. WOODLAND GLEANINGS. " Attractive is the Woodland scene, Diversified with trees of every growth- Alike yet various No tree in all the grove hut has its charms." Groves were planted to console at noon The pensive wanderer in their shades. At eve The moonbeam sliding softly in between The sleeping leaves, is all the light he wants For meditation. p. 54. WOODLAND GLEANINGS. WITH SIXTY-FOUR ILLUSTRATIONS. VKW UUITION REVISED AND CORRKCTKD. LONDON : DEAN & SON, 11, LUDGATE HILL. ADVERTISEMENT TO THE SECOND EDITION. To those who live in the country, or repair to it from our cities and towns for recreation or recruitment of health, we trust this will be an acceptable book, especi- ally if they are unacquainted with Forest-trees. Our aim has been to produce a volume that will convey general and particular information respecting the tim- ber-trees chiefly cultivated in the United Kingdom, to induce further inquiry respecting them, and to impart a new interest to the "Woodland. To effect this we have briefly given their history and description, together with their botanical characters, remarks from our best authors on their habits and ornamental properties, on the usual mode of their cultivation, and on the value or utility of their timber. "We have also introduced accounts of such remarkable trees as we considered of sufficient note to interest the general reader. It has been objected that a few species, not recognised as Forest trees, have been included in this work ; such as the Hawthorn, Holly, Mountain Ash, and Wild Cherry. But as these have been likewise admitted into a subsequent work of greater pretensions, the reason 2091064 VI ADVERTISEMENT TO THE SECOND EDITION. there given by its author will be here equally sufficient : " That though aware of the secondary rank of these trees in point of dimensions, when compared with the greater denizens of the Forest, he felt that the prominent station they occupy in the ornamental and picturesque depart- ments of our native Sylvia, was sufficient to compensate for this defect, and to entitle them to the situation in which they have been placed." That the thirty-two species particularly described may be the more readily identified, and their botanical characters more easily understood, there has been given a well executed wood-cut representation of the usual growth and representation of each tree, and another of the leaves, flowers, and fruit. . July 1, 1853. LIST OF ILLUSTRATIONS, FA6R 1. ALDER 41 2. Leaves and Catkins 43 3. ASH 47 4. Leaves, Flowers, and Fruit .... 51 5. BEECH 55 6. Leaves, Flowers, and Fruit .... 59 7. BIRCH 63 8. Leaves and Catkins 65 9. CEDAR OF LEBANON 69 10. Foliage, Cone, &c 73 11. CHESTNUT 77 12. Leaves, Catkins, &c 79 13. ELM 82 14. Leaves and Flowers 85 15. HAWTHORN 92 16. Leaves, Blossom, and Fruit .... 95 17. HAZEL 98 18. Leaves, Catkins, and Nuts .... 100 19. HOLLY 103 20. Leaves, Flowers, and Fruit .... 105 21. HORNBEAM 109 22. Leaves, Catkins, and Fruit .... Ill 23. HORSE-CHESTNUT 114 24. Leaves, Flowers, &c 117 25. LARCH 122 26. Foliage, Catkins, &c 125 27. LIME, or LINDEN 132 28. Leaves and Flowers 135 29. MAPLE 139 30. Leaves, Flowers, and Seeds .... 141 31. MOUNTAIN ASH 145 32. Leaves, Flowers, and Fruit .... 147 Vlll LIST OF ILLUSTRATIONS. PACK 33. MULBEBBY 152 34. Leaves and Fruits 155 35. OAK 158 36. Leaves, Flowers, and Fruit .... 161 37. OBIENTAL PLANE 189 38. Leaves, and Globes of Flowers ... 191 39. OCCIDENTAL PLANE 196 40. Leaves and Flowers 199 41. POPLAB 201 42. (White) Leaves, Flowers, and Catkins . 203 43. SCOTCH FIB or PINE 207 44. Foliage, Catkins, Cones, &c. . . . 209 45. SiLVEBFm 217 46. Foliage and Cones 219 47. SPBUCE FIB 222 48. Foliage and Cones . ... 225 49. SYCAMOBE 227 50. Leaves, Flowers, and Samarse . . . 229 51. WALNUT 233 52. Leaves, Catkins, and Nuts .... 235 53. WEYMOUTH PINE . . . . . . . .239 54. Foliage, Cones, &c 241 55. WHITEBEAM 243 56. Leaves, Flowers, and Fruit .... 245 57. WILD BLACK CHEBBY 247 58. Leaves, Flowers, and Fruit .... 249 59. WILD SEBVICE 253 60. Leaves and Flowers 255 61. WILLOW 257 62. (Crack) Leaves and Catkins of S. fragilis . 263 63. YEW 269 64. Foliage, Leaves, and Fruit . . . . 271 INTRODUCTION. The forest teems With forms of majesty and beauty ; some, As the light poplar, wave with every sigh Of zephyr, and some scarcely bend their heads For very mightiness, when wintry storms Are maddening the sea ! CARRINGTON. DELIGHTFUL Edlington! how we love to saunter up and down the broad and verdant pathway that traverses thy wild domain. There, amid the deep imbosomed thickets, we feel that we are in "the haunts of meditation " we feel that these are, indeed, The scenes where ancient bards th' inspiring breath Ecstatic felt ; And wish that the kind muses that them inspired would cast their united mantles over us, and aid us to sing the beauties of the woodland. But no friendly spirit deigns to tune our lyre ; we are con- demned to dull prose, and are permitted only here and there to call in some bard of old to aid our feeble efforts. Woodland ! yea, the very name seems to revive recollections of delightful solitude of calm and holy feelings, when the world has been, for the time, completely banished from its 10 INTRODUCTION. throne the throne of the human heart, which, alas ! it too commonly occupies. 0, how agreeable and pleasant is the woodland, when the trees are half clad with their green attire ! How refreshing is the appearance of the tender leaf-bud, emerging from its sheath, just visible upon the dingy gray branches, those of one tree being generally a little in advance of others ! We have never yet met with that insensate being whose heart is not elated at the sight. And to look, at this time, upon the vast assemblage of giant trees, whose skeleton, character, and figure may now be plainly traced. The dense foliage does not obscure them now, but they are beheld in all their majesty. "If the contrast of gray and mossy branches, "says Howitt, "and of the delicate richness of young leaves gushing out of them in a thousand places be in- expressibly delightful to behold, that of one tree with another is not the less so. One is nearly full clothed ; another is mottled with gray and green, struggling, as it were, which should have the predominance, and another is still perfectly naked. The pines look dim dusky amid the lively hues of spring. The abeles are covered with their clusters of alliescent and powdery leayes and withering catkins ; and beneath them the pale spathes of the arum, fully expanded and display- ing their crimson clubs, presenting a sylvan and unique air." In Sweden, the budding and leafing of the birch-tree is considered as a directory for sowing barley ; and as there is something extremely sub- INTRODUCTION. 11 lime and harmonious in the idea, we flatter our- selves an account of it here will be acceptable. Mr. Harold Barck, in his ingenious dissertation upon the foliation of trees, informs us, that Lin- nseus had, in the most earnest manner, exhorted his countrymen to observe, with all care and diligence, at what time each tree expanded its buds and unfolded its leaves ; imagining, and not without reason, that his country would, some time or other, reap some new and perhaps unexpected benefit from observations of this kind made in ditTerent places. As one of the apparent advantages, he advises the prudent husbandman to watch, with the greatest care, the proper time for sowing ; because this, with the Divine assistance, produces plenty of provision, and lays the foundation of the public welfare of the state, and of the private happiness of the people. The ignorant farmer, tenacious of the ways and customs of his ancestors, fixes his sowing season generally to a month, and sometimes to a particular week, without considering whether the earth be in a proper state to receive the seed ; from whence it frequently happens, that what the sower sowed with sweat, the reaper reaps with sorrow. The wise economist should therefore endeavour to fix upon certain signs, whereby to judge of the proper time for sowing. We see trees open their buds and expand their leaves, from whence we conclude that spring approaches, and experience supports us in the conclusion ; but nobody has as yet been able to show us what trees 12 INTRODUCTION. Providence has intended should be our calendar, so that we might know on what day the country- man ought to sow his grain. No one can deny but that the same power which brings forth the leaves of trees, will also make the grain vegetate ; nor can any one assert that a premature sowing will always, and in every place, accelerate a ripe harvest. Perhaps, therefore, we cannot promise ourselves a happy success by any means so likely, as by taking our rule for sowing from the leafing of trees. We must for that end observe in what order every tree puts forth its leaves according to its species, the heat of the atmosphere, and the quality of the soil. Afterwards, by comparing together the observations of the several years, it will not be difficult to determine from the foliation of the trees, if not certainly, at least probably, the time when annual plants ought to be sown. It will be necessary, likewise, to remark what sowings made in different parts of the spring produce the best crops, in order that, by comparing these with the leafing of trees, it may appear which is the most proper time for sowing. The temperature of the season, with respect to heat and cold, drought and wet, differing in every year, experiments made one year cannot, with certainty, determine for the following. They may assist, but cannot be conclusive. The hints of Linnseus, however, constitute a universal rule, as trees and shrubs, bud, leaf, and flower, shed their leaves in every country, according to the difference of the seasons. INTRODUCTION. 13 Mr. Stillingfleet is the only person that has made correct observations upon the foliation of the trees and shrubs of this kingdom. The fol- lowing is his calendar, which was made in Norfolk, in 1765: 1 Honeysuckle . 2 Gooseberry. . . . January 15 . . . March 11 19 Marsh Elder 20 Wych Elm .April 11 12 3 Currant 11 21 Mountain Ash . . 22 Hornbeam . . . 13 13 4 Elder ... 11 5 Birch .. Anril 1 23 Apple-tree 14 6 Weeping Willow . 1 24 Abele 16 25 Chestnut . 16 8 Bramble .... 3 26 Willow . 17 9 Briar .... , 4 27 Oak 18 10 Plum , 6 28 Lime. 18 11 Apricot .... , 6 29 Maple 19 12 Peach 6 30 Walnut , 21 13 Filbert , 7 31 Plane , 21 14 Sallow , 7 32 Black Poplar... 33 Beech . 21 i 21 15 Alder , 7 16 Sycamore .... .... , 9 34 Acacia Robinia . 35 Ash 21 . 22 17 Elm 10 18 Quince . . . 10 36 Carolina Poplar , 22 In different years, and in different soils and ex- positions, these trees and shrubs vary as to their leafing ; but they are invariable as to their suc- cession, being bound down to it by nature herself. A farmer, therefore, who would use this sublime idea of Linnseus, should diligently mark the time of budding, leafing, and flowering of different plants. He should also put down the days on which his respective grains were sown ; and, by comparing these two tables for a number of years, he will be enabled to form an exact calendar for his spring corn. An attention to the discolouring 14 INTRODUCTION. and falling of the leaves of plants, will assist him in sowing his winter grain, and teach him how to guess at the approach of winter. Towards the end of September, which is the best season for sowing wheat, he will find the leaves of various trees as follows : Plane-tree, tawny. Oak, yellowish green. Hazel, yellow. Sycamore, dirty brown. Maple, pale yellow. Ash, fine lemon. Elm, orange. Hawthorn, tawny yellow. Cherry, red. Hornbeam, bright yellow. There is a certain kind of genial warmth which the earth should enjoy at the time the seed is sown. The budding, leafing, and flowering of plants, seem to indicate this happy temperature of the earth. Appearances of this sublime nature may be compared to the writing upon the wall, which was seen by many, but understood by few. They seem to constitute a kind of harmonious intercourse between God and man, and are the silent language of the Deity. Welcome, ye shades ! ye bowery thickets, hail ! Ye lofty pines ! ye venerable oaks ! Ye ashes wild, resounding o'er the steep ! Delicious is your shelter to the soul ! Yes, indeed, the woodland is an ever- pleasant place. There we may couch ourselves upon the mossy bank, and listen to the murmuring "brook that bubbles by," or to the sweet sounds that issue from Every warbling throat Heard in the tuneful woodlands. INTRODUCTION. 15 Yea, truly, There, plunged amid the shadows brown, Imagination lays him down, Attentive, in his airy mood, To every murmur of the wood ; The bee in yonder flowery nook, The chidings of the headlong brook, The green leaf shivering in the gale, The warbling hills, the lowing vale, The distant woodman's echoing stroke, The thunder of the falling oak. Carlos Wilcox sings so sweetly of vernal melody in the forest, that we shall favour our readers with his song : With sonorous notes Of every tone, mixed in confusion sweet, All chanted in the fulness of delight, The forest rings. Where, far around enclosed With bushy sides, and covered high above With foliage thick, supported by bare trunks, Like pillars rising to support a roof, It seems a temple vast, the space within Rings loud and clear with thrilling melody. Apart, but near the choir, with voice distinct, The merry mocking-bird together links In one continued song their different notes, Adding new life and sweetness to them all : Hid under shrubs, the squirrel, that in fields Frequents the stony wall, and briery fence, Here chirps so shrill that human feet approach Unheard till just upon him, when, with cries, Sudden and sharp, he darts to his retreat, Beneath the mossy hillock or aged tree ; But oft, a moment after, re-appears, First peeping out, then starting forth at once With a courageous air, yet in his pranks Keeping a watchful eye, nor venturing far Till left unheeded. As the summer advances, forest-trees assume a 16 INTRODUCTION. beautiful variety. The Oak has "spread its amber leaves out in the sunny sheen ; " the ash, the maple, the beech, and the sycamore are each clad in delicate vestures of green ; and the dark perennial firs are enlivened and enriched by the young shoots and the cones of lighter hue. "In the middle of summer," observes Howitt, "it is the very carnival of Nature, and she is prodigal of her luxuries. It is luxury to walk abroad, indulging every sense with sweetness, loveliness, and harmony. It is luxury to stand beneath the forest side, when all is still and basking, at noon ; and to see the landscape sud- denly darken, the black and tumultuous clouds assemble as at a signal ; to hear the awful thunder crash upon the listening ear ; and then, to mark the glorious bow rise on the lurid rear of the tempest, the sun laugh jocundly abroad, and every bathed leaf and blossom fair, Pour out its soul to the delicious air. But of the seasons autumn is the most pleasant for a woodland ramble. The depth of gloom, the silence, the wild cries that are heard flitting to and fro ; the falling leaves already rustling to the tread, and strewing the forest walk, render it particularly pleasant. " And then those breaks ; those openings ; those sudden emergings from shadow and silence to light and liberty; those unexpected comings out to the skirts of the forest, or to some wild and heathy tract in the very depth of the woodlands ! How pleasant is the thought INTRODUCTION. 17 of it ! " The appearance of woods in autumn is indeed more picturesque, and more replete with incidental beauty than at any season of the year. So evident is this, that painters have universally chosen it as the season of landscape. The leafy surface of the forest is then so varied, and the masses of foliage are yet so full, that they allow the artist great latitude in 'producing his tints, without injuring the breadth of his lights. The fading, many-coloured woods, Shade deepening over- shade, the country round Imbrown ; a varied umbrage, dusk and dun, Of every hue, from wan declining green To sooty dark. Of all the hues of autumn, those of the oak are commonly the most harmonious. In an oaken wood, you see every variety of green and brown, owing either to the different exposure of the tree, the difference of the soil, or its own nature. In the beechen grove, this variety is not to be found. In early autumn, when the extremities of the trees are slightly tinged with orange, it may be partially produced ; but late the eye is usually fatigued with one deep monotonous shade of orange, though perhaps it is the most beautiful among all the hues of autumn. And this uniformity prevails wherever the ash and elm abound, though of a different hue; and, indeed, no fading foliage ex- cepting that of the oak, produces harmony of colouring. Even when the beauty of the landscape has departed, the charms of autumn may remain. 18 INTRODUCTION. When the raging heat of summer is abated, and ere the rigours of winter are set in, there are frequent days of such heavenly temperature, that every mind must feel their effect. Thomson thus describes a day of this kind : The morning shines Serene, in all its dewy beauties bright, Unfolding fair the last autumnal day, O'er all the soul its sacred influence breathes ; Inflames imagination, through the breast Infuses every tenderness, and far Beyond dim earth exalts the swelling thought. We now proceed to give a detailed notice of some of the component parts of the woodland scenery, beginning with the single tree. We feel no hesitation in calling a tree the grandest and most beautiful of all the various productions of the earth. In respect to its grandeur, nothing can compete with it ; for the everlasting rocks and lofty mountains are parts of the earth itself. And though we find great beauty beauty at once per- ceptible and ever-varying, and consequently more universally felt and appreciated among plants of an inferior order among shrubs and flowers, yet these latter may be considered beautiful rather as individuals, for as they are not adapted to form the arrangement of composition in landscape, nor to receive the effect of light and shade, they must give place in point of beauty of picturesque beauty at least to the form, and foliage, and ramification of the tree. The tree, however, we do not place in competition with animal life. " The shape, the different coloured INTRODUCTION. 