GIFT OF Author The Wit and Wisdom of Jesus ALSO Carlyle and Emerson: a Contrast By George Wright Buckley "Humor is an invisible tear through a visible smile" FROM THE RUSSIAN SECOND EDITION ELLIS PUBLISHING COMPANY Battle Creek. Michigan The Wit and Wisdom of Jesus 676083 Copyright, 1901 By James H. West Company Contents ^ PAGE Preface 3 Introduction n I. Humor Versus Criticism . . 23 II. Life-Sketches: Turning "Men's Ears into Eyes " .... 43 III. Misunderstood 59 IV. Kindred and Neighbors ... 71 V. Pithy Sayings and Retorts . 8 87 VI. Opposition and Quotation . 105 VII. Miracles; Practical Religion . 123 VIII. Vanquished Craft 14$ IX. Hypocrisy and Self-Righteous- ness ........ 159 X. Closing of the Conflict ... 173 Conclusion 1 97 Index 203 (5) Behold the man ! Behold the God ! Ah, which to say, and how, and why ! In vain our tangled reasons try The path so many feet have trod. O man of sorrows, man of joy ! Of joy for all thy strife and scars, Whereso thou art among the stars, In peace that nothing can destroy, Though we our voices may not blend With that hoarse chant the centuries raise, Yet is it not a sweeter praise To say, " Our brother and our friend " ? And if beyond this verge of time We know thee better as thou art, Wilt thou not clasp us heart to heart, As fills our ears the heavenly chime ? John W. Cb&dwick. (7) "Who art tbou, Lord?" the question, still, of old ! Thy silver speech hath opened man's dull ears, Thy wisdom hath turned spirit's dross to gold, And calms us yet, through maze of tangled years. " Whence earnest tbou ?" The Galilean hills Which knew thy eager feet and pulsing speech Could they alone inspire the Word that thrills The souls of men to farthest ages' reach ? Or for thy birth, from Heav'n with rapture rife Didst thou indeed descend earth's woes to leaven ? We know not ! but we know thy words of life From mortal birth lift man to birth of Heaven ! James H. West. (8) Introduction Sometimes wit lieth in pat allusion to a known story, or in seasonable application of a trivial saying, or in forging an apposite tale ; sometimes it playeth in words and phrases, taking advantage from the ambiguity of their sense, or the affinity of their sound ; sometimes it lurketh under an odd similitude ; sometimes it is lodged in a sly question, in a smart answer, in a quick- ish reason, in a shrewd intimation, in cunningly divert- ing or cleverly retorting an objection ; sometimes it is couched in a bold scheme of speech, in a tart irony, in a lusty hyperbole, in a startling metaphor ; . . . sometimes a scenical representation of persons or things, a counterfeit speech, a mimical look or gesture, passeth for wit ; . . . sometimes it riseth only from a lucky hitting upon what is strange. . . . Often it consisteth in one knows not what, and springeth up one can hardly tell how. Its ways are unaccountable and inexplicable, being answerable to the numberless rov- ings of fancy and windings of language. Barrow. (10) Introduction exempt nothing from inquiry is the * marked attitude of our age. The maxim of Greek philosophy, " Man is the measure of all things/' has become our maxim too. In this unfettered and searching temper of the time the old theological distinction of profane and sacred loses dominion over thoughtful men : the Bible, and even the teachings and character of Jesus, are subjected to honest and comparative analysis. It is well, this free measurement of him, if only one preserve a truly reverent and grateful relation to his peerless personality. More than a decade since, the writer was much taken with the title of a helpful little volume of "higher criticism," from the pen of Reverend Joseph Henry Crooker. The title 12 The Wit and Wisdom of Jesus was "Jesus Brought Back." The title was very taking, because it so strikingly signifies what has been transpiring these latter days. As some of the choicest specimens of antique art were lost in the accumulated rubbish of centuries, to be resurrected by the zealous efforts of modern archaeologists, so the Son of man was lost in the disfiguring theology and superstition of the Christian Church, to be found again in our age of discovering and restoring manifold things. The real Jesus is being brought back. In literature, in art, in the pulpit itself, there is no mistaking the tendency to view him in human aspects and relations to view him as under a universal law of human development and limitation, whereby even the greatest of men are linked to the imperfect age in which they live and to the more or less specialized nature of the work given them to do. Just as we say that Aristotle and Herbert Spencer were specially gifted for philosophy, Humboldt and Darwin for science, Shake- Introduction IJ speare for poetry, Edison for invention, the Rothschilds for banking, so may we not say of Jesus that his special genius was for relig- ion and ethics ? To the paramount end of bearing witness to truth on its spiritual and moral side, and in such a way as most effect- ually to give it vital relation to life, he was-*- endowed with certain powers. Among these were clear perceptions of religious and moral obligation, poetic sensibility, insight and sym- pathetic imagination to enter readily into the consciousness of others into their motives and reasoning, their hopes and fears, loves and hates, joys and sorrows. To these qualities add a passion for service, a gift for oratory of a genuine and persuasive kind, and, withal, a faculty of wit and humor, most assuredly wit, sui generis in pre-eminent degree. This latter faculty had immeasurably to do with making his sayings stick to the memory of his hearers and become the transmitted inher- itance of the race. Who has not marveled at the apparent self- / "Woe unto you!" "And they cast him out of the vineyard, and killed him." "Fill ye up, then, the measure of your fathers." JESUS. THE discovery that he has overrated the capacity or disposition of men to be raised from a lower to a higher plane of life does this not make one of the saddest crosses of the teacher of the things of the spirit ? Did it not make one of the saddest crosses of the Nazarene who was to be crucified ? " Surely," one might fancy him communing with himself, "a message so sweet and reasonable ought to go at once to the mind and heart of man. But lo, how many find it neither sweet nor reasonable ! " The Wit and Wisdom of Jesus As the rejection of his Messiahship by his own countrymen in general, and the ruling classes in particular, was made more and more evident, the idea waxed strong upon him of substituting in their place the so-called heathen, who showed comparatively such grat- ifying readiness to accept him. In presenting this idea he came to indulge more freely in the parable of figurative satire. A fine ex- ample is that of the Supper and Invited Guests ; though this parable may be regarded more genial in the humor of it than the other parables of the same class. As appears from Luke, it was probably delivered before the fatal visit to Jerusalem. It is given quite differently, in this book, from the form in Matthew, and is much the preferable: " A certain man made a great supper ; and invited a large number of guests. And when the time came he sent forth his servant to say to them who were bidden, Come, for all things are now ready. But they all with one consent began to make excuse. One said, I have just Closing of the Conflict bought a field, and I must go to look at it : I pray thee have me excused. Another said, I have just bought five yoke of oxen, and I want to try them : I pray thee have me ex- cused. A third said, I have married a wife ; of course I cannot come." Fancy here one of those gracious smiles which used to enhance the fine humor in Emerson's public lectures. Perhaps the speaker recalled the passage in Deuteronomy 24, 5 : " When a man hath taken a new wife, he shall not go out to war, neither shall he be charged with any business : but he shall be free at home one year, and shall cheer up his wife whom he