V \ -, , **' *< \ THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES &tlttt JJV PROSE AND FERSE, FROM VARIOUS AUTHORS, AS RECITED BY WILLIAM SIMM, elocutionist. IN FOUR PARTS. HUDDERSFIELD: PRINTED AT THE OFFICE OF T. KEMP. 1821. ADVERTISEMENT. W. SIMM cannot but feel himself highly gratified by the increasing approbation and growing attendance with which the following course of readings and recitals have bceu ho- noured. They have been sanctioned by the warmest and roost general approbation of audiences, consisting of Ladies and Gentlemen of the first respectability in Manchester, Chester, Birmingham, Nottingham, Leicester, Hull, Leeds, &c. &c. The Lecturer returns grateful acknowledgments to the Tutors (many of whom are principals in some of the first Seminaries in England,) for the liberal encouragement be- stowed on his humble endeavours to enlighten and enter- tain the youthful mind, and engage to science and virtue, To form the youthful mind to a correct and elegant taste, to enable them to understand and relish the beauties of fine writing, the eloquence of Demosthenes and Cicero, the sublimity of Homer, the superior majesty of Milton, the solemnity of Young, the tender pathos of Cowper, and the wit of Stevens; to present the same instructive enjoy- ments from the labours of the best Statesmen, Divines, Politicians, and Poets in the British Empire. Not only to furnish them to enjoy recitals, but to strike a spark of light and life in the mind of the amiable and active youth ; whereby they may be inured to read with propriety of thought and feeling, to their own ad- vantage, and to the noble enjoyment of their dear and venerable parents and friends. Huddtrsfifld, August, 1821. 919398 's ^elections. THE PERFECT SPEAKER; OR, COMPLETE ORATOR. IMAGINE to yourselves, a Demosthenes, addressing the most illustrious assembly in the world, upon a point, whereon the fate of the roost illustrious of nations depended. How awful such a meeting! How vast the subject! Is man possessed of talents adequate to the present occasion ? Adequate yes, superior. By the power of his eloquence, the au- gustness of the assembly is lost in the dignity of the orator; and the importance of the subject, for a while, superseded, by the admiration of his talents. With what strength of argument, with what powers of the fancy, with what emotions of the heart, does he assault and subjugate the whole man, and, at once, captivate his reason, his imagination, and his passions! To effect this must be the utmost effort of the most improved state of human nature. Not a faculty that he possesses, but is here exerted to its A highest pitch. All his internal powers are at work; all his external testify their energies. Within, the memory, the fancy, the judgment, the passions, are all busy: without, every muscle, every nerve, is exerted; not a feature, not a limb, but speaks. The organs of the body, attuned to the exertions of the mind, through the kindred organs of the hearers, instantaneously, and, as it were, with an electrical spirit, vibrate those energies from soul to soul. Notwithstanding the diversity of minds in such a multitude, by the lightning of eloquence they are inched into one mass; the whole assembly, actuated in one and the same way, become, as it were, but one man, and have but one voice. The universal cry is Let us march against Philip Let us for our liberties Let us conquer, or die ! DR. DODD'S SPEECH, DELIVERED IN COURT, PREVIOUS TO HIS SENTENCE. MY LOUD, I now stand before you a dreadful example of human infirmity. J entered upon public life with the expectations common to young men, whose educa- tion has been liberal, and whose abilities have been- flattered ; and when I became a clergyman, considered myself as not impairing the dignity of the order. 1 was not idle, nor, 1 .hope, aii useless minister. 1 taught the truths of Christianity with the zeal of conviction, and the authority of innocence. My labours were approved, my pulpil became popular; and I have reason to believe, that of those who heard me, some have been preserved from sin, and some have been reclaimed. Condescend, my lord, to think, if these considerations aggravate my crime, liuw much they must embitter my punishment! Being distinguished and elated by the confidence of mankind, I had too much confidence in myself; awl thinking my integrity what others thought it, established in sincerity, and fortified by religion, I did not consider the danger of vanity, nor suspect the deceitfulness of my own heart. The day of con- flict came, in temptation surprised and overwhelmed me. I committed the crinfe, which I entreat your lordship to believe, that my conscience hourly repre- sents to me in its full hulk of mischief and malignity. Many have been overpowered by temptation, who are now among the penitent in heaven. To an act now waiting the decision of vindica- tive justice, I will presume to oppose the counter- balance of almost thirty years (a great part of the life of man) passed in exciting and exercising char- ity; in relieving such distresses as I now feel, in administering those consolations which I now want. I will not otherwise extenuate my offence, than by declaring, what many circumstances make probable, that I did not intend to be finally fraudulent. Nor will it become me to apportion my punishment, by alleging that my sufferings have not been much less than my guilt. I have fallen from reputation, which ought to have made me cautious; and from a fortune which ought t have given me content. I am sunk at once into poverty and scorn ; my name and my crime fill the ballads in the streets, the sport of the thoughtless, and the triumph of the wicked. It may seem strange that, remembering what I have lately been, I should still wish to continue what I am. But contempt of death, how speciously soever it might mingle with Heathen virtues, has nothing suit- able to Christian penitence. Many motives impel me to beg earnestly for life. I feel a natural horror of a violent death, and the universal dread of untimely dissolution. I am desirous of recompensing the in- jury I have done to the clergy, to the world, and to religion, and to efface the scandal of my crime by the example of my repentance. But, above all, I wish to die with thoughts more composed, and calmer preparation. The gloom of a prison, the anxiety of a trial, and the inevitable vicissitudes of passion, leavt be mind little disposed to the holy exercises of prayer and self-examination. Let not a little time be denied me, in which I may, by meditation and contrition, be prepared to stand at the tribunal of Omnipotence, and support the presence of that Judge who shall distribute to all according to their works, who will receive to pardon the repenting sinner, and from whom the merciful shall obtain mercy. For these reasons, amidst shame and misery, I yet wish to live, and most humbly entreat, that I may be recommended by your lordship to the cle- mency of his majesty. THE NEWCASTLE APOTHECARY. A MAN, in many a country town, we know, Professes openly with death to wrestle; Ent'riug the field against the grimly foe, Arm'd with a mortar and a pestle. Yet some affirm, no enemies they are; But meet just like prize-fighters in a fair, Who first shake hands before they box, Then give each other plaguy knocks, With all the love and kindness of a brother: So (many a suffering patient saith) Tho' the apothecary fights with death, Still they're sworn friends to one another. G A member of this .Ssculapian line, Lived at Newcastle-upon-Tyne: No man could better gild a pill; Or make a bill ; Or mis axlraught, or bleed, or blister; Or draw a tooth out of your head; Or chatter scandal by your bed; Or give a clyster. Of occupations these were quantum suff. Yet, still, he thought the list not long'eijough; And therefore midwifery he chose to pin to't. This balanced things: for if he hurl'd A few score mortals from the world, He made amends by bringing others into't. His fame full six miles round the country ran; In short, in reputation he was solus; All the old women called him "a fine man!" His name was Bolus. Benjamin Bolus, tho' in trade, (Which oftentimes will genius fetter) Read works of fancy, it is said, And cultivated the belles lettres. And why should this be thought so odd? Can't men have taste who cure a phthysic ? Of poetry the patron-god, Apollo patronises physic. Bolus loved verse ; and took so much delight in't, That his prescriptions he resolv'd to write iu't. No opportunity he e'er let pass Of writing the directions on his labels, In dapper couplets, like Gay's fables; Or, rather, like the lines in Hudibras. Apothecary's verse! and where's the treason? 'Tis si,mply honest dealing : not a crime; When patients swallow physic without reason, It is but fair to give a. little rhyme. He had a patient lying at death's door, .S.mc three miles from the town it might he four; To whom, one evening, Bolus sent an article In pharmacy, that's called cathartical; And, on the label of the stuff, He wrote this verse, Which one would think, was clear enough And terse: " When taken " To be well shaken." Next morning, early, Bolus rose; And to the patient's house he goes; Upon his pad, 8 Who a vile trick of stumbling ha;I : It was, indeed, a very sorry hack; But that's of course : For what's expected from a horse With an apothecary on his back ? Bolus arriv'd, and gave a doubtful tap ; Between a single and a double rap. Knocks of this kind Are given by gentlemen who teach to dance ; By fiddlers, and by opera-singers; One loud, and then a little one behind ; As if the knocker fell by chance, Out of their fingers. The servant lets him in, with dismal face, Long as a courtier's out of place Portending some disaster; John's countenance as rueful look'd and grim. As if the apothecary had physick'd him, And not his master. " Well, how's the patient ?" Bolus said John shook his head, Indeed ! hum ! ha! that's very odd ! '* He took the draught ?" John gave a nod, " Well, how ? what then ? speak out you dunce !" " Why then," says John " we shook him once." 9 " Shook him ! how ?' Bolus stammer'd out : "We jolted him about." " Zounds! shake a patient, man! a shake won't do;" " No, Sir and so we gave him two;" Two shakes ! od's curse ! " !T\toiild make the patient worse." " It did so, Sir ! and so a third we tried." " Well, and whatthen?'* "then, Sir, my masterdicd." FARE THEE WELL! FAKE thee well ! and if for ever Still for ever, fare thee well Ever though unforgiving, never 'Gainst thee shall my heart rebel. Would that breast were bar'd before thee Where thy head so oft hath lain, While that placid sleep came o'er thee Which thou ne'er can'st know again; Would that breast by thee glano'd over, Every inmost thought could shew ! Then thou would'stat last discover *Twas not well to spurn it so Though the world for this commend thee Though it smile upon the blow, Even its praises must offend thee, Founded on another's woe B 10 Though my many faults defaced me ; Could no other arm be found Than the one which once embraced me To inflict a cureless wound ? Yet oh, yet thyself deceive not Love may sink by slow decay, But by sudden wrench, believe not, Hearts can thus be torn away j Still thine own its life retaineth Still must mine though bleeding beat, And the undying thought which paiueth Is that we no more may meet. These are words of deeper sorrow Than the wail above the dead : Both shall live but every morrow Wake us from a widowed bed. And when thou would'st solace gather When our child's first accents flow Wilt thou teach her to say, " Father !" Though his care she must forego? When her little hands shall press thee When her lip to thine is prest Think of him whose prayer shall bless thee- Thiuk of him thy love had bless'd. Should her lineaments resemble Those thou never more raay'st see Then thy heart will softly tremble With a pulse yet Irue to me. 11 All ray faults perchance tliou knowcst All my madness uone can know; All my hopes where'er thou goest Wither yet with thee to go Every feeling hath been shaken, Pride which not a world could bow Bows to thee by thee forsaken Even my soul forsakes me now: But 'tis done all words are idle Words from me are vainer still ; But the thoughts we cannot bridle Force their way without the will. Fare thee well! thou disunited Torn from every nearer tie Scared in heart - and lone and blighted More than this 1 scarce can die. LADY BYRON'S ANSWER TO HER LORD'S FAREWELL. POWERLESS are thy magic numbers. To revive affection's flame In a bosom where it slumbers Shrouded; now with duty's name. Sacred there 'twill rest for ever; Death alone its gleams remove; 12 Still it lives, hit never, never, Can it more awake to love. Did neglect's cold aspects chill it? Did unkindness quench its ray ? Did thy wayward passions quell it? Harold let thy bosom say. Yes, that breast has been my pillow Yet the treacherous wound it gave, As the smooth deceitful billow Wrecks the bark that trusts the wave. Envy's dire forebodings slighting, Deaf alike to friendship's voice, Pride elating hope delighting, I alone was Harold's choice. Sad distinction ! dear bought glory Was that heart's unstable prize Now the theme of gossip's story Thine's exposed to vulgar eyes. Yet 'twas not the fond illusion Fame's bright halo o'er thee spread Other dreams of dear delusion Faith and young affection led ! Not a suppliant world around me Could have lured thte from my side, 13 No the tender bands that bound me Hands but thine could ne'er divide. But 'tis done ; the arm that held me, Late the cherish'd gift of heaven, Now unclasps no more to shield me, And but no ! thou art forgiven. Never can the heart forget thee Which has felt a love like mine, Nor our smiling infant let me While she bears those eyes of thine. Oh farewell farewell for ever ! Once in happier hour we met : Now wilh blasted hopes we sever, Soon our sun of joy is set Who has felt the desolation Of the earthquake's dreadful reign, And would choose the same foundation For his peaceful bower again ? EULOGIUM ON SCOTLAND. Bar Eloquence. SCOTLAND! a nation cast in the happy medium between the spiritless acquiescence of submissive 14 poverty, and the sturdy credulity of pampered wealth and ease; ardent, and adventurous, and persevering, winging her eagle flight against the blaze of every science with an eye that never winks, and a wing that never tires. DESCRIPTION OF A COUNTRY EXPOSED TO THE INSULTS OF CRUEL SOLDIERY. IF, for instance, you wished to convey to the mind of au English matron the horrors of that direful pe- riod, when, in defiance of the remonstrance of the ever to be lamented Abercrombie, our poor people were surrendered to the licentious brutality of the soldiery, by the authority of the state, you would vainly endeavour to giv-e her a general picture of lust, and rapine, and murder, and conflagration. Instead of exhibiting the picture of an entire province, select a single object, and even in that single object, do not release the imagination of our hearer from its task, by giving more than an outline. Take a cottage; place the affrighted mother of her orphan daughters at the door, the paleness of death upon her face, and more than its agonies in her heart, her aching eye, her anxious ear, struggle through the mists of closing day to catch the approaches of desolation and disho- 15 nonr. The ruffian gang arrives; the feast of plunder begins; the cup of madness kindles in its circulation. The wandering glances of the ravisher become con- centrated upon the shrinking and devoted victim. You need not dilate; you need not expatiate: the unpolluted mother, to whom you tell the story of horror, beseeches you not to proceed; she presses her child to her heart; she drowns it in her tears; her fancy ditches more than angels' tongues could describe; at a single view she takes in the whole mi- serable succession offeree, of profanation, of despair, of death. So it is in the question before us. If any man shall hear of this day's transaction, he cannot be .so foolish as to suppose that we have been confined to a single character, like those now brought before you. DESCRIPTION OF AN INFORMER. BUT the learned gentleman is further pleased to say, that the traverse has charged the government with the encouragement of informers. This, gentlemen, is another small fact that you are to deny, at the hazard of your souls, and upon the solemnity of your oaths. You are upon your oaths to say to the sister country, that the government of Ireland uses no such 16 abominable instruments of destruction as informers. Let me ask you honestly what do you feel, when in my hearing, when in the face of this audience, you are called upon to give a verdict that every man of us, and every man of you, know, by the testimony of your own eyes, to be utterly and absolutely false? I speak not now of the public proclamation of inform- ers, with a promise of secrecy, and of extravagant reward; I speak not of the fate of those horrid wretches who have been so often transferred