19 furs, the varied and spirited attitudes, the cha- racter and motion, which strike us in the animal creation, are unquestionably beyond still life in its most pleasing appearance." With regard to trees, nature has been more liberal to them in point of variety, than even to its living forms. " Though every animal is distinguished from its fellow, by some little variation of colour, character, or shape ; yet in all the larger parts, in the body and limbs, the resemblance is generally exact. In trees, it is just the reverse : the smaller parts, the spray, the leaves, the blossom, and the seed, are the same in all trees of the same kind ; while the larger parts, from which the most beautiful varieties result, are wholly different." For instance, you never see two oaks with the same number of limbs, the same kind of head, and twisted in the same form. When young, trees, like striplings, shoot into taper forms. There is a lightness and an airiness about them, which is pleasing; but they do not spread and receive their just proportions, until they have attained their full growth. There is as much difference, too, in trees that is, in trees of the same kind in point of beauty, as there is in human figures. The limbs of some are set on awkwardly, their trunks are dispropor- tioned, and their whole form is unpleasing. The same rules, which establish elegance in other objects, establish it in these. There must be the same harmony of parts, the same sweeping line, the same contrast, the same ease and freedom. A 20 INTRODUCTION. bough, indeed, may issue from the trunk at right angles, and yet elegantly, as it frequently does in the oak ; but it must immediately form some con- trasting sweep, or the junction will be awkward. Generally speaking, trees when lapped and trimmed into fastidious shapes, become ugly and displeasing. Thus clipped yews, lime hedges, and pollards, being rendered unnatural in form, are disagreeable ; though sometimes a pollard produces a good effect, when Nature has been suffered, after some years, to bring it again into shape. Lightness is a characteristic of beauty in a tree ; for though there are beautiful trees of a heavy, as well as of a light form, yet their extremities must in some parts be separated, and hang with a degree of looseness from the fulness of the foliage, which occupies the middle of the tree, or the whole will only be a large bush. From position, indeed, and contrast, heaviness, though in itself a deformity, may be of singular use in the composition both of natural and of artificial landscape. A tree must be well balanced to be beautiful, for it may have form and lightness, and yet lose its effect from not being properly poised ; though occasionally beauty may be found in an unbalanced tree, yet this must be caused by some peculiarity in its situation. For instance, when hanging over a rock, if altogether unpoised, it may be beautiful; or bending over a road, its effect may be good. We have often admired the massy trunk of an aged forest oak ; and Gilpin says he frequently examined the varied tints which enriched its fur- INTRODUCTION. 21 rowed stem. The genuine bark of an oak is ash coloured, though it is not easy to distinguish this, from the quantity of moss which overspreads it ; for we suppose every oak has more or less of these picturesque appendages. About the roots there is a green velvet moss, which is found in a greater degree to occupy the bole of the beech, though its beauty and brilliancy lose much when in decay. As the trunk rises, you see the brimstone colour taking possession in patches. Of this there are two principal kinds : a smooth sort, which spreads like a scurf over the bark, and a rougher sort, which hangs in little rich knots and fringes. This sometimes inclines to an olive hue, and occasionally to a light green. Intermixed with these mosses is frequently found a species perfectly white. Here and there, a touch of it gives lustre to the trunk, and has its effect ; yet, on the whole, it is a nuis- ance, for as it generally begins to thrive when the other mosses begin to wither, it is rarely accom- panied with any of the more beautiful species of its kind. This is a sure sign that the vigour of the tree is declining. There is another species of a dark-brown colour, inclining to black ; another of an ashy colour ; and another of a dingy yellow. Touches of red are also observable, and occasion- ally, though rarely, a bright yellow, which is like a gleam of sunshine. These add a great richness to the trees, and when blended harmoniously, as they commonly are, the rough and furrowed trunk of an oak, thus adorned, is an object which will long detain the picturesque eye. 22 INTRODUCTION. These and other incidental appendages to a tree are greatly subservient to the uses of the pencil, and the poet will now and then deign to deck his trees with these ornaments. He sometimes calls into being some mighty agent, as guardian of the woods, who cries out, From Jove I am the Power Of this fair wood, and live in oaken bower. I nurse my saplings tall ; and cleanse their rind From vegetating filth of every kind ; And all my plants I save from nightly ill Of noisome winds, and blasting vapours chill. The blasted tree adds much to effect, both in arti- ficial and natural landscape. In some scenes it is nearly essential. When the dreary heath is spread before the eye, and ideas of wildness and desolation are required, what more suitable accompaniment can be imagined, than the blasted oak, ragged, scathed, and leafless, shooting its peeled white branches athwart the gathering blackness of some rising storm ? As when heaven's fire Hath scathed the forest oak, or mountain pine, With singed top its stately growth, though bare, Stands on the blasted heath. beneath that oak, Whose shattered majesty hath felt the stroke Of Heaven's own thunder yet it proudly heaves A giant sceptre wreathed with blasted leaves As though it dared the elements. NEALE. Ivy also gives great richness to an old trunk, both by its stem, which often winds round it in thick, hairy, irregular volumes ; and by its leaf, INTRODUCTION. 23 which either decks the furrowed bark, or creeps among the branches, or carelessly hangs from them. It unites with the mosses, and other furni- ture of the trees, in adorning and enriching it. The tribes of mosses, lichens, and liver-worts, are all parasitical ; it is doubted whether the ivy is or not. The former, however, are absolute re- tainers. The character of the ivy, too, has been misrepresented, if his feelers have not some other purpose than that of enabling him to show his attachment to his patient supporter. Shakspeare asserts that he makes a property of him : He was The ivy which had hid my princely trunk, And sucked my verdure out. Besides these there are others which are sustained entirely by their own means. Among them we may distinguish the black and white briony. The berries of many of these little plants are variously coloured in the different stages of their growth yellow, red, and orange. All these produce their effect. The feathered seeds of the traveller's joy are also ornamental. The wild honeysuckle comes within this class ; and it fully compensates for any injury it may do by the compression of the young branches, by its winding spiral coils, and by the beauty and fragrance of its flowers : With clasping tendrils it invests the branch, Else unadorned, with many a gay festoon, And fragrant chaplet ; recompensing well The strength it borrows with the grace it lends. In warm climates, where vines are the spontaneous 24: INTRODUCTION. offspring of nature, nothing can have a more pleas- ing effect than the forest-tree adorned with their twisting branches, hanging in rich festoons from bough to bough, and laden with fruit, the clusters clear Half through the foliage seen. In England, the hop we consider the most beauti- ful appendage of the hanging kind. In its rude natural state, indeed, twisting carelessly round the branches of trees, it has as good an effect as the vine. Its leaf is similar ; and though its bunches are not so beautiful as the clusters of the vine, it is more accommodating, hangs more loosely, and is less extravagant in its growth. The motion of trees is one source of considerable beauty. The waving heads of some, and the undu- lation of others, give a continual variety to their forms. In nature this is certainly a circumstance of great beauty : Things in motion sooner catch the eye Than what stirs not ; and this also affords the chequered shade, formed under it by the dancing of the sunbeams among its playing leaves. This circumstance is of a very amusing nature, and is capable of being beautifully wrought up in poetry : The chequered earth seems restless as a flood Brushed by the winds. So sportive is the light, Shot through the boughs, it dances as they dance, Shadow and sunshine intermingling quick, And darkening and enlightening (as the leaves Play wanton) every part. INTRODUCTION. 25 The clump of trees next occupies our attention. The term, says Gilpin, has rather a relative mean- ing, as no rule of art hath yet prescribed what number of trees form a clump. Near the eye we should call three or four trees a clump, and at the same time, in distant or extensive scenery, we should apply the same term to any smaller detached portion of wood, though it may be formed of hun- dreds of trees. But though the term admits not of exact definition, we will endeavour to make the ideas contained under it as distinct as possible. We distinguish, then, two kinds of clumps, the smaller and the larger ; confining the former chiefly to the foreground, and considering the latter as a distant ornament. With respect to the former, we apprehend its chief beauty arises from contrast in the parts. We shall attempt to enumerate some of the sources whence the beauty of contrast is produced. Three trees, or more, standing in a line, are formal, but in the natural wood this formality is rarely found. And yet even three trees in a line will be greatly assisted by the lines of the several trunks taking different directions; and by the various forms, distances, and growth of the trees. If three trees do not stand in a line, they must of course stand in a triangle, which produces a great variety of pleasing forms. And if a fourth tree be added, it stands beautifully near the middle of the triangle, of whatever form the triangle may be. If the clump consist of more trees than four, a still greater variety among the stems will of 26 INTRODUCTION. course take place; double triangles, and other pleasing shapes, all of which may be seen exempli- fied in every wood of natural growth. The branches are not less the source of contrast than the stem. To be picturesque, they must in- termingle with each other without heaviness ; they must hang loosely, but yet with varied looseness on every side ; and if there be one head or top of the tree above another, there may be two or three subordinate, according to the size of the clump. Different kinds of trees, in the same clump, often occasion a beautiful contrast. There are few trees which will not harmonize with trees of another kind ; though it may be that contrasts the most simple and beautiful are produced by the various modes of growth in the same species. Two or three oaks, intermingling their branches together, have often a very pleasing effect. The beech, when fully grown, is commonly (in a luxuriant soil at least), so heavy, that it seldom blends happily, either with its own kind or any other. The silver fir, too, is a very unaccommodating tree, as also all the other firs, and indeed every kind of tree that tapers to a point. The pine race, however, being clump-headed, unite well in composition. With these also the Scotch fir leagues, from little knots of which we often see beautiful contrasts arise. When they are young and luxuriant, espe- cially if any number of them above four or five are planted together, they generally form a heavy murky spot, but as they acquire age this heaviness goes off, the inner branches decay, the outer INTRODUCTION. 27 branches hang loosely and negligently, and the whole has frequently a good effect, unless they have been planted too closely. It may be doubted how far deciduous trees mingle well in a clump with evergreens ; and yet, occasionally, from the darkness of the fir contrasting agreeably with the sprightly green of a deciduous tree just coming into leaf, a natural good effect of light and shade is produced. Contrasts arise, again, from the mixture of trees of unequal growth, from a young tree united with an old one, a stunted tree with a luxuriant one, and sometimes from two or three trees, which in themselves are ill-shaped, but when combined are pleasing. Inequalities of all these kinds are what chiefly give nature's planting a superiority over art. The form of the foliage is another source of con- trast. In one part, where the branches intermingle, the foliage will be interwoven and close ; in another, where the boughs of each tree hang separately, the appearance will be light and easy. But whatever beauty these contrasts exhibit, the effect is altogether lost if the clump be not well balanced. If no side preponderate so as to offend the eye, it is enough, and unless the clump have sustained some external injury, it is seldom defi- cient in point of balance. Nature generally con- ducts the stems and branches in such easy forms, wherever there is an opening, and fills up all with such nice contrivance, and with so much pic- turesque irregularity, that we rarely wish for an amendment in her works. So true is this, that 28 INTRODUCTION. you may not take away a tree from a clump with- out infallibly destroying the balance which can never again be restored. When the clump grows larger, it becomes quali- fied only as a remote object, combining with vast woods, and forming a part of some extensive scene, either as a first, a second, or a third distance. The great use of the larger clump is to lighten the heaviness of a continued distant wood, and connect it gently with the plain, that the transition may not be too abrupt. All we wish to find in a clump of this kind is proportion and general form. With respect to proportion, the detached clump must not encroach too much on the dignity of the wood it aids, but must observe a proper subordina- tion. A large tract of country covered with wood, will admit several of these auxiliary clumps, of different dimensions. But if the wood be of a smaller size, the clumps must also be smaller and fewer. As the clump becomes larger and recedes in the landscape, all the pleasing contrasts we expected in the smaller clumps are lost, and we are satisfied with a general form. No regular form is pleasing. A clump on the side of a hill, or in any situation where the eye can more easily investigate its shape, must be circumscribed by an irregular line ; in which the undulations, both at the base and summit of the clump, should be strongly marked, as the eye has probably a distinct view of both. But if seen only on the top of a hill, or along the distant horizon, a little variation in the line which INTRODUCTION. 29 forms the summit, so as to break any disagreeable regularity there, will be sufficient. As a large tract of wood requires a few large clumps to connect it gently with the plain, so these large clumps themselves require the same service from a single tree, or a few trees, according to their size. The Copse, the Glen, and the open Grove next demand our notice. The Copse is a species of scenery composed gene- rally of forest-trees, intermixed with brushwood, which latter is periodically cut down in twelve, thirteen, or fourteen years. In its dismantled state, nothing can be more forlorn. The area is covered with bare roots and knobs, from which the brushwood has been cut ; while the forest-trees, intermingled among them, present their ragged stems, despoiled of all their lateral branches, which the luxuriance of the surrounding thickets had choked. The copse, however, soon repairs the in- jury it has thus suffered. One winter only sees its disgrace. The following summer produces luxuriant shoots ; and two summers more restore it almost to perfect beauty. It is of little moment what species of wood com- poses the copse ; for we do not expect from it scenes of picturesque beauty, but are satisfied if it yields us a shady sequestered path, which it generally furnishes in great perfection. It is among the luxuries of nature, to retreat into the cool recesses of the full-grown copse from the severity of a meri- dian sun, and to be serenaded by the humming 30 INTRODUCTION. insects of the shade, whose continuous song has a more refreshing sound than the buzzing vagrant fly, which wantons in the glare of day, and, as Milton expresses it, winds her sultry horn. In distant landscape the copse hath seldom any effect. The beauty of a wood in a distant view arises in some degree from its tuftings which break and enrich the lights, but chiefly from its contrast with the plain, and from the grand shapes and forms, occasioned by the retiring and advancing parts of the forest, which produce vast masses of light and shade, and give effect to the whole. These beauties appear rarely in the copse. In- stead of that rich and tufted bed of foliage, which the distant forest exhibits, the copse presents a meagre and unaccommodating surface. It is age which gives the tree its tufted form, and the forest its effect. A nursery of saplings produces it not, and the copse is little more, nor does the intermixture of full-grown trees assist the appearance. Their clumpy heads blend ill with the spiry tops of the juniors. Neither have they any connection with each other. The woodman's judgment is shown in leaving the timber-trees at proper intervals, that they may neither hinder each other's growth, nor the growth of the underwood. But the wood- man does not pretend to manage his trees with a view to picturesque beauty ; and from his manage- ment, it is impossible they should produce a mass of light and shade. Besides, the copse forms no INTRODUCTION. 