'cV; "% ^ 1 ■' c= ^ 1 r-ni ■iJuaiiyj-3^' ■uOdllV3-JO>' -■j;jjfrr:)ij A^OFCALIFO/?^ C3 h i: a ^ -■-, ^ ^ ^ CO ■JJUJ^VbUl- o J'JNVSOl o * %iJJAI.\l, JHi- ^3/ -> '^Aa3AiNn]UV ,M;OFCAllFOP^ ^^6 -ax^IIBRARY/ .aNHIBRARYi9^ , ^nV- 'i'drnwrn-^'- varTAiirn.'^v,. -Y- -^ -^ ;?% ^«^vWSANCflfX:,>. __ DC ■<. CO uJ %0JI1VD • %0JI"IV3J0>-' Tl —I -*■ 30 ^ '•.aj,AlNn-3V\V -< CO %7r ^\^F I'S'IVFR.V//, ..vlOSANGELfjy. W,l-llBRARYr' CyO ^ b Oy '^ ,iNfl-3UV %0JnV3JO^ \\EUNIVER% \NCElfj> .^.OFCAIK' 1- = ^ ■<' r\v r k \ \r r\r\ . ' ■-■■ -\'J V f J a 1 1 :i '- , \ij V u'.ii 1 - I 1 r ri V in 'inr , i fw i iir n r , •J l^J.-'. SIR JOHN DAVIES. I'RINTED BY ROBERT ROBERTS, BOSTON. THE COMPLETE POEMS OF SIR JOHN DAVIES. EDITED, WITH iffllemoriaI=3[ntroliuction anti ^otcs, BY THE REV. ALEXANDER B. GROSART. 4 5 U Z i IN TIVO VOLUMES.— yOL. II. E-ontion; CHATTO AND WINDUS, PICCADILLY. 1876. .. . .... • . . . '•••••• . . ... * * « • • « » • « . • , V. Z caf Cojitents. Those marked with [*] are either printed for the first time, or the first time published among DavJes' Poems. Epigram MES : Note . Ad Musam Of a Gull [n Ruffum [n Quintum [n Plurimcs [n Titam [n Faustum [n Katum In Librum [n Medontem [n Gellam [n Quintum [n Severum [n Leucam [n Macrum [n Fastum [n Cosmum [n Flaccum In Cineam [n Gerontem [n Marcum [n Ciprum [n Cineam [n Galium [n Decium for PAGE 3 7 8 lO lO II 12 12 13 H 14 15 15 15 i6 17 17 i8 i8 19 20 2L 21 22 23 24 VOL. II. vi. CONTENTS. PAGE Epigrammes (continued) In Gellam 26 In Syllam ........ 27 In Sillam ........ 27 In Haywodum ....... 29 In Dacum ........ 30 In Priscum ........ 31 In Brunum ........ 31 In Francum ........ 31 In Castorem ........ 32 In Septimium ....... 32 Of Tobacco ........ 32 In Crassum 35 In Philonem 36 In Fuscum ........ 37 In Afram 38 In Paulum ........ 39 In Licum . . . . , . . .40 In Publium .40 In Sillam 41 In Dacum ........ 42 In Marcum ........ 43 Meditations of a Gull ...... 43 Ad Musam ........ 44 ♦Appendix to Epigrams 47 *In Superbiam .47 *Epi. 5 48 *Epi. 6 48 *In Amorosum 48 *Epi. 9 49 *Epi. 10 49 * Epitaph and Epigram 50 *GuLLiNGE Sonnets Note 53 ♦Dedicatory Sonnet — To His Good Freinde Sr Anth. Cooke 55 CONTENTS. vn. PAGE *GuLLiNGE Sonnets . . ... . . -57 Minor Poems : *i. Yet Other Twelve Wonders of the World — *The Courtier. *The Divine . *The Souldier. *The Lawyer . *The Physitian *The Merchant. *The Country Gentleman *The Bacheler *The Married Man *The Wife . *The Widdow *The Maid . *ii. A Contention betwixt a Wife, a Widdow, AND A Maide. ...... *iii. A Lottery. Presented before the late Queenes Maiesty at the Lord Chancel- ORs House, i6oi 87 *The Lots 89 *iv. Canzonet. A Hymne in Praise ofMusicke 96 *v. Ten Sonets to Philomel : *Vpon Loues entring by the Ears . . -99 *Of his owne, and his Mistresse sicknesse at one time . . . . . . .100 * Another of her sicknesse and recovery . loi *Allusion to Theseus voyage to Crete, against the Minotaure . ..... 102 *Vpon her looking secretly out at a window as he passed by . . . . .102- *To theSunneof his Mistresse beauty eclipsed with frowncs ...... 104 *Vpon sending her a gold ring with this Posie 104 *The hearts captivitie 105 65 66 67 67 68 68 69 69 69 70 70 71 72 viii. CONTENTS. 107 108 112 114 "5 116 119 127 211 PAGE Yet Othrr Twelve Wonders of the World (continued) *vi. To George Chapman on his Ovid . *vii. Reason's Moane .... *viii. On the Death of Lord Chancellor Ellesmere's Second Wife in 1599 . *IX. TiTYRUS TO his FAIRE PhILLIS . *Upon a Coffin by S. J. D. . *x. Epitaph and Epigram .... *HiTHERTo Unpublished Poems : Note ........ *Metaphrase of some op the Psalms . Miscellaneous Poems. Hitherto Unpublished *Of Faith the first Theolosricall Vertue . *A Songe of Contention betweene Fowre Maids concerninge that which addeth most perfection to that sexe . . . . . . .212 *A Maid's Hymne in Praise of Virginity . . 213 *Part of an Elegie in Praise of Marriage . . 215 *A Fragment of a Love Elegie .... 217 *To the Q : [Queene] 222 *To Faire Ladyes 223 *Upon a Paire of Garters 224 *To his Lady-love ...... 225 *Tobacco. ........ 226 * Elegies of Loue ....... 227 *The Kinges Welcome ...... 229 *To the Kinge upon his Ma'ties first comming into England ....... 233 *To the Queene at the same time. . . . 236 *Mira loquor sol occubuit nox nulla secuta est . 237 *Charles his Waine ...... 237 *Of the name of Charolus, being the diminutive of Charus 238 * Verses sent to the Kinge with Figges : by Sr John Davis ........ 234 CONTENTS. ix. PAGE Miscellaneous Poems. Hitherto Unpublished (continued) *Love Lines ....... *Love Flight *An Elegiecall Epistle on Sir John Davis death ^Entertainment of Oueen Elizabeth at Hare field by the Countesse of Derby . Note ....... *The Complaint of the V Satyres against THE Ny'mphs ...... Errata 239 240 241 243 244 250 259 IV. EPIGRAMS. WITH ADDITIONS. VOL. 11. NOTE. I am indebted to the Bodleian copy — among Malone's books — for my text of these ' Epigrams.' I have preferred this edition to the two others that preceded, inasmuch as, while it, like them, bears the imprint of ' Middlebourgh,' there seems no reason to doubt that it was printed in London : therefore most probably under the author's eye. The vol- ume is a small i2mo. and the following is the title-page: — All OVIDS ELEGIES 3 Bookes By C. M. EPIGRAMS BY J. D. At Middlebourgh. Malone has filled in in MS. ' Christopher Marlowe and John Davis.' Cf. Collier's Bibliographical Account of Early English Literature : Vol I. s.n. The Rev. Alexander Dyce in his collective edition of the Works of Marlowe, has given Davies' " Epigrams" in ex- tenso, with a painstaking collation of the various readings from the other two editions (both undated) together with similar various readings from a Manuscript discovered by him in the Harleian Collection ( 1836.) Mr. Dyce with reference to his reprint of the' Epigrams,' and the foregoing MS. says, " I have given them with the text considerably improved by means of one of the Harleian MSS" ('Some VOL. II. B 2 NOTE. Account of Marlowe and his Writings : p. xl : edition 1862.) I must demur to this alleged ' improvement.' The MS. has no authority whatever, the Scribe being an extremely ignorant and blundering one. These nine examples out of many, taken at random, will suffice to prove this : [i] Epigram i, line first. ' Fly, merry Muse unto that merry towne &c. he actually reads, spite of its heading * Ad Musam ' ' Fly, merry Newes. . . , [2] Epigram 2, line 14 'And stands, in Presence, stroaking up his haire ' he gives, to neglect of the rhyme with 'yeare ' ' stroaking up his heade ' [3] Epigram 3, line 5, for ' fry ' he stupidly reads 'cry.' [4] Epigram 13, line 9, for ' sectaries ' he gives nonsen- sically * scituaries.' [5] Epigram 15, line 3. ' Thou with harsh noise the ayre doth rudely breake,' he transmogrifies into ' horse nor sea the ayre doth.' [6] Epigram 26, line 1 1, he substitutes ' sweete ' for ' hot ' oblivious of the rhyme with ' petticoat.' [7] Epigram 36, line 19, for 'rarifie' he reads 'ratiffie' [!] [8] Epigram 41, line 2, 'Paulus, in spite of enuy, fortunate ' he gives thus Paulus, in fight of envy ' NOTE. [9] Epigram 43, line 3, for ' Paris-garden ' he has ' Parish- garden ;' and so on ludicrously, with numerous proper names. Any one capable of perpetrating such stupidities as these, ought not in my opinion, to be allowed to displace a text printed for the Author, more especially his cannot for a mo- ment be allowed to over-bear the third edition, our text. From a confused inscription on the first page of the MS. its probable writer is ascertained. It is as follows " Ex spoliis Richardi Wharfe, ex It is much trouble and much .... Ex spoliis R. W." Underneath is the book-plate of John, Duke of Newcastle. The gene- ral title runs " Epigramma in Musam, like Buckmin- ster's Allmanacks servinge generallie for all England : but especiallie for the meridian of this famous Cittie of London." I regret that besides these ( mis-called ) ' im- provements,' so admirable an Editor should have modern- ized throughout, the orthography equally of Marlowe and of Davies : and all the more, that in his ' Notes ' he adheres to the original orthography whenever he quotes from his wealth of illustrative extracts. The annotation condemns the text. Without any hesitation therefore, I have set aside Mr. Dyce's reprints, and returned (as supra) to Davies' own text and orthography, saving a slight re- duction of capitals and italics. None the less do I owe thanks to Mr. Dyce for his kind permission kindly given, to use any * Notes ' that might be deemed interesting. NOTE. Those that I have taken are marked with his initial, D. I have to add another important correction of Mr. Dyce. After describing the Harleian MS. he observes " Though it is of a date considerably posterior to the first appearance in print of Epigrams by I. D., perhaps all the pieces WHICH IT EXHIBITS ARE FROM THE PEN OF DaVIES. (page 353.) Homer nods here : for on reading these additional ' Epigrams ' thus assigned to Davies, I at once discovered that they consisted merely of a like blundering transcript of the " Satyricall Epigrams " of Henry Hutton, Dunel- mensis, that were appended to his " Follie's Anatomie or Satyres " (161 9.) The oversight is the more noticeable in that all these were reprinted in 1842, (edited by Rimbault), for the Percy Society, whereof Mr. Dyce was one of the most effective members of Council. I confess that it was far from a disappointment to find that the ' Epigrams ' of Davies were not to be increased to the extent they would have been had I accepted Mr. Dyce's opinion, and failed to discover the Hutton-authorship of nearly all those in the Manuscript, additional to his acknowledged ones. Nevertheless in the Appendix to our reprint of the ' Epigrams ' I give certain additions from this Manuscript, that are found neither in Davies's nor Hutton's publications, but which seem to me to have the ring of Davies in them. The remainder — prefixed and affixed — may well be left in Manuscript. See the Memo- rial-Introduction for more on these Epigrams. G. Epigrammes. Ad Musam. I. Fly, merry Muse unto that merry towne, Where thou maist playes, revels, and triumphs see ; The house of Fame, and theater of renowne, Where all good wits and spirits loue to be. Fall in betweene their hands that loue and praise thee,^ And be to them a laughter and a jest : But as for them which scorning shall reproue thee, Disdaine their wits, and thinke thine one 2 the best : But if thou finde any so grose '^ and dull, That thinke I do to priuate taxing * leane, Bid him go hang, for he is but a gull, And knows not what an Epigramme does meane ; 1 MS. " seeme to loue thee." D. - Own. G. » Gross. G. ■» Blaming, censure. G. [i.e. censuring of individuals. MS. " priuate talkinge." Compare the Induction to The Knight of the Burning Pestle : " Fly from hence All private taxes ! " &c. Beaumont and Fletcher's Works, ii., 136, ed. Dyce. D.] EPIGRAMMES. Which taxeth,^ under a pecuHar name,*' A generall vice, which merits publick blame. Of a Gull. 2. Oft in my laughing rimes, I name a Gull : But this -new terme will many questions breed ; Therefore at first I will expresse '^ at full, Who is a true and perfect Gull indeed : A Gull is he who feares a veluet gowne, And, when a wench is braue,^ dares not speak to her ; A Gull is he which trauerseth the towne. And is for marriage known a common woer ; A Gull is he which while he proudly weares, A siluer-hilted rapier by his side ; Indures the lyes and knocks about the eares, Whilst in his sheath his sleeping sword doth bide : A Gull is he which weares good handsome cloaths, And stands, in Presence, stroaking up his haire. And fills up his unperfect speech with oaths. But speaks not one wise word throughout the yeare : •'' MS. "carrieth.'' G. '' Other editions "particular " : and so MS. G. 7 MS. " Wherefore .... disclose." D. « ' Fine, richly dressed.' D. EPIGRAMMES. But to define a Gull in termes precise, — A Gull is he which seemes, and is not wise.^ * In our Introductory-Note it is stated that the original edition of the ' Epigrams ' is undated. From contemporary allusions the date is determined to have been prior to 1598. Among these al- lusions is an ' Epigram ' by E. Guilpin in his ' Skialetheia ' [1598] on the same subject with this by Davies. It follows here : TO CANDIDUS [Epigram.] 20. " Friend Candidus, thou often doost demaund What humours men by gulling understand : Our English Martiall hath full pleasantly, In his close nips describde a gull to thee : I'le follow him, and set downe my conceit What a gull is : oh word of much receit 1 He is a gull, whose indiscretion Cracks his purse strings to be in fashion ; He is a gull, who is long in taking roote In baraine soyle, where can be but small fruite : He is a gull, who runnes himselfe in debt, For twelue dayes wonder, hoping so to get ; He is a gull, whose conscience is a block, Not to take interest, but wastes his stock : He is a gull, who cannot haue a whore, But brags how much he spends upon her score : He is a gull, that for commoditie Payes tenne times ten, and sells the same for three : He is a gull, who passing finicall, Peiseth each word to be rhetoricall : And to conclude, who selfe conceitedly, Thinkes al men guls : ther's none more gull then he." G. lo EPIGRAMMES. In Ruffum. 3. Rufus the Courtier at the theater, Leaving the best and most conspicuous place, Doth either to the stage ^ himselfe transferre. Or through a grate ^ doth shew his double^ face : For that the clamorous fry of Innes of Court, Fills up the priuate roomes of greater price : And such a place where all may haue resort, He in his singularity doth dispise. Yet doth not his particular humour shun The common stews and brothells of the towne, Though all the world in troops doe hither ■* run, Cleane and uncleane, the gentle and the clowne : Then why should Rufus in his pride abhorre, A common seate, that loues a common whore. In Quintum. 4. Quintus the dancer useth euermore. His feet in measure and in rule to moue : ' See Note on Epigram 28. G. 2 Malone has cited this passage (Shakespeare by Boswell iii. 81) and, if he explains it rightly, the allusion is to one of the two boxes (sometimes called private hoxesj which were situated on each side of the balcony or upper stage. D. 3 Other editions (as the Isham) ' doubtfulL' G . * Other editions (as the Isham) ' thither.' G. EPIGRAMMES. 1 1 Yet on a time he call'd his Mistresse, ' whore ' And thought^ with that sweet word to ^vin her loue : Oh had his tongue Hke to his feet beene taught It neuer would haue uttered such a thought. In Plurimos.^ 5. Faustinus, Sextus, Cinnse, Ponticus, With Gella, Lesbia, Thais, Rhodope, Rode all to Stanes'^ for no cause serious, But for their mirth, and for their leachery : Scarce were they setled in their lodging, when Wenches with wenches, men with men fell out : Men with their wenches, wenches with their men ; Which straight dissolues ^ their ill-assembled rout.^ But since the Deuill brought them thus together, To my discovrsing ^ thoughts it is a wonder, Why presently as soone as they came thither, The selfe same deuill did them part asunder. Doubtlesse it seemes it was a foolish deuill. That thus did^ part them e're they did some euill 5 MS. " Thinkingc." D. " MS. " In meritriculas {_sic] Londinensis." D. 1 MS. " Ware." D. « MS. " dissolv'd." D. 9 " Rabble, set." D. • MS. " discerninge." D. ^ MS. " straight would." D. Isham ' thus would.' G. 12 EPIGRAMMES. In Titam.^ 6. Titas, the braue and valorous* young gallant, Three yeares together in this towne hath beene ; Yet my Lord Chancellor's tombe^ he hath not scene Nor the new water-worke,*^ nor the ElephantJ I cannot tell the cause without a smile, — He hath beene in the Counter^ all this while. In Faustum. 7, Faustus, nor lord, nor knight, nor wise, nor old, To euery place about the towne doth ride ; He rides into the fields, Playes to behold. He rides to take boat at the water side : ' Mr. Dyce corrects (as Isham) to' Titum 'and line ist 'Titus.' G. ■* MS. " Valient." G. * Viz., of Sir Christopher Hatton, whose huge and splendid mon- umental-tomb was long one of the London sights for country- cousins. Col. Cunningham fin loco) adds " It was erected in St. Paul's Cathedral, and Bishop Corbet says was " higher than the host and altar." G. " Recently described by Smiles in his Lives of the Engineers. s. V. G. ' It is curious to find the article * the ' Elephant. Coriat later gave his own portrait showing himself on the back of an elephant, as a great wonder, in one of his travel title-pages. But query — Is it the famous inn named by Shakespeare : " I could not find him at EPIGRAMMES. 13 He rides to Pauls',^ he rides to th' Ordinary- He rides unto the house of bawdery too, — Thither his horse doth him so often carry, That shortly he will quite forget to goe. In Katum.i 8. Kate being pleas'd wisht that her pleasure could Indure as long as a buffe-jerkin would : Content thee, Kate ; although thy pleasure wasteth. Thy pleasure's place like a buffe-jerkin lasteth. the Elephant " (Twelfth Night, iv. 3) ? Col. Cunningham (as be- fore) assuming it is the animal that is meant, annotates thus : " The Elephant was an object of great wonder and long remembered. A curious illustration of this is found in The Metamorphosis of the Wal- nut Tree, written about 1645, where the poet [William Basse] brings trees of all descriptions to the funeral, particularly a gigantic oak — The youth of these our tymes that did behold This motion strange of this unwieldy plant, Now boldly brag with us that are more old, That of our age they no advantage want, Though in our youth we saiv an elephant. G. *" Debtors' prison. G. ' Other editions " Powles,'' and Isham ' Poules.' G. MS. " Powels." D. ' Mr. Dyce reads ' Katam ' : being feminine the poet is here put right. G. 14 EPIGRAMMES. For no buffe-jerkin hath beene oftner worne, Nor hath more scrapings or more dressings borne. In Librum. 9. Liber doth vaunt how chastly he hath Hu'd, Since he hath bin seuen yeares in towne, and more,^ For that he sweares he hath four onely swiude ;^ A maid, a wife, a widdow, and a whore : Then, Liber, thou hast swiude all women-kinde, For a fifth sort, I know thou canst not finde. In Medontem. 10. Great captaine Maedon weares a chaine of gold. Which at fine hundred crownes is valued ; For that it was his grand sire's chaine of old, When great King Henry, Bulloigne conquered. And weare it Maedon, for it may ensue, That thou, by vertue of this * massie chaine, A stronger towne than Bulloigne maist subdue, If wise men's sawes be not reputed vaine ; ^ MS. " Knowne this towne 7 years." Isham " he hath beene in towne 7 yeeres." G. ^ ' Swiude ' from Isham : other editions • G. •» MS. " wearing of that." D. EPIGRAMMES. 15 For what said Philip king of Macedon ? There is no castle so well fortified, But if an asse laden with gold comes on, The guard will stoope, and gates flye open wide. In Gellam. II. Gella, if thou dost loue thy selfe, take heed, Lest thou my rimes ^ unto thy louer read ; For straight thou grin'st, and then thy louer seeth Thy canker-eaten gums and rotten teeth. In Quintum. 12, Quintus his wit "^ infused into his braine, Mislikes " the place, and fled into his feet ; And there it wandered ^ up and downe the street, Dabled in the dirt, and soaked in the raine : Doubtlesse his wit intends not to aspire, Which leaues his head, to travell in the mire. In Severum. 13. The Puritan Severus oft doth read This text, that doth pronounce vain speech a sin, — * MS. " lynes." D. •"' = Quintus's wit. G. "> Mislikt ? G. * Isham ' wanders.' G. i6 EPIGRAMMES. " That thing defiles a man, that doth proceed, From out the mouth, not that which enters in." Hence it is,^ that we seldome heare him sweare : And thereof as a Pharisie he vaunts ; But he devours more capons in one ^ yeare, Then would suffice an hundred ^ Protestants. And sooth, those sectaries are gluttons all. As well the thred-bare cobler, as the knight ; For those poore slaues which haue not wherewithall, Feed on the rich, till they devour them quite ; And so, as ^ Pharoe's kine, they eate up clean, Those that be fat, yet still themselues be lean. In Leucam. 14. Leuca, in Presence once, a fart did let ; Some laught a little ; she refus'd * the place ; And mad with shame, did then ^ her gloue forget, Which she retum'd to fetch with bashfuU grace ; '•' Isham ' Hence is it.' G. » Isham ' a.' G. - Isham ' a hundreth.' G. ^ Isham ' like.' G. * Isham ' forsook.' G. ^ Isham ' eke.' G. EPIGRAMMES. 17 And when she would haue said, " I've lost my gloue," ^ My fart (qd. she :) which did more laughter moue. In Macrum. 15. Thou canst not speake yet, Macer, for to speake, Is to distinguish sounds significant : Thou with harsh noise the ayre dost rudely breake ; But what thou utterest common sence doth want, — Halfe English words, with fustian termes among Much like the burthen of a Northeme song. In FastumJ 16. " That youth," saith Faustus, "hath a lyon seene, Who from a dicing-house comes money-lesse " : ^ Mr. Dyce says here " something has dropt out," the line being a foot short, I have supplied ' I've lost.' G. ' Sic, but should be Faustum (ist line) and is so given by Mr. Dyce and Isham. G. VOL. II. 1 8 EPIGRAMMES. But when he lost his haire, where had he beene ? I doubt me he had seene a Lyonesse ? In Cosmum. 