W.Holbro k 
 
 ^v^J 
 
 /*'

 
 
 SHIPWRECK 
 
 IN THREE CANTOS.' 
 
 BY 
 
 WILLIAM 'FALCONER. 
 
 quique ipse misserrima vidi, 
 
 Et quorum parsmagna fui 
 
 A NEW EDITION; 
 WITH 
 
 MEMOIRS OF THE AUTHOR, 
 
 AND BEAUTIFUL ENGRAVINGS. 
 
 Printed by J. Cundee, Ivy-Lane; 
 1OH T. HURST, PATEKNOSTER-ROW. 
 
 1803.
 
 SKETCH OF THE LIFE 
 
 WILLIAM FALCONER. 
 
 " A low-born man, of parentage obscure, 
 " Who nought could boast but a desire to be 
 " A Poet, and obtain a name in letters." 
 
 -I HIS ingenious writer was a native of Scotland, having been, 
 as supposed, born in one of the villages on the coast of Fife ; 
 but his parents, in consequence of some domestic misfortunes, 
 removed to a seaport town in England, where they both died 
 of an epidemic disorder, and left William a destitute orphan* 
 He was bred to the sea, and ,spent the greatest part of his 
 life as a sailor, but in a very low station. Curiosity is na- 
 turally excited to learn how a rnan, thus untutored, and busily 
 employed in such an active capacity, had either talents or 
 leisure to court the Muses : how a youth, so unfavourably 
 situated for literary acquisitions, had imbibed that taste and 
 knowledge which have ranked him so high among the British 
 .Poets; but such information, however desirable., caunot be
 
 IV 
 
 ascertained, and it is to be regretted that he has not left behind 
 him some memoirs of a life, which, from his situation, must have 
 been chequered with incident, and would, in all probability, 
 have been far more interesting than the biography of Bards in 
 general. His poetic talents have, however, rescued his name 
 from oblivion, and verified the cidage : 
 
 " Poeta nascitur, non fit." 
 
 We are informed, indeed, by the ingenious Editor of the 
 works of Burns, that Falconer, while serving on board a man of 
 war, attracted the notice of Campbell, author of " Lexipha- 
 nes," who took him for his servant, and delighted in giving him 
 instruction. Under such a kind master, our author, no doubt, 
 profited considerably ; and as merit generally overcomes all 
 difficulties, he began to exercise his genius at an early age. 
 
 In 1751 be published, at Edinburgh, " A Poem, sacred to 
 the memory of Frederick Prince of Wales ;" though the con- 
 fined nature of this loyal effusion afforded him but little oppor- 
 tunity of displaying his descriptive and imaginative powers, 
 yet there was that harmonious versification in it which gave suf- 
 ficient demonstration of a rising genius. But it is justly re- 
 marked, that the complimentary efforts of inexperienced and 
 obscure bards are seldom or ever noticed ; and such, we be- 
 lieve, was the fate of this poem. Whenever merit appears in 
 the.cbaracter of either a, petitioner or flatterer, neglect or con- 
 . tempt is generally the reward ! Our author still continued to 
 struggle with the hardships of his profession ; and it appears, 
 his difficulties were likewise attended with misfortunes ; for in 
 some lines, afterwards addressed to his patron the Duke of 
 York, he stiles himself, " A hopeless youth, whose vital page 
 was one sad lengthened tale of woe." Among these misfor- 
 tunes may be included, his sufferings during a voyage from
 
 Alexandria to Venice, where, having suffered shipwreck, only 
 three of the crew escaped. It was this melancholy incident 
 which gave birth to the effort of his Muse, which, by striking 
 out a new path in description, procured him no small fame. 
 When the event really happened cannot be ascertained ; but 
 " The Shipwreck, a poem, in three Cantos, by a SAILOR," was 
 first published in the year 1762. This work he inscribed to 
 Edward Duke of York, next brother to his present Majesty ; 
 and for the illustration of several passages in it, very judiciously 
 prefixed a chart of the ship's way, and a section of the ship it- 
 self. To arrest the attention of his reader, and render his 
 poem doubly interesting,"Miis well-chosen motto, 
 
 " Quaeque ipse miserrima vidi 
 
 Et quorum pars magna fuit." 
 
 declared it to be a tale of facts, not fiction, for that he himself 
 had not only witnessed, but had been a chief sharer in those 
 misfortunes he describes : of this he gives further assurance in 
 many part* of his poem, and in the exordium thus modestly in- 
 timates his humble situation : 
 
 Alas ! neglected by the sacred Nine, 
 Their suppliant feels no genial ray divine ! 
 Ah ! will they leave Pieria's liappy shore, 
 To plow the tide where winter's tempests roar* 
 Or shall a youth approach their hallow'd fane, 
 Stranger to Phoebus, and the tuneful train! 
 Far from the Muse's academic grove, 
 T was his the vast and tracttess deep to rove. 
 Alternate change of climates has he known, 
 And felt the fierce extremes of either zone, 
 Where polar skies congeal th' eternal snow, 
 Or equinoctial suns for ever glow. 
 Smote by the freezing or the scorching blast, 
 ' A ship-tmy on t!u; high and giddy tn.i-t."
 
 VI 
 
 From regions where Peruvian billows roar, 
 
 To the bleak coast of savage Labrador. 
 
 From where Damascus, pride of Asian plains ! 
 
 Stoops her proud neck beneath tyrannic chains, 
 
 To where the Isthmus, lav'd by adverse tides, 
 
 Atlantic and Pacific seas divides. 
 
 But while he measur'do'er the painful race, 
 
 In fortune's wild illimitable cliace, 
 
 Adversity, companion of his way ! 
 
 Still o'er the victim hung with iron sway ; 
 
 hade new distresses every instant grow, 
 
 Marking each change of place with change of woe. 
 
 In regions where th' Almighty's chastening hand 
 
 With livid pestilence afflicts the land ; 
 
 Or where pale famine blasts the hopeful year, 
 
 Parent of want and misery severe ! 
 
 Or where, all dreadful in th' embattl'd line, 
 
 The hostile ships in flaming combat join; 
 
 Where the torn vessel winds and waves assail, 
 
 Till o'er her crew distress and death prevail. 
 
 Where'er he wander'd, thus vindictive Fate 
 
 Pursu'd his weary steps witli lasting hate ! 
 
 Rous'd by her mandate, storms of black array 
 
 Winter'd the morn of life's advancing day ; 
 
 Relax'd the sinews of the living lyre, 
 
 And quench'd the kindling spark of vital fire. 
 
 Thus while forgotten or unknown lie woos, 
 
 What hope to win the coy reluctant Muse! 
 
 Then let not censure, with malignant joy, 
 
 The harvest of his humble hope destroy I 
 
 His verse no laurel wreath attempts to claim, 
 
 Nor sculptur'd brass to tell the poet's name. 
 
 If terms uncouth, and jarring phrases, wound 
 
 The softer sense with inharmonious sound, 
 
 Yet here let listening sympathy prevail, 
 
 While conscious truth unfolds her piteous tale I
 
 Vll 
 
 The novelty and interest of this poem not only procured a 
 favourable reception from the public, but established the au- 
 thor's fame as a poet. Its versification is varied and melodi- 
 ous ; its description, being drawn from reality, strong, glowing 
 and often original ; and the characters so well chosen and pour- 
 trayed, that though remote the scene, it is pregnant with do- 
 mestic sorrow. Who can read the story of Palemon without 
 shedding the tear of pity ? Technical terms indeed were un- 
 avoidable, and required the assistance of notes to render them 
 intelligible to those unacquainted with sea phrases ; but it is 
 here the author displays the greatest ingenuity ; he introduces 
 new ideas ; and notwithstanding the harshness of nautical ex- 
 pressions, most admirably preserves the harmony of sounds : 
 few masters, of cultivated verse, could have managed the dif- 
 ficult theme with so much dexterity. The lover of pathetic 
 sentiment will find much to excite his sympathy in the circum- 
 stances of the story, though this part of the poem is necessarily 
 more trite than the descriptive. Many passages of the latter 
 might be selected as singularly excellent ; upon the whole, the 
 " Shipwreck" is a piece which has made a real and valuable 
 addition to the stock of English poetry, and has not only af- 
 forded much entertainment to landmen, but been of consider- 
 able utility to mariners. 
 
 The success of this poem redounded highly to the reputation 
 of the author, who now emerged from the obscurity of his for- 
 mer situation, and through the patronage of the royal Duke, 
 whom he further complimented by " An Ode on his Second 
 Departure from England, as Rear Admiral," he obtained the 
 lucrative employment of purser to the Royal George, one of 
 the finest ships in his Majesty's navy. Gratitude then induced 
 him to enter the field of political controversy, as one of the
 
 Vlll 
 
 party of " King's Friends :" accordinglj his next effort was a 
 satyrical peace, entitled " The Demagogue ;" in which Mr. 
 Pitt, (afterwards created Earl of Chatham) as well as those of 
 his partisans and adherents, Wilkes, Churchill, &c. were treated 
 with the same kind of virulence which the severe author of the 
 Rosciad had so unsparingly employed against all Scotchmen 
 and placemen. 
 
 In 1764 he published a new edition of " The Shipwreck," 
 with considerable additions, having protracted it to the length 
 of about one thousand lines more than the former, by several 
 new descriptions, episodes, characters, &c. 
 
 In 1769 he published his admirable professional work, called 
 " The Marine Dictionary," 4to. which might have perpetuated 
 his name in another branch of literature, had not his poetical re- 
 putation stood foremost. He also published about this time, a 
 third edition of " The Shipwreck," with other alterations, which 
 was then, and has been ever sincte, a favourite with the public. 
 
 At the close of the above-mentioned year (1769) he embark 
 ed with several East India supercargoes on board the Aurora 
 frigate, in expectation of improving his fortune in those climes 
 which had proved so successful to former adventurers. This 
 vessel was never heard of after her departure from the Cape 
 of Good Hope in December, and there is no doubt but that she 
 was lost by some accident, with all the crew ! Thus perished 
 our autbor in the bosom of the waves, the occasional fury of 
 which and consequent disasters, he has so forcibly and elegantly 
 described ; thus leaving behind him a work to perpetuate hi* 
 name, more durable, and far more honourable, than any monu- 
 ment which the artist's hand could erect : a work which affords 
 ample proof of nautical ability, as well as poetical talents, and 
 of which it has been observed by a learued and judicious com-
 
 IX 
 
 mentator, " That if Homer has been justly admired for re- 
 ducing a catalogue of ships into tolerable flowing verse, what 
 praise must be due to Falconer, that poetical sailor, the nurs. 
 ling of Apollo, educated by Neptune, who has versified his own 
 sea language with equal skill and propriety !" 
 
 THE ORDER IV WHICH THE ENGRAVINGS 
 ARE TO BE PLACED. 
 
 Pagt 
 
 Merchant Ship. to face the Description 
 
 Engraved Vignette.... Canto 1 1 
 
 Parting of Palemon and Anna 31 
 
 Sailing from Candia , 42 
 
 Engraved Vignette Canto II 51 
 
 Gale at Sun-Set 69 
 
 The Consultation 88 
 
 Engraved Vignette Canto III Ill 
 
 The Helmsman struck with Lightning 138 
 
 The Wreck 144
 
 THE ANNEXED ENGRAVING 
 
 *" Is intended to represent 
 AN ELEVATION OF A MERCHANT SHIP, 
 
 COMPLETELY JUGGED, 
 
 In illustration of (he following Poem. 
 
 DESCRIPTION. 
 
 Bowsprit and Rigging. 
 
 I Bowsprit. 2 Jibb Boom and 
 Horses. 3 Bobb Stays. 4 Gammon- 
 ing. .5 Spriisail Yard. 6 Spriisail 
 Topsail and Yard. 7 Spritsail Lifts, 
 see Lifts. 8 Spritsail Braces. 9 Sprit- 
 sail Clue Lines. 10 Spritsail Sheets. 
 
 Spritsail, Topsail, and Rigging. 
 
 7 Lifts. 8 Braces. 9 Clue Lines. 
 10 Sheets. 11 Kailyards. 
 
 Jibb Boom and Rigging. 
 12 Jibbfurl'd on the Boom. 13 Jibb 
 Hallyards. 14 Jibb Stay. 15 Fore- 
 top-gallant Stay. 16 Fore topmast 
 Stay 17 Fore topmast Staysail. 
 IS Netting for ditto. 19 Forestays. 
 
 Fore Topgallant Mast and Rigging. 
 
 I Mast. 5 Yard and Sail. 6 
 Shrouds. 7 Lrfn. 11 Ilallyards. 8 
 Braces. 9 Clue Lines. 10 Sheets. 
 3 Cap. 
 
 Foretop Mast and Rigging. 
 3 Cross Trees. 6 Shrouds. 1 1 Stay- 
 sail Hallyards. 4 Back Stays. 5 Yard 
 and Sail hoisted. 
 
 Fore Topsail and Rigging. 
 7 Lifts. 8 Braces. 9 Clue Lines. 
 12 Reef Tackles. 13 Reefs. 14 Points. 
 15 Earings. 16 BuntLines. 11 Hall- 
 yards. 17 Bow Lines. 
 
 Fore- Mast and Rigging. 
 5 Yard and Sail. 21 Crowfoot. 
 
 6 Shrouds. 18 Rattlings. 3 Top. 
 19 La'nnyards. 20 Dead Eyes. 11 
 TyeandJears. 22 Tacks. 10 Sheets. 
 9 Clue Garnets. 16 Bunt Lines. 23 
 Leech Lines. 17 Bow Lines. 7 Lifts. 
 
 8 Braces. 24 Hones and Stirrups. 
 
 Maintop Gallant-Mast and Rigging. 
 1 Mast. 5 Yard and Sail. 6Shrouds. 
 
 7 Liite. 8 Braces. 17 Bow Lines. 
 
 9 i'1'ie Lines. 10 Sheets. 2 Cap. 
 . I'.', stay. 11 Sta>sail Ilallyards. It 
 
 Hallvards. 
 
 Maintop-Mast and Rigging. 
 
 3 Cross Trees. 25 Middle Staysail 
 
 and Hallyards. 6 Mirouds. 4 Back 
 
 Stays. 25 Stay and Staysail Hallyards . 
 
 5 Yard and Sail. 
 
 Maintop-Sail and Rigging. 
 7 Lifts. 8 Braces. 9 Clue Lines. 
 18 Sheets. 16 Bunt Lines. 11 Hall- 
 yards. 17 Bow Lines. 12 Reef 
 Tackles. 
 
 Main- Mast and Rigging. 
 5 Yard and Sail. 6 Shrouds. 18 
 Rattlings. 21 Crowfoot. 25 Stay. 
 3 Top. 19 Lannyards. 20 Dead 
 Eyes. 11 Tye and (ears. 22 Tacks. 
 10 Sheet?. 9 Clue Garnets. 16 Bunt 
 Lines. 23 Leech Lines. 17 Bow 
 Lines. 7 Lifts. 8 Braces. 24 Horses 
 and Stirrups. 
 
 Part of the Hull. 
 
 A. Head. B. Rails. C. Cult Wa- 
 ter. D. Bow. + Chains. E. Catt 
 Heads. F. Boat on the Booms. G. 
 Chess Tree. H. auarter. l.Taffa- 
 rel. K. Poop. L. Poop Lanthorn. 
 M. Ensign. N. Companion. O. Bin- 
 nacle. P. Wheel. R. Hawse Hole. 
 Mizen Topgallant-Mast and Rigging. 
 
 1 Mast. 5 Yard and Sail. 6 Shrouds. 
 7 Lifts. 8 Braces. 9 Clue Lines. 
 10 Sheets. 2 Cap. 25. Stay. 
 
 Mizen Topmast and Rigging. 
 3 Cross Trees. 25 Stay and Stay- 
 sail Hallyards. 6 Shrouds. 4 Back 
 Stays. 5 Yard and Sail. 
 
 Mizen Thailand Rigging. 
 '! Lifts. 8 Braces. 9 Clue Lines. 
 16 Bunt Lines. 10 Sheets. 17 Bow 
 Lines. 11 Hallyards. 
 
 Mizen- Mail and Rigging. 
 
 5 Yard and Sail. 3 Top. 25 Stay. 
 
 26 Stay-sail. 6 Shroud;. 27 Brail*. 
 
 10 Sheet. URt-ef. 5CrossJa<k 
 
 Yard. 21 Crowfoot. 19 Lannyards
 
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 THE 
 
 SHIPWRECK. 
 
 CANTO I. 
 
 W HILE jarring interests wake the world to arms, 
 And fright the peaceful vale with dire alarms ; 
 While Ocean hears vindictive thunders roll 
 Along his trembling wave from pole to pole; 
 Sick of the scene, where War with ruthless hand 5 
 Spreads desolation o'er the bleeding land ; 
 Sick of, the tumult, where the trumpet's breath 
 Bids ruin smile, and drowns the groan of Death ! 
 'Tis mine, retir'd beneath this cavern hoar, 
 That stands all lonely on the sea-beat shore, 10 
 
 B
 
 THE SHIPWRECK. 
 
 Far other themes of deep distress to sing 
 
 Than ever trembled from the vocal string. 
 
 No pomp of battle swells th' exalted strain, 
 
 Nor gleaming arms ring dreadful on the plain ; 
 
 But, o'er the scene while pale Remembrance weeps, 
 
 Fate with fell triumph rides upon the deeps. 16 
 
 Here hostile elements tumultuous rise, 
 
 And lawless floods rebel against the skies ; 
 
 Till Hope expires, and Peril and Dismay 
 
 Wave their black ensigns on the wat'ry way. 20 
 
 Immortal train ! who guide the maze of song, 
 To whom all science, arts and arms belong ; 
 Who bid the trumpet of eternal fame 
 Exalt the warrior's and the poet's name ! 
 If e'er with trembling hope I fondly stray'd, 25 
 In life's fair morn, beneath your hallow'd shade, 
 To hear the sweetly-mournful lute complain, 
 And melt the heart with ecstasy of pain ; 
 Or listen, while th' enchanting voice of Love, 
 While all Elysium warbled thro' the grove : 30
 
 THE SHIPWRECK. 
 
 The Suppliant's Fears. 
 
 Oh ! by the hollow blast that moans around, 
 That sweeps the wild harp with a plaintive sound ; 
 By the long surge that foams thro* yonder cave. 
 Whose vaults remurmur to the roaring wave ; 
 With living colors give my verse to glow, 35 
 
 The sad memorial of a tale of woe ! 
 A scene from dumb oblivion to restore, 
 To fame unknown, and new to epic lore ! 
 
 Alas ! neglected by the sacred Nine, 
 Their suppliant feels no genial ray divine ; 40 
 
 Ah ! will they leave Pieria's happy shore, 
 To plough the tide where wintry tempests roar ? 
 Or shall a youth approach their hallow* d fane, 
 Stranger to Phoebus, and the tuneful train ? 
 Far from the Muses' academic grove, 45 
 
 'Twas his the vast and trackless deep to rove. 
 Alternate change of climates has he known, 
 And felt the fierce extremes of either zone : 
 Where polar skies congeal th' eternal snow, 
 Or equinoctial suns for ever glow. 50 
 
 B 2
 
 THE SHIPWRECK. 
 
 The Bard a Mariner. 
 
 Smote by the freezing or the scorching blast, 
 
 " A ship boy on the high and giddy mast," 
 
 From regions where Peruvian billows roar, 
 
 To the bleak coasts of savage Labrador. 
 
 From where Damascus, pride of Asian plains ! 55 
 
 Stoops her proud neck beneath tyrannic chains, 
 
 To where the isthmus*, lav'd by adverse tides, 
 
 Atlantic and Pacific seas divides. 
 
 But while he measur'd o'er the painful race, 
 
 In fortune's wild illimitable chase, 60 
 
 Adversity, companion of his way ! 
 
 Still o'er the victim hung with iron sway ; 
 
 Bade new distresses every instant grow, 
 
 Marking each change of place with change of woe. 
 
 In regions where th' ALMIGHTY'S chast'ning hand 
 
 With livid pestilence afflicts the land ; 66 
 
 ^r where pale Famine blasts the hopeful year, 
 
 Parent of Want and Misery severe ! 
 
 Or where, all dreadful in th' embattled line, 
 
 The hostile ships in flaming combat join : 70 
 
 Ver. 52. Shakespeare. * Darien.
 
 THE SHIPWRECK. 
 
 The Power that wakes the Song. 
 
 Where the torn vessel wind and wave assail, 
 
 Till o'er her crew distress and death prevail. 
 
 Where'er he wander'd, thus vindictive Fate, 
 
 Pursu'd his weary steps with lasting hate ! 
 
 Rous'd by her mandate, storms of black array 75 
 
 Wintered the morn of life's advancing day ; 
 
 Relax'd the sinews of the living lyre, 
 
 And quench'd the kindling spark of vital fire. 
 
 Thus while forgotten or unknown he wooes, 
 
 What hope to win the coy reluctant Muse ! 80 
 
 Then let not Censure, with malignant joy, 
 
 The harvest of his humble hope destroy '. 
 
 His verse no laurel-wreath attempts to claim, 
 
 Nor sculptur'd brass to tell the poet's name. 
 
 If terms uncouth, and jarring phrases, wound 85 
 
 The softer sense with inharmonious sound, 
 
 Yet here let list'ning Sympathy prevail, 
 
 While conscious Truth unfolds her piteous tale ! 
 
 And lo ! the Power that wakes th' eventful song, 
 Hastes hither from Lethean banks along : 90 
 
 B3
 
 THE SHIPWRECK. 
 
 Exordium. 
 
 She sweeps the gloom, and rushing on the sight, 
 Spreads o'er the kindling scene propitious light ! 
 In her right-hand an ample roll appears, 
 Fraught with long annals of preceding years ; 
 "With every wise and noble art of man, 95 
 
 Since first the circling hours their course began. 
 Her left a silver wand' on high displa/d, 
 Whose magic touch dispels Oblivion's shade. 
 Pensive her look ; on radiant wings that glow 
 Like Juno's birds, or Iris' flaming bow, 100 
 
 She sails; and, swifter than the course of light, 
 Directs her rapid intellectual flight. 
 The fugitive ideas she restores, 
 And calls the wand'ring thought from Lethe's shores. 
 To things long past a second date she gives, 105 
 And hoary Time from her fresh youth receives. 
 Congenial sister of immortal Fame, 
 She shares her power, and MEMORY is her name. 
 
 O first-born daughter of primeval Time ! 
 By whom transmitted down in every clime, 1 10
 
 THE SHIPWRECK. 
 
 The Voyage commences. 
 
 Tho deeds of ages long elaps'd are known, 
 And blazon'd glories spread from zone to zone ; 
 Whose breath dissolves the gloom of mental night, 
 And o'er th' obscur'd idea pours the light ! 
 Whose wing unerring glides thro' time and place, 
 And trackless scours th' immensity of space ; 116 
 Say ! on what seas, for thou alone canst tell, 
 What dire mishap a fated ship befel, 
 Assail'd by tempests, girt with hostile shores ?-- 
 Arise ! approach ! unlock thy treasur'd stores ! 120 
 
 A ship from Egypt, o'er the deep impell'd 
 By guiding winds, her course for Venice held : 
 Of fam'd Britannia were the gallant crew ; 
 And from that isle her name the vessel drew. 
 The wayward steps of Fortune, that delude 125 
 Full oft to ruin, eager they pursu'd : 
 And, dazzled by her visionary glare, 
 Advanc'd incautious of each fatal snare, 
 B4
 
 THE SHIPWRECK. 
 
 Course of the Britannia. 
 
 Tho' warn'd full oft the slippery track to shun, 
 Yet Hope, with flattering voice, betray'd them on. 
 Beguil'd to danger thus they left behind 131 
 
 The scene of peace, and social joy resign'd. 
 Long absent they, from friends and native home, 
 The cheerless ocean were inur'd to roam : 
 Yet Heav'n, in pity to severe distress, 135 
 
 Had crown'd each painful voyage with success ; 
 Still to atone for toils and hazards past, 
 Restored them to maternal plains at last. 
 
