:•:■■'; :- : "' flJ/rcllJu Ox* BMW Wmm THE LIBRARY OF THE OF LOS UNIVERSITY CALIFORNIA ANGELES A Scrip of Salvage, A Scrip of Salvage FROM THE POEMS OF WILLIAM PHILPOT, M.A., Oxon., Sometime Vicar of South Bcrsted, Sussex, Author of l A Pocket of Pebbles,' &c. EDITED BY HIS SON, HAMLET PHILPOT. * LONDON : MACMILLAN AND CO 1891. LONDON Printed by Stiungewats »nd Sons, i irei M., Cambridge Circus, w.c. WILLIAM PHILPOT was born at Southwold, on the coast of Suffolk, in 1823, and was the eldest son of Benjamin Philpot, Fellow of Christ's College, Cambridge, by his marriage with Charlotte, daughter of the Rev. John Vachell, rector of Little- port, Cambridgeshire. In 1828 the Rev. Benjamin Philpot, who from 181 5 had been Perpetual Curate of Walpole and Southwold, was appointed Vicar- General and Archdeacon of the Isle of Man. The boy received his earlier education at King William's College, near Castletown, but, when the Archdeacon accepted the living of Great Cressingham, Norfolk, in 1839, was sent to Dr. Cotton's house at Rugby, and was a member of the sixth form at the time of Arnold's death. Here he made the 870-1 00 vi Memoir. friendship of many who shared with him the enthusi- astic veneration which he retained through life for his great teacher, and who, like himself, learned to love and honour his single-minded successor, Dr. Tail. From Rugby he went to Trinity College, Cam- bridge ; but, two years later, on being elected to an open scholarship at Worcester College, Oxford, mi- grated to a University more suited, perhaps, to his special cast of mind. The lifelong friendships here formed included those of Dean Stanley, Professor Goldwin Smith, and the future husband of his sister, the present Dean of Westminster. In 185 1 the Rev. William Philpot married the second daughter of Lieut.-Col. Obins, of co. Armagh, Ireland, who had fought under Wellington in the Peninsular War, and was among the officers who guarded Napoleon at St. Helena. In 1858 death removed the beloved wife, whose presence and memory inspired many of the poems in this volume, and to whom the First Part is dedicated by her two children. From his marriage to the year 1865, Mr. Philpot held the incumbency of Walesby, a village on the Wolds of Lincolnshire, where he found a kindred spirit in the Vicar of the neighbouring village of Memoir. vii Grasby, Charles Tennyson Turner. He then retired to Littlehampton, in Sussex, working as a private tutor, until appointed, in 1875, by his former Master, the late Archbishop of Canterbury, to the living of Bersted, Bognor, which he held until his death in 1 889. His tomb is under the fig-tree in a sunny corner of the Bersted ' garden of the dead,' close by the vicarage, church, and schools, all of which were restored under his care. Six weeks after his son's death, the Venerable Archdeacon also died in his ninty-ninth year. In life and death they were not divided. The First Part of this volume carries out, in a measure, a desire of its author to publish a series of short poems suggested by the ideas which cluster round the title 'Home' — the meeting of two hearts, their united life, and the memories that survive when the home has been rent by death. Part the Second has been arranged so as to set out in broader lines other phases of human life, its trials and its safeguards. The ' Sundry Reliques' have no leading motive, the Editor wishing merely to mix advisedly the free lyric and the more self-contained sonnet. While such an arrangement of the poems will give no clue to their dates, and the personal references Vlll Memoir. need in no case be pressed, the author's friends will yet find local colour, and touches, quaint or serious, to recall a life, burdened indeed with trial to its bitter end, but buoyed up by wide sympathies, and an abundance of humour and faith. CONTENTS. AN APOLOGY TO THE BIRDS. PART I. Home : Its Making and its Memories. PAGE 5 6 THE TRICOLOR VENUS VICTRIX TOO FAR ABOVE ME .... ' LOVE'S PROPOSITIONS "... A REMONSTRANCE WITH WALLER AFTER ANACREON. Elf \vpav . ,, ,, "Ays, £ojypaujv apuTTE NEVER OR FOR EVER .... THE ARROW ON THE VANE MY PROMOTION TO HER MINISTRY ' THIS BUD OF LOVE ' ... THE CLOSED TRIPTYCH THE FUTURE OF LOVE THE HOUR AND THE WOMAN ' SHE IS LIKE UNTO THE MERCHANT SHIPS THE INFLOW OF LOVE SPRING WEATHER .... 