17. Cosmus hath more discoursing in his head Then loue, when Pallas issued from his braine ; And still he strives to be delivered Of all his thoughts at once, but all in vaine ; For, as we see at all the play-house doores, "When ended is the play, the dance, and song, A thousand townesmen, gentlemen, and whores, Porters and serving-men, together throng, — So thoughts of drinking, thriuing, wenching, warre, And borrowing money, raging,^ in his mind ; To issue all at once so forward are. As none at all can perfect passage find. In Flaccum. 18. The false knave Flaccus once a bribe I gaue : The more foole I to bribe so false a knaue : But he gaue back my bribe ; the more foole he, That for my folly did not cousen me. » MS. "ranging." G. EPIGRAMMES. 19 In Cineam. 19. Thou dogged Cineas, hated hke a dogge, For still thou grumblest like a masty ^ dogge, Compar'st thyself to nothing but a dogge ; Thou saith ^ thou art as weary as a dogge, As angry, sicke, and hungr}^ as a dogge, As dull and melanchoUy as a dogge, As lazy, sleepy,- idle as a dogge : But why dost thou compare thee to a dogge In that, for which all men despise a dogge ? I will compare thee better to a dogge : Thou art as faire and comely as a dogge. Thou art as true and honest as a dogge. Thou art as kind and liberall as a dogge, Thou art as wise and valiant as a dogge. But Cineas, I have [often] ^ heard thee tell. Thou art as like thy father as may be ; 'Tis like enough ; and faith I like it well ; But I am glad tliou art not like to me. ' Mastiff. D. [This is an error. A ' mastiff' is not a grumbling dog, and ' masty ' is — fatted, and here answers apparently to the over-fed vicious pet. See Maste, Prompt. Parv. & p. 151 (Way's cd.) G. 1 Isham ' saist.' G. * ' And as * not in Isham. and being superfluous left out. G. * Supplied from MS. by Mr. Dyce. Isham ' oft.' G. 20 EPIGRAMMES. In Gerontem. 20. Geron's'* mouldy memory corrects Old Holinshed, our famous Chronicler, With morall rules ; and policy collects Out of all actions done these fourscore yeare ;^ Accounts the times of euery old ^ event, Not from Christ's birth, nor from the Prince's raigne, But from some other famous accident. Which in mens generall notice doth remaine, — The siege of Bulloigne and the Plaguy Sweat, The going to St. Quintin's and New-haven, The rising in the North, the Frost so great That cart-wheeles' prints on Thamis face were graven,'' The fall of money, and burning of Paul's steeple ; The blazing starre, and Spaniard's ouerthrow : By these events, notorious to the people. He measures times, and things forepast doth show : < MS. ' Geron, his.' D. Isham ' Geron whose.* G. ■' Isham corrects the misprint ' yeares,' and of ' time ' in next line. G. " Isham ' odde.' G. 7 The reading in our text, and in all the editions, including isham, is ' seene ' : but above from MS, as rhyming with New- haven seems preferable. Newhaven was formerly called Havre Grace. All the date-events are commonplaces of History. G. EPIGRAMMES. 21 But most of all, he chiefly reckons by A priuate chance, — the death of his curst ^ wife ; This is to him the dearest memory. And the happiest accident of all his life. In Marcum. 21. When Marcus comes from Minnes,^ hee still doth sweare, By " come on^ seauen," that all is lost and gone ; But that's not true ; for he hath lost his haire, — Onely for that he came too much at one. In Ciprum.2 22. The fine youth Ciprius is more tierse and neate, Then the new garden of the Old Temple is ; 8 Ill-natured. D. [This is a good-natured explanation. I fear that in this place it means more and worse, though in the Taming of the Shrew we have Kate the curst, without the slightest imputa- tion on her moral character, or any allusion to anything but her vixen temper. G.] 'J MS. " for newes." — The first edition [and Isham] reads * from Mins ' : the other two as above. Mins' (which perhaps should be written Min's) is, I presume, the name of some person who kept an Ordinary where gaming was practised. D. ^ Isham ' a.' G. - Sic : but should be, as Isham, Ciprium : Mr. Dyce reads Cyprium. G. 22 EPIGRAMMES. And still the newest fashion he doth get, And with the time doth change from that to this ; He weares a hat of the flat-crowne block, The treble ruffes, long cloake, and doublet French ; He takes tobacco, and doth weare a lock. And wastes more time in dressing then a wench : Yet this new fangled youth, made for these times. Doth aboue all praise old George Gascoine's^ rimes ? In Cineam. 23. When Cineas comes amongst his friends in morning, He slyly spies * who first his cap doth nioue ; Him he salutes, the rest so grimly scorning. As if for euer they had lost his loue. I seeing ^ how it doth the humour fit Of this fond ^ gull to be saluted first. Catch at my cap, but moue it not a whit : Which to '' perceiuing, he seemes for spite to burst : •' Died October 7th, 1577. His Works have been worthily col- lected by Mr. W. C. Hazlitt in his Roxburghe Library. G. ■• MS. "notes." D. [first edition and Isham "lookes": others as above. G.] * In first edition and Isham " Knowing " and MS, G. 6 Foolish. G. ' Dyce's text is ' he' : but ' to ' is often in Davies' time printed for ' too.' Isham ' Which perceiuing.' G. EPIGRAMMES. 23 But Cineas, why expect you more of me, Then I of you ? I am as good a man, And better too by many a quahty. For vault, and dance, and fence and rime I can : You keep a whore at your own charge, men tell me, Indeed friend (Cineas) therein you excell me. In Gallum. 24. Gallas hath beene this Summer-time in Friesland, And now return'd, he speaks such warlike words, As, if I could their English understand, I feare me they would cut my throat like swords : He talkes of counter-scarfes ^ and casemates, Of parapets, of curteneys, and palizadoes ; Of flankers, ravelings, gabions he prates. And of false-brayes,^ and sallies ^ and scaladoes. ^ Isham ' scarphes.' G. ^ Isham ' false brayes.' In this place I have restored the reading ' false-brayes ' of the ist edition and of the MS, rejecting ' false- baits ' of 2nd and 3rd editions. There is no such word in military engineering or fortification ; but there is ' fausse-braye ' or ' false- braye.' There is a not very intelligible description in Bailey's Dictionary. G. 1 "With this passage compare the following lines : " See Captaine Martio he i' th' ' Renounce me ' band, That in the middle region doth stand 24 EPIGRAMMES. But, to requite such gulling tearmes as these, With words of my profession I reply ; I tell of fourching,2 vouchers, and counterpleas, Of withermans,^ essoynes, and Champarty. So, neither of us understanding ^ one another, We part as wise as when we came together. In Decium. 25. Audacious painters have Nine Worthies made ; But poet Decius,5 more audacious farre, Making his mistris march with men of warre, Wo' th' reputation Steele 1 Faith, lets remoue Into his ranke (of such discourse you loue) : Hee'l tell of basilisks, trenches, retires, Of pallizadoes, parapets, frontires, Of caluerins, and baricadoes too. What to bee harquebazerd, to lie in perdue," &c. Fitzgeoffrey's Notes from Black-Friars ' Sig. e 7, a portion of the volume entitled Certain Elegies, &c., ed. 1620. See our Memorial- Introduction for an impudent appropriation of this epigram. G. - MS. " forginge." D. Isham ' foorching.' G. 3 Other editions and MS. " Withernams " : Isham 'whither names.' G. * Isham ' vnderstanding either.' G. ^ Drayton is here meant. [Malone's Manuscript-note in Bodleian copy. G.] EPIGRAMMES. 25 With title of " Tenth Worthy "<5 doth her lade J Me thinks that gull did use his tearmes as fit, Which tearm'd his loue " a gyant for her wit." 6 [Ben] Jonson told Drummond "That S[ir] J[ohn] Davies played in ane Epigrame on Drayton's, who in a sonnet, concluded his Mistress might [have] been the Ninth [Tenth] Worthy ; and said, he used a phrase like Dametas in [Sir Philip Sidney's] Arca- dia, who said For wit his Mistresse might be a gyant." ' Notes of Ben Jonson's conversations with William Drummond, of Haw- thornden,' p. 15 (Shakespere Society). The sonnet by Drayton, which our author here ridicules, is as follows : " TO THE CELESTIALL NUMBERS. " Vnto the World, to Learning, and to Heauen, Three Nines there are, to euery one a Nine, One Number of the Earth, the other both Diuine; One Woman now makes three odde numbers euen : Nine Orders first of Angels be in Heauen, Nine Muses doe with Learning still frequent. These with the Gods are euer Resident ; Nine Worthy Ones vnto the World were giuen : My Worthy One to these Nine Worthies addeth. And my faire Muse one Muse vnto the Nine, And my good Angell (in my soule Diuine) With one more Order these Nine Orders gladdeth : My Muse, my Worthy, and my Angell, then. Makes euery one of these three Nines a Ten." 7 Isham reads badly 'woorthly.' ' Laidc.' G. Idm : Sonnet 18 ed. 8vo. n. d. D. 26 EPIGRAMMES. In Gellam. 26. If Gella's beauty be examined, She hath a dull, dead eye, a saddle nose, And^ ill-shap't face, with morphew ouer-spread, And rotten teeth, which she in laughing shows ; Briefly, she is the filthiest wench in towne. Of all that doe the art of whoring use : But when she hath put on her sattin gowne, Her cut ^ lawne apron, and her velvet shooes, Her greene silke stockins and her petticoat Of taffaty, with golden fringe a-round, And is withall perfumed with civet hot,^ Which doth her valiant stinking breath confound, Yet she with these additions is no more Than a sweet, filthy, fine, ill-favoured ^ whore. ^ The other editions, as Isham and MS., ' an.' G. " MS. 'cut.' D. [This is unquestionably the right word, not ' out.' Whether ' cut-Iawne apron ' meant curiously shaped like "the sleeves curiously cut " of Katharine's dress : or whether it was cut- wove lawn, lawn embroidered by cutting out holes and sewing them round, seems uncertain, — probably the latter. G. ' MS. 'sweete.' D. ^ Isham again badly ' ilfauoted.' G. EPIGRAMMES. 27 In Syllam. 27. Sylla is often challenged to the field, To answer as a gentleman, his foes : But then he doth this^ answer onely yeeld, — That he hath livings and faire lands to lose. Silla, if none but beggars valiant were. The King of Spaine would put us all in feare. In Sillam. 28. Who dares affirme that Silla dares not fight ? When I dare sweare he dares adventure more Than the most braue and all-daring* \vight,^ That euer armes with resolution bore ; He that dares ^ touch the most unwholsome whore That euer was retir'd into the Spittle '^ And dares court wenches standing at a doore, (The portion his wit being passing little) ; 3 In first edition and Isham, "then doth he this." G. [MS. " he. doth all this." D.] •^ MS. " valiant and all-daring." D. [First edition, " braue, most all daring." G.] 5 MS. " Knight." D. " Isham, ' dare.' G. 7 Hospital : or query prison ? So late as Thomson's " Castle of Indolence" (c i. 77) we have the word: "all the diseases which the spittles know." G, 28 EPIGRAMMES. He that dares give his dearest friends offences, Which other vaHant fooles doe feare to doe : And when a feaver doth confound his sences, Dare eate raw beefe, and drink strong wine thereto : He that dares take tobacco on the stage,^ Dares man a whore at noone-day through the street Dares dance in Paul's and in this formall age, Dares say and doe whateuer is unmeet ; Whom feare of shame could neuer yet affright, — Wlio dares affirme that Sylla dares not fight ? ® Probably most readers are aware that it was formerly the cus- tom of gallants to smoke tobacco on the stage, during the perform- ance, either lying on the rushes or sitting upon hired stools. D. [In Hutton's 'Satyres ' and ' Epigrams' (1619) well edited by Rim- BAULT for the Percy Society, there are various passages illustrative of above, e.g. " Dine with Duke Humfrey in decayed Paules^ Confound the streetes with chaos of old braules, Dancing attendance on the Black-friers stage Call for a stoole with a commanding rage, &c. [pp. 68, 69.] Cf. Also Ben Jonson's Devil is an Ass (16 16) who censures the conduct of the gallants allowed seats on the stage. G.] EPIGRAMMES. 29 In Haywodum.^ 29. Ha>^vood, that did^ in Epigrams excell, Is now put downe since my light Muse arose ; As buckets are put downe into a well, Or as a schoole-boy putteth downe his hose. 2 3 Mr. Dyce spells Heywodum. John Heywood's Epigrammes accompany his Proverbs : 1562. G. ' ist edition, ' which in epigrams did ;' Isham ' which did.' [The Epigrams of John Heywood are well known. An allusion to this epigram of Davies occurs in Sir John Harington's Metamorphosis of Ajax, 1596 : " This Heywood for his proverbs and epigrams is not yet put down by any of our country, though one {Marginal Note, M [aster] Davies] doth indeed come near him, that graces him the more in saying he puts him down," p. 41, edition 1814. (In the same work we find, " But, as my good M. Davies said of his epi- grams, that they were made, like doublets in Birchin-lane, for every one whom they will serve, &c. p. 133. D.] [I add from T. Bas- tard's ' Chrestoleros ' [Lib. 11 : Epigram 15] an answer to this : Heywood goes downe saith Dauis, sikerly. And downe he goes, I can it not deny : But were I happy did not fortune frowne Were I in heart I would sing Dauy downe. Cf. also lib. iii. Ep. 3. Mr. Dyce also quotes from Freeman's Ruble and a great Cast, 1614. C] ' Breeches. D. 30 EPIGRAMMES. In Dacum.^ 30. Amongst the poets Dacus numbred is, Yet could he neuer make an English rime ; But some prose speeches I haue heard of his, "WTiich haue been spoken many an hundreth time : The man that keeps the Elephant hath one, Wherein he tells the wonders of the beast : Another Bankes pronounced long agon,^ When he his curtailes ^ qualities exprest : He first taught him that that keeps the monuments At Westminster, his formall tale to say ; And also him which Puppets represents. And also him which with the Ape doth play : Though all his Poetry be like to this, Amongst the poets Dacus numbred is. ' This is not Decius of Epig. 25, who was Drayton, but (eheu !) Samuel Daniel. Cf. Epig. 45, and relative note. On the ele- phant (I. 5) see note on Epig. 6. G. "* Isham badly ' a goe.' G. '' Id est, horse's [the word means properly — a docked horse.] So much may be found in various books concerning Banks and his wonderful horse, that any account of them is unnecessary here. D. [The ' wonderful horse ' is referred to by Shakespeare. G.] EPIGRAMMES. 31 In Priscum. 31. When Priscus, rais'd from low to high estate, Rode through the street in pompous jolUty ; Caius, his poore famiUar friend of late, Bespake him thus : " Sir, now you know not me.' " 'Tis likely friend," (quoth Priscus) " to be so, For at this time myselfe I do not know." In Brunum. 32. Brunus, which deems himselfe a faire sweet youth Is thirty nine yeares of age at least ; Yet was he neuer, to confesse the truth, But a dry starveling when he was at best : This gull was sicke to shew his night-cap fine, And his wrought pillow over-spread with lawne ; But hath been well since his griefe's cause hath line ^ At Trollup's by Saint Clement's Church, in pawne. In Francum. 33. v WTien Francus comes to sollace with his whore, He sends for rods, and strips himselfe stark naked ; For his lust sleeps and will not rise before, By whipping of the wench it be awaked. ' Lien, lain. D. 32 EPIGRAMMES. I enuie him not, but wish I had the powre To make myselfe" his wench but one halfe houre. In Castorem. 34. Of speaking well why doe we learne the skill, Hoping thereby honour and wealth to gaine ; Sith rayling Castor doth, by speaking ill, Opinion of much wit and gold obtaine ? In Septimium. 35. Septimus Hues, and is like garlick seene, For though his head be white, his blade is greene : This old mad coult deserves a Martyr's praise, For he was burned in Queene Marie's daies. Of Tobacco. 36. Homer, of Moly and Nepenthe sings : Moly, the gods' most soueraigne hearb diuine, Nepenthe, Heauen's § drinke, most ^ gladnesse brings, Col. Cunningham emends 'himself for 'myself; but the 'whipping of (1. 4) is = by: and Davies' wish is that he wielded the rods on Francus. G. » Mr. Dyce reads ' Helen's ' and confirms from Milton's Comus (167s)- EPIGRAMMES. 33 Heart's griefe expells, and doth the wits refine. But this our age another world hath found, From whence an hearb of heauenly power is brought ; Moly is not so soueraigne for a wound, Nor hath Nepenthe so great wonders wrought ■} It is Tobacco, whose sweet substantially fume The hellish torment of the teeth doth ease, By drawing downe, and drying up the rheume. The mother and the nurse of each disease : It is Tobacco, which doth cold expell, Not that Nepenthes, which the wife of Thone In Egypt gave to Jove-born Helena, &c. In first edition there is a misprint " Hekens " : in the other editions, as aZ)oue " Heauens " : in MS. " helvs " : Isham ' Heuens.' Helen is admissible, but ' Heavens ' what Davies himself printed. See the poem on Tobacco among the hitherto unpublished poems, of which the Epigram seems only a first rough draft — and relative note. 9 Isham ' which.' G. * Isham badly ' brought.' G. ' MS. ' subtle.' D. [Substantial is here = partaking of the substance or essence, or, as we say, properties peculiar to tobacco — a fume holding in it the virtues or substance of the tobacco. The MS. ' subtle' may be regarded as an Author's variant, especially as it is also found in ' Tobacco ' among the hitherto unpublished poems, onward. G, VOL. II. D 34 EPIGRAMMES. And cleares the obstructions of the arteries, And surfeits, threatning death, dijesteth well, Decocting all the stomack's crudities : It is Tobacco, which hath power to clarifie The cloudy mists before dimme eyes appearing : It is Tobacco, which hath power to rarifie The thick grosse humour which doth stop the hearing ; The wasting hectick, and the quartaine feuer, Which doth of Physick make a mockery ; The gout it cures, and helps ill breaths for euer, Whether the cause in teeth or stomack be ; And though ill breaths were by it but confounded. Yet that vile medicine it doth farre excell, Which by Sir Thomas Moore ^ hath beene propounded : ^ Mr. Dyce quotes an ' Epigramma ' of Sir Thomas More, which, is headed " Medicince ad toUendos fatores, anhelitus, provenientes a cihis quibusdam." " Sectile ne tetros porrum tibi spiret odores, Protenus a porro fac mihi cepe vores. Denuo fcetorem si vis depellere cepas, Hoc facile efficient allia mansa tibi. Spiritus at si post etiam gravis allia restat, Aut nihil, aut tantum toUere merda potest." T. Mori Lucuhrationes, &c., p. 261, edition 1563. G. EPIGRAMMES. 35 For this is thought a gentleman-hke smell. O, that I were one of those Mountebankes, Which praise their oyles and powders which they sell ! My customers would giue me coyne with thanks ; I for this ware, for sooth ^ a tale would tell : Yet would I use none of these tearmes before ; I would but say, that it the Pox will cure : This were enough, without discoursing more, All our braue gallants in the towTie t'allure, In Crassum. 37. Crassus his lyes,^ are not pernicious lyes, But pleasant fictions, hurtfuU unto none But to himselfe ; for no man counts him wise To tell for truth that which for false is knowne. He sweares that Gaunt is three score miles about, And that the bridge at Paris on the Seyn Is of such thicknesse, length and breadth throughout. That sixe score Arches can it scarce sustaine ; He sweares he saw so great a dead man's scull At Canterbury, dig'd out of the ground. That would containe of wheat three bushels full ; And that in Kent are twenty yeomen found, * Isham 'so smooth.' Gr ^ That is, Crassus's lies. G. 36 EPIGRAMMES. Of which the poorest euery yeare dispends, Fiue thousand pounds : these and fiue thousand mo, So oft he hath recited to his friends, That now himselfe perswades himselfe 'tis so. But why doth Crassus tell his lyes so rife, Of Bridges, Townes, and things that haue no life ? He is a Lawyer, and doth well espie. That for such lyes an Action will not lye. In Philonem. 38. Philo the Lawyer*^ and the Fortune-teller; The Schoole-master, the Midwife, and the Bawd, The conjurer, the buyer, and the seller Of painting, which with breathing will be thaw'd. Doth practise Physicke ; and his credit growes. As doth the Ballad-singer's auditory,''^ Which hath at Temple-barre his standing chose. And to the vulgar sings an Ale-house story : First stands a Porter ; then an Oyster-wife Doth stint her cry, and stay her steps to heare him ; * Isham * Gentleman.' G. ^ See our Memorial-Introduction with reference to Wordsworth's splendid filling up of this earlier sketch. G, EPIGRAMMES. 37 Then comes a Cut-purse ready with a^ knife, And then a Countrey clyent passeth neare him ; There stands the Constable, there stands the whore, And, listening^ to the song, heed^ not each other ; There by the Serjeant stands the debitor,^ And doth no more mistrust him then his brother : Thus Orpheus to such hearers giueth musick, And Philo to such patients giueth physick. In Fuscum. 39. Fuscus is free, and hath the world at will ; Yet in the course of life that he doth lead, He's like a horse which, turning round a mill, Doth always in the self-same circle tread : First, he doth rise at ten ; and at eleuen He goes to Gyls,^ where he doth eate till one ; Then sees a Play till sixe, and sups at seven ; And after supper, straight to bed is gone ; And there till ten next day he doth remaine, And then he dines, and^ sees a Comedy ; * Isham ' his.' G. 9 Isham ' hearkening.' G. ' 1st edition and Isham, 'marke.' G. ' Isham 'debter poore.' G. ^ No doubt some Ordinary near St. Giles, Cripplegate. Isham Gilles.' G. * Isham ' then.' G. 4 5 !:* Z 7 38 EPIGRAMMES. And then he suppes, and goes to bed againe : Thus round he runs without variety, Saue that sometimes he comes not to the Play, But falls into a whore-house by the way. In Afram. 