from the table to the dock, and from the dock to the pillory ; I speak of what your own eyes have seen, day after day, during the course of this commission, from the box where you are now sitting; the number of horrid miscreants, who avowed upon their oaths that they had come from the very seat of government from the castle where they had been worked upon by the fear of death, and the hopes of compensation, to give evidence against tfteir fellows; that the mild and wholesome councils of government are holden over these catacombs of living death, where the wretch that is buried a man, lies till his heart has time to fester and dissolve, and is then dug up a witness! Is this fancy, or is it a fact? Have you not seen him, after his resurrection from that tomb, after hav- ing been dug out of the region ol death and corrup- tion, make his appearance upon the table, the living 17 image of life and death, and the supreme arbiter of both? Have you not marked when he entered, how the stormy wave of the multitude retired at his ap- proach ? Have you not marked how the human heart bowed to the supremacy of his power in the undissembled homage of deferential horror? How 1m glance, like the lightning of heaven, seemed to rive the body of the accused, and mark it for the grave, while his voice warned the devoted wretch of woe and death; a death which no innocence can es- cape, no art elude, no force resist, no antidote pre- vent: there was an antidote a juror's oath but even that adamantine chain, that bound the integrity of man to the throne of eternal justice, is solved and melted in the breath that issues from the informer's mouth; conscience swings from her moorings, and the appalcd and affrighted juror consults his own safety in the surrender of the victim. ORIGIN OF ELOQUENCE. ELOQUENCE is the art of persuasion. Its most essential requisites are, solid argument, clear method, and an appearance of sincerity in the speaker, with such graces of style and utterance,, as shall invite and command attention. Good sense must be its C 18 foundation. Without this, no man can be truly elo- quent ; since fools can persuade none but fools. Before we can persuade a man of sense, we must convince him. Convincing and persuading, though sometimes confounded, are of very different import. Conviction affects the understanding only; persua- sion, the will and the practice. It is the business of the philosopher to convince us of the truth: it is that of the orator to persuade us to act conformably to it, by engaging our affections in its favour. Conviction is, however, one avenue to the heart ; and it is that which an orator must first attempt to gain; for no persuasion can be stable, which is not founded on conviction. But the orator must not be satisfied with convincing; he must address himself to the passions; he must paint to the fancy, and touch the heart; and hence, beside solid argument and clear method, all the captivating and interesting arts, both of composition and pronunciation, enter into the idea of eloquence. Eloquence may be considered as consisting of three kinds, or degrees. The first and most inferior, is that which endeavours only to please the hearers. Such, in general, is the eloquence of panegyrics, inaugural or funeral orations, addresses to great men, and other harangues of this kind. This ornamental art of composition may innocently amuse and enter- 19 tain the mind ; and may be connected, at the same time, with very useful sentiments. But it must be acknowledged, that where the speaker intends only to shine and to please, there is no small danger of art being strained into ostentation, and of the com- position becoming tiresome and insipid. A second and superior degree of eloquence is, when the speaker proposes, not merely to please, but likewise to inform, to instruct, to convince; when he is employed in removing prejudices against him- self and his cause; in selecting the most proper ar- guments, stating them with the greatest force, dis- posing of them in the best order, expressing and delivering them with propriety and beauty ; and thereby preparing us to pass that judgment, or favour that side of the cause to which he desires to bring us. Within this degree, chiefly, is employed the elo- quence of the bar. Yet there remains a third, and still higher de- gree of eloquence, by which we are not only con- vinced, but are interested, agitated, and carried along with the speaker; our passions arise with his; we share all his emotions; we love, we hale, we re- sent, as he inspires us; and are prepared to resolve, or to act, with vigour and warmth. Debate, in po- pular assemblies, opens the most extensive field for the exercise of this species of eloquence ; and the pulpit likewise admits it. 20 It is necessary to remark, that this high species of eloquence is always the offspring of passion. By passion, we mean that state of the mind in which it is agitated and fired by some object it has in view. Hence the universally acknowledged power of en- thusiasm in public speakers affecting their audience. Hence all studied declamation, and laboured orna- ments of style, which show the mind to be cool and unmoved, are incompatible with persuasive eloquence. Hence every kind of affectation in gesture and pro- nunciation, diminish so much the merits of the speaker. Hence, in fine, the necessity of being, and of being believed to be, disinterested and in earnest, in order to persuade. In tracing- the origin of eloquence, it is not ne- cessary to go far back into the early ages of the world, or to search for it among the monuments of Eastern or Egyptian antiquity. In those ages, it is true, there was a certain kind of eloquence; but it was more nearly allied to poetry than to what we proper- ly call oratory. Whilst the intercourse among men was unfrequent, and force and strength were tilt- principal means employed in deciding controversies, the arts of oratory, and persuasion, of reasoning and debate, could be little known. The first empires that arose, the Assyrian, and Egyptian, were of the despotic kind. A single person, or at most a few, 21 held the reins of government. The multitude were accustomed to a blind obedience; they were driven, not persuaded ; and consequently, none of those re- finements of society which make speaking an object of importance, were as yet introduced. It is not till the origin of the Greek Republic, that we perceive any remarkable appearance of eloquence as the art of persuasion ; and these opened to it such a field as it ne- ver had before, and perhaps, has never again, since that time, experienced. Greece was divided into a num- ber of little states. These were governed, at first, by kings, who were not unmeaningly termed tyrants, and who being successively, by the wisdom of the people, expelled from their dominions, were succeed- ed by a multitude of democratical governments found- ed nearly upon the same plan, animated by the same glorious spirit of freedom, mutually jealous, and ri- vals of each other. Among these, Athens shone forth with a superior lustre. In this state, arts of every kind, but especially eloquence were brought to the highest perfection. We shall pass over the orators who flourished in the early period of this republic, and take a view of the great Demosthenes, by whom elo- quence was brought to the highest and most unrivalled splendour. Not formed by nature either to please or to persuade, he struggled with and surmounted, the most formidable impediments. He shut himself up 22 in a cave, that he might study with less distraction. He declaimed by the sea shore that he might be used to the noise of a tumultuous assembly, and with pebbles in his mouth, that he might correct a defect in his speech. He practised at home with a naked sword hanging over his shoulder, that he might check an ungraceful motion to which he was subject. Hence the example of this great man affords the highest encouragement to every student of eloquence, since it shows how far art and application could avail, for acquiring an excellence which nature appeared to have denied. No orator had ever a finer field than Demosthe- nes, in his Olynthiacs and Philippics, which are his capital orations; and undoubtedly, to the greatness of the subject, and to that integrity and public spirit which breathe in them, they owe a large portion of their merit. The subject is, to excite the indignation of his countrymen against Philip of Macedon, the public enemy of the liberties of Greece; and to guard them against the treacherous measures, by which that crafty tyrant endeavoured to lull them into a neglect of their danger. To attain this end, we see him use every proper means to animate a people distinguished by justice, humanity, and valour; but in many in- stances become corrupt and degenerate. He boldly accuses them of venality, indolence, and indifference 23 to the public good; while, at the same time, he re- minds them of their former glory, and of their pre- sent resources. His contemporary orators, who were bribed by Philip, and who persuaded the people to peace, he openly reproaches as enemies to their country. He not only prompts to vigorous measures, but teaches how they are to be carried into execu- tion. His orations are strongly animated and full of the impetuosity and ardour of public spirit. His composition is not distinguished by ornament and splendour. It is an energy of thought, peculiarly his own, which forms his character, and raises hitn above his species. He seems not to attend to words, but to things. We forget the orator, and think of the subject. He has no parade and ostentation; no studied introductions; but is like a man full of his subject, who, after preparing his audience by a sen- tence or two, for the reception of plain truths, enters directly on business. The style of Demosthenes is strong and concise; though sometimes, it must be confessed, harsh and abrupt. His words are highly expressive, and his arrangement firm and manly. Negligent of lesser graces, he seems to have aimed at that sublime which lies in sentiment. His action and pronuncia tion arc said to have been uncommonly vehement; and which, from the manner of his writings, we 24 should readily believe. His character appears to have been of the austere, rather than of the gentle kind. Htr is always grave, serious, passionate, never degrading himself, nor attempting any thing like pleasantry. If his admirable eloquence be in any respect faulty, it is that he sometimes borders on the hard and dry. He may be thought to want smooth- ness and grace; which is attributed to his imitating too closely the manner of Thucydides, who was his great model for style, and whose history he is said to have tranrcribed eight times with his own hand. But these defects are more than atoned for, by the masterly force of masculine eloquence, which, as it overpowered all who heard it, cannot, in the present day, be read without emotion. ROMAN ELOQUENCE. HAVING treated of the state of eloquence among the Greeks, we now proceed to consider its progress among the Romans; where we shall find one model, at least, of eloquence, in its most splendid and cul- tivated form. The Romans derived their eloquence, poetry, and learning from the Greeks, and were, con- sequently, far inferior to them in genius for all these accomplishments. They had neither the vivacity 25 nor sensibility 5 their passins were not so easily moved, nor their conceptions so vigorous; in com- parison of them they were a phlegmati* people. Their language hore resemblance to their character ; it was regular, firm, and stately; but wanted that expressive simplicity, that flexibility to suit every species of composition, for which the Greek tongue is peculiarly distinguished. And hence, by compa- rison, we shall always find, that in the Greek pro- ductions there is more native genius ; in the Roman more regularity and act. Since the Roman government, during the re- public was of the popular kind, public speaking no doubt, became early the means of acquiring power, honour, and distinction But in the rude, unpolished times of the state, their speaking could hardly de- serve the name of eloqueace. It was not till a short time preceding the age of Cicero, that the Roman orators rose into any reputation. Crassus and Autumns seem to have been the most eminent: but as none of their productions are extant, nor any of Horlensius's, who was Cicero's rival at the bar, it is not necessary to transcrite what Cicero has said of them, and of the character of their eloquence. The object most worthy of our attention is Cicero himself, whose name alone suggests to us whatever is splendid in oratory. With his life and character, D 26 in other respects, we are not at present concerned. We shall view him only as an eloquent speaker, and en- deavour to remark both his virtues and defects. His virtues are, beyond doubt, superlatively great. la all his orations his art is conspicuous. He begins, commonly, with a regular exordium, and with much address preposesses the hearers, and studies to gain their affections. His method is clear, and his argu- ments are arranged with exact propriety. In a su- perior clearness of method he has an advantage over Demosthenes. Every thing appears in its proper placej he never tries to move till he has attempted to convince; and in moving, particularly the softer passions, he is highly successful. No one ever knew the force of words more than Cicero. He rolls them along with the greatest beauty and magnifi- cence j and, in the structure of his sentences, is emi- nently curious and exact. He is always full and flowing; never abrupt. He amplifies every thing; yet though his manner is generally diffuse, it is often happily varied, and accommodated to the subject. When an important public object rouses his mind, and demands indignation and force, he departs con- siderably from that loose and declamatory manner to which he at other times is addicted, and becomes very forcible and vehement. This great orator, however, is not without his 27 defects. In most of his orations there is too much art, even carried to a degree of ostentation. He seems often desirous of obtaining admiration, rather than of operating conviction. He is sometimes, therefore, showy rather than solid; and diffuse where he ought to have been urgent. His sentences are always round and sonorous ; they cannot be accused of monotony, since they possess variety of cadence; hul from too great fondness for magnificence, lie is on some occasions deficient in strength. Though the services which he had performed to his country were very considerable, yet he is too much his own panegyrist. Ancient manners, which imposed fewer restraints on the side of decorum, may in some de- gree excuse, but cannot entirely justify, his vanity. Whether Demosthenes or Cicero be the most perfect orator, is a question on which critics are by no means agreed. Fenelon, the celebrated Arch- bishop of Cambray, and author of Telemachus, seems, in our opinion, to have stated their merits with great justice and perspicuity. His judgment is given in his Reflections on Rhetoric and I'oetry. We shall translate the passage, though not, it is to be feared, without losing much of the spirit of the original. " I do not hesitate to declare," says he, " that 1 think Demosthenes superior to Cicero. I am persuaded no one can admire Cicero more than I do. 28 lie adorns whatever he attempts. He does lionoui' to language. He disposes of words in B. manner pe- culiar to himself. His style has great variety of character. Whenever he pleases he is even concise and vehement; for instance, agarnst Catiline, against Verres, against Anthony. Bui ornament is some- what visible in hts writings. His art is wonderful, but it is perceived. When the orator is providing for the safety of the republic, he forgets not himself, nor permits others to forget him, Demosthenes seems to escape from himself, and to see nothing but his country. He seeks not elegance of expression; he produces it unthinkingly. He is superior to admira- tion. He makes use of language, as a modest man loes of dress, only to cover him. He thunders, he lightens. He is a torrent which carries every thing before it. We cannot criticise, because we are not ourselves. His subject enchahis our attention, and makes us forget his language. We lose siht of him : Philip alone occupies OUT minds. I am de- lighted with both these orators; but I confess I arm less affected by the infinite art and magnificent elo- quence of 'Cicero, than by the rapid simplicity of Demosthenes." The empire of eloquence, among the Romans, was exceedingly short. It expired with Cicero. Nor can we wonder at this being the case, since liberty 29 vas no more; and since the government of Rom, \vu-s delivered ovi-r to a siicoe&simii ff the most execra- ble tyrants that ever disgraced and scourged tl* human race. CONDUCT OF A DISCOURSE IN ALL ITS PARTS. INTRODUCTION, DIVISION, NARRATION, AND EXPLICATION. HAVING already