hath taken." Without enumerating any further excuses, the parable goes on to relate with what indig- nation the host receives them. The invita- tion to the Messianic kingdom being refused by " respectable " and prosperous Jews, own- ing farms, stock, and the like, salvation is proffered to the outcasts and the Gentiles. " Then the master of the house, being angry, said to his servant, Go out quickly into the 7/6 The Wit and Wisdom of Jesus streets and lanes of the city, and bring in the poor and maimed and blind and lame. And the servant said, Lord, what thou didst com- mand is done, and yet there is room. And the lord said unto the servant, Go out [of the city] into the highways and hedges, and con- strain them to come in, that my house may be filled. For I say unto you, that none of those men which were bidden shall taste of my supper. " Before entering on his evangelism at Jerusalem, Jesus had witnessed much to weaken his earlier faith in the spiritual capacity and willingness of his countrymen; and all too much had he been subjected to irritating and crafty antagonisms. " He came unto his own, and they that were his own received him not." This was the thorn that rankled, and that provoked from him cer- tain anathemas recorded in different parts of the gospel accounts, as similar treat- ment had provoked their " Woe unto you " from other prophets before him. The blood Closing of the Conflict of Israel's Great Rejected Ones flowed in his veins the blood of those not given to hyper-refined toleration. In no other race than the Hebrew has the prophet been driven by such concentration of vision, such intensity of moral and religious passion. In the litera- ture of this age, who answers to his type, unless it be Thomas Carlyle ? Jesus only obeyed the law of the Jewish temperament when, to him, his rejection by his own country- men made them seem worse than the heathen Ninevites ; since the latter were open to con- version by the preaching of Jonah, as many of the Gentiles were open to conversion by the preaching of a far " greater than Jonah." "Even," he says, "as Jonah became a sign" [a teacher of truth and righteousness] " unto the Ninevites, so also shall the Son of man be unto this generation." Therefore "the men of Nineveh shall stand up in the judgment with this generation, and shall condemn it : for they repented at the preaching of Jonah ; and behold, a greater than Jonah is here. The // Hillel, on divorce, 113. 206 The Wit and Wisdom of Jesus Holy Spirit, the sin against the, 128-129. Homelessness of Jesus, 92. Hooykaas, Dr. I., on the inappreciation of Jesus by his kinsmen, 70. " House of the Seven Gables," Hawthorne's, 160. Hugo, Victor, his characterization of the hypocrite, 160; his Captain Clubin, 160; quoted, 193. Humboldt, Alexander von, 12. Humility, 79-80, 136, 168. Humor, of Jesus, 13, 15, et seq.\ versus criticism, 23-40; in the parables, 43-56, 60-6 1 ; in his shorter sayings, 62- 67, 73-83 ; in replies to opponents, 105-1 19 ; in his prac- tical teachings, 130-142; in his verbal contests, 145-156; in his moral exhortations, 162-169; in the injunctions of his closing days, 1 73-1 93 ; the characteristics of, reviewed, 197-200. HUMOR VERSUS CRITICISM, 23-40. HYPOCRISY AND SELF-RIGHTEOUSNESS, 157-169. Hypocrisy, of the people, concerning gifts to God, no; of all kinds, rebuked by Jesus, 146, 159-169; at Jeru- salem, condemned by Jesus, 179-189; Renan on Jesus' condemnation of, 1 58 ; Milton on, 1 58 ; Emerson on, 1 59 ; Montaigne, Victor Hugo, Rabelais, Voltaire, Carlyle, Thackeray, Dickens and Hawthorne, referred to or quoted on, 160. IDEALISM of Jesus, 93. Importunity, 44-45. Inquiry, the attitude of our age, n. INTRODUCTION, 11-19. Inwardness of Jesus' teaching, in, 124, 140-142, 162-169. Irony of Jesus, 1 58, et seq. Isaiah, quoted, 108, in. Italian proverbs, quoted, 98, 180. Index 20? JAMES, the Apostle, quoted, 123. "Jesus Brought Back," J. H. Crocker's, 12. Jesus, his re-discovery in modern times, 12 ; his genius for religion and ethics, 13; his passion for service, 13; his wit and wisdom, 13, et seq. (see "Wit and Wisdom of Jesus") ; his sublime personality, 15-16; his health and cheerfulness, 24 ; his human insight, 26 ; his reply to the Canaanitish woman, 27-29; his parable of the Vineyard, 29-32 (see "Parables of Jesus"); his reply to John's disciples, 33-34 ; his rebuke of self- righteousness, 34-35 ; his defense of John the Baptist and himself, 35-36 ; com- pared with the Buddha, 36-40 ; the wit and wisdom of his parables, 29-32, 44-45, 47~49> 5 I- 5 2 53~5^' 60-62, 131-142, 168-169, I 74~ I 79> 181-184, 198; his satires on importunity, 44-45 ; his apt comparisons, 46 ; his doc- trine of responsibility, 5 1 ; his evolutionary method, 53 ; his ministry to the common people, 59-60 ; his teaching misunderstood, 59-67 ; his rebuke of superficiality, 60- 62 ; his contest with the spirit of literalism, 62-65 ; his symbolism, 63-67; unappreciated at home, 72-76; his unfettered judgments, 78-80 ; he enjoins modesty at a feast, 79-81 ; on inviting the poor, 81 ; on Simon and the fallen woman, 82-83 ; " who is greatest in the kingdom of heaven ? " 83-84 ; his pithy sayings and retorts, 87- 10 1 ; his sincerity, 90-92 ; his knowledge of men, 93-96 ; on riches, 98-99; on the dangers of popularity, 99-100; his reply to Peter, 101 ; his lack of foreign lore, 107 ; his interpretation of the Law, 108-119; his detestation of hypocrisy, 1 1 1 ; his conception of the Messianic hope, 112-113; on divorce, 113-114; on the Sabbath, 116-119; his attitude toward miracles, 123-129 ; his practical relig- ion, 129-142; his doctrine of salvation by service, 132- 139 ; on the inwardness of true religion, 140-142 ; hated for his economic and social teachings, 145-146; his con- 208 The Wit and Wisdom of Jesus tests with opponents, 146-156; concerning the widow of seven husbands, 147-148; the tribute-money, 149-151 ; the adulterous woman, 151-156; rebuke of self- righteous- ness, 159-169; his final conflict at Jerusalem, 173-193; parable of the Two Sons, 181-182 ; of the Wicked Hus- bandmen, 182-184; the denunciations, 179-193; the characteristics of his wit and wisdom reviewed, 197-200; his supreme humanity, 200-201 ; poetical and prose quotations concerning, viz., Chadwick, 7; West, 8; Amiel, 58; Hooykaas, 70; Renan, 86, 158; Paley, 87; Mozoomdar, 172; Truman, 196; Tennyson, 201 ; Whit- man, 202. Jews, pithy sayings of, 95, 100-101, 181. Job, quoted, 67, 144. John the Baptist, his disciples compared with those of Jesus, 32-33; Jesus' defense of, 35-36; rejected, 182. John, the First Epistle of, quoted, 122. " John," the Gospel of, referred to, 64-65 ; quoted, 65-67, 154. Jonah, 177. Jonson, Ben, 39. Julian, the Emperor, his criticism of the ethics of Jesus, 48 note. KINDRED AND NEIGHBORS, 71-84. Koran, popular literal interpretation of the, 64. LATIN proverb, quoted, 88. Laughter, Dr. Everett on, 22 ; Addison on, 23 ; Jesus and, 24, 26; Emerson, Lord Chesterfield and Carlyle on, 25-26. Leviticus, quoted by Jesus, 131-132. LIFE-SKETCHES : TURNING " MEN'S EARS INTO EYES," 43-56. Index 2OQ Lincoln, Abraham, his humor and melancholy, 1 5 ; quoted, 115; his knowledge of and quotation from the Bible and Shakespeare, 1 28 ; his righteous anger, 1 50. Lip-service, in. Literalism rebuked, 62-67, 147-148. Luke, quoted, 34, 44, 47-48, 51, 53, 60, 72-73* 7 6, 77, 80, 81, 84, 90, 125-126, 129-130, 132-134, 148, 163-164, 168, 178-179, 183-184, 186-189. Luther, Martin, his career, 14; on the word Corban, in ; his strenuous labors, 180; his opposition to indulgences, 185 ; on righteous indignation, 193. MAGDALEN, the, 91. Mammon, the service of, 49. Mark, quoted, 84, no, 114, 130, 145, 166. Marriage, 147-148; and divorce, 113-115. "Martin Chuzzlewit," 160. Mary and Martha, 76. Matthew, quoted, 27, 30-31, 33, 34, 35, 46, 51, 53, 56, 60, 61, 72-73, 84, 88, 89, 90, 91, 92, 93, 94, no, in, 112, 114, 116-117, n8, 119, 124, 125, 127-128, 129-130, 135- 136, 148, 150-151, 163-164, 174-176, i77-!78> *79 l8l ~ 182, 183-184, 186-189. Messiahship, 112-113, 124, 174-177, 184. Milton, John, quoted, 158. MIRACLES; PRACTICAL RELIGION, 123-142. Miracles, Amiel on, 122 ; the attitude of Jesus toward, 123- 129; of the Buddha toward, 123, 124. MISUNDERSTOOD, 59-67. Montaigne, Michel de, on the hypocrite, 160. More, Sir Thomas, quoted, 78. Mosaic Law, twisted by scribes, 91, 108-1 12 ; Jesus' under- standing of, 107; on divorce, 113-115; on the Sabbath, 114-119; on adultery, 151-152. 