40. The smell-feast Afer, trauailes to the Burse ^ Twice euery day, the newest*^ newes to heare ; Which, when he hath no money in his purse, To rich mens tables he doth often beare : He tells how Gronigen^ is taken in,^ By the braue conduct of illustrious Vere,^ And how the Spanish forces Brest would win, But that they doe victorious Norris feare. No sooner is a ship at sea surpris'd. But straight he learnes the news, and doth disclose it * Bourse, = Exchange. G. * ist edition and Isham and MS. ' flying.' G. "^ Groningen. G. ^ Conquered and added to or ' taken in ' with other conquests. G. ' To the truly ' illustrious ' Vere — one of the noblest of England's earlier generals — Dr. Richard Sibbes dedicated his 'Soul's Con- flict ' in very loving words to him and his Lady. See my edition of Sibbes in loco. G. EPIGRAMMES. 39 No sooner hath the Turk a plot deuis'd To conquer 1 Christendom, but straight he knows it •?■ Faire written in a scrowle he hath the names Of all the widdows which the Plague hath made ; And persons, times, and places still he frames, To euery tale, the better to perswade : We call him Fame, for that the wide-mouth slaue Will eate as fast as he will utter lies ; For Fame is said an hundred mouths to haue. And he eates more than would fiue score suffice. In Paulum. 41. By lawfull mart, and by unlawfuU stealth, Paulus in spite of enuy, fortunate, Deriues out of the Ocean so much wealth. As he may well maintaine a lord's estate ; But on the land a little gulfe there is, Wherein he drowneth all the wealth of his. ^ Isham once more badly ' conquerie.' G. 2 This couplet is given by Mr. Dyce from the MS. : the Isham has it. G. 40 EPIGRAMMES. In Licum. 42. Lycus, which lately^ is to Venice gone, Shall if he doe returne, gaine three for one :* But ten to one, his knowledge and his wit Will not be bettered or increas'd a whit. In Publium. 43. Publius [a] student at the Common-law, Oft leaves his Bookes, and for his recreation, To Paris-garden^ doth himselfe withdrawe ; 3 Recently : the MS. reads ' that is of late.' G. * In our author's days, it was a common practice for persons, be- fore setting out on their travels, to deposit a sum of money, on con- dition of receiving large interest for it on their return : if they never returned, the deposit was forfeited. Innumerable allusions to ' put- ters out ' occur in the works published during the reigns of Elizabeth and James. D. * That is, to the Bear-Garden on the Bank-side, Southwark. D. [Near the Globe Theatre : referred to as Palace garden by Hutton, as before. Isham reads badly * parish.' The Theatre at Paris Garden stood almost exactly at what is now the Surrey starting place of Blackfriars Bridge. In 1632 Donald Lupton in his London and the Country Carbonadoed says of it, " Here come few that either regard their credit or loss of time ; the swaggering Roarer ; the amusing Cheater; the swearing Drunkard ; and the bloody Butcher have their rendezvous here, and are of the chiefe place and respect." (Col. Cunningham's Marlowe, p. 365). G. EPIGRAMMES. 41 Where he is rauisht with such delectation, As downe among*' the beares and dogges he goes ; Where, whilst he skipping cries " to head to head," His satten doublet and his veluet hose^ Are all with spittle from aboue be-spread : When he is like his father's countrey Hall,® Stinking with dogges, and muted ^ all with haukes ; And rightly too on him this filth doth fall. Which for such filthy sports his bookes forsakes ; ^ Leaving old Ployden,- Dyer, Brooke alone. To see old Harry Hunkes, and Sacarson.^ In Sillam. 44. When I this proposition had defended, "A coward cannot be an honest man," Thou Silla, seem'st forthwith to be offended, And holds the contrary, and sweares he can ; " Isham ' amongst the dogges and beares.' G. ^ Breeches. G. ^ Misprinted 'countrey shall': Qu — country-Hall, as above? Isham ' country Hall.' G. * Dunged. D. 3 Isham badly ' forsake.' G. ^ piowden. D. - Harry Hunkes and Sacarson were two bears at Paris-garden : the latter was the more famous, and is mentioned by Shakespeare in The Merry Wives of Windsor, Act I., sc. i .D. Isham ' Saker- sone.' G. 42 EPIGRAMMES. But when I tell thee that he will forsake His dearest friend, in perill of his life ; Thou then art chang'd, and sayst thou didst mistake, And so we end our argument and strife : Yet I think oft, and thinke I thinke aright, Thy argument argues thou wilt not fight. In Dacum.* 45. Dacus with some good colour and pretence, Tearmes his love's beauty "silent eloquence :" For she doth lay more colour on her face Than ever TuUy us'd his speech to grace. "• Daniel, I believe : [Malone's Manuscript note in Bodlean copy. See Epigram 30. G.] Mr. Dyce adds here, "I am sorry to believe that by Dacus (who is spoken of with great contempt in Epigram xxx.) our author means Samuel Daniel : but the following lines in that very pleasing writer's Complaint of Rosamond (which was first printed in 1592) certainly would seem to be alluded to here, " Ah beauty syren, faire enchanting good, Sweet, silent rhetorique of perswading eyes, Dumb eloquence, whose power doth moue the blood More then the words or wisdom of the wise, &c. 161 1, p. 39,— Daniel's Certaine Small Works, &c. 161 1.") G. EPIGRAMMES. 43 In Marcum. 46. Why dost thou, Marcus, in thy misery, Raile and blaspheame, and call the heauens unkind ? The heauens doe owe no kindnesse unto thee, Thou hast the heauens so little in thy minde ; For in thy life thou neuer usest prayer But at primero, to encounter faire. Meditations of a Gull. 47. See, yonder melancholy gentleman, ^Vhich, hood-wink'd with his hat, alone doth sit ! Thinke what he thinks, and tell me if you can. What great affaires troubles his little wit. He thinks not of the warre 'twixt France and Spaine, Whether it be for Europe's good or ill, Nor whether the Empire can itselfe maintaine Against the Turkish power encroaching still ; Nor what great towne in all the Netherlands, The States determine to beseige this Spring ; Nor how the Scottish policy now stands. Nor what becomes of the Irish mutining. But he doth seriously bethinke him whether Of the guird people he be more esteem'd For his long cloake or for his great black feather. 44 EPIGRAMMES. By which each gull is now a gallant deem'd ; Or of a journey he deliberates, To Paris-garden,^ Cock-pit or the Play ; Or how to steale a dog he meditates, Or what he shall unto his mistriss say : Yet with these thoughts he thinks himself most fit To be of counsell with a king for wit. Ad Musam. 48. Peace,*" idle Muse, haue done ! for it is time, Since lousie Ponticus enuies my fame. And sweares the better sort are much to blame To make me so well knowne for my'' ill rime : Yet Bankes his horse,^ is better knowne then he. So are the Cammels and the westerne hogge,^ And so is Lepidus his printed Dog ■} " See note on this under Epigram 43. G. 6 Isham ' Pease.' G. ' Isham ' so.' G. ^ See note on this under Epigram 30. G. ' Isham corrects ' Hay ' here with ' hogge.' G. ^ That is ' Lepidus's printed dog.' The following epigram by Sir John Harington determines that he is the Lepidus of this passage, and that his favourite dog Bungey is the " printed dog.'' In a com- partment of the engraved title-page to Harington's Orlando Furioso, EPIGRAMMES. 45 Why doth not Ponticus their fames enuie ? Besides, this Muse of mine, and the blacke feather 1 591, is a representation of Bungey (see too the Annotations on Book xli. of that poem) ; and hence he is termed by Davies the " printed dog." "AGAINST MOMUS, IN PRAISE OF HIS DOG BUNGEY." Because a witty writer of this time Doth make some mention in a pleasant rime Of Lepidus and of his famous dog, Thou, Momus, that dost loue to scofFe and cog, Prat'st amongst base companions, and giv'st out That unto me herein is meant a flout. Hate makes thee blind, Momus : I dare be sworn. He meant to me his loue, to thee his scorn. Put on thy envious spectacles, and see Whom doth he scorn therein, the dog or me ? The dog is grac'd, compared with great Banks, Both beasts right famous for their pretty pranks ; Although in this I grant the dog was worse, He only fed my pleasure, not my purse : Yet that same dog, I may say this and boast it. He found my purse with gold when I haue [had] lost it. Now for myself: some fooles (like thee) may judge That at the name of Lepidus I grudge : No sure; so far I think it from disgrace, I wisht it cleare to me and to my race. Lcpus, or Lepos, I in both haue part ; That in my name I beare, this in mine heart. 46 EPIGRAMMES. Grew both together fresh ^ in estimation : And both growne stale, were cast away together : What fame is this that scarce lasts ^ out a fashion? Onely this last in credit doth remaine, That from henceforth, each bastard cast-forth rime, Which doth but savour of a libell vaine, Shall call me father, and be thought my crime ; So dull, and with so little sence endu'd, Is my grose-headed Judge, the multitude. But Momus, I perswade myself that no man Will deigne thee such a name, English or Roman. He wage a but of Sack, the best in Bristo, Who cals me Lepid, I will call him Tristo." Epigrams, Book iii. Ep. 21. edition folio. D. ^ In other editions as Isham, but dropped out inadvertently from our text. G. ^ Isham badly ' last.' G. ifini0. I. D. 47 Appendix to Epigrams : (FROM THE HARLEIAN MSS. 1836.) As explained in the Note, page 6 ante, I have gleaned a few additions to these Epigrams. At close of those of HuTTON, — in the MS. marked 60 and in Hutton's own volume 56, — on folio 15^, is the word ' finis.' Immediately under this, the MS. is continued in the same handwriting onto folio 19, whereon 'finis' is again placed: and on folios 19 and 20 Lines ' of Tobacco ' with 'finis ' once more. These Lines on ' Tobacco ' are curious : and somewhat re- semble those on ' Moly ' given in the Hitherto Unpublished Poems of Davies, onward. G. I. In Superbiam. Epi. 4. \ ^ I tooke the wall, one thrust me rudely by, And tould me the King's way did open lye. I thankt him y' he did me so much grace, to take the worse, leave me the better place ; For if by th' owners wee esteeme of things, the wall's the subjects, but the way's the King's. 4S APPENDIX TO EPIGRAMS. 2. Epi. 5. NIX /- SNOW IX J 9 CORNIX ( A CROW. NIX : . I that the Winter's daughter am whilst thus my letters stand, Am whiter then the plumbe^ of swan or any ladye's hand ; IX : . Take but away my letter first, and then I doe encline That stood before for milke white snowe to be the figure nine. And if that further you desire by change to doe som trickes. As blacke as any bird I am. CORNIX : by adding COR to NIX. j.f 3. Epi. 6. Health is a jewell true, which when we buy Physitians value it accordingly. 4. In Amorosum. Epi. 7. A wife you wisht me (sir) rich, faire and young with French, Italian, and the Spanish tongue : 1 =- =plumage. G. APPENDIX TO EPIGRAMS. 49 I must confesse yo"" kindnesse verie much but yet in truth, Sir, I deserve none such, for when I wed — as yet I meane to tarry — A woman of one language i'le but marry, and with that little portion of her store, expect such plenty, I would wish no more. 5- Epi. 9. -^^ ^ft.5Uv*/..4 V Westminster is a mill that grinds all causes, ' ' .ff^St but grinde his cause for mee there, he y list : For by demures and errours, stayes and clauses, the tole is oft made greater then the grist. 6. Epi. 10. ' JL , ly '■ He that doth aske St. James they [?] say, shall speed : O y' Kinge James would answere to my need. vol.. II. V. GULLINGE SONNETS. OJ NOTE. These ' Gullinge Sonnets ' were first printed in my re- production of the Dr. Farmer MS. for the Chetham Society (2 vols. 4to., 1873) in Part I. pp. 76-81. There seems no question that these Sonnets belong to Sir John Davies. Besides the "J. D." and "Mr. Dauyes" of the MS., his most marked turns of thought and epithet are readily discernible in them. See critical remarks on them and their probable motif in Memorial-Introduction. The Sir Anthony Cooke to whom these Sonnets are dedicated descended from the Sir Anthony who was Pre- ceptor to King Edward VI., and for Letters from whom whoso cares may consult the " Reformation " corres- pondence of the Parker Society. His daughter Mildred was second wife of Lord Burleigh, and his daughter Anne was mother of the Bacon. His son and heir, Richard Cooke, died in 1579, and was succeeded by his son Anthony (this Sir Anthony), who was knighted in 1596 by the Earl of Essex at the sacking of Cadiz. He was buried at Romford, Essex, on the 28th December, 1604. G. 55 [BDeUicatorp bonnet.] TO HIS GOOD FREINDE SR ANTH. COOKE. H ERE my Camelion Muse her selfe doth chaunge to diuers shapes of gross absurdities, and like an Anticki mocks w* fashion straunge the fond 2 admirers of lewde gulleries. Your iudgement sees w* pitty, and w'^ scorne The bastard Sonnetts of these Rymers bace, W^h in this vvhiskinge age are daily borne To their own shames, and Poetrie's disgrace. Yet some praise those and some perhappes will praise euen these of myne : and therefore thes I send to you that pass in Courte yo-- glorious dayes ; Y' if some rich rash gull these Rimes commend Thus you may sett this formall witt to schoole, Vse yo' owne grace, and begg him for a foole. J. D. • = motley-dressed jester or fool. G. - = foolish. G. 57 Gullmge Sonnets. 1 'T^HE Louer Vnder burthen of his M"^ love W^h lyke to ^tna did his harte oppreffe : did giue fuch piteous grones y' he did moue the heau'nes at length to pitty his dillreffe but for the fates in theire highe Courte aboue forbad to make the greuous burthen leffe. the gracous powers did all confpire to proue Yf miracle this mifcheife mighte redreffe • therefore regardinge y' y® loade was fuch as noe man mighte w'^ one man's mighte fuflayne and y' mylde patience^ imported much to him that (hold indure an endles payne : By there decree he foone transformed was into a patiente burden-bearinge Affe. 2 As when y'^ brighte Cerulian firmament hathe not his glory w'^ black cloudes defas'te, ' A trisyllable. G. 58 GULLING E SONNETS. Soe were my thoughts voyde of all difcontent ; and w'""- noe myfte of paffions ouercafl they all were pure and cleare, till at the lall an ydle careles thoughte forthe wandringe wente and of y*^ poyfonous beauty tooke a tafle W<^'^ doe the harts of louers fo torment : then as it chauncethe in a flock of fheepe when fome contagious yll breedes firfl in one daylie it fpreedes & fecretly doth creepe till all the filly troupe be ouergone. So by clofe neighbourhood w'^ in my brefl one fcuruy thoughte infe6leth all the reft. 3 What Eagle can behould her funbrighte eye, her funbrighte eye y' lights the world w* loue, . the world of Loue wherein I Hue and dye, I Hue and dye and diuers chaunges proue, I chaunges proue, yet ftill the fame am I, the fame am I and neuer will remoue, neuer remoue vntill my foule dothe flye, my foule dothe fly, and I furceafe to moue, I ceafe to moue w'^'^ now am mou'd by you, am mou'd by you y* moue all mortall hartes, all mortall hartes whofe eyes yo"" eyes doth veiwe, Yo"" eyes doth veiwe whence Cupid fhoots his darts, GULLING E SONNETS. 59 whence Cupid fhootes his dartes and woundeth thofe that honor you and neuer weare^ his foes. 4 The hardnes of her harte and truth of myne when the all feeinge eyes of heauen did fee they flreight concluded y' by po\vTe devine to other formes our hartes fliould turned be. then hers as hard as flynte, a Flynte became and myne as true as fLeele, to Reele was turned, and then betwene o"" hartes fprange forthe the flame of kindeft loue, w'^^ vnextinguifh'd burned ; And longe the facred lampe of mutuall loue ^ inceffantlie did bume in glory brighte ; Vntill my folly did her fury mpue to recompence my feruice w'^ defpighte, and to put out w^^ fnuffers of her pride the lampe of loue w^^^ els had neuer dyed. 5 Myne Eye, mine eare, my will, my witt, my harte did fee, did heare, did like, difcerne, did loue : her face, her fpeche, her fafhion, iudgemS arte, w^h did charme, pleafe, delighte, confounde and moue. Then fancie, humo% loue, conceipte, and thoughte did foe drawe, force, intyfe, perfwade, deuife, 6o GULLINGE SONNETS. that flie was wonne, mou'd, caryed, compafl, wrought to thinck me kinde, true, comeUe, valyant, wife ; that heauen, earth, hell, my folly and her pride did worke, contriue, labor, confpire and fweare to make me fcom'd, vile, cafl of, bace, defyed W'h her my loue, my lighte, my life, my deare : So that my harte, my witt, will, eare, and eye doth greiue, lament, sorrowe, difpaire and dye. 6 The facred Mufe that firfle made loue deuine hath made him naked and w'^out attyre, but I will cloth him w'^ this penn of myne that all the world his fafhion fhall admyre. his hatt of hope, his bande of beautye fine, his cloake of crafte, his doblett of defyre, greife for a girdell, Ihall aboute him twyne, his pointes of pride, his Ilet holes of yre, his hofe of hate, his Cod peece of conceite, his (lockings of llerne llrife, his fhirte of Ihame, his garters of vaine glorie gaye and flyte ; his pantofels of paffions I will frame, pumpes^ of prefumption fhall adorne his feete and Socks of fuUennes excedinge fweete. 5 = slipper-shoes. G. GULLIXGE SONNETS. 6i 7 Into the midle Temple of my harte the wanton Cupid did himfelfe admitt and gaue for pledge yo"" Eagle-fighted witt Y"^ he wold play noe rude vncivill parte : Longe tyme he cloak'te his nature w'^ his arte and fadd and graue and fober he did fitt, but at the lafl he gan to reuell it, to breake good rules, and orders to peruerte : Then loue and his younge pledge were both conuented before fadd*5 Reafon, that old Bencher graue, who this fadd fentence vnto him prefented by dilligence, y' flye and fecreate knaue That loue and witt, for euer fhold departe out of the midle Temple of my harte. 8 My cafe is this, I loue Zepheria brighte, Of her I hold my harte by fealtye : W^ I difcharge to her perpetuallye. Yet fhe thereof will neuer me accquite. for now fuppofmge I w'*^ hold her righte (he hathe diftreinde my harte to fatisfie • = serious; and so * sadly '= seriously, e. g. Skelton : " I have not offended, I trust, If it be sadly discust." G. 62 GULLINGE SONNETS. the duty w^^ I neuer did denye, and far away impounds it w*^ defpite ; I labor therefore iufllie to repleaue'' my harte w'^'* fhe vniufLly doth impounde but quick conceite w* nowe is loue's highe Sheife retomes it as eflo)Tide, not to be founde : Then w<=^ the lawe affords I onely craue her harte for myne in wit her name to haue. 9 To Loue my lord I doe knightes feruice owe and therefore nowe he hath my witt in warde, but while it is in his tuition foe me tliincks he doth intreate it paffmge hard ; for thoughe he hathe it marryed longe agoe to Vanytie, a wench of noe regarde, and nowe to full, and perfe6l age doth growe, Yet nowe of freedome it is mofl debarde. But why fhould loue after minoritye when I am pall the one and twentith yeare perclude my witt of his fweete libertye, and make it flill y^ yoake of wardfhippe beare. I feare he hath an other Title gott and holds my witte now for an Ideott. M"^ Dauyes. ^ = recover (a legal term) G. VL MINOR POEMS. i¥lmor poems?* I. Yet other Twelve Wo7iders of the TVorlci: I. The Courtier. T ONG haue I liu'd in Court, yet learn'd not all this while, To sel poore sutors, smoke : nor where I hate, to smile : Superiors to adore. Inferiors to despise. To flye from such as fall, to follow such as rise ; To cloake a poore desire vnder a rich array. Not to aspire by vice, though twere the quicker way. * This and the three following, are from the celebrated collection of early English poetry called the ' Poetical Rhapsody ' by Davison. Our text is from the third edition (1621) which in our case is pre- ferable, as having presumably been revised (in his contributions) by Sir John : It is to be noted that in this edition the original simple I. D. is in the second poem changed to Sir I, D., and that to the third his name is given in full. I have included the Hymn on Music, though the initials I. D. have been assigned to Dr. John Donne by Sir Egerton Brydges and others. It seems to me that as (i) I. D. is our Poet's designation in the 'Rhapsody* throughout, and as (2) the VOL. n. F 66 MINOR POEMS. II. T/ie Divine. My calling is Diuine, and I from God am sent, I will no chop-Church be, nor pay my patron rent, Nor yeeld to sacriledge ; but like the kind true mother, Rather will loose all the child, then part it with another; Much wealth, I will not seeke, nor worldly masters serue. So to grow rich and fat, while my poore flock doth sterue. Lines were not claimed for Donne by himself, or by his son when he collected his father's Poems — we are warranted in assigning them to Sir John Davies. Sir Egerton favours their Donne authorship simply because " they seem rather to partake of the conceits of Donne than of the simple vigour of Davies " but he forgot the ' Hymnes to Astraea ' and ' Orchestra ' ; which are in the same vein. It is to be regretted that Sir Nicholas Harris Nicolas modernized the text in his reprint of the ' Rhapsody ' : (2 vols, crown 8vo. 1826, Pickering) : and perhaps equally so, that Mr. Collier in his careful and beautiful private one, has selected the first incomplete edition. The following is the title-page of the edition of the ' Rhapsody ' used by us : DAVISONS POEMS, OR A POETIC ALL RAPSODIE. Deuided into sixe Bookes. The first, contayning Poems and Denises. The second, Sonets and Canzonets, The third, Pastoralh and Elegies. The fourth, Madrigalls and Odes. MINOR POEMS. 