little for depth. It is a marvellous exhibition of speed, but it is the speed of the swallow : sixteen hours on the wing, a pro- digious exertion of muscular power, but unfortunately dis- played in the pursuit and capture of flies ! Doubtless this is true of the great majority of Dumas' feats. Oblivion will devour ninety-nine hundredths of his works ; but who can doubt that the rest will escape the jaws of Time ? If all 72 MEN, PLACES, AND THINGS. the others are melted in Time's crucible, we believe that " Les Trois Mousquetaires," " Vingt Ans Apres," and "Monte Christo" will come out of the melting-pot un- scathed ; indeed, it may be doubted whether they will not be read as long as any other fictions in the French lan- guage. "In point of plot," says a competent English critic, "these romances are on a par with 4 Don Quixote ' and 4 Gil Bias ; ' in point of incident, situation, character, animated narrative, and dialogue, the} 7 will rarely lose by comparison with the author of l Waverle}*.' Compare, for example, the scene in ' Les Trois Mousquetaires' be- tween Buckingham and Anne of Austria, with the strik- ingly analogous scene between Leicester and Elizabeth in fc Kemlworth.' " Many anecdotes are told illustrating the fearless self- reliance, the prodigious activity, and the almost incredible power of sustained exertion, of Dumas. One of his many astonishing tours de force was the composition of a complete five-act drama within eight daj's ; another, the editorship of a daily journal, " Le Mousquetaire," with an understanding with his subscribers that the contents should be supplied wholly by his pen. Lamartine, who was one of the subscribers, being asked, after this task had been faithfully performed for two months, what he thought of Dumas' journal, replied : "I have an opinion of human things ; I have none on miracles : you are superhuman. M}' opinion of 3*011 ? It is a note of exclamation ! People have tried to discover perpetual motion. You have done better ; j'ou have created perpetual astonishment." The truth is, Dumas was an improvisator e. Nature, along with a herculean frame and the other gifts which she lav- ished so profusely on this enfant gdte^ had endowed him ALEXANDRE DUMAS. 73 with a prodigious memory and a power of assimilation almost beyond belief. A striking instance of this latter faculty is given by one of his secretaries, Albert AVolff, in a recent number of the Independance Bdge. 1 4 One morning, at breakfast," says the writer, "I spoke to him of Hum- bold t's 4 Cosmos,' which had just appeared. He took the book, and ran over it for ten minutes; some days after there appeared in ' Monte Christo ' a scientific conversation, in which Dumas spoke of science as if he had never been occupied with anything else ! " It was this marvellous faculty of entering into the skin of another man which was the secret of his love for collaboration. A word dropped accidentally in a conversation, a hint of a play or novel given him b}' a vulgar workman, sufficed to fire his imagi- nation ; his brain was a vast furnace which absorbed the most useless materials, and transformed the coarse mineral into fine metal. Every one brought to him whatever he had found in his path, whether a pebble or a handful of dirt, this one lead, that one iron or copper ; all went into the furnace, which swallowed all, and returned in exchange a romance, a drama, or a comed3'. From the merest chance-mcdle3 r of dates, from the most insignificant fact, the most unmeaning character, the artist could extract colors for his palette, matter for his page, and amusement for his reader. The rapidity with which a dramatic seed-thought germi- nated in his volcanic brain is well illustrated by an incident related by M. Wolff. " One day after dinner," says the writer, "I gave Dumas a hint of a piece in one act. It was the merest hint, and a very poor one at that. The next morning, after breakfast, the master said to me : c I am going to read to you a little piece which I have written 74 MEN, PLACES, AND THINGS. in the night.' And he read to me, in fact, one of his most charming comedies in one act : it was the idea I had sug- gested ; but how transformed and embellished by his mag- ical genius ! He had preserved but the starting-point, the little nothing, the match that served to set ablaze the furnace whence came forth, at dawn, one of the most spirituelle little plays of Dumas' repertory." It was, of course, physically impossible that Dumas should pen all his eight hundred volumes with his own hand ; and hence the reports that he robbed his assistants of the credit which belonged to them, that they were the real authors of most of his publications, he having only contributed a masterly touch here and there, with the name on the title-page. One of these collaborateurs, M. Maquet, claimed that he had had a large share in composing the best of Dumas' works, and even convinced some critics of the justness of this pretension. M. Wolff' flatly contra- dicts all these charges, and shows that all the works of the great quadroon are distinguished b}' an unmistakable in- dividuality. It was Dumas who gave to their unfinished pieces " the life and the movement which made their for- tune ; ' and one has only to compare the works written conjointly with him, with those which his co-laborers pro- duced unaided, to see that, though the}' might have moulded the limbs of his statues, he onty could breathe into them a living soul. " Maquet," sa}-s a writer in the 4t Quarterly Review," " was avowedly employed by Dumas for twentj r }*ears to hunt up subjects, supply accessories, or to do for him what eminent portrait-painters are wont to leave to pupils ; namel}', the preparation of the canvas, the mixing of the colors, the rough outline of the figures, or the drapery. That Maquet was capable of nothing better or ALEXANDRE DUMAS. 75 higher, was proved by his utter failure as a novelist when- ever, both before and after the alleged partnership, he set up for himself." The charge of plagiarism is one that is brought against authors upon pretexts so silty, that upon intelligent men it makes little impression. It is perfectly understood by all persons who are familiar with literary biography that orig- inality, as some critics define it, is an impossibilitj-. The greatest and most imperishable authors are not pure in- ventors, but have all borrowed from their predecessors. Shakspeare, Virgil, and Dante are debtors, to an incalcu- lable extent, to the thoughts and verses of not only the great poets, but also of the army of obscure and unknown poets who preceded them. Homer could never have written the Iliad but for the nameless crowd of rhapsodists, who had wrought out a poetic language and depicted the deeds of the heroes in rough popular songs. If any Greek thinker was absolutel}' original, it was Socrates ; }'et his great dialectical " elenchus," the conception of negative argument, or the reducing of an opponent ad absurdum, has been traced to Parmenides and Zeno. As Newton could not have been Newton without the labors of Kepler ; as Watt could not have invented the steam-engine if it had not been half invented by numerous predecessors ; so the poet is not a creator, but a simper of the thoughts and emotions that delight us in his works, thoughts and emo- tions derived from innumerable sources. Sir Joshua Rey- nolds says, and says truly, that it is by being conversant with the thoughts of others that we learn to invent, as by reading the thoughts of others we learn to think. The water which is poured into a dry pump brings up the deeper water of the well. Virgil borrowed from Homer, Ennius, 76 MEN, PLACES, AND THINGS. Lucretius, Catullus, Attius, Lucilius, Naevius, and many other poets. The most striking incidents of the second book of the JEneid the story of Sinon, the legend of the wooden horse, the death of Priam, the untimely fate of Ast3'anax, the loss of Creusa, and the subsequent fortunes of Helen were derived from two Cyclic poems, the Sack of Troy, and the little Iliad of Arctinus. The legend of Laocoon was taken from the Alexandrian poet Euphorion. Horace profoundly studied the epic, dramatic, and lyric poets of Greece, and imitated, adapted, and paraphrased their sentiments, epithets, and phrases, borrowing ideas and inspiration from Homer, JEschyltis, Euripides, Sophocles, and especiallj' from Pindar, Alcaeus, Anacreon, Sappho, and Tyrtaeus. Pope Gregory the Great is said to have burned the works of Varro, a writer of prodigious erudi- tion, that Saint Augustine might escape from the charge of plagiarism, the saint, who was a great admirer of his learning, being deeply indebted to Varro's " Antiquitates Divinarum Rerum " for much of his (Augustine's) great work, " The City of God." Coleridge took the inspiration and the framework of his noble " Hymn to Chamouni" from Frederica Brun. Paley borrowed the well-known illustration of the watch, with which he begins his "Natural Theology," together with the plan and all the leading arguments of that work, from Nieuwent3*t, a Dutch philosopher, whose work, designed " to prove the existence and wisdom of God from the works of creation," was published in Amster- dam in 1700, and translated into English in 1718-1719. The watch has even been traced to Matthew Hale. Milton is now accused of borrowing much of his epic from another Dutchman. Goldsmith's " Threnodia Augustalis," in mem- ory of the mother of George III., informs the reader that ALEXANDRE DUMAS. 77 " Faith shall come, a pilgrim gray, To bless the turf that wraps her clay ; And calm Religion shall repair, To dwell, a weeping hermit, there." With the exception of a few words, these lines are copied literally from a well-known ode of Collins. " Glory should follow, not be run after," says Pliny the Younger. The same thought appears in a well-known speech of Lord Mansfield. Voltaire's " L'Ermite" in " Zadig" is a para- phrase of Parnell's poem. Balzac incorporates into one of his novels an entire chapter from Bulwer's " The Dis- owned." Bulwer, again, took the germ of many of the thoughts in "The Student" from Hazlitt, and " conveyed" one of the finest scenes in "Paul Clifford" (that of the trial, where the judge is the criminal's father) from Mrs. Inchbald. In " Zanoni" he has gathered so many ideas and sentiments from Plato, Schiller, Richter, and Goethe, that some critics have called the work a compilation, and almost intimated that if he were stripped of his pilferings, he would " stand before the world like our first parents, naked, but not ashamed." Nearly all the thought in Chal- mers's famous "Astronomical Discourses" is said to have been borrowed from Andrew Fuller's " The Gospel its own Witness." Dr. Johnson's " London," written in imitation of the Third Satire of Juvenal, owes some of its best passages to a previous version by Oldham. Sheridan was indebted to Farquhar for his "Trip to Scarborough," and Fielding's Tom Jones and Blifil unconsciously suggested the Charles Surface and Joseph Surface of the " School for Scandal." Burgoyne, in " The Heiress," borrowed an image of Ari- osto's and Rousseau's, and Byron, an unhesitating thief of ideas, used it in his Monody on Sheridan : 78 MEN, PLACES, AND THINGS. " Sighing that Nature formed but one such man, And broke the die, in moulding Sheridan." Scott copied a scene in " Kenilworth " from the "Egmont" of Goethe. A writer in the "Atlantic Monthly" accuses Owen Meredith of u conveying" in his "Lncile" not only the situations, but whole pages of the most animated epigrammatic dialogue, word for word (except where the exigencies of rh\'me or metre exact a deviation from the original), from " Lavinia," an old and half-forgotten tale by George Sand. In view of these facts it is useless to accuse Dumas of borrowing his materials from a hundred originals ; the question is, Did he borrow in forma pauperis, or did he repay what he borrowed with compound interest? Did he return the grain which went into his mental mill as corn, or did his powerful and active mind grind it into flour? Does what he appropriates from others become so mingled with his own creations as to form with them a homogeneous whole, or does it lie " like lumps of marl upon a barren moor, en- cumbering what they cannot fertilize " ? In spite of all the defences of Dumas, ingenious as they are, it seems to us that while many of his literaiy appropriations are legitimate, many others are unjustifiable larcenies. Great as he was in everything, he was immense in plagiarism. In helping himself to other men's literary property, he seems to have had no delicacy or scruple. From the cool, unblushing bodily appropriation of an entire tale or novel, to the avowed reproduction of certain chapters, and the perpetual unavowed transference of plots, scenes, images, and anec- dotes to his own multiform pages, this Briareus of fiction was the boldest, most unscrupulous, and most wholesale of literary borrowers. It was said of Horace that, numerous ALEXANDRE DUMAS. 