IBB jgllflB-aJtf BWid -:'--','Vv". • A B51J! BAH '*?■'■■«■ _■■■ ■ •■J*. i i i * Age E£ft3iK%9i c ■n M03o ■■ Si&JGBnRsE Hi BwE®&$Hi iPriBMiffifc kSh HBBBPfl Pi -IH IHI &£? &§&lfi H ■ ■ PH™-^-^ H-H & HH^HHIBHBl Hfl H I^H ■ ■ Hi S H '^ ; ' Jjk] ' ■;• I I Bl ■fin ..'. +,c?^,+. - ■■ ^K^H ,••••• BBS 'I Ct. LIBRARY UNIVERSITY OF CALIFORNIA RIVERSIDE Very Much Abroad. COLLECTED UNIFORM ILLUSTRATED EDITION OP F. C. BURNAND'S WRITINGS. Jrom "§muij." By Ffc.°BURNAND AVTHOll OF " HAl'PY THOUGHTS. WITH Illustrations from "Jluiub' LONDON BRADBURY, AGNEW, & Co. Ld., BOUVERIE STREET 1890 LONDON : BRADBURY, ACNEW, & CO. LIMD., PRINTERS, WHITEFRJAR3 To My Dear Old Friends and Colleagues THESE VOLUMES Containing the greater part of my Contributions to ME. PUNCH'S PAGES During the last Twenty-five Years are Affectionately Dedicated by their Fellow - Worker F. C. BUKNAND. May 31st, 1890. y «^f$tu^ ££■ /U^. O*- L~jZ~~sZJZ~ CONTENTS. PASK THE BOOMPJE PAPERS 1 NOTES OF A FIRST VISIT TO LA BOURBOULE . . . . . 91 SOME ACCOUNT OF A VISIT TO ROYAT 169 SALUBRITIES ABROAD 243 DUE SOUTH 293 HOW, WHEN, AND WHERE 339 VEF(Y JVIU6H /eBf^OAD THE BOOMPJE PAPERS. Being the Papers of the Boompje Club, Collected by its Secretary. PREFATIAL. O ALL and singular, individually and col lectively, Boompje ! The history of the Boompje Club resem- bles that of most other great and flou- rishing institutions. It has been developed successfully out of small beginnings. Such remarks as appear here are made in my capacity of Secretary, and on my own personal respon- sibility. No man is a Boompje all at once. This must be borne iu mind, because we didn't, as a Club, begin 2 VERY MUCH ABROAD. by being Boornpjes. We, as it were, awoke one morning in a new country to find ourselves Boornpjes. Of which word, it being double-Dutch, I will not take upon myself to guarantee the correct spelling or pronunciation. One of our party — we started as a party and continued as a Club — looked out of the Hotel window at Rotterdam, by the river-side, and says he, gravely, " Do you know where we are ? " There was a pause, and he tumnmeu, " Vr'e oxfc on tue Boompje." Thereupon, somebody said, "Let us be Boompjes,"and somebody else said, " Let's," and the motion was carried nem. con. [On investigation we found he was right. We were on the Boompje. "The steamers," said our friend, appealing to the infallible Murray, " land their passengers on the fine quay called the Boompje." * * * " The philosopher Bayle ended his days in one of the houses on the Boompje." This was enough.] We find (so runs the extract from the Boompje diary of that memorable day) that we have hitherto been Boornpjes without knowing it. This is evident on examining Boompje principles. BOOMPJE PRINCIPLES. Examples. — To say at ten a.m. " I'm off ! " and to he off to Any- where (America, for example), before eleven, is to act upon Boompje principles. A man may act on Boompje principles, unconsciously, and without being a member of the society, as that gentleman did, whc marched up and down his room for one hour and a quarter, over- head, while I was trying to write the first stanza of my poem, The Fisherman of Scheveningen. I had begun : — It was a Fisher of Schevening, Who went out in the evening, but at this point one of our party (the names will be given soon) knocked at the door, on Boompje principles (i.e., he did it so sud- denly that I started up — boompje'd — from my chair), and informed me, when I asked him " if it wasn't pretty," that evening wasn't a rhyme to Schevening, because Schevening was pronounced Skay ven- THE BOOMPJE PAPERS. 3 ing : " and then, having only come in to ask me what time it was (which I couldn't tell him), he walked out also, on Boompje principles, i.e., banging the door violently. So, when I set to work again, I saw no prospect of a rhyme to Schevening, as pronounced, unless the poem could be supposed to be written by an Irishman, who would pronounce "evening" as " avening," which I rejected, after dashing it offon one Boompje impulsive principle, and tearing up the paper on another. It was a l'isner of Schevening, Whose . . . Something about "hunger" here. On second thoughts it occurred to me, that if you could talk of " stabling a horse," why couldn't a poet speak of " havening a boat? " "Oho!" I cried, inspired, "the Boompje!!" and forthwith wrote : — A Fisherman of Schevening His little boat was havening. When And here the man above began to walk about. Then there came a banging of doors in the passage ; then a creaking of a door, somewhere, at intervals. So that when the man didn't walk, the doors banged ; when the doors didn't bang, the door cracked ; and, when I was going to ring my bell violently, and say to the w T aiter, "For Heaven's sake, stop this inf ," the noises ceased, and. passing my hand through my hair, I once more set myself to find line No. 3 for A Fisherman of Schevening, His little boat was havening, f a storm When a hell '. a — a — Arrival of a party, and " would I mind letting a lady see the rooms 1 " With pleasure : I'm going out. On with hat ; off with self. Boompje ! Coming to think of it, I don't know anything more remarkable than the way in which we suddenly struck on the title. Came down, as it were, whop upon it, Boompje ! n 2 4 VERY MUCH ABROAD. It's a wondei-ful word. Boompje ! ! If any one doubts me, let him try it as applicable to all sorts of occasions. You talk of your acquaintance, the Duke of Upshire, as " Up- shire " or " old Uppy," after being introduced to him, and saying good-bye to him at the corner of a street. This is Boompje. You rise in the morning ; out of bed at last. Boompje ! You bound along the pavement, buoyant, light-hearted, and happy. Boompje ! Seethe rollicking carelessness of the porters in dealing with your portmanteau and trunks at Dover and Calais. Boompje principles. Boompje ! You are sad, despondent, and depressed. B-o-o-mp-je. You are up again. Boompje ! ! You go out fur a ride, in Rotten Row, on a mettlesome charger, at so much an hour, and tell a friend that you are trying a horse with a view to purchase. Boompje ! Boompje ! You have all your electro-plate out and silver too (if any) for a leg of mutton and potatoes. Boompje ! In short, if the intelligent reader will but give his mind to it, and just try the word on every possible occasion, he will find it not only suitable, but exactly appropriate to all possible occasions. In short, Boompje is everywhere in some form or another. In due course, as Ave proceed, I will give you the Hymn of -the Boompjes. **-s#-***-x-# Note Post-Prefatiai,. — The mystery or secret of the Boompje Association lies in the mode of pronouncing or giving effect to the word Boompje. It is two syllables ; the first (it is scarcely neces sary to add) being Boomp, while the second (it is important to notice) is je. All that the present writer is at liberty to say on this subject to those whose destiny has not as yet led them to be Boompjes, is, that something of the force of the words may be gathered by coming down heavily, as it were, on the first, namely, the Boomp, and coming up, lightly and sharply, on the je. Boomp on one side of an ordinary see saw, and Je on the other, will convey some idea of this mysterious word to the uninitiated. In any case the Je is to be Je up. Allons I THE BOOMPJE PAPERS. 5 CHAPTER I. THE TOUR COMMENCES — THE BOOMPJE PARTY PRIOR TO BOOMPJEISM. ANE morning Bund comes to me and says, "I want to make a party to go abroad." As a commencement, we went out for a walk together, and called on Maullie, the eminent artist, who had just finished his great picture of Home Again — (subject: a young cavalier has rushed into an Elizabethan drawing-room to meet his wife or somebody — represented by nobody being there and through the door, which in his haste he has left open, are .seen five interiors in perspective, one after the other, with the hall-door open in the distance, and a very little perspective man taking down a very little perspective portmanteau from a little perspective coach — sold for something over four figures, on the honour of a Boompje) — and was anxious to get away for a holiday. " Now," says Bund, who is an enthusiastic musician, and an amateur of the violoncello, " Here's the party : Painting, Music, and Literature." I was " Literature," and deputed to keep a diary. Somebody suggested that Three wasn't " company," and while we were debating this point, enters to us Dicky Gooch. " Look here," says he, "you fellars : if I come with you," making it a favour, " I must be back in ten days, because of the London season." This being an imputation upon our social status, we all asserted that not only must we be back in that time or less, but that we experienced the utmost difficulty in tearing ourselves away from the crowds of parties, balls, concerts, teas, drums, &c, to which we had been invited at the rate of five a day for the next two months. (Boompje !) [Boompje note. — Gooch had managed (I afterwards discovered) with some difficulty to get an invitation for a private operatic per- formance at the house of somebody whom he didn't know, and this represented his engagements for the season. But a genuine Boompje of London Society would rather die than own such a melancholy fact.] VERY MUCH ABROAD. CHAPTER II. COMPONENT PARTS — THE START LILLE— GHENT — THE BOOMPJE HATS U N D we elected Commodore, Commander-in-Chief, and President of the Travelling- Society, whose object was to be the pioneer of civilisa- tion to Dutchland. He wanted to bring his vio- loncello with him, but this was objected to by the entire party. There were still a few preliminaries to be settled. As to expenses, that is a matter generally ignored as " mere detail " on Boompje principles. " Hallo ! " says Gooch, "Who talks Dutch?" He generally prefaces a ques- tion or an observation with " Hallo/' It was explained to him, by the Secretary, that Hollanders, generally talked Dutch. "No, no," says he; "look here, you fellars " (another formula "vith him), " I mean which of you talks it. I don't*" No one did. Maullie thought it wasn't necessary. The Secre- tary thought it was ; but suggested that French would do, to a certain extent. Bund asked if he was Commander-in-Chief or not 1 Yes, he was. " Very well, then," says he, " we'll have a Courier." It was carelessly objected that this course might be expensive, It was statistically proved by Bund that it couldn't be anything of the sort. His answer was, simply, " No, not a bit of it." THE BOO MP J E PAPERS. 7 It was mildly opposed by the Secretary ; while Gooch, whose proclivities are swellish, but whose means are limited, halted between two opinions. Boompje, however, prevailed. Maullie said that he'd once travelled with a Courier, and the plan was delightfully luxurious. He had just sold his picture, as I have already hinted, for a sum which would have purchased a wilderness of Couriers. (Boompje adaptation of Shylock.) Bund offers to be Paymaster-General, and settle with everyone at the end of the time. The Secretary and Gooch immediately agree to this plan, fore- seeing the convenience of a distant settlement, and place them- selves entirely in Bund's hands. Maullie yields, on condition that he is to map out what we ought to see. Bund knows a Courier, and the thing is done. Our reasons for going to Holland may be individually stated thus : Bund goes because he's seen the picture galleries once, and for- gotten all about them. Maullie, because he knows all the pictures by heart, but has never seen them. Gooch, because he has never heard of or seen the pictures. The Secretary, because he has never seen the pictures, but heard of some of them vaguely. The Courier, because he's taken. Coincidence which I notice at Rotterdam after the Boompje title has been adopted, viz., that our Courier's name is Jomp, pro- nounced Jump ; and, therefore, the very name for a leader and guide of the Boompjes. On we go to Holland, vid France and Belgium ; and back again, vid Belgium and France. Boompje ! "Yes," cries Gooch, as we were carrying it off jauntily on the quays of Rotterdam, with hearts both light and merry (with which " hey down deny " is to rhyme in The Miller and his Men, vide opening chorus), " here we are regularly out on the spree." "No," returns Professor Maullie, sweetly rebuking his junior, " do not say ' on the spree ; ' say that Ave are out on the Boompje." Maullie is to meet us at Antwerp, which we are to pass through on our road to Rotterdam, but where we do not wish to stop, as 8 VERY MUCH ABROAD. three of the party " know it by heart." Maullie being of an independent Boompje nature, sets off by himself. From the moment of our concluding arrangements with Jomp, the Courier, all trouble is supposed to be taken off our hands. We merely tell Jomp where we want to go, Jomp knows the place, of course, intimately, and he could find the way there blindfold. So Jomp arranges our route. We propose, Jomp disposes. Jomp gets all the necessary tickets, and we are to be oblivious of every- thing until we find ourselves at our first halting place, Ghent. The only inconvenience about this plan, we find, is that we change our minds, and Jomp doesn't. We decide that we ought to go vid Antwarp first. Then having decided that, we decide again that Antwerp oughtn't to be taken at all, but begin with Bruges. Gooch exclaims, " Look here ! you fellars ! I say ! Why not stop at Lille for a night 1 " No one knows exactly why not, but it being discovered that there's nothing to be done at Lille at night, " except go to bed, that's all," says Jomp, disparagingly, the proposal is dismissed as unworthy of notice, and Gooch says, " Hang it : I think you might listen to some of my suggestions." As this looks like breaking up the party before it starts, we compromise by calling in Jomp (which would have saved us considerable trouble at first, as we now find he has taken all the tickets vid his own route) and asking him if we go near Lille. Jomp, when questioned, always gives one the idea of having been called out of bed at short notice, and dressed himself in a hurry. He collects his scattered senses by passing his hand forwards and backwards over his head several times, and mur- muring something, partially unintelligible, still in his character of a man not quite awake. " Lille," he is understood to murmur vaguely, " veil — urn — um." It should be mentioned that Jomp is, it is supposed, of Swiss origin, and possesses such a knowledge of languages as is enough to render him generally unintelligible in any particular tongue. "Lille," he replies, considering, "Lille — veil — um-um-um ! Oh yes ! "—this he gives in the tone of a permission — " Oh yes, you THE BOOMPJE PAPERS. I) can go by Lille," wherewith he shrugs his shoulders, as if to give us to understand that such a detour will put the train to consider- able trouble, not to mention the entire derangement of his own plans. " Yes. But — " Bund puts it in a barrister-like style, " do we go there or do we not ? " "Veil," says Mr. Jump, after polishing his head slowly, pre- paratory to taking his cap in both hands, and holding it behind him, "Veil — you can go by Lille — oh yes — de train pass true dere." Then he adds suddenly, as a conscientious afterthought, which is to take us by surprise, " If you go that vay." It is finally decided that we won't stop at Lille. And the route is mapped out to the satisfaction of all parties. Bund says confidentially to the Secretary, that he should like to have got down to Milan, or spent the time in Switzerland, instead of Holland. Maullie takes an early opportunity (when we subsequently come up with him at Antwerp) of informing me that he gives way to the majority, but for his part he should like to have made Dort his chief place, and stopped there. Maullie's one idea is to go to Dort. Bund, who is always ready with an argument from Murray, points out that his authority says, " There is nothing to detain the traveller at Dort." Maullie says that observation is only true after you've seen everything. He is sure that Dort is the most interesting place in Holland. Jomp says, " Oh yes, um — urn — um, you can stop at Dortrecht — um — um." Then, as an afterthought, " if de steamer go dere." On the whole, we keep Dort in reserve for Maullie, if he won't go on without it. First Boompje sonnet by Maullie : — To judge by report, I always thought That we ought To stop at Dort. Bund thinks it stupid ! Gooch says that Dort doesn't rhyme to ought. Maullie likes it himself, and reads it to me privately. Gooch hopes [before we start] that we shall push on to Brussels, and "see some fun." No one knows exactly what he means, except, apparently Jomp, who says, "Oh, yes — um — um, you can 10 VEBY MUCH A B BO AD. do something at Brussels," which is the fullest information he can offer us on the subject. We start. A broiling hot day. Gooch thinks that there won't be a ripple on the water in crossing. Bund is of opinion, having had something to do with nautical affairs in his time, that it may be "blowing freshish outside." The mention of "outside" exercises an unpleasant influence over Gooch. He stations himself as near the centre of steamer as possible, and won't rise from his seat. Mr. Jonip, with admirable forethought, places the coats and bags on our seats, which he secures for us several minutes before the boat starts, in such a position that we get the sun in our eyes, the blacks from the chimney, and the heavy moisture from the steam valve pipe. On being remonstrated with by Bund, who points out to him (Bund once had a thirty-ton yacht off Erith, which he thought resembled the French coast without the nuisance of having to speak a foreign language) that when the wind is SS. by EE., and the sun is at meridian, also when a boat is steering from SE. by NW. then, if you want to Jceep out of the sun, you must get into the shade, Jonip replies, with an admirable readiness, which shows him equal to any emergency, "Veil, yes — urn — um — you can move der tings." Gooch, finding that there is no chance of being inconvenienced by the voyage, now becomes hilarious, and ventures upon pale alo and a cigar. He regales us with anecdotes of himself in various towns of Europe, chiefly Boulogne and Paris. He begins to air his French, and points out two or three people on board who he assures us, on his own experience, are " regular foreigners," and who turn out to be commercial travellers from Liverpool. Boompje ! At Calais he rejoices in being on the shores of France once more — " la belle France/" he exclaims — as if he'd been born or brought up there. He exhibits the soldiers, the douaniers, and the French people to us generally with this preface, " Look here, you won't see this sort of thing in England, you know. We can't do that 1 " — a summing up generally in depreciation of his own country. THE BOOMPJE PAPERS, 11 CHAPTER III. GOOCH'S DISTRESS — THE TOUR CONTINUES — THE INTELLIGENT JUMP -THE BOOMPJE LIVERY. OOCH, when on French soil, is very much annoyed at being taken for anything else but a Frenchman. Indeed this is Gooch's peculiarity everywhere abroad. He has no desire when in Holland to be thought a Dutchman, but he is immensely pleased when the Dutch waiters ad- dress him as " Moshoo," and flatters himself that there isn't a trace of the Britannic [slander in him. In Holland and Germany he is strong in his French, even to substitut- ing it occasionally for English. But in Belgium he is more diffident of speech, excessively polite, and full of action. Gooch calls the French language so " expressive." His idea is practically illustrated by his seldom finishing a sentence, even if he gets half through it correctly (which is wonderful), but attempting to convey the remainder of his meaning by a shrug and a look. This is quite satisfactory to a foreigner, he says, who understands as much from this expressive pantomime as he does from the previous conversation Bund and the rest assent to this as highly probable, seeing that, on one occasion, when Gooch returned from talking with a Frenchman with the intelligence that " he had found him (the Frenchman) a very 12 VERY MUCH ABROAD. pleasant fellow, full of information ;" and that he (Gooch) "had picked up a good many valuable hints in answer to his questions," we found the French gentleman in a state of utter bewilder- ment as to " what language your friend (Gooch) had been talking, as he (the Frenchman) hadn't understood one single word he'd been saying." Maullie is as decidedly English (which Gooch is perpetually de- ploring) as Gooch is undecidedly French. \_Arcades ambo — Boompjes both.] Gooch travels as if he were dressed for Regent Street, so as to be ready, he says, for the towns. Maullie, who has started in advance of us, when he does appear bursts on us in a light check coat, check trousers, white waistcoat, and white wideawake. The English tourist complete. Bradshaw in a bag slung behind him, and a sketch-book and pencil in his oil- hand pocket. Gooch, not knowing Maullie very well, confides his misery to us in the evening. "I say," he asks, "can't anyone hide Maullie's wide-awake and burn his Bradshmv ? Or, look here, couldn't we subscribe and buy him a black hat and black coat for towns ? And (imploringly to us all) do talk French more. Hang it ; why shouldn't we all talk French ? And, then, we shouldn't get mixed up with these ' travelling English ' everywhere." T Boompje.] On account of that white wideawake and light coat of Maullie's, I know that Gooch suffered mental agonies. One morning, Bund, the Commodore, exhibited a black soft felt hat, of a Tyrolean form, smashed. It had braved many tours, and was now produced by him to save his other hat and be comfortable. Gooch eyed it, and merely observed that it was impossible for him (Bund) to go out walking in that thing. Maullie was bad, but to be excused solely on the ground that he was an artist. But Bund had no excuse, and his hat was several times worse than Maullie's. There is certainly a good deal of Boompje about provincial conti- nental towns, perhaps not more nor less than in ours. But no matter, here, there and everywhere all is Boompje. N.B. The careful and inquiring reader will be able to collect for THE BOOMPJE PAPEIiS. 13 himself, from time to time, such Boompje proverbs as embody most of the Club's leading principles. 1. Once a Boompje always a Boompje. 2. When with Boompjes do as the Boompjes do. 3. Here, there, and everywhere, — all is Boompje. As to Lille and Ghent, this being previous to the great Boompje declaration at Rotterdam, suffice it to record the following facts : — That being interested in the town of Lille, Gooch asks Bund, who passes it on to the Secretary, if Lille wasn't a very celebrated city. The Secretary replies, " Yes." Gooch asks, " Celebrated for what ? " The Secretary passes this back to Bund the Commodore eating ices, who thinks it was something to do with wars, but he will tell Jomp to get his Murray out of the fly. Gooch implores him not to : he says it's so touristy : so English. Ask the waiter. The waiter doesn't know that Lille is particularly celebrated for anything : except perhaps the shop where he is, and its ices. " Fortifications] " suggests Secretary. "Yes, fortifications," returns the waiter, shrugging his shoulders depreciatingly. " Thread 1 " asks Bund. " Yes ; it is celebrated too for thread," the waiter thinks. " Lille thread," says Bund turning to us, and explaining. We tell Jomp to let the coachman take us round the town. We are passing a quaint old house ; gabled and carved all over- "That," says Jomp, cleverly, from the box, "is the Town House." We ascertain it to be the Hotel de Ville. We stop before a tremendous cannon, ancient and unwieldy. Mr. Jomp, on the box, points it out to us, as if there was any possibility of our not seeing it. Bund asks him if it's a gas-pipe 1 Mr. Jump being taken aback, and having no invention ready to hand (it is the business of a Courier to be always ready with some story about an object of interest) replies, " Veil — um-um-yez — 14 VE11Y MUCH ABROAD. perhaps," and we drive on. If Mr. Jomp ever takes another party there, he'll show that cannon as the first gaspipe ever laid down and taken up again in Lille. We see an arch. "What is that?" we ask the intelligent Jomp. " That 1" returns our inexhaustible courier, "urn — um — um," he looks at it and thinks ; then to us, as if astonished at our want of perception, "That is an arc, — an arch." With which explanation he expects us to be as perfectly satisfied as he is him- self. We see Vauban's fortifications being pulled down. We view two churches, which are large and have fine windows. We don't know their names, but are as much pleased as if we had heard all about them. Gooch says, " There ! now we've done Lille, let's go back to the train." We all feel the better for this episode, and presently, about four hours after, arrive at Ghent. At the hotel and ready for dinner. Ghent. Gooch asks, " Qu'est-ce que votes avez ? " meaning for our dinner. The waiter is a little startled ; but suddenly bursts out with " Roas beef, you can have, and mutton, and some plum puddang." " Confound it ! " says Gooch. " What's the good of coming abroad for that ? " And forthwith, the table arrangements having been confided to him, he orders an elaborate menu. At dinner Gooch, in his character of mi vrai Parisien, insists upon having hors cCoeuvre. But for these (which turn out to be radishes on one plate and butter on another) the dinner is served in purely English style : whereat Gooch is very angry with Jomp, who, he says, has told them that we are English and like this sort of thing. Jomp denies this ; but says he is very sorry. " What for 1 " asks Gooch, brusquely. " Um — um — um," replies Jomp, " veil — um — / do not hioiv." But for a long time he doesn't get over the imputation of having betrayed the secret of our being Englishmen, and living only on "roas beef, mutton, and plum-puddang." We apply to Jump, as knowing all about it, to know what there is to be seen in Ghent. THE BOOMPJE PAPEB9. 15 Jump replies, " Veil — urn — um, you can see — um — urn, a great many things." We wait to hear a few mentioned particulai-ly. " There's " (it suddenly occurs to him by a sudden inspiration,) " vatever you like." He says this as if Ghent belonged to him, and he was throwing it open gratis for our inspection. "Aren't there some fine churches?" Bund suggests as a leading question to freshen his memory. " Oh, yez," he returns, shrugging his shoulders ; " thei'e's, um — um — veil — there is churches." " Hang it ! " growls Gooch, "go and ask somebody ; " and Jomp, more hurt than ever, in fact, almost shedding tears, quits the room, and we hear voices on the landing. Jomp and the waiter. " He said he knew all these places," Bund explains apologetically. [Evidently a courier's Boompje.] Jomp, the " intelligent officer," as the police reports say of a policeman who has done nothing but " receive information," returns, having ascertained (from the waiter on the landing) that there is a Belfry to see and a Church of St. Paul. He takes us to the Belfry, and tells us it is St. Paul's ; he takes us to St. Paul's, and tells us it is the Belfry. Both are shut ; but an old man, in his shirt sleeves, offers, instead, to show us the Gymnasium. Declined with thanks. Jill 10 VERY MUCH ABROAD. CHAPTER IV. GOOCH TITLED " WHAT, NO SOAP ! " MR. JoMP, THE COURIER — IX LIVERY GHENT — ANTWERP — ROTTERDAM — THE BOOMPJE. ^ \ >>*-=■ - N^^^vi* COURSE, when we meet the Great Boompje Maullie, afterwards at Antwerp, he exclaims — " What ! not seen the Belfry ! Not seen the Gymnasium ! Why, my dear fellows, yon've missed the only things you ought to have seen." But this we set down (subsequently) to Boompje. Before Maullie and his hat had appeared, Gooch had been horrified at the appearance of Mr. Jomp, the Courier. He says lie doesn't mind it while travelling, nor when we were at Lille, driving round the town in a fly, with Jomp on the box, in the entr'acte allowed us (by Mr. Jomp's excellent management, who had so contrived our journey that there was no station where we didn't stop a quarter of an hour at least — with nothing whatever to do, and no buffet — "Veil," said the inventive Jomp, "urn — um — um — you can valk about") between the arrival and departure of the trains ; but now we are at Ghent, a town, and with a dashing carriage (it certainly is that), and a coachman in livery, with a new cockade, he must protest against Jomp being on the box, unless he has a costume. " What sort of dress? " we ask. Well, he has seen the sort of thing he means in the Bois, and <>n a foreign ambassador's, or some foreign swell's, carriage in Hyde Park. He proposes something military. (Boompje ! ) THE BOOMPJE PAPERS. 171 First proposed dress — Rejected on account of being too much like a French marechal on the box. Second proposed dress — Rejected on account of its being painful to Mr. Jomp's feelings to appear in a footman's dress. " But it won't be a footman's dress," explains Gooch, " when you get the colours." Thirdly — Gooch recollected a Polish count, whose servant used to appear at Baden in various uniforms. Boompje argument : " Why not be taken for Polish Counts 1 " " The dress of a Chasseur," says Gooch, " would be distingue, and old Jomp wouldn't mind that." Old Jomp does mind it, however ; but owns that his present appearance is not all that could be desired. " I voud vear anoder hat," he exclaims, " urn — um — urn — " and then adds, after carefully thinking it out, " if I 'ad vim." Jomp can't say fairer than this, evidently. Even the philosophic Bayle, who died in a house on the Boompje, would have been satisfied with this as logical. Gooch's opinion is, that Mr. Jomp resembles a travelling pedlar with umbrellas to mend. This comes from our having given him our umbrellas and our satchels to carry for us. The shape of his hat probably arises from its having been slept in for the greater part of the way, and sat upon during the remainder. This is the compromise procured in Ghent at a tailor's. A livery coat, formerly the property of a duchess, but sent back because the family had gone into the deepest mourning. Black, with yellow facings, and black tags to shoulders. High black hat, with gold band : cockade, black and yellow. His (Mr. JOmp's) own collars and black tie, also, waistcoat and trousers a discretion. Sunday at Ghent. — First day of Courier in livery. We attend early masses at various old Churches ; driving up in our carriage, and Jomp waiting at the Church doors (Boompje) ; Gooch and Bund behaving decorously, and not bringing Boompje principles into play while the people are engaged in their services ; and finally after breakfast, we drive to the Beguinage, the College of .Nuns who live in a little town of their own, take no vows, stay as long or as short as they like, occupy themselves in nursing and teaching, and so forth, and wear a white sort of towel on their heads, which, six hundred of them, as they enter Church, unfold and spread, one o 18 VERY MUCH ABROAD. after another, or several at a time, but all using one action, over their heads, and then they draw down the front to cover their noses, devotionally, retire to their seats. We three, and four others of our sex, are the only men in the Church. We shrink into as small a space as possible, and keep near the door, with the view of retiring noiselessly should there be a sermon. It is admitted on all hands, that, at all events, there is no Boompje bere. " The Beguins are not the sort of people to put a Courier into livery," observes the Secretary to Gooch. Gooch objects to this, that they do wear a livery. This leading to no issue, the conversation drops. Gooch presently says that up till this moment he had always thought the Beguins were birds. Commodore Bund supposes he's thinking of Penguins. Gooch considers it not unlikely. Conversation number two dropped. At Antwerp we see Maullie's hat in the distance, and, in three minutes more, we find Maullie under it. Maullie is hearty and full of spirits. He stands at the door of the Hotel St. Antoine, and cries out, "Hooray ! hip ! hip ! hooray ! " (Boompje.) "He might have said, 'Br-r-ravo,' or a la bonne heure/" Gooch grumbles, and expresses his wish that our meeting had been in a private room. This also is Boompje. Gooch wants to know if dinner has been ordered. No, it has not. Well, then, what can we have ? The waiter answers promptly, " Koas-beef, roas-mutton " " And plum-pudeftm# it ! " cries Gooch, in a rage. Maullie says, good-naturedly, " Oh, anything for me." This disgusts Gooch more than the waiter's announcement. "Of course," he protests, "if you say you don't care; and hooray, and hip, hip on the steps of the hotel, of course they'll give you beef and mutton." And he boompjes out of the room, and comes against Jomp on the landing. " Hang it, Jomp ! " he says, " you ought to know. What can one get here besides this — this — beef and mutton ? " " Veil," replies Jomp, astutely, " um — urn — um — " And we expect, by his considering m long, that we shall hear of some dish THE BOOMPJE PAPERS. 19 peculiar to Antwerp. So we wait while Jomp polishes his head with his handkerchief, and thinks it out. " Veil," he says, pre- sently — " Urn — um — you can 'ave someting else." Carried, nem. con., that Jomp is an ass. This unanimity restores good humour ; and the landlord is charged with the task of pro- viding a recherche dinner on the distinct understanding that he is to avoid beef, mutton, and plum-pudding. At Antwerp. We see all the great pictures and churches for the fifth time (for three of us) and assist at an al fresco concert in the Botanical Gardens in the evening. Here the best people of Anvers are present in grand toilette. Gooch hears Maullie, with Bund, discussing art in loud tones, and addresses himself to me piteously. " I wish," he says, " Maullie wouldn't come out in that hat. Hang it ! you know, he wouldn't do it at the Zoo in London. And why will he speak English ? Or, if he must speak it, why does he do it so loud ? " Gooch, himself, is delivering all this to me apart and confidentially. What he does say aloud he says in French, and kicks me under the table impatiently if I don't answer in that language. Gooch points out to me, always in his character of un vrai Parisien (Boompje all over), that young Belgium imitates jeune France in dress. Gooch, wishing to be thought young France, or what he calls, a petit creve the haute gomme, evidently thinks he is attracting the favourable attention of a young lady most ele- gantly dressed, who, he imagines, takes him for some leader of the fashion from Paris. He sees Maullie approaching. He foresees that that confounded hat and Maullie's loud and very plain English will destroy all illusion as to his being a French Count. Henceforth we call him the Count. Another thing very distressing to Gooch, is that Bund insists upon Jomp carrying for him a large bag, containing, among other things, Murray and Bradshaw. With this Jomp has to follow or lead us, as the case may be, and Bund stops him for reference, whenever he requires information. Maullie disconcerts him dread- fully by always wanting to stop suddenly in streets, and " take bits," in his sketch-book. He pulls up before an old gabled house, "There's a bit ! " he exclaims enthusiastically, and out comes his sketch-book. "Hang it," says the Count aside to me, "you don't see foreigners doing that in London. He wouldn't do it in London. c 2 £0 VERY MUCH ABROAD. . Jf he did, the police would move him on. And then," adds Gooch, piteously, " he gets' all the little boys round him." Which is perfectly true, and they interest themselves as much in the Count as in the sketching. And now by train through the flattest country ; then on board a steamer, up a long, melancholy river, embanked by rushes. We are all becoming more and more depressed as we near our destina- tion : at last, Ave see a terrace not unlike that at Southsea, or Littlehampton, with a touch of Ramsgate in it, too, and a dash of Chelsea, by the river-side. This is our first view of Rotterdam. After passing in front of a line of respectable red -brick houses, with little gardens (like those suburban houses on the western outskirts of Chelsea in the position above mentioned), we step at last upon THE BOOMPJE. There is elasticity in the word. Depression vanishes. In comes our luggage. Down goes Gooch's portmanteau. Whack. Boompje ! Down goes Bund's on the top of it. Don't be annoyed, Gentlemen ; it's all right — Boompje ! Smash the carpet- bag heavily, bang the hat-box, mix our things up with somebody else's luggage — (Gooch asks if there wasn't a novel called, Some- body Else's Luggage, but receives no answer) — shovel 'em up, knock 'em down, stave in the side of that lady's box, drop the large portmanteau on to that evident bonnet-case, — whack, jerk, bang, anything you like ; and here we are in the land of Boompje ! Down the passages ; Boompje ! luggage into rooms ; on to the stands ; on to the floors ; wrong box in right room ; right box in wrong room ; bustle, bootjacks, and Boompje ! Landlord apolo- gises ; but one hundred and seventy passengers have just arrived, and the house is full. Boompje ! Sorry he can't give us better rooms. There's one down-stairs ; a sitting-room and a bed-room, w T ith four beds in it. All for the Commodore. The Count, Maullie, and the Secretary are distributed about the first-floor passages. Mr. Jomp follows everybody else's packages, and finally rescues ours. Maullie, of course, has no soap. He is heard crying out for c- o TJSE BOO MP J E PAPERS. 21 soap loudly to the gargon de chambre (a Dutchman). " What sort ? " asks the Waitei*. Maullie, busy unpacking, replies, " Any sort ; only look sharp." Gooch says, " Why on earth doesn't Maullie speak French ; he'll never get any soap." The Count is right. When we arc nearly ready, Maullie is still ringing an electric bell in his room, and holloaing for soap. To him the gargon, in a hurry, with a small tureen, a napkin, a spoon, and a large plate. "What the Boompje's this?" exclaims Maullie. "I've been ringing for soap this half-hour." " Could not pring 'em pe-fore ; it take some time to hot." And therewith he sets it down on the table ; and, whisking off the napkin, discovers a basin of hot Julien soup. Shouts from the Count, the Sec, and Mr. Jomp. Maullie bawls at him — " Soap ! not soup." The Count (with dignity). " Le Monsieur veut dire ■ savon : ' comprenez, savon 1 " Garcon. " Ah ! vy he ask for soup ? " [Exit Gargon with soup, and returns with soap. In a lofty room, with a painted mythological ceiling and carved mantelpiece, we sit down to dinner. Gooch has forgotten to inquire about the menu. It is brought in. Soup, roast beef, mutton, and plum-puddang ! ! ! Boompje ! 1 22 VERY MUCH ABROAD. CHAPTER V. DEVELOPMENTS OF JOMP — ROTTERDAM — AT THE RESTAURANT — DUTCH INSCRIPTIONS — WATER-ZOOTJE DINNER. UR order of proceeding through Rotterdam, is, Jomp first, with the Commodore's carpet-bag, containing (es- pecially) Murray and Brad- shcuv. Then the Secretary, then Maullie in his celebrated hat with his weapons, sketch- book and pencil, in hand, "taking bits," lastly, the Count (Gooch) lagging well in the rear, afraid to lose sight of us entirely, but at- tempting to appear as if the assertion on our part of having any sort of connection with him were, as the advertisements say, " an untradesmanlike falsehood." Our progress is slow, as we are pulled up every five minutes by Maullie, exclaiming, " Hah ! " then he pauses, shades his eyes with his hand, compresses his lips critically, shakes his head at the antique house, as much as to say, " You're a sly old chap, you are, to be hidden away here in this manner ; " then he opens the book and flourishes the pencil, and in another three minutes he has "taken the bit," and our halt has attracted a small company of little Dutch street-boys and a few loafei's. Gooch is utteidy disgusted, and stands aloof, looking in at a shop-window. Jomp has to clear away the crowd. " Confound it," Gooch complains to me, "you know, they think we're going to perform, and do conjuring. It's all through THE BOOMPJE PAPERS. 23 Maullic's hat, — and — hang it — they think all our tricks, and cups and balls are in that carpet-bag of Bund's. Ton my soul, it's too bad. It only wants a board and a bit of carpet to complete it." Jump, a perfect Irvingite in the matter of unknown tongues, somehow manages to explain to the little Dutch boys, that we are not going to give a performance of any sort, and we resume our progress. The Commodore's one object in Rotterdam is to find out the statue of Erasmus. Gooch, who has dressed himself as if to walk in Hyde Park, and is suffering from the heat and the wretched pavement, says, " Hang Erasmus ! " Maullie asks where the Picture Galleries are ? These two questions being put to Jomp, that well-informed person stops, takes off his hat (the livery one, which is as hai'd as a policeman's, and as hot as the glazed one worn by voituriers in Paris) performs a sort of extempore shampooing operation with a faded brown cotton pocket-handkerchief (" Hang it," says the Count, " I'll get him a new one ") and having "brought it out," replies deliberately, "Veil, um — um — um — oh yes — there's de statue of Rasums " — this is what " Erasmus " comes to in Jomp's dialect " Yes — oh yes — it's here," which we know, " but ichere ? " asks the Commander, becoming a little irritable. — " Veil, I'll demand — oh, yes — they'll tell me " — as if this was a profound secret not generally divulged by the Rottcrdammers, " and — de Picture galleries — oh yes — You can see dem — um — um — um,' here he thinks it out again, and makes a safe proviso — " if dere are any." " I thought you said," exclaims the Count to Bund, "that Jomp knew this place very well." " He told me he'd been here before," replies the Commodore, evading the responsibility ; — then to Jomp, " You have been here before, eh 1 " " Oh, yes," replies Jomp, indignantly ; " oh, yes — been hero before — but I never stojy." This confession compels Bund to have recourse to Hurray. To get at Hurray he has to open the bag, remove Bradskaw, two hair-brushes, an old comb, an eau-de-Cologne bottle, a pair of slippers, and a portable boot-jack. On the appearance of this last article, Gooch makes a final protest — "Out in the open air— oh 24 .VERY MUCH ABROAD. 'pon my soul ! — it's — it's " — and being unable to find words sufficiently strong to express his disgust, he walks away from us and saunters along, as if he were utterly blase, and had seen it all scores of hours before. At this rate we don't get on very fast through Rotterdam. Presently Bund cries out (he is sitting on a post, studying the Guide Boole) to Maullie, who is taking a bit, "What do you think Murray saj's ? " " Don't know," returns Maullie, placing his pencil horizontally across the bridge of his nose, as, with a puzzled expression, he regards an imaginary vanishing point. " He says," continues the Commodore, quoting — " ' One day will suffice to see all that is remarkable in Rotter- dam: " " Oh," says Maullie, in a tone of utter indifference. " Is there nothing to see ! " says Gooch, who has sauntered back again on seeing Murray returned to the bag, and the bag once mrre in Jomp's hands. " See 1 Yes ! " cries Maullie, enthusiastically, shutting up his sketch-book with a click. " See ? lots. I could spend weeks here- Isn't there a tower or something to go up and get a view from ? " If there are no picture-galleries, Maullie invariably wants " to go up somewhere and get a view." To boompje up a hundred and twenty-five steps gives quite a fresh lease of life to Maullie. Gooch says, languidly, " Good heavens ! if you want to do that sort of thing, why didn't you stop in London and go up the Monu- ment." He complains (he is always presenting gravamina to me, privately) that to go up towers and belfries is "such a regular British tourist sort of thing." " Let's go to a restaurant's," the Count proposes. Comp>romise. — Tower first, restaurant afterwards. In the mean- time (while we're up the tower) Jomp to go and order luncheon. " Not luncheon" says Gooch in despair, "dejeuner a la fourchette, a bon filet, par example, and be sure to order hors d'ositvre, des radis, des sardines, you know, Jomp ; no confounded English things." And Jomp departs on his errand, taking with him, "thank Heaven," says Gooch, after he's well out of sight, " that boompje carpet-bag of Bund's." TEE BOOMPJE PAPERS. 25 On quitting the tower, from the summit of which we certainly have a wonderful view (about which Maullie minutely questions the guide who shows us over the place, while the Commodore, who will trust no information except Murray's, listens to him with the air of a man not to be taken in in this sort of way), we walk towards the restaurant, Bund stopping Maullie to draw his attention to what he considers picturesque (a tender of opinion immediately resented by Maullie who likes to choose fcr himself), the Secretary noting down the bright brass milk-pails, the Turk's heads, open- mouthed, over the druggists'-doors (as if always ready for physic), and the costumes of the women, with their wonderful spiral ear- rings, arranged on a startling boompje principle, apparently to shoot out suddenly and hit you, and looking very much as if the Dutch women had extracted the springs from small Palmer's patent candle-lamps, and polished them up into something resembling ornaments for their ears. Mem. All Dutch children lovely ; most grown-up Dutch plain. At the Restaurant. — Gooch complains it isn't like Paris : more like Leicester Square. He hopes Jomp has ordered some dish peculiar to the country. " Oh, yes," says Jomp, " I have commanded a — a — a " (Here he thinks it out, and continues) — " a — a — vot they 'ace got." Enter waiter with large dish, followed by another waiter with smaller dish. Cover removed. Exclamation (Boompje !) from Gooch, "A rtimpsteak and potatoes! Oh, confound it! Why the Boompje " (to Jomp, who stands by, smiling, with an air of intense satisfaction) " couldn't you order a dish of the country 1 " " Yell," returns Jomp, hurt, " dis is from de country. Be cow is in the country, and de potatoes in de country? Agreed nem. con., for the fourth time, that Jomp is an ass. " And no hors-d'oeuvre I " says Gooch, almost in tears. " Oh, yes," says Jomp, triumphantly, " I command them, but there are none." Some capital light wine, and plenty of ice, restores us, and we again take to the Hoogstraat (High Street). Note. — Dutch inscriptions. TVe notice '■ Kofy Ilaus " and 2C VERY MUCH ABROAD. " Kafly," too, as if they had not yet made up their minds how to settle the spelling. " Slytery Tap>pery " is very popular, and Ilollandsche Spoorweg is far from occasional. It is satisfactory ("satisfactory'' looks like a Dutch word, so do "lottery" and "pottery") to know that " Agentschasse der Sliedrechtsche stoorm sleep maatschaffij Haarsnijder Beschen 'en kleingoed." Also, And " Voor nat en drukken bewarren" " Ilet is verboden de lots of things.'" " Heavens ! " says Gooch. " Fancy being in a place where ' liet is verboden to slytery tappery ! ' " He makes this remark on seeing some notice not unlike the above, stuck up in a picture-gallery (not here, but at Amsterdam), which he subsequently finds means that visitors are requested not to put their sticks and umbrellas through the pictures. (At least we conclude that to be the idea.) Dinner at the Hotel. — Bright idea of Gooch's. lie knows what to ask for. Of course the dish of the country. What 1 Why — fancy not having thought of it before — of course, water-zootje / I suggest souchet or soucM. The Commodore thinks it's zouchy. Maullie says he doesn't know, but should say water-zootje, inclining to Gooch's opinion. Jomp summoned. Does he know if there is any water-zootje ? " "Veil," says Jomp, " perhaps there is." He discovers his utter ignorance by offering to "find out for us vere it is." " What do you mean — ' where it is ' ? " says Bund, sternly. He is responsible for Jomp, and is beginning to feel that he mustn't be trifled with. "Veil — ran — um," Jomp explains, "vere it is — vot part of de town he is in." " JVater-zootje is something to eat, you — you Boompje ! " cries Gooch. " Ah ! " returns Jomp, with an incredulous smile, thinking he is being chaffed, u you can ask." THE BOOMPJE PAPERS. 27 So the waiter enters. " Now," says Baud, shifting the authority on to the Count's shoulders, " you order what you want." All eyes on the Count : the waiter deeply attentive. " Have you," inquires Gooch, with the air of a barrister who'll get something out of the witness before he's done with him — " Have you any water-zootje 1 " " Vater " the waiter murmurs, puzzled. " Water-zootje, you know,'' says Gooch. " Vater-zootje," Maullie tries, with a feeble attempt at Dutch. The waiter looks at Jomp. Jomp shrugs his shoulders, and smiles helplessly, as much as to say, " You see they will have their joke," which irritates Gooch almost beyond endurance. Then the waiter, evidently entering into Jump's view of the matter, also smiles and shakes his head, as if we really were too funny for him. " But, confound it ! " exclaims Gooch, " don't you know your own dishes? Why, it's a regular Dutch dish — always have it at Greenwich " (Waiter and Jomp shrugging and smiling ; Com- modore and Maullie anxious.) "Here, I'll write it down " He writes it down. " Now," he resumes, triumphing in this effort of ingenuity, " what's that ? " The waiter inspects it, so does Jomp. "Well," says Gooch, impatiently, " don't you know it ? Haven't you got it ? Water-zootje, eh 1 Your own national dish ! " The waiter, still under the impression that he is the victim of a weak practical joke, replies "No, never 'eard of eet," and retires with Jomp. Agreed, nem. con., stupid idiots ! Don't know their own dishes. The usual foreign dinner follows — roas beef, &c. No hors d'osicvre, no salad. Capital champagne, however, well iced, restores equa- nimity. After dinner Gooch lights cigarettes. Maullie sleeps. Bund reads aloud extracts from Murray, and the Secretary makes notes. Bund, finding it dull, regrets he didn't bring his violoncello, and requests me to note that there is no music in Rotterdam. If we stop any time in one place (Bund throws this out as a sutrsestion), he thinks he'll hire a violoncello. 28 VERY MUCH ABED AD. CHAPTER VI. STILL IN' ROTTERDAM — GOOCH S RAILWAY TIME BOOMPJE NOTES — FAREWELL TO THE EOOMPJES — THE HAGUE — THE GALLERY — TWO FRIENDS. GOOCH is peculiarly slow. It is through Gooch that Ave always manage to " run the starting rather fine," as lie expresses it afterwards. He is utterly unable to consider himself as a man slow in his movements. When he wants to give you an idea of his going to be some considerable time (dur- ing which, specially before breakfast, you are implored by him not to wait for him) he will ask you to "call it," or " say twenty minutes. This is how he wishes others to compute time, by "mak- ing it" or "calling it," or " saying " so many minutes. He seldom runs into hours. When he does this, if it's an appointment, you may de- pend upon either not seeing him at all, or on his turning up in a week or two, and proudly saying, " There you see, I said I'd come, and here I am ! " For instance, he is not ont of bed, he has (by consequence) not had his bath, he has to pack his portmanteau, and have his breakfast. "Well," says Bund, the Commander at the door, "how long will you be, eh 1 " " Oh," answers Gooch, from within, under the sheets probably, and the door craftily locked, " about a quarter of THE BOOMPJE PAPERS. 21) an hour, or," he adds, as if wishing to be particular to a second, and not inconvenience anyone by so much as a five seconds' delay, " eay twenty minutes, and I'm there." We say twenty minutes, and, of course, he is not there. If he wishes to give us a notion of how quick he will be, when, for example, we want him to come and see some privately-collected picture gallery which is conveniently open at eleven and closed at twelve (on account of the private collector's family dinner), and Gooch has three letters which he has invariably got to "finish " — (not to lurite, oh no, that would be too long and tedious a pro- ceeding, — he appears to keep a lot always by him half written, as Maullie has some three or four pictures always "on the stocks") he says he will come " before you can wink your eye." This is his formula for his own rapidity : — He'll be dressed before you can wink your eye. He'll put on his hat before you can wink your eye. He'll come to you (he sends this by telegram a hundred miles, off) before you can wink your eye. After this, it is almost unnecessary to state that we find Gooch to be at least three-quarters of an hour dressing, and a trifle under that — not much — washing his hands. Gooch's watch is invariably set by "railway time." This he will give with an air of authority, which is convincing at first. After missing the train on three occasions, in consequence of adhering closely to his (Gooch's) watch, we begin to mistrust him, and prefer Jomp's chronometer, which takes us down to any station at least an hour before the train starts. Gooch's exclusive possession of " railway time " (no one else's watch ever coincides with his, and he generally manages to correct other statements and come in last, authoritatively) is peculiarly Boompje-ish. He announces it as a fact, by which you may take warning (or not), how it's for your own advantage (or not) ; but that's all one to him, and he pities you, if you don't. He is also consistent, a great point in Boompjeism ; for when we arrive at the station, hardly by his time, and the train has gone, he refei's us to the railway clock as being in accordance with his watch, in which case he at first asserts that the train can't have gone ; and, on hearing that it has, threatens the ticket-taker in the pigeon-hole- 30 VERY MUCH ABROAD. that he will write to the directors ; or, if the station clock flatly contradicts him (which is very rare) he appeals to us (generally to me) to corroborate his statement of the agreement of his watch with that of the last station we were at yesterday. After travelling with him for some time, we prefer Jomp's time to Gooch's ; but end by striking a balance between the two, and then generally having half an hour to the good. Something Eccentric in Rotterdam. — I once saw a ballet, or musical piece, called The Dancing Barber. The chief character was dressed in a very closely fitting suit of sables, not a bit like a barber, and he wore a cocked hat. I mention this because Gooch reminded me of it in Rotterdam, where, when anyone is dangerously ill, the relatives send round a couple of these dancing barbers, in black, with funereal weepers to their cocked hats, who go about like two bogies, ringing at the doors, delivering cai'ds, and frightening (I should think) little Dutch children into fits. (Boomp-je !) Maullie proposes that, before going on to the Hague, we should visit Dort. The Commodore assures him that there's nothing to be seen at Dort except windmills. Maullie retorts, that he likes windmills. Gooch yawns on a sofa; and says, " Do let's go to the Hague. There's civilisation there. I say ! " he exclaims suddenly, turning to Maullie, " there's a palace and swell shops there : you might get a hat." Maullie would prefer going without a hat to Dort. Jomp settles the difficulty by saying, " Veil, you can see Dort if you like ; but — um — um — um — ve don't go near there." We take a final walk on the Quay called from the little boompjes on it "The Boompjes" (which, as a peripatetic club, we have long ago decided upon always writing as we pronounce it, Boomp-je), and depart for the Hague. Note — I cannot again refrain from drawing attention to the ingenuity of the Dutch as to names. They call a river the Rotter, and they make a dam. It's a sort of charade. My first is Rotter, my second is Dam, and my whole is the name of a place. Ans Rotterdam. It is as clever as a riparian resident, who, having a house on a bank of the Thames, calls it " Thames Bank House." THE BOOMPJE PAPERS. 31 They call a little tree a Boompje. They plant several little Boompjes on a Quay, and they call the Quay The Boompjes. There's a simplicity and a freshness about this which is quite en- chanting. The Hague. — Belle Vue Hotel. Very prettily situated, and first-rate altogether. Gooch, delighted, lounges out of window, smoking cigarettes. Maullie, in an arm-chair by a side window of sitting-room, commences "taking a quaint bit." There won't be much left for other artists after Maullie's visit. Bund is immersed in Murray, correcting his statements by Bradshaw, and Jomp is somewhere, asking what is to be seen. I sit and admire the view — canal (of course), gardens, deer pai-k, large trees — charming. The houses of the Upper Ten at the Hague are generally situated on, as it were, square islands formed by stagnant canals. Smell delicious, naturally. Query, if the people at the Hague are no worse in health than at any other place — say, London — what's the use of attending to drainage, sewerage, and good supply of water? This problem puzzles us. Having walked about for an hour or so (without Jomp and the bag, thank goodness !), Gooch proposes finding out a restaurant, in order to provide for " dejeuner". He says this travelling makes him so hungry. We don't doubt him, seeing his appetite on every occasion. He is always proposing to sic down to a meal when Maullie wants to take us to a Picture Gallery. " Didn't w r e come to see the pictures ? " asks Maullie, who is usually satisfied with what he calls "a snack." " Yes," says Gooch ; " but we can't see pictures without eating." Decided : Gallery first, Hotel afterwards. In the Gallery. — First striking notice : — Het is verboden de schildengen Aanterahen, which is, of course, highly satisfactory. Gooch and self now taken by Maullie to see " a masterpiece, Sir, by Rembrandt." Maullie walks straight into the room where it is, as if he'd beei? there every day of his life regularly. " There ! " he exclaims, triumphantly. " There's the Lecture on Anatomy. Rembrandt." 32 VERY MUCH ABROAD. I see Bund surreptitiously consulting Bradshaw and a Notice des Tableaux, before committing himself to an opinion. Gooch says, " Ah ! " and looks round, to see if there are any other spectators besides ourselves. I don't exactly know what to say. After considering some time, I venture upon a safe inquiry, founded upon Maullie's previous remark, "I suppose this is considered one of Rembrandt's finest pieces?" " Certainly ; yes," answers Maullie, and continues, enthusiasti- cally : " look at old Tulp, there. Fine head, marvellous head." I inspect Tzdp's head critically ; at least, the head of the man I take to be Tulp. " There's character in that eyebrow ! " continues Maullie. I smack my lips, as if I were tasting it, and say, "Yes, indeed," (Boomp-je !) though I can't see that my Tulp has much in the way of eyebrow. Also, which eyebrow 1 " Then, look at the hands ! " says Maullie. This decides me. My Tulp is not his Tulp; mine only showing nne hand. Determine to find out which is "Tulp." I ask, "Are they all portraits of celebrated people 1 " "Yes," replies Maullie, who is well up in it. " Their names are on a piece of paper, held by one of them," Bund informs us, quoting from Murray, which he has just put in his pocket, "and Tulp is lecturing on the body, in the centre." {To myself. "Oh, that's Tulp/") Aloud. "Of course, that's Tulp in the centre." Gooch gives it as his opinion, that it's " a doosid unpleasant, subject." And, turning away, suddenly comes upon two friends- (not in tourist suits) who are sauntering through the Gallery. " Hullo !" exclaims Gooch, in that tone of utter surprise at any- body being abroad besides himself, peculiar to all travellers on meeting friends. " Hullo ! " they return, in precisely the same strain. Then they shake hands warmly, as if a quarrel had parted them for year.?. They are introduced by Gooch as Muntley and Finton. I don't quite catch Avhich is Muntley and which is Finton. I seem to have heard the name before, as a Company Limited, or, on second thoughts, in connection with candles and biscuits. No, that's Huntley and Palmer ; Huntley for biscuits, Palmer for candles. Muntley is shortish and stoutish, his head generally a little thrown THE BOO MP J E PAPERS. 33 hack, with the air of a man who is taking breath before making up his mind to tell you a secret. Finton is a quick, sharp fellow, with a nervous sort of laugh, as if ready to turn off anything he might say too seriously into a joke. Muntley (I discover) congratulates himself upon his conversa- tional powers, and being able to talk to any one on any subject, specially Art. Being introduced to Maullie — whom Gooch takes care to describe apart to his friends as " the Maullie, you know, R.A. ; you recollect his pictures 1 " to which they reply, " Oh, indeed, Maullie, by Jove, is it ? " and they immediately overlook the hat and the tourist dress, which was the Count's object in playing such a flourish of trumpets. Muntley at once joins Maullie. " Very few good things here," says he. " Urn ! " says Maullie, frowning at a jovial Jan Steen. " They try to take one in with these catalogues," continues the knowing Muntley. I ask how. " Why," he informs me for Maullie's benefit, " they pretend they've got Rubens's pictures here, but they spell it • Rubbens,' so as to do you. Look here: '122. Venus et Adonis dans un Paijsage.' ' This he reads with a real British accent, adding his translation, " ' Venus and Adonis in a Passage, by Rubbens.' It won't do, you know." I confess this does look like imposition. "Then," he goes on, "here's 'Snijders' down for Sniders, and ' Wouwerman ' for Woovermans ; and who the deuce ' Vinkeboom ' is, I can't make out." Maullie is scowling furiously, but asks if Muntley has come across any Van Dycks. " Not one," answers Muntley, ingenuously. " There's nothing about him here under the letter ' D.' There are some pictures — — two Dijks — A. Van Dijk and Ph. Van Dijk ; " (he pronounces these like " Dchick ") ; " but of course they're nothing particular." Maullie has not stayed to listen. With a short "Ah !" he has passed on, and we find him fixed in admiration before No. 27 — Vue aux Environs de Dordrecht, by Cuyp. " I knew," he says, " we ought to have stopped and seen Dort. [ will, going back." He ivill. Boomp-je 1 34 VERY MUCH ABROAD. CHAPTER VII. AT THE HAGUE — AMONG THE PICTURES — ARTISTIC OPINIONS JOMP CONSULTED — HOW WE VISIT A PRIVATE COLLECTION RESULT. PPOSITE Paul Potter's Bull. Muntley and Finton in ecstasies. N.B. Before a well-known work of art, safe to be in ecstasies. Gooch exclaims, " C'est magnifique ! " His friends, Muntley and Finton, being evidently of the same mind as himself as to the neces- sity of speaking French when abroad, reply in chorus, " Oui! oui!" Bund, who has got Murray by his side — [Note. By the way, subject for one of the future Boomp- je Ballads — Air, " With his Sabre hi/ his Side'" — Boomp-je version : — With his Murray by his side, And his Bradshaw in his hand, &c. etc., when the original words come to hand. Maullie, R.A., shows me mems for various Boomp-je Ballads — "All among the Boomp-jes," a version of " All among the Barley." I express my opinion that his notion is very good : he expresses his that my notion is very good. Like a fellow to be sympathetic and appreciative. Maullie, R.A., is.] Bund, who has his Murray by his side (out of the bag) says, " Wonderful for its truth to Nature ; " as if he'd lived among bulls THE BOOMPJE PAPERS. 35 all his life ; and, "It's marvellous" — here he inspects the picture closely, and then falls back a few paces, — " It's marvellous how he has arranged his masses." As this sounds like knowing something about it, we all (except Maullie, who hasn't said anything as yet) agree with Bund, " that it is, as a fact, wonderful how Potter " — a little too familiar, per- haps, but it shows a thorough knowledge of the artist — " how Potter has arranged his masses." [Note. — Consulting Murray afterwards, I find where Bund has got his expression from. Boomp-je !] Gooch exclaims, after a minute's silence, " C'est un tableau de grandeur naturelle," on which he congratulates himself as being •excellent idiomatic French. I join Muntley and Finton in responding " Oui." [Note. — Having purchased a catalogue, I discover that Gooch's French is a quotation. Also Boomp-je !] Maullie says, " Yes, clever, of course, but uninteresting. Very •much overrated ; " and he walks off to No. 125, Le Confesseur de Rubbens, a portrait by Rubens of the cheeriest Monk possible. " Isn't that the very fellow you'd pick out for jolly old Peter Paul's Confessor, eh 1 " cries Maullie. We all agree, except Muntley, who is a little bothered by the double b in Rubbens, and inquires of Finton, in an undertone, " Peter who 1 " Subsequently he evinces his knowledge of the subject by mentioning old Peter Paul's Bull, — which sounds as if Peter Paul were a celebrated Pope. Bund, who has his own ideas of art, professes intense admira- tion for the works of art painted by the Brothers Both. He takes vis, one by one, into corners where pictures by these artists are hung. He fees officials to lower or draw up window-blinds (the Boths are generally in the worst possible lights), in order to show us the beauties of the Boths. He doesn't ask Maullie to look at them, but canvasses (as it were) for a majority in favour of his (Bund's) opinion before appealing to Maidlie. Bund, being our Commander, Commodore, and Paymaster-General, we agree with him, to a certain extent, about the Boths, of whom we have never before heard. Muntley and Finton join us, and express their sentiments, as far as to say, " Yes, very pretty." d2„ 36 VERY MUCH ABROAD. " Look at the sunset," says Bund, pointing it out enthusias- tically. " Mustn't touch the picture ! " says the official who pulled up the blind, translating Het is verboden, &c." "No, of course not," returns Bund; "but," to us, "isn't the sunset admirable ? " We think it is certainly. "It's so wonderful," continues Bund, "that the Boths, being Dutch, should paint Italian scenery." We admit that it is very wonderful. Muntley, after some con- sideration, asks, slowly, "Why?" " Why ?" returns the Commodore. "Because," — he begins as if he was answering a conundrum, — " Because — they never saw it." This answer being satisfactory to all parties, we move on to another picture. Note. — Bund's explanation, as above given, seems to be framed on the Jomp model. For the present we don't hear any more of the Boths, in consequence of Gooch's insisting upon our going back to luncheon. The Couut says that having fed only two hours ago, he is so confoundedly hungry. Maullie remains in the gallery until, having been shut in by the doors being closed for the day, he is subsequently turned out by one of the officials, who finds him sitting solemnly before La leron d'Anatomis du Professeur Tulp, No. 116. After this, he appears at the Hotel. Jomp is now summoned. During our absence he is supposed to have found out all that is to be seen in or near The Hague. Muntley and Finton, as friends of Gooch's, have been asked to join us pro tern. " Now, Jomp," says Bund, " what's to be seen next 1 " " Veil," answers the intelligent Jomp, rubbing his head, as usual, and letting his eyes wander vaguely round the party, as if hoping that some one would suggest something — ■ " Veil — um — urn — um— -dere's de pictures." Thinks it out, and adds, " Ah, but you 'ave seen dem." " Isn't there a celebrated town near here, eh 1 Leyden ? " sug- gests Gooch, who thinks he's got hold of the place where Li Prophete came from. THE BOOMPJE PAPERS. 37 "Isn't there a fishing-place — Scheveningen 1" asks Bund, on Murray s authority, before Jomp can answer. Jomp, who has begun to think out the first question, turns his attention to the Commander's inquiry. " Veil " he begins, when Maullie jumps up from his seat (Boom-je ! !) and interrupts. " I beg your pardon," cries Maullie, apologising to every one in general, and only looking at Jomp, "but isn't there a private collection somewhere here 1 " Muntley and Finton, together, say, " Oh, yes, lots." Jomp becomes perfectly damp with agitation. He looks as if another question, put suddenly and sharply, would knock him down. A prisoner at the bar asked to plead "Guilty or Not Guilty " could not appear more utterly miserable than Jomp. He mops his head with the dull-coloured cotton handkerchief (" I will get him a new one," Gooch is heard to murmur), pockets it, puts his hands behind him, and having, so to speak, pulled himself together for an effort, says, " Veil — dere is Schevening — oh, yes— you can go dere — oh, yes — and a private collection of pictures — oh, yes " " At Scheveningen ? " asks Bund, thinking to kill two birds with one visit. " At Schevening ? " replies Jomp, considering : then, after cautiously thinking it out, he adds, "No; you can not see de collection dere — urn — um — because, you knoiv, it's here." And he looks round to us as if for confirmation of the truth of his argument. "Then where is it?" asks Maullie. "We're hereto see the Dutch school, aren't we ? " We nod our heads, as solemnly as the spectral skittle-players did to Rip Van Winlcle. " Let's go there at once, Jomp ; " and he takes up his hat. " But," exclaims Gooch, " it 's a private house. You can't go, in that dress — and that hat." "Pooh!" says Maullie, "don't come if you don't like. Now Jomp, you can show us where it is." The Count makes one last effort. " Let's have a carriage, and drive there in style. Hang it ! don't let's walk to a private house like rabble — or bailiffs." 38 VERY MUCH ABROAD. Jomp says, " It's not vorth vhile to 'ave a carriage. It's only a few steps." We set off: Gooch protesting to his friends, apart, that it's too bad of Maullie ; and " Hang it ! " he adds, " he's got an umbrella now as big as a clothes-bag. It brings such a bad name on Englishmen. Fancy," he goes on protesting, "a lot of fellows with bags, umbrellas, and wide-awake hats, calling on one of us in London 1 Would we let 'em in ? Pooh ! " " A few steps," as represented by the intelligent Jomp, turns out to be half through the town, a distance doubled by Jomp's first forgetting the way, and then the name of the street. Arrived at our destination, an elegant newly-painted residence of some municipal notability, Jomp knocks at the door, being induced to do so by the Commander. (" He'll think we've all come to dinner," says Gooch, still protesting, " It's too absurd.") A neat maid appears. What she says, in Dutch, we don't know. " Speak to her," says Bund to Jomp, with confidence in Jomp's acquaintance with the language. Jomp appears to become suddenly bashful, and what he says to her is a perfect mystery to everyone, including the maid, who stares at him. " Dash it ! " says Gooch, " she'll think we're all drunk." There does appear a probability of this, and of Jomp's being removed by some authorities as drunk and incapable, for he stands on the doorstep grinning and sputtering some unin- telligible sounds which may mean something to him, but nothing to anybody else belonging to any known nationality. Maullie begins something in French. Gooch says, " It's no good, she doesn't understand that." Bund, becoming very angry, swears at Jomp. " What the Boomp-je did you bring us here for, if you can't speak the inf — Boomp-je language ? " he asks of the unfortunate Jomp. Jomp, in an agony and almost in tears, replies, "Veil, you vould come here. I can't 'elp it. I tought she'd know vy ve came." Then he turns to the girl, who by this time has become almost pale with fear, and with a gentle smile this time, tries some words on her which he believes to be very like, if not absolutely, Dutch. THE BOOMPJE PAPERS. 39 This and his smile (" a confounded lunatic leer ! " says Gooch, whose temper has quite gone) settles the question. She bangs the door, overturning Gooch on to Bund, and the next minute we see the family of the private collector at the windows, regarding us with horror and anuizement. " Veil," says Jomp, picking himself up from the lower doorstep, " Ve can't see dat if dey von't let vis in." "But you can't speak the language, confound you," cries Maullie, boiling over. " Veil, um — urn — um," retorts Jomp, hurt by this imputation ; " she don't understand vot I say." Carried nem. con. for the twentieth time, emphatically, That Jomp is an Ass. Also, that we'll get some one who does under stand the Hague, and the language. It is now four o'clock. Proposed by the Commander, that we drive to Scheveningen. Seconded by Gooch heartily (he is always ready for anything in a carriage), with an amendment to the effect that we have a biscuit, or sandwich, and a glass of something first. Generally agreed to. Carriage ordered. 40 VERY MUCH ABROAD. CHAPTER VIII. A TRIP TO SCHEVENINGEN — THE DRIVE — JOMP's INFORMATION MAULLIE'S JOKES — A DISCOVERY A SKETCHING PARTY BUND AND HIEROGLYPHICS THE ETABLISSEMENT. CHEVENINGEN.— " Scheveningen," says Bund, authoritatively, "is a small fishing village three miles from the Hague, containing eight thousand inhabitants.'' Gooch asks if he has coun- ted them. Bund, entering into the joke, replies that he has, and finds Murratfs number exact. Maullie, R.A., observes, " Exact ? I wonder at that : I should have thought you'd have found several short." This is Maullie's fun. It throws a gloom over the party for the remainder of the drive, which had begun very pleasantly. OJooch's friends (both in a rumble, hooked on specially for them, and evincing a strong tendency towards detach- ing itself from the main body of the carriage) beg that Maullie's joke may be repeated to them. It is repeated. Consequence, one short laugh, and then meditative silence and folded arms. We take Jomp with us, because he has been instructed as to the beauties of Scheveningen by the landlord of the hotel, and we suppose that for once he is well posted up in the subject. We see a large house, apparently of Italian architecture, among the trees. Bund attracts Jomp's attention by poking him in the THE BOOMPJE PAPERS. 41 back with his stick, much in the same manner as the keepers rouse the sleeping animals in a travelling menagerie, or a passenger wishes to intimate to the 'bus conductor that " he's a long way past where he ought to have been set down." " Ask him," says Bund, meaning the coachman, " what that place is." Jomp turns round again, and mumbles some soft, very soft, nothings in the coachman's ear. The coachman makes some reply, evidently not understanding one word used by the intelligent Jomp, who tries again, going in at the conversation this time with his head and arms. The coach- man nods, shakes his head, and laughs ; then turns to us over his shoulder and, taking us into the joke, laughs again. " He thinks Jump mad," says Gooch, decisively. " Hey ? What 1 " asks Muntley and Finton, in the rumble. N.B. The worst of having fellows in the rumble, who want to be sociable, is that everything said in the carriage has to be repeated to them, as if it were being interpreted. I give them, conscientiously, a sort of precis of the conversation and the circum- stances leading up to what Gooch has just said, and they reply together, " Oh ! " A sort of chorus in the rumble. Bund says afterwards, " A rumble is only for servants. 