 Thrice had the sun, to rule the varying year, 
 Across th' equator roll'd his flaming sphere, 140 
 Since last the vessel spread her ample sail 
 From Albion's coast, obsequious to the gale. 
 She o'er the spacious flood, from shore to shore, 
 Unwearying wafted her commercial store. 
 The richest ports of Afric she had view'd, 145 
 
 Thence to fair Italy her course pursu'd : 
 Had left behind Trinacria's burning isle, 
 And visited the margin of the Nile.
 
 THE SHIPWRECK. 
 
 Arrives at Candia. 
 
 And now, that winter deepens round the pole, 
 
 The circ^ng voyage hastens to its goal, 150 
 
 They, blind to Fate's inevitable law, 
 
 No dark event to blast their hope foresaw ; 
 
 But from gay Venice, soon expect to steer 
 
 For Britain's coast, and dread no perils near. 
 
 A thousand tender thoughts their souls employ, 155 
 
 That fondly dance to scenes of future joy. 
 
 Thus time elaps'd, while o'er the pathless tide, 
 Their ship thro' Grecian seas the pilots guide. 
 Occasion call'd to touch at Candia's shore, 
 Which, blest with favoring winds, they soon explore : 
 The haven enter, borne before the gale, l6"0 
 
 Dispatch their commerce, and prepare to sail. 
 
 Eternal powers ! what ruins from afar 
 Mark the fell track of desolating War ! 
 Here Art and Commerce, with auspicious reign, 16*5 
 Once breath'd sweet influence on the happy plain : 
 While o'er the lawn, with dance and festive song, 
 Young Pleasure led the jocund hours along.
 
 10 THE SHIPWRECK. 
 
 Ruins of War. 
 
 In gay luxuriance Ceres too was seen 
 
 To crown the vallies with eternal green, u 170 
 
 For wealth, for valor, courted and rever'd, 
 
 What Albion is, fair Candia then appear'd. 
 
 Ah ! who the flight of ages can revoke ? *\ 
 
 The freeborn spirit of her sons is broke ; > 
 
 They bow to Ottoman's imperious yoke! 17 5 / 
 
 No longer Fame the drooping heart inspires, 
 
 For rude Oppression quench'd its genial fires. 
 
 But still her fields, with golden harvests crown'd, 
 
 Supply the barren shores of Greece around. 
 
 What pale distress afflicts those wretched isles ! 1 80 
 
 There Hope ne'er dawns, and Pleasure never smiles. 
 
 The vassal wretch obsequious drags his chain, 
 
 And hears his famish'd babes lament in vain. 
 
 These eyes have seen the dull reluctant soil 
 
 A sev'nth year scorn the weary lab'rer's toil. 1 35 
 
 No blooming Venus, on the desart shore, 
 
 Now views, with triumph, captive gods adore. 
 
 No lovely Helens now, with fatal charms, 
 
 Call forth th' avenging chiefs of Greece to arms.
 
 THE SHIPWRECK. 11 
 
 Britannia at her Moorings. 
 
 No fair Penelopes inchant the eye, 190 
 
 For whom contending kings are proud to die. 
 Here sullen Beauty sheds a twilight ray, 
 While Sorrow bids her vernal bloom decay. 
 Those charms, so long renown'd in classic strains, 
 Had dimly shone on Albion's happier plains ! 1^5 
 
 Now, in the southern hemisphere, the sun 
 Thro' the bright Virgin and the Scales had run; 
 And on the ecliptic wheel'd his winding way, 
 Till the fierce Scorpion felt his naming ray. 
 The ship was moor'd beside the wave-worn strand ; 
 Four days her anchors bite the golden sand : 201 
 For sickening vapours lull the air to sleep, 
 And not a breeze awakes the silent deep. 
 This, when th' autumnal equinox is o'er, 
 And Phoebus in the north declines no more, 205 
 The watchful mariner, whom Heaven informs, 
 Oft deems the prelude of approaching storms. 
 True to his trust when sacred duty calls, 
 No brooding storm the master's soul appals ;
 
 12 THE SHIPWRECK. 
 
 Influence of Wealth. 
 
 Th' advancing season warns him to the main 210 
 A captive, fetter'd to the oar of gain ! 
 His anxious heart, impatient of delay, 
 Expects the winds to sail from Candia's bay ; 
 Determin'd, from whatever point they rise, 
 To trust his fortune to the seas and skies. 
 
 Thou living ray of intellectual fire, 
 Whose voluntary gleams my verse inspire ! 
 Ere yet the deep'ning incidents prevail, 
 Till rous'd attention feel our plaintive tale, 
 Record whom, chief among the gallant crew, 220 
 Th' unblest pursuit of fortune hither drew ! 
 Can sons of Neptune, gen'rous, brave and bold, 
 In pain and hazard toil for sordid gold ? 
 
 They can ! for gold, too oft, with magic art, 
 Subdues each nobler impulse of the heart : 225 
 This crowns the prosp'rous villain with applause, 
 To whom in vain sad Merit pleads her cause : 
 This strews with roses life's perplexing road, 
 And leads the way to Pleasure's blest abode ;
 
 THE SHIPWRECK. 13 
 
 Character of Albert. 
 
 With slaughtered victims fills the weeping plain, 230 
 And smooths the 'furrows of the treach'rous main. 
 
 O'er the gay vessel, and her daring band, 
 Experienc'd ALBERT held the chief command. 
 Tho' train'd in boisterous elements, his mind 
 Was yet by soft humanity refin'd. 235 
 
 Each joy of wedded love at home he knew ; 
 Abroad confest the father of his crew ! 
 Brave, liberal, just ! the calm domestic scene 
 Had o'er his temper breath'd a gay serene. 
 Him Science taught by mystic lore to trace 240 
 The planets wheeling in eternal race ; 
 To mark the ship in floating balance held, 
 By earth attracted and by seas repell'd ; 
 Or point her devious track thro' climes unknown, 
 That leads to every shore and every zone. 245 
 
 He saw the moon thro' heav'n's blue concave glide, 
 And into motion charm th' expanding tide ; 
 While earth impetuous round her axle rolls, 
 Exalts her wat'ry zone, and sink the poles,
 
 14 THE SHIPWRECK. 
 
 Rodmond, second in command. 
 
 Light and attraction, from their genial source, 250 
 
 He saw still wand'ring with diminish'd force : 
 
 While on the margin of declining day, 
 
 Night's shadowy cone reluctant melts away 
 
 Inur'd to peril, with unconquer'd soul, 
 
 The chief beheld tempestuous oceans roll; 255 
 
 His genius, ever for th' event prepar'd, 
 
 Rose with the storm, and all its dangers sharM. 
 
 The second powers and office RODMOND bore ; 
 A hardy son of England's furthest shore ! 
 Where bleak Northumbria pours her savage train 
 Tn sable squadrons o'er the northern main ; 26 1 
 That, with her pitchy entrails stored, resort, 
 A sooty tribe ! to fair Augusta's port. 
 Where'er in ambush lurk the fatal sands, 
 They claim the danger ; proud of skilful bands ; 265 
 For while with darkling course their vessels weep, 
 The winding shore, or plough the faithless deep, 
 O'er bar and shelf the wat'ry path they sound, 
 With dext'rous arm ; sagacious of the ground ! 
 
 Ver. 268. A bar is known, in hydrography, to be a mass of
 
 THE SHIPWRECK. 15 
 
 His Character. 
 
 Fearless they combat every hostile wind, 270 
 
 Wheeling in mazy tracks, with course inclin'd. 
 Expert to moor where terrors line the road, 
 Or win the anchor from its dark abode ; 
 But drooping and relax'd in climes afar, 
 Tumultuous and undisciplin'd in war. 275 
 
 Such RODMOND was ; by learning unrefin'd, 
 That oft enlightens to corrupt the mind. 
 Boisterous of manners ; train'd in early youth, 
 To scenes that shame the conscious cheek of Truth; 
 To scenes that Nature's struggling voice control, 
 And freeze compassion rising in the soul ! 281 
 
 Where the grim hell-hounds, prowling round the shore 
 With foul intent the stranded bark explore 
 Deaf to the voice of woe, her decks they board, 
 While tardy Justice slumbers o'er her sword 285 
 Th' indignant Muse, severely taught to feel, 
 Shrinks from a theme she blushes to reveal ! 
 
 earth or sand collected by the surge of the sea, at the entrance 
 of a river or haven; so as to render the navigation difficult, and 
 often dangerous.
 
 l6 THE SHIPWRECK. 
 
 Arion next in command. 
 
 Too oft example, arm'd with poisons fell, 
 Pollutes the shrine where Mercy loves to dwell ; 
 Thus RODMOND, train'd by this unhallow'd crew, 
 The sacred social passions never knew ; 291 
 
 Unskill'd to argue ; in dispute yet loud ; 
 Bold without caution ; without honours proud ; 
 In art unschool'd ; each veteran rule he priz*d, 
 And all improvement haughtily despis'd; 295 
 
 Yet tho' full oft to future perils blind, 
 With skill superior glowed his daring mind, 
 Thro' snares of death the reeling bark to guide, 
 When midnight shades involve the raging tide. 
 
 To RODMOXD next in order of command, 300 
 Succeeds the youngest of our naval band. 
 But what avails it to record a name 
 That courts no rank among the sons of Fame ! 
 While yet a stripling, oft with fond alarms, 304 
 His bosom danc'd to Nature's boundless charms. 
 On him fair Science dawn'd in happier hour, 
 Awakening into bloom young Fancy's flow'r :
 
 THE SHIPWRECK. 
 
 His Misfortunes. 
 
 But frowning Fortune with untimely blast, 
 The blossom wither'd, and the dawn o'ercast. 
 Forlorn of heart, and by severe decree, 310 
 
 Condemn' d reluctant to the faithless sea, 
 With long farewel he left the laurel grove, 
 Where science and the tuneful sisters rove. 
 Hither he wander'd, anxious to explore 
 Antiquities of nations now no more : 315 
 
 To penetrate each distant realm unknown, 
 And range excursive o'er th' untravel'd zone. 
 In vain ! for rude Adversity's command, 
 Still on the margin of each famous land, 
 With unrelenting ire his steps oppos'd, 320 
 
 And every gate of Hope against him clos'd. 
 Permit my verse, ye blest Pierian train, 
 To call ARION this ill-fated swain! 
 For, like that bard unhappy, on his head 
 Malignant stars their hostile influence shed. 325 
 Both, in lamenting numbers, o'er the deep, 
 With conscious anguish taught the harp to weep 
 c
 
 18 THE SHIPWRECK. 
 
 Palemon and Anna. 
 
 And both the raging surge in safety bore, 
 
 Amid destruction, panting to the shore. 
 
 This last our tragic story from the wave 330 
 
 Of dark Oblivion haply yet may save : 
 
 With genuine sympathy may yet complain, 
 
 While sad Remembrance bleeds at every vein. 
 
 Such were the pilots ; tutor'd to divine 
 Th' untravel'd course by geometric line; 335 
 
 Train'd to command, and range the various sail, 
 \Vhose various force conforms to every gale. 
 Charg'd with the commerce, hither also came 
 A gallant youth, PALEMON was his name; 
 A father's stern resentment doom'd to prove, 340 
 He came, the victim of unhappy love ! 
 His heart for ALBERT'S beauteous daughter bled ; 
 For her a secret flame his bosom fed. 
 Nor let the wretched slaves of folly scorn 
 This genuine passion, Nature's eldest born ! 345 
 'Twas his with lasting anguish to complain, 
 While blooming ANNA mourn'd the cause in vain.
 
 THE SHIPWRECK. . ]<j 
 
 Their mutual Affection. 
 
 Graceful of form, by Nature taught to please, 
 Of pow'r to melt the female breast with ease. 
 To her PA LEMON told his tender tale, 350 
 
 Soft as the voice of Summer's evening gale. 
 O'erjoy'd, he saw her lovely eyes relent; 
 The blushing maiden smil'd with sweet consent. 
 Oft' in the mazes of a neighbouring grove, 
 Unheard, they breath'd alternate vows of love : -355 
 By fond society their passion grew, 
 Like the young blossom fed with vernal dew. 
 In evil hour the officious tongue of Fame 
 Betray'd the secret of their mutual flame. 
 With grief and anger struggling in his breast, 360 
 Palemon's Father heard the tale confest. 
 Long had he listen'd with Suspicion's ear, 
 And learnt, sagacious, this event to fear. 
 Too well, fair youth ! thy lib'ral heart he knew ; 
 A heart to Nature's warm impressions true ! 365 
 Full oft' his wisdom strove, with fruitless toil, 
 With av'rice to pollute that gen'rous soil : 
 
 c 2
 
 THE SHIPWRECK. 
 
 The rigid Father. 
 
 That soil, impregnated with nobler seed, 
 
 Refus'd the culture of so rank a weed. 
 
 Elate with wealth, in active commerce won, 370 
 
 And basking in the smile of Fortune's sun, 
 
 With scorn the parent ey'd the lowly shade 
 
 That veil'd the beauties of this charming maid. 
 
 Indignant he rebuk'd th' enamour'd boy, 
 
 The flatt'ring promise of his future joy ! 375 
 
 He sooth 'd and menac'd, anxious to reclaim 
 
 This hopeless passion, or divert its aim : 
 
 Oft' led the youth where circling joys delight 
 
 The ravish'd sense, or beauty charms the sight. 
 
 With all her powers enchanting Music fail'd, 380 
 
 And Pleasure's syren voice no more prevail'd. 
 
 The merchant, kindling then with proud disdain, 
 
 In look and voice assum'd an harsher strain : 
 
 In absence now his only hope remain'd ; 
 
 And such the stern decree his will ordain'd. 385 
 
 Deep anguish, while PALEMON heard his doom, 
 
 Drew o'er his lovely face a sadd'ning gloom.
 
 THE SHIPWRECK. 21 
 
 3 
 
 Sends his Son abroad. 
 
 In vain with bitter sorrow he repin'd, 
 
 No tender pity touch'd that sordid mind ; 
 
 Tothee, brave ALBERT, was the charge consign'd. 
 
 The stately ship, forsaking England's shore, 391 
 
 To regions far remote Palemon bore. 
 
 Incapable of change, th' unhappy youth 
 
 Still lov'd fair ANNA with eternal truth: 
 
 From clime to clime an exile doom'd to roam, 395 
 
 His heart still panted for its secret home. 
 
 The Moon had circled twice her wayward zone 
 To him, since young ARION first was known; 
 Who wand' ring here, thro' many a scene renown'd, 
 In Alexandria's port the vessel found ; 400 
 
 Where, anxious to review his native shore, 
 He on the roaring wave embark'd once more. 
 Oft' by pale CYNTHIA'S melancholy light, 
 With him PALEMON kept the watch of night; 
 In whose sad bosom many a sigh supprest, 405 
 
 Some painful secret of the soul confest. 
 c 3
 
 22 THE SHIPWRECK. 
 
 The Ship becalmed. 
 
 Perhaps ARION soon the cause divin'd, 
 
 Tho' shunning still to probe a wounded mind : 
 
 He felt the chastity of silent woe ; 
 
 Tho' glad the balm of comfort to bestow ; 410 
 
 He, with PALEMON , oft' recounted o'er 
 
 The tales of hapless love in ancient lore, 
 
 Recall'd to mem'ry by th' adjacent shore. 
 
 The scene thus present, and its story known, 
 
 The lover sigh'd for sorrows not his own. 415 
 
 Thus, tho' a recent date their friendship bore, 
 
 Soon the ripe metal own'd the quick'ning ore : 
 
 For in one tide their passions seem'd to roll, 
 
 By kindred age, and sympathy of soul. 
 
 These o'er the inferior naval train preside, 42 
 The course determine, or the commerce guide : 
 O'er all the rest, an undistinguish'd crew ! 
 Her wing of deepest shade Oblivion drew. 
 
 A sullen languor still the skies opprest, 
 And held th' unwilling ship in strong arrest. 425 
 High in his chariot glow'd the lamp of day, 
 O'er Ida naming with meridian ray.
 
 THE SHIPWRECK. 23 
 
 Desolate State of Candia. 
 
 Relax'd from toil the sailors range the shore, 
 
 Where famine, war, and storm are felt no more : 
 
 The hour to social pleasure they resign, 430 
 
 And black remembrance drown in gen'rous wine. 
 
 On deck, beneath the shading canvas spread, 
 
 RODMOND a rueful tale of wonders read, 
 
 Of dragons roaring on th' enchanted coast, 
 
 The hideous goblin, and the yelling ghost : 435 
 
 But with ARIOJT , from the sultry heat 
 
 Of noon, PALEMON sought a cool retreat. 
 
 And lo ! the shore with mournful prospects, crown'd ;* 
 
 The rampart torn with many a fatal wound ; 
 
 The ruin'd bulwark tottering o'er the strand ; 440 
 
 Bewail the stroke of War's tremendous hand. 
 
 What scenes of woe this hapless isle o'erspread ! 
 
 Where late thrice fifty thousand warriors bled. 
 
 * The memorable siege of Candia, which was taken from the 
 Venetians by the Turks in 1669 ; being then considered as im- 
 pregnable, and esteemed the most formidable fortress in the 
 universe. 
 
 C4
 
 24 THE SHIPWRECK. 
 
 The youthful Friends 
 
 Full twice twelve summers were yon tow'rs assail'd, 
 Till barbarous Ottoman at last prevail'd ; 445 
 
 While thund'ring mines the lovely plains o'erturn'd, 
 While heroes fell, and domes and temples burn'd. 
 
 But now before them happier scenes arise ! 
 Elysian vales salute their ravish'd eyes : 
 Olive and cedar, fonn'd a grateful shade, 450 
 
 Where light with gay romantic error stray 'd : 
 The myrtles here with fond caresses twine ; 
 There, rich with nectar melts the pregnant vine : 
 And lo the stream, renovvn'd in classic song, 
 Sad*Lethe, glides the silent vale along. 455 
 
 On mossy banks, beneath the citron grove, 
 The youthful wand'rers found a wild alcove : 
 Soft o'er the fairy region languor stole, 
 And with sweet melancholy charm'd the soul. 
 Here first PALEMON, while his pensive mind 46*0 
 For consolation on his friend reclin'd, 
 In pity's bleeding bosom pour'd the stream 
 Of love's soft anguish, and of grief supreme ;
 
 THE SHIPWRECK. 25 
 
 Recount their Sorrows. 
 
 Too true thy words ! by sweet remembrance taught, 
 
 My heart in secret bleeds with tender thought : 46*5 
 
 In vain it courts the solitary shade, 
 
 By every action, eveiy look betray'd ! 
 
 The pride of gen'rous woe disdains appeal. 
 
 To hearts that unrelenting frosts congeal : 
 
 Yet sure, if right PALBMON can divine, 470 
 
 The sense of gentle pity dwells in thine. 
 
 Yes ! all his cares thy sympathy shall know, 
 
 And prove the kind companion of his woe. 
 
 ALBERT thou know'st, with skill and science grac'd, 
 In humble station tho' by fortune plac'd ; **475 
 
 Yet never seaman more serenely brave 
 Led Britain's conquering squadrons o'er the wave. 
 Where full in view Augusta's spires are seen, 
 With flow'ry lawns and waving woods between; 
 A peaceful dwelling stands in modest pride, 480 
 Where Thames, flow winding, rolls his ample tide. 
 There live, the hope and pleasure of his life, 
 A pious daughter, with a faithful wife.
 
 26' THE SHIPWRECK. 
 
 Paleraon's Tale. 
 
 For his return, with fond officious care, 
 
 Still every grateful object these prepare ; 485 
 
 \Vhatever can allure the smell or sight, 
 
 Or wake the drooping spirits to delight. 
 
 This blooming maid, in virtue's path to guide, 
 Her anxious parents all their cares apply'd : 
 Her spotless soul, where soft compassion reign'd, 490 
 No voice untun'd, no sick'ning folly stain'd. 
 Not fairer grows the lily of the vale, 
 Whose bosom opens to the vernal gale : 
 Her eyes, unconscious of their fatal charms, 
 Thrill' d every heart with exquisite alarms : 495 
 
 Her face, in beauty's sweet attraction drest, 
 The smile of maiden innocence exprest ; 
 While health, that rises with th' new-born day, 
 Breath'd o'er her cheek the softest blush of May. 
 Still in her look complacence smil'd serene ; 500 
 She mov'd the charmer of the rural scene. 
 
 Twas at that season when the fields resume 
 Their loveliest hues, array 'd in vernal bloom ;
 
 THE SHIPWRECK. 2? 
 
 Of his lost Anna. 
 
 Yon' ship, rich freighted from th' Italian shore, 
 
 To Thames' fair banks her costly tribute bore : 505 
 
 While thus my father saw his ample hoard, 
 
 From this return, with recent treasures, stor'd ; 
 
 Me, with affairs of commerce, charg'd, he sent 
 
 To Albert's humble mansion; soon I went, 
 
 Too soon, alas! unconscious of th' eve'nt. 510 , 
 
 There, struck with sweet surprise and silent awe, 
 
 The gentle mistress of my hopes I saw : 
 
 There, wounded first by love's resistless arms, 
 
 My glowing bosom throbb'd with strange alarms. 
 
 My ever charming Anna! who alone 515 
 
 Can all the frowns of cruel fate atone. 
 
 Oh! while all-conscious memory holds her pow'r, 
 
 Can I forget that sweetly-painful hour, 
 
 When from those eyes, with lovely lightning fraught, 
 
 My fluttr'ing spirits first th' infection caught; 520 
 
 When, as 1 gaz'd, my fault' ring tongue betray'd 
 
 The heart's quick tumults, or refus'd its aid ; 
 
 While the dim light my ravish'd eyes forsook, 
 
 And every limb unstrung with terror shook !
 
 28 THE SHIPWRECK. 
 
 The Union of Hearts. 
 
 With all her pow'rs dissenting reason strove 525 
 
 To tame at first the kindling flame of Love; 
 
 She strove in vain; subdu'd by charms divine, 
 
 My soul a victim fell at Beauty's shrine. 
 
 Oft' from the din of bustling life I stra/d, 
 
 In happier scenes, to see my lovely maid. 530 
 
 Full oft' where Thames his wandr'ing current leads, 
 
 We rov'd at ev'ning hours thro' flow'ry meads. 
 
 There, while my heart's soft anguish I reveal'd, 
 
 To her with tender sighs my hope appeal'd. 
 
 While the sweet nymph my faithful tale believ'd, 535 
 
 Her snowy breast with secret tumult heav'd : 
 
 For, train'd in rural scenes from earliest youth, 
 
 Nature was hers, and innocence, and truth. 
 
 She never knew the city damsel's art, 
 
 Whose frothy pertness charms the vacant heart! 540 
 
 My suit, prevail'd; for Love inform'd my tongue, 
 
 And on his votary's lips pursuasion hung. 
 
 Her eyes with conscious sympathy withdrew, 
 
 And o'er her cheek the rosy current flew.
 
 THE SHIPWRECK. 29 
 
 Love disapproved. 
 
 Thrice happy hours ! where, with no dark allay, 545 
 
 Life's fairest sunshine gilds the vernal day ! 
 
 For here the sigh that soft Affection heaves, 
 
 From stings of sharper woe the soul relieves. 
 
 Elysian scenes ! too happy long to last ! 
 
 Too soon a storm the smiling dawn o'ercast! 550 
 
 Too soon some demon to my father bore 
 
 The tidings that his heart with anguish tore. , 
 
 My pride to kindle, with dissuasive voice, 
 
 Awhile he labour'd to degrade my choice ; 
 
 Then, in the whirling wave of Pleasure, sought, 555 
 
 From its lov'd object to divert my thought. 
 
 With equal hope he might attempt to bind, 
 
 In chains of adamant, the lawless wind, 
 
 For Love had aim'd the fatal shaft too sure; 
 
 Hope fed the wound, and Absence knew no cure. 56~0 
 
 With alienated look, each art he saw 
 
 Still baffled by superior Nature's law. 
 
 His anxious mind on various schemes revolv'd ; 
 
 At last on cruel exile he resolv'd. 565
 
 30 THE SHIPWRECK. 
 
 The last Adieu. 
 
 I he rig'rous doom was fix'd, alas ! how vain 565 
 
 To him of tender anguish to complain ! 
 
 His soul, that never Love's sweet influence felt, 
 
 By social Sympathy could never melt. 
 