79 as are bis imitations of the Greek poets, they are never mere plagiarisms or purple patches, but are made so com- pletely his own, and are invested with so much noveltj' and originality, that, when we compare them with the originals, we derive additional gratification from the resemblance. The very contrary is true of a large proportion of Dumas' borrowings. He resembled not so much the broom-maker who stole the materials, as the one who stole the brooms ready made. He used to boast that, like Moliere, he re- possessed himself of his property wherever he found it, and if charged with theft, he simply laughed. In " Con- science T Innocent," he took two entire chapters from a novel of Conscience, the Flemish novelist, repaying him for the theft by taking his name for that of his hero ; and also u conveyed" half a volume from Michelet's " Peuple," dedicating the book to his victim, and begging him not to claim all that it contained as his own ! Of another romance, " Le Pasteur d'Ashbourn," two entire volumes out of four were " repossessed," with trifling alterations, from Augus- tus Lafontaine, whose novel, "Family Pictures," the great French romancer swallows in his own pages with as little compunction as a boa-constrictor would swallow a goat! When accused of the theft, he indignantly repudiates the charge. Petty thieves, he protests, are guilty of stealing ; not so with the Alexanders and Napoleons of letters, like himself. Mighty conquerors, they invade the domain of other authors, and annex to their own whole realms of thought ! THE WEAKNESSES OF GREAT MEN. The greatest clerks ben not the wisest men. CHAUCER. r I "HE imperfection of human nature, even in its noblest * specimens, is known to every student of biography. Not only the brown ware of humanity, but its porcelain, betrays strange rents and chips, cracks and flaws, which are so much more glaring in the one case than in the other as almost to reconcile the humbler ware to its unenamelled condition. In every civilized country, and in every age of civilization, we find philosophers without practical talent or knowledge, poets without feeling, moralists without principle, philanthropists who are domestic tyrants, and scientists who are victims of the grossest delusions. Yet these very weaknesses of great men are often the traits of character which have the most interest for the student of human nature ; and it is to supply the demand for such in- formation that diaries, letters, chronicles, and loose scraps of eveiy kind are ransacked by biographers, who consider no personal details, however minute or homely, as value- less tha will flash light upon character. These details, which in narratives of great public affairs were once thought to be beneath ' ' the dignity of history," are now sought for more eagerly, and read with keener zest, than the pages in which this disagreeable dignity is stiffl}* and imperiously maintained. The Roman historian who dep- THE WEAKNESSES OF GREAT MEN. 81 recates the censure of his readers because he tells them who it was that gave music-lessons to Epaminondas, and informs them that the Theban general danced gracefully and played finely on the pipe, would have no occasion to apologize to-day. It is just such facts which the modern reader prizes. That Julius Caesar was the greatest general of his age; that he conquered Gaul, defeated Pompej*, and became "the foremost man of all the world," are facts undeniably of great moment ; but, as it has been well said, "they are, after all, only the dry bones of history." The general reader is much more interested to learn that he was a tall, pale-faced, soft-skinned man, with dark, spark- ling eyes, and subject to head-complaints and epilepsy ; that he was bald, for which his soldiers jeered at him in his G allic campaigns ; that he tried to hide this defect by bringing forward his hair ; that of all the honors conferred upon him by the Senate, that which most delighted his heart was the right of continualh* wearing a laurel-wreath around his brows, thus partiall}' concealing his defect; that, though he shaved carefully, and was fond of jewels, he was, in youth, at least, very careless of dress, in ref- erence to which Sylla urged the aristocracy to beware of that " ill-girt boy" (puerum male prcecinctitm) ; that he spoke in the Senate with a shrill voice and used much gesture, but with great gracefulness ; that in his military expeditions he slept in chariots or on litters, making, as Plutarch says, even his repose a kind of action ; and that, being once, on a journey, compelled by a storm to seek shel- ter in a poor man's hut which had but one chamber, and that hardly large enough for one person, he bade Oppius lie down, while he slept in the porch. So with the Caesar of the nineteenth century. However keen the tingling inter- 6 82 MEN, PLACES, AND THINGS. est with which we watch his victories, and whatever our admiration of his Code and the other products of his genius, it is the Napoleon of Las Cases and O'Meara, of Bour- rienne and Madame de Remusat ; the Napoleon pictured by Sir Neil Campbell in his cabinet at Fontainebieau, dressed in his old green uniform, with gold epaulets, blue breeches, and red- top boots, unshaven, uncombed, with particles of snuff scattered profusely upon his upper lip and breast, impatiently pacing the length of his apartment, and shrink- ing in his soul from his fate, that most profoundly inter- ests us. To say that such details are mere tittle-tattle and gossip ; that the taste for them is a petty taste, the taste of valets, is simpl}* to denounce one of the instincts of our nature, the instinct which, as Moore says, " leads us to contemplate with pleasure a great mind in its undress, and to rejoice in the discovery, so consoling to human pride, that even the mightiest, in their moments of ease and weakness, re- semble ourselves." But, in truth, these personal matters are not mere tittle-tattle and gossip. Our interest in them is due not simpty to the instinct of which Moore speaks, but also to the consideration that they have often influ- enced the destinies of nations and the world. Who does not know that the history of the Roman empire might have been wholly different from what it was if, at an intensely critical period, the royal diadem of Egypt had not been placed on the brows of a woman of the most marvellous accomplishments, and mistress of the most witching arts of pleasing, persuading, and seducing, a sorceress whose chain u Around two conquerors of the world was cast, But, for a third too feeble, broke at last ; " THE WEAKNESSES OF GREAT MEN. 83 and that the religious Reformation in England might have been delayed for many a year, though it could not have been averted, had not the " Gospel light first beamed from Bullen's eyes"? The pedants who scorn what they call the ' ' gossip of history" forget that character manifests itself in little things, just as a sunbeam finds its way through a chink. The jest-book of Tacitus ; the medicated drinks of Bacon, and the entry in his diary " to have in mind and use the Attorney-General's weakness ; " the guitar of Luther ; the preparatory violin of Bourdaloue ; the inspiring damsons of Dryden ; Voltaire's fifty cups of coffee a day ; Byron's gin ; and the fanc}'-lighting scarlet curtains and rotten apples of Schiller, all these are " biography in hierogly- phics, the errata of genius that clear up the text." It is doubtless true that the publication of such facts tends to lessen hero-worship. It is not easy to preserve our rev- erence for genius while spying out the secrets of its do- mestic life. But what can be more significant than these trifles, which sometimes illuminate character more than the most elaborate portraiture? It is not in natural history only that a Cuvier may find scope for his genius ; biog- raph}' has its comparative anatomj*, and a saying or a sen- timent enables a skilful hand to construct a skeleton. It is for this reason, quite as much as from a love of gossip, or because ' ' the defects of great men are the consolations of dunces," that the accounts of personal traits are read with such avidity in biographies ; that people dwell with such a feeling of piquancy on the reputed gloominess of Moliere, the fatness and laziness of Thomson, the silence and shyness of Gray, Pope's irritability and after-dinner 84 MEN, PLACES, AND THINGS. nap, Goldsmith's vanity and delight in low company', Dtyden's fondness for snuff, Hobbes's habit of locking him- self up to smoke and think all day with his shutters closed, and of carrying in the head of his cane, when he walked, a pen and an inkhorn, as well as a note-book in his pocket, that he might not lose a thought, and the conversational povert} T of Cowley, Hume, Descartes, Rousseau, Moliere, and La Fontaine. That subtle critic, Sainte-Beuve, declares that to become acquainted with a man you must ask yourself a certain number of questions, and answer them satisfactorily; otherwise you cannot be sure of possessing him entirely. Among these questions are the following : What was he in his dealings with women, and in his feelings about money? What was his regimen? What his daily manner of life? What was his besetting vice or weakness ? for every man- has one. There is not one of these questions, Sainte-Beuve asserts, that is without its value in judging an author or his book, unless it is a treatise on mathematics. To know, therefore, that Tasso found inspiration in malmsey, Sheridan in madeira, and Byron in gin, grog, and laudanum ; that Burns sometimes saw two moons from the top of a whiskey barrel ; that Coleridge had to be dogged by an unemployed operative to keep him out of a druggist's shop ; that Bos- well's scrofulous hero stood in the rain to do penance for disobedience to his father, and had a trick of touching the door-posts as he walked, and of picking up and treasuring pieces of orange-peel ; that Robert Hall charged a lady to inculcate in her children a belief in ghosts ; that Locke carried a note-book in his pocket to catch the scintillations of every common conversation ; that the little crooked thing that asked questions, drank tea by stratagem, and THE WEAKNESSES OF GREAT MEN. 85 translated the Iliad on the backs of old letters, always kept a candle burning at his bedside in order that, if a happy thought struck him in the night, he might spring up at once and note it down ; that Carlagnulus, as his friends endear- ingly called the gentle, stammering Lamb, took too much egg-flip hot, and found in tobacco "his morning comfort and his evening curse ; " that Byron shaved his brow to make it seem higher than it was, ate only a little potato and vinegar at a literary dinner to give the impression that he was abstemious, and afterward was found gorging himself at a restaurant ; that Salmasius, the champion of kings, shivered under the eye and scourge of his wife ; that Sobieski, who saved Vienna from the Turks, brought rid- icule, by a similar subjection, on his illustrious name; and that Napoleon, who played for a world, could cheat one of his own officers at whist, to know all these facts not only gratifies a natural curiosity, and enhances the charm and picturesqueness of biography, but gives us a deeper insight into character than any other method but these unconscious self-revelations will afford. Such personal details have been compared to u those pen-and-ink sketches of Leech, where the whole character of a man is condensed in a single stroke of the pencil." What would we not give for a few such items about Homer or Shakspeare? Here let us note that the gossip of biography, if it tends to lower some great men in our esteem, helps, on the other hand, to exalt others. The private characters of authors, while they sometimes destroy the illusion caused by their books, sometimes also neutralize the repelling impressions made by their works. The Count Joseph de Maistre, for example, the great Ultramontanist and champion of the Catholic Church, defends the Inquisition and proclaims 86 MEN, PLACES, AND THINGS. the hangman the keystone of the social edifice. He declares that the English Church is among Protestant Churches like the orang-outang among apes. He deliber- ately asserts that contempt of Locke is the beginning of wisdom, and that the title of the " Essay on the Human Understanding," which is dry as the sands of Libya, without the smallest oasis, is a misnomer, and