5 ' Maullie replies, " Yes, your rumble servants." Another gloom over the party. One laugh, and then gloom. " What does he say ? " asks Bund of Jomp, still bent upon knowing what the Coachman knows about the House which we've passed a quarter-of-an-hour ago. " He say," replies Jomp, in despair of ever making any Dutch- man understand him, "He say — um -urn-urn — he say it is nothing ■ — um — um — he doesn't know." " But you didn't explain," continues Bund, perseveringly. "I explain," returns the unhappy Jomp, "but," he adds, shrugging his shoulders, as an expression of pity for the coach- man's want of education, " he vill not onderstand vot I say : he come from somevhere else." This, henceforth, is Jomp's excuse whenever a Dutch person does not understand his (Jomp's) language : which case is of perpetual occurrence, the sole exceptions being when, by some 42 VERY MUCH ABROAD. lucky chance, the Hollander speaks English, or can interpret Jomp's Swiss-French. Jomp's theory (a Boompje theory) is that there is some part of Holland where a number of people come from, who neither understand nor speak their own language. A. pretty drive finishing with a newly-made road and young trees on either side, brings us to Schevening, or, as Murray will have it, " Scheveningen,'' throwing a syllable in for luck as it were. We drive on until we stick in a sort of dry marsh of fine sand, into which the horses sink nearly up to their knees, and our wheels up to their axles. Further progress is impossible. An idea strikes the intelligent Jomp, who turns to us from his perch on the box and says, " Vill you stop here ? " Under the circumstances our reply is that we will, whereupon Jomp descends, opens the door, and we step as lightly as possible on to the sand. Gooch and his friends being in low shoes protest in forcible language, and stand still, looking about for less sand. Bund, preceded by Jomp with the bag and umbrella, ascends the hillock which commands the beach, and Maullie, after shading his eyes with his hand for a minute-and-a-half, as if looking about where to take Scheveningen unexpectedly, com- mences cutting a pencil by way of coming to the point as soon as possible. "Coming to the point" was Muntley's joke, and would have been highly successful (as no doubt he has found it on several other px-evious occasions) but for the sand in our shoes, the un- pleasant walking, the hot sun, the peculiarly strong odour of fish, (not unlike that of a poor quarter of London on a Saturday night) and the improbability of our being able to get any refreshment " except perhaps," says Gooch, in a tone of unmitigated disgust, " tea and shrimps." N.B. Always carefully select your time to be funny. Jomp makes a discovery. He sees in the distance an etablisse- ment, and with a view to ingratiating himself with Gooch, points it out to him privately. Gooch, Muntley and Finton are delighted. THE BOOMPJE PAPERS. 43 " By Jove ! " exclaims Gooch, whose mind at once reverts to Tronville, Dieppe, and Boulogne. " I dare say there's a band there, and a restaurant." " And lots of people," suggests Muntley. " And the French papers ; the Figaro" suggests Finton, this being the only French paper he knows. " Do you know," Gooch asks of Jomp, who has suddenly inspired liim with confidence on account of his discovering the etablissement, " if there is a promenade here 1 " Muntley and Finton both listen anxiously for the answer. A promenade to them means lounging about vaguely, examining the toilettes of the ladies, remarking upon " Doosid pretty girls those," asking one another, " Who's that 1 d'you know 1 " smoking cigarettes, settling their ties, coaxing their collars, and keeping their wristbands well en evidence, by dint of perpetual pulling up and shooting out their arms as if engaged in some species of gymnastic exercise. This last per- formance, by the way, Muntley terms " flashing his linen." As the Count and his friends would be perfectly happy to pass their afternoon in this simple fashion, they are all ears for Jomp's answer concerning the promenade. " Oh yes," replies Jomp, with such fin air of certainty as would make any one who knew him receive his information with a con- siderable amount of caution. " Dere is a promenade." " Where ? " asks Finton. " Oh," returns Jomp, as if to put such a question was utterly absurd, " Vere 1 — 'ere." He extends his arms on either side in the attitude of a street juggler chucking the balls and knives, and looks from right to left, and then from left to right, thereby taking in the whole line of the seashore of Schevening. " But they don't walk about in this sand 1 " exclaims Gooch, who sees no sign, except the existence of the etablissement, of anything like a fashionable promenade. "Oh yes," retorts Jomp, "Dey valk in de sand." He thinks it out and adds, " Dere's no vere else." " I wish we'd known it was a fashionable place," says Gooch, " we'd have got Maullie another hat at the Hague." Maullie is on the sands, sketch-book and pencil out. Muntley and Finton go to inspect the etablissement : they are to ■L4 VERY MUCH ABROAD. return and report to Gooch. Bund has followed Maullie, and is pointing out to him what he ought to draw. Maullie is sketching one of the hundred and fifty picturesque fishing-boats which are waiting for the tide in order to put out to sea, and is carefully noting down all the details. Bund is pointing out a boy with a dog in a totally different direction from that where Maullie's eyes are engaged. " I say," exclaims Bund, who flatters himself on a great appreciation of the picturesque, " there's a bit for you to draw." " Eh 1 " says Maullie, steadily continuing his boat. " Boy with dog," Bund goes on, as if he was settling the name of the picture in next year's Academy Catalogue, " and fishing- basket. Just look what a quaint old fishing-basket." Maullie pooh-poohs the suggestion, whereupon Bund sets to work to make what he calls just an artistic memorandum, which, he informs us, conveys more to his mind, subsequently, than any writing could do. What it may convey to his mind, it is impossible to say ; but having seen the original of the sketch, it is quite certain that this is not conveyed to our minds by what may be called the Boompje hieroglyphic. The Commander, Bund, is always " dashing off," as he 'calls it, a little sketch. " There's the basket ; and boy ; and dog," he exclaims, with an air of artistic pride, handing the fly-leaf of Murray (he generally does them in some odd corners of books, or on scraps of paper, preserved afterwards in his pocket-book) to us for inspection. I say, "Yes," doubtfully ; but add, " I suppose that'll recall to your mind the whole scene; " i.e., Schevening, the sand, the one hundred and fifty boats, the crowd of costumes, the etablissement, the huts, the houses, the carts, the sunset, the sea, &c, &c. Gooch observes, " That it's a great thing to be able to sketch." Our opinions are, perhaps, somewhat biassed by the remem- brance of the constitution under which, as a Club, we are travelling ; i.e., that the Commander Bund is Paymaster. Jomp, who is evidently trying to recover his position in the Com- mander's estimation, looks over his elbow at the drawing, and says, sagely— " Ah, yes, urn — um — um," he is considering the subject — " it is THE BOOMFJE PAFEBK. 45 very goot. Yes, oh yes — dere is de leetle dog," and he carefully points out what Bund intended for the basket. Gooch and myself side with Jornp on this occasion only. "We say, " Yes, the dog is very good ; it's the animal itself in a few touches." For the matter of that, it's about as much like a bathing-machine as a dog, but Bund (who had intended it for the basket, or the boy, but certainly not the dog, there is no doubt about it, from the angry expression of his countenance, when he was going to retort upon Jomp) takes all the credit he can for the cleverness of the sketch, and to prevent any future mistakes, labels the thing, which we had settled upon as representing the dog, with a "D," and then, entirely mistrusting his own powers and intention, asks us knowingly, which tvc should say was the boy. "We choose, out of the two remaining figures, the boy (of course, it is the basket, though Gooch has some doubts upon the point), and Bund labels that No. 2, with a reference below : thus, No. 2, the Boy, and No. 3, the Basket, adding a line to the effect that the above is a Sketch taken on Sclieveniwj Beach, Sunset. 46 VERY MUCH ABROAD. CHAPTER IX. STILL AT SCHEVENING — ART IN DANGER DRIVE HOME — AN INVITA- TION THE UNIFORM. AULLIE near the boats, and beckoning ns to join him ; his whole action is as stealthy as that of a deer- stalker, or of a somebody who's found something dan- gerous asleep, and is going to take its head off. We join him. A fish auction is going on. Carts, empty, are dashing down the beach, driven by boys in command of one, two, or three horses, and being dragged up again heavily laden. There is a fair sprinkling of men, but the auctioneering seems to be chiefly carried on by women. Children, appa- rently belonging to anybody or everybody, are running about and amusing themselves with fish. Dogs, with feline tastes, are growling over and munching fish wholesale and retail. Boys are throwing fish to one another. Men are bringing in baskets of fish, or taking out baskets of fish, or lading carts, or trays, with fish, or unlading other carts, or other trays, overladen with fish, or talking either about the fish they've got, or the prospects of catching more fish, and a few strangers are buying what is not already bespoke [Mem. " Bespoken " would be a good Dutch word], and everybody on or about the spot is doing something or other w T ith fish, and the whole place smells of fish, and there THE BOO MP J E PAPERS. 47 are no meadows, nor grass-lands anywhere near, where you might get a third course of cutlets, or a piece de resistance in the shape of a leg of mutton. But the fish have it all to themselves at Schevening, and the people make a perfect jour maigre of every one of the 365 days in the year. " I've got something," whispers Maullie confidentially to me. He is dodging behind a fish-cart, with his sketch-book in one hand and his pencil in the other. " What the Boomp-je is the matter with Maullie?" asks Gooch, whose sense of propriety here, with the chance of a promenade, is being utterly outraged by this eccentricity on Maullie's part. " He'll attract a crowd," he adds, observing two or three little fishy boys already evincing an interest in Maullie's proceedings. At last we discover what Maullie has " got." It is a very tall, hulking, gawky fisherman, in a costume composed, apparently, of various contributions most thankfully received by the present wearer. He is a difficult subject to sketch, as he won't keep him- self in view (he can't help keeping his head in view, except when he disappears behind a fishing-smack, which he does occasionally as a short cut to some other crowd gathered round a fish auc- tioneer), and Maullie has to dodge him, in and out, between carts, to wait for him outside some small crowd into which he has plunged, and out of which he will struggle presently (his head being visible the whole time), when Maullie will follow him round a boat, he on one side, the tall fisherman on the other, like the pantomime business of the Clown and the Soldier round a sentry-box, until making a bad shot as to which way his unconscious model is coming, he and the tall fisherman bump up against one another face to face, that is, as nearly as possible, allowing for their respective heights. From this moment the situation is reversed. Hitherto it has been the Gigantic Model unconsciously escaping from the Artist, now it is the Artist, pain- fully conscious, escaping from the Gigantic Model. " Frankenstein" says Bund, thinking the simile peculiarly happy. " Yah" says Gooch, who imagines that Bund is saying something to him in German which he ought to understand. The Gigantic Fisherman, who really appears to have grown more grim and a foot taller, evidently suspects mischief. If Maullie retires behind 48 VERY MUCH ABROAD. a cart, just to " sketch in " the eye, or the nose, or a patch in his coat, the Giant is down upon him round the corner, with such a real expression of interest in his eye, as makes Maullie, as Frankenstein, shut up his book and walk off : monster following. Maullie behind a boat : monster after him. Maullie, taking a flying sketch, retreating towards the hillock of sand near the town : giant after him, as if in seven-league boots. A stop. Maullie just sketching man's boots. Giant, scowling fiercely, advances. Gooch's opinion : " There'll be a row. 'Pon my soul I don't wonder at it. How would Maullie like to be followed about if he was at home, and sketched and stared at by a stranger ? If I was the man," adds Gooch, emphatically, as if with a view to preserve subsequent neutrality, " I should punch his head." Jomp, sniffing, like the war-horse, the scent of battle, says, unlike the war-horse, that he'll go and see after the carriage ; and instantly disappears. His reason, given afterwards is, to say the least of it, honest : " I tought," says he, " dat dere'd be a fight." Cessation of hostilities in consequence of Maullic's pocketing his hook and pencil. Gigantic man retires slowly, turning occasionally to look back at Maullie, evidently still uncertain as to whether he oughtn't to have punched his head, or got something out of him i icfore leaving. They couldn't have " come to terms " in any language common to both, but fists are of universal application. Muntley and Finton come back, disgusted. The ctablmement is closed. There is no one there. Jomp is (of course) wrong : there is no promenade, except in the season. On our return, we find that Bund, who knows some people at the Hague, is asked to an evening party, and his friends are included in the invitation. Gooch is delighted ; he says he likes Continental dances, and immediately begins humming a can-can, and jerking his head with such a knowing an, as to send his friends Muntley and Finton into ecstasies. When he finishes, — which he does abruptly, — the\ all laugh together, as if over some secret reminiscence. Maullie thinks the party rather a bore, but still he says it doesn't matter to him, as he has no dress clothes with him. " You can't go as you are," Gooch protests, hastily. THE BOO MP J E PAPERS. 49 Maullie replies, that if he wants to go he can borrow a suit from the landlord. Bund wishes he hadn't met his friends, the De Wordes, who have given him this invitation, and to whom he couldn't say no. The Secretary (myself) is pleased. There would be a mixed society of Dutch, French, German, and English. After dinner I open my portmanteau, where I had expected to find my new evening suit, fresh from the tailor's on my leaving England, and still wrapped up in its brown papei\ I open it. 1 only find a uniform, that of the Southwick Volunteers, which I had lately joined. The tailor had sent them home by mistake. The uniform is not unpretty, being grey with a gentle shade of blue (so as to mingle you with clouds in the distance, and make you a difficult object to hit) and trimmed up and down with a paleish canary yellow, with braided cord on the cuffs and shoulders, and wherever, in fact, there is room for it, and where there isn't a button. " Go," says Gooch, " in the uniform." I treat such a suggestion with contempt. Bund thinks the idea is reasonable. He doesn't see why not. Maullie thinks it would give a little colour to the scene. So do I. Gooch says, " Why not 1 " adding, that, if he were in my position, he'd go " before you could wink your eye." Bund asks what rank I hold. I answer that I don't know, but they've promised me a captaincy when I know my drill. Maullie says that any English officer in uniform is received any- where. I am doubtful of this. I am fui'ther doubtful as to whether I come under ths description of " any English officer in uniform." Gooch says, " Certainly, of course. If not, what are you ? Eh 1 " That's where it is — What am 1 1 What is a Volunteer ? When abroad ? Eoompje Riddle. — When's a Volunteer not a Volunteer? — When he's abroad. I try to turn it off with this. But they won't hear of it. Muntley and Finton won't go if I don't go, and I don't go if my uniform doesn't go, with me inside it. 50 VERY MUCH ABROAD. Gooch hopes I won't be selfish. Bund gives as his opinion that he's sure I won't. Maullie offers to do my portrait in colours, " as I appeared," if I'll only go. I ask, do they seriously mean that I can go in this costume ? They say, " Certainly," of course ; and Gooch brings in his eye- winking formula again, in proof of his readiness. I agree, and promise to go. Gooch announces that we ought to be " thinking of dressing " (another formula of his for expressing that it is high time to be actually getting ready, or for even being nearly ready), and gives us the railway time. Jomp has ordered the carriage. We dress. While dressing, 1 have my doubts. In the coat alone I feel I could go ; it is decidedly handsome. The trousers I don't like. They are grey, and bear a decided resemblance to what I believe is the colour of a convict's costume. To go to a private ball, which is not fancy dress, as half convict, half soldier (of some sort), is not, it seems to me, to represent the English to advantage. Then, again, I reason with myself, sitting on the bed, meditating, " They " (the Dutch) " won't know what I am "—like Watts's little star. The English will. Perhaps they'll sneer : if they don't, they may stick up for the honour of England, and Boompje a little about the Volunteer Contingent. This name decides me. The " Volunteer Contingent." Question. — What are you ? Answer. — An Officer in the Contingent. I jump up from my bed. Boompje ! I sat down, Myself, a Southwick Volunteer, and rise an Officer in the Contingent. The True Boompje Spirit does wonders. With a light heart I dress. I debate with myself whether I will or won't wear a white waist- coat, so as to show my watch-chain, and the coat open. Question, then, how about collars ? If collars, sha'n't I look more like naval than military ? Kecollect dining at a mess once with Regulars. They wore collars. The more I think of this, the more uncertain I become. THE BOOMPJE PAPERS. 51 I decide upon trying it, and asking Gooch's opinion, (lie is a good hand at dress.) He exclaims, "Pooh ! collars and open uniform ! They'll fancy you're somehow connected with the Eiver Police." Maullie, dressed in the landlord's clothes, which, he says, will allow for growing, is ready. He, speaking "as an artist," gives it against the white waistcoat. "Button up," says he. I do. At the House. I create a sensation in the hall, but do not seem to command respect. Am introduced to the lady of the house (an Englishwoman married to a Dutchman, and living at the Hague), and she welcomes me with a high-bred courtesy. Shall I apologise, or not, for coming in uniform ? B 2 52 VERY MUCH ABROAD. CHAPTEK X. AT THE EVENING TARTY (continued)— K PLUNGE— THE MAZURKA. ECIDEDLY not. A uniform is something to be respected, like the British flag. (Boomp-je!) Let them find out what I am. (Begin to wish I was in bed.) Gooch disappears. Bund is with people I don't know. Maullie has been introduced to some Dutch artists, and everyone else is either dancing, talking, or walking. I fix myself by a door, and begin to indulge in bitter thoughts about the world at large. What an ass- I was (I think to myself) to be persuaded to come in uniform. It's- my confounded good-nature. Dear me ! — two ladies from England, whom I've met before. Miss Howker, quite the belle of the ball, and Miss Millar with her mother. Miss Howker quite surprised to see me here. She is talking to- a French gentleman with a red riband and an order in his button- hole ; she goes on talking after she has said she is so surprised. Can't enter into their conversation, as I don't know what it's about All 1 can do is to smile on them patronisingly. The distinguished foreigner is evidently puzzled ; so is she. I smile again ; I don't know why, but rather as if to say, " Isn't this funny, isn't this just like me?" That is if she views my uniform in that light. I feel that many eyes are upon me, and eye-glasses too. The general opinion (T also feel this from little things I hear said in various quarters) is that I am an " eccentric Englishman connected with the Post Ofrn'< ," and that the uniform is common enough in TEE BOOMPJE PAPERS. 53 London. One French lady explains to a German that I am an alderman. Muntley, who has been taking champagne, insists upon addressing me as My Lord Mayor, and bowing obsequiously. I beg him not to play the fool. He leaves me. I hope he won't go and spread it about that I'm the Lord Mayor. There is an undoubted Englishman in the corner with large whiskers and moustache eyeing me indignantly. I return his look with indignation. We shall have words, "before," as Gooch would say, " I can wink my eye," if I don't take care. I tell Miss Howker about the Contingent, which, I am bound to say, she does not believe, and I add that I am going to Aldershot to join the Rifles for drill. Gooch, hearing this announcement of mine, says, " Do you all the good in the world, old fellow ; fine you down a bit." I smile at Gooch, pityingly, to give Miss Howker the idea that I only tolerate him, and that I don't want " fining down." The Mazurka strikes up. Shall I (not knowing the Mazurka except by having seen it) risk it with Miss Howker, and so cut out Gooch, or not 1 If I do, it will probably terminate amicable relations for ever between Miss Howker and myself. But still. . . . Boomp-je ! . . . Yes. I might boompje through it. Just as the words are on the tip of my tongue, Gooch takes them, so to speak, out of my mouth, and says, " May I, Miss Howker 1 " and Miss Howker consults her card, and finding she has at least six names down for this one dance, settles the difficulty by accepting Gooch. I smile disdainfully as they leave me, laughing. At what are they laughing ? At whom ? Muntley, passing me at this moment with a French lady on his arm, bows, and says, " J'espere que vous etes content, mi lord Maire." I frown. I hate such tomfoolery. Will speak to him alone, seriously. Besides, it is rather a liberty on his part, as I hardly know Muntley. There are some moments when, if I looked in the glass, I should expect to see myself pale and haggard, with dark dank hair hang- ing about anyhow. I do look into the glass and I see — but no matter. "Time writes no wrinkle on thy something brow," as the poet says of the sea : and as he did say it of the sea, he might as 54 VERY MUCH ABROAD. Ubll have written " winkle" instead of "wrinkle," a notion that I shall put forward in my earliest collection of Boompje Poems. I watch the Mazurka. A great man has said, we can always learn something from somebody. This does not mean that we can always learn anything from anybody. Now here are a lot of anybodies and somebodies teaching me, unconsciously, the Mazurka. It seems to me, observing this, that you must go a little back like a wave on the shingle with a view to coming well forward again like (also) a wave (same one) on the shingle. That you then hop — or jump — and then slide. Watching the different couples, I can't make out whether you hop first, or slide first. I feel an irresistible desire to dance it. I feel at the same time a shyness which whispers " Don't." I feel immediately afterwards a voice which Kays " This is pride, false pride. Dance ! Boompje, dance ! " Think to myself that I should like to try it alone in a side-room first. Of course to ask for this accommodation is out of the question. I look around. Yes, there is Miss Millar near her mother. She is not dancing. " Come desperation lend thy furious hold." Faint heart never danced fair Mazurka. Froggey would a-dancing go, whether Miss Millar's mother wouldn't or no. All these quotations, adapted, oddly enough flit through my mind as I come up and say, " May I have the, &c. &c," mumble, mumble. She declines. I rush on my fate and exert pressure. She declines again. I become impassioned, nay, determined, as the chance of dancing becomes fainter and fainter. She accepts. [N.B. I must possess a wonderful dramatic power, facially, as it was my last look at her made her change her mind, and accept me. Must now use more facial expression, and look supremely happy.] She astonishes me by informing me that she can't dance the Mazurka very well, and hopes I won't be very angry with her. I reply, encouragingly, that " she will soon pick it up" I add that it isn't very difficult ; and I sincerely hope it isn't. We commence picking it up together. My sword joins the dance. I beg pardon. Must hook it up. Do so. Commence again. Sword too heavy. The start is a difficulty. Two steps totally unconnected with any known dance whatever, and a bump THE BOOMPJE PAPERS. 55 from a couple coming round. Apology from me. Stare from them. Two steps more. Another bump from somebody turning, apparently, the wrong way. Slight apology from me. Anathema I fancy from them. A couple starts behind xis ; their starting puts my starting out, I frown on them, and observe to my partner, that it is astonishing people can't keep out of the way in a ball-room. She says, " Yes, some people are so stupid." 1 agree with her. I propose going to another part of the room and commencing again. We go there. It is certainly clearer until we commence our steps, when eveiybody seems suddenly to arrive on the spot. I determine to start and go the whole Bocmpje, or perish in the attempt. We take two steps with tvhat feet I don't know. I feel a sort of galvanic tremor, from my boots upwards. Then one foot will stick down, Avhile the other comes up out of time. We do something which is intended for a hop, and turns out a jump. We struggle together, with clasped hands, somehow, as if we were trying the strength of our wrists, and we manage to turn round in a sort of uneasy jig, like organ figures with the machinery out of order, and then I come down with a decided stamp on somebody's train. A sharp crisp sounding tear. I apologise with one leg in the air, having lifted it to do the hop. Apologj' scarcely acknowledged. I hear mumbled words like "gauche," " stupid," " doesn't know how to dance," and so forth. Miss Millar thinks we'd better stop. I think so too, but I won't. No, we'll have another turn round. We try : and come sharply backwards on Gooch and his partner. They are laughing. At me. I know it. Should have done this turn well but for that. As it is I finish my next attempt at a hop and a slide by kicking Miss Millar. We stop. I beg a hundred thousand pardons, a million. Good gracious. I didn't mean — heavens "It doesn't matter — it was an accident," she replies, and asks to be taken to her Mamma. I protest against this. While I am protesting we are bumped three times in different direc- tions, and are then cannoned into the crowd, where we do more struggling and tumbling, being finally landed near a sort of mantel-piece, on which we both lean, exhausted. I apologise again for kicking her. Quite an accident, I say ; £6 VERY MUCH ABROAD. of course, she didn't suppose I only took her out to kick her. "Won't she have any refreshment." No, she'll go to her mother, please. I know, instinctively, what she'll say to her mother of me. I take her back. She bows distantly, and I know that hence- forth mountains separate me from Miss Millar. I retire gradually, and join a convivial party (Maullie among the number) in the supper-room. " Dancing, old boy ? " asks Maullie. " No," I reply, carelessly ; " at least only just one turn. Too crowded." We sup, and return to the hotel, where we discuss our next move. THE BOOMPJE PA PEPS. f>7 CHAPTER XI. THE CLUB VISITS LEIDEN — NOTES BY THE WAY — OBJECTS OF INTEREST JOMP IN THE VEIN RETURN TO THE HAGUE. w ELL, Jump," says Bund, " have; you ordered the 1" carriage "0 yes," replies Jump, deprecating the Commander's insinuation that he had allowed such a command as that to slip his memory, "0 yes ; the carriage vill be ready " He thinks it out ; and, without committing himself to a positive moment for the appearance of the car- riage, adds, " Ven the 'orses shall be in it." " QueVespe.ee — " begins Gooch, and then corrects himself, as if he'd really quite forgotten his native tongue, and run into French so easily that it was a difficult matter to get out of it again — " I mean, what sort " — lie emphasises this, as his translation — " what sort of a place is Leiden ! " Then, by way of a relapse, " Triste, nest-ce pas ? " " Bien triste" answers Muntley. " Vons avez raison ! " says Finton. They are immensely pleased with themselves after this, which is what they call " airing their French for practice." When they want to keep up a conversation in this language, they explain their meaning to one another in English, and so get along excellently. Jomp polishes his head with his handkerchief ("That — Boomp-je ! — old rag ! " growls Gooch, for the hundredth time, " I 68 VERY MUCH ABROAD. rmist get him a new one ! "), looks at Maullie, who is sitting in an arm-chair at the window, " taking a bit," and implies, " Veil — Leiden — yes ! " — here he ruminates, as if recalling happy scenes of his childhood passed in Leiden — "Veil — urn — um — yes ! " Then, having thought it well out, he adds, " yes, you can go to Leiden," and looks round upon us w r ith the air of a man who has removed an almost insurmountable difficulty. " Murray says," observes Bund, referring to his guide, as a means of refreshing Jomp's memory, and rather as if Jomp had written this portion of Murray, and was to be held responsible for it. "Murray says — ah — where's the place?" Bund has got about a dozen different markers in Murray, and generally exhausts the Rhine before finding what he is really looking for — " Ah ! here it is ! Now — let's see. ' Leiden,' " he reads at intervals — " was called Lugdunum BatavorumJ ' Jomp smiles at this, as if he didn't believe it. Bund proceeds : " ' There's a fragment of a round tower ' — hem — ' Drusus ' — yes — ' Anglo-Saxon Hengist ' — nothing that concerns us particularly." Jomp looks on in an attentive atti- tude, but with the fixed inane smile of a big head in a pantomime. Bund, having skipped over some paragraphs, as we suppose, con tinues : " ' It stands in a tea-garden ' " Here he pauses, puzzled. " What stands in a tea-garden 1 " asks Maullie, who is cross because he considers that every minute spent cut of a picture- gallery is so much time wasted. " What sort of a place is the tea-garden 1 " asks Bund of Jomp. " Une espece d'un Jardin de Paris ? " suggests Gooch. " Like Mabille used to be, is it ?" inquires Muntley with the air of a man who has been a viveur under the last Empire, when, by the way, he was probably in the nursery. Jomp thinks it out. " Veil — um — um — um — you can 'ave tea dere, if you like." He shrugs his shoulders as much as to say that he, personal!}-, couldn't recommend it. " But," urges Gooch, who sees a cafe chantant looming in proba- bility, " is there any fun there 1 " "Any band?" throws in the Commander, fondly thinking of his violoncello at home. " Veil," replies Jomp, considering his evidence in a way that would drive a Judge and Counsel wild, and give a Special Jury THE BOOMPJE FA PURS. 59 the fidgets ; " veil — dere's — dere's a — garden for tea, you know- - yes ! " " Any pictures 1 " demands Maullie, sharply. "Veil — urn — urn," Jomp, becoming very warm from some in- terior conflict, mops his head with the handkerchief, and finally, putting his hands behind him with the bearing of a man prepared to die a martyr to his love of truth, says, " / do not knoiv. I 'ave never been dere." " Then, why the — Boompje ! " from everybody. " Carriage ready ! " the Waiter announces, and Jomp escapes. On the road to Leiden, Bund proposes to read Murray's account of it to us. The country is monotonous, and the new entertain- ment of a reading from Murray partakes of the same character. In half an hour we are all asleep. I employ the remainder of the drive in making the following observations : My imjjression of Holland — up to noiv (N.B. Confirmed here- after). — From first to last all is Boompje, utter Boompje, unmiti- gated Boompje. Understanding that Boompje be always used in our accepted Club sense. Murray's travellers, be they who they may, from lucky Number One, who does all the good hotels, to poor Number Five, who only lives to tell others what to avoid, are all robustious, periwig-pated fellows. Were I telegraphing my impressions to England, I should say, economically, " Disappointed with Holland." Bund is not ; for he believes in Murray, and the blameless Bradshaxo. What Murray says, Bund, our Commodore, sticks to. Muntley and Finton do (in words) to Hollanders what the Hollanders did to their own country when they made it what it is ; I need say no more. But Maullie, R.A., is eager for pictures, and swears to see every public and private collection in Holland ; even if he has to lug out private collectors by the collar. As for Gooch, Holland is not Paris ; and to him Paris is the Continent. But why did Murray lead me to expect so much in Holland ? Why does he say (quoting, perhaps, but no matter, he adopts it) " that here the order of Nature is inverted." Here, in effect, fishes swim into your bedroom window. That here you live two thousand feet below the level of any known sea. Why am I given to understand that my drives are to be under water. By 60 VERY MUCH ABROAD. Murray I am led to expect that for the shooting season one must take out a licence to fire at red herrings, but sprats are vermin, fzaak Walton, if here, would have to angle for jackdaws, troll for cocksparrows, and bottom-fish for larks. We were to be in a sort of dry Red Sea land with water walls on either side. All the trees would be (I expected) of scaweedy character, and I was to be (I had fondly hoped) awoke in the morning by the piping of a fresh cock salmon on the upper branches. But what is the fact 1 Why simply that the country is flat, and canalled, instead of tunnelled, as it would have been if mountainous ; that in the towns you are as much above the canals as Londoners are when walking along the Harrow Road by the side of the canal, name of which I don't know, never did, and never shall, but it seems to ine to commence in Pacldington, to meander at right angle? about the pleasant vale of Maida, to disappear somewhere at a small outpost of London (where mortuary stone works are made, suggesting the idea that those mighty efforts of the sculptor's art in the New Road had come down here for an airing), and to lose itself finally in the country, probably in the Uxbridge direction. This repeated, without any undulation of country, is Holland : that is, an eternal canal, and something to walk on on either side, with bridges to cross it whenever yoti want to vary the monotony of being on the left bank by changing it for the right one. There is a good deal of bright polished brass about Holland, as you might expect in a Boompje land. While writing the above, it occurs to me that a free translation of " Boompje" as settled and fixed by the Club Dictionary, would be " Bounce." Leiden at last. — What shall we do 1 Evidently, to begin with, wake iip. We wake up. Here is Leiden. Ask the coachman. Can't, he's a Dutchman. Tell Jtimp to ask Dutch coachman what w r e're to do here. No use. Jomp tries. As usual, Dutch coachman can't understand a single word. Jomp shrugs his shoulders pityingly. We manage, between Jbrnp's Dutch (limited), and our French and English, to make an intelligent Baker understand us. The pro- cess is a long one, and all Leiden is out-of-doors to hear and see and, if possible, join in the conversation. THE BOOMrjE PAPERS. 62 "Ton ray soul," exclaims Gooch, in a tone of unmitigated dis- gust, " We're being mobbed •wherever we go. We might as well be a cracked Chinaman, or the Japanese ambassadors, in London- Confound it, it's too bad." He is very wrathful with Bund and Jomp, but settles down ultimately on Maullie. " If he was only dressed like a civilised Christian, and not in that Boompje hat and tourist suit, they wouldn't stare at us like barbarians, Hang 'em ! " " Are there not objects of interest here ? " asks Muntley, in the rumble. "Yes," growls Gcoch, "we are: confound it." We try to gather information from the intelligent inhabitants of Leiden. " Is there a church to be seen here 1 " This puzzles them for ten minutes, during which time we repeat the question in all sorts of forms, and in ingenious variations of languages. The intelligent Baker, assisted by our intelligent coachman who rouses himself for an effort, suddenly grasps the meaning of our question. He explains to the populace (a crowd of about forty people of all ages and sizes), who take up the reply as a part-song for several voices. Hopelessly unintelligible. We demand a solo by the Baker, or the Coachman. They insist on making it a duett. (Gooch, writhing, says, " Boompje 'em — drive on : do ! " but we don't stir.) From a solo by some one we are given to under- stand that there is no church open. (" It's not like Paris," says Gooch ; " they don't keep 'em open. Hang it ! let's drive back again." But we don't stir.) We insist that there must be a church worth seeing. The populace (after five minutes allowed to reduce this to intelligibility) ridicule the idea of our being driven over from the Hague to go to Church. (" They think we're mad. Do drive on ! " says Gooch, piteously.) Maullie asks boldly for the Stadhuis. They don't know it. " Not the Stadhuis 1 " reiterates Maullie, surprised. No : not the Stadhuis. " Then isn't the University worth seeing 1 ?" Populace take this up as a riddle (it seems as if we are a travelling company for conundrums), and after considering it in parts as before, put the puzzle together, and desperately the answer is No. "0!" exclaims Gooch, "you be Boompje'd. Here, let's get out and walk about the town." We discover the University at last. Down a street : very retired. It could be put into Trinity Hall's waistcoat-pocket. There are some comic drawings on the wall of the staircase, repre- C2 VERY MUCH ABROAD. senting a scholar leaving home for the Academy, and his return therefrom. Dutch boy's humour. We yawn about the place. We ask about Jean of Leiden. We inquire for {Murray's) Botani- cal Garden, the Egyptian Museum, the Churches of St. Peter and St. Pancras. Nobody knows, nobody cares. It is vacation time. Leiden is asleep. Our conundrums are all given up, and we return to our carnage. Dull road home. Bund reads extracts from Murray as to what we ought to have seen. Then he turns, angrily, on Jomp : " You ought to have known all about it. It's your business. You said you'd been all over this country before. And if you hadn't been, you ought to have made all the inquiries, or sent somebody with us who could take us everywhere." "Veil," replies Jump, deeply injured, and almost shedding tears, " I say dat I 'ave not been in Leiden. I cannot tell you vot I do not know." Finton, in the rumble, is humming the march from the Propliete: inspired by Leiden. Suddenly, he stops, and addresses us : " I say, what a capital match Jean of Leiden and Joan of Arc would have made ! Almost the same dress, too." This induces meditation, and we wake up at the Hague. THE BOOMPJE PAPERS. G3 CHAPTER XII. THE CLUB VISITS THE QUEEN OF HOLLAND. HAT'S the time for seeing the Palace? - ' asks the Commander-in-Chief and Pavmaster Bund. " Four o'clock," Jomp answers, " vill be the best time for to see the Palace." " La Reine est-elle chez eUe 1 " asks Gooch in his usual momen- tary obliviousness of his native tongue, adding his translation : " The Queen, is she at home % " Jomp believes that the Queen of Holland is at home. He has been all the morning making inquiries, and the above represents M VERY MUCH ABROAD. the result. Gooch thinks that, under such circumstances, " tc call would be an intrusion." He emphasises " call," as if ours, was going to be a visit of friends who had been hospitably asked to come in a general way when they liked, and who had (as is- invariably the case) taken advantage of the invitation at the most inopportune moment. " Pooh ! " says Bund, fresh from Murray, " it's the regular thing to see." Muntley, Finton, and Gooch, the Opposition, object to it solely on the grounds that, being the regular thing, it is so British- touristy and snobbish. Maullie, who has been spending his morning in two private col- lections which he found out for himself without Jomp, votes for the Palace, with a view to probable pictures. The Commodore has the casting vote, the Opposition gives in, and Bund, relying upon Murray, decides upon the visit of inspec- tion. " Not in that hat ! " Gooch implores Maullie. " Not in that hat— to the Palace ! " Maullie, who has something of the rigid obstinacy of the Puritan in him, combined with his taste for simplicity in dress, replies that he doesn't intend to change it until he arrives at Brussels — " when," he adds, " I will astonish you in my Sunday best. I have," continues Maullie, proudly, " an Opera hat." "French?" asks Gooch, anxiously, "silk, glossy, that you can wear in the day-time ? " To which Maullie replies that Gooch will see. As Maullie gets into the carriage, I hear Gooch telling his friends, sotto voce, "II a un chapeau — he has a hat." "You are sure," asks Bund of Jomp, "that the Palace is open at four 1 " " yes," answers Jomp, expressing by his manner that he is utterly astonished at Bund's doubting his accuracy even for a second. " yes — um — urn — um — it is open at four. yes ! " We drive through an avenue — very pretty this — and enter the courtyard of the Palace. A pair-horse carriage, and a Victoria, are waiting. Some servants in Pioyal liveries are chatting with other servants (belonging to the aforesaid carriages) at the door. THE BOOMPJE PAPERS. 0* ' Some one's making a call," observes Gooch, pulling up his wristbands, and settling his hat, under the impression, apparently, that the Queen may be looking out of the window, and might be induced, by his distinguished appearance, to ask him in (not us, of course, and certainly not Maullie, except on sufferance in the character of " any friend of yours, Monsieur Gooch, of course," &c), perhaps to dinner. "It doesn't look like sight-seeing time," says Maullie. Even he is a little oppressed by the proximity of Royalty, and makes a concession to propriety by cramming his sketch-book into his pocket, and pulling his tie down under his coat, its tendency during a drive generally being to "ruck up" and obliterate his shirt-collar. Bund bashfully produces black kid gloves, but as they have weathered several storms of rain, and the middle fingers are arranged on ventilating principles, this addition to his costume only induces Gooch to say, in a rapid undcr-tone, as we draw up at the portico, " Do put those things in your pocket, or you'll look like a respectable begging-letter writer." He casts his eyes up to the front windows, to see if, by any chance, the Queen is looking : but no one is visible. Jomp, in his Boomp-je hat and livery, unintelligible to the servants, commands instant respect : at first. Two servants in gorgeous coats and knee-breeches, six foot high each of them, let down the steps, and open the door. A bell is rung. Instantly we see the hall within lined on either side by tall servants, all in the same sort of costume, and standing bolt upright like theatrical nobles at a shilling a night in an opera chorus. Muntley in the rumble leans over and says, "Isn't it just as if they were going to sing, ' Hail to the something or other,' eh ? " Gooch silences him with a frown. We are all seated in the carriage, not liking to get out, as no one is certain what may happen next, and there is among us a latent, undefined feeling that the Queen is coming to receive us. " There's some mistake somewhere," murmurs Bund, who has got his gloves out again, as if the display of these would rectify v 66 VERY MUCH ABROAD. any misapprehension as to our being noblemen — " In disguise," adds Gooch, looking first at Maullie's hat, then at Bund's gloves. Jomp is wholly incompetent, and utterly flabbergasted by the situation. He stands helplessly by the steps, staring at the tall men in liveries, but has nothing to say. Another five minutes like this would send Jomp to a lunatic asylum, where he would be shown as the " Idiot Courier" for the remainder of his life. Two bells more. " Like on board a ship," says the Commodore, faintly, wishing he was at home with his violoncello. In answer to these two bells appear two footmen in more resplendent liveries than the others, and about two inches taller. They w r alk down to the door, and take their places, as if by clockwork arrangement or previous rehearsal, by the door. They don't notice us, except by a glance, having evidently enough to do to attend to their own deportment at the present juncture. Another bell, this time more distant, as if some way down a passage ; a slight delay, and then one grander and more gorgeous footman, a sort of Swiss from a cathedral, topping by an inch all the rest, walks slowly forward, and approaches our carriage. He w y aits by the steps, inviting us (in Dutch we fancy) to descend. The Swiss gracefully removes his hat. The two by the door having a second before put on their hats, now politely, but stiffly, take them off. We all take ours off, and that part of the ceremony, whatever it means, is over. Bund addresses Jomp. " Ask," he says, " if the Queen is in, and whether we can see the palace ? " In such Dutch as he can manage, Jomp inquires as to Royalty being at home. The Giant looking down with some curiosity on Jomp, does not comprehend the question at first. Then on Jomp trying it again, he grasps it. Yes, the Queen is at home. We will descend, of course. Now comes a ticklish point. We have to explain what we want to see — not the Queen, but the palace. The Swiss cannot under- stand. " The Queen is waiting to receive us," he explains through Jomp, who gives us a very vague translation. Finding that we don't move (" There'll be a ruw," cries Gooch in despair, " and letters in the Times about Cockney Tourists. Let's go back "), THE BOOMPJE PAPERS. 67 and being tired of standing with his hat off (all the other lesser giants being fatigued too), he pulls a small door-bell, which is responded to by a little wizened man in black, like the shade of a departed butler. (" Good effect among the liveries," says Maullie under his breath, making a mental note of it. N.B. He has subsequently put the whole thing into a picture full of halls in perspective, grandly costumed nobles with flambeaux in their bands, and a secretary in black. He calls it Reception of the Dutch Republican Ambassadors at the Court of the King of Spain. All our likenesses are there, and it has been on his easel some considerable time. Everybody says it's a very fine picture, but nobody has bought it, as yet.) The Butler's Ghost receives some information from the Chief Giant. He glides towards us along the carpeted hall noiselessly. He is at our carriage-door. He salutes Bund, fixing upon him instinctively as the Commander, and ignoring Jump altogether. "Her Majesty," he says, "is within. Your Excellency ." We look at one another. In an instant the Butler's Ghost sees a mistake somewhere. Bund takes the opportunity, and informs him that we wish to see the Palace. The vision of greatness is dispelled. At a word from the Butler's Ghost, three of the Giants replace their hats on their heads super- ciliously, and disappear. After them disappear", in perfect order, and without any show of confusion, their hatless but equally gorgeous brethren-in-livery. Then we are all alone with the Shade and one giant, the tallest. It is explained to us : this is the time for private receptions. Not the time, oh, dear, no, for seeing the Palace. Up to four o'clock the Palace is open to sight- seers, but after that closed. Everyone here knows that. Jump wishes to make a personal explanation, but is called to order, and stands by the carriage-door, discomfited. Butler's Ghost declares that, the Queen being at home, sight- seeing is impossible — utterly out of the question. Bund puts it to him that we are going very early to-morrow, that he (Bund) has only to call on his friend the Ambassador that moment, and he would return (in effect) with orders to see every room in the Palace, from the attics to the cellar. That he (Bund) and party are most distinguished people, representing Literature, Science, f 2 OS VERY MUCH ABROAD. and Art (Science being, perhaps, Muntley and Finton in the nimble, who have been hitherto taken for our valets), anil that, to sum up, if the Butler's Ghost will only break through rules, and show the Palace, the Butler's Ghost shall find that we will make " it ivell worth his while ; " and therewith Bund, having craftily got a large coin of the realm out of his waistcoat pocket, presses it upon the little man's acceptance, much to Gooch's horror, who exclaims, " I say ! Hang it ! You might as well tip the Lord Chamberlain at home," evidently under the impression that the Butler's Shade holds that office. The tip has its effect. The Butler's Shade takes the giant into his confidence, shares (probably) with him, or makes arrangements for future sharing, and finally announces to us, after disappearing into and reappearing (for mere form's sake, I am sure) from, a dark passage, that the Queen has graciously permitted us to see the Palace. I don't believe the Butler's Ghost ever went near the Queen. This is strongly borne out by his subsequent conduct. He shows us through the rooms hurriedly, and as quickly as possible, as if he was doing something wrong. He stops now and then to describe, but his descriptions are abbreviated, and his eye wanders from one door to another as if to intimate at the shortest notice that, as the Pantaloon says to the Clown when he's stealing sausages, there's " somebody coming ! " We're all, so to speak, stealing sausages, as Clown, and he's the Pantaloon. We enter a drawing-room beautifully and curiously furnished with Japanese hangings and coverings. Jomp, who follows in our wake, and who has been rather snuffed out by our wizened little cicerone here explains to us that " Dese come from Japan," but on receiving a severe reproving look from the Butler's Ghost, he retires into himself (he can't go very far, I should say, on such a journey), and is satisfied with corroborating with gloomy nods the various points of our cicerone's information. " Hush ! " says the little man, suddenly stooping down, and looking through a keyhole. We now discover that we are hunting the unfortunate Queen from room to room. Royalty flees before us. Royalty, for what we know, may be concealed behind a screen or a window-curtain, THE BOOMPJE PAPERS. 69 as we pass. A sort of hide-and-seek. The guide ascertains, as far as lie can by the aid of the keyhole, that the Queen is not in her boudoir, and we enter. Evidently she has not long left it. There is her book open, and music on the piano. A servant, in livery, suddenly appearing, motions to Butler's Ghost to pause before rashly visiting the next apartment. " It's too bad," says Gooch. " Hush ! " says our mysterious attendant. We halt, looking dubiously at one another, and then, on a sign from our leader, who has again satisfied himself through the key- hole, we proceed stealthily, like conspirators in an opera. We only want daggers, to complete the resemblance. But our "sticks and umbrellas have been left " in the carriage. We talk, when we do talk, under our breath. We hurriedly admire furniture and imitation bas-reliefs on the wall. We wonder at paintings on the ceiling, and w r e are hurried on to the ball-room, where, it being a very large place and only used on State occasions, we, as it were, breathe again. The breathing time is very short, however, and we are once more hurried along a passage, then a corridor, where more pictures are explained to us, in a sort of patter-song, as fast as ever it can be given, by the Butler's Ghost, who, evidently very much to his own satisfaction, brings us out on a landing which leads by the back stairs and servants' offices to the front hall, and so we are smuggled ignominiously out of the building, and into our carriage. Here we resume our dignity, and largesse is bestowed by Jomp (on our behalf, but we ignore the process, as not dealing in such dirty matters) upon our Guide and the tall Swiss. Then we are driven through some lovely avenues, where all the peasants take off their hats to us (" They think we're the Queen, or something," says Gooch, much pleased), and at last we reach the hotel. " Veil," says Jomp, perfectly satisfied with his arrangements, " you 'ave seen the Palace." And so we have ; and agree that we won't see another in the land of Boomp-je. " Dere is not another," says Jomp, which settles the matter at once. 70 VERY MUCH ABROAD. CHAPTER XIII. AT AMSTERDAM THE BOOMPJE MOTTO — THE NEW GUIDE AN EXCITING PROSPECT. EEMS to me, after visiting various Churches in Holland, that to take oft' your hat in a church is rather a si^ni of irreverence than otherwise. As the fashion-books would say, " Hats are much worn in church." At Amsterdam. — New Grand Hotel some distance out of the town. We have it all to ourselves. "Why," says our Commo- • dore to Jump, " we're the only people in the hotel. How's that?" We listen ; expecting to hear the cause of the con- spicuous absence of visitors, something about dull season or want of funds, or whatever else may account for the emptiness of a Grand Hotel. We look for this, seeing that Jomp has been half an hour in the hotel, conversing downstairs with the pro- prietor and hall-porter. " What's the reason," asks Bund, "of our being the only people here, eh ? " •lomp shrugs his shoulders. It is, evidently, to his mind, too absurd to put such a question. The fact, he thinks, speaks for itself. However, he replies, " Veil — urn — um — you are the only people 'ere — yes ; because — you see — um — um — " here he finishes thinking it out as usual, " you see, — dere is nobody else in de place." THE BOOMPJE PAPEJiS. 71 Maullie delighted. Galleries of pictures. He spends his first day with Jan Steen, Rembrandt's Night Watch and Van der Heist's City Guard of Amsterdam. It seems to me, speaking inartistically, that one doesn't under- stand what portrait-painting is until these marvellous pictures have been studied. " Why," says Gooch, meditatively, " can't they paint groups of portraits now-a-days, this size ? " Maullie gives as the probable reason for there being so many grouped portraits, and so, comparatively, few " portraits of single gentlemen," that individually the Hollanders were not rich enough to have a picture every man of himself to himself, and so they clubbed together, "The artist," says Muntley, "making a reduc- tion on taking a quantity." We all visit Mr. Six's collection, and enthusiastically admire the pictures of Burgomaster and Burgomistress Six, painted by Rembrandt. Both equally good. Six of one and half a dozen of the other. We drive about the town. The whole party, except Maullie, who prefers taking a sketch of the market-place from the carriage, visit the large church, Nieuive Kerh (first cousin to Scotch Kirk, evidently), and on returning therefrom we find Maullie in a great state of excitement. " Here ! Hi ! " he exclaims, vociferating and waving his umbrella and sketch-book. " Good heavens ! " says Gooch, considerably scandalised, " he needn't do that. We shall have a crowd round us again." And dreading this, he hurries on towards the carriage. " Eureka ! " cries Maullie, excitedly, which Jomp thinks is a real Dutch Avord, "I've got the motto for the Boompje Club. Look up there ! " With his umbrella he points upwards, towards the other side of the open Place. At first we see nothing except the tall houses closely wedged in between one another, as if they'd come lato to see a performance and there was only standing-room for them. " Don't you see 1 " he asks. We do see, but, clearly, not what lie wants us to fix upon. " That inscription — there ! " he urges, 72 VERY MUCH ABROAD. prodding the umbrella upwards always in the same direction, as if he could touch the spot to which he is drawing our attention. There are names of shopkeepers, of trades, of houses, all in large letters, and we, more or less incorrectly, read them. "Now," he cries, " the next one," and Bund reads aloud an inscription, high up over the second storey of one of the tallest houses, the letters of which are painted in a decided undeniable black on a white ground, „ _ fo "Dam No. 2." " There ! " says he, " isn't that the motto ? Isn't the Boompje principle to take precious good care of Number One, and let Number Two look out for himself 1 " We know by this time that the meaning of " Dam No. 2 " is nothing more than, for instance, " No. 2, Portland Place," or " No. 2, Fleet Street," but the aspect of the words in this position, and their sound when given in the true Boompje-ish manner, recommend them at once to us as the motto for the Boompje Club. When we separate and return to England, each member will take this motto back to his own house, and " when in doubt," as directions for whist have it, he will then act on the above Christian sentiment, and be a happy and virtuous Boompje. We won't see the Palace, but we pass through its hall in order to ascend a tower (Maullie will go up a tower wherever there is one), in order to see the bird's-eye view. " Now," says Bund, on the second day, " as Jomp never knows anything about any place, I have hired a regular Amsterdam Guide." We applaud the Commander, and the Amsterdam Guide appears. He is a young man with a fresh complexion, and a Hebraic nose, dressed in a brown coat, bright check trousers, yellow waistcoat, blue tie, and a white wideawake, being the only living creature I ever remember to have seen in any way realising the coloured frontispieces of Music-Hall songs. If the Amsterdam Guide had suddenly thrown himself into an attitude, and announced himself as having been christened " Champagne Charley " by his godfuthers and godmothers, none of us would have been more than slightly astonished. THE BOOMPJE PAPERS. 73 After the following conversation, which I will here recount, we come to the conclusion that he is Jomp's nephew : — Ourselves. Is there much to see in Amsterdam '? Guide. Plenty. Full. Ourselves. What is there ? Guide. Veil {uncommonly like Jomp this) — 'ave you 'zeen de Canals ? As nobody could walk two steps outside any door in Amsterdam without seeing the canals, this question does appear somewhat pointless. We reply, naturally, that we have seen the canals. Guide (who, to our astonishment, is rather taken aback by our answer, pauses, and then resumes). 'Ave you zeen de shoops (shops) 1 Ourselves (somewhat impatiently). Yes, we've seen the shops. Guide looks round at the party, as if we were evidently going to be one too many for him). Veil, den, you 'ave zeen the quays 1 Bund (snappishly). Yes, of course we have. Gooch (aside). Qu'il est bete ! (kindly translating.) What an ass the fellow is ! Jomp, in the background, watches the Guide with a patronising air, as much as to convey to us the idea that he could have done just as well as this Guide — "only you would have him ! " Guide. Ah ! (taking a new line), den you must zee de tower. (He is evidently prepared to hear us exclaim, rapturously, " Show its the tower ! ") Maidlie (shortly). We've seen the tower 1 Guide (faintly). And de Palace? Muntley. Right through the Palace to the tower. [Jomp smiles, and looks towards us, deprecating our engage- ment of this Guide. Guide (coming out with a trump cord). You 'ave zeen de Bazaar ? Finton. No. We passed it yesterday. Bund (quickly). And we don't want to. Chorus. No. Hang the Bazaar ! Guide (staggered). De — de — Hotel de Ville ? Bund. Seen it. Guide (almost gasping). De New Church V 74 VERY MUCH ABROAD. Maullie. Went all over it. Guide (despairingly). De Jews' Synagogue 1 Everybody. yes ! Yesterday in the Jews' Quarter. Guide {tries to collect his thoughts, his memory fails him, he looks wildly round the room, then suddenly composing himself he shrugs his shoulders resignedly, and says) " Veil, den, you 'ave seen it all." Jomp, too, shrugs his shoulders and nods first at the Guide, then ;it us, as much as to say, " There, you see, I told you how it would be ; better trust your own Jomp." We have engaged the Guide, at least we suddenly discover that Jomp has engaged him, for the whole day. What are we to do with him for the twelve hours ? Gooch positively objects to walk about in company with a Dutch " Champagne Charley." " Hang it," says he, " one can't go about with a sort of a ' Lion Comique.' Fancy, if we meet any one we know ! " Maullie wants to see a Private Collection. The Guide knows it, and offers to conduct Maullie thither. Offer accepted. We watch their departure. " Sure such a pair ! " quotes Gooch. "And when they return," says Bund, who is settling down to Murray, " we'll go to the village of Broek. It's the thing to see. A wonderful place." And forthwith he reads an extract from Murray concerning all the marvels to be met with in this unique village. We all wish Maullie would make haste and return, so that we might hurry off post haste to Broek, where there are model farms, model dairies, model houses, model peasants, model roads, pleasure grounds, a mermaid, talking mechanical figures, temples, groves, and, generally speaking, it is a place where, apparently, wonders never cease. " Hurrah for Broek ! " we all cry, enthusiastically. " Jomp," cries Bund ; " isn't Broek well worth seeing? " " Veil," returns Jomp, " yes — um — um — it is vorth seeing — O yes ! " Then he adds with his usual profound regard for the truth, " / 'ave never been dere." THE BUOMPJE PAPERS. 75 CHAPTER XIV. A VISIT TO THE CELEBRATED PLEASURE GARDENS OF THE MODEL. VILLAGE OF BROEK. ^ DRIVE to Broek. Ob- jects of interest, wind mills, canals, ditches, flat country bearing a family re- semblance to that cheerful swamp on either side of the line between Fenchurch Street and Tilnury, cattle, and peasants who touch their hats vaguely to any body in a carriage. This touching custom does not aim at the traveller's pocket, for there are no vagrant beggars in Holland. In the Jews' quar- ter, on our coming out of the svnagogue, we were assailed, it is true, by a noisy crowd of female mendicants (why not say womendicants ?), all daughters of Israel, or rather grandmothers of Israel, to judge by their appearance, who held out their palms and shrieked for largesse. Jomp, who was frightened by this demonstration, threw coins among them (to be charged to Bund the paymaster in a future account), and climbed on to the box of the carriage as quickly as possible. This was the only instance of begging that we encountered during our sojourn in the Land of Boompje. Our driver, with whom we could not argue in any language, had us completely in his power on the road to Broek. A flourish of his whip and a jerk of his hand towards a turning to the right 7G VERY MUCH ABROAD. indicated that he intended leaving the straight road in order to drive through a pair of open iron gates. " What's he doinff 1 " asks Bund. Jomp answers with his usual characteristic readiness and love of truth, "Veil — um — urn — he is going through the gates." "Where to ?" inquires Maullie. Jomp looks about him from his perch of observation, and having thought the matter out, replies, " Veil— um — um — I don't know," which, of course, is highly satisfactory. It turns out, however, that we are being taken up to a Model Farm. "Useful thing," observes Maullie R.A, "for Artists." He makes a note to the effect. I believe that when he returns to England he will propose to the Governing Body of the Academy the institution of a Model Farm, or a Farm for Models, where Artists shall be able to call and make their own selection. The Model Farmeresses are at the door of their cottage. Two of them. There are no Model Farmers visible. Bund informs us (on what authority we do not know, as there is nothing about it in Murray) that the Dutch are very fanciful about their cattle, and decorate the cows' tails on Sundays and holidays with bunches of ribands. The elder Model Farmeress shows us her neat dairy, the milk- pans, milk-pails, and cheeses in various stages. It is all scrupu- lously clean and tidy. She explains to us, that is, we imagine she is explaining to us, the process by which milk is made into cheese, and we are much obliged to her. We are led into the cowhouse, but the cattle are in the fields, so we don't gather much from this inspection. She then shows us the family beds. These curiously illustrate the semi-canal life of the Dutch, for they are berths made up in cupboards in the wall. Perhaps the house itself has no foundations, but only a keel, so that in case of unexpected inun- dation, the entire farm would rise from its moorings, and sail about doing business with other farms and villages (similarly provided), just as if nothing had happened out of the ordinary course of events. Noah must have been a Dutchman ; and if Ham hadn't gone as THE BOOMPJE PAPERS. 77 a colonist to Africa, Van Ham would have been a peculiarly Dutch name. After seeing Holland one prostrates oneself before that Grand Romantic Genius who could so far shake off the trammels of fact, as to conceive such an improbable character as the Flying Dutch- man. The Swimming Dutchman, the Diving Dutchman, the Floating Dutchman, the Sculling Dutchman, the Punting Dutch- man, all these would have occurred to the ordinary mind, but the Flying Dutchman is, so to speak, the result of such a flight of imagination as to command our admiration and excite our wonder. The idea might have been suggested by the contemplation of the Flying Fish, which ought to be, if Nature were only consistent, a Dutch Herring. Quitting the Models, we drive on to Broek. Gooch is looking forward anxiously to Broek, or " Brook," as it is pronounced. Bund quotes Murray about Broek. He says, " Such an accumulation of pavilions, arbours, summer-houses, pagodas, bridges, and temples — Gothic, Grecian, Chinese, and Rustic — are nowhere else to be seen." " By Jove ! " exclaim Muntley and Finton simultaneously. Bund tells us that here we shall see wooden figures moving by clockwork to a tune played by some invisible instrument. Here he pauses and sighs, for his thoughts are upon his violoncello at home, and lie never ceases to regret that he did not bring it with him. He believes it would have enlivened us as we drove about, or, at all events, have kept us awake after dinner. Gooch has a proposal for him. It is that he might have his violoncello made portable : the handle to take in and out, the back to open, and the inside might serve as a portmanteau, "from which," says Gooch, "you would only have to remove your stock- ings and things when you wanted to play." The consideration of this novelty occupies us till we reach Broek. Our driver stops at an inn outside the village. " Why doesn't he drive into the village 1 " asks Gooch, who likes to make an imposing entry. Jomp explains, "He cannot drive into the village — urn — uni — because dere is no road." 78 VERY MUCH ABROAD. Bund corroborates this from Murray. We enter the village path, paved in the centre with tiles, like a back kitchen. There is a row of little houses on either side, not very unlike those meteorological toy-cottages, in which the little old-fashioned lady and gentleman never could live together under any circumstances, except perhaps something going wrong with the pivot on which their lives turned. We are pounced upon by an elderly syren lady in a satin dress {a "Mature Syren," article for Sat. i?ev.) who with various blandish- ments induces us, all more or less objecting, to enter her abode. In her front parlour the Lowther Arcade, the penny bazaar of Oxford Street, Margate and Ramsgate shops, and those unique •emporiums on Brighton pier have poured out their choicest treasures. Here are " trifles from Broek " in Dutch, pen-wipers inscribed " Broek," views of Broek (Shanklin, Isle of Wight, I believe, with Broek written under them) in glass paper weights ; knives with wooden handles, on which is carved the magic name of Broek, as if it was that of a Sheffield cutler. Japanese stores innumerable, as if Broek had once been to Japan, and brought all these things away ; or as if the Japanese had fled from Broek, leaving valuables at hap-hazard behind them. Then the old lady must needs show us her autograph-book and her photograph-book. The former contained the signature •of the Emperor Nicholas, who seems to have visited Broek, and " expressed himself much pleased," as the visitors' books have it. We escape from the elderly show-woman (leaving Jomp in her clutches) glad to get away from her at any price. A troop of children follow us, most objectionable children, evidently jeering. Maullie injudiciously makes a face, and shakes his umbrella at their ringleader, and from that moment we are mobbed by the children of the Model Village. Where are the gardens so celebi'ated by Murray ? Jump insists upon a turning to the left being the direct road. This induces us at once, and instinctively, to choose the right. Jomp takes his road : we ours. The children follow us. We find ourselves in a dilapidated ragged garden, cut up into various narrow paths, full of weeds, bordered by straggling bushes THE BOOMPJE PAPEES. 70 and exhibiting no signs of the gai'dener's care and attention for years past. It depresses us. "This," said Maullie, " cannot be the garden." " No," exclaims Gooch, with an attempt at assurance (all Boompje !) "didn't you say," referring to Bund, "that there was a mermaid here, and many swans, and mechanical figures, and a lake?" Bund had ventured upon this, relying upon Murray. We stop in the middle of a path. The children behind us jeer. We are losing our amiable tempers. An old crone comes towards us, bent with age. She can only laugh and chuckle, and jingle some keys she has in her hand. From her signs we gather that she is the Guardian of the Art Treasures. Maullie makes a sketch of her for his new picture, The Lancashire Witches. She only wants a broom to be the very thing : only if she had a broom we shouldn't see any more of her, as nothing could prevent her flying away on it to a " Sabbat " somewhere in the neighbourhood. She is full of chuckles, evidently at the idea of any party of people being such fools as to waste their time in visiting Broek. She takes us to the lake, points out the pavilion, where a wooden man, sometime mechanical, is now lying on the ground with broken legs and arms, and the paint washed almost entirely off his face by the rain through the roof; and she points out the mermaid. " That ! " we all exclaim. Yes, there is no doubt of it. On the top of a ruined summer-house (everything is in ruins) is perched a little zinc or tin mermaid, about eight inches high, intended to serve as a weathercock, only (this being Broek) of course it is out of order, and won't move. "Gentlemen," says Maullie, seriously, addressing us collectively, " we have come all the way from England to Holland, have endured much, and have travelled night and day in order to see a broken weather-cock in the shape of a diminutive mermaid ! " The crone shows us two mechanical figures which do move on being wound up. The children follow us and are delighted. Jt is a melancholy performance, and only the model children of Broek could find pleasure in such an entertainment. 80 VERY MUCH ABROAD. The two mechanical figures look as if they'd been rejected by Madame Tussaud's Committee of Selection for the Chamber of Horrors. Finally, there is a cuckoo-clock, of which the old woman is very proud. In fact, imagine our Golden .Square in autumn unswept, and strewn with toys of children as at the seaside, the gai'dens of any seaside Tivoli on a wet Sunday in October, without tea and shrimps, waiters or visitors, the ruins of the once-famous Rosher- ville, people the place with a few old battered ships' figure-heads from the works by Vauxhall Bridge, throw in a tenth-hand rustic ai'bour or two from some suburban villa to be sold a bargain, and you will have some faint idea of the appalling desolation of the Pleasure Gardens of Broek. Broek, to be true to itself, and to save travellers time and money, should be spelt and pronounced " Broke." The immortal advice once given by Mr. Punch to mankind with regard to those about to marry, may be well repeated here : — Advire to those about to visit Broek: — Don't ! THE BOOMPJE PAPERS. 81 CHAPTER XV. BRUSSELS. UNTLEY, Finton, and Gooch in their glory. Here is a town, a Paris in minia- ture, cafes, gardens, prome- nades, theatres, operas bovffes, and everything in holiday trim. "We arrive dusty and tired. We all disappear to our rooms in the hotel. "We re- appear transformed. Gooch & Co. resplendent. Bund sedate and tidy, but his general effect marred by his Murray still in his hand, and Bradshmv (let, like the cat, out of the bag) protruding from a frock-coat-tail pocket. Gooch remonstrates : dwells upon those blots as being a bad example to Maullie, who has not yet issued from his apartment. Gooch tfc Co. hope anxiously that Maullie will have some regard to social requirements, and not inflict upon us his " tourist's complete suit of dittos " and white wide-awake. Maullie enters. Grand and startling effect. Latest thing in summer clothing. Black frock-coat, white waistcoat, brilliant trousers, polished boots, check necktie, snowy collars, flannel shirt apparent beneath (""Why can't he go the whole animal ?" complains Gooch, who is down upon the blot at once), disappearing behind his waistcoat and coat, and turning up again at the wristbands. Taken alto- gether, Maullie is in " go-to-meetin' costume," and is justly proud of the surprise which he has given us. "Now," says Gooch, "where is your hat?" Then Maullie produces a " gibus," and exclaims, " There ! " triumphantly. 