THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES HIS OWN IMAGE A NOVEL BY Alan Dale " O, beware, my lord, of jealousy ! It is the green-eyed monster which doth mock Th meat it feeds on. NEW YORK: COPYRIOMT, till, IY G. W. Dillingham Co., Publishers. MDCCCXCIX. {All rights reserved.] /} CONTENTS PS. . ' 35O5. - 5-5. k I. The Actor en Ntgligt ... 7 II. Felicia Makes a Hit . . . .24 III. Reginald Dissimulates . . .42 IV. The Horror of Success . . .58 V. Crampton Advises . . . -75 VI. " Marry Me, Felicia " ... 88 VII. At Tussaud's 102 VIII. Dejazet 119 IX. Felicia Writes 136 X. The Siren of Leicester Square . .157 XI. La Chinoise Confesses . . . 167 XII. Justifying Crime . . . .181 XIII. Felicia Returns to London . . 196 XIV. She " Interviews " Crampton . .211 XV. The Flesh and the Wax . . .226 XVI. " A Week from To-day " . . . 242 [5J Contents CHAPTER PAGE XVII. Shrimps and Watercress . . .257 XVIII. "One Last Kiss," said the Siren . 271 XIX. The Marriage Prelude . . .285 XX. His Nemesis . . . .299 HIS OWN IMAGE Chapter I THE ACTOR en ntgligt REGINALD RELLERICK, actor, of carefully em- broidered reputation ; ego-maniac, of almost psy- chological import, turned in his big blue bed, drew up his feet, and yawned. He was unstudied, and unconsciously human, for even a great actor can- not set nature entirely at defiance. The dingy sun of London was not allowed full play in Mr. Rellerick's apartment. It fought its way through rosy festooned curtains, and planted an absurd carmine clot on the actor's nose a nose that had been discussed throughout the land. Mr. Rellerick " came to " slowly, as though the act were enjoyable one that he savoured. His marvelously one-toned mind gathered up the threads of its own make-up, and the actor, like a serial story, gradually prepared himself " to be continued in our nejft." A smile illumined his chaste, yet classic features, as he realized that, after all, he was [7] 8 His Own Image himself. He rejoiced each morning as he renewed his own acquaintance. This is invariably a pleas- ant and a goodly thing for an ego-maniac to do. As he lay there, wallowing in the mere animal warmth of his own well-groomed body, his import- ance arose in his mind like a mental giant, and filled the room. He saw nothing else. The lur- niture was all-himself ; the decorations were all- himself ; the big blue bed was all himself ; tl pink adulterated sun was nothing but a useful prop- erty designed to agreeably tint it all. Mr Rellerick heaved a deep, fat sigh of content. He wondered why the outside world bothered about getting up and fretting around while he was there on his pedestal. For him nobody else existed. The whole non-ego outside was but a feebly de- nned shadow. Tom, Dick and Harry, in the rush and fever of their pursuits are fully aware of their own subordination to the rest of humanity. Mr. Rellerick was unable to see that anything he did, or might elect to do, was not of vast, of universal importance. The bottle-washer, who washes bottles for his daily bread, realizes that, necessary as his work may be, the world yet contains men and women who oc- casionally think of other things than bottles. The actor ego-maniac, on the contrary, preferred to be- lieve that the universe was constructed to lead up to the great act of Himself. Those who thought otherwise were his mortal enemies. , Those who coincided were his slaves and his unworthy dupes. The former he hated ; the latter he despised. The Actor en Ndgligt As soon as he was thoroughly awake, Reginald cushioned himself artistically in the big blue bed. His perfect profile indented the soft white pillow. He wished that there was somebody there to see him. He was so accustomed to audiences that the solitude of his bed-room seemed almost ludicrous. A large, cool, white statue, supposed to represent the Venus de Medici in the Museum of Florence, arrested his attention momentarily. He amused himself by thinking liow envious the outside world would be of this Venus, if she could only manifest one single symptom of living appreciation. By this time Mr. Rellerick was completely him- self. All traces of unconscious humanity had van- ished. He had resumed his deleterious occupation of acting a part. The external brou-JiaJia of Lon- don surged and circled in the streets, but the big blue bed was just then the actor's world, and he was its population a teeming, tumultuous popula- tion of one. He sat up and leaned his cheek upon his hand, in the attitude of his picture at the National Gallery. All the London art critics had lauded that attitude. He rather liked it himself. He had " closed his season " at his own theatre, built for him by his own admirers. The night be- fore had been one of much glory. For the final and ornamental event of his season he had pro- duced a new play by a well-known playwright. The playwright's name had figured in tiny type on the programmes as it deserved to do. His own had been limited only by the size of the bills. io His Own Image Every thing came back to him in a sweet, swirl- ing rush. He had made a delightful speech, that had cost his hard-worked secretary at least two weeks of earnest, undiluted thought. He had talked blithely of the education of the masses although he regarded the masses as " supers " in his own seething life-drama. In this world every- thing is pretense, and he was obliged to pretend that he had some object in view, other than his own self-aggrandisement. How they had all applauded those dolts in the audience ! The Prince of Wales had been there, with pearl kid gloves, and the Princess. He had led the applause with his own hands, and had re- mained until the final curtain fell. He had been noticed talking to the Princess with quite unusual vivacity, and when Rellerick had glanced, in loyal deference, at the royal box, Albert Edward had been positively observed to very nearly smile. The honour of it all ! The glory ! " The strain upon the actor is great," Reginald ! had said. " The constant demands made upon his emotions are bewildering. I am sure you will not grudge me a holiday, ladies and gentlemen. It is hard to leave you, even temporarily. Your favour is sweet ; your encouragement is dear and lovely. However, nature needs recuperation. I go from the fevered splendours of this glittering metropolis, to those glad, poetic haunts, where there are rip- pling brooks, and violet landscapes, and all the gorgeous features of nature unadorned." That had been his final utterance. Even the The Actor en Ntgligt \ i ego-maniac is not completely fenced in from the sublime and healing sense of the ridiculous. Regi- nald Rellerick choked with suppressed laughter, as he lay there in his big blue bed. Rippling streams ! there was nothing that he loathed so utterly. Vio- let landscapes ! They were exceedingly useful for threadbare, velveteen artists and school-girl ama- teurs. The gorgeous features of nature unadorned ! They had always seemed to him to be miserably kif-kif. What were all those gorgeous and un- encompassed features to the soothing rebellion, the exquisite mutiny, of Piccadilly Circus? He frowned as he reflected that he should prob- ably be expected to leave London for a time. The odious idea of " taking a holiday " like the butcher, the baker, or the candlestick-maker, op- pressed him heavily. The public, however, insists that we shall behave conventionally. We must go to bed when it is night, and rise when it is day, and " take a holiday " once a year, when we are tired. To be successful in the world, we must subscribe to its conventions. That is inevitable. Reginald Rellerick knew it. The fact was perpetually dinned into his ears by his secretary. Great though he might be, there were certain grooves that he would never be permitted to leave. Only the disapppointed and impecunious cynic can af- ford to do as he likes. The actor sighed. Could he ever bring himself to leave London appreciative, wonderful London, where he was known and recognised at all times ? A dreadful picture of country barbarians weighed 12 His Own Image upon him. The idea of being obliged to introduce himself ; to explain that he was an actor ; to walk through streets where nobody cared whether he was shaven or unshaven ; to pass whole days among people who were absolutely unconvinced of his greatness, frightened him. The mere notion was self-obliteration. It would be a gap in his life. Yet he smiled again as he recalled his words of the preceding night" the mental strain upon the actor " " the constant demands made upon his emotions." Ha ! Ha ! Ha ! The smile developed into a laugh. Even the cool, white face of the Venus de Medici seemed to smile. What nonsense it all was ! Imagine an actor putting aside the balmy favour of a " crowded house," and rushing off, with a valise, to listen to purling, gurgling streams ! The mental strain of pretending to like it all is surely the most arduous task of his life. At least that is what Reginald Rellerick thought. The actor sat up and touched an electric bell by the side of his bed. The gentle tintinnabulation was music to him. It placed him in communica- tion with his sycophants. Without them, he was like an opium eater destitute of drug. "Send Mr. Crampton to me," he said to the valet in response. The menial stood for a moment in well-rehearsed admiration of his master. He had a part to play, and he played it every morning. It was a think- ing part, but it was one of those " bits " that stand out. All that he had to do, was to look at the recumbent figure on the bed with a sudden expres. The Actor en Ntgligd 13 sion of joy, and then draw himself up semi-apolo- getically, as though the lovely sight had been too much for him and had caused him to forget him- self. Reginald Rellerick smiled indulgently. The valet was always his first sycophant, and he loved this introduction to the obsequious galaxy ! Some- times he called his menial " sirrah," because the word had a haughty, old-time-y sound that was dis- tinctly luxurious. Mr. Crampton, the secretary, was a mouldy per- son, with stooping shoulders and a cadaverous face of jaundiced hue. The face was quite devoid of any expression. The shoulders were very respectable. They had acquired their stoop in Reginald Reller- ick's service. Mr. Crampton wrote his speeches when he opened bazaars, laid foundation-stones, or addressed students. Mr. Crampton answered all his letters, and was responsible for various learned articles that had appeared above the signature of " Reginald Rellerick " in leading reviews. He was an Oxonian Master of Arts, but he had forgotten the fact. He had forgotten everything, in the ser- vice of the great and famous actor. Mr. Crampton opened the door and entered. In his right hand, he had half a yard of column, clipped from a newspaper. The ruddy hue of the drawn curtains turned his gamboge face to old rose, but imparted no expression to his features. Nothing could do that. " This," said Mr. Crampton, holding up the half- yard of column, " is a most agreeable and just criti- I4 His Own Image cism of your work last night. It will please you, I am quite sure." Mr. Crampton hesitated. He knew what was coming. " Is that the only clipping you have to give me this morning?" asked the actor, absurdly anxious, and carmining slowly. The secretary shuffled, ungainly as a dromedary. " I have carefully read every paper," said he, " and I am sorry to say that many of the notices are flip- pant, and unworthy of your attention. You, sir, as you have told me often, have nothing to learn from the asses who call themselves critics. Every great man has his enemies. This morning I have noticed an unusual amount of spite, malice and pettiness. All these are really tributes to your greatness." An observer might almost have imagined the ghost of a smile on Mr. Crampton's corpse-like face. In reality there was none. The mouldy secretary had no illusions. Only people with illusions know the bliss of a surreptitious smile. " Read me your criticism," commanded the great actor harshly. It was a magnificent adjectival commendation. Mr. Reginald Rellerick was world-famous, and he had produced a new play ; not that the great yet paying public attached much importance to a play when Rellerick deigned to appear in it. He had been plied with a part that again gave his stupend- ous genius emotional opportunities. Far from that genius being on the wane as certain malignant writers professed to believe (Rellerick winced at The Actor en Ntgligt 15 this) it had never been more convincingly instanced. The leading lady, Felicia Halstead, had contributed a " reliable " performance, but one that was, of course, unimportant artistically, as compared with the bewildering effort of the actor, who was at pres- ent making the history of the English stage. Et patati. Et patati. "It is badly, wretchedly written," said the Oxonian Master of Arts, " but," added the obse- quious secretary, " it is very just." " It is admirably written," cried Reginald, push- ing aside the pillow. " Why there is not an unfriendly note in it. It was the work, I believe, of young Winkle you remember the fellow I recommended to the Screamer" " I believe that it was, sir," replied the secretary. "He is evidently a very grateful young man." The eyes of the ego-maniac rounded themselves in surprise. " I don't know what you mean by the word ' grateful,' Crampton," he murmured. " It is not a question of gratitude. Mr. Winkle saw my performance without prejudice, without envy, with- out spite, without sinister motives, and he told the truth about it. The others are all liars and per- jurers. Winkle, I notice, never even mentions the name of the playwright. He is a far-seeing youth. He knows the love of notoriety, and the hankering for publicity, that move the modern playwright. He declines to prostitute himself to that sort of thing. No playwright's name should ever be used in the review of a great actor's work." 16 His Own Image " Except, occasionally, Shakespeare's," suggested the secretary. " You are right, Crampton. Shakespeare's name never does any harm. It rather enhances the actor's value. However, as I was saying, I am quite pleased with Winkle. He is a remarkaby talented young writer. If I had my way, I should have his views set up in all the papers. I must dis- cuss the question in the Fortnightly. You can write the article at your leisure, Crampton. Why shouldn't there be but one critic in a big city ? Dissenting opinions are really an obstacle in the way of progress. I like Winkle, Crampton. They tell me that he has a wife and nine dear little chil- dren. Suppose you send Mrs. Winkle an auto- graph letter from me " I am afraid that the children won't find it nourishing," interrupted the secretary. " I am astonished, Crampton. Nobody has ever yet accused me of penuriousness. I was going to say when you so foolishly interrupted, that you may enclose in the autograph letter, a ten-pound note, to buy boots, or comforters, or under-affairs for the olive-branches. I like to encourage merit. You may leave me now. I shall get up, and possi- bly I may run in to the Garrick for an hour or so." Crampton shuffled again, in his dromedary-like clumsiness. "You have said good-bye to the public for the present," he said. " You have announced your intention to rest. If you could bring yourself to avoid the club for a few weeks, The Actor en Ndgligt 1 7 the effect, I think, would be artistic. Remember you are tired, exhausted, bent upon recuperation." The mouldy secretary again seemed to suggest the inception of a smile. He knew Mr. Rellerick so well ! The great actor lived in the petty adula- tion of his club, in the unhealthy warmth of its sycophancy, in the mute adoration of Tom, Dick and Harry. It was hard to forsake it all, even temporarily. There was the joy of being gazed at when entering ; the bliss of knowing that the Ba- bel of tongues ceased as he took his favourite arm- chair ; the dulcet satisfaction of the triumphal exit. Only the absolutely ego-maniacal actor of diseased personality understands the furious de- light of perpetual pose. Reginald Rellerick bit his lips as he listened to the diplomacy of his secretary. It was wholesome advice. He knew it. Yet to accept it was like voluntarily wooing incarceration. The great actor lived for himself, as the public saw him. Minus that public, every incentive to existence was lack- ing. The ego-maniac cares little for riches, except for the sycophancy that they purchase ; he has scant interest in art, save for the glamour that it may cast over his personality. Friendship is a rung in the ladder of self ; love a mere sensual commodity. Having offered his modicum of advice, the mouldy Crampton withdrew. Before leaving, how- ever, he -took from his pocket a budget of newspa- per clippings the adverse criticisms of his master's performance and placed them ostentatiously on a His Own Image marble table. This mode of procedure was inevi- table. Baleful curiosity might take possession of Mr. Rellerick. He was human, after all. A great actor, like other deluded people, suffers from what is known as the " mania of persecution." He likes to know his enemies. Adverse criticism is to him the ammunition of the enemy. To the public, Mr. Rellerick never " read new- papers." To Crampton, he perused the " helpful " criticisms those that " helped " the illumination of his ego. In the solitude of his sanctum, vis-ci-vis to the voluptuously inert Venus, he mastered the inimical comments of his traducers. Crampton guessed this. He gave him the opportunity to satisfy his craving. After every " first night " the same things happened. The secretary appeared and read aloud all that was laudatory, after which he deposited all that was non-laudatory within the grasp of his master. Reginald Rellerick dressed slowly. It was an occupation that he savoured. In the silken gar- ments given the honour of immediate acquaintance with his cuticle, the actor surveyed himself in the long cheval-glass. It was an honest admiration that he felt, and there was no need for disguise. His own personality was, to him, a precious gift. The preparation of his own person for contact with a charmingly appreciative world entertained him extremely. Yet the solitude of it all was at times irritating. He would have admitted an audience gladly, without the slightest qualms of modesty. He enjoyed this daily preparation, but The Actor en Ntgligt 19 it would have been sweeter if the chairs in his room had been occupied by an admiring public. Reginald Rellerick was not what is known as a " dandy." To have imagined that mere clothes enhanced his glories, that a blue necktie stamped him with individuality, or that a creased trouser betokened refinement, would have been to over- estimate the value of sartorial effect. Clothes are the solace of the squalidly sane. The world said that he was badly clad and that his taste was execrable. These facts made his trademark. He would not have changed his baggily-fitting gar- ments for the sprucest tailor-work he could find. It was all a question of arranged dis-arrangement, of zealously planned slouchiness. Breakfast was served to him in an alcove that swelled from his bed-chamber. It was a breakfast of substance. There was nothing in it suggestive of rose-leaves and dew-drops. Although Mr. Rel- lerick posed in public as a genius to whom mere food was distasteful, in private he gratified the longings of a material nature. He ate eggs the acme of all that is commonplace and sordid. He drank the tea that solaces the unintellectual washer- woman and opens the floodgates of a frivolous eloquence. The eyes of the Venus de Medici or so it seemed to this connoisseur of eyes and their glances watched him reproachfully, as he ate and drank greedily. He felt uncomfortable. His self- consciousness was embarrassing. When he had finished his meal and lighted an 20 His Own Image Egyptian cigarette, the great actor unceremoni- ously seized the budget of criticisms which had been placed upon the marble table by the seedy Crampton. It was apparently an interminable budget. Every newspaper in London, with the exception of that which owned the worshipful Mr. Winkle as its critic, had a point to make. It was a dreary and an intolerable point. As it was brought home to the ego-maniac he flung the Egyptian cigarette to the ground and stamped it out of existence. As its full significance dawned upon him, the calm of his features was dissipated, and in its place ap- peared an odious expression of rage and hatred. He arose and stood glaring at the Venus de Medici as though that white witness of his fury might have helped the situation. Backward and forward he paced, his mind in a tumult as the real force of the catastrophe struck him. An actor's soliloquy on the stage is generally considered unreal. A soliloquy in actual life is uncanny. Mr. Rellerick soliloquized aloud in his room. What he said was neither poetic nor elevat- ing. " The cat !" he cried. " To undermine me in the minds of those critical vermin. And that is the woman I have helped and praised and loved !" He brought his clenched fist down on the break- fast table. The cups shivered in their frail, china way. A plate fell to the floor, rudely broken. Once again he picked up the clippings and read The Actor en Ntgligt 21 them all anew, his eyes gleaming, his lips quivering, his frame in a paroxysm of anger. It was all too malevolently true. Felicia Hal- stead was the name with which these criticisms reeked. The fact that she had deliberately wrested the honours of the play from his stellar grasp, was the story that they told. Enthusiastic praise of her work was the derogatory theme ; graphic descrip- tion of her " magnetic personality " flavoured the whole thing. Felicia Halstead, his leading lady! Felicia Halstead, his automaton ! Felicia Halstead, his plaything and satellite ! The rage of the great actor, like a snowball roll- ing over snowy ground, gathered weight as it re- volved around its own sensations. No such over- whelming calamity had suggested itself to him. There had, perhaps, been indications, but to the ego-maniac, indications rarely indicate. He had never even noticed her work. She had been to him what in the jargon of his over-rated " profession '' is termed a " feeder." She was an animated " super " nothing more. Yet these malignant penny-a-liners, whose lucubrations were permitted full sway, dared to assert that it was she, Felicia Halstead, who had triumphed, and that he, Reginald Rellerick, whose name was a house- hold word throughout the land, had been swamped ! The shock of it all dazed him. As he looked at his Venus he saw it distorted. There was a devil- ish smile on its icy lips, a sinister arching of its marble brows. A chilly horror of the figure seized 22 His Own Image him, and with one blow he felled it to the ground. It lay at his feet unbroken, and a slight satisfaction at his manifest power visited him. This satisfac- tion was short-lived. His perturbation returned in full force. A dismal presentiment of waning hap- piness took possession of him. After all, his career was his life, his hope, his excuse for existence. She was a thief, an interloper, a menace. He rang the bell and Crampton appeared. The secretary saw what had happened but was quite undismayed. He picked up the bust of the Venus and set it carefully upon its pedestal. He glanced at the shattered plate and at the demoniac expres- sion on his master's face. Then he shrugged his shoulders, and waited. " Get a hansom," cried Rellerick, "and go at once to Miss Halstead's house. Bring her here. Don't return without her. If she declines to come, use force. I insist upon seeing her." Crampton showed surprise. This was an unusual proceeding. He could imagine no circumstances that could induce Felicia Halstead not to respond to her master's bidding. He could as soon have seen the flowers in the garden opposite refusing to turn to the sun. " Go !" shouted the actor. " Why are you wait- ing there gaping ? Bring her back with you." Crampton nodded. He could think of nothing to say. Diplomacy seemed to be unnecessary. Advice was out of the question, for what could he advise ? Some inkling of the truth probably The Actor en Ntgligt 23 reached him as he turned to leave. Five minutes later he was on his way to Miss Halstead's apart- ment. Poor Felicia! The secretary sighed as he thought of her. Chapter II FELICIA MAKES A HIT FELICIA HALSTEAD was one of those neutrally gray, incomplete creatures we used to call woman, before Mme. Sarah Grand's hideous prose had de- clared war against Tennyson's matchless poetry. She was " as moonlight unto sunlight, and as water unto wine." The pale art of self-obliteration was her chiefest coquetry. She was a plaything, with wires made to be pulled by the dominant sex. In any other of life's walks Felicia Halstead would have played the maternal role delightfully. The soft cushions of her being were designed by nature for pillows to the young idea. She might have been a mother of lithe, brave sons, or of sinuous, whole- some daughters. Her life had moulded itself other- wise. Her lovely feminine qualities had been poured into the lap of Reginald Rellerick. All her instincts had been turned in his direction. His was the shrine at which she worshipped, as far as this world was concerned. Her pearls were cast before swine. It is a very usual case. Felicia's face suggested sunshine. It was bright, imperfect and warm. There was warmth in her eyes ; healthy life in her red, wet lips. Her face was [24] Felicia Makes a Hit 25 shadowed by a tangled growth of thick, picture- book hair. That hair was dyed to the conventional theatrical " shade " of impossible yellow. Mr. Rel- lerick preferred it so, his own being dark and sin- ister. Felicia would have crimsoned her tresses had he suggested it. Her tints were matters of the utmost indifference to her. He had told her that she was pretty with her improbable yellow hair, and she was satisfied. . . She cared to be pretty, because she was eminently natural. She was glad that Reginald had indicated the exact way in which to acquire beauty. It was so much easier than thinking it out for herself. If she had been left to her own resources she would probably have had the courage of mud-coloured hair. Her figure, in an artistic country, would have made the fortune of artists. But Felicia lived in London, where curves are looked upon with dis- trust, and a straight corset denotes a straight mor- ality. Miss Halstead laced herself into stays sup- plied by Her Majesty's favourite corset-maker, and did the correct thing unquestioningly. The pretty face of an Englishwoman is supposed to atone for all her defects. It generally does so in England. The young actress lived in a quiet little Netting Hill house, with a respectable, black alpaca lady, used as a housekeeper. The housekeeper was pro- priety itself. She always wore a cameo brooch, with an extinct husband's hair at the back, and a circle of white ruching round her neck. Nobody doubted her. Nobody could doubt her. Any jury in England would have acquitted her of anything 2 6 His Own Image on earth, without leaving their seats, with the cameo brooch and the ruching as damning evidence of her virtue. Mrs. Landington had been selected as the black alpaca associate of Felicia Halstead by Reginald Rellerick himself. Mrs. Landington was there to protect his own reputation, rather than that of the careless Felicia. The housekeeper was amusingly squalid and non-provocative. She could have been the mother of a professional beauty, and have watched her daughter's career, without an inkling of its truth. She could have posed as the parent of a sealskin chorus girl, with princely perquisites and a salary of thirty shillings a week, and have felt no misgivings. Her salient black alpaca bust was comfortable arid reliable. Felicia was to her an ordinary working-woman in need of a domestic background. She fed her on chops and boiled po- tatoes, and affected to misunderstand Miss Hal- stead's aesthetic longings for more artistic nu- triment. She alluded to Mr. Rellerick as Felicia's " employer " and was persistent in her efforts to please him. It was Mrs. Landington who opened the door for Mr. Crampton, as the mouldy secretary hastened to do his master's bidding. Crampton, in Mrs. Land- ington's eyes was the lowest grade of servant. She retained her housekeeper's apron, after she had looked through the key-hole of the front door to ascertain the identity of the visitor. " Miss Halstead is not up," she said unpromis- Felicia Makes a Hit ingly. " If you wish to talk to her you had better come again." " Please tell her," quoth Crampton, " that Mr. Rellerick wants to see her at once. I am to wait for her and take her back with me in the hansom outside." Then he added, in a sort of washed out attempt at easy commonplace : " It's rather early to be here, isn't it ?" Mrs. Landington made no response whatever to the secretary. She motioned to him to enter, and swept him into a reception-room that held wax flowers under shades, and woolen mats on ricketty tables according to popular suburban dictates of taste. Then the black alpaca lady trotted upstairs, and two minutes later Felicia's voice was heard from aloft. " I shall be ready in a few minutes," it said, for Mr. Crampton's benefit. " Have you any idea what Mr. Rellerick wants ?" The secretary raised his foggy tones and sent them upstairs as well as he could. He had no idea, he said. But he bit his lips immediately, and sighed. There was no need to play a prelude to the great actor's evil intentions. She would discover them for herself soon enough. Miss Halstead was not long dressing. There were no mysteries about her toilet. It was a sim- ple and unassuming affair. She appeared before the secretary in a robust dark blue costume that would have been scorned by a cook on her Sunday' out. Her face was fresh and rosy. Her gold-dyed hair was exquisitely dishevelled according to 2 g His Own Image Reginald's ideas and it was the only feature of her personality that spoke of the fevered life thut she led. " Good morning, Mr. Crampton," said Miss Hal- stead. " You are indeed an early bird. I suppose that Mr. Rellerick is going to alter my part in last night's play. I think there was rather too much of it. It conflicted too much with his own, as I thought it would do. The public doesn't want two stars when Reginald is there, does it, Mr. Cramp- ton ?" Felicia's sunshine lightened the room. Poor, mouldy Crampton thought she was the most be- wildering picture of a bewildering sex that his pale, platonic eyes had ever seen. The wax flow- ers seemed to melt in her presence, and Mrs. Land- ington's evil, suburban ornamentation to acquire an artistic value. He said nothing, however. Fe- licia knew him so well that she expected his silence. " I must just drink a cup of coffee and look at a slice of bread and butter," she went on, "or Mrs. Landington will be mortally offended. She is very touchy on the subject of breakfast, and if I went away without eating she would look upon me as a sort of heathen." As she spoke the alpaca housekeeper appeared with a tray that held so much stodgily wholesome food on its lacquered surface, thac Felicia tinkled with laughter. " I shan't eat at all, dear," she said to the re- Felicia Makes a Hit 29 spectable lady, " because Mr. Rellerick must be in a great hurry. It looks very nice, though." Then as Mrs. Landington's lips began to purse themselves rather threateningly, she added, " I'll make up for it, Landy, when I come back. You can give me boiled mutton for dinner, and I'll eat it all. And and do let me have one of your bread puddings, dear. I shall be as a hungry as a hunter and a half. Business is business, isn't it, Landy? You couldn't expect me to eat this nest of eggs, and that aquarium of fish, when my em- ployer sends for me at a moment's notice." " I never ask the impossible, my dear," was the housekeeper's reply. " You have a good, indulgent master, and you must obey him." In the cab, Felicia's glowing matutinal spirits could not be repressed, either by the dingy pic- tures in the streets or the mouldy secretary's ap- parently obstinate indifference. " What do the papers say about last night ?" she asked impetuously ; " I never saw Reginald so completely glorious as he was during my death scene. It was the most perfect piece of work he has ever done. I almost forgot to die, I was so engrossed in that splendid farewell utterance he made to me." " But it was your death scene," muttered Mr. Crampton gloomily. " And in the second act," went on Felicia > " when he declined to listen to my siren-like bland- ishments I am always an utter failure as a siren His Own Image it seemed to me that his voice was sheer, entran- cing music. Marvelous marvelous, I call it." " But the audience sympathised with you," said Crampton, with a sigh. " Do you think so ? Well, perhaps a few of my superfluous lines might be removed. Such art as Reginald's should stand alone. The trouble was that Pinerville wrote this play for a stock company rather than a star. Still I am sure that Reginald will be able to make changes in it. What did the critics say ?" " Why don't you read the papers ?" asked Cramp- ton, with an almost ferocious intonation. Felicia shrugged her shoulders and laughed. It seemed to her a very absurd question. There was nothing that she wanted to hear but a general ver- dict. As a rule she relied upon Mr. Rellerick for this. She preferred to abstain from mere technical criticism. "You are a cross person, Crampton," she said, pinching his arm as though he had been a refractory schoolboy. " I should like very much to be vexed with you, but I haven't time. Tell me this : do the critics rave ? I know they do of course they must but I should like to hear it from your sedate and unimpressive lips. You are such a sedate per- son, Crampton ! You know you are. If you were a few years older I should engage you to Mrs. Landington. So rejoice in your youth, my dear sir." The mouldy secretary shivered slightly, in spite of the warmth of the morning, and his face looked Felicia Makes a Hit 31 more like parchment than ever. It was not neces- sary to answer Felicia's question, for she was chat- tering gaily and volubly, quite forgetful of her temporary desire for a verdict. She was so certain of that verdict ! She took it for granted. Men were not blind, and women were not fools to hold them- selves aloof from the divinest dramatic powers in the universe. " I can't imagine you as Mr. Landington," she frivoled, " driven to perpetual boiled mutton and bread pudding. It is bad enough for me. What would it be for you ? Yesterday, Crampton, I stole away to the Grove this is distinctly entre nous and had game pie and a pint of champagne, in sheer self-defence. The poor old lady would have cried her eyes out if she had known. But I felt I couldn't tackle a new play on a boiled mutton foundation. You see I've confided in you, although you are so cross. Why are you so cross, Mr- Crampton ? Don't you ever feel, when you see Reginald act, that life isn't nearly as black as it is painted ? Don't you ever feel that, Mr. Cramp- ton?" The secretary made no reply. He moved an inch or two away from Miss Halstead, and mur- mured something anent the lack of swiftness charac- teristic of London cab-horses. They fell into a temporary silence. He, moodily, chewed a bitter cud that seemed to be the quintessential dregs of his nature ; she was lulled into apathy by one of those sudden, presentimental gusts that persistently hover around light, impressionable temperaments. 32 His Own Image The hansom rollicked over the neat grey asphalt pavement, and flew through the early street noises and the squalor of Lond6n. The mouldy secretary was the first to speak. His voice had a rumbling sound, as though it were not quite sure of itself. His parchment face seemed to mellow faintly, and there was a distinctly human anxiety in his manner as he turned to her. " Tell me, Miss Halstead," he said, " if you, your- self, never feel an individual ambition ? Are Regi- nald's hopes infectious ? Do you never say to yourself that one of these days you, too, will be the puissant theatrical star, dominating tue master- pieces of pinnacled playwrights, spoken of in all the homes of England, Scotland, and Ireland ? Are you content to play second fiddle to Mr. Rellerick for ever and for aye ?" It was a high-falutin utterance, that he attempted to vulgarize by his " second fiddle " allusion. Crampton had grown so accustomed to the writing of ornamental English that occasionally he spoke it. He looked earnestly at Felicia Halstead as he talked. He approached her unconsciously and never knew it until the subtle perfume of her un- caught hair spoke fragrantly of her proximity. " I have no ambition, Crampton," replied Felicia, rather gravely ; " I am a cog a happy cog in Reginald's mechanism. That is all. I could never be what the world calls ' great,' Crampton. I have no dominancy, no magnetism, nothing that is un- usual. Why do you ask me such questions ? They might almost insinuate that I am lacking in loyalty. Felicia Makes a Hit 33 Reginald's success is all that interests me. Don't you know, Crampton, that that I love him ?" The confession was surprised from her lips. It was an unpleasant and a compromising confession. She felt that, as soon as she had uttered it. It was Reginald whom the words might compromise. The great actor, as she knew, tried to keep himself un- tainted from the gossip-mongers. For her own re- putation, she cared nothing at all. She would will- ingly have proclaimed her subjection to Reginald from the house-tops. " When I say I love him, Crampton," she con- tinued hesitantly, " I mean, of course, that I admire his art, and respect his personality. You under- stand, I am sure." Yes, the mouldy secretary understood. He sat there, trembling and uneasy. The cab seemed to him like a hideous projectile, shooting them into infernal comprehension. He understood, for the situation was not in the least enigmatical. It was bald and easy. Mr. Crampton bit his lips. There was enigma in that action, at any rate. Why did Mr. Crampton bite his lips ? Mr. Rellerick's door was opened to the couple by a delightfully theatrical looking "character" person with comedy manners. This gentleman aspired to his master's calling, but was as yet un- satisfied. He played persistent roles in the kitchen, however, with Reginald's fat cook as a voluntary ingenue. Felicia nodded amicably to the secretary, and ran lightly upstairs to Reginald's study. It was His Own Image there that Reginald encountered many other peo- ple. Miss Halstead was quite safe in this study. Even the " interviewer " was permitted to talk to and to photograph her there. The room contained a huge bookcase, filled with volumes that the great actor had never read. These volumes were affronts to his ego-mania, for they dealt with old, extinct actors. Easy chairs, a couple of sofas, and an orn- amental fire-place were other features of this room. It was aggressively dark and heavy ; magnificently ponderous and uncomfortable. It was popular, however, for in all the pictures portraying " Mr. Rellerick at home " or " The great actor in his study " it appeared gracefully. It was distinctly a room " for the public," glowingly labelled with the " private " brand. It was part and parcel of Rel- lerick's colossal lie to the world. It was mendacity, carpeted and furnished. Felicia paused at the open door of the sanctum. She could see Reginald pacing up and down the Orientally-rugged floor. He wore a dressing-gown, with affected carelessness, and a large meerschaum pipe hung from his loose, bulging lips. Much of his smug complacency seemed to have vanished. There was action, alert, crafty and vindictive, in his manner. He saw Felicia at the precise moment that she saw him. He motioned to her to enter, then carefully closed the door. The footstep of Crampton was heard descending the stairs. Then the outer world was forgotten. Felicia and Regi- nald were together. The young actress, after a first performance, felt Felicia Makes a Hit 35 her keenest joy in congratulating her idol upon his success. It was a pleasure in which she was gra- ciously permitted to indulge by Reginald himself. He accepted her adulation as a matter of course. Hers was merely a voice in the adulatory harmony in which his sycophants bathed him. With her, it was the luxurious expression of a sincerity that was an almost overwhelming gratification. On this occasion her words were checked by the saturnine look on the great actor's face. He held up one hand warningly. Then, as a look of blank astonishment crept into Felicia's face, he remarked satirically, " Permit me to congratulate you." Felicia Halstead decided to smile. Her Regi- nald's various moods infallibly pleased her. This was a new one, and there was humour in it. Regi- nald rarely allowed himself a dash of humour. " As you will, my lord," she said, dropping a mock courtesy, her face radiant with laughter, " Mistress Felicia Halstead is but a woman, and woman is a vain creature. Praise from Sir Hubert, you know, What is the matter, Reginald ?" She asked the question quickly, impelled sud- denly from her frivolity. The lines around the actor's mouth emphasized themselves cruelly. His brows fell, blackly menacing, and the tints of his face grew lead-like. He ceased his aimless parade and folding his arms, stood looking at her gloomily. " Miss Halstead is playing the usual role of the theatrical ingrate," he said sternly. " She is en- deavouring surreptitiously to cut herself loose from an enviable position. She is eager to pose before 3 6 His Own Image the foolish public as a great actress. She has be- gun war against her benefactor the man who has given her every opportunity that a woman could ask." The girl, who had not yet taken a seat, stared at him daftly. She could scarcely credit the mean- ing of what she heard. Then, with a rush, the recollection of Crampton's words in the cab surged through her mind. Still it was all a mystery to her. She sat down quietly in an easy-chair, and began to remove her long, fluffy boa, and to pull the pins from her hat. " For Heaven's sake say something," groaned the great actor, utterly regardless of her consternation. " You ask me to say something, Reginald," mur- mured Felicia. "You are ill this morning. I can see that. You have worked too long and too arduously. You must take a holiday. Reginald, let us go to the lakes where you promised to take me years ago. Nobody will know us. We can live in some little cottage with simple country folks, and we can pretend that we are away on our honeymoon just as though we had never known what a theatre was, or what London meant. You will do this, dearest, will you not ?" Reginald's face grew even harder and more ego- maniacal. The " persecution " idea, always preva- lent in the diseased mentality, took possession of him completely. He laughed in an ugly, joyless fashion. Then he came to her, as she waited on her chair, and standing in front of her placed his hands upon her shoulders. Felicia Makes a Hit 37 "No," he said harshly, " there will be no lakes for us. There is a plot abroad a plot for my des- truction, and you are in it. The truth has appeared this morning. I won't ask you to deny that you instigated the criticisms that applaud you at my expense. You are a woman. You have made your appeal, and it has been heard. This morning the dolts of the press rave over Miss Felicia Halstead and ignore her star. I might have expected it. Still, remembering the sentimental nature of our attachment, I confess that I looked for other results." Even as he spoke the never innately perjured human heart realized the infamy of the uttered words. The sentimental attachment between them had been used by the actor as a means of holding the woman in the blind subjection of love. That was all. It was a means to an end. Everything is a means to an end a selfish end with the ego- maniac. Still, Felicia failed to understand. " I don't see what you mean, Reginald," she said. " It must be a horrid jest. I don't like it. You know, dear, what you are to me. What do I care for the theatre or for what the critics say ? I am yours, for as much, or as little as you will. I have told you that my dearest hope is to be your wife. How could a wife war against her husband ? Reginald, you are a silly boy. Let us drop the subject. You have not kissed me to-day. You may do so now. Come." She held up a face in which laughter was strug- His Own Image gling with a ferocious battle of tears. If ever sin- cerity spoke, it could be heard in the sweet, pathetic ring of Felicia's tones. It would have impressed the supremest sceptic with her truth. But the ego-maniac is scepticism diseased doubt robbed of all logic. Reginald grew infuriated. "Miss Halstead is acting delightfully, as the critics say she always acts," he retorted viciously. " The fact remains that with the idiots who read the newspapers, it is her name that appeals to-day ; not mine. That is where the mischief comes