2IO The Wit and Wisdom of Jesus Mozoomdar, Protap Chunder, on Jesus' condemnation of the Pharisees, 172. NAAMAN the Syrian, 73. Nathan the Prophet, 147. Nature, Jesus' use of illustrations from, 61. Nicodemus, Gospel of, quoted, 118; referred to, 126. OLD. conservative regard for the, 34. OPPOSITION AND QUOTATION, 105-119. PALEY, on the correctness of Jesus' use of rhetorical fig- ures, 87. Parable, the Buddha on the value of the, 72 ; by a Persian king, 142. Parables of Jesus considered : the Laborers in the Vine- yard, 29-32 ; the Friend at Midnight, 44 ; the Widow and the Judge, 44-45; t* 16 Cunning Steward, 47-49; the Lawless Steward, 49-51 ; the Ten Talents, 51-52; the Lost Coin, 53; the Wedding-garment, 53 ; the Wheat and the Tares, 53 ; the Ten Virgins, 54-56 ; the Sower, 60-62 ; the Foolish Rich Man, 77 ; the Good Samaritan, 131-134; the Last Judgment, 134-139; the Rich Man and Lazarus, 139-140; the Houses Built on the Sand and on the Rock, 140-142 ; the Pharisee and the Pub- lican, 168-179; the Supper and Invited Guests, 176-179; the Two Sons, 181-182 ; the Wicked Husbandmen, 182- 184 ; the Prodigal Son, 198. Parallel sayings to some of Jesus', 78-82, 142. Parker, Theodore, on divinity-school training, 106-107. Paul, quoted, 124. Pecksniff, as an example of the hypocrite, 160-161. Persian saying, quoted, 142. Peter, rebuke of, by Jesus, JQI, Index 211 "Phaedras" of Plato, Socrates in, quoted on inviting the poor, 81-82. Pharisee and the Publican, parable of the, 167-169. Pharisees, 33, 63, 106, 112, 113, 126, 127, 147, 149, 151, 168, 172, 181, 187-189, 191, 198. Pilate, his sarcasm concerning hatred of Jesus, 118, 126. PITHY SAYINGS AND RETORTS, 87-101. Plato, 148; his report of a saying by Socrates parallel to one by Jesus, 81-82. Poor, Jesus on the, 91. Popularity, indifference of Jesus to, 79, 99-101. Practical religion, 46 ; 123-142; 186-189. Prayer and piety, 44-46, 161-169. PREFACE, 3. Prophets, not honored at home, 73. Proverbs, parallels to some of Jesus', 78-82; from the Grecian, 1 1, 100 ; from the Latin, 88 ; from Gautama the Buddha, 89, 95; from the Spanish, 91, 96; from the Hebrew, 95, 100; from the Veman and the Tamal, 95; from the French, 96, 98; from the German, 96; from the Italian, 98, 180; from Confucius, 100. Psalms, quoted, 184. Pyncheon, Judge, Hawthorne's creation of, 160. QUOTATION, Emerson and Renan on, 104 ; opposition and, in the life of Jesus, 105-119. RABELAIS, on hypocrisy, referred to, 160. Renan, Ernest, on Jesus' use of aphorisms, 86; on the force and permanence of Jesus' rhetoric, 158. Riches, 49, 77-81, 96-99, 139-140. Rothschilds, the, 13. Russell, Lord John, quoted, 87. Russian saying, title-page and 1 5. 212 The Wit and Wisdom of Jesus SABBATH, the, Jesus on, 116-119, 126. Sadducees, 63, 106, 139, 147, 149, 181. Satan, 101. Satire, of Jesus, 54, et seq. t 133. Savonarola, his rebukes of the sins of Florence which made him a martyr, 180. Scribes, 91, 147, 151, 184, 186-189. Self-righteousness, rebuked by Jesus, 34-35, 159-169. Service, 132. Seward, William H., 128. Shakespeare, 12-13, 39 I2 ^; h* 8 sanity and truth, 14; quoted, 96, 159, 190. Shorthouse, his exposition of parable of the Prodigal Son, .98 Shutter, Dr. Marion D., his " Wit and Humor of the Bible," 4, 95 and note, 198. Sincerity, the beauty of, 159-160; Confucius on, 159. Sins of cities, 179-181. Socrates, on inviting the poor, 81-82. Solon, quoted, 115. Spanish proverbs, quoted, 91, 96. Spencer, Herbert, 12. Sumner, Charles, 146. Symbolism, of Jesus, 53-56, 65-67, et seq. TAMAL, the, quoted, 95. Temple in Jerusalem, beauty and enchantment of the, as seen from the Mount of Olives, 17. Tennyson, Alfred, quoted, 201. Thackeray on hypocrisy, referred to, 1 60. " Toilers of the Sea," Victor Hugo's depiction of Captain Lubin in, as example of hypocrisy, 160. Truman, Joseph, verses on Jesus, 196. Trusteeship, 51-52. Index UNBELIEF at Jerusalem, 179-181. VANQUISHED CRAFT, 145-146. Veman, the, quoted, 95. Voltaire, on hypocrisy, referred to, 160. WEST, JAMES H., verses on Jesus, quoted, 8. Whitman, Walt, quoted : " He is the Answerer," 144 ; " To Him That Was Crucified," 202. Whittier, John Greenleaf, quoted, 172. " Wit and Humor of the Bible," Dr. Shutter's, 4, 95 and note, 198. Wit and Wisdom of Jesus, 13, 15, et seq.; in the parables, 43-56, 60-61 ; in his shorter sayings, 62-67, 73-83; in replies to opponents, 105-1 19 ; in his practical teachings, 130-142; in his verbal contests, 145-156; in his moral exhortations, 162-169; in the injunctions of his closing days, 173-193 ; the characteristics of, reviewed, 197-200. Wit, Isaac Barrow on, 10; Bishop Butler on, 42. Work, comparative value of different kinds of, 32. Worry, comment of Jesus on, 76. ZAREPHATH, 73. Carlyle and Emerson: a Contrast Carlyle and Emerson: a Contrast JN SETTING down the salient differences of Carlyle and Emerson, the writer of this articlejs quite conscious of the difficulty, how "to^trongly^tat^one fact without seeming to belie some other." Radically unlike^jiideed, were these two prophets of the century^jas to heredity and environment, temperament and taste, intellectual affinities, means and meth- ods of work. Reared in the home-environ- ment of a poor peasant father, of gloomy, de- spairing temperament, and in the social atmos- phere of a gloomy, despairing Scotch Calvin- ism; in bondage much of his life to grinding poverty and irritating dyspepsia truly, a full share of the shadows attended Thomas Carlyle 's steadfast journey across the earth. Born neither to riches nor to poverty, Emerson's lot cast him in a civilization hav- ing the freshness and hope of youth about it. Heir to a constitution not vigorous nor buoy- ant, yet, by dint of temperance, both in work 2 Carlyle and Emerson: a Contrast and living, after thirty he averaged well most of his years. His mother was superb in spirit and sense; his father, a prominent Boston minister, of marked literary tastes, handsome and courteous, with the manners of a gentle- man. On the whole, both as to heredity and environment, Nature was exceptionally kind to the Concord Sage. Nigh forty years old was the Sage of Chelsea before he terminated his selfbanishment to the grim solitude of "the loneliest nook in Britain." Here were black and bleak moor- lands, wild, sombre scenery enough; no social intercourse to correct prejudice and headiness ; no child, with its tyrannies, disorders, merry laughters, to break in upon the monotony of his isolated life far apart from men he work- ed, sustained only by brave-hearted Jane , Welsh, and his own Promethean faith and will. Emerson, likewise, valued full well the worth of solitude, but he kept from early years on more intimate terms with the centres of culture and many-sided life. / Heredity and environment conspired to make the Scotchman paint a world of imperi- ous force, in which shadows predominate. On the contrary, they conspired to make the American paint that same world one of fructi- fying love, with excess of lights. Both, how- ever, were one in the faith of faiths, that God, not the Devil, Right, not Wrong, rules invin- cibly this universe. Both were spiritualists as opposed to materialists; matter is only the Carlyle and Emerson: a Contrast 3 symbol and changing vesture of "the Over- Soul. \ Both felt the mystic ties of the least w tmtcPthe greatest, the manifold kinships and correspondences of the Infinite Organism. In this also they were in accord, that the regen- eration of society must come through the re- generation of individual men. Underneath all their striking