67 III. T/ie Soiddier. My occupation is, the noble trade of Kings, The trj'all that decides the highest right of things : Though Mars my master be, I doe not Vcmis loue, Nor honour Bacchus oft, nor often sweare by loue ; Of speaking of my selfe, I all occasion shunne, And rather loue to doe, then boast what I haue done. III. The Lawyer. The Law my calling is, my robe, my tongue, my pen, Wealth and opinion gaine, and make me ludge of men. The kno^\^le dishonest cause, I neuer did defend. Nor spun out sutes in length, but wisht and sought an end ; The fift, Epigrams and Epitaphs. The sixt, Epistles and Epithalamions. For variety and pleasure, the like neuer published. The Bee and Spider by a diuers poiver, Sucke hony and poy son from the selfe same Jlower. The fourth Impression, Newly corrected and augmented, and put into a forme more pleasing to the Reader. London, Printed by B. A. for Roger lackson, 162 1 (small 120.) See our Preface for account of an autograph MS. of "Yet other Twelve Won- ders of the World." G. 68 MINOR POEMS. Nor counsell did bewray, nor of both parties take, Nor euer tooke I fee for which I neuer spake. V. The Physition, I study to vj^hold the sHppery state of man, Who dies, when we haue done the best and all we can. From practise and from bookes, I draw my learned skill. Not from the knowne receipt of Tothecaries bill. The earth my faults doth hide,^ the world my cures doth see, What youth, and time effects, is oft ascribde to me. VI. The Merchant. My trade doth euery thing to euery land supply, Discouer unknowne coasts, strange Countries to ally ; I neuer did forestall, I neuer did ingrosse, No custome did withdraw, though I return'd with losse. I thriue by faire exchange, by selling and by buying, And not by lewish vse,^ reprisall, fraud, or lying. - ' The earth my faults doth hide.' This recalls the somewhat irate remonstrance of a bibulous Sexton under the reproaches of a medical church-warden at a parish-meeting : "O Sir, you are the last that ever I expected to expose me, seeing I have covered up many of your faults " (i.e. in the graves of his patients.) G. •^ ^ usury. G. MINOR POEMS. 69 VII. The Country Gentlejnan. Though strange outladish spirits praise towns, and country scorn, The country is my home, I dwel where I was born : There profit and command with pleasure I pertake, Yet do not Haukes and dogs, my sole companions make. I rule, but not oppresse, end quarrels, not maintaine ; See towns, but dwel not there, t'abridge my charg or train. VIII. The Bacheler. How many things as yet are deere alike to me. The field, the horse, the dog, loue, amies or liberty. I haue no mfe as yet, whom I may call mine owne, I haue no children yet, that by my name are knowne. Yet if I married were, I would not wish to thriue. If that I could not tame the veriest shrew aliue. IX. The Married Man. I only am the man, among all married men. That do not wish the Priest, to be unlinckt agen. And thogh my shoo did wring,'* I wold not make my mone. Nor think my neighbors chance, more happy then mine own. -) _ = pinch. G. 70 MINOR POEMS. Yet court I not my wife, but yeeld obseruance due, Being neither fond ■-' nor crosse, nor iealous, nor vntrue. X. The Wife. The first of all our Sex came from the side of man, I thither am return'd, from whence our Sex began ; I doe not visite oft, nor many, when I doe, I tell my mind to few, and that in counsell too : I seeme not sick in health, nor sullen but in sorrow, I care for somewhat else of, then what to weare to morrow. XI. The Widdotv. My dying ^ husband knew, how much his death would grieue me. And therefore left me wealth, to comfort and relieue me. Though I no more will haue, I must not loue disdaine, Petielopc her selfe did sutors entertaine ; And yet to draw on such, as are of best esteeme. Nor yonger then I am, nor richer will I seeme. i := foolish. G. ^ In Sir Egerton Brydges edition of the Rhapsody this line stands " My dying husband knew," &c. an interpolation which, though perhaps called for by the metre, does not appear to be justified by either of the four editions supposed to have been printed during the life-time of the original editor. Nicolas. [True, but as it is found in an autograph MS. of the poem, it is in- serted. See our Preface. G.] MINOR POEMS. 71 XII. The Maid. I marriage would forsweare, but that I heare men tell, That she that dies a maid, must leade an Ape in Hell; Therefore if fortune come, I will not mock and play, Nor driue the bargaine on, till it be driuen away. Tithes and lands I like, yet rather fancy can, A man that wanteth gold, then gold that wants a man. (pp. 1—4.) 72 MINOR POEMS. II. A CONTENTION Betwixt a Wife, a PViddoza, and a Maide? Wife. Widdow, well met, whether goe you to day ? Will you not to this solemne offering go ? You know it is Astreas holy day : The Saint to whom all hearts deuotion owe. Widow. Marry, what else ? I purpos'd so to doe : Doe you not marke how all the wiues are fine? And how they haue sent presents ready too, To make their offering at Astreas shrine ? See then, the shrine and tapers burning bright, Come, friend, and let vs first ourselues ad- vance, 7 See Introductory Note to the first of these Minor Poems, ante. In Mr. Collier's History of English Dramatic Poetry, Vol. I. p. 323 seqq. interesting details are given of an Entertainment to the Queen at Sir Robert Cecil's " newe house in the Strand," at which she was " royally entertained." From Extracts from a Barrister's Diary among the Harleian MSS. adduced herein, we glean a notice of the present Poem, e. g-. " Sundry devises at hir entrance : three women, a maid, a widow and a wife, cache contending [for] their own states, but the virgin preferred." In Nichols' Progs, of Elizabeth (iii. 601) the poem is also ascribed on authority of John Chamber- MINOR POEMS. 73 We know our place, and if we haue our right, To all the parish we must leade the dance. But soft, what means this bold presumptuous maid, To goe before, without respect of vs ? Your fonvardnesse (proude maide) must now be staide : Where leamd you to neglect your betters thus ? Maide. Elder you are, but not my betters here, This place to maids a priuiledge must giue : The Goddesse, being a maid, holds maidens deare. And grants to them her owti prerogatiue. Besides, on all true virgins, at their birth. Nature hath set ^ a crowne of excellence, lain to Davies (6th December, 1602). See Letters of Chamberlain published by Camden Society, p. 169 : December 23rd, 1602. Miss Sarah Williams, in her careful edition of Chamberlain's Letters for the Camden Society, by an oversight, has annotated this reference in loco as to Davies of Hereford. Chamberlain calls it a " pretty dia- logue." The Barrister's Diary supra [Manningham] has been edited for the Camden Society by the late lamented Mr. John Bruce of London. G. ^ Misprinted ' sent.' G. 74 MINOR POEMS. That all the wiues and widdowes of the earth, Should giue them place, and doe them reuer- ence? Wife. If to be borne a maid be such a grace, So was I borne and grac't by nature to. But seeking more perfection to embrace I did become a wife as others doe. Widow. And if the maid and wife such honour have, I haue beene both, and hold a third degree. Most maides are Wardes, and euery wife a slaue, I haue my livery sued,^ and I am free. Maid. That is the fault, that you haue maidens beene, And were not constant to continue so : The fals of Angels did increase their sinne, In that they did so pure a state forgoe : But Wife and Widdow, if your wits can make, Your state and persons of more worth then mine, ^ A legal phrase = freedom or liberty. G. MINOR POEMS. 75 Aduantage to this place I will not take ; I will both place and priuilege resigne. Wife. Why marriage is an honourable state. Widow. And widdow-hood is a reuerend degree : Maid. But maidenhead, that will admit no mate, Like maiestie itselfe must sacred be. Wife. The wife is mistresse of her family. Widow. Much more the widdow, for she rules alone : Maid. But mistresse of mine owne desires am I, When you rule others wils and not your owne. Wife. Onely the wife enjoys the vertuous pleasure. Widow. The widow can abstaine from pleasures known : Maid. But th' vncorrupted maid preserues ^ such measure, As being by pleasures wooed she cares for none. Wife. Widow. Maid. The wife is like a faire supported vine. So was the widdow, but now stands alone : For being growne strong, she needs not to in- cline. Maids, like the earth, supported are of none. > Nicolas, as before, has ' observes.' G. 76 MINOR POEMS. Wife. The wife is as a Diamond richly set ; Maid. The maide vnset doth yet more rich aj^peare. Widow. The widdow a lewel in the Cabinet, Which though not worn is stil esteem'd as deare. Wife. The wife doth loue, and is belou'd againe. Widow. The widdow is awakt out of that dreame. Maid. The maids white minde had neuer such a staine, No passion troubles her cleare vertues streame. Yet if I would be lou'd, lou'd would I be, Like her whose vertue in the bay is scene : Loue to wife fades with satietie, Where loue neuer enioyed is euer greene. Widow. Then whats a virgin but a fruitlesse bay ? Maid. And whats a widdow but a rose-lesse bryer ? And what are wiues, but woodbinds which decay The stately Oakes by which themselues aspire? And what is marriage but a tedious yoke ? Widow. And whats virginitie but sweete selfe-loue ? Wife. And whats a widdow but an axell broke, Whose one part failing, neither part can mooue? MINOR POEMS. 77 Widow. Wiues are as birds in golden cages kept. Wife. Yet in those cages chearefuUy they sing : Widow. Widdowes are birds out of these cages lept, Whose ioyfuU notes makes all the forrest ring. Maid. But maides are birds amidst the woods secure, Whichneuerhad could touch, nor yet ^ could take; Nor whistle could deceiue, nor baite allure, But free vnto themselues doe musicke make. Wife. The wife is as the turtle with her mate. Widow. The widdow, as the widdow doue alone ; Whose truth shines most in her forsaken state. Maid. The maid a Phoenix, and is still but one. Wife. The wifes a soule vnto her body tyed. Widow. The widdow a soule departed into blisse. Maid. The maid, an Angell, which was stellified. And now t' as faire a house descended is. Wife. Wiues are faire houses kept and fumisht well. Widow. Widdowes old castles voide, but full of state : Maid. But maids are temples where the Gods do dwell, To whom alone themselues they dedicate. Nicolas, as before, reads ' net.' G. 78 MINOR POEMS. Wife. But marriage is a prison during life, Where one way out, but many entries be : The Nun is kept in cloyster, not the wife, Wedlocke alone doth make the virgin free. Maid. The maid is ever fresh, like morne in May : Wife. The wife with all her beames is beautified, Like to high noone, the glory of the day : Widow. The widow, like a milde, sweet, euen-tide. Wife. An office well supplide is like the wife. Widow. The widow, like a gainfull office voide : Maid. But maids are like contentment in this life. Which al the world haue sought, but none enioid : Go wife to Dunmow, and demaund your flitch. Wido7ii. Goe gentle maide, goe leade the Apes in hell. Wife. Goe widow make some younger brother rich, And then take thought and die, and all is well. Alas poore maid, that hast no help nor stay. Widow. Alas poore wife, that nothing dost possesse ; Maid. Alas poore widdow, charitie doth say, Pittie the widow and the fatherlesse. MINOR POEMS. 79 Widow. But happy widdowes haue the world at wall. Wife. But happier wiues, whose ioys are euer double. Maid. But happiest maids whose hearts are calme and still, Whom feare, nor hope, nor loue, nor hate doth trouble. Wife. Euery true wife hath an indented^ heart, Wherein the covenants of loue are wnt, Whereof her husband keepes the counterpart, And reads his comforts and his ioyes in it. Widow. But euery widdowes heart is like a booke, Where her ioyes past, imprinted doe remaine, But when her iudgements eye therein doth looke ; She doth not wish they were to come againe. Maid. But the maids heart a faire white table is, Spotlesse and pure, where no impressions be But the immortal Caracters of blisse, Which onely God doth write, and Angels see. ' The reference is to the wavy or vandyked cutting of the vellum MS. whereby the one copy fits into the other. Recently two very ancient MSS. were thus unexpectedly brought together in H. M Public Record Office. G. 8o MINOR POEMS. Wife. But wiues haue children, what a ioy is this ? Widow. Widows haue children too, but maids haue none. Maid. No more haue Angels, yet they haue more blisse Then euer yet to mortall man was knowne. Wife. The wife is like a faire manured"* field ; Widow. The widow once was such, but now doth rest. Maid. The maide, like Paradice, vndrest, vntil'd, Beares crops of natiue vertue in her breast. Wife. Who would not dye as wife, as Lucrece died ? Widow. Or liue a widdow, as Penelope ? Maid. Or be a maide, and so be stellified,^ As all the vertues and the graces be. Wife. Wiues are warme Climates well inhabited ; But maids are frozen zones where none may dwel. Maid. But fairest people in the North are bred, Where Africa breeds Monsters blacke as hell. Wife. I haue my husbands honour and his place. Widow. My husbands fortunes all suruiue to me. * ^cultivated. G. * Cf. 'Orchestra,' Vol. I., page 192, with relative note. G. MINOR POEMS. 8i Maid. The moone doth borrow Hght, you borrow grace, When maids by their owne vertues graced be. White is my colour ; and no hew but this It will receiue, no tincture can it staine. Wife. My white hath tooke one colour, but it is My honourable purple dyed in graine.^ Widow. But it hath beene my fortune to renue My colour twice from that it was before. But now my blacke will take no other hue, And therefore now I meane to change no more. JVife. Wiues are faire Apples seru'd in golden dishes. Widtnv. Widows good wine, which time makes better much. Maid. But Maids are grapes desired by many wishes, But that they grow so high as none can touch. Wife. I haue a daughter equals you, my girle. Maid. The daughter doth excell the mother then : As pearles are better then the mother of pearle Maids loose their value whe they match with men. * = in the fabric. G. VOL. II. G 82 MINOR POEMS. Widouf. The man with who I matcht, his worth was such As now I scome a maide should be my peare : "^ Maid. But I will scome the man you praise so much, For maids are matchlesse, and no mate can beare. Hence is it that the virgine neuer loues, Because her like she finds not anywhere ; For likenesse euermore affection moues, Therefore the maide hath neither loue nor peere. Wife. Yet many virgins married wiues would be. Widow. And many a wife would be a widdow faine. Maid. There is no widdow but desires to see, If so she might, her maiden dales againe. Widow. ^ There neuer was a wife that liked her lot : Wife. Nor widdow but was clad in mourning weeds. Maid. Doe what you will, marry, or marry not. Both this estate and that, repentance breedes. '' = peer. G. * In the previous editions of the Rhapsody, this line has always been imputed to the Wife, and the following one to the Widow ; but as throughout the Contention each party praises her own state, whilst she ridicules that of the other, the transposition in the text appeared to be imperiously called for. Nicolas. MINOR POEMS. 83 Wife. But she that this estate and that hath seene, Doth find great ods betweene the wife and girle. Maid. Indeed she doth, as much as is betweene The melting haylestone and the solid pearle. Wife. If I were Widdow, my merry dayes were past. Widow Nay, then you first become sweete pleasures guest, Wife.^ For mayden-head is a continuall fast, And marriage is a continual feast Maid. Wedlock indeed hath oft compared bin To publike Feasts where meete a publike rout ; Where they that are without would faine go in, And they that are within would faine go out. Or to the lewell which this vertue had, That men were mad till they might it obtaine, But when they had it, they were twise as mad, Till they were dipossest of it againe. Wife. Maids cannot iudge, because they cannot tell, What comforts and what ioyes in marriage be : ' By the rule of note 8, Wife seems necessary to be here prefixed; but see our Memorial-Introduction for a critical notice of this and other portions. G. 84 MINOR POEMS. Maid. Yes, yes, though blessed Saints in heauen do dwell. They doe the soules in Purgatory see. Wuifliti. If euery wife do Hue in Purgatory. Then sure it is, that Widdowes Hue in blisse : And are translated to a state of glory, But Maids as yet haue not attain'd to this. Maid. Not Maids? To spotlesse maids this gift is giuen, To Hue in incorruption from their birth; And what is that but to inherit heauen Euen while they dwell vpon the spotted earth ? The perfectest of all created things. The purest gold, that suffers no allay ;^ The sweetest flower that on th' earths bosom e springs. The pearle vnbord, whose price no price can pay: The Christall Glasse that will no venome hold,- The mirror wherein Angels loue to looke, 1 = alloy. G. ^ It was long a " Vulgar Error" that certain 'cliristall glasses' flew into bits on poison being put into them. G. MINOR POEMS. Dianaes bathing Fountaine cleere and cold, Beauties fresh Rose, and vertues huing booke. Of loue and fortune both, the Mistresse borne, The soueraigne spirit that will be thrall to none ; The spotlesse garment that was neuer worne. The Princely Eagle that still flyes alone. She sees the world, yet her cleere thought doth take No such deepe print as to be chang'd thereby; As when we see the burning fire doth make, No such impression as doth burne the eye. Wife. No more (sweete maid) our strife is at an end, Cease now : I fear we shall transformed be To chattering Pies, as they that did contend To match the Muses in their harmony. Widow. Then let us yeeld the honour and the place. And let vs both be sutors to the maid ; That since the Goddesse giucs her speciall grace, By her cleere hands the offring be conuaide. 86 MINOR POEMS. Maid. Your speech I doubt hath some displeasure mou'd, Yet let me haue the offring, I will see ; I know she hath both wiues and widdowes lou'd, Though she would neither wife nor widdow be. (PP 5— 1 5-) MINOR POEMS. 87 III. A LOTTERY. f Presented before the late Queenes Maiesty at tJie Lord Chancelors House, 1602.^ A Marritur with a Boxe vnder his arme, contayning all the seuerall things following, supposed to cofne from the Carrick^ came into tlie Presence, singing this Song: Cynthia Queene of Seas and Lands, That fortune euery where commands, ^ See Introductory-note to the preceding poem. G. - This Lottery was presented to the Queen in the year 1602, at York House, the residence of Thomas Egerton, Lord Keeper, not in 1 60 1, as stated in Nichols' Pmgresies, vol iii. p. 570. See our Memorial-Introduction for authority for this correction, and for the names of the ladies who drew the successive 'lots,' and also other points. Collier, as before, in a strangely curious remark, supposes these lottery verses may be Samuel Rowland's " When gossips meet," and as strangely does not connect them with Davies' name at all. He, however, supplies interesting memorabilia relating to these Elizabethan Entertainments. He mis-names the poet-compiler of the ' Rhapsody ' throughout, Davidson. * Or Caract, a large ship. Chaucer speaks of Satan having " a tayle, broder than of a Carrike is the sayl.' Sir Walter Raleigh, — a contributor to the Rhapsody, — observes " in which river the largest Carack may, &c." Nicolas. 88 MINOR POEMS. Sent forth fortune to the Sea, To try her fortune euery way. There did I fortune meet, which makes me now to sing, There is no fishing to the Sea, nor seruice to the King. All the Nymphs of T/ietis traine Did Cinthias fortunes entertaine : Many a lewell, many a lem. Was to her fortune brought by them. Her fortune sped so well, as makes me now to sing. There is no fishing to the Sea, nor seruice to the King. Fortune that it might be seene. That she did serue a royall Queene, A franke and royall hand did beare, And cast her fauors euery where. Some toyes fell to my share, which makes me now to sing, There is no fishing to the Sea nor seruice to the King.* ^ Mr. Nichols, in his Progresses of Queen Elizabeth, cites the tollowing passage from a speech made at her entertainment at Cow- dray, to prove that the line in the text was an " olde saying." " Madame it is an olde saying ' There is no fishing to the sea, nor service to the King ;' but it holds when the sea is calm, and the King virtuous." .... Vol. iii., pp. 95 — 57 1- Nicolas. The sense is that there is no fishing to be compared (in result) to sea-fishing, nor any service to be compared with the king's. G. MINOR POEMS. 