NO 
 
 SCOTT 
 
 Detwey 
 
 IIEVISEP IDITION 
 
PARAGRAPH-WRITING 
 
 A RHETORIC FOR COLLEGES 
 
 BY 
 FRED NEWTON SCOTT 
 
 PROFESSOR OF RHETORIC IN THE UNIVERSITY OF MICHIGAN 
 AND 
 
 JOSEPH VILL1ERS DENNEY 
 
 PROFESSOR OF ENGLISH IN OHIO STATE UNIVERSITY 
 
 REWRITTEN AND MUCH ENLARGED 
 
 AL.LYN AND BACON 
 Boston anfc Chicago 
 
COPYRIGHT, 1909. BY 
 FRED NEWTON SCOTT AND 
 JOSEPH V1LL1ERS DENNEY 
 
 IDA 
 
PREFACE. 
 
 THE idea which underlies this work and which has given 
 to it its distinctive place and character was thus set forth 
 in the preface to the first edition : 
 
 Learning to write well in one's own language means in 
 large part learning to give unity and coherence to one's 
 ideas. It means learning to construct units of discourse 
 which have order and symmetry and coherence of parts. 
 It means learning theoretically how such units are made, 
 and practically how to put them together; and further, if 
 they turn out badly the first time, how to take them apart 
 and put them together again in another and better order. 
 The making and re-making of such units is in general 
 terms the task of all who produce written discourse. 
 
 The task of the teacher of those who produce written 
 discourse, it follows, is in great part setting students to 
 construct such units, explaining the principles upon which 
 the units are made, arousing a sense that they are units 
 and not mere heaps or nebulous masses, and (hoc opus, 
 hie labor est) correcting departures from unity, order, and 
 coherence when such departures occur. 
 
 Work of this kind on the part of writer or of teacher 
 presupposes a unit of discourse. Of these units there are 
 three, the sentence, the paragraph, and the essay or 
 whole composition. Which of these three is best adapted, 
 psychologically and pedagogically, to the end proposed? 
 The sentence may be rejected at the outset as at once too 
 simple and too fragmentary. . . . Moreover, as Professor 
 
 iii 
 
 421604 
 
iy PREFACE. 
 
 Barrett Wendell has pointed out (English Composition, 
 p. 117), the sentence is properly a subject of revision, not 
 of prevision, good sentences are produced by criticising 
 them after they are written rather than by planning them 
 beforehand. Putting the sentence aside, then, what shall 
 be said of the paragraph and the essay ? Of the two the 
 essay is theoretically the more proper unit of discourse. 
 But is it always so in practice? Is it not true that for 
 students at a certain stage of their progress the essay is too 
 complex and too cumbersome to be appreciated as a whole ? 
 Aristotle long ago laid down the psychological principle 
 which should govern the selection of a structural unit: 
 " As for the limit fixt by the nature of the case, the great- 
 est consistent with simultaneous comprehension is always 
 the best." If students who have written essays for years 
 have with all their labor developed but a feeble sense for 
 structural unity, may the reason not lie in the fact that the 
 unit of discourse employed has been so large and so com- 
 plex that it could not be grasped with a single effort of 
 the mind ? 
 
 If there is a measure of truth in what has here been 
 urged, it would appear that for certain periods in the stu- 
 dent's development the paragraph, as an example of struc- 
 tural unity, offers peculiar advantages. The nature of these 
 advantages has already been suggested. They are, in brief, 
 as follows : The paragraph, being in its method practically 
 identical with the essay, exemplifies identical principles of 
 structure. It exemplifies these principles in small and 
 convenient compass so that they are easily appreciable by 
 the beginner. Further, while the writing of the paragraph 
 exercises the student in the same elements of structure 
 which would be brought to his attention were he drilled in 
 the writing of essays, he can write more paragraphs than 
 he can write essays in the same length of time ; hence the 
 character of the work may be made for him more varied, 
 
PREFACE. V 
 
 progressive, and interesting. If the paragraph thus suits 
 the needs of the student, it has even greater advantages 
 from the point of view of the teacher. The bugbear of the 
 teacher of Rhetoric is the correctinjg of essays. When 
 the compositions are long and crude and errors abound, 
 the burden sometimes becomes almost intolerable. In 
 many cases it is a necessary burden and must be borne 
 with patience, but this is not always so. Since the student 
 within the limits of the paragraph makes the same errors 
 which he commits in the writing of longer compositions, 
 in the greater part of the course the written work may 
 profitably be shortened from essays to paragraphs. Para- 
 graph-writing has the further advantage that, if necessary, 
 the composition may be re-written from beginning to end, 
 and, most important of all, when completed is not too long for 
 the teacher to read and criticise in the presence of the class. 
 Finally, the paragraph furnishes a natural introduction 
 to work of a more difficult character. When the time 
 comes for the writing of essays, the transition from the 
 smaller unit to its larger analogue is made with facility. 
 
 To this fundamental idea the authors in the work of 
 revision and enlargement have chosen to adhere, being 
 convinced both of its theoretical soundness and its practical 
 utility. In adapting the work, however, to the present needs 
 of college and university classes, they have made so many 
 modifications in general plan and in detail that the result 
 is virtually a new book. Among the changes and additions 
 which will be of special interest to teachers may be men- 
 tioned the following : 
 
 1. The scope of the theoretical part has been extended 
 to embrace all pure types of compositions. In accordance 
 with this plan, the book opens with a discussion of the 
 Art of Composition and the Organic Structure of Discourse, 
 after which the two leading structural forms, the Para- 
 
vi PREFACE. 
 
 graph and the Whole Composition, are taken up in turn. 
 This order makes possible a treatment at once more inclu- 
 sive and more logical than that of previous editions. 
 
 2. The types of composition, so called, that is, descrip- 
 tion, narrative, exposition, and argument, are treated at a 
 length and with a thoroughness more nearly corresponding 
 to their present importance in college and university classes. 
 
 3. The assignments have been removed from the text, 
 where they are an encumbrance to the university student, 
 and placed in a division by themselves. This arrangement 
 permits the continuity of the text to appear more plainly, 
 and at the same time gives space for a greatly extended 
 series of progressive exercises offering a wide choice to 
 instructor and student. It is believed that many of the 
 assignments that have been added are novel both in method 
 and in subject-matter, and that all of them tend to keep 
 the student in the right attitude towards his work. 
 
 4. The illustrative matter of former editions, from long 
 use somewhat too familiar to both teacher and student, has 
 been replaced by fresh materials from a great variety of 
 sources, all of them worthy and thought-compelling. In 
 amount the material for illustration, study, and practice 
 has been more than doubled. 
 
 5. The authors have endeavored to avoid the fault 
 perhaps more common in text-books on Composition than 
 in those on other subjects of unnecessarily "affirming 
 the obvious." Nothing of theory has been admitted which 
 the diligent student cannot make his own by a reasonable 
 amount of practice. With these ends in view, the authors 
 have taken the advice of experienced instructors who have 
 used the book, both on questions of curtailment and of expan- 
 sion. To all who have been so kind as to offer suggestions, 
 the authors wish to make here a general acknowledgment 
 of obligation. 
 
 SEPTEMBER, 1909. 
 
CONTENTS. 
 
 PART I. THE PARAGRAPH. 
 
 PA6V 
 
 A. The Art of Composition 1 
 
 I. Composition an Art 1 
 
 II. Organic Structure a Characteristic of Art . . 2 
 
 B. Nature and Laws of the Paragraph .... 5 
 
 I. The Paragraph a Sign of Organic Structure . . 6 
 
 II. Two Ways of Studying Paragraphs ... 8 
 
 III. General Laws of the Paragraph .... 10 
 
 1. Unity 10 
 
 2. Selection 13 
 
 3. Proportion 18 
 
 4. Sequence 22 
 
 5. Variety 24 
 
 C. The Isolated Paragraph 27 
 
 I. Paragraph Subject 27 
 
 II. The Topic-Statement 28 
 
 1. Place of Topic-Statement 29 
 
 2. Topic-Statement Implied ..... 32 
 
 vii 
 
Vlli CONTENTS. 
 
 PAGE 
 
 III. Means of Developing the Paragraph-Theme . . 34 
 
 1. Development by Particulars and Details . . 35 
 
 2. Development by Definitive Statements . . 37 
 
 3. Development by Comparison and Illustration . 39 
 
 4. Development by Specific Instances or Examples 40 
 
 5. Development by Presenting Reasons . . 42 
 
 6. Development by Applying a Principle . . 44 
 
 7. Development by Stating Causes and Effects . 45 
 
 8. Introductory, Transitional, and Summarizing 
 
 Sentences 47 
 
 IV. Effect on Sentence Structure 49 
 
 1. Inversion 50 
 
 2. Parallel Construction ..... 51 
 
 3. Repetition 53 
 
 4. Subordination 54 
 
 5. Punctuation ....... 56 
 
 V. Types of Paragraph Structure .... 62 
 
 1. Expository and Argumentative ... 62 
 
 The Logical Type 62 
 
 Deductive 63 
 
 Inductive 64 
 
 The Less Formal Types .... 66 
 
 Paragraphs of Definition .... 66 
 
 Paragraphs of Specific Instances . . 68 
 
 Paragraphs of Illustration ... 70 
 Paragraphs of Causes and Results . .71 
 
 2. Descriptive and Narrative Paragraphs . . 72 
 
 Paragraphs of Incident 74 
 
 Descriptive Sketches 76 
 
 Portrait Sketches 78 
 
 Character Sketches 80 
 
CONTENTS. ix 
 
 PAET II. WHOLE COMPOSITIONS. 
 
 PAGE 
 
 A. Special Forms of Related Paragraphs ... 83 
 
 I. Introductory and Concluding Paragraphs . . 83 
 
 II. Transitional and Directive Paragraphs ... 88 
 
 III. Amplifying Paragraphs 89 
 
 B. Types of Whole Composition 91 
 
 I. Description 92 
 
 1. Methods in Description 94 
 
 Purpose 95 
 
 Point of View 96 
 
 Outline \ . .99 
 
 Selection of Details . . . \ . 101 
 Sequence and Grouping . . \ 102 
 
 2. Helps to Description .105 
 
 3. Kinds of Description 106 
 
 H. Narration 112 
 
 1. Simple Narrative 113 
 
 Requisites of Simple Narrative . . .113 
 
 Unity 113 
 
 Sequence 114 
 
 Climax Il6 
 
 The Elements of Simple Narrative . .117 
 
 2. Complex Narrative 119 
 
 The Elements of Complex Narrative . . 121 
 
 The Obstacle 121 
 
 The Plot 122 
 
 Characters 127 
 
 Suspense . 129 
 
 3. Helps to Narration 130 
 
CONTENTS. 
 
 PAGE 
 
 HI. Exposition 133 
 
 1. The Nature of Exposition ... . . .133 
 
 2. The Characteristics of Exposition . . . 135 
 
 3. The Process of Exposition Analysis . . 137 
 
 Rules for Logical Definition . . . 138 
 
 Rules for Logical Division .... 141 
 
 4. Methods of Exposition 150 
 
 5. Kinds of Exposition 159 
 
 IV. Argumentation 165 
 
 1. Definition of Argumentation .... 165 
 
 2. The Proposition 166 
 
 3. Analysis 167 
 
 4. The Brief 171 
 
 5. Inductive Reasoning 174 
 
 6. Deductive Reasoning ..... 176 
 
 7. A priori Arguments ...... 179 
 
 8. A posteriori Arguments 180 
 
 9. Arguments from Authority .... 182 
 
 10. Arguments from Example .... 182 
 
 11. Methods of Refutation 183 
 
 PART III. ASSIGNMENTS. 
 
 A. The Paragraph 186 
 
 B. The Whole Composition 233 
 
 I. Description 233 
 
 II. Narration 246 
 
 III. Exposition 263 
 
 IV. Argumentation ....... 295 
 
 Appendix A. Selections for Analysis and Criticism. 
 
 Isolated Paragraphs 333 
 
 Related Paragraphs 35Q 
 
CONTENTS. Xi 
 
 PAGE 
 
 Appendix B. Materials for Special Exercises. 
 
 Outlines for Paragraph- Writing 373 
 
 Classroom Themes . . 374 
 
 Reproductions 377 
 
 Paraphrases and Abstracts 380 
 
 Rhetorical Analysis 382 
 
 Stories 383 
 
 Essays, Speeches, Sketch.-s . . - . . .386 
 
 Books for Supplementary Reading 393 
 
 Appendix C. A Classified List of Essay Subjects . 400 
 
 Appendix D. 
 
 Reporting and Editing 421 
 
 Proof-reading 421 
 
 Appendix E. 
 
 General Rules for Capitals 430 
 
 General Rules for Punctuation 431 
 
 Appendix F. 
 
 General Directions for Preparing Themes . . . 433 
 
 Marks used in Correcting Themes 435 
 
 Appendix G. The Rhetoric of the Paragraph. 
 
 Unity 440 
 
 Clearness 445 
 
 Force 455 
 
 Index , 465 
 
PART I. 
 
 THE PARAGRAPH. 
 
 A. THE ART OF COMPOSITION. 
 
 1. Composition an Art. When a person of good judgment 
 has a new piece of work to do, he considers first of all just 
 what it is that he is trying to accomplish. Having deter- 
 mined this clearly, he lays his plans. He decides what 
 means and materials, what instruments or tools he must 
 employ in order to bring his work to a satisfactory com- 
 pletion. He divides it into parts and attempts one part at a 
 ~time, subduing each part, as he works at it, to its proper 
 place and function. As far as possible, also, he tries to 
 foresee the obstacles that he is likely to encounter, and pre- 
 pares himself either to avoid them or to meet and overcome 
 them as they arise. If the thing which he is trying to do 
 has ever been done before, he takes pains to inform himself 
 about previous attempts and learns from the errors as well 
 as from the successes of his predecessors. 
 
 This procedure is of universal application. It is true of 
 making a garden, playing a game, conducting a business, 
 building a boat, writing a story, or making an argument. In 
 all of these lines of effort everything depends upon making 
 plans advisedly, choosing suitable means, working to realize 
 a purpose. That is what makes the artist, whatever the 
 material in which he works. Emerson must have had this 
 idea in mind when, in his essay on Art, he wrote, "The 
 conscious utterance of thought by speech or action to any 
 
 1 
 
2 
 
 TUE PARAGRAPH. 
 
 end is Art." He says conscious utterance because art implies 
 knowing what one is about; he says by speech or action 
 because the rule is the same for the fine arts as for the 
 useful arts ; it is universal ; speech and action include all 
 manner of human effort. He is careful to add the qualifi- 
 cation, to any end, because it is purpose that makes speech 
 and action effective; without purpose they are futile and 
 meaningless. 
 
 Emerson's definition clearly classifies English Composi- 
 tion among the arts. In English Composition, as in all of 
 the other arts, success depends upon knowing what one is 
 about, upon having a conscious purpose expressed in a 
 theme or central thought, and upon employing suitable 
 material and methods in order to accomplish the purpose 
 in mind. 
 
 2. Organic Structure a Characteristic of Art. Every 
 piece of work when satisfactorily completed shows design. 
 In this one characteristic all of the arts, fine or useful, are 
 alike. The design is apparent in all of the details. The 
 parts of a picture, or of a piece of music, or of a story, all 
 have their work to do in realizing the design. If we examine 
 closely any well-written passage of English prose, we dis- 
 cover that it is not a haphazard collection of miscellaneous 
 ideas or observations, but an orderly presentation of thought. 
 Every sentence does its share of work towards making the 
 meaning clear. By analyzing such a passage into its con- 
 stituent parts, we can see just what the work of each part 
 is. After reading the following passage, for instance, we 
 are able to say that the one thought embodied in it is 
 "The Annihilation of an Army." 
 
 1. Then the march of the army, without a general, went on 
 again. 2. Soon it became the story of a general without an army ; 
 before very long there was neither general nor army. 3. It is 
 idle to lengthen a tale of mere horrors. 4. The straggling rem- 
 
THE ART OF COMPOSITION. 3 
 
 nant of an army entered the Jugdulluk Pass a dark, steep, 
 narrow, ascending path between crags. 5. The miserable toilers 
 found that the fanatical, implacable tribes had barricaded the pass. 
 6. All was over. 7. The army of Cabul was finally extinguished 
 in that barricaded pass. 8. It was a trap ; the British were taken 
 in it. 9. A few mere fugitives escaped from the scene of actual 
 slaughter, and were on the road to Jellalabad where Sale and his 
 little army were holding their own. 10. When they were within 
 sixteen miles of Jellalabad the number was reduced to six. 11. Of 
 these six, five were killed by straggling marauders on the way. 
 12. One man alone reached Jellalabad to tell the tale. 13. Liter- 
 ally, one man, Dr. Brydon, came to Jellalabad out of a moving 
 host which had numbered in all some sixteen thousand when it 
 set out on its march. 14. The curious eye will search through 
 history or fiction in vain for any picture more thrilling with the 
 suggestion of an awful catastrophe than that of this solitary sur- 
 vivor, faint and reeling on his jaded horse, as he appeared under 
 the walls o^ Jellalabad, to bear the tidings of our Thermopylae of 
 pain and shame. McCarthy: A History of our Own Times, Vol. I., 
 p. 199. 
 
 The passage divides into the following parts, four in 
 number : 
 
 1. The story of the march is a tale of horrors. (Sentences 
 1-3.) 
 
 2. The Jugdulluk Pass proved to be a trap. (Sentences 
 4-8.) 
 
 3. The few fugitives were reduced to one. (Sentences 
 9-11.) 
 
 4. Dr. Brydon alone reached Jellalabad. (Sentences 
 12-14.) 
 
 In this passage the divisions are stages in the annihila- 
 tion of the army. Each stage is distinct, and each has its 
 own work to do in making clear the one thought of the 
 whole passage. 
 
 The following passage also gives evidence of regular 
 organic structure: 
 
4 THE PARAGRAPH. 
 
 1. The originality of form and treatment which Macau! ay gave 
 to the historical essay has not, perhaps, received due recognition. 
 Without having invented it, he so greatly improved and expanded 
 it that he deserves nearly as much credit as if he had. He did for 
 the historical essay what Haydn did for the sonata, and Watt for 
 the steam-engine : he found it rudimentary and unimportant, and 
 left it complete, and a thing of power. 2. Before his time there 
 was the ponderous history, generally in quarto, and there was the 
 antiquarian dissertation. There was also the historical review, 
 containing alternate pages of extract and comment, generally dull 
 and gritty. But the historical essay, as he conceived it, and with 
 the prompt inspiration of a real discoverer immediately put into 
 practical shape, was as good as unknown before him. 3. To take a 
 bright period or personage of history, to frame it in a firm outline, 
 to conceive it at once in article size, and then to fill in this limited 
 canvas with sparkling anecdote, telling bits of color, and facts all 
 fused together by a real genius for narrative, was the sort of genre- 
 painting which Macaulay applied to history. 4. And to this day 
 his essays remain the best of their class, not only in England, but in 
 Europe. Slight, or even trivial, in the field of historical erudition 
 and critical inquiry, they are masterpieces if regarded in the light 
 of great popular cartoons on subjects taken from modern history. 
 They are painted, indeed, with such freedom, vividness, and power 
 that they may be said to enjoy a sort of tacit monopoly of the peri- 
 ods and characters to which they refer, in the estimation of the 
 general public. J. Cotter Morison. 
 
 Analysis by thought-divisions : 
 
 1. Macaulay gave to the historical essay originality of form and 
 
 treatment. 
 
 (a) He did not invent it, but 
 (6) He improved it greatly. (Parallel cases Haydn and 
 
 Watt.) 
 (c) He found it rudimentary and left it complete. 
 
 2. Forms of historical writing, before Macaulay. 
 
 (a) The ponderous history. 
 
 (b) The dissertation. 
 
 (c) The review. 
 
LAWS OF THE PARAGRAPH. 5 
 
 3. In what consisted Macaulay's originality of treatment. 
 
 (a) Selection of effective points and periods and telling per- 
 sonages. 
 
 (6) Framing the selected period or personage in firm out- 
 line Unity. 
 
 (c) A sense of due proportion. Genius for narrative. 
 
 4. His essays the best of their class. 
 
 (a) Others surpass them in erudition and critical research, 
 
 but 
 (&) They are masterpieces if judged as specimens of broad, 
 
 popular treatment, 
 (c) They have a monopoly of the periods and characters 
 
 treated by them. 
 
 B. NATURE AND LAWS OF THE PARAGRAPH^ 
 
 3. The Paragraph a Sign of Organic Structure. A pas- 
 sage like the foregoing is called u parii^niph. From our 
 consideration of its form and function thus far, we may 
 deduce the following definition : 
 
 A paragraph is a unit of discourse developing a single idea. 
 It consists of a group or series of sentences closely related to 
 one another and to the thought expressed by the whole group or 
 series. Devoted, like the sentence, to the development of one 
 topic, a good paragraph is also, like a good essay, a complete 
 treatment in itself. 
 
 The following paragraphs illustrate this close relation of 
 sentences : 
 
 I willingly concede all that you say against fashionable society 
 as a whole. It is, as you say, frivolous, bent on amusement, 
 incapable of attention sufficiently prolonged to grasp any serious 
 subject, and liable both to confusion and inaccuracy in the ideas 
 which it hastily forms or easily receives. You do right, assuredly, 
 not to let it waste your most valuable hours, but I believe also that 
 you do wrong in keeping out of it altogether. 
 
 The society which seems so frivolous in masses contains indi- 
 
6 THE PARAGRAPH. 
 
 vidual members who, if you knew them better, would be able and 
 willing to render you the most efficient intellectual help, and you 
 miss this help by restricting yourself exclusively to books. Nothing 
 can replace the conversation of living men and women; not even 
 the richest literature can replace it. Hamerton : The Intellectual 
 Life, Part IX., Letter V. 
 
 The topic treated by the first of these paragraphs is 
 "Society is frivolous as a whole"; that treated by the 
 second is "But society contains individuals whose conver- 
 sation is highly profitable." These paragraphs are closely 
 related, but each represents a distinct phase of the thought. 
 In this way, the successive paragraphs of an essay treat in 
 turn the topics into which the essay naturally divides itself. 
 If the subject requires only a brief treatment and includes 
 but two or three topics, a single paragraph will suffice for 
 each. Of a more extensive production, involving topics and 
 subtopics, each subtopic may require a separate paragraph 
 for its adequate treatment. The paragraphs thus indicate 
 the organic structure of the whole composition, while each 
 paragraph singly has its own organic structure also. Thus 
 in the following essay by Sir Walter Besant on the London 
 Mob, the first paragraph describes the close relation of the 
 master and workman prior to the eighteenth century ; the 
 second tells how with the separation of companies and 
 craftsmen the London mob came into existence; the third 
 presents the condition and temper of the working men at the 
 close of the last century ; the fourth explains why the mob 
 did not gain the upper hand. 
 
 1. The eighteenth century was remarkable, among other things, 
 for the complete separation of master and workman. When the 
 companies received their charters and the crafts were organized, 
 the burden of the work might be heavy, but the masters and the 
 workmen were united ; they belonged to the same company, which 
 looked after the interests of the craft, and cared for every man in 
 it. The company educated the boy, apprenticed him, received him 
 
LAWS OF THE PARAGRAPH. 7 
 
 into its body when he had served his time, made him obey the 
 rules, made him go to church, perhaps started him in business on 
 his own account, cared for him if he fell sick or was disabled, cared 
 for his children if he died, pensioned him when he was old, buried 
 him and had masses said for his soul. All through life he was the 
 servant of the company ; he lived and worked under a discipline 
 which was sometimes severe but generally wholesome. 
 
 2. But London pressed beyond the walls, and with the expan- 
 sion of London, in Whitechapel, Wapping, Ratcliffe, or Clerken- 
 well, the companies lost their hold upon the craftsmen; they 
 ceased to enroll the craftsmen in their societies; between the mer- 
 chant and the craftsmen there was no longer the bond of common 
 interests and common obedience. In a word, the London mob 
 grew up, apart and separate, unheeded, until it became a frightful 
 danger, terrible in its ignorance, its drunkenness, its brutality, and 
 its freedom from all restraint of morality and religion. How they 
 lived, how they wallowed this mass of humanity uncared for 
 must be learned bit by bit, for they have no historian. No one 
 cared for them; not the Church, for they were outside the city 
 parishes besides, the eighteenth century clergyman of the Estab- 
 lished Church was a preacher, not a visitor of the poor ; the church 
 stood open for its daily services if any chose to appear ; if they did 
 not appear, so much the worse for them. Of schools there were 
 next to none; no gentlefolk lived among this class of people; 
 neither restraining nor elevating influences existed at all for them. 
 
 3. The lowest depth ever touched by the lowest class of a modern 
 city seems to have been reached by the London mob about the end 
 of the last century. Looking back upon that time, remembering, 
 among other things, the constant demand for sailors and soldiers, 
 which devoured the best youth of the country, one asks in admira- 
 tion how government was carried on at all. For the whole of the 
 great class who did the work in the towns at least were filled 
 with hatred of the governing class. As for any share or voice in 
 the government, they had none. There was danger if the people 
 got any education, for they would then become agitators and 
 leaders ; there was danger if they remained ignorant, because an 
 ignorant people is liable to sudden storms. One touch of elo- 
 quence one little unimportant event and lo 1 a Jacquerie. The 
 
8 THE PARAGRAPH. 
 
 mutiny of Spithead and the Nore showed the dangers of combined 
 action ; the Gordon riots showed the danger of an accidental 
 flame. 
 
 4. His own position, however and here was the safety made 
 it extremely difficult for the working man to combine ; he had to 
 work hard every day and all day long, with no respite, or holiday, 
 except on Sunday: his hours were long; his wages which did 
 not pretend to have any relation to his productive value were 
 miserable. He was, for all practical purposes, bound to the place 
 where he was born and where he served his apprenticeship. As a 
 rule he could not read, or, if he could, there were no journals, or 
 books, for him ; he drank as much as he could afford to drink ; his 
 wits were besotted ; he was inarticulate. The Government was an 
 unseen power which stood beside his master; it flogged, trans- 
 ported, and hanged people ; these accidents might happen to any- 
 body. There can be no doubt that the London mob which was 
 born late in the seventeenth century, and grew greater, more 
 dangerous, more terrible in its unknown powers every year was 
 kept down by two weapons only these were its own ignorance, 
 and the strong hand of the executioner. Besant : The Science of 
 Sympathy. 
 
 4. Two Ways of Studying Paragraphs. A paragraph 
 may be studied as a structural part of an essay ; or it may 
 be isolated from the rest of the essay and be studied by it- 
 self. In a later chapter we shall study paragraphs in the 
 first way. In this chapter we shall study each paragraph 
 as if it were a separate and complete composition in minia- 
 ture, and shall use the term isolated paragraph to indicate 
 that fact. A large class of subjects admit of adequate 
 treatment in single paragraphs; for example, incidents, 
 brief descriptions, short comments on current events, and 
 discussions of single phases of political and social questions. 
 The writing of single paragraphs has become a recognized 
 feature in editorial work. The following paragraph is taken 
 from a longer composition, yet it is as adequate a treatment 
 of its own topic as if it were an independent composition. 
 
LAWS OF THE PARAGRAPH. 9 
 
 In England the chief characteristic of the Tory party has been 
 its support of measures which tend to strengthen the crown and 
 the aristocracy, and to enlarge and tighten the control exercised 
 by the community over its individual members. The chief charac- 
 teristic of the Liberal party has been its support of measures which 
 tend to weaken the crown and the aristocracy, and to diminish 
 and relax the control exercised by the community over its indi- 
 vidual members. In all times and countries there has been such 
 a division between parties, and in the nature of things it is the 
 only sound and abiding principle of division. Ephemeral parties 
 rise and fall over special questions of temporary importance, but 
 this grand division endureth forever. Wherever there are com- 
 munities of men, a certain portion of the community is marked 
 off, in one way or another, to exercise authority over the whole 
 and perform the various functions of government. The question 
 always is how much authority shall this governing portion of the 
 community be allowed to exercise, to how great an extent shall it 
 be permitted to interfere with private affairs, to take people's 
 money in the shape of taxes, whether direct or indirect, and in 
 other ways to curb or restrict the freedom of individuals. All 
 people agree that government must have some such powers, or else 
 human society would be resolved into a chaos in which every man's 
 hand would be raised against every other man. The political 
 question is as to how much power government shall be permitted 
 to exercise. Where shall the line be drawn beyond which the 
 governing body shall not be allowed to go? This has been the 
 fundamental question among all peoples in all lands, and it is 
 the various answers to this question that have ma/le all the differ- 
 ences in the success or the failure of different phases of civilization, 
 all the differences between the American citizen and the Asiatic 
 coolie. We might thus take any nation that has ever existed for 
 comparison with the United States, but we choose to take England, 
 because there the will of the people has in all ages been able to 
 assert itself. In countries where the voice of the people has been 
 for a long time silenced, as in France under the old regime and in 
 Russia, we naturally find parties coming up, like the Jacobins and 
 the Anarchists, who would fain destroy all government and send 
 us back to savagery ; for in politics as well as in physics it may be 
 said that action and reaction are equal and in opposite directions. 
 

 ____ 
 10 THE PARAGRAPH. 
 
 But in England, just because the people have always been able to 
 find their voice and use it, things have proceeded normally, in a 
 quiet and slow development, like the unfolding of a flower; and 
 so the differences between parties have never assumed a radically 
 explosive form, but have taken the shape with which we are famil- 
 iar as the differences between Liberals and Tories. Fiske : Essays 
 Historical and Literary, Vol. I., p. 171. 
 
 GENERAL LAWS OF THE PARAGRAPH. 
 
 5. As a unit of discourse, every paragraph, whether 
 related or isolated, is subject to the general laws of unity, 
 selection, proportion, sequence, and variety, which govern all 
 good composition. 
 
 6. Unity. The most important of these is the law of 
 unity, which requires that the sentences composing the para- 
 graph be intimately connected with one another in thought and 
 purpose. The fundamental idea of the paragraph is oneness of 
 aim and end in all of its parts. Unity is violated, therefore, 
 when any sentence is admitted as a part, which does not 
 clearly contribute its share of meaning towards the object 
 for which the paragraph is written. Unity forbids digres- 
 sions and irrelevant matter. The most common violation 
 of unity is including matter in one paragraph which should 
 either be taken out and made a separate paragraph by itself 
 or be dropped altogether. 
 
 The following paragraph treating of the unity of the /&/; 
 Gothic cathedral is a fine illustration of this fundamental 
 law: 
 
 Wonderful as the art of the cathedral is, it was no mere wanton 
 exercise of the imagination. Every part of the most complicated 
 cathedral was carefully adjusted to every other, was as nicely cal- 
 culated and as boldly executed as any notable piece of modern 
 engineering. Every portion of a well-ordered Gothic structure 
 performed a useful and necessary function. The high vaults of 
 
UNITY. 11 
 
 the nave were the fundamental element. These must be high 
 enough to permit the introduction of windows beneath them that 
 would admit light over the roofs of the aisles. This was the great 
 architectural problem of the Middle Ages, and Gothic architecture 
 was developed in striving to solve it. How this was done and 
 where and why, we need not stop to inquire. But it is useful to 
 keep in mind the fact that the buttresses and flying buttresses, 
 which, in the hands of the French builders, became so marked an 
 ornamental feature, performed the useful and necessary work of 
 carrying the vault thrusts, which were further held in check by the 
 pinnacles placed on the buttresses. The walls in a thoroughly 
 developed Gothic church thoroughly developed, that is, in the 
 sense of illustrating Gothic principles in their fullest phase of 
 development are mere curtains between the buttresses. It thus 
 became possible to introduce windows of great size, wholly filling 
 the space between the buttresses, and reaching quite to the vault- 
 ing ribs in the aisles and the clearstory of the nave. The funda- 
 mental Gothic principle of building was the concentration of 
 weights and thrusts upon certain strong structural points, which, 
 in the church, were the buttresses. This accomplished, it was the 
 builders' task to give this structural frame an artistic form, which 
 should make it beautiful without hiding its structural nature. 
 
 Barr Ferree. 
 
 The following paragraph from Dryden, on Translation, 
 will, on the other hand, serve to illustrate how unity is 
 frequently violated: 
 
 (1) Translation is a kind of drawing after the life; where 
 every one will acknowledge there is a double sort of likeness, a 
 good one and a bad. It is one thing to draw the outlines true, 
 the features like, the proportions exact, the coloring itself per- 
 haps tolerable; and another thing to make all these graceful, 
 by the posture, the shadowings, and chiefly by the spirit which 
 animates the whole. (2) I cannot, without some indignation, 
 look on an ill copy of an excellent original; much less can 
 I behold with patience Virgil, Homer, and some others, whose 
 beauties I have been endeavouring all my life to imitate, so 
 abused, as I may say, to their faces by a botching interpreter, 
 
12 THE PARAGRAPH. 
 
 What English readers, unacquainted with Greek or Latin, will 
 believe me or any other man, when we commend these authors, 
 and confess we derive all that is pardonable in us from their 
 fountains, if they take those to be the same poets whom our 
 Oglevies have translated? But I dare assure them that a good 
 poet is no more like himself in a dull translation, than his carcase 
 would be to his living body. (3) There are many who under- 
 stand Greek and Latin and yet are ignorant of their mother 
 tongue. The proprieties and delicacies of the English are known 
 to few; it is impossible even for a good wit to understand and 
 practise them without the help of a liberal education, long reading 
 and digesting of those few good authors we have amongst us; the 
 knowledge of men and manners, the freedom of habitudes and 
 conversation with the best company of both sexes ; and, in short, 
 without wearing off the rust which he contracted while he was 
 laying in a stock of learning. Thus difficult it is to understand 
 the purity of English, and critically to discern, not only good 
 writers from bad, and a proper style from a corrupt, but also to 
 distinguish that which is pure in a good author from that which 
 is vicious and corrupt in him. And for want of all these requisites, 
 or the greatest part of them, most of our ingenious young men take 
 up some cried-up English poet for their model ; adore him, and 
 imitate him, as they think, without knowing wherein he is defec- 
 tive, where he is boyish and trifling, wherein either his thoughts 
 are improper to his subject, or his expressions unworthy of his 
 thoughts, or the turn of both is unharmonious. 
 
 The section of this paragraph marked (2) is an expression 
 of Dry den's personal feelings towards bad translations, and 
 shows no connection with what precedes in the section 
 marked (1), which states the nature and difficulties of 
 translation. Section (2) should either be omitted entirely 
 or be taken out and made into a separate paragraph, prefaced, 
 as Bain suggests (Rhetoric, Part I. p. 113), by some such 
 statement as this : " A good original must not be judged by 
 an ill copy." Section (3) would, in the latter case, also be- 
 come a separate paragraph, prefaced by some such state- 
 ment as this: "That good translations are few is not to be 
 
SELECTION. 13 
 
 wondered at. For a good translation two things are re- 
 quired : a knowledge of English, as well as a knowledge 
 of the original. " The order of the paragraphs would then 
 be (1), (3), (2). If section (2) were omitted entirely, sec- 
 tion (3) might be unified with section (1) by prefacing (3) 
 with the single sentence : " For a good translation two 
 things are required : a knowledge of English, as well as a 
 knowledge of the original." The changes suggested here 
 in the order of sentences illustrate also the law of sequence 
 (the fourth law of the paragraph). 
 
 7. Selection. Of the multitude of things that may be 
 said on a given subject, what shall be chosen for mention 
 in the paragraph? The law of selection gives a twofold 
 answer. In the first place, the points selected should be 
 those that will best subserve the purpose in writing end will 
 give force and distinction to its main idea. In the second place, 
 the points selected should be those that will be best adapted to 
 the particular audience addressed. On the first part of the 
 rule, it should be said that a few points will usually serve 
 better than many. What to omit is always an important 
 question, especially in narrative and descriptive paragraphs. 
 The effort to make a narrative or a description complete 
 even to the smallest details may render the account obscure. 
 It is not the number of items cited, but their significance 
 that counts. In the following, the illustration from por- 
 trait painting is especially apt, embodying in itself the 
 point of the whole matter at issue. 
 
 How, indeed, is it possible for any writer to narrate any fact 
 without having previously determined its value and importance 
 in his own mind? and how can he determine these, unless he 
 previously possess some theory of the moral laws by which human 
 action is regulated ? A narration, you say, is a picture in words ; 
 neither more nor less. Be it so ; but even the painter who paints 
 your portrait must place you in some attitude or costume, and 
 will endeavor to select the attitude or costume most character- 
 
14 THE PARAGRAPH. 
 
 istic of the predominant disposition of your mind. And the facts 
 he is about to relate ought to present themselves in a definite 
 manner before the inind of the writer, whose aim it should be to 
 place himself in a definite point of view, from which he feels he 
 can most completely grasp their true aspect. The historian must 
 necessarily have some theory of arrangement, perspective, and 
 expression, from which, logically, he will be guided to a theory of 
 causes. The cause of every fact is an essential part of that fact, 
 and determines its ruling characteristics. What is a fact, but the 
 effort of a cause seeking to create or influence the future ? Joseph 
 Mazzini: Essays, Carlyle's History of the French Revolution. 
 
 In paragraphs of an expository or argumentative char- 
 acter, violations of the law of selection most often appear 
 in the use of remote and inapplicable figures of speech and 
 far-fetched and misleading contrasts. The following con- 
 tains two such contrasts, here printed in italics : 
 
 Ordinary criminal justice knows nothing of set-off. The 
 greatest desert cannot be pleaded in answer to a charge of the 
 slightest transgression. If a man has sold beer on Sunday morning, 
 it is no defence that he has saved the life of a fellow-creature at 
 the risk of his own. If he has harnessed a Newfoundland dog to 
 his little child's carriage, it is no defence that he was wounded at 
 Waterloo. Macaulay : Lord Clive. 
 
 Some more obvious " transgression " than " harnessing a 
 Newfoundland dog to his little child's carriage" (it will 
 occur to most readers) ought to have been cited, in order 
 to justify the extraordinary method of defence suggested 
 that of exposing the wounds the prisoner received at 
 Waterloo. The very widen ess from each other of the things 
 selected for contrast defeats the writer's purpose. 
 
 Another example from the same author has been noted 
 by Morley : 
 
 Those strokes of minute circumstantiality which he [Macaulay] 
 loved so dearly show that even in moments when his imagination 
 might seem to be moving both spontaneously and ardently, it was 
 really only a literary instrument, a fashioning tool and not a 
 
SELECTION. 15 
 
 melting flame. Let us take a single example. He is describing 
 the trial of Warren Hastings. " Every step in the proceedings," 
 he says, "carried the mind either backward through many 
 troubled centuries to the days when the foundations of our con- 
 stitution were laid ; or far away over boundless seas and deserts, 
 to dusky nations living under strange stars, worshiping strange 
 gods, and writing strange characters from right to left." The odd 
 triviality of the last detail, its unworthiness of the sentiment of 
 the passage, leaves the reader checked; what sets out as a fine 
 stroke of imagination dwindles down to a sort of literary conceit. 
 And this puerile twist, by the way, is all the poorer, when it is 
 considered that the native writing is really from left to right, and 
 only takes the other direction in a foreign, that is to say, a Persian 
 alphabet. J. Morley : Critical Miscellanies, Macaulay. 
 
 This is a charge, however, that cannot often be brought 
 against Macaulay. His paragraphs are, in general, models 
 of structure, unity, and force. 
 
 De Quincey, especially when he tries to be humorous, 
 often suffers a temporary paralysis of the selective faculty. 
 In the following example, if the subject of the paragraph is 
 " The Age of the Earth according to Kant," the portions in 
 brackets are not happily chosen. 
 
 Meantime, what Kant understood by being old is something 
 that still remains to be explained. If one stumbled in the steppes 
 of Tartary on the grave of a megalonyx, and, after long study, had 
 deciphered from some pre-Adamite hiero-pothooks the following 
 epitaph : " Hie jacet a megalonyx, or Hie jacet a mammoth, (as the 
 case might be,) who departed this life, to the grief of his numer- 
 ous acquaintance, in the seventeen thousandth year of his age," 
 [of course one would be sorry for him ; because it must be dis- 
 agreeable at any age to be torn away from life and from all one's 
 little megalonychal comforts : that's not pleasant, you know, even 
 if one is seventeen thousand years old. But] it would make all 
 the difference possible in your grief whether the record indicated a 
 premature death, [that he had been cut off, in fact, whilst just 
 stepping into life, or had kicked the bucket when full of honors, 
 and been followed to the grave by a train of weeping grandchil- 
 
\ 
 
 16 THE PARAGRAPH. 
 
 dren. He had died " in his teens " ; that's past denying. But still] 
 we must know to what stage of life in a man had corresponded 
 seventeen thousand years in a mammoth. Now, exactly this was 
 what Kant desired to know about our planet. Let her have lived 
 any number of years that you suggest, (shall we say, if you please, 
 that she is in her billionth year?) still that tells us nothing about 
 the period of life, the stage, which she may be supposed to have 
 reached. Is she a child, in fact? or is she an adult? [And if an 
 adult, and that you gave a ball to the solar system, is she that kind 
 of person that you would introduce to a waltzing partner, some 
 fiery young gentleman like Mars? or would you rather suggest to 
 her the sort of partnership which takes place at a whist table?] 
 On this, as on so many other questions, Kant was perfectly sensi- 
 ble that people of the finest understandings may, and do, take the 
 most opposite views. De Quincey : System of the Heacens. 
 
 In the following description, notice that the points se- 
 lected for mention are few in number, and are all chosen 
 with the single purpose of bringing out the idea of great 
 wealth : 
 
 Of the provinces which had been subject to the house of Tam- 
 erlane, the wealthiest was Bengal. ' No part of India possessed 
 such natural advantages both for agriculture and for commerce. 
 The Ganges, rushing through a hundred channels to the sea, has 
 formed a vast plain of rich mold which, even under the tropical 
 sky, rivals the verdure of an English April. The ricefields yield 
 an increase such as is elsewhere unknown. Spices, sugar, vegeta- 
 ble oils, are produced with marvelous exuberance. The rivers 
 afford an inexhaustible supply of fish. The desolate islands along 
 the sea-coast, overgrown by noxious vegetation, and swarming 
 with deer and tigers, supply the cultivated districts with abundance 
 of salt. The great stream which fertilizes the soil is, at the same 
 time, the chief highway of Eastern commerce. On its banks, and 
 on those of its tributary waters, are the wealthiest marts, the most 
 splendid capitals, and the most sacred shrines of India. The 
 tyranny of man had for ages struggled in vain against the over- 
 flowing bounty of nature. In spite of the Mussulman despot and 
 of the Mahratta freebooter, Bengal was known through the East 
 
SELECTION. 17 
 
 as the Garden of Eden, as the rich kingdom. Its population mul- 
 tiplied exceedingly. Distant provinces were nourished from the 
 overflowing of its granaries ; and the noble ladies of London and 
 Paris were clothed in the delicate produce of its looms. 
 
 Macaulay : Lord Clive. 
 
 The second part of the rule enjoins the selection of those 
 points that the particular audience addressed will under- 
 stand and appreciate. The writer needs to consider what 
 his reader knows about the subject, how much explanation 
 is necessary, what may be curtailed or omitted. The 
 scientist will write differently on the same topic for an 
 association of scientists and for a popular magazine. One 
 who is addressing an audience of students, or of working men, 
 or of business men, or of scholars, will find himself choos- 
 ing the things to say that are most likely to be of interest 
 to the particular audience before him. In the following it 
 is evident that the names chosen for mention are precisely 
 those that are held in universal esteem, though other names 
 might be substituted that would not be so willingly granted 
 by all readers the high title of "Christian hero." 
 
 One of the most encouraging features of the age in which we 
 live is the rapidity with which the bitter feelings attendant upon 
 a terrible civil war have faded away and given place to mutual 
 friendliness and esteem between gallant men who, less than thirty 
 years ago, withstood one another in deadly strife. Among our 
 public men who hunger for the highest offices, a few Rip Van 
 Winkles are still to be found who, without sense enough to realize 
 the folly and wickedness of their behavior, try now and then to 
 fan into fresh life the dying embers of sectional prejudice and dis- 
 trust ; but their speech has lost its charm, and those that bow the 
 ear to it are few. The time is at hand when we may study the 
 great Civil War of the nineteenth century as dispassionately as 
 we study that of the seventeenth ; and the warmest admirer of 
 Cromwell and Lincoln may rejoice in belonging to a race of men 
 that had produced such noble Christian heroes as Lucius, Vis- 
 count Falkland, and General Robert Lee. Such a time seems 
 
18 THE PARAGRAPH. 
 
 certainly not far off when we see how pleasantly the generals of 
 opposing armies can now sit down and tell their reminiscences, and 
 discuss each other's opinions and conduct in the pages of a popular 
 magazine. Fiske : Essays Historical and Literary, Vol. I., p. 3. 
 
 8. Proportion. The law of proportion requires, first, that 
 enough be said to exhibit fully the purpose and idea of the para- 
 graph. Paragraphs will, therefore, differ in length according 
 to the importance and scope of the ideas they present. No 
 arbitrary rules can be given as to the proper length of para- 
 graphs. Observing the custom of some of our best writers, 
 we may safely say that it is not well to extend a single 
 paragraph beyond three hundred words. The advantage 
 of at least one paragraph-indention on almost every page 
 of a printed book is felt by every reader. On the other 
 hand, as Professor Earle says (English Prose, p. 212), 
 " The term paragraph can hardly be applied to anything 
 short of three sentences," though skilful writers sometimes 
 make a paragraph of two sentences, or even of one. 
 
 This law requires, secondly, that the details which make up 
 the paragraph be treated and amplified in proportion to their 
 respective importance to the main idea and purpose of the para- 
 graph. Subordinate ideas and subsidiary details should be kept 
 subordinate and subsidiary. 1 
 
 1 A corollary of this requirement of the law of proportion has been 
 elevated by Professor Barrett Wendell to the dignity of a fundamental 
 principle : 
 
 " So we come to the principle which governs the external form of para- 
 graphs, the principle of Mass: that the chief parts of each composition 
 should be so placed as readily to catch the eye." 
 
 English Composition, p. 126. 
 
 " How conspicuous the chief places in any paragraph are, a glance at 
 any printed page will show. Trained or untrained, the human eye cannot 
 help dwelling instinctively a little longer on the beginnings and ends of 
 paragraphs than on any other points in the discourse. ... It is a simple 
 question of visible, external outline ; and it means, in other words, that 
 the beginning and the end of a paragraph are beyond doubt the fittest 
 places for its chief ideas, and so for its chief words." 76. , pp. 127-128, 
 
Ca**^- 
 
 PROPORTION. 19 
 
 Thirdly, overamplification and too extensive illustration of 
 a simple statement admitted by every one are violations of the 
 law of proportion. The term economy is very aptly used 
 by Spencer in his Philosophy of /Style to express this require- 
 ment of the law of proportion. Concisely stated, it implies 
 the employment of the simplest means for securing the full- 
 est effects. At any moment, Spencer argues, the reader or 
 hearer has only a certain amount of mental energy to ex- 
 pend upon what he is reading or hearing. Part of this 
 energy must be expended upon the mere symbols of writing 
 or speech ; the remainder may be devoted to the ideas or 
 emotions embodied in those symbols. It follows that the 
 less energy the reader or listener needs to expend upon the 
 form, the more he may devote to the thought or the emotion. 
 Difficult words, involved constructions, unnecessary ampli- 
 fication or illustration, as well as unidiomatic order, are all 
 uneconomical because they attract the reader's attention 
 from the thought to the manner of expression. 
 
 In illustration of the first requirement of this rule, con- 
 trast the two paragraphs that follow. In the first, the main 
 thought is found in the words, " A man is a fagot of thun- 
 derbolts," and " We only believe as deep as we live." This 
 thought is not sufficiently illustrated for the general reader, 
 and what is said by way of explanation is as indefinite in 
 character as the proposition it purports to explain. The 
 force of the last sentence in the quotation will hardly be 
 felt at the first reading, unless one happens to emphasize 
 
 Elsewhere, in speaking of whole compositions, Professor Wendell iden- 
 tifies mass and proportion : " We have now reached a point in our dis- 
 cussion of the principle of Mass where I believe we may well glance at 
 another phase of it. The bulk of sentences is too small to permit this 
 phase to be considered in connection with them. The bulk of paragraphs 
 is large enough to make it now worth attention. In whole compositions 
 we shall find it more important still. Briefly phrased, it is simply this: 
 Due proportion should subsist between principal and subordinate matters." 
 
 id., p. 131. 
 
20 THE PARAGRAPH. 
 
 the word we. The second paragraph, from the same 
 writer, is quoted as an illustration of the perfect fulfilment 
 of the law of proportion. 
 
 We are just so frivolous and sceptical. Men hold themselves 
 cheap and vile ; and yet a man is a fagot of thunderbolts. All the 
 elements pour through his system ; he is the flood of the flood, 
 and fire of the fire ; he feels the antipodes and the pole, as drops 
 of his blood : they are the extension of his personality. His duties 
 are measured by that instrument he is ; and a right and perfect 
 man would be felt to the centre of the Copernican system. 'Tis 
 curious that we only believe as deep as we live. We do not think 
 heroes can exert any more awful power than that surface-play 
 which amuses us. A deep man believes in miracles, waits for 
 them, believes in magic, believes that the orator will decompose 
 his adversary; believes that the evil eye can wither, that the 
 heart's blessing can heal; that love can exalt talent; can overcome 
 all odds. From a great heart secret magnetisms flow incessantly 
 to draw great events. But \ve prize very humble utilities, a pru- 
 dent husband, a good son, a voter, a citizen, and deprecate any 
 romance of character; and perhaps reckon only his money value, 
 
 his intellect, his aifection, as a sort of bill of exchange, easily 
 convertible into fine chambers, pictures, music, and wine. Emer- 
 son : Essay on Beauty. 
 
 The artist who is to produce a work which is to be admired, not 
 by his friends or his townspeople or his contemporaries, but by all 
 men, and which is to be more beautiful to the eye in proportion 
 to its culture, must disindividualize himself, and be a man of no 
 party, and no manner, and no age, but one through whom the 
 soul of all men circulates, as the common air through his lungs. 
 He must work in the spirit in which we conceive a prophet to 
 speak, or an angel of the Lord to act ; that is, he is not to speak 
 his own words, or do his own works, or think his own thoughts, 
 but he is to be an organ through which the universal mind acts. 
 
 Emerson: Essay on Art. 
 
 The two paragraphs cited from Emerson are of about 
 equal difficulty in regard to the thought ; the ease of com- 
 prehension in the case of the latter and the difficulty of 
 
PROPORTION. 21 
 
 comprehension in the case of the former are fairly attribu- 
 table to the observance of the law of proportion in the one 
 and to its neglect in the other. 
 
 The following will illustrate undue prominence given to 
 a subordinate idea, at the cost of clearness : 
 
 (1) If we would study with profit the history of our ancestors, 
 we must be constantly on our guard against that delusion which 
 the well-known names of families, places, and offices naturally 
 produce, and must never forget that the country of which we 
 read was a very different country from that in which we live. 
 (2) In every experimental science there is a tendency towards 
 perfection. (3) In every human being there is a wish to amelior- 
 ate his own condition. (4) These two principles have often 
 sufficed, even when counteracted by great public calamities and 
 by bad institutions, to carry civilization rapidly forward. (5) No 
 ordinary misfortune, no ordinary misgovernment, will do so much 
 to make a nation wretched, as the constant progress of physical 
 knowledge and the constant effort of every man to better himself 
 will do to make a nation prosperous. [Then follows a page show- 
 ing the vast increase of wealth in England during the last six 
 centuries and the reasons for it.] (1-) The consequence is that a 
 change to which the history of the old world furnishes no parallel 
 has taken place in our country. (1:5) Could the England of 1685 
 be, by some magical process, set before our eyes, we should not 
 know one landscape in a hundred or one building in ten thousand. 
 [Another page of details, similar to those in the last sentence, 
 follows.] Macaulay: History of England, Vol. I., chap. iii. 
 
 The undue prominence given to the second and third 
 sentences, stated (as they are) as independent propositions 
 apparently of equal importance with the first sentence and 
 illustrated at great length, occasions doubt in the mind of 
 the reader as to what is the main idea of the paragraph ; 
 and it is not until sentence (12) is reached that it becomes 
 evident that sentence (1) contains, after all, the main idea, 
 and that the ten sentences intervening are subordinate and 
 are intended to account for the fact that "the -country of 
 
22 THE PARAGRAPH. 
 
 which we read was a very different country from that in 
 which we live." The subordination might be plainly indi- 
 cated, and all doubt of the reader removed, by introducing 
 immediately after sentence (1) some such statement as this : 
 " In the course of centuries, vast differences are inevitably 
 brought about in a country by the operation of social prin- 
 ciples alone." 
 
 The following paragraph, which illustrates unnecessary 
 amplification of a self-evident proposition, is termed by the 
 writer of it " a string of platitudes " : 
 
 Lucidity is one of the chief characteristics of sanity. A sane 
 man ought not to be unintelligible. Lucidity is good everywhere, 
 for all time and in all things, in a letter, in a speech, in a book, 
 in a poem. Lucidity is not simplicity. A lucid poem is not 
 necessarily an easy one. A great poet may tax our brains, but he 
 ought not to puzzle our wits. We may often have to ask in 
 humility, What does he mean ? but not in despair, What can he 
 mean? A. Birrell: Obiter Dicta. 
 
 9. Sequence. The law of sequence, or method, requires 
 that the sentences be presented in the order which will best 
 bring out the thought. In narrative paragraphs the order of 
 events in time is usually the best ; in descriptions, the order 
 of objects in space or according to their prominence. In 
 expository or argumentative paragraphs, climax, or that 
 ordering of sentences which proceeds steadily from the least 
 to the most forcible and important, will sometimes prove to 
 be the best method. But usually, the thought of each para- 
 graph as it develops will dictate the natural sequence of the 
 sentences. 
 
 A good sequence of sentences will result in the literary 
 virtue that is called Coherence. Close attention to words of 
 connection and subordination and to the adjustment of each 
 sentence to the one preceding it (see 2728) will do much 
 in securing this valuable quality. 
 
SEQUENCE. 23 
 
 In the following paragraph, a logical method is strictly 
 observed, the second, third, and fourth sentences particular- 
 izing the idea of "prerogative," and the fifth, sixth, and 
 seventh, the idea of "purity." 
 
 The watchwords of the new government were prerogative and 
 purity. The sovereign was no longer to be a puppet in the hands of 
 any subject, or of any combination of subjects. George the Third 
 would not be forced to take ministers whom he disliked, as his 
 grandfather had been forced to take Pitt. George the Third would 
 not be forced to part with any whom he delighted to honor, as his 
 grandfather had been forced to part with Carteret. At the same time, 
 the system of bribery which had grown up during the late reigns was 
 to cease. It was ostentatiously proclaimed that, since the accession of 
 the young King, neither constituents nor representatives had been 
 bought with the secret service money. To free Britain from corrup- 
 tion and oligarchical cabals, to detach her from continental connec- 
 tions, to bring the bloody and expensive war with France and Spain 
 to a close, such were the specious objects which Bute professed to 
 procure. Macaulay : Second Essay on the Earl of Chatham, p. 40. 
 
 The following will serve to illustrate the order of climax. 
 The clauses of the last sentence grow in length, power, and 
 in volume both of sound and of idea until the end is reached 
 in the strongest words. 
 
 The great wheel of political revolution began to move in America. 
 Here its rotation was guarded, regular, and safe. Transferred to the 
 other continent, from unfortunate but natural causes, it received an 
 irregular and violent impulse ; it whirled along with a fearful celerity; 
 till at length, like the chariot wheels in the races of antiquity, it took 
 fire from the rapidity of its own motion, and blazed onward, spread- 
 ing conflagration and terror around. Webster : First Bunker Hill 
 Oration. 
 
 The first of the two paragraphs which follow illustrates 
 in the last three sentences what may be called the alter- 
 nating method, in which the main idea (that of " sublimity ") 
 occurs, under different forms of expression, in every sen- 
 tence, accompanied in each case by the statement of some 
 
24 THE PARAGRAPH. 
 
 other characteristic of Milton's style, of lesser importance. 
 The three lesser qualities mentioned are arranged in the 
 order of climax. The second of these two paragraphs is 
 quoted for the sake of completeness. 
 
 He had considered creation in its whole extent, and his descrip- 
 tions are therefore learned. He had accustomed his imagination to 
 unrestrained indulgence, and his conceptions therefore were exten- 
 sive. The characteristic quality of his poem is sublimity. He 
 sometimes descends to the elegant, but his element is the great. He 
 can occasionally invest himself with grace; but his natural port is 
 gigantic loftiness. He can please when pleasure is required; but 
 it is his peculiar power to astonish. 
 
 He seems to have been well acquainted with his own genius, and 
 to know what it was that nature had bestowed upon him more bounti- 
 fully than upon others ; the power of displaying the vast, illuminating 
 the splendid, enforcing the awful, darkening the gloomy, and aggra- 
 vating the dreadful ; he therefore chose a subject on which too much 
 could not be said, on which he might tire his fancy without the cen- 
 sure of extravagance. Johnson : Life of Milton. 
 
 In the last paragraph just quoted, the logical method is : 
 
 (1) Milton's knowledge of the character of his own genius, 
 
 (2) what that character was, (3) result of this knowledge on 
 his choice of a subject. 
 
 10. Variety. The law of variety requires that as much 
 diversity as is consistent with the purpose of the paragraph be 
 introduced. Variety will appear iu length of sentences, in 
 their structure, in phraseology, in the ordering of details, 
 and in the method of building different paragraphs. Vari- 
 ety in the length of different paragraphs as well as in their 
 structure is also desirable. 
 
 To illustrate fully this important law is obviously im- 
 possible. Let the student note carefully the paragraphs 
 already quoted : 
 
 First, as to length of sentences. The use of both long 
 and short sentences will be noticed as helpful in sustaining 
 
VARIETY. 25 
 
 the reader's interest. Observe the forceful but curt and 
 choppy effect of the almost exclusive use of short sentences 
 in the first quotation from Emerson; equal length giving 
 all of the sentences equal prominence, thus making the 
 main idea harder to find. In the other quotations, note 
 that one use of the short sentence is to state forcibly the 
 main thought in brief, the longer sentences being devoted 
 to explanations or details. Point out instances of this, 
 especially in the quotation from Dryden. Observe also the 
 smooth effect of the long sentences. It is the character of 
 the thought of the paragraph that decides in many cases 
 whether the sentence shall be long or short. Point this out 
 in the quotations from Emerson, Macaulay, and Webster. 
 
 Secondly, as to structure of sentences. Point out the 
 various ways in which the sentences of these quotations 
 begin. Is the subject introduced first in all cases ? Notice, 
 in reading Emerson's first paragraph, after several short sen- 
 tences constructed alike, the relief occasioned by the slight 
 change of structure in the seventh sentence beginning 
 " From a great heart," etc. Find examples of sentences 
 in these quotations in which the full idea is not apparent 
 until the close of the sentence is reached (Periodic struc- 
 ture). Notice in the conversational paragraphs of the first 
 quotation examples of loose structure, in which the sentence 
 might come to a full stop before the close, and still make 
 sense. Find other examples of this. Find examples of 
 balanced structure, in which the different elements of a 
 sentence are made to answer to each other and set each 
 other off by similarity of form ; especially in the quotations 
 from Macaulay, Dryden, Johnson, and Emerson. Find 
 examples in which whole sentences have this similarity of 
 form and answer to each other. Do the complex sentences 
 usually contain the main idea of these paragraphs ? Note 
 that it is the nature of the thought which makes some of 
 the sentences interrogative and which causes other depart- 
 
26 THE PARAGRAPH. 
 
 ures from the usual form of sentence structure. Find ex- 
 amples of this. 
 
 Thirdly, as to phraseology. Notice, first, variety in the 
 words used for expressing the same idea in a paragraph. 
 What words in the quotation from Hamerton bring out the 
 idea of " frivolous " ? What, in the second quotation from 
 Emerson, the idea of "disindividualize " ? What, in the next 
 quotation (from Macaulay), the idea of "difference and 
 change " ? What, in the quotation from Dr. Johnson, the 
 idea of " sublimity " ? Notice, next, the variety in the rela- 
 tion-words (of, by, to, from, for, etc.) which introduce different 
 phrases. The value to a writer of having a large stock of expe- 
 dients for securing variety in introducing phrases is very 
 great. Some writers overwork the relation-word of, when, by 
 a slight modification in phrase-structure, other relation- 
 words might be used instead and the sentence improved. 
 For practice try the plan of substituting adjectives for some 
 of the phrases in the quoted paragraphs on the preceding 
 pages. Notice that such substitutions often compel re- 
 modeling the whole sentence. 
 
 Fourthly, as to ordering of details and method of build- 
 ing different paragraphs. These subjects will be considered 
 more fully at a later stage of our study. At present, notice 
 the variety in method of presenting the various details in 
 Macaulay's descriptive paragraph. (See Selection.) Do 
 you find anything to criticise in the order of the sen- 
 tences ? 
 
 It will be found in practice that the close observance of 
 any one of the general laws, unity, selection, proportion, 
 and sequence, will tend to give a paragraph the qualities 
 required by the other three. For instance, the rearrange- 
 ment of the order (method) of the sentences will often 
 secure unity to a paragraph which seemed without unity. 
 The law of unity Xinderstood in a large sense would include 
 selection, proportion, and sequence. These, however, have 
 
THEME OF THE PARAGRAPH. 27 
 
 been deemed worthy of study by themselves. A good 
 maxim, summing up these laws, is, In writing paragraphs, 
 aim at unity of thought and variety of statement. 
 
 
 C. THE ISOLATED PARAGRAPH. 
 
 11. The isolated paragraph was defined in 4 as a single 
 paragraph which in itself gives an adequate treatment of any 
 subject or of a single phase of any subject. By the expres- 
 sion "adequate treatment" is meant, not all that might be 
 said on a given subject, but enough for the purpose in hand, 
 whatever that may chance to be. Adequate treatment is 
 therefore treatment sufficiently complete for carrying out 
 the writer's purpose. The following short paragraph taken 
 from Thomas Carlyle's James Cartyle will illustrate this 
 satisfying effect, this sense of completeness : 
 
 The first impulse of man is to seek for enjoyment. He lives 
 with more or less impetuosity, more or less irregularity, to conquer 
 for himself a home and blessedness of a mere earthly kind. Not 
 till later (in how many cases never) does he ascertain that on 
 earth there is no such home : that his true home lies beyond the 
 world of sense, is a celestial home. 
 
 12. Paragraph Subject. Every paragraph should have 
 a clearly defined idea to the development of which each 
 sentence contributes. The idea must not be too broad for 
 brief treatment ; but this is easily managed, since any idea 
 may be narrowed by imposing upon it successive conditions 
 and limitations of time, place, point of view, etc. 
 
 To illustrate: General subject The Study of Latin." 
 Subject limited to a single point of view " Uses of Latin 
 study." Limited further, as to place "Uses of Latin 
 study to American students." Limited further, as to time 
 " Uses of Latin study to American students of the present 
 
28 THE PARAGRAPH. 
 
 time." Limited further, by selection, to available theme 
 " Use of Latin study to American students of the present 
 time in widening their English vocabulary" 
 
 The general subject is the broad statement of a general 
 idea without limitation. The theme is the general subject 
 narrowed in scope and made definite by limitation, so as to 
 show the purpose of the writer. The full statement of the 
 theme is often long and unattractive. The theme may 
 be restated in a briefer and more attractive form. It 
 is then called a title. A briefer statement of the theme 
 in the illustration above, to be used as a paragraph-title, 
 might be, " One Reason for Studying Latin" The title 
 should be suggestive of the theme, but should not over- 
 state the theme. Most themes may be used as titles with- 
 out restatement. 
 
 Examples of paragraph-titles may be found in the news- 
 papers and in the marginal notes of such books as the 
 Encyclopaedia Britannica, Gardiner's Thirty Years' War, 
 Bryce's Holy Roman Empire, Creighton's Age of Elizabeth, 
 and Hallam's Works. The shorter isolated paragraphs to 
 be found in the editorial columns of the newspapers and the 
 related paragraphs of most books are usually printed with- 
 out titles. 
 
 13. The Topic-statement. The theme of the paragraph is 
 usually expressed definitely and unmistakably in one of the 
 sentences, called the topic-statement. This is the outward sign 
 and announcement of the paragraph's unity. The topic- 
 statement is generally most effective when short and strik- 
 ing. It is often found to be, however, not a whole sentence 
 in itself, but only a part of a sentence, what precedes 
 being obviously preparatory to its more forcible presenta- 
 tion. Sometimes the topic-statement need not be expressed 
 definitely. In such a paragraph the topic is implied in all 
 that is said. The test of a good paragraph of this kind is 
 
THE TOPIC-STATEMENT. 29 
 
 the possibility of phrasing the main idea which it contains 
 in a single sentence. Whether expressed or implied, there- 
 fore, the topic-statement should exist as a working theme in 
 the mind of the writer while constructing each sentence, 
 and the bearing of each sentence on the paragraph-theme 
 should be clear and distinct. 
 
 14. The Place of the Topic-statement. Topic-statement 
 First. Many paragraphs require a formal statement of 
 the theme. This is usually true when the paragraph con- 
 sists of a principle that is proved by particular examples, 
 or when a general idea is expounded by argument, or when 
 a formal proposition is treated. In such cases the theme is 
 usually announced in the first sentence. The following will 
 illustrate : 
 
 [Topic-statement] I believe the Chinese people to possess all 
 the mental and physical qualities required for national greatness. 
 [Pac^iH^lars] They love the land of their birth with a superstitious 
 reverence; they believe in their own superiority, and despise all 
 other races. They are fine men, endowed with great powers of 
 endurance ; industrious and thrifty, they have few wants and can 
 live on little, and that little, poor food. Absolutely indifferent to 
 death, they are fearless and brave, and when well trained and well 
 led make first-rate soldiers. I have seen them under fire, and found 
 them cool and undismayed by danger. Lord Wolseley. 
 
 15. Topic-statement First and Last. Sometimes, to em- 
 phasize the leading idea, the topic is stated both at the 
 beginning and at the end of a paragraph. When the 
 thought is sufficiently important to justify such emphasis, 
 this practice is commendable, for the repetition of the sub- 
 ject at the close completes the circuit of the thought and 
 gives the appearance of finished roundness to the whole 
 idea. This plan is especially commendable in spoken para- 
 graphs, the repetition, in this case, being a notification to the 
 
30 THE PARAGRAPH. 
 
 hearer that the discussion of the point in hand is finished. 
 The following will illustrate these statements : 
 
 [Topic-statement] The grand reason for paying debt is that we 
 .want to strengthen the credit of the State as the cheapest and best of all 
 insurances. [Example] If any one doubts that, let him look at 
 the position of the United States. That grand republic has no 
 fleet, and on the water could hardly fight Spain ; but she has 
 reduced her debt by strenuous paying, and every one knows that 
 if she wanted a fleet to blow Spain out of the water, or to contest 
 the seas with us, she could buy and complete one in twelve months. 
 [Topic repeated] Her payment of her debt is an insurance, not only 
 against defeat, but against attack. London [England] Spectator. 
 
 I begin with the postulate, that [Topic-statement] it is the law of 
 our nature to desire happiness. This law is not local, but universal ; 
 not temporary, but eternal. It is not a law to be proved by excep- 
 tions, for it knows no exception. [Examples] The savage and the 
 martyr welcome fierce pains, not because they love pain, but 
 because they love some expected remuneration of happiness so 
 well, that they are willing to purchase it at the price of the 
 pain, at the price of imprisonment, torture, or death. [Another 
 example] The young desire happiness more keenly than any 
 others. The desire is innate, spontaneous, exuberant ; and noth- 
 ing but repeated and repeated overflows of the lava of disappoint- 
 ment can burn or bury it in the human breast. On this law of 
 our nature, then, we may stand as on an immovable foundation of 
 truth. Whatever fortune may befall our argument, our premises 
 are secure. [Topic repeated] The conscious desire of happiness 
 is active in all men. Horace Mann : Thoughts for a Young Man. 
 
 16. Topic-statement Last. The details of a paragraph 
 may, in special cases, precede the statement of the subject ; 
 the proofs may be presented before the proposition is stated. 
 In such cases the topic-statement may be delayed until the 
 close of the paragraph. This plan will usually be found 
 expedient when the thought is not likely to be favorably 
 received if stated abruptly at the beginning, when the 
 topic-statement contains an unwelcome truth, or when some 
 
THE TOPIC-STATEMENT. 31 
 
 new idea is presented to which the reader is not at once 
 prepared to assent. For example: 
 
 We have new evidence of the treacherous character of the Sioux 
 Indians in the tragedy at Wounded Knee Creek. When their sur- 
 roundings are considered their treachery is not a subject for wonder. 
 The Sioux lad is taught that duplicity, lying, treachery, theft, and 
 bloodshed are the manly attributes. He must be very wily about 
 shedding blood, but is nothing but a " squaw " until he has a scalp 
 at his belt. Then he is fed by the Government, clothed by the 
 Government, sheltered by the Government that is, maintained in 
 absolute idleness, while he broods over real or fancied wrongs. 
 When he gets worked up to the proper pitch of frenzy he wants to 
 kill somebody, and generally does kill somebody if he is not killed 
 himself. It has been the Government policy to treat the Indian as 
 a spoiled child rather than as the dangerous brute that he is. 
 [Topic-statement] The events of the present Indian outbreak have 
 made it clear that the policy of gentleness is disastrous both to the 
 country and to the Indian. The Press (N.Y.). 
 
 In the following paragraph the subject, while it is hinted 
 at in the second sentence, is purposely denied full and defi- 
 nite statement until the very last sentence : 
 
 I will not ask your pardon for endeavoring to interest you in the 
 subject of Greek Mythology; but I must ask your permission to ap- 
 proach it in a temper differing from that in which it is frequently 
 treated. We cannot justly interpret the religion of any people, 
 unless we are prepared to admit that we ourselves, as well as they, 
 are liable to error in matters of faith ; and that the convictions of 
 others, however singular, may in some points have been well 
 founded, while our own, however reasonable, may in some particu- 
 lars be mistaken. You must forgive me, therefore, for not always 
 distinctively calling the creeds of the past " superstition," and the 
 creeds of the present day " religion " ; as well as for assuming that 
 a faith now confessed may sometimes be superficial, and that a 
 faith long forgotten may once have been sincere. It is the task of 
 the Divine to condemn the errors of antiquity and of the Philologist 
 to account for them. I will only pray you to read with patience, 
 and human sympathy, the thoughts of men who lived without 
 
32 THE PARAGRAPH. 
 
 blame in a darkness they could not dispel; and to remember that, 
 whatever charge of folly may justly attach to the saying, " There 
 is no God," the folly is prouder, deeper, and less pardonable, in say- 
 ing, " There is no God but for me." Ruskin : Queen of the Air. 
 
 17. Topic-statement Implied. In a large number of cases, 
 however, the theme cannot be stated so directly ; it is not 
 found expressed in a topic-statement anywhere in the para- 
 graph, but must be grasped by the reader from the effect pro- 
 duced upon him by the paragraph as a whole. If the effect 
 is single, is an effect of oneness and of unity, the reader will 
 be able to supply for himself, in thought, the theme of the 
 paragraph ; and the test of a good paragraph will always 
 be his ability to do this. But a paragraph cannot produce 
 the effect of unity upon the reader unless there was unity 
 of idea or of feeling in the mind of the writer when the 
 paragraph was written. It is of especial importance, there- 
 fore, in the case of paragraphs which have no formally 
 stated topic-statement to hold the writer to his theme, that 
 the writer keep his theme prominently in mind while con- 
 structing each sentence. This is very important in writing 
 narrative and descriptive paragraphs. In these, it is sel- 
 dom that the theme is expressed in so many words. Yet 
 a good narrative or descriptive writer will so marshal his 
 details that the effect will be single. 
 
 The following paragraph, of which the subject may be 
 stated as " The Skill and Intelligence of the Loon in Div- 
 ing," illustrates this unity of effect : 
 
 As I was paddling along the north shore one very calm October 
 afternoon . . . having looked in vain over the pond for a loon, sud- 
 denly one, sailing out from the shore towards the middle a few 
 rods in front of me, set up his wild laugh and betrayed himself. 
 I pursued with a paddle and he dived, but when he came up I was 
 nearer than before. He dived again, but I miscalculated the di- 
 rection he would take, and we were fifty rods apart when he came 
 to the surface this time, for I had helped to widen the interval ; 
 
THE TOPIC-STATEMENT. 33 
 
 and again he laughed long and loud, and with more reason than 
 before. He manreuvred so cunningly that I could not get within 
 half a dozen rods of him. Each time, when he came to the sur- 
 face, turning his head this way and that, he coolly surveyed the 
 water and the land and apparently chose his course so that he 
 might come up where there was the widest expanse of water, and 
 the greatest distance from the boat. It was surprising how 
 quickly he made up his mind and put his resolve into execution. 
 He led me at once to the widest part of the pond, and could not 
 be driven from it. While he was thinking one thing in his brain, 
 I was endeavoring to divine his thought in mine. It was a 
 pretty game, played on the smooth surface of the pond, a man 
 against a loon. Suddenly your adversary's checker disappears 
 beneath the board, and the problem is to place yours nearest to 
 where his will appear again. Sometimes he would come up un- 
 expectedly on the opposite side of me, having apparently passed 
 directly under the boat. So long-winded was he and so unweari- 
 able, that when he had swum farthest he would immediately 
 plunge again, nevertheless ; and then no wit could divine where 
 in the deep pond, beneath the smooth surface, he might be speed- 
 ing his way like a fish, for he had time and ability to visit the 
 bottom of the pond in its deepest part. It is said that loons have 
 been caught in the New York lakes eighty feet beneath the sur- 
 face, with hooks set for trout, though Walden is deeper than 
 that. How surprised must the fishes be to see this ungainly 
 visitor from another sphere speeding his way amid their schools ! 
 Yet he appeared to know his course as surely under water as 
 on the surface, and swam much faster there. Once or twice I 
 saw a ripple where he approached the surface, just put his head 
 out to reconnoitre, and instantly dived again. I found that it was 
 as well for me to rest on my oars and wait his reappearing as to 
 endeavor to calculate where he would rise; for again and again, 
 when I was straining my eyes over the surface one way, I would 
 suddenly be startled by his unearthly laugh behind me. But 
 why, after displaying so much cunning, did he invariably betray 
 himself the moment he came up by that loud laugh? Did not his 
 white breast enough betray him? He was indeed a silly loon, I 
 thought. I could commonly hear the plash of the water when he 
 came up, and so also detected him. But after an hour he seemed 
 
34 THE PARAGRAPH. 
 
 as fresh as ever, dived as willingly, and swam yet farther than at 
 first. It was surprising to see how serenely he sailed off with un- 
 ruffled breast when he came to the surface, doing all the work 
 with his webbed feet beneath. His usual note was this demoniac 
 laughter, yet somewhat like that of a water-fowl ; but occasion- 
 ally, when he had balked me most successfully and come up a 
 long way off, he muttered a long-drawn unearthly howl, probably 
 more like that of a wolf than any bird ; as when a beast puts his 
 muzzle to the ground and deliberately howls. This was his loon- 
 ing, perhaps the wildest sound that is ever heard here, making 
 the woods ring far and wide. I concluded that he laughed in 
 derision of my efforts, confident of his own resources. Though the 
 sky was by this time overcast, the pond was so smooth that I 
 could see where he broke the surface when I did not hear him. 
 His white breast, the stillness of the air, and the smoothness of the 
 water were all against him. At length, having come up fifty rods 
 off, he uttered one of those prolonged howls, as if calling on the 
 god of loons to aid him, and immediately there came a wind from 
 the east and rippled the surface, and filled the whole air with 
 misty rain, and I was impressed as if it were the prayer of the 
 loon answered, and his god was angry with me ; and so I left him 
 disappearing far away on the tumultuous surface. Thoreau : 
 Walden, Brute Neighbors. 
 
 MEANS OF DEVELOPING THE PARAGRAPH-THEME. 
 
 18. We shall now study some of the means by which the 
 idea or theme of a paragraph, as given formally in the topic- 
 statement or held in the mind of the writer, may be system- 
 atically developed. If we regard the topic-statement as the 
 germ-idea, it is evident that it contains, potentially, all that 
 may be said on the subject in hand. The work of the other 
 sentences is to bring out and develop clearly the thought 
 contained in the topic-statement, or so much of the thought 
 as is necessary for the purpose which the writer has in 
 view. The means by which they do this will, of course, vary 
 in different cases j and the forms in which the growing idea 
 

 DEVELOPING THE PARAGRAPH-THEME. 35 
 
 clothes itself as the paragraph progresses will present many 
 different modifications. 
 
 These means of developing the germ-idea are the typical 
 methods of growth of ail the forms of discourse. Although 
 they are numerous and various, they may be grouped, for 
 practical purposes, under the following heads : (a) Develop- 
 ment by particulars and details, (6) Development by defini- 
 tive statements which repeat, restrict, or enlarge the idea 
 and may take the form of contrasts, positive or negative, 
 (c) Development by comparison and illustration, (d) De- 
 velopment by specific instances or examples, (e) Develop- 
 ment by presenting reasons, (/) Development by applying 
 a principle, (g) Development by stating causes and effects 
 or results. Any sentence which performs one of these 
 functions may claim a place in the paragraph; any sentence 
 (not introductory, transitional, or summarizing) which does 
 none of these things should be excluded. 
 
 These means of developing the paragraph-theme are 
 employed in various combinations. The same paragraph 
 may use one or several of them. Which of them the writer 
 should use in a given case will be determined by his pur- 
 pose, by the kind of audience for which he conceives him- 
 self to be writing, and by the demands of the thought 
 expressed in the paragraph-theme. A number of these 
 combinations will be designated in the selections quoted 
 by way of illustration in the pages that follow. 
 
 19. Development by Particulars and Details. The topic- 
 statement may contain an expression which naturally leads 
 the reader to expect that particulars and details will imme- 
 diately follow. When, for instance, one reads that " The 
 isle was strange and delicate," one wishes to know at once 
 what prompted the writer to describe the isle by these 
 adjectives. And when one reads, " There is scarcely a scene 
 or object familiar to the Galilee of that day which Jesus 
 
36 THE PARAGRAPH. 
 
 did not use as a moral illustration of some glorious promise 
 or moral law," one expects an enumeration of scenes and 
 objects. Thus the paragraph-idea develops from the topic- 
 statement by the fulfilment of the implied promise which 
 the topic-statement makes to the reader. The particulars 
 and details will be descriptive or narrative, according to 
 the nature of the assertion made in the topic-statement. 
 
 [Topic] The isle the undiscovered, the scarce believed in 
 now lay before them and close aboard ; and Herrick thought that 
 never in his dreams had he beheld anything more strange and 
 delicate. [Particulars] The beach was excellently white, the 
 continuous barrier of trees inimitably green; the land perhaps 
 ten feet high, the trees thirty more. Every here and there, as the 
 schooner coasted northward, the wood was intermitted; and he 
 could see clear over the inconsiderable strip of land (as a man 
 looks over a wall) to the lagoon within ; and clear over that, again, 
 to where the far side of the atoll prolonged its pencilling of trees 
 against the morning sky. He tortured himself to find analogies. 
 The isle was like the rim of a great vessel sunken in the waters ; 
 it was like the embankment of an annular railway grown upon 
 with wood. So slender it seemed amidst the outrageous breakers, 
 so frail and pretty, he would scarce have wondered to see it sink 
 and disappear without a sound, and the waves close smoothly over 
 its descent. Stevenson: The Amateur Emigrant. 
 
 [Topic] There is scarcely a scene or object familiar to the 
 Galilee of that day which Jesus did not use as a moral illustra- 
 tion of some glorious promise or moral law. [Details] He spoke 
 of green fields and springing flowers, and the budding of the 
 vernal trees; of the red or lowering sky; of sunrise and sunset; 
 of wind and rain ; of night and storm; of clouds and lightning; 
 of stream and river; of stars and lamps; of honey and salt; of 
 quivering bulrushes and burning weeds ; of rent garments and 
 bursting wine-skins; of eggs and serpents; of pearls and pieces 
 of money; of nets and fish. Wine and wheat, corn and oil, 
 stewards and gardeners, laborers and employers, kings and shep- 
 herds, travellers and fathers of families, courtiers in soft clothing 
 and brides in nuptial robes all these are found in His discourses. 
 Farrar : Life of Christ, Vol. I., p. 271. 
 
DEVELOPING THE PARAGRAPH-THEME. 37 
 
 20. Development by Definitive Statements. The topic- 
 statement does not always give the exact content of the 
 paragraph-idea. Sometimes it may require merely a repe- 
 tition in simpler terms or the use of synonymous expres- 
 sions (as in the selections from Drummond and Swinburne 
 below), since these are almost instinctively resorted to when 
 one is striving to make one's exact meaning clear. Some- 
 times it ma}' be misunderstood to include more or less than 
 the writer intends. The writer will therefore often define 
 his meaning, restricting or enlarging the content of the 
 terms of the topic-statement, as these are usually under- 
 stood, to the limits desired. In the selection from Ruskin 
 below the content of the term advancement in life, as com- 
 monly understood, is restricted or lessened by the defini- 
 tive statement ; in the selection from Macaulay the content 
 of the term mannerism, as commonly understood, is greatly 
 enlarged by the definitive statement. Frequently the writer 
 will tell in so many words what he does not mean, or what, 
 the idea does not include, as in the selection from Kuskin. 
 This method might be called definition by negative exclu- 
 sion. He will perhaps then tell what he does mean. This 
 might be called definition by positive inclusion. Whenever 
 the writer does this, he is making a contrast between pos- 
 sible meanings not intended by him and his real meaning. 
 Not all contrasts, however, involve the negative form of 
 statement; the selection from Kingsley below does not; 
 but every contrast, whether negative or positive in form, 
 has the effect of a closer definition of the main idea. We 
 image a thing more clearly, we define the outlines of an 
 idea more accurately, when it is contrasted with something 
 else, when its negative or its contrary is stated. 
 
 [Topic-statement] The peculiarity of ill-temper is that it is the 
 vice of the virtuous. [Repeated] It is often the one blot on an 
 otherwise noble character. [Particularized] You know men who 
 are all but perfect, and women who would be entirely perfect, 
 
38 THE PARAGRAPH. 
 
 but for an easily ruffled, quick-tempered or " touchy " disposition. 
 Druramond : The Greatest Thing in the World, p. 29. 
 
 [Topic-statement] There are few delights in any life so high 
 and rare as the subtle and strong delight of sovereign art and 
 poetry; there are none more pure and more sublime. [Repeated 
 and particularized] To have read the greatest work of any great 
 poet, to have beheld or heard the greatest works of any great 
 painter or musician, is a possession added to the best things of 
 life. Swinburne: Essays and Studies (Victor Hugo: L'Anne'e 
 Terrible). 
 
 [Topic] Practically, then, at present, "advancement in life" 
 means, becoming conspicuous in life ; obtaining a position which 
 shall be acknowledged by others to be respectable or honorable. 
 [Defined] We do not understand by this advancement, in general, 
 the mere making of money, but the being known to have made it ; 
 not the accomplishment of any great aim, but the being seen to 
 have accomplished it. In a word, we mean the gratification of 
 our thirst for applause. Ruskin : Sesame and Lilies, p. 5. 
 
 [Topic and details] We all know how beautiful and noble 
 modesty is; how we all admire it; how it raises a man in our 
 eyes to see him afraid of boasting; never showing off; never 
 pushing himself forward; . . . [Contrary] Whenever, on the 
 other hand, we see in wise and good men any vanity, boasting, 
 pompousness of any kind, we call it a weakness in them, and are 
 sorry to see them lowering themselves by the least want of divine 
 modesty. Kingsley : Country Sermons, III. 
 
 Such contrasting ideas naturally express themselves in 
 antitheses and in balanced sentences. These produce mo- 
 notony and weariness, if employed often. They should be 
 used sparingly, and their form of presentation varied. 
 
 In the following we have the topic treated both by con- 
 trast and by example : 
 
 Mannerism is pardonable and is sometimes even agreeable, when 
 the manner, though vicious, is natural. Few readers, for example, 
 would be willing to part with the mannerism of Milton or of 
 Burke. But a mannerism which does not sit easy on the mannerist, 
 
DEVELOPING THE PARAGRAPH-THEME. 39 
 
 which has been adopted on principle, and which can be sustained 
 only by constant effort, is always offensive. And such is the man- 
 nerism of Johnson. Macaulay : Life of Johnson. 
 
 21. Development by Comparison and Illustration. Some- 
 times the paragraph-idea, as embodied in the topic-statement, 
 or as implied without any topic-statement, finds its best 
 development through a comparison or a concrete illustration. 
 The illustration, being usually of considerable length, detains 
 the attention of the reader upon the thought until he sees 
 more fully all that it means. Comparisons may be invented, 
 as the parables of the New Testament, or they may be real. 
 Examples of the employment of real comparisons are given 
 in the quotations from Huxley and Hamilton below. 
 
 [Topic] The vast results obtained by science are won by no 
 mystical faculties, by no mental processes, other than those which 
 are practised by every one of us in the humblest and meanest 
 affairs of life. [Real comparisons] A detective policeman dis- 
 covers a burglar from the marks made by his shoe, by a mental 
 process identical with that by which Cuvier restored the extinct 
 animals of Montmartre from fragments of their bones. Nor does 
 that process of induction and deduction by which a lady, finding a 
 stain of a particular kind upon her dress, concludes that somebody 
 has upset the inkstand thereon, differ in any way from that by 
 which Adams and Leverrier discovered a new planet. [Topic re- 
 peated] The man of science, in fact, simply uses with scrupulous 
 exactness the methods which we all habitually and at every moment 
 use qarelessly. Huxley : Lay Sermons, p. 78. 
 
 A country may be overrun by an armed host, but it is conquered 
 only by the establishment of fortresses. Words are the fortresses 
 of thought. They enable us to realize our dominion over what we 
 have already overrun in thought ; to make every intellectual con- 
 quest the basis of operations for others still beyond. Or another 
 illustration : You have all heard of the process of tunnelling, of 
 tunnelling through a sand-bank. In this operation it is impossible 
 to succeed, unless every foot, nay almost every inch in our progress, 
 be secured by an arch of masonry, before we attempt the excava- 
 
40 THE PARAGRAPH. 
 
 tion of another. Now, language is to the mind precisely what the 
 arch is to the tunnel. The power of thinking and the power of 
 excavation are not dependent on the word in one case, on the 
 mason-work in the other : but without these subsidiaries, neither 
 process could be carried on beyond its rudimentary commencement. 
 Hamilton : Logic, II., Lecture 8. 
 