divergences there is funda- mental agreement in spirit and purpose. /^'Though I see well enough," writes Carlyle to f his friend, "what a great deep cleft divides us ' in our ways of practically looking at this "\ world, I see, also (as probably you do your- self), where the rock-strata, miles deep, unite i again; and the two poor souls are at one/' I Setting high value on one another's char- acter and mission, each was advocate of the other to his countrymen. Emerson admires Carlyle's invincible manhood, his massive strength, his royal rush of rhetoric. In turn, Carlyle rejoices in the pure insight and sin- cerity of his friend's intellect, in his gentleness and power of repose, yet to the last he seemed deluded with the conceit that he was the superior man of the two. Mrs. Carlyle even writes him, "He (Emerson) had no ideas (ex- cept mad ones) that he had not got out of you." Each writer moves in his own orbit, inde- pendent of the other the most independent of minds. Neither has any kinship in litera- ture with the milliner or conventional tailor. But their styles are as antithetical as the men. 4 Carlyle and Emerson: a Contrast Of his contemporary Emerson declares: 11 There is more character than intellect in every sentence." But of Emerson's sentences who will affirm which is the predominant force, so even-footed are the two? To the uninitiated, the Scotchman's vehicle of ex- pression is generally forbidding and irritating. In describing the style of Richter, and that of the hero of "Sartor Resartus," he very nearly describes his own style./" Verily, a new style, plentiful in coined words, Germanic com- pounds, allusions not common, double-action- ed phrases, parenthetical sentences in abund- ance, wheels within wheels, whole clocks in fact sentences broken and loose-jointed, angular and sprawling, trip-hammer exag- gerations, sharp antitheses of the great and little, quips of humor, familiar quotations new-minted, bends and surprises, as of the winding streets of some European cities- heterogeneous elements many, yet molten and flowing, with strange picturesqueness, and fascination, too/if once you get afloat in the current of it all. Not so unique and imposing is our Ameri- can seer's medium of communication to his fellows. Less emancipated is he from classic models. Yet how freely he also swings his thought! How refreshingly void of affecta- tion! He, too, indulges, not a little, in rhe- torical antitheses, paradoxes, and the exag- gerations of strong statement. There is a mingling of surprising boldness, tempered Carlyle and Emerson: a Contrast 5 with such gentle and winsome courtesy. There are the most classic and the most home- ly allusions, the most masculine virility and equally feminine delicacy and persuasiveness. Unlike his contemporary, he delights in the epigrammatic structure, in short sentences, plentiful in choice Anglo-Saxon words, and sparse in compounds, adjectives, and super- latives. For making maxims his genius is of the first order. His sentences are held to- gether about as so many pearls are held to- gether by a thread, yet in inward unity withal. Seldom do they come encumbered with the parenthesis, or in a form sprawling, ragged- edged, askew, or (though poetic) overdressed in any fashion. They are not the ponderous battle-axe; rather the trim arrow of Apollo, shot straight at the target. If there be dif- ficulty in apprehending the thought of these writers, it is in the one case due more to the affluent and novel complexity of the rhetoric^ in the other more to the brevity of it. What writer than Emerson ever more faithfully ap- plied Carlyle's own suggestion to him con- cerning authorship : "The true value is deter- mined by what we do not write?" Serious and weighty of matter as they are, neither author falls into the style of "dry-as- dust." Both have the glance of the man of humor. They know well how to light up their pages with its relishable vein; to salt them with pregnant wit and satire. Yet how differently do they manifest this quality of ^mind! Carlyle is full of abandon in their 6 Carlyle and Emerson: a Contrast use almost a reveller. As to his piercing and pictorial wit his generous admirer, Emerson, put the praise of "Frederick The Great" this strong "infinitely the wittiest book that ever was written." In humor he floats every- thing, even the most sacred subjects. More prone than his contemporary to seperate the part from the whole, he gives humor a more pessimistic shading. In exaggerating the sins and follies of his fellowmen he not un- frequently plays the bear and "horse jockey." Though not less sleepless in his critical faculty, Emerson's kindlier judgment and more delicate taste temper the e^rcise of it. The humor that takes you out or yourself, on a splashing wave of laughter well, look not for that in one who could quote with apparent approval Chesterfield's saying, "I am sure, since I had the use of my reason, no human being has heard me laugh." One cannot but feel that Margaret Fuller was right. Return- ing from England, and being asked by her Concord friend, /if she visited Carlyle, she frankly retorted: v Yes, and his laugh is worth, twenty of yours." It is the "inaudible laugh," gently raising your risibles, that frequently lies in wait for the understanding reader of Emerson. The fountain of wit and humor is more intermittent than in the hearty Scotchman, with a more stinted stream. But the quality is finer, the- light flashed upon the matter in hand purer, f Perhaps, however, it is sometimes too subtle and hidden in the folds of serious discourse, to be readily ap- Carlyle and Emerson: a Contrast 7 prehended. /By citing two or three illustra- tions from the pages of each of these writers the reader will better realize how marked is the contrast in the manifestations of their wit and humor. Take the following from "English Traits," that profound and just analysis of another people's character/" When you see on the Continent the well-dressed Englishman come into his ambassador's chapel, and put his face for silent prayer into his smooth-brushed hat, one cannot help feel- ing how much national pride prays with him, and the religion of a gentleman. So far is he from attaching any meaning to the words, that he believes himself to have done almost the generous thing, and that it is very conde- scending in him to pray to God./ "The Anglican church is marked by the grace and good sense of its forms, by the man- ly grace of its clergy. The gospel it preaches is, 'By taste are ye saved.' It keeps the old structures in repair, spends a world of money in music and building; and in buying Pugin, and architectural literature. It has a general good name for amenity and mildness. It is not in ordinary a persecuting church ; it is not inquisitorial, not even inquisitive, is perfectly well bred, and can shut its eyes on all proper occasions. If you let it alone, it will let you alone. But its instinct is hostile to all change in politics, literature, or social arts. "The doctrine of the Old Testament is the religion of England. The first leaf of the 8 Carlyle and Emerson: a Contrast New Testament it does not open. It be- lieves in a Providence which does not treat with levity a pound sterling. They are neither transcendentalists nor Christains. They put up no Socratic prayer, much less any saintly prayer for the queen's mind; ask neither for light nor right, but say bluntly, 'Grant her in health and wealth long to live.' And this from the " Conduct of Life," a de- lightfully piquant description, duplicating the experience of so many other men of the writing guild. "With brow bent, with firm intent, the pale scholar leaves his desk to draw a freer breath, and get a juster statement of his thought, in the garden-walk. He stoops to pull up a purslain, or a dock, that is choking the young corn, and finds there are two: close behind the last is a third; he reaches out his hand to a fourth; behind that are four thousand and one. He is heated and untuned, and, by