 With stern command to ALBERT'S charge he gave, 
 
 To waft PA LEMON o'er the distant wave. 570 
 
 The ship was laden, and prepar'd to sail, 
 And only waited now the leading gale. 
 'Twas ours, in that sad period first to prove, 
 The heart- felt torments of despairing Love: 
 Th' impatient wish that never feels repose; 575 
 
 Desire that with perpetual current flows ; 
 The fluctuating pangs of hope and fear; 
 Joy distant still, and sorrow ever near ! 
 Thus, while the pangs of thought severer grew, 
 The western breezes inauspicious blew, 580 
 
 Hastening the moment of our last adieu. 
 The vessel parted on the falling tide ; 
 Yet time one sacred hour to Love supply'd. 
 The night was silent, and advancing fast, 
 The Moon o'er Thames her silver mantle cast.
 
 THE SHIPWRECK. . 33 
 
 Palemon's Reply. 
 
 Too well thou know'st good ALBERT'S niggard fate, 
 
 111 fitted to sustain thy father's hate : 
 
 Go then, I charge thee, by thy gen'rous love, 
 
 That fatal to my father thus may prove : 
 
 On me, alone, let dark affliction fall, 630 
 
 Whose heart for thee will gladly suffer all ! 
 
 Then haste thee hence, PA LEMON, e'er too late, 
 
 Nor rashly hope to brave opposing Fate ! 
 
 She ceas'd ; while anguish in her angel face 
 O'er all her beauties show'r'd celestial grace. 635 
 Not Helen, in her bridal charms array'd, 
 Was half so lovely as this gentle maid. 
 O soul of all my wishes ! I reply 'd, 
 Can that soft fabric stem Affliction's tide ? i 
 
 Canst thou, fair emblem of exalted Truth ! 640 
 
 To Sorrow doom the summer of thy youth ; 
 And I, perfidious, all that sweetness see 
 Consign'd to lasting misery for me ? 
 Sooner this moment may th' eternal doom 
 PA LEMON in the silent earth entomb ! 6-t.S
 
 34- THE SHIPWRECK. 
 
 Vows of Constancy. 
 
 Attest, them moon, fair regent of the night ! 
 
 Whose lustre sickens at this mournful sight ; 
 
 By all the pangs divided lovers feel, 
 
 That sweet possession only knows to heal ! 
 
 By all the horrors brooding o'er the deep, 650 
 
 Where Fate and Ruin sad dominion keep ! 
 
 Tho' tyrant duty o'er me threat' ning stands, 
 
 And claims obedience to her stern commands ; 
 
 Should fortune cruel or auspicious prove, 
 
 Her smile or frown shall never change my love ! 655 
 
 My heart, that now must ev'ry joy resign, 
 
 Incapable of change, is only thine ! 
 
 O cease to weep ! this storm will yet decay, 
 
 And these sad clouds of sorrow melt away. 
 
 While thro' the rugged path of life we go, 660 
 
 All mortals taste the bitter draught of woe; 
 
 The fam'd and great, decreed to equal pain, 
 
 Full oft' in splendid wretchedness complain. 
 
 For this, prosperity with brighter ray, 
 
 In sniiliqg contrast gilds our vital day. 665
 
 THE SHIPWRECK. 35 
 
 Sympathy. 
 
 Thou too, sweet maid ! e'er twice ten months are' 
 
 o'er, 
 
 Shalt hail PALEMON to his native shore, 
 Where never interest shall divide us more. 
 
 Her struggling soul, o'erwhelm'd with tender grief, 
 Now found an interval of short relief; 670 
 
 So melts the surface of the frozen stream, 
 Beneath the wintry sun's departing beam. 
 With warning haste the shades of night withdrew, 
 And gave the signal of a sad adieu. 
 As on my neck the afflicted maiden hung, 675 
 
 A thousand racking doubts her spirit wrung, 
 She wept the terrors of the fearful wave, 
 Too oft', alas ! the wand' ring lover's grave ! 
 With soft persuasion I dispel'd her fear, 
 And from her cheek beguil'd the falling tear. 680 
 While dying fondness languish'd in her eyes, 
 She pour'd her soul to Heav'n in suppliant sighs : 
 Look down with pity, Oh ye Powers above ! 
 Who hear the sad complaints of bleeding love ; 
 
 D2
 
 36 THESHIP\VRECK. 
 
 The sad Farewell. 
 
 Ye, who the secret laws of fate explore, 685 
 
 Alone can tell if he returns no more : 
 
 Or if the hour of future joy remain, 
 
 Long wish'd atonement of long-suffer' d pain! 
 
 Bid every guardian minister attend, 
 
 And from all ill the much-lov'd youth defend ! 690 
 
 With grief o'erwhelm'd, we parted twice in vain, 
 
 And, urg'd by strong attraction, met again. 
 
 At last, by cruel fortune torn apart, 
 
 While tender passion stream'd in either heart ; 
 
 Our eyes transfix'd with agonizing look, 695 
 
 One sad farewel, one last embrace we took. 
 
 Forlorn of hope, the lovely maid I left, 
 
 Pensive and pale, of every joy bereft. 
 
 She to her silent couch retir'd to weep, 
 
 While her sad swain embark'd upon the deep. 700 
 
 His tale thus clos'd, from sympathy of grief, 
 PA LEMON'S bosom felt a sweet relief. 
 The hapless bird, thus ravish'd from the skies, 
 Where all forlorn his lov'd companion flies,
 
 THE SHIPWRECK. 37 
 
 The graceful Lover. 
 
 In secret long bewails his cruel fate, 705 
 
 With fond remembrance of his winged mate : 
 
 Till grown familiar with a foreign train "^ 
 
 Compos'd at length, his sadly warbling strain, 
 
 In sweet Oblivion charms the sense of pain. < 
 
 Ye tender maids, in whose pathetic souls 7 10 
 Compassion's sacred stream impetuous rolls ; 
 Whose warm affections exquisitely feel 
 The secret wound you tremble to reveal ! 
 Ah ! may no wand'rer of the faithless main, 
 Pour thro' your breast the soft delicious bane ! 715 
 May never fatal tenderness approve 
 The fond effusions of their ardent love. 
 Oh ! warn'd by Friendship's counsel, learn to shun 
 The fatal path where thousands are undone ! 
 
 Now as the youths, returning o'er the plain, 7 '20 
 Approach'd the lonely margin of the main, 
 First with attention rouz'd, ARION eyed 
 The graceful lover, form'd in Nature's pride. 
 His frame the happiest symmetry display'd ; 
 And locks of waving gold his neck array'd. 725
 
 38 THE SHIPWRECK. 
 
 Sun-set. 
 
 Ill every look the Paphian graces shine, 
 Soft-breathing o'er his cheek their bloom divine. 
 With lighten' d heart he smil'd serenely gay, 
 Like young Adonis, or the son of May. 
 Not Cytherga from a fairer swain 730 
 
 Received her apple on the Trojan plain ! 
 
 The sun's bright orb, declining all serene, 
 Now glanc'd obliquely o'er the woodland scene. 
 Creation smiles around ; on every spray 
 The warbling birds exalt their ev'ning lay. 735 
 
 Blithe skipping o'er yon hill, the fleecy train 
 Join the deep chorus of the lowing plain : 
 The golden lime and orange there were seen, 
 On fragrant branches of perpetual green. 
 The crystal streams that velvet meadows lave, 740 
 To the green ocean roll with chiding wave. 
 The glassy ocean hush'd forgets to roar, 
 Uut trembling murmurs on the sandy shore : 
 And lo ! his surface, lovely to behold ! 
 Glows in the west a sea of living gold ! 745
 
 THE SHIPWRECK. 39 
 
 Midniht. 
 
 While, all above, a thousand liveries gay 
 The skies with pomp ineffable array. 
 Arabian sweets perfume the happy plains ; 
 Above, beneath, around inchantment reigns ! 
 
 While yet the shades on Time's eternal scale, 750 
 
 i 
 
 With long vibration deepen o'er the vale ; 
 
 x 
 
 While yet the songsters of the vocal grove, 
 
 With dying numbers tune the soul to love : 
 
 With joyful eyes th' attentive master sees 
 
 Th' auspicious omens of an eastern breeze 755 
 
 Now radiant Vesper leads the starry train, 
 
 And Night slow draws her veil o'er land and main ; 
 
 Round the charg'd bowl the sailors form a ring ; 
 
 By turns recount the wondrous tale, or sing ; 
 
 As love or battle, hardships of the main, 760 
 
 Or genial wine, awake the homely strain : 
 
 Then some the watch of night alternate keep, 
 
 The rest lie buried in oblivious sleep. 
 
 Deep midnight now involves the livid skies, 
 While infant breezes from the shore arise, 765 
 
 D 4
 
 40 THE SHIPWRECK. 
 
 Dreams of Love. 
 
 The waning moon, behind a wat'ry shroud, 
 Pale glimmer'd o'er the long protracted cloud. 
 A mighty ring around her silver throne, 
 With parting meteors cross'd, portentous shone. 
 This in the troubled sky full oft prevails ; 77Q 
 
 Oft deem'd a signal of tempestuous gales. 
 While young An ION sleeps, before his sight 
 Tumultuous swim the visions of the night. 
 Now blooming ANNA with her happy swain 
 Approach'd the sacred Hymeneal fane : 77 1 
 
 Anon tremendous lightnings flash between ; 
 And funeral pomp, and weeping loves are seen ! 
 Now with PALEMON up a rocky steep, 
 Whose summit trembles o'er the roaring deep, 
 With painful step he climb'd ; while far above 780 
 Sweet ANNA charm'd them with the voice of love. 
 Then sudden from the slippery height they fell, 
 While dreadful yawn'd beneath the jaws of Hell. 
 Amid this fearful trance a thiind'ring sound^ 784 
 He hears and thrice the hollow decks rebound.
 
 THE SHIPWRECK. 41 
 
 The ship weighs Anchor. 
 
 Upstarting from his couch, on deck he sprung ; 
 Thrice with shrill note the boatswain's whistle rung. 
 All hands unmoor ! proclaims a boist'rous cry : 
 All hands unmoor ! the cavern'd rocks reply. 
 Rous'd from repose, aloft the sailors swarm, 790 
 And with their levers soon the windlass arm. 
 The order given, up springing with a bound, 
 They lodge the bars, and wheel their engine round ; 
 At ev'ry turn the clanging pauls resound. 
 Up-torn reluctant from its oozy cave, 795 
 
 The pond'rous anchor rises o'er the wave. 
 Along their slipp'ry masts the yards ascend, 
 And high in air the canvas wings extend : 
 Redoubling cords the lofty canvas guide, 
 And thro' inextricable mazes glide. 800 
 
 The lunar rays with long reflection gleam, 
 To light the vessel o'er the silver stream : 
 
 Ver. 191. The windlass is a sort of large roller, used to wind- 
 in the cable, or heave up the anchor. It is turned about verti- 
 cally, by a number of long bars or levers ; in which operation 
 it is prevented from recoiling by the pauls, ver. 794. 

 
 42 THE SHIPWRECK. 
 
 Morning. 
 
 Along the glassy plain serene she glides, 
 
 While azure radiance trembles on her sides. 
 
 From east to north the transient breezes play, 805 
 
 And in th' Egyptian quarter soon decay. 
 
 A calm ensues; they dread the adjacent shore : 
 
 The boats with rowers arm'd are sent before : 
 
 With cordage fast'ned to the lofty prow, 
 
 Aloof to sea the stately ship they tow. 810 
 
 The nervous crew their sweeping oars extend, 
 
 And pealing shouts the shore of Candia rend. 
 
 Success attends their skill ; the danger's o'er ; 
 
 The port is doubled and beheld no more. 
 
 Now Morn, her lamp pale glimm'ring on the sight, 
 Scatter'd before her van reluctant Night. 81 6" 
 
 She comes not in refulgent pomp .array'd, 
 But sternly frowning, wrapt in sullen shade. 
 Above incumbent vapors, Ida's height, 
 Tremendous rockT emerges on the sight. 820 
 
 Ver. 810. Towing is the operation of drawing a ship forward 
 by means of ropes extending from her fore-part to one or more 
 of the boats rowing before her.
 
 THE SHIPWRECK. 43 
 
 Taking the sun's Azimuth. 
 
 North-east the guardian isle of Standia lies, 
 And westward Freschin's woody capes arise. 
 
 With whining postures now the wanton sails 
 Spread all their snares to charm th' inconstant gales. 
 The swelling stud-sails now their wings extend, 825 
 Then stay-sails sidelong to the breeze ascend : 
 While all to court the wand'ring breeze are plac'd; 
 With yards now thwarting, now obliquely, brac'd. 
 
 The dim horizon low'ring vapors shroud, 
 And blot the sun yet struggling in the cloud : 830 
 Thro' the wide atmosphere, condens'd with haze, 
 His glaring orb emits a sanguine blaze. 
 The pilots now their rules of art apply, 
 The mystic needle's devious aim to try. 
 The compass plac'd to catch the rising ray, 835 
 The quadrant's shadows studious they survey ! 
 
 Ver. 825, 816. Studding-sails are long, narrow sails, which 
 are only used in fine weather and fair winds, on the outside of 
 the larger square-sails. Stay-sails are three-cornered sails, 
 which are hoisted up on the stays, when the wind crosses the 
 ship's course, either directly or obliquely. 
 
 Ver. 835. The operation of taking the sun's azimuth, in order
 
 44 THE SHIPWRECK. 
 
 'Hie Britannia's majestic Appearance 
 
 Along the arch the gradual index slides. 
 
 While Phoebus down the vertic-circle glides. 
 
 Now, seen on ocean's utmost verge to swim, 
 
 He sweeps it vibrant with his nether limb. 840 
 
 Their sage experience thus explores the height, 
 
 And polar distance of the source of light: 
 
 Then thro' the chiliad's triple maze they trace 
 
 Th* analogy that proves the magnet's place, 
 
 The wayward steel, to truth thus reconcil'd, 845 
 
 No more th' attentive pilot's eye beguil'd. 
 
 The natives, while the ship departs the land, 
 Ashore with admiration gazing stand. 
 Majestically slow, before the breeze^ 
 In silent pomp she marches on the seas. 850 
 
 Her milk-white bottom casts a softer gleam, 
 While trembling thro' the green translucent stream. 
 The wales, that close above in contrast shone, 
 Clasp the long fabric with a jetty zone. 
 
 to discover the eastern or western variation of the magnetic 
 needle. 
 
 Ver. 853. The wales here alluded to are an assemblage of
 
 THE SHIPWRECK. 45 
 
 Her supremacy. 
 
 BRITANNIA, riding awful on the prow, 855 
 
 Gaz'd o'er the vassal- wave that roll'd below : 
 Where'er she movM, the vassal-waves were seen 
 To yield obsequious and confess their queen. 
 Th' imperial trident grac'd her dexter hand, 
 Of power to rule the surge like Moses' wand, S60 
 Th' eternal empire of the main to keep, 
 And guide her squadrons o'er the trembling deep. 
 Her left propitious bore a mystic shield, 
 Around whose margin rolls the wat'ry field. 
 There her bold Genius in his floating car, 865 
 
 O'er the wild billow hurls the storm of war- 
 And lo ! the beasts that oft with jealous rage 
 In bloody combat met, from age to age, 
 Tam'd into Union, yok'd in friendship's chain, 
 Draw his proud chariot round the vanquish'd main. 
 From the broad margin to the centre grew 871 
 
 Shelves, rocks, and whirlpools, hideous to the view ! 
 
 strong planks which envelope the lower part of the ship's side, 
 wherein they are broader and thicker than the rest, and appear 
 somewhat like a range of hoops, which separates the bottom 
 from the upper works.
 
 46* THE SHIPWRECK. 
 
 The vessel described 
 
 Th' immortal shield from Neptune she receiv'd, 
 When first her head above the waters heav'd. 
 Loose floated o'er her limbs an azure vest; 875 
 
 A figur'd scutcheon glitter'd on her breast ; 
 There, from one parent soil, for ever young, 
 The blooming rose and hardy thistle sprung. 
 Around her head an oaken wreath was seen, 
 Inwove with laurels of unfading green. 880 
 
 Such was the sculptur'd prow from van to rear 
 Th' artillery frown'd, a black tremendous tier ! 
 Embalm'd with orient gum, above the wave, 
 The swelling sides a yellow radiance gave. 
 On the broad stern a pencil warm and bold, 885 
 That never servile rules of art controll'd, 
 An allegoric tale on high pourtray'd, 
 There a young hero, here a royal maid. 
 Fair England's genius in the youth exprest 
 Her ancient foe, but now her friend confest, 890 
 The warlike nymph with fond regard surveyM : 
 No more his hostile frown her heart dismay'd.
 
 THE SHIPWRECK. 47 
 
 Subject Continued. 
 
 His look, that once shot terror from afar, 
 
 Like young Alcides, or the god of war, 
 
 Serene as summer's eVning skies she saw; 895 
 
 Serene, yet firm; tho' mild, impressing awe. 
 
 Her nervous arm inur'd to toils severe, 
 
 Brandish'd th' unconquer'd Caledonian spear. 
 
 The dreadful faulchion of the hills she wore, 
 
 Sung to the harp ia many a tale of yore, 900 
 
 That oft' her rivers dyM with hostile gore. 
 
 Blue was her rocky shield ; her piercing eye 
 
 Flash'd like the meteors of her native sky. 
 
 Her crest, high plum'd, was rough with many a scar, 
 
 And o'er her helmet gleam'd the northern star. 905 
 
 The warrior youth appear'd of noble frame; 
 
 The hardy offspring of some Runic dame; 
 
 Loose o'er his shoulders hung the slacken'd bow, 
 
 Renown'd in song, the terror of tire foe ! 
 
 The sword that oft the barb'rous North defy'd, 910 
 
 The scourge of tyrants ! glitter'd by his side. 
 
 Clad in refulgent arms in battle won, 
 
 The George emblazon'd on his corselet shone.
 
 48 THE SHIPWRECK. 
 
 Imagery. 
 
 Fast by his side was seen a golden lyre, 
 Pregnant with numbers of eternal fire ; 
 Whose strings unlock the witches' midnight spell, 
 Or waft rapt Fancy thro' the gulphs of hell 
 Struck with contagion, kindling Fancy hears 
 The songs of heaven ! the music of the spheres! 
 Borne on Newtonian wing thro' air she flies, .920 
 Where other suns to other systems rise ! 
 These front the scene conspicuous overhead 
 Albion's proud oak his filial branches spread : 
 While on the sea-beat shore obsequious stood 
 Beneath their feet, the father of the flood 92 
 Here, the bold native of her cliffs above, 
 Perch'd by the martial maid the bird of Jove ; 
 There, on the watch, sagacious of his prey, 
 With eyes of fire, an English mastiff lay. 
 Yonder fair commerce stretch'd her winged sail ; 930 
 Here frown'd the god that wakes the living gale 
 High o'er the poop the flatt'ring winds unfurl'd 
 Th' imperial flag that rules the wat'ry world.
 
 THE SHIPWRECK. 
 
 Continued. 
 
 Deep blushing armors all the tops invest; 
 
 And warlike trophies either quarter drest; 935 
 
 Then tower'd the masts, the canvas swell'd on high, 
 
 And waving streamers floated in the sky. 
 
 Thus the rich vessel moves in trim array, 
 
 Like some fair virgin on her bridal day. 
 
 Thus like a swan, she cleaves the watery plain, 940 
 
 The pride and wonder of the ^Egean main ! 
 
 END OF CANTO I.
 
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 THE 
 
 SHIPWRECK. 
 
 CANTO II. 
 
 Reflections. 
 
 -fxDIEU, ye pleasures of the rural scene, 
 
 Where Peace and calm Contentment dwell serene ! 
 
 To me, in vain, on earth's prolific soil, 
 
 With summer crown'd th' Elysian vallies smile ! 
 
 To me those happier scenes no joy impart, 5 
 
 But tantalize with hope my aching heart. 
 
 For these, alas ! reluctant I forego, 
 
 To visit storms and elements of woe ! 
 
 Ye Tempests ! o'er my head congenial roll, 
 
 To suit the mournful music of my soul ! 10 
 
 E2
 
 52 THE SHIPWRECK. 
 
 They leave the Land. 
 
 In black progression, lo ! they hover near 
 Hail, social Horrors ! like my fate severe ! 
 Old Ocean, hail ! beneath whose azure zone 
 The secret deep lies unexplor'd, unknown. 
 Approach, ye brave companions of the sea, 1 5 
 
 And fearless view this awful scene with me ! 
 Ye native guardians of your country's laws ! 
 Ye bold assertors of her sacred cause ! 
 The Muse invites you judge if she depart, 
 Unequal, from the precepts of your art. 20 
 
 In practice train'd, and conscious of her power, 
 Her steps intrepid meet the trying hour. 
 
 O'er the smooth bosom of the faithless tides, 
 Propell'd by gentle gales, the vessel glides. 
 RODMOND exulting felt th' auspicious wind, 25 
 And by a mystic charm its aim confin'd. 
 The thoughts of home that o'er his fancy roll, 
 With trembling joy dilate PALEMON'S soul: 
 Hope lifts his heart, before whose vivid ray 
 Distress recedes, and danger melts away.
 
 THE SHIPWRECK. 53 
 
 A Water-spout. 
 
 Already Britain's parent -cliffs arise, 
 
 And in idea greet his longing eyes ! 
 
 Each amorous sailor too, with heart elate, 
 
 Dwells on the beauties of his gentle mate. 
 
 Even they th' impressive dart of Love can feel, 35 
 
 Whose stubborn souls are sheath'd in triple steel. 
 
 Nor less o'erjoy'd, perhaps with equal truth, 
 
 Each faithful maid expects th' approaching youth. 
 
 * 
 
 In distant bosoms equal ardors glow; 
 
 And mutual passions mutual joy bestow. 40 
 
 Tall Ida's summit now more distant grew, 
 
 And Jove's high hill was rising on the view : 
 
 When, from the left approaching, they descry 
 
 A liquid column tow'ring shoot on high. 
 
 The foaming base an angry whirlwind sweeps, 45 
 
 Where curling billows rouse the fearful deeps. 
 
 Still round and round the fluid vortex flies, 
 
 Scatt'ring dun night and horror thro' the skies. 
 
 The swift volution and the enormous train 
 
 Let sages vers'd in Nature's lore explain ! 50 
 
 E3
 
 54 THE SHIPWRECK. 
 
 A Shoal of Dolphins. 
 
 The horrid apparition still draws nigh, 
 
 And white with foam the whirling surges fly ! 
 
 The guns were prim'd the vessel northward veers 
 
 Till her black battery on the column bears. 
 
 The nitre fir'd ; and while the dreadful sound, 55 
 
 Convulsive, shook the slumb'ring air around, 
 
 The wat'ry volume, trembling to the sky, 
 
 Burst down a dreadful deluge from on high ! 
 
 Th' affrighted surge, recoiling as it fell, 
 
 Rolling in hills disclos'd th' abyss of hell. 60 
 
 But soon, this transient undulation o'er, 
 
 The sea subsides, the whirlwinds rage no more. 
 
 While southward now th' increasing breezes veer, 
 Dark clouds incumbent on their wings appear. 
 In front they view the consecrated grove 65 
 
 Of cypress, sacred once to Cretan Jove. 
 The thirsty canvass all around supplied, 
 Still drinks unquench'd the full aerial tide; 
 And now, approaching near the lofty stern, 
 A shoal of sportive dolphins they discern. 70
 
 THE SHIPWRECK. 55 
 
 Beauties of a dead one. 
 
 From burnish'd scales they beam'd refulgent rays, 
 
 Till all the glowing ocean seems to blaze. 
 
 Soon to the sport of death the crew repair, 
 
 Dart the long lance, or spread the baited snare. 
 
 One in redoubling mazes wheels along, 75 
 
 And glides, unhappy ! near the triple prong. 
 
 RODMOND, unerring, o'er his head suspends 
 
 The barbed steel, and every turn attends. 
 
 Unerring aim'd, the missile weapon flew, 
 
 And, plunging, struck the fated victim through. 80 
 
 Th' upturning points his pond'rous bulk sustain ; 
 
 On deck he struggles with convulsive pain. 
 
 But while his heart the fatal jav'lin thrills, 
 
 And flitting life escapes in sanguine rills, 
 
 What radiant changes strike th' astonish'd sight ! 85 
 
 What glowing hues of mingled shade and light ! 
 