 22. Development by Specific Instances or Examples. - 
 Sometimes the topic-statement asserts a general fact which 
 can be made clear only by citing specific instances or exam- 
 ples of the fact. A topic-statement like the following, 
 " The parts and signs of goodness are many," clearly prom- 
 ises either an enumeration of these parts and signs (particu- 
 lars and details) or a number of specific instances that will 
 show what these " parts and signs " are. Bacon, in the first 
 quotation given below, has chosen to give a number of spe- 
 cific instances. In the second quotation, from Thoreau, 
 although names and dates are suppressed, the numerous 
 instances cited are none the less specific. 
 
 [Topic] The parts and signs of goodness are many. [Specific 
 instances] If a man be gracious and courteous to strangers, it 
 shows that he is a citizen of the world, and that his heart is no 
 island cut off from other lands, but a continent that joins to them. 
 If he be compassionate towards the afflictions of others, it shows 
 that his heart is like the noble tree that is wounded itself when it 
 gives the balm. If he easily pardons and remits offences, it shows 
 that his mind is planted above injuries, so that he cannot be shot. 
 If he be thankful for small benefits, it shows that he weighs men's 
 minds, and not their trash. But, above all, if he have St. Paul's 
 perfection, that he would wish to be anathema from Christ for the 
 salvation of his brethren, it shows much of a divine nature, and a 
 kind of conformity with Christ himself. Bacon : Of Goodness. 
 
 [Topic] It is darker in the woods, even in common nights, than 
 most suppose. [Specific instance] I frequently had to look up 
 at the opening between the trees above the path in order to learn 
 my route, and, where there was no cart-path, to feel with my feet 
 the faint track which I had worn, or steer by the known relation 
 
DEVELOPING THE PARAGRAPH-THEME. 41 
 
 of particular trees which I felt with my hands, passing between 
 two pines, for instance, not more than eighteen inches apart, in 
 the midst of the woods, invariably in the darkest night. [Other 
 instances] Sometimes, after coming home thus late in a dark and 
 muggy night, when my feet felt the path which my eyes could not 
 see, dreaming and absent-minded all the way, until I was aroused 
 by having to raise my hand to lift the latch, I have not been able to 
 recall a single step of my walk, and I have thought that perhaps my 
 body would find its way home if its master should forsake it, as 
 the hand finds its way to the mouth without assistance. [Other 
 instances] Several times, when a visitor chanced to stay into 
 evening, and it proved a dark night, I was obliged to conduct him 
 to the cart-path in the rear of the house, and then point out to him 
 the direction he was to pursue, and in keeping which he was to be 
 guided rather by his feet than his eyes. [Another instance] One 
 very dark night I directed thus on their way two young men who 
 had been fishing in the pond. They lived about a mile off through 
 the woods, and were quite used to the route. A day or two after 
 one of them told me that they wandered about the greater part of 
 the night, close by their own premises, and did not get home till 
 toward morning, by which time, as there had been several heavy 
 showers in the meanwhile, and the leaves were very wet, they were 
 drenched to their skins. [Other instances] I have heard of many 
 going astray even in the village streets, when the darkness was so 
 thick that you could cut it with a knife, as the saying is. Some 
 who live in the outskirts, having come to town a-shopping in their 
 wagons, have been obliged to put up for the night ; and ladies and 
 gentlemen making a call, have gone half-a-mile out of their way, 
 feeling the side-walk only with their feet, and not knowing when 
 they turned. It is a surprising and memorable, as well as valuable 
 experience, to be lost in the woods at any time. Often in a snow- 
 storm, even by day, one will come out upon a well-known road 
 and yet find it impossible to tell which way leads to the village. 
 Though he knows that he has travelled it a thousand times, he 
 cannot recognize a feature in it, but it is as strange to him as if 
 it were a road in Siberia. By night, of course, the perplexity is 
 infinitely greater. In our most trivial walks we are constantly, 
 though unconsciously, steering like pilots by certain well-known 
 beacons and headlands, and if we go beyond our usual course we 
 
42 THE PARAGRAPH. 
 
 still carry in our minds the bearing of some neighboring cape; 
 and not till we are completely lost, or turned round, for a man 
 needs only to be turned round once with his eyes shut in this world 
 to be lost, do we appreciate the vastness and strangeness of 
 Nature. Every man has to learn the points of compass again as 
 often as he awakes, whether from sleep or any abstraction. Not 
 till we are lost in other words, not till we have lost the world 
 do we begin to find ourselves, and realize where we are, and the 
 infinite extent of our relations. Thoreau : Walden, The Village. 
 
 23. Development by Presenting Reasons. Some topic- 
 statements call for reasons other than specific instances or 
 in addition to one or more specific instances. On reading a 
 topic-statement the question " Why ? " may at once arise in 
 the mind and demand a reason. A topic-statement which 
 contains an affirmation that is likely to raise a doubt should 
 always be supported by reasons. If, for example, one reads 
 that " Truly fine prose is more rare than truly fine poetry," 
 one demands a reason at once for a statement which at 
 first thought is so surprising. 
 
 [Topic] Although fairly good prose is much more common than 
 fairly good verse, yet I hold that truly fine prose is more rare than 
 truly fine poetry. I trust that it will be counted neither a whim 
 nor a paradox if I give it as a reason that [Reason] mastery in 
 prose is an art more difficult than mastery in verse. The very 
 freedom of prose, its want of conventions, of settled prosody, of 
 musical inspiration, give wider scope for failure and afford no 
 beaten paths. Poetry glides swiftly down the stream of a flowing 
 and familiar river, where the banks are always the helmsman's 
 guide. Prose puts forth its lonely skiff upon a boundless sea, where 
 a multitude of strange and different crafts are cutting about in 
 contrary directions. At any rate, the higher triumphs of prose 
 come later and come to fewer than do the great triumphs of verse. 
 
 F. Harrison, On English Prose. 
 
 [Topic] Any one who has taken part in an election, be it the 
 election of a pope by cardinals, of a town-clerk by the city council, 
 of a fellow by the dons of a college, of a schoolmaster by the board 
 
DEVELOPING THE PARAGRAPH-THEME. 43 
 
 of trustees, of a pastor by a congregation, knows how much de- 
 pends on generalship. [Reasons] In every body of electors there 
 are men who have no minds of their own ; others who cannot make 
 up their minds till the decisive moment, and are determined by the 
 last word or incident ; others whose wavering inclination yields to 
 the pressure or follows the example of a stronger colleague. There 
 are therefore chances of running in by surprise an aspirant whom 
 few may have desired, but still fewer have positively disliked, 
 chances specially valuable when controversy has spent itself between 
 two equally matched competitors, so that the majority are ready to 
 jump at a new suggestion. The wary tactician awaits his oppor- 
 tunity; he improves the brightening prospects of his aspirant to 
 carry him with a run before the opposition is ready with a counter 
 move ; or if he sees a strong antagonist, he invents pretexts for 
 delay till he has arranged a combination by which that antagonist 
 may be foiled. Sometimes he will put forward an aspirant destined 
 to be abandoned, and reserve till several votings have been taken 
 the man with whom he means to win. All these arts are familiar 
 to the convention manager, whose power is seen not merely in the 
 dealing with so large a number of individuals and groups whose 
 dispositions he must grasp and remember, but in the cool prompti- 
 tude with which he decides on his course amid the noise and passion 
 and distractions of twelve thousand shouting spectators. [Real 
 comparison] Scarcely greater are the faculties of combination and 
 coolness of head needed by a general in the midst of a battle, who 
 has to bear in mind the position of every one of his own corps and 
 to divine the positions of those of the enemy's corps which remain 
 concealed, who must vary his plan from hour to hour according to 
 the success or failure of each of his movements and the new facts 
 that are successively disclosed, and who does all this under the 
 roar and through the smoke of cannon. Bryce: The American 
 Commonwealth, 3d ed., Vol. II., p. 198. 
 
 [Topic] It is exceedingly difficult to determine the cost of 
 ditches and canals. [Reason I] Some companies hesitate to dis- 
 close the cost of their works ; some decline to do so, and others do 
 not know. [Reason II] The numerous items of expense involved 
 in the construction and operations of a large irrigating canal dur- 
 ing the first ten years of its life cannot always be classified. These 
 
44 THE PARAGRAPH. 
 
 works are not built with the same preliminary care and expense 
 as the irrigating canals of Europe. There is usually a rush to 
 get water on a portion of the land to be irrigated. It is not neces- 
 sary that the ditch should be completed to its utmost capacity. 
 Top planks may be left off flumes; waste ways may be left for 
 construction in future years; headgates may be of temporary 
 construction, to be made permanent later. Often construction 
 expense runs into operating expense, until it is hard to separate 
 the two items. Mead : Irrigation Institutions. 
 
 24. Development by Applying a Principle. Frequently 
 a topic-statement lays down a principle the truth of which 
 is assumed ; the application of the principle to some par- 
 ticular case usually follows at once. Sentences enforcing 
 the application and emphasizing it in various ways are also 
 introduced. The following will illustrate the statement of 
 a principle and its application : 
 
 [Principle] People who cannot spend ten millions to the best 
 advantage are just as incapable of the economical and business-like 
 disbursement of nine. [Application] It is an easy and a showy 
 thing for a Chancellor of the Exchequer to say bluntly that he 
 will reduce the Estimates by so much, and the departments must 
 do what they can with what remains. But that procedure no 
 more solves the economical problem than [Illustration] the well- 
 known methods of Procrustes altered the real stature of his vic- 
 tims. London Times. 
 
 [Statement of principle] The general principle of right arrange- 
 ment in sentences, which we have traced in its application to the 
 leading divisions of them, equally determines the proper order of 
 their minor divisions. [Application to particulars] In every 
 sentence of any complexity the complement to the subject contains 
 several clauses, and that to the predicate several others ; and these 
 may be arranged in greater or less conformity to the law of easy 
 apprehension. Of course with these, as with the larger members, 
 the succession should be from the less specific to the more specific 
 from the abstract to the concrete. Spencer: Philosophy of Style. 
 
DEVELOPING THE PARAGRAPH-THEME. 45 
 
 25. Development by Stating Causes and Effects. The 
 paragraph-theme may sometimes be best developed by a 
 statement of causes and effects or results. In the first 
 quotation below the procedure is from the discovery of the 
 properties of the Western grass, as cause, to the results or 
 effects of that discovery. In the second selection (from 
 Bryce) we have a long paragraph that, save for the use of 
 three examples at the close, is almost entirely developed 
 by the statement of causes and effects. 
 
 [Topic] The greatest product of Western America is grass. 
 [Concession] Although its growth is stunted, [Cause] it is ex- 
 ceedingly nutritious, and the dry air and absence of dews and 
 rains, which cause it to cure naturally on its stem, make it possible 
 for cattle, sheep, and horses to live on it in winter as well as in 
 summer. [Effects] When this discovery was made, the Great 
 American Desert ceased to exist, and what is known as the range 
 industry was born. From the Gulf to Canada, and from western 
 Kansas and Nebraska to the Sierras, the cattle round-up and 
 the mess wagon followed close on the disappearing Indian and 
 buffalo. Mead: Irrigation Institutions. 
 
 [Contrary] The difference, therefore, between despotically gov- 
 erned and free countries does not consist in the fact that the latter 
 are ruled by opinion and the former by force, for both are gener- 
 ally ruled by opinion. [Topic] It consists rather in this, that in 
 the former the people instinctively obey a power which they do 
 not know to be really of their own creation, and to stand by their 
 own permission; whereas iu the latter the people feel their su- 
 premacy, and consciously treat their rulers as their agents, while 
 the rulers obey a power which they admit to have made and to be 
 able to unmake them, the popular will. [Effect] In both cases 
 force is seldom necessary, or is needed only against small groups, 
 [Cause] because the habit of obedience replaces it. Conflicts and 
 revolutions belong to the intermediate stage, when the people are 
 awakening to the sense that they are truly the supreme power in 
 the State, but when the rulers have not yet become aware that 
 their authority is merely delegated. [Causes] When superstition 
 and the habit of submission have vanished from the whilom sub- 
 
46 THE PARAGRAPH. 
 
 jects, when the rulers, recognizing that they are no more than 
 agents for the citizens, have in turn formed the habit of obedi- 
 ence, [Effect] public opinion has become the active and control- 
 ling director of a business in which it was before the sleeping and 
 generally forgotten partner. [Concession] But even when this 
 stage has been reached, as has now happened in most civilized 
 States, there are differences in the degree and mode in and by 
 which public opinion asserts itself. [Cause] In some countries 
 the habit of obeying rulers and officials is so strong that [Effect] 
 the people, once they have chosen the legislature or executive 
 head by whom the officials are appointed, allow these officials 
 almost as wide a range of authority as in the old days of despo- 
 tism. [Effects] Such people have a profound respect for govern- 
 ment as government, and a reluctance, [Causes] due either to 
 theory or to mere laziness, perhaps to both, to interfere with its 
 action. They say, " That is a matter for the Administration ; we 
 have nothing to do with it"; and stand as much aside or submit 
 as humbly as if the government did not spring from their own 
 will. [Example] Perhaps they practically leave themselves, like 
 the Germans, in the hands of a venerated monarch or a forceful 
 minister, giving these rulers a free hand so long as their policy 
 moves in accord with the general sentiment of the nation, and 
 maintains its glory. [Example] Perhaps while frequently chang- 
 ing their ministries, they nevertheless yield to each ministry, and 
 to its executive subordinates all over the country, an authority 
 great while it lasts, and largely controlling the action of the indi- 
 vidual citizen. This seems to be still true of France. [Example] 
 There are other countries in which, though the sphere of govern- 
 ment is strictly limited by law, and the private citizen is little 
 inclined to bow before an official, the habit has been to check the 
 ministry chiefly through the legislature, and to review the conduct 
 of both ministry and legislature only at long intervals, when an 
 election of the legislature takes place. This has been, and to 
 some extent is still, the case in Britain. Although the people 
 rule, they rule not directly, but through the House of Commons, 
 which they choose only once in four, five, or six years, and which 
 may, at any given moment, represent rather the past than the 
 present will of the nation. Bryce: The American Commonwealth, 
 3d ed., Vol. II., p. 257. 
 
DEVELOPING THE PARAGRAPH-THEME. 47 
 
 26. Introductory, Transitional, and Summarizing Sen- 
 tences. Besides the sentences which, in the development 
 of a paragraph, perform one or more of the functions men- 
 tioned under the preceding headings, there are in some 
 paragraphs other sentences whose main business is to pre- 
 pare the way for the topic-statement, to act as a bridge be- 
 tween different parts of the paragraph, or to summarize the 
 sentences of one part before the next part is taken up. 
 
 A whole sentence may be devoted to introducing the 
 topic of the paragraph ; but, more often, a short clause pre- 
 fixed to the topic-statement will be sufficient; and in most 
 paragraphs no introduction is needed. When the introduc- 
 tion takes the form of a clause, this clause is frequently in 
 direct contrast to what is to be the main idea of the para- 
 graph. The following will illustrate : 
 
 [Introductory contrast] I will not ask your pardon for endeavor- 
 ing to interest you in the subject of Greek Mythology; [Subject 
 indicated] but I must ask your permission to approach it in a tem- 
 per differing from that in which it is frequently treated. Ruskin. 
 [The whole quotation is given in 16.] 
 
 [Introduction] The administration has erred in the steps to 
 restore peace ; but its error has not been in doing too little, but 
 [Topic] in betraying too great a solicitude for that event. [The 
 paragraph is devoted to the discussion of the administration's 
 " solicitude " for peace.] Henry Clay : Speech on the War of 1812. 
 
 The effect of an introductory sentence is of ten to postpone 
 the topic-statement to a later stage of the paragraph. This 
 is seen in the following : 
 
 [Introductory] The statement is made from time to time that 
 we are admitting great masses of socialists. The number is exag- 
 gerated, and more importance is attached to the utterances of these 
 than they deserve. It must be admitted, however, that some of 
 them know just enough to be dangerous. [Indicating what the 
 subject is to be] But they are permitted to go among their fellows 
 to inoculate them with whatever doctrines they choose, and there 
 
48 THE PARAGRAPH. 
 
 is nothing to oppose them. Nobody has furnished their hearers 
 with arguments, or taken steps to teach them that in America, 
 where conditions are fairly equal, no necessity exists for the violent 
 agitation of these questions. [Topic] But train bright young 
 men among these immigrants to know what their duties are, teach 
 them their rights, put at their disposal arguments with which to 
 meet the specious assertions of self-styled and talkative leaders, 
 and the much-vaunted dangers of socialism would disappear. 
 Century. 
 
 Short summarizing sentences may be needed, at times, to 
 indicate the direction which the thought is next to take, or 
 the manner of treatment to be pursued. An explanation or 
 a reason, of considerable length, which is to be followed by 
 a resumption of the main line of thought, needs such a sen- 
 tence. The following paragraph illustrates this : 
 
 A constitutional statesman is in general a man of common 
 opinions and uncommon abilities. The reason is obvious. [The 
 next twelve sentences state the reason at length, and the paragraph 
 concludes.] The most influential of constitutional statesmen is the 
 one who most felicitously expresses the creed of the moment. \\h<> 
 administers it, who embodies it in laws and institutions, who gives 
 it the highest life it is capable of, who induces the average man to 
 think : " I could not have done it any better, if I had had time 
 myself." Bagehot: Sir Robert Peel. 
 
 In the following, notice how the short summarizing sen- 
 tences (here placed in italics) perform the double duty of 
 acting as transitions and of furnishing a basis for the longer 
 sentences made up of details : 
 
 Without force or opposition, it [national chivalry] subdued the 
 fierceness of pride and power; it obliged sovereigns to submit to 
 the soft collar of social esteem, compelled stern authority to sub- 
 mit to elegance, and gave a dominating vanquisher of laws, to be 
 subdued by manners. 
 
 But now all is to be changed. All the pleasing illusions which 
 made power gentle, and obedience liberal, which harmonized the 
 different shades of life, and which, by a bland assimilation, incor- 
 porated into politics the sentiments which beautify and soften 
 
SENTENCE STRUCTURE. 49 
 
 private society, are to be dissolved by this new conquering empire of 
 light and reason. All the decent drapery of life is to be rudely torn off. 
 All the superadded ideas, furnished from the wardrobe of a moral 
 imagination, which the heart owns, and the understanding ratifies 
 as necessary to cover the defects of our naked shivering nature, and 
 to raise it to dignity in our own estimation, are to be exploded as 
 a ridiculous, absurd, and antiquated fashion. Burke: Reflections 
 on the Revolution in France. 
 
 Such expressions as " The main point is this," " After all, 
 the fact remains," etc., are useful in a long paragraph for 
 summarizing what has gone before, and for indicating the 
 relative importance of the different ideas which make up 
 the paragraph. The following contains two expressions of 
 the kind, the first subordinating, the second giving promi- 
 nence : 
 
 As a single man, I have spent a good deal of my time in noting 
 down the infirmities of married people to console myself for those 
 superior pleasures, which they tell me I have lost by remaining as 
 I am. I cannot say that the quarrels of men and their wives ever 
 made any great impression on me. . . . Whatoftenest offends me 
 at the houses of married persons where I visit, is an error of quite 
 a different description ; it is that they are too loving. Not too 
 loving neither: that does not explain my meaning. Besides, why 
 should that offend me? The very act of separating themselves 
 from the rest of the world, to have the fuller enjoyment of each 
 other's society, implies that they prefer one another to all the 
 world. But what I complain of is, that they carry this preference so 
 undisguised ly, they perk it up in the faces of us single people so 
 shamelessly, you cannot be in their company a moment without 
 being made to feel, by some indirect hint or open avowal, that you 
 are not the object of this preference. Charles Lamb: Essays of 
 Elia, A Bachelor's Complaint. 
 
 EFFECT ON SENTENCE STRUCTURE. 
 
 27. The methods of development, treated and illustrated 
 in the preceding pages, must have suggested to the student 
 
50 THE PARAGRAPH. 
 
 that the requirements of any paragraph modify considera- 
 bly the forms of the sentences composing it. The whole 
 paragraph being the unit of thought, it follows that the sen- 
 tences are influenced, both as to their structure and as to their 
 position, by the demands of the main idea or theme of the para- 
 graph. It is the theme that reduces some sentences, which 
 would otherwise stand independent, to subordinate posi- 
 tions ; that compels the employment of connecting words ; 
 that determines whether or not a certain word shall be put 
 out of the usual order which it would occupy in an indepen- 
 dent sentence ; and that decides what words, phrases, clauses, 
 or sentences must be given the most emphatic positions. 
 Even questions of punctuation assume, many times, unusual 
 importance for the paragraph-writer. The unity of a para- 
 graph may be destroyed by carelessness in punctuation. 
 We shall examine in the following pages some of the most 
 important of the modifications which the paragraph imposes 
 upon the usual forms of sentences. 
 
 28. Inversion. The most obvious of the modifications 
 which the paragraph may impose upon one of its sentences 
 is inversion. Any sentence which, if stated in its usual 
 order, would tend to obscure the main idea or would seem 
 for the moment to introduce a new topic, may have its parts 
 rearranged for the sake of preserving the unity and sequence 
 of the paragraph. This is illustrated in the following : 
 
 For choice and pith of language he [Emerson] belongs to a 
 better age than ours, and might rub shoulders with Fuller and 
 Browne though he does use that abominable word reliable. His 
 eye for a fine, telling phrase that will carry true is like that of a 
 backwoodsman for a rifle; and he will dredge you up a choice 
 word from the mud of Cotton Mather himself. A diction at once 
 go rich and so homely as his I know not where to match in these 
 days of writing by the page; it is like homespun cloth-of-gold. 
 
 Lowell : My Study Windows. 
 
SENTENCE STRUCTURE. 51 
 
 In this paragraph, the topic, "Emerson's choice of lan- 
 guage," announced in the first sentence, occurs again near 
 the close of the second. The inversion in the third sentence 
 is solely determined by the need of keeping the topic promi- 
 nent. It brings together, in close juncture, the two things 
 that are alike in the last two sentences, the words choice 
 word and a diction, etc. This adjustment of the begin- 
 ning of one sentence to the end of the preceding sentence, 
 bringing similar ideas close together, is happily called " the 
 echo." The echo is of great help to a good sequence and to 
 proper emphasis. One who uses the echo systematically will 
 not wander far from his subject without discovering that 
 unpleasant fact. In the following, it is the expression " to 
 do so" which required the inversion so that "to do so" might 
 be brought as close as possible to the words, " to repudiate," 
 and " to disclaim." 
 
 It is among the most memorable facts of Grecian history that 
 in spite of the victory of Philip of Chaeroneia . . . the Athenian 
 people could never be persuaded either to repudiate Demosthenes, 
 or to disclaim sympathy with his political policy. [Inversion] 
 How much art and ability were employed to induce them to do so, by his 
 numerous enemies^ the speech of^Eschines is enough to teach us. 
 
 Grote : History of Greece. 
 
 29. Parallel Construction. The main idea sometimes de- 
 mands for itself the same place in all of a series of sen- 
 tences, in order to insure prominence by repetition and by 
 similarity of form and position. This gives rise to the 
 balancing of one part of a sentence against another. Bal- 
 anced structure is sometimes extended to clauses, phrases, 
 and even to single words. Paragraph requirements will 
 not often dictate this structure ; some writers employ it too 
 frequently. When whole sentences have this similarity 
 of form, the result is what is known as parallel construc- 
 tion. The following will illustrate all these varieties of 
 balance : 
 
52 THE PARAGRAPH. 
 
 Certainly, gentlemen, it ought to be the happiness and glory of 
 a representative to live in the strictest union, the closest corre- 
 spondence, and the most unreserved communication with his con- 
 stituents. . Their wishes ought to have great weight with him ; 
 their opinions high respect ; their business unremitted attention. 
 It is his duty to sacrifice his repose, his pleasure, his satisfactions, 
 to theirs, and, above all, ever, and in all cases, to prefer their 
 interest to his own. But his unbiassed opinion, his mature judg- 
 ment, his enlightened conscience, he ought not to sacrifice to you, 
 to any man, or to any set of men living. These he does not derive 
 from your pleasure, no, nor from the law and the Constitution. 
 They are a trust from Providence, for the abuse of which he is 
 deeply answerable. Your representative owes you, not his indus- 
 try only, but his judgment; and he betrays, instead of serving 
 you, if he sacrifices it to your opinion. My worthy colleague says, 
 his will ought to be subservient to yours. If that be all, the thing 
 is innocent. If government were a matter of will on any side, 
 yours, without question, ought to be superior. But government 
 and legislation are matters of reason and judgment and not of 
 inclination ; and what sort of reason is that in which the deter- 
 mination precedes the discussion, in which one set of men deliber- 
 ate and another decide, and where those who form the conclusion 
 are perhaps three hundred miles from those who hear the argu- 
 ments? To deliver an opinion is the right of all men ; that of 
 constituents is a weighty and respectable opinion, which a repre- 
 sentative ought always to rejoice to hear, and which he ought 
 always most seriously to consider. But authoritative instructions, 
 mandates issued, which the member is bound blindly and implicitly 
 to obey, to vote, and to argue for, though contrary to the clearest 
 conviction of his judgment and conscience, these are things 
 utterly unknown to the laws of this land, and which arise from a 
 fundamental mistake of the whole order and tenor of our Consti- 
 tution. Burke : Obedience to Instructions. 
 
 In the foregoing quotation, note that the details in the 
 first five sentences are stated by threes; that the balanced 
 structure is extended even to the adjectives and the adver- 
 bial expressions ; that the details of one sentence, while cor- 
 responding in number and form to those of another, are in 
 
SENTENCE STRUCTURE. 53 
 
 the order of climax ; that the inversion in sentence four is 
 made for the purpose of bringing the details of that sen- 
 tence as close as possible to the details with which they are 
 in contrast in the third sentence. Note that beginning 
 with the seventh sentence, the details occur by twos ; that 
 the ninth sentence is a short summary furnishing the basis 
 for the sentences that follow; that the repetition in the 
 thirteenth sentence is made for the purpose of bringing con- 
 trasting details in juxtaposition. 
 
 30. Repetition. It has already been noted that the topic- 
 statement is sometimes repeated while the paragraph is de- 
 veloping. The theme of the paragraph will reappear in 
 various forms of expression at important points. These 
 forms may repeat the whole topic-statement, or only its sig- 
 nificant words; may repeat literally, or by means of equiva- 
 lent synonymous expressions. More often, the theme is 
 kept prominent by the use of pronouns and demonstrative 
 expressions. The following will illustrate : 
 
 [Topic] The great thing for us is to feel and enjoy his [the true 
 poet's] work as deeply as ever we can, and to appreciate the wide 
 difference between it and all work which has not the same high 
 character. This is what is salutary ; this is what is formative ; this 
 is the great benefit to be got from the study of poetry. Everything 
 which interferes with it, which hinders it, is injurious. True, we 
 must read our classic with open eyes, and not with eyes blinded with 
 superstition ; we must perceive when his work comes short, when it 
 drops out of the class of the very best, and we must rate it in such 
 cases, at its proper value. But the use of this negative criticism is 
 not in itself, it is entirely in its enabling us to have a clearer sense 
 and a deeper enjoyment of what is truly excellent. To trace the 
 labor, the attempts, the weaknesses, the failures of a genuine classic, 
 to acquaint oneself with his time and his life and his historical re- 
 lationships, is mere literary dilettantism unless it has that clear 
 sense and deeper enjoyment for its end. Arnold : Introduction to 
 Ward's English Poets. 
 
54 THE PARAGRAPH. 
 
 Notice also that in the example just quoted there is another 
 set of references to carry the thought back to the words, 
 'his [the true poet's] work/ 
 
 The need of closely watching the pronouns and demonstrative 
 words, while a paragraph is being written, cannot be emphasized 
 too much. When a word is employed to point back to some 
 other word or statement that precedes, the writer should 
 make sure that the reference is clear and explicit. The 
 little word it requires especial attention and care, in order 
 to avoid ambiguity. When used retrospectively, the word 
 it should be employed to refer to but one thing in the same 
 paragraph. 
 
 Other words useful at times for keeping the theme promi- 
 nent and for pointing back to something already said are, 
 this, that, these, those, the former, the latter, he, she, it, here, 
 there, hence, whence, hither, thither, thence, now, then. They 
 are called words of retrospective reference. The expressions, 
 it is, there are,Jtrst, secondly, etc., are sometimes used to point 
 forward to something that is to follow and are called words 
 of prospective reference. 
 
 31. Subordination. In maintaining its prominence in a 
 paragraph the theme requires the subordination of all sub- 
 sidiary and modifying statements. This subordination need 
 not be indicated always by an introductory word ; for fre- 
 quently the thought itself is obviously subordinate. It is 
 not often necessary, for instance, to introduce a proof by the 
 word because or for; the hearer can generally supply these 
 words for himself. Still there are many cases in which 
 the thought requires that the subordination be plainly in- 
 dicated. Concessions leading up to a contrast usually re- 
 quire an introductory expression, such as, it is true, to be sure, 
 looking forward to a sentence beginning with still, but, yet, or 
 however. Conditions usually need an introductory if, unless. 
 Degrees of subordination in thought are indicated by such 
 
SENTENCE STRUCTURE. 55 
 
 words as at least, probably, possibly, and perhaps, which 
 require skilful placing. The longer expressions used for 
 subordination have been mentioned under Means of De- 
 veloping the Topic-Statement ( 18-25). 
 
 Such words as also, likewise, too, further, therefore, conse- 
 quently, etc., may sometimes be needed for showing the 
 exact relation between the sentences which they introduce 
 and the main idea of the paragraph, and for making the 
 connection from sentence to sentence. It is quite easy to 
 use them in too great profusion. Far better than burdening 
 a paragraph with such words is the practice of making each 
 sentence the obvious outgrowth of the sentence that precedes 
 and the obvious preparation for the sentence that follows. 
 
 The paragraph quoted below shows a considerable number 
 of these words of reference, here printed in italics : 
 
 Finally, it is urged that the small number of editions through 
 which Shakespeare passed in the seventeenth century, furnishes a 
 separate argument, and a conclusive one, against his popularity. 
 We answer, that considering the bulk of his plays collectively, the 
 editions were not few ; compared with any known case, the copies 
 sold of Shakespeare were quite as many as could be expected under 
 the circumstances. . . . The truth is, we have not facts enough 
 to guide us; for the number of editions often tells nothing accu- 
 rately as to the number of copies. With respect to Shakespeare, 
 it is certain that, had his masterpieces been gathered into small vol- 
 umes, Shakespeare would have had a most extensive sale. As it 
 was, there can be no doubt that, from his own generation, throughout 
 the seventeenth century, and until the eighteenth began to accom- 
 modate, not any greater popularity in him, but a greater taste for 
 reading in the public, his fame never ceased to be viewed as a 
 national trophy of honor. ... It is therefore a false notion 
 that the general sympathy with the merits of Shakespeare ever 
 beat with a languid or intermitting pulse. Undoubtedly, in times 
 when the functions of critical journals and of newspapers were not 
 at hand to diffuse or to strengthen the impressions which emanated 
 from the capital, all opinions must have travelled slowly into the 
 provinces. But even then, whilst the perfect organs of communication 
 
56 THE PARAGRAPH. 
 
 >rere wanting, indirect substitutes were supplied by the necessities 
 of the times, or by the instincts of political zeal. Two channels 
 especially lay open between the great central organ of the national mind 
 and the remotest provinces. Parliaments were occasionally sum- 
 moned . . . the nobility continually resorted to the court. . . . 
 Academic persons stationed themselves as sentinels at London for 
 the purpose of watching the court and the course of public affairs. 
 These persons wrote letters . . . and thus conducted the general 
 feelings at the centre into lesser centres, from which again they were 
 diffused into the ten thousand parishes of England. ... And 
 by this mode of diffusion it is that we can explain the strength with 
 which Shakespeare's thoughts and diction impressed themselves 
 from a very early period upon the national literature, and even more 
 generally upon the national thinking and conversation. 
 
 De Quincey : Biography of Shakespeare. 
 
 32. Punctuation. The grammars and rhetorics, which 
 regard the sentence as the unit of discourse, give rules for 
 punctuation applying mainly to the proper pointing of the 
 various parts of a sentence. See Appendix E. Considering 
 the paragraph, however, as the true unit of discourse, we 
 are met by questions of punctuation which the rules usually 
 given do not answer. The rule tells us to put a period at 
 the close of every declarative sentence; but the important 
 question for the paragraph-writer often is, What is the 
 proper place at which to bring the sentence to a close ? In 
 the paragraph, not every statement is followed by a full 
 stop. Statements which standing alone would properly be 
 independent sentences, are frequently united into one sen- 
 tence, separated by semicolons or colons, when they become 
 part of a paragraph. 
 
 The rule dictated by paragraph-unity for the division of 
 a paragraph into sentences is that the full stops should be 
 placed at the close of the larger breaks in the thought. 
 What the sentence divisions shall be will depend upon the 
 meaning in each case ; upon the need of giving prominence 
 to the chief assertion, and of keeping the other assertions 
 
PUNCTUATION. 57 
 
 subordinate. If every assertion were followed by a full stop 
 the style would be too broken. A sentence in a paragraph 
 may contain a number of assertions if they are more closely 
 connected in thought than the matter of two successive sen- 
 tences. To illustrate : 
 
 (1) The Commons denied the King's right to dispense, not 
 indeed with all penal statutes but with penal statutes in matters 
 ecclesiastical, and gave him plainly to understand that, unless he 
 renounced that right, they would grant no supply for the Dutch 
 war. (2) He, for a moment, showed some inclination to put 
 everything to hazard; but he was strongly advised by Lewis to 
 submit to necessity, and to wait for better times, when the French 
 armies, now employed in an arduous struggle on the continent, 
 might be available for the purpose of suppressing discontent in 
 England. (3) In the Cabal itself the signs of disunion and 
 treachery began to appear. (4) Shaftesbury, with his proverbial 
 sagacity, saw that a violent reaction was at hand, and that all 
 things were tending towards a crisis resembling that of 1640. 
 (5) He was determined that such a crisis should not find him 
 in the situation of Stratford. (6) He therefore turned suddenly 
 round, and acknowledged, in the House of Lords, that the Decla- 
 ration was illegal. (7) The King, thus deserted by his ally and 
 by his Chancellor, yielded, cancelled the Declaration, and solemnly 
 promised that it should never be drawn into precedent. Macau- 
 lay : History of England, Vol. I., chap. ii. 
 
 The first sentence of the quotation above contains two 
 distinct assertions, which might, so far as ordinary rules of 
 punctuation go, form two distinct sentences ; but they are 
 more closely connected in thought than with the sentence 
 numbered (2) and so are properly united in one sentence. 
 Likewise, the two assertions in sentence (2) have to do with 
 one subject, "he," the King, and so are properly joined 
 in one sentence. Sentence (3) has a different subject and 
 properly stands alone. Sentences (4), (5), and (6) are on 
 one subject ; and (4) and (5) might have been united without 
 injury ; but (6), containing one of the most important asser- 
 
58 THE PARAGRAPH. 
 
 tions of the paragraph, required the distinction which sepa- 
 rate statement gives it. Sentence (7), being on a different 
 subject, is, of course, stated by itself. 
 
 A general statement containing the main idea may be 
 followed by a specific statement, with only a colon or semi- 
 colon separating the two. The same rule is followed when 
 the second statement gives a short reason, an example, a 
 qualification, a consequence, an explanation, or a repetition. 
 To illustrate : 
 
 Now surely this ought not to be asserted, unless it can be 
 proved; we should speak with cautious reverence upon such a 
 subject. Quoted by Bain : Rhetoric, p. 87. 
 
 Agriculture is the foundation of manufactures ; the productions 
 of nature are the materials of art. Ibid. 
 
 M. Michelet, indeed, says that La Pucelle was not a shepherdess. 
 I beg his pardon : she was. What he rests upon, I guess pretty 
 well : it is the evidence of a woman called Haumette. 
 
 De Quincey: Joan of Arc, p. 42. 
 
 With what reverence have I paced thy great bare rooms and 
 courts at eventide ! They spoke of the past : the shade of some 
 dead accountant, with visionary pen in ear, would flit by me, stiff 
 as in life. Lamb: Essays of Elia, The South-Sea House. 
 
 The effect of the semicolon or colon used in this way is to 
 indicate the subordination of the second assertion, which has 
 less importance and prominence when attached to the main 
 proposition than if it should stand alone in a separate sen- 
 tence. 
 
 When a contrast, introduced usually by the word but, 
 is brief and is not to be dwelt upon, it is attached to the 
 main assertion after a colon or semicolon. When, however, 
 the assertion introduced by but is especially emphatic, or 
 is to be discussed further, it is usually given distinction by 
 being set off in a separate sentence. The following will 
 illustrate these two facts: 
 
P UNCT UA TION. 59 
 
 Some modern writers have blamed Halifax for continuing in 
 the ministry while he disapproved of the manner in which both 
 domestic and foreign affairs were conducted. But this censure is 
 unjust. Macaulay : History of England, Vol. I., chap. iii. 
 
 There were undoubtedly scholars to whom the whole Greek 
 literature, from Homer to Photius, was familiar : but such scholars 
 were to be found almost exclusively among the clergy resident at 
 the Universities. Ibid. 
 
 Thus emboldened, the King at length ventured to overstep the 
 bounds which he had during some years observed, and to violate 
 the plain letter of the law. The law was that not more than three 
 years should pass between the dissolving of one Parliament and 
 the convoking of another. But, when three years had elapsed 
 after the dissolution of the Parliament which sate at Oxford, no 
 writs were issued for an election. This infraction, etc. Ibid. 
 
 It is not very easy to explain why the nation which was so far 
 before its neighbors in science should in art have been far behind 
 them. Yet such was the fact. It is true that in architecture . . . 
 our country could boast of one truly great man, Christopher Wren ; 
 . . . But at the close of the reign of Charles the Second there was 
 not a single English painter or statuary whose name is now remem- 
 bered. This sterility, etc. Ibid., chap. iii. 
 
 He acted at different times with both the great political parties : 
 but he never shared in the passions of either. . . . His deportment 
 was remarkably grave and reserved : but his personal tastes were 
 low and frivolous. Ibid., chap. ii. 
 
 The same considerations of prominence, emphasis, and 
 length determine whether a reason introduced by for shall 
 be appended to the main statement or shall be given the 
 distinction of a separate sentence. To illustrate: 
 
 The commencement of the new system was, however, hailed with 
 general delight ; for the people were in a temper to think any change 
 an improvement. They were also pleased by some of the new nomi- 
 nations. Macaulay : History of England, Vol. I., chap. ii. 
 
 France, indeed, had at that time an empire over mankind, such 
 as even the Roman Republic never attained. For, when Rome was 
 
60 THE PARAGRAPH. 
 
 politically dominant, she was in arts and letters the humble pupil 
 of Greece. France had, over the surrounding countries, at once 
 the ascendency which Rome had over Greece and the ascendency 
 which Greece had over Rome. Ibid., chap. iii. 
 
 A paragraph of details may group the details in a few 
 long sentences, the parts being divided by semicolons or 
 colons ; or each detail may be presented as a separate sen- 
 tence. The advantage of the former is that it better se- 
 cures unity of effect ; the advantage of the latter is that it 
 secures a more emphatic presentment of the details. A 
 combination of the two plans is advisable. They are illus- 
 trated in the following : 
 
 France united at that time almost every species of ascendency. 
 Her military glory w/w at its height. She had vanquished mighty 
 coalitions. She had dictated treaties. She had subjugated great 
 cities and provinces. She had forced the Castilian pride to yield 
 her the precedence. She had summoned Italian princes to pros- 
 trate themselves at her footstool. lbi<L 
 
 The interest which the populace took in him whom they regarded 
 as the champion of the true religion and the rightful heir of the 
 British throne, was kept up by every artifice. When Monmouth 
 arrived in London at midnight, the watchmen were ordered by the 
 magistrates to proclaim the joyful event through the streets of the 
 city: the people left their beds: bonfires were lighted: the win- 
 dows were illuminated : the churches were opened : and a merry 
 peal rose from all the steeples. lf>i<l. 
 
 The following selections are cited as examples of logical 
 paragraphic division into sentences, in which the punctua- 
 tion is a decided help to clearness of presentation, and assists, 
 to a marked degree, in keeping the main subject prominent 
 and lesser details subordinate : 
 
 Lawrence Hyde was the second son of the Chancellor Clarendon, 
 and was brother of the first Duchess of York. He had excellent 
 parts, which had been improved by parliamentary and diplomatic 
 experience ; but the infirmities of his temper detracted much from 
 
PUNCTUATION. 61 
 
 the effective strength of his abilities. Negotiator and courtier as 
 he was, he never learned the art of governing or of concealing his 
 emotions. When prosperous, he was insolent and boastful : when 
 he sustained a check, his undisguised mortification doubled the 
 triumph of his enemies : very slight provocations sufficed to kindle 
 his anger; and when he was angry he said bitter things which he 
 forgot as soon as he was pacified, but which others remembered 
 many years. His quickness and penetration would have made him 
 a consummate man of business but for his self-sufficiency and 
 impatience. His writings proved that he had many of the quali- 
 ties of an orator: but his irritability prevented him from doing 
 himself justice in debate; for nothing was easier than to goad him 
 into a passion ; and, from the moment when he went into a passion, 
 he was at the mercy of opponents far inferior to him in capacity. 
 
 Ibid., chap. ii. 
 
 Whenever the arts and labors of life are fulfilled in this spirit 
 of striving against misrule, and doing whatever we have to do, 
 honorably and perfectly, they invariably bring happiness, as much 
 as seems possible to the nature of man. In all other paths, by 
 which that happiness is pursued, there is disappointment, or de- 
 struction: for ambition and for passion there is no rest no frui- 
 tion ; the fairest pleasures of youth perish in a darkness greater 
 than their past light ; and the loftiest and purest love too often 
 does but inflame the cloud of life with endless fire of pain. But, 
 ascending from lowest to highest, through every scale of human 
 industry, that industry worthily followed, gives peace. Ask the 
 laborer in the field, at the forge, or in the mine; ask the patient, 
 delicate-fingered artisan, or the strong-armed, fiery-hearted worker 
 in bronze, and in marble, and with the colors of light ; and none of 
 these, who are true workmen, will ever tell you, that they have 
 found the law of heaven an unkind one that in the sweat of 
 their face they should eat bread, till they return to the ground ; 
 nor that they ever found it an unrewarded obedience, if, indeed, it 
 was rendered faithfully to the command " Whatsoever thy hand 
 findeth to do, do it with thy might." Ruskin : The Mystery of 
 Life, 128. 
 
62 THE PARAGRAPH. 
 
 TYPES OF PARAGRAPH STRUCTURE. 
 
 33. The illustrative paragraphs quoted in the preceding 
 pages have been sufficient to show that there are many dis- 
 tinct types of paragraph structure. Under the heading, 
 Means of Developing the Paragraph-theme, the various 
 expedients have been pointed out, by which the theme may 
 be effectively presented and wrought out in detail. We 
 shall now name and illustrate some of the more important 
 types of structure in the isolated paragraph which result 
 from the character of the theme as Expository, Argumenta- 
 tive, Descriptive, or Narrative. 
 
 34. Expository and Argumentative. This type is devoted 
 to explaining and expounding an idea or to proving a propo- 
 sition. It is the type in which regular structure is most 
 obvious. It may employ one or several of the means of 
 developing the theme, according to the nature of the theme 
 and to the method of treatment demanded. In some cases 
 a strictly logical plan is needed; in others a less formal 
 method will be better. 
 
 35. The Logical Type. There are two orders of progress 
 in thought, one proceeding from the statement of a general 
 principle to particular applications of the principle (deduc- 
 tive reasoning), the other proceeding from the statement of 
 particular facts to a general conclusion from those facts 
 (inductive reasoning). In deductive reasoning, the general 
 principle (stated usually at the beginning) is applied in the 
 particulars ; in inductive reasoning the general principle (stated 
 usually at the end) is inferred from the particulars, as a con- 
 clusion. In a deductive paragraph, as would be expected, 
 the sentences applying the principle to the particular case in 
 hand, usually follow the topic-statement, which announces 
 the principle. In an inductive paragraph the sentences 
 
TYPES OF PARAGRAPH STRUCTURE. 63 
 
 stating the particular facts usually precede the topic-state- 
 ment, which gives the general conclusion. 
 
 36. Deductive. It is evident from the nature of deduc- 
 tion that the means of development which it most often 
 employs will be those indicated and illustrated under the 
 headings, Presenting Reasons, Applying a Principle (see 
 Means of Developing the Paragraph-theme, 22,23). For 
 deduction has for its standard of reasoning, this maxim : 
 Whatever is affirmed or denied truthfully of a whole class, 
 may be affirmed or denied truthfully in like manner of 
 everything comprehended under that class. To illustrate : 
 
 [Principle] Wheresoever the search after truth begins, there life ' 
 begins; wheresoever that search ceases, there life ceases. [Appli- 
 cation] As long as a school of art holds any chain of natural facts, 
 trying to discover more of them and express them better daily, it 
 may play hither and thither as it likes on this side of the chain or 
 on that ; it may design grotesques and conventionalisms, build up 
 the simplest buildings, serve the most practical utilities, yet all it 
 does will be gloriously designed and gloriously done; but let it 
 once quit hold of the chain of natural fact, cease to pursue that as 
 a clew to its work ; let it purpose to itself any other end than 
 preaching this living word, and think first of showing its own skill 
 or its own fancy, and from that hour its fall is precipitate, its 
 destruction sure; nothing that it does or designs will ever have life 
 or loveliness in it more ; its hour has come and there is no work 
 nor device nor knowledge nor wisdom in the grave whither it 
 goeth. Ruskin : The Grounds of Art. 
 
 Nihilism, so far as one can find out, expresses rather a method, 
 or a means, than an end. It is difficult to say just what Nihilism 
 does imply. So much appears reasonably certain [General state- 
 ment] that the primary object of the Nihilists is destruction ; [Par- 
 ticulars] that the abolition of the existing order, not the construction 
 of a new order, is in their view ; that, whatever their ulterior de- 
 signs, or whether or no they have any ultimate purpose in which 
 they are all or generally agreed, the one object which now draws 
 and holds them together, in spite of all the terrors of arbitrary 
 
64 THE PARAGRAPH. 
 
 power, is the abolition, not only of all existing governments, but 
 of all political estates, all institutions, all privileges, all forms of 
 authority ; and that to this is postponed whatever plans, purposes, 
 or wishes the confederation, or its members individually, may 
 cherish concerning the reorganization of society. Francis A. 
 Walker: Socialism. 
 
 37. Inductive. From the nature of induction, it is evi- 
 dent that the means of development which it employs most 
 often are those indicated and illustrated under the headings, 
 Particulars and Details, and Cause and Effect (see Means 
 of Developing the Paragraph-theme, 19, 25). The 
 other means of development, repetition, contrast, definition, 
 comparison and illustration, specific instances and examples, 
 are used in paragraphs of both orders, as occasion may re- 
 quire. The following illustrate the inductive order: 
 
 Sir, whilst we held this happy course, [Particulars] we drew 
 more from the Colonies than all the impotent violence of despotism 
 ever could extort from them. We did this abundantly in the last 
 war. It has never been once denied ; and what reason have we to 
 imagine that the Colonies would not have proceeded in supplying 
 government as liberally, if you had not stepped in and hindered 
 them from contributing, by interrupting the channel in which their 
 liberality flowed with so strong a course ; by attempting to take, 
 instead of being satisfied to receive? Sir William Temple says 
 that Holland has loaded itself with ten times the impositions, 
 which it revolted from Spain, rather than submit to. He says 
 true. [General conclusion] Tyranny is a poor provider. It knows 
 neither how to accumulate, nor how to extract. Burke : American 
 Taxation, p. 158 (Payne's ed.). 
 
 Is it better to place the adjective before the substantive, or the 
 substantive before the adjective? Ought we to say with the 
 French tin cheval noir; or to say as we do a black horse? 
 [Particulars from which conclusion is to be drawn] Probably most 
 persons of culture would decide that one order is as good as the 
 other. Alive to the bias produced by habit, they would ascribe to 
 that the preference they feel for our own form of expression. 
 
TYPES OF PARAGRAPH STRUCTURE. 65 
 
 They would expect those educated in the use of the opposite form 
 to have an equal preference for that. And thus they would con- 
 clude that neither of these instinctive judgments is of any worth. 
 There is, however, a philosophical ground for deciding in favor 
 of the English custom. If " a horse black " be the arrangement, 
 immediately on the utterance of the word " horse," there arises, or 
 tends to arise, in the mind, a picture answering to that word ; and 
 as there has been nothing to indicate what kind of horse, any 
 image of a horse suggests itself. Very likely, however, the image 
 will be that of a brown horse, brown horses being the most famil- 
 iar. The result is that when the word "black " is added, a check 
 is given to the process of thought. Either the picture of a brown 
 horse already present to the imagination has to be suppressed, and 
 the picture of a black one summoned in its place; or else, if the 
 picture of a brown horse be yet unformed, the tendency to form it 
 has to be stopped. Whichever is the case, a certain amount of 
 hindrance results. But if, on the other hand, " a black horse " be 
 the expression used, DO such mistake can be made. The word 
 " black," indicating an abstract quality, arouses no definite idea. 
 It simply prepares the mind for conceiving some object of that 
 color ; and the attention is kept suspended until that object is 
 known. [Conclusion] If, then, by the precedence of the adjective, 
 the idea is conveyed without liability to error, whereas the prece- 
 dence of the substantive is apt to produce a misconception, it follows 
 that the one gives the mind less trouble than the other, and is 
 therefore more forcible. Spencer : Philosophy of Style. 
 
 [Particulars from which conclusion is to be drawn] We do not 
 notice the ticking of the clock, the noise of the city streets, or the 
 roaring of the brook near the house ; and even the din of a laundry 
 or factory will not mingle with the thoughts of its workers, if they 
 have been there long enough. When we first put on spectacles, 
 especially if they be of certain curvatures, the bright reflections 
 they give of the windows, etc., mixing with the field of view, are 
 very disturbing. In a few days we ignore them altogether. . . . 
 The pressure of our clothes and shoes, the beating of our hearts 
 and arteries, our breathing, certain steadfast bodily pains, habitual 
 odors, tastes in the mouth, etc., are examples from other senses 
 of [Conclusion] the same lapse into unconsciousness of any too 
 
66 THE PARAGRAPH. 
 
 unchanging content a lapse which Hobbes has expressed in the 
 well-known phrase, " Semper idem sentire ac non sentire ad idem 
 revertunt." James, Psychology, Vol. II., p. 455. 
 
 38. The Less Formal Types. All paragraphs, whatever 
 their method of construction, might be classified either as 
 deductive or as inductive, and there would be room for con- 
 siderable casuistry in determining under which head many 
 paragraphs would fall. The fact that it is extremely diffi- 
 cult to find examples of paragraphs which are undeniably 
 deductive or clearly inductive indicates a close relationship 
 between the two orders and their constant intermingling 
 in the mind. As a matter of fact, the two progressions 
 are always combined in thought. In putting his mental 
 procedure into language, however, the writer may pursue a 
 variety of methods. He may (1) suppress the inductive 
 operations which have gone on in his mind while thinking 
 on the subject in hand, (2) suppress the deductive opera- 
 tions, (3) mingle the two. The tendency in good prose is 
 always to mingle the two orders of thought. Thus in a 
 paragraph which is clearly deprived of most of the deduc- 
 tive features, the conclusion may yet be stated first. In a 
 paragraph deprived of most of the inductive features, the 
 general principle may still be stated, or restated, at the 
 close. In other cases one progression will succeed another 
 at intervals throughout the paragraph. 
 
 This intermingling of deduction and induction which is 
 seen in almost all paragraphs of an expository and argu- 
 mentative character gives a less formal appearance to para- 
 graphs of this kind. For purposes of illustration, therefore, 
 all expository and argumentative paragraphs which are not 
 exclusively deductive or exclusively inductive are here 
 brought under the title of Mess formal types/ 
 
 39. Paragraphs of Definition. A whole paragraph may 
 be devoted to defining the subject. Some terms require a 
 
TYPES OF PARAGRAPH STRUCTURE. 67 
 
 careful statement of their scope. A term is denned not 
 only by giving its etymology, a history of its changes in 
 meaning, and its current uses, but by giving its applications 
 to various departments of thought. In the following quota- 
 tion, Sir William Hamilton defines the term Philosophy: 
 
 There are two questions to be answered : 1st, What is the mean- 
 ing of the name ? and 2d, What is the meaning of the thing f An 
 answer to the former question is afforded in a nominal definition 
 of the term philosophy, and in a history of its employment and ap- 
 plication. In regard to the etymological signification of the word, 
 Philosophy is a term of Greek origin. It is a compound of <i'A.os, 
 a lover or friend, and o-o<tu, wisdom speculative wisdom. Phi- 
 losophy is thus, literally, a love of wisdom. ... It is probable, I 
 think, that Socrates was the first who adopted, or at least the first 
 who familiarized, the expression. It was natural that he should 
 be anxious to contradistinguish himself from the Sophists (01 
 <7o<ot, 01 <ro<urrai), literally, the wise men; and no term could 
 more appropriately ridicule the arrogance of these pretenders, or 
 afford a happier contrast to their haughty designation, than that 
 of philosopher (i.e. the lover of wisdom); and, at the same time, it 
 is certain that the substantives tf>L\wro^>ta and <iAo(ro<o<> first 
 appear in the writings of the Socratic school. It is true, indeed, 
 that the verb <jnXoao<t>v is found in Herodotus, in the address by 
 Croesus to Solon ; and that, too, in a participial form, to designate 
 the latter as a man who had traveled abroad for the purpose of 
 acquiring knowledge. It is, therefore, not impossible that, before 
 the time of Socrates, those who devoted themselves to the pursuit 
 of the higher branches of knowledge were occasionally designated 
 philosophers: but it is far more probable that Socrates and his 
 school first appropriated the term as a distinctive appellation ; and 
 that the word philosophy, in consequence of this appropriation, 
 came to be employed for the complement of all higher knowledge, 
 and, more especially, to denote the science conversant about the prin- 
 ciples or causes of existence. The term philosophy, I may notice, 
 which was originally assumed in modesty, soon lost its Socratic 
 and etymological signification, and returned to the meaning of 
 <7o<ui, or wisdom. Quintilian calls it nomen insolentissimum ; Sen- 
 eca, nomen invidiosum; Epictetus counsels his scholars not to call 
 
68 THE PARAGRAPH. 
 
 themselves 'Philosophers'; and proud is one of the most ordinary 
 epithets with which philosophy is now associated. 
 
 The following paragraph is a definition of the term Public 
 Duty: 
 
 By the words public duty I do not necessarily mean official duty, 
 although it may include that. I mean simply that constant and 
 active practical participation in the details of politics without which, 
 upon the part of the most intelligent citizens, the conduct of public 
 affairs falls under the control of selfish and ignorant, or crafty and 
 venal men. I mean that personal attention which, as it must be 
 incessant, is often wearisome and even repulsive, to the details of 
 politics, attendance at meetings, service upon committees, care and 
 trouble, and expense of many kinds, patient endurance of rebuffs, 
 chagrins, ridicules, disappointments, defeats in a word, all those 
 duties and services which, when selfishly and meanly performed, 
 stigmatize a man as a mere politician, but whose constant, honor- 
 able, intelligent, and vigilant performance is the gradual building, 
 stone by stone, and layer by layer, of that great temple of self- 
 restrained liberty which all generous souls mean that our govern- 
 ment shall be. G. W. Curtis : The Public Duty of Educated Men. 
 
 40. Paragraphs of Specific Instances. This is one of 
 the most common types of paragraph, consisting simply of 
 the topic-statement followed by one or more instances. In the 
 first paragraph following there are two instances ; one the 
 case of the Columbia River, the other the case of the Mis- 
 souri. The word illustration is used in its popular sense, 
 not in its technical sense ; strictly speaking it should be in- 
 stance. In the second paragraph below (from De Quincey) 
 the instances are given in the second and fourth sentences. 
 In the third quotation we have a paragraph that combines 
 reasons, example, and application. 
 
 If every drop of water which falls on the mountain summits 
 could be utilized, it is not likely that more than ten per cent of the 
 total area of the arid West could be irrigated, and it is certain that, 
 because of physical obstacles, it will never be possible to get water 
 
TYPES OF PARAGRAPH STRUCTURE. 69 
 
 to even this small percentage. As an illustration of what is meant 
 by this it may be stated that the Columbia River is from three 
 hundred to fifteen hundred feet below the surface of the bordering 
 arid table-land in northeastern Washington. It would be imprac- 
 ticable to raise its water to the lands requiring irrigation. Through- 
 out a large part of its course in Montana and the Dakotas, the 
 Missouri River flows in a deep channel, and as it falls only two or 
 three feet per mile, the elevation of its water to the level of the 
 land which might be irrigated is at present practically impossible, 
 because the work necessary for such utilization will cost more than 
 the land and the water are worth. Mead : Irrigation Institutions, p. 5. 
 
 The sense of space, and in the end the sense of time, were both 
 powerfully affected. Buildings, landscapes, etc., were exhibited in 
 proportions so vast as the bodily eye is not fitted to receive. Space 
 swelled, and was amplified to an extent of unutterable infinity. 
 This, however, did not disturb me so much as the vast expansion 
 of time. I sometimes seemed to have lived for seventy or one 
 hundred years in one night ; nay, sometimes had feelings represent- 
 ative of a millennium, passed in that time, or, however, of a duration 
 far beyond the limits of any human experience. De Quincey: 
 Confessions of an English Opium-Eater. 
 
 [Topic-statement] We are by no means sure that the refusal of 
 the authorities to permit the public meeting was well advised. . . . 
 [Reasons] To suppress such a gathering, to forbid men to air their 
 grievances and propose their panaceas, will not in the least abate 
 the discontent or allay the irritation. Men who are out of work, 
 who have a grudge against the existing order, are easily provoked 
 to violence ; but there is no surer provocative than to deny them 
 free speech. An incendiary orator may set them off ; forcible re- 
 pression by the clubs of the police is almost sure to do so. If you 
 want an explosion, hang the monkey-wrench on the safety-valve 
 and crowd on full steam ; if you want to avoid an explosion, open 
 some vent and blow off steam. [Application] Hence the authori- 
 ties should adopt the policy of suppression only as a last desperate 
 resort in an extraordinary crisis. This advice is not doctrinaire; 
 it is the fruit of experience. [Example] Of the great cities of 
 the world, London is the one which suffers least from the agitation 
 of anarchists and the outbreaks of the mob. And the reason, we 
 
70 THE PARAGRAPH. 
 
 are convinced, is that the police there interfere as little as possible 
 with public gatherings. In Trafalgar Square, Hyde Park, and 
 other great open spaces large crowds gather to listen to agitators 
 of all sorts. Plenty of police are on hand to exercise restraint in 
 case of need. The law in England, as in this country, is clear and 
 explicit with regard to incitements to disorder and to murder; 
 and the speakers who cross the line may be arrested and brought 
 to account. But the authorities exercise a large and indeed 
 generous tolerance. . . . [Application] Force is a feeble weapon in 
 dealing with unrest and agitation. ... If we cannot marshal ar- 
 guments to destroy the fallacies and the half-truths upon which 
 the structure of socialistic and anarchistic theory rests, our case is 
 hopeless. Argument with ignorant, hungry, and excited men is, 
 obviously, a formidable undertaking ; but still it is the only method 
 in a free country like this. Certainly, the clubs of the police will 
 never put sound ideas into people's heads. Reason, coolness, and 
 forbearance on the part of men of intelligence are what the hour 
 calls for. N. Y. Evening Post, March 30,1908. 
 
 41. Paragraphs of Illustration. A paragraph may con- 
 sist simply of topic-statement and illustration. When well- 
 chosen, the illustration running through the paragraph gives 
 it unity and clearness in a high degree. 
 
 The poet is like a bee. His product is a honey, which is neither 
 wholly his own nor wholly nature's. No pure nectar of flowers may 
 be found in the bee's comb; the amber richness garnered there is 
 a distillation of composite nature, a brew of flower-life and bee-life 
 indescribably characteristic of both flower and bee. This is the 
 formula for genuine originality the personal quality of genius 
 inseparably blent with the finest and rarest extracts of nature. A 
 clear distinction may easily be made between what is written merely 
 about nature and what is distilled from nature in the alembic of 
 genius. The former may be attractive reading, the latter has for 
 its distinction the haunting and tantalizing flavor of indiscoverable, 
 immanent freshness. Maurice Thompson: Independent, Feb. 2, 
 1899. 
 
 The foundation is to the wall what the paw is to an animal. Tt 
 ia a long foot, wider than the wall, on which the wall is to stand, 
 
TYPES OF PARAGRAPH STRUCTURE. 71 
 
 aiid which keeps it from settling into the ground. It is most nec- 
 essary that this great element of security should be visible to the 
 eye, and therefore made a part of the structure above ground. 
 Sometimes, indeed, it becomes incorporated with the entire founda- 
 tion of the building, a vast table on which walls or piers are alike 
 set: but even then, the eye, taught by the reason, requires some 
 additional preparation of foot for the wall, and the building is felt 
 to be imperfect without it. This foundation we shall call the Base 
 of the wall. Ruskin : Stones of Venice, Vol. I., p. 64. 
 
 42. Paragraphs of Causes and Results. A paragraph 
 may consist of a topic-statement followed by an explana- 
 tion of the causes as in the first quotation below ; or, the 
 topic- statement may give the cause, and the remainder of 
 the paragraph the result, as in the second quotation below. 
 
 [Topic] Three causes combine to create among American 
 women an average of literary taste and influence higher than that 
 of women in any European country. These are, the educational 
 facilities they enjoy, the recognition of the equality of the sexes in 
 the whole social and intellectual sphere, and the leisure which they 
 possess as compared with men. [Explanation of the causes] In 
 a country where men are incessantly occupied at their business or 
 profession, the function of keeping up the level of culture devolves 
 upon women. It is safe in their hands. They are quick and keen- 
 witted, less fond of open-air life and physical exertion than Eng- 
 lishwomen are, and obliged by the climate to pass a greater part 
 of their time under shelter from the cold^of jyinter^and the sun of 
 summer. For music and for the pictorial arts they do not yet seem 
 to have formed so strong a taste as for literature, partly perhaps, 
 owing to the fact that in America the opportunities of seeing and 
 hearing masterpieces, except indeed operas, are rarer than in 
 Europe. But they are eager and assiduous readers of all such 
 books and periodicals as do not presuppose special knowledge in 
 some branch of science or learning, while the number who have 
 devoted themselves to some special study and attained proficiency 
 in it is large. The fondness for sentiment, especially moral and 
 domestic sentiment, which is often observed as characterizing 
 American taste in literature, seems to be mainly due to the 
 
72 THE PARAGRAPH. 
 
 influence of women, for they form not only the larger part of the 
 reading public, but an independent-minded part, not disposed to 
 adopt the canons laid down by men, and their preferences count 
 for more in the opinions and predilections of the whole nation 
 than is the case in England. Similarly the number of women 
 who write is infinitely larger in America than in Europe. Fiction, 
 essays, and poetry are naturally their favourite provinces. In 
 poetry more particularly, many whose names are quite unknown 
 in Europe have attained widespread fame. Bryce : The American 
 Commonwealth, 3d ed., Vol. II., p. 741. 
 
 [Topic] The true function of reservoirs is to act as regulators ; 
 to hold back the water which would otherwise run to waste, when 
 it is not needed, and supply it to irrigators in times of scarcity. 
 [Result] When this is done, the stored water will supplement that 
 which can be taken by direct diversion. With some irrigators the 
 natural flow will supply nearly all their needs ; stored water will 
 only be required for a brief period, perhaps for a week, perhaps 
 only for a single day. Others with later rights in the stream will 
 have to draw more largely on the stored supply, but none need 
 rely entirely upon it if streams are used to the best advantage. 
 
 Mead : Irrigation Institutions. 
 
 43. Descriptive and Narrative Paragraphs. In para- 
 graphs of this kind the plan is not so easily seen, for in 
 these paragraphs the sequence is determined not solely by 
 the logical order of thought, but by the nature of the object 
 described or the event narrated. It may have to deal with 
 seemingly unrelated particulars. These, however, may be 
 grouped so as to produce a single effect on the mind. A 
 building is something more than foundations, walls, roof, 
 door, and windows. It has a meaning as a whole to which 
 these in their united capacities contribute. A series of 
 events, taken singly, are without significance unless reported 
 with their total meaning as a group clearly in mind. 
 
 Tn the following descriptive paragraph from Ruskin 
 (Prceterita, Vol. II., chap, v.) notice how the comparison of 
 
TYPES OF PARAGRAPH STRUCTURE. 73 
 
 the river Rhone to a wave (the theme) binds all the details 
 into a unified whole : 
 
 Waves of clear sea are, indeed, lovely to watch, but they are al- 
 ways coming or gone, never in any taken shape to be seen for a 
 second. But here was one mighty wave [The Rhone] that was 
 always itself, and every fluted swirl of it, constant as the wreathing 
 of a shell. No wasting away of the fallen foam, no pause for gather- 
 ing of power, no helpless ebb of discouraged recoil ; but alike 
 through bright day and lulling night, the never-pausing plunge and 
 never-fading flash, and never-hushing whisper, and, while the sun 
 was up, the ever-answering glow of unearthly aquamarine, ultra- 
 marine, violet blue, gentian blue, peacock blue, river-of -paradise 
 blue, glass of a painted window melted in the sun, and the witch 
 of the Alps flinging the spun tresses of it forever from her snow. 
 
 In the following narrative paragraph notice that the nar- 
 rative details are grouped about the character description, 
 which is here placed in brackets. The particulars are all 
 colored by the writer's evident sympathy with the King. 
 
 Charles appeared before the Court only to deny its competence 
 and to refuse to plead ; but thirty-two witnesses were examined to 
 satisfy the consciences of his judges, and it was not till the fifth 
 day of the trial that he was condemned to death as a tyrant, traitor, 
 murderer, and enemy of his country. The popular excitement had 
 vented itself in cries of " Justice," or " God save your Majesty," as 
 the trial went on, but all save the loud outcries of the soldiers was 
 hushed as Charles passed to receive his doom. [The dignity which 
 he had failed to preserve in his long jangling with Bradshaw and 
 the judges returned at the call of death. Whatever had been the 
 faults and follies of his life, he "nothing common did, or mean, upon 
 that memorable scene."] Two masked executioners awaited the 
 King as he mounted the scaffold, which had been erected outside 
 one of the windows of the Banqueting House at Whitehall ; the 
 streets and roofs were thronged with spectators ; and a strong body 
 of soldiers stood drawn up beneath. His head fell at the first 
 blow, and as the executioner lifted it to the sight of all, a groan of 
 pity and horror burst from the silent crowd. Green, Short History. 
 
74 THE PARAGRAPH. 
 
 44. Paragraphs of Incident. Paragraphs of simple inci- 
 dent are a very common type ; they are often very skilfully 
 done in the daily newspapers. In novels some of the most 
 memorable passages are paragraphs embodying single in- 
 cidents. 
 
 [In his chapter on " Personal Experience and Review " Stevenson 
 tells how educated men that are lazy do so much homage to in- 
 dustry as to persuade themselves that they are industrious. " But," 
 he continues, " the average mechanic recognizes his idleness with 
 effrontery ; he has even, as I am told, organized it."] 
 
 I give the story as it was told to me, and it was told me for 
 a fact. A man fell from a housetop in the city of Aberdeen, and 
 was brought into hospital with broken bones. He was asked what 
 was his trade, and replied that he was a tapper. No one had ever 
 heard of such a thing before ; the officials were filled with curiosity; 
 they besought an explanation. It appeared that when a party of 
 slaters were engaged upon a roof, they would now and then be taken 
 with a fancy for the public-house. Now a seamstress, for example, 
 might slip away from her work and no one be the wiser; but if 
 these fellows adjourned, the tapping of the mallets would cease, 
 and thus the neighborhood be advertised of their defection. 
 Hence the career of the tapper. He has to do the tapping and 
 keep up an industrious bustle on the housetop during the absence 
 of the slaters. When he taps for only one or two the thing is 
 child's-play, but when he has to represent a whole troop, it is then 
 that he earns his money in the sweat of his brow. Then must 
 he bound from spot to spot, reduplicate, triplicate, sexdupli- 
 cate his single personality, and swell and hasten his blows, until 
 he produce a perfect illusion for the ear, and you would swear 
 that a crowd of emulous masons were continuing merrily to roof 
 the house. It must be a strange sight from an upper window. 
 Stevenson : The Amateur Emigrant. 
 
 The fact that armed persons were still abroad, thieves or 
 assassins, lurking under many disguises, might explain what hap- 
 pened on the last evening of their time together, when they sat 
 late at the open windows as the night increased, serene but covered 
 summer night, aromatic, velvet-footed. What coolness it had was 
 
TYPES OF PARAGRAPH STRUCTURE. 75 
 
 pleasant after the wine ; and they strolled out, fantastically muffled 
 in certain old heraldic dresses of parade, caught up in the hall as 
 they passed through. ... In about an hour's time they returned, 
 not a little disconcerted, to tell a story. . . . Listening for the 
 night-hawk, pushing aside the hedge-row to catch the evening 
 breath of the honeysuckle, they had sauntered on, scarcely looking 
 in advance, along the causeway. Soft sounds came out of the dis- 
 tance, but footsteps on the hard road they had not heard, when 
 three others fronted them face to face Jasmin, Amadee, and 
 Camille their very selves, visible in the light of the lantern car- 
 ried by Camille: they might have felt the breath upon their 
 cheeks : real, close, definite, cap for cap, plume for plume, flower 
 for flower, a light like their own flashed up counter-wise, but with 
 blood, all three of them, fresh upon the bosom, or in the mouth. 
 It was well to draw the sword, be one's enemy carnal or spiritual; 
 even devils, as wise men know, taking flight at its white glitter 
 through the air. Out flashed the brave youths' swords, still with 
 mimic counter-motion, upon nothing upon the empty darkness 
 before them. Pater : Gaston de Latour, p. 96. 
 
 A butcher was brought into a druggist's shop (at Edinburgh) 
 from the market-place opposite, laboring under a terrible accident. 
 The man, on trying to hook up a heavy piece of meat above his 
 head, slipped, and the sharp hook penetrated his arm, so that he 
 himself was suspended. On being examined, he was pale, almost 
 pulseless, and expressed himself as suffering acute agony. The 
 arm could not be moved without causing excessive pain, and in 
 cutting off the sleeve he frequently cried out ; yet when the arm 
 was exposed it was found to be quite uninjured, the hook having 
 only traversed the sleeve of his coat. 
 
 A lady who was spending the summer at Margate, went to the 
 market for the purpose of purchasing a goose. There were but 
 two in the whole place, offered for sale by a girl of fourteen, who 
 refused to part with one without the other, assigning no other 
 reason for her obstinacy than that it was her mother's order. 
 Not wishing for two geese, the lady at first declined the purchase, 
 but at last finding no other was to be had, and recollecting that a 
 neighbor might be prevailed upon to take one off her hands, she 
 concluded the bargain. Having paid for and secured the pair* 
 
76 THE PARAGRAPH. 
 
 she asked the girl at parting if she knew her mother's reason for 
 the directions she had given. "Oh, yes! mistress," answered the 
 young poultry-merchant readily, " mother said that they had lived 
 together eleven years, and it would be a sin and a shame to part 
 them now." 
 
 45. Descriptive Sketches. The following will illustrate 
 the brief descriptive sketch at its best. In the first it is 
 the idea of grandeur running through all of the details that 
 produces the effect of unity. In the second selection the 
 details of the picture are united by the road which one is 
 imagined to follow. 
 
 There were usually at Burbeck many things taking place at 
 once ; so that wherever else, on such occasions, tea might be served, 
 it went forward with matchless pomp, weather permitting, on a 
 shaded stretch of one of the terraces and in presence of one of the 
 prospects. Shirley Sutton, moving, as the afternoon waned, more 
 restlessly about and mingling in dispersed groups only to find they 
 had nothing to keep him quiet, came upon it as he turned a corner 
 of the house saw it seated there in all its state. It might be 
 said that at Burbeck it was, like everything else, made the most 
 of. It constituted immediately, with multiplied tables and glitter- 
 ing plate, with rugs and cushions and ices and fruit and wonderful 
 porcelain and beautiful women, a scene of splendor, almost an in- 
 cident of grand opera. One of the beautiful women might quite 
 have been expected to rise with a gold cup and a celebrated song. 
 
 James: The Better Sort. 
 
 The road to Hermiston runs for a great part of the way up the 
 valley of a stream, a favorite -with anglers and with midges, full 
 of falls and pools, and shaded by willows and natural woods of 
 birch. Here and there, but at great distances, a byway branches 
 off, and a great farmhouse may be descried above in a fold of the 
 hill: but the more part of the time, the road would be quite 
 empty of passage and the hills of habitation. Hermiston parish is 
 one of the least populous in Scotland ; and, by the time you came 
 that length, you would scarce be surprised at the inimitable small- 
 ness of the kirk, a dwarfish, ancient place seated for fifty, and 
 
TYPES OF PARAGRAPH STRUCTURE. 11 
 
 standing in a green by the burn-side among two-score gravestones. 
 The manse close by, although no more than a cottage, is sur- 
 rounded by the brightness of a flower-garden and the straw roofs 
 of bees ; and the whole colony, kirk and manse, garden and grave- 
 yard, finds harborage in a grove of rowans, and is all the year 
 round in a great silence broken only by the drone of the bees, the 
 tinkle of the burn, and the bell on Sundays. A mile beyond the 
 kirk the road leaves the valley by a precipitous ascent, and brings 
 you a little after to the place of Hermiston, where it comes to an 
 end in the back-yard before the coach-house. All beyond and 
 about is the great field of the hills ; the plover, the curlew, and the 
 lark cry there; the wind blows as it blows in a ship's rigging, 
 hard and cold and pure ; and the hill-tops huddle one behind an- 
 other like a herd of cattle into the sunset. Stevenson : Weir of 
 Hermiston. 
 
 Three ordinary men would have quarrelled through sheer bore- 
 dom before they reached Southampton. We, by virtue of our 
 craft, were anything but ordinary men. A large percentage of the 
 tales of the world are common property coming of a common 
 stock. We told them all, as a matter of form, with all their local 
 and specific variants which are surprising. Then came, in the 
 intervals of steady card-play, more personal histories of adventure 
 and things seen and reported : panics among white folk, when the 
 blind terror ran from man to man on the Brooklyn bridge, and 
 the people crushed each other to death they knew not why ; fires, 
 and faces that opened and shut their mouths horribly at red-hot 
 window-frames ; wrecks in frost and snow, reported from the sleet- 
 sheathed rescue tug at the risk of frost-bite; long rides after 
 diamond thieves ; skirmishes on the veldt and in municipal com- 
 munities with the Boers ; glimpses of lazy, tangled Cape politics 
 and the mule rule in the Transvaal ; card-tales, horse-tales, woman- 
 tales by the score and the half hundred; till the first mate, who 
 had seen more than us all put together, but lacked words to clothe 
 his tales with, sat open-mouthed far into the dawn. Kipling: 
 A Matter of Fact (A/any Inventions'). 
 
 The statuette, in bronze, something more than two feet high, 
 represented a naked youth drinking from a gourd. The attitude 
 was perfectly simple. The lad was squarely planted on his feet, 
 
78 THE PARAGRAPH. 
 
 with his legs a little apart; his back was slightly hollowed, his 
 head thrown back; his hands were raised to support the rustic 
 cup. There was a loosened fillet of wild flowers about his head, 
 and his eyes, under their drooped lids, looked straight into the cup. 
 On the base was scratched the Greek word Aw/ro, Thirst The 
 figure might have been some beautiful youth of ancient fable 
 Hylas or Narcissus, Paris or Endymion. Its beauty was the 
 beauty of natural movement; nothing had been sought to be rep- 
 resented but the perfection of an attitude. This had been atten- 
 tively studied it was exquisitely rendered. Rowland demanded 
 more light, dropped his head on this side and that, uttered vague 
 exclamations. He said to himself, as he had said more than once 
 in the Louvre and the Vatican, " We ugly mortals, what beautiful 
 creatures we are ! " James: Roderick Hudson. 
 
 46. Portrait Sketches. Two varieties of descriptive par- 
 agraphs merit special attention. These are portrait sketches 
 and character descriptions. The simplest form of portrai- 
 ture gives a mere catalogue of features. A higher form adds 
 to this the mention of accessories, as of clothes, and scraps of 
 conversation. A still higher type imputes to the subject of 
 the sketch personal qualities that put a meaning into the 
 features described makes the face tell the story of the 
 life. The various kinds run into one another, and all may 
 be employed in the same sketch. The following paragraphs 
 will illustrate: 
 
 Mr. Serjeant Snubbin was a lantern-faced, sallow-complexioned 
 man, of about five-and-forty, or as the novels say he might be 
 fifty. He had that dull-looking boiled eye which is so often to be 
 seen in the heads of people who have applied themselves during 
 many years to a weary and laborious course of study; and which 
 would have been sufficient, without the additional eye-glass which 
 dangled from a broad black riband round his neck, to warn a 
 stranger that he was very near-sighted. His hair was thin and 
 weak, which was partly attributable to his having never devoted 
 much time to its arrangement, and partly to his having worn for 
 five-and-twenty years the forensic wig which hung on a block 
 
TYPES OF PARAGRAPH STRUCTURE. 79 
 
 beside him. The marks of hair-powder on his coat-collar, and the 
 ill-washed and worse-tied white neckerchief round his throat, 
 showed that he had not found leisure since he left the court to 
 make any alteration in his dress : while the slovenly style of the 
 remainder of his costume wan-anted the inference that his per- 
 sonal appearance would not have been very much improved if he 
 had. Books of practice, heaps of papers, and open letters were 
 scattered over the table, without any attempt at order or arrange- 
 ment; the furniture of the room was old and rickety; the doors 
 of the book-case were rotting in their hinges; the dust flew out 
 from the carpet in little clouds at every step; the blinds were 
 yellow with age and dirt; and the state of everything in the room 
 showed, with a clearness not to be mistaken, that Mr. Serjeant 
 Snubbin was far too much occupied with his professional pursuits 
 to take any great heed or regard of his personal comforts. 
 
 Dickens: Pickunck Papers. 
 
 To me it is a most touching face; perhaps of all faces that I 
 know, the most so. Lonely there, painted as on vacancy, with 
 the simple laurel wound round it, the deathless sorrow and pain, 
 the known victory which is also deathless; significant of the 
 whole history of Dante. I think it is the mournfulest face that 
 ever was painted from reality ; an altogether tragic, heart-affecting 
 face. There is in it, as foundation of it, the softness, tenderness, 
 gentle affection as of a child ; but all this is as if congealed into 
 sharp contradiction, into abnegation, isolation, proud hopeless pain. 
 A soft ethereal soul looking out so stern, implacable, grim-trench- 
 ant, as from imprisonment of thick-ribbed ice 1 Withal it is a 
 silent pain too, a silent scornful one ; the lip is curled in a kind of 
 godlike disdain of the thing that is eating out his heart, as if it 
 were withal a mean insignificant thing, as if he whom it had 
 power to torture and strangle were greater than it. The face of 
 one wholly in protest and life-long unsurrendering battle, against 
 the world. Affection all converted into indignation ; an implacable 
 indignation ; slow, equable, silent, like that of a god ! The eye, 
 too, it looks out in a kind of surprise, a kind of inquiry, why the 
 world was of such a sort ? This is Dante : so he looks, this * voice 
 of ten silent centuries,' and sings us ' his mystic unfathomable song.' 
 
 Carlyle : On Heroes. 
 
80 THE PARAGRAPH. 
 
 47. Character Sketches. Success in character sketches 
 depends upon the writer's power to seize upon the principal 
 trait of character possessed by the subject of the sketch, 
 the predominating characteristic, and to group other traits 
 as the natural results of the leading quality, in the light of 
 which the deeds of the subject of the sketch are to be ex- 
 plained. Every developed character has a central quality 
 about which other traits group themselves. That we speak 
 naturally of Washington's purity, Lincoln's honesty, and 
 Queen Elizabeth's versatility is unconscious evidence of 
 this. This central trait, once found, will furnish the para- 
 graph theme. Traits should be illustrated by deeds, events, 
 and words. Epithet, contrast, and figurative language 
 tend to make a character portrayal vivid and effective. 
 The following paragraph on the character of James I., from 
 Green's History of the English People, Vol. III., p. 55, will 
 illustrate all these points : 
 
 [Introductory] On the sixth of May, 1603, after a stately prog- 
 ress through his new dominions, King James entered London. [Por- 
 trait] In outer appearance no sovereign could have jarred more 
 utterly against the conception of an English ruler which had grown 
 up under Plantagenet or Tudor. His big head, his slobbering tongue, 
 his quilted clothes, his rickety legs, stood out in as grotesque a con- 
 trast with all that men recalled of Henry or Elizabeth as his gabble 
 and rhodomontade, his want of personal dignity, his buffoonery, his 
 coarsenessof speech, his pedantry, his personal cowardice. [Charac- 
 ter contrasted with portrait] Under this ridiculous exterior indeed 
 lay no small amount of moral courage and of intellectual dignity. 
 James was a ripe scholar, with a considerable fund of shrewdness, of 
 mother wit, and ready repartee. His canny humor lights up the 
 political and theological controversies of the time with quaint inci- 
 sive phrases, with puns and epigrams and touches of irony which still 
 retain their savor. His reading, especially in theological matters, 
 was extensive ; and he was already a voluminous author on subjects 
 which ranged from predestination to tobacco. [Statement of the cen- 
 tral quality a confirmed pedantry] But his shrewdness and learn- 
 
TYPES OF PARAGRAPH STRUCTURE. 81 
 
 ing only left him, in the phrase of Henry the Fourth of France, " the 
 wisest fool in Christendom." He had, in fact, the temper of a pedant, 
 a pedant's conceit, a pedant's love of theories, and a pedant's inabil- 
 ity .to bring his theories into any relation with actual facts. It was 
 this fatal defect that marred his political abilities. As a statesman 
 he had shown no little capacity in his smaller realm ; his cool hu- 
 mor and good temper had held even Melville at bay ; he had known 
 how to wait and how to strike ; and his patience and boldness had 
 been rewarded with a fair success. He had studied foreign affairs 
 as busily as he had studied Scotch affairs; and of the temper and 
 plans of foreign courts he probably possessed a greater knowledge 
 than any Englishman save Robert Cecil. But what he never pos- 
 sessed, and what he never could gain, was any sort of knowledge of 
 England or Englishmen. Pie came to his new home a Scotchman, a 
 foreigner, strange to the life, the thoughts, the traditions of the Eng- 
 lish people. And he remained strange to them to the last. A 
 younger man might have insensibly imbibed the temper of the men 
 about him. A man of genius would have flung himself into the new 
 world of thought and feeling and made it his own. But James was 
 neither young nor a man of genius. He was already in middle age 
 when he crossed the Border; and his cleverness and his conceit 
 alike blinded him to the need of any adjustment of his conclusions 
 or his prejudices to the facts which fronted him. 
 
PART II. 
 
 WHOLE COMPOSITIONS. 
 
 48. Related Paragraphs. Each of the paragraphs ex- 
 amined thus far in our study has been treated as a complete 
 composition in itself ; we have considered its nature, laws, 
 means of development, and type of structure. Having thus 
 been led, through exercises in the writing of single paragraphs 
 and a study of paragraph structure, to a knowledge of 
 rhetorical forms and functions, we are now prepared to un- 
 dertake the composition of those groups or series of para- 
 graphs which are called essays, themes, or whole compositions. 
 
 To the paragraphs which, taken together, form a complete 
 essay, we may, for convenience, apply the term related 
 paragraphs. In most of them the structure is not materially 
 different from that which has been discovered in one or another 
 of the various forms of the isolated paragraph. Like the 
 isolated paragraph, most related paragraphs have distinct 
 topic-statements which are developed in one or more of the 
 ways already pointed out ; the topic-statements, in the case of 
 related paragraphs, introducing in turn the various headings 
 and subheadings of the essay-outline. There are a few 
 special kinds of related paragraphs, however, so different in 
 form and function from any of the isolated paragraphs 
 studied, that they require notice and illustration at the out- 
 set. What these forms are will appear from a comparison 
 of the functions of the various sentences in an isolated 
 paragraph with those of the various paragraphs in an essay. 
 
RELATED PARAGRAPHS. 83 
 
 A. SPECIAL FORMS OF RELATED PARAGRAPHS. 
 
 49. Regarded as sections of a whole composition, the va- 
 rious paragraphs have different functions to perform analo- 
 gous to those performed by the different sentences of the 
 paragraph. As the subject sentence of a paragraph states the 
 paragraph theme, so the introductory paragraph of an essay 
 presents, more or less distinctly, the theme of the essay. 
 As transition words and sentences may be necessary, some- 
 times, to connect the sentences of a paragraph, so transition 
 paragraphs may be needed at focal points in the essay to con- 
 nect the paragraphs of the essay. Some words like but, yet, 
 still, however, presenting a contrast, serve in a paragraph to 
 arrest the thought and direct it into a different channel. 
 There are paragraphs that serve the same purpose in the 
 essay. A sentence may be devoted wholly to restricting, 
 defining, repeating, amplifying, illustrating, or enforcing an 
 idea set forth in a previous sentence. So in an essay whole 
 paragraphs may be employed for restricting, defining, re- 
 peating, amplifying, illustrating, or enforcing the idea of a 
 preceding paragraph. As there are certain expressions at 
 important points in a paragraph to carry the thought back 
 to the subject sentence, so there may be paragraphs in an 
 essay that show the bearing of the thought of contiguous 
 paragraphs upon the main idea of the essay. Of course 
 these functions vary in different kinds of compositions, since 
 the paragraphs are colored by the nature of the piece as a 
 whole. In a given essay some may be absent entirely, not 
 being needed for the kind of production in hand, just as in 
 a given paragraph some of the means of development are 
 absent. A few of these functions will be indicated and 
 illustrated. 
 
 50. Introductory and Concluding Paragraphs. The ob- 
 ject of an introductory paragraph is to segregate the ideas 
 
84 WHOLE COMPOSITIONS. 
 
 of the composition in hand from all other ideas. As this is 
 nearly always apparent from a mere statement of the theme, 
 the introduction usually needs to do little more than state the 
 theme, and indicate briefly the line of development to be 
 followed. 
 