that the true title would be "An Essay on the Understanding of Locke." He pronounces Bacon a charlatan, and the " Novum Organum" simply worthy of Bedlam. It would be hard to name another writer of equal genius who con- tinually startles his reader with so much dogmatism, il- Hberality, prejudice, and arrogance in his principal works ; and yet his letters to the members of his family, to the Protestant lady Madame Huber, and others, letters man}' passages of which Madame de Sevigne might have envied, abound with evidences of a genial, loving nature, of candor, liberality, and Christian charity. His corre- spondence clearl}' shows that, as Sainte-Beuve has happily suggested, his fierceness, his bursts of sarcasm, his raillery, transpired, so to speak, only in the upper region of his in- tellect; that they were the sallies, the flashes, and, as it were, the thunderbolts of talent, of a talent too rich, su- perabundant, and solitary. With what kindly pleasantry he speaks in one of his letters of his attack on Bacon : "We have boxed like two strong men in Fleet Street; and if he has pulled out some of my hair, I am quite sure that his wig is no longer in its place ! " Having thus shown the interest and value of such details, let us proceed to consider some of the most noteworthy weaknesses and follies of great men. It is a popular notion that such men are always modest ; but, in spite of the THE WEAKNESSES OF GREAT MEN. 87 assertions of " goody " books, the truth is that the great majority of famous men have been not only conscious of their ability, but ready to proclaim that consciousness to the world. Cicero's chief weakness was a girlish vanity ; he had an insatiable desire for human applause : }'et he says that " if ever a man stood at the utmost remove, both , by his natural disposition and by the conclusions of his judgment and reason, from the vainglorious desire of the praise of the vulgar, I think I may truly say that I am that man." "I spoke with a divine power in the Senate," he writes one day to Atticus ; " there was never anything like it." Epicurus wrote to a great minister: "If 3*011 seek glory, nothing will secure it so effectually as the letter I am writing." William Rufus had the hardi- hood to say that "If he had duties toward God, God had also duties toward him." Not less irreverent and egotistic was the thought of Alfonso the Wise, of Castile, who, after drawing up his astronomical tables in accordance with the scientific theories of the day, and placing the earth in the centre of the universe, observed that, had he been consulted, he should have placed the sun in the centre. A famous French law} T er, Charles Dumoulin, used to write at the top of his opinions : " I, who yield to no man, and who have from no man anything to learn." Messieurs Gaulmin, De Maussac, and Saumaise (the " Salmasins" of Milton), being together in the Royal Library of Paris, "I think," said Gaulmin, " that we three can match our heads against all that there is learned in Europe." To this Salma- sius replied : " Arid to all that is learned in Europe yourself and M. de Maussac, and I can match my single head against the whole of }*ou." Balzac (Jean-Louis de) was so intensely vain that he always took off his hat when he 88 MEN, PLACES, AND THINGS. spoke of himself, which, his contemporaries said, ac- counted for his frequent colds in the head. Explaining why he had not married, "I do not want," said he, " to be obliged to count every da}' the hairs of my wife, in order to feel quite sure that she is faithful." Voiture was a vintner's son, and was so mortified by anj" reminder of his early occupation that it is said that wine, which cheered the heart of other men, sickened his. Rousseau, "the self-torturing egotist," was a cobbler's son, and was so ashamed of his humble birth that when his honest father waited at the door of the theatre to congrat- ulate him on the success of his first play, the son repulsed his venerable parent with insult and contempt. When Rousseau was in the full bloom of his celebrity in England he went to see Garrick act. It was known that he was to be there, and the theatre was crowded by persons who desired to see him. Rousseau was greatly pleased. But Mrs. Garrick, who sat by him, afterward reported to her friends that she had never passed a more uncomfortable evening ; for the recluse philosopher was so very anxious to display himself, and hung so far forward over the front of the box, that she was obliged to hold him by the skirt of his coat, that he might not fall over into the pit. The poet Akenside always regarded his lameness as an insup- portable misfortune, since, having been caused by the fall of a cleaver from one of the blocks of his father, a butcher, it continually reminded him of his origin. The inscription under Boileau's portrait, extolling his character with praise " thick and slab," and expressing his superiority to Juvenal and Horace, is unfortunately known to have been written bj T Boileau. Chateaubriand's enormous vanity is well known. Talleyrand said that the author of the " Genie du THE WEAKNESSES OF GREAT MEN. 89 Christianisme" lost his sense of bearing about the time when the world left off talking of him. Let us remember, however, to the credit of Chateaubriand, the fact we have alread}' stated, that after Napoleon's murder of the Due d'Enghien, he refused to serve the power that could do an act so brutal. Queen Elizabeth, who had a hard face, full of harsh lines, a hooked nose, thin lips, bad teeth, and sandy hair, had an intense admiration for her own fancied beauty. She was especially proud of her narrow hands, with their long fingers. Before compa^' she was continually pull- ing her gloves off and on, and her fingers were decorated with rings and precious stones, in order to call attention to their symmetry. Sir Robert Naunton tells us that her wonted oath was " God's death;" but she had an abundance of others, and swore with an energy becoming her character. Milton loved to contemplate his own person, and four iambics express his indignation because the engraver of his portrait did not reach the epic poet's " ideal grace." When a poet who had written a cantata for Handel had the temerity to say that the music did not fitly express the meaning of the words, " What ! " burst out the wrathful composer, "my music not good? It is good, very good ! I tell you that it is your words that are good for nothing ! Go, and make better words for my music ! " It is said of the late Richard Wagner that he expected every visitor to his " Wahnfried" to offer him a tribute of well-coined compliments ; and he would let you know, in a tone of gentle reproof, if he thought that the tribute fell short of what was due. He loved to dazzle ; and when he travelled, the courier who preceded him, engaged, if possi- ble, the suites of apartments in leading hotels which are generally reserved for crowned heads. At his villa in 90 MEN, PLACES, AND THINGS. Ba3'reuth he collected a vast number of fine things presented to him by his admirers ; and among the tokens of their affection was a huge mausoleum, in gra}' granite, which adorned a corner of his garden, and bore his name carved in deep letters. "I shall be buried there," Wagner used to say. In speaking of this tomb, Wagner often referred to a grandiose march which he had composed for his own obsequies ; but it was not to be performed unless it could be rehearsed during his lifetime. " And how can it be rehearsed," he would say, "without overwhelming rm~ wife and children with grief ? " Sir Peter Lety's vanity was so noted that a malicious wag, wishing to see how large a dose of flattery he would swallow, told him one day that if the Author of mankind could have had the benefit of his opinions upon beaut3*, we should all have been materially improved in personal appearance. "For Gott, sare," echoed Sir Peter, " I believe you're right ! " Sir Godfrey Kneller, as he lay upon his death-bed, dreamed of distinc- tions in heaven, and very complacently reported to his friends the effect his name produced when announced at the august portals: " As I approached, Saint Peter very civilly asked my name. I said it was Kneller. I had no sooner said so than Saint Mark, who was standing just b}', turned toward me and said with a great deal of sweetness, i What ! the famous Sir Godfrey Kneller, of England?' 4 The very same, sir,' says I ; ; at your ser- vice.' " The vanity of Ben Jonson is well known. When he visited Drummond of Hawthornden, his free and easy manners and swaggering conversation, his magisterial opinions, broad jests, impatience of contradiction, and fond- ness for the cup, disgusted the shy sonneteer, who set down his private impression of old Ben in a few pithy THE WEAKNESSES OF GREAT MEN. 91 words, which have stuck like a barbed arrow in his reputation. The dramatist was always bearding his cen- sors in his plays, or in their prologues or epilogues. In one of his prefaces he calls the public " that many- mouthed, vulgar dog ; " and in some lines appended to the 41 Poetaster" he speaks of his as a " most abstracted work, opposed To the stuffed nostrils of the drunken rout." Lawrence Sterne was an intense egotist. His first act on entering a drawing-room was to take from, his pocket a new volume of ''Tristram Shandy " and read from it to the company. A similar weakness characterized Words- worth, who was indifferent to every modern production but his own poetry. When ' ' Rob Roy " was published, some of Wordsworth's friends made a picnic, and proposed to amuse themselves with the new novel. Wordsworth ac- companied them to the spot, joined them at luncheon, and then said : " Now, before you begin, I will read you a poem of my own on Rob Roy. It will increase your pleasure in the new book." Having recited the verses, " Well," he said, " now I hope you will enjoy your book ; " and walked off, to be seen no more during the afternoon. After General Wolfe had been appointed to command the expedition against Quebec, he was invited by Pitt to dinner. In the course of the evening Wolfe broke forth into a strain of gasconade. Drawing his sword, he rapped the table with it, flourished it round the room, and talked of the mighty things that sword was destined to achieve. Pitt and his other guest, Lord Temple, sat aghast at this vaingloriousness ; and when Wolfe had taken his leave, and his carriage was heard to roll from the door ; Pitt lifted up 92 MEN, PLACES, AND THINGS. his eyes and arms and exclaimed: "Good God! that I should have intrusted the fate of the country and of the administration to such hands ! " The heroic Nelson loved to be called ' ; great and glorious " to his face ; and when invited, in 1800, when bread was frightfully dear, to a din- ner at which it was expected that the guests, in accordance with a fashion that had consequently prevailed, would bring their own bread, he made quite a scene, called his ser- vant, and, before the whole company, gave him a shilling and ordered him to go and buy a roll, saying aloud: " It is hard that, after fighting my country's battles, I should be grudged her bread." Napoleon, that colossus of fame, could not bear any allusion to Caesar in his bulletins ; he was even vain of his small foot. Buffon said that of the great geniuses of modern times there were but five : " New- ton, Bacon, Leibnitz, Montesquieu, and myself." The principal weakness of Charles Dickens was his overweening vanity. Always craving for praise, present and posthu- mous, he was continually supplicating his fellow-men for their plaudite, and begging Mr. Forster to be sure and put so and so into his biography. Lord Erskine, the greatest of forensic advocates, had a craving and ravenous vanit\ r . He talked so much of him- self that he was nicknamed " Counsellor Ego." The editor of the "Morning Chronicle" apologized for giving only a partial report of one of Erskine's public-dinner speeches by saying that his stock of capital I's was exhausted. B}Ton, who once sat next to the famous advocate at dinner, declared him intolerable when he got upon " Trial by Jury " and repeated his public speeches. William Hazlitt confessed that he felt the force of Horace's digito mon- strari / that he liked to be pointed out in the street, or to THE WEAKNESSES OF GREAT MEN. 93 hear people ask, in Mr. Powell's court, " Which is Mr. H " Your name, so repeated, leaves an echo like music in your ear ; it stirs the blood like the sound of a trumpet." Miss Martineau, speaking of the pity expressed by men for women's vanity, says that when she went to London she saw vanity in high places that was never transcended by women in their lowlier sphere. As exam- ples of this weakness she names