 Not equal beauties gild the lucid west, 
 
 With parting beams all o'er profusely drest. 
 
 Not lovelier colours paint the vernal dawn, 
 
 When orient dews impearl th' enamel'd lawn ; 90 
 
 4
 
 56 THE SHIPWRECK. 
 
 The Ship's Progress. 
 
 Than from his sides in bright suffusion flow, 
 That now with gold empyreal seem to glow ; 
 Now in pellucid sapphires meet the view, 
 And emulate the soft celestial hue; 
 Now beam a flaming crimson on the eye ; 95 
 
 And now assume the purple's deeper dye. 
 But here description clouds each shining ray 
 What terms of Art can Nature's pow'rs display ? 
 
 Now, while on high the fresh'ning gale she feels, 
 The. ship beneath her lofty pressure reels. 100 
 
 Th' auxiliar sails that court a gentle breeze, 
 From their high stations sink by slow degrees. 
 The watchful ruler of the helm no more 
 With fix'd attention eyes th' adjacent shore ; 
 But by the oracle of truth below, 1 05 
 
 The wondrous magnet guides the wayward prow. 
 The wind, that still th' impressive canvass swell'd, 
 Swift and more swift the yielding bark impell'd. 
 Impatient thus she glides along the coast, 
 Till far behind the hill of Jove is lost : 110
 
 THE SHIPWRECK. 57 
 
 Wind increases. 
 
 And, while aloof from Retimo she steers, 
 Malacha's foreland full in front appears. 
 Wide o'er yon isthmus stands the cypress grove 
 That once inclos'd the hallow'd fane of Jove. 
 Here, too, memorial of his name ! is found 115 
 A tomb in marble ruins on the ground. 
 This gloomy tyrant, whose triumphant yoke 
 The trembling states around to slaVry broke, 
 Thro' Greece, for murder, rape, and incest known, 
 The Muses rais'd to high Olympus' throne. 120 
 For oft, alas ! their venal strains adorn 
 The prince whom blushing Virtue holds in scorn. 
 Still Rome and Greece record his endless fame, 
 And hence yon mountain yet retains his name. 
 
 But see ! in confluence borne before the blast, 125 
 Clouds roll'd on clouds the dusky noon o'ercast; 
 The blackening ocean curls ; the winds arise ; 
 And the dark scud in swift succession flies. 
 
 Ver. 128. Scud is a name given by seamen to the lowest 
 clouds, which are driven with great rapidity along the atmo- 
 sphere, in squally or tempestuous weather.
 
 58 THE SHIPWRECK. 
 
 The Sails reduced. 
 
 While the swoln canvass bends the masts on high, 
 Low in the wave the leeward cannon lie. 130 
 
 The sailors, now, to give the ship relief, 
 Reduce the topsails by a single reef. 
 Each lofty yard with slacken'd cordage reels, 
 Rattle the creaking blocks and ringing wheels. 
 Down the tall masts the topsails sink amain; 135 
 And, soon reduc'd, assume their post again. 
 More distant grew receding Candia's shore ; 
 And southward of the west Cape Spado bore. 
 
 Ver. 130. When the wind crosses a ship's course either di- 
 rectly or obliquely, that side of the ship, upon which it acts, is 
 called the weather-side ; and the opposite one, which is then 
 prest downwards, is called the lee-side. Hence all the rigging 
 and furniture of the ship are, at this time, distinguished by the 
 side on which they are situated ; as the lee-cannon, the lee- 
 braces, the weather-braces, &c. 
 
 Ver. 152. The topsails are large square sails of the second 
 degree in height and magnitude. Reefs are certain divisions 
 or spaces by which the principal sails are reduced when the 
 wind increases : and again enlarged proportionably when its 
 force abates.
 
 THE SHIPWRECK. 59 
 
 Clouds thicken. 
 
 Four hours the sun his high meridian throne 
 Had left, and o'er Atlantic regions shone : 140 
 
 Still blacker clouds, that all the skies invade, 
 Draw o'er his sullied orb a dismal shade. 
 A squall deep low'ring blots the southern sky, 
 Before whose boisterous breath the waters fly. 
 Its weight the topsails can no more sustain, 145 
 Reef topsails, reef, the boatswain calls again ! 
 The haliards and top-bowlines soon are gone, 
 To clue-lines and reef-tackles next they run : 
 
 Ver. 147. Haliards are either single ropes or tackles, by 
 which the sails are hoisted up and lowered when the sail is to 
 be extended or reduced. 
 
 Bow-lines are ropes intended to keep the windward-edge of 
 the sail steady, and to prevent it from shaking in an unfavour- 
 able wind. 
 
 Ver. 148. Clue-lines are ropes used to truss up the clues, or 
 lower corners of the principal sails, to their icspective yards, 
 particularly when the sail is to be close-reefed or furled. 
 
 Reef-tackles are ropes employed to facilitate the operation 
 of reefing, by confining the extremities of the reef close up to 
 the yard, so that the interval becomes slack, and is therefore 
 easily rolled up and fastened to the yard by the points employ- 
 ed for this purpose. Ver. 15?.
 
 (JO THE SHIPWRECK. 
 
 A Squall. 
 
 The shiv'ring sails descend : and now they square 
 The yards, while ready sailors mount in air. 150 
 The weather-earings and the lee they pass'd ; 
 The reefs enroll'd, and every point made fast. 
 Their task above thus finish'd, they descend, 
 And vigilant th' approaching squall attend. 
 It comes resistless, and with foaming sweep, 155 
 Upturns the whit'ning surface of the deep. 
 In such a tempest, borne to deeds of death, 
 The wayward sisters scour the blasted heath. 
 With ruin pregnant now the clouds impend, 
 And storm and cataract tumultuous blend. 160 
 
 Deep on her side the reeling vessel lies 
 Brail up the mizen quick ! the master cries, 
 Man the clue-garnets ! let the main-sheet fly ! 
 The boist'rous squall still presses from on high, 
 
 Ver. 151. Earings are small cords by which the upper cor- 
 ners of the principal sails, and also the extremities of the reefs, 
 are fastened to the yard-arms. 
 
 Ver. 162. The mizen is a large sail of an oblong figure, ex- 
 tended upon the niizen-ma!<t.
 
 THE SHIPWRECK. 6l 
 
 The Helm a-weaiher. 
 
 And swift, and fatal as the lightning's course, l65 
 Thro' the torn main-sail bursts with thund'ring force. 
 While the rent canvass flutter'd in the wind, 
 Still on her flank the stooping bark inclin'd 
 Bear up the helm a- weather! RODMOND cries; 
 Swift, at the word, the helm a- weather flies. 170 
 
 Ver. 163. Clue-garnets are employed for the same purposes 
 on the main-sail and fore-sail as the clue lines are upon all 
 other square sails. See note on ver. 148. 
 
 It is necessary in this place to remark, that the sheets, which 
 are universally mistaken by the English poets and their readers, 
 for the sails themselves, are no other than the ropes used to 
 extend the clues, or lower-corners of the sails to which they 
 are attached. To the main-sail and fore-sail there is a sheet 
 and a tack on each side ; the latter of which is a thick rope 
 serving to confine the weather-clue of the sail down to the 
 ship's side, whilst the former draws out the lee-clue or lower 
 corner on the opposite side. Tacks are only used in a side- 
 wind. 
 
 Ver. 169. The helm is said to be a-weather when the bar 
 by which it is managed is turned to the side of the ship next the 
 wind.
 
 62 THE SHIPWRECK. 
 
 The Helm turned to Starboard. 
 
 The prow with secret instinct veers apace ; 
 And now the fore-sail right athwart they brace : 
 With equal sheets restrain'd the bellying sail 
 Spreads a broad concave to the sweeping gale. 
 While o'er the foam the ship impetuous flies, 175 
 Th' attentive timoneer the helm applies. 
 As in pursuit along the aerial way, 
 With ardent eye, the falcon marks his prey, 
 Each motion watches of the doubtful chase, 
 Obliquely wheeling thro' the liquid space ; 180 
 
 So, govern'd by the steersman's glowing hands. 
 The regent helm her motion still commands. 
 
 But now the transient squall to leeward past, 
 Again she rallies to the sullen blast. 
 The helm to starboard turns with wings inclin'd, 
 The side-long canvass clasps the faithless wind. ] 86 
 
 Ver. 176. Timoneer (from timonnier, Fr.) the helmsman, or 
 steersman. 
 
 Ver. 185. The helm being turned to starboard, or to the 
 right side of the ship, directs the prow to the left or to port,
 
 THE SHIPWRECK. 63 
 
 Sails, &c. replaced. 
 
 The mizen draws ; she springs aloof once more, 
 While the fore stay-sail balances before. 
 The fore-sail brac'd obliquely to the wind, 
 They near the prow th' extended tack confin'd : 
 Then on the leeward sheet the seamen bend, 191 
 And haul the bow-line to the bowsprit-end. 
 To top-sails next they haste the bunt-lines gone, 
 The clue-lines thro' their wheel'd machin'ry run : 
 On either side below the sheets are mann'd : 1^5 
 Again the flutt'ring sails their skirts expand. 
 Once more the topsails, tho' with humbler plume, 
 Mounting aloft their ancient post resume. 
 
 and vice versa. Hence the helm being put a-starboard, when 
 the ship is running northward, directs her prow towards the 
 west. 
 
 Ver. 188. This sail, which is with more propriety called 
 the fore topmast-stay-sail, is a triangular sail that runs upon 
 the fore topmast-stay, over the bowsprit. It is used to com- 
 mand the fore part of the ship, and counterbalance the sails 
 extended towards the stern. See also the last note of this 
 Canto.
 
 64 THE SHIPWRECK. 
 
 The Braces cast loose. 
 
 Again the bowlines and the yards are brac'd, 
 
 And all th' entangled cords in order plac'd. 200 
 
 The sail by whirlwinds thus so lately rent, 
 In tatter'd ruins flutt'ring is unbent. 
 With brails refix'd another soon prepar'd, 
 Ascending, spreads along beneath the yard. 
 To each yard-arm the head-rope they extend, 205 
 And soon their earings and their roebins bend. 
 That task performed, they first the braces slack, 
 Then to its station drag th' unwilling tack ; 
 
 Ver. 199. A yard is said to be braced when it is turned 
 about the mast horizontally, either to the right or left: the ropes 
 employed in this service are accordingly called braces. 
 
 Ver. 203. The ropes used to truss up a sail to the yard or 
 mast whereto it is attached, are in a general sense called brails. 
 
 Ver. 205. The head-rope is a cord to which the upper part 
 of the sail is sewed. 
 
 Ver. 206. Rope-bands, pronounced roebins, are small cords, 
 used to fasten the upper edge of any sail to its respective yard. 
 
 Ver. 207. Because the lee-brace confines the yard so that 
 the tack will not come down to its place till the braces are cast 
 loose.
 
 THE SHIPWRECK. 65 
 
 A Shoal of Porpoises. 
 
 And, while the lee clue-garnet's lower'd away, 
 Taught aft the sheet they tally and belay. 210 
 
 Now to the north, from Afric's burning shore, 
 A troop of porpoises their course explore : 
 In curling wreaths they gambol on the tide, 
 Now bound aloft, now down the billow glide. 
 Their tracks awhile the hoary waves letain, 215 
 That burn in sparkling trails along the main. 
 These fleetest coursers of the finny race, 
 When threatening clouds th' aetherial vault deface, 
 Their route to leeward still sagacious form, 
 To shun the fury of th' approaching storm. 220 
 
 Fair Candia now no more beneath her lee 
 Protects the vessel from th' insulting sea : 
 Round her broad arms, impatient of control, 
 Rous'd from their secret deeps the billows roll. 
 
 Ver. 210. Taught implies stiff, tense, or extended straight: 
 and tally is a phrase particularly applied to the operation of 
 hauling aft the sheets, or drawing them towards the ship's stern. 
 To belay is to fasten.
 
 66 THE SHIPWRECK. 
 
 The ship labours. 
 
 Sunk were the bulwarks of the friendly shore, 225 
 
 And all the scene an hostile aspect wore. 
 
 The flatt'ring wind ; that late with promis'd aid, 
 
 From Candia's bay th' unwilling ship betra/d, 
 
 No longer fawns beneath the fair disguise, 
 
 But like a ruffian on his quarry flies. 230 
 
 Tost on the tide she feels the tempest blow, 
 
 And dreads the vengeance of so fell a foe. 
 
 As the proud horse, with costly trappings gay, 
 
 Exulting, prances to the bloody fray, 
 
 Spurning the ground, he glories in his might, 235 
 
 But reels tumultuous in the shock of fight ; 
 
 Even so, caparison'd in gaudy pride, 
 
 The bounding vessel dances on the tide. 
 
 Fierce and more fierce the southern demon blew, 
 
 And more incens'd the roaring waters grew. 240 
 
 The ship no longer can her topsails spread, 
 
 And every hope of fairer skies is fled. 
 
 Bowlines and haliards are relax'd again, 
 
 Clue-lines haul'd down, and sheets let fly amain ;
 
 THE SHIPWRECK. 67 
 
 All Ha ndi em ployed. 
 
 Clued up each topsail, and by braces squar'd, 245 
 The seamen climb aloft on either yard. 
 They furl'd the sail, and pointed to the wind 
 The yard by rolling tackles then confin'd. 
 While o'er the ship the gallant boatswain flies, 
 Like a hoarse mastiff thro' the storm he cries : 250 
 Prompt to direct th' unskilful still appears ; 
 Th' expert he praises, and the fearful cheers. 
 Now some to strike top-gallant-yards attend; 
 Some trav'lers up the weather-backstays send ; 
 At each mast-head the top-ropes others bend. 255. 
 
 Ver. 248. The rolling-tackle is an assemblage of pullies, 
 used to confine the yard to the weather-side of the mast, and 
 prevent the former from rubbing against the latter by the fluc- 
 tuating *notion of the ship in a turbulent sea. 
 
 Ver. 253. It is usual to send down the top-gallant-yards on 
 the approach of a storm. They are the highest yards that are 
 rigged in a ship. 
 
 Ver. 254. Travellers are slender iron rings, encircling the 
 back-stays, and used to facilitate the hoisting or lowering of 
 the top-gallant-yards, by confining them to the back-stays, 
 
 v 2
 
 68 THE SHIPWRECK. 
 
 The Sail* again reduced. 
 
 The youngest sailors from the yards above 
 Their parrels, lifts, and braces soon remove : 
 Then topt an-end, and to the trav'lers tied, 
 Charg'd with their sails, they down the back-stays 
 
 slide. 
 
 The yards secure along the booms reclin'd, 260 
 While some the flying cords aloft confined. 
 
 in their ascent or descent, so as to prevent them from swinging 
 about by the agitation of the vessel. 
 
 Backstays are long ropes, extending from the right and left 
 side of the ship to the topmast-heads, which they are intended 
 to secure, by counteracting the effort of the wind upon the sails. 
 
 Ver. 255. Top-ropes are the cords by which the top-gallant 
 yards are hoisted up from the deck, or lowered again in stormy 
 weather. 
 
 Ver. 257. The parrel, which is usually a moveable band of 
 rope, is employed to confine the yard to its respective mast. 
 
 Lifts are ropes extending from the head of any mast to the 
 extremities of its particular yard, to support the weight of the 
 latter ; to retain it in balance ; or to raise one yard-arm higher 
 than the other, which is accordingly called topping, ver. 258. 
 
 Ver. 260. The booms in this place imply any masts or yards 
 lying on deck in reserve, to supply the place of others which 
 / - may be carried away by distress of weather, &c.
 
 THE SHIPWRECK. 69 
 
 New Difficulties. 
 
 Their sails reduc'd, and all the rigging clear, 
 
 Awhile the crew relax from toils severe. 
 
 Awhile their spirits, with fatigue opprest, 
 
 In vain expect th' alternate hour of rest : 265 
 
 But with redoubling force the tempests blow, 
 
 And wat'ry hills in fell succession flow. 
 
 A dismal shade overcasts the frownins skies : 
 
 D * 
 
 New troubles grow ; new difficulties rise. 
 
 No season this from duty to descend ! 270 
 
 All hands on deck th' eventful hour attend. 
 
 His race perform'd, the sacred lamp of day 
 Now dipt in western clouds his parting ray. 
 His sick'ning fires half lost in ambient haze, 
 Refract along the dusk a crimson blaze ; 275 
 
 Till deep immerg'd the languid orb declines, 
 And now to cheerless night the sky resigns ; 
 Sad evening's hour, how different from the past ! 
 No flaming pomp, no blushing glories cast ; 
 No ray of friendly light is seen around: 280 
 
 The moon and stars in hopeless shade are drown'd. 
 r 3
 
 70 THE SHIPWRECK. 
 
 Piejudice 
 
 The ship no longer can her courses bear : 
 To reef the courses is the master's care : 
 The sailors, summon'd aft, a daring band ! 
 Attend th' enfolding brails at his command. 285 
 But here the doubtful officers dispute, 
 Till skill and judgment prejudice confute. 
 RODMO:NI D, whose genius never soar'd beyond 
 The narrow rules of art his youth had conn'd, 
 Still to the hostile fury of the wind 290 
 
 Releas'd the sheet, and kept the tack confin'd ; 
 To long- tried practice obstinately warm, 
 He doubts conviction, and relies on form. 
 But the sage master this advice declines, 
 With whom ARION in opinion joins. 295 
 
 The watchful seaman whose sagacious eye 
 On sure experience may with truth rely; 
 
 Ver. 282. The courses are generally understood to be the 
 mainsail, foresail, and mizen, which are the largest and lowest 
 sails of their several masts : the term is however sometimes taken 
 * in a larger sense.
 
 THE SHIPWRECK. 71 
 
 Corrected by Skill. 
 
 Who from the reigning cause foretels th' effect, 
 
 This barb'rous practice ever will reject. 
 
 For flutt'ring loose in air, the rigid sail 300 
 
 Soon flits to ruins in the furious gale. 
 
 And he who strives the tempest to disarm, 
 
 Will never first embrail the lee yard-arm. 
 
 The master said : obedient to command, 
 
 To raise the tack, the ready sailors stand. 305 
 
 Gradual it loosens, while th' involving clue, 
 
 Swell'd by the wind, aloft unruffling flew. 
 
 The sheet and weather-brace they now stand by ; 
 
 The lee clue-garnet and the bunt-lines ply. 
 
 Vcr. 305. It has been remarked before in note 163, that the 
 tack is always fastened to windward ; accordingly, as soon as it 
 is cast loose, and the clue-garnet hauled up, the weather-clue 
 of the sail immediately mounts to the yard ; and this operation 
 must be carefully performed in a storm to prevent the sail from 
 splitting or being torn to pieces by shivering. 
 
 Ver. 308. It is necessary to pull in the weather-brace, 
 whenever the sheet is cast off, to preserve the sail from shaking 
 violently. 
 
 F 4
 
 72 THE SHIPWRECK. 
 
 Operations 
 
 Thus all prepar'd, Let go the sheet ! he cries; 3)0 
 
 
 Impetuous round the ringing wheels it flies ; 
 
 Shiv'ring at first, till by the blast impell'd, 
 
 High o'er the lee yard-arm the canvass swell'd : 
 
 By spilling-lines embraced, with brails confin'd, 
 
 It lies at length unshaken by the wind. 315 
 
 The foresail then secur'd with equal care, 
 
 Again to reef the mainsail they repair. 
 
 While some, high-mounted, over-haul the lye, 
 
 Below the down-haul tackle others ply. 
 
 Jears, lifts and brails, a seaman each attends, 320 
 
 Along the mast the willing yard descends. 
 
 Ver.*314. The spilling-lines, which are only used on parti- 
 cular occasions in tempestuous weather, are employed to draw 
 together and confine the belly of the sail, when it is inflated by 
 the wind over the yard. 
 
 Ver. 319. The violence of the wind forces the yard so 
 much outward from the mast on these occasions, that it can- 
 not easily be lowered so as to reef the sail, without the appli- 
 cation of a tackle to haul it down on the mast. This is after- 
 wards converted into rolling tackle. See the note on line 248. 
 
 Ver. 320. Jears are the same to the mainsail, foresail, and
 
 THE SHIPWRECK. 73 
 
 Duly performed. 
 
 When low'r'd sufficient they securely brace, 
 
 And fix the rolling tackle in its place ; 
 
 The reef-lines and their earings now prepar'd, 324 
 
 Mounting on pliant shrouds they man the yard. 
 
 Far on th' extremes two able hands appear, 
 
 ARION there, the hardy boatswain here ; 
 
 That in the van to front the tempest hung; 
 
 This round the lee yard-arm, ill-omenM! clung. 
 
 mizen, as the haliards (note 147,) are to all inferior sails. The 
 tye is the upper part of the jears. 
 
 Ver. 324. Reef-lines are only used to reef the mainsail and 
 foresail. They are passed in spiral turns through the eyelet- 
 holes of the reef, and over the head of the sails between the 
 rope-band legs, till they reach the extremities of the reef, to 
 which they are firmly extended, so as to lace the reef close up 
 to the yard. 
 
 Ver. 325. Shrouds are thick ropes, stretching from the mast- 
 heads downwards to the outside of the ship, serving to support 
 the masts. They are also used as a range of rope-ladders by 
 which the seamen ascend or descend, to perform whatever is 
 necessary about the sails and rigging.
 
 74 THE SHIPWRECK. 
 
 Address to Arion. 
 
 Each earing to its station first they bend; 330 
 
 The reef-band then along the yard extend ; 
 
 The circling earings, round th' extremes entwin'd, 
 
 By outer and by inner turns they bind. 
 
 From hand to hand the reef-lines next receiv'd, 
 
 Thro' eyelet-holes and roebin-legs were reeVd. 335 
 
 The reef in double folds involv'd they lay ; 
 
 Strain the firm cord, and either end belay. 
 
 Hadst thou, ARION ! held the leeward post, 
 While on the yard by mountain billows tost, 
 Perhaps oblivion o'er our tragic tale, 340 
 
 Had then for ever drawn her dusky veil. 
 But ruling Heav'n prolong'd thy vital date, 
 Severer ills to suffer and relate ! 
 
 Ver. 331. The reef- band is a long piece of canvass sewed 
 across the sail, to strengthen the canvass in the place where the 
 evelet-holes of the reef are formed. 
 
 Ver. 333. The outer turns of the earing serve to extend the 
 sail along the yard ; and the inner turns are employed to con- 
 fine its head-rope close to its surface. See note 205.
 
 THE SHIPWRECK. 75 
 
 Four Seamen lost. 
 
 For, while their orders those aloft attend, 
 To furl the mainsail, or on deck descend, 34-5 
 
 A sea, up-surging with tremendous roll, 
 To instant ruin seems to doom the whole. 
 O friends, secure your hold ! ARION cries : 
 It comes all dreadful, stooping from the skies ! 
 Uplifted on its horrid edge, she feels 350 
 
 The shock, and on her side half-buried reels : 
 The sail, half-buried in the whelming wave, 
 A fearful warning to the seamen gave ; 
 While from its margin, terrible to tell f 
 Three sailors with their gallant boatswain fell. 355 
 Torn with resistless fury from their hold, 
 In vain their struggling arms the yard infold : 
 In vain to grapple flying cords they try; 
 The cords, alas ! a solid gripe deny ! 359 
 
 Prone on the midnight surge, with panting breath 
 They cry for aid, and long contend with death. 
 
 Ver. 346. A sea is the general name given by sailors to a 
 wave, or billow ; hence when a wave bursts over the deck, the 
 vessel is said to have shipped a sea.
 
 76 THE SHIPWRECK. 
 
 High o'er their heads the rolling billows sweep ; 
 And down they sink in everlasting sleep. 
 Bereft of power to help, their comrades see 
 The wretched victims die beneath the lee ; 36*5 
 With fruitless sorrow their lost state bemoan ; 
 Perhaps a fatal prelude to their own ! 
 
