I! John 3wett I a 5, -;: :_: ^^^'-J^ '^ '---- Bjgg I " ;^ -;;-;..;, . " ' . ' ;:r:-<-; : ,.v- - TECHNICAL EDUCATIONS WHAT IT IS, AND WHAT AMERICAN PUBLIC SCHOOLS SHOULD TEACH. AN ESSAY BASED ON AN EXAMINATION OF THE METHODS AND RE- SULTS OF TECHNICAL EDUCATION IN EUROPE, AS SHOWN UY OFFICIAL REPORTS. BY CHARLES B. STETSON. BOSTON : JAMES R. OSGOOD AND COMPANY, (LATB TICKNOR & FIELDS, AND FIELDS, OSGOOD, & co.) 1874. ' LClOBl si Entered according to Act of Congress, in the year 1873, by JAMES R. OSGOOD & CO., In the Office of the Librarian of Congre^at Washington. w,.- . . BOSTON : STEREOTYPED AND PRINTED BY RAND, AVERY, & Co. CONTENTS. CHAPTER I. PAGE. Introduction. Competition no longer Local, but World- wide. Manu- factures no longer Few and Rude. Decay of Apprenticeship. Labor, Rude, Dexterous, and Skilled. Popular Education. Nat- ural Sciences a Part of Popular Education. Drawing a Part of Popular Education. How Time is to be had for the New Studies. Object of this Compilation. The Manufactures of most Value . 1 CHAPTER H. Value of Technical Instruction. British Opinions expressed by Cham- bers of Commerce. Letter to Lord Robert Montagu, M. P. Foreign Competition in Hardware made in Birmingham. Worsted Trade of Bradford. Decline of Silk Manufacture in England. French Testimony. Views of Prof. Leoni Levi. Replies to Lord Stanley. Testimony of Mr. Samuelson. Testimony of English Artisans . 31 CHAPTER in. Importance of Varied Education. Literary and Scientific Training. Report of Sub-Committee of French Imperial Commission. Man- ual Labor. Mission for the Succor of Apprentices . . . . 114 CHAPTER IV. Special Schools for the Instruction of Apprentices. Municipal School at Besancon. Apprentice Schools in Belgium. Power-loom- Weaving. School at Mulliouse 131 iii 541744 IV CONTENTS. CHAPTER V. PAGE. Instruction of Workmen. Popular Lectures. Museum of Industrial Products. Reports of English Artisans. Universal Primary Education 113 CHAPTER VI. Drawing. The French Imperial Commission. Replies to Lord Stan- ley's Circular. Testimony of English Artisans. Testimony of J. Scott Russell. Belgian Testimony . Mistaken Study of the Human Figure. Geometry the True Basis of all Elementary Drawing. Degrees in Teaching. French Report on Drawing . 176 CHAPTER VH. Conclusion. The Work must begin in the Primary Schools. Cram- ming. Variety and Alternation of Studies. Room for Additional Studies. Mental Discipline. Thorough Instruction and Exhaust- ive Instruction. Text-Books in Natural Science. Course of Drawing for Common Schools. Special Instruction ... 251 TECHNICAL EDUCATION. CHAPTER I. INTRODUCTION. THE education required by a people is not a fixed quantity. That which is adequate for one generation or for one locality is not, necessarily, adequate for another generation or for another locality. It may be said, in general, that the education of a people should always conform to their necessities; that, as the con- ditions of life change, the education of a people should undergo a corresponding change : it may be one of degree or of character, or it may be a change involving both. The present is a time when those who have the shaping of popular education in America should consider anew the practical application of this simple truth. .TECHNICAL EDUCATION. . . F.oc .the America^ laborer, whether in the work-shop, an the coun^ing^liibuse, or on the farm, the conditions of life have, within the last fifty years, undergone a radical change, and of such a nature, that the laborer must now receive a vastly better education than he required one or two generations ago: otherwise he cannot advance himself as lie should, nor even maintain his old position. This will be evident from a simple glance at three or four things which strikingly distinguish his present situation from his past. COMPETITION NO LONGER LOCAL, BUT WORLD- WIDE. First, the railroad, steamship, and telegraph have changed, in a marked degree, the condition of the American laborer. Before they came, the competition he had to meet was almost wholly local. If he did his work as well and as cheaply as those who went to the same church, or sat on the same jury, with himself, there was for him no need of further concern. He, and these neighbors of his, fixed the price of their products, since they sold in a market from which all but local competi- tion was virtually excluded. There is nothing of this now. Telegraphy and steam have made, as it were, one neighborhood of the whole world ; and the competition the American laborer must now meet, even at his own door, is no longer local : it comes from the ends of the earth. In a market admitting the competition of the INTRODUCTION. 3 world, those who go to the same church, or sit on the same jury, cannot longer determine the price of their products. The world, of which they are but a part, settles that. Has an Ohio farmer a fleece of wool to sell ? He meets in the market the wool-grower of Aus- tralia. Has a Minnesota farmer a bushel of wheat to dispose of? The return for it depends, more or less, on the crop in. California, or along the shores of the Black Sea. Is the seller a cotton-manufacturer of Lowell ? He must compete with the looms of Lancashire. A Maine manufacturer of axes ? He must face the axe- maker of Birmingham, whom he has, by the way, driven from the American market, while he success- fully competes with him in the market of the world. Is it a Philadelphia builder of locomotives ? He feels the influence of Creuzot, though he may never have actually met a French locomotive on this side of the Atlantic. Is it an American ship-builder ? He knows, to his sorrow, that there are other builders on the Clyde. Indeed, there is scarcely one product of American indus- try, whose market-price is not now determined, in large degree, by the competition of the whole world; and this as the result, mainly, of steam-carriage and telegraphic communication. The more efficient these new instru- mentalities become, the sharper will be the world's com- petition, reaching even the most secluded hamlet. 4 TECHNICAL EDUCATION. The destiny of the laborer is, perhaps, more influenced by steam as a carrier than by steam as a producer ; for steam, especially when aided by telegraphic communica- tion, is a great leveller in the world of industry. No levelling produces just the same pleasing effect for all. Take England as an illustration. Having established her manufactures when her insular position and sail- carriage gave her comparatively easy access to the Euro- pean and other markets, she now finds herself every- where confronted by products which the railway has brought from the manufacturing centres of interior Europe. While she glories in the railway achievements of her Stephenson, those very achievements have greatly diminished the vantage which was previously hers in the market of the world. But what of vantage sh ' has lost through steam and telegraphy, she is now strug- gling to recover through a better education of her pro- ducing classes. By the same levelling process the' American laborer is affected. Unless he does his best, he is liable to be driven from the market, even of his own town, by a producer who lives hundreds, perhaps thousands, of miles away. Here, then, is one particular in which the life of the American laborer has undergone a decided change ; for him competition is no longer local, but world- wide. INTRODUCTION. 5 LAND ONCE NEW AND FERTILE, NOW OLD AND IM- POVERISHED. Consider, in the next place, the land. When it was new, bone and muscle, vigorously exercised, were enough to insure an abundant harvest. Whatever was planted grew without stint ; nor were there a thou- sand pests to destroy the fruits of the earth. The Ameri- can farmer, then, had little occasion for chemistry, geology, botany, entomology, engineering, to secure im- mediate and satisfactory results. As the remote result, however, of the stupid agriculture of the past, the pres- ent generation inherits vast tracts of impoverished, unproductive soil. It may be found everywhere, from the Atlantic seaboard to the Mississippi, from the Lakes to the Gulf. But little of the land which has been cul- tivate;! for two generations, now yields as well as it did forty years ago. Much of it, indeed, is returning to a state of nature. The work of exhaustion still goes on. What is to check it ? for it must be checked. What is to restore the land already impoverished? for it must be restored. No American farmer should consent to go into the market witli wheat, corn, butter, cheese, mutton, beef, cotton, which h:ive cost him more than the same things have cost his competitors. But he must do this, unless he puts into his work something more than bone and muscle, something more than the equally stupid energy i* 6 TECHNICAL EDUCATION. of reapers and steani-plouglis. There must be labor, indeed, but no wasted labor. That there may be no waste, the labor must always harmonize with the invisi- ble forces of Nature, those sleepless, ever-active giants with whom it is easy to work, against whom it is im- possible for the farmer to achieve any thing. It is edu- cated mind, working through bone and muscle and machinery, which is to restore the impoverished lands, and keep them at their highest point of profitable production, whatever that may be. In England that point is, for wheat, about twenty-seven bushels to the acre. Here, then, is a second particular diminished pro- ductiveness of much of the soil in which a decided change has come over the life of many American laborers. MANUFACTURES NO LONGER FEW AND RUDE. In the third place, the demands upon the American artisan have increased wonderfully. Fifty years ago it was a very limited variety of products required at his hands : to-day the variety is almost infinite, ranging from a tenpenny nail to an ocean steamship ; from a pair of spectacles to a telescope for exploring the most distant nebulae. But the change is not indicated alone by a wonderful increase in the variety of the manufactures. Haw material and bone and muscle constitute a much INTRODUCTION. 7 smaller part of their value ; while skill and taste count for vastly more than they did when the ^shoemaker boarded around as well as the schoolmaster, and made the shoes and boots for the neighborhood. The house, and the furniture put into it, must have more of ele- gance and comfort. The fabrics of the loom must be more beautiful in design, and must show a higher finish, than in the days of homespun. More graceful forms must issue from the founderies, glass-works, potteries, and quarries. The ship must have a better model ; and its workmanship must be finer in every part. In- deed, though the work of the American artisan is, as a whole, far behind that of some other portions of the world, yet there has been decided progress not only in the variety, but in the quality, of the products. The progress in taste is largely attributable to the importation of foreign designs and designers. It may, however, be said generally, that the progress in Ameri- can manufactures is due to individual effort and to the subdivision of labor. There has certainly been no united, systematic effort to produce skilled workmen, except so far as the literary education of the public schools has indirectly contributed to such a result. This indirect contribution has not been a slight one, however. The subdivision of labor has enabled the workman to learn one part of his business more thor- 8 TECHNICAL EDUCATION. oughly by remaining ignorant of all the other parts. He has thus become a more dexterous workman in a limited field, but not, necessarily, a more skilful work- man ; that is, he knows no more, necessarily, but less, perhaps, about the underlying principles of his busi- ness, than he did when he served an apprenticeship, and got some knowledge of all parts of his business. It is essential, then, that the American artisan re- ceive a much better technical education than present opportunities permit. It is essential for him, individu- ally, that he may hold his own with his fellows ; it is essential for the capitalist who employs him, that he may hold his own in the market of the world : and so it is essential for the common welfare. It is only the skilled labor of the multitude -which will suffice. It is not enough that there be a few men highly qualified for their work ; it is not enough that there be intelligent direction ; it is not enough that the artist work under the same roof with the artisan : director, artist, and artisan should be, as far as possible, united in the same person. The less the artisan resembles a machine, the better and cheaper will be the products of his labor. All this will be placed beyond question by the unim- peachable evidence which will be given in subsequent pages. It will be seen that it is not the pauper labor, but the educated labor, of Europe, like that seen in INTRODUCTION. 9 Creuzot, France, which America has good reason to fear. It will be seen that the cheapest of all labor is skilled labor, such as every State may secure by prop- erly educating her citizens. Here, then, is a third particular multiplied and improved manufactures in which a decided change has come over the life of a large class of American laborers. DECAY OF APPRENTICESHIP. In the fourth place, apprenticeship has become almost wholly a thing of the past in America, and largely so in Europe. Yet there never was a more urgent demand for skilled workmen. This decay of apprenticeship is mainly due to the subdivision of labor which is now observed in the manu- facture of nearly all things, from pins to locomotives, because it is found to } r ield the best results. The use of machinery, the character of which is often such as to put an end to small enterprises, has promoted this subdivision by accumulating workmen in large groups. The begin- ner, confining himself to one department, is soon able to earn wages. This gratifies both himself and his par- ents ; and so he usually continues- as he began. If, however, he wishes to become a master of his trade, and the employer agrees to instruct thoroughly, the latter is often tempted to keep his apprentice at work an undue time in the department he may have first well learned, 10 TECHNICAL EDUCATION. and in which his labor is, consequently, profitable. If the employer does not yield to this temptation, then who is there to give the apprentice proper instruction, seeing that so many workmen usually work by the piece, and cannot afford to spend any time in the instruction of others ? Nobody. Thus it happens that the begin- ner usually confines himself to one department, and is only anxious to receive wages as soon as possible. While this is to the present advantage of employer and employed, it is to the ultimate disadvantage of both ; for it is found that the workman who knows all the departments of his trade knows the theory as well as the practice will always do better work in any par- ticular department he may devote himself to. Again : the workman who can do but one thing, or rather one part of one thing, has little chance for promotion. ITe also finds himself helpless, when, at some unfortunate turn, his limited specialty fails him ; and there is more frequently an excess of workmen in a subdivision of any industry than an excess in the industry as a whole. Furthermore, the use of machinery, instead of dimin- ishing, rather increases, the artisan's need of thoroughly understanding his trade : unless he does, he cannot make the most of about the only chance (an increase of daily wages) which he now has for bettering his condition. Machinery having rendered individual enterprises so INTRODUCTION. 11 expensive, the artisan has, in most cases, little chance of ever becoming his own master. Twenty-five years ago, when there were, for example, more daily papers in Bos- ton than now, and more shoe-manufacturing employers in New England, the industrious, frugal artisan working for wages had a reasonable hope that he might some day become an employer himself. That hope, as a stimu- lating, lifting power, must have been wonderfully produc- tive of good. But what, in any department of industry, is there now to lift the workman, to stimulate him to greater exertion ? Virtually, nothing but a prospective increase of his per diem by doing more and better work, and by a merited promotion to some one of the many subordinate places of oversight and trust. He should, therefore, be provided with every means for improv- ing himself as a workman, and qualifying himself for promotion. Apprenticeship having essentially departed never to return in its ancient form, something else must take its place in America, as its place has already been largely taken in Europe by special schools, and give the American artisan that technical instruction which he must have, or perish. Here, then, is a fourth particular the decay of apprenticeship in which a decided change has come over the life of a large class of American laborers. LABOR, RUDE, DEXTEROUS, SKILLED. It is thus 12 TECHNICAL EDUCATION. seen, from the four particulars enumerated, that the times have decidedly changed for the American laborer; that it is now of the utmost moment for him, whatever his work, to be skilled in the full sense of the word; and that he cannot become thus skilled without instruc- tion having such an object in view. But what is skilled labor and its value ? All manual labor maybe divided into rude, dexterous, and skilled labor. The first requires only, or mainly, the strength and patience of the stupid plodder. The second requires nice finish, and celerity of execution : but the work is all done by "rule of thumb ; " that is, in ignorance of principles. Subdivision of labor is spe- cially favorable to the production of dexterous workman. The third requires both dexterity, and a knowledge of underlying principles. It is theory and practice united; and it enables the workman to adapt himself to new conditions, and always to do the best thing in an emer- gency, to improve old methods of work, or devise new ones. It may be said, in general, that, while the rude laborer earns one dollar, the dexterous laborer will earn two dollars, the skilled laborer three dollars; all working with their hands. In some varieties of labor, the differ- ence is much greater than this. For the rude laborer there is no hope of promotion ; for the merely dexterous laborer the prospect is limited : INTRODUCTION. 13 but the skilled laborer, master of his business in theory and practice, may count surely upon advancement. In dull times the skilled laborer is the last to be dis- charged ; yet he is the one who has savings to rely upon, the one who can most readily adapt himself to a new occupation. 1*here are but few kinds of labor, giving employment to comparatively few persons, which require only the rude strength of the steady plodder. Such stupid drudgery is the exception ; while labor requiring a greater or less degree of skill is the law. Frequently, indeed, labor is degraded to drudgery by reason of the stupidity with which it is performed. It may, therefore, be justly said, that almost every laborer should possess skill ; the more skill the better. Even in sawing wood, spading earth, tending a cotton-picker, there is a phi- losophy, a best way to proceed, which the intelligent, but not the stupid, laborer is sure to discover and to follow. POPULAR EDUCATION. But there can be no such general diffusion of skill among laborers, without a popular education beginning in the primary school, and having that for one of its objects. Hence it is quite time American schools, instead of longer proceeding much as they did forty years ago, recognized the change in the social situation; quite time they were so modified as, 14 TECHNICAL EDUCATION. by direct intention, to educate the pupils more for skilled laborers, farmers, artisans, merchants, manufacturers than for the literary and professional occupations. When the best possible result of this kind has been secured, there will always be inevitable blockheads enough to do the inevitable drudgery of the world. They who oppose the systematic technical education of workmen, fearful that there will then be none left igno- rant enough for drudges, need not be alarmed. Nor will a little early industrial culture be wasted, even on those who may become theologians or judges ; but rather it will do them good. But how should the popular education be modified ? To-day it may be described as literary, for the use of the head, and not for the us"e of the hands. Preserving its general character of fifty years ago, it does not bear directly upon the leading pursuits of the people. In the organization of many schools, and in the methods of instruction, there has been great change; but there has been very little change in the things taught, though a large increase in the quantity. The text-books for reading, spelling, arithmetic, grammar, geography, writ- ing, have grown in number and size ; and much more time is devoted to each of these studies. Indeed, in nearly all the public schools of the land they occupy five-sixths of the pupil's time. Could the school-year INTRODUCTION. 15 be doubled in length, twice as much time as now would be given to the studies enumerated, if the educational spirit of the past, which is, in the main, the American educational spirit of the present, continued to control the schools, as it does now control them with few ex- ceptions. It would be more arithmetic, more geogra- phy, more grammar, more spelling, with no fundamental change of character. There is, however, a growing tendency to modify American popular education, and to bring it into har- mony with the age and the manifest demands of labor. What has already been well done in some parts of Eu- rope, and what the other parts (notably England, so thoroughly alarmed by the International Exhibitions, beginning with the one in London in 1852) are making such zealous efforts to do, will doubtless soon be regard- ed by all Americans as, in the main, the proper thing for the technical education of American labor. It is with this technical education that European govern- ments are just now specially concerning themselves ; and it is with the same thing that they who have the shaping of popular education in America must specially concern themselves during the next twenty-five years. In the present public-school system, with its strong literary features, they have a broad and excellent foun- dation upon which to build. No amount of instruction 16 TECHNICAL EDUCATION. in science and art can fully compensate for lack of literary training, even when industrial results alone are sought. NATURAL SCIENCE A PART OF POPULAR EDUCA- TION. This harmony between education and the de- mands of the age requires that the natural sciences, like chemistry, botany, physiology, which bear di- rectly upon great industries, and otherwise tend to promote the common welfare, should form a distinguish- ing feature in popular education, should be added to the present literary curriculum of the American public- school. The whole people should not only be ni;ior to all who are willing to avail themselves of the opportunity placed within their reach, whilst teaching them, at the same time, early habits of discipline and order, arc incontestable." With his reply, Lord Howard de Walden sent an elaborate report on industrial education in Belgium made by the minister of the interior in 1867. This re- port gives an account of a large number of local techni- cal schools. Of the good influence of the one at Soig- neis, specially designed for workers in stone quarries, and in which great attention is paid to drawing, the minister says : " The school has a good influence upon the working-class, and upon the industry of the town of Soigncis and the neighborhood. It provides this industry with efficient powers and skilled workmen, who work the stone with taste, and execute the most complicated work, and, above all, remarkable carvings, which the owners of the quarries could hardly undertake before, or which they were obliged VALUE OF TECHNICAL INSTRUCTION. 89 to have executed elsewhere. On the other hand, it provides the pu- pils with knowledge which enables them to improve their condition considerably. It also acts favorably on their morality, giving them a taste for study, and ideas of order and providence which contrib- ute to the spread of well-being and competency in families." TESTIMONY OF MR. SAMUELSON. Mr. Bernhard Samuelson, member of parliament, hav- ing made a tour of observation, wrote a letter, Nov. 16, 1867, on the industrial progress, and the education of the industrial classes, in France, Switzerland, Germany, &c. This letter, addressed to the vice-president of the Committee of Council for Education in Great Britain, was ordered by the House of Commons to be printed. Of woollen manufactures Mr. Samuelson says : " In contrasting what I saw at Leeds and the older seats of the woollen manufacture with the worsted spinning and weaving facto- ries at Bradford, I had no difficulty in comprehending how it happens that Continental competition is being far more seriously felt in the former than in the latter department of the woollen trade. In the woollen manufacture proper, every thing has stiffened into tradition and routine. The most enlightened and enterprising manufacturers are discouraged by the passive resistance of their old-fashioned over- lookers and other 'leading hands.' Even in those cases where improved machinery is introduced, it is not used to the utmost advantage. One result is, that the spinners and manufacturers of Belgium are exporting woollen yarns and cloths, valued at nearly two million pounds, annually to this country, produced from wools, 8* 90 TECHNICAL EDUCATION. a great portion of which are first imported from our colonies and transatlantic countries, into London, and shipped thence to Ant- werp. I was told by the president of the Leeds Chamber of Com- merce that the discouragement arising from these conditions is so great, that the more enterprising young men refuse to engage in tho woollen manufacture, and enter one or other of the numerous branches of industry which have recently sprung up in Leeds, and to which the maintenance of its prosperity is principally due. " It is not surprising, under these circumstances, that the manu- facturers of Leeds, through their Chamber of Commerce, should urge the necessity of giving a more free and scientific training to its rising generation. " At Bradford all is different. The worsted manufacture, a com- paratively young trade, is carried on with the newest appliances, in, factories admirably designed, by master manufacturers of unsur- passed energy, and a working population free from the prejudices which, amongst ignorant people, are the unavoidable accompani- ment of routine." Of the good influence of art instruction on lace manu- factures Mr. Samuelson observes : " To the general depression of the Nottingham lace-trade the manufacture of lace curtains forms an exception. To this branch, the admirable local school of art, the erection and fittings of which cost nearly eight thousand pounds, has rendered the greatest ser- vice. I saw some beautiful designs by pupils of the school, which were being executed in one of the factories ; and I have been in- formed that the English patterns in this branch are preferred to those of France, not only in England, but in the markets of tlie world." VALUE OF TECHNICAL INSTRUCTION. 91 The following, from Mr. Samuelson, illustrates how rude labor may be supplanted by machinery, the pro- duct of skilled labor: " Apart from their general interest, the works of the Isthmus of Suez Canal (the beautiful drawings and models of which at- tracted so much attention in thQ Champ-de-Mars) afford an in- stance, which I cannot omit to notice, of the resources of French mechanical engineering. It will be remembered that the progress of this great undertaking was arrested about five years ago by the prohibition, on the part of the Porte, of forced labor. The contrac- tors, finding themselves deprived of some eighteen thousand work- people, at once reconsidered their plans, and proposed to substitute special steam-machinery of an entirely original character for the manual labor previously employed in excavating and embanking the main and fresh water canals and the entrance from the Medi- terranean. Nearly the whole of that machinery, costing several millions sterling, was executed in France, about six hundred thou- sand pounds' worth by Messieurs Gouin and Company of Paris. Within twelve months from the receipt of the order, these gentlemen prepared the plans of the dredges, barges, cranes, &c., and delivered and erected at Port Said a sufficient quantity of the material to commence the works ; and within three years the whole of this enormous plant was completed, and in satisfactory operation. Mon- sieur Gouin is a pupil of the Polytechnic School ; and Monsieur Lavallee, the contractor, to whose talent and energy the conception of these tools, and the resumption of the works, is due, a pupil of his late father at the Ecole Centrale." Mr. Sanmelson thus describes the wonderful results 92 TECHNICAL EDUCATION. which have been achieved at Creuzot, France, by the technical education of the workmen and by perfect organization : "The works were founded in 1781, and dragged on a precarious existence until they were purchased by Messieurs Schneider, in 1836, after having been abandoned for several years. They are still the property of Monsieur Henry Schneider (president of the Corps Legislatif), of his son, and a small number of other partners, with limited liability. When they passed into the hands of Messieurs Schneider, sixty thousand tons of coal were raised, and four thou- sand tons of iron produced annually ; and there were no traces of the vast mechanical workshops whose magnificent products formed so remarkable a feature of the late Paris Exhibition. " The works now cover three hundred acres ; the workshops and forges, fifty acres ; and the mines yield annually two hundred and fifty thousand tons of coal, and three hundred thousand tons of iron ore : three hundred thousand tons of coal, and about a hundred and twenty thousand tons of ores, are purchased. The iron-works produce more than a hundred thousand tons of iron, besides ma- chinery, locomotive and marine, iron bridges and viaducts, and even iron gun-boats and river-steamers, of an average yearly value of six hundred thousand pounds. The pay-sheets return nine thou- sand nine hundred and fifty work-people, and wages amounting to three hundred and seventy thousand pounds per annum ; and the steam-engines are equal to a duty of nearly ten thousand horse-power. These marvellous works have therefore been virtually created in thirty years ; and, in fact, the well-built, well-paved town of Creuzot, with its churches, its schools, its markets, its gas and water works, and its handsome public walks, inhabited by nearly twenty-four VALUE OF TECHNICAL INSTRUCTION. 93 thousand well-fed and decently-clad people, has taken the place of the wretched pit village of two thousand seven hundred inhabitants of 1836. There is no overcrowding ; the space in the dwelling- houses averaging one thousand one hundred cubic feet per head of the population. Notwithstanding his public duties, Monsieur Schneider retains the chief direction of the works. During the ses- sion of the chamber, the immediate management on the spot is in the hands of his son ; but, in the recess, he resides at Creuzot. After having conducted me for several hours through these vast works, Monsieur Schneider returned to his office to complete and despatch his correspondence, and debate the most minute economical points, items of cost, and rates of carriage, with the heads of departments; showing himself, as he expressed it, ' industrid jusqu'au bout des- onc/les.' He will forgive me for entering into these personal details. They are interesting to France and to England, more especially to England, where high political duties are still deemed almost incom- patible with an active industrial career. "To describe the works in detail would carry me beyond the limits of this Report. I saw no new mechanical contrivances. The best English designs were followed; but no appliances for pro- ducing perfect work, or for economizing the cost of production, have been omitted ; and the new forge contained under a single roof (a thousand three hundred feet in length and three hundred and ten feet in breadth) is probably unequalled in the world. A very large proportion of the personnel of every rank in this great establishment was born and has been trained on the spot ; and the possibility of thus forming highly-skilled workmen, competent en- gineers and accountants, is due, in a great measure, to a system of education, dating back as far as 1841, which, though it is mod- estly styled elementary, is far more advanced and 'special' than 94 TECHNICAL EDUCATION. the terra implies. The course not necessarily followed through- out by all, but open to all of sufficient capacity extends over nine years, and includes advanced instruction in French literature, his- tory, geography, natural philosophy, the chemistry of metals, al- gebra, geometry, mechanical and freehand drawing, and modelling. The more promising boys are sent to the secondary and higher technical schools ; and many a Creuzot laborer's son may be found, who, having passed through the Ecole des Arts et Metiers, at Aix, has returned to fill a responsible position in the technical manage- ment. The other boys are drafted from the school into the works, and placed there strictly according to the capacity which they have shown at school ; some as simple workmen, others as accountants or as draughtsmen. Education is not compulsory ; but no Creuzot boy is admitted into the works who cannot read and write, and none who has been turned out of school for misbehavior. " No doubt many of the boys, as they grow -up, unlearn much of what they have accquired. It is not in one generation that the most strenuous efforts in favor of education can be expected to bear ripe fruit ; but a proof that they are not illusory as to the nia-s may !>e found in the fact, that whereas, amongst those employed at Creuzot, but coining from the villages or from a distance, thirty-one per cent of the conscripts, on the average of the last six years, were illiterate, only nine per cent of those born or brought up in the town were unable to read and write. There are adult classes, less as a cor- rective of deficient elementary instruction than as a help to those who wish to carry their studies beyond that of the school. They are held on Tuesday, Friday, and Sunday, and included, at the out- set, reading, writing, arithmetic, geometry, natural philosophy, chemistry, geography, history, linear and freehand drawing, and music; but, of late years, sin of the heads of departments, pupils VALUE OF TECHNICAL INSTRUCTION. 95 of the Ecole des Arts and Metiers, have been appointed to teach special classes, bearing directly on the occupations of the workmen, and including, as one of the most important, a complete course of machine drawing. Though the proportion of adult pupils here, as elsewhere, is small, five per cent of the whole number of work- men, the result is, that Monsieur Schneider, in walking through the sheds where several pairs of marine engines were being erected, was able to inform me that there was not a man amongst the mechanics employed in that department who could not make an accurate drawing of the work on which he was engaged. " What this signifies and is worth, a mechanic alone can fully ap- preciate. Of the two hundred and sixty-eight superior engineers, managers, book-keepers, c., a hundred and twenty-seven, or nearly one-half, were educated at Creuzot ; five were pupils of the Ecole Centrale ; five, of the Imperial Mining School ; twenty, of the three Ecoles des Arts and Metiers ; two, of the Ecole la Martiniere at Lyons; a hundred and four from various schools. Most of the latter, however, were of middle age, and entered Creuzot when its present system was still in process of creation. The schools which were opened in 1841 with ninety-one children contained 4,065 in 1866, of whom 2,219 were boys; the entire number of children in Creuzot between the ages of five and fifteen being '4,638 at the same period. There are eleven schoolmasters, under a chief director, in the boys' schools ; and the girls are taught by eleven soeurs. The school-fees are seven pence per month for the chil- dren of persons employed in the works, and fourteen pence for those of strangers. Wages, though they have increased about one-half during the last twenty years, are still low compared with those to which we are accustomed. They amount, on the average of the entire establishment, to 2s. IQd. per day, including the unskilled 96 TECHNICAL EDUCATION. laborers and boys. The average wages of those employed at the mines and coal-pits are 2s. 8d. ; at the forges, 3s. ; at the blast-fur- naces, 2s. 3d. ; and in the workshops, 2s. 3d. : but the more highly skilled mechanics will earn as much as 6s. 6d., and the puddlers from 6s. to 9s. &d. per day. The lowest wages of the latter, accord- ing to a pay-sheet exhibited in the forge at the time of my visit, were 5s. Gd. ; and it is worthy of observation, that whilst, in nearly every other department, the working-staff is recruited amongst the children of the work-people, they are averse to the rude task of the puddling furnaces, in spite of the attraction of high pay : so that in this branch the labor is imported generally from the surrounding villages ; boys being taken into the forge at the ages of sixteen and seventeen, when their frames are approaching maturity. But the tendency of modern improvements is to substitute mechanical and chemical processes for such work as that of .puddling ; and it will probably not be long before it is superseded. Meanwhile, the em- ployment of children of tender years during the night is almost en- tirely dispensed with. Girls under seventeen are never admitted. Women do not work below the surface, as they do in Belgium ; and the few females in the works, only four per cent of the whole, are employed in the light day-work of dressing ores, and similar occupa- tions. Boys scarcely ever enter the works before fourteen. Every person is paid immediately by the proprietors, and nearly all l>y the piece or the ton. The ruinous system of contracts with middlemen, pursued in our iron works, is unknown. There are no "butties," no forge contractors earning their two pounds per day, no " under- hands " paid by puddlers : the humblest laborer comes into personal contact with the managers ; and his work is appraised by men of education, and paid for according to its relative value. Tables showing the actual daily earnings of every man are suspended in VALUE OF TECHNICAL INSTRUCTION. 