:• TASSO'S 'GODFREY OF BVLLOIGNE.' (FIVE CANTOS.) TRANSLATED BY RICHARD CAREW, ESQ. (i594-) EDITED, WITH INTRODUCTION AND NOTES AND ILLUSTRATIONS, BY THE REV. ALEXANDER B. GROSART, LL.D., F.S.A St. George's, Blackburn, Lancashire. Sixty-two Copies only. PRINTED FOR THE SUBSCRIBERS. I 88 i. I W & O Q n^ TASSO'S 'GODFREY OF BVLLOIGNE.' (FIVE CANTOS.) TRANSLATED BY RICHARD CAREW, ESQ. (I594-) EDITED, WITH INTRODUCTION AND NOTES AND ILLUSTRATIONS, BY THE REV. ALEXANDER B. GROSART, LL.D., F.S.A., St. George's, Blackburn, Lancashire. Sixty-two Copies only *•-- PRINTED FOR THE SUBSCRIBERS, I 88 i. REaERM- Printed r.v Charles E. Simms Manchester. n THE FIFTY SUBSCRIBERS. *V (Alphabetically arranged. ) i. H. F. Bailey, Esq., London. 2. The Bodleian Library, Oxford. 3. The Public Library, Boston, U.S.A. 4. Henry Bradshaw, Esq., M.A., University Library, Cambridge. 5. The British Museum, London. 6. H. T. Hamilton-Bruce, Esq., Edinburgh. 7. Rev. W. E. Buckley, M.A., Middleton Cheney, Banbury. 8. The Most Honourable the Marquis of Bute, London. 9. J. H. Chamberlain, Esq., Birmingham. 10. Andrew Chatto, Esq., London. 11. Thomas Chorlton, Esq., Manchester. 12. The Lord Chief Justice of England. 13. F. W. Cosens, Esq., F.S.A., London. 14. James Crossley, Esq., F.S.A., Manchester. 15. The Right Honourable the Earl of Derby, Knowsley. 16. His Grace the Duke of Devonshire. 17. Rev. J. W. Ebsworth, M.A., F.S.A., Molash Vicarage. 18. G. H. Elt, Esq., London. 19. F. F. Fox, Esq., Madeley House, Clifton. 20. H. H. Furness, Esq., Philadelphia, U.S.A. 21. H. H. Gibbs, Esq., London. 22. Edmund W. Gosse, Esq., London. 23. Rev. Dr. Grosart (Editor). 24. Benjamin Haynes, Esq., Clevedon. 25. Dr. INGLEBY, Valentines, Ilford. 26. Richard Johnson, Esq., Chislehurst. 27. John Kershaw, Esq., London. 28. F. De Mussenden Leathes, Esq., London. 29. J. M. Mackenzie, Esq., Edinburgh. 30. T. A. Middleton, Esq., London. 31. Professor Morley, London. 32. John Morison, Esq., Glasgow. 33. Samuel Neil, Esq., Edinburgh. 34. Rev. W. L. Nichols, M.A., Woodlands by Bridge water. 35. Dr. Brinsley Nicholson, London. 36. Cornelius Paine, Esq., Brighton. 37. F. T. Palgrave, Esq., LL.D., London. 38. Peabody Institute, Baltimore, M'd., U.S.A. 39. The Most Hon. the Marquis of Ripon, Studley Royal. 40. George Saintsbury, Esq., London. 41. Rev. Dr. Salisbury, Thundersley Rectory, Rayleigh. 42. Rev. Dr. R. S. Scott, Glasgow. 43. A. G. Snelgrove, Esq., London. 44. A. C. Swinburne, Esq., London. 45. J. M. Thomson, Esq., Edinburgh. 46. Charles Walton, Esq., London. 47. R. S. Watson, Esq., Newcastle-on-Tyne. 48. John Weston, Northwich. 49. G. H. White, Esq., Glenthome, Torquay. 50. William Wilson, Esq., Berwick-on-Tweed. This is to certify that the impression of Carew's " Tasso " has been rigidly limited to Sixty-hvo Copies — fifty as above, and twelve Editor's copies. This is No. Proof sheets and waste pages have been destroyed. 185239 INTRODUCTION. THe present translation of a portion of Tasso's great poem, bears on its title-page the initials only, ' R. C ; but the accepted bibliographic tradition is that these repre- sented fttdjatfj £areto of &tttome, in Cornwall. Certes his translation of HUARTE (Examina- tion of Mens Wit) of 1596, has only similarly ' R. C./ and so the Epistle-dedicatory. I turned expectantly to Lord de Dunstanville's edition of Carew's acknowledged Survey of Cornwall (4to, 1 8 1 1) ; but the " Life of Richard Carew, Esq., of Ant07iie. By Hugh • * • • Esq.," gives no light on the 1 Tasso,' is utterly ignorant of it as of nearly everything else. Nor does the noble Editor himself add a single scintilla. Anthony a Wood blunders un-characteristically in his small ' Memoir' in Athena — confounding father and son — and neither in him have we certainty on the ' Tasso.' * The present proprieter of 'Anthony ' — representative of the an- cient family of Carew — informs me that there are no MSS. there now, the family papers having probably perished when a Carew was seized by the Parliament in 1645. No one, so far as I can learn — spite of this shadow of uncertainty — has ever claimed another owner for the initials R. C. than Richard Carew of ' Anthonie.' And so it may be accepted that to the erudite if somewhat over-stately Typographer of Cornwall, we are indebted for the first attempt to make ' Seign. Torquato Tasso ' " speak English." This Richard Carew was born at East Anthony in 1555. He was son of Thomas Carew by Elizabeth his wife, daugh- ter of Sir Richard Edgecombe. He was sent to Oxford in * Wood objects to the statement that our Carew travelled, &c., on the ground that Charles Fitzgeffrey in an Epigram speaks of him as not having been before out of England. But it is to his son the Epigram is addressed — "Ad Richard- um Caraeum Ri. Filium e Galiis reducem." vi Introduction. 