 In dark suspense on deck the pilots stand, 
 Nor can determine on the next command. 
 Tho' still they knew the vessel's armed side 370 
 Impenetrable to the clasping tide ; 
 Tho' still the waters, by no secret wound, 
 A passage to her deep recesses found ; 
 Surrounding evils yet they ponder o'er, 
 A storm, a dang'rous sea, and leeward shore! 375 
 Should they, tho' reef d, again their sails extend, 
 Again in flutt'ring fragments they may rend ; 
 Or should they stand, beneath the dreadful strain 
 The down-press'd ship may never rise again ; 
 Too late to weather now Morea's land ; 380 
 
 Yet verging fast to Athens' rocky strand.
 
 THE SHIPWRECK. 77 
 
 Resolutions. 
 
 Thus they lament the consequence severe, 
 
 Where perils unallay'd by hope appear ; 
 
 Long in their minds revolving each event, 
 
 At last to furl the courses they consent. 385 
 
 That done, to reef the mizen next agree, 
 
 And try beneath it sidelong in the sea. 
 
 Now down the mast the sloping yard declin'd, 
 Till by the jears and topping-lift confin'd. 
 
 Ver. 580. To weather a shore, is to pass to the windward 
 of it, which at this time is prevented by the violence of the 
 storm. 
 
 Ver. 387. To try, is to laj the ship with her side nearly in 
 the direction of the wind and sea, with the head somewhat in- 
 clined to the windward ; the helm being laid a-lee to retain 
 her in that position. See a farther illustration of this in the 
 last note of this Canto. 
 
 Ver. 389. The topping-lift, which tops the upper end of the 
 mizen-yard (see note 257) ; this line and the six following de- 
 scribe the operation of reefing and balancing the mizen. The 
 reef of this sail is towards the lower end, the knittles being 
 small short lines used in the room of points for this purpose 
 (see notes 132, 148) ; they are. accordingly knotted under the 
 foot-rope, or lower edge of the sail.
 
 78 THE SHIPWRECK. 
 
 The bold Attempt. 
 
 The head, with doubling canvass fenc'd around, 
 In balance, near the lofty peak, they bound. 391 
 The reef enwrapt, th' inserted knittles ty'd, 
 To hoist the shorten'd sail again they hied, 
 The order giv*n, the yard aloft they sway'd ; 
 The brails relax'd, th' extended sheet belay'd. 395 
 The helm its post forsook, and, lash'd a-lee, 
 Inclin'd the wayward prow to front the sea. 
 
 When sacred Orpheus, on the Stygian coast, 
 With notes divine implor'd his consort lost ; 
 Tho' round him perils grew in fell array, 400 
 
 And fates and furies stood to bar his way ; 
 Not more advent'rous was th' attempt, to move 
 The pow'rs of hell with strains of heaVnly love, 
 Than mine, to bid th' unwilling Muse explore 
 The wilderness of rude mechanic lore. 405 
 
 Such toil th' unwearied Daedalus endur'd, 
 When in the Cretan labyrinth immur'd ; 
 
 Ver 396. Lashed a-lee, is fastened to the lee side. See 
 note 130.
 
 THE SHIPWKECK. 79 
 
 Seamen despise Fear. 
 
 Till art her salutary help bestow'd, 
 
 To guide him thro' that intricate abode. 
 
 Thus, long entangled in a thorny way, 410 
 
 That never heard the sweet Pierian lay, 
 
 The Muse, that tun'd to barb'rous sounds her string, 
 
 Now spreads like Daedalus a bolder wing ; 
 
 The verse begins in softer strains to flow, 
 
 Replete with sad variety of woe. 415 
 
 As yet, amid this elemental war, 
 That scatters desolation- from afar, 
 Nor toil, nor hazard, nor distress appear 
 To sink the seamen with unmanly fear. 
 Tho' their firm hearts no pageant-honour boast, 420 
 They scorn the wretch that trembles in his post. 
 Who from the face of danger strives to turn, 
 Indignant from the social hour they spurn. 
 Tho' now full oft they felt the raging tide, 
 In proud rebellion climb the vessel's side. 425 
 
 No future ills unknown their sons appal ; 
 They know no danger, or they scorn it all !
 
 80 THE SHIPWRECK. 
 
 The Alarm. 
 
 But even the gen'rous spirits of the brave, 
 Subdu'd by toil, a friendly respite crave : 
 A short repose alone their thoughts implore, 430 
 Their harass'd powers by slumber to restore. 
 Far other cares the master's mind employ ; 
 Approaching perils all his hopes destroy. 
 In vain he spreads the graduated chart, 
 And bounds the distance by the rules of art ; 435 
 In vain athwart the mimic seas expands 
 The compasses to circumjacent lands. 
 Ungrateful task ! for no asylum trac'd, 
 A passage open'd from the wat'ry waste. 
 Fate seem'd to guard, with adamantine mound, 440 
 The path to every friendly port around. 
 While ALBERT thus, with secret doubts dismay'd, 
 The geometric distances survey'd, 
 On deck the watchful RODMON T D cries aloud, 
 Secure your lives, grasp every man a shroud ! 
 Rous'd from his trance he mounts with eyes aghast ; 
 When o'er the ship in undulation vast, 447
 
 THB SHIPWRECK. 81 
 
 The Ship in great Distress. 
 
 A giant surge down-rushes from on high, 
 
 And fore and aft dissever'd ruins lie. 
 
 As when, Britannia's empire to maintain, 450 
 
 Great HAWKE descends in thunder on the main; 
 
 Around the brazen voice of battle roars, 
 
 And fatal lightnings blast the hostile shores ; 
 
 Beneath the storm their shatter'd navies groan ; 
 
 The trembling deeps recoil from zone to zone: 455 
 
 Thus the torn vessel felt th' enormous stroke, 
 
 The boats beneath the thund'ring deluge broke ; 
 
 Forth started from their planks the bursting rings, 
 
 Th' extended cordage all asunder springs. 
 
 The pilot's fair machin'ry strews the deck, 46*0 
 
 And cards and needles swim in floating wreck. 
 
 The balanc'd mizen, rending to the head, 
 
 In streaming ruins from the margin fled, 
 
 The sides convulsive shook on groaning beams, 464 
 
 And, rent with labour, yawn'd the pitchy seams. 
 
 They sound the well, and, terrible to hear ! 
 
 Five feet immers'd along the line appear.
 
 82 THE SHIPWRECK. 
 
 They attend the Pumps; 
 
 At either pump they ply the clanking brake, 
 
 And turn by turn th' ungrateful office take. 
 
 RODMOND, ARION, and PALEMON here, 470 
 
 At this sad task all diligent appear. 
 
 As some fair castle, shook by rude alarms, 
 
 Opposes long th' approach of hostile arms ; 
 
 Grim war around her plants his black array, 
 
 And death and sorrow mark his horrid way, 475 
 
 Till in some destin'd hour, against her wall, 
 
 In tenfold rage the fatal thunders fall: 
 
 The ramparts crack ; the solid bulwarks rend ; 
 
 And hostile troops the shattered breach ascend. 
 
 Her valiant inmates still the foe retard 480 
 
 Resolv'd till death their sacred charge to guard. 
 
 Ver. 466. The well is an apartment in a ship's hold, serving 
 to inclose the pumps. It is sounded by dropping a measured 
 iron rod down into it by along line. Hence the increase or di- 
 niunition of the leaks are easily discovered. 
 
 Ver. 468. The brake is the lever or handle of the pump, by 
 which it is wrought.
 
 THE SHIPWRECK. 83 
 
 The only Remedy. 
 
 So the brave mariners their pumps attend, 
 And help incessant, by rotation lend ; 
 But all in vain, for now the sounding cord, 
 Updrawn, an undiminish'd depth explor'd. 485 
 
 Nor this severe distress is found alone ; 
 The ribs opprest by pond'rous cannon groan. 
 Deep rolling from the wat'ry volume's height. 
 The tortur'd sides seem bursting with their weight. 
 So reels Pelorus, with convulsive throes, 490 
 
 When in his veins the burning earthquake glows ; 
 Hoarse thro' his entrails roars th' infernal flame, 
 And central thunders rend his groaning frame. 
 Accumulated mischiefs thus arise, 
 And fate vindictive all their skill defies. 495 
 
 One only remedy the season gave ; 
 To plunge the nerves of battle in the wave : 
 From their high platforms thus th' artill'iy thrown, 
 Eas'd of their load, the timbers less shall groan : 
 But arduous is the task their lot requires ; 
 A task that hov'ring fate alone inspires! 
 
 G2
 
 84 THE SHIPWRECK. 
 
 Guns thrown overboard. 
 
 For, while intent the yawning decks to ease, 
 That ever and anon are drench'd with seas, 
 Some fatal billow with recoiling sweep, 
 May whirl the helpless wretches in the deep. 505 
 
 No season this for counsel or delay ! 
 Too soon th' eventful moments haste away ! 
 Here perseverance, with each help of art, 
 Must join the boldest efforts of the heart. 
 These only now their mis'ry can relieve; 510 
 
 These only now a dawn of safety give! 
 While o'er the quiv'ring deck, from van to rear, 
 Broad surges roll in terrible career, 
 RODMOXD, ARION, and a chosen crew, 
 This office in the face of death pursue, 515 
 
 The wheel'd artill'ry o'er the deck to guide. 
 RODMOND descending claim'd the wheather-side. 
 Fearless of heart the chief his orders gave, 
 Fronting the rude assaults of every wave. 519 
 
 Like some strong watch-tow'r nodding o'er the deep, 
 Whose rocky base the foaming waters sweep,
 
 THE SHIPWRECK. 85 
 
 Operation thereof. 
 
 XJntam'd he stood ; the stern aerial war 
 Had mark'd his honest face with many a scar. 
 Meanwhile Amoy, traversing the waist, 
 The cordage of the leeward-guns unbrac'd, 525 
 And pointed crows beneath the metal plac'd. 
 Watching the roll, their forelocks they withdrew, 
 And from their beds the reeling cannon threw. 
 Then, from the windward battlements unbound, 
 RODMOND'S associates wheel'd th' artill'ry round; 
 Pointed with iron fangs, their bars beguile 531 
 
 The pond'rous arms across the steep defile ; 
 Then, hurl'd from sounding hinges o'er the side, 
 Thund'ring they plunge into the flashing tide. 
 
 The ship thus eas'd, some little respite finds, 
 In this rude conflict of the seas and winds. 536 
 
 Such ease Alcides felt when clogg'd with gore, 
 Th' envenom'd mantle from his side he tore; 
 
 Ver. 524. The waist of a ship of this kind is an hollow space 
 about five feet in depth, between the elevations of the quarter- 
 deck and forecastle, and having the upper-deck for its base, or 
 platform. 
 
 03
 
 86 THE SHIPWRECK. 
 
 Violence of the Waves. 
 
 When, stung with burning pain, he strove too late 
 To stop the swift career of cruel Fate. 540 
 
 Yet then his heart one ray of hope procur'd, 
 Sad harbinger of seven-fold pangs endur'd ! 
 Such, and so short, the pause of woe she found ! 
 Cimmerian darkness shades the deep around, 544 
 Save when the lightnings, gleaming on the sight, 
 Flash thro' the gloom a pale disastrous light. 
 Above all zether, fraught with scenes of woe, 
 With grim destruction threatens all below. 
 Beneath the storm-lash'd surges furious rise, 
 And wave uproll'd on wave, assails the skies : 550 
 With ever-floating bulwarks they surround 
 The ship, half-swallow'd in the black profound ! 
 With ceaseless hazard and fatigue opprest, 
 Dismay and anguish every heart possest ! 
 For, while with boundless inundation o'er 555 
 
 The sea-beat ship th' involving waters roar, 
 Displac'd beneath by her capacious womb, 
 They rage their ancient station to resume ;
 
 THE SHIPWRECK. 87 
 
 An and Experience ineffectual. 
 
 By secret ambushes, their force to prove, 
 Thro' many a winding channel first they rove; 560 
 Till, gathering fury, like the fever'd blood, 
 Thro' her dark veins they roll a rapid flood. 
 While unrelenting thus the leaks they found, 
 The pumps with ever clanking strokes resound. 
 Around each leaping valve, by toil subdu'd, 56*5 
 The tough bull-hide must ever be renew'd. 
 Their sinking hearts unusual horrors chill : 
 And down their weary limbs thick dews distil. 
 No ray of light their dying hope redeems ! 569 
 
 Pregnant with some new woe each moment teems ! 
 Again the chief th' instructive draught extends, 
 And o'er the figur'd plain attentive bends : 
 To him the motion of each orb was known, 
 That wheels around the sun's refulgent throne : 
 But here, alas ! his science nought avails ! 575 
 
 Art droops unequal, and experience fails. 
 The different traverses, since twilight made, 
 He on the hydrographic circle laid;
 
 88 THE SHIPWRECK. 
 
 Consultation. 
 
 Then the broad angle of lee- way explored, 
 
 As swept across the graduated chord. 580 
 
 Her place discovered by the rules of art, 
 
 Unusual terrors shook the master's heart ; 
 
 When Falconera's rugged isle he found, 
 
 Within her drift, with shelves and breakers bound ; 
 
 For, if on those destructive shallows tost, 585 
 
 The helpless bark with all her crew are lost ; 
 
 As fatal still appears, that danger o'er, 
 
 The steep St. George, and rocky Gardalor. 
 
 With him the pilots, of their hopeless state 
 
 In mournful consultation now debate. 590 
 
 Not more perplexing doubts her chiefs appal, 
 
 When some proud city verges to her fall ; 
 
 While Ruin glares, around, and pale Affright 
 
 Convenes her councils in the dead of night 
 
 Ver. 579. The lee-way, or drift, which in this place are sy- 
 nonymous terms, is the movement by which A ship is driven 
 sideways at the mercy of the wind and sea, when she is depri- 
 ved of the government of the sails and helm.
 
 THE SHIPWRECK. 89 
 
 Address of the Master to the Crew. 
 
 No blazon'd trophies o'er their concave spread, 595 
 
 Nor storied pillars rais'd aloft their head : 
 
 But here the Queen of Shade around them threw 
 
 Her dragon-wing, disastrous to the view ! 
 
 Dire was the scene, with whirlwind, hail and show'r; 
 
 Black Melancholy rul'd the fearful hour ! 600 
 
 Beneath tremendous rolPd the flashing tide, 
 
 Where Fate on every billow seem'd to ride 
 
 Inclos'd with ills, by peril unsubdu'd, 
 
 Great in distress the master-seaman stood : 
 
 Skill'd to command ; delib'rate to advise ; 605 
 
 Expert in action; and in council wise ; 
 
 Thus to his partners, by the crew unheard, 
 
 The dictates of his soul the chief referr'd. 
 
 Ye faithful mates, who all my troubles share, 
 Appro v'd companions of your master's care ! 6 10 
 To you, alas ! 'twere fruitless now to tell 
 Our sad distress already known too well ! 
 This morn with fav'ring gales the port we left, 
 The/ now of every flattering hope bereft :
 
 <JO THE SHIPWRECK. 
 
 AlberiN Advice. 
 
 No skill nor long experience could forecast 6*15 
 Th' unseen approach of this destructive blast. 
 These seas, where storms, at various seasons blow, 
 No reigning winds nor certain omens know. 
 The hour, th' occasion all your skill demands ; 
 A leaky ship, embay'd by dang'rous lands. 620 
 
 Our bark no transient jeopardy surrounds ; 
 Groaning she lies beneath unnumber'd wounds. 
 'Tis ours the doubtful remedy to find ; 
 To shun the fury of the seas and wind : 
 "or in this .hollow swell, with labour sore, 625 
 
 Her flank can bear the bursting floods no more : 
 Yet this or other ills she must endure ; 
 A dire disease, and desperate is the cure ! 
 Thus two expedients ofter'd to your choice, 
 Alone require your counsel and your voice. 630 
 These only in our pow'r are left to try ; 
 To perish here, or from the storm to fly. 
 The doubtful balance in my judgment cast, 
 For various reasons I prefer the last.
 
 THE SHIPWRECK. 91 
 
 His Opinion heard. 
 
 Tis true, the vessel and her costly freight, 635 
 
 To me consign'd, my orders only wait ; 
 
 Yet, since the charge of every life is mine, 
 
 To equal votes our counsels I resign ; 
 
 Forbid it Heaven, that, in this dreadful hour, 
 
 I claim the dang'rous reins of purblind pow'r ! 
 
 But should we now resolve to bear away, 641 
 
 Our hopeless state can suffer no delay. 
 
 Nor can we, thus bereft of every sail, 
 
 Attempt to steer obliquely on the gale : 
 
 For then, if broaching sideward to the sea, 645 
 
 Our dropsy'd ship may founder by the lee : 
 
 No more obedient to the pilot's power, 
 
 Th' o'erwhelming wave may soon her frame devour. 
 
 He said ; the list'ning mates with fix'd regard, 
 And silent reverence, his opinion heard. 650 
 
 Important was the question in debate, 
 And b'er their counsels hung impending Fate. 
 RODMOND, in many a scene of peril try'd, 
 Had oft the master's happier skill descr/d,
 
 <)2 THE SHIPWRECK. 
 
 Rodmond differs in Opinion 
 
 Yet now, the hour, the scene, th' occasion known, 
 Perhaps with equal right preferred his own. 656 
 Of long experience in the naval art, 
 Blunt was his speech, and naked was his heart : 
 Alike to him each climate and each blast ; 
 The first in danger, in retreat the last : 
 Sagacious balancing th' oppos'd events, 66 1 
 
 From ALBERT his opinion thus dissents. 
 Too true the perils of the present hour, 
 Where toils succeeding toils our strength o'erpow'r ! 
 Yet whither can we turn, what road pursue, 665 
 With death before still op'ning on the view ? 
 Our bark 'tis true no shelter here can find, 
 Sore-shatter'd by the ruffian seas and wind ; 
 Yet with what hope of refuge can we flee, 
 Chas'd by this tempest and outrageous sea ? 6/0 
 For while its violence the tempest keeps, 
 Bereft of every sail we roam the deeps 
 At random driv'n, to present death we haste, 
 And one short hour perhaps may be our last.
 
 THE SHIPWRECK. 93 
 
 And Rives his Reasons. 
 
 In vain the gulf of Corinth, on our lee, 675 
 
 Now opens to her ports a passage free ; 
 
 Since, if before the blast the vessel flies, 
 
 Full in her track unnumber'd dangers rise. 
 
 Here Falconera spreads her lurking snares ; 679 
 
 There distant Greece her rugged shelves prepares : 
 
 Should once her bottom strike that rocky shore. 
 
 The splitting bark that instant were no more ; 
 
 Nor she alone, but with her all the crew, 
 
 Beyond relief, were doom'd to perish too. 
 
 Thus if to scud too rashly we consent, 685 
 
 Too late in fatal hour we may repent. 
 
 Then of our purpose this appears the scope, 
 To weigh the danger with the doubtful hope. 
 Tho' sorely buffeted by every sea, 
 Our hull unbroken long may try a-lee; 690 
 
 The crew, tho' harrass'd long with toils severe, 
 Still at their pumps perceive no hazards near. 
 Shall we, incautious, then the danger tell, 
 At once their courage and their hope to quell ?
 
 94 THE SHIPWRECK. 
 
 The Leak increases. 
 
 Prudence forbids ! This southern tempest soon 605 
 
 May change its quarter with the changing moon : 
 
 Its rage, tho' terrible, may soon subside, 
 
 Nor into mountains lash th' unruly tide. 
 
 These leaks shall then decrease ; the sails once 
 
 more 
 Direct our course to some relieving shore. 700 
 
 Thus while he spoke, around from man to man, 
 At either pump a hollow murmur ran. 
 For while the vessel, thro' unnumber'd chinks, 
 Above, below, th' invading waters drinks, 
 Sounding her depth, they ey'd the wetted scale, 705 
 And lo ! the leaks o'er all their pow'rs prevail. 
 Yet in their post, by terrors unsubdu'd, 
 They with redoubling force their task pursu'd. 
 
 And now the senior pilots seem'd to wait 
 ARION'S voice, to close the dark debate. 710 
 
 Tho' many a bitter storm, with peril fraught, 
 In Neptune's school the wand' ring stripling taught, 
 Not twice nine summers yet matur'd his thought, 
 
 i 
 
 t, 3
 
 THE SHIPWRECK. 95 
 
 Arion's Counsel. 
 
 So oft he bled by Fortune's cruel dart, 
 
 It fell at last innoxious on his heart. 715 
 
 His mind still shunning care with secret hate, 
 
 In patient indolence resign'd to Fate. 
 
 But now the horrors that around him roll, 
 
 Thus rous'd to action his rekindling soul. 
 
 With fix'd attention, pond'ring in my mind 720 
 The dark distresses on each side combin'd ; 
 While here we linger in the pass of Fate. 
 I see no moment left for sad debate. 
 For, some decision if we wish to form, 
 Ere yet our vessel sink beneath the storm, 72.1 
 
 Her shatter'd state, and yon desponding crew, 
 At once suggest what measures to pursue. 
 The labouring hull already seems half fill'd, 
 With waters thro' an hundred leaks distill'd. 
 As in a dropsy, wallowing with her freight, 730 
 Half-drown'd she lies, a dead inactive weight ! 
 Thus drench'd by every wave, her riven deck 
 Stript and defenceless, floats a naked wreck;
 
 56 THE SHIPWRECK. 
 
 The last Alternative. 
 
 Her wounded flanks no longer can sustain 
 
 These fell invasions of the bursting main. 735 
 
 At every pitch, th' o'erwhelming billows bend, 
 
 Beneath their load, the quivering bowsprit-end. 
 
 A fearful warning ! since the masts on high, 
 
 On that support with trembling hope rely. 
 
 At either pump our seamen pant for breath, 74-0 
 
 In dark dismay anticipating death. 
 
 Still all our pow'rs th j increasing leaks defy : 
 
 We sink at sea, no shore, no haven nigh. 
 
 One dawn of hope yet breaks athwart the gloom, 
 
 To light and save us from the wat'ry tomb : 
 
 That bids us shun the death impending here ; 
 
 Fly from the following blast, and shoreward steer. 
 
 'Tis urg'd indeed, the fury of the gale 
 Precludes the help of every guiding sail ; 
 And driven before it on the wat'ry waste, 750 
 
 To rocky shores and scenes of death we haste. 
 But haply Falconera we may shun : 
 And far to Grecian coasts is yet the run :
 
 THE SHIPWRECK. 97 
 
 Palemon's Dejection. 
 
 Less harassed then, our scudding ship may bear 
 Th' assaulting surge repell'd upon her rear. 755 
 Even then the wearied storm as soon shall die, 
 Or less torment the groaning pines on high. 
 Should we at last be driv'n by dire decree, 
 Too near the fatal margin of the sea, 
 Their hull dismasted there awhile may ride, 76*0 
 With lengthen'd cables, on the raging tide. 
 Perhaps kind Heav'n, with interposing pow'r, 
 May curb the tempest ere that dreadful hour. 
 But here ingulf'd and found' ring while we stay, 
 Fate hovers o'er and marks us for her prey. 76*5 
 
 He said ; PA LEMON saw, with grief of heart, 
 The storm prevailing o'er the pilot's art : 
 In silent terror and distress involved, 
 He heard their last alternative resolved. 
 High beat his bosom ; with such fear subdued, 7/0 
 Beneath the gloom of some enchanted wood, 
 Oft in old time the wand'ring swain explor'd 
 The midnight wizards, breathing rites abhorr'd :
 
 98 THE SHIPWRECK. 
 
 Albert's Address to the Crew. 
 
 Trembling approach'd their incantations fell, . 
 
 And, chill'd with horror, heard the sougs of hell. 
 
 ARION saw, with secret anguish mov'd, 776 
 
 The deep affliction of the friend he lov'd ; 
 
 And, all awake to Friendship's genial heat, 
 
 His bosom felt consenting tumults beat. 
 
 Alas! no season this for tender love; 780 
 
 Far hence the music of the myrtle grove ! 
 
 With Comfort's soothing voice, from Hope derived, 
 
 PALEMON'S drooping spirit he reviv'd, 
 
 For Consolation oft with healing art 
 
 Retunes the jarring numbers of the heart. 785 
 
 Now had the pilots all th' events revolved. 
 
 And on their final refuge thus resolv'd ; 
 
 When like the faithful shepherd, who beholds 
 
 Some prowling wolf approach his fleecy folds ; 
 
 To the brave crew, whom racking doubts perplex, 
 
 The dreadful purpose ALBERT thus directs. 791 
 
 Unhappy partners in a wayward fate ! 
 Whose gallant spirits now are known too late ;
 
 THE SHIPWRECK. 99 
 
 The proposed Refuge. 
 