Babbage and Jeffrey ; Brougham, " wincing under a newspaper criticism, and playing the fool among women;" Whewell "grasping at praise for universal learning;" and Landseer "curled and cravatted, and glancing round in anxiety about his recep- tion." " There was Bulweron a sofa, sparkling and languish- ing among a set of female votaries, he and they dizcned out, perfumed, and presenting the nearest picture to a seraglio to be seen on British ground. . . . There was Campbell, the poet. . . . He darted out of our house and never came again, because, after warning, he sat down in a room full of people (all authors, as it happened) on a low chair of my old aunt's which went very easily on castors, and which carried him back to the wall and rebounded, of course making everybod\ r laugh. Off went poor Campbell in a huff; . . . and I was not very sorry, for his sentimentality was too soft, and his craving for praise too morbid, to let him be an agreeable companion." Vainer than any of these eminent men who disgusted Miss Martineau, was the poet Thomas Moore. He had an Argus e}*e for all compli- mentary notices of himself, and he reproduces them in his journals and letters ad nauseam. "There was a flourish- ing speech of Shell's," he records, " about me in the Irish papers ; he says I am the first poet of the da} T , and join the beauty of the bird-of-paradise plumes to the 94 MEN, PLACES, AND THINGS. strength of the eagle's wing." Again, at a fancy-ball which Moore attended, u there was an allusion to me as Erirfs matchless son; which brought down thunders of applause and stares on me" Once, at an assembly at Devonshire House, " the Duke," he says, " in coming to the door to meet the Duke of Wellington, near whom I stood, turned aside first to shake hands with me, though the great captain's hand was ready stretched out." Theo- dore Parker is said to have been influenced all his life by the fact that his grandfather was distinguished as the man who captured the first musket in the War of Independence, and by his pride in the distinction. His musket stood at the door of his stud}', and ' ' probably suggested the idea of the pistol which graced his pulpit cushion and added such effect to his pulpit eloquence." Fondness for dress has been one of the commonest, and perhaps one of the most pardonable, weaknesses of great men. The slender, spindle-shanked Aristotle wore several rings on his philosophical fingers, and shaved him.- self and trimmed his hair with great care. He loved rich apparel also, and had his shoes adorned with precious materials. Maecenas, an egregious dand}', is said to have ruled the Roman empire with rings on his fingers. Sir Walter Raleigh was one of the greatest exquisites of mod- ern times. On court da}*s he wore shoes so gorgeously and heavily adorned with precious stones that he could scarcely walk in them. Their value is said to have ex- ceeded six thousand guineas ; he had also a suit of armor of solid silver, with jewelled sword and belt, the whole of enormous value. When Ha\*dn was about sitting down to compose, he always dressed himself with the utmost care, had his hair nicely powdered, and put on his court- THE WEAKNESSES OF GREAT MEN. 95 suit. Frederic the Great had given him a diamond ring ; and the great composer declared that if he began without it, he could not summon the ghost of an idea. Haydn could write only on the finest paper, and was as particular in forming his notes as if he had been engraving them on copper-plate. The great Descartes, who revolutionized metaphysics, was fastidious about his wigs, keeping on hand four at a time ; and Sir Richard Steele never spent less than forty guineas upon one of his large black peri- wigs. Buffon used to put on lace ruffles and cuffs when he wrote. When Honore de Balzac sat down for a spell of hard work, he always wore a monk's cowl and robe. Rich- ardson the novelist could write only in a laced suit and with a diamond on his finger. Wesle}-, busy as he was, was remarkable for the studied neatness of his appearance amid all his long journeyings and strange adventures. Ers- kine never came before any of the crowded audiences which he kept waiting for him in the court-room, except with a fine wig and a pair of new and bright yellow gloves. Wil- liam Pinkney, the giant of the American Bar, was even more attentive than Erskine to the details of his personal appearance. He changed his toilet twice a day, and even used cosmetics to smooth the roughnesses of his face. Bacon, who was luxurious in all his tastes, was fond of fine apparel. John Foster used to preach in a blue coat with brass buttons, and top-boots, but this was from eccen- tricity, not from fondness for display. Goldsmith, when he sought to take orders in Ireland, tried to dazzle his bishop by a pair of scarlet breeches. When he was stud3*ing medicine in Edinburgh he wore " rich sky-blue satin," " fine sky-blue shalloon," and silver hat-lace. Before Johnson, Reynolds, and Garrick he 96 MEN, PLACES, AND THINGS. strutted about, bragging of his bloom-colored coat; and when his reputation had been made by the " Traveller " and the " Deserted Village," he blazed forth in purple silk small-clothes, a scarlet great-coat, and a physician's wig. He carried a gold-headed cane, and a sword hung by his side, a weapon so disproportioued to his diminutive stature that a coxcomb, who passed him in the Strand, called to his companion " to look at that fly icith a long pin stuck through it" It is said that Napoleon had a weakness for white kerseymere breeches, upon which, when engrossed with the cares of State, he would continually spill ink, grav}*, or coffee, a mishap which occurred so often that he had to pay the imperial tailor over twenty thousand francs a year ! It is hard to believe that Charles James Fox, who was such a sloven in manhood, was a dandy in his youth ; yet Rogers and others declare that, when a young man, he wore a little odd French hat, and shoes with red heels, and that he and Lord Carlisle once travelled from Paris to Lyons for the express purpose of buying waistcoats, and talked of nothing else during the whole journe}'. The same Fox, during a session of Parliament, when, at one o'clock in the afternoon, his friends would call and find him in bed, or lounging about in his night-shirt, would look extremely unkempt and dirty. " A conversa- tion would follow ; plans would be arranged ; and by and by, his toilet done, and a cup of tea swallowed, Fox would stroll clown, fresh and vigorous, toward St. Stephen's, to speak as no other orator ever spoke since Demosthenes." The foppishness of Chatham, scrupulously crowning him- self with his best wig when intending to harangue the House of Lords ; of Horace Walpole, wearing a cravat of Gibbons's carvings ; the bare throat of Byron ; the Arme- THE WEAKNESSES OF GREAT MEN. 97 man dress of Rousseau ; the scarlet and gold of Voltaire ; the prudent carefulness with which Caesar scratched his head, so as not to disturb the locks arranged over the bald place, are known to all. Disraeli, in his early Parliamentary da\*s, dressed in the extremest style of foppery. An observer describes him as "having been arrayed in a bottle-green frock-coat and a waistcoat of white, of the Dick Swiveller pattern, the front of which exhibited a net-work of glittering chains ; large fancy-pattern pantaloons and a black tie, above which no shirt-collar was visible, completed the outward man. He had a countenance lividly pale, set out by a pair of in- tensely black eyes, and a broad but not very high forehead, overhung by clustering ringlets of coal-black hair, which, combed away from the right temple, fell in bunches of well- oiled small ringlets over his left cheek." Disraeli's manner was in keeping with his personal appearance ; it was in- tensely theatric, his gestures being wild and extravagant. Of Richard Wagner's dress and manner, it has been said that to call upon him for the first time, without having been informed of his peculiarities, was to experience a mild shock. Entering the room where his visitor was seated, he would throw the door wide open before him, as if it were fit that his approach should be heralded like that of a king ; and he would stand for a moment on the threshold, a curious medieval figure in a frame. The mystified vis- itor, rising from his seat, would behold a man richly clad in a costume of velvet and satin, like that of the early Tudor period, and wearing a bonnet like that seen in por- traits of Henry VI. and of his three successors. Wagner had his composing costume, that of a Meistersinger, or rather several costumes ; for he would vary his attire, 7 98 MEN, PLACES, AND THINGS. not only according to his own moods, but according to the faces of the people who came to see him. He would not commit the incongruitj' of sitting down in scarlet to con- verse with a man whose features denoted that he was in "a brown study ; " he would prefer to leave such a one for an Augenblick, while he hurried out to slip on some "arrange- ment " in subfusc hues. It should be added, however, that dress was a real help to Wagner in composition. Genius often has recourse to mechanical appliances for stimulating thought ; and in his slashed doublets there was nothing more ridiculous than in Handel's bag-wig and ruffles, or Ha\*dn's finger-ring. Great men have probably been as often distinguished for slovenliness as for dandyism ; and of the two extremes the former is the less pardonable, especially when it is so offensive as in the case of the saintly Thomas a Becket, who, we are told, " swarmed with vermin." Frederic the Great had a kingly contempt for " the linen decencies of life." He had but one fine gala-dress, which lasted him all his life. The rest of his wardrobe consisted of two or three old coats fit for a second-hand clothes-shop, yellow waist- coats soiled with snuff, and huge boots embrowned by time. If one of his courtiers was fond of dress, he would fling oil over his richest suit. Lad}' M.a.ry Wortley Montagu's neg- lect of the graces of dress furnished Pope and Horace Wai- pole with materials for coarse satire. Thomson the poet was one of the most untidy of mortals, and kept his mone}' strewed about among his clothes and papers. On one occasion a friend discovered bank-notes bundled up with the poet's old stockings. Dr. Johnson, who exacted the utmost propriet}' of appearance in others, the same Johnson who once visited Goldsmith in a new suit of clothes, THE WEAKNESSES OF GREAT MEN. 99 in order to teach him, who, he said, " was a great sloven," to be less careless about his dress ; the same Johnson who, as Mrs. Piozzi tells us, in spite of his miserable eye- sight, noticed the misplacement even of a ribbon in a lady's dress, was himself a sloven. In answer to the declama- tions of Puritans and Quakers against showy decorations of the human figure, he once exclaimed: " Oh! let us not be found, when the Master calls us, ripping the lace off our waistcoats, but the spirit of contention from our souls and tongues. Alas ! sir, a man who cannot get to heaven in a green coat, will not find his way thither the sooner in a gray one." Coleridge dressed so shabbily that it is said Dorothy Wordsworth, on his first visit to the Lake country, mistook him for the Southeys' groom or gardener. The Southeys had desired to send a message to Wordsworth, and Coleridge, who was their guest, volunteered to carry it. He met Miss Wordsworth (who dressed as carelessly as himself) at the back door, and did his errand, believing her to be the cook. She, mistaking him for a servant too, offered him some beer. The mistakes were not explained until Coleridge was formally introduced to the lady later in the day. Sir Isaac Newton was utterl}* neglectful of care in dress. When at Cambridge, he would sometimes go to dine at Trinity Hall with shoes down at the heels, stockings untied, surplice on, and his hair scarcely combed. Pro- fessor Wilson would go to his class-room in Edinburgh, with a week's beard on his chin, to lecture on moral philosoph}*. Beethoven often ignored the barber, and once let his beard grow till it was two feet long. His hair was equally neglected, becoming so thick and stiff that he could hardly keep his hat on, while his shaggy clothes made him look like a bear. 100 MEN, PLACES, AND THINGS. Great minds, that have been singularly free from other weaknesses, have boasted of their descent, and shown a strange love of titles, stars, ribbons, and garters. Occa- sionally we find that an eminent man thinks it better to be the founder of a great house than its disreputable survivor. When a Marshal of France, Duke of Abrantes, and Gov- ernor of Paris, was taunted with the obscurity