 The main purpose of this book is to examine the lines and pro- 
 ductions of such British poets as have gained reputation within 
 the last forty years. Incidentally, I hope to derive from the body 
 of their verse, so various in form and thought, and from the 
 record of their different experiences, correct ideas in respect to the 
 aim and province of the art of poetry, and not a few striking illus- 
 trations of the poetic life. E. C. Stedman : Victorian Poets. 
 
 In a longer introduction the writer may set forth broadly 
 the limits and purpose of the essay, chapter, or book: 
 
 Of those who in August, 1806, read in the English newspapers that 
 the Emperor Francis II had announced to the Diet his resignation 
 of the imperial crown, there were probably few who reflected that 
 the oldest political institution in the world had come to an end. 
 Yet it was so. The Empire which a note issued by a diplomat on 
 the banks of the Danube extinguished, was the same which tin- 
 crafty nephew of Julius had won for himself, against the powers of 
 the East, beneath the cliffs of Actium ; and which had preserved 
 almost unaltered, through eighteen centuries of time, and through 
 the greatest changes in extent, in power, in character, a title and 
 pretensions from which all meaning had long since departed. 
 Nothing else so directly linked the old world to the new nothing 
 else displayed so many strange contrasts of the present and the 
 past, and summed up in those contrasts so much of European 
 history. From the days of Constantino till far down into the 
 middle ages it was, conjointly with the Papacy, the recognized head 
 and centre of Christendom, exercising over the minds of men an 
 influence such as its material strength could never have commanded. 
 It is of this influence and of the causes that gave it power, rather 
 than the external history of the Empire, that the following pages 
 are designed to treat. Bryce : The Holy Roman Empire. 
 
 I purpose to write the history of England from the accession of 
 King James the Second down to a time which is within the memory 
 
RELATED PARAGRAPHS. 85 
 
 of men still living. I shall recount the errors which, in a few 
 months, alienated a loyal gentry and priesthood from the House 
 of Stuart. I shall trace the course of that revolution which termi- 
 nated the long struggle between our sovereigns and their parlia- 
 ments, and bound up together the rights of the people and the title 
 of the reigning dynasty. I shall relate how the new settlement was, 
 during many troubled years, successfully defended against foreign 
 and domestic enemies ; how, under that settlement, the authority 
 of law and the security of property were found to be compatible 
 with a liberty of discussion and of individual action never before 
 known; how, from the suspicious union of order and freedom, 
 sprang a prosperity of which the annals of human affairs had fur- 
 nished no example ; how our country, from a State of ignominious 
 vassalage, rapidly rose to the place of empire among European 
 powers ; how her opulence and her martial glory grew together ; 
 how, by wise and resolute good faith, was gradually established a 
 public credit fruitful of marvels which to the statesmen of any 
 former age would have seemed incredible; how a gigantic com- 
 merce gave birth to a maritime power, compared with which every 
 other maritime power, ancient or modern, sinks into insignificance ; 
 how Scotland, after ages of enmity, was at length united to Eng- 
 land, not merely by legal bonds, but by indissoluble ties of interest 
 and affection ; how, in America, the British colonies rapidly became 
 far mightier and wealthier than the realms which Cortez and Pizarro 
 had added to the dominions of Charles the Fifth ; how, in Asia, 
 British adventurers founded an empire not less splendid and more 
 durable than that of Alexander. Macaulay : History of England. 
 
 A methodical writer will indicate in the introduction the 
 order of the topics under which the subject is to be treated. 
 This may be done formally by enumerating the topics, as in 
 the following : 
 
 The National government touches the States as corporate com- 
 monwealths in three points. One is their function in helping to 
 form the National government, another is the control exercised 
 over them by the Federal Constitution through the Federal courts; 
 the third is the control exercised over them by the Federal Legis- 
 lature and Executive in the discharge of the governing functions 
 
86 WHOLE COMPOSITIONS. 
 
 which these latter authorities possess. Bryce : American Common- 
 wealth, Vol. I., chap, xxviii. 
 
 A more informal mode of indicating the order of topics is 
 seen in the following : 
 
 [The subject of the section from which the following paragraph 
 is taken is " Political Institutions of Germany." The marginal 
 note gives as the subject of this paragraph, " Want of National In- 
 stitutions in Germany."] 
 
 It was the misfortune of Germany in the sixteenth and seven- 
 teenth centuries that, [Subject of section] with most of the condi- 
 tions requisite for the formation of national unity, [Subject of 
 paragraph] she had no really national institutions. There was 
 [Subjects of sections and paragraphs to follow] an Emperor, who 
 looked something like an English King, and a Diet, or General 
 Assembly, which looked something like an English Parliament, 
 but [Subject of paragraph repeated] the resemblance was far 
 greater in appearance than in reality. Gardiner: Thirty Years' 
 War, p. 1. 
 
 In a description, the introduction frequently gives the 
 total impression produced by the object described. A 
 narrative introduction usually requires nothing more than 
 the place and time of the story. A newspaper article nar- 
 rating an important series of events usually employs the in- 
 troductory paragraph for the purpose of giving a summary 
 of the events detailed at length in the succeeding portions. 
 In such an article, the introduction tells the whole story in 
 brief, the remaining paragraphs being arranged in the order 
 of decreasing importance. The following is an illustration 
 of a news article introduced in this way : 
 
 Another attempt was made to-day to assassinate the Shah. While 
 he was driving in a narrow street a bomb was thrown from a house- 
 top, striking near a motor car preceding the Shah's carriage, 
 which was some distance behind. The Shah was uninjured. 
 
 The chauffeur of the motor car and about twenty others were 
 wounded. The Shah alighted from his carriage and entered the 
 nearest house, which was shortly afterward surrounded by guards. 
 
BELATED PARAGRAPHS. 87 
 
 His Majesty after a while left the house and proceeded to the 
 palace. 
 
 A search of the house from the roof of which the bomb was 
 thrown proved fruitless. No suspicious characters were found. 
 
 It is known that twelve persons were killed, besides some horses. 
 A number of windows were smashed by the force of the explosion. 
 Immediately after the bomb was thrown the tribal cavalry, who 
 were escorting the Shah, broke ranks and fired in all directions. 
 The Shah returned to the palace on foot. 
 
 The concluding paragraph except in the peculiar case 
 of the newspaper narrative should gather into itself the 
 force of all the preceding paragraphs. The effort should 
 be to leave a strong impression. It is no place for digres- 
 sions, but must be in line with what has been said before. 
 
 A great deal must be allowed to Pope for the age in which he 
 lived, and not a little, I think, for the influence of Swift. In his 
 own province he still stands unapproachably alone. [Enumeration 
 of points made in the essay] If to be the greatest satirist of individ- 
 ual men, rather than of human nature, if to be the highest expres- 
 sion which the life of the court and the ball-room has ever found 
 in verse, if to have added more phrases to our language than any 
 other but Shakespeare, if to have charmed four generations make 
 a man a great poet then he is one. He was the chief founder 
 of an artificial style of writing, which in his hands was living 
 and powerful, because he used it to express artificial modes of 
 thinking and an artificial state of society. Measured by any high 
 standard of imagination, he will be found wanting ; tried by any 
 test of wit he is unrivalled. Lowell : My Study Windows. 
 
 In the following partial conclusion from Matthew Arnold's 
 Preface to Wordsworth's Poems, the theme which was pro- 
 posed at the beginning of the essay is repeated and en- 
 forced : 
 
 On the whole, then, as I said at the beginning, not only is Words- 
 worth eminent by reason of the goodness of his best work, but he 
 is eminent also by reason of the great body of good work which 
 he has left to us. With the ancients I will not compare him. In 
 
88 WHOLE COMPOSITIONS. 
 
 many respects the ancients are far above us, and yet there is some- 
 thing that we demand which they can never give. Leaving the 
 ancients, let us come to the poets and the poetry of Christendom. 
 Dante, Shakespeare, Moliere, Milton, Goethe, are altogether larger 
 and more splendid luminaries in the poetical heaven than Words- 
 worth. But I know not where else, among the moderns, we are to 
 find his superiors. 
 
 51. Transitional and Directive Paragraphs. Transi- 
 tional and directive paragraphs serve to make plain the 
 logical connection between the main topics of the discourse 
 and to direct the thought both to the subject of the pre- 
 ceding paragraph and to that of the following paragraph. 
 Transitional paragraphs have, therefore, two offices to per- 
 form. There must be the " backward look " to the subject 
 that precedes, and the " forward look" to the subject that 
 follows. The following will serve to illustrate : 
 
 [In a preceding paragraph the author has called attention to 
 the fact that Confucius is worthy of high respect. This idea is re- 
 peated in the opening sentence.] Confucius belongs to that small 
 company of select ones whose lives have been devoted to the moral 
 elevation of their fellow-men. Among them he stands high. For 
 [Transition to new subject] he sought to implant the purest prin- 
 ciples of religion and morals in the character of the whole people, 
 and succeeded in doing it. To show that this was his purpose 
 [Subject of next paragraph definitely stated] it will be necessary 
 to give a brief sketch of his life. Clarke : Ten Great Religions. 
 
 [Shelley (Defence of Poetry) has just shown that the highest 
 pleasure is linked with pain.] 
 
 The production and assurance of pleasure in this highest sense 
 is true utility. Those who produce and preserve this pleasure are 
 poets or poetical philosophers. [In the next paragraph they are 
 named.] 
 
 A second reason which lends an emphasis of novelty and effec- 
 tive power to Shakespeare's female world is a peculiar fact of con- 
 trast which exists between that and his corresponding world of 
 
RELATED PARAGRAPHS. 89 
 
 men. Let us explain. De Quincey : Biographies. [The remain- 
 der of the paragraph is occupied with the explanation.] 
 
 We have hitherto been examining cases proposed by our oppo- 
 nent. It is now our turn to propose one, and we beg he will spare 
 no wisdom in solving it. Macaulay : Utilitarian Theory of Gov- 
 ernment. [In the next paragraph the case is stated.] 
 
 A sudden change of subject, or a turn in the argument 
 which the reader could not be expected to anticipate, re- 
 quires a carefully worded directive paragraph. 
 
 The very great length to which this article has already been 
 extended makes it impossible for us to discuss, as we had meant to 
 do, the characters and conduct of the leading English statesmen 
 at this crisis. But we must offer a few remarks on the spirit and 
 tendency of the Revolution of 1688. Macaulay : Sir James Mack- 
 intosh's History of the Revolution. 
 
 52. Amplifying Paragraphs. It is often the case that a 
 thought which bears directly on the subject, but which can 
 be mentioned only briefly in one paragraph, is of sufficient 
 importance to deserve a more extended treatment. To give 
 it such treatment in the paragraph in which it is first 
 mentioned might destroy the unity and due proportion of 
 that paragraph. In such a case it is better to develop the 
 thought, in detail, in the paragraph immediately following. 
 Separate treatment of this kind will permit the reader to 
 dwell upon the thought thus amplified, long enough for him 
 to appreciate its bearing and importance. The amplifying 
 paragraph is of especial value in enforcing an idea in a par- 
 ticular way and in making it contribute to the main purpose 
 of the composition. Often an amplifying paragraph con- 
 sists of details which enforce or illustrate the idea of the 
 preceding paragraph as a whole. The following are in 
 point : 
 
 Lord Bolingbroke, in his Study of History, announces, in 
 one paragraph, the fact that history widens our experience 
 
90 WHOLE COMPOSITIONS. 
 
 and corrects our narrowness. In the next paragraph he 
 amplifies this idea by means of examples, as follows : 
 
 Let me explain what I mean by an example. There is scarce 
 any folly or vice more epidemical among the sons of men than that 
 ridiculous and hurtful vanity by which the people of each country 
 are apt to prefer themselves to those of every other; and to make 
 their own customs, and manners, and opinions, the standards of 
 right and wrong, of true and false. The Chinese mandarins were 
 strangely surprised, and almost incredulous, when the Jesuits 
 showed them how small a figure their empire made in the general 
 map of the world. The Samojedes wondered much at the Czar of 
 Muscovy for not living among them ; . . . now nothing can con- 
 tribute more to prevent us from being tainted with this vanity 
 than to accustom ourselves early to contemplate the different na- 
 tions of the earth in that vast map which history spreads before 
 us ... I might show by a multitude of other examples how 
 history prepares us for experience and guides us in it ... I 
 might likewise bring several other instances wherein history serves 
 to purge the mind of those national partialities and prejudices 
 that we are apt to contract in our education. Bolingbroke : 
 Of the Study of History, Letter ii. 
 
 The following amplifies a thought suggested, though not 
 explicitly stated, in preceding paragraphs of the book : 
 
 What may we imagine his own feeling to have been in this 
 crisis of his fate? The thought of Edinburgh society would natu- 
 rally stir that ambition which was strong within him, and awaken 
 a desire to meet the men who were praising him in the capital, and 
 to try his powers in that wide arena. It might be that in that new 
 scene something might occur which would reverse the current of his 
 fortunes, and set him free from the crushing poverty that had hith- 
 erto kept him down. Anyhow, he was conscious of strong powers 
 which fitted him to shine, not in poetry only, but in conversation 
 and discussion ; and, ploughman though he was, he did not shrink 
 from encountering any man or any set of men. Proud, too, we know 
 he was, and his pride showed itself in jealousy and suspicion of 
 the classes who were socially above him, until such feelings were 
 melted by kindly intercourse with some individual man belonging 
 
TYPES OF COMPOSITION. 91 
 
 to the suspected orders. He felt himself to surpass in natural 
 powers those who were his superiors in rank and fortune, and he 
 could not, for the life of him, see why they should be full of this 
 world's goods, while he had none of them. He had not yet learned 
 he never did learn that lesson, that the genius he had received 
 was his allotted portion, and that his wisdom lay in making the 
 most of this rare inward gift, even on a meagre allowance of the 
 world's external goods. But perhaps, whether he knew it or not, 
 the greatest attraction of the capital was that in that new excite- 
 ment he might escape from the demons of remorse and despair 
 which had for many months been dogging him. He may have 
 fancied this, but the pangs which Burns had created for himself 
 were too deep to be in this way permanently put by. Shairp : 
 Robert Burns. 
 
 B. TYPES OF WHOLE COMPOSITION. 
 
 53. In our further study attention will be concentrated 
 not upon the individual paragraph but upon the whole essay. 
 This change in the object of attention necessitates a corre- 
 sponding change in our method of presenting the subject. 
 Beginning with the usual division of discourse, we shall take 
 up in turn the various types of whole composition, pointing 
 out, in the case of each, those principles and cautions which 
 have been found most useful in actual writing. 
 
 Four principal types of whole composition may be dis- 
 tinguished, the characteristic differences of each arising from 
 differences in the aim of the writer and his resulting method 
 of treating the subject. If his aim is to present a picture 
 or a succession of pictures or impressions made on the senses, 
 the resulting type of composition is called description. If 
 his aim is to present action in a series of incidents, the re- 
 sulting type is narrative. If his aim is to explain, or to set 
 forth the meaning of things as distinguished from their out- 
 ward appearance, the resulting type is exposition. Finally, 
 if his aim is to convince, that is, to establish in the mind of 
 
'.i-' DESCRIPTION. 
 
 another a belief which exists in his own mind, the resulting 
 type is argument. A fifth type, persuasion, is sometimes dis- 
 tinguished. It is to be regarded as arising from the writer's 
 attempt to make others act in the way he wishes them to act. 
 In this book persuasion is treated in connection with argu- 
 mentation. 
 
 The four main types occur sometimes in the pure form, 
 sometimes commingled. A composition which as a whole 
 is narrative, may contain, and generally does contain, es- 
 pecially if it is long, a great deal of description, more or less 
 exposition, and not infrequently passages of argument. Both 
 description and narrative may be used for expository pur- 
 poses, and argument, as in a lawyer's plea for the conviction 
 of a criminal, may be thrown into the form of a story. Be- 
 tween exposition and argument it is often hard to distinguish, 
 for we may not be able to determine until the end of the 
 composition is reached, whether the writer's purpose was 
 to bring about a change of opinion or merely to expound a 
 principle, or set of facts, the truth of which is taken for 
 granted. It may even happen that what is exposition for 
 one reader is argument for another ; Bryce's American Com- 
 monwealth, for example, is for Americans an exposition of 
 self-evident truths, but for many Englishmen it is a more or 
 less convincing argument. 
 
 Description. 
 
 54. The purpose of descriptive writing is by means of 
 language to arouse in the mind of the reader an image or a 
 series of images corresponding as nearly as possible to an image 
 or a series of images in the mind of the writer. 
 
 \\ commonly speak of these mental images as pictures, 
 because they usually take that form ; but there are images 
 of sounds, smells, tastes, touches, and muscular strains, as 
 well as of things seen. Thus in the following passage, 
 
DESCEIPTION. 93 
 
 although the images are mainly those which are derived 
 from the sense of sight, there are also ' pictures ' of sounds, 
 smells, and sensations of shock : 
 
 His voice rang out like the blast of a warning trumpet between 
 the iron walls of the engine-room. Painted white, they rose high 
 into the dusk of the skylight, sloping like a roof ; and the whole 
 lofty space resembled a chamber in a monument, divided by floors 
 of iron grating, with lights flickering at different levels, and the 
 still gloom within the columnar stir of machinery under the motion- 
 less swelling of the cylinders. A loud and wild resonance, made 
 up of all the noises of the hurricane, dwelt in the still warmth of 
 the air. There was in it the smell of hot metal, of oil, and a slight 
 mist of steam. The blows of the sea seemed to traverse it, in an 
 unringing, stunning shock, from side to side. 
 
 Gleams, like pale, long flames, trembled upon the polish of 
 metal, from the flooring below the enormous crank-heads emerged 
 in their turns with a flash of brass and steel going over; while 
 the connecting rods, big-jointed, like skeleton limbs, seemed to 
 thrust them down and pull them up again with an irresistible 
 precision. And deep in the half-light other rods dodged to and 
 fro, crossheads nodded quickly, disks of metal rubbed against each 
 other, swift and gentle in a commingling of shadows and gleams. 
 Joseph Conrad : Typhoon, pp. 135-136. 
 
 The mind of the reader is full of images drawn from his 
 own experience, which are quick to arise whenever his 
 memory or his imagination is set going. If the writer can 
 touch the right springs, can use, that is, the words which 
 will call up the right images in the right order, his descrip- 
 tion will be successful. If, on the other hand, through 
 carelessness or inexpertness, he uses the wrong words, or 
 uses them in the wrong order, images which are unlike his 
 own will arise in the reader's mind and the result will be 
 confusion, or a picture which, as a whole, is different from 
 that in his own mind. To arouse the right images, to keep 
 back the wrong images is, then, the twofold task of the 
 writer of description. 
 
94 DESCRIPTION. 
 
 The main requisite to good description is that the writer 
 should see in his mind's eye with the utmost clearness the 
 thing he is to describe, for it needs no demonstration that 
 what he sees only vaguely himself he cannot by his words 
 make others see clearly. Sharp, inquiring observation, 
 careful noting of details, verification of matters about which 
 there is question these are the essential preliminaries to all 
 good description. The advantage is evident, therefore, of 
 selecting objects for description which the writer has him- 
 self seen, mental states which he has himself experienced, 
 characters with which he has himself been brought in 
 contact. Objects and characters close at hand afford the 
 best material for description. A room, a scene, a face, a pic- 
 ture, a building, well known to the describer, furnish better 
 subjects than similar themes taken from history or reported 
 at second hand. The notable descriptive passages in the 
 works of famous writers are, as a rule, based upon notes 
 taken while the observer was face to face with the object 
 to be described. " Willows don't hang so low as you seem 
 to think," said the Dominie in Sentimental Tommy to his 
 pupil. " Yes, they do," replied Tommy. " I walked three 
 miles to see one to make sure." 
 
 55. Method in Description. To arouse in the mind of 
 the reader the images which are in the writer's mind and 
 to keep out intruding images which would distort and con- 
 fuse the picture, certain methods of procedure have been 
 found useful. These may be grouped under the following 
 heads : (1) having a single purpose, (2) maintaining a point 
 of view, (3) following a definite and natural outline, (4) select- 
 ing details in accordance with the purpose of the description, 
 (5) arranging and subordinating the details, (6) choosing 
 appropriate terms, phrases, and other helps to vivid pres- 
 entation. 
 
PURPOSE IN DESCRIPTION. 95 
 
 56. Purpose. By giving to the description a definite 
 purpose, the describer keeps the reader's attention within a 
 well-marked channel. The description moves, as it were, 
 along a straight path to a predetermined goal, and images 
 which might otherwise obtrude themselves and spoil the 
 picture are by this means held back, while the appropriate 
 images which assist in carrying out the purpose come for- 
 ward of themselves. 
 
 But although every descriptive essay should have a pur- 
 pose, this purpose need not be directly expressed. If ex- 
 pressed at all, it will usually be in the conclusion of the 
 essay. The purpose may be merely to convey information ; 
 yet even here it will be information to a certain end } and the 
 whole description will show what the end is. A poet and a 
 naturalist will describe a scene in different ways. Compare 
 the following passages : 
 
 To the northwest, Dorth and east of the village, is a range of 
 fair enclosures, consisting of what is called a white malm, a sort 
 of rotten or rubble stone, which, when turned up to the frost and 
 rain, moulders to pieces, and becomes manure to itself. 
 
 Still on to the northeast, and a step lower, is a kind of white 
 land, neither chalk nor clay, neither fit for pasture nor for the 
 plough, yet kindly for hops, which root deep into the freestone, and 
 have their poles and wood for charcoal growing just at hand. The 
 white soil produces the brightest hops. 
 
 As the parish still inclines down towards Wolmer Forest, at the 
 juncture of the clays and sand the soil becomes a wet, sandy loam, 
 remarkable for timber, and infamous for roads. The oaks of 
 Temple and Blackmoor stand high in the estimation o purveyors, 
 and have furnished much naval timber; while the trees on the 
 freestone grow large, but are what workmen call shaky, and so 
 brittle as often to fall to pieces in sawing. Beyond the sandy 
 loam the soil becomes a hungry, lean sand, till it mingles with the 
 forest; and will produce little without the assistance of lime and 
 turnips. Gilbert White : The Parish of Selborne. 
 
 What is it I see from my low hills ? It is an enchanted land 
 for me, and I lose myself in wondering how it is that no one, poet 
 
96 DESCRIPTION. 
 
 or artist, has ever wholly found out the charm of these level 
 plains, with their rich black soil, their straight dikes, their great 
 drift-roads, that run as far as the eye can reach into the unvisited 
 fen. In summer it is a feast of the richest green from verge to 
 verge ; here a clump of trees stands up, almost of the hue of indigo, 
 surrounding a lonely shepherd's cote ; a distant church rises, a dark 
 tower over the hamlet elms; far beyond, I see low wolds, streaked and 
 dappled by copse and wood ; far to the south, I see the towers and 
 spires of Cambridge, as of some spiritual city the smoke rises 
 over it on still days, hanging like a cloud ; to the east lie the dark 
 piuewoods of Suffolk, to the north an interminable fen ; but not 
 only is it that one sees a vast extent of sky, with great cloud-bat- 
 talions crowding up from the south, but all the color of the land- 
 scape is crowded into a narrow belt to the eye, which gives it an 
 intensity of emerald hue that I have seen nowhere else in the 
 world. There is a sense of deep peace about it all, the herb of the 
 field just rising in its place over the wide acres ; the air is touched 
 with a lazy fragrance, as of hidden flowers ; and there is a sense, 
 too, of silent and remote lives, of men that glide quietly to and fro 
 in the great pastures, going quietly about their work in a leisurely 
 calm. A. C. Benson : At Large. 
 
 The purpose may be no more definite than to produce a 
 favorable or an unfavorable impression of the object de- 
 scribed, and yet, though nowhere avowed in the essay, it will 
 color the whole description. For example, the description 
 of a schoolroom may all tend to show the need of improve- 
 ment in lighting, care, or ventilation. A scene may be de- 
 scribed so as to produce the same feeling of sympathy or 
 abhorrence that was produced in the observer. A character 
 description may excite admiration, or reverence, or awe, or 
 detestation. It is the hidden purpose which gives cohesion, 
 unity, effectiveness, and individuality to a descriptive essay. 
 
 57. Point of View. The purpose determines the point 
 of view and gives the character and coloring to the whole 
 essay. The expression, " point of view," is used in two 
 senses. In one sense it is to be understood literally. In 
 
POINT OF VIEW. 97 
 
 describing a scene, for instance, the observer takes his 
 stand (in thought) at some point, and describes the elements 
 that make up the scene as they appear to him from that 
 point. It may be necessary, in describing extensive objects 
 (as a large building or an art gallery), for the describer to 
 change his point of view, but the imaginary path which he 
 follows should be clearly marked and due notice of each 
 change should be given to the reader by some such expres- 
 sion as, "Passing now to the interior of the building, etc." 
 
 Of the two following passages the first illustrates a fixed 
 point of view the "open plat of turf" the second a 
 changing point of view following the path indicated by the 
 words "Upon reaching the deck," "In a couple of hours," 
 " We steamed slowly in," " Upon landing " : 
 
 He soon reached an open plat of turf, on the opposite side of which, 
 a rock, rising abruptly from a gently sloping plain, offered its gray 
 and weather-beaten front to the traveller. Ivy mantled its sides in 
 some places, and in others oaks and holly bushes, whose roots 
 found nourishment in the cliffs of the crag, waved over the preci- 
 pices below, like the plumage of the warrior over his steel helmet, 
 giving grace to that whose chief expression was terror. At the 
 bottom of the rock, and leaning, as it were, against it, was con- 
 structed a rude hut, built chiefly of the trunks of trees felled in the 
 neighboring forest, and secured against the weather by having its 
 crevices stuffed with moss mingled with clay. The stem of a young 
 fir tree lopped of its branches, with a piece of wood tied across near 
 the top, was planted upright by the door, as a rude emblem of the 
 holy cross. At a little distance on the right hand, a fountain of 
 the purest water trickled out of the rock, and was received in a 
 hollow stone, which labor had formed into a rustic basin. Escap- 
 ing from thence, the stream murmured down the descent by a 
 channel which its course had long worn, and so wandered through 
 the little plain to lose itself in the neighboring wood. 
 
 Beside this fountain were the ruins of a very small chapel, of 
 which the roof had partly fallen in. The building, when entire, 
 had never been above sixteen feet long by twelve feet in breadth, 
 and the roof, low in proportion, rested on four concentric arches, 
 
98 DESCRIPTION. 
 
 which sprung from the four corners of the building, each supported 
 upon a short and heavy pillar. The ribs of two of these arches 
 remained, though the roof had fallen down betwixt them ; over the 
 others it remained entire. The entrance to this ancient place of 
 devotion was under a very low round arch, ornamented by several 
 courses of that zigzag moulding, resembling shark's teeth, which 
 appears so often in the more ancient Saxon architecture. A belfry 
 rose above the porch on four small pillars, within which hung the 
 green and weather-beaten bell, the feeble sounds of which had been 
 some time before heard by the Black Knight. Scott : Ivanhoe. 
 
 Upon reaching the deck the following morning, I saw that we 
 were threading an archipelago of little, bare, sandy islands, our 
 course between them being carefully marked with spars, which at 
 night bear kerosene lamps. * Other steamers and a few sailing 
 vessels appeared in several directions. The distant coast was low 
 and yellow. In a couple of hours Asunada came into view, a 
 level of one-story houses and huts, with a huge tower for pump- 
 ing oil, the steeple of a church, and a few steamers and schooners 
 at the long, wooden wharves, alone breaking the dull uniformity. 
 The background was of sand-hills, and there was not a single 
 blade of vegetation anywhere in sight. In the centre of the 
 town were several long lines of railway cars, and the telegraph- 
 posts extending down the coast told the direction the road takes 
 toward the interior. We steamed slowly in, and were made 
 fast to a large hulk lying at one of the wharves. Upon landing, I 
 noticed that most of the houses were built of rough logs, though 
 many mud huts also appeared. There were no streets or sidewalks, 
 only crooked lanes of deep sand, if I except the asphalt pavement 
 which led to the railway station. The place had the appearance of 
 one of our Western towns of a few months' growth ; everything 
 seemed new, incomplete, temporary. Frank Vincent : Samarkand 
 and Bokhara. 
 
 But a wider meaning is evident in the expression, point 
 of view, when we say that a description is written from the 
 point of view of a careless, or interested, or sympathetic 
 observer ; or from the point of view of the scientist, or the 
 reformer, or the teacher ; the expression here referring to 
 
DEFINITE OUTLINE. 99 
 
 the spirit or bias of the observer. Used in this sense the 
 term is equivalent to purpose. 
 
 58. Outline. Since the framework of the description is 
 usually concealed, young writers are apt to assume that in 
 writing description a definite outline may be dispensed with. 
 Nothing, however, could be farther from the truth. A 
 good description, if carefully analyzed, will be found to be 
 as firmly articulated as an argument. It is well, therefore, 
 for the student to form the habit of noting, either on paper 
 or in his mind, the order in which he will arrange the 
 details of his description. 
 
 Material objects carry their own outlines with them. 
 The observer discovers the main outlines of the object he 
 wishes to describe and arranges them in the order in which 
 they appear to him. As the main features of any material 
 object are few in number, the corresponding headings in 
 the outline will be few, and distinctly stated. The lesser 
 details, so far as these require mention, will be arranged as 
 subdivisions of the main headings to which they respec- 
 tively belong. In selecting features for the main headings, 
 prominence is the rule that governs; in selecting and 
 arranging the details for the subheadings, the order of 
 proximity is to be followed. Descriptions of character fur- 
 nish a less obvious outline. Here the two or three chief 
 characteristics, carefully distinguished, give the main head- 
 ings. These larger headings are presented usually in the 
 order of their prominence, the most prominent coming last ; 
 lesser traits are arranged as subdivisions under these in the 
 order of similarity or of contrast. 
 
 The following piece of description by Euskin is arranged 
 on this simple and obvious plan: 
 
 I. Vegetable life. 
 
 1. The Mediterranean region. 
 
 2. Switzerland and Prance. 
 
100 DESCRIPTION. 
 
 3. Northern Europe. 
 
 4. The Polar region. 
 II. Animal life. 
 
 1. The southern zone. 
 
 2. The northern zone. 
 
 The charts of the world which have been drawn up by modern 
 science have thrown into a narrow space the expression of a vast 
 amount of knowledge, but I have never yet seen any one pictorial 
 enough to enable the spectator to imagine the kind of contrast in 
 physical character which exists between Northern and Southern 
 countries. We know the differences in detail, but we have not 
 that broad glance and grasp which would enable us to feel them 
 in their fulness. We know that gentians grow on the Alps, and 
 olives on the Apennines; but we do not enough conceive for our- 
 selves that variegated mosaic of the world's surface which a bird 
 sees in its migration, that difference between the district of the 
 gentian and of the olive which the stork and the swallow see far 
 off as they lean upon the sirocco wind. Let us, for a moment, try 
 to raise ourselves even above the level of their flight, and imagine 
 tin Mediterranean lying beneath us like an irregular lake, and all 
 its ancient promontories sleeping in the sun : here and there an 
 angry spot of thunder, a gray stain of storm, moving upon the 
 burning field; and here and there a fixed wreath of white volcano 
 smoke, surrounded by its circle of ashes ; but for the most part a 
 great peacefulness of light, Syria and Greece, Italy and Spain, 
 laid like pieces of a golden pavement into the sea-blue, chased, as 
 we stoop nearer to them, with bossy beaten work of mountain 
 chains, and glowing softly with terraced gardens and flowers heavy 
 with frankincense, mixed among masses of laurel, and orange and 
 plumy palm that abate with their gray-green shadows the burning 
 of the marble rocks, and of the ledges of porphyry sloping under 
 lucent sand. Then let us pase farther towards the north until we 
 see the orient colors change gradually into a vast belt of rainy 
 green, where the pastures of Switzerland, and the poplar valleys of 
 France, and the dark forests of the Danube and Carpathian stretch 
 from the mouths of the Loire to those of the Volga, seen through 
 clefts in gray swirls of rain-cloud and flaky veils of the mist 
 
SELECTION OF SET-AILS. 101 
 
 of the brooks, spreading low along the pasture lands : and then, 
 farther north still, to see the earth heave into mighty masses of 
 leaden rock and heathy moor, bordering with a broad waste of 
 gloomy purple that belt of field and wood, and splintering into 
 irregular and grisly islands amidst the northern seas, beaten by 
 storm and chilled by icedrift, and tormented by furious pulses of 
 contending tides, until the roots of the last forest fail from among 
 the hill ravines, and the hunger of the north winds bites their 
 peaks into barrenness ; and, at last, the wall of ice, durable like 
 iron, sets, deathlike, its white teeth against us out of the polar 
 twilight. And, having once traversed in thought its gradation of 
 the zoned iris of the earth in all its material vastness, let us go 
 down nearer to it, and watch the parallel change in the belt of 
 animal life : the multitudes of swift and brilliant creatures that 
 glance in the air and sea, or tread the sands of the southern zone ; 
 striped zebras and spotted leopards, glistening serpents, and birds 
 arrayed in purple and scarlet. Let us contrast their delicacy and 
 brilliancy of color, and swiftness of motion, with the frost-cramped 
 strength, and shaggy covering, and dusky plumage of the northern 
 tribes; contrast the Arabian horse with the Shetland, the tiger 
 and leopard with the wolf and bear, the antelope with the elk, the 
 bird of paradise with the osprey : and then, submissively acknowl- 
 edging the great laws by which the earth and all that it bears are 
 ruled throughout their being, let us not condemn, but rejoice at 
 the expression by man of his own rest in the statutes of the lands 
 that gave him birth. Ruskin: The Stones of Venice, Vol. II. 
 
 59. Selection of Details. The purpose also influences 
 the selection of details. The few details will be chosen 
 which are most suggestive and characteristic of the thing 
 described, and while enough will be said to give a unified 
 picture, those details will be especially emphasized which 
 tend to bring out the writer's purpose and to make the 
 reader see as the writer saw. 
 
 Examining skilful bits of description like the following, 
 we are surprised to see how few details are needed, if they are 
 rightly chosen, to give a complete and satisfying picture. 
 
102 DESCRIPTION. 
 
 By all odds the most interesting figure there was that of a stout 
 peasant serving-girl, dressed in a white knitted jacket, a crimson 
 neckerchief, and a bright-colored gown, and wearing long dangling 
 earrings of yellowest gold. Howells : Venetian Life. 
 
 A brisk little old woman passed us by. She was seated across 
 a donkey between a pair of glittering milk-cans, and, as she went, 
 she kicked jauntily with her heels upon the donkey's side, and 
 scattered shrill remarks among the wayfarers. Stevenson: An 
 Inland Voyage. 
 
 By this time we were clear of the English channel, and I looked 
 around me at the great ocean, swelling in long lines of rich, spar- 
 kling blue under the high morning sun. Far away, blue in the air, 
 were some leaning shafts of ships, and at the distance of a quarter 
 of a mile a large steamer was passing, steering the same road as 
 ourselves. W. C. Russell : A Three-stranded Yarn. 
 
 It will be noticed that in all of these examples the points 
 selected for special mention are not those which the object 
 or scene to be described has in common with other objects 
 of the same class, but those in which it differs and is 
 peculiar. 
 
 60. Sequence and Grouping. The order in which the de- 
 tails are presented is determined largely by the character of 
 the thing described ; but this order may be modified by the 
 purpose of the writer. In describing a material object the 
 general impression or effect produced upon the observer at 
 the first view naturally comes first : the impression of great- 
 ness, massiveness, beauty, gloom, or brightness, as the case 
 may be ; then often the color, as this is one of the first 
 things noticed ; next the general plan, shape, and size, as 
 these give the reader a comprehensive outline into which he 
 may fit the details as they are mentioned ; finally, the ma- 
 terial, style, arrangement, furnishings, and use. Lesser de- 
 tails will be mentioned only so far as they are peculiar or 
 are necessary to a unified picture, and they will be pre- 
 sented in small groups in connection with some of the main 
 
SEQUENCE AND GROUPING. . 103 
 
 headings, or, if mentioned by themselves, will be used 
 to illustrate some characteristic of the object described, 
 such as convenience, adaptedness to use, ornamentation, or 
 plainness. 
 
 The opening words of the following description " It is 
 a ghastly ruin " give us the general impression which the 
 details are intended to make more vivid and complete. 
 
 It is a ghastly ruin ; whatever is venerable or sad in its wreck 
 being disguised by attempts to put it to present uses of the 
 basest kind. It has been composed of arcades borne by marble 
 shafts, and walls of brick faced with marble ; but the covering 
 stones have been torn away from it like the shroud from a corpse ; 
 and its walls, rent into a thousand chasms, are filled and refilled 
 with fresh brickwork, and the seams and hollows are choked 
 with clay and whitewash, oozing and trickling over the marble, 
 itself blanched into dusty decay by the frost of centuries. Soft 
 grass and wandering leafage have rooted themselves in the rents, 
 but they are not suffered to grow in their own wild and gentle way, 
 for the place is in a sort inhabited; rotten partitions are nailed 
 across its corridors, and miserable rooms contrived in its western 
 wing ; and here and there the weeds are indolently torn down, 
 leaving their haggard fibres to struggle again into unwholesome 
 growth when the spring next stirs them : and thus, in contest 
 between death and life, the unsightly heap is festering to its fall. 
 Ruskin : The Stones of Venice, Vol. II., chap. v. 
 
 The following description opens with an indication of 
 the size of the room : 
 
 In a hall, the height of which was greatly disproportioned to its 
 extreme length and width, a long oaken table formed of planks 
 rough-hewn from the forest, which had scarcely received any 
 polish, stood ready prepared for the evening meal of Cedric the 
 Saxon. The roof, composed of beams and rafters, had nothing to 
 divide the apartment from the sky excepting the planking and 
 thatch ; there was a huge fireplace at either end of the hall, but as 
 the chimneys were constructed in a very clumsy manner, at least as 
 much of the smoke found its way into the apartment as escaped 
 
104 DESCRIPTION. 
 
 by the proper vent The constant vapor which this occasioned 
 had polished the rafters and beams of the low-browed hall, by en- 
 crusting them with a black varnish of soot. On the sides of the 
 apartment hung implements of war and of the chase, and there 
 were at each corner folding doors, which gave access to other parts 
 of the extensive building. Scott : Ivanhoe. 
 
 In this picture of the cabin of a fishing-schooner, as seen 
 by a landsman, Kipling first gives us an impression of its 
 size and shape, then of the lighting of it. The details 
 which first attract the eye of the observer follow ; and last 
 come the impressions on the sense of smell. 
 
 Whn he waked he listened for the first breakfast-bell on the 
 steamer, wondering why his stateroom had grown so small. Turn- 
 ing, he looked into a narrow, triangular cave, lit by a lamp hung 
 against a huge square beam. A three-cornered table within arm's 
 reach ran from the angle of the bows to the foremast. At the 
 after end behind a well-used Plymouth stove, sat a boy about his 
 own age, with a flat, red face and a pair of twinkling gray eyes. 
 He was dressed in a blue jersey and high rubber boots. Several 
 pairs of the same sort of foot-wear, an old cap, and some worn-out 
 woollen socks lay on the floor, and black and yellow oilskins swayed 
 to and fro beside the bunks. The place was packed as full of 
 smells as a bale is of cotton. The oilskins had a peculiarly thick 
 flavor of their own which made a sort of background to the 
 smells of fried fish, burnt grease, paint, pepper, and stale tobacco ; 
 these again were all hooped together by one encircling smell of 
 ship and salt water. Kipling: Captains Courageous. 
 
 A comparison to some well-known object or outline is 
 often useful in giving the first general impression which 
 the object to be described makes upon the observer. Thus, 
 in the following, the reader is greatly helped in imaging 
 the native house by learning that it resembles a boat, keel 
 upward, on the stocks. 
 
 The native houses are usually built on poles from two to twenty 
 feet high, and those upon the sea-shore on slender piles driven into 
 the sand, so that they are surrounded by water at high tide. In 
 
HELPS TO DESCEIPTION. 105 
 
 general appearance, they resemble nothing so much as a boat, keel 
 upward, on the stocks. They are very simple in construction, and 
 consist, for the most part, of a light framework of wood, thatched 
 with the leaves of the pandanus, nipa, or sago, and floored with 
 the sides of old canoes, or split bamboo, secured by rattan cane to 
 the framework. You enter by means of a rudely constructed 
 ladder, reaching from the ground to a platform which frequently 
 answers the double purpose of a veranda and a passageway be- 
 tween the different houses of the village. There is a door at either 
 end, but no windows, and the interior is dark and gloomy. Where 
 there is a fireplace, it is constructed upon the floor, either at one 
 side, or in the centre of the room, protection against fire being 
 provided for by the accumulation of ashes. In some of the villages, 
 the houses of the chiefs are distinguished by a spire, or cupola, 
 rising thirty feet, or more, above the top of the roof. 
 
 A comparison or outline of this sort at the beginning of 
 the description is termed the fundamental image. 
 
 61. Helps to Description. The object of description being 
 to make the reader see mentally what the writer saw actu- 
 ally, description becomes to a large degree a matter of 
 conveying impressions. Comparisons, similes, contrasts, epi- 
 thet, and figurative language are the natural means resorted 
 to for conveying personal impressions from one to another 
 and have a prominent part in effective description. Feel- 
 ings and circumstances naturally associated with objects of 
 the class described give clearness and vividness to a de- 
 scription, and a final and unified impression is given by 
 stating in conclusion the effect produced upon the mind of 
 the observer when in the presence of the object, as in the 
 description by Kuskin, quoted in the preceding section. 
 
 In the following the sense of oppressive sultriness which 
 the writer wishes to convey, is greatly heightened by the ref- 
 erence at the close to the refreshing waters of the lake : 
 
 The fifes and drums have ceased to sound. The parade is formed 
 after a fashion. Two straggling, uncertain lines of unarmed, 
 
106 DESCRIPTION. 
 
 blue-clad men stretch across the uneven field. A group of musi- 
 cians, with a few fifes and drums, are in their places on the right. 
 The men stand at parade rest, with hands clasped loosely before 
 them. The sun beats hot on the glowing napes, which the military 
 caps, now donned for the first time, leave unprotected. The sweat- 
 drops creep down the flushed faces. Many an eye wanders long- 
 ingly to the blue, sparkling waves of Lake Eric, of which one 
 might catch a distant glimpse. A. W. Tourgee : The Story of a 
 Thousand. 
 
 Notice in the following passage, how the difficult task of 
 conveying an impression of the odors of a forest is helped 
 by the use of such carefully chosen epithets as fortifying, 
 pistolling, tonic, coquetttm^ffoery, by the comparison to 
 snuff in the nostrils, and by the suggestion of " open water 
 and tall ships" : 
 
 And, surely, of all smells in the world the smell of many trees 
 is the sweetest and most fortifying. The sea has a rude pistolling 
 sort of odor, that takes you In the nostrils like snuff, and carries 
 with it a fine sentiment of open water and tall ships ; but the 
 smell of a forest, which comes nearest to this in tonic quality, 
 surpasses it by many degrees in the quality of softness. Again, 
 the smell of the sea has little variety, but the smell of a forest is 
 infinitely changeful ; it varies with the hour of the day, not in 
 strength merely, but in character; and the different sorts of trees, 
 as you go from one zone of the wood to another, seem to live 
 among different kinds of atmosphere. Usually the rosin of the 
 fir predominates. But some woods are more coquettish in their 
 habits ; and the breath of the forest J/ormo/, as it came aboard upon 
 us that showery afternoon, was perfumed with nothing less delicate 
 than sweetbrier. Stevenson : A n Inland Voyage. 
 
 62. Kinds of Description. Descriptions may be graded 
 ling to the degree in which the imagination and 
 emotions of the writer fuse the various images into a com- 
 plete, well-rounded picture. At one extremity of the scale 
 are descriptions which are little more than the enumeration 
 of details. Such are descriptions of buildings and ma- 
 
HINDS OF DESCRIPTION. 107 
 
 chinery for business purposes, the descriptions of persons 
 for purposes of identification, the descriptions of plants, 
 animals, and objects of nature for scientific purposes. 
 Even in these instances, however, there is an opportunity 
 for the exercise of skill. It is possible to enumerate 
 details either in a way that will confuse the reader and 
 mislead him, or in a way that will convey an exact and 
 satisfying idea of the object described. In even the barest 
 enumeration the purpose of the description should be kept 
 in view. The details should be carefully selected, and 
 arranged in a definite order, and the less important items 
 should in some way be made subordinate to the more im- 
 portant. 
 
 In the following description of a kind of wood found in 
 the Philippine Islands the purpose is less to present a pic- 
 ture than to give such an enumeration of the details as will 
 enable any one to identify the species : 
 
 Camagon (Diospyrus pilosanthera var.). Tree of moderate 
 size, wood black, with narrow brown or yellowish red streaks, and 
 sometimes with black spots. It is of very solid texture, with 
 straight longitudinally compressed fibre and broad short pores, 
 slightly marked. It takes a good polish, and breaks almost square. 
 Its shaving is somewhat rough, is compact, and does not curl at 
 all. The wood is highly valued for cabinetwork on account of its 
 color and polish. It is often confounded with ebony. It ordinarily 
 comes into the market in logs 9 feet or more in length up to 12 
 feet in diameter. Report of the Philippine Commission, 1900, Vol. 
 III., p. 293. 
 
 Compare with the foregoing this description of the 
 Blake transmitter, noting how the details are combined 
 and how the less important items are subordinated to the 
 more important: 
 
 The Blake transmitter consisted of a small black-walnut box, 
 nearly square in form and having a funnel-shaped hole cut in the 
 door to serve as a mouthpiece. Within the box was a soft iron 
 
108 DESCRIPTION. 
 
 diaphragm and suspended parallel to its centre was a polished 
 button of pure carbon. Between the two hung a German-silver 
 spring bearing a pellet of platinum which barely touched the centre 
 of the carbon. When the Blake transmitter was in use, the im- 
 pinging sound waves pressed the diaphragm against the platinum 
 and forced it with varying pressure against the carbon button. 
 This changing pressure varied the resistance opposed to the flow 
 of the battery current, which pulsated through the carbon and 
 into the primary winding of an induction coil or transformer, 
 where it was converted into an alternating current through the 
 inductive effects of the secondary winding, and passed out in 
 undulating or wave-like form into the line or subscriber circuit, 
 thence through the copper wire in the green-covered telephone cord 
 attached to the receiver, and on into the wire wound on the elec- 
 tro-magnet. Energizing the latter varied the attractive or pulling 
 power of the pole pieces, thus causing the receiver diaphragm to 
 vibrate in a manner exactly reproducing the vibratory motion of 
 the transmitting diaphragm, and setting up a series of sound waves 
 in the receiver exactly corresponding to those produced by the 
 vocal cords of the speaker. Popular Science Monthly, May, 1907. 
 
 A still more complete fusion of the details into a single 
 picture is seen in the following example : 
 
 The sting is a bee's only weapon. It is not the single spear 
 that it appears to the naked eye, but consists of three prongs each 
 beautifully grooved into the others, thus forming a sort of tube 
 through which flows the poison from the sac to which the sting is 
 attached. As soon as the point of the sting enters the flesh, two 
 of the prongs, which are barbed, begin to work forward, alternately. 
 When one has been thrust forward, its barbs catch in the flesh and 
 hold while the other is being thrust forward, and this motion, which 
 also pumps the poison from the poison sac, is continued until the 
 sting has penetrated to its full length. 
 
 At the other end of the scale are descriptions in which 
 the main purpose of the writer is to give a vivid impression 
 of the object as a whole, especially as it is colored by his 
 temperament, his mood, or his imagination. Having ob- 
 served the object when he was angry, or terrified, or de- 
 
KINDS OF DESCRIPTION. 109 
 
 spondent, or elated, he tries to make his readers see it in the 
 same light. A vivid imagination will give these qualities 
 to passages of almost pure enumeration : 
 
 I ran my eye over the ship. The scene had that sort of morbid 
 tragic interest to me which the architecture and furniture of a 
 prison cell takes for one who is to pass many months in it. I 
 beheld a long white deck, extending from the taffrail into the 
 bows, with several structures breaking the wide, lustrous conti- 
 nuity of it ; one forward was the galley, the ship's kitchen ; on 
 this side of it was a large boat with sheep bleating inside her ; 
 whilst underneath was a sty full of pigs, flanked by hencoops 
 whose bars throbbed with the ceaseless protrusion and withdrawal 
 of the flapping combs of cocks and the heads of hens. Near us 
 was a great square hatch covered with a tarpaulin, and further aft, 
 as the proper expression is, was a big glazed frame for the admis- 
 sion of light into the cabin ; some distance past it, a sort of box 
 curved in the aspect of a hood, called the companionway, con- 
 ducted you below. At the end of the ship was the wheel, like a 
 circle of flame, with the brasswork of it flashing to the sun, and 
 immediately in front stood the compass-box, or binnacle, glittering 
 like the wheel, and trembling to its height upon the white planks 
 like a short pillar of fire. W. C. Russell: A Three-stranded Yarn. 
 
 In such descriptions especial care must be taken to observe 
 the principles which have been presented above. The slight- 
 est departure from the purpose, the admission of a single 
 detail not needed for the impression sought to be conveyed, 
 or the omission of a detail which is needed for the picture, 
 the least variation from the natural and effective order, the 
 least over-emphasis of an unimportant detail, will throw 
 the picture into disorder and destroy the illusion. The 
 task of writing a perfect description of this kind is like that 
 of painting a perfect picture. In fine work such as this 
 every brush-stroke counts, and a stroke in the wrong place 
 will mar the whole effect. 
 
 In description of this kind success depends also to a great 
 extent upon the use of words and phrases which appeal to 
 
110 DESCRIPTION. 
 
 the emotions and the imagination. Of especial value are 
 so-called suggestive expressions, which, meaning perhaps 
 little in themselves, can induce moods and arouse whole 
 trains of images, a single word sometimes serving to call up 
 a picture which could not be described in detail in an entire 
 paragraph. 
 
 The harper thrummed with rapid fingers; the violin player 
 flashed his bow back and forth across the strings; the flautist 
 poured his breath in quick puffs of jollity, while Donatello shook 
 the tambourine above his head, and led the merry throng with 
 unwearied steps. As they followed one another in a wild ring of 
 mirth, it seemed the realization of one of those bas-reliefs where a 
 dance of nymphs, satyrs, or bacchanals is twined round the circle 
 of an antique vase ; or it was like the sculptured scene on the front 
 and sides of a sarcophagus, where, as often as any other device, a 
 festive procession mocks the ashes and white bones that are treas- 
 u ml up within. You might take it for a marriage-pageant ; but 
 after a while, if you look at these merry-makers, following them 
 from end to end of the marble coffin, you doubt whether their gay 
 movement is leading them to a happy close. A youth has sud- 
 denly fallen in the dance ; a chariot is overturned and broken, 
 flinging the charioteer headlong to the ground ; a maiden seems 
 to have grown faint or weary and is drooping on the bosom of a 
 friend. Always some tragic incident is shadowed forth or thrust 
 sidelong into the spectacle ; and when once it has caught your eye 
 you can look no more at the festal portions of the scene except 
 with reference to this one slightly suggesting doom and sorrow. 
 
 Hawthorne: The Marble Faun. 
 
 The magnificence of that moonlight scene gave me no deeper 
 joy than I won from the fine spectacle of an old man whom I saw 
 burning coffee one night in the little court behind my lodgings, 
 and whom 1 recollect now as one of the most interesting people I 
 saw in my first days at Venice. All day long the air had reeked 
 with the odors of the fragrant berry, and all day long this patient 
 old man sage, let me call him had turned the sheet-iron cylin- 
 der in which it was roasting over an open fire after the picturesque 
 fashion of roasting coffee in Venice. Now that the night had 
 
KINDS OF DESCRIPTION. Ill 
 
 fallen, and the stars shone down upon him, and the red of the flame 
 luridly illumined him, he showed more grand and venerable than 
 ever. Simple, abstract humanity has its own grandeur in Italy ; 
 and it is not hard here for the artist to find the primitive types 
 with which genius loves best to deal. As for this old man, he had 
 the beard of a saint, and the dignity of a senator, harmonized with 
 the squalor of a beggar, superior to which shone his abstract, un- 
 conscious grandeur of humanity. A vast and calm melancholy, 
 which had nothing to do with burning coffee, dwelt in his aspect 
 and attitude ; and if he had been some dread supernatural agency, 
 turning the wheel of fortune, and doing men, instead of coffee, 
 brown, he could not have looked more sadly and weirdly impres- 
 sive. When, presently, he rose from his seat, and lifted the cylin- 
 der from its place, and the clinging flames leaped after it, and he 
 shook it, and a volume of luminous smoke enveloped him and 
 glorified him then I felt with secret anguish that he was beyond 
 art, and turned sadly from the spectacle of that sublime and hope- 
 less magnificence. W. D. Howells : Venetian Life. 
 
 Besides the singing and calling, there is a peculiar sound which 
 is only heard in summer. Waiting quietly to discover what birds 
 are about, I become aware of a sound in the very air. It is not the 
 midsummer hum which will soon be heard over the heated hay in 
 the valley and over the cooler hills alike. It is not enough to be 
 called a hum, and does but just tremble at the extreme edge of 
 hearing. If the branches wave and rustle they overbear it ; the 
 buzz of a passing bee is so much louder, it overcomes all of it in 
 the entire field. I cannot define it, except by calling the hours of 
 winter to mind they are silent ; you hear a branch crack or creak 
 as it rubs another in the wood, you hear the hoar frost crunch on 
 the grass beneath your feet, but the air is without sound in itself. 
 The sound of summer is everywhere in the passing breeze, in 
 the hedge, in the broad-branching trees, in the grass as it swings ; 
 all the myriad particles that together make the summer varied are 
 in motion. The sap moves in the trees, the pollen is pushed out 
 from grass and flower, and yet again these acres and acres of leaves 
 and square miles of grass blades for they would cover acres and 
 square miles if reckoned edge to edge are drawing their strength 
 from the atmosphere. Exceedingly minute as these vibrations 
 must be, their numbers perhaps may give them a volume almost 
 
112 NARRATION. 
 
 reaching in the aggregate to the power of the ear. Besides the 
 quivering leaf, the swinging grass, the fluttering bird's wing, and 
 the thousand oval membranes which innumerable insects whirl 
 about, a faint resonance seems to come from the very earth itself. 
 The fervor of the sunbeams descending in a tidal flood rings on 
 the strung harp of earth. It is this exquisite undertone, heard and 
 yet unheard, which brings the mind into sweet accordance with 
 the wonderful instrument of nature. Richard Jefferies : The 
 Pageant of Summer. 
 
 Narration. 
 
 63. A narrative is the presentation in language of successive 
 related events occurring in time. Its distinctive feature is ac- 
 tion or change. It is in this respect that it differs most 
 widely from description, which represents an object as it 
 appears at a single moment. Narrative is indeed akin to 
 description in that it arouses images in the mind of the 
 reader, but these images do not fuse, as in description, into 
 a single picture ; they pass before us in a connected series, 
 each image pointing the way to the next until the end is 
 reached. 
 
 Every narrative involves some description ; a history, for 
 example, requires much descriptive matter ; but here, as in 
 other forms of narration the descriptive matter is merely sub- 
 sidiary and explanatory, and is kept subordinate to the main 
 purpose of reciting events as they occur, one after another. 
 
 Although narratives are of many different kinds, it will 
 serve our purpose best at this point to divide them into two 
 principal classes : (1) simple narratives and (2) complex 
 narratives, or narratives with plot. The leading principles 
 of all narrative will be considered in connection with the 
 first class. Plotted narratives, although they illustrate the 
 same principles as do simple incidents, are so peculiar in 
 their construction that they will be best treated under a 
 separate heading. 
 
UNITY. 113 
 
 64. Simple Narrative. By a simple narrative is meant 
 a narrative in which the action pursues its course from start to 
 finish without check or delay. The series of events once set 
 going, one happening follows upon another until the natural 
 conclusion is attained. Such a narrative may be compared 
 to the progress of a boulder which has been started rolling 
 down a gently sloping hillside. Driven by the force of 
 gravitation, the stone rolls on its way with increasing speed 
 until it reaches the plain at the bottom, where, in time, its 
 momentum being exhausted, it comes naturally to rest. The 
 following is a good example of narrative of this kind : 
 
 And the other fishing days when you got up before dawn and 
 stole downstairs to the dim kitchen. A drink of milk, a doughnut, 
 and a triangle of pie, then you stole out quietly to the barn and got 
 the spading-fork. Then the search, armed with fork and tomato- 
 can, under the broad leaves of the rhubarb bed, back of the hen- 
 house and down by the cow barn, until you had enough worms for 
 the day's sport. Then, of course, you left the fork sticking in the 
 ground you never would learn to put things away and started 
 off. Through the garden and orchard, stopping long enough for a 
 handful of currants and a pocketful of sopsavines over the pas- 
 ture bars, eating a handful of huckleberries or low-bush black- 
 berries here and there. Into the wood road very dark and still 
 in the dawn where you stepped along very quietly so as not to 
 disturb the bears. You knew perfectly well there were no bears, 
 but you rather enjoyed the creepy sensation. Then out through 
 the deep wet meadow grass to the river, where the sun was now 
 beginning to burn away the wisps of mist, and the red- winged 
 blackbirds were making a tremendous fuss over their housekeep- 
 ing. You reached the riverbank at the pout hole, or the big rock, 
 or the old willow (of course, you know the exact place), and then 
 you started fishing. Atlantic Monthly. 
 
 65. The essential requisites of simple narrative as of all 
 narrative are unity, sequence, and climax. 
 
 66. Unity. Unity in narrative has three aspects: unity 
 of purpose, of subject, and of action. The first requires 
 
Hi NARRATION. 
 
 that throughout the course of the narrative the writer hold 
 consistently to a single idea or a single point of view (in 
 the larger sense of the terra). This underlying idea may 
 be explicitly stated, as in the fable, it may be skilfully con- 
 cealed, as in most simple incidents, or it may be no more 
 than a peculiar atmosphere or tone which pervades the com- 
 position, as in the selection just quoted; but unless it is 
 present in one form or another, the narrative will impress 
 the thoughtful reader as pointless and not worth the telling. 
 
 Unity of subject requires that one and only one person or 
 thing form the centre of interest. Other persons or things 
 which may play a part in the series of incidents must be 
 subordinated, however interesting they may be in themselves. 
 The surest mark of the practised story-teller is his willing- 
 ness to sacrifice attractive material in order that attention 
 may be held to the principal subject. 
 
 Unity of action requires that a single line of progression 
 be made evident throughout the narrative. Having marked 
 out a straight and narrow path which he means to follow, 
 the writer presses steadily onward, looking neither to the 
 right nor to the left, until the end is reached. If other 
 lines of action are necessary, they are combined with the 
 main line and subordinated to it. The conclusion is kept 
 in view all the time and nothing is admitted which does 
 not carry the narrative forward towards it. This point 
 furnishes the centre of unity to a narrative. When it is 
 reached, the reason is apparent for all the details and inci- 
 dents that have been previously mentioned. 
 
 These three phases of unity are mutually helpful. Unity 
 of purpose, for example, compels unity of subject and tends 
 to keep the action within proper bounds. 
 
 67. Sequence. The narrative writer sees clearly (what 
 his reader cannot see) the end for which all the incidents 
 are recounted and to which they all contribute. This sug- 
 
SEQUENCE. 115 
 
 gests the chief rule of sequence : That sequence of events is 
 best in which each occurrence stated is necessary to the proper 
 understanding of its successor. The first event makes neces- 
 sary a second ; the second, a third ; and so on to the end of 
 the series. When the conclusion is reached, the reader, 
 looking back over the narrative, sees that each event, in its 
 proper place, was indispensable, and that the conclusion is 
 the inevitable outcome of all the events that preceded it. 
 In a well-written narrative the successive events are so 
 closely knit that no one of them can be taken out or re- 
 moved to another place without breaking up the continuity 
 of the whole. 
 
 The following illustrates this close sequence of events : 
 
 On the roof of a meat store in Salem, Massachusetts, a clothes- 
 line was stretched and on it a wet handkerchief was hung to dry. 
 This was seized by the wind, and twisted around an electric wire ; 
 by means of its dampness, this handkerchief conducted the elec- 
 tricity along the wire, and brought it into communication with 
 other wires, running along which it reached the water-pipes in the 
 cellar. From these the electricity sprang to the stove, on which 
 stood a kettle of boiling fat, to which it communicated so strong 
 a light that a workman who was near thought the fat was burn- 
 ing. In attempting to take the kettle from the stove, he received 
 an electric shock which threw him against the wall. Pale with 
 terror, the man ran into a room back of the workshop. Another 
 workman, trying to bring him a glass of water, turned the brass 
 faucet of the water-pipe, and was immediately thrown against the 
 farthest corner of the room. For several minutes everything ap- 
 peared to be turned into a galvanic battery ; the nails on the wall 
 were red hot, the water-pipes spouted out flames, and even the 
 iron bands of the water pail showed signs of disturbance. Finally 
 the cause of the commotion was discovered and ended, as soon as 
 the wire was freed from the embrace of the wet handkerchief. 
 
 Events may be related either in the order in which they 
 occurred, that is, in the time-order, or in the order of cause 
 and effect. If possible, the two orders should coincide. In 
 
116 NARRATION. 
 
 the more abstract kinds of narrative such as the History ol 
 the Labor Movement, the Rise of Romanticism in England, 
 and the like, it is often best to take up one line of cause 
 and effect and arrange the selected events that belong to it in 
 the time-order ; then a second line of cause and effect with 
 its selected events, and so on. 
 
 68. Climax. Every good narrative has a cumulative 
 effect ; that is, the events grow in interest as the story goes 
 on. This effect will come about naturally if the events 
 are told clearly and straightforwardly, since the better we 
 understand a subject the more we are interested in it ; but 
 the effect may be greatly enhanced by a skilful selection and 
 arrangement of details. The expert story-teller, therefore, 
 reserves his more attractive incidents for the latter part of 
 the narrative. Climax is much more likely to be secured, 
 also, if the end of the narrative is kept in view from the be- 
 ginning and no detail is admitted which does not in some 
 way help to forward the action. 
 
 In the following account of the way in which a taxider- 
 mist mounts an animal for the museum, the interest is skil- 
 fully heightened, as the narrative goes on, by bringing into 
 prominence increasingly difficult features of the work : 
 
 AN' hen an animal is received at the Museum of Natural History, 
 an elaborate series of measurements are at once taken from it in 
 the flesh. These are of invaluable assistance hi the final work of 
 mounting. Next the taxidermist, equipped with modelling wax 
 and tools, goes to the Zoological Park and makes a miniature 
 model of the animal from the living specimen there. This small 
 model is prepared with great care, and the anatomy of each part 
 is worked out to the minutest detail. It is here that the real genius 
 of the modeller is shown if he be an artist worthy of the name, 
 he can put into the animal the result of his study and observation, 
 and give it all the grace and beauty of life, with none of the stiff- 
 ness of a mechanical structure. After the small model has been 
 completed, the leg-bones and skull of the specimen to be mounted 
 
SIMPLE NARRATIVE. 117 
 
 are placed in position and wired; thus the general outline of the 
 animal is given, and the basis of the life-sized model formed, ex- 
 actly as a sculptor makes an armature for a large figure. On this 
 framework or skeleton wet clay is piled, until the mass corre- 
 sponds in some degree to the measurements taken from the animal 
 in the flesh, and then the artist begins with his modelling tools to 
 bring order out of chaos. Every part of the body is studied with 
 the utmost care, and every layer of muscle, every cord and tendon, 
 is reproduced exactly as it lies in a living animal. The sculptor 
 has the whole body under his control at once, for the legs and 
 neck are wired tightly and can be moved at will. From time to time 
 the skin of the animal is tried on over the clay body to insure an 
 exact fit, and any imperfections in the model are corrected. 
 
 When the manikin fits exactly, the last touches are given, and 
 there stands on the pedestal a perfect animal minus the skin, for 
 every layer of muscle and every cord is there, placed with the 
 knowledge of a scientist and the skill of an artist. A plaster mould 
 is then taken of the clay model, from which a cast is made. This 
 cast is very thin, and is lined with burlap, to combine strength and 
 durability with the minimum of weight. The clay model is now 
 discarded and the cast allowed to dry, after which it is dressed with 
 shellac to make it waterproof, and finally given a coat of glue. 
 Then the skin is adjusted and the seams neatly sewed up with 
 strong waxed twine. Contrary to the general idea, the ears, nose, 
 and eyes are left until the last, and are carefully worked out in 
 papier-mache*. This is at once one of the most difficult and inter- 
 esting parts of the work, for the delicate lines of the nostrils and 
 the modelling of the eyes require the utmost skill and closest 
 study. In the eye lies the whole expression of the face, and the 
 animal is made or marred by this one detail. After the finishing 
 touches have been given, the specimen is set away to dry prepara- 
 tory to being placed in the particular group for which it may have 
 been designed. 
 
 69. The Elements of Simple Narrative. A narrative 
 must begin at a definite point of time and in a definite place ; 
 it must develop its subject in a series of incidents ; it must 
 come to a fitting conclusion. Its constituent elements may 
 
118 NARRATION. 
 
 therefore be said to be (1) the setting, that is, the time and 
 place in which it occurs, (2) the beginning of the action, (3) 
 the course of the action, (4) the conclusion. To these we 
 may add (5) the persons (characters) or things which take 
 part in the action, and (6) the purpose of the writer, already 
 referred to. 
 
 In the following simple narrative these elements are 
 readily distinguished. The place is an inn in a small Eng- 
 lish town. The time is two o'clock in the afternoon. The 
 action proper begins with the arrival of the narrator at the 
 inn. The events then follow in the order of their actual 
 occurrence, and the conclusion (of this part of the story) is 
 reached when the narrator has washed his hands and head 
 at the pump. The characters are the narrator, the landlord, 
 and the maid. The purpose is to entertain the reader by a 
 series of familiar incidents told in a spirited, humorous 
 way. 
 
 After walking about a dozen miles, I came to a town, where I 
 rested for the night. The next morning I set out again in the 
 direction of the northwest. I continued journeying for four days, 
 my daily journeys varying from twenty to twenty-five miles. Dur- 
 ing this time nothing occurred to me worthy of any special notice. 
 The weather was brilliant, and I rapidly improved both in strength 
 and spirits. On the fifth day, about two o'clock, I arrived at a 
 small town. Feeling hungry, I entered a decent-looking inn 
 within a kind of bar I saw a huge, fat, landlord-looking person, 
 with a very pretty, smartly-dressed maiden. Addressing myself 
 to the fat man, " House 1 " said I, " house ! Can I have dinner, 
 house?" 
 
 " Young gentleman," said the huge fat landlord, "you are come 
 at the right time, dinner will be taken up in a few minutes, and 
 such a dinner," he continued, rubbing his hands, " as you will not 
 see every day in these times." 
 
 " I am hot and dusty," said I, " and should wish to cool my 
 hands and face." 
 
 "Jenny ! " said the huge landlord, with the utmost gravity, " show 
 
COMPLEX NARRATIVE. 119 
 
 the gentleman into number seven that he may wash his hands and 
 face." 
 
 " By no means," said I; " I am a person of primitive habits, and 
 there is nothing like the pump in weather like this." 
 
 "Jenny!" said the landlord, with the same gravity as before, 
 " go with the young gentleman to the pump in the back kitchen, 
 and take a clean towel along with you." 
 
 Thereupon the rosy-faced, clean-looking damsel went to a drawer, 
 and producing a large, thick, but snowy-white towel, she nodded 
 to me to follow her ; whereupon I followed Jenny through a long 
 passage into the back kitchen. 
 
 And at the end of the back kitchen there stood a pump ; and 
 going to it, I placed my hands beneath the spout, and said, "Pump, 
 Jenny " ; and Jenny incontinently, without laying down the towel, 
 pumped with one hand, and I washed and cooled my heated hands. 
 
 And, when my hands were washed and cooled, I took off my 
 neckcloth, and unbuttoning my shirt collar, I placed my head be- 
 neath the spout of the pump, and I said unto Jenny, " Now, Jenny, 
 lay down the towel, and pump for your life." 
 
 Thereupon Jenny, placing the towel on a line-horse, took the 
 handle of the pump with both hands and pumped over my head 
 as handmaid had never pumped before; so that the water poured 
 in torrents from my head, my face, and my hair down upon the 
 brick floor. 
 
 And after the lapse of somewhat more than a minute, I called 
 out with a half-strangled voice, " Hold, Jenny ! " and Jenny de- 
 sisted. I stood for a few moments to recover my breath, then, tak- 
 ing the towel which Jenny proffered, I dried composedly my hands 
 and head, my face and hair; then, returning the towel to Jenny, 
 I gave a deep sigh and said, " Surely this is one of the pleasant 
 moments of life." Borrow : Lavengro. 
 
 70. Complex Narrative. Complex narrative (narrative 
 with plot, or plotted narrative) differs primarily from simple 
 narrative in that some check or hindrance is interposed to the 
 forward movement of the action. This leads to a conflict more 
 or less prolonged, to suspense regarding the outcome, to a 
 crisis, climax, or point of greatest tension, and to a con- 
 
120 NARRATION. 
 
 elusion, or point at which the movement is brought to an 
 end. 
 
 If simple incident is compared to the movement of a 
 boulder rolling down a gentle declivity, complex narrative 
 may be compared to the descent of the same boulder down 
 a steeper slope on which there are other boulders, trees, 
 houses, and human beings. The rock, moving with increas- 
 ing swiftness, encounters on its way one or more of these 
 obstacles. It strikes a tree and is deflected from its course ; 
 it strikes a house and tears away a part of it, frightening the 
 inmates ; it strikes a man and kills him ; ultimately perhaps, 
 it strikes another boulder, larger than itself, and is shat- 
 tered to fragments. 
 
 Any simple narrative may be turned into narrative with 
 plot by. inserting at the proper point an obstacle which 
 checks the progress of the action and leads to a struggle of 
 some kind. This fact is illustrated by the narratives below. 
 In the left-hand column is a simple incident, in the right- 
 hand column is the same incident transformed into a com- 
 plex narrative by the introduction of the thunder-storm, 
 the swollen streams, the flies, etc., as obstacles : 
 
 At three in the morning we At three in the morning, we 
 left Leon for Galicia on horse- departed for Galicia. We had 
 back. The way led at first scarcely proceeded half a league 
 through a wood which extended when we were overtaken by a 
 for some distance in the direc- thunder-storm of tremendous 
 tion in which we were going, violence. We were at that time 
 After riding about five leagues in the midst of a wood which ex- 
 through a level country and tends to some distance in the di- 
 crossing several streams, we rection in which we were going, 
 began to enter the mountain- The trees were bowed almost to 
 ous district which surrounds the ground by the wind or torn 
 Astorga. A few hours later we up by the roots, whilst the earth 
 arrived at our destination. was ploughed up by the light- 
 ning, which burst all around and 
 nearly blinded us. The spirited 
 
COMPLEX NARRATIVE. 121 
 
 Andalusian on which I rode be- enter the mountainous district 
 
 came furious, and bounded into which surrounds Astorga : the 
 
 the air as if possessed. Owing heat now became almost suffocat- 
 
 to my state of weakness, I had ing; swarms of flies began to 
 
 the greatest difficulty in main- make their appearance, and set- 
 
 taining my seat, and avoiding tling down upon the horses, 
 
 a fall which might have been stung them almost to madness, 
 
 fatal. A tremendous discharge whilst the road was very flinty 
 
 of rain followed the storm, which and trying. It was with great 
 
 swelled the brooks and streams difficulty that we reached As- 
 
 and flooded the surrounding torga, covered with mud and 
 
 country, causing much damage dust, our tongues cleaving to 
 
 amongst the corn. After riding our palates with thirst, 
 
 about five leagues, we began to Borrow : The Bible in Spain. 
 
 71. Elements of Complex Narrative. The broad features 
 of complex narrative are the same as those of simple narra- 
 tive. Certain elements, however, are peculiar to it, and to 
 them we shall need to pay particular attention. They are 
 as follows : (1) the Obstacle, (2) the Plot, (3) the Characters, 
 (4) Suspense. 
 
 72. The Obstacle. Since the obstacle is anything which 
 obstructs the movement and brings about a conflict, it may 
 take a great variety of forms, from the purely physical, as 
 in the narrative just quoted, to the purely mental or spirit- 
 ual as in the following, where the conflict takes place in the 
 mind of the character. 
 
 Godfrey rode along slowly, representing to himself the scene of 
 confession to his father from which he felt that there was now no 
 longer any escape. The revelation about the money must be made 
 the very next morning; and if he withheld the rest, Dunstan would 
 be sure to come back shortly, and, finding that he must bear the 
 brunt of his father's anger, would tell the whole story out of spite, 
 even though he had nothing to gain by it. There was one step, 
 perhaps, by which he might still win Dunstan's silence and put off 
 the evil day : he might tell his father that he had himself spent 
 the money paid to him by Fowler ; and as he had never been guilty 
 
122 NARRATION. 
 
 of such an offence before, the affair would blow over after a little 
 storming. But Godfrey could not bend himself to this. He felt 
 that in letting Dunstan have the money, he had already been guilty 
 of a breach of trust hardly less culpable than that of spending the 
 money directly for his own behoof ; and yet there was a distinction 
 between the two acts which made him feel that the one was so 
 much more blackening than the other as to be intolerable to him. 
 " I don't pretend to be a good fellow," he said to himself ; " but 
 I'm not a scoundrel at least, I'll stop short somewhere. I'll bear 
 the consequences of what I have done sooner than make believe 
 I've done what I never would have done. I'd never have spent 
 the money for my own pleasure I was tortured into it." George 
 Eliot : Silas Marner, chap. viii. 
 
 In the more serious kinds of narrative the obstacle may 
 be thought of as representing ideas, laws, customs, or social 
 conventions, with which the hero comes in conflict. In the 
 opening chapter of Silas Marner, Silas is opposed not only 
 by William Dane but by the customs and traditions of the 
 Lantern Yard brethren. Ivanhoe in the joust with Front 
 de Boeuf fights against the Norman ascendency. The 
 Talisman is the story of the struggle between the Occident, 
 represented by Richard, and the Orient, represented by 
 Saladin. 
 
 73. The Plot. The series of events brought about by 
 the introduction of one or more obstacles is termed the 
 plot. 
 
 A plot may be regarded as a complication or entangle- 
 ment in the relations of the actors, followed by a disentan- 
 gling or solution. As we read the narrative we see this 
 complication arise. We feel the growing intensity of the 
 clash between the actors. We follow the conflict to its 
 culmination at some point in the story. Finally we observe 
 the consequence, outcome, or conclusion of the whole matter. 
 We may illustrate these elements by outlining a simple 
 plot. A young lawyer who belongs to one of the leading 
 
COMPLEX NAEEATIVE. 
 
 political parties becomes a candidate for the office of Prose- 
 cuting Attorney in a district where the majority of the 
 voters belong to his own party. Since the office has always 
 been held by some member of this party, he thinks he is as 
 good as elected. An obstacle, however, soon appears in the 
 person of an opposing candidate, a shrewd and unscrupulous 
 politician, who has become possessed of evidences of corrupt 
 practices in the previous administration of the office. The 
 history of these practices is disclosed. There is intense in- 
 dignation. Many of the younger man's adherents go over to 
 the other party. The campaign is conducted with increas- 
 ing bitterness of feeling on both sides, which culminates 
 on the day before the election in a personal assault upon 
 the younger candidate by the henchmen of the elder. The 
 tide of sympathy and opinion now turns. The election is 
 held, and the younger man wins by a large majority. 
 
 In this outline we may detect three distinct parts of 
 the plot which deserve special attention. They are : (1) 
 the beginning, (2) the climax or height of interest, (3) the 
 conclusion. 
 
 74. The Beginning. In the beginning part, sometimes 
 called the exposition, the time and place of the action are 
 told and the characters are introduced. The beginning 
 should not, however, be merely descriptive or reflective. 
 Since the essential feature of narrative is action, the story 
 should move forward from the very beginning; and, as it 
 moves, the setting and the characters should reveal them- 
 selves as elements of the plot. A fine illustration of the 
 way in which a skilful story-teller will make the setting 
 and characters appear as the action unfolds itself is seen in 
 the opening chapter of The Talisman : 
 
 The burning sun of Syria had not yet attained its highest point 
 in the horizon, when a knight of the Red Cross, who had left his 
 distant northern home and joined the host of the Crusaders in 
 
l-l NARRATION. 
 
 Palestine, was pacing slowly along the sandy deserts which lie in 
 the vicinity of the Dead Sea, or, as it is called, the Lake Asphal 
 tites, where the waves of the Jordan pour themselves into an inland 
 sea, from which there is no discharge of waters. 
 
 The warlike pilgrim had toiled among cliffs and precipices 
 during the earlier part of the morning ; more lately, issuing from 
 those rocky and dangerous defiles, he had entered upon that great 
 plain, where the accursed cities provoked, in ancient days, the 
 direct and dreadful vengeance of the Omnipotent. . . . 
 
 As the Knight of the Couchant Leopard continued to fix his 
 eyes attentively on the yet distant cluster of palm trees, it seemed 
 to him as if some object was moving among them. The distant 
 form separated itself from the trees, which partly hid its motions, 
 and advanced towards the knight with a speed which soon showed 
 a mounted horseman, whom his turban, long spear, and green caftan 
 floating in the wind, on his nearer approach, showed to be a Sara- 
 cen cavalier. " In the desert," saith an Eastern proverb, " no man 
 meets a friend." The Crusader was totally indifferent whether 
 the infidel, who now approached on his gallant barb, as if borne 
 on the wings of an eagle, came as friend or foe; perhaps as a 
 vowed champion of the Cross, he might rather have preferred the 
 latter. He disengaged his lance from his saddle, seized it with the 
 right hand, placed it in rest with i$s point half elevated, gathered 
 up the reins in the left, waked his horse's mettle with the spur, and 
 prepared to encounter the stranger with the calm self-confidence 
 belonging to the victor in many contests. 
 
 With the appearance of the obstacle the Saracen in 
 this case the conflict begins, and the plot, as the saying is, 
 1 thickens/ 
 
 75. The Climax. In every complex narrative there is 
 a centre of interest, a culminating point to which the nar- 
 rative looks forward. This may not come until the very 
 end, but usually it occurs at a little distance from the end. 
 It is at this point that the conflict reaches its highest ten- 
 sion and suspense is consequently greatest. This juncture 
 in the series of events is known technically as the clima<x t or 
 
COMPLEX NARRATIVE. 125 
 
 point of highest interest. It has also been called the turn- 
 ing-point, because at this point the readers interest usu- 
 ally undergoes a change : in all that precedes he is interested 
 in the conflict ; in all that follows he is interested in the 
 outcome of the conflict. 
 
 In the following narrative the climax is probably to be 
 found in the words, " The burn was roaring now." Up to 
 this point we are interested in the way in which the min- 
 ister struggles against the prejudices of the Auld Lichts; 
 from this point on we are interested in the result of his 
 exposure. 
 
 Many years have elapsed since Providence flung Mr. Watts out 
 of the Auld Licht kirk. Mr. Watts was a probationer who was 
 tried before Mr. Dishart, and, though not so young as might have 
 been wished, he found favor in many eyes. " Sluggard in the laft, 
 awake ! " he cried to Belle Whamond, who had forgotten herself, 
 and it was felt that there must be good stuff in him. A breeze 
 from heaven exposed him on Communion Sabbath. 
 
 On the evening of this solemn day the door of the Auld Licht 
 kirk was sometimes locked, and the congregation repaired, Bible 
 in hand, to the commonty. They had a right to this common on 
 the Communion Sabbath, but only took advantage of it when it 
 was believed that more persons intended witnessing the evening 
 services than the kirk would hold. On this day the attendance 
 was always very great. 
 
 It was the Covenanters come back to life. To the summit of 
 the slope a wooden box was slowly hurled by Hendry Munn and 
 others, and round this the congregation quietly grouped to the 
 tinkle of the cracked Auld Licht bell. With slow, majestic tread 
 the session advanced up the steep common, with the little minister 
 in their midst. He had the people in his hands now, and the more 
 he squeezed them the better they were pleased. The travelling pul- 
 pit consisted of two compartments, the one for the minister and the 
 other for Lang Tarn mas, but no Auld Licht thought that it looked 
 like a Punch and Judy puppet show. This service on the common 
 was known as the "tent preaching," owing to a tent being fre- 
 quently used instead of the box. Mr. Watts was conducting the 
 
126 NARRATION. 
 
 services on the commonty. It was a fine, still summer evening, 
 and loud above the whisper of the burn from which the common 
 climbs, and the labored " pechs " of the listeners, rose the preacher's 
 voice. The Auld Lichts in their rusty blacks they must have 
 been a more artistic sight in the olden days of blue bonnets and 
 knee-breeches nodded their heads in sharp approval ; for though 
 they could swoop down on a heretic like an eagle on carrion, they 
 scented no prey. Even Lang Tammas, on whose nose a drop of 
 water gathered when he was in his greatest fettle, thought that all 
 was fair and above board. Suddenly a rush of wind tore up the com- 
 mon, and ran straight at the pulpit. It formed in a sieve, and passed 
 over the heads of the congregation, who felt it as a fan, and looked 
 up in awe. Lang Tammas, feeling himself all at once grow clammy, 
 distinctly heard the leaves of the pulpit Bible shiver. Mr. Watts's 
 hands, outstretched to prevent a catastrophe, were blown against 
 his side, and then some twenty sheets of closely written paper 
 floated into the air. There was a horrible dead silence. The burn 
 was roaring now. The minister, if such he can be called, shrunk 
 back in his box, and, as if they had seen it printed in letters of fire 
 on the heavens, the congregation realized that Mr. Watts, whom 
 they had been on the point of calling, read his sermon. He wrote 
 it out on pages the exact size of those in the Bible and did not 
 scruple to fasten these into the Holy Book itself. At theatres, a 
 sullen thunder of angry voices behind the scene represents a crowd 
 in a rage, and such a low, long-drawn howl swept the common 
 when Mr. Watts was found out. To follow a pastor who "read " 
 seemed to the Auld Lichts like claiming heaven on false pretences. 
 In ten minutes the session alone, with Lang Tammas and Hendry, 
 were on the common. They were watched by many from afar off, 
 and, when one comes to think of it now, looked a little curious 
 jumping, like trout at flies, at the damning papers still fluttering in 
 the air. The minister was never seen in our parts again, but he is 
 still remembered as "Paper Watts." Barrie: Auld Licht Idylls. 
 
 76. The Conclusion. After the climax the interest of the 
 reader takes on, as has been said, a different character. 
 Directed, in the earlier part of the narrative, upon the con- 
 flict, it now shifts to the outcome or explanation. The 
 
COMPLEX NARRATIVE. 127 
 
 reader wishes to learn the consequences of the battle, the 
 fate of the hero, the solution of the mystery. It is the busi- 
 ness of the conclusion to satisfy his curiosity in regard to 
 these matters, and thus to bring the series of events to a 
 fitting termination. Since the conclusion, like the beginning, 
 is an organic part of the plot, it must not be an arbitrary 
 cutting-otf of the action, but a natural and necessary out- 
 come of the events that have preceded it. 
 
 The conclusion may be of at least four different kinds : 
 
 1. Tragic, when the chief character, encountering an ob- 
 stacle which his own act has raised up, is overcome. 
 
 2. Pathetic, when the outcome, actually unfortunate, 
 might have been otherwise. 
 
 3. Cheerful, when the character, after a serious conflict, 
 succeeds in overcoming the obstacle. 
 
 4. Humorous, when the conflict turns out to have been 
 based upon a misapprehension. 
 
 The tragic conclusion is exemplified in Poe's Fall of the 
 House of Usher, the pathetic, in Kale's Man without a 
 Country and Allen's The Choir Invisible. David Copperfield 
 is a good instance of a novel with a cheerful ending. The 
 humorous conclusion is too common to need illustration, but 
 perhaps Aldrich's Marjorie Daw reveals most clearly the 
 elements which give to it its peculiar quality. 
 
 77. Characters of the Story. In the greater number of 
 fictitious narratives the plot arises from a conflict between 
 persons. The hero, or chief character of the story, in his 
 progress toward the goal of his desire is opposed by a second 
 character. The plot then takes the form of a contest be- 
 tween the two, the minor characters ranging themselves on 
 one side or the other according to their interests. 
 
 The actions of the characters are determined in part by 
 forces from within, in part by forces from without. The 
 inward forces are, in general, dispositions, feelings, and 
 
128 NARRATION. 
 
 acts of the will. A man is driven to some course of action 
 by ambition, love, despair, jealousy, or other emotion. Con- 
 fronted by a choice of good and evil, he decides to take one 
 course or the other that is he exerts his will and a train 
 of consequences follows. 
 
 The outward forces are such as arise from the surround- 
 ings the so-called environment or from stress of circum- 
 stances. They may be either natural or social. A simple 
 illustration of the former class is seen in the effect of the 
 weather upon the temper of certain persons. Less super- 
 ficial examples are to be found in Hawthorne's Great Stone 
 Face and Thomas Hardy's Return of the Native, in which 
 natural scenery affects profoundly both character and con- 
 duct. The term social forces may be applied to the influ- 
 ences which proceed from the nature of the community in 
 which the character moves. They are usually embodied in 
 institutions such as the family, the state, and the church, 
 with their peculiar laws, customs, conventions, and dogmas. 
 Public opinion may also be included under this head. For 
 good examples of the operation of social forces of various 
 kinds the student may turn to Ivanhoe, where he will notice 
 that each class of society is constrained by its peculiar tra- 
 ditions: Wamba must submit to the laws of serfdom, the 
 Templar to the rules of his order, Ivanhoe to the conven- 
 tions of chivalry, even the King to the rights of the barons 
 and to public sentiment. 
 
 Accident is frequently employed as an outward force in 
 narrative, but it should be used sparingly and with caution. 
 Accidents do happen, and when they happen, they may lead 
 to important consequences ; but a too frequent use of this 
 device tends to break, or at least seriously to weaken, the 
 threads of cause and effect which should bind together all 
 parts of the narrative into a single web. 
 
 Although a character may be shown as acting under the 
 exclusive domination either of inward or of outward forces, 
 
COMPLEX NAEEATIVE. 129 
 
 in the best narratives the two are intimately connected. 
 The emotions and the volitions which arise within the mind 
 are shown to be in large part the outcome of the situations in 
 which the character is involved. 
 
 The forces which drive characters to action are known as 
 motives. An action which appears to be the natural out- 
 come of a character's disposition under the given circum- 
 stances is said to be properly motived or motivated. Actions 
 which are not adequately motivated strike the reader as 
 forced and unnatural; the characters appear to act as the 
 writer wishes them to act, not as real characters would act 
 in the same situations. 
 