in. It is ruin for me an effort to knock down my splendid edifice. Oh, yes, I believe you, Felicia Halstead. How we should enjoy ourselves at the lakes the famous young actress with the mori- bund actor." He had left her side and resumed his walk. Her fair, ingenuous face angered him now, as it had piquantly convinced him before. He had loved her, and love was the weapon she used. " You are in earnest ?" she cried at last, rising as it began to dawn upon her that this was tragedy, not comedy. " You are in earnest ? You can really believe that I have tried to rear myself in your place ? You can think that a woman whose only happy moments have been spent in your arms who has given you her past, her present and her future, can prefer the theatre, the applause of the mob ? You, who know me, Reginald, can credit this ? No ! no ! no ! It is too monstrous, too absurd. Do I know the critics ? Do I care what Felicia Makes a Hit 39 they say? Do I ever see them, or read them? Oh, Reginald, I am ashamed of you." " Spare me your trashy heroics," he exclaimed, cold with indignation. " I have been a fool, and I see it all. I have been an unsuspecting fool, and I am paying the penalty of my criminal blindness." Felicia Halstead's face was absolutely blood- bereft. Her lips whitely outlined her mouth. She trembled violently. "Admitting that this were true," she said, in hardly audible tones, " supposing that I were like other women of the stage, anxious for my own self- aggrandisement, supposing all this, Reginald ; there is our love which must maka the case differ- ent." He burst into laughter. " Our love ! Our love ! Ha ! ha ! ha ? And do you suppose that I should allow the love of any one woman to interfere with my career ? Our love, forsooth ! What is our love ? Merely the mutual admiration of a man and a woman. What is my career ? That is not usual. That is extraordinary. That is my life. Our love! Ha! ha! ha!" Felicia sank back, overpowered by this brutality. The ego-maniac stamped his foot to emphasize his vehemence. The overwhelming of the woman be- fore him gave him some slight satisfaction. His nature was sadistic, as well as ego-maniacal. He revelled in his own cruelty. " I can say no more, Reginald," sobbed Felicia, the slow tears of anguish dripping from her eyes 40 His Own Image " Something has happened to you. You see things as they are not. It is hallucination. It must be." She rose and said more, nevertheless. She could not bear to leave him, afflicted and insane. " You will see how foolish you are, dear, when you think it all over. Try me in any way you like. Make me a ' super.' Give me a part to think, and not to act. Degrade me and I shall never complain." The great actor, even in this, saw the germs of conspiracy. " And you would set the gossips talk- ing ?" he asked. " You would give my slanderers food for every evil accusation ? You would see me charged with deliberately humbling a woman who, the critics say, has risen from the ranks ? No, Felicia, you had better say no more. You have thrust your ingratitude right in my face. You have flaunted your vanity in front of the world. You " Felicia Halstead stopped his further utterances. She went to him, placing one trembling hand over his mouth, while with the other she held his arm. " It is not true," she said. " Nothing is true, except that I love you. You do believe this, Regi- nald. You must believe it. I shall leave you now, but when you send for me, I shall come. If I could suppress those dreadful critics, Reginald, I would do it. I never realized their power before. I never believed that they could cause a man to suspect the woman he has loved, and who loves him." She turned from him, seized the long fluffy boa and the hat with its pins from the table upon which Felicia Makes a Hit 41 she had thrown them, and without another word opened the door and went out. The mouldy sec- retary, at the foot of the stairs, mbled away as he saw her coming. She never noticed him. He opened the door, and she passed out. Upstairs, the great actor, walking furiously up and down, stopped in front of a large porcelain picture of his late leading lady. With one blow from his clenched fist he broke it to atoms. That was, to him, the most satisfactory proceeding of the morning. Chapter III REGINALD DISSIMULATES THE great actor walked to his club, in order that he might plunge into the voluptuous luxury of hatred one of the most piquant satisfactions of life. He felt impelled toward the club, as the con- victed criminal to the verdict that tells him the worst. He must mingle with the gossip-mongers and the scandal-brewers. He must drink the very dregs of this catastrophe, and see what he could do. He must dissimulate as usual ; he must act more realistically than ever. And to the ego-maniac there is as much glory in acting off the stage as there is on it. He saw Felicia's humid face, as she collapsed beneath his keen shafts, but he felt no compassion for her. Tears to him were as valueless as laugh- ter. He had a deep-rooted disbelief in either. She had wept because she had been detected in her surreptitious designs. He bit his lips in anger as he recalled her words : " Make me a super. Give me a part to think not to act." How well she must have known that such a course would be im- possible ! Though he would have liked to humble her to the dust, to sink her to the lowest depths of [42] Reginald Dissimulates 43 uselessness, he would not dare to do it. And she was aware of that fact. How powerless a man is before a woman's wiles! He had selected Felicia as his leading lady for the simple reason that he had faith in the apparent colourlessness of her nature. She would never do anything of any consequence, he had thought. And he had sealed the bargain by loving her an arrangement in which he thought that body would gradually stamp out the slightest possibility of soul. And now the net-work of his schemes was hopelessly shattered. Far better would it have been for him, if he had chosen some vulgar, arro- gant woman, who would have overreached herself at the end of the first season. The public prefers the woman to the man. This js inevitable in man-governed communities. Great actors cannot be too careful. Mr. Rellerick had taken all precautions and they were as nothing. He saw his own name in huge letters on the blank walls, and shivered. How long would that name flaunt itself through the thoroughfares ? And beneath the flaring " Reginald Rellerick," in tiny type, almost illegible to the naked eye, was his lead- ing lady's title. If type means anything, Felicia Halstead had vanquished it completely. In the celebrity-shows of photographers' win- dows were his own portraits, in every pose conceiv- able. There he was leaning on his elbows, stand- ing bolt upright, luxuriously pillowed in a chair, head without body, head with body, head with body and legs. There were no pictures of Miss HaU 44 His Own Image stead. In the photographers' windows he was the sole sovereign. He realized this with a sudden flicker of pleasure. Had he exaggerated the gravity of the situation ? He stopped in front of the most illustrious photographic display and contemplated himself with a glad sensation. The intellect in his face had never appealed to him more convincingly. He was not really a handsome man, but his features were distinguished, patrician, cerebrally entertain- ing. He had never seen a head as perfect as his own. What a forehead ! What eyes, in their slightly sunken enclosures ! What a fine tempest of hair! What a He paused. Two youths of the ."Piccadilly Johnnie " type stood by his side. They were talk- ing. He clutched at their talk. He needed some slight consolation from the outer world. " Did you see the play last night ?" asked one, nodding at Rellerick's portrait, as though further explanation were unnecessary. " Yes," responded the other, " I saw it and enjoyed it. But it seemed to me that Rellerick is going off. I never cared much about him, but somehow or other he always managed to be the play. Last night it was all Felicia Halstead. Delightful little girl, don't you think ? I tell you what, old chap, that woman's got a future. If she will only cut herself away from old Rellerick and start out on her own account, she'll be another Ellen Terry. Mark my words." " I bet that she will have a dozen offers before the week is out," said the first. Good women are Reginald Dissimulates 45 at a premium. There are no more of them. They go up like rockets, and come down like sticks." " I say, it wouldn't be a bad idea to " They moved gradually away. The last words were lost. The dialogue fell like lead on Reginald Rellerick's spirits. He stood there panting, his breath appearing cloudily on the window pane, his eyes apparently seeking the innermost recesses of the shop. He had listened, by the merest chance, to a fragment of desultory conversation. How many similar fragments were being uttered in Lon- don at that very moment ? The metropolis had organized a gigantic and devilish conspiracy. All London was pitted against him. What had he done ? In what had he been wanting ? What was his crime ? He asked' himself these questions, for the ego-maniacal actor never believes in the spontaneity of an adverse opinion. It has always been bought, or plotted, or manufactured. You can lie about an aQtor's merits until you are blue in the face ; until you sicken at the nauseating mendacity. He will fatten on it, and will regard it simply as a necessary tribute to unmistakable genius. One apparently hostile comment and you are his enemy for life. To the actor there is truth in praise only. Censure is the child of lies lies, villainous lies. Every trifle irritated him. He saw people buy- ing newspapers simply to read the story of Fe- licia Halstead's triumph and his own failure. He no- ticed on a "sandwich man " a magazine's announce- ment of " Interviews with prominent actresses," 46 His Own Image and he writhed at the idea that Felicia might ap- pear in the list. He passed a milliner's shop just in time to see the sudden birth of a new ticket, bearing the legend " The Felicia Halstcad hat," and he realized that she was making " capital " out of the very hat that he himself had designed. He heard a gamin whistling the " soft music " that had been played during her death scene. Felicia Halstead was in the air. He had exag- gerated nothing. All London was busily singing her praises. How he hated her ! He had hated many people in his life the actor's profession is a sort of manure for the propagation of hatred but he had never felt the insanity of dislike so keenly as he did at present. He must hide it all .... he must act .... he must act. He reached his club a dark-brown institution for actors and literary men. The two classes are invariably confused, although the actor is scarcely closer to the literary men than are the fishmongers and the butchers. The club was not very far from Drury Lane Theatre. The neighbourhood was not exhilarating ; nor was the club for the matter of that. It resembled a mausoleum, rather than the vol- untary resort of cheerful temperaments. An ob- sequious person in dingy lackey-garb took the great actor's hat and coat, and closed the door after him. Reginald entered the smoking-room an apartment of indescribably dreary aspect. A few of those caked-in monstrosities called " old masters " appeared on the dark, gloomily-papered Reginald Dissimulates 47 walls. The furniture was old and heavy, full of lethargic reminiscences souvenirs of days that had passed suggestions of days that would pass. Half-a-dozen men drank brandy-and-soda and smoked pipes in silence. It was a convivial club, without a symptom of conviviality. Each mem- ber looked as though he would like to pounce upon a fellow-member's throat and worry the life out of him. They were all pretending to read papers, books or magazines. Through a funereal window dark visions of blackest London appeared the London of chimney-tops, squalid rear views, and hopeless, uncombed civilization. A gentleman who wrote book reviews for the Daily Despair was glancing at a flimsy novel by " Gyp," and scowling ferociously, as clearly unable to make head or tail of " Gyp's " sallies as she would have been to wade through one of his column re- views. An actor-manager bitterly opposed to Rellerick on general principles, was skimming through an article entitled "The Drama in the Dol- drums," and nodding his head approvingly. Of course the drama was in the doldrums it richly deserved to be in the doldrums it was always in the doldrums for had not his season failed ? A " hanger-on " was apathetically watching the inhuman faces of the clubmen, and looking at his watch occasionally as though he were timing the silence. A dramatic critic, who never wrote any- thing bad of anybody and was consequently most amiably despised sat there contemptuously alone. Another, who never wrote anything good of any- 4 8 His Own Image body was equally unnoticed, although his presence was felt. And from one of the London slum-courts came the ironical voice of an urchin, singing " We are a merry family we are we are we are." Nobody laughed. In a London club humour is immoral and suggestive. Few people with a sense of humour would belong to one of those sepia-tinted organizations. And looking at these people, one wondered what they would do in a brilliantly- lighted room, amid a company of wits ; how they would take light-hearted badinage ; what they would say if you poked them jocosely in the ribs and said " Bah ! bah ! to you." It was the home of ego-mania ; the grotto of heavy selfishness, the breeding-ground of conceit and pomposity. Reginald entered, king of the ego-maniacs. They were all feasting on their own innards, but none enjoyed the repast as much as he. They were all wallowing swinily in their own self-consciousness, but he was the prime wallower of all. As he entered, a concession was made to his greatness. Books and magazines were cast lightly aside. The members nodded, looked at him atten- tively, sipped their brandy-and-sodas, and prepared to rupture the membranous silence. The great actor saw them all uneasily. He re- garded the magazines and the brandies as pre- tences. The gentlemen had been discussing him ; he felt perfectly convinced of that. If they had sworn to the contrary he would not have credited Reginald Dissimulates 49 their words. To the ego-maniac there is but one topic, and in this literary-dramatic club Reginald Rellerick was the great attraction. It never oc- curred to him that the dreary people before him might, in sheer desperation, be enjoying a holiday and thinking of something else. Of what else was there to think ? However, this dark little room where conviviality parodied itself daily, was merely a stage to the great actor, and he prepared to play his part on it as artistically as possible. His eyes fell upon the dramatic critic who had never been known to write anything bad of anybody. This gentleman was none other than Winkle, whose crescendo family Mr. Rellerick had charged himself with rewarding. But just now Winkle was useless. In their inner- most recesses, actors scorn the men who sugar-coat them with praise. They have little interest in them. The praise-slingers are regarded as myrmi- dons, satellites, flunkeys, and Mr. Rellerick saw poor Winkle without the slightest pang of pleasure. You and I, dear reader, workers in less bewilder- ingly heralded walks of life than the stage, enjoy a little bit of praise, and beam gratefully upon the beneficent praise-giver. He is a ray of light in our darkness, an ounce of sweetness in our pound of bitter. But to the actor he is a tasteless matter- of-course, unworthy of grateful consideration. Mr. Rellerick advanced with outstretched hand to Jobberlots, the censorious one, who had inciner- ated him viciously and had taken particular pains to laud Miss Felicia Halstead o the skies. The 50 His Own Image great actor's face was wreathed in pleasant smiles ; his manner was cordiality rampant. He was de- lightfully eager ; his voice was sonorous and crev- ice-reaching. Jobberlots trembled in his boots and felt about an inch and a half high. " I want to thank you," said the actor-liar, warmly, " for your splendidly-written review of my poor lit- tle production in this morning's paper. No," lift- ing up his hand playfully, as Jobberlots began to stammer unmeaning words, " do not interrupt me, my dear sir. I am not one of those lamentably blind actors who can see nothing in a critic's work unless it be fulsome commendation. Every man is entitled to his own opinion, Mr. Jobberlots. I have always valued yours. You are so frank, so outspoken, so delightfully just with it all." As he spoke the pins of keenest hatred were sticking in the vitals of the great actor. If he could have shrivelled up poor Jobberlots instantly, he would have done it, provided that there had been none there to see the deed. " I don't know what would become of us all," he said, speaking at the assemblage vid the critic, " if it were not for you gentlemen of the press. How I laughed, how I chuckled when you likened me to a vulture picking the bones of everyone who ap- proached the centre of the stage. Ha ! Ha ! Ha ! I hope I can enjoy a joke even at my own expense, Mr. Jobberlots. I can always appreciate that which is clever." Reginald laughed in the most apparently affable manner. He deceived the " hanger-on " who had Reginald Dissimulates 51 been timing everything. His contagious humour affected the arid Daily Despair reviewer, who had been thinking up adjectives for the demolition of poor " Gyp." Even the actor-manager felt that here was a superior person with a soul above mere selfish considerations. The ego-maniac is the most dangerous maniac of all. If he had guards or keepers which he should have he would be quite capable of gulling them all. " I tried to tell the truth, sir," murmured poor Jobberlots unsteadily. He hated meeting the people he had been forced to criticise, but he bowed to the inevitable. " And you succeeded admirably," was the mag- nanimous retort ; " I want to thank you particu- larly," here he raised his voice so that even the menials outside could hear him, " for your splendid tribute to my dear friend and associate, Felicia Halstead. Ah, Mr. Jobberlots, there is a girl who richly deserves to be encouraged. I have recog- nized her abilities for some time, and I was deter- mined that they should have an opportunity this time. That is why I selected Pinerville's play. My judgment was evidently good, you will allow me to say it, my dear Mr. Jobberlots for I am quite sure that Miss Halstead impressed the public very favourably. Am I not right ?" Poor Jobberlots fell. He was gulled into enthusiasm. "You are right, Mr. Rellerick," he said. " Everybody to whom I spoke seemed to think that there was was a splendid future for her. She His Own Image surprised the audience. All London is talking of her to-day." There are some feats that are impossible even to the most accomplished actor-liars. Even an Irving or a Bernhardt meets limitations. Mr. Rel- lerick met his at this moment. Jobberlots' ready enthusiasm overwhelmed him. For a moment he was dumb, paralyzed by the horror of the Damo- clesian sword that seemed suddenly to have fallen on his head. It was Winkle who brought him to his senses Winkle with the crescendo family and the miser- able pittance of a salary. " Miss Halstead has bet- ter opportunities in this play," said Winkle, " and it seems to me that a dummy could have made an impression under such very favourable circum- stances." The great actor made a mental note of further instructions to Mr. Crampton on the subject of this promising person. Outwardly, however, he cast glances of serene contempt upon poor Winkle, and declined to address him. " Don't you think," he continued pointedly to Jobberlots, " that my dear friend and associate, Felicia, would be quite justified in ' starring ' on the top of this unprecedented success ? I do. Not for the world would I interfere with her pro-. gress. Only this morning I said to her, ' My dear Miss Halstead, if I were you I should organize a company of my own ; I will give you the pecuniary backing that is necessary.' I quoted to her the hackneyed but always appropriate lines about the Reginald Dissimulates 53 ' tide in the affairs of men.' Ah, Shakespeare was a genius, my dear Jobberlots. He addressed you and me, and our children and our grandchildren." " And what did she say ?" asked Jobberlots, scent- ing a " paragraph " for his Saturday's "amusement " column. " I am sorry to tell you that she disagreed with me," continued the actor-liar, puckering his brows as though in pain. " She says like our friend Winkle "(here he acknowledged the luckless praise- thrower with an uplifted, dramatic hand), " that her success was simply chance. And I positively be- lieve that she looked upon me as the impetus to that success. Silly girl! Foolish Felicia ! Women are such odd creatures, Mr. Jobberlots. You can argue with them until you choke, without convin- cing them in the least. I told her plainly that there was positive genius in her work, but she laughed.in my face. That is my conviction, however. And I may add that I was scarcely myself last night, for I was simply lost in admiration of her perfect performance." " My dear Rellerick," said the Daily Despair re- viewer, deluded into cordial sympathy, " your sen- timents do you credit. I only wish that some of the fools who are always crying out about stage jealousies and all that sort of thing, were present. It does me good to hear an actor of your promi- nence so warmly advocating the merits of a leading lady." " What is the use of being unjust ?" asked the great actor with a shrug of his shoulders. " The 54 His Own Image public judges. Besides, an artist is in love with art wherever he finds it. If I had seen Miss Hal- stead act in any one's else company I should have immediately engaged her. I can't afford to have mediocrities in my support, my dear Twiston. By-the-by, did you see the play last night ? I told Smithson to send you a couple of stalls. I shall be very vexed if I hear that he didn't." " Oh, I was there," remarked Twiston, " and I enjoyed it immensely." "And you agree of course," Reginald tried to keep the flood of anxiety from pouring into his voice, " that Felicia distinguished herself very sig- nally ? However there can be no two opinions." (The anxiety conquered. It swept itself in billows over Reginald's tones, and he waited, fervently in- terrogative). " Most certainly," was Twiston's verdict. " If there ever was a clever girl, her name is Felicia Halstead. Admirable, my dear Rellerick, admir- able. I should like to see her in some of the old comedies. What a magnificent Lady Teazle she would make. Think of her as Miss Hardcastle. And I don't believe that Shakespeare is beyond her. She is young enough to make a most sympa- thetic Juliet or Rosalind. In fact, in my opinion, she is a budding genius." The " hanger-on " put up his watch and joined the discussion. Said he : " Felicia Halstead is one of those women who, like murder will out. You couldn't down her. You couldn't keep her in the background. With women of that sort it is only a Reginald Dissimulates 55 question of time and opportunity. I wonder if you could arrange an interview with her for me? I believe that the Weekly Lampoon would be glad to take it. And it would be doing the girl a good turn, don't you think?" Reginald Rellerick winced. The "hanger-on" had one specialty, and that was " interviewing." He could make a fool interesting. He had a cer- tain bright and readable "style" that gave force to the most banal subjects. What could he not do with Felicia Halstead, already pinnacling herself in London ? What fame might not she win with the aid of a leisurely and enthusiastic pen such as that wielded by the " hanger-on ?" The .great actor's cup of bitterness had been filled to the point of overflowing. The " hanger-on " had supplied the one drop too much. It was cruelty. It was tor- ture. And in Reginald's heart his hatred for the offending leading lady swelled and rankled more oppressively than ever. He had no fixed policy in his mind, as he entered the club. His sole object was to hear the truth the horrible truth. And he had hoped desperately that things would not be as bad as he had imagined. He had clutched at this thin wisp of hope, and behold it had given way in his hands. His mind was in a chaos of emotion. If his policy had been unsettled that morning, it was even more disastrously confused at the present. There was no longer a redeeming doubt. Cold, deliberate minds had sanctioned Felicia's success. She had been applauded not only by the fools in an audience, but by his grave, disinterested club- 56 His Own Image fellows. He had played his part and the effort had left him exhausted. He had nothing further to learn. The ugly knowledge of the worst had come easily, even gracefully. He ordered a brandy-and- soda, and ensconced himself in a corner with a news- paper containing an article headed " London has an actress at last." It will afford me great pleasure," he said, dis- mally, to the " hanger-on " before plunging into the atrocious newspaper, " to mention you to Miss Halstead. I should very much like you to see her and talk with her. I will do all that I can. Felicia is a strange girl, however, and she is very afraid of journalists. She may dislike the sudden promi- nence of an ' interview.' But rest assured, my dear sir, that I shall try to talk her out of her foolish scruples." Reginald invited no further words'! He sank behind his newspaper and relaxed the tension of his face. How changed he was from the riant, courtly, interested actor, acting so vigorously a few moments before ! His face was hidden. He was almost afraid that the devilish look of hatred, with its accompanying outlines and eye-contortions, would pierce through the flimsy sheet. His jaw dropped and he sat there unable to read an intel- ligible word of " London has an actress at last." The club gentlemen resumed their occupations. The book reviewer made another attack upon " Gyp." The actor-manager, who had been a silent but interested auditor, took another plunge into the doldrums which surrounded the drama. The Reginald Dissimulates 57 ' hanger-on " began to time things again, and the critics drank more brandy-and-soda in nonchalant enjoyment. Others came in, but Reginald forgot to greet them. There he sat, watching the afternoon shadows creep over the mud-colored carpet ; sur- veying the crusty old masters an their saturnine decay on the walls, but still apparently reading that fateful, " London has an actress at last." The voluptuous luxury of hatred ceased to be luxury, and twisted itself into agony. He stood it as long as he could, until the beads of anguish forced themselves from his forehead, each opening pore hurting like a newly-made puncture. Then he went away through darkening London, and walked through the dim, gray streets in a tu- mult of pain such as a sane man never knows one of those tumults that are reserved exclusively for the abnormal type we call the ego-maniac. Chapter IV THE HORROR OF SUCCESS. MRS. LANDINGTON sat at the little round table in the Netting Hill dining-room awaiting the ar- rival of Felicia. The muslin ruching round her neck stood bolt upright, as though prepared to re- sist any attacks. At the top of the fleshly tobog- gan-slide that began under her chin, glistened the cameo brooch that had the extinct husband's hair at the back. Mrs. Landington was a picture of lower-class righteousness. Her black alpaca dress " made at home," fitted her closely, and on her head she wore a respectable cap that seemed to sit there defiantly. On the table was a particularly venomous look- ing mutton stew very thick and aggressively nourishing, while on the adjacent sideboard reigned an evil bread pudding of poultice-like consistency and generally unpromising aspect. Felicia was late, and Mrs. Landington was cross. The lower classes in London may be morally lax, grotesquely uncultured, and severely inartistic, but they are always punctual at meal-time. Meals are the great regulators of existence, in their minds, and to keep L58J The Horror of Success 59 a dinner waiting shows a criminally disarranged organisation. So she sat there, Nemesis-like, as she heard Felicia's latch-key fumbling at the outside lock. Nothing would induce her to stir from her seat. Her almost pneumatic bust tightened itself, and she was quite prepared to say uncharitable things, as she saw Felicia enter. She changed her mind rapidly, however. Miss Halstead's eyes were inflamed as though with weep- ing ; her nose was purple (Mrs. Landington won- dered why she hadn't used the powder which every well-regulated woman carries in her handkerchief), and as she flung aside her boa and tossed her hat upon the sofa, it was very easy to see that some- thing had happened. Mrs. Landington waited. She forgot the sinis- ter stew and the morbid pudding. Something had occurred between the girl and her " employer," and perhaps the situation was grave. Mrs. Landington had an easy job as the saying is and she lived in mortal dread of events that might jeopardize it. " I can't eat any dinner to-day, Landy," said Felicia, sitting down and plunging her head into her hands. " I'm too much upset. Mr. Rellerick has been very unkind and and She burst into tears and kept her face well hid- den in her hands. Mrs. Landington looked at her in amazement. A dreary dread of something that might send her out into the cold, cold world, the world in which there were no mutton stews and bread puddings, arose within her. She waited a 6o His Own Image few minutes longer, hoping that Felicia's tears would cease and that an explanation would be forthcoming. Then curiosity, urged on by the in- stinct of self-preservation, took bodily possession of her. " I do 'ope," she said, " that nothing has 'appened of a serious nature, my dear. You aren't in danger of losing your situation, are you ? You 'ave a nice post, you know. When I think of the girls that 'as to stand be'ind counters all day, until their very legs are dropping under them and not even al- lowed a glass of stimulants, such as we all need when I think of them, I hoften says to myself that you should be grateful. You 'aven't been riling 'im, 'ave you ? Employers are tantalizing persons Oh, I know but they must 'ave their way. And it's right they should. They pay the salaries and foot the bills. And I will say for Mr. Rellerick that he grudges you nothing. ' Give her the fat of the land, Mrs. Landington,' he's told me time and again. And I try to do it, my dear. Nothing is saved. Every penny every ha'penny he gives me goes for the table." Felicia scarcely heard Mrs. Landington's squalid remarks. They buzzed in her ears ; that is all. She was too completely overwhelmed by the force of the double catastrophe that had fallen upon her- self and upon her actor. " I'm sure he's a kind gentleman," continued the housekeeper, "and means well. You musn't mind 'im if 'e's been cross. Business is business, my dear. It's 'ard on the men. Don't I know it ? Why, my The Horror of Success 61 poor Thomas was often beside 'imself, when we 'ad that little butcher's shop down Dalston way. Many a night 'ave I cried myself to sleep, when 'e 's gone out, and called me a chattering old cat, and other 'orrid names. And if a man with a butcher's shop takes on so, why it's no more than natural that a gentleman with a big theatre on his 'ands, should be out o' sorts occasionally what with sceneries, and hactors, and all the expenses to pay, not for- getting 'eat and gas." Felicia gave no heed to the querulous suggestions. She heard indistinct sounds of " butcher's shop " and " big theatre " but they could not wean her from the topic of her mind. " It's silly crying like that, "persisted Mrs. Land- ington, losing her temper. " Perhaps some folks wants something to cry about. Three meals a day, and a nice salary paid regular every Toosdy, isn't to be sneezed at. I'm surprised at you. It's un- grateful, and you a-sending money every week to your sisters in Lancashire all out of Mr. Rellerick. And there you sit snivelling like a booby, just be- cause he has said ' Boo.' I'm ashamed of you. And 'ere's dinner cold as ice, and me a-getting faint for want of a bit or bite." But the housekeeper was uneasy in spite of her brave words. She helped herself to a dish of the glutinous stew, but she failed to cat it. She sat watching Felicia. Suddenly herfearassumed shape. She struck the table with her knife and fork, and her face changed colour. " I know what it is," she exclaimed, " I know it. 62 His Own Image You've been and given 'im notice, all on account of a little fuss. You 'ave. You know you 'ave. And if it's true, where am I ? I ask : where am I, with nothing to me name but me clothes, and a pound or two in the saving's bank ?" Felicia withdrew her hands from her face and looked wearily at the flabby creature in front of her. Was all the world selfish ? Did the universe revolve around one single self-pivot ? " I can't forget it, Landy, I can't forget it," she said, the tears still splashing down her cheeks, and an urgent desire for sympathy manifesting itself, strangely and unusually. "He says that I am try- ing to supplant him, and and I can't endure it. I love him so." Mrs. Landington clutched the cameo brooch at her breast, as though her extinct husband's hair at its back had suddenly tickled her. " You love 'im !" she gasped, " You love 'im ! Well, I like that. Did I hear you say you love 'im ? Oh, tell me I've made a mistake. I can't believe it. You love your employer ? And perhaps you've told 'im so ? Oh, it's all as clear as a pikestaff. Miss Felicia 'Alstead, you're a fool for your pains, and I tell you so, as p'r'aps shouldn't." Felicia laughed at last. It was a bitter, defiant laugh, but it was a relief from the abjectly wet sen- sation of tears. She heard Mrs. Landington 's re- marks on " love," and they gave a piquant zest to the situation. And she laughed again still more defiantly. The allusion to love had acted as a sort of red flag waved in front of a bewildered bull. The Horror of Success 63 " Yes, I love him," she said, her eyes aglow, "and he knows it, and if you were not as blind as a bat, you silly old thing, you would know it, too. And I would just as soon that you did. I wish all the world knew it. I'd like to publish it in the papers. If I were his wife he wouldn't dare to think such horrid things about me. And I ought to be his wife. Yes, Landy, I ought to be his wife, and you can be as shocked as you like about it. I don't care. Sit there and gape at me. That's right gape gape gape. Landy, I shall throw a spoon at you in a minute. I know I shall. I can't help it." The housekeeper might have had a paralytic stroke. Her jaw had dropped until it evinced an inclination to career down the toboggan slide that began at her chin. Her eyes were rounded and bulging. Her bosom threatened to burst its way through the black alpaca that was stretched tensely from shoulder to shoulder. She made one or two ineffectual efforts to speak. She was tongue-tied. Felicia looked at her in amusement. It was a satisfaction to spray the painful situation at this typical lower-class matron. Mrs. Landington laboured and brought forth words. They were characteristic of her class. Ninety-nine out of a hundred lower-class London matrons would have said precisely the same thing. " I know, I know," she managed to cry hoarsely, " I see it all. You ought to be married, you say. That means one thing. You want him your good kind employer to be the father of your 64 His Own Image child. Oh, the 'orrid scheme that we read of in the papers every day of our lives." Felicia blushed. A wave of pink blood tinged her face, neck and ears. She was used to the lower classes, which, in cases of this kind, look for one result only, and that very immediate. Mrs. Landington could sit still no longer. She heaved herself from her chair, and went and stood like a monument in front of the girl. And through her lower-class brain surged all the vulgar possibilities, all the sordid aspects of the question, all its flam- boyant immorality, unrelieved by a solitary wisp of humanity. " Landy, don't be foolish," said Felicia stupidly, a trifle upset by the storm that she had raised. " You don't understand. You don't understand. Reginald loves me and I love him. There is no other question. He was very cruel to me this morning, and I was very, very grieved. If we were married it would be different, because nothing could take him away from me. As it is as it is he will never believe that I am the most unambi- tious girl in the world, and that I want nothing but his love." " And more shame of you to say it " the house- keeper spat out the words " you, with a batch of good sensible sisters in Lancashire. A pretty kettle of fish, and no mistake ! No wonder he was cross, poor fellow. I 'ates designing girls. No good ever comes to 'em. Such goings-on I've never heard of, except in the newspapers. A nice look-out for you, with a baby on your 'ands. And The Horror of Success 65 I suppose I shall be expected to look after you both and " "Oh, no, no, Landy," cried poor Felicia in gen- uine distress. " It isn't so. It isn't so. I wish it were, for Regiuald is so good, and so kind, and and" She rose from her seat and in sheer helplessness threw her arms around the fat housekeeper and sobbed on the monumental bosom that began at the cameo brooch. There is a good deal of com- fort in a black alpaca bust. It is always a grateful cushion for grief. Felicia sobbed in continuous despair, with the persistent "picture of Reginald's contempt in her eyes, and the unceasing remembrance of Reg- inald's words, phonographically monotonous, in her ears. Not for an instant did a tinge of tri- umph at her unsought success, stain her thoughts. She looked upon it as a calamity, because it tore from her the sympathies of her actor. And as she sobbed, she thought of the very different sensations with which other girls would have surveyed the situation. Women steal, and sin, and sell them- selves, for just such " honours " as had come to her, unasked. It was the irony of a " fearful con- catenation of circumstances." Why was she un- like other women ? Why was she unable to revel in the barren joy of what the world calls success ? Why was there no voluptuous bliss in the knowl- edge that a mob of unkempt, middle-class, mutton- eating Londoners was at her feet ? Was not this the goal for which humanity strives ? Was she not 66 His Own Image well aware that man slaves his life away and casts off the creature comforts just to secure that pin- nacle of egotism which the mob alone can crown ? And Felicia wept on, as she realized her own old-fashioned femininity. She knew that she was weak and behind the times and unpractical and unpardonable. She saw her own clinging nature as an infirmity which, of course, it was, for the clinging woman to-day is ridiculous to our new- fangled ideas. It was true, as the squalid house- keeper had remarked, that her Lancashire relatives hung upon her earnings, and tugged at her purse. The larger her pecuniary gains the more exultant grew her relatives. Yet she could find but feeble pleasure in this thought. The mere~fact that she owned sisters as to whose appearance in this troublesome world she had not been consulted was not one to influence her largely. The tender fibres of her being cried out for the sympathy of Reginald Rellerick, the man to whom she had given her girlhood, the being for whose approval she would have dispensed with the cheap, mad plaudits of hungry London. It was the first time that there had ever been a difference between them. She had aimed for suc- cess in order to reach it with him, and in an en- deavour to please him. He was bound for that goal, and it was not her intention to lag behind. But the goal in itself was as useless and as despic- able to her, as it was necessary and adorable to him. She had tried to be his shadow the dark, inseparable duplicate that the light throws out in The Horror of Success 67 keen relief. What horror of fate was it that tried to bring her forward as the substance ? Poor Fe- licia! I say " poor Felicia " although I am not at all sure she will win anybody's sympathy. The one clinging woman among a hundred frenzied bread- winners, may perhaps understand her sorry plight. The others will call her a fool for her pains. Ac- cording to the worldly estimate of to-day she was undoubtedly a fool. Through Mrs. Landington's heavy embonpoint, gaudily vulgar sensations surged. Felicia wept, and Mrs. Landington thought. Mrs. Landington, nursed in the canny lap of Whitechapelism, knew that two and two invariably made four. The rude logic of her greasy temperament was infallible. She had been deeply chagrined, for personal rea- sons, by Miss Halstead's revelation, but as she watched the weeping girl and felt her tears as they drippe'd through the black alpaca to the rigid, righteous corset beneath, she was convinced that this force could be utilized just as well as any other. Mrs. Landington gradually grew to perceive that all was not lost. Things might be " rotten in the state of Denmark " but they could be patched into a semblance of integrity. The housekeeper in Netting Hill was a philoso- pher in her way. She had been in contact with the rough edges of the world. That fact brews a phil- osopher very readily. She made no effort to shake Felicia's gilded tresses from the sable fortifications upon which they rested. Miss Halstead should cry to her heart's 68 His Own Image content, and then, when the intensity of her emo- tion had become relaxed, she would be all the more likely to listen to that logic which is the logic of pounds, shillings and pence. There were no fine sensations in Mrs. Landington's make-up. She was spectacularly sordid, picturesquely squalid, overwhelmingly lower-class. While Felicia cried, she carefully matured her plans. The young actress' tears were at last exhausted, and she paused, pale and debilitated. The house- keeper plied her with a glass of that lower-London luxury, known as "ginger wine," invaluable alike for pains in the stomach and heart. Then she opened fire. "I do 'ope," she said, "that you are not angry with me, Miss 'Alstead. I want you to understand that although I'm a woman I'm not a prude. Oh, no, I'm not a prude. While I'm sorry to 'ear what you've just told me, I won't allow any prudery to interfere with my wish to 'elp you." " Thank you, Landy," murmured poor Felicia, her tearful eyelashes quivering. " As I have said before," she went on, " I don't believe, and never can believe in those artful schemes we read of in the newspapers. Girls are fools when they try 'em on, unless they are clever enough to carry 'em out without going to the courts. I 'ates the courts. Oh, 'ow I 'ates'em, Miss 'Alstead. Now, it seems to me that you don't need 'em. A breach of promise wouldn't pay you anything at all, because Mr. Rellerick is powerful The Horror of Success 69 and popular, and every jury likes a powerful and popular man." A flush of mortification reddened Felicia's ears and throat, but she was too limp and lax to at- tempt argument or protestation. Did it matter anyway, what this stupid old creature said ? Felicia sighed and listened because she couldn't help hearing. " It seems to me," plodded on the Landington, " that if, as you say and I've read it, too, in the papers to-day, although I didn't quite understand it until you explained if, as you say, you made the success last night, then, my dear, it's very evi- dent that Mr. Rellerick is afraid of you. He is frightened that he is going to lose his applause, and that you'll get it. That makes him quite will- ing to listen to reason." Mrs. Landington screwed up her eyes tightly and allowed her double chin to rest negligently upon the barricade of white ruching round her neck. She looked like a Hecate, done up in grease and London. " Now, we all know," said she, " that, in this world, the saying is ' Every man for himself and the devil take the 'indmost.' And if a man, why not a woman ? We all 'as to look after ourselves, my dear. Why, when my poor Thomas had his butcher's shop in Dalston, a canny young fellow, who used to take out the meat, he only got ten bob a week threatened one day to leave and set up for 'imself if my Thomas didn't double his salary. And my Thomas wouldn't do it not he. 70 His Own Image And I being something of a fool in those days, ad- vised 'im to let the fellow go. The fellow went, and in a month we had another butcher's shop to contend with. And he knew all the tricks of Thomas' trade, my dear, also all Thomas' cus- tomers. He dared to sell our shilling a pound steaks at tenpence ha'penny, and so I may as well say, we was 'opelessly injured." Felicia smiled, although as yet she could detect no logic in these remarks. "Well, my dear," Mrs. Landington went on, "acting's like meat, I take it, and business is business. Mr. Rellerick 