considered what is peculiar to three great fields of public speaking; popular assemblies, the bar, and the pulpit; we shall now treat of what is common to them all, and explain the conduct of a discourse, or oration, in general. The parts which compose a regular formal ora- tion, aresrx; the exordium or introduction; the state and the division of the subject; narration or explica- tion; the reasoning or arguments; the pathetic part ; the conclusion. It is not necessary that these should enter into every public discourse, or should always be admitted in the order which we have mentioned. There are many excellent discourses in which some of these parts ar altogether omitted. But as they are the nirtiiral and constituent parts of a regular ora- 30 lion, and as, in every discourse, some of them must occur, it is agreeable to our present purpose, to ex- amine each of them distinctly. The design of the introduction is to conciliate the good opinion of the hearers, to excite their attention; and to render them open to persuasion. When a speaker is previously secure of the good will, the at- tention, and the docility of his audience, a formal introduction may, without any impropriety, be omit- ted. Respect for his hearers will, in that case, only require a short exordium, to prepare them for the other parts of his discourse. The introduction, where it is necessary, is that part of a discourse which requires no inferior care. It is always important, to begin well; to make a fa- vourable impression at first setting out, when the minds of the he*arers, as yet vacant and free, are more easily prejudiced in favour of the speaker. We must add also, that a good introduction is frequent- ly found to be extremely difficult. Few parts of a discourse give more trouble to the composer, or re- quire more delicacy in the execution. An introduction should be easy and natural. It should always be suggested by the subject. The writer should not plan it till after he has meditated in his own mind the substance of his discourse. By taking an opposite course, and composing in the first place an introduction, the writer will often find, that he is either led to lay hold of some common-place to- pic, or that instead of the introduction being; accom- modated to the discourse, he is under the necessity of accommodating the whole discourse to the intro- duction which he had previously written. In this part of a discourse, correctness of ex- pression should be carefully studied. This is pecu- liarly requisite on account of the situation of the hearers. At the beginning, they are more disposed to criticise than at any other period ; they are then unoccupied with the subject or the arguments; their attention is entirely directed to the speaker's style and manner. Care therefore, is requisite, to prepos- sess them in his favour; though too much art must be cautiously avoided, since it will then be more y detected, and will derogate from that persua- sion which the other parts of the discourse are in- tended to produce. Modesty is also an indispensable characteristic of every judicious introduction. If the speaker begins with an air of arrogance and ostentation, tbe self-love and pride of his hearers will be presently awakened, and will follow him with a very suspicious eye through the rest of his discourse. His modesty should ap- pear not only in his expressions, but in his whole manner; in his looks; in his gestures, and iu the 32 modulation of his voice. Every audience is flattered by those marks of respect and avrc which are paid them by the person vrho add/eases them. The mo- desty, however, of an introduction, should In-tray nothing mean or abject. Together with modesty and deference to his hearers, the orator sit on Id shew a certain sense of dignity arising from a persuasion of the justice or importance of the subject of which he is tospeak. Except in particular cases, the orator should not put forth all his strength at the beginning, but should rise and grow upon his hearers as his discourse advances. The introduction is seldom the place for ve- hemence and passion. The audience must be gradu- ally prepared, before the speaker can venture on strong and impassioned sentiments. Yet when the subject is of such a nature, that the very mention of it naturally awakens some passionate emotion ; or when the un- expected presence of some person or object in a popu- lar assembly, inflames the speaker; either of these will justify an abrupt and vehement exordium. Thus the appearance of Catiline in the Roman senate, renders the violent opening of Cicero's first oration against him very natural and proper. " Quous- que tandem abutere, Catikina, patientia nostra?" How long, O Catiline, wilt thou abuse our patiencei' And Bishop Alterbury, in preaching from this text, " Blessed is he whosoever shall not 33 be offended in me," ventures on this bold exordium: " And can any man then, be offended in thec, blessed Jesus?" Which address to our Saviour he conti- nues for some time, till he enters on the division of his subject. But these introductions should be attempt- ed by very few, since they promise so much vehe- mence and ardour through the rest of the discourse, that it is extremely difficult to satisfy the expectation of the hearers. An introduction should not anticipate any mate- rial part of the subject. When topics or arguments, which are afterwards to be enlarged upon, are hinted at, and in part exhibited in the introduction, they lose |ioii their second appearance, the grace of novelty. The impression intended to be made by any principal idea, has always the greatest advantage, when it is entire, and in its proper place. The last circumstance which we shall observe with regard to an introduction, is, that it be pro- portioned both in length and in kind to the discourse which follows it. In length, since nothing would be more absurd than to erect an extensive portico before a diminutive building; and in kiud, since it would be uo less ridiculous to load with glittering ornaments the vestibule of a plain dwelling-house; or to make the approach to a monument as gay and lively as that to an arbour. E 34 After the introduction, what generally succeeds next in order, is the proposition or enunciation of the subject; concerning which we shall only observe, that it should be as clear and distinct as possible, and expressed without affectation, iu the most concise and simple manner. To this commonly succeeds the division, or the laying down the method of the dis- course ; in the management of which, the following rules should be carefully attended to. First, that the parts into which the subject is divided, be really distinct from each other ; that is, that no one conclude another. It were a ridiculous division, for example, if a speaker should propose to explain first the advantages of virlue, and next, those of justice or temperance ; because the first head plainly comprehends the second, as a genus does the species. Such a method of proceeding will, there- fore, involve the subject in indistinctness and disor- der. Secondly, we must be careful always to follow the order of nature ; beginning with the most simple points, such as are most easily understood and neces- sary to be first discussed ; and proceeding thence to those which are built upon the former, and which suppose them to be known. The subject, in fine, must be divided into those parts into which it is most easily and naturally resolved. 35 Thirdly, The members of a division ought to exhaust the subject, otherwise the division is incom- plete; the subject is exhibited by pieces and corners only, without any plan being offered by which the whole may be displayed. Fourthly, Let conciseness and precision be pe- culiarly studied; a division will always appear to the most advantage, when the several heads are expres- sed in the clearest, most forcible, and at the same time, the fewest words possible. This never fails to make an agreeable impression on the hearers ; and contributes also to make the divisions more easily re- membered. Fifthly, An unnecessary multiplication of heads should be cautiously avoided. To divide a subject into a great many minute parts, by endless defect in speaking. In a logical treatise this may not be im- proper; but it renders an oration hard and dry, and unnecessarily fatigues the memory. A sermon may admit from three to five, or six heads, including sub- divisions ; more are seldom allowable. The next constituent parts of a discourse, which we mentioned, were narration and explication. These two are joined together, both because they fall nearly under the same rules, and because they generally an- swer the same purpose; serving to illustrate the cause or subject of which one treats, before proceeding to 36 argue either on one side or the other, or to endeavour to interest the passions of the hearers. To be clear and distinct, to be probable, and to be concise, are the qualities which critics chiefly consider as essential to narration. Distinctness is requisite to the whole of the discourse, but belongs especially to narration, which ought to throw a light on all that follows. At the bar, a fact, or a single circumstance, left in ob- scurity, or misunderstood by the judge, may destroy the effect of all the arguments and reasoning which the pleader employs. If his narration be improbable, it will be disregarded ; if it be tedious and dillusje, it will fatigue and be forgotten. To render narration distinct, a particular attention is requisite in ascer- taining clearly the names, the dates, the places, and every other important circumstance of the facts re- counted. In order to be probable in narration, it is necessary to exhibit the characters of those persons of whom we speak, and to shew that their actions pro- ceed from such motives as are natural and likely to gain belief. To be as concise as the subject will ad- mit, all superfluous circumstances must be rejected, by which the narration will be rendered bolh more forcible and more clear. In sermons, explication of the subject to be discoursed on, occupies the place of narration at the bur, and is to be conducted in a similar manner. It 37 must be concise, clear, and distinct; in a style cor- rect and elegant, rather than abounding with orna- ment. To explain the doctrine of the text with pro- priety; to give a full and clear account of the nature of that virtue or duty which forms the sultject of the discourse, is properly the didactic part of preaching; on the right execution of which much depends, for what conies afterwards in the way of persuasion. In order to succeed, the preacher must meditate pro- foundly on the subject, so aa to place it in a clear and striking point of view. He musl consider what light it may derive from other passages of scripture; observe whether it be a subject nearly allied to some other from which it ought to be distinguished; whe- ther it can be advantageously illustrated by compar- ing, or opposing it to some other thing; by pointing out example, or appealing to the hearts of the hear- ers; that thus a determined, precise, and circum- stantial view may be afforded of the doctrine to be inculcated. By such distinct and apt illustrations of the known truth of religion, a preacher may both display great merit as a composer, and, what is infi- nitely more valuable, render his discourses weighty, instructive, and beneficial. Since the great end for which men speak on any serious occasion, is to convince their hearers that something is either true, or right, or good; and 38 consequently to influence their practice; reason and argument must constitute the foundation of all manly and persuasive eloquence. With regard to argu- ments, three things are necessary to be observed ; first, the invention of them; secondly, their proper disposition and arrangement; and, thirdly, the ex- pressing them in the most forcible style and manner. Invention is, Undoubtedly, the most material, and the basis of the rest. But in this, art can afford only small assistance. It can aid a speaker, however, in arranging and expressing those arguments which his knowledge of the subject has discovered. Supposing the arguments properly chosen, we must avoid blending those confusedly together that are of a separate nature. All arguments whatever, are intended to prove one of tbese three things: that something is true; that it is right or fit ; or that it is profitable and good. Truth, duty, and interest, are the three great subjects of discussion among mankind. But the arguments employed upon either of them are generally distinct; and he who mixes them all under one topic, which he calls his argument, as in ser- mons is too frequently done, will render his reasoning indistinct and inelegant. With respect to the different degrees of strength in arguments, the common rule is to advance in the way of climax, from the weakest to the most forcible. 39 This method is to be recommended, when the speaker is convinced that his cause is clear, and easy to he proved. But this rule must not be universally ob- served. If he be apprehensive of his cause, and has but one material argument on which to lay his stress, putting less confidence in the rest, in this case it is often proper to prejudice his hearers as early as possi- ble in his favour, and dispose them to pay attention to his weaker reasoning which he may afterwards in- troduce. When amidst a variety of arguments, there is one or two more feeble than the rest, though pro- per to be used, Cicero advises that they be placed in the middle, as a situation less conspicuous than either the beginning or the end of the train of reasoning. When arguments are strong and satisfactory, the more distant they are separated, the better. , Each can then bear to be introduced alone, placed in its full light, and amplified and contemplated. But when they are of a doubtful or presumptive nature, it is safer to crowd them together, to form them into a I'liiilanx, that though individually weak, they may mutually support each other. Arguments should never he extended too far, or multiplied too much. This serves rather to render a cause suspicious, than to increase its strength. A needless multiplicity of arguments, both oppresses the memory and diminishes the weight of that conviction, which a few well-chosen 40 arguments might not full to produce. To expand them also, beyond the bounds of reasonable illustra- tion, is always enfeebling. When a speaker endea- vours to expose a favourable argument in every pos- sible point of view, it generally happens, that, fatigued with the effort, he loses the spirit with which he set out; and ends with feebleness what he began with force. Having attended thus far to the proper arrange- ment of arguments, we proceed to another essential part of a discourse, the pathetic, in which, if any- where, eloquence reigns, and exerts its power. On this head we shall offer the following directions, which appear worthy of being remembered. To consider carefully, whether the subject will admit the pathetic, and render it proper; and if it does, what part of the discourse is the most fit for its admission. In determining these points, good sense is the only just criterion. Many subjects admit not the pathetic at all, and even in those that are sus- ceptible of it, an attempt to excite the passions in the wrong place, may expose the orator to ridicule. It may in general be observed, that if we expect any emotion which we raise to have a lasting effect, we must secure in our favour the understanding and judg- ment. The hearers must be satisfied, that there are sufficient grounds for their engaging in the cause with 41 zeal ami ardour. When argument and reasoning hate produced their full effect, the pathetic is admitted with the greatest force and propriety. A speaker should cautiously avoid giving his hearers warning, that he intends to excite their pas- sions. Every previous preparation of this kind chills their sensibility. There is also a material difference between showing mankind that they ought to be moved, and actually exciting their passions. To every emotion or passion nature has adapted certain corresponding objects, and without setting these be- fore the mind, it is impossible for an orator to excite that emotion. We are warmed with gratitude, we are touched with compassion, not when a speaker shews us that these are noble dispositions, and that it is our duty to feel them, or when he exclaims against us for our indifference and coldness; he is hitherto addressing only our reason or conscience. He must paint to us the kindnfss and tenderness of our friend; he must exhibit the distress suffered by the person for whom he would interest us; then, and not till then, our hearts begin to be touched, our grati- tude or our compassion begin to flow. The basis, therefore, of all successful execution in pathetic ora- tory, is, to paint the object of that passion which we desire to raise, in the most natural and strik- ing manner; to describe it