89 And the Song ended, he vttred this short Speech : God saue you faire Ladies all : and for viy part, if euer I be brought to answerefor my sinnes, Godforgiue my sharking, and lay vsury to my charge. I am a Marriner, and am now come from the sea, where I had the fortune to light upon these few trifles. I must cot f esse I came but lightly by the^n, but I no sooner had them, but I made a vow, that as they came to my hands by Fortune, so I would not part with them but by Fortune. To that end I haue euer since carried these Lots about me, that if I met with fit company I might deuide my booty among them. And now, (L thanke my good Fortune,) ! I am lighted into the best company of the world, a company of the fairest Ladyes that euer I saw. Come Ladies try your fortunes, and if any light upon an unfortunate Blanke, let her thinke that Fortune doth but mock her in these trifles, and meanes to pleasure her in greater matters. The Lots. I. Fortunes IV/teele. Fortune must now no more in triumph ride, The whedes are yours tliat did her Chariot guide. QO MINOR POEMS. 2. A Purse. You thriue, or would, or may, your Lots a Purse Fill it with gold, and you are nere the worse. 3. A Maske. Want you a Maske ? heere Fortune gives you one, Yet nature giues the Rose and Lilly none. 4. A Looking-Glasse. Blinde Fortune doth not see how faire you be, But giues a glasse that you your selfe may see. 5. A Hmiker chief e. Whether you seeme to weepe, or weepe indeed. This Hand-ka-chiefe will stand you well in steed. 6. A Plain e Ri?ig. Fortune doth send^ you, hap it well or ill. This plaine gold Ring, to wed you to your will. 7. A Ring, 7inth this Poesie : As faithful/ as I find. Your hand by Fortune on this Ring doth light, And yet the words'' do hit your humour right. ■'' Manningham, in the original MS., has these variants : 1. i, ' hath sent' ; 1. 2, 'A plaine.' G. * Manningham, as before, has ' word doth ' — a reading which MINOR POEMS. 91 8. A Fair of Clones. Fortune these Gloues to you in challenge sends, For that you loue not fooles that are her friendsJ 9. A Dozen of Points.^ You are in euery point a louer true, And therefore Fortune giues the points to you. 10. A Lace. Giue her the Lace that loues to be straight lac'd. So Fortiines little gift is aptly plac'd. II. A Paire of Kniiies. Fortune doth giue this paire of Kniues to you, To cut the thred of loue, if 't be not true. 12. A Girdle. By Fortunes Girdle you may happy be,^ But they that are lesse happy are more free. brings it more into accord with the language of the times, ' word ' being then used for a sentence of import, impressa, or posy. He has also ' fit ' for ' hit.' G. ^ Manningham again reads here : — . ..." to you in double challenge sends For you hath fools and flatterers hir best friends." G. * A tagged lace used for attaching and keepmg up or together various parts of the dress. G. ' Manningham reads, " With Fortune's .... happy may you be." G. 92 MINOR POEMS. 13. A Fay re of Writiiig-Tablcs. These Tables may containe your thoughts^ in part, But write not all, that's written in your heart. 14. A Pay re of Garters. Though you haue Fortunes Garters, you must be More staid and constant in your steps then she. 15. A Cojfe and Crosse- Cloth. Frowne in good earnest, or be sick in iest, This Coife and Cross-Cloth will become you best. 16. A Scarf e. Take you this Scarfe, bind Cupid hand and foote. So loue must aske you leaue before hee shoote. 17. A Falling Band. Fortune would have you rise, yet guides your hand. From other Lots to take the falling band. 18. A Stomacher. This Stomacher is full of windowes^ wrought, Yet none through them can see into your thought. ' Ihid, ' thought.' G. " = worked openings in the dress. G. MINOR POEMS. 93 19. A Pair of Sizzers? These sizzers do your huswifery bewray, You loue to work though you are borne to play. 20. A Chaine. Because you scome loue's Captiue to remaine, Fortune hath swome to leade you in a Chaine. 21. A Prayer-Booke. Your Fortune may prooue^ good another day, Till Fortune come, take you a booke to pray. 22. A Suiiftkin.^ 'Tis Summer yet, a Snuftkin is your Lot, But 'twill be winter one day, doubt you not. 23. A Fanne. You loue to see, and yet to be vnseen, Take you this Fanne to be your beauties skreene. 3 Manningham has ' scisser case,' which shows the scissors were in a case. He also reads ' you be borne.' CJ. ■• Hid, ' may be.' Then 1. 2 was first as in text, but over ' Till that day ' is inserted above ' Till Fortune come,' though the latter is not erased. G. * A small muff for Winter-wear, llnd in heading and 1. i, *Muf- kin': in 1. 2 'It will be.' G. 94 MINOR POEMS. 24. A Pair of Bracelets. Lady, your hands are fallen into a snare, For Cupids manicles these Bracelets are. 25. A Bodkin. Euen with this Bodkin you may Hue unharmed, Your beauty is with vertue so well armed. 26. A Necklace. Fortune giues your faire neck this lace to weare, God grant a heauier yoke it neuer beare. 27. A CushineL To her that little cares what Lot she wins, Chance gives a little Cushinet to stick pinnes. 28. ADyall. The Dyal's your's, watch time least it be lost, Yet they most lose it that do watch it most.*" 29. A Nutmeg with a Blanke ParcJunent in it. This Nutmeg holds a Blanke, but chance doth hide it ; Write your owne wish, and Fortune will prouide it. * Ihid., this variant : — " And yet they spend it worst that watch it most." G. MINOR POEMS. 95 30. Blanke. Wot you not why Fortune giues you no prize, Good faith she saw you not, she wants her eyes. 31. Blanke. You are so dainty to be pleaz'd, God wot. Chance knowes not what to giue you for a Lot. 32. Blanke. Tis pitty such a hand should draw in vaine. Though it gaine nought, yet shall it pitty gaine. 33. Blanke. Nothing's your Lot, that's more then can be told, For nothing is more precious then gold. 34. Blanke. You faine would haue, but what, you cannot tell. In giuing nothing, Fortune semes you well. Sir I. D, (pp. 42 — 46. 96 MINOR POEMS. IV. CANZONET. A Hymne in Praise of Mttsicke.i "P RAISE, pleasure, profite, is that threefold band, Which ties mens minds more fast then Gordions knots : Each one some drawes, all three none can withstand. Of force conioynd, Conquest is hardly got. Then Musicke may of hearts a Monarch be, Wherein prayse, pleasure, profite so agree. Praise-worthy Musicke is, for God it praiseth. And pleasant, for brute beasts therein delight. Great profit from it flowes, for why it raiseth The mind ouerwhelmed with rude passions might : When against reason passions fond rebell, Musicke doth that confirme, and those expell. If Musicke did not merit endlesse praise, Would heauenly Spheares delight in siluer round ?'^ ^ See Introductory-Note to the first of these Minor Poems. I include this ' Canzonet ' because originally it bore the initials of Davies* other pieces in the Rhapsody,' viz., I. D. — G. ^ Qu : sound ? or it may be — their circular movement (sup- posed). G. MINOR POEMS. 97 If ioyous pleasure were not in sweet layes Would they in Court and Country so abound .'' And profitable needes we must that call, Which pleasure linkt with praise, doth bring to all. Heroicke minds with praises most incited, Seeke praise in Musicke and therein excell : God, man, beasts, birds, with Musicke are delighted, And pleasant t'is which pleaseth all so well : No greater profit is then self-content, And this will Musicke bring, and care preuent. When antique Poets Musick's praises tell, They say it beasts did please, and stones did moue : To proue more dull then stones, then beasts more fell, Those men which pleasing Musicke did not loue ; They fain'd, it Cities built, and States defended To shew the profile great on it depended. Sweet birds (poor men's Musitians) neucr slake To sing sweet Musickes praises day and night : The dying Swans in Musicke pleasure take. To shew that it the dying can delight : In sicknesse, health, peace, warre, we do it need, Which proues sweet Musicks profit doth exceed. VOL. n. H 98 MINOR POEMS. But I bj' niggard praising, do dispraise Praise-worthy Musicke in my worthlesse Rime : Ne can the pleasing profit of sweet laies, Any saue learnbd Muses well define : Yet all by these rude lines may clearely see, Praise, pleasure, profile in sweet musicke be. [pp. 138—9.] (No sig. but in 1602. I. D.) MINOR POEMS. 99 V. TEN SONETS TO PHILOMEL. » SONNET I. Vpon Loues entring by the eares. r^ FT did I heare our eyes die passage weare, By which Loue entred to assaile our hearts : Therefore I garded them, and void of feare, Neglected the defence of other parts. Loue knowing this, the vsuall way forsooke : And seeking found a by-way by mine eare. At which he entring, my heart prisoner tooke, And vnto thee sweete Phylomel did beare. Yet let my heart thy heart to pitty moue, Whose paine is great, although small fault appeare. First it lies bound in fettring chaines of loue, Then each day it is rackt with hope and feare. And with loues flames tis euermore consumed, Only because to loue thee it presumed. ' In my edition of Donne I have assigned these Ten Sonnets to him, but for reasons given in Memorial-Introduction now reclaim them for Davies. Our text is as with the others from the ' Rhap- ^ody' of 1621, where they are numbered in the class of sonnets xxxiv. to xlii. They were originally signed Melophilus. The various readings are merely orthographieal. G. loo MINOR POEMS. O why did Fame my heart to loue betray, By telHng my Deares vertue and perfection? Why did my Traytor eares to it conuey That Syren-song, cause of my hearts infection ? Had I been deafe, or Fame her gifts concealed, Then had my heart beene free from hopelesse Loue : Or were my state Ukewise by it reuealed. Well might it Philomel to pitty moue. Than should she know how loue doth make me languish, Distracting me twixt hope and dreadfuU feare : Then should she know my care, my plaints and anguish. All which for her deare selfe I meekely beare. Yea I could quietly deaths paines abide. So that she knew that for her sake I dide. 0/ Jiis owne, and his Mistresse sicknesse at one time. ICKNESSE entending my loue to betray, Before I should sight of my deere obtaine : Did his pale colours in my foce display, Lest that my fauour might her fauours gaine. Yet not content herewith, like meanes it wrought, My Philomels bright beauty to deface : S MINOR POEMS. loi And natures glory to disgrace it sought, That my conceiued loue it might displace. But my firme loue could this assault well beare, Which vertue had, not beauty for his ground. And yet bright beames of beauty did appeare, Through sicknesse vaile, which made my loue abound; If sicke (thought I) her beauty so excell, How matchlesse would it be if she were well. Another of her sicknesse ajzd recovery. TDALE Death himselfe did loue my Philomell, When he her vertues and rare beauty saw. Therefore he sicknesse sent : which should expell His riuals life, and my deare to him draw. But her bright beauty dazled so his eyes. That his dart life did misse, though her it hit : Yet not therewith content, new meanes he tries, To bring her vnto Death, and make life flit. But Nature soone perceiuing, that he meant To spoyle her onely Phoenix, her chiefe pride, Assembled all her force, and did preuent The greatest mischiefe that could her betide. So both our hues and loues, Nature defended : For had she di'de, my loue and life had ended. I02 MINOR POEMS. Allusio7i to Theseus voyage to Crete, against the Minotaiire. A /T Y loue is sail'd against dislike to fight, Which Uke vile monster, threatens his decay : The ship is hope, which by desires great might, Is swiftly borne towards the wished bay : The company which with my loue doth fare, (Though met in one) is a dissenting crew : They are ioy, griefe, and neuer-sleeping care, And doubt, which neere beleeues good newes for true Blacke feare the flag is, which my ship doth beare, Which (Deere) take downe, if my loue victor be : And let white comfort in his place appeare. When loue victoriously returnes to me : Least I from rock despaire come tumbling downe, And in a sea of teares be for'st to drowne. Vpo7i her looking secretly ottt at a window as he passed by. /^NCE did my Philomel reflect on me. Her Cristall pointed eyes as I past by ; Thinking not to be scene, yet would me see : But soone my hungry eies their food did spy. MINOR POEMS. la^ Alas, my deere, couldst thou suppose, that face Which needs not enuy Phoebus chiefest pride, Could secret be, although in secret place, And that transparent glasse such beames could hide ? But if I had been blinde, yet Loues hot flame, Kindled in my poore heart by thy bright eye, Did plainly shew when it so neere thee came, By more the vsuall heate then cause was nie, So though thou hidden wert, my heart and eye Did tume to thee by mutuall Sympathy. When time nor place would let me often view Natures chiefe Mirror, and my sole delight ; Her liuely picture in my heart I drew, That I might it behold both day and night ; But she, like Philips Sonne, scorning that I Should portraiture, which wanted Apelles Art, Commanded Loue (wlio nought dare her deny) To burne the picture which was in my heart. The more loue burn'd, the more her Picture shin'd : The more it shin'd, the more my heart did burne: So what to hurt her Picture was assign'd. To my hearts ruine and decay did turne. Loue could not burne the Spirit, it was divine, And therefore fir'd my heart, the Saints poor shrine. I04 MINOR POEMS. To the Sunne of his Mistresse beauty eclipsed with frownes. A 'X THEN as the Sunne eclipsed is, some say- It thunder, Hghtning, raine, and wind portendeth; And not vnUke but such things happen may, Sith like effects my Sunne eclipsed sendeth ! Witnesse my throat made hoarse with thundring cries, And heart with loues hot flashing lightnings fired : Witnesse the showers which still fall from mine eies, And breast with sighes like stormy winds neare riued. O shine then once againe sweet Sunne on me, And with thy beames dissolue clouds of despaire, Whereof these raging Meteors framed be, In my poore heart by absence of my faire. So shalt thou prooue thy beames, thy heate, thy light, To match the Sunne in glory, grace, and might. Vpon sending her a gold ring with this Posie. Pure and Endlesse. T F you would know the love which I you beare. Compare it to the Ring which your faire hand MINOR POEMS. 105 Shall make more precious, when you shall it weare So my loues nature you shall vnderstand. Is it of mettall pure ? so you shall proue My loue, which ne're disloyall thought did staine. Hath it no end ? so endlesse is my loue, Vnlesse you it destroy with your disdaine. Doth it the purer waxe the more tis tride ? So doth my loue : yet herein they dissent, That whereas gold the more t'is purifide By waxing lesse, doth shew some part is spent : My loue doth waxe more pure by your more trying, And yet encreaseth in the purifying. The hearts captivitie. A /r Y cruell deere hauing captiu'de my heart, And bound it fast in chaines of restlesse loue : Requires it out of bondage to depart, Yet is she sure from her it cannot moue. Draw backe (said she) your helpeless loue from me, Your worth requires a farre more worthy place : Vnto your suite though I cannot agree. Full many will it louingly embrace. It may be so (my deere) but as the Sunne, When it appeares doth make the starres to vanish ! i.>6 MINOR POEMS. So when your selfe into my thoughts do runne, All others quite out of my heart you banish. The beames of your perfections shine so bright, 'lliat straight-way they dispell all other light. I. D. MINOR POEMS. 107 VI. TO GEORGE CHAPMAN ON HIS OVID.2 /, D. of the Middle Temple. /^NELY that eye which for tme loue doth weepe, Onely that hart which tender loue doth pierse, May read and vnderstand this sacred vierse — For other wits too misticall and deepe : Betweene these hallowed leaues Cupid dooth keepe The golden lesson of his second Artist ; For loue, till now, hath still a Maister mist, Since Oiiids eyes were closed with iron sleepe ; But now his waking soule in Chapman liues. Which showes so well the passions of his soule ; And yet this Muse more cause of wonder giues, And doth more Prophet-like loues art enroule : For Ouids soule, now growne more old and wise, Poures foorth it selfe in deeper misteries. ^ From " Ovid's Banquet of [ sence. | A Coronet for his Miy- tresse Philosophic, and his amorous | Zodiacke. \ With a translation of a Latine coppie, | written by a Fryer, Anno Dom. 1400. | Quis leget haec? Nemo Ilercule Nemo, | vol dito vel nemo. Persius. | At I.ONDON, I Printed by J. R. for Richard Smith. Anno Dom. 1595. | " See our Memorial-Introduction. G. io8 MINOR POEMS. VII. REASON'S M0ANE.3 A IT" HEN I peruse heauen's auncient written storie, part left in bookes, and part in contemplation : 1 finde Creation tended to God's glory : but when I looke upon the foule euasion, Loe then I cry, I howle, I weepe, I moane, and seeke for truth, but truth alas ! is gone. Whilom of old before the earth was founded, or hearbs or trees or plants or beasts, had being, Or that the mightie Canopie of heauen surrounded these lower creatures ; ere that the eye had seeing : Then Reason was within the mind of loue, embracing only amitie and loue. The blessed angels' formes and admirable natures, their happie states, their hues and high perfections, Immortall essence and vnmeasured statures, the more made known their falls and low directions. These things when Reason doth peruse she finds her errors, which she would excuse. ^ From close of ' A New Post ' consisting of ' Essayes ' by Sir John Davies. See Prose Works in Fuller Worthies' Library. G. MINOR POEMS. 109 But out alas ! she sees strife is all in vaine ; it bootes not to contend, or stand in this defence. Death, sorow, grief, hell and torments are her gaine, and endlesse burning fire, becomes our recompence. Oh heauie moane ! oh endlesse sorrowes anguish, neuer to cease but euer still to languish. When I peruse the state of prime created man, his wealth, his dignitie and reason : His power, his pleasure, his greatnesse when I scan, I doe admire and wonder, that in so short a season. These noble parts, should haue so short conclusion : and man himselfe, be brought to such confusion. In seeking countries far beyond the seas, I finde, euen where faire Eden's pleasant garden stood : And all the coasts vnto the same confinde, gall to cruell wars ; men's hands embru'd in blood, In cutting throats, and murders, men delight : so from these places Reason's banisht quite. O lerusalem I that thou shouldst now turn Turke, and Sions hi), where holy rites of yore were vs'd : Oh ! that within that holy place should lurke such sacrilege : whereby loue's name's abusde. no MINOR POEMS. What famous Greece, farewel : thou canst not bost thy great renowne : thy wit, thy learning's lost. The further search I make, the worse effect I finde AH Asia swarmes with huge impietie : All Affrick's bent vnto a bloody minde : all treachers ^ gainst loue and his great deitie. Let vs returne to famous Britton's king, whose worthy praise let all the world goe sing, Great Tetragramaton, out of thy bounteous loue let all the world and nations truely know, That he plants peace, and quarrell doth remoue : let him be great'st on all the earth belowe. Long may he Hue, and all the world admire, that peace is wrought as they themselues desire. What Vnion he hath brought to late perfection, twixt Nations that hath so long contended : Their warres and enuies by him receiue correction, And in his royal person all their iars are ended. And so in briefe conclude, ought all that Hue giue thanks to him for ioy that peace doth giue. 4 ^traitors [treacherous]. G. MINOR POEMS. Ill By power and will of this our mightie king reason doth shew that God hath wroght a wonder Countries distract he doth to Vnion bring and ioynes together States which others sunder : (iod grant him life till Shiloe's comming be in heauen's high seate he may enthronized be. 112 MINOR POEMS. VIII. ON THE DEATH OF LORD CHAN- CELLOR ELLESMERE'S SECOND WIFE IN 1599.5 A/OU, that in Judgement passion never show, (As still a Judge should without passion bee), So judge your selfe ; and make not in your woe Against your self a passionate decree. Griefe may become so weake a spirit as mine : My prop is fallne, and quenched is my light : But th' Elme may stand, when withered is the vine, And, though the Moone eclipse, the Sunne is bright. * I take this Sonnet from Collier's 'Bibliographical Catalogue' sill nomine (Vol. I. p. 192). It is thus introduced by him: " It is stated correctly by the biographers of [Sir] John Davys that he was patronized by Lord Ellesmere, and among the papers of his lordship is preserved the following autograph Sonnet, which appears to have been addressed to the Lord Chancellor, on the death of his second wife in 1599." Further : " The following note is appended, also in the hand-writing of Sir John Davys : — "A French writer (whom I love well) speakes of 3 kindes of Companions, Men, Women, and Bookes : the losse of this second makes you retire from the first : I have, therefore, presumed to send y. LP one of the third kind, w-h (it may bee), is a straunger to your Lp- yet I persuade me his con- versation will not be disagreeable to y LP" See Memorial-Intro- duction for notices of Ellesmere and his wives, G. MINOR POEMS. Yet were I senselesse if I wisht your mind. Insensible, that nothing might it move ; As if a man might not bee wise and kind. Doubtlesse the God of Wisdome and of Loue, As Solomon's braine he doth to you impart, So hath he given you David's tender hart. Yr. Lps in all humble Duties and condoling with yr. Lp. most affectionately Jo. Davys. VOL. 11. 