of his birth, he proudly replied: " Moi, je suis mon ancetre" (T am my own ancestor). Lord Chesterfield, not subscribing to the saying of his maternal grandfather, Lord Halifax, that " the contempt of scutcheons is as much a disease of this age as the over-valuing them was in former times/' delighted in ridiculing pedigree and heralds. He wrote against birth in the u World," and hung up among his ancestors two por- traits, "Adam de Stanhope" and "Eve de Stanhope." The same philosophic indifference to the distinction of birth was manifested by Svdne} r Smith, who, in reference to Lockhart's attempt to make out an irreproachable pedigree for Sir Walter Scott, said : " When Lady Lansdowne asked me about my grandfather, I told her he disappeared about the time of the assizes, and we asked no questions." But such a contempt for blue blood is rare even among men who in other things are the ver\~ t3 r pes of good sense. Julius Caesar Scaliger, one of the vainest of learned men, claimed to be descended from a princely house ; and his son Joseph glorified the family so highly in a short biographic notice, that their antagonist, Scioppius, called " the grammatical cur," professed to have counted 499 lies in a work of about fifteen pages. The Emperor Maximilian had a mania for being traced to Noah. Sages remonstrated, and coun- sellors coaxed in vain, till he was cured by his cook, who said : " As it is, I reverence 3*011 as a kind of god ; but if THE WEAKNESSES OF GREAT; 'MEN. l^ 3*ou insist on being derived from Noah, I must hail }*our majesty as a cousin." The rugged Puritan, Cromwell, whose massive and masculine mind had no superior in his day, longed to be called king. Macaulay's asthmatic hero, William III., took a childish pleasure in wearing the crown of the kingdom and the royal robes. Louis Philippe was greatly dissatisfied because he was not permitted to style himself Louis XIX., and to be hailed king of France and Navarre, instead of simply king of France. His ruffled feelings were smoothed somewhat when the Queen of England conferred on him the Order of the Garter. Morgagni, the anatomist, could not forgive a professional brother who had quoted from him without prefixing to his name the address illustrissime. In one of his medical works the celebrated Haller cited a large number of au- thors worth}' of reference, and indicated the comparative value of their respective works by the presence or absence of one or more stars. There is no telling, says a distin- guished plrysician, how many authors were amazed and irri- tated because no stars were attached to their names. Sir William Hamilton spent a great deal of time and pains in establishing his claim to a baronetcy. Writing to his mother, he says : U I wish 3*011 would give me a gen- teeler appellation on the back of 3*our next letter ; " and ends with, "Your affectionate son, W. S. Hamilton, Esq. Re- member that." Finding by her next letter that his mother did not " remember that," he threatens, if the neglect be repeated, to direct his letters to her, Elizabeth Hamilton, without any ceremony. Perhaps if he had devoted the time thus wasted to metaphysical study, the philosophy of the Unconditioned Infinite, or Absolute, would not have fallen into such a maze of contradiction as it did. Lord PLACES, AND THINGS. Byron had no patience with the magistrate who forgot to give him his title of peer of England. Even when titles have been scorned by those to whom they have been offered, the refusal has often betrayed as much vanity as has prompted others to parade them. This affected humility reminds one of the saying of Alexander when some one in his hear- ing praised Antipater, because he wore black, while his colleagues wore purple: "Yes, but Antipater is all purple within." Baron Steuben probably did not affect the deadly fear he manifested lest some American college should make him a Doctor of Laws. Having to pass through a college town in which Lafayette had been thus dubiously honored, the old warrior halted his men and said : ' ' You shall spur de horse vel, and ride troo de town like de debbil ; for if dey catch }"ou, de} r make one doctor of you." When Pope Alexander VI., in order to silence Savonarola, offered him the archbishopric of Florence, with the prospect of a cardinal's (red) hat, the monk was no doubt sincerely indignant; but there is a shade of vainglory in his reply, thundered from the pulpit: 41 I will have no hat but that of the martyr, red with my own blood ! " What Bacon so finely says of noble birth, applies to all titles and distinctions: " Nobilitatem nemo contemnit, nisi cui abest ; nemo jactitat, nisi cui nihil aliud est quo glorietur." A recent writer observes that " the virtue of some persons is unpleasantly ferocious. One cannot help regretting, for instance, that Bentham, when the Czar sent him a diamond ring, did not decline it if he must have declined it with less of a flourish of trumpets. There is something that jars on one's mind in that message about its not being his mission to receive diamond rings from emperors, but to teach nations the THE WEAKNESSES OF GREAT MEN. 103 lessons of wisdom, or words much to that effect. Who had ever supposed that it was his mission to receive diamond rings from anybody?" A volume would not suffice to enumerate all the varieties of self-indulgence to which great men have been addicted, especially in regard to things edible and potable. Here the extremes of humanity meet ; the weaknesses of great men showing little difference from those of little men. Among the ancients, Plato, Socrates, Aristophanes, Euri- pides, Alcaeus, and Horace drank wine freely ; and we are told by the last-named that even the austere old Cato is re- lated to have often warmed under the influence of wine : " Narratur et prisci Catonis Sacpe mero caluisse virtus." Tasso, in spite of the remonstrances of his physicians, aggra- vated his mental irritability by his potations. Goethe was fond of wine, and drank daily his two or three bottles. He sat a long while over his glass, chatting gayly, and then either received friends, or went to the theatre, where at six a glass of punch was brought to him. Schiller, who was a night-worker, wrote at one time under the influence of a bottle of Rhenish and strong coffee, at another time under that of champagne, with which he would lock himself up in the evening, and stimulate his jaded brain during the hours of the night. He used also to munch bread continually while composing. Ben Jonson was a hard drinker, and it is estimated that every line of his poetry cost him a cup of sack. Canary was his favorite drink ; after drench- ing his brain freely with which, he would, according to Aubrey, " tumble home to bed," and, " when he had thoroughly perspired, would then to study." James I. 104 MEN, PLACES, AND THINGS. gave him, besides his salary as poet-laureate, a tierce of his favorite wine, his fondness for which won for him, at last, the nickname of " Canary-bird." Aubrey says of Prynne's "manner of studie," that u about every three hours his man was to bring him a roll and a pott of ale, to refocillate his wasted spirits ; so he studied and drank, and they maintained him till night, when he made a good supper." The poet Savage often spent in a night's revelry the borrowed money which would have saved him from privation and annoyance for a week. Churchill drank stimulants to excess, and Hogarth has satirized his love of porter by picturing him as a bear with a mug of that liquor in its paw. Adclison bounded his walk at Holland House by a bottle of port at each end, and sometimes lingered so long over the bottle that he was compelled to apologize for his writing, rendered illegible by his shaky hand. The only excuses that can be given for his intem- perance are, that he was of a cold temperament, and that he was married to a middle-aged shrew who looked upon him as a being utterty beneath her, and hardly showed him more respect than she showed to her footman. Pitt and Fox both drank wine to excess. The favorite stimulant of the former was port w r ine ; it was perhaps in his case a needful tonic, and his head was so strong that neither the public business nor his public speeches often suffered from the indulgence. Only once did his friends discover an excess of vinous excitation in his oratory, and that was when he replied one evening after dinner to a personal attack upon himself. Next day the clerk assistant of the House told the Speaker that Pitt's extravagance of the night before had given him a violent headache. On hearing this, Pitt laughingly declared it THE WEAKNESSES OF GREAT MEN. 105 to be an excellent arrangement: "I had the wine, and the clerk got the headache." Sheridan was fond of claret, and we owe the completion of one of his most brilliant plays, the "Critic," to the inspiration it afforded. The piece had been advertised for performance at Drury Lane Theatre, but had not been finished, much less rehearsed. The managers were impatient, but their importunities were unavailing. Finally, by a clever trick, the rest of the play was coaxed out of him at the eleventh hour. After dinner Sheridan was decoyed into the managers' room, and then locked up in company with writing materials, a good fire, a tray of sandwiches, and two bottles of claret ; his per- secutors whispering through the key-hole their intention to keep him prisoner till he should have finished both the wine and the farce. Under this lene tormentum he scribbled away for into the night, finished the farce, and wound up the night with a fresh carousal among his colleagues. Blackstone wrote his " Commentaries " under the influence of successive bottles of that wine (port) which, Bentley said, claret would be if it could. The frigid, cautious author of the u Pleasures of Hope " was, according to Barry Cornwall, '* very vivacious, not to say riotous, in his cups." Rogers, after going to see his statue, observed : " It is the first time that I have seen him stand straight for many years." Porson, the giant of classic lore, " the greatest philosopher of the age," as Macatilay calls him, was often tipsy with drink. Byron, who saw him at Cambridge, says: "I can never recollect him ex- cept as drunk or brutal, and generally both, I mean in an evening. ... He used to recite, or rather vomit, pages of all languages, and could hiccough Greek like a Helot ; and certainly Sparta never shocked her children with a 106 MEN, PLACES, AND THINGS. grosser exhibition than this man's intoxication." "I met him at various hours," says Rogers, the poet, " when he got completely drunk. He would not scruple to return to the dining-room, after the company had left it, pour into a tumbler the drops remaining in the wine-glasses, and drink off the omnium-gatherum." Once at a supper-party he sat till the bottles were drained and the lights went out ; when he rose and muttered, ovSe roSe ovSe T aAAo, the point of which persons familiar with Greek will at once perceive. Fielding, Steele, and Sterne sat too long over their cups. Byron sought his inspiration in a bottle of Hollands. Poor Keats, stung by the ridicule of the envious, flew to dissipation for relief. For six months, if we may believe Haydon, the painter, he was hardly ever sober; " and to show 3*011 what a man of genius does when his passions are roused, he told me that he once covered his tongue and throat, as far as he could reach, with cayenne pepper, in order to enjoy 'the delicious coolness of claret in all its glory.' The last time I saw him was at Hamp- stead, lying on his back in a white bed, helpless, irritable, and hectic. ... He muttered, as I stood by him, that if he did not recover, he would ' cut his throat .' . . . Poor dear Keats ! " Instead of in wine and stronger alcoholic stimulants, many eminent men have sought refreshment or inspiration in tea and coffee, beverages which the amiable William Cobbett denounces as " slops." Voltaire was excessively fond of coffee, and in his old age drank fifty cups a day, which greatly hurt his digestion, and hastened his death. The abstemious Balzac was fond of the same drink, though it seems to have acted upon his temperament very much as laudanum upon others. When he sat down at his desk, THE WEAKNESSES OF GREAT MEN. 107 which was at midnight, his servant used to place coffee within his reach ; and upon this he worked till his full brain would drive his starved and almost sleepless bod}" into such self- forgetful ness that he often found himself at daybreak, bare-headed and in dressing-gown and slippers, in the Place du Carrousel, not knowing how he came there, and miles from home. Sir James Mackintosh had such a fond- ness for coffee that he went so far as to