97 the workshops of the several departments, so as to be open to the inspection, and to stimulate the emulation, of all. " In reference to the moral condition of the population, I will simply state, that, during fifteen years, the entire number of serious felonies in the town of Creuzot was twenty-three ; but of these only nine would have been felonies according to our law. The number of misdemeanors was about forty annually ; but many of these would not have constituted breaches of the law with us : amongst others, I may mention simple bankruptcy, maiming to escape mili- tary service, and abusive language. I was told that three policemen form the entire preventive force. Drunkenness is rare. I certainly did not observe a single case during my visit." TESTIMONY OF ENGLISH ARTISANS. Through the efforts of the English Council of the Society of Arts, sufficient money was secured, mainly by private subscription, to send more than eighty skilled workmen, representing almost as many indus- tries, to study the Paris Exhibition, 1867, and to visit different parts of France for the examination of various workshops and manufacturing establishments. Each workman, upon his return, was required to furnish, and did furnish, a written report giving the result of his ob- servations. To most of them report-writing was a novel labor; but their reports, compactly filling a vol- ume of some seven hundred pages, form one of the most valuable contributions to the industrial literature of the day. 98 TECHNICAL EDUCATION. Mr. Thomas Connolly, stone-mason, says : " It is impossible to estimate the loss which is entailed upon England through the neglect of art culture in every department of our industry. Through it we are reduced to mere hewers of wood and drawers of water for other nations. The bulk of onr able- bodied population is engaged in manufacturing goods to be sold cheap, or in producing raw materials for other people to work; while the more delicate portion have to subsist on their earnings for want of employments suitable to their strength. The streets of London and our large towns are torn up with heavy traffic, which is scarcely perceptible in Paris ; for, if a ton of iron enters there (for which we may get less than a pound), they are sure to put a hun- dred pounds' worth of labor on it before it leaves their hands. . . . " When a stone has to be worked to a mould, or fitted to a square or a straight-edge, no man can do it- more workmanlike, or to a greater perfection, than an English mason ; but, when the hands have to realize the imagination, the Frenchman's familiarity with art, and his early training in its principles, enable him to outstrip us ; and, as every building in Paris is more or less decorated with carving, you are at a loss to know how they get all their art work- men. But the difficulty would not appear so much, if you could read the large placards, in French, which are posted up at the ends of the bridges and other public places, informing workmen where they can be taught drawing and modelling every evening free of expense. That he outstrips the Englishman in this respect does not, I feel certain, arise from the possession of an especial art genius, but because whatever of it is in him is fully developed, and encouragement is given to its practice ; and, if English workmen are behind in this respect, it is not because art genius is deficient in our VALUE OF TECHNICAL INSTRUCTION. 99 nature, but because it is not developed and encouraged sufficient- ly. . " The French Exhibition has shown us that England is far behind in art manufacture; so that any suggestion for our im- provement is worth considering. I believe the superiority of the French is owing to their education, and study of their business, both in and out of the workshop, to a greater extent than Englishmen." Mr. W. T. Swene, practical superintendent of glass- works, Birmingham, says : " But I cannot refrain from once more pointing out the necessity that exists for art teaching; for we not only want skilled designers, but we want, in a greater degree, a knowledge of art on the part of our workmen. For how can a glass-blower who cannot draw the most simple curve be expected to have a correct eye for form, and true judgment in the proportions of the articles he is called upon to make? Or the glass-cutter similarly situated, how can he be expected to combine his decorations so as to improve, and not to spoil, the forms put into his hands ? In the most important point, we may readily receive a great lesson from the Continental workers, who, while improving in a great degree in the quality and execution of their work, never lose sight of the importance of combining industrial skill with the application of art knowledge." Mr. Benjamin Lucraft, chair-maker, says : " Not so with chairs of an artistic character : the lines arc only a guide up to a certain point; and, from that point, the mere workman stands not the slightest chance with the workman of a cultivated 100 TECHNICAL EDUCATION. taste. The art workman of Franco has a great advantage over us in England. In Paris they are surrounded hy works of that kind, which none but the most obtuse can long remain uninfluenced by. Their museums and palaces are centra], and most numerous: their decorations and furniture are of the highest order, and nearly always open to the people. Even the Palace of Versailles, with its beautiful Louis Quatorze decorations, can be reached by rail as readily as I can reach South Kensington from my house at Isling- ton. I mention these advantages the French enjoy, to show, to those who think climate and our plodding race have something to do with our want of taste, that there are other causes." Mr. James Mackie, wood-carver, says : " Our great want is good designs, something that shall not be an unmeaning jumble, a more intelligent direction in carrying them out, a liberal use of thoroughly modelled works to be repro- duced in the wood ; and not till then shall we have a chance of reaching the goal side by side with other nations." Mr. K. Baker, wood-carver, says : " In comparison with the French, the English can-ing is tame and spiritless. The French workman seems imbued with a true love of his art, and executes it with a warmth of feeling which gives it life and sentiment ; and this gives his work its superiority. If we examine attentively a portion of French work, we find the main object of the carver is to give his work spirit and expression. Take a rose, for instance : it expresses all the characteristics of a rose : the form, the life, and even the color, is there substituted ; and yet it VALUE OF TECHNICAL INSTRUCTION. 101 is not the exact copy of the form of a rose, for, if it /(- tific gymnasia, was of an order high enough to enable those who had received it entire to enter the polytechnic institutes. "But the difference in the origin and preparation of the pupils of these schools opposed a serious obstacle to the progress of the teaching ; and it was likewise ascertained, that, if the pupils who entered polytechnic institutes from the literary gymnasia appeared at first inferior to the others for scientific studies, they generally, at a later period, attained the superiority over those from the scientific gymnasia. The pupils from these last-named establishments were also open to the reproach of not possessing sufficient literary in- struction, of being unable to express their thoughts in a clear and elegant style, and of being commonplace both in thought and Ian- IMPOETANCE OF VARIED EDUCATION. 121 guage. Five years since, the Bavarian Council of Bridges and Roads had decided on admitting into the body of government engi- neers none but those, who, before entering the Polytechnic School, had followed the complete course of the literary gymnasia. The Administration of Mines had also constantly required the same qualifications. "One of the distinguished men, who, for many years past, have studied this important question, has explained the change which had come over his ideas on this matter. Being a devoted friend and successful cultivator of the sciences, he was persuaded that their study, the habit of following their methods of explaining and of applying their results, was calculated, as well as the culture of let- ters, to develop the intelligence, and form the habit of clearly expressing thought in good language, at the same time that it was capable of giving a higher tone to mind. While professing chem- istry, physics, and iiatural history in one of the first trade schools of the kingdom, he had strenuously supported this opinion, which greatly contributed to procuring him the appointment of professor in the Munich Polytechnic Institute, still retaining his chair in the trade school. In the first-named establishment he had to deal with pupils from the trade school or scientific gymnasium, and also with those from the literary gymnasium. But he soon made the discov- ery, that, though the pupils trained to scientific studies appear at first most competent to follow out their applications, those who come from the literary gymnasia, after completing their studies there, were not long ere they surpassed the others. This personal experience, after long and conscientious observation, won over this eminent professor to the opinion that the culture of letters gives the mind a clearness of conception and expression most favorable to the study of the sciences. 11 122 TECHNICAL EDUCATION. " The experience of the military schools at Metz and Saint-Cyr in France has long since shown that the pupils who have been so fortunate as to combine advanced literary acquirements with the study of the sciences are nearly always those who attain most dis- tinction in after-life. " The result of the criticism and discussion to which the old sys- tem gave rise is cmlHxlied in the new system, which makes the trade schools (Gewerbe Schu/.en) a continuation of the primary schools, to prepare pupils for the schools of agriculture, commerce, and ordi- nary industry. By the side of the literary gymnasia for classical studies, there are now practical gymnasia (Real Gymnasien), which impart a literary and scientific instruction sufficient for pupils who intend to enter the polytechnic institutes. This svstem is almost identical with that adopted in France in 1852, chiefly with a view to the literary instruction of youth destined for -the public services, with this fundamental and advantageous difference, however, that, in Bavaria, the two kinds of establishments are separated instead of being united. " Under the present system, the establishments for technical edu- cation are divided into, "1. Industrial or trade schools (Gewerbe Schulen), to which, ac- cording to local requirements, may be annexed special divisions for commerce, agriculture, &c. "2. Practical gymnasia. "3. A polytechnic school, comprising four special divisions, for constructions, technical mechanics, technical chemistry, and commerce." Mr. Samuelson says, in the letter quoted from in the last chapter : IMPORTANCE OF VARIED EDUCATION. 123 "I was told by several competent observers, that, although the Real Schule or the Gewerbe Schule may be a more preferable introduc- tion to the factory and the merchant's office than the gymna'sium (and even this is denied by some), the superior mental training of the gymnasium far more than compensates for the greater amount of ' knowledge ' supposed to be acquired in the former as a prepara- tion for the polytechnic school ; and this applies even in a greater degree to the Geiverbe Schule, in which the technical instruction is more special, than to the Real Schule, where it is more general. However this may be, and it affords matter for reflection, in the or- ganization of our own public schools, it is certain that the neglect of literary instruction in the Gewerbe Schulen, as now organized, tends to deprive their pupils of the breadth of cultivation which is the distinctive characteristic of the Germans." The Ecole Centrale des Arts et Manufactures, France, is probably the most celebrated school of the applied sciences in the world. From the two thousand young men who have left this school have come many of the most distinguished manufacturers and engineers. In their first prospectus the founders of this school said, " All the subjects really form only one and the same course : industrial science is one. Every one engaged in any branch should possess it in its entirety, under pain of inferiority to the competitor who is better armed in the struggle than himself. 7 ' MANUAL LABOR. The following extract is from the evidence of M. 124 TECHNICAL EDUCATION. Margucrin, director of the Turgot Municipal School, Paris, taken by the French Imperial Commission : " M. Marguerin is not of opinion that the introduction of man- ual labor into technical schools would be productive of any practical benefit. He considers that one of the great advantages of the sys- tem of education established at the Turgot and other schools of the same description is, that the pupil has completed all his more impor- tant studies before he is too old to enter upon his apprenticeship. In order that the pupil might undergo a course of manual labor at school, he would be compelled to sacrifice some of the more impor- tant branches of general education, which the teacher finds to be so useful in the training of his pupils. It is a common argument to refer to the professional school at Mulhouse ; but it must be borne in mind that the manual labor at that school is confined to two hours of joiners' work in the week, and that this labor is considered more as an athletic exercise than as a preparation for apprenticeship ; also that the mechanical workshop, the chemical laboratory, the school of design, and the weaving workshop, which form a part of the Mulhouse school, only take in pupils after they have received several years of general instruction. . . . " In summing up what he has to say upon the subject, M. Mar- guerin repeats his objections to the introduction of manual labor into schools. In the first place, he believes that the expense of pro- viding teachers and tools for instruction in so many branches of trade and manufacture would form a serious consideration ; secondly, that the schools are not likely to reap any profit from the sale of the manufactured article, as it can scarcely be supposed that in this they can compete with well-trained and skilled artisans." IMPORTANCE OF VAKIED EDUCATION. 125 M. Pompee, founder and proprietor of the professional school at Ivry, is reported as saying in his evidence before the French Imperial Commission : " For instruction in manual labor time is wanting : it is impossi- ble to select from the subjects now taught any one which could be sacrificed to it. If, indeed, time could be found without injuring the training in elementary schools, what kind of manual labor should be chosen ? Should it be the plane, the file, the chisel, or the shut- tle ? And where would be room for the bench, the lathe, the anvil, or the loom 1 Where can be found a master capable of teaching the use of these tools, and of many others ? It is true, in case of necessity, the use of the spade and the rake might be introduced into rural schools ; but at that age it could serve rather as an athletic exercise than as a profitable training. It would be far better to devote the time to the acquirement of the elements of natural science, chemistry, or mechanics, which, as agriculturists, the children could apply in after-life. Of course, the use of the needle should not be neglected in girls' schools, because, whatever their position, all women should become seamstresses for their own families. Another strong objection to the introduction of manual labor into schools would be its great cost; the necessary enlargement of the school, the tools and machines (to be renewed with every improvement), the raw material (for which, when unskilfully manufactured, there would be no sale), wou'd be sources of enormous expense. In one w->rd, M. I'ompce sums up, manual labor out of the workshop is nothing but a pastime." In the examination of Messrs. Gaumont and Guemied, editors of " The Journal of Professional Education/ 7 by the French Imperial Commission, they said : 11* 126 TECHNICAL EDUCATION. " It is often objected, that, by reason of the great varieties of opera- tions in manual labor, it would be hopeless to find an individual en- dowed with an aptitude or sufficient flexibility of the organs to learn them all. But, according to the ideas of M. Gaumont and the gentle- men who think with him, the processes of all manufacturing industries can be reduced to a certain small number of identical manual opera- tions. Thus the processes and tools employed in working in metals have many analogies with those used in working in wood : for example, whether a workman turns in metal or in wood ; whether he turns by the aid of the bow, of the foot, or of a machine moved by steam-power, the operation reduces itself to nearly the same method of manipulation. So in fitting, it always depends on a correct eye and manual skill ; and the individual who can fit a piece of iron by means of the file will soon fit a piece of wood with the aid of plane and chisel. Thus both in technical and apprentice schools can be taught the fundamental manual operations which are employed in all manufactures. Turning and fitting would form the practical portion of the instruction, geometry and linear drawing the theoretical part, and the elements of general technology the higher and finishing part. "If we consider manual labor merely as a means of instruction, it will still find a place in the technical school. A knowledge of manipulation is required in the chemical art : why should it be other- wise in a knowledge of the construction of machines and buildings? It is only possible to teach by four methods : 1st, Oral explanation given by the teacher ; 2d, Written explanation taken from books; 3d, Graphic explanation rendered by drawing ; and, 4th, Practical explanation obtained from execution. Up to the present time, only the first three methods of demonstration have been employed, and nothing but theorists produced : the moment that it is desired to IMPORTANCE OF VAEIED EDUCATION. 127 train practical men, the fourth method will be added, and technical instruction will have been founded. Every technical school must admit into its course the manual labor of the workshop and of the laboratory: that is its distinctive characteristic, the cause of its existence. This principle admitted on general grounds, it becomes still more incontestable when applied to special industries. Machine manufacture, building, dyeing, weaving, &c., require not only a knowledge of applied science, but also a practical acquaintance with manual operations. Thus, by the side of industrial schools with general programmes, there must exist special schools for particular trades, established, like the first, to train managers and foremen ; then, for a lower class, apprentice schools, and public courses of lectures for workmen, whether apprentices or adults." The French Commission report M. Maignen, director of a Mission for the Succor of Apprentices, as say- ing: " With regard to school workshops, M. Maignen does not think that they are productive of bench' t. An apprentice can only become a good workman by seeing others at work, and by learning the large processes of manufacture. It is in the motion and life of a large undertaking that the intelligence and ability of a young man de- velops itself, that he comprehends the value of a particular mate- rial, that he learns the manner in which, and the conditions under which, it can be best worked. On the contrary, the young man in a small school workshop is at no pains to be industrious, and never acquires any great degree of skill." M. Bernat, Director of the School of Industrial Arts 128 TECHNICAL EDUCATION. and Mines at Lille, testifies before the same Commis- sion : " The training given in the workshops is intended to accustom the pupils to the working of machines and looms, to give them manual skill, a practical acquaintance with the processes of execu- tion, a knowledge of the difficulties which the raw material opposes to mechanical action, and, finally, to fit them specially for undertaking the charge of workshops and the direction of workmen. By this means, the works executed excite their emulation, and the action of the machines becomes familiar to them ; the whole forming a techni- cal and experimental system of instruction which could be replaced by no other." In his evidence before the French Commission, M. Hossat, Doctor of Science, head master at Charleville, is reported thus : " Altogether, M. Rossat has observed that the practical are in no way injurious to the theoretical studies : on the contrary, in the subjects descriptive geometry and industrial drawing, manual labor seems to stimulate the pupils. Practical work in the shops and labo- ratory occupies two hours a day ; and yet the pupils beg that that time may be extended. Already many of them possess great skill. The shops and all the works are under the direction of a civil engi- neer ; and under him are three foremen, one in the fitting, another in the smith's, and the third in the carpenter's shop. The proceeds of the labor of the pupils, if any, goes towards the maintenance of the workshops. In the fitting-shop, the most skilful pupils are at present occupied in putting together a steam-engine to replace the IMPORTANCE OF VARIED EDUCATION. 129 portable engine which now drives the machinery : others are mak- ing models and parts of machines to be placed in the machinery collection of the museum. The carpenters, of whom there are about thirty, learn the use of the saw, the plane, and the lathe : they make patterns for the iron casters, joiners' work, and carpenters* work, and models for solid geometry. There are fifty smiths engaged at the forge in the repair of tools, &c. ; and in the same shop there are employed a few pupils who are intended for the veterinary schools. Lastly, under the direction of the head master himself, the remain- ing pupils are occupied with manipulations in the laboratory." In his evidence before the French Commission, M. Malet, Professor at the Imperial Artillery School at Douai, says : "Attached to the classes are two apprentice-workshops, one for working in wood, the other for working in iron, each in charge of a director, who is engaged to give in it practical instruction in manual labor. These workshops are situated in an annex of the town hall, which contains the normal school, and the upper pri- mary school. The practice includes, in the one shop, working at the forge, fitting, and turning in metals ; in the other, joining, car- pentry, upholstery, and turning in wood. It is expected, that, in time, these shops will be capable of turning out work which can be sold, and become a source of profit to the institution. The number of pupils is nearly fifty, about equally divided between the shops. Work is carried on every day, except Thursday and Sunday : it begins at half-past five, and. concludes at half-past eight, in the morning." In their account of the Central Imperial School of 130 TECHNICAL EDUCATION. Arts and Manufactures, the French Commission say : "It has been said that the pupils of the school ought to devote a part of their time, like those of the schools of arts and trades, to manual operations ; that they would then become far more capable of managing workshops. It is a mistake to think that intellectual and manual labor can be combined without inconvenience. Ex- perience has proved that they injure each other. It is not abso- lutely necessary to be able to perform every manual operation one's self in order to see that artisans do their work properly ; and it has often been found that he who pays excessive attention to details neglects the general effect. Should it, however, be deemed necessary to initiate a young man in the operations of the workman, let him, on leaving the school, pass a year or two in a good workshop, exe- cuting all kinds of work ; and he will thus learn far better than by practising at school." In their report giving the conclusions at which they had arrived from the evidence taken, the French Com- mission say : "In general, the reproach brought against every school- work- shop is, that it does not realize the necessary industrial advantages; and especially that it does not accustom the pupils to that rapidity of execution which is one of the principal conditions of economical production. These objections are serious ones ; and most of the examples on which they are founded do but too well justify them." CHAPTER IV. SPECIAL SCHOOLS FOR THE INSTRUCTION OF APPRENTICES. WITH the decay of apprenticeship, numerous special schools for the instruction of apprentices have been es- tablished in Europe. These schools are supported in part by local, and in part by State contributions. The service they have rendered to industry cannot be lightly estimated. Such schools can have no uniform organization, since they must be adapted to the industrial wants of each locality. One will be a school for weaving, another for lace-making, another for dyeing, another for watch- making, another for jewellers, another for machinists, another for carpenters, another for ship-builders, and so through the catalogue of industries. Of course, those things which are common to different industries can be taught in the same school. Labor performed under the direction of experienced workmen occupies a good part of the time : the re- 131 132 TECHNICAL EDUCATION. xnainder is given to those studies which have an imme- diate bearing upon the industry taught. It is draw- ing, that, in nearly all of these schools, holds the lead- ing place. When the early education has been sadly neglected, general instruction is sometimes given. Not only can the apprentice be taught more quickly and much better in one of these schools than he can be taught in the workshop, under the present system of labor, but he can be taught much more cheaply. As a general rule, a "green hand" is not regarded as a valuable acquisition to any industrial establishment. Even for such simple work as weaving cotton cloth, there is a perpetual contest among the cotton manufacturers of New England to secure operatives of experience. In- deed, some mills refuse to employ a " green hand " under any circumstances, considering it cheaper, as well as much less vexatious, to employ those only who have have had experience, though obliged to pay them more for the same yards woven. There can be no doubt that it is quite time apprentice-schools were estab- lished at all the manufacturing centres of the country, in imitation of those in Europe. Reference has already been made to the reports of the British artisans sent to the World's Exhibition at Paris. Some of these artisans visited other parts of France. John Gregory and James Stringer, watch- makers, thus describe : SPECIAL SCHOOLS FOB APPRENTICES. 133 MUNICIPAL SCHOOL OF THEORETICAL AND PRACTICAL WATCH- MANUFACTURE AT BBSANQON, " This school is founded to secure the professional education of young people who intend devoting themselves to the art of watch- making. The city of Besancon is the principal seat of the manu- facture of watches in France. The manufacturers of this city, almost exclusively supply the French market, as, of 378,498 watches sold in France in 1865, Besan9on supplied 296,012, or nearly four- fifths of the whole number. " The school has for its object thoroughly to teach children the trade they intend to follow ; to supply, in fact, the notorious deficiencies of an actual apprenticeship : and, if the apprentices at the present time are so ignorant of the practical part of their trade, they are much more so of the theoretical part. The object this school is now carrying out on a large scale is to offer to young watchmakers an opportunity of constant comparison of the theory of watchmaking with the results at which they arrive practically. " The regular time for this practical and theoretical course is three years ; but it is desirable that the students whose aptitude and con- duct is reported favorably of should prolong their stay at the school, in order to perfect themselves. The classes are held in a large building belonging to the city, the situation of which is all that could be desired. The classes are under the management of a director, who carefully sees that each branch of study is dili- gently followed out. The teaching is divided in the following manner : First Year. ( Third Division.) "Practical Teaching. Filing, turning, hardening, and temper- ing metal, perfecting small tools for doing first halves of the ordi- nary sizes. 12 TECHNICAL EDUCATION. " TJicoretical Teaching. Revision of early education, arithmetic, mensuration, geography, mechanical drawing, general principles, making the more simple tools and machines employed in watch- making. Second Year. (Second Division.) " Practical Teaching. Doing first halves of various sizes, piv- oting, and making the different parts of a cylinder escapement. " Theoretical Teaching. Studying style, geography, arithmetic, elementary geometry and its application, mechanical drawing, geo- metrical models, models of tools and machines used in watchmak- ing, designs of the different parts of a watch. Third Year. ( First Division. ) "Practical Teaching. Constructing and planting the escape- ment, examining, regulating. " Theoretical Teaching. Course of mechanics, ideas of indus- trial chemistry, cosmography, commercial book-keeping and general geography, mechanical drawing, study of various cut-wheels, models of escapements., and designing watch-movements for the model. " The theoretical lectures are given in each division every day, from seven to nine o'clock in the morning, Thursday excepted. " The work-hours are from nine o'clock in the morning till noon, and from half-past one till five. " Drawing-lessons are given in each division on Mondays, Tues- days, and Fridays, from five till seven o'clock in the evening. " The course of commercial book-keeping and general geography for the first division is held every Wednesday, from five to seven in the evening. " On Saturday, the director examines the pupils in the work of the week, so as to note step by step the progress made. In SPECIAL SCHOOLS FOK APPRENTICES. 135 tion to the instruction given in the school, the pupils are taken from time to time to the different manufactories in the neighbor- hood, so that they may become familiarized with the various combi- nations and applications of machinery; and also to different work- shops where the several parts of a watch are made. The knowl- edge which they thus acquire of the methods used in the actual process of manufacture, and which can only be gained in the work- shops themselves, completes the education indispensable to a thorough knowledge of watchmaking. " The school is visited each week by two members of the Board of Directors composed of the most skilled men in the trade, who take note of the quality of the work done, as well as of the progress of the pupils. At the expiration of each scholastic year, the pupils are subjected to a general examination, at the end of which prizes are awarded to the most deserving pupils. The distribution of these prizes takes place in public, under the direction of the mayor. " This distribution is preceded and followed by a public exhibition of the productions of the manual labor of the students, and the designs executed by them, during the year. The vacation begins on the first of September, and continues during that month. " The conditions of admission into the school are as follows : " The school for watchmaking receives any young people, with- out distinction as to country or nationality. To be received into the school, the pupils must be able to read and write fluently, and know the four rules of arithmetic. They are examined before a special jury before being admitted." The French Imperial Commission, which is more fully described in the second chapter, speak thus of apprentice-schools in Belgium : 136 ' TECHNICAL EDUCATION. APPRENTICE! SCHOOLS IN BELGIUM. "Belgium offers in Western Flanders, by her communal schools for apprentice-weavers (coles communales d' 1, 1862, > From Nov. 1,1 1861, to Nov. | 1, 1862, cur- > rent expen- | ses, J Fitting up) schoolrooms, } Purchase of j machinery, \ Tolal expen- ) diture, 1861- > 1862, ) Frs. C. 14,000 80 4,600 00 3,010 00 Year 1861-1 1862. Drawn 1 from thef capital, J Frs. C. 15,432 70 21,610 80 From Nov. 1, ) 1802, to Nov. > 1, 18G3. ) 12,540 50 From Nov. 1,1 1862. to Nov. 1, 1803. cur- } rent expen- j ses, J Purchase ofi a steam-en- > gine, ) Total expen- ) ses in 1862- > 1803, > 12,721 05 13,126 00 Year 1862-1 1803. Drawn 1 from thef capital, J 13,306 55 3,879 70 25,847 05 From Nov. 1, ) 1863, to Nov. > 1, 1864, ) 16,205 45 From Nov. 1,1 1863. to Nov. 1, 1864, cur- }> rent expen- | 80S, J 12,325 75 Yrar 1863-1 1864; excess of receipt? > over expen- diture, j 140 TECHNICAL EDUCATION. " The above table shows, that, after scarcely three years' existence and experience, this school, in which the number of pupils was at first only ten or twelve at the most, has been able to organize itself, purchase its material and a steam-engine ; and yet, having borrowed for that purpose only 28,739 francs from the subscription-fund, it has obtained a net profit (its material and all expenses being paid) of 3,879 francs at the end of the third year. This result, wbich proves what benefit the manufacturing towns derive from making a judicious outlay for the promotion of technical instruction, determined the founders to give to their school of weaving a definite constitution, and to form, with that object, a company with a capital of seventy-six thousand francs, divided into seventy-six shares of a thousand francs each, which were subscribed for immediately. " At present the school is established in a building erected for the purpose : it is provided with a steam-engine, with every thing that is necessary for transmitting the motive-power, and twenty-four different looms, on which various stuffs may be manufactured. It works not only as a theoretical and practical school of weaving, but also as an ordinary factory, so as to cover by the sale of its produc- tions a part of the outlay. "Its financial position in the month of September, 1864, was us follows : Fre. C. Capital, seventy-six shares at a thousand francs .... 76,000 00 Funds disposable March 1, 1864, from the first subscription . 8,260 75 Surplus of receipts over expenditure in 186:3-1864 . . . . 3,87970 Capital disposable on March 1, 1864 88,14045 EXPENDITURE. March 1, 1864, purchase of ground and costs .... 10,018 00 Sept. 1, 1864, building of workshops 56,00000 88,140 45 SPECIAL SCHOOLS FOR APPRENTICES. 141 " The school opened under these favorable conditions on the 3d of October, 1864. " The studies are partly theoretical, and partly practical ; the pupils passing alternately and regularly from the one to the other. The theoretical studies consist principally of the decomposition and analysis of all kinds of stuffs, especially those which concern the manufactures of Alsace. The course is terminated by mechanical drawing, the study of the internal arrangements of manufactories with plans and estimates, the calculating of the cost-price of manu- factures, and book-keeping. The practical studies consist of the working of the looms, the fitting-up, regulating, adjusting, preserva- tion, and repair of all the machinery, and, lastly, the weaving itself in all its operations by the pupils themselves, assisted by an experi- enced foreman. " The charge of admission to the theoretical and practical course of studies is six hundred francs for the scholastic year of eleven months ; but the pupil is at liberty to attend only one of the two courses. Foreigners are admitted as well as French- men. " These studies are terminated by examinations before a board of manufacturers and engineers, which delivers certificates of capacity to the successful candidates. At this examination the pupils have to submit to the board a general plan of the school, with its steam- engine and apparatus for the distribution of the motive-power, and with drawings of the different machines, and the complete plan of a manufactory. " It will be seen by the above details that nothing is neglected in the studies of the pupils , so that those who have received certificates of capacity are at once competent to direct manufactories of various kinds. We must add, that the manufacturers who founded this school 142 TECHNICAL EDUCATION. of weaving are precluded from participating in the profits the estab- lishment may make, and that they have only a right to the legal interest on the money they have advanced, and its reimbursement on the breaking up of the association." CHAPTER V. INSTRUCTION OF WORKMEN. IN various ways it has been attempted, with a greater or less degree of success, to improve the technical edu- cation of workmen after they have become workmen. 