114 MINOR POEMS. IX. TITYRUS TO HIS FAIRE PHILLIS.6 nPHE silly Swaine whose loue breedes discontent, Thinkes death a trifle, life a loathsome thing, Sad he lookes, sad he lyes. But when his Fortunes mallice doth relent. Then of Loues sweetnes he will sweetly sing, thus he hues, thus he dyes. Then Tityrus whom Loue hath happy made, Will rest thrice happy in this Mirtle shade. For though Loue at first did greeue him : yet did Loue at last releeue him. I. D. ^ From " Englands Helicon : Casta placent superis pura cum Veste venite, Et manibus puris sumite fontis aquam. At London Printed by 1. R. for lohn Flasket, and are to be sold in St. Paulas Church-yard, at the signe I of the Beare. 1600. | [40.] E 3 (verso) The Davies authorship of this little lilt, is confirmed by a contem- porary (Harleian) MS. list of contributors to England's Helicon (^280), whcrem his name is placed against it. G. MINOR POEMS. 115 UPON A COFFIN BY S. J. D. There was a man bespake a thing Which when the owner home did bring, He that made it did refuse it ; And he that brought it would not use it, And he that hath it doth not know Whether he hath it, ay or no. From " The Curtaine-Drawer of the Worlde . . . by W. Parkes, Gentleman . . . 1621." ^ In my Fuller Worthies' Library edition of Davies, 1 inserted above Riddle as kindly sent me by Mr. W. C. Hazlitt, from the " Philosopher's Banquet: 2d edition, 1614, p. 261. In its text 1. 6 'he' is spelled ' hee,' and 'ay' is 'yea.' G. Ii6 MINOR POEMS. X. EPITAPH AND EPIGRAM. Sir John Davies had a son who became, if he were not born, an idiot. Anthony-a-Wood states " The son dying, Sir John made an epitaph of four verses on him, beginning Hie in visceribus terrse &:c." It is much to be wished that these 'four verses' were recovered. Further, he had a daughter named * Lucy ' ; and of her the same authority writes: "So that the said Lucy being sole heiress to her father, Ferdinando, Lord Hastings, (afterwards Earl of Huntingdon) became a suitor to her for marriage ; whereupon the father made this Epigram : LuciDA VIS oculos teneri perstrinxit amantis Nee tamen erravit nam Via Dulcis erat." On this Watts remarks : " This is a remarkable anagram of Lucy Davies. See as remarkable ones on the mother Eleanor Davies, Reveal O Daniel, by herself, the other made on her by Dr. Lamb, — Dame Eleanor Davies, Never so mad a Lady. Heylin's Life of Laud p. 266." Wood's Athenae, (edn. by Bliss) Vol. 11. p. 404. G. VII. HITHERTO UNPUBLISHED POEMS. 119 METAPHRASE OF SOME OF THE PSALMS, &c. NOTE. The Manuscript Volume from which the following hitherto unpublished Poems are taken, is the property of David Laing, Esq., LL.D., Edinburgh, who purchased it, or perhaps obtained it in exchange many years ago from the Rev. John Jamieson, D.D., author of the "ScottisTi Dictionary" and other learned works — a scholar of full learning and to be held in honour in many respects. It was parted with to his like-minded friend as containing the hitherto unprinted 'Psalms,' &c., by Sir John Davies; but no memorial remains to ascertain the quarter from whence Dr. Jamieson obtained the Volume. Mr. Laing states that, if anything was said at the time on the subject, it has escaped his recollection ; and this cannot be wondered at, as it must have been from thirty to forty years ago. Along with eminent Experts I have carefully compared this Manuscript with undoubted holographs of Sir John Davies, preserved in Her Majesty's State Paper Office (State Papers : Domestic. James I. Vol. 173. No. 54 : Oct. 18, 1624, etc., etc.) and among the Harleian MSS. in the British Museum — the former being preferable as being of the same year-date with ours : and I feel constrained to pronounce it throughout non-autograph. There are at least five handwritings in the volume — as more particularly I20 NOTE. described in locis : but none bears a resemblance to Sir John Davies'. The Manuscript, therefore, belong-s to a class that abounds at the Period, viz, a Scribe's transcript and which closely resembles that of MS. Speeches and other writings of Davies preserved among the Harleian MSS. This is further, in accord with Sir John Davies' practice, as appears by 'The Egerton Papers' of Mr. Collier, (Camden Society, 1840, i Vol. 40.) where in a letter to Ellesmere (pp. 410-16) he apologizes for his own ' ill hand ' and substitutes his ' man's.' The evidence for Davies' authorship of these Poems is external and internal. (a) The existence of the ' Metaphrase of the Psalms ' — which composes the greater portion of the Manu- script — has long been on record. Thus Anthony-a- WooD in his Athene states " Besides the before- mentioned things (as also Epigrams, as 'tis said) which were published by, and under the name of Sir John Davies, are several MSS. of his writing and composing, which go from hand to hand, as (i) Metaphrase of several of K. David's Psalms " (edn. Bliss ii., 403.) The original of the Psalms' MS. was in possession of Sir John's own daughter, the Countess of Huntingdon, as I found in the Carte MSS. Bodleian, Oxford. The others are MSS. — ^some in part since published — which Wood describes as formerly in the Library of Sir NOTE. 121 James Ware, and then in that of the Earl of Clarendon. {b) The handwriting of the Manuscript is exactly cor- respondent with that of its date ' 1624.' It is uniform from Psahn I. to L. [c) Throughout the ' Psalms ' and other Poems, fav- ourite words of Sir John Davies' occur: in part peculiar to him or used in a peculiar way. I must refer the Student to the Poems themselves for the great majority of examples : but note here half-a- dozen — all the references being to our own edition of the previous Poems. 1. 'WithaW : ". . . . that sinne that we are borne luithall." (' Nosce Teipsum ' page 57, stanza 5th, line 4th.) So in the ' Psalms ' : " Be merciful and hear my prayer tuithall.^' (Ps. 4th, line 4th.) 2. 'Wight ' : ". . . . this World below did need one ivight." (page 60 : stanza 4th, line ist.) So in the ' Psalms ' : ". . . . measures lustice vnto euery zuight." (Ps. 9th, line i6th.) 3. 'gray Winter': "Here flow'ry Spring-tide and there Winter gray." (page 63, stanza ist, line 4th.) So in 'A Maid's Hymne in praise of Virgin- ity' : " To whome graye Winter neuer doth apeare.' (line 7lh.) 4. 'On' meaning 'o'er' : "Will holds the royall scepter o« the soul" ('Nosce Teipsum,' page 79, 122 NOTE. stanza 2nd, line 3rd.) "And on the passions of the henrt doth raigne." (page 79, stanza 2d, line 4th.) So in the ' Psahns ' : " Let not my foes trihumph on mee againe." (Ps. 35th, hne 37th). " In that my foe doth not trihumph on me." (Ps. 41st, line 22d.) 5. 'Detruded^ : " . . . . such as me detruded downe to Hell." (page no, stanza ist, line ist.) So in the 'Psalms' : Therefore although my soule de- truded were euen to Hell's gates . . . ." (Ps. 23rd, line 7th.) 6. 'Center^ meaning 'Earth': " Suruey all things that on this center here." (page 25th, stanza 1st, line 4th.) So in the ' Psalms ' : "And all that dwell on his round Center here." (Ps. 23rd, line i6th.) It were easy to multiply these instances from the ' Psalms' and the other Poems. {d) The secular Poems contain personal allusions that authenticate their authorship. In the 'Elegie of Loue ' and in the lines "To the Kinge vpon his Ma'ies first comming into England " these are of singular interest and value. The latter harmonizes with the fact that Sir John Davies proceeded North to meet the King : and it has a direct refer- ence to his ' Nosce Teipsum.' Speaking of his Muse he exclaims, "Thy sight had once an influence divine Which gave it power the Soul of man to vew." NOTE. Another personal allusion is found in his address to the " Ladyes of Founthill " in his native Wilts. {e) The "Verses sent to the Kinge with ffiges" is in- scribed "by Sir John Davis" and the " Elegiacal Epistle" which immediately follows these 'Verses' naturally closes a Volume containing the composi- tions of our Worthy. 'Davis ' is his own spelling in the 1608 edition of ' Nosce Teipsum,' and in Davi- son's ' Rhapsody.' {f) Exclusive of the ' Psalms ' — the Davies' authorship of which admits of no doubt — the other Poems have Sir John Davies' characteristics in choice of subjects and style, and specific wording, as above. ' Elegie ' is herein used as in the title-page of ' Nosce Teipsum.' The Manuscript is a thin folio of forty-one leaves and one page : but i>crso of 35th leaf consists of Memoranda headed " The State of England before the Conquest, briefely. By Henry, Lord Hastings, atnongst his Notes found " : and leaves 36 and 37 and page 38 {i t* HITHERTO UNPUBLISHED POEMS. 241 AN ELEGIECALL EPISTLE ON SIR JOHN DAVIS DEATH. IV /[ ORGAN ! to call thee sadd and discontente Wtxe to proclaime thee weake ; t^\'ere an evente Of more then folly, since the obscurest eye Is witness of thy magnanimity : And yett to tell thee that thou hast noe cause To greife, were to belye thy worth, because The gapinge wound speakes out the sovldiers fame, And deepe despites giue fortitude a name. Tis true hee's dead, and the sterne fates (accurst) There browes haue wrinkled, and haue done their worst To spite this State and thee, in tearinge hence That Nature's Accademy, that Starre, from whence Streamd such full influence, of what the mind Accounteth quintisentiall ; and the vnkinde And cruell Death, hath blasted such a flower, Stolne such a gemme, as makes the sad Earth poore. And yett alasse^ hee is not fledd for want Of what could make the ambitious, proud soule vaunt : ' This use of ' alas ' was common contemporaneously, and especially by the Puritan divines. G. VOL. II. R 242 HITHERTO UNPUBLISHED POEMS. For whilst hee liVd hee brocke up Honour's gates, And pluck't bright fame from snarHng Envie's grates Doomd to obUuion ; and his unmatched penne (Drop'd from the winge of some bright Seraphin) Inculpates him thus to all eternitye The eldest of the Muses proginie. Said I hee's dead ? not soe ; he could not die, But findinge that curst lucre, bribery And puft* ambition were the Scarlett crimes Of the Tribunall's tenants, and the times Not suitinge with his vertues, cause his manner Was to deserue and not desire, an honour ; Hee's sor'd aloft, where nought but virtue's pris'd. And where base Mammon is not idoliz'd : To that Kinge's Bench where Justice is not gould, Nor honours with old Ladies bought and sould j To heauen's Exchequer, with intent to paye. And render thence the Royall subsidaye Of his rich spirit, which his soueraigne tooke Without subscription, and crost Nature's booke. * I am not quite certain as to this word. It may be 'pust': query from pus = poisonous matter ? and so intended to character- ize ambition? G. IX. ENTERTAINMENT OF QUEEN ELIZABETH AT HAREFIELD BY COUNTESSE OF DERBY. NOTE. This * Entertainment ' has the additional interest of having been that wherein "The Lottery" (pp. 87-95), was intro- duced. The reasons for our giving the whole to Davies, we have stated in the Memorial- Introduction (II. Critical: Minor Poems). Our text is from Nichols' Progresses of Q. Elizabeth, Vol. III., pp. 586-94. G. 245 Entertainment of Q. Elisabeth at Harefield by Countesse of Derby. A FTER the Queene entered (out of the high way) into the Deamesne grounde of Harefielde, near the Dayrie howse, she was mett with 2 persons, the one representing a Bayliffe, the other a Dayrie-Maide, with the Speech. Her Majesty, being on horsebacke, stayed under a tree (because it rayned) to heare it. B. Why, how now, Joane ! are you heere ? Gods my life, what make you heere, gaddinge and gazinge after tliis manner ? You come to buy gape-seede,^ doe you ? Wherefore come you abroade now I' faith can you tell ? jFoa. I come abroade to welcome these Strangers. B. Strangers ? how knew you there would come Strangers ? ' A pun on the open mouth of wonder and curiosity. G. 246 Q. ELIZABETH AT HAREFIELD. yo. All this night I could not sleepe, dreaming of greene rushes \ and yesternight the chatting of the pyes, and the chirkinge^ of the frisketts^ did foretell as much ; and, besides that, all this day my lefte eare glowed,^ and that is to me (let them all say what they wil) allwaies a signe of Strangers, if it be in the Summer ; marye, if it be in the Winter, tis a signe of anger. But what make you in this company, I pray you ? B. I make the way for these Strangers, which the Way-maker himself could not doe ; for it is a way was never passed before. Besides, the Mrs. of this faire company, though she know the way to all men's harts, yet she knowes the way but to few men's howses, ex- cept she love them very well, I can tell you ; and there- fore I myselfe, without any comission, have taken upon me to conduct them to the house. yo. The house ? which house ? doe you remember yourselfe ? which way goe you ? B. I goe this way, on the right hand. Which way should I goe ? yo. You say true, and you're a trim man ; but I' faith I'll talke noe more to you, except you ware wyser. - Imitative word, as the ' chirr ' of the grasshopper. G. 3 An unrecorded word. G. " Folk-lore, as in Herrick, &c. G. Q. ELIZABETH AT HARE FIELD. 247 I pray you hartely, 'forsooth, come neare the house, and take a simple lodginge with vs to-night ; for I can as- suere you that yonder house that he talks of is but a Pigeon-house, which is very little if it were finisht, and yet very little of it is finisht And you will believe me, vpon my life. Lady, I saw Carpenters and Brick- layers and other Workmen about it within less than these two howers. Besides, I doubt my Mr. and Mrs. are not at home ; or, if they be, you must make your o^\^le provision ; for they have noe provision for such Strangers. You should seeme to be Ladies ; and we in the country have an old saying, that " halfe a pease a day will serve a Lady." I know not what you are, nether am I acquainted with your dyet; but, if you will goe with me, you shall haue cheare for a Lady : for first you shall haue a dayntie sillibub ; next a messe of clowted creame ; stroakings,^ in good faith, redd cowes milk, and they say in London that's restorative : you shall have greene cheeses and creame. (I'll speake a bould word) if the Queene herself (God save her Grace) [were here] she might be scene to eat of it. Wee will not greatly bragge of our possets, but we would be loath to leame to praise : and if you louc frute, for- ' =the last milk drawn from a cow in milking : same as strip- pings. G. 248 Q. ELIZABETH AT HAREFIELD. sooth, wee haue jenitings,*' paremayns/ russet coates,^ pippines, able-johns,^ and perhaps apareplum/^ a dam- sone, I or an apricocke^ too, but that they are noe dainties this yeare ; and therefore, I pray, come neare the house, and wellcome heartily, doe soe. B. Goe to, gossip ; your tongue must be running. If my Mrs. should heare of this, I' faith shea would give you little thankes I can tell you, for offeringe to draw so faire a flight from her Pigeon-house (as you call it) to your Dayrie-house. "yo. Wisely, wisely, brother Richard ; I' faith as I would vse the matter, I dare say shee would giue me great thankes : for you know my Mrs. charged me earnestly to retaine all idele hearvest-folkes that past this way ; and my meaning was, that, if I could hold them all this night and to-morrow, on Monday morn- ing to carry them into the fields ; and to make them earne their entertaynment well and thriftily; and to that end I have heere a Rake and Forke, to deliver to the best Huswife in all this company. B. Doe soe then : deliver them to the best Hus- "= rennets — a kind of apple ? G. '= another kind of apple: see Gerard's Herbal, p. 1459 (1636 edn.) G. ^ A species of apple like ' rennets.' G. ^=z apple-johns, as in i, Henry IV., iii. 3 : 2, Henry IV., ii. 4 fZiwj. G. i" Query, a peach? See Gerard, as before, (p. 1447). Perse-boom is given as the Low-Dutch name of the peach. G. ^= Apricot. G. Q. ELIZABETH AT HAREFIELD. 249 wife in all this company : for wee shall haue as much vse of her paines and patience there as here. As for the dainties that you talke of, if you have any such, you shall doe well to send them ; and as for these strangers, sett thy hart at rest, Joane ; they will not rest with [thee] this night, but vdW passe on to my Mr[s.] house. J^oa. Then, I pray, take this Rake and Forke with you ; but I am ashamed, and woe at my hart, you should goe away soe late. And I pray God you repent you not, and wish yourselves here againe, when you finde you haue gone further and fared worsse. When her Maiestie was alighted from her horse, and ascended 3 steeps neare to the entering into the house, a carpet and chaire there sett for her; Place and Time present themselves, and vsed this Dialogue : Place in a partie-colored roabe, like the brick house. Time with yeollow haire, and in a green roabe, with a hower glasse, stopped, not runninge. P. Wellcome, good Time. T. Godden, my little pretie priuat Place. P. Farewell, godbwy Time ; are you not gone? doe you stay heere ? I wonder that Time should stay any where ; what's the cause ? T. If thou knewest the cause, thou wouldst not wonder ; for I stay to entertaine the Wonder of this 250 Q. ELIZABETH AT HARE FIELD. time ; wherein I would pray thee to ioyne mee, if thou wert not too little for her greatnes ; for it weare as great a meracle for thee to receive her, as to see the Ocean shut up in a Httle creeke, or the circumference shrinke vnto the pointe of the center. F. Too little ! by that reason shee should rest in noQ place, {or no place \s great ynough to receive her. Too little ! I haue all this day entertayned the Sunn, which, you knowe, is a great and glorious Guest ; hee's but euen now gone downe yonder hill ; and now he is gone, methinks, if Cinthia her selfe would come in his place, the place that contaynde him should not be to little to receave her. T. You say true, and I like your comparison ; for the Guest that wee are to entertaine doth fill all places with her divine vertues, as the Sunn fills the World with the light of his beames. But say, poore Place, in what manner didst thou entertaine the Sunn ? P. I received his glory, and was fiU'd with it : but I must confesse, not according to the proportion of his greatnes, but according to the measure of my capacitie ; his bright face (methought) was all day turned vpon mee; nevertheless his beames in infinite abundance weere disperst and spread vpon other places. T. Well, well ; this is noe time for vs to entertaine Q. ELIZABETH AT HAREFIELD. 251 one another, when wee should ioine to entertaine her. Our entertaynment of this Goddesse will be much alike ; for though her selfe shall eclipse her soe much, as to suffer her brightnes to bee shadowed in this ob- scuere and narrow Flace, yet the sunne beames that follow her, the traine I meane that attends vpon her, must, by the necessitie of this Place, be deuided from her. Are you ready, Flace ? Time is ready. P. Soe it should seeme, indeed, you are so gaye, fresh, and cheerfull. You are the present Time, are you not ? then what neede you make such haste ? Let me see, your wings are dipt, and, for ought I see, your hower-glasse runnes not. T. My wings are dipt indeed, and it is her hands hath dipt them : and, tis true, my glasse runnes not : indeed it hath bine stopt a longe time, it can never rune as long as I waite upon this Mris. I [am] her Time ; and Time weare very vngratefull, if it should not euer stand still, to serue and preserue, cherish and de- light her, that is the glory of her time, and makes the Time happy wherein she liueth. P. And doth not she make Place happy as well as Time 1 What if she make thee a contynewall holy-day, she makes me a perpetuall sanctuary. Doth not the presence of a Prince make a Cottage a Court, and the 252 Q. ELIZABETH AT HAREFIELD. presence of the Gods make euery place Heauen ? But, alas, my littlenes is not capable of that happines that her great grace would impart vnto me : but, weare I as large as there harts that are mine Owners, I should be the fairest Pallace in the world ; and weere I agreeable to the wishes of there hartes, I should in some measure resemble her sacred selfe, and be in the outward frount exceeding faire, and in the inward furniture exceeding rich. T. In good time do you remember the hearts of your Owners \ for, as I was passing to this place, I found this Hart^^ which, as my daughter Truth tould mee, was stolne by owne^ of the Nymphes from one of the seruants of this Goddesse \ but her guiltie con- science enforming her that it did belong only of right vnto her that is Mrs. of all harts in the world, she cast [it] from her for this time; and Oportunity, finding it delivered it vnto me. Heere, Place, take it thou, and present it vnto her as a pledge and mirror of their harts that owe thee. P. It is a mirror indeed, for so it is transparent. It is a cleare hart, you may see through it. It hath noe close comers, noe darkenes, noe unbutifuU spott in it. * A Diamond. ^ = one. G. Q. ELIZABETH AT HAREFIELD. 