say that the powers of a man's mind would generally be found to be propor- tioned to the amount of that stimulant he drank. The illustrious Kant always took a single cup of tea and half a pipe after rising at five in the morning, and over them laid out his plan of work for the day. Sir James Scarlett once saw Porson drink sixteen cups of tea, one after another, at Baynes's chambers in Gray's Inn ; but this was an innocent beverage, compared with others that he indulged in. Dr. Parr, having been asked, after he had drunk a dozen cups of tea at the table of a lady friend, if he would have an- other, replied, in the language of Catullus : " Non possum tecum vivere, nee sine te." It was said of Dr. Johnson that his tea-kettle was^ never diy. The teapot he generall}' used was a huge one, holding not less than three quarts. It was of old Oriental porcelain, painted and gilded, and from its capacity was well suited to the demands of one " whose kettle had no time to cool, who with tea solaced the midnight hour, and with tea welcomed the morn." Tea to him was like sack toFalstaff; it " ascended him into the brain," made it " apprehensive, quick, forgetive, full of nim- ble, fiery, and delectable shapes ; " and his learning " was a mere hoard, kept by a devil," till tea unlocked it and " set it in act and use." But of all tea-drinkers, William Hazlitt, the writer and critic, was the most intemperate. He would, 108 MEN, PLACES, AND THINGS. according to Douglas Jerrolcl, sit over his breakfast, of exceedingly strong black tea and a toasted French roll, four or live hours, silent, motionless, and self-absorbed, like a Turk over his opium-pouch. It was the only stimu- lant or luxury he ever took, and he was very fastidious about its quality, using always the most expensive kind, and consuming, when he lived alone, about a pound a week. He always made his tea himself, half filling the teapot with tea, pouring boiling water upon it, and then almost immediately pouring it out, and mingling with it a great quantity of sugar and cream. Such a brewage must have been delicious, indeed Jerrold says there was fascination in it, but as a dally stimulant it must have been most deleterious ; and as Hazlitt died from a disease of the digestive organs, it probabty hastened his death. " Te teneam, moriens," he might have said, " deficiente manu." Cowpers fondness for kt the cup that cheers, but not inebri- ates," has given us one of the most pleasing pictures in the ^ Task." Illustrious as is the roll of tipplers, it is hardly longer than that of the illustrious bons vivants and gluttons. A celebrated French lady had the courage to say that she would commit a baseness for the sake of fried potatoes. An English king died of eating lampreys, who was one of the most noted statesmen and warriors of his age. Philip II. of Spain ruined his digestion by excessive indulgence in pastry. Louis XIV. had che appetite of an ogre ; and so had Anne of Austria, who, according to a female writer of royal blood, ate in a manner perfectly frightful four times a day. To her voracity some authorities have as- cribed the disease of which she died. The Empress Eliza- beth of Russia was both a glutton and a drunkard. THE WEAKNESSES OF GREAT MEN. 109 Ariosto bad a ravenous appetite for turnips. Handel ate enormously, and when he dined at a tavern, always ordered dinner for three. When told that the meal would be ready as soon as the company should arrive, he would exclaim : " Den pring up de dinner prestissimo ; I am de company." Beethoven, who was far from epicurean in his tastes, yet had strange whims at the table and over his food. He always made his coffee himself, in a glass apparatus, and religiously counted sixty beans to each cup. Soup was his favorite dish ; but it was hard to make it so as to please him, and he said of a servant who had told him a falsehood, that she was not pure at heart, and therefore could not make good soup. He punished his cook for the staleness of some eggs by throwing the whole batch at her one by one. Fontcnelle thought strawberries were the most de- licious of all edibles, and during his last illness was con- stantly exclaiming: " If I can but reach the season of strawberries ! " Goethe had an immense appetite, and ate more than most men even on the days when he complained of not being hungry. It should be added, however, that except a cup of chocolate at eleven, he took no refreshment till two o'clock. Bolingbroke was a moderate eater; but an over-roasted leg of mutton would strangely disturb and ruffle his temper. Pope was more epicurean in his tastes, and when staying at Bolingbroke's house, would lie in bed for days together, unless he heard there would be stewed lampre}*s for dinner, when he would at once get up and appear at the table. Dr. Johnson had a keen relish for a leg of mutton, and for a veal-pie with plums. " At my Aunt Field's," he once said, " I ate so much of a leg of mutton that she used to talk of it." Being once treated to a dish of new honey and 110 MEN, PLACES, AND THINGS. clouted cream, he indulged his appetite to such an excess that his entertainer was alarmed. Dr. Parr had a voracious appetite for hot lobsters with shrimp sauce. Byron was particularly fond of eggs and bacon, to which he would treat himself, though he knew the inevitable result would be an attack of indigestion. Leigh Hunt loved late suppers, at which he would indulge in the most indigestible food, notwithstanding he had repeatedly suffered from it. A friend of his states that he called on him one evening at nine, when Leigh Hunt saluted him thus: " I am eating my supper, you see. Do you eat supper? If you do, take my advice, and have regularly every night, at nine o'clock precisely, three eggs boiled hard, with bread and butter. There is not, I assure you, anything more wholesome for supper. One sleeps so soundly, too," etc. The next Friday evening his friend called again, and found that he was eating a Welsh rarebit, with mustard, etc. " How are you?" exclaimed Hunt. "I am just eating supper, you see. Do you ever eat supper? If }*ou do, I pray 3*011 never take boiled eggs ; they are, without any exception, the most indigestible, nightmare-producing things you can eat. They have nearly killed me. No ; the lightest and most palatable supper I have ever taken is a Welsh rarebit with some Scotch ale. This is the second day I have taken it, and I do assure you," etc. On Monday next it would be liver and bacon, or what } T OU will. The amusements of eminent men have been in many cases odd and eccentric to the last degree. One of the kings of Macedon spent his leisure in making lanterns, and Louis XVI. delighted in making locks. Dornitian spent hours in killing flies. Cardinal Richelieu, when tired of contending with the French nobles and baffling hostile THE WEAKNESSES OF GREAT MEN. Ill plots, amused himself with violent exercise, and would con- tend with his servant to see which could jump the higher. Oliver Cromwell is said to have occasionally relaxed his puritanic severit}*, and played blind-man's-buff with his daughters and attendants. The great metaphysician and theologian, Dr. Samuel Clarke, in the intervals of the time spent in confuting Hobbes, Leibnitz, and Spinoza, would leap over the tables and chairs in his study, or play at all fours with children. Once, seeing a pedant approach- ing, he exclaimed : ;t Now we must leave off, for a fool is coming ! " The favorite recreation of Spinoza was to catch spiders and see them fight ; and when he had learned how to make them as angry as gamecocks, he would, all thin and feeble as he was, break out into a roar of laughter, and chuckle to sec his champions engage, as if they, like men, were fighting for honor! Anthony Magliabecchi, the fa- mous linguist, was also fond of spiders, and while sitting among the piles of books in the Duke of Tuscany's library, would tell his visitors " not to hurt his spiders." The Italian poet Alfieri had a passion for horses, of which he at one time bought fourteen in England. He ranked this as third in intensit} 7 among his passions, the Count- ess of Albany being first, and the Tragic Muse second. His tone and humor for the da}' are said to have de- pended on the neigh or whimper of the favorite horse, which he fed every morning with his own hand. Dr. Paley's favorite amusement was angling, and he had his portrait painted with a fishing-rod in his hand. The heroic Nelson, and Daniel Webster, who " in bait and debate was equally persuasive," sought relief from " carking care" in fishing. Gray the poet thought the ideal of earthly hap- piness was to be always lying on a sofa, reading eternally 112 MEN, PLACES, AND THINGS. new novels of Marivaux and Crebillon. Shelley took a boy- ish delight in floating little paper boats on lakelets or little ponds. A pond on Hampstead Heath often bore his tiny craft ; and it is said that one day, as he stood by the Ser- pentine, having no other paper with which to indulge his passion, he actually folded a Bank of England note for fifty pounds into the shape of a boat, launched the little vessel upon its vo}~age, watched its stead3 T progress with anxious delight, and finally walked round and received it safely on the opposite side. The anecdotes told of the oddities, eccentricities, and absence of mind of great men sometimes almost stagger belief. Archimedes, at the taking of Sj'racuse, was so ab- sorbed in a geometrical problem that, when a soldier was about to kill him, he simply exclaimed: "Noli turbare circulos meos/' Joseph Scaliger was so engrossed with the study of Homer during the massacre of Saint Bartholomew, that it was only on the next day that he was aware of his own escape from it. Vieta, the great mathematician, was so lost in meditation that he was utterl}* unconscious of what was going on around him, and for hours seemed more like a dead person than a living. Sir Isaac Newton often forgot to dine ; and when reminded of it, would say : "Have I ? " and then would eat a bit or two standing. When he had friends to entertain, he would sometimes go into his study to fetch a bottle of wine, and then forget them. Once, when he was going home to Cottersworth from Grant- ham, he led his horse up the steep Spittlegate hill ; but when he turned to remount, he found that the horse was not to be seen. Taking advantage of his master's reverj^, the sagacious steed had slipped the bridle and gone off without his knowledge, leaving only the bridle in his hands. THE WEAKNESSES OF GREAT MEN. 113 On another occasion Newton used a lady's finger as a tobacco-stopper. Another absent-minded man, whom La Bruyere would have delighted to portray, was Dr. Robert Hamilton, one of the profoundest philosophical thinkers of his day. He was at times so completely absorbed in his own reflections as to lose the perception of external things, and almost the consciousness of his own identity and ex- istence. One of his most notable works was an essa}' on the National Debt, which is said to have fallen like a bomb- shell upon the English Parliament, or rather to have risen and illuminated its darkness like an orient sun. In all his writings one knows not which most to admire, the pro- found and accurate science, the logical arrangement, or the lucid expression. Yet in public, it is said, the man was a shadow. lie pulled off' his hat to his own wife in the streets, and apologized for not having the pleasure of her acquaintance ; went to his classes in college, on dark morn- ings, with one of his wife's white stockings on one leg, and one of his own black ones on the other ; often spent the whole time of the session in moving from the table the hats of the students, which they as constantly returned ; some- times invited the students to call upon him, and then fined them for coming to insult him. He would run against a cow in the road, turn round, and say, " I beg your pardon, madam, I hope you are not hurt ; " at another time he would run against a post, and chide it for not getting out of his way ; and yet we are told that his conversation was " perfect logic and perfect music." The great Budasus acUiall}* forgot his wedding-da3 T , and, when sought for, was found buried deep in his Commentaiy. One of the most absent-minded men that ever lived was Beethoven, a peculiarity which involved him in many 8 114 MEN, PLACES, AND THINGS. troubles. Once a crowd was found under his window, watching him with wonder and merriment. Beethoven had risen from bed, and was standing at the window in his night-shirt, meditating chords and discords, until the noise of the spectators below roused him from his revery. At another time he was strolling upon the ramparts of Vienna, with his hands