82 VERY MUCH ABROAD. " Put it on," says Gooch. He puts it on, turning his profile, right side, towards us. Applause. Gooch cunningly walks round him, and stops, in horror, on the left. He has found out the weak point of the "gibus." Maullie's countenance falls. " Yes," he admits, " the spring is a little gone on one side, but I don't think it'll be noticed." " Not noticed ! " exclaims Gooch, while Muntley and Finton laugh derisively. " My dear fellow," continues the Count, " this is a fete day. There are two bands playing in the Gardens : tout le monde et sa femme will be there in the height of Parisian fashion. You can't escape remark." Maullie thinks he can. He defends his hat. Bund, being impatient to go into the gardens, and hear the concert (he looks forward to something cheery on the violoncello), says, " never mind his hat ! — come along ! " Gooch sacrifices himself for the reputation of the Club's first appearance in Brussels. He announces his intention of walking with Maullie, adopting an idea of Muntley's (who knows some- thing about theatrical effect), and keeping his companion with his bright side towards the audience (as it were), and his shady side towards himself. The audience being seated in the gardens, this plan is found to answer ; but Maullie, happening to get free for a few moments, takes the wrong side of Gooch, who, momentarily oblivious of the change, is talking to Muntley on his other arm, and at once becomes the cynosure of neighbouring eyes. " What a hat ! " " Regard, my dear, that hat ! " " How it is droll, that hat ! " we cannot help hearing, and even Maullie is induced to recognize the fact that he is bearding Society to its very face. He joins Bund, who has found out a secluded restaurant in the gardens and is icing himself. After two hours' promenade, Jomp appears at the gates with a gorgeous carriage. " Is it," asks Gooch, who likes to do everything in its proper season, " the right time for driving in the Bois ? " " yes," replies Jomp, " you can drive in the Bois — yes ! " THE BOO MP 'J E PAPERS. 83 as if, after mature reflection, he, personally, knew of no just cause or impediment to such a proceeding. " But," persists Gooch (for Gooch & Co.), " is it the time when jdl the swells — all the swell equipages — drive out 1 Eh ? " " Dey all drive out," Jomp returns. "0 yes — um — um — dey -all drive out now — um — um — as much as at any oder time." Carried, for the hundredth time, Jomp is an ass. We drive into the new and unfinished Bois. It will be undoubtedly very beautiful, it is certainly very dusty. So dusty that after a time, and in one part of the drive, we cannot 3ec anything three yards a-head of us. All consequently in bad temper, except Secretary and Gooch, who happen to be seated with their backs to the horses. Jomp smothered ; Bund and Maullic as if they'd been left for months on a shelf without being touched ; Muntley and Finton, in the rumble, grimy and using strong language, chiefly French, and very bad French too. We encounter two carriages besides ours. This represents du monde out driving in the Bois. Gooch is very angry. " Confound it, Jomp," he exclaims, " they don't drive out here at this time, you see." " No," answers Jomp, shrugging his shoulders, " um — um — dey do not." " Perhaps," suggests Maullie, " we've come to the wrong place." Jomp has nothing to meet this with, except another shrug, as if acknowledging that this may be the case. " Is there no other drive ? " asks Bund of the Coachman. "0 yes, all round the town. Drive wherever Monsieur likes." " Then," says Bund, resignedly, " drive all round the town." A simple means of coming upon the fashionable rendezvous at some point or another. We determine (after our drive) to dine at the table d'hote. Gooch protests, but yields to majority. Places taken. Dinner at a comparatively early hour, to allow of going to theatre. Gooch selects two theatres : one where there is a Diablerie piece announced, and another where Le Petit Faust is being done, the airs of which Muntley and Finton immediately commence to whistle or hum, more or less incorrectly. In view of an opera bouffe and a French melodrame, they are in high spirits. O 2 84 VERY MUCH ABROAD. Bund hears there are concerts in the evening after the theatres, and foresees the chance of taking back some new solo pieces for his violoncello. Maullie visits photograph shops, and buys views. Jomp, at liberty, employs his time in a manner most useful to a courrier. Being unacquainted with Brussels, he contrives to improve the occasion by standing in front of the hotel-door all day, doing nothing except joining in an occasional chat with the landlord. " Why don't you go and see the town ? " asks Maullie. " veil," answers Jomp, smiling at the absurdity of such an idea. " Derz is nothing here — urn — um — all towns is de same." And so they are — to Jomp. THE BOO MP J E PAPERS. 85 CHAPTER XVI. REASONS FOR THE BREAKING UP JOMP's DESTINY THE LAND OP FATE — THE FUTURE MARTYR THE BUMPER AT PARTING— BOOMPJE FINISH. HE musical Bund has re- ceived letters from London. He is inagreat state of agita- tion. He is very sorry, but lie must be off. They(who ?) can't do without him. (Boompje !) It appears that he has received an invitation from a quartette party in town ; \Mi\ • lll/mm^W^^h '""' '"' is to hring his owe violoncello. Two violins, a piano, and a violoncello. The dinner is to come first, and afterwards the four are going to play Somebody's Something in G. Maullie says he should like to heai the tuning and screwing up. Bund replies that the screwing will be probably done in the dining-room. But this is only his way of turning off the banter good-humouredly, as, if ever man was in earnest and bent on playing something no matter what in G, Bund is that man. He resolves to get the music in Brussels, and study it. Jomp having had a day with the Landlord, is expected for once to know something about Brussels. Bund asks him, " Do you know if there are any good music-shops 1 " " yes." Jomp, the intelligent, replies without the slightest hesitation, as if he'd been born among them. " yes " — then, as 86- VERY MUCH ABROAD. usual, his sprightliness vanishes, and he begins to appear almost sorry he'd spoken, "Yes — um-um — dere are " — he admits it now as a probability — "dere are music-shops." His tone implies that though there are music-shops, yet, he should say, they wouldn't sell you anything except ham sand- wiches, or would sell everything except music. " They ought to be first-rate music-shops," observes Maullie, "in this place." Jomp rubs his head slowly, thinking this out, then shrugs his shoulders, and puts his hands behind him, resembling in this attitude himself (Jomp) in winter at a fireplace, or himself again (Jomp) in some celebrated impersonation of the first Napoleon deliberating. So far he does resemble the Great Emperor, he does deliberate. There the likeness ends. " Well ! " exclaims Bund, impatiently, to whom, now, minutes are crotchets, " where are these music-shops ? " " Veil," answers Jomp, deprecating the commander's impetu- osity, "Veil — um — um — dese music-shops — um — am — dey are 'ere." " Go and ask somebody to tell you," says Bund, testily. Exit Jomp, in tears. The Landlord enters, and gives Bund the re- quired information. Bund goes all over Brussels, and can only find Somebody in F. They're out of Anyone in G. So the Com- mander busies himself with Bradshaw, to find out the shortest and most convenient route back to his beloved Violoncello. Maullie, R.A., has had his letters forwarded. Waterglass, the eminent dealer, wishes to see him at once : an enormous com- mission. We suppose it to be to paint the Norfolk giant in a series, with perspective background, and giants of various ages in the gardens. However, he must go, and as for Gooch, and Muntley, and Finton, finding that if they stop at Brussels they will be alone in their glory, and as, with the departure of Bund, the office of paymaster and commander is in abeyance, it does not take them long to decide on a course of action which will not precipitate the temporary separation of the Club members, a painful necessity which we agree to leave until we are once more upon the shores of Perfidious Albion. "One Boompje bumper at parting " is Gooch's proposal, speaking THE BOO MP J E PAPERS. 87 for himself, &c. Carried nem. con. And the proposition being duly developed, takes the form of a dinner, and the presentation of the Boompje livery, which he has worn so long and with so much credit to himself, to the immortal and amiable Jomp. We are astonished at finding that Jomp is most anxious to get back to Jjondon as quickly as possible. On being questioned he is somewhat reserved, but, as hitherto, so now, veracity itself. " You want to get back quickly, eh ? " asks Bund. " Veil — um — urn — yes — I should like to get back — urn — yes," — after considering whether there is any other better form of ex- pression, he settles in his mind that there is not, and adds, " Yes — quickly — yes." " Why ? " asks Maullie. "Veil," Jomp returns, very slowly, and rubbing his head, letting his eyes wander all over us, the walls, the looking-glasses, and the carpet pattern, as if the reason he was going to give us was written somewhere among these articles, like a revelation, — " veil — um — um," — fails to discover it in the carpet, and tries the right-hand window pane over Bund's head, — " veil — um — um — I wish to go because," — another failure, he tries up the left wall as far as the cornice, where he is stopped by some ornamentation, which drives him to the looking-glass on the opposite side, — "because — veil — it is nothing," — here he smiles to himself rather bashfully, and we begin to think that he is going to tell us of his fixed intention of getting married, — " veil — only because," — the furniture failing him entirely, he settles on Bund's watch-chain, and brings himself to bay as it w r ere, — "I vant to go — um — um — because — / do not wish to stay here." " Is there no other reason?" asks Gooch, inquisitorially. "Yell — um — um," Jomp admits there is. " What is it 1 " " Veil — um. I vill tell you " — Jomp begins in a tone of most abject apology, " I ave taken a — um — um — I ave taken a Otel." "A what?" we all exclaim. He is as frightened as if we'd all suddenly forbidden the banns of that imaginary marriage we had fixed on him. *'A Otel," he resumes. "0 yes, I ave him. Vy not?" Then 88 VERY MUCH ABROAD. warming with the subject, he continues, " Dere is mosh more money to be made as that, dan as Courrier, yes, mosh. It is in a good place." " Where ? " we inquire. " Veil," he pauses and looks round at us, to see how we'll re- ceive the intelligence ; " Um — urn — urn — it is in London." He names London as if the idea of starting a Hotel in such a place was entirely novel and original, and calculated to make an unheard-of fortune from its taking the people so by surprise. He had evidently looked forward to every one saying, " Hallo ! here's a hotel ! Why it's Jomp's Hotel. Dear me, let's go in and sleep there, and dine there, and, in fact, live there. All, everybody ; let us desert London and live in Jomp's Hotel." We cannot discourage him, as he has taken the premises. "A great place," he explains. "Make dee — two — tree — four — an twenty or tirty Billiard Tables." " How many beds ? " was our natural question. " dere will be beds — yes — plenty of beds. Enough for every one to sleep most comfortable." Now what Jomp means by this is not to us distinctly clear : but it does seem that up till now sleeping accommodation has been a consideration of secondary importance by the side of Billiard Tables. Unless those who couldn't get beds, were to be accommodated with pillows and sheets on the billiard tables. He goes on, evidently pleased, to give us particulars. " Veil den — dere is varm and cold vater always turn on — yes — den dere is a large Organ dat play several tunes " " Good gracious ! " exclaims Maullie, " what's the use of an Organ to a hotel ? " " Veil," Jomp returns, " he is no use, no. But I bought him at a sale. He plays," he adds, with pride, to show that he's not been taken in, " yes, he plays." "Any other curiosity in your hotel?" asks Gooch. "Veil, no," answers Jomp, innocently. "But you must come dere von day. I shall be delighted if all de gentlemans vili come." " If it's conveniently situated," cried Bund, " we might have a weekly Boompje dinner at your hotel, Jomp." THE BOOMPJE PAPERS. 89 He is radiant. He would be glad, he would give us a dinner — O yes, we should dine. "Where is it? " asks Maullie, pleased, as we all are, at the idea. " If it's in the neighbourhood of the Clubs, or about that part, it will suit us down to the ground." "Veil," Jomp considers, "veil — um — urn — it is not near de parks — no — veil it is — no," as if he were mentally calculating its exact distance in inches from the Marble Arch or Wellington statue, — "veil — no — it is not near de dabs — no — but you can get dere — yes — you can get dere." This possibility is, we think, almost a necessity to the success of the hotel. However, where is it 1 " Veil, it is — um — um — it is in Smithfield ! ! " " Is it ! " exclaims Bund ; " then, Jomp, you've made a martyr of yourself ; your friends will roast you, and, 'pon my life, you deserve it. What on earth " but Bund is so annoyed with him that we are obliged to come to Jomp's rescue, and start suppositions that he (Jomp) had some good grounds for thinking he should get business in Smithfield, in preference to any other place. " yes," replies Jomp, brightening up, as if anything like a tangible reason for taking this Hotel in Smithfield had never occurred to him before, as perhaps it hadn't — " It is a good place for a Otel. Dere are a number of " " Farmers and Gentle- men Farmers from the Country on business," suggests Gooch. "No — vim — um — No." Jomp rejects this source of wealth, and we wonder on what vein, unknown to us, he is going to rely. " No — dere are a number of Siviss Clochnalcers living about dat part, and — um — um — / tinlc dey vill come." Jomp's notion, fully developed, is that these Swiss Clockmakers, firstly, " must eat ; veil — dey come to my Otel." In vain we point out to him that they'll probably continue to dine, as they are doing now, and have done for years, at home. He meets this objection by saying, "Ah veil — but veil dere is a Otel, dey vill come." Secondly, that the hot and cold water always on will be a great inducement to them ; thirdly, that, their work over, they will be delighted to recreate themselves with billiards. Again, we point out that, being chiefly, in all probability, family men, 90 VERY MUCH ABROAD. they will prefer to do as they have done for years, the chances are, and stop at home. " Ah," says Jomp, " but ven dere is a Otel and twenty, tirty, billiard tables, dey vill come." We advise him to get rid of his speculation to anyone who will buy it, but he thinks we are wrong, and we hope he is right. He says he must get back to manage it, as " it vill vant me to be always dere," he tells us. The above explanation of Jomp's views stood in lieu of a speech from him at our dinner, where he waited on us, for not, let us hope, the last time. Bund from the chair made a neat and appropriate speech. He expressed his pleasure at having been, conjointly with the present company (Muntley and Finton excepted, and welcomed as Junior Members) the founder of the Great Boompje Club, whose exis- tence would be synonymous henceforth with that of Science and Art. They would all of them dine with him that day fortnight in town, and book it. " Messieurs," concluded our courteous and hospitable Commander and Paymaster (who has never yet sent in the bill, and never will) " Messieurs, au plaisir ! Gentlemen, let us stand up and drink the Motto of the Club, which emphatically and concisely expresses our sentiments towards Number Two, and, at the same time, a long farewell to the Land of Boompje. Hip ! Hip ! Hooray ! One, two, three, 'BOOMP-JEl'" LA BOURBOULE. NOTES OF A FIRST VISIT TO LA BOURBOULE. CHAPTER I. EN ROUTE TWO HOURS FOR REFRESHMENT A FRIEND IN NEED MY TRAVELLING COMPANION " EN VOITURE ! " f~\ N the morn- ing of the "Glorious Twelfth" (of August) I find myself not on the Moors and among the grouse and Gillies, but entering the departement of France called the Puy -de- Dome, en route for the Station Ther- m ale, La B ourboule, whose rising reputation for curing all sorts of ailments has brought us, myself and Dudley Oli- vers, all the "way from London (driver? came vid Dieppe, myself vid Calais, 94 VERY MUCH ABROAD. meeting at the Gave d? Orleans, — quite a historical event) to consult La Bourboule's doctors, drink and bathe in La Bourboule's waters, and in a general way do at La Bourboule as La Bour- boule does ; and we sincerely hope the young Lady with a rising reputation, — for of course " La Bourboule " must be a feminine personage, — will pay us every possible attention, treat us kindly, and turn us out as " perfect cures." From London (vid Calais) to Paris. — Victoria early Continental train. Who hasn't experienced this trying start ! To bed early the previous night, and in consequence unable to sleep. Very wakeful up to midnight. Restless and feverish till about 4 a.m., " when daylight does appear," — for of course the shutters are open and the blinds up on this exceptional occasion, so that darkness may offer no subtle inducement to take another turn round and go to sleep again, — and, having given particular orders about being called punctually at a quarter to six, and having anticipated the arrival of this hour by jumping up hurriedly to look at the clock three times already between four and a quarter past five, I return to bed, and while congratulating myself on having just exactly half an hour's more rest, I fall off into the deepest, sweetest, and soundest sleep, from which nothing short of shaking, rapping, hammering, and shouting can arouse me. Then — every early voyageur is familiar with it — comes the trying moment of " pulling oneself together," which is only partially successful, and your glass shows you the ghastly spectacle you really are in the very early morning, — an un- healthy, half-awakened sleeper, momentai-ily galvanised into un- natural life. At this juncture the idea will flash across you, " Can anything be worth this thorough upset of my system 1 Isn't this derangement of my natural night's rest quite sufficient of itself to demand imperatively some medical treatment in order to restore me sain et sauf to myself again ? " Till this morning I was (comparatively with what I feel now) well. But this restless night, this anxiety, this unnatural eai'ly rising, this breakfastless excitement, has utterly boideversed me .... and — and — upon my word, if I hadn't got two pounds' worth of French money and my pink ticket to Paris in my pocket, I should feel strongly in- clined to chuck up everything, so to speak, and — go to bed again. LA BOURBOULE. 05 But Courage, mon ami ! my cab is at the door, and my barque (the steamer) is on the sea, and faiblesse, adieu ! From London to Calais. — Hungry and feverish. Is life worth living, Mr. Mallock ? Why go abroad? why all this nuisance and trouble merely because three Doctors have told me that if there be a place on the earth to cure me " it is this, it is this " La Bourboule, whither I am now wending my way ? Why not Harrogate ? I don't know : but too late to discuss the subject now, and I have no one to discuss it with. Why aren't these sulphurous and arsenical waters in England 1 Naaman the Syrian asked, quite naturally, why the waters of Pharphar, which he could get at easily, wouldn't do for his complaint ; and I put the question (not in the same spirit, but diffidently) about Harrogate adding a propos of Pharphar, why go /ar-^ar-farther, only, perhaps, to fare worse ? Calais. — This always excellent Buffet restores my equanimity. It invariably does. If it were only for this I would choose the Dover and Calais route. The Calais-DoUvres has taken us across beautifully. At the station there are scarcely any voyageurs, I am accommodated with a compartment all to myself, and begin to be a little, a very little happier. Paris. — 5*40. At the Gare du Nord. My old friend George Doe (no relation to the defunct Richard Roe) is waiting to receive me. He is the friend in need, — I mean I'm in need, and he's the friend. He is in Parisian summer suit, hot, of course, but fresh up and beaming. He knows everybody worth knowing in Paris, including the station-master and the officials of the Douane at this terminus. The result is that within ten minutes he is driving me in a cab, while his Chasseur Charles, in uniform (George Doe does the thing well), is on the box directing the cocker along the shortest and cheapest route to the Gare d'Orle'ans, and keeping his eye on the luggage. Arrived, Charles, the Chasseur, takes all responsibility on his own shoulders ; he will get my ticket to La Bourboule ; he will pay the supplement for the coupe toilette ; he will come to fetch me at the very moment when I ought to start ; and, I believe, 60 actively obliging is Charles, the Chasseur, that he would 9G VERY MUCH ABROAD. actually go, instead of me, to La Bourboule, take the waters there, solely on my account, and would let me know by telegram when he considered I ought to look upon myself as thoroughly cured. So, while the gay Chasseur is thus engaged, George Doe accepts my kind invitation to dinner at a small cleanly table, in the shade, outside the Station-Buffet. Yes, this is just one of the things they do manage better in France. The Buffet of the Gare d' Orleans serves up a very good repast ; the small tables I notice are nearly all occupied, and not by voyageurs only. Our waiter is brisk and civil, and the sommelier is confidential, as, with a twinkle in his eye, he recommends a choice Burgundy. We have already had a remarkable Bordeaux, bat as my worthy friend in need is very fond of Chambertin, I sacrifice myself to my friend, for I am not bound to undergo a course of sulphur (like the Ghost of Hamlet's Father) and arsenic, so what harm can just one glass of the generous, the too generous Burgundy, do to one who must suffer anyhow? This is George Doe's opinion, too; not perhaps quite disinterested. So we decide for the Chambertin, and, such is its excellent effect, a little later I find myself deeply regretting my having to quit Paris, and begging Charles, the Chasseur, to see that the change is all right in francs, as, somehow or another, what with the heat, the pleasure of meeting an old friend, the fatigue of the journey, and the excitement generally, my head is rather in a whizzle when I try to translate pounds into francs, and attempt the details of complicated calculations. After at- tempting it seriously with a pencil on the back of an old letter, I sum it all up in a generally convivial total of " All right ! " and Charles, the Chasseur, leads the way to the platform, where he trusts me with my railway-ticket and luggage-number (which is only on a wretched thin slip of yellow paper — so easily lost), and is not satisfied until he sees me put them both, with the utmost care, in my watch-pocket. At this moment it suddenly occurs to me that I have yet to meet my companion in illness, or, let me say, in getting-well-ness (that being our common object), Dudley Chivers, "who ought," I say to George Doe, " to be here by now, as Dudley is a man of business, a constant traveller, and " Then I explain to George Doe that Dudley Chivers — the Honble. Dudley Chivers, with LA BOURBOULE. 97 whom he may perhaps be acquainted. No ? Well, he is an immense Swell, has been on several occasions accredited on " important Missions " — whereat George interrupts me to ask if he's a Clergyman, " because I used the word ' Missions,' you know," he says, apologetically, and I immediately emphasise " Diplomatic Missions ; " whereat George seems a bit scared " And so," I add, noting an inclination on my present friend's part to decry my absent friend, " and so he will probably travel FESTIVE SCENE A LA GARE D'ORLEANS- Dehors. Making the most of our time, or "One (or two, or more) bumpers at parting, fill fill for me," previous to going in for the waters of La Bourboule. en prince, and be now saying good-bye to the President of the liepublic, with the entire firm of Rothschilds taking farewell of him at the station door." " There's some one waving his hat to you," says George Doe ; " there, standing by that carriage — man in light shooting-coat and billycock hat." " Ah, yes, I see ! " It is — though I own I am surprised — it is Dudley Chivers. He is having a dispute with the ticket-collector about the supplement, and has stopped in the middle of the discussion to signal to me. ir 98 VERY MUCH ABROAD. I have met him in gilded saloons, where he is the very pink of courtliness ; we have dined together in the pleasantest company, he heing an adept in the art of being agreeable to everybody : he has always been the youngest, the gayest, the most amiable, the most even-tempered of men, with an air of authority and mystery that at once convinces and commands respect. But now — well, to begin with he isn't well, or he wouldn't be going with me to La Bourboule ; and, secondly, he seems to be much exercised by having left most things that he requires behind him, including a servant. I introduce George Doe to Dudley Chivers, who becomes sud- denly as pleasant and agreeable as ever. I tell him I've got a coupe' toilette for six francs extra. Will he change, and come to mine 1 He replies, heartily, " I'll do whatever you like — my name's Easy ! " — what a charming travelling companion ! — adding imme- diately, " I've got all my things in here, and I've paid eighteen francs. Hadn't you better come into mine ? " Charles, the Chasseur, murmurs in my ear that I shall have to pay another supplement of twelve francs, and that then we shan't be so comfortable, as there is a washing-place in mine. "But, my dear fellow," says Dudley, pleasantly, "you won't always want to sleep. You'd better come in here." And so, yielding to the gentleman who has announced that " his name is Easy," I pay the extra amount, and Charles moves all my things — my "goods and chattels," as the little curate calls them in The Private Secretary, and mount into Dudley's coupe lit, in a corner of which he has already comfortably installed himself. " It's fitted up with sliding-seats," says Chivers ; " yours wasn't." "No, but mine has a washing-stand," I return; to which he only replies, — "Oh, pooh ! What's that, when you want to sleep? I really don't care where I am when I'm travelling." He is at full length, and ah-eady turning over for a doze before we're out of the station, with his legs barring the portiere, so that I cannot do more than stretch myself out at an acute angle to his prostrate form, and wave my aclieux to George Doe, and Charles, the nimble and willing Chasseur. We are off by the 8 p.m. train to La Bourboule. LA BOURBOULE. 99 CHAPTER II. WITH A GROWLER ON A NIGHT- JOURNEY FROM PARIS TO LAQUBUILLE. UDLEY CHIVERS has commenced the journey by saying plea- santly that he is "prepared to rough it," and that " his name is Easy." However, I soon find that his tone of mind belies the name which he has chosen for himself. Dudley Chivers has become quite a changed character ; that is, at the present moment en route for La Bourboule. Had I been asked at any time within the last twenty years to point out the man whom nothing could ruffle, I should, without hesitation, have named Dudley Chivers. Now, d I'heure qy!iL est (one glides into French as Wegg did into poetry, and Chivers is tout-a-fait le Franeais — " Quite the Frenchman "), he is a grumble personified. I discover it at once. And the effect upon myself is curious ; for wherens, up to now, I had looked upon this obligatory journey to undergo a course of water-treatment at La Bourboule as a purga- torial discipline to which only the prospect of a certain future and lasting beneficial effect could in the least reconcile me, now, owing to the wretched view that Dudley Chivers takes of everything and everybody, I am forced into so strong an opposition as to find myself becoming quite a Mark Tapley, every minute growing- more and more cheery and sanguine, though occasionally shaken in my own beliefs by my companion's apparently well-founded scepticism. "A long journey before us," I commence, pleasantly, "but the reward of returning quite well ! — eh 1 " "Ah, that's it," growls the Gentleman whose 'name is Easy,' moving himself restlessly in the seat, where he evidently can n<,1 h 2 100 VERY MUCH ABROAD. make himself comfortable. " What carriages these are ! beastly \ and eighteen francs supplement/ What an infernal roAv that engine makes ! Why the deuce can't the French start a train without all this confounded shouting, screeching, foghorn blowing, and bell-ringing ? Ugh ! the fools ! " "They are noisy," I reply, cheerfully, "but there's life in it." Here the engine gives a series of screeches as if in extremest agony. " Go it ! " shouts the Easy One, — Chivers nomine Facile, — sarcas- tically. " Go it ! — allez I — don't mind me ! " This adjuration addressed to the Stoker, Driver, and Railway Officials generally, is perfectly unnecessary. They don't mind him in the least, and for a few minutes all attempts at conversation are rendered impossible. Sharp, shrill, convulsive shrieks, answered by other engines in different quarters with similar sounds, make the night hideous. " If this is to go on, we shall never get any sleep," growls Chivers. " Oh," I say, to comfort him, and get him to be a little more agreeable, — otherwise I shall regret not having retained my own carriage, and travelled, ' for this night only,' alone — " this horrid noise won't continue when we're once clear of the station." " How do you know V he asks, discontentedly. I don't know ;. I only suggest it in the kindliest spirit. The shrieking ceases for a while, and then we talk. " I expect it will be a beastly place we're going to," begins the Easy One. "I hear," I return, "that it is dull, but very prettily situated." " I shouldn't have been going there at all if it hadn't been fur y 'U," says the Easy One, angrily. " Indeed 1 " "Yes — you gave such a glowing account of it when w T e dined together," — (I remember I did ; but that was when I was rather touting for a cheerful companion than speaking from absolute knowledge) — " that I at once asked my Doctor, and he strongly recommended me to come here, and wrote me a letter of introduc- tion to one of the Doctors at the place itself." " Dr. Probite 1 " I inquire, that being the name of the eminent practitioner to whose care I have been confided. " Yes, that's it ; Probite ! " he replies, in a tone of the deepest annoyance. " Probite ! what a name ! " LA BOVRBOULE. 101 " First-rate man," I say, at haphazard, and chiefly because I've been recommended to him. For surely my Doctor wouldn't send me to anyone but a first-rate mau ? " Is he 1 ?" returns Chivers, in a sharp suspicious manner — (never saw a man so changed as Chivers !) — " I don't believe it. I believe the whole thing's a swindle." " How do you mean ? " I ask, for I am bound to expostulate with him, as, in bringing such a sweeping charge as this against the place, he is not only condemning the Doctors abroad, but the Doctors at home who have written on the subject, and setting down the experts and scientific men, who have published their analyses of the waters and their salutary effects, as all humbugs, everyone of them engaged in one grand conspiracy to beguile patients into going to La Bourboule. " I mean," goes on the Easy One, with the brutal frankness of a man who having suddenly discovered that he has been a dupe, now wishes to undeceive everybody else, " I mean that the whole place is a humbug, a speculation. It was got up, it's a well-known fact " — (then how is it I've never heard of it ? But I don't inter- rupt him — I want to hear all his startling revelations, and, if his facts are proved, back I go to London again, firmly resolved to burst the La Bourboule bubble) — "it was started by Dr. Schiissel, — a thorough speculator under the Empire, — and he got a lot of Doctors to form a Company, and work it." " Well," I object, " but there must have been natural sulphuric and arsenical springs as a basis of speculation 1 " "Not a bit," replies Chivers, with triumphant malice, — "ordinary mountain springs, doctored." " What ! " I exclaim, horror-stricken at the idea of such villany. " Yes — doctored," he proceeds, with an air of being thoroughly well up in his facts — " yes, doctored. That is, the sulphur and arsenic are supplied every morning from Paris, and put into the wells and springs. Steam does the rest. The whole thing's a regular swindle." " Then why go there ? " I naturally inquire. He shrugs his shoulders, and answers — " Well, you see, if the medicated mixture called ' the waters of La Bourboule,' produces the desired effect, what does it matter whether it's a swindle or not 1 ' 102 VERY MUCH ABROAD. I admit that this is true to the extent of individual benefit, at the expense of general and professional morality. To which Olivers simply replies, — " Blow general and professional morality ! " " There's another thing," he continues presently — " the Romans were great chaps for baths." Chivers is a well-read man. " There's not a Station Thermale, as they call it, existing now but what was exploite by the old Romans originally. Take Aix-les-Bains, Aix-la- Chapelle, any of 'em, — Mont Dore, — beyond where we're going, — La Bourboule according to Fancy. and there is a Roman history to each of 'em, Roman ruins and Roman relics in every one of them. But at La Bourboule not a vestige, not a trace of a Roman having ever had even so much as a hip-bath there, — no Roman coins, no Roman ruins. If it had always had the present reputation, wouldn't the Romans have made the place 1 Bah ! I don't believe in La Bourboule ! I know it will be beastly ! But mind," concludes the Easy One, as he turns on his side, away from me, and closes his eyes, " I'm hanged if you're not responsible for taking me there ! " LA BOURBOULE. 103 I am now bound to tell him all I know about the place, its virtues, its benefits, its charming climate, its situation — high up in the mountains, — and its system of baths. I am going on in this strain when he looks round sharply and interrupts me with — " Have you ever been there 1 " I am compelled in truth to answer, " No, I have not." "Very well," retorts the Easy One, sitting suddenly bolt upright, — "then, till you have, you don't know any more about it than I do. Your information is on hearsay, — so is ^ ■ \ ~JgB^S5^^B La Bourboule not according to Fancy. mine. But when you spoke of the place at that dinner-party" — he is always twitting me with this, as if I were to be tied to every- thing being taken literally that I said at any dinner-party,- — specially on an occasion when I naturally stretched several points in order to gain the one I had at the moment in view, that is of getting an agreeable travelling companion, who would beguile the weary hours of the night with pleasant talk and amusing anecdote — "when you spoke of La Bourboule at that dinner-party, you certainly gave me to understand you had been there yourself, and knew all about it. Oh yes, you did." And down he goes again on the sliding-seat. 101 VERY MUCH ABROAD. Did I speak at that dinner-party about LaBourboule as if I had been there myself? I'm really very sorry, but I don't think I could have, — at least I didn't mislead him intentionally. Besides, the conviction grows upon me that he could not possibly recollect, with any exactness, much that I had said at that dinner-party, because I remember his telling me that he was taking champagne, and smoking a big cigar, on that occasion only, as an exception to his rule ; and then I remember distinctly that, on turning to ask him a question, I suddenly missed him, and, on subsequent inquiry, I found he had left comparatively early, but that no one had noticed the precise moment of his departure ; insomuch that, on my asking for him, the wag of the company had at once pretended to look under the table. I am emboldened by this remembrance to affirm that I could never have said I had been to La Bourboule, as it would have been absolutely untrue, and therefore, &c, &c. " No," replies the Easy One, who can't fix himself in a comfort- able position ; " I don't mean that I understood you to positively say so ; but from your manner and way of talking about the place, anyone would have inferred that you had been there for several seasons." Of course, I can't help what he inferred from my manner, — but here the engine re-commences shrieking, and brings this part of our conversation to an abrupt conclusion. After anathematising the noise, and once more preparing himself for repose, Chivers complains that he knows he shall be miserable, as he has left his valet behind him, and that in consequence he shall have to carry his own bag — (Docs he throw this out as a hint that he wishes me to carry it for him 1) — and he will have to unpack for himself, and brush his own clothes, and — ! — he knows he's going to be very wretched, — he has quite forgotten that "his name is Easy," — and he does hope I won't trouble him any more with talking (here's a pleasant companion whose " name is Easy " !), as he wants to get to sleep, and he must request me not to get out at Limoges, or any other station, as he is lying just across the portiere, in front of which his legs form a sort of bar, and I shall have to put him to all sorts of discomfort. And this is the man whom, from knowing him for the last LA BOURBOULE. 105 twenty years in various circumstances, I have selected as the best and most agreeable travelling-companion in the world ! Moral. — Take care how you tout for a companion for a journey ; stick ciosely to facts when describing what you Jcnoiv nothing about except from merest hearsay, and don't be too expansive in manner at a d inner-party. " What great effects from trifling causes spring ! " "By the way," he murmurs, before dropping off to sleep, "what Hotel did you tell me to take rooms at ? " I tell him the name of the one where we are both expected. "Ah!" he groans, "you've let me into a nice thing. My friends in Paris, Parisians who know all these French watering- places, tell me that the hotel you're taking me to is quite second- rate. Ugh ! " he growls, " I shall leave the beastly hole if I don't like it. And, dash it, no servant ! I shall have to unpack my own things ! and Ugh ! " Why doesn't he get out at the next station, and take a return- ticket to London 1 But suppose what he says should happen to be true ? Suppose we are the dupes of cunning and designing men and that the whole thing is a swindle ! ! Suppose that we find La Bourboule to be pretty much what Martin Chuzzlewit and Mark Tapley found that Eden really was, after the American agent's glowing description of the place as seen on the map 1 What then? As they used to say in old melodramas, "The deadly poison (of Chivers's conversation) has» done its work," — and Iago (Olivers) has whispered into the ear of Othello (myself ) his distrust of Desdemona (La Bourboule). This thought bothers me. The sliding-seat of the coupe-lit is a nuisance ; it slides when I don't want it to, and then won't be got back again without much physical exertion, which is too fatiguing this blazing hot night, only to slide out again when least required, — and for this I have paid eighteen francs supplement, simply because the gentleman who said he was going to "rough it," that everything was "all one to him," and that "his name was Easy," would not move his things from his carriage into mine. I cannot sleep. But . . . the Grumbler can. His name is Easy at last. There he lies, extended on his sliding-seat, his feet encased in natty slippers — "pumps," with striped socks just visible, after the manner of the pantomimists, who in old pantomimic 105 VERY MUCH ABROAD. days used to be down in the bills as " afterwards Harlequin " — an intimation scarcely necessary then, as the future Harlequin invari- ably played the Lover in "the opening," and was immediately de- tected by the least experienced habitue, on account of his pumps and silk stockings, — yes, there lies drivers — as "afterwards Harlequin" — fast asleep, and no longer grumbling or growling, but snoring — but even in his snoring there is so strong a note of discontent that it only sounds as if he were still grumbling, in his sleep. At Limoges he must play the part of the " Sleeper Awakened," as 1 shall descend and seek the buffet, in search of a cooling draught. Riddle composed, said to, and guessed by myself, while Monsieur qui s'appelle " Le Facile " dort en ronflant. — Why might I just as well have come to La Bourboule in a four-wdieeled cab % — Because I have taken a growler. Limoges. — No cooling draught. No ice. Nothing, except anathe- mas from drivers, to which I pay not the slightest attention. On we go again, shrieking, whistling, and screaming without. Snoring within. "Sleep no more " — but I drop off about 5 a.m., and at 8*45 — just one tedious hour late — we arrive at Laqueuille, where we have to get into an omnibus to take \is on to La Bourboule ! LA BOUEBOULE. 107 CHAPTER III. NEARING LA BOURBOULE — OBJECTS OF INTEREST EASY AND UNEASY — ON THE ROAD— ARRIVAL RECEPTION — FIRST IMPRESSIONS DIFFICULTIES. RRIVAL at Laqueuille. — Hot, dusty, dirty, weary, and not in the most angelic temper, either of us. Still, as Chi vers sticks to it that but for me he would not have come to La Bourboule, I feel \ bound to make the best of every- thing for the sake of my own reputation as an adviser; besides, if we were both to succumb to melancholy, the very strongest waters would never do us any good. So I begin, as cheerfully as possible, by pointing out that it seems to be a pretty-ish country. "Pretty country be blowed!" growls Chivers, peevishly. "Why we can't see anything a hundred yards away from the station." This is not strictly the fact, but I admit there is not much to be seen as yet. "Wish to goodness I had brought a servant," exclaims the gentleman whose "name is Easy," adding, in despair, " I know I shall never get my things brushed. And then " — turning to me with an air of supreme dejection — "who's to unpack my con- founded luggage 1 " The Boots will do this, I suggest, or the Porter, or the Chamber- 108 VERY MUCH ABROAD. maid. But he sneers at the mention of each one of these domestics separately, as if, though they might be good enough for the simple task of unpacking my luggage, or anybody else's, it "would bo utterly impossible for them, individually or collectively, to venture upon unpacking his. He speaks as if he were carrying dynamite. What he means by " unpacking " is not simply undoing the straps, but taking everything out, and laying each article, from the button-hook to the slippers, in its proper place. The fact is, that for seven or eight years of his life, — during which I had lost sight of Chi vers, and it is only just at this moment it occurs to me that I had lost sight of him for so long, — Dudley Chivers held a supremely important post in the East, where he was waited on hand and foot by grovelling slaves, who, like sweet Alice in the song, " trembled with fear at his frown," and who " wept with delight" on the rare occasions when he deigned to "give them a smile." His every wish in that Oriental Palace was anticipated before it could be expressed, and, at first, before it could be even understood when it was expressed. And so, having been for eight years in the habit of clapping his hands as the signal for a hundred ebon slaves, more or less, to bring him his boot-jack, or his button-hook, or whatever it might be, it is no wonder that, in spite of his still affirming his name to be "Easy," he should be a trifle put out at having come on a long journey to a new place without any servant at all, and so find himself reduced to clapping his hands as much as he likes, without any immediate effect beyond that of making them very red and tender. Dudley Chivers is emphatically a man whom a Leader-writer in any paper would declare was "born to be a Ruler of Men." Quite so. Only he must have some one on whom to exercise this gift, and, at present, that one has been left behind. " I shall never get anything done," he exclaims, wretchedly, and almost wrings his hands in the utter helplessness of his misery. Pour le dlstraire un peu (as I have before remarked, one does drop into French as Wegg did into poetry), I direct his attention to the Station-master of Laqueuille, who is very much decorated, with about half-a-dozen silver medals hanging in a row on his breast, as if he had been convicted of uttering bad coin, and these LA BOURBOULR 109 were false specimens fixed on to him as a warning to others, just as a keeper hangs up stoats and weasels on a barn door, or a shop- keeper nails " duffer " halfpennies to his counter. The appearance of this Station-master makes Chivers very angry. He says he hates officials, — specially decorated officials, — and, more especially, decorated French officials. He won't even condescend to obtain renseignements from him about the omnibus to La Bourboule. However, not much information is necessary, as here are the omnibuses all in a row, and, a little way off, some dusty, broken-down-looking two-horsed open flys, with very un- professional-looking drivers, dressed as ordinary peasants, in blouse and casquette. The omnibuses have four horses each, — and such horses ! They look as if another mile in any direction would shut them up alto- gether. The poor things hang their heads, as though ashamed of being seen by strangers in this miserable condition ; and, if they cannot even " carry their heads," how they are going to carry their loads is a puzzle to any unprejudiced person, for the omni- buses are by this time choke-full inside and out, being apparently licensed to carry as many as can manage to seat themselves with out regard to personal comfort. We debate whether it would not be better to take one of the open vehicles ; but on being informed by a driver that his fare will be twenty francs, we determine to take out the money's worth of our railway ticket, which includes the 'bus. Chivers is very angry. " Twenty francs ! — a regular ' do ! ' just like 'em ! " and he won't even make a bargain. Ours is the last 'bus to start. We are on the roof of the omni- bus, on a seat of peculiarly ingenious open-work construction, warranted to keep the traveller awake, and prevent his falling over the side. " What a beastly seat ! " cries Chivers, wriggling. " What a wretched old omnibus ! Ugh ! " Then, as I really cannot help agreeing with him, though I still smile, and try by that simple means to put the best face possible on the matter, he goes on — ■ "Did you ever see such horses! Poor devils ! We shall never get to Bourboule. We're an hour or more late as it is ! That's what comes of railways being under State control ! " And for a 110 VERY MUCH ABROAD. few minutes he is buried in the deepest meditation, from which I would no more rouse him than I would venture to disturb the Poet's inspiration, for he is evidently revolving some tremendous scheme of European Railway Reform, which shall unite the Great Powers as one man, and be the inauguration of a new Golden Era for France, consolidating the Commercial alliance between the two countries, putting an end to State monopoly, and which, as an immediate practical but important result, will terminate the authority of the decorated Station-master at Laqueuille, and bring to an end for ever the wretched omnibus service between here and La Bourboule. I am convinced that this is what is passing through Chivers' mind, but all he says, and herein he shows the caution of the true diplomatist, is, " What an infernally uncomfortable seat ! " Again I draw his attention to the prospect, which really begins to be very pretty, though not, at present, anything grand. " I don't think it's a very friendly sort of country," he says. I subsequently find that the expression " friendly " goes for a good deal in Chivers's vocabulary, as he applies it, when in a better humour than at present, to everything and everybody. " Ah ! of course ! " he exclaims, presently, jerking his head in the direction of the driver, " I thought so — I knew he'd do it ! Just like 'em ! Our stupid ass of a coachman has waited till all the others have gone on ; and now he is sticking close behind, and we shall have all their dust. What a pig of an idiot ! What a beastly drive ! " And then comes the melancholy refrain, which is like the burden of an old song, " I wish to goodness I'd brought a servant ; I shall never get my clothes brushed." It is a dusty, up-hill journey. The sun has come out strong for tha occasion, and the rosses (Anglice, our 'osses, — first symptom of au international calemhour*) have come out weak. " Oh, the idiot may crack his whip, and shout as much as he darned pleases, but he'll never get 'em up this hill ! " says Chivers, angrily. This seems to be the universal opinion of the passengers outside, who begin to express great pity for the poor animals. But no one at present offers to lighten the load by descending. At last the horses come to a standstill. They don't stir, no more does anybody else. LA BOURBOULE. Ill "Dashed if I get down," says Chivers, The Easy, with a touch of the Oriental despot in his tone. " I didn't pay to walk. Let 'em get more horses, or stand us a fly." However, half-a-dozen passengers do take to the road. I am too tired to walk. We have had no breakfast, and no refresh- ments except the abominably warm lemonade at Limoges, since dinner last night in Paris. " Why," growls Chivers, " if one hadn't anything the matter The First Example that catches my Eye of the Habitues who drink the Waters of La Bourboule. with one, this infernal journey would make some sort of medical treatment absolutely necessary. Ugh ! beastly ! " I point out the picturesqueness of the scenery, — it is for the most part a beautiful drive from Laqueuille to La Bourboule, with a good view of the Puy-de-Dome itself in the far-off distance, — but iie keeps his back turned on it. I point out to him the volcanic character of the rocks before him, but all he growls out is, — " Bah ! seen the same sort of thing in Devonshire. I believe La Bourboule's all a swindle. I believe the waters are doctored." " And so will you be when you get there — at least you ought to be doctored, for you've got complaints enough," I retaliate, speak- 112 VERY MUCH ABROAD. ing in defence of the beauties of Nature, and doing it as pleasantly as possible in the circumstances. My chirpiness, however, is only feeble just now, for hunger and heat and fatigue are beginning to tell on my naturally fine constitution ; and Chivers's complaints, — I mean his persistent grumblings, — are really infectious. I am positively beginning to disbelieve in La Bourboule. Where is it ? Up in the mountains 1 I don't see it. There are no snow-moun- tains, too, as there are at Aix-les-Bains, and I am yielding to a strong feeling of disappointment. I was told that one of the advantages possessed by La Bourboule over any other sulphurous and arsenical watering-place was, that it was high up and bracing. Well, I don't see any town on a hill, except something on our left, which we are leaving behind us, and the Pny-de-D6me, kindly pointed out to us by a fellow-traveller, in the distance. La Bourboule at last ! "And a nice unfriendly sort of place it looks," says Chivers, in a hopelessly dissatisfied tone, as we descend a steep incline, and enter die village — or hamlet — or whatever it is, but certainly not a town. On we go, — the horses pull themselves together, taking us with them, and canter down-hill, with reins anyhow, bells ringing, whip cracking, and driver shouting ! Well may the driver be triumphant ! Well may he be proud of his gallant team, which looks like a "forlorn hope" of horses, whose arrival here at all is little less than a miracle. Hotel after hotel we pass, — all, apparently, of a very second-rate character, and each one, as it appears at this swift glance, styling itself " Grand Hotel." We are for stopping, but the Coachman and his wild horses won't hear • >f it. They are all for urging on their wild career, and we can »>uly puzzle ourselves as to which is the hotel we ought to have alighted at, and how we shall select our particular Grand Hotel from all the other Grand Hotels. " I felt certain," says Chivers, sarcastically, " that your Grand Hotel was only a fifth-rate auberge. All right ! Go on ! Wish to goodness I hadn't come to the infernal hole ! And who's to unpack for me 1 — who's to By the way," he suddenly exclaims, • ' where is our luggage ? " I tell him that at Laqueuille I saw a fourgon being laden with luggage, and among it ours. That it would reach this place some LA BOURBOULE. 113 time after us, was, I say to him, a " fourgon conclusion." But Olivers has no taste now for a specimen of what the Calembour International Cie. (Limited) can do, and the Oriental despot, whose name ivas Easy, can only unavailingly anathematise his own want of forethought, which has caused him so frequently to bewail " the man he left behind him." (Good notion for a song this. To be suggested to Chivers, and even sung to him, in happier moments.) " What's all this crowd ?" he asks. He may well ask. From every hotel, inn, and pension in the place, — and, apparently, it is a perfect rabbit-warren of hotels, inns, and pensions, — has trooped oi;t a crowd of bare-headed gar- cons in white aprons, commissio7inaires with labelled caps, chamber- maids in costume, gamins of no occupation, touts, and porters. They are running after the omnibus like the gipsies on a Derby- Day after a drag, all chattering and shouting at once, and directly we stop, they form a cordon round the vehicle, so as not to let one of the voyageurs escape, if they can help it. A gendarme in uniform stands by, — very much "posed" apparently, as he evidently has only come there by the merest accident, and as far as keeping order, or offering any assistance to the unlucky objects of this mobbing, he is perfectly helpless. We elbow our way through the crowd, the Eastern despot carrying (much against his will) a heavy bag and an umbrella, with the air of a man who, if he liked, could suddenly pull out a warrant signed by all the Crowned Heads of Europe, and order off every one who dared to get in his way to instant execution. His autocratic manner is a little robbed of its impressiveness by his having to stop suddenly, put down the bag, and swear that he never xvill come out again without a servant ; at the same time regarding me reproachfully, to whom he attributes all his present misery, as much as to say that, as in his opinion I have brought him to this pass, I really ought to come forward and voluntarily relieve him of this intolerable burden. But my hands are full with a light waterproof, and a simple hand-bag that I can hang on one finger. My feeling is that Britons never shoidd be slaves, unless somebody makes it very well worth their while. "Where is your confounded Hotel ? " asks the Easy One, queru- i 114 VERY MUCH ABROAD. lously. I assure him that I don't know any more than he does, but I have the name of the proprietor in writing. I pronounce it aloud, and, as if by magic, a reply comes at once, " G'est moi, Messieurs ! '" from a respectably dressed, good-looking man, with a bronzed face, and a dai'k moustache, who is lifting his brown straw hat in the air by way of salutation. " Yes, perfectly — he has rooms for us in the Annexe. He will show them to us at once. Will we follow him 1 " We do. "Come, this isn't so bad, eh?" I say to Chivers, who has assumed an air of gloomy power, quite out of sympathy with the anxious, hospitable, and cheery manner of our host. " Voilct / " cries the patron, with some little distrust of our pro bable appreciation expressed in his countenance, as if he had expected persons of quite a different type to what we had turned cut to be, and it had suddenly flashed across him that a couple of dark rooms in a back street, without any chance of a view, were not exactly the sort of thing we should have chosen for ourselves. We do not like them. Dudley Chivers won't give another look at them : in his character of Oriental Despot he refuses to listen to any explanation. " Allons done!" he says, shortly and emphatically — " (Ja ne nous convient pas ! C'est iriste, sombre, mat aere'e / faites-nous en voir encore d'autres. Allez ! " Our host looks appealingly at me, but I endorse The Despot's verdict, and, finding that any attempt at compromise, in the way of a suggestion for temporarily rearranging the furniture, is only a waste of time, the landlord, rather disconcerted, takes us back to the hotel, and shows us a couple of rooms on the ground-floor, the only rooms at his disposition and ours. But they won't do ; Chivers refuses them flatly ; and, dreading a scene, for our land- lord is evidently a very excitable person, and the blood is already rushing to his face, I try to soften matters, and to make the best of a bad bargain. Personally, for the sake of peace and quietness, I should yield ; but the Easy One, appearing alternately as the stern, dogged English official, and then, as the Unspeakable Oriental Despot, is too much for the landlord, who is staggered into silence before his mysterious and impenetrable guest. Chivers condemns the apartments as if the entire wing of the LA BOURBOULE. 115 hotel ought to be pulled down forthwith. "They're not healthy," he says, severely ; " and, if you have nothing better than this, we'll go elsewhere." I thought the attack on the sanitary state of the apartments would have aroused their proprietor, but it didn't ; he only pro- tests, more in sorrow than in anger, and informs us that he has nothing else to offer, but that if we will instal ourselves here, provisoirement, he will take care that we have the best apartments in a couple of days. No ; The Despot is not to be cajoled. I, meanly I admit, follow his lead. No ! I am not to be cajoled either. Seeing the innkeeper giving in, and that all chance of a difficulty, with perhaps a case in the local County Court, has blown over, I adopt Chivers's tone, and second all his resolutions with the utmost heartiness. All this time I have been, as it were, playing Jacques Strop to Chivers's Robert Macaire. The landlord suddenly rouses himself, and makes an allusion to his loss. Olivers is down on him at once. "We can't take rooms that won't suit us," he replies, severely. The chance of a legal difficulty (with Gendarmes, A rocats, and Juges de Paix to follow) having again arisen, I go ov^r, as it were, to the enemy, adopt the politest and most diplomatic (Chivers subsequently stigmatises it as "cringing") tone, and describe myself (omitting Chivers) as " desole" adding "Jest demmage, mats e'est une perte enorme pour noun, comme fai entendu parler tant de bonnes choses de voire admirable cuisine." This sentence, being rather a long one, takes me some time tc arrange and produce ; but when the landlord has once grasped my meaning, he is disarmed. He bows, and he addresses me per- sonally henceforth. "Your friend," he says, "is all very well — I do not care for him ; but to lose you, un Monsieur si distingue, as a client, that is what distresses me so terribly." I am touched, and we are nearly weeping in each other's arms, when The Despot, at some paces off, and with a man to carry his bag, shouts out, brusquely, " Here ! come on ! Let's go and see the Doctor, and ask him what's the best hotel to go to," — this is rather hai-d on the distressed proprietor, and I only hope he doesn't understand English, — " or else we shall lose a whole day, and shan't begin our I 2 116 VERY MUCH ABROAD. traitement till to-morrow. We've got to have breakfast, too. Come on I obey. Having nothing further to say, I explain, in panto- mime, to the landlord, that I am not my own master, and that I am torn away from his agreeable society, much against my will. I follow Chivers hurriedly, and am aware of the comj)assionate, almost contemptuous air of the worthy hotel-keeper, as he shrugs his shoulders, and turns to attend to his other customers, who are now thronging the door-step. CHAPTEK IV. INTERVIEW WITH THE DOCTOR DIAGNOSIS — NEW HOTEL JUST A-GOING TO BEGIN. J^ COMMISSIONNAIRE conducts us to the residence of M. le Docteur Probite. A pretty little house by the roadside, up-hill. Both of us, Chivers and myself, still un- washed, still grimy and dusty, fatigued, hungry, and thirsty, — two figures representing our- selves in disguise, — send in one card, Chivers's, with my name, in pencil, on it, and are then shown into the waiting-room. It is a quiet unpretentious apart- ment, with two portraits of medical men, signed by the originals, and presented to their "cher confrere, C. Probite," and a huge map of France, including a little bit of England, something of Germany, a morsel of Spain, and a trifle of Italy. Red lines marking the course of the rail- Etude de la langue Anglaise. LA BOURBOULE. 117 ways to every part, convey the idea of Dr. Probite being sum- moned at any moment to any part of Europe, and hastily running his finger along the indications of rail on this map to see which is the shortest and quickest (but not necessarily the cheapest) route. drivers is glancing at the journals on the table, and is beginning to be deeply interested in an article, when it suddenly occurs to him that he has read something like the special news contained in it before, and looking at the date, he finds it is Le Monde Ilhistre for June, 1882. "Why do Dentists and Doctors always have these stupid old things on their tables ? " asks the Gentleman whose name is Easy, and before I can provide a solution to his conundrum, the door is opened, and Dr. Probite himself appears. drivers, as the proprietor of the visiting-card, on which I had, so to speak, only figured as the " Co.," takes the initiative, and inti-oduces me. Then I, in my turn, introduce drivers. As an impromptu ceremony, got up and performed without any collusion whatever, the simple dignity of this presentation is most im- pressive. In the Doctor's hand is Dudley Chivei's's card, to which, after glancing sharply at us as if we weren't either of us at all like what he had expected — just the same idea as had evidently previously struck the hotel-keeper — he refers with the perplexed air of a man who has come upon two unnumbered figures in a Waxwork Exhibition, and is puzzling through the catalogue to discover who on earth they are. The unostentatious and effective ceremony above mentioned has somehow failed in its primary object. I should like to leave him alone, and see if he mistakes drivers for me, and me for Chivers, but politesse forbids, and time is precious, so the Honourable Dudley, reproducing his courtliest drawing- room manner for the second time since we started, fifteen hours ago, and becoming his own polished self, in spite of all the outward grime and dust, and the inward pangs of hunger, steps forward, and, bowing gracefully, once more introduces me to the Doctor, whereupon I, following suit, smile sweetly, incline my back at an angle of twenty-five, and " beg to have the honour of presenting " — but before I have got it all well out in my stateliest French, the 118 VERY MUCH ABROAD. Doctor, being a sharp man, with not much time to spare, has divined the situation, and with a marvellous command of logic, has deduced from the given premises, that, if I am not Dudley Chivers, Dudley Chivers must be the other fellow, and addresses him by his name accordingly. Which will interview the Doctor first ? As I don't want to give too serious an aspect to my own case (for there's no knowing what a strange Doctor, and he a foreigner, might prescribe), I reply — " Permettez, — Je cede le pas a Monsieur Chivers." Somehow "Monsieur" and " Chivers " do not seem to go well together, and " Je cede le pas a Chivers " would have been trap court. Evidently I ought to have said Monsieur Diidley Chivers, or Monsieur I' Hon- orable Dudley Chivers — only, if the Doctor doesn't understand the title " honourable," he will either think I am chaffing, or, with his quick insight and logical French mind, he will deduce that we English bestow titles according to moral worth, and that Dudley Chivers is specially distinguished as a man of the most un- blemished honour, sans peur et sans reproche, and that conse- quently, as I am not "the honourable,'' I may probably be the reverse. However, the Doctor chooses Chivers as his partner, and, so to speak, waltzes off with him, while I am left meditating on what I should have said, and what I shall have to say when I have to state my symptoms clearly and intelligibly in French. The statement must be clear and intelligible, or the Doctor may treat me for something quite different. A wrong accent, the slip of a word, the substitution of a gender, might do it. After ten minutes' reflection, I determine to leave it to chance, and, to pass the time away, I resume my inspection of the Map of Dr. Probites European Practice. By the way, I find one place in France — in the Auvergne district, I fancy, or rather more South — called " Le Gerbier de Jones." I inspect it quite closely, and read, it over half-a-dozen times, so as to make no mistake about it. It is in large type, and is evidently of importance, but whether as a commune, or a district, or a departement, or other topographical division, I cannot make out. Suffice it that in the very heart of France the family of Jones has penetrated, and is commemorated LA BOURBOULE. 110 on the map as " Le Gerbier de Jones." "With a view to making an antiquarian note, and publishing an interesting paper on the subject of "Jones and Geography," I bestow on the name a yet closer scrutiny, when I regret to find the " e " in what I thought was " Jones " is only an imperfect impression of " c," and that, therefore, the name is " Le Gerbier de Jones" which is quite another matter altogether, and so the result of my striking antiquarian research is lost to the world. drivers takes a very long time to state his case. When a man is talking about himself and his ailments, how the moments fly ! and how apt one is to forget the other fellow who is waiting for us to finish, that he may have his turn ! How patients (every one, except ourselves) will talk and chatter about nothing when they go and see their Doctor ! It is too bad ! Ha ! he returns, drivers looks more cheerful : the interview has benefited him. A mon tour maintenant : e'est a nous deux, Monsieur, as they say in a Drama, an expi'ession which is generally the commencement of a row, but not in this instance. Dr. Probite's social manner is charming, chatty, genial, and pleasant — a man to be popular with everybody ; but his pro- fessional manner, when he once gets you inside his consulting- room door, is something totally different. The geniality has vanished ; he is the stern inquisitor, sharp, incisive, and decisive : a manner that says plainly, " Dis done, jxis de blague! dltes-moi nettement, sans phrase, tout ce que vous aves." At first, I am inclined to reply, etant effraye, " S'il votis plait, M'sieur le Docteur, jen'airienje vous assure, je n 'ai rien du tout" — then bolt out of the place, and never be seen again. But one second's reflection tells me that I haven't been sent by the Faculty (three Doctors, all friends of mine), to La Bourboule, merely to tell a French practitioner that I've nothing the matter with me, and run away again. No ! So, collecting my best and most intelligible French, and, without any attempt at exaggeration, which, I feel, with him, would only be an utter failure, I describe my symptoms ; and I am really astonished to find, when treated slowly, and cautiously, in this manner, how very few, and how slight, they are. He listens attentively. " Bien 1 tres bien," he says, when I've come to the end of it 120 VERY MUCH ABROAD. " Avancez un pen a la fenelre — on y volt plus clair — et — tirez la langue, s'il vons p>lati." Now, though this operation is no novelty, yet somehow it is not what I had expected. That an English Doctor should ask me to show him my tongue, I should take as a matter of course. But, to have to show it to a foreigner .... well, I never knew before that my " insularity " was so strong, but I somehow feel that in my obeying his word of command, — for it is given in a sharp military tone, — I am lowering the British flag, surrendering my national independence, and putting myself at his mercy. Is there a more helpless spectacle than that of a man putting out his tongue to a Doctor % No. And if the patient be a Briton and the Doctor a Frenchman, then and there Waterloo is avenged, — terribly avenged. It seems so absurd too to have travelled hun- dreds of miles merely to put out my tongue. I could have put it out just as well at home. However, I comply, and do it, under silent protest. I open my mouth so wide, and he looks into it with such intense fierceness, that it seems at one moment as if he were going to put his hands together like a diver, jump right in, and down my throat. " Now," says he, still in French, which delights me much, as it is excellent practice for me — (and, as a medical man, he knows what "excellent practice " means, only I can't put this jeu-cle-mots into comprehensible, much less idiomatic French) — and is, en ejfet, a French lesson thrown in — compris in the consultation fee. " Now," says he, " I'll tell you exactly what's the matter with you." And he does so. No mincing the matter ; plainly, straight- forwardly, honestly. When he has summed it all up, the old once-popular nigger-phrase suddenly recurs to my mind, " Dat's what's de matter ! " I feel, from the expression on his face, that, through all my dust and dirt, I have, so to speak, shown my tongue in its true colours. II m'ayait fait peur, — and I tell him so. " C'est absolument necessaire — il faut que je vous fasse peur," he replies, and sits down to write out the traitement to which, with such variations as he may choose from time to time to make, for twenty-one days I am to submit mj-self. While he is writing, I make up my mind that I won't volunteer LA BOURBOULE. 121 any further statements, that I am not bound to commit myself, and that I -won't ask him any questions about diet and mode of living generally, as I am afraid he takes narrow views, and leans towards rigorous asceticism in his advice to patients. He looks up from the paper, and says, brusquely, " Je sais que rousfumez; il ne faut pas fumer." " Xe fuuii r pas/" I exclaim, utterly taken aback. " Point du tout : et le cafe et les liqueurs sont e'galement defendus." " Mais " I commence, but I get no further than " voyons " — " Mais, — dltes done " and T am staggered. I cannot realise it. " What ! no smoke ! So he died, and she very imprudently married the barber " — &c, for a new story of the Great Panjandrum. " What ! no smoke ! So he died " No coffee ! no Kiimmel ! What's the good of being abroad without smoking and coffee ? And, hang it, if it's only to leave off smoking and coffee that I've travelled hundreds of miles, why I could have left them off just as well at home, — better in fact. By the time he has finished writing out the traitement I have rallied my forces, and determine on making one last, but gallant, attempt. " My dear Doctor," I say, still in French, and in the most dulcet and winning tone I can command, " I am accustomed to smoke every day, but very little — really very little — not three cigars " — I watch his face, but he isn't yielding, so I draw it still milder — " I may say, not two cigars " — he is still immovable, so I make one last reduction in my offer, with which I sincerely hope he'll close, — a reductio ad absurdum — " in feet, as a rule," — (ahem !) " I may say," and on this occasion I do say it, looking him straight in the face, with an air of the most inp;enuous candour and open confidence, " I only smoke one cigar a day — after dinner ; and that," — I put it humbly and plaintively — " it's not much, is it ? " " Better none at all," he replies, and for the moment I wonder whether he has heard the song, "Not Much — but it's better than nothing at all " — and has adapted it to his own sense of its fitness for present application. " I only tell you," he says ; " it's my duty to tell you." " Eng- land expects every man to do his duty " I have been well aware 122 VERY MUCH ABROAD. ever since I first heard " The Death of Nelson " sung, but that France was in the habit of making a similar demand of her Doctors I was unaware till now. Then this Medical Martyr to Duty concludes by giving me the encouraging example of the miserable end of a patient who wouldn't do what he was bid, — very much as, when I was a child, I used to be informed by my nurse how Master Don't-Care, who refused obedience to all legiti- mate authority, came to a bad end, and was eaten by bears, after which I never gave any buns to the bears at the Zoological, and always looked down into their yard, rather expecting to see some of the remains of the unfortunate " Master Don't-Care," in the shape of trouser buttons, or cap, lying about. I am to a certain extent impressed by this story. I begin to see the errors of my way : and yet, after all, 1 donlt think he under- stands me. By which (on analysing the basis of this opinion) I rather think I mean that I can't get him to treat me as I want to be treated. I can't get him to say, " Oh, do as you like, voilcb ! Drink the waters, take a bath a day, any time will do, — massage one day, douche another, piscine another, p>ulverisation when you like, drink what you fancy, eat what you like, et amusez vous, mon enfant." And then to add, that, whatever may be the matter with me, I shall leave the place cured of it entirely. But though I give him the lead, though I offer a compromise of one cigar and half a cup of coffee, and a quarter of a liqueur, he won't tumble to it. He has nailed his prescription to the mast, and he Avon't yield an inch. Stop . . . perhaps he treats every- body like this — perhaps there is one treatment for all, and he only looks on me as a body, and nothing more. My own medical men would treat me as a composite being, and w r ould know my habits, my style of life, the necessities of my work, and could take all this into consideration when prescribing for me. But how can Dr. Probitc know anything about me, the living, working, energising " Me," except as a body that walks into his room, and sa} r s, " I've got a pain in my jaw, in the left lobe of the ear, and an occasional shooting season in my great toe " 1 Of course not : and so, oughtn't I, — I mean wouldn't it be fair towards him, as a Doctor, were I to take two chairs, and advancing towards the footlights (so to speak), request him to take one, while I, seating LA BfiUBBOULE. 