1 566 as a ' gentleman-commoner' of Christ Church, and had his 'chambers' at Broadgate Hall. In 1569 he held — as was the mode — a public 'Disputation' before the Earls of Leicester and Warwick. His opponent was no less than Sir Philip Sidney. Of this H * * * * (as before) says : "Si quseritis hujus Fortunam pugnse, non est superatus ab illo. Ask you the end of this contest ? They neither had the better, both the best." (p. x.) In 1570 he removed to the Inner Temple. As before at the University, so in town, he resumed ' acquaintance ' with William Camden — who later lauded his ' Survay,' and in- deed enforced its publication — Spelman, and others. He was resident three years in the Temple. He then pro- ceeded abroad — probably in the service of his country over and above the usual 'tour.' In 1577, he married Juliana Arundel, a Cotsworth. He was J. P. in 1581 and Sheriff in 1586 and 'King's Deputy for the Militia.' In 1598 he be- came a member of the precursor of our present illustrious Society of Antiquaries. Altogether — and judging from the engraved portrait in Lord de Dunstanville's edition of the ' Survay' (as before) — he seems to have been a capital specimen of the " fine old English gentlemen " — somewhat pedantic, and, as already noted, over-stately, but cultured, bookish, patriotic. He won the 'proud praise ' of Sir Henry Spelman (in Epistle before his 'Tithes') and — as seen — of Camden. His ' Survay ' was dedicated in a fine Epistle to his great 'kinsman' Raleigh. He died 6th November, 1620. In Camdeni Epistolce (p. 106) appears a memorial-inscription for him. A noble 'tomb' was erected over his dust. With regard to the translation of Tasso now ' after so long a time' reproduced in response to many requests (led off by James Crossley,Esq.,F.S.A., Manchester, clarum et venerabile nomeji), it cannot for one moment compare with Edward Fairfax's full translation (or transfusion). It lacks the Introduction. vii imaginative light, the inner melody, the richness of unerring epithet, the quaint grandeur of the great folio, that holds its own even beside George Chapman's Homer. But it has its own merits. The fourth canto has a rugged gnarled strength about it in its portraitures of the occupant of the 'burning throne' that inevitably arrests attention. If now and again even in the most successful places you draw a long breath in the sense of grotesque escaped just by a hair's breadth (and that's only the breadth of a hair), you equally now and again recognize that lines and bits might have come bodily from Richard Crashaw at his best or from Phineas Fletcher in his own English of the Locustes. The translator's desire to keep close to the original gives us English words but Italian constructions so as to obscure the meaning and practically render ungrammatical. It may not be deemed superfluous to note a few of the fineliest touched things in this early translation, from begin- ning to close — a few out of many that the sympathetic student will discover. In the outset I bring together the two opening stanzas from our Worthy and from Fairfax, to shew that the greater and later had not disdained to read his predecessor : I fing the godly armes, and that Chieftaine, Who great Sepulchre of our Lord did free, Much with his hande, much wrought he with his braine : Much in his glorious conqueft fuffred hee : And hell in vaine hit felfe oppofde, in vaine The mixed troopes AJUat and Libick flee To armes, for heauen him fauour'd, and he drew To facred enfignes his ftraid mates anew. O Mztfe, thou that thy head not compaffefl, With fading bayes, which Helicon doth beare : But boue in skyes, amids the Quyers blefl, Dofl golden crowne of ftarres immortall weare, Celeftiall flames breath thou into my breft, Enlighten thou my Song, and pardon where, I fainings weaue with truth, and verfe with art, Of pleafings deckt, wherein thou haft no part. (st. I, 2> p. 5.) B viii Introduction. Fairfax. The sacred Armies, and the godly Knight That the great Sepulcher of Christ did free, I sing ; much wrought his valour and foresight, And in that glorious warre much suffred he : In vaine gainst him did hell oppose her might, In vaine the Turkes and Morians armed be, His souldiers wilde (to braules