1. For this purpose popular lectures have been found serviceable. They must, however, be specific, * and not general : they must have a direct bearing on the employ- ment of the workmen. If the lectures deal with their subjects in a general way, they may entertain and per- haps stimulate somewhat j but they will prove of little advantage to the workmen. While imparting positive knowledge, they must not neglect the reason of things, but set the workmen to thinking. But the workmen must have had some elementary technical instruction, or they will not be able to compre- hend the lectures ; for the lectures, to be of the best, cannot deal in glittering generalities, but must employ technical terms, and must usually assume that the 143 144 TECHNICAL EDUCATION. hearers are acquainted with certain elementary data. The workmen must also have had some elementary literary instruction : for it is essential that they should take notes of the lectures ; otherwise the knowledge imparted hy the lectures will, in the main, be soon forgotten. These things have been found essential to the success of popular lectures for the technical instruction of work- men. 2. For such instruction, evening schools have also been found serviceable. The room in which such schools are held should be well warmed and well ventilated : it should be well lighted from above, and in such manner as to prevent all cross-lights. These are general requi- sites. The equipment of the room must vary somewhat according to the character of the instruction given. As drawing is usually the leadfng thing to be taught in such schools, precedence must usually be conceded to that in the equipment of the room. It has been found by experience that men actually engaged in the business in which instruction is to be given, as foremen, for example, and practical draughts- men, make excellent teachers for these evening schools. These teachers from the workshop know just what the workmen require in the way of practical application : they know the obstacles to be overcome in applying INSTRUCTION OF WORKMEN. 145 the theory, and just how to overcome them. Usually they cannot explain the theory so well as the professional teacher; but their intimate knowledge of the practical applications of the theory enables them much better to satisfy the workmen, who are always impatient of along drill in theory before coming to direct applications, a course that can be successfully pursued in an ordinary school. The very best teacher, however, for these schools for workmen, is the professional teacher, who, to his knowledge of the teacher's art and to his knowledge of the theory of the thing to be taught, has added a knowledge of the practical applications of the theory, which he may readily add by investigations in the workshop. Thus it will be seen that there seldom need be a lack of good teachers in any place where an even- ing technical school is required. Workmen and apprentices should be taught together. The latter not having advanced far enough in their business to appreciate the value of the instruction, they are too much inclined to neglect it when taught by them- selves. But the example of the men stimulates them to study. As a rule, all under the age of fifteen years should be excluded from these evening schools. When the school is small, there cannot well be more than one class ; and all must attend to the same study at the same time. When the school is large, then it can be 13 146 TECHNICAL EDUCATION. divided into two or more classes for the pursuit of differ- ent studies, or of different parts of the same study. The teacher may give his explanations to the class as a whole, requiring all the members to attend to the same thing at the same time. Further assistance may then be rendered to individual members who failed to compre- hend the explanations when given to the whole class. This plan enables the teacher to do the most for the whole class in an allotted time ; but, on the other hand, the more zealous and intelligent members are kept back somewhat. Or the teacher may explain only general principles to the class as a whole ; each member making a different application of these principles. In the applications the teacher can render individual assistance. This plan does not restrain the more zealous and intelligent, nor need it deprive the laggards of suitable instruction, if the teacher is active. It also permits instruction to be given at the same time in two or three different trades, when they have common foundation principles, as they may have, for example, in chemistry, geometry, drawing. Thus much of the instruction in drawing required by the carpenter, machinist, and cabinet-maker must be of the same general character. Or the instruction may be all oral, illustrated by exper- iments or diagrams. This has two or three grave dis- INSTRUCTION OF WORKMEN. 147 advantages. The stupid require repetition, and some- times those who are not stupid require it ; but frequent- ly it cannot be had, as in the case of experiments, or from lack of time. The study of the subject cannot, therefore, be continued out of school. Again : it is often essential that notes be taken ; but this many workmen cannot do from lack of elementary instruction. The conclusion is, that judicious blending of oral in- struction with use of a text-book is much the best thing. All book is out of the question. The book should con- tain the theory, with some practical applications ; but most of the latter must be got outside of books, and should be selected with special reference to the wants of the workmen receiving instruction. With the book before him, the workman more readily understands the teacher; with the explanations of the teacher, he more readily understands the book, though the teacher may not always express himself as clearly as the book. The book can also be used out of school, which is a great advantage. If, however, the workman's elementary instruction has been neglected, he will find himself troubled to use even the plainest book understand ingly. Aside from text-books, the school should have books for general reference. Whatever general mode of teaching is followed, spee- dy application of the theory must be a part of it, other- 148 TECHNICAL EDUCATION. wise the workmen will lose their interest. Indeed, theory and practical application must go together from the outset in the instruction of workmen. It is also the conclusion of European experience, that a small fee should be changed for the instruction in these schools. 3. Museums have also been found exceedingly service- able for the technical education of workmen. Local museums must conform to the wants of the different localities where they are established. Thus, in its local museum, the dominant industry of each district should be specially represented. If, for example, it is the pro- duction of machinery, the workman should be able to find in the museum illustrations of just what he desires to learn about the application of power, and the making of machines. If it is the production of textile fabrics, all the best and latest achievements of the loom should be there exemplified for the benefit of the local manu- facturer ; and so on. In every museum, however, for the culture in taste and delight of all should be gath- ered beautiful objects illustrating the different depart- ments of art. With well-stored museums, easy of access at all times, the workman can use his eyes to the greatest advan- tage in perfecting his technical education. Through the eye is the readiest approach to the mind. Frequently a single glance of the eye will give the workman a clearer INSTRUCTION OF WORKMEN. 149 comprehension of a principle in mechanics than he could obtain from a long explanatory discourse, or from reading a book. Then it has been well said that " taste is the recollection of the beautiful." Whether this definition be true or not, certain it is, that for the culti- vation of the taste, which is so valuable in nearly all industrial arts, there must be beautiful objects for fre- quent contemplation and study. This lacking, all other instruction fails to impart correct taste. 4. In several European countries Sunday schools for the technical instruction of workmen are numerous, and well attended. POPULAR LECTURES. In their report, the French Imperial Commission, more fully described in the second chapter, speak thus of popular lectures for the instruction of workmen : "It will be remembered, that in 1819 the first industrial courses of lectures were founded and organized in various towns of France by the zealous efforts of Baron Charles Dupin. Responding to an appeal, in which he eloquently invoked the memory of Gaspard Monge, many pupils of the Polytechnic School, chiefly officers of engineers and artillery in the towns where they were in garrison, engineers of the bridges and roads and of mines, placed them- selves at the disposal of the municipal authorities to diffuse a knowl- edge of science among the industrial population of every class. Of all these educational undertakings, the best organized and the most successful was the institution founded by the town of Metz, 13* 150 TECHNICAL EDUCATION. with the aid of MM. Poncelet, Eergcry, and Bardin. The first- named of these gentlemen, ardent in the propagation of science, then entered on the course which he has since followed with such distinction, and which led him to explain by the aid of the rudi- ments of elementary geometry most of the principles and delicate problems of mechanical science. To him belongs the honor of hav- ing shown that it is not so difficult as might be supposed to popu- larize, and bring within the grasp of ordinary capacities, the study all the propositions of industrial mechanics. " Since M. Poncelet, others, following in his steps, have sought to extend the same mode of teaching in the public lectures of the Conservatory of Arts and Trades, and in those of the Polytechnic and Philotechnic Associations ; and their efforts have been attended with results of immense value. The first-named of these associa- tions instituted in 1830 popular lectures, which were, from the very beginning, exclusively intrusted to ex-pupils of the Polytechnic School. These lectures have since been established in every quarter of Paris; and in 1860 this same association founded in the amphi- theatre of the School of Medicine isolated lectures, which, in their turn, called public attention to this particular mode of disseminating useful knowledge among the people. "But it would be wrong to lose sight of the fact that public lectures, or merely oral teaching, even when accompanied by experiments made with the aid of good models and of applications to common questions, often leave on the memory and understand- ing of the auditors ouly evanescent impressions. This effect is still more certain when the audience, composed exclusively of appren- tices and workmen, is only prepared for the instruction given by an imperfect elementary education, which has not prepared them for mental effort, whilst their professional habits unceasingly draw them INSTRUCTION OF WORKMEN. 151 towards practical and material results. The consequence has been, that notwithstanding all the talent and zeal of the professors of public lectures, whether in Paris or in the large towns of France, this mode of teaching, in so far as it is specially devoted to working- men, has not produced all the results its founders expected, al- though truth compels the acknowledgment that it has not been altogether fruitless. . . " Though, for the technical teaching of workmen disposed to devote part of their leisure to studies which may be useful to them, it has been thought proper to give the preference to regular classes over public or simply oral lectures, it does not follow that such lectures, or even occasional meetings, may not be really useful. There are, in fact, a great many scientific and technical questions which possess great interest, not only for the workmen themselves, but also for their masters, for young men, and, indeed, for a host of people who would not submit to a regular attendance at such classes as those of which the organization has just been described, and which require punctuality and practical application. On the other hand, certain special branches of science, though very desirable to be learned, do not always admit of regular teaching, nor of any considerable number of lessons. A person well versed in the theory and practice of some particular art might be disposed to give a few lectures on the subject he has mastered, but would not choose to give a course limited to workmen only. Giving public lectures and holding meetings, in such cases, cannot be otherwise than beneficial ; and although they are not so effective for the technical instruction of workmen, properly so called, as regular classes opened expressly for them, the fact is none the less certain, that, by diffusing and popularizing science and experience among the public who attend them, much good will be done." TECHNICAL EDUCATION. EVENING SCHOOLS. Iii his evidence before the French Commission, the Rev. Father Baudiue, assistant superior of the Chris- tian Brothers' School, says : " The classes arc divided into two divisions, one, open from six to eight o'clock in the evening, for apprentices from thirteen to six- teen years old ; the other, from eight to ten, for workmen of sixteen, and above. Ever/ year the works of the pupils are exhibited in one of the amphitheatres of the Conservatory of Arts and Trades. Each work bears the name of the pupil, his age, the time of his apprenticeship, and the name and address of his master. A board, composed of manufacturers of good position, awards and distributes the prizes. " In different quarters of Paris, local committees, .composed of manufacturers and persons of good position, have been formed to visit the different schools weekly, and to bring masters and ap- prentices into communication." In his evidence before the same Commission, M. Bardin, professor of industrial drawing to the com- munal schools of the city of Paris, says : " There does not appear to be any disadvantage in causing both workmen and apprentices to meet in the same class; for apprentices rarely understand the utility of application, and they are encour- aged by the industrious workmen who frequent the classes. . . . "If the workmen paid, however small the sum, they certainly would be more regular in their attendance at the drawing-classes than they are now ; and the instruction would be regarded more INSTRUCTION OF WORKMEN. 153 earnestly by them : this is a fact which has been attested by experi- ence. This system has, besides, numerous precedents. The work- men in their practical courses take upon themselves the expenses of the premises and lighting. The private schools, receiving subsidies from the town, have about three hundred and fifty pupils who pay : moreover, a great number of workmen who enter their names for the courses of the communal schools come with the intention of paying. " The only objection that could be made is In favor of ap- prentices, because they earn nothing. This is true ; but, for those whose families could not afford these expenses, the masters, who give a little money every week to the youths working for them, as a recompense, would willingly pay the monthly fee of the school (which might be as low as possible), and would also undertake to see that the apprentice profits by the advantages offered to him." Messrs. Gaumont and Guemied, editors of " The Jour- nal of Professional Education/' said to the French Com- mission: " All pupils attending public courses of instruction should pay a small fee, to give them an interest in their work. Everywhere where a good system of public instruction is maintained, this plan is adopted. At Mulhouse nothing is gratuitous : it is the same in all the Swiss cantons. At Paris the most frequented courses of drawing are those at the municipal schools, where a fee of from two to three francs is exacted monthly. . . . " To give special instruction to workmen, it is of much or even of more importance, that the teacher should possess a knowledge of the trade than of pure science. It is almost indispensable to 154 TECHNICAL EDUCATION. have lived the life of the workshop in order to be able to elevate the mere handicraftsman from practice to theory." Ill their report, the French Imperial Commission express themselves in this wise: " In towns of moderate size, where the number of pupils, and consequently of professors, will be rather limited, it will generally be found advisable to unite pupils of equal proficiency in one class : thus there will be no other divisions to introduce but those indi- cated by the degree of progress in study. But the case will be very different in large towns ; and, whenever the number of pupils shall exceed forty or fifty, it will be necessary to form several classes. It will then be advantageous to place workmen of the same or .similar trades under a common course of instruction, which may be more particularly adapted to their occupation. " Though it is impossible to indicate in a general report all the divisions which the requirements of local industries may thus in- troduce into technical education, still there are certain trades in which many workmen are engaged whose co-operation is indispen- sable to all the others, and for which it is possible to indicate the method in which the work to be executed by the pupils in their classes ought to be conducted. Among these industries, that of building is at once the most general, and also comprises the largest number of different trades ; all having recourse to the art of draw- ing, and requiring the rules of geometry, and sometimes even those of mechanics. Moreover, it may be noticed that the labors of these different trades all contribute to one and the same end, and that it is consequently desirable that the workmen who practice them should follow a similar course of study. It will therefore often be practicable to form a special class for all employed in the INSTRUCTION OF WORKMEN. 155 building trade, including masons, stone-cutters, carpenters, smiths, joiners, and other accessory trades. "The technical instruction to be given by drawing in this class, and which will likewise serve as applications of the rudiments of geometry and projection, will comprise the principal details of the labors of each profession. Masons and stone-cutters will learn to draw the different modes of construction to be employed, according to the nature of the materials and the parts to be executed, simple and mixed masonry, chimneys, the different kinds of arches and their intersections, and their voussoirs and templates, staircases, &c. To these studies may also be added the actual execution, in plaster- of-Paris, of all the masonry of certain parts, on a small scale, a proceeding which lias been practised with success in certain schools of France and Germany. Carpenters and joiners will also execute working-drawings of roofs and constructions in wood ; and so on with other trades. " In towns where there are machine-workshops, it will be advan- tageous also to form a special class for engineers, for the purpose of making drawings of the more important portions of machines, especially of such as are peculiar to the locality, or are most used. The scries of designs executed by the pupils of the schools of arts and trades may be taken as types of the mode to be adopted. The artisans engaged in the different trades working in metals may be joined to this last class, unless there should be in the neighborhood some special factories employing a great number of hands, as in the manufacture of clocks and watches, hardware, or locks ; for whom a separate class ought then to be opened. " In one word, the object of these classes being to give each work- man the technical instruction required in his trade, every effort must be made to teach him to execute drawings of the articles he 156 TECHNICAL EDUCATION. has to manufacture, employing them as means to make him com- prehend the principles of geometry, which he will be taught at the same time. He may also be required, as an application of his knowledge, to calculate the surface, volume, and weight of the objects drawn, when their forms are not too complicated. " It has been deemed necessary to enter somewhat minutely into these details, for the purpose of showing that this kind of instruction can only be successfully given by men who are fitted for it by their profession, or who, from enthusiasm, have devoted their attention to learning all the practical details. From this it is evident that the teachers must, for the most part, be found among engineers, architects, builders, and foremen, who, without abandon- ing their profession, will undertake the direction of these Sunday or evening classes. . . . " These studies, intended for practical purposes, cannot, there- fore, be efficiently directed with all the befitting details of execution, with the explanation of processes, and the necessary experiments, except by men who have themselves practised the arts whose principles and rules they have to explain, and who know how to speak the language of the ship-yard and the workshop. Hence results the impossibility of establishing for professional or industrial teaching, even from a general point of view, a uniform body of rules and methods, an organized professional staff, in short, a univer- sity of industrial education. This consequence is still more evident in all that concerns those technical studies which have for their immediate object the methods, rules, and application of the sciences. "It is, therefore, often on the very spot where the technical instruction is to be given, or in the workshop itself, that many of the professors ought to be chosen ; and, in general, they must be sought among engineers, practical men, and manufacturers." INSTRUCTION OF WORKMEN. 157 In his report, to which reference was made in the second chapter, Prof. Leone Levi says of the canton of Geneva, Switzerland : "There are evening industrial schools, which, after providing for a preliminary course on arithmetic, including decimals and the metric system, have, in the inferior division, geometry, physic, and lineal design ; in the middle division, algebra, book-keeping, chemistry, and industrial design ; and, in the superior division, natural history, political economy, mechanics, design, descriptive geometry, and chemical manipulations. The fees in these schools are, for regular students, five francs for the preparatory course, ten francs for the inferior division, fifteen francs for the middle, and twenty francs for the superior. The fees for occasional or not regular students are five francs for the preparatory course, ten francs for the inferior division, eight francs for one course in the middle division, and ten francs for one course in the superior division. Teachers are paid in part by a fixed rate per hour, and in part by a portion of the fees, divided among all professors in proportion to the number of lessons given by each." Prof. Leone Levi further speaks in this wise of the evening instruction which has been provided for work- men in England : "If, from the education of children, we pass to the instruction of those who have already entered on the active duties of life, the want now felt in this country becomes still more evident. An attempt was early made for diffusing instruction among our artisans, the foundation of mechanic institutes, the original object of which was 14 158 TECHNICAL EDUCATION. to impart instruction to workmen in those rules and principles which lie at the basis of the art they practice ; but they have failed to attract the mechanics. In the membership of mechanic insti- tutions, the mechanics, millwrights, overlookers, spinners, and other laborers figure only in a small proportion ; whilst the number taking advantage of such institutions, in proportion to the total number of laboring-classes in anyone town, is quite insignificant; though it is quite possible, that, in many cases, the working-man, by contact with any such institution, becomes more enlightened and refined in manner and bearing, that, leaving his ordinary dress at home, he is in the evening little distinguishable from persons belonging to the middle class of life, and that, in many ways, the working-classes still derive from them essential benefit. " A mechanics' institute, as usually organized, has evening classes for five evenings in the week; one evening, being usually dedicated to lectures and lighter entertainments. It has a library for reference and the circulation of books, and a reading-room open from early in the morning till late at night. The subjects of in- struction in the different classes are very extensive. They comiiri.se nearly all the branches of elementary science and literature necessary for educated young men in the middle class of life, such as arith- metic, book-keeping, English composition, English grammar, English literature, drawing, and foreign languages, with some of the m-jrc advanced sciences, such as chemistry, geometry, mathematics, natural philosophy, c. ; and the fees are very low. But they are wanting in unity and system. The instruction is not consecutive: it does not extend over any definite period ; whilst there is no con- nection whatever between the private classes and public lecturers. In fact, as schools of science and art, they are in most cases very defective ; and, as to funds or modes of existence generally, their INSTRUCTION OF WORKMEN. 159 condition is most precarious, the greatest efforts being needed to maintain such institutions in existence. " Of similar character, at least in its original object, is the Work- ing Men's College, founded in 1854 in London. The studies there comprise drawing, vocal music, history, and law, languages ancient and modern, mathematical and physical sciences, at veiy low fees, and free lectures delivered on Saturday evenings by some of our most eminent men. Yet the college does not draw many of the mechanics and artisans, the greater number of students being clerks receiving very small salaries; whilst, with fees at the lowest rates, the college is not self-sustaining. The good work is in reality carried on by zealous teachers acting gratuitously; and the building itself was established by generous contributions. Nor is it to be won- dered at, since even the best institutions, which appeal to the middle and higher classes, experience the greatest difficulty, and are seldom self-supporting and remunerative. The classes on those branches of study which arc of acknowledged necessity, and other- wise popular, attract a sufficient number of students to allow a fair remuneration to the teachers ; but those on subjects more elevated, or of more partial application, are attended by too few scholars to render it worth while either to the teacher or the institution to maintain them. " Yet exceptions to this general rule present themselves here and there, and prominently so is the case of the evening classes at King's College, London. It is now fifteen years since, with the authority of the council of King's College, I opened (in 1852) evening courses of lectures of a practical character on commerce and commercial law. From year to year, those lectures attracted greater and increasing attention, until, in 1855, a department was established for the purpose of providing a complete system of prac- 1GO TECHNICAL EDUCATION. tical instruction to young men daily employed in business, which now includes divinity, Latin, Greek, French, German and German literature, Italian, English, Spanish, Portuguese, and Hebrew lan- guage, history of England, geography, arithmetic, writing, mathe- matics, commerce (including principles of commerce and bank- ing), monetary science and foreign exchanges, commercial and maritime law (national and international), drawing, elements of chemistrv, practical chemistry, mechanics, phvsiologv, botanv, ex- perimental physic, mineralogy and geology, zoology, political economy, public reading and speaking, law. and a civil service class. These classes h ive been most popular from the commence- ment ; and from six hundred to seven hundred youths are every evening there employed in learning different branches of science, who heretofore had no opportunity to satisfy 4heir taste, and fur less to obtain the necessary erudition for the practical duties of life. King's College, situated in the very centre of this great metropolis, fulfils in this manner a most important function in the education of the adult. "Still more recently University College, London, has cstab'ishcd its evening classes, wh<;re Latin, Greek, Hebrew, English, French, Italian, German, geography, history, elocution, mineralogy and geology, mathematics, physic, elementary chemistry, drawing, writ- ing, book-keeping, English law, Roman law, jurisprudence, and equity and common law, are taught by men of great ability, and at very moderate fees. "Nor can I omit that most valuable institution, the City of London College, whose evening classes are crowded by pe-sons belonging to the commercial houses in the city. Some of these colleges and schools may succeed in maintaining themselves, though with great difficulty; but in the majority of cases it is otherwise, and, INSTRUCTION OF WORKMEN. 161 in my opinion, there will never be a sufficient provision for the diffusion of science in this country, especially economic and com- mercial, natural and experimental, unless those institutions obtain a well-regulated State support." The committee of the Hamburg (Germany) Society for the Promotion of Art and Industry say of evening schools : " On the fixing of a plan of lessons for a Sunday and evening school, it appears advisable, that, as far as possible, the artistic in- struction should be given in the evening, and the scientific in the daytime, as it is found from experience, that, in general, workmen are too exhausted after their day's work for attention to subjects such as mathematics for instance; whilst they appear sufficiently fresh for instruction in drawing." A committee of the Hamburg (Germany) Society for the Promotion of Art and Industry thus describe The Museum of Industrial Products of the -Royal In- stitution for Industry and Commerce at Stuttgart, Wurtemberg. " This is destined to aid in the promotion of existing industries, as also to lay the foundations of industries in general ; but it is in no way occupied with the promotion of any one special branch of industry. " The principle which is the groundwork of the institution is the general aim of improving the elements of industrial occupation 14* 162 TECHNICAL EDUCATION. by exhibitions of real objects, and consequent encouragement to study, and to make these accessible to all. " The museum contains, in spacious rooms, a rich collection of German and foreign manufactures, a great number of useful machines and implements of all kinds, an excellent collection of industrial art, a trades' drawing-school, a library, a reading-room, and a chemical laboratory. " The collection of manufactures, arranged according to the annexed plans, contains : " Leather and leather work ; work and carvings in wood, ivory, horn, cocoanut-shcll, &c. ; inlaid furniture ; works in clay, cement, earthenware, and china; bricks and tiles; glass ware and glass paint- ings ; articles made of wax, papier-mache, gutta-percha, caoutchouc, plaster, &c. ; bookbinding and portfolio-makers' wares ; brushes ; paint-brushes ; combs ; basket-work in straw, osier, and reeds ; pat- terns of clothing and ready-made clothes ; nets and hooks ; fabrics, and fabrics in process, made of wool, silk, cotton, flax, hernp, jute, &c. ; colors; chemicals; combustibles; pencils; oils; glue; instru- ments for measuring, measures, scales and weights ; implements for drawing ; apparatus used in cooking, in the house, for lighting, warm- ing, and extinguishing ; agricultural and garden tools ; locks and keys ; door and window fastenings; works in tin and copper, &c. " On account of their origin, we must particularly notice the many patterns of printed, embroidered, and woven stuffs, as well as of paper-hangings. There are business-houses in Paris who receive subscriptions for the supply of all the new patterns brought out, and who furnish annually to their subscribers from t\vo hundred to four hundred specimens. The Royal Wurtemberg Industrial and Art Department is in correspondence with such a house, Messrs. T. C. Claude Brothers, 32 Rue du Sentier, Paris, and pays, INSTRUCTION OF WORKMEN. 163 for example, two hundred and fifty francs annually for about three hundred new patterns of hangings. The patterns are tolerably large ; and from them drawings might be made for other purposes. All the patterns are bound together, with a notice of the price and plan of origin, and form a valuable portion of the library, which is more especially useful to merchants. T. C. Claude Brothers un- dertake, among other things, subscriptions for drawings of the most modern Parisian furniture. " Apart from this collection of manufactures, the division for machines and implements is to be found in an opposite room. "As motive-powers to set in motion the other machines, there are exhibited, a caloric machine, a machine moved by gas (by Lenoir), a two-horse locomotive, as well as a stationary steam-engine. After them are placed in rows articles of machinery ; viz., a col- lection of English castings, such as water and steam cocks, pumps, level indicators, balances, valves, grease boxes, gas apparatus, dya- nometers, &c. Farther on are articles of wrought and cast iron, hydraulic and other presses, an hydraulic crane (Hebervinde), a screw windlass, machine for raising water, fire-engines, weights, flour and crushing mills, looms, boring-machines, implements for drilling and turning, machines for hammering and planing, imple- ments for various trades, &c. Besides these, there are machines and contrivances for helping in household works, sewing-machines, washing and drying machines, apparatus for filling and corking bottles, beer-pumps, &c. " The industrial art division of the exhibition numbers nearly a thousand beautiful works, executed, for the most part, by the newest processes of art printing. These are arranged according to trades, and contain works of ornamentation and art industry, for mechanicians, builders, joiners, paper-hangers, coach-builders, house- 164 TECHNICAL EDUCATION. painters, workers in metal, earthenware manufacturers, as well as embroidery and other needleworkers, for weaving, book-printing, and instruction in drawing. " There are also exhibited a quantity of photographic pictures, and a great collection of price-catalogues and price-lists, which, besides giving information as to prices, and plans of origin, help also in the drawing-up of similar catalogues. " A great part of this collection is made up by the apparatus for instruction ; and here we may particularly mention with approba- tion the rich collection of plaster and paper copies, as well as the plaster figures for the drawing-school. This collection, from the way in which it is arranged, gives also an opportunity of studying the various styles of art. " The public drawing-school is annexed to the industrial art collection, and has already been mentioned in the first part of this report. This is attended by artisans, who use the collections for their own special callings, and also by those learning art indu.-tri-.-s, but especially by the teachers who wish to perfect themselves for giving instruction in drawing. We may particularly mention, that, in the industrial art division, artisans receive artistic instruction gratis, and make diligent use of it. " The chemical laboratory which is annexed to the exhibition has the aim of making experiments as to new discoveries in the department of chemical industry, as well as of undertaking the execution of analyses. Of these, from five hundred to six hundred are made annually for manufacturers, and at very moderate prices, almost under cost price. " The not inconsiderable library of the exhibition, which em- braces the department of industrial activity and commerce, is much used, as also the reading-room, in which about seventy periodicals INSTRUCTION OF WORKMEN. 165 relating to industrial, commercial, and economical subjects, are taken in, as also the directories of large commercial towns, and a list of the patents granted in England and America. Lastly, there is in the neighborhood of the exhibition a weaving school, with looms, which need merely be mentioned here. "One department of the exhibition, which in its foundation was incorporated with it, has for some time ceased to exist : this is the department for the exhibition of the industrial products of Wur- temberg. " This was intended to make foreign merchants acquainted with the home manufactures, and to promote their sale. Native manu- facturers were not allowed admittance, in order, as far as possible, to protect the exhibitor from, the imitation of new fabrics by com- petitors. "Against all expectation, this department did not attain the desired aim. " The Royal Department for Industry and Commerce possesses a yearly revenue of ninety thousand florins, of which thirty thou- sand florins are annually expended in acquisitions for the ex- hibition. " This is open, on working-days and holidays, from ten to twelve o'clock in the morning, and from two to six o'clock in the after- noon. All persons who visit it for the purposes of their trade, and who will enter their names in a book placed for that purpose, have free admittance. Others pay six kreutz entrance. On Sundays, from half-past ten till half-past twelve o'clock, admittance is free, without exception. " The loan of patterns and of articles in the industrial art col- lection was particularly mentioned at Stuttgart, and pointed out as being especially advantageous. 