123 myself in the other, commence thus : " Doctor, I will tell yon the story of my life. Tis now some twenty years ago, this very day, when," etc. Bnt, on second thoughts, I will defer this till my next visit, as, after all, isn't it better that a Doctor, on only seeing yon once, should tell yon everything that yon feel instinctively to be true about yourself, should diagnose your case in two two's, and should say to yon plainly, " Do this, and you're certain to be cured : don't do it, if yon like, — only, in that case, why take all the trouble to N c K His name's Easy.' Mine isn't. come here and consult me 1 " than that he should follow suit to your lead, return cigars when you lead tobacco, and give you carte blanche to do as you please 1 The seance being over, we return to drivers, and both together take leave of Dr. Probite. Outside, the Oriental Despot, whose name is anything but " Easy " at having been kept waiting, wants to know what the deuce I've been so long about, and then we compare traitements, and are annoyed to find that they are pretty much the same. The Despot now proposes that we shall go to another hotel, close at hand, and see what rooms we can get ; that then we make ourselves tidy and clean, then breakfast, and that two hours 124 VERY MUCH ABROAD. after we take our first bath, and commence our " treatment " in earnest. This is a good programme, and I agree. " Whatever you like," I say, " will suit me." " My dear fellow," returns the Despot, pleasantly, " my name's Easy." I notice that this is always the title he assumes when nobody contradicts him, and when he gets everything entirely his own way. On such occasions, I mean when The Despot announces his appellation as " Easy," I know no more charming and agreeable companion than Dudley Chivers. We select a hotel, pleasantly situated, with the short title of Hotel F. Sonnrtton et des Anguilles Mecaniques. The patron has some difficulty in suiting us. There is a room a deux lits in front, and a small bedroom round the corner. Both have good views. The price of one is, of course, more than that of the other, but this is unimportant where invalids are concerned. One thing va sans dire, deeply as we are attached to each other, we won't share the chambre a deux lits. I have had one experience of Chivers in the train at night, and perhaps I have been asleep while he was awake, which may account for .... but in any case emphatically " jXo / ' " I have a lot of papers and books, and shall want to do some work," I observe, looking round the big room, and noting its capabilities. " I like this room," says Chivers, going to the window, " it has a nice view. But my name is Easy." "The small room," I tell him, "is a capital one. In fact," I add, " I am not sure if it isn't, really, better than this." I have evidently overdone it by praise, and missed my mark, as Chivers closes with what he chooses to interpret as my offer, and replies, — " Well, you have the small room ; I don't mind. My name's Easy. Here ! " — to Porter—" bring in my luggage." And before I have time to reconsider, Chivers has got his lug- gage deposited, has told the man to take my portmanteau to the small room, and while I am consoling myself with the thought that he will have to pay double for the accommodation, he has bargained with the landlord, and obtained a moderate abatement. We are now settled, and within three hours more we shall have fairly commenced our serious traitement at La Bourboule. LA BOURBOULE. 125 CHAPTER V. STARTING — CELLS — TREATMENT COSTUME —PULVERISATION ANALYSIS. J-JAVING settled what is the matter, we (Olivers and myself) commence our traitement. Olivers still doesn't entirely believe in it. Hopes for the best. He is, how- ever, far better inclined towards every- thing than he was at first, and, while standing on one of the bridges, and surveying the scene, he goes so far as to admit that " it seems to be a friendl v little country ; " which, coming from him, is a great tribute to the local beauties of nature. Dr. Probite has given me a letter of introduction to the Director of the Baths, who receives me with the utmost politeness, and puts me au courant with all the ways of the place. We take our ticket. Being offered my choice of hours, I have to elect either 5'30 A.M. for my bath, or 9 - 30, or the afternoon 3 - 30. . I take 9-30, and a "bain locale" consisting of "pulverisation" at 9, to begin with. Olivers takes 3-30. But there being two baths vacant at the present moment, we commence at once, as the course is for twenty-one days, and we shall have saved a day by beginning immediately ; " and then," says Olivers, astutely, " there will only be twenty days to work out," Committed, with severe treatment, for twenty-one days — that is our sentence. The construction of the baths is quite different from that of the baths of Aix-les-Bains and Aix-la-Chapelle, where they are of a depth and size that you can stand upright in them, and very nearly have room to swim. Here it is an ordinary cell (quite in keeping with the twenty-one days' sentence), with a metal bath in it, somewhat of the shape of a boat that a child makes out of a newspaper, only without the peak in the middle. The accom- " Gargarisme." 126 VERY MUCH ABROAD. panying sketch gives a fair idea of one of the Cellules de Bain cl la Bourboule. The Etablissement des Bains is a very fine place, with three domes to it (ont of compliment to the department where it is situated, the Puys de Dome), bearing a strong family resemblance to those which are the crown and glory of the edifice in Trafalgar Square. From a distance the Etablissement might be taken for a Cathedral ; coming nearer, the traveller might possibly set it down as a caserne, or, if he were of a sporting turn, he would come to the AT THE ETABLISSEMENT. Maitre de Service, or Clerk of the Course (traitement), entering the names of the Starters. conclusion that it was a pretty big training stable ; and, having come quite close, he would feel certain that it must be an Inter- national Exhibition of some sort, until he found himself inside, and saw the industry practised there. No mistake as to what it is when you're once within. Notices to Baigneurs and Baigneuses everywhere ; people drinking at a fountain ; people waiting their turn for a bath ; some coming, others going ; some in corners, gargling • others disappearing into mysterious departments labelled "Pulverisation" and "Massage." The Maltre de Service, de'core, serious, but courtly, at a table, entering names, and LA BOUIIBOULE. 127 disposing of tickets. Everything done with military punctuality. You must be there exactly to your time, or you're out of it for the day, unless chance favours you. If you're a minute or so late, the Mattre de Service shakes his head reprovingly at you ; if five minutes late, he remonstrates with you on your laxity ; if later than that, it is only by cringing and obsequious politeness that you can obtain your ticket. One hour is allowed you for a bath, undressing, drying, and redressing included. If you occupy more Cell for the Bather at La Bourboule. time than this, you must pay extra for it. A Baigneur can have a Bain de luxe, which consists of dressing-room, a bath-room, and, I believe, extra towels, and extra time. Some invalids are carried in sedan chairs to and fro ; but these chaises aporteurs are not so coquettes as at Aix-les-Bains ; for Aix is patronised largely by triflers who go there pour s'amuser et pour se distraire : but there's nothing of that sort here. La Bourboule is a Station Thermale serieuse, and we are all very much in earnest. For amusements and distractions you may at first yearn, but after a while the patient succumbs to fate, and abandons all hope of amusing him- self, content to take life listlessly so long as he takes his baths and waters regularly. A lotos-eater is a joker to a drinker of the waters of La Bourboule. 128 VERY MUCH A BEG AD. At La Bourboide. — Business is business here, and the Treatment is everything. At 6 a.m. I rise, and take my chocolat co?7iplet. Lovely air, fresh, coldish, and the mist disappearing over the tops of the mountains. Then I write till just on nine, when it is Vheure du bain etje me rends a PUJtablissemmt, when I respectfully salute the Maitre de Service at his desk, obtain my ticket for " pulverisa- tion," and off I go to be " pulverised." To undergo this, you have to put on a white robe, a napkin round your throat, as if you were going to be shaved, and then a waterproof " burette," or baby's bib. Thus attired, you are shown 'PULVERISATION "—IS VEXATION. Motto. — " Let us spray." into a chamber fitted up with a series of little marble washing- places, in front of which are seated several persons arrayed similarly to yourself, all, apparently, waiting to be shampoo'd. It looks at first sight like a haircutter's establishment full of customers, but with no one to attend upon them. At the second glance, however, you see that each little marble division, which you had mistaken for shampooing places, but which you now see more nearly resemble the compartments in marble, and in minia- ture, of a telegraph-office, is fitted up with a small apparatus not unlike a microscope, only that as the persons seated at each marble desk is applying not his eye but his mouth to the apparatus, it suddenly occurs to the stranger that he is in a room full of lunatics who have gone mad about telephones, and they are being LA BOURBOULE. 129 kept quiet by pretending to send messages. They are not lunatics, of course ; and the apparatus is not telephonic, but is a small machine for shooting out a fine strong spray into the mouth and down the throat, or wherever you have to attack the local suffering. The sketches will convey some idea of the costume and the opera- tion. Besides this, there is "inhalation," and there are "bains locaux " for all parts. There is the nose-bath, the ear-bath, eye- bath, thumb-bath, big-toe-bath, hand- bath, &c, ifcc. So that you can give any individual member of your corporation a dose of it without inconveniencing the others — which is a very just and proper arrangement, and one that might be well observed in various other corporate bodies. For the drinking vou go to the Foun- tain. You purchase your own glass, which is numbered and reserved for your own private use, and you take half a glass of the water of La Bourboule just ten minutes before the two principal meals. Those who do not believe in the merits of the fontaine de La Bourboule will consider all the accounts of the cures effected by these waters as merely new editions of La Fontaine's Fables. The motto of La Bourboule is " DonH leave Well alone." For my part I hear so much, and have such convincing proofs of their efficacy — though at the early stage of the " traitement " I can't say I recognize any peculiar benefit, other than would be the natural result of living in the very purest air, rising early, going to bed early, getting sufficient exercise and plenty of rest, changing diet and habits of living, and giving up everything that would be likely to do one any harm — that I am hoping for the most beneficial results. So is Chivers. He eyes me suspiciously in the morning, when he comes down to drink his glass of water, as if I had taken some unfair advantage ic This is not a Priest of some strange Rite in sacrificial vestments, but an invalid at La Bour- boule, arrayed for Pulverisation." 130 VERY MUCH ABROAD. of him in the night, and had got ahead of him in point of health. He is not satisfied with himself until I have positively assured him that I don't feel any better myself, rather the contrary. " I don't know what the deuce the waters are doing to vie," says Chivers, with the air of a man who has made an investment about which he begins to be a little uncertain ; " I don't feel so well. I'm languid, I'm weak." Then, turning to me reproach- fully, he says, " You don't look weak ; you're not languid." He seems to resent this apparent want of sympathy on my part so much that I hasten to assure him that I do feel languid, that I am weak, and that I too am not satisfied Avith results so far. This pleases him, and for a time he is content. Given this " traitement" and where do the waters come in 1 But A Sweet Girl Gargler. as we argue it out, Chivers and myself, if we hadn't come here we couldn't in London have gone in for the traitement seriously, and to the exclusion of every other consideration except that of health. The various books on the subject give the analysis of these waters. I venture on giving my own idea of the Composition de I'eau de La Bourhoide : et la void : — LA BOUliBOULE. 131 Analyse (tres) fcLE^iENTAiRE. Gr. 5-678910 6-789 4-1234 L'eau fraiclie ...... L'eau chaude L'eau arsenique (quand raeme) ..... L'eau medicamentee de potass, soude, magnesie, acide sili cique, et beaucoup d'autres choses au choix . Esperance 200-001 Foi .......... Indices forts Confiance entiere ........ Traces 10-123 Total La Guerison I think, when considered carefully, the above will be admitted, on all hands, to be a very fair analysis. Of course, it only applies to a first visit. If this is a success, then the grains of " esperance " are enormously increased, and "foi" and "confiance entiere" are complemented to almost absolute certainty by "experience." " Experientia dose it" — and then you have no doubt as to the result of the treatment. 'Taking the Chair" at La Bourboule. K 2 332 VERY MUCH ABROAD. CHAPTER VI. OUR DISTRACTIONS — THEATRE — GAMBLING — THE LEGITIMATE — GAIETY AND GUIGNOL — CRITICISM — SUGGESTION AFTER THE PLAY — MELANCHOLY SERIOUS WORK. W 1 One of the Water Nymphs of La Bourboule. 'E DINE at six, mixing our ordinaire with eau de Vals, having previously commenced with half a glass of the native arsenical waters as a hors d'oeuvre, though if there be anything in the term, it is the dinner itself that is the hors d'oeuvre, while the water-con- suming is the oeuvre itself. Cigars, coffee, and the comforting liqueur being intei'- dicted during the treatment — I mean the special treatment to which Dudley Chivers and myself are patiently submitting, and counting the days — we have nothing to do but to stroll out, look at other people smoking, and congratulate ourselves on our almost superhuman perseverance in not yielding to the temptation of tobacco, and mocha, and kiimmel, or other liqueur, which have, up to now, been a necessity of life. I protest that I haven't even brought my cigarette-case down from my room, lest the fact of having it in my pocket should induce me to give in just for once. " Once can't matter," says Chivers, producing a silver cigarette- case, and regarding it fondly. " No," I reply, doubtfully, " I don't suppose it can matter much." " ' Not much,' " says Chivers, quoting the great Macdermott's cong. Whereupon we both chant, — " But it's better than nothing at all," and then laugh. Still laughing, and, in moment of abstraction, Chivers opens the case, takes out a cigarette, and, after a short pause, lights it. After all, a small cigarette is not a cigar, and it's only just the LA BOURBOULE. 133 flavour of tobacco I want. If he hasn't got one to spare, so much the better. He has, however, and in another minute I am smok- ing and thoroughly enjoying it. Then we listen to the band outside one of tbe Casinos. At eight this band is summoned by a bell, to go inside the Theatre. We don't feel inclined for the Theatre, having assisted at a performance on the previous night, when, on a temporary stage, about the size of one that Mr. May or Mr. Nathan would bring with him and set up in a smallish back drawing-room, there we witnessed some indifferent acting, but heard some very fair singing, under difficulties created by the zealous, but slightly incorrect, musicians in the orchestra. On this occasion, Chivers, who had insisted on going in because they were playing some French Operetta that he had not heard since he was seven years old, was so affected by the music, or the heat, or the traitement, that, as soon as the piece had fairly started, and he had nodded to me his approbation of the commencement, he went fast asleep in his seat, and presently rivalled the violoncello in accompanying the performers. On my nudging him sharply, he awoke, with a start, looked round benignly, and forthwith began to hum and keep time with his stick, until sleep once more over- took him, and again his head fell on his breast, and again he started a harmonic match in which his nasal organ competed vigorously with the double bass, and won easily. When it was all over, he awoke, applauded vehemently, and as we left the house, declared that " it was really very well done," and that " he wouldn't have missed it for anything." Then he yawned, said " Good night," and went straight up to bed. This evening, there- fore, not being inclined for the Theatre, we patronise the petits chevaux, which is being played out-of-doors, under the verandah of the CasiriG; and stake our money freely up to four francs, when, finding luck against us, we retire. It is just 8-15. " The night is yet young ! " we exclaim, gaily, as we eye the rather solemn promenaders, who are dividing their attention between les petits chevaux and another gambling table, where La Mascotte attracts a considerable crowd, the business done being chiefly in coppers. Here we watch the game, and see one pale and haggard man go in a regular plumper with a whole franc, which he throws down in a reckless manner on the table. 134 VERY MUCH ABROAD. and loses. He smiles defiantly, but returns to his former stake of a penny, and I hope won his money. There is a cadaverous, hungry-looking woman by his side, watching him eagerly ; she is deeply interested in the fate of the sou he has just ventured, — and at this we leave them. But if there had been thousands on the turn of the machine ; and if it had been Trente-et-Quarante or Roulette at Monaco, the excitement could not have been greater than at this Penny Pandemonium. It is just 8*30. There is nothing to do out-of-doors, as we don't drink or smoke, and as walking is fatiguing. The nmsic has retired, having been summoned by a bell to come inside the Theatre and be the orchestra ; and so it suddenly occurs to me that during the day I have seen " Guignol " advertised at the other Casino, in the Pare Fenestre ; and it stated that at Guignol's show, which he has set up under a tent, there would be performed 2k f eerie called Le Fils de Satan, and a "burlesque drama" entitled Romeo et Juliette. This latter was to commence about 8 "30. They had apparently taken a leaf out of the Gaiety programme at Guignol's, and Mr. John Hollingshead's sacred lamp was to illuminate the darkness of La Bourboule. Guignol set serious critics at defiance when he selected Romeo and Juliet as his subject for a Three-Act Burlesque. We stroll up. We see the light from Guignol's tent. All else is deserted, but here, within and without, there is a crowd, — a dishonest crowd too outside, as they are trying to peep through the curtains, and see what's going on, without paying for the privilege. In this they are perpetually being baulked by a tall young man, of quiet exterior, with a remarkably quick eye, who is down upon them directly he sees the curtain of the tent moving surreptitiously, which occurs about every ten minutes. We pay our forty centimes a piece, and enter. It is full. We can only get seats at the back, just against the curtain that separates us from the troublesome amateurs outside, whose unprincipled curiosity is giving the afore-mentioned sharp-eyed young man so much trouble and anxiety. There is a considerable delay, — perhaps the dolls are not di-essed, or one of them has arrived late, — and considerable excitement among the audience, — so much so, indeed, that Dudley Chivers LA BOURBOULE. 135 confides to me that he thinks " it must be a premiere" in which opinion he is subsequently confirmed by the freshness of the dolls' make-up, the smartness of their costumes, the occasional halts in the dialogue, and the somewhat undecided " business " in which the leading doll (Guignol himself, by the way, who is playing Romeo) indulges. But Guignol, being the popular favourite, can take liberties with his audience, and, as he has a very funny part, they shout at all his jokes, and all his lines " go " wonderfully. Olivers (whose "name is always Easy") is annoyed at the Curtain being down too long, and commences a vigorous protest with his stick on the banc in front of us. This process, — consisting of three raps, given one after the other in strict time, is taken up by the whole audience, who — the children being especially enthusiastic- — take the measure at four in a bar, led always by drivers — one, two, three, rest ; one, two, three, rest — with the utmost precision. Then a bell rings, showing that Guignol has yielded, whereupon there is loud " Oh "-ing from everybody, led by drivers, and, on the bell ringing again, considerable applause, — still " personally conducted " by drivers, — which is increased when the Curtain rises, and discovers the exterior of Capidet's house, with gardens. Whereupon drivers, the Eastern Despot of the iron will, turns towards me, and smiles triumphantly. Judging the performance from a purely critical point of view, T should say that Guignol gave, with spirit and effect, his peculiar reading of Borneo. Even from a burlesque point of view, I should be inclined to question the correctness of Guignol's costume, until I have some unexceptionable authority tor Romeo being attired in a square-cut plum-coloured coat — a sort of French avocat's cap, and a brown wig with a long pig-tail. Such a dress was evidently not intended as a caricature of anything in particular, and I rather fancy, judging from subsequent visits, that, when no special costume had been provided, Guignol, following Garrick's example of playing Macbeth in a Court-suit of the period, appeared in whatever costume he happened to be arrayed in at the moment. This primitive simplicity, I confess, delighted me. Juliette dis- played a grace which is rarely met with, specially in her curtseys and her exits ; while the scene in which she is whacked by her 136 VERY MUCH ABROAD. father, and returns a box on the ear with interest, was worthy of the best traditions of a Siddons or a Faucit. The Nurse and the Friar were exceptionally good, showing an intelligent appreciation of the text, which, by the way, is more than I can say for myself, as, whenever Guignol apjjeared, he had so many puns (his lines fell in pleasant places, and were stuffed full of them), that, after a vain attempt to follow them seriously, I gave up the calembours as a hopeless job, — but, to escape detec- GUIGNOL'S THEATRE. NEW SCENE FROM "ROMEO AND JULIET." Guignol (as Romeo, addressing Juliet). " Ma Colombe 1 Je t'adore I " tion, I hypocritically laughed rather louder than anybody else, and only twice in the wrong place, — when, however, my lead was im- mediately followed by several people, and I also noticed that the Ladies on my right and left turned away and blushed. What had I laughed at ? I asked Chivers, who had been laughing heartily, what was the joke ; but as he pretended to be so deeply interested in the performance as to be unable to answer my question, I con- cluded that he knew just as much about it as I did. From this moment I begin to distrust Chivers as a perfect master of the Fx'ench language— that is, I doubt his being well up in calembours. There is a Friar in the original piece, who comes in to tell his con- LA BOURBOULE. 137 frere, Laurence, the bad news about everything having gone wrong ; in Guignol's burlesque version Friar Laurence loses his temper, and belabours the unfortunate Friar all round the stage, and off it, causing him to express himself feebly, but shrilly, in familiar ecclesiastical Latin, finishing with " Amen ! " after which he was immediately knocked on the head, and finally disposed of. As Friar Laurence was in black, and Friar John in white, this scene might be taken as an illustration of the traditional rivalry between the Black and White Religious Orders. Anyhow, the " treatment " FRIAR LAURENCE, ONE OF THE BLACK FRIARS, DISPOSES OF FRIAR JOHN OF THE WHITE FRIARS. Friar John {crying). " A men I A.amen!" Friar Laurence (unfeelingly). " Ainsi soit-il I " [Gives him one on the nob, and Friar John disappears. that Friar Johi received at Guignol's was fovmd to be immensely diverting by a crowded audience, whether historically or histrioni- cally accurate being a matter of the very smallest importance. Brilliantly and expensively as the piece at Guignol's was " mounted," and excellent as was the general performance, yet truthful criticism compels me to state that there Avere evident signs of either insufficient rehearsal or indifferent stage-manage- ment. No doubt in a night or two, I say to Chivers, they will be more perfect. The piece, however, was well received, and rap- turously applauded by an enthusiastic audience, who, at the end, ,138 VERY MUCH ABROAD. joined Guignol and his Company in a chorus expressive of thorough satisfaction. What a cheerful finish ! How genial if universally adopted ! Suppose Mi*. Henry Irving stepping forward at the end of Muck Ado or Twelfth Night, or Hamlet, or anything, and singing or chanting — *e Ladies and Gentlemen, now we've done, We hope we have pleased everyone ; So give us your hands, and the moment seize To start a chorus, if you please. Ei tooral looral looral looral Tiddy fol looral Hi tol looral li-do ! Actors and Audience (rising in their seats all over the house, and beating time with their hands while singing heartily). Ri tooral looral, tfcc. Loud applause. Mr. Henry Irving botvs. Curtain. Well — why not 1 Isn't Guignol's plan Shakspeare's, after all 1 How does Ttvelfth Night end 1 With a song by the Clown. Isn't there to one of his plays an Epilogue " spoken by a dancer " 1 How about " Rumour painted full of tongues " ? The fact is, the song at the close of every performance in Shakspeare's time was no innovation ; and probably the audience, who were both on and off the stage, joined in chorus as chez Guignol, and went away delighted with themselves and the entertainment. For what puts a set of people in better humour with themselves and everybody than join- ing in a chorus, be it " Auld Lang Syne " or " He's a Jolly Good Fellow I " or " With our tol de rol tooral looral/" or any other re- cognized refrain of English minstrelsy ? Would there be so many harsh criticisms next day if critics were only to join in a final chorus with the rest of the audience on a first night ? Wouldn't they all go away delighted 1 But, by the way, why doesn't Mr. Cremer, or some other purveyor of dolls, start a series of these Guignol Shows for Home amusement 1 What an admirable way of inculcating Shakspeare in the nursery ! A Doll's Edition of the LA BOUBBOULK 139 most popular of Shakspeare's plays ; a condensed acting edition, a sort of Punch Show, with the chief scenes painted to let down and draw up like blinds, and to each set a box of dolls representing all the characters of the play. Each child could work two or moi - e dolls and learn their parts. Capital hint for a Crystal Palace Show at Christmas. Vive Guignol ! Guignol's show being over, Chivers and myself find that we have reached the hour of 9"30. Que /aire? No smoking, no drinking. Yet we are thirsty after Guignol, and, from ancient habit, we feel we must have something in the way of refreshment, on returning from the Theatre. " Why can't we bathe now, and go on with the cure," grumbles Chivers, " instead of wasting our time 1 " I have no answer for him. I agree with him — I wish he could always be progressing. But I am thirsty, and I propose convivi- ally that, ere we go to bed, we should sit down in the hall of the hotel, we two gay dogs, and crack a bottle of mineral waters between us. We agree to this — and do so. It is a melancholy sight. We two — vivetcrs — in that hall alone, at 9 "30 p.m., having just returned from witnessing a sort of Punch- and-Judy Show, sitting at a table, with two tumblers, and a bottle of Eau de Vals. We try to be jolly, but it won't do. . . . We give it up . . . and, having "cracked the bottle," however, we mournfully ascend the stairs together, and, as we part on the land- ing for the night, we say, — " Only nineteen more days of this, and then w r e go home." We shake our heads dismally, and glide down the dark passages, each going hopelessly, miserably, to his cheerless couch. Thus ends one of our merry nights when we go in for the dis- tractions provided by the public enterprise of La Bourboule. 140 VERY MUCH ABROAD. CHAPTER VII. TAKING PLEASURE SADLY CONTRIBUTION TO NEW FRENCH GRAMMAR — OUR POLICE ARRIVAL OF THE SERPENT OUR FIRST FALL. ES, La Bourboule is de- cidedly une Station Ther- male tres serieuse. If you come to be cured, La Bour- boule must be endured. But no one stops here for pleasure. M. Tirard, the French Minister of Finance, is here. He takes his waters seriously, and rides with determined regularity. Otherwise he is never seen amusing himself, though I fancy I once caught a glimpse of him studying the doctrine of chances at les petits chevaux, but it was only for a second, and as his face was almost hidden entirely in a wrapper, I may have been mistaken. No — a La Bourhoule soyez Bourboulais — I should say " quand on est a, La Bourboule, on bourboule." I do not know whether there is a French verb " bourbouler" — but, if not, I here invent it, patent it, say it, write it, and present it with my com- pliments to the French Academy. It is not an irregular verb ; nothing can be irregular that is connected with La Bourboule. It is a verb active. M. Tirard, the French Minister of Finance, honouring a draught. LA BOURBOULE. 141 INFINITIVE. Present. Past. Bourbouler — to go through the treat- Avoir bourboule — to have gone ment, and do all that is to be through the treatment at I? done at La Bourboule. Bourboule. INDICATIVE. Present. Past. Je bourboule — I am going through J'ai bourboule — I have gone the, &c, &c. through the, &c, &c. And so on. The " Conditional " must depend on the patient's health and temper. The " Imperative " is the Professional or " Medical Mood." Subjunctive (Imperfect). — Que je bourboulasse — that I might go through the treatment, &c. (Tim is the expression of a fervent hope ; or the consideration of a Doctor's doubtful permission : il avait dit que je bourboulasse). On Sunday evening the place is quite en fete. But the Eastern Despot, whose name is no longer Easy, and myself have no right to be en fete. We feel that we are robbing the Casino by occupying a table when we can neither drink nor smoke. For us even La Afascotte, c'est-a-dire le jeu au Pandemonium a un sou la mise, with its Baigneuse qui perds, its Chinois qui gagne, offers us no enticement, and the proximity of les petits chevaux, serie jaune ou verte, courses a un et d deux francs, does not make our hearts beat one throb the faster, nor set the blood coursing through our veins. I hear of complaints being made, at other places, against the patronage extended to the petits chevaux, and of indignant questions (probably put by losers) as to why the police do not suppress the game of the Little Horses. Here, at La Bourboule, not only does the game attract everybody, but it is even regularly patronised by our solitary representative of the police, a jovial-looking Gendarme, who comes out on duty in full uniform, and is generally accom- panied by his admiring wife and family, to the } r oungest of whom (not the baby) he gives francs to play for him ; and I notice that U2 VERY MUCH ABROAD. the lad, who can scarcely reach up to the table, is usually a winner, and honestly hands back the gains to his papa, who smiles on his spouse and pockets the francs with an air of considerable satisfaction. Suddenly the situation is changed. Our Evil Genius, in the form of Tom Spicer, has arrived. Olivers and myself are obeying the Doctor's orders steadily, but Tom Spicer only considers his Doctor as a guide to the manners and customs of La Bourboule. He breakfasts with us, and — confound him ! he takes everything and anything ! So he does at dinner. Hitherto, on the appearance of a beautiful melon, or a nice fresh salad, Olivers and myself have regarded one another mournfully, but have felt that we were doing our duty in ordering the waiter at once to enlever cette chose, — pas de fa. But Spicer exclaims, " What ! not take melon 1 My dear boy, the finest thing in the world for you ! " And he con- sumes two slices before we have got over our fit of astonishment. We almost expect a sudden and awful punishment upou him for his rashness. Not a bit of it ; he beams upon us cheer- fully, pushes away his plate, and drinks off a bumper of the generous vin rouge. Still nothing happens to him, and we breathe again. " But the Doctor ! " we commence. "Doctor be " but here comes in a dish of fish, with butter sauce, which puts us on common ground again. Then there is a filet de bosuf, and again we are with him. Then there i&jambon sauce japonaise, and we daren't. " Comment ! " he exclaims, "pas de jambon ! " And before we have time to shake our heads wearily, he has helped himself freely, and is enjoying it. Once more we watch him with painful interest, and again nothing happens. A bowl of haricots verts au beurre appears, and we are all "on in this scene." Then the entremets. " Comment / " he again exclaims, as we refuse slices of open jam-tart — "pas de patisserie ! It's the most wholesome thing in the world, and a specialite here." Chivers regards me curiously, and then he eyes the jam-tart affectionately. " Is it good 1 " he inquires, hesitatingly, of Spicer. LA BOURBOULE. 143 " Tres bon — first-rate ! " replies Spicer, who likes mixing his English — " ca ne vous fera mat a la tHe, et vous en avalez un tonneau." One cloud of mistrust crosses Chivers's face, — if his " name is Easy " now, will it be afterwards 1 — one second of lingering con- scientiousness, one brief thought of the past, one doubt of the future, one wistful glance at the pastry, and then — all is over — the toothsome slice is on his plate, and the next instant in his mouth. Suddenly he has brightened up ; and with the air of a man determined to be satisfied with the rash step he has taken let the consequences be what they may, he exclaims, nodding to Spicer, " You are right. It is deuced good ! " Then he turns to me, as Eve might have turned to Adam, and says, persuasively, " Have a bit. Do ! " adding, d'une ga'iete folle, which cannot deceive me, " La conserve est tire'e, mangez-la." No. I refuse resolutely. I am sorry for him. I regret his backsliding from the paths of virtue. Spicer, of course, takes dessert, cheese, and pet its gdteaux. Then Ave rise from table, and Spicer is again going to have his cigar and coffee. " En aurez-vous un ? " he says, tendering me his case. " Merci non," I reply, in excellent French. I cease to be Adamite, and am once more adamantine. "Does your regular Doctor in Town forbid it?" asks Spicer, carelessly, as he lights up. "No," I answer. "None of my Doctors have ever forbidden it in moderation." Spicer makes no observation on this, but smiles sarcastically. At once a light breaks in on me. Yes — I see his drift — of course — if none of what he calls my " regular Doctors," who know me, have ever forbidden it, why should I have such a great regard for the ordonnance of a Doctor who doesn't know me, and who by com- parison is only " an irregular Doctor " who has only seen me four days ago, for the first time in his life ? Clearly absurd. Still, if he should be right and the others wrong ? If they didn't like to tell me, and sent me here to learn the truth? Oh, no ! that's impossible. 144 VEBY MUCH ABROAD. So. ... I'll .... well — I'll just smoke a little bit of cigarette to-night, and to-morrow, perhaps, I'll try a cigar. " I should take a cigar," says Spicer. " Cigarettes are injurious." Yes ; I have heard that cigarettes are injurious. Therefore, in for a penny in for a pound — in for one cigar in for a pound of 'em — and I smoke a cigar. Chivers appears with a cigarette — a large one. " Hallo ! " he exclaims. " What, you smoking ! Oh ! ! " Our Local Gendarme on Duty. LA BOURBOULE. 145 CHAPTER VIII. MORE BACKSLIDING — THE SERPENT AT LA BOURBOULE — WE don't " DECLINE, RESULTS. AND DO FALL NERVOUS ANTICIPATIONS T HE Mephistophelian Spicer has done it. He is the Serpent who beguiles us into making a detour into flowery paths away from the narrow way of obedience to Doctor's orders. He insinu- ates distrust of the traitement while artfully extolling the virtues of the waters of La Bourboule. His argument is, " It is absurd to lower yourself." In one sense we admit it is worse than absurd, it is absolutely wrong. But Spicer is serious and he won't be put off. He says, " Take the waters by all means, but don't suddenly give up everything. Look at the people who are at the Casino here. They'll all be drinking coffee and liqueurs, and smoking. Well, aren't they all invalids, and probably invalids of some standing, who have been here before, and know the place?" I venture to remark that I've seen very few taking coffee and smoking. His reply is, " That's because you've not been out at the right time. Look here ! Chivers is low, very low," — this is true, as the treatment has unaccountably told on Chivers, whose name has now become " Uneasy," as he can't make out whether the waters are doing him any good or not. " Now," continues the insinuating and jovial Tom Spicer, "you" (to Chivers) " have a bottle of good wine, and we'll help you. Dis done, gargon, apportez-nous une boideille de Chateau Palmer." 146 VERY MUCH A B BO AD. C'en est fait de nous. Spicer's done it. The bottle is brought. 'Tis excellent wine, but it does not come from the hotel cellars, having been presented to Chivers by a charitable friend who has brought his own private supply with him (an excellent plan), and who can spare us this bottle as he is off to Paris in the morning. We enjoy it, that is Chivers and myself, as if we had been two Crusoes found on a desert island by Spicer, the gay mariner, who had brought us a bottle of rum from the ship's stores. It is excellent. " Of course you feel better already," says Spicer heartily ; and we swagger — or stagger — for a couple of glasses of Chateau Palmer have already done their deadly work, and we are merry and ready for anything. Doctor be blowed ! Gargon, du cafe / First-rate cigar. Good music to-night, too. And, dear me, yes, the place is crowded, and all the people taking coffee, liqueurs, and cigars. Let us risk at the petits chevaux. Chivers does so, and at once wins seven francs. " Voila ! la bonne chance / " cries the Demon Spicer, more Me- phistophelian than ever. " Le Chateau Palmer forte bonheur." Capital game, les petits chevaux. I lose three times, and don't think so much of it. Chivers proposes La Mascotte. We enter the tent. We get seats. Spicer, however, prefers the theatre, the admission to which is six francs to-night, because a M. Fusier is giving an entertainment.' On the La Mascotte board there are painted pictures of L'Ama- sone, Le Chinois, he is called Le Coquin Chinois this evening — a political allusion — La Baigneuse, La Princesse, and Le Petit Fran- cois. I back Le Petit Francois and the white. There is imme- diately a run on La Baigneuse, the Coquin Chinois turns up occasionally, and the rouge about six times out of eight. Conse- quently I am not a winner. Suddenly it is the turn of the Petit Francois, the wand in the hand of the figure of an angel blowing a trumpet stops at the picture of the Petit Francois, represented as an effeminate youth in Watteau costume, and touches number cinq. The colour on which my little friend's picture is painted is white, and so, having backed blanc and le petit, I have a good time of it, and receive five francs in all ; as, so strict are the conditions of the game, your stake is counted in as part of the winnings, c'est a dire "la. wise csmpte aujeu," — an excellent arrange- LA BOUEBOULE. 147 raent for the table, but hard on the joueurs. After this I pause for a second. Fatal loss of time ! for while I am thinking on what I shall stake my money, the croupier calls out, " Le jeu est fait — rien de plus," — it is too late for me to back the little Watteau- esque youth and white again — nay, it is any odds against their winning twice running — when suddenly the wand of the winged Fortune stops in precisely the same place, and ticks off exactly the same number ! Ah ! mise'ricorde ! had I but .... Too late ! I will encourage the Petit Francois. I will back him through thick and thin. I do so, but the chance for to-night has come and gone. The Angel of Fortune blowing the trumpet favours Le Coquin Chinois (absit omen/) and the red, gives an occasional turn to La Princesse, and something else, I forget what, but the stupid little Francois passes by, turn after turn, cutting me dead every time. I put my last half-franc on Le Petit Francois, but he takes no notice of me, and the little man, in his courtier-like attitude, his pearl-grey satin square-cut coat, and his background of garden-landscape ct la Watteau, turn slowly away from me, as I rise from my seat, and go out into the star-lit night. Chivers has vanished : he lost on La Baigneuse, and retired early. It is half-past eight ! the night was yet young. I can go no- where, for I have no money. What must the ruined gambler feel 1 Yes, there is one place to go to, — bed. Entree libre. J'y suis. If the Demon Spicer's traitement is better than the doctor's, va pour le Demon Spicer ! If not — then back to asceticism et le traitement du cttebre Docteur Probite. Nous verrons. Le matin apres. — Levee ct six heures. Droit comme une tripled. The Doctor comes in unexpectedly, when I am in my bath. He takes me by surprise. I take him by surprise. I am so well. Dr. Probite is so delighted with me up to this moment that I feel bound to confess the enormity of last night. " Voyons ! " I say cheerily. "Guess what I did last night !" He looks at me, and through me — right to the other side of the bath, and he says, sharply, " Smoked 1 " " Yes. Only one cigar." " One too many," he replies ; but he cannot find it in his heart or his head to say anything in the face of facts. The traitement, then, a la Bourhoule comes, I think, to this : h 2 148 VERY MUCH ABROAD. Use the waters till they disagree with you ; then leave 'em off for a day or so, and then recommence. This is not a bad rule any- where. Bourboulez comme a la Bourboule : et ayez con fiance en votre medecin. To adapt Monsieur J. L. Toole's phrase, " Tenez Vozil sur votre Docteur et votre Docteur vous en tirera net." drivers is better. Spicer is about the same, but delighted that his traltement of us has succeeded so well. Taken altogether I should say we arrive at the Probite-SpLcer philosophy, " If you want to enjoy life, live by rule, and prove the truth of the rule by the success of the exceptions." Our Rosses at La Bourboule, and the Jolly Young Cocher who " ' drives ' along thinking of nothing at all." The horses and flys are all out on " the Place ; " and the flies, swarms of 'em, are all there, too, you may be sure. I wish I could draw a horse as well as a horse draws me, as these " moun- tain ponies Anglais " are worth the trouble of mounting (on card- board), but not the cost of a ride, about ten or twelve francs, except as a dernier resso7-t pour se distraire. This pretty well sums up the distractions of La Bourboule. Outside La Bourboule, at seven kilos distance, there is Mont-Dore; but in this place, which, because it is higher up in the mountains, and of more ancient reputation, professes to look down upon La Bourboule, I have no sort of interest. Its Etablissement looks LA BOURBOULE. 149 like a gaol, and its bathing-cabinets like condemned cells, — ex- teriorly, at least. Mont-Dore is bigger, but not better even for its own speciality — you see I am a partisan, — as La Bourboule is little and good. But for La Bourboule, as for La Perichole — " die grandira." And there will be bigger and grander hotels, more lodging-houses, larger stakes at La Mascotte, fortunes lost and won at les petits chevaux, splendid stables and equipages, and a magni ficent church, of course. But the simplicity, the seriousness, the tranquillity, and the piety of La Bourboule will have disappeared, just as even now the peasant's Bourboule has disappeared, and the oldest inhabitant no more recognizes the La Bourboule of his childhood's days, than would a present Bourboulais, going up into the mountains and returning, like Hip van Winkle, twenty years hence, recognize the La Bourboule he had quitted in the Year of Grace Eighteen-Eighty-four. CHAPTER IX. A RIDE — RESULT — LAID UP— SNATCHES— OPERATIC— A HISTORY — ORIGIN — THE RECKLESS ONE ANOTHER REAL INVALID. SPICE R and myself having nothing better to do, on a fine afternoon after the rain, hire horses, ten francs the pair, for two hours, the cheapest thing of the kind I've yet come across in La Bourboule, where the simple Auvergnat does fleece the tourist lamb to any extent in the matter of promenades en voiture et a cheval. Mine is a wonderful pony ; and the saddle and the stirrups were apparently originally intended for a rocking-horse. However, both the beasts are " sulides," specially mine, and away we go up a mountain-road, which serves as a water-course in Winter, at full galop, without a stumble or a slip, until we find ourselves in the high road, and close to a picturesquely-situated village, en route for Saint Sauves. There we descend : the view is beautiful, reminding Spicer of Surrey considerably enlarged. It reminds me of Surrey and Devonshire mixed, with a little bit of rocky Cornwall thrown in. 150 VERY MUCH ABROAD. Quite a fancy-sketch. Chir horses descend with perfect ease and safety. We are back by dinner-time ; and — we go to bed very early. The next day I am laid up with a severe cold — the waters are knocked off, and the traitement interrupted. Chivers looks in to sympathise with me. I say that I could have caught this cold at home — there was no necessity to come all this way to do it. Chivers doesn't know what the waters are doing to him, but he is of opinion that they're all humbug ; and he reminds me that it was I who induced him to come here. " I'm getting worse instead of better," says the Gentleman whose name is Easy, as he strokes Open-air Livery Stables. Horses waiting to be hired at La Bourboule. his nose reflectively ; " and if I had only got a servant here to pack up, I'm hanged if I wouldn't go at once. But the packing up ! " The prospect of this exertion, and the impossibility of getting the work done by deputy, is too much for him. He sits and stares blankly at the window. Then he hums snatches, — they are never more than snatches, taken at haphazard, and violently torn away in a maimed condition from the original melody, whatever it might have been, — and marks what he conceives to be " the time " with his stick on the floor. I try to stop him by inquiring where one of the fragments comes from ? He doesn't exactly remember ; but, to aid his memory, he repeats it over again, adding some other "bits," which he says he thinks come from the same Opera. I LA BOUBBOULE. 151 devoutly wish lie had left them there, and not " brought them away with him." After this entertainment has lasted about twenty minutes he rises, observing, as if pressed for time (the idea of being busy, or pressed for time, at La Bourboule !) — that " he really must go," and then he kindly asks if there is anything he can do for me ; whereupon I request him " to go and see the Doctor for me," which, including having his pulse felt for me, he at once under- takes to do, and, with a snatch of melody still on his lips, he leaves me. Sleep, gentle sleep ! I am just dozing off when the Easy One returns. "I say," he says, tapping on the floor with his stick, "you asked me what it was I was humming just now." I reply that I did, and try to evince as much interest as circumstances will permit. " Well, I've just remembered it — part of the march from Fidelio — or else it's a bit from La Gazza Ladra — it goes like this " — but, just as he is making a dash at the melody, he alights on the wrong note, puts himself out, and, after several vain attempts at recalling it, gives it up, and as he goes out he observes, " I'll come back directly I've caught it, and tell you what it is. I never forget a tune." Much annoyed with himself for the slip of memory on this occasion, he once more leaves me, and I hear him. his humming getting gradually fainter and fainter, trying to recall the lost tune as he walks slowly down the passage to his own room. While laid up with cold, I commence notes for a short history of La Bourboule. The materials being scant, I apprehend that it will be a very short history. It was built by Balbus, who was always building walls by way of taking Latin exercise. Hence the first origin of the name. After the death of Balbus and Caius his partner, the place gradually fell into disuse. It was not heard of again till, oddly enough, tradition associates it with England and the name of Cromwell. The Lord Protector has to go through the traitement at La Bourboule in order to get rid of the wart on his nose, which was always annoying him, as the Poet Milton would ask him pointedly every morning, " Wart's the matter ? " But as the traitement didn't do him any good, the Protector, 152 VERY MUCH ABROAD. being too impatient to stay out the twenty-one days, flew into a passion, and, adapting his original and striking phrase, which had made such an effect in the House, exclaimed — ■ " Enlevez La Bourboule ! " and hoped to see the town razed to the ground. It wasn't, however, as La Bourboule is gifted with everlasting youth, or at least with a perpetual Spring. I don't get any further at present with my short history. The place is rapidly emptying. The Easy Eastern Despot, the "Take away that Bourboule! Reckless Spicer, and my miserable self are the only English patients left. Spicer thinks he will go out and make a sketch of La Bourboule. He takes a small portfolio under his arm. Being the only stranger visible, his movements attract attention. Nobody Is doing any- thing at La Bourboule now, and the news soon spreads about that an Englishman— an eccentric Englishman — is absolutely going out to amuse himself. How he will set about it is a matter of the intensest curiosity to the crowd, who for the first time in their experience have ever heard of anyone attempting to amuse himself LA BOURBOULE. 153 at La Bourboule, which, as I have before remarked, is essentially a serious place. Later on the Reckless Spicer returns. Where has he been 1 He doesn't know, and he can't give any particulars, as he has been taking a draught of mountain air, has caught a severe cold, and entirely lost the use of his voice. In pantomime the Reckless One expresses his determination to retire at once to bed. It has been LATE IN THE SEASON. The only remaining Visitor announces his Intention of "going out to amuse himself." Curiosity of the Inhabitants of La Bourboule to see how he will achieve his object. glorious summer up to four o'clock ; now it is chill October, and, interpreting Spicer's signals, we order logs to be brought, a good fire to be made, tisane boiling to be followed by hot grogs every half hour, and three blankets on the bed. Finally, we all have fires, and all retire early. Such are the delights of La Bourboule in the first week of September. This, as they say in novels, is " The Beginning of the End ! " 154 VERY MUCH ABROAD. CHAPTEE X. STILL WITH COLD — NO MORE WATERS — NOTES FOR FUTURE GUIDE. M "Y room in our hotel is situated mi seconde over a murmuring stream and a howling dog. I don't wonder at the stream murmuring ; when the dog howls, it's quite enough to make one murmur. But when the dog is silent, the stream, from some unexplained cause, murmurs louder than ever, and, at first, the noise of rushing water being continuous, it seems to me as if I were trying to sleep with my head against the cistern of a London house, in some district where either the Turncock had gone mad, or the Water Company had become recklessly prodiga . La Bourboule is a great place, as I have already said, for infan- tine maladies. It is, therefore, a great place for children ; I may say, distinctly, a very great place for children. I never met so many children with noisy toys as at La Bourboule. They have cow-horns, tin-trumpets, imitation pistols and cannons, which go off with a startling bang, un-musical carts, drums, and so forth. But of all things, the little cow-horn is the worst. It is the curse of the place, and the worst of it is you can never find out where the deuce the little boy is who makes the noise. If you have a headache, this invisible "Little Boy Blue," or " Little Boy Bloiv" with the juvenile cow-horn, will worry you until you feel inclined to out-Herod Herod, and run a-muck for all the children in the place. The dogs of La Bourboule are another nuisance ; they bark and they howl as no other dogs do, and are evidently irritated by the children and the trumpets. Sometimes at night the owners of the howling dogs are aroused, and then the noise is redoubled. But, if you are snugly tucked up in bed, it is some consolation to reflect that the dog is punished for howling, and that the master, who is LA BOURBOULE. loo beating it, is probably catching a severe cold. When the toy-cow- horn is not in full blast, the real instrument of torture is being blown by the eonducteurs of the omnibuses touting for customers to Laqueuille, Mont-Dore, Tauves, and other neighbouring places. This lasts for about an hour at a time, twice a day. A fourth trouble is the bell-ringing at the various hotels, to announce the preparation for the different meals, and then the hour of the meal itself. There are also bells to announce the cloture of the etablissement twice a day. Bells are rung on every possible occasion. The rule at La Bourboule appears to be, " When you've nothing else to do, ring a bell." The greatest nuisance of all, against which, as being a public matter, affecting nervous invalids, I wonder the fourteen Doctors forming the Medical Staff of La Bourboule don't protest, is the firing off of some infernal machine several times a day, for no other object that I have been able to ascertain than that of startling the pigeons, and making them fly madly about. It is quite enough to cause all the invalids to fly, and never return. On a nervous individual (and there must be many here), specially if partially confined to his room, and for whom perfect tranquillity is abso- lutely necessary, this explosion, which is a perpetual surprise, is quite enough to produce most serious results. The only time 1 witnessed this performance, the actual perpetrator was a dirty little boy, who came down from the Casino with something under his arm, which, at a distance, seemed to resemble an old-fashioned hat-box. To this he applied a fusee, when it at once went off with a tremendous detonation that sent the pigeons (which, one would have thought, might have been accustomed to it by this time) whirring up and circling about in the air, while several ladies started up from their seats, and the young Dynamiter having accomplished his fiendish purpose, retired giggling. Where was our one Gendarme ? Before the term of my sentence has expired, I find myself asking if a great many of the cures with which the springs of La Bour- boule are credited may not be classed among the Fables of La Fontaine 1 A Conversation-book for La Bourboule would be useful. I shall 156 VERY MUCH ABROAD. here merely hint at it, reserving all my rights as the discoverer of La Bourboule, comparatively little known to my suffering com- patriots, for my forthcoming Guide a La Bourboule. Morning Dialogue. — How is (comment se porte-t-il) your thumb (pouce), Sir {Monsieur),- — your big-toe (orteil), your little-toe (petit doigt du pied), your nose (nez), your right ear (oreille droite), your left (gauche) ear, your knee (genou), this morning 1 Your nose (nez) is not so red (si rouge) this morning as usual (comme ordinaire) — your nose is much redder (beaucoup plus rouge). Morning. Bathing Costume. Flannel. With Wrapper. Midday. The Lightest Summer Suit. 95° in the Shade. My thumb pains me — Oh! — (mal au pouce — Ah!) — I have shooting- pains in my head. I will not take any more of these beastly waters (eaux affreuses). You must see the Doctor (il faut passez chez M. le Medecin). The Doctor be (que le Medecin soit beni). I think I shall go away (me sauver) to-morrow (demain). No — stay, and go through the course (traitement). I am better. I like the place — I like the waters. It is the tenth day I am here. I shall be so well when I get back (quand je reviendrai chez moi). When I return I shall go in for champagne, hooray ! (a Id, bonne heure), and smoking, and coffee, and liqueurs. LA BOURBOULE. 157 With the Doctor. — I am better. I have a sore nose (nez dolour- em;), a pimple (bouton) on my lower lip (levre inferieure). It is nothing. What ! (comment) give up (renoncer) the waters ? Why, I've come thousands of miles to take them ! Oh, for one day only (ne que). Very good (tres Men), and put off (remettre) the spray pulverisation), inhalation, gargle (gargarisme) till the day after to-morrow. Good ! (tres bien). I will observe (obeir) all you tell me. Eh ! No smoke, no liqueur, no coffee (pas cle cafe) ! Ah well, then (eh bien alors), no fee ( pas cle recompense) ! Dinner Suit, known as 'The Compromise. Evening from 7p.m. Must be thoroughly wrapped up. To a Friend (a dejeuLner). — Look ! (regardez) — that nose — that ear — that cheek — how red — it is less red (moins rouge) than yesterday (quliier). Your nose looks beautiful (beau) this morn- ing ; how does mine look 1 Will you have some eggs 1 I have had two eggs — a bad egg and a good egg. Is this chop (cotelette) cooked (cuite) with tallow candles (bougies de suif) or only with bad butter ? I do not know. I will have some of the good red wine (du bon vin rouge), while you have the nasty water. I cannot get (trouver) any good red wine. The wine of the country (vin du pays) must be made out of old boots (vieilles bottes). Then (alors) the grapes (raisins) must grow on boot-trees. I shall 158 VERY MUCH ABROAD. have the red nose (le nez rougi), while you will have the beautiful complexion {la peau claire). I will smoke the great and good cigar, and drink the strong black coffee (cafe noir), while you will have nothing to do (rien a faire). You who have just arrived (yenez d'arriver) are thin and vigorous ; but I, who have been through (2)asse par) the course (traitement) am fat (gros) and feeble (faible). He is happy (henreux) because he is well. I am unhappy (jnallieureux) because I am unwell. You will have the big pimple (bouton) on your tongue (langue), and I shall be quite well and happy. Animated Appearance of La Bourboule. LA BOUBBOULE. 159 CHAPTER XI. LAST CHAPTER (BUT ONE) THAT ENDS THIS STRANGELY UNEVENTFUL HISTORY. WE THREE, Chivers, Spicer, and myself, are almost the last roses— or noses — (for, with all our other ailments, that is a sore point with us) of Summer. " All our bloomin' companions," as the song says, have packed up their traps and gone. Guignol still plays Borneo et Juliette and Lucie de Lammermoor to crowded audiences, but the Theatre is closed, the attendance at les petits chevaux is meagre, and around the Mascotte are gathered quite a little family party, with twenty sous each time on the table, the circle diminishing as one after the other reaches his limit of five francs. The Band still plays, but there is no heart in the performance, and the Conductor is listless. A few adventurous spirits, w r ell wrapped up, make a bold attempt at sitting out at the tables under the verandah of the Cafe, and try to appear as if they were enjoying their coffee and cigars. Some Ladies in thick mantles lend their aid in this ghastly attempt at galvanising the moribund season into a temporary life. It is useless. The Band shivers, and retires. The Waiters regard their customers with compassion. One after another the tables are left bare, and the chairs are empty. Then the wind and the Waiters have the Cafe all to themselves. The lights are gradually extinguished, and, the Waiters having departed, only the wind remains whistling round the corners, having all its amusement to itself, and enjoying it as only the wind can. But the tables and chairs have been removed, so even the wind, finding it has nothing to play with, drops off to sleep, or goes somewhere else, — for which I, personally, am pro- foundly thankful, as now my wood-fire will burn without filling the room with smoke, and compelling me to open the window, and risk another severe cold. Cold ! Ah, it is a place to catch cold in is La Bourboule ! Never was a climate so variable. If you walk, you must take care not to walk too fast, and not 1G0 VERY MUCH ABROAD. to stop and sit down ; if you drive, you must have plenty of wraps ; if you ride, you must keep on at an even pace. Fortunate the invalid who at the end of ten days can walk or ride, the effect of the waters of La Bourboule (as far as our experi- ence goes — I mean that of Olivers, Spicer, and self) being to make the patient fat and feeble, increased in weight, and indis- posed to anything remotely resembling activity. The invalid's appetite will be pretty good, but he is unable to gratify it to any great extent, the food being of an inferior quality. The speciality of the La Bourboule cuisine seems to me to be a pecu- liar way of cooking everything with bad butter ; its chef d'ceuvre is a dish of tough mutton cutlets, gently grilled over a fire, which, judging from the flavour of the meat (when you can get one of the chops to yield to the pressure of a strong knife, used with all the muscular force of which an invalid is capable), must have been mainly composed of tallow candles. After nearly three weeks of constant companionship our conver- sation is exhausted. Chivers makes a few attempts at repeating some stories which were excellent when we first arrived, but which have now lost their first freshness. On the third repetition of one of his best, both Spicer and myself stop him. After this, as news- papers are the only substitutes for conversation at breakfast, each one brings his own journal or letters. We take no interest in any- body or anything. We are Lotos-eaters. We should like to break with La Bourboule, but haven't the energy. Spicer, who came last, and was the blithest and gayest of the gay, is now the most melancholy spectacle. He really ought not to be out of bed. The fact is that we are now really ill. We are down. I am suddenly aged ; Chivers has the Eastern Despotic temperament quite taken out of him ; he is humble, meek, mild, and no longer bewails the absence of a servant. His name is indeed Easy now. He is indifferent. Only let him sleep, and don't talk to him, and he is happy. He wakes up occasionally to discuss the politics of the day, but, as a rule, news from the outer world has ceased to have any effect even upon him. Only one thing has any real interest for him now, and that is the left-hand side of the tip of his nose, which, considering all he has done for it, is not behaving as it should. The lobe of my right ear is causing me also some considerable trouble, and LA BOURBOULE. 1G1 fis to my nose, I am beginning to be thoroughly annoyed with it. We stand before the glass ; then we ask one another what each thinks of the other's nose. This is a prelude to breakfast, and it is the only semblance of conversation that remains. Two mornings out of three I prefer Chivers's nose to mine. I tell him I think his nose is getting on admirably. How's mine ? I ask. Oh, he is enchanted with my nose ! he only wishes his nose were doing anything like as well. But surely, he says, reproachfully, I must be nattering when I tell him his nose is so much better. I reply, rather indignantly, protesting that on such serious sub- jects I am not given to flattery, and that the last thing I should flatter would be anyone's nose, and I assert, honestly, that his nose is making great progress, is in first-rate condition, and is just the sort of nose that he, with his peculiar constitution, ought to expect it to be after using the La Bourboule waters up to this point. But, I add, whatever he may say to the contrary, I cannot accept what he has told me as to the appearance of my own nose in such satisfactory condition as being any index as to its real state. " But, my dear fellow," protests Chi vers, " your nose is — I give you my word of honour — your nose is twenty per cent, better than when you came." Secretly, I am delighted to hear this, but I will not let my joy be seen, lest the delight of the morning may be turned into the grief of the afternoon. All I permit myself to reply is that, and I say it in a sad tone, I am glad to hear what he says about my nose, but he must allow me to know best about my own nose, not as to how it looks, but as to how it feels. That it looks well, I admit — fairly well, at all events, the sunset hue having yielded to a delicate salmon pink — but that it feels better is what I cannot allow any man to be a better judge of than myself. Here Spicer, who has got no nose to speak about — I mean that it is his throat and not his nose which is his weak point — throws in the apt quotation of — ■ " Says Aaron to Moses, Let's cut off our noses. Says Moses to Aaron " M 162 VERY MUCH ABROAD. Ohivers interrupts him with the air of a man inspired, and who can't wait to be asked, as he'll lose his inspiration for ever, — " Says Moses to Aaron, Let's go to La Boiuboule." And then it occurs to him that the inspiration has deceived him, that a false voice has spoken to him, and that " La Bourboule " does not rhyme with "Aaron." "But no matter," says Chivers — " the idea's all there, and the rhyme will come afterwards. My name's Easy." Spicer has developed into a walking cold. His nose doesn't trouble him — that is the exceptional thing in his cold. It is the gigantic cold of a man without a nose, or of a man to whom the medium of a nose affords no relief. He has become so hoarse as to be almost unintelligible, and so husky as to suggest that he must have been eating a pound of nuts during the night. What an occupation ! Unfortunately Chivers has developed deafness ; and so when Spicer, having addressed any remark to him, has to repeat it, not once or twice, but three or four times, the last time causes him a great effort. How Spicer keeps his temper and loses his voice, is wonderful to me. For instance, Spicer asks, huskily, something, which, to Chivers, sounds like nothing at all, and to me sounds as unintelligible as this sentence, which will carry some sort of idea of my meaning (but not of Spicer's) : — "Havellrel Glallstulspee shesday?" Chivers, aw r aking to the fact that an observation has been ad dressed to him by Spicer, turns suddenly to him, and asks, "Eh? What?" Spicer, with an air of fatigue, repeats the above sentence, when Chivers turns to me, as if asking me to interpret. I can't. " I'm very sorry," says Chivers, with the forced politeness of a man who has been disturbed in the perusal of a deeply interesting article, as he puts his hand up to his ear, " but I really don't catch " Spicer rolls in his chair, as if working up steam for the next effort, leans over towards Chivers, and placing his hand to his mouth as if he were hailing somebody a mile off, shouts, more LA BOURBOVLE. 103 hoarsely than ever — the voice coming up as if through a hubble- bubble pipe when you blow down it instead of drawing — "Have you read Gladstull's speech yesterday ? " But Chivers is horribly deaf. "Eh?" he says, looking up at Spicer as if to gather from his expression of face what he has been saying, and so save him the trouble of repeating it. Spicer is perspiring — he can't stand the exertion — he mops his face, and is preparing for a supreme effort of bawling, when I inform Chivers, in a mild undertone, that what Spicer wants to -MM Reflection at La Bourboule The Last Nose of Summer. know is whether he (Chivers) has read Gladstone's speech of yesterday. Chivers regards me with a puzzled expression, and says, " Eh 1 What 1 Gladstone ? " Then, when the question asked five minutes ago suddenly dawns upon him, he becomes as radiant as if he had guessed a difficult acrostic, and nodding pleasantly to Spicer, to intimate that all's well that ends well, he repeats, " ' Read the speech of Gladstone ? ' Oh, yes. Wonderful, wasn't it 1 Eh 1 " And there the conversation ends, Spicer lying back in his chair, M 2 164 VERY MUCH ABROAD. wiping his forehead, and too exhausted to utter another syllable for the next quarter of an hour. Then drivers takes up his Gil Bias, and I take up the Gaulois, and so we merrily pass half of our breakfast-time. I feel €hat there is no encouragement to get up a conversation with two companions, of whom one is deaf, and the other very nearly has a fit whenever he tries to speak plainly. Thus it is that we are getting down, depressed, low, disappointed with everything. The diet is not exhilarating. Of the vin du pays, which we call "the Generous," the only thing to be said is, that there's not a headache in a bucket of it — mind, I distinctly emphasize head-ache. We have no general conversation, for the reason above stated ; and the only topic of interest is our health. Spicer hasn't even got this, as his health seems to have completely broken down, and the traitement with him is absolutely a failure. He has to give it up, and directly his cold is better, and he can render himself intelligible without too severe a strain, he will go away from La "Bourboule " for ever ! " LA BOURBOULE. 1C5 THE LAST CHAPTER. "off! off! said the stranger." HE view wc individually take of the traitement here is this, that " it is good for the other fellow." For example — Chivers thinks that the waters suit me perfectly, but that they don't suit Mm. For my part I hold con- scientiously that the waters don't suit me, but are evidently bene- fiting Chivers. Spicer is of opinion that the traitement suits us both, but that he ought never to have been sent here. We tell him that he is vastly better for the course. Chivers returns to his first opinion, and exclaims, " I believe it's all humbug. Look at my nose ! " I do look at his nose, and affirm— -je constate— that it is dis- tinctly better. It is a wiser and a better nose than when it came here. " So is yours," says Chivers, as if he were uttering a retort. " But," we all three put it, " if the waters can be bottled and sent to England, why not go through all this at home ? " The only evident answer to this is, that there are fourteen Doctors at La Bourboule. And the fourteen Doctors of La Bourboule must live. At least, they think so; that is their opinion, as Doctors. This is in our minds and on our lips as we sit down to our frugal dinner, when suddenly there enters Dr. Probite to see his patients. ICG VERY MUCH ABROAD. Now, a Doctor should never come, professionally, to see his patients at meal-times. It is unfair. It is the Schoolmaster paying a visit to his young friend during the holidays. If the Doctor comes, it must be as a guest. He accepts, with pleasure. " Lesbia hath a beaming eye" — but not so beaming as Dr. Probite's, when he consents to join his three patients at dinner, and goes- out to hang up his hat and coat in the outer hall. "While he is away, we say, as by one inspiration, " Noiu we'll get out of him the truth about La Bourboule." In a moment d'egarement we expect to hear him laugh outright under our very noses, to see him throw himself back in his chair (after the tenth bottle of " the Generous "), and exclaim " La Bourboule be blowed ! Entre nous, and not letting it go beyond this table, La Bourboule is humbug, and the traitement bosh ! " Then shall we pulverise him 1 No. He is our guest, and the laws of hospitality will have to be respected. We are looking forward to Frightful Bevelations about the La Bourboule Swindle, when our Doctor enters, merrily rubbing his hands. But — shall I reveal the secrets of the dinner-table 1 Never ! What if our Doctor gave us a dispensation for once and away ? What if we availed ourselves of it to any extent under his able advice and distinct encouragement 1 Is it for me to " split " on my brave companions 1 Perish the thought ! And suppose I cannot remember one quarter of the good things said — or what time we retired to rest — or whether the Landlord looked in to say that everyone had been in bed for hours, and that nothing more could be had, not even Vals Waters 1 and suppose that even now, in trying to recall the events of that night, I have some vague recollection of how we all wanted to sally forth to find the real, unadulterated, original spring of the La Bourboule waters ; how we thought we saw before us a new Company to be started, which should deal with this real spring, wherever it might be ; and how we were for arguing the legal points as to who was the real owner of the waters of La Bourboule, and whether, being a natural product, and for the benefit of mankind, it ought to be in the hands of anybody in particular, except ourselves; and whether we could cut the La Bourboule water off and take it somewhere LA BOURBOULE. 