7 9, io i i 12 13 15 15 16 17 19 20 22 23 24 26 x Contents. PAGE LOVE APPLES . 27 AIR SCULPTURE 28, 29, 30 HER RETURN • 31 SUMMER DAYS • 32 ON THE FALL OF AN HOUR-GLASS • 33 EMIGRANTS 35. 36, 37 SPRING FLOWERS .... • 38 ' MY BELOVED IS MINE AND I AM HIS' • 39 PRETTY SHELLS WE FIND NO MORE . . 40 HOW ART THOU NOW, SWEET SPIRIT . . 42 AT FRESHWATER .... • 43 SWEET CASTLE AT WHOSE GATE • 45 AND SO A PRISONER AT THY FEET . 46 I DREAMED, HER BABE UPON HER BREAST • 47 SHE SAILED AROUND THE HARBOUR OF MY HEA RT . 48 WHAT HAVE I RESCUED FROM THIS WRECK OF 5 IINE ? 49 I LOVE THIS AIR BECAUSE IT SANK AND ROSE • 5o SHINE AND SHADOW .... • 5i MY BRISEIS • 52 THE CRADLE OF LOVE • 53 SHALL I DISTURB YOU ? . . . • 54 BEHIND THE VEIL .... • 56 PART II. Life and Death. • 59 61 LEAD US NOT INTO TEMPTATION 62 Contents. xi PAGE THE SIREN ISLE 63, 64 PRIMUM MOBILE 65 A LESSON IN ASTRONOMY 66 I WILL TELL THEE THEN ...... 67 THE BEST PART BUT PART AT BEST .... 68 PRESENCE AND ABSENCE 69 SYMPLEGADES 70 NaX.Qa.Kov 6f.ifiar(ijv (3£\og ...... 7° THE WRITING ON THE WALL 71 YOU HEAVENS, LIKE DOVES, IN DUTEOUS CIRCLES ROLL 72 THE BOY AND THE BOAT 73 SHIP TO TUG 74 TUG TO SHIP . . . . ' . . . .75 SWEET TENOR BELL . i 76 NIGHT PRAYER BY THE SEA 77 THE RIME FROST 78 MY KEEPER OF THE KEYS -79 DEATH THOUGHTS ....... 80 PART III. Sundry Reliques. LIVE AND LET LIVE 87 LOVE-MAKING 89 SONNETS TO OUR TORTOISE . . 91, 92, 93, 94 NIGHT SONG OF VECTIS 95 HE ALBAN LAKE 96 WINTER ROSES 97 THE RHENISH MAIDEN 99 Xll Contents. ECLIPSE OF THE MOON CLAUDIA A PRIMA DONNA SOME BIRD IS WARBLING FOR MY JOY RESURGAM .... THE TWO WAVES OF THE YEAR . koXvkoq Xo^tv/tara THE MEDITERRANEAN BY NIGHT AN OLD MAN TO HIS OLD DOG . THE MASSACRE OF THE INNOCENTS BOATS AND BIRDS LUGGER TO EAGER THE WINTER OF OUR DISCONTENT TO NUMBER .... ' STRIPES FOR THE BACK OF FOOLS ' SONNETS TO A FORGOTTEN IDEA ODE TO PEACE .... PAGE IOO IOI 104 105 106 107 108 109 III 113 114 116 117 118 119 I20, 121, 122 • 123 PART IV. Hymns. WEDDING HYMN 1 29 HARVEST HYMN 131 HYMN FOR ALL SAINTS' DAY I32 CONCEALMENT 133 Part the First. HOME: Its £M aiding and its ^Memories. 10 HARRIETT GEORGINA OBINS-PHILPOT. Died February 9, 1S5S. O11 fiiv yap rem ye Kpeictoov kui dpeiov >l 06 b/jxH/ipovtovre voijfiaaiv oIkov tx>]Tov iv *P ** y^' Oefyss., vi. 187. ^n^rs^^n^^^^ A Scrip of Salvage. TO THE BIRDS. Ye happier souls, I hark your reboant song, 1 mark your sweep and swoop so strong o' the wing ; Whene'er the Spirit whirls your car along, Ye wheel round all creation while ye sing. Then for your choice of phrase, if right, if wrong, To this — what need that any heed ye bring ? Image and utterance round your theme will throng, And dance, to measure due self-marshalling. While I, too care-beclawed, of claims the prey, Can all too seldom lend my soul her swing; Nor can I walk in poesy's sweet way, Except by luck and wily time-serving; And then, when I can somewhere steal apart, I fail to find what words best tally with my heart. THE TRICOLOR. Lassie sweet, I never knew, Till I saw it float on you, Such a charm in red white blue, As you stand against the sky On your rocky balcony ; And the breezes past you blowing Set your rosy face aglowing, Set your sunlit locks aflowing Down your white neck's snowy showing Fair beyond all saying — sweet beyond all knowing ; What a beauteous banner flies From your cheek and neck and eyes ; Never till to-day I knew What the tricolor could do. Home : Its Making VENUS VICTRIX. So there, my