clasped behind him, lost in thought, and was roused from his abstraction only by the laughter and shouts of a party of schoolbo3~s. For some time he was puzzled to know what made the boys so merry. The fact was, he had come from home to think over a composition upon which he was engaged, and though the weather was rough and blustering, he had left his hat upon the table, and never missed it till the boj's reminded him of its ab- sence. At times he would even forget his invited guests, and dine at the hotel while they were vainly waiting for him at his quarters. He once wanted to pay for a dinner which he had neither ordered nor eaten, and he forgot that he owned a horse until a bill was presented to him for its keeping. When he had occasion to take a bath, he would stand before his bowl and compose at the same time that he was washing himself. Sometimes he would pour pitcher after pitcher of water over his hands or body, and all the while keep screaming up and down the scale. Present^, with e}'es rolling, he would stride across his chamber and note down something, perhaps on the window-shutter ; and then the bathing would re-begin. In moments of profound thought he would pour floods of water over the floor, yet be wholly unconscious of what he had done, until the land- lord below would hurry up-stairs to protest against the deluge that was ruining his ceiling ; upon which a warm conflict would ensue, that would result in the composer's THE WEAKNESSES OF GREAT MEN. 115 removal to other quarters. Beethoven had a singular and intense hatred of etiquette. He once even abandoned a lodging for which he had paid a heavy rent in advance, be- cause the landlord insisted on bowing to him whenever they met. The absent-mindedness of Adam Smith, the father of political economy, was something amazing. Having once to sign an official document, he produced, not his own signature, but an elaborate imitation of the signature of the person who had signed before him. On another occasion, having been saluted in militaiy fashion by a sentinel on duty, he astounded and offended the man by acknowledg- ing it with a copy a very clumsy copy, no doubt of the same gestures. It is told of a noted Glasgow clerg3*man, Mr. McLaurin, that having chanced one evening, at his son-in-law's, to see the word TEA inscribed in large letters on a canister on the sideboard, he stared at the mystical word for some time without having the slightest idea of what it meant. He then began to spell it audibly, TEA T-E-A'; but all to no purpose. At last, utterly baffled, he turned to Dr. Gillies. "John," he said, "what Greek word is that?" None of the absent fits we have noted surpassed those of Coleridge's father, of whose eccentricities the son used to tell till the tears ran down his cheeks. Having once to go from home for several days, the old gentleman was aided in his preparations by his wife, who packed his portmanteau with a shirt for each day, charging him to be sure to use them. Finding no shirts in the portmanteau after his return, she found, on inquiry, that he had duly obeyed her commands, and had put on a shirt every day, but never taken one off. There were all the shirts, not in the port- manteau, but on his own back. In a Latin grammar which 116 MEN, PLACES, AND THINGS. he composed, he changed the case which Julius Caesar named, from the Ablative to the Quale-Quare Quiditive, as the Highgate philosopher might have done had he prepared a grammar. The moods of abstraction in which Macaulay not infrequently indulged are not generally known. When he strode through the streets of London, he was usuall}' so absorbed in thought that his lips moved and muttered un- consciously, and he heeded none that he passed, though persons gazed curiously at him, and stopped to stare when he had gone by. He used to carry an umbrella, which he swung and flourished, and battered on the pavement with mighty thumps. Once, when dining alone in the Trafalgar Hotel at Greenwich, the attention of other guests was at- tracted by his peculiar muttering and fidgetiness, and by the mute gestures with which he ever and anon illustrated his mental dreamings. Suddenly he seized a massive de- canter, held it a moment in the air, and then dashed it down upon the table with such violence that the solid crys- tal flew about in fragments. Calling loudly for his bill, which he paid, he pulled with a couple of jerks his hat and umbrella from the stand, and stalked awa} r as if nothing unusual had happened. It is told of the late Dean Stanley, who made no gestures while preaching, and stood quite still, that one Sunday, after returning from church, he asked his wife why the congregation looked so intently at him during the service. " How could they help it, dear," she replied, " when one of your gloves was on the top of your head all the time?" It had dropped from his hat. Jona- than Edwards was a ver} T absent-minded man. For the sake of the exercise, he used to drive his cows to pasture. As he was going for them one da} r , a boy opened the gate with a respectful bow. Edvvards acknowledged the kind- THE WEAKNESSES OF GREAT MEN. 117 ness, and asked the boy who he was. " Noah Clark's boy," was the reply. Shortly afterward, on the theologian's return, the same boy was at hand, and opened the gate for him again. " Whose boy are you? " Edwards again asked. The reply was : " The same man's boy I was a quarter of an hour ago, sir." Pascal, in his " Thoughts upon Religion," observes that the soul of the greatest man living is not so independent but it is liable to be disturbed by the least bustling about him. " Do not be surprised if you hear him argue a little incoherently at present ; he has a fly buzzing at his ears, and that is enough to make him deaf to good counsel. If you would have him informed of the truth, you must drive away this animal, which holds his reason in check, and discomposes that wonderful intellect which governs cities and kingdoms." Biography teems with illustrations of this weakness of human nature, some examples of which the reader will find on page 249. Bayle was thrown into convulsions whenever he heard water issuing from a spout. Schopenhauer found noise so insupportable that he declares that the amount a man can support with equanimity is in. inverse proportion to his. mental powers. " If I hear a dog barking for hours on the threshold of a house," he says, '-I know well enough what kind of brains I may expect from its inhabitants." Wallenstein had an equal dislike for the barking of dogs, and even the clatter of large spurs anno}'ed him. Dickens had on his desk some little bronze figures, which were as indispensable for the eas} T flow of his writ- ing as blue ink or quill pens. Alfieri was an exception to most intellectual men, especially authors, in this respect. His ideas flowed most freely while he was listening to music or galloping on horseback. Montaigne tells of a 118 MEN, PLACES, AND THINGS. scholar whom he found at Padua. " one of the most learned men of France," whom he saw stud}'ing in the corner of a room, cut off by a screen, surrounded b}* a number of riotous servants. " Pie told me and Seneca says much the same of himself that he worked all the better for this uproar, as though, overpowered by noise, he w r as obliged to withdraw all the more closely into himself for contemplation, while the storm of voices drove his thoughts inward. When at Padua, he had lodged so long over the clattering of the traffic and the tumult of the streets that he had been trained not only to be indifferent to noise, but even to require it for the prosecution of his studies." All readers of Addison are familiar with his story of the barrister who was accustomed, when pleading in court, to wind a string about one of his fingers, and who, when a cunning adversary stealthily took the string from him, was disconcerted, and unable to proceed. Dr. Andrew Fuller used to rise up to preach with his gloves on, and with his hands thrust into the pockets of his trousers. As he ad- vanced with his discourse, one hand was drawn from its hiding-place, and in a few minutes the other ; a few minutes more and a glove was drawn off, the other shortlj* following it to the pulpit floor. When in the full tide of exhortation or argument, he would unconsciously twist off a coat-button, which habit became so confirmed that among his intimate friends he would speak of a season of great enjoj'ment in preaching as " a button-time." The peculiarities of Dr. Fuller were trivial compared with the eccentricities of the Rev. Rowland Hill, whose ministiy at Surrey Chapel, where he preached for fifty years, Sheridan often attended, because, as he said, " his [Rowland Hill's] ideas come red-hot from the heart." It is said that when notices were given him, THE WEAKNESSES OF GREAT MEN. 119 he used generally to read them aloud. When once an impudent fellow placed a piece of paper on the desk, just before he was going to read prayers, he took it and began : " fc The prayers of the congregation are desired ' - umph 4 for ' umph well, I suppose I must finish what I have begun 'for the Reverenti Rowland Hill, that he will not go riding about in his carriage on a Sunday ! ' " Look- ing up with the utmost coolness, the preacher said : " If the writer of this piece of folly and impertinence is in the con- gregation, and will go into the vestry after service, and let me put a saddle on his back, I will ride him home, instead of going home in my carriage." He then went on with the service as if nothing had happened. One of the oddest of modern litcraiy men was William Ilazlitt, who, with all his acuteness, was the prey of the craziest fancies. Even to his oldest friends he manifested the shyness of a recluse. Mr. Paterson records that he would enter a room as if he had been dragged there in custody; and after saying, "It is a fine day," lapse into dreary silence, and apparently resign himself moodily to his fate. If the talk did not please him, he would sit half-absorbed and indifferent, and then suddenly start up, and with an abrupt, " Well, good morning!" shuffle to the door and blunder his way out. His favorite haunt for his great talks was the Southamp- ton Coffee-house in Southampton Buildings, Chancery Lane. Any small slight, or the mere fact that the bill was brought to him before he asked for it, scared him from a chop-house or tavern for 3 7 ears. Odder and more eccentric even than Hazlitt, was Charles Mathews, the comic actor, who, though he entertained crowded houses nightlj T , was one of the shyest of men. To avoid recognition he would, lame as he was, make long circuits through the bye-lanes of 120 MEN, PLACES, AND THINGS. London. His wife sa}~s, in her Memoir of him, that he looked "sheepish" and confused if recognized, and that his eyes would fall, and his color would mount, if in passing along the street he heard his name even whispered. Pos- sessing many of the noblest traits of character, he had at the same time a nervous whimsicality, an irritability about trifles, and antipathies to particular persons, places, and objects, which made him obnoxious to ridicule and censure. " 1 have seen him scratch his head," sa}'s Julian Charles Young, " and grind his teeth and assume a look of anguish, when a haunch of venison had been carved unskilfully in his presence. I have seen him, though in high feather and high talk when in a sunn} r chamber, if transferred to a badly lighted room withdraw into a corner and sit by himself in moody silence." When giving his entertain- ments in the country, he had always a secretary to take the money at the doors. U I hope and believe he is honest," said Mathews : u but even if he is not, I could not wrangle about mone3 T , I do so hate the very touch of it." " What ! " exclaimed a friend incredulously, "hate money?" " I did not sa}' that I hated money," was the reply, " but that I hated the touch of money, I mean coin. It makes my skin goosey." Great men often appear to their inferiors to be freezing aristocrats, when the}' have hearts full of kindness, and are distant and reserved only from constitutional shyness. Eobert Chambers speaks of a gentleman, holding one of the highest offices in Great Britain, Avho was so shy that when- ever, in a country walk, he found himself about to encounter his colleague in office, he would deliberately quit the foot- path and cross to the opposite side of the road, where he would stand looking over the hedge and affecting to enjoy THE WEAKNESSES OF GREAT MEN. 121 the landscape, until his friend had passed, when he would return to the footpath and resume his walk. Archbishop Whately, when young, was tormented with self-conscious- ness, and suffered, as he says, " all