 Character may be either real, as in historical narrative, 
 or fictitious, as in novels and short stories, but even in the 
 latter case the best characters are those which are taken 
 from real life. The young writer will do well to follow the 
 example of the great novelists in this particular. Instead 
 of trusting to his imagination alone, he should carefully ob- 
 serve the persons whom he knows best or whom he finds 
 most interesting. Such characters can and should be modi- 
 fied to suit the purposes of the narrative in which they 'are 
 made to play a part. 
 
 Certain types of character are better suited than others 
 for the uses of plotted narrative. It is especially to be 
 noted that an excess of any one quality, good or bad, is 
 likely to raise up obstacles and so to bring about conflicts. 
 Absent-mindedness, one-sidedness, conservatism, radicalism, 
 obstinacy, prejudice, pride, ambition, bashfulness, innocence, 
 timidity, deceitfulness, carelessness, selfishness, vanity, 
 treachery, such characteristics as these easily involve the 
 hero of a story in difficulties and give opportunity for the 
 development of an interesting plot. 
 
 78. Suspense. Suspense is the attitude of expectant 
 curiosity with which we watch the development of the plot. 
 
130 NARRATION. 
 
 It is one of the most powerful sources of interest in narra- 
 tive, but to use it properly and make the most of it requires 
 much skill. If the plot moves too rapidly the reader's 
 curiosity is satisfied before it is fully aroused ; if the plot 
 moves too slowly the narrative becomes tedious and the 
 reader is inclined to " skip." To make the reader wait, but 
 not to make him wait too long, is a rule which good story- 
 writers try to observe. 
 
 Suspense is advisable just before the culminating point 
 of interest is reached, and it is secured usually by introduc- 
 ing descriptive details or explanations. Sometimes suspense 
 is secured by beginning at some point along in the story, 
 the events leading up to the first scene being afterward in- 
 troduced as an explanation, or as a part of a subsequent 
 conversation between two of the characters. Description 
 detains the attention, but it must be relevant, or its intro- 
 duction is resented by the reader. In most parts of a 
 narrative, however, movement rather than suspense is de- 
 sirable, and this is secured by reducing or omitting descrip- 
 tions, by hurrying over details and condensing lesser actions 
 and events as much as possible. Especially is movement 
 desirable when the culmination or principal action is 
 reached, and, in general, those parts of a narrative which 
 portray rapid action should show it by a hurried manner of 
 treatment. 
 
 79. Helps to Narration. It has already been indicated 
 that description is frequently used in narratives of all kinds. 
 Usually description forms the introduction of a scene or 
 story, giving it a time and a place and an air of reality. 
 Character descriptions and portrait sketches are also em- 
 ployed in narratives, and their use is obvious both for detain- 
 ing the attention upon the chief characters of interest, and 
 for aiding in the appreciation of the subsequent actions of 
 the characters. Contrasts of characters are another help to 
 
COMPLEX NARRATIVE. 131 
 
 narration : two unlike characters serving to set each other 
 off and to give greater distinction to both. Contrasts of 
 scenes are also helpful : scenes which are full of action al- 
 ternating with scenes of a comparatively quiet character. 
 Transitions are everywhere important but nowhere more so 
 than in narration. When to indicate plainly a change of 
 scene, and when to leave the change to be inferred is a 
 problem best solved by noticing the practice of the standard 
 writers of narratives. Episodes afford relief to a reader 
 when they are introduced into a long narrative of intense 
 action, but are elsewhere out of place : the short story and 
 the narrative of adventure are hindered rather than helped 
 by the introduction of episodes. 
 
 Conversation gives life and variety to narrative and is one 
 of the most interesting and effective ways of presenting 
 character. Its proper management, however, is by no means 
 easy. The main principles to be observed are : 
 
 1. Conversation should have point and purpose. It 
 should either (a) bring out some trait of character essential 
 to the understanding of the plot, or (6) should help carry 
 on the action. The best conversation does both. 
 
 2. The personages of the narrative should speak " in 
 character," that is, they should say what is natural to them 
 in the given situation. 
 
 Conversation, no matter how brilliant or amusing, which 
 does not fulfil these two requirements, is digression, and 
 should be rigidly excluded. 
 
 The following is a good example of brightly written 
 conversation, in which every speech helps to reveal the 
 character of the speaker and at the same time to bring out 
 the main point of the dialogue : 
 
 As I sat there, gazing now at the blue heavens, now at the downs 
 before me, a man came along the road in the direction in which I 
 had hitherto been proceeding : just opposite to me he stopped, and, 
 looking at me, cried " Am I right for London, master?" 
 
132 NARRATION. 
 
 He was dressed like a sailor, and appeared to be between twenty- 
 five and thirty years of age he had an open manly countenance, 
 and there was a bold and fearless expression in his eye. 
 
 " Yes," said I, in reply to his question ; " this is one of the ways 
 to London. Do you come from far ? " 
 
 "From ," said the man, naming a well-known sea-port. 
 
 "Is this the direct road to London from that place?" I de- 
 manded. 
 
 " No," said the man ; " but I had to visit two or three other 
 places on certain commissions I was intrusted with; amongst 
 
 others to , where I had to take a small sum of money. I 
 
 am rather tired, master ; and, if you please, I will sit down beside 
 you." 
 
 * You have as much right to sit down here as I have," said I, 
 "the road is free for every one; as for sitting down beside me, 
 you have the look of an honest man, and I have no objection to 
 your company." 
 
 " Why, as for being honest, master," said the man, laughing and 
 sitting down beside me, " I hav'n't much to say many is the wild 
 thing I have done when I was younger; however, what is done, is 
 done. To learn, one must live, master; and I have lived long 
 enough to learn the grand point of wisdom." 
 What is that?" said I. 
 
 " That honesty is the best policy, master." 
 
 " You appear to be a sailor," said I, looking at his dress. 
 
 " I was not bred a sailor," said the man, " though when my foot 
 is on salt water, I can play the part and play it well too. I am 
 now from a long voyage." 
 
 "From America?" said I. 
 
 " Farther than that," said the man. 
 
 " Have you any objection to tell me ? " said I. 
 
 " From New South Wales," said the man, looking me full in the 
 face. 
 
 " Dear me," said I. 
 
 Why do you say ' Dear me ' ? " said the man. 
 
 "It is a very long way off," said I. 
 
 ' Was that your reason for saying so?" said the man. 
 
 " Not exactly," said I. 
 
 "No," said the man, with something of a bitter smile; " it was 
 
EXPOSITION. 133 
 
 something else that made you say so ; you were thinking of the 
 convicts." 
 
 " Well," said I, " what then you are no convict." 
 
 " How do you know ?" 
 
 " You do not look like one." 
 
 " Thank you, master," said the man, cheerfully ; " and to a cer- 
 tain extent, you are right bygones are bygones I am no longer 
 what I was, nor ever will be again ; the truth, however, is the truth 
 a convict I have been a convict at Sydney Cove." Borrow: 
 Lavengro. 
 
 Exposition. 
 
 80. The Nature of Exposition. Description aims to 
 make the reader see the image of an object as the writer 
 saw the object itself. Description pictures things ; it offers 
 itself as a substitute for original seeing, hearing, touching, 
 smelling, tasting. Exposition, or explanation, goes deeper. 
 Exposition aims to make the reader understand the meaning or 
 significance of the object as the writer understands this mean- 
 ing or significance. Exposition interests us in the idea of the 
 thing, in some theory about the thing, in some explanation 
 of the thing rather than in the thing itself. It may employ 
 descriptive details, but its main concern is with the notion of 
 the thing. 
 
 In the following, for example, Ruskin is not describing a 
 particular pool of water, but is explaining to us the idea which 
 he announces in the last sentence of the quotation, an idea 
 that suggests itself to him as he looks into any pool. 
 
 The fact is, that there is hardly a roadside pond or pool which 
 has not as much landscape in it as above it. It is not the brown, 
 muddy, dull thing we suppose it to be ; it has a heart like our- 
 selves, and in the bottom of that there are the boughs of the tall 
 trees, and the blades of the shaking grass, and all manner of hues, 
 of variable, pleasant light out of the sky ; nay, the ugly gutter, that 
 stagnates over the drain bars, in the heart of the foul city, is not 
 altogether base ; down in that, if you will look deep enough, you 
 may see the dark, serious blue of far-off sky, and the passing of 
 
134 WHOLE COMPOSITIONS. 
 
 pure clouds. It is at your own will that you see in that despised 
 stream, either the refuse of the street, or the image of the sky so 
 it is with almost all other things that we unkindly despise. 
 
 Modern Painters, Vol. I. 
 
 Gardens and towers and other descriptive details are 
 mentioned in the following, but the purpose of the writer 
 (Matthew Arnold) is not to give us an image of Oxford ; it 
 is to explain to us the influence of Oxford through the ages. 
 
 Beautiful city! so venerable, so lovely, so unravaged by the 
 fierce intellectual life of our century, so serene ! 
 
 " There are our young barbarians, all at play 1 " 
 And yet, steeped in sentiment as she lies, spreading her gardens 
 to the moonlight, and whispering from her towers the last en- 
 chantments of the Middle Age, who will deny that Oxford, by her 
 ineffable charm, keeps ever calling us nearer to the true goal of all 
 of us, to the ideal, to perfection, to beauty, in a word, which is 
 only truth seen from another side ? nearer, perhaps, than all the 
 science of Tubingen. Adorable dreamer, whose heart has been so 
 romantic 1 who hast given thyself so prodigally, given thyself to sides 
 and to heroes not mine, only never to the Philistines ! home of lost 
 causes, and forsaken beliefs, and unpopular names, and impossible 
 loyalties ! what example could ever so inspire us to keep down the 
 Philistine in ourselves, what teacher could ever so save us from that 
 bondage to which we are all prone, that bondage which Goethe, in 
 his incomparable lines on the death of Schiller, makes it his friend's 
 highest praise (and nobly did Schiller deserve the praise) to have 
 left miles out of sight behind him; the bondage of "was uns alle 
 bdndigt, DAS GEMEINE! " She will forgive me, even if I have un- 
 wittingly drawn upon her a shot or two aimed at her unworthy 
 son; for she is generous, and the cause in which I fight is, after all, 
 hers. Apparitions of a day, what is our puny warfare against the 
 Philistines, compared with the warfare which this queen of ro- 
 mance has been waging against them for centuries, and will wage 
 after we are gone? Arnold: Essays in Criticism, First Series. 
 
 The following is confessedly explanatory, and may be 
 taken as a typical specimen of exposition of the direct 
 didactic sort : 
 
EXPOSITION. 135 
 
 Science is, I believe, nothing but trained and organized common 
 sense, differing from the latter only as a veteran may differ from a 
 raw recruit : and its methods differ from those of common sense 
 only as far as the guardsman's cut and thrust differ from the 
 manner in which a savage wields his club. The primary power is 
 the same in each case, and perhaps the untutored savage has the 
 more brawny arm of the two. The real advantage lies in the point 
 and polish of the swordsman's weapon ; in the trained eye quick 
 to spy out the weakness of the adversary ; in the ready hand prompt 
 to follow it on the instant. But, after all, the sword exercise is 
 only the hewing and poking of the clubman developed and per- 
 fected. 
 
 So, the vast results obtained by Science are won by no mystical 
 faculties, by no mental processes, other than those which are prac- 
 tised by every one of us, in the humblest and meanest affairs of 
 life. A detective policeman discovers a burglar by the marks made 
 by his shoe, by a mental process identical with that by which 
 Cuvier restored the extinct animals of Montmartre from fragments 
 of their bones. Nor does that process of induction and deduction 
 by which a lady, finding a stain of a peculiar kind upon her dress, 
 concludes that somebody has upset the inkstand thereon, differ in 
 any way, in kind, from that by which Adams and Leverrier dis- 
 covered a new planet. 
 
 The man of science, in fact, simply uses with scrupulous exact- 
 ness the methods which we all, habitually and at every moment, 
 use carelessly; and the man of business must as much avail himself 
 of the scientific method must be as truly a man of science as 
 the veriest bookworm of us all ; though I have no doubt that the 
 man of business will find himself out to be a philosopher with as 
 much surprise as M. Jonrdain exhibited when he discovered that 
 he had been all his life talking prose. Huxley: The Scientific 
 Method. 
 
 81. Characteristics of Exposition. We notice the fol- 
 lowing characteristics in the preceding quotations from 
 Buskin, Arnold, and Huxley : 
 
 (1) The subject about which the writer is discoursing is 
 an idea, a notion, a theory, a concept, or even a whole phi- 
 
136 WHOLE COMPOSITIONS. 
 
 losophy ; and not a particular thing that appeals to one of 
 the five senses. It is what the right-minded person will see 
 in despised things that Ruskin is explaining to us ; what 
 Oxford means to Arnold as an enemy of Philistinism that 
 engages our attention; what science really is that Huxley is 
 defining for us. 
 
 (2) The writer feels that the subject needs explanation ; it 
 is misunderstood by. most people; he has found an explana- 
 tion that simplifies the whole complex matter ; and he offers 
 his simple explanation in order to make a hard thing easy 
 to understand. Ruskin feels that his notion about pools is 
 true, and new, and enlightening ; Arnold is sure that he has 
 stated for us the mission of Oxford as it has never been 
 stated before, and that it must command our immediate 
 assent; Huxley makes us feel that this new notion of 
 science as trained and organized common sense might have 
 occurred to any of us, if we had only thought long enough 
 about the matter. 
 
 (3) The writer speaks from personal experience. He is 
 offering us an explanation that he has thought out, or hit 
 upon, himself; and, consequently, he assumes the role of 
 teacher with confidence. Like all good teachers, he aims, 
 chiefly, to make himself understood dearly. The explana- 
 tion which he makes out of his personal experience is a new 
 explanation, the only true explanation, and pains must be 
 taken to avoid all possible misunderstanding ; he must use 
 words that are familiar, must illustrate his idea constantly, 
 must proceed from old and familiar things to the less familiar 
 and the new. 
 
 (4) The result of the writer's effort is finally (a) to satisfy 
 our desire to reach a definition of a thing or idea whose 
 boundaries have been vague ; and (b) to satisfy our instinct 
 for classification. Ruskin is not only helping us to a wider 
 notion of pools and their lessons to man, and thus to a better 
 definition of them, but he is helping us to place them in the 
 
EXPOSITION. 137 
 
 class of things that are spiritually valuable. Arnold is not 
 only defining Oxford as a force in civilization, but he is also 
 leading us to discriminate between educational institutions 
 as either (1) those that work for true ideals or (2) those 
 that easily surrender to the false ideals of the passing day. 
 Huxley is not only defining science ; he is also providing us 
 with an analysis of all knowledge as either (1) trained and 
 organized, or (2) untrained and unorganized. We shall next 
 consider this twofold process of exposition, definition, and 
 classification, through analysis. 
 
 82. The Process of Exposition. Analysis. The process 
 of exposition is always an analysis of the idea to be ex- 
 pounded, an analysis ending in a partial or complete defini- 
 tion and classification of the idea. Whether the definition and 
 classification reache3~by^the writer is partial or complete 
 depends (1) upon the possibilities of the particular case in 
 hand, and (2) upon the immediate purpose of the writer. 
 
 (1) As to the possibilities of perfect and complete defini- 
 tion and classification, it is doubtful if that has ever been, 
 or ever can be, attained. The progress of knowledge seems 
 to render perfect and complete definition and classification 
 an impossibility. If, for instance, evolution be confidently 
 defined as " the progressive modification of species by the 
 agency of natural selection," some keen observer, like John 
 Fiske, is sure to come forward with a further modification, 
 " the prolongation of infancy," l which may make neces- 
 sary a qualification of the definition, or an addition to it. 
 There has never been a classification of any subject that has 
 proved to be permanent, or even thoroughly satisfactory to 
 the maker at the time he made it; for something significant 
 is always left out, something exceptional is still to be pro- 
 vided for. 
 
 i Outlines of Cosmic Philosophij, Pt. II., ch. xvi., 21, 22. 
 
138 
 
 EXPOSITION. 
 
 (2) All that we can hope for in working towards a defini- 
 tion or a classification, therefore, is that it will serve our. 
 immediate purpose, to render perfectly clear to our reader 
 the idea that we wish to convey, and to provide room for all 
 of the thoughts that we wish to present. In learning to do 
 this, however, we shall be helped by considering perfect and 
 complete definition and classification as a possibility ; and 
 by observing the rules for logical definition, and for logical 
 division, as far as we may observe them. 
 
 83. Rules for Logical Definition. To define an idea is to 
 put it in its appropriate class and then to show how it dif- 
 fers from the other members of that class. The class is 
 called the genus; the characteristic which distinguishes the 
 idea from others in the same class is called the Differentia. 
 
 '1 in IDEA. 
 
 TlIK <,KM >. 
 
 THE DIFFERENTIA. 
 
 Art is .... 
 
 Literature is 
 
 Nature is. . . 
 
 the conscious utterance 
 of thought by speech 
 
 or action 
 
 the written record of 
 valuable thought . . 
 
 a collective name for 
 all facts, or a name for 
 the mode in which all 
 things take place, a 
 conception which might 
 be formed of their man- 
 ner of existence as a 
 mental whole . . 
 
 to any end. 
 
 having other than 
 merely practical pur- 
 poses. 
 
 by a mind possessing 
 a complete knowledge 
 of them. 
 
LOGICAL DEFINITION. 
 
 139 
 
 THB IDEA. 
 
 THE GENUS. 
 
 THE DIFFERENTIA. 
 
 Laws of Nature are 
 
 God is 
 
 Style is . . . . 
 Criticism is . 
 
 general propositions 
 expressing 
 
 the enduring power 
 which makes for right- 
 eousness. 
 
 proper words .... 
 a disinterested en- 
 deavor to learn and 
 propagate 
 
 the conditions of the 
 invariable occurrence 
 of phenomena. 
 not ourselves 
 
 in proper places. 
 
 the best that is known 
 and thought in the 
 world. 
 
 Rule 1. The logical definition should exclude from the class 
 all that does not belong in the class. Thus in the idea of 
 Art, as defined by Emerson above, there is no room for any 
 beautiful thing that is not purposive. The words " to any 
 end" compel us to exclude from the domain of art every- 
 thing that is without theme and purpose. All " happy hits " 
 as Emerson himself calls them, all "accidents," belong in 
 another class. 
 
 Rule 2. The logical definition should include in the class 
 all that does belong in the class. Thus, on scrutinizing Mor- 
 ley's definition of literature above, we see that he has in- 
 cluded all that gives pleasure, all that gives a personal point 
 of view, all that hints at the man writing, all that we call 
 style. Nothing is excluded from this definition that should 
 be included in it. 
 
 Rule 3. The logical definition should be expressed in terms 
 that are simpler and more familiar than the term defined. Mill 
 has a hard task in hand when he attempts to define the term 
 
140 EXPOSITION. 
 
 Nature. He simplifies it for us, however, when he uses the 
 words, " all facts" and then moves on to the expression " the 
 mode in which all things take place," and finally to "a 
 conception" etc. Here is a perfect illustration of good ex- 
 position, which makes hard things easy by proceeding from 
 the familiar to the more remote. 
 
 Rule 4. The logical definition should be as brief as possible 
 and should not introduce any derivative of the word to be defined. 
 In looking closely at Mill's definition of the laws of Nature 
 above, we are moved to admiration of the brevity of state- 
 ment. We experience a shock when we read that these laws 
 are really only " general propositions," or forms of words ; 
 but on thinking further we see clearly (what he wishes us 
 to see) that these laws are, after all, nothing more than man's 
 truest statement of the facts that he has observed. We 
 see, also, how a bungler would easily have fallen into the 
 blunder of using the word natural where Mill uses the 
 word invariable. No one, who has not tried seriously to 
 make a satisfactory definition for himself, can appreciate 
 the brevity, the economy, the felicity, of Matthew Arnold's 
 differentia, "not ourselves"; or Dean Swift's "proper 
 words, in proper places." There is often something dy- 
 namic in real definition; Matthew Arnold's definition of 
 criticism includes a call to missionary effort. 
 
 It must be remembered that the final definition stands 
 at the very end of a long process of trial and experiment. 
 The best way to secure acceptance of your final definition is 
 to record all of the thoughts, reflections, new starts, and 
 inspirations, conclusions, and modification of conclusions, 
 that have come to you while thinking in the direction of a 
 final definition. You may be sure that the best method to 
 pursue in writing a definitive essay is to give an honest ac- 
 count of your own mental experience while thinking of the 
 idea to be expounded. There will be, on the way, partial 
 definitions, perhaps wrong definitions, corrected and en- 
 
LOGICAL DIVISION. 141 
 
 larged definitions, definitions modified by new facts ascer- 
 tained by reading. All of these should be faithfully recorded 
 with full explanation, and illustration, if your reader is to 
 be put into the frame of mind in which he will accept your 
 final definition. 
 
 84. Rules for Logical Division. Complementary to logi- 
 cal definition is the analysis that leads to a logical division 
 of the subject, to a satisfactory classification of one's 
 material. Here, again, it must be noted that a perfect and 
 complete division and classification is hardly to be attained. 
 The thing to be aimed at is such a division as will simplify 
 matters and subserve the immediate purpose of the writer, 
 enabling him to convey to the reader the idea which he has 
 in mind with brevity, economy, and a measure of grace. 
 The division of the subject offers to the expository writer 
 his greatest opportunity. He may divide his material so 
 that the important things cannot fail to be remembered ; he 
 may divide so that the division itself shall explain his idea and 
 persuade others to adopt his view ; he may divide so as to incite 
 to action, if action is desired. A happy division will become 
 memorable, such as Matthew Arnold's division of the Eng- 
 lish into Philistines, Barbarians, Populace, and the Children 
 of Light; and so will an unfortunate division like President 
 Taylor's, " We are at peace with all the world and on terms' 
 of amity with the rest of mankind." 
 
 The rules for logical division will help the writer to achieve 
 brevity, economy, and simplicity in his exposition, for they are 
 based upon known laws of mind. 
 
 85. Rule 1. Logical division means that the subject must 
 be divided on one and only one principle or system. The result 
 of neglecting this rule is confusion of ideas. The impor- 
 tance of the rule is clear to all serious people. It makes a 
 vast difference whether an economist divides his subject 
 
142 EXPOSITION. 
 
 into (1) Land, (2) Capital, (3) Labor; or into (1) Labor, 
 (2) The Products of Labor; or into (1) Land, (2) The Pro- 
 ducts of Land ; or into (1) Capital, (2) The Applications 
 of Capital. The division of the subject will indicate the 
 limitations of the writer ; it will reveal to those who know 
 the subject the writer's bias, the writer's inclination, the 
 writer's attitude towards the general questions involved in 
 the subject. When Ruskin entered the field of political 
 economy he brought derision upon himself by the new classi- 
 fications that he proposed. He had, however, one strong 
 point in his favor, the clearness and completeness of his 
 classifications. 
 
 A single reading of Ruskin's Fors Clavigera, Letter V., in 
 which he arraigns the accepted political economy of the time, 
 discovers the following outline : 
 
 A. The essentials which ought to be secured by a true Political 
 
 Economy, 
 (a) Material things essential to life. 
 
 (1) Pure air: (J) \\;iter; (3) Earth. (Advantages of 
 
 each.) 
 (6) Immaterial things essential to life. 
 
 (1) Admiration; (2) Hope; (3) Love. (Each is denned 
 
 and its value stated.) 
 
 H. What under modern Political Economy is done with these, 
 (a) With the Material things essential to life. 
 
 (1) The air is vitiated by the smoke of factories and 
 
 towns. 
 
 (2) The water of rivers is made foul by sewage. 
 
 (3) The earth is made a deadly battle-ground instead of a 
 
 life-giving harvest field. 
 (6) With the Immaterial things essential to life. 
 
 (1) Instead of Admiration for the past there is contempt 
 
 and conceit. 
 
 (2) Instead of Hope there is lack of spirit and patriotism. 
 
 (3) Instead of Love the constant instinct of man is as- 
 
 sumed by Political Economy to be the desire to 
 defraud his neighbor. 
 
LOGICAL DIVISION. 143 
 
 It need hardly be added that the ideas so clearly classified 
 by Ruskin have won their way into orthodox political econ- 
 omy ; and the reason for this is, no doubt, in large measure, 
 the clearness and simplicity of his division on a single prin- 
 ciple. 
 
 If a writer should discourse upon the "Kinds of Sen- 
 tences," he might divide the subject, on one principle or 
 system, into simple, complex, and compound sentences ; on 
 another, into long and short sentences; on still another, 
 into periodic, loose, and balanced sentences. But if he 
 should divide sentences into complex, short, and loose, he 
 would introduce more than one principle of division and 
 produce confusion. 
 
 Although the subject must be divided on only one prin- 
 ciple for the main divisions, each group of subdivisions 
 may follow an entirely different principle. In Ruskin's 
 outline, given just above, the main division (A and J5) is 
 made on one principle (what ought to be, contrasted with 
 what is) ; the first rank of subdivisions is made on another 
 principle though the same division is made for both A 
 and J3, the division in both cases being (a) material things, 
 (6) immaterial things ; while the second rank of subdi- 
 visi9ns, (1), (2), (3), follows a third principle, air, water, 
 earth, in one group, and admiration, hope, love, in the 
 other, being component parts of the thing divided, whereas 
 " what ought to be " and " what is " are not component 
 but similar parts of the thing divided. This difference 
 between component parts and similar parts is illustrated in 
 two divisions of the subject "Tree" ; by component parts 
 the division would be into root, trunk, branches, and fruit ; 
 or into woody fibre and sap ; by similar parts the division 
 would be into the various kinds or classes of trees. 
 
 In the following division of a subject for historical ex- 
 position, we notice that the main divisions are chronological, 
 and so are the subdivisions under 1 and 2; but the sub- 
 
144 EXPOSITION. 
 
 divisions under 1(6), 3, and 5 are made on an entirely dif- 
 ferent principle, the principle of cause and effect, while 
 the subdivisions under 4 are made on a still different prin- 
 ciple, the principle of specific instances. 
 
 History of the Temporal Power of the Pope from 
 755 to 1303. 
 
 1. Origin. 
 
 (a) Pippin's gift to Stefano III., 755 A.D. 
 
 (b) Agreement between Carolingians and Pontiffs, 800 A.D. 
 
 (1) Extent of concessions to the Pontiffs. 
 
 (2) Result when political unity ceased and religious unity 
 
 remained. 
 
 2. Gradual increase of power up to the time of Gregory VI L 
 
 (a) Heinrich III.'s gift, to the Papacy, of Benevento, 1053. 
 
 (b) Countess Matilda's bequest, " Patrimony of St. Peter," 1073. 
 
 3. Rapid accessions of power under Gregory VII., 1073. 
 
 (a) Gregory's plans : 
 
 (1) To free the Papacy of German supremacy. 
 
 (2) To increase the discipline of the Church. 
 
 (3) To make the Church independent of any monarch. 
 
 (4) To rule people and princes in the interest of their 
 
 salvation. 
 
 (b) Their realization : 
 
 (1) Humiliation of Henry IV. 
 
 (2) Quarrel over investitures. Resulting compromise. 
 
 4. Supremacy of the Pope's temporal power, 1073 to 1250. 
 
 (a) Evidences. 
 
 (b) Final fall of German power in Italy. 
 
 5. Decline and loss of Pope's temporal power, 1295 to 1303. 
 
 (a) Results of the quarrel with Philip the Fair. 
 
 (b) Failure under Boniface VIII. 
 
 86. Rule 2. Logical division means that the subdivisions 
 of the subject (.1 ) should be mutually exclusive ; that is, should 
 not overlap ; (B) should together satisfactorily cover the field 
 that ought to be included in the subject ; and (C) that no one 
 
LOGICAL DIVISION. 145 
 
 subdivision should be equal to the whole subject. The reason- 
 ableness of this rule is apparent; the difficulty always arises 
 in its application to particular cases. 
 
 (A) For instance, a writer on ethics divides "Our 
 Duties" into (1) Personal Duties, (2) Keligious Duties, 
 (3) Political Duties ; and, by the exercise of foresight and 
 care, manages to avoid repeating under one of these divi- 
 sions what he has said under the others. His observance 
 of the rule is due not to the perfection of his division, but 
 to his arbitrary management of his material after writing 
 begins ; for, fundamentally, the three divisions are not mu- 
 tually exclusive; some of our religious duties are personal 
 duties. Practically the observance of this part of the rule 
 is possible only when the writer arbitrarily assigns to one of 
 his divisions certain subdivisions that perhaps might with 
 perfect propriety be treated as belonging to two or three of 
 his divisions, indifferently; and the best advice that can be 
 given to the beginner is this : having made as good a logical 
 division of your subject as you can, avoid saying the same 
 thing in two places. 
 
 (B) The second part of the rule requires a good knowl- 
 edge of the subject divided. The superficial student of our 
 institutions might divide " The Legislative Government of 
 the United States " into (1) The House of Representatives 
 and (2) The Senate. If he stopped with this twofold divi- 
 sion, he would show to those who know the subject that he 
 really was not sufficiently acquainted with the field that 
 ought to be included in the subject; for an essential and 
 influential division of the legislative government is (3) The 
 Veto Power of the President. To omit this topic from the 
 field of consideration is to invalidate all that is said on the 
 other two divisions. 
 
 (O) Recurring to the division of " Our Duties " we see 
 that to a truly religious person all duties are religious 
 
146 EXPOSITION. 
 
 duties ; this division of the subject is coextensive with the 
 whole subject. When such a fault in division is discovered, 
 the remedy is to drop the topic that causes the trouble and, 
 using it as a point of departure, to make a new division con- 
 sisting of applications of this topic in various directions. 
 Thus the division might be (1) Duties to One's Self; 
 (2) Duties to the State ; (3) Duties to the Church; (4) Duties 
 to the School, etc., including as many institutions in our 
 divisions as might be necessary in view of our purpose. 
 The remedy is not, however, complete. It is sufficient to 
 serve a practical and temporary purpose ; yet, fundament- 
 ally, the duties named under (1) are involved with those 
 named under (2), (3), (4), and the rest. A perfect division 
 is hardly to be attained ; what is wanted in a given case is 
 such a division as will simplify the presentation of one's 
 ideas and avoid needless repetitions. 
 
 An analysis of TyndalPs lecture on " The Scientific Use 
 of the Imagination " shows how the three parts of this 
 rule have been observed in one conspicuous instance. Divi- 
 sions 2 and 3 are (A) mutually exclusive, (B) satisfactorily 
 cover the field, and (<7) neither 2 nor 3 is equal to the whole 
 subject. 
 
 1. Introduction. 
 
 (a) How the author was led to consider this subject. 
 (6) Statement and explanation of the theme. 
 
 2. Instances in which the imagination has been actually used in 
 
 science. 
 
 (a) In the investigation of sound waves. 
 (6) In determining the existence of ether, 
 (c) In determining the source of ether-waves. 
 (</) In proving the existence of small particles suspended in 
 
 the air. 
 
 (1) Leading to an induction as to their general distribu- 
 
 tion. 
 
 (2) Leading to an explanation of observed facts about 
 
 them. 
 
LOGICAL DiriSION.* 147 
 
 (3) Leading to verification by actual experiments. 
 
 (4) Leading to an inference as to the infinitesimal size of 
 
 these particles. 
 
 3. Instances in which the imagination may possibly be used be- 
 yond the present outposts of microscopic inquiry. 
 
 (a) Precautions that will be needed in this use of the imagina- 
 tion. 
 
 (/>) Inquiry into the genesis of the germ. 
 
 (c) Inquiry into the source of the theory of evolution. 
 
 87. Rule 3. The divisions should be arranged in an in- 
 telligible order, each one leading naturally to the one that 
 comes next. The three most common schemes of arrangement 
 are (A) by cause and effect, (B) by contrast, (C) by contiguity 
 in time, place, or thought. 
 
 (A) No tendency of the mind is stronger than that which 
 impels us to seek the causes of an existing fact and to trace 
 its effects or consequences. The plan resulting from follow- 
 ing this tendency is simple and lucid : 
 
 (1) Statement of a fact or a group of facts. 
 
 (2) The causes of this fact or group of facts. 
 
 (3) The effects of the fact or group of facts. 
 
 (4) The ultimate significance of the fact or group. 
 
 (B) Another scheme of arranging the divisions of a sub- 
 ject is by contrast. Two divisions that are apparently in 
 opposition will be brought close together because the truth 
 of the matter will suffer unless both are kept before the 
 mind, or because they are correlative facts or complementary 
 facts. The discrimination of likenesses and differences is 
 a strong tendency of the mind, in fact, the keenness of 
 our discriminations is the exact measure of our intellectual 
 attainment. It is natural, then, that in presenting our 
 ideas, we should follow the order that reproduces for our 
 reader the record of our discriminations, the order of 
 contrast. 
 
148 EXPOSITION. 
 
 (<7) When we are unable to discover a relationship of 
 cause and effect, or a relationship of contrast, between two 
 divisions of our subject, we shall often determine the 
 order by a feeling that the two divisions are near to each 
 other in thought. Division b will find its place because we 
 feel that it is closer to c than a is to c. This is arrange- 
 ment by contiguity. The clearest examples of this arrange- 
 ment are the order of events as they occur in time and the 
 order of objects by their nearness to one another in space. 
 
 It need hardly be added that the general arrangement of 
 divisions and subdivisions should utilize the principle of 
 climax, proceeding from the less to the more important 
 wherever this is possible without interfering with the opera- 
 tion of cause and effect, contrast, and contiguity. 
 
 In illustration of this rule let us examine the following 
 outline of Carlyle's "Gospel of Labor," taken from his Past 
 and Present. The first three main divisions are arranged 
 in the order of contiguity in thought : 2 is suggested by 1, 
 " gospel " is suggested by " sacreduess," and is felt to be 
 near it in thought ; 2 suggests 3, " gospel " suggests " per- 
 fection." With 4 appears the arrangement by contrast; 
 what man does for himself, 3, raises the issue of God's, or 
 Destiny's, part in the matter, 4. Divisions 3 and 4 are 
 thus for the moment in opposition, but the apparent con- 
 tradiction is resolved at once ; God or Destiny works with 
 the worker; the two facts are correlative and complemen- 
 tary; it takes both of them to equal the whole truth. 
 Then follows arrangement by cause and effect : 5 and 6 
 are the effects of 3 and 4 together, and 7 is the effect espe- 
 cially of 4. The concluding division is an inference from all 
 preceding divisions ; it is apparently a case of contiguity ; 
 to one who thinks more deeply, however, it is an instance 
 of cause and effect. Division 8 is a fitting climax ; we feel 
 that it states the highest fact about work ; and the other 
 seven divisions have gradually led up to it. 
 
LOGICAL DIVISION. 149 
 
 G-ospel of Labor. 
 
 1. There is nobleness and sacredness in work, 
 (a) Hope for the man that works. 
 
 (6) Despair for the idler. 
 
 2. The latest gospel is 
 
 (a) Not " know thyself," for that is impossible. 
 
 (6) But " know what thou canst work at ; and work at it." 
 
 3. A man perfects himself by working. 
 
 (a) He brings his soul into harmony with the universe. 
 
 (b) He drives out doubt, sorrow, remorse. 
 
 4. Destiny's only means of cultivating us is by work, 
 (a) Work causes irregularities to disappear. 
 
 (6) The Potter's wheel illustrates the mission of work. 
 
 (c) The idler is the Potter without wheel. 
 
 5. He who has found his work has the highest blessedness, 
 (a) He has a life-purpose. 
 
 (6) He gets force from God as he works. 
 
 (c) He gets the only knowledge that is sound. 
 
 (d) He ends all doubt by action. 
 
 6. The worker learns all virtues by his struggle with brute facts, 
 (a) Patience, (b) Courage, (c) Perseverance. 
 
 (</) Openness to light, (e) Readiness to acknowledge mistakes. 
 (/) Resolution to do better next time. 
 
 7. A great worker, like Sir Christopher Wren, will conquer the 
 
 help he needs. 
 
 (a) From a blind and unsympathetic public. 
 (6) From resisting Nature. 
 
 (1) Great forces will silently gather to help him make the 
 
 impossible possible. 
 
 8. Work is religious because it is brave. 
 
 (a) Defiance of obstacles brings victory. 
 
 (b) Columbus is the type of the brave or religious worker. 
 
 Good illustrations of arrangement by contrast are seen in 
 the subdivisions of 1, 2, and 4 (6) and (c). The subdivisions 
 of 3, 5, 6, and 7 stand to one another in the relation of 
 contiguity. The subdivisions of 8 require special notice ; 
 
150 WHOLE COMPOSITIONS. 
 
 (6) is a specific instance of a truth stated in 8 and 8(a). 
 Whenever specific instances are cited to show what is meant 
 by a statement, and whenever comparisons are made, it is 
 on the principle of contiguity. The statement of a fact is 
 usually felt to demand immediately a specific instance of 
 the fact, a comparison, an analogy, or an illustration. Essen- 
 tially the instance, comparison, analogy, or illustration, is 
 repetition in the concrete ; and repetition stands in the 
 closest proximity in thought to the thing repeated. 
 
 The relation of the subdivisions to their respective main 
 divisions is by cause and effect in 1, 3, 4, 5 ; and by con- 
 tiguity in 6, 7, 8. 
 
 88. Methods of Exposition. The process of exposition is 
 invariably analysis, leading to synthesis in the form of 
 partial or complete definition and classification of the idea 
 to be explained. But the methods by which the analysis is 
 carried forward are numerous and varied. The most impor- 
 tant of these methods have been named and illustrated, as 
 far as the compass of a single paragraph permits, in the 
 sections of this book entitled " Means of Developing the 
 Paragraph-Theme" ( 18-25) and "Types of Paragraph 
 Structure" (33-46). In reference to these methods 
 (Definition, Specific Instances, Comparison and Contrast, 
 Causes and Results, or, logically speaking, Deduction and 
 Induction) two remarks need to be made here : 
 
 (1) On the larger scale of treatment permitted by the 
 essay, as contrasted with the single paragraph, these meth- 
 ods may, in a given production, be used in greater number 
 and variety, though in precisely the same way as in the 
 single paragraph ; only, now, instead of a sentence or two 
 of repetition, definition, restriction, comparison and con- 
 trast, and the rest, we may find whole paragraphs necessary 
 for these several functions. Instead of the word, phrase, 
 or sentence, of introduction, conclusion, transition, amplifi- 
 
METHODS OF EXPOSITION. 151 
 
 cation, enforcement, or illustration, we may need whole 
 paragraphs, or groups of paragraphs, for these purposes in 
 the essay. The student who has caught the idea of sentence- 
 function in the paragraph will pass easily to the analogous 
 idea of paragraph-function in the essay. 
 
 (2) Each of these methods may, in a given case, rise to 
 the importance of a general method, dominating a whole 
 mass of related material and giving it specific character as 
 a definitive essay (like Mill's Essay on Nature), an essay of 
 classification, arising from the contemplation of numerous 
 specific instances (like Carlyle's Hero as Divinity, in which 
 the effort is not to characterize Odin, the individual, but to 
 characterize the class represented by Odin), an essay of 
 comparison and contrast (like Whipple's Wit and Humor), 
 an essay of cause and effect (like Mill's The Subjection of 
 Women), an essay of inquiry or inductive essay (like Spencer's 
 The Genesis of Science), or, finally, an essay of application 
 and enforcement, or deductive essay (like Helps's On the 
 Art of Living tvith Others). 
 
 The first of the following paragraphs illustrates well the 
 general method of cause and effect ; the second, the method 
 of classification ; the third, the method of comparison and 
 contrast ; the fourth, the method of definition. 
 
 There is a cheerful frivolity in vaudeville which makes it appeal 
 to more people of widely divergent interests than does any other 
 form of entertainment. It represents the almost universal long- 
 ing for laughter, for melody, for color, for action, for wonder-pro- 
 voking things. It exacts no intellectual activity on the part of 
 those who gather to enjoy it ; in its essence it is an enemy to re- 
 sponsibility, to worries, to all the little ills of life. It is joyously, 
 frankly absurd, from the broad, elemental nonsense of the fun- 
 makers, to the marvellous acrobatic feats of performers who con- 
 ceive immensely difficult things for the pleasure of doing them. 
 Vaudeville brings home to us the fact that we are children of a 
 larger growth, and this is one of the finest things about it. It 
 
152 WHOLE COMPOSITIONS. 
 
 supports the sour Schopenhauer theory one of those mislead- 
 ing part truths that life consists in trying to step aside to escape 
 the immediate trouble that menaces us. 
 
 Now the lesson which Inness learned from Barbizon and trans- 
 mitted to the other landscape artists mentioned in this chapter 
 was that a landscape should be a portrait of nature, and therefore 
 that the local facts of the scene are of little importance to the 
 artist merely as facts, but only as vehicles of expression. He will 
 endeavor to give expression either to his feelings toward nature, 
 to the sentiment with which she inspires him, or to what we call 
 the life-spirit in nature itself. He will seek, I mean, to express in 
 his rocks and hills the compression of forces embodied in their 
 solid masses, as well as the smiles or wrinkles that time has set 
 upon their faces ; in his elms, the upspringing and expanding 
 energy within them that has shaped their growth ; in his locust 
 trees, the grim, sturdy struggle for existence ; in his skies, the 
 wonder of space and the buoyancy or density of accumulated 
 vapors. Either subjectively or objectively, or with a motive bal- 
 anced between, he will seek to make his portrait render nature's 
 expression. 
 
 One fact about our literature has not received adequate atten- 
 tion the fact that it had no childhood. In its beginnings it 
 was the record of a people who had long passed the age of play 
 and dreams, and were given over to pressing and exacting work. 
 We are a young nation, but an old people; and our books, as dis- 
 tinguished from English books, are the products of a mature 
 people in a new world. The world in which books are written 
 has much to do with their quality, their themes, and their form ; 
 but the substance of the books of power is the deposit of experi- 
 ence in the hearts and minds of a race. In American literature 
 we have a fresh field and an old race ; we have new conditions, 
 and an experience which antedates them. We were educated in 
 the Old World, and a man carries his education with him. He 
 cannot escape it, and would lose incalculably if he could. 
 
 The meaning of Mugwump is shaded by time, but the new word 
 still lingers in the American language. Nowadays it connotes not 
 mere independence, but a touch also of what Carlyle would have 
 called gigmania, or the worship of respectability. Originally a 
 
METHODS OF EXPOSITION. 153 
 
 mugwump was an independent with Republican antecedents, pri- 
 marily one who accepted Cleveland because he could not swallow 
 Elaine. An exiled Democrat, like the thousands who voted for 
 McKinlcy against Bryan, would not have been called a mugwump 
 when the term had its earlier meaning. The word independent 
 has lost all the opprobrium with which it was tinged during the 
 first Cleveland campaign, and everybody now recognizes the im- 
 mense weakening of party lines, due to the split in the Democratic 
 party, the fading of war prejudice, the lessened interest in the 
 tariff, and the birth of new issues, in which Republicans like the 
 President have taken the ground from under Democratic feet. 
 Among fairly educated rnen to-day, in order to find a fierce and 
 narrow partisan, you must choose an old man. The younger 
 generation feels no passion at the party slogan. The word mug- 
 'wump will probably be less common, as it loses its utility. While 
 it lives it will represent gigmania. " Of course," says one of our 
 correspondents, commenting on Mr. Jerome's part in the present 
 New York crusade, " gigmanity hates him, but it does seem strange 
 that it can be so blind as to fail to see that not all the logic and 
 respectability in the world can win against Tammany." With 
 all our society columns there is much intense Democratic emotion 
 throughout the country, and the national spirit is unwilling to at- 
 tach itself to any cause in which respectability and decorum seem 
 to overshadow warmer-blooded humanity. 
 
 89. Exposition by Narration or Description. Instead of 
 these methods, exposition may, on occasion, adopt the 
 method of narration, or the method of description, or a com- 
 bination of the two. In his essay on Walking Tours, Robert 
 Louis Stevenson is not describing a particular experience 
 of a certain day and date ; he is giving us a sense of the 
 enjoyments that anybody might experience on any walking 
 tour, and he finds it convenient to arrange these enjoy- 
 ments loosely in the time order, as if he were narrating the 
 events of a day. So we find that the main divisions of his 
 essay are as follows : 
 
 1. The aim of the true walker is to experience certain 
 happy moods. 
 
154 WHOLE COMPOSITIONS. 
 
 2. Sensations experienced at the beginning of the walk. 
 
 3. The best mood in which to take the road in the 
 morning. 
 
 4. Moods of different walkers during the first few miles. 
 
 5. A genial criticism of Hazlitt, the walker should not 
 leap and run. 
 
 6. Gradual change of moods as the day goes on. 
 
 7. A word on bivouacs : moods that come when you stop 
 for a rest. 
 
 8. Moods at the end of the day. 
 
 The following shows that the method of description has 
 been adopted. It is Macaulay's exposition of the Coffee- 
 House and its social significance. While there is, in places, 
 some hint of a time order, the conspicuous characteristic of 
 this exposition is the descriptive method ; almost every 
 sentence calls up a picture as description does ; and yet it 
 is not the image of a particular coffee-house that we are in- 
 duced to think about ; it is the coffee-house as an institution. 
 
 The coffee-house must not be dismissed with a cursory mention. 
 It might indeed, at that time, have been not improperly called a 
 most important political institution. Xo parliament had sat for 
 years. The municipal council of the city had ceased to speak the 
 sense of the citizens. Public meetings, harangues, resolutions, and 
 the rest of the modern machinery of agitation had not yet come into 
 fashion. Nothing resembling the modern newspaper existed. In 
 such circumstances, the coffee-houses were the chief organs 
 through which the public opinion of the metropolis vented itself. 
 
 The first of these establishments had been set up, in the time of 
 the Commonwealth, by a Turkey merchant, who had acquired 
 among the Mahometans a taste for their favorite beverage. The 
 convenience of being able to make appointments in any part of the 
 town, and of being able to pass evenings socially at a very small 
 charge, was so great that the fashion spread fast. Every man of 
 the upper or middle class went daily to his coffee-house to learn 
 the news and to discuss it. Every coffee-house had one or more 
 orators to whose eloquence the crowd listened with admiration, 
 
METHODS OF EXPOSITION. 155 
 
 and who soon became, what the journalists of our own time have 
 been called, a fourth estate of the realm. The court had long 
 seen with uneasiness the growth of this new power in the state. 
 An attempt had been made, during Danby's administration, to 
 close the coffee-houses. But men of all parties missed their usual 
 places of resort so much that there was a universal outcry. The 
 government did not venture, in opposition to a feeling so strong 
 and general, to enforce a regulation of which the legality might 
 well be questioned. Since that time ten years had elapsed, and, 
 during those years, the number and influence of the coffee-houses 
 had been constantly increasing. Foreigners remarked that the 
 coffee-house was that which especially distinguished London from 
 all other cities ; that the coffee-house was the Londoner's home, 
 and that those who wished to find a gentleman commonly asked, 
 not whether he lived in Fleet Street or Chancery Lane, but whether 
 he frequented the Grecian or the Rainbow. Nobody was excluded 
 from these places who laid down his penny at the bar. Yet every 
 rank and profession and every shade of religious and political 
 opinion had its own headquarters. There were houses near St. 
 James Park where fops congregated, their heads and shoulders 
 covered with black or flaxen wigs, not less ample than those which 
 are now worn by the chancellor and by the speaker of the House 
 of Commons. The wig came from Paris, and so did the rest of 
 the fine gentleman's ornaments, his embroidered coat, his fringed 
 gloves, and the tassel which upheld his pantaloons. The conversa- 
 tion was in that dialect which, long after it had ceased to be 
 spoken in fashionable circles, continued, in the mouth of Lord 
 Foppington, to excite the mirth of theatres. The atmosphere was 
 like that of a perfumer's shop. Tobacco in any other form than 
 that of richly scented snuff was held in abomination. If any 
 clown, ignorant of the usages of the house, called for a pipe, the 
 sneers of the whole assembly and the short answers of the waiters 
 soon convinced him that he had better go somewhere else. Nor, 
 indeed, would he have had far to go. For, in general, the coffee- 
 rooms reeked with tobacco like a guard room ; and strangers 
 sometimes expressed their surprise that so many people should 
 leave their own firesides to sit in the midst of eternal fog and 
 stench. Nowhere was the smoking more constant than at Will's. 
 That celebrated house, situated between Covent Garden and Bow 
 
156 WHOLE COMPOSITIONS. 
 
 Street, was sacred to polite letters. There the talk was about 
 poetical justice and the unities of place and time. There was a 
 faction for Perrault and the moderns, a faction for Boileau and 
 the ancients. One group debated whether Paradise Lost ought not 
 to have been in rhyme. To another an envious poetaster demon- 
 strated that Venice Preserved ought to have been hooted from 
 the stage. Under no roof was a greater variety of figures to be 
 seen, earls in stars and garters, clergymen in cassocks and 
 bands, pert templars, sheepish lads from the universities, trans- 
 lators and index-makers in ragged coats of frieze. The great 
 press was to get near the chair where John Dryden sat. In 
 winter, that chair was always in the warmest nook by the fire; 
 in summer, it stood in the balcony. To bow to him, and to 
 hear his opinion of Racine's last tragedy or of Bossu's treatise 
 on epic poetry, was thought a privilege. A pinch from his snuff- 
 box was an honor sufficient to turn the head of a young enthusiast. 
 There were coffee-houses where the first medical men might be 
 consulted. Dr. John Radcliffe, who, in the year 1685, rose to the 
 largest practice in London, came daily, at the hour when the Ex- 
 change was full, from his house in Bow Street, then a fashionable 
 part of the capital, to Garraway's, and was to be found surrounded 
 by surgeons and apothecaries at a particular table. There were 
 Puritan coffee-houses where no oath waa heard, and where lauk- 
 haired men discussed election and reprobation through their noses ; 
 Jew coffee-houses where dark-eyed money-changers from Venice 
 and Amsterdam greeted each other; and Popish coffee-houses 
 where, as good Protestants believed, Jesuits planned, over their 
 cups, another great fire, and cast silver bullets to shoot the king. 
 
 90. Exposition by Paraphrase or Abstract. The para- 
 phrase, the abstract, and note-taking are important to the 
 student as methods of exposition, since a large part of his 
 college work must be recorded, if not for others, at least for 
 himself. Although they merely reproduce the thought of 
 the original and are not expected to add to it, the paraphrase, 
 abstract, and notes are, essentially, methods of exposition ; 
 for they require the practice of analysis, definition, and 
 classification, each in its own way. 
 
METHODS OF EXPOSITION. 157 
 
 The paraphrase is a reproduction in which the same thought 
 is expressed in equivalent words. Its object is to make the 
 thought of any selection clearer and better adapted to a given 
 class of hearers or readers than it was in its original form. 
 Practice in paraphrasing selections of prose and poetry, 
 whose thought is already clear, will give facility of expres- 
 sion and variety of phraseology; but the chief value of 
 paraphrasing appears when it is applied to selections whose 
 thought is more or less obscure and difficult of apprehen- 
 sion, thought which needs explanation by restatement in 
 simpler terms. 
 
 The following rules are to be observed in paraphrasing: 
 
 1. Do not change the thought of the original. Change 
 the form only. Follow the thought closely. Reproduce the 
 meaning of the figures, in plain language. 
 
 2. Make all changes in the interest of clearness. The 
 mere substitution of definitions for difficult words is not 
 sufficient. The whole thought must be restated. 
 
 3. Try to maintain the dignity and spirit of the original. 
 Do not weaken the thought. If the original is poetry, guard 
 against inadvertent rhymes in the paraphrase. 
 
 4. Study the use of synonyms. Sometimes changes in 
 the whole sentence are necessitated by the use of one phrase 
 for another. In some places it may be needful to leave the 
 original unchanged. 
 
 The abstract is a condensed statement of another's thought. 
 It presents the main ideas and follows closely the structural 
 plan of the original, but omits unimportant or illustrative 
 details. The abstract is an outline in which the headings 
 are stated in complete sentences and presented in a con- 
 nected discourse. The main problem in abstracting is the 
 problem of determining what are the main thoughts and of 
 selecting these for presentation. 
 
 The most important rules of the abstract are as fol- 
 lows : 
 
158 WHOLE COMPOSITIONS. 
 
 1. Give nothing in the abstract that is not in the original. 
 
 2. Discover, by a careful reading of the original, the 
 author's plan or outline and follow this closely. 
 
 3. Give only the main ideas, omitting or condensing all 
 illustrations, repetitions, and explanations, making the 
 author's plan of treatment and his conclusions stand out 
 plainly. 
 
 4. Observe the law of proportion. Condense all parts of 
 the original on the same scale. There is a danger of repro- 
 ducing too many details in the early part, and of condensing 
 too much in the latter part. 
 
 5. The author's language may be used a little more freely 
 than in the paraphrase ; yet the author's language should be 
 avoided when his thought can be precisely expressed in 
 simpler words. 
 
 6. Make complete and connected sentences and aim at 
 clearness, accuracy, force, and plainness of statement. 
 
 The following rules will be helpful to the note-taker : 
 
 1. Use note-books with small detachable sheets (or cards 
 of library catalogue size) in order to secure economy of 
 time and labor when recopying is necessary, and in order to 
 make future additions and rearrangements easy. 
 
 2. Leave a generous margin to the left, or write on only 
 the alternate lines, in order that you may have a place for 
 revision, addition, or rewriting, and a place to note your 
 own thoughts and comments on the lecture as it proceeds. 
 
 3. The notes should follow the paragraph-structure of the 
 lecture, should reproduce the lecturer's outline as you dis- 
 cover it. If the lecturer numbers his points, adopt his 
 numbering in your notes. 
 
 4. Have a system of abbreviations which you can under- 
 stand a year later ; do not abbreviate oftener than necessary 
 to keep up with the lecturer. 
 
 5. Take down in full the short significant sentences, the 
 
KINDS OF EXPOSITION. 159 
 
 sentences or ideas which the lecturer repeats. He will 
 usually indicate by his voice what he thinks essential and 
 will hurry over what you need not take. 
 
 6. Omit the lecturer's illustrations. Never try to copy a 
 sentence which you do not catch in full. 
 
 7. Copy accurately all names of books and people men- 
 tioned in the lecture. 
 
 8. Be neat, be brief, be systematic, in your notes. 
 
 91. Kinds of Exposition. Certain typical kinds of ex- 
 position have been developed in literature as the need of 
 explanation, interpretation, or criticism has been felt in the 
 various fields of thought. Thus we have 
 
 (A) Explanation : as of a process, of the structure of 
 an object, or of a principle. 
 
 (B) Interpretation: as of things in nature, of human 
 character, or of social situation. 
 
 (C) Criticism : as of works of literature, or of the other 
 fine arts, architecture, sculpture, painting, music. There 
 is no essential difference in process or method between 
 these kinds of exposition: the process is the same for 
 all an analysis leading to a partial or complete definition 
 and classification of the idea to be expounded; and each 
 may use any or all. of the methods of exposition that have 
 been noted. But explanation, as a synonym for exposition, 
 implies an impersonal attitude in the writer towards the 
 subject expounded; it assumes that one man's account of 
 the matter will, if correct, be the same as another man's ; 
 and hence the word is applied almost exclusively in the field 
 of science. On the other hand, the word interpretation, as a 
 synonym for exposition, implies a sympathetic attitude in 
 the writer towards the subject expounded ; it affords room 
 for personal idiosyncrasy ; it puts a premium upon the in- 
 dividual point of view; and it assumes a deeper insight than 
 scientific explanation, with its strict accountability to proof, 
 
160 WHOLE COMPOSITIONS. 
 
 can employ. We speak of the scientific explanation of 
 nature and of the poetic interpretation of nature, properly 
 and without forethought, hardly aware of the distinction 
 that we thus make. Again, the word criticism emphasizes 
 the notion of external standards according to which the 
 exposition will be made. When the word interpretation, 
 rather than the word criticism, is applied to works of 
 literature and art, the implication is that external stand- 
 ards are not to be appealed to, but, instead, we are to have 
 a record of the personal feelings and personal impressions 
 of the writer as he stood, sympathetically, under the influ- 
 ence of the work of literature or art to be expounded. 
 
 Thus while these three words explanation, interpreta- 
 tion, criticism are often used interchangeably, they really 
 suggest three different attitudes towards the subject, and 
 the writer appears in the role of (A) scientist, or (B) ap- 
 preciator, or (C) judge. In the following selections Ruskin 
 adopts each of these roles in turn : 
 
 It is actually some two years since I last saw a noble cumulus 
 cloud under full light I chauced to be standing under the Vic- 
 toria Tower at Westminster, when the largest mass of them floated 
 past, that day, from the north-west ; and I was more impressed than 
 ever yet by the awfulness of the cloud-form, and its unaccount- 
 ableness, in the present state of our knowledge. The Victoria 
 Tower, seen against it, had no magnitude : it was like looking at 
 Mont Blanc over a lamp-post. The domes of cloud-snow were 
 heaped as definitely ; their broken flanks were as gray and firm 
 as rocks, and "the whole mountain, of a compass and height in 
 heaven which only became more and more inconceivable as the 
 eye strove to ascend it, was passing behind the tower with a steady 
 march, whose swiftness must in reality have been- that of a tem- 
 pest : yet, along all the ravines of vapor, precipice kept pace with 
 precipice, and not one thrust another. Ruskin: The Eagle's Nest. 
 
 The Spirit in the plant that is to say, its power of gathering 
 dead matter out of the wreck round it, and shaping it into its own 
 chosen shape is, of course, strongest at the moment of its flower- 
 
KINDS OF EXPOSITION. 161 
 
 ing, for it then not only gathers, but forms, with the greatest 
 energy. 
 
 And where this Life is in it at full power, its form becomes 
 invested with aspects that are chiefly delightful to our own human 
 passions; namely, first, with the loveliest outlines of shape; and, 
 secondly, with the most brilliant phases of the primary colors, 
 blue, yellow, and red, or white, the unison of all ; and, to make it 
 all more strange, this time of peculiar and perfect glory is associ- 
 ated with relations of the plants or blossoms to each other, corre- 
 spondent to the joy of love in human creatures, and having the 
 same object in the continuance of the race. Only, with respect to 
 plants, as animals, we are wrong in speaking as if the object of 
 this strong life were only the bequeathing of itself. The flower 
 is the end or proper object of the seed, not the seed of the flower. 
 The reason for seeds is that flowers may be ; not the reason of 
 flowers that seeds may be. The flower itself is the creature which 
 the spirit makes; only, in connection with its perfectness, is placed 
 the giving birth to its successor. 
 
 The main fact then about a flower is that it is the part of the 
 plant's form developed at the moment of its iutensest life: and 
 this inner rapture is usually marked externally for us by the flush 
 of one or more of the primary colors. 
 
 Ruskin : The Queen of the Air. 
 
 You must have the right moral state first, or you cannot have 
 the art. But when the art is once obtained, its reflected action en- 
 hances and completes the moral state out of which it arose, and, 
 above all, communicates the exaltation to other minds which are 
 already morally capable of the like. 
 
 For instance, take the art of singing, and the simplest perfect 
 master of it (up to the limits of his nature) whom you can find 
 a skylark. From him you may learn what it is to " sing for joy.'* 
 You must get the moral state first, the pure gladness, then give it 
 finished expression; and it is perfected in itself, and made com- 
 municable to other creatures capable of such joy. But it is incom- 
 municable to those who are not prepared to receive it. 
 
 Now, all right human song is, similarly, the finished expression, 
 by art, of the joy or grief of noble persons, for right causes. And 
 accurately in proportion to the Tightness of the cause, and purity 
 
162 WHOLE COMPOSITIONS. 
 
 of the emotion, is the possibility of the fine art. A maiden may 
 sing of her lost love, but a miser cannot sing of his lost money. 
 And with absolute precision from highest to lowest, the fineness of 
 the possible art is an index of the moral purity and majesty of the 
 emotion it expresses. You may test it practically at any instant. 
 Question with yourself concerning any feeling that has taken 
 strong possession of your mind, " Could this be sung by a master, 
 and sung nobly, with a true melody and art ?" Then it is a right 
 feeling. Could it not be sung at all, or only sung ludicrously? 
 It is a base one. And that is so in all the arts; so that with math- 
 ematical precision, subject to no error or exception, the art of a 
 nation, so far as it exists, is an exponent of its ethical state. 
 
 An exponent, observe, and exalting influence; but not the root 
 or cause. You cannot paint or sing yourselves into being good 
 men ; you must be good men before you can either paint or sing, 
 and then the color and sound will complete in you all that is 
 best. ... As soon as we begin our real work, and you have 
 learned what it is to draw a true line, I shall be able to make 
 manifest to you and indisputably so that the day's work of a 
 man like Mantegna or Paul Veronese consists of an unfaltering, 
 uninterrupted succession of movements of the hand more precise 
 than those of the finest fencer; the pencil leaving one point and 
 arriving at another, not only with unerring precision at the ex- 
 tremity of the line, but with an unerring and yet varied course 
 sometimes over spaces a foot or more in extent yet a course 
 so determined everywhere that either of these men could, and 
 Veronese often does, draw a finished profile, or any other portion 
 of the contour of a face, with one line, not afterwards changed. 
 Try, first, to realize to yourselves the muscular precision of that 
 action, and the intellectual strain of it ; for the movement of a 
 fencer is perfect in practised monotony ; but the movement of the 
 hand of a great painter is at every instant governed by direct and 
 new intention . Then imagine that muscular firmness and subtlety, 
 and the instantaneously selective an dordinate energy of the brain, 
 sustained all day long, not only without fatigue, but with a visible 
 joy in the exertion, like that which an eagle seems to take in the 
 wave of his wings; and this all life long, and through long life, 
 not only without failure of power, but with visible increase of it, 
 until the actually organic changes of old age. And then consider, 
 
KINDS OF EXPOSITION. 163 
 
 so far as you know anything of physiology, what sort of an ethical 
 etate of body and inind that means ! ethic through ages past I 
 what fineness of race there must be to get it, what exquisite balance 
 and symmetry of the vital powers 1 And then, finally, determine 
 for yourselves whether a manhood like that is consistent with any 
 viciousness of soul, with any mean anxiety, any gnawing lust, any 
 wretchedness of spite or remorse, any consciousness of rebellion 
 against law of God or man, or any actual, though unconscious, 
 violation of even the least law to which obedience is essential for 
 the glory of life, and the pleasing of its Giver. Ruskin : Lectures 
 on Art, sees. 66, 67, 68. 
 
 But also, remember, that the art-gift itself is only the result of 
 the moral character of generations. A bad woman may have a 
 sweet voice ; but that sweetness of voice comes of the past morality 
 of her race. That she can sing with it at all, she owes to the de- 
 termination of laws of music by the morality of the past. Every 
 act, every impulse, of virtue and vice, affects in any creature, face, 
 voice, nervous power, and vigor and harmony of invention, at 
 once. Perseverance in Tightness of human conduct, renders, after 
 a certain number of generations, human art possible; every sin 
 clouds it, be it ever so little a one ; and persistent vicious living 
 and following of pleasure render, after a certain number of gen- 
 erations, all art impossible. Men are deceived by the long-suffering 
 of the laws of nature ; and mistake, in a nation, the reward of the 
 virtue of its sires for the issue of its own sins. The time of their 
 visitation will come, and that inevitably; for, it is always true, 
 that if the fathers have eaten sour grapes, the children's teeth are 
 set on edge. And for the individual, as soon as you have learned to 
 read, you may, as I said, know him to the heart's core, through his 
 art. Let his art-gift be never so great, and cultivated to the height 
 by the schools of a great race of men ; and it is still but a tapestry 
 thrown over his own being and inner soul ; and the bearing of it 
 will show, infallibly, whether it hangs on a man, or a skeleton. 
 If you are dim-eyed, you may not see the difference in the fall of 
 the folds at first, but learn how to look, and the folds themselves 
 will become transparent, and you shall see through them the 
 death's shape, or the divine one, making the tissue above it as a 
 cloud of light, or as a winding-sheet. Ruskin : Queen of the Air. 
 
164 WHOLE COMPOSITIONS. 
 
 Of course the writer may adopt two or even all of these 
 roles scientist, appreciator, judge in the same essay; 
 carrying them along together or taking them up in turn. 
 We may notice this in the reviews that appear in the monthly 
 magazines and in the essays of such writers as Macaulay, 
 De Quincey, and Carlyle, as well as in the editorials of 
 our newspapers. It is noticeable that the didactic spirit 
 forces the scientist and the judge in the writer more often 
 to the fore. Whereas, essays that are familiar in toue, like 
 those of Lamb, Steele, Addison, and Thackeray, bring out the 
 appreciator in the writer. Literary essays and book reviews 
 reveal most clearly the appreciator or the critic, as the spirit 
 of either dominates the writer. The following gathers into 
 an orderly plan some of the matters of which the book re- 
 view may treat. The prevailing spirit of the topics is criti- 
 cal and scientific ; yet most of those under A and at least 
 the first three under B seem to be conceived in the spirit of 
 the interpreter. 
 
 A. Historical: 
 
 (1) Sources of the work. 
 
 (J) Cause, Occasion, Purpose Dim or apparent? 
 
 (3) Circumstances under which the work was produced. 
 
 (4) Relation of the work to its author. 
 
 (5) Relation to the time in which it was written. 
 
 (6) Effect of the work upon the public. 
 
 B. Descriptive : 
 
 (1) Brief sketch of the subject-matter Plot. 
 
 (2) Characters Their qualities as persons, relative impor- 
 
 tance, relation to one another; contrasting 
 characters; what each is intended to bring 
 out. 
 
 (3) Art in presenting scenes and characters. 
 
 (4) Literary Qualities. 
 
 (a) External Form : 
 
 (1) Words Peculiar forms, meanings, use, eu- 
 phony, simplicity. 
 
ARGUMENTA TION. 165 
 
 (2) Phrases Idiomatic or foreign ? 
 
 (3) Sentences Simple or involved ? Smooth or 
 
 rough ? Compact or loose ? Order of sentence 
 elements. 
 
 (4) Figures Numerous? Kinds? Useful or or- 
 
 namental ? 
 
 (5) Paragraphs Attention paid to structure and 
 
 connection ? 
 
 (6) Qualities of Style Simplicity, clearness, 
 
 strength, pathos, melody, harmony, taste. 
 (6) Internal Structure Are the laws of unity, selection, 
 
 proportion, sequence, variety, observed? 
 (5) Qualities of mind displayed Emotional, intellectual, 
 
 moral, or spiritual ? 
 C. Critical: 
 
 (1) Is the evident object of the work attained? 
 
 (2) Comparison of this with other works of the same author. 
 
 (3) Rank among works of the same kind written by others. 
 
 (4) Its value and its lesson. 
 
 (5) Judge the work by the best of its kind, by the laws of its 
 
 process and by literary laws in general. 
 
 Argumentation. 
 
 92. Definition. Argumentation has been defined as a 
 connected series of statements or reasons intended to establish a 
 proposition. " An argument," says Bain, " is a fact, principle, 
 or a set of facts or of principles adduced as evidence of some 
 other fact or principle." To illustrate : the fact that a large 
 proportion of the prisoners in our penitentiaries are ignorant 
 men is adduced as evidence of the principle that ignorance 
 breeds crime. It is evident that to be of value as an argu- 
 ment the statement as to the large proportion of ignorant 
 men among the prisoners in the penitentiaries must, first, 
 either be admitted to be true or must be shown to be true 
 by statistics; secondly, the same statement must also be 
 admitted or shown by statistics to have been generally true 
 
166 WHOLE COMPOSITIONS. 
 
 for a long period and likely to be true in the future. Both 
 of these conditions are essential to a valid argument. 
 
 Even when one doesn't believe in the proposition that he 
 is arguing, he must imagine that he does, and must try to 
 trace the route thereto. But, since we can seldom remember 
 precisely how we have come to our conclusions, the rules of 
 logic, which summarize the typical ways by which people 
 arrive at safe conclusions, are of the greatest help. 
 
 93. The Proposition. If argumentation is to be of value 
 it must be based upon a proposition, a statement containing 
 a subject and a predicate. You cannot argue " Suffrage for 
 women " ; that is not a proposition. The idea must be put 
 into the form of statement illustrated by any one of the 
 following : " Women should be granted the suffrage " ; 
 " This state would profit by adopting women's suffrage " ; 
 " Women should be granted the right to vote at school elec- 
 tions." Moreover, the proposition should be stated as clearly 
 and definitely as possible. It should narrow the field of 
 discussion to the precise limits desired. The proposition, 
 " United States senators should be elected by popular vote," 
 is less definite than " United States senators should be 
 elected by popular vote in the several states." If the 
 proposition be " Judges should be elected by the people," it 
 means all judges ; whereas you may really wish to argue 
 only with reference to federal judges, "Federal judges 
 should be elected by the people." When the proposition 
 cannot readily be phrased so as to carry a self-evident 
 meaning, the meaning intended must be defined and ex- 
 plained in the introduction to the argument. This will be 
 necessary when the proposition contains a term not accu- 
 rately understood, as " The police sweat-box should be pro- 
 hibited by law," "Vocational education should be intro- 
 duced into the secondary schools of the United States." It 
 may be necessary when you least suspect it, as in the propo- 
 
ANALYSIS. 167 
 
 sition "The United States navy should be increased." 
 Does the United States navy mean merely "fighting ships'-? 
 or does it include colliers, repair ships, and everything else 
 that is necessary to make fighting ships effective ? The 
 statement, definition, limitation, and explanation of the propo- 
 sition is exceedingly important if argumentation is to be of 
 value. Dictionary definitions, quotations from books and 
 magazine articles written by authorities, "what is popu- 
 larly understood " by a term, " common sense," all these 
 may be used in explaining the meaning of a proposition. 
 
 94. Analysis. Having determined what the proposition 
 means and implies, nay even while this is being accom- 
 plished, there must be reading and reflection ; there must 
 be careful analysis including the search for proofs that are 
 essential, the exclusion of matters that are irrelevant, the 
 testing and arrangement of proofs by logic, and the considera- 
 tion of objections that are known to exist against the adop- 
 tion of the proposition, and that must be met in any fair 
 discussion of the subject. 
 
 (A) Reading and Reflection. As to reading, the fol- 
 lowing directions will be helpful : 
 
 1. Do not confine your investigations to one book or 
 magazine article ; read as widely as possible. Especially 
 do not fail to read on both sides of the question. 
 
 2. Learn to read economically. To this end, learn to use 
 the card catalogues in libraries, such publications as Poole's 
 Index to Periodical Literature, and make it a practice to 
 consult the indexes of the books that you use before plung- 
 ing into them. 
 
 3. As reading and thinking goes on, it should result in 
 raising numerous questions. As fast as these occur, spe- 
 cialize your reading ; that is, cease to read for general 
 knowledge of the subject, and begin to read for answers to 
 the several specific questions that have come up. 
 
168 ARGUMENTATION. 
 
 4. Make notes as you read. You will find it most eco- 
 nomical to use for this purpose separate uniform cards (of 
 library card catalogue size), putting on each card only 
 a single note with exact reference to author, title, volume, 
 and page. Loose cards enable you later easily to bring to- 
 gether the notes that belong together by merely shifting the 
 cards. 
 
 (B) Search for Proofs. As to the search for proofs 
 that are essential, the following rules are applicable : 
 
 1. The determination of the real points at issue is pre- 
 requisite to deciding what proofs are essential and what 
 material is irrelevant. Just what the idea is, about which 
 an essential difference arises, must be known in order that 
 we may decide what is needful to support our view. It 
 will help us to discover the real points at issue if we notice, 
 while the reading proceeds, (a) what matters are assumed 
 to be true by all authorities, (6) what matters are excluded 
 from consideration by the wording of our proposition, or by 
 the definitions involved in its terms. Thus if the proposi- 
 tion be " The Philippines should be granted independence 
 of the United States," and if the reading discloses that all 
 authorities assume that the motives of the McKinley admin- 
 istration in acquiring the Philippines were not greed of 
 power, or commercial advantages, or desire for exploitation, 
 but the desire to promote the welfare of the Philippines 
 and to prepare them for self-government, all arguments 
 based on the assumption of bad motives would be properly 
 excluded as irrelevant, and the points at issue would be 
 represented by the following questions : Has the colonial 
 relationship actually promoted the welfare of the Philip- 
 pines ? Has the colonial relationship sufficiently prepared 
 them for self-government ? What would be the effect upon 
 them if self-government were granted ? 
 
 2. A fact, a circumstance, a specific instance, a principle, 
 a maxim, a theory, an appeal to experience or to authority, 
 
ANALYSIS. 169 
 
 will be valuable as an argument if an inference can be 
 drawn from it which puts it in the relation of cause and 
 effect to one of the real points at issue. Thus the fact of 
 several disorders of late years in the Philippines would be 
 pertinent as an argument against the proposition last-named, 
 only if the disorders could be inferred to have been unneces- 
 sary, unprovoked, and significant of incapacity for self-control. 
 3. A proof will be essential only if it be the best of which 
 the case is susceptible. It will not do to be satisfied with 
 quotations of opinion, for instance, about a matter on which 
 official statistics are obtainable. Thus if the proposition be, 
 " The ticket-of-leave system should be adopted in our peni- 
 tentiaries," one of the points at issue that will be sure to 
 arise will be the question, " Will the system be safe for the 
 public ? " and that in turn will raise the question, " Are 
 many ticket-of-leave men recommitted to the penitentiary 
 for further crime ? " Now, it is possible to obtain exact 
 information on this point, and anything short of this will 
 not avail much. Common rumor, individual opinion, is 
 well-nigh worthless in such a case. 
 
 (<7) Testing Proofs; meeting Objections. As to the 
 testing and arrangement of proofs and the disposing of ob- 
 jections, the following suggestions will be found helpful : 
 
 1. Every assertion is likely to be attacked either on the 
 ground that it is based on false " facts," or on the ground 
 that it is based on a false inference from facts that are 
 perhaps true. This prescribes a twofold test of the state- 
 ments that we regard as true arguments : (a) We should 
 first question the " facts " directly, on which we base the state- 
 ment ; are they true as we supposed them to be ? (6) Find- 
 ing them true, we should next question the inference that 
 we have drawn from them ; we should ask, is this the only 
 possible inference that can be drawn ? is it a reasonable in- 
 ference ? an inference that others would easily draw, too ? 
 
170 ARGUMENTATION. 
 
 And if we know that other inferences are possible from the 
 same set of facts, we must examine them to see whether 
 they are more plausible, or probable, than the inference that 
 we have drawn, and we must consider what to say in order 
 to render them less plausible and less probable. 
 
 2. The disposal of objections that are sure to arise is thus 
 interwoven with the work of testing our own arguments. 
 The same twofold test that we apply to our own statements 
 should be applied to each objection that we expect, or fear, 
 from those who think differently from us. In addition to 
 this test we should note that often there are objections that 
 we should candidly admit to be valid. It may be, however, 
 that they are equally valid against any propositions that 
 have been made on the subject and, if adopted, would result 
 in getting nothing done. If this turns out to be so, we 
 should see whether these objections may not be less likely 
 to be operative under our proposition than under others ; 
 and if that seems probable, we should explain them away 
 on that ground. Again, in all fairness, an objection should 
 never be understated ; for understatement indicates inabil- 
 ity to answer it completely. A weak objection may be neg- 
 lected altogether. 
 
 3. Since the work of testing our own arguments is inter- 
 woven with the work of disposing of objections, it follows 
 that our arguments and the objections thereto must be con- 
 sidered together when we are arranging our material in 
 final form. The place to bring in and dispose of an objec- 
 tion is the place at which we are to discuss the point 
 against which the objection is likely to be made. They 
 are two sides of the same thing and should be treated to- 
 gether. In every argument there are two or three points 
 that are vital, the points at issue about which the conflict 
 centres. These two or three points at issue vary in im- 
 portance and the arguments that support them likewise 
 vary in importance. It is a general rule of arrangement 
 
THE BRIEF. 171 
 
 to place these points at issue in the order of climax, and to 
 place the arguments that support them respectively like- 
 wise in the order of climax, proceeding from the least 
 to the most important. 
 
 All of this work of analysis, including reading, the 
 search for essential proofs, the testing and arrangement of 
 such proofs when ascertained, and the disposal of objections, 
 leads finally to the making of a brief of the argument. 
 
 95. The Brief. After the work of analysis is done and 
 arguments have been collected, tested, and arranged, with 
 their respective objections, it is highly desirable, before 
 writing begins, that they should be displayed to the eye in 
 a manner that will show their logical relationship to each 
 other and to the main proposition. This is necessary for 
 three reasons : (1) In order that all that is to be said may 
 be seen as a whole, (2) In order that any gaps in the argu- 
 ment may be detected and filled, (3) In order that a logical 
 guide or outline may be followed in writing or speaking. 
 There are two respects in which a brief differs from an 
 ordinary outline. In the first place, it is made up of 
 complete sentences. In the second place, each sentence of 
 the brief proper must read as a reason for the sentence of next 
 higher rank. Referring to the specimen brief following : 
 
 1. Note that the proposition is rewritten in full at the be- 
 ginning of the brief proper, followed by the word Because. 
 
 2. Note that the chief reasons for the proposition are 
 marked (^4), (5), (C), and that each of these is followed 
 by the word For, and supported by a series of reasons 
 marked 1, 2, 3, etc., these again being supported by reasons 
 marked (a), (6), (c), etc. 
 
 3. Note that the brief does not show the reasons for the 
 arguments of the lowest rank ; yet it is upon these reasons, 
 unexpressed in the brief, that all of the arguments of 
 higher rank must stand or fall. The facts or authorities 
 
172 ARGUMENTATION. 
 
 must be ready when the argument is written, in order to sup- 
 port the arguments of lowest rank. 1 (a) and 1 (6), under 
 (A), for example, will require that the rules indicated be 
 named; and 2 (6) will require explanation. The same is 
 true of the other unsupported reasons. 
 
 4. Note that objections are answered wherever they 
 naturally arise, and that there is a set form of economical 
 statement for them. 
 
 5. Note that the words hence and therefore are not used. 
 They should never be used in a brief ; since they reverse 
 the proper order of main and subordinate statement. 
 
 6. Note that each statement is marked with one and only 
 one letter or number, and that difference in rank is indi- 
 cated not only by the kind of number or letter but by dif- 
 ference in indention. 
 
 Proposition : Intercollegiate football promotes 
 the best interests of the colleges. 
 I. Introduction. 
 
 (A ) The best interests of the colleges include not merely intel- 
 lectual interests, but also the physical interests of the indi- 
 vidual students, and their social interests, esprit de corps, 
 discipline, morals. 
 
 (B) Hostility to intercollegiate football has arisen usually from 
 exceptional or curable evils, from prejudice without intimate 
 knowledge of the facts. 
 
 (C) Intercollegiate football means the six or eight games that 
 are played in the Fall between college teams, operating 
 under strict rules and conference agreements. 
 
 II. Brief Proper. 
 Intercollegiate football promotes the best interests of the 
 
 colleges. Because 
 (A ) Football (intercollegiate and other) is a beneficial form of 
 
 athletics. For 
 1. It promotes the health of the players. For 
 
 (a) The players must observe strict rules against 
 excesses of all kinds. 
 
THE BRIEF. 173 
 
 (ft) They must be regular in their out-of-door 
 
 training. 
 (c) They are usually under the direction of an 
 
 expert physical director. 
 
 (rf) Objection answered. It is not true that the 
 supervision of the director ceases at the close 
 of the season. For 
 
 (1) Generally he is on duty the year round. 
 (e) Objection answered. If sufficient vigilance over 
 the players is not now exercised after the 
 season closes, it can easily be supplied with- 
 out abolishing football. 
 2. It promotes the health of the onlookers. For 
 
 (a) It affords fresh air and recreation to thousands 
 
 who would otherwise miss this. 
 (ft) It gives them a healthy social interest. 
 (c) Objection answered. There is no other outdoor 
 college interest that is so universal in its 
 appeal. 
 
 Intercollegiate games are essential to maintaining foot- 
 ball. For 
 
 1. Without them high standards would be lost. For 
 (a) There would be less attention to strict health 
 
 rules. 
 
 (ft) There would be less call for discipline in self- 
 control, courage, obedience. 
 
 (c) There would be less attention to the scholar- 
 ship of athletes. 
 
 (rf) Objection answered. Under present intercol- 
 legiate rules the scholarship of athletes is 
 more closely watched than that of any other 
 class of students. 
 
 2. Without them there would be a less general partici- 
 
 pation in the game than there is now. For 
 (a) It is the college team that inspires the creation 
 
 of interclass and interfraternity teams ; 
 
 not vice versa. 
 (6) Scrub teams, substitute teams, and the like would 
 
 disappear for lack of incentive to continue. 
 
174 ARGUMENTATION. 
 
 (C) Intercollegiate games benefit the common interests of 
 colleges. For 
 
 1. They promote a true spirit of sportsmanship. For 
 (a) Objection answered. The treatment of visiting 
 
 teams is markedly better than ever before. 
 
 2. They substitute a wider interest for narrow, un- 
 
 reasoning loyalty to one's own college. For 
 (a) They compel the recognition of excellence in 
 competitors. 
 
 3. They promote a closer acquaintance with other in- 
 
 stitutions in all respects. 
 III. Conclusion. 
 
 (A ) Summary of the leading arguments is made. 
 
 (B) A plea is made for regulation rather than prohibition. 
 
 With the completion of the brief nothing remains but the 
 writing of the argument in full, with such amplification of 
 the several arguments, especially those left unsupported 
 in the brief, as the mass of facts collected and the various 
 methods of exposition (see 88-90) may permit or sug- 
 gest. What is given in the pages that follow is to be 
 studied, therefore, not as prerequisite to any attempt at 
 argumentation, but for its value in systematizing our knowl- 
 edge of the subject and in making our practice more accurate 
 and precise. 
 
 96. Reasoning. When we were studying the logical type 
 of paragraph (see 35-37), we discovered the essential 
 difference between induction and deduction as modes of 
 reasoning. We noticed that, in inductive reasoning, an in- 
 ference is drawn from a number of particulars, whereas, in 
 deductive reasoning, a principle is applied in one or more 
 particulars. Argumentation inquires into the validity of 
 each of these modes of reasoning and into the practical use 
 that may be made of each. 
 
 97. Inductive Reasoning. It is evident that inductive 
 reasoning, from the very fact that it dares to make an infer- 
 
INDUCTIVE REASONING. 175 
 
 ence from a number of particular facts or instances, assumes, 
 first, that these particulars constitute a class ; that is, that 
 they are alike in at least one respect ; and, secondly, that, if 
 all of the members of the class have not been, or cannot be, 
 examined, the same inference is as true of the unexamined 
 as of the examined members of the class. The astronomer 
 feels sure that, if he should discover a new planet to-morrow 
 morning, it would be found to be revolving from west to 
 east, like the other planets. The practical question in argu- 
 mentation, then, is, how many particular facts or instances 
 must be examined before a safe inference may be drawn ? 
 We feel sure that the astronomer is safe; but how about 
 the professor who infers from six failures to recite, in a 
 class of forty members, that nobody in the class is doing 
 good work ? or that scholarship nowadays is inferior as 
 compared with twenty years ago ? How about the reformer 
 who infers from the discovery of lawlessness in the manage- 
 ment of public business in a dozen cities that all cities are 
 misgoverned ? It is clear from these illustrations that 
 safety lies in examining as many members of the class as pos- 
 sible ; that the confidence with which inferences may be drawn 
 will depend in part on the size of the class, but more on the 
 characteristic on which the classification is made. Thus an in- 
 ference in regard to the direction in which a new planet will 
 revolve on its axis is felt to be safer than an inference about 
 the character of city governments, because the class is smaller 
 and less complex. Thus too an inference in regard to the 
 morals of sons of criminals will be felt to be safer than an 
 inference in regard to the sons of farmers, of preachers, or 
 of teachers; not because of the different size of the two 
 classes, but because of a certain sense of solidarity in the 
 class that we cannot escape in thinking of " sons of crimi- 
 nals " from the view-point of morality. This sense of soli- 
 darity, or homogeneity, in a class means that the principle 
 or characteristic on which the class is made commends 
 
176 ARGUMENTATION. 
 
 itself to our judgment as being essential and not superficial 
 or whimsical. Doubtless, in the case cited, the command- 
 ing idea that gives this sense of homogeneity is that of 
 heredity. 
 
 98. Flaws in Inductive Reasoning. If now it be- 
 comes necessary to invalidate an inductive conclusion made 
 by another, our course is clear. We may examine members 
 of the class which have evidently been left unexamined by 
 the one who made the inference, and possibly we may find 
 instances sufficient in number to warrant an inference of an- 
 other kind; we may, for example, find more instances of 
 good government in cities than our opponent has cited in 
 support of his inference of universal bad government. In 
 the second place, if this procedure is unproductive of the 
 result we are seeking, we may attack the principle, or charac- 
 teristic, on which the class has been organized. We may 
 declare that it is dangerous to make inferences about the 
 morals of any class based on the principle of birth or occu- 
 pation ; we may cite the cases of British penal colonies 
 Tasmania and New Zealand to prove that descendants 
 of criminals, in a good environment, lose the class character- 
 istic alleged. 
 
 99. Deductive Reasoning. Deduction begins with an 
 accepted generalization about a class and draws a conclu- 
 sion about a member that has not been examined. Thus, 
 from previous experience, a buyer may have reached the 
 generalization that " All shirts marked xyz are well made." 
 He finds this mark on a shirt and concludes that this 
 particular shirt is well made. The syllogism, consisting 
 of major premise, minor premise, and conclusion, offers a 
 perfect form of statement for such reasoning. 
 
 Major premise. All shirts marked xyz are well made. 
 Minor premise. This shirt is marked xyz. 
 Conclusion. This shirt is well made. 
 
DEDUCTIVE REASONING. 177 
 
 All deductive reasoning may be reduced to this practical 
 form without much difficulty. Thus, if the previous generali- 
 zation is not about " All shirts marked xyz" but is " Most 
 shirts marked xyz" or " Some shirts marked xyz" or " Not 
 all shirts marked xyz" the typical form of statement may 
 nevertheless be preserved, and our precise meaning carried, 
 by adding a qualifying clause that reduces the class to the 
 smaller size and character intended. In fact this process 
 helps us to find out exactly what we do mean. Thus, for 
 " most," " some " or " not all " we may find that what we 
 mean is 
 
 Major premise. All shirts marked xyz, that cost more than 
 one dollar, and that salesman A recommends, are well 
 made. 
 