31 contrast with the plain, nor presents those beauti- ful projections and recesses -which the skirts of the forest exhibit. A copse is a plot of ground, pro- portioned off for the purpose of nurturing wood. Of course it must be fenced from cattle ; and these fences, which are in themselves disgusting, gene- rally form the copse into a square, or some other regular figure ; so that we have not only a defor- mity, but a want also of a connecting tie between the wood and the plain. Instead of a softened undulating line, we have a harsh fence. The best effect which the copse produces, is on the lofty banks of the river ; this may be seen par- ticularly on the Wye. In navigating such a river, the deficiencies of this mode of scenery, as you view it upwards from a boat, are lost; and in almost every state it has a good effect. While it enriches the bank, its uncouth shape, unless the fence is too much in view, and all its other unpleasant appear- ances, are concealed. When a winding walk is carried through a copse, which must necessarily in a few years, even in point of picturesque beauty, be given to the axe, shall the whole be cut down together ? Or shall a border be left, as is sometimes done, on each side of the walk ? This is a difficult question ; but Gilpin thinks it should all go together. Unless the border you leave be very broad, it will have no effect, even at present. You will see through it ; it will appear meagre, and will never unite happily with the neighbouring parts when they begin to grow ; at 32 INTRODUCTION. least, it ought not to stand longer than two years. The rest of the copse will then be growing beauti- ful, and the border may be dispensed with till it is replaced. But the way, decidedly, is to cut down all together. In a little time it will recover its beauty. We now proceed to the Glen. A wide and open space between hills, is called a vale. If it be of smaller dimensions, we call it a valley. But when this space is contracted to a chasm, it becomes a glen. A glen, therefore, is commonly the offspring of a mountainous country; though sometimes found elsewhere, with its usual accompaniments of woody banks, and a rivulet at the bottom. The glen may be more or less contracted. It may form one single sweep, or its deviations may be irregular. The wood may consist of full-grown trees, or of under- wood, or of a mixture of both. The path winding through it may run along the upper or the lower part. Or the rivulet may foam among rocks, or murmur among pebbles ; it may form transparent pools, overhung with wood ; or, which is frequently the case, it may be invisible, and an object only of the ear. All these circumstances are capable of an infinite variety. The beauties of the internal parts of the glen consist chiefly in the glades, or openings, which are found in it. If the whole were a thicket, little beauty would result. Unlike the copse, its fur- niture is commonly of a fortuitous growth, and escapes those periodical defalcations to which the INTRODUCTION. 33 copse is subject, and generally exhibits more beau- tiful scenery. It abounds with frequent openings. The eye is carried down, from the higher grounds, to a sweep of the river or to a little gushing cas- cade or to the face of a fractured rock, garnished with hanging wood or perhaps to a cottage, with its scanty area of lawn falling to the river on one side, and sheltered by a clump of oaks on the other ; while the smoke, wreathing behind the trees, disperses and loses itself as it gains the summit of the glen. Or, still more beautifully, the eye breaks out at some opening, perhaps into the country, enriched with all the varieties of dis- tant landscape plains and woods melting together a winding river blue mountains or perhaps some bay of the sea, with a little harbour and shipping. As an object of distance also, the woody glen has often a good effect climbing the sides of mountains, breaking their lines, and giving variety to their bleak and barren sides. From the glen we hasten to the open Grove, which is composed of trees arising from a smooth area, and consisting either of pines or of the deci- duous race. Beautiful groves of both may be seen. That of the pine will always be dry, as it is the peculiar quality of its leaves to imbibe moisture : but in lightness, variety, and general beauty, that of deciduous trees excels. If, however, you wish your grove to be in the gloomy style, the pine race will serve your purpose best. The open grove rarely makes a picturesque 34 INTRODUCTION. appearance. It may, indeed, have the effect of other woods in distant scenery ; for the trees of which it is formed need not be separated from each other, as in the copse, but, being well massed toge- ther, may receive beautiful effects of light. When we enter its recesses, it is not so well calculated to please. There it wants variety, and that not only from the smoothness of the surface, but from the uniformity of the furniture at least if it be an artificial scene, in which the trees, having been planted in a nursery, grow all alike, with upright stems. And yet a walk, upon a velvet turf, wind- ing at pleasure among these natural columns, whose twisting branches at least admit some variety, with a spreading canopy of foliage over the head, is pleasing, and in hot weather refresh- ing. Sometimes we find the open grove of natural growth ; it is then more various and irregular, and becomes, of course, a more pleasing scene. And yet, when woods of this kind continue, as they sometimes do, in unpeopled countries, through half a province, they become tiresome, and prove that it is not wood, but variety of landscape, that delights the eye. The pleasing tranquillity of groves hath ever been in high repute among the innocent and refined part of mankind : Groves were planted to console at noon The pensive wanderer in their shades. At eve The moonbeam sliding softly in between The sleeping leaves, is all the light he wants For meditation. Indeed, no species of landscape is so fitted for INTRODUCTION. 35 meditation. The forest attracts the attention by its grandeur, and the park scene by its beauty ; while the paths through copses, dells, and thickets, are too close, devious, interrupted, and often too beautiful to allow the mind to be at perfect ease. But the uniform sameness of the grove leaves the eye disengaged ; and the feet wandering at plea- sure, where they are confined by no path, want little direction. The mind, therefore, undisturbed, has only to retire within itself. Hence the philo- sopher, the devotee, the poet, all retreated to these quiet recesses ; and, from the world retired, Conversed with angels and immortal forms. In classic times, the grove was the haunt of gods ; and in the days of Nature, before art had intro- duced a kind of combination against her, men had no idea of worshipping God in a temple made with hands. The templum nemorale was the only temple he knew. In the resounding wood, All vocal beings hymned their equal God. And to this idea, indeed, one of the earliest forms of the artificial temple seems to have been in- debted. Many learned men have thought the Gothic arch of our cathedral churches was an imitation of the natural grove. It arises from a lofty stem, or from two or three stems, if they be slender ; which being bound together, and spread- ing in every direction, cover the whole roof with their ramifications. In the close recesses of the 36 INTRODUCTION. beech en grove, we find this idea the most complete. The lofty, narrow aisle the pointed arch the clustered pillar, whose parts separating without violence, diverge gradually to form the fretted roof find there perhaps their earliest archetype. Bryant has wrought out this idea in a beautiful fragment, entitled " God's First Temples :" The groves were God's first temples. Ere man learned To hew the shaft, and lay the architrave, And spread the roof above them, ere he framed The lofty vault, to gather and roll back The sound of anthems, in the darkling wood, Amidst the cool and silence he knelt down, And offered to the Mightiest solemn thanks And supplication. For his simple heart Might not resist the sacred influences, That, from the stilly twilight of the place, And from the gray old trunks, that, high in heaven, Mingled their mossy boughs, and from the sound Of the invisible breath that swayed at once All their green tops, stole over him, and bowed His spirit with the thought of boundless Power And inaccessible Majesty. Ah, why Should we, in the world's riper years, neglect God's ancient sanctuaries, and adore Only among the crowd, and under roofs That our frail hands have raised ! Let me, at least, Here in the shadow of this aged wood, Offer one hymn thrice happy, if it find Acceptance in his ear. Father, thy hand Hath reared these venerable columns ; thou Didst weave this verdant roof. Thou didst look down Upon the naked earth, and, forthwith, rose All these fair ranks of trees. They, in thy sun, Budded, and shook their green leaves in thy breeze, And shot towards heaven. The century-living crow, Whose birth was in their tops, grew old and died Among their branches, till at last they stood, INTRODUCTION. 37 As now they stand, massy, and tall, and dark, Fit shrine for humble worshipper to hold Communion with his Maker. Here are seen No traces of man's pomp or pride ; no silks Rustle, no jewels shine, nor envious eyes Encounter ; no fantastic carvings show The boast of our vain race to change the form Of thy fair works. But thou art here thou fill'st The solitude. Thou art in the soft winds That run along the summits of these trees In music ; thou art in the cooler breath, That, from the inmost darkness of the place, Comes, scarcely felt ; the barky trunks, the ground, The fresh, moist ground, are all instinct with thee. Here is continual worship ; nature, here, In the tranquillity that thou dost love, Enjoys thy presence. Noiselessly, around, From perch to perch, the solitary bird Passes ; and yon clear spring, that, 'midst its herbs, Wells softly forth, and visits the strong roots Of half the mighty forest, tells no tale Of all the good it does. Thou hast not left Thyself without a witness, in these shades, Of thy perfections. Grandeur, strength, and grace, Are here to speak of thee. This mighty oak By whose immovable stem I stand, and seem Almost annihilated not a prince, In all the proud old world beyond the deep, E'er wore his crown as loftily as he Wears the green coronal of leaves with which Thy hand has graced him. Nestled at his root Is beauty, such as blooms not in the glare Of the broad sun. That delicate forest flower, With scented breath, and look so like a smile, Seems, as it issues from the shapeless mould, An emanation of the indwelling Life, A visible token of the upholding Love, That are the soul of this wide universe. My heart is awed within me, when I think Of the great miracle that still goes on, In silence, round me the perpetual work Of thy creation, finished, yet renewed 38 INTRODUCTION. For ever. Written on thy works, I read The lesson of thy own eternity. Lo ! all grow old and die : but see, again, How, on the faltering footsteps of decay, Youth presses ever gay and beautiful youth, In all its beautiful forms. These lofty trees "Wave not less proudly than their ancestors Moulder beneath them. O, there is not lost One of earth's charms : upon her bosom yet, After the flight of untold centuries, The freshness of her far beginning lies, And yet shall lie. Life mocks the idle hate Of his arch-enemy Death yea, seats himself Upon the sepulchre, and blooms and smiles, And of the triumphs of his ghastly foe Makes his own nourishment. For he came forth From thine own bosom, and shall have no end. There have been holy men, who hid themselves Deep in the woody wilderness, and gave Their lives to thought and prayer, till they outlived The generation born with them, nor seemed Less aged than the hoary trees and rocks Around them ; and there have been holy men, "Who deemed it were not well to pass life thus. But let me often to these solitudes Retire, and, in thy presence, reassure My feeble virtue. Here its enemies, The passions, at thy plainer footsteps shrink, And tremble, and are still. O God ! when thou Dost scare the world with tempests, set on fire The heavens with falling thunderbolts, or fill, With all the waters of the firmament, The swift, dark whirlwind, that uproots the woods, And drowns the villages ; when, at thy call, Uprises the great Deep, and throws himself Upon the continent, and overwhelms Its cities ; who forgets not, at the sight Of these tremendous tokens of thy power, His pride, and lays his strifes and follies by ? O, from these sterner aspects of thy face, Spare me and mine ; nor let us need the wrath Of the mad, unchained elements to teach INTRODUCTION. 39 Who rules them. Be it ours to meditate, In these calm shades, thy milder majesty, And, to the beautiful order of thy works, Learn to conform the order of our lives. We will conclude this Introduction by recom- mending the reader, in the words of the poet, to enjoy the sweet calmness of the "Woodland retreat : If thou art worn and hard beset With sorrows that thou would'st forget If thou would'st read a lesson that will keep Thy heart from fainting, and thy soul from sleep, Go to the woods and hills ! no tears Dim the sweet look that nature wears. STRANGER, if thou hast learnt a truth, which needs Experience more than reason, that the world Is full of guilt and misery, and hast known Enough of all its sorrows, crimes and cares, To tire thee of it, enter this wild wood, And view the haunts of Nature. The calm shade Shall bring a kindred calm, and the sweet breeze. That makes the green leaves dance, shall waft a balm To thy sick heart. Thou wilt find nothing here Of all that pained thee in the haunts of men, And made thee loathe thy life. The primal curse Fell, it is true, upon the unsinning earth, But not in vengeance. Misery is wed To guilt. And hence these shades are still the abodes Of undissembled gladness : the thick roof Of green and stirring branches is alive And musical with birds, that sing and sport In wantonness of spirit ; while, below, The squirrel, with raised paws and form erect, Chirps merrily. Throngs of insects in the glade Try their thin wings, and dance in the warm beam That waked them into life. Even the green trees Partake the deep contentment : as they bend To the soft winds, the sun from the blue sky Looks in and sheds a blessing on the scene. Scarce less the cleft-born wild-flower seems to enjoy Existence, than the winged plunderer That sucks its sweets. The massy rocks themselves, The old and ponderous trunks of prostrate trees, That lead from knoll to knoll, a causey rude, Or bridge the sunken brook, and their dark roots, With all their earth upon them ; twisting high Breathe fixed tranquillity. The rivulet Sends forth glad sounds, and, tripping o'er its bed Of pebbly sands, or leaping down the rocks, Seems with continuous laughter to rejoice In its own being. Softly tread the marge, Lest from her midway perch thou scare the wren That dips her bill in water. The cool wind, That stirs the stream in play shall come to thee, Like one that loves thee, nor will let thee pass Ungreeted, and shall give its light embrace. BRYANT. THE ALDER-TREE. [Alnus.* Nat. Ord. Ament iferce ; Linn. Moncec. Tetra.] THE Common Alder (A. glutinosa), is the most aquatic of European trees. It grows to the height of fifty or sixty feet, in favourable situations by the sides of streams, and is a somewhat picturesque tree in its ramification as well as its foliage. It * Generic characters. Scales of the barren catkins, 3-lobed, ;J-flo\vered. Perianth 4-cleft. Scales of the fertile catkin ovate, 2-flowered, coriaceous, persistent. Styles 2, parallel, setiform, deciduous ; stigma simple. Fruit a nut, ovate, 2-celled. Kernel solitary, ovate, acute. Name, Celtic, from al, and Ian, a river bank. D 42 ALDER. is nearly related, in nature rather than in form, to the willow tribe ; it is more picturesque than the latter, and perhaps the most so of any of the aquatic species, except the weeping willow. Gilpin says, that if we would see the Alder in perfection, we must follow the banks of the Mole, in Surrey, through the sweet vales of Dorking and Mickleham, into the groves of Esher. The Mole, indeed, is far from being a beautiful river ; it is a silent and slug- gish stream : but what beauty it has it owes greatly to the Alder, which everywhere fringes its meadows, and in many places forms very pleasing scenes ; especially in the vale between Box Hill and the high grounds of Norbury Park. Spenser probably once reposed under the shade of these trees, as he mentions them in his "Colin Clout's come home again." One day, quoth he, I sate, as was my trade, Under the foot of Mole, that mountain hore, Keeping my sheep among the cooly shade Of the green Alders on the Mulla shore. Some of the largest Alders in England grow in the Bishop of Durham's park, at Bishop Auckland. In speaking of these, Gilpin remarks, that "the generality of trees acquire picturesque beauty by age ; but it is not often that they are suffered to attain this picturesque period. Some use is com- monly found for them long before that time. The oak falls for the greater purposes of man, and the Alder is ready to supply a variety of his smaller wants. An old tree, therefore, of any kind is a curiosity ; and even an Alder, such as those at ALDER. 43 Bishop Auckland, when dignified by age, makes a respectable figure." The Alder grows naturally in Europe from Lap- Specijic character of A. glutinosa. Common Alder. Leaves roundish, cuneate, waved, serrate, glutinous, downy at the branch- ing of the veins beneath. A moderately sized tree, with rugged bark, and crooked, spreading, smooth branches : barren catkins long, pendulous ; fertile ones short, oval. Flowers in March. 44 ALDER. land to Gibraltar, in Asia from the White Sea to Mount Caucasus, and in the north of Africa, as well as being indigenous in England. The flowers bloom in March and April ; they have no gay tints or beauty to recommend them, and consequently afford pleasure only to the botanist or the curious observer of nature. The leaves begin to open about the 7th of April, and when fully expanded are of a deep dull green. The bark being smooth and of a purplish hue, the tree has an agreeable effect among others in all kinds of plantations of the watery tribe. The Alder must have grown to a great size in days of yore ; for Virgil speaks of vessels made of this material : When hollow Alders first the waters tried. And again : And down the rapid Po light Alders glide. Ovid also tells us that Trees rudely hollowed did the waves sustain, Ere ships in triumph ploughed the watery main. Abroad this tree is raised from seed, which is decidedly the best mode, and secures the finest specimens ; though in this country they are gene- rally propagated by layers or truncheons. The best time for planting the latter, is in February or March ; the truncheons being sharpened at the end, the ground should be loosened by thrusting an iron crow into it, to prevent the bark from being ALDER. 