'as a fine trade in the West end, and no opposition. Here ^you are, however, in the field, and the public says as 'ow your steaks are quite as prime and juicy as 'is. That's so, isn't it ? He's been very angry with you to-day not because you gave 'im notice, as I at first thought but because you're coming into de- mand and that he's a-going out of it. What fol- lows ?" (Logically she held up a hand and checked off a thumb.) " He's afraid that you intend to set up in business for yourself, and sell your acting at one corner of the street, while he sells his at the other. He doesn't want you to do this. He'd prevent it in any way." A gleam of interest illuminated Felicia's dejected features. Yet even now she could scarcely see any satisfaction in Reginald's fear. "You tell me that you love him," said Landing- ton, " and I'm sure that I 'opes you do, under the circumstances. He's taken advantage of you, evi- The Horror of Success 71 dently. Oh, 'ow I 'ates that kind of thing. You want 'im to marry you, and as I thinks it over, I find that it is the proper thing for 'im to do. He was a good employer, but, after all, my dear, a girl 'as to look after 'erself, with all the neighbours ready to turn on her and give 'er the black looks. There's only one way for 'im to prevent your set- ting up in business for yourself, and that way is marriage. A man's not frightened of his own wife. They eats the same bread-and-butter. If he pro- vides it, she eats it, and if she provides it, he eats it and ain't ashamed to do it, either. Don 't I know that 'my poor Thomas ate mine, when the shop was sold up and I forced to take in washing. So, says you to Mr. Rellerick, * Reginald, dear,' (or perhaps you calls 'im Reggie, for short) ' marry me, and I'll stay in your shop. Refuse, and I opens in business for myself and takes away your customers.' " Poor Felicia quailed beneath the quarry-like effect of this crushing logic, which came home to her overwhelmingly. " I 'ates scheming," insisted Mrs. Landington, " because it gets into the papers and the courts. But if a woman can get the better of a man in a thoroughly ladylike way, why, let her do it. A girl can be quite the lady when she says to a man who is afraid of her , ' Marry me, or I'll set up in opposition.' There is nothing common or unre- fined in that, my dear. Nobody 'ears of it. It's between 'im and you and the four walls. And poor old Landy would never leave you, my dear." 72 His Own Image (Here she pressed a dry eye with a finger-tip, and caused her pneumatic bosom to lift itself in a sigh.) " She may feel sorry to find this peaceful little 'ome in Netting '111 all broken up, but she'll go with you, wherever you goes. Even if he starts a big establishment in a swell street, Landy'll find no fault. She'll look after you married, as she has looked after you single. So cheer up, Miss 'Al- stead, all isn't lost. The prospect is encouraging most encouraging. Suppose we 'as a glass of fine old gin, and drinks to the 'ealth of Mr. and Mrs. Reginald Rellerick, the famous actor, and the more famous yes, my dear the more famous actress. The point lies in the * more famous.' That's our little game." Non-acquiescent as she was in the grimy details of Mrs. Landington's campaign, a singular repose, nevertheless, crept into the young actress's mind. Perhaps, as the housekeeper said, the situation was amenable to reason. Supposing that marriage was the method that suggested itself to Reginald Rel- lerick, as the solution of this problem, would she be unwilling to accept it ? Would not his love be as grateful to her if it came through a menace as through spontaneous sources ? Poor hungry Fe- licia was bound to answer herself in the affirmative. Without marriage he was lost to her. The loyal London public would see to it that she was pin- nacled and worshipped. Each new success would mean a step away from Reginald. As his wife there would be a plausible reason for her retire- ment from the stage. As the mother of his ehil- The Horror of Success 73 dren, the footlights need never claim her as their own. It would be best for him, and oh, how infi- nitely best for her. "If this plan is such a good one," she murmured and her voice sounded cavernously unnatural " he will think of it. If he is afraid of me, he will ask me to marry him. That is quite sure. He is wiser than I am, Landy, and wiser than you are." She did not " recoil " from the idea, as a noble girl in a play or a novel would have done. She did not cry " Never ! Unless he loves me for my- self, I will not consent to be his." Heroines of that sort are always popular perhaps because they rarely exist in real life, and real life is fre- quently what we struggle to get away from in our books and our plays. Felicia was hopelessly and irretrievably addicted to Reginald Rellerick, and as his wife she saw the only happiness that life held in store for her. Willingly would she have continued as his unmarried slave for the rest of her days colourless, effaced, obliterated. But the demon of publicity was after her. A horror of success had been forced upon her without a con- test a success that was his god and her bugbear. Nothing succeeds like success the French pro- verb says but Felicia felt that failure would have given her keener happiness. It would not have stepped in the way of the absorbing femininity of her nature. Mrs. Landington had poured out 'two glasses of rare old gin, the odour of which caused her vivid, lower-class nostrils to dilate in ecstasy. Gin is the 74 His Own Image champagne of the London mob, and Felicia's house- keeper was an arch believer in its merits. She handed a glass to Miss Halstead, and holding the other to her lips, she drained it to the dregs, crying " 'Ere's long life and prosperity to Mr. and Mrs. Rellerick. May they live long and be 'appy." This toast had such a benevolent effect upon Mrs. Landington as she smacked her lips until the stiff ruching around her neck cracked, that she looked thirstily around for more. Seeing Felicia's untouched glass, and noting the fact that Miss Hal- stead had no intention of using it, she drained that as well, repeating the toast in hilarious tones. Felicia was too confused to give her troubles any further consideration. The housekeeper, moreover, started ginwards, was ogling the fat bottle very insinuatingly. The young actress moved slowly away, slightly comforted, but sufficiently despon- dent to have satisfied the most rigid stickler for the theory that virtue is its own reward and vice- versa. Chapter V CRAMPTON ADVISES REGINALD RELLERICK did not leave London. He remained in the metropolis, to stew in his sen- sations. He made no excuses for this change of programme, and took no pains to invent a plausi- ble lie for the benefit of the public. A fig for the public, that had shown every disposition to oust him from his unique empire ! Purling brooks and gur- gling streams could be endured when the mind was at rest and the outlook attractive. Just at present, however, Mr. Rellerick felt that his presence was needed in London. There wereMiabolical schemes to thwart, diplomatic measures to pursue, a Mac- chiavellian policy to carry out to the bitter end. So Reginald remained in London, and tossed about on his big blue bed in all the agonies of insomnia. In the meantime, he carefully " sounded " the situ- ation. It was even worse than he had at first thought. Miss Halstead's success was sung throughout London in paeans of praise. They are always waiting for something, in London. The feverish population hangs upon the expectation of novelty. Miss Halstead had furnished it. Her name was served up hot, with afternoon tea, May- fair dinner, and the unsanctioned supper. She had L75] 76 His Own Image taken the town by storm at the very time when Mr. Rellerick was firing upon it from another direction. The fact that she was a woman was a damning fact for him. The actor, pitted against the actress, gen- erally gets the worst of it for the stage is con- structed to please men, and woman is its primest object. It is by means of an Ellen Terry that a wily Irving prolongs his reign. It is with her name that he fills his hypnotic speeches. It is a Sarah Bernhardt, who wins by sensational means what a Mounet-Sully loses by too much art. The names of Kendal and Bancroft, in the sugar of petticoats, have been enabled to make history. The stage is the platform for women, and the great actors fight their way against terrific odds. Offers poured in to Felicia Halstead, and the great actor knew it. Theatrical " speculators " appeared, and begged her to suggest her own terms. They wou!4 " star " her. She should have a theatre " in the West End." There should be unlimited money in the arrangement of her career. It should be built upon the rocks of pecuniary re- sponsibility. A triumphant tour of America was mooted cruellest blow of all to fall upon the great actor. He had been contemplating this tour for some time and the indefatigable Crampton had written innumerable "anecdotes " of Rellerick for the American papers. The New York journals had teemed with stories of the big blue bed, of the famous man's eccentricity, charity, temperament, resources, past, present and future. Success rushed upon Felicia like an avalanche. Crampton Advises 77 If she had wanted to enjoy it it would have been impossible. It came so quickly that she was un- able to savour its ineffable delicacy. . The London " weeklies " devoted columns to the young ac- tress. Unable to " interview " her for nothing would induce her to consent to the ignominy of her own laudation they dressed up the " remin- iscences " of associate actresses and actors Miss Snooks, the ingenue of the Rellerick company, was induced to bear testimony to Felicia's sweetness and to the purity of her home life. Mr. Kafips, the leading juvenile, contributed some delightful notes upon Felicia's amiability to inferiors. And so it went in the regular cut-and-dried grooves of stage fame grooves in which there is never a sus- picion of originality. Fame is measured out in carefully tested scales, and each lion gets a stereo- typed share. There is nothing more banal than success the success awarded by the mob. It was all intolerable to Reginald Rellerick. He had digested just that sort of applause for so long, that his physical and mental apparatus could assimilate nothing else. He could not bear that this printed adulation should be thrust upon another especially when that other was his own little mechanical toy his doll that said " Mamma " and " Papa " his untinted and anaemic Felicia Hal- stead. His ego-mania, thwarted, grew inward, until his entire brain was filled with diseased pictures of his own martyrdom, and odious " group- ings " of persecutors, ready to knife him at every step. A sane man would have made the best of 78 His Own Image such conditions and would have bowed to the inevitable as gracefully as possible. Moreover, in the sane man's mind, there would have been an inclination to side with the mob and to realize that, for once, his efforts had been surpassed. But the ego-maniac is not a sane man. For him there is nothing but an " I " in the world, and when that " I " is under a cloud, the world grows suddenly dark, and its progress is stayed. After a night of aggressive sleeplessness after one of those vibrant self-agonies that are the un- erring symptoms of the diseased ego the great actor sat up in his big blue bed, with his plans matured. There was a look of defiance in his face, and the calmness of the diplomatic criminal in his eye. He had determined to end all this in the eas- iest and most plausible manner. As he dressed himself slowly, he gloated over his own mental deft- ness. There was a way out of it all. It was a heavy, and eternal way, but it must be followed, and it would bring the slipping land once more beneath his persistent feet. As he entered his study where his own personal- ity seemed to greet him from the four walls, his faithful Crampton met him with the usual immov- able features. The secretary, during the past few days, had been obliged to conceal his knowledge of Mr. Rellerick's misfortune. He had behaved as though nothing whatsoever had happened, and had not dared to vouchsafe a sympathy which even if he had felt it would have enlisted him in the ranks of Reginald's persecutors. Crampton Advises 79 The great actor deliberately extended himself over a long chair, arranged his classic face in the lines of that marble perfection which it was his aim to copy, and motioned Crampton to a seat. Then he began. " Crampton," he said, in his slowest and most archly affected tones, " You have wondered why I remained in town after the close of my season " (Crampton hadn't), " when my public expects me to be climbing blue mountains and gazing into green streams to say nothing of studying red sun- sets and other pretty freaks of nature. I will tell you. Crampton, I find that this life of solitude and celibacy palls upon me. I intend to get mar- ried." The mouldy secretary, impermeable to ordinary sensations, drilled in all the arts of self-effacement, was unable to master himself as the actor's words reached his ear. Into his tawny, parchment skin crept the red flush of shock ; while the film that seemed to cover his eyes was dissipated, as they burned in a light that was turned nervously upon Mr. Rellerick. " Don't show your surprise in such an ill-bred way, Crampton," remarked the inimitable Reginald, lackadaisically. " Why shouldn't I marry ? I am not too young, and most assuredly, I am not too old. It is an eminently respectable proceeding, Crampton. My only fear is that it is too respecta- ble. What say you ?" Crampton moistened his dry lips, upon which the skin stood out in crisp and ugly edges. He mur- 80 His Own Image mured something unintelligible, in which the words " proper " and " precedent " seemed to have a place. Reginald was perfectly satisfied with the murmur. He was not particularly anxious to hear another speak. Crampton's gurgle indicated, at any rate, that he was listening ; also that he heard. " I have thought of it for some time," said the great man, the blithe lie rising to his lips almost po- etically. " You may have noticed my affection for little Miss Felicia Halstead, Crampton. Ah ! a man cannot conceal his sentiments for a woman, even though he be an actor, and accustomed to dis- semble for a living. The little girl is young, bright, pretty, and, I am inclined to think clever. She is fond of me, Crampton, very fond of me un- worthy and repellent though I undoubtedly am ; and just now it seems to me that she needs a pro- tector. They tell me, Crampton, that she has been pestered by managers and actors who are trying to turn the poor little thing's head. That is true, is it not, Crampton ?" Poor mouldy secretary ! He bowed in acqui- escence. Not a word could he find to utter. Some- thing rumbled inside him. It was probably a re- mark that he intended to voice. But the rumbling died away and he was silent. " It is my duty to protect Felicia," Mr. Rellerick asserted, averting his profile so that his clear-cut nose lay, whitely triangular, upon the crimson cush- ions of the chair, " So far, her career has been in my charge. What she is to-day I have made her." (This, with a tinge of irrepressible asperity.) " And Crampton Advises 81 now they are trying to take her from me to launch her upon a sea of trouble, the waves of which she is not strong enough to buffet with. I have de- cided to marry her, Crampton. Then she can swim with me sail along placidly by my side, share my popularity and be irrevocably a part of it." Well schooled as he was, Reginald Rellerick could not subdue the sensation of nauseating ha- tred that came suddenly over him. It altered the expression of his face and imparted a harshness to his final words. The mouldy secretary, who had never moved his eyes from his master's face, saw it. It was not totally unexpected. Crampton was too well accustomed to the lights and shades of Rel- lerick's nature to be deceived by mere words. "If she be really so great, Crampton," Reginald laughed easily, and the world would have said that it was an amiable laugh without a tinge of irony in its texture, " why should I not avail myself of her genius ? Why should I not undertake to place it before the world ? And how can I do this better than by marrying her, when I know that she loves me, and have long been aware that I love her ?" Then the mouldy secretary recovered his speech. It came with an outburst a singularly energetic outburst for one so repressed and careful. Still, in spite of all, Crampton's words were deferential almost obsequious. "You will make a mistake, Mr. Rellerick," said he. " You are not destined for domesticity. Your hold upon the public has been due to some extent to your quite unfathomed life. The world has said 82 His Own Image that you are so devoted to art that you need no other mistress ; that your success has been due to a life led alone, without domestic influences. The ordinary actor marries and has children, and the world says that he acts for bread-and-butter. They have never said that of you. They have wondered at you, admired you, regarded you as an enigma. You want to change that by marrying and by marrying a mere chit of an actress " (Mr. Crampton hesitated a moment before uttering the words " chit of an actress " and jumped them out as though they would not bear considering) " who is scarcely fitted to you. Pardon me if I say this, Mr. Rellerick. I do so in all humility. How will it seem to you to find your name invariably associated with that of a wife ' Mr. and Mrs. Rellerick ' instead of ' Regi- nald Rellerick, the great actor?' The world will talk of the ' Rellericks ' and you will be obliged to entertain, to parade your domesticity before the world. You will have children, and they will con- flict with your life labours. Why marry and why marry an actress ?" Crampton paused. It had been years since he had spoken so much years since in his voice there had been the ring of a sincerity that had sounded there in the old Oxford days. Reginald Rellerick winced. Every reason set forth by Crampton was a reason the truth of which stung him. Marriage ! It had always been his idea of cheap and tinsel uselessness. How he loathed the idea of it ! How dismal to think of that perpetual tie, of that extravagantly foolish solit2tde Crampton Advises 83 deux f Ah, he knew that every word his secre- tary had uttered was too feeble to convey the full discomfort of what wedded life would mean to him. Suddenly he drove the vexation from his face. He must act. Crampton was not aware that he was acting. How could Crampton know it? The secretary was merely giving him advice, which un- der normal conditions would be wise advice. This marriage was not to be lightly undertaken for hap- piness ; it was a marriage of diplomacy. It was a marriage destined to avert ruin. Still it was very annoying to listen to Crampton, who was telling him what he knew so well and had known all his life. " Actors have married without losing their prestige, my good man," he said in his usual bland voice. " It is a noble institution and the world respects , it. All that you say is selfish and cruel. Why should the happiness of two human beings be sacri- ficed for such unworthy reasons as you suggest ?" " Perhaps I am wrong," declared the secretary still vehement, " but if you marry why not choose a woman who could help you a woman with a position in the world, a woman with money ? You, Mr. Rellerick, could select your own wife. Only last year," how quickly the slow and mouldy secretary made his points " it was rumoured that the Countess of Dwight was hopelessly in love with you and would be your wife for the asking. That lady has a million at her command. You knew this, and laughed at the idea and now and now you talk of marrying that poor little girl, that penniless child." 84 His Own Image The great actor cast a suspicious glance one that asked some peculiar question at his secretary. There seemed to a sympathetic quality to his re- marks that was not keeping with their tenor. " That poor little girl, that penniless child." What did Crampton mean by that ? Reginald swallowed a lump that arose in his throat at the mere idea of the secretary's perspicacity. But Crampton had fired his parting shot and his face had returned to its everyday apathy. The cheeks were sunken and yellow, the eyes filmed, and the mouth as inexpres- sive as it was its duty to be. And again a biting vexation took possession of Mr. Rellerick. Cramp- ton spoke like an oracle. Marriage was bad enough, but it was worse when it fed upon such non-nourishing material as Felicia Halstead. Yes, he remembered the case of the silly Countess of Dwight, with her well-filled pockets. How he had laughed at it, and enjoyed the newspaper stories it had called forth ! How he had revelled in the knowledge of the foolish creature's discomfiture, and used it as an additional means to add to his own fame ! How the clubs had chattered and the weeklies held forth ! He had refused a countess, and now he was going to wed " a chit of an actress," with a dependent family in Lancashire. Bah ! Then once more he recalled his reasons. It was not a question of choice. It was a matter of grim neces- sity. He could not tread upon Felicia and stamp her out of his path. But he could marry her, and boiled mutton would do the rest. So he said simply, laughing inwardly at his own Crampton Advises 85 canny plan : " Crampton, you are worldly. I did not love the Countess of Dwight. I could have married her and have built theatres with her mil- lions. But you don't know me, my good fellow. I am not quite mercenary. I have a few human sentiments, thank goodness. In marrying Felicia Halstead the ' chit of an actress ' as you call her, and I hope, Crampton, that you will not think of my future wife in such terms I am responding to the dictates of my nature ahem ! I am very fond of her, and I have no doubt but that we shall be very happy." " She will give up her success for such happi- ness," chanted the secretary. It might have been an ecclesiastical utterance that came sing-ily from his lips. " Of course." And then the certain Rellerick, unable to weed from anybody's nature the ego-idea that dominated his own, was suddenly confronted with the thought that this Felicia this girl of whom he was so sure might choose the spectacular career that had been offered her. He had not seen her since the morning when she had come to him in all her girlish enthusiasm, and he had insulted her and turned from her. What might not have happened since then ? What woman could resist the tempta- tions that had been hers ? The idea was horrible, He intended to marry Felicia Halstead, but was it so positive that she would still be willing ? This revolutionary notion filled him with fear. He had no more confidence in Felicia than he had in him- 86 His Own Image self. The ego-maniac judges everybody by his own standard. Unable to endure the possibility that had just wedged itself into his consciousness, he sat upright in his chair and with eyes full of dread, said to his secretary, " Crampton, this woman may refuse me. There is a career for her, in which I have nothing to do. What do you think she will say ? What do you think she will say ?" And Crampton, who was not an ego-maniac, but who was able to judge poor Felicia Halstead, or any other woman, by the light of his own honest human understanding, shuffled uneasily with his awkward feet. "She will say yes," he said in a voice so low that it was almost inaudible. " Of course she will say yes. Women are fools. I mean that a woman in love will sacrifice anything for it." A new train of thought, however, had been started in Reginald's mind. The possibility of Felicia's refusal to link her budding name with his mori- bund faculties, occurred to him with renewed force. This marriage was now the one redeeming hope in his life. It must take place, and it must take place as soon as possible. Even while he had been lux- uriously talking to Crampton, and cosily surveying the situation as though it were something estab- lished and certain, he should have been with Fe- licia, pleading his cause with the fresher and bit- terer insults of professed love. A few minutes later, as though the crisis were bound to work itself out, with or without his inter- Crampton Advises 87 vention, a telegram was brought to Mr. Rellerick, by a salaaming lackey in uniform. The great actor's usual method was to leave all correspond- ence to be opened and attended to by his Cramp- ton. On this occasion he broke the seal of the telegram himself andread as follows : c " Am leaving for Liverpool five o'clock to-night. Shall stay with my sisters. Return in three weeks. FELICIA." Leaving London and to be away for three weeks ! Evidently Felicia had made her plans and according to the methods of the conventional actress was going home with a contract in her pocket. He must know all. He must see her, talk with her, and convince her. Mr. Rellerick made up his mind to an undignified interview with the "chit of an actress " at Euston. He would sink his pride, forget his " position," and hurry matters to the ending he had mapped out, even if by so doing he were forced to make a fool of himself in a railway station. Chapter VI i "MARRY ME, FELICIA" "THE fix'd events of Fate's remote decree" took Reginald Rellerick to Euston Station a re- sort that has vivacity, but no very conspicuous romance. The great actor told himself that this little trip was the result of the diplomatic deter- mination set forth in the preceding chapter. Reg- inald, however like the rest of us was merely Fate's little mechanical toy, the string of which was being pulled in order that the doll might work. It was a new experience for Mr. Rellerick, and he spared himself none of its flavour. He walked along the dishevelled Euston Road as though it were a new and undesirable hemisphere into which he had been suddenly plunged. It was all so very odd, and so exceedingly revolutionary, that he could scarcely enjoy it. Still, as a new epoch in his life was undoubtedly about to begin, and the whirligig of time evidently contemplated ousting him from his groove, it was perhaps just as well that he should accustom himself to novelty. It was very disgusting to the great actor was this Euston Road, so far removed from his own walk in life. Nobody knew him ; nobody paid any [88] " Marry Me, Felicia " 89 attention to him ! It was almost as bad as a holi- day among the purling brooks and rippling streams. The ego-maniac saw the vulgarity of the thorough- fare flaunted in his very eyes. It affected him un- pleasantly as an evil odour would have done. His features were puckered up into the expression worn by a person who suddenly and unexpectedly finds a ripe Camembert cheese beneath his nose. You know the expression. It is unique. It should find a place in the category of expressions. I have not coined it for this occasion. The Camem- bert cheese expression is one that has lived, and will live, in the annals of facial history. The ego-maniac found himself confronted by cheap and ignominious hotels in which a temporary matrimony is tolerated for ready money ; by frugal and non-luxurious Turkish Bath establishments in which each Euston-roader can stew for a shilling apiece ; by colossal, gaudy houses in which "ac- cordeon-pleating " is done for the high-life of the West end, and by " homes " that laugh at the word. The noisy " busses " rushed past ; the pov- erty-thin sidewalk artists sketched impossible pic- tures in chalk on the sidewalks ; grimy children played at dreary games, sorrowfully parodying " childhood's happy hour," and carriages heavily laden with luggage passed on their way to the sta- tion. All these things were foisted upon Reginald Rellerick's attention. He was not interested in them. He would have played a part on the stage with these sights as " properties," but in real life they were devoid of all significance to him. A 9o His Own Image scene in a melodrama setting forth all these facts to beguile an audience's attention before he made his supreme and engrossing entrance, might have captured his approval. How could this ego-maniac feel a spark of curiosity in the real thing, when it went on undisturbed, uninterrupted, even while he passed through its midst ? The great Rellerick made no impression whatsoever upon the Euston Road. The people did not flock to the sides of the thoroughfare and form a lane through which he might pass. The sidewalk artists did not cease to labour ; the children made no pretence of stop- ping their games, and the men in the hotels never noticed his presence. This galled the ego-maniac, and the Camembert cheese contempt puckered up his features more hideously than ever. Into Euston Station he turned rather wearily. It was a very rude place all shrieks, and noise, and smoke, and endurance. He had been there before, en route for the provinces for feted weeks, in Birmingham and Manchester and Liverpool. Then there had been groups of sycophants to wish him Godspeed ; now, there was nothing. He was there to intercept a woman whom his soul hated ; to ask her to allow the law to sanction his hatred for ever- more; to beg her to wear his name, and to cling to him as he knew that she would be only too willing to cling. " Out of the way," cried an odious person in green corduroys, as the great actor almost fell over a wheelbarrow of luggage. And Mr. Rellerick obeyed the crude command in disgust. The odious " Marry Me, Felicia " 91 person had no regard for him at all, but went on his way with the wheelbarrow freight, whistling and unconcerned. He inquired the number of the platform from which the Liverpool train started, and was treated with ill-disguised contempt. With these menials it was a crime not to know every detail of this Eus- ton Station's business. He should have been able to check off every train on his fingers, and state at a moment's notice the exact minute of departure and arrival. The actor felt that this world of the non-footlights was a cold and a cheerless affair. He reached the Liverpool platform through a labyrinth of clanking pavements. The train was there, snorting and impatient. He had fifteen min- utes in which to mould his refractory career. Twenty minutes from now, Felicia Halstead would be on' her way to Liverpool, his affianced wife, and he would be free to mature his subsequent plans. She was not yet here. The platform was filled with the usual crowd of London-leavers, juvenile busi- ness men with satchels and travelling caps, casting their bundles into the least uncomfortable corners of the least uncomfortable carriages ; old men leaving the metropolis, with families and homes in the provinces; matrons all perturbed and anxious; maidens all giggle and illustrated papers and sand- wiches. Mr. Rellerick went to the book-stall and tried to read the titles of the books. He saw one illustrated weekly, from the front page of which the picture of Felicia Halstead stared him in the face. Quickly 9 2 His Own Image he turned away his head. Those large, wide eyes and that soft-lipped mouth caused him a pang of distress, and after a moment he left the book-stall hurriedly. He was just in time. A hansom drove up quickly ; a porter rushed forward obsequi- ously ; a portmanteau was flung to the ground reck- lessly, and an instant later Felicia Halstead, ac- companied by Mrs. Landington, was in the station. The housekeeper went to buy the ticket and attend to other details, leaving the young actress standing alone on the platform. His opportunity had come at last. Felicia looked pale and ill. Never had he seen her so carelessly prepared for public gaze. She wore an old travelling ulster that was slightly frayed at the edges, and a hat that contained straight and dejected feathers, gone astray. He could even notice that her gilded hair began to look less gold at the roots. It was carelessly twisted into an inartistic knot at the back of the head. Yet Miss Halstead, in her unconsidered at- tire, was delightful to look upon, and the people in the station looked upon her. He could even hear the boy behind the book-stall say to a custo- mer, " That's Miss Halstead, the actress, whose picture you see in this paper." The remark was bitterest wormwood to him. She was recognized she, the novice and the upstart ; while he, Lon- don's favourite, had escaped attention of any kind. Mr. Rellerick rushed instantly to his plans. He had twelve minutes. Felicia was there alone, pen- sive, thinking perhaps of him. The sun was not Marry Me, Felicia" 93 shining, but the sort of hay he intended to make could be bleached in any weather. He approached her slowly, drilling from his features the detesta- tion that he felt for her, disciplining himself into the effort to act. Never had acting been more necessary. It was before an audience of one but upon that one depended the applause of audiences of thousands. She looked up, just before he reached her, at- tracted by the subtle magnetism that exudes from the person in one's thoughts. As she saw him she started, the blood rushed to her face, her lips trembled, and she sat helplessly upon a wooden bench near her. The great actor advanced with an admirable expression of remorse upon his face, then quickened his steps as though suddenly impelled by sheer gladness. " Felicia !" he said, and was silent. He thought that her name, with an exclamation mark, sounded very well. The utterance was distinctly non-com- mittal, but it could be construed and he meant that it should into meaning a great deal. She tried to speak, all the sincerity of her nature in the attempt. Her lips moved helplessly. She could only look at him and wait. " You were running away from me, Felicia," he said, mournfully. " You were going to Lancashire without a single word of farewell. You were treasur- ing up against me those foolish words I spoke some time ago. Ah, Felicia, I never thought that you were so unforgiving, so vindictive, so ready to for- get your your old friend J" His Own Image He stood there, convincing enough to have satis- fied any audience. Into his voice furtive tears had seemed to drip. His tones were low and admirably dismal. He appeared to be uncertain of himself and of her. The lines of his attitude sug- gested utter depression and melancholy. Not a sign of the raging discontent that steamed in his entrails, was visible to the naked eye. Felicia Halstead was instantly aroused, first as was natural to her sweet temperament to sympa- thy for him ; then to a joy and satisfaction for her- self. " I did not think you would come," she said, "but but I hoped it. That is why I sent the tele- gram. I could not come to see you again, Regi- nald, for I felt that you did not want me ; that you looked upon me for the first time as an enemy. It was impossible for me to stay in London without seeing you, so I wrote to my sisters and told them to expect me in Liverpool. You have forgiven me, Reginald ? I can see that you have. You realize now that no disloyal thought has ever en- tered my head, and that the stage the horrible stage that separated us is a nightmare, in my eyes." How very easy it was, after all, thought Regi- nald. And for an instant he felt the need of break- ing once more into a storm of abuse and of over- whelming her again with fierce invective. For he did not believe a word that she uttered he could not. To him, it was quite impossible that a woman whom the little bookmonger in the station had " Marry Me Felicia " 95 recognized as the actress of the hour, could lightly disregard such adulation. He checked himself, however, and forced himself to sit by Felicia's side. " I was wrong, Felicia," he said, after a pause that was necessary to him. " I was terribly shocked by my " (he stumbled and could not utter the word at first. Then he forced himself, and man- aged to murmur it) " my failure. It was a bitter blow to me, Felicia. I have been ill since I saw you last unable to leave the house. I have suf- fered agonies, both physical and mental." The ego-maniac, unable to indulge in brutality, seeks to awaken sympathy for himself as a last resource. Reginald Rellerick felt a genuine dis- tress as he talked of his imaginary ailments. It was almost a pleasure to depict them. But his words told upon Felicia, and through her leaden dejection the first ray of sunshine crept. " You are a silly boy," she said, lightly, in the tones of the sympathetic woman attempting to administer comfort, " and I can't understand you. Every actor has his ups and downs " (Reginald shivered) " and because you were less successful in this new play than you have been in others you worry yourself sick. I am angry with myself for not having been with you, for I see that perhaps I exaggerated our last interview. I am selfish, Reginald, but but I really thought that that you had begun to hate me." Now for an ounce of pity in the actor's breast for this fond, dependent girl, you will say. Surely, 96 His Own Image even his nature must be impressed by these weakly, silly words. But, perhaps, you do not know the ego-maniac, the man with the " I " abnormally en- larged. There was no pity for Felicia Halstead from Reginald Rellerick nothing but a sensation of relief at the facility with which this game could be played. By the station clock he saw that the train would leave for Liverpool in eight minutes. The men were still standing outside the carriages ; the matrons were inside, plunged in the illustrated papers ; the giggles of the girls were silenced in the discussion of sandwiches. " They tell me that you have had wonderful offers, Felicia," said Reginald he placed one hand before his eyes and knew that this was very effect- ive " I hear that managers have tried to rob me of my little actress ; that they have promised to ' star ' her, to take her to America, to build a theatre for her. It is true, is it not ? And has she lis- tened to all these persuasive voices?" He touched her arm and noticed the little gold bracelet with the padlock that he had given her. That was still there, at any rate. " What do I care for managers and theatres and America ?" she asked, so genuinely indignant that her truth was unmistakable. "What do I want with them ? It seems strange, Reginald, that you should know me so little. How can I prove to you what I told you the other day that it is you, and you only, that I care for ? These offers came to me unsought, and I scarcely listened to them. The managers whom I saw retired very quickly. I " Marry Me Felicia " 97 told them, one and all, that their inducements were absolutely useless.' " Ah !" Reginald's exclamation of utter, glad relief could not be suppressed. It sounded loud and forbidding in the echoing, vaulted station, but, great actor though he was, he could not keep it back. He did the most advisable thing under the circumstances. He glossed it over and lied about it. " Thank you for that, Felicia," he said, " you have taken a weight from my mind. I could not bear to think that you contemplated abandoning me. After all, we have worked together for a long time. Your methods are my methods. I have helped you, as " (with a great effort) " you have helped me. You will never leave me, Felicia. Promise me that." The young actress made no feint at reluctance. It was all so very vital to her. She declined to hesitate a moment. " Of course I promise it, Regi- nald," she said. " You know it, even without such a promise or, at least you would know it, if you were not such a foolish, blind old bat, that can't see and won't see, and has to be taught to see." He looked once more at the big, round face of the station clock. Four minutes remained less than four minutes, for Mrs. Landington would hurry up with the tickets and her interminable small-talk. The train was beginning to tremble uneasily. " Felicia," he said he must really get it over, for all this sentimental nonsense was unendurable . " what has happened this time, may happen again, 98 His Own Image Each time it occurs my heart will suffer as it has suffered during the past week. I shall live in per- petual dread of your leaving me. You really might be induced to do it, you know. Don't protest, for human nature the best of it is unreliable. Marry me, Felicia. Be my wife. Then nothing can ever separate us. My enemies may do their worst ; they will be your enemies, as well. That is the only thing to do." (Then feeling that this parchment- like declaration might cause a sensation of revolt in Felicia's heart, he added a flavouring of senti- ment.) " You know that I love you, dear. You must have known that. You will consent, I am sure." The young actress, even after having listened to the diplomatic, sordid words of Mrs. Landington, was unable to link them with this heaven-sent declaration, even though it happened to be the very thing that the housekeeper had foreseen. The sun seemed to have suddenly appeared in a glory of red and gold. Her heart leaped joyfully within her. She tore the glove from her hand and gave him her cool, bare fingers. For a moment she could not speak, and Reginald glanced uneasily at the clock. Two minutes. " I will be your wife whenever you like," she said simply. " It doesn't matter to me when. I shall stay in Lancashire for three weeks. When I re- turn, if you so will it, I will marry you. Reginald, do not doubt me any more. Tell me that this time you believe in me fully, irrevocably, eternally." Her eyes were wet. The tears sparkled on her " Marry Me, Felicia " 99 lashes. There was no lovelier picture in all Lon- don than this overjoyed Lancashire lassie, whose nature the metropolis had been powerless to spoil. " I will doubt you no more," he promised, gen- uinely pleased at his own victory. Then for the sake of colour he forced himself to add (and it was with difficulty he succeeded) " my dearest." One minute more. " Take your seats," cried the porters. Mrs. Landington, all out of breath and perspiring copiously, hove into sight with the tickets. Reginald Rellerick hastened to secure a compartment for Felicia a dreadful fear that she might miss her train seizing him and causing him to wonder what he could do with her, in the new position she held toward him. A carriage occu- pied by a couple of bicyclists was the only avail- able one. He pushed her in and caught the ticket from the housekeeper's outstretched hand. Mrs. Landington, in all her hurry and excite- ment, was unable to prevent a triumphant " I-told- you-so " look from creeping into her face, as she saw Reginald Rellerick and noted the change in Felicia Halstead's expression. " I nearly lost myself," she shouted into the car- riage " in this beastly station. Such uncivil peo- ple, such boors I've never met. Good-bye, my dear. Write me from Liverpool. If any more managers call, I'll let you know, and " There was a snort and a whistle. The train steamed out of Euston. Felicia's gold head hung from the window. She kissed her ungloved hand to the great actor. Reginald Rellerick turned TOO His Own Image away, the contempt and hatred in his face once more holding sway there. He had forgotten the fat, alpaca housekeeper. She stood there, pant- ingly radiant, having uttered her last words to Felicia for his especial benefit. Mrs. Landington's views had changed within the last week. The influence of the kind and necessary " employer " had grown smaller. She had seen that Felicia could be richer, more powerful and more popular Without him, if she chose Her own position, at any rate, was certain, however matters turned out. She was a trifle more independent than usual, therefore, as she spoke to him. " I'm glad she's gone," were her words, " she's been a-worrying herself sick, poor thing. And the managers a-rushing to the house as though crazy. She's feathered her nest, Mr. Rellerick. Felicia Halstead won't starve. That's sure." " Of course it is," assented the great actor, bow- ing in the most courtly manner to the stout lady. " It is very sure I'm going to marry Miss Felicia Halstead and I don't think I am going to starve just yet." Mrs. Landington instantly adjusted herself to the new situation. If Felicia had decided to leave her good, kind " employer," Mrs. Landington, aware of her young charge's growing power, would have ruthlessly snubbed him, in the most graceful, East- London manner. The girl had accepted him as her huband, however. The relative position of the three was virtually unchanged. Before one new minute had been marked on the round station- " Marry Me, Felicia " 101 clock, the housekeeper had returned to her former abjectly obsequious manner. " Well, and I'm sure and I wish you joy," she said " Miss 'Alstead's a nice, respectable lady, and she's wrapt up in you. I 'ope to be with you both as I've been with 'er, and I shall always endeavour to do my best, I'm sure." Mr. Rellerick called a hansom and urged her into it, feeling that if he didn't, there were some cruel and uncomfortable moments in store for him. It was not until he had seen the tired horse pulling her out of Euston, that he slowly followed. The air seemed keen and bracing. The Euston Road looked less formidable and ugly. He walked along its turbulent, kaleidoscopic length, and emerged, still according to "the fix'd events of fate's remote decrees," into the Marylebone Road. Chapter VII AT TUSSAUD'S. THE Marylebone Road is the great goal of the sight-seeing picnic-mongers that infest London ; for it contains the crimsonly ornate edifice known as " Madame Tussaud's," an edifice devoted to what the late George Augustus Sala called " a world-wide display of ceroplastic art.'" Abomina- bly accessible and dreadfully "convenient " to everything in London or outside of it, this large and hectic building cannot be avoided. Omni- buses rush at it from Baker Street, and the metro- politan underground railway vomits forth crowds that clamour for a mixed shilling's worth of history, biography, sensation and horrors. The juvenile Londoner sees " Madame Tussaud's " before his teens have set in never afterward if he can help it. At that age, the boiled queens, meltable kings, plastic criminals and adjustable celebrities, appeal to him with all the vivid illusion of corpses. The years bring him no desire to revive those illusions. Most Londoners have seen " Madame Tussaud's." They rejoice in that fact, for no fantastic duty compels them to see it again. But the sight-seers go to the Marylebone Road, in all ages and condi- .