 Ye ! who unmov'd behold this angry storm 
 
 With terrors all the rolling deep deform ; 795 
 
 Who, patient in adversity, still bear 
 
 The firmest front when greatest ills are near ! 
 
 The truth, tho' grievous, I must now reveal, 
 
 That long in vain I purpos'd to conceal. 
 
 Ingulf d, all help of arts we vainly try, 800 
 
 To weather leeward shores, alas ! too nigh. 
 
 Our crazy bark no longer can abide 
 
 The seas that thunder o'er her batter'd side : 
 
 And, while the leaks a fatal warning give 
 
 That in this raging sea she cannot live, 805 
 
 One only refuge from despair we find ; 
 
 At once to wear and scud before the wind. 
 
 Perhaps even then to ruin we may steer ; 
 
 For broken shores beneath our lee appear ; 
 
 But that's remote, and instant death is here : 810 
 
 Yet there, by Heav'n's assistance, we may gain 
 
 Some creek or inlet of the Grecian main ; 
 
 Ver. 807. For an explanation of these manoeuvres, the reader 
 is referred to the last note of this Canto. 
 
 \
 
 100 THE SHIPWRECK. 
 
 Or, shelter'd by some rock, at anchor ride, 
 Till with abating rage the blast subside. 
 
 But if, determin'd by the will of Heav'n, 815 
 Our helpless bark at last ashore is driv'n, 
 These counsels follow'd, from the waf ry grave 
 Our floating sailors in the surf may save. 
 
 And first let all our axes be secur'd, 
 To cut the masts and rigging from aboard. 820 
 
 Then to the quarters bind each plank and oar, 
 To float between the vessel and the shore. 
 The longest cordage too must be convey'd 
 On deck, and to the weather rails belay 'd. 
 So they, who haply reach alive the land, - 825 
 
 Th' extended lines may fasten on the strand, 
 Whene'er, loud thund'ring on the leeward shore, 
 While let aloof we hear the breakers roar. 
 Thus for the terrible event prepar'd, 
 Brace fore and aft to starboard every, yard ; 830 
 So shall our masts swim lighter on the wave, 
 And from the broken rocks our seamen save.
 
 THE SHIPWRECK. 101 
 
 To cut the Masts, &c. 
 
 Then westward turn the stem, that every mast 
 May shoreward fall, when from the vessel cast. 
 When o'er her side once more the billows bound, 
 Ascend the rigging till she strikes the ground : 836 
 And when you hear aloft th' alarming shock 
 That strikes her bottom on some pointed rock, 
 The boldest of our sailors must descer.J, 
 The dang'rous business of the deck to 'tend ; 840 
 Then each, secur'd by some convenient cord, 
 Should cut the shrouds and rigging from the board : 
 Let the broad axes next assail each mast; 
 And booms and oars and rafts to leeward cast. 
 Thus, while the cordage stretch'd ashore may guide 
 Our brave companions thro' the swelling tide, 846 
 This floating lumber shall sustain them, o'er 
 The rocky shelves in safety to the shore. 
 But as your firmest succour, till the last, 
 O cling securely on each faithful mast ! 850 
 
 Tho' great the danger, and the task severe, 
 Yet bow not to the tyranny of Fear ! 
 H 3
 
 * I 
 
 d!) > 
 nd. ) 
 
 102 THE SHIPWRECK. 
 
 A dawn of Hope. 
 
 If once that slavish yoke your spirits quell. 
 Adieu to hope ! to life itself farewell ! 
 
 I know, among you some full oft have view'd, 855 
 With murd'ring weapons arm'd, a lawless brood, 
 On England's vile inhuman shore who stand, 
 (The foul reproach, and scandal of our land !' 
 To rob the wand'rers wreck'd upon the strand. 
 These, while their savage office they pursue, 86*0 
 Oft wound to death the helpless plunder'd crew, 
 Who, 'scap'd from every horror of the main, 
 Implor'd their mercy, but implor'd in vain. 
 But dread not this ! a crime to Greece unknown ! 
 Such blood-bounds all her circling shores disown; 
 Her sons, by barb'rous tyranny opprest, 866 
 
 Can jshare affliction with the wretch distrest : 
 Their hearts, by cruel fate inur'd to grief, 
 Oft to the friendless stranger yield relief. 
 
 With conscious horror struck, the naval band, 
 Detested for a while their native land. 871 
 
 They curs'd the sleeping vengeance of the laws, 
 That thus forgot her guardian sailors' cause.
 
 THE SHIPWRECK. 103 
 
 Supplication to the Deity. 
 
 Meanwhile the master's voice again they heard, 
 Whom, as with filial duty, all rever'd. 758 
 
 No more remains but now a trusty band 
 Must ever at the pump industrious stand; 
 And while with us the rest attend to wear, 
 Two skilful seamen to the helm repair ! 
 O Source of Life ! our refuge and our stay ! 880 
 Whose voice the warring elements obey ; 
 On thy supreme assistance we rely : 
 Thy mercy supplicate, if doom'd to die ! 
 Perhaps this storm is sent, with healing breath, 
 From neighb'ring shores to scourge disease and death! 
 'Tis ours on thine unerring laws to trust : 886* 
 
 With thee, great LORD! " whatever is, is just." 
 
 He said ; and with consenting rev'rence fraught, 
 The sailors join'd his prayer in silent thought. 
 His intellectual eye, serenely bright! 890 
 
 Saw distant objects with prophetic light. 
 Thus in a land, that lasting wars oppress, 
 That groans beneath misfortune and distress ; 
 H 4
 
 104 THE SHIPWRECK. 
 
 The Vessel reels 
 
 Whose wealth to conq'ring armies falls a prey ; 
 Her bulwarks sinking, as her troops decay ; 895 
 Some bold sagacious statesman, from the helm, 
 Sees desolation gathering o'er his realm : 
 He darts around his penetrating eyes, 
 Where dangers grow, and hostile Unions rise ; 
 With deep attention marks the invading foe ; 900 
 Eludes their wiles, and frustrates every blow : 
 Tries his last art the totf ring state to save ; 
 Or in its ruins finds a glorious grave ! 
 
 Still in the yawning trough the vessel reels, 
 Ingulf d beneath two fluctuating hills : 905 
 
 On either side they rise ! tremendous scene ! 
 A long dark melancholy vale between. 
 
 Ver. 1^07. That the reader, who is unacquainted with the 
 manoeuvres of navigation, may conceive a clearer idea of a 
 ship's state when trying ; and of the change of her situation 
 to that of scudding, I have quoted a part of the explanation 
 of those articles as they appear in the Dictionary of the Marine. 
 
 Trying is the situation in which a ship lies nearly in the 
 trough or hollow of the sea in a tempest, particularly when it 
 blows contrary to her course.
 
 THE SHIPWRECK. 105 
 
 To the Right and Left by turns. 
 
 The balanc'd ship, now forward, now behind, 
 Still felt th' impression of the waves and wind, 
 And to the right and left by turns inclin'd ; 910, 
 But ALBERT from behind the balance drew, 
 And on the prow its double efforts threw. 
 
 In trying as well as in scudding, the sails are always reduced 
 in proportion to the increase of the storm ; and in either state, 
 if the storm is excessive, she may have all her sails furled ; or 
 be, according the sea phrase, under bare poles. 
 
 The intent of spreading a sail at this time is to keep the ship 
 more steady, and to prevent her from rolling violently, bj 
 pressing her side down in the water ; and also to turn her head 
 towards the source of the wind, so that the shock of the seas 
 may fall more obliquely on her flank, than when she lies 
 along the trough of the sea, or in the interval between two 
 waves. While she lies in this situation the helm is fastened 
 close to the lee-side, to prevent her as much as possible from 
 falling to leeward. But as the ship is not then kept in equili- 
 brio by the operation of her sails, which at other times 
 counterbalance each other at the head and stern, she is moved 
 by a slow, but continual vibration, which turns her head 
 alternately to windward and to leeward, forming an angle of 
 30 or 40 degrees in the interval. That part where she stops 
 in approaching the direction of the wind, is called her coming- 
 tit ; and the contrary excess of the angle to leeward is called 
 her falling off.
 
 106 THE SHIPWRECK. 
 
 1 hey bear away. 
 
 The order now was given to bear away; 
 
 The order given, the timoneers obey. 
 
 High o'er the bowsprit stretch'd, the tortur'd sail, 
 
 As on the rack, distends beneath the gale. 9l6 
 
 Veering or wearing, ver. 64 1, 807, as used in the present 
 sense, may be defined, the movement by which a ship changes 
 her state from trying to that of scudding, or, of running before 
 the direction of the wind and sea. 
 
 It is an axiom in natural philosophy, That every body will 
 persevere in a state of rest, or of moving uniformly in a right line, 
 unless it be compelled to change its state by forces impressed : 
 and that the change of motion is proportional to the moving force 
 impressed, and made according to the right line in which that 
 force acts. 
 
 Hence it is easy to conceive how a ship is compelled to turn 
 into any direction by the force of the wind, acting upon any 
 part of her length in lines parallel to the plane of the horizon. 
 Thus in the act of veering, which is a necessary consequence 
 of this invariable principle, the object of the seamen is to re- 
 duce the action of the wind on the ship's hinder part, and to re- 
 ceive its utmost exertion on her forepart, so that the latter 
 may be pushed to leeward. This effect is either produced by 
 the operation of the sails, or by the impression of the wind on 
 the masts and yards. In the former case the sails on the hind- 
 part of the ship are either furled or arranged nearly parallel 
 to the direction of the wind, which then glides ineffectually
 
 THE SHIPWRECK. 107 
 
 Without Success. 
 
 But scarce the yielding prow its impulse knew, 
 When in a thousand Hitting shreds it flew ! 
 Yet ALBEET new resources still prepares, 
 And, bridling grief, redoubles all his cares. 920 
 
 along their surfaces ; at the same time the foremost sails are 
 spread abroad, so as to receive the greatest exertion of the 
 wind, ver. 9 16 The forepart accordingly yields to this im- 
 pulse, and is put in motion, and this motion, necessarily con- 
 spiring with that of the wind, pushes the ship about as much 
 as is requisite to produce the desired effect. 
 
 But when the tempest is so violent as to preclude the use of 
 sails, the effort of the wind operates almost equally on the 
 opposite ends of the ship, because the masts and yards situated 
 near the head and stern serve to counterbalance each other, in 
 receiving its impression. The effect of the helm is also consi- 
 derably diminished, because the headway, which gives life 
 and vigour to all its operations, is at this time feeble and inef- 
 fectual. Hence it becomes necessary to destroy this equili- 
 brium, which subsists between the masts and yards before 
 and behind, and to throw the balance forward to prepare for 
 veering. If this cannot be effected by the arrangement of the 
 yards on the masts, and it becomes absolutely necessary to 
 veer in order to save the ship from destruction, ver. 92f, the 
 mizen-mast must be cut away, and even the main-mast, if she 
 still remains incapable of answering the helm by turning her 
 prow to leeward.
 
 108 THE SHIPWRECK. 
 
 The last Remedy. 
 
 Away there, lower the mizen-yard on deck ! 
 He calls and brace the foremost yards aback ! 
 His great example every bosom fires, 
 New life rekindles, and new hope inspires. 
 While to the helm unfaithful still she lies, 925 
 
 One desp'rate remedy at last he tries. 
 
 Scudding is that movement in navigation by which a ship is 
 carried precipitately before a tempest, ver. 645, 807, &c. 
 
 As a ship flies with amazing rapidity through the water, 
 whenever this expedient is put in practice, it is never attempt- 
 ed in a contrary wind, unless when her condition renders her 
 incapable of sustaining the mutual effort of the wind and waves 
 any longer on her side, without being exposed to the most im- 
 minent danger. 
 
 A ship either scuds with a sail extended on her fore-mast, 
 or, if the storm is excessive, without any sail, which in the sea- 
 phrase is called scudding undtr bare poles. 
 
 The principal hazards incident to scudding are, generally, a 
 sea striking the ship's stern ; the difficulty of steering, which 
 perpetually exposes her to the danger of broaching to ; and the 
 want of sufficient sea-room. A sea which strikes the stern 
 violently may shatter it to pieces, by which the ship must 
 inevitably founder. By broaching-to suddenly, she is threat- 
 ened with losing all her masts and sails, or being immediately 
 overturned ; and for want of sea-room she is exposed to the 
 daugers of being wrecked on a lee-shore.
 
 THE SHIPWRECK. 109 
 
 The Mizen-inast cut away. 
 
 Haste, with your weapons cut the shrouds and stay; 
 And hew at once the mizen-mast away ! 
 He said ! th' attentive sailors on each side, 
 At his command the trembling cords divide. 930 
 Fast by the fated pine bold RODMOND stands; 
 Th' impatient axe hung gleaming in his hands; 
 Brandish' d on high, it fell with dreadful sound ; 
 The tall mast groaning, felt the deadly wound. 934- 
 Deep gash'd with sores, the tott'ring structure rings ; 
 And crashing, thund'ring, o'er the quarter swings. 
 Thus when some limb, convuls'd with pangs of 
 
 death, 
 
 Imbibes the gangrene's pestilential breath; 
 Th' experienc'd artist from the blood betrays 
 The latent venom, or its course delays : 940 
 
 But if th' infection triumphs o'er his art, 
 Tainting the vital stream that warms the heart, 
 Resolv'd at last, he quits th' unequal strife, . 
 Severs the member, and preserves the life. 
 
 END OF CANTO II.
 
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 THE 
 
 SHIPWRECK. 
 
 CANTO III. 
 
 Introductory Matter. 
 
 W HEN in a barb'rous age with blood defiTd, 
 
 The human savage roam'd the gloomy wild ; 
 
 When sullen Ignorance her flag display'd, 
 
 And Rapine and Revenge her voice obey'd ; 
 
 Sent from the shores of light the Muses came, 5 
 
 The dark and solitary race to tame. 
 
 'Twas their's the lawless passions to control, 
 
 And melt in tender sympathy the soul : 
 
 The heart from vice and error to reclaim, 
 
 And breathe in human breasts celestial flame. 10
 
 112 THE SHIPWRECK. 
 
 Influence of Ihe Muses, 
 i _^ ^^ 
 
 The kindling spirit caught th' empyreal ray, 
 
 And' glow'd congenial with the swelling lay. 
 
 Rous'd from the chaos of primeval night, 
 
 At once fair Truth and Reason sprung to light. 
 
 When great Maeonides, in rapid song, 15 
 
 The thund'ring tide of battle rolls along, 
 
 Each ravish'd bosom feels the high alarms, 
 
 And all the burning pulses beat to arms. 
 
 From earth upborne, on Pegasean wings, 19 
 
 Far thro' the boundless realms of thought he springs ; 
 
 While distant poets, trembling as they view 
 
 His sunward flight, the dazzling track pursue. 
 
 But when his strings, with mournful magic, tell 
 
 What dire distress Laertes' son befel, 
 
 The strains, meand'ring thro' the maze of woe, 25 
 
 Bid sacred sympathy the heart o'erflow. 
 
 Thus, in old time, the Muses' heav'nly breath 
 
 With vital force dissolv'd the chains of death : 
 
 Each bard in epic lays began to sing, 
 
 Taught by the master of the vocal string. 30
 
 THE SHIPWRECK. 113 
 
 Of the present Poem. 
 
 "Pis mfhe, alas ! thro' dang'rous scenes to stray, 
 Far from the light of his unerring ray ! 
 While, all unus'd the wayward path to tread, 
 Darkling I wander with prophetic dread. 
 To me in vain the bold Masonian lyre 35 
 
 Awakes the numbers, fraught with living fire ! 
 Full oft indeed, that mournful harp of yore 
 Wept the sad wand'rer lost upon the shore ; 
 But o'er that scene th' impatient numbers ran, 
 Subservient only to a nobler plan. 40 
 
 'Tis mine, th' unravel'd prospect to display, 
 And chain th' events in regular array. 
 Tho' hard the task, to sing in varied strains, 
 While all unchang'd the tragic theme remains I 
 Thrice happy ! might the secret pow'rs of art 45 
 Unlock the latent windings of the heart ! 
 Might the sad numbers draw compassion's tear 
 For kindred-miseries, oft beheld too near ; 
 For kindred-wretches, oft in ruin cast 
 On Albion's strand, beneath the wint'ry blast; 50 
 I
 
 114 THE SHIPWRECK. 
 
 The Theme resumed. 
 
 For all the pangs, the complicated woe, 
 
 Her bravest sons, her faithful sailors know ! 
 
 So pity, gushing o'er each British breast, 
 
 Might sympathize with Britain's sons distrest: 
 
 For this, my theme thro' mazes I pursue, 55 
 
 Which nor Maeonides nor Maro knew. 
 
 Awhile the mast, in ruins dragg'd behind, 
 Balanc'd th' impression of the helm and wind : 
 The wounded serpent, agoniz'd with pain, 
 Thus trails his mangled volume on the plain. 60 
 But now the wreck dissever'd from the rear, 
 The long reluctant prow began to veer ; 
 And while around before the wind it falls, 
 Square all the yards ! th' attentive master calls 
 You timoneers her motion still attend ! 65 
 
 For on your steerage all our lives depend. 
 So, steady ! meet her, watch the blast behind, 
 And steer her right before the seas and wTnd ! 
 
 Ver. 64. To square the yards, in this place, is meant to ar- 
 range them directly athwart the ship's length. 
 
 Ver. 67. Steady is the order to steer the ship according to
 
 THE SHIPWRECK. 115 
 
 The Vessel scuds along. 
 
 Starboard again ! the watchful pilot cries ; 
 
 Starboard, th' obedient timoneer replies. 70 
 
 Then to the left the ruling helm returns; 
 
 The wheel revolves ; the ringing axle burns ! 
 
 The ship no longer, foundering by the lee, 
 
 Bears on her side th' invasions of the sea : 
 
 All lonely o'er the desert waste she flies, 75 
 
 Scourg'd on by surges, storm and bursting skies. 
 
 As when the masters of the lance assail, 
 
 In Hyperborean seas, the slumb'ring whale ; 
 
 Soon as the javMins pierce his scaly hide, 79 
 
 With anguish stung, he cleaves the downward tide; 
 
 In vain he flies ! no friendly respite found ; 
 
 His life-blood gushes thro' th' inflaming wound. 
 
 The wounded bark thus smarting with her pain, 
 Scuds from pursuing waves along the main ; 
 
 the line on which she advances at that instant, without devi- 
 ating to the right or left thereof. 
 
 Ver. 72. In all large ships the helm is managed by a 
 wheel. 
 
 I 2 '
 
 THE SHIPWRECK. 
 
 The agitation of the Ship. 
 
 While, dash'd apart by her dividing prow, 85 
 
 Like burning adamant the waters glow. 
 
 Her joints forget their firm elastic tone ; 
 
 Her long keel trembles, and her timbers groan, 
 
 Upheav'd behind her, in tremendous height, <)0 
 
 The billows frown, with fearful radiance bright ! 
 
 Now shivering, o'er the topmost wave she rides, 
 
 While, deep beneath th' enormous gulf divides. 
 
 Now, launching headlong down the horrid vale, 
 
 She hears no more the roaring of the gale ; 
 
 Till up the dreadful height again she flies, 95 
 
 Trembling beneath the current of the skies. 
 
 As that rebellious angel who, from heaven, 
 
 To regions of eternal pain was driv*n ; 
 
 When dreadless he forsook the Stygian shore, 
 
 The distant realms of Eden to explore ; 1 00 
 
 Here, on sulphureous clouds sublime upheav'd, 
 
 With daring wing th' infernal air he cleav'd ; 
 
 There, in some hideous gulf descending prone, 
 
 Far in the ray less void of night was thrown. 104
 
 THE SHIPWRECK. 117 
 
 Falconei-a in View. 
 
 Even so she scales the briny mountain's height, 
 Then down the black abyss precipitates her flight. 
 The masts,, around whose tops the whirlwinds sing, 
 With long vibration round her axle swing. 
 To guide the wayward course amid the gloom, 
 The watchful pilots different posts assume. 1 10 
 
 ALBERT and RODMOND, station'd on the rear, 
 With warning voice direct each timoneer. 
 High on the prow the guard ARION keeps, 
 To shun the cruisers wandering o'er the deeps : 
 Where'er he moves, PA LEMON still attends, 115 
 As if on him his only hope depends : 
 While RODMOND, fearful of some neighb'ring shore, 
 Cries, ever and anon, Look out afore! 
 Four hours thus scudding on the tide she flew, 
 When Falconera's rocky height they view ; 120 
 
 High o'er its summit, thro' the gloom of night, 
 The glimm'ring watch-tow'r casts a mournful light. 
 In dire amazement rivetted they stand, 
 And hear the breakers lash the rugged strand : 
 i 3
 
 llS THE SHIPWRECK. 
 
 Transient Joy. 
 
 But soon beyond this shore the vessel flies, 125 
 
 Swift as the rapid eagle cleaves the skies. 
 
 So from the fangs of her insatiate foe, 
 
 O'er the broad champaign scuds the trembling roe. 
 
 That danger past, reflects a feeble joy ; 
 
 But soon returning fears their hope destroy. 130 
 
 Thus, in th' Atlantic, oft the sailors eyes, 
 
 While melting in the reign of softer skies, 
 
 Some alp of ice, from polar regions blown, 
 
 Hail the glad influence of a warmer zone: 
 
 Its frozen cliffs attemper'd gales supply ; 135 
 
 In cooling stream the aerial billows fly ; 
 
 Awhile delivered from the scorching heat, 
 
 In gentler tides the feverish pulses beat. 
 
 So, when their trembling vessel past this isle, 
 Such visionary joys the crew beguile: 140 
 
 Th' illusive meteors of a lifeless fire ! 
 Too soon they kindle, and too soon expire ! 
 
 Say, MEMORY ! thou, from whose unerring tongue 
 Instructive flows the animated song !
 
 ^ 
 
 > 
 
 THE SHIPWRECK. 119 
 
 Grecian Nations. 
 
 What regions now the flying ship surround ? 145 
 Regions of old thro' all the world renown'd ; 
 That, once the poet's theme, the Muses' boast, 
 Now lie in ruins ; in oblivion lost ! 
 Did they, whose sad distress these lays deplore, 
 Unskill'd in Grecian or in Roman lore, 150 
 
 Unconscious pass each famous circling shore ? 
 They did ; for blasted in the barren shade, 
 Here, all too soon, the buds of science fade : 
 Sad ocean's genius, in untimely hour, 
 Withers the bloom of every springing flow'r : 155 
 Her fancy droops, while sullen cloud and storm 
 The generous climate of the soul deform. 
 Then if, among the wandering naval train, 
 One stripling exil'd from th' Aonian plain, 
 Had e'er, entranc'd in Fancy's soothing dream, l6V) 
 Approach'd to taste the sweet Castalian stream, 
 (Since those salubrious streams, with power divine, 
 To purer sense th' attemper'd soul refine,) 
 His heart, with liberal commerce here unblest, 
 Alien to joy! sincerer grief possess'd. \65
 
 120 THE SHIPWRECK. 
 
 Athens. 
 
 Yet on the youthful mind, th' impression cast, 
 Of ancient glory, shall for ever last; 
 There all unquench'd by cruel Fortune's ire, 
 It glows with inextinguishable fire. 
 
 Immortal Athens first, in ruin spread, J70 
 
 Contiguous lies at port Liono's head. 
 Great source of science ! whose immortal name 
 Stands foremost in the glorious roll of Fame ; 
 Here godlike Socrates and Plato shone, 
 And, firni to truth, eternal honour won. 173 
 
 The first in Virtue's cause his life resign'd, 
 By heaven pronounc'd the wisest of mankind ; 
 The last foretold the spark of vital fire, 
 The soul's fine essence, never could expire. 
 Here Solon dwelt, the philosophic sage, 1 80 
 
 That fled Fisistratus' vindictive rage. 
 Just Aristides here maintained the cause, 
 Whose sacred precepts shine thro' Solon's laws. 
 Of all her tow* ring structures, now alone 184 
 
 Some scattered columns stand, with weeds o'ergrown.
 