and by, wakes up from his idiot dream of chick- weed and red-root, to remember his morning thought, and to find, that, with his adaman- tine purposes, he has been duped by a dande- lion. A garden is like those pernicious ma- chineries we read of, every month, in the news- papers, which catch a man's coat-skirt or his hand, and draw in his arm, his leg, and his whole body to irresistible destruction. In an evil hour he pulled down his wall, and added a field to his homestead. No land is bad, but land is worse. If a man own land, the land Carlyle and Emerson: a Contrast 9 owns him. Now let him leave home, if he dare. Every tree and graft, every hill of melons, row of corn, or quickset hedge, all he has done, and all he means to do, stand in his way, like duns, when he would go out of his gate. The devotion to these vines and trees he finds poisonous. Long free walks, a circuit of miles, free his brain, and serve his body. Long marches are no hardship to him. He believes he composes easily on the hills. But this pottering in a few square yards of garden is dispiriting and drivelling. The smell of the plants has drugged him, and robbed him of energy. He finds a catalepsy in his bones. He grows peevish and poor-spirited. The genius of reading and of gardening are anta- gonistic, like resinous and vitreous electricty. One is concentrative in sparks and shocks : the other is diffuse strength; so that each dis- qualifies its workman for the other's duties. As Emerson has presented an English trait, let Carlyle wield his more ponderous weapon against his countrymen. "Alas, it will be found, I doubt not, that in England more than in any country, our Public Life and our Private, our State and our Religion, and all that we do and speak (and the most even of what we think), is a tissue of half-truths and whole-lies; of hypo- crisies, conventionalisms, worn-out tradi- tionary rags and cobwebs; such a life-garment of beggarly incredible and uncredited falsities as no honest souls of Adam's Posterity were 10 Carlyle and Emerson: a Contrast ever enveloped in before/ And we walk about in it with a stately gesture, as if it were some priestly stole or imperial mantle; not the foulest beggar's-gabardine that ever was. No Englishman dare believe the truth. He stands, for these two-hundred years, en- veloped in lies of every kind; from nadir to zenith an ocean of traditionary cant surrounds him as his life-element. He really thinks the truth dangerous. Poor wretch, you see him everywhere endeavouring to temper the truth by taking the falsity along with it, and weld- ing them together; this he calls 'safe course,' 1 moderate course/ and other fine names; there, balanced between God and the Devil, he thinks he can serve two masters, and that things will go well with him/ ' "Anyone acquainted with the life of Coler- idge, that poetic, mystical, vague though vast genius, must appreciate the unique critical humor of the following description of him, as a conversationalist. "It was talk not flowing any whither like a river, but everywhither in inextricable cur- rents and regurgitations, like a lake or sea; terribly deficient in definite goal or aim; nay often in logical intelligibility; what you are to believe or do, on any earthly or heavenly thing, obstinately refusing to appear from it. "To sit as a passive bucket of water and be pumped into whether you consent or not, can in the long run be exhilarating to no creature, how eloquent soever the flood of Carlyle and Emerson: a Contrast 11 utterance that is descending. But if it be withal a confused unintelligible flood of utterance threatening to submerge all known landmarks of thought, and drown the world and you! I have heard Coleridge talk with eager musical energy two stricken hours, his face radiant and moist, and communicate no meaning whatsoever to any individual of his hearers. "He began anywhere. You put some question to him, made some suggestive ob- servation. Instead of answering this, or de- cidedly setting out toward answer of it, he would accumulate formidable apparatus, log- ical swim-bladders, transcendental life-pre- servers, and other precautionary and vehicula- tory gear for setting out; perhaps did at last get under way, but was swiftly solicited, turn- ed aside by the glance of some radiant new game on this hand or that into new courses, and ever into new; and before long into all the Universe, where it was uncertain what game you would catch, or whether any." Carlyle and Emerson are both poet-proph- ets of the highest order. In prose they use the language of the poet-prophet. But the one is epic, the other lyric. The former dramatizes the outward forces acting upon man as divine coercive agencies of his growth. "The actual well seen," he reminds Emerson, "is the ideal." The latter does not lose sight of this truth, but he looks at the ideal as the actual. His gaze fixes more upon the inward, 12 Carlyle and Emerson: a Contrast spiritual, creative nature of man, giving shape and color to the external world. To Carlyle he truly remarks, "You have a whim for deal- ing en grand monarque." The poetic appears on a massive scale, largely as ruin and devas- tation, the Juggernaut chariot of the gods of force. He plays the symphonies of the awful and Plutonic, the sublime in conflict and destruction the symphonies of "truth clad in hell-fire." As Wagner is in music, so is he in literature. Emerson is rather Mozart and Mendels- sohn fused in one. He catches the poetic in the gentler and more veiled aspects of cosmic- life. He is poet of the inner essence and beauty of common things, of the hidden tie of flower and star, of bird-song and voice of man, of a sunbeam and a human emotion the poet of constructive harmonies and mystic unities, whereby "the universe duplicates it- self in every atom," and coheres in the soul of God. The little and, common he makes matters of mystery, and "Makes mysteries matters of mere every-day." Carylw^s the mountain torrent in spring- time, often vexed by its own impetuosity a mighty, rushing torrent, sweeping downward in wild strength, over-leaping barriers, up- rooting trees, foaming and splashing over rocks, irresistibly scooping out a channel for itself. Emerson is rather the river when it reaches the lowlands, and flows through generous forests and valleys, broadening and Carlyle and Emerson: a Contrast 13 moving with calm strength to the great ocean. | In reading Carlyle, one often feels himself in 1 wild solitudes of the lofty mountains, or tossed on the raging billows of the stormy sea. Again you think of ^Etna and Vesuvius in eruption in the night-time. What terrific splendor in the billowy sheets of fire and smoke, the belchings of black flame-masses, as if, in very truth, Titans lay at the base madly struggling to be free! This Titan of dramatic power seems an imprisoned spirit, striving to deliver himself from a mountain of accumulated knowledge, fusing in the Hebraist feeling, that, "God is a consuming fire/' With power and splendor, with Shakspearian abandon, he frees himself from all constraints of con- ventional writing. He sports, as it were, with vasty heights and depths, the eternities, the fateful destinies, the ever challenging mysteries of a cosmos of conflict, and of the "storm and stress" of man, as chief player in this whirling earth-drama. Egierson, surely, may not be described in such fashion. Never do we get from speech of his the impression of a nature in eruption or in conflagration. He is never a god in a fury. He is not Jehovah in the awful light- ning of Sinai, nor Jove hurling thunderbolts from Olympus. He is more as Brahma, des- cribed in his poem of that name. His antag- onism to wrong rarely spends itself in wrath, sublime or otherwise. With self-control and calm dignity, he holds steady the reins of all passion, and dissolves all darkness in light. 