[102] At TussaucTs 103 tions, led there by guidebooks, and kept there by cunning catalogues. The effects of colour and costume upon cheap minds is invariable. The picnicking sight-seers who would vote a collection of marvellous sculpture cut by famous artists in im- perishable marble, as "slow" and unimpressive, hasten to Madame Tussaud's for the palatable and easily-digested entertainment of almost libellous figures, with the yellow of death on their faces ; the decay of months in their clothes, and a lack of all photographic veracity in their careless con- tours. As Reginald Rellerick stepped in front of Mad- ame Tussaud's Exhibition, he noticed a large poster setting forth the vivacious fact that a brand-new figure of Dejazet, the notorious murderer, who had expiated his crime on the guillotine at Paris, three days ago, had been added to the collection. " Life- like," said the poster, " and absolutely true to nature ; the face was modelled from a cast taken after death." The great actor knew nothing whatsoever about Dejazet. He had been too engrossingly absorbed in the details of his own drooping career, to pay any attention to the published accounts of a criminal cause cttcbre. Moreover, Mr. Rellerick rarely read the daily papers. Crampton supplied him with all those points in the world's daily history that it was necessary for him to assimilate. He was not vul- garly curious. He liked to read his own history in a nation's eyes occasionally. That of other people was not particularly stimulating. 104 His Own Image He viewed the poster before him with a silly and unintelligible feeling of semi-envy. The ego-maniac is jealous of every human thing that temporarily monopolizes the world's attention. Rellerick felt just a momentary sensation of anger, as he noted the gaping crowd devoted to Dejazet's name. The line that separates notoriety from fame is after all very feebly defined. For some minds it is not de- fined at all, as the students of medical jurisprudence will testify. Reginald's pang passed quickly away. He him- self was ignorant of its ephemeral existence. A whimsical idea to enter this flushed and impudent !< exhibition " occurred to him. He had seen it twice once, when he was a boy for whom the effi- gies of Anne Boleyn, Katharine of Arragon, Jane Seymour, Anne of Cleves and Catherine Parr had adequately illustrated the sensational history of Henry VIII ; and, again, when the Tussaud people had invited him to view a ridiculous waxen monu- ment dedicated to his own greatness. The actor felt lighter and happier than he had felt since the fatal performance that had closed his theatrical season. His interview with Felicia at Euston Sta- tion had been so eminently satisfactory that his spirits were volatile and his mind at rest. The crowd filed in to gape through the various halls and seek a temporary self-forgetfulness in the contemplation of extinct and famous others. Reg- inald paid his silver tribute with the rest and en- tered the building. He smiled rather wanly as he contemplated this climax to a plebeian day that had At Tussaud's 105 begun in the Euston Road and had paused in the Euston Station. The exhibition was lighted up and a fitful Hun- garian band was squeezing out " popular " music music that might have convulsed the waxen con- gress of kings and queens if anything on earth could have affected their immutability. Reginald bought a catalogue in order to insult the lifeless figures, as the mob insulted them, by labelling them with the names of the illustrious. Half the joy that attends a visit to Madame Tussaud's is due to the human ecstasy of insult the ferocious idea of dubbing a calm and helpless mound of yellow wax George III, or the Grand Duke Nicholas of Russia. The actor's spirits sank as he found himself sur- rounded by these staring, ghostly, tallowy dolls. How sinister and how silent they were ! How ut- terly regardless of the hushed voices of the cata- logue-reading throng they seemed to be ; and yet what a tribute the involuntarily lowered tones of the multitude were to their bloodless and unrea- soning power! They overpowered him as they stood there on their pedestals, waiting to be insulted by the sight- seers so dead, and sere, and boiled, and sensation- less. To the trained imagination of the actor they did not seem like real men and women, suddenly mesmerized, or robbed of life. They appealed to him as intangible phantoms, and a chill went down his spine as he forced himself to contemplate them. They unnerved him as their open, glassy, meaning- less eyes met his own, and he could not believe io6 His Own Image that they stood there merely for the easy delecta- tion of these groups of hungry sight-seers. The massive breasts that neither rose nor fell, oppressed him with a heavy sense of melancholy, and he shuddered at the hatefully smooth and nailless fingers, that were moulded into a wicked semblance of life. For a moment he thought of turning back and going out again into the Marylebone Road, where things moved and pulsated. This chamber of death that had never been life, seemed to be singu- larly distressing. He wondered why. He asked himself if his actor's imagination were more suscep- tible to impressions than that of the healthy, thoughtless crowd. He tried to recall his early historical, school-boy delight in the halls of royalty. He looked at his catalogue and learnt that the jaundiced atrocity at which he was gazing was Matilda of Flanders, wife of King William I. " She was celebrated for her beauty, and she greatly encouraged her husband to attempt the conquest of England." How cruel, how irrelevant these words sounded ! Was this the reward of Matilda's beauty and wifely encourage- ment this ignominious reign on a platform in a cheap museum, in the midst of an unappreciative and irreverent city ? How much better it would have been for Matilda if she had been hideous, and had left her husband to his own devices ! Some youths were gazing in rapt attention at the effigy of " Berengaria, Consort of Richard I," and many of the remarks they made were neither chaste nor elegant. They called the queen of their At Tussaud's 107 remote ancestors "the old girl," and they laughed at her soundless lips and her mouldy attire. " She lies buried in the Abbey of L'Espan, near Le Mans," said the catalogue. Reginald could have smitten the gibing boys as they stood there in- sects of to-day, jeering at the phantoms of the past. It was exhausting and he began to loathe it all. Why had he entered this sarcophagus ? What un- known force had induced him to slip from his hab- its of exclusiveness and join this collection of un- sympathetic men, preying like vampires on the waxen bodies of Tussaud's exhibition ? Why did it affect him so strangely ? Still he wandered around among the kings and queens, and attempted by a supreme mental effort to feel a cold and respectable interest in the imagined forms of Isabella of Valois, Joan of Navarre, the Georges and the Edwards and the Richards. They sickened him, and lowered his vitality. They made him creep, and filled him with genuine gusts of hor- ror. It was absurd ; it was childish ; it was laugh- able but but he could not laugh. He could not smile or even relax the hard and painful tension of his features. The fitful Hungarian band continued to squeeze out tunes, each of which went through him like a knife. Surely even this careless orange- peel mob must feel the impropriety of waltzes and polkas, rung out among these cadaverous effigies. Was the English public utterly devoid of imagina- tion? Sandwiched in between Martin Luther and Col- io8 His Own Image onel Fred Burnaby, he saw his own waxen repre- sentation, attired in the costume of Hamlet. If it had really looked like him ! A frisson of horror raised his hair as he thought of that improbability. The figure labelled " Reginald Rellerick " was simply inane. In no line or feature did it resemble him. The mob that looked at it with him, never even guessed that the living Rellerick was in their midst. The face was ugly, expressionless and old. But these facts did not affect him at all, for he felt that he was looking at anybody else. Probably this waxen Rellerick was some unpopular knight or fading celebrity, stewed down to meet the exi- gencies of his own case. It was a ragout of unused figures, flavoured with the Hamlet garbs that he had once popularized. Yes, the clothes were cor- rect. They were neatly copied from those that he had worn ten years ago, when his name first stamped itself upon London. Irving, Ellen Terry and the Bancrofts were there, in his vicinity por- traits that their own mothers would never recog- nize, but waxy, vacant, corpse-like and uncanny as the rest. He heard somebody suggest a visit to the Cham- ber of Horrors, where the " brand-new figure of Dejazet, the French murderer," was on view. The Chamber of Horrors ! He could imagine nothing more horrible than those chambers through which his unwilling feet had already pushed him. Possi- bly the Chamber of Horrors was less detestable because its detestability was blazoned forth and the public was invited there to be thrilled and At Tussaud's 109 amazed. He had seen enough of this exhibition, however. A cowardly dread of more gaunt and tongueless people induced him to retrace his steps. The incoming crowd was thick and furious. He could not get back without wedging himself into a mass of uncivil men and women bent on getting what they are pleased to call their " money's worth." He must move with the tide and the tide was flow- ing into the Chamber of Horrors. So to the Chamber of Horrors he went, mentally protesting against his own weakness. What would Crampton say if he could see his famous master, struggling to gaze at the saffron monsters of Maryle- bone Road struggling with the Toms and the Dicks and the Harry's for a good position from which to view the repulsive objects ? Felicia Hal- stead, in the panting train bound for Liverpool, would probably ascribe his action to the common impetus of curiosity. Madame Tussaud's was exactly her style. He could almost see her with the heated odour-reeking women around him^ ah-ing and oh-ing before each figure, admiring the beauties and the celebrities, and expressing dismay at the criminals and the outcasts. This, to her pro- vincial mind, would be " entertainment." How she would enjoy a day in this odious vault with him ! He could hear her volunteering quite unnecessary explanations. He could almost smell the bag of chocolate-drops that she invariably carried for re- freshment to just such places. Felicia was cheap and happy ; he was rare and miserable. The Chamber of Horrors was appropriately no His Own Image gloomy and cavernous. He could scarcely hear the Hungarian band or see the gay illumination of the other halls. Deeper became his sensation of oppression. Lead seemed to clog his footsteps and to hold him back. The voices of the mob grew even lower than they had been previously. Men and women were bent upon seeing the whole ghastly show, and paid their additional sixpence for the Chamber of Horrors with almost pic- turesque alacrity. Reginald Rellerick felt damp and unstrung. His life seemed to be an uncertain quantity, as it does in the eerie hours before sunrise. Yet he forced himself to look about him, and fingered his cata- logue nervously. His ringers left wet marks upon the pages. The impression of his thumb was dis- tinctly visible. The waxen murderers, however, looked no whit more terrible than did the collection of kings and queens and patriots and orators. " James Lee, the Romford murderer," he saw him vaguely and stu- pidly ; " Marguerite Diblanc, the murderess of Madame Riel in Park Lane," he noticed her with awe in his eyes. She had been a cook and she looked it. " Michael Eyraud, a strangler executed in the Place de la Roquette, Paris," Reginald's eyes were dim as he gazed at this waxen memorial. The mob read everything that the grudging cat- alogue vouchsafed, and hungered for more. The meagre details were insufficient. What of the child- hood, the later history, and the personal character- istics of these wretches ? The 'Arries and the At Tussaud's in 'Arriets clamoured for these, and nothing of the sort was forthcoming. They could imagine nothing. For London sight-seers every " i " must be dotted and every " t " crossed. There was a huge stationary crowd in front of the new figure that of Dejazet, who had died three days ago, and to whom the London papers had devoted columns of space. Reginald followed the procession, but Dejazet was invisible. He would be obliged to wait his turn to stand there until the people had satiated themselves with the details of De"jazet's personality. His elbows, pushed by the crowd behind him, were forced into a wide expanse of serge-covered back, the owner of which, inconvenienced in his open-mouthed study of the dead Dejazet, turned upon the great actor, instantly insolent. "No pushing, mister," said he, rudely. "Your turn'll come. You'll 'ave to wait with the " The sentence was unfinished. The country lout suddenly paused, and stared at the great actor with eyes in which a sort of puzzled astonishment was visible. Then he nudged the woman at his side and whispered a few words in her ear. She imme- diately moved her head and looked over her shoul- der at Mr. Rellerick. In her eyes was the same expression of curious amazement. The masculine and feminine louts were soon whispering and titter- ing, quite oblivious of the waxen brute that they had just studied in silent awe. They were urged on by the crowd, however, and passed out of sight. ii2 His Own Image Reginald was weak from the varied sensations that this hideous wax-work show had called forth. Now he grew physically weary, as he stood waiting before the hidden effigy of the murderer, unable to turn either backward or forward. He was de- pendent upon the caprices of the people in front of him people who had paid out their " good money" and intended to realize its value as much as possible. Nearly ten minutes passed before the strata of perspiring humanity had given to Mr. Rellerick a position in the front ranks. By that time he was scarcely able to stand. Listlessly he took his catalogue, opened it, and read the "synopsis " of De"jazet's career, before he studied the figure itself. The Frenchman had been an artist in Paris an artist of renown. He had lived a wild and untrammelled life, and he was known in the Quartier Latin as the most reckless of an aggressively reckless set. He had a mistress the beautiful Genevieve Delaunay. For years the two had indulged in an irregular " manage" that the entire Quartier had visited. Genevieve, however, was the daughter of a noble and almost classic family living near Lyons. Her relatives had hunted for her without success. When they found her, she was discovered living a Bohemian life as the mistress of Dejazet. Thereupon the father insisted that Dejazet should marry the girl, for the sake of her name, which was illustrious. De"jazet declined, but suggested that he should fight a duel with Genevieve's brother. If he were vic- torious, Genevieve should go back to her relatives At Tussaud's 113 near Lyons. If he were vanquished, he would marry her. The duel was fought, and Dejazet was slightly wounded. Genevieve's brother was master of the situation. Dejazet redeemed his promise grudgingly. A bitter hatred of Genevieve had taken possession of him a horror of her seemed to have arisen within him. He was forced to the marriage almost at the point of the sword. On the wedding night, unable to overcome his loathing for his former mistress, he strangled her and tried to escape to London. Her body was found with four black finger-marks on the throat. Dejazet was captured, and, without any reluctance whatsoever, confessed his crime, the result of which was death by the guillotine, and Madame Tussaud's in wax. And the catalogue, in a burst of confidence, added : " And these are the last clothes that he wore." Reginald read it all in a sort of dreamy stupor. Then he looked up at the gruesome yellow figure before him. The distant strains of the Hungarian band throbbed in his ears. The sombre vault with its galaxy of monsters seemed to close around him. It was Dejazet he was looking at it must have been Dejazet, for all the people said so but the tawny, glass-eyed, soulless image before him was in every line and feature himself. There he stood, fixed to the ground, gazing at his own waxen double, an indescribable terror rendering him sta- tionary. Fascinated, he peered at the repulsive thing. Those were his own eyes set forth in glass ; those were his own features moulded in the filthy ii4 His Own Image wax. The smooth and nailless hands were counter- parts of his own ; the grim, unyielding, selfish, unsympathetic mouth was a copy of his own. The hair, the moustache, the eyelashes were unmistak- able. For the first time in his life Reginald Rel. lerick beheld his own likeness with a sensation of such bitter repugnance, that he was appalled. He could not move ; he was glued there. He heard the people around him, vigorously comment- ing on the face of the criminal. The sound of their voices discussing the details of his infamy reached him. How could a girl like this Genevieve Delaunay have possibly been under his influence ? How could she have lived with him as his mistress and have been willing to become his wife? Why were women so foolish and so unreasoning? Really, it almost served her right. Surely with a face like that she should have known and so on, in balefully querulous logic. And still the great actor stared as though hyp- notized. The glass eyes seemed to return his look in a sort of cynical sympathy. The saffron-tinted, waxen mouth appeared almost to twist itself into a smile, as he stared and stared and stared. The people looked at him and noticed the resem- blance, laughingly and good-naturedly. To them, this was an unexpected relaxation from the oppres- sion of this funereal grotto. They whispered about it, and alluded to it, as to the merriest coin- cidence. Such coincidences were not rare. The clothes worn by the mimic De"jazet were the stum- bling-block to this audience's complete apprecia- At Tussaud's 115 tion of the likeness to Rellerick. Clothes mean so much to vulgar and uneducated minds. Had this yellow ceroplastic horror aped the polite frock- coat, the shining, bulging silk hat, and the irre- proachable neck ribbon that the great actor wore, these men and women would have been riddled with awe and curiosity. As it was there was a striking resemblance, and they were quite good- humoured about it. "Say, Mister," remarked one old person with whiskers, " next time you sit for these Tussauds don't choose a murderer. Be a king, or a prince, or a prime-minister. He ! he ! he !" " Makes you feel as though you was small pota- toes, eh?" asked one of those friendly London matrons to be met at all the " exhibitions." They went away, and were soon absorbed in other abominations in Mary Ann Cotton, the poisoner ; in Kemmler, the wretch who was the first to be killed by electricity in New York, and Dumollard and his wife, " fiends who decoyed young women into a wood." Reginald Rellerick stood there, lost to all sur- rounding influences, numb and magnetized by the counterfeit presentment of his own personality the personality that had been the joy of his life ; the great solace of his leisure hours ; his early mornings' care ; his daily encouragement to re- newed labour. What a loathsome personality it was that dual arrangement shared by Dejazet, the guillotined criminal, and Reginald Rellerick, the celebrated English actor. n6 His Own Image He awoke slowly from his stupor and read once more the black legend of the girl-killer. "He was forced to marry her, almost at the point of the sword. On the wedding-night, unable to overcome his loathing for his former mistress, he strangled her and tried to escape to London. Her body was found with four black finger-marks on the throat. Dejazet was captured, and without any reluctance whatsoever, confessed his crime." Perhaps perhaps this waxen atrocity looked no more like the Paris artist than the figures of the Royal Family resembled their living inspirations. Reginald thought of this, but there was little con- solation in the idea. The face had been modelled from a cast taken after death. It was no whim of the modeller's fancy. He had read the poster out- side. Why had he read the poster outside ? Why had he wandered into this marrow-disturbing re- sort ? What evil fate had led his footsteps in this ghastly direction ? He would go at once and speak to the " authori- ties." The figure, merciless and libellous, must be removed. He would not rest while this odious counterpart of a criminal was held up to public gaze in his own likeness. They would laugh at him. They would for the sake of a profitable advertisement revel in 'his wrath and heroics. The affair would be paraded in the newspapers and his persecutors would hail a new field for contempt and vituperation. No, he would utter no word. He would not call the attention of the metropolis to a foolish coincidence yes, it was a coincidence, At Tussaud's 117 of course ; even the mob had laughed at it as such. He would laugh at it as well. He certainly would laugh. Ha! ha! ha! These waxen figures were really very amusing, extremely His waxen double was looking at him. He felt the cold, glassy eyes fixed upon him. The coloured lips were smiling; the figure seemed to bend in order that it might study him more closely. He knew that this was absurd. He realized that his imagination was unduly affected by this episode. And then the surroundings the place itself the ugly crowd the dark, lowering atmosphere all combined to add to his terror. He would go at onceand never set his foot within these precincts again. He would forget it all until it occurred to his consciousness as a joke, one of those jokes, the humour of which never convinces at the time of perpetration. He closed his catalogue with one more glance at the words, " On the wed- ding night, unable to overcome his loathing for his former mistress, he strangled her." These words seemed to appear before him, even after he had put the miserable pamphlet into his pocket. He looked straight in front of him. There they were on the walls. They towered over him on the ceiling. He made an intense effort and drew him- self together. This was folly, idiocy, more than puerility. He turned on his way out, and took a last look at his waxen double. It was grinning at him. There could be no doubt of it. It was not his im- agination that was playing him a trick. n8 His Own Image " Dejazet !" he murmured, as he passed the outer portal, " Dejazet ! Dejazet ! Dejazet !" He hailed a hansom, and told the driver much to that bleary-faced individual's bewilderment, to drive him to " Dejazet." The air fanned his humid forehead and dried the wisps of his wet and strag- gling hair. It revived him. He lay there and closed his eyes in an attempt to think of other sub- jects. But he thought " Dejazet ;" in his mind he saw " Dejazet." He felt that his entity was merged in the wax of the monster at Tussaud's. Chapter VIII DJAZET IT was scarcely nine o'clock when Reginald dis- missed his hansom cab, at the door of his club. He had intended to drive home, and plunge his ex- hausted body into his big, blue, restful bed, but he felt that his mind might, perhaps, be easier, after an hour spent in his massive, dark-brown club that clearing-house for all cheques drawn upon the gossip, malice, and petits potins of the metropolis. His face was haggard, and drawn, and he was ashamed of it he, Reginald Rellerick was posi- tively ashamed of his own usually luminous appear- ance, as the obsequious person in the dingy lackey- garb let him in, and took away his hat and coat. They were all there, in the " convivial " smoking- room. Apparently they had not stirred from their seats since he had last seen them there. Silent as owls, they sat drinking the incessant brandy-and- soda, while the clock ticked away the club's life. The book-reviewer who had killed and buried poor " Gyp " within the last week, was now exercising his mental scowl upon the latest D'Annunzio novel, which he considered (of course) " morbid " and " unwholesome " utterly inferior in every way, to IH.9J 120 His Own Image the English health and spirits of the exuberant Anthony Hope. The " hanger-on," with his legs crossed, was on hand, looking at his watch and timing everything, while the dramatic critic who was addicted to unalloyed praise rested, cheek-by- jowl, with the dramatic critic wedded to unadulter- ated censure. For a moment the great actor could hardly be- lieve that he had left Madame Tussaud's. This dark, little sepia-tinted room might be another Chamber of Horrors. For an instant, he felt in- clined to refer to his catalogue, and " look out " the description of the fat scowler with the D'An- nunzio novel. He might have been labelled : " An English book-reviewer of the nineteenth century, notorious for his mutilations of popular authors." Pinerville, the dramatist, author of the luckless play that had blazoned forth Felicia Halstead, sat in a corner of the room, silent and meditative. Perhaps he was contrasting this morgue, with his own theatrical version of club scenes rollicking, glass-tinkling, chattering episodes, that always went well with the public, because they were so " true to life." If he had dramatized this sodden assem- blage of London "wits," he would have been ac- cused of drawing upon his imagination. This time, Reginald entered his club almost unnoticed. The dreary men bowed slightly, but declined to disturb themselves. They had been dining, and the process of digestion was achieving itself slowly. The actor was greatly relieved to find that his entrance was not emphasized. At any Dejazet 121 other time, he would have considered this apathy in the light of an insult. Now, it gratified him, for try as he would he could not get rid of a guilty and skulking sensation that his wax-work visit had foisted upon him. Even while he sat in this room, there were crowds in the Marylebone Road, staring at his glassy double, referring to him in the cata- logue, ogling him vulgarly, and uttering comments upon his appearance. He hated to think that he stood in that exhibition among the murderers, powerless to move away from the collection yel- low and hideous, in that sombre cavern of public " entertainment." He could not divest himself of the idea that he had no right to be at large in these haunts of unrestricted life. It seemed to him as though he had a ticket-of-leave, and must return to the Marylebone Road later, to stand and watch his own image ; to see that it was properly cared for, and that the mob did not insult it, or do it bodily harm. He stretched himself, and yawned. He could move and pulsate as readily as ever. That was a consolation. Yet his hands looked ignobly smooth and nailless, and he hated to see them. They annoyed him ; he felt that his " convivial " brothers in this club must be watching him. He hid them in his pockets, and drew them forth from time to time to see if the warmth had robbed them of their cold and yellow hue. Pinerville, the dramatist, approached him, and took a chair by his side. He hated this man who had been responsible for the first halt in his career. 122 His Own Image The eyes of the dramatist seemed to be fixed upon him mockingly, so thoroughly wrought- up was his imagination. Poor little, harmless, plodding Pinerville, who had never owned a sin- ister motive in his life, was meeker than usual on this occasion. He was wise enough to know that a play, however good it might be, that had caused the discomfiture of a popular " star " was doomed to the misfortune of " innocuous desuetude." " I do not despair, Mr. Rellerick," he said, amiably, " and I always persevere. I know that my last play will never find a place in your reper- toire next season, but I should like to submit to you the scenario of a new one one that will give you, I feel sure, the best opportunity you have had for years. Nowadays, I do not care to write for the actor for any particular actor that is to say but in this case I have a story that is so eminently fitted to your ahem ! genius, that I cannot avoid submitting it to you, and asking your permission to go ahead." Pinerville was bland and excessively polite. His suave, soft tones fell pleasantly upon Reginald Rel- lerick's ear. The actor felt once again that he was his own inimitable self. He clasped his hands expectantly around his knee. They looked warm, and pink, and the white, carefully manicured nails were there as conspicuously as ever. Thank Heaven that this nightmare seemed to be vanishing ! If he could only forget ! Yet even as he tried to do so, there arose before his mind's eye a picture of a thick and aromatic mob gazing intently at a Dejazet 123 yellow waxen figure, standing erect among a group of corpse-like horrors in the Marylebone Road Exhibition. He called for a bottle of champagne champagne was the stuff that cleared the mental vision, and penetrated the films of imagination. He poured out a glass for Pinerville, and another for himself, which he drained feverishly. He felt better. After all, he was Reginald Rellerick. He had been Reginald Rellerick for years. Every man in the club, every menial in its kitchen, could swear, under oath, that he was Reginald Rellerick. " Of course I want a new play, Mr. Pinerville," he said, pompously he could be pompous again. '* Your last play was good very good but some- how or other I did not feel that I could do myself justice in the leading character. The interest seemed to centre " Yes," interrupted the dramatist, anxious to finish with his dead-and-gone creation, " The inter- est centred in the leading-lady. It was a good part for Miss Halstead only. A clever girl a very clever girl. She " " My dear Pinerville," said Mr. Rellerick, mak- ing a sickly effort to smile with his usual noncha- lance, " My time is very limited. I have promised myself a good night's rest, for I am tired, and a trifle indisposed. If you will proceed with the story of your new play which is so suited to me" (he was able to inject a dash of appropriately in- credulous sarcasm into his tones), " I can then tell you if I agree with you." "You will, I am sure," remarked the dramatist. is Own Image " What do you say, Mr. Rellerick, to a part that runs the gamut of the emotions one that will por- tray you as loving, and hating, and dissembling, and scheming one that will give you a final scene which, I am quite convinced, will be as strong as anything that has been acted upon the modern stage ?" He paused. His eloquence was running away with him. Reginald smiled ; he was so used to that sort of thing. Every failure was heralded upon his notice in that way. An indulgent expres- sion stole into his face. Even the popular Piner- ville was a victim to the conventional playwright's mania. He sat there and permitted the dramatist to proceed. All his haughty, up-in-the-sky manners were returning to him, and he felt temporarily happy. The champagne was perhaps responsible for the change. It is an admirable stimulant. " I won't say that I have captured a precisely original idea," continued Pinerville, affably. " After all, originality is a myth. I read the papers, Mr. Rellerick. I find in those penny records of daily life most of my inspirations. They are human documents, you know, written in flesh and blood. In my new play, my idea is to dramatize as closely as possible, with a few theatrical improvements, the story with which all the London papers have been teeming of late. You are, of course, familiar with it. Every actor must be. I am referring to the recent history of that clever, artistic, and dramatic criminal, Dejazet." Every muscle in Reginald Rellerick's body Ddjazet 125 seemed to stretch tensely, as though an electric current had been sent through it. Then came the relaxation, and he sat there drooping and limp. This man this Pinerville knew of the ignominy to which he had been subjected. He was there to scoff at him, and to add to his humiliation. Yet Reginald could not look him in the face, 'with his Dejazet eyes and his Dejazet expression. He felt as though he were being hunted down, and cor- nered. The men around were still silently attent- ive to their brandy-and-sodas. The only voice in the room was that of Pinerville, who was there to subject him to the anguish of the earlier evening. He would not submit to such cruelty. His anger swept everything before it. " This is an insult, Mr. Pinerville," he said, thickly ; " one which I will not tolerate. How dare you sit there and suggest to me to Reginald Rellerick for I am Reginald Rellerick such a scheme ? Do I look like a man who could imper- sonate a vulgar criminal ? I ask you that. Do I look like it, Mr. Pinerville? I insist upon an answer." The little dramatist seemed to be lost in abso- lute amaze. The violence of the great actor's words overpowered him. He blushed ; he paled ; he looked around in astonished distress. Then he glanced at Rellerick to see if he had heard aright. Possibly the champagne had affected him. The actor was but slightly addicted to wine. " You are not in earnest, Mr. Rellerick," he mur- mured. " Why, I do not understand you. Of 126 His Own Image course of course you do not look, in your private life, like a man who could play a criminal. But but you are not well ; you cannot be yourself. Look at Irving. Why, his best successes have been in such plays as ' The Bells ' and ' The Lyons Mail.' With this story of Dejazet I can make a play quite as powerful as either of those dramas. The history is a perfect one. All Lon- don will flock to see you as the famous Dejazet, with Felicia Halstead as Genevieve Delaunay." "Stop!" cried Reginald, glowing with rage, sweeping his arm across the table that held the champagne glasses, and dashing them to the ground. " I will not listen to you. You came here to-night to tell me this horrible plan of yours. You shall not succeed. I will not sit and listen to you. You couldn't write this play. I say you couldn't. Your last was a hopeless failure. You will never write another play. You are cheap and vulgar, and you appeal to the gallery. Send your horrid drama to the provinces. Keep it away from London and from me." His voice was loud and excited. The gloomy creatures in the club arose, and joined the two at the table, kicking aside the fragments of the cham- pagne glasses, and alive for once, with the knowl- edge that something real was happening. " This is an affront, Mr. Rellerick," remarked the little dramatist, emerging from his overpowering astonishment, " an affront for which you shall pay dearly. Gentlemen," turning to the parchment faces of his associates, " I was merely suggesting Dejazet 127 the scheme of a new play to this actor suggesting it in all humility, and in the legitimate pursuit of my profession when he turned upon me in this unseemly manner." Quick as lightning, through Reginald's mind were flashed the prospects of publicity. * Sanely it oc- curred to him that these men would hear of his aversion to the hated name of Dejazet, and would laugh at it. The journalists present would para- graph it, and perhaps even weave it into some sort of penny-dreadful, psychological story. He had aroused Pinerville's ire, and the thing to do was to allay it before further damage was done. " I was quite In the wrong, Mr. Pinerville," he said, spectacularly humble, " and before these gentlemen I apologize. Mr. Pinerville," turning to the members " was telling me his idea for a new play. I had heard the story, and it had im- pressed me so vividly, that I could not quite recon- cile to myself the idea of its dramatization. That is all. Mr. Pinerville, I quite agree with you that it would make a good drama one that I should like to produce. Promise me that you will not mention the story to anybody I must insist upon that, for it would be instantly. seized upon and used and I will discuss it with you later, with a view to next season. You forgive my little incompre- hensible " (he paused and looked at the faces be- fore him. Was it incomprehensible ?) " outburst. I can say no more." The little dramatist the most peaceful and in- offensive of men held out his hand. The great 128 His Own Image actor took it, and wrung it fervently. He was saved temporarily saved, and he would avoid the club henceforth, and deny himself persistently to Pinerville. He would never see that dramatist again, if he could help it. The club-members, robbed of their tit-bit, went back to their seats, like dogs that had looked upon a bone which had mysteriously been torn away from their teeth. Reginald Rellerick forced him- self to talk indifferently upon the topics of the day, until he saw that Pinerville had left. Then he fol- lowed, and jumping into a cab, was driven home. He was admitted to his own apartments by his comedy-butler. Apparently the domestics were giving a party downstairs. He heard them laughing, and talking, and the mellow tones of his cook's voice were wafted up to him. The sounds grated upon his ear, but he said nothing. He went up- stairs to his study. Crampton was there arranging his scrap-books, mouldier than usual. He nodded to his secretary, threw off his coat and waistcoat, and flung himself into an arm-chair in front of the fire- place. The secretary continued to paste the news- paper clippings into the book. The room was horribly silent, except for the distant sounds of the servants' laughter below stairs. Why was Cramp- ton such a mummy? Why had he engaged a secretary who had no more animation than an oyster ? Thomas, the comedy-butler, brought in a tray bearing soda-water and spirits. As he opened the door, the exuberancy downstairs came flowing into Dejazet 129 the room. It was irritating to the great actor, and he turned pettishly to the butler. " Send the servants to bed," he said, " and tell them that I won't have this noise. It is most dis- respectful. What are they laughing at, Thomas ?" The staid butler paused at the door, and straight- ened his upper lip into the usual semblance of dis- creet solemnity. "Oh, it's nothing, sir," he replied, reverently. " Cook and Jane went out to-night and were at Madame Tussore's Wax-works. They say they saw there a new figure that looked so much like you that cook declares she almost dropped, and Jane says she went all of a tremble. They're silly things, but they're laughing so much about it now, that they don't feel like going to bed. The figure " Reginald jumped from his chair and pointed his quivering hand at the butler. " Send them to bed at once, and tell them to behave themselves. If they can find nothing bet- ter to do than discuss such nonsense, they had better go elsewhere and find work." The door closed behind the butler, and Reginald sank into his chair again. The mouldy secretary, pasting the slips into the scrapbook, might have been deaf and dumb, so completely was he absorbed in his work. Reginald lay there in a tumult. His cook and his Jane had been merry at his expense. They had seen the loathsome image, standing to be gazed at for a few coins. Perhaps they had been in the building at the very time that he was there menials and master, staring at the waxen I3 o His Own Image counterpart of a notorious criminal. It was intol- erable. He could not endure that these servants should remain in his employ. He could not meet them, day after day, in the knowledge that they had been impressed by the fact that he was dupli- cated in the Marylebone Road, by a lifeless form, labelled " Murderer." " Discharge the servants to-morrow, Crampton," he said, huskily. " I must have a quieter set. My home is a pandemonium." Crampton nodded in his usual apathetic manner. If Rellerick had told him to ask the Queen to abdicate her throne, he would have nodded in the same remotely human way. The silence was almost tangible. If only Cramp- ton would talk, and break this intolerable spell ! But the secretary plodded on with his task, and the great actor stifled by the side of the redly burning fire. " Crampton," he said at last he could endure it no longer. "You heard what Thomas said just now." "Yes, sir." ' Well, I am told that at this wax-work exhibi- bition there is a figure that resembles me very strongly. It is meant to portray a criminal who was executed a few days ago in Paris. I never read the papers, Crampton. Do you remember the name of the criminal ?" He could see it luminously around him. Every letter in its composition was seared into his brain Yet he wanted to hear Crampton pronounce the D^jazet 131 word, as he was anxious to know if it were possible that his well-newspapered secretary could possibly have avoided hearing it. "I suppose," said Crampton deliberately, "that you mean Dejazet." " Yes yes that is it. D6jazet." There it was again, ringing in his ears, this time uttered by the slow-voiced, monotonous Crampton. How dismal it sounded ! What a hideous name it was! " Dejazet," sang Crampton, in chant-like sylla- bles, " was the person who murdered his mistress. It was a sensational case, but I did not tell you of it, because there were other more important mat- ters to discuss. The story might make a good play, Mr. Rellerick. You could get a clever dramatist to put a few theatre touches to D6jazet himself, and to that p*oor little girl, Genevieve Delaunay." "That poor little girl!" The words seemed to smite Reginald Rellerick. Where had he heard them before, recently uttered ? He cudgelled his brains to investigate this stupid trifle of a coincidence. " That poor little, girl !" Why, it was Crampton himself who had used the words, that very morning, in discussing Felicia Hal- stead. He recalled them very well. " That poor little girl, that penniless child." That had been Crampton's own phrase, when Reginald had told him that he intended to marry Felicia Halstead. He laughed aloud. This new idea of making moun- tain out of molehills ws genuinely entertaining. Poor Crampton's vocabulary was very limited. It i32 His Own Image was bounded on the north and the south by " That poor little girl." " Talking of poor little girls, Crampton," he said harshly, as though some of his inner strings had broken, " and you like to talk about them, Cramp- ton, don't you ? I must tell you that Miss Hal- stead has accepted me, arid that as soon as she re- turns from Lancashire, we are to be married. ' For we're to be married to-day, to-day for we're to be married to-day,'" he sang stridently. The secretary looked at him, a trifle paler than usual more like bleached parchment than any thing else. His fingers trembled with the wet slip of paper that they held, ready for transference to the scrap-book. He looked at Reginald with the eyes of a dumb animal. He knew him so well ! He was so completely initiated into the mysteries of that complicated ego-maniacal mind. But he could not speak. He pasted the moist clipping in the book, shut it up, and after carefully putting away the details of his work, left the great actor alone for the night. Yes, he was . alone for the night, in his redly cur- tained room, with its unread books, and its loung- ing chairs. He lay there, still looking at the fire, and finding no comfort in his surroundings. He was alone for the night, shut off from the dimly lighted streets, and removed from the reach of man or woman. He was there and his double ? His awful counterpart was alone for the night in the wax-work exhibition of the Marylebone Road, sur- rounded by other waxen terrors, murderers, poison- Dejazet 133 ers and outcasts. He shuddered as he thought of