perilous warriouresse, you pose At once Love's champion and his deariest prize ; Oh ! in what proud array your beauty goes ! See what rare levin flashes from your eyes ! Your words far worse than all artilleries, As though you ranked me with your deadliest foes ; Your beauty vaunting what your grace denies, Why draw me, dare me, to a fatal close ? Or else why wear that ventayle on your brow, Your wimpled locks a plumed burganet, A tower impregnable your neck of snow, On either cheek a blood-red banneret, Your breasts — brave outworks which you dare me scale — Well ! Love be dayesman— if I fail, I fail. and its Memories. 7 TOO FAR ABOVE ME. For me, in sooth, I ween Far simpler had it been To roam the woodland through From prime till latest dew, Lifting Iamentful palms To win to my poor arms The fairest fair of all the Dryads ; I might as lief Have clomb the tip of Teneriffe And crooked my knees To try and please The sweetest influence of all the Pleiads ; Them might I haply have drawn down to love me, But thou for ever art too far above me. 8 Home : Its Making LOVE'S 'PROPOSITIONS: i. The Universal and the Particular. 'Twas not a general love of that fair kind Whose rank encircles a particular thee — That universal rather storms my mind Led on by thy particularity. Shall any one tell me now that love is blind, Seeing that all that fair infinity Of nymphal possibles was massed behind Unseen till when thy love revealed it me ? I caught through thee some glimmering glamourie That now and then further or nearer shined, But what men meant by all that amourie I knew not, nor to question was inclined ; The general gender only took mine eye When marshalled by thy special captaincy. and its Memories. My ' Universal Negative.' You may not speak to me, for, when you do, You swoon me with the music-motioned air ; You may not smile on me, for that rare view Upsweeps me but to swamp me in despair ; I must not watch you weeping, for that too Wasteth what cheer may linger anywhere ; Pray close your eyes, for when you look me through There comes a rush of life I cannot bear ; You slay me when you laugh or when you weep, Whether you choose to rest or else to move ; You slay me if you wake, or if you sleep, For, while 'tis yours to live, 'tis mine to love — And yet, if thus all round you cease, you die ! And so, my life would follow presently. io Home : Its Making 1 & ni. A ' Particular Negative.' Now to what angle of the habited star I know not whether least 'twere scathe to fly ; Flee where I would, what nook is found so far But thy dear form would beam for ever nigh ? Should I not bear thee clear before mine eye, Couch where I might ? what seas could rear a bar, Yea, though the witchery of thy gaze to mar, They piled them clambering Himalayas high ? But— only let the trump of catholic doom Rive into chasmy gulphs this ordered crust, Plunge all that can be shivered into gloom, Haloed with fiery wreathes of discreate dust. Why, then, I know, 'twere safe and well for me To catch thy palm and face the judge with thee. and its Memories. 1 1 A REMONSTRANCE WITH WALLER. Go, blowing rose, Tell them that note thee, young or old, Tis better they be close than bold. Say in thy half-blown days Men gave thee fuller praise When with meek care thou didst thy heart enfold ; Tell me, O full-blown rose, while now With most unbashful brow Thou openest out upon the common air, Thy beauty disarrayed, Thy mystery all displayed, We cannot deem thee half so fair — There was the sign thou hadst begun to fade ; O blowing rose, it had been truer art To keep some lovely leaves close folded round thy heart. 12 Home: Its Making AFTER ANACREON. 'A (iapftiTOQ Se x°P^ a ^S "Epwra fiovvov J/x 6 '- Fain I was to sing of fate Power and wealth and war and state ; Ramparts built and cities burned, Empires reared and kings o'erturned — But my lyre refused to move Any music but of Love. Yestermorn I changed the strings ; Then I changed the shell itself ; But my new one only sings Like that old one on the shelf ; Be it so — 'twere vain to move Any music but of Love. and its Memories. 