253 I will therefore presume the more boldly to deliver it ; with this assurance, that Time, Place, Persons, and all other circumstances, doe concurre alltogether in bid- dinge her wellcome. The humble Petition of a guiltlesse Lady, delivered in writing vpon Munday Mornifige, when the [robe] of rain- bowes wcLs presented to the Q. by the La. Walsingham. Beauties rose, and vertues booke, Angells minde, and Angells looke, To all Saints and Angells deare. Clearest Maiestie on earth, Heauen did smile at your faire birth, And since, your daies have been most cleare. Only poore St. Staythen now Doth heare you blame his cloudy brow : But that poore St. deuoutly sweares. It is but a tradition vaine That his much weeping causeth raine, For S" in heauen shedd no teares : But this he saith, that to his feast Commeth Iris, an vnbidden guest, In her moist roabe of coUers gay ; 254 Q- ELIZABETH AT HAREFIELD. And she cometh, she ever staies, For the space of fortie daies, And more or lesse raines euery day. But the good St., when once he knew, This raine was Uke to fall on you, If S'^ could weepe, he had wept as much As when he did the Lady leade That did on burning iron tread : To Ladies his respect is such. He gently first bids Iris goe Unto the Antipodes below, But shee for that more sullen grew. WTien he saw that, with angry looke. From her her rayneie roabes he tooke. Which heere he doth present to you. It is fitt it should with you remaine. For you know better how to raine. Yet if it raine still as before, St Swythen praies that you would guesse. That Iris doth more robes possesse. And that you should blame him no more. Q. ELIZABETH AT HAREFIELD. 255 At her Maiesties departure from Harefield, Place, attyred in black mouringe aparell, vsed this farewell follovvinge : F. Sweet Maiestie, be pleased to looke vpon a poore Wydow, mourning before your Grace. I am this Place, which at your comming was full of ioy ; but now at your departure am as full of sorrow. I was then, for my comfort, accompanied with the present cheerful Time ; but now he is to depart with you ; and, blessed as he is, must euer fly before you : But, alas ! I haue no wings, as Time hath. My heauiness is such, that I must stand still, amazed to see so greate happines so sone bereft mee. Oh, that I could remoue with you, as other circumstances can ! Time can goe with you, Persons can goe with you ; they can moue like Heaven ; but I, like dull Earth (as I am indeed) must stand vn- mouable. I could ^vish my selfe like the inchanted Castle of Loue, to hould you heere for euer, but that your vertues would dissolue all my inchauntments. Then what remedy ? As it is against the nature of an Angell to be circumscribed in Place, so it is against the nature of Place to haue the motion of an Angell. I must stay forsaken and desolate. You may goe with maiestie, joy, and glory. My only suyte, before you goe, is that you will pardon the close imprisonment 256 Q. ELIZABETH AT HAREFIELD. which you haue suffred euer since your comminge, im- putinge it not to mee, but St. Swythen, who of late hath raysed soe many stormes, as I was faine to prouide this Anchor,^ for you, when I did vnderstand you would put into this creeke. But now, since I perceaue this har- bour is too little for you, and you will hoyse sayle and be gone, I beseech you take this Anchor with you. And I pray to Him that made both Time and Place, that, in all places where euer you shall arriue, you may anchor as safly, as you doe and euer shall doe in the harts of my OwTiers. THE COMPLAINT OF THE V SATYRES AGAINST THE NYMPHS. Tell me, O Nymphes, why do you Shune vs that your loues pursue ? What doe the Satyres notes retaine That should merite your disdaine ? On our browes if homes doe growe, Was not Bacchus armed soe ? Yet of him the Candian maid Held no scome, nor was affraid. ■• A Jewell. Q. ELIZABETH AT HAREFIELD. 257 Say our colours tawny bee, Phoebus was not faire to see ; Yet faire Clymen^ did not shunn To bee Mother of his Sonne. If our beards be rough and long, Soe had Hercules the strong : Yet Deianier,2 with many a kisse, Joyn'd her tender lipps to his. If our bodies hayry bee, Mars as rugged was as wee : Yet did Ilia^ think her grac'd, For to be by Mars imbrac'd. Say our feet ill-fauored are. Cripples leggs are worse by farre : Yet faire Venus, during life, Was the lymping Vulcan's wife. Breefly, if by nature we But imperfect creatures be ; Thinke not our defects so much, Since Celestial Powers be such. ' Clymene. G. ^ Deianeira, daughter of Oeneus. G. ^ Mother of Romulus. G. 258 Q. ELIZABETH AT HAREFIELD. But you Nymphes, whose veniall loue Loue of gold alone doth moue, Though you scome vs, yet for gold Your base loue is bought and sold. finis. ERRATA. A very few ' slips ' have met my eyes on a final reading. They are — as says an ancient Divine — " as easily corrected as espied," Nevertheless they are here recorded that the Reader of his charity may put them right, and any others that may have escaped Editor and Printer. In Nosce Teipsum, the heading and head-line (Vol. I., pp. 25, 26 onward) has 'Immortalitie' misprinted ' Immortalite ' — a com- mon contemporary spelling — but it is ' tie ' in the title-page (p. 5) : il: p. 80, 1. 15, read ' be best.' In Hymnes to Asiraea, ih. p. 147, 1. 3, remove period (.) after 'rayes.' In Orchestra, ih. p. 181, st. 53, 1. 7, read ' perfect-cunning ' : p. 185, foot-note 7, put G. at end : p. 192, St. 81, 1. 7, ' Ply' =entwine (omitted) : p. 194, foot-note 7, it is ' coach,' not ' couch ' : p. 202, 1. 10, ' shoe ' was the contempo- rary spelling : p. 204, st. 113, 1. 6, insert ' it' before ' shine.'— G. CHATTO & WIND US 'S List of Books. ON BOOKS AND BOOK-BUYERS. By John Ruskin, LL.D. 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"These numbers of a C'yclopa:dia of Ancient and Modern Costume give promise that the work, when complete, will be one of the most perfect works ever published upon the subject. The illustrations are numerous and excellent, and would, even without the letterpress, render the work an invaluable book of reference for in- formation as to costumes for fancy balls and character quadrilles. . . . Beautifully printed and superbly illustrated." — Standard. " Those who know how useful is Fairholt's brief and necessarily imperfect glossary will be able to appreciate the much greater advantages promised by Mr. Planche's book . " — A ihenxufH.. CHATTO &- VVINDUS, PICCADILLY. TBDIN'S (T. F.) BIBLIOMANIA; or, Book-Madness : A Bibliographical Romance. With numerous Illustrations. A New Edi- tion, with a Supplement, including a Key to the Assumed Characters in the Drama. Demy 8vo, half-Poxburghe, ixs.; a few Large Paper copies, half-Roxburghe, the edges altogether uncut, at j^is. 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DUNRA YEN'S (Earl of) THE GREAT DIVIDE : A Narrative of Travels in the Upper Yellowstone in the Summer of 1S74. With Maps and numerous striking full-page Illustrations by Valentine W. Bromley. Demy 8vo, cloth gilt, i8i. "There has not for a long time appeared a better book of travel than Lord Dun- raven's ' The Great Divide.' . . . The book is full of clever observation, and both narrative and illustrations are thoroutjhly good." — A then/rum. " A jolly, rollicking narrative of adventure and sport, mixed up with a great deal of useful information concerning one of the most interesting regions in the American continent." — Nature. " Under the title of 'The Great Divide' the Earl of Dunraven tells a pleasant tale of an excursion, half as hunter, half .as tourist, to the region first made known a year or two ago to the world as the ' marvellous country of the Yellowstone.' . 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"For many years the English public had the privilege of listening to the dis- courses and speculations of Professor Faraday, at the Royal Institution, on Matter and Forces ; and it is not too much to s.iy that no lecturer on Physical Science, since the time of Sir Humphrey Davy, was ever listened to with more d'^lighl The pleasure which all derived Irom the e.xpositions of Faraday was of a somewhat different kind from that produced by any other philosopher whose lectures we have attended. It was partially derived from his extreme dexterity as an operator : with him we had no chance of apologies for an unsucces^.ful experiment — no hanging fire in the midst of a series of brilliant demonstrations, producing that depressing tendency akin to the pain felt by an audience at a false note from a vocalist. All was a sparkling stream of eloquence and experimental illustration. 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Crown 8vo, cloth extra, 7.'. M. \l n tlw frcsi. 12 BOOKS PUBLISHED BY ELL AND GANDY'S POMPELA.NA ; or. The Topo- graphy, Edifices, and Ornaments of Pompeii. With upwards of loo Line Engravings by GooDALL, CooKE, Heath, Pye, &c. Demy 8vo, cloth extra, gilt, iZs. GEMS OF ART : A Collection of 36 Engravings, after Paintings by Rembrandt, Cuyp, Reynolds, Poussin, Mukillo, Teniers, Correggio, Gainsborough, Northcote, &c., executed in Mezzotint by Turner, Bromley, &c. Folio, in Portfolio, £,\ i\s. (>d. GILBERT (W.S.). ORIGINAL PLAYS by : "A Wicked World," "Charity," "Palace of Truth," "Pygmalion," "Trial by Jury," &c. One Vol. crown Svo, cloth extra, 9^. " His workmanship is in its way perfect ; it is very sound, very even, very well sustained, and excellently balanced throughout." — Observer. " A book which not only the modern playgoer, but those who do not frequent the theatre, can read with equal pleasure." — £ra. " Mr. Gilbert has done well and wisely to publish in a collected form some of his best plays. The Palnce of Truth and Pygmalion may be read and enjoyed as poems by persons who have never entered the walls of a theatre.'' — Standard. GILLRAY'S CARICATURES. Printed from the Original Plates, all engraved by Himself between 1779 and i8io; comprising the best Political and Humorous Satires of the Reign of George the Third, in upwards of 600 highly spirited Engravings. Atlas folio, half-morocco extra, gilt edges, £,^ \os. — There is also a Volume of .Suppressed Plates, atlas folio, half-morocco, 31^. bd. — Also, a Volume of Letterpress Descriptions, comprising a very amusing Political History of the Reign of George the Third, by Thos. Wright and R. H. Evans. Demy Svo, cloth extra, 15^. ; or half-morocco, £1 \s. GILLRAY, THE CARICATURIST : The , Story of his Life and Times, and Anecdotal Descriptions of his Engravings. Edited by Thomas Wright, Esq., M.A., F.S.A. 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CHATTO ^ W INDUS, PICCADILLY. 13 GREENWOOD'S WILDS OF LONDON ; Descriptive Sketches, from Personal Observations and Experience of Remarkable Scenes, People, and Places in London. By James Greenwood, the "Lambeth Casual." With 12 Tmted Illustrations by Alfred Co.nca.nen. Crown 8vo, cloth extra, gilt, 7^. bd. '/^■"-.J^.™^^ Greenwood presents himself once more in the character of ' one whose delight it is to do his humble endeavour towards exposing and extirpating social abuses and those hole-and-corner evils which afflict society.' " — Saturday Review. GOLDEN LIBRARY. price 2j. per Volume. Square i6mo (Tauchnitz size), cloth extra. Book of Clerical Anecdotes : 1 he Humours and Eccentricities of "the Cloth." Byron's Don Juan. Carlyle (Thomas) on the Choice of Books. With a Memoir. \_\s. td.\ Godwin's (William) Lives of the Necromancers. Holmes's Autocrat of the Breakfast Table. With an Introduc- tion by George Augustus Sala. Holmes's Professor at the Breakfast Table. 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" The illustrations of this volume .... are of quite sterling and admirable art, of a class precisely parallel in elevation to the character of the tales which they illustrate ; and the original etchings, as I have before said in the Appendix to my ' Elements of Drawing,' were unrivalled in masterfulness of touch since Rembrandt (in some qualities of delineation, unrivalled even by him) To make some- what enlarged copies of them, looking at them through a magnifying glass, aiid never putting two lines where Cruikshank has put only one, would be an exercise in decision and severe drawing which would leave afterwards little to be learnt in schools." — Extract frtm Introduction t>y Johk Ro'SKIN. 14 BOOKS PUBLISHED BY GUYOT'S EARTH AND MAN ; or, Physical Geography in its Relation to the History of Mankind. With Additions by Professors Agassiz, Pierce, and Gray. With 12 Maps and Engravings on Steel, some Coloured, and a copious Ibdex. A New Edition. Crown Svo, cloth extra, gilt, 4^. td. AKE'S (T, GORDON) NEW SYMBOLS : Toems. By the Author of " Parables and Tales." Crown Svo, cloth extra, ds. "The entire book breathes a pure and ennobling influence, .shows welcme originality of idea and illustration, and yields the highest proof of imaginatve faculty and mature power of e.vpression." — Athenaum. HALL'S (Mrs. S. C.) SKETCHES OF IRISH CHARACTER. With numerous Illustrations on .Steel and Wood, by Daniel Maclise, Sir John Gilbert, W. Harvey, and G. Cruikshank. Svo, cloth extra, gilt, 7J. 6d. "The Irish sketches of this lady resemble Miss Mitford's beautiful English Sketches in ' Our Village,' but they are far more vigorous and picturesque and bright." — Blackwood's Magazine. HARRIS'S AURELIAN : A Natural History of English Moths and Butterflies, and the Plants on which they feed. A New Edition. Edited, with Additions, by J. O. Westwood. With about 400 exquisitely Coloured Figures of Moths, Butterflies, Caterpillars, &c., and the Plants on which they feed. Small folio, half-morocco extra, gilt cages, £^ it,s. 6d. HAWKER (MEMORIALS OF THE LATE REV. ROBERT STEPHEN), sometime Vicar of Morwenstow, in the Diocese of Exeter. Col- lected, arranged, and edited by the Rev. Frederick George Lee, D.C.L., Vicar of All Saints', Lambeth. With Photographic Portrait, Pedigree, and Illus- trations. Demy Svo, cloth extra, Z2S. HAYDON'S (B. R.) CORRESPONDENCE & TABLE-TALK. With a Memoir by his Son, Frederic Wordsworth Haydon. Comprising a large number of hitherto Unpublished Letters from Keats, Wilkie, Southky, Wordsworth, Kirkup, Leigh Hunt, Landseek, Horace Smith, Sir G. Beaumont, Goethe, Mrs. Siddons, Sir Walter Scott, Talfourd, Jeffrey, Miss MiTFORD, Macready, Mrs. Browning, Lockhart, Hall.\m, and others. With 23 Illustrations, including Facsimiles of many interesting Sketches, Portraits of Haydon by Keats and Wilkie, and Haydon's Portraits of Wilkie, Keats, and Maria Foote. Two Vols., Svo, cloth extra, 36s. "As a defence of the painter's character and career the work before us will pos- sibly meet with as much criticism as approval ; but there can, we think, be no question of its interest in a purely biographical .sense, or of its literary merit. The letters and table-talk form in themselves a most valuable contribution to the social and artistic history of the time, and would be very welcome even without the memoir which precedes them." — /'«// //«// Ga-^ette. "I he volumes are among the most interesting produced or likely to be produced by the present season." — Exai)iiner. " One of the most moving histories that has been published in modern days. . . Haydon's case has never before been fairly laid before the public ; the man has never been shown as he was in truth, through the medium of his correspondence, his diaries, sayings and actions. . . . Charming correspondence, and still more charming table-talk."— ^l/c?? «///?■ Post. " Here we have a full-length portrait of a most remarkable man. . . . His son has done the work well — is clear and discriminating on the whole, and writes with ease and vigour. Over and above the interest that must be felt in Haydon himself, the letters afford us the opportunity of studying closely many of the greatest men and women of the time. . . . We do not hesitate to say that these letters and table-talk forma most valuable contribution to the history of art and literature in the past generation. The editor has selected and arranged them with uncommon judgment, adding many notes that contain ana and anecdotes. Every page has thus its point of interest. The book will no doubt have a wide audience, as it well deserves." — Noiuoii/orinist. CIIATTO <5^ WINDUS, PICCADILLY. 15 HISTORICAIi PORTRAITS ; Upwards of 430 Engravings of Rare Prints. Comprising the Collections of Rood, Richardson, Caulfield, &c. With Descriptive Text to every Plate, giving a brief outline of the most important Historical and Biographical Facts and Dates connected with each Portrait, and references to original Authorities. In Three Vols., royal 410, half-morocco, full gilt back and edges, price I,^ -js. THE ORIGINAL HOGARTH. HOGARTH'S WORKS. Engraved by Himself, 153 fine Plates, with elaborate Letterpress Descriptions by John Nichols. Atlas folio, half- morocco extra, gilt edges, I,-; \os. " I was pleased with the reply of a gentleman who, being asked which book he esteemed most in his library, answered ' Shakespeare ' ; being asked which he es- teemed next best, answered ' flogarth.'" — Charles Lamb. HOLBEIN'S PORTRAITS OF THE COURT OF HENRY THE EIGHTH. A Series of 84 exquisitely beautiful Tinted Plates, engraved by Bartolozzi, Cooper, and others, and printed on Tinted Paper, in imitation of the Original Drawings in the Royal Collection at Windsor. With Historical Letterpress by Edmund Lodge, Norroy King of Arms. Imperial 4to, half- morocco extra, gilt edges, £,f, 15J. dd. "A very charming, costly, and captivating performance." — Dibdin. HOLBEIN'S PORTRAITS OF THE COURT OF HENRY VIII. Chamberlaine's Imitations of the Original Drawings, mostly engraved by Bartolozzi. London : printed by W. Bulmer & Co., Shakespeare Printing Office, 1792. 92 splendid Portraits (including 8 additional Plates), elaborately tinted in Colours, with Descriptive and Biographical Notes, by Edmund Lodge, Norroy King of Arms. Atlas folio, half-morocco, gilt edges, ;^2o. *,* The graceful and delicate colouring preserves all the effect of the original higldyfiniiltcd drawitigs, and at the same time communicates an enchcinting animation to tlie features. Not more than ten of the subjects are included in " Lodge's Portraits," and still feiver are to be found in any other collection. HOOD'S (Thomas) CHOICE WORKS, in Prose and Verse. Including the Cream ok the Comic Annuals. With Life of the Author, Portrait, and over Two Hundred original Illustrations Crown Svo, cloth extra, gilt, 7^. dd. " Not only does the volume include the better-known poems by the author, but also what is happily described as ' the cream of the Comic Annuals.' Such delicious things as ' Don't you smell Fire?' 'The Parish Revolution,' and ' Iluggins and Duggins,' will never want readers." — Graphic. "The volume, wtuch contains nearly Soo pages, is liberally illustrated with facsimile cuts of Hood's own grotesque sketches, many of them pictorial puns, which always possess a freshness, and never fail to raise a genuine laugh. We have here some of Hood's earlier aitempts, and his share of the " Odes and -Addresses to Great People.' Then we have the two series of ' Whims and Oddities,' which ought to be prescribed for nervous and hypochondri.-ical people : for surely more mirth was never packed into the same compass before, more of the rollicking abandonment of a rich, joyous humour, or more of the true geniality of nature which makes fun so delightlul ami leaves no after-tiiste of unkindness in the mouth 'The Plea of the Midsummer Fairies' will be found here in unabriiiged form, together with 'Hero and Leandcr," a number of ' Minor Poems,' among which we meet with some very pretty fancies - the well-known 'Retrospective Review." and 'I Remember, I Keiiieniber' — • Hood's contributions to the (r'tvH, including 'The Dream of Eugene Aram,' "The Cream of the Comic Annuals' in itself a fund of merriment large enough to dispel the gloom of many a winter's evening — and the 'National lales.' This is a lair representative selection of Hood's works, many of which have been hitherto inaccessible except at high prices. Most 01 the best known of his comic effusions^ those punning ballads in which he has never been approached are to be found in ihe liberal collection Messrs. Chatto & Windus have given to the public."