 THE SHIPWRECK. 121 
 
 Corinth. 
 
 The wandering stranger, near the port, descries 
 A milk-white lion of stupendous size ; 
 Unknown the sculptor ; marble is the frame ; 
 And hence th' adjacent haven drew its name. 
 
 Next, in the gulf of Engia, Corinth lies, 190 
 
 Whose gorgeous fabrics seem'd to strike the skies. 
 Whom, tho' by tyrant-victors oft subdu'd, 
 Greece, Egypt, Rome, with awful wonder view'd. 
 Her name for Pallas' heavenly art renown'd, 
 Spread, like the foliage which her pillars crown'd. 
 But now, in fatal desolation laid, 1<X> 
 
 Oblivion o'er it draws a dismal shade. 
 
 Then further westward, on Morea's land, 
 Fair Misitra ! thy modern turrets stand. 
 Ah! who, unmov'd with secret woe, can tell 200 
 That here great Lacedaemon's glory fell ? 
 Here once she flourish'd, at whose trumpet's sound, 
 War burst his chains, and nations shook around. 
 
 Ver. 194. Architecture.
 
 122 THE SHIPWRECK. 
 
 Sparta. 
 
 Here brave Leonidas from shore to shore, 
 
 Thro' all Achaia bade her thunders roar : 205 
 
 He, when imperial Xerxes, from afar, 
 
 Advanc'd with Persia's sumless troops to war, 
 
 Till Macedonia shrunk beneath his spear, 
 
 And Greece dismay'd beheld the chief draw near : 
 
 He, at Thermopylae's immortal plain, 210 
 
 His force repell'd with Sparta's glorious train. 
 
 Tall (Eta saw the tyrant's conquer'd bands, 
 
 In gasping millions, bleed on hostile lands. 
 
 Thus vanquish'd Asia trembling heard thy name, 
 
 And Thebes and Athens sicken'd at thy fame ! 
 
 Thy state, supported by Lycurgus' laws, 216 
 
 Drew, like thine arms, superlative applause. 
 
 Even great Epaminondas strove in vain, 
 
 To curb that spirit with a Theban chain. 
 
 But ah ! how low her free-born spirit now ! 220 
 
 Her abject sons to haughty tyrants bow ; 
 
 A false degenerate superstitious race, 
 
 Infest thy region, and thy name disgrace !
 
 THE SHIPWRECK. 123 
 
 Arcadia. 
 
 Not distant far, Arcadia's blest domains 
 Peloponnesus' circling shore contains. 225 
 
 Thrice happy soil ! where still serenely gay, 
 Indulgent Flora breath'd perpetual May. 
 Where buxom Ceres taught th' obsequious field, 
 
 Rich without art, spontaneous gifts to yield ; 
 
 
 Then with some rural nymph supremely blest, 230 
 
 While transport glow'd in each enamour'd breast, 
 
 Each faithful shepherd told his tender pain, 
 
 And sung of sylvan sports in artless strain. 
 
 Now, sad reverse ! oppression's iron hand 
 
 Enslaves her natives, and despoils the land. 235 
 
 In lawless rapine bred, a sanguine train 
 
 With midnight-ravage scour th' uncultur'd plain. 
 
 Westward of these, beyond the isthmus lies. 
 The long-lost isle of Ithacus the wise ; 
 Where fair Penelope her absent lord, 240 
 
 Full twice ten years, with faithful love deplor'd. 
 Tho' many a princely heart her beauty won, 
 She, guarded only by a stripling son,
 
 124 THE SHIPWRECK. 
 
 Argos Helena. 
 
 Each bold attempt of suitor-kings repell'd, 
 
 And undefil'd the nuptial contract held. 245 
 
 With various arts to win her love they toil'd, 
 
 But all their wiles by virtuous fraud she foil'd. 
 
 True to her vows, and resolutely chaste, 
 
 The beauteous princess triumph'd at the last. 
 
 Argos, in Greece forgotten and unknown, 250 
 Still seems her cruel fortune to bemoan ; 
 Argos, whose monarch led the Grecian hosts, 
 Far o'er the .fligean main, to Dardan coasts. 
 Unhappy prince ! who on a hostile shore, 
 Toil, peril, anguish, ten long winters bore. 255 
 
 And when to native realms restor'd at last, 
 To reap the harvest of thy labours past ; 
 A perjured friend, alas ! and faithless wife, 
 There sacrific'd to impious lust thy life! 260 
 
 Fast by Arcadia stretch these desert plains ; 
 And o'er the land a gloomy tyrant reigns. 
 
 Next the fair isle of Helena is seen, 
 Where adverse winds detain'd the Spartan queen ; 
 
 Ver. 263. Now known by the name of Macronisi.
 
 THE SHIPWRECK. 125 
 
 Lemnos. 
 
 For whom in arms combin'd the Grecian host, 265 
 With vengeance fir'd, invaded Phrygia's coast ; 
 For whom so long they labour'd to destroy 
 The sacred turrets of imperial Troy. 
 Here, driven by Juno's rage, the hapless dame, 
 Forlorn of heart, from ruin'd Ilion came. 270 
 
 The port, an image bears of Parian stone. 
 Of ancient fabric, but of date unknown. 
 
 Due east from this appears th' immortal shore 
 That sacred Phoebus and Diana bore. 
 Delos, thro' all the ^Egean seas renown'd ! 275 
 
 (Whose coast the rocky Cyclades surround) 
 By Phoebus honor'd, and by Greece rever'd ; 
 Her hallow'd groves even distant Persia fear'd. 
 But now, a silent unfrequented land ! 
 No human footsteps mark the trackless sand. 280 
 
 Thence to the north, by Asia's western bound, 
 Fair Lemnos stands, with rising marble crown'd ; 
 Where, in her rage, avenging Juno hurl'd 
 Ill-fated Vulcan from the ethereal world.
 
 126 THE SHIPWRECK. 
 
 Troy. 
 
 There his eternal anvils first he rear'd ; 285 
 
 Then, forg'd by Cyclopean art, appear'd 
 Thunders, that shook the skies with dire alarms, 
 And, form'd by skill divine, Vulcanian arms. 
 There, with this crippled wretch, the foul disgrace, 
 And living scandle of th' empyreal race, 290 
 
 The beauteous queen of Love in wedlock dwelt : 
 In fires profane can heavenly bosoms melt ? 
 
 Eastward of this appears the Dardon shore, 
 That once th' imperial towers of Ilium bore. 
 Illustrious Troy ! renown'd in every clime, 295 
 
 Thro' the long annals of unfolding time ! 
 How oft, thy royal bulwarks to defend, 
 Thou saw'st thy tutelar gods in vain descend ! 
 Tho' chiefs unnumber'd in her cause was slain, 
 Tho' nations perish'd on her bloody plain; 300 
 
 That refuge of perfidious Helen's shame 
 Was doom'd at length to sink in Grecian flame : 
 And now, by Time's deep plough-share harrow'd o'er, 
 The seat of sacred Troy is found no more ;
 
 THE SHIPWRECK. 127 
 
 Thrace. 
 
 No trace of all her glories now remains ! 305 
 
 But corn and vines enrich her cultur'd plains. 
 Silver Scarnander laves the verdant shore ; 
 Scamander oft o'erflow'd with hostile gore ! 
 
 Not far removM from Ilion's famous land, 
 In counter-view appears the Thracian strand; 310 
 Where beauteous Hero, from the turret's height, 
 DisplayM her cresset each revolving night ; 
 Whose gleam directed lov'd Leander o'er 
 The rolling Hellespont, to Asia's shore, 
 Till, in a fated hour, on Thracia's coast, 315 
 
 She saw her lover's lifeless body tost ; 
 Then felt her bosom agony severe ; 
 Her eyes sad-gazing, pour'd th' incessant tear : 
 O'erwhelm'd with anguish, frantic with despair, 
 She beat her beauteous breast and tore her hair 
 On dear Leander's name in vain she cry'd ; 321 
 
 Then headlong plung'd into the parting tide : 
 The parting tide receiv'd the lovely weight, 
 And proudly flow'd, exulting in its freight !
 
 128 THE SHIPWRECK. 
 
 Delphi. 
 
 Far west of Thrace, beyond the /Egean main, 
 Remote from ocean, lies the Delphic plain. 326' 
 The sacred oracle of Phoebus there, 
 High o'er the mount arose, divinely fair! 
 Achaian marble form'd the gorgeous pile : 
 August the fabric ! elegant its style ! 330 
 
 On brazen hinges turn'd the silver doors ; 
 And chequerM marble pav'd the polish'd floors. 
 The roofs where stor/d tablature appear'd, 
 On columns of Corinthian mould were rear'd : 
 Of shining porphyry the shafts were fram'd, 335 
 And round the hollow doom bright jewels flam'd. 
 Apollo's suppliant priests, a blameless train ! 
 Fram'd their oblations on the holy fane : 
 To front the sun's declining ray 'twas plac'd ; 
 With golden harps and living laurels grac'd. 34-0 
 The sciences and arts, around the shrine, 
 Conspicuous shone, engrav'd by hands divine ! 
 Here ^Esculapius' snake display'd his crest, 
 And burning glories sparkled on his breast :
 
 THE SHIPWRECK. 
 
 The Oracle of Apollo. 
 
 While, from his eye's insufferable light, 345 
 
 Disease and Death recoil'd, in headlong flight. 
 Of this great temple, thro' all time renown'd, 
 Sunk in oblivion, no remains are found. 
 
 Contiguous here, with hallow' d woods o'erspread, 
 Parnassus lifts to heav'n its honor'd head ; 350 
 
 Where from the deluge sav'd, by Heav'n's command,^ 
 Deucalion leading Pyrrha, hand in hand, / 
 
 Repeopled all the desolated land. J 
 
 Around the scene unfading laurels grow, 
 And aromatic flow'rs for ever blow. 355 
 
 The winged choirs on every tree above, 
 Carol sweet numbers thro' the vocal grove ; 
 While, o'er th' eternal spring that smiles beneath, 
 Young zephyrs, borne on rosy pinions, breathe, 
 Fair daughters of the sun ! the sacred nine, 360 
 Here wake to ecstasy their songs divine; 
 Or crown'd with myrtle, in some sweet alcove, 
 Attune the tender strings to bleeding love. 
 All sadly sweet the balmy currents roll; 
 Soothing to softest peace the tortur'd soul. 365
 
 130 THE SHIPWRECK. 
 
 Address to Memor}-. 
 
 While hill and vale with choral voice around, 
 The music of immortal harps resound, 
 Fair pleasure leads in dance the happy Hours, 
 Still scatt'ring where she moves Elysian flow'rs ! 
 
 Even now the strains, with sweet contagion fraught, 
 Shed a delicious languor o'er the thought 37 1 
 Adieu ye vales, that smiling peace bestow, 
 Where Eden's blossoms ever-vernal blow ! 
 Adieu ye streams, that o'er enchanted ground, 
 In lucid maze th' Aonian hill surround ! 375 
 
 Ye fairy scenes where Fancy loves to dwell, 
 And young Delight, for ever oh farewell ! 
 The soul with tender luxury you fill, 
 And o'er the sense Lethean dews distil ! 
 Awake, O MEMORY, from th' inglorious dream ! 
 With brazen lungs resume the kindling theme ! 381 
 Collect thy pow'rs ! arouse thy vital fire ! 
 Ye spirits of the storm my verse inspire ! 
 Hoarse, as the whirlwinds that enrage the main, 
 Jn torrent pour along the swelling strain ! 385
 
 THE SHIPWRECK. 
 
 The Theme resumed. 
 
 Now, borne impetuous o'er the boiling deeps, 
 Her course to Attic shores the vessel keeps : 
 The pilots, as the waves behind her swell, 
 Still with the wheeling stern their force repel. 
 For, this assault should either quarter feel, 390 
 
 Again to flank the tempest she might reel. 
 The steersmen every bidden turn apply; 
 To right and left the spokes alternate fly. 
 Thus when some conquer'd host retreats in fear, 
 The bravest leaders guard the broken rear : 395 
 Indignant they retire, and long oppose 
 Superior armies that around them close ! 
 Still shield the flanks, the routed squadrons join, 
 And guide the flight in one embodied line. 
 
 So they direct the flying bark before 400 
 
 Th' impelling floods that lash her to the shore. 
 As some benighted trav'ller, thro' the shade, 
 Explores the devious path with heart dismay'd ; 
 
 Ver. 390. The quarter is the hinder part of a ship's side ; 
 or that part which is near the stern. 
 K 2
 
 132 THE SHIPWRECK. 
 
 Violence of the Tempest. 
 
 While prowling savages behind him roar, 
 
 And yawning pits and quagmires lurk before 405 
 
 High o'er the poop th' audacious seas aspire, 
 
 Uproll'd in hills of fluctuating fire. 
 
 As some fell conqueror, frantic with success, 
 
 Sheds o'er the nations ruin and distress ; 
 
 So, while the waf ry wilderness he roams, 410 
 
 Incens'd to sevenfold rage the tempest foams ; 
 
 And o'er the trembling pines, above, below, 
 
 Shrill thro' the cordage howls, with notes of woe. 
 
 Now thunders wafted from the burning zone, 
 
 Growl, from afar, a deaf and hollow groan! 415 
 
 The ship's high battlements, to either side 
 
 For ever rocking, drink the briny tide : 
 
 Her joints unhing'd, in palsied languors play, 
 
 As ice dissolves beneath the noon-tide ray. 
 
 The skies, asunder torn, a deluge pour ; 420 
 
 Th' impetuous hail descends in whirlwind show'r. 
 
 High on the masts, with pale and livid rays, 
 
 Amid the gloom portentous meteors blaze.
 
 THE SHIPWRECK. 133 
 
 Consequences. 
 
 Th' ethereal dome, in mournful pomp array'cl, 
 Now lurks behind impenetrable shade ; 425 
 
 Now, flashing round intolerable light, 
 Redoubles all the terrors of the night. 
 Such terror Sinai's quaking hill o'erspread, 
 When heavVs loud trumpet sounded o'er its head. 
 It seem'd, the wrathful angel of the wind 430 
 
 Had all the horrors of the skies combined; 
 And here, to one ill-fated ship oppos'd, 
 At once the dreadful magazine disclosed. 
 And lo ! tremendous o'er the deep he springs, 434- 
 Th' inflaming sulphur flashing from his wings! 
 Hark! his strong voice the dismal silence breaks; 
 Mad chaos from the chains of death awakes ! 
 Loud and more loud the rolling peals enlarge ; 
 And blue on deck their blazing sides discharge: 
 There, all-aghast, the shiv'ring wretches stood; 440 
 While chill suspense and fear congeal'd their blood. 
 Now in a deluge bursts the living flame, 
 And dread concussion rends th' ethereal frame. 
 K 3
 
 134 THE SHIPWRECK. 
 
 Morning. 
 
 Sick Earth convulsive groans from shore to shore 
 And Nature shudd'ring feels the horrid roar. 445 
 
 Still the sad prospect rises on my sight, 
 Reveal'd in all its mournful shade and light ; 
 Swift thro' my pulses glides the kindling fire, 
 As lightning glances on th' electric wire. 
 But ah ! the force of numbers strives in vain, 450 
 The glowing scene unequal to sustain. 
 
 But lo ! at last, from tenfold darkness born, 
 Forth issues o'er the wave the weeping morn. 
 Hail, sacred vision ! who, on orient wing, 
 The cheering dawn of light propitious bring! 455 
 All nature smiling hail'd the vivid ray, 
 That gave her beauties to returning day : 
 All but our ship that, groaning on the tide, 
 No kind relief, no gleam of hope descry'd. 
 For now, in front, her trembling inmates see 460 
 The hills of Greece, emerging on the lee. 
 So the lost lover views that fatal morn, 
 On which, for ever from his bosom torn,
 
 THE SHIPWRECK. 135 
 
 St. George's Cliffs appear. 
 
 The nymph ador'd resigns her blooming charms, 
 
 To bless with love some happier rival's arms. 465 
 
 So to Eliza dawn'd that cruel day, 
 
 That tore ^Eneas from her arms away ; 
 
 That saw him parting, never to return, 
 
 Herself in funeral flames decreed to burn. 
 
 O yet in clouds, thou genial source of light, 470 
 
 Congeal thy radiant glories from our sight ! 
 
 Go, with thy smile adorn the happy plain, 
 
 And gild the scenes where health and pleasure reign : 
 
 But let not here, in scorn, thy wanton beam 
 
 Insult the dreadful grandeur of my theme ! 475 
 
 While shoreward now the bounding vessel flies, 
 Full in her van St. George's cliffs arise ; 
 High o'er the rest a pointed crag is seen, 
 That hung projecting o'er a mossy green. 
 Nearer and nearer now the danger grows. 480 
 
 And all their skill relentless fates oppose : 
 For, while more eastward they direct the prow, 
 Enormous waves the quiVring deck o'erflow. 
 K 4-
 
 136 THE SHIPWRECK. 
 
 Scylla Chary bdis. 
 
 While, as she wheels, unable to subdue 
 
 Her sallies, still they dread her broaching- to. 485 
 
 Alarming thought! for now no more a-lee 
 
 Her riven side could bear the invading sea ; 
 
 And if the following surge she scuds before, 
 
 Headlong she runs upon the dreadful shore : 
 
 A shore where shelves and hidden rocks abound, 
 
 Where death in secret ambush lurks around. 491 
 
 Far less dismayed, Anchises' wand'ring son 
 
 Was seen the straits of Sicily to shun : 
 
 When Palinurus, from the helm, descry'd 
 
 The rocks of Scylla on his eastern side ; 495 
 
 While in the west, with hideous yawn disclos'd, 
 
 His onward path Charybdis' gulph oppos'd. 
 
 The double danger as by turns he view'd, 
 
 His wheeling bark her arduous track pursu'd. 
 
 Ver. 485. Broaching-to, is a sudden and involuntary move- 
 ment in navigation, wherein a ship, whilst scudding or sailing 
 before the wind, unexpectedly turns her side to wind ward. It 
 is generally occasioned by the difficulty of steering her, or by 
 some disaster happening to the machinery of the helm. See 
 the last note of the Second Canto.
 
 THE SHIPWRECK. 137 
 
 Critical Situation. 
 
 Thus, while to right and left destruction lies, 500 
 Between th' extremes the daring vessel flies. 
 With boundless involution, bursting o'er 
 The marble cliffs, loud -dashing surges roar : 
 Hoarse thro' each winding creek the tempest raves, 
 And hollow rocks repeat the groan of waves ; 505 
 Destruction round th' insatiate coast prepares, 
 To crush the trembling ship, unnumber'd snares. 
 But haply now she 'scapes the fatal strand, 
 Tho' scarce ten fathoms distant from the land ; 
 Swift as the weapon issuing from the bow, 510 
 
 She cleaves the burning waters with her prow ; 
 And forward leaping, with tumultuous haste, 
 As on the tempest's wing, the isle she pass'd. 
 With longing eyes and agony of mind, 
 The sailors view this refuge left behind ; 515 
 
 Happy to bribe, with India's richest ore, 
 A safe accession to that barren shore ! 
 
 When in the dark Peruvian mine confin'd, 
 Lost to the cheerful commerce of mankind, 
 

 
 138 THE SHIPWRECK. 
 
 The Helmsman struck \vith lightning. 
 
 The groaning captive wastes his life away, 520 
 
 For ever exil'd from the realms of day ; 
 
 Not equal pangs his bosom agonize, 
 
 When far above the sacred light he eyes, 
 
 While, all forlorn, the victim pines in vain, 
 
 For scenes he never shall possess again. 525 
 
 But now Athenian mountains they descrv, 
 And o'er the surge Colonna frowns on high ; 
 Beside the cape's projecting verge are plac'd 
 A range of columns, long by time defac'd ; 
 First planted by devotion to sustain, 530 
 
 In elder times, Tritonia's sacred fane. 
 Foams the wild beach below with mad'ning rage, 
 Where waves and rocks a dreadful combat wage. 
 The sickly heaven, fermenting with its freight, 
 Still vomits o'er the main the feverish weight : 535 
 And now, while wing'd with ruin from on high, 
 Thro' the rent cloud the ragged lightnings fly ; 
 A flash, quick glancing on the nerves of light, 
 Struck the pale helmsman with eternal night.
 
 THE SHIPWRECK. 139 
 
 The Ship's tempestuous Sallies. 
 
 RODMOND, who heard a piteous groan behind, 540 
 
 Touch'd with compassion gaz'd upon the blind : 
 
 And, while around his sad companions crowd, 
 
 He guides th' unhappy victim to the shroud. 
 
 Hie thee aloft, my gallant friend ! he cries; 
 
 Thy only succour on the mast relies ! 545 
 
 The helm, bereft of half its vital force, 
 
 Now scarce subdu'd the wild unbridled course: 
 
 Quick to th' abandon' d wheel ARION came, 
 
 The ship's tempestuous sallies to reclaim. 
 
 Amaz'd he saw her, o'er the sounding foam 550 
 
 Upborne, to right and left distracted roam. 
 
 Sog^z'd young Phaeton, with pale dismay, 
 
 When, mounted in the naming car of day, 
 
 With rash and impious hand the stripling tryM 
 
 Th' immortal coursers of the sun to guide. 555 
 
 The vessel, while the dread event draws nigh, 
 
 Seems more impatient o'er the waves to fly : 
 
 Fate spurs her on : thus issuing from afar, 
 
 Advances to the sun some blazing star ;
 
 140 THE SHIPWRECK. 
 
 The fatal Reheat. 
 
 And, as it feels th' attraction's kindling force, 56*0 
 Springs onward with accelerated course. 
 
 With mournful look the seamen e/d the strand, 
 Where Death's inexorable jaws expand : 
 Swift from their minds elaps'd all dangers past, 
 As, dumb with terror, they beheld the last. 56*5 
 Now, on the trembling shrouds, before, behind, 
 In mute suspense they mount into the wind. 
 The genius of the deep, on rapid wing, 
 The black eventful moment seem'd to bring ; 
 The fatal sisters on the surge before, 570 
 
 Yok'd their infernal horses to the prore. 
 The steersmen now receiv'd.their last command, 
 To wheel the vessel sidelong to the strand. 
 Twelve sailors, on the foremast who depend, 
 High on the platform of the top ascend ; 575 
 
 Fatal retreat ! for while the plunging prow 
 Immerges headlong in the wave below, 
 Down prest by wat'ry weight the bowsprit bends, 
 And from above the stem deep-crashing rends.
 
 THE SHIPWRECK. 141 
 
 Loss of Seamen. 
 
 Beneath her beak the floating ruins lie ; 580 
 
 The foremast totters, unsustain'd on high : 
 And now the ship, fore-lifted by the sea, 
 Hurls the tall fabric backward o'er the lee ; 
 While, in the general wreck, the faithful stay 
 Drags the main topmast from its post away. 585 
 Flung from the mast, the seamen strive in vain 
 Thro' hostile floods their vessel to regain ; 
 The waves they buffet, till bereft of strength, 
 O'erpower'd they yield to cruel fate at length. 
 The hostile waters close around their head, 590 
 They sink for ever, number'd with the dead ! 
 
 Those who remain their fearful doom await, 
 Nor longer mourn their lost companions' fate. 
 The heart, that bleeds with sorrows all its own, 
 Forgets the pangs of friendship to bemoan. 595 
 ALBERT andRoDMOND and PALEMON here, 
 With young ARIOX, on the mast appear; 
 Even they, amid th' unspeakable distress, 
 In every look distracting thoughts confess,
 
 142 THE SHIPWRECK. 
 
 Situation of the Ship. 
 
 In every vein the refluent blood congeals ; 600 
 
 And every bosom fatal terror feels. 
 
 Inclos'd with all the demons of the main, 
 
 They viev/d th' adjacent shore, but view'd in vain. 
 
 Such torments in the drear abodes of hell, 
 
 Where sad despair laments with rueful yell, 6*05 
 
 Such torments agonize the damned breast, 
 
 While Fancy views the mansions of the blest. 
 
 ForHeavWs sweet help, their suppliant cries implore ; 
 
 But Heav'n relentless deigns to help no more ! 
 