 100. Flaws in Deductive Reasoning. The reduction 
 of the major premise to the typical form will not only give 
 precision to our own reasoning, it will disclose errors in the 
 reasoning of others. One of the chief errors arises from 
 failure sufficiently to define the class first mentioned in the 
 major premise. People make statements with reckless cer- 
 tainty about large, and loose, and vague classes, like social- 
 ists, labor unions, Christians, criminals, society people, 
 business men, students, children. The severe requirement 
 of making a major premise beginning with the word "All," 
 that shall express the idea exactly intended, will usually 
 compel qualification after qualification, each in turn more 
 closely defining the class and reducing its size. This process 
 raises the question of fact. Does the major premise, repre- 
 senting what another has said, express an acceptable gen- 
 eralization ? Is it true ? 
 
 Again, granting that the major premise is true and accept- 
 able, does the conclusion necessarily follow ? Macaulay in 
 his Essay on Hallam's Constitutional History has pointed 
 out an admirable example of illogical conclusions based on 
 
178 A RG UMEN TA TION. 
 
 premises that are, perhaps, correct. He is trying to prove 
 that Elizabeth was a persecutor. 
 
 To punish a man because he has committed a crime, or because 
 he is believed, though unjustly, to have committed a crime, is not 
 persecution. To punish a man, because we infer from the nature 
 of some doctrine which he holds, or from the conduct of other 
 persons who hold the same doctrines with him, that he will commit 
 a crime, is persecution, and is, in every case, foolish and wicked. 
 
 When Elizabeth put Ballard and Babington to death, she was 
 not persecuting. Nor should we have accused her government of 
 persecution for passing any law, however severe, against overt 
 acts of sedition. But to argue that because a man is a Catholic, 
 he must think it right to murder a heretical sovereign, and that 
 because he thinks it right he will attempt to do it, and then, to 
 found on this conclusion a law for punishing him as if he had 
 done it, is plain persecution. 
 
 If, indeed, all men reasoned in the same manner on the same 
 data, and always did what they thought it their duty to do, this 
 mode of dispensing punishment might be extremely judicious. 
 But as people who agree about premises often disagree about con- 
 clusions, and as no man in the world acts up to his own standard 
 of right, there are two enormous gaps in the logic by which alone 
 penalties for opinions can be defended. Man, in short, is so incon- 
 sistent a creature that it is impossible to reason from his belief to 
 his conduct, or from one part of his belief to another. 
 
 We do not believe that every Englishman who was reconciled 
 to the Catholic Church would, as a necessary consequence, have 
 thought himself justified in deposing or assassinating Elizabeth. 
 It is not sufficient to say that the convert must have acknowledged 
 the authority of the Pope, and that the Pope had issued a bull 
 against the Queen. We know through what strange loopholes the 
 human mind contrives to escape, when it wishes to avoid a disr 
 agreeable inference from an admitted proposition. We know how 
 long the Jansenists contrived to believe the Pope infallible in 
 matters of doctrine, and at the same time to believe doctrines which 
 he pronounced to be heretical. Let it pass, however, that every 
 Catholic in the kingdom thought that Elizabeth might be lawfully 
 murdered. Still the old maxim, that what is the business of every- 
 
KINDS OF ARGUMENT. 170 
 
 body is the business of nobody, is particularly likely to hold good in 
 a case in which a cruel death is the almost inevitable consequence 
 of making any attempt. 
 
 Of the ten thousand clergymen of the Church of England, there 
 is scarcely one who would not say that a man who should leave 
 his country and friends to preach the Gospel among savages, and 
 who should, after laboring indefatigably without any hope of re- 
 ward, terminate his life by martyrdom, would deserve the warmest 
 admiration. Yet we doubt whether ten of the ten thousand ever 
 thought of going on such an expedition. Why should we suppose 
 that conscientious motives, feeble as they are constantly found to 
 be in a good cause, should be omnipotent for evil? 
 
 101. Kinds of Argument. Arguments applied immedi- 
 ately to the establishment of the proposition are called 
 direct; those applied to the overthrow of objections are 
 called indirect, or, better, refutation. In either case they 
 may be classified and the different kinds may be pointed 
 out and named. 
 
 102. A priori Arguments. In a priori proofs (some- 
 times called proofs from antecedent probability) the reason- 
 ing (purely deductive) is from cause to effect, or from a general 
 law to the results of that law. 
 
 The prevalence of intemperance in a community is an 
 a priori proof of the existence of wretchedness in that com- 
 munity, because intemperance is a cause of wretchedness. 
 
 Bountiful crops throughout the country furnish an a 
 priori proof that business will be good, since we know that 
 these are a potent cause of general prosperity. Arguments 
 in regard to future events are always a priori. 
 
 The syllogism for a priori reasoning takes the usual 
 form : 
 
 All periods of tariff-tinkering are followed by business 
 disturbances. 
 
 This period is a period of tariff-tinkering. 
 
 This period will be followed by business disturbances. 
 
180 ARGUMENTATION. 
 
 Stated in the severe syllogistic form the a priori proof 
 reveals its weakness. Its validity depends upon the cer- 
 tainty that the cause assigned is adequate and operative. 
 If it can be shown that the cause assigned is inadequate, or 
 though adequate, is hindered by other forces from producing 
 its natural result, the argument is impaired to that extent. 
 In the case just syllogized the major premise may be ques- 
 tioned as a statement of fact, and history may be appealed 
 to in order to decide the truth of the matter. It may be 
 shown in regard to past instances that the tariff-tinkering 
 was not the real and efficient cause of the business disturb- 
 ances ; that the real cause was, in some cases, over-produc- 
 tion, and in other cases over-speculation in land ; in other 
 words, that here a mere antecedent in time has been mis- 
 taken for a cause. Or admitting the truth of the major 
 premise it may be shown that the usual cause will be hin- 
 dered in its operation this time, by vast new governmental 
 enterprises that will fully occupy the energies of the people ; 
 or that the speed with which capital under modern arrange- 
 ments can be transferred from unproductive to productive 
 channels will either obviate or minimize the effect. 
 
 103. A posteriori Arguments. In a posteriori reasoning 
 (also purely deductive) we have the reverse of a priori 
 reasoning. It proceeds from an effect to a precedent condition 
 so connected with the effect that the existence of the effect im- 
 plies the existence of the condition. It is reasoning from effect 
 to cause. 
 
 From the appearance of a certain crop the expert reasons 
 back to the cause there has been no rotation of crops in 
 this field for many years. 
 
 From the peculiar actions of a man near a dark alley at 
 midnight the policeman concludes that the man has done 
 something wrong. 
 
 The physician noticing certain symptoms in a patient 
 
KINDS OF ARGUMENT. 181 
 
 inquires as to the number of cigars he smokes every 
 day. 
 
 A posteriori reasoning takes the usual syllogistic form, the 
 major premise being essentially, "all cases showing these 
 particular facts point back to certain things as causes." The 
 a posteriori argument may be invalidated in the same way as 
 the a priori. One may scrutinize the case and perhaps find 
 the "facts" different from those alleged; one may find new 
 "facts" in the case that are significant; or one may deny a 
 causal relation between the " facts " and the causes alleged. 
 
 Both a priori and a posteriori arguments are nothing more 
 than a reading of signs or indications, the one argument 
 reading forward, the other reading backward. The inter- 
 pretation of circumstantial evidence may be a pnori or 
 a posteriori reasoning. When Sherlock Holmes decides from 
 certain signs that the crime has been committed by a certain 
 man whom he can name, he is reasoning a posteriori; but 
 when he goes on to predict that this man will be found in 
 Salt Lake City within six weeks he is reasoning a priori. 
 The reading, or interpretation, of signs, calls for the exercise 
 of great care. The most suspicious circumstances are often 
 wholly inconclusive. If, for instance, blood stains upon the 
 clothing of a man accused of murder are explained in some 
 other way than by the supposition of guilt, the probability 
 of the explanation offered becomes of prime importance. 
 The same signs are frequently employed for opposite ends. 
 Usually a person comes to the reading of signs with a cer- 
 tain " theory of the case " in mind, which he hopes the 
 signs can be used to verify. One writer regards strikes 
 as signs that the influence of trades unions is pernicious; 
 another regards the same phenomena as signs that the 
 trades unions have given the working classes power to 
 assert and, in some cases, to maintain their rights. The 
 more numerous the signs pointing to one conclusion, the 
 greater their value as arguments. 
 
182 ARG I'M i:\TATIOX. 
 
 104. Arguments from Authority. Authority, or what 
 books and competent persons have said, irrespective of par- 
 ticular cases, as to the truth or falsity of a proposition, and 
 testimony, or the evidence of witnesses, may be a priori or 
 a posteriori, according to the nature of the statements made 
 by the authority or by the witness testifying. When au- 
 thorities are quoted to support a statement, reference should 
 be made to the edition, volume, and page; and in general 
 only those authorities should be referred to who are ac- 
 knowledged to be competent to speak on the subject, who 
 are known to be disinterested, and whose works, if quoted, 
 are accessible. Concurrence of authorities or of witnesses 
 as to the truth of any matter gives added force, but authority, 
 by itself, is the weakest form of argument, and expert testimony 
 has become well-nigh useless, on account of the continual 
 conflict between experts equally eminent. One authority 
 refutes another. 
 
 105. Arguments from Example. Examples of the truth 
 of a proposition are a form of- deduction which gains its 
 power on the assumption that the essential conditions under 
 which men act and things take place remain the same in 
 different times and different countries. Each example 
 should exemplify the point to be proved by it in an unmis- 
 takable way, and all examples cited should exemplify this 
 point in the same way. How many examples are needed to 
 substantiate a given statement must be decided in each 
 case. It is evidently not sufficient proof of the proposition 
 that blindness increases poetic power to cite the case of 
 Milton. The refutation of the argument from example is more 
 frequently successful than that of any other kind of argument. 
 It is never hard to cast doubt upon the applicability of the 
 example cited to the precise point at issue, to show that 
 the example really proves something else. Froude, himself 
 a great historian, doubted if historical examples from one 
 
METHODS OF REFUTATION. t 183 
 
 age were ever of probative force in another age, on account of 
 changes in essential conditions. One form of the argument 
 from example is the " much more " argument (a fortiori) 
 which asserts that if a thing is true in an admitted case, 
 much more should it (or will it) be true in a case where the 
 essential condition is clearer. "If the teacher should be 
 punctual in attendance, much more should the student who 
 has more to lose by absence." Here the point that classi- 
 fies teacher and student together is " profit by attendance " 
 or " loss by absence." The principle of classification is often 
 still harder to find in the analogy which is a vague form of 
 the argument from example, having conspicuous value as 
 illustrating one's meaning, but little value as proof. The 
 prohibition orator who cried, " We do not train out a cancer; 
 we cut it out," illustrated his meaning perfectly, but noth- 
 ing was proved by the statement. Finally, appeals to ex- 
 perience, to common knowledge, to common sense, to 
 what we know of " human nature," are disguised forms of 
 the argument from example, in which specification of par- 
 ticular instances is treated as unnecessary. The refutation 
 consists in the demand for particular instances. 
 
 106. Methods of Refutation. In addition to the methods 
 of refutation noted above the following may be named as 
 occasionally useful : 
 
 1. The Dilemma refutes a proposition by reducing it to two 
 possible cases and disproving each. Thus the proposition that 
 "Convict labor deprives free laborers of work" is answered: 
 
 These convicts, before they were imprisoned, were either workers 
 or idlers. If idlers, they had to be supported at the expense of free 
 labor, and to make them work while in prison relieves free labor 
 of the burden of their continued support. If they were workers 
 before their imprisonment, they competed with other free laborers, 
 and to make them work while in prison does not, therefore, alter 
 former conditions in this respect; whereas enforcing idleness upon 
 
184 ARGUMENTATION. 
 
 them would throw the additional burden of their support upon 
 free labor. 
 
 In rebuttal, however, it would be urged that the dilemma misses 
 the real point at issue. What is complained of is, not that con- 
 victs are compelled to work, but that their work is concentrated 
 in a very few trades, coopering, cigar-making, shoe-making, bolt- 
 making, and thus their output is so great as to depress wages in 
 these trades and deprive free laborers of work. Thus the dilemma 
 fails, for a third alternative is possible : disperse the convict labor 
 among so many trades that in no one of them shall the product be 
 sufficient to exercise a harmful influence. 
 
 2. Presumption vs. Presumption. One presumption 
 may be overthrown by another. The presumption is in 
 favor of established institutions and against a change, but it 
 is also in favor of what is right, charitable, and likely to pro- 
 mote welfare. As these presumptions are often in conflict, 
 one may be used to overthrow the other. The same thing 
 will be called by speakers, under the influence of opposing 
 presumptions, " the existing order," and " antiquated 
 prejudice " ; " religion " and " superstition " ; " the clergy " 
 and "the priests " ; "zeal " and " fanaticism " ; " influence" 
 and "bribery"; "relationship" and "nepotism"; "re- 
 wards " and " graft " ; " good living " and " gluttony " ; 
 " necessary alteration " and " dangerous innovation " ; 
 " liberty " and " anarchy " ; " taxation " and " robbery " ; 
 " bravery " and " foolhardiness " ; " embezzlement " and 
 " stealing " ; " purity " and " prudishness." Each of these 
 terms is fundamentally a begging of the question at issue, 
 for it subtly inserts into the content of the word the very 
 thing that requires proof. However, it is well understood 
 by every one that the words we employ express instinctively 
 and unintentionally our prejudices and habitual presump- 
 tions. Allowance is always made for such usages, and 
 natural tendency may be trusted to offset excess of state- 
 ment by excess of statement, epithet by epithet. 
 
METHODS OF REFUTATION. 185 
 
 3. Reductio ad dbsurdum is a common method of 
 making our opponent's position seem absurd. It applies his 
 argument to extreme cases, beyond his intention, holds him 
 responsible for the logic, and makes him prove something ridicu- 
 lous. Thus Macaulay, in his Copyright Speech of 1841, 
 arguing that any copyright at all means a monopoly, reduces 
 to absurdity the objection that monopoly makes articles 
 good and cheap, by asking 
 
 " Why should we not restore the East India trade to the East 
 India Company? Why should we not revive all those old mo- 
 nopolies which, in Elizabeth's reign, galled our fathers so severely 
 that, maddened by intolerable wrong, they opposed to their sov- 
 ereign a resistance before which her haughty spirit quailed for the 
 first and for the last time ? Was it the cheapness and excellence 
 of commodities that then so violently stirred the indignation of 
 the English people? I believe, Sir, that I may safely take it for 
 granted that the effect of monopoly generally is to make articles 
 scarce, to make them dear, and to make them bad." 
 
PART III. 
 
 
 
 ASSIGNMENTS. 
 
 A. THE PARAGRAPH. 
 
 1. (Sections 1-3) Make an analysis of the structure 
 of one of the whole compositions in Appendix A. 
 
 2. (Section 2) Analyze the following paragraphs ac- 
 cording to their thought-divisions : 
 
 (a) Sight is without doubt the most valuable of the senses 
 except the general sense of touch. The man who loses the sense 
 of smell or the sense of taste may regret the loss keenly, but it de- 
 prives him of only one form of pleasure and contracts to only a 
 limited extent his usefulness or ability. Even the deaf man con- 
 tinues to get along very well by other means of communication 
 with his fellow-men, and though he has lost one of the means of 
 happiness, can be contented and almost as efficient as ever. But 
 the blind man is not merely cut off from enjoyment of the keenest 
 character, but he is almost as helpless as if he had lost all the other 
 special senses together. Yet partial or complete blindness is far 
 from rare. This results more frequently from the complexity of 
 the organ of sight and the delicacy of its mechanism than from 
 any inherent defects. A misunderstood saying of the great Ger- 
 man physicist, Helmholtz, to the effect that he would return to the 
 maker an optical instrument so filled with defects as is the human 
 eye, is often quoted. No one better appreciated than did Helm- 
 holtz the difficult function which the eye is called upon to perform. 
 He would not think of returning an instrument, however defective 
 it might be, which would automatically accomplish one-tenth the 
 amount of work which the eye does. He designed merely to criti- 
 cise the mechanical means adopted to accomplish certain ends, and 
 
 IM 
 
ASSIGNMENTS ON THE PARAGRAPH. 187 
 
 his criticism was a just one. Every mechanic is similarly justified 
 in criticising the mechanism of the muscles of the arm, for ex- 
 ample, because levers of the third order are generally employed, 
 instead of those of the first. Yet no mechanic has succeeded in 
 producing an artificial arm which will accomplish results one-tenth 
 as useful as a natural one. 
 
 (b) The principal cause, it may, perhaps, be said the only 
 cause, of rain is a change from heat to cold, or vice versa. Into a 
 mass of heated air a mass or current of cold air falls or is injected, 
 or similar phenomena occur with a mass of warm air, and there is 
 a condensation of the moisture which always exists in the atmos- 
 phere with a fall of rain. Sometimes the air of higher or lower 
 temperature is brought by a wind of more or less violence, and the 
 rainfall is more or less copious. When an upper stratum of cold 
 air falls upon a lower stratum the change usually proceeds slower 
 and the rain is more moderate at first, with prospect of longer con- 
 tinuance. In these atmospheric modifications electricity plays a 
 part, but whether as cause or effect is not as yet and perhaps never 
 will be fully determined. Mountain ranges or isolated mountain 
 peaks affect the local rainfall, or modify it to such an extent that 
 the entire character of certain countries is changed by these agen- 
 cies. When there is a range of lofty mountains, like the Sierra 
 Nevada, at no great distance from the sea the passage of the moist 
 currents of air toward the interior of the continent is interrupted. 
 Nearly all the rain falls on the seaward side, and the interior of the 
 continent becomes a comparative desert, as in North America, de- 
 pending for the scanty amount of moisture furnished it on other 
 natural causes. In great deserts like the Sahara rain only falls in 
 the vicinity of the mountains, where the storms are often violent, 
 but brief. The climatology of the tropics has been imperfectly 
 studied, but the rains, which are much more abundant, depend in 
 the equatorial belt, as in the temperate zones, on changes of 
 temperature. Droughts occur in Hindostan and in Central Africa, 
 but it is to be remarked that great desert regions like those of 
 Northern Africa and Central Asia are only found at a considerable 
 distance north and south of the equator. 
 
 (C) It is common to talk of ignorance as the chief peril of 
 democracies. That it is a peril, no one denies, and we are all, I 
 
188 ASSIGNMENTS ON THE PARAGRAPH. 
 
 hope, agreed that it has become more than ever the duty of the 
 state to insist, not only on a more penetrating and stimulative in- 
 struction, but upon the inclusion of the elements of constitutional 
 knowledge among the subjects to be taught in the higher standards 
 of our schools. Democracy has, however, another foe not less per- 
 nicious. This is indolence. Indifference to public affairs shows 
 itself not merely in a neglect to study them and fit one's self to 
 give a judicious vote, but in the apathy which does not care to give 
 a vote when the time arrives. It is a serious evil already in some 
 countries, serious in London, very serious in Italy, serious enough 
 in the United States, not indeed at Presidential, but at city and 
 other local elections, for some reformer to have proposed to punish 
 with a fine the citizen who neglects to vote, as in some old Greek 
 city the law proclaimed penalties against the citizen who in a sedi- 
 tion stood aloof, taking neither one side nor the other. For, un- 
 happily, it is the respectable, well-meaning, easy-going citizen, as 
 well as the merely ignorant citizen, who is apt to be listless. 
 Those who have their private ends to serve, their axes to grind and 
 logs to roll are not indolent Private interest spurs them on ; and 
 if the so-called " good citizen," who has no desire or aim except 
 that good government which benefits him no more than every one 
 else, does not bestir himself, the public funds may become the 
 plunder, and the public interests the sport of unscrupulous adven- 
 turers. 
 
 (d) Labor unions have heretofore exerted a large influence in 
 determining the amount of wages that have been paid to the lowest 
 and most numerous class of workers in the various departments of 
 wealth production. But they are now developing certain inherent 
 weaknesses which are destined in the near future to entirely neu- 
 tralize their influence. They have sought to better the material 
 condition of the laborers through combinations looking mainly to 
 an increase in wages. So long as skill in the several trades was 
 difficult of acquirement, requiring long periods of apprenticeship 
 to master them, this was comparatively easy. By limiting the 
 hours of work, the employment of apprentices, and excluding 
 nonunion men, they could so decrease the supply of labor as to 
 materially affect the price. But increase in machinery, increase in 
 density of population, and through them increase in the subdivision 
 of labor are fatal to this continued control of the labor supply. 
 
ASSIGNMENTS ON THE PAEAGRAPH. 189 
 
 When labor is so subdivided that one man or one woman only 
 performs some infinitesimal part in the production of a thing, a 
 part which can be learned in a day, or a week at most, labor can 
 readily transfer itself from one industry to another without serving 
 a long apprenticeship. This increases the difficulties of the labor 
 union, and decreases its chances of success. It is, too, a progres- 
 sive difficulty; one that increases just as this subdivision of labor 
 goes on. The easier it is for labor to flow from one industry to 
 another, the more extensive must be the control of the union to 
 have any effect at all. But this is not the only difficulty. Under 
 our present industrial system, where the materials for wealth pro- 
 duction, the improved processes, improved machinery, the accumu- 
 lations of capital, the opportunities for employment more than 
 all else the land are subjected to private ownership, the sub- 
 division of labor becomes an element of weakness on the part of 
 the laborer. The more minute that subdivision, the more helpless 
 and dependent the laborer. Therefore the union has a double 
 difficulty in exercising a control. One set of workmen can more 
 easily take the places of the other on strike, and being more de- 
 pendent on securing employment it must. 
 
 (e) It is quite a common mistake on the part of young people 
 to suppose that the pleasures of literature correspond with the 
 pleasures of reading. They are so busy absorbing stories and 
 poetic thoughts that they have no time for reflection, recollection, 
 or anything more than eulogistic expressions of opinion. But the 
 pleasures of literature are among the most enduring and varied that 
 man is permitted to have. "My mind to me a kingdom is "is 
 said to have been written by Sir Walter Raleigh, when he was in 
 jail, with no hope of release. His mind was a kingdom because 
 it was stored with learning of all kinds, and because, also, he had 
 a clear conscience. He could live within himself. Even the casual 
 reader of to-day who, in the multitude of literature offered to him 
 can have no set line of study, gains something more than immediate 
 enjoyment. He becomes insensibly charged with facts and fancies 
 which, living in his memory, will be revived in after years and 
 renew the pleasures they now afford. But the pleasures of litera- 
 ture are not confined to those derived directly from reading or 
 from recollection. Literature stimulates original thought and leads 
 to another field of pleasure that of writing for the instruction or 
 
190 ASSIGNMENTS ON THE PARAGRAPH. 
 
 enjoyment of others. It leads also to association with men of kin- 
 dred tastes and enjoyments, and may thus greatly enlarge the 
 opportunities for pleasure. Every society organized for the study 
 of literature or practice in the art seems to establish wholesome 
 friendships that not only last a lifetime, but may be extended to 
 other generations. 
 
 (f) Poetry has done much to give shape to the religion of the 
 world. It has been said that Homer gave to Greece her gods. 
 This is doubtless true in the sense that the Homeric poems did 
 much to give permanent shape to the Greek mythology, and they 
 did this not in spite of, but because of, the fact that they were, and 
 were felt to be, merely poems. In later times, Wordsworth did 
 more than almost any one besides to give reality and influence to 
 the religion of the divine immanence. At the same time, there 
 could hardly be found examples of truer poetry than the lines in 
 which Wordsworth sings of the beauty and sublimity of the Divine 
 Presence in this outer world. It is because the poetry is so genuine, 
 BO perfect simply as poetry, that it has had such influence. That 
 poetry should have been able to influence religion in this way is 
 what might have been naturally expected. Religion is of the na- 
 ture of poetry. It implies a certain divine insight. In the religion 
 of the earlier world men gave life to the things about them. The 
 world in which they dwelt was a living world. The sun soared 
 and guided itself through the heavens; men could speak to the 
 trees and the mountains, and be heard. In later times, by a simi- 
 lar method, religion reached loftier heights. These heights were 
 gained largely by faith, and faith rose upon the wings of the im- 
 agination. It was not by the arguments of philosophers and theo- 
 logians that these planes were attained. These arguments followed 
 after to give permanence to what faith had won. Faith, however, 
 is always in advance. Thus poetry has lent itself from the earliest 
 times to be the expression of religion. Indeed, it was probably at 
 first simply the expression of religion. What is true of religion is 
 . true also of morality. Morality rests not upon argument, but upon 
 insight. Theories form about these insights. The moral sense 
 upholds these theories, and is not upheld by them. Morality thus 
 belongs not to the realm of logic, but to that of the imagination. 
 The same is true of the whole class of relations to which poetry 
 has ministered. Love, patriotism, liberty, all these have been sung 
 
ASSIGNMENTS ON THE PARAGRAPH. 191 
 
 by poetry, because they all bring us into relations with unseen 
 ideals. They all belong to the realm of faith and imagination, 
 (g) All the chief stories that we know so well are to be found 
 in all times, and in almost all countries. Cinderella, for one, is 
 told in the language of every country in Europe, arid the same 
 legend is found in the fanciful tales related by the Greek poets ; 
 and still further back, it appears in very ancient Hindoo legends. 
 So, again, does Beauty and the Beast; so does our own familiar 
 tale of Jack the Giant-Killer; so also do a great number of other 
 fairy stories, each being told in different countries and in different 
 periods, with so much likeness as to show that all the versions came 
 from the same source, and yet with so much difference as to show 
 that none of the versions are directly copied "from each other. In- 
 deed, when we compare the myths and legends of one country with 
 another, and of one period with another, we find out how they have 
 come to be so much alike, and yet in some things so different. We 
 see that there must have been one origin for all these stories, that 
 they must have been invented by one people, that this people 
 must have been afterward divided, and that each part or division 
 of it must have brought into its new home the legends once com- 
 mon to them all, and must have shaped and altered these accord- 
 ing to the kind of places in which they came to live: those of 
 the North being sterner and more terrible, those of the South softer 
 and fuller of light and color, and adorned with touches of more 
 delicate fancy. 
 
 3. (Section 4) Find among the uncredited paragraphs 
 in Appendix A five that are evidently part of a larger dis- 
 course. Find five that are clearly independent compositions. 
 
 4. (Sections 2-3) The dots in the following para- 
 graphs show where sentences have been omitted. Deter- 
 mine, by analysis, the missing idea, and write the sentence. 
 
 (a) A coal miner well knows that the deeper the pit the warmer 
 he finds it. Even in the severest winter, at the bottom of a coal 
 pit, frost would be unknown. Our deepest mines, however, amount 
 only to a very insignificant opening in the earth, when its due 
 proportions are considered. We have never pierced the interior 
 of our globe to an extent comparable with that of the depth of the 
 
192 ASSIGNMENTS ON THE PARAGRAPH. 
 
 rind of an orange, on a globe the same size as an orange. Conse- 
 quently, any observations that can be made even in the deepest 
 mines are available only to a very limited extent for affording us a 
 notion of what the interior of the earth may be like. . . . The fact 
 that the temperature gradually increases the deeper we go shows us 
 that this increase must still continue even at depths far beyond those 
 to which we can attain. Suppose, for instance, a red-hot cannon 
 ball is left to cool, the heat is radiated away from the outside, and 
 the internal heat, travelling outward from the interior, has to ar- 
 rive at the outside before it, too, can be dispersed by radiation. 
 If the cannon ball were a very large one it would be found that 
 the exterior grew cold while there was still a great deal of warmth 
 at the centre in fact, if the dimensions of the ball were suffi- 
 ciently large it might still be red-hot in the middle, while at the 
 outside it was cold enough to place your hand upon. Just so is it 
 with the earth ; it is a vast cooling body ; the heat from the inte- 
 rior is gradually leaking out to the surface, from whence it will be 
 dispersed by radiation. The deeper that we penetrated into its 
 interior the hotter it would be found, and from the observed law 
 of increase in the depths which are accessible to us, it becomes 
 possible to calculate, within certain limits, what the heat must be 
 in regions lower still. 
 
 (b) The study of art is an efficient auxiliary to all other studies. 
 Art is the interpretation of nature as she appears in her various 
 phases ; and as nature is presented to the vision in her subtle forms 
 and varied effects of chiaroscuro and color with great thoughts 
 embodied she requires from the artist his closest attention to her 
 truths, discouraging all theories that may do violence to them. 
 In physical treatises Aristotle is overturned by Bacon; music and 
 the drama have undergone great transformations, but Phidias has 
 never been overturned, neither has Greek art evolved into a bet- 
 ter. The truths then discovered and embodied in material form 
 were absolute ; and thus they remain. It is this absoluteness in 
 art which renders it so efficient a study for the young. Its truths 
 cannot be evaded nor tampered with. The so-called realistic 
 novelist may blunder repeatedly in his pictures of life and the 
 drawing of his characters, which pass unchallenged except by the 
 studious observer. Should an artist make like blunders he would 
 become not only the object of criticism, but of ridicule. But ... 
 
ASSIGNMENTS ON THE PARAGRAPH. 193 
 
 Aristotle says that the work of the artist is not simple representa- 
 tion of ordinary fact, but of the universal and ideal which underlies 
 the ordinary fact, and that here is where poetry is more philosophic 
 than history. 
 
 (c) The notion prevails in this country that we are a very 
 practical people. We take credit to ourselves for being sensible, 
 shrewd, and at least mindful of our own interests. This quality 
 gets a harsher name from our foreign critics. They say that we 
 are materialistic, grasping, and, in fact, sordid, as the thing we 
 care most for is money, and that which we are most alive about is 
 our material interests. They admit that we are " smart," but say 
 that we are mentally commonplace and unimaginative. . . . We 
 are a very imaginative people, and in many ways the most unprac- 
 tical. The old stage conception of Uncle Sam as a good-natured 
 rustic sitting in a rocking-chair, whittling, was not altogether out 
 of the way. Whittling is not a renumerative occupation, as a rule, 
 although this quaint waiter on Providence, who seemed to imagine 
 that if he sat at ease, all good things would, in the course of time, 
 pass his way, occasionally did whittle out an invention that would 
 save him from labor. He answered the gibes of his critics by 
 pointing out the fact that the chair he sat in was a self-rocker 
 a little invention of his own. He was a man of vague dreams 
 and imaginations. 
 
 5. (Sections 2-3) In each of the following paragraphs 
 a sentence is out of place. By a careful analysis discover 
 the misplaced sentence and put it where it belongs. 
 
 (a) The progress of every country is in proportion to the num- 
 ber of alert and trained minds which it contains. Their knowl- 
 edge becomes the public knowledge; their opinion becomes public 
 opinion. National blunders and national misfortunes are almost 
 invariably the fruit of ignorance. Prosperity goes hand in hand 
 with knowledge. And as in every community the bulk of the 
 people are engaged in the pursuit of subsistence the lawyer by 
 his cases, the merchant by his wares, the doctor by his patients, 
 the workman by labor the duty of accumulating knowledge and 
 thinking for the community devolves upon a few who are more 
 highly trained than the rest and more clear headed. Where these 
 
194 ASSIGNMENTS ON THE PARAGRAPH. 
 
 select minds are numerous and powerful the community will be 
 intelligent and prosperous; where they are few and timid the 
 community will be narrow and stunted in its growth. It is the 
 business of high education to develop as large a body as possible 
 of these choice minds so that among them a few will be found 
 who may become leaders of men and leaders in the right direction. 
 
 (b) When the wise man uttered the familiar aphorism, "As a 
 man thinketh in his heart, so is he," he expressed not merely a 
 moral maxim but a scientific truism. What men mentally dwell 
 upon they become or grow like. The scientific way to destroy evil 
 is not to hold it up and analyze it in order to make it hateful, 
 but rather to put it out of the consciousness. The quality of think- 
 ing determines consciousness, and consciousness forms character. 
 Character is, therefore, nothing more nor less than an habitual 
 quality of consciousness. Action is often temporarily modified 
 from motives of outward policy, but its constant effort is to be- 
 come a true copy of the inner pattern. No matter to what extent 
 one may detest a crime, he cannot immerse his consciousness in its 
 turbid waves without taking on some of its slime and sediment. 
 
 (c) Let us see what effect the single tax would have in any city 
 or village. It would wipe out most of the selling price of idle 
 land, because the tax on such land would be just as much as it 
 would be on land next to it which had buildings or improvements 
 on it. This would prevent owners from holding land out of use 
 simply for speculative purposes, for they would know that as the 
 land increased in value the taxes would increase in proportion. 
 There would no longer be lack of opportunities for the profitable 
 employment of capital. Thus land would become accessible to 
 .those who really want it to use, and men would no longer have to 
 go long distances to get ground on which to build when there was 
 idle land near at hand. Land would be free. On the other hand, 
 all improvements, being released from taxation, would receive an 
 enhanced value. This would stimulate industry, while thrift and 
 enterprise would receive their just reward instead of being fined as 
 at present The land grabber, who holds land idle and will neither 
 use it himself nor let others use it, would, like his historic proto- 
 type, find his occupation gone. We can afford to spare him, as he 
 stands ever a bar to progress, demanding tribute of the industrious 
 
ASSIGNMENTS ON THE PARAGRAPH. 195 
 
 community. He would soon mingle in the ranks of the legitimate 
 industries and add to, instead of detracting from, the common 
 weal. There would no longer be the temptation to conceal prop- 
 erty by perjury for the purpose of evading taxes. 
 
 (d) It is a nice matter to keep the proper balance between 
 boasting and humility, but if any error is to be committed it had 
 better be on the side of humility. True humility has in it some 
 quality of virtue, and is therefore to be preferred to mere boastful- 
 ness. But mock humility, based upon hypocrisy, is a vice of a very 
 mean order. Boasting is the result of unfounded vanity. The man 
 of real merit has no occasion to boast, nor as a rule does it occur 
 to him to do so. Self-confident and resourceful, he relies upon 
 himself so completely that he never thinks of sounding his own 
 trumpet. On the other hand, the man of humility is often timid, 
 inclined to self-depreciation, or else is a hypocrite, assuming an 
 humble part to deceive and because he has been taught to look 
 upon humility as a virtue. The boastful man suffers much for 
 his folly. He is always being humiliated by disclosure of the 
 hollowness of his pretensions. Unless he is extremely callous he 
 becomes more wary as experience teaches him the consequences of 
 his vanity, and as a result notorious boasters are usually young 
 men. But there are exceptions to all rules. Sometimes the habit 
 becomes so ingrained that it persists, as with Falstaff, until the 
 boaster has long passed middle age. 
 
 6. (Sections 5-9) Criticise the following paragraphs, 
 pointing out violations of the laws of unity, selection, pro- 
 portion, and sequence. Rewrite, varying the form of ex- 
 pression without changing the idea. 
 
 (a) Without doubt the first requirement of the successful re- 
 porter nowadays is that he shall not only dress like a gentleman, 
 act like a gentleman, but shall be a gentleman. He is usually a 
 man from twenty-five to forty-five years of age. In appearance 
 he is so much like the successful broker, the well-informed and 
 prosperous merchant or lawyer or man of culture, that from his 
 dress he might easily pass as any of them. He is almost never 
 seen with a note-book, and rarely uses one except to record names 
 and dates. He is quiet and dignified in his behavior, considerate 
 
196 ASSIGNMENTS ON THE PARAGRAPH. 
 
 in his thoughts and ways. He has a long interview with a man 
 and instinctively knows what to suppress, what to modify, what 
 grammatical errors of colloquial speech to omit in short, how to 
 arrange a man's words as the average man likes to appear when 
 speaking in print. 1 The most successful reporter in New York is 
 without doubt the college-bred man. There are scores of non-college 
 men in the business, and many of them are among the leaders, but 
 other things being equal, the college men invariably go to the front. 1 
 Some one has said that the chief drawback of a reporter's calling 
 is that it exposes him to all kinds of weather and to all kinds of 
 people. That is true, but even this has its advantages. Exposure 
 to weather when one is properly prepared is healthful and often 
 invigorating. The same is true of exposure to people. No other 
 occupation has the variety some of it undesirable 2 of that of 
 the reporter. Almost every day brings a new task for him. He 
 rubs against luxury and misery. 8 
 
 (b) A common misapprehension among literary men, that is to 
 say, versifiers and novelists, is that literature is a matter of words, 
 a thing of collocation and orthoepy, whereas its chief and essential 
 function is to express sentiment and thought, 4 and the composition 
 of an impressive painting involves a like process of thought through 
 which a poet would have to pass in writing on the same incident. 
 The picture may be more effective than the poem. The poem must 
 be read. The picture must be seen. Now, the tendency of the true 
 drama is to symbolize, to present living pictures; while economy 
 in words is one of the pressing needs in vitalizing a strong action. 
 The dramatist, however happy he may be in his diction, knows 
 that the literary trick can only give finish or incidental aid ; that a 
 drama is not a literary thing at all, in the sense of being hammered 
 together out of words ; and that, in fact, it is no drama unless it 
 remains incomplete in its effectiveness until it is acted. But even 
 if the " literary " part of it be inconsiderable, yet if it accomplishes 
 a worthy purpose, it is literature. With this distinction 8 in mind, 
 
 1 Unity. Rewrite hi three distinct paragraphs. 
 
 2 Should this phrase be omitted ? 
 
 * The paragraph seems incomplete. "Why ? 
 
 4 Is this comparison properly introduced and clearly developed? 
 
 Is the distinction clear? 
 
ASSIGNMENTS ON THE PARAGRAPH. 197 
 
 it is well to turn to some facts in the history of letters, that ac- 
 count, in a measure, for some of the misapprehensions. The con- 
 ditions of the Greek drama were very peculiar, yet its plays were 
 written to be acted, and in tragedy were highly poetic. The tech- 
 nique of that stage permitted an ideal union of the literary and the 
 dramatic ; but the poetic drama is only one form. In all genuine 
 and bustling comedy, ancient or modern, the literary element has 
 small part. Plautus was not a man of words. His plays were for 
 the stage. Real life requires the language of the day, and the 
 artificialities of literature are entirely foreign to it, for a good play 
 is life itself. Again, 1 verse is merely a convenience, and the belief 
 that literature, particularly as it concerns the drama, belongs 
 almost solely to this form of expression has long been exploded, 
 and has troubled no man, with any appreciation of facts, since the 
 days of the extinct school of Corneille. The abandonment of verse 
 was an emancipation. The drama has not declined ; it has simply 
 expanded. It is constantly expanding and gaining new forms 
 and fresh strength. From the Shakespearean standard in the 
 matter of the poetic form it has declined. 2 
 
 (c) Conversational brilliancy is as distinctly a gift, not to be 
 acquired, as is any other natural talent, and the fortunate possessors 
 of it are to be admired and envied. But the average of talkers 
 can, with care and training, remedy natural defects, or heighten 
 natural cleverness to the extent of making themselves at least in- 
 teresting in their conversation. To restrain its range within such 
 narrow limits as to restrict its subjects to mere idle gossip is cer- 
 tainly not a fault that one cannot correct, for ordinary intelligence 
 and ordinary knowledge only are required to attain such informa- 
 tion as will render pure gossip a matter of choice and not of neces- 
 sity. The ordinary topics of the day now embrace in themselves 
 an astonishing width and variety of subject-matter, since they in- 
 clude the practical application of so much science to the affairs of 
 daily life, the increasing popular interest in matters of political 
 government foreign and domestic the general discussion of 
 
 ils the force of this connective clear? Analyze the paragraph, dis- 
 cover its theme and principal ideas, and rewrite. 
 
 2 Does this sentence bring the thought of the paragraph to a fitting 
 close ? 
 
198 ASSIGNMENTS ON THE PARAGRAPH. 
 
 moral and social problems that events have forced on the direct 
 attention of the public at large, and the infusion into the ordinary 
 atmosphere, more or less, of the spirit of scientific investigation. 1 
 The average minds on which, after all, the world depends for the 
 carrying out of the work planned by the thinkers, need the mutual 
 friction that intelligent talk gives their abilities, and the recreation 
 of the pleasures of mutual talk. To this end the cultivation of a 
 clear and distinct style of speaking, of the habit of observation, of 
 the acquisition of ordinary knowledge of the current events and 
 ideas of the day, of succinctness of expression, of liveliness in nar- 
 ration, of an equal readiness to receive and impart ideas, of courtesy 
 and good temper in argument this cultivation is within the reach 
 of each and every one not abnormally stupid, and would repay the 
 patience and perseverance of its pursuit. Conversation is by no 
 means a lost art ; but the main trouble is that it is too seldom re- 
 garded as an art at all. Yet no nation is so naturally equipped to 
 become one of good talkers as our own. 
 
 (d) A Cent School is so called because the children who come 
 to it bring each one a cent, clutched tightly in a little hand, or 
 knotted in the corner of a handkerchief, a daily offering. If the 
 cent is forgotten, or lost on the way, the child goes home for an- 
 other, that is all, and has a scolding for carelessness into the bar- 
 gain. The littlest children go to it 2 used to go, rather, for indeed 
 this should all be in the past tense rather than the present. tin- 
 Cent School being a thing of the past and, as one might say, a 
 great-aunt of the present kindergarten, an old woman from the 
 country, who is rather plain in her ways. Eunice Swain would have 
 thought a kindergarten foolishness. Her children did not come 
 to school to be amused, but to work. She put them on benches in 
 her big kitchen, because it was warm there, and sat in the dining- 
 room door, and taught them, or chastised them, as the spirit bade 
 her. She taught the three R's, and manners, and truth-telling, 
 and, above all, humility, impressing on these infants, daily, that 
 they belonged to a generation, not of vipers exactly, but of weak- 
 lings. 
 
 i Unity ? Sequence ? What should be done with this sentence ? 
 8 Unity ? Sequence ? Analyze the paragraph and rewrite it. 
 
ASSIGNMENTS ON THE PARAGRAPH. 199 
 
 (e) If a boy who comes to town can begin by paying his way 
 in the most economical manner, he will do remarkably well. The 
 chances are against his doing as much as that, so great is the de- 
 mand for places. Some men even pay to have their sons taken 
 into great mercantile establishments, though the general experience 
 of merchants is that the boys who come from poorer homes and 
 have been brought up to hard work are more likely to push ahead. 
 Natives and foreigners who have learned frugality and have known 
 hardship from their boyhood, are getting ahead of those brought 
 up more tenderly. Yet, 1 as I said before, a country boy who must 
 earn his own support from the very beginning should not risk his 
 fortune in a great city until he has found an actual opening there. 
 It is better for him to compel fortune where he is; to improve the 
 chance nearest to his hand ; * this country is increasing so rapidly in 
 population and in the variety of its industries and their demands that 
 throughout its extent new opportunities for a career are constantly 
 arising. Probably 2 the United States will contain at least 200,000,000 
 of people by the time boys who read this paper have reached middle 
 life, and are in the prime of their manly power. New cities will 
 grow up by the hundred and new outlets for energy and enterprise 
 will rise. 8 The twentieth century is at hand and it will bring abun- 
 dance of work and plentiful opportunities for every boy of to-day who 
 lives to enjoy its light and participate in its progress. The chances 
 of fortune in the future will be as great as they have been in the 
 past, and the facilities which a young man can obtain will be more 
 numerous. With very few exceptions 4 you could count them on 
 the fingers of one hand the great fortunes of the Union have 
 been accumulated within the last fifty years. All the greatest of 
 them have been made within that period, and they have been made 
 by country boys. 6 But there is something more, better, and higher 
 than a fortune to make. It is character ; and there is acquirement 
 more valuable than the acquirement of money, and it is the knowl- 
 edge which enables a man to get the most out of life and to make 
 himself of the most use, whatever his circumstances, whether he 
 lives among the crowd of a great city or in the solitude of a country 
 farm. 
 
 1 Unity? 2 Sequence? 8 Unity? 4 Sequence? 
 
 Unity ? Rewrite in two distinct paragraphs. 
 
200 ASSIGNMENTS ON THE PARAGRAPH. 
 
 (f) There is some impatience with the epoch of Queen Anne. 
 We do not mean the Augustan age, as it used to be called in 
 which, however, it would not be easy to point out the Virgil or the 
 Horace but the era of the Queen Anne house, the epoch of deco- 
 rative art in building and in furnishing. But, on the other hand, 1 
 the epoch of Queen Anne is a delightful insurrection against the 
 monotonous era of rectangular building and of the divorce of beauty 
 and use. 2 The distinction of the present or recent dispensation is 
 that the two are blended, that neither the house nor anything in it 
 need be clumsy or ugly. There is no longer an excuse for an un- 
 sightly table or chair or utensil or the least object of household 
 convenience. There need be no more waste spaces in the house. 
 The old entry, which had degenerated from a hall into a mere 
 lobby or vacant passage, is now taken into the general " treatment " 
 of the interior, and becomes a delightful part of it, as pleasant and 
 home-like as any other. The staircase is no longer a railed ladder, 
 but has risen into a chief ornament of the house, as the noble 
 staircases in the new Capitol of New York are the most imposing 
 of its details and decorations. 
 
 (g) A man who is in the Wisconsin penitentiary for life has 
 appealed to the Secretary of the Navy, suggesting that as it is 
 difficult to recruit men for the Navy, the department might 
 find a large number of men in the penitentiaries who would be 
 willing to serve in the Navy rather than in prison. This prisoner 
 had reasons aside from his desire for release, for writing his letter ; 
 during the Civil War prisoners were taken from penitentiaries, and 
 enlisted in both armies, North and South, and many of them made 
 good soldiers. 8 Of course it would seem to degrade the naval ser- 
 vice to adopt such a policy, but why should our thought run in that 
 direction ? We educate convicts to be shoemakers, and to other 
 trades, in prison ; why might we not set apart certain war-ships to 
 be manned by United States prisoners? They would be quite as 
 safe in a war-ship at sea, their confinement would be as close, their 
 work as hard, and the punishment as severe as when confined in 
 any stone building that is protected with iron bars and doors. 
 
 1 Is " But, on the other hand " the proper connecting-phrase to use here ? 
 Point out the two ideas in adversative relation. 
 
 s Is the reference clear ? * Unity ? Is this sentence needed ? 
 
ASSIGNMENTS ON THE PARAGRAPH. 201 
 
 (h) Literary societies, as a rule, are short lived. The varied 
 business and family and social duties of members drift them apart 
 after a few years of regular association, but such societies seldom 
 altogether die out. They may not hold regular meetings or keep 
 a record of their proceedings, but the members, or some of them, 
 get together on occasion and live over again the old life, contrast- 
 ing it with the present. 1 There are disadvantages as well as ad- 
 vantages arising from an extended literature of an ephemeral kind. 
 A greater number of people become refined and educated to a 
 certain extent, but there is less of solid reading and reflection even 
 on the part of the few. Under such conditions, the association of 
 literary minds is required to give purpose and effect to reading. 
 That we may not scatter too much in reading and in the subjects 
 of thought, it is desirable that kindred minds should come together 
 and concentrate thought and study upon particular branches of 
 literature. This might not be desirable if literature were less 
 plentiful, but there is little danger in these days that even a 
 specialist will become too narrow-minded. Try, though he may, 
 to limit his thought to a single field, the newspapers and maga- 
 zines will keep him informed about other subjects than the one to 
 which he gives serious study. l The young folks of to-day have 
 greater opportunities than were offered to preceding generations to 
 store their minds with information, refine their tastes, and lay up 
 for themselves pleasures that last as long as life and reason. They 
 can do this in a measure by the reading of good books; they can do 
 it more effectively by adding thereto association with young people 
 of similar tastes and ambitions. For the pleasures of literature 
 are not transient ; they linger in the memory and are revived by 
 every old association, as of well-loved books or well-loved friends. 
 
 (i) In the thronged walks of great cities one can easily single 
 out the artist if he have an observant eye. A certain nonchalance 
 of gait and manner distinguishes him from the passing throng. 
 In him you remark none of the haste and bustle of the eager man. 
 If not overworn, he may wear a regardful joined to a contemplative 
 air. The oatloaf, carelessly wrapped under the arm of one, desig- 
 nates him as the crayon artist, for this is an indispensable adjunct 
 
 1 Sequence ? 
 
202 ASSIGNMENTS ON THE PARAGRAPH. 
 
 to his work when the pencil is in hand. * To enjoy the society of a 
 coterie of artists is to see and enjoy society under a new and en- 
 lightening phase. But, in the meantime, they idealize as it is their 
 nature to do, and lead a life quite aside from the majority of their 
 fellows. They appreciate sport and recreation, life on the sea, as 
 a yachting cruise, or in the woods and mountains, their sketching 
 at hand. The idealist is no imitator, and variation from the com- 
 mon theme marks his every mood and action. To this factor in 
 his composition we may trace his occasional departure from the 
 accepted styles of costume, or of wearing the hair, a trivial matter 
 except as it becomes an occasion of misapprehension. 
 
 7. (Sections 5-9) Reduce each of the following para- 
 graphs to a single compact sentence. See to it that the re- 
 lation of main and subordinate ideas is the same in the 
 sentence as in the paragraph. Avoid, as far as possible, the 
 phrasing of the original. 
 
 (a) Each individual has, locked in his personality, a secret, a 
 problem meant to benefit himself and the race. It is the sphinx's 
 conundrum, and each must solve it or perish. The city offers a 
 million opportunities for its solution where the country offers one. 
 A Thoreau or an Emerson may find sermons in the running 
 brooks, but most of us need more explicit teaching, and this the 
 city affords. All the faculties are stimulated to the highest ex- 
 ercise, and the achievement of an entire population re-enforces in- 
 dividual effort. Failing, one may try again, starting on a lower 
 level ; it is only the totally incompetent who lie prone in a pitiful 
 heap at the foot of the ladder of endeavor. Always the construc- 
 tive element is stronger than the destructive, and for one that falls, 
 a hundred rise. So the standard of living is lifted higher and 
 higher, while the fallen receive the aid of the successful and their 
 children an education that shall prevent their fall. This is the 
 aim of the public schools, and an aim that experience must ulti- 
 mately attain. With civilization there is no longer independence, 
 but interdependence. No man lives or dies to himself alone; 
 physically, mentally, and morally he is lifted up or dragged down 
 
 1 What is the connection of this and the following sentence with the 
 rest of the paragraph ? Rewrite, omitting irrelevant ideas. 
 
ASSIGNMENTS ON THE PARAGRAPH. 205 
 
 by his fellows, but this united effort gains for each a freedom that 
 would otherwise be impossible of attainment. This is the signifi- 
 cance of all organization ; the unavailing effort of one is multi- 
 plied by the efforts of all, and the strength of many makes 
 a mighty power which upholds the world. Nor does the individual 
 lose ; each individuality is a thousand-fold more forceful in that 
 it has the support of the tremendous appliances worked out by the 
 minds and arms of all. A bar, however strong, is of little use as a 
 lever unless it has something to rest upon. With the universe at 
 command, what cannot the individual achieve? 
 
 (b) The more men there are who are self-employing and self- 
 directing, and the fewer there are who are dependent on the will 
 of others for the employment that means life and comfort to them 
 and their families, the better. Ten thousand men worth a hun- 
 dredth of a million dollars apiece are worth a thousand times as 
 much to a nation and the world as one man worth a hundred mil- 
 lions. Every man who runs his own business offers opportunity 
 for a higher grade of workers, and the stimulus of this opportunity 
 is felt by the very lowest. A hundred such will give employment, 
 perhaps, to an equal number of superintendents, overseers, book- 
 keepers and junior partners all winning their own way to inde- 
 pendency. Unite these businesses, and instead of an aggregate of 
 three or four hundred assistants we have perhaps a score hardly 
 better paid and with much less prospect of independence before 
 them. The others are driven to some other avenue of self-support, 
 adding just so many families to the army of dependent laborers. 
 Thus the over-enrichment of one means the impoverishment of 
 many and adds to the competition impelled by necessity, which is 
 the means by which the many are deprived of opportunity. " Skin 
 for skin ; all that a man hath will he give for his life," and the 
 greater the number of those who are shut up to wage-earning for 
 a livelihood the greater the competition which drives the lower 
 ranks into want and desperation. It is always the lower stratum 
 that feels first and most keenly the force of harsh conditions, be- 
 cause upon it rests the weight of the entire superstructure. When- 
 ever the number of the employers of labor is reduced, the number 
 of the employed is increased ; and when the number of the higher 
 grades of employees is reduced, the ranks of the lower grades are 
 swollen to that extent. With this cumulative pressure the num.- 
 
204 ASSIGNMENTS ON THE PARAGRAPH. 
 
 bers of the unemployed are necessarily enhanced, and the weakest 
 of the weak feel first the pangs of absolute dependence. It is 
 from them that the cry for amendment always comes the first. 
 Their methods of amendment may be wrong, usually are in fact, 
 but their prescience of evil is unerring. They know where the 
 shoe pinches, though they seldom know how to remedy the defect. 
 
 (c) To bring genuine art in its highest forms to the multitude 
 is a good work, in the most emphatic sense of the term. To con- 
 tribute toward spreading its influence among the masses is a dis- 
 tinct and lovely charity. Public art galleries and free concerts 
 have a distinct public educational value that is too often non- 
 appreciated, because their results are too subtle for quick and 
 material perception. Many deprecate such missionary work on 
 the ground that it is sentimental and trivial, compared to the press- 
 ing physical necessities of the lower classes. Such theorists look 
 on these efforts with a sneer, preferring what they call doing prac- 
 tical good. Yet the mind is as real as the body, and satisfaction 
 of its needs just as practical. One requires food as absolutely as 
 the other, or it will starve ; from the men and women in whom the 
 animal nature finds no check in the mental, we get our ignorant, 
 our paupers, our criminals, our social brutes, not our successful 
 our inventors, our thinkers, our social benefactors. If art had no 
 mission to perform, the love of it would have no existence. The 
 mistake is to look on it as a luxury, and not a necessity of life. 
 An art-loving people must be an intelligent people, and less ad- 
 dicted than others to grosser pleasures. To awaken a love and 
 appreciation of it, to provide opportunities for its public enjoy- 
 ment, to increase facilities for the development of obscure talent, 
 is as practical a labor as it is noble. Baltimore A merican. 
 
 (d) The interests of labor and capital are in no way identical 
 under our present system of commercialism. The employer is in 
 business to make money, and to do that he will reduce wages, water 
 stocks, evade the payment of taxes, violate contracts, and perjure 
 himself where dollars are in sight. That applies to the majority 
 of those doing business in the United States and is due to the 
 heartless, conscienceless commercialism of the age. So long as it 
 is to the interest of one man to increase his wealth on an investment 
 of honest money, and so long as he will increase the stock of his 
 
ASSIGNMENTS ON THE PARAGRAPH. 205 
 
 concern double and treble, basing the increase of stock on fictitious 
 values commonly known as water, so long as it is to his pecuniary 
 interest to get as many strokes as possible of the hammer out of 
 the workman for the lowest compensation, and so long as it is to 
 the interest of the workman to get as high a rate of wages for the 
 shortest number of hours, it is hypocritical to assert that the in- 
 terests of labor and capital are identical. They are identical in 
 but one way they are both striving to make the most money 
 possible on an investment of dollars and muscle. The trades 
 unions cannot solve the industrial problem, and it never will be 
 solved until the public conscience is stirred to such depths as to 
 cause the great mass of the people who toil with hand and brain, 
 who labor for bread, and who sympathize with those who labor 
 for bread, to realize that the labor question is in reality a mis- 
 nomer. T. V. Powderly. 
 
 (e) All nations in turn and under various pretexts have at- 
 tacked the Turk. Not content with this, they have given him the 
 reputation of being a "sick man," and have approached him with 
 financial aid. But the more money is lent him, the less he has, 
 and, notwithstanding this fact, lenders continue to approach him 
 and aasure him of their good services. The Turk has so many 
 friends of this class that they become, in his sight, obtrusive and 
 domineering. They all vie with each other to convince him that 
 what he wants is guns, rifles, and war-ships, and, as he cannot 
 buy from all at one and the same time, he can not arrive at a deci- 
 sion ; he fears to displease those whom he does not favor with an 
 order, and who would, perhaps, cause him to meet with trouble of 
 some sort. The situation is a most curious one, for this customer, 
 who has the reputation of being sick and ever without funds, is 
 nevertheless considered a good customer, whose orders are wrangled 
 for. Matters have reached such a pass that the largest contractors 
 in the world have in his domains not only travelling representatives, 
 but also fixed agencies and complete administrative committees, 
 whose duty it is to institute and follow up negotiations with a 
 view to secure business, and who are backed by the diplomatic 
 representatives of their several countries. There are also, arid 
 among the most energetic, the representatives of continental gun- 
 makers and builders of war-ships ; the former are vigorously seek- 
 ing to sell to Turkey guns for which the market elsewhere is just 
 
ASSIGNMENTS OX THE PARAGRAPH. 
 
 now very slack ; and the latter endeavoring to burden the Sultan 
 with a stock of battle-ships, torpedo-boats, cruisers, and scouts, for 
 which he has no use. The agents of these firms attract notice by 
 their insistence. Whether Turkey requires guns and armored 
 cruisers, or not, is not the question ; the agents are in the country 
 to secure orders, and orders are what they must secure. All this 
 is sorrowfully beheld by the patriotic and enlightened Turks who 
 have at heart the development of their country. 
 
 8. (Sections 5-9) State the substance of the following 
 selection in a single, compact paragraph, omitting digres- 
 sions and useless repetitions. 
 
 Poetry is virtue expressed in figures of speech. Poetry, I would 
 say, is the religion of words, while religion is the poetry of deeds. 
 So that a truly religious man is a living poem. There is rhythm 
 in his voice, meter and measure in his conduct, ideality in his 
 thoughts, and sublimity in his emotions. His life becomes a poem 
 set to the music of harmonious action. To ascend still higher in 
 the affinity between religion and poetry, I would say that both 
 are based on revelation, religion on the direct revelations of God 
 to man poetry on the revelations of that beauty and loveliness 
 that lie hidden in nature and man. In fact, had we no religion 
 to teach us of a God, poetry would unfold to us his everlasting 
 manifestations. As there is a beautiful image in every piece of 
 marble which the sculptor's art may bring forth, so there are God's 
 secrets and lessons in the rocks and rills, in the flowers and trees, 
 which a poet only can truly depict. The ancients were right in 
 making their prophets and poets identical, as is shown by the 
 word vattt which expresses both ; for the poet, as the prophet, is a 
 priest of God. 
 
 The soul requires its proper nourishment as well as the body. 
 It is poetry which feeds the hunger of the human heart for im- 
 mortality. All things physical teach decay and death. Poetry 
 idealizes and symbolizes all our surroundings and transfigures even 
 the sad habiliments of death with life immortal. None can read 
 Wordsworth's Ode to Immortality without being transported 
 from this vale of tears and sadness into a happier world of thought 
 and feeling. We should, however, cherish and foster poetry ; not 
 
ASSIGNMENTS ON THE PARAGRAPH. 207 
 
 only for its own sake and its own beauty, not only as the hand- 
 maid of religion, a teacher of idealism and morality, as a revealer 
 of the secrets of nature and hence as a priest of God; not only as 
 a comforter and messenger of good tidings of another world and 
 better life, but for the sake of religion itself as its strongest bul- 
 wark. Poetry is one of the most conservative of influences. It 
 preserves the scenes of the past and the evanescent feelings and 
 emotions, and is perpetuating those lessons and hidden meanings 
 of things already old, which would otherwise be lost. This 
 fact is especially serviceable with regard to the forms and cere- 
 monies of religion. They are an essential part of faith, but seem 
 often useless from a prosaic handling. Poetry envelops them with 
 renewed meaning and life, and by carrying the form in ever roseate 
 habiliments perpetuates at the same time the lesson and the doc- 
 trine. Poetry invigorates the Sabbath and holidays, every prayer 
 and fast, with the new idea of modern life. Especially in times of 
 doubt and scepticism is this a great service to religion. And in 
 another direction poetry can demolish the very stronghold of doubt 
 by poetizing science as Tennyson has done in his In Memoriam. 
 Here the poet has sought to discover a unity beneath all the dis- 
 cordant part of nature which the scientist with his crucible and 
 microscope could never find. And it seems strange, yet wonder- 
 fully true, that while poetry thus naturally seeks to elevate faith 
 and draw it nearer to God, it elevates itself also. No great poet 
 ever lived but stood on the vantage ground of faith and aspired to 
 reach the throne of God. If Whittier and Tennyson have gained 
 the ear of mankind it was by this intense religious fervor which 
 breathes through their verses. Of ancient Hebrew poetry, notably, 
 the Psalms of David have been truly called " gorgeous palaces, the 
 materials of which have been supplied by faith." 
 
 9. (Sections 5-9) State in a single paragraph the point 
 and substance of the following conversation : 
 
 Mr. Kearney was crushing the withered needles beneath his 
 massive tread, and tracking his way unhesitatingly through a 
 labyrinth that to Gerald seemed trackless. The black coat and the 
 white collar that had been donned in the honor of Eureka had 
 given place to a stout flannel shirt, belted in at the waist ; and the 
 
208 ASSIGNMENTS ON THE PARAGRAPH. 
 
 big man looked the better for the change more solid and business- 
 like. He was glancing at the timber with a practical eye, occasion- 
 ally pausing to rest his hand against one of the great trunks and 
 to glance upward, as if to estimate how high it ran before branch- 
 ing. The young journalist mentally compared him to a butcher 
 appraising the value of a likely beef before he ordered it slaught- 
 ered. Gerald loved fine timber, and he spoke with this feeling 
 strong in him. 
 
 " It seems a sin and a shame to cut down such trees," he said, 
 with a touch of indignation in his voice. 
 
 Kearney turned and looked at him. 
 
 "Ehl That's the way it seems to ye, I don't doubt. Look 
 deeper, man, look deeper." 
 
 Gerald stared at him in astonishment, but Mr. Kearney went 
 on. 
 
 " It's the destiny of every forest to be 6rst cut down and then 
 cut up for the use o'man. Which had the biggest share of honor 
 the trees that was left standin* in Tarshish, or them that was 
 brought to Jerusalem to build Solomon's temple?" 
 
 Had Solomon himself in all his glory appeared in one of the dim 
 arcades he would scarcely have surprised young French more than 
 did this utterly unlooked-for reasoning in the man beside him. 
 
 " For see here now," pursued Kearney, having paused a moment 
 for the answer that did not come, " this tree's a-growin' here an' 
 has been for a thousand years, maybe two; no man knows till 
 she's cut an* he counts the rings in her. Down she comes to- 
 morrow, we'll say, an 1 then what? Maybe this wood will floor a 
 ball-room, an* be touched by pretty feet you'd sooner kiss than the 
 Pope's; maybe it'll build the house that the Prisident of the 
 United States '11 be born in ; maybe a bit of it'll be the soundin'- 
 board of a pulpit, an' echo God's word preached to the savin' of 
 who knows how many souls. Isn't that better for it nor growin' 
 an' rottin' an* shakin* pine needles down on yer head an' mine ? " 
 
 By this time Gerald had found his tongue. " I had no idea you 
 were so imaginative, Mr. Kearney," he said. 
 
 " I dunno as it's all imagination," answered Kearney. " Maybe 
 it is: anyhow, it's possible, an' one thing's sure. Let this timber 
 stand, an' never a foot but an Injun's will pass under its shadow ; 
 cut it down, an* ye fill the bay with sails, ye put bread in men's 
 
ASSIGNMENTS ON THE PARAGRAPH. 209 
 
 mouths, an' ye give me the means o' doin' what I'm bound to do 
 o' makin* a man o' Jimmy such as his father never had the 
 chance to be." 
 
 " You're right and I'm wrong," said Gerald, somewhat touched 
 by the earnest note in his host's voice as he uttered the last words. 
 " They're fine trees ; but down with them, and make a ladder for 
 your boy to climb as high as you'd like to see him." Jessup: 
 Under the Redwood Tree. 
 
 10. (Sections 5-9) Kewrite the following wordy news 
 telegram, reducing it to about three hundred words. Pre- 
 serve all the important news. 
 
 SAN DIEGO, CAL., April 14, 1908. The American battleship 
 fleet sailed to-day on a summer sea. In four regularly intervaled 
 columns, with flagships leading abreast and pointing the way 
 to the first home anchorage the fleet has found in its four months 
 of cruising around the southernmost end of the western hemi- 
 sphere, the sixteen ships swept into the sheltered cove of the 
 sea behind the towering headlands of Point Loma, and halted 
 for four days of merry-making for men and officers. Governor 
 James N. Gillett was here officially to welcome the fleet. His call 
 upon Rear Admiral Robley D. Evans, who took the fleet out of 
 Hampton Roads last December, was paid during the afternoon. 
 Local committees also went to the Connecticut to tell Admiral 
 Thomas, and through him all the men of the fleet, how glad the 
 people of California are to see such a splendid representation of 
 the American navy as the " battle fleet " constitutes. To-night 
 Admirals Thomas, Sperry, and Emery, and the commanding officers 
 and members of the various staffs, were entertained at an elaborate 
 but informal dinner at the hotel Del Coronado. It was their first 
 taste of the hospitable functions which have been planned in their 
 honor all the way to San Francisco and beyond. The beauty of 
 the da^'s spectacle, when with flashing signals and wonderfully 
 executed manoeuvres the ships were brought to anchor in the lazy 
 rolling Pacific waters, was rivalled to-night, when for three hours 
 every vessel was outlined in fire. Thousands of incandescent bulbs 
 were strung along decklines, up masts, far out on the signal yard- 
 arms, up and down the huge funnels and down to the water's edge 
 
210 ASSIGNMENTS ON THE PARAGRAPH. 
 
 at stem and stern. In fairy -like form the ships stood out against 
 the night, and in letters six feet high the name of each vessel was 
 spelled across its forward bridge. The glow of the lights flooded 
 the sea for thousands of yards away, the gleaming outlines shim- 
 mering in phantom-like reflections. 
 
 During all this radiant display the old lighthouse marking the 
 rounding point to the north Point Loma's lonely beacon flashed 
 its alternating red and white signals in democratic simplicity, and 
 wholly unmindful of the spectacle the coming of the ships and their 
 illumination afforded. On shore scores of red signal fires were 
 maintained throughout the evening as a welcome sign, and above 
 all, high in the reaches of the sky, shone a brilliant southern moon, 
 hurrying its way to romantic fulness. 
 
 The fleet let go its anchors all splashing in the water with 
 precision at 12.47 P.M. just thirteen minutes before the anchor- 
 ing hour arrived. For two hours the ships had been in sight and 
 their coming had been watched with wonder by the waiting throngs. 
 Never before have armor-clads of the Connecticut type, displacing 
 more than 16,000 tons of water in their occupancy of the sea, been 
 seen along the Pacific coast, and the occasion of their first visit is to 
 be made a memorable event wherever they touch port or cruise close 
 enough to the shore to be seen by the cities and resorts that skirt 
 the edge of the coast. 
 
 The splendid condition of the ships was manifested in every way. 
 Outwardly they were the same sparkling white and buff units of a 
 powerful aggregation of fighting force that pointed their way out 
 of Hampton Roads on a home coast, 3000 miles away, with the 
 President showing the way on his cruiser-yacht, the Mayflower. 
 Internally the ships were in better condition than when they 
 started, engines working with the smooth thrust and throw of per- 
 fect bearings and careful handling, and boilers making steam with 
 less consumption of coal because of the increased efficiency in the 
 firing rooms. The wash of the waves along the water line dis- 
 played from two to three feet of red armor belts and showed com- 
 paratively little sea growth, despite the long stay in the temperate 
 and tropical waters. 
 
 Rear Admiral Charles M. Thomas, commanding, was on the 
 bridge of the Connecticut as the fleet steamed to its anchorage. 
 The absence of Rear Admiral Evans, who is ill at Paso Robles, is 
 
ASSIGNMENTS ON THE PARAGRAPH. 211 
 
 deeply regretted on all sides. Admiral Thomas at the dinner re- 
 ferred to the matter with much feeling. 
 
 Filmy ribbons of smoke on the horizon gave the first hint of the 
 approaching vessels this morning, although wireless messages had 
 already told of their near presence. Eyes were strained to catch 
 the first glimpse of the ships, and telescopes and marine glasses 
 were at a premium. The day had opened black and threatening, 
 and it was not until after 10 o'clock that the sun burned its way 
 through the bank of lowering clouds. Once its rays had penetrated 
 the mist, however, the sky quickly cleared, and by the time the 
 fleet came into view there was not a fleck to be seen. 
 
 The Connecticut was here two weeks ago with Admiral Evans, 
 but she was gray with the grime of heavy target practice then, 
 while to-day she appeared an immaculate picture in white and 
 buff. 
 
 To the left of the Connecticut steamed the Georgia, flagship of 
 Rear Admiral Emery, commanding the second division, and in her 
 wake were the Rhode Island, Virginia, and New Jersey. The 
 third line from the shore was headed by the Alabama, flagship 
 of Rear Admiral Sperry, who is now in command of the second 
 squadron and third division, but soon is to be the senior officer 
 of the entire fleet. With the Alabama were the Illinois, Kearsarge, 
 and Kentucky. The fourth and outward column was headed by 
 the Maine, with Captain Giles B. Harbor flying a triangular flag 
 of blue from the main truck, denoting temporary command of the 
 division, which included the Missouri, Ohio, and Minnesota. The 
 absence of Rear Admiral Evans leaves a vacancy in flag rank in 
 the fleet. 
 
 When about a mile and a half off shore, a four-hoist signal 
 flashed from the forward arm of the Connecticut. " Stand by to 
 anchor," it was read, and in the space of a few seconds answering 
 signals in duplicate were broken out from all of the ships. 
 
 The vari-colored flags showed their reds, blues, and yellows 
 brilliantly in the sun, and gave a gala appearance to the fleet. No 
 ideal of the marine artist could have added to the effect. Speed 
 cones hanging from yard-arms on the flagships gradually descended 
 and the white, combing bow waves in front of the advancing ships 
 grew fainter and fainter until only the wash of the blue waves 
 against the cutwaters was left, and the ships stood motionless. 
 
212 ASSIGNMENTS ON THE PARAGRAPH. 
 
 No commanding voice or pipe of boatswain could be heard on 
 shore, but almost simultaneously anchors were loosened, and the 
 splash of water as the heavy iron hooks dragged several tons of 
 heavy chain after them into the sea told of the safe arrival home 
 of the most noted of America's fleet. 
 
 Lost in admiration, the crowds ashore forgot to cheer. Absolute 
 silence marked the arrival. 
 
 11. (Section 12) Narrow each of the following general 
 subjects to an available working theme, and then give to 
 each an appropriate title : l 
 
 1. Earthquakes. 16. Postage Stamps. 
 
 2. Sports. 17. Africa. 
 
 3. Fiction. 18. Irrigation. 
 
 4. Travel. 19. Insects. 
 
 5. Air-ships. 20. Home Rule. 
 
 6. Electricity. 21. Interoceanic canals. 
 
 7. Dogs. 22. Radium. 
 
 8. Spelling. 23. The Short Story. 
 
 9. Railways. 24. College Papers. 
 
 10. Talking Machines. 25. Mining. 
 
 11. Mountains. 26. Forestry. 
 
 12. Libraries. 27. American History. 
 
 13. Kipling. 28. Tramps. 
 
 14. Music. 29. Advertising. 
 
 15. Photography. 30. Strikes. 
 
 12. (Section 12) Find the working theme in each of 
 the first ten paragraphs in Appendix A, and give to each an 
 appropriate title. 
 
 13. (Section 12) Give appropriate single headings to 
 five short editorial paragraphs to be found in any carefully 
 
 1 Examples of paragraph-titles may be found in the newspapers and in 
 the marginal notes of such books as the Encyclopedia Britannica, Gar- 
 diner's Thirty Years' War, Bryce's Holy Roman Empire, Creighton's 
 Age of Elizabeth, and Hallam's Work*. The short isolated paragraphs 
 to be found in the editorial columns of the newspapers, and the related 
 paragraphs of most books, are usually printed without titles. 
 
ASSIGNMENTS ON THE PARAGRAPH. 213 
 
 edited newspaper. Of the headed articles in the news- 
 columns of the papers, the first generally corresponds to 
 the title, and the second, which is usually longer, corre- 
 sponds, roughly, to the working theme. 
 
 14. (Section 13) Find the topic-statements of the para- 
 graphs quoted in the introductory chapter of this book. 
 In each case phrase a brief and appropriate title for the 
 paragraph. 
 
 15. (Section 17) Find paragraphs in Appendix A in 
 which the topic-statement comes first ; first and last ; last. 
 
 16. (Section 17) Find paragraphs in Appendix A in 
 which the topic-statement is implied. Discover the theme in 
 each of these paragraphs and state it in a brief sentence or 
 phrase suitable for a title. 
 
 17. (Sections 14-17) Supply, as skilfully as you can, 
 the topic-statements which have been omitted from the fol- 
 lowing paragraphs : 
 
 (a) ... Instead of seeking for light, we set up an intellectual, 
 religious or political standard of our own creation or, worse yet, 
 accept one made for us by others. The struggle for existence is so 
 intense that but few take the time to do their own thinking. Of 
 course, it is easier to accept ready-made ideas, but if all of us 
 would follow blind leadership so blindly we should soon be a na- 
 tion of intellectual slaves. It is the solemn duty of every citizen 
 to analyze the peculiar measures and doctrines which may from 
 time to time agitate the country. He should give a dispassionate 
 hearing to the advocates of both sides, read the evidence in a 
 judicial spirit, and consider the probable effects of the rejection 
 or adoption of the policy or law under discussion. After arriving 
 at a conclusion he should have the courage to maintain his position 
 under any and all circumstances, and the good taste of listening 
 with deference to the opinions of his antagonists. In no other 
 way can true independence of character be developed. By no 
 other method can free institutions be preserved. A nation whose 
 
214 ASSIGNMENTS ON THE PARAGRAPH. 
 
 citizens have learned to think for themselves cannot be conquered 
 in war nor excelled in peace. Chicago Graphic. 
 
 (b) . We find this exemplified by the thousands of books of 
 travel, which are written after a few months mostly spent in catch- 
 ing trains and boats and in the inspection of public buildings, when 
 all the world is on the offensive and holds one at arm's length. To 
 state the case paradoxically, the only way in which one can travel 
 and see anything, is to settle down and learn the secrets contained 
 within the radius of a square mile. Thoreau, as I am reminded, 
 puts this much more suggestively, when he says, " I would fain 
 travel by a foot-path round the world." The man who cannot 
 see clear through rags or broadcloth, and find the Man contained 
 within, ought to be kept away from pens and ink and paper; 
 otherwise, he is a mischievous force in the world. It is no more 
 the office of literature to add to our social fog, than it is the office 
 of chemistry to create violent stenches for the sake of the stench 
 and for no other purpose. The rarely beautiful in art is the com- 
 mon life transfused in the alchemy of beautiful thought ; and this 
 is only possible to writers whose intellects are true to their imagina- 
 tions, and whose hearts are good. No man without illusions has 
 ever done anything great in art anything that is as permanently 
 true as the divine love in the world in every age. It is the living 
 of life in the quick which compels expression and makes that 
 expression the work of genius. 
 
 (c) ... The farmer's son who, instead of staying upon his 
 father's acres, or of acquiring a farm for himself to walk behind 
 the plough, runs away to town to try his fortune in some occupa- 
 tion which will not harden his hands and tan his skin, is no longer 
 an exception, but is fast becoming the rule. The native American 
 no longer likes to dig ditches, or to work on the highways, or to 
 throw up railroad embankments, or to do the rough work in coal 
 mines. But this class of work has to be done, and somebody has 
 to be found to do it ; if not the native American, then somebody 
 else. It is idle to say that the native American is crowded out of 
 such employment by the competition of the foreign immigrant 
 who is willing to work for lower wages ; for the number of Ameri- 
 cans who would perform that sort of work, were the wages 
 ever so high, is entirely insufficient, and constantly growing less. 
 
ASSIGNMENTS ON THE PARAGRAPH. 215 
 
 Here is, therefore, an indispensable service for which the foreigner 
 is needed. 
 
 18. (Section 19) Develop the following topic-state- 
 ments by giving the particulars and details which naturally 
 seem to be called for : 
 
 1. The early Pilgrim Fathers had many difficulties to overcome. 
 
 2. Even in the smallest towns you will find a specimen of almost 
 
 every grade of humanity. 
 
 3. Napoleon combined in himself traits of character that are 
 
 usually thought to be contradictory. 
 
 4. The national government is a complex piece of machinery. 
 
 5. Much of the so-called " Great American Desert " is now under 
 
 cultivation. 
 
 6. Fashions change with bewildering rapidity. 
 
 7. It seems possible to carry on three trains of thought at once. 
 
 8. Washington in his lifetime was often made the object of 
 
 bitter denunciation. 
 
 9. Many varieties of birds are seen in the north throughout the 
 
 winter months. 
 
 10. One may find in the state of California almost every climate 
 
 of the globe. 
 
 11. The American citizen has other political duties besides voting. 
 
 12. History is full of examples of heroism. 
 
 13. Elizabeth's reign was most eventful. 
 
 14. There was disaffection in the South for years before the war. 
 
 15. A young man may enter public life by any one of several 
 
 doors. 
 
 16. There are many things to be said in favor of a longer presi- 
 
 dential term. 
 
 17. American capitalists have had what they think to be good 
 
 reasons for forming trusts and combinations. 
 
 19. (Section 19) Find paragraphs in Appendix A in 
 which development is by particulars and details. 
 
 20. (Section 20) Develop each of the following topic- 
 statements by adding sentences that restrict or enlarge its 
 meaning : 
 
216 ASSIGNMENTS ON THE PARAGRAPH. 
 
 1. Not all poets have written poems. 
 
 2. The common notion of success is fallacious. 
 
 3. There is a kind of criticism which is in itself creative. 
 
 4. A good partisan is not always a good citizen. 
 
 5. All students should have an interest in sports. 
 
 6. Freedom is not an unmixed blessing. 
 
 7. The mind is in one sense a machine. 
 
 8. Books are sometimes better companions than persons. 
 
 9. I have said that Lincoln was trusted by all the friends of 
 
 the Union; but the word trusted is not strong enough; he 
 was . . . 
 
 10. We speak of the right to vote; but is voting properly regarded 
 
 as a right? 
 
 11. In this country there is no longer any North or South; the 
 
 terms are obsolete ; there is only . . . 
 
 12. What do we mean when we say that one man is liberal and 
 
 another man is conservative? What can we mean but 
 that . . .? 
 
 13. Patriotism is the last refuge of a scoundrel. 
 
 14. Ambition, if it is of the right sort, is a powerful agency for 
 
 good. 
 
 15. Journalism may be as important and useful a profession as 
 
 literature. 
 
 21. (Section 20) Find paragraphs in Appendix A in 
 which the development is by definitive statements. 
 
 22. (Section 20) Develop the following topic-state- 
 ments by presenting the negative, contrary, or contrasting 
 ideas which suggest themselves in connection with each: 
 
 1. To eat a mouthful of food or to take a breath of air is to ex- 
 
 pose one's self to manifold dangers. 
 
 2. No man ever tells the whole truth. 
 
 3. All men are created equal. 
 
 4. The feudal system had many advantages. 
 
 5. The United States would gain by annexing Canada. 
 
 6. Experience is a dear school. 
 
 7. To take one's opinions ready-made from others saves a great 
 
 deal of thinking. 
 
ASSIGNMENTS ON THE PARAGRAPH. 217 
 
 8. A high tariff promotes infant industries, but . . . 
 
 9. To have few friends is one way of escaping grief and disap- 
 
 pointment. 
 
 10. A witty Frenchman once said that language is given to men 
 
 in order that they may conceal their thoughts. 
 
 11. The printing-press has done much harm by putting worthless 
 
 literature within the reach of all classes of readers. 
 
 12. One effect of the trusts has been to lower the costs of living. 
 
 13. Many decisions of the courts are manifestly unjust. 
 
 14. All things come round to him who waits. 
 
 15. Knowledge breeds discontent. 
 
 16. Geniuses are uncomfortable persons to live with. 
 
 23. (Section 20) Find paragraphs in Appendix A in 
 which the development is by negative, contrary, or contrast- 
 ing statements. 
 
 24. (Section 21) Develop the following topic-state- 
 ments by adding real comparisons, or illustrations: 
 
 1. The common notion of success is fallacious. 
 
 2. A bad beginning does not always imply a bad ending. 
 
 3. A good partisan is not always a good citizen. 
 
 4. The study of Latin may be for one student as practical as is 
 
 the study of engineering for another. 
 
 5. Reason unaided will not always lead a man to correct his 
 
 errors. 
 
 6. A republic is not the best form of government for every 
 
 nation. 
 
 7. The greatest names in literature are those of men who were 
 
 not rich. 
 
 8. An examination is often a poor test of a student's acquirements. 
 
 9. In times of peril the strong men came to the front. 
 10. Indiscriminate charity is often worse than none. 
 
 25. (Section 21) Find paragraphs in Appendix A in 
 which real comparisons, or illustrations, are used. 
 
 26. (Section 22) Develop the following topic-state- 
 ments by giving specific instances or examples : 
 
218 ASSIGNMENTS ON THE PARAGRAPH. 
 
 1. Study and discipline will accomplish much. 
 
 2. Shakespeare's heroes are always free moral agents. 
 
 3. One's opinions are not always a sure indication of one's prob- 
 
 able conduct in a given case. 
 
 4. Mere wishing is not desire. 
 
 0. Unless a duty is performed in the right spirit, it is not done 
 
 morally. 
 
 j. We need not go far from our own homes to find examples of 
 courage and fortitude. 
 
 7. Railroads and telegraphs make the world smaller. 
 
 8. It is the minor characters in Dickens's novels which often 
 
 prove the most entertaining. 
 
 27. (Section 22) Find paragraphs ill Appendix A in 
 which specific instances, or examples, are used. 
 
 28. (Section 23) Develop the following topic-state- 
 ments by adding reasons that are not specific instances : 
 
 1. Senators should be elected by popular vote. 
 
 2. The people of America have less real freedom than the people 
 
 of England. 
 
 3. Rules of morality have little effect on conduct. 
 
 4. Hamlet was not insane. 
 
 5. All anarchists should be deported. 
 
 6. Prohibition weakens the will power of the citizens. 
 
 7. The United States would gain by annexing Canada. 
 
 8. Nothing is more important than caring for the health. 
 
 9. A republic is not the best form of government for every nation. 
 
 10. Labor unions have improved the condition of the laborer. 
 
 11. Hamilton's conception of government was superior to Jeffer- 
 
 son's. 
 
 12. A foreign war is the most powerful agency in uniting all parts 
 
 of the country. 
 
 13. All universities should be controlled and supported by the 
 
 government. 
 
 14. Longfellow has written one poem that will live. 
 
 15. Life was more interesting fifty years ago than it is now. 
 
 16. A great deal of time is wasted in reading the daily newspapers. 
 
 17. The Mexican war was unjustifiable. 
 
ASSIGNMENTS ON THE PARAGRAPH. 219 
 
 18. The government should establish postal savings banks. 
 
 19. Municipal elections ought to be non-partisan. 
 
 20. The national capital ought to be removed to a place nearei 
 
 the centre of the country. 
 
 29. (Section 23) Find paragraphs in Appendix A in 
 which the idea is developed by giving reasons for the topic- 
 statement. 
 
 30. (Section 24) Develop the following by making one 
 or more applications of the principle announced in each 
 topic-statement : 
 
 1. The dangers of work are not the greatest in the world. 
 
 2. If young men were willing to forego the luxuries of life, they 
 
 might easily save up a competence for old age. 
 
 3. " Know thyself," the wise maxim of the Greeks, is as appli- 
 
 cable to-day as it was 2000 years ago. 
 
 4. Nothing succeeds like success. 
 
 5. The best business methods are nothing but applied honesty. 
 
 6. A good habit, persisted in, becomes continually easier of per- 
 
 formance. 
 
 7. A nation, like a person, is bound by the demands of justice. 
 
 8. If education is to be of value, it must be systematic. 
 
 9. Recreation, in its proper place and time, is as necessary to 
 
 mankind as work. 
 
 10. True genius thrives on discouragements and failures. 
 
 11. The exercise of suffrage is a duty. 
 
 12. Monopolies are seldom beneficial to the people. 
 
 13. Education will solve the race question in the South. 
 
 14. The country owes a debt to its literary men. 
 
 15. The Bible is one of the monuments of literature. 
 
 16. No pursuit is ignoble if it is conscientiously followed. 
 
 17. A taste for books is a safeguard against evil thoughts. 
 
 18. A good memory is a priceless possession. 
 
 19. When good men enter politics, corruption will go out of 
 
 fashion. 
 
 20. Conversation is the greatest of the fine arts. 
 
 21. Do the duty that lies nearest you. 
 
 22. It is false charity to give to every stranger that asks for aid. 
 
220 ASSIGNMENTS ON THE PARAGRAPH. 
 
 23. The shoemaker should stick to his last. 
 
 24. Do not try to tell all you know. 
 
 25. Good workmanship always tells in the end. 
 
 26. Do not be ashamed of poor relations. 
 
 31. (Section 24) Find paragraphs in Appendix A in 
 which the development is from the statement of a principle 
 to its application. 
 
 32. (Section 25) Develop the following topic-state- 
 ments by presenting causes, or effects : 
 
 1. The Civil War was a benefit to the United States as a whole. 
 
 2. The purchase of Alaska was a profitable investment. 
 
 3. The predictions of the weather bureau are coming to be more 
 
 trustworthy. 
 
 4. Electricity as a means of illumination will ultimately supersede 
 
 gas. 
 
 5. Strikes will become rarer as time goes on. 
 
 6. A standing army is unnecessary in this country. 
 
 7. Betting, even on a small scale, is a questionable practice. 
 
 8. The use of steel and concrete has brought about many changes 
 
 in methods of building. 
 
 9. It is not difficult to account for the rapid growth of Chicago. 
 
 10. The destruction of our forests is a serious matter. 
 
 11. The discovery of gold in California threw the country into 
 
 great excitement. 
 
 33. (Section 25) Find paragraphs in Appendix A in 
 which the development is by cause, or effect, or both. 
 
 34. (Sections 18-25) Write a paragraph of 150 to 200 
 words beginning with one of the following topic-statements. 
 After writing, note in the margin the various methods of 
 development that you have employed. 
 
 1. In this age novels are more effective than sermons as teachers 
 
 of morality. 
 
 2. There are several ways of learning a foreign language. 
 
 3. A high tariff has both good and evil results. 
 
 4. The telephone may be a nuisance as well as a convenience. 
 
ASSIGNMENTS ON THE PARAGRAPH. 221 
 
 5. All great men have had their moments of folly. 
 
 6. Newspaper English has a few well-defined characteristics. 
 
 7. Unanimity should not be required of a jury. 
 
 8. There should always be a motive in reading. 
 
 9. The American Indian, as represented dn the old school readers, 
 
 was a heroic figure. 
 