the agonies of extreme slyness." Finding that he " must be awkward as a bear all his life," he resolved to think as little about it as a bear, and from that time got rid of most of the personal suffering of shyness, and of most of the faults of manner which con- sciousness produces ; but his natural roughness and awk- wardness clung to him through life. He had also certain ec- centricities of manner which would hardly be credited if not vouched for by his biographer. When attending the meet- ings of the Irish Privy Council his favorite attitude in winter was standing before the fire with his coat-tails held up ; in summer, sitting upon a chair which he balanced upon its hind legs, with his own legs thrown over the back of another chair. Referring to this practice, and to the rudeness of another member of the council, who in cold weather would sometimes wear his hat at a meeting, a wag observed: "The prelate in council uncovers what ought to be hid, and the peer hides what ought to be uncovered." Whately was not less boorish in the Castle drawing-room. Once while waiting there one of a large party till din- ner should be announced, he deliberately took a pair of scissors out of a case which he carried in his pocket, and pared his nails ; at another time, under similar circum- stances, he was seen to throw himself into an easy-chair, and drawing another near him, to swing one of his legs over its back ! Even Sj'dne}' Smith, before he became u a diner-out of the highest lustre," who could at will set the tables in a roar, was shy in general society. " It was not very long," he told a friend later in life, " before I 122 MEN, PLACES, AND THINGS. made two very useful discoveries : first, that all mankind were not solely employed in observing me, a belief that all young people have ; and next, that shamming was of no use, that the world was very clear-sighted, and soon esti- mated a man at his just value. This cured me of my shy- ness, and I determined to be natural." The name of Lord Chatham suggests one of the most frequent weaknesses of the great. It is said that he was an admirable reader of poetry, especially of Shakspeare's historical plays ; but when he came to an episode of corned}', he always handed the book to a relative. How finely this incident combines with the public appearance of the great statesman the crimson drapery, the tie-wig, the well- managed crutch, the flannels " arranged with the air of a Grecian drapery," the statuesque attitude, and the direction to his under-secretaries never to sit down in his official presence to reveal his weakness off the stage ! Probably there never was another instance of a man of such genius, with so lofty and commanding a spirit, who was so utterly lacking in simplicity of character. Lord Bacon, Louis XIV., and Napoleon were consummate farceurs. All the actions of Bacon were characterized by a most inordinate love of pomp. His servants wore liveries with his crest, and he even went in his State-robes to cheapen and buy silks at a mercer's. Alexander Pope was an inveterate poser ; he was always pretending an indifference to poetical reputation and to criticism, though he was "a fool to fame" to the latest hour of his life. Jean J. Rousseau at one period was also a poser. He was constantly writing, and con- stantly affecting to despise literature ; constantly scoffing at the fashionable world, and constanth' in society. Byron was the prince of posers. He was always wearing his heart THE WEAKNESSES OF GREAT MEN. 123 on his sleeve, and parading his woes before the public, describing himself as a man whose heart was withered, whose capacitj' for happiness was gone and could never be restored, and whose defiant spirit, alike insensible to fame and obloquy, heeded " nor keen reproof nor partial praise." It is ridiculous to imagine, says Macaulay, "that a man whose mind was really imbued with scorn of his fellow- creatures would have published three or four books every year in order to tell them so ; or that a man who could say with truth that he neither sought sympathy nor needed it, would have admitted all Europe to hear his farewell to his wife, and his blessings on his child." So far was Byron from feeling the indifference he affected to the praise of his fellow-men, that he was childishly elated by the compliments paid to his maiden speech in the House of Lords. An adequate account of the inconsistencies and contra- dictions of great men would fill volumes. Who is not familiar with the history of Seneca, who in his elegant pages "raises altars to Poverty," and denounces with burning indignation the corruption of Rome and the ex- tortion in the provinces, yet amassed by extortion and usuiy a fortune of fifteen million dollars ; who wrote a work on clemenc}*, yet had a large part of Nero's atrocities upon his conscience? With what admiration we read of the noble and philosophical Cato, who, before putting an end to his life, spent some time in meditating with Plato on the immortality of the soul ; yet what a shock we feel, when we learn that just before doing this he gave his at- tendant a blow on the mouth, because he had removed his sword from fear that his master was about to do himself harm ! The effect upon our minds is like that we experi- ence when we read that the accomplished and bewitching 124 MEN, PLACES, AND THINGS. Queen of Egypt, who captivated Julius Caesar and Mark Antony by her charms, flew, even in the presence of Octa- vius, at one of her slaves and tore his face with her nails. One of the greatest geniuses the world has ever known was Leonardo da Vinci. Nature showered upon him a multitude of the choicest gifts in her storehouse, }*et envi- ously withheld others which she bestows upon common men. Destitute, apparentl}', of patriotism and of political sense, as well as of independence of spirit, he was throughout his life a virtual slave. Lacking thrift, and the means of sup- port which it gives, he was compelled to place his magnifi- cent gifts at the disposal of others, first, of Lodovico Sforza of Milan, next of the infamous Caesar Borgia, and lastly of Louis XII. of France, the enemy of his country. Rousseau was a bundle of inconsistencies and contradic- tions. One day he would declare his certainty that God exists of himself ; a few days after, he would say : " Frankly, I confess that neither the pro nor the con [on the existence of God] appears to me demonstrated." He wrote against dramatic performances, and composed several operas ; in- voked parental care for infancy, and sent his own children to a foundling hospital; confessed a hundred acts of base- ness, 3*et vaunted himself as a paragon of men. At one time he apostasized for the sake of gain, that he might live on the bount} T of his friends ; at another, too proud to re- ceive any one's bounty, he condemned himself to copy music at six sous a page. Of Dean Swift it has been said that, intellectually and morall}', physically and religiously, he was a mass of contradictions. Suffering all his life from disease, he was yet capable of great endurance, and lived to a good age, though he spoke but twice during his last three years. Though he hated Ireland, where he died THE WEAKNESSES OF GREAT MEN. 125 " like a poisoned rat in a hole," he defended the rights of ' the scoundrel isle " when his courage might have cost him his head. Economical and saving to the last degree, he }*et was liberal to the poor and indigent ; begrudging the food and wine consumed by a guest, he never took any pa}' for his writings, and bequeathed all his fortune to a charitable in- stitution. Maintaining Steele by his influence in au office of which the Government was about to deprive him, he soon after by his pen caused him to be expelled from the House of Commons ; ambitious to be a bishop, he wrote a work which effectually prevented his rising to dignity in the very Church which his book sought to exalt. Laying the founda- tions of fortune for upward of fort}* families, who rose to distinction by a word from his lips, he could not advance himself in England a single inch. Like Swift, the poet Young aspired to a bishopric, which, with a malicious ingenuity that must have keenl}' irritated him, was refused by the minister on the ground of the devotion to retirement so often expressed in his works. Through nearly all his life he was an inveterate place- hunter, and, to secure preferment, veered with the wind and trimmed his sail to every breeze ; yet he never got anything save the appointment of chaplain to George II., and clerk of the closet to the princess-dowager. When appointed to the chaplainc}*, he withdrew his play of the " Brothers," then in rehearsal at a London theatre, and sud- denly professed a profound aversion for the stage ; }'et afterward returned to it again. After having spent his best days in toadying and place-hunting, he passed his old age in satirizing the pursuits in which he had failed, and the dignities to which he could not attain. Few persons could write more admirably on politeness than Dr. Johnson ; yet 126 MEN, PLACES, AND THINGS. if opposed in discussion, the prompt and blunt " You lie, sir ! " " You don't understand the question, sir ! " were his favorite modes of silencing an adversary. Dr. Parr states that he was once disputing with Johnson about the liberty of the press. "While he was arguing," says Parr, " I observed that he stamped. Upon this, I stamped. Dr. Johnson said: 'Why do you stamp, Dr. Parr?' I re- plied : ' Sir, because you stamped ; and I was resolved not to give you the advantage even of a stamp in that argu- ment.'" More inconsistent, if possible, than Swift, Young, or Johnson, was Robert Southey. It is doubtful if any other human being of equal eminence ever held during his life so many contradictoiy opinions as the author of " Kehama." A freethinker and a Unitarian; an orthodox believer and a heterodox Churchman ; a socialist and a re- publican ; an opponent of Catholic rights and a stickler for the rights of conscience, he branded Byron as chief of the Satanic school, }*et wrote his own " Vision of Judg- ment," which in irreverent handling of Heaven's m}'ster- ies out-Byrons B3'ron. Declaring in his "Life of Cowper" that the author of the "Task" is the most popular poet of his generation, he asserts in a letter that Cowper's pop- ularit} 1 is owing to his piet}', not to his poetry, and that his piety is craziness. Groaning continually over the pop- ular ignorance, he was eternally denouncing the London University and mechanics' institutes. Colton, the author of "Lacon," was a desperate gam- bler, and ran deeply in debt for diamonds, jewels, and rare wines. Preferring suicide to the endurance of a pain- ful surgical operation, he in 1832 blew out his brains at Fontainebleau ; and this was the act of the man who, in his sententious book, had published this aphorism: "The THE WEAKNESSES OF GREAT MEN. 127 gamester, if he die a martyr to his profession, is doubly ruined. He adds his soul to every other loss, and by the act of suicide renounces earth to forfeit heaven ! " In Na- poleon Bonaparte we find a strange assemblage of opposite qualities, such as few ancient or modern despots exhibit. Possessing the keenest and coldest of intellects and the most inflexible of iron wills, he was yet at times as ca- pricious as a woman and as fretful as a child. At one time organizing and executing with the utmost wisdom and energy stupendous and complicated schemes, he falls at another time into blunders which the most commonplace intellect might have avoided. Full ordinarily of coolness and self-possession in moments of imminent peril, he sometimes in such crises relapses into an unaccountable ennui. When the Allies, before the battle of Leipsic, were gathering around him in their utmost strength, he was wav- ering and uncertain in his purposes, and reluctant to de- cide on a retreat. An eye-witness relates that he saw him seated on a sofa beside a table on which lay his charts, totally unemployed, unless in scribbling mechanically large letters on a sheet of white paper, and that at a time when, to use his own words, " nothing but a thunderbolt could have saved him." The weaknesses of great men which we have thus far noticed are comparatively venial ; but what shall we say of the absolute lack of truthfulness and of principle which some celebrated men have exhibited? Pythagoras, the influence of whose teaching endured in Greece for six cen- turies, has been called " a demi-god in his ends, and an impostor in his means." He persuaded his followers that he had a golden thigh, and that, agreeably to his doctrine of the transmigration of souls, his soul had animated the 128 MEN, PLACES, AND THINGS. body of -