14 Carlyle and Emerson: a Contrast In delivering the truth, Carlyle is more concrete and personal. Emerson is more im- personal and abstract; he deals more with classes and universal principles. Power with the one is dynamical; with the other it is re- pose. One is the whirlwind and heat-light- ning; the other is the gentle south-wind and silent energy of tempered sunshine. One is passion and fire; the other serenity and light. And "light," Carlyle himself somewhere re- minds us, "is stronger than fire." Striking, in the matter of style, as is the contrast of these two minds, it is hardly less striking when we contemplate their literary taste, and their attitude toward the world. How characteristic that Carlyle should relish the wild, picturesque strength of the grotesque myths of the Norsemen, and that Emerson's more aesthetic sense should prefer the beauty and grace of those of the Greeks! that the latter gravitated readily to Plato, as the model of philosophers, while the former scarcely deemed him worth his reading. Both, how- ever, had that catholic sympathy and imagi- nation whereby they could place themselves in the interior natures of many types of men. But, on the whole, Carlyle evinces the more special genius for biography. No writer goes with deeper passion into the heart of his hero. He gravitates more readily toward, and better appreciates, the mighty men of action the Cromwells, the Fredericks, the Mirabeaus; while the affinities of the saintly Emerson are Carlyle and Emerson: a Contrast 15 more the seers and poets, the men of contem- plation in human history. Both these tonic and reforming intellects aimed to free men in the power of truth and justice. But how free them? Herein lay the parting of the ways. Carlyle thought that men's chief necessity is to be well gov- erned. They are a flock of sheep, requiring a shepherd to watch and lead them. Your pet ideas of liberty are trending devilward, to social anarchy and disintegration. Emerson threw himself on the opposite thought. Men need to be let alone. In the unwritten law of the moral sentiment each shall find his trusty shepherd. One was monarchical, the other democratic. In political philosophy one ex- pressed more the spirit of the German Bis- marck, "the man of Iron;" the other the spirit of the American Jefferson, the apostle of liberty, and faith in the common people. ~ Emerson tells how he opened to Carlyle his "theory of no government," and got from him little else than, "objections and fun." For Carlyle the "can-man" shall have all worship, as the source of progress in state and church; and the use of force shall be the divine agency to effect his will. With pregnant sarcasm, Lowell dubs him, "the volunteer laureate of the rod." To get men to do right, he swings his terrific "fire-whip" of retribution over in- dividuals and nations. He is the modern Jeremiah and John the Baptist, with much the same intensity and narrowness. Contrary wise, Emerson is more Greek than 16 Carlyle and Emerson: a Contrast Hebrew, more like Plato or Plutarch than the Old Testament prophets. To the method of the rod he has a decided aversion. He challenges the manhood of men, and reveals their spiritual possibilities. He would lead them to the right, not so much by unfolding the penal terror of the law, as by unfolding its beneficence ; not so much by making evil ugly and hateful, as by making the good beautiful and lovable. "Love and justice alone" can rule and reform a state. His point of view is the genius of humanity rather than the genius of the great man. No hero-worship- per he. I cannot recall one tribute, even to Jesus, which really glows with fervid and grateful sympathy. Out of the inexhaustible energies of the race the "can-man" is created. "Oh what are heroes, prophets, men, But pipes through which the breath of man blow A, momentary music! " Carlyle banked too much on the lifting power of organization and institutional agen- cies. Emerson just as surely undervalued these, and banked too much on the self- helpfulness and self-willingness to be helped of the masses of men. One erred on the side of magnifying the uncommon man, the other on the side of magnifying the common man. One evinced too little faith in the self-gov- erning capacity of the people, the other, perhaps, evinced too much. In their way of looking either at God or Carlyle and Emerson: a Contrast 17 man, the temper of Carlyle is Calvinistic; the temper of Emerson is that of the modern liber alist and rationalist. One sees more might and majesty in the universe, the other more beauty and love. One shows more of the meanness, the other more of the nobleness, of human nature. With the one the Hebrew sense of sin is stronger, with the other the Greek sense of law. To Carlyle the world is a tragic drama of imperious, ons weeping force. Man is a "fire-breathing, spirit-host, issuing from Cimmerian Night," emerging from the Inane, hasting stormfully across the aston- ished earth, plunging again into the Inane. He feels himself, a very ghost among ghosts, marching in this host his tragic march "O heaven whither?" Overwhelmed with the sense of universal force and combat, he magni- fies evil and pain. To Emerson there is far less storm and tragedy. He, also, feels him- self a spirit in transit on our earth-planet. Miraculous, too, is the panorama of flux and change; but he seems to sit serenely nearer the Mover of it all. Through a clearer photo- sphere he watches the world-drama with Argus-eyes of preternatural sight. A self- contained, unimpassioned onlooker, viewing all subjects and particulars in universal re- lations, he veils the shadows of evil and suffer- ing with supernal light. The great difference in the way the two- seers looked at mankind justifies the common application of optimist and pessimist. In Emerson's vision there is more of the glory 18 Carlyle and Emerson: a Contrast of the rising sun; in Carlyle's more that of the setting sun. Backward the latter glances for his heroes and heroisms, exalting the past at the expense of the present. The former de- preciates the past compared with the present. Despite grave social diseases, out of resident forces he sees evolving the perfecter humanity. To Carlyle the present world was a "mad one," quite "out of joint," and unmistakably he was "born to set it right" not, however, in "cursed spite," so much did he relish the business. He is a right valiant knight, in quest of trials of strength; and he will have them, though he fight at times good and true knights travelling a different way to the same goal. As eagles are said to sometimes swoop down upon little children, as well as upon legitimate prey, so this eagle-minded man sometimes bears down on the really true and beautiful treasures of men. With all his veracity, like old Dr. Johnson, whom he much resembles and makes one of his heroes, he had a perversity for opposition; not infre- quently he seemed to talk for victory more than truth; to display his gift for caustic wit, rather than to render just judgment. But if Carlyle is the voice of a pessimism oftentimes neither sweet nor reasonable, Emerson is sometimes the voice of an optim- ism hardly more acceptable. One may be blinded by too little passion as well as by too much. Here and there his utterances en- courage the selfishness of a passive quietism and unsympathetic apathy, though happily Carlyle and Emerson: a Contrast 19 offset by other utterances of contrary tone. 11 OUT painful labors are unnecessary." "None of us can wrong the universe." The rumble and grumble of Thomas Carlyle have more life-making music the martial music of the gods. Have they not a relish the words he shoots at his placid brother over the sea? "Truly, it is most indubitable, there is good in all; and if you see an Oliver Cromwell [or Abraham Lincoln] assassinated it is certain you may get a cart-load of turnips from his carcass. . . . Let us well remember it; and yet remember too that it is not good al- ways, or ever, to be 'at ease in Zion'; good often to be in fierce rage in Zion ; and that the vile Pythons of this Mud-World do verily require to have sun-arrows shot into them, and