45 torn off ; and they should be planted at the least two feet deep. When cultivated by layers, the planting should take place in October, and they will then be ready to transplant in twelve months' time. The Alder is usually planted as coppice wood, to be cut down every five or six years, for conversion into charcoal, which is preferred in making gun- powder. The bark on the young wood is powerfully astringent, and is employed by tanners ; and the young shoots are used for dyeing red, brown, and yellow ; and in combination with copperas, to dye black. It is greatly cultivated in Flanders and Holland for piles, for which purpose it is invalu- able, as when constantly under water, or in moist and boggy situations, it becomes hardened, black as ebony, and will last for ages. On this account it is also very serviceable in strengthening the embankments of rivers or canals ; and while the roots and trunks are preventing the encroachment of the stream, they throw out branches which may be cut for poles every fifth or sixth year, especially if pruned of superfluous shoots in the spring. As Alders in the spring, their boles extend, And heave so fiercely that the bark they rend. VIRGIL, eel. x. Vitruvius informs us, that the morasses about Ravenna were piled with this timber to build upon ; and Evelyn says that it was used in the foundations of Ponte Rialto, over the Grand Canal at Venice. The wood is also valuable for various domestic purposes. 46 ALDER. Besides the common Alder there are introduced at least six other species : 1. A. Glutinosa, already described. 2. Emarginata, leaves nearly round, wedge- shaped, and edged with green. 3. Laciniata, leaves oblong and pinnatifid, with the lobes acute. 4. Quercifolia, leaves sinuated, with the lobes obtuse. 5. Oxyacanthcefolia, leaves sinuated and lobed ; smaller than those of the preceding variety, and somewhat resembling the common hawthorn. 6. Macrocarpa, leaves and fruit larger than those of the species. 7. Foliis variegatis, leaves variegated. THE ASH-TREE. [Fraxinus* Nat. Ord. Oleacece ; Linn. Dian. Monog.] THE Common Ash (F. excelsior], is one of the noblest of our forest-trees, and generally carries its prin- cipal stem higher than the oak, rising in an easy flowing line. Its chief beauty, however, consists * Generic characters. Calyx none, or deeply 4-cleft. Corolla none, or of 4 petals. Perianth single, or none. Fruit a 2-celled, 2-seeded capsule, flattened and foliaceous at the extremity (a samara). Name from ???/, separation, on account of the ease with which the wood may be split. 48 ASH. in the lightness of its whole appearance. Its branches at first keep close to the trunk, and form acute angles with it; but as they begin to lengthen, they commonly take an easy sweep ; and the loose- ness of the leaves corresponding with the lightness of the spray, the whole forms an elegant depending foliage. Nothing can have a better effect than an old Ash hanging from the corner of a wood, and bringing off the heaviness of the other foliage with its loose pendent branches. And yet in some soils, the Ash loses much of its beauty in the decline of age. The foliage becomes rare and meagre ; and its branches, instead of hanging loosely, start away in disagreeable forms ; thus the Ash often loses that grandeur and beauty in old age, which the gene- rality of trees, and particularly the oak, preserve till a late period of their existence. The Ash also falls under the displeasure of the picturesque eye on another account, that is, from its leaf being much tenderer than that of the oak, it sooner receives impressions from the winds and frosts. Instead, therefore, of contributing its tint in the wane of the year among the many-coloured offspring of the woods, it shrinks from the blast, drops its leaf, and in each scene where it predo- minates, leaves wide blanks of desolated boughs, amidst foliage yet fresh and verdant. Before its decay, we sometimes see its leaf tinged with a fine yellow, well contrasted with the neighbouring greens. But this is one of Nature's casual beau- ties. Much oftener its leaf decays in a dark, muddy, unpleasing tint. And yet, sometimes, ASH. 49 notwithstanding this early loss of its foliage, we see the Ash, in a sheltered situation, when the rains have been abundant and the season mild, retain its light pleasant green, when the oak and the elm, in its neighbourhood, have put on their autumnal attire. The leaves of the common Ash were used as fodder for cattle by the Romans, who esteemed them better for that purpose than those of any other tree : and in this country, in various districts, they were used in the same manner. The common Ash is indigenous to northern and central Europe, to the north of Africa, and to Japan. The Romans, it is said, named it Frax- inus, quia facile frangitur, to express the fragile nature of the wood, as the boughs of it are easily broken. It is supposed that the name of Ash has been given to this tree, because the bark of the trunk and branches is of the colour of wood ashes. Some, however, affirm that the word is derived from the Saxon ^Ksc, a pike. It is recorded in the fables of the ancients, that Love first made his arrows of this wood. The dis- ciples of Mars used ashen poles for lances : A lance of tough ground- Ash the Trojan threw, Rough in the rind and knotted as it grew. Virgil says that the spears of the Amazons were formed of this wood, and Homer sings the mighty ashen spear of Achilles : The noble Ash rewards the planter's toil ; Noble, since great Achilles from her side Took the dire spear by which brave Hector died. RAPIN. 50 ASH. It is said, in the Edda, that the Ash was held in high veneration, and that man was formed from its wood. Hesiod, in like manner, deduces his brazen race of men from the Ash. The warlike Ash, that reeks with human blood. There are many remarkable Ash-trees in various parts of the country. One at Woburn Abbey mea- sures at the ground twenty-three feet in circumfer- ence ; at twelve inches from the ground, it is twenty feet ; and fifteen feet three inches at three feet from the ground. It is ninety feet high, and the ground overshadowed by its branches is one hundred and thirteen feet in diameter. The trunk of another, near Kennety Church, in King's County, is twenty- one feet ten inches in circumference, and seventeen feet high, before the branches break out, which are of enormous bulk. There formerly stood in the churchyard of Kilmalie, in Lochaber, an Ash that was considered the largest and most remarkable tree in the Highlands. Lochiel and his numerous kindred and clan held it in great veneration for generations, which is supposed to have hastened its destruction ; it being burnt to the ground by the brutal soldiery in 1746. In one direction its diameter was seventeen feet three inches, and the cross diameter twenty-one feet ; its circumference at the ground was fifty-eight feet ! Trees raised from the keys of the Ash are deci- dedly the best. The " keys," or tongues, should be gathered from a young thriving tree when they begin to fall (which is about the end of October), ASH. 51 Specific characters of F. excelsior. Common Ash. Leaves pinnate, with lanceolate, serrated leaflets: flowers destitute of calyx and corolla. In old trees, the lower branches, after bend- ing downwards, curve upwards at their extremities. Flowers, in loose panicles : anthers large, purple : capsules with a flat leaf- like termination, generally of two cells, each containing a flat oblong seed. This beautiful tree assumes its foliage later than any of our trees, and loses it early. A variety occurs with simple leaves, and another with pendulous branches. Flowers in April and May ; grows in natural woods in many parts of Scotland. 52 ASH. laid to dry, and then sown any time betwixt that and Christmas. They will remain a full year in the ground before they appear ; it is therefore necessary to fence them in, and wait patiently. The Ash will grow exceedingly well upon almost any soil, and indeed is frequently met with in ruined walls and rocks, insinuating its roots into the crevices of decaying buildings, covering the surface with verdure, while it is instrumental in destroying that which yields it support. Its winged capsules are supposed to be deposited in those places by the wind. The Ash asks not a depth of fruitful mould, But, like frugality, on little means It thrives, and high o'er creviced ruins spreads Its ample shade, or in the naked rock, That nods in air, with graceful limbs depends. BIDLAKI:. Southey, in Don Roderick, speaks of the Ash : amid the brook, Gray as the stone to which it clung, half root, Half trunk, the young Ash rises from the rock, And there its parent lifts its lofty head, And spreads its graceful boughs ; the passing wind With twinkling motion lifts the silent leaves, And shakes its rattling tufts. The roots of the Ash are remarkably beautiful, and often finely veined, and will take a good polish. There are also certain knotty excrescences in the Ash, called the brusca, and mollusca, which, when cut and polished, are very beautiful. Dr. Plot, in his History of Oxfordshire mentions a dining-table ASH. 53 made of them, which represented the exact figure of a fish. With the exception of that of the oak, the timber of the Ash serves for the greatest variety of uses of any tree in the forest. It is excellent for ploughs. Tough, bending Ash, Gives to the humble swain his useful plough, And for the peer his prouder chariot builds. DODSLEY. It is also used for axle-trees, wheel-rings, harrows; and also makes good oars, blocks for pulleys, &c. It is of the utmost value to the husbandman for carts, ladders, &c., and the branches are very ser- viceable for fuel, either fresh or dry. The most profitable age for felling the Ash, appears to be from eighty to one hundred years. It will con- tinue pushing from stools or from pollards, for above one hundred years. Though a handsome tree, it ought by no means to be planted for ornament in places designed to be kept neat, because the leaves fall off, with their long stalks, very early in the autumn, and by their litter destroy the beauty of such places ; yet, how- ever unfit for planting near gravel-walks, or plea- sure-grounds, it is very suitable for woods, to form clumps in large parks, or to be set out as standards. It should never be planted on tillage land, as the dripping of the leaves injures the corn, and the roots tend to draw away all nourishment from the ground. Neither should it be planted near pasture ground ; for if the kine eat the leaves or shoots, the butter will become rank, and of little value. 54 ASH. There are many varieties of the common Ash, but that with pendulous branches is probably the best known : it is called the Weeping Ash, and is of a heavy and somewhat unnatural appearance, yet it is very generally admired. The foliage of the Ash-tree becomes of a brown colour in October. Like leaves on trees the race of man is found Now green in youth, now withering on the ground ; Another race the following spring supplies, They fall successive, and successive rise : So generations in their course decay, So flourish these, when those are past away. POPE. There are numerous species of the Ash, but these are so rarely to be met with in this country, that it is not necessary to particularize any of them. THE BEECH-TREE. [Fagus.* Nat. Ord. Amentiferee ; Linn. Moncec. Poly.} THE Common Beech (F. sylvatica), is supposed to be indigenous to England, but not to Scotland or Ireland. According to Evelyn, it is a beautiful as well as valuable tree, growing generally to a greater stature than the Ash : though Gilpin observes, that it does not deserve to be ranked * Generic characters. 'Barren flowers in a roundish catkin. Perianth campanulate, divided into 5 or 6 segments. Stamens 8 to 15. Fertile dowers, 2 together, within a 4-lobed prickly involucre. Stigma 3. Ovaries 3-cornered and 3-celled. Nut by abortion 1 or 2-seeded. Named from fatfa, to eat. 56 BEECH. among timber-trees ; its wood being of a soft, spongy nature, sappy, and alluring to the worm. Neither will Gilpin allow that, in point of pic- turesque beauty, it should rank much higher than in point of utility. Its skeleton, compared with that of the oak, the ash, or the elm, he says, is very deficient ; yet its trunk is often highly pic- turesque, being frequently studded with bold knobs and projections, and having sometimes a sort of irregular fluting about it, which is very character- istic. It has another peculiarity, also, which is somewhat pleasing that of a number of stems arising from the root. The bark, too, wears often a pleasant hue. It is naturally of a dingy olive ; but it is always overspread, in patches, with a variety of mosses and lichens, which are commonly of a lighter tint in the upper parts, and of a deep velvet green towards the root. Its smoothness, also, contrasts agreeably with these rougher ap- pendages. No bark tempts the lover so much to make it the depository of his mistress's name. In days of yore, it seems to have commonly served as the lover's tablet. In Dryden's translation of Virgil's Eclogues, we find the following : Or shall I rather the sad verse repeat, Which on the Beech's bark I lately writ I writ, and sang betwixt. There seems to have been connected with this cus- tom the curious idea, that as the tree increased in growth, so would the words, and also the hopes expressed thereon : The rind of every plant her name shall know, And as the rind extends the love shall grow. BEECH. 57 Our own Thomson, too, narrates that Musidora carved, on the soft bark of a Beech-tree, the con- fession of her attachment to Damon : At length, a tender calm, Hushed, by degrees, the tumult of her soul ; And on the spreading Beech, that o'er the stream Incumbent hung, she, with the sylvan pen Of rural lovers, this confession carved, Which soon her Damon kissed with weeping joy. The branches of the Beech are fantastically wreathed and disproportioned, twining awkwardly among one another, and running often into long unvaried lines, without any of that strength and firmness which we admire in the oak, or of that easy simplicity which pleases in the ash : in short, we rarely see a Beech well ramified. In full leaf, it is unequally pleasing ; it has the appearance of an overgrown bush. Virgil, indeed, was right in choosing the Beech for its shade. No tree forms so complete a roof. If you wish either for shade or shelter, you will find it best Beneath the shade which Beechen boughs diffuse. Its bushiness imparts a great heaviness to the tree, which is always a deformity : A gloomy grove of Beech. Sometimes a light branch issues from a heavy mass ; and though these are often beautiful in themselves, they are seldom in harmony with the tree. They distinguish, however, its character, which will be best seen by comparing it with the elm. The latter 58 BEECH. has a rounder, the former a more pointed foliage ; but the elm is always in harmony with itself. Gilpin can see few beauties in the Beech ; but, in conclusion, he admits that it sometimes has its beauty, and often its use. In distance, it preserves the depth of the forest, and, even on the spot, in contrast, it is frequently a choice accompaniment. In the corner of a landscape, too, when a thick heavy tree is wanted, or a part of one, at least, which is often necessary, nothing answers the pur- pose like the Beech. If we would really appreciate the beauty of this tree, we should walk in a wood of them. In its juvenility, contrary to the generality of trees, the Beech is decidedly the most pleasing, not having acquired that heaviness which Gilpin so loudly complains of. A light, airy young Beech, with its spiry branches hanging in easy forms, is generally beautiful. And, occasionally, the forest Beech, in a dry hungry soil, preserves the lightness of youth in the maturity of age. We must, however, mention its autumnal hues, which are often beautiful. Sometimes it is dressed in modest brown, but commonly in glowing orange ; and in both dresses its harmony with the grove is pleasing. About the end of September, when the leaf begins to change, it makes a happy contrast with the oak, whose foliage is yet verdant. Some of the finest oppositions of tint which, perhaps, the forest can furnish, arise from the union of oak and Beech. We often see a wonderful effect from this combination ; and yet, accommodating as its BEECH. 59 leaf is in landscape, on handling, it feels as if it were fabricated with metallic rigour. The leaves are of a pleasant green, and many Specific character. F. sykdtica. Common Beech. Leaves ovate, indistinctly serrate, smooth, ciliate. A large tree, varying from 60 to 100 feet in height, with smooth bark and spreading branches. Flowers in April and May; grows in woods, par- ticularly on calcareous soils. 60 BEECH. of them remain on the branches during winter. In France and Switzerland, when dried, they are very commonly used for beds, or, instead of straw, for mattresses. Its fruit consists of "two nuts joined at the base, and covered with an almost globular involucre, which has soft spines on the outside, but within is delicately smooth and silky." Beech mast, as it is called, was formerly used for fattening swine and deer. It affords also a sweet oil, which the poor in France are said to eat most willingly. The Beech, of oily nuts Prolific. The Beech abounds especially along the great ridge of chalk-hills which passes from Dorsetshire through Wiltshire, Hampshire, Surrey, Sussex, and Kent ; trenching out into Berkshire, Bucking- hamshire, and Hertfordshire ; and it is also found on the Stroudwater and Cotswold hills in Glouces- tershire, and on the banks of the Wye in Here- fordshire and Monmouthshire. It is particularly abundant in Buckinghamshire, where it forms extensive forests of great magnificence and beauty. It is seldom found mixed with other trees, even when they are coeval with it in point of age. It is rarely found in soil that is not more or less cal- careous ; and it most commonly abounds on chalk. The finest trees in England are said to grow in Hampshire ; and there is a curious legend respect- ing those in the forest of St. Leonard, in that county. This forest, which was the abode of St. Leonard, abounds in noble Beech-trees ; and the BEECH. 