 And now, lash'd on by destiny severe, 6l 
 
 With horror fraught, the dreadful scene drew near ! 
 The ship hangs hov'ring on the verge of death, 
 Hell yawns, rocks rise, and breakers roar beneath ! 
 In vain, alas ! the sacred shades of yore 
 Would arm the mind with philosophic lore; 6*15 
 In vain they'd teach us, at the latest breath, 
 .To smile serene amid the pangs of death. 
 Ev'n Zeno's self, and Epictetus old, 
 This fell abyss had shudder'd to behold,
 
 THE SHIPWRECK. 143 
 
 The sport of the Seas. 
 
 Had Socrates, for godlike virtue fam'd, 620 
 
 And wisest of the sons of men proclaim'd, 
 
 Beheld this scene of phrenzy and distress, 
 
 His soul had trembled to its last recess ! 
 
 O yet confirm my heart, ye Pow'rs above, 
 
 This last tremendous shock of Fate to prove; 625 
 
 The tottering frame of reason yet sustain, 
 
 Nor let this total ruin whirl my brain ! 
 
 In vain the cords and axes where prepar'd, 
 For now th' audacious seas insult the yard ; 
 High o'er the ship they throw a horrid shade, 630 
 And o'er her burst, in terrible cascade. 
 Uplifted on the surge, to heav'n she flies, 
 Her shattered top half-buried in the skies, 
 Then headlong plunging thunders on the ground, 
 Earth groans ! air trembles ! and the deeps resound ! 
 Her giant-bulk the dread concussion feels, 636 
 
 And quiv'ring with the wound, in torment reels. 
 So reels, convuls'd with agonizing throes, 
 The bleeding bull beneath the murd'rer's blows
 
 144 THE SHIPWRECK. 
 
 The Vessel wrecked. 
 
 Again she plunges ! hark ! a second shock 640 
 
 Tears her strong bottom on the marble rock : 
 
 Down on the vale of Death, with dismal cries, 
 
 The fated victims shudd'ring roll their eyes 
 
 In wild despair ; while yet another stroke, 
 
 With deep convulsion, rends the solid oak : 
 
 Till like the mine, in whose infernal cell 
 
 The lurking demons of destruction dwell, 
 
 At length asunder torn, her frame divides ; 
 
 And crashing spreads in ruin o'er the tides. 
 
 O were it mine with tuneful Maro's art 650 
 
 To wake to sympathy the feeling heart ; 
 Like him the smooth and mournful verse to dress 
 In all the pomp of exquisite distress ! 
 Then too severely taught by cruel Fate, 
 To share in all the perils I relate, 555 
 
 Then might I, with unrival'd strains deplore 
 Th' impervious horrors of a leeward shore. 
 
 As o'er the surge, the stooping main-mast hung, 
 Still on the rigging thirty seamen clung;
 
 THE SHIPWRECK. 145 
 
 Fate of Thirty Men. 
 
 Some, struggling, on a broken crag were cast, 660 
 And there by oozy tangles grappled fast ; 
 Awhile they bore th' o'erwhelming billows' rage, 
 Unequal combat with their fate to wage ; 
 Till all benumb' d and feeble they forego 
 Their slipp'ry hold, and sink to shades below. 665 
 Some, from the main-yard-arm impetuous thrown 
 On marble ridges, die without a groan. 
 Three with PA LEMON on their skill depend, 
 And from the wreck on oars and rafts descend. 
 Now on the mountain-wave on high they ride, 670 
 Then downward plunge beneath th' involving tide ; 
 Till one, who seems in agony to strive, 
 
 The whirlwind breakers heave on shore alive ; 
 
 * 
 
 The rest a speedier end of anguish knew, 
 
 And press'd the stony beech, a lifeless crew ! 675 
 
 Next, O unhappy chief ! th' eternal doom 
 Of heav'n decreed thee to the briny tomb! 
 What scenes of misery torment thy view ! 
 What painful struggles <3f thy dying crew !
 
 146 THE SHIPWRECK. 
 
 Albert on the floating Mast. 
 
 Thy perish'd hopes all buried in the .flood, 680 
 
 O'erspread with corses ; red with human blood ! 
 
 So, pierc'd with anguish, hoary Priam gaz'd, 
 
 When Troy's imperial domes in ruin blaz'd ; 
 
 While he, severest sorrow doom'd to feel, 
 
 Expir'd beneath the victor's murd'ring steel. 685 
 
 Thus with his helpless partners to the last, 
 
 Sad refuge ! ALBERT hugs the floating mast; 
 
 His soul could yet sustain this mortal blow, 
 
 But droops, alas ! beneath superior woe; 
 
 For now soft nature's sympathetic -chain 690 
 
 Tugs at his yearning heart with pow'rful strain ; 
 
 His faithful wife for ever doom'd to mourn 
 
 For him, alas ! who never shall return ; 
 
 To black Adversity's approach expos'd, 
 
 With want and hardships unforeseen enclos'd : 695 
 
 His lovely daughter left without a friend 
 
 Her innocence to succour and defend : 
 
 By youth and indigence sent forth a prey 
 
 To lawless guilt, that flatters to betray.
 
 / 
 
 THE SHIPWRECK. 147 
 
 His Death. 
 
 While these reflections rack his feeling mind, 700 
 RODMOXD, who hung beside, his grasp resign'd ; 
 And, as the tumbling waters o'er him roll'd, 
 His outstretch'd arms the master's legs infold 
 Sad ALBERT feels the dissolution near, 704 
 And strives in vain his fetter'd limbs to clear; 
 For Death bids every clinching joint adhere. 
 All-faint, to HeaVn he throws his dying eyes, 
 And, " O protect my wife and child !" he cries : 
 The gushing streams roll back th' unfinish'd sound ; 
 He gasps ! he dies ! and tumbles to the ground ! 710 
 
 Five only left of all the perish'd throng 
 Yet ride the pine which shoreward drives along ; 
 With these ARION still his hold secures, 
 And all th' assaults of hostile waves endures. 
 O'er the dire prospect as for life he strives, 715 
 He looks if poor PALEMON yet survives. 
 Ah wherefore, trusting to unequal art, 
 Didst thou, incautious ! from the wreck depart ? 
 Alas ! these rocks all human skill defy, 
 
 Who strikes them once beyond relief must die : 
 L2
 
 148 THE SHIPWRECK. 
 
 Arion's Danger. 
 
 And now sore wounded thou perhaps are tost 72 1 
 On these, or in some oozy cavern lost ; 
 Thus thought A m ON, anxious gazing round, 
 In vain, his eyes no more PALEMON found. 
 The demons of destruction hover nigh, 725 
 
 And thick their mortal shafts commission'd fly : 
 And now a breaking surge, with forceful sway, 
 Two next An ION furious tears away. 
 Hurl'd on the crags, behold, they gasp ! they bleed ! 
 And groaning, cling upon th' elusive weed ! 
 Another billow bursts in boundless roar; 731 
 
 ARION sinks! and MEMORY views no more! 
 
 Ha ! total night and horror here preside ; 
 My stunn'd ear tingles to the whizzing tide ; 
 It is the funeral knell; and gliding near, 735 
 
 Methinks the phantoms of the dead appear ! 
 
 But lo ! emerging from the wat'ry grave, 
 Again they float incumbent on the wave ! 
 Again the dismal prospect opens round, 
 The wreck, the shores, the dying and the drown'd !
 
 THE SHIPWRECK. 149 
 
 With two others. 
 
 And see ! enfeebled by repeated shocks, 741 
 
 Those two who scramble on th' adjacent rocks, 
 Their faithless hold no longer can retain, 
 They sink overwhelmed, and never rise again ! 
 
 Two with ARION yet the mast upbore, 745 
 
 That now above the ridges reach'd the shore : 
 Still trembling to descend, they downward gaze 
 With horror pale, and torpid with amaze : 
 The floods recoil ! the ground appears below ! 
 And life's faint embers now rekindling glow ; 750 
 Awhile they wait th' exhausted waves' retreat, 
 Then climb slow up the beach with hands and feet. 
 O Heav'n ! deliver'd by whose sov'reign hand, 
 Still on the brink of hell they shudd'ring stand, 
 Receive the languid incense they bestow, 755 
 
 That damp with death appears not yet to glow. 
 To thee each soul the warm oblation pays, 
 With trembling ardor of unequal praise ; 
 In every heart dismay with wonder strives, 
 And Hope the sicken'd spark of life revives , 760 
 
 L3
 
 150 THE SHIPWRECK. 
 
 Preservation of Arion, &c. 
 
 Her magic pow'rs their exil'd health restore, 
 'Till horror and despair are felt no more. 
 
 A troop of Grecians who inhabit nigh, 
 And oft these perils of the deep descry, 
 Rous'd by the blust'ring tempest of the night, 765 
 Anxious had climb'd Colonna's neighb'ring height ; 
 When gazing downward on th' adjacent flood, 
 Full to their view the scene of ruin stood, 
 The surf with mangled bodies strew'd around, 76"9 
 And those yet breathing on the sea-wash'd ground ! 
 Tho' lost to science and the nobler arts, 
 Yet nature's lore inform'd their feeling hearts ; 
 Strait down the vale with hasf ning steps they hied, 
 Th' unhappy sufferers to assist and guide. 774 
 
 Meanwhile those three escap'd beneath explore 
 The first advent' rous youth who reach'd the shore ; 
 Panting, with eyes averted from the day, 
 Prone, helpless, on the tangly beech he lay- 
 It is PA LEMON ; oh ! what tumults roll 
 With hope and terror in AR ION'S soul ! 780
 
 THE SHIPWRECK. 151 
 
 Palemon found. 
 
 If yet unhurt he lives again to view 
 His friend, and this sole remnant of our crew ! 
 With us to travel thro' this foreign zone, 
 And share the future good or ill unknown ! 
 ARION thus ; but ah ! sad doom of Fate ! 785 
 
 That bleeding MEMORY sorrows to relate : 
 While yet afloat, on some resisting rock 
 His ribs were dash'd and fractur'd with the shock : 
 Heart-piercing sight ! those cheeks so late array'd 
 In beauty's bloom, are pale with mortaj shade ! 790 
 Distilling blood his lovely breast o'erspread, 
 And clogg'd the golden tresses of his head ; 
 Nor yet the lungs by this pernicious stroke 
 Were wounded, or the vocal organs broke. 79* 
 Down from his neck, with blazing gems array'd, 
 Thy image, lovely ANNA, hung pourtray'd; 
 Th* unconscious figure smiling all serene, 
 Suspended in a golden chain was seen. 
 Hadst thou, soft maiden ! in this hour of woe, 
 Beheld him wreathing from the deadly blow, 800 
 14
 
 J52 THE SHIPWRECK. 
 
 Wounded by bieakers. 
 
 What fortfe of art, what language could express 
 Thine agony ? thine exquisite distress ? 
 But thou, alas ! art doom'd to weep in vain 
 For him thine eyes shall never see again ! 
 With dumb amazement pale, ARION gaz'd 805 
 And cautiously the wounded youth uprais'd ; 
 PA LEMON then, with cruel pangs opprest, 
 In fault'ring accents thus his friend address'd. 
 " O rescu'd from destruction late so nigh, 
 " Beneath whose fatal influence doom'd I lie; 810 
 " Are we then exil'd to this last retreat 
 " Of life, unhappy ! thus decreed to meet ? 
 " Ah ! how unlike what yester-morn enjoy'd, 
 " Enchanting hopes, for ever now destroy'd ! 
 " For wounded far beyond all healing pow'r, 815 
 " PA LEMON dies, and this his final hour, 
 "" By those fell breakers, where in vain I strove, 
 " At once cut off from fortune, life and love ! 
 " Far other scenes must soon present my sight, 
 " That lie deep-buried yet in tenfold night. 820
 
 THE SHIPWRECK. 153 
 
 His Address to Arion. 
 
 " Ah ! wretched father, of a wretched son, 
 " Whom thy paternal prudence has undone ! 
 " How will remembrance of this blinded care 
 " Bend down thy head with anguish and despair ! 
 " Such dire effects from avarice arise, 825 
 
 " That, deaf to Nature's voice, and vainly wise, 
 " With force severe endeavours to control 
 " The noblest passions that inspire the soul, [nects 
 " But, O THOU SACRED POWER! whose law con- 
 " Th' eternal chain of causes and effects, 830 
 
 ""Let not thy chastening ministers of rage 
 " Afflict with sharp remorse his feeble age ! 
 " And you, ARION ! who with these the last 
 " Of all our crew survive the SHIPWRECK past 
 " Ah ! cease to mourn ! those friendly tears restrain, 
 " Nor give my dying moments keener pain ! 835 
 " Since Heav'n may soon thy wand'ring steps restore, 
 " When parted hence, to England's distant shore ; 
 " Shouldst thou, th' unwilling messenger of Fate, 
 " To him the tragic story first relate, 8 10
 
 154* THE SHIPWRECK. 
 
 Anna's Picture preserved. 
 
 " Oh ! friendship's gen'rous ardor then suppress ! 
 
 " Nor hint the fatal cause of my distress : 
 
 " Nor let each horrid incident sustain 
 
 " The lengthen'd tale to aggravate his pain. 
 
 " Ah ! then remember well my last request, 845 
 
 " For her who reigns for ever in my breast ; 
 
 " Yet let him prove a father and a friend, 
 
 " The helpless maid to succour and defend. 
 
 " Say, I this suit implor'd with parting breath, 
 
 " So Heav'n befriend him at his hour of death ! 
 
 " But oh! to lovely ANNA shouldst thou tell 851 
 
 " What dire untimely end thy friend befel, 
 
 " Draw o'er the dismal scene soft Pity's veil, 
 
 "And lightly touch the lamentable tale : 
 
 " Say that my love, inviolably true, 855 
 
 " No change, no diminution ever knew ; 
 
 " Lo ! her bright image, pendent on my neck, 
 
 " Is all PALEMON rescu'd from the wreck ; 
 
 " Take it, and say, when panting in the wave, 
 
 " I struggled life and this alone to save ! S6o
 
 THE SHIPWRECK. 155 
 
 Pains of Dissolution. 
 
 " My soul, that flutt'ring hastens to be free, 
 " Would yet a train of thoughts impart to thee ; 
 " But strives in vain; the chilling ice of Death 
 " Congeals my blood, and choaks the stream of 
 
 breath : 
 
 " Resign'd, she quits her comfortless abode, 86 j 
 " To course that long, unknown, eternal road. 
 " sacred Source of ever-living light ! 
 " Conduct the weary wand'rer in her flight, 
 " Direct her onward to that peaceful shore, 869 
 " Where peril, pain and death are felt no more ! 
 
 " When thou some tale of hapless love shalt hear, 
 " That steals from Pity's eye the melting tear, 
 " Of two chaste hearts, by mutal passion join'd, 
 " To absence, sorrow and despair consign'd, 
 
 " Oh! then, to swell the tide of social woe, 875 
 
 % 
 " That heal th' afflicted bosom they o'erflow, . 
 
 " WhileMEMORY dictates, this sad SHiPWRECKtell, 
 " And what distress thy wretched friend befel ! 
 " Then, while in streams of soft compassion drown'd, 
 " The swains lament, and maidens weep around ;880
 
 156 THE SHIPWRECK. 
 
 Death of Palemon. 
 
 " While lisping children, touch'd with infant fear, 
 " With wonder gaze and drop th' unconscious tear: 
 " O ! then this moral bid their souls retain, 
 " All thoughts of happiness on earth are vain*." 
 
 The last faint accents trembled on his tongue, 
 That now inactive to the palate clung; 886 
 
 His bosom heaves a mortal groan he dies ! 
 And shades eternal sink upon his eyes ! 
 
 As thus defac'd in death PALEMON lay, 
 ARION gaz'd upon the lifeless clay, 80.0 
 
 Transfix'd he stood, with awful terror fill'd, 
 While down his cheek the silent drops distill'd. 
 
 " O ill-starr'd votary, of unspotted truth ! 
 " Untimely perish'd in the bloom of youth : 894 
 " Should e'er thy friend arrive on Albion's land, 
 " He will obey, tho' painful, thy demand : 
 
 sed scilicet ultima semper 
 
 Expectanda dies homini ; dicique beatus 
 Ante abitum nemo supremaque funera debet. 
 
 OVID. Metam. lib. iii.
 
 THE SHIPWRECK. 157 
 
 Kindness of the Grecians. 
 
 " His tongue the dreadful story shall display, 
 
 " And all the horrors of this dismal day ! 
 
 " Disastrous day! what ruin hast thou bred! 
 
 " What anguish to the living and the dead ! 900 
 
 " How hast thou left the widow all-forlorn 
 
 " And ever doom'd the orphan child to mourn ; 
 
 " Thro' life's sad journey hopeless to complain, 
 
 " Can sacred Justice these events ordain? 
 
 " But, O my soul ! avoid that wondrous maze 905 
 
 " Where Reason, lost in endless error, strays ! 
 
 " As thro' this thorny vale of life we run, 
 
 " Great CAUSE of all effects, Thy will be done!" 
 
 Now had the Grecians on the beach arriv'd, 
 To aid the helpless few who yet surviv'd : 910 
 
 While passing they behold the waves o'erspread 
 With shattered rafts and corses of the dead, 
 Three still alive, benumb'd and faint they find, 
 In mournful silence on a rock reclin'd.
 
 158 THE SHIPWRECK. 
 
 Conclusion. 
 
 The gen'rous natives, moved with social pain, 915 
 The feeble strangers in their arms sustain ; 
 With pitying sighs their hapless lot deplore. 
 And lead them trembling from the fatal shore.
 
 OCCASIONAL ELEGY.
 
 
 
 

 
 OCCASIONAL ELEGY. 
 
 J. HE scene of death is clos'd, the mournful strains 
 
 Dissolve in dying languor on the ear ; 
 Yet PITY weeps, yet SYMPATHY complains, 
 
 And dumb SUSPENSE awaits o'erwhelm'd with fear. 
 
 But the sad Muses with prophetic eye 
 At once the future and the past explore, 
 
 Their harps OBLIVION'S influence can defy, 
 And waft the spirit to th' eternal shore. 
 
 Then, O PALEMON ! if thy shade can hear 
 
 The voice of FRIENDSHIP still lament thy doom; 
 
 Yet to the sad oblations bend thine ear, 
 That rise in vocal incense o'er thy tomb.
 
 162 THE SHIPWRECK. 
 
 OCCASIONAL ELEGY. 
 
 In vain, alas ! the gentle Maid shall weep, 
 While secret anguish nips her vital bloom ; 
 
 O'er her soft frame shall stern diseases creep, 
 And give the lovely victim to the tomb. 
 
 Relentless PHRENZY shall the Father sting, 
 Untaught in VIRTUE'S school distress to bear ; 
 
 Severe REMORSE histortur'd soul shall wring, 
 "Tis his to groan and perish in despair. 
 
 Ye lost companions of distress, adieu ! 
 
 Your toils and pains and dangers are no more ! 
 The tempest now shall howl unheard by you, 
 
 While ocean smites in vain the trembling shore. 
 
 On you the blast, surchargM with rain and snow, 
 In winter's dismal nights no more shall beat : 
 
 Unfelt by you the vertic sun may glow, 
 
 And scorch the panting earth with baneful heat.
 
 THE SHIPWRECK. 
 
 OCCASIONAL ELEGY. 
 
 No more the joyful Maid, the sprightly strain 
 
 Shall wake, the dance to give you welcome home ; 
 
 Nor hopeless LOVE impart undying pain, 
 When far from scenes of social joy you roam. 
 
 No more on yon wide wat'ry waste you stray, 
 While hunger and disease your life consume, 
 
 While parching thirst, that burns without allay, 
 Forbids the blasted rose of health to bloom. 
 
 No more you feel CONTAGION'S mortal breath 
 That taints the realms with misery severe : 
 
 No more behold pale FAMINE, scattering death, 
 While cruel ravage desolate the year. 
 
 The thund'ring drum, the trumpet's swelling strain, 
 Unheard shall form the long embattled line : 
 
 Unheard, the deep foundations of the main 
 Shall tremble when the hostile squadrons join. 
 
 M2
 
 l6"4 THE SHIPWRECK. 
 
 OCCASIONAL ELEGY. 
 
 Since grief, fatigue and hazards still molest 
 The wand'ring vassals of the faithless deep, 
 
 O ! happier now escap'd to endless rest, 
 
 Than we who still survive to wake and weep. 
 
 What tho' no funeral pomp, no borrow' d tear, 
 Your hour of death to gazing crouds shall tell ; 
 
 Nor weeping friends attend your sable bier, 
 Who sadly listen to the passing bell. 
 
 The tutor'd sigh, the vain parade of woe, 
 . No real anguish to the soul impart ; 
 And oft, alas ! the tear that friends bestow, 
 Belies the latent feelings of the heart. 
 
 What tho' no sculptur'd pile your name displays, 
 Like those who perish in their country's cause ; 
 
 What tho' no epic Muse in living lays 
 
 Records your dreadful daring with applause:
 
 THE SHIPWRECK. l65 
 
 OCCASIONAL ELEGY. 
 
 Full oft the flatt'ring marble bids renown, 
 
 With blazon'd trophies deck the spotted name ; 
 
 And oft, too oft, the venal Muses crown 
 The slaves of vice with never-dying fame. 
 
 Yet shall REMEMBRANCE from OBLIVION'S veil 
 Relieve your scene, and sigh with grief sincere, 
 
 And soft COMPASSION at your tragic tale 
 In silent tribute pay her kindred tear. .
 
 STERNE's JOURNEY 
 THROUGH FRANCE AND ITALY, 
 
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 A SENTIMENTAL JOURNEY 
 
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 POINTER, and the GREYHOUND BITCH, and her YOUNG, N->. I. 
 price 5s. (continued Monthly, of a new and splendid Work) entitled 
 
 THE SPORTSMAN'S CABINET; 
 
 OH, A CORRECT DELINEATION OF 
 
 The various Dogs used in the Sports of the Field, 
 Including the CANINE RACE in general; 
 
 Consisting of a Series of rich and masterly.ENGRAVlNGS of every 
 distinct breed, fi om original paintings taken from life, purposely for the 
 work, by P. RE1NAGLE, Esq. R. A. and engraved in the line manner 
 by Mr. JOHN SCOTT, (by whom the plates to Mr. Daniel's Rural Sports 
 were executed ) Interspersed with beautiful Vignettes, engraved on 
 Wood, by Mr. BEWICK, of Newcastle, forming a collection of superb 
 Sporting Subjects worthy ;he attention of amateurs of Field Sports, and 
 admirers of the Arts in general. 
 
 This work is illustrated by a comprehensive, historical, and systematic 
 descrip:ion of the different Species, their qualifications, peculiar proper- 
 ties, and predominant [ -,-v, Densities ; the various pursuits and agreeable 
 sports to which they individually become appropriate, and the means by 
 which the; are respectively trained. Occasionally interspersed with au- 
 thenticated Anecdotes of the Sagacity, Memory, Fidelity, Affection, Cou- 
 rage, Perseverance, and every otner distinguished feature appertaining 
 to each particular kind. Including such remarks upon Greyhounds, 
 Hunters, Pointers, Spaniels, and all DOGS engaged in the Sports of the 
 Field, as will necessarily comprehend a collateral view of Hunting, 
 
 The Literary Department is executed by a Veteran Sportsman, whose 
 chief object is to make it the most complete book of reference on the 
 subject ever published. 
 
 The public are respectfully informed that the above work is presented 
 under the immediate direction of several distinguished characters of die 
 Sporting World, and patronizers of the Tine Arts, and that gentlemen 
 of the first abilities, in the respective departments are retained in the 
 prosecution of it; to be comprised in about Twenty-four Numbers ; each 
 of which will contain Three Sheets of elegant Letter-press, enriched by 
 Engravings on copper and wood, with appropriate scenery ; and neatly 
 done up in turf-green patent paper; forming, in the whole, Two hand- 
 some Volumes in Quarto. 
 
 N-iblcmen and gentlrmen desirous of possessing early Impressions of 
 the Engravings, are requested to forward their orders to the publisher, 
 or to their respective Booksellers, by whom the work will be punctually 
 /lelivered in the order subscribed for, and where "Prospectuses may be 
 had gratis. Printed anil published, for the Proprietors, by J. CUNDEE. 
 Ivy Lane, Paternoster row, London. 
 
 J. CUNDEE, PRINTER, 
 Ivy Lane.
 
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