 10. Novel-reading presents some dangers. 
 
 11. All have their peculiarities. 
 
 12. The lazy man has some advantages over the active man, after 
 
 all. 
 
 13. Lincoln's administration was most eventful. 
 
 14. Reforms are being advocated without number. 
 
 15. Book-buying has become a fine art. 
 
 16. The world must present a queer spectacle to a man seven feet 
 
 tall. 
 
 17. Whittier's poems show that he was a friend of the slave. 
 
 18. Selfishness often defeats its own ends. 
 
 19. Books written by very good men are sometimes extremely 
 
 tedious. 
 
 20. Races between ocean steamers are attended with great danger. 
 
 21. There are persons to whom the commission of a solecism is 
 
 nothing short of a crime. 
 
 22. At the opening of the present century the map of Europe was 
 
 in many respects different from that with which our school 
 children are familiar. 
 
 23. There are some evils unavoidably connected with athletic 
 
 sports. 
 
 24. Arbitration will ultimately do away with war. 
 
 25. The newsboy has his troubles. 
 
 26. A great navy is unnecessary to the safety of this country. 
 
 27. Washington and Lincoln present several contrasts in character. 
 
 28. We no longer know how to live upon little. 
 
 29. It is said that every man has his price. 
 
 30. Confidence is a plant of slow growth. 
 
 31. There is an art of spending money just as there is an art of 
 
 making money. 
 
 32. All men are wiser than any one man. 
 
 33. The greatest happiness of the greatest number is the founda- 
 
 tion of morals and legislation. 
 
222 ASSIGNMENTS ON THE PARAGRAPH. 
 
 34. Our life is what our thoughts make it. 
 
 35. Nothing is the worse or the better for being praised. 
 
 36. Very little is needed to make a happy life. 
 
 37. No man cau produce great things who is not thoroughly sincere 
 
 in dealing with himself. 
 
 38. Few things are impossible to diligence and skill. 
 
 39. The applause of a single human being is of great consequence. 
 
 40. We love some people the better for their faults. 
 
 41. Censure is the tax a man pays to the public for being eminent. 
 
 35. (Section 26) Find introductory, transitional, and 
 summarizing expressions in some of the paragraphs of 
 Appendix A. 
 
 36. (Section 26) Summarize each of the following 
 paragraphs in a brief, pithy sentence or maxim : 
 
 (a) Hardly any better fortune can come to a conscientious 
 man than to find his inclinations fit and feasible to follow. In 
 many cases it happens through no fault of his that he cannot do 
 what he wants to. Obligations are laid upon him that he is bound 
 to discharge, and in discharging them he has to turn his face 
 whither he would not choose to go, and do the work that is put 
 before him rather than that his heart is in. But in very many 
 other cases the choice is within his reach, if only he has the man- 
 hood to make it and the resolution to stick to it. If there are 
 lions in his path he must have grit enough to drive them out of it, 
 even though that is a tedious process. When the choice is a high 
 choice, and the man is a strong man in earnest, the lions have to 
 move out. The average man, of course, prefers to go round them, 
 even though the detour gets him into byways that are not of his 
 choice. 
 
 (b) If people could get the idea that what is called education 
 is a good thing in itself, without reference to its practical uses, 
 what a long step ahead the world would take ! The notion that 
 education must be for some definite purpose is responsible for 
 much misdirected effort and many disappointments. If we were 
 asked what is the great need of the day in ordinary life, we should 
 say that it is intelligent readers and critical appreciators of art. 
 It is certainly a very crude idea of life that an education is wasted 
 
ASSIGNMENTS ON THE PARAGRAPH. 223 
 
 if it is not practically applied to one of the learned professions, to 
 authorship, or to art, or to teaching. The impulse for any of 
 these careers is strong enough. What needs leavening and liberal- 
 izing and lifting up intellectually is the great mass of society. 
 
 (C) It is not true that moral reputation is a poor security for hon- 
 est behavior in places of public trust. There is no better security 
 than the recognized fact that a man lives an upright and indus- 
 trious life, whatever his circumstances may be. It is a common 
 thing, of course, for designing men to make loud professions of 
 morality only to cover their intentions of rascality ; but they are 
 as often rich as poor, and the test of financial condition proves 
 nothing in any case. The remedy for municipal corruption does 
 not lie in giving preference to men on the score of the supposed 
 value of a well-filled pocket as a protection to their integrity. 
 Neither a want of money nor an abundance of it is a conclusive 
 recommendation. Men are to be judged not by the amount of 
 their possessions, but by what society knows of their personal habits 
 and methods. It is a notorious fact that the people of a city fre. 
 quently elect individuals to responsible offices who have no stand- 
 ing in point of morals or of business ability, and who could not 
 obtain corresponding employment from any private firm or corpo- 
 ration, yhose are the persons who concoct schemes of municipal 
 robbery, and whose official actions can always be controlled with 
 bribes. If the reputable voters deliberately choose such men to 
 manage the affairs of a city, they must expect corruption to pre- 
 vail. There is only one way to secure the right kind of municipal 
 government, and that is to select public officers with the same re- 
 gard for capable and trustworthy qualities that is constantly shown 
 in the selection of agents to handle funds and execute other impor- 
 tant functions in the ordinary course of commercial transactions. 
 
 37. (Section 26) Supply in each of the following para- 
 graphs a brief transitional or directive sentence. The dots 
 indicate the place where the sentence is to be inserted. The 
 idea of the omitted sentence is to be discovered by a care- 
 ful analysis of the paragraph. 
 
 (a) There can be no question that the colleges count for 
 more in the thought of the country than ever before in its history. 
 
224 ASSIGNMENTS ON THE PARAGRAPH. 
 
 There have been times, it is true, when college-bred men have had 
 more exclusive control of public affairs, and have given them more 
 definite guidance, but there has never been a time when the colleges 
 counted for so much in the life of the country, or when their adjust- 
 ment to the life was so complete. The changes that have gone on 
 so rapidly in college management, schemes of study, and student 
 life have registered a corresponding change in the thought and 
 life of the country. Enormous increase of wealth, specialization 
 of work and occupation, expansion of experience, multiplication of 
 resource, more comfortable and luxurious habits, have character- 
 ized the history of the last forty years on this continent, and the 
 college has shared in these tendencies. Student life has become 
 more luxurious in habit and appointment simply because the home 
 life from which the students come has grown more ample and 
 luxurious. It is idle to accustom young men to habits of ease at 
 home and then expect them to adopt Spartan simplicity at college. 
 The college is too intimately allied with the National community 
 to resist a well-nigh universal tendency. The older graduate, who 
 notes the change from the severe frugality of his own time to the 
 ease and elaboration of to-day, often feels that such a change is nec- 
 essarily disastrous. . . . There is more vulgarity in this country 
 than there was forty years ago, but there is also a far richer and 
 more wholesome life. There are more resources, more pleasures; 
 there is more out-of-door life, more health, more culture; and con- 
 sequently, more force. We are entering into possession of the 
 world and of our own lives. Instead of working six days in the 
 week, fifty-two weeks in the year, we are giving ourselves time 
 for nature, recreation, rest, and social intercourse. Our dress is 
 brighter and more varied, our diet is ampler and more nourishing, 
 and we have learned the value of open air and exercise. Our gain 
 in weight, stamina and health even in twenty-five years is notice- 
 able. We are doing more work than ever, but we are doing it 
 under better conditions. Continuous work in one direction, with- 
 out rest or variation of effort, ends in physical exhaustion, as un- 
 broken monotony of habit and thought is very likely to end in 
 insanity. We have gained immensely in physical and mental 
 health by the expansion of our interests and the multiplication of 
 our resources. We buy more books and pictures, hear more music, 
 drive, sail, walk, travel and lest more than in former days, and we 
 
ASSIGNMENTS ON THE PARAGRAPH. 225 
 
 are the better for it. We have gone beyond the atheism of believ- 
 ing that rest is waste and wholesome pleasure sin. 
 
 (b) The beauties of nature are to the layman a source of 
 pleasure. He views the ocean in the serenity of a calm and 
 peaceful evening, or in the grandeur of a tempest at noonday ; the 
 landscape, with its gray and purple mountains, its varied dis- 
 tance and richly colored foreground; the sunset with golden tones, 
 and the moonlight that casts a silvery radiance o'er the scene 
 these are to him the emblems of poetry. The responsibility of 
 presenting these various phases of nature for the recognition of 
 others is not his, however. He has only to enjoy and express his 
 feelings in a general way. . . . He has the responsibility of ren- 
 dering what he observes for the enjoyment and instruction of men. 
 He must heed the laws which govern representation in art, and 
 those rules that are of practical importance in the technical work. 
 It is not sufficient for the astronomer to see ; he must go through 
 with calculations of which the mere observer knows nothing. So 
 the artist, with powers of his own, must give to the people the re- 
 sults of aesthetic knowledge derived from his observation. 
 
 (C) Most people think of an addition to a nation's dominions 
 as they do of an addition to an individual's possessions. John 
 Smith is more prosperous if he acquires more real estate ; and 
 the United States are supposed to be more prosperous if they ac- 
 quire more territory. ... I see little in the whole Hawaiian epi- 
 sode but one long course of error. The American consumer has 
 paid for thirty years (barring the brief respite while the McKinley 
 tariff act was in force) a tidy sum annually to the Hawaiian 
 planters. In recent times this tribute has amounted to twelve or 
 fifteen millions of dollars a year. For this we have nothing of 
 any real value to show, unless it be that we have a stepping- 
 stone to the Philippines, another dependency hardly less unprofit- 
 able. 
 
 (d) The homes of fashionable New Yorkers are, as a whole, 
 the most sumptuous and comfortable in the world. Space, light, 
 tempered warmth in every part, ventilation and every other ac- 
 cessory of hygiene, are here as liberally provided, as are the pic- 
 turesque and decorative ideas of architects of the highest modern 
 accomplishment ; and, in numbers, these stately dwellings are like 
 
226 ASSIGNMENTS ON THE PARAGRAPH. 
 
 strawberries in June. From them we may go on to a wide variety 
 of smaller and less pretentious houses, in which also may be ap- 
 plauded the best art of our modern decorative renaissance. Old 
 prosaic structures of brownstone, or brick, that were made in 
 former days to enshrine the ugly fittings and furniture of our im- 
 mediate predecessors, pass under an architect's eclipse to reappear 
 in charming and covetable guise, every corner of their renovated 
 interiors an invitation to domestic rest and peace. . . . Through 
 every keyhole, in at every chink and cranny, floats the atmosphere 
 of unrestf ulness prevailing in America, and insistent in New York. 
 No sooner is a family installed in the new abode, than one hears 
 of its going off to try life in some other quarter of the globe. 
 The deserted house is either shut up in desolation, or let to some 
 one else. 
 
 38. (Section 28) Account for any inversions you find 
 in the paragraphs of Appendix A. Often the reason for 
 the inversion will be clear if the sentence in which the 
 inversion occurs is rewritten in the usual order. 
 
 39. (Section 29) Point out the contrasting words, 
 phrases, clauses, and sentences in some of the paragraphs in 
 Appendix A. 
 
 40. ( Section 29) Find, in some of the paragraphs in 
 Appendix A, illustrations of balanced structure and parallel 
 construction. 
 
 41. (Section 30) Point out, in some of the paragraphs 
 of Appendix A, the reference words, both prospective and 
 retrospective, used to carry the thought from point to point. 
 
 42. (Section 30) In the following paragraphs the con- 
 junctions and connecting phrases such as but, yet, however, no 
 doubt, of course, in fact, it is true, moreover, thus, even, also, 
 hence, on the other hand, etc., have been omitted. Analyze 
 each, paragraph and supply connectives where, in your 
 opinion, they are needed : 
 
 (a) Healthy Americans for the most part are interested in 
 sports. A newspaper must take account of this great portion of 
 
ASSIGNMENTS ON THE PARAGRAPH. 227 
 
 the population who demand sporting news, and whose demand is 
 so reasonable and innocent that every newspaper now prints this 
 information fully and carefully. This is one of the offences that 
 glare in the eyes of the critics. Every newspaper that has or as- 
 pires to any considerable circulation must print every day a great 
 multitude of items of news that for many of its readers have little 
 or no interest and to some seem quite unworthy the space they 
 occupy. The number of men and women who take no interest in 
 the proceedings of Congress, who do not care to know what the 
 Legislature may be at, who find the tariff an intolerable nuisance 
 and the silver question a bore, and who can get along comfortably 
 without knowing anything about great public affairs, is much 
 larger than their highly educated fellow-mortals suspect. These 
 persons are mostly of orderly lives, simple tastes, and innocent 
 minds. They have their pursuits and their pleasures, and they 
 want to read about their pursuits and their pleasures in the news- 
 papers. They have an appetite for almost any gossip or happening 
 that is of contemporaneous human interest and not beyond their 
 range of sympathy and understanding. Is it sinful, is it debasing, 
 is it vulgar, to print news readable and acceptable to this audience, 
 provided the matter printed is not immoral or improper? I do 
 not think so. This class of persons constitutes a very large pro- 
 portion of the population of every town or city. They are en- 
 titled to consideration from the newspapers. They are respectable, 
 and the news that interests them is respectable news, though in 
 point of historical importance it usually ranks some distance below 
 announcements of the abdication of sovereigns and the discovery 
 of new and valuable laws governing the action of tides and the be- 
 havior of planets. For printing such news the press is denounced 
 for giving up so much space to " trash." 
 
 (b) There are two forms of criminality, the atavic and evolutional. 
 Atavic criminality is the return of certain individuals, whose 
 physiological and psychological constitution is morbid, to such 
 means of the struggle for existence as civilization has suppressed, 
 such as murder, robbery, etc. The natural forces which formerly 
 impelled men to battle in this sanguinary manner have not entirely 
 ceased to act upon humanity; they still act, and excite men to 
 certain antagonisms, which occupy the entire life of almost all 
 
228 ASSIGNMENTS ON THE PARAGRAPH. 
 
 humankind, excepting only those who, possessing a superior moral 
 sense, refuse to become entangled in self-interested struggles, even 
 if this course of action costs them some trouble. The means of the 
 struggle have changed through the influence of civilization; these 
 were formerly force and violence ; they are to-day fraud and astute- 
 ness. An immense number of thefts are committed every day, of 
 which the law takes no cognizance; human cupidity finds means of 
 satisfying itself, even if it does not employ the sword and poison, 
 which sometimes makes one wonder, with horror, if all human 
 progress is not menaced with failure. This is the transformation 
 of savage criminality among civilized people. It is to-day a normal 
 condition of existence that this battle of astuteness has replaced 
 the war of the muscles. As long as the present social conditions 
 last, no human power will be able to prevent men from stealing 
 from each other, just as it is impossible to keep men living in a 
 state of barbarous anarchy from killing each other. All modern 
 humanity is imbued, to some extent, with evolutional crimi- 
 nality. Those who really form that criminality, which I call 
 evolutional, are the men who, endowed with a greater talent or 
 favored by a too prosperous fortune, push that battle of intrigue 
 and deceit to a monstrous excess, which makes it too great a danger 
 to all modern society. These only employ to a great extent the 
 means of enriching themselves that all the world uses on a small 
 scale. Their action, on account of the excessive development 
 which they give to the means of the struggle for existence, should 
 be considered as abnormal and, therefore, punishable ; while the 
 same means, applied on a small scale, are entirely normal, and, 
 although our moral sense feels them unworthy, remain unpunished. 
 Law would be powerless and even unjust to injure them. Those 
 who make use of the means that society has given them, without 
 annoying the social life more than others, are evidently only using 
 their rights. For the great evolutional criminals, it will not do to 
 trust too much to the effects of punishment ; they are the product 
 of our customs and will always be found so long as our customs 
 remain unchanged. 
 
 43. (Section 30) Rewrite the following paragraphs, so 
 varying the structure of the sentences as to avoid the repeti- 
 tion of the conjunction and: 
 
ASSIGNMENTS ON THE PARAGRAPH. 229 
 
 (a) Thucydides was a native of Athens, born of a wealthy 
 family, and favored with a fine education. He was so charmed at 
 hearing Herodotus read at the Games, that he determined to become 
 a historian. He was in command of an Athenian squadron of 
 seven ships at Thasos, 424 B.C., but by bad management he fell into 
 disgrace and became an exile for twenty years to escape death. 
 The subject of his history is the Peloponnesian War, and the sad 
 story of the falling glory of Athens. He saw the great importance 
 of this war from the first, and watched all its varying phases with 
 the greatest interest, intending to write its history. He spent 
 much time and care in collecting his material, anil he has left us 
 one of the noblest histories in the world. His style is condensed, 
 and yet ornate, and with studied periods. He has been styled 
 " the historian of a common humanity, the teacher of abstract 
 political wisdom." He is fond of tracing events back to their 
 cnuses, and showing their probable results, and is the great philo- 
 sophic historian. Macaulay greatly admired him, and called the 
 seventh book of Thucydides the model volume of history. His 
 accounts abound in speeches made by the principal characters, and 
 he fills their mouths with his own grand thoughts and words. His 
 history extends to the twenty-first year of the war, and the last or 
 eighth book bears marks of having been left unfinished. 
 
 (b) The Greeks were the natural descendants of the heroes of 
 Homer, and it was no common blood that flowed in their veins. 
 They inherited a grand physical nature, and in the camp and 
 gymnasia cultivated every faculty of body and mind. They en- 
 joyed a wonderful climate, and the education of grand and beauti- 
 ful scenery. They were thoroughly religious in their belief and 
 disposition to worship, and their noblest faculties were always open 
 to grand inspirations. Every mountain, valley, and river was the 
 home of a god, and they believed that their deities were always 
 interested in human affairs. 
 
 These causes combined to make them a people of marked mental 
 activity. They had an intense love of the beautiful, the creative 
 faculty was largely developed, they had a universal desire to know 
 the reason and origin of things, and these forces directed that mental 
 activity to literary pursuits. Their poets and philosophers were 
 sure of an intelligent, appreciative audience, and the rewards of 
 
230 ASSIGNMENTS ON THE PARAGRAPH. 
 
 literary success were sure and abundant. Besides all this, they were 
 blessed with political freedom, and in that atmosphere the mind 
 of man has always done its grandest work. But of all the external 
 influences that gave inspiration and character to their literature, 
 the great Annual Games were the most important. Here were 
 gathered the great historians and orators, poets and philosophers ; 
 and here, in the presence of the most cultivated audiences of the 
 world, they gave their literary productions. 
 
 (C) Pindar was the lyrist of Greece and of the world. Born 
 three centuries after Homer, he shares with him the highest place 
 of honor. He was a Theban, born of wealthy family, and early and 
 carefully instructed in poetry and versification. He contended for 
 years at the games before he won the chief prizes. He was fortu- 
 nate in living in the golden period of Greek history, and having 
 the inspiration of great deeds and men. He travelled and lived 
 for years in the famous western colonies of Sicily and > 
 Graeca, and when he died at eighty years of age, he was honored 
 throughout Greece.. He was a prolific writer, and we possess 
 forty-four of his poems entire, and the fragments of many others. 
 His great themes were freedom, national glory, and the worth of 
 man and manliness. He had a clear, intense faith in a future 
 state of rewards and punishments. His poems were written in the 
 Doric dialect. He was a perfect master of versification, and origi- 
 nated many new and beautiful forms of verse that have been used 
 ever since as models. His style is marked by beautiful imagery, 
 fine description, abundant local allusions, great power of condensed 
 expression, and many wise and brilliant sayings. He is one of the 
 most difficult of Greek authors to translate so as to preserve the 
 peculiarities of the original. He is but little read, and we find it 
 difficult to appreciate why this elegiac and lyric poetry were so 
 highly esteemed by the Greeks. But this is because we cannot 
 reproduce the circumstances under which they were sung. They 
 were written to be read or sung at the great games, or on the field 
 of victory, and in the presence of a most enthusiastic people. 
 These poems abound in allusions to places and men, and to the 
 beautiful religious traditions of the Greeks. Pindar generally 
 selected some heroic legend connected with the city and ancestry 
 of the victor at the games, and wove this, with his success, into a 
 
ASSIGNMENTS ON THE PARAGRAPH. 231 
 
 beautiful poem. We cannot supply the music, the scenic acces- 
 sories, the brilliant audience, the pride, the joy, and hence we can- 
 not appreciate the beauty and glory of this poetry. 
 
 44. (Section 31) Point out the subordinating expres- 
 sions of some of the paragraphs of Appendix A. 
 
 45. (Section 32) He write the paragraph from Macau- 
 lay on page 57, making each assertion a separate sentence. 
 Note any loss of unity. Combine these assertions differ- 
 ently and note the loss of meaning. 
 
 46. (Section 32) Examine and criticise the punctua- 
 tion of some of the paragraphs in Appendix A. 
 
 47. (Sections 35-36) Examine some of the more formal 
 paragraphs in Appendix A, and classify them as deductive 
 or inductive. 
 
 48. _ (Sections 35-37) Treat deductively some of the 
 topic-statements under Assignment 28 above. Treat some of 
 the same sentences as conclusions to be reached by the in- 
 ductive process. 
 
 49. (Section 39) Find three paragraphs of definition 
 in a magazine article or a scientific treatise. 
 
 50. (Section 39) Define, in a paragraph, one of the 
 following terms: 1. Democracy. 2. Arbitration. 
 
 3. Chiaro-oscuro. 4. Voltage. 5. Parallax. 6. Moraine. 
 
 51. (Section 40) Find three paragraphs of specific 
 instances in a book, magazine, or newspaper. 
 
 52. (Section 40) Write a paragraph in explanation of 
 one of the following terms, using specific instances: 
 1. Genius. 2. Sphere of influence. 3. Tidal wave. 
 
 4. Blank verse. 5. Balance of trade. 6. Veto power. 
 
 53. (Section 41) Find in a magazine or newspaper 
 three paragraphs in which illustration is used. 
 
232 ASSIGNMENTS ON THE PARAGRAPH. 
 
 54. (Section 41) Write a paragraph in explanation of 
 one of the following terms, using an illustration, either real 
 or invented: 1. Personal equation. 2. Hypnosis. 3. Mar- 
 ginal utility. 4. Concert pitch. 5. Dual personality. 
 6. Perspective. 
 
 55. (Section 42) Find in a book or magazine three 
 paragraphs in which causes and effects are used. 
 
 56. (Section 42) Develop one of the topic-statements 
 in Assignment 24 by the method of cause and effect. 
 
 57. (Section 44) Find three paragraphs of incident 
 in a magazine or newspaper, biography or history. 
 
 58. (Section 44) Tell in one paragraph the best story 
 you know. 
 
 59. (Section 45) Find in a work of fiction three good 
 paragraphs of description. 
 
 60. (Section 45) Describe, in one paragraph, the house, 
 the room, the tree, the picture, the valley, the mountain, or 
 the street that you remember most vividly. 
 
 61. (Section 46) Find in a history, or a work of fic- 
 tion, three good portrait sketches. 
 
 62. (Section 46) Select from the pictures in this book 
 the face which most impresses you, and describe it in a 
 paragraph. 
 
 63. (Section 47) Find in works of biography, history, 
 or fiction three good character sketches. 
 
 64. (Section 47) Write a sketch of the most interest- 
 ing character that you have met. 
 
 65. (Section SO) Examine the introductory and con- 
 cluding paragraphs of three articles in recent magazines, 
 (such as Harper's, Scribner's, the Century, the Atlantic, the 
 North American Review, the Nation, the Nineteenth Century, 
 
ASSIGNMENTS IN DESCRIPTION. 233 
 
 the Contemporary Review, the Fortnightly), and report upon 
 them. What method of introduction has the writer used 
 in each case ? What does the reader learn from the open- 
 ing paragraph ? What ideas are found in the concluding 
 paragraphs ? 
 
 66. (Section SO) Examine in the same way the intro- 
 ductory and concluding paragraphs of a scientific treatise, 
 of an oration, of a book review. 
 
 67. (Section 51) Make a study of the transitional and 
 directive paragraphs of a magazine article, of a history, of 
 one of Stevenson's essays. 
 
 68. (Section 52) Find the amplifying paragraphs in 
 one of Macaulay's essays, and point out in each case the 
 thought which is amplified and the reason for amplifying it. 
 
 B. THE WHOLE COMPOSITION. 
 
 Description. 
 
 1. (Section 56) What is the purpose of each of the 
 following descriptions ? 
 
 (a) The strength of these principal fa9ades [of the New York 
 Library] resides in the simple, clear, and thoroughly monumental 
 articulation of their parts. The central motive on the Fifth Avenue 
 side, the triple-arched portico, has a just degree of projection, and 
 the pillared section on either side, with its windows, is so designed 
 as to line and mass that, while sufficiently subordinated to the 
 portico aforesaid, it is also sufficiently emphasized for its own sake. 
 So, likewise, the corners have their proper accents, but do not un- 
 duly assert them selves. The relation of the length of the building 
 to its height is admirably fixed. It might be called a long, low 
 edifice, but the attics, looming up above the outer roof line, provide 
 the needed corrective. Outside the library, as within it, a grave 
 dignity rules, ornament being sparsely used and the little of it 
 that is introduced being handled with severe taste. 
 
234 ASSIGNMENTS IN DESCRIPTION. 
 
 (b) Some time since I happened to be at Leeds, and having 
 been obliged to stay all night, I ordered that I should be called up 
 early in the morning. I was called up, and found it moonlight 
 and starlight, and it was a morning so cold that the teeth of a 
 strong, athletic man would chatter in his head. I drove in my 
 gig through the streets of Leeds, and I met nobody but two or 
 three watchmen. The shops were closed, and the windows dark ; 
 I saw nothing but the glimmerings of the watchmen's lanterns; 
 all was still, save the sound of the watchmen's feet and my gig. I 
 arrived in the suburbs ; I heard a dismal sound it fell like the 
 knell of death on my ear. It was the factory bell ringing : the 
 streets were instantly crowded. There w?re no strong hale men, 
 nor any lights. The parents were in bed, but their children had 
 risen, and were trudging through the cold to the factories. I 
 spoke to one who, with bread in his mouth, was hurrying forward, 
 for fear of being fined. I asked him where he was going? He 
 said to the mill. I asked him if he had said his prayers? He 
 answered, No, he had no time and then he ran on. I pursued 
 my journey ; and I saw the sheep in the pastures, and the cattle 
 resting, for they had not risen to feed, much less to work. There 
 was no need of a law to protect them ; they are vested property. 
 It were better if British infants were the vested property of the 
 factory master; then perhaps he might find an interest in using 
 them kindly. In an hour I met three able men going to their 
 employment. They were weavers, and did not need to go so 
 early as the factory children. But still the sun had not risen, 
 nor did I hear the cattle lowing, or the herds bleating. I went 
 on, and in a little while I heard the birds singing, and then the 
 cattle began to graze. Then I met the agricultural laborers, with 
 their implements gracing their brawny shoulders and athletic 
 frames. They were ruddy, healthy, and strong. Aye ! aye ! said 
 I, this looks like England. They were not boys, nor dwarfs, but 
 men freemen. Their offspring was not immured in a hellish 
 Bastille ; but either not risen, or else gambolling in the fields. In 
 another hour I met a dairymaid, with her milk-pail; it seemed 
 natural. I felt myself in a land where all might be happiness 
 and liberty; but when I turned my recollection to what I had 
 seen at Leeds when, good God ! I reflected that the poor, miser- 
 able, decrepit beings had been working there, in an overheated 
 
ASSIGNMENTS IN DESCRIPTION. 235 
 
 atmosphere, for full three hours, by gaslight and by starlight, 
 my heart sickened within me. I asked myself if Christianity, if 
 humanity, if liberty, required this sacrifice? and I resolved that 
 morning to do more for the factory child than I had yet done. 
 
 Oastler. 
 
 (C) The old-fashioned low wainscoting went round the rooms 
 and up the staircase with carved balusters and shadowy angles, 
 landing halfway up at a broad window, with a swallow's nest below 
 the sill, and the blossom of an old pear tree showing across it in 
 late April, against the blue, below which the perfumed juice of 
 fallen fruit in autumn was so fresh. At the next turning came 
 the closet which held on its deep shelves the best china. Little 
 angel faces and reedy flutings stood out round the fireplace of the 
 children's room. And on the top of the house, above the large 
 attic, where the white mice ran in the twilight an infinite, un- 
 explored wonderland of childish treasures, glass beads, empty 
 scent-bottles still sweet, thrum of colored silks, among its lumber 
 a flat space of roof, railed round, gave a view of the neighboring 
 steeples; for the house, as I said, stood near a great city, which 
 sent up heavenwards, over the twisting weather-vanes, not 
 seldom, its beds of rolling cloud and smoke, touched with storm or 
 sunshine. But the child of whom I am writing did not hate the fog, 
 because of the crimson lights which fell from it sometimes upon 
 the chimneys, and the whites which gleamed through its openings, 
 on summer mornings, on turret or pavement. For it is false to 
 suppose that a child's sense of beauty is dependent on any choice- 
 ness, or special fineness, in the objects which present themselves 
 to it, though this indeed comes to be the rule with most of us 
 in later life ; earlier, in some degree, we see inwardly ; and the 
 child finds for itself, and with unstinted delight, a difference for 
 the sense, in those whites and reds through the smoke on very homely 
 buildings, and in the gold of the dandelions at the road-side, just 
 beyond the houses, where not a handful of earth is virgin and un- 
 touched, in the lack of better ministries to its desire of beauty. 
 
 Pater: The Child in the House. 
 
 2. (Section 57) Discover the point of view in each of 
 the following selections. If the point of view shifts, trace 
 
ASSIGNMENTS IN DESCRIPTION. 
 
 the path which it pursues, and determine whether the 
 writer has given due warning of each change. 
 
 (C,) The first point one would naturally visit in Samarkand is 
 the famous Gur Ameer, or tomb of Tamerlane, which stands in a 
 pretty little park on the edge of the Russian settlement. A native 
 policeman receives you at the gate and conducts you through the 
 grounds, giving you temporarily into the hands of a molla, or 
 priest, in the tomb itself. There are five of these mollas who have 
 charge of the tomb and are paid a certain sum per annum by the 
 government. You pass a dilapidated archway covered in part by 
 beautiful tiles lined with beggars, priestly or otherwise, and the 
 tomb of the great conqueror stands before you. It is built of 
 small, burnt bricks and has very massive walls. Like the other 
 historic remains of Samarkand, it is quite in the Persian style of 
 architecture. The apex of the dome is about one hundred and 
 fifty feet from the ground. As I walked along the neatly gravelled 
 paths, under beautiful shade-trees covered with sweet-smelling 
 blossoms, and filled with pretty song-birds, the bright sun gayly il- 
 luminating the enamelled surface of the tomb, it was difficult to 
 realize that so famous and stern a warrior lay buried below one's 
 feet. The dome, whose outline is very graceful, is spherical, and 
 its surface is fluted or ridged, but its top has lost all its glazed 
 bricks and has been restored in plaster by the Russians. This 
 white plaster is, of course, fatal to a fine general effect, and you 
 accept its presence only as a cheap method of preserving the re- 
 mainder of the work from destruction. 
 
 Frank Vincent : Samarkand and Bokhara. 
 
 (1)) We have returned from visiting the glacier of Montanvert, 
 or, as it is called, the Sea of Ice, a scene in truth of dizzying won- 
 der. The path that winds to it along the side of a mountain, now 
 clothed with pines, now intersected with snowy hollows, is wide 
 and steep. The cabin of Montanvert is three leagues from Cha- 
 mouni, half of which distance is performed on mules, not so sure- 
 footed but that on the first day the one which I rode fell in what 
 the guides call a mauvais pas, so that I narrowly escaped being pre- 
 cipitated down the mountain. We passed over a hollow covered 
 with snow, down which vast stones are accustomed to roll. One 
 had fallen the preceding day, a little after we had returned ; our 
 
ASSIGNMENTS IN DESCRIPTION. 237 
 
 guides desired us to pass quickly, for it is said that sometimes the 
 least sound will accelerate their descent. We arived at Moutan- 
 vert, however, safe. 
 
 On all sides precipitous mountains, the abodes of unrelenting 
 frost, surround this vale : their sides are banked up with ice and 
 snow, broken, heaped high, and exhibiting terrific chasms. The 
 summits are sharp and naked pinnacles, whose overhanging steep- 
 ness will not even permit snow to rest upon them. Lines of daz- 
 zling ice occupy here and there their perpendicular rifts, and 
 shine through the driving vapors with inexpressible brilliance; 
 they pierce the clouds, like things not belonging to this earth. 
 The vale itself is filled with a mass of undulating ice, and has an 
 ascent sufficiently gradual even to the remotest abysses of these 
 horrible deserts. It is only half a league (about two miles) in 
 breadth, and seems much less. It exhibits an appearance as if 
 frost had suddenly bound up the waves and whirlpools of a mighty 
 torrent. We walked some distance upon its surface. The waves 
 are elevated about twelve or fifteen feet from the surface of the 
 mass, which is intersected by long gaps of unfathomable depths, 
 the ice of whose sides is more beautifully azure than the sky. In 
 these regions everything changes, and is in motion. This vast 
 mass of ice has one general progress, which ceases neither 
 day nor night; it breaks and bursts forever: some undulations 
 sink while others rise ; it is never the same. The echo of rocks, 
 or of the ice and snow which fall from their overhanging preci- 
 pices, or roll from their aerial summits, scarcely ceases for one 
 moment. One would think that Mont Blanc, like the god of the 
 Stoics, was a vast animal, and that the frozen blood forever cir- 
 culated through his stony veins. Shelley : Letters. 
 
 3. (Sectiojis 58-60) Analyze the following descrip- 
 tions, and make an outline of each which will show the 
 sequence and grouping of the details : 
 
 (a) Up to about a quarter-past five o'clock the darkness is 
 complete ; but about that time a few cries of birds begin to break 
 the silence of night, perhaps indicating that signs of dawn are 
 perceptible in the eastern horizon. A little later the melancholy 
 voices of the goatsuckers are heard, varied croakings of frogs, the 
 plaintive whistle of mountain thrushes, and strange cries of birds 
 
238 ASSIGNMENTS IN DESCRIPTION. 
 
 or mammals peculiar to each locality. About half-past five the 
 first glimmer of light becomes perceptible; it slowly becomes 
 lighter, and then increases so rapidly that at about a quarter to 
 six it seems full daylight. For the next quarter of an hour this 
 changes very little in character; when, suddenly, the sun's rim 
 appears above the horizon, decking the dew-laden foliage with 
 glittering gems, sending gleams of golden light far into the woods, 
 and waking up all nature to life and activity. Birds chirp and 
 flutter about, parrots scream, monkeys chatter, bees hum among 
 the flowers, and gorgeous butterflies flutter lazily along or sit with 
 full expanded wings exposed to the warm and invigorating rays. 
 The first hour of morning in the equatorial regions possesses a 
 charm and a beauty that can never be forgotten. All nature 
 seems refreshed and strengthened by the coolness and moisture 
 of the past night, new leaves and buds unfold almost before the 
 eye, and fresh shoots may often be observed to have grown many 
 inches since the preceding day. The temperature is the most 
 delicious conceivable. The slight chill of early dawn, which 
 was itself agreeable, is succeeded by an invigorating warmth; 
 and the intense sunshine lights up the glorious vegetation of 
 the tropics, and realizes all that the magic art of the painter or the 
 glowing words of the poet have pictured as their ideals of terres- 
 trial beauty. 
 
 (b) Your first glimpse of a sink-box will not inspire you with 
 confidence. These boxes are constructed on the principle of Erics- 
 son's monitor, to show as little above the water as possible. Imag- 
 ine a board platform, ten feet long by six feet wide, with a coffin 
 let into the centre until it is flush with the deck, and you will have 
 a very correct notion of a sink-box. Around the edge of the plat- 
 form there is a framework, over which canvas is stretched, to mini- 
 mize the wash of the waves over the floating structure. Decoys 
 are placed in an artistic arrangement, known to your guide, on the 
 platform and on the canvas outworks, as well as grouped on the 
 water, about twenty yards in front of the box. The sink-box is 
 simply an appliance, which, by placing the gunner below the sur- 
 face of the water, prevents the ducks from seeing him until the 
 last moment. Lying flat on your back in the box, you are very 
 effectually hidden from a low-flying bird, until it arrives in your 
 
ASSIGNMENTS IN DESCRIPTION. 239 
 
 immediate vicinity. The decoys by which you are surrounded 
 serve the double purpose of attracting ducks in your direction, and 
 also of assisting to impress upon approaching birds the illusion 
 that there is no gunner there, and, consequently, no danger to be 
 expected. 
 
 (C) At the height of two miles, the sun shines with a fierce 
 intensity unknown below where the dust and the denser air scat- 
 ter the rays which, thus diffused, lose their intensity while illu- 
 mining every nook and corner of our houses. At heights exceed- 
 ing five miles, this diffused light is mostly gone and the sun shines 
 a glowing ball, sharply outlined in a sky of which the blue is so 
 dark as to approach blackness. At the outer limits of the atmos- 
 phere, the sun would appear a brilliant star of massive size among 
 other stars; and if one stepped from its burning rays into shadow 
 he would enter Egyptian darkness. At the height of a mile and 
 a half, we found it necessary to shelter our faces to prevent sun- 
 burn, although the air around us was but little warmer than that 
 of the previous night, being about forty-five degrees. As the after- 
 noon wore on and the balloon began to cool and sink, we were 
 obliged to throw out much sand, casting it away a scoopful at a 
 time, and just after sunset, it was even necessary to empty two or 
 three bags at once. H. H. Clayton : Atlantic, March, 1908. 
 
 (d) Just under our windows but far under, for we were in 
 the fourth story was a wide stone terrace, old, moss-grown, 
 balustraded with marble, from which you descended by two curv- 
 ing flights of marble steps into the garden. There, in the early 
 March weather, which succeeded a wind-storm of three days, the 
 sun fell like a shining silence, amidst which the bent figure of an 
 old gardener stirred, noiselessly turning up the earth. In the ut- 
 most distance the snow-covered Apennines glistened against a 
 milky white sky growing pale-blue above ; the nearer hills were 
 purplish ; nearer yet were green fields, gray olive orchards, red 
 ploughed land, and black cypress-clumps about the villas with 
 which the whole prospect was thickly sown. Then the city houses 
 outside the wall began, and then came the beautiful red brick city 
 wall, wandering wide over the levels and heights and hollows, and 
 within it that sunny silence of a garden. While I once stood at 
 the open window looking, brimful of content, tingling with it, a 
 
240 ASSIGNMENTS y.Y DESCRIPTION. 
 
 bugler came up the road without the wall, and gayly, bravely, 
 sounded a gallant fanfare, purely, as it seemed, for love of it and 
 pleasure in it. Howells : Tuscan Cities. 
 
 (e) Afar, and marvellously clear cut in their hundred miles of 
 distance, loomed a range of lofty mountains; the fierce wind was 
 blowing out a glorious white mist which veiled with falling and 
 ascending draperies of vapor the greater bulk of the tawny mass 
 on the right; but so marvellously brilliant was the atmosphere 
 through which the gale was rushing, the sense of distance vanished. 
 The huge steep lifting and disappearing in its splendor of mist, 
 drew close; I saw the curves of the cloofs, every wrinkle of broken 
 rock, and patches of bush, though it was all miles off and high in 
 air. The white houses spread like toys of ivory to the base, and 
 the wide waters of the bay, full of the gleams of the brushing west- 
 erly air, and foaming under the shrieking lash of the gale where 
 the breast of blue rounded to the town, were framed by a spar- 
 kling, snow-white beach, past which the swelling country showed in 
 reds and greens till the sight died upon the phantom blue of dis- 
 tant heights. W. C. Russell : A Three-branded Yarn. 
 
 (f ) They had now come to the moor's edge, and were looking 
 down on the amphitheatre which formed the domain of Ravenshoe. 
 Far and wide the tranquil sea, vast, dim, and gray, flooded bay 
 and headland, cave and islet. Beneath their feet slept the winter 
 woodlands ; from whose brown bosom rose the old house, many- 
 gabled, throwing aloft from its chimneys hospitable columns of 
 smoke, which hung in the still autumn air, and made a hazy cloud 
 on the hillside. Everything was so quiet that they could hear the 
 gentle whisper of the ground-swell, and the voices of the children 
 at play upon the beach, and the dogs barking in the kennels. 
 
 Kingsley : Ravenshoe, chap. xi. 
 
 4. (Sections 58-60) Mr. W. N. Lettsom, a Shake- 
 spearean critic, says of the following passage : " It is pre- 
 posterous to speak of the facts of a chariot (such as the 
 wagon-spokes and cover) before mentioning a chariot itself." 
 
 Discuss the order of the details in the light of this 
 criticism. 
 
ASSIGNMENTS IN DESCRIPTION. 241 
 
 She comes 
 
 In shape no bigger than an agate-stone 
 On the fore-finger of an alderman, 
 Drawn with a team of little atomies 
 Athwart men's noses as they lie asleep ; 
 Her wagon-spokes made of long spinners' legs; 
 The cover, of the wings of grasshoppers ; 
 The traces, of the smallest spider's web ; 
 The collars, of the moonshine's watery beams ; 
 Her whip, of cricket's bone ; the lash, of film ; 
 Her wagoner, a small gray-coated gnat, 
 Not half so big as a round little worm 
 Prick'd from the lazy finger of a maid ; 
 Her chariot is au empty hazel-nut, 
 Made by the joiner squirrel, or old grub, 
 Time out of mind the fairies' coach makers. 
 And in this state she gallops night by night 
 Through lovers' brains, and then they dream of love; 
 O'er courtiers' knees, that dream on court'sies straight; 
 O'er lawyers' fingers, who straight dream on fees. 
 
 Romeo and Juliet, I, iv. . 
 
 5. (Sections 58-60) Determine whether Shakespeare 
 followed the same order in other descriptive passages, such 
 as the following: 
 
 Come on, sir ; here's the place ; stand still. How fearful 
 
 And dizzy 'tis, to cast one's eyes so low I 
 
 The crows and choughs that wing the midway air 
 
 Show scarce so gross as beetles : halfway down 
 
 Hangs one that gathers samphire, dreadful trade ! 
 
 Methinks he seems no bigger than his head : 
 
 The fishermen, that walk upon the beach, 
 
 Appear like mice ; and yond tall anchoring bark, 
 
 Diminish'd to her cock ; her cock, a buoy 
 
 Almost too small for sight : the murmuring surge, 
 
 That on the unnumber'd idle pebbles chafes, 
 
 Cannot be heard so high. I'll look no more ; 
 
 Lest my brain turn, and the deficient sight 
 
 Topple down headlong. King Lear, IV, vi. 
 
242 ASSIGN MK.\TS IN DESCRIPTION. 
 
 6. (Section 60) Find in a recent novel or short story 
 three good specimens of description in which the funda- 
 mental image is used. 
 
 7. (Section 60) Discover a fundamental image which 
 may be used effectively in describing one of the following 
 objects. Write the description. 1. The full moon. 2. An 
 elm tree. 3. An old-fashioned garment. 4. The interior of 
 a theatre or other public building. 5. A high-jumper in 
 mid-air. 6. An extinct animal. 
 
 8. (Section 61) Is the scene described in the follow- 
 ing paragraph made clear to you in all particulars ? If not, 
 point out wherein it is obscure, and why. Rewrite it in ac- 
 cordance with your own ideas. 
 
 The night that followed was breathless and beautiful. In the 
 southeast, under the moon, the water stretched in a stainless field 
 of light, flashing but still as a sheet of looking-glass ; our sails 
 glowed blandly like starlight itself as they rose one above another 
 into the whitened gloom in whose clear profound many meteors 
 were darting, leaving a smoke of spangles for all the world like 
 sky-rockets under the large, trembling stars. Lovely they were ; 
 but for the moon I think many had studded the water with points 
 of light to ride and widen upon the black and noiseless lift of 
 swell, thick and sluggish as though it were oil that ran, and 
 scarcely putting three moons' breadth of motion into our mast- 
 heads, though it sweetened the air with the rain of dew it softly 
 beat out of the canvas. W. C. Russell : A Three-stranded Yarn. 
 
 9. (Section 62) Find three specimens of effective de- 
 scription in some piece of fiction which you are reading 
 for the first time. Make a concise statement of the reason 
 why each selection is judged to be good. 
 
 10. (Section 62) Find three specimens of poetical 
 description, and give reasons for their effectiveness. 
 
 11. (Section 62) Find three specimens of poetry or 
 prose, describing (a) flowers, or (b) fruits, or (c) trees, or 
 
ASSIGNMENTS IN DESCRIPTION. 243 
 
 (d) the appearance of the sea, or (e) clouds, or (/) faces, 
 or (g) the sky, or (h) the sun, or (i) the moon, or (j) birds, 
 or (k) mountains, or (7) rivers, or (m) rain, or (n) snow, or 
 (o) fire. 
 
 12. (Section 62) Find specimens of poetry or prose, 
 describing (a) the sound of the human voice, or (b) the song 
 of birds, or (c) the cries of animals, or (d) the sound of 
 waves on the shore, or (e) the sound of the wind, or (/) the 
 sound of a waterfall, or (g) the sound of music, or (h) the 
 sounds made by insects. 
 
 13. (Section 62) Describe briefly and as vividly as 
 you can, (a) the appearance of the surface of a lake when a 
 fine rain is falling, (6) a spray of ivy against a wall, (c) the 
 face of an old man, (d) a statue, (e) an autumn leaf, (/) a 
 poplar tree when the wind is blowing, (g) frost on the side- 
 walk, (h) a lichen, (*) a Persian rug, (J) a ripe grape, (k) a 
 soap-bubble the instant before it bursts, (I) a landscape 
 seen through the heated air rising from a fire, (m) a flock 
 of wild geese flying south, (n) a squirrel clinging to a tree. 
 The description may be written as if it were part of a 
 narrative. 
 
 14. (Section 62) Describe briefly and as vividly as you 
 can, (a) the cry of the tree-toads, (b) the call of the quail, 
 (c) the chirp of the katydid, (d) the lowing of a cow, (e) 
 the shriek of a parrot, (/) the hooting of an owl, (g) the 
 song of the meadow-lark, (h) the song of the mocking-bird, 
 (i) the sound of a fire-bell, (J) the sound of clocks striking 
 one at night in a city, (A:) the sound of a threshing-machine 
 at full speed, (j) the sound of rain on the roof, (m) the sound 
 of wind in the telegraph wires, (n) the sound of wind blow- 
 ing through the keyhole, (o) the sound of the deepest tones 
 of an organ, (p) the sound of an automobile passing rapidly. 
 
 The description may be written as if it were part of a 
 narrative. 
 
ASSIGNMENTS IN DESCRIPTION. 
 
 15. (Section 62} (a) Write a brief description of a 
 telephone transmitter as it might appear to a man who was 
 greatly exasperated by its failure to work in an emergency. 
 
 (b) Describe some natural object as seen first at a time 
 of depression, disappointment, or grief, then as it is seen in 
 a joyful mood. 
 
 (c) Describe the scene in Olde's Before Sunrise (Figure 1) 
 
 FIGURE 1. 
 
 as it would appear to some one who, emerging from the edge 
 of a neighboring wood, came upon it unexpectedly. 
 
 (d) Compare the two representations of an ocean wave in 
 Hokusai's The Wave, and Aivazowski's The Storm (Figures 
 2 and 3). 
 
 (e) Describe (1) the appearance of a recitation room as 
 
246 
 
 A*Sl<;\MK.\rS 
 
 NARRATION. 
 
 seen for an instant through a partly opened door, or (2) the 
 appearance of the spectators at a foot-ball game at the mo- 
 ment of greatest suspense. 
 
 (0 
 
 Describe the in- 
 terior of a reading 
 room in the evening. 
 
 (g) Describe the 
 tower of a church as 
 it appears when the 
 observer approaches it 
 from a distance. 
 
 (h) Describe a land- 
 scape as it would ap- 
 pear (1) if it were 
 gradually disclosed to 
 the observer by the 
 dispersion of a dense 
 fog, or (2) if one were 
 looking over the shoul- 
 der of a painter who 
 was making a rapid 
 sketch of it in colors, or (3) if one were watching the de- 
 velopment of a negative, or (4) if one were observing the 
 cleaning of an old, dirt-colored oil painting from which the 
 outlines of the valley emerged bit by bit. 
 
 (i) Portray the appearance of a recitation room at the 
 instant when the class is dismissed. Write as if describing 
 an instantaneous photograph of the scene. 
 
 (j) Describe the face of The Laughing Boy by Velasquez 
 (Figure 4). 
 
 Narration. 
 
 1. (Sections 66-68) Study the following specimens of 
 simple narrative. Note any violations of unity, sequence, 
 or climax. 
 
 FIGURE 4. 
 
ASSIGNMENTS IN NARRATION. 247 
 
 (a) If we follow a paragraph of news matter or even an adver- 
 tisement from the time it is written until it is placed before the 
 reader, we can get a comprehensive idea of the truly wonderful 
 part that mechanism may play in this industry. As fast as the 
 mind of the reporter or editor frames a sentence it is placed upon 
 the paper by the typewriter, every desk containing a machine by 
 which copy can be finished far more rapidly than with the pen or 
 pencil and, of course, far more legibly. The pneumatic tube takes 
 sheet after sheet as revised by the editor and places it before the 
 foreman in the composing-room above. The battery of typeset- 
 ting machines is provided with double as well as single magazines 
 of type-formers, so that one machine may not only set the body 
 of the paragraph, but the head-lines, although a separate machine is 
 designed exclusively for headings. Thus hand composition has 
 been reduced to such a small amount that an entire page of eight 
 columns, including all the display advertising, may contain less 
 than a half-column set by actual hand labor. When it is stated 
 that each of these motor-driven typesetters averages at least 6000 
 ems an hour compared with less than 5000 ems the best record 
 in most composing-rooms of the larger American dailies an 
 idea of the time-saving in composition alone can be gained, but 
 machinery also enters largely into the making of the matrix. As 
 fast as the form is made up, it is shoved on the bed of an impres- 
 sion-moulder that is actuated by a two-and-one-half-horse-power 
 motor. One movement of the massive mould-roller over the sheet 
 of papier-mache placed on the form stamps the type into its soft, 
 moist surface. As the moulder is next to the form-tables, the steam- 
 tables are also in line with the roll, so that the form and matrix 
 are placed on a table in a few seconds to be subjected to a steam 
 pressure of eighty pounds, which partially removes the moisture. 
 As this treatment occupies four minutes, enough tables are pro- 
 vided to press all of the matrices which can be moulded in that 
 time. At the end of the steam-tables, the circular matrix-roaster 
 revolved by a one-quarter-horse-power motor receives the matrices 
 as fast as removed from the tables. Its centrifugal motion com- 
 pletely dries the matrix in fifteen seconds, with heat produced by 
 gas. 
 
 The matrices travel to the stereotyping-room in the basement, 
 over a chute. While the stereotype is being made, the plate is 
 
248 ASSIGNMENTS IN NARRATION. 
 
 trimmed by electrically driven tools, so that the operation of the 
 casting-boxes, the steam-tables, the making up of the forms, and 
 the transfer of the form-tables are the only hand processes em- 
 ployed. A plate may be locked on the press-bed in less than eight 
 minutes after the form is completed, in which time the matrix has 
 been moulded, pressed, dried, sent to the stereotype department, and 
 cast. 
 
 To pursue the career of the paragraph we have been following, 
 a stereotype containing it is fastened with the other plates of the 
 paper on each of a series of four quadruple presses of the Hoe type. 
 In an hour, if these have been running continuously, 100,000 news- 
 papers containing it have not only been printed and finished, but 
 taken from the press-room and most of them placed in wrappers for 
 mulling or in the hands of carriers for distribution. In other 
 words, an edition of this size is not only produced, but delivered 
 to the centre of distribution in the time mentioned. Passing over 
 the question of the modern quadruple press, which, as the reader 
 knows, not only prints but cuts and folds, the way in which the 
 delivery is made is worth noting. Extending past the end of each 
 press is an endless conveyer moving at the rate of 100 feet a 
 minute. As the papers fall upon the delivery board of a press the 
 "fly boy " with one motion of his arms places them on the conveyer 
 as fast as they accumulate. To the end of the press-room moves 
 the conveyer, then up a vertical conduit to the street floor, where 
 its freight is removed, counted, and distributed to carriers and 
 wagons as fast as the papers emerge through the chute. 
 
 (b) I went down to the shop and opened the shutters. There 
 was little custom before breakfast, so I lounged about behind the 
 counter, pulling open drawers of spices and reading the labels on 
 bottles and jars. After all, I thought, there are more disagree- 
 able vocations in the world than that of grocer, bricklaying, for 
 instance. I determined to do my share of the work faithfully, 
 whether I liked it or not. I was in my nineteenth year, and, at 
 the worst, would be my own master at twenty-one. 
 
 My uncle, finding that I wrote a neat hand and was a good 
 arithmetician, gradually initiated me into the mysteries of day- 
 book and ledger. I also assisted in waiting on the customers, and 
 in a few days became sufficiently expert at sliding sugar or 
 coffee out of the scoop, so as to turn the scale by the weight of a 
 
ASSIGNMENTS IN NARRATION. 249 
 
 grain or single bean, settling the contents in paper bags, and tying 
 them squarely and compactly. My uncle was too shrewd a busi- 
 ness man to let me learn at the expense of customers : I was re- 
 quired to cover the counter with packages of various weights, the 
 contents of which were afterwards returned to the appropriate 
 bins or barrels. Thus, while I was working off my awkwardness, 
 the grocery presented an air of unusual patronage to its innocent 
 visitors. 
 
 Many of our customers were farmers of the vicinity, who 
 brought their eggs, butter, and cheese to exchange for groceries. 
 This was a profitable part of the business, as we gained both in 
 buying and selling. There was a great demand among these 
 people for patent medicines, which formed a very important part 
 of my uncle's stock. He discovered in an incredibly short time 
 from what neighborhood a new customer came, and immediately 
 gave an account of the relief which somebody, living in an oppo- 
 site direction, had derived from the use of certain pills or plasters. 
 
 u Weakness o' the back, eh I " he would say to some melancholy- 
 faced countryman ; " our Balm of Gilead's the stuff for that. 
 Only three levies a bottle; rub it in with flannel, night and 
 mornin'. Mr. Hempson you know him p'r'aps, down on Poplar 
 Neck? was bent double with the rheumatiz, and two bottles 
 made him as straight as I am. Better take some of the Peruvian 
 Preventive, while you are about it, ma'am, keeps off chills and 
 fevers. Deacon Dingery sent all the way down from Port Clinton 
 t'other day for some ; they don't keep it there. Lives in a ma'shy 
 place, right onto the river, and they ha'n't had a chill in the family 
 since they use 'em. I reckon we've sold wheelbarra loads." 
 
 (c) One of Thomas Lincoln's friends owned a ferry-boat on the 
 Ohio River. It was nothing but a small rowboat, and would 
 carry only three or four people at a time. This man wanted to 
 employ some one to take care of his boat and to ferry people across 
 the river. 
 
 Thomas Lincoln was in need of money; and so he arranged 
 with his friend for Abraham to do this work. The wages of the 
 young man were to be $2.50 a week. But all the money was to be 
 his father's. 
 
 One day two strangers came to the landing. They wanted to 
 take passage on a steamboat that was coming down the river. 
 
250 ASSIGNMENTS IN NARRATION. 
 
 The ferry-boy signalled to the steamboat and it stopped in mid- 
 stream. Then the boy rowed out with the two passengers, and 
 they were taken on board. 
 
 Just as he was turning towards the shore again, each of the 
 strangers tossed a half-dollar into his boat. He picked the silver 
 up and looked at it. Ah, how rich he felt ! He had never had so 
 much money at one time. And he had gotten all for a few 
 minutes' labor ! 
 
 When winter came on, there were fewer people who wanted to 
 cross the river. So, at last, the ferry-boat was tied up, and 
 Abraham Lincoln went back to his father's home. 
 
 2. (Sections 66-68) (a) Having found in a history, 
 biography, or work of fiction a specimen of simple narra- 
 tive, transcribe it accurately, and write a criticism of it. 
 
 (b) Write a simple narrative on one of the following sub- 
 jects : 1. Building a house of cement. 2. A high school 
 commencement. 3. My first day at college. 4. Buying a 
 book. 5. The chronicle of a restful summer. 6. The antics 
 of a squirrel (or other animal). 7. What happened at the 
 concert. 8. A little ride on the trolley. 9. Practising my 
 hobby. 
 
 3. (Section 69) Point out the elements of the narrative 
 written for the preceding assignment. 
 
 4. (Section 71) Find a complex narrative in a current 
 magazine and analyze it into its elements. 
 
 5. (Section 72) Find an obstacle or obstacles by means 
 of which each of the following simple narratives can be 
 turned into a complex narrative. Outline fully one of the 
 plots and write the narrative, making such changes as may 
 be necessary in the characters and events. 
 
 (a) With hurried steps I bent my course in the direction of 
 some lofty ground ; 1 at length found myself on a high road, lead- 
 ing over wide and arid downs; following the road for some miles 
 without seeing anything remarkable, I supposed at length that I 
 
ASSIGNMENTS IN. NARRATION. 251 
 
 had taken the wrong path, and wended on slowly and disconso- 
 lately for some time, till, having nearly surmounted a steep hill, I 
 knew at once, from certain appearances, that I was near the ob- 
 ject of my search. Turning to my right near the brow of the hill, 
 I proceeded along a path which brought me to a causeway leading 
 over a deep ravine, and connecting the hill with another which 
 had once formed part of it, for the ravine was evidently the work 
 of art. I passed over the causeway, and found myself in a kind of 
 gateway which admitted me into a square space of many acres, 
 surrounded on all sides by mounds or ramparts of earth. Though 
 I had never been in such a place before, I knew that I stood within 
 the precincts of what had been a Roman encampment, and one 
 probably of the largest size, for many thousand warriors might have 
 found room to perform their evolutions in that space, in which 
 corn was now growing, the green ears waving in the morning 
 wind. 
 
 After I had gazed about the space for a time, standing in the 
 gateway formed by the mounds, I clambered up the mound to the 
 left hand, and on the top of that mound I found myself at a great 
 altitude ; beneath, at the distance of a mile, was a fair old city, 
 situated amongst verdant meadows, watered with streams, and 
 from the heart of that old city, from amidst mighty trees, I be- 
 held towering to the sky the finest spire in the world. 
 
 After I had looked from the Roman rampart for a long time, I 
 hurried away, and, retracing my steps along the causeway, re- 
 gained the road, and, passing over the brow of the hill, descended 
 to the city of the spire. Borrow : Lavengro, chap. Ixi. 
 
 (b) We dropped anchor not far from the mole. As we ex- 
 pected every moment to hear the evening gun, after which no per- 
 son is permitted to enter the town, I was in trepidation lest I should 
 be obliged to pass the night on board the dirty Catalan steamer, 
 which, as I had no occasion to proceed farther in her, I was in 
 great haste to quit. A boat now drew nigh, with two individuals 
 at the stern, one of whom, standing up, demanded, in an authori- 
 tative voice, the name of the vessel, her destination and cargo. 
 Upon being answered, they came on board. After some conversa- 
 tion with the captain, they were about to depart, when I inquired 
 whether I could accompany them on shore. The person I addressed 
 was a tall young man, with a fustian frock-coat. He had a long 
 
252 ASSIGNMENTS IN NARRATION. 
 
 face, long nose, and wide mouth, with large restless eyes. There 
 was a grin on his countenance which seemed permanent, and, had 
 it not been for his bronzed complexion, I should have declared 
 him to be a cockney, and nothing else. He was, however, no such 
 thing, but what is called a rock lizard, that is, a person born at 
 Gibraltar of English parents. Upon hearing my question, which 
 was in Spanish, he grinned more than ever, and inquired, in a 
 strange accent, whether I was a son of Gibraltar. I replied that I 
 had not that honor but that I was a British subject. Whereupon 
 he said that he should make no difficulty in taking me ashore. 
 We entered the boat, which was rapidly rowed toward the land by 
 four Genoese sailors. My two companions chattered in their strange 
 Spanish, he of the fustian occasionally turning his countenance 
 full upon me, the last grin appeared ever more hideous than the 
 preceding ones. We soon reached the quay, where my name was 
 noted down by a person who demanded my passport, and I was then 
 permitted to advance. Borrow : The Bible in Spain, chap. li. 
 
 6. (Section 72) Finding a good short story in a recent 
 magazine, analyze the plot and determine the precise nature 
 of the obstacle. 
 
 7. (Sections 74-76) Study the beginning, climax, and 
 conclusion of one of the stories in Appendix B. 
 
 8. (Section 77) Selecting the story which you like 
 best, examine the motives of the characters. Are all of their 
 acts properly accounted for ? 
 
 9. (Section 78) Study the means of suspense in one 
 of Dickens's novels. Is it at any point carried too far ? 
 
 10. (Section 75) Read Chapter X of James Lane 
 Allen's Tlie Choir Invisible, and notice how the action is 
 delayed in the 5th to the 10th paragraphs. Is the suspense 
 overdone? What ideas are found in these suspensive 
 paragraphs ? Make a complete outline of the chapter. 
 
 11. Use the following outline as the basis of a narra- 
 tive : At a certain college a competitive examination for a 
 
ASSIGNMENTS IN NARRATION. 253 
 
 valuable prize is soon to be held. The hero of the story 
 is anxious to win, for besides being ambitious for the dis- 
 tinction he is in great need of money. By accident he 
 learns that the examination questions are in a desk in a 
 certain recitation room. He gains admission to the room, 
 but as he is about to open the desk his conscience is 
 aroused in some way (find a good, iinhackneyed, unsenti- 
 mental motive), and he puts the temptation aside. As he 
 starts to leave the room, however, he hears a key turn in 
 the lock, and in an agony of remorse and shame awaits the 
 entrance of the instructor. (Complete the story.) 
 
 12. Use the following outline as the basis of a narra- 
 tive : An old farmer who has a son at college drops in upon 
 the latter unexpectedly. The son, ashamed of the old gen- 
 tleman's uncultivated speech and manners and ill-fitting 
 clothes, uses all his ingenuity to keep his father in-doors. 
 The father, however, is anxious to see the buildings and the 
 classes and finally announces his intention of calling upon 
 the President. The son tries in vain to dissuade him, and 
 as a last desperate recourse assures him that the President 
 is dangerously ill. (Complete the story.) 
 
 13. Choosing one of the following subjects, supply the 
 characters, outline the plot, and write the narrative: 
 
 1. Having my own way, and the results of it. 
 
 2. A conspiracy that failed. 
 
 3. Locked in. 
 
 4. How was elected class president. 
 
 5. How the game was won. 
 
 6. Results of a misunderstanding. 
 
 7. The mistake in my record. 
 
 8. A delayed letter. 
 
 9. The mystery of my chum. 
 
 10. Why does not elect any more courses in . 
 
 11. Trying to recover a letter mailed to the wrong person. 
 
ASSIGNMENTS IN NARRATION. 
 
 12. A psychological experiment. 
 
 13. Keeping a secret. 
 
 14. The remarkable invention of my friend . 
 
 15. A quarrel with the wrong man. 
 
 16. Correcting a bad habit. 
 
 17. Why was not graduated. 
 
 18. A fatal success. 
 
 19. Why we moved. 
 
 20. Testing a superstition. 
 
 14. Choosing one of the following skeleton plots, sup- 
 ply appropriate characters and incidents and write the 
 narrative : 
 
 1. A threatened danger averted. 
 
 2. Struggle to secure some prize. Success when failure 
 
 seems inevitable. 
 
 3. Successive obstacles. As fast as one is removed, an- 
 
 other takes its place. 
 
 4. Effort to conceal a fault or weakness brings it into 
 
 prominence. 
 
 5. Unexpected revelation of character in an emergency. 
 
 6. Extraordinary exhibition of skill, strength, etc. 
 
 7. An object attained after long effort turns out to be of 
 
 little worth. 
 
 8. A man in striving for some desired object sacrifices 
 
 a greater good. 
 
 9. Hard struggle to obtain what was all the time in one's 
 
 possession. 
 
 10. An apparently useless trait of character becomes of 
 
 value in an emergency. 
 
 11. A single misstep spoils a long-continued work. 
 
 15. Write the story outlined in the following para- 
 graph, giving the words used by the parents and by Pas- 
 teur, and one of the letters written by Pasteur, and the 
 reply to it : 
 
ASSIGNMENTS IN NARRATION. 255 
 
 On the morning of the 4th of July, 1885, a little boy on his way 
 to school in a village in Alsace was attacked and severely bitten 
 by a rabid dog. A physician cauterized the wounds with carbolic 
 acid and advised the parents to take the child to Paris, where, as 
 he said, was the only man who could do anything for him : he 
 lived in the Rue cTUlm and his name was Pasteur. The advice 
 was followed, and on the morning of the 6th of July the mother 
 and child presented themselves at the laboratory. Pasteur, deeply 
 moved by the distress of the parent and strong in the confidence 
 his experiments had created, asked the advice of two professors in 
 the School of Medicine who were familiar with his investigations. 
 Both approved of the attempt, and the lad received his first injec- 
 tion the same day. On each succeeding day another and more 
 virulent inoculation was made ; and as the danger, if danger there 
 were, was thus daily increasing, so increased likewise the anxiety of 
 Pasteur. His days were agitated, his nights sleepless, and even 
 long after the treatment had ended and the child had returned to 
 his home, Pasteur wrote to him every week for news of his well- 
 being. 
 
 16. Transfer the scene of the following story to this 
 country, making such changes in characters, setting, and 
 motives as may be necessary: 
 
 A native had made a profitable deal in goats, which had been 
 taken by him to Jaffa and sold. He had cleared something like 
 two thousand medjidies, and one of his neighbors saw the money 
 paid to him in Jaffa. 
 
 When the two men returned, the second one went to the kaima- 
 kain (head man) and said that he had seen one thousand medji- 
 dies paid to the goat-keeper. If some charge were trumped up 
 against the goat-keeper, the informing neighbor went on to sug- 
 gest, he would visit him in prison and get him to disgorge the coin, 
 trusting to the generosity of the kaimakam for a reward. 
 
 The goat-keeper was immediately thrown into prison on the 
 charge of having committed a murder in the mountains some time 
 before. 
 
 He was naturally panic-stricken. After he had spent a week in 
 jail, the neighbor was allowed to visit him and tender him advice. 
 
-~>t> ASSIGNMENTS IN NARRATION. 
 
 The neighbor said that the kaimakam had complete proof regard- 
 ing the murder, but he himself had learned that if two thousand 
 medjidies were paid to the kaimakam, the prisoner would be 
 released. 
 
 The accused man swore that he had no such sum at his dis- 
 posal, and the neighbor, with a sigh, recommended him in that 
 case to commend his soul to Allah, for his execution would be only 
 a matter of days. 
 
 The doomed man then urged his supposed friend to remain 
 with him, and finally told him where the two thousand medjidies 
 were concealed. The traitor took the money, kept half of it and 
 gave the other half to the kaimakam, who returned to the inform- 
 ant fifty medjidies, or thereabouts. 
 
 The ruined man was then released, and went to the kaimakam, 
 hoping to get back part of the money. Being a liar also, he swore 
 that he had given the neighbor three thousand medjidies. 
 
 The kaimakam was naturally indignant, seeing he had received 
 but a third of the supposed haul, and promptly put the conspirator 
 in prison for the same murder of which the first man had for- 
 merly been accused. Before the informant got out of jail he had 
 to return the two thousand medjidies he had stolen from the goat- 
 keeper, and also to collect another thousand medjidies of his own 
 to bestow upon the kaimakam. So he was one thousand medjidies 
 worse off than before he meditated his treacherous design. 
 
 17. _ Tell the story of "Paper Watts" ( 75) from the 
 minister's point of view. Dwell upon the events before 
 and after the catastrophe and reduce all that is told by 
 Barrie to two or three sentences. 
 
 18. Narrate the story of a strike as told by a walking 
 delegate. 
 
 19. Write a story which will amuse and interest a 
 child eight years old. It should be clear and simple, though 
 not affectedly so, and should have plenty of life and move- 
 ment. An interesting type of plot for this purpose is that 
 in which a child, trying to attain some object on which he 
 
ASSIGNMENTS IN NARRATION. 
 
 257 
 
 has set his heart, encounters a series of obstacles, a new 
 obstacle arising as often as the old one is overcome. 
 
 20. The following paragraph is taken from a local 
 paper. Point out its defects as narrative. Then rewrite 
 it at some length, fill- 
 ing out the missing L^^^^A^IH^ v ^ 
 
 details from imagina- 
 tion : 
 
 A funny scene on Ex- 
 change Place Saturday 
 night was a man driv- 
 ing a team hitched to a 
 big sleigh and dragging 
 a horse and carriage 
 backwards. Soon the 
 horse fell down or was 
 pulled over backwards, 
 then some one stopped 
 the team. Nobody 
 seemed to know how the 
 sleigh hitched onto the 
 carriage wheel, but a 
 broken tie strap showed 
 that the horse had been 
 hitched a short distance 
 from where the man was 
 discovered dragging him 
 away. 
 
 21. Write the 
 story suggested by 
 Morot's Bravo Toro 
 (FigureS). The scene 
 
 represented in the picture should form, as it were, a cross- 
 section (or, to change the figure, a snap-shot) of some part 
 of the narrative. 
 
 FIGURE 5. 
 
258 ASSIGNMENTS IN NARRATION. 
 
 22. Complete the following narrative : 
 
 Mr. Watson had spent a night with his party on the mountain, 
 and at noon on the following day was engaged in exploring the 
 southern lava stream which finds its way down the side of the 
 volcano. With no thought of danger he wandered entirely away 
 from his friends and the guides. 
 
 Coming to the broad lava stream, he sat down under the shelter 
 of a promontory of rocks, and gazed upon the great slow river of 
 fire flowing before him. It followed a straight course down the 
 mountain, until, at some distance below, it entered a thicket of 
 trees which seemed, as he watched it through the grass, to have 
 remarkable powers of resisting combustion from the lava. 
 
 He continued this until almost nightfall, when he started to 
 return to camp. As he returned, leaving the lava stream at his 
 back, he saw another stream before him. He thought at first that 
 he had been gazing so long at the molten river that it had caused 
 him to see lava in whatever direction he looked, and he walked on, 
 expecting to find hard ground still beneath his feet. But he soon 
 perceived that he was between two lava streams, one of which cut 
 him off from the camp. 
 
 What had happened was this: While Mr. Watson had been 
 sitting beneath the rock, the stream of lava had widened. The 
 rock that sheltered him had divided it, and it was now flowing 
 down to his left as well as to his right. 
 
 Then it occurred to him that he could go down the stream, and 
 doubtless get around the head of the new one, and so escape. But 
 before he had gone far he discovered that the new stream united 
 with the old a short distance farther down the mountain. 
 
 Mr. Watson was now, therefore, on an island of solid ground, 
 with a river of fire all around him. He looked about in despair. 
 
 23. A part of Figure 6 has been purposely torn away. 
 Supply, in imagination, the missing portion and write the 
 suggested story. The picture is entitled "The Result of 
 the Duel." 
 
 24. Complete the following narrative, rewording it from 
 the beginning and expanding it somewhat, in accordance 
 with the following suggestions : 
 
ASSIGNMENTS IN NARRATION. 259 
 
 (1) What message did Currado send to the cook with the 
 crane ? What did the cook say when he received the 
 message ? when he examined the crane ? (2) At what point 
 did the friend come in ? What did he say, and what did 
 the cook reply ? W r hat would the cook's attitude naturally 
 
 FIGURE 6. 
 
 be at first, and how would the friend endeavor to overcome 
 his scruple ? (3) Picture the host's surprise and embarrass- 
 ment when he discovered the mutilation. What did the 
 guests say to one another? In what words did Currado 
 command the cook to be sent for ? (4) Imagine the cook's 
 
260 ASSIGNMENTS IN NARRATION. 
 
 face and manner as he entered the room. What did Currado 
 say to him, and how did he say it ? What did the cook 
 reply ? (5) Think of some of the incidents that occurred as 
 the two men rode along together. \Vhat questions did 
 Currado ask, and what did the cook reply ? (6) For the 
 continuation devise some way in which the cook could make 
 good his rash assertion that cranes have only one leg. 
 
 Currado, a citizen of Florence, having one day taken a crane 
 with his hawk, sent it to his cook to be dressed for supper. After 
 it had been roasted, the cook yielded to the importunities of one 
 of his friends and gave him a leg of the crane. His master was 
 greatly incensed at seeing tbe bird served up in this mutilated 
 form. The cook being sent for, excused himself by a^s.-rting that 
 cranes have only one leg. Ou hearing this Currado was still 
 further exasperated, and commanded him to produce a live crane 
 with only one leg, or expect the severest punishment. Next 
 morning the cook, accompanied by his master, set out in quest of 
 this rara avis, trembling all the way with terror, and fancying 
 everything he saw to be a crane with two legs. At length 
 
 25. Analyze the specimens of narrative below in accord- 
 ance with the following outline: 
 
 1. Purpose or central idea. 
 
 2. Elements of the conflict. 
 
 3. Point of highest interest or climax. 
 1. Character of the conclusion. 
 
 5. Irrelevant incidents or descriptions. 
 
 (a) Putney Bridge at half an hour before high tide ; thirteen 
 or fourteen steamers ; five or six thousand boats, and fifteen or 
 twenty thousand spectators. This is the morning of the great 
 University race, about which every member of the two great 
 Universities, and a very large section of the general public, have 
 been fidgeting and talking for a month or so. 
 
 The bridge is black, the lawns are black, every balcony and 
 window in the town is black ; the steamers are black with a 
 
ASSIGNMENTS IN NARRATION. 261 
 
 swarming, eager multitude, come to see the picked youths of the 
 upper class try their strength against one another. There are two 
 friends of ours nearly concerned in the great event of the day. 
 Charles is rowing there in the Oxford boat, and Marston is steer- 
 ing. This is a memorable day for both of them, and more espe- 
 cially for poor Charles. 
 
 Now the crowd surges to and fro, and there is a cheer. The 
 men are getting into their boats. The police-boats are busy clear- 
 ing the course. Now there is a cheer of admiration. Cambridge 
 dashes out, swings round, and takes her place at the bridge. 
 
 Another shout. Oxford sweeps majestically out and takes her 
 place by Cambridge. Away go the police-galleys, away go all the 
 London club-boats, at ten miles an hour down the course. Now 
 the course is clear, and there is almost a silence. 
 
 Then a wild hubbub ; the people begin to squeeze and crush 
 against one another. The boats are off; the fight has begun; 
 then the thirteen steamers come roaring on after them, and their 
 wake is alive once more with boats. 
 
 Everywhere a roar and a rushing to and fro. Frantic crowds 
 upon the towing-path, mad crowds on the steamers, which make 
 them sway and rock fearfully. Ahead, Hammersmith Bridge, 
 hanging like a black bar, covered with people as with a swarm of 
 bees. As an eye-piece to the picture, two solitary flying-boats, and 
 the flashing oars, working with the rapidity and regularity of 
 a steam-engine. 
 
 "Who's in front?" is asked by a thousand mouths; but who 
 can tell ? We shall see soon. Hammersmith Bridge is stretching 
 across the water not a hundred yards in front of the boats. For 
 one-half second a light shadow crosses the Oxford boat, and then 
 it is out into sunlight beyond. In another second the same 
 shadow crosses the Cambridge boat. Oxford is ahead. 
 
 The men with light-blue neckties say that, " By George, Oxford 
 can't keep that terrible quick stroke going much longer ; " and the 
 men with dark-blue ties say, u Can't she, by Jove 1 " Well, we 
 shall know all about it soon, for here is Barnes Bridge. Again 
 the shadow goes over the Oxford boat, and then one, two, three, 
 four seconds before the Cambridge men pass beneath it. Oxford 
 is winning ! There is a shout from the people at Barnes, though 
 the TToAAoi don't know why. Cambridge has made a furious rush, 
 
262 ASSIGNMENTS IN NARRATION. 
 
 and drawn nearly up to Oxford ; but it is useless. Oxford leaves 
 rowing, and Cambridge rows ten strokes before they are level. 
 Oxford has won ! Kingsley : Ravenshoe, chap, xxiii. 
 
 (b) Around the head of the lake were crags and precipices in 
 singularly forbidding arrangement. As we turned thither we saw 
 no possible way of overcoming them. At its head the lake lay in 
 an angle of the vertical wall, sharp and straight, like the corner of 
 a room ; about three hundred feet in height, and for two hundred 
 and fifty feet of this a pyramidal pile of blue ice rose from the 
 lake, rested against the corner, and reached within forty feet of 
 the top. Looking into the deep blue water of the lake, I concluded 
 that in our exhausted state it was madness to attempt to swim it. 
 The only other alternative was to scale that slender pyramid of 
 ice and find some way to climb the forty feet of smooth wall above 
 it. ... Upon the top of the ice we found a narrow, level platform, 
 upon which we stood together, resting our backs in the granite 
 corner and looked down the awful pathway of King's Canyon, 
 until the rest nerved us enough to turn our eyes upward at the 
 forty feet of smooth granite which lay between us and safety. 
 
 Here and there were small projections from its surface, little 
 protruding knobs of feldspar, and crevices riven into its face for a 
 few inches. 
 
 As we tied ourselves together, I told Cotter to hold himself in 
 readiness to jump down into one of these in case I fell, and started 
 to climb up the wall, succeeding quite well for about twenty feet. 
 About two feet above my hands was a crack, which, if my arms 
 had been long enough to reach, would probably have led me to the 
 very top; but I judged it beyond my powers, and, with great care, 
 descended to the side of Cotter, who believed that his superior 
 length of arm would enable him to make the reach. 
 
 I planted myself against the rock, and he started cautiously up 
 the wall. Looking down the glare front of ice, it was not pleasant 
 to consider at what velocity a slip would send me to the bottom, 
 or at what angle, and to what probable depth, I should be pro- 
 jected into the ice-water. Indeed, the idea of such a sudden bath 
 was so annoying that I lifted my eyes toward my companion. He 
 reached my farthest point without great difficulty, and made a 
 bold spring for the crack, reaching it without an inch to spare, and 
 
ASSIGNMENTS IN EXPOSITION. 263 
 
 holding on wholly by his fingers. He thus worked himself slowly 
 along the crack toward the top, at last getting his arms over the 
 brink, and gradually drawing his body up and out of sight. It 
 was the most splendid piece of slow gymnastics I ever witnessed. 
 For a moment he said nothing; but when I asked him if he was 
 all right, he cheerfully repeated, " All right." It was only a mo- 
 ment's work to send up the two knapsacks and barometer, and 
 receive again my end of the lasso. As I tied it round my breast, 
 Cotter said to me, in an easy, confident tone, " Don't be afraid to bear 
 your weight." I made up my mind, however, to make that climb 
 without his aid, and husbanded my strength as I climbed from crack 
 to crack. I got up without difficulty to my former point, rested there 
 a moment, hanging solely by my hands, gathered every pound of 
 strength and atom of will for the reach, then jerked myself upward 
 with a swing, just getting the tips of my fingers into the crack. In 
 au instant I had grasped it with my right hand also. I felt the sin- 
 ews of my fingers relax a little, but the picture of the slope of ice 
 and the blue lake affected me so strongly that I redoubled my 
 grip and climbed slowly along the crack, until I reached the angle, 
 and got one arm over the edge as Cotter had done. As I rested 
 my body on the edge and looked up at Cotter, I saw that, instead 
 of a level top, he was sitting upon a smooth, roof-like slope, where 
 the least pull would have dragged him over the brink. He had 
 no brace for his feet, nor hold for his hands, but had seated him- 
 self calmly, with the rope tied round his breast, knowing that my 
 only safety lay in being able to make the climb entirely unaided ; 
 certain that the least waver in his tone would have disheartened 
 me, and perhaps made it impossible. The shock I received on 
 seeing this affected me for a moment, but not enough to throw 
 me off my guard, and I climbed quickly over the edge. When we 
 had walked back out of danger we sat down upon the granite for 
 a rest C. King : Mountaineering in tht Sierra Nevada. 
 
 Exposition. 
 
 1. (Sections 80-8 f) Are the following passages descrip- 
 tion, narration, or exposition ? What is the theme in each ? 
 How has the writer simplified the matter ? by the use of 
 
264 ASSIGNMENTS IN EXPOSITION. 
 
 simple words? by the use of synonyms? by the use of 
 illustration and particular instances? by proceeding from 
 familiar to less familiar ideas ? 
 
 (a) I have already noticed the example of very pure and high 
 typical beauty which is to be found in the lines and gradations 
 of unsullied snow : if, passing to the edge of a sheet of it, upon 
 the lower Alps, early in May, we find, as we are nearly sure to 
 find, two or three little round openings pierced in it, and through 
 these, emergent, a slender, pensive, fragile flower whose small, 
 dark, purple-fringed bell hangs down and shudders over the icy 
 cleft that it has cloven, as if partly wondering at its own recent 
 grave, and partly dying of very fatigue after its hard-won victory ; 
 we shall be, or we ought to be, moved by a totally different im- 
 pression of loveliness from that which we receive among the dead 
 ice and the idle clouds. There is now uttered to us a call for sym- 
 pathy, now offered to us an image of moral purpose and achieve- 
 ment, which, however unconscious or senseless the creature may 
 indeed be that so seems to call, cannot be heard without affec- 
 tion, nor contemplated without worship, by any of us whose heart 
 is rightly tuned, or whose mind is clearly and surely sighted. 
 
 Ruskin : Modern Painters. 
 
 (b) It must never be forgotten, in discussing the past and 
 present of Oxford or Cambridge, that the university and most of 
 its colleges were originally ecclesiastical institutions, dating from 
 the time when there was complete communion and accord between 
 the Church of England and the Papacy. The colleges were origi- 
 nally, like the old hospitals, eleemosynary establishments, and 
 like the monasteries, under a common rule of life and intended 
 primarily for religious purposes. From the original statutes of 
 the colleges, moreover, it is abundantly clear that they were in 
 many cases founded " ad studendum," i.e., with the idea that the 
 inmates should devote themselves to study, not to teaching. 
 Their founders desired their inmates to acquire more learning 
 themselves, but did not require them to impart more learning to 
 others. After the Reformation, the compromise between Catholi- 
 cism and Protestantism, which is the basis of the Book of Com- 
 mon Prayer and the Church of England, was fully reflected in the 
 university and its colleges. The old statutes were retained and 
 
ASSIGNMENTS IN EXPOSITION. 265 
 
 professedly respected, but practices which those statutes enjoined 
 were disregarded. The universities remained, indeed, the nursery 
 of the clergy and the headquarters of ecclesiastical learning, but 
 as the Anglican Church now professes to be both Catholic and 
 Protestant, and is really neither, but only Anglican, so the uni- 
 versities then professed to be national and religious, but were 
 neither, and only academic. In 1850 their position had become 
 incompatible with the England of Free Trade ; and the Royal Com- 
 mission appointed that year as the Oxford University Commission, 
 while a similar Commission was appointed for Cambridge, was 
 the recognition of the fact. Contemporary Review, November, 1892. 
 
 (c) Ordinary men must work to live. From that fact come 
 the world's greatest goods and ills. Ten dollars a year, stolen 
 from each man or woman, who is struggling to maintain a safe- 
 guard for the future, may suffice to keep a score of men in 
 luxury, but the thorough public understanding of this method 
 may decrease the general reverence for wealth. We are doing 
 in all directions what we can to lessen the harms of poverty. 
 We (rather ineffectually) forbid children to work under con- 
 ditions that stunt their physical and moral growth. We do not 
 allow women to labor at the expense of future generations. We 
 study pauperism, and must do so more carefully as population 
 becomes more dense. We watch with anxiety statistics bearing 
 on the cost of living. All this has to do with the welfare of 
 the classes which most need help, and all this is as worthy a 
 task as there is for men to do; but nothing has a more direct 
 bearing on the welfare of the struggling many than honesty in 
 politics and honesty in finance. The injury to the fairly pros- 
 perous is considerable when self-seeking and dishonesty become 
 enthroned in great storehouses of the people's wealth. The in- 
 jury to those for whom mere existence means a struggle is many, 
 many times more great. 
 
 (d) Free government is self-government a government of the 
 people by the people. The best government of this sort is that 
 which the people think best. An imposed government, a govern- 
 ment like that of the English in India, may very possibly be better ; 
 it may represent the views of a higher race than the governed race ; 
 but it is not therefore a free government. .A free government 
 
266 ASSIGNMENTS IN EXPOSITION. 
 
 is that which the people subject to it voluntarily choose. In 
 a casual collection of loose people the only possible free gov- 
 ernment is a democratic government. Where no one knows or 
 cares for or respects any one else, all must rank equal ; no 
 one's opinion can be more potent than that of another. But, as 
 has been explained, a deferential nation has a structure of its own. 
 Certain persons are by common consent agreed to be wiser than 
 others, and their opinion is, by consent, to rank for much more 
 than its numerical value. We may in these happy nations 
 weigh votes as well as count them, though in less favored coun- 
 tries we can count only. But in free nations, the votes so weighed 
 or so counted must decide. A perfect free government is one 
 which decides perfectly according to those votes; an imperfect, 
 one which so decides imperfectly ; a bad, one which does not so 
 decide at all. Public opinion is the test of this polity ; the best 
 opinion which, with its existing habits of deference, the nation 
 will accept: if the free government goes by that opinion, it is a 
 good government of its species; if it contravenes that opinion, it is 
 a bad one. Bagehot: The English Constitution, p. 221. 
 
 (e) I lately heard a man of thought and energy contrasting 
 the want of ardor and movement which he now found amongst 
 young men in this country with what he remembered in his own 
 youth, twenty years ago. " What reformers we were then 1 " he 
 exclaimed ; " what a zeal we had 1 how we canvassed every insti- 
 tution in Church and State, and were prepared to remodel them 
 all on first principles ! " He was inclined to regret, as a spiritual 
 flagging, the lull which he saw. I am disposed rather to regard 
 it as a pause in which the turn to a mode of spiritual progress is be- 
 ing accomplished. Everything was long seen, by the young and 
 ardent amongst us, in inseparable connection with politics and 
 practical life. We have pretty well exhausted the benefits of see- 
 ing things in this connection, we have got all that can be got by 
 so seeing them. Let us try a more disinterested mode of seeing 
 them ; let us betake ourselves more to the serener life of the mind 
 and spirit. This life, too, may have its excesses and dangers; 
 but they are not for us at present Let us think of quietly enlarg- 
 ing our stock of true and fresh ideas, and not, as soon as we 
 get an idea or half ,an idea be running out with it into the street, 
 
ASSIGNMENTS IN EXPOSITION. 267 
 
 and trying to make it rule there. Our ideas will, in the end, 
 shape the world all the better for maturing a little. Perhaps in 
 fifty years' time it will in the English House of Commons be an 
 objection to an institution that it is an anomaly, and my friend 
 the Member of Parliament will shudder in his grave. But let 
 us in the meanwhile rather endeavor that in twenty years' time 
 it may, in English literature, be an objection to a proposition 
 that it is absurd. That will be a change so vast, that the im- 
 agination almost fails to grasp it. Ab integro sceclorum nascitur 
 ordo. Arnold : The Function of Criticism. 
 