1G6 TECHNICAL EDUCATION. " That the influence of the exhibition is most salutary, as also that it has effected a decided progress in the industry of Wurtem- ber^, all the manufacturers of the country would no doubt unani- mously admit. How extensively it is made use of, is to be seen from the fact that a third part of the collections is lent out at one time, and serves for the thorough instruction of the workmen. Let us reflect how long it often is before a small manufacturer (and it is exactly this numerous class of persons which needs support) can be made acquainted with new technical improvements, and can get to see them ; how long he continues to work with forms of which the fashion has already become antiquated, and uses instruments which have long been replaced by more convenient ones ; let us think how important any movement is to the manufacturer which furnishes him with new ideas, and how necessary it is in the present day, for the success of even the most skilled workman, that he should intro- duce novelties into the market, we can then imagine how grateful the hundreds of workpeople are to the Wurtemberg Museum, which is of such service to them hi their instruction, and the promoiion of their trades." In chapter two mention is made of the reports of the English artisans who were sent gratuitously to the Paris Exhibition, 1867. One of these artisans, Mr. Charles Alfred Hooper, cabinet-maker, says of mu- seums : " The boys serve three or four years in the trade, and have better advantages for getting an art education than we have. All the schools are open to them, where the higher branches are taught; and they are not kept, as our boys, to simply reading, writing, and INSTRUCTION OF WORKMEN. 167 arithmetic. The art galleries and museums are all open free to them Sundays and week days, so that they imbibe a taste for art and refined behavior before they can read or write." Another, Mr. Aaron Green, porcelain decorator, says : "The show-rooms and museum at Sevres are, perhaps, the greatest treat which a porcelain painter could be favored with : there he can see specimens of every country and style. And they are not mere specimens ; but many of them are of the rarest quality and value. The porcelain painting exhibited in the show-rooms here is not equalled by any in the Great Exhibition, and is of such surpassing excellence as to warrant the French in assuming a superiority over any other nation. The painting of some of the figure subjects is truly grand ; while the fruit and flower painting of Jaccober it seems impossible to surpass : indeed, I have never seen any thing that at all approaches it. There are large vases covered with ornament, which for beauty, distribution, and purity of form and color, filled me with amazement, and a feeling some- what approaching to humiliation. " I think there can be no doubt but that the close proximity of the workshops to the museum must be of immense value to the decorators and designers, refreshing their memory, inciting their ideas, and continually adding to their stock of knowledge. And in. this instance the French teach us a lesson ; for, while the examples purchased from time to time by the nation are very valuable and instructive, they would be of more use and real service, if, instead of being assembled in the metropolis, each locality that is pre-emi- nently famous for some speciality had its own museum. I think by this means our national industry would be benefited, and the 1G8 TECHNICAL EDUCATION. general prosperity of the nation increased ; for it is obvious, that, under the present system, our artisans (at best) can see the ex- amples they need only at rare intervals ; and that often, when they wish to make use of them, they have to depend upon recollections considerably weakened by time, and consequently of a very imper- fect character." Another, Mr. Benjamin Lucraft, chair-maker, says : " I will now, in as few words as possible, offer two or three sug- gestions whereby this state of things may be altered, and the art workmen of England enabled so to improve themselves in matters of taste as to successfully compete with the now more fortunate workmen of France. In the first place, the* council of the Society of Arts may use its influence with her Majesty's Government for the establishment of local museums of art manufacture, with lecture- halls, libraries, and other necessary adjuncts and appliances, for the use and instruction of the people, and open at such hours as will suit their convenience and opportunities for attending ; which, as a matter of course, will be in the evening, when lectures by compe- tent men would be largely attended; and I venture to suggest that the loading industries of certain districts may form their principal feature. In this way, if for the north of London a museum should be established, its position ought to be as near as possible the centre of its manufacturing district; and the most important industries of that district should be especially considered in the fitting-np, and the specimens to be exhibited. For example, to assist the cabinet- makers, carvers, chair-makers, and upholsterers of Shored itch, Hoxton, and Lower Islington, where this trade is carried on to a great extent, good specimens of different styles and times in INSTRUCTION OF WORKMEN. 169 these branches would be of the greatest value ; and in the adjoin- ing parishes of St. Luke and Clerkewell, where tens of thousands of the population are dependent on the trade of the watchmaker, the jeweller, the gold and silver workers, and all the various trades connected with the precious metals, examples of these, from the earliest times, and from all countries, would be of the greatest in- terest and benefit, not only to them, but to the whole nation." Another, Mr. James Mackie, wood-carver, says : " The education of the workman is of primary importance. Onr schools have rendered valuable service ; and much of our progress is traceable to their influence; but they are capable of doing more, if only a new life is infused into them. Our great buildings are full of excellent examples, which deserve to be more studied than they are. In our museums and galleries there are splendid examples of art, that, if studied, would work wonderful changes in our taste and power. I know that they are not esteemed as they should be ; and I also know that they are not so accessible as they should be. Establish more museums of industrial art, be they ever so small, and let them be open at convenient hours and days for the artisan class. Let the architects look to the carving that is being done in our new London ; for much of it is a scandal and a disgrace to our taste, and its effects upon the carver's education are most damaging. Something better is demanded. If we are to have any art in our streets, pray let it be good and instructive. Let us have open spaces in the metropolis arranged to please the eye and develop the taste ; and at the same time provide the means of rest for those who do not want the accommodation supplied in places of resort that are questionable. Do not forget that the education of the workman is 170 TECHNICAL EDUCATION. not confined to the established schools ; for there are many ways of increasing his knowledge outside the walls of those useful places. Let the workman be encouraged to learn and practise the arts of drawing, modelling, and design ; for they undoubtedly constitute the very groundwork of the carver's art. Let the encouragement be kind, friendly, and continuous, taking the form of liberal pri/es to the advanced workmen, accompanied with numerous small prizes, in order to develop the industry of all. Lectures on art would be of great value ; for men would be by them induced to study, and put forth their strength. Let our system of instruc- tion and practice at our schools be simple, inviting, and interesting, not dull, repulsive, and crushing, as it certainly has been to many. We have the stuff amongst us : let it be cared for in a large and liberal spirit, and it will be strange indeed if the England of the future docs not see something more worthy of her great name." Another, Mr. Thomas Jacob, cabinet draughtsman, says : " To improve the taste of working-men, every possible oppor- tunity should be given them of inspecting works of art during their leisure hours, that they may see what has been and is being done by the artists, who are but men like themselves. It is unreasonable to expect a man to imitate or rival that which he has never seen ; but after he has seen these things, if he has talent and mettle of the right sort in him, he will not long be content to lag behind his fol- low workmen of this or any other country/' Mr. J. Scott Russell, in his book, "Systematic Tech- nical Education of the English people," says : INSTRUCTION OF WORKMEN. 171 " The two words ' look there,' are often more valuable than an hour's lecture. The pupil takes into his mind the form, color, meaning, of the thing itself, which no words could give him : and, in good collections of this sort, the insides of things are shown him as clearly as the outsides ; so that the pupil's knowledge is thorough, instead of merely skin-deep. It should also be remembered that edu- cation by the eye is as fertile in fruit as education by the ear ; and that merely to familiarize men with the sight of things made as they should be is the most effectual teaching to avoid and dislike what is inferior or wrong. The material element of teaching is, therefore, secondary only in value to the living element." UNIVERSAL PRIMARY EDUCATION. The French Imperial Commission described in the second chapter elicited the following from the editors of " The Journal of Professional Education,' 7 as to the ele- mentary education of artisans : " There is no doubt that one of the first indispensable require- ments in children who are to receive a professional training is a knowledge of the elements of the science, such as geometry, physics, and chemistry, in a degree adapted to the wants of any special in- dustry. For this purpose, schools on the plan of the Turgot School should be multiplied in the great manufacturing centres, Paris, Lyons, Nantes, Bordeaux, Lille, and Mulhouse. A preliminary training of this description is required even by children who are destined for the handicrafts. Every manufacturer knows the differ- ence between an apprentice who has been thoroughly accustomed to scientific definitions, and one who can merely read and write ; even 172 TECHNICAL EDUCATION. in learning the use of tools, the former is twice as quick as the latter besides understanding more easily the explanation of the master." In their report the French Imperial Commission say: "In fact, ihe failure of the first foundations of this kind at- tempted in England, about 1825, under the name of ' Mechanics Institutes/ like those which since 1800 have succeeded in Scotland under the direction of Dr. Birkbock, who was their first founder, proves that it is of paramount importance, first of all, to make sure that the workmen for whom the lectures are intended have received as sound and complete a primary education as possible. Thus whilst, in Scotland, the Parochial Schools h;id spread among all classes of the population an amount of instruction about equal to that which the French law of 1833 defined as superior primary in- struction, the day and evening classes of the Mechanics' Institutes obtained a complete and almost general success. In England, on the contrary, the teachers in these institutions had scarcely begun to talk of science to the mechanics, when they encountered an obstacle which had not been found to exist in Scotland to the same extent. The absence of elementary instruction was complete. Lord Brougham and his friends were in advance of their age. . . . Of these institutions there soon remained nothing but the name and the building ; which last was used for other purposes. In most cases, it was occupied by a mechanics' or middle-class club, where persons who paid a small monthly contribution met to amuse them- selves on winter evenings. There was no such thing as teaching." In their summary of the inquiry on technical educa- tion in Germany and Switzerland, the sub-commission of the French Imperial Commission speak thus : INSTRUCTION OF WORKMEN. 173 " In the first place, and almost with one accord, all the persons consulted have recognized and insisted on the necessity of a degree of general preparatory instruction proportioned to the extent of professional or industrial education which is to be its complement ; and which is intended to place every individual in a position to fol- low with success the career he may have in view, or has already em- braced. But at the same time it has been as positively declared by the most eminent principals of industrial establishments, that the deplor- able and far too general absence of primary instruction among even the most intelligent workmen was one of the greatest and most lamentable obstacles to the development of their faculties, and the progress of industry. . . . "The course to be followed, and the different means to be em- ployed, to improve and extend the education of workingmen already engaged in the practice of their trades, have been among the most important objects of the inquiry. The difficulties thrown in the way of this kind of instruction by the almost total absence of pri- mary education, and especially by the general ignorance of the scientific forms of even the simplest reasoning, have been pointed out to the commission However, numerous examples tend to show, that, by combining the study of drawing with the teaching peculiar to the different industries, it is not impossible to obtain happy results. The man who is in the habit of working any given substance, often, indeed, acquires by a sort of intuition a sounder and more intimate knowledge of its fundamental properties and mechanical effects than he who has limited his studies to the desk." In chapter two, reference is made to the report of Prof. Leone Levi. He says : " Hitherto, the progress of Britain in industry and manufacture 15 174 TECHNICAL EDUCATION. has been achieved by a few leading minds operating with an array of laborers wonderfully endowed with physical and moral power to overcome the greatest resistance, yet singularly deficient in in- tellectual power. Incomparably greater would be her progress, were science and art more diffused amongst the entire community. What is required, therefore, is, first, a more extended and compre- hensive system of primary and secondary instruction, well arranged, and adapted to the requirements of society ; and, secondly, the diffusion of technical instruction, or instruction in those sciences and arts which enter into the different occupations and professions of IHe, altogether direct and practical in its teaching, and every- where associated with the realities of life." Mr. James Hole, honorable secretary, of the York- shire Union of Mechanics' Institutes, in a letter to Lord Robert Mont'agu, vice-president of the Committee of Council on Education, England, says : " All who have expressed any opinions on this question concur in thinking that we must have a much more complete system of primary instruction before secondary education can become de- veloped and improved to a satisfactory degree. For many years past, the greater part of the educational work of our mechanics' institutions has been to supply the mere elementary education that ought to have been acquired in the day school ; and the great object for which mechanics' institutions were originally established viz., the technical education now so much talked about has remained almost in total abeyance." " In his reply to Lord Stanley, Mr. Lumley encloses INSTRUCTION OF WORKMEN. 175 a report on popular education in Switzerland, which thus speaks of primary education : "Instruction in the Swiss primary schools comprises reading and writing in the mother-tongue (German, French, or Italian, accord- ing to the canton), arithmetic, and the first principles of geometry, drawing, singing, Swiss and general history, geography, and the elements of natural science. Gymnastics are also being gradually introduced ; and female needlework is taught to the girls at fixed hours in the girls' and mixed schools." Mr. J. Scott Russell, in his work on " The Systematic Technical Education of the English People/' says : " Unhappily, mechanics, when taught to working-men, is gen- erally either taught superficially, unphilosophically, or with little or no reference to the business of their life. Economy of bodily strength, best ways of handling things, best ways of moving things, best ways of helping each other, best ways of carrying, lifting, shifting things, these are seldom taught. Some foolish algebraical formula, or abstract geometrical diagram, is put before the poor mechanic, and called science. As well call it magic. . . . " I am hopeless in the matter of educating the ' working-man ' who has grown up into manhood without education. For the most part, such men are too old to learn. I have never seen, but exceptionally, much good come of trying to drive figures and geo- metrical problems, and mechanical theorems, and light and shade, into the head of a full-grown workman who had failed to get a good education when young. There have been brilliant exceptions how brilliant ! how few ! " CHAPTER VI. DRAWING. THE evidence which is presented in this chapter, coming from many and the most trustworthy sources, shows beyond reasonable doubt, that among all the branches of instruction, from the lowest to the highest, which can contribute to the technical education of either sex, drawing, in its varied forms and appli- cations, is the one most essential to make common. As, in teaching other things, somewhat different methods are successfully followed, so the evidence shows, as was to be expected, that somewhat different methods are successfully followed in teaching drawing. While there are methods which receive the universal condemna- tion of good educators, there are other methods which receive their universal approval, though not in the same degree. The methods must, of course, vary, more or less, according to the age of the pupils, according to the circumstances under which the instruction is given, 176 DRAWING. 177 and according to the particular result which it is desired to attain. The following points appear to be clearly settled : 1. There is such an intimate relation between the different departments of drawing and art, while broad culture is always so much better than narrow culture, that the best results in any one direction can be secured only when the instruction is general. To be- come a thorough master of any department of drawing or art, one needs to be acquainted with all departments. Hence the instruction in drawing should be, whenever possible, broad, and not simply special, even when special results alone are sought. 2. As it is impossible that every one should be thor- oughly instructed in all the departments of drawing, it is well, in determining what the public schools should attempt, to divide drawing into three general courses : a preparatory course, an industrial course, and an artistic course. The preparatory course, embracing the elements of both industrial and artistic drawing, should be pursued by all pupils alike. When this course whch should be quite liberal, extending at least through the grammar school has been finished, those pupils of the high school who are to engage in industrial pursuits, but have not time to take both the industrial and artistic courses, should give special^ though not exclusive, alten- 178 TECHNICAL EDUCATION. tion to projection and working drawings. For a similar reason, those pupils of the high school who desire to obtain a more purely artistic culture will give special attention to shading and perspective, to drawing the human figure, and from nature. As it is not the proper business of the public schools to make special- ists, the instruction in the industrial course should be, in the main, confined to those things which the different industries have in common. So, too, the instruction in the artistic course should be, in the main, confined to those things only which belong alike to the different artistic professions. Those things which specially belong to any one industry, or to any one department of art, and are therefore of limited use, should usually be left to special schools. 8. In its general character the instruction should be rational, not dogmatic ; that is, the pupils should be taught the reason for what they do, so that every draw- ing, every line they make, will be an expression of intelligence. With rare exceptions, the teacher need not, and the judicious teacher will not, give young pupils things to do which involve principles clearly beyond the range of their comprehension. When this must be done, then the less said about the principles the better: of necessity the instruction must, in such case, degenerate into dogmatism. Dogmatic instruction DRAWING. 179 will simply enable the pupils to do again what they have once done, a thing of great value indeed ; but rational instruction, giving a mastery of principles, will not only enable the pupils to do again what they have once done, but to make new applications of the princi- ples learned. It should be the aim to produce work- men, designers, artists, who can do something more than imitate; who, working in obedience to funda- mental principles, can meet the ever-changing require- ments of actual life, can give the world original creations. Those pupils whose instruction in drawing simply enables them to copy have been . poorly in- structed indeed; and the instruction will tell adversely upon their future careers. 4. There are two general and very different modes which are followed in the execution of drawings. The first lays great stress upon fine finish, less upon ex- pression ; the lines are drawn with the utmost care from the outset; and the shading is elaborately executed with a pencil-point. The last lays great stress upon expression, less upon fine finish ; the lines are drawn boldly from the outset, it being left to time and practice to give accuracy ; while the shading is rapidly done with the stump. The first, which may be called the English method, tends to produce workmen, designers, and artists who work slowly, and finish finely, but whose 180 TECHNICAL EDUCATION. work is lacking in life and character. The second, which may be called the French method, gives rapid execution, and yields products, which, while oftentimes lacking in finish, are always instinct with life and character. The preference is given to the latter method both for purely artistic and for industrial purposes. But evidently the best method must aim to secure both finish and expression with celerity of execution. Any product which is both well designed and well finished must command a better price than if it is only well designed or only well finished. 5. From time to time, teachers should-vary somewhat their method of instruction. They should accustom their pupils to use different materials ; as the black- board, which permits such freedom of movement, should occasionally take the place of paper. They should not always require their pupils to draw from the flat, nor always from objects, nor always from the human figure. Indeed, the instruction should be judiciously gradu- ated, with ever something of variety for the purpose both of better pleasing and better disciplining. 6. After a little preliminary practice in the drawing and division of lines, pupils should begin with exercises in drawing from flat copies, which should be symmetrically regular; that is, geometrical or conventionalized forms, without perspective and without shading. These exer- DBA WING. 181 cises should be continued long enough to familiarize the learner with pure form ; to familiarize him with the leading principles of design, especially as applied to textile fabrics and to all flat ornamentation j to familiar- ize him with the different styles of decorative art, both ancient and modern. The copies, therefore, should be largely historical, and the most beauti- ful it is possible to select. When the pupils have thus become acquainted with what has been done, and have learned the principles according to which it was done, they will be prepared not only to reproduce intelli- gently, but to originate intelligently : indeed, while they are working at their copies, they should be con- stantly required to produce new designs, which they will be both able and pleased to do, and thus will be- come much more than mere copyists. Again : the taste of the pupils especially if " taste is the recollection of the beautiful," as it has been defined must be greatly improved by the long study of such beautiful forms as the copies will furnish. When the pupils have learned to draw regular forms, which permit them to verify their work and to deter- mine whether their drawings are accurate or not, then, and not till then, should they begin to draw irregular forms, like those in nature, which do not permit them to verify their work and determine whether or not their 16 182 TECHNICAL EDUCATION. drawings are accurate. If the pupils cannot learn to draw regular forms accurately, it is absurd to expect that they will ever learn to draw accurately forms which are irregular. Until they are able to do the first with a good degree of success, they should not be set about doing the second. The symmetrical should therefore precede the unsymmetrical : that which can be verified should precede that which cannot be verified. A little intermixture, perhaps, of the latter with the for- mer, for the sake of variety, may not be objectionable. But when it comes to drawing from nature, from unsymmet- rical objects, what should be the general character of such drawing in the public schools ? As a chief reason for putting drawing into the public schools must be in- dustrial, it is evident that those natural objects should be first taken which have the most to do with practical art. It is the vegetable world, not the animal world, nor the human figure, from which practical art, both ancient and modern, has derived the greater portion of its principles and its designs. It is particularly appro- priate, therefore, that pupils in the public schools should first learn to draw those vegetable forms leaves, flowers, vines which have contributed so much to practical art. Useful as it undoubtedly is, especially in the matter of discipline, to draw the human figure, yet it is an indirect and laborious way of reaching DRAWING. 183 practical results. Indeed, it may well be questioned whether satisfactory results can ever be reached in this way alone, as some have claimed. 7. Taken at the proper .time, but not at the outset, it is clear that drawing from geometrical models and beautiful artificial objects, from beautiful ornaments in relief, and from graceful casts, is of the most unquestion- able value, both industrial and purely artistic. The pupils thus learn to represent on paper objects hav- ing the three dimensions. For industrial purposes, the value consists mainly in disciplining the imagi- nation, training the eye, and improving the taste. Every artisan should be so thoroughly trained in this species of drawing as to be able to see mentally the exact form of any object he is required to construct, determining at once the direction of each line. If it is a beautiful object that is required, he should be able to make it, which he can never do unless he is first able to discriminate between what is, and what is not, beautiful. This species of drawing involves somewhat of perspec- tive, of light and shade, things which are indirectly of much industrial value, while they lead directly to the highest artistic results. 8. Drawing with instruments, which is almost wholly practical in its applications, can and should be taught in the public schools. While the great object is to train 184 TECHNICAL EDUCATION. the hand and eye, to teach the principles of design, to discipline the judgment and cultivate the taste, by freehand drawing, yet the industrial applications of drawing, which can only be mastered by the use of instruments, are so many, and so exceedingly important, that the ruler, triangle, compasses, and bow-pen, if noth- ing more, should find a place in all public schools except the primary. The evidence shows that chil- dren from ten to thirteen years of age, if properly taught, can be made to comprehend, and to execute with instruments, not only linear drawings, based on plane geometry, but working-drawings, which involve the principles of projection, and are based on descriptive geometry. It is very essential that each artisan should know enough of the principles of projection to be able at least to read the working-drawings which are placed in his hand, if he has not skill enough to make such drawings. Very few American artisans, whether car- penters, ship-builders, masons, machinists, or others, now know enough to do this ; and so they are obliged to work under constant supervision, and at reduced wages. It is not the business of the common schools to make draughtsmen, but to teach all enough of the theory and applications of projection to meet this universal want -of artisans. The finished draughtsmen must be the product of the special schools. A knowledge of DBATVING. 185 perspective, which is the drawing of objects as they appear, is most readily obtained after a knowledge of projection (orthographic), which is the drawing of objects as they are. Even the artist, therefore, is served by a knowledge of the general principles involved in working-drawings. Again: there is no one of either sex who can well aiford to dispense with the peculiar discipline which is derived from instrumental drawing. The use of instruments should alternate with freehand practice. 9. The pupils should not be wholly dependent on the teacher for instruction, as some have thought it best they should be. Above the primary schools a printed text should go with all the copies (whether the copies are in books or on charts), and with all models (whether for freehand or instrumental practice). This text, carefully prepared, will afford a clearer explanation than can usu- ally be given off-hand by the teacher; and, further, the pupils can go over it again and again until it is fully comprehended. With a text for their guidance, the pupils can make much more rapid and more intelligent progress than they can possibly make without it; while the labor of the teacher is thereby greatly diminished. Even with a good text in the hands of his pupils, the teacher will find enough to do in the teaching of draw- ing, as he finds enough to do in teaching arithmetic, his 186 TECHNICAL EDUCATION. pupils having a book for their guidance. The teacher must often give dictation-exercises, that the pupils may learn to imagine the form of a drawing from the oral description, as, in actual life, they must frequently imagine the forms of objects from oral descriptions. The pupils having executed the drawings, each according to his interpretation of the oral description, the teacher then places the drawing on the blackboard, that the pupils may see whether they interpreted the oral descrip- tion correctly. Again : the teacher should often exercise the pupils in reproducing from memory drawings previ- ously executed, whether from flat copies or from models. But, after making due allowance for all methods and devices, the progress of the pupils will be greatly u< << 1- erated if each has a text telling how to execute tho given exercises, and describing the principles of drawing and designing. Indeed, it should never be forgotten that one of the great objects of early education is to teach pupils to use books readily, in order that they may continue to advance in their studies after leaving school, when they have no teacher to direct, but must rely wholly upon books. To-day very few American artisans are able to obtain instruction from even the best pre- pared book, because they find it so difficult to interpret printed language. 10. Like the flat copies, the models and other objects DRAWING. 187 placed before the pupils should be the most beautiful it is possible to obtain. Well-appointed museums which can be frequently visited by the pupils will greatly aid in the development of correct taste. So, too, the taste will be decidedly influenced by the architecture which comes under the daily observation. 11. When logical demonstration can be supple- mented, as often it may be, by graphic demonstration, the understanding of any subject is always rendered much easier. For this reason, the power to draw is of great service to the teacher, and should be acquired by every one who aims .to do the best work in the school- room. When acquired, it should be frequently used for the amusement and instruction of the pupils in various branches of study. THE FRENCH IMPERIAL COMMISSION. [See Chap 2, for particulars about the French Imperial Commission, to whom what follows for a number of pages is accredited.] In his evidence before the commission, Rev. Father Baudiue, assistant superior of the Christian Brothers' School, says : "A scries of drawing copy-books was published in 1860, adapted to popularize the drawing of ornament in all schools, from tho village school to the middle-class school of large towns. In tho method adopted in giving this elementary instruction in the draw- 188 TECHNICAL EDUCATION. ing of ornament, care is taken to select copies on good grounds only ; that is to say, either on the score of taste or style. Every study, every fragment, has a name attached to it, giving the char- acter of the style to which it belongs. Thus, after going through the course of copy-books, the pupil can easily distinguish between Grecian, Roman, Byzantine, Gothic, Renaissance, &c., orders of ornamentation, and is even sufficiently advanced to make an origi- nal design belonging to one of those orders. "Drawing from the cast, and modelling, naturally follows on that of ornament; but the little time which the junior pupils can devote to the subject permits this branch to be carried on only in the adult evening classes. To ornamental drawing ought to be added geo- metrical drawing; being of much more importance to the working- classes. The method adopted in teaching fliis subject consists in hanging up before the class a large sheet, four feet by three, con- taining copies of joiner's work, upholstery, carpentry, architecture, and machines. The pupils have by them figured sketches of these copies so as to be able to reproduce on their books these copies to any required scale. ' By this means, a class of from fifty to sixty, and even a hundred, pupils can work at the same subject, and follow the ex- planations of the teacher. To facilitate still more the study of this subject, and in order that the pupils may have a better knowledge of what objects they reproduce, they have set before them solid models of the same objects as are on the large sheets, some in wood, others in plaster or cast metal. The models are cut by vertical or horizontal planes ; so that the details for the drawing are better understood. To these models others are added to be handled by the pupils themselves, that they may make sketches of them, with different elevations and plans. By this means it has been found possible to make children of from ten to thirteen years under- stand the theory of projections." DRAWING. 189 In his evidence before the commission, M. Delahaye, director of the Professional School at Batignolles, mem- ber of the Council of Head Masters of the Department of the Seine, thus expresses himself: " Great importance is attached to the teaching of drawing, so much so, that the boys of seven years old commence to learn draw- ing at the same time that they begin to learn to write. A peculiar method is adopted in this subject, which might, with advantage, be adopted in the primary schools. Paper ruled in squares is used ; so that, by the aid merely of the ruler and pen, a child can make many different drawings; which, it must be confessed, are not very artistic, but which accustom him to neatness, give him a notion of symmetry, and educate his taste. When these chil- dren come afterwards to the use of the compass and bow-pen, and to tint their drawings, their hand is practised, and often very skilful." In his evidence before the commission, M. Bardin, professor of Industrial Drawing to the Communal Schools of the City of Paris, says : " All the models that are put before them are accompanied by a descriptive text. Each of them comprehends and retains what he studies. He can work alone. The professor has only to correct the work, or to explain a point which has not been understood at first. These models, thus explained, have an immense advantage over an engraving which does not even bear an indication of the drawing that it represents ; besides which, a text accompanying a drawing 16* 190 TECHNICAL EDUCATION. is always more precise than the oral description that the master can give to each pupil, and helps to keep alive the remembrance of it." In his evidence before the commission, M. Lequien, director of the Communal School of Drawing in the Rue Meuilmontant, Paris, says : " I believe instruction in these subjects (linear and architectural drawing) to be indispensable to all engaged in the manufacture of furniture. Cabinet-making particularly would derive great bent-fir, both as regards the proportions, elegance, and purity of form, as well as regards the harmony of the mouldings, which are often dis- proportionate, or of different styles. A piece of furniture, no matter what it may be, whether a cabinet, sideboard, bed, or console, is nothing but an edifice applied to a useful purpose. Architectural design should lule the whole as well as the details ; and it is from the judicious combinations of these elements, arranged with a view to its use, that it derives its merit. Furniture dc-tim d for repose ought to be of simple construction : the ornaments with which it is often overloaded appear to be made rather to hide the clumsiness of its form than to embellish it. Ought not the furniture of a room to agree both in shape and color with the architecture ? It is a whole, each part of which should be in harmony. In this last part of the work the architect is often replaced by the paper- hanger, who, having no architectural or decorative knowledge, allows himself to be guided by the extravagant caprices of fashion or by a traditional routine. Again : bronzes, lustres, candclabras, cups, and the basement of a clock, may all be considered in relation to their architectural fitness. Ceramic art borrows its first and DRAWING. 