it. He could see the black, impenetrable Chamber of Horrors, robbed of all its illumination, free from the noise of the gaping, sight-seeing crowd. They stood there those monsters just as silent and just as ghastly as they had been when he had viewed them. They would never stir, nor move, nor utter sound, and yet the detestable tragedy would begin again on the morrow. The big blue bed was yawning for him, but he could not seek it, with the knowledge that the atrocity which had been perpetrated in his image, was standing up there alone, in the dark of the wax-work collection. Perhaps it was grinning with no eyes other than those glass imitations to look upon it. Perhaps the defiance of its attitude had changed to one of pleading and of pity. At any rate it was there. It must be there. It was an awful thought. He could not bear the idea of stay- ing alone in his own room all night, with the re- membrance of this silent monument, linking itself with him in the Marylebone Road. It haunted him. He looked at himself in the glass, and his face was yellow and bloodless ; his attitude seemed unreal and moulded, and his hands always those hands were as smooth and as nailless as those of of any of the kings and queens and wretches he had gazed upon. The silence of his room could scarcely be greater than that in the scarlet edifice devoted to the monuments. He looked around him fearfully, half 134 His Own Image expecting to see a galaxy of poisoners and decoyers rearing itself about him. He went into the hall, and opened the door of Crampton's room. The mouldy secretary was asleep, but his breast rose and fell, and he breathed. It was such a relief to see those signs of life. As he gazed at the sleeping man, Crampton's lips moved, and he distinctly heard the word " Felicia " emerge therefrom. And as he continued to watch startled into a momentary sensation of genuine, eavesdropping curiosity the secretary's lips bub- bled again, and this time the word " D6jazet " issued forth. He left the room hurriedly. Everything was conspiring against him. There was a plot a coldly-laid plot to affect his mental health by these uncanny coincidences. He went downstairs, put on his hat and overcoat, and let himself quietly into the streets. He walked quickly and unthink- ingly along, as though impelled by some hidden mechanism. The policemen on their beat looked at him curiously. The night-owls slunk away at his approach. The roysterers called ribaldly after him, but on he went on on on. He never paused, until, miles away from his start- ing point, he had reached that hectic building in the Marylebone Road, where his double stood up, king among the evil-doers ; newest of all the detestabili- ties ; latest addition to the criminals of the century. The poster was still there, flaunting its blueness unseen. Even in the badly lighted street he could Dejazet 135 still read the words, " The face was modelled from a cast taken after death." How gloomy it all looked, without its sight-seers and its inane, laughing mob. This was the place where they amused themselves in the day-time. This was a sort of vile hereafter for all who dis- tinguished themselves from their fellow-men, either by good or by evil it didn't matter which. Fa- mous and infamous were both stationed here, sepa- rated by nothing more than a compartment. He would not go home. He would remain as near to his double as possible. He wondered if Dejazet were at the window, looking out and grin- ning at him, as he stood there nervelessly, outside the cage, pacing backwards and forwards. If some of those laughing sight-seers should pass by, they would think that the new waxen figure had escaped from its prison, and was haunting the Marylebone Road. It was a fantastic idea, but it was not a pleasant one. A night watchman stared at him seriously. He averted his face and moved away. A policeman stood by him and looked at him sus- piciously. He asked the peace-guardian what time it was, more for the sake of hearing his own voice than to secure the information. At day-break the edifice looked lighter, and more cheerful. In a few hours the doors would be opened once more, and if he chose, he could look at D6jazet again for one-and-sixpence. In a few hours ! He could wait. Chapter IX FELICIA WRITES " LIVERPOOL, May j, 1898. " MY DEAR REGINALD : Doesn't it seem odd to reflect that I have never yet written you a letter ? You can ransack your desks ; you can ask your dreadful, seedy Crampton to rummage through your correspondence ; no letter from your Felicia has a place there. Consequently, my dear, dear Reginald, I am going to try to do justice to myself to-day. Oh, the joy of writing to you ! You don't know what it means to me. All morning I have been nervous and excited at the mere idea of addressing you by pen and ink. And now that I have started well, I have a trembling hand and a palpitating heart. I don't intend to write to you often, my dear, because I have a sort of horror of establishing a volume for 'Letters from Felicia.' Such a title always sounds to me so cheap and penny-dreadful-y, and I hate women who write diaries and letters yes, even Glory Quayle and Marie Bashkirtseff. These words are destined not for publication but for the waste-paper basket. However, I don't insist upon the basket. If you should happen to be in a Felicia mood when you [136] Felicia Writes 137 get this well, you can put it next to your heart ; I shan't mind, and you needn't confess, Reginald ; you really needn't. " I can't tell you how I got to Liverpool, because I don't know. I believe I sat on cushions and was propelled swiftly through sweet, warm air, but I am not quite sure. You see, I couldn't worry myself about such details. In my mind were words that had been spoken at Euston Station by a certain stern and merciless knight, and they sang them- selves to me until I was in a very ecstasy of reverie. Dear old Euston Station ! Little did I think that my happiness would come to me in that vaulted, noisy, going-away place. How often have I cried there, and despaired there, and rebelled there ! Euston was to me a sort of devils' rendezvous. And now, you original, reckless boy, you have sud- denly transformed it into an Elysium. " The bicyclist-boys in the train with me were very polite. They insisted upon pulling down the window when it was warm, and putting it up again when it grew cool. They gave me funny papers to read, and plied me with chicken sandwiches. They were very young, and talked bicycle to me by the hour. They introduced me to sprocket-wheels, and gear-cases, and it is absolutely my own fault that I don't know how to darn a tire, under any condition of puncture. Reginald, these youthful bicyclists recognized me. They had with them a magazine containing my picture. Such is fame which I never have wanted, don't want, and shan't want ! I told you the truth, dear boy, when I said 138 His Own Image that I hated the theatre and everything connected with it except one ' star ' actor, in whose halo I I long to participate, for his sake only. I can't understand the joys that fame is supposed to yield. Certainly it can't make one happy to be thought of and noticed by a lot of strangers. If fame could render one more entrancing to one's own selected circle then I should like to be famous. But does it ? I think not. Fame is a bait for the outsiders, for the Toms, and the Dicks, and the Harrys, and I don't want it. (I have just read this over, and it sounds rather nice really book-y, and breezy. Don't you think so ?) " Floss and Edna met me at Lime Street, and took me home to mamma, as though I were the prodigal returned. What a fuss they made of me, these three good, and unreasonably affectionate women. Somehow or other, Reginald, I felt that I was a sort of blot upon the purity of their picture a fraud, as it were. It was not until I told them that I was engaged, that I could feel at my ease. You should have heard their exclamations of pleas- ure and their questions. They had been longing for such news, and mamma dear, innocent mam- ma said, ' Well, my dear Felicia, I am glad it has ended so nicely. I have heard of young actresses who fall in love with actors, and who are lured to their ruin.' Dear mamma ! I love that expression, ' lured to their ruin.' It is so picturesque, and so exquisitely middle-class. How middle-ciass we are ! Really, I never knew it so vividly as I know it now. Floss and Edna are typical middle-class Felicia Writes 139 girls, addicted to doting upon beardless curates and afternoon tea, and mamma is one of those easily satisfied matrons to whom watercress and shrimps to say nothing of periwinkles are the acme of joy. The metropolis has had its effect upon me, though I thought I was still narrow and provincial. These dear, beloved people flesh of my flesh run so persistently in one groove. They all discuss the fact that I am going ' to marry well,' just as though you were a butcher with a big bank account. I am quite sure that mamma thinks we shall live in a brick terrace in the suburbs, and keep chickens and rabbits. She has warned me that actors are very fond of divorces in fact, mamma believes that it is an incentive to them to marry and I am to be very careful and prudent. " Reginald, I hate myself for writing so lightly of my family. It seems so graceless, and so unlike the Felicia of other days. Alas ! I am afraid that the Felicia of other days is no more. In her place has arisen a new, pert, and frivolous creature with but one object in her life, and one desire to get away from everything that is not connected with that object. Floss wanted to know why I hadn't an engagement ring, and when I told her that there was no jeweller's shop in Euston Station, she nearly fainted. Floss and Edna think that a proposal in Euston Station is most ignominious. Edna won- dered what on earth the people thought of you when they saw you on your knees on the platform, begging the radiant Felicia to be yours for ever and for aye. They are very ingenuous girls, Reginald, 140 His Own Image Was I ingenuous when you first knew me ? You used to tell me that I was, but seriously I can hardly believe it. I feel so abnormally wise, and sensible, and worldly in this unpoetic, yet secluded Liver- pool. " At an afternoon tea, yesterday, I met a spinster with ringlets, who told me that she had seen you in London some years ago, and thought that you looked like a dreadful person, capable of anything. You were playing in ' Richard III,' and she was quite unable to disentangle you from your part. She asked me if something couldn't be done for the hump, and when I told her that you were trying to remove it with caustic like a wart she seemed to be quite pleased. I should hate you to come to Liverpool, and see the people whom I meet daily. They would be so exactly the folks that you would despise you lordly, regal and peerless thing ! So, if you should feel that you can't possibly exist a day longer without your Felicia well, my dear, bid her come to you, but prithee, go not to her. " How my pen is flying on, and what nonsense I am writing. Verily, I believe that even the waste- paper basket would reject me. However, I am not always as light-hearted as I feel at this mo- ment. Sometimes I ask myself if really, in your heart of hearts, you love this foolish, flighty Fe- licia ? And the answer is not satisfactory. If it were, it would be too good too consummately bliss- ful. I don't believe that you would die of anguish if she positively declined to see you again I can- not imagine you suiciding on account of hopeless Felicia "Writes 141 love for Felicia Halstead. If I were only proud, and correct ! If I only were ! I would force you to woo me violently, and would revel in coyness, and woman's pretty defensiveness. But alas ! I am so desperate, and so very much in earnest. I have no pride, and I am not coy. I would marry you, even if you hated me, and trust to fate for better things afterwards. In fact, Reginald, I was quite willing to be your wife, even when I thought that you might ask me just for the sake of but no, I will not tell you of that contemplated con- spiracy until we have been married five years. Married five years ! I can scarcely realize what it means. Perhaps by that time I shall have grown to think of nothing but boiled mutton, and roly- poly puddings. I am afraid I am not artistic merely feminine. " You will laugh when I tell you that I almost expected to find a telegram from you awaiting me in Liverpool, begging me to dismiss the Euston interview from my mind. My first words when 1 entered the sitting-room were : ' Is there any message for me ?' What a relief it was when 1 heard that there was not. You see, I am uncer- tain and unsettled. But nothing can alter the fact that you have asked me to be your wife, and that I have accepted. It was, as mamma says, a happy ending. There are episodes in our past that we may think of in mental solitude. How much bet- ter that there should be no more of them. Yet, I would have been your slave your willing satellite forever if I could not have been your wife. Never, 142 His Own Image to my dying day, shall I forget my agony when you accused me of trying to supplant you never, never, never. And yet, in some way or other, I can't help thinking that this incident is connected with my present happiness. How wretched I was when you saw me at Euston ! Positively, Reginald, I had even neglected to dye my hair. I was going to forsake my colours, not caring whether I was blonde or brunette. Poor old Landy was in des- pair, but I could not do otherwise. " By-the-by, Reginald, mamma, who is a most voracious newspaper reader, and frightfully ad- dicted to horrors, which are to her as the salt of the earth,has been telling me about a wonderful case that occurred recently in Paris. It concerned a person called De"jazet, who murdered a girl named Gene- vieve Delaunay, rather than marry her. Mamrna gave me all the details in a very vivid manner, and I couldn't help thinking, after I had heard them, what a very admirable play it would make. I could almost see you as Dejazet made up with a po- maded, spiky moustache, and I am sure that it would be a magnificent r61e for you. And then, my dear, I think I could be Genevieve to perfec- tion just my style. She must have been just such another un-coy, un-proud thing as I am. It served her almost right for insisting upon marrying the poor fellow when she knew that he hated her. I am afraid that I should do precisely the same thing, my poor, entangled Reginald. Conse- quently, who could be a better Genevieve De- launay than Felicia Halstead ? Felicia Writes 143 " I read in a local paper that they have just added a picture of De"jazet to the wax-work collection at Madame Tussaud's, and that the face is modelled from a cast made after death. So, my dear, if you should ever play Dejazet, you won't have to worry yourself with the British Museum, where you al- ways go for inspiration, but you can have a cheap shilling's-worth of Madame Tussaud. Wait until I come back and we will go together. I adore the wax-works. Landy and I have spent hours there. In fact, my idea of happiness is a morning at Mad- ame Tussaud's, with a nice catalogue and sixpenny- worth of chocolate creams in a bag. My grave and artistic lord, how you must despise me for this confession. Yet I make it, because I am so anxious to confess everything or nearly everything to you. Dear old Madame Tussaud's ! I am always so desperately anxious to examine the petticoats and lingerie worn by all the queens and princesses, that it is hard work for me to conform to the rules and regulations of the place. " I must be thinking of closing. I imagine that the only lines in this letter that you will really care for are those connected with D6jazet, and a possi- ble play. They were really the point of this letter, and I felt so jealous of them that I tried to get even with them by all this flimsy Felicia talk. I wonder if mamma's chatter has really given you an idea. I know that you never read the papers. Perhaps you have never heard of Dejazet, before you receive this. I had not. Landy never dis- cusses horrors, and never tells me of newspaper 144 His Own Image topics. Consequently, if I am responsible for any new plans that you may make, let me know. I should love to believe that I was really useful to you at last. And if you do play Dejazet, remember that I must be the Genevieve even if I never play another part, and retire immediately afterwards. I could feel like Genevieve without the slightest difficulty ! I could put myself in her place, with- out the faintest effort. And you you clever, versatile boy you could put yourself with equal ease in anybody's place. You can be an angel as readily as a devil. " Forgive me all this frivolous outburst. I have waited until I could wait no longer. I did not expect to hear from you. I do not expect to do so. I tell mamma and Floss and Edna that you are too busy to write. Perhaps you are. How I should appreciate a letter, but but I am not hinting for one. If it came, I should not return it unopened. But, I am not hinting for one, Reginald ; oh dear, no. " t l shall return to London at the end of my third week, and then and then well, since you insist, I will be yours. Mamma talks such a lot about trou- seau and bridesmaids, and a wedding-cake with sugar on it, and all the usual things that you know noth- ing about. I have ventured to hint that we may be married by the registrar, and that my wedding dress will probably be whatever I happen to be wearing at that moment. She is very much horri- fied. I have tried to break it gently to Floss and Edna that there will be no bridesmaids. Poor girls, they had already mapped out for themselves Felicia Writes 145 blue silk dresses with white tulle veils. Sometimes I sigh, and just for one moment only one I wish that you were a provincial person, who went every morning to business at nine o'clock, and came back to tea at six ; that we were going to settle down to humdrum life ; and that you would like a supply of doilies, knitted mats, clocks and sugar-spoons for wedding presents. For one moment only ! The next and I see you superior to it all soaring above the provincialism of the thing my own regal, peerless, and irrevocable Reginald. Good-bye, dear. One word from you to the effect that I must not stay away three weeks, and back I come, re- gardless of etiquette, of reason, of mamma, or of Floss and Edna. I may be all wrong, but then you know I can't help being "FELICIA." " What will be the fate of this letter ? Somehow or other, I can picture you reading it, and frowning upon everything but that little business matter concerning Dej'azet. I can see the sheets left on your desk, for Crampton to file away in the H's. Shall you put me in the F's or the H's ? Do you think of me as Felicia or as Halstead ? I have a dreadful idea that Crampton will pigeon-hole me in the H's. O Reginald, save me from this fate. Tear me up, and scatter my bits over the waste- paper basket. Burn me, but don't put me away with demands for engagements, offers to read plays, and other professional matter. What will be my fate? " F. H." 146 His Own Image This was the letter that Reginald Rellerick found waiting for him after another mentally exhausting evening spent in the Marylebone Road. The address upon the envelope gave him no clue to the identity of the writer. He had never before seen a specimen of Felicia's handwriting. Before he read it, he dried his humid brow and drank deeply of the ever-welcome champagne-cup prepared for him by the obeisant Thomas. What an evening he had passed ! He had stood for two hours before the image of Dejazet, greedily listening to the com- ments of the throng. Every scathing criticism of the murderer stung him as though it referred to his veritable self. He felt humiliated, disgraced, prostrated. He found himself eagerly awaiting some extenuating comment from some extraordi- narily charitable person. He scanned the features of the crowd as though to analyze the sentiments expressed therein. He recalled one graphic utter- ance that had been balm to his bleeding soul. It came from a stout labourer, who remarked : " Women are the devil. This isn't the first victim, and it won't be the last." It had been difficult for him to restrain himself from shaking the hand of that humble and lenient philosopher. But he could not forget that the crowd had growled at the rude philosophy, and had even hissed, as Lon- don crowds consider it their privilege to do. The sympathies of the herd were not with Dejazet the evil, yellow thing with the glassy eyes and the nail- less hands, that stood there recklessly, as though wallowing in its own unholy powers of attraction. Felicia Writes 147 Every man in that crowd was a critic, to the wrought-up, nerve-tightened actor. It was as though he were listening to his own judgment ; as if his future life depended upon the whims and caprices of this gathering of 'Arries and 'Arriets. He had taken the precaution to don a soft felt hat, which he pressed down over his eyes, so that his panoramic expression, and that odious resemblance, might both be kept from the curious men and wo- men at the exhibition. He skulked, when chance brought him into closer contact with the visitors, and once when a confidential countryman spoke to him, he moved quickly away, without attempting to utter a word. And now he had returned to his own apartments. Crampton was out. The house was still. He opened the letter carelessly, and read it derisively. His lips curled at poor Felicia's exuberance of expression, and he laughed aloud at the words that told him she had expected a telegram. It was not until he reached her " point " the allusions to D6- jazet that he was aroused to any sort of demon- stration. He arose from his seat, and pounded round the room, speaking aloud, as very few sane people do off the stage. " She would like to see me play De"jazet," he foamed. " She, too! She can ' almost see me ' as De" jazet ' made up with a pomaded, spiky mous- tache.' And she would like to play Genevieve ! Devils! They are all conspiring against me ! If I am not crazy, I shall be soon. What have I done to be cursed like this ?" 148 His Own Image He was engaged to be married to the woman who had lacerated his career. Marry her he would, and then and then he could retire her to oblivion, and seek forgetfulness of this morbid horror in his stage work. Yet how loathsome it seemed ! Al- ready she began to speak as though she owned him, body and soul the matrimonial condition at which his ego-maniacal soul rebelled. Would he ever be able to endure her exactions ? Could he ever calmly resign himself to those insistently expressed endearments, which, destitute of passion, were cold and clumsy in his ears. What a detestable fate ! How she would " dear " him and " darling " him in public, and look after his health, and see that he changed his stockings if his feet were wet ! What a prospect ! He was paying a big price for the adulation that the public offers. His ego-mania he called it fame was an expensive luxury, to be obtained at the risk of all personal happiness. A normal man even a normal man with a heart of ice would have been touched at the gentle fem- ininity of this clinging Felicia's letter. A normal man might even have become coxcombical, as he read her adoring words. But this ego-maniac hated her as the one obstacle in his glittering, self-lauda- tory path. If he could only have married her, and shipped her next day to Australia. Sitting down again, he tried to conjure up some plan by which he could resume his career without marrying Felicia. There was no harm in thinking up a plan. If he could find one, the telegram that she had expected should be hers without further delay. Felicia Writes 149 But there was no way out of the tangle. Felicia left alone resourceless as she was, with a family dependent upon her must earn her living. All London was discussing her at present. There was not the faintest shadow of doubt but that she would succumb to managerial persuasion. Moreover, she was a woman, and women were vindictive. If he withdrew his offer, she would oppose him out of sheer revenge. Even the gentle, pliant, lamb-like Felicia had a woman's foibles. No, matters had been arranged. He had even blessed the arrangement, and thanked his lucky stars at its success. It was marriage, or the down- ward path. Marriage it should be. Henceforth, he would never again seek for any pretext to break the bonds. So he forced himself to write a few words of hy- pocritical affection to the Lancashire lass of his re- luctant bosom. No need to chronicle them. There are some tasks at which even the student of human- ity quails. Suffice it to say that he lied as valiantly as possible, and wrote what it would have been im- possible for him to speak. He made no reference to the Dejazet topic. Fate was linking him with it. He would let fate work its own way unaided. He went out and posted the letter himself. He felt relieved when he had consigned it to the pillar. For two days at any rate he could forget Felicia and his engagement. Once more he felt it impossible to retire. Cramp- ton came in, mouldily uninteresting, sedate as usual. 150 His Own Image Was there anything he could do for Mr. Rellerick before going to bed ? No, there was nothing. The great actor waited until his secretary was quiet, and stole noiselessly out of the house, bound for the Marylebone Road. He promised himself that this should be the last time he indulged in such folly. His mind must be recovering its tone, for he began to realize the ludicrous side of this noc- turnal promenade. Imagine a man in his sane senses, gazing at a closed exhibition, in the dead of the night, more especially when he had spent the major part of his day there. Reginald laughed and felt better. He would end this farce with to-night. But even as he said this he hurried his footsteps, and arrived panting at the Marylebone Road. How could he sleep, after all, with the knowledge that his own image the image which all London had worshipped, and for the adulation of which he lived and breathed was standing alone, in the dark, in the Tussaud sarcophagus ? Chapter X THE SIREN OF LEICESTER SQUARE THE rusty Crampton was quiet, but the rusty Crampton was not asleep. The nerves of the man, whom you may have regarded as an automaton, were on the alert. Crampton was growing suspi- cious. He felt that some strange forces were at work within the masterful Reginald Rellerick. So far, he had been completely able to understand all the motives that actuated the ego-maniac's life. He had read his Nordau, and in the old Oxford days he had studied the psychological authorities from which the astutely advertised author of " Par- adoxes " derived so many of his facts. Rellerick was quite intelligible to him, and he had led the self-dazzled actor into many harbours, from the depths in which his blindness would have sunk him. But now, something else was at work, and Cramp- ton was puzzled. He lay awake in his bed as Reginald prepared to leave the house. He heard the creaking of the floors, his master's step in the hall, the opening of the door, and its closing. The rusty Crampton, with an amount of energy quite surprising in one so sere and yellow, leaped from his couch, and 152 His Own Image hastily trousering himself, resolved to follow Mr. Rellerick. Quick thoughts coursed through his brain. At another time he might have analyzed them ; now he simply thought them, without won- dering. He was impelled to remember that hour in the cab with Felicia Halstead, when he had brought her from Netting Hill to his master's sanc- tum. She had sat beside him, and had talked in such sweet frivolity that his mission had been hate- ful to him. He recalled her departure from Regi- nald's house, bewildered and miserable, and follow- ing that, like a flash of disaster-bringing lightning, came the news of her engagement to the actor. He thought of all this involuntarily, without at- tempting to ask himself why these old subjects came to him at midnight, as he was about to follow Reginald Rellerick on some unknown adventure. Crampton had once had as much colour as you and I are proud to own. It had simply worn off. Colour is a perishable quality, heightened by con- tact with the world, destroyed by stagnation. Crampton had been colourless for a long time, but in spite of that fact, he is the only irreproachable character in these records, and I insist upon your liking him. It is your duty to like him, because he was a good man, with no vices worth speaking of, and no virtues to worry about lauding. It is the absence of vice, rather than the presence of virtue, that dishes up to the world what the world calls a a good man. . Crampton passed into Reginald's sanctum. The lamp was burning low, and the unoccupied room The Siren of Leicester Square 153 still reeked of the intense vitality of its owner. Crampton glanced hastily around. Time was pre- cious. He must see on what fool's errand the ego- maniac had started. Under the desk he saw a crumpled letter. The sheets had evidently been squeezed together by a vindictive hand. They were twisted into most uncomplimentary contor- tions. Crampton read a few words of the post- script : " What will be the fate of this letter? . . . I can see the sheets left on your desk for Crampton to file away in the H's. . . . I have a dreadful idea that Crampton will pigeon-hole me in the H's." The mouldy secretary looked around him with- what the old-fangled novelists called " the eyes of the hunted antelope." A dash of the colour that had tinged his character in the old University days returned to him like a whiff of youth. The hour was certainly propitious for everything unusual and unexpected. Crampton took up the sheet contain- ing the words he had just read, and kissed it. It crackled against his frayed-out white-ended mous- tache. Then, as though ashamed of himself, he tore open his shirt and placed Felicia's writing next to his heart. " Pigeon-holed in the H 's," he thought, and this eerie person actually smiled at what he considered an excellent jeu de mot. All this had taken place so quickly, that by the time Crampton was in the open air, he was able to see the figure of Rellerick at the end of the road, about to turn into a street at the right. He fol- lowed swiftly. He had heard of somnambulists 154 His Own Image performing strange feats with which they were un- familiar when awake, but he could not suppose that Rellerick was sleep-walking. Could the actor be in pursuit of some sordid adventure with the street-walkers that infested the vicinity ? He did not believe it, for the actor had a tinge of refine- ment, and his sexuality had never seemed protru- sive. Crampton kept about two hundred yards behind his master. The chase was a somewhat exhaust- ing one. The secretary noticed the soft felt hat that the actor had donned, and realized the fact that his mission was evidently one that rendered recognition undesirable. By the time that the huge brick pile in the Marylebone Road was reached, Crampton was out of breath. Reginald's hurried steps had suggested impulsion by electri- city. Such violent exercise was fatiguing to the secretary. He stood still and watched his master, who stopped, in an attitude of almost reverent study, before Madame Tussaud's landmark. He remem- bered Reginald's anger with the servants who had visited the exhibition, and he recalled his master's inquiries on the subject of Dejazet, whose image, it appeared, strongly resembled him. Crampton's fatigue soon left him. His brain set to work with remarkable facility, and it made out an astonish- ingly accurate case in a very short time. Reginald walked backwards and forwards with his hands in his pockets, and his head bowed. Occasionally he glanced at the windows of the The Siren of Leicester Square 155 building and stood still peering through the dark- ness. Crampton's eyes never left him. At the end of a half hour the secretary's mind was made up. He approached the actor, as though meeting him in an opposite direction, and when a few yards away from him, coughed and came to a standstill. Reginald looked up, and Crampton noted the haggard, anxious expression that he wore. His eyes were sunken and lustreless ; his face gray in the dull midnight street. The secretary felt a sen- sation of pity sweeping over him. He was rather sorry that he had broken in upon him so suddenly. The great actor's ego however, asserted itself almost instantaneously. No sooner had he recog- nized this intruder, than his listless demeanour van- ished. The life came back to his eyes, and the vitality to his expression. His imperial impudence asserted itself rapidly. " So you have dared to follow me, sirrah," he said, blazing forth into anger, and feeling a sensa- tion of relief in the mere change of sensation. " You have presumed to spy upon my actions. I choose, for personal reasons, to walk in this neigh- bourhood with my thoughts, but I find myself confronted by my paid servant, wearing a puzzled look, and behaving like a missionary attempting to rescue a heathen." Crampton, usually so limp and dejected, did not wither beneath this scathimg rebuke. His logical mind, scenting complications the significance of which he could not over-estimate, was not to be imposed upon. Moreover, he was genuinely 156 His Own Image alarmed at the expression that he had noticed upon his master's face an expression of nervous exaltation that the most exacting " first night " had failed to induce. He looked the great actor calmly in the eye, and said quietly, " If I were you, Mr. Rellerick, I should not brood over a fancied resemblance to a waxen figure. You will disturb your mind, and ruin your mental constitution. It is absurd. It is illogical. If you read it in a book, you would say, ' How vastly improbable/ Forget it for your own sake, and for that of " Crampton's voice sank " of the girl who has promised to be your wife." Reginald was conscious of a sense of consolation at the beginning of his secretary's remarks. They soothed him as " some sweet oblivious antidote " destined to " raze out the written troubles of the brain." But the allusion to Felicia was unfortun- ate. Impossible as it must always be for him to forget his loathsome double in this museum, it must be equally out of the question peacefully to consider his necessary entanglement with Felicia. His anger gushed forth. "Forget ! Forget !" he cried wrathfully. " Could you go quietly to bed, and sleep calmly through the night, knowing that a jaundiced but frightfully accurate model of yourself was standing, reared up among an army of murderers, girl-decoyers, and obnoxious criminals ? I ask you could you feel comfortable you, a man without nerves, a healthy type of British stolidity, addicted to regular habits and stagnation ?" The Siren of Leicester Square 157 Crampton saw him shudder, and pondered care- fully over the question. Yes, he was a man with- out nerves, one of those happy go-to-bed-at-ten-and- get-up-at-six specimens of English health. He was a college man, an Oxford M. A., a distinctly normal person. He was bound to admit to himself that Reginald's predicament was a trying one, and he realized that this actor, diseased with ego-mania, and living persistently the hothouse, malarial life of the stage, was a magnificent target for these arrows of the imagination. But Crampton resolved to lie rather than cater to such imaginings. What would become of little Felicia Halstead, linked to such a character ? So he answered cautiously. " It is all folly. If I heard of a waxen Crampton in Madame Tussaud's wax-works, I should laugh at it as a ludicrous coin- cidence. You, with your fame, could work this up into a magnificent advertisement for yourself. Think of it." He tried, in this way, to lure him from the miasma of his thoughts. It was quite useless. A shock went through Reginald's system, as he even con- templated the odious idea of publicity. An actor will submit to a great deal for the sake of notor- iety's will-of-the-wisp, but the real ego-maniac will not endure abject humiliation, because he has never yet discovered a public that is worth winning at such a cost. " No," he said, ferociously. " No, no. It is bad enough to know that this unfortunate creature this yellow waxen horror is there, without publish- 158 His Own Image ing it to the world. And he stands there with the vilest of the earth." Crampton thought for a moment, before he re- torted. " Undoubtedly. Would you see him with the kings and queens a murderer of the most noxious type a brute who, after having ruined a girl, deliberately took her life ?" They were walking slowly towards the end of the railings surrounding the Marylebone edifice. As Reginald heard Crampton's words, he stood still, and just for one second he wondered at himself. He was instantly conscious of a deep-rooted resent- ment as he listened to his secretary's criticism of Dejazet. He forgot his original horror at the knowledge that Dejazet was a murderer. It seemed to him at the present time that such accusa- tions were hideous. Pangs shot through him as Crampton spoke of the ruin and murder of a girl. Then he gazed indignantly at the prosaic Oxonian, and lost all sense of restraint. "That's hitting a man when he's down," he declared savagely. " It is insulting and unworthy. Dejazet cannot speak for himself, but I am thank- ful to say that there is one who will not listen to such one-sided charges. How do we know what amount of provocation he endured? Women are the devil. The horrid feminine idea of owning a man's body and soul forever has been the cause of untold misery. Dejazet may have had justification for his act, such as the world knows nothing of. Why call a man a murderer because the mob insists The Siren of Leicester Square 159 that he is one ? The mob is always wrong. The mob has injured me. I hate it. I hate it." His excitement was painful to see. His over- whelming ego-mania, that was reaching out to in- clude his waxen presentment, filled the poor secre- tary with amazement. The actor glanced at the windows of the exhibition, as though he expected to see his double looking out to applaud him for this defense to applaud him with those smooth and nailless hands. " The mob could not be wrong in this instance," Crampton murmured, almost wishing himself back in his bed. " The case was as clear as a pikestaff. He murdered his mistress on their wedding-night, and was captured red-handed. Moreover, he con- fessed his crime. What court of justice could hope for anything more ? It was a horror in the annals of crime." " How dare you talk like this ?" the furious actor cried, the volume of his augmented voice reaching a distant policeman, and causing that in- dividual to shake off his lethargy. " I will not be argued with. I will not permit it. You are my satellite, and I will not allow you to thrust me into the wrong." Then, changing his tone to one of almost supplicating import, " Crampton, you are uncharitable. You believe in the conventions too fully. Can you not, as a man, imagine a condition of things so hideous that what we call crime would be justifiable in order to remove it. Can you not believe in an obstacle so monstrous that a man may be pardoned for his anxiety to rid himself of it ? 160 His Own Image Suppose Dejazet poor Dejazet felt that his whole artistic career was imperilled by this woman, this clinging, stupid Genevieve Delaunay. Suppose he felt that future generations, which might possibly be delighted with his work, would lose everything, if he lived with this millstone round his neck this daily meal of hatred constantly be- fore him. Suppose all this, Crampton. Why, why should he be placed in this detestable mausoleum to be gazed at day after day by vulgar men and women with catalogues ?" Crampton had never seen his master in such a plight with all his soul let loose, as it were. The man might have been pleading for the jewel of his own reputation. The agony of his recent theatre failure was no keener than this. In each case there was an injury to the personality, for the ego- maniac's defense of D6jazet was due solely to the fact that the murderer was flaunting before the public in his image. The actor's hair was damp and the perspiration ran in drops from his fore- head. His ego was endangered, and he had noth- ing else to live for. There was nothing else in the world, as a matter of fact. All other men and women were mere automata. The secretary scarcely knew what to do or say. He felt that the situation was far more serious than he had supposed it to be. It was psychological beyond the reach of medicine and cheap words. "There may have been provocation, as you sug- gest," the embarrassed Crampton remarked, " but for the sake of society for the sake of organized The Siren of Leicester Square 161 decency, we dare not consider it. Probably all the figures in Madame Tussaud's Chamber of Horrors had some sort of provocation. Mr. Rellerick, you must not dwell on that matter. It is the feeble excuse of most crime. Adam ate the apple be- cause Eve provoked him to do so. Eve's provoca- tion came from the serpent. Even the serpent if tried in court could find a lawyer willing to prove that he was innately bad and suffering from hereditary taint. We must conquer our provoca- tion." " Ha ! ha ! ha !" laughed Reginald, hysterically. " Crampton, you talk like the ' Child's Stepping- Stone to Knowledge ' or ' Mangnall's Questions.' I don't care what the world thinks of provocation. There is something in the knowledge that it has existed. If I could only know and I feel certain of it that this unfortunate artist was more sinned against than sinning, I should feel easier in my mind. I must know it. I must know it," he re- peated, grinding his teeth. " Poor Dejazet." They had left the Marylebone Road and were walking quickly to the west. The actor's pallid face and sunken cheeks looked as lifeless in the darkness as those of the wax-works they were leav- ing behind them. It was a gloomy and marrow- chilling night. Each person they met seemed to be abroad for some sinister motive. The sleeping houses appeared to enclose tightly all that was light und virtuous and spiritual in the tortuous and Interminable metropolis. Women spoke to them as they walked through the clanking thorough- 162 His Own Image fares, but Reginald, held up by Crampton's arm, was pushed rapidly along. They reached Piccadilly Circus, bound for no- where at all. The actor was anxious for move- ment and sensation of any sort. The secretary had sunk into a sort of comatose condition of dread foreboding. It was so much worse than he had thought. It was a farce turning into a tragedy, as so often happens in this world, where extremes meet, and laughter and grief overlap. He could imagine this wax-work notion that was weighing him down, as the theme of a merry, tripping opera, with waxen nymphs coming to life, and the bogie- man subjected to the ever-enjoyable insults of the modern stage. But no laugh could he coax to his lips at the present time. Piccadilly Circus had concluded another of its infamous nights, and was comparatively deserted. The ghastly galaxy of creatures that come forth like beetles was no longer apparent. The traffic was over, and the vampires had fled, with but few exceptions. Occasionally the occupant of a cab looked from the windows to see if anything was "going on." A few women chatted hopelessly with some maudlin boys, who were on their way home. The curved expanse of Regent Street looked for- bidding enough, but Crampton knew that in the morning it would be gay and busy once more, and that the virtuousest matrons would stand on the very spot that had just been pressed by the women of the pavement. Messalina and Lucretia share the "modern conveniences " of London together. The Siren of Leicester Square 163 It is a very ingenious sort of Box and Cox arrange- ment. Reginald and Crampton were just about to cross the Circus in the direction of the Criterion Theatre, when two highly illuminated women coming from the Leicester Square vicinity attracted their atten- tion. The women were undoubtedly French. They had very large, loose, bulging bodies, tiny compressed waists, and sinuously padded hips. They were laughing and talking loudly, and they soon noticed the two men, hesitant at the curb- stone. As the largest and loudest of the Frenchwomen approached Reginald, with ribald words on her lips, she suddenly stopped, as though paralyzed, and clutched at the arm of her companion. An electric light that stood near showed that even beneath the kalsomine on her cheeks she had grown white and bloodless. Reginald heard her say ' Grand del!' and a moment later, in response to the query of the other, she cried, " Mais, ma cherie, c'est Dtjazet lui-m$me ! Crampton scarcely noticed the words, embedded in French, and Parisianly pronounced, but to Regi- nald the remark came like a bolt from the skies. He was instantly alert, and keenly attentive to the protection of his ego. He pulled his hat over his eyes, and started to cross the street. The siren from Leicester Square was not in the least non- plussed. She followed him, deliberately plucked his hat from his head, and standing before him, arms akimbo, gazed at him relentlessly. 