61 saint was particularly fond of reposing under their shade ; but, when he did so, he was annoyed during the day by vipers, and at night by the singing of the nightingale. Accordingly, he prayed that they might be removed ; and such was the efficacy of his prayers, that since his time, in this forest, " The viper has ne'er been known to sting, Or the nightingale e'er heard to sing." The wood of this tree, from its softness, is easy of being worked, and is consequently a favourite with the turner. Beechen bowls, curiously carved, were highly prized by the ancient shepherds. In- deed, we learn that their use was almost universal : Hence, in the world's best years, the humble shed Was happily and fully furnished : Beech made their chests, their beds, and the joined stools ; Beech made the board, the platters, and the bowls. And it is still used for dishes, trays, trenchers, &c. And Dodsley informs us that it was used for the sounding-boards of musical instruments. The soft Beech And close-grained box employ the turner's wheel ; And with a thousand implements supply Mechanic skill. We cannot willingly conclude this article without introducing Wordsworth's beautiful description of a solitary Beech-tree, which stood within "a stately fir-grove," where he was not loth To sympathize with vulgar coppice birds, That, for protection from the nipping blast, 62 BEECH. Thither repaired. A single Beech-tree grew Within this grove of firs, and in the fork Of that one Beech appeared a thrush's nest : A last year's nest, conspicuously built At such small elevation from the ground, As gave sure sign that they who in that house Of nature and of love had made their home, Amid the fir-trees all the summer long, Dwelt in a tranquil spot. The principal varieties of the Beech are : 1. Purpurea, the purple Beech, which has the buds and young shoots of a rose colour ; the leaves, when half developed, of a cherry red, and of so dark a purple, when fully matured, as to appear almost black. 2. Foliis variegatis, having the leaves variegated with white and yellow, interspersed with some streaks of red and purple. 3. Pendulata, the weeping Beech, having the branches beautifully pendent. THE BIRCH-TREE. [Betula.* Nat. Ord. Amentiferce ; Linn. Moncec. Poly.] most beautiful Of forest trees, the lady of the woods. COLERIDGE. THE common Birch (B. alba) is a native of the colder regions of Europe and Asia, being found from Iceland to Mount Etna ; in Siberia, as far as * Generic characters. Barren flowers in a cylindrical catkin with ternate scales. Perianth none. Stamens 10 or 12. Fertile flowers in an oblong catkin, with 3-lobed, 3-flowered scales. Perianth none. Styles 2, filiform. Fruit an oblong nut, deci- duous, winged, 1-celled. Kernel solitary. 64 BIRCH. the Altaic mountains ; and also in the Himalayas ; but not in Africa. It is known, at first sight, by the silvery whiteness of its bark, the comparative smallness of its leaves, and the lightness and airi- ness of its whole appearance. It is admirably cal- culated to diversify the scene, forming a pleasing variety among other trees, either in summer or winter. In summer it is covered over with beau- tiful small leaves, and the stem being generally marked with brown, yellow, and silvery touches of a peculiarly picturesque character, as they are characteristic objects of imitation for the pencil, forms an agreeable contrast with the dark-green hue of the foliage, as it is waved to and fro by every breath of air. Only the stem and larger branches, however, have this varied colouring : the spray is of a deep brown, which is the colour, too, of the larger branches, where the external rind is peeled off. As the tree grows old, its bark becomes rough and furrowed ; it loses all its varied tints, and assumes a uniform ferruginous hue. The Birch is altogether raised from roots or suckers, which, being planted at intervals of four or five feet, in small twigs, will speedily rise to trees, provided the soil suit them, and this can- not well be too barren or spongy ; for it will thrive in dry and wet, sandy or stony places, in marshes or bogs. In ancient times, the Birch, whose timber is almost worthless, according to Evelyn, afforded the Old English warriors arrows, bolts, and shafts ; and in modern times, its charcoal forms a principal BIRCH. 65 Specific characters of B. alba. Leaves ovate, deltoid, acute, unequally serrate, nearly smooth. A moderately-sized tree, seldom exceeding fifty feet in height, with a trunk of from twelve to eighteen inches in diameter, with a white outer bark, peeling transversely, the twigs very slender, and more or less drooping. Flowers in April and May ; grows abundantly in extensive natural woods in various parts of the country, particularly in the High- lands of Scotland. 66 BIRCH. ingredient in the manufacture of gunpowder. In spring, the Birch abounds in juices, and from these the rustic housewife makes an agreeable and wholesome wine : as Warton sings : And though she boasts no charm divine, Yet she can carve, and make Birch wine. Pomona's bard says, also, that Even afflictive Birch, Cursed by unlettered idle youth, distils A limpid current from her wounded bark, Profuse of nursing sap. We are informed that a Birch-tree has been known to yield, in the course of the season, a quantity of sap equal to its own weight. It is obtained by inserting, in the early part of spring, a fosset made of an elder stick, with the pith taken out ; and setting vessels, or hanging bladders, to receive the liquor. The sooner it is boiled the better ; so that, in order to procure a sufficient quantity in a short time, a number of trees should be bored on the same day, and two or three fossets inserted in each of the larger trees. Sugar is now commonly used to sweeten it, in the proportion of from two to four pounds to each gallon of liquor. This is allowed to simmer so long as any scum rises, which must be cleared as fast as it appears. It is then poured into a tub to cool, after which it is tunned into a cask, and bunged up when it has done working ; and is ready to be drunk when a year old. As before remarked, the timber of the Birch is BIRCH. 67 of little value ; though in the Highlands, where pine is not to be had, it is used for all purposes. Its stems form the rafters of cabins ; " wattles of the boughs are the walls and the door ; and even the chests and boxes are of this rude basket-work." Light and strong canoes were formerly made of this timber in Britain, and also in other parts of Europe ; and are even now in the northern parts of America. It also makes good fuel; and in Lancashire great quantities of besoms are made for exportation from the slender twigs. The bark is used in Russia and Poland for the covering of houses, instead of slates or tiles ; and anciently the inner white cuticle and silken bark were used for writing-paper. Coleridge describes A curious picture, with a master's haste Sketched on a strip of pinky-silver skin Peeled from the Birchen bark. There is no part of this tree, however, that is not useful for some purpose or other. Even its leaves are used by the Finland women, in forming a soft elastic couch for the cradle of infancy. Gilpin particularly notes a beautiful variety of the White Birch, B. peiidula, sometimes called the Lady Birch, or the Weeping Birch. Its spray being slenderer and^longer than the common sort, forms an elegant pensile foliage, like the weeping willow, and, like it, is put in motion by the smallest breeze. When agitated, it is well adapted to characterize a storm, or to perform any office in landscape which is expected from the weeping willow. This is agreeably described in Wilson's Isle of Palms : 68 BIRCH. on the green slope Of a romantic glade we sate us down, Amid the fragrance of the yellow broom, While o'er our heads the Weeping Birch-tree streamed Its branches, arching like a fountain shower. " A Weeping Birch, at Balloghie, in the parish of Birse, in Aberdeenshire, in 1792, measured five feet in circumference ; but it carried nearly this degree of thickness, with a clear stem, up to the height of about fifty feet, and it was judged to be about one hundred feet high." THE CEDAR OF LEBANON. [Cedrus Libani. Nat. Ord. Coniferce; Linn. Pinus C. Moncec. Monand.] On high the Cedar Stoops, like a monarch to his people bending, And casts his sweets around him. BAEEY CORNWALL. THE Cedar of Lebanon is a majestic evergreen tree, generally from fifty to eighty feet in height, extending wide its boughs and branches ; and its sturdy arms grow in time so weighty, as frequently to bend the very stem and main shaft. Phillips observes, that " this noble tree has a dignity and a general striking character of growth so peculiar to itself, that no other tree can possibly be mis- 70 CEDAR. taken for it. It is instantly recognized by its wide- extending branches, that incline their extremities downwards, exhibiting a most beautiful upper sur- face, like so many verdant banks, which, when agitated by the wind, play in the most graceful manner, forming one of the most elegant, as well as one of the most noble, objects of the vegetable kingdom." The Cedar of Lebanon was formerly supposed to grow nowhere but on that mountain ; but it was discovered, in 1832, on several mountains of the same group, and the probability is, that it extends over the whole of the Tauri mountains. It has also been discovered on the Atlas range of northern Africa. It is generally spoken of as a lofty tree. Milton, in speaking of it, says, Insuperable height of loftiest shade. And Rowe, in his Lucan, alludes to the "tall Cedar's head ;" and Spenser speaks of the " Cedar tall;" and Churchill sings, The Cedar, whose top mates the highest cloud. Notwithstanding these poetical authorities for the loftiness of the Cedar, we are assured by Evelyn, and others, that it is not lofty, but is rather re- markable for its wide-spreading branches. In Prior's Solomon, we read of The spreading Cedar that an age had stood, Supreme of trees, and mistress of the wood, Cut down and carved, my shining roof adorns, And Lebanon his ruined honour mourns. CEDAR. 71 Mason describes it as far-spreading : Cedars here, Coeval with the sky-crowned mountain's self, Spread wide their giant arms. The prophet Ezekiel has given us the fullest description of the Cedar : " Behold the Assyrian was a Cedar in Lebanon, with fair branches, and with a shadowing shroud, and of a high stature ; and his top was among the thick boughs. His boughs were multiplied, and his branches became long. The fir-trees were not like his boughs, nor the chestnut-trees like his branches, nor any tree in the garden of God like unto him in beauty." In this description, two of the principal charac- teristics of the Cedar are marked. The first is, the multiplicity and length of his branches. Few trees divide so many fair branches from the main stem, or spread over so large a com- pass of ground. His boughs are multiplied, as Ezekiel says, and his branches become long, which David calls spreading abroad. The second characteristic is his shadowing shroud. No tree in the. forest is more remarkable than the Cedar for its close-woven leafy canopy. Ezekiel's Cedar is marked as a tree of full and perfect growth, from the circumstance of its top being among the thick boughs. Almost every young tree, and particularly every young Cedar, has what is called a leading branch or two, which con- tinue spiring above the rest till the tree has attained its full size ; then the tree becomes, in the language 72 CEDAR. of the nurseryman, clump-beaded: but, in the lan- guage of eastern sublimity its top is among the thick boughs ; that is, no distinction of any spiry head, or leading branch, appears; the head and the branches are all mixed together. This is generally, in all trees, the state in which they are most perfect and most beautiful. Such is the grandeur and form of the Cedar of Lebanon. Its mantling foliage, or shadowing shroud, as Ezekiel calls it, is its greatest beauty, which arises from the horizontal growth of its branches forming a kind of sweeping, irregular penthouse. And when to the idea of beauty that of strength is added, by the pyramidal form of the stem, and the robustness of the limbs, the tree is complete in all its beauty and majesty. In these climates, indeed, we cannot expect to see the Cedar in such perfection. The forest of Lebanon is, perhaps, the only part of the world where its growth is perfect ; yet we may, in some degree, conceive its beauty and majesty, from the paltry resemblances of it at this distance from its native soil. In its youth, it is often with us a vigorous thriving plant; and if the leading branch is not bound to a pole (as many people deform their Cedars), but left to take its natural course, and guide the stem after it in some irre- gular waving line, it is often an object of great beauty. But, in its maturer age, the beauty of the English Cedar is generally gone ; it becomes shrivelled, deformed, and stunted ; its body in- creases, but its limbs shrink and wither. Thus it never gives us its two leading qualities together. CEDAR. 73 In its youth, we have some idea of its beauty, with- out its strength ; and in its advanced age, we have some idea of its strength, without its beauty. The imagination, therefore, by joining together the two different periods of its age in this climate, may form some conception of the grandeur of the Cedar 74 CEDAR. in its own climate, where its strength and beauty are united. The following particular botanical description of this celebrated tree, is given bj Loudon in his Arboretum : " The leaves are generally of a dark grass green, straight, about one inch long, slender, nearly cylindrical, tapering to a point, and are on foot-stalks. The leaves, which remain two years on the branches, are at first produced in tufts ; the buds from which they spring haying the appearance of abortive shoots, which, instead of becoming branches, only produce a tuft of leaves pressed closely together in a whorl. These buds continue, for several years in succession, to produce every spring a new tuft of leaves, placed above those of the preceding year; and thus each bud may be said to make a slight growth annually, but so slowly, that it can scarcely be perceived to have advanced a line in length ; hence, many of these buds may be found on old trees, which have eight or ten rings, each ring being the growth of one year ; and sometimes they ramify a little. At length, sooner or later, they produce the male and female flowers. The male cat- kins are simple, solitary, of a reddish hue, about two inches long, terminal, and turning upwards. They are composed of a great number of sessile, imbricated stamens, on a common axis. Each stamen is furnished with an anther with two cells, which open lengthwise by their lower part ; and each terminates in a sort of crest, pointing upwards. The pollen is yellowish, and is pro- duced in great abundance. The female catkins are short, erect, roundish, and rather oval ; they change, after fecundation, into ovate oblong cones, which become, at maturity, from two and a half to i.ve inches long. The cones are of a grayish brown, witli a plum -coloured or pinkish bloom when young, which they lose as they approach maturity; they are composed of a series of coriaceous imbricated scales, laid flat, and firmly pressed against each other in an oblique spiral direction. The scales are very broad, obtuse, and truncated at the summit ; very thin, and slightly denticulated at the edge ; and reddish and shining on the flat part. Each scale contains two seeds, each surmounted by a very thin membranous wing, of which the upper part is very broad, and the lower narrow, enveloping the greater part of the CEDAR. 75 seed. The cones are very firmly attached to the branches ; they neither open nor fall off, as in the other Abietinae ; but, when ripe, the scales become loose, and drop gradually, leaving the axis of the cone still fixed on the branch. The seeds are of an irregular, but somewhat triangular form, nearly one and a half inch long, of a lightish brown colour. Every part of the cone abounds with resin, which sometimes exudes from between the scales. The female catkins are produced in October, but the cones do not appear till the end of the second year ; and, if not gathered, they will remain attached to the tree for several years. The Cedar of Lebanon does not begin to produce cones till it is twenty-five or thirty years old ; and, even then, the seeds in such cones are generally imperfect ; and it is not till after several years of bearing, that seeds from the cones of young trees can be de- pended upon. Some Cedars produce only male catkins, and these in immense abundance ; others, only female catkins ; and some both. There are trees of vigorous growth at various places, which, though upwards of one hundred years old, have scarcely ever produced either male or female catkins. The duration of the Cedar is supposed to extend to several centuries." The Cedar is cultivated from seeds and berries. Any climate suits it, provided it meet with a sandy soil ; though it grows better in cold than in warm climates, as its cultivation is more successful in Scotland than in England. The peculiar property of its timber is extremely remarkable, being declared proof against all putre- faction of human or other bodies, serving better than all other ingredients or compositions for em- balming ; thus, by a singular contradiction, giving life as it were to the dead, and destroying the worms which are living, as it does, where any goods are kept in chests and presses of the wood except woollen cloths and furs, which, it is observed, they destroy. Its preservative power is attributed to the bitterness of its resinous juices. The ancients, 76 CEDAR. in praising any literary work, would say, "It is worthy of being cased in Cedar." It is also very durable, it being on record that in the Temple of Apollo, at Utica, there was found timber of near two thousand years old. The most remarkable existing Cedars in this country are at Chelsea, at Enfield, at Chiswick House, at Sion House, at Strathfieldsaye, at Char- ley Wood near Rickmansworth, at Wilton, near Salisbury and at Osgood Hanbury's near Cogges- hall. The largest of these, at Strathfieldsaye, is one hundred and eight feet in height ; diameter of the trunk, three feet, and diameter of the head, seventy-four feet. THE SWEET CHESTNUT-TREE. [Castanea vulgaris. Nat. Ord. Amentiferee ; Linn. Moruzc. Poly.