191 principal value from form. No matter how great the merit of the paintings which ornament porcelain, it is the proportion and the elegance of the shape which ought to be the first consideration. In monumental art, statuary itself is subordinate, in its proportions and its effect, to the laws of the science of lines, which ought to pre- vail in every manufacture." In his evidence before the commission, M. Gerar- don, founder and director of the Central School at Lyons, professor at La Martiniere School, says : " The method by which descriptive geometry is taught is also peculiar, and well worthy of notice. For this study each pupil is furnished with a small tin box about eight inches long, four inches broad, and three-quarters of an inch in depth. This box is rilled with yellow wax, prepared so as not to turn hard. It represents to the pupil the horizontal plane of projection. The edge opposite to him is the ground line ; and he can imagine for himself the plane of elevation passing through this ground line. Small strips of iron wire serve to represent lines in space, the projections on the hori- zontal plane by laying them on the box, and those on the plane of elevation by fixing them on the edge which represents the ground line. The movement of these strips is effected by direction of the teacher; and the pupil is enabled easily to understand a diagram in descriptive geometry. " Instruction in drawing consists of machine-drawing in perspec- tive and projection, as well as of the method of tinting. At first the pupil draws on his slate to facilitate correction, and avoid waste of paper. The first models which he has to draw from are figures in iron wire, representing cubes, prisms, pyramids, &c. : then he draws 192 TECHNICAL EDUCATION. parts of machines, and finally complete machines. Afterwards he proceeds to drawing projections, first in figured sketches, and then in drawings to scale : finally he completes his studies by learning to tint. The pupils are arranged in a circle round the model, which is placed on a stand in the midst of them. They are seated on stools carrying a stage to support the slate or drawing-board. There is also a class for modelling and moulding; but it is not numerously attended. . . . " At the Central School, as at La Martiniere, the pupil, from his first entrance, begins to draw in perspective from models : then he passes quickly to projection, which is more closely connected with the labor of the workshop. As soon as he has acquired sufficient skill, the following plan is pursued : A model is placed before twelve or fourteen pupils ; the teacher takes it to pieces before them, ex- plains the principal arrangements, draws attention to the different forms, and, after having given all necessary explanations, removes the model. The pupil must then execute from memory, and with- out instruments, sketches of the whole, and of the details and sections required by the teacher. When the time fixed for the exe- cution of this drawing from memory has elapsed, the model is re- placed before the pupils : the teacher points out the corrections to be made ; and a pupil placed close to the model takes all the meas- urements, and dictates the dimensions. The model is once more removed ; and from the sketch the pupil must now make a drawing to scale. This kind of work, and a little drawing of ornament, and practice in tinting, constitute the study of the first year. During the second and third year, the pupils, while continuing from time to time the drawing from memory, pass on to another kind of study. Drawings of machines are given to them, but not to be servilely copied : they are required to draw a section on a line marked on the DRAWING. 193 drawing. In this way the pupil can never copy a drawing without understanding it : he must analyze it in all its particulars for him- self. To others, again, is given a drawing, as, for example, of a steam-engine, taken from some work on machinery, together with the text which accompanies it. The teacher explains to the pupil a certain portion of the machine, the cylinder, for instance, with the arrangement of its parts : the latter must then draw every piece of it (as if it were taken completely to pieces) to a certain fixed scale. When this work is finished, the copy is removed ; and the pupil must proceed to draw the whole from the drawings which he has already made of the parts. In these two divisions the young men are also practised in making designs of parts of machines accord- ing to the principles of the strength of materials, which they have learned in school ; designs for hoilers according to the principles of physics; designs of machines or of buildings of all kinds, as applications of the sciences which they have studied at school. As a supplement to the study of drawing, the pupils of the second and third years visit, every Thursday, certain manufac- tories which are fixed upon, and must bring back figured sketches of some of the machines : these they must afterwards reproduce as finished drawings to scale. Afterwards, from all these drawings, a selection is made of those which possess most interest, or are of the greatest utility ; and, these being lithographed, an album is made, intended specially for the use of the pupils of the school." In his evidence before the commission, M. Malet, professor at the Imperial Artillery School at Douai, says : " The class in drawing meets every day from half-past twelve to two o'clock. Formerly it used to meet from five to seven ; and prob- 17 194 TECHNICAL EDUCATION. ably the old arrangement will be resumed, as it had the advantage of accustoming the pupils to draw both by artificial light and by day- light. The class contains about seventy or eighty pupils, of from thirteen to fourteen years of age. As to the method of instruction, it is that which is generally adopted : the basis is the study of the figure, and effect is obtained by line shading. But this method, though good in principle, is, in the opinion of M. Malct, not one which is to be recommended for those who are not fine-art students, but have need of the power of sketching rapidly and accurately. He would wish to see introduced three divisions one preparatory, another industrial, and the third artistic for the students who wish to become artists, and aspire to the Fine Art School (Ecole des Beaux Arts)." In his evidence before the commission M. Gouin, civil engineer, Paris, says : "Nothing is more difficult to form than a machine designer and mechanical engineer. A hundred engineers for making railways can be found before one who can make a good machine is discovered. To become a good mechanical engineer great patience is required : five or. six years must be passed in a drawing office, and a year or two in making tracings, so as to know a machine as a whole, as well as its details, and not to be obliged to have recourse to calcu- lation or drawings to know how to trace a piece which has to be made. Just as an artist is not compelled to measure every time the proportion of the head to the body to make a correct study of the figure, but has it all in his eye, so a machine designer ought to have in his head all the relations of the different parts of a machine. This knowledge is only acquired after a prolonged examination of excellent models." DRAWING. 195 In their elaborate report, based upon their wide in- vestigations, the Imperial Commission say : " One immediate conclusion from the facts above stated is, that drawing, in all its applications, may and must be regarded as one of the simplest and most direct means which technical education can employ; since it renders visible to the eye, and perceptible to the mind, most of the propositions of elementary and descriptive geometry with their applications, and likewise affords the means of submitting to calculation many mechanical phenomena and the pro- portions of the constituent parts of machines. Moreover, in all that concerns the art of construction, drawing familiarizes the pupil with execution and with the proportions which science or practice have sanctioned. " All these considerations have led the commission to propose: " 1. That, for the instruction of apprentices and workmen, it is advisable to encourage, in preference to purely oral lectures, the establishment of regular classes to be held especially on Sundays or in the evenings of working-days. " 2. That this teaching should not be at all dogmatical, but should make it a rule to explain in the simplest possible manner the principles of science by the aid of facts, and by showing their application. "3. Lastly, that drawing, with all its applications to the differ- ent industrial arts, should be considered as the principal means to be employed in technical instruction. . . . " Drawing is, in all branches of industrial art, a means so evident, so useful, and so indispensable for embodying the conceptions of the mind, for studying and fixing the forms to be given to produc- tions, for rendering the creative idea, that there can be no need of 196 TECHNICAL EDUCATION. insisting on the necessity of developing that branch of instruction which has for its object the diffusion of such an acquirement among artisans of every class. This necessity, which has long been deeply felt in France, has led to the multiplication, in the great industrial centres, of schools for art and scientific drawing, which, while offer- ing to the national taste the means of manifesting itself, have hitherto secured to French industry a great superiority in a largo portion of its manufactures. " The Universal Exhibition of 1855, and especially that of Lon- don in 1862, have clearly shown the results which England has already obtained from the immense efforts among others the establishment of the splendid museum at Kensington she has made, ever since 1852, to deprive France of that superiority in tho works of industrial art, which the first exhibition of 1852 had proved to be indisputable. Soon after this exhibition, the most competent judges in England, far from refusing to acknowledge the pre-emi- nence of our artists over theirs, publicly proclaimed it; and, with the promptitude and active energy peculiar to their nation, they set about diffusing through all classes of society a taste for drawing and the arts, not only among working-men and artists, but also among the general public. " The English Government, abandoning its principle of non- intervention in home administration, decided at this period on taking up the general organization of art education, and formed in the privy council, a new section under the name of ' Science and Art Department,' especially charged with propagating the study of drawing. " The institutions dependent on the Science and Art Department are divided into two categories : " ' 1. Public Teaching : Schools of art and local associations of pri- DRAWING. 197 mary schools for teaching drawing ; annual inspections of the local schools and primary schools combined in associations ; annual local competitions; Central Museum at Kensington; loans of models and books on art from the museum to local schools ; exhibition in the localities of the articles thus lent; pecuniary grants to the local schools for purchasing models, and, in certain cases, towards the expense of first establishment. " ' 2. Training of Art Masters: Examinations of fitness, and graduated certificates ; free admission of exhibitioners from the schools of art, and of pupil-teachers intended to become art-masters ; normal school of art; certificates of fitness to teach elementary drawing, given upon examination to primary school-teachers of either sex/ "Notwithstanding this organization, which would seem to indi- cate that the Art Department has become a sort of university for teaching drawing, acting like the French University for Literature and Science, the action of the department is limited to encouraging local or private foundations, to directing their efforts, to preparing and training capable teachers, and to indicating by general pro- grammes the proper course to be followed. " The summary programme of the central schools of drawing is as follows : " ' 1 . Elementary Course : Geometrical drawing, linear perspec- tive, free-hand drawing with shading, drawing from reliefs, figure-drawing from lithographed or engraved models, principle of water-color drawing. " ' 2. Superior Course : Drawing from relief, painting, ornaments, flowers, still life, landscape. "'3. Special or Technical Course: Art anatomy, elementary com- position, designing, modelling, architectural and machine drawing.' 17* 198 TECHNICAL EDUCATION. " MM. Marguerin and Mothere's remarkable report, from which we have copied the above, contains very complete informa- tion respecting all this organization, which, iu 1861, taught draw- ing to 91,836 pupils, more or less advanced. "Everybody knows the magnificent Art Museum at South Ken- sington, for the founding of which the Science and Art Department has collected from all quarters masterpieces of every kind, at a total expense to the State of not less than a million pounds sterling since 1852. Besides this outlay for first establishment, the Art De- partment has a yearly grant of eighty thousand pounds sterling. " By the extent of the resources placed at the disposal of this special and new department, created for the purpose of enabling English industry to compete with ours, an opinion may be formed of the importance rightly attributed in England to the participation of the art of design in all industrial productions. . . . " England is not the only rival of French industry which has recognized its superiority with regard to works which require the aid of art and taste. Germany, moved by the same sentiment, has organized, since 1852, at less cost, but perhaps with as much success, drawing-schools of different degrees. In all the practical schools and in the polytechnic institutions, the teaching of drawing holds a prominent place. . . . " The drawing-school which is justly regarded as the best in Central Germany is that of Nuremberg, the director of which has laid down the principle, that, to become a skilful industrial artist, it is indispensable first to study art in all its varieties. Under his energetic supervision a great number of professors and artists have been trained, who have disseminated good methods, and have brought about in the productions of industry, especially in those of Nuremberg, a most remarkable artistic improvement. . . . DRAWING, 199 " If the teaching of the art of drawing, considered as a whole, and with its principal varieties, should be regarded from a generally elevated point of view, even when the sole object is its application to the works of industry, it is advisable that the pupils should suc- cessively cultivate the higher branches, the human figure, archi- tecture, ornament, modelling, and sculpture on wood and stone; so that one and the same composition or subject may be conceived, treated, and executed by the same artist. To provide against the prin- cipal idea of a work being either weakened or entirely lost, the artist should be so far instructed in the different branches as not to be obliged, as some historical painters have been in times past, to get the architecture of their buildings drawn by one assistant, the land- scape by a second, and sometimes the horses by a third. The his- tory of the art and of the styles which have prevailed, and characterize the productions of different epochs, ought also to be the object of serious study; so that the artist may not be in danger of jumbling together in the same production the forms and ornaments belong- ing to very different periods and styles, as was the case with many of the English exhibitors in 1862. On this account, the demand for the founding of a superior school of industrial art, made in 1850 by the leading Parisian artists, appears to be well founded. " Besides the study of artistic drawing, properly so called, that of linear drawing, based on geometrical principles, has also been widely extended in Germany. Descriptive geometry is taught ele- mentarily, and with entirely practical applications, in the drawing- classes opened for artisans : there they also acquire the theory of projections. . . . "Independently of the question of taste and art, which is of such vital importance for a great number of the higher branches of French industry, there is also a necessity, as many of the members 200 TECHNICAL EDUCATION. of the commission have remarked, for introducing first into the primary schools, then into the technical classes of all kinds, the teaching and practice of geometrical drawing. This subject presents for the instruction of artisans the twofold advantage of giving the exact representation of the forms and proportions of objects, and the not less important one of supplying with the aid of models and simple apparatus, in a great number of cases, a direct means of demonstration. From this point of view, the teaching of geometrical drawing may be considered as a most effective aux- iliary means in the method adopted for the technical instruction of workmen. Convinced of this truth, the commission expressed the following opinion : " ' The commission attaches great importance to extending the teaching of geometrical drawing as well in primary schools as in establishments devoted to technical instruction. It regards geomet- rical drawing as a most useful training for the practice of various trades, and as an excellent means of direct demonstration.' " The English editor of the report, as printed by the English Government, adds a note to the following effect : " It may be remarked, however, that, in instruction in linear and machine drawing, we are much behind the countries of the Conti- nent. It is not unusual to find in the drawing-offices of our great machine-works foreign draughtsmen. One of the reasons for this, no doubt, is the smaller rate of wages at which they can be obtained ; but it seems, also, that the special instruction they have received in really scientific drawing gives them great advantage over the English draughtsman, who has studied his art only by rule of DRAWING. 201 thumb. A reference to the table of the attendance at the govern- ment science classes will show, that, since the year 1864, the number of students attending the three drawing subjects practical and descriptive geometry, machine construction and drawing, and build- ing construction and drawing has steadily and considerably in- creased. When practically and scientifically taught, the subject of descriptive geometry takes the place of mathematics in the tech- nical training of those, who, from their limited elementary education, cannot appreciate the value of rigid mathematical proof, nor com- prehend the use of formulae." The sub-commission of the French Imperial Com- mission, appointed to inquire into the state of technical instruction in Germany and Switzerland, say in their general report : " We may add as a general fact, that, in all kinds of technical instruction whatever, freehand and linear drawing rightly hold a prominent place ; that they serve as a means of teaching by afford- ing ocular demonstration of many matters which could scarcely be well understood by merely mental effort. As for the methods fol- lowed for this special teaching, that which without exception, from the high school of Nuremberg to the humblest village classes in Wurtemberg has always and everywhere been most successful is the one proposed by the late M. Dupuis, which has been too much neglected in France. It consists, as everybody knows, in making the pupils, either at the very outset, or after a few attempts at copy- ing model drawings (to give freedom to the hand, and accustom it to act in accord with the eye), draw from subjects in relief: at first very simple, then combined and varied in position ; rising gradually 202 TECHNICAL EDUCATION. from subjects of ornaments in relief to drawing from the round or from nature. With a few unimportant modifications, this system is found in nearly all the schools of Germany. Persuaded as we are that one of the first and most important measures to be taken in organ- izing industrial education consists in teaching everywhere the art of drawing, we feel bound at once to call attention to the choice of this method." In their special report on Austria, the sub-commis- sion say: "Drawing is taught in the earliest classes from models in relief; and no copying is allowed, except for the purpose of teaching pupils to handle the pencil at the very outset. In the first year, the pupils of the first class, eleven years of age, practise freehand and elementary geometrical drawing, and make sketches of solid bodies and of geo- metrical forms, after models like those used in the Dupuis method. The use of rule and compasses is not permitted. They thus con- tinue freehand drawings of ornaments from casts, make copies of heads, and finish by drawing from the round. In the third class, which contains pupils from thirteen to fifteen years of age, drawing receives considerable extension, especially with regard to its appli- cation to the practice of the trades the pupils intend to follow. With this view, special care is taken to make each pupil execute the designs which are most likely to be useful to him. For teaching descriptive geometry, much use is made of rectangular planes and pins, which render sensible to the eye all the rules of the projec- tions. This, in fact, is the mode of teaching which has been pro- posed and employed by M. Olivier, professor at the Conservatory of Arts and Trades. His apparatus consists of two wooden planes DRAWING. 203 articulated with hinges, and covered with cork, in which the pins are stuck to represent the lines of projection. " The choice and number of the subjects treated in the three- years' studies are such that the young men who intend to follow the practical industries of constructing buildings or machines may obtain in the lower practical schools sufficient instruction to become master-builders, capable of understanding the plans to be executed, and of representing their own ideas in drawings. These lower schools are, therefore, well adapted for giving the pupils the theo- retical instruction calculated to make them clever master-workmen, foremen, and conductors of works, when they shall have acquired the practical part of their trades in workshops and building-yards. The pupils who wish to continue their studies pass on to the fourth, fifth, and sixth classes, in which the teaching of drawing is at once theoretical and practical. . . . " Of all the practical schools in Germany, that of Prague is cer- tainly the one where linear drawing is best taught; and we are inclined to attribute this fact to the attention given from the very outset to the practice of freehand drawing, which early habituates the pupil to trace his lines with a light hand." In their special report on Bavaria, the sub-commis- sion say of Nuremberg : " In this town, so noted for its various manufactures, there are several drawing-schools of different degrees, according to the trade the pupils intend to follow. The first and most important is the higher school of industrial drawing conducted by M. Kroling. It is justly regarded in Germany as the one which has rendered most service to industry. In order that the pupils may, in a few years ; 204 TECHNICAL EDUCATION. acquire some real skill, none are admitted but those who havo already attained considerable proficiency. The principle adopted by the professor of this school is, that, in order to form good in- dustrial draughtsmen, the pupils must pass through all the dinars of artistic drawing ; so that they may be able, in the very varied and different combinations required by manufacturers, to blend judi- ciously and harmoniously all the various kinds, without there being any necessity, as too often happens, for having recourse to one artist for the architectural part, to another for the figures, and to a third for the ornaments, &c. "As for the method of teaching, it is exclusively based on draw- ing from models in relief, graduated according to the proficiency of the learners, and advancing from the simplest models to the finest left by ancient art, and then to nature. The talented director expresses his antipathy to copying from lithographs, which he regards as caligraphy, not drawing. In accordance witli these principles, he has formed for his pupils very fine and very complete collections of models. The teaching is distributed in three divis- ions : 1. Drawing of ornament; 2. Drawing from the antique ; 3. Drawing from nature. After attaining proficiency in drawing, the pupils pass on to modelling and sculpture in wood and stone: then, as soon as they have attained a certain degree of skill, they have to compose designs, and to model and carve them. " The general opinion of the persons who have made a study of questions connected with teaching, not only in Bavaria, but also in other parts of Germany, is, that the Nuremberg school has con- tributed more than any other to the progress of the national in- dustry. This progress is especially manifest in the very decided improvement in the manufacture of children's toys, which are one of the staple productions of the country. For some years past, the DRAWING. 205 improvement in the forms of the articles, whether moulded in clay, or sculptured in wood, with which the Nuremberg manufacturers supply the shops of Paris, has shown us that great progress must have been made in the teaching of drawing ; and ample confirmation of this opinion may be obtained on visiting the higher drawing- schools of this town. The Parisian manufacturers, though superior in other matters dependent on the arts of design, are, with regard to children's toys, very inferior to the Nuremberg artisans. " As a preparation for the higher drawing-school, there is an elementary school, with courses occupying two years. The first, of eight hours per week, is entirely devoted to freehand draw- ing, beginning with exercises on straight lines and curves, on plane surfaces, on symmetrical and regular bodies, and on simplex and complex ornaments, finishing with compositions. The second course, of six hours per week, is devoted to drawing ornaments, to drawing from the round, from the antique, and also to drawing furniture." In their special report on Wurtemberg, the sub-com- mission say : " One of the most remarkable features in the primary schools of Wurtemberg is the extraordinary attention paid to the teaching of drawing. The Department of Trade and Manufactures has per- suaded the Ministry of Public Instruction and Worship to add classes for industrial drawing to all these schools ; and the ministry has had the wisdom to leave to that department the care of organ- izing and superintending their progress. They were founded, aftei the Universal Exhibition of 1851, to enable the manufacturers of the country to compete with France in the industrial arts. These 18 206 TECHNICAL EDUCATION. schools were at first gratuitous ; but experience proved that at- tendance was better secured by requiring a small payment, varying, according to the means of parents, from half a florin to twelve florins a yean " The teachers are, as far as possible, chosen from among the workmen or masters of the chief industries of the place, who, hav- ing been taught in the same schools, have there acquired the requisite knowledge. But these workmen thus made teachers do not abandon their trades, and receive only an indemnity of about two florins per hour's lesson. They generally give three a week, of two hours each, from seven to nine o'clock in the evening. At Geiss- lingen, for instance, there is a school where a hundred and eighty scholars are taught by a master mason. In more than one parish the heads of establishments have so well appreciated the importance of this instruction, that they themselves send their young work- men and apprentices to the schools. It has been remarked that artists of considerable talent have not succeeded so well as masters, as mere artisans ; which proves that there would not be so much difficulty as is supposed in expeditiously training teachers for this kind of schools. " The Department of Trade has adopted examples to be used in all these schools, of which the first series, intended for beginners, consists of lithographs, easy, and few in number, merely for prac- tice, to give freedom to the hand while accustoming the pupil to guide it by the eye. The next step for the pupils is to draw from plaster models, graduated from the most simple figures to the finest casts from the antique, which are reserved for the principal schools. These models are supplied by an artist of Stuttgart, according to a tariff approved by the Department of Trade. They are delivered by him to the parish schools, which pay for them ; but, at the end DRAWING. 207 of the year, the department pays back to the schools one half the sum so disbursed. Besides these models in relief, the Department of Trade has formed a collection of the best publications on industrial art, from the most costly to the humblest albums of furniture, cabinet-work, bronzes, &c. It distributes these works throughout the country, lending them to the masters of the schools for a certain period, usually one month. They must be returned in fair condition ; and any damage suffered must be made good. " Every other year, the schools send to Stuttgart a collection of their drawings of all kinds for exhibition; after which prizes are given to those which sent the finest productions. The masters themselves are invited to attend this exhibition, and to control the awards made. From among the most skilful masters a certain number are chosen, who during the vacation, or at other times, go round to the schools as occasional inspectors, and suggest improve- ments to the musters ; sometimes even giving them private lessons. "Drawing also forms part of the instruction given in the normal school for primary teachers ; so that they may be able thereafter to teach their pupils the first elements. A few of the pupils who have shown most skill and taste arc sent to the Superior Art School at Nuremberg. " Thus there have been established in the kingdom of Wurtem- berg more than four hundred drawing-schools ; and this organiza- tion, which does not date back more than ten years, has already led to very decided improvements in the manufactures of the country. " It is satisfactory to know that the designers trained in these schools, if they evince any considerable degree of taste and inven- tion, easily find occupation in their own country. The more dis- tinguished among them are sometimes sent to France for improve- ment. Great emulation exists among the teachers and professors 208 TECHNICAL EDUCATION. of drawing ; and, besides the biennial exhibitions made by order of the government, an association has been formed by the masters, which, aided by voluntary contributions, has raised a fund for the purpose of organizing regular exhibitions of all the pupils' drawings, and for awarding prizes." The Imperial Commission, in their summary of the Inquiry on Professional Education, say : "Among all the branches of instruction, which in different degrees, from the highest to the lowest grade, can contribute to the technical education of either sex, draiving, in all its forms and (i/i/i/i- cations, has been almost unanimously regarded as t/ie one which it is most important to make common." REPLIES TO LORD STANLEY'S CIRCULAR. [See Chap. n. for the particulars ahout Lord Stanley's circular letter.] Mr. Ward, answering from Hamburg (Germany), says, giving the director of the Hamburg Trade School as authority : " Free drawing without instruments begins with drawing from wooden models, according to Heimerdinger's method, in which simple objects, such as tools used by joiners, engineers, c., are included ; attention being paid to the vocation of the pupil in the choice of the models. Ornamental drawing from plaster casts, in outline, and in respect to shading, then follows. Those pupils who devote themselves to building or ornamental trades study the figure from casts and anatomy. The metal-workers draw freely, without instruments, portions of machinery, &c. The mode of execution DBA WING. 209 (which is with lead-pencil, pen, brush, and rubber) is always the most suitable to the branch of technical art to which the pupil intends to devote himself. In close connection with this style of drawing are the exercises in ornamental design. Plants, flowers, and leaves are drawn from life ; and these drawings are used in designing. By these exercises the pupils become very soon independent of all help. Geometrical drawings are executed from large copies. The teachers explain the perfect principles of construction, and pay special attention to exactness in execution. When the pupil has acquired confidence in the use of his instruments, and has mastered the essential principles, the measuring and drawing of some simple and more complicated bodies follows. This class is attended by metul-workcrs, joiners, builders and carpenters, carriage-builders, ship-builders, &c. The instruction is imparted by measuring and drawing real objects, such as parts of machinery, tools, furniture, doors, windows, carriages, &c., according to fixed rules and speci- fied plans. " Instruction in freehand drawing can only be of use to the pupils when they use real objects, and not drawings. By the method pursued here, the hand needs no particular preparation, because the nearest model offers an example by which the hand and eye are both alike exercised, fto particular introduction to the rules of perspective is needed. The scholar learns to see correctly ; and his attention is directed to the principles of perspective by the teacher. " From the specimens of freehand drawing which were exhibited at Paris this year, it would appear that no method can compare with that here referred to, for producing a satisfactory result in a short time. The results of several other industrial schools are in this respect far behind those of the Hamburg School. Drawing from 18* 210 TECHNICAL EDUCATION. specimens should be entirely avoided in industrial schools, in free- hand as well as in geometrical and technical drawing. . . . " In all these trade schools (at Frankfort-on-the-Main) the greatest value is always placed upon the instruction in drawing. Freehand drawing is begun from the flat, and goes on, as soon as possible, to drawing from the round and from plaster casts ; in which particular regard is paid to ornament. Even with the more advanced pupils, less regard is paid to shading and the formation of shadows than to the outline. Only the best pupils are occasionally allowed to undertake shading, and then only with the stump. " Linear drawing is, as a rule, begun with the construction of geo- metric figures, by which the pupil is practised in the use of the rule, the compass, and the drawing-pen : he then proceeds to the copying of simple implements, to which succeeds drawing from wooden models, and, lastly, exercises in construction. " The descriptive geometry as taught at Stuttgart and Nurem- berg is very profitable for various trades, such as workers in tin, bookbinders, &c., as the pupils are taught the drawing of network, the intersection of plane surfaces, &c. With linear drawing it might be advisable, as far as possible, to divide it according to in- dustries, especially in the higher branches." From Paris Lord Lyons sends, among other things, the methods prescribed by the government for instruc- tion in the special schools. With reference to descriptive geometry, which is the basis of so much mechanical drawing, it is directed : "Many pupils find it difficult to represent to themselves the geometric figures in space, to read in space, as it is called : never- DRAWING. 