 2. (Sections 81-82} What complete or partial definition 
 is made or suggested in each of the following ? What classi- 
 fication is suggested in each case ? 
 
 (a) Culture is a vague term : but when we speak of a man of 
 culture we certainly mean a man of liberal education ; and if our 
 definition of a liberal education be correct, a man may be a man 
 of culture though destitute of Latin and Greek. On the other 
 hand, inasmuch as a liberal education has regard to the ideal of 
 " man," it follows that the humanistic or man-subjects promote a 
 liberal education and consequent culture, in a sense which realistic 
 studies do not. A man trained solely in the latter cannot be liber- 
 ally educated ; a man trained solely in the former can, on the con- 
 trary, be liberally educated. In short, what is called culture is 
 not within the reach of the man trained solely on the real-natural- 
 istic, but it is attainable by the man trained solely on the real- 
 humanistic. 
 
 (b) Although the heart and mind of Whittier were for the 
 most part absorbed in the agitation against slavery, some of the 
 strongest proofs of his purely artistic faculty were exhibited be- 
 fore the close of the Civil War ; among these may be named such 
 ballads as Maud Muller, Skipper Ireson, and The Pipes at Luck- 
 now. It is, nevertheless, true that the national as distinguished 
 from the sectional awakening to the charm of Whittier's verse 
 dates from the publication in 1866-7 of Snow-Bound and The Tent 
 on the Beach. In these compositions it is evident that his aspira- 
 tions and endeavors are tending to turn away from a homiletical 
 or didactic purpose to the embodiment of aesthetic beauty. But, 
 
268 ASSIGNMENTS IN EXPOSITION. 
 
 although he no longer weakened the artistic effect of a composi 
 tion by tacking to it a moral, it must not be inferred that Whittier 
 was ever a conscious advocate of art for art. His whole nature 
 was steeped in a sense of duty and responsibility, and it is doubt- 
 ful if he could even comprehend beauty divorced from goodness. 
 His conception of the poet was rather that of the votes, or bard, 
 who elevates, than that of the poeta, or maker, whose exclusive 
 purpose is to please. In his view the possession of artistic powers 
 implied a divine commission to lift, invigorate, and purify man- 
 kind. New York Sun. 
 
 (C) All education is, in a sense, education of will. Of course, 
 for scientific exactness, we distinguish will from other activities 
 of mind, and we may for convenience here assume the ordinary 
 psychological division into intelligence, emotion, and will ; but it 
 is an elementary commonplace of psychology, that though these 
 activities are distinguishable in thought, they are not to be treated 
 as if they were usually separated in mental life. Will is therefore 
 not to be conceived as an activity in itself, capable of being isolated 
 from intelligence and emotion. In such isolation it is unreal ab- 
 straction, it is merely the abstract concept which physical science 
 finds useful for its purposes under the name of force. As a con- 
 crete reality, will is active intelligence stimulated by emotion : or, 
 as it may equally well be described, it is active emotion directed 
 by intelligence. J. C. Murray : Educational Review, June, 1891. 
 
 3. (Sections 82-83) Study the following specimen of 
 scientific definition. Mark the partial definitions and the 
 trial definitions. What are the chief methods of exposition 
 employed ? 
 
 There has ever prevailed among men a vague notion that 
 scientific knowledge differs in nature from ordinary knowledge. 
 By the Greeks, with whom Mathematics literally things learnt 
 was alone considered as knowledge proper, the distinction must 
 have been strongly felt ; and it has ever since maintained itself in 
 the general mind. Though, considering the contrast between the 
 achievements of science and those of daily unmethodic thinking, 
 it is not surprising that such a distinction has been assumed ; yet 
 it needs but to rise a little above the common point of view, to see 
 
ASSIGNMENTS IN EXPOSITION. 269 
 
 that no such distinction can really exist ; or that at best it is but 
 a superficial distinction. The same faculties are employed in 
 both cases ; and in both cases their mode of operation is funda- 
 mentally the same. 
 
 If we say that science is organized knowledge, we are met by 
 the truth that all knowledge is organized in a greater or less de- 
 gree that the commonest actions of the household and the field 
 presuppose facts colligated, inferences drawn, results expected; 
 and that the general success of these actions proves the data by 
 which they were guided to have been correctly put together. If, 
 again, we say that science is prevision is a seeing beforehand 
 is a knowing in what times, places, combinations, or sequences 
 specified phenomena will be found, we are yet obliged to confess 
 that the definition includes much that is utterly foreign to science 
 in its ordinary acceptation. For example, a child's knowledge of 
 an apple. This, as far as it goes, consists in previsions. When a 
 child sees a certain form and colors, it knows that if it puts out 
 its hand it will have certain impressions of resistance, and round- 
 ness and smoothness ; and if it bites, a certain taste. And mani- 
 festly its general acquaintance with surrounding objects is of like 
 nature is made up of facts concerning them, so grouped as that 
 any part of a group being perceived, the existence of the other 
 facts included in it is foreseen. 
 
 If, once more, we say that science is exact prevision, we still fail 
 to establish the supposed difference. Not only do we find that 
 much of what we call science is not exact, and that some of it, as 
 physiology, can never become exact, but we find further, that 
 many of the previsions constituting the common stock alike of 
 wise and ignorant are exact. That an unsupported body will 
 fall ; that a lighted candle will go out when immersed in water ; 
 that ice will melt when thrown on the fire these, and many like 
 predictions relating to the familiar properties of things, have as 
 high a degree of accuracy as predictions are capable of. It is 
 true that the results predicted are of a very general character ; but 
 it is none the less true that they are rigorously correct as far as 
 they go ; and this is all that is requisite to fulfil the definition. 
 There is perfect accordance between the anticipated phenomena and 
 the actual ones ; and no more than this can be said of the highest 
 achievements of the sciences specially characterized as exact. 
 
270 ASSIGNMENTS IN EXPOSITION. 
 
 Seeing thus that the assumed distinction between scientific 
 knowledge and common knowledge is not logically justifiable, and 
 yet feeling, as we must, that however impossible it may be to 
 draw a line between them, the two are not practically identical, 
 there arises the question What is the relationship that exists 
 between them ? A partial answer to this question may be drawn 
 from the illustrations just given. On reconsidering them, it will 
 be observed that those portions of ordinary knowledge which are 
 identical in character with scientific knowledge, comprehend only 
 such combinations of phenomena as are directly cognizable by the 
 senses, and are of simple, invariable nature. That the smoke from 
 a fire which she is lighting will ascend, and that the fire will pres- 
 ently boil water, are previsions which the servant-girl makes 
 equally well with the most learned physicist; they are equally 
 certain, equally exact with his ; but they are previsions concerning 
 phenomena in constant and direct relation phenomena that fol- 
 low visibly and immediately after their antecedents phenomena 
 of which the causation is neither remote nor obscure phenomena 
 which may be predicted by the simplest possible act of reasoning. 
 
 If, now, we pass to the previsions constituting what is commonly 
 known as science that an eclipse of the moon will happen at a 
 specified time; and when a barometer is taken to the top of a 
 mountain of known height, the mercurial column will descend 
 a stated number of inches ; that the poles of a galvanic battery 
 immersed in water will give off, the one an inflammable and the 
 other an inflaming gas, in definite ratio we perceive that the 
 relations involved are not of a kind habitually presented to our 
 senses; that they depend, some of them, upon special combina- 
 tions of causes, and that in some of them the connection between 
 antecedents and consequents is established only by an elaborate 
 series of inferences. The broad distinction, therefore, between 
 the two orders of knowledge is not in their nature, but in their 
 remoteness from perception. 
 
 If we regard the cases in their most general aspect, we see that 
 the laborer, who, on hearing certain notes in the adjacent hedge, 
 can describe the particular form and colors of the bird making 
 them; and the astronomer, who, having calculated a transit of 
 Venus, can delineate the black spot entering on the sun's disk, as 
 it will appear through the telescope, at a specified hour, do essen- 
 
ASSIGNMENTS IN EXPOSITION. 271 
 
 tially the same thing. Each knows that on fulfilling the requisite 
 conditions, he shall have a preconceived impression that after a 
 definite series of actions will come a group of sensations of a fore- 
 known kind. The difference, then, is not in the fundamental 
 character of the mental acts, or in the correctness of the previsions 
 accomplished by them, but in the complexity of the processes 
 required to achieve the previsions. Much of our commonest 
 knowledge is, as far as it goes, rigorously precise. Science does 
 not increase this precision ; cannot transcend it. What then does 
 it do ? It reduces other knowledge to the same degree of precision. 
 That certainty which direct perception gives us respecting co- 
 existences and sequences of the simplest and most accessible kind, 
 science gives us respecting coexistences and sequences, complex in 
 their dependencies or inaccessible to immediate observation. In 
 brief, regarded from this point of view, science may be called an 
 extension of the perceptions by means of reasoning. 
 
 On further considering the matter, however, it will perhaps be 
 felt that this definition does not express the whole fact that 
 inseparable as science may be from common knowledge, and com- 
 pletely as we may fill up the gap between the simplest previsions 
 of the child and the most recondite ones of the natural philoso- 
 pher, by interposing a series of previsions in which the complexity 
 of reasoning involved is greater and greater, there is yet a differ- 
 ence between the two beyond that which is here described. And 
 this is true. But the difference is still not such as enables us to 
 draw the assumed line of demarcation. It is a difference not between 
 common knowledge and scientific knowledge, but between the 
 successive phases of science itself, or knowledge itself which- 
 ever we choose to call it. In its earlier phases science attains 
 only to certainty of foreknowledge ; in its later phases it further 
 attains to completeness. We begin by discovering a relation : we 
 end by discovering the relation. Our first achievement is to fore- 
 tell the kind of phenomenon which will occur under specific con- 
 ditions : our last achievement is to foretell not only the kind but 
 the amount. Or, to reduce the proposition to its most definite 
 form undeveloped science is qualitative prevision ; developed 
 science is quantitative prevision. 
 
 This will at once be perceived to express the remaining distinc- 
 tion between the lower and the higher stages of positive knowl- 
 
272 ASSIGNMENTS IN EXPOSITION. 
 
 edge. The prediction that a piece of lead will take more force to 
 lift it than a piece of wood of equal size, exhibits certainty, but 
 not completeness, of foresight. The kind of effect in which the 
 one body will exceed the other is foreseen, but not the amount by 
 which it will exceed. There is qualitative prevision only. On the 
 other hand, the prediction that at a stated time two particular 
 planets will be in conjunction; that by means of a lever, having 
 arms in a given ratio, a known force will raise just so many 
 pounds ; that to decompose a specified quantity of sulphate of iron 
 by carbonate of soda will require so many grains these predic- 
 tions exhibit foreknowledge, not only of the nature of the effects to 
 be produced, but of the magnitude, either of the effects themselves, of 
 the agencies producing them, or of the distance in time or space at 
 which they will be produced. There is not only qualitative but 
 quantitative prevision. 
 
 And this is the unexpressed difference which leads us to consider 
 certain orders of knowledge as especially scientific when contrasted 
 with knowledge in general. Are the phenomena measurable? is 
 the test which we unconsciously employ. Space is measurable: 
 hence Geometry. Force and space are measurable : hence Statics. 
 Time, force, and space are measurable : hence Dynamics. The 
 invention of the barometer enabled men to extend the principles 
 of mechanics to the atmosphere ; and Aerostatics existed. When 
 a thermometer was devised there arose a science of heat, which 
 was before impossible. Such of our sensations as we have not yet 
 found modes of measuring do not originate sciences. We have no 
 science of smells ; nor have we one of tastes. We have a science 
 of the relations of sounds differing in pitch, because we have dis- 
 covered a way to measure them ; but we have no science of sounds 
 in respect to their loudness or their timbre, because we have got no 
 measures of loudness and timbre. 
 
 Obviously it is this reduction of the sensible phenomena it 
 represents, to relations of magnitude, which gives to any division 
 of knowledge its especially scientific character. Originally men's 
 knowledge of weights and forces was in the same condition as their 
 knowledge of smells and tastes is now a knowledge not extend- 
 ing beyond that given by unaided sensations ; and it remained 
 so until weighing instruments and dynamometers were invented. 
 Before there were hour-glasses and clepsydras, most phenomena 
 
ASSIGNMENTS IN EXPOSITION. 273 
 
 could be estimated as to their durations and intervals, with no 
 greater precision than degrees of hardness can be estimated by the 
 fingers. Until a thermometric scale was contrived, men's judg- 
 ments respecting relative amounts of heat stood on the same foot- 
 ing with their present judgments respecting relative amounts of 
 sound. And as in these initial stages, with no aids to observation, 
 only the roughest comparisons of cases could be made, and only 
 the most marked differences perceived ; it is obvious that only the 
 most simple laws of dependence could be ascertained only those 
 laws which being uncomplicated with others, and not disturbed in 
 their manifestations, required no niceties of observation to disen- 
 tangle them. Whence it appears not only that in proportion asknowl- 
 edge becomes quantitative do its previsions become complete as 
 well as certain, but that until its assumption of a quantitative char- 
 acter it is necessarily confined to the most elementary relations. 
 
 Spencer : The Genesis of Science. 
 
 4. (Section 83) Make a one-sentence definition of the 
 following : 
 
 1. A college. 2. A university. 3. A student. 
 
 4. An educated man. 5. A gentleman. 
 
 5. (Section 83) Write an essay on one of the follow- 
 ing terms in which your purpose shall be to reach finally a 
 satisfactory definition. On the way to the final definition 
 record all of your trial definitions, and include all of the 
 illustrations, examples, distinctions, exceptions, that have 
 come to you. A good beginning is the criticism of the 
 dictionary definition, or of what is generally understood by 
 the term. 
 
 1. Religionl 5. Free Speech. 9. Socialism. 
 
 2. Success. 6. Natural right. 10. Liberty. 
 
 3. History. 7. Anarchism. 11. Culture. 
 
 4. Democracy. 8. Nihilism. 12. Progress. 
 
 6. (Section 83) Criticise the following by the four 
 rules of logical definition : 
 
J74 ASSIGNMENTS IN EXPOSITION. 
 
 1. Rhetoric teaches us how to express ourselves. 
 
 2. A kangaroo is a marsupial. 
 
 3. History is a compound of poetry and philosophy. 
 
 4. Heroism is the opposite of cowardice. 
 
 5. A gentleman is one who never inflicts pain. 
 
 7. (Sections 84-87) Criticise the following by the rules 
 of division, noting the principle of classification, the clear- 
 ness and completeness of the division, any overlapping of 
 topics, and the arrangement of topics by cause, contrast, or 
 contiguity : 
 
 (a) Annexation of Canada. 
 
 A. Probability of ultimate separation of Canada from England. 
 
 1. Divergence of commercial interest. 
 
 2. Distance, and difference in character of the people. 
 
 3. Influence of the United States. 
 
 B. Shall annexation to the United States follow? 
 
 1. Considerations favorable to annexation. 
 (a) Extradition laws rendered unnecessary. 
 
 (6) The United States would acquire a vast and valuable 
 
 territory. 
 
 (c) Commercial and trade restrictions removed. 
 (</) " Manifest destiny." The two countries naturally one. 
 
 2. Considerations opposed to annexation. 
 
 (a) The financial condition of both countries. 
 
 (1) Canada's debt increasing. 
 
 (2) Debt of the United States decreasing. 
 (6) Undesirable classes of Canada's population. 
 
 (c) Vast increase of government machinery necessary. 
 
 (rf) All the advantages of annexation may be acquired by 
 better trade- and extradition-treaties, with no dis- 
 advantages. 
 
 3. Estimate of weight of arguments and inference against 
 
 annexation. 
 
ASSIGNMENTS IN EXPOSITION. 275 
 
 (b) Dangers of Unrestricted Immigration. 
 
 Introduction : 
 
 1. Extent of immigration before the Civil War; character of 
 
 immigrants. 
 
 2. Numbers and general character of present immigrants. 
 Discussion : 
 
 1. Political dangers. 
 
 (a) Influence when consolidated against American inter- 
 ests. 
 (6) Hostility of some to American political ideas. 
 
 (c) Dangers arising from ignorance ; from demagogues. 
 
 (d) Evil results of party efforts to secure solid foreign vote. 
 
 2. Social dangers. 
 
 (a) Tendency to clannishness in mode of life. 
 (6) The educational question, 
 (c) The religious question. 
 Conclusion : 
 
 1. Need of new naturalization laws. 
 
 2. Need of a restricted franchise. 
 
 3. Need of more stringent immigration laws. 
 
 (c) What to look for in criticising a Book. 
 
 A. Human interest. 
 
 1. Characterization. 
 
 2. Passion. 
 
 3. Idealism or realism. 
 
 4. Humor and pathos. 
 
 5. Moral purpose. 
 
 B. Imagination. 
 
 1. Artistic power. 
 
 2. Insight. 
 
 3. Image-making. 
 
 4. Originality. 
 
 C. Unity. 
 
 1. Design. 
 
 2. Constructive power. 
 
 3. Plot. 
 
 4. Organic relationship. 
 
276 
 
 D. Style. 
 
 1. Musical power. 
 
 2. Phrasing power. 
 
 3. Sentence-structure, 
 
 E. Attitude of the writer. 
 
 1. Towards truth. 
 
 2. Towards philosophy. 
 
 (a) Constructive. 
 (6) Destructive, 
 (c) The law of love. 
 
 3. Towards contemporaries. 
 
 4. Towards the past. 
 
 5. Towards the ideals of his age. 
 
 6. Towards conservatism and progress. 
 
 7. Towards religion and women. 
 
 (d) The Real Problem of the Unemployed. 
 
 I. The proper method of solving the problem. 
 
 A. Not by impulsive action. 
 
 B. By careful investigation. 
 
 II. Practical application of the method. 
 
 A. Places. 
 
 1. America ; municipalities and charity organizations. 
 
 2. England ; seventy-three municipalities. 
 
 B. Limitations of English experiment. 
 
 1. Work not involving stigma of pauperism. 
 
 2. Work that all can perform. 
 
 ''. Work that does not compete with other laborers. 
 
 4. Work that does not interfere with regular employ 
 
 ment. 
 III. Results of the experiments. 
 
 A. Facts stated in reports. 
 
 1. In general. 
 
 2. In special cases. 
 
 B. Inferences stated in reports. 
 
 1. Men who fear pauperism not reached. 
 
 2. Men reached were the " permanently unemployed." 
 
 3. Unskilled labor not properly so called. 
 
ASSIGNMENTS IN EXPOSITION. 277 
 
 IV. General inference as to nature of problem. 
 
 A. Not to find work for the unemployed. 
 
 B. To make the unemployed work. 
 
 1. To train the incompetent. 
 
 2. To punish the unwilling. 
 
 (e) Government Ownership of Railways. 
 
 Introduction : 
 
 1. Rapid growth, magnitude, and importance of the railwaj 
 
 system. 
 
 2. Some evils and abnormal conditions. 
 Discussion : 
 
 1. Need of some reform evinced by 
 
 (a) Disregard of public good by corporations. 
 
 (6) The failure of competition. 
 
 (c) Power of corporations over legislation. 
 
 2. Legal methods of reform, short of ownership. 
 
 (a) State and national commissions with power to force 
 fair treatment. 
 
 (6) Withdrawal of franchises in case of gross misman- 
 agement. 
 
 (c) Exaction of truthful reports from the roads. 
 
 3. Dangers of government ownership. 
 
 () Mismanagement and loss. Examples from foreign 
 
 countries. 
 
 (6) Deterioration of roads through lack of interest, 
 (c) Opportunities for political rings. 
 Conclusion : 
 
 1. Government ownership not the solution. 
 
 2. Legal methods of reform, short of ownership, sufficient. 
 
 (f) Wordsworth is Unpopular. 
 A. At home, 
 
 (a) In his lifetime, 
 
 1. His poetry sold poorly ; 
 
 2. The public was slow to recognize him ; 
 
 3. He was effaced by Scott and Byron ; 
 
 4. He was overshadowed by Tennyson. 
 
'218 A&tilVXMh'XTS IN 
 
 (6) Since his death, 
 
 1. Coleridge's influence, which once told in his favor, 
 
 has waned ; 
 
 2. In spite of his eulogists, the public has remained cold. 
 B. On the Continent, which 
 
 (a) Recognized the glory of Newton and Darwin ; 
 (6) Does not know Wordsworth ; 
 
 (c) Yet Continental critics long failed to do justice to 
 Shakespeare and Milton. 
 
 (g) College Examination*. 
 
 A. Principles sought. 
 
 1. Obviously necessary to ascertain fitness for admission to 
 (a) The learned professions. 
 
 (ft) The civil service. 
 
 (c) College. But (c) is modified by 
 
 (1) Admission by diploma from accredited schools, 
 
 (2) Admission by certificate from teachers of known 
 
 excellence. 
 
 2. The purpose in examining in the three cases above is 
 
 (a) To ascertain fitness or unfitness, something un- 
 known to the examiners. 
 
 B. Antithesis. But in college this cannot be the purpose in re- 
 
 gard to most students, since 
 1. The instructor learns the attainments of his students from 
 
 their daily work. But (1) is modified by 
 (a) In large recitation classes, doubt about individual 
 
 cases. 
 (I) In lecture courses, doubt may exist about all. 
 
 C. Partial conclusions : 
 
 1. For doubtful cases, examination necessary for information 
 
 of instructor. 
 
 2. For the majority of students, examination unnecessary for 
 
 this purpose. 
 
 3. Resulting alternatives: either abolish for (2) or seek fur- 
 
 ther reasons. 
 
 D. The real purposes : 
 
 1. To convince unfaithful student* of their deficiencies. 
 
ASSIGNMENTS IN EXPOSITION. 279 
 
 2. To give the others an opportunity for comprehensive 
 
 review. 
 
 3. To show all what are regarded as the most important 
 
 points. 
 E. Application of principles locally. 
 
 8. ( Sections 83-87) Classify : 
 
 1. Chairs. 4. Novels. 
 
 2. Fences. 5. Games. 
 
 3. Schools. 6. Governments. 
 
 9. (Sections 83-87} On what principle is the division 
 made in each of the following selections ? 
 
 (a) That Henry Thomas Buckle's thoughts and conversation 
 were always on a high level, is remembered by a rapidly departing 
 group of people who knew him as the friend of their elders. Mr. 
 Charles Stewart says of him: "I recollect a saying of his which 
 not only greatly impressed me at the time, but which I have ever 
 since cherished as a test of the mental caliber of friends and 
 acquaintances. Buckle said, in his dogmatic way : 4 Men and 
 women range themselves into three classes or orders of intelli- 
 gence ; you can tell the lowest class by their habit of always 
 talking about persons, the next by the fact that their habit is 
 always to converse about things, the highest by their preference 
 for the discussion of ideas.' " 
 
 (b) Chemistry may be of use to medicine in at least three 
 quite different ways. One of these is concerned with finding 
 out what things are made of. This kind of chemistry is called 
 analytical chemistry. Another way in which chemistry can help 
 medicine depends upon the ability of the modern chemist, not 
 only to find out what the things are made of, but also to discover 
 how the parts are put together. This branch of chemistry is called 
 structural chemistry, because it has to do not only with the ma- 
 terials, but also with the way in which these materials are ar- 
 ranged. Yet another method of helpfulness comes from a still 
 more recent development of chemistry, commonly called physical 
 chemistry, which deals with the phenomena lying on the border 
 line between physics and chemistry especially that part of the 
 
280 ASSIGNMENTS IN EXPOSITION. 
 
 border line concerning the relation of energy to material. The 
 physical chemist must know, not only what things are made of 
 and how these elements are put together, but also what energy is 
 concerned in putting them together, and what energy is set free 
 when they are decomposed. Theodore Richards. 
 
 10. (Section 88) What methods of exposition are used 
 in each of the following ? 
 
 (a) We piled, with care, our nightly stack 
 Of wood against the chimney-back, 
 The oaken log, green, huge, and thick. 
 And on its top the stout back-stick ; 
 The knotty fore-stick laid apart, 
 And filled between with curious art 
 The ragged brush ; then, hovering near, 
 We watched the first red blaze appear, 
 lizard the sharp crackle, caught the gleam 
 On whitewashed wall and sagging beam, 
 I'ntil the old, rude-furnished room 
 Burst, flower-like, into rosy bloom : 
 While radiant, with a mimic flame 
 Outside the sparkling drift became, 
 And through the bare-boughed lilac-tree 
 Our own warm hearth seemed blazing free. 
 
 Whittier : Snow-Bound. 
 
 0>) To the student of political history, and to the English stu- 
 dent above all others, the conversion of the Roman Republic into 
 a military empire commands a peculiar interest Notwithstanding 
 many differences, the English and the Romans essentially resemble 
 one another. The early Romans possessed the faculty of self-gov- 
 ernment beyond any people of whom we have historical knowledge, 
 with the one exception of ourselves. In virtue of their temporal 
 freedom, they became the most powerful nation in the known 
 world ; and their liberties perished only when Rome became the 
 mistress of the conquered races to whom she was unable or unwill- 
 ing to extend her privileges. If England was similarly supreme, 
 if all rival powers were eclipsed by her or laid under her feet, the 
 Imperial tendencies, which are as strongly marked in us as our 
 
ASSIGNMENTS IN EXPOSITION. 281 
 
 love of liberty, might lead us over the same course to the same 
 end. Froude: Ccesar ; A Sketch. 
 
 (c) The sporting spirit has improved among us. We are still 
 somewhat too anxious to win, but the excess of eagerness is a trifle 
 compared to what it was. Gain in sporting amenity, in sporting 
 cultivation, so to speak, has a mollifying influence on our whole 
 tone, and nothing, therefore, is more welcome than the interna- 
 tional contests, in which we seek not to fall below our visitors in 
 urbanity. A tennis player, for instance, who delayed the game on 
 a pretext, in order to worry a more nervous antagonist, would be 
 condemned to-day even by the same men who might have admired 
 his cleverness half a dozen years ago. " Bluffing the umpire " in 
 amateur baseball is no longer looked upon as honorable. Yachting 
 has always been on a higher plane of courtesy than other sports, 
 and it is a charming bit of comedy that the only notorious excep- 
 tion was an English nobleman, whereas one of the best examples 
 of cheery sportsmanship is an English grocer. In tennis we may 
 take especial satisfaction in the fact that our foremost players are 
 all in active business, and cease work for a few weeks only, to meet 
 experts whose lives are devoted to the game. Golf has now be- 
 come international. For no sport do we owe Great Britain so 
 much appreciation as for this, the friend of old men and children, 
 of women and strong athletes, the ally of nature and her beauty, 
 an exercise which strengthens the muscles and the organs and puts 
 no strain upon the nerves. Automobile contests have taken place 
 only in foreign countries, and there is no demand for them here. 
 Thus far, automobiling for speed is on a level with jumping from 
 Brooklyn Bridge. Boxing, " the noble art of self-defence," seems 
 to be so inseparable from brutality that its fine features of skill 
 and spirit are almost shut off from all except the rough profes- 
 sional, and no attention is paid by the general public to any but 
 the championship contests. Even prize-fighting is less brutal than 
 it was, and all the more respectable sports are gaining in extent 
 and quality. Hundreds of gymnasiums now are found in cities 
 which a few years ago had none, and indeed, for indoor exercise, 
 we now have more facilities than any other country. 
 
 11. (Section 88) Write an explanation of one of the 
 following : 
 
282 ASSIGNMENTS IN EXPOSITION. 
 
 1. Making a newspaper. 7. Learning to swim. 
 
 2. Binding a book. 8. The travelling library. 
 
 3. How to study. 9. Initiative and referendum. 
 
 4. How to read a book. 10. Wireless telegraphy. 
 
 5. How to care for a furnace. 11. Electric signs. 
 
 6. The game of tennis. 
 
 12. (Section 89) Write on one of the following, using 
 the narrative method : 
 
 1. Churoh-going. 5. Growing worldly wise. 
 
 2. Keeping a diary. 6. Changes in fashions. 
 
 3. The decay of sentiment. 7. Humors of a political campaign. 
 
 4. Letter-writing. 8. The examination room. 
 
 13. (Section 89) Write on one of the following, using 
 the method of description : 
 
 1. Difficulties of having fun. 7. The student of to-day. 
 
 2. Troubles in entering college. 8. The professor. 
 
 3. How students recite. 9. The football man. 
 
 4. The new maid-servant. 10. The society man. 
 
 5. The shop-girl. 11. The wire-puller. 
 
 6. Being a co-ed. 
 
 14. (Sections 88-91) Explain the terms : 
 
 1. Manual labor. 3. Manifest destiny. 
 
 2. Centre of population. 4. The B.A. degree. 
 
 15. (Section 90) Explain all of the unusual words in 
 the following selections. Rewrite in simple language. 
 
 (a) Generic ideas are appercipient masses. By blending they 
 reenforce that element of the presentation which has a common 
 content with them, and the other elements which they do not 
 share are thrust out of sight, unless some other appercipient mass 
 is awakened to receive them. 
 
 (]>) A word as to strain-sheet engineering, as to what it con- 
 notes. A mode of thinking, followed by sequence of action, 
 wherein fundamental repose in formulas and calculations derived 
 
ASSIGNMENTS IN EXPOSITION. 283 
 
 from various highly conventional assumptions, coupled with a 
 failure to recognize molecular motion, or structural motion, and 
 a subsumption, explicitly, implicitly, and tacitly postulated, that a 
 perfection of mechanical workmanship obtains which is sometimes 
 realized, i.e. false assumption of hypothetical relations. " Riveted 
 Lattice for Railroad Bridges of Medium Span," Engineering News, 
 January 23, 1908. 
 
 (c) The effect contemplated by the author [Henry James] is 
 not the integrity of a purely aesthetic impression, as in the case of 
 Pater. Mr. James has rather in view an intellectual explicitness 
 of analytical statement, not given in successive parts, but as a 
 whole, thus faithfully reflecting mental processes that are not 
 sequent, but simultaneous. His purpose is to give a psychological 
 vivisection, all the strata being presented in a single view. The 
 result is an unexampled and most interesting phenomenon in lit- 
 erature interesting, that is, as a psychological study. Ordi- 
 narily an architectural structure which is suspensive regards sup- 
 ports in its progression, confident, at every point, of a stability by 
 which the past at least is secure. But Henry James holds his 
 fabric in suspense, with no visible support, while he turns upon 
 his course describing an ellipse, and ellipses within that ellipse 
 always a faithful following of the psychological involutions in the 
 author's subjective analysis until the reader of average intelli- 
 gence is lost in the bewildering maze. 
 
 16. (Sections 88-91) Explain the difference between : 
 
 1. Discovery and invention. 8. Description and exposition. 
 
 2. Salary and wages. 9. Poverty and pauperism. 
 
 3. Work and play. 10. Charity and alms-giving. 
 
 4. Humor and satire. 11. Fancy and imagination. 
 
 5. Wicked and depraved. 12. Ignorant and illiterate. 
 
 6. Novel and romance. 13. Obvious and apparent. 
 
 7. Learning and wisdom. 14. To effect and to affect. 
 
 17. (Sections 88-91) Explain the following quotations : 
 
 1. He often acts unjustly who does not do a certain thing, not 
 only he who does a certain thing. Marcus Aurelius Antoninus. 
 
284 ASSIGNMENTS IN EXPOSITION. 
 
 2. The misfortunes hardest to bear are those that never come. 
 
 -Lowell. 
 
 3. There are no accidents in my philosophy. Lincoln. 
 
 4. Fame enters every household in her quest for favorites. 
 
 Shauck. 
 
 18. (Section 91) Write an interpretation of : 
 
 1. Character in dogs. 2. A certain picture. 3. A certain book. 
 4. Moods of a rainy day. 5. A certain piece of music. 
 
 19. (Sections 88-91) What methods of exposition in 
 the following ? What approaches to definition and classifi- 
 cation ? 
 
 (a) What a wonderful institution the intelligent man-horse of 
 Japan has become ! He has all the virtues of his equine brother 
 and none of his vices. You beckon to your horse to come across 
 the street, and he at once obeys you. He never shies at a piece of 
 white paper and cares naught for a steam-roller. Without bit or 
 bridle or check-rein he goes just where you tell him. Moreover, 
 he may be much wiser than you yourself are in many matters, and 
 will tell you the direction, and all the turnings that lie between 
 you and your destination, descanting, if you desire him to do so, 
 upon the points of interest on your route, and the view-points from 
 which you can get the best glimpses of the surrounding country. 
 If the robe that keeps you warm in winter gets untucked, the man- 
 horse stops and adjusts it, and if you wish to buy a newspaper to 
 while away the time, or a basket of oranges and persimmons 
 wherewith to refresh yourself, he lets down the shafts and trots off 
 to the nearest store to make the purchase. If you wish for no 
 refreshments and for no information, he respects your feelings and 
 acknowledges your right to taciturnity, and keeps on his steady 
 jog-trot. 
 
 (b) There is a radical difference between relaxation and rec- 
 reation. To relax is to unbend the bow, to diminish the tension, 
 to lie fallow, to open the nature on all sides. Relaxation involves 
 passivity ; it is a negative condition so far as activity is concerned 
 although it is often a positive condition so far as growth is con- 
 cerned. Recreation, on the other hand, involves activity, but ac- 
 
ASSIGNMENTS IN EXPOSITION. 285 
 
 tivity along other lines than those of work. Froebel first developed 
 the educational significance and uses of play. Earlier thinkers 
 and writers on education had seen that play is an important element 
 in the unfolding of a child's nature, but Froebel discerned the 
 psychology of play, and showed how it may be utilized for 
 educational purposes. His comments on this subject are full of 
 significance : " The plays of the child contain the germ of the whole 
 life that is to follow ; for the man develops and manifests himself 
 in play, and reveals the noblest aptitudes and the deepest elements 
 of his being. . . . The plays of childhood are the germinal leaves 
 of all later life ; for the whole man is developed and shown in these, 
 in his tenderest dispositions, in his innermost tendencies." 
 
 (c) The difficulty in ascertaining the sources of Lincoln's 
 power results from the bewildering antitheses which the subject 
 presents, not only antitheses in the literature which he produced, 
 but in his life and character. His life, though finished at its noon, 
 reached from a humble cabin to a position of greatest authority 
 and to an immortality of influence. Though deeply religious, he 
 was without theology or dogma. Though his companionship was 
 sought by lovers of mirth, bereavements of his youth sound minor 
 chords which are audible in every movement of his life's symphony. 
 Though so tender of heart that the maintenance of military dis- 
 cipline gave him intense and enduring pain, he stood as the 
 indomitable leader in the most destructive war of the century. 
 Though a consistent opponent of slavery, he had no word of mal- 
 ediction for those who practised it. Though grave with anxiety 
 for the close of the war, he had infinite patience with subordinates 
 who disappointed him in its prosecution. Bound by a law of his 
 being to speak the absolute truth to all to whom he owed speech, 
 he was able to practise all the concealment required by the most 
 successful statecraft. Deeply believing that in both its ethical 
 and economic aspects slavery was wrong and at variance from our 
 theories of government, he would not, to overthrow it, have prose- 
 cuted the war for a day beyond the requirements of the preservation 
 of the Union. An excited people incapable even of recognizing, 
 much less of estimating, the facts in the complex problem set for 
 his solution, and viewing him with diverse prejudices, came to 
 contradictory conclusions respecting his character and abilities. 
 
 Shauck : Abraham Lincoln, 
 
286 ASSIGNMENTS IN EXPOSITION. 
 
 (d) The question is frequently asked, How are conditions so 
 radically changed since the French failure to build a sea-level 
 canal as to permit the United States to undertake it now with any 
 hope of success ? In the first place, the first French management 
 was incompetent and extravagant almost beyond conception. 
 Secondly, both it and its successor, the New Company, were pri- 
 vate corporations working for a commercial profit, and obliged to 
 pay at least six per cent for their capital ; whereas the American 
 government, being able to borrow at almost one-third that rate, 
 can invest nearly three times the same capital without placing any 
 greater annual burden on the enterprise. Thirdly, great progress 
 has taken place in machine-excavators, by which the material can 
 be handled more cheaply, while the previously unrealizable develop- 
 ment of electric power at Gamboa will pay for that portion of the 
 construction. Finally, as a justification if not a reason, ships have 
 increased so greatly in size that what would have sufficed twenty 
 years ago would be inadequate now, and still more so when the 
 canal will be finished a dozen years hence. 
 
 (6) The poet, often so sad himself, sings all men's joys and 
 sorrows as if they were his own, and there is nothing that can 
 happen to us, nothing we can experience, no stroke of fate, and no 
 mood of heart or mind that we cannot find expressed and inter- 
 preted for us somewhere in some poet's book. Take but one poet, 
 Robert Burns, for instance, and think of the immense addition 
 to the sum total of human pleasure and human consolation that his 
 handful of Scotch songs has made. Who asks, " What's the use 
 of poetry?" when he joins in Auld Lang Syne, and feels his 
 heart stirred to its tearful depths with the sentiment of human 
 brotherhood, and the almost tragic dearness of friends. 
 
 (f) There is no branch of the Republic of the United States 
 which the oligarchy of business more closely resembles than the 
 American Senate. Both the Senate and a company's board of di- 
 rectors are elected, but under conditions which have become far from 
 democratic. The Senate's membership in large part is the result 
 of combined political and commercial manipulation. The board of 
 directors, like the Senate, unites executive and legislative and even 
 judicial functions. It is customary to divide directors as Senators 
 of the United States are divided, into classes, so that the terms of 
 
ASSIGNMENTS IN EXPOSITION. 287 
 
 only one-third of the members expire in any one year a device 
 that serves to perpetuate power. Like the Senate, directors can 
 meet behind closed doors in executive session and give out no re- 
 port of debates. 
 
 (g) It will doubtless be generally confessed that the departures 
 of the American people from the way originally ordained for them 
 were never so common and never so disquieting as now. In offi- 
 cial circles offences of malfeasance and corrupt breaches of public 
 trust are alarmingly frequent. The old landmarks of integrity 
 and faithfulness to duty which once indicated our nation's course 
 of safety are rashly neglected ; and public extravagance, no 
 longer universally condemned as a disgrace to official stewardship, 
 is flaunted before our people as evidence of the splendor of our 
 nationality. In business and social circles the pursuit of money 
 has become heartless and rapacious ; the deference to those who 
 have won great fortunes has grown in many quarters to be so un- 
 questioning and so obsequious as to amount to scandalous servility, 
 while the envy of the rich among the struggling poor is more than 
 ever bitter and menacing. In politics there is far too often con- 
 cealed behind a pretence of devotion to the public weal the sly 
 promotion of disreputably selfish and personal advantages ; and in 
 the industrial field there is no longer found the generous and con- 
 tented cooperation between employer and employee which should 
 insure the prosperity and happiness of both. In addition to all 
 this, there is sadly apparent among those who undertake trustee- 
 ship a tendency to complacently venture upon bold and rank vio- 
 lations of duty, only explained by the prevalence of lax and flip- 
 pant conceptions of the sacredness of fiduciary obligations. 
 
 (h) What Sainte-Beuve desired was to introduce into criti- 
 cism a kind of charm and reality, which had been lacking before 
 him. To this end, he used biography and history. " Know the 
 man thoroughly " was his maxim. There were three chief influ- 
 ences, in his opinion, that made a writer what he was : (1) the 
 general condition of literature just before he began writing, (2) the 
 particular kind of education he received, (3) the bent of his own 
 genius. In one of his essays Sainte-Beuve says that it is important 
 to distinguish a writer from others of his native country, and then 
 from others of his race. Nature has helped us here, for we can 
 
288 ASSIGNMENTS IN EXPOSITION. 
 
 find source characteristics in the parents of the writer, especially 
 in his mother. His children also should be studied for traits that 
 are less marked in him. When we have considered his parents 
 and children, we should attend to his education and inquire into 
 his studies. Very important is the first group of friends in which 
 we find him after his talent has been recognized, the first poetic 
 centre that helps to form him. Every work that he afterwards 
 produced should be judged in relation to the social group to which 
 he belonged, and the circumstances (political and social) of the 
 moment. Only thus can the critic determine the writer's origi- 
 nality and what is imitation in him. We must not discover 
 beauties in his work that he did not put there. We may study 
 his peculiar genius best at the moment when his powers begin to 
 decline ; for then we can easily begin to compare his best work 
 with his poor work. We may judge him by his subsequent ad- 
 mirers and disciples. Affinities betray themselves. Finally we 
 properly ask : What were his religious views? How was he af- 
 fected by Nature? What was his attitude towards women? Was 
 he rich or poor? What was his manner of life? his vice? his 
 weakness ? These things tell a story. 
 
 (i) Among the various biographies of Whitman, Professor 
 George R. Carpenter's Walt Whitman is distinctly the best of 
 those accounts of the poets which may be classed as appreciations 
 rather than as critical estimates. The early death of Professor 
 Carpenter is a distinct loss to literary scholarship in this country. 
 He was a man of thorough academic training and of lifelong aca- 
 demic association ; but he was free from the academic bias, from 
 the narrowness of vision which sometimes overtakes the scholar. 
 He had a vigorous and independent mind, and unconventionally 
 attracted rather than repelled him. Those qualities which kept 
 many men of letters aloof from the author of Leaves of Grass 
 awakened Professor Carpenter's sympathy, and the best feature 
 of his brief biography is his interpretation of Whitman's view 
 of life and distinctive message to his time. The analysis of the 
 poet's philosophy and definition of the "cosmic conscious- 
 ness" as developed in Whitman is, in its clearness of state- 
 ment, a distinct contribution to the Whitman literature. The 
 idea comes from Dr. Bucke, who declares that "few of our race 
 
ASSIGNMENTS IN EXPOSITION. 289 
 
 and time have entered into this consciousness, but it is the highest 
 step in the same slow evolution that ripened the impersonal con- 
 sciousness of the animal into the self-conscious spirit of man." It 
 may be objected that Dr. Bucke is simply applying an imposing 
 name to a spiritual quality shared by nearly all men of vision, but 
 he deserves the credit of having localized, so to speak, a very vague 
 and indefinite activity of the mind, and Professor Carpenter has 
 found in it a key to Whitman's philosophy and to his art. The 
 expression of the poet's "chronic mystical perception" in his 
 verse and prose is emphasized as contributing to our knowledge of 
 Whitman's intellectual character and his manner of speech, and 
 the element of mysticism in his mind and work is clearly traced. 
 Professor Carpenter's estimate of Whitman is suggested by the 
 closing sentence of this biography : " He is the first and most 
 notable of those who, in the nineteenth century, in Europe and 
 America, preached the vision of the world as love and comrade- 
 ship ; " and this biography is distinctly the best among the appre- 
 ciations of the poet that have appeared. Mr. Perry's biography 
 remains the best among the critical biographies. The Outlook, 
 June 19, 1909. 
 
 (j) Kipling has performed one of the most important functions 
 of the poet the function of interpreter to the nation. He has 
 revealed certain aspects of the national life, and made our people 
 understand themselves. In his Recessional Mr. Kipling has inter- 
 preted the feeling of the nation with an insight and a force which 
 are truly marvellous. Humble people all over the United King- 
 dom and the empire have during the Jubilee been deeply impressed 
 with a certain dread lest the rejoicings should be made an excuse 
 for boasting and vainglory, and that by its means the people's 
 heart should be turned from 
 
 " What makes a nation happy and keeps it so; " 
 
 to that perilous laudation of material things which, in the end, to 
 borrow Milton's phrase again 
 
 ". . . ruins kingdoms and lays cities flat." 
 
 But to people in general this was only a vague uneasiness, a 
 dumb warning against the forgetting of the true meaning of the 
 Jubilee. Mr. Kipling has seized the nation's half-formed thought, 
 
290 ASSIGNMENTS IN EXPOSITION. 
 
 and, with a poet's insight and a poet's passion, has brought it forth 
 in conscious and coherent words. He takes the awe-inspiring 
 thought what is all this but dust and ashes unless God is with 
 us till the end? and gives voice to the nation's dread "Lest we 
 forget lest we forget 1 " 
 
 " Far-called our navies melt away 
 
 On dune and headland sinks the fire 
 
 Lo, all our pomp of yesterday 
 Is one with Nineveh and Tyre! 
 
 Judge of the Nations, spare us yet, 
 
 Leat we forget lest we forget 1 
 
 " If, drunk with the sight of power, we loose 
 Wild tongues that have not Thee in awe 
 
 Such boasting as the Gentiles use 
 Or lesser breeds without the Law 
 
 Lord God of Hosts, be with us yet, 
 
 Lest we forget lest we forget I " 
 
 That, we venture to say, was the feeling in thousands of hearts. 
 But neither in the popular mind nor in the poem was this feeling 
 in any sense one of terror or unworthy abasement. It was but the 
 true reaction from the pomp and splendor the sudden realization 
 that, after all, the only sacrifice worthy of God is " a humble and a 
 contrite heart." There was nothing wrong, nothing but what was 
 right and seemly, in the national thanksgiving to God, held amid 
 the shouts of the people and the pomp and circumstance of armed 
 men, so long, but only so long, as the nation remembered that it 
 must keep always the humble and contrite heart the heart of 
 the man who prays for strength not to forget God in the loneliness 
 and isolation of his riches, his honors, and his power. He who 
 possesses everything that the material world can give, unless he is 
 " drowned in security," feels far more than the poor and humble 
 the necessity for help not to forget. " Lest I forget lest I forget," 
 if he has a heart to feel, is the thought that masters him. 
 
 Just in the same way a nation, if it is sound at heart and not 
 " drowned in security," turns at the zenith of its strength and 
 power to the thought, "Lest we forget lest we forget." The 
 fact that the better minds of the nation did feel this instant need 
 for the " ancient sacrifice" of " a humble and contrite heart," and 
 
ASSIGNMENTS IN EXPOSITION. 291 
 
 that the most virile, and, in a sense, the most untamed and least 
 reflective of our poets should have chosen it as his contribution to 
 our great tumult of rejoicing, is proof that we are still " God's Eng- 
 lishmen." Though we show in our turbulent strength so much of 
 the " heathen heart," and though we make the " frantic boast " and 
 utter the " foolish word," we have yet sense enough of what is our 
 place in the world to still pray the old prayer and to ask " Thy 
 mercy on Thy people, Lord." In spite of all " the roaring and the 
 wreaths " we remember that it was not we ourselves but God who 
 gave us the dominion. Truly and in very deed the poet who can 
 bring home these things to the plain ordinary man has done the 
 nation as great a service as if he had worked for her with the 
 sword, had served her by day and night upon the sea, or had toiled 
 for her at the council board till, like Pitt, he sank overwhelmed 
 with cares not his own. London Spectator. 
 
 20. (Section 90) Analyze the following essay. Make 
 an abstract of it. Then discuss its general method giving 
 citations to illustrate your assertions. 
 
 Aspirants hoping to obtain the party nomination from a national 
 convention may be divided into three classes, the two last of which, 
 as will appear presently, are not mutually exclusive, viz. Favorites, 
 Dark Horses, Favorite Sons. 
 
 A Favorite is always a politician well known over the Union, 
 and drawing support from all or most of its sections. lie is a man 
 who has distinguished himself in Congress, or in the war, or in 
 the politics of some state so large that its politics are matter of 
 knowledge and interest to the whole nation. He is usually a per- 
 son of conspicuous gifts, whether as a speaker, or a party manager, 
 or an administrator. The drawback to him is that in making 
 friends he has also made enemies. 
 
 A Dark Horse is a person not very widely known in the country 
 at large, but known rather for good than for evil. He has probably 
 sat in Congress, been useful on committees, and gained some credit 
 among those who dealt with him in Washington. Or he has ap- 
 proved himself a safe and assiduous party man in the political 
 campaigns of his own and neighboring states, yet without reaching 
 national prominence. Sometimes he is a really able man, but 
 
292 ASSIGNMENTS IN EXPOSITION. 
 
 without the special talents that win popularity. Still, speaking 
 generally, the note of the Dark Horse is respectability, verging on 
 eolorlessness ; and he is therefore a good sort of person to fall back 
 upon when able but dangerous Favorites have proved impossible. 
 That native mediocrity rather than adverse fortune has prevented 
 him from winning fame is proved by the fact that the Dark Horses 
 who have reached the White House, even if they have seldom 
 turned out bad presidents, have even more seldom turned out 
 distinguished ones. 
 
 A Favorite Son is a politician respected or admired in his own 
 state, but little regarded beyond it. He may not be, like the Dark 
 Horse, little known to the nation at large, but he has not fixed its 
 eye or filled its ear. He is usually a man who has sat in the state 
 legislature ; filled with credit the post of state governor ; perhaps 
 gone as senator or representative to Washington, and there ap- 
 proved himself an active promoter of local interests. Probably he 
 possesses the qualities which gain local popularity geniality, 
 activity, sympathy with the dominant sentiment and habits of his 
 state ; or while endowed with gifts excellent in their way, he has 
 lacked the audacity and tenacity which push a man to the front 
 through a jostling crowd. More rarely he is a demagogue who 
 has raised himself by flattering the masses of his state on some 
 local questions, or a skilful handler of party organizations who has 
 made local bosses and spoilsmen believe that their interests are safe 
 in his hands. Anyhow, his personality is such as to be more 
 effective with neighbors than with the nation, as a lamp whose 
 glow fills the side chapel of a cathedral sinks to a spark of light 
 when carried into the nave. Bryce: American Commonwealth. 
 
 21. (Section 90) Analyze one of the essays named in 
 Appendix A, and write a report including (1) an abstract 
 of the essay; (2) a discussion of its general method; 
 (3) citations showing the special methods of exposition 
 used most often in the essay, and the kinds of paragraphs 
 employed. 
 
 22. (Section 91} Write a book review, following the 
 general plan of the outline given at the end of the chapter 
 on Exposition. 
 
ASSIGNMENTS IN EXPOSITION. 293 
 
 23. (Section 91) Is the following explanation clear? 
 If not, point out the cause of obscurity and rewrite in clear 
 and simple language. 
 
 Here we turn aside to consider a question which perhaps has 
 not often suggested itself, but which is, nevertheless, quite inter- 
 esting. Why can we hear, but not see around a corner? Some 
 may think that this question can be answered by saying that light 
 moves in a straight line, while sound does not. But this answer is 
 not satisfactory. It is known that light and sound are similar in 
 character ; each is due to the vibrations of a medium, and each 
 is transmitted in waves. Why, then, may not light spread around 
 a corner as well as sound ? The answer is to be found in the dif- 
 ferent lengths of sound and light waves. Sound-waves themselves 
 are of different lengths, the graver sounds having waves of greater 
 length than the more acute. Now it can be shown mathematically 
 that the greater length of sound-waves will cause the sound to 
 be diffused around the obstruction. Hence the bass notes of a 
 band of music are heard more distinctly from behind a wall than 
 the higher notes ; and as the person moves out of the " acoustic 
 shadow " the more acute notes increase in distinctness. So, also, 
 when sound is transmitted through water the sound-waves are 
 shorter than in the air, and the " acoustic shadow " is fully formed. 
 As the length of sound-waves in the air is sometimes many feet, 
 while the length of the longest light wave is not more than 
 .0000266 of an inch, it is no longer a mystery why we can hear 
 but cannot see, around a corner. 
 
 24. (Section 91) Explain to a high school student the 
 following comment on Longfellow's poetry: 
 
 Two of these poems, The Psalm of Life and Excelsior, have 
 indeed paid the price of a too apt adjustment to the ethical mood 
 of that "earnest" moment in America. They were not so much 
 poems as calls to action, and now that two generations have passed, 
 those trumpets rust upon the wall. It is enough that they had 
 their glorious hour. 
 
 25. (Section 91) In the accompanying illustration 
 (Figure 7) the letters of the word "Life" appear to be 
 
 \ 
 
294 
 
 ASSIGNMENTS IN EXPOSITION. 
 
 tipped alternately to left and right, whereas, if we apply 
 the edge of a ruler to them, we shall discover that the parts 
 of the letters are precisely vertical or horizontal. Deter- 
 mine the cause of the illusion and write a careful explanation. 
 
 FlOURK 7. 
 
 26. (Section 91) Of the following passages the first 
 is said to contain three errors, the second four errors, in 
 alluding to the well-known story in the Arabian Nights. 
 Having read the original story point out the errors in the 
 allusions. 
 
 (a) She [Effie Deans] amused herself with visiting the dairy, 
 in which she had so long been assistant, and was so near dis- 
 covering herself to May Hittly, by betraying her acquaintance 
 with the celebrated receipt for Dunlop cheese, that she compared 
 herself to Bedridden Hassan, whom the vizier, his father-in-law, 
 discovered by his superlative skill in composing cream-tarts with 
 pepper in them. Scott : The Heart of Mid-Lothian, chap. XLIX. 
 
 (b) I ought to have remembered the pepper which the Princess 
 of Persia puts in the cream tarts in the Arabian Nights." 
 
 Thackeray : Vanity Fair, chap. HI. 
 
ASSIGNMENTS IN ARGUMENTATION. 295 
 
 Argumentation. 
 
 1. (Section 92) Are the following paragraphs exposi- 
 tory or argumentative ? What is the topic of each ? If the 
 paragraph is argumentative, what does it prove, and what 
 are the reasons given for the conclusion arrived at ? 
 
 (a) There can be no true civilization without liberal govern- 
 ment, and no liberal government without order, and no permanent 
 and reliable order with the disorderly at large. In this country, 
 where opportunity is unlimited, liberty and citizenship should be a 
 conditional right. The observance of order, and abstention from 
 crime, should be the conditions. Committing of crime should for- 
 feit liberty and the right to it ; the forfeiture to be set aside and 
 the right restored only on evidence that the offender has the abil- 
 ity and the will thenceforth to observe the conditions. There is 
 no use for a prison, other than to restrain and make harmless dis- 
 orderly and dangerous persons ; and it is immaterial whether they 
 be positively or negatively such. Within the prison, physical and 
 ethical forces only can properly govern. Restraint and industry 
 first, and the development by any practical means of orderly ele- 
 ments in the prisoner, as far as his capacities will permit, last. If 
 accomplished to the extent that he can be trusted with liberty, 
 give it to him. If not, keep him in restraint and in industry if 
 capable. And this applies to every kind of restraint ; to benevolent 
 as well as to penal prisons for they are all prisons in a strict 
 sense. 
 
 (b) The need of putting the Government into the savings-bank 
 business is not very apparent. The number of our banks has been 
 increased to such an extent that the facilities for putting away 
 savings are pretty good, except in some remote rural districts, 
 where there is perhaps not a great deal of demand for such insti- 
 tutions. The post-offices in such communities are not very well 
 equipped to care for savings. It does not appear that the call for 
 postal savings comes from the circumference, but rather from the 
 center. It is true the English post-offices have done a good deal 
 of that sort of work, but they began it in 1861, before private sav- 
 ings-banks had made so much progress as they have now done in 
 
296 ASSIGNMENTS IN ARGUMENTATION. 
 
 this country. In England the postal savings-banks pay only 2$ 
 per cent interest, while in the United States the private savings 
 institutions pay 3 to 4 per cent. To compete with the private 
 banks our post-offices would probably be obliged to pay 4 per 
 cent. 
 
 (C) A good book ought to have a long life. If it is liked this 
 year there is no reason why it should not be liked ten years later, 
 for meantime the reading public has changed ; that which pleased 
 the man of thirty will please the man who was only twenty when 
 the book was published. It is difficult to say whether this imper- 
 fect distribution and this haste and waste in the treatment of the 
 brain product are due to the method of publication, or to the rage 
 of the public for something new. It is true that the literary taste 
 changes in a generation or two, but we believe that it is the experi- 
 ence of publishers that a real book, which was popular a generation 
 ago, will have, if properly revived, as large an audience with the new 
 public as it had with the old. Books in this respect are like pic- 
 tures, there is always a public for the best, when the public has an 
 opportunity of seeing them. We believe that the publication of 
 good literature, adhered to, pushed, and advertised, would be more 
 profitable than the constant experiments with ephemeral trash ; 
 but it is useless to moralize about this in an age when there is such 
 a pressure for publication of new things, and there are such vast 
 manufactories which feel it a necessity to keep their hoppers full 
 of the grain of the new crop. It may be said, however, that if 
 there was anywhere a controlling desire to distribute good literature 
 rather than a manufacturer's notion of turning out any sort of 
 product of paper, type, and ink, the public would be the gainer. 
 And perhaps the publishers would find their account in a better 
 educated public taste. Charles Dudley Warner. 
 
 (d) The nervous strain, the temptations, the dangers of cities, 
 are the theme of many a solemn discourse. The boys are exhorted 
 not to leave the farm, with its healthfulness, peace, and indepen- 
 dence, for a life of drudgery in shop or office, with intervals of fever- 
 ish and unwholesome excitement. But the boy usually prefers 
 to listen to the voices that call rather than to the voices that warn, 
 and it will probably never be otherwise, for the motives that send 
 him to the city are among the most powerful that human nature, 
 
ASSIGNMENTS IN ARGUMENTATION. 297 
 
 and especially the nature of the dominant races, knows. Till he 
 has learned the sad lesson of defeat, it is in vain to preach to a 
 man the blessings of peace. He loves strife rather, the chance to 
 measure his powers against those of his fellows. The very health 
 and strength that he has gained in the country inspire him with 
 confidence that he can hold his own in the battle. Why, he asks, 
 should he not become the famous lawyer, the bold financier, the 
 leader of men, rather than one of the failures in the great crowd 
 of undistinguished drudges of city life? Even if his ambition 
 soars not so high, he longs for a closer view of the great drama of 
 which he catches glimpses in the newspaper that reaches the farm 
 or village, to be an eye-witness of those wonderful events that are 
 related in its columns. Work, strife, pleasure, all are carried on 
 among those great aggregations of human beings at a high pres- 
 sure, and that will always be attractive in spite of all the warnings 
 of wisdom and experience. 
 
 2. (Section 93) What is the exact proposition discussed 
 in the following ? Make a careful analysis of the selection. 
 
 Obedience to Instructions. 
 
 Certainly, gentlemen, it ought to be the happiness and glory of 
 a representative to live in the strictest union, the closest corre- 
 spondence, and the most unreserved communication with his con- 
 stituents. Their wishes ought to have great weight with him; 
 their opinion high respect; their business unremitted attention. 
 It is his duty to sacrifice his repose, his pleasures, his satisfactions, 
 to theirs ; and above all, ever, and in all cases, to prefer their 
 interest to his own. But, his unbiassed opinion, his mature 
 judgment, his enlightened conscience, he ought not to sacrifice to 
 you, to any man, or to any set of men living. These he does not 
 derive from your pleasure; no, nor from the law and the constitu- 
 tion. They are a trust from Providence, for the abuse of which he 
 is deeply answerable. Your representative owes you not his 
 industry only, but his judgment; which he betrays, instead of 
 serving you, if he sacrifices it to your opinion. 
 
 My worthy colleague says, his will ought to be subservient to 
 yours. If that be all, the thing is innocent. If government were 
 
298 ASSIGNMENTS IN ARGUMENTATION. 
 
 a matter of will upon any side, yours, without question, ought ta 
 be superior. But government and legislation are matters of 
 reason and judgment, and not of inclination ; and what sort of 
 reason is that, in which the determination precedes the discussion ; 
 in which one set of men deliberate, and another decide; and 
 where those who form the conclusion are perhaps three hundred 
 miles distant from those who hear the arguments? 
 
 To deliver an opinion, is the right of all men; that of constit- 
 uents is a weighty and respectable opinion, which a representative 
 ought always to rejoice to hear ; and which he ought always most 
 seriously to consider. But authoritative instructions, mandates 
 issued, which the member is bound blindly and implicitly to obey, 
 to vote, and to argue for, though contrary to the clearest convic- 
 tion of his judgment and conscience, these are things utterly 
 unknown to the laws of this land, and which arise from a funda- 
 mental mistake of the whole order and tenor of our constitution. 
 
 Parliament is not a congress of ambassadors from different and 
 hostile interests, which interests each must maintain, as an agent 
 and advocate, against other agents and advocates ; but Parliament 
 is a deliberative assembly of one nation, with one interest, that of 
 the whole, -where not local purposes, not local prejudices, ought 
 to guide, but the general good, resulting from the general reason 
 of the whole. You choose a member, indeed ; but when you have 
 chosen him, he is not a member of Bristol, but he is a member of 
 Parliament. If the local constituent should have an interest or 
 should form an hasty opinion evidently opposite to the real good 
 of the rest of the community, the member from that place ought 
 to be as far as any other from any endeavor to give it effect. I 
 beg pardon for saying so much on this subject ; 1 have been un- 
 willingly drawn into it ; but I shall ever use a respectful frankness 
 of communication with you. Your faithful friend, your devoted 
 servant, I shall be to the end of my life ; a flatterer you do not 
 wish for. On this point of instructions, however, I think it 
 scarcely possible we ever can have any sort of difference. Perhaps 
 I may give you too much, rather than too little trouble. 
 
 From the first hour I was encouraged to court your favor to this 
 happy day of obtaining it, I have never promised you anything but 
 humble and persevering endeavors to do my duty. The weight of 
 that duty, I confess, makes me tremble ; and whoever well con- 
 
ASSIGNMENTS IN ARGUMENTATION. 299 
 
 siders what it is, of all things in the world, will fly from what has 
 the least likeness to a positive and precipitate engagement. To be 
 a good member of Parliament is, let me tell you, no easy task, 
 especially at this time, when there is so strong a disposition to run 
 into the perilous extremes of servile compliance or wild popularity. 
 To unite circumspection with vigor is absolutely necessary, but it 
 is extremely difficult. We are now members for a rich commercial 
 city ; this city, however, is but a part of a rich commercial nation, 
 the interests of which are various, multiform, and intricate. We 
 are members for that great nation, which, however, is itself but 
 part of a great empire, extended by our virtue and our fortune to 
 the farthest limits of the East and of the West. AU these wide- 
 spread interests must be considered, must be compared, must 
 be reconciled, if possible. We are members for a, free country; 
 and surely we all know that the machine of a free constitution is 
 no simple thing, but as intricate and as delicate as it is valuable. 
 We are members of a great and ancient monarchy ; and we must 
 preserve religiously the true, legal rights of the sovereign, which 
 form the keystone that binds together the noble and well-con- 
 structed arch of our empire and our constitution. A constitution 
 made up of balanced powers must ever be a critical thing. As 
 such I mean to touch that part of it which comes within my 
 reach. I know my inability, and I wish for support from every 
 quarter. In particular I shall aim at the friendship, and shall 
 cultivate the best correspondence, of the worthy colleague you have 
 given me. Burke : Speech to the Electors of Bristol. 
 
 3. (Section 95) Compare the following arguments and 
 briefs : 
 
 It is vehemently maintained by some writers of the present day 
 that Elizabeth persecuted neither Papists nor Puritans as such, and 
 that the severe measures which she occasionally adopted were dic- 
 tated, not by religious intolerance, but by political necessity. . . . 
 The title of the Queen, they say, was annulled by the Pope ; her 
 throne was given to another ; her subjects were incited to rebel- 
 lion ; her life was menaced ; every Catholic was bound in con- 
 science to be a traitor; it was, therefore, against traitors, not 
 against Catholics, that the penal laws were enacted. . . . 
 
300 ASSIGNMENTS IN ARGUMENTATION. 
 
 We will state as concisely as possible the substance of some 
 of these laws. As soon as Elizabeth ascended the throne, and before 
 the least hostility to her government had been shown by the Cath- 
 olic population, an act passed prohibiting the celebration of the 
 rites of the Romish church. . . . 
 
 A law was next made, in 1562, enacting that all who had ever 
 graduated at the universities or received holy orders, all lawyers 
 and magistrates, should take the oath of supremacy when tendered 
 to them. . . . After the lapse of three months ... if it were 
 again refused, the recusant was guilty of high treason. . . . What 
 circumstances called for this extraordinary rigor ? There might be 
 disaffection among the Catholics. The prohibition of their worship 
 would naturally produce it. But it is from their situation, not from 
 their conduct, from the wrongs which they had suffered, not from 
 those which they had committed, that the existence of discontent 
 among them must be inferred. There were libels, no doubt, and 
 prophecies, and rumors, and suspicions; strange grounds for a law 
 inflicting capital penalties, ex post facto, on a large body of men. . . . 
 
 Eight years later, the bull of Pius deposing Elizabeth, produced 
 a third law. This law, to which alone, as we conceive, the defence 
 now under our consideration can apply, provides that if any Cath- 
 olic shall convert a Protestant to the Romish church, they shall 
 both suffer death as for high treason. . . . 
 
 In the first place, the arguments which are urged in favor of 
 Elizabeth apply with much greater force to the case of her sister 
 Mary. The Catholics did not, at the time of Elizabeth's accession, 
 rise in arms to seat a Pretender on her throne. But before Mary 
 had given or could give provocation, the most distinguished Prot- 
 estants attempted to set aside her rights in favor of the Lady Jane. 
 That attempt, and the subsequent insurrection of Wyatt, furnished 
 at least as good a plea for the burning of Protestants as the con- 
 spiracies against Elizabeth furnish for the hanging and embowel- 
 ling of Papists. 
 
 The fact is that both pleas are worthless alike. If such argu- 
 ments are to pass current, it will be easy to prove that there never 
 was such a thing as religious persecution since the creation. For 
 there never was a religious persecution in which some odious crime 
 was not, justly or unjustly, said to be obviously deducible from 
 the doctrines of the persecuted party. We might say that the 
 
ASSIGNMENTS IN ARGUMENTATION. 301 
 
 Caesars did not persecute the Christians. . . . We might say that 
 the massacre of St. Bartholomew was intended to extirpate, not a 
 religious sect, but a political party. . . . 
 
 The measures of Queen Elizabeth were dictated, not by political 
 necessity, but by the spirit of persecution. Because 
 
 (A) The Catholics were not necessarily likely to commit treason. 
 
 For 
 
 I. Men do not follow their beliefs to their logical conclusions. 
 II. Men are not always likely to do what they believe it right 
 to do. 
 
 (B) The law prohibiting the celebration of Romish rites was not 
 
 politically necessary. For 
 I. It was passed before hostility had been shown. 
 
 (C) The law touching the oath of supremacy was unnecessary. 
 
 For 
 
 I. It was based purely on suspicion. 
 
 (Z>) The law touching the conversion of a Protestant to Catholi- 
 cism was unnecessary. For 
 
 I. It punished not crime, but the holding of doctrines presum- 
 ably tending to crime. 
 
 A Prescription for Poverty. 
 
 Whatever the nature of the nostrum in modern therapeutics 
 proposed for the workingman, the best of all, if he did but know 
 it, is good, old-fashioned, honest industry. This has been seen to 
 work well in almost every instance where it has been honestly and 
 persistently tried ; and while, I believe, no other remedy can be 
 found to supersede this, I make bold to offer one, not as a panacea, 
 but as a sort of helpmeet for the manly virtues of well-applied 
 industry. If the methods of the past are to be taken as the only 
 preventives of poverty, we may well conclude the evil is incurable, 
 and the case of the poor man is indeed a hopeless one. 
 
 Let us look at one or two of these, the most promising and 
 prominent in the list of prescriptions. And first of all, our public 
 charities. Far from wishing to underrate or undervalue them, I 
 give them the full benefit of all they have achieved, and even of all 
 their founders have designed to achieve by them. And yet it is 
 
302 ASSIGNMENTS IN ARGUMENTATION. 
 
 obvious, they are incapable, in the nature of things, of reaching 
 more than an infinitesimal portion of the suffering classes. The 
 great bulk of these classes are beyond their reach or relief. 
 
 Xext, let us examine for a moment, what has always been con- 
 sidered a wholesale remedy for the evils of poverty not only by 
 many philanthropists and publicists, but by a large number of the 
 sufferers themselves. I mean a forced and more equal distribution 
 of property among all classes of citizens. In ancient times such a 
 remedy was sought through the instrumentality of laws having 
 this object directly in view. But how far short these laws fell of 
 accomplishing it, the most superficial knowledge of history will 
 acquaint us. The resulting advantages were more than out- 
 weighed by the resulting calamities. 
 
 In more recent things, while a few persons are found advocating 
 the passage of agrarian and sumptuary laws, most of those who 
 base similar reforms upon similar means, look for them through 
 the intervention of "labor strikes," "trades-unions," commercial 
 conventions and other organized efforts, having for their end con- 
 cessions and forced contributions from the wealthier to the poorer 
 classes. Even if it were possible of attainment, such is the struc- 
 ture of human society, or, we might better say, such is the condi- 
 tion of poor human nature itself, that the forced equilibrium of 
 wealth, if once effected, could be maintained only for the briefest 
 interval. For, by the law of individual and industrial activity, 
 this wealth would flow back into its accustomed channels whence 
 it had been but momentarily diverted. 
 
 Nothing can be plainer than that any compulsory division of 
 wealth or even an approximation to it through the machinery of 
 labor strikes and similar devices, even if it could be brought about, 
 is a delusion and a snare, and at best would serve only as a tempo- 
 rary make-shift, having no lasting effect, and seriously jeopardiz- 
 ing the interests of all concerned. 
 
 The great fundamental objection to all such methods of reform 
 is that they do not strike at the root of the evil, or rather they at- 
 tack it at the wrong point, and hence their gain, if there is any, 
 is only provisional and temporary. 
 
 Now the one thing needful to elevate the condition of the 
 laboring man, and rescue him from abject want or something 
 worse, is that while his wages shall be sufficient to purchase the 
 
ASSIGNMENTS IN ARGUMENTATION. 303 
 
 necessaries of life, he shall not be obliged to expend them 
 all for these, but shall have surplus enough to procure him 
 some of the comforts and luxuries as well, and iii addition to this 
 to accumulate a capital, little by little, which with proper in- 
 dustry and economy shall place him in a comparatively indepen- 
 dent position. 
 
 But this independence he cannot achieve, as we have seen, 
 through any of the avenues hitherto opened to him. He must 
 therefore try some other ; and if it can be found that the same 
 end which is sought in vain by means of an increase of wages can 
 be secured by another method which, if not so direct, is neverthe- 
 less more efficacious and more compensatory to the laboring classes, 
 a method that will not disturb the existing relations between 
 labor and capital, and which, when acquiesced in, will allay the 
 heaving billows of strife and discontent that so often agitate the 
 surface of society, whenever questions of this nature come up for 
 settlement if, I say, such a substitute can be found, it would 
 seem as if we were approaching a solution of the gravest social 
 problem of the day. 
 
 Such a solution, I contend, may be found, and almost all the 
 evils of poverty may be warded off, by reducing to their first cost 
 all those commodities that enter into the necessary daily subsist- 
 ence of mankind ; in other words, by a reduction to first cost of the 
 necessaries of life. 
 
 If such a result can be brought about, it is obvious that the 
 effect will be similar to that of an enhancement of the wages of 
 labor. For it matters not to the workingman whether the ad- 
 vantage he realizes comes directly from obtaining more money 
 for his labor, or from paying out less money for what he 
 is obliged to buy to support himself and his family. Thus, 
 if his weekly necessary expenses amount to fifteen dollars, and 
 he cannot provide for himself and family for less, he will just 
 as surely gain five dollars per week by being able to reduce his ex- 
 penses to ten dollars, as he would if he were to exact from his em- 
 ployer the additional sum of five dollars in wages. In the one 
 case he gains by saving what in the other case he would gain by 
 accretion or accumulation. And, further, if it can be shown that 
 these gains would be far greater under the system I advocate than 
 would be possible under the most successful strike for higher 
 
304 ASSIGNMENTS IN ARGUMENTATION. 
 
 wages, there is no good reason why it should not be adopted, pro- 
 vided it be compatible with justice, order, and more important 
 than all, with that higher destiny and condition of the human 
 family, which are foreshadowed by the march of improvement, 
 and by those laws, scarcely perceptible in their operation until 
 after long periods, which dominate and regulate social progress. 
 
 That all the necessaries of life ought to come to the consumer 
 freighted with no more profit, cost, or expense than such as is ab- 
 solutely necessary to their production, seems, at first blush, like a 
 visionary proposition, and one incapable of practical application. 
 But viewed in the light of reason and common sense, it will be 
 found, I think, that no such character necessarily attaches to it, 
 and that this reproach upon it is due more to habit and prejudice 
 than to any well grounded apprehension. 
 
 What I call the necessaries of life are the air we breathe, 
 wholesome food and water, and sufficient fuel and clothing to 
 keep us warm. All of these are essentially natural rights, just as 
 much, and in the same sense, as life itself, because without them 
 life itself is unendurable and impossible. That such is the charac- 
 ter of the first in the list, namely, the air we breathe, no one will 
 deny ; and to preserve it its purity, and to guard against any in- 
 fringement or monopoly of the right of using it, statutes have 
 been framed in all civilized communities. The same remarks will 
 apply in a more limited sense, to the water we drink. People are 
 prohibited, under severe penalties, from contaminating it, or turn- 
 ing it from its natural channels, or putting any restrictions on its 
 free use and enjoyment; and when, as in large towns and cities a 
 sufficient healthful supply cannot be obtained without expense, 
 that expense is reduced to first cost to all consumers. 
 
 A more pregnant and pertinent example than this of the prac- 
 tical application and utility of the doctrine here advocated cannot 
 well be imagined. Here is one of the necessaries of life, not more 
 important or conducive to our well-being than the rest, but fur- 
 nished to us more prodigally and with less labor than any of the 
 rest, with the exception of the atmosphere, hedged round with re- 
 strictive legislation, but by the general consent of mankind made 
 absolutely free, so far as possible, to the whole community. Where- 
 ever the individual consumer is incapable of procuring it, the mu- 
 nicipal authorities or other corporate bodies furnish it, at first by 
 
ASSIGNMENTS IN ARGUMENTATION. 305 
 
 the rudest and simplest contrivances, then through the agency of 
 reservoirs and aqueducts, so that no single family or inhabitant 
 shall be deprived of it, and always at a cost not to exceed the ex- 
 pense of bringing it within their reach. JHence, nothing is cheaper 
 than the water supply of cities, and no one ever thinks of com- 
 plaining of it as an unnecessary burden. But suppose it came to 
 us saddled with the same charges as our flour, or bacon, or fuel, 
 how prompt would be the instinct to murmur and rebel against it. 
 First would come the charges, dictated by some arbitrary standard 
 of value, of whomsoever should happen to be the owner of the 
 supply, next those of the purchaser from the owner, who might 
 be called the wholesale dealer, next those of the speculator in the 
 article, and lastly the profits of the retail dealer, who dispenses it 
 to his customers thus passing from the original source of supply 
 through a multitude of hands, and burdened with an accumulation 
 of profits and expenses that would double and treble the cost to 
 the consumer, as compared with its present mode of distribution 
 and delivery. And yet so far as our natural right to them is con- 
 cerned, our food and our fuel stand on precisely the same founda- 
 tion as the -water we drink. 
 
 The only difference between the rationale of our water supply 
 and of our food supply is that nature, being more lavish of the one 
 than of the other, has furnished it ready-made to our hands, so to 
 speak, while the other has to be submitted to certain industrial 
 processes in its production, before it can be accommodated to our 
 use. But this difference being accidental only as to their origin or 
 production, ought not to make any difference with respect to their 
 distribution and supply ; and provided a proper equivalent is paid 
 to those who produce our food, the difference in question entirely 
 disappears, and thus the article of food and the article of beverage 
 stand on the same footing, and no legal or other discrimination 
 ought to be made in favor of either. 
 
 To illustrate the argument a little further : suppose nature sup- 
 plied us the means for satisfying our hunger with the same prod- 
 igal hand, and with as little expense as she supplies the means for 
 satisfying our thirst, or, in other words, suppose the prime cost of 
 the one were no greater than the prime cost of the other, there 
 would then be no good and valid reason why the distribution and 
 supply of food and drink to each individual should not be con- 
 
306 ASSIGNMENTS IN ARGUMENTATION. 
 
 ducted on the same principle of cheapness and economy. Let 
 those who raise our food receive for it a remuneration sufficient to 
 pay them a reasonable profit for their industry, and the two com- 
 modities become identical in respect to every succeeding step in 
 the progress of reaching the consumer; and thereafter every pref- 
 erence or protection shown to theone more than to the other, 
 every hindrance or obstruction thrown in the way of the one more 
 than the other, would be an unjust and odious discrimination, 
 palpably inconsistent, and involving the most serious consequences 
 to the well-being of the poorer classes. 
 
 What has been said touching our social claim to protection 
 against hunger will apply equally well to that of protecting our- 
 selves against cold. As sacred rights, which every one who comes 
 into the world inherits with the very breath of life itself, they 
 ought to come to us unshackled from every interference with their 
 free use and enjoyment. Every limitation upon them is a hard- 
 ship which every good government will make as light as possible, 
 especially seeing that it falls with the heaviest hand upon those 
 members of the community who are the least able to bear it, and 
 who, at the same time, contribute the largest share of the public 
 expenses. If the State undertakes to guard against the infliction 
 of heavy burdens upon any one of our natural rights, there is no 
 reason why it should withold protection from the rest. If light, 
 air, and water are permitted to enter our dwellings, free from exac- 
 tions, why should not the same privilege be awarded to food and 
 fuel, which are equally necessary to existence, and clothed with 
 the same natural sanctions ? The only answer to this is that in 
 most civilized countries, nature has supplied a sufficiency or a 
 superfluity of the one class of gifts, without the application of arti- 
 ficial means to make them available for use. But does this afford 
 any sufficient pretext for inflicting a variety of burdens upon the 
 other class, before they reach the consumer? On the contrary, 
 ought they not to stand exempt from further taxation, provided a 
 reasonable profit is first paid the producer ? It seems to me that 
 the simple statement of such a proposition as this is all the argu- 
 ment needed to sustain it. 
 
 The next question that arises for consideration is: In what way, 
 or by what machinery, shall the present cost of necessaries be re- 
 duced and regulated as between the producer and consumer? 
 
ASSIGNMENTS IN ARGUMENTATION. 307 
 
 How shall the large army of middle-men and " operators " who im* 
 pose the bulk of the burdens on the consumer, be got rid of? 
 Without assuming or insisting on legislation or State interference 
 as the only or best remedy, or as a full solution of the difficulty, it 
 is a curious coincidence, and one that may go far towards solving 
 the question, that the hand of legislative reform has already been 
 laid upon a kindred subject, and is at present stirring up society 
 to its depths. Both in Europe and America, the position has been 
 assumed that the different methods of public transportation may 
 be coerced into such a reduction of rates both for travel and traffic 
 as is consistent with the general welfare of the people. The appli- 
 cation of this principle with respect to railroads has become a 
 familiar part of the history of the times : and a notable instance 
 of its farther extension is to be observed in the great State of New 
 York, while by popular vote the whole system of tolls upon their 
 canals has been abolished, and these great and important highways 
 have been declared to be open to the free and unrestricted use of 
 commerce, without any expense to the people other than what is 
 required to keep them in a proper state of repair, and this expense 
 to be maintained by general taxation. 
 
 Now canals and railroads and other public modes of transporta- 
 tion, while among the most important factors in modern civiliza- 
 tion, are not essential to its spread and existence. More than this, 
 they are not an essential ingredient in our happiness, and so far 
 from having the characteristics of a " necessary " institution, they 
 might be blotted out entirely, without destroying our happiness. 
 Nevertheless, they are so interwoven with our present social needs 
 and interests that their loss or absence would be a serious injury ; 
 and hence they may properly be classed, along with artificial light, 
 domestic animals, and other objects of similar utility, in the cata- 
 logue of quasi necessaries. 
 
 It would be a curious subject of thought and one rich in mate- 
 rial for reflection to the speculative philosopher to inquire how it 
 happens that the remedy here prescribed for the pains of poverty 
 among the working classes has been taken up by political reformers, 
 and applied successfully to a grievance not to be compared in the 
 severity with those I have been considering, and one that, in nat- 
 ural order of things, ought to be postponed to the others. For it re- 
 quires little sagacity to see that it is of far greater consequence, in 
 
308 ASSIGNMENTS IN ARGUMENTATION. 
 
 the beginning, to mankind at large to have the necessaries of life 
 cheapened to them in their production, distribution, and supply, 
 than in the single article of their transportation, though all oi 
 these ends are important ; and that it were better, all things con- 
 sidered, to commence the process of reform by cutting down or 
 cutting off the exorbitant charges that are added to the first cost 
 of production, since a much greater saving would accrue to the 
 community at large and particularly to the poor man than is pos- 
 sible under any system of retrenchment in freight rates. 
 
 The reason why this anomaly and first step in legislation have 
 taken the direction they have, is doubtless due, in great part, to the 
 fact that the enormous fortunes made at the public expense, of late 
 years, by the railroad companies, and others engaged in the business 
 of transportation, being more conspicuous examples of individual 
 selfishness and rapacity than the fortunes almost as large and more 
 numerous acquired by speculators in the necessaries of life, have 
 earlier directed the attention of the public to this subject. We 
 have become accustomed, from long endurance of it, to the older 
 and greater abuse, which has extended its ramifications into all the 
 avenues of trade and commerce, while the later one has been lifted 
 into sudden prominence by the dazzling prizes it has held out to 
 the comparatively few who have seized upon them; just as in 
 cases of insidious attacks and prostration by disease, while the most 
 fatal symptoms have been overlooked, diagnosis has been directed to 
 those only which appear on the surface. 
 
 If therefore no other modus operandi for meeting the difficulty 
 before us was practicable or available, we have one ready made to 
 hand in the means devised for checking exorbitant charges upon 
 the public lines of transportation. Whether, as before observed, 
 ttiis is the wisest or the best method, being compulsory, it is prob- 
 ably the surest and most effectual. For no amount of persuasion 
 or of appeals to the reason or the conscience of those engaged in 
 trafficking in the necessaries of life is going to make them abate one 
 jot or tittle of their demands. Then they can plead in their favor 
 prescriptive right and the consent of the ages. The pound of flesh 
 has been so long exacted, they have lost sight and thought of the 
 blood. And if restrictive legislation is necessary to thwart the 
 combinations and conspiracies of railroad companies, how much 
 more necessary to thwart the mercenary designs of those who 
 
ASSIGNMENTS IN ARGUMENTATION. 309 
 
 traffic in the very life-blood of the people ; can it be said, with 
 any show of reason, that the knife of reform is needed in the one 
 case, and not in the other ? What is the little fraction of expense 
 saved by a reduction in railroad rates, compared with that immense 
 average that would be saved to the poor man, provided the ex- 
 penses of his daily living were cut down to prime cost? Is it not 
 of far more consequence to him that the staples himself and family 
 are obliged to use, in order to keep soul and body together, should 
 be exempt from the heavy market rates they have to pay for them, 
 by reason of their passing through so many different hands, than 
 that a slight additional cost should be added to their transporta- 
 tion ? And the classes engaged in this vital traffic what better 
 right have they to claim exemption from legal restraints and regu- 
 lations than those who would, if they could, impose even a heavier 
 tariff upon this transportation, or those who would, if they could, 
 make merchandise out of the very air we breathe or the water we 
 drink? 
 
 It may be urged, with a considerable show of reason, that the 
 remedy herein advocated does not properly fall within the scope of 
 governmental control; and if the views of many sociologists, 
 among whom may be mentioned the honored name of Herbert 
 Spencer a name which, in my opinion, stands first among the 
 great thinkers of the century were to be taken as final on the 
 subject, some different agency from that which belongs to the 
 functions of a legislature would have to be devised, to carry out 
 the reform in question. But in answer to this, I submit that all 
 or nearly all that has been said or written against the protective 
 and paternal spirit of legislation applies almost exclusively to 
 governments founded on a different principle from ours to 
 governments where there is a ruling class as well as a ruled, to be 
 provided for, and where the main spring of action is far from being 
 the welfare of the people at large. Popular governments through 
 individual representatives are, in theory at least, like a large cor- 
 poration acting through its agents ; and though in practice the 
 principal is often misrepresented and the delegated authority 
 abused, yet the ends of society, in any given age, are as well car- 
 ried out by such governments as they can be, under the existing 
 limitations of men's reason, conscience, and condition; since, to 
 quote the high authority I have just mentioned, " Out of no form 
 
310 ASSIGNMENTS IN ARGUMENTATION. 
 
 of government can be expected a capacity and a rectitude greatei 
 than those of the society out of which it grows." Hence the power 
 to inaugurate great and needed reforms in a republic reforms 
 looking to a wide departure from past expedients and experiments, 
 may be safely intrusted to the hands of the legislature. If it cannot 
 be lodged there, it would seem as if it cannot be lodged anywhere ; 
 it would seem as if the reforms, though ever so imperatively 
 demanded by the people, and crying aloud for recognition and 
 accomplishment, would be like the voice of one crying out in the 
 wilderness. William Brackett. 
 
 Introduction : 
 
 (A) Specifics for poverty have hitherto beeu failures. 
 
 I. Public charities reach but a small number. 
 II. Enforced equality of property-distribution has been tried 
 
 and has failed. 
 
 (a) In ancient times by agrarian laws. 
 (6) In modern times through strikes or conciliation. 
 
 (B) Any gain through these specifics is only partial, provisional, 
 
 and temporary. 
 
 (C) The one thing needful is that wages should be elevated above 
 
 the bare subsistence point 
 
 Brief Proper : 
 
 Proposition: The prescription for poverty consists in reduc- 
 ing to first cost the necessaries of subsistence, which would be 
 equivalent to raising wages. 
 
 (A ) This is already true of municipalized water-supply, light, and 
 air, the first three necessaries. 
 
 (B) It should be made true of food, fuel, and clothing, the other 
 
 necessaries of life. For 
 I. These are essential rights like the others. 
 II. Like the others these should enter our homes free of un- 
 necessary exactions. 
 
 (C) If necessary, compulsory legislation should be employed to 
 
 get rid of middle-men and operators. For 
 I. An exact parallel in successful legislation is seen in the 
 transportation laws. 
 
ASSIGNMENTS IN ARGUMENTATION. 311 
 
 II. Laws regulating production and distribution are vastly 
 more essential to the protection of natural rights than 
 are transportation laws. 
 