with such crrcuin- F 42 stances as are likely to awaken it in the minds of others. To succeed in the pathetic, it is necessary to attend to the proper language of the passions. This, if we consult nature, we shall ever find is unaffected and simple. It may be animated with bold and strong figures, but it will have no ornament of finery. There is a material difference between painting to the imagination, and to the heart. The one may be done with deliberation and coolness; the other must always be rapid and ardent. In the former, art and labour may be suffered to appear ; in the latter, no proper effect can be produced, unless it seem to be the work of nature only. Hence all digressions should be avoided, wliich may interrupt or turn aside the swell of passion. Hence comparisons are always dangerous, and commonly quite improper in the midst of the pathetic. It is also to be observed that emotions which are violent cannot be lasting. The pathetic, therefore, should not be prolonged and ex- tended too much. A due regard should always be preserved to what the audience will bear; for he that attempts to carry them farther in passion, than they will follow him, annihilates his purpose. By endeavouring to warm them in the extreme, he takes the surest method of freezing them completely. Concerning the peroration or conclusion of a dis- 43 course, a few words will be sufficient. Sometimes the whole pathetic part comes in most properly at the conclusion. Sometimes, when the discourse has been altogether argumentative, it is proper to con- clude with summing up the arguments, placing them in one point of view, and leaving the impression of them, full and strong, on the minds of the hearers. This is called the recapitulation. For the principal rule of a conclusion, and what nature obviously suggests, is, to place that last, on which we chuse that the strength of our cause sho,uld rest. In every kind of public speaking, it is important to hit the precise time of concluding, so as to bring the discourse just to a point; neither ending abruptly and unexpectedly, nor disappointing the expectation of the hearers, when they look for the discourse be- ing finished. The close should always be concluded with dignity and spirit, that the minds of the hearers may be left warm, and that they may depart with a favourable impression of the subject and of the speaker. THE COUNTRY BUMPKIN AND RAZOR SELLER. A FELLOW, in a market town, Most musically cried razors up and down, And offer* d twelve for eighteen-pcnce; 44 Which certainly seem'd wonderous cheap, And, for the money, quite a heap, As every man -would buy, with cash and sense. A country bumpkin the great offer heard : Poor Hodge, who suffer'd by a broad black beard That seem'd a shoe-brush stuck beneath his nose, With cheerfulness the eighteen-pence he paid, And proudly to himself, in whispers, said, " This rascal stole the razors, I suppose : " No matter if the fellow be a knave, " Provided that the razors shave : " It certainly will be a monstrous prize." So home the clown with his good fortune went, Smiling, in heart and soul coatent, And quickly soap'd himself to cars and eyes. Being well lalher'd from a dish or tub, Hodge now began with grinning face to grub, Just like a hedger culling furze; 'Twas a vile razor! then the rest he tried AH were impostors " Ah," HoJge sigh'd, " I wish my eighteen-pence within my purse/' In vain to chase his beard and bring the Graces, He cut, and dug, and witic'd, and stamp'd, and swore, 45 Brought blood, and danc'd, blasphemed, and made wry faces, And curs' d each razor's body o'er and o'er. His muzzle form'd of opposition stuff, Firm as a Foxite, would not loose its mil': So kept it' laughing at the steel and suds: Hodge in a passion stretch'd his angry jaws, Vowing the direst vengeance, with clench'd claws, On the rank cheat that sold the goods. " Razors ! a vile, confounded dog, ' Not fit to scrape a hog \" Hodge sought the fellow found him and begun, " Perhaps, Master Razor Rogue, to you 'tis fun, " That people flay themselves out of their lives; " You rascal ! for an hour have I been grubbing, " Giving my scoundrel whiskers here a scrubbing, " With razors, just like oyster-knives; " Sirrah ! I tell you you're a knave, " To cry up razors that can't shave !" " Friend," quoth the razor-man, I'm not a knave, " As for the razors you have bought, " Upon my soul I never thought " That they would shave." ** Not think they'd shave !" quoth Hodge, with wond'ring eyes, And voice not much unlike an Indian yell; " What were they made for then, you dog ;" he cries, " Made!" quoth the fellow, wilhasmile "toscll!" THE DISSOLUTION AND RENOVATION OF NATURE. SYLPHS ! as you hover on ethereal wing, Brood the green children of parturient spring I When in their lurking cells, my embryos rest; I charge you guard the vegetable nest : Count with nice eye, the myriad seeds that swell Each vaulted womb of husks, or pod, or shell; Feed with sweet juices, clothe with downy hair, Or hang enshrin'd their little orbs in air. So late descry'd by Herschell's piercing sight, Hang the bright squadrons of the twinkling night, Ten thousand marshall'd stars, a silver zone, Effuse their blended lustres round her throne; Suns call to suns, in lucid clouds conspire. And light exterior skies with golden fire: Restless rolls the illimitable sphere, And one great circle forms the unmeasured year. 47 Roll on, ye stars, exult in youthful prime Mark with bright curves the prinlless deeps of time; Near and more near your beamy cars approach And listening orbs on listening orbs encroach. Flowers of the sky ! ye too to age must yield, Frail as your silken sisters of the field ! Star after star from heaven's high arch shall rush, Suns sink on suns, and system systems crush, Headlong, extinct, to one dark centre fall, And death and night and chaos mingle all ! Till o'er the rock emerging from the storm, Immortal nature lifts her changeful form, Mounts from her funeral pyre, on wings of flame, And soars and shines another and the same ! SATIRE ON LAW. WE shall now consider the law, as our laws are very considerable, both in bulk and number, according as the statute declares; considerandi, considerando, consider andum; and are not to be meddled with by those that don't understand 'em. Law always ex- pressing itself with true grammatical precision, never confounding moods, tenses, or genders, except in- deed when a woman happens accidentally to be slain, then the verdicl is always brought /Manslaughter.- 48 The essence of the law is altercation; for the law can altercate, fulminate, deprecate, irritate, and go on at any rate. Now the quintessence of the law has, according to its name, five parts. The first is the beginning, or incipiendum; the second the uncer- tainty, or dubitandum; the third delay, or puzzlc- cndum; fourthly, replication without endum; and fifthly, monstrum et horrendum; all which are ex- emplified in the following case, Daniel against Dishclont. Daniel was groom in the same family wherein Dishclout was conkmaid; and Daniel, returning home one day fuddled, he stooped down to take a sop out of the dripping-pan, which spoiled his clothes, and he was advised to bring his action against the cookmaid ; the pleadings which were as follow. The first per- son who spoke was Mr. Serjeant Snuffle. He began, saying, " Since I have the honour to be pitched upon to open this cause to your lordship, I shall not impertinently presume to take up any of your lord- ship's time by a ronnd-about circumlocutory manner of speaking or talking, quite foreign to the purpose, and not any ways relating to the matter in hand. I shall, I will, I design to shew what damages my client has sustained hereupon, whereupon, and there- upon. Now, my lord, my client being a servant in the same family with Dishclout, and not being; at 49 hoard wages, imagined he had a right to the fee* simple of the dripping-pan, therefore he made an attachment on the sop with his right hand, which the defendant replevied with her left, tripped us up, and tumbled us into the dripping-pan. Now in Brough- ton's Reports, Slack rcrsus Smallwood, it is said that primus strocus sinejocus, absolutus c&t provo- cus. Now who gave tiie primus strocus? Who gare the first offence? Why, the cook; she brought the dripping-pan there; for, my lord, though we will allow, if we had not been there, we could not have been thrown dwn there; yet, my lord, if the dripping- pan had not been there for us to tumble down into, we could not have tumbled down into the dripping-pan." The next counsel on the same side began with, " My lord, he that makes use of a many words to no pur- pose, has not much to say for himself, therefore I shall come to the point at once, and at once immediately I shall come to the point. My client was ia liquor: the liquor in him having served an ejectment upon his understanding, common sense was nonsuited, and he was a man beside himself, as Dr. Biblibus de- clares, in his Dissertation on Bumpers, in the 139th folio volume of the Abridgment of the Statutes, page 1*286, where he says, that a drunken man is homo duplicans, or a double man; not only because he sees things double, but also because he is not as he G 50 should be, perfecto ipse he; but was as he should not be, defccto ipse he." The counsel on the other side rose up gracefully, playing with his ruffles prettily, and tossing the lies of his wig emphatically. He began with, "My lord, and you, gentlemen of the jury, I humbly do conceive I have the authority to declare that I am counsel in this case for the defendant; therefore, my lord, I shall not flourish away in words; words are no more than fillagree work. Some people may think them an embellishment; but to me it is a mat- ter of astonishment, how any one can be so imperti- nent to the detriment of all rudiment. But, my lord, this is not to be looked at through the medium of right and wrong; for the law knows no medium, and right and wrong are but its shadows. Now, in the first place, they have called a kitchen, my client's pre- mises. Now, a kitchen is nobody's premises; a kitchen is not a wash-house, nor a warehouse, a brew- house, or a bake-house, an inn-house, nor an out- house, nor a dwelling-house; no, my lord, 'tis abso- lutely and bona fide neither more or less than a kitchen, or, as the law more classically expresses, a kitchea is camera ncccssaria pro usus coo/care; cum saucepannis, sleivpannis, sculler o, dresser o, coalkolo, stovis, smoak-jacko, pro roastandiim bttilandum, fryandum, et plumb-pudding mixan- 51 dum, pro turtle-soupos, calve' s-hcad-hashibus, cum calipee et caltpashebus. But we shall not avail ourselves of an alibi, but admit of the existence of a cookmaid. Now, my lord, we shall take it upon a new ground, and beg a new trial; for as they have curtailed our name from plain Mary into Moll, 1 hope the court will not allow of this; for, if they were to allow of mistakes,what would the law do ? For when the law don't find mistakes, it is the business of the law to make them ! Therefore the court allowed them the liberty of a new trial; for the law is our liberty, and it is happy for us we have the liberty to go to law. THE PROSPECT OF IMMORTALITY. UNFADING hope when life's last embers burn, When soul to soul, and dust to dust return, Heav'n to thy charge, resigns the awful hour, Oh ! then, thy kingdom come, immortal power. What, though each spark of earth-born rapture fly, The quivering lip, pale cheek, and closing eye; Bright to the soul thy seraph hands convey The morning dream of life's eternal day Then, then, the triumph and the trance begin; And all the phu'iiix spirit bums within ! 52 Oh ! deep enchanting prelude to repose ! The dawn of bliss, the twilight of our woes ! Yet hark ! I hear the panting spirit sigh It is a dread and awful thing to die ! Mysterious worlds, untravell'd by the sun ! Where time's far wand'ring tide has never run ! From your unfathom'd shades, and viewless spheres, A warning comes, unheard by other ears. 'Tis heaven's commanding trumpet, long and loud, Like Sinai's thunder, pealing from the cloud ! While nature hears, with terror mingled trust, The shock that hurls her fabric to the dust; And like the trembling hebrew, when he trod The roaring waves, and called upon his Gpd, With mortal terrors clouds immortal bliss, And shrieks and hovers o'er the dark abyss ! Daughter of faith ; awake ! arise ! illume The dread unknown, the chaos of the tomb ! Melt and dispel, the sceptic doubts, that roll Cimmerian darkness on the parting soul ! Fly like the moon eyM herald of dismay, Chas'd on his night steed by the staf of day; The strife is o'er the pangs of nature close, And life's last rapture triumphs o'er her woes. Hark ! as the spirit eyes, with eagle gaze. The noon of heaven undazzl'd by the blaze, 53 On heavenly winds that waft her to the sky, Float the sweet tones of star-born melody : Wild as that hallow'd anthem sent to hail, Bethlem's shepherds in the lonely vale, When Jordan hush'd his waves, and midnight still Watch'd on the holy tower of Zion-hill ! Soul of 111 just ! companion of the dead ! Where is thy home and whither art thou fled? Back to its heavenly source thy being goes, Swift as the comet wheels to whence he rose Doom'd on his airy path awhile to burn, And doom'd like thee to travel and return : Hark! from the world's exploding centre driven, With sounds that shook the firmament of heaven, Careers the fiery giant, fast and far, On bickering wheels and adamantine car; From planet whirl'd to planet -more remote, He visits realms beyond the reach of thought; But, wheeling homeward, when his course is run, Curbs the red yoke, and mingles with the sun ! So hath the traveller of the earth uufurl'd Her trembling wings emerging from the world, And oe'r the path by mortal never trod, Sprung to her source the bosom of her God ! Oh ! lives there, heaven! beneath thy dread expanse, 54 One hopeless, dark idolater of chance, Content to feed with pleasures unrefin'd, The luke-warm passions of a lonely mind ; Who mould'ring earthward, reft of every trust, In-joyless union wedded to the dust, Could all his parting energy dismiss, And call this barren world sufficient bliss ? Their life, alas ! of heaven-directed mien Of cultur'd soul, and sapient eye serene, Who hail thee man! the pilgrim of a day, Spouse of the worm, and brother of the clay ! Frail as the leaf in autumn's yellow bower, Dust in the wind, or dew upon the flower ! A friendless slave, a child without a sire, Whose mortal life, a momentary fire, Lights to the grave his chance-created form, As ocean-wrecks illuminate the storm, And, when the gun's tremendous flash is o'er, To night and silence sink for evermore. Are these the pompous tidings ye proclaim, Lights of the world and demi-gods of fame? Is this your triumph, this your proud applause, Children of truth and champions of her cause ? For this hath science search'd on weary wing, By shore, and sea, each mute and living thing, Launch'd by Iberia's pilot from the steep, 55 To worlds unknown and isles beyond the deep ; Or round the cape her living chnriot driv'n, And wheel'd in triumph through the signs of heaven, Oh ! star-ey'd science, hast thou wander'd there, To waft us home the message of despair ? Then hind the palm, thy sages' brow to suit, Of blasted leaf, and death-distilling fruit. Ah me ! the laurePd wreath that murder real's; Blood nurs'd and water'd by the widow's tears, Seems not so foul, so tainted, and so dread, As weaves the night-shade round the sceptic head. What is the bigot's torch, the tyrant's chain ? I smile on death, if heaven- ward hope remain! But if the warning winds of nature's strife Be all the faithless charter of my life, If chance awak'd, inexorable power, Tliis frail and feverish being of an hour : Doom'd o'er the world's precarious scene to weep, Swift as the tempest travels on the deep, To know delight but by her parting smile, And toil, and wish, and weep, a little while; Then melt ye elements, that form'd in vain This troubled pulse, and visionary brain ; Fade, ye wild flowers, memorials of my doom, And sink ye stars, that light me to the tomb ! Truth, ever lovely since the world began The foe of tyrants, and the friend of man 56 How can the world from balmy slumbers start Reposing virtue, pillow'd on the heart ! Yet if thy voice the note of thunder roll'd, And that were true which nature never told, Let wisdom smile not on her conquer'd field, No rapture dawns, no treasure is reveal'd ! Oh ! let her read, nor loudly, nor elate, The doom that bars us from a better fate, But, sad as angels for the good man's sin, Weep to record, and blush to give it in. SPEECH OF LORD CHATHAM, IN THE HOUSE OF PEERS, AGAINST THE AMERI- CAN WAR, AND AGAINST EMPLOYING THE INDIANS. I CANNOT, my lords, I will not, join in congratula- tion on misfortune and disgrace. This, my lords, is a perilous and tremendous moment : it is not a time for adulation ; the smoothness of flattery cannot save us in this rugged and awful crisis. It is now neces- sary to instruct the throne in the language of truth. We must, if possible, dispel the delusion and dark- ness which envelop it ; and display, in its full danger and genuine colours, the ruin which is brought to our doors. Can ministers still presume to expect 67 support in their infatuation? Can parliament be so dead to its dignity and duty, as to give their support to measures thus obtruded and forced upon them? measures, my lords, which have reduced this late flourishing empire to scorn and contempt ? But yes- terday, and England might have stood against the world ; now, none so poor as to do her reverence ! The people, whom we at first despised as rebels, bnt \\hom we now acknowledge as enemies, are abetted against us, supplied with every military - store, their interest consulted, and their ambassadors entertain- ed by our inveterate enemy ; and ministers do net, and dare not, interpose with dignity or effect. The desperate state of our army abroad is in part known. No man more highly esteems and honours the Eng- lish troops than I do : I know their virtues and their valour; I know they can achieve any thing but im- possibilities; and I know that the conquest of English America is an impossibility. You cannot, my lords, you cannot conquer America. What is your present situation there ? We do not know the worst : but we know that in three campaigns we have done nothing, and suffered much. You may swell every expense, accumulate every assistance, and extend your traffic to the shambles of every German Despot; your at- tempts will be for ever vain and impotent; doubly so, indeed, from this mercenary aid on which you H 58 rely : for it irritates, to an incurable resentment, the minds of your adversaries, to overrun them with the mercenary sons of rapine and plunder, devoting them and their possessions to the rapacity of hireling cruelty. But, my lords, who is the man, that, in addi- tion to the disgraces and mischiefs of the war, has dared to authorise and associate to our arms, the to- mohawk and scalping knife of the savage ? to call into civilized alliance, the wild and inhuman inhabi- tants of the woods ? to delegate to the merciless Indian, the defence of disputed rights, and to wage the horrors of his barbarous war against our brethren ? My lords, these enormities cry aloud for redress and punishment. But, my lords, this barbarous measure has been defended, not only on the principles of po- licy and necessity, but also on those of morality; "for it is perfectly allowable," says Lord Suffolk, "to use all the means which God and nature have put into our hands." I am astonished, lam shocked, to hear such principles confessed; to hear them avowed in this house, or in this country. My lords, I did not intend to encroach so much on your atten- tion; but I cannot repress my indignation I feel myself impelled to speak. My lords, we are called upon as members of this house, as men, as Christians, to protest against such horrible barbarity! "That 59 God and nature have put into our hands!" What ideas of God and nature, that noble lord may enter- tain, 1 know not; but I know, that such detestable principles are equally abhorrent to religion and Im- munity. What! to attribute the sacred sanction of God and nature to the massacres of the Indian scalp- ing knife ! to the savage, torturing and murdering his unhappy victims! Such notions shock every precept of morality, every feeling of humanity, every senti- ment of honour. These abominable principles, and this more abominable avowal of them, demand the most decisive indignation. I call upon that right reverend, and this most learned bench, to vindicate the religion of their God, and to support the justice of their country. I call upon the bishops to interpose the unsullied sanctity of their lawn, upon the judges to interpose the purity of their ermine, to save us from this pollution. I call upon the honour of your lordships, to reverence the dignity of your ancestors, and to maintain your own. I call upon the spirit and humanity of my country, to vin- dicate the national character. I invoke the genius of the constitution. From the tapestry that adorns these walls, the immortal ancestor of this noble lord frowns with indignation at the disgrace of his country. In vain did he defend the liberty, and establish the religion of Britain, against the tyranny of Rome, if 60 these -worse than Popish cruelties and inquisitorial practices, are endured among us. To send forth the merciless Indian, thirsting for blood ! against whom > your protestant brethren ! to lay waste their coun- try, to desolate their dwellings, and extirpate their race and name, by the aid and instrumentality of these ungovernable savages ! Spain can no longer boast pre-eminence in barbarity. She armed herself with blood-hounds to extirpate the wretched natives of Mexico; we, more ruthless, loose those brutal war- riors against our countrymen in America, endeared to us by every tie that can sanctify humanity. I so- lemnly call upon your lordships and upon every order of men in the state, to stamp upon this infamous pre- cedure the indelible stigma of the public abhorrence. More particularly, I call upon the venerable prelates of our religion, to do away this iniquity : let them perform a lustrution to purify the country from this deep and deadly sin. My lords, I am old and weak, and at present unable to say more: but my feelings and indignation were too strong to hare allowed me to say less. I could not have slept this night in my bed, nor even reposed my head upon my pillow, without giving >ent to my steadfast abhorrence of such enormous and preposterous principles. Gl MARY, THE MAID OF THE INN. WHO is she, the poor maniac, -whose wiltlly-fix'd eye* Seem a heart overcharg'd to express? She weeps not, yet often and deeply she sighs; She never complains hut her silence implies The composure of settled distress. No aid no compassion the maniac will seek ; Cold and hunger awake not her care: Thro* the rags do the winds of the winter blow bleak On her poor wither' d bosom, half bare, and her cheek Has the deadly pale hue of despair. Yet cheerful and happy (nor distant the day) Poor Mary the maniac has been ; The tray'ller remembers, who jonrney'd this way, No damsel so lovely, no damsel so gay, As Marjj the Maid of the Inn. Her cheerful address fill'd the guests with delight, As she welcom'd them in with a smile; Her heart -was a stranger to childish affright, And Mary would walk by the abbey at night, When the wind whistled down the dark aisle. She lov'd and young Richard had settled the day- And she hop'd to be happy for life; But Richard was idle and worthless; and they Who knew him would pity poor Mary, and say, That she was too good for his wife.. 62 'Twas in Autumn, and stormy and dark was the night, And fast were the windows and door; Two guests sat enjoying the fire that burnt bright, And smoaking in silence, with tranquil delight, They listen' d to hear the wind roar. "'Tis pleasant," cry'd one, "seated by the fire side, "To hear the wind whistle without," " A fine night for the abbey/' his comrade reply'd ; "Methinks a man's courage would now be welltry'd, "Who should wander the ruins about." " I myself, like a school-boy, should tremble to hear " The hoarse ivy shake o'er my head; " And could fancy I saw, half persuaded by fear, " Some ugly old abbot's white spirit appear; "For this wind might awaken the dead." " I'll wager a dinner," the other one cry'd, "That Mary would venture there now:" "Then wager, and lose!" with a sneer he reply'd, "I'll warrant she'd fancy a ghost by her side, "And faint if she saw a white cow." " Will Mary this charge on her courage allow ?" His companion exclaim'd with a smile; " I shall win, for I know she will venture there now, " And earn a new bonnet, by bringing a bough, "From the alder that grows in the aisle." 63 With fearless good humour did Mary comply, And her way to the ahbey she bent; The night it was gloomy, the wind it was high, And, as hollowly howling it swept through the sky, She shiver* d with cold as she went. O'er the path, so well known, still proceeded the Where the ahbey rose dim on the sight; Through the gateway she enter'd, she felt not afraid, Yet the ruins were lonely and wild, and their shade- Seem'd to deepen the gloom of the night. All around her was silent, save when- the rude blast Ilowl'd dismally round the old pile: Over weed-cover'd fragments still fearless she pass'd, And arriv'd at the innermost ruin at last, Where the alder tree grew in the aisle. Well pleas'd did she reach it, and quickly drew near, And hastily gather'd the bough, When the sound of a voice seem'd to rise on her ear She paiis'd, and she listened, all eager to hear, And her heart panted fearfully now. The wind blew, the hoarse ivy shook over her head: She listen'd ; nought else could she hear, The wind ceas'd, her heart sunk in her bosom with dread, For she heard in the ruins distinctly the tread Of footsteps approaching her hear. Behind a wide column, half breathless with fear, . She crept to conceal herself there : That instant the moon o'er a dark cloud shone clear, And she saw in the moon-light two ruffians appear, And between them a corpse did they bear. Then Mary could feel her heart-blood curdled cold t Again the rough wind hurried by< - It blew off the hat of the one, and behold ! Even close to the feet of poor Mary it roll'd : She fell and expected to die, "Curse the hat!" he exclaims "nay come on and first hide "The dead body," his comrade replies. She beheld them in safety, pass on by her side, She seizes the hat, fear her courage supply 'd, And fast through the abbey she dies. She ran with wild speed, she rush'd in at the door, She cast her eyes horribly round; Her limbs could support their faint burden no morg. But, exhausted and breathless, she sunk on the floor, Unable to utter a sound. 65 Ere yet her pale lips could the story impart, For a moment the hat met her view ; Her eyes from that object convulsively start. For, O God ! what cold horror thrill'd thro' her heart, When the name of her Richard she knew ! Where the old abbey stands, on the common hard by, His gibbet is now to be seen ; Not far from the inn it engages the eye, The trav'ller beholds it, and thinks with a sigh, Of poor Mary, the maid of the inn. THE DOWNFALL OF POLAND. OH ! sacred truth, thy triumph ceas'd awhile, And hope, thy sister, ceas'd with thee to smile, When leagued oppression pour'd to northern wars Herwhisker'd pandours, and her fierce hussars; Wav'd her dread standard to the breeze of morn, Peal'd her loud drum, and twang'd her trumpet horn; Tumultuous horror brooded o'er her van, Presaging wrath to Poland and to man. Warsaw's last champion from her height survey'd Wide o'er the fields a waste of ruin laid : Oh, heaven ! he cried, my bleeding country save ! Is there no hand on high to shield the brave? I 66 Yet though destruction sweeps these lovely plains, Rise, fellow-men, our country still remains ! By that dread name, who wore the sword on high! And swear for her to live ! with her to die. He said, and on the rampart heights array'd His trusty warriors, few, hut undismay'd ; Firm-paced and slow, a horrid front they form, Still as the breeze, but dreadful as the storm; Low murmuring sounds along their banners fly, Revenge or death the watchword and reply : Then peal'd the notes omnipotent to charm ! And the loud tocsin toll'd their last alarm. In vain, alas ! in vain, ye gallant few, From rank to rank your vollied thunders dew. Oh ! bloodiest picture in the book of time, Sarmatia fell unwept, without a crime ; Found not a generous friend, a pitying foe, Strength in her arms, nor mercy in her woe ! Dropp'd from her nerveless grasp the shatter'd spear, Clos'd her bright eye, and curb'd her high career: Hope for a season bade the world farewell, And freedom shriek'd, as Koscusco fell! The sun went down, nor ceas'd the carnage there, Tumultuous murder shook the midnight air, 67 On Prague's proud arch the fires of ruin glow, His blood-dy'd waters murmuring far below; The storm prevails, the rampart yields away ; Bursts the wild cry of horror and dismay ! Hark ! as the smouldering piles with thunder fall, A thousand shrieks for hopeless mercy call ! Earth shook, red meteors flash'd along the sky, And conscious nature shudder' d at the cry! Oh ! righteous heaven, ere freedom found a grave, Why slept the sword omnipotent to save ? Where was thine arm, O vengeance ! where thy rod That smote the foes of Zion and of God, That crush 'd proud Ammon, when his iron car Was jok'd in wrath, and thunder'd from afar? Where was the storm, that slurnber'd till the host Of blood-slain'd Pharaoh left the trembling coast. Then bade the deep in wild commotion Bow, And heav'd au ocean on their march below ? Departed spirits of the mighty dead, Ye that at Marathan and Leuctra bled ! Friends of the world ! restore your swords to man, Fight in his sacred cause and lead the van ! Yet for Sarmatia's tears of blood atone, And make her arm puissant as your own ! Oh ! once again to freedom's cause return, The patriot Tell the Bruce of Bannockburn. PART II. THE DESTRUCTION OF SENACHERIB. THE Assyrians came down like the wolf on the fold, And his cohorts were gleaming in purple and gold ; And the sheen on their spears were like stars on the sea, When the blue wave rolls nightly on deep Galilee. Like the leaves on the forest when summer is green, That host with their banners at sun-set were seen : Like the leaves of the forest when autumn hath blown, That host on the morrow lay wither' d and strown. For the angel of death spread his wings on the blast, And breath* d in the face of the foe as he past; And the eyes of the sleepers waxtd deadly and chill, And their hearts but once heaved, and for ever grew still. And there lay the steed with his nostril all wide; But through it there rolled not the breath of his pride : K 70 And the foam of his gasping lay white on the turf, And cold as the spray of the rock-beating surf. And there lay the rider distorted and pale, With the dew on his brow, and the rust on his mail, And the tents were all silent, the banners alone, The lances unlifted, the trumpet unblown. And the widows of Ashur are loud in their wail, And the idols are broke in the temple of Baal ; And the might of the gentile, unsmote by the sword, That melted like snow at the glance of the Lord. THE CAPTIVE. BESHREW the sombre pencil! said I, vauntingly for I envy not its powers, which paints the evils of life with so hard and deadly a colouring. The mind sits terrified at the objects she has magnified herself, and blackened : reduce them to their proper size and hue, she overlooks them. 'Tis true, said I, cor- recting the proposition the Bastile is not an evil to be despised but strip it of its towers fill up the fosse unbarricade the doors call it simply a confine- ment, and suppose 'tis some tyrant of a distemper and not a man, which holds you in it the evil vanishes, and you bear the other half without com- plaint 71 ) was interrupted in the hey-day of this solilo- quy, with a voice, which I took to be of a child, which complained " it could not get out." I looked up and down the passage, and seeing neither man, woman, nor child, I went out without farther atten- tion. In my return back through the passage, I heard the same words repeated twice over; and, looking up, I saw it was a starling hung in a little cage. " I can't get out I can't get out," said the starling, I stood looking at the bird; and to every person who came through the passage it ran fluttering to the side towards which they approached it, with the same lamentation of its captivity " I can't get out," said the starling God help thee, said I, but I will letthee out, cost what it will; so I turned about the cage lo get to the door; it was twisted and double twisted so fast with wire, there was no getting it open, without pulling it to pieces I took both hands to it. The bird flew to the place where I was attempt- ing his deliverance, and thrusting his head through the trellis, pressed his breast against it, as if impa- tient I fear, poor creature! said I, I cannot set thte at liberty, " No," said the starling " I can't get out I can't get out," said the starling. I vow 1 never had my affections more tenderly awakened: nor do I remember an incident in my life, where the dissipated spirits to which my reason had been a bubble, were so suddenly called home. Me- chanical as the notes were, yet so true in tune to nature were they chanted, that in one moment they overthrew all my systematic reasonings upon the Bastile; and I heavily walked up stairs, unsaying every word I had said in going down them. Disguise thyself as thou wilt, still, slavery, said I still thou art a bitter draught! and though thou- sands in all ages have been made to drink of thee, thou art no less bitter on that account. "Tis thou, thrice sweet and gracious goddess! addressing my- self to liberty, whom all in public or in private wor- ship, whose taste is grateful, and ever will be so, till nature herself shall change no tint of words can spot thy snowy mantle, or chyraic power tiuti thy sceptre into iron with thee to smile upon him as he eats his crust, the swain is happier than his monarch, from whose court thou art exiled, Gracious heaven ! tried I, kneeling down upon the last step but one in my ascent Grant me but health, thou great bestower of it, and give me but this fair goddess as a compa- nionand shower down thy mitres, if it seem good unto thy divine providence, upon those heads which are aching for them. The bird in his cage pursued me into my room; 1 sat down close by my table, and leaning my head 73 upon ray hand, I began to figure to myself the mise- ries of confinement. 