211 theless, to read in space is an indispensable faculty for artisans and other persons following industrial pursuits ; and every effort must be made to develop it in the pupils of the special schools. The teachers of descriptive geometry should, therefore, make use of the planes with turning joints, and the stems furnished with points, which are used in the Conservatoire des Arts et Metiers, in order to represent straight lines and planes, and to render palpable their various respective positions. The pupils being provided with similar apparatus, but on a smaller scale should themselves realize the figures proposed. When all the pupils have finished their con- structions, the professor should exhibit his from every point of view, in order to accustom the eyes of the pupils to the different aspects under which it may appear : finally, suppressing lines and planes, he should draw on the board the material figure which he has just constructed, after having assured himself that all the pupils have read correctly in space, and have understood the relations of the lines and the planes. The instruction given in this way is slower ; but it keeps alive the attention of the young people. The method is, besides, indispensable for many of them. The success of the pupils in the study of projections, perspective, and cosmography, and as regards the works which they will one day have to under- take, depends entirely on their perfect understanding of this first part of the course ; which is, as it were, the alphabet of a more com- plex kind of reading. " It is well known that the data of a practical geometrical question are essentially numerical : thus a point is given by the distances of the two planes of projection, measured and expressed in metres and centimetres ; a straight line, by two of its numbered points, and, frequently, by a point and the angles which the straight line makes with the planes of projection, &c. The pupils should, 212 TECHNICAL EDUCATION. therefore, be early exercised in constructing on some given scale the data of the question proposed. The amplifications, the reductions, the changes of scale, ought to be rendered familiar to them by numerous examples. Every problem in the theory has its corre- spondent in numerical data; and all the plans are executed on a given scale. Furthermore, as the instruction is addressed to young people, who, as yet, are little accustomed to abstract considerations, their eyes ought to be constantly appealed to in aid of their under- standing. The professor should, therefore, propose numerous ex- amples in support of the principles propounded ; and the objects in relief should be placed before the pupils. The representation of bodies should be much dwelt upon. The proposed exercises arc, in the first place, useful in themselves, because they give to the pupils their first notions of frame-work (charpente) ; but the exercises are more especially beneficial by giving the pupils the habit of read- ing the language of projections, and of figuring to themselves objects in space. Lastly, every opportunity should be seized for representing simple applications to stone-cutting and the determi- nation of shadows : " Representation of a point and a straight line to trace the pro- jection of a cube, a prism, a pyramid ; some simple joinings of timber-work, such as joining with mortise and tenons, &c. ; pro- jections of a pair of principals ; representation of a plane, straight lines (droites), and perpendicular planes ; method of rabbeting(rafoztfe- ments), angle of two straights ; angles of two planes ; rotatory move- ment round a vertical axis ; applications ; intersections of a sphere and a plane ; curve of contact of a sphere with a circumscribed cylinder/' &c. DRAWING. 213 TESTIMONY OF ENGLISH ARTISANS. [See Chap. U. for particulars about the report of the English artisans \rlio were sent to the Paris Exhibition in 1867.] Benjamin Lucraft, chair-maker, says : " Having on other occasions, when in Paris, observed that lads of fourteen or fifteen years of age were intrusted with superior work to that of our lads in London, I determined to make the subject one of special inquiry ; and, while visiting one of the fac- tories already named, a good opportunity offered. Seeing some lads at work with the men in the carvers' shop, I went to the bench of one about fourteen. He was carving a chair-back of a mediaeval pattern, from a working-drawing : it was nearly finished, and well carved. Finding, from inquiry, that he had done the whole him- self, I expressed my surprise that one so young was found capable of carving so well, and was informed that boys at school are specially prepared for the trade they fancy, or that their friends have decided upon for them ; so that a boy about to be apprenticed to learn carving is instructed in ornamental drawing, modelling, and designing." Francis Kirchoff, glass-painter, reports : " The French work, when compared with the English, shows a greater diversity of design in construction, and more freedom and grace in the drawing of the ornament ; but, in excellence of color and pleasing harmony, the English glass is much superior," In his report, James Mackie, wood-carver, says : " I visited the Ecole Imptriale Specials pour I 'Application des 214 TECHNICAL EDUCATION. Beaux Arts a I' Industrie. On that occasion there was an exhi- bition of the works of the students ; and the number and variety were considerable and interesting. Conspicuous among the ex- hibits were some large models in clay. The minister of instruction had dictated the subject; and the following were the particulars given : A somewhat large tympanum of a pediment, to have the head of a bull for the centre, resting upon a shield, with accessories of boys, and festoons of fruit and flowers. The best was a very successful interpretation of the order given. A vase, intended to be executed in silver, was also modelled according to instructions. There were several competitors in each case. 1 hese studies were little more than good sketches in clay ; but it was evident that the students were learning a most useful lesson, that would stand them in good service when they went forth into the world. There were the usual school studies, both in clay modelling and drawing, or rather superior sketching ; the prettiness and high finish aimed at in the English schools being left alone. There were copies of casts of figures and ornament, drawings of natural leaves and flowers, sketches (from memory) of well-known works, original designs, and sketches done in a given time. All of them were interesting, and indicated great industry and a promise of excellence. It seemed abundantly clear that the system pursued was simple and rapid, and that the teaching and practice produced valuable results. It seems to have great vitality ; never being without deep and varied interest to the students, features that should distinguish every school, and without which they will assuredly fail in accomplishing the objects "sought to be attained. This system of being content with good sketching in all branches of instruction in art seems to be the life and soul of art as applied to maufactures. Good sketch- ing is acquired ; and, as few will require to gain a subsistence by DRAWING. 215 making finished pictures, a valuable and sufficient power is gained that is always in great request, and is never lost. " A visit to the exhibition of the works of the students of the Ecole Imperials Speciale de Dessin pour les Jeunes Personncs showed that the young ladies practised the same system with very profitable results, although in a less degree. Their studies partook largely of pen-and-ink drawings, with a view to the practice of the art of wood-engraving." E-. Baker, wood-carver, reports : " A knowledge of drawing being essential to a good carver, the schools of design in Paris are more numerous, and easier of access, than in London. Their system of teaching is superior for practical purposes to our own : it gives a better general idea of the object designed. Instead of exact outline, and a slow and tedious process of shading, they time their pupils, allow them more latitude, and get a better general resemblance of the object copied. Apprentices generally attend these schools in the evening. At the age of thirteen or fourteen, boys are apprenticed, serving three to five years, and are remunerated in proportion to what they earn. This encourages quickness. Being free at the age of seventeen or eighteen, they change their workshops, and gain experience, at the age when the mind is best suited for receiving instruction. At twenty-one he is already an experienced workman, just when our apprentices are merging from their semi-torpid existence." William Letheren, art-metal workman, says : " The skill of the smith is displayed in uniting the parts of a piece of iron-work, so that the different leaves and other parts, when completed, form a whole, blending one with the other. Then 216 TECHNICAL EDUCATION. we get use, durability, and ornament combined. This the older smiths made their study ; and it should be our aim to excel them. In this class of work, the workman must not only be practical, but have a knowledge of design and drawing. In this, as a rule, the English workmen are behind : for we may find many a good smith ; but, having no knowledge of drawing, he only destroys the good effect intended by the designer. " I think the schools of art have done much toward the improve- ment of the mechanic; but few avail themselves of the opportunity. The French have an advantage in this respect ; the master of nn apprentice is bound by law to give him two hours a day for edu- cation : and the class of schools formed for such have a peculiar advantage, inasmuch as the artisan is invited to bring specimens of work of whatever kind ; and prizes are awarded, at certain times, to those that excel. In this respect the French are far before the English." In his special report on the condition and habits of the French working-classes, Richard Whiteing says : " We are convinced a course of systematic instruction in the principles of design, and the nature of materials, is what is most needed in our art schools at the present day. It is not enough to give men the best examples to copy, the best materials to use : the greatest care should be taken to explain to them why those examples and those materials are considered the best ; to show them that beauty in the wrong place becomes deformity ; and how narrow is the boundary line, which in art, as indeed in every field of human endeavor, separates the sublime from the ridiculous. All, or nearly all, the faults which in the past were charged against DRAWING. 217 English design, were mainly traceable to the causes we have pointed out. It was not denied that there was beauty here and there in our houses, our furniture, our dress ; but what was complained of was, that those beauties were mostly chosen without any perception of harmony in their relation the one to the other. They were exotics from many climes, loosely jumbled together, each neutral- izing the effect of the other. Since the establishment of art schools in this country, we have made a much nearer approach to congruity of ornament ; but much yet remains to be done : whereas, in the earliest examples of French manufacture, there is always visible a certain sense of the becoming, a certain harmony of parts, and sub- jugation of details to one leading idea, a false one it may be, but still having a distinct individuality of its own. The word ' style ' is always on the French workman's lips ; and its claims are no less rigorously enforced in the inferior products of the industry of our neighbors than in their highest efforts in literature and in art." James Taylor, practical foreman of gas-fittings manu- factory, Birmingham, says : " With respect to education, I did not have an opportunity to notice much more than that the workpeople generally are much better up in fine arts than our people. This I think a great failing with the English, that they are not sufficiently educated in draw- ing and the fine arts. I think, unless there is something done in this direction, that we shall not retain the supremacy we now hold with respect to the chandelier trade. France has made such prog- ress in the trade these last few years, that, unless something is done in that direction, we shall not be able to keep pace with the French." 19 218 TECHNICAL EDUCATION. William Gorman, brass-founder, says : " Taking our o\vn productions in this branch generally, our great deficiency is in design, in which we are surpassed by most of the nations on the Continent : and the deficiency is not confined to ornamental articles; for the plain are frequently very bad in form. I balieve one great cause of this defect to be the custom which generally prevails of employing the workman to make his own patterns. If we are to maintain our position, we must pay more attention to form and design, and encourage education in this important direction." James Plampin, working-jeweller, reports : " Their superiority is in taste ; and taste is essentially a matter of education. Owing to the extent of this kind of education, the taste of the whole nation is higher than that of the English. While, perhaps, there are scarcely more than four out of two hundred English jewellers that can draw, from inquiries made there are scarcely four out of two hundred in France who cannot. Nor is this surprising, when we learn that drawing is regarded and taught more as an essential than as an accomplishment. As children, they are taught at the day-school, and that not occasionally, but as part of the usual routine." Frank J. Jackson, designer and art teacher from Birmingham, says, in his report of the Paris Ex- hibition : "One noticeable feature in French industry is the universal application of art, no object bein<* too mean for adornment ; and DRAWING. 219 every article capable of being turned into a thing of beauty receives its share of attention at the hands of the artist. To such an extent is this love of art carried, that mere mechanical finish is sacrificed at the shrine of beauty ; and we find that the very things we pride ourselves upon, and boast of achieving, are by them set at nought in favor of aiming at a higher quality. In England I find the matter is entirely different. Where there is an attempt to develop a better style of art, it is almost sure to be of a special and re- strictive character ; and it invariably occurs that the same house that will produce rare and costly works fails to devote that attention to ordinary wares, so as to raise their artistic character ; being content with ugliness, so long as the objects are perfect in polish, and have passed through the routine of processes that are ever dear to the mechanical mind. Again : the vitality of French art is very remarkable. In their search after novelty, they show a wholesome disregard for that which has gone before, and strike out with an amount of artistic daring that is startling, yet, never- theless, governed by such taste, that their very extravagances pass unchallenged, and surprise us into admiration. Their treatment of the human figure is, perhaps, of a more daring character than even their use of ornament, both of which are rendered with great warmth and brilliancy, qualities which are never neglected, what- ever style of decoration they may adopt. For example, the style now so much in use is the Greek ; but instead of its being the cold, severe style of the past, in their hands it becomes revivified, rivalling their favorite renaissance, and earning the name justly bestowed of 'Neo Grec.' . . . "The facilities for French students of industrial art are very great. Besides the ordinary academies, they have what are called * technical schools,' where, in the same institution, drawing is taught, 220 TECHNICAL EDUCATION. in which a knowledge of a trade to which art is to be applied can also be acquired, the fees for which are almost nominal. This class of school is, I think, of the utmost value, and clearly demonstrates that the French do really possess ' schools of practical art/ The system of drawing pursued, as far as I could judge from an exami- nation of many folios of drawings shown in the Exhibition, is very excellent. There seems to be no over-anxiety for fineness of out- line ; while in shading, the readiest method is generally adopted, more importance being attached to the realization of form, and less to mere manipulation. Great stress also seems to be laid upon drawing from the human figure, and flowers from nature. Most of the specimens I saw were very spiritedly executed, but scarcely up to the English notion of neatness. The method of teaching carried on in our government schools offers a marked contrast to that of the French. Examine the drawings that are occasionally exhibited, and it will be found that an immense amount of labor is spent upon fineness of line and mechanical finish. In this respect, I think we are decidedly in error; in fact, we begin at the wrong end. Fineness and neatness of line are the results of much practice, and in early training are of much less importance than the acquisition of correct notions of size, proportions, and forms : to insist too strongly on the former is to jeopardize the realization of the latter. Again : I do not think we have sufficient drawing from nature, from the human figure, or flowers ; and much of the students' time that is spent in making copies from the ' flat' would be more effectually employed in drawing from objects. Drawing from the ' flat ' is only the beginning of the end : whereas it too generally appears as if copying was the end itself. Still further, we are entirely without any institutions, that I am aware of, that will compare with the French technical schools, the importance of DRAWING. 221 which can scarcely be overrated. Our schools of design are not at all comparable with them ; for they give no evidence of a special course of instruction any more than is shown by ordinary private academies." Mr. James Hole, honorable secretary of the York- shire Union of Mechanics' Institutes, in a letter in 1868 to Lord Montagu, vice-president of the Committee of Council on Education, says : " Our art schools do not bear a sufficiently close relation to the actual work in which art workmen are engaged to give the latter a personal interest in the studies. The great merit of the trade schools on the Continent is the intimate relation they establish between the instruction in science and art, and its practical appli- cations. Our schools of art produce highly-elaborated works, much as if we aimed at producing artists rather than skilled workmen. The national medals are given for excellence in subjects interesting mainly to amateurs, artists, and professional teachers, painting from nature in colors, drawing from the antique, and design, but in which manufacturers and machinists have little share, as medals are not given for excellence in mechanical drawing. No examples for students to draw from are provided for the schools of art ; and those that are made use of in the Leeds School of Art (the centre of a machine-making district) are French drawings purchased in Paris. " Until the instruction of the schools can be made to have a more direct bearing upon industrial work, neither workingmen nor their employers can be expected to take a very strong interest in the schools. But once establish that relation, and it probably 19* 222 TECHNICAL EDUCATION. would not be difficult to induce employers to permit a small portion of the work-time to be devoted to the purpose of practically illus- trated brief lectures on the principles involved in their work. And, if the employers were thus enabled to see the importance of this union of knowledge with labor, artisans would likewise deem it an object of ambition ; and we should thus get some of the best results of the Continental trade schools. It is vain to expect that any considerable portion of our workmen will give up their hardly- earned leisure for studies the importance of which they cannot yet feel. During the recent discussions on this subject at Birming- ham, a manufacturer stated that he had introduced lessons on design into his workshop for the benefit of his apprentices, and with the most beneficial and satisfactory results." TESTIMONY OF SCOTT RUSSELL. Mr. J. Scott Russell, in his work on the " Systematic Technical Education of the English People," says : "It is not enough that the workman thoroughly masters the form which his work shall take : he must also be able to draw what we have called the three plans of his work on paper. This may be considered an unnecessary piece of skill for the man who has only to do the particular work assigned to him, and of which, probably, a perfect pattern is put before his eyes to guide him. But the mere seeing of his pattern is not adequate to superior execu- tion. Every bit of work which one man does has to fit into some other bit of work of some other man's doing. In work there are degrees, perfect fit and misfit of all grades. To make his work fit other people's, a man must know, not merely his own, but that of all about him. Each man should therefore understand the plans DRAWING. 223 ot the complete wo -k on which he and his fellows are engaged, in order to work well to the other's hand. The only way to get this thorough understanding of plans is to have learned to draw them one's self. Complete plan-drawing, applied to his own business, is therefore essential to a good workman." It was generally conceded by the artists of England, and by foreign visitors, that the textile manufactures from India were the most perfect in design of any that appeared in the London Exhibition, 1851. Owen Jones, the author of "The Grammar of Ornament," referring to this fact, says, " We see in the ornaments and articles from India the works of a people who are not allowed by their religion to draw the human form ; and it is probable, that to this cause we may attribute their great success in their ornamental works. Here in Europe we /rjpe been studying drawing from the human figure ; but It has not led us forward in the art of orna- mental design. Although the study of the human figure is useful in refining the taste, and teaching accu- rate observation, it is a roundabout way of learning to draw for the designer for manufactures." A simple glance at the programme of any special school for industrial education, even for agriculture or gardening, will show how much importance is attached to drawing in nearly all parts of Europe. Thus about 224 TECHNICAL EDUCATION. one-half of the time, on an average, is devoted to draw- ing in all the trade schools of Germany ; which schools are for the instruction of apprentices and master arti- sans. In the lower practical schools, not designed for any particular industry, from two to four hours a week are consumed in drawing ; while, in the higher practical schools, drawing occupies from one-quarter to one-third of the time. In the technical universities and colleges, the students give about one-half of their time to draw- ing. Some, of course, give more, some less, according to the department of industry for which they are pre- paring. What is true of Germany is true of France, of Switzerland, and of other European countries. Then below all this lies that earlier instruction in drawing which is almost universally given in the elementary schools, where the education of the whole people begins. BELGIAN TESTIMONY. A congress to examine into the best methods of mak- ing artistic instruction general was held at Brussels, Sept. 21-23, 1868. This congress was attended by a large number of teachers and inspectors of drawing from the Belgian academies, by Belgian painters and sculptors, and by delegates from various foreign coun- tries. In his opening address, denning the object of DRAWING. 225 the congress, the questions to be discussed, M. Viss- chers, member of the Board of Mines, and president of the Committee of Organization, said : "GENTLEMEN, You have all seen the remarkable exposition of drawings by the pupils of our academies and our free schools. A jury, composed of competent men, has been commissioned to judge of these productions, and to propose to the government the distribution of suitable rewards, to be given to the authors of the best works. Our duty, on the other hand, will be to examine the questions contained in our programme, ' the extension of the instruction in the principles of drawing to all the primary schools, and re-organization of the artistic instruction imparted in the sec- ondary and higher schools.' The subject before us to-day is insepa- rably interwoven with the true interests of the mass of the people, the advancement of industry, the useful and the fine arts. The question is, by what means we can place in the hands of all men, particularly the working-man and mechanic, a new instrument to increase their personal capital, the power of usefulness and enjoy- ment/' As with other educational subjects, the discussion which followed developed a variety of opinions, more or less divergent, as to the best manner of teaching draw- ing. It was generally agreed, however, that drawing ought to be introduced into all the primary schools, and should consist chiefly of linear drawing. M. Vou Marke said he would begin with straight 226 TECHNICAL EDUCATION. lines, then proceed to geometrical figures, followed by rectilinear designs, and then by those having curved lines, advancing to ornaments. The pupil could now take up drawing from nature with advantage, copying solids first, then models of simple ornament, gradually advancing to things more elaborate and difficult. Having been urged by many members of the con- gress, M. Hendricks, whose method of teaching draw- ing has been widely commended in Europe, described it, in brief, thus : MISTAKEN STUDY OF THE HUMAN FIGURE. "I must state here, that I had investigated every thing carefully before I became aware of the evil (the deplorable state of instruc- tion in drawing in its application to industry and the different trades), and found that it consisted alone in confused ideas on the part of teachers. In my opinion, this evil is not the conse- quence of want of talent in those who teach : on the contrary, many of our teachers are very competent ; and by far the greater number possess undoubted talent. No : the fault lies in another direction, in that too frequent and widespread mistake, that the study of the human figure suffices, and ought to precede every thing else, how inferior soever the trade may be to which the pupil intends to devote himself. There lies the mistake, and the generally-acknowledged decline of our artistic teaching in its appli- cations to the various branches of our national labor. I will prove this by mentioning a few simple statistics. Upwards of ten thousand pupils attend annually our various academies and schools of design ; DRAWING. 227 and the majority of them have practised nothing but copying the human figure from engravings or plaster casts. Now, if this exclu- sive study was sufficient, ought not our manufactures, as a general rule, to show the highest artistic taste? We all know that this is far from being the case. Nobody will deny that the study of the human figure is the basis of all purely artistic teaching. But it may likewise be very justly remarked, that several branches of art such as the painting of landscapes, flowers, views of cities, naval scenes, and many other subjects have been cultivated to their high- est degree of perfection, without their authors being able to show a profound knowledge of the study of the human figure. A great number of other less important branches of art may likewise thrive without having this study for their basis. To the decorator or ornamental sculptor, the natural kingdoms furnish a large number of other elements which are just as indispensable for him. The foundation of his whole art lies, more than anywhere else, in the study of the various phenomena presented by the vegetable king- dom, from whose inexhaustible sources, he, from time immemorial, has drawn the ideas for his most beautiful creations, and his happi- est applications to useful objects, as well as for the architectural designs which antiquity has bequeathed to us. GEOMETRY THE TRUE BASIS OP ALL ELEMENTRY DRAWING. " According to my idea, all elementary drawing should take, as its foundation, geometry, and make the elements of this science subservient to the analysis of artistic forms, in such a manner that they are not an inanimate instrument only, but, on the contrary, a means by which the pupil can himself control and appreciate his work. Every method should be rational, positive, and not leave room for doubt in the pupil's mind. This is the idea which has 228 TECHNICAL EDUCATION. served me as a starting-point in making out the method which I am about to lay before you. I have arranged it in such a manner that the pupil is at once enabled to appreciate the peculiarities of the most complicated forms, using simpler forms with which he has already been made familiar. FIRST DEGREE OP TEACHING. " These studies consist in the free-hand drawing of forms and fig- ures, in general, geometrically represented. Before letting the pupil reproduce a copy of the smallest object, we exercise his eyes and his hands in using elementary figures which allow him to understand gradually their relative proportions, their characteristic combination, their particular form, and, finally, all their details. On the thorough practice of these preliminary exercises depend the immediate iind complete results in the reproduction of forms and figures. The pupil, knowing how to construct (by free-hand drawing) a perfect square, and rectangular figures of all dimensions, will gradually apply the generic geometrical figures which he has been taught. This knowl- edge, practically acquired, will enable him to understand immedi- ately the characteristic combination of the object presented to him, to analyze all its outlines, and reproduce them in all their relative dimensions. SECOND DEGREE OF TEACHING. " Solids, their Construction and their Study. As in the first degree of teaching, we also here, before letting the pupil copy from some figure, give him the means of understanding the form, and the way in which it is composed. We commence by making him understand the construction of elementary figures. He lea r ns, first of all, the construction of the cube, and its different rectangular divisions, and, next, to place it in all the positions possible. If he has once acquired DRAWING. 229 this foundation, he successively refers to it all the generic forms, the combinations of which he makes in the various positions which the teacher prescribes. He proves by this that he can see in the space, and that he possesses a correct knowledge of the principal parts of which any given figure is composed. Arrived at this point of his studies, he undertakes the construction of more developed figures, at the same time studying the various elements of ornaments in their second degree. He represents, on an even surface, what a moulder represents by his mould. He sees solid forms ; and he will soon be able to express his thoughts in drawing, building, &c., forms which constitute the object of his special study. THIRD DEGREE OF TEACHING. " Drawing after Objects or Figures placed at some Distance. It is indispensable here, that, at the very outset, the pupil should become thoroughly familiar with the rules of perspective ; but, simple and easy as they are in their application to the whole figure, just as diffi- cult and tedious do they become in their regular application to the construction of every single part of an object. In recommending the study of the rules of this science, we do not mean the rigorous application of these rules to the elevations on the profiles of the thousand different points of a capital (of a pillar) or other architec- tural ornaments. We will leave this to men who study science for its own sake. What we want is this : that the pupil learn to know the construction of the objects which he has to represent, that then he may learn to give to all the details of this object their proper perspective position. The same would also apply to the study of light and shade. " Any pupil who is in earnest, and has thus been prepared by the elementary and analytical study of the three degrees of out method, 20 230 TECHNICAL EDUCATION. will be able in less than a year to copy any object placed before him, and do it successfully. Thus does the first degree comprise the study of forms geometrically represented, and the means of reproducing them in all their just proportions ; whilst the second and third degrees have for their aim the initiation of the pupil in the construction and reproduction of forms and figures such as they present themselves in space." M. de Taeye, Director of the Boyal Academy of Fine Arts at Lou vain, said : " We may here, for safety, establish this principle : the elemen- tary study of every kind of drawing must be based on geometrical forms ; only we shall see, that, in putting it into practice, it is indis- pensable to pursue two different ways. By geometrical drawing, one arrives at an exact, precise, and mathematical representation of the object, taking note of its length, breadth, c. Thus the mind gets a complete knowledge of its real form, and is enabled to make the* most delicate analysis ; whilst, by drawing from sight, one only takes note of the apparent form of the object, according to the point of view from which one considers it, without being able to arrive at an analysis of its real form. The first way of drawing obtains its results by means of instruments, such as ruler and compasses ; whilst the second relies substantially on the exercise of the eye, and the practice of the hand. I believe, therefore, that a combination of these two methods is an absolute necessity in order to constitute a complete and rational system of teaching which satisfies the de- mands of imagination and reason." [For a fuller account of the discussion by the congress at Brussels, see "Technical Education," by Henry Barnard, LL.D.] DRAWING. 231 FRENCH REPORT ON DRAWING, AT THE UNIVERSAL EXPOSITION, PARIS, 1867. The following is the report made to the French Min- ister of Public Instruction, by the committee on "in- struction in drawing in the normal schools, the primary schools, and the course for adults," in France : ** Commissioned by your Excellency to examine the drawings executed for the Universal Exposition, we finished the first part of this work with M. Brongniart, inspector of schools for the city of Paris, placing a mark upon each drawing to indicate its value. " My colleague of the superior council of special instruction, M. Sebastien Cornu, desired to repeat the examination with me; and we have ranked each of the schools whose products were dis- played at the Exposition. " We have, therefore, had a double means of verification, of proof, in an investigation which we wished to make with extreme care, as we desired to respond the best we could to the felicitous thought which your Excellency has expressed for the improvement of draw- ing in France. " We realize the full importance of your resolves concerning this matter, now that we have seen the sacrifices made abroad, especially in England and Germany, in order to enter the pathway of a like progress. " Hitherto, relying on an honorable past, on great examples, and on this personal initiative, which have been regarded wrongly, ac- cording to our view, as sufficient in art, things have, in large meas- ure, been left to themselves in France. Undoubtedly, even without 232 TECHNICAL EDUCATION. direction, without schools, without encouragement, there will always arise on French soil, artists, choice natures, who will leave the multitude in spite of every thing ; but if the times, if the condi- tions, become little favorable, these happy exceptions will be more rare : some natural dispositions will be smpthered, others perverted. Genius itself, without severe study, shrinks to the proportions of talent. An age will give Watteau or Boucher in place of Leonardo da Vinci and Louini. And, if we go back to the real influences which determine the merit of artists, we see of what necessity are classic studies from the very dawn of life; indeed, how the first instruction in drawing is responsible for the future public taste. " It is of this future we would wish to speak with entire freedom. " Present results, so far as relates to mechanical drawing, graphic drawing, machine-drawing, are almost always very satisfactory : on the contrary, when we consider ornamentation, the copies and mod- els and the instruction are equally defective ; while all that pertains to the figure, to imitation-drawing, is worse still. " If we except the schools of Paris, Potiers, Nancy, Mulhouse, Metz, Grenoble, Orleans, St. Quentin, Rochefort, the normal schools of Tulle, Chaumont, Cluny, the lay schools of Beauvais, d'Epinal, Pcronne, Chapelle-sur-Loir, the ecclesiastic schools of Me'zieres, Sedan, Bayeux, Rive-de-Gier, and Reims, the specimens, the works of the pupils which we have had in hand, show how much good a prompt reform would do. In the normal schools, in the im- perial lyceums, that is to say, in the schools for the class called to direct, to form, to elevate others, we have found the drawings much inferior to those which a school of workmen in Paris could execute. It seems to us important that this should not be so. Out of Paris, in the matter of drawing, there is, with very rare exceptions, no su DRAWING. 