and mutines prest) Reduced he to peace, so heau'n him blest. O heauenly Muse, that not with fading baies Deckest thy brow by th' Heliconian spring, But sittest crown'd with starres immortal raies, In heauen where legions of bright Angels sing, Inspire life in my wit, my thoughts vpraise, My verse ennoble, and forgiue the thing, If fictions hight I mix with truth diuine, And fill these lines with other praise than thine. (2nd ed. 1624.) The description of Gabriel and his swift setting out for earth, is not without dainty touches, as thus : So fpake he : Gabriel himfelfe addreft, Swift to performe the things in charge he takes, His fhape vnfeene, with aire he doth inueft, And vnto mortall fence hit fubiect makes, Mans lims, mans looke, t'apparence he poffeft, Which yet celeftiall maieftie pertakes : Twixt youth and childhood bounded feeme his dayes, His golden lockes he doth adorne with rayes. He puts on filuer wings, yfrendg'de with gold, Wearileffe nymble, of moft plyant fway, With thefe he partes the winds, and clouds, and hold Doth flight with thefe aloft the earth and fea : Attyred thus, to worlds lower mould, This meffenger of skyes directes his way : On Liban mountaine hou'ring firfl he ftayd, And twixt his egall wings himfelfe he wayd. = equall. (st. 3, 4, p. 8.) Onward — the flight of the angel-messenger is far more vividly described by Plump downe directly leuels he his flight, (st. I, p. 9.) Introduction. ix than by Fairfax's Swiftly sped . . . . with headlong flight. (st. 15.) Another word-portrait attracts us : What can there not be learned in fchooles of loue ? There was fhe taught to waxe a warrier bolde: To his dear fide ftill cleaues fhe, and aboue One deftiny, his and her life doth holde : No blow that hurts but one, they euer proue, But ech wounds fmart encreaft is doublefold, And oft the one is hit, the other playnes, Tone bleedes at foule, the tother at the vaynes. But youth Rinaldo farre furpaffeth thefe, And paffeth all that to the mufter went, Mod fweetly fierce, vp mould you fee him rayfe His royall looke and all lookes on it fpent : He hope oregoes, he ouergrowes his dayes, When bud was thought but bloome, out fruit he fent : To fuch as armes him thundring faw embrace, Mars he did feeme : Loue, if he fhew'd his face. (st. 3, 4, p. 19.) Occasionally lines and couplets linger in the ear, e.g. : Where Chrifl for mortall man bear mortall woe. So gentle feemd a while, the Snakifh brood, That to his fierceneffe turnes as Sommer neares. But wayward bewtie, wayward hart to moue Semes farre vnfit, kindnes is bait of love. Mod noble lye, when fo embellifhed. And her faire face is taynted with a hew That doth not palenefle, but a whitenefte fhew. So loue not louing loued he alas. Yet more bemones her that no mone doth make. The Sea whom ech at plaints, and prayers findes, Still deafe, fole heres it you? fole you obeyes? (p. 47.) And her beguiled lockes this flighteft wound, With fome few drops, fuch wife betainted red As gold grows ruddie, which (fome rubyes ground By skilfull workemen fet) doth fparkles died. (p. 60.) (p. 25.) (p. 26.) (p. 33.) (p. 33-) (p. 34.) (P. 35.) (P- 39.) Introduction. Regnold fhapt fairefl, nobleft couraged, Fore-runnes them all, lightning takes flower flight (p. 62. ) An yron fleepe, and hardeft quiet took. (p. 64.) The husband Elmes, to which the vine fometimes Leanes, and with wrythed foot to heauen climes. (p. 71.) Afrayd I was eu'n to difclofe my feare. (p. 85.) Yet again a maiden-portrait wins us : This maide alone through preace of vulgar went, Bewty flie couers not, nor fets to fight, Shadow'd her eyes, in vale her bodie pent, With manner coy, yet coy in noble plight : I note where car'de, or careleffe ornament, Where chance, or art her fairefl countnance dight. Friended by heau'ns, by nature, and by loue, Her meere neglects mofl artificiall proue. (st. 4, p. 32.) There is a rather noticeable night-picture : Now was it night, when in deepe reft enrold Are waues & windes, and mute the world doth fhow, Weari'd the beafts, and thofe that bottome hold, Of billow'd Sea, and of moyfl ftreames that flow, And who are lodgde in caue, or pend in fold, And painted flyers in obliuion low, Vnder their fecret horrours filenced, Stilled their cares, and their harts fuppelled. (st. 2, p. 52.) Cf. Fairfax again Now spread the night her spangled canopie And summon'd euery restlesse eye to sleepe : On beds of tender grasse the beasts down lie, The fishes slumbred in the silent deepe, Vnheard was serpent's hisse, and