13 "Aj£, Zooypatywv apian k.t.X. ' He falls to such perusal of my face As he would draw it. ' — Shakspeare. Prince of painters, come, I pray, Paint my love, for, though away, King of craftsmen, you can well Paint what I to thee can tell. First, her hair you must indite Dark, but soft as summer night ; Hast thou no contrivance whence To make it breathe its frankincense ? Rising from her rounded cheek Let thy pencil duly speak, How below that purpling night Glows her forehead ivory-white. Mind you neither part nor join Those sweet eyebrows' easy line ; They must merge, you know, to be In separated unity. Painter, draw, as lover bids, Now the dark line of the lids ; Painter, now 'tis my desire, Make her glance from very fire, Make it as Athene's blue, Like Cythera's liquid too ; 14 Home: Its Making Now to give her cheeks and nose, Milk must mingle with the rose ; Her lips be like persuasion's made, To call for kisses they persuade ; And for her delicious chin, O'er and under and within, And round her soft neck's Parian wall, Bid fly the graces, one and all. For the rest, enrobe my pet In her faint clear violet ; But a little truth must show There is more that lies below. Hold ! thou hast her — that is she. Hush ! she's going to speak to me. and its Memories. 15 NEVER, OR FOR EVER. Seeing I love thee, lady, for ever, I know thou must always be with me — or never. Never — lady — never, Or else for ever and ever. THE ARROW ON THE VANE. THOU art that vane, and, lady, I the wind, That all thy changes well have learned to find ; Constant I keep thy winged inconstant dart, With golden barb straight pointed to my heart ; Why wilt thou never let it leave the string, New life in death to this poor heart to bring ? 1 6 Home : Its Making MY PROMOTION TO HER MINISTRY. ' Tims, O regina, quid optes Explorare labor, mihi jussa capessere fas est.' — Virgil. As some poor wight, who inly hopes his Queen May lift him to some office i' the State, Trusting each morn her mandate may be seen Sealed with her battling beasts and royal date ; Yet, conscious what imperial labours mean, And trembling to misjudge self-estimate, Dares make no move, nor use a come-between, Nor takes one step such post to supplicate ; So I beneath thy pleasure wait and wait, Hoping the happy hour thy smile serene May call me to approach thy palace-gate, O Sovereign Lady, my most gracious Queen ! I languish, longing for that little sign, To touch thy sceptre and avow me thine. and its Memories. 17 ' THIS BUD OF IOVE: Rom. and Jul. Upon the way I saw her go, I find thee ; — didst thou fall by chance ? I gave her thee, full well I know, Say, rosebud, ' backward ' or ' advance ' ? Hid in thy leaves I fain would find What, when she eyed thee last, she meant ; It was, I know not why, unkind To lose thee, even sans intent. If thou by very chance wert lost, The while my sweet-heart never knew, 'Twere thus with one who prized thee most, I blame not her, I blame not you. But what an if in pettish scoff, Not knowing I should pass this way, Both thee and me she thus cast off? Why, then, I hate this bitter day. Nay, I bethink me, rosebud, now, ' I mean to come this way,' I said ; She tossed me here no doubt to show She scorned me ! — would that I were dead. 1 8 Home: Its Making But, lo ! who comes ? lie there, poor flower, I'll cast me 'neath this hedgerow grass, And I shall know within the hour, Come death, come life, what comes to pass. She stoops — she peers with tearful eye, Retracing inch by inch her way ; She'll surely see thee by-and-by ! Not yet will I regret to-day. She sees thee — mark, her thankful face Upbrightens in the happy sun ! Who ever wore such winning grace ? What sweeter thing was ever done ? She clasps dear hands ; she leaps to take My token from the common way; She plants it — all for my poor sake, By the sweet heart I win to-day. 