} THE Sweet Chestnut, so called with reference to the fruit, in contradistinction to that of the Horse- Chestnut, which is bitter, is also called the Spanish Chestnut, because the best chestnuts for the table are imported from Spain. In favourable situations, it becomes a magnificent tree, though it never attains a height, or diameter of head, equal to that of the oak. The trunk generally rises erect, form- ing, in all cases, a massy column of wood, in pro- portion to the expansion of the head, or the height 78 SWEET CHESTNUT. of the tree. The branches form nearly the same angle with the trunk as those of the oak ; though in thriving trees the angle is somewhat more acute. If planted in woods, by the road-side, and left un- trimmed, as they should be, they will be feathered to the bottom, and will in summer, in addition to their beautiful appearance, hide the naked stems of other trees which are considered disagreeable objects ; while in autumn, the golden hue of the leaves will heighten the mellow and pleasing effect produced in the woodlands by the variety of hues in the foliage of different trees, which contrast and blend together in one harmonious and pictorial aspect. The Chestnut has been considered indigenous ; but this is the more doubtful, that the tree rarely ripens its fruit, except in a climate that will ripen the grape in the open air. On old trees, the leaves are from four to six inches long ; but on young and vigorous shoots, they are often nearly twelve inches in length, and from three to four inches in breadth. They are of a rich shining green above, and paler beneath. The flowers are produced on the wood of the current year, and are ranged along the common stalk, in lateral sessile tufts. The rate of growth of young trees, in the neighbourhood of London, averages from two to three feet for the first ten or twelve years. The tree will attain the height of from sixty to eighty feet in about sixty years ; but the tree will live for several centuries afterwards, and produce abundance of fruit. The finest trees in England are said to stand on the SWEET CHESTNUT. 79 * Generic characters of the Castanets. Barren flowers in a long cylindrical spike. Perianth 6-cleft. Stamens 8 to 20. Fertile flowers, 3 within a 4-lobed muricated involucre. Stig- mas 3 to 8. Ovary 5 to 8-celled. Nuts 1 or 2, within the enlarged prickly involucre. Specific characters of C. vulgaris. Leaves lanceolate, acutely serrate, smooth beneath; prickles compound and entangled; 80 SWEET CHESTNUT. banks of the Tamer, in Cornwall ; and at Beech- worth Castle, in Surrey, there are seventy or eighty Chestnuts, measuring from twelve to eighteen or twenty feet in girth, and some of them very pic- turesque in form. One, on Earl Durie's estate of Tortworth, in Gloucestershire, is proved to have stood ever since 1150, and to have been then re- markable for its age and size. The Chestnut is cultivated best by sowing and setting : the nuts must, however, be left to sweat, and then be covered with sand ; after having been thus heated for a month, plunge the nuts in water, and reject the swimmers ; then dry them for thirty days, and repeat the process. In November, set them as you would beans, taking care to do it in their husks. This tree will thrive in almost all soils and situations, though it succeeds best in rich loamy land. Nothing will thrive beneath its shade. Among mast-bearing trees this is said to be the most valuable ; since the nuts, when ripened in southern climates, are considered delicacies for princes. In this country, however, where they rarely come to maturity, they fall to the lot of hogs and squirrels. The trees cultivated for fruit are generally grafted; and, in several parts of South Europe, the peasantry are mainly supported by bread made of the nut-flour. In Italy, in Virgil's time, they ate them with milk and cheese : Chestnuts, and curds and cream shall be our fare. And again, in his second Pastoral, thus translated by Dryden : SWEET CHESTNUT. 81 Myself will search our planted grounds at home, For downy peaches and the glossy plum ; And thrash the Chestnuts in the neighbouring grove, Such as my Amaryllis used to love. The timber of the Chestnut is strong and very durable ; but it is often found decayed at the core, and, in working, is very brittle. The wood is pre- ferred for the manufacture of liquor tubs and vessels, as it does not shrink after being once seasoned. This tree is now, however, chiefly grown for hop-poles, which are the straightest, tallest, and most durable. Though cut at an early age for this purpose, the trees are frequently orna- ments of our parks and pleasure-grounds. THE ELM-TREE. [Ulmus.* Nat. Ord. Ulmacece; Linn. Pentand. Digy.] There stood tlie Elme, whose shade, so mildly dim, Doth nourish all that groweth under him. W. BROWNE. THE Common Elm (U, campestris), after having assumed the dignity and hoary roughness of age, is not excelled in grandeur and beauty by any of its brethren. In this latter stage, it partakes so much of the character of the oak, that it is easily * Generic characters of the Ulmi. Calyx campanulate, infe- rior, 4 to 5-cleft, persistent. Corolla none. Fruit a membran- ous, compressed, winged capsule (a samara), 1-seeded. ELM. 83 mistaken for it ; though the oak such an oak as is strongly marked with its peculiar character can never be mistaken for the Elm. " This defect, however," says Gilpin, " appears chiefly in the skeleton of the Elm. In full foliage, its character is better marked. No tree is better adapted to receive grand masses of light. In this respect, it is superior both to the oak and the ash. Nor is its foliage, shadowing as it is, of the heavy kind. Its leaves are small, and this gives it a natural light- ness ; it commonly hangs loosely, and is in general very picturesque." The Elm is not frequently met with in woods or forests, but is more commonly planted in avenues or other artificial situations. Cowper very accu- rately sketches the variety of form in the Elm, and alludes to the different sites where they are to be found. In the Task, he first introduces them rearing their lofty heads by the river's brink : There, fast rooted in his bank, Stand, never overlooked, our favourite Elms, That screen the herdsman's solitary hut. Then he gives us an enchanting scene, where a lowly cot is surrounded by them : 'Tis perched upon the green hill-top, but close Environed with a ring of branching Elms, That overhang the thatch. He then introduces us to a grove of Elms : The grove receives us next ; Between the upright shafts of whose tall Elms We may discern the thrasher at his task. 84 ELM. The Elm is frequently referred to by the poets. Wordsworth thus speaks of a grove of them : Upon that open level stood a grove, The wished-for port to which my course was bound. Thither I came, and there, amid the gloom Spread by a brotherhood of lofty Elms, Appeared a roofless hut. In The Church Yard among the Mountains, he introduces one that seems to be the pride of the village : A wide-spread Elm Stands in our valley, named the JOYFUL TKEE ; From dateless usage which our peasants hold Of giving welcome to the first of May, By dances round its trunk. And again : The JOYFUL ET M, Around whose trunk the maidens dance in May. Dr. Hunter supposes that the Elm is a native of England. Philips, however, does not agree with this ; but, admitting that the tree was known in England as early as the Saxon times, observes, that this does not prove the Elm to be indigenous to the soil, confuted as it is by Nature, which rarely allows it to propagate its species in this country according to her common rules ; while in other countries, where the seed falls, young plants spring up as commonly as the oaks in Britain. In favourable situations, the common Elm be- comes a large timber tree, of considerable beauty and utility, naturally growing upright. It is the first tree to put forth its light and cheerful green ELM. in spring, a tint which contrasts agreeably with the foliage of the oak, whose leaf has generally, Specific characters of U. campestris. Leaves rhomboid-ovate, acuminate, wedge-shaped, and oblique at the base, always scabrous above, doubly and irregularly serrated, downy beneath ; serratures incurved. Branches wiry, slightly corky ; when young, bright brown, pubescent. Fruit oblong, deeply cloven, naked. 86 ELM. in its early state, more of an olive cast. We see them often in fine harmony together about the end of April and the beginning of May. The Elm is also frequently found planted with the Scotch fir. In spring, its light green is very discordant with the gloomy hue of its companion ; but as the year advances, the Elm leaf takes a darker tint, and unites in harmony with the fir. In autumn also, the yellow leaf of the Elm mixes as kindly with the orange of the beech, the ochre of the oak, and many of the other fading hues of the wood. The Elm was considered by the ancients of Eastern nations as a funereal tree, as well as the cypress. It is celebrated in the Iliad, for having formed a hasty bridge, by which Achilles escaped the Xauthus, when that river, by its overflowing, placed him in danger of being carried away. It has been suggested that the Romans probably in- troduced it, and planted it on the graves of their departed heroes. It was well known among the Latins. Virgil says, that the husbandmen bent the young Elm, whilst growing, into the proper shape, for their buris or plough-tail : Young Elms with early force in copses bow, Fit for the figure of the crooked plough. DKYDEN. The Romans esteemed the Elm to be the na- tural support and friend of the vine ; and the feel- ing that a strong sympathy subsisted between plants, led them never to plant one without the other. The gravest of Latin authors speak of the ELM. 87 Elm as husband of the vine ; and Pliny tells us, that that Elm is a poor spouse that does not sup- port three vines. This mode of marrying the vine to the Elm gave rise to the elegant insinuation of Vertumnus to Pomona, whose story may be found in Ovid : " If that fair Elm," he cried, " alone should stand, No grapes would glow with gold, and tempt the hand : Or, if that vine without her Elm should grow, 'T would creep a poor neglected shrub below." This union of the vine and the Elm is constantly alluded to by the poets. Tasso, as translated by Fairfax, says, The married Elm fell with his fruitful Tine. The lofty Elm with creeping vines o'erspread. OVID. Milton, narrating the occupations of Adam and Eve before the fall, sings, They led the vine To wed her Elm ; she, spoused, about him twines Her marriageable arms, and with her brings Her dower, the adopted clusters, to adorn His barren leaves. And Beaumont says, The amorous vine Did with the fan* and straight-limbed Elm entwine. And Wordsworth, in that beautiful reflection, the Pillar of Trajan, speaks of it : So, pleased with purple clusters to entwine Some lofty Elm-tree, mounts the daring vine. CO ELM. There is a beautiful group of Elms at Monge- well, Oxon, which are in full vigour. The princi- pal one is seventy-nine feet high, fourteen feet in girth at three feet from the ground, sixty-five in extent of boughs, and contains two hundred and fifty-six feet of solid timber. Strutt informs us, that, in 1830, Dr. Barrington, the venerable Bishop of Durham, when in his ninetieth year, erected an urn in the midst of their shade, to the memory of two of his friends ; inscribing thereon the following classical fragment : In this once-favoured walk, beneath these Elms, Where thickened foliage, to the solar ray Impervious, sheds a venerable gloom, Oft in instructive converse we beguiled The fervid time, which each returning year To friendship's call devoted. Such things were ; But are, alas ! no more. The Chipstead Elm, in Kent, which is an Eng- lish tree, is a fine specimen ; and is of an immense size. It is beautiful as to form, and its trunk is richly mantled with ivy. In Henry V. 's time, the high road from Rye to London passed close by it, and a fair was held annually under its branches. At Sprotborough, Yorkshire, stands what is justly regarded as the pride of the grounds a magnificent English Elm. This noble tree is about fifteen feet in circumference in the bole, and still thicker at the height of four feet from the ground, where it divides into five enormous boughs, each of the size of a large tree, and gracefully descend- ing to the ground ; the whole forming a splendid ELM. 89 mass of foliage, having a diameter of about forty yards from bough to bough end. The Elm is generally raised by means of suckers, rarely from seeds. It delights in a rich, loamy soil, thriving best in an open situation, and bears transplantation well. It may also be planted in good pasture grounds, as it does not injure the grass beneath ; and its leaves are agreeable to cattle, which iu some countries are chiefly sup- ported by them. They will eat them before oats, and thrive well upon them. Evelyn says, that in Herefordshire the inhabitants gathered them in sacks for their swine and other cattle. Fruitful in leaves the Elm. So prolific is this tree in leaves, that it affords a constant shade during the summer months, and for this reason it has been planted in most of the pub- lic and royal gardens in Europe. It is also of quick growth, as it will yield a load of timber in little more than forty years : it does not, however, cease growing if planted in a favourable situation neither too dry nor too moist till it is one hundred or one hundred and fifty years old ; and it will live several centuries. The wood of the Elm is hard and tough, and is greatly esteemed for pipes that are constantly un- der ground. In London, before iron pipes were used, the consumption of this timber for water- pipes was enormous. It is also valuable for keels, and planking beneath the water-line of ships, and for mill-wheels and water-works. When long bows 90 ELM. were in fashion it was used in their manufacture, and the Statutes recommend it for that purpose. Besides U. campestris there are six other varieties which have been long naturalized in this country, the botanical descriptions of which are : 2. U. suberosa. Ehr. Leaves nearly orbicular, acute, obliquely cordate at the base, sharply, regularly, and doubly serrate ; always scabrous above, pubescent below, chiefly hairy in the axillae. Branches spreading, bright brown, winged with corky excrescen- ces; when young, very hairy. Fruit nearly round, deeply cloven, naked. Grows in hedges, and flowers in March. 3. U. major. Smith. Leaves" ovato-acuminate, very oblique at the base, sharply, doubly, and regularly serrate ; always scabrous above, pubescent below, with dense tufts of white hairs in the axillae. Branches spreading, bright brown, winged with corky excrescences ; when young, nearly smooth. Fruit obovate, slightly cloven, naked. U. . hollandica. Miller. Grows in hedges, and flowers in March. 4. U. carpinifolia. Lindl. Leaves ovato-acuminate, coriace- ous, strongly veined, simply crenate, serrate, slightly oblique and cordate at the base, shining, but rather scabrous above, smooth beneath. Branches bright-brown, nearly smooth. Grows four miles from Stratford-on-Avon, on the road to Alcester. 5. U. glabra. Miller. Leaves ovato-lanceolate, acuminate, doubly and evenly crenate-serrate, cuneate and oblique at the base, becoming quite smooth above, smooth or glandular beneath, with a few hairs in the axillae. Branches bright-brown, smooth, wiry, weeping. Fruit obovate, naked, deeply cloven. 0. glan- dulosa. Leaves very glandular beneath, y. latifolia. Leaves oblong, acute, very broad. Grows in woods and hedges ; p. near Ludlow; y. at West Hatch, in Essex. Flowers in March. N.B. To this species the Downton Elm and Scampston Elm of the nurseries probably belong. 6. U. stricta. Lindl. Cornish Elm. Leaves obovate, cuspi- date, cuneate at the base, evenly and nearly doubly crenate-ser- rate, strongly veined, coriaceous, very smooth and shining above, smooth beneath, with hairy axillae. Branches bright-brown, smooth, rigid, erect, very compact. ft. paroifolia. Leaves much smaller, less oblique at the base, finely and regularly crenate, ELM. 91 acuminate rather than cuspidate. Grows in Cornwall and North Devon ; /3. the less common. 7. U. montana. Bauh. Witch Elm. Leaves obovate, cuspi- date, doubly and coarsely serrate, cuneate and nearly equal at the base, always exceedingly scabrous above, evenly downy beneath. Branches not corky, cinereous, smooth. Fruit rhomboid, oblong, scarcely cloven, naked. U.campestris. "Willd. U.effusa. Sibth., not of others. U. nuda. Chr. U. glabra, Hudson, ac- cording to Smith. N. B. Of this, the Giant Elm and the Chi- fhester Elm of the nurseries are varieties. THE HAWTHORN-TREE. [Cratcegus.* Nat. Ord. Rosacece; Linn. Icosand. Pentag.] The Hawthorn bush, with seats beneath the shade, For talking age and whispering lovers made, HIGH as we admit Gilpin's taste for the picturesque to be, we are compelled to differ from him in his opinion of the Hawthorn. He observes that it has little claim to picturesque beauty ; he complains that its shape is bad, that it does not taper and point like the holly, but is a matted, round, and * Crat(B, and t)fll trff, which appellation was pro- bably given to it on account of its use in holy places; the German name, Christdorn, the Danish name, Christorn, and the Swedish name, Christtorn, seem to justify this conjecture. It is also styled Holy in a carol written in its praise in the time of Henry VI., preserved in the Harleian MSS., No. 5396, and printed in London's Arboretum : 108 HOLLY. Nay, Ivy, nay, it shall not be I wys ; Let Holy hafe the maystry, as the maner ys, Holy stond in the halle, fayre to behold ; Ivy stond without the dore; she is full sore a cold. Holy and hys mery men they dansyn and they syng, Ivy and hur maydenys they wepyn and they wryng. Ivy hath a lybe ; she laghtit with the cold, So mot they all hafe that wyth Ivy hold. Holy hath berys as red as any rose, They foster the hunter, kepe him from the doo. Ivy hath berys as black as any slo ; Ther com the oule and etc hym as she goo. Holy hath byrdys, aful fayre flok, The nyghtyngale, the poppyngy, the gayntyl laverok, Good Ivy ! what byrdys ast thou ! Non but the Howlet that "How! How!" The disciples of Zoroaster believe that the sun never shadows the Holly tree ; and there are still some followers of this king in Persia, who throw water which has been in the bark of the Holly in the face of new-born children. Southey, in a very elegant poem, which is printed in the Sentiment of Flowers, in the article entitled Foresight, of which quality the Holly is considered emblematical, has noticed the circumstance of the lower leaves of large plants being spinous, while the upper are entire. THE HORNBEAM. [Carpinus.* Nat. Ord. Ameniiferce ; Linn. Moncec. Polyan.] THE Common Hornbeam, C. betulus, is a native of England and Ireland, and of the south of Scotland, and is also indigenous throughout the greater part of Europe and western Asia, but not in Africa. Picturesquely considered, the Hornbeam is very nearly allied to the beech. When suffered to grow it will be like it, and attain to a great height, with * Carpinus. Barren catkin long, cylindrical. Scales roundish. Stamens 5 to 14. Anther 1-celled. Fertile flower in a lax cat- kin. Scales large, leaf-like, 3-lobed, 2-ttowered. Styles 2. Nut ovate, 1-seeded. 110 HORNBEAM. a fine straight trunk ; it is very common in many parts of England, but is rarely allowed to become a timber tree, being generally pollarded by the country people. It is, therefore, usually seen only in clipped hedges, where it is very obedient to the knife, and, with a little care, will never presume to appear out of form. It is excellent for forming tall hedges, or screens, in nursery grounds or or- namental gardens. That admirable espaliere hedge in the long middle walk of Luxemburg garden at Paris (than which there is nothing more graceful), is planted of this tree ; and so is that cradle, or close walk, with that perplexed canopy which covers the seat in her Majesty's garden at Hamp- ton Court ; these hedges are tonsile, but where they are maintained to fifteen or twenty feet in height (which is very frequent in the places before mentioned), they are to be cut and kept in order with a scythe of four feet long, and very little fal- cated ; this is fixed on a long sneed, or straight handle, and does wonderfully expedite the trim- ming of these and the like hedges. The leaves of the Hornbeam somewhat resemble those of the elm, but are smoother; they are cordate, doubly serrate, pointed, plaited when young, and have numerous parallel, transverse, hairy ribs ; their colour is a darkish green, changing to a rus- set brown in autumn, and they remain on the tree, like those of the beech, till spring. The buds are rather long and pointed. The flowers appear at the same time as the leaves. The male catkins are loose, scaly, of a yellowish colour, and about HORNBEAM. Ill two or three inches long ; the female catkins are much smaller, and, when young, are covered with close brownish scales, which gradually increase, and form unequally three-lobed, sharply serrated, veiny, dry, pale-green bracts, each enveloping an Leaves and Flowers of C. betulus. 112 HORNBEAM. angular nut, scarcely bigger than a grain of barley. These nuts ripen in October, and fall with the cap- sules. The bark of the Hornbeam is light-gray and smooth, and the wood very white, tough, and strong. It is used for yokes, handles for tools, and cogs for mill-wheels ; it is also much valued by the turner. It is very inflammable, and will burn like a candle, for which purpose it was formerly employed. The inner bark is much used in the north of Europe for dyeing yellow. When raised from seed, the common Hornbeam acquires the usual magnitude of the beech, to which, as before stated, it is similar in its ap- pearance. In the neighbourhood of London the rate of growth may be considered from twelve to eighteen inches a-year for the first ten years, and the tree will attain its full size in between fifty and sixty years ; its longevity may be considered as equal to that of the beech. Hanbury says that this tree is peculiarly grateful to hares and rabbits ; and if so, the planting of it among other trees and shrubs might be the means of saving them from being injured by these creatures. The Hornbeam preserves itself from the butting of the deer, by its mode of throwing out its branches ; on this account it should be cultivated in parks, as well as for its beauty and shelter. The regular growth of the Hornbeam is referred to by Fawkes, in his Bramham Park : Here spiry firs extend their lengthened ranks, There violets blossom on the sunny banks ; Here Hornbeam hedges regularly grow, There hawthorn whitens and wild roses blow. HORNBEAM. 113 The Hornbeam is recommended to be planted on cold, barren hills, as in such situations it will flourish where few other trees will grow ; it also resists the winds much better than the generality of trees, and, at the same time, it is not slow of growth. In such situations, Dr. Hunter observes that he noticed some specimens nearly seventy feet high, having large, noble stems, perfectly straight and sound. There was a fine specimen of this tree at Bar- goly, in Galloway, which measured, in 1780, six feet two inches in circumference. It had twenty feet of clear trunk, and was seventy feet high. THE HORSE-CHESTNUT TREE. [JEsculus. Nat. Ord. JEsculacece; Linn. Heptan. Monog.] THE Common Horse-chestnut, JE. hippocastanum, is supposed to be a native of the north of India, and appears to have been introduced into England about the year 1575. It is a tree of the largest size, with an erect trunk and a pyramidal head. It forms its foliage generally in a round mass, with little appearance of those breaks which are so much to be admired, and which contribute to give an airiness and lightness, at least a richness and variety, to the whole mass of foliage. This tree is, HORSE-CHESTNUT. 115 however, chiefly admired for its flower, which in itself is beautiful ; but the whole tree together in flower is a glaring object, totally unharmonious and unpicturesque. In some situations, indeed, and amidst a profusion of other wood, a single Horse-chestnut or two in bloom may be beautiful. As it forms an admirable shade, it may be of use, too, in thickening distant scenery, or in screening an object at hand ; for there is no species of foli- age, however heavy, nor any species of bloom, however glaring, which may not be brought, by some proper contrast, to produce a good effect. It is generally, however, considered one of the most ornamental trees in our plantations. Evelyn styles it a tree of singular beauty and use ; and Miss Twamley, in her elegant volume, the Romance of Nature, breaks into raptures in speaking of it. "Few trees," she says, "are so magnificent in foliage as the Horse-chestnut, with its large fan- like leaves, far more resembling those of some tropical plant than the garb of a forest tree in climes like ours ; but when these are crowned with its pyramids of flowers, so splendid in their distant effect, and so exquisitely modelled and pencilled when we gather and examine their fair forms is it not then the pride of the landscape ? If the Oak the true British Oak be the forest king, let us give him at least a partner in his majesty ; and let the Chestnut, whose noble head is crowned by the hand of spring with a regal diadem, gemmed with myriads of pearly, and golden, and ruby flowers, let her be queen of the woods in bonny 116 HORSE-CHESTNUT. England ; and while we listen to the musical hum of bees, as they load themselves with her wealth of honey, we will fancy they are congratulating their noble and generous friend on her new honours." The leaves of the Horse-chestnut are large, of a deep green colour, fine, and palmated, and appear very early in the spring ; it is naturally uniform in its growth. In the spring it produces long spikes, with beautiful flowers white and variegated, gene- rally in such number as to cover the whole tree, and to give it the appearance of one gigantic bouquet. No flowering shrub is rendered more gay by its blossoms than this tall tree ; thus it combines beauty with grandeur, in a degree superior to any other vegetable of these climates. In Howitt's Forest Minstrel, we find the following poetical allusion : For in its honour prodigal nature weaves A princely vestment, and profusely showers, O'er its green masses of broad palmy leaves, Ten thousand waxen pyramidal flowers ; And gay and gracefully its head it heaves Into the air, and monarch-like it towers. The buds of this tree, before they shoot out leaves, become turgid and large, so that they have a good effect to the eye long before the leaves ap- pear ; and it is peculiar to the Horse-chestnut, that as soon as the leading shoot is come out of the bud, it continues to grow so fast as to be able to form its whole summer's shoot in about three weeks' or a month's time: after this it grows little or nothing more in length, but thickens, and be- comes strong and woody, and forms the buds for HORSE-CHESTNUT. 117 the next year's shoot ; the leaves are blunt, spear- shaped, and serrated, growing by sevens on one stalk, the middle one longest. The flowers are in full blossom about May, and, on fine trees, make 118 HORSE-CHESTNUT. a pleasing appearance ; they continue in bloom for a month or more. In June that Chestnut shot its blossomed spires Of silver upward 'mid the foliage dark ; As if some sylvan deity had hung Its dim umbrageousness with votive wreaths. Thus, Mr. Moir's Horse-chestnut put forth its bloom in June. The fruit ripens about the end of September or the beginning of October. We quote the following singular fact from the Magazine of Natural History: " The downy interior of the Horse-chestnut buds are protected from the wet by a covering of a gummy substance. Miss Kent says, ' that we cannot have a better specimen of the early formation of plants in their bud than in that of the Horse-chestnut.' A celebrated Ger- man naturalist detached from this tree, in the winter season, a flower bud not larger than a pea, and first took off the external covering, which he found consisted of seventeen scales ; having re- moved these scales, and the down which formed the internal covering of the bud, he discovered-four branch leaves surrounding a spike of flowers, the latter. of which was so distinctly visible, that, with the aid of a microscope, he not only counted sixty- eight flowers, but could discei'n the pollen of the stamens, and perceive that some were opaque and some transparent. This experiment may be tried by any one, as the flowers may be perceived with a common magnifying glass ; but as detaching the scales requires care, it would be advisable for an HORSE-CHESTNUT. 119 unpractised student to gather the bud in early spring, when the sun is just beginning to melt away the gum with which the scales are sealed together." The Horse-chestnut is extremely well adapted to parks, not only because it grows to a large size and forms a beautiful regular head, thereby be- coming a pleasing object at a distance, but also on account of the quantity of nuts it yields, which are excellent food for deer, so that where great num- bers of deer are kept, the planting of these trees in abundance is to be recommended. It is also very suitable for avenues, or walks, though it has been objected that its leaves fall early in the autumn. This must be admitted ; yet we think it fully compensates for the loss by the exhibition of its light-brown nuts, some on the ground, some ready to fall, and others just peeping out of their cells. The finest avenue of these trees in England is that at Bushy Park. There are many fine specimens of this tree in various parts of the country. In Suffolk, at Fin- borough Hall, one, eighty years planted, is one hundred feet high ; the diameter of its trunk, at one foot from the ground, is five feet. In the church-yard at Bolton-on-Dearne, in Yorkshire, there are some fine specimens ; one sixty-six feet high, and two feet eight inches in diameter at the ground ; and another sixty-eight feet high, and two feet six inches in diameter. But the largest in Britain is said to be at Trocton, in Lincolnshire, fifty-nine feet high. Loudon says this is a most 120 HORSE-CHESTNUT. magnificent tree, with immense branches extend- ing over the space of three hundred and five feet in circumference ; and the branches are so large as to require props, so that at a little distance it looks like an Indian banyan tree. The Horse-chestnut is propagated from the nut, of which a sufficient quantity should be gathered as they fall from the trees, and soon afterwards either sown or mixed up with earth, until the spring ; because, if exposed to the atmosphere, they will lose their germinating power in a month. After being transplanted into the nursery, and having there attained a sufficient size, the young trees must be taken out with care, the great side shoots and bruised parts of the roots lopped off, and then planted in large holes, level with the sur- face of the ground at the top of their roots, the fibres being all spread and lapped in the fine mould, and the turf also worked to the bottom : October is the best season for this work. Like most other trees, this delights in good fat land, but it will grow exceedingly well on clayey and marly grounds ; large trees have been known to look luxuriant and healthy in very cold barren earth. It will attain a very large size in a few years. The timber of this tree is not very valuable, especially where great strength is required, nor will it bear exposure to the air. It is, however, of some use to the turner, and also serviceable for flooring, linings to carts, &c. Du Hamel recom- mends it as suitable for water-pipes, which are kept constantly underground. The fruit is of a farina- HORSE-CHESTNUT. 121 ceous quality, but so bitter as to be useless for food. Goats, sheep, and deer are said to be very fond of them ; the bark has considerable astrin- gency, and may be used for tanning leather. A decoction of the rind will dye the hair of a golden hue. THE LARCH-TREE. [Abies Larix* Nat. Ord. Coniferce ; Linn. Monccc. Monand. \ THE Larch claims the Alps and Apennines for its native country, where it thrives in higher re- gions of the air than any known tree of its large bulk, hanging over rocks and precipices which have never been trod by human feet. It is often felled by the Alpine peasant, to fall athwart some yawning chasm, where it affords an awful passage from cliff to cliff, while the roaring cataract below, is only seen in surges of vapour. * Abies Larix. Lind. Pinnis L. Linn. L. Europaea. Loud, LARCH. 123 The Larch is first mentioned as growing in Eng- land in 1629, but it did not become plentiful in nurseries until 1759. It is stated, in the Transac- tions of the Highland Society (vol. xi. p. 169), that it was first planted as a forest tree at Goodwood, the seat of the Duke of Richmond, near Chiches- ter ; but it was not until after 1784, on the Society of Arts offering gold medals and premiums for its cultivation, that it became generally planted. The following are some of the largest numbers of trees planted about that time by the respective parties : The Bishop of Llandaff, 48,500, on the high grounds near Ambleside, in Westmoreland ; W. Mellish, Esq. of Blythe, 47,500 ; George Wright, Esq. of Gildingwells, 11,573 ; and the late Earl of Fife, 181,813, in the county of Moray, in Scotland. The same spirit for planting this tree has continued to the present time, wherever the land has not been thought more valuable for other purposes. In 1820 the Society for promoting Arts, &c., presented his Grace the Duke of Devonshire with the gold medal, for planting 1,981,065 forest trees, 980,128 of which were Larch. Of the introduction of the Larch into Scotland, it is stated by Headrick, in his Survey of Forfar- shire: "It is generally supposed that Larches were brought into Scotland by one of the Dukes of Athol ; but I saw three Larches of extraordinary size and age, in the garden near the mansion-house of Lockhart of Lee, on the northern banks of the Clyde, a few miles below Lanark. The stems and branches were so much covered with lichens, that 124 LARCH. they hardly exhibited any signs of life or vegeta- tion. The account I heard of them was, that they were brought there by the celebrated Lock- hart of Lee (who had been ambassador from Crom- well to France), soon after the restoration of Charles II. (about 1660). After Cromwell's death, thinking himself unsafe on account of having served the usurper, he retired for some time into the territories of Venice ; he there observed the great use the Venetians made of Larches in ship- building, in piles for buildings, in the construction of their houses, and for other purposes ; and when he returned home, he .brought a great number of large plants, in pots, in order to try if they could be gradually made to endure the climate of Scotland. He nursed his plants in hot-houses, and in a green- house, sheltered from the cold, until they all died except the three alluded to. These, in despera- tion, he planted in the warmest and best sheltered part of his garden, where they attained an extra- ordinary height and growth." The Common Larch, A. Larix, may be de- scribed as " a tree, rising in favourable situations on the Alps, and also in Britain, from eighty to one hundred feet in height, with a trunk from three to four feet in diameter, and having a conical head. Branches subverticillate, and spreading horizontally from the straight trunk ; occasionally, however, rather pendulous, particularly when old. Branch- lets more or less pendulous. Leaves linear, soft, blunt, or rounded at the points, of an agreeable light green colour ; single or fasciculated ; in the LARCK. 125 latter case many together round a central bud ; spreading, and slightly recurved. Male catkins without foot-stalks, globular, or slightly oblong, of a light yellow colour; and, together with the female catkins, or young cones, appearing in April Foliage, Catkins ; immature and perfect Cones ; and Scale opened showing the Seeds of L. Europaea. 1 26 LARCH, and the beginning of May ; the latter varying from a whitish to a bright red colour. Cones of an ob- long, ovate shape, erect, full one inch in length, and of a brownish colour when ripe. Scales per- sistent, roundish, striated, and generally slightly waved, but not distinctly notched on the margin. Bracts generally longer than the scales, particularly towards the base of the cones. Seeds of an irregu- lar or ovate form, fully one-eighth of an inch long, and more than half-surrounded by the smooth, shining, persistent pericarp. Cotyledons five to seven." LawsorCs Manual. In the Memoirs of the Royal Society of Agriculture at Paris, for the year 1787, there is an Essay by M. le President de la Tour d'Aigues, on the culture of the Larch, in which it is celebrated as one of the most useful of all timber trees. He tells us that in his own garden he has rails which were put up in the year 1743, partly of oak and partly of Larch. The former, he says, have yielded to time, but the latter are still sound. And in his Castle of Tour d'Aigues he has Larchen beams of twenty inches square, which are sound, though above two hun- dred years old. The finest trees he knows of this kind, grew in some parts of Dauphiny, and in the forest of Baye, in Provence, where there are Larches, he tells us, which two men cannot encom- pass. The timber is valuable for many purposes. It is said, that old dry Larch will take such a polish as to become almost transparent, and that, in this state, it may be wrought into very beautiful wains- LARCH. 