107 else ; and how the Landlord reappeared, and said he must put out the gas, and how he was dubious about trusting us with candles ; and how he saw us safely to our rooms ; and how we didn't know exactly when the Doctor had left us, — whether he had gone out by the door or had disappeared under the table, — suppose, I say, that all this were so, — what does it prove 1 I think it proves that we were very much better. Chivers is dismayed at the prospect of having to pack up for himself. " I'll never come out again without someone to pack up The "Traitement; " or, Theory and Practice. for me," he says. Spicer suggests that he should be accompanied by Eastern slaves. Why not by " Packer's Band ? " His name is Easy, but his task is difficult. AVe all start for Paris. Charles, the faithful Chasseur, is at the P. L. M. Station (we have returned by a different route, and have seen Royat in passing, which is a charming place we all agree, as far as we can judge of it from our carriage-window, and we regret not having been there instead of at La Bourboule), and he has taken my room for me at the Grand Hotel, which I reach at about a quarter before midnight. At the last moment I catch sight of the Gentleman whose name is Easy having a row with a porter 1G8 VERY MUCH ABROAD. and a cabman, while Spicer, whom the waters of La Bourboule have quite deprived of his voice, is gesticulating to an amiable coachman who, apparently, doesn't or won't understand him. The next day — oh, the comfort of a good breakfast at the Grand ! It is in the off-season, yet it is a breakfast worth eating, and the dishes are not cooked cl la mode de La Bourboule with bad butter or tallow-candle grease. In the evening Chivers and myself appear, after our long ab- sence, in the character of deux viveurs attables cliez Bignon, et apres le diner, bnvant le cafe en fumant de bons cigares, hearing from the head-waiter Henri how dull everything has been, and is ; and how the foreigners have been scared away by the report of cholera, and habitue's have departed for the chasse, or are still disporting them- selves on the sea coast. We drink Dr. Probite's health (at a dis- tance — bless him !) in a couple of bottles of Pontet-Canet, and, for the first time for nearly a month, are able to enjoy what it is just to Bignon's to call an extra good dinner — for which it is equally just to Bignon's to add we pay an extra good price. A couple of quails — excellent, I admit — cost us ten francs, and this iu the first week of September. A peach,— Chivers said " any- thing would do for him," and insisted on having a peach, — was half-a-crown. Mais, que voidez-vous ? We don't escape from the prison-fare of La Bourboule every day, — thank goodness ! After this light entertainment we visit the Eden Theatre, where Excelsior is still going on, but sadly shorn of its first glory. There we meet Spicer, who has already partially recovered the use of his voice. He is full of regrets ; his chief regret being that he did not go to see Guignol at La Bourboule. He has half a mind to retrace his steps. In this state of indecision we leave him on a wet night at the corner of the Rue Scribe, and, wishing one another farewell, we separate, each one taking his own way, as he has done before the treatment of La Bourboule had brought us together for three short weeks of our life. And so ends our trip to La Bourboule, where, as far as I can say at present, it seems to me I have been " very much abroad." ROYAT. SOME ACCOUNT OF A VISIT TO ROYAT. CHAPTER I. HOW IT CAME ABOUT — WHO ADVISED IT — WHO AGREED TO IT- WHO WENT WHO DIDN'T GO. JT VERYBODY— that is everybody to whose friendly judgment I submit my intention of going to Royat-les-Bains says, "What on earth are you going to Roy at for ?" Which question only proves how little they know of me, physiologically, and of Royat, medicinally. I could write a philo- sophical treatise on this in- quiry of my friends. When they say, " What on earth do you go to Royat for?" does it mean that they will provide me with something better if I don't go ? Does it mean that they are going to stop in town, and are so anxious for my society that they can't spare me? A hundred similar queries suggest themselves to be summed up in one very simple one, which is, "Do they mean anything at all?" and, "Do they care one snap J^>Vtf 172 VERY MUCH ABROAD. of the finger and thumb" (to put it classically) "where I go to, as long as I don't bother them?" Friendship has its limits, and its seasons. The foregoing is merely a hint as to what variations I could play on such a theme. My immediate answer to my friends is that " T am ordered to go there." This sounds better than "recommended," as implying that my departure for Royat is a matter of vital importance to myself and also to my friends. So I speak as if I were a soldier, " ordered off at a moment's notice, to take the field," — a phrase which is more suggestive of the betting man than the soldier — and I expect my friends to accept this as sufficiently explaining why I choose Royat in preference to Vichy, Aixdes-Bains, La Bourboule, Mont-Dore, Homburg, Luchon, or any other watering-place. They have, all of them, the air of resenting my choice of Royat as a personal affront to them individually and collectively ; or if not exactly as a personal affront, at least as showing on my part a want of consideration for their feelings. If they do not mean this, why does my old friend Holdum, lunching at his table by the Club window, exclaim with an appearance of surprise, and in an injured tone, " Why Royat ? " and turn away to look out of the window, as if my conduct was too painful for him to trust himself even to regard me one moment longer without weeping. Why does Tom Underleep, whom I only see to speak to for a few minutes on Tuesdays and Wednesdays, when he is waiting furtively in the Club hall to waylay the new number of the World or Truth, and, so to speak, get the first cut at it before it has become as stale as the caviare which was opened for some one a fortnight ago ; why, I ask, does Tom Underleep, to whom it can matter nothing where I go or what I do, suddenly take upon himself to look up from his Truth or World, and growl in a discontented manner, " Why do you go to Royat ? " as though he had already made up his mind to go there himself, and was afraid there wouldn't be room for both of us 1 That those of my medical acquaintance who are interested in other health-resorts, should strongly advise their particular fancies, was to be expected; but that my familiar friends should be hurt by the announcement of my resolution of visiting Royat, seems to call for some preliminary explanation of BOYAT. 173 my apparently, to them, strange conduct ; for they look askance at me as if, when I am out of the room, they will tap their fore- heads significantly, muttering, " Poor chap ! something wrong in this quarter " (meaning my head)—" going to Royat ! Must be oft* his nut ! " and so on. Well, this is my explanation : — Happening one day to be having a scientific chat with my friend Dr. Putteney — Hammond Putteney, M.D., the well-known author of that brochure which created such a sensation in society about three years ago, entitled How to get Fat in Tivo Minutes, and even more celebrated in the medical and scientific world through bis learned treatises on The Unnecessary Fabrication of Vital Tissue (25th Thousand), On the Treatment of Vehicular Disease on the Loiver Lugnosis (50th Thousand), On Vicarious Phiningitis of the Assimilated Cuticles (with Diagrams in Colours — 8th Edition, Revised and Corrected by the Author), and, I should add, famed in the French, German, and Italian Schools of Medicine, for his brilliant discovery of the Clignotic Movement of the Nervous Tegocular Membrane, which has already revolutionised the treatment of this mysterious mechanism in the human frame, which is now known among the Faculty as " Putteney's Membrane " — happening to be chatting with Dr. Putteney about his own state of health, which was puzzling him considerably, and, incidentally, about my own, he suddenly looked up, and said with an air of the deepest conviction, " There's only one place for you, — Pioyat ! " When Dr. Hammond Putteney, sitting easily on a garden-chair, — that is, as easily as it is possible to sit on a garden-chair, — enjoy- ing a big cigar, suddenly brings his knees sharply together, jerks his body bolt upright, adjusts his spectacles with his left hand, Avhile in his right he takes his cigar (which he thenceforth uses as if it were a piece of chalk, and he were a lecturer drawing a diagram on an invisible black-board, and emphasising his discourse with it), he is immediately transformed from a round-visaged jolly- looking person, a compromise between a young English Squire and a superior German Student (after a series of soap-and-water baths) avIio was wearing his Professor's gold-rimmed spectacles for a lark, to the respectable English scientific, professional practitioner of several years standing. — and, I am bound to say, the metamorphosis is as astounding as it is complete and entire. 174 VERY MUCH ABROAD. His manner is earnest, his action energetic, and his speech determined, a combination which would give a tone of severity to any other man, but not to Dr. Putteney, whose hair, what there is of it, is very light and thin, and whose features, guiltless of any sign of moustache, beard, or whiskers, more nearly resemble those of the conventional cherub than any other variety of the human physiognomy with which I am acquainted. There was " once upon a time," a learned person, a Doctor, not of medicine, but of divinity, who was distinguished as "The Angelic Doctor." I feel inclined to borrow a hint from this title, and christen Dr. Putteney " The Cherubic Doctor." I would not wish it to be thought that I adopt all the consequences of this simile, as Cherubs are usually represented on tombstones as blowing trumpets, presumably their own ; and I am bound to say that this is a sort of thing Dr. Hammond Putteney never does. If he blows trumpets at all, they are not his own instruments, but those of his friends, and these he blows loudly. To-day, — the day this dialogue takes place, — he sounds the Ptoyat trumpet, and plays upon it a marvellously fascinating tune ; so much so indeed, that my Cousin Jane at once agrees with him, that Royat is the place for me, Dr. Putteney having long ago settled that she, as his patient, was to go there before the London season was over. "You must go," cried Mrs. Dinderlin, enthusiastically. She is also under Dr. Putteney 's orders. " It has done me such a lot of good every year." She is a pale diaphanous lady with a rather high-pitched voice, and quick incisive manner of speaking that will not brook contradiction. " It does everyone good," cuts in Dr. Putteney, authoritatively, evidently not wishing to go into such useless details as to the nature of the ailments from which his various patients, for whom he has prescribed, or is prescribing, Royat, are suffering. "It does everyone good, and," turning to me, "it'll do yoti good espe- cially — and so you'll go — and I'll get your rooms, and see you all through your treatment, and you'll start with your cousin, who is off next Saturday, and I leave to-morrow. So that's settled ; " and, dropping the character of the Cherubic Doctor, he proceeds to throw himself back in his chair, kicks up his legs on to another ROY AT. 175 chair, lights a fresh cigar, and with his face wreathed in smiles, he is once more transformed into the hearty, boyish young English Squire, wdio has been spending a year among the German Students, and is wearing, always for a lark, his Professor's gold-rimmed spectacles. I have one short interview on our way home from the Richmond Club ; it is in that garden the memorable conversation takes place -< ~\ The Cherubic Doctor. which decides me. To Royat I go. And so I sing with Cousin Jane the duet from Manon, which I adapt to the occasion — " A Royat Nous irons, Tous les deux, tous les deux ! " The second line is, curiously enough, very suggestive of the waters of Royat, if "irons "were pronounced as in English. There is plenty of " irons," not " in the fire," but in the water of Royat. For the rest of the week we have " Waters on the brain," and we cannot quote the line as applicable to our case (mine and Jane's) if Eaux/ no, we never mention them ! " for we are perpetually 17G VERY MUCH ABROAD. talking about them. Either Cousin Jane is calling on me, or I on Jane. Her husband can't go with her, but he holds out some hopes of his just looking in, that is if, as I under- stand him, he finds Royat is on his way to Scotland, where he has to go on particular business, not unconnected (I fancy, though I wouldn't make mischief for the world) with a fishing-rod and gun. But no matter. I am to take care of Jane (who, between ourselves, is of an age to be perfectly able to take care of herself), and her husband has only to see her off at the Station, confide her to my care (why can't he come himself? he had said he would, and then changed his mind) and that of Dr. Putteney as medical attendant at Royat, and pay the bills. So Dr. Putteney precedes us with some other patients, including the diaphanous Mrs. Dinderlin, giving himself a week's start in order (it is very kind of him) to have everything ready for our reception. ROYAT. m CHAPTER II. PRIVATE REASONS FOR GOING TO ROYAT START WHAT IS IT ' MY PRETTY JANE THE BAGGAGE — A FRIGHT — NO INDICATEUR — WHERE? — GREENGAGE — QUALIFYING FOR ROYAT— PARIS — OFF — NO INDICATEUR ON THE LINE CLERMONT - FERRAND ARRIVAL REJOICINGS PRIVE — ON THE ROOF IN OUR ROOMS A DOUBT. W E START. Cousin Jane's hus- band sees us off by train, and then leaves her to me and the Doctor who has charge of her health at Royat. Never in the long water-course of my unhealthy experience have I ever visited a station tJtermale under such favourable circumstances as the present. For to be in company with an English Doctor who has several patients under his care, and who is on the spot to appeal to at any hour of the day, and in your own lan- guage too, whatever sudden change may happen to you, is not this to be under the eye, as it were, of a Special Provi- dence ? And then Dr. Putteney is a personal friend ; he will not look upon me as a strange Doctor would, as a mere body, which means a no-body, but as a somebody. At the present moment I am bound to say that I feel, and look, uncommonly well. Jane is rather poitrinaire-ish. and what she calls "rheu- matic," but Pm sure that her symptoms are simply gouty. How- ever she'll soon know the truth at Royat. She won't believe me, though I've told her over and over again that she has incipient gout. N The Colonel. 178 VERY MUCH ABROAD. Certainly, as far as I am concerned, there are symptoms — but surely these may be rheumatism or overworkism, but quite impos- sible that a shooting pain down my foot, and a red-hot twinge in my right toe, can be gout ! Absurd ! I admit that, in any other person, such symptoms would be decidedly and unequivocally demonstrative of gout. But in myself — oh dear no — perish the thought ! Still I should like to know exactly what it is ; only let my doctors thoroughly understand this beforehand, that whatever it may be, it isn't gout. Dr. Putteney has said, " We will find out what it is when we get you to Roy at." So to Roy at I go on a sort of voyage of discovery. " We fly by night." Lovely weather. Bad crossing for many people, including Jane, for the sea is decidedly rough, though the Heavens above are clear, and the moon and stars shining brightly. I am well ; yet I feel that any injudicious movement on my part, or two extra careless lurches finishing with a going-any-how sort of roll on the part of the steamer, would destroy the balance of comfort and number me among the victims of sea-sickness. The sensation caused by this dubious sort of all-rightness, the reason of which I can't understand, is so peculiar that there are minutes when I almost envy the sufferers. We arrive at Calais : Jane a mere wreck, myself still in an abnormal state of all-rightness. Not being famished at the moment, we purchase a little refreshment to take with us. I find time hanging rather heavily on my hands ; the train is pretty full, but we have secured our seats. Our companions are three grubby- looking Englishmen, who would not be useful as advertisements for any soap. I wonder (to Jane) why we do not start. Jane wonders too ; but being sleepy, she is indifferent to all that is going on, and to all that is not going on, including our train. A bell rings: "En voiture — pour Paris — en voiture ! '" Jane from her dim and distant corner faintly inquires, " I suppose our luggage is all right ? " This is her fixed idea : that in travelling abroad, your luggage must go wrong. I reply of course it's all right, and am explaining that when once it is registered through, you need not trouble yourself about it till you reach your ROYAT. 179 destination " — when it suddenly flashes across me that I had been strictly charged, on starting, to remember that all luggage for Royat would be examined at Calais, and not at Paris. Heavens, there are two minutes ! As if struck by an electric shock, I jump up, safely accomplish the difficult feat of letting myself clown from the carriage — which is as if I were escaping from an attic-window — (why are all these French compartments such a height from the ground ?) rush across the line, on to the platform, and excitedly demand the douane. In a tone of utter indifference two officials pause in their conversation to ask me what I said, to which, when repeated with an adjuration for pity's sake to stop the train, they reply by pointing out the office " au bout, — la-bas" — and I run to the extremity of the station, burst in among the douaniers, claim our bagages (there are no others), swearing by everything I hold sacred that there is nothing contraband in any one of my pieces, pointing out that if they stop to examine any of them I shall lose my train, — the train that is going to Royat, — that it is not a matter of smuggling, but that it is ma sante qui est enjeu, that on them will be the responsibility if . . . when the chef (bless him !) accepting my assurances, goodnaturedly passes them, tells off a couple of porters to place them in the train, and grateful beyond expression, except in bows which are rapid but profuse — for never did man make so many obeisances or do such wonderful things with a hat in one second, as I do on this occasion, — I return the way I came, and forgetting to remunerate the porters, rush back to our carriage — there is no difficulty in finding it, as Jane's head and shoulders are leaning out of the door, and her looks are as distracted as Sister Anne's must have been when she didn't see anyone coining — scale the dizzy height, not without injury to my trousers, and once more take my seat, telling her that it is all right. Scarcely are the words out of my mcuth, when up come two guards and address me brusquely, as if obeying such a word of command as " Up, Guards, and at 'em !" " What do they say?" asks Jane. That we are not in the right carriage for Royat/ No, I know we are not ; but we intend, I inform them with the air of a traveller who knows his way about, and has done this sort of 130 VERY MUCH ABROAD. thing before, to drive across Paris, and not go by the Ceinture ; and so, Misters, yon see we are in the right carriage for that any- how. " Guards," baffled, retire. Then suddenly Jane produces a paper-bag full of greengages. She has bought them at the station, liecause it was better than getting anything to drink. Well, it's not a bad idea. Fruit is always wholesome. I try one. Only one is possible : all the others are as hard as their own stones, and have to be thrown away scarcely indented. Indented ! — Ah ! that greengage .... I bit it. I partially ate it .... it was sweetish .... it was sourish .... it was bitter .... and " this indenture witnesseth." But never again, a greengage ripe or unripe, when travelling. The next thing (which I do not attribute to the greengage) is that I sneeze three times, and find that I have caught cold. Already I am qualifying for Royat. Whenever I go abroad again (I made this Mem. mentally home time ago) I will on arrival buy an Indlcateur des Chemins de Fer, which is the French Bradshaiv, and most useful not only for tho time one is away, but also, as they do not alter the hours of their trains very much, whenever one wants to sit down comfortably at home and map out a trip from place to place in France. At Calais there is no bookstall open. Cannot procure the Indlcateur. Perhaps at Boulogne. Boulogne no stoppage to speak of. All very dark. No sign of bookstall. Consequently no Indlcateur. Can procure one somewhere along the line. Book- stall at Amiens ; no Indlcateur. Never mind ; sure to get one at the Nord or at the Paris- Lyon Station. Journey as usual. Alternately sleepy and wakeful. The Three Dirty Men fast asleep, and breathing heavily, but not snoring. Two of them become quite disjointed, and tumble up against cr.ch other like badly-packed sacks. I envy their deep sleep. Whenever I wake up and look at them they seem each time to have become hotter and dirtier, but faster asleep than ever. At Paris, my trusty friend, George Layzo, has sent the invaluable Commissionnaire David, in full uniform, at 5 - 50 a.m., to take charge of us, see us across Paris, secure rooms where we can get ROYAT. 181 " a wash and brush-up," then breakfast, when David produces to- day's Matin, and gives me all the latest, or earliest, news of Paris. With nearly another hour to spare, we saunter about, buying books and papers, while David secures for us a coupe a recoulons, in which we place our small impedimenta, and then we see the carriages, which have taken all this time getting round Paris by the Ceinture line from the Nord station to that of the Paris- Lyon, where we are now, coming in slowly, and being joined on to our part of the train. Just as we are leaving I remember that I haven't bought an Indicateur. We are actually moving. Through the noise of bells and steam-whistles I call out to David, " Indicateur — il me faut tin Indicateur ! Vite I vite ! " David nods amiably towards me, smiles, takes off his cap, salutes me, and evidently hasn't an idea of what I have been shrieking out to him. Never mind. Some- where along the line I can get one. Certainly at Nevers. Nevers for Ever ! Not a bit. Owing to a break- down on the part of the engine — very volatile conduct of an engine doing a "break-down," but perhaps it is its way of letting off a little of the superfluous steam — our stoppages at the stations are so uncertain, that it is very risky to leave our carriage at all. In some places, where an official tells us we are to stop two minutes, Ave remain very nearly ten, though it is impossible to foresee this, and as far as appear- ances go, — Guards in their places, doors shut, man ready with flag, telegraph bell ceased — we are ready to start at any moment (and here is the danger to the unfortunate voyageur), and at the shortest possible notice. At other stations, where they profess to stay ten minutes, they give us scarcely two, and I am actually on my way to a bookstall to purchase an Indicateur, when I hear " En voiture, s'il vous plait ! " and I hurry back again just in time to climb up into the carriage, grazing my knees in the effort, and to throw myself at the feet of Cousin Jane, who is almost in a state of collapse at the idea of my being left behind with the tickets, and the luggage ticket too, in my pocket. So I give up my search for an Indicateur until I shall arrive at Clermont-Ferrand. Cousin Jane's anxietv is still about the luggage. She does not 182 VERY MUCH ABROAD. believe that it can get on by itself, but is of opinion that it ought to be somewhere within reach of the eye, at least. This disturbs her equanimity, — what disturbs mine is that early greengage. As the time goes on, and as we go on along that apparently inter- minable journey, I am becoming more and more the invalid at every station, until we arrive at Clermont-Ferrand, when I am prostrate. What I feel fit for is to be carried to a dark room, to be laid on a sofa, to be covered up, and to moan and groan till I'm better. At all events, to suffer alone, and keep my misery to myself. As it happens I am compelled to keep my misery to myself, for here, on the platform, is Dr. Putteney, looking the picture of health, and more jovially cherubic than ever, lifting his white hat on a stick with one hand, and waving a white and yellow handkerchief furiously with the other, as if he were a bookmaker on a race-course anxious to indicate the precise spot where he is to be found. It really expresses his delight at our safe arrival. Near him is Mrs. Dinderlin, telegraphing to us with her sun- shade, while a stoutish, elderly gentleman, of decidedly foreign ap- pearance, in straw T hat, coloured shirt, big white tie, knee-breeches, and riding boots, and carrying under one arm a very small toy Skye- terrier, is moving towards me (I say " me," for I have lost sight of Cousin Jane in the crowd), gesticulating with a whip, his face (which I seem to recognize, but without being able to associate it with a name or a place) beaming with smiles as he cries, — " Alio ! Alio ! Here they are ! Kom tis way — I show you. Here — ter Arnspektur, he will take your teekets," — and before I have time to ask anything, or to explain quietly how unw T ell I feel, to Dr. Putteney, who will insist on still continuing a kind of savage war- dance while waving his hat and stick — much to the astonishment of the natives, who set him down as an eccentric Englishman, but of course haven't a notion that he is a medical man — fortunately his practice is in London and not here, or such conduct would ruin his chances — I say before I have time or opportunity to say" a word to Dr. Putteney privately, the excited foreign gentleman in sporting costume has snatched the tickets out of my hand, handed them to the collector, and is lugging me through the crowd, ROYAT. 183 saying, "Eet is all-right. Tis man here, the Commissionnaire, will see to all your baggage." It is booked for Royat, I say, and this station is Clermont-Ferrand. (Ja ne fail rien, — meme chose. You go by road — drive more quick as the train, and we will be at ter Otel before the baggage. Allons I We have come at such a pace, by the force of my foreign friend's energy, through the station and out into the road, that I have been unable to look round. Now I see before me a landau with two horses, and a driver in a blouse (this reminds me of La Bourboule), and in the carriage is seated Cousin Jane (how on earth did she get there 1), Mrs. Dinderlin (who, a minute ago, was on the plat- form), and another lady, petite, handsome, dark, with very bright eyes and a lovely complexion, while Dr. Hammond Putteney, white hat in hand, and still in the highest possible spirits, is holding the door open for me to step up, and addressing me with great glee as "Altesse." He says, " Montez, Altesse/" in the hearing of the crowd of porters and omnibus-conductors, travellers, idlers, and railway officials. The Commissionnaire of the Hotel grins from ear to ear. He knows that it isn't an Altesse; and even the idlers in the crowd are too busy to trouble their heads about anyone's affairs but their own. So Dr. Putteney's joke falls a little flat except as regards himself, with whom it is a great success and "goes" enormously. The bright-eyed lady is Madame Leverriez, to whom I am at once introduced by Mrs. Dinderlin, and I am preparing a few casual observations in my best French, when, addressing Cousin Jane and myself, our new acquaintance says, in excellent English, "You must be very tired after your journey, but really you both look quite fresh." It is disappointing, when you expect French, to be addressed in English. For a moment my command over my own native tongue seems to have left me, so completely had I made up my mind to reply in a foreign tongue. Colonel Leverriez puts the very small dog which he has been carrying on his wife's lap, and says, " My dear, take Lili back wit you. She will be lost in ter crowd, and tere are so many leetei dogs and poppies about. Ter Docteur and myself, we will go 184 VERY MUCH ABROAD. witter baggage ; it is registered for Royat, and we will be at ter Otel as soon as you. Allons ! Docteur ! " The Cherubic Doctor has been standing by, gaily beaming on everything and everybody through his gold-rimmed spectacles, with the air of a man who has done his duty with the happiest possible results. He is awoke from his ecstatic day-dream by a smack on the back from Colonel Leverriez, who, in spite of his slightly grey moustache, has more the air of a big boy out for a holiday than of a dignified warrior. However, as everything seems for the best in this best of all possible watering-places, the Cherubic Doctor only utters a gentle remonstrance, expressed in the words, " Oh come, I say," when the Colonel, taking him quite affectionately by the elbow, and bending his head over him as if he were imparting to him some amusing information of a strictly private and personal character, walks him off, and they disappear in the crowd which is still swarming about the station. Through Clermont-Ferrand. Even at a first visit, and coming from the train as we are, tired and dirty, and more inclined to shut our eyes than open them, it strikes me as a very remarkable old town. As we leave it, I see the beautiful towers of the Cathedral, which, like the Crystal Palace, are visible from every- where ; and they have certain advantages over their lofty rival the Puy-de-D6me, which is some ten miles or so higher up in the air, perpendicularly, inasmuch as they can be seen in pretty nearly all weathers, while the Puy is frequently in difficulties, that is, "under a cloud;" they can also be mounted by the curious traveller in search of a view for considerably less than it costs to ascend the competing mountain ; and the city being situated in a plain, the Cathedral towers are, so to speak, within everybody's reach. I look forward to revisiting Clermont-Ferrand, where there are, the ladies inform Cousin Jane, excellent shops, and a really very good dress-maker (only away twenty-one days for a water-cure, and they can't do without a dress-maker !) and I see at once that Royat, which is to Clermont-Ferrand what Kensington is to London, is far superior in the resources of civilisation to my old friend La Bourboule. ROY AT. 185 When we are well on our way to Royat I suddenly give a start — I can't help it — and Mrs. Dinderlin anxiously asks me if there's anything the matter. "I've quite forgot " I say. " The luggage ! " cries Jane. " I knew it ! I felt certain " " No, no," I hasten to reassure her. " The luggage is all right. You'll see it at Royat. But — I've quite forgotten the Indicateur ! " "Oh, well," soys Jane, who always likes to offer consolation, " you can easily get one here, or on our road back." Yes ; I will. I must get one here, in case we want to return by some other route. But it is curious that during so many hundred miles from London to Clermont-Ferrand, I have not been able to purchase an Indicateur des Chemins de Fer. So strongly am I bent on procuring an Indicateur, that for the moment all other considerations of health seem to have been put aside, and my one object in coming to Royat appears to have been (un- consciously to myself up till now) the purchase of a French Rail- way Guide, price seventy-five centimes. Up-hill all the way, under a viaduct, past some gardens and a stand of voitures on our left, past hotels, shops, and booths, post- office, more hotels, round a corner, up-hill again, and into a sort of tea-garden, where there are tables and seats under the trees, which is the court-yard of our hotel, the Hotel Continental. This court- yard adjoins a terrace, which I ascertain by walking to the balus- trade at the edge and looking over, is actually the leads of the Premier and Splendid Hotels, commanding one of the finest views in Royat of the park below and of the distant country. In point of fact we have driven upstairs, and alighted on the roof of the hotel where we are going to stop. This is astonishing, but true. A sharp-eyed, pleasant-faced young man steps forward. This, says Madame Leverriez, is Monsieur Baehl the Manager. Once more I am preparing my best, or second-best, French for Monsieur Baehl, and once more I am disappointed. " Your rooms are ready, Madam," he says politely to Cousin Jane, in English which scarcely betrays the accent of any ISO VERY MUCH ABROAD. nationality. " You would like to see them ? This way, I will show you." And so he bows us pleasantly off the roof, and we find that we have only one short flight of stairs to descend in order to reach our rooms on the top floor of the hotel below. And so here we are at Royat ! Charming rooms ! " And the luggage 1 " exclaims Jane, looking blankly at me. " It must have arrived," says M. Baehl, reassuringly, and so he conducts us back again to the court-yard on the roof. R YA T. 1ST CHAPTER III. One of the gracious Nymphs of the Eugenie Fountain. ARRIVAL COMPLETED — REMARKS ON SITE — DINNER COMPANY RESTRICTIONS CASINO— LITTLE HORSES- — RISKS AN INTRO- DUCTION" RETIREMENT — NIGHT — MORNING THE FIRST GLASS. THE luggage has arrived. The Cherubic Doctor and the Colonel have been carried up with it by the omnibus, and the whole lot, consisting of the two men and the four boxes, have been safely deposited on to the roof of our hotel. " To what addi'ess shall we have our letters sent 1 " I ask M. Baehl. " Oh," replies our obliging Manager, " it is all the same. We are five hotels, one on the top of another, the Premier, the Splendid, the Conti- nental, the Chabassiere, and the Annexe. Address which you like, Sir : the letters are sure to come safe." " Pairfaitly," says the Colonel. " Terc ees er man who cannot read : he sort all ter letters, and tey arc delivered all right. Vonterful ! " And he smiles encouragingly on M. Baehl, as if he had been bestowing the highest praise on the method adopted. Three of the above-mentioned hotels seem to have been built in the lower part, and the two others are built against the upper part of a rocky mountain side, an advantageous site, probably the result of a prehistoric volcanic eruption — (which could not of itself have thrown up a whole collection of hotels from the dejiths of its own inner volcanic consciousness) — and from the garden- court-yard, where the salle a manger is situated, and which there- fore is the centre of attraction to all the visitors, are various flights of steps leading down to mysterious-looking door-ways and passages, so that this garden resembles the feeding ground of a human rabbit-warren, and we are the bunnies who at stated times come 188 VERY MUCH ABROAD. out of our holes, run up to feed, and, having finished our meal, we pop back into our holes, not to be seen all together again till next feeding-time. "Now," says Dr. Hammond Putteney, "we give you twenty minutes to prepare for dinner. We are already late," and his face actually assumes a look of severity, which is probably not entirely unconnected with an interior appreciation of the emptiness of most human organisations at a certain fixed hour. None of us require any further hint, the Colonel and Madame Leverriez are already disappearing down into a hole on the left of the warren, Ave catch a glimpse of the last of Mrs. Dinderlin's skirt as she vanishes into another hole opposite, Mr. Baehl retires into his bureau hole, the waiters, who have come out to take stock of the new arrivals, are scampering back into their salle d, manger hole. Dr. Hammond Putteney runs down an incline, and apparently goes head-first into his own particular hole. The Concierge, in blue and silver livery, appears out of a sort of game- keeper's hut on the premises (and perhaps it is at the sight of him that all the rabbits have scuttled away frightened), the Chamber- maid and Boots belonging to our e'tage appear on the steps leading to our rooms, and following their lead, we also vanish to our holes under the roof — which sounds more like starlings, or mice, than rabbits — and I find myself overlooking a most beautiful view which tempts me away from my sumptuary preparations for dinner. When I emerge and come out into the upper air, there is no one on the garden-roof. The Concierge (who most annoyiugly will insist on speaking English, but whom I persist in answering in French, — his nationality being Swiss and his native tongue princi- pally German,) informs me that they have all gone in to dinner ; and at an oval table, private, and out of reach of the noise and rattle of the table-cVhOte, from which we are divided by a temporary screen, I find seated Madame Leverriez, Dr. Hammond Putteney, the Colonel, Mrs. Dinderlin, Cousin Jane, and next to her a lady with whom Cousin Jane seems already on terms of the closest intimacy, and to whom she immediately presents me. She is a Mrs. Toflam, a sparkling- eyed American, speaking with just enough accent to give her remarks a certain piquancy which arrests attention. T have often remarked that a commonplace ROYAT. 189 observation about the weather, a request to pass the salt, or an inquiry as to the state of your health, if given with the least American intonation, will be received by an ordinary English audience with a broad grin ; and an obvious repartee, similarly delivered, will be the signal for almost inextinguishable mirth. Dr. Hammond Putteney at meal-times is moro cherubic than ever, as, metaphorically of course, he " sits up aloft to keep watch for the life of poor Jack " — poor Jack representing in this case the PERFORMANCE OF DRINK" AT ROYAT. Act First. Early Spring-time at the Fontaine Eugenie. patients generally, who, while feeding, are under the lynx-eye of Dr. Putteney. Never have I seen the proverb that what is one man's meat is another's poison, so perfectly illustrated, as in this dining-room, and at our particular table, where Dr. Putteney, with his watchful eye, not only on us, but on the diners at many other tables, par- takes heartily of everything, as he is out for a holiday, and " treating himself handsomely " — and I must say he treats him- self very handsomely. On the table, with the costly wine of the 190 VERY MUCH ABROAD. country, of which, as at La Bourboule, the Hotel is so lavish that as much as each person can drink of this rare stuff (thank good- ness, very rare !) is included in the price of the dinner, and so we call it " the generous," — a name by which it is henceforth known to the waiter who serves our table, — there are all sorts of the waters of the place, Cesar, St. Mart, and Fonteix, which, as the Irishman said of the whiskey, " take the cruelty out of the water," — only, in this case, it is the water which takes the cruelty out of the wine. As everyone at our table is taking baths and waters, we have plenty to talk about, the main subject at every repast being our progress, our symptoms, and ourselves generally since we were last together round the festive board. None of us ever meet without comparing notes of new pains and fresh symptoms. When undergoing a treatment, the knowledge that others are having, or have had, all the pains which have so taken oneself by surprise on their first appearance, is a great solace and encouragement to persevere. It is comforting to be assured that your particular pain in your particular toe is not the onlv pain in the world ; that others are suffering equally in corresponding toes, and that others have suffered it, and have got rid of it — " it may be for years, it may be for ever." And let me add, with all my heart and toe, another question, " If for ever, then for ever fare thee well ! " The night is lovely. We take our coffee and cigars — Dr. Putte- ney permits coffee, cigars, and liqueurs, and I hope Dr. Rem, to whose care he will resign me to-morrow, will be of the same opinion — out in the garden of the Casino Sarnie, and once more, after an interval of two years, I see my old friends, the petits chevaux, with their petits jockeys, going round and round with the same provoking uncertainty ; and, as if they, too, were glad to welcome me back again, they allow me to back the winner twice out of three times. Cousin Jane, becoming rash, ventures two francs, and retires discomfited. She says she was not made for a gambler, and thinks that as early hours are to be our rule, the sooner we go to our rooms and " couch ourselves " the better foi health. Just as we are leaving, Dr. Rem enters the grounds, and Cousin B YA T. 191 Jane and myself are introduced to him. Slight, above the middle height, is Dr. Rem, with a countenance expressive of the utmost benevolence, and clear bright eyes which regard you straight in the face, as much as to say, "Yes, I am benevolent and kind, but don't you attempt to presume on these qualities, or you'll find yourself considerably out in your calculations, my friend." Dr. Rem, like Sir Pen Oliver, Grand Master of the Knights of the Octave Table, is not only a distinguished physician, but a man of letters, an enthusiast in every department of science, something of an artist (as indeed his name indicates), and as devoted to music as is Sir Pen to etching and painting. He is an Englishman, though his name is foreign, and, if there were another syllable to it, he would have been able to claim descent from one of the greatest of the Old Masters. I am to begin by taking one glass at the Eugenie Spring to-morrow morning, and then I am to call on the Doctor, when my real serious Water-Course, under his orders and the personal supervision of the Cherubic Doctor, is to commence in earnest. My window is open all night. I look out on to the park, where the lights are glittering among the trees, and where the little horses are still playing, a deux francs the course, and then I look up at the woods, the vineyards, the near hills and distant moun- 192 VERY MUCH ABROAD. tains. The entire country is volcanic ; in ages gone by it has been in a frightful state of eruption ; then suddenly the mysterious arsenical, ferruginous, and potassian waters sprang up and cured the eczema on Dame Nature's face. This is my history of Royat. Balmy air ; no flies ; no mosquitoes, but no sleep — to speak of. Very restless. Up betimes next morning. Air balmier than ever. Room faces nearly due North — perfectly cool. Dr. Putteney, looking even more cherubic than usual, and finishing a cigar after his first petit dejeuner, calls to take me to Dr. Rem's room, where we are to hold a consultation, and decide on what is to be done with me. On our way we make a slight detour and call at the Eugenie Source, where at the hands of an elderly buxom nymph with a huge pink bow above her cap, I receive my first glass of the Waters of Royat. CHAPTER IV. A CONSULTATION A BODY THE PRISONER — BODY AGAIN — ANXIOUS MOMENT DECISION — REHEARSAL — LAUNCHED. of conv manner ^HENEVER I call upon a Doctor pro- fessionally, with a view to consulting him about my own health, I am invariably diverted from what ought to be the all-absorbing subject of my visit by an overpower- ing interest in his health. It seems, — that is, so it strikes me at the moment, — so dreadfully selfish and egotistical when two men are together for one of them to have no other subject ersation but himself, his history in the past and his of life in the present, and so I cannot avoid discarding Dr. Rem. B YA T. 193 my own health, putting that topic aside as one which we can take up at any moment when we've exhausted others of more pressing importance ; and the Doctor, specially if he be one whom I am consulting for the first time, becomes at once the object of my sympathetic curiosity. I want to know all about himself, first ; and when we've done that, then we will take myself up as a secondary consideration. If the medical man is an old friend, we have so much of common interest between us that it is a long time before we get at the special object of my visit. On this occasion, how- ever, I am taken by the Cherubic Dr. Hammond Putteney to see Dr. Rem of Hoy at ; and as they have to discuss me as a " case," it is for me to listen, and, if necessary, answer questions. Once in Dr. Rein's professional sanctum, Dr. Hammond Putteney ceases to be cherubic, puts on his gold spectacles (both doctors wear gold- rimmed spectacles) in a way that gives him a grave and anxiously scientific air, and seats himself at such a distance from me, as con- veys the idea that from this moment until the close of the inter- view we are no longer on our ordinary equal and friendly footing, and his entire manner gives me cleaidy to understand that for the time being I must look upon himself and Dr. Rem as two super- human intelligences, and myself as a mere passive body, conscious, but in a state of suspended animation. Then, as Dr. Rem seats himself at his desk, with pen and paper before him, the scene seems to undergo a change, and it occurs to me that he looks like a benevolent country Magistrate hearing a charge in his own private room, and that Dr. Hammond Putteney figures in the scene as the constable who brings the charge, keeping an eye on me, who am, as it were, the prisoner. " Now ! " says Dr. Rem, taking up his pen, and looking in the direction of Dr. Putteney. Whereupon Dr. Putteney, in his character of constable, commences his charge against me, giving his evidence "from information received," i.e., from myself. I listen calmly, and, as he is stating the case fairly and succinctly, I see no reason for interrupting or contradicting him. Occasionallv I nod affirmatively, or put in an adverb intended to qualify, or intensify some of his statements. His whole testimony he delivers with an air of deference due to the presence of the elder Doctor, and yet with something of the O 194 VERY MUCH ABROAD. pride of a discoverer. It is in this latter vein, that having finished his evidence, he ceases to appear as the constable, and resuming his original character of scientific Doctor, gives his own opinion on the case, which he announces as something that will take Dr. Rem by surprise, and ultimately astonish the faculty generally. " You examine him yourself," says the Cherubic One, nodding in the .direction where I am seated, but not otherwise recognising my existence as a body ; " you'll see he's anseinic." Dr. Rem professes himself sceptical, but at once puts the assertion to the test. " Well," he exclaims, drawing a long breath, after having satisfied himself by a thorough examination, during which I simply remain a body, offering no resistance, making no remarks. " Well, I own I am astonished. Yes," he adds, emphatically, and yet with a slight indication of unwillingness at being compelled by truth to corroborate Dr. Putteney's assertion, "he is wisemic." They do not talk to me, but of me, and an expression of surprise escaping me, which is an attempt on my part at joining in the consultation, passes as entirely unheeded as does the clock striking the quarter. Mentally I say to myself, " So I'm an anemique, am I ! I see — no man's anemie but my own. Good ! What next 1 Go it, Gentlemen ! " But Dr. Putteney having already scored, has nothing more to observe, and waits with a self-satisfied and critical air to hear his senior's verdict. Dr. Rem asks me a few questions, but as my answers only con- firm Dr. Putteney's previous account of me, they fail to throw any fresh light on the subject, and Dr. Rem enters the whole case in his notebook, considers it carefully, closes it, pushes it away as though its presence bothered him, sits back in his chair, and, after (in awful silence of at least half a minute, during which I begin to wonder, rather nervously, whether he has hit upon something so fatal in my case as to render any treatment whatever utterly use- less, and whether he is only meditating how best to break this un- welcome intelligence to me, he turns to Dr. Putteney, and, to my infinite relief, observes that he has every hope of putting me all ROYAT. 195 right — ultimately, and states what his plan is to be. Dr. Puttency ventures to suggest some alterations, but as he has had his turn, and played his part, Dr. Rem only courteously considers his pro- positions in order to as courteously dismiss them, preferring his own " tr.aitem.ent" the particulars of which he will let me have a little later this morning, when he will introduce me to the Director of the Bath Establishment, and put me au courant with everything necessary. Rehearsing the Douche Nasale. We are on the point of being bowed out, when Dr. Putteney smoothing his hat in a nervous manner, asks diffidently, " Don't you think he may take the douche nasale ? " Dr. Rem hesitates, and regards me dubiously. This part of the interview reminds me of the time when a relation used to come for me at school, and ask the Head Master, if, always supposing I had been a good boy, I mightn't have a half-holiday. How anxiously I used to await the master's answer, and how tremblingly I noted his hesitation, as he looked in my face inquiringly, as much as to say, " Shall I recall the fact that you were not a good boy o 2 196 VERY MUCH ABROAD. yesterday — that yem were punished the day before — that you put jam in another boy's hat last Thursday — and for these courtesies, am I to grant you a half-holiday 1 " That I am to take an ordinary bath every day, and to drink so much water regularly, seems to me to be so monotonous an affair that I shall really be glad if the Doctor will vary it with a douche nasale. From my former experiences at Aix-les-Bains, Aix-la- Chapelle, and La Barboule, there is nothing so wearying as the mechanical order of the treatment, and it is therefore quite a little holiday for the patient to be prescribed a gargarisme, or a douche, or a vapeur, or a massage. So when Dr. Rem's eyes meet mine, I am conscious of a beseeching look in my own, as if im- ploring him not to condemn me to a terrible unbroken monotony. With joy I recognise a gleam of pity in his glance as, with a benevolent smile, he turns towards Dr. Putteney, and says, " Yes, he may take the nasal douche.'''' " And," inquires Dr. Putteney, with increasing diffidence, as if he feared the result of his temerity in asking too much all at once, but he'll risk it, — just as my relation coming to fetch me at school having gained a half-holiday, would request the Master to stretch one point more of discipline in my favour, and allow me to return after the hour of "lock-up," — "Mightn't he take the pulverisation later on 1 " Dr. Rem regards me thoughtfully. He evidently considers we are presuming on his previous concession : besides, if he agrees to this addition to his original prescription, it is no longer his treat- ment, but his in collaboration with Dr. Putteney. He is on the point of refusing (I am sure of it) and the Cherubic Doctor is already beginning to be sensible of having gone a little too far, when a brilliant idea of a compromise strikes Dr. Rem, who quite brightens up as he says to the Medical Cherub, " I'll tell you what he shall do ! He shall take the douche nasale and the pidverisation alternately," and thereupon he sits clown triumphantly, and makes a note of this in his book. The Cherubic Doctor beams on me through his spectacles, as much as to say, " There ! you wouldn't have got all these luxuries if it hadn't been for me ! " I feel immensely relieved and satisfied with the prospect of a pleasing variety in the treatment, and Dr. Rem who has several patients ROYAT. 197 waiting in the ante-room, bows us out so courteously, and says "An revoir" so reassuringly, that I already feel more than half cured of whatever is the matter with me. I differ from him as to the symptoms being at all gouty, but I keep this opinion, being an unprofessional one, and not asked for at the consultation, to myself. The Cherubic Doctor, who outside Dr. Rem's, and away froni- business, becomes at once the gay young Anglo-German student M. Le Regisseur I'Exploitation des etablissements thermaux (or " Commander of the Bath ") de Royat, receives us Royat-ly. out for a holiday, is in ecstacies of delight at the permission granted me to take a douche nasale and a pulverisation. " Do you know how to manage them V he asks. Yes, 1 am on friendly terms with " pulverisation" but to the douche nasale I am a stranger. " Come along, then, I'll show you," he exclaims joyfully, and, as if he were off for a real good lark, away he hurries me to the Etablissement. We enter a room, the aspect of which is familiar to me, as it is 193 VERY MUCH ABROAD. fitted up like the pulverisation department at La Bourboule, and he introduces me to the attendant nose-doucher, who fits me with a small glass tube all to myself (I thought he was going to measure my nose for it, but he guesses the size, and has one ready to hand), ties on a waterproof bib, and I take my seat at a tap. " Can you play on this pipe ? " asks the Cherubic Doctor, in the character of Hamlet. "My liege, I can," I reply, rashly presuming on my acquain- tance with the pulverisation process. In another minute I have douched my eyes, sent the water with four-horse engine power up my sleeve, into my mouth, and everywhere but up my nose, and in fact made a nice mess of it. The Cherubic Doctor watching me, now steps forward. " This is the way," he says, and guides my hand with the glass tube in it, " and don't forget," he adds, " to keep your left hand on the tap, so as to regulate the force." For awhile I remember the injunction ; I turn it on full ; it operates wonderfully, and I feel as if I had filled my head with water, and would have water on the brain in another second, but for its running out as quickly as it has come in. Dr. Putteney, being near-sighted, has put his head down over my shoulder to see that I am carrying out his directions exactly, and at this moment pausing in the operation to tell him my sensations, I remove the pipe, but forgetting to turn the tap, the water goes without the slightest warning with full force right at the Cherubic Doctor's spectacles, and gives him such a startlingly unexpected douche as knocks him back into the arms of the attendant. There is no harm done, however, and here ends the first lesson on the douche nasale pipe. Coming out on our road to breakfast we meet Dr. Hem, who introduces me to a most courteous gentleman, M. Chassan, the Acting Director of the place, or Commander of the Bath, who welcomes me to the Baths, and presents me with the freedom of the Casino. Now I am fairly launched on my Water-Course. E YA T. 11)9 CHAPTER V. CHIEFLY OX THE DIFFICULTY OF BEING " UP TO THE TIME OF DAY " AT ROYAT. iN RETURNING, I find that Cousin Jane haa been ordered Cesar Water and Cesar Baths. " Doesn't he say your symp- toms are gouty and not rheu- matic % " I ask. *' No," she replies, : ' he only says I'm anamiic." This is rather provoking. If Jane is anremic, and has to drink Cesar Water and take Cesar Baths, why do I, being also anaemic, not have the same treatment % No ; it is clear to me that, judging from the difference of treatment, Cousin Jane is gouty, as I have always told her she was, only a polite Doctor doesn't like to say it out point-blank. It is so odd to me how some people will flatter themselves they haven't got gout, when every symptom proclaims most plainly to their friends what their real complaint is. Happy-Thought Proverb- — Lookers-on see most of the gout. The day goes wonderfully here. Rising early, drink from Eugenie or sources, then bath, then buvette again, then short walk, buy French papers and sometimes an amusing illustrated local journal called the Royat Bijou, in which the pictures of the place are really excellent. After this, first breakfast and rest in room, listen to band, write letter, or part of one feebly, and, at 1 1 - 30, second breakfast, i.e. early lunch. As everything is done methodically here, to ascertain the correct At the Fontaine Cesar. Miss Cesar giving instructions to Pumpey. 200 VERY MUCH ABROAD. time, and to set your watch by it, is a matter of the first import- ance. But the Royat clocks, like the Rule of Three in the old schoolboy rhyme, <; they bother me." The timepieces, or the out- of-time pieces, cannot agree upon a decided policy ; they cannot be unanimous — no, not for an hour. The visitors are implored by the Hotel proprietors to be punctual in their attendance at the lable-d'hdte. A prayer to this effect meets the eye on every landing, on every staircase, in every passage, until the visitor gets it impressed upon his brain ; and if he be of a truly sympathetic nature, he will put himself to any temporary inconvenience rather than that his unpunctuality at the table-d'hdle should in the slightest degree distress the humble and beseeching proprietor. He "will do so once or twice, not more ; and only this during the time of his inexperience, which will not last beyond a couple of days. At the EtahlUsemmt the tone taken is quite different. Here the bather is peremptcrity informed by printed cards which he cannot possibly avoid seeing at every turn, and on the wall of every cabinet, as well as by his bath-attendant — I am in the care of the doyen of them — that, if having once fixed his own time, he doesn't stick to it, he runs the chance of not getting a bath at all ; and if, being once in, he doesn't come out to the very minute, the Administration will, to put it colloquially, know the reason why. Consequently, what strikes you forcibl}', at first sight, is the strict punctuality of Royat. So you at once look about for the exact time. Where are you to get it? The Church Clock? There is the parish church — a marvellous old castellated church — up a hill, a good, or, rather, a very bad quarter of an hour's toil, on a Royatly hot day, and, when you reach it, well worth seeing in itself, but no clock. Yon decide on setting your watch by the clock at the Etablissement. You do so, and on returning to the hotel, you find that either your watch has gained a quarter of an hour in less than five minutes, or that the Hotel time is not in accord with the Bathing-house time, and so you make a calculation, and take the Hotel time. At eleven, by Hotel time, you, as a novice, present yourself at the tahle-d'hote. It is the hour fixed by the Proprietor. The tables are laid, but — personnel Not a soul ! From behind diffe- rent screens in various parts of the very long room a few waiters ROYAT. 201 appear, coming out as if they were playing a game of hide-and- seek, or rehearsing an entertainment. They give some finishing touches to the tables, and whisk off a fly or two with their napkins, as is the custom with waiters when they have an idle moment. The punctual visitor asks one of them, if it is not the hour 01 breakfast. Perfectly. Will Monsieur be seated ? He can be served at once. No, thank you ; Monsieur would rather not begin until there are some few to keep him company, as it looks Mr. Baehl, of the Five Hotels at Royat, and a few more elsewhere. Day Companion of the Bath. The Doyen of the Ministers, or Dean of Bath and Wells at Royat. so greedy in a tahle-cVhote of one hundred and twenty to be the only one feeding when the other hundred and nineteen guests arrive. They will be here soon. They come in gradually, and by 1 1 -20 the room is full, and the breakfast has seriously commenced. From this the novice deduces that " eleven" punctually means a quarter to half-past eleven. But by which time ? The clock on the stairs, the clock, in the passage, the clock over the Post-office, or the clock at the Baths ? There are other clocks in the village of a perfectly free and independent turn, and one on the basement of the Splendid Hotel of so feeble a character that it has given up 202 VERY MUCH ABIiOAD. the struggle altogether, and stopped dead with its two hands help- lessly pointing to eleven, as if it had been within five minutes of finishing the clay, but hadn't strength left to struggle up to twelve. The force of all this bad example on my watch is that one morning it suddenly stops, and for one quarter of an hour with mule-like obstinacy refuses to go on. Now whether this course of conduct was adopted by my watch out of a mistaken sense of politeness towards the other clocks, in oi'der to let them come up with it — it had been fifteen minutes in advance of most of them — or whether it thought it ought to start fair, or whether it was from sheer cusseclness, or the effect upon its works of Royat tem- perature, has ever since remained a mystery to me, which Time may or may not explain. Just as I was on the point of taking it to a watch-maker's, its state of suspended animation came to an end (which looks uncommonly as if it had been attempting some deception, and was afraid of professional investigation), and not only did it go on again as briskly as ever, but, as if to make up for lost time, it shot ahead of them all, and kept the lead by twenty minutes in front of the fastest of them, up to the end of my stay at Royat. True there are bells to summon you ; but if you attempt to check the time by the bells you will be " quite at sea." There are all sorts of breakfasts everywhere about, for all sorts and conditions of men. And there are bells to each meal ; the first to inquire " Are you ready 1 " and then after waiting some twenty minutes for an answer, the second bell says "Off! " The Band is advertised to play from 9-30 to 10 30. But personally I have never been able to fix it to a particular time. I can say it will play about 9*30 and leave off about 1O30, but this is the nearest approach to certainty at which I can arrive. When it does start, the Band, which is excellent, keeps admirable time, though it never indulges its audience in any selection lasting more than two minutes, and the duration of its entr'actes is quite out of proportion to that of the morceaux it performs. The exception is when they play as a finale the Overture to William Tell, or when a clever fiageoletist — an artistic Whistler — gives us his peculiar views of how the "Carnival de Ve'nise" ought to be played if he could always have his way. BOY AT. 203 My conclusion is that a well-regulated healthy appetite is the best clock. I charitably allow for the difference of clocks, which are of all shades of opinion, and my advice to the visitor is, that he should daily regulate his own watch by the Bath-house clock. This is the only thing necessary, the appetite will do the rest. Anyhow the day goes very quickly here, and, as the lively little ■ ■ The Clockless Parish Church. "Time no object." gentleman who has his shop next door, and acts as our Universal Provider — there is nothing he is not ready to get for you — observes, " All times are good at Royat," and he refuses to believe that an Englishman, coming here from his own land of fog, can possibly have any complaint to make. Does he not come here to get rid of his complaints ? — and of his money too ? The visitor is good for Royat, and Royat's good for him. "Allans done! what matters the difference of clocks? You are hungry— good! — you go to breakfast. Nothing more to purchase this morning 1 Hair cut to-morrow? Perfectly — a demain alors." And he laughs and nods as he re-enters his shop, aud goes to his own dejeuner, after 204 VERY MUCH ABROAD. which he will reappear in his shirt-sleeves, enjoying a briar-root pipe. Dr. Hem has hinted that the most useful guide for his treat- ment is a record of health kept by the patient himself. The " Treatment " is going on. So I am noting all pains and penalties. I am watching myself with a most vigilant eye. Not a twinge escapes me. If there's a sudden shoot in my knee, I spot it at once, and down it goes in my diai-y. If, on seating myself, there's a pain in my left shoulder, up I get again, out comes the diary, and time, place, and duration of pain are accurately written down. If I am out walking, and my foot hurts me, out comes note-book and I put my foot in it. If I am comfortably in bed, and feel sort of cramp all along my left side, out I roll (not jump), seize diary, record the fact, and back again to bed. By the end of four clays — if I am only able to read what I have written — my diary of sensations will be by that time quite a sensational work. Our "Lively Neighbour. II YA T. 205 CHAPTER VI. THE BAD PATIENT'S DIARY — JANE'S PROGRESS OYSTERS — THEORY FACT — AT DOCTOR'S THE STRANGE CASE — HALVES CON- SULTATION — NOVELTY SENSATIONS RESULT PUZZLED. WHEN you once get into the swim, so to speak, in a water course such as this, then, whether it be at Royat, or Aix-les- Bains, or Vichy, or Homburg, or even at La Bourboule and Le Mont Dore, the stream is very strong, and you are carried on rapidly to the end of your stay. The first week is exciting, if the place is itself a novelty ; if not, it is only less exciting ; we walk up into the pine woods, — " when," as Dr. Putteney says, " we pine for air " — (this is the effect of the place on him), and we take the week to settle down. The second week is generally dull, yet at the end of it the time seems to have flown. Third week begins slowly ; but as the climax of the twenty-first day approaches, when the course will be over, then the time and money go with startling rapidity. By my Diary of Pains and Penalties I find I am at the end of the first week. What is the result 1 Well 1 No, decidedly not well ; that is, according to my Diary, which records a variety of alarming symptoms — sleepless nights, sleepy days, troubles in toes —where the shooting season has commenced before the Twelfth — pains in the nose, limp legs, wrestlings with sciatica, and what the meteorological reports term "Disturbances" generally, resulting in "Depression." An annoying c : rcumstance is, that Cousin Jane, who has not been strictly ordered here, as I was, but only "recommended" to the waters, is becoming better and better every day. I cannot help remarking it. The improvement in her health is so marked that it forces itself on general observation. She takes a bath of Cesar water every day, into which she goes like cold lamb, and cut of which she comes like boiled lobster, and is all the better for it. She is able to walk about briskly ; she doesn't hesitate as to taking a liqueur with her cup of coffee after dinner ; she insists on ven- turing at least four francs on the petits chevaux, and in her manner 206 VERY MUCH ABROAD. there suddenly appears something of the effervescent and spark- ling character which is, she informs me, the peculiarity of the Source Cesar. The Romans discovered these baths, and this par- ticular spring may have been the source of Csesar's greatness. The question — " Upon what meat does this our Caesar feed, That he is grown so great 1 " is, as it is termed in theatrical slang, " a little bit of fat " that would never have been put into the mouth of Cassius, " lean and hungry" as he was, had Shakspeare only known of the waters at Royat, which Csesar used to drink, and in which he used to bathe ; and out of which, after a few dozen oysters, — for they find heaps of oyster-shells here among the Roman remains, — he used to come out re-invigorated. By the way, although I am considering Cousin Jane's case, and have so got back to Caesar, to whom historically she owes her rapid improvement in health, I cannot help diverging on the subject of Oysters, to note down, for some future work of my own on Chris- tianity in Britain, the theory, which is strongly supported by facts, that Britons, who never would be slaves (except when they couldn't help it), owed their conversion entirely to Oysters. I am not going to discuss this further or to commence the first chapter of my history now, but before the thoughtful reader I place facts and theory : — 1st. It is undeniable that the Romans loved oysters: 2nd. That directly they heard of oyster-beds they went to them: 3rd. They found the beds ready-made for them, and originated the old riddle (which occurs in the works of Josephus Millerius) about taking the oysters out of their beds and tucking in themselves : 4thly. The Romans became Christians without ceasing to be oyster-eaters, — in fact it is probable that they practised oysterities — and consequently the British oyster-openers, and oyster-bed-makers, were the first to encounter the Christianised Romans, who lost no time in converting the natives, and thus the British became Christians by the dozen. From the oysters, a nos moutons ; second course. To resume. Naturally Jane's progress is annoying to me, but politely and BOY AT. 207 cousinly, I am delighted. I complimented her, she is looking so well. But I cannot compliment myself. Do / look well? Jane says I do. But I don't believe it, and I'm sure I don't. A high colour isn't health : it may be "the picture of health," but health isn't a question of the picture, but of the frame. Whatever was the matter with me before coming to Royat, I am quite sure as to there being plenty the matter with me, and to spare, now, after just a week of the treatment. My Sensational Diary is assuming formidable proportions. If I neglect it for half a day, the next morning I set myself to work to remember all the sufferings of yesterday afternoon. If you do not jot down pains at the moment, as they occur, when you can really feel what you are describing — the secret of all truly graphic writ- ing — you are apt to describe the twinges, the smarts, and the aches coldly, as if you were writing the history of somebody else. You are likely to take a very different view of a pain you suffered several hours ago, from what you will take of the pain which afflicts you at the time of writing, and which itself is the imme- diate cause of your putting pen to paper. In a retrospect of pain you are inclined to philosophise and probably attempt to trace its cause. In a description of a pain, making its presence felt as you write, you do not stop to pick and choose your words, but your style is short, sharp, jerky, powerfully graphic, and minutely accurate. I determine not to disturb Dr. Hammond Putteney, who, not taking the waters in any form, eating and drinking everything, and smoking all day, is in the enjoyment of most perfect health, and apparently of a thorough holiday, but to go quietly to Dr. Rem, show him my Diary, and astonish him. I call upon him. He is within. I wait : at last I usher myself into his sanctum. Will I be seated. I will. So will he, at his desk, and once more he pulls out his note-book and refers to my particular case. Before he can ask any questions, I produce, with quite a professional air, my analytical summary of my own state of health. I am very glad I have noted it all down so carefully, because, as this is a peculiarly fine morning and I am feeling uncommonly well, my view of the past few days, had I left my 208 VERY MUCH ABROAD. pains to verbal description from memory onh', would have been necessarily coloured by my healthy, happy, and perfectly satis- factory state at the present moment, and Dr. Rem might, under a false impression, write down "cured in five days' treatment," or order me to go on as I had begun, a treatment that might be exactly contrary to what I ought to do. As it is there is my plain written statement which I can neither explain away nor contradict. Litem scripta manet, and this diary is produced by myself as evidence against myself. It is a precis of my pains and penalties, and, considering that after all it is the work of an amateur, I really am quite proud of it as a scientific treatise written by myself, Dr. One-Half, as an impartial observer, on myself, Mister Other-Half, or patient, merely taken as a body. Everyone has read the Strange Case of Dr. Hyde and Mr. Jekyll. (By the way it may be Dr. Jekyll and Mr. Hyde, but that's of no consequence, and I haven't the book by me.) Well, here is the story very simply exemplified in Me. I am compounded of two halves : Dr. Hyde one half, the scientific medical man ; Mr. Jekyll, other half, the patient. As Dr. Hyde I call on Dr. Rem, to inform him how poor Mr. Jekyll has been getting on with his treatment. Mr. Jekyll the patient sits in the chair : Dr. Hyde is represented by the diary containing the scientific analysis of the " strange case," which Dr. Rem has now under his eyes. Dr. Rem is reading Dr. Hyde's, i.e., my, scientific analysis, most attentively. I, Mr. Jekyll the patient, am watching him anxiously. I expect him to raise his eyebrows at certain points, and exhibit surprise. I expect him to purse up his lips, and mutter to him- self " Dear me ! " or " Bless my soul, is it possible ! " I expect him to rise in an agitated manner from his desk, go to his book-case, and bring out big volumes, over which he will pore, from time to time comparing what he is reading with my strange narrative of the past week. I expect him after this to sit down and rest his aching head on his hand thoughtfully, as if this extraordinary case had fairly perplexed him, had upset all his principles, all his practice, and had compelled him to own himself beaten. Should he dis- appoint me in exhibiting any of the above-mentioned emotions, I 11 YA T. 209 certainly look forward to his throwing himself back in his chair, drawing a long breath and regarding me with an air of mixed wonder and admiration, when he comes to that touching, but forcible passage (which I have underlined) about the perfectly unaccountable pain in my left leg. But he does none of these things : he reads on calmly and quietly, as if my remarkable statement were a conventional letter from a Peu de Cheveux aux Petits Chevaux. distant relative, or an ordinary leading article in an English news- paper during the recess. Sometimes he nods towards the diary, either as if he were agreeing with it, or going to sleep over it, and occasionally, he smiles slightly ; but what he can find to smile at in an analytical account of pains during the past week, I cannot for the life of me make out. Evidently I have been too considerate for his feelings, and in recounting my sufferings I have not been sufficiently harrowing. However, he turns over the second page, and reads on. I watch him closely as he comes to the point about a sudden and excruciating twinge in my left knee, and in my ancle. He doesn't move a muscle of his countenance, I know / did when r 210 VERY MUCH ABROAD. I felt it. Clearly, I couldn't have put it strongly enough. He turns over to the fourth page : again I watch him narrowly. Surely the recital of crackling pains in every joint, and a kind of catherine-wheel in both great toes, ending in a coruscation of fire- works of pain all over my body, ought at least to make him gravely shake his head. But it doesn't. He has reached the end of my piteous narrative, he has read the exhaustive analysis, he sees sitting before him, "the subject of the present memoir," feverishly awaiting his verdict, and after folding up the paper and handing it back to me, he adjusts his spectacles so as to focus me thoroughly, and take me in, as it were, all at once, and then with a smile, — actually with a smile, and of the utmost benevolence too, — he says, " Capital ! " I am so astonished, I can only ejaculate gaspingly, " Eh ? " as if I hadn't heard aright. " Capital ! " he repeats, smiling more radiantly and more bene- volently than before. Then tapping his hands gently one against the other, as if he were playing "pat-a-cake Baker's man," with an infant, he adds, " Just exactly what I had expected." 