'Twas well, my little rose, I own, To fall by good Sir Isaac's law, For else I had not seen and known The pleasant things I know and saw. To-morrow, with thy kindness charmed, We'll kiss thy core for this kind part, And withered thou shalt lie embalmed Within the archives of my heart. and its Memories. 19 THE CLOSED TRIPTYCH. Thy face is like some triptych fair Double enclosed by the kind Master's care ; On either folding door the same great hand Hath set such limning as to make one yearn With much impatient earnestness to earn The great delight to see What inner grace is worth an outer case like thee. 20 Home : Its Making THE FUTURE OF LOVE. Thy face, thy grace, thy form, are such As saw I ne'er before, But if I love thy beauty much I love thy bounty more. Thy spirit speaks in every line, Thy dust is lit with fire, To fence it as with sword divine From creeping vague desire. Thy beauty is of such a cast, My love must needs be true, Who loves in thee what may not last Must love the lasting too. The lovesomeness of all thou art The dearer grows to me, In that it draws my watchful heart To love what thou wilt be. From love to love thy pathway shines ; And, as thy days go on, Unless what mortal is declines, There will be nothing gone. and its Memories. 21 On earth how sweet it were to live With that in thee which dies, So with thee dying to arrive At thine eternities. Yet so th' Eternal bears thee on Through every change of time, The dust downshook by thy death-song Must leave thee in thy prime. Such power of Heaven reigns through thee now. The years may work their will, Who live to mourn will joy to know With thee 'tis Heaven still. A Heaven enhanced by full delight Of commune with the blest ; May I be there to share the sight, Thou dearest of the best. 22 Home : Its Making THE HOUR AND THE WOMAN. Had I but wrought my posy yesterday, I might have chased it in a fairer ring ; Or else, should I forbear and say my say To-morrow, I might chant some worthier thing ! Who knows the causes that come clustering — The sun, the veiny wine, in hidden play Around some fancy caught upon the wing To shape its flight in least unhappy way ? Grant heaven to me, when to my love I sing, And think to court her in beseeching lay, All modes and measures may combine to bring Their winning aid ; then bid, dear muse, I pray, Shine sun, dance blood, blow breeze, and words up- spring, So leaning, listening, she may breathe me 'yea. : and its Memories. 23 ' she is like unto the merchant ships: Prov. xxxi. 14. THOU wast a pinnace in the fairest sort, All on the sea with gale and sunshine playing ; I saw, and, seeing, longed to be thy port, And sought to make my roadstead worth thy staying ; From this lone coast, in sorrow long delaying, I watched the fancy-freedom of thy sport ; Vain was my loud lament and all my praying, Vain the sad signals flying from my fort ; But thou— thou knewest all my heart was thine ; And that was well — tho' once it 'gan to fail — When, lo ! by reason of some breeze divine, Full on my soul thy beauty bore full sail ; And down my streets and quays, sweet pinnace mine, My best affections thronged to interchange ' All hail ! ' 24 Home : Its Making THE INFLOW OF LOVE. How great an hour, how gently past, It came as things eternal do That turn between my unlove's last And the first thought I had of you. So masterful, so full of change, So fraught with unexperienced power To tell through my eternal range ; And yet how silent was the hour. You moved me like a strain of song That sways through yielding waves of air ; Or as a ship that steals along And shifts a here into a there. Or as the tide one summer eve Turns silent ebb to silent flow, I know not how and scarce believe — You stole upon me even so. Or as the inflow of a book, That sweeps away a foolish creed, So with the magic of your look You showed me you had met my need. and its Memories. 25 You with the sweetness of your love, And all the charm of your controul, Came as a thought that from above Converts the purpose of a soul. As on a man that faints and dies The peace of Paradise will ope, So like my better life you rise Beyond my best imagined hope, 26 Home : Its Making SPRING WEATHER. I KNOW a life much like an April day, Here hung with clouds and there alive with sun ; And neither in the selfsame mood will stay, While 'neath her heaven the winds of feeling run ; So all is dark where one short hour agone Were thousand sunbeams lovingly at play ; And presently, I trow, smiles many a one Will chase the grief that now can lower so grey. Such weather to my mind is fairer far Than where the simmering hours all summer are ; Thy sorrow, girl, is more than duly sad, But then thy gladness is divinely glad '; And soon, methinks, a change will light thy brow, And all. thine hours be what the best are now. Heidelberg. and its Memories. 27 LO VE APPLES. And dost thou wonder, love, if soon I shall be as I am to-day ? If passion is a passing boon Which winds that bring can bear away ? Thy fears, my tender little one, If true in part, are false in whole ; For, grant that passion will be gone, Hath nothing quickened in the soul ? Put case, in Nature's ripening growth Some flowers of feeling we forget ; I plight thee, sweet-apple, my troth, The fruit is now already set. Love's orchard, trust me, is akin To that the Western maids of old So duly husbanded — within The apples are of purest gold. Xo bound of blooth my plat shall bear ; And every tree, one fruitage done, Shall show, each month of all the year, Another and another one. And as we gather from the wise That feelings fall as fashions grow, While those sweet usages arise Fresh feelings shall about them blow. AIR SCULPTURE. Oh, would that, for the while I see thee there So sweetly poised before my pondering eyne, I could but suade the swift recurrent air To leave the limits of that pose of thine Clear uninvaded all along thy line ! 'Tis something strange that round a space so fair The element should not hang with feeling fine, Yet not so strange as not to so repair. Oh, sweet warm space, oh, idol of delight, Would I not rear thee, whither I might go, Of all materials most rich and bright A grot for temple and for studio ! But, since this air is common and unkind, That pose and poise for fane must use my mind. and its Memories. 29 11. To think the hasty air must fill that space Where thou dost beam in all thy beauty now, Nor pay the least regard to that dear place Warmed by that heaving bosom, that white brow Yea, in upon thine ever vading face, And on the sweetest features that I know, Without a touch of due retiring grace Will, like a tide on summer shore, reflow ; And though some other shape of ambient air Displace thou wilt — yet that, alas ! will be To my sore sorrow far, far otherwhere, And never once be hung around by me ; Yea, to my smart, there yet must come a day When no fond air will clasp thee any way. 30 Home : Its Making in. I deem that I shall die when thou art gone ; For, even when I muse on thy retreat, And body forth the being left alone, I feel my heart already fail to beat : The sense of losing all my life had won, Of being swept from off these earthy feet, And losing memory of life and heat, Fills me with dread of being clean undone ! How I shall now this dreary coming on Of dissolution stay, I barely weet. Come let me plant thee by the viewless throne Of Him Whom, tho' I see not, yet 'tis meet And right to trust upon that great white seat — Seen never, ever loved, till life be new begun. and its Memories. 