red-hot pokers struck through them according to occasion. Woe to the man that carries either of these weapons, and does not use it in their presence." Sympathy with Emerson was extensive jrather than intensive. His heart did not sweat drops of blood over the battle-waging and cross-dragging of mortal men. "Man- kind's collected woe o'erwhelms me!" is not one of his lines. "Heroic, angers" and love- angers seldom perturb his tranquil spirit. And yet be it remembered, not without sat- isfaction, too, that more than once did he descend into the arena of actual combat, and shoot the "sun-arrows" into "the vile Pythons of this Mud-World." Forget not, how, in 1851, he stumped his own Congressional dis- 20 Carlyle and Emerson: a Contrast trict for a righteous cause braving the sneer and laugh of the worldly wise, and the hissing of the vulgarly foolish! Forget not his valiant and scathing attack upon Webster, for defending the Fugitive Slave Law! "All the drops of his blood have eyes that look downward, and his finely developed under- standing only works truly and with all its force when it stands for animal good, that is for property." Ralph Waldo Emerson, the voice of vision, of conscience and the future; Daniel Webster, the voice of his present of a blind leader of the blind who have no higher aim than commercial gain and physical grat- ification. Let the writer indulge himself in one other quotation illustrative of the courage and vision of Emerson. It is the conclusion of his speech prompted by the hanging of John Brown, a speech that ought to rank among the most precious jewels of the world's ora- tory. "Nothing is more absurb than to com- plain of this sympathy, or to complain of a party of men united in opposition to Slavery. As well complain of gravity, or the ebb of the tide. Who makes the Abolitionist? The slaveholder. The sentiment of mercy is the natural recoil which the laws of the uni- verse provide to protect mankind from des- truction by savage passions. And our blind Statesmen go up and down, with committees of vigilance and safety, hunting for the origin of this new heresy. They will need a very vigilant committee, indeed, to find its birth- Carlyle and Emerson: a Contrast 21 place, and a very strong force to root it out. For the arch- Abolitionist, older than Brown, and older than the Shenandoah Mountains, is Love, whose other name is Justice, which was before Alfred, before Lycurgus, before Slavery, and will be after it." Carlyle carried into his work and life, in large measure, the virtues and vices of the Stoic. Self-sufficient pride, contempt, cen- soriousness, even envy, were too manifestly housed in his nature. Very trying, indeed, nigh to meanness, are his reflections on some of the noblest men of his time, especially on his steadfast friend in America. Macaulay's erudite, yet vivacious and brilliant history was to him, "Flat, without a ray of genius." Coleridge, that mystical genius of dream and critical insight is a "rotten hulk," "a poor, greedy, sensual creature, who could not keep from his laud- num bottle." And what of Wordsworth, the author of "Intimations of Immortality," the poet whom Emerson declared a seer of "the truly great," a restorer of sanity to cultivated society." What of Wordsworth? Why, this "A genuine, but a small diluted man." Referring to "The Nemesis of Faith," written by the historian Froude, his intimate friend, Carlyle pronounced it "not worth its paper and ink," and asks "what on earth is the use of a wretched mortal's vomiting up all his inferior crudities, dubitations, and Spiritual agonizing belly-aches into the view 22 Carlyle and Emerson: a Contrast of the public, and howling tragically, 'See!' ' John Stuart Mill was generally recognized as a profound thinker, of marked toleration and breadth of mind. Moreover, he was a 1 generous appreciator and encourager of con- temporaries, especially of Herbert Spencer, and Thomas Carlyle, himself. But while the former, despite his public controversy with Mill, paid him- high tribute, Carlyle made him, on his death, the object of such splenetic criticsim as this: speaking of his autobio- graphy, he writes to brother John, that he had not read "a sillier;" "wholly the life of a logic-chopping engine. *** I suppose it will deliver us from the cock-a- leery crow about 'the Great Thinker of his age/ " But of all Carlyle' s captious and worm- wood strictures on contempraries that upon Emerson, who exerted himself so much to prepare for him, in this "plastic" new world, an appreciative public that upon Emerson is about the most unforgivable. What shall one say of his communicating to Duffy, the young Irish revolutionist, such disparage- ment of his faithful friend as this, that prac- tically Emerson stole his "system" from certain works of himself, and was only origi- nal [verily, as Shakespeare, himself was original] in working it up in his own way. Then this ridiculing description and mimicry : "He has a sharp, perking little face, and keeps bobbing it up and down (so), with 'yissir, yissir' in answer to objections." Add Carlyle and Emerson: a Contrast 23 to the above the following: written, when many of his own disciples were attending Emerson's lectures? "Emerson is now in England, in the North, lecturing to Mechan- ics' Institutes, etc. ; in fact, though he knows it not, to a kind of intellectual canaille. Came here and stayed with us some days on his first arrival. Very exotic; of smaller dimensions, too, and differed much from me, as a gymno- sophist sitting idle on a flowery bank may do from a wearied worker and wrestler, passing that way with many of his bones broken. Good of him I could get none, except from his friendly looks and elevated, exotic, polite ways ; and he would not let me sit silent for a minute. " The last observation approaches the comic, when one remembers Carlyle's fondness for doing the talking the most copious talker anywhere, Mrs. Carlyle thought until she fell in with Macaulay. (In fact, Emerson preached "the divine wisdom of silence" much less and practiced it much more. In pessimistic and dyspeptic moods Carlyle poured forth his harsh, sometimes shallow, criticisms on his contemporaries, and men in general. He despairs, rails and cavils yea degenerates now and then into the mere rhetorical termigant, indiscrimin- ately scolding and fault-finding. In all this how conspicuously unlike the Chelsea Sage is the Sage of Concord. Hardly could one be moved less to write or speak from personal whim, prejudice, desire for victory of argument or of wit any motive other than 24 Carlyle and Emerson: a Contrast the supreme one of being a vehicle of God's thought, expressed through him in his best moods, which moods he conscientiously watched for and utilized, so as to have as little padding or desert wastes as possible in his pages. Well-poised, serene, peering through a personal atmosphere comparatively un- clouded, he seldom, almost never, falls below just and wholesome criticism. He may ir- ritate a little by depreciative judgment, as, for instance, his diary observations that Alcott and Hawthorne " together would make a man," and that our entrancing versifier, Tennyson, is only "a beautiful half of a poet," producing, "the poetry of an exquisite." But never does he say mean things of his contem- poraries. It is a marked beauty of his char- acter, that he could so highly appreciate the talent and work of others in the world; was, withal, so modest and courteous in all his relations to his fellowmen. The more praise- worthy this, because though naturally fastid- ious and shrinking from coarse and unculti- vated natures, he yet disciplined himself to treat all men as carrying divinity within. He respected men everywhere; pronounced him shallow "who rails at them and their con- trivances." Quite in contrast to his friend over the sea, he mastered the virtues of pa- tience and forbearance, and came very nigh attaining the wisdom expressed in his own lines, "Of all wit's uses, the main one Is