164 His Own Image " Sacre bleu /" she cried and there was awe in her tones, " 'C'est Dejaset revenu & la vie." Then in excellent English, " My little gentleman, you re- mind me of a friend of mine who is dead gathered by force to his ancestors. Ah, you are so like him. The same eyes, the same chin, the same hair, the same expression. Tiens ! Tiens ! Tiens ! Ma mouchoir, Cerisette, que j'e pleure" Cerisette had joined the group. She immediately handed a handkerchief to the large lady, who forth- with dissolved into tears. Reginald was so agitated that he could scarcely speak. Crampton, upon whose duller brain the meaning of it all had sud- denly dawned, tried by brute strength to drag his master away. He was quite powerless. " I will not go," the actor said, hoarsely. " I will not go." " No, no, do not go," cried the large lady ex- citedly, " I must look at you again. Ah, De'jazet, mon pauvre bon homme ! Te voila encore. Tu ne pour rats pas rester mort. Sapristi /" Again she wept, and Reginald watched her, a wild hope rising in his breast. He waited until her sobs had ceased. t! " You knew D6jazet ?" he said. "And you re- member him pleasantly in spite of what he did ?" " I knew him. I loved him. If he had remained with me, he would have been alive to-day, and I would have been true to him. Then there would have been no martyred Genevieve. The martyred Genevieve ! What a martyr ! Ha ! ha ! ha !" The Siren of Leicester Square 165 " I will come with you," said Reginald excitedly, " and you shall tell me all about it." The woman looked at him suspiciously, and then glanced at Crampton in the background, and at Cerisette, who had just waved a farewell and de- parted in quest of livelier scenes, with a thorough French horror of the tearful. " This is no investigation ?" she asked. " I have had enough of that sort of thing. You are in earnest, and are interested in De" jazet's story ?" " I am in earnest, before heaven," replied the actor solemnly. "And I will pay you well for your trouble." " They have him at Tussaud's my poor D6jazet," she whined. " And I would willingly go to him there, if I could. But, Monsieur Monsieur is Djazet. The same eyes, the same chin, the same hair, the same expression. C'est fyatant" " For heaven's sake," said Crampton, coming quickly forward, " I implore you, Mr. Rellerick, to leave this woman. Think of your reputation. What would London say if it saw a man like you parading Leicester Square with a creature like this ? Think of the danger of what you are doing. Think of the scandal. What would Miss Halstead say ? For her sake come home with me." " For her sake," cried Reginald contemptuously. " For my own sake, I will clear De"jazet if I can, and this woman will help me, I am sure. At pres- ent, Crampton, I am the yellow murderer you can see for one-and-sixpence in the Marylebone Road. I cannot rest under the charge. The mob may 166 His Own Image always believe that he is an atrocity, but if I can think otherwise, I may once again be happy. Write and tell Felicia that you left me in the com- pany of what is your name, Madame?" turning to the woman. " They call me La Chinoise," she said. "Tell her that you left me in the company of La Chinoise. She will marry me still. You couldn't induce her to do anything else. I am not afraid, Crampton. At first I thought that Felicia wanted fame. She has told me herself that she will sacri- fice everything for me. Ha ! ha ! ha ! The situa- tion is clearing itself. Bon jour, Crampton. A demain. Wait till you see me in the morning. And now, La Chinoise, we will get into a cab, and drive to your mansion in Mayfair. Not Mayfair ? Well, Leicester Square. It is all the same to me, and it is equally London. Hey, cabby, go as fast as you can. There is no time to be lost." Chapter XI LA CHINOISE CONFESSES REGINALD'S strange exaltation a condition that to the pompous ego-maniac was a comparatively novel one wore off before he reached LaChinoise's apartment in one of the sordid thoroughfares that open into Leicester Square. As he sat beside her, in the swiftly moving cab, he shut his eyes, and tried to forget the odious events that linked Felicia Hal- stead with the dead Djazet in his memory. The task was an impossible one. His jangled brain could not shut out the picture of the tallowy, yel- low model that stood erect in the Marylebone Road, staring with its cold glass eyes, and inert as to the smooth and nailless hands. The torrent of his faith was rushing him into a keen association with Dejazet. His persistent attention to the hateful model, far from having opened to him the joyous jewelled gates of the humorous, had simply en- tangled him more deeply. And now and now he sat in a whirling hansom in juxtaposition with a woman whom Dejazet had loved. He smiled at Crampton's serene advice to forget it all. Forget it all ! Every move that he made on the chess- board of his career brought him into Dejazet's cir- [167] i68 His Own Image cle more surely. He cursed the Marylebone Road, and he cursed the girl whose departure from Lon- don had induced him into that bewildering resort. La Chinoise was not talkative. Her frivolous, mendacious, Parisian nature had been genuinely moved by her encounter with Rellerick. She sat still and rested, until her mercenary nature should have recuperated itself, and she could face a situa- tion that might prove profitable. La Chinoise, like most of her class, despised her metier. She had not visited Piccadilly Circus for fun, and she would be a fool for her pains, if she allowed a sickly sen- timentality to interfere with legitimate business. She was a handsome woman, marred by the fatal art of "make-up" over-decorated, over-illuminated, over-dyed, over-dressed, over-padded, over-every- thing. Nature unadorned was to her a myth. They alighted at her apartment, and she led the way carelessly to her sanctum sanctorum. Her usual moods were re-asserting themselves, and by the time that Reginald had thrown his dejected personality into a chair her impudent courtesanship was on the surface again, and she was congratula- ting herself upon the accidental resemblance that promised to make her day lucrative. He sat there, helplessly oppressed and pensive, and watched her as she removed her gown, and threw over the nudity of her shoulders a peignoir of thick pink silk and lace. Then he saw her shake the masses of her sultry hair into a flowing mass that reached to the waist-line. So had Dejazet sat and looked. He could not help wondering if there La Chinoise Confesses 169 was envy in the glassy eyes of the monster in the museum. There might be. He thought of that horrid watch among the waxen criminals. The semi-obscurity of La Chinoise's room angered him. Springing to his feet, he struck a match, and lighted every jet in the dust-clouded chandelier. " Monsieur loves the light," said La Chinoise, smiling, as she kicked the boots from her feet, and ran her toes into a pair of pink-lined slippers bounded on the instep by whitest fur. " Moi, aussi'. I am not like you Londoners, who are happy in gloom and darkness. II faut etre gai y car demain nous mourons" she murmured. Her smile was most attractive. It was the smile that according to her words had fascinated De- jazet. Strange that he should now be basking in its warmth. The very counterpart of the poor artist whose joys and sorrows and virtues and crimes had ended in wax. " Tell me, chdri" said La Chinoise, coming to him, sinking at his feet, and looking up alluringly into his eyes as picturesquely as she was able to do it for her lissome days were over " Tell me if we had not better forget the unfortunate Dejazet. It is painful to me to talk of him. I should much pre- fer not to do so. You recall him to me. Does not that satisfy you ? Let poor Dejazet rest." Reginald looked at the woman with a ruddy glow of anger in his eyes. Did she imagine that he, Reginald Rellerick, London's pet actor, feted everywhere, a household word through the United Kingdom, had deliberately elected to visit her in 170 His Own Image Leicester Square with any object other than that he had named? The man's ego-mania revived imme- diately, his expression changed, and he gazed at La Chinoise with the supercilious air that he usually vented upon Crampton, and Felicia Halstead, and the other satellites of his daily life. His inability to endure the malaise of being unknown prompted him to identification. He proceeded, in his arrant coxcombry, to " give himself away." "You are mistaken, woman," he said imperi- ously, " if you imagine that you are dealing with an inebriated soldier or a Londoner out for the night. I am Reginald Rellerick, the actor. My name is undoubtedly familiar to you. I told you why I came. I promised you that I would pay you well. Tell me what you know of Dejazet, and let us finish this miserable evening. My resem- blance to the man you loved has startled me as profoundly as it has astonished you. The model of Tussaud's has overwhelmed me, until I hardly know whether I am here with you, or there with him. They have called him a murderer. You insinuated that Genevieve was no martyr. Ex- plain. Explain." She stared at him, blankly amazed, forgetting her coquetries the tricks of her hideous trade. Her round face rested on her elbows, and the lace of her sleeves fell back, revealing a white and rounded arm that an artist would scarcely have passed un. noticed. This was the rich actor of whom she had heard whom indeed she had seen, although her days in London had been very few. Yes, she re- La Chinoise Confesses 171 membered that, in the disguise of the role she had seen him play, some vague lost souvenir of Dejazet had occurred to her. She continued to look at him. He was nervous, unstrung, irresponsible. This was a richer prize than she had imagined. Cerisette had brought her luck. Cerisette should be her nocturnal partner henceforth. She had the deep-rooted superstitions of the luckless sisterhood. "What shall I tell you?" she asked quickly. " What is it that you wish to know ?" " Tell me," he said pantingly, " that this man whose features I wear, and whose outward sem- blance I can never shake off, was not the vulgar, purposeless criminal that he has been painted. Tell me that he did not shed the blood of Gen- evieve Delaunay out of sheer brutality. Let me understand him, so that when I see his waxen im- age again, I may know the whole truth." La Chinoise was awe-struck. The muddy depths of her character were stirred. This man was inter- esting her, in spite of herself. The larder was empty ; she was hungry, thirsty, and tired, in her silks and laces, but this actor, with his high-falutin" sentences was impressing her. "Listen," she said, " and perhaps you will under- stand. Dejazet and Genevieve Delaunay met in the Quartier Latin. They were both young. He was an artist fighting his way to fame. She was well, I don't know what she was. The story of her illustrious name may be true, but I have my sus- 172 His Own Image picions of Genevieve Delaunay. I never believed that she was true to him." " And you told him that ?" asked Reginald, eagerly. " Let me continue. Their manage endured for a long time. They were popular in the Quartier. Everybody liked them, and they kept open house. His name at last became known. There was a rage for Dejazet pictures. She was proud of him, jeal- ous of him, and imperious with him. I don't believe that he had ever loved her very keenly. Many people told me that he had tried to break with her, but had desisted, fearing a scandal. It was in one of his weariest moments that he met me. I would have gone through blood and fire for him, for I grew to love him as I have never loved anyone. He installed me in a little house in Passy, and there he used to see me, guarding his secret as carefully from Genevieve Delaunay as though she had been his legitimate wife. Still, he lived for his art. He was a maniac on the subject of his art. His ambition was to be internatiorally famous to sell his pictures in England and America " "Goon," cried Reginald, as she paused, " and come to the point. Never mind about art." " I must," she said, "it is the whole point of the story. He had grown, as I said, to be quite indif- ferent to Genevieve Delaunay. His intercourse with me fanned that indifference into hatred. He used to tell me that to meet her day after day, and live in her society week after week, was utterly re- pulsive to him. If it had not been for me he could La Chinoise Confesses 173 not have endured it. I helped him, he said, to find some consolation in living. He was a rather mel- ancholy, morose sort of man." La Chinoise stopped again and looked at Regi- nald's face. It was so much like that of the dead Dejazet that for the moment she seemed to be telling his story to himself. " Well," she resumed, " you know something of what followed. Genevieve's relatives, who had been hunting for her, discovered her whereabouts. You read the story of their indignation, and remember that a duel was arranged between D jazet and Gene- vieve's brother. If he won, Genevieve was to go back to her relatives near Lyons. If he lost, he would marry her. He lost. That day he came to me. ' Claire,' he said I was Claire in those days, for my nickname had not been born ' I have lost everything. I must marry this girl, and you and I must end our relations. I will try and do my duty. Perhaps I have been a brute. I hate her now, but, possibly, when she is my wife, bearing my name, I may become, at any rate, more reconciled to my life.' " La Chinoise wiped a tear from her eye, but she went on : " You cannot realize what all this meant to me. Never for one moment had I contemplated the possibility of his losing that duel. The very idea that Dejazet couM marry Genevieve Delaunay was, to me, too utterly preposterous to even worry about. In fact, it had not caused me a moment's trouble. For a time, after he had convinced me that marriage was absolutely inevitable, I was His Own Image dazed and dumbfounded. Then I registered a vow that this marriage should never take place, if I could prevent it. I determined to watch Gene- vieve. She was away from home a great deal, and I hoped to discover that she had other lovers, and thus publish her infamy to her own relatives. Alas ! What I discovered was worse, and it led to the tragedy." Reginald was all a-fever with excitement. He almost fell upon the words as they escaped from the lips of La Chinoise. " As I told you," she said, " De"jazet lived for his art. Love was a secondary consideration. It was a pastime. Art swallowed up all the serious episodes of his years. He had been annoyed for a long time by the sudden appearance of certain pictures in the market labelled ' Suire.' The pictures were much praised, and their technique strongly re- sembled that of Dejazet himself. He was unable to discover the identity of ' Suire,' who seemed to be a myth. He was invariably told that an intro- duction would be forthcoming, but difficulties always ensued. Poor Dejazet ! He was horribly jealous of the new pictures. They were spoken of in the same way as his own. Soon people began to talk of the D6 jazet-Suire school of art. It was a bitter blow to him. He hated Suire without know- ing him in the least. And then came my fatal work. As I told you, I determined to watch Genevieve Delaunay. I did so, and discovered that her absence from home was easily accounted for. She had a studio of her own. She was an L,a Chinoise Confesses 175 artist herself. She was the redoubtable Suire. If I had only known enough to keep this knowledge to myself ! But I didn't. I was blinded by hatred, and a desire to prevent the marriage of Dejazet and Genevieve. I went straight to him, and told him that the precious girl, who was to be his wife, was his deadly rival in art, the unknown Suire." Reginald gazed at the woman in wonder. A vast and surging sympathy for Dejazet took possession of him. Joy illumined his face, as he thought of the yellow, nailless thing in the Marylebone Road, and its complete justification. Here was a man, wrapped up in his art, carving a name for himself in the marble of posterity, living for the multitude only suddenly confronted with the torture of rivalry. Before he heard any further, he was ready to pinnacle Dejazet, for was he not Reginald could not finish his thought. His face grew gray in the brilliantly lighted room ; the joy left his eyes ; he saw the pink-clad courtesan still kneeling in confession before him. The hideous parallel that streaked him side by side with Dejazet, be- came blackly emphatic. He placed his hands be- fore his eyes, and murmured, " I must not justify him. I dare not justify him. I will hear no more. Let me go." He arose, and staggered towards the door. From his pocket he took his purse, and emptied twenty shining sovereigns into a vase on La Chi- noise's table. The woman heard the chink of the falling money. It satisfied the mercenary direc- tion of her character, but this actor had interested 176 His Own Image her so strongly, that she made an effort to detain him longer. " I will finish," she cried, " I must finish. Listen for a few minutes more." She forced him back to his seat, and fell again at his knees, the pink billows of her silken skirt enveloping him. " Dejazet was insane when he heard that his rival was his own mistress," she continued, as calmly as she could. " He had hated her before. Now his hatred took the form of mania. ' She is robbing me of everything,' he said to me, ' and yet I am bound to marry her.' He taxed the girl with her perfidy. Her excuses may seem natural to you, but to him and to me they were forced and exag- gerated. She told him that she had no love for art itself ; and no original ideas whatsoever. She had lived with him for years, and she had studied him carefully. It had occurred to her, she said, that the time might come when his resources would end. He had worked for so long that fatigue might set in at any time. Moreover, she wished to see him rich, and in a position to retire, if he cared to do so. So she determined to work herself, and save her money for him. She copied his style, and en- croached upon his ideas. The success that came to her was welcome to her for his sake only. She cared nothing for what the critics said. In fact, she never bothered herself about their words. And as a proof of all this, she brought her savings to him thousands of francs and threw them into his lap. She gave them to him freely, she said, and La Chinoise Confesses 177 only wished that there were more. And more there should be, for she would work, and work for his sake." A groan from Reginald frightened La Chinoise. She poured some brandy from a decanter, and held it to his lips. " He was intensely exasperated," she said. " Of course he declined to believe her words. They were plausible, but nothing more. I know of no woman on this earth who could snap her fingers at fame, and say to any one man, ' I prefer you.' Such a creature doesn't exist. She would be a curiosity if she did. I told him that. Was I not right ?" The actor swallowed the brandy, and gasped : " You were right you were right," he shouted. " Of course you were right. The woman who pro- fesses to look upon success as a secondary consid- eration, is a liar and a perjurer. Yes, you were right. And he believed you did he not ?" "He believed me," said La Chinoise. "He loved me as much as he hated her. He used to tell me that if I had been in her place originally it would have been different, for his love would never have changed. But he was not a bad man. Even after this terrible discovery a discovery that nearly unhinged his reason, he thought of me, and of my empty life. He would have broken his promise for my sake, and have positively declined to tie him- self for life to Genevieve Delaunay, had it not been for her relatives. They forced him literally at the 178 His Own Image point of the sword to the marriage ceremony, and and as you know, it took place." " Yes," he muttered, "I know. It took place." " The rest," she said, breaking into sobs, " it is not necessary to dwell upon. Imagine the poor fellow alone with the woman he hated alone with her, as his wife, for the first time. To a man of his artistic temperament what must it have meant ? There she was, linked to him until death should intervene. She had ruined his life in every way, and the married career was calmly to begin. I have not much imagination," inserted La Chinoise, drying her eyes with a tiny lace handkerchief, " but I can see that wedding-night before me the bride stupidly happy in her senseless, colourless, merciless way ; the bridegroom writhing in agony at a fate that compelled him to be at the beck and call of the creature he detested, day after day, week after week, year after year. I can understand it all the rebellion of his proud, artistic nature, the brave determination to remove so fatal an obstacle, the murder " La Chinoise sank back pale and shuddering. Her callous nature had its sensitive spots, and her sympathy for the criminal she had loved overcame her. Reginald looked at her with a curious sensa- tion of gratitude and of admiration, apparent even in his eyes. She was a handsome woman and an intelligent woman. She had never thrust herself in the path of any man. Her calling was degrad- ing, humiliating, beyond the pale of even Christian charity, but she was a woman who understood the La Chinoise Confesses 179 tortures of the artist confronted with ingratitude and the terrors of rivalry. She could understand and condone the fate of Dejazet. And he thought again of the silent, star- ing figure in the Tussaud exhibition, at which the ribald mob gazed all day, and of which the cata- logues had told cruel lies in plausible prose. " You understood him," murmured Reginald, bending forward to rouse her from the semi-swoon into which she had fallen, " you understood him so well. You have the artist's soul. You realize the agony of interrupted glory the pain of knowing that an interloper is wresting your laurels away that all your efforts will count for nothing that the fickle public will tire of you and ring their praises in the ears of your successor. That was what he suffered, and what " " You suffer ?" she asked, softly. He bowed his head. She bent down and kissed it softly. " De" jazet !" she said. " My own De*jazet once more !" The name was uttered and it caused him no spasm of anguish. She had applied it to him, and he wondered why the sound was so soothing and so gracious. " I will call you De"jazet," she said, " and my better days will return to me, with the sun and the happiness of Paris, instead of the clouds and the misery of London. And you will call me Claire. He used to call me Claire. La Chinoise is my 180 His Own Image nickname in Leicester Square, and I thought I should wear it for ever. Will you call me Claire ?" And the ego-maniac, subdued as he had never been before, intimidated, bewildered, hopeful, mur- mured, " Claire." Chapter XII JUSTIFYING CRIME. THERE was little sleep for the mouldy Crampton after he had left Reginald Rellerick in the toils of La Chinoise. He returned to the actor's apart- ment, and went conventionally to bed, but he was apprehensive and ill at ease. Vivid pictures of a gross and disastrous scandal arose in his perplexed imagination. But the victim in the case was always Felicia Halstead never Reginald Rellerick. He saw the little goddess of his middle-age rudely con- fronted with the horror of her idol's iniquity, and all his hopes were centred in a wild idea of helping her over the morass that was opening before her. He was at his desk early, with his paste-pot and scissors. There was always something to scrap- book clippings from sleepy, out-of-town papers that arrived weeks later. The press comments upon Rellerick and his doings were surprisingly numerous. No wonder that there are more ego- maniacs in the footlight calling than in any other walk of life. Men, better, worthier and honester in every way than the illuminated exponents of mimic passions, may live and die " unparagraphed " and unknown. Those who really love, and hate, [181] 182 His Own Image and sin, and die, may escape unsmirched by printer's ink. It is for the people who pretend to do it all for so much per week, that the paragrapher exists in all his strength. The actor's road, leading to the goal known as " Household Words," is a swift and easy one. He is pushed toward it by the willing hand of the press. For the lawyer, the doctor, the clergyman, and the scholar it is harder. They are real and desperate, and " too much advertisement " would be bad for their souls. It is given gratui- tously to the man of the stage, and in return he barks at the donor and envelopes himself in his own ego-mania. Reginald Rellerick joined Crampton at noon, just as the feverish forebodings of the early morning hours were returning to the secretary. The actor was quieter than Crampton had seen him since the beginning of the Tussaud affair. His eyes were calmer and brighter. These symptoms gave the secretary no satisfaction. They were abnormal, and had been scandalously brought about. The actor took his usual long chair, and waited for Crampton to speak. He waited in vain, and irritated by the silence there is nothing more ex- asperating on earth he took the initiative as amia- bly as possible. "You will be glad to know," he said and there was an undercurrent of satire in his tones " that my evening was absolutely successful. I have heard Dejazet's justification. I told you that I be- lieved there was much to be condoned. I am now satisfied that my double " he emphasized the word Justifying Crime 183 with ferocity " was less detestable than the world supposed." Crampton shuffled uneasily. " In other words," he stammered, " you can excuse the man who mur- dered the girl that trusted him." "There were extenuating circumstances," the actor murmured. " Society does not admit of extenuating circum- stances," retorted the secretary indignantly, shed- ding his coat of mould, and posing before his aston- ished master in the new light of accuser. " Society takes no heed of such excuses. The lunatic asy- lums are filled with the people who make them. Be careful, Mr. Rellerick. You have gone far very far. I should advise you to stop. The papers are beginning to scent something unusual. Here is a paragraph that I clipped this morning from the Weekly Squib. Read it." He handed a square cutting to the actor who read as follows : " Strange forces seem to be at work in the complicated personality of the actor, Reginald Rellerick. There are those who say that his recent failure in Pinerville's new play has seri- ously affected his mind. Although he announced his intention of taking a long-needed rest at the summer-resorts that he has always patronized, he is known to be in London. Mr. Rellerick has been seen at Madame Tussaud's wax-work exhibition in the Marylebone Road, eagerly studying the newly added model of Dejazet, the notorious criminal, re- cently guillotined in Paris. The figure is a speak- ing likeness of Rellerick, and they say that it has 184 His Own Image annoyed him considerably. We are suspicious of the theatrical profession. We are unwilling to cater to the rage for advertisement that afflicts the actor and actress. This paper tries to steer away from that sort of thing. In the present case, how- ever, there is genuine apprehension for Mr. Rel- lerick's condition. We cannot afford to lose him yet." " Dolts !" exclaimed Reginald, tearing the paper into atoms. " Dolts ! What shall I do about it, Crampton ? Shall I write one of my characteristic letters, full of sarcasm, and sparkle a letter that will be read and commented upon everywhere ? Or shall I confer with the Tussaud management with a view to having the figure removed from the Chamber of Horrors?" Crampton turned and regarded him pitilessly. " I advise you," he said slowly, " to oust yourself from the web that is closing around you. It is due to your own irrevocable selfishness. Try and forget yourself and these matters entirely. This D6jazet incident has troubled you. Let it rest. Your efforts to justify the crime of a brute who resem- bles you merely because he resembles you is out- rageous. My counsel to you is to forget Tussaud's, to leave London, to break off your engagement with Miss Halstead, and to start upon your next season like a man ready for success, if success is possible ; prepared for failure, if failure must come." Reginald winced at this unusual tone, but now, convinced that Crampton was in league against him with the rest of the world, he resolved to overlook Justifying Crime 185 their relative positions as master and servant, and see which way the wind was blowing. " That is your advice," he said, sneeringly. " And pray what has Miss Halstead to do with the case ? Why should I relinquish the woman I I love, merely because a weekly scandal-monger suggests that Madame Tussaud's exhibition has affected my reason?" The frankness of the question perplexed the hopeless secretary. Crampton, however, decided that to voice his suspicions would perhaps be to fill the actor's fevered brain with new ideas. He took a radical course. " You do not love Miss Halstead," he said. " Marriage with her would be an evil thing for both of you. The engagement must be broken off. Further scandal must be stopped. There is no middle course." " And if I do not marry Felicia Halstead " the actor made a frantic effort to be cool as he asked the question " what will she do ? She loves me. It is the object of her life to be my wife. Sup- pose I break off our engagement. What will happen ?" His pulses beat wildly. He hoped against hope that this quaint Oxonian Master of Arts, might also be master of the non-collegiate art of dispos- ing of his detested rival without the infamy of the wedding. It seemed ages before Crampton an- swered. It was in reality one second. " She will try to establish herself as an actress in London. She will accept the offers that she has i86 His Own Image had. Yes, she has had them. But the difficul- ties that beset a woman alone and unprotected are innumerable. She will succeed for a season, and then then you will have the coast to your- self." Poor Felicia ! As he uttered this callous pro- phecy this cruelty for the sake of kindness Crampton saw her once more as she sat in the cab beside him, driving through the gray and early London to an unspeakable destiny. He glared mercilessly at the ego-maniac. " You are too hopeful, Crampton," Reginald said quietly, " too wickedly hopeful, I might add. I should like to ask you your reasons for your evi- dent belief that I am jealous of Miss Halstead's professional prestige. You are quite mistaken.- I am not jealous. Her position on the stage to-day, she owes entirely to me. Ask her, and she will tell you so herself. To further advance her interests, I am about to marry her. I shall not abandon my plans. Perhaps, under the circumstances, it would be advisable for you to seek another position, Crampton. I am not accustomed to such words as you have spoken. You are ungrateful. You for- get that you came to me at a time when you were making a niggardly pittance as tutor to an imbecile boy. You can go. In fact I shall consider that you are now free." "You will consider nothing of the sort," replied Crampton, quite as calmly as his master had spoken, but with a light in his eyes that Reginald had never seen there before. " If I go, I will have Justifying Crime 187 your footsteps dogged by those whose work it is to prevent crime. I will tell every newspaper writer in London what I know of this fantastic evil story. It shall point the moral of ego-mania. You will never permit me to go. I shall stay, and watch you, in order that no harm may come to her. Take my advice, and let a sleeping dog lie. Do as I say begin your next season as you began your last. Hope for the best. London does not forget its favourites easily. You have failed once. It will be to the interest of this loyal city to see that you do not fail again." If he could only have yielded to the wisdom of these words ! Rellerick was conscious of the yearning to be normal and self-oblivious. But ego- mania has roots that entwine themselves round the very entrails of the victim. Try as he would, he could see nothing but the insistently magnified image of himself. He had failed, and she had caused his failure. He could take no risks. He must marry her and remove her from his path. He would buy her a big house, and surround her by servants. She should have children to busy herself with anything that would leave him free for a continuance of the adulation of the London mob, for which his soul hungered. Ego-mania is a gross physical appetite that grows by what it feeds upon. Reginald had fed well, and London had plied him with the food that he must have. He was no longer able to do without it. He thought voluntarily of Felicia and then involuntarily, of the yellow image in the Marylebone Road. That i88 His Own Image reminded him ; he had an appointment that after- noon with La Chinoise. They were to go together to Madame Tussaud's, and look upon the waxen presentment of Dejazet. He quite forgot Cramp- ton, who sat there watching him like a Nemesis. Recalling his utterances, Reginald came to the conclusion that the man was a trifle upset by his experience on the preceding night. Possibly, also, he was awed at the mere notion of leaving the actor's service. Reginald could understand this. A terrible situation it must be for any man, accus- tomed to minister day by day to his choice person- ality, to suddenly find himself cut away from it. Reginald felt quite sorry for Crampton. "Your threats are silly, my man," he said. ' I had really no intention of giving you your congif. Stay and watch me as you say. But for the future, we will drop all allusions to the unfortunate image at Madame Tussaud's, and also to my affianced wife, Felicia Halstead. I have been foolish enough to discuss these matters with you, and you have rewarded me by insolence and insult. I wish to see no more newspaper clippings referring to these events. I will take care of them later on. There are such things as libel laws in England, I am thankful to say." The secretary, temporarily awed by Reginald's grandiloquent manner, into the subjection that was almost second nature to him, bowed submissively. " One thing I would like to ask," he said. " It is this : Did the woman with whom I left you last Justifying Crime 189 night really know anything of the mur of the artist who has interested you so much?" He waited anxiously. Reginald gave him a malig- nant look, as he answered, " We will discuss the subject no further. Please confine yourself liter- ally to your duties as secretary. As a confiden- tial adviser I find that you are a failure, Crampton. You might write a few lines to Miss Halstead from me. Say that I am very busy and as happy as it is possible for me to be during her absence. Add that I am hungering for her return, and can scarcely wait the day that brings her back to Lon- don. I will sign the letter when I return." This parting shot completely satisfied him. He felt more like himself, and less like De" jazet, than he had done for days. He laughed to himself as he heard Crampton's melancholy acquiescence. After all, Crampton was bound to obey him. He might reason, and argue, and advise, and utter futile threats, but he was a paid satellite, doing the duti- ful for so much per week. Reginald was reduced to further good humor by the knowledge that the morose Oxonian was undoubtedly interested in Felicia Halstead. He chuckled at the mere no- tion. " If I could only utter a fond ' Bless you, my children,' " he thought, " and pack them off to a desert island ; it would be the best thing in the world that could happen to me. If Felicia would only take a fancy to Crampton ! How perverse women are. I suppose that no force on earth nothing electrical, mechanical, or psychological 190 His Own Image would ever induce Felicia Halstead to see happi- ness in a career as Mrs. Crampton. They talk of hypnotism. I don't believe that Charcot himself could move that woman's affections from me." He sighed. His ego-mania received no balm from the knowledge that poor Felicia loved him so devotedly. It was the obstacle in his path. He could not quite dismiss from his mind the notion that the union of Felicia and Crampton would be the complete simplification of all his difficulties. He met La Chinoise in front of the Exhibition building in the Marylebone Road. The courtesan had risen to the occasion, and had garbed herself in a manner unlikely to offend the fastidious notions of the famous actor. The colour on her cheek was less flamboyant, and the carmine varnish that usu- ally cracked upon her lips was omitted. She wore something black, elegantly designed ; and a chic little hat, of Parisian ingenuity, appealed pleasantly and ungaudily. " Mon petit Dtjazet" she said, as she saw him approach, and ran girlishly to meet him with out- stretched hands. Reginald smiled upon her almost sunnily. She was assuredly a comely woman, but slightly tainted by the life that she led. He bought the admission tickets for the museum as cheerfully as though he were a light-hearted Lubin out for a half-holiday with his Dulcinea. Proximity to this woman was very pleasant. He felt a keen appreciation of Dejazet's artistic selection. They entered the building, and went at once to the Chamber of Hor- Justifying Crime 191 rors. The doleful Hungarian band was twanging out its dirge-like popularities in the other halls. The usual mob of sight-seers was present sight- seers from Manchester, sight-seers from Liverpool, sight-seers from Birmingham. The absence of Londoners was amazing. The actor's spirits sank again as La Chinoise steered him through the ranks of staring, tallowy dolls plastic monuments of human weakness, there to teach no lesson, but merely to cater to a sensational curiosity. He shivered as he heard her comments upon the horrors. They were all the same to her the Lambeth poisoner, and the youth that fired at Her Majesty in Constitution Hill ; the Reading baby-farmer, and the Blackheath burglar ; Henry Wainwright, and James Greenacre ; Maria Manning, and Fouquier-Tinville. "Des miserable tons," she said, but her voice was frivolously light and she was enjoying it all. The actor could not understand it. He could not comprehend the ease with which this woman flitted from horror to horror with her catalogue open, and her curiosity piqued. The dread feeling that had overwhelmed him at his first visit was with him again. He could scarcely breathe in the close, contaminated air. To him, the models standing dimly in the semi-obscurity, were tangible ghosts. He inhaled the odour of the frowsy stuffs they wore. He shrank from their glassy eyes. He shuddered as he saw their yellow, smooth and polished fingers, nailless and menacing. His vitality was lowered, and the mockery of it all overcame him, 192 His O\vn Image " Let us go, Claire," he said, " I cannot stand it. Let us go." She took his arm, and led him almost by force to the pedestal upon which Dejazet stood. The figure was still the centre of attraction. It was new enough to capture the attention of the crowd. Reginald stood among the people, and listened to their comments. An ancient clergyman, with white hair, had speared the opportunity to read a lesson on the sinfulness of illicit love, to the gaping youths. " Behold," he said, " the end of it all. This man, with a famous career in his very grasp, was brought to ruin by his own untrammelled desires. Had he married Mademoiselle Delaunay in the first instance, and settled down like a Christian to the only asso- ciation in which there is safety, the world might now have been ringing with his praises. Look at him as he stands there, a horrid example of the degradation of those that fail to conform with the laws that hold society together." The youths continued to gape at Dejazet, but they heard the words of the old minister, and they were perhaps affected. Reginald laid one of his moist and tremulous hands upon the old man's shoulder. " Suppose," he said, " that it was this desire to keep the world ringing with his praises that prompted Dejazet to kill Genevieve Delaunay. Suppose that she was not the innocent victim that the world presumes her to be that she was ready, metaphorically, to cut his throat and rear her own Justifying Crime 193 fame upon the spot where his had stood ? What then ? Is not that a justification?" " There is no justification," replied the old clergy- man, glancing in astonishment at the eager face half hidden by the soft felt hat that Reginald al- ways wore when he came to see his double. "'Men the most infamous are fond of fame,' as Churchill said. He that can succeed only without competi- tion is a poor specimen of manhood. But there are no records of any rival in this case of Dejazet. We have heard of nothing but simple unadulterated hatred of an unfortunate, misguided girl." " No, there are no records," retorted Reginald, heaving a sigh of relief. "Circumstances, my reverend gentleman, alter cases. You nearly admitted it." The crowd had turned curiously towards the speakers. Anything for a little sensation, with London sight-seers. The old clergymen, however, with a look of distrust at Reginald and his compan- ion, moved quietly away. " I cried yesterday when I saw this waxen Dejazet," said La Chinoise artlessly, " but to-day I can feel no sorrow. It seems to me that I am with him, that I hold him by my side once more. Allans^ mon petit Dtjazet. Let us go, as it seems to grieve you to be here. You are pale and trem- bling. Without doubt it must be terrifying to a man's nerves, to see himself in wax, and hear himself criticised by a mob. Let us go." The actor's gaze was fixed imploringly upon his double. He felt that the figure was real and con- 194 His Own Image scious, and could see his old love, La Chinoise, as she stood beside him. The wide-open, lashless eyes seemed to be looking directly at him. They hypnotised him. He felt powerless to move. He could have stood there all day, imagining the senti- ments of the yellow monster. He was fascinated in spite of himself. The real woman, however, was asserting herself. She was swaying him, as she had swayed De"jazet. He fancied that he saw a gleam of satisfaction in the eyes of the model, as he finally listened to her voice, and was led away. " I hate to hear those comments," he sighed, " now that I understand Dejazet's impulses. He was no more of a criminal than than I am. Is it not so, Claire ?" " Man petit Ddjazet," she murmured, affection- ately. It was the stock-in-trade of her remarks. Reginald Rellerick installed La Chinoise in a little ornate villa situated in St. John's Wood. And before the week was over her manage was firmly established. She had taken her place among the doubtful occupants of the locality. To her he confided the story of his theatrical contretemps though he was careful to keep from her the fact that he was pledged to marry Felicia. He listened to her bright, Parisian femininities, and a new charm came into his life the charm that a frivol- ous, taquinante woman can always exert over a morbid and sinister nature. La Chinoise was extravagant as the woman rescued from the gutter usually is. Reginald catered to her extravagance recklessly. A broug- Justifying Crime 195 ham was placed in her stable, and she had carte blanche with the tradespeople of the vicinity. To Crampton he said nothing of this latest move. He started to live what novelists call " a dual life." The man who owns two houses invariably leads a dual life in novels and on the stage. LaChinoise understood the situation pretty thor- oughly, and cleverly she endeavoured to illumine the life of her protector. That she had a genuine affection for him was questionable. There are few Felicia Halsteads in this world, willing to pour out their lives at the altar of a worthless egotist. The' illusion, however, was complete. Reginald believed that she loved him, and for the first time in his life he felt an almost altruistic devotion to a woman. And so events rushed on. To her, he was D6jazets. To him, she was Dejazet's selection. And the model in Madame Tussaud's was visited frequently. It stood yellow and ugly, on its pedestal, food for the sight-seers, at a cost of one- and-sixpence per sight-seer. Chapter XIII FELICIA RETURNS TO LONDON LONDON again ! Felicia Halstead alighted from the incoming train at the Euston' terminus, and looked delightedly around. The dear old brou-ha- ha, the affable tumult, the pungent odour of an intense population, and the fascinating sense of bewilderment that comes from the multitude, ap- pealed to her most agreeably. She shook her skirts free, drank in a long breath of the Euston air as though it were health-giving and pure and remembered that she was alone. She had written to Mrs. Landington and to Reginald to tell them that she intended, at her mother's insistence, to prolong her stay in Liverpool. And then, whimsi- cally, she had rebelled at her exile from what she called penny-dreadfully " life and love." She could endure ex-Londonization no longer. Fam- ily ties were very dear ; her native county pos- sessed all those poetic associations that belong to native counties. London, however, was the only place in the world for her, and after having written that she should be absent for still two weeks, she came suddenly back. Perhaps there was another reason for her unexpected change of purpose, [196] Felicia Returns to London 197 Reginald's letters had ceased to reach her. Before they ceased entirely they had been eminently un- satisfactory type-written affairs, engineered by Crampton, and signed crudely by the great actor himself. Felicia felt pained at receiving, in reply to her diary-like effusions to Reginald, cold, me- chanical-looking, Crampton-made notes. The prac- tical ingenuity that has done away with the mag- netic illegibility of handwriting was undoubtedly valuable, thought Felicia. But after a pen-and- ink soul-outpouring it was not agreeable to get a violet-typed note beginning " Yours of yesterday to hand." Felicia's soul rebelled at the labour- saving, poetry-exterminating sentiment of the age. She tried her luck again, and wrote eight crossed pages of frank confessions. Another type-written letter came to her, bearing all the signs of Cramp- ton's work, with nothing of Reginald but the sig- nature. To her plaintive remark about her mother's anxiety to keep her in Lancashire she remem- bered she had worded it, " Ah, there is no love like a mother's. It is the one unselfish passion " the typewriter replied : " Your statements anent moth- er's love duly noted. You are quite right." Poor Crampton had tried to understand her letters. Alas ! he was lacking in sentiment. Where was Reginald ? Surely her letters deserved a fate other than that of being answered by a secretary. Felicia's sensation of satisfaction on return to the metropolis, was soon confounded by a feeling of loneliness. It was horrid to get back unwel- comed. She had contemplated surprising Mrs. 198 His Own Image Landington and Reginald, but she was inclined to wish that she had been less fantastic. She shivered a little as she saw the crowd pass her by unnoticed. She envied the girls who had travelled with her, as she saw them being embraced vehemently on the platform. She felt like a foreigner in a strange country, and as she hailed a hansom and ordered her luggage deposited upon it, her temporary exul- tation vanished, and she was singularly depressed. The long ride to Netting Hill cheered her. She soon discovered, however, that it was not always advisable to " surprise " respectable widows who wear black alpaca dresses, and cameo brooches containing an extinct husband's hair. Mrs. Land- ington was unprepared for Felicia's advent. The actress found her asleep on a sofa in the " best parlour," clad in a rather ribald-looking cotton wrapper too low at the neck, and too short at the edge while by her side was a high tumbler, a bot- tle of " Scotch " that she had invariably saved for " medicinal purposes," and some soda-water ; very little soda-water. " Landy," cried Felicia, disgusted, yet amused, " for Heaven's sake, what has happened ? Wake up wake up it is I Felicia." The respectable widow with the switchback em- bonpoint^ sat up and endeavoured to collect her respectability. It is hard work for a plump widow to look distinctly proper in a tousled cotton toga, hair dishevelled, and vis-&-vis to what the world insists upon regarding as signs of revelry. Mrs. Landington rubbed her eyes, caught sight of her Felicia Returns to London 199 ankles, and of a certain red warmth of flannel pet- ticoats not usually offered to the public, and in- stantly as a matter of course fell back upon the redeeming malady of the London lower classes. "Miss 'Alstead," she said, with some asperity, " and without a word of warning. Really, miss, it is the custom for ladies " (she emphasized the last word) " to write to their 'omes, before they arrive. Not that I could ha' done much. I've 'ad the spasms awful. I was awake all night with 'em, and finally, I said to myself, that it was a case for Scotch whiskey. I 'ates it. It regularly goes against me, but 'ealth is 'ealth, and I'm 'appy to say that I feel better." Mrs. Landington arose, looking such a ludicrous figure of respectability caught napping, that Felicia was obliged to turn aside her head and laugh. The housekeeper hastily removed various tell-tale signs such as half-a-dozen high tumblers containing the dregs of whiskey and water, plates, cups and dishes. Felicia did not see them. Had she done so, she would have been tempted to believe that the Landington had been " at home " to her friends scions of the nobility of the east end. She straightened out mats, the demoralization of which seemed to suggest that the housekeeper and her guests were not unfamiliar with the " light, fantastic toe." Then her cloak of respectability was ready, and she slipped it on without more ado. " I'm glad to see you, my dear," she said, " for I've been as lonely as an 'ermit. 