1 am so utterly knocked over that I can only stare at him vacantly, as if wondering which of us two had temporarily taken leave of his senses. Coming to the conclusion that I am still in possession of mine, I rouse myself for an emphatic protest. " But," I say with animation, so that he may understand that I am really in earnest, " surely it isn't right for me to have a pain in my knee every night," here I rub my knee, where there is no pain at present, " so that I can hardly sleep." "Perfectly right," he says with composure. " And the day before yesterday," here I refer to my notes for corroboration, " I had such a pain all down my left leg, I couldn't move for ten minutes." " That's just what it ought to be," he replies, nodding compla- cently. " But that pain in my elbow," I point to a passage in the diary where it is graphically described, "I never had that before I came here. It was really— most — most — " I am drying up for want BOY AT. 211 of words, — all my epithets are in the diary, and it seems weak to repeat them — "it was most aggravating." "Oh yes — no doubt," returns Dr. Rem, still nodding at me encouragingly, " but it couldn't be better. Indeed I should have been sorry if you hadn't had it. I should have been afraid the waters weren't doing you any good." " What 1 " I exclaim. Then, as if I were trying to bring him to reason, I expostulate calmly with him, and, adopting a conciliatory Source au Toe-martyr. tone, I attempt to demonstrate to him that at all events a pain right across the forehead can't be a good sign. " On the contrary," he replies. " Excellent." "And my sleeplessness?" I ask. " Perfect," he answers, briskly. " The pains in my ancles 1 " I go on. " First-rate," he says, rubbing his hands gleefully. "And in my toes?" " Just where it ought to be," he returns, highly pleased. r t 212 VERY MUCH ABROAD. "And in my back, and wrists, and — so that I can't walk — and over my knees, and such a cramp at night that I have to jump out of bed and stamp in agony ? " I ask, piling up all the symptoms together in my despair. " It's splendid ! " says Dr. Rem, perfectly beaming with rapture at what he immediately explains to me are certain and unmistak- able signs that the Waters of Royat are really doing their work on me in the most satisfactory manner possible. "You will continue," says Dr. Hem, dipping his pen in the ink preparatory to entering the ordonnance in his own note-book, " you will continue as you have begun, only varying it with an increasing dose." And then he amplifies his former instructions. While he is writing them out, I am meditating on the unexpected turn events have taken. I shall give up keeping my Diary of Pains and Penalties. If I am to go on suffering them, where's the use of mentioning my sufferings? If, on the contrary, I am entirely free from any pain, then I should have nothing to write down, but the sooner I saw the Doctor the better. As Dr. Rem hands me the prescription I say, dubiously, " Then, in fact, the worse I am, the better I am. Is that so ? " " Quite so. You're going on admirably. Come and see me again in four or five days." On the threshold I pause for a last question — " But if within the next two days I am absolutely free from any pain, shall I come to see you at once 1 " "Yes, certainly. Do so by all means. Good morning. Au revoir ! " And still nodding and smiling encouragingly, Dr. Rem bows me out, and, having concluded my visit, I find that Cousin. Jane is waiting for me to take her into breakfast. " You feel quite well, and have no pains 1 " I say to her. " No ; none. Why ? " "Well " Then I tell her the result of my interview, and deduce therefrom that she must be in a parlous state to feel so perfectly well, and that the sooner she consults Dr. Rem the better. But she only laughs, and says she shall "leave Well alone, and continue the Waters." And the Waters have made her quite sprightly. I've never B YA T. 213 heard her make anything resembling a joke before, and this is uncommonly like one. But if everyone acted on the principle "let Well alone," ■who -would go to Eoyat or Aix or anywhere where the Springs of life are ? Somehow I am depressed. The Colonel will cheer me up. To breakfast ! 'Whene'er we take our walks abroad " 214 VERY MUCH ABROAD CHAPTER VII. THE COLONEL AT OUR TABLE. THE life and soul, or, at least, as the excellent Sambornius hath it " one of the lifes and souls," of our breakfast-table is the Colonel. He is a remarkable man, certainly over forty, slightly bald, clean shaved, except for a moustache tinged with grey, tallish, stoutish, attired in an easy-going flannel costume, seldom quiet for a moment, and full of schemes and plans for passing the day. He has been here barely four days, and he knows more about the capabilities of Royat as a place of amuse- ment, than its oldest and most influential inhabi- tant. He has travelled all over the world, and made himself at home everywhere and in every "I'm not an Eton language. His nationality, I believe, is Dutch ; he speaks German thoroughly, French well, English fluently, having, as I understand, obtained his military rank in the American army. He possesses a smattering of Italian, in which country he met a young English lady, who having made a successful debut on the operatic stage, consented to become his wife on condition that she should not abandon her profession for at least five years. As her en- gagements soon compelled her to travel all over Europe and America, nothing could have better suited the Colonel's roving taste: but besides this, he was devoted to music, for which he possesses a quick but inaccurate ear, and a memory wherein is stored up any amount of plots of Operas, their titles, the names of their composers, of the singers, and the points of the leading dramatic situations, — only all so mixed up that, when he wants any one scene, air, name, or situation in particular, he has to rummage about in his memory -box, whence he produces a medley, from which, after a considerable time spent in sorting, he extracts the required material, whatever it may happen to be. With a special liking for artistes and artistic life, he has dabbled in journalism, and has on two or three occasions acted, in an ROY AT. 215 amateur way, as " Our Own Correspondent Abroad.'' Nothing gives him so much pleasure as composing newspaper paragraphs, except subsequently seeing his compositions in print, when he ia in a state of the most gleeful excitement. These paragraphs are a matter of considerable expense to him, as on the appearance of any one of them he at once purchases an extensive number of copies, which he posts to friends all over the world. He is already on the friendliest terms with the journalists of Royat, and on the second morning of our arrival he comes into breakfast flourishing one of the local papers, and exclaiming, " Look ! see ! what tey say in ter paper," and then he reads out a flaming paragraph, in which after introducing all our names among the " distinguished arrivals," a graceful compliment is paid to the eminent Dr. Hammond Putteney, on his great wisdom in selecting Royat, above all other Stations Thermales, for the sojourn of his patients. "Who on earth put this in V I ask, innocently. The Colonel chuckles with delight, but shrugs his shoulders and pi'ofesses to be absolutely ignorant on the subject. As, however, his thorough acquaintance with phrases in the paragraphs is re- markable, and as he knows so precisely where to put his finger on the passages which, as he considers, constitute the beauty of the work, I cannot help expressing my opinion that their inspirer, if not their actual author, is not two hundred yards from our breakfast- table. " Ah ! " cries the Colonel, in a perfect ecstasy of shrugs and winks fraught with unutterable meaning, " I cannot tell ! I do not ask. But tey get tese things in somehow. See ! " he cries out to his wife, who just then enters the room, " See, my dear, what they say about you ! It is nice ! Very nice ! I must send it to some friends." Though his English is generally delivered with only the slightest possible accent, our " th," being an occasional difficulty, yet on the whole thei'e are peculiarities of manner', intonation and emphasis, which are evidence of his foreign origin. Then the Colonel has a few more papers to show, journals from other localities, with longer accounts of Madame Rosetta's (her professional name) triumphant career, and a sonnet add:*essed to 216 VERY MUCH ABROAD. her, not only as a genuine trilmte of admiration for her talents, but even more for the use to which she so frequently puts them, singing for local charities which benefit largely by her unvarying good-nature. The Colonel is radiant, as he draws our attention to the first verse : — " Quand vous chantez, Madame, on accourt, on s'empresse, Fut-ce meme a l'eglise, on vous ainie, on vons suit, Vous forcez le sceptique k se rendre a la messe, A defaut de la foi, le charme l'y conduit." " Regardez ! the heading ! " says the Colonel, and then we notice chat most of this information contained in the journal of another water-cure place not Royat, comes under the title of " Le High- Life." But this is of the past, and just now the Colonel's chief delight is in our own local paper, where the writer of the para- graph felicitating Royat on our arrival, finishes with " Et remer- cions encore une fois," — "You see, tey've done it before," says the Colonel, who, in the exuberance of his enjoyment, is nodding and winking at everybody round the table and at friends seated at a distance, for Avhose benefit he waves aloft the journal and goes through a variety of pantomimic action — " le Hocteur Hammond Putteney de nous avoir amene de si charmantes clients," the " charmantes clients " are Cousin Jane, Mrs. Dinderlin, the American lady (also under Cherubic care) and myself, who have all of us arrived within the last week. It is a great morning for the Colonel. He professes extreme devotion to the fair sex, which he expresses in phrases and in action — specially in action — of a most exaggerated character. On the entrance of the ladies of our party into the salle-cl-manger, he rises from his seat, bows at an angle of ninety, places his hand on his heart, at the same time shaking his head, as if disavowing all individual importance on his own account, and in a general way going through the sort of performance to which Harry Payne, at Christmas time, is accustomed to treat us in the comic Bed-room Scene, when exhibiting the effect of a suddenly- conceived passion for a truculent-looking landlady in long black corkscrew curls, whom, so fickle is man's attachment, he will, within the next two minutes, send flying out of the room with a few delicate strokes from the warming-pan ; though, of course, this it! YA T. 211 particular portion of the entertainment does not form part of the Colonel's programme. To Cousin Jane — who has led a country life, and whose know- ledge of pantomimic politeness is not extensive — the Colonel's movements, performed with the utmost gravity, are at first con- siderably embarrassing. But she sets it down to foreign manners, and accepts his homage with an air of serious courtesy that would do honour to the most stately Duchess. Mrs. Toffam, the American lady, puts out her hand, which he immediately kisses in the most respectful manner possible. At this she looks across at Madame, as if expecting some interference from her, which, how- ever, Madame being perfectly accustomed to these eccentricities on her husband's part, only occurs when the Colonel's humour is of a more exuberantly rollicking character than usual, when she says, in a warning tone, and equally emphasising both syllables, " Al — fred ! " whereupon he immediately abbreviates the perform- ance, whatever it may happen to be at the moment, and coming round to his wife's chair, insists upon taking her hand, and kissing it in the most respectful, and at the same time the most pro- foundly apologetic manner ; then, after Madame has given him a playful tap on the head with her fan, saying, " Alfred, you are a great big boy — do sit down, and behave yourself properly," he returns to his seat, and for a short time, during which he employs himself with his breakfast, he is comparatively cpiiet. He has a quick eye for ladies' costume. " Ah, permit me to say it — you do not mind ? " — he says, address- ing Mrs. Toffam, " but what a beautiful lace you have ! " " You think so," returns Mrs. Toffam pleased. " It is — is it not, my dear 1 "—this to his wife, who also expresses her admiration of it, and smiles on Mrs. Toffam. " It ees pretty ! But— you permit me 1 — you do not mind 1 " — " No, certainly not — what is it 1 " asks Mrs. Toffam. " Well — I notice you have always a lit-tel pin sticking out where it should not — permit me " And then he suggests to Mrs. Toffam, first, and afterwards to the other ladies, such improvements as would revolutionise their entire costume. He directs their attention, too, to the visitors. 218 VERY MUCH ABROAD. " That one is new — she has just arrived yesterday. She is an Actress at the Gymnase. That lady there, with the gray hair, is her mother — How do you do, Madame 1 " He rises, and bows to her acio^s three or four tables, causing every one to turn in that direction, which confuses the unfortunate Madame Chose con- siderably. But this is of no consequence to the Colonel, who has discovered other celebrities, whom he is now pointing out to us. " That old man there, de'core, like Napoleon Third, he is a rich banker ; that is his daughter, the Countess — I forget her name. How do you do, both? — and those who are just taking their seats are a Spanish family. There is a Prince somewhere — of Portugal — but he breakfasts in his apartment — ah ! look at that little fat man with moustache and green riband — he is his secretary "— he salutes him with a friendly nod. " Ah, I must not forget my family ! I must feed my family ! ' cries the volatile Colonel. Cousin Jane who doats on children, looks immensely pleased, expecting to welcome the Colonel's children. Madame observes this, and smilingly explains, " Alfred is so silly. You see that box 1 " the Colonel is now putting bread and bits of meat, and vegetables into a small silver box, on the table by his plate. We reply that we do see that box, and I remark that I had thought it was a snuff-box, which amuses the Colonel immensely. "Well," continues Madame, "that carries the food for his ' family,' as he calls it. His ' family ' consists of his Parrot Lili, and his little dog Mimi, which he carries about with him everywhere." " There ! " says the Colonel, " there is the family's breakfast, and ah ! " he cannot be quiet for a second, but as he turns round, he sees a bright-looking little French boy, in very wide collars, who has paused in his walk up the room to where his parents are breakfasting, in order to watch the Colonel filling the box. " Ah ! here is a dear little Eton boy ! " Any small boy less like an Etonian I never saw. "How are you, my little Eton boy ? " says the Colonel, assuming an expression of fatherly benevolence. " How are you ; and tell me which beat this year, was it Harrow or Eton 1 " For a second the little boy is quite taken a-back. " Alfred ! " remonstrates Madam, sympathising with the situa- li O YA T. 21a tion of the little French boy, and fearing lest his father and mother, who are a few tables off watching the proceedings, should rise up in wrath, and object to the Colonel taking such an un- warrantable liberty with their offspring. " Ah ! The dear little Eton boy, he does not unterstant ! He does not know what ' Eton boy ' means, eh, mon petit ? " But the petit having quite recovered himself, replies briskly and with complete self-possession, "Yes, I do. I'm not an Eton boy. I'm not old enough to go to Eton yet. Eton beat Harrow this year. Were you at Eton 1 " " No, I was not," answers the Colonel, for once utterly taken a-back and striking his flag before the little gun-boat. " I thought not," the sharp little chap continues, speaking English perfectly, "because you would have known that Eton boys don't dress like this. This is French, not English stvle. I must ero to breakfast. My papa is there. Good morning." With perfect manners, he salutes our party collectively, and leaves the Colonel utterly discomfited. " That will teach you, Alfred, not to be always chaffing everybody as you do," says Madame. " It is the biter bit ; " and we rise and leave, for once, without the Colonel's usual pantomimic performance of bowing to the ladies, fetching their sunshades, and kissing the tips of their fingers as they retire from the scene. The interview with the little Eton boy, who delivered his sentences as if he were repeating off by heart an Ollen- dorffian exercise, has made him thoughtful, and, with his silver box in his hand, he disappears to solace himself by feeding his family, and having an interview with the parrot, who will cheer him up by joining in the air of " Coming through the Rye" of which the The Colonel keeping the Ball a-rolling. 220 VERY MUCH ABROAD. Colonel sings the five first words, and the parrot the last one. " If a body meet a — " sings the Colonel. " Body," sings the parrot, through his beak. " Coming through the " sings the Colonel. " Rye ! " sings the parrot, — and so on until the verse is concluded, when the bird, having sung for his breakfast, duly receives it. Within ten days the Colonel knows everybody in the Hotel. At the end of the first week he has got up a dance, which is patron- ised by Dr. Rem, without whose presence, as imparting a sort of benison on a form of entertainment that is certainly not included in the ordinary traitement, the patients, when indulging in the delightful dance and the dangerous draught afterwards, might feel somewhat guilty. The Colonel, on this occasion as self-appointed Master of the Ceremonies, is all in his glory ; and those ladies who have brought ball-dresses are so grateful to him for giving them a chance of wearing them, that the next day a petticoated deputa- tion formally thanks him on the roof — everything takes place on the roof — for his exertions on their behalf, and he is thenceforward the most popular man in the five hotels. Afterwards, when, some- how' or other, in the local journal there appears an account of the "soiree darisante" — "exquise" — " ravissante " — with a full descrip- tion of Madame Rosetta's charming costume, and so forth, the Colonel, Avho, like the immortal Mr. Crummies, " cannot imagine how these things get into the papers," is radiant, and spends his entire afternoon in sending copies to his friends. Cousin Jane and myself only literally " look in " at this gay affair, which begins at an hour that we religiously consecrate to retiring to rest. " What is the use," says Cousin Jane, very sensibly, " of being here for health, and then sitting up and going to parties, and taking supper, just as if we were in London for the Season 1 " I quite agree with her. She is absolutely right. "Besides," I add, " I haven't brought any evening dress with me." " And," says Jane, as she takes her candle, and opens her door, "I haven't got anything I could go in. I wish I had. Good night." B YA T. 221 CHAPTER VIII. EQUESTRIAN EXERCISE — MY FIRST RIDE ON UNTAIRE. P First appearance of Untaire. EMEMBERING that the Colonel was in full equestrian costume the day of our arrival, I ask him if the riding is good about here. " Eh ? " he exclaims, putting his hand heartily on my shoulder, "Eh, dear boy, you ride 1 We will go together. The country is superb. I will take you. To-morrow ? Soit : good. I will order the horses of M. Detache. Two, good, dear boy, not much to look at, but to go — eh — first-rate, all right, dear boy ! I will order Ilisette for me, and Hunter — they pronounce him Untaire — for you. I'll take ter tickets of M. Detache, and you can buy them of me — joost what you want." As I do not quite seize the plan, he explains to me that M. Detachers method is to sell so many tickets at eight francs a-piece, representing so many rides, and you return a ticket after each ride. I see : perfectly. I take two tickets for Untaire, as if he were an entertainment. In the afternoon they arrive. No, they are not much to look at. Risctte is the better in appearance, a bay of about fifteen hands, and Hunter, or " Untaire," is about fourteen one, with a weary expression in his eye, a drooping head, an unkempt dirty mane hanging raggedly about a neck so curiously indented as to suggest the idea of his having been, at one time or other, decapi- tated and imperfectly refitted. His bones are everywhere visible ; he is rather down in his shoulders, as apparently he is on his luck, but his hind-quarters are peculiarly strong. His feet are broad, and his legs certainly warrant his owner's description of him. " II est Men solide," says M. Detache, the proud proprietor of Untaire. 222 VERY MUCH ABROAD. So on the solid Untaire I mount. Until T am on his back I am convinced that Untaire is fast asleep. He wakes up however on his girths being tightened, and looks round with a shrug of his thin shoulders, as much as to say, " Hallo ! Another two hours ! Ah well ! Risette's going, so that's company at all events." By the way, this affection for Risette is most remarkable. Untaire at first refuses to turn round to the left in order to go out of the gate, because the movement involves losing sight of Risette for an instant. I am determined that the affectionate Untaire shall go the way I want him. He sulkily yields to a sharp touch of the spur and a tug of the left rein, and, catch- ing sight of Risette's tail, he decides that for once my way shall be his, and consequently comes round to my way of thinking. From this experience of Untaire I draw two conclusions ; first, that the characteristic of his temper is obstinacy ; secondly, that he possesses a mouth about as impressionable as a flint wall. My stirrups, which are small and slight, strike me as having been origi- nally made for a rocking-horse : so do the reins. The saddle, also made for a rocking-horse, is fairly comfortable. We are starting at half-past three, and the heat is tropical. I am waging a continuous war against the persistent horse-flies that fasten on to the solid Untaire like so many leeches. Any other horse would have been driven mad long ago, but Untaire seems accustomed to it. Sometimes he shakes his head as if gently remonstrating and saying to some flies more pertinacious than the rest, " Oh, really now this is too bad ! You might leave me alone, some of you ! " The high roads are hard as granite, with a soft powdery dust on •each side. The short cuts, originally used only by pedestrians, but which the Colonel, as guide, selects in order to show his thorough The Proprietor of Untaire. R YA T. 223 knowledge of the country, are rocky, stony, and uneven, having been formed during many winters by the mountain torrents. " Look here, dear boy," says the Colonel, with all the enthusiasm of an explorer, or an Indian Pathfinder, " you follow me. I find a lovely road. We must ride pretty quick at first, because it is all up-hill, but, after, it is all down, and we shall have to walk much. A lions ! Tckkf" and, without waiting for a reply, he dashes off up the road, and is suddenly lost to sight round a sharp corner. I follow at the same pace : that is when I say / follow at the same pace, I mean that Untaire does. For, immediately Untaire sees Risette go off at a gallop, he pulls himself together and starts after her at such a pace, and in so blind and reckless a manner, that I am brought within measurable distance of a collision with a bullock-cart which is advancing towards us, and then, after scattering a crowd of terrified pedestrians, and so startling an old gentleman, who is reading, that he clasps the book to his breast and makes precipitately for a heap of stones, Untaire skirts an open drain and dashes round the corner where the Colonel has just disappeared. Then catching sight of Risette in the distance, where I can just see the upper half of the Colonel — above a low wa ll — careering at full gallop, Untaire redoubles all his efforts to come up with Risette. Heavens ! What a ride ! Rocks, actual boulders, sticking up in the middle of what they call a road — loose stones as big as your head — ruts — gutters — I shall pidl up, — that is, if I can. " Hi ! Stop ! " I shout to the Colonel. " Let's go quietly over this nasty bit " No use my shouting, he is half a mile off, and if I lose sight of him I shall have to go back again, that is, if Untaire will consent to return, and give up my ride. Untaire hasn't fallen on his nose yet — perhaps he is accustomed to rocks, and knows how to get over them without falling . . . it's up-hill, that's one good thing, and it's no use pulling at him, I might as well tug at a milestone. . . . Now between two vineyards and a mountain-side covered with pine-trees on my left — I wish the Colonel would stop to admire the view, instead of galloping on at this Headless Horse- man sort of pace — hah ! a big rock in front of us — and the end •of the road 1 — no — it's a high bank and a sharp tuning to the 224 VERY MUCH ABROAD. right — I pull Untaire's left with all my might to steer him well away from the wall — I just manage it— we are round it sideways like Mr. Batt} r , at full speed on his hare-backed steed in the Circus, and on we go again. Alazepjm isn't in it with me, mounted on Untaire the wild horse of Royat. Up a mountain. ... At the top. . . . Colonel already nearly half-way down on the other side. . . . More rocks, more stones, more boulders — and then a small mountain-stream and two roads. Here the Colonel ha3 pulled up — thank Heaven ! — and is considering which way he'll take. When I have recovered my breath sufficiently to make an obser- vation, I say, sarcastically, " This is a nice sort of a country." "Isn't it?" returns the Colonel, delighted at my approval, and in the highest possible spirits. " We must get to Charrade — that's at the top somewhere — and then to a place called Bouzy, or some- thing like that. This road," he says, pointing to a narrow walk which can only by the utmost courtesy be even called a bridle- path, " leads up to the pine-forest, but," he adds, indicating another on the right, " I fancy from what I recollect of the route — that this is the shortest." "It looks more likely," I reply, by which I mean that, for my own personal comfort on Untaire, it seems to be less rocky and about two inches wider. " All right ! " cries the Colonel. " Iloup-la ! " and he is off again, up rocky mountain-path at full gallop. In another second, so am I, that is, so is Untaire. I can't be left behind and lost in a pine-forest on the mountains, so I give Untaire his head, — this is merely a matter of form so far as Untaire is concerned, — and away we go. In less than five minutes I have ascended half a mile, have gone breathlessly round some sharp angles, fought with stiff bushes, avoided whacks on the head from sturdy branches by lying along Untaire's neck, and am at last thoroughly rejoiced to see the Colonel and Risette actually walking along a fairish path between the trees. The situation is magnificent : a perfect aisle of stately pine-trees on each hand — but the road is on the side of the mountain, and if Untaire doesn't overcome his partiality for leaning to the right, dowu he'll roll sideways, and be knocked from tree to tree, just as. 11 YA T. 225 the marble is knocked from pin to pin — only this would be from pine to pine — at Chinese billiards, or in the old race game. But I don't want to play at any game of this sort, so am glad we are going quietly. I come up with the Colonel and hope, by engaging him in conversation, to keep him walking at his present easy pace. "Is this the right road for Charrade?" I ask. " Here we go up, up, up ; Here we go down, down, down O ! ' " Yes ! This is right ! This is good going here ! Whoop ! ' ; r.nd before I can utter another word away he gallops, Untaire, breathing hard, but game to the last, after him. I wish to good- ness that Untaire would not show such a decided predilection for leaning sideways, even when galloping, to the right. Either my knee will be severely injured by a tree, or with the slightest additional bias to the right down we go among the pines, and there's an end of one of us at all events, for I don't suppose that anything short of a sheer fall of a hundred feet on to sharp rocks would affect Untaire. I try to remember all the stories I've ever Q 226 VERY MUCH ABROAD. heard about slipping your foot out of the stirrup in time and throwing yourself off, and I only hope the occasion won't arise which will compel my attempting any of these wild-horse-of-the- prairie feats. Light at last ! . . . . End of the pine-forest — we are going always at a gallop, along a rocky road — and are approaching a little bit of open heath — we cross it — Untaire slithers (he is not so good on turf, as he is on rocks) but with his gaze fixed on Risette, he follows her without caring much where he puts his feet, — over the turf, more slithering, — down an incline of slippery grass, where we are prevented from coming down by a welcome bit of rock, which, in the ordinary course of things, would have damaged any civilised horses, whether in London or Leicestershire, for life, — and at last we are on a comparatively good road, where on a post is written " Charrade," and an arrow indicates the direction. " What a view ! " the Colonel calls out, pointing towards the plain below lis — and the mountains far far away. We see towns spread out like toys with red-roofed houses — old church towers — those of Clermont-Ferrand Cathedral, standing out in the clear atmosphere — it is evidently a baking day in the valley, — and here we are being refreshed after our exertions by the most lovely air that comes to us over refrigerating mountain- streams, and filtered through the scented pines. Yes, the view alone is worth something, — and for the present the danger is forgotten. " Ah," cries the Colonel, " when my wife drive up here and back she take two hours to come and one to return. The guide-book say eet is an affair of three hours, and here we are up to the top at Charrade in tirty-five minutes, and I do not know which way we come. I had forgot." And he beams upon me as if conscious of having done something extraordinarily clever. " We will write a guide-book for horseback. Now — allons ! — eet ees all new to me." A chill wind has arisen : I draw his attention to a black cloud obscuring the observatory on the Puy-de-Dome. " It will be nutting," he says, setting off at a trot along the road, whereupon Untaire sets off too at the same pace, but before BOY AT. 227 we have gone half a mile heavy drops begin to fall, and we take refuge among some bushes and young oak-trees. I dismount. We are in a sort of natural arbour. Untaire exhibits a remarkable liking for acorns. What other animal is devoted to acorns ? The pig. Has Untaire in the course of ages been evolved from an antediluvian pig ? If so, that accounts for the obstinacy he displays under an assumed affection for Eisette. The Colonel feeling inaction for five minutes somewhat irksome, observes that in this part of the world the storms are partial and local. I reply that I would rather they did not show a partiality for us. I have not taken an eight-franc ticket for Untaire in order to sit under a bush, while Untaire stuffs himself with acorns. The Colonel volunteers to reconnoitre. " Often it happens," he ex- plains, " that while it is pouring just over your head, it is quite dry and fine a hundred yard further on." He will ride out and see : and he does so. Untaire, intent on his acorn treat, does not notice the departure of Risette. After ten minutes or more, there being no signs of the Colonel's return, I determine to come out of my ambush and ride after him. This decision involves the summary interruption of Untaire's feast, and he reluctantly tears himself away from a young oak-tree, with his mouth full of green sprigs, which he suffers me to remove. I mount, and urge him into the open road. It is still raining : but only slightly. The Colonel having ridden off to the left, I pull Untaire's head in that direction. But Untaire having evidently formed his own theory on the subject, positively refuses to move towards the left, and sidles in a foolish sort of manner towards the right. I spur him with my right heel : I catch him a nasty one with my whip on the right shoulder : all to no purpose, the more I spur, and the more I whip, the more olunderingly and foolishly — it is a really foolish and crab-like movement — he sidles towards the edge of the road. The acorns must have got into his head. I never met with such an idiotic animal. As to his taking any notice of my tugging at the left rein, I might as well pull at a broken door-bell and expect an answer. He is curving his body, and moving sideways towards the edge of the road, which being entirely unprotected by hedge or fence, Q 2 228 VERY MUCH ABROAD. discovers a precipice below. A precipice — simply a precipice. Untaire's piggish obstinacy will be his destruction and mine. I make one last desperate effort with whip and spur, to which Untaire only responds by intensifying his imitation of a crab. There's only one thing to be done — if Untaire is determined on suicide, he can go over by himself. I roll off somehow, and alight on my back, expecting to see the last of Untaire as he disappears into the abyss beneath. Nothing of the sort. Untaire pauses, his purpose is shaken, — so am I by the way, considerably ;— just at this minute the sound of hoofs is heard, and the Colonel on Untaire backing himself for a place. Risette comes galloping back. Immediately a better spirit takes possession of Untaire. He consents to be led into the middle of the road, where he stands quiet as a lamb, and looking so gentle that you would think a child might guide him. " It is lucky you were off," says the Colonel. " You are not 'urt ! No ? Good. Then come along ! Ter rain is over. I have a short cut." And away he goes at a gallop down the road, then turns a corner and disappears. He is always turning corners and disappearing. I am compelled to follow. But my nerve is shaken, which, by the way, is a matter of not the slightest consideration to Untaire, who now seems to have made up his mind never again to BOYAT. 229 lose sight of Risette. It is all down-hill. The path comes abruptly to an end at a meadow, " Come along ! ; ' cries the Colonel, waving his whip as if it were a sword with which he were leading a charge of cavalry, and then he urges Risette down a steep mossy slope, which will lead us into a morass — I feel it will — where we shall stick in the mud, the horses will be up to their knees, and then what on earth shall we do ? Besides it suddenly occurs to me, aren't we trespassing 1 And in a foreign country, too ! Untaire slithers ; he is not good on moss and damp meadow land. This place — this short cut the Colonel has chosen — is about as steep as the Devil's Dyke. Eveiy We part company. Untaire remains undecided. minute I expect we shall roll over. Still, as the Colonel and Risette are now at the bottom of the meadow, Untaire and myself may be able to arrive there also. We should arrive thei-e with sufficient rapidity if Untaire made one false step. Luckily he doesn't, and once landed on something like terra Jirma, I breathe again. " There's the road home ! " shouts the Colonel, pointing to a road up in the hills far above us, and more than a mile off, across fields and apparently through plantations where I am sure we have no right to ride. However we can't return ; we must advance, and we must go together, or one of us will be lost, and that will be myself. 230 VERY MUCH ABROAD. Hallo ! Exactly what I had feared. A peasant, -with a fierce dog, halloaing to us. Another peasant : more signalling and halloaing. They are running. We are galloping. The Colonel is making more cavalry chai'ges, and waving his whip above his head frantically. We fly across a meadow. We hear shouts behind us. Before us is a running brook, rocky banks, and boulders. Can we jump it? The Colonel is off in a second. He takes Risette by the bridle, and jumps from rock to rock. I give Risette one sharp cut and she bounds over the brook like a stag, knocking down the Colonel. He is up again, quite pleased, and entirely unhurt. I adopt the same plan, without allowing Untaire a second for reflection, and he follows Risette, landing safely on the opposite rock. We mount and away, like a couple of Dick Turpins. Peasants and dogs in field halloaing : we ride full gallop up the next field. Peasants stopped by brook : perhaps the next field, where we are, isn't their property. Colonel sees a bank topped by a thick edge. He gesticulates to me, indicating that that is our short cut to the road and safety. We charge it, take it with a rush, and pull up desperately on the edge of a precipitous drop. No help for it ; we have to dismount and climb down on foot the same way we came up ; peasants below running round to circum- vent us, dogs barking savagely. Luckily the Colonel strikes the right path, Risette breasts it gallantly ; Untaire's powers are failing. He breathes hard, he blows, he heaves up and down . . . Now then, my gallant steed ! think of Black Bess ! only ten yards more of perpendicular rock, and we are saved ! — Come up ! He comes up — he makes a grand effort . . . and at last — we are safe and sound on the homeward road. We trot on quickly ; the peasants and dogs are lost to view. " Colonel," I say, " let us ride the rest of the way quietly." For once the Colonel acquiesces, and it is only at the last, down-hill into Royat, that he cannot resist breaking into a canter. "We will have another ride," he says, as we dismount. "Eet was first-rate. And I think I know a better road still." We shall see. BOY A T. 231 CHAPTER IX. ONE MORE ON UNTAIRE. J^- Result of Untaire's Exploit- Separation of the body of the Boot from the Sole. IF THE waters of Royat hadn't put plenty of iron into me, I don't think my nerves could have stood a second ride on Untaire. But the Colonel persuades me, and after a day's rest I am ready for the effort. " It is the only way to know the country," says the Colonel, whose theory I admit is sound, but whose method of giving it practical effect is somewhat rough. We start, and if the Colonel on Risette will only stick to road and rocks, I can follow him ; but if he ventures on turf I feel that it is tempting the special Providence that has hitherto watched over Untaire. Every moment on grass with Untaire I expect to be off, and Untaire on me or on his back. And then 1 Luckily the Colonel agrees with me, and prefers the rocky path. We descend through very wet bushes, the branches slapping our faces for our impudence. At last we are in a better road, a steep ascent, rather good going, and consequently any attempt at holding in Untaire being useless, away we go, I breathless, Untaire breath- less too, but his head well forward, and his hoofs knocking the rocks like steel hammers. How his shoes stay on is a marvel ! I catch a glimpse of the Colonel as he darts round a sharp corner, and I only devoutly trust that I may make no mistake as to the exact turning, or I shall be lost in the wood. Round to the right we go, at such an acute angle, and at such a tremendous pace, that the sudden change in the direction nearly upsets us both, and Untaire, who has been galloping right foot foremost, now suddenly substitutes the left, in order apparently to save himself from coming down on his side; but he executes the movement with 232 VERY MUCH ABROAD. such a jerk, followed by such a heavy stumping action, that I begin to fear he must have dislocated his shoulder, or otherwise severely injured some portion of his frame. He recovers himself, however, and I become accustomed to the stumping movement, which is just as if he had got a wooden foreleg. No sign of the Colonel. Just as we reach the top I see the phantom Colonel vanishing rouni another corner half-way down the descent. THE START. ' From rock to rock. With many a shock. And bump ami thump." " The Cuntrabandtita." Act I. (Song in the Key of " Gee.") Untaire has caught sight of Pisette's tail, and hastens to rejoin her. Full pelt down hill, Pisette kicking up the mud, and suddenly stopping, reined in with a jerk by the Colonel, as Untaire, whom I am unable to curb in his bold career, cannons against her. No injury done to men or beasts. What's the matter ? " Vict ! " shouts the colonel, roaring with laughtei*, as he points to a notice-board. " Eet ees La Pepiniere. We are trespassing. In another moment will the gardener see us. No dogs, no horses allowed. Come back, or it will be an amende if they catch us. BOY AT. 233 Houp la ! " And without further parley he turns Risette and flies at a Dick-Turpin-to-York pace back again. Untaire doesn't wait to be guided, but goes round suddenly, as if on a pivot, and bolts after his favourite Risette. Sharp to the left, over some stumps of trees, across a small stream, over some rocks — up, up, up, until we find ourselves galloping on the hill above the beautifully-kept grounds of La Pepiniere, where the gardeners and a garde chavi- petre are now keeping a vigilant eye on our movements. "Ah! we will take first road to right," cries the Colonel. " There must be a way down." There is. Such a way ! I don't believe any horses have ever (JAW* JJ Untaire tries to see through a Stone Wall. been on this trackless path before. It is all rock, and so steep, that even the Colonel is compelled to proceed at a careful walking- pace. He has a plan for crossing by a wood below, and making for a village which he sees some way off, then round to Royat by a short cut, — always a short cut, as if we were in a desperate hurry on some matter of life and death, instead of being out for a quiet ride at four francs an hour. After effecting our rocky descent, we have a treacherous bit of mossy grass, but, thank goodness, not much of it, and we issue on to a road which leads us by orchards and fruit trees, through a picturesque village, which is not the one the Colonel meant, but with which, as it is a village, he is equally delighted. Then we 234 VERY MUCH ABROAD. find ourselves on a high road, very white, very hot, and very hard. This doesn't suit the Colonel, who instantly discovers a cross- country route, and exclaims, "See ! there is a way by those vine- yards ! " And before I can remonstrate, and point out that this is almost certain to be private property, he has urged Risette into a gallop and is half-way down a narrow path between two vineyards. I see in the distance the upper half of the Colonel above a low stone wall, which now borders the road. Untaire catches sight of Risette and impelled by his strong affection for her, it occurs 1 Again he urges on hiB wild career." Untaire Grazing— a Corner. to him that he can break through all obstacles that separate them, and so, instead of waiting for the corner of the road, he makes straight for the wall in front of us on the other side of which as it seems to his limited intelligence, he sees Risette galloping away in the distance. I pull at him, but to no pur- pose, but he had not reckoned on a blind ditch, and into this he goes with a dash that brings his nose sharp up against the wall. Like the wondrous wise man celebrated in verse for the feat of jumping into and out of a quickset hedge, Untaire no sooner finds his fore-legs in the ditch, than he extricates them, backs himself on to the road, perceives the -right-angled corner of the wall, and HOY AT. 235 in order to rectify his error as soon as possible, makes for it at such a pace, that, before I can do anything in the way of guiding him, he has swerved round it so sharply as to bring my right boot in contact with some projecting flints, which cut the sole as clean away from the upper leather as if the operation had been per- formed by a machine specially invented for the purpose. Luckily, Eoyat appears in sight, and I am no longer dependent on following the Colonel's lead. This is my last performance on Untaire, as the Colonel quits Royat next morning. Dr. Ham- mond Putteney and the others have all gone, and Cousin Jane doesn't ride. Left to ourselves, we drive about the country, visiting among other places the wonderfully well-preserved ruin, the Chateau de Tournoel. Here, surveying the view from the top of the Castle in the company of a strongly garlic-and-tobacco- scented old guardian, I see Cousin Jane suddenly start back from the ramparts with a terrified expression, as if she'd seen a ghost. " What is it 1 " I ask, anxiously. But by way of reply she can only point towards the massive old stone wall. I look, but can see nothing except the highly flavoured guide — one who comes under the "Highly-Flavoured Nation" clause, — who is leaning his elbow on the rampart. "There! there!" she exclaims. "Don't you see those crea- tures ! " If it had been a viveur who, after indulging rather too freely, had exclaimed, " Look ! those horrid creatures ! See, there they are again! popping up!" I should at once have been able to trace his agitation to the probable cause. But with Cousin Jane who is almost a teetotaler, whose general health has been so much improved by the Cesar baths, and her nerves by the iron in the waters, it is another affair, and I am, for the moment appalled as if in the presence of some frightful calamity. But the Highly Flavoured One hits on the right solution as he points to some funny little yellow heads which are peeping up between the crevices of the old stones in the blazing heat of this tropical afternoon. I am much relieved, and explain, as does the guide also, that they are quite harmless, and that this hide-and-seek is only their play. 236 VERY MUCH ABROAD. " What are they called 1 " I ask. " Lezardines, answers the guide. Cousin Jane is indignant. She gives a sniff in the air, and observes that the man must take us for fools to try and impose on us in this way. I am mystified, and so I ask him again what is the name of hese creatures, and he makes the same answer, " Lezardines." " There ! ' Les Sardines ' / " exclaims Cousin Jane. " As if we didn't know what sardines were. Nonsense ! " Cousin Jane has certainly been benefited considerably by the waters of Koyat. THE FINISH. Riding quietly home. ROY AT. 237 CHAPTER X. "Salut, Mossieu' et Medame !" ASCENT OF THE PUY DE DOME, AND GRAND FINALE. ~\X7"E ARE preparing for final retire- ment, and a wizened figure in black, like a rag-doll as a pen-wiper, presents us with our little bill for twenty-one days' washing, insists upon giving us sweet- scented flowers and unripe fruit, and then with her money in her pocket, shows herself out of the room, saying with plenty of bobs (and francs) and curtseys at the door, "Salut, Mossieu' et Medame. ' Salut, Medame et Mossieu ! " and so ringing the changes on this formula, she disappears. We both took a great fancy to this old lady, who was full of chatter and gossip, but on subse- quent consideration, Cousin Jane begins to question whether the work of the Blanchis- seuse is quite the most reasonable of the charges, which as a rule are decidedly moderate at Royat. Afterwards, in driving about, we come upon the Grotto where the Nymphs wash and pummel the linen. If the amount of iron in the water is the same as that in the Source Eugenie or Cesar, then the work of the blanchisseuse is an economy of time and labour, as in the Spring of the Grotto they do both the washing and the ironing at the same moment. Coming on to the roof of our hotel, after a long drive, I hear a voice, exclaiming, " Hallo ! What you here ! " Why is one Englishman always utterly astonished to meet another Englishman, and a friend, anywhere abroad ? Wherever they meet it is " Hallo, old fellow ! what on earth brings you here? "or, "Who'd ha' thought o' seeing you here?" — as if you had taken an unfair advantage of him somehow, or as if your presence anywhere was, in itself, a suspicious circumstance, and demanded instant explanation. In this case it is a Scotch friend, who has arrived for the benefit of his health. He is accompanied 238 VERY MUCH ABROAD. by another friend, also a North Briton, "who has come to see him safely started in the Water Course, along which I have been sail- ing pleasantly enough ; and after that he intends to return to the Highlands, where, at the sporting season, his heart naturally is and " not here ; " his heart, according to the old song, being engaged in " Chasing the wild deer, the (something, I forget what) and the roe. Oh ! my heart's in the Highlands wherever A ROYAT-L ASCENT. Happy Thought.— " \ say, suppose we meet anything coming down!" I go." This patriotic sportsman is the Chieftain of a Clan, at the sound of whose pibroch (I am not sure of my Scotch terms, and do not venture them in his presence) a thousand stalwart High- landers, kilted and claymor'd, spring from the heather, and shout something equivalent to " ieroe ! " and then execute wild dances by torchlight, in celebration of having killed something or other on four legs, which must be considerably larger than a hare. I BOY AT. 239 mention four legs, because I do not think they have any midnight revels after killing a sixteen-pound salmon. However, I admit my ignorance of Highland customs, and am glad to be instructed. Delighted also to partake of the savoury venison. The Chieftain, who, with his friend the Mclnvalid, dines with us to night in the salle a manger, where the number of guests is daily diminishing, expresses his delight with lloyat, at finding it so like Scotland. As a Chieftain who would have his foot on hi.s native heath if he could, he is burning to climb a mountain, to ascend the steep and craggy rocks, and bound lightly from point to point like a gay chamois. " Can we not," — he suggests, con- siderately turning towards the Mclnvalid, — "before you begin your baths and drinks, can we not ascend the Puy de Dome 1 " Yes. Why not ? Nothing more simple. Order a carriage ; drive over there to-morrow morning ; " take luncheon with us," says the Mclnvalid. " By all means," returns the Chieftain, " and make the ascent." Though disliking climbings, and detesting, in a general way, going up any high places, whether a belfry, a tower. or a mountain merely for the sake of a view, I cannot refuse their friendly offer of a seat in the carriage and a share of the lunch. So I accept. The Mclnvalid has a guide-book, likewise the Chief- tain has one. I tell them that I have a book which will be of service to me as a beginner in the act of going up mountains, but not to them as experts. "What is it?" "Well — it is only a Grammar ; it is, in fact, Cardinal Newman's Grammar of Assent." Thus lightheartedly I prepare for the dangers of the morrow. I dismiss the excursion in two pictures which present a fair idea of the pleasant sensations we experienced in going up the moun- tain. The hardy mountaineers didn't like it. The Chieftain sat behind, and his chances of escape, in case of an accident, were somewhat better than ours in front, though we were all three boxed into the seats, and aprons tightly fixed. One comforting thought was, " How many have been up here before, and yet lived to tell the tale ! " But, on consideration, such a theory could only be supported by our having implicit faith in the word of anvone who told us that he had made the ascent Unlike Box and Cox we did not meet anyone " Coming up-stairs, 240 VERY MUCH ABROAD. us we were going down, or going down-stairs as we were coming up." And it was fortunate for us that we didn't. When we reached the top there was an Observatory, where we made several observations, — strong ones too, some of them, on tumbling up and down the stairs. Here the seamanlike Observer pointed out to us all that was to be seen, and that didn't require pointing out, and told us of a great deal more, including " Jerusalem and Mada- gascar, and North and South Ameriky," which would have been plainly visible to the naked eye had we only been up here yester- day, or the day before, or in fact at any time except the very day we had selected. We saw the French soldiers practising firing in the fields below — and that was all. We had lunch previous to the ascent, which proceeding we subsequently decided was a mistake ; and the Chieftain chatted freely and pleasantly with the peasants on our return. The Mcln valid was deeply interested in their habits and customs, and, — his idea as to the dinner-hour being founded on the practice of the London season, — he wished to know what time they dined, and when they breakfasted, and was much exercised on being informed by the chatty matron, that they had dinner at eleven in the morning, and " soup " at about six or so in the evening. " Et dites done, Madame, s'il vous plait," says he, regarding the mother of the family with the deepest interest, " ne prenez-vous pas da the a cinque heures alors ? " He couldn't understand that at the foot of the Fuy de Dome, within reach of an Observatory, not more than a mile off perpen- dicularly, and within fifteen miles of Royat, this good lady should not have her " day," and her " five o'clock tea." It quite saddened him to think to what a state of ignorance a peasantry might come, if only left out long enough in the country. And to think that they shouldn't take tea at all, but " la soape" before they went to bed ! Such a derangement of a menu ! This weighed on the Mclnvalid, and for some time after we had started on our road home he was saddened and downcast. But presently it began to mizzle, and fog swept over the heather, and then both the North Britons revived. R YA T. 241 " It is like Scotland," cried the Chieftain, beaming with pleasure as they both wrapped their plaidies about them, and revelled in waterproofs. On our arrival at the hotel, a gigantic retainer, one of the Chief- tain's Highland Body Guard, or Six-feet-three-Highlander, opens the carriage-door. Where has Donald been ? He has just been up Delightful Ascent of the Puy de Dome. "So glad vwe came.' " what they call in these parts a mountain, but it's nae better than a hillock, ye ken, in Scotland." " You got a good view, eh? " inquires the Chieftain. Donald considers a second or two before answering, and then replies, — " Aweel, when I got oop to the top o' the thing they ca' a moun- tain " " What did you see 1 v asks the Chieftain, cutting in quickly. " Aweel," answei-s Donald, looking a bit puzzled, " I just saw a it 242 VERY MUCH ABROAD. Frenchman." And this seemed to have impressed the Highlander more than anything in the whole course of his journey abroad. The next morning we bid Dr. Rem good-bye ; Cousin Jane de- cidedly improved, myself undecidedly improved, and not yet out of the traitement, but looking forward to results to be hereafter apparent. "You won't feel the benefit of the place all at once," says Dr. Rem. He is quite right — I don't. Perhaps I am getting it in bits, and I am what is expressively termed "mending." I have seen the process of " mending." Even with the best housewife it's a slow business. But still, for anaemic persons who are overworked and weary, it would be difficult to find a better (and, mind 3*011, a more moderate) place than Royat, with its vine- yards, its lovely country, its magnificent air, its pine-forests, its picturesque environs, its amusements (they've stopped the baccarat and petits chevaux), its rides, drives, and walks, its douches of all sorts, and, in a general way, its Water Course. The Nymphs of the Grotto. SALUBRITIES ABROAD. R ? SALUBRITIES ABROAD. CHAPTER I. A RETURN VOYAGE. SALUBRITIES at Home " {pace Mr. Atlas, who will recognise this tern- porary adaptation of his world-renowned title) I should say are Buxton (for most people), Bath (for some), Harrogate (for others), and, — besides a variety of North, South, East and West, too numerous to be mentioned in these notes, — Ranisgate for > A " / "~ 7 nearly all. ''Salubrities Abroad" are Homburg, Aix-les-Bains, Carlsbad, &c, &c, and Roy at, where I find myself again this year. " Scenes of my bath-hood, once more I behold ye ! " There is '■' A Salubrity at Royat," which people of certain tendencies cannot easily find elsewhere. It is a cure for eminent persons of strong Conservative tendencies. Lord Salisbury was here last year, and my friend Monsieur Ondit, who is in everybody's confidence, tells me that his lordship will revisit a place where the traitement did him so much good. I believe he underwent the " Cherry-cure," at all events his lordship was seen in public constantly eating them out of a paper bag. Wltat did he do with the bag ? My answer is, " he popped it." Down went the cherries, and bang went the bag and fifty centimes. Well, did not Royat effect some change in his 246 VERY MUCH ABROAD. conservatism ? What has been the result 1 But I am not here to talk politics. ****** Everybody is talking of the Boulanger-Ferry incident." This is Aug. 4, and nothing has happened. " II n'y a pas de danger," Dit General Boulanger ; " Tout va, je crois, s'arranger, Chez Terry, mes amis." I haven't time to proceed with this, but, so far, the idea is at any poet's disposition to continue as he pleases, my only stipula- tion being that the air to which it is to be sung shall be " Marl- brook." My other friend, Benjamin Trovato, of Italian extraction, tells me that Boulanger is half English, and had an English education. Ben informs me that the General has never forgotten the rhythms he learnt in his happy English nursery ; and that, when he read that M. Ferry had called him a "St. Arnaud de Cafe-Concert" he sang out, recollecting the old catch, — - A Note, a Note ! Haste to the Ferry ! in which his friends were unable to join, owing to their ignorance of the words and tune. When driving through Clermont-Ferrand from the Station up to Royat, we (three of us) had a small omnibus to ourselves. One of the party (a wag, of whom, and of the circumstances of our meeting, more " in my next ") insisted on our calling out, " Vive Boulanger ! " We did this several times in the most crowded parts, but the cry obtained no response, and aroused no excite- ment, as, being littered with the greatest caution (at my instance), nobody heard it. ****** But what a thing to fight about ! If duelling were an English fashion, how fruitful of "incidents" this Session would have been. How often Avould Mr. Tim Healy have been " out " i And Mr. De Lisle's life w r ould have hung upon a Lisle thread ! SALUBRITIES ABROAD. 247 Note for strangers about to visit Royat. — The Continental Hotel has lost a little territory, as half of what was its terrace has been re-turned to the present proprietor of the hotel next door, with whom we Continentals have no connection, not even "on business," it not being " the same concern " and under one management as it was last year. But what the Continental Hotel has sacrificed in domain, Monsieur Hall, our obliging landlord, has more than made up in comfort and cooking. Dr. Brandt sees his patients in a charming Villa of Flowers. The weather is lovely. * * * * * * We are all surprised at seeing one another here. Each person for each couple or party) seems to think that he alone (or they alone) possess the secret of Royat' s existence. We certainly are not a mutual admiration society at Royat. When we come upon one another suddenly, each exclaims, "Hallo! what are you here for 1 " as if the other were a convict " doing his time." Everyone thinks he knows what he is here for, but very few tell what lie thinks he knows. And, by the way, the best-informed among us doesn't know very much about it. ****** In the Reading-room of the Cercle there ought to be (as adver- tised in a local journal) at least three English newspapers daily. I have not seen them as yet. The only London paper arriving here regularly, and to be purchased every day early at the News- vendor's, is the Morning Post. Vive Sir Algernon ! Can this be the attraction for Lord Salisbury 1 Why come out so far afield to read the Morning Post ? Or wasn't it here, during Lord Salisbury's visit last year, and is he still ignorant of its having been subse- quently demanded and supplied this season? And when he comes and finds it — " what a surprise ! " — no, thank goodness, we have escaped from this song- — for a time, at least. ****** Too hot to write any more journal. The hundredth bell is sounding for the fiftieth dejeuner. My dejeuner is finished. There ire bells here perpetually. All day and all night. In vain would Mr. Irving as Mathias, put his hands to his ears and close the windows. The bells ! The bells ! Distant bells, near bells, sheep- bells, goat-bells, a man with pipe (not tobacco but tune, or what 248 VERY MUCH ABROAD. he and the goats consider a tune), dinner-bells, guests'-bells, servants'-bells, church-bells (not much), chapel-bells (early and occasionally), horse-bells, donkey-bells, breakfast-bells, supper-bells, arrival-bells, departure-bells, tramway-bells, crier's-bells, with varia- tions on drum or trumpet, and several other bells that I shall notice in the course of the twenty-four hours, but have forgotten just now. ****** The " petits chevaux " have not been stopped by the Government ; they are running as fast as ever. There are two bands, playing morning, afternoon, and evening. The Casino Sarnie is as lively as ever, or, as my waggish acquaintance at once expressed it, in that vein of humour for which he is so specially distinguished, " The Sarnie old game," and to sit out in the garden, with a fragrant cigar and coffee, before retiring for the night, is indeed a calm pleasure, or would be but for the aforesaid waggishness, of which more anon. ****** Soldiers about everywhere, Boulangering. Up in the hills is a splendid echo. This morning, having caught the very slightest cold, I went up into the mountains to get it blown away. Sud- denly I sneezed. Such a sneeze ! It reverberated all over the mountain like the firing of a battery. Again ! again ! These sneezes nearly shook me off the rock, and sent me staggering on to the plateau below. The effect must have been alarming, as the third sneeze fetched out the military, horse and foot, at full gallop, and the double. L'ennemi? C'e'tait moi! They scoured the mountain sides, but I did not sneeze again. I have a sort of idea that my sneeze upset the entire preconcerted arrangements for a review. The Boulangerers retired — so did I. ****** 'Tis the hour of douche. Richard, the attendant, will be there to give it me. Douche-ment, douche-ment. Gently does it ! O Richard, Mon Roy-at! . . . An revoir I SA L U BRIT IKS ABROAD. 249 CHAPTER II. AGAIN WE COME TO THEE," — ROYAT ! 7 lO THOSE about to travel via Dover and Calais. — Ask when The Empress makes the journey. Something like a boat, and the day our party went by her she did the crossing in the hour, and I won't positively swear it wasn't a minute or so under that time. There's a crossing - sweeper for you ! The Empress of the Sea ! Mind you it was a fine day, and what I should say would be considered a calm sea though there were several sufferers. If not in a hurry — and who can hurry in such weather? — the easiest travelling is by the 11 a.m. from Victoria; admirable Empress for the crossing ; and a good twenty-five minutes or more for one of the best buffet-luncheons in France. Stay the night in Paris, and off to your Royat, your Aix, or wherever it may be, as early as possible. At the Paris-Lyon Station, en route for Royat. — Owing to the gentle influence of Colonel Waters, attached to the L. C. & D. corps in Paris, and to the indefatigable exertions of his lieutenant in uniform, Gustav Herlan, the P. L. & M. Company have con- sented to put a lit-salon carriage on to their day-train as quite an exceptional concession to an invalid, who might be supposed to have thus addressed them : — ■ Pity the sorrows of a gouty man, Whose trembling limbs have brought him to your door, "Who asks you to oblige him with — you can — A simple lit-salon and nothing more. The perfect comfort of this arrangement for a long journey is worth the price including the supplement, which I am paying when 250 VERY MUCH ABROAD. a cheery voice cries " Hallo ! old chap," and I recognise Puller, whom I haven't seen for some time. I return his greeting heartily. " You've got a coupe reserve ? " he exclaims gleefully, and literally skipping for joy. I never saw a man in such spirits. He is not absolutely young, nearer forty than thirty for example, looking so wonderfully fresh, that turn-down collars and a jacket would suit him perfectly. He is as clean-shaved as a Benedictine Monk or a Low Comedian. He says of himself — he is the waggish companion to whom I alluded in my previous notes — " I am well preserved in high spirits." He insists on paying the extra seat and supplement. Cousin Jane (again going to Royat for the Caesar Baths) says she shall be delighted, and so Puller is to come with us. Certainly am delighted to see Puller. Will he have his things brought here 1 He will, " d, Vinstant" — he pronounces it " ar long stong," and roars with laughter as if he had delivered himself of the rarest witticism. Then he skips off down the plat- form, waving an umbrella in one hand and a stick in the other. Suddenly Puller's social characteristics all flash across me. I haven't seen him for years, and had forgotten them. I recollect now, he is what they call " an inveterate punster," and loves when abroad (though an accomplished linguist) to speak the language of the country in which he may be temporarily sojourning with a strong English accent; it is also a part of his humour to embellish his discourse with English idioms literally translated, — or, vice versd, to give French idioms in colloquial English ; so that on the whole his conversational style, when in foreign parts, is peculiar. The impression left in my memory years ago of Puller, is that he is a wonderfully good-natured fellow unless a trifle puts him out, when he flares up suddenly into red heat ; but this is seldom, and he cools down directly if allowed to stand. When he is not in the highest possible spirits he is an agreeable companion, as he can give some interesting, but utterly untrustworthy, information on most subjects, and, when this comes to an end, he falls asleep sud- denly, — he does everything suddenly, — but, as I have since ascer- tained, does not snore. When at his office in London he is the second partner of an eminent firm of Solicitors with a varied and extensive business. For a safe and sound legal opinion in any difficult matter, specially on the Chancery side, there is no one to SALUBRITIES ABROAD. 251 whom I would sooner go myself, or recommend a friend, than James Puller, of Holier, Puller, Puller (J.), Baker and Dayville. For the greater part of the year James Puller is hard at work, and is gravity itself, except on certain social and festive occasions. But in vacation-time he gives up Law and goes in for Lunacy. " I feel," he says, when he returns, still capering on the plat- form, this time with his stick in one hand and his hat in the other, " I feel like a school-boy out for a holiday," and, allowing for the difference of age and costume, he looks the character. Travelling is very tiring ; so is rising early in the morning (which is included in the process of travelling) after a night spent in fitful dozing, one's rest beina: broken bv nervous anxietv as to whether the waiter will remember to call one at the cruel hour of 6 -30, or not, and determining to be up at that time exactly, and if he doesn't appear punctually, to ring for him to bring the bath and the boots ; then preternatural wakefulness, then the drowsi- ness, then the painful emptiness, then the necessity for extra- ordinaiy energy and bustle, — all this fatigues me so much, that when at last I find myself in a comfortable railway-carriage, I sink back, and prepare to make up for the lost sleep of the previous night. Puller has been travelling all night right through, yet he is now as fresh as the proverbial lark. He is smoking. He eaine up smoking. I am a smoker, but at an early hour on a hot day, and comparatively unbreakfasted, I do not like the smell of the last half-inch of a strong and newish cigar such as Puller is now smoking. He is sucking at this last morsel of it as if it were the only one he should take (I wish it were) for another month, and as if it went to his heart to part with it. " Don't you smoke your cigars rather short ? " I ask, mildly, 1 >y way of a hint. " No," he replies, quickly ; " I smoke them rather long. Had him there, eh 1 " he says playfully, turning to Cousin Jane, wdio, I regret to say, encourages him with an appreciative smile. After his fit of chuckles has subsided (in which I do not join), he takes off his hat a la frariQaise, and addresses himself to Cousin Jane. " If Madame does not oppose herself to that I shall smoke." Jane graciously returns, " Oh dear no, I do not mind smoke," which isn't at all what I want her to say on this occasion. Puller 252 VERY MUCH ABROAD. throws away what is left of his cigar, and, producing an enormous case, offers me what he calls " a beauty," — very big, very dark one, with a bit of red and gold paper wrapped round its middle, as if it were in a delicate state of health and might suffer from rheumatism, — but I decline it, saying pointedly, " I can't stand smoking so early, and before breakfast." "Oh," he returns in an offhand manner, "can't you? lean smoke any time, it doesn't affect me. Besides, I had a first-rate breakfast at the fork, and spoon too, at the buffet," — he pronounces this word as written in English — this is his fun (i.e., the fun of a high-spirited Solicitor on a holiday), and forthwith he lights the big cigar, changes his seat so as to face us both, and then commences a conversation about all sorts of things, seasoned with his jokes and comic French, at which he laughs himself uproariously, and appeals to me to know if it, whatever the joke may be, " Wasn't bad, was it 1 " And when I beg him to spare some of his witticisms, as he'll want them for the friends he's going to meet at Royat — ■ (thank Heaven, he is going to meet friends !) — he only says, " Oh, there's lots more where these came from," and off he goes again. Fortunately he turns to Cousin Jane, and instantly I close my eyes, and pretend to be overcome with fatigue. If Jane is wise she will do the same. Jane is tired, but tolerant. Finding that neither of us is up to much talking (I have in- advertently opened an eye) he says, " Look here, I'll show you my travelling bag," as if it was something to amuse children. This delights him immensely. He opens it and explains its compart- ments, tells how he shaves, what soap he uses, how he invented a peculiar pomade for travelling, and how he had thought out this bag and had everything made to fit into its place. He takes out every- thing, brushes, combs, razors, glass-pots, knives, brushes, one after the other, expatiating on their excellence as if he were a pedlar anxious to do a deal, and we were his casual, but likely, customers. Then finding our interest waning, he shuts it up, and saying that the best of travelling in a lit-salon is that you can stretch your legs, he forthwith begins capering, asks Jane if he mayn't have the pleasure of the next waltz and so forth, until fortunately, he discovers the secret of the seat which pulls out and becomes a bed, and is so struck with the idea that he exclaims, " By Jove ! SALUBRITIES ABROAD. 253 this is first-rate ! pillows, mattresses, everything ! I've never slept in one of these ! I haven't been to bed all night. You don't mind my taking forty winks — -do you 1 " dear no — take eighty if he likes. " Ah, then," he says in broken English, " I go to couch myself. I salute you the good morning, Mister and Missis. I have well envy of to sleep." And thank goodness in another minute the high-spirited Solicitor is fast asleep, and not snoring. Then we all drop off. At Montargis he awakes, breakfasts at the buffet : we breakfast in our salon. He returns, puffing another cigar, stronger and bigger than the previous one : but smoking yields to sleeping and his high spirits become less and less. After his second or third sleep he becomes hungry. The train is late. He becomes hungrier and hungrier. Again he smokes ; but his cigars are dwindling in size and growing paler in colour. He calculates when the hour of dinner will be. He foresees that it will not be till past eight and we breakfasted at eleven. Hunger has deprived him of all his jokes, all his high spirits ; he is hope- lessly depressed, and preserves an almost sullen silence till we reach Clermont-Ferrand, when the sight of the Commissionnaire of the Hotel Continental slightly restores him, and as we get into the Omnibus he whispers to me feebly, "I say, let's cry 'Vive Boulanger ! ' " 1 beg him to hold his tongue, or the police will be down on him. I fancy this warning has its effect, in his present state of hunger,. as he limits himself to whispering out of the window to any passer- by who happens to be in uniform, " Vive Boulanger ! " but I am bound to say, nobody hears him, so finding the fun of the jest exhausted within the first ten minutes, he drops it, and once more collapses, shakes his head wearily over his wretched state, and expresses in pantomime how he is dying for something to eat. Jane and myself recognise Clermont-Ferrand and draw one another's attention to all points of interest, more or less incorrectly. Then, after noticing how familiar all the land-marks seem en route, we find we have been taken by a different road from the one we used to travel in order to avoid the dust. Ha ! Here is Doctor Rem. "Welcome to Royat ! Same rooms. New Proprietor, but same Hotel in effect, it is the Continental. 254 VEKY MUCH ABROAD. M. Hall, of what nationality I do not know, exerts himself to see that everything shall be right for everybody who has just arrived. There are several others by this train, all requiring special and individual attention, and all, somehow, getting it. New faces, but civility and readiness to oblige everywhere. The weather perfect ! — perhaps a trifle too perfect. But Royat is high up, and, if it is hot here, what must it be down below at Vichy or at Aix ! Dinner in the Restauration of the Hotel, where we pant for air because other visitors, chiefly French, of advanced years and in various stages of " The Cure," will not allow a door or window to be opened. We finish dinner, and hurry off for our coffee in the garden of the Casino Sarnie. End of first day. p.S. — I said last week I could not find the English newspapers in the reading-room of the Cercle. I have since seen them, Times .and Telegraph. But the only one sold outside is apparently the Morning Post. Lord Salisbury is coming. CHAPTER III. " PRESENT COMPANY. TJO TEL CON- JT TINENTAL, Royat. — Our party here (which, somehow or another 1 , Puller has contrived to 2,et to- gether and introduce to each other by the simple means of induc- ing M. Hall to give us a room to ourselves for a small table-d'hute ■at the un-Royatdike hour of 7 "30) consists of La Contessa Casanova, the English wife of an Italian merchant, the head •of a large house of business in London — she is Marchesa or SALUBRITIES ABROAD. 