31 HER RETURN. Weary for springtime waiteth the year ; v So thy beloved one waits for thee here ; As craves the bare ash for its sap to arise, Crave I to quaff the dear light of thine eyes ; As for the land breeze panteth the sea, So I am yearning, my darling, for thee ; As for the sea-breeze longeth the shore, So I am sighing to see thee once more ; As the dry harbour mouth waits for the tide, Wait I to find thee once more by my side ; Like friends that are crowding the edge of a quay- Throng my affections with welcome for thee. As the ship beareth full sail to the shore, So thou art coming to leave me no more ; As the full ocean floods up to the creek, So doth she enter, the soul that I seek ; As the sea-breezes blow fresh on the sand, She freshens the brow of my heart as I stand ; As the land-breezes rush over the sea, Laden with fragrance, returns she to me ; As the sweet sap to the end of the bough, So through and through me, returning one, thou ; Like the full flood of the spring to the earth, Thou with thy sweetness and beauty and worth ; The doors of our house, let me fling them apart, Come back to our home and come back to my heart. Walesby. 32 Home : Its Making SUMMER DA VS. When the crocus' fiery tongue Bids the wreaths of snow begone ; When the cherry, quick with song, Throws her tinted bravery on ; March or May, 'tis one to me, None, my love, is fresh like thee. When the sun is all the hearth Half the world will care to know ; When the golden-bosomed earth Shimmers, all her glebes aglow ; June or August, all is one, None, my love, is like thee — none. When the last o' the gleaner crew Spoils the wreck no more for shame, When the leaves of sunburnt hue Shivering steal to whence they came ; Month by month, it seems to me, None hath tenderness like thee. When the Living maid as dead Sleeps beneath her snowy pall ; When the merry hearth is red And the home is all to all ; None, my love, is like thee, none, Summer days are every one. and its Memories. 33 ON THE FALL OF AN HOUR-GLASS. [ To his love, whose forehead had been scarred by the fall of the same.] As one who feels the rossignol Regale the listening groves with song, And well the fulness of his soul In measured torrent all night long, So I with thee, love, by my side ; Such harmony of heart redounds, I dance upon my life's high tide, And all my day runs diamonds. Time had not dropped that sorry glass, Nor found the heart to wound thy brow, Hadst thou but taught him then to pass The hours that thou hast taught him now. Or knew he what should come to us ? So, fretful at his hopeless task, Poor petulance, defaced thee thus, Full loth to grant what love should ask ? &* He felt thy life could laugh to scorn The lobes in that his palsied hand ; That there was something to be born Would need no more his grains of sand. 34 Home : Its Making Ah, yes ! the green-eyed dotard knew, When first he saw thee in thy prime, A love should run between us two, Which should not thank the count of time. Nor yet would all the shores of earth Mete any measure for the love, That, breaking forth in better birth, Would prove itself immense above. So Time may chafe, and Time may rail, And Time's last glass in shivers lie, While thou and I crowd snowy sail Across the free Eternity. Brussels. and its Memories. 35 EMIGRANTS. Harplg yap kari irae 1v av irparrr] tlq ev. The old world starves behind them, their old home Clung to and loved while they might love and cling ; How were those hearts enfranchised thus to roam Where'er the winds of heaven their fortunes fling ? Hard was it to disown each well-known thing, And face the perilous breadth of friendless foam ; What keen distresses o'er these natures come, To force them leave their hearth and friends and king ! What matter ? life beneath another sun Is more than death beneath their childhood's one ; Never have he and she so loved before As now, when other loves are seen no more ; Never are hearts so riveted together As theirs that battle through the boisterous weather. 