'Aven't seen a 200 His Own Image soul since you left. 'Aven't been outside the doors of the 'ouse. If you 'adn't come back, I should have gone melancholy, for by nature, I'm naturally lively, and fond of society." Felicia was making herself slowly comfortable, and at the same time giving her housekeeper an opportunity to recover her equilibrium. Mrs. Landington put the whiskey on the sideboard, taking a final sip for the last of her " spasms." Then she asked to be excused, and went upstairs for the alpaca dress, and the cameo brooch, with- out which she was as a fort without defences. There were a number of letters awaiting Felicia. She opened them slowly, and glanced at their con- tents. They all referred to her last successful ap- pearance in Pinerville's new play. Verily that success, planted so recently, had ripened with great rapidity. The harvest seemed to be unlimited. Two letters contained offers of engagement in lead- ing stock companies, with comfortable salary and iron-clad contract. She tossed them from her con- temptuously and sighed. The last letter that she opened caused her to think. There comes a time in the life of many a man likewise woman when it is noble and poetic to eschew the mercenary, and scoff sensationally at the sordid inducements of pounds, shillings, and pence. But there also comes a moment when this sort of nobility is inclined to hide its diminished head ; when the man likewise woman feels for the first time that there is nothing particularly poetical in sneering at money, that means independence, emancipation, security Felicia Returns to London 201 for one'self and for one's dependents. Felicia allowed the last letter to drop to her feet. Her eyes rounded themselves. She had been offered by the principal theatrical dabbler of London's West End, a stellar engagement to last for three seasons, at a guaranteed salary of one hundred and fifty pounds per week. One hundred and fifty pounds ! A fortune ! There was not the slightest change in Felicia's heart. But she had just come from her humble home in Lancashire, where her mother, had it not been for her help, would have been obliged to " make ends meet " on a yearly sum of money that was precisely the same as what this letter offered to her, per week. She made silly little calculations of what she could do with such wealth. She could afford to bestow a dowry upon Floss and Edna when her sisters married, and dowries, while not at all essential to a maiden's welfare are inducements to the right man to come forward. Felicia felt that, in her heart of hearts. One hundred and fifty pounds per week, for perhaps thirty weeks of each of three years ! How they economized at home ! She recalled their teas, with seed-cake, shrimps and lettuce, the luxuries of the impecunious middle classes in England. Floss and Edna " turned " their dresses when the original sides grew shabby, and her mother well, she distinctly remembered her mother's black silk dress, still her " Sunday-go- to-meeting " gown, ten years ago. Felicia grew frightened at her thoughts ; she hid her face in her 2O2 His Own Image hands as though to shut them out. They were persistent. " Of course, when I'm married to Reginald," she said to herself, " I can do a great deal for them. He is rich, and what he gains, I gain also. I shall be his leading lady, and I shall act, and and but I shall be his wife, and how could I accept a sal- ary ? Then, suppose a time comes when I cannot act. I want children that will bind me more closely to him. If he would only consent to let me accept this engagement, just for the sake of the money, I could come to him a rich woman, and I could have given my family enough to make them comforta- ble. How I should hate it ! How I should loathe it ! How I hope that he will never consent to it ! But it does seem wicked to let such an opportunity slip through one's fingers. If Reginald had an un- lucky season, how welcome my money would be to him, and how glad I should be to know that I had helped him. One hundred and fifty pounds a week. I wonder if Queen Victoria gets as much." Felicia, whose knowledge of money was of a very limited nature, drew a mental picture of another Buckingham Palace that she could build for herself and Reginald, with a special wing in it for her mother and the girls. And she imagined them all rising up, and calling her blessed. She thought of Reginald's joy and gratitude. It was a tempting picture. Mrs. Landington came back to the room, her seething chest respectably alpaca'd, and the cameo brooch resting comfortably at the top of the fleshy Felicia Returns to London 203 toboggan slide. The white ruching fortified her neck, as usual. She was herself again. "You must 'ave luncheon," she said busily, "for there's nothing more fatiguing than a railway jour- ney. A nice bit of mutton stew, and a cup o' strong tea will make you as right as a trivet." " Not yet, Landy," declared Felicia eagerly. " Sit down. I want to talk to you." " Oh, I know," said Mrs. Landington affably the last glass of whiskey had been very kind to her " You want to ask me about Mr. Rellerick. Well, my dear, I 'aven't seen anything of him, but they've got a new figure at Mrs. Tussor's wax- works, that's a speaking likeness. I went to see it one day by-the-bye, my dear, I did leave the 'ouse, but on that occasion only and it quite upset me. I went with Mrs. Jones, the 'ousekeeper next door, and if she hadn't had a brandy-flask with her I believe I should have fainted. Such a likeness ! It looked like Mr. Reginald's corpse. I declare that it made me all of a tremble. I 'aven't got many nerves about my constitootion, but if I saw a model of myself perched up there in that way, I believe I should go into a lunatic asylum." " Yes, I heard of it," murmured Felicia, anx- iously, " but I didn't know it looked like him. I wonder if he has seen it. I wrote him about it, for I read an account of it in a Liverpool paper. I am sure he must be very annoyed at it. But perhaps you only imagine the likeness, Landy. Probably, if I saw it I should'nt detect any resemblance." " I imagine nothing, Miss 'Alstead," declared the 204 His Own Image housekeeper majestically, " I went to Mrs. Tussor's in my sober senses, and I tell you that the model of Deejazzy, as they call 'im, made me feel quite sick, knowing Mr. Rellerick as I do. Whether he's seen it or not, I don't know, but he ought to stop it. It can't be pleasant to look like a nasty person who killed the girl he had been keeping company with, and her a-waiting to marry him." Felicia looked genuinely disturbed. She knew Reginald's impressionable nature, and she felt con- vinced that this model must have exasperated him. And to make matters worse, she had playfully alluded to it in one of her letters. Still, he was an exclusive person, was Reginald, and she couldn't quite imagine him wasting much time among the cheap wax-works of the Marylebone Road. "What I wanted to talk to you about, Landy," said Felicia, trying to dismiss the Tussaud matter from her mind, " was this letter which I have just opened. A manager has written to me to say that he hears I am not to be tempted by outside offers ; that I have been sought by a number of metropol- itan gentlemen, and that they haven't got the cour- age to play their best cards. He is resolved, he says, to offer me terms which no woman to-day could afford to refuse. And," Felicia sighed help- lessly, " he has promised me one hundred and fifty pounds a week, to accept his engagement." Mrs. Landington gasped. At first she was not sure that she had heard correctly. Whiskey has a way of playing strange tricks, even with its accus- tomed patrons. She repeated the amount incred- Felicia Returns to London 205 ulously, and Felicia nodded her head, and con- firmed it. " One hundred and fifty pounds !" she exclaimed melodramatically, " and you a mere chit of a child. It's positively sinful to give such wages to theatre people, when honest men with enormous families and the honester the man, the more enormous his family, I've always found work for a paltry thirty shillings a week, every day but Sunday. It's ex- travagant. It's well, I can't believe it. In a week, you'll earn more than these honest men earn in a year. You can thank your lucky stars." " That's precisely it, Landy. I am not sure that Reginald will allow me to accept the offer. We are to be married very soon. That is settled. And he is very peculiar about the theatre. He knows that I hate it, and am delighted at the idea of escaping it. But in this case, Landy, which has come upon me so suddenly, it seems wicked to refuse, when I can earn so much for him, and for my mother and sisters. I've seen them trying to make ends meet, and considering every sixpence before they spend it, and here is a flood of money almost flowing at my feet. Don't you think that Reginald will see it in this light ?" The fat housekeeper simply stared at the young actress in amazement. Her veins were all aglow with what seemed to her a sort of Monte Cristo story. It was a few seconds before she was able to answer. " You don't mean to tell me," she exclaimed, stridently, "that you would consider this man. 206 His Own Image He was afraid you'd set up in opposition to him, or he'd never have married you. We argued that out together, you and I. It suited your purpose then to marry him. It was safer and better. He proposed, as I said he'd do, and you accepted. But now, something new has happened. The best man on earth isn't worth a hundred and fifty pounds a week. You could buy a prince for less, if you cared for titles, which don't amount to much in my humble opinion. Let Mr. Rellerick go, my dear Miss 'Alstead, and if he wants to marry you, when you've made this fortune, all well and good. That's the way I look at it." Poor Felicia ! There was no consolation to be received from her own sex. That seemed cer- tain. " No," she said sadly, " that I would never do. He is dearer to me than any money could be. I only care for the money for his sake, and for that of my family. My only hope is that he will see how much better it would be for me to take this engagement, work for three years to come into the possession of several thousand pounds, make my people comfortable for life, and then give myself to him, not penniless. If he is sensible, he will think this. But if not well, I will go to my dear, obstinate Reginald just as I am, and he will not begrudge me the money that his wife's relatives will undoubtedly need." Mrs.Landington lost her patience, her politeness, and her usual sense of subservience. " Felicia 'Alstead," she said, angrily, " you're a fool, and Felicia Returns to London 207 you'll rue it to your dying day. There aren't many girls who get a chance to make a fortune in an easy and ladylike manner, without toadying to a man. You get the chance, and are willing to throw it away for an actor, who has been a good employer to you, but who won't pass his life trying to make you 'appy when you're his wife. One hundred and fifty pounds a week ! And to think that you hesi- tate. I'm only sorry this offer didn't come before you met him in Euston Station, and jumped at his proposal." Felicia caught her breath, in a sort of sob. " It would have made no difference," she said. ' I don't care for money, and I don't care for fame. I am simply struggling between selfishness and unsel- fishness. It seems selfish to give this all up, when by a small sacrifice of my own heart's desire, I can do so much good, not only for my people, but for Reginald himself. I really ought, I suppose, to postpone my marriage indefinitely, and write him in the strain that * 'tis best for you and best for me !' But I can't do it, Landy. I can't do it, and I shan't. I am pledged to him. He might think that I was trying to be his rival, and that I loved the theatre for the theatre's sake, as he does. I must ask his permission, and oh ! I know I'm a fool, Landy but I do hope that he will insist upon my marrying him." The actress took up the letter that had caused her this riot of sensation, and read again the blackly traced words standing forth so unmistak- ably upon the white paper. There was no deny- 2o8 His Own Image ing their significance. The letter meant everything that she had understood it to mean. It was a real stereotyped case of the penny-dreadful " strife between love and duty." As Reginald's leading lady her salary had been a small one just enough for her own wants, and for a few of those experi- enced by her dependents in Lancashire. It seemed strange to her that any manager should be sud- denly anxious to multiply her value by ten, when she had done so little to warrant the multiplica- tion. Why, if she were worth one hundred and fifty pounds to the manager, had Reginald thought so economically of her services ? Those are the questions that occur resentfully to every man who is confronted suddenly by the luminous vision of appreciation. Felicia, being a woman, resented nothing. She merely thought it all over, and pon- dered over the queries that she was unable to answer. She was perfectly well aware that she had not even the faintest inclination to avail herself of this golden opportunity ; that it was as distaste- ful to her as it could possibly be ; that the idea of being Reginald's wife, safe in the harbour of her husband's affection, was as precious to her as ever. But she had just come from Lancashire, and she could not forget the picture of her mother strug- gling with gas-bills, and water-rates, and butchers' demands, and grocers' exactions, with two buxom girls on her hands, waiting to be launched upon the sea of life. It made her feel detestably small and selfish. They were all making wedding-presents for her at Felicia Returns to London 209 home, rejoicing in her happiness, and thankful for the marriage that would give to her the man of her heart. And suddenly the golden bolt had fallen at her feet, and she was bound to admit that, for her mother and sisters, its value was unlimited. And for Reginald ! He good, unselfish soul (so she thought) was perfectly willing to link himself with the penniless girl of his choice. How much better it would be for him, if she had money. He might at any time lose his health and his ability to induce public patronage. He was not wealthy. He lived extravagantly, and spent every farthing that he made. Would he not feel more comfort- able if he knew that there was a cozy bank-account placed to the credit of his wife ? So she reasoned, and as each step in her logic showed her its pellucid, unquestionable quality, her spirits sank and her courage fell. She would frankly consult with Reginald, and she would try to influence him to her way of thinking. It was true that she and her housekeeper had ignobly foreseen his proposal of marriage, in his unwilling- ness to face competition. But she never really believed that any such thought occurred to him when he had met her on that cherished morning, in Euston Station, and they had plighted their troth. This was the one little blur upon her complete happiness, and she would tell him all about it some day some day when she was his wife, and they were in a confidential mood. For Felicia believed that married life was one long and lovely vista of confidential moods. 210 His Own Image In the meantime there was no use perplexing her soul about this merciless situation. She was pledged to her word, at any rate, and she liked to remember that. If he were willing to wait for three years, while she gathered in the golden shekels, well she sighed, as she thought of it she would be a martyr to duty. It would be a martyrdom at which her soul would ultimately rejoice. If on the other hand, he bade her give it all up, to be his wife immediately as had been arranged, well she did not sigh this time she would be blissfully obliged to bow to the force of inexorable circum- stances. How she hoped for those inexorable circum- stances ! It was not noble, perhaps, to hope for them, but she was thankful for the web that had been woven around her. She would go at once to Reginald's apartments. She would not sleep over her doubts and her fears. Felicia sat down to Mrs. Landington's conven- tional dish of glutinous stew, with weak tea accom- paniment. The housekeeper was highly displeased with her, and endeavoured between mouthfuls, to picturesquely display the criminality of her behav- iour. But Felicia, tired of logic, declined further argument. When the meal was over she dressed herself, arranged her hair as Reginald liked to see it arranged, and called a cab. Chapter XIV SHE "INTERVIEWS" CRAMPTON REGINALD'S irregular incomings and unex- plained outgoings were at first unnoticed by his secretary. His visits to St. John's Wood, deftly arranged, with all the secret enjoyment of clan- destine meetings, did not appeal to Crampton. The secretary's mental opthalmia was, however, soon dissipated. Tell-tale bills which he was bound to open, came in ; letters " confirming orders " reached him ; there were receipts to file away and other documents, upon which the ego-maniac had scarcely reckoned. The first of these papers caused Cramp- ton to bound in his chair, as though he had been suddenly syringed with electricity. It occurred to him that his master had quietly married Felicia Halstead, and ensconced her in a " nest " in St. John's Wood. The absurdity of this conclusion soon forced itself upon him. He was, nevertheless, unable to rest without ocular proof that it was not Felicia upon whom Rellerick lavished so much attention. The ocular proof was easy to obtain. A green bus to the " Angel " and a short walk afterwards, settled Mr. Crampton's mind. He saw the little ornate villa with his own eyes, and he [211] 212 His Own Image saw La Chinoise herself, clad in the sumptuousest of parvenu clothes, stepping from its veranda into her brougham. And Crampton went back, heav- ing sighs of relief upon the unresponsive air. Al- though this was a new complication, in an already unduly complicated case, the secretary was thankful for it. It meant breathing time ; a possible post- ponement of a dreaded denouement Although, in his heart of hearts, he resented this fresh and das- tardly insult to Felicia Halstead, he felt that it might militate in her favour. He had faith in the desperate measures of women like La Chinoise. A faint feeling of loyalty the loyalty that comes to every Englishman from a long line of ancestors compelled him to conceal Reginald's cheap and unromantic behaviour from the world. What a hit this story of the actor's new household would make in the weeklies ! How the paragraphers would gloat over the mendacity of the man who had once lectured upon " the beauty of the actor's life," and tried to convince a public that the real artist was happiest at home. The day after his discovery Crampton sat alone, in a corner of Reginald's sanctum. He made no pretence of work. There were letters to answer, letters to file away, at least two articles for maga- zines to be written, and Mr. Rellerick's opinion on the influence of the Greek drama to be set forth for a well-known weekly. Crampton preferred to read. He was anxious to study his master's case scientifically. It was not a medical volume that he had selected, but a stout book by Nordau, and She " Interviews" Crampton 213 a chapter entitled " Ego-Mania." But from Nor- dau's generalization he could obtain no very par- ticular comfort. " The ego-maniac," he read, " must of necessity immensely over-estimate his own importance and the significance of all his actions, for he is only engrossed with -himself, and but little, or not at all, with external things. He is, therefore, not in a position to comprehend his relation to other men and the universe, and to appreciate properly the part he has to play in the aggregate of social insti- tutions." Crampton was so absorbed in his book that he failed to hear the sudden stopping of a hansom cab at the outside door, and the subsequent peal of the door-bell. He read on and on, his parchment face bent over his book. It was not until the rustle of a dress, not a yard from his ear, diverted his attention from his metaphysical researches, that he looked up and saw Felicia Halstead. She had rushed up stairs in joyous juvenility, and she had bounded into the room like an elastic ball. Her features, always mobile, had expressed the emotions of the most adorably kaleidoscopic fem- ininity. But now, as he looked up, he saw that her face was blanche and surprised, that her hands had fallen limply to her side. A grave disappoint- ment wrenched the pleasure from her eyes. Cramp- ton closed his book hastily. " When did you return, Miss Halstead ?" he asked agitatedly. " In your last letter you said you would not be back for two weeks. I am quite His Own Image sure of that. I I could not possibly be mis- taken." " You were not mistaken," she said with a little satirical laugh. " You are a good secretary, Crampton. " You know your master's letters by heart. You answer them so poetically that they might almost be addressed to you personally. Where where is Reginald ? I felt sure that I should find him here." Crampton indulged in his customary shuffle, but he determined to be as non-committal as possible. " Why should you expect to find Mr. Rellerick in his apartment," he queried, " when he could not possibly be aware of your return ? Had you in- formed him of your plans, he might possibly have met you." " Possibly !" exclaimed Felicia. "As it is " Crampton moistened his lips, which were dry and feverish " as it is, I am sorry to tell you that Mr. Rellerick is out of town for a few days. He may be back to-day ; he may be back to-morrow ; I cannot say. He was a little bit ' run down,' and felt that a change of scene would be beneficial. Had he known that you were to re- turn - '" " Crampton," said Felicia slowly, " where has Reginald gone ? Tell me and I will send him a wire. I am sorry that I came home so suddenly. It has not been as pleasurable as I expected it to be. It shall teach me a lesson. Give me Regi- nald's address." The mouldy secretary was nonplussed. A loyal She " Interviews" Crampton 215 lie would do no good. He sat silent, his heart op- pressed with pity for this girl. She stood before him, anxiety in every feature, and he felt that pre- varication was powerless to help her. " Tell me his address, Crampton," she cried im- patiently ; " he was to remain in London until I returned. Not in one of his letters did he speak to me of feeling out of sorts, or of going away for a holiday." " Still " Crampton decided to be on the safe side, " there is no use concealing from you the fact that Mr. Rellerick is out of sorts. I have been much worried about him. I I even now I am trying to diagnose his case." Felicia trembled. This was an unexpected blow. Her return to London had not surprised Reginald. The surprise was all on her side. " My poor Reginald !" she murmured. " I knew nothing of this, Crampton ? Why don't you ex- plain yourself ? Why do you sit there, parrying all my questions, when you could tell me everything and set my mind at rest in a minute. It is not like you. It is cruel. It is unkind." Felicia's perplexity resolved itself into tears. She sat down and cried from sheer vexation and alarm. The sight of Felicia's grief lacerated poor Crampton's heart. He tried to think of some con- soling remark. He conjured his brain for balm. The more she cried the more perturbed he grew. Resentment at Rellerick's behaviour soon came uppermost in his mind. Still he could think of no- 216 His Own Image thing to say, and the more he tried to speak the more hopelessly tongue-tied he felt. Felicia arose in stormy anger. " You watch me as though you enjoyed my sorrow," she said furi- ously. " I will not be treated in this way. You are keeping something from me, and I am deter- mined that I will know everything. He is not seriously ill, is he, Crampton ? Tell me at once. If you don't, I will scream and alarm the servants. Tell me. Tell me. Tell me." She went to him and taking his arm, she squeezed it until he winced with pain. Crampton realized the fact that Felicia was growing hysterical. He had, as she said, parried her questions. " Mr. Rellerick is not seriously ill," he said, walk- ing to the other end of the room so as to avoid as much as possible the spectacle of her anxious face. " He has been very much upset. It is an imaginary ailment one that it would be no use consulting a physician about. The truth is, Miss Halstead, that he has been foolish enough to worry himself about a figure in Madame Tussaud's exhibition that strongly resembles him. It is the figure of a mur- derer. He has been so much affected by it that he has even endeavoured to find excuses for this murderer, whose likeness he bears. I can't quite understand his sentiments. I have tried to do so. He seems to grow worse." " Poor Reginald !" sighed Felicia, in keen distress. "I might have known that a man of his artistic temperament would be haunted by this singular coincidence. Can't something be done ? Cannot " Interviews " Crampton 217 he bring influence to bear upon these wax-work peo- ple, and induce them to withdraw the model ? It seems simple enough. They are not in existence to insult the public, but to amuse it." Crampton shook his head. " Mr. Rellerick wouldn't call attention to his vexation," he said, " He feels it too keenly." " And he has left London to to try and forget it?" Crampton jumped at the suggestion. It was a perfect fit for the occasion. He nodded in acqui- escence. " And where has he gone ?" she persisted. " He did not tell me," the secretary replied, as though pleading for mercy. " I swear to you, Miss Halstead, that he did not tell me. Not by one word did he indicate his whereabouts. And I tell you that he may be back at any moment. Be- lieve that I am speaking the truth." Felicia's feminine intuition read Crampton like a book. She looked him through and through. She de- tected the grain of loyalty for his master, that still remained. This would have pleased her at any other time. It exasperated her under these cir- cumstances. " He did not tell you," she remarked furiously, " no, he did not tell you. But you know ! I am willing to swear that you know. He. is not in a " she hated to say it " in a " the word choked her " sanitarium." The secretary looked at her bewildered. The very question showed that she had analysed Regi- 2i8 His Own Image nald's moods far more surely than he had done. And he wished at that moment that he could have answered her in the affirmative. It would have been painful, but it would have been a relief. " He is not in a sanitarium as far as I know," Crampton responded. " Mr. Rellerick, as I told you, may return at any moment. Miss Halstead," here he changed his tone to one of extreme deference and humble suggestion, " you are young and you have a future. Be advised by me and I am old enough to be your father. Do not marry Reginald Rellerick." Felicia started up, enveloped in her indignation. " You are going too far, Mr. Crampton," she said. " Really the position of a secretary should be lim- ited. I assure you that I shall inform Mr. Rellerick of your behaviour. It is rank disloyalty." " It is not," said Crampton. He was wound up now. The winding up of Crampton was not a facile task. " It is not rank disloyalty. You can tell him what I say, Miss Halstead. I am perfectly willing that you should do so. Mr. Rellerick knows my views on the subject. I have already made them quite clear to him. If you marry him, you will rue it, and " he thought this was a strong card to play " he will rue it as well." This finale brought Felicia to tears again. She sobbed so convulsively that the warm, womanly heart of the secretary was crushed. He sat there in agony looking at her. He longed to take her in his arms the arms that were old enough to belong to her father and comfort her. Why was he sere, She "Interviews" Crampton 219 and why was he fifty, to still feel the outrageous blood of something-and-twenty still avalanching through his veins ? Crampton was ashamed of him- self, and his tortured brain asked him if it was really pure unselfishness that prompted him to warn this girl against a marriage with the ego-maniacal actor. And while his heart was still pumping the red tor- rent through his body, he could not answer the question satisfactorily. He felt that he was deceiv- ing himself. When he had grown cool again, and had forced himself to look tamely at this woman in distress, he knew that it was genuine unselfishness. If he never saw her again, he would still love to warn her against a union with the ego-maniac. If he knew that she would give herself to the first man that passed in the street, he would still persist in trying to prevent her from wedding this actor who looked, and he believed felt, like Dejazet the murderer. " I don't mind your saying that I shall rue it," fretted poor Felicia, " because you don't, and can't know me. But but why why do you say that my Reginald will rue it ? I never before thought you were so cruel, Mr. Crampton." The secretary was touched. He wished that he was safely away from the whole unfortunate affair. It was a harsh fate that had mingled him with it. He answered evasively : " He is a man of moods, which change like the colours of a chameleon. He is nervous, excitable, unstrung. You are not afraid, because you think that you can rectify all this. You will not succeed, Miss Halstead. Therefore I 220 His Own Image say that you will be sparing yourself much wretch- edness if you take my advice." Felicia dried her eyes. She felt weak and stupid. Yet she reflected that circumstances were relent- lessly pointing her out the path of duty. She would never give up Reginald. Duty or no duty she would be his wife. Nothing should prevent that. But was not Reginald's apparent indisposi- tion a very strong plea in favor of her acceptance of the princely one hundred and fifty per week for three years ? Might he not have lived through his sorrowful imaginings by that time ? Surely his con- sent would not be withheld. " Mr. Crampton," she said quietly, after a pause of five minutes that seemed like five hours, " I will confide in you. You have been cruel, and insolent, and merciless, but still you know Reginald, and you appear at the present time to be prodigal of advice. When you suggest that I break off my engagement, you talk futile nonsense. I would sooner die. That sounds rather radical, doesn't it, but I assure you that it is quite true. I came here to-day to see Reginald, and to ask him for counsel. I have received an offer such as I never imagined would have befallen me, had I been a Bernhardt or a Duse. I knew I was in demand, but that fact scarcely interested me. A manager has offered me one hundred and fifty pounds per week for three years, and I want at least I intend to ask Regi- nald to allow me to accept. We can wait three years, and then marry, when I shall have some money, and my family will be provided for." She " Interviews " Crampton 221 Crampton surveyed her curiously. Her strange devotion to the ego-maniac puzzled him. He knew all that philosophers had said about the eccentri- cities of woman, but try as he would he could not fathom Felicia's attachment to Reginald Rellerick. The actor was not particularly young ; his ego- mania had almost stamped itself upon his face, until his once regular features were simply a reflection of his unlovely nature ; he had none of the quali- ties that women were supposed to love. And yet this girl, young, lovely, adorable, amiable, and gifted was willing to sacrifice herself, her fame, and her family, for his possession. Crampton put her metaphorically beneath the microscope, and looked at her as though he were Grant Allen analysing an ichneumon fly or a Colorado beetle. " My dear Miss Halstead," he said at last, and it seemed to him that he was listening to his own voice, reproduced by a phonograph, " Fame is a wonderful thing, and only foolish poets call it barren and ephemeral. It appeals to men, because it brings not only empty glory, but substantial wealth. I can quite understand that your real lover is dearer to you than mere glory. But here is an offer that means a competence for you, with fame at the same time. You cannot seriously hesitate. You must accept this offer. If I were you, I would go back home and instantly notify your manager that you agree to his terms." His voice squeaked phonographically. He could almost hear a br-r-r as he spoke the final words. " Then you think Reginald will agree to it ?" 222 His Own Imgae Felicia said, and she could not suppress a mournful intonation as she thought how horribly easy it was, and how readily her suggestion could be carried out. " Your Reginald will not consent," cried Cramp- ton harshly. " Most assuredly he will not consent. He will hold you to your promise. At the end of three years when you are famous and wealthy he would not want you. He would not then marry you if you brought him a million. He refused the Countess of Dwight, who was rolling in wealth. She was deeply in love with him, and he would not listen to her." Felicia clasped her hands rapturously, as a six- teen-year-old school-girl might do, when the gay cavalier upon whom her fancy has rested waves his hands to her, as he prances past the door of her seminary. Felicia heard Crampton's words with a sensation of voluptuous joy, that the poor secretary would have been fiercely unwilling to induce. " Then," she said, " if he will not consent, that ends it. The offer is as good as though it had been unmade. What you tell me so angrily, Mr. Crampton, is the sweetest news I could hear. I shall put the ques- tion to him, for I am determined that I will do my duty. Surely Reginald will understand why I ask his advice !" Crampton lost his patience, and seeing how vainly he had laboured, he resolved to pull down this insensate girl's hope with one mighty tug. " Mr. Rellerick," he said, " will never consent to this engagement, because he would fear you as a rival, She " Interviews " Crampton 223 and while your name was stamping itself upon the public, he would be gradually effaced. I am tell- ing you the truth, Miss Halstead." Felicia laughed. She felt light-hearted and al- most gay. Perhaps Crampton spoke the truth, but it was a truth that brought no gloom to her heart. If Reginald were afraid of her as a rival, she felt glad that she had artistic qualities enough to in- duce such a sentiment. She thanked heaven for her gifts, if she had any, inasmuch as they were the means of linking her to the man she loved. Don't think that Felicia was a fool. She was merely ar- dently in love with a worthless object, and if you have never heard of the blindness that accompanies such a condition, then you have come across very few romantic, unreasoning women. " You are telling me the truth, and I am satisfied with it," she murmured. " You have done what you perhaps consider you were called upon to do, Crampton. I shall not take your advice. I shall say to Reginald, ' Please let me accept this engage- ment. It will be best for you and best for me." Oh, I shall urge it seriously, Crampton. I shall, indeed. My people at home are greatly in need of money, and it will be unpleasant for me to ask it of my husband my husband," she repeated, savouring the cherished words. " But if he refuses, I shall marry him as soon as he likes, and not fear the result." Crampton's head was bowed in anguish. He felt that he had clumsily muddled the whole affair. Had he possessed any eloquence he could surely 224 His Own Image have convinced this usually sane girl of her folly. But he had angered her, insulted her, spoken harshly to her, brought her to tears he saw them now dripping from her eyes and he had simply led her to her fate. He was desperate. " I shall be near you, he said at last, inanely. " I shall be near you. No harm shall come to you. You will trust me, will you not, Felicia ?" " Miss Halstead," she corrected, imperiously. " This interview has not changed our relations, Mr. Crampton. You will notice that I call you Mr. Crampton and not " She wondered what his name was. A slight smile twined around her lips as she reflected that it was probably Ebenezer r or Thomas, or, more likely still, James. He looked a James. He had James indelibly marked on his person. Cramoton, how- ever, declined to come to her aid. She continued : " Whatever your Christian name may be, I do not use it. As for your promise to stay near me, I am afraid that I shall not need your services. I imagine that no harm can come to me when I am the wife of the man I love. Should any harm come at that time I shall welcome it." She tinkled with sarcastic laughter. He merely echoed the words " welcome it." " In the meantime," said Felicia, surprised how easy, and how not unpleasant it is to be unkind and imperial (it is wonderful how quickly the sad- istic taste for wounding other people's feelings is acquired) ' in the meantime, I shall ask you to She " Interview's" Crampton 225 wire as soon as Regi Mr. Rellerick, returns from this strange vacation, of which you decline to tell me anything. I shall expect to hear from you as soon as he appears. Until then I shall not see you. Good-day, Mr. Crampton. No, do not trouble," as he moved towards the door to accompany her down stairs. " I know the way. I shall walk home. The weather is pleasant. Good-morning, Mr. Crampton." And Crampton, as soon as he had heard the closing of the outside door, did what he had not done for years since the first of his old Oxford days, when he was young, and emotional, and easily impressed. He wept. Chapter XV THE FLESH AND THE WAX FELICIA HALSTEAD'S ingenuously uncultured mind had always revelled in Madame Tussaud's wax-works. She was one of those women who may be termed naturally uneducated. She had fre- quently enjoyed a contemplation of the yellow, in- artistic mockeries that seem to parody and cheapen the noble art of sculpture. She appreciated the impudent figures in the Marylebone Road collec- tion, for the sake of the gaudy clothes they wore. The more clothes she inspected, the more com- plete was her appreciation. She liked to wonder how much Isabella of Valois paid for her gown, and to picture Catherine of Arragon indulging in the vulgar modern pastime of " shopping." She was interested in the dresses of Bloody Mary and Queen Elizabeth, and she liked surreptitiously to lift the gowns of the models, in order to discover if Philippa of Hainault and Berengaria wore under- clothes. The details of the multi-colored exhibi- tion were what she liked, and what most of its patrons like. The high and mighty object of education which it professes, was totally ignored by Felicia. She had studied the lives of the Kings [226J The Flesh and the Wax 227 and Queens when at school. It was a satisfaction to see them modelled in wax. She believed im- plicitly in the portraits, and if anybody had told her that by boiling down Richard I, it would be possible to trot him forth as Gladstone or Disraeli, she would have laughed scornfully. It is lucky that the percentage of sceptics in the world is a small one lucky for trade, lucky for art, lucky for the world itself. Felicia Halstead was one of the amiably ordinary women for whom the amusement caterers work. Such women simplify the labours of the entertainers. The success of Tussaud's is probably due to the fact that it appeals exclusively to the ordinary. Felicia took Mrs. Landington with her to see the figure that had so strangely affected Reginald Rellerick, and she started for the exhibition in any- thing but a holiday frame of mind. It seemed odd to her to set out for her cherished wax-works in a mournful mood. The bag of chocolate creams that invariably accompanied her (for it is always pleas- ant to middle-class amusement-seekers