233 periority manifested by the adult classes or in the popular courses. There is almost everywhere an equally bad level. Yet we have often found among the pupils a great desire to do well, real apti- tude, with an enormous amount of work. " As far as we can see, with some remarkable exceptions, the time devoted to imitation-drawing is almost completely lost ; and these are the principal causes of this misfortune : " Everywhere the copies and models of figures and of ornaments are as bad as possible, and will be the cause of perpetuating bad taste and ignorance. Many of the teachers of drawing, who have often been the first victims of this state of things, cannot draw : what is worse, they do not know how the drawing should be done ; while their taste is that of the copies and models which they buy. They teach error with a profound conviction, with the best possible faith. The notes placed by them upon the miserable productions of patience very badly employed often showed, that, if the master did not do the work for his pupil, he was ready to indorse it. " Another cause of evil is this : in the lyceums, in the colleges, the drawing-lesson, taken out of the time for recreation, has always been considered by the students as a species of encroachment upon their rest and their sports. They come, therefore, to these studies, however attractive in themselves, with an ill-humor which they regard as well founded. They are resolved on a retaliation, of which they are the first dupes in reality, and defend themselves against the lesson, instead of seeking to profit by it as do the pupils in the arti- san classes. Those only, and at the last moment, who are going to the special schools, strive to learn just that which they regard as sufficient to cover their ignorance, and help them through their examination. " Finally, there is a graver cause than bad instruction : it is found 20* 234 TECHNICAL EDUCATION. in the debasement of the public taste. This is sometimes a species of weakening of the moral sense, revealed by certain lamentable signs. THE GREAT VALUE OF GOOD DRAWING-COPIES. " When we have striven to discover what is best in France, in order to ask your Excellency how to make it general by searching for that which had produced it, my colleagues and myself have been surprised to see how the art sentiment, perceptible even in the draw- ings of children (if we may speak of them), is radically modified by the objects which are constantly under the eyes. I desire to mention only one striking example. " The city of Nancy sent landscapes, figures, ornaments, flowers, executed by different schools. In spite of the variety of instruction, all the works had a unique character of grandeur, of amplitude, a little marred, however, by that bad taste which Stanislas everywhere impressed upon a city rebuilt in one period. The influence of that period of that architecture of Stanislas has been such that we can recognize a drawing from Nancy among a thousand. " The models, therefore, are not simply those sheets of paper which are only for an hour under the eyes during the drawing-lesson, but every thing, indeed, which we behold in childhood ; especially every thing which we regard with passion, with love. " Thus at Athens, when the Greek chisels cut the marble, they could produce only beautiful things. Doubtless, it is impossible to give the children of a little town, otherwise than by photography and engraving, specimens of beautiful monuments capable of enlar- ging, elevating, their ideas. But, if one cannot always procure the best, to shun bad impressions is a duty. " After this assault upon bad drawings, we shall ask you to have excellent ones made ; for this is the true way to fortify against the DEAWING. 235 bad. We could wish to see appear a complete, serviceable series of figures, ornaments, flowers. Beyond the good ones which already exist, would it not be possible to obtain some contributions from certain large commercial cities, or from establishments having a direct interest in the creation of schools of taste, of schools of prac- tical and serious art 1 Would it not be possible to imitate the great progress accomplished in Paris ? WHAT PARIS HAS DONE FOR DRAWING IN THE MUNICIPAL SCHOOLS. " I would like here to give the provinces an account of what the city has done I ought to say, grandly, generously with such far- seeing liberality. I wish the inspectors of the departments could see what I began to examine first as a matter of conscience, of duty, but which I afterwards studied with extreme interest, the schools of drawing, the schools for adults in Paris. "A few years ago the city authorities perceived how important it was, at this juncture of affairs of industry, to have at its service more artisans who understood drawing, men of taste in all the departments of labor. Embossers, sculptors, metal-workers, those who produce pottery, objects of luxury, all have need of artistic studies, which make the worth of the man, the worth of the article, and the fortune of the merchant. " And yet Paris had for schools only certain miserable low halls, without air, windows narrow, badly lighted by day, badly lighted also by night; and what copies ! what models ! But in spite of this, in spite of the insufficient appointments, so deleterious to the health of the pupils, so little attractive to young men, for whom every thing around them was attractive, these miserable schools were full. Stone-cutters wished to become sculptors ; at least in the next gene- 236 TECHNICAL EDUCATION. ration. House-painters aspired to become decorators. Knowledge of personal interest recommended the study of art, for the purpose of increasing wages, to all artisans who were anxious to advance. Among men of ability are always men of heart. The lofty and wise activity of the prefect of the Seine, moved by the desire of the municipal council, which is the organ of art-interests, took the business in hand. A commission presided over by the distin- guished savan and friend of youth, M. Dumas, whom one finds at the head of all these generous organizations was appointed. This commission obtained the firm and steady co-operation of the su- perintendent of the fine arts, and of the members of the institute, who formed a part of it. All have held it an honor to follow in minute details the execution of a plan which should have for the regeneration of art the most serious consequences. In a situation less elevated, but not less useful, we will mention the services of a young artist, M. Brongniart, secretary of the commission, and his colleague in the inspection of schools of drawing, M. Baize, both of whom have shown themselves patient and indefatigable, and who, in a few years, have given to all the schools uniform and excellent appointments, have organized the use of copies and models, and impressed everywhere habits of precision, of ordex, and a pas- sion for duty. "Many young persons, thanks to the labors of the commission and to the authority of the prefect, are now using, under excellent teachers, select copies and models, and attend courses of instruction which augment their zeal. Instruction in drawing has indeed re- vived in Paris. Even after we make allowance for the conditions, always more favorable in a large city, still we are compelled to say that the results far exceed what the rest of the empire can show. Charged simply with an examination, with a comparison perhaps, DRAWING. 237 of different school's, doubtless it does not belong to us to advise such or such measures for establishing everywhere that equality of good which we have found at Paris. The resources and the obstacles must differ in each locality ; but in recognizing a real superiority over the rest of France, or over foreign countries, we have desired to learn, as far as we could, the course pursued to produce such rapid improvement ; and we believe the memorial of it ought to be preserved. This, briefly, is the substance of it : " Under the able magistracy of the prefect of the Seine, the universal desire for progress, at first manifested only by the munici- pal council, led that council to establish a commission, which should ascertain, beyond doubt, the exact state of instruction in drawing in the municipal schools. The commission devoted a year to investigations, as severe as important, in order to determine what reforms should be inaugurated, what capital they required ; in a word, to determine by what means they could effect, in a durable manner, the reforms of which we have been able to state the marvellous results. These investigations once finished, the University hastened to give her co-operation to measures of which she could appreciate the full necessity. Funds were appropriated ; and the realization of good did not linger. " The examination made by the commission showed that there was in Paris a condition of things analogous to that which we find everywhere in France to-day, that is to say, copies and models insufficient in number (generally of a very mediocre character, suggesting to the pupils a detestable past of commonplace), a small number of teachers, and, indeed, very inadequate appointments. " This is what was done to obviate these various evils : in order to have better copies, after submitting to a severe purification all those in use, they appealed to the kindness of Count Nieuwerkerke, 238 TECHNICAL EDUCATION. member of the commission, as well as superintendent of fine arts. Among the studies from nature which had gained medals for their authors during the course at the school of fine arts, he had search made for a certain number of figures hitherto overlooked, concealed at this school, and which now furnish the pupils of the municipal schools most precious resources. Then followed the happy thought of promising a recompense to the future laureates, when their figures should be taken as models for municipal instruction. " For the same purpose, the pensioned pupils at Rome were required to send a certain number of drawings after the Italian. masters, or after nature. Finally, M. Gcrome, member of the insti- tute, colleague of Count Nieuwerkerke on the commission, uinL'r- took the task of having a limited quantity of lithographs mink-, which would serve to show the printsellers the new way it was resolved to try ; to show them the impossibility of continuing to sell for the purposes of instruction, which was henceforth to be better, the productions of the past, which had been executed by contract, and without competition for honors. As to the teachers, the task was yet more difficult. This is how they satisfactorily met the difficulty : For many worthy artists it must be advantageous to give some hours to the instruction of youth, as a rest from other fatigues, other labors. This professorship, profitable alike to teach- er and pupil, not only affords the teacher a money recompense, but it is an honorable title. " Instead of choosing the teachers from among candidates with out guaranty, and upon information which might lead astray, they established competitive examinations and diplomas, which, elevat- ing the level of studies by emulation, present the advantage of revealing the capacities and unknown aptitudes for imparting in- struction. These diplomas, who.se advantage had always been con- DRAWING. 239 sidered incontestable in other branches of education, produced a marvellous result. They afforded to Paris strong evidence of merit : they will afford, in the future, lists of capable teachers open to calls from the provinces and from abroad. "Finally the commission (and this will be one of its titles to gratitude) made the competitive examinations established among the different pupils of its schools the object of a double recom- pense, one for the students who were successful, and one for the teachers who had led to their success ; the salaries of the teachers to be augmented according to the number of prizes obtained by the young laureates. " We have, then, at Paris to-day, in the municipal schools, emu- lation of pupils and teachers, frequent examination of work, and certainty that they who teach carry not into their classes an indiffer- ence which might exist even with real talent. There is, thanks to this combination, the assurance of a union of efforts towards the same common end. " As to the appointments, to speak the truth, and render justice to every one, I ought here to say, that they have been modi- fied in the happiest manner, and do no less honor to the commis- sion than to the zeal which their secretary displayed in changing completely the halls of drawing all along one bank of the Seine, and a portion of the other. " All those who are occupied with education know how the love of labor is increased by objects apparently insignificant. One works better in a good class, where order reigns, under a good light. In looking at the magnificent appointments of Cluny, one of the examiners said to the director, that, if his hopes were to produce ordinary masters, the future would show chemists, savans, were it only for the magnificence of the laboratory, capable, in itself, of making all the youth dream of the institute. 240 TECHNICAL EDUCATION. "The good arrangements of the halls of drawing have contrib- uted, we are convinced, to diffuse the taste and the habit of work among all the young draughtsmen in the suburbs of Paris ; and we sincerely believe, that, if other cities were willing to imitate a move- ment which I have only been able to describe in a brief and incom- plete manner, the results would be everywhere equally decisive. " As to the special normal school at Cluny, I cannot do better than to quote here an extract from 'the report made by M. Dumas for the commission charged with the inspection of the establish- ment (June, 1867). NORMAL SCHOOL OF CLUNY. DRAWING. " ' The inspection of the instruction given at Cluny by the pro- fessor of drawing has been very satisfactory. The method, which is that of Hendricks, is as good as a method can be ; for we must not expect to obtain decisive and heroic results, even from a very rational course of instruction, which can, at best, only develop the inborn tendencies, restrain dangerous impulses, and abridge the time of the studies. " ' The instruction at Cluny presents all these advantages. Tho professor is clear in his explanations, full of zeal ; and one has only to approve what he has done. His pupils listen to him with atten- tion, respect, and a desire to understand and to do well. " ' M. H. Dufiesne, member of the Superior Council of Special Instruction, who has consented to accept the mission of judging the pupils of Cluny in relation to drawing, is at this moment charged as a juror, to examine, at the Universal Exposition, the different modes of instruction practised abroad. He has everywhere seen the Hendricks method produce good results. The geometrical tra- cings which form its basis permit one to compare exactly the pro- DRAWING. 241 portions of the copy, facilitate enlargement or reduction, and habituate the pupil to discover for himself his errors, and to correct them. Leonardo da Vinci, and almost all the Italian masters, em- ployed this method for their pupils and for themselves. Indeed, this mode of procedure is analogous to that of the sculptors for getting the proportions of their marbles, and gives the same results. This comparison is sufficient to indicate what are its advantages and its limitations. "'It seems advisable, indeed, not to continue this manner of draw- ing for a long time, but to vary it sometimes ; for example, by making the geometrical tracings after the execution of the figure, as a proof; or, perhaps, by confining them to certain points of division, to certain great lines of movement, so as to acquire the habit of drawing rapidly and with spirit, while drawing well.' " Finally, I would conclude this report with certain practical hints as to the way in which we could wish that instruction in draw- ing should generally begin. "'At the Universal Exposition,' says M. Cornu, my colleague, in a note which I produce entire, ' various methods of teaching draAving are exhibited by different nations, with the results obtained by each of them. These methods are rational. They are based, for mechanical drawing, on geometry. They are illustrated, for the most part, by figures in relief, and have mathematical exactitude. As to the methods of teaching drawing from copies, they depend upon principles and means of demonstration generally good and ingenious in their mode of application. FORM, AND NOT SHADE, THE IMPORTANT THING FOR BEGINNERS. "'The geometrical, machine, architectural drawings, &c., are more satisfactory, whatever be the nation to which they belong, than the 21 242 TECHNICAL EDUCATION. copies of figures, flowers, and ornaments of the different classes of> imitation-drawing. One might attribute this relative inferiority to the copies, defective in taste and form ; also to a certain negligence in teaching. You cannot sufficiently combat the tendency of pupils to shade too much in order to arrive at effect, and to destroy their masses of light by too much detail, and their masses of shade by too much reflection. We cannot too often repeat, that the important point is, not to load a drawing with exaggerated lights and shades, which give an unnatural aspect to the object represented, but rather to render its true character by a faithful and intelligent outline, and by lights, shades, and half-tints in their proper place, and in relative and harmonious proportions. "'Here are certain estimates of instruction in drawing abroad: ENGLAND. " ' The Kensington School presents at the Exposition an impor- tant collection of studies of different kinds. Some of these studies are very remarkable; notably, the flowers painted by Menzies, the ornaments in various styles, by Reule, Boon, and Collins, and also the drawings for paper-hangings by Chandler. It is evident that the pupils of this fine establishment have the best and rarest sources from which to draw. How, then, can we help being aston- ished at the difference which exists between the works which we have just named, and the figures painted in oil, in water-colors, or made with the crayon ? Without speaking of a picture represent- ing a woman bathing, the execution of which, and the taste, leave much to be desired, those studies are, in general, soft and affected, or in a hard manner, and jumbled in colors and effects. The draw- ings of anatomical figures, made with so much care and manual skill, as well as academical collections drawn too hastily, show DEAWDTG. 243 clearly that it is more important and more difficult to give the true character of external forms and accuracy of movement than to give the minutest details of the muscles concealed under the skin. " ' Many schools of drawing established at Vienna and in other cities of the empire have sent to the Exposition their methods of instruction and the works of their pupils. The school directed by Prof. Machatschek is one of the most important, and the one whose works are the most numerous and the most satisfactory. The sec- tion of architecture and mechanics, principally, offer a list of works executed with method, and in a laudable manner. It is to be re- gretted that the imitation-drawings of figures, of flowers, and of ornaments, as well as the model studies in bass-relief of divers styles, leave something to be desired in selection and execution. We make one exception for the Baugevverbe Schule of Vienna, whose draw- ings of ornament are in good taste, and well executed. DENMARK. " ' The drawings by the pupils of the School of Copenhagen deserve to be honorably mentioned for the simple and intelligent manner in which they are done. One finds there, what is seldom seen in the works of pupils, the sobriety and harmony of effect, per- mitting form to predominate, making it serviceable, instead of destroying it, as so frequently happens. In conclusion, this exhi- bition does honor to the instruction and to the enlightened direction of the School of Copenhagen. BAVARIA. " ' It is just to place in the first rank the Nuremberg School of Art and Industry. The beautiful exhibition of the products of its 244 TECHNICAL EDUCATION. various departments do the greatest honor to its skilful direction, as well as to the talent and intelligent zeal of its professors. The drawing of figure and ornament, the modelling and sculpture, are explained and developed in a manner original and varied. From studies of heads, of draperies (whether in drawing or in relief), of portraits in historic costumes, of academic figures of small size to those which are. drawn of natural size stumped on a shaded ground, there is a very remarkahle specimen of the works of student paint- ers and statuaries. The sculpture, more particularly decorative, shows, al>o, a very great quantity of ornamentation, composed almost whoHy in the Gothic style, foliated and flowered a little beyond measure. In the whole number we discover but two or three bits in the Roman style. The Greek does not. appear at all. This almost complete absence of the antique element must be attributed, without doubt, to the necessity of forming special sculptors to restore the ancient Gothic edifices injured by time, and also to ornament the new monuments erected in this same style so dear to Germans. Thus it happens that there is a void to be regretted in the instruc- tion of the Nuremberg School. On the other hand, the course of study in the direction of invention and of composition of objects of industrial art appears excellent, and gives the best results. WURTEMBERG. " ' A remarkable collection of plaster models, from elementary geometrical figures to the most complicated ornaments of pointed architecture, has been formed at Stuttgard by M. de Steinbeis. Mouldings of plants and foliage, most skilfully made from nature, supply the pupil with excellent subjects for study, and sho\v him what assistance he can obtain from nature for decorative art. The judgment which presided over the creation of a course of drawing DRAWING. 245 by mouldings after nature cannot approve the bad method followed in making the great black drawings which cover the walls of the Bavaria and Wurtemberg Exposition, a method which consists in forcing the pupil to spend much time on complicated drawings, filled with heavy shades that are produced by great effort at hatch- ing, and which teach them absolutely nothing.' " Here are the theories of art, which we present to those who are delegated to teach. In other respects, the whole personal initiation is left to them." HENRI DUFRESNE, Reporter. PLAN OP TEACHING DRAWING AT THE ROYAL INDUSTRIAL SCHOOL IN NUREMBERG, ADOPTED IN NOVEMBER, 1869. I. Ornamental drawing, preparatory class, (a) After orna- mental models, twelve hours weekly, (b) Exercises in the drawing of surface ornaments, six hours weekly ; Prof. F. C. Meyer. II. Drawing from the antique, twenty-four hours weekly ; Prof. Jaeger. HI. (a) Drawing from living models, groups of figures and drapery, twelve hours weekly ; Supt. Kreling. (b) Drawing of heads, twelve hours weekly ; Supt. Kreling and Prof. Jaeger, (c) Ex- ecution of cartoons, paintings on glass, &c. ; Supt. Kreling and Prof. Wanderer. Technical School. First Course. First Term (of six months). Education of the eye and hand by the drawing of lines and geometrical figures. Full size drawing of bodies with plane surfaces. Explanation of the faculty of sight, 21* 246 TECHNICAL EDUCATION. and the first principles of perspective. Linear drawing without instruments is combined with free-hand drawing. Second Term. Continuation of free-hand drawing. Drawing of simple ornaments, from pictures fastened on the walls, or from slightly relieved or intersected objects. Linear drawing with the aid of square, and mathematical instruments. Division, measuring, and transfer of right lines, angles, and figures. Construction, gradation, and subdivision of scales. Second Course. Drawing of figures in relief. Drawing of compound ornaments, from " plastic " (plastischen) models. The proportion of the human head and its parts in firm, simple outlines, from pictures fastened on the walls. Exercises in the construction of regular curved lines. Architectural details. Projections of simple surfaces and plane cir- cumscribed contours. Relief-drawing, after simple " plastic " objects in different proportions as to size. Third Course. Continuation of the exercises in free-hand drawing, curvilinear objects, drawing of animals and plants, so far as applicable in ornaments, with light shading to mark the form. Explanation of the manner of representing style. Drawing of the human body and its proportions in outlines. Linear drawing. Continuation of exercises in the drawing of projected figures, with reference to sim- ple machines and models. The (five) orders of architecture. Indus- trial ornamentations and profiles, if possible, in natural size, after models. Sketching from nature. Exercises in India ink. De- signs in intersection. Relief-drawing, after pictures of simple forms from the antique. DRAWING. 247 Agricultural School. First Course. First Term. Training of the eye and hand in the drawing of lines, geometrical figures, and simple ornamental forms, from large pictures fastened on the walls. Drawing from correspondingly large bodies with plane surfaces. Explanation of the act of seeing, and the first elements of perspective. Second Term. Linear drawing, with the aid of square and in- struments. Division into spaces. Measuring and transfer of straight lines, plane angles and figures. Construction and division of scales. Exercises in the drawing of simple geometrical bodies in outlines, and in various positions. The principles of projection. Second Course. Exercises in drawing of details of architecture, and especially arrangements of agricultural buildings, after models and original designs. Drawing of simple agricultural implements. Instruction in the designing of maps, and division of land into sections, intended for various agricultural purposes (culturpldnen). Third Course. Exercises in the drawing of whole buildings, after models on a diminished or enlarged scale. Sketches of buildings in elevation and in profile. Drawing of agricultural implements and machines, after original designs. Polytechnical School [Real Gymnasium] . First Course. Free-hand drawing. Exercises in the drawing of straight lines, and the formation of geometrical figures out of these lines. Draw- ing of bodies with plane surfaces, accompanied by explanations of 248 TECHNICAL EDUCATION. the faculty of sight, and the first elements of perspective with refer- ence to single figures and groups of figures. Exercises in the draw- ing of curved lines, and the formation of simple ornaments out of these lines. Drawing of symmetrical ornaments and implements, from pictures fastened on the walls, and from slightly-relieved plas- ter casts of antique forms of art. Second Course. Free-hand drawing. Division and relations of different parts of the human body, from pictures on the walls. Foreshortening of single parts in different positions ; the form of the human body in different movements. Richer ornaments, round and plane, in out- lines. Linear drawing. Exercises with rule, square, and compasses, by dottings or figures. Explanation of the principles of projection. Exercises in the delineation of simple bodies in projection. MI.MS- uring and reduction of models of bodies, and their projection according to various positions. Third Course. Free-hand drawing. Practice in the art of shading in its sim- plest form, at first from plane-surface ornaments, afterwards from round. Heads in different positions ; hands and feet, after easy models. Ornaments of different epochs of art, in connection with architectural details. Linear drawing. Measuring of compound models of bodies with plane surfaces, and their projection, by the application of geometrical rules, on an enlarged or reduced scale, according to position. Relief-drawing. Projection of ornamental details and of entire ornaments, at first after solid, then after plane models, on an enlarged or diminished scale. DRAWING. 249 Fourth Course. Free-hand drawing. Drawing of animals and plants, with close regard to foreshortening and oblique positions. Explanation of style, and its mode of presentation. Drawing of figures, after plane models. Ornamentation in conjunction with the human form, and forms of animals. Linear drawing. Projections of bodies with curvilinear surfaces, and their interjections. Drawing of the orders of architecture. Exercises in linear perspective, and shading of outlines. Construction of models. Execution of forms of crystals, and their transitions, in pasteboard, after original designs, in accord- ance with the rules of descriptive geometry. With the authoritative testimony presented in this chapter, it cannot now be difficult to determine what should be the general scope and character of a course of drawing for common and special schools in this coun- try, calculated to give both educational and industrial results of the highest order. Such a course of draw- ing, whatever may be said of details, must embody the leading features which are approved by the authorities here cited ; as does, for instance, the course prepared by Prof. Walter Smith, Director of Art Education for the State of Massachusetts. For the purpose of preparing a course of instruction in drawing, and superintending its introduction into the public schools of the State, on the recommendation of the Science and Art Department of the British Govern- 250 TECHNICAL EDUCATION. ment, Massachusetts and the city of Boston secured the services of Prof Smith, an English teacher of drawing and art, who had had an experience of many years as the head master of the school of art at Leeds, while he was familiar with the work done in the best Continental schools. With the results of European Art Education before us, and a clear understanding of our own needs, it does seem that there need be no more misconception of what is really meant by drawing, and no more seri- ous blunders made in teaching it in this country. CHAPTER VII. CONCLUSION. THE testimony of the preceding pages is conclusive, that, at this juncture in affairs, American labor should be thoroughly educated. It would be better for the laborer who is educated ; since, by doing skilled work, his toil would bring him an ampler reward. It would be better for the employer ; since, with the same capital, he would obtain products of greater value, while he would have, in the educated labor under his control, an assurance of stability, an assurance that others could not excel him, and drive him from his business. It would be better even for the laborer who is by nature so stupid that he cannot be educated ; since the advance- ment of him who was educated to higher grades of employment would improve the chances, by diminish- ing the quantity, of ignorant bone and muscle. It would be better for the merchant; since it would en- able him, in the markets of the world, to meet success- 251 252 TECHNICAL EDUCATION. fully the competition of the world with native products ; and the markets of the world, to-day are no less the home than the foreign markets. It would be better for the State ; since it would give her more intelligent, more thrifty, more virtuous citizens. Indeed, as educated labor is in every way the best, so in every way is it the cheapest labor in the world. THE WORK MUST BEGIN ix THE PRIMARY SCHOOLS. The testimony is also conclusive, that the education now required by the laborer must be much more than merely literary, much more than merely technical : it must be a due combination of both elements. The work, too, of imparting this education, must begin in the primary schools, with language and mathematics, with art and natural science. In the higher public schools it must keep the same breadth, mainly leaving specialties of all kinds for special schools. There must be enlargement here, reduction there, all the way along the common-school curriculum, until we secure the popular education which the times demand for all, but especially for those who labor with their hands. Consider what a large proportion of the pupils quit the public schools, never to enter them again, after they are thirteen years old. How essential, therefore, that some of the elements of a technical education should CONCLUSION. 253 be taught in the primary schools ! that pupils, hefore they are ten years old, should make a rational com- mencement with certain of the natural sciences and with drawing ! It is always found, in attempting to acquire a knowledge of any new subject, that the most difficult part is to make a satisfactory beginning. Such beginning once made, farther progress becomes easy and rapid. That is one of the reasons why an adult of the average ability and spirit, but without any early technical education, so seldom attempts to make him- self, by study, master of his business. If he is a farmer, for example, he cannot read the best books treating of agriculture, because he does not understand the chemi- cal and botanical terms with which he meets, and with- out whose aid the books could not have been written. For the same reason, many of the best articles in his agricultural journal are for him a stumbling-block, and without profit. What is true ot the farmer is equally true of the carpenter, machinist, &c., if they have received no early technical instruction. It may be said they ought to set themselves studying the elements of those arts and sciences which bear upon their occupations, until thoy know enough to be able, at least, to read such books as would be of special service to them. But the great majority of them do not, and never will, if left entirely to themselves. Now and then, 22 254 TECHNICAL EDUCATION. even in this country, we meet with men of considerable business capacity, men who have accumulated money, and yet cannot write their names. Rather than give the little time and labor which would be sufficient for learning to write their names, these men subject them- selves to the continuous shame of making their mark. Though each needs to learn only the letters composing his own name, yet he goes on making a cross for his signature to the day of his death. This, indeed, is an extreme illustration of the inertia of the adult mind when the learning of something new is involved. But, for the writing of one's name, substitute the elements of any science or of drawing ; then you have, for the average adult mind which has not been previously introduced to these mysteries, what will appear an over- whelming task. It may, indeed, be safely asserted, that, if all technical instruction is put off until the learner has become a workman, the instruction can never in any way, even with multiplied special schools, be made adequate to the requirements of the age. If, however, a proper beginning has been made in the common school, then there will be little difficulty with subsequent instruction. But even if we could be assured that every child in the public schools would remain there until seventeen years old, and would afterwards attend suitable special CONCLUSION. 255 schools, still it would be best to begin teaching the elements of natural science and art in the primary schools. Kearly every department of knowledge has features which are adapted to the minds of children, and which can often be better learned in childhood than at any later period. Notably this is true of drawing and of natural science. Both appeal to the perceptive faculties, and train the sight. Drawing deals with visible lines and forms : natural science deals with facts, phenomena, instead of words and abstract state- ments. Drawing cultivates the taste, confers manual dexterity, develops the inventive powers. The train- ing which gives these things should begin early. Bet- ter than any other study adapted to childhood, natural science teaches to compare, to generalize, to tabulate, things which pupils should begin to do at an early age, always providing that they are confined to things which they clearly comprehend. CRAMMING. Then you would devote the primary schools and public schools generally, it will be said, to the work of cramming pupils with a great and confused variety of facts, when they should quit the schools with a compact mass of knowledge, well arranged and well digested. Instead of giving them mental discipline, strong tendencies of mind to act in the right direction, 256 TECHNICAL EDUCATION. you would leave them with good, strong habits of inind all unformed, the result of the vague impressions and fleeting influences to which they had heen subjected by a too varied course of study. Certainly not. We would strive, and we believe successfully, for the just mean of knowledge and discipline, of formation and information; keeping two ends always in view, the one educational, the other directly practical. What is cramming ? The mind must be supplied with a certain amount of facts, impressions, data, as the body must be supplied with a certain amount of food, before there can be digestion, assimilation, and growth. So long as the supply does not exceed the amount which can be well digested and assimilated, there is no cramming; and the young, growing mind, like the young, growing body, needs a large supply of food to keep it in healthy, prosperous condition. Just how much, it is, of course, impossible to tell. It is not necessary that the body be nourished with the same limited variety of food month after month, and year after year. Indeed, an occasional change is known to be decidedly advantageous. By the change, the relish with which the food is eaten is frequently increased, and, in consequence, the capacity for digestion and assimilation. Though there may be more eaten, as the result of the change, there is not, necessarily, any more CONCLUSION. 