255 Contessa, I am not certain which, but Puller styles her Milddi and Madame. She is devoted to the serious Drama, and her pet sub- ject is Salvini in Othello. Her daughter, an elegant young English girl, lively, amusing, and with a bias in favour of the very lightest forms of theatrical entertainment. Then we have Madame Metterbrun and her daughters, Anglo- Germans, thorough musicians, with Wagner at their fingers' ends, — literally, as they are accomplished pianists. There is Mrs. Din- derlin, who was here last year, and is taking the waters seriously, and who knows when to put in the right word at the right moment. Cousin Jane who is taking the waters still more seri- ously and who is an excellent listener : myself an impartial referee : and Puller the Solicitor out for a holiday, who is alternately in the highest of spirits or the lowest depths of depression, according as the waters and weather affect him. Outside our party there are others whom I meet occasionally, consisting of the lady who finds fault with everything French, the gentleman who laughs at everything French, the grumbler whom nothing satisfies, the con- tented man who is pleased with everything, the man who after being here a Hay is intensely bored, the man who from the moment of his arrival is always studying Guide-books and indicatews to see what is the best and easiest way of getting away again : the patient who has come all the way here to see the Doctor and then refuses to do anything he tells him : the patient who has come to find out what on earth is the matter with him : the man who doctors himself, and two or three ladies of my acquaintance of whom I only catch occasional glimpses as they issue from Sedan- chairs or muffled up like the Turkish women, merely recognise me with their eyes, incline their heads and pass on their way with a little drinking-glass in their hands. To me Royat is an amusing place : it is certainly a pretty one, and its waters in most cases are decidedly of lasting benefit What those ''most cases" are, the patients themselves best know. ******* For expanse there is nothing like the sea, and for grandeur the snow mountains. Unless I go up to the Puy de Dome — which I do not mean to do, for I have been up there once, and never, never, never will go there again — I cannot see either. And even 256 VERY MUCH ABROAD. from the top of the Puy you can only discern the sea, or Mont Blanc, with a very good glass, on a very clear day. ****** M. Boisgobey's description of a Parisian Club in his latest book (I delight in Boisgobey now that there is no Gaboriau) called Grippe-Soleil will amuse London Club members. The only two Clubs in Paris I ever saw were not a bit like Boisgobey's description. ****** When anyone who has been under treatment a week, unex- pectedly meets a friend here, he stops short, stares at him, examines him from head to foot, and then exclaims, in a tone of utter astonishment, " What ! ! you here ! ! " as if the new arrival were either an intruder or a lunatic. The person thus addressed immediately retorts in an injured tone, " Well, what on earth are you here for?" and then he adds maliciously, "there doesn't seem to be much the matter with you." Now to say this is to utter your deliberate opinion that the person you are addressing is at Ptoyat (or any other Salubrity Abroad wherever it may be) under the false pretence of being an invalid, and is therefore, to put it plainly, a shammer, an impostor. ****** After this greeting, explanations follow. The first man has to prove his right to be at Royat, and the second man has to admit the evidence to be incontestable, on the condition, implied but not expressed, of his own case being taken as thoroughly warranting his taking the baths and traitement generally at Royat. * * * * * * Then comes the question of Doctors. " Who shall decide when Doctors disagree 1 " — but who shall decide when patients disagree about Doctors ? " Whom do you go to ? " asks the suffering Smith of the invalid Brown. " Well," says Brown, apologetically, — because he is not sure, this being his first visit, that he might not have gone to a better man, " I go to Dr. Chose," and noticing the astonishment depicted on his friend's face, he hastens to explain, "Squills sent me to him." The suffering Smith professes himself puzzled to know why on earth Squills always sends his patients to Chose. " Dr. Bern's the man for you, my boy," says Smith. But SALUBRITIES ABROAD 257 Brown feels that he is in the toils of Squills, and that it would not be fair to him or to Chose, if he suddenly left the latter and sought the advice of Dr. Rem, on the sole recommendation of Smith who, after all, is not a professional. ****** Then two habitues meet, " I always go to Chose," says eczematic Jones, dogmatically ; " first-rate fellow, Chose. All the French go to him. They know." "Ah!" returns gouty Robinson, with conviction, "I never have been to anyone but Rem. He's the chap. All the English go to him. Best man in Royat." And if it weren't the hour for one of them to go and drink Eugenie water, and for the other to take his second glass of St. Mart, they would have a row and come to blows. ****** Puller tells me that there's one London Doctor, describing him- self as a Gynaecologist ("A guinea-cologist," parenthetically remarks Puller), who always sends his patients here. I think he says his name is Dr. Barnes. " He sends so many," says Puller, " that I propose changing the name of the place from Royat-les- Bains into Royat-les-Barnes." I see why he introduced the name of Barnes. Fortunately he is so delighted with this jeu de mot, which I fancy I've heard before, that he is off to tell his friends in the Pare, and, as I pass a group, I overhear him explaining the point of it to a French lady and her husband, with whom he has a speaking acquaintance. For Puller likes what he calls " airing his French," and is not a bit shy. ****** The Band is performing another new tune ! How is this 1 I can account for it, It rained nearly all yesterday, and so the musicians didn't come out. How did they occupy themselves 1 In rehearsal. Well, here's one good effect of rain at Royat — it brings out the new tunes. 258 VFAiY MUCH ABROAD. CHAPTER IV. "THE out-for-a-lark, etc., society. A PROPOS of Puller "airing his French," Miss Louisa Metterbrun said something delightful to him the other day at dinner. Puller had been instructing us all in some French idioms until Madame Metterbrun set him right in Ins pronun- ciation. He owned that he had made a slip. " But," says he, wagging his head and pulling up his wristbands with the air of a man thoroughly well satisfied with himself generally, "but I think you'll allow that I can speak French better than most Englishmen, eh ? " Madame Metterbrun doesn't exactly know what to say, but Miss Louisa comes to the rescue. "0 Mr. Puller" — he is fre- quently at their house in London, and they know him intimately — " I always say to Mamma, when we 're abroad, that I do like to hear you talk French " — Puller smirks and thinks to himself that this is a girl of sense and rare appreciation — " because," she goes on quietly, and all at table are listening — "because your speaking French reminds me so of home." Her home is London. I think Puller won't ask Miss Louisa for an opinion on his French accent aarain in a hurry. * -k # * * * I have just been reading Victor Hugo's Glioses Vices. Admirable ! Fuite de Louis Philippe! What a pitiful story. Then his account, marvellously told, and the whole point of the narrative given in two lines, of what became of the brain of Talleyrand. Graphically written is his visit to Thiers on behalf of Rochefort. Says Thiers to him, " Cent journaux me trainent tous les matins dans la hour. Mais savez-vous mon procede? Je ne les lis pas." To which Hugo rejoined, " C'est 2>rccise'ment ce que je fais. Lire les diatribes, test respirer les latrines de sa renomme'e." Most public men, certainly SALUBRITIES ABROAD, 259 most authors, artists, and actors, would do well to remember this advice, and act upon it. ■y- * * •* * * "Glioses Vues," written "Shows Vices" would be a good heading for an all - round - about theatrical and entertainment article in Mr. Punch's pages. Patent this. ****** Puller has recovered his high spirits. The temperature has changed : the waters are agreeing with him. So is the dinner hour, which M. Hall, our landlord, kindly permits us to have at the exceptional and un-Royat-like hour of 7'oQ. At dinner he is convivial. Madame Metterbrun and her two daughters are dis- cussing music. Cousin Jane is deeply interested in listening to Madame Metterbrun on Wagner. The young ladies are thorough Wagnerites. La Contessa is unable to get a word in about Shak- speare and Salvini, and her daughter, who, in a quiet tone and with a most deliberate manner, announces herself as belonging to the " Take-every thing-easy Society," is not at this particular moment interested in anything except the menu, which she is lazily scrutinising through her long-handled pince-nez. Mrs. Dinderlin, having succumbed to the usual first attack of Royat depression, is leaning back in her chair, smelling salts and nodding assent to the Wagnerite theories, with which she entirely agrees. For my own part, I am neutral ; but as the Metterbruns are thorough musicians, — the mother being a magnificent pianist, and the eldest daughter a composer, — I am really interested in hearing all they have to say on the subject. Our bias is, tempo- rarily, decidedly Wagnerian, for Cousin Jane, who is really in favour of " tune," and plenty of it, — being specially fond of Belli:ii and Donizetti, — in scientific musical society has not the courage of her opinions. From composers the conversation travels to executants, and we name the favourite singers. After we have pretty well exhausted the list, and objected to this one as having a head voice, or to that as using the vibrato, or to the other as dwelling on an upper note ("queer sort of existence," says Puller, gradually coming up, as it were, to the surface to open his mouth for breath, — whereat Cousin Jane smiles, and Miss Casanova lazily nods approbation s 2 260 VERY MUCK ABROAD. of the joke — while the rest of us ignore Puller, putting him aside as not wanted just now, — when down he goes again), we generally agree that Gayarre is about the best tenor we have had in London for some time ; that Santley is still unequalled as a baritone ; that there is no one now to play and sing Mephistopheles like Faure ; that M. Maurel is about the finest representative of Don Giovanni ; that Miss Arnoldson shows great promise ; that Albani is unrivalled ; that Marie Roze is difficult to beat as Carmen ; and that it is a pity that Patti's demands are so exorbi- tant ; and having exhausted the list of operatic artists, — Madame and her daughters holding that certain Germans, with whose names we, unfortunately for us, are not even acquainted, are far superior to any French or Italian singers that can be named — there ensues a pause in the conversation, of which the Countess Casanova takes advantage, and extending her right hand, which 'movement sharply jingles her bracelets, and so, as it were, sounds a bell to call us to attention, cuts in quickly with an emphatic, " Well, I don't profess to understand music as you do. I know what I like " — (" Hear ! hear ! " sotto voce from Puller, coming up again to the surface, which draws a languidly approving inclina- tion of the head from Miss Casanova, and a smile, deprecating the interruption, from Cousin Jane), — " and I must say," continues the Countess, emphatically, " I would rather have one hour of Salvini in Othello, than a whole month of the best Operas by the best composers, — Wagner included," and down comes her hand on the table, all the bracelets ringing down the curtain on the first act. We, the non-combatants, feel that the mailed gauntlet has been thrown down by the Countess as a challenge to the Metterbruns. "0 Mother ! " faintly remonstrates Miss Casanova, who loves a stall at the Opera. She fears that her mother's energetic declara- tion means war, and fans herself helplessly. I am preparing to reconcile music and the drama, and am getting ready a supply of oil for what I foresee will be troubled waters, as the Metterbruns are beginning to rustle their feathers and flap their wings,— when Puller, leaning well forward, and stretching out an explanatory hand, with his elbow planted firmly on the table ("Very bad manners," says Cousin Jane afterwards SALUBRITIES ABROAD. 2G1 to me), says genially, " Well, voyez-vous, look here, you may talk of your Wagners and Shakspeares, and Gayarres, and Fattis, but, for singing and acting, give me Arthur Roberts. Yes," he repeats pleasantly but defiantly, and taking up, as it were, the Countess's gauntlet, " Sal villi's not in it with Arthur Roberts." The Countess's fan spreads out and works furiously. The steam is getting up. The Metterbruns open their eyes, and regard one another in consternation. They don't know who Arthur Roberts is. " Not know ! " exclaims Puller, quite in his element, " Well, when you come to London, you send to me, and I'll take 3*011 to hear him." " He's a Music-Hall singer," sa}'s the Countess, fanning herself with an air of contemptuous indifference. " Music-Hall Ar-tiste I " returns Puller, emphasising the second syllable, which to his mind expresses a great deal, and makes all the difference. "Now, Miladi," he goes on, imitating the manner of one of his own favourite counsel, engaged by Puller & Co., con- ducting a cross-examination, " have you ever seen him 1 " " Yes," she replies, shrugging her shoulders, " once. And," she adds, making the bracelets jingle again, as with a tragedy-queen's action of the right arm she sweeps away into space whole realms of Music Halls and comic singers, "that was quite enough." " Didn't he make you laugh 1 " continues Puller, still in the character of a stern cross-examiner. " Laugh ! " almost shrieks the Countess, extending her hands so suddenly that I have only time to throw myself back to avoid a sharp tap on the head from her fan. " Heavens ! not a bit ! not the least bit in the world ! He made me sad ! I saw the people in the stalls laughing, and I said," — here she appeals with both hands to the majority of sensible people at large — still at large — '"Ami stupid ? am I dull 1 Do I not understand 1 ' " Mother ! " expostulates her daughter, in her must languid maimer, " he ivas funny ! " " Funny ! " ejaculates the Countess, tossing her head. " I'd rather see Arthur Roberts than Salvini," says Puller, waggishly, but with conviction. "I think I would, for choice," says Miss Casanova, meditatively. 2G2 VERY MUCH ABROAD. but seeing the Countess's horrified expression of countenance, slie takes care to add more languidly than ever, as if taking the smallest part in an argument were really too exhausting, "but then, you know, I really don't understand tragedy, and I love a laugh." " Prefers Arthur Roberts to Salvini ! " exclaims the Countess, and throws up her hands and eyes to the ceiling as if imploring Heaven not to visit on her the awful heresy of her child. Here I interpose. Salvini, I say, is a great Artiste, no doubt of it, a marvellous Tragedian; and Arthur Roberts is not, in the t rue dramatic sense of the word, a genuine Comedian ; but he is, in another sense, a true Comedian, though of the Music-Hail school. " What a school ! " murmurs the Countess, and with a pained expression of countenance as though she were suffering agonies. The Metterbruns see the difference. Madame remembers a fat comic man in Berlin, at some garden, who used to wear a big hat and carry a large pipe, and make her laugh very much when she was a girl. Certainly, in his way, he was an artist. Is this Arthur Roberts anything like Max Spliitterwessel ? At this point, as we have finished coffee, and the Countess finds the room hot, I propose adjourning the debate to the Restaurant in the garden, as we are too late for the band at the Casino Samie. The party is broken up in order to walk down to our rendez- vous. Puller, whose idea of making things pleasant, and, as he expresses it, " sweetening everyone all round," is to order "drinks "for everybody, insists upon the party taking " consom- mations " — he loves saying this word — at his expense. The Countess at first objects, as also does Madame Metterbrun ; but on Puller's explaining that he belongs to " The Two-with-you Society," they accept this explanation as utterly unintelligible but perfectly satisfactory ; and so, accepting Puller's al fresco hospitality, we form a cheerful group round two tables put together for our accommodation. Puller's hospitality has taken the form of grenadines, chartreuses, and "sherry-gobblers," — he loves this word too, — for us all round, and he has ordered for himself a strange mixture, which perfumes the night air as if some SALUBRITIES ABROAD. 2C3 nauseous draught had been brought out of a chemist's shop, and which looks like green stagnant water in a big glass. It is called by Puller, with great glee, an "Absinthe gummy." Anything nastier to look at or to smell I am not acquainted with in the way of drinks. However, he is our host, and I have a grenadine before me of his ordering, and between my lips an excellent cigar which is his gift. I can only say mildly, " It looks nasty ; " and Cousin Jane expresses herself to the same effect, remarking also as she looks significantly towards me, that it is late, and that I am not keeping Royat hours. I promise to come away in ten minutes. Puller is in the highest possible spirits : surrounded by this company, all drinking his drinks, he as it were takes the chair and presides. He knocks on the table, which brings the waiter, to whom he says, holding up a couple of fingers, •' Two with you," — whereat the waiter only smiles upon the eccentric Englishman, shakes his head, and wisely retires. " Ah, Miladi," says Puller, " you must take a course of Roberts. He's a rum 'un." Then he sings, "He's all right when jou know him, but you've got to know him fust." His guests politely smile, all except the Countess. I preserve a discreet silence. Taking this on the -whole for encouragement, Puller commences the song from which he has already quoted the chorus. What the words are I do not catch, but as Puller repro- duces to the life the style and manner of a London Music- Hall singer, and cocks his hat on one side, it is no wonder that the French people at the other table turn towards us in amazement. "For goodness sake, Mr. Puller !" cries the Countess, rising from her chair in consternation. Jane also rises, Miss Casanova is laughing nervously. The Metterbruns look utterly astonished. I feel I must stop this at once. " My dear fellow," I say, magisterially, " you really mustn't do this sort of thing " — he is breaking out again with " wJiat a surprise ! " — but I get up from my seat to reprove him gravely. " You would not do this if you were in a London restaurant." " No," he replies, not in the least offended—" that's the lark of it. I belong to ' The-Out-for-a-lark-and-Two-with-you Society.' Don't you mind me," he adds ; then turning with a pleasant wink 2G4 VERY MUCH ABROAD. to the ladies, who have been putting on their wraps and mantles, and are preparing to leave, he sings again, — - " I'm all right when you know me — But " We leave him to finish the song by himself. And to think that my friend Puller, with his hat cocked on one side, a big cigar in his mouth, a tumbler of " absinthe gummy " before him, a rakish expression in his eye, is the same Puller to whom, as partner in the fh*m of Horler, Puller, Puller (J.), Baker and Day ville, Solicitors, I would trust my clearest interests in any matter of property, of character, even of life itself! The strange story of Hyde and Jekyll is no fiction, after all. CHAPTER V. THIRTEENTH DAY OP CURE. THE view from my window is charming, whether on a bright morning or a moonlight night. But I am not contented with it. There is within me an " Oliver, asking for more." Had I the faith which moves mountains, I would order that hill opposite to be removed, so as to give me a more extensive, and a grander view. * * * * The Beggars at Royat. — A nuisance and a disgrace to the place. Why are these wretched creatures allowed to trade on their fearful afflictions ? Are there no free hospitals, no charit- able institutions, where they can be taken care of? Of course there are. Is there no power to compel them to go in ? Is there no " traitement " for them 1 SALUBRITIES ABROAD. 265 As for the little beggar boys and girls who are brought up to the trade and who waylay us all day, cannot they be put to some useful work and be forced into school ? These able-bodied paupers should be employed in mending the footpaths leading up to Gravc- uoire and the environs, which are in a very bad condition. ****** I do not object, indeed by this time I take rather kindly to the via du pays, but I detest what Mr. " Dumb-Crambo" would call — The Whine of the Country. * A propos of walks in a wretched condition, why don't their Worships, the Maires of Royat and Chamaliere, lay their heads together and mend the footpaths? In making the above sugges- tion, I do not contemplate wood-pavement. No : but I do think that these beggars might be utilised. * * Pensees d'un Baigneur. — A bather has plenty of time to emulate the celebrated parrot. What can he do — the bather, not the parrot — in his bath, except think ? He can talk, hum, or sing. He can recite : and exercise his voice and memory. But this would attract attention, and I fancy the talking, singing, or reciting bather would very soon be requested to keep quiet. Therefore he 26G VERY MUCH ABROAD. must think. He may not sleep : it is not permitted by the faculty. No : thinking is the thing. The time in a bath, — thirty-five minutes of it — passes as a dream, and the thoughts are as difficult to catch and fix as butterflies. Here are a few : — It is absolutely necessary to please oneself even in things ap- parently indifferent. Out of politeness, I yielded yesterday to an invitation to take a drive of two hours. I was ill for nearly a couple of days afterwards So was the kind person who took me. I believe she meant it well, and intended it as an acb of politeness. (N.B. This was written within the first seven days of the " traitement." This sort of thing must come out of you. The waters bring out selfishness and ingratitude.) ****** Morning after morning I find myself staring at the notice on the wall at the foot of my bath. From that I gather that I am a " titulaire." My bath-cell is No. 17. So as Titulaire I am Number Seventeen, — like a convict. My Gaoler, the bathman, does not know me perhaps by any other name than " Monsieur ersonal appearance nor your temper. In case the observations made as you pass between the two lines of the Mob thus assembled to welcome you, should be unintelligible, we will translate them for the benefit of the traveller, who is supposed to be walking ulong feebly and wretchedly, as after a bad passage. Our cheery lively neighbours are assembled to greet you : — First Lively Neighbour {addressing himself generally to lots of lively neighbours). " Oh ! look there ! There's a white roast beef!'* ( This means you, you know). All (laughing). " He ! he ! he ! he ! he ! " (Ad lib., till they think of something else to say). More Lively Neighbour. " I say, Mister, ain't yer well ? " All (laughing at you again, you know). " He, he, he, he ! " (Ad lib.) Small Neighbour (livelier than ever, pointing distinctly at you, with a very dirty finger). "He wants some 'portare beer.'" All (immensely tickled by this witty homethrust). " He ! he \ he ! he ! he ! he ! " &c, &c. (Ad lib.) Somebody in the Crowd (ivho has a slight acquaintance with our language, says in French- English. " He's a grrrreat long strrrrong." ( The mother tongue attracts your attention, and you turn round, and the speaker arrives at the end of his limited vocabulary with) " Oh, ye-ees ! " All (highly relishing the joke, which the traveller cannot of course at first be expected to see). " Oh, ye-ees ! Oh, ye-ees ! He ! he I he ! " &c, &,c. Which will be continued, until the last voyageur has disappeared within the doors of the Douane. The Custom House. — You will be asked if you've anything to HOW, WHEN, AND WHERE. 353 declare. Now's the time for the traveller to assei-t himself. If it is a lady, let her say, " Well, I declare ! " and then refuse to utter another syllable. If a gentleman, let him declare that he'll write to the Times. Don't give up your keys. They've no right to ask you, at least they would not dare do it if they were in England, the cowards ! Mind you say all this, adding the line about what Prevention better than cure. A sketch at Milan. your native country is in the habit of expecting the conduct of everyone to be with regard to Duty. They will want to inspect your hat-box ; always make a difficulty about your hat-box, and then take good care that there is nothing inside when you open it, A hat-box lined with red has a deep political signification ; so has black and white ; blue and yellow are also the signs in constant use among the carbonari;* so take care. The punish- * Carbonari, Italian name for the Secret Society of Coal Heavers ; so called from the carbon in the coals. — Vide " Black's Guide." A A 354 VERY MUCH ABROAD. inents, even now in vogue in France, are hanging, drawing, (quartering, whipping, scourging with fish-hooks, branding on the nose ; hot-ironing and mangling are still done here. For a minor offence, say, for instance, a smaller hat-box with a less deep lining you will render yourself liable to be loaded with chains, and blown up by a magistrate. Do not tremble, be sweetly polite, address each of the Douaniers as " Milor," and all will be well. Precautions. — To save all the above mentioned trouble, and any further annoyance, write over to Boulogne generally some days before and say you're coming. If you can't write, get some- body to go over instead of you, or Don't Go. The observance of this last precaution will, at some future time, lead us to give some advice as to what is to be done by the Traveller who stays at home. At present we are on the Continent. Geographical Position of the Continent. — The Continent is a neck of land, divided from every other place by something or other which is not surrounded on all sides by water. To bring the definition nearer home is impossible, as it would involve moving France, Russia, Spain, Austria, &c. ; however, the reader may bu sure, that, whenever there is a movement in any one of these places, we will take advantage of it. The Continent then is not simply Boulogne, howbeit, many to this day are of that opinion. What then is the Continent ? It is a Tract of Land ; and being a Tract, is imagined by a few to belong to some proselytising society. This idea has no foundation in fact. After these few but useful remarks we will proceed. HOW, WHEN, AND WHERE. 355 CHAPTER V. TRANCE CONTINUED JOHN BULL AT BOULOGNE PLACES OF AMUSEMENT. M REFERRING to our skeleton route No. 2, the tourist, stay- ing at Boulogne, will find that lie ought to have commenced with Amsterdam. If, how- ever, there be ladies in his part}', he will have acted with touching delicacy, in avoiding a place, whose name pos- sesses so profane a termination. We will therefore, for the pre- sent, remain at Bou- logne, and give a few broad pieces of advice, upon which the Travel- ler may, or may not, act, as he thinks proper, foreign barber's in order to get shaved. The very evident reason for this is, that, when abroad, it is always remarkably unpleasant to get into a scrape. You will, of course, frequent a Cafe' during the daytime. Now these places are of two sorts : there is the Cafe Gnaw, which is, as the name implies (very like English by the way, eh 1) entirely for eating; and the Cafe oh Lay, where, as may be gathered * The Female Barbers in this place form a Religious Sisterhood, under the patronage of St. Barbara, who was taken from Life many years ago : they are known as the Lather-day Saints. A A 2 St. Barbara. —Taken from life. Never go to 35G VERY MUCH ABROAD. from the title, you lay yourself down and devote the time to singing. The proprietors of either place do not interfere with one another, and business is thus carried on upon the most amicable principles. If you do not understand the language, always on taking your seat at a Cafe, amuse yourself with the contents of a French newspaper. In this case, no article however bitter will disturb you, and you have the advantage over other people, in being able to read it sideways, or upside down, with equal gratification. You will notice, that when foreigners have finished their little cup of coffee, they invariably empty the contents of the sugar- basin into their pockets. As it is always well for a visitor to be more French than a native, you should not confine yourself to the sugar, but appropriate the spoon, cup, saucer, or plate, or any- thing else that suits your fancy, and is adapted to the meanest capacity of the pocket. Always go to the best hotel ; of course you will be obliged to try several, before ascertaining which is the one that can fairly claim the honourable distinction. In many places you will be told that the waiters " speak English." So they may, but they probably don't understand it. We once heard a damp tourist, on arriving in steaming haste at an hotel where "English was spoken," cry out to the waiter as he was hurrying to his room, " Waiter bring me some hot water ; " whereupon the intelligent garg.on readily answered, " Leg of mut-ton, yaas sare," — and smiled cheerfully, being evidently highly pleased with this ingenious interpretation of the visitor' s- wish. You should have a few sentences always in stock ; first, for instance, on entering the hotel : Avay voo day shombrr ; this means " Got any rooms 1 " But mind you do say this, before the Landlord or Boots, or anyone else has the chance of addressing you ; as they may make some remark which you don't under- stand, and which will utterly upset any scheme for a French dialogue that you may have previously formed. In order not to be thrown out you must force his reply with your question, and should the former not be the one required, pretend to blow your nose, feign a sneeze, or a cough, which would of course prevent your catching what he said, and then return to your ow r n pre- arranged conversation. HOW, WHEN, AND WHERE. 357 On entering your apartment immediately take up your carpet, il there is one, and order the dust to be swept away. To avoid the repetition of that useless form of regret, com- mencing with the phrase, "I wish I'd brought (whatever-it-may- be) with me," we will here give a list of actual necessaries, which you should have about youi, as few rooms abroad possess them. Seldom, for instance, will you find shutters to the windows.: provide yourself with these. See also that you do not travel without — 20 Pegs for coats, dressing-gowns, Ladies' gowns, &c. 2 Venetian blinds. 1 Wardrobe. 1 Chamber-pail for slops. 1 Cheval glass. 2 Pairs of Snuffers. 1 Bell. Several different kinds of soap, and baths for hot or cold water, which you can turn to account by letting out to brother or sister Tourists who have forgotten to bring them. You will find the beds small and comfortable ; and if otherwise, they will do for a mere night shift very well. A couch three feet wide may some^ times serve your turn, but when you do turn, you should, like the late Duke of Wellington, turn out. Now let us say that you've prepared your sentences, according to the plan contained in this Guide, and you ring your bell in order to summon the (jargon. You must ring as a rule several times, but do not be afraid of a multitude of servants being attracted thereby ; though it would probably follow, that if the ringing of one bell resulted in one servant, the consequence of two bells would be two servants, three bells three, and so on. Such, however, is not the case. The servants will be a long time before they reply to your summons. This you must expect, remembering that as — Time is made for Slaves, they of course, have a perfect right to as much of it as they like. Take plenty of exercise in order to get up an appetite for the 358 VERY MUCH ABROAD. pleasures of the table. With a view to real gastronomic enjoy- ment, it is well to study beforehand the bill of fare. Unite the occupations, thus : — Some time previous to the appointed dinner- hour, ask the waiter for the Carte, and go out with it. Now let the Tourist open his eyes and be taken aback, almost aback to England by the information, that, in nearly all parts of France, every chambermaid is a man. The only place where we ever heard of anything like a real English chambermaid, was at the Railway Station, when a guard directed lis to the Salle d'Attente, which so many travellers, in common with ourselves, have mistaken for " Sarah or Sal the Attentive," but which turns out to be the Waiting Room ! Yet it is to such impositions that the English uncomplainingly subject themselves upon the Continent. The word Continent must, when you are travelling, be pronounced Continong, or you'll display an amount of ignorance not to be tolerated in an enlightened Briton. Do not forget this, but you need not give your authority. What shall we do to-day ? Why, you must look at some list of entertainments, and you will probably find that the places of amusement for day visitors are the Burial Grounds, the Hospital for Incurables, the Maison de Sante, the Prison, and the Police Station, ifec, &c. There is always a Church and a Church Tower to be seen. From top of the latter you will have a splendid view ; but before the aspiring sight-seer can go up lightly, ha will be forced to come down pretty heavily. Before quitting Boulogne, we would remind our readers not to forget to ask after the notorious Bore de Boulogne. He became such a social nuisance as to be ultimately sent to Paris., where he is now located. ROW, WHEN, AND WHERE. 359 CHAPTER VI. BELGIUM ANTWERP — FIRST SIGHT OF THE LAND OF GROSCHEN — FINANCIAL HINTS VERY DISTANT VIEW OF THE RHINE: DARMSTADT RULES OF THE ROAD. S TA N D S for Antwerp, and therefore We starts for that place. As of course you will have arrived at the quay, per steamer, one or two hints will save vou a vast amount of trouble. You will be re- quested to remunerate the Steward for the sustenance that you've consumed during the voyage. Economy, mind, is the first thing to be con- sidered ; reply, therefore, to this demand by telling them confidentially " that you'll look in another time," or 1 you'll be coming that way again in a few days, and then you'll settle your little account." If, after getting over the sea passage, you can also get over the boat's crew, you will be a happy and a fortunate man. The vessels where, of all others, very high prices are charged for a very low sort of diet, are, as their name implies, the Screw Steamers. The British -=TK A view from the boxes. stranger will now cast his eyes (he must not throw his glances 3G0 VERY MUCH ABROAD. away, as they will be wanted subsequently for several parts of the journey, where you must keep your eyes about you) upon several distinguished military-looking gentlemen, to whom the untutored impulse would take off its hat, deeming them to be at least second cousins to general officers. It at first appears that these exalted personages have come on board to welcome the Little Stranger, and the Enthusiastic Tourist should, if he have the heart of a man and a brother in his breast, rush forward and give way to his feelings. Such conduct will mollify the otherwise obdurate hearts of these Superb Foreigners, and, on being safely escorted from the ship to the land, as, under the circumstances, you would doubt- lessly be, you will find that you have executed that marvellous gymnastic feat known to travellers as Clearing the Custom-house Officers. Porterage. — Your first care must be to procure a fly, cab, hackney-coach or omnibus, wherein to take youi-self and luggage to an hotel. Stand on the noisy quay, and in a much noisier key shout for a vehicle. You may shout as long as you like. There are none. Now then, say, " Hi ! Here ! you fellow ! " to one of the gentry idling about the place in the dress of a Continental butcher out of work. These be the porters : and if your porter has anything like a head, he will tell you the best hotel to go to ; and thereupon he will put your baggage on to a truck and wheel it away, and you on it into the bargain, if you approve of that mode of entering the town. You will probably be taken to the Hotel of St. Antony (not because, as a feeble creature might say, there "arit any other," but because it is the best), and, in order to save all discussion about the fare, hold cut to the conscientious porter a handful of coins, consisting of groschen, kreutzers, francs, sixpences, florins, dollars, and thalers, and let him select as many of them as may suit his fancy. Don't begin your journey by quarrelling; but regard, with feelings of unmixed pleasure, the gratification of this humble son of toil on leaving you, at the door of your hostelrie, with one silver groschen in your hand. Before we proceed further, it would be well to offer a few remarks upon the rate of exchange in the various towns and countries. IlOW, WHEN, AND WHERE. 3G1 The rate of exchange in a fashionable Continental town is very rapid. You are always purchasing something as a keep- sake to take home to Fanny, or somebody else whose name isn't Fanny, as of course there is no reason why it should be. Fourpenny-bits will pass as threepenny-pieces anywhere. This is useful and important. Threepenny pieces may, among a Clearing the Custom-House Officers. quantity of other money (when naturally one expects a reduction on taking a quantity), pass for fourpenny-bits • but this is only successful, as a rule, when you are actually, and at the very moment of disbursement, quitting the place. A farthing, well polished and brightened, may, among the very simple mountaineers of Switzerland, the Tuilaliety and Hilliho sort of people pass for a sovereign ; but most of these mountain passes are attended with a certain amount of difficulty. 3G2 VERY MUCH ABROAD. On board ship, or when travelling by tidal service boat, always pay for your passage with the current coin of the river. Should you pass through the kingdom of Bohemia (celebrated for the beautiful tea called Bohea, whence the name), the follow- ing coins are at present in circulation : — - Bohemian Bohemia. Relative Value. Germany. English. French. Joeys = one Kick — 3jj Groschen = Four pennies = 31^cts. Tizzies — one Bender = 5 Groschen = Six pennies = 52^ cts. Bobs = two Tizzies = 10 Groschen = One shilling = 1 fr. 20 cts. Benders = one Tizzy = 5 Groschen = One sixpence = 52^ cts. Kicks = one Joey = ISjj Groschen = One fourpence = 31 {u cts. Tanners = one Tizzy = 5 Groschen = One sixpence = 52^ cts.* If you carry any change, be careful to take more kicks than halfpence. You'll always get them for the asking. In Cologne the cent is chiefly used. As, however, these are not punctually paid, the Owe de Cologne cent has passed into a proverb, so as to make the place smell in the nostrils of Tourists. Paper money, known as Flimsies and Bitsostiff, are seldom seen in Bohemia ; while sous and straw-papers are common. When a Billet de Banque is unnegotiable everywhere, it is called a Billet Boo. Rhino is the general term for all species of coin passing up and down the romantic river between Cologne and Mayence, and may be termed the floating capital of Rhenish Prussia. Another example of this existing fund may be found in the South, where Venice is the floating capital of Europe. This, however, by the way, and rather out of our way at present. In many places, Tourists have found brass an excellent substitute for tin. The Cosmopolite should always carry a plentiful supply of coppers with him, and then he can do all his " washing " in his own room. Another point is the computation of distance, and the applica- tion of correct measurement to the hiring of vehicles. Mind ; when you hire a voiturier, lower his price. Now, it must be * Time is Money. True : but this will scarcely warrant the Tourist in using the above as a Time Table for Railways, &c. We mention this to prevent disappointment. HOW, WHEN, AND WHERE. 363 taken as a general rule, to which there are but very few excep- tions, that every object, when divided from the traveller by an interval of several miles, is further removed from his particular locality, than is another object which is within a few feet of his touch. Very good. In the latter case a carriage will not be re- quired. In the former, let us suppose you're going to drive tv Darmstadt, which is ten miles off from anywhere you like. Well. if you know this, all you've got to ask is, " How much a mile ? " and, when the coachman has given you the information, you will have added to the stock of knowledge which you already possess. You can thank him for the information, and retire. If, how- ever, jou are uncertain of the distance, rise early in the morning, procure a short, or long piece of tape, go over the ground, cheer- fully reflecting the while, that one day you'll have to go under it, and measure carefully : this will give you a nice walk before breakfast, of course to Darmstadt, and then you'll be in a position to withstand all attempts at extortion. To enable you to measure correctly, provide yourself with a Two Foot Rule of the Road. Consideration for those millionnaires who can afford to be carried, shall not prevent us from turning our attention to the poor pedestrians. General Precautions to be observed by Pedestrians and Others : — When it rains, let the traveller stop at some inn on his road, so as not to get wet ; And, when the warm Sun is shining, let the traveller stop at several inns on his road, so as not to get dry. 304 VERY MUCH ABROAD. CHAPTER VII. ANTWERP — THE CATHEDRAL A LOOK AT ST. LUKE'S VISIT TO THE CONSUL. w HAT with our driving and our walking tours, we find our- selves rapidly leaving Antwerp. We therefore, if you please, and if you don't please it can't be helped, will return to the Hotel of St. Antony. On your arrival, let it be your first endeavour to prove to the as- regards - English- manners- benighted -and-totally-uninstructed citizens, that yoit, at all events, have none of that phlegmatic re- serve and dulness of spirits which are the characteristics, we hear, of so many of our travelled countrymen. Proceed thus : never leave off whistling or singing, except when you're shouting, speaking, laughing, eating, or drinking ; this will show lightness of heart and head, innocence of disposi- tion, and cheeriness of manner not to be surpassed by the most volatile of our liveliest neighbours. Get rid of your vigilant that means a cabman, when there is one, by giving his horse a sharp cut with the whip and saying, " Hoop ! tchk ! come up ! " and off" he will set, as hard as he can lay legs to the ground, down the street, and, of course, his owner after him. Now then for a good old practical joke, which, however, being quite new here, will establish your reputation for hilarity from the very minute of its execution. Begin thus : — Tell the crowd who are looking on that you're going to " play at Pantomimes." They won't know what you mean, but that is of no consequence ; and, by the way, this fact is equally true as regards the majority of people who, during the season, are intensely interested in listening to the poetical libretti of Italian operas. Commence humming, " Rum turn tiddle tiddle" any words you like here, to give the idea of the never- ceasing music in the orchestra at Christmas. Knock with your open hand three times at the door of the hotel, and then lie down flat on your face in front of it. If the proprietor is up to the business (and if not, why is he in that situation, we'd like HOW, WHEN, AND WHERE. 365 to know 1) he will wait until after the third knock ; when he will open the door, look straight before him, smile blandly, rub his hands, and at the first step of his advance fall over your prostrate form. You yourself must be up on your legs as nimbly as possible, and lose no time in belabouring the weak-minded tradesman with one of his own advertisement boards. "When he does rise, he will only shake his fist at you, and will immediately allow himself to be mollified by your putting your hand on your heart, bowing politely, as- suring him that " you didn't do it," and then intimating that "you are willing to pay for accommodation in his house." You will be shown to your bedroom, when it will be as well at once to ask for a tallow candle to rub the floor with, and make a slide, on which the proprietor will be the first to fall : then ring for warming-pan, a 'Business" with shopkeeper. kettle, a large box labelled ^ Pills, concluding the per- formance by jumping into bed with your clothes on. You may now consider that you have done enough to prove yourself several degrees removed from those proud, cold, say-nothing-to-nobody sort of Englishmen, who are so generally to be met upon the Continent. In the morning, and also during the entire day, you will hear the Chimes of Antwerp Cathedral. The ambitious Tourist may scat himself upon his portmanteau, and interpret the language of the bells as "Turn again, Robinson" (Jones and Smith are out of the question), "Lord Mayor of Antwerp." They don't of course say anything of the kind, and there is no Lord Mayor. 36G VERY MUCH ABROAD. The name of this town is, as we have said before, Antwerp ; but the French, with their usual perversity, will call it Anvers. The pronunciation of this name reminds us, that the tune, which the Cathedral clock plays, may possibly be " Anvers and Anvers is my Hieland Laddie gone 1 " However, this is simply interesting to the man who winds up the works : on second thoughts we remember, that the economical authorities have provided themselves with a permanent winding staircase in the Church Tower, which saves the expense of employing a clockmaker. There is an ancient society in Antwerp called St. Luke's, to which the artists belong : it corresponds, we believe, to St. Luke's in London, of which several Royal Academicians might be distinguished members. Be the weather fine or wet, the Tourist may walk about the streets of Antwerp all day free of charge. Gratis Exhibitions. — The Exterior of the Cathedral can be well seen from earliest dawn till quite dark ; also, the outside of several Churches ; and from the same side, an excellent view can be obtained of the Museum. The Theatre, we are informed, is only open for a part of the year ; and that part is always well filled. The British Consul may be seen for twopence a head through a glass-door. Feeding time at one o'clock, when the price of ad- mission is raised. No one is admitted after the Consul is once quite full. There is no deception, he is alive, and will shake hands, talk affably, and answer any questions that may be put to him. Sticks and umbrellas must be left in the haU. The Post Office in this town is not the same as the Post Office in another town, and is, on this account alone, worth the trouble of a visit. We now consider that the time has arrived when, previous to quitting Antwerp, we may give a few more — General Hints for the Tourists. — Always shout out your English sentences at foreigners. They're all deaf. Your only other chance HOW, WHEN, AND WHERE. 367 of being understood is by talking broken English to them. For what is the good of speaking your perfect mother-tongue to those who cannot understand it 1 It's simply a waste of words. imJI -' i> A pushing acquaintance.— An Anglo Gallican sketch. Take it for granted that every one is trying to cheat and impose upon you. Dispute every item in every bill separately. To ensure civility and respect, see that all your portmanteaus, bags, and hat-boxes be labelled MURRAY in the largest capitals. 368 VERY MUCH ABROAD. CHAPTER VIII. GERMANY LANGUAGE COIN THE BU RE AU— ME YERBEEH KANT HARZ MOUNTAINS WESTPHALIA — POLICE ! HE Tourist will now leave Antwerp with a view (which can be purchased at any stationer's shop) of going up the Rhine. He probably will have determined upon walking up several moun- tains, and so, by way of practice, he should have begun by running up a con- siderable bill at his Hotel. Now, if you are a mere machine in the hands of Murray, your attention will be attracted by the name of the next place, Turnhout ; but if you'll take our advice, you will not turn out of your way to go there. There is merely a monastery to be seen, where dwell the Monks of La Trappe. The chief of the order resides in Paris, and is called Pere la Chaise. As may be gathered from these titles, their occupation is to let out flys, broughams and saddle-horses. Cologne is to be our next point? Yes? very good. Then Cologne be it. For Germany ! Away ! away ! Music, and scene changes to. Germany. — This country is bounded on every side by a lot of places, but that it has any connection with the German Ocean is a mere German notion that must be at once dispelled. The male The tourist's glass. HOW, WHEN, AND WHERE. 3G9 population are called Germans, the female, of course, Gerwomans ; the rest of the family Ger-boys, Ger-girls, Ger-babbies, and so ou. The natives call their country Fatherland, and it therefore follows that the Mother-tongue is never spoken. The enterprising Tourist having to reach many farther lands than Ger-many Father- The official in his bureau. land, must not be stopped too long by etymological considerations. The money of the country is simply divided into good and bad. To the former description, however, belongs the current coin. Asa General Rule for Economical Travellers the ordinary English .Sixpence will go a very long way if, for instance, you carry it with you from London to Constantinople, or any other distant spot. The Prussian dollar was, some time aso, of so little value as to be B R 370 VERY MUCH ABROAD. merely nix in the market. Hence the proverb, musically ex- pressed by that ri-tooral Tourist, Mr. Paul Bedford, in the words, " Nix my dollar ! " All Germans have long or short light-hair, to which natural ornament you will often hear them make allusion by saying " Yah, mine hair." Their habits are simple, being coat, waistcoat, and continuations, as worn in England. The use of a parry-pluie. Their language possesses only one word of any importance, and that is " zo," which monosyllable, according to the tonic inflexion given to it, means everything and anything you like. Passports. — The traveller in Germany must have a passport, that is, an Order to see the place. No orders are admitted after seven. Evening dress is not now rigidly insisted upon, unless you're going to stop the night in a city or village ; when, of course, you would adopt it for your own comfort. If you are a member HOW, WHEN, AND WHERE. 371 of Oxford or Cambridge, it is considered a graceful compliment on entering such a town as Heidelberg at eleven o'clock p.m. to appear before the authorities in your University nightcap and gown. The official who sits in his Bureau (you'll find him in the top drawer, left-hand side) will ask you if you're going to sleep there, to which you can reply by going to sleep there and then. English ladies travelling need not be in the least degree shocked at the mention of the officer in the drawers of his Bureau. There is no Carrying out your directions. breach of decorum here, and everything is conducted with due regard to propriety. German Hotels.— If you are going to stop, and if you arc not going, you will, of course, stop, it will be as well to come to some understanding with the landlord. If he doesn't speak English, and you do not speak German, and neither know French, an understanding will be a difficult matter. There is some legend attached to almost every old house in Germany, and all the ancient hostelries are full of long storeys. See that your bed-room window commands a pretty view, which is invariably an object with us ; if you fail to get such a prospect, that's your look o\\\ not ours. b b 2 372 VERY MUCH ABROAD. Beds. — " The German bed is only made for one." This is what Murray says, and consequently the simple Tourist, acting correctly as he imagined, upon this information, has, on arriving at a German town, immediately ordered a bed to be made for him. This is, we need hardly point out, an unnecessary expense ; as, even after the bed has been actually made for you, you cannot take it away. This rule does not in any part of Germany or Prussia apply to a hat or coat, which article, once made to order, becomes your own property. Drinks. — You will find that the Germans are far ahead of the English in the point or pint of beer. We have hop gardens, such as those of Cremorne and Highbury. They get a step beyond this and encourage Beer-gardens. The beer, of which they are most justly proud, is Meyerbeer. The pedestrian journeying along the high roads will encounter a number of beggars who will address him in canting tones : this is the worst specimen of the whine of the country. These mendicants, by the way, are generally Philosophers, and disciples of Kant. Geography. — The celebrated Harz Mountains are not in Ger- many, as is the common supposition. These heights are in Scot- land ; and, in proof of this, every one will recollect the words of the national melody " My Harz in the Highlands." The natives in the eastern districts are known as a race highly successful in everything they undertake. In the west, however, the reverse of this is the case, and from the unhappy results which have attended all their efforts at an improved cultivation, the district has long been known as that of " West-failure." Manners and Customs. — If five Germans are walking in a row, and meet a lady with whom only one of the party is acquainted, all the five take off their hats. If you meet five Germans you will raise your hat five times. The Englishman must take his polite- ness with him to the uttermost parts of the earth ; he can never, in our opinion, carry it too far. If you ever refuse to take your hat off to German strangers, you had better take yourself off im- mediately afterwards. A.« a stranger you will be expected to fight HOW, WHEN, AND WHERE. 373 all the German students, who may be residing in the same town with yourself: if you do not conform to this rule, you will find every one for whom you have any regard turn away from you ; and surely 'tis better to be cut by a few students than by many friends. At dinner you will be careful to convey peas, beans, and gravy to your mouth by means of your knife. The feat requires some practice, and for some time your meals will have the dangerous The "slips." character of a "Sensation" entertainment so popular now-a-days. Now then on we goes to Cologne. Your luggage, mind, must be weighed, to send that baggage on its weigh as speedily a? possible. At railway stations every one, except the railway guard, is uncivil, and though there are plenty of porters, you will find it necessary to c?rry your boxes yourself. Take them all at once, as you must never on any account part with your luggage. Sup- & 374 VERY MUCH ABROAD. posing that you are not well up in the language, keep on shouting out the name of your ultimate destination : this will attract the guard's attention, and he will put you into the proper compart- ment. Wherever you are going, you will have to change carriages three times at least on the road. Take this for granted, and change carriages at every station. ■ Show your passport and railway-ticket to everybody, so that there may be no mistake. If you can't smoke, always travel second-class, and you'll soon get in the way of it. Be careful to observe all police regulations. On your arrival at any place, you, being widely suspected, are narrowly watched. Two policemen in plain clothes dog your steps day and night. The man who attends you as a laquais de place is a Govern- ment spy, who, unless you fee him well, reports everything you say, and plenty that you do not say, to his employers. If you want to go out for a walk by yourself for more than two hours, you must procure a "permit" from the police. The charge for a walk by yourself is seven-and-sixpence for the first hour, five shillings, for the second, half-a-crown the third and the rest. The Rest would of course naturally come after the third hour's walk, If you wish to take an umbrella with you, notice must be given two days beforehand. Very good. Now having got your ticket, you've taken your seat in the carriage by the kind permission of the police, and in a few hours you will be at Cologne. HOW, WHEN, AND WHERE. 375 CHAPTER IX. COLOGNE OX THE DEUTZ SIDE — THE GARDENS — THE INTERIOR OP THE CATHEDRAL— ARTISTIC NOTE NOTICE TO QUIT THE BILL— QUITS — THERE AND BACK FOR NOTHING !— TRINKGELD — EISENBAHN TELEGRAPH. ERE we are at Cologne, a German Cologney. Yon will stay a short time ; let us say that you will stop for the space of a semi-Cologne. Cross the bridge, taking care however not to go over it, and take up your abode at Belle-vue the Hotel, Dentz side. It is said to be the " largest and wealthi- est city on the Rhine." So far Murray ; but if this is so, what does he mean by saying "Pop. 10 0,00 0'?" " Pop " is, of course, a delicate way of hinting at the existence, in this place, of that number of Pawnbrokers. You will dine at the table tVlwte, unless for privacy's sake you like to order the table d'hote all to yourself in a separate apartment, in which case the hungry visitors will be rather astonished. You would probably fill yourself, but you would empty the hotel, and very soon there would be — The railway belle. " No one in de house wid Diner." S7C VERY MUCH ABROAD. Howbeit, you must remember that he who stops to eat, remains to pay. Iu the evening, sit out in the gai'den overlooking the moonlit Rhine, and become poetical. "Wine" rhymes to " Rhine ; " and in the mouth of any affected demi-swell, the roll of whose pedigree is probably as slight as the roll of his R, the word is precisely the same. You have seen the tableau n the opening of an Opera. Here you have the original. Peasants, priests, soldiers, and travellers, grouped about the grounds, drinking, laughing, and talking while the band is playing. Mark your time, and by way of showing your appreciation of the scene, come forward to the lights, cup in hand, and give them a time. The libretto might be, for instance — Wine ! Wine ! Wine ! Liquor of Rhine. Ichor divine. Mine ! Mine ! M ine ! ) Thine ! Thine ! Thine ! ] and Oh, it is pleasant, 'tis pleasant, At present, at present, To drink The Wine. Spar-ar-ar-kiling Wine ! Spar-ha 1-klingwine ! This may be followed by a short dance, very short, and you will then be, probably, kicked out. This will not prevent your returning in order to show that you bear no malice, and can enter into the fun of the thing. Sights in the City. — The best sight is unfortunately hidden from view. It is the sight upon which the City of Cologne stands. After this, the Cathedral. Cologne Cathedral is older than the Nelson Column, but is even in a less finished state. The order of architecture to which this noble pile belongs was probably " Build- ing by contract," and one of the parties failed. To describe it minutely would be tedious ; Ave will therefore say that the doors have a good deal of open work about them, and great panes have been taken with the windows. The only pointed style in the Cathedral to attract the Tourist's notice, will be that of his Cicerone, by whom everything inside will be pointed out to him. Caution. — Beware of the Suisse, that magnificient Esquire- HOW, WHEN, AND WHERE. 377 Bedell in the Cathedral. For all he looks so grandly harmless, his hat is cocked, and may, by way of a salute, go off. Beware ! The Choir is about 161 feet high ; more than a hundred treble octaves above the level of the C. The Base of the Cathedral assists on Sundays, and tones down what would otherwise rise into a screech. In one of the side Chapels, where you'd naturally expect a f <$> "Spar-ar-ar-klling Winel Spar-ha l-klingwine 1 piece of sculpture by Chantrey, you will find an old painting in Distemper. The Society for the Prevention of Cruelty to Animals ought to remonstrate with the Foreign Ecclesiastical Authorities on the subject of this picture. Poor thing 1 in Distemper since 1410 ! There's plenty more to be seen, but you've got a pair of eyes we suppose, and we really cannot stop here talking all day. We saw everything in the place, why shouldn't you 1 Do you give it 378 VERY MUCH ABROAD. up 1 If you do, come along somewhere else. As we suppose that you have, of course, lost your luggage, it is not necessary that you should return to your hotel, where you'd only have to pay your bill, and thus make yourself uncomfortable on that score. Notice. — There are many books published now-a-days informing the tourist how to see the Continent for five or ten pounds in as many "weeks. We can tell him how to see it for nothing. Insist that the steamboat brought you by mistake while you were saying good bye to a friend ; go away saying you'll bring an action against them, and they'll offer to take you back again ; disdain their proffered courtesy ; they'll be frightened and offer you money not to tell ; if they do, take it ; if not, they'll be only too glad to put you on shore and get rid of you. After this, unencumbered by packages, your course is easy. The hotel is not built that can hold you for any length of time. You can tell the various land- lords that you are going out to look for your luggage, and this search may reasonably take you many miles away from the place where your last little bill was run up. The trains go so slow, that, with very little practice, you can easily get out during the journey and thus avoid all those absurd forms and ceremonies attendant upon rendering up the ticket, which, as you, when travelling economically do not possess it, would simply waste time, and would materially retard an otherwise rapid progress. Your foreign fellow-travellers, will, if asleep, not see you ; for they have a way of closing their eyes when in a somnolent state, and, in this particular, resemble Englishmen. If their eyes are open, the fumes of tobacco will be an effectual cloak for your exit. Should, however, any one of them see you and tell, the chances are that the rest won't believe him : and if they do, they'll merely laugh at the eccentricities of the English, and consider your conduct as the ordinary mode of travelling adopted in your own country. The railway carriage is your only difficulty, and we've shown you the way to get out of it. In this manner a great deal more of the country will be seen than if -you were shut up in a close com-^ partment. The man who prodigally pays his way and tips the servants, is- sometimes remembered ; but the man who doesn't is never for-. HOW, WHEN, AND WHERE. 379 gotten. They will be looking out for you everywhere, they will be even anxious about your health, and be desirous of seeing you again as soon as possible. This is affecting, but don't stop for it. Hire some conveyance that will gallop past the well-remembered windows, whence are peering the old familiar faces. Be open- handed with them as befits your generous nature, and wave adieux A cocked hat going off. from your fast disappearing vehicle. You can always get rid of the driver by asking him to ' get down and pick up that parcel you've dropped in the road. When he has retraced about three hundred feet of the road, jump into the box-seat, crack your whip, cry " Tchk ! " and then once more urge on your wild career. You can sell the carriage and ride the horse, which, after carrying you some distance, will fetch a sum that will enable you to travel like a gentleman when you get back to England. If any Economical 3S0 VERY MUCH ABROAD. Tourist's Companion can show us a better method than this, we should be glad to know it. We will tell you How to go to Cologne for Nothing ! Well, you see, if you've nothing to go for, why, there you are. This advice is only applicable to a minority of loungers. Now we've seen everything that can be seen, and we're going to quit Cologne. Let us turn our attention to post-travelling and payments appertaining thereto. German miles are different to English or Irish miles. In olden times there was a league of barons, counts, and dukes, which must have had as queer an effect as seven-miles' worth of the aristocracy would have in England. By this league all other distances were measured ; and the greatest distance was between the last baron and the first shopkeeper. Leave your card upon the Chief Baron before the long vacation commences, and he will tell you all about it. Postmasters are empowered by Government to compel their passengers to carry the horses and drag the carriages up all the hilly places. When you hear and see a high hill you will doubt- less exclaim " Hillo ! " Trinhgeld, drink -money, is the sum given by way of liquidating your debt to the postilion. Before journeying by carriage take the number of your horses : this ensures civility. Purchase, for your own private reading, all the back numbers of the Eisenbahn Telegraph which is a German Bradshaw ! With a very slight knowledge of the language you may derive considerable pleasure from the daily study of this delightful work. The only man who ever attempted it, was ultimately found all alone in his room at the hotel, trying to set the railway guide to music, mark- ing each bar with the time of the different trains. He is now quite harmless, and passes his days in playing elaborate fantasias from Bradshaw'8 Raihvay Guide for the current month, on the bassoon or violoncello. HOW, WHEN, AND WHERE. 381 CHAPTER X. UP THE RHINE — OBERWESEL — STEAMERS — ST. GOAR — TO THE LURLEI BERG TO LUR-LI-ETY BEATE MARTINE ! — ASSMANHAUSEN BINGES — RUDESHEIM — STOLZEXFELS — RAT'S CASTLE — LEGEND MAYENCE. P AND down the River Rhine, In and out the vessel, that's the way the money goes. Stop ! Oberwesel ! and there we are at a half-way house on the Rhine. We may call one of the inns by this name, as it is partly hotel, partly dairy or as it may be termed, half-beer half-whey house. "While bateau-a-vapeto'-ing up the Rhine, we will make a few observations on Steam- boat travelling. The one general rule that governs all steamboat is, must speak to the Man at the "Wheel ; " but you may whistle at him, howl at him, shout at him, or dance before him as much as you like. It is the part of genius to break through rules ; therefore, if you would not be set down for a mere commonplace Tourist, take pity upon his isolated condition, and commence an animated conversation with the steerer. "Whisper soft nothings in his ear ; tell him that " good thing you heard the other day," and point your jokes with your forefinger under his fifth rib. You may wave your hat and halloa in front of him ; this is a very good way of cheering him upon his lonely voyage. An you understand not his language, nor he yours, make faces at him until he roars with laughter, and finish by singing to him "Now I'm Comfortable!' voyagers by "No one 382 VERY MUCH ABROAD. in your best style, " Wkeellie, we have missed you ! " when he, being of a sympathetic soul, will join you in the melody, playing rhapsodically upon the spokes of his wheel. Others on board may laugh and be jolly, but he remains throughout the one stern passenger, unless, as we have suggested, you can overcome his unnatural reserve. He seldom moves from his position, yet is he perpetually taking a turn on deck. We never met anybody who knew one of these men "at home." We can- not help thinking that they have run away from the domestic circle. Maybe, for some dark crime, they are undergoing a self- enforced silent system, rendered all the more difficult of endurance by the opportunities of communication with their fellow-men which their situation offers. In consequence of the Helm obeying the will of this roving recluse, the Germans have but »o wheeiiie, we have missed you i » one generic name for the class, every indi- vidual member of which they address as Will-Helm Meister. Steamboat travelling differs from Railroad travelling, inasmuch as the authorities of the former take you on trust, not demanding your fare until they have carried you for some distance upon the voyage. The first feeling produced by this system in the breast of an honest Englishman is gratitude to the beneficent beings who, apparently, are going to give you a trip for nothing. On the approach of the inevitable money collector, this sentiment is entirely superseded by a desire to avail yourself of those facilities HOW, WREN, AND WHERE. 383 of personal locomotion which a deck affords, to dodge the official, and avoid that mutual unpleasantness and misunderstanding which must result from one person demanding as a right that which another person is unwilling to concede of his own free will. The Collector, you will notice, is closely followed by another wary official, who is doubtless set as a watch upon his superior officer, lest that individual, having collected the money, should suddenly collect himself for a spring and violently abscond by leaping over the side of the vessel, and by a bold stroke of genius swimming to shore. Here we come alongside of the bank, and for a minute or two we must touch upon this point. It is a dear, or rather cheap, at least we found it so, old place called St. Goar. You will perhaps smile at any of the Rhine show-places being cheap, and will say, ironically, " Go-ar-long ! " but nevertheless such is the fact. Hereabout there is a whirlpool which tumultuously eddies round a horrid rock. Hence the proverb, "Tis the Lurlei Berg catches the Whirl." We heard a Cockney drop an H and a remark, to the effect, that, it "made him quite 'eddy to look at it." The Church of St. Martin is a specimen of one of the very earliest churches, in consequence of the service commencing $very morning at 4 a.m. The ancient and well-known legend can, we believe, be found here, if you look very carefully for it, commencing " mild, Beate Martine" &c. , Then you come to Assmanhausen, so called because the donkey- man has his house in this place, whose animals can be hired by day or hour, by your or our party, as the case may be, for the sake of; making excursions into the vineyard country. The public conveyance, in this part of the world, is called the Van Ordinaire. "Don't be offended w r ith the captain if he tells you to "get out " at Bingen. You'll want to go to Riidesheim. There is a regular charge for donkeys at this place, so you had better keep Out of the way ; or, if in your own country you are a Volunteer, prepare to receive the charge with your umbrella. It was at this place, that we saw the heart-rending spectacle of a French tourist arriving too late by a minute and a half for the departure of his steamboat An Englishman in a similar position, after a few 384 VERY MUCH ABROAD. words of very old Saxon, would have inquired for the time of the next boat, and would have waited at the nearest Hostelrie for its arrival. Not so Mossoo ; he anathematised his hard fortune and the day of his birth. He dashed* his hat on the ground, and danced on it : he tore his hair, and at length in a passionate burst of tears he sat down on his portmanteau, and consented to listen to the voice of reason issuing from the mouth of a stolid Prussian porter. " Paddle on all," and away we go again. To keep and find your place in " Murray," and at the same time find the corresponding places on the Right and Left Banks of the River, is a feat of no ordinary difficulty. You should read it thoroughly before starting, and you will then be able to enjoy yourself and benefit your companions. " What is that place 1 " inquires a fellow-tourist without a Guide Book, attracting your attention to Stolzenfels. " That 1 " you reply, pretending that you haven't been cram- ming up the Rhine history over-night. " That is Bishop Ratto's Castle, so called because when he was refused by the Fair Guda, he made the child Werner eat all the rats in his barn, while every one was shouting out ' the Rhine ! the Rhine ! ' as with the voice of one man. For this barbarous deed he was thrown into the river, where he was subsequently interred and canonised." The only newspapers published in the Vineyard Country, are issued from the Wine Press. In the fruitful season, which is also the shooting season, you will often see a poor peasant, who is unable to buy a gun in order to keep off the small birds, watching for the tiny depredators of the vines, having previously loaded himself with grape. In Steamboat travelling, a rug, a great coat, a portable bath, a carpet-bag, a hatbox, a portable writing-case, race-glasses, an um- brella, a camp stool artfully compressed into a peculiarly incon- venient walking-stick, are absolutely necessary to the tourist who wishes to make himself thoroughly uncomfortable. He sits on his camp-stool, wraps himself up in his rug and great coat, places his portable bath on his hatbox, and his feet on the portable bath, settles his writing-desk on his knees, puts his umbrella up to pro- tect him from the sun, and saying to himself, " Now I'm comfort- able ! " vainly tries to read his " Murray." Whenever he would HOW, WHEN, AND WHERE. 385 turn over a page, down must go the umbrella, and on getting tho race-glasses out of the case in order to look at the scenery which can probably be seen a great deal better with the unclothed e} r e, down goes umbrella and "Murray." If you leave the things, and walk up and down the deck, you will be nervously suspicious about every one who goes near them, and will keep on returning to the spot, until rinding them on every fresh occasion in their original position, you will say to yoxirself, " Away, base suspicion ! Hence, fear!" and giving yourself up to the allurements of the Nymphs of the Rhine, will gradually cease to remember your en- cumbrances, and upon disembarking, in the anxiety for the safety of your trunk or portmanteau, will forget the lesser properties alto- gether. In this state we get out of the boat at Mayence, and not having as yet found out the loss, proceed in ignorant bliss to the Rheinischer Hof, Hof which you have probably heard a very good account, and will certainly, on leaving, receive at the hands of the disinterested landlord, a very moderate account indeed The juice is in it. C O 386 VERY MUCH ABROAD. CHAPTER XI. THE RHEINISCHER HOF — ARRIVAL AT AN HOTEL WITHOUT BOOTS OPERATIC — MONEY-LENDERS' OFFICES AND OTHER OBJECTS OF INTEREST IN MAYENCE — MANNHEIM SPIRES. THE serenely happy Tourist will now re- member that he has just arrived at Mayence, without his rug, hatbox, um- brella, carpet-bag, portable bath, race-glasses, walking- stick-campstool, and writing- desk, all of which he has accidentally left on board the steamer that is now bearing his treasures to Mannheim. As he reaches the door of the Rheinischer Hof, the sense of the fearful loss comes upon him like a flash of lightning. He claps his hands to his pockets, not meaning as it were to ap- plaud them for having done something clever, but with a vague idea that the portable bath, campstool, and carpet-bag may not be so far off after all. What before were luxuries, now assume an importance that makes them appear absolutely indispensable. " Everything,'" he cries, " was in my carpet-bag ! I can't get on without a rug ! and what the dash can I do at Baden-Baden if I haven't got a hatbox 1 My soap's in my carpet-bag, so's my brush, and comb and — and — my other boots ! " By the way, those other boots, always carried and not required, or if not carried, invariably wanted, are sure to be lost during the trip. A propos de Boots, however, we will just stop for one minute to say that, if any traveller, fond 1 Now I'm'appy." HOW, WHEN, AND WHERE. 