to live well with who has none." Carlyle and Emerson: a Contrast 25 Britain's seer never learned how to live with common men, in fact to live with uncom- mon men yea, how to live with himself. He is wonderfully rich in all unrest and warlike energy an old Thor, with iron glove and mallet, shivering men's idols to smitherines, the iclnoclast Whittier had in mind: "All grim and soiled and brown with tan, I saw a strong one, in his wrath, Smiting the godless shrines of man Along his path." Emerson, be it said, is in the world, also, with a sword. He knows what is amiss, but he rights to set it right as one who sees a reas- on for the enemy's side. His breadth of vision and sympathy embrace the slave- holder as well as the slave. He brings to battle the spirit of cheerful prophecy, music, and the cultured humanities. What finer figure than that of Dr. Holmes? "Car- lyle is an iconoclast with a hammer. Emerson is an iconoclast without a hammer. He takes down your idols so tenderly it seems an act of worship." In either case, however, the iconoclast each, sui generis, a "scourge and minister" to his generation, cleanser divine of earth's moral miasms. Brave and sincere, with right royal disrelish of cant of whatso- ever kind, neither of these seers will flatter his countrymen, nor in anywise peddle cam- paign sugar-pills. *They deal with the ve- racities of life veracity of insight, veracity 26 Carlyle and Emerson: a Contrast of speech. Of the one not less than the other must it be said, "He would not flatter Neptune for his trident, Or Jove for his power to thunder." In any critical estimate of these contempo- rary writers, the question forces itself : Which will have the broader influence, and better stand the test of time ? This is not a question easy to answer. While both are intellectual and moral at- mospheres of the highest tonic qualities, Emerson is the purer and more inclusive of the two. His vision sweeps over wider pros- pects and relations; it detects divinity lurking under more multifarious forms. Both aiming to deal with subjects, not of local and tem- porary, but of univeral and perennial interest, Emerson realized more completely that aim. His thought, too, is broader and juster, and his style better adapted to make it the world's currency. Above all, by reason of a gospel more optimistic and inspiring, enforced with a life of superior goodness and beauty, Emer- son shall speak with greater authority among the seers and prophets of the earth. From birth he was baptized to the pure intellec- tualities and spiritualities. No drop of his blood pointed downward. The gods fash- ioned him for victory on the higher levels of life. And he lifts those who wish to be lifted, not more by the power of his teachings than by the power of his elevated personality. To men, high or low, or of whatsoever Carlyle and Emerson: a Contrast 27 doctrine, he was a subtle and persuasive in- fluence. After a visit, having parted from Carlyle, the latter wrote in his diary, a most pleasant contrast to his harsh criticism, !"I saw him go up the hill ; I did not go with him to see him descend. I preferred to watch him mount, and vanish like an angel." To Father Taylor, the Methodist sailor preacher, the suggestion of his friend being sent to hell was little less than absurd. "He must go to heaven when he dies, for if he went to hell the devil would not know what to do with him." "But if he should go there, so sweet is his character, that he would change the climate, and emigration would set that way." Radical as his attitude was, he yet very largely killed out during his own life the prejudice against him, by virtue of his exemplary personal traits. Once simply meeting and passing a few words with this wise man, it was in his own town and in his latter days, the impression made upon the writer abides forever. I see again his face with the flush of the Autumn leaves in the woods, made sacred by his visitations. I see that benignant smile play- ing over his countenance, even as the last beaming of the setting sun on the October foliage of the maples. In that face shone divine strength and repose, the imperishable beauty of wisdom and virtue. Here, I said, is the harmony of one who has made his peace with God, with himself, with the world of persons and things. 28 Carlyle and Emerson: a Contrast In 1837 Emerson gave this advice: "Sit apart, write; let them hear or let them for- bear; the written word abides until slowly and unexpectedly, and in widely sundered places, it has created its own church." Faith- fully the advisor kept the advice. And the written word has created its own church. With all joy and far-reaching hope I per- ceive, amid the darker signs of the time, this great sign of light, viz., that our foremost seer of the "new world," and of the modern age, is making, albeit slowly, his silent con- quest of men and women, on two continents, who really want to be liberated from the bonds of the sensual and selfish. From painstaking inquiry, I affirm, especially that he is becoming a shaping influence in the minds of the more enlightened of that class in American society whose throne is the pulpit. Thus shall his soul diffuse itself among his countrymen, "from above down- wards." Thomas Carlyle was sent to the Old World with the flaming sword of righteousness, to wage valiant warfare against the unveracities and wrong-goings of man; but the light of truth emanating through him suffered dis- coloration from his passionate prejudice and dyspeptic, pessimistic temperament, There- fore, "God said, I will have a purer gift ; There is smoke in the flame." To be that gift was sent to the New World Carlyle and Emerson: a Contrast 29 Ralph Waldo Emerson among modern men of letters supremely endowed to be what England's Matthew Arnold so discerningly pronounced him to be "The Friend and Aider of those who wish to live in the Spirit. " Not an intellect of passionate demonstration, of dynamic and dramatic imagination, of contagious enthusiasm, yet there burned at his altar a steady vestal flame of extensive human sympathy. Sensitive and shrinking from strife, tender of the rights of others, but of such imperative sense of duty that none spoke with more frank and manly directness than he. What he saw to be true he bravely set down, with naught of malice to any man. So broadsighted that he could understand the conservative's side, and wrap him along with the radical in his ample mantle of charity. The courage and heart of the reformer were his, but not less also the humility and gentle- ness of the saint. With the courtesy of the true gentleman of the world he united the independence, the simplicity, the unconven- tional genuineness of solitude. Regenerative eclectic spirit of the world's literature! The calm, peering gaze and self- surrender of the Hindoo sage, the wide-sweep- ing vision of Plato, the sterling common sense of the New England Yankee, the poetic, mys- tical spirit of the Orient, the practical, ethical spirit of the Occident these meet in him. Who has preserved finer equilibrium between the patriotic and the cosmopolitan, between the real and the ideal, liberty and obedience, the 30 Carlyle and Emerson: a Contrast nay and the yea, "the waster and the builder, too"? Feet on the earth, head in the serene and silent eternities, his "go-cart hitched to a star" thus he lived and worked his allotted time with men, though, as it were, veiled from them by a diviner atmosphere, suggest- ing seraphic personalities of some city of God "not made with hands, eternal in the heav- ens." RETURN TO the circulation desk of any University of California Library or to the NORTHERN REGIONAL LIBRARY FACILITY Bldg. 400, Richmond Field Station University of California Richmond, CA 94804-4698 ALL BOOKS MAY BE RECALLED AFTER 7 DAYS 2-month loans may be renewed by calling (415)642-6233 1-year loans may be recharged by bringing books to NRLF Renewals and recharges may be made 4 days prior to due date DUE AS STAMPED BELOW DUE NRLF FEB241388