1 was in a right frame for it and so I gave full scope to my imagination. I was going to begin -with the million* of my fellow-creatures born to no inheritance bui slavery : but finding, however affecting the picture was, that I could not briny it near me, and that the multitude of sad groups in it did but distract me 1 took a single captive, and having first shut him up in his dungeon, 1 then looked through the twilight of his grated door to take his picture. I beheld his body half wasted away with long expectation and confinement, and felt what kind of sickness of the heart it was, which arises from hope 'd his crimson vest, And clasp'd them sobbing to his aching breast. THE THREE WARNINGS. THE tree of deepest root is found Least willing still to quit the ground; 'Twas therefore said hy ancient sages, That love of life increas'd with years, So much, that in onr latter stages, When pains grow sharp, and sickness rages, The greatest love of life appears. This great affection to believe, When all confess, but few perceive, If old assertions can't prevail, Be pleas'd to hear a modern tale. When sports went round, and all were gay, On neighbour Dohson's wedding-day, Death calTd aside the jocund groom With him into another room; And Inokinir grave ' You must', says he, ' Quit your sweet bride, and come with. me.' ' With you ! and quit my Susan's side ? 'With you !' the hapless husband cried: ' Young as I am, 'tis monstrous hard ! ' Besides, in truth, I'm not preparM: ' My thoughts on other matters go; ' This is my wedding-night, you know.' What mure he urg'd I have not heard, His reasons could not well be stronger; So death tlie poor delinquent spar'd, And left to live a little longer. Yet calling up a serious look, His hour-glass trembled while he spoke ' Neighbour/ he said, 'farewell; no more ' Shall Death disturb your mirthful hour: ' And further, to avoid all blame ' Of cruelty upon my name, ' To give you time tor preparation, And fit you for your future station, ' Three several warnings you shall have, ' Before you're sumtnon'd to the grave: ' Willing for once I'll quit my prey, And grant a kind reprieve; ' In hopes you'll have no more to say, But when I call again this way, ' Well pleas'd the world will leave.' To these conditions both consented, And parted perfectly contented. What next the hero of our tale befell, How long he liv'd, how wise, how well, How roundly he pursued his course, And smok'd his pipe, and strok'd his horse, Y 156 The willing muse shall tell : He chaffer'd then, he bought, lie sold, Nor once perceiv'd his growing old, Nor thought of Death as near; His friends not false, his wife no shrew, Many his gains, his children few, He pass'd his hours in peace: But while he view'd his wealth increase, While thus along Life's dusty road The beaten track content he trod, Old Time, whose hasle no mortal spares, Uncall'd, unheeded, unawares, Brought on his eightieth year. And now, one night, in musing mood, As all alone he sate, Th' unwelcome messenger of Fate Once more befoie him stood. Half kilPd with anger and surprise, So soon retum'd !' old Dobson cries. So soon, d'ye call il!' Dealh replies: ' Surely, my friend, you're but in jest ! Since I was here before ' 'Tis six and thirty years at least, * And you are now fourscore.' ' So much the worse/ the clown rejoin'd ; To spare the aged would be kind; However, see your search be legal; And your authority is'l regaP 157 ' Else you are come on a fool's errand, With but a Secretary's warrant. ' Beside* you promis'd me Three Warnings, Which I have look'd for nights and mornings! ' But for that loss of time and ease, ' I can recover damages/ ' 1 know,' cries death, that, at the best, I seldom am a welcome guekt; ' But don't be captious, friend, at least: I little thought you d still be able To stump about your faim ami stable; ' Your years have run to a great length ; I wish you joy, though, of your strength!' ' Hold/ says the farmer, ' not so fast! < 1 have been lame these four years past.' And no great wonder,' Death replies: < However, you still keep your eyes; ' And sure, to see one's loves and friends, ' For legs and arms would make amends.' ' Perhaps,' says Dobson, ' so it might, But latterly I've lost my sight.' This is a shocking story, 'faith; ' Yet there's some comfort still,' says Death: ' Each strives your sadness to amuse; ' I warrant you hear all the news.' There's none,' cries he; ' and if there were, ' I'm grown so deaf, I could not hear.' 158 ' Nay, then !" the spectre stern rejoin'd, ' These are unjustifiable yearnings; ' If you are Lame, and Deaf, and Blind, ' You've had your Three sufficient Warnings. ' So come along, no more we'll part :' He said, and tonch'd him with his dart; And now, old Dobson turning pale, Yields to his fate so ends my tale. PART IV. OTHELLO'S ADDRESS TO THE SENATE. MOST potent, grave, and reverend seigniors, My very noble and approv'd good masters, That I have ta'en away this old man's daughter, It is most hue: true, I have married her; The very head and front of my offending li.ith this extent; no more. Rude am 1 in speech, And little hltss'd with the set phrase of peace; For since these arms of mine had seven years pith, Till now some nine moons wasted, they have us'd Their dearest action in the tented field; And little of this great world can I speak, More than pertains to feats of broils and battles; And therefore little *hall I grace my cause, In speaking for myself. Ytt, by your patience, I will a round uiivarnisu'd tale deliver, Of my whole course of love; what drugs, what charms, What conjuration, and what mighty magic, Y 160 (For such proceedings I am charged withal) I won his daughter with. Her father lov'd me, oft invited me; Still questioned me the story of my life, From year to year; the battles, sieges, fortunes, That I have past. I ran it through, ev'n from my boyish days, To th' very moment that he Sade me tell it. Wherein 1 spoke of most disastrous chances, Of moving accidents hy flood and field; Of hair-!>readth 'scapes in th' imminent deadly breach; Of bein-r taken by the insolent foe, And sold to slavery; of my redemption thence, And with it all my travel's history : Wherein of antres vast, and deserts wild, Rough quarries, rocks and hills, whose heads touch heav'n, It was my bent to speak. All these to hear Would Desdemona seriously incline. But still the house affairs would draw her hence, Which ever as she could with haste dispatch, She'd come again, and with a greedy ear Devour up my discourse: which I observing, Took once a pliant hour, and found good means To draw from her a prayer of earnest heart, That I would all my pilgrimage dilate; Whereof by parcels she had something heard, 161 But not distinctively. I did consent, And often did beguile her of her tears, When I did speak of some distressful stroke That my youth suffcVd. My story being done, She gave me for my pains a world of sighs. She swore in faith, 'twas strange, 'twas passing strange; 'Twas piliful, 'twas wondrous piliful She wish'd she had not heard it yet she wish'd That heav'n had made bor such a man: she thank' d me, Anil Inule rne, if I had a friend that lov'd her, I should but teach him how to tell my &tory, And that would woo her. On this hint I spake; She lov'd me for the dangers I had past ; And I lov'd her, that she did pity them. This only is the witchcraft I have u&'d. EPISODE OF CONRAD AND ELLENORE. WHAT plaintive sobs thy filial spirit drew, What sorrow choked thy lonsj and last adieu, Daughter of Conrad ! when he hfard his knell, And bade his country and his child farewell ! Doom'd the long Isles of Sydney Cove to see, The marker of his crimes, but true to thee, Thrice the sad father tore thee from his heart, And thrice returu'd to bless Ihee and to part ; 162 Thrice from his trembling lips he murmnr'd low The plaint that own'd unutterable woe, Till faith prevailing o'er his sullen doom, As bursts the morn o'er night's unfathom'd gloom, Lur'd his dim eye to deathless hopes sublime, Beyond the realms of nature and of time. " And weep not thus," he cried, "young EHenore,'' My bosom bleeds, but soon shall bleed no more ! Short shall this half extinguished bosom burn, And soon these limbs to kindred dust return ! But not my child, wii.lt life's precarious fire, The immortal ties of nature shall expire, These shall resist the triumph of decay, "U hen time is o'er, and worlds have pass'd away; Cold in the dust this perish'd heart may lie, But that whicn warm'd it once shall never die ! The spark unburied in its mortal frame, With living light, eternal and the same, Shall beam on joy's interminable years, UnveiPd by darkness unassuaged by tears ! " Yet on the barren shore and storury deep, One tedious watch is Conrad doom'd to weep, But when I gain'd the home without a friend, And press the uneasy couch where none attend, This last embrace, still cherish'd in my heart, Shall calm thu struggling spirit ere it part ! 163 THE AUCTIONEER AND THE LAWYER. A CITY Auctioneer, one Samuel Stubbs, Did greater execution with his hammer, Assisted ny his puffing clamour, Than Gog and Magog with their clubs, Or that great Fee-fa-fum of war, The Scandinavian Thor, Did with his mallet, which (see Bryant's Mythology) felPd stoutest giants: For Samuel knock'd down houses, churches, And woods of oak and elms and birches, \Vith greater ease than mad Orlando Tore the first tree he laid his hand to. \ He ought in reason, to have rais'd his own Lot by knocking others' down ; And had he been content with shaking His hammer and his hand, and taking Advantage of what brought him grist, he Might have been as rich as Christie }'-- But somehow when thy midnight bell, Bow, Sounded along Cheapside its knell, Our spark was busy in Pall-mall Shaking his elbow, Marking, with paw upon his mazzard, The turns of hazard ; Z 1(34 Or rattling in a box the dice, Which seem'd as if a grudge they bore To Stubbs : for often in a trice, Down on the nail he was compell'd to pay All that his hammer brought him in the day, And sometimes more. Thus, like a male Penelope, our wight, What he had done by day undid by night, No wonder, therefore, if, like her, He was beset by clamourous brutes, Who crowded round him to prefer Their several suits. One Mr. Snipps, the tailor, had the longest Bill for many suits of raiment, And naturally thought he had the strongest Claim for payment. But debts of honour roust be paid, Whate'er becomes of debts of trade; And so our stilish auctioneer, From month to month throughout the year, Excuses, falsehoods, pleas alleges, Or flatteries, compliments, and pledges. When in the latter mood one day, He squeez'd his hand, and swore to pay. " but when ?" " Next month. You may depend ori't My dearest Snipps, before the end on't Your face proclaims in every feature, Yon wouldn't harm a fellow creature You're a kind soul, I know you are, Snipps." *' Ay, so you said six months ago, But such fine words I'd have you know, Butters no parsnips." This said, he bade his lawyer draw A special writ, Serve it on Stubbs, and follow it Up with the utmost rigour of the law. This lawyer was a friend of Stubbs, That is to say, In a civic way, "Where business interposes not its rubs ; For where the main chance is in question, Damon leaves Pythias to the stake, Py lades and Orestes break, And Alexander cuts Hephaestion ; But when our man of law musi sue his friends, Tenfold politeness made amends. So when he met our auctioneer, Into his oulstretch'd hand he thrust his Writ, and said with friendly leer, " My dear, dear Stubbs, pray do me justice; 166 In this affair I hope you see No censure can attach to me Don't entertain a wrong impression; I'm doing now what must be done In my profession." " And so am I," Stubbs answered with a frowii, So crying, " Going going going gone !" He knock'd him down ! HOPE. HOPE, unyielding to Despair, Springs for ever fresh and fair ; Earth's serenest prospects fly, Hope's enchantments never die. At Fortune's frown, in evil hour, Though honour, wealth, and friends depart, She cannot drive, with all her power, This lonely solace from the heart : And while this the soul sustains, Fortune still unchanged remains; Wheresoe'er her wheel she guides, Hope upon the circle rides. The Syrens, deep in ocean's caves, .Sing while abroad the tempests roar, 167 Expecting soon the frantic waves To ripple on a smiling shore ; In the whirlwind, o'er the spray, They behold the halcyon play ; And through midnight clouds afar, Hope lights up the morning star. This pledge of bliss in future years Makes smooth and easy every toil; The swain, who sows the waste with tears, lu fancy reaps a teeming soil : What though mildew blight his joy, Frost or flood his crops destroy. War compel his feet to roam, Hope still carols Harvest Home! The monarch exil'd from his realm, The slave in fetters at the oar, The seaman sinking by the helm, The captive on his dungeon floor; All through peril, pain, and death, Fondly cling to paiiing breath ; Glory, freedom, power are past, But the dream of hope will last Weary and faint, with sickness worn, Blind, lame and deaf, and bent with age, 168 By man the load of life is borne To his last step of pilgrimage: Though the branch no longer shoot, Vigour lingers at the root, And in winter's dreariest day Hope foretells returning May. When, wrung with guilt, the wretch would end His gloomy days in sudden night, Hope comes, an unexpected friend, To win him back to hated light: " Hold !" she cries; and from his hand Plucks the suicidal brand; " Now await a happier doom, " Hope will cheer thee to the tomb." When virtue droops, as comforts fail, And sore afflictions press the mind, Sweet Hope prolongs her pleasing tale, Till all the world again looks kind : Round the good man's dying bed, Were the wreck of nature spread, Hope would set his spirit free, Crying, " Immortality !" JG9 DELPHI. BY A YOUTH SIXTEEN YEARS OF AGE. YES ! there are names at which the world must Low, O'er which the tide of ages rolls in vain; Lives there a man but feels his bosom glow, Gazing on Delphi's solitary reign ? No sound is heard on yon deserted plain, Save the wild wind that whistles through the trees In melancholy tone; as though the fane Received its homage from the passing breeze, Tho' man is silent there and all that once could please. Oh! Phoebus! all thy glory's past away, Thy domes and palaces decayed to dust; Where is the grandeur of thine earlier day ? Gone like the mem'ry of the good and just In man's ungrateful mind. Oh ! who would trust To human promises and human fame r His emblem be yon mould'ring ivyed bust, Which seems to say, " Proud man thy spirit tame, "For power is but a shade, and empire but a name!" Yet still a charm, a spirit ling'ring loves The spot, and binds us to it: lo ! the cave, The laughing fountain, e'en the murm'ring doves Sound a wild dirge o'er parted glory's grave. Oh! mighty mother of the great and brave, 170 Who can refuse the sympathetic tear, To days, thai time has hurried 'neath the wave, And men whose spirits seem to linger near, For poet, warrior, sage, have bent and worshipped here. Peace to their ashes ! cold, cold, is the hand That grasp'd the victor steel, and mute the tongue Of those who rung their summons thro' the land When freedom call'd, and ev'ry harp was strung To mightier themes, that now remain unsung By Grecia's servile sons : Oh ! it might wake The dead from their long sleep, to see the throng Of supple slaves before their tyrant quake? Are these the sons of those who Persia's fetters broke ? They died and pass'd away I is this the whole ? Does history give no tribute to their name P Bright is the rest of each immortal soul, And loud the nations raise their fond acclaim Above the sepulchre of perish'd fame, Where the wild waves their endless burden sweep Round Salarnis' green isle, unchang'd, the same, Since first th' Athenian Chieftain sunk to sleep; He sleeps for ever there, whilst nations o'er him weep. Such are the thoughts that crowd upon the mind At sight of yon lone fane, and ruin'd shrine. 