387 of grandly romantic scenery, wishes to make certain of seeing a good fall of water he had better trip up the Rhine with his boots. To return to the missing articles. As landlords and waiters everywhere are supposed to know everything, the obvious course will be at at once to question them on the subject. " Were the articles directed 1 " asks the host. "O-o-h his portable bath I" The Tourist patiently explains that he doesn't generally label a rug, great-coat, and an umbrella, but inwardly regrets that he had allowed the direction, "Mr. Smith, Passenger to Bristol," t<> remain upon his portable bath. " Monsieur knows the name of his bateau a vapeur ?" the land- lord suggests, mixing a little French and English, in order to show that he is prepared for his customer whatever he may say. Monsieur however hasn't got the slightest notion w r hac was the name of the " battue a vampire," and prides himself upon having pronounced the name right that time, anyhow. <; o 2 388 VERY MUCH ABROAD. " Ah ! " says the landlord, " Monsieur knew the Captain ? " " Good heavens ! No : nor the Stoker, nor Boiler, nor Man at the Wheel, nor anybody connected with the steamer." " Did they see where you got out 1 " asks the landlord. The tourist had been so engaged with his large luggage, that he had not noticed if, in stage phrase, " he had been observed." "The boat stops at Mannheim," the landlord remarks. " Well, there, I suppose," suggests the traveller, " they take out all the luggage." "Yes," replies the proprietor of the Rheinischer Hof, "and if the things are not claimed at once " "Well 1 ?" inquires our friend, anxiously noting a slight hesi- tation on the speaker's part in arriving at the catastrophe. " Well," resumes Rheinischer Hof, slowly, " if they are not claimed at once — they sell them." " Tourist ! a blight is on thy path — What'U become of the portable bath ! " Whistle the air of the " Mistletoe Bough " and sing, — " Oh, my portable bath ! O-o-h ! My por-tar-blebath ! " Chorus, in which the sympathising landlord and waiters will (if not otherwise engaged, and if conversant with the air,) join, — " O-o-h his portable bath ! O-o-oh his port-tar-blebath ! " After this, order dinner, see your room, shake hands with the landlord, and determine to let byegones be byegones. The most remarkable object in Mayence will be, of course, yourself. Do not let the knowledge of this importance prevent you from visiting the Cathedral. Protestant though you may be, you will be here received into the Church by the Suisse, who is generally a fine handsome-looking man, of whom the ladies say in Suisse- whispers, " Do look at his Suisse-whiskers ! " The French, ever attached to the lightest possible literature, once converted HOW, WHEN, AND WHERE. 389 this Cathedral into a Magazine. It soon, however, fell to the ground, and now-a-days very little that is original remains, as the people subsequently took all their articles from the French. Even though you, or any other tourist, may have given up all idea of lying hands upon the lost baggage, yet should you, as a pedestrian, walk to Mannheim. At this place you'll halt, and probably begin to limp as one maimed by the unwonted exer- cise, unless you have been previously accustomed to do the same thing, or as the French call it, mam-chose, or shoes, as in this case. A pleasant wet day may be spent at Mannheim, by trying to find out, by the aid of the Mannheim Directory, the address of your old friend who has performed the Samson-like gymnastic feat known as "Taking up his Residence," in this ancient town. We've often heard of Dramatic critics being able to " give a theatre a lift with their pens," and we suppose that these expres- sions are the results of a strong muscular creed. But to the Directory. Mannheim houses are not as other houses. They are arranged in blocks, chiefly blocks of stone. The streets intersect one another at right angles wherever they can, and at wrong angles wherever they can't, and by generally interfering with one another in the most unaccountable manner, produce upon the mind of the stranger the feeling that he might as well be in Fair Rosamond's Bower, or the Maze at Hampton Court, without the sweet little cherub who sits up aloft and sings out "To your right — To your left," and other intelligible instructions to help him on his way. The streets have no names, though they will have, and pretty hard ones too, after you've been puzzling and meandering about them. The simple direction for finding out where anybody lives is, ask him himself on the first opportunity ; but if you can't see him, and haven't got time to write, take the Directory, and obseive that all the blocks are arranged alphabetically, that the housa_ are numbered, and that there are many blocks more than the Alphabet has letters, and that then you begin again and make the best you can of it. That's plain so far, isn't it ? Well, let's 300 VERY MUCH ABROAD. say you want to call on Mr. B. Very good. Mr. B. you find lives at A., now on this point you will not be at Sea. Then A, being a block, you find the number ; now, we forgot to mention that each block is numbered as well as every house, so that when you've ascertained the number of the house, you must take care not to confuse it with the number of the block, and when you've carefully arrived at a knowledge of both numbers, your next step "Lightest possible literature!" will be to retrace your former ones, and see whether you were correct in the first instance. After this, take care that the block is the block in the Alphabet and not one out of the Alphabet ; then see that the number is the same as the one you had fixed upon, and finally learn whether or no B. lives at this number or not. After this it will be time for you to brush your hair and go to bed. Visit the Theatre, which was once reduced to a mere shell by HOW, WHEN, AND WHERE. 391 the Austrian bombs. Ever since then all the Pieces have gone off well. The Cathedral was pretty considerably knocked about by the French, who chipped and clipped pillars and statues and sepul- chral monuments. Here some Margraves are buried ; the iconoclastic French, however, appear to have been the principal mar-graves. They compelled the ecclesiastics to fly for their lives, and each one of the good monks was forced to take up his breviary and mizzle. There is no inducement for the traveller to follow the Rhine above Mannheim, and the Rhine might look upon such a pro- ceeding as going rather too far. You're not Grant and you're not Speke, so none of your sourcey observations, if you please. Come move on ! will you, and just drop in at Spires. This place was built by the same ingenious architect who raised the one spire in Langham Place, Regent Street, of which this town is merely (as the name implies) an ample development. Keep your eyes open and you will be Spyers too. Mind you ask for the celebrated Diet of Spires at the table d'hote. Don't be put down by the unseemly jests of the landlord, or the gibing of the Kellners. Very interest- ing place, Spires, full of historical reminiscences, so on we go to Heidelberg. 392 VERY MUCH ABROAD. CHAPTER XII. HEIDELBERG THE UNIVERSITY THE CASTLE A TUN AND A HALF TOXICOLOGY BADEN-BADEN THE BOARD OF GREEN CLOTH. EIDELBERG, or the Bridge, the Town, and the Tower ! This is our next point. A lazy old place, sure enough, with all the H'Idle burghers lounging in their shop doors, if there's nothing doing. Every one here seems to have suddenly, in printers' phrase, been set up in smaU caps, for caps of all sorts, sizes, and colours, ornament the heads of the University youths. They are very free with their swords, and the following University rules are found necessary : — ■ 1. Any Student refusing to give his name to the Proctor in the streets, may be immediately cut down by the bulldogs. 2. That in cramming for examinations, the armed Students in statu pupillari shall run through several authors. 3. That every candidate at Matriculation shall be able to trans- late Arnold's Roman Sword Exercises. You will be considered a great man among them if you appear as a Professor of the Noble Art of Self Defence, and give Lectures on the New Cut, Lambeth. Of course, the first thing you'll want to go and see is the Castle. Well, you'll have to go up a hill. This Castle was taken once by the French, and once by Mr. Turner, the celebrated artist. The Pique and re-pique. HOW, WHEN, AND WHERE. 393 Electors Palatine, who used to live here, were people of bon Tun, as may be seen if you visit the cellar, where stands the celebrated Tun, on the top of which the peasants, when they were very jolly, used to dance. This was when the vintage had been a good one, and the happy rustics were living on the vat of the land. There is some trick connected with a fox's brush, that starts out of some- where suddenly, and hits you anywhere when you pull a string, of which we have some vague and unpleasant recollection ; if you don't want to know anything about it don't pull any string, and you'll be safe. This is of course the jest or rather the Butt of the place ; the good folks ought to get a second like it, on the excellent principle that " one good Tun deserves another." Of course, while you are at Heidelberg you will stop at an Hotel. Now the mention of an hotel naturally leads us to the subject of pickles. You will be in a hurry to see the sights of the town, and desirous of making a rapid act of feeding. No more rapid act can be made than an attack upon cold beef and pickles. Tourist, beware in every place of pickles. Few and far between are the instances of jars of these luxuries being unadulterated. Avoid them as you would Jars in your own family. As a rule, these pickles are. adulterated, and specially in Germany, with copper. Now copper in this form is first cousin to poison, and it is admitted on all hands that it is unpleasant to be poisoned any- Cold Steel I 394 VERY MUCH ABROAD. "O where, but specially in Germany, and more particularly in Heidel- berg. Now then the question is, do you understand the science of Toxicology 1 If you can't pronounce this word, use any other you like ; such names are but arbitrary ; but bear in mind that this science has nothing to do with bows and arrows. On arriving therefore at your inn, immediately inquire of your landlord if he is a Toxicologist ; the word may be sung or said, according to fancy, powers of vocalisation, or special opportunity. He may stammer out a reply, or he may not understand you : in either case, Tourist, beware, and having ordered at once your cold collation, immediately attempt to detect the presence of copper. Now, the first way to detect the pre- sence of copper, is to offer the lowest silver coin in your possession, and to ask for change for that amount. If they are unable to give it you, be on your guard, lest all the available copper may have been invested in pickles. If the sum in the metal is given you, remember that it may be but the residue of what has already been sunk in pickles. Cold steel will always attract copper : and a celebrated Italian brigand, when in a genial and communica- tive mood, once informed us that he had been able to detect the presence of copper in a landlord's pocket by introducing a small and exquisitely shaped dagger into the corporeal vicinity of that region. This is a method which we would hardly advise the ordinary Tourist to adopt, but as he loves his health, and would avoid dyspepsia, let him study Toxicology, or whatever he likes to call it, and give his earnest consideration to the subject of pickles. Exjierientia docet, and he who doesn't take warning by our experientia, will have to " dose it" pretty considerably. After this we need hardly say that you'll leave this romantic town as quickly as possible. For our- selves, having found that we were treading upon this mine of copper, we, nearly exploding with indignation, took a light luncheon, nnd then went off with our present report. Away to J^S Tullaliety ! HOW, WHEN, AND WHERE. 395 Baden-Baden, merely observing that the railway by which yon travel has all its seats ("Murray" says) "comfortably stuffed full," and therefore it must be very difficult to procure a place to yourself. Be careful to say " That's the Ticket " to the railway clerk, when you take your billet for Baden-Baden. You know the reputation of this place for gambling, of course, and therefore you will not be surprised on entering the town, at once to be asked by the Inspector of Police, " How much you'll stake on the black?" or, "What are the odds against red turning up three times running 1 " Whether you look black or turn red upon being thus addressed the surrounding natives will call at your hotel, leave their cards upon you, and subsequently give you their hands. Beware of such friendship. Baden-Baden is a very damp place, and one of the chief residents, the man who keeps the Bank at the Tables, suffers with the croup all the year round, and is therefore known as the Croupier. You will see plenty of Rakes on and about this Board of green cloth. When you have lost more than two florins, go away, take a pocket-pistol, and treat yourself to a " blow out " at the nearest restaurant's. When we visited the Tables there were plenty of Americans playing at Itouge et Noir, and, we suppose out of compliment to their pre- judices, the Croupier so managed the colours that the Black was invariably beaten. Whether you back Noir or not, you must be pre- pared with sufficient Ready. Having finished all your gambling in the town, you can leave the valley and gambol on the hills. There are some very pretty walks about the place and some nice runs, the best being a good run of Luck in the Conversationshaus. The excursionist, although personally objecting to the monastic system, should not refuse to take the vale of the Murg. Here you Merry Swiss Boy I 396 VERY MUCH ABROAD. get a foretaste, or rather a one taste, of the coming Switzerland. Sing TuUaliety, Tulla li-he-ho, and prepare to be marching to the Margin of fair Zurich's tvaters, TuUaliety, da capo. By the way, the first Merry Swiss Boy we ever saw had taken a great deal more fruit than was good for him, and was bemoaning his sad fate at the hands of a peculiarly grim Swiss, or as she appeared in this in- stance, Swish matron. CHAPTEE XIII. SWITZERLAND DIET MONEY CONVEYANCES ARTH BASLE BERNE — BY THE MARGIN OP FAIR ZURICH'S WATERS SCHAFFHAUSEN FALLS A PRETTY PASS. going A!' • / <)iA\ H The face of the Country. OW here we are into Switzerland as quick as possible, if you please, seeing that there's not much time to be lost, for the Vaca- tion is just coming to a close, and some of us must bo back to our griefs and briefs in the Classic Aula Pumpeii, 1 otherwise known as Pump Court, Temple, or else- where. An air of repose character- ises vhe face of Switzerland, and the observant traveller may gather that the country is rather inclined to sleep, from the fact that he will continually see ranges of mountains rising and stretch- ing away in the distance. The Tourist intends to ascend the steeps? Does he, indeed? HOW, WHEN, AND WHERE. 397 then, once for all, we don't ; albeit we may give some good advice ; and first and foremost, as the unaccustomed traveller may possibly catch cold in the Alpine heights, he should be careful to provide himself with an Alpenstock to wrap round his easily-affected throat.* Beside this, you should carry a Swiss pipe, whereon to play as you walk lightly o'er the eternal snow, and a good collection of magic-lantern slides, to take you rapidly over the seas of ice. Talking of ice, you must not be disappointed at not finding much of the Wen ham Lake material up here. The Railway will, i >f course, make some difference in this respect after a time, and Mr. Gunter may be inclined to speculate. A Lake or Tarn of Fresh Strawberry Water, by Sunset, would be a fine subject for Mr. Telbin's brush, and, as every spoon of a Tourist is accompanied by a Tourist's glass, we want but some pretty girls to hand wafers and sponge-cakes to us, and the thing is done. In regard to dress, adopt a gentlemanly evening suit : you will never require a change of boots ; as after an hour's walk over the ice, they will of their own accord become slippers. A false nose and burnt cork, wherewith to make moustachios, and playfully frighten the mountaineers, as usual. Diet. — For Breakfast, ask for stewed zwanzigers and cotelettes it la pommade. There is no other meal during the day, but you can repeat this one as often as you feel disposed. During the re- past, the good-natured waiter will read to you, sing one of the songs, or dance one of the enlivening dances of his own native land. You must, unless you w T ould be accused of rudeness, encore every one of his performances separately. Money. Swiss Batz. — This coin is no longer a legal tender, in consequence of so many Swiss Batz having been given in exchange for the English Kites, which had been flown by certain of our unprincipled compatriots in the neighbourhood. Conveyances. — Recollect that your driver being a poor boor of a fellow, always requires some pour boire money, by way of a parting * As you are apt to be tender with yourself, get some vicious friend to «vrap the Alpen-stock smartly about your head. As a homoeopathic cure for headache this can be recommended. 398 VERY MUCH ABROAD. gift. The travelling lawyer will observe that, in all countries, an intimate connection exists between a conveyancer and his draughts. One of the first places to which you will be taken, will probably be Arth. So rare is the stranger's visit in this quarter, that even the most civil officer, meeting the Tourist in the street, will start back with astonishment, and ask, " What on Arth he's doing there ? " Being a man of spirit, you will at once quit the place, and proceed to Basle. The distance of Basle from anywhere is just three Basley-corns and a half. At the hotel called the Three Kings, you will find the servants very attentive, so don't say any- thing before them that you do not wish them to hear. They are so attentive, that it will be well for the visitor to blow through the keyhole of his bed-room door every five minutes, to see if the waiter is listening outside ; then to search well the chest of drawers, rattle his umbrella up the chimney, and look in every corner for these attentive inn-dependents. Of course, you do not want to follow the regular route, but intend to go backwards and forwards, and round and round, as suits your fancy. While on the subject it would be as well to state, that no steamer ever sailed round Switzerland in six hours. Berne is the quaintest of places. There was not much to be seen when we were there ; but this fact was probably owing to our arriving at eleven o'clock on a very dark night. Go early, and you'll be delighted. The clock is the most striking object in the town. As the Tourist cannot possibly be satisfied with anything until he has seen Zurich, let him hasten there at once, and put up at the hotel on the Lake. One of the curiosities of this spot is the garden attached to the hotel ; it is so much attached, that, although for years it has been perpetually going down to the water, it has never yet been able to take the last steps necessary for the separation. A touching site this, touching the Lake ; and, by the way, touching the Lake, words are wanting to convey to the absent traveller any idea of its beauty. Let us see ; you know the Serpentine, or the orna- mental water in St. James's Park ? Well — no, it won't do ; our powers of description fail us. Now is the time and place for a romantic adventure. There are plenty of Zurich's fair daughters living on the borders of the Lake. This mode of existence is, however, not exclusively confined to HOW, WHEN, AND WHERE. 399 these delightful creatures, but is also adopted by two or three landlords and lodging-house keepers, who also live on the boarders. By the way, here is a curious phenomenon for our astronomers, Late at night the fair damsels come out to look at the moon on the water in a boat. All you've got to do is to hide under a ripple, and gently rise from the stream, like a river-god decked with Zurich's fair daughters ! weeds, with a short-pipe in your mouth, whence shall issue sounds most dulcet ; and the fair ones must be a most dull set indeed if they do not at once yield themselves captive to the fascinations of your voice. In a charitable spirit visit Schaffhausen, but do not make any severe observations on The Fall, remembering that we are all liable to err ; and also recollecting that, if the landlady of the Falls Hotel provide luncheon, you will be liable to her. We did 400 VERY MUCH ABROAD. not think much of the food here, but this isn't the place to cut it up. Go back to Zurich. In the morning patronise the bath in the hotel garden. Plunge bravely in, headforemost, but you must be able to swim, for there is a depth of at least four feet of water. Your next point will be the Righi, if you want to " do " the Kighilar thing ; if you do not, you will cross the lake and try to get over the mountains to Interlachen. The mountains are not to be got over by soft words, persuasion being, in this case, less useful than force with a good thick stick. Do you want to see one of the great beauties of mountain scenery without much trouble 1 You do ? Very well, then ; loso all your luggage, ready money, clothes, and circular notes, and you'll then commence by being brought to a very Pretty Pass, The Righilar thing.' HOW, WHEN, AND WHERE. 401 CHAPTER XIV. THE RIGHI HINTS TO MOUNTAINEERS THE ALPINE CLUB THE GHOST— nOTEL RIGHI CULM A BRUSH WITH THE GUESTS. UR own experience, which has led us to give the fore- going invaluable advice for going as far as the Pughi, will now furnish the Tourist with a rule to be observed by every one who seeks this usually sunny climb. A great deal has been written at divers times, and in divers places, concerning the actual neces- saries to be taken during an ascent. One thing, and only one, is it necessary for even the hardiest mountaineer to take while toiling up the pre- cipitous steep ; let his pace be slow, or let his pace be fast, walk he with tottering steps or firmly-planted feet ; the Tourist, be he high or low, tall or short, who goes up the Righi must take — Breath. Sit down awhile, and behold above you the broad expanse of sky ; this will exalt your mind to the contemplation of the lark ; and what says the Poet, — " Hark, hark, the dogs do bark, For the lark at Billingsgate sings." Open your heai't to your friend, if one be near you, but forget not to open your chest, and carp the vital airs. Ah ! If you know any of the musical compositions of Dr. Blow, now is the occasion for whistling them. Walk up ! walk up ! walk up ! To your left you'll see the black-beetling crags ; these will remind you of the D D Having a blow on the mountain. 402 VERY MUCH ABROAD. strange creatures that came up to look at you, and followed in your wake, when you paid an unwilling nocturnal visit to the kitchen, under the impression that you were about to bring a couple of burglars to account for a wrong double entry. To your right you'll see ever so many things that did not meet your vision on your left, whereupon you will exclaim, " Beautiful ! Beau- tiful ! " somewhat after the well-known, time-honoured manner of the talented German siffleur, Von Joel, evergreen, ever Green's ! Walk up ! Walk up ! The agile admirer of the " beautiful for ever " (this line is not meant by way of a toast or sentiment, though, apart from the context, it may be adopted by membei's of the Alpine Club for that purpose) will probably take a short cut, in order to reach the bird's-eye view sooner than his fellow-travellers. Our own personal remembrance of the short cut that we chose, is, that it began very pleasantly, during which gentle progress and halcyon time we congratulated ourselves upon our superior cunning : that, after half an hour, the ascent became more decided, and we, being in a broiling sun, jokingly comforted each other " that we shouldn't have much of this ; " that, in the course of an hour, the inclination "f'the ascent increased inversely as our inclination for the ascent; that, in an hour and a half s time, we sat down helplessly and bemoaned our happy childhood ; that, being parched with thirst, we induced a little peasant boy to give us a drink ; that he brought lis lirschwasser of such a strength and old shoe-leathery state that Ave couldn't drink it, save when qualified with water, which water he, for a few small coins, procured for us ; our grate- ful remembrance of this boy is that he was a wonderful boy, the most wonderful boy we'd ever seen ; that, despite the fact of the descent to the limpid stream being of the very early perpendicular style of mountain architecture, this boy, this wonderful boy, holding in his hand the broad-mouthed shallow wooden bowl of kirschwasser, executed, after the manner of his English brethren in the London streets, "three Catherine wheels a penny," without spilling a single drop (was he not a wooooonderful boy ?), and in this way arrived safely at the running stream. Here he filled the bowl, and safely ascended to our place of session, walking or jumping, as far as our memory serves us, upon his head. We rewarded HOW, WHEN, AND WHERE. 403 him handsomely, and he disappeared down somewhere as suddenly as he had risen before us ; a grin, a kick, a leap into the air — and he was gone ! There was no smell of brimstone ! Could he have been the lubber fiend 1 The Kobbold of this country ? A Brownie, maybe ; aud, now we recall the colour of his skin, we hesitate no longer to decide that we on that occasion did see a veritable Brownie. Perpendicular becomes the ascent of the short cut, and he who takes this road will never use his feet as the sole mode of progression, until within a few yards of the Righi Culm. Think you, Tourist of the nineteenth century, that in Switzerland you can be free from The Ghost ! * * * Not a bit of it. If you're in luck's way, you'll see the spectre of the Righi. Of course it is patented. Give the waiter at the Righi Culm Hotel a noble gratuity, and he'll tell you all about it. Albeit, the only spectre we came across was the landlord of the above-mentioned hostelrie with his little bill, which shook our nerves fearfully. We were nearly running away, but were prevented by no matter what. Joyful is the moment when the golden spire of the Inn, efful- gent, shines on the sun-scorched face of the weary travellers. Let us stop here to remark that, when we arrived at the top, we found that our short cut had taken us exactl}' two hours longer than going round by the ordinary route. This discovery at such a moment is calculated to act upon the temper even of the most angelic. You come late and can't get a room. Ha ! ha ! (Stage lirectixm. laughs sardonically.) "Waiter!" "Yes, Sir." (Exit waiter in the opposite direction.) You turn and find him gone, or rather don't find him, because he has gone. Another menial in a blouse. Ha! "Waiter?" 'tisn't the waiter, but no matter. u Gar$on!" " Ouim'sieu." (Exit second waiter, hurriedly, through a small door in the passage.) In desperation, you open it in order to follow him. The door leads apparently nowhere, or to fifteen other doors, which means the same thing. "Ga?°con/ Kellner I Waiter ! Hi ! Here ! anybody — I w r ant to wash. Hot water — donney more o show. No, I mean eau sucree — no, that's swearing — I mean ." Never mind what yot mean, the table d'hote is nearly ready. Rush into the kitchen n d 2 404 VERY MUCH ABROAD. regard not the screams of the men-servants or maid-servants, nor the stricken cook, but wrench the boiling kettle from its brooding o'er the coals, and make for the first dressing-room at hand ; stand not upon the order of your going, but go it ! Should Kellner interfere, cry, " This to decide ! " One, two, three, four, under : one, two, three, four, over — thrust, and he falls. You reach n chamber. Lots of queer-patterned crockery about, seize and take i%4 % << " Donney more o show!" anything to wash your hands in. Soap and nail-brush in your pocket of course. "Garron! Femme de Chamhre ! Hi done ! ici towels. What's towels in French 1 Donney more assets — my assets, you know." Go through the pantomime of rubbing your hands, and the attendant will probably say, " Oui, M'sieu, e'est tres bit n froid" or something equally to the point, and leave you, which isn't exactly what you wanted. You want to get a glimpse of the Rush out. Nothing but mist. view before going to dinner. Wonderful ! Beautiful ! A friend tells you that you should have HOW, WHEN, AND WHERE. 405 been up there two hours ago and seen "the voo" then. "Ha !" you return, "we had much better voos coming up here. "We came by an unusual path ; not in the common track ; so hackneyed. You should try it, it's worth going down again, merely to come up by it," Here's an opportunity for romancing — but now the dinner. Ha ! soup. Carried in triumphantly. Take off the cover ; a thin steam ascends. The landlord commences ladling. Consternation is on his face, horror on the waiters' countenances ! "What is it 1 The guests tremble. They are in a foreign land : and one crusty old o-entleman already pulls out his note-book, and commences a letter to the Times. Poison 1 A pint of very dirty lukewarm soap and water, with a nail-brush in it. Tourist, be careful where thou dost in future wash thy hands. Dropping in for a nice thing. 400 VERY MUCH ABROAD. CHAPTER XV. ZURICH TO INTERLACHEN THE RIGHI AGAIN— THE GOLDAU SIDE- GUIDES— AMUSEMENTS — WILD SPORTS NEEDELPIN CRAG. W ] fH E RE are we now 1 Just about to start from Zurich to Interlachen. The Tourist can, if sufficiently strong, take the Righi on the road. He mustn't take it very far, or it will be missed; as it happens, the top part of this mount has been mist more than once, but has never been entirely lost. You intend to make the ascent from the Goldau side. Now, the question is, how do you get there 1 Take the first turning to the riuht on leaving Zurich, the second to the left, and then anyone will tell you ; if they won't, implore the sulky peasant to reply ; taking care to offer him a sou, or you will sou in vain. Guides. — Always take a guide with you. One who knows the way is to be preferred. The best guides, who move in the very highest society, have a speaking acquaintance with all the principal mountains, and in- variably obtain very civil answers from the most distant echoes. They also address themselves to their journey in a manner that makes the journey answer. They are very straightforward and honest on the road ; at all events, whatever wrong they do, during the excursion, is kept secret, as the steeps and heights never seem to tell upon them. If you go without a guide choose the safest path. Amusements in the mountains. — If you want money, and can The Ascent. HOW, WHEN, AND WHERE. 407 draw, now is the time to turn the art to account : thus, make friends with a Foreign Banker, take him up into a lonely spot, then, when nobody's looking, take out your snicker-snee, and draw upon him for any amount. Never be unprovided with pencils, brushes, and paints ; if you can execute light rapid sketches, you can do what our travelling artist did, and turn your tour into ;i carica-tour. Maps. — Never travel in Switzer- land without a Map ; never mind what map, any one you've got by y<>u will do. Don't forget a knapsack to serve, as the name implies, for a sac de nuit to sleep in. Carry a flask made on tiie prin- ciple of Houdin's inexhaustible bottle. How's it done? Mustn't tell ; it would be Robbin' Hoodin the Conjuror of his secret. Come along, will yer ! Away ! Tourist ! Away ! Hire a mule that will leap lightly up the perpendiculars ; if you don't fancy a mule, you'll find lots of crev-asses all about the mountain. Light your pipe and show the donkey boys how to go up a mountain. A pipe is the most independent companion that a traveller can have ; it goes out with him, and it goes out without him. If you're a great smoker it becomes a nuisance when you're riding, as, though you want to keep on the mule's back, yet must you be perpetually a-lighting. Gee up ! Now for some sport. A shrill cry from a neighbouring bush apprises you of the approach of the Wild Strawberry. Strike spurs into your mule. Over ! Oh the pleasures of the chase ! Tf you allow the Wild Strawberry to run to seed, you will lose it. Stole away ! For'ard ! Yoicks ! As when hunting in Devonshire, so here you will have to get off your horse and proceed on foot. The bold muleteer. 408 VERY MUCH ABROAD. In rushing at your jumps, grasp your Alpen-stock, 'twill save you from the Russian, or Rushing, proceeding of falling on your Pole. Here you are at the Needelpin Crag, an ascent of some little diffi- culty ; yet while you, the bold hunter, are shivering on the apex, the Wild Strawberry has sprung up on the opposite of the precipice. i he Polar regions. HOW, WHEN, AND WHERE. 409 CHAPTER XVI. TOP OP THE RIGHI THE LAUGHABLE FARCE OF SUNRISE, OR FOUR IX THE MORNING VARIATIONS OF DESCENT THE CAUTIOUS CROCODILE THE WEGGIS SIDE WILLIAM TELL — MOUNT PILATUS LEGEND — LUCERNE THE LION OF THE PLACE GRUTLI TOKO THE DANE. K T FOUR o'clock in the morning the happy peasants on the top of the Righi blow their cow's-horns, and the Cold without. miserable visitors, who are just dropping gently into their first sleep (for anything beyond a feverish snooze has been utterly impracticable up to this hour), will doubtless " blow those horns " too, but nevertheless they will grumble and get up to look at the sunrise ; not because they like it, but because it is the proper 410 VERY MUCH ABROAD. thing to do, and is in fact the aim and end they've had in view all along. Swaddled in rugs and blankets the shivering Tourist appears in front of the hotel. As a rule, the sunrise is an utter failure, though it ought not to be, considering how many times it has gone through the part before. Like almost all theatrical artistes, Glorious Apollo gets very careless. Stars are not free from fault, and the Sun is suffering from the force of bad example. We believe that he has lately got into a very low Sun set. Unless they've improved their arrange- ments with new scenery, decorations, and appoint- ments since we've been there, you must not expect anything more than a con- fused mass of clouds and mist ; and the only rise you're likely to see, is the rise which is pretty certain to be taken out of the angry audience, who, how- ever, if they are free Britons, may use their privilege as such, and hiss the entire performance. The cow-horn players actually have the impudence to go round and ask for money from the assembled Tourists. Of course you will simply say that " you never give to people in the streets," and should they artfully suggest that " you can give it them in the House," you can pretend not to understand ; or, should you feel yourself sufficiently strong for the occasion, you can literally "take them in," and " pay them out " in a novel and unexpected manner. The next movement is to get some breakfast, and then ask for your bill. When you've got your bill, do not at once cut your stick, which would be, what a low-bred woodman might call, a specimen of bill-hooking it. No. I.- -"Merrily, oh!" HOW, WHEN, AND WHERE. 411 The Young Jack and Jill having gone up the hill must now come down ; and here will be an opportunity for Jack to show his a-Jill-ity. It takes about two hours and a half to ascend the Righi, and it takes a quarter of an hour to descend. There are several modes of downward progression; which would probably be described by any Orthodox Churchman as the Variations of Descent. No. 1 is called — The Flying Fluteplayer.—Koldi your Alpen-stock like a flute, and whistle a tune, if you can, to assist the illusion. Stretch out one leg, which- ever you like ; march, quick time, don't stop playing the flute, and away you go. — N.B. Paper, pens, ink, and the usual forms for making your will, can be obtained at the Righi Culm, and the obliging landlord will, for a consideration, be a witness to anything. No. 2 is termed — The Venturesome V. — Sit down in the shape of a V, keeping your hands disen- gaged, so as to save your- self from bumping against the sharp projections, which would otherwise annoy the unwary traveller. No. 3 is known as — The Cautious Crocodile, and is, perhaps, better adapted for the pi-ogress of invalids and elderly gentlemen than either of the above. We advise the Tourist to descend on the Weggis side, where the Lake of Lucerne is. Here you are in the land of William Tell, as the boatman will tell you, and where also you will be toll'd for your boat. The traveller, who understands German, should take Schiller's Wilhelm Tell in his pocket ; and the traveller, who doesn't understand it, will, if he take it, keep it there. Here you will see the giant mountain, Mount Pilatus. There is an old legend con- cerning the derivation of the name which everybody knows, and No. 2. Coming down on the Weggis side. 412 VERY MUCH ABROAD. according to some, the title is only a corruption of Pileatus, which means " Capped," in allusion to the ceremony always observed by the superstitious peasantry on looking in that direction. Be the derivation from the story of Pilatus or the fact of being Pileatus, one thing is certain, that, as the mountain can always give certain prophetic signs of a coming storm, surer even than those of Admiral Fitzroy, he, the mountain, not the Admiral, may be considered as the safest Pilot on the lake. Land at Lucerne, and heartily admire the memo- rial Lion. Think of Sir Edwin Landseer, the Nelson Column, the Squirts of Tra- falgar Square, the Lowther Arcade, and rejoice in your proud birthright. Visit Tell's Chapel on the lake ; then, to his memory drink with spirit in the waters of freedom at Griitli ', but be cautious as to the amount of spirit mixed with the waters, lest, in keeping the patriot's memory, you lose your ow T n. There have been fierce disputes as to the existence of Tell, who is, some captious Prigs assert, a Swiss Mrs. Harris. The same story, they urge, was told of one Toko in Denmark. It is within our pro vince to set them right. The story of the Danish gentleman was promulgated by the friends of Gessler, the oppressive Governor, who, as we all know, got Toko from Tell. Hence the mistake. The Tourist in Switzerland who wishes always to be a dandy in dress, should be provided with Murray's invaluable Handbook for Bucks. Now then, let us get to Thun, and if we have time, visit Interlachen, which will bring us to the last scene of all that will end this strange eventful history. No. 3. — "Again he urges on his wild career." HOW, WHEN, AND WHERE. 413 CHAPTER XVII. IXTERLACHEX — SWISS VILLAGES VISITORS — -THE JUNGFRATJ — MIN- STREL BOYS HOTELS RIFLE CLUBS DANGER SIGNALS — NATURAL HISTORY SIR E. G. LYTTON-BULWER. NTERLACHEN is of that picturesque order of Swiss villages contained in a child's toy-box. The plan in its most original construe- tion, is, as is the work of every truly great mind, of the very simplest descrip- tion; consisting in fact of one side of a street and a row of trees, and is in conse- quence admirably adapted for obviating the necessity of a voluminous guide-book, as there is not the smallest chance of losing your way. The residents are hotel- keepers, lodging-house keepers, and purveyors of the necessaries of life. Duringthe season they are busy enough, but -when the Tourists have departed, it is supposed that, to keep themselves in good practice, they stop at one another's houses, going through the pantomime of paying money, and the laughable farce of making out the bill, in the most Inn-correct manner. The visitors in the summer are Americans, English, and waiters. We begin to think that somewhere or other, Heaven only knows where, there is a Cosmopolitan Canton populated entirely by waiters, possessing no nationality in particu lar ; where the children are born waiters, and from the I'm monarch of aM I survey." 414 VERY MUCH ABROAD. moment of their beginning to talk at all, speak five languages with equal incorrectness and facility. Perhaps 'tis this mysterious spot that the retired waiter seeks, when the familiar "Coming" is about to change into the sure and certain " Going." Perhaps 'tis here that there is an Asylum for Dumb Waiters ; a charitable Institu- tion presided over, may be, by a Side-board of Directors. But we are wandering : let us return to Interlachen. Every window in front commands sonic sort of view of the Jungfrau, and from the back you can gaze upon the swift-running waters of the Aar, and the steep hill on the opposite bank, called the Harder ; a name evidently given to it by the many English pedestrians, who have found the meadow bank on the Interlachen side the Easier. There is one street-musical nuisance, that comes out in the evening in the shape of a band of five Swiss Min- strels in the national cos- tume who favour the com- pany with what they are pleased to call a song. Shooting the Beaver. Despite the accuracy of the "get up," we have our doubts as to the genuineness of these minstrels' nationality, for, coming upon them at an unguarded moment, we couldn't help fancy- ing that we heard the chief singer talking with just the least taste in life of a brogue ; and, but for the assurance of a learned philolo- gist, that there is a close affinity between the two languages, we could have sworn that the speaker was from the County Tip. The gardens of the two principal hotels, we forget their names, adjoin one another, which is a very pleasant discovery for Jones, who had purposely gone to the one in order to avoid those Browns HOW, WHEN, AND WHERE. 415 who arc putting up at the other — Jones' reason for this being that he cannot put up with the Browns. How charmed then is he to find that there is nothing to divide them ! May be he has whispered soft nothings in Miss Letitia's finely chiselled, in this instance very finely chiselled, ear, or pressed her younger sister's hand, or done both impartially, which is embarrassing ; or there may be that little matter of a few pounds still standing 'twixt u\;\ \ The grasshopper monstroserus. Jones and Old Brown, which causes Brown to be very glad to meet Jones, but occasions no reciprocity of sentiment in the latter gentleman's breast. The gardens form the stage for the perform- ance of many little comic dramas of every-day life. The Tourist who is fond of shooting, or who takes an interest in the Volunteer Movement in his own country, will do well to walk along the banks of the Aar, when the members of the Swiss Rifle Club are practising. The Switzers take up position in a hut about a hundred yards from the river, on the Tnterlachen side : 416 VERY MUCH ABROAD. the Target is fixed upon the opposite bank of the Aar. The happy and unsuspecting Tourist cannot be too noisy during this walk. We advise him to be constantly shouting out " Hi ! " or " Ho ! " or " Hiho ! " or " Hilliho ! " or in fact anything he likes, and as loud as he can, in order to attract the attention of the marksmen, who, from their guarded position, cannot see anybody coming, and the pedestrian will be lucky if the first inkling that he gets of his proximity to the rifles, is hearing a whirr, and then "Strange things come up to look at us." The Admiral the sharp report at no great distance from him. We say he will be lucky, as the ball may be through your hat or your head before you know where you are. One middle-aged Englishman of nervous temperament held up his new hat, and shouted to the riflemen to show that he was there. The Switzers mistook this for a challenge to their skill in hitting a new kind of target, and in less than five seconds as many bullets riddled his bran-new gossamer. To go upon all-fours is no protection, as they might take you for a beast, and though their firing at you under these circumstances would be pardonable, HOW, WHEN, AND WHERE. 417 nay, even commendable, yet it is admitted on all hands, that whether you are killed by mistake for somebody or something else, or on purpose, the result to yourself is equally unpleasant. Perhaps, after this, the conclusion to which you will come, if you do not come to any other unfortunately premature conclusion as above mentioned, will be the sensible one of not walking on the banks of the river Aar. If the Tourist is fond of Natural History, and for the matter of that, if he isn't, he will come across some curious specimens of the Insect tribe, and some too curious specimens of the insect tribe will come across him. We never realised Spiders until we saw them in this neighbourhood ; neither could we have imagined to what a Grasshopper might come at last, if it once had its own way. There was once upon a time a Pantomime called the Butterfly's Bait, where all the insects were as big as men, but even in those early days of oranges in the boxes to keep us quiet, we knew that they were men, because we saw their legs, and con- sequently did not cry after making that discovery ; and there used to be at the Polytechnic a lecturer of cruel tendencies, who was wont to frighten children under the shallow pretence of instruc- tion, by showing them a drop of Thames water magnified. Do you re«x>ll«et those black, crawling, swimming, darting, jerking, unplea^uut animalcula3 ? They were not nice to look at ; but we swallowed them then, and do now, in spite of a patent filter and the Thames Commissioners. Well, these awful beings are nothing to the sweet creatures inhabiting the fields on the Harder Bank oi the Aar. In the heat of the day you go to sleep among the long grass, and are dreaming that her dear face is beaming upon you with love and tenderness, when suddenly you are awakened to a dread reality, to which, in our terrified opinion, the Dweller on the Threshold, in Sir E. Lytton-Bulwer's Zanoni, is not for one in3tant to be compared. E K 418 VERY MUCH ABROAD. CHAPTER XVIII. THE LAUTER-BRttNNEN ROAD — UNSPUNNEN — THE LEGEND. THE Poetical Tourist will make a point of walking along the Lauter-briinnen Eoad, only stopping at the Castle of Unspunnen, the reputed residence of the amiable but mis- takenly impulsive Manfred, to call for Mr. Phelps.* Somebody writing concerning this castle has observed, that, " from its posi- tion in front of the high Alps, Lord Byron must have had it in his eye." That the noble Poet, not being exempted from the ills to which all flesh is heir, might have had, at some time or another, a stye in his eye, is probable ; that he ever had a castle in it, is simply impossible. A gifted Cockney Tourist however, actually observed, that, " If Lord Byron 'ad a stye in the heye, he might 'ave 'ad a castle in the 'air." The Legend of the Castle of Unspunnen is a very touching one, and will be sung to you by any peasant for a mere song. The following is a transla- tion, adapted to the well-known and once exceedingly popular air, VUWcins and his Dinah : — THE LEGEND OF IDA, THE BOLD BARON'S CHILD. The Baron. Old Buskard the Baron, the last of his race, Had a very big body, and very red face, That he came of a right Royal Stock, some suppose, His nose, From the purple he constantly wore on his nose. And Chorus. Singing: tooral li, tooral, &c. Hisdomici- In Unspunnen Castle this Baron did dwell, lihUffh He had but one daughter, a werry fine Swiss gal, The Heiress. Her name it was Ida, with a fortune that seems with air A whole heap o' money when told in centimes, and chorus. Singing : tooral I, tooral I, tooral 1 da. * Who took the part of this Immoral Philosopher at Drury Lane Theatre, 1863. HOW, WHEN, AND WHERE. 419 Wh said. He Sai(i the Baron one day, in a very stern voice, " I want you to marry the man of my choice." m " For why ? " " 'Cos/ says she, « I love Rudolph," says the Baron, " My I— — da," tooral I, tooral I , tooral I da. "I love Rudolph." ms Wrath. When the Baron heard this he was furious and riled, And he bullied his daughter, who patiently smiled, Which annoyed him so much, that he hit at her crown, Eiderdown. And u-pon a feather bed he knocked Ida down. Tooral I, tooral I, tooral I da. Hisswailoiv. Then he bolted the door and he locked it outside, " You shall never come out to be that Rudolph's bride ; " Then he kicked all his servants impartial^, The Menials Till the menials each felt like a vassal at sea. Tooral I, tooral I, tooral I da. ie2 420 VERY MUCH ABROAD. Hash Oath. While the Baron was a-swearing just like any think, A Wink. Rudolph, at her window, saw Miss Ida wink, He squeezed through the iron bars, being but thin ; A Lovier. "While the Baron " let out," he was being let in. Tooral I, tooral I, tooral I da. 1 The Loviers. What They To Zahringen the fond loviers ran away, And the Baron -waged war upon Rudolph next day, Tactics. It lasted some time, as they went on this plan, Each alternately fought and alternately ran. Tooral I, tooral I, tooral I da. At the end of two years, p'raps, or rather before, The Door. The B ar0 n one night heard a knock at his door, Sharp as hit with the stick that the Scotch use at " Golf," It was Mister and Missis and Master Rudolph. Chonisasuc- Tooral I, tooral I, tooral I da. fore. HOW, WHEN, AND WHERE. 421 Then his daughter knelt down, and said she, " I'm a Ma' ; " Baby. Then held up an infant, " so like Grandpapa ! " And the Baron, who had of real feeling no lack, Emotion andFelt hysterica passio all up his back. Tooral I, tooral I, tooral I da. Chorus. The Blessing. Moral. " Oh, bless you, my Ida, my Rudolph and Boy ! " Said the Baron ; and all from that moment was Joy ! And they wrote 'neath the crest that belongs to their kin, " Love locked out of doors by the window gets in." Tooral I, tooral I, tooral I da. So much for the Baron and his fair daughter Ida. 422 VERY MUCH ABROAD. CHAPTER XIX. INTERLACHEN CONTINUED LAUTER-BRUNNEN ROAD DISCONTINUED — HOTEL EN PENSION EGGS IS EGGS LAKE OF BRIENZ GIESSBACH PALLS THE FAULHORN POPULAR ORNITHOLOGY — NATIONAL PHYSIOGNOMY AND PHYSIOLOGY. UNLESS the Tourist is going to somewhero else, he will not pursue the Lauter-briinnen Road any farther. On his return to the hotel at Interlachen, the pedestrian will probably be inclined to walk into his dinner. The real economist, by the way, will never live en pension. It sounds very nice ; only six francs a day for everything/ You agree, and commence, let us say, with breakfast, Being an Englishman, and accustomed to make rather a substantial affair of your first meal in the day, you are somewhat surprised when the waiter brings you a small coffee-pot holding about a cup and a half, a diminutive and aerial-looking French roll, one small thin pat of butter, and a kind of large earthenware salt-cellar filled with lump sugar. It is true that whatever is deficient in bread and butter is certainly made up to you in saccharine nutriment ; but, eke it out as you will, this is hardly a substitute for the fish, meat, and eggs of the domestic table. The guileless traveller will probably call the waiter, and order a couple of eggs, and some more bread. At midday, the simple Simon will further command a light repast, and, while enjoying himself with a cold collation, will say to a "I'm a-looking at you. HOW, WHEN, AND WHEBK 423 friend, " Capital idea this, you know ; I'm living en pension ; only six francs a day, and it includes everything:' The friend, being perhaps unwilling to disturb this blissful state of ignorance, will perhaps say, in a tone of surprise, " Oh, does it 1" If the Tourist be of a fidgety turn, he will repeat these words to himself in his friend's absence in the form of an inquiry as to " what's he mean by ' oh, does it V " The explanation, which will be given in the bill at the end of the week, will probably cause the simple one to lengthen his face and shorten his stay. " Why," says the indignant gentleman, " I thought en pennon included everything, and here (em- phatically dapping the little account) I find eggs charged extra." " Yes, M'sieu," explains the polite garcon, " but M'sieu must understand that everything in an en pension sense means only the regulation breakfast provided by the hotel. Some coffee, a little bread, some milk, some sugar, is everything that " " But — surely — Eggs — you know " gasps the Tourist. " Ah ! M'sieu, eggs are not every- thing." And so the Tourist having learnt that, as at home so abroad, "Eggs "Overi" is eggs," and that the comprehensive Everything often means almost Nothing, packs up his portmanteau and returns to England a wiser and a sadder man. But he mustn't pack, and he mustn't go back, until he has seen the sights round about Interlachen ; unless indeed his economical living en pension has rendered his departure an inevitable necessity. Seek then the Lake of Brienz and the Giessbach Falls. If you are a member of the Alpine Club, you will take your way to the Lake of Brienz by ascending the Faulhorn, and walking along a pleasant footpath which cannot be attempted without a guide ; so take this Work 424 VERY MUCH ABROAD. with you, and there'll be nothing to fear. When on a dizzy height, or a dangerous pass, such as the one first mentioned, never look down at the depths below yon — such a proceeding is frauo-hi with danger ; on the other hand, you will find that the method practised by some, of invariably keeping your eyes steadfastly fixed on the sky, is not entirely without its own peculiar dis- advantages. The woods about the Giessbach Falls offer many charms to the naturalist. Here the rare hen Cockeyolly Bird pipes her tuneful lay ; a peculiar note it is, and specimens of this Ornithological curiosity may be seen in the Lowther Arcade, the Pantheon, and the German Bazaar. In Switzerland the Physiologist will notice the glorious type of Face, immortalised by the carvers of wooden match-boxes, nutmeg- graters, and ornamental paper-knives. The searcher after Physical Facts may try to ascertain if their heads come off; but we believe they do not, as a rule ; still there's no harm in making the experiment, if agreeable to the peasant. CHAPTER XX. HOW TO WINTER AT ROME — JESUITS FRIARS — ROMEWARDS AND HOMEWARDS " BOCK AGEN " BUBBLES, TOILS, AND TROUBLES — FLEXIBLE BATH ITS ADVANTAGES ST. GOARSHAUSEN ALL A-BLOWING A MUSICAL MANIAC. THE Tour is finished. From Antwerp to Interlachen has been done, and nothing now remains but to quit. " To those whom Providence has blessed with affluence," we say, winter at Rome ; and as, in that case, the present Guide must unfortunately be absent, let one general piece of advice be given and acted upon ; namely, " ' Do ' at Rome ; as they ' do ' at Rome." If an intelligent and enlightened Protestant, be on your guard : such is the ecclesiastical tyranny in this ancient city, that every waiter in your hotel is obliged to take Orders, and you may look HOW, WHEN, AND WHERE. 425 upon each one of them as a Jesuit in disguise. Visit the hotel kitchen, and in the man-cook behold a Friar. Being accustomed to see the notice, "You are requested to take off your hat," stuck up in your own St. Paul's, you will make a point of keeping it on, there being no such requirement expressed in St. Peter's. Pooh-pooh everything that is not strictly English, and show your own superiority over the poor superstitious Italians by talk- ing loudly in the churches, and criticising in any terms of artistic slang with which you may be acquainted, the paintings that adorn the interiors. The truth of the ancient Proverb will strike any one after a walk round the City, viz., that "Rome was not built in a day." We must not, however, forestall a future trip ; so, if you be bound Romewards, our paths lie in opposite directions. Farewell. Homewards, to the coast ; and we have nearly reached the end, at all events the Ost-end, of our journey. And now, to occupy the time taken up in retracing much of the old ground, we will request the Traveller's attention to a few parting remarks, the result of our own personal experience, which we will call — BUBBLES FROM THE BRUNNEN ; OR, CONTINENTAL BATHS. The order of the Bath is peculiarly English. None but the cleanliest of nations would possess such an honourable decoration. The terms arising out of the constant use of the bath enter largely into our ordinary converse. A needy Toady, we are accustomed to hear, " Sponges " upon his patron. The sour crab-apple-dis- position'd man "throws cold water" upon every jovial proposition. " How are you off for Soap ? " is an inquiry supposed to relate to the financial resources of the party interrogated. The moral teaching of those excellent institutions, " Baths and Wash-'uses," is conveyed in the dingy chambers of a " Sponging House ; " and many other instances will, we doubt not, occur to the careful observer. Let us not be misunderstood. Foreigners enjoy a bathe as much, nay perhaps more, than wo ourselves : but the domestic matutinal "Tubbing" is, on the Oavtinent, comparatively un known. The Tourist need not trouble himself to con the French, Italian, or German, for " Bring us a hip-bath or saucer-bath," as the case may be, because he won't get one, at least not what he 426 VERY MUCH ABROAD. wants. To remedy this great inconvenience, a certain cunning artificer in india-rubber, invented a portable bath of that flexible material. It was capable of being reduced to the size of an ordinary table- napkin when folded up, and might be carried in the coat-tail pocket with as much facility as a pocket-handkerchief. There were, and ever will be, a few disadvantages accompanying this ingenious contrivance. The first is, that supposing you've got it with you, every one in the carriage begins sniffing and observing that there is " a strong smell of india-rubber somewhere." If you are nervous or bashful, this is unpleasant. If you are neither one nor the other, you will say, " Dear me, yes — these carriages are not well ventilated," and will insist, homoeopath ically, upon smoking a cigar. Again, its receptacle in your coat becomes for ever after a very Pariah of pockets, and impregnates every article that may be placed in it with a faint sickly smell of india-rubber. This bath was fitted up with a brazen mouth-piece, which rendered it a somewhat unpleasant companion in the hinder pockets of any traveller, who, forgetful of his treasure, was in the habit of impulsively jumping into railway carriages and sitting down sharply. When required for use, you had to sit down on the floor of your room, cross-legged like a tailor, and applying your lips to the aforesaid mouth-piece, blow into it with the vigour of at least three professional players sustaining a note upon the gay bassoon. When we first travelled, we purchased one of these curiosities, intending to go over the wide world like a cleanly Diogenes. The tale of our tub was brought to a sudden and unexpected conclusion. It was, if we recollect right, at St. Goarshausen, that, while we, orientally squatting as above men- tioned, were engaged in filling our bath with air, the intelligent waiter entered our room, and on seeing our undignified occupation, paused, stuttered out an apology, and quickly retired, leaving the door partly open. Now to get up and shut this door would have been, under the circumstances, a waste of breath, and therefore, as we had still a cheerful half hour's " blow " before us, we pre- ferred keeping our seat. In a few minutes a shuffling of feet in the passage and a sort of " hush-hush-hushing " chorus, made us aware of the presence of the landlord, landlady, his two daughters, HOW, WHEN, AND WHERE. 427 and other members of the establishment, not being otherwise engaged, who were stealthily peeping into the room. Our host, on observing that we stopped and probably appeared somewhat angry, stepped forward, and by way of apology informed us, that " he and his family were very musical : and so, hearing that the English gentleman was just going to play a tune upon quite a 'A Tale of the Tub." new kind of instrument, they had taken the liberty of being pre- sent at the performance." This had evidently been the report of the imaginative and artistic waiter. " My daughters," continued the landlord, " have a piano in the house, and would accompany you with pleasure. Does the English gentleman play by ear or from notes 1 " After an explanation of the real use of the machine, we were evidently considered as a harmless lunatic ; an opinion shared in by everybody except the Boots, upon whose shoulders was thrown the onerous duty of regularly, every morning during 128 VE BY MUCH ABROAD. - our week's stay, bringing two buckets full of water up to our room, six flights of stairs above the level of the first landing. He went through the work for three days, but on the fourth morning, he, for we have no moral doubt that he it was, wreaked his miserable vengeance upon us. On the previous afternoon he had cut a hole in the bottom of the bath. Of course there was no one who could, or if they could, would, mend it. His vengeance was complete ; for as a bath of some sort was a necessity, we had to take those at the bottom of the house, fitted up in its foundations, to which we had to descend exactly eight flights of stairs. But we were fertile in expedients for torturing the malicious menial ; so we made him come up the usual six flights to fetch our sponge, soap, towels, and hair-brushes ; descend eight flights following us on our way to the bath ; and finally, when we had finished our ablu- tions, he was summoned to ascend the eight flights, bearing the ^foresaid requisites back again to our chamber. We had lost our pet luxury, and now began our travels in search of a tub, with what success shall be hereafter shown. HOW, WREN, AND WHERE, 429 CHAPTER XXI. DIOGENES IN SEARCH OP A TUB — PARIS — HYDRAULIC PRESSURE — SPIRITUALISM HOME AND ABROAD INFERNAL MACHINERY NOBS — TUB THE FIRST NUMBER TWO LYONS A CURIOSITY MARSEILLES STUDY FROM THE ANTIQUE FAMILY JAR. THE travelling Dio- genes commences his search for a tub, let us say at the Great and Grand Hotel, Paris. This hostelrie is fur- nished with all sorts of luxurious contrivances. For instance, the room that falls to your lot is number one hundred and sixty-five, at the top of the house, ten storeys high : an ob- jection is upon the tip of your tongue con- cerning the number of stairs which you'll have to encounter, when> presto ! up goes the room in which you are sitting, before you can say Jack Robinson (we contend, by the way, that this is far from being a natural exclamation for any one when startled or surprised), you are landed at the door of your lofty chamber. Thus it is that the visitor is conveyed to his apartment by means of Hydraulic pressure, and whenever he wants to descend, he is taken down again by a Pneumatic Dispatch Pipe. Mr. Home, the Medium, might be utilised here, if he could only carry weight, and go up in the air with the Tourist's luggage, whenever required. Your " Pneumatic Dispatch.' hey and 430 VERY MUCH ABROAD. boxes are unpacked by steam, and everything laid neatly in the chest of drawers by a similar agency : in short, as far as our memory serves us, you are washed, combed, brushed, dressed, put to bed and called in the morning, all by ma- chinery. Those who hear that there is a small Nob in every room will set this place down for a very aristocratic establishment. The knob, however, is of brass, and, in lieu of a bell, communi- cates with a battery that sends an electric spark into the waiter, Oh, blow it.' Fig. 1. A plate with two figs. Fig. 2. who is calmly sitting — it may be, perchance, dozing — at the end of the passage. Another wire jerks the number of your room out of its place on the wall and suddenly obtrudes itself upon his notice. The poor creature's attention being drawn to your requirements HOW, WHEN, AND WHERE. 431 by this really shocking process, he steps upon a sliding board and glides into your apartment like an amiable Corsican brother's ghost with his coat on. Give your order while the waiter's in the Another Plate. room ; with all these electric foi-ces about, there's no knowing where he will be in another minute. The menial does not go down-stairs to execute your commands : he knows a trick worth two of that ; he sends a telegram to the cook, housekeeper, -•\\ Another. boots, or whomsoever it may concern. Such are a few of the im- provements with which you will meet in the Great and Grand Hotel, Paris. Surely here Diogenes will obtain his matutinal Tub? Let him try. We did, and this is what they sent us. Nothing earthly did it resemble save a tin perambulator without 432 VERY MUCH ABROAD. its wheels. This curiosity was a tight fit for one, and held, if you could have wedged yourself into it, about three teaspoonfuls of water ; being also of Nautilus' shell shape, it laboured under the disadvantage of not possessing, of itself, any power of remaining in an upright position. We explained (by the Hotel Telegraph) that what we required was a hip-bath, and the master of the hotel returned us the polite answer, also by telegraph, that he had sent us the only hip-bath in the house. We changed our quarters, and experimentalised at a smaller hotel. An intelligent waiter listened to what we had to say, inquired what amount of water we wished the ma- chine to hold, and the time when we should want it, as it was so often in use. This sounded well, so we told him our usual hour, and went to bed looking forward to the joys of the morning. Punctually came the Gargon and brought us a nondescript copper vessel ; it might have been a sauce- pan, and it might have served for a frying-pan ; for our part, judging from its grimy state, we believe that it had been used in both capacities ; but whatever it might have been, there was. one thing which it most certainly was not, and that was, a bath. The waiter informed us that it was what they called a bath, and would we make haste, as there was another gentleman, an Englishman, waiting for it. We generously gave up our claim, in order to send it on to him forthwith, and we hope he liked it. Our next inquiry was made at Lyons. Here they gave us a large flower-pot. This might have served for one foot at a time, had the aperture common to these articles been stuffed up with some more durable substance than mud. At Marseilles we were introduced to a very remarkable specimen of the antique. At first sight we set it down for a petrified mitre ; but the bowl and three legs rendered this position untenable. A Hip Bath? HOW, WREN, AND WHERE. 433 Being brazen, it occurred to us that it was not very far removed from an inverted helmet ; but here again the legs came in our way and floored us. As to using it for the ablutionary purposes of a sponging bath, that was simply impossible. There was no sitting or standing room in it. We passed about half-an-hour in trying to invent some method of adapting this vessel to our needs. We failed to devise a plan, and ended as usual by either going to the bath- room or taking a dip in the river. At Nice all trouble of exercising our ingenuity was saved us by the production of an article which the waiter evidently regarded as an un- equalled work of art. He showed it to us with some pride. "M'sieu wants a bath for his apartment ; here it is, see ! " We did see : the thing would Mentone" Bath. have been nothing more nor less than a fishing-can, had it not borne an equal resemblance to a slop-pail, and was like neither one nor the other, inasmuch as it possessed four up- right handles, which, as far as we could make out, rendered it useless fcr any object save that of ornament, for which, seeing that it was a dirty old green tin, it was perhaps scarcely qualified. At Genoa they brought us a tea-urn, with the heater in it complete. At Mentone, after a very great deal of trouble, the politest of landlords with much delight, flattered himself that he at all events had succeeded in suiting the English taste, in the way of tubs, to a nicety, and assisted by three civil and obliging waiters, entered our room in great triumph, lugging in a gigantic Oil Jar. Had he wished to put us quietly out of the way, by the landlady playing Morgiana to our Forty Thieves, this would not have been a bad method of accomplishing his design. So far, the tub was not yet discovered. F F 434 VERY MUCH ABROAD. CHAPTEE XXII. STILL IN SEARCH OF A TUB — ZERMATT — CASUS JELLY — ST. NICHOLAS " A FLORENTINE JOKE -BOLOGNA TURIN SORROW RESO- LUTION ACTION THE CLIFFS OF ALBION THE DISCOVERY " REST AND BE THANKFUL " AT HOME. HE little village of Zermatt is now a place of popular resort for Tourists, of whom ^v no small proportion are pe- destrians. Each of these gentlemen who foot it merrily, is himself a Diogenes in search of a Tub ; and therefore we sincerely trust that in the course of the next century the supply of sponging baths may equal the demand. The waiter placed no difficulty in the way of furnishing us with our tub, and, after a delay, of some twenty minutes, passed by us in the dreamy antici- pation of coming pleasure, the good-natured server en- tered our apartment carrying a Zermatt sponging bath. It was a jelly mould ! Considered as a jelly mould, it was undoubtedly a fine specimen of its kind, and would turn out a grand angularly-peaked shape, enough to satisfy the requirements of sixteen sweet-toothed people ; but, regarding it, as we did, in the light of a substitute for a hip-bath or tub, we couldn't honestly say very much in its favour. We explained our wants to the landlord, who forthwith upbraided the waiter pretty freely for his stupidity, and finished by bringing us a gold-fish bowl, with the live stock swimming about in it. At St. Nicholas they gave us a vase, of the same shape as that one, which every one knows, with the two birds perched vis-a-vis The Bill 1 HOW, WREN, AND WHERE. 435 on the two handles, and evidently bent upon taking the first oppor- tunity of drinking whatever may be poured into it. Well, this was just the same as the one above mentioned, only without the birds. At Florence, we, still as Diogenes, were introduced to a most startling pantomime trick in the shape of a castellated washing- tub. It was shallow, but its width compensated for want of depth, and though a sitting position in consequence of the pointed corners was impracticable, yet we really hoped that here at last we should be able to obtain a good sponging bath in our own room. Alas ! the tub was made up of ever so many separate bits of wood, like a puzzle, held together with a belt of the thinnest wood, which, just as we had poured in the contents of our can, even to the very last drop, suddenly snapped asunder, and in another second, boots, stockings, slippers, and hastily thrown-down clothes were a prey to the wild unbounded waters. Bologna became memorable in our annals by reason of their having been very indignant at our denying the properties of a sponging bath to a gigantic bread-basket, with a stiff wooden handle. T. stands for Turin and tea-pot. 'Twas a curious old specimen, and an interesting object to us at any other time. But when you want a good substantial cut from the Roast Beef of old England, the sight of a Pompeian dish-cover will scarcely afford you an equal amount of satisfaction. No, we could bear it no longer ; fairly broken down by so many trials and disappointments, we sat down and wept. At that sad moment the strains of music — soft, soothing music — fell upon our ears ; and, upon the evening draught, which came up through the long hotel passage, in at the chinks of our doer, daintily flavoured from the kitchen, there was wafted to us a melody divinely soporific. We have got some ear for music, and this air reminded us strongly of " Home, Sweet Home," though, for the matter of that, it wasn't a bit like it. Dover ! Hurrah ! We would stop nowhere until in the comforts of our own old home, our own dear warm bedroom, we indulged in Our Tub. Arrived ! Ring the bell ! down with the luggage ! How much, Cabman 1 Six shillings. Too much, but the rascal thinks I'm a 430 VERY MUCH ABROAD foreigner. Ha ! ha ! ha good that. Here you are ; off he goes, without a sign of gratitude. Ha ! Mary — all well at home 1 That's good. Didn't expect us so soon ? Oh ! no fire in our bed-room ? Then light one — quick. No dinner 1 Then get a steak, bachelors resource ; or chops ; or — any- thing. Here we are in our own bedroom : neat and cosy ; fire blazing up. Travel- ling does make one so dirty and mucky. Large tin hip-bath in the cornel' — out with it. We are all alone ; and drag it from its recess ; then pro- ceed to unpack our sponges. Mary, the towels ! Here they arc ; and the hair- gloves. Now for a rubber before dinner. Bring two cans of water, Mary — quick. What's that she says ? Eh ! Can't have a bath 1 What does the girl mean? Why, here itis. Eh! what's that? Somethingthematterwith the cistern ; no water come in to-day. No water ! Do we pay rates, taxes — pooh ! What do you say ? Man has been here ; says there's something wrong with the ball-cock, does he ? Hang the ball-cock ! Oh ! you have got some water from next door ? Enough for my hands — ha ! ha ! But not enough for a bath ! Doesn't Britannia rule the waves ? And this, this is England ! This, this is Home ! 1 'Go tj Bath." BRADBURY, AGNEW, & CO. I.IMT., PRINTERS, WII1TEFRIARS. BY THE AUTHOR OF "HAPPY THOUGHTS. COLLECTED UNIFORM ILLUSTRATED EDITION OF F. C. BURNAND^S Writings! VOLUMES NOW HEADY: VERY MUCH ABROAD. RATHER AT SEA. QUITE AT HOME. " Mr. Buraand's Writings are well worth collecting. He has produced a very large body of comic writing of a high order of merit, and the amount of it that is first-rate is considerable. There is a perpetual gaiety and airiness about his work which makes it always pleasant to dip into, and few humorists have the power of making their readers laugh so agreeably, so innocently, so often, and so much." — Athenceum. Price 5s., Large Crown 8vo, gilt top. 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