to punctuate sensations with sweetmeats) was omitted. Felicia dragged Mrs. Landington from her household duties, and plunged with her into the wax-work abominations of the bus-riddled thoroughfare. The young actress felt melancholy and oppressed. Her interview with Crampton had pained her, and his strange information that her actor was away from London, without plans, and without address, appealed to her as inexplicably ominous. Mrs. Landington had heard the news with a series of 228 His Own Image " Well, I nevers !" that seemed to insinuate her black-alpaca incredulity. She hoped that every- thing would end well, but she doubted it. The prospect of possible misery is always inexpressibly dear to women of Mrs. Landington's chaste and usual category. Felicia paced through the various rooms, silently, but obviously distressed. Her Kings and Queens irritated her. She felt inclined to regard them as interlopers. Their aspect was corpsey, and she wondered how they could ever have entertained her. She knew them by heart, and they were quite unchanged, save that their clothes looked rustier and more dust-covered. John, who signed the Magna Charta, seemed to be running to seed, and Henry VIII. to be resting upon his sextuply con- jugal laurels in a sort of mildewed atmosphere. She would not allow the buxom housekeeper, anxious to get the most for her shilling's-worth, to consult her catalogue. She tore her past the groups, until the cameo brooch at the top of the fleshly toboggan-slide heaved. They all vexed her. She was there to see one particular figure, and to get at it she had to wade through Geoffrey Chaucers and John Wycliffes and Cardinal Wol- seys and Oliver Cromwells. They were all in the way all blocking her path, there so placidly erect and so uncompromisingly rigid. Yet when she reached the Chamber of Horrors, and was pushed into it by the crowd of hungry sensation-seekers, who had accepted the roomsful of good and illustrious folks as a Jwrs cfoeuvre to The Flesh and the Wax 229 the delightful criminals, she was in no hurry to find Dejazet. She disliked the idea of viewing Regi- nald's alleged double before she had seen the actor himself. She had returned to him after a long absence. It seemed horrid to seek the wax before she had found the flesh. Felicia was slightly super- stitious. Before she had been ten minutes in the Chamber of Horrors, she regretted her visit as thoroughly as Reginald had done, on the eventful morning when he had first looked upon Dejazet. "We'll go, Landy," she said, quickly. " I don't want to see this model. The idea frightens me. I don't know why I came. Come. We will re- turn." But the housekeeper had been permitted to do scant justice to the crowned heads, and had not the slightest intention of ignoring the criminals. She said simply, but very decidedly : " I shall stay, my dear, now that I am here. If you don't wish to wait, I will not detain you." Felicia, the unimaginative Felicia, had worked herself up into such an excitement that she was literally unable to return by herself. She dreaded repassing those quaint, immovable men and wo- men on their pedestals. So she resolved to see the thing through to the bitter end, and taking a light hold of Mrs. Landington's cape, she followed that immaculate matron in childlike obedience. The edge had worn off Dejazet's novelty, and the crowd had other enticements. The tide of sin had washed in new candidates for admiration. One cannot even be a pinnacled murderer, undisturbed 230 His Own Image for very long. The affable youths, the giggley girls, the boiled-mutton matrons, and the frolicsome fathers all edged for the latest inducements a precocious child who had stabbed her baby brother, and a prominent physician, whose guilty practice in London's Mayfair region had won him notoriety. Felicia and Mrs. Landington left these titbits for future reference. The young actress had been forced by the mob to relinquish her grip upon the housekeeper's cape. She became separated from her, and unwilling to walk about alone, in her wrought-up condition, she sat upon the first bench she found, and determined to rest for a short time and recover the energy which she felt that she needed for an inspection of Dejazet. There was a wax figure in front of her, but she felt too dejected to look at it. She leaned her head upon her hands, and only the feet of the model appeared to her. The crowd ebbed and flowed. Men and women drifted past her, chat- tering idly and volubly, dipping into paper bags containing the necessary sweets, and enjoying themselves in the stodgy and slouchy way peculiar to the English crowd. She thought of the vaunted "educational usefulness " of Tussaud's, and smiled. How the Londoners loved to furnish excuses for their eccentric pastimes! Nothing but the lack of a semi-religious, semi-educational pretext, is re- sponsible for the omission of the bull-ring from the ranks of metropolitan entertainments. Felicia felt better, as she sat there without looking at the " sights." The almost apoplectic effect of wading The Flesh and the Wax 231 through those lines of rigid dolls wore gradually off. She began to feel once more the desire to be confronted with Reginald's Rellerick's double the object of her visit to Tussaud's. Her eyes which had listlessly rested upon the feet of the model before which she had cast herself, were energetic- ally uplifted. Then Felicia arose, and unable to overcome her feelings, uttered a slight shrill cry of surprise. The feet at which she had gazed belonged to Reginald's double. She had been sit- ting apathetically in front of Dejazet. Felicia rubbed her eyes, and stared at the doll. A slight frisson ran through the roots of her hair. She felt as she used to feel when she read ghost stories, and anecdotes with a supernatural flavor. It was Reginald horribly and distinctly, but with an evil insinuation that alarmed her. The expression in Dejazet's face was bad, but it was an expression which she had seen she must have seen it, for it seemed so familiar in that of her lover. The glass eyes that stared at her so emptily, had nevertheless something of the look she had de- tected in Reginald's that morning when he had told her that she was trying to supplant him. Dejazet's mouth was slightly twisted with cruelty, and his lips were thick and sensual. Felicia drew a breath of shivering resentment, as in spite of herself, her brain recognized this ugly monster as the counter, part of her beloved actor. She wished that she had never seen it. She began to bitterly reproach her- self for morbid, and wholly unnecessary curiosity. His Own Image Then her pliant feminine nature asserted itself, and she began to think, in poignant distress, of the agony that this sight must have given Reginald, in the flesh. Ah, she knew him and his temperament. Could any man survive the horror of seeing himself ceroplastically displayed as a murderer ? She re- membered Reginald's complete self-satisfaction. How he had cherished his own personality! What joy the flattering photographer had given him ! How he had revelled in the idealism of the crayon artist ! With what bliss the imaginings of the " im- pressionist " had filled him ! And now to see him- self done in wax, as an assassin, for idle droves of people to look at, must have been a bitter blow. Felicia's sympathetic instincts gushed forth, and she felt that she must go to Reginald at once, and comfort him in his mortification. She recalled an old legend that she had read somewhere she couldn't remember where setting forth the fact that the man who is permitted to look upon his own double must shortly afterwards die. The legend returned to her. It must have been years since she had read it. It had remained, unremembered, on one of the curious shelves of her memory. It came forth, flavoured with her early enthusiasm. It had appealed to her as so inordinately fantastic, years ago. She looked around for Mrs. Landington, feeling a keen desire to hear her h'less talk again. An illit- erate person is most refreshing in a crowdedly sensational moment. An illiterate person is a sort of relaxative, the value of which cannot be overesti- The Flesh and the Wax 233 mated. But the housekeeper was not to be seen, and Felicia gave up all hopes of finding her in the turgid crowd that blocked the Chamber. She made a solemn promise to herself not to look at Dejazet's face again. She would try and forget that she had ever been guilty of recognizing the features of Reginald, in the jaundiced waxen cast of the model. Her visit had seemed to open the door to disloyalty, and Heaven knew that she clung to the man who had asked her to be his wife. She deliberately turned her back to Dejazet, and prepared to move away from the figure. And then Felicia felt that her eerie sensations must have unhinged her mind. Her face grew white, and she was suddenly seized with a fit of trem- bling, for with her back to Dejazet, and her eyes resolutely fixed upon the group of people twenty yards away, she saw the horror again. She knew that he was behind her, and yet in front of her, he stood gaunt, erect, and staring, among the sight- seers. It was an illusion, of course. It must be. She turned and looked back. Yes, Dejazet stood there, and she sanely realized that fact before glancing ahead. Then, with the determination to be cool, in spite of everything, she gazed in front of her. The other Dejazet had not stirred. Perhaps it was a looking-glass effect the result of curiously-disposed mirrors, destined to amaze the mob. Felicia would not have been surprised if she had seen galaxies of Dejazet, to the north, to the south, to the east, and to the west. The Dejazet in front of her, however, moved, and she 234 His Own Image watched him, fascinated, as one is fascinated by the horrors of a nightmare. She saw him deliberately turn his head, and speak to a woman by his side. She remarked the woman stout, magnificently dressed, and undoubtedly French one of those women English girls hate as the possessor of a chic that is rarely acquired, and quite unpurchasable, in England. He smiled. She smiled. They both stared at the figure behind Felicia. He spoke. She spoke. They looked again, intently and silently. He linked his arm through hers as though for fleshly protection. She pressed it closely, in immediate response. Felicia winced at the ugly fact of possession that the wo- man made quite clear. An instant later, and her faculties alertly re- turned to her. She realized the fact that the ap- parent Dej'azet in front of her was the real Reg- inald Rellerick. There could be no doubt at all about that. This was not the resort of the fantas- tic and the imaginative. She was with cheap peo- ple, in a cheap place, in a cheap locality. Cheap- ness was branded upon everything. This was the abode of the ultra-ordinary. Her lover had re- turned to London and* had determined to visit the wax-work exhibition once more. She stared at him, quietly and subtly anxious to explain everything reasonably and satisfactorily. Who was the woman by his side ? What did this companionship signify? Felicia moved from her position directly ahead of them and turned to the side, resolved to watch them. Her heart was The Flesh and the Wax 235 beating violently. She felt it cannon against her ribs, in an irrepressible tumult. Reginald and his companion appeared to be studying Dejazet earnestly. There was no anger in his eyes. They shone with a sort of softened light. To Felicia it looked very much as though this horrid yellow monster was favorably considered by her lover. The woman merely appeared to acquiesce in every- thing he said. Yes, she was French. Felicia could detect the " outs " forming themselves upon her red and humid lips. How horrid she was, and how audacious ! Felicia called her " bold." It is the word invariably applied by the English girl to the insouciant, rebellious demeanour of the French- woman. The mystery of her presence there was quite inexplicable. Reginald was so fastidious, so solitary, so uncommunicative, that the sight of him in familiar and agreeable intercourse with a person branded, even in Felicia's inexperienced eyes, with the stigma of the courtesan, amazed and stupefied her. They stood there quite oblivious of the passing crowd. Men and women came and went ; gazed and commented ; chattered and laughed but Reginald and this woman paid not the slightest heed to them. Felicia saw Mrs. Landington walk- ing alone at the back of the crowd, moving towards the exit. She made no effort to rejoin her. She allowed her to pass from the Chamber of Horrors, preferring to meet Reginald unaccompanied. If Felicia had seen the slightest symptom of hor- ror upon the face of her lover the horror she had 236 His Own Image imagined for him she would have broken through the crowd instantly, and thrusting aside his com- rade, have flung herself unconventionally in his arms. But there was not a tinge of distress visible upon his features. If he had been staring at a benefactor of the human race his look could not have been blander, or more benign. It puzzled and grieved her. Again she looked at the waxen Dejazet, and felt the tingling of disgust in her veins. Yet he, whom this monster suggested so strongly, appeared to be almost happy, and quite unmoved. Felicia herself began to attract attention. Two rude boys approached her, and pretending to be- lieve that she was a wax- work, as she stood there so silently and attitudinally, they pinched her arm. She reddened, but the action served to stimulate her. She went to the exit, and made up her mind to wait there until Reginald and the woman were ready to depart. The time passed so slowly that Felicia could scarcely repress her impatience. She heard the outgoing crowds expressing their satisfaction at the sixpenny-worth of misery they had witnessed. She felt exasperated at their idle, unfeeling comments. How could she ever have revelled in this hideous array of ghosts, and have spent afternoons in their midst, with chocolate creams and catalogues ? She saw Reginald and the woman slowly ap- proaching. They seemed unable to tear themselves away from the place. Reginald turned frequently to gaze at the solitary figure that was no longer a The Flesh and the Wax 237 piece de resistance of the exhibition, but had settled down to a long catalogued career of com- mon-or-garden criminality. Summoning all her pluck, she advanced and placed herself in their path. The woman made some remark in French, ex- pressing annoyance. Then Reginald saw her, and if she had ever doubted the inadvisability of return- ing to one's " loved ones " unannounced, she had no opportunity to doubt it now. His face grew marble in whiteness, and into his eyes came the very expression that she had seen in Dejazet's glassy counterfeits. It was the identical expression , and Felicia saw it for herself. Fortunately her own amour propre stepped in, and she preferred to believe that she was unstrung and imaginative. The actor dropped the arm of the woman, and it fell to her side, fat, and bulging through its silken sleeve. The ego-maniac recovered himself almost imme- diately, long before Felicia had emerged from her emotion. " Felicia !" he cried in astonishment. " I I had thought you were in Liverpool. You you have returned." The banality of these remarks was obvious, but they gave him time for further machination. He spoke a few words in a very low tone to La Chinoise, who cast a semi-derisive look at the little actress. " I I came back to surprise you," she said haltingly, " I I seem to have succeeded." " Of course I am surprised," Reginald remarked 238 His Own Image " but " sarcastically " it is a very pleasant sur- prise. If you will permit me to take this lady to her carnage we will go to my apartments to lunch- eon." Then to La Chinoise, with a great display of solemn politeness, " Permit me, Madame." La Chinoise smiled, and followed Reginald. Fe- licia trotted quickly behind them. In spite of her- self, she felt glad. Reginald's tone to this woman was one of deference rather than familiarity. He had probably been in Paris, and had returned with some French artist, to whom he was displaying the " sights " of London. She hoped so. It was such an easy and pleasant thing to hope. "Where shall I tell your coachman to drive you ?" asked Reginald, as La Chinoise entered the brougham, and he stood waiting for her orders. And when Felicia heard the command to start for a well-known milliner's establishment in Bond Street she felt a still keener inclination to be satis- fied. They were alone at last. Reginald tried hard to keep from his features the malignant hatred he felt for this girl. The very sight of her had aroused in him sensations that had been dormant since her absence. She was the cause of all his agony, and he was obliged to marry her in the far-fetched hope of thus removing her from one path to another. And the other seemed to him utterly detestable. " Who was that woman, Reginald ?" Felicia asked instantly, anxious to clear up that muddy point. Reginald had his reply ready. "A costumer," he said. " I have engaged her to make my ward- The Flesh and the Wax 239 robe for next season. They say she is very clever. She was anxious to look at the clothes worn by our kings and queens. So I brought her here." There was not a tremor in his voice, as he ut- tered this coagulation of lies. "You have been in Paris?" queried Felicia, feel- ing the titillation of hope in her breast. 11 In Paris !" echoed Reginald. " Why, my dear girl, I have never left London." " Then Crampton lied," cried Felicia. " I went to your house and he told me that you were away out of town he did not know where. I felt that the man was romancing. I asked him to let me know when you returned." The ego-maniac shuddered. Here was the be- ginning of the symptoms of obnoxious possession, that the law was soon to sanction that he was even anxious to court, for the sake of his career. How ugly it looked this affection of which poets prated, and which novelists blazoned forth ! " My dear child," he said loftily. " Crampton is a fool. A friend of mine in St. John's Wood has written a play. He is a very busy man, and could not afford the time to come to me. So I put my- self in the position of Mahomet with respect to the mountain, and went to him. Don't listen to Cramp- ton, Felicia," a shade of uneasiness crept into his voice " he is growing old and stupid. I shall be forced to dispense with his services very soon." How easily it was all explained ! Felicia almost laughed as she recalled the hideous hour she had spent at Madame Tussaud's. How useful all her 240 His Own Image agony had been as a pleasant paving to the delight- ful way of Reginald's sunny mood. "If you only knew how exquisite it is to see you again," she murmured, pressing his arm, and as she pressed it she quickly remembered La Chinoise's action and forgot it. The actor could not reply. His aversion was so strong that poor Felicia's girlish pressure irritated him beyond expression. "And I am so sorry," she went on, "that I wrote you about that horrid Dejazet. I came to see if he really looked like you, and " she felt an almost voluptuous joy in the pretty lie " I couldn't see any resemblance. Imagine Reginald Rellerick looking like a murderer. What an absurd idea." "D6jazet," he said, bitterly resentful, " was per- haps what the world calls a murderer. But he was not as bad as silly people think he was. I know many worse people than D6jazet." He said this so indignantly, that Felicia looked at him dumb with astonishment. But she reflected that this was probably his consolation for what was undoubtedly a most deplorable incident. It was an extremely plausible consolation. Felicia's sym- pathy for him gushed forth again, and she pressed his arm even more affectionately. " Let us go," she said purringly, looking up into the face of the ego-maniac. "I have something to tell you, Reginald some advice to ask you. I shall wait until we are alone, because I want to argue, and I don't feel in the mood for it just yet." He looked at her suspiciously, but Felicia's glance The Flesh and the Wax * 241 met his own so sweetly, that he was disarmed. He hated her very sweetness, in its lack of sophisticated quality. What a difference between this bread-and- butter girl, and the richly-caparisoned womanhood of La Chinoise ! How could men run after the silly enigma of guilelessness, when it was possible to obtain the splendid authority of autumnal ma- turity ? He fretted in impatience, as they were whirled to his apartment. Chapter XVI "A WEEK FROM TO-DAY " How dissimilar were the sensations of the two as they sat in the suave juxtaposition of the vehicle ! Felicia almost forgot her own troubled individual- ity in Reginald's presence. The memory of her impecunious mother and stagnating sisters faded slowly away. She still recalled the " big offer '' that had appealed to her practical sense. It loomed up occasionally, as she leaned on his arm, and assumed the proportions of an ominous black cloud. Suppose he should consent to her three years' contract ! As she reflected upon this faint possibility,, she was almost tempted to leave un- mentioned the managerial inducement. It was so pleasant to be by his side again ; to respire with him the ambition-laden atmosphere of London ; to know that she was the only creature privileged at this particular moment to bask in his sunshine. She lay there with her eyes half closed a captiva- ting picture of confidence. Reginald felt suddenly weary and nervous. The presence of this woman was hateful to him. The fact that he was enduring this malaise for the sake of his own ego-pedestal that she had endangered, " A Week From To-day " 243 simply enfuriated him more thoroughly against her. He felt her head as it rested upon his coat sleeve, and physical contact which is one of the most capricious, the most illogical, and the most potential of all human conditions stung him into dismay. And the time was approaching rapidly, unerringly, irrevocably, when he must acknowledge her as his wife ; when he must sit with her at the breakfast-table, and watch her eating boiled eggs and kippered herrings ; when his dinner-hour must be hers, and his nights be passed by her side. Reginald, like most ego-maniacs, had no very grave respect for the institution of marriage. The very fact that Felicia, by this union, would share his name, and enjoy the reflection of his lustrous career, was melancholy enough. The ego-maniac wants everything for himself. He must be the one luminous object in a sky that is otherwise dark. He thought almost tenderly of his yellow double in the Marylebone Road, alone and emancipated. The model had interested him strangely that morning. He wondered why he had considered it uncanny. It had his own classic and thought-lov- ing profile, and every characteristic of his own per- sonality that he had for years admired. Dejazet seemed to have stared at him sympathetically, as he stood in the museum with La Chinoise the very woman whom the French artist had wor- shipped. After all, this waxen hereafter at Tus- saud's was not so dreadful. Dejazet was sur- rounded by the ceroplastic emblems of men and women who had won notoriety, either by the ex- 244 His Own Image tremes of virtue or of vice. His was not an ordi- nary position. The world which is the ego-mani- ac's heaven had marvelled at him, and the Lon- don crowds watched him day by day. Genevieve Delaunay slept in her grave, unremembered, and unmodelled. The man who, for the sake of his art, had removed her from his path, had a pedestal all to himself. To the ego-maniac (and the world is full of types less pronounced than Reginald Rellerick) there is danger in the contemplation of notoriety. The mental pervert, who would rather be an extraordinary criminal, than an ordinary nonentity, is not a stranger to the annals of crime. Morbid museums are much frequented. The tiny urchin, who reads penny-dreadfuls, and loves to imagine himself in the varied situations of their heroes, is the egg from which the ego-maniac is hatched. Crampton's face was a study in perplexity, as he saw Felicia and Reginald drive up to the door. The actor looked at his secretary with an impu- dently satirical and quasi-triumphant air. Felicia tossed her stupid little head as she noticed the humble Oxonian, who had been guilty of the iniquity of offering advice to the headstrong girl. And the secretary knew that his cause was lost. " Any letters, Crampton ?" asked Reginald, loftily, proudly conscious that he was master of the occasion, now as ever. Crampton was reckless and defiant. " A few bills from St. John's Wood," he said, pointedly. " I paid them, presuming that they were cor- " A Week From To-day " 245 rect. There was an account of thirty pounds, and some odd shillings at " " That will do," Reginald interrupted, with a sin- ister glance at his mouldy factotum. " I do not wish to be worried with money affairs. I have never asked for such details, Crampton, and I do not intend to begin now. I am surprised at you." " I thought " began the secretary, with the sink- ing feeling of deference that Reginald's high-falutin way invariably induced. But what he thought was, in the language of the law-court, " irrelevant and immaterial," and Reginald moved away to his sanctum, followed by Felicia. She closed the door quickly. " Now," she said, standing at the portal, expect- ant and laughing. " You may kiss me." The fact was so obvious, that the humor of the poor, clinging thing appealed to him, and he smiled in his ugly and sournois manner. Probably he would have appreciated her more, if she had dis- played the tawdry coquetries of La Chinoise, the courtesan, who had studied the philosophy of the offensive and the defensive in matters of sexual companionship. Felicia was the foolish, unsophis- ticated English girl, redolent of strong tea, and lettuce, and she was not amusing. He summoned up his courage for it 'was really a matter of courage and kissed her. As he did so, the image of D6jazet, standing up at Tussaud's, with a smile on his pink wax lips, appeared before him, and gave him strength. He kissed her with a semblance of earnestness. 246 His Own Image "And now," said Felicia, quivering with delight, " we'll have a nice long chat. Sit down and listen, Reginald, and be prepared to advise." A vague and almost hopeless hope came to him. Perhaps some Lancashire squire with a rent-roll had proposed to her, and mamma had favored his suit ! Possibly some domestic difficulty had oc- curred which urged her to settle for ever in the provinces. Reginald was conscious of a huge and overwhelming menace of magnanimity. He would not withhold his consent. He would sorrow- fully, of course refuse to keep her to her engage- ment. He would dower her handsomely. He would give her his friendship for life friendship was so nice and cheap. He would cause her to remember him gladly for the adulation of Felicia at a safe and unsurpassable distance, would not be disagreeable. He would place a box in his theatre at the disposal of herself and husband, whenever she visited London. He sat there, dreaming of a swift and gorgeous release. And as this faint pos- sibility of happiness flecked the darkness of his mind, he thought once more of Dejazet, and saw him this time, in all his frightful ostracism. " Reginald," said Felicia, slowly and tentatively. " While I was at home in Lancashire, I could not help remembering that I am a horribly dependent girl. You know that mamma is poor, and my sisters dear girls are expensive. I have given them regularly half of my earnings " (and she did not think resentfully of the pittance he had allowed her), " and they have managed to jog along as " A Week From To-day" 247 cheerfully as possible. But " sighing, " the girls are grown up. They need attractive gowns in order to keep up appearances, and and mamma's expenses seem to me to be larger than they were." This sounded promising, and Reginald's almost hopeless hope flickered spasmodically. " Of course," he said, nearly kindly. " Of course." He felt more inclined to be magnanimous than ever willing to give half his fortune to the Liver- pool girls. He felt that they were ungainly, seed- cake-eating women, who wore white muslin, with blue sashes, and had large feet in buttoned boots. " It would be humiliating to me, Reginald," she went on, almost pleadingly, " to ask for money, every time I needed to send some home. Of course I know that you are generosity personified, and would never refuse it, but but there is a way out of the difficulty, and perhaps perhaps you will consent to it." Her heart sank, for an expression that distinctly resembled benevolence was woven into the texture of his features. Perhaps, after all, he was going to relinquish her for her own sake, and listen to the promptings that a sheer sense of duty induced her to make. Misericorde ! " You need not mind asking me for money, Felicia," he murmured, vif with a hope that seemed almost dazzling, still haunted by the vision of Dejazet sneering and deriding. " What I have is yours, now and always." " Dear Reginald !" she said, and a tear trickled down her cheek. He was certainly going to see 248 His Own Image everything as she dreaded him to see it. " Then again," she went on. " I know that you, my dear boy, are not overburdened with riches, that you live extravagantly, that you make big productions which call for the expenditure of thousands of pounds, that your cherished profession is, at the best, but a game of speculation, and and I don't want to be an incubus." Then frightened at what appeared to her to be a veritable Niagara of irresist- ible logic she began to cry. Going up to him, she put her arms round his neck, and sobbed : " You know, dear, that I love you as much as ever." For the first time, since the malevolence of fate had allowed her to supplant him, he felt that there were some redeeming features in poor Felicia Hal- stead. She was surely about to do the Marguerite Gautier act, and loving, relinquish him. She had undoubtedly been wooed in Lancashire. And he amused himself by imagining her lover some sleek and well-fed business man, with glistening pomaded hair parted on the side, a respectable diagonal " tail-coat " and a nice silk hat, worn on Sundays only. " Felicia," he said and he made a pretense of being deeply moved, " I have your welfare always at heart. It has ever been my desire, as I think you will acknowledge, to see you happy and com- fortable. Although it might wound me deeply to find our plans set aside " the words seemed too sweet to utter with nonchalance " you can be quite persuaded that I shall never do anything to inter- fere with your prospects." " A Week From To-day " 249 The ego-maniac loves to " make sacrifices," be. cause, by so doing, he seems to enhance his own value. But the sacrifices must naturally be inex- pensive, and not calculated in any way to interfere with his own voluptuous self-idolatry. " But," said Felicia, drying her eyes and giving her duty-cause a dig, " I don't want you to let me go, if you really feel that it will be too hard for you. Remember that. Please remember that." Reginald twitched with the excitement of an ex- pectation that seemed to him to open the doors of heaven an expectation of freedom, of permission to resume his career, non-confronted by the danger of a dreaded and feminine rival. He could scarcely wait for her to continue. He arose and placed his trembling hand upon her shoulder. " Go on, Felicia, tell me all," he muttered. Felicia scarcely knew how to begin. She made a supreme effort however, and started : " You are an actor, Reginald, for the sake of art and glory. I told you truly, some time ago, that I could not understand that. It seems to me such a poor thing to live for the adulation of a crowd of people one cares nothing whatsoever about. I could never act for laurels, my dear, but I could act for the sake of the money that the work brings in. When I got back from Liverpool, I found a letter from Morti- mer Branton your old friend, Reginald offering me a three years' contract, at one hundred and fifty pounds a week a fortune, Reginald. And and it seemed to me " She stopped, terrified by the look upon his face 250 His Own Image a look oppressive, vindictive, deadly the look that Dejazet at Madame Tussaud's wore in yellow wax. She paused for a moment, mortally afraid of that look, and then moistening her lips, upon which the crusts of fever were forming, went on : " It seemed to me that it would be sinful to set aside such an offer, unconsidered. One doesn't find such opportunities every day, dear. As I told you, I have no interest in the stage for itself, but if you consent, I I will work hard, diligently, unceasingly for three years, and come to you then, as your wife, not not quite penniless." The reaction came swiftly to the actor. From the height of a golden promise that seemed to be the acme of exaltation, he was hurled headlong into the old pitiless and irremediable situation. The shock was so great, that the torrent of words which would have indicated his fury was fortunately stayed. The very pitfall that he had dreaded the morning after his failure had opened at his feet. Here, right before him, was the woman whom Lon. don would rear up in his stead. He felt sick with disgust. Mortimer Branton, one of the wiliest and most infallible of the money-makers in the market of theatrical speculation, had seen the possibilities of Felicia Halstead, to the tune of a three years' con- tract, at an enormous salary. What he feared had come to pass, and in his ego-mania and dank selfish- ness he judged her by his own standard, and disre- garded even the power of her love. The torrent of anger that the sudden shock had dammed, broke loose at last. He grew apoplectic- " A Week From To-day " 25 1 ally red in the face, trembled, and paced the room like a caged beast. " What did I tell you," he cried, " when you came to me with pretty pathetic stories of devotion ? What did I say when I accused you of trying to oust me from my position ? Ah, I knew you, Felicia Halstead, I knew you. What is a promise of marriage to you ? With all your protestations, you succumb to the smallest tempta- tion. I am tired of it. I am weary, disgusted. Curse Pinerville. Curse his play that brought me to this. Bah !" The room swam, and he almost fell, in the whirl- wind of his anger. He forgot La Chinoise ; he for- got the last few days of his strange and threatening self-composure. But he could see the waxen figure of Dejazet at Madame Tussaud's, and to his excited imagination, it seemed to be laughing in a waxen ecstasy of impossible mirth. Felicia was afraid, but Felicia was a woman, wearing the opaque bandage of love. Reginald's coarsely evident wrath was to her but the pardon- able fury of a baffled lover. She sat and watched him, as though she were admiring the reckless grandeur of an electric storm. Her feelings were hurt by the savagery of his words, but they daz- zled and stimulated her. " You shall never accept this contract," he shouted, " Never. I swear it. You shall fulfil your promise. You shall not mortify my soul by your vacillations and your disloyalty." He ground his teeth in his rage. She threw back her head in a little nervous way that was not un- 252 His Own Image usual with her. He saw her cool white throat, with its thin blue veins. Once again the picture of DeJ'azet leaped into his mind. The crowds were gazing at him now in the Marylebone Road, and recalling the details of his murder-crime. For once Reginald was afraid of himself. The effort to rid his mind of the Dejazet idea, was such a tremen- dous one that it exhausted his mental force. He sat down, the perspiration dripping from his forehead. " Why, my dear, dear Reginald," cried Felicia in alarm, " I did not mean to vex you like this. I merely suggested to you my own idea an idea that had you in view just as much as myself. I told you that I wanted your advice. I was afraid that you would tell me to sign the contract and go ahead. Your manner a few minutes ago seemed to indicate your willingness. You frighten me when you behave like this. I have done nothing at all. I have signed no contract. We are in pre- cisely the same position now, as we were when you spoke to me at Euston Station." He stared at her, and tried to penetrate the sig- nificance of her words. The ego-maniac always looks for a " significance," even when a blessing is bestowed upon him. He would suspect an angel of mercy of ulterior motives. His hatred of this woman surely exceeded the limits of mortal hatred. It was like a sirocco and it seared him. He had been buoyed up by the fantastic hope that she would pass out of his life, surely and for ever, only to find that she was more irrevocably tangled up than ever with his career. " A Week From To-day " 253 " You will fulfil your promise ?" he asked harshly, and it seemed to him that a roomful of people looked at him, and called him No. 37, and commented upon the expression of his face, and declared that he looked the criminal, from head to foot. " Of course I will," she answered, gladly, still alarmed at the storm she had called forth, and trembling slightly. " I love you, and my life has but one object. I hate the stage. I purposed resuming work simply for the reasons that you already know." Suspicion filmed his eyes, and he looked at her, darkly questioning. Her earnestness, the sincerity that had not swerved at the tirade that would have driven away a practical, unclinging woman seemed to convince him. He had made a mistake. She had not intended to compete with his stage career, unless he himself had advised it. She was still his, to hunt from the eyes of men, and fetter with the chains of an eternal domesticity. He had hated her before this, and now he dreaded her. She was a rival in imagination before this hour. Now she appeared before him as an actual combatant, selected as worthy to cope with him, by one of the shrewdest theatrical men in London by the very man, in fact, 'whose championship he had himself sought in vain. Poor Felicia's unselfishness had operated cruelly against herself. Unselfishness frequently does this, for it is less vulgarly spectac- ular than ego-mania, and it is generally miscon- strued. 254 His Own Image There was no time to be lost, however. He real- ized that. She was still his, and the nauseating task of rebinding her to him confronted him eagerly. " You frightened me, Felicia," he gasped. " I had relied upon upon our marriage, and and you seemed so desperate." Felicia went to him, and with her handkerchief a pretty little lace affair that she wore at her waist wiped the perspiration from his brow. Then she stroked his hair and kissed him as though he had been a spoiled child. And Felicia belonged to a sex that has taken to wearing trousers and inveigh- ing against the tyranny of man a sex that can never accomplish this new mission, until the Felicias of the world have been stamped out. And they are being born every day. An inkling of sense crept into her mind. She said, simply : " I don't believe you love me, Regi- nald." It was so quietly spoken, and there was such apparent resignation in it, that the ego-maniac felt another qualm of fear. In spite of all, she might never marry him, if she even suspected a fraction of the unlovely truth. " I love you, Felicia," he said, with a force of will that astonished him, " else why should I have troubled to quarrel with you ? We are angry only with those whom it is worth while to reproach. I talked nonsense about your supplanting me, but it was an excuse you will admit that it was a plausi- ble excuse, Felicia." " A Week From To-day " 255 He seemed self-reproachful, and Felicia's ready sympathies came forth as usual. "Yes, yes, I know," she remarked, soothingly. " It is all under- stood. You were a wicked, spiteful boy, and you are sorry for it." "Do you " he put the question uneasily "do you believe that I love you ?" " If you say it," she replied, ingenuously, " I be- lieve it. Say it." He still felt the eyes of a roomful of people upon him. He seemed to be standing erect before them, awaiting their comments. In his ears rang such phrases as "Look at his expression," "See that queer compression of the lips," and " Can't you notice the lines about his mouth ?" His feet ap- peared to be stiff, and his legs without sensation. The clothes he wore pressed uncomfortably against his flesh. He experienceS a strange inclination to laugh, but he was unable to coax a smile to his lips. Above the voices of the roomful of people he heard Felicia's words " If you say it, I believe it. Say it." "I say it," he murmured. " I love you." He took her hand and held it in his own. It was pink, and plump, and pretty. His own fin- gers struck him as looking yellow and nailless, like those of the model at Tussaud's. Felicia stood on tiptoe and kissed him. He was about to shrink from the embrace that gave him a sensation of something akin to pain, but too much was at stake. For the present, at any rate, he must dissemble. Later on, perhaps He remem- 256 His Own Image bered La Chinoise, and the very different feeling of her warm, ripe and enthusiastic lips. Ah, he had met very few women like La Chinoise. How easy it would have been to follow the decrees of a fate that compelled him to marry La Chinoise ! " We will be married a week from to-day," said Felicia. " And then my poor boy will have no further occasion to fear the desertion of his sweet- heart. Will a week from to-day suit you, Regi- nald ?" " A week from to-day ?" he echoed. " Yes, a week from to-day." They passed from the room, almost stumbling against Crampton at the head of the staircase. The secretary looked at them helplessly. He fol- lowed them downstairs. Reginald went first, and entered the dining-room. Felicia, a few yards be- hind, was on the threshold of that apartment. Crampton came forward, and she heard him say, in her ear : " A week from to-day. Do not be afraid. Remember my words." Chapter XVII SHRIMPS AND WATERCRESS THE die was cast, and the denouement must work itself out to its very knots. The web into which fate had pushed him was closing around him. He could still wriggle a little, and feel the freedom of his wings, but there was no ultimate hope. He had made his bed, and it was there yawning for him. Felicia left him shortly after the naming of the " glad day," and went back to Notting Hill, on the condition that she should see him again that evening. She had reached the position when she was able to make " conditions," and he ground his teeth as he thought of it. His callous selfishness never suggested to him that poor Felicia's eagerness was due to a desire to take him away from himself, and from the odious souvenirs of his waxen counterpart. He was to go to Notting Hill that night. He sat in a sort of stupor in a veritable mental cul- de-sac. His thoughts flew to St. John's Wood and La Chinoise. He would not give her up. He could afford two households, and he could render life endurable in that way. It was an arrangement with which London was extremely familiar. The [257] 258 His Own Image rule in the metropolis was external monogamy, internal polygamy. Who would care ? Possibly not even Felicia, as the bloom wore off the love- apple, and sentiment resolved itself into boiled mutton and caper-sauce. He shut his eyes and thought. Before his men- tal vision arose the omnipresent Dejazet, still erect on his pedestal, yellow and menacing. And he remembered La Chinoise's story with a. shudder- "Claire," Dejazet had said, on the eve of marriage with Genevieve, " I have lost everything. I must marry this girl, and you and I must end our rela- tions. I will try and do my duty. Perhaps I have been a brute. I hate her now, but possibly when she is my wife, bearing my name, I may become, at any rate, more reconciled to my life." Was he more infamous than the dead artist who had reached Madame Tussaud's, branded as a " murderer ?" Even this sinister thing, at which the ribald mob stared, had possessed the decency that holds the civilized world in its clasp. Even this murderer had contemplated abandoning the woman he loved, for the sake of the woman he married. Reginald hated to think contemptuously of himself. The ego-maniac is frequently virtuous, not in order to please society, but in order to please himself. He dislikes to damage the symmetry of his own picture. So Rellerick made up his mind that he would, for his own sake, inform La Chinoise of his contemplated marriage, and rupture their relations. It would be a bitter blow to her, of course, for Shrimps and Watercress 259 she loved him as she had loved Djazet. There would be a scene of agony that would be horrid, yet pleasant. And she would swear, as she had sworn before, that this marriage should not take place. He never doubted the affection of the Frenchwoman. It seemed to be such an exceed- ingly tangible affair and so absolutely reasonable. Moreover, he felt impelled to love her. She ap- peared to be knitted into the texture of his life. So had Djazet felt, but D