171 Where now is heard the gently whisp'ring wind, Once thund'red forth the oracle divine. Here Phrebus dwelt, here dwelt the tuneful nine, Where high Parnassus spreads his snowy shroud. These pass'd away, then why should man repine At griefs that pass like yonder morning cloud, Since the same doom awaits the humble and the proud. Can all the pomp, the pageantry of power Cast o'er the gloom of life one cheering beam ? Can aught arrest th' inevitable hour, When we must sail down dark oblivion's stream ? Oh jio ! 'tis folly all: we vainly deem To leave a name that shall not pass away ; Glory is but the shadow of a dream. And fleeting is the melancholy ray, That lingers round our tomb for one brief, little day. Yet who can gaze on yonder cloud capp'd hill, Nor feel a pulse awaken in his heart ! Yon thunder-riven cliffs are sacred ; still That lingers there, which cannot all depart. Soon fade away the pomp, the pride of art ; The stately column and the sculptur'd stone Are sunk to dust ; yet might the gazer start To see the dwelling-place of gods so lone. Where crowded nations bow'd before their idol's throne. am 172 THE GOUTY MERCHANT AND THE STRANGER. In Broad-street Buildings, on a winter night, Snug by his parlour fire a gouty wight Sate all alone, with one hand rubbing His leg rolled up in fleecy hose, While t'other held beneath his nose The Public Ledger, in whose columns grubbing, He noted all the sales of hops, Ships, shops, and slops, Gum, galls and groceries, ginger, gin, Tar, tallow, turmerick, turpentine, and tin* - When lo ! a decent personage in black Enter'd, and most politely said, " Your footman, Sir, has gone his nightly track, To the King's Head, And left your door ajar, which I Observed in passing by, And thought it neighbourly to give you notice." " Ten thonsand thanks how very few get In time of danger Such kind attentions from a stranger ! Assuredly that fellow's throat is Doom'd to a final drop at Newgate. 173 He knows, too, the unconscionable elf, That there's no soul at home except myself." " Indeed !" replied the stranger, looking grave; " Then he is a double knave, He knows that rogues and thieves by scores Nightly beset unguarded doors ; And see how easily might one Of these domestic foes, Even beneath your very nose, Perform his knavish tricks, Enter your room as I have done, Blow out your candles thus and thuy t Pocket your silver candlesticks, And walk off thus." So said so done he made no more remark, Nor waited for replies, But march'd off with his prize, Leaving the gouty merchant in the dark. TITHING DINNER. COME, ponder well, for 'tis no jest, To laugh it would be wrong, The troubles of a worthy priest The burden of my song. 174 This priest he merry is and blithe Three quarters of a year, But oh! it cuts him like a scythe, When tithing time draws near. He then is full of fright and fears, As one at point to die, And long before the day appears lie heaves up many a sigh. For then the farmers come jog, jog, Along the miry road, Each heart as heavy as a log, To make their payments good 1 . In sooth, the sorrow of such days Is not to be expressed, When he that takes and he that pays Are both alike distressed. Now all, unwelcome, at his gates The clumsy swains alight, With rueful faces and bald pates He trembles at the sight. And well he may, for well he knows Each bumpkin of the clan, Instead of paying what he owes. Will cheat him if he can. 175 So in they come each makes his leg, And flings his head before, And looks as if he came to beg, And not to quit a score. 'And how does miss and madam do, 'The little boy and all?' 'All tight and \rell. And how do you, ' Good Mr. Wbat-d'ye-call ? ' The dinner comes, and down they sit : Were e'er such hungry folk' There's little talking and no wit. It is no lime to joke. One wipes his nose upon his sleeve, One spits upon the floor, Yet not to give offence or grieve, Holds up the cloth before. The punch goes round, and they are dull And lumpish still as ever; Like barrels with their bellies full, They only weigh the heavier. At length the busy time begins, 'Come, neighbours, we must wag ' The money chinks, down drop their chins, Each lugging out his bag. 176 One talks of mildew and of frost, And one of storms of hail, And one of pigs, that he has lost By maggots at the tail. Quolh one, ' A rarer man than you ' In pulpit none shall hear: ' But yet, metliinks, to tell you true, ' You sell it plaguy dear.' Oh, why are farmers made so coarse, Or clergy made so fine ! A kick, that scarce would move a horse, May kill a sound divine. Then let the boobies stay at home ; 'Twould cost him, I dare say, Less trouble taking twice the sum, Without the clowns that pay. THE DEFENCE OF SOCRATES BEFORE HIS JUDGES. SOCRATES, in his defence, employed neither artifice nor the glitter of eloquence. He had not recourse either to solicitation or entreaty. He brought neither his wife nor children to incline the judges in his favour 177 by their sighs and tears. But though he firmly re- fused to make use of any other voice then his own, and to appear before his judges in the submissive posture of a suppliant, he did not behave in that manner from pride, or contempt of the tribunal: it was from a noble and intrepid assurance, resulting from greatness of soul and the consciousness of his truth and innocence. His defence had nothing timo- rous or weak in it. His discourse was bold, manly, generous, without passion, without emotion, full of the noble liberty of a philosopher, with no other ornament than that of truth, and brightened uniter- sally with the character and language of innocence. Plato, who was present, transcribed it afterwards, and without any additions, composed from it the work vhich be calls the Apology of Socrates, one of the most consummate master-pieces of antiquity. The following is an extract from it. " I am accused of corrupting the youth, and of instilling dangerous maxims into their minds, as well in regard to Divine worship, as to the rules of go- vernment. You know, Athenians, that I never made it my profession to teach: nor can envy, however violent, reproach me with having ever sold my in- structions. I have an undeniable evidence for me in this respect, which is m> poverty. I am always equally ready to communicate my thoughts both to 178 the rich and the poor, and to give them opportunity to question or answer me. I lend myself to every one who is desirous of becoming virtuous; and if, amongst those who hear me, there are any that prove either good or bad, neither the virtues of the one, nor the vices of the other, to which 1 have not con- tributed, are to be ascribed to me. My whole em- ployment is, to counsel the young and the old against too much love for the body, for riches, and all other precarious things, of whatever nature they be; and against too little regard tor the soul, which ought to be the object of their affection. For I incessantly urge to them, that virtue does not proceed from riches; but, on the contrary, riches from virtue; and that all the other goods of human life, as well public as private, have their source in the same principle. " If to speak in this manner be to corrupt youth, I confess, Athenians, that I am guilty, and deserve to be punished. If what I say be not true, it is most easy to convict me of falsehood. I see here a great number of my disciples: they have only to come for- ward. It will perhaps be said, that the regard and veneration due to a master who has instructed them, will prevent them from declaring against me: but their fathers, brothers, uncles, cannot, as good re- lations and good citizens, excuse themselves for not 179 .standing forth to demand vengeance agaiitst the cor- I'upter of their sons, brothers, and nephews. These are, however, the persons who take upon them my defence, and interest themselves in the success of my cause. "Pass on me what sentence you please, Athenians : I can neither repent, nor alter rny conduct. 1 must not abandon or suspend a function which God himself lias imposed on me. Now he has charged me with the care of instructing my fellow-citizens. If after having faithfully kept all the posts wherein I was placed by our generals at Potidcea, Amphipolis, and Dclium, Hie fear of death should at this time make me abandon that in which the divine Providence has placed me, by commanding me to pass my life in the study of philosophy, for the instruction of myself and others; this would be a most criminal desertion indeed, and make me highly worthy of being cited before this tri- bunal, as an impious man who does not believe in the Gods. Should you resolve to aquit me, I should not, Athenians, hesitate to say, I honour and love you; but 1 shall choose rather to obey God than you ; and to my latest breath shall never renounce ray philosophy nor cease to exhort and reprove you according to my custom, by saying to each of you as occasion offers ' My good friend and citizen of the most famous city in the v.-orld for wisdom and valour, are you not lib 180 ashamed to have no other thoughts than those of amassing wealth, and of acquiring glory, credit, and dignities ; neglecting the treasures of prudence, truth, and wisdom, and taking no pains to render your soul as good and perfect as it is capable of being." " I am reproached with abject fear, and meanness of spirit, for being so busy in imparting my advice to every one in private, and for having always avoided to be present in your assemblies, to give my counsels to my country. I think 1 have sufficiently proved my courage and fortitude, both in the field, where I have borne arms with you, and in the senate, where I alone opposed the unjust sentence you pronounced against the ten captains, who had not taken up and interred the bodies of those, who were killed and drowned in the sea-6ght near the island Arginusje; and when,, upon more than one occasion, I opposed the violent and cruel orders of the thirty tyrants. What is it then lhat has prevented me from appearing in your assemblies? Do not take it ill, I beseech you, if I speak my thoughts without disguise, and with truth and freedom. Every man who would ge- nerously oppose a whole people, either amongst us or tlsewhere, and who inflexibly applies himself to prevent the violation of the laws, aud the practice of iniquity in a government, will never do so long with impunity. It is absolutely necessary for a man of 181 this disposition, if lie has any thoughts of living, to remain in a private station, and never to have any share in public affairs. " For the rest, Athenians, if, in my present ex- treme danger, I do not imitate the behaviour of those, who, upon less emergences, have implored and sup- plicated their judges with tears, and have brought forth their children, relations, and friends; it is not through pride and obstinacy, or any contempt for you, but solely for your honour, and fur that of the whole city. You should know, that there, are amongst our citizens those who do not regard death as an evil, and who give that name only to injustice and infamy. At my age, and with the reputation, true or false, which I have, would it be consistent for me, after all the lessons I have given upon the contempt of death, to be afraid of it myself, and to belie, in my last ac- tion, all the principles and sentiments of my past life? " But without speaking of my fame, which I should extremely injure by such a conduct, I do not think it allowable to entreat a judge, nor to be ab- solved by supplications. He ought to be influenced only by reason and evidence. The judge does not sit upon the bench to show favour, by violating the laws, but to do justice in conforming to them. He docs not swear to discharge with impunity whom he 182 pleases, but to do justice where it is due. We ought not, therefore, to accustom you to perjury, nor you to suffer yourselves to be accustomed to it; for, in so doing, both the one and the other of us equally injure justice and religion, and both are criminals. " Do not, therefore, expect from me, Athenians, that I should have recourse amongst you to means which I believe neither honest nor lawful, especially upon this occasion, wherein I am accused of impiety by Melitus : for, if I should influence you by my prayers, and thereby induce you to violate your oaths, it would be undeniably evident, that I teach you not to believe in the gods; and even in defending and uglifying myself, should furnish my adversaries with arms against me, and prove that 1 believe no divin- ity. But I am very far from such bad thoughts; I am more convinced of the existence of God than my accusers are ; and so convinced, that I abandon my- self to God and you, that you may judge of me as you shall deem best for yourselves and me." Socrates pronounced this discourse with a firm and intrepid tone. His air, his action, his visage, expressed nothing of the accused. He seemed to be the master of his judges, front the greatuess of soul with which he spoke, without however losing any of liie modesty natural to him. But how slight soever the proofs were against him, the factiou was powerful 183 enough to find him guilty. There was the form of a process against him, and his irreligion was the pre- tence upon which it was grounded ; but his death was certainly a concerted thing. His steady uninUr- rupted course of obstinate virtue, which had made him in many cases appear singular, and oppose what- ever he thought illegal or unjust, without any regard to times or persons, had procured him a great deal of envy and ill-will. After his sentence, he continued with the same serene and intrepid aspect with which lie had long enforced virtue, and held tyrants in awe. When he entered his prison, which then became the residence of virtue and probity, his friends followed him, and continued to visit him during the interval between his condemnation and his death. THE COLLEGIAN AND THE PORTER. AT Trin. Coll. Cam. which means, in proper spelling, Trinity College, Cambridge, there resided One Harry Dashington a youth excelling In all the learning commonly provided For those who choose that classic station For finishing their education: That is he understood computing The odds at any race or match ; 184 Wa a dead hand at pigeon- shooting; Could kick up rows knock down the watch Tlay truant and the rake at random Drink tie cravats and drive a tandem. Remonstrance, fine, and rustication, So far from working reformation, Seem'd but to make his lapses greater, Till he was warn'd that next offence Would have this certain consequence Expulsion from his Alma Mater. One need not he a necromancer To guess that, with so wild a wight, The next offence occurred next night; When our Incurahle came rolling Home as the midnight chimes were tolling, And rang the College bell. No answer., The second peal was vain the third " Made the street echo its alarum; When to his great delight he heard The sordid Janitor, old Ben, Rousing and growling in his den. " Who's there ? I s'pose young Harum-scarum. ">Tis I, my worthy Ben 'tis Harry." " Ay, so I thought and there you'll tarry. 'Tis past the hour the gates are closed, You know my orders I shall lose My place if I undo the door." "And I" (young Hopeful interposed) " Shall he expell'd if you refuse, So prythee" Ben began to snore. " I'm wet," cried Harry, "to the skin, Hip ! hallo ! Ben ! don't be a ninny ; Beneath the gate I've thrust a guinea, So tumble out and let me in." " Humph \" growl'd the greedy old curmudgeon. Half overjoy'd and half in dudgeon, " Now you may pass ; but make no fuss, On tiptoe walk, and hold your prate." " Look on the stones, old Cerberus," Cried Harry as he pass'd the gate, " I've dropp'd a shillint; take the light, You'll find it just outside good night." Behold the porter in his shirt, Cursing the rain which never stopp'd, Groping and raking in the dirt, And all without success ; but that Is hardly to be wonder'd at, Because no shilling had been dropp'd ; 186 So lie gave o'er the search at last, Uegain'd the door, and found it fast! With sundry oaths and growls and groans, He ran" onee twice and thrice; and then, Mingled with giggling heard the tones Of Harry mimicking old Ben. " Who's there? 'Tis really a disgrace To ring so loud I've lock'd the gate I know my duty 'Tis too late You wouldn't have me lose my place." "Psha! Mr.' Dashington: remember, This is the middle of NOF^ jr. I'm stripp'd ; 'tis raining cats and dogs. " Hush, hush!" quoth Hal; "I'm fast asleep;" And then he snored as loud and deep As a whole company of hogs. " But, haikye, Ben, I'll grant admittance At the same rate I paid myself." " Nay, master, leave me half the pittance," Replied the avaricious elf. " No: all, or none a full acquittance; The terms, I know, are somewhat high; But you have fix'd the price, not I I won't take less ; I can't afford it." So, finding all his haggling vaio, Ben with an oath and groan of pain Drew out the guinea, and restored it. " Surely you'll give me," growl'd th' outwitted Porter, when again admitted, " Something, now you've done your joking, For all this trouble, time, and soaking." Oh, surely surely," Harry said; " Since, us you urge, 1 broke your rest, And you're half drown'd, and quite undress'd, I'll give you Itave to go to bed." Till: M\K'- % : K'S DREAM. IN slumbers of midnight the sailor boy lay, His hammock swung loose at the sport of the wiud : But, watch-worn and weary, his cares flew away, And visions of happiness danc'd o'er his mind. He dreamt of his home, of his dear native bow'rs, And pleasures that waited on life's merry morn ; While mem'ry each scene gaily cover'd with flow'rs, And restor'd ev'ry rose, but secreted its thorn. Then Fancy her magical pinions spread wide, And bade the young dreamer in ecstacy rise; Now far, far behind him the green waters glide, And the cot of his forefathers blesses his eyes. cc 188 The jessamine clambers in flow'ro'er the thatch, And the swallow chirps sweet from her nest in the wall; All trembling with transport, he raises the latch, And the voices of lov'd ones reply to his call. A father bends o'er him with looks of delight; His cheek is bedew'd with a mother's warm tear; And the lips' of the boy in a love-kiss unite With the lips of the maid whom his bosom holds dear. The heart of the sleeper beats high in his breast, Joy quickens his pulses,,, his hardships seem o'er; And a murmur of happiness steals through his rest " O God ! thou hast bless' d me, I ask for no more." Ah ! whence is that flame which now glares on his eye? Ah ! what is that sound which now bursts on his ear? 'Tis the lightning's red gleam, painting hell on the sky ! *Tis the crashing of thunders, the groan of the . sphere ! He springs from his hammock, he flies to the deck, Amazement confronts him with images dire Wild winds and mad waves drive the vessel a wreck The masts fly in splinters the shrouds are on fire. 189 Like mountains the billows tremendously swell In vain the lost wretch calls on Mercy to save; Unseen hands of spirits are ringing his knell, And the Death-Angel flaps his broad wing o'er the wave ! Oh ! Sailor Boy, woe to thy dream of delight! In darkness dissolves the gay frost-work of bliss Where now is the picture that fancy touch'd bright, Thy parents' fond pressure, and love's honied kiss? Oh, Sailor Boy, Sailor Boy ! never again Shall home, love, or kindred thy wishes repay ; Unbless'd, and unhonour'd, down in the main Full many a fathom, thy frame shall decay. No tomb shall e'er plead to remembrance for thee, Or redeem form or fame from the merciless surge But the white foam of waves shall thy winding-sheet be, And winds in the midnight of winter thy dirge! On a bed of sea-green flower thy limbs shall be laid ; Around thy white bones the red coral shall grow; Of thy fair yellow locks, threads of amber be made, And every part suit to thy mansion below. Days, months, years, and ages shall circle away, And still the vast waters above thee shall roll ; Frail short-sighted mortals their doom must obey Oh, Sailor Boy ! Sailor Boy ! peace to thy soul I 190 THE SOLDIER'S DREAM; OUR bogles sung truce; for the night-cloud had lower'd, And the sentinel stars set their watch in the sky ; And thousands had sunk on the ground overpower'd, The weary to sleep, and the wounded to die. When reposing that night on my pallet of straw, By the wolf-scaring faggot that guarded the slain, At the dead of the night a sweet vision I saw; And twice ere the cock-crow I dreamt it again : Methonght, from the battle-field's dreadful array, Far, far 1 had roam'd on a desolate track, Till autumn and sunshine arose on the way To the house of my fathers, that welcom'd me back. I flew to the pleasant fields, travers'd so oft In life's morning march, when my bosom was young; I heard my own mountain goats bleating aloft, And knew the sweet strain that the corn-reapers sung. Then pledg'd we the wine-cup, and fondly 1 swore From my home and my weeping friends never to part; My little ones kiss'd me a thousand times o'er, And my wife sobb'd aloud in her fulness of heart. 191 "Stay stay with us! rest, thou art weary and worn !" (And fain was their war-broken soldier to slay;) But sorrow retuni'd with the dawning of morn, And the voice in my dreaming ear melted away ! THE DYING SOLDIER. THE tumult of battle had ceas'd high in air The standard of Britain triumphantly wav'd; Arid the remnant of foes had all fled in despair, Whom night, intervening, from slaughter had sav'd; When a veteran was seen, by the light of his lamp, Slow-pacing the bounds of the carcass-strewn plain; Not base his intent, for he quitted his camp To comfort the dying not plunder the slain. Though dauntless in war, at a story of woe Down his age-furrow'd cheeks the warm tears often ran ; Alike proud to conquer, or spare a brave foe, He fought like a hero! " but fell like a man !" As he connted the slain, " Oh, Conquest!" he cried, " Thou art glorious indeed, but how dearly thou'rt won ! 192 Too dearly, alas !" a voice faintly replied It IhrillM through his heart! 'twas the voice of his Sou ! He listen'd aghast ! all was silent again ; He search'd by the beams which his lamp feebly shed, And found his brave Son, amid hundreds of slain, The corse of a comrade supporting his head i " My Heury !" the sorrowful parent exclaim'd, " Has fate rudely withered thy laurels so soon ?" The youth op'd his eyes, as he heard himself natn'd, And awoke for a while, from his death-boding swoon. He gaz'd on his Father, who knelt by his side, And seizing his hand, press'd it close to his heart; "Thank heav'n, thou art here, my dear Father!" he cried ; " For soon ! ah, too soon we for ever must part! " Though death early calls me from all that 1 love ! From glory, from thee, yet perhaps 'twill be given To meet thee again in yon regions above !" His eyes beam'd with hope, as he fix'd them oil heav'u. " Then let not thy bosom with vaiu sorrow swell ; Ah ! chock, ere it rises, the heart-rending sigh ! 1 fought for my King! for iny Country ! I fell In defence of their rights ! and 1 glory to die!" 19-3 THE BURIAL OF SIR JOHN MOORE. Nor a drum was heard, nor a funeral note, As his corse to the rampart we hurried : Not a soldier discharged his farewell shot, O'er the grave where our hero was buried. We buried him darkly at dead of night, The sods with our bayonets turning ; By the struggling moonbeam's misty light, And the lantern dimly burning. No useless coffin enclosed his breast, Nor in sheet nor in shroud we bound him; But he lay like a warrior taking his rest, With his martial cloak around him. Few and short were the prayers we said, And we spoke not a word of sorrow; But we stedfastly gaz'd on the face of the dead, And we bitterly thought of the morrow. We thought, as we hollow'd his narrow bed, And smooth'd down his lonely pillow, That the foe and the stranger would tread o'er his head, And we far away on the billow. Lightly they'll talk of the spirit that's gone. And o'er his cold ashes upbraid him; But nothing he'll reck if they let him sleep on, In the grave where a Briton has hid him. But half of our heavy task was done, When the clock tolPd the hour for retiring, And we heard the distant and random gun, That the foe was suddenly firing. Slowly and sadly we laid him down, From the field of his fame fresh and gory; We carv'd not a line, we rais'd not a stone, But we left him alone with his glory. ON DEATH. AH, that funereal toll ! loud tongue of time ! What woes are center'd in that frightful sound ! It calls, it calls me, with a voice sublime, To the lone chambers of the burial ground. My life's first footsteps are 'mid yawning graves; A pale, teeth-clatt'ring spectre passes nigh A scythe of lightning that pale spectre waves, Mows down man's days like grass, and hurries by. Nought his untir'd rapacity can cloy : Monarch's and slaves are all the earth-worm's food; And the wild-raging elements destroy Ev*n the recording tomb. Vicissitude Devours the pride of glory ; as the sea Insatiate drinks the waters, so our days And years are lost in deep eternity, Cities and empires vandal death decays. We tremble on th>e borders of th' abyss, And giddy totter headlong from on high; For death with life our common portion is, And man is only born that he may die. Death knows no sympathy; he tramples un All tenderness extinguishes the stars Tears from the firmament the glowing sun, And blots out worlds in his gigantic wars. But mortal man forgets mortality ! His dreams crowd ages into life's short day; While, like a midnight robber stealing by, Death plunders time by hour and hour away. When least we fear, then is the traitor nigh ; When Hio^t secure we seem, he loves to come: Less swift than he, the bolts of thunder fly, Less sure than lie, the lightning strikes the dome. He rules o*cr all and Him must kings obey, Whose will no counsel knows, and no control; The proud and gilded great ones are his prey, Who stand like pillars in a tyrant's hall! 196 ON LEAVING ENGLAND. THY chalky cliffs are fading from my view ; Our bark is dancing- gaily o'er the sea ; I sigh, while yet I may, and say adieu, Albion, thou jewel of the earth, to thee, Whose fields first fed my childish fantasy ; Whose mountains were my boyhood's wild delight; Whose rock, and wood,^md torrent, were to me The food of my soul's youthful appetite, Were music to my ear, a blessing to my sight. I never dreamt of Beauty, but behold ! Straightway tby daughters flashed upon my eye; I never mus'd on Valour, but the old Memorials of thy haughty chivalry Fill'd my expanding breast with extacy : And when I thought on Wisdom, and the crown The Muses give, with exultation high J turn'd to those whom thou hast call'd thine own, Who fill the spacious earth with their and thy renown. When my young heart, in life's gay morning hour, At Beauty's summons beat a wild alarm, Her voice came to me from an English bower, And English smiles they were that wrought the charm. And if, when lull'd asleep on Fancy's arm, 197 Visions of bliss my riper age have cheer'd Of home, and Love's fireside, and greetings warm For one by absence and long toil endear'd, The fabric of n, y hope on thee hath still been rear'd. Peace to thy smiling hearths *hen T am gone! And may'st thoti still thy ancient dowry keep, To be a mark to guide the nations on, Like a tall watch-tow'r^kishing o'er tho deep ! Long may'st thou bid the sorrowers cease to weep, And shoot the beams of truth athwart the night That wraps a slumb'ring world; till from their sleep Starting, remotest nations see the light, And earth be blest beneath the buckler of thy might! Strong in thy strength, I go; and wheresoe'er My steps may wander, may I ne'er forget All that I owe to thee; and oh ! may ne'er My frailties tempt me to abjure the debt! And what if far from thee my star must set, Hast thou not hearts that shall with sadness hear The tnle, and some fair cheek that shall be wet; And some bright eye, in which the swelling tear Shall start from him who sleeps in Afric's desarts drear? Yet will I not profane a charge like mine With melancholy bodings, nor believe 198 That a voice, whispering ever in tlie shrine OF my own heart, spike only to deceive. 1 trust its promise, that I go to weave A wreath of palms, enlwin'd with many a sweet Perennial flower, which time shall not hereave Of all its fragrance : that T yet shall greet Once more the Ocean Queen, and throw it at her feet. THE BITER BIT. JACK Dobson, honest son of tillage, The Toby Philpot of his village, LaughM and grew fat, Time's gorgon visage braving; To hear him cackle at a hoax, Or new edition of old jokes, You'd think a Roman Capitol was saving. Not Boniface, when at a mug Of ale he gave a hearty tug, Was fuller of his subject-matter; And Dobson had a better plea For boasting of its pedigree, For his was brew'd at home, and he Himself was infinitely fatter. One cask he had, better and stronger Than all the rest brew'd at a christening To pass it set his eyes a glistening; In short he couldn't tarry longer, But seizing spiggot and a faucet, He tapp'd it quaff d a luscious posset Then, like a hospitable fellow, Sent for his friends to make them mellow. Among them he invited one CalPd Tibbs, a simple-wilted wight, Whom Mister Dobson took delight To make the subject of his fun : For nature such few brains had put In neighbour Tibbs's occiput, That all the rustic wags and wits Found him a most convenient butt For their good hits; Though sometimes, as both great and small aver, He gave them Rowland for their Oliver. The guests all met, and dinner spread, Dobson first tipp'd the wink, then said, " Well, now, my lads, we'll all draw lots, To settle which of us shall go Into the cellarage below, To Oil the pots j" 200 So saying, lie adroitly wriggled The shortest into Tibbs's paw, Whereat the others hugely giggled, And Tibbs, obedient to the law, Went down, the beverage to draw. Now, Farmer Dobson, wicked wag ! Over the cellar-door had slung A water-bowl, so slyly hung, That whoso gave the door a drag Was sure to tumble down at once A quart of liquid on his sconce. Our host and all his brother wits, Soon as they heard their victim's tramp, Who look'd half-drown'd, burst into fits, Which in fresh peals of laughter flamed, When Tibbs, in drawling tone exclaim'*] : " Isn't your cellar rather damp?" Grace being said, quick havoc follow'd; Many good things were said and swallow'dj Joking, laughing, stuffing, and quaffing, For a, full hour they pus'h'd about The canns, and when there came a pause, From mere exhaustion of their jaws, Tibbs, with his nasal tweng, drawl'd out 201 " Suppose we now draw lots again, Which of us shall go down to put The spiggol back into the butt." " Why, zounds ?' the farmer roar'd amain, " The spiggot back! come, come, you're funning You hav'n't left the liquor running ?" "I did as I was order'd, Jack." Quoth Tibbs, " and it was intention'd That I should put the spiggot back, It's a great pity 'twasn't mention'd : You've lost a cask of precious stuff, But I, for one, have drunk enough." *' Ass ! numscull ! fool !" the farmer cried, " What can one get, confound their souls ! " By asking such half-wilted lubbers?" " This lesson, neighbour," Tibbs replied, " That those who choose to play at bowls, Should look to meet with rubbers!" THE STAR OF BETHLEHEM. WHEN marshall'd on the nightly plain. The glitt'ring host bestudsthe sky ; One star alone, of all the train, Can fix the sinner's wand'ring eye. 202 Hark! hark ! to God the chorus breaks, From ev'ry host, from ev'ry gem ; But one alone the saviour speaks It is the star of Bethlehem. Once at the raging seas I rode, The storm was loud, the night was dark, The ocean yawu'd, and rudely blowM The wind that toss'd my found'ring bark. Deep horror then my vitals froze, Death-struck, I ceas'd the tide to stemj When suddenly a star arose, Jt was the star of Bethlehem. It was my guide, my light, my all. It bade my dark forebodings cease; And through the storm, and danger's thrall, It led me to the port of peace. Now safely inoor'd my perils o'er, I'll sing first in night's diadem, For ever and for evermore, The star ! the star of Bethlehem ! T. KEMP, PRINTER, H U ODhKSFI ELD. INDEX, * PART I. Phgdi THE Perfect Speaker Dr. Dodd's Speech The Newcastle Apothecary Fare thee veil Lady Byron's Answer to her Lord's Farewell.... 11 Eulogiura on Scotland Description of a Country exposed to the Insults of cruel Soldiery Description of an Informer Origin of Eloquence Roman Eloquence Conduct of a discourse in all its parts The Country Bumpkin and the Ra/or Seller ... 43 The Dissolution and Renovation of Nature .. . 46 Satire on Law Prospect of Immortality Lord Chatham's Speech against the American War, and against employing the Indians Mary, the Maid of the Inn The Downfall of Poland <& INDEX. PART II. Page. The Destruction of Senacherib... 69 The Captive 70 The Pilgrim and the Peas 74 Verses by A. Selkirk 76 Brutus's Speech ou the Death of Caesar 79 Mark Anthony's Funeral Oration 80 Character of William Pitt, late Earl of Chatham 85 John Gilpin's Journey 87 Norval's Accountof the Hermit 98 Walpole in Reproof of Pitt 100 Pitt's Reply ..,. 102 Satire on Law-suits (part second) ,, 104 Man was made to mourn 108 Junius Brutus over the dead Body of Lucretia III PART III. St. Paul's Defence before Agrippa 115 Parting of Hector and Andromache 118 Three Black Crows 122 Alexander's Feast 124 Cant of Criticism 129 Exile of Erin 131 On visiting a Scene in Argyleshire ........ ....... 133 INDEX. Page. Cato on the Immortality of the Soul 134 Extract of a Speech against Williams 136 To Mary in Heaven 139 Extract from Curran's Speech in behalf of A* H. Rowan 140 The Battle of Busaco 149 Beans and Bacon 1H) Eliza I" The Three Warnings 154 PART IV. Othello's Address to the Senate ...: v 169 Episode on Conrad and Ellenore 161 The Auctioneer and Lawyer 162 Hope 166 Delphi 169 The Gouty Merchant and the Stranger 172 Tithing Dinner 1 The Defence of Socrates I 7ti The Collegian and the Porter 183 The Mariner's Dream 181 The Soldier's Dream I9fl The Dying Soldier ' 9 ' The Burial of Sir John Moore 19 Ou Death .. 194 INDEX. Page. On leaving England 196 The Biter bit 198 The Star of Bethlehem 201 This book is DUE on the last date stamped below m-ll.'50(2555)47 UC SOUTHERN RE PN 1201