dragon's crie, Birds left to sing, and Philomen to weepe, Onely that noise heaun's rolling circles kest, Sung lullabie, to bring the world to rest. (B. II. st. 96.) Carew is somewhat formless and elliptical, yet for myself he conveys better the restfulness of the night. Introduction. XI Surely the closing line in the following stanza is remark- able in its involute prolongation of the imitative sound ? It certainly surpasses Fairfax's : The hoarse sea waues rore hollow rocks betwixt. Lowe accents, filent words, broken fobbings, And fearefull fighings of this warlike rout, Mingling at once both ioyes and forrowings, A murmur make, whirle in the aire about, As in thicke forrefts heard are foft whiftlings, When through the bowes the wind breathes calmely out : Or as amongft the rockes, or neere the more, The driuen waue doth hifte and hoarfely rore. (st. 3, p. 54.) I would now give a larger and noticeable passage of 1 Clorinda ' : Tancreds affault this while Clorinda plyes T'encounter, and in reft her Launce beftowes : Ech t'other beauer hits, the fplints to skyes Vp ftart, and fhe in part difarmed fhowes : For buckles broke, foorthwith the Helmet flyes From off her head, (a blow whence wonder growes) And golden lockes vnto the wind difplayd, She midft the field appeares a youthly mayd. Her eyes do flam, her lookes do lighten bright, Sweete eu'n in wrath, in laughter then what grace They hold ? Tattered whereon thinkft thou ? thy fight Where bendft thou ? knowft thou not this noble face ? This is that vifage faire whence thou in light Flames burnft, thy hart (her pictures fhrine) the cafe Can fhow, this fame is fhe whom quenching thirft At folitarie fpring thou fa weft firft. He that of painted fhield, and of her creft Tooke earft no keepe, now feeing her doth grow A ftone, fhe bared head couers, as bed She may, and him affayles, he gets her fro, And fell blade whirling makes againft the reft, Yet at her hand peace cannot purchafe fo : But threatfull him purfewes, and turn fhe cries, And to deathes twaine at once fhe him defies. Stroken this Knight, no ftrokes againe replyes, Nor fo from fword himfelfe to guard attends, xii Introdtution. As to regard her cheekes and faireft eyes, From whence his bow, Loue unefchewed bends, T'himfelfe he fayes, ech blow vnharmefull dyes, Which force of her right hand (though armed) lends, But neuer blow from her faire naked face Falles vaine, but in my heart findes lighting place. (st. 2, p. 58. to st. I, p. 59. ) We have now reached the ' fourth Song,' and as already stated, it shews Carew at his best as it does Tasso himself. I will not — though sorely tempted — glean "brave trans- lunary things " from it, but send the Reader thither. Some of the epithets seem to me inestimable. I limit myself to one passage containing the portrait of the sorcerer's beauty : Within few dayes this Dame her iourney ends, There where the Frankes their large pauillions fpred, Whofe bewtie rare at his apparence lends, Babling to tongues and eyes a gazing led : As when lome Starre or Comete ftrange afcends, And in cleere day through sky his beanies doth flied : They flocke in plumps this pilgrim faire to vew, And to be wizde what caufe her thither drew. Not Atgos, Cyprus, Delos ere prefent, Paternes of lhape, or bewtie could fo deere, Gold are her lockes, which in white fhadow pent, Eft do but glimpfe, eft all difclofde appeare, As when new clenfde we fee the element, Sometimes the Sun fhines through white cloud vncleere, Sometimes fr5 cloud out gone his raies more bright He (heads abroad, dubling of day the light. The winde new crifples makes in her loofe haire, Which nature felfe to waues recrifpelled, Her fparing looke a coy regard doth beare, And loues treafures, and hers vp wympelled, Sweet Rofes colour in that vifage faire, With yuorie is fperft and mingelled, But in her mouth whence breath of loue out goes, Ruddy alone and fingle bloomes the Rofe. (st. 1, 2, 3, p. 80.) (Cf. also p. 96, st. 1-3). Introduction. xiii In Notes and Illustrations, at the close, a considerable number of rare words are recorded, some of them furnishing excellent examples for the great Dictionary of English of the Future. Altogether for what it is — as shewn in the quotations — intrinsically, and for its relation to Fairfax's and to the enrichment of our earlier literature by transla- tions, I count on it that all will deem Carew's ' Tasso ' an interesting addition to these Occasional Issues. I would notify one luckless misprint at page 108, st. 3, 1. 8, 'Is' for