257 cramming, gluttony; because all that is eaten may be well used. A glutton may be gluttonous with a single dish. Change and variety of food do not, therefore, necessarily imply cramming for the body, but, rather, health and growth. Nor does variety in study neces- sarily imply cramming for the mind, but, rather, in- crease of knowledge and strength. There may be just as much cramming with a few as with many studies. How often pupils in the public schools are compelled to learn the spelling of fifteen or twenty thousand words, and that, too, without heeding the laws of orthography, when there is no assurance that one pupil out of fifty will have occasion, in all his after-life, to write above three or four thousand different words, and those the most common ! What is that but cramming ? How often the pupils in the public schools are compelled to memorize, and that, too, with little ref- erence to generalization, twenty to forty thousand facts in geography, when it is well known that not more than one-tenth part of these facts will be permanently re- membered, or would be of any use if they were remem- bered ! What is that but cramming ? And what is that (which is sometimes done) but cramming, when children are made to memorize the solutions of numer- ous problems, and to learn a variety of arithmetical processes, yet are never required to compare one prob- 22* 258 TECHSriCAL EDUCATION. lem with another, nor one process with another, and never get a general view of arithmetical principles and their applications? And what is that but cramming, when children memorize whole grammars, and repeat them verbatim, while their discriminating powers are not equal to the comprehension of one-quarter of what they repeat ? Yet if the pupils in the public schools are kept to spelling, arithmetic, geography, grammar, the old recognized studies, it is supposed by many that the evils of cramming will be avoided; while the truth of the matter is, that cramming in its worst form is usually found in those schools where the fewest studies are pursued, and where huge text-books receive their heartiest welcome. A large percentage of pupils now waste time enough in cramming with the spelling-book, to give them, if their energies were rightly directed, a rational, substantial start in botany. The common words which they will have occasion to spell after they leave school, they would spell as well as now; while their knowledge of botany, and the discipline derived from its study, would be so much clear gain. VARIETY AND ALTERNATION OF STUDIES. With an increase in the number of studies, it by no means follows that they must all be pursued at once, but rather that they should be taken at intervals, with CONCLUSION. 259 due alternation, as in the case of food. It is especially necessary in schools for the smaller children, that quite a variety of things should be taken in hand each day ; since it is often impossible to keep the pupils, for any great length of time, interested in one thing, however well they may like it on the whole. When their interest is gone, there is no improvement; but, rather, disgust for school, for instruction, springs up. John Locke spoke very truly when. he said a boy would soon tire of the sport, if he were required to spin his top a stated num- ber of hours at the same time each day. And so it is with little children and their studies, however agreeable the studies may be in themselves. There must be a sufficient variety to give the children a healthy, unflag- ging interest in their work. Because there is not now such variety in many schools, the larger part of the time of the children is worse than wasted. The older the pupils are, and the better trained in applying them- selves to study, the fewer the things which will suffice to give the requisite variety. If all the studies it is thought essential that pupils of a given age should be instructed in are not required for this purpose, then let the studies be taken at intervals ; thus diminishing the number of lessons learned daily by the pupil, and the number of class-exercises conducted by the teacher. The studies should not, however, alternate from day 2GO TECHNICAL EDUCATION. to day, nor from week to week, but, rather, from month to month, or from term to term. It is, for several rea- sons, impossible to secure adequate results in any study, with a short lesson every third or every second day. Put the instruction which would thus be devoted to any study in three months all into one month, and very much more would be accomplished. Let the work, then, when any thing is done, be continuous and earnest. There is no reason why arithmetic even, when once taken up, should be pursued without interruption until it is dropped finally. No harm, but, on the whole, good, rather, would come from dropping it; also geography and grammar an occasional term. The pupils would take up the work with renewed relish and vigor; what had been partially forgotten would soon be recovered ; and then their advance over new ground would be more rapid than if there had been no period of rest. Expe- rience justifies this declaration. If deemed advisable, however, that any general division of study should be pursued without any interruption, then, in the mathe- matics, for example, geometry might take the place of arithmetic, even with the youngest pupils. Natural science and drawing have, also, their different depart- ments, which could be pursued with proper periods of alternation. CONCLUSION. 261 ROOM FOR ADDITIONAL STUDIES. Thus, if we re- duce each study to its legitimate bounds, as determined by the two fundamental considerations, the one educa- tional, the other directly practical, we can readily obtain place for additional studies in the public schools, and at the same time avoid the evils of cramming. While we give a pleasing variety to the studies in primary schools, utilizing all the time of the children with advantage to both their mental and physical health, we can at the same time, by giving to different studies intervals of rest, confine within a rational limit the number of les- sons learned daily by the older pupils, and the number of class-exercises conducted daily by the teacher. Hav- ing done thus much, if we can then, without sacrificing any part of the economy of class instruction, so modify the present cast-iron system of graded public schools as to give the pupils in them an equal freedom with pupils in ungraded schools, enabling a large percentage of the pupils to accomplish in three years (and they are abun- dantly able to do it) what they are now compelled to spend five years upon, there will be yet more time gained for additional studies. This same change should also relieve the teachers of a part of their present re- sponsibility for the advancement of their pupils, and put it where it belongs, upon the pupils themselves, and upon their parents. The teacher would then become, 262 TECHNICAL EDUCATION. what he should he, an assistant in the education of the. pupil, or director at most. The self-reliance of the pupil and his love for his teacher, who would be regarded as his friend, and not as his master, would be greatly augmented. But if we cannot have these modifications in public-school instruction, then the new studies de- manded by the times must go into the schools as they are, and each study take its chances. When parents and pupils see in schools certain new studies which have a direct bearing upon daily labor, the pupils will attend school a year or two longer for the sake of obtaining instruction that will tend directly to increase the returns for their toil. For the purpose of learning a little more geography, a little more arithmetic, a little more gram- mar, most pupils do not care to attend school, and most parents, we know, do not send them ; but when there is seen in the schools something which will help them directly to become better farmers, better carpenters, bet- ter machinists, better artisans of every kind, the whole situation will be reversed, and a large part of the pupils who now leave school at such an early age will be found attending school a year or two longer if possible. MENTAL DISCIPLINE. What is discipline? To increase the number of studies will diminish, it may be said, the discipline which the mind should always derive CONCLUSION. 263 from pursuing a course of study. Already it lias been shown, that to enlarge the course of study will not, neces- sarily, enlarge the amount of cramming, one of the worst features of bad instruction. But what of the vari- ety ? Though there should be no more cramming, will not the variety tend to give only vague, fleeting impressions, instead of strong tendencies in the right direction, instead of enduring habits of mind ? Let us see. While each study has its peculiar characteristics both in matter and method, which exert a peculiar influence upon the mind of the learner, yet all studies have much in common : and the learner who has gained a knowledge of one finds it easier to gain a knowledge of all the others. The memory needs to be cultivated; but it should be cultivated in different directions. Pupils should not be kept constantly exercising their memory with one subject, with the facts of geography alone, of arithmetic, of grammar, of science, of history. It is far better that it be exercised with various things, the pupil always shunning the fatal mistake of memorizing words according to the order of their sounds, and not of their meaning. Pupils should also learn to compare and discriminate ; and this they can learn not only from the problems and processes of arithmetic, not only from the grammatical usage of words, not only from the phenomena of science and the forms of art, but best 264 TECHNICAL EDUCATION. from them all combined. Pupils should learn to gen- eralize and to tabulate ; but no one study has a monopoly of these things. Pupils should learn application and self-reliance ; but no study is without its obstacles and its demands for persistent effort. Hence it follows, that a change from one study to another does not break the continuity of the discipline : it only modifies the dis- cipline, and, on the whole, for the better. Then there is a certain power and aptitude which comes from breadth of study, that can never be obtained from a narrow cur- riculum, and which enables one to do even special work better than the mere specialist. For this, among other reasons, no harm results when a study is occasionally discontinued for a brief interval, that another may be taken in its stead. THOROUGH INSTRUCTION AND EXHAUSTIVE IN- STRUCTION. Great emphasis is justly laid upon thor- ough instruction ; but the mistake is often made of put- ting exhaustive for thorough. One may know little of a given department of knowledge, yet know that little just as thoroughly as if he were acquainted with every thing that pertains to the department. One may have a clear comprehension of the great principles, laws, of any science, yet be totally ignorant of nine hundred and ninety-nine facts in every thousand known to be em- CONCLUSION. 265 braced by those principles or those laws. Now, it hap- pens that too frequently text-books are made, and too fre- quently teachers attempt to teach, on the exhaustive plan. Cramming is the inevitable result, instead of rational instruction. Every text-book designed for public schools should be made, first, with reference to the best educational ; second, with reference to the greatest practi- cal, results derivable, not from one study, but from the whole course. Agreeably to these requirements, the books should be made large or small, more or less ex- haustive, but always rational, always according to sound principles of instruction. And teachers of the public schools should always labor with the same objects in view, not unduly fostering one study, and neglecting another, because they chance to like the former, while they dislike the latter. TEXT-BOOKS IN NATURAL SCIENCE. The text- books of natural science which are designed for use in the public schools should attempt no more than a clear outline of each department, acquainting the pupils with only its leading and most characteristic facts, with its nomenclature, its general principles, and best methods of investigation. To do this, the books must be rationally constructed, having in view both an educational and a practical result. The different departments, as botany, 23 266 TECHNICAL EDUCATION. zoology, chemistry, mineralogy, when they do not follow, can alternate with one another ; that being taken which is best adapted to the season of the year. COURSE OP DRAWING FOR COMMON SCHOOLS. Since the testimony of the preceding pages is con- clusive, that drawing should form the main feature in technical education designed for the great mass of the people, it will be well to add a few final words to what has already been said. The scope of the instruction, and, consequently, of the text-books; must be determined by the real needs of the people, and much or little be done accordingly. The needs, it is evident, are great ; while the services which can be rendered by drawing are great also. Upon that we must proceed. The methods of instruction which are followed must aim to give both the best educational and the best practical results : they must be methods which have been justified by experience, or certainly methods which have not been condemned. Of course, original methods, unless they are absurd on their face, are never to be cavalierly dismissed. A full and suitable course of drawing for public schools must include several clearly-defined depart- ments. The whole must be systematically arranged, with reference, first, to logical order of principles ; sec- ond) to difficulties of manual execution j tJdrd, to ca- CONCLUSION. 267 pacity of pupils at different ages; fourth, to sound principles of teaching. In a word, drawing is not a thing of vague uncertainties. It must be treated as should any other branch of study, that is, rationally, if it is expected to obtain satisfactory results. The two general divisions of drawing free-hand and instru- mental may be divided into several minor depart- ments, each having its peculiar characteristics. First, there should be free-hand drawing from copies in flat outline, dealing almost wholly with pure form. This work the youngest pupils should begin with slates, to be followed by similar but more elaborate drawings on paper. The practice in flat outline, while training the eye to distinguish beautiful forms, and the hand to draw them, should also teach, first, common geometri- cal figures; second, principles of practical design as ap- plied to flat surfaces in woven fabrics and mural decoration, and to the contours of glass-ware, table- ware, and all kinds of pottery; third, some of the features which distinguish the art of different nations, as Egyptian, Greek, Roman, Gothic. After a degree of skill in free-hand work has been ac- quired by the pupils, then should come mechanical draw- ing with instruments. This should concern itself mainly with those problems in plane geometry which are most extensively employed both in the construction 268 TECHNICAL EDUCATION. of flat designs, and by carpenters, masons, machinists, and artisans generally. This instrumental drawing, since one of its educational objects is to teach the sever- est precision, should alternate, from da}' to day, with free-hand practice in flat-outline, which aims, among other things, to teach freedom of movement, and celeri- ty of execution. This alternation has been found to help eacli kind of drawing : it tends to give accuracy in free-hand practice, and quickness in the manipulation of instruments. Thus far, little or no thought has been given to the three dimensions, to length, to breadth, and to height. Next in order, therefore, should come model and object drawing, which involves the three dimensions, and has for one of its educational aims the development of the imagination, that the pupil may be able to form a dis- tinct mental picture of any object. This every one, but especially the artisan, has almost constant occasion to do. In this department, the leading subjects of study should be geometrical solids, manufactured objects specially illustrating geometrical forms, ornaments in relief, and natural objects having marked geometrical features, and illustrating principles of practical design. The models and objects, also the flat copies which should accompany them, should be beautiful as possible in form, that the taste may continue to be cultivated. CONCLUSION. 269 As but little can be done in this department without a knowledge of the principles of perspective, and as these principles cannot well be learned without drawing objects of three dimensions, it is quite proper that per- spective drawing with instruments should alternate, from day to day or week to week, with free-hand drawing of models and objects. This work should begin in the grammar school, and conclude in the high school. It is proper that the mechanical drawing of the figures of plane geometry should precede model and object drawing, and perspective. For how can one put a hexa- gon, for example, into perspective, unless he can first draw it geometrically ? As perspective drawing, also model and object drawing, in the public schools, must be largely of the most practical nature possible, many of the objects drawn will necessarily have plane geo- metrical sides, contours. Unless, therefore, these ob- jects can be drawn geometrically, that is, as they actually are, with their true proportions, it is impossible to draw them in perspective, that is, as they appear, with all their proportions modified by the laws of optics. Before coming to object and model drawing, and to perspective, very little or nothing should be done with light and shade, and not very much then, though some- thing. Form should predominate. There remains one 23 270 TECHNICAL EDUCATION. other, a fifth, general department of drawing which can imperatively claim a place in the public schools ; and that is mechanical projection. This should be so far taught as to give the principles which are common to all kinds of construction, architecture, machinery, bridge-building, and the like. The object should not be to make draughtsmen, a work properly belonging to special schools, but to enable the pupils readily to read working-drawings. Whether this department of instrumental drawing be taken before perspective among the less advanced pupils, or after perspective among the more advanced pupils, it should be, in the main or wholly, an elective study, to be pursued by those who will probably engage in some kind of build- ing construction. This is a general outline of what must constitute a practical and artistic course of drawing for the pub- lic schools. It is certainly the least that should be taken. While the general features must be such as have been described, there may, of course, be minor modifications to meet the requirements of local circum- stances. For the more advanced pupils, especially for those showing a marked aptitude for art, there should be added, in the high school, more drawing from na- ture and from the cast, with greater attention given to light and shade. CONCLUSION. 271 For each department of drawing, even for model and object, there should be text-books. They should be few or many, large or small, according to the require- ments of the work to be done. They should contain drawings to be executed, directions for executing them, and full, clear explanation of the principles involved, that the pupils may become much more than mere copy- ists. Such a text, lessening the labor of the teacher, and generally diffusing the principles of art, has a value hardly second to that of the drawing-copies themselves, though the latter are, what they always should be, beautiful in design, and perfectly accurate in drawing. With such books in the hands of the pupils, it is far from a necessity that the teacher should be an expert in manual execution. Indeed, the regular teachers of the public schools, possessing the great advantage of a gen- eral knowledge of teaching, can always do excellent work, aided by such books as have been described. They will usually excel the mere draughtsman in the schoolroom. But if the teachers of the public schools were all expert at drawing, even then the pupils should be supplied with such text-books as have been described, and not be left to receive their instruction wholly from the teachers, who would thus find their labors greatly in- creased, while the advancement made by the pupils would be much less rapid. It should be one of the 272 TECHNICAL EDUCATION. chief aims of the public school to teach the pupils how to use a book properly. Only a small part of them now learn this lesson, upon which depends so much of their progress in knowledge after leaving school. They learn to memorize the words of the text-books ; but the real meaning of the words, that, too frequently, they fail to learn. Now, aside from diminishing the labor of the teacher, and accelerating the advancement of the pupil, the execution of a drawing, especially an instrumental drawing, from a printed text, is one of the best possible exercises for teaching a pupil the exact force of words. If he follows minutely the directions of the text, he obtains a correct result: if he mistakes the meaning of the words, his drawing is wrong, and he needs no one to tell him it is wrong. He has only to begin again, studying his text with greater care. It is not a matter of memorizing words, as it might be in almost any other study ; but he must ascertain just what the words mean, and then do just what that meaning requires. This is a decidedly important educational feature. A large part of the drawing copies and models, espe- cially in the early stages of instruction, should possess definite general proportions, and strongly-marked geo- metrical features, which can be indicated by construc- tion-lines or geometrical tracings. To make use of these helping lines is to follow the practice of the best masters CONCLUSION. 273 of different ages. By their aid the pupil does his work uiiderstandingly : he is enabled to make his drawings larger or smaller than the copies, an essential matter. It is the true way to approach the study of Nature ; for Nature, in her general features, usually builds upon regu- lar geometrical forms, however much she may deviate from them in details. Unless the pupil can first draw that which is regular, symmetrical, of definite proportions, and which can therefore always be verified, how is it possible for him to draw an object, whether of nature or art, which is irregular, unsymmetrical (if only in details), which has no definite proportions, and so does not permit the drawing to be verified by measurement ? The blackboard should be frequently used by the teacher for the purpose of class-instruction in principles and in the execution of drawings. Time is thus saved. It should also be quite frequently used for the purpose of supplying the pupils with copies to draw to a much smaller scale on paper. They thus learn reduction. The pupils themselves should often draw on the black- board, enlarging the copies in their books. Thus they learn enlargement, while they acquire great freedom and boldness of movement. Pupils should frequently make drawings, the features being oraily dictated by the teacher, instead of always drawing from copies, models, objects. This will test their 274 TECHNICAL EDUCATION. knowledge of what they have been over; will show them that words and lines, forms, are convertible, while it will develop the imagination : since it will be impossible for them to draw a single line correctly, unless a mental picture of it has first been made. If we consider the practical view alone, it is exceedingly important that the imagination should thus be trained ; for every one must at times work under oral orders. Pupils should also be exercised in the reproduction from memory of drawings previously executed ; especially should they be thus exercised in drawing noted historic forms, until the distinguishing peculiarities of these forms are indeli- bly traced upon the memory. In this way, not only will the memory be strengthened, but the pupils will acquire the power of distinguishing the features which characterize the art of different nations and of different ages. But especially should pupils be exercised in that most delightful and most profitable kind of drawing, original design. Having learned some of the principles which should both direct and restrain the invention, and having become acquainted with some of the historic materials to be used, also with the method of procuring new materials from the exhaustless sources of Nature, there can be no end to the delight, to the intellectual stimulus, to be obtained from the practice of original design. CONCLUSION. 275 SPECIAL INSTRUCTION. A broad, rational founda- tion for art and science to build upon having first been laid in the common schools, special schools of all grades, for students and for workmen, and museums, should be at once established throughout the country. What should be the general character of these special schools and museums has been clearly outlined in the preceding pages. It is not proposed, here and at this time, to give details, but simply to urge that such schools and museums be established at the earliest day, upon the broadest, most liberal foundation, and at all those cen- tral points where their influence upon the local indus- tries will be the most direct, the soonest felt and recognized. While the technical instruction given in the common schools will tend to swell largely the num- bers found in the higher special schools, the influence of the latter will also tend greatly to elevate the techni- cal instruction of the former, just as the higher classical instruction of the academies and colleges has, in the past, tended greatly to elevate the literary instruction of the common schools. INDEX. A. Adult mind not disposed to learn new things, 254. Agriculture, labor-saving imple- ments employed in, 27. American artisans ignorant of drawing, 184. Apprentice schools in Belgium, 136. Apprentices, large number of, employed at Fives (France), 75 ; have better opportunities in small shops than in large ones, 78; special schools for instruction of, 132 ; should study together with workmen, 145. Apprenticeship, decay of, 9. Art, French, remarkable vitality of, 219. Art-masters, training of, 197. Art-metal work, report on, 215. Art Museum at South Kensing- ton, 198. Artisan, the, should receive an artistic training, 21. 24 Artisans, increasing number of, 28 ; French, large number sent abroad, 76. Austria, Report of the French Imperial Commission on draw- ing in, 202, 243. B. Baker, R., English wood-carver, on the superiority of French work, 100. Bardin, M., professor in com- munal schools in Paris, re- port of, 152, 189. Batley Chamber of Commerce, report of, 41, 47. Baudine, Father, of Christian Brothers' School, 152, 187. Bavaria, report on industrial education in, 120; drawing in, 243. Behrens, Jacob, letter of, to Lord Montagu, 155. Belfast Chamber of Commerce, report of, 36, 49. Belgian testimony, 224. 277 278 INDEX. Belgium, industrial and techni- cal schools in, 88 ; apprentice schools in, 136. Bernat, director of School of In- dustrial Arts at Lille, testi- mony of, 127. Besan9on, municipal school of, watch-manufacture at, 133. Beunoch, Francis, on the decline of silk-manufacture in Eng- land, 64. Booth, L. S., of Coventry, re- port of, on ribbons, 102. Birmingham Chamber of Com- merce, report of, 36, 38, 43 ; resolutions of, 47 ; hardware district, list of articles made in, replaced by productions of other countries, 51. Bradford, worsted-trade of, 55. Brass-founding, report on, 218. British Chambers of Commerce, opinions of, 35. C. Capital and labor, relative pro- portions of profits of, 107. Central Imperial School of Arts and Manufactures, 130. Central School at La Martiniere, mode of teaching drawing at, 191. Chambers of Commerce, British, opinions of, 35. Chemistry, knowledge of, neces- sary to producers, 33 ; to dyers, 40. Chemnitz, apprentices and arti- sans of, obtain a technical ed- ucation gratis, 40. Children's toys, variety of, made at Nuremberg, 80. Christian Brothers' School, 152. City of London College, 160. Cluny, Normal School of, 240. Communal schools of Paris, 152. Competition world wide, 2 ; home and foreign, 25. Connolly, Thomas, English stone-mason, on Paris Ex- hibition, 98. Co-operation of masters and workmen, J. Scott Russell on, 105. Coventry Chamber of Com- merce, resolution of, 49; de- cline of silk-trade in, 73. Cramming, 255. Creuzot, France, immense iron- works at, 92. D. De Walden, Lord Howard, on the effect of industrial schools in Belgium, 88. Decline of silk-manufacture in England, 64. Denmark, drawing in, '243. Dewsbury Chamber of Com- merce, report of, 39, 43, 49. Doria, Mr., on technical schools in Sweden, 87. INDEX. 279 Draughtsman, value of an ex- pert, 34. Drawing a part of popular edu- cation, 18; relations of, to art, 177 ; general character of its instruction, 178; different modes of execution of, 179; English and French methods of, 179 ; from flat copies, 180 ; from vegetable forms, 182 ; from geometric objects and casts, 183; with instruments, 183 ; ignorance of American artisans in relation to, 18.4: as taught at La Martiniere school, 191 ; the principal means in technical instruction, 195; training of art-masters, 197 ; in Austria, 202 ; in Nuremberg, 203 ; in Wurtem- berg, 205, 244 ; a knowledge of, essential to wood-carving, 215; Belgian testimony in relation to, 224 ; geometry the true basis of all elementary, 227 ; first degrees of teaching, 228 ; Taeye, M. De on ele- mentary, 230 ; French report on, 231 ; in the municipal schools of Paris, 235 ; at Clu- ny, 240 ; in England, 242 ; in Austria, 243 ; in Denmark, 243 ; in Bavaria, 243 ; in Royal Industrial School at Nuremberg, 245 ; course of, in public schools, 266 ; special instruction in, 275. Drawing-copies, great value of good, 234. Dyers, superiority of French, 39, 41, 58. E. Ecole Centrale des Arts et Man- ufactures, 123. Educated labor the cheapest as well -as the best, 252. Education should conform to the necessities of a people, 1 ; popular, 13 ; how should it be modified, 14 ; drawing a part of, 18; of artisans at Creuzot, France, 94 ; equality in, leads to equality in distribution of wealth, 106. England, drawing in, 242. English artisans at Paris Exhi- bition, testimony of, 97. English government taking up the general organization of art-education, 196. Evening schools for workmen, 144, 152, 157. F. Farmers require education, 5. Fashion, influence of, on the ribbon-trade, 72. Foreign competition, remedy of evils from, 44. Form, and not shade, the im- portant thing for beginners in drawing, 241. 280 INDEX. Freeman, Mr., of Falmouth, on the granite-trade, 42. French art, remarkable vitality of, 19. French Imperial Commission, 187. French report on drawing at the Universal Exposition, 231. French students of industrial art, facilities of, 219. French testimony on technical education, 73. French workman imbued with a true love of his art, 100. Furniture, value of drawing in the manufacture of, 190. G. Gaumont and Guemied, exam- ination of, by French Com- mission in regard to manual labor as a means of instruc- tion, 125, 153. Geometry, descriptive, the basis of mechanical drawing, 210 ; the true basis of all elemen- tary drawing, 227. German clerks, superior educa- tional advantages of, 62. Girardon, M., testimony of, to the successful careers of pupils from technical schools, 74. Glass-making, need for art-teach- ing in, 99. Gorman, William, report of, on brass- founding, 218. Granite-trade, technical educa- tion advantageous to, 42. H. Hamburg Society for Promotion of Art and Industry, 161. Hawich Chamber of Commerce, recommendation of, 48. Hole, James, secretary of York- shire Mechanics' Institute, let- ter of, to Lord Montagu, 1 74, 221. Hooper Charles A., on the ad- vantages of museums, 1G6. Houel, M., on the employment of apprentices, 75. Human figure, mistaken study of, 226. India, superiority of textile fabrics of, 223. Industrial drawing in Nurem- berg, 203. Instruction of workmen, 143. Isthmus of Suez Canal, a result of superior French mechanical engineering, 91. J. Jackson, Frank J., designer and art-teacher, report of, 218. Jacobs, Thos., cabinet draughts- man, on superiority of French designs, 101, 170. INDEX. 281 K. Kendal Chamber of Commerce, report of, 43, 44. King's College, London, evening classes at, 159. Kirchof, Francis, glass-painter, on comparison of English and French glass, 213. Labor, influence of steam upon, 4 ; effect of subdivision of, 8, 12 ; rude, dexterous, skilled, 11; skilled, and not pauper, that America has to fear from Europe, 30; rude, may be supplanted by machinery, 91 ; American, should be thor- oughly educated, 251. Labor-saving implements, effects of, 27. Laborer, rude, no hope of pro- motion for, 12. Lace- manufacture, influence of art-instruction on, 90. La Martiniere technical school, success of pupils of, 74. Land, deterioration of, 5. Leather-trade, 39. Lectures, popular, 149. Leeds, shawl-trade of, 41. Lequien, M., on the value of drawing in the manufacture of furniture, 190. Letheren, William, art -metal workman, report of, 215. 24* Leoni, Levi, Prof., report of, printed by English House of Commons, 81, 157, 173. Literary and scientific training, evidence of M. Monjean on, 116. Lowther, Mr., on effect of tech- nical instruction in Prussia, 86. Lucraft, Benjamin, on the supe- rior advantages enjoyed by French furniture-makers, 99, 168. M. Macclesfield Chamber of Com- merce, recommendation of, 48. Machinery, effect of, upon arti- sans, 10 ; increases the relative demand of skilled labor, 33. Mackie, James, on need of intel- ligence in wood-carving, 100, 169. Malet, M., of Imperial Artillery School, on apprentice work- shops, 129, 193. Manual labor, evidence of M. Marguerin on, 1 24 ; as a means of insrtuction, 126. Manufactures no longer few and rude, 6 ; of most value, 26. Marguerin, M., on manual labor, 124. Mechanical engineers, resources of French, 91 ; scarcity of, 194. 282 INDEX. Mechanics' institutes, founda- tion of, 157. Mental discipline, 262. Money value of skilled labor, compared with unskilled, 109. Monjean, M., observations of, on practical schools in Ger- many, 1 16. Montagu, Lord Robert, letter from Chaml>er of Commerce to, 35 ; letter from Jacob Behrens to, 55. Mulhouse, power-loom-weaving- school at, 138. Municipal school of watch-man- ufacture at Besancon, 133. Municipal schools of Paris, drawing in the, 235. Museums serviceable for tech- nical education of workmen, 148. N. Napoleon First, value placed upon technical education by, 80. Natural science a part of pop- ular education, 16. Newcastle Chamber of Com- merce on technical education, 42. New studies, time for, 21. Nottingham Chamber of Com- merce, report of, 40, 47. Nuremberg, prosperity of, 79 ; industrial drawing in, 203 ; Royal Industrial School at, 245. O. Object of this compilation, 24. Oral and text-book instruction, blending of, 147. P. Paris Exhibition, testimony of English artisans at, 97. Philosophers before the people in foreseeing the times, 108. Plampin, J;;mes, working-jewel- ler, report of, 218. Pompe'e, M-, of the Polytechnic Society, before the French Commission, 117, 125. Porcelain-painting at Sevres, 167. Power-loom-weaving-school at Mulhouse, 138. Primary education, universal, 171. Primary schools, industrial edu- cation, should begin in, 252. Prussia, general effect of tech- nical instruction in, 86. R. Randall, John, English china- painter, on superiority of French ornamentation, 102. Raw material, silk, 65. Remedy for evils springing from want of industrial education, 44. INDEX. 283 Ribbons, report of L. S. Booth of Coventry on, 102. Room for additional studies, 261. Rossat, M., on practical and theoretical studies, 128. RussellJ. Scott (builder of Great Eastern) oil education of working-classes, 103, 171, 175, 222. S. Samuelson, Bernard, M.P., let- ter on industrial education in France, Switzerland, Ger- many, &c., 89. Science, natural, a part of pop- ular education, 16. Science and art department of Council of Education in England, report of, 112. Schulen, Real and Gewerbe, 123. Sheffield Chamber of Commerce on the steel-trade, 37, 48. Silk-manufacture in England, decline of, 64. Skilled labor the only sure foun- dation for prosperous manu- factures, 29. Smith, Walter, Director of Art Education for State of Mas- sachusetts, 249. South Kensington, art museum at, 198. South of Scotland Chamber of Commerce, report of, 41. Special instruction in drawing, 275. Special schools for the instruc- tion of apprentices, 131. Staffordshire Potteries Chamber, report of, 36, 49. Stanley, Lord, replies to circular of, 83, 208. Superintendent of a business, necessary qualifications of, 31. Sweden, technical schools in, 87. Swene, W. T., on the need of art-teaching in glass manu- facture, 99. Swiss carry technical knowledge beyond the French, 72. Switzerland, skill of workmen in, 85 ; popular education in, 175. T. Taeye, M. De, on elementary drawing, 230. Taste, progress in, 7. Taylor, James, report of, on gas-fittings, 217. Technical education in Germany and Switzerland, 172. Technical schools of a high class, prominent objects of, 45. Text-books in natural science, 265. Thorough instruction and ex- haustive instruction, 264. Time for the new studies, 21. Trades of England, in what par- ticular injured by foreign com- petition, 37, 42. Trades' unions prevent altera- 284 INDEX. tions in the process of manu- facture, 42 ; cause the decline of the silk- trade in Coventry, 73. U. Universal primary education, 167. V. Value, comparison of, between trained and untrained work- men, 109. Variety and alternation of studies, 258. Verviers, manufacturers of, 41. W. Wages of workmen at Creuzot, France, 95. Wakcfield Chamber of Com- merce, report of, 43, 48. Watch-manufacture at Besan- 9on, 133. Weaving-school at Mulhouse, receipts and expenditures at, 139. Whiting, Richard, special report of, on condition and habits of French working-classes, 216. Wood-carving, French, superior to English, 100. Workman should know the theory and practice of his business, 32. Workmen should be draughts- men, 34 ; generally ignorant of the properties of the ma- terials they use, 41 ; cannot gain much by studying at night, 76 ; instruction of, 143 ; and apprentices should be taught together, 145. Worsted-trade of Bradford, 55. Wurtemberg, drawing in, 205, 244. .,> :--,- '.."'.V-J: , ,".. ,: , - ._, ; ' ;v ': ; - ; . /: : ^-.^ 35606 541744 UNIVERSITY OF CALIFORNIA LIBRARY