36 Home : Its Making n. •Nulli certa domus.' Sequestered from the crew, as best they may, In sunny nook beside the breezy prow, By use of voyage made familiar now, How sweet through all the long Atlantic day, 'Neath the broad heaven's shadow-shifting brow, To list the changeful waters in their play, Which falling off in furrows leave a way, While the winds chant as only they know how ; Thrice blest to gaze into each other's eyes, In idle interval of destinies, And read as in the volume of the book Trust and dependence there in every look ; To make each other's breast by turns a pillow, And dream of golden homes beyond the billow. and its Memories. 37 in. ' Coelum, non animum, mutant qui trans mare currunt.' Horace. So love the twain, as only those can know, Who winged as seeds upon the westward wind, The blue above them and the green below, Fare forth with resolute heart and even mind, Before them ocean, home and friends behind. They know not rightly to what land they go, But this at least they know — that Heaven is kind, And Faith and Hope and Love endear them so, As none can tell but two such souls as they, And more than e'en their own sweet sense can say. The uncertain sea their only known abode ; They lean each on the other, both on God ; And all the fret and change of this world's weather But twine their twi-une fates more fast together. SPRING FLOWERS. ' Qualem virgineo demcssum pollice florem Seu mollis violas seu languentis hyacinthi. ' Vikg. Of all the flowers rising now, Thou only saw'st the head Of that unopened drop of snow I placed beside thy bed. In all the blooms that blow so fast, Thou hast no further part, Save those, the hour I saw thee last, I laid above thy heart. Two snowdrops for our boy and girl, A primrose blown for me, Wreathed with one often-played- with curl From each bright head for thee. '6 And so I graced thee for thy grave, And made these tokens fast With that old silver heart I gave, My first gift — and my last. and its Memories. 39 'MY BELOVED IS MINE AND I AM HIS: Nothing can harm thee, -I Nothing alarm thee, Nothing can vex thee, Nothing perplex thee, Nothing oppress thee, Nothing distress thee : For Jesus doth bless thee, The Spirit caress thee, The Father possess thee. 40 Home : Its Making & Bf/ c'oKHtM' napa Olvi. Pretty shells we find no more, For thine eyes have left the shore, Now is no one there whose feet Seem to ocean maidens meet That around them they should fling The choice they kept for thee of every pleasing thing. Hoarser, sadder grew the wail Of the melancholy sea, When he found the music fail That he used to learn from thee ; Treble of thy thrilling strain Toned the thunder of his main, Ah, me, could he, could I, but hear it once again ! What flowers can we light on now — W T eeds they call them— of the sea ? They have gone, I know not how, Or they come not missing thee ; Time, love, was, when on the beach Strolling slowly towards the sun We would find in ready reach Light-steeped agates many a one ; But, oh, without thee now alone I light on none. Every crystal, gem, and shell Shrink to some concealing cell, Blown there by the sighful wind Of my sadly-moaning mind, That caring not to look forgets the way to find. 'Twas the line of thy dear eye On the sparkling shingle bent Wont to fall in days gone by On the jewels spray-besprent And the rays that shot and gleamed From those wells beneath thy brow Such a store of radiance beamed That those poor stones we picked are shining in it now. Into such a dye you cast them, Transfusing them, not flowing past them — Such lights you gave to stay there and to last them. The power of seeing all things sweet Is somewhere sure behind the eye, And, though they lie about my feet, I gaze and gaze, yet not descry— Love in a lonely heart knows best the reason why. 42 Home : Its Making Nvv o eort /Liaaaipa