127 cot. In our encomium of the Larch, we must not omit that the old painters used it, more than any other wood, to paint on, before the use of canvas became general. Many of Raphael's pictures are painted on boards of Larch. It is also used by the Italians for picture-frames, because no other wood gives gilding such force and brilliancy. We are told that this is the reason why their gilding on wood is so much superior to ours. In Switzerland they cover the roofs of their houses with shingles made of Larch. These are usually cut about one foot square and half an inch in thickness, which they nail to the rafters. At first the roof appears white, but in the course of two or three years it becomes as black as coal, and all the joints are stopped by the resin which the sun extracts from the pores of the wood. This shining varnish renders the roof impenetrable to wind or rain : this is the chief covering, and, some say, an incombustible one. From the Larch, too, is extracted what is commonly called Venice turpen- tine. This substance, or natural balsam, flows at first without incision ; when it has done dropping the poor people make incisions, at about two or three feet from the ground, into the trunk of the trees, and into these they fix narrow troughs, about twenty inches long ; the end of these troughs is hollow, like a ladle, and in the middle is a small hole bored for the turpentine to run into a receiver which is placed below it. The people who gather it, visit the tree, morning and evening, from the end of. May to September, to collect the turpen- 1#0 LARCH. tine out of the receivers. When it flows out of the tree the turpentine is clear like water, and of a yellowish white ; but as it becomes older it thickens, and changes to a citron colour. It is procured in great abundance in the neighbourhood of Lyons, and in the valley of St. Martin, near Lucerne, Switzerland. It is only after the tree has attained the thickness of ten or twelve inches in diameter, that it is thought worth while to col- lect the turpentine ; and if the tree remain in vigorous growth, it will continue, for forty or fifty years, to yield annually seven or eight pounds of turpentine. The cones of the Larch, intended for seed, ought to be gathered towards the latter end of Novem- ber, and then kept in a dry place till the following spring, when, being spread on a cloth and exposed to the sun, or laid before the fire, the scales will open and shed their seed. These should be sown on a border exposed to the east, where they will be affected by the morning sun only, as the plants do not prosper so well where the sun lies much on them. In autumn the young plants may be pricked out into other beds, as soon as they have shed their leaves, at the distance of six inches each way. In two years the young trees will be ready to plant where they are intended to stand ; then they need not be more than eight or ten feet apart from each other, but at less distance on exposed situations. It is now well known, that the Larch will grow in wild and barren situations better than in a luxu- riant soil ; and this tree is even apt to grow top- LARCH. 129 heavy in too much shelter and nourishment. No tree has been introduced into Britain with such remarkable success as the Larch. Phillips says, " The face of our country has, within the last thirty years, been completely changed by the numerous plantations of Larch that have sprung up on every barren spot of these kingdoms, from the southern shores to the extremity of the north, aud from the Laud's End to the mouth of the Thames. So great has been the demand for young trees of this species of pine, that one nurseryman in Edinburgh raised above five million of these trees in the year 17U6. We have introduced no exotic tree that has so greatly embellished the country in general. Its pale and delicate green, so cheerfully enlivening the dark hue of the fir and the pine, and its ele- gant spiral shape, contrasting with the broad spreading oak, is a no less happy contrast ; whilst its stars of fasciculate foliage are displayed to additional advantage, when neighbouring with the broad-leaved sesculus, the glossy holly, the droop- ing birch, or the tremulous aspen." Sir T. D. Lauder considers that "The Larch is unquestionably by much the most enduring tim- ber we have. It is remarkable, that whilst red wood or heart wood is not formed at all in the other resinous trees till they have lived for many years, the larch, on the other hand, begins to make it soon after it is planted ; and whilst you may fell a Scotch fir of thirty years old, and find no red wood in it, you can hardly cut down a young Larch large enough to be a walking-stick, without find- 130 LARCH. ing just such a proportion of red wood, compared to its diameter as a tree, as you will find in the largest Larch in the forest, when compared to its diameter. To prove the value of the Larch as a timber tree, we believe, at the suggestion of the then Duke of Athol, posts of equal thickness and strength, some of Larch and others of oak, were driven down facing the river-wall, where they were alternately covered with water by the effect of the tide, and left dry by its fall. This species of alter- nation is the most trying of all circumstances for the endurance of timber, and accordingly the oaken posts decayed, and were twice renewed in the course of a very few years, whilst those which were made of Larch remained altogether un- changed." Of the Larch, Mr. Sang remarks that it " bears the ascendency over the Scotch pine in the following important circumstances : that it brings double the price, at least per measurable foot ; that it will arrive at a useful timber size in one half, or a third part, of the time in general which the fir requires ; and, above all, that the timber of the Larch, at thirty or forty years old, when planted in a soil and climate adapted to the production of perfect timber, is, in every respect, superior in quality to that of the fir at a hundred years old." On experimental observation, the Larch has been found, in Scotland, to increase annually, at six feet from the ground, about one inch and a half in circumference, on the trunks of trees from ten to fifty years of age. In the course of fifty years the tree will attain the height of LARCH. 131 eighty feet or upwards ; and, in its native habi- tats, according to Willdenow, "it lives from one hundred and fifty to two hundred years." " Though we should least expect to find such a quality in a resinous tree like the Larch, it has been proved to make a beautiful hedge, and to sub- mit with wonderful patience to the shears. We once saw a very pretty fence of this description in a gentleman's pleasure grounds near Loch Lomond. The trees were planted at equal distances from each other, and being clipped, were half cut through towards the top, and bent down over each other, and, in many instances, the top shoot of one had insinuated itself into that adjacent to it, so as to have become corporeally united to it ; and, strange as it may seem, we actually found one top that had so inserted itself, which, having been rather deeply cut originally by the hedge-bill, had actu- ally detached itself from its parent stock, and was now growing, grafted on the other, with the lower part of it pointing upwards into the air!" Sir T. D. Lander. There are ten or more varieties of the Larch in cultivation, but as these are probably only different forms of the same species, it is unnecessary to enumerate them. THE LIME, OR LINDEN TREE. [Tilia. * Europcea. Nat. Ord. Tiliacece; Linn. Poly and. Monog.] THE Common Lime-tree grows naturally straight and taper, with a smooth erect trunk, and a fine spreading head, inclining to a conical form. In a good soil it arrives at a great height and size, * Generic characters. Sepals 5, deciduous. Petals 5, with or without a scale at the base. Stamens indefinite, free, or poly- adelphous. Ovary 5 -celled, cells 2-seeded. Style 1. Fruit 1- eelled, with 1 or 2 seeds. LIME. 133 arid becomes a majestic object. Thus we rea that The stately Lime, smooth, gentle, straight, and fair, With which no other dryad may compare, With verdant locks and fragrant blossoms decked, Does a large, even, odorate shade project. This beautiful tree is a native of the middle and north of Europe, and is said to have been highly esteemed among the Romans for its shade. Evelyn praises the Lime as being the most proper and beautiful for walks ; as producing an upright body, smooth and even bark, ample leaves, sweet blossom, and a goodly shade, at the distance of eighteen or twenty feet. Those growing in St. James's Park, London, are said to have been planted at his suggestion. There are now many avenues of Limes in various parts of the country. At the termination of one at Colerton, Leicester- shire, there is placed an urn with the following tribute to the memory of Sir Joshua Reynolds, written by Wordsworth at the request of the pro- prietor, Sir George Beaumont, Bart. : Ye Lime-trees, ranged before this hallowed urn, Shoot forth with lively power at spring's return ; And be not slow a stately growth to rear Of pillars, branching off from year to year, Till they have learned to frame a darksome aisle, That may recal to mind that awful pile Where Reynolds, 'mid our country's noblest dead, In the last sanctity of fame is laid. There, though by right the excelling painter sleep, Where death and glory a joint Sabbath keep ; Yet not the less his spirit would hold dear Self-hidden praise, and friendship's private tear ; 134 LIME. Hence, on my patrimonial grounds, have I Raised this frail tribute to his memory ; Prom youth a zealous follower of the art That he professed, attached to him in heart ; Admiring, loving, and with grief and pride, Feeling what England lost when Reynolds died. Loudon speaks of two ancient Lime-trees at Zoffingen, on the branches of which is placed a plank, in such a manner as to enable any one to walk from the one to the other ; and thus people may not only walk, but even dance, upon the foli- age of the tree. In the village of Villars en Morig, near Fribourg, there is a large Lime which existed there long before the battle of Morat (1476), and which is now of extraordinary dimensions ; it was, in 1831, seventy feet high, and thirty-six feet in circumference at four feet from the ground, where it divided into large and perfectly sound branches. It must be nearly a thousand years old. And at Fribourg, in the public square, there is a large Lime, the branches of which are sup- ported by pieces of wood. This tree was planted on the day when the victory was proclaimed of the Swiss over the Duke of Burgundy, Charles the Bold, in the year 1476 ; and it is a monument admirably accordant with the then feebleness of the Swiss republics, and the extreme simplicity of their manners. In 1831 the trunk of this tree measured thirteen feet nine inches in cir- cumference. Botanically considered, the Common Lime is a large and handsome tree with spreading branches, thicklv clothed with leaves twice the length of their LIME. 135 petioles, cordate at the base, serrate, pointed, smooth except a woolly tuft at the origin of each nerve beneath unequal and entire at the base ; stipules oval, smooth, in pairs at the base of each Leaves and Flowers of T. Europsea 136 LIME. foot-stalk ; flower-stalks axillar, cymose, each bear- ing an oblong, pale, smooth bract, united, for half its length, with the stalk; flowers of a greenish colour, growing in clusters of four or five together, and highly fragrant, especially at night. This renders them very attractive to the bees, which is referred to by Virgil, in his beautiful description of the industrious Corycian, thus translated by Marty n : "He therefore was the first to abound with pregnant bees, and plentiful swarms, and to squeeze the frothing honey from the combs. He had Limes, and plenty of pines ; and as many fruits as showed themselves in early blossom, so many did he gather ripe in early autumn." Geo. iv. 127. The seeds of the Linden-tree rarely ripen in Britain ; this tree is, therefore, properly propa- gated by layers, which must be made in the nur- sery in autumn ; in one year they become rooted so as to allow of being removed. It will grow well in any soil or situation, but if planted in a rich loamy earth, the rapidity of its growth will be almost incredible. The timber of the Lime-tree is very serviceable, and much preferable to that of the willow, being stronger yet lighter. Because of its colour, which is of a pale yellow or white, and its easy working, and not being liable to split, architects form with it their models for buildings. The most elegant use to which it is applied is for carving, not only for small figures, but large statues in basso and alto relievo, as that of the Stoning of St. Stephen, with the structures and elevations about it; the trophies, festoons, fruitages, LIME. 137 friezes, capitals, pedestals, and other ornaments and decorations about the choir of St. Paul's, executed by Gibbons, and other carvings by the same artist at Chatsworth, the seat of the Duke of Devonshire, and in Trinity College Library at Cambridge. It is even supposed by some that the blocks employed by Holbein, for wood engravings, were of this tree. Dodsley says Smooth Linden best obeys The carver's chisel ; best his curious work Displays, in all its nicest touches. It is used by piano-forte makers for sounding- boards, and by cabinet-makers for a variety of purposes. The wood is also said to make excellent charcoal for gunpowder, even better than alder, and nearly as good as hazel, while baskets arid cradles are made with the twigs of the Lime ; and of the smoother side of the bark, tablets for writing ; for^the ancient Philyra is but our Tilia, of which Hunting affirms he saw a book, made of the inner bark, written about 1000 years ago ; such another was brought to the Count of St. Amant, governor of Arras, 1662, for which there were given 8000 ducats by the Emperor. It contains a work of Cicero, De ordinanda Republica et de Inveniendis Orationum Exordils, which is still unprinted, and is now in the imperial library of Vienna, after having been the greatest rarity in that of the celebrated Cardinal Mazarin, who died in 1661. 138 LIME. The smoothness of the Lime-tree is thus alluded to by Cowper in the Task : Here the gray smooth trunks Of ash, or Lime, or beech, distinctly shine "Within the twilight of their distant shades, There lost behind a rising ground, the wood Seems sunk and shortened to its topmost boughs. This peculiarity of the bark has also been noticed by Leigh Hunt, in the story of Rimini : Places of nestling green for poets made, Where, when the sunshine struck a yellow shade, The slender trunks to inward peeping sight, Thronged, in dark pillars, up the gold-green light. The leaves of the Lime-tree are also useful, and were esteemed so in common with those of the elm and poplar, both in a dried and green state for feeding cattle, by the Romans. The other two indigenous or naturalized species of Lime are 2. The broad-leaved, T. grandifolia. Ehrli. Flowers without nectaries ; leaves roundish, cordate, pointed, serrate, downy, espe- cially beneath, with hairy tufts at the origin of the veins ; capsule turbinate, with prominent angles, downy. Flowers in August : found in woods and hedges. 3. The small-leaved, T. parvifolia. Ehrh. Flowers without nectaries ; leaves scarcely longer than then 1 petioles, roundish, cordate, serrate, pointed, glaucous beneath, with hairy tufts at the origin of the veins, and scattered hairy blotches ; capsule roundish, with slender ribs, thin, brittle, nearly smooth. A handsome tree, distinguished from the former by its much smaller leaves and flowers: germen densely woolly: flowers in August: grows in woods in Essex, Sussex, &c.: frequent. THE MAPLE-TREE. [Acer.* Nat. Ord. Aceracece; Linn. Octan. Monoy.] THE Common Maple (A.campestre) is found through- out the middle states of Europe, and in the north of Asia. It is common in hedges and thickets in the middle and south of England, but is rare in the northern counties and in Scotland, and is not indigenous in Ireland. It is a rather small tree, of no great figure, so that it is seldom seen employed in any nobler service than in filling up a part in a * Generic characters. Calyx inferior, 5-cleft. Petals 5, obo- vate. Fruit consisting of 2 capsules, united at the base, indehis- cent and winged (a samara). Trees, with simple leaves and flowers, often polygamous, in axillary corymbs or racemes. 140 MAPLE. hedge, in company with thorns and briers. In a few instances, where it is met with in a state of maturity, its form appears picturesque. It is not much unlike the oak, only it is more bushy, and its branches are closer and more compact. Although it seldom attains a height of more than twenty feet, yet in favourable situations it rises to forty feet, as may be seen in Eastwell Park, Kent, and in Caversham Park, near Reading. The Rev. William Gilpin, from whose Remarks on Forest Scenery we have derived much interesting matter, is buried under the shade of a very large Maple in the church- yard of Boldre, in the New Forest, Hampshire. The botanical characters of A. campestre are : Leaves about one and a half inch in width, downy while young, as are their foot-stalks, obtusely five- lobed, here and there notched, sometimes quite entire. Flowers green, in clusters that terminate the young shoots, hairy, erect, short, and somewhat corymbose. Anthers hairy between the lobes. Cap- sules downy, spreading horizontally, with smooth, oblong, reddish wings. Bark corky, and full of fissures ; that of the branches smooth. Flowers in May and June. The ancients held this tree in great repute. Ovid compares it to the Lime : The Maple not unlike the lime-tree grows, Like her, her spreading arms abroad she throws, Well clothed with leaves, but that the Maple's bole Is clad by nature with a ruder stole. Pliny speaks as highly of its knobs and its excres- cences, called the brusca and mollusca, as Dr. Plot MAPLE. 141 does of those of the ash. The veins of these ex- crescences in the Maple, Pliny tells us, were so variegated that they exceeded the beauty of any other wood, even of the citron ; though the citron was in such repute at Rome, that Cicero, who was Leaves, Flowers, and Fruit of A. campestre. 142 MAPLE. neither rich nor expensive, was tempted to give 10,000 sesterces for a citron table. The brusca and mollusca, Pliny adds, were rarely of a size sufficient for the larger species of furniture, but in all smaller cabinet-work they were inestimable. Indeed, the whole tree was esteemed by the an- cients on account of its variegated wood, especially the white, which is singularly beautiful. This is called the French Maple, and grows in northern Italy, between the Po and the Alps ; the other has a curled grain, so curiously spotted, that it was called, from a near resemblance, the peacock's tail. So mad were people formerly in searching for the representations of birds, beasts, and other objects in the bruscum of this tree, that they spared no expense in procuring it. The timber is used for musical instruments, in- laying,