— A'/>- mingham Daily Mail. BOOKS PUBLISHED BY HOOD'S (Tom) HUMOROUS WORKS. Edited, with a Memoir, by his Sister, Frances Frkeling Broderip. Crown 8vo, cloth extra, with numerous Illustrations, 6s. [/« ike press ^ HOOD'S (Tom) FROM NOWHERE TO THE NORTH POLE : A Noah's Arkaeological Narrative. By Tom Hood. With 25 Illustra- tions by W. Brunton and E. C. Barnes. Square crown 8vo, In a handsome and specially-designed binding, gilt edges, 6j. " Poor Tom Hood I It is ver>' sad to turn over the droll pages of ' From Nowhere to the North Pole,' and to think that he will never make the young people, for whom, like his famous father, he ever had such a kind, sympathetic heart, laugh or cry any more. This is a birthday story, and no part of it is better than the first chapter, concerning birthdays in general, and Frank's birthday in particular. The amusing letterpress is profusely interspersed with the jinsling rhymes which children love and learn so easily. Messrs. Brunton and Barnes do full justice to the writer's meaning, and a pleasanter result of the harmonious co-operation of author and artist could not be desired." — Times. HONE'S SCRAP-BOOKS : The Miscellaneous Collections of William Hone, Author of " The Table-Book," " Every-Day Book," and " Vear- Book ": being a Supplement to those works. With Notes, Portraits, and nume- rous Illustrations of curious and eccentric objects. Crown 8vo. \^In preparation, " He has deserved well of the naturalist, the antiquarian, and the poet." HOOK'S (THEODORE) CHOICE HUMOROUS WORKS, including his Ludicrous Adventures, Bons-mots, Puns, and Hoaxes. With a new Life of the Author, Portraits, Facsimiles, and Illust. Crown Svo, cloth extra, gilt, ^s. td. " His name will be preserved. His political songs 3.ndjeux d'esprit, when the hour comes for collecting them, will form a volume of sterling and lasting attrac- tion ; and after many clever romances of this age shall have sufficiently occupied public attention, and sunk, like hundreds of former generations, into utter oblivion, there are tales in his collection which will be re id with even a greater interest than they commanded in their novelty." — J. G. Lockhart. HOPE'S COSTUME OF THE ANCIENTS. Illustrated in upwards of 320 Outline Engravings, containing Representations of Egypti-in, Greek, and Romsn Habits and Dresses. A New Edition. Two Vols., royal Svo, with Coloured Frontispieces, cloth extra, £2 $s. "The substance of many expensive works, containing all that may be nece'sarv to give to artists, and even to dramatic performers an-1 to others engaged in classical representations, an idea of ancient costumes sufficiently ample to prevent their offending in their performances by gross and obvious blunders." HORNE.— ORION. An Epic Poem, in Three Books, By RiCHARn- Hengist HoRNE. With Photographic Portrait. Tenth Edition. Crown Svo, cloth extra, -js. " Orion will be admitted, by every man of genius, to be one of the noblest, if not the very noblest poetical work of the age. Its defects are trivial and conventional, its beauties intrinsic and supreme." — Edgar Allan Pok. TALIAN MASTERS (DRAWINGS BY THE) : Autotype Facsimiles of Original Drawings. With Critical and Descnptive Notes by J. CoMYNS Carr. Atlas folio, half-morocco, gilt. iln preparattla.nd%Jactle priiuefis in the subject he handled. Search English literature through, from its first beginnings until now, and you will find none like him. There is not a criticism he ever wrote that does not directly tell you a number of things you had no previous notion of In criticism he was indeed, in all senses of the word, a discoverer— lit-.c Vasco Nunez or Magellan. In that very domain of literature with which you fancied yourself most variously and closely acquainted, he would show you ' fresh fields and pastures new, 'and these the most fruitful and delightful. For the riclnes he discovered were richer that they had lain so deep— the more valuable were they, when found, that they had eluded the .search of ordinary men. As an essayist, Charles Lamb will be remembered in years to come with Rabelais and Mont.iigne, with .Sir Ihomas Browne, with Steele and with Addison. He unites many of the finest characteristics of these several writers. 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" Mr. Lamont has taken a share distinctively his own in the work of Arctic dis- covery, and the value of his labours as an ' amateur explorer ' is to be attributed to the systematic manner in which he pursued his investigations, no less than to his scientific qualifications for the task. . . . The handsome volume is full of valuable and interesting information to the sportsman and naturalist — it would be difTicult to say which of the two will enjoy it xao^t.^' — Scotsvtan. LEE (General Robert) : HIS LIFE AND CAMPAIGNS. By his Nephew, Edward Lee Childe. With Steel-plate Portrait by Jeens, and a Map. Post Svo, 9^. "A valuable and well-written contribution to the history of the Civil War in the United '&t?k'i.^%."— Saturday Review. " As a clear and compendious survey of a life of the true heroic type, Mr.Childe's volume may well ke commended to the Engliih re.ider. " — GraJ.hic. LIFE IN LONDON; or, The Day and Night Scenes of Jerry Hawthorn and Corinthian Tom. With the whole of Cruikshank's very Droll Illustrations, in Colours, after the Originals. Crown Svo, cloth extra, gilt, •]S. 6d. LINTON'S (Mrs. E. Lynn) JOSHUA DAVIDSON, Christian and Communist. Sixth Edition, with a New Preface. Small en w.i Svo, cloth extra, 4^. 6d. " In a short and vigorous preface, Mrs. Linton defends her notion of the logical outcome of Christianity as embodied in this attempt to conceive how Christ would have acted, with whom He would have fraternised, and who would have declined to receive Him, had He appeared in the present generation." — Examiner. LOST BEAUTIES OF THE ENGLISH LANGUAGE. An Appeal to Authors, Poets, Clergymen, and Public Speakers. By Charles Mackay, LL.D. Crown Svo, cloth extra, 6s. td. CHATTO dr^ WINDUS, PICCADILLY. 19 LONDON.— WILKINSON'S LONDINA ILLUSTRATA; or. Graphic and Historical Illustrations of the most Interesting and Curious Archi- tectural Monuments of the City and Suburbs of London and Westminster (now mostly destroyed). 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No previous work can be compared, in point of extent, arrangement, science, or utility, with the one now in question, ist. It for the first time supplies, to our schools of art, correct and ascertained data for costume, in its noblest and most important branch — historical painting, and. It affords a simple, clear, and most conclusive elucidation of a great number of passages in our great d. "We should imagine that the possessors of Dr. Meyrick's former great work would eagerly add Mr. Skelton's as a suitable illustration. In the first they have the history of Arms and Armour ; in the second work, beautiful engravings of all the details, made out with sufficient minuteness to serve hereafter as patterns for artists or workmen." — Gentleman's Magazine. MUSES OP MAYFAIR : Vers de Societe of the Nineteenth Cen- tury. Including Selections from Tennyson, Browning, Swinburne, Rossbtti, Jean Ingklow, Locker, Ingoldsby, Hood, Lytton, CSC, Landor, Austim DoBSON, Henry Leigh, &c. &c. 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Illus- trated by J. MoYR Smith. "His novels are always commendable in the sense of art. They also possess another distinct claim to o\ir liking : the girls in them are remarkably charming and true to nature, as most people, we believe, have the good lurtune to observe nature represented by girls." Spectator. ANTHONY TROLLOPE. THE WAY WE LIVE NOW. With Illustrations. "Mr. Trollope has a true artist's idea of tone, of colour, of harmony ; his pictures are one, and seldom out of drawing : he never strains after effect, is fidelity itself iu expressing English life, is never guilty of caricature." — Fort night ly Review. T. A. TROLLOPE. DIAMOND CUT DIAMOND ; and other Stories. " The indefinable charm of Tuscan and Venetian life breathes in his pages." — limes. " Full of life, of interest, of close observation, and sympathy. . . . When Mr. Trollope paints a scene, it is sure to be a scene worth painting." — Saturday Review. JOHN SAUNDERS, Author of "Abel Drake's Wife BOUND TO THE WHEEL. 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"The harmony of all the parts is perfect. . . . Our .£'rfc///^i»«j is as living to us now as it could have been to an Athenian. . . . To such altitudes, rarely scaled by the feet of poets in the modern age, has he ascended. . . . Erechtheus is. in truth, a masterpiece ... a poem which appeals to men of all nations and of all times." — Academy. " Matured thought and ripened pewer are brought to the task of reclothing old f ables. Our extracts, copious as they are, fail to convey an idea of the sustained strength and beauty of the entire work, which we are inclined to rank as Mr. .Swin- burne's masterpiece."— ^//4^«(Ea»J. " Mr. Swinburne has written nothing near so good as this since he wrote 'Atalanta in Calydon.'. . . . It would be difficult, in our opinion, to find a nearer approach to the terse and weighty dialogue of the Sophoclean tragedy than Mr. Swinburne gives us in the dialogue of his play. Exquisite sweetness and melody." — Spectator MR. SWINBURXE'S OTHER WORKS. Songs before Sunrise. Crown 8vo, los. 6d. Bothwell : A Tragedy. Two Vols, crown 8vo, 12s. 6d. George Chapman: An Essay. Crown Svo, js. Songs of two Nations : Dir^, A Song of Italy, Ode on the French Republic. Crown 8vo, 6s. William Blake : A Critical Essay. With Facsimile Paintings, Coloured by Hand, after Drawings by Blake and his Wife. Demy 8vo, j6s. Also, Rossetti's (W. M.) Criticism upon Swinburne's " Poems and Ballads." Fcap. Svo, cloth extra, 3s. 6d. Queen Mother and Ros amond . Fcap. 8vo, 55. Atalanta in Calydon. Edition. Crown Svo, 6s. Chastelard. A Tragedy. 8vo, ys. Poems and Ballads. 8vo, gs. Notes on" Poems andBallads." 8vo, IS. Essays and Studies. Crown 8vo, 12s. A New Fcap. Fcap. CHATTO «y WINDUS, PICCADILLY. 29 SWIFT'S CHOICE WORKS, in Prose and Verse. With Memoir, Portrait, and Facsimiles of the Maps in the Original Edition of " Gulliver's Travels." Crown 8vo, cloth extra, gilt, -js. dd. "The ' Tale of a Tub' is, in my apprehension, the masterpiece of Swift ; certainly Rabeh-iis has nothing superior, even in invention, nor anything so condensed, so pointed, so full of real meaning, of biting satire, of felicitous analogy. The ' Battle of the Books' is such an improvement of the similar combat in the Lutrin that we can hardly own it as an imitation." — Hallam. "In humour and in irony, and in the talent of debasing and defiling what he hated, we join with the world in thinking the Dean of St. Patrick's without a rival."— Lord Jeffrey. "Swift's reputation as a poet has been in a manner obscured by the greater splen- dour, by the natural force and inventive genius, of his prose writings ; but, if he had never written either the ' Tale of a Tub' or ' Gulliver's Travels,' his name merely as a poet would have come down to us, and have gone down to posterity, with well- earned honours." — Hazlitt. SYNTAX'S (Dr.) THREE TOURS, in Search of the Picturesque, in Search of Consolation, and in Search of a Wife. With the whole of Rowland- son's droll full-page Illustrations, in Colours, and Life of the Author by J. C. HoTTEN. Medium 8vo, cloth extra, gilt, -js. 6J. HOMSON'S SEASONS, and CASTLE of INDOLENCE. With a Biographical and Critical Introduction by Allan Cunningham, and over 50 tine Illustrations on Steel and Wood. Crown 8vo, cloth extra, gilt, 7^. 6d. THACKERATANA : Notes and Anecdotes. Illustrated by a pro- fusion of Sketches by Willl\m Makepeace Thackeray, depicting Humorous Incidents in his School-life, and Favourite Characters in the books of his every- day reading. Large post 8vo, with Hundreds of Wood Engravings and Five Coloured Plates, from Mr. Thackeray's Original Drawings, cloth, full gilt, gilt top, I2J. (xi. " It would have been a real loss to bibliographical literature had copyrifjht difficul- ties deprived the general public of this very amusing collection. One of Thackeray's habits, from his schoolboy days, was to ornament the margins .and blank pages of the books he had in use with caricature illustrations of their contents. This gave special value to the sale of his library, and is almost cause for regret that it could not have been preserved in its integrity. Thackeray's place in literature is eminent enough to have made this an interest to future generations. The anonymous editor has done the best that he could to compensate for the lack of this. He has obtained access to the principal works thus dispersed, and he speaks, not only of the readiness with which their possessors complied with his request, but of the .abundance of the material spontaneously proff'ered to him. He has thus been able to re- produce in facsimile the five or six hundred sketches of this volume. They differ, of course, not only in cleverness but in finish ; but they unquestionably establish Thackeray's capability of becoming, if not an eminent artist, yet a great caricaturist. A grotesque fancy, an artistic touch, and a power of reproducing unmistakable por- traits in comic exaggerations, as well as of embodying ludicrous ideas pictorially, make the book very amusing. Still more valuable is the descriptive, biographical, and anecdotal letterpress, which gives us a great accumulation of biographical infor- mation concerning Thackeray's works, reading, history, and habits. Without being a formal biography, it tells us scores of things that could scarcely have come into any biography. We have no clue to the sources of infnrmaiion possessed by the editor. Apparently he has been a most diligent student of his hero, and an in- defatigable collector of scraps of information concerning his entire literary career. We can testify only to the great interest of the book, and to the vast amount of curious information which it contains. We regret that it has been published without the sanction of his family, but no admirer of Thackeray should be without it. It is an admirable addendum, not only to his collected works, but also to any memoir of him that has been, or that is likely to be, written." — Britiih Quarterly Review. 30 BOOKS PUBLISHED BY THORNBURY'S (Walter) HISTORICAL AND LEGENDARY BALLADS AND SONGS. Illustrated by J. Whistler, John Tennikl, A. F. Sandys, W. Small, M. J. Lawless, J. D. Watson, G. J. Pinwell, F. Walker, T. R. Macquoid, and others. Handsomely printed, crown 410, cloth extra, gilt and gilt edges, ■zis. "Mr. Thornbury has perceived with laudable clearness that one great requisite of poetry is that it should amuse. He rivals Goethe in the variety and startling in- cidents of his ballad-romances ; he is full of vivacity and spirit, and his least im- ot ' Johr . , . . . pictures. The old Norse ballads, too, are woi thy of great praise. Best of all, how- ever, we like his Cavalier songs : there is nothing of the kind in English more spirited, masculine, a!:d merry." — Acixdemy. " Will be welcomed by all true lovers of art. . . . We must be grateful that so many works of a school distinguished for its originality should be collected into a single volume." — Saturday Re7'inv. " Who has not thrilled over such songs as ' Trample, trample, went the roan,' or ' The death of King Warwolf ' ?~and who needs to be told that the illustrations are above price when they are by such men as Tenniel, Sandys, Whistler, and the lamented Fred Walker ? The book is beautifully got up." — Morning Pat. TOURNEUR'S (Cyril) COLLECTED WORKS, including a unique Poem, entitled " The Transformed Metamorphosis ; " and " Laugh and Lie Down ; or. The World's Folly." Edited, with Critical Preface, Introductions,and Notes, by J. Churton Collins. Post 8vo, ioj. bd. \_In the press. TURNER'S (J. M. W.) LIFE AND CORRESPONDENCE. Founded upon Letters and Papers furnished by his Friends and Fellow-Academi- cians. By Walter Thorneury. New Edition, entirely rewritten and consider- ably enlarged. With numerous Illustrations. Two Vols, demy 8vo, cloth extra. [/« the press. TURNER GALLERY (The) : A Series of Sixty Engravings from the Principal Works of Joskph Mallord William Turner. With a Memoir and Illustrative Text by Ralph Nicholson Wornum, Keeper and Secretary, National Gallery. Handsomely half-bound, India Proofs, royal folio, £,\o ; Large Paper copies, Artists' India Proofs, elephant folio, £,"20. — A Descriptive Pamphlet will be sent upon application, "To those whose memories are old enough to go back through any considerable portion of Turner's life, or who may have seen the majority of the pictures he painted during so many years of loving labour, it will be at once manifest that no better selection could have been made of paintings which could be got at by any reasonable means. Many of his grandest productions are in this series of engrav- ings, and the ablest landscape engravers of the day have been employed on the plates, among which are some that, we feel assured. Turner himself would have been delighted to see. These proof impressions constitute a volume of exceeding beauty, which deserves to find a place in the library of every man of taste. The number of copies printed is too limited for a wide circulation, but, on that account, the rarity of the publication makes it the more valuable. "A series of engravings from Turner s finest pictures, and of a size and quality commensurate with their importance, has not till ii-"- l>een offered to the public ; nor, indeed, could it have been produced but for the ylorious legacy bequeathed to the country. During his lifetime he exercised supreme control over his works, and would allow none to be engraved but what he chose ; the large sums, moreover, paid to him for 'touching the proofs,' which he considered equivalent to what he would have received for copyright, acted almost as a prohibition to such engravings getting into the hands of any but the opulent. " It is not too much to affirm that a more beautiful and worthy tribute to the genius of the great painter does not exist, and is not likely to exist at any — .uture time." — Art Journal. CHATTO &- WINDUS, PICCADILLY. 31 TIMES' CLUBS AND CLUB LIFE IN LONDON. With Anecdotes of its Famous Coffee Ho'jses, Hostelries, and Taverns. By JohnTimbs, F.S.A. Numerous Illustrations. Crown 8vo, cloth extra, gilt, 7^. td. "The book supplies a much-felt want. The club is the avenue to general society at the present day, and Mr. Timbs gives the entree to the club. The scholar and antiquary will also find the work a repertory of information on many disputed points of literary interest, and especially respecting various well-known anecdotes, the value of which only increases with the lapse of time."- — Morning Post. TIMES' ENGLISH ECCENTRICS and ECCENTRICITIES : Stories of Wealth and Fashion, Delusions, Impostures and Fanatic Missions, Strange Sights and Sporting Scenes, Eccentric Artists, Theatrical Folks, Men of Letters, &c. By John TiMBS, F.S.A. With nearly 50 Illustrations. Crown 8 vo, cloth extra, 7J. 6d. " The reader who would fain enjoy a harmless laugh in some very odd company might do much worse than take an occasional dip into 'English Eccentrics.' The illustrations are admirably suited to the letterpress. "—Gra/^/c. TROLLOPE'S (Anthony) THE WAY WE LIVE NOW. II- lustrated Library Edition. Two Vols. Svo, cloth extra, with 40 full-page Plates, 12s. See also "Piccadilly Novels." AGABONDIANA ; or, Anecdotes of Mendicant Wanderers through the Streets of London ; with Portraits of the most Remarkable, drawn from the Life by John Thomas Smith, late Keeper of the Prints in the British Museum. With Introduction by Francis Douce, and Descriptive Text. With the Woodcuts and the 32 Plates, from the original Coppers. Crown 4to, half-Roxburghe, 12s. td. ^ ALTON AND COTTON, ILLUSTRATED.— THE COM- PLETE ANGLER ; or. The Contemplative Man's Recreation : Being a Discourse of Rivers, Fish-ponds, Fish and Fishing, written by Izaak Walton ; and Instructions how to Angle for a Trout or Grayling in a clear Stream, by Charles Cotton. With Original Memoirs and Notes by Sir Harris Nicolas, "K. CM. G. With the 61 Plate Illustrations, precisely as in Pickering's two-volume Edition. Complete in One Volume, large crown Svo, cloth antique, ts. 6d. " Among the reprints of the year, few will be more welcome than this edition of the ' Complete Angler,' with Sir Harris Nicolas's Memoirs and Notes, and Stothard and Inskipp's illustrations." — Saturday Review. "As a book, the volume before us is neatly trimmed and winsome to the eye. There is room for it in the world among its predecessors, and in the getting up the publishers have done it every \wit\ 6j. "The History of American Birds by Alexander Wilson is equal in elegance to the most distinguished of our own splendid works on Ornithology."— Cuvier. "With an enthusiasm never excelled, this extraordinary man penetrated through the vast territories of the United States, undeterred by forests or swamps, for the sole purpose of describing the native birds." — Lord Brougham. " By the mere force of native genius, and of delight in nature, he became, with- out knowing it, a good, a great writer." — Blackwood's Magazine. WRIGHT'S CARICATURE HISTORY of the GEORGES (House of Hanover). With 400 Pictures, Caricatures, Squibs, Broadsides, Window Pictures, &c. By Thomas Wright, Esq., M.A., F.S.A. Crown 8vo, cloth extra, -js. td. " Emphatically one of the liveliest of books, as also one of the most interesting. Has the twofold merit of being at once amusing and edifying." — Morning Post. WRIGHT'S HISTORY OP CARICATURE AND OF THE GROTESQUE IN ART. LITERATURE, SCULPTURE, AND PAINT- ING, from the Earliest Times to the Present Day. By Thomas Wright, M. A., F.S.A. Profusely Illustrated by F. W. Fairholt, F.S.A, Large post 8vo, cloth extra, gilt, 7^. (>d. "Almost overwhelms us with its infinite research. Mr. Wright dexterously guides the reader to a full survey of our English caricature, from its earliest efforts to the full-blown blossoms of a Rowlandson or a Gillray. The excellent illustrations of Mr. Fairholt add greatly to the value of the volume." — Graphic. "A very amusing and instructive volume." —Saiurday Review. J. OGDEN ANU CO., printers, I72, ST. JOHN STREET, IS.C. D UNIVERSITY OF CALIFORNIA LIBRARY Los Angeles This book is DUE on the last date stamped below. ^ A -^ m 41584 ■^ ^^p|!^M^'^nr I nc- I i.irrT r^ ; D A r»V r\ ^ 3 1158 00952 3266 tr- T/v V/-I , 1 so > so -< c IWfll^^ r.-i CO -3 4(x>^ UC SOUTHERN REGIONAL LIBRARY FACILITY AA 000 345 647 2 33 ,.^OF•CA[IFO/?^ AWEUNIVERy/A < OQ ^JiliJ.W^Ul--^' .5MEUNIVFR% tvi c