 Conclusion : 
 
 (A) The objection that the remedy suggested does not fall within 
 
 the scope of governmental control fails. For 
 I. It is inconsistent with the theory of popular government. 
 
 4. (Section 95) Organize the following notes into a 
 logical brief. Then make a brief in refutation. 
 
 The city is the best place for a college. 
 
 1. There are plenty of temptations everywhere. All depends on 
 
 individual character. 
 
 2. Living in a city is an education in itself. 
 
 3. Citizenship can be learned only in a city. 
 
 4. Most students will have to live in cities after they leave 
 
 college. 
 
 5. An education in engineering, law, or medicine, cannot be had 
 
 in a country college. 
 
 6. The city college cannot isolate itself from the world. 
 
 7. The country college offers temptations as well as the city 
 
 college. 
 
 8. The country college offers fewer chances for self-support than 
 
 the city affords. 
 
 9. City students learn more of manners, society, industrial strife, 
 
 politics. 
 
 10. The professors in a city college are closer to practical life. 
 
 11. The city college is not more expensive. 
 
 12. The worst lawlessness is not in the city college. 
 
 13. An engineering student must have a city for his laboratory. 
 
 14. There are lectures, eminent preachers, fine music, and good 
 
 architecture in the city. 
 
 5. (Section 95) Determine the proposition in the fol- 
 lowing and organize the material into a brief. 
 
 Who was Junius? An English scholar writing to The London 
 Standard points out that the Franciscan theory of Junius has 
 
312 ASSIGNMENTS IN ARGUMENTATION. 
 
 received a great shock, since no proof whatever in support of it has 
 been found either in the newly published Francis Letters or in the 
 autobiography of the Duke of Grafton, that appeared in 1898. 
 "Junius's correspondence with Wilkes," says this writer, "estab- 
 lishes indubitably that he was . . . a man of ' mature age.' Dr. 
 Mason Good, who was the editor of the first edition of Junius 
 containing his private letters, was also of the opinion that Junius 
 ' must have attained an age which would allow him without vanity to 
 boast an ample experience and knowledge of the world.' In Pri- 
 vate Letters, No. 44, Junius solemnly asserted he had * a long ex- 
 perience of the world.' In No. 77, Junius refused Wilkes's invita- 
 tion to the Lord Mayor's ball, because ' my age and my figure would 
 do but little credit to my partner.' Under the nom de guerre of 
 'Amicus Curiae,' Junius declared that he was an old reader of 
 political controversy, and that he remembered 'the Walpolean 
 battles.' But how, then, can Philip Francis have been Junius? 
 ' The Walpolean battles ' that Junius declared he remembered be- 
 gan long before Francis was born, and must have completely termi- 
 nated when Francis was an infant of three years of age. I have 
 advocated in The Westminster Review and The New Century Review 
 the theory that Lord Chesterfield was Junius, not only because of 
 his advanced age, but also because Chesterfield was at that date a 
 most practised controversialist. Previously to the appearance of 
 the Letters of Junius, in 1760 and in 1768, Chesterfield used a char- 
 acteristic phrase of Junius, * Hospital of Incurables ' (Letter 68, 
 ad fin.), both in public and private writings. The theory that 
 Chesterfield was Junius seems confirmed by the fact that Junius 
 initialled his private letters 'C.' 
 
 " The theory is strictly consistent also with what is universally 
 admitted, that Junius was a man of aflQuence. It is also consistent 
 with the many passages in which Junius hints, if he does not in 
 terms assert, that he possessed rank as well as fortune. In Letter 
 54, Junius, addressing 'The Printer of The Public Advertiser,' 
 declared that, ' You, sir, may be satisfied that my rank and fortune 
 place me above a common bribe.' " 
 
 An interesting part of this letter is the statement at the end : 
 "I have received unsolicited information to the effect that the 
 secret of the authorship is still being kept in a certain titled fam- 
 ily, who will be equally bound at a future date to divulge it. But 
 
ASSIGNMENTS IN ARGUMENTATION. 313 
 
 I have to say, like Pitt, that my information is quite inconsistent 
 with Francis having been Junius." New York Tribune, May 5, 
 1907. 
 
 6. (Section 95) Organize the following material into a 
 brief. Then make a brief in refutation. 
 
 You are surprised to learn that I have not a high opinion of Mr. 
 Jefferson, and I am surprised at your surprise. I am certain that 
 I never wrote a line, and that I never in Parliament, in conversa- 
 tion, or even on the hustings a place where it is the fashion to 
 court the populace uttered a word indicating an opinion that the 
 supreme authority in a state ought to be intrusted to the majority 
 of citizens told by the head; in other words, to the poorest and 
 most ignorant part of society. I have long been convinced that 
 institutions purely democratic must, sooner or later, destroy liberty 
 or civilization, or both. In Europe, where the population is dense, 
 the effect of such institutions would be almost instantaneous. 
 What happened lately in France is an example. In 1848 a pure 
 democracy was established there. During a short time there was 
 reason to expect a general spoliation, a national bankruptcy, a new 
 partition of the soil, a maximum of prices, a ruinous load of taxa- 
 tion laid on the rich for the purpose of supporting the poor in idle- 
 ness. Such a system would, in twenty years, have made France as 
 poor and barbarous as the France of the Carlovingians. Happily, 
 the danger was averted, and now there is a despotism, a silent 
 tribune, an enslaved press. Liberty is gone, but civilization has 
 been saved. I have not the smallest doubt that if we had a purely 
 democratic government here the effect would be the same. Either 
 the poor would plunder the rich, and civilization would perish ; or 
 order and prosperity would be saved by a strong military govern- 
 ment, and liberty would perish. You may think that your country 
 enjoys an exemption from these evils. I will frankly own to you 
 that I am of a very different opinion. Your fate I believe to be 
 certain, though it is deferred by a physical cause. As long as you 
 have a boundless extent of fertile and unoccupied land, your labor- 
 ing population will be far more at ease than the laboring popula- 
 tion of the Old World, and, while that is the case, the Jefferson 
 politics may continue to exist without causing any fatal calamity. 
 But the time will come when New England will be as thickly 
 
314 ASSIGNMENTS IN ARGUMENTATION. 
 
 peopled as Old England. Wages will be as low, and will fluctuate 
 as much with you as with us. You will have your Manchesters 
 and Birminghams, and in those Manchesters and Birminghams 
 hundreds of thousands of artisans will assuredly be sometimes out 
 of work. Then your institutions will be fairly brought to the test. 
 Distress everywhere makes the laborer mutinous and discontented, 
 and inclines him to listen with eagerness to agitators who tell him 
 that it is a monstrous iniquity that one man should have a million, 
 while another cannot get a full meal. In bad years there is plenty 
 of grumbling here, and sometimes a little rioting. But it matters 
 little. For here the sufferers are not the rulers. The supreme power 
 is in the hands of a class, numerous indeed, but select ; of an educated 
 class ; of a class which is, and knows itself to be, deeply interested in 
 the security of property and the maintenance of order. Accordingly, 
 the malcontents are firmly yet gently restrained. The bad time 
 is gone over without robbing the wealthy to relieve the indigent. 
 The springs of national prosperity soon begin to flow again ; work 
 is plentiful, wages rise, and all is tranquillity and cheerfulness. I 
 have seen England pass three or four times through such critical 
 seasons as I have described. Through such seasons the United 
 States will have to pass in the course of the next century, if not of 
 this. How will you pass through them ? I heartily wish you a 
 good deliverance. But my reason and my wishes are at war, and 
 I cannot help foreboding the worst. It is quite plain that your 
 government will never be able to restrain a distressed and discon- 
 tented majority. For with you the majority is the government, 
 and has the rich, who are always a minority, absolutely at its 
 mercy. The day will come when in the State of New York, a 
 multitude of people, none of whom has had more than half a 
 breakfast, or expects to have more than half a dinner, will choose 
 a Legislature. Is it possible to doubt what sort of a Legislature 
 will be chosen ? On one side is a statesman preaching patience, 
 respect for vested rights, strict observance of public faith. On the 
 other is a demagogue ranting about the tyranny of capitalists and 
 usurers, and asking why anybody should be permitted to drink 
 champagne and to ride in a carriage, while thousands of honest 
 folks are in want of necessaries. Which of the two candidates is 
 likely to be preferred by a working-man who hears his children cry 
 for more bread ? I seriously apprehend that you will, in some 
 
ASSIGNMENTS IN ARGUMENTATION. 315 
 
 such season of adversity as I have described, do things which will 
 prevent prosperity from returning ; that you will act like people 
 who should in a year of scarcity devour all the seed-corn, and thus 
 make the next a year not of scarcity, but of absolute famine. 
 There will be, I fear, spoliation. The spoliation will increase the 
 distress. The distress will produce fresh spoliation. There is 
 nothing to stop you. Your constitution is all sail and no anchor. 
 As I said before, when a society has entered on this downward 
 progress, either civilization or liberty must perish. Either some 
 Caesar or Napoleon will seize the reins of government with a 
 strong hand, or your republic will be as fearfully plundered and 
 laid waste by barbarians in the twentieth century as the Roman 
 Empire was in the fifth ; with this difference, that the Huns and 
 Vandals who ravaged the Roman Empire came from without, and 
 that your Huns and Vandals will have been engendered within 
 your own country by your own institutions. Lord Macaulay, in 
 Trevelyan's Life and Letters of Macaulay, vol. 2, pp. 408-410. 
 7. (Section 95) Criticise the following briefs: 
 Standing armies are a real benefit to a nation. Because 
 
 (A) They inculcate national pride. For 
 
 I. Men, like brutes, glory in their might. For 
 (a) Combat determines the fittest. For 
 
 1. England conquered the Boer. 
 
 2. Russia triumphed over the Pole. 
 
 (B) They improve the morals of communities. For 
 
 I. The army is a refuge for an undesirable class. For 
 (a) New York raised a regiment of bowery " bouncers " 
 and " wharf rats." 
 
 (C) They are a commercial blessing. For 
 I. Armies consume home products. 
 
 H. Armies remove that awful surplus from the public treasury. 
 III. Armies consume the many home contributions that would 
 otherwise fatten foreign missionaries. 
 
 Labor-saving machines do not drive men out of work. 
 Introduction : 
 1. When there were no such machines 
 
 (a) Poor people were deprived of many luxuries. 
 
 (6) The laborer was more like a slave. 
 
316 ASSIGNMENTS IN ARGUMENTATION. 
 
 Discussion : 
 
 1. When machines were introduced 
 (a) The product became cheaper. 
 (6) More skilled men were required. 
 
 (c) On account of its cheapness the product was used for many 
 other purposes. 
 
 2. Men receive better pay for their work and work shorter hours, 
 (a) They are no longer slaves, but mechanics. 
 
 Conclusion : 
 
 It takes more men to build and run the machinery than it took 
 laborers before the machines were introduced. 
 
 Should cities own their own street railways ? 
 
 Introduction : 
 
 I. The following statements show that our system of street rail- 
 ways should be improved : 
 (.4) There is an insufficient number of cars run in most 
 
 cities. 
 
 (/?) As a result passengers often have to stand. 
 (C) Business in the crowded portions of cities is impaired. 
 II. These facts prove that cities should be well provided for in 
 
 the way of street cars. 
 (4) The lack of cars hinders city growth, inasmuch as 
 
 (1) Cities grow very rapidly in their suburbs. 
 
 (2) These suburbs cannot grow without a good line 
 
 of cars. 
 
 III. Since in order to prosper, cities must have an up-to-date 
 system of railways, the question is whether the cities them- 
 selves should own their own lines, or leave their control to 
 private corporations. 
 
 Brief Proper : 
 
 Cities should own their own street railways. For 
 I. It would not be an experiment. For 
 
 (.4) Municipal ownership has been in force not only in 
 European countries but throughout the United States 
 for half a century at least. 
 
ASSIGNMENTS IN ARGUMENTATION. 317 
 
 II. It has been successful in other countries. For 
 
 (A) In the majority of cases in Great Britain it has bene- 
 
 fited not only the body of ratepayers, but also the 
 tramway employees. 
 
 (5) It has proved efficient, economical, and satisfactory to 
 the people. 
 
 (C) In London municipalization has rapidly extended. 
 
 (D) In Glasgow it has bettered the condition of the laborer 
 
 inasmuch as 
 
 1. It has increased facilities. 
 
 2. It has bettered service. 
 
 3. It has raised wages and lowered fares. 
 
 III. Municipal ownership lowers fares. For 
 
 (J) In controlling its own system of transportation, the city 
 has its own interests at heart, and consequently can 
 afford to reduce the fares. 
 
 (B) When Glasgow took over the tramways, fares were re- 
 
 duced one-third and reductions have continued until 
 now the fare is one-half the average fare collected by 
 the private company half a dozen years ago. 
 
 (C) It aims at service for all. 
 
 IV. It would improve the condition of the people. For 
 
 (4) The profits of a public enterprise go to the people and 
 
 not into the pockets of a few. 
 (B) It would relieve communities from corrupting relations 
 
 with men of wealth. For 
 
 1. Under public operation they would have no interests 
 
 at stake except as taxpayers. 
 
 2. As taxpayers they would desire efficient administra- 
 
 tion. 
 V. It would purify the government. For 
 
 (A) It would stamp out public corruption. 
 
 (B) It would produce a more democratic spirit. For 
 
 1. All would work together to make it a success. 
 
 2. All would strive for the public safety. 
 
 3. More impartiality would be shown in the treatment 
 
 of passengers. 
 
 (C) It would indicate a common aim. For 
 1. All would aim for better service. 
 
318 ASSIGNMENTS IN ARGUMENTATION. 
 
 Refutation : 
 
 I. It is asserted that municipal ownership is a failure in Euro- 
 pean cities, but this is not true. For 
 
 (A) Statistics show that in Great Britain, Germany, Glas- 
 gow, and the most important countries it has been 
 highly successful. 
 (/?) In Great Britain and Ireland one hundred and forty-two 
 
 municipalities own their own street car lines. 
 n. It does not increase the debt of a community. For 
 
 (X) People would patronize a public enterprise more liber- 
 ally than a private one. For 
 
 1. It would be concerned with their interests. 
 
 2. It would cause wealth to be more evenly distributed. 
 
 For 
 
 (a) It would go to the public good and not into the 
 pockets of a few. 
 
 III. It does not stultify enterprise. For 
 (A ) It promotes ambition. For 
 
 1. It provides better service for all. 
 
 2. It keeps pace with the times. 
 
 IV. It would not place control in the hands of the city council. 
 
 For 
 (A) Corruption exists only where the means of temptation 
 
 exist. 
 
 (Z?) The municipal council would become largely an execu- 
 tive body. 
 (C) It would not have in its control valuable rights to grant 
 
 away. For 
 
 1. There would be nobody to bribe it. 
 V. It would not weaken the condition of the city. For 
 
 (A) It would produce better service. 
 
 (B) It would lower rates, and at the same time raise wages. 
 
 (C) It would regulate working hours according to a just 
 
 standard. 
 (Z>) It would purify the government in every respect. 
 
 Conclusion : 
 
 Since municipal ownership does not lower wages and raise taxes, 
 and since it would improve the condition of the people and purifv 
 
ASSIGNMENTS IN ARGUMENTATION. 319 
 
 our governments ; and since the objections that it has been a fail- 
 ure in Europe, that it would raise the debt of a community, would 
 stultify enterprise, and place control in the hands of the city coun- 
 cil are not true, cities should own their own street railways. 
 
 8. (Sections 96-106) What kinds of arguments are 
 used in the following briefs? 
 
 Judas was not a villain. Because 
 
 (A) His conduct was inconsistent with that of such a character. 
 For 
 I. Money, the only motive alleged, could not have been the 
 
 reason for his act. For 
 (a) As holder of the common purse he might have 
 
 stolen much, but did not. 
 
 (6) The bribe (thirty pieces) was too small in amount, 
 (c) He flung back the bribe after all. 
 (ZJ) His previous character must have been good. For 
 
 I. The Lord had selected him as one of the twelve. 
 II. Nothing is recorded of his previous life to warrant sus- 
 picion. 
 
 III. The Lord's statement at the Last Supper was a state- 
 ment of fact, not an accusation. 
 
 (C) The motive for betraying his Master was not that of a vil- 
 lain. For 
 I. He expected to compel his Lord to reveal his omnipotent 
 
 power when arrested. 
 II. He hanged himself, when his plan failed, from remorse 
 
 at its failure. For 
 (a) It could not have been from fear of man's law. 
 
 For 
 1. He had acted in accordance with the law of the 
 
 land. 
 
 (6) It could not have been from fear of divine ven- 
 geance. For 
 
 1. Hanging himself would put him immediately 
 
 in the way of receiving it. 
 
 2. Hanging himself committed him unreservedly 
 
 to the divine mercy. 
 
ASSIGNMENTS IN ARGUMENTATION. 
 
 3. Hanging himself was an acknowledgment of an 
 awful mistake of judgment, not of guilt. 
 
 The break between North and South was caused by 
 federal acts. Because 
 
 (A) By federal acts the South was excluded from access to the 
 
 common territory. For 
 
 I. By the Ordinance of 1787 it was excluded from the Old 
 
 Northwest. 
 II. By the Missouri Compromise it was excluded from 
 
 territory north of 36 30'. 
 
 III. By the Oregon Bill it was excluded from that terri- 
 
 tory. 
 
 IV. By the Mexican Treaty it was excluded from territory 
 
 thus acquired. 
 
 (B) Federal tariff and immigration bills were universally dic- 
 
 tated by northern interests and were hostile to the South. 
 
 (C) Federal, judicial, and executive decisions were uniformly 
 
 favorable to the North and hurtful to the South. 
 
 The product of an author s thought should receive inter- 
 national protection. Because 
 {A) All property should receive international protection. For 
 
 1. Property protection is a fundamental law of society. For 
 (a) A man has the right to protect his own property. 
 
 (6) He is entitled to protection from his government. 
 
 2. Some property now receives international protection. 
 
 (B) The product of an author's thought is property. For 
 
 1. It has value as the result of labor. 
 
 2. Every government recognizes it as such, of its own citizens. 
 
 (C) Other than international protection is insufficient. 
 
 1. The example of Uncle Tom's Cabin shows this to be so. 
 _'. The example of Bancroft's United States proves it. 
 
 9. (Sections 96-106) What kind of reasoning or argu- 
 ment is used in the following ? 
 
 (a) Great writers make poor husbands. Think of Burns, 
 Byron, Carlyle, and Shelley. 
 
ASSIGNMENTS IN ARGUMENTATION. 321 
 
 (6) I fear a storm. Last night the moon had a ring around it, 
 and to-night there is no moon. 
 
 (c) Of course he is a student. Didn't you notice his hat? 
 
 (rf) The man sitting next to me is having a hard time answer- 
 ing the examination questions. He bites his pencil ; he does not 
 write ; he looks steadily at the floor. 
 
 (e) The government already exercises a censorship over plays 
 with a view to morality. Why should it not oversee the construc- 
 tion of novels with a view to artistic construction? 
 
 (/) An engineer declares that a certain bridge must come 
 down. 
 
 (</) A merchant inspects a lot of goods and later buys them. 
 
 (h) A doctor is called in. 
 
 (i) A drover inspects and later buys a lot of cattle. 
 
 (y) A critic decides the personal character of Shakespeare from 
 his works. 
 
 (fc) A student has written a poor examination paper and proves 
 that he has received bad news from home just before examination 
 began, and that his work during the term has been good. 
 
 10. (Sections 96-106) What kind of reasoning is in- 
 volved in each of the following ? 
 
 (a) Soude'ry on his way to Paris with his sister was planning 
 with her a new novel. Stopping for the night at Aix, they went on 
 with the discussion in their room. Should they stab the hero or 
 poison him? One of the inn servants, overhearing, denounced 
 them to the police. The Scude'rys were arrested and imprisoned 
 and of course acquitted. 
 
 (b) Not so very long ago a safe expert was summoned from this 
 city all the way to Mexico, with his expenses paid, in order to 
 open a time lock safe in which the mechanism had stopped. He 
 travelled for six days and then went straight to the office in Mexico 
 City whither he had been summoned. He walked once around the 
 safe, ascertained the character of the lock, and then rigged up a 
 tripod and had the safe swung clear of the floor. He gave it a 
 
322 A88IGNMH\TS IN ARGUMENTATION. 
 
 gentle push, the clock began to tick, and the expert travelled back 
 to this city richer by a handsome fee. 
 
 (c) King Richard Lion-heart, wrecked off the coast of Dal- 
 matia on his return from Palestine, fell into the hands of Leopold 
 of Austria, whom he had mortally offended in the Holy Land. 
 Henry II bought him of Leopold, and kept him prisoner in the 
 castle of Trifels, for Richard was heir to the English throne. 
 Blondel the minstrel, his favorite, went in quest of him from castle 
 to castle all over Europe. At last, on some vague surmise, stopping 
 at the foot of the fortress rock of Trifels, Blondel began to sing a 
 lay that they two had composed together. From within a voice 
 finished the couplet. Richard was found. Not long afterward he 
 was ransomed. 
 
 (d) A humble beginning predicts unusual success in life. Jay 
 Gould was a book agent. Benjamin Franklin was a printer. 
 Hill began as s roustabout. Lincoln was a rail-splitter. John 
 Wanamaker began life at $1.25 a week. Edison was a telegraph 
 operator. Rockefeller worked in a machine shop. 
 
 11. (Sections 101-106) Name the arguments used in 
 the following. Reduce to syllogistic form. Suggest a 
 method of refutation. 
 
 (a) At one time during the civil war there was great dissatis- 
 faction throughout the north with certain generals in the union 
 army. Many of Lincoln's admirers were urging him to make 
 radical changes. But the President's ever ready argument was, 
 " It is not wise to swap horses in the middle of the stream." 
 
 (1)) In Yorkshire, England, some years ago a traveller, having 
 in his pocket certain marked coins, was attacked in the early 
 morning, murdered, and robbed. Later in the day coins of this 
 peculiar stamp were found on the person of a servant at an inn in 
 the vicinity. This servant was unable to account for his posses- 
 sion of the money and on this evidence was tried, convicted, and 
 hanged. 
 
 (c) " But how do you know," Aunt Susanna suspiciously asked, 
 " that he is such a artist when, as he says, he might mebbe be a 
 sharper V " 
 
ASSIGNMENTS IN ARGUMENTATION. 323 
 
 " I can tell a good bit by guess. He looks it so. It's plain 'at 
 him is one of these here drawin' fellers. He has such a painty 
 beard and his hair is near as long as us Amish wear ourn." 
 
 (d) " Caesar had his Brutus, Charles I. his Cromwell, and George 
 III. may profit by their example." 
 
 (6) The lioness nurseth her whelps, the raven cherisheth her 
 birds, the viper her brood, and shall a woman cast away her babe ? 
 
 (f ) It can safely be predicted that should the foolish " anti-tip " 
 law be enacted it will remain a dead letter and soon be utterly 
 forgotten . However, the tipping practice is not a crime, and the 
 criminal courts can employ their time much more profitably dis- 
 posing of murderers and highwaymen of which there is a super- 
 abundance than by wasting it on tipping cases. 
 
 (g) I have always found that the visits of bees are necessary 
 for the fertilization of some kinds of clover. For instance, twenty 
 heads of Dutch clover yielded 2290 seeds, but twenty other heads 
 protected from bees yielded not one. Again, 800 heads of red 
 clover produced 2700 seeds, but the same number of protected 
 heads produced not a single seed. 
 
 (h) No man has ever in this country accumulated by his own 
 labor as much as a half million dollars in a whole lifetime; no 
 man can do it now. Yet you see individuals owning ten millions, 
 twenty millions, even hundreds of millions of dollars each. You 
 see corporations owning as much or more. These vast fortunes 
 were not earned by the labor of those who own them ; they were 
 given to those who own them by legislation, by the enactment of 
 laws which so operated as to give to the few riches without labor, 
 and this is important to the many who do labor, because every 
 dollar so given by legislation to the few is a dollar that some other 
 man's labor has created, and a dollar that properly and naturally 
 belongs to the man who made it. Therefore, such legislation is 
 important to the laborer and the producer, and it is important 
 to the laborer or producer whether he call himself a Democrat or 
 a Republican, for the fruits of Republican labor as well as the 
 fruits of Democratic labor are taken by legislation to swell the 
 fortunes of the trust managers. 
 
ASSIGNMENTS IN ARGUMENTATION. 
 
 (i) Men who undertake considerable things, even in a regular 
 way ought to give us ground to presume ability. But the physi- 
 cian of the state, who, not satisfied with the cure of distempers, 
 undertakes to regulate constitutions, ought to show uncommon 
 powers. 
 
 (j) It has become fashionable of late to relate the small weak- 
 nesses, and in some instances the large, as seen in conspicuous char- 
 acters. Parton has given us the unfavorable side of Hamilton ; 
 Burr has been a particular mark to aim at; Washington has not 
 escaped ; and we are now to have such a portraiture of Franklin. 
 
 (k) No body can be healthful without exercise, neither natural 
 body nor politic ; and certainly to a kingdom or estate, a just and 
 honorable war is true exercise. A civil war, indeed, is like the 
 heat of a fever, but a foreign war is like the heat of exercise, and 
 serveth to keep the body in health. 
 
 (1) They fired, for there was nothing else to do but fire. The 
 very way in which they fired, a few scattering shots and then a 
 volley, shows vividly how they waited and waited, loath to use 
 the last force until they were absolutely compelled to do so. Had 
 they not fired, no one can say what might have happened. We 
 can only point to the example of the great strike in Pittsburg in 
 1885. There the militia weakly hesitated to fire, and their hesi- 
 tation cost some of them their lives and lost them control of the 
 city. They were driven out by the rioters, and before law and 
 order could be restored by the regular troops ten million dollars' 
 worth of property had been destroyed by pillage and arson. 
 
 12. (Sections 101, 106} What fallacy is pointed out 
 in the following? How is it refuted? 
 
 (a) Language, then, is the spoken means whereby thought is 
 communicated, and it is only that. Language is not thought, nor 
 is thought language ; nor is there a mysterious and indissoluble 
 connection between the two, as there is between soul and body, so 
 that the one cannot exist and manifest itself without the other. 
 There can hardly be a greater and more pernicious error, in lin- 
 guistics or in metaphysics, than the doctrine that language and 
 thought are identical. It is, unfortunately, an error often com- 
 
ASSIGNMENTS IN ARGUMENTATION. 325 
 
 mitted, both by linguists and by metaphysicians. " Man speaks 
 because he thinks" is the dictum out of which more than one 
 scholar has proceeded to develop his system of linguistic philoso- 
 phy. The assertion, indeed, is not only true , but a truism ; no 
 one can presume to claim that man would speak if he did not 
 think : but no fair logical process can derive any momentous con- 
 clusions from so loose a premise. So man would not wear clothes 
 if he had not a body ; he would not build "spinning mules and 
 jennies if cotton did not grow on bushes, or wool on sheep's backs : 
 yet the body is more than raiment, nor do cotton bushes and sheep 
 necessitate wheels and water power. The body would be neither 
 comfortable nor comely, if not clad ; cotton and wool would be of 
 little use, but for machinery making quick and cheap their con- 
 version into cloth ; and, in a truly analogous way, thought would 
 be awkward, feeble, and indistinct, without the dress, the appa- 
 ratus, which is afforded it in language. Our denial of the identity 
 of thought with its expression does not compel us to abate one 
 jot or tittle of the exceeding value of speech to thought ; it only 
 puts that value upon its proper basis. Whitney : Language and 
 the Study of Language. 
 
 (b) For my part I have never been able to understand what is 
 meant by a double standard or double measure of value. It seems 
 as absurd as to insist upon having two yardsticks of different 
 lengths or two gallons of different dimensions. If there were two 
 standards, or measures, not equal in value, it is evident that one 
 of them must be a false measure ; and if they were of equal value, 
 it is evident that no matter what the law might declare, there 
 would be in fact but one measure, although composed of two dif- 
 ferent kinds of material. 
 
 John G. Carlisle : Monometallism or Bimetallism. 
 
 13. (Sections 101, 106} Can you find any fault with 
 the logic of the following ? 
 
 (a) Buy a ticket to the Charity Ball; the poor ought to be 
 relieved. 
 
 (6) Every child should have a regular allowance of pocket- 
 money, so as to learn the value of money. 
 
326 ASSIGNMENTS IN ARGUMENTATION. 
 
 (c) There must be some truth in the old myths ; otherwise it 
 would be wrong to talk as we do to children about Santa Claus. 
 
 (d) A man preaching against baptism by immersion quoted the 
 verse : " And he received his sight forthwith and arose and was 
 baptized " and asked how a man could be immersed stand- 
 ing up. 
 
 (e) Everybody should take a course in manual training ; for 
 its value is universally admitted. 
 
 (/) Vote my party ticket, for the principles of the party are 
 sound, for the platform was written by some of the best men in 
 this country. 
 
 (g) You should not patronize a private school, for the public 
 schools are a great blessing. 
 
 (A) This measure should be defeated. It is a new thing and 
 unheard of in these parts. 
 
 (i) Love of virtue is innate in all men, otherwise it would not 
 be so universal as it is. 
 
 (j) He did not speak to me as we passed : he must be offended. 
 
 () This man must be unhealthy ; for he is not an athlete ; and 
 all athletes are healthy. 
 
 (/) Ignorance breeds crime because everybody knows that 
 many ignorant people are in prison. 
 
 (m) Every religion has some truth in it ; otherwise laws secur- 
 ing freedom of religious belief and worship would never have been 
 adopted in civilized countries. 
 
 (n) In order to see whether the execution of Charles was just, 
 we must decide upon the conditions necessary to make his, or any 
 other, execution just. Certainly the first requirement is that the 
 accused shall have voluntarily committed a crime legally worthy 
 of death. . . . The oppressions and tyrannies of Charles cer- 
 tainly prepared the people for war by arousing a general bad 
 feeling against the king. He precipitated the war by his own 
 rash deed. Thus the war was caused both directly and indirectly 
 by his voluntary acts. Now it will be admitted that if any man 
 voluntarily brings on a fight with another man, against the wish 
 of the second man, and if the first then kills the second, he must 
 be held guilty of murder. This is exactly what Charles did, 
 
ASSIGNMENTS IN ABGUMENTATION. 327 
 
 except on a larger scale, to those soldiers of Parliament who were 
 killed in the war. Therefore, Charles committed murder nay, 
 wholesale murder. Now murder was, and is, a crime worthy of 
 death in the eyes of the law. Thus the first requirement for a just 
 execution was fulfilled. 
 
 (0) The university should have its medical department in 
 another city. (By reductio ad absurdum.) 
 
 (p) The United States should control the Panama Canal. 
 Because 
 
 A . We must build it or it will not be built. 
 
 B. We must extend our commerce in the Pacific. 
 
 C. Our interests will suffer if any other nation owns it. 
 (g) The situation of this country is alarming enough to arouse 
 
 the attention of every man who pretends to a concern for the pub- 
 lic welfare. Appearances justify suspicions, and when the safety 
 of a nation is at stake, suspicion is a just ground of inquiry. 
 
 14. (Sections 101, 106) Make a brief and argument on 
 one of the propositions in Appendix C. 
 
 15. (Sections 101 t 106) What is the precise question 
 at issue in each of the following discussions ? Does one ar- 
 gument touch the other at any point ? Write a refutation 
 of either one. 
 
 (a) Why is it that the advocates of radical reform in the spell- 
 ing of English make so little progress in securing the adoption of 
 a simpler and more natural method ? It can hardly be denied that 
 they have the best of the argument, in the somewhat rare cases in 
 which serious argument is attempted in support of the present il- 
 logical and often whimsical forms. The defence has sometimes 
 been based on the obliteration of etymological clews which would 
 be the effect of the adoption of a purely phonetic system, and this 
 is perhaps the argument which is generally most relied on by op- 
 ponents of change. It is one which appeals more powerfully than 
 any other to the scholarly classes. But it is easy to show that the 
 present orthography of our English words is in very many cases 
 utterly unreliable and often positively misleading as a guide to 
 their derivation, a fact which seriously weakens, though it does not 
 
ASSIGNMENTS IN ARGUMENTATION. 
 
 by any means destroy the force of the etymological plea. In fact, 
 in the eyes of those who attach great importance to derivation, not 
 only as a guide to exact definition and usage, but as a valuable aid 
 in historical research, the objection above noted would indicate the 
 necessity of a spelling reform of a radically different Hind, with a 
 view to the correction of the mistakes which have resulted from 
 the ignorance of early writers and lexicographers. There are of 
 course various other objections with which the advocates of pho- 
 netic spelling are from time to time confronted, such as the effect 
 which the change they propose would have in rendering the litera- 
 ture of to-day and preceding centuries as unreadable as if written 
 in an unknown tongue to succeeding generations. 
 
 But we do not remember to have seen stated though very 
 likely this is because we have not read extensively in regard to the 
 controversy what seems to us to be without doubt the chief, 
 though perhaps undefined, obstacle to the adoption of the reform. 
 Is it not the fact that to readers the conception conveyed by the 
 written word is formed through the medium of the eye rather than 
 the ear, and so is associated with the form rather than the sound 
 of the printed word ? The weight of etymology as well as logic 
 may be on the side of rime, iland, etc. But none the less the 
 mind which has become accustomed to associate the ideas for 
 which the printed symbols stand with the forms rhyme, island, etc., 
 will not, without a distinct and troublesome effort, learn to connect 
 those ideas with the former as it now does without conscious effort 
 with the latter. The arguments of the spelling reformers seem to 
 be generally based on the assumption that the chief use of the 
 written forms is to represent the sounds of the spoken language, 
 whereas it is doubtful whether the practised reader translates the 
 symbols into sounds at all. To him the written or printed char- 
 acter becomes the sign, not of a sound, but of an idea. This may 
 constitute a selfish and quite insufficient reason for opposing a 
 change which has so much to be said in its favor, but it none the 
 less may explain the fact that the majority so doggedly adhere to 
 the old system. Even a scholar finds it a formidable task to read 
 understandingly an article written according to any of the phonetic 
 methods. May he not be excused if he shrinks from the task of 
 having to learn his native language over again, so far as its use in 
 reading and writing is concerned? The reform will no doubt 
 
ASSIGNMENTS IN ARGUMENTATION. 329 
 
 corne in time, but like all linguistic changes, it will be by slow 
 and almost imperceptible degrees. 
 
 (b) The English language is on the way, as many believe, to 
 become an international language. For this destiny it is pecul- 
 iarly fitted by its cosmopolitan vocabulary and its grammatic sim- 
 plicity. It is much easier to learn than any highly inflected 
 language can be, and it has the immense advantage over any 
 invented language that it is the organ of a noble literature and 
 of a civilization already widely diffused in all parts of the earth. 
 There is, however, a widespread and well-grounded conviction, 
 that in its progress our language is hampered by one thing its 
 intricate and disordered spelling, which makes it a puzzle to the 
 stranger within our gates and a mystery to the stranger beyond 
 the seas. English is easy and infinitely adaptable; its spelling is 
 difficult and cumbersome. 
 
 Our intricate and disordered spelling also places a direct bur- 
 den upon every native user of English. It wastes a large part of 
 the time and effort given to the instruction of our children, keep- 
 ing them, for example, from one to two years behind the school 
 children of Germany, and condemning many of them to alleged 
 " illiteracy " all their days. Moreover, the printing, typewriting, 
 and handwriting of the useless letters which encumber our spell- 
 ing, wastes every year millions of dollars, and time and effort 
 worth millions more. If, then, the reasonable and gradual simpli- 
 fication of our spelling will aid the spread of English, with the 
 attendant advancement of commerce, of democratic ideals, and of 
 intellectual and political freedom ; will economize the time of our 
 school children and make their work more efficient ; and will in 
 other ways economize both time and money, is it not a matter 
 which appeals to common sense, to patriotism, and to philanthropy ? 
 
 Some of those who would like to see our spelling made simpler, 
 fear that this will obscure the derivation of words; but all ety- 
 mologists deny the statement and repudiate the argument Ety- 
 mology is history, and is now secure in innumerable books. Some 
 object to any change, not realizing that change much of it sim- 
 plification has been almost continuous in the history of English 
 spelling. We do not print Shakespeare's or Bacon's words as they 
 were written ; and surely no great catastrophe to English litera- 
 
330 ASSIGNMENTS IN ARGUMENTATION. 
 
 ture or to the literary character of the language will have hap- 
 pened if our successors find as they certainly will as great or 
 greater differences between their spelling and that of the present 
 day. In familiar correspondence, and in the public prints, many 
 simplified forms are now used which shock no one's nerves, and in 
 the most emotional poetry forms such as dropt, slept, prest (Tenny- 
 son, Lowell, Swinburne, and other poets) are printed without at- 
 tracting attention. In fact, it is probable that if all English words 
 were printed to-morrow in the simpler forms which they unques- 
 tionably will bear a hundred years hence, it would take a very 
 little while for us all to become accustomed to them. Circular of 
 the Simplified Spelling Board. 
 
 16. (Sections 101, 106) Wherein is the reasoning of 
 the following paragraph defective ? Write a brief refutation 
 of it. 
 
 I will take a step further and say that this boasted uniformity 
 of the laws of nature, even apart from miraculous interferences is 
 very far from being what unbelievers commonly affirm. It is a 
 law of nature, for instance, that water runs downhill ; but it ran 
 uphill at a terrific rate in Galveston the other day. It is a law of 
 nature that gravitation draws everything toward the earth ; but it 
 causes water to stand in perpendicular columns in our pumps, and 
 it sends the balloon, which has to be held down with strong ropes, 
 up above the clouds when its ropes are cut It is a law of nature, 
 that what we call cold contracts all substances affected by it ; but it 
 causes water at the freezing point to expand. It is a law of nature, 
 that heat softens and expands objects that are heated; but it 
 causes clay to harden and contract. Many such illustrations might 
 be given ; and if our knowledge of nature were complete, we might 
 find that there is no law of the material universe that does not 
 sometimes reverse its action. 
 
 17. (Sections 101 } 106) Complete the following argu- 
 ment : 
 
 The military or strategic value of a "naval position depends upon 
 its situation, upon its strength, and upon its resources. Of the 
 three, the first is of most consequence, because it results from the 
 
ASSIGNMENTS IN AEG U MENTATION. 331 
 
 nature of things; whereas the two latter, when deficient, can be 
 artificially supplied, in whole or in part. Fortifications remedy 
 the weaknesses of a position, foresight accumulates beforehand the 
 resources which nature does not yield on the spot ; but it is not 
 within the power of man to change the geographical situation of a 
 point which lies outside the limit of strategic effect. It is instruc- 
 tive, and yet apparent to the most superficial reading, to notice 
 how the first Napoleon, in commenting upon a region likely to be 
 the scene of war, begins by considering the most conspicuous natural 
 features, and then enumerates the commanding positions, their 
 distances from each other, the relative directions, or, as the sea 
 phrase is, their " bearings," and the particular facilities each offers 
 for operations of war. This furnishes the ground plan, the skeleton, 
 detached from confusing secondary considerations, and from which 
 a clear estimate of the decisive points can be made. The number 
 of such points varies greatly, according to the character of the 
 region. In a mountainous, broken country they may be very 
 many ; whereas in a plain devoid of natural obstacles there may 
 be few or none save those created by man. If few, the value of 
 each is necessarily greater than if many, and if there be but 
 one its importance is not only unique, but extreme measured 
 only by the size of the field over which its unshared influence 
 extends. 
 
 The sea, until it approaches the land, realizes the ideal of a vast 
 plain unbroken by obstacles. On the sea, says an eminent French 
 tactician, there is no field of battle ; meaning that there is none of 
 the natural conditions which determine, and often fetter, the 
 movements of the general. But upon a plain, however flat and 
 monotonous, causes, possibly slight, determine the concentration 
 of population into towns and villages, and the necessary communi- 
 cations between the centres create roads. Where the latter con- 
 verge, or cross, tenure confers command, depending for importance 
 upon the number of routes thus meeting and upon their individual 
 value. It is just so at sea. While in itself the ocean opposes no 
 obstacle to a vessel taking any one of the numerous routes that 
 can be traced upon the surface of the globe between two points, 
 conditions of distance or convenience, of traffic or of wind, do 
 prescribe certain usual courses. Where these pass near an ocean 
 position, still more where they use it, it has an influence over them, 
 
332 ASSIGNMENTS IN ARGUMENTATION. 
 
 and where several routes cross near by that influence becomes very 
 great is commanding. 
 
 Let us now apply these considerations to the Hawaiian group. 
 
 18. Do you think the following is a fair estimate of the 
 effect of the study of science upon the human spirit ? If 
 not, state your view precisely, and support it by arguments. 
 
 Science as it is studied and taught by the moderns is the death 
 of sentiment and of gentle illusions. With it the life of the spirit 
 is straitened. Everything is reduced to fixed rules, and even the 
 sublime beauties of Nature disappear. It is science that destroys 
 the marvellous in the arts as well as faith in the soul. Science tells 
 us that all is a lie, and seeks to express everything in ciphers and 
 lines, not only the sea and the land where we are, but also the 
 highest Heaven where God is. The wonderful yearnings of the 
 soul are only a kind of mystic ecstasy. The very inspiration of 
 the poets is a delusion. The heart is a sponge, the brain only a 
 nest of maggots. Galdds : Dona Perfecta. 
 
APPENDIX A. 
 
 SELECTIONS FOR ANALYSIS AND CRITICISM. 
 Isolated Paragraphs. 
 
 1. It is the making of the wax that costs with the bee. As 
 with the poet, the form, the receptacle, gives him more trouble 
 than the sweet that fills it, though, to be sure, there is always more 
 or less empty comb in both cases. The honey he can have for the 
 gathering, but the wax he must make himself must evolve from 
 his own inner consciousness. When wax is to be made the wax- 
 makers fill themselves with honey and retire into their chamber 
 for private meditation ; it is like some solemn religious rite ; they 
 take hold of hands, or hook themselves together in long lines that 
 hang in festoons from the top of the hive, and wait for the miracle 
 to transpire. After about twenty-four hours their patience is re- 
 warded, the honey is turned into wax, minute scales of which are 
 secreted from between the rings of the abdomen of each bee ; this 
 is taken off and from it the comb is built up. It is calculated that 
 about twenty-five pounds of honey are used in elaborating one 
 pound of comb, to say nothing of the time that is lost. Hence the 
 importance, in an economical point of view, of a recent device by 
 which the honey is extracted and the comb returned intact to the 
 bees. But honey without the comb is the perfume without the 
 rose, it is sweet merely, and soon degenerates into candy. Half 
 the delectableness is in breaking down these frail and exquisite 
 walls yourself, and tasting the nectar before it has lost its freshness 
 by the contact with the air. Then the comb is a sort of shield or 
 foil that prevents the tongue from being overwhelmed by the 
 shock of the sweet. Burroughs : Birds and Bees. 
 
 2. Some time, wandering in a thinned wood, you may have 
 happened upon an old vine, the seed of which had long ago been 
 
 333 
 
334 ISOLATED PARAGRAPHS 
 
 dropped and had sprouted in an open spot where there was no 
 timber. Every May, in response to Nature's joyful bidding that 
 it yet shall rise, the vine has loosed the thousand tendrils of its 
 hope, those long, green, delicate fingers searching the empty air. 
 Every December you may see these turned stiff and brown, and 
 wound about themselves like spirals or knotted like the claw of a 
 frozen bird. Year after year the vine has grown only at the head, 
 remaining empty-handed ; and the head itself, not being lifted 
 always higher by anything the hands have seized, has but moved 
 hither and thither, back and forth, like the head of a wounded 
 snake in a path. Thus every summer you may see the vine, fallen 
 back and coiled upon itself, and piled up before you like a low 
 green mound, its own tomb; in winter a black heap, its own ruins. 
 So, it often is with the poorest, who live on at the head, remaining 
 empty-handed ; fallen in and coiled back upon themselves, their 
 own inescapable tombs, their own unavertible ruins. Allen : The 
 Choir Invisible. 
 
 3. The old conditions of travel and the new conditions of 
 most travel of to-day are precisely opposite. For in old travel, as 
 on horseback or on foot now, you saw the country while you 
 travelled. Many of your stopping-places were for rest, or because 
 night had fallen, and you could see nothing at night. Under the 
 old system, therefore, an intelligent traveller might keep in mo- 
 tion from day to day, slowly, indeed, but seeing something all the 
 time, and learning what the country was through which he passed 
 by talk with the people. But in the new system, he is shut up 
 with his party and a good many other parties in a tight box with 
 glass windows, and whirled on through dust if it be dusty, or rain 
 if it be rainy, under arrangements which make it impossible to 
 converse with the people of the country, and almost impossible to 
 see what that country is. E. E. Hale : How to Do It. 
 
 4. The vast results obtained by science are won by no mysti- 
 cal faculties, by no mental processes, other than those which are 
 practised by every one of us in the humblest and meanest affairs 
 of life. A detective policeman discovers a burglar from the marks 
 made by his shoe, by a mental process identical with that by which 
 Cuvier restored the extinct animals of Montmartre from fragments 
 of their bones. Nor does that process of induction and deduction. 
 
FOB ANALYSIS AND CRITICISM. 335 
 
 by which a lady, finding a stain of a particular kind upon her 
 dress, concludes that somebody has upset the inkstand thereon, 
 differ in any way from that by which Adams and Leverrier dis- 
 covered a new planet. The man of science, in fact, simply uses 
 with scrupulous exactness the methods which we all habitu- 
 ally and at every moment use carelessly. Huxley: Lay Sermons. 
 
 5. After a while she ventured to the top of the gangway 
 stairs, and stood there, looking at the novel sights of the harbor, 
 in the red sunset light, which rose slowly from the hulls and lower 
 spars of the shipping, and kindled the tips of the high-shooting 
 masts with a quickly fading splendor. A delicate flush responded 
 in the east, and rose to meet the denser crimson of the west; a 
 few clouds, incomparably light and diaphanous, bathed them- 
 selves in the glow. It was a summer sunset, portending for the 
 land a morrow of great heat. But cool airs crept along the water, 
 and the ferry-boats, thrust shuttlewise back and forth between 
 either shore, made a refreshing sound as they crushed a broad 
 course to foam with their paddles. People were pulling about in 
 small boats ; from some the gay cries and laughter of young girls 
 struck sharply along the tide. The noise of the quiescent city 
 came off in a sort of dull moan. The lamps began to twinkle in 
 the windows and the streets on shore ; the lanterns of the ships at 
 anchor in the stream showed redder and redder as the twilight 
 fell. The homesickness began to mount from Lydia's heart in a 
 choking lump to her throat ; for one must be very happy to en- 
 dure the sights and sounds of the summer evening anywhere. 
 She had to shield her eyes from the brilliancy of the kerosene 
 light when she went below into the cabin. Howells: Lady of 
 the Aroostook. 
 
 6. I am told that the matchless writing of Macaulay is nowadays 
 jeered at. I am not sure whether it is allowed to be " style " ; I 
 am not sure whether it is allowed to be " literature." 1 have now 
 and then made some efforts to find out what " style " and " litera- 
 ture " are. I find that they are something very different from 
 Macaulay, something very different from Arnold, something, 
 I might go on to say, very different from Gibbon. I have 
 tried the writings of a notable " stylist," the great living 
 model, I am told, of style. Now, did anybody ever have to 
 
336 ISOLATED PARAGRAPHS 
 
 read over a sentence of Macaulay, or of Arnold, or even of the 
 artificial Gibbon, a second time simply in order to find out its 
 meaning ? But I found that in my " stylist " a plain man could 
 not make out the meaning of a single sentence without greater 
 pains than are needed to follow an imperfectly known foreign lan- 
 guage. A story seemed to be told ; but there was no making out 
 whether the story was meant to be fact or fiction. I will not say 
 that I have imitated Macaulay's style, because I gather from what 
 I saw of my " stylist " that Macaulay has no " style." I have not 
 consciously imitated his manner of writing; that is, I have not 
 tried to write like him. Yet Macaulay's manner of writing has 
 been in the highest measure an influence with me. I have learned 
 from him to say what I mean and to mean what I say to cut my 
 sentences short not to be afraid of repeating the same word, not 
 to talk about " the former " and " the latter," but to call men and 
 things whatever they are. I have learned from him to say what I 
 have to say in the purest, the cleanest, the strongest, aye, and the 
 most rhythmical English that I can muster. If my " stylist " is 
 "style" and Lord Macaulay is not "style," a man who wishes to 
 understand will say something more than " scepe stylum vertas "; he 
 will say good-by to "style " and stick to plain English. 
 
 Edward A. Freeman, Forum, April, 1892. 
 
 7. I have before alluded to the strange and vain supposition, 
 that the original conception of Gothic architecture had been de- 
 rived from vegetation, from the symmetry of avenues, and the 
 interlacing of branches. It is a supposition which never could 
 have existed for a moment in the mind of any person acquainted 
 with early Gothic ; but, however idle as a theory, it is most valu- 
 able as a testimony to the character of the perfected style. It is 
 precisely because the reverse of this theory is the fact, because the 
 Gothic did not arise out of, but developed itself into, a resemblance 
 to vegetation, that this resemblance is so instructive as an indica- 
 tion of the temper of the builders. It was no chance suggestion of 
 the form of an arch from the bending of a bough, but a gradual 
 and continual discovery of a beauty in natural forms which could 
 be more and more perfectly transferred into those of stone, that in- 
 fluenced at once the heart of the people, and the form of the edi- 
 fice. The Gothic architecture arose in massy and mountainous 
 
FOR ANALYSIS AND CRITICISM. 337 
 
 strength, axe-hewn, and iron-bound, block heaved upon block by 
 the monk's enthusiasm and the soldier's force; and cramped and 
 stanchioned into such weight of grisly wall, as might bury the 
 anchoret in darkness, and beat back the utmost storm of battle, 
 suffering but by the same narrow crosslet the passing of the sun- 
 beam, or of the arrow. Gradually, as that monkish enthusiasm 
 became more thoughtful, and as the sound of war became more 
 and more intermittent beyond the gates of the convent or the keep, 
 the stony pillar grew slender and the vaulted roof grew light, till 
 they had wreathed themselves into the semblance of the summer 
 woods at their fairest; and of the dead field-flowers, long 
 trodden down in blood, sweet monumental statues were set to 
 bloom forever, beneath the porch of the temple, or the canopy 
 of the tomb. Ruskin : The Stones of Venice. 
 
 8. The poet, the orator, bred in the woods, whose senses have 
 been nourished by their fair and appeasing changes, year after 
 year, without design and without heed shall not lose their lesson 
 altogether, in the roar of cities or the broil of politics. Long here- 
 after, amidst agitation and terror in national councils in the 
 hour of revolution these solid images shall reappear in their 
 morning lustre, as fit symbols and words of the thoughts which the 
 passing events shall awaken. At the call of a noble sentiment, 
 again the woods wave, the pines murmur, the river rolls and shines, 
 and the cattle low upon the mountains, as he saw and heard them in 
 his infancy. And with these forms, the spells of persuasion, the 
 keys of power are put into his hands. Emerson : Nature. 
 
 9. The battle of Actium was followed by the final conquest of 
 Egypt. That conquest rounded and integrated the glorious em- 
 pire ; it was now circular as a shield, orbicular as the disk of a 
 planet ; the great Julian arch was now locked into the cohesion of 
 granite by its last keystone. From that day forward for three 
 hundred years, there was silence in the world ; no muttering was 
 heard; no eye winked beneath the wing. Winds of hostility 
 might still rave at intervals; but it was on the outside of the 
 mighty empire; it was at a dreamlike distance; and, like the 
 storms that beat against some monumental castle, " and at the doors 
 
338 ISOLATED PARAGRAPHS 
 
 and windows seem to call," they rather irritated and vivified the 
 sense of security, than at all disturbed its luxurious lull. 
 
 De Quincey : The Philosophy of Roman History. 
 
 10 There are two methods by which, given men and arms, 
 an army may be created : one is by the tedious process of daily 
 drill, continued until the soldier becomes a machine and obedience 
 a habit; the other is by the leadership of one in whom every 
 soldier has an unfaltering confidence. The one requires time 
 the other, a MAN. 
 
 11. If we confine our attention to the graphic and plastic arts, 
 and leave, for the present, music and architecture out of the ques- 
 tion, we find that there are two elements in them : the representa- 
 tion of nature and the action of human genius. Exactness in the 
 representation of nature is what is called "truth" in art, and hu- 
 man genius manifests itself by the powers of invention and execu- 
 tion, both of which are incompatible with complete and absolute 
 fidelity in the representation of nature. The best way to under- 
 stand truth in art is to suppose it generally prevalent above all 
 other qualities, so predominant as to stifle or exclude them. This 
 would happen in the art of painting if it always realized Mr. Rus- 
 kin's last ideal of perfection. The best picture, according to the 
 most ultimate declarations of his opinion, is that which most 
 nearly resembles the reflection of nature in a mirror. It would 
 then follow that art would be simply nature with inferior power of 
 illumination, and the works of different artists would resemble 
 each other as closely as do reflections of the same face in the dif- 
 ferent mirrors in a drawing-room. All the interest of individual 
 interpretation would be at an end, and in exchange for it we should 
 have something like the veracity of perfectly colored photographs, 
 in which the defects of ordinary photography would be corrected 
 by an eye as faithful in color as photography is in form. After 
 the general attainment of such an ideal as this, all art might 
 reasonably be anonymous, as the authorship of pictures would be 
 past recognition. It would signify nothing to any one whether a 
 Titian or a Rubens had applied the color to a canvas if both mas- 
 ters had precisely the same qualities, and indeed the total destruc- 
 tion of all previous art would be but a trifling loss if the well- 
 
FOR ANALYSIS AND CRITICISM. 339 
 
 trained craftsmen of the future could replace its truth with an 
 equally absolute veracity. We do not regret the loss of water that 
 has flowed away when the springs of it are limpid and perennial. 
 P. G. Hamerton: Contemporary Review, September, 1893. 
 
 12. The thud, thud of a horse's hoof does not alarm fish. 
 Basking in the sun under the bank, a jack or pike lying close to 
 the surface of the water will remain unmoved, however heavy 
 the sound may be. The vibrations reach the fish in several ways. 
 There is what we should ourselves call the noise as conveyed by 
 the air, and which in the case of a jack actually at the surface may 
 be supposed to reach him direct. Next there is the vibration pass- 
 ing through the water, which is usually pronounced to be a good 
 medium. Lastly, there is the bodily movement of the substance 
 of the water. When the bank is hard and dry this latter amounts 
 only to a slight shaking, but it frequently happens that the side 
 of a brook or pond is soft, and " gives " under a heavy weight. 
 Sometimes the edge is even pushed into the water, and the brook 
 in a manner squeezed. You can see this when cattle walk by the 
 margin ; the grassy edge is pushed out, and in a minute way they 
 may be said to contract the stream. It is in too small a degree to 
 have the least apparent effect upon the water, but it is different 
 with the sense of hearing, which is so delicate that the bodily 
 movement thus caused may be reasonably believed to be very 
 audible indeed to the jack. The wire fences which are now so 
 much used round shrubberies and across parks give a very good 
 illustration of the conveyance of sound. Strung tight by a span- 
 ner, the strands of twisted wire resemble a stringed instrument. 
 If you place your hand on one of the wires and get a friend to 
 strike it with his stick, say, thirty or forty yards away, you will 
 distinctly feel it vibrate. If the ear is held close enough you will 
 hear it, vibration and sound being practically convertible terms. 
 To the basking jack three such wires extend, and when the cart- 
 horse in the meadow puts down his heavy hoof he strikes them 
 all at once. Yet, though fish are so sensitive to sound, the jack is 
 not in the least alarmed, and there can be little doubt that he 
 knows what it is. A whole herd of cattle feeding and walking 
 about does not disturb him, but if the light step light in com- 
 parison of a man approach, away he goes. Poachers, therefore, 
 
340 ISOLATED PARAGRAPHS 
 
 unable to disguise their footsteps, endeavor to conceal them, and 
 by moving slowly to avoid vibrating the earth, and through it the 
 the water. Richard Jeff eries : The Life of the Fields. 
 
 13. I looked at the burning ship. . . . Between the darkness 
 of earth and heaven she was burning fiercely upon a disk of purple 
 sea shot by the blood-red play of gleams ; upon a disk of water 
 glittering and sinister. A high, clear flame, an immense and lonely 
 flame, ascended from the ocean, and from its summit the black 
 smoke poured continuously at the sky. She burned furiously, 
 mournful and imposing like a funeral pile kindled in the night, 
 surrounded by the sea, watched over by the stars. A magnificent 
 death had come like a grace, like a gift, like a reward to that old 
 ship at the end of her laboring days. The surrender of her weary 
 ghost to the keeping of stars and sea was stirring like the sight 
 of a glorious triumph. The masts fell just before daybreak, and 
 for a moment there was a burst and turmoil of sparks that 
 seemed to fill with flying fire the night, patient and watchful, 
 the vast night lying silent upon the sea. At daybreak she was 
 only a charred shell, floating still under a cloud of smoke and 
 bearing a glowing mass of coal within. Joseph Conrad: Youth. 
 
 14. The river was swollen with the long rains. From Vaden- 
 court all the way to Origny it ran with ever quickening speed, tak- 
 ing fresh heart* at each. mile, and racing as though it already smelt 
 the sea. The water was yellow and turbulent, swung with an angry 
 eddy among half-submerged willows, and made an angry clatter 
 along stony shores. The course kept turning and turning in a 
 narrow and well-timbered valley. Now the river would approach 
 the side, and run gliding along the chalky base of the hill, and 
 show us a few open colza fields among the trees. Now it would 
 skirt the garden walls of houses, where we might catch a glimpse 
 through a doorway, and see a priest pacing in the checkered sun- 
 light. Again, the foliage closed so thickly in front that there 
 seemed to be no issue; only a thicket of willows overtopped by 
 elms and poplars, under which the river ran flush and fleet, and 
 where a kingfisher flew past like a piece of the blue sky. On these 
 different manifestations the sun poured its clear and catholic looks. 
 The shadows lay as solid on the swift surface of the stream as on 
 the stable meadows. The light sparkled golden in the dancing 
 
FOB ANALYSIS AND CRITICISM. 341 
 
 poplar leaves, and brought the hills into communion with our 
 eyes. And all the while the river never stopped running or took 
 breath ; and the reeds along the whole valley stood shivering from 
 top to toe. R. L. Stevenson : An Inland Voyage. 
 
 15. And in awhile the dominant course of the river itself, 
 the animation of its steady downward flow, even amid the sand- 
 shoals and whispering islets of the dry season, bore his thoughts 
 beyond it, in a sudden, irresistible appetite for the sea ; and he de- 
 termined, varying slightly from the described route, to reach his 
 destination by way of the coast. From Nantes he descended im- 
 perceptibly along tall hedge-rows of acacia, till on a sudden, with 
 a novel freshness in the air, through a low archway of laden fruit 
 trees it was visible sand, sea, and sky, in three quiet spaces, line 
 upon line. The features of the landscape changed again, and the 
 gardens, the rich orchards, gave way to bare, grassy undulations ; 
 only the open sandy spaces presented their own native flora, for the 
 fine silex seemed to have crept into the tall, wiry stalks of the 
 ixias, like grasses the seeds of which had expanded, by solar 
 magic, into veritable flowers, crimson, green, or yellow patched 
 with black. Pater : Gaston de La Tour. 
 
 16. Thick, beautiful, and closely curled masses of rich brown, 
 much neglected hair fell about an ample brow, and almost to the 
 wearer's shoulders; strong eyebrows masked with their dark shad- 
 ows a pair of rather sunken eyes, in which a sort of fire, instinct with 
 what may be called a proud cynicism, burned with furtive energy. 
 His rather high cheekbones were the more observable because his 
 cheeks were roseless and hollow enough to indicate the waste of 
 life and midnight oil to which the youth was addicted. Close 
 shaving left bare his very full, not to say sensuous lips, and square- 
 cut masculine chin. Rather below the middle height, and with a 
 slightly rolling gait, Rossetti came forward among his fellows with 
 a jerky step, tossed the falling hair back from his face, and, having 
 both hands in his pockets, faced the student world with an insouci- 
 ant air which savored of thorough self-reliance. A bare throat, a 
 falling, ill-kept collar, boots not over-familiar with brushes, black 
 and well-worn habiliments, including not the ordinary jacket of 
 the period, but a loose dress-coat which had once been new these 
 were the outward and visible signs of a mood which cared even less 
 
ISOLATED PARAGRAPHS 
 
 for appearances than the art student of those days was accustomed 
 to care, which undoubtedly was little enough. Portrait of Dante 
 Gabriel Rossetti by a fellow-student, quoted by A. C. Benson in 
 /.' -eWi; English Men of Letters. 
 
 17. It [Rossetti's Fra Pace'] represents a monk kneeling at a 
 desk and making an illumination. The room in which he is at 
 work is a kind of bedroom studio. Above the bed hangs a bell, 
 the rope of which goes down through a large opening in the floor, 
 by which the room seems to be entered, and which gives a glimpse 
 of a tiled passage below and a bit of landscape. The picture is 
 full of abundance of quaint detail, somewhat archaic in character. 
 On the side of the monk's desk hangs a little row of bottles of 
 pigment ; on the window-ledge is a dead mouse, which he is draw- 
 ing; close to his hand lies a slice of pomegranate, also probably 
 serving as a model. On the tail of the monk's frock lies a cat 
 asleep, and a cheerful little acolyte, with a mirthful smile, in a re- 
 ligious dress with embroidered collar and cuffs, is tickling it with 
 a straw. But the charm of the picture is the face of the monk, 
 thin and amiable, with sparse hair, the lips drawn up in the nicety 
 of the work, the quiet eyelid falling over the eye, as he looks down- 
 ward at his slender brush, held in a strong white hand. There is 
 a tired half-smile on his face, but his complete absorption, together 
 with the ordered look of the quiet room, with its signs of peaceful 
 habitation, strike the note of cloistered calm and tranquil happi- 
 ness. A. C. Benson. 
 
 18. Outside, in the piazza before the church, there was an idle, 
 cruel crowd, amusing itself with the efforts of a blind old man to 
 find the entrance. He had a number of books which he desper- 
 ately laid down while he ran his helpless hands over the clustered 
 columns, and which he then desperately caught up again, in fear of 
 losing them. At other times he paused, and wildly clasped his hands 
 upon his eyes, and then threw up his arms ; and then began to run to 
 and fro again uneasily, while the crowd laughed and jeered. Doubt- 
 less a taint of madness afflicted him ; but not the less he seemed the 
 type of a blind soul that gropes darkly about through life, to find the 
 doorway of some divine truth or beauty, touched by the heavenly 
 harmonies from within, and miserably failing, amid the scornful 
 
FOR ANALYSIS AND CRITICISM. 343 
 
 cries and bitter glee of those who have no will but to mock aspira- 
 tion. W. D. Howells : Italian Journeys. 
 
 19. There seemed just now the tiniest twinkle of movement 
 by the rushes, but it was lost among the hedge parsley. Among 
 the gray leaves of the willow there is another flit of motion; and 
 visible now against the sky there is a little brown bird, not to be 
 distinguished at the moment from the many other little brown 
 birds that are known to be about. He got up into the willow from 
 the hedge parsley somehow, without being seen to climb or fly. 
 Suddenly he crosses to the tops of the hawthorn and immediately 
 flings himself up into the air a yard or two, his wings and ruffled 
 crest making a ragged outline; jerk, jerk, jerk, as if it were with 
 the utmost difficulty he could keep even at that height. He scolds, 
 and twitters, and chirps, and all at once sinks like a stone into the 
 hedge and out of sight as a stone into a pond. It is a white-throat ; 
 his nest is deep in the parsley and nettles. Presently he will go 
 out to the island apple-tree and back again in a minute or two ; 
 the pair of them are so fond of each other's affectionate company 
 they cannot remain apart Richard Jefferies : The Pageant of 
 Summer. 
 
 20. Here, 1 think, lies one of the pernicious results of an 
 over-developed system of athletics. The more games that people 
 play, the better, but I do not think it is wholesome to talk about 
 them for large spaces of leisure time, any more than it is whole- 
 some to talk about your work or your meals. The result of all the 
 talk about athletics is that the newspapers get full of them too. 
 That is only natural. It is the business of newspapers to find out 
 what interests people, and to tell them about it ; but the bad side 
 of it is that young athletes get introduced to the pleasures of pub- 
 licity, and that ambitious young men think that athletics are a 
 short cut to fame. To have played in a University eleven is like 
 accepting a peerage ; you wear for the rest of your life an agree- 
 able and honorable social label, and I do not think that a peerage 
 is deserved, or should be accepted, at the age of twenty. I do not 
 think it is a good kind of fame which depends on a personal per- 
 formance rather than upon a man's usefulness to the human race. 
 
 21. If we assume that our eyes could see an electric wave 
 of wireless telegraphy running over the earth, just as we ac- 
 
344 ISOLATED PARAGRAPHS 
 
 tually see the waves running over a pond, or the shadow of a 
 cloud running over a landscape, we should expect to see a hemi- 
 spherical wave thrown out from the sending mast every time an 
 electric spark discharge was produced there. The hemisphere 
 would cover the land like an inverted bowl, and would expand in 
 all directions like the upper half of a gigantic, swelling soap-bubble, 
 at the speed of 186,000 miles a second. At the upper portions of 
 the hemisphere, and particularly at the top, the waves would be 
 very thin and weak. It would be denser and stronger in the 
 lower portions, and especially in the lowest portion that spreads 
 over the ground like a ring. 
 
 22. The two great dangers of American bathing are the under- 
 tow and the " sea-puss.*' The undertow varies at different stages 
 of the tide, and with the different strengths of the surf; it is 
 simply the return of the volume of water that has been thrown 
 up on the beach, and the stronger the surf, the greater the under- 
 tow. It may have curious deviations; instead of running straight 
 out to sea, it may extend up or down the beach, so that the sur- 
 prised bather sometimes finds himself continually working a hun- 
 dred yards or so beyond his point of entry. The other and greater 
 danger of bathing is the largely unknown "sea-puss," or, as it is 
 more properly termed, the " sea-purse." This condition of affairs 
 results from the great influence which the winds have on ocean 
 currents. Its formation is easily explained ; for example, if the 
 wind has been blowing steadily from one quarter, the surf will 
 break on the beach from that direction, when, suddenly, the wind 
 shifts to another quarter ; as a result, a second current of water is 
 started, which, meeting the first current nearer the shore, causes 
 the ocean to " purse up," forming a small whirlpool, which ends 
 in an undertow running strongly out to sea. It was the writer's 
 unfortunate experience to have been caught in one of these " sea- 
 purses " several years ago ; as an illustration of its force, the fact 
 that two bathers were drowned, and four were brought back to 
 life only with the greatest difficulty, is sufficient evidence. 
 
 23. The intrinsic worth of human labor in any department 
 is very small. Much of every day is taken up, and necessarily 
 taken up, with actions which have no value. I had an old friend 
 who was very great on the subject of " redeeming the time," and 
 
FOR ANALYSIS AND CRITICISM. 345 
 
 very hard on what he called unprofitable occupations. Yet he took 
 an hour to dress in the morning and an hour to undress at night, 
 duties which he performed with a good deal of rectitude. I sup- 
 pose he never calculated the somewhat appalling fact that in the 
 course of a long life he had spent in all some six entire years in 
 the process of dressing and undressing I If one once begins these 
 gloomy calculations, it is shocking to reflect how very small a por- 
 tion of our life is really given to what maybe called serious things. 
 The truth really is that a man's life is the expression of his 
 temperament, and that what eventually matters is his attitude 
 and relation to life, his hopes and aspirations, and not only his 
 performance. 
 
 24. One of the serious consequences of the drawing away of 
 the youth and energy of the villages and towns is found in the 
 benumbing effect it has upon those who remain behind. There is 
 little incentive to start new enterprises, and especially is there 
 small encouragement for boys to learn skilled trades. Hence the 
 prospect before the boys of these villages is depressing in the 
 extreme. There is practically no chance for a boy to become 
 skilled in any trade except in the building trades, the blacksmith 
 shops, and in the commonest handicrafts. The late awakening to 
 the value of manual-training schools is confined almost exclusively 
 to the largest cities. Nothing is done in the smaller towns to 
 teach manual skill or general expertness in the use of tools, and 
 the idea of any public effort to encourage the education of highly 
 skilled mechanics in any department is not even thought of. A 
 boy may learn to hold a plough, to shovel dirt, to do common car- 
 penters' work, to paint a house, to shoe a horse ; he may learn how 
 to clerk in a store, to become a lawyer, or to sell life-insurance; 
 but the country towns are absolutely dead to the need of cultivat- 
 ing the mechanic arts, and teaching the American youth that 
 general knowledge and special skill without which our native 
 workers are being so rapidly driven out of the higher branches of 
 industrial activity. In Switzerland, France, Germany, Belgium, 
 Holland, Austria, the village boy or girl with any aptitude finds a 
 school near by in which he may pursue the lines of study proper 
 to lay the foundation for any art or calling, and in most cases he 
 may then enter a trade school from which, after years of the most 
 
346 ISOLATED PARAGRAPHS 
 
 thorough practical and technical instruction, he may be graduated 
 a finished master of his chosen trade. 
 
 25. The qualities which render the bamboo applicable to so 
 many useful purposes, and in which it surpasses all other woods, 
 are its straightness and length ; its elasticity, strength, hollowness, 
 smoothness, lightness, and roundness, as also the ease with which 
 it can be split, and the regularity of its cleavage. Then, in a 
 minor degree, comes the fact that it imparts no smell or taint to 
 water, which allows it to be used in constructing drinking-vessels 
 of all descriptions and for conduits. Its quick growth, its abun- 
 dance, and the ease with which sizes can be matched, are also fac- 
 tors that cannot be overlooked. As a result, it is said, of free 
 silicic acid existing in the cane, it is hardened and given a capa- 
 bility of resisting many of the destroying influences to which 
 other woods are prone. 
 
 26. Houses of any antiquity in New England are so invari- 
 ably possessed with spirits that the matter seems hardly worth 
 alluding to. Our ghost used to heave deep sighs in a particular 
 corner of the parlor, and sometimes rustled paper, as if he were 
 turning over a sermon in the long upper entry, where neverthe- 
 less he was invisible in spite of the bright moonshine that fell 
 through the eastern window. Not improbably he wished me to 
 edit and publish a selection from a chest full of manuscript dis- 
 courses that stood in the garret. Once, while Hillard and other 
 friends sat talking with us in the twilight, there came a rustling 
 noise as of a minister's silk gown, sweeping through the very midst 
 of the company so closely as almost to brush against the chairs. 
 Still there was nothing visible. A yet stranger business was that 
 of a ghostly servant-maid, who used to be heard in the kitchen at 
 deepest midnight, grinding coffee, cooking, ironing, performing, 
 in short, all kinds of domestic labor, although no traces of any- 
 thing accomplished could be detected the next morning. Some 
 neglected duty of her servitude some ill-starched ministerial 
 band disturbed the poor damsel in her grave and kept her at 
 work without any wages. Hawthorne : Mosses from an Old 
 Manse. 
 
 27. Politics is properly a profession ; and, in fact, the highest 
 among the learned professions. It should be so regarded by the 
 
FOR ANALYSIS AND CRITICISM. 347 
 
 State. In this view the uses of education reach the highest limit 
 of human importance and endeavor; that is, the administration of 
 government. On that administration, the peace, the morals, the 
 prosperity, and the liberty of the whole people are dependent. 
 There can be no true and practical religion without civil liberty. 
 In turn, the character of the administration is dependent on the 
 political education of those selected to conduct it. Especially is 
 this so in a Republic like ours ; a National Republic made up of a 
 union of lesser republics, all government being under authority of 
 written constitutions, and each republic with separate and differ- 
 ing constitutions. The policies to maintain the integrity of each 
 and all to be recognized in administering government, must, neces- 
 sarily, be an outgrowth from the organization, and whatever that 
 outgrowth may be whether tending to good or evil to pres- 
 ervation or destruction of liberty it must be recognized when it 
 appears, be studied, and be so dealt with as to make it least harm- 
 ful and most useful. 
 
 28. When moisture-laden atmosphere, from any reason, 
 ascends sufficiently, the pressure to which it is subjected is 
 diminished, it expands and is thereby cooled and its moisture 
 condensed. When this condensation takes place with sufficient 
 rapidity it rains or snows, otherwise only clouds are produced. 
 Clouds may be produced in other ways, but not rain. The ascent 
 of the air which produces rain is generally brought about in one 
 of two ways : first, if the prevailing winds blow over high moun- 
 tains, they will, in the passage, be deprived of their moisture. 
 Thus are produced the heaviest annual rainfalls of the earth. 
 Second, when the atmosphere over any portion of the earth's 
 surface becomes warmer or lighter than over the surrounding 
 areas, it ascends just as the air does in a hot chimney, and in the 
 same manner, too, it draws in the adjacent air and the whole is 
 carried aloft to be expanded, cooled, and deprived of its moisture, 
 with great liberation of heat, which heat keeps the draught in 
 operation. 
 
 29. One of the points which has been made against the rail- 
 ways, and apparently with justice, is the laxity in operation of the 
 block-signal system, carried to such an extent as practically to neu- 
 tralize nearly all of the protection which it is supposed to afford. 
 
348 ISOLATED PARAGRAPHS 
 
 That an engineer should be permitted, under any consideration 
 whatever, to run past a block-signal, is to render that system far 
 worse than useless, since its presence creates a sense of security 
 which does not exist If no signal system is installed, the very 
 feeling of insecurity creates an individual degree of watchfulness, 
 which gives some protection. When, however, a system, admirable 
 in itself, serves to lull that watchfulness, while at the same time 
 its value is practically destroyed by the violation of its funda- 
 mental principle, it is far worse than none. The first thing which 
 should be done, if the railways of the United States wish to allay 
 the feeling of insecurity which the recent accidents have created, is 
 to announce, in unmistakable terms, that the block system is to 
 be enforced absolutely, and to make that statement good beyond 
 suspicion, 
 
 30- It seems hard to realize that the lightest whisper must 
 continue its round of force through all eternity, yet on the belief 
 that such is the case is based all modern physics and very many of 
 the most useful adjuncts of modern civilization. It is this that 
 philosophers mean when they speak of the conservation of energy, 
 and the other axiom, that of the correlation of forces, is a necessary 
 adjunct. When heat is applied to water in a steam boiler it does 
 not remain solely as heat. A part of it (as the older philosophers 
 sai 1) becomes latent or hidden as the water turns to steam. It is 
 the hidden force which is represented by expansion and consequent 
 compression of the vapor of water, and that is utilized in the steam 
 engine. Heat is thus transformed to power, and this in turn may 
 be transformed, as in the dynamo-electric machine, to electricity, 
 which, in its turn, in the electric arc for example, may again be 
 turned to heat and light, or in the electric motor to power. In all 
 this transference nothing is lost. It is true that all the heat ap- 
 plied is not converted to a form useful to man that some is 
 " lost," as it is expressed, through the imperfection of machinery 
 but this is not lost to the economy of nature. It is only trans- 
 ferred to some other force not yet harnessed to the uses of civiliza- 
 tion. In the so-called storage battery electricity is transferred into 
 chemical energy, and this in turn is capable of being transferred 
 again into electrical energy. Force is indeed stored and accumu- 
 lated, but not in the form of electrical force. In its present most 
 
FOR ANALYSIS AND CRITICISM. 349 
 
 familiar form the storage battery consists of a series of perforated 
 lead plates coated with oxides of -lead and immersed in a solution 
 of sulphuric acid. The current from a dynamo-electric machine 
 transforms one of these plates to a form of pure lead, depriving the 
 litharge of its oxygen, while the oxide of the other plate is still 
 further oxidized and is partially attacked by the acid. On the com- 
 pletion of this change a reverse action is set up, the oxygen flowing 
 from the " charged " to the " reduced " plate, and the surplus en- 
 ergy is again set free as electricity. It will be seen at once that it 
 is chemical and not electrical force that is " stored," and it is only 
 the remarkable economy of power which is accomplished, as well 
 as its convenience, which makes the storage battery a successful 
 method of applying power. The imperfections inherent in all 
 human mechanisms prevent a full return of the power originally 
 applied, but the claim is made and generally admitted that from 
 80 to 90 per cent of the electrical energy originally applied is re- 
 covered again in a well-made battery. 
 
 31. This instrument contains an enumeration of powers ex- 
 pressly granted by the people to their government. It has been 
 said that these powers ought to be construed strictly. But why 
 ought they to be so construed? Is there one sentence in the 
 Constitution which gives countenance to this rule? In the last of 
 the enumerated powers, that which grants expressly the means for 
 carrying all others into execution, Congress is authorized " to make 
 all laws which shall be necessary and proper" for the purpose. 
 But this limitation on the means which may be used is not ex- 
 tended to the powers which are conferred ; nor is there one sen- 
 tence in the Constitution which has been pointed out by the gentle- 
 men of the bar, or which we have been able to discern, that 
 prescribes this rule. We do not, therefore, think ourselves justi- 
 fied in adopting it. What do gentlemen mean by a strict construc- 
 tion? If they contend only against that enlarged construction 
 which would extend words beyond their natural and obvious im- 
 port, we might question the application of the term, but should 
 not controvert the principle. If they contend for that narrow con- 
 struction, which, in support of some theory not to be found in the 
 Constitution, would deny to the government those powers which 
 the words of the grant, as usually understood, import, and which 
 
350 ISOLATED PARAGRAPHS 
 
 are consistent with the general views and objects of the instru- 
 ment ; for that narrow construction which would cripple the gov- 
 ernment and render it unequal to the objects for which it is 
 declared to be instituted, and to which the powers given, as fairly 
 understood, render it competent; then we cannot perceive the pro- 
 priety of this strict construction, nor adopt it as the rule by which 
 the Constitution is to be expounded. As men whose intentions 
 require no concealment generally employ the words which most 
 directly and amply express the ideas they intend to convey, the 
 enlightened patriots who framed our Constitution, and the people 
 who adopted it, must be understood to have employed words in 
 their natural sense, and to have intended what they have said. If, 
 from the imperfection of human language, there should be serious 
 doubts respecting the extent of any given power, it is a well-settled 
 rule that the objects for which it was given, especially when those 
 objects are expressed in the instrument itself, should have great 
 influence in the construction. We know of no reason for exclud- 
 ing this rule from the present case. The grant does not convey 
 power which might be beneficial to the grantor, if retained by 
 himself, or which can enure solely to the benefit of the grantee, but 
 is an investment of power for the general advantage, in the hands 
 of agents selected for that purpose, which power can never be ex- 
 ercised by the people themselves, but must be placed in the hand 
 of agents, or lie dormant. We know of no rule for construing the 
 extent of such powers other than is given by the language of the 
 instrument which confers them, taken in connection with the pur- 
 poses for which they were conferred. John Marshall: Constitu- 
 tional Decisions, pp. 430-432. 
 
 Related Paragraphs.. 
 
 1. Biography. 
 
 The ideal biographer should in the first place write of some one 
 who is thoroughly sympathetic to him. Excessive admiration, 
 though a fault, is a fault on the right side. As Arbuthnot ob- 
 serves in the recipe for an epic poem, the fire is apt to cool down 
 wonderfully when it is spread on paper. Readers will make de- 
 
FOR ANALYSIS AND CRITICISM. 351 
 
 ductions enough in any case ; and nothing can compensate for a 
 want of enthusiasm about your subject. He should then consider 
 how much space his hero undeniably deserves, divide that by two 
 (to make a modest denominator) and let nothing in the world 
 tempt him to exceed the narrower limits. Sam Weller's defini- 
 tion of good letter-writing applies equally to biography. The 
 reader should ask for more and should not get it. The scrapings 
 and remnants of a man's life should be charitably left to the harm- 
 less race of bookmakers, as we give our crumbs to the sparrows in 
 winter. If there are any incidental facts with which the hero is 
 connected, but which have no bearing upon his character, consign 
 them to an appendix or put them into notes. I have myself a 
 prejudice against notes, and think that a biography should be as 
 independent of such appendages as a new poem. But there are 
 people, perhaps, of better taste than mine who like such trim- 
 mings, and have a fancy for trifling with them in the intervals of 
 reading. 
 
 The book itself should, I hold, be a portrait in which not a single 
 touch should be admitted which is not relevant to the purpose of 
 producing a speaking likeness. The biographer should sternly con- 
 fine himself to his functions as introducer; and should give no 
 more discussion than is clearly necessary for making the book an 
 independent whole. A little analysis of motive may be necessary 
 here and there ; when, for example, your hero has put his hand in 
 somebody's pocket and you have to demonstrate that his conduct 
 was due to sheer absence of mind. But you must always remem- 
 ber that a single concrete fact, or a saying into which a man has 
 put his whole soul, is worth pages of psychological analysis. We 
 may argue till Doomsday about Swift's character; his single 
 phrase about " dying like a poisoned rat in a hole" tells us more 
 than all the commentators. The book should be the man himself 
 speaking or acting, and nothing but the man. It should be such 
 a portrait as reveals the essence of character ; and the writer who 
 gives anything that does not tell upon the general effect is like 
 the portrait-painter who allows the chairs and tables, or even the 
 coat and cravat, to distract attention from the face. The really 
 significant anecdote is often all that survives of a life ; and such 
 anecdotes must be made to tell properly, instead of being hidden 
 away in a wilderness of the commonplace ; they should be a focus 
 
352 RELATED PARAGRAPHS 
 
 of interest, instead of a fallible extract for a book of miscellanies. 
 How much would be lost of Johnson if we suppress the incident 
 of the penance at Uttoxeter ! It is such incidents that in books, 
 as often in life, suddenly reveal to us whole regions of sentiment 
 but never rise to the surface in the ordinary routine of our day. 
 
 Leslie Stephen. 
 
 2. The Art of Writing History. 
 
 The supreme virtue of the historian is truthfulness, and it may 
 be violated in many different degrees. The worst form is when a 
 writer deliberately falsifies facts or deliberately excludes from his 
 picture qualifying circumstances. But there are other and much 
 more subtle ways in which party spirit continually and often 
 quite unconsciously distorts history. All history is necessarily 
 a selection of facts, and a writer who is animated by a strong sym- 
 pathy with one side of a question or a strong desire to prove some 
 special point will be much tempted in his selection to give an 
 undue prominence to those that support his view, or, even where 
 neither facts nor arguments are suppressed, to give a party charac- 
 ter to his work by an unfair distribution of lights and shades. 
 The biographical element in history is always the most uncertain. 
 Even among contemporaries the judgment of character and mo- 
 tives depends largely on indications so slight and subtle that they 
 rarely pass into books and are only fully felt by direct personal 
 contact; and the smallest knowledge of life shows how quickly 
 anecdotes and sayings are distorted, colored, and misplaced when 
 they pass from lip to lip. Most of the "good sayings" of history 
 are invention, and most of them have been attributed to different 
 persons. Different ages differ enormously in the severity of proof 
 which they exact, in the degree of accuracy which they attain. 
 The credibility of a statement also depends not only on the 
 amount of its evidence, but also on its own inherent probability. 
 Every one will feel that an amount of testimony that would be 
 quite sufficient to persuade him that a butcher's boy had been 
 seen driving along a highway is wholly different from that which 
 would be required to persuade him that a ghost had been met 
 there. The same rule applies to the history of the past, and it 
 is complicated by the great difference in different ages of the 
 
FOR ANALYSIS AND CRITICISM. 353 
 
 measure of probability, or, in other words, by the strong predis- 
 position in certain stages of knowledge to accept statements or 
 explanations of facts which in later stages we know to be incred- 
 ible or in a high degree improbable. 
 
 Few things are more difficult to attain than a just perspective 
 in history. The most dramatic incidents are not the most impor- 
 tant, and in weighing the joys and sorrows of the past, our measures 
 of judgment are almost hopelessly false. The most humane man 
 cannot emancipate himself from the law of his nature, according 
 to which he is more affected by some tragic circumstance which 
 has taken place in his own house or in his own street than by a 
 catastrophe which has carried anguish and desolation over enor- 
 mous areas in a distant continent. In history, too, there are vast 
 tracts which are almost necessarily unrealized. We judge a 
 period mainly by its great men, by its brilliant or salient inci- 
 dents, by the fortunes of a small class, and the great mass of ob- 
 scure, suffering, inarticulate humanity, whose happiness is often 
 so profoundly affected by political and military events, almost 
 escapes our notice. It should be the object of history to bring 
 before us past events in their true proportion and significance, and 
 one of the greatest improvements in modern history is the increased 
 attention which is paid to the social, industrial, and moral history 
 of the poor. The paucity of our information and the difficulty of 
 realizing the conditions of obscure multitudes will always make 
 this branch of history very imperfect, but it is one of the most 
 essential to the just judgment of the past. Another task which 
 lies before the historian is that of distinguishing proximate from 
 ultimate causes. Our first natural impulse is to attribute a great 
 change to the men who effected it and to the period in which it 
 took place, and to neglect or underrate the long train of causes 
 which had been, often through many generations, preparing its 
 advent. 
 
 A more fatal and very common error is that of judging the ac- 
 tions of the past by the moral standard of our own age. This is 
 especially the error of novices in history and of those who without 
 any wide and general culture devote themselves exclusively to a 
 single period. While the primary and essential elements of right 
 and wrong remain unchanged, nothing is more certain than that 
 the standard or ideal of duty is continually altering. A very hu- 
 
354 RELATED PARAGRAPHS 
 
 mane man in another age may have done things which would now 
 be regarded as atrociously barbarous. A very virtuous man may 
 have done things which would now indicate extreme profligacy. 
 We seldom indeed make sufficient allowance for the degree in 
 which the judgments and dispositions of even the best men are 
 colored by the moral tone of the time or society in which they 
 live. And what is true of individuals is equally true of nations. 
 In order to judge equitably the legislation of any people, we must 
 always consider corresponding contemporary legislations and ideas. 
 When this is neglected our judgments of the past become wholly 
 false. W. E. H. Lecky : Forum, February, 1893. 
 
 3. Bacon vs. Shakespeare. 
 
 When we are asked to believe that the whole of the plays and 
 poems attributed to Shakespeare were not written by him, but by 
 Lord Bacon, we naturally require evidence of the most convincing 
 kind. It must be shown either that Bacon did actually write them, 
 in which case of course Shakespeare was not their author, or that 
 Shakespeare could not possibly have written them, in which case 
 somebody else must have done so; and we then demand proof that 
 Bacon could possibly, and did probably, write them. First, then, is 
 there any good evidence that Bacon did write them ? Positively 
 none whatever; only a number of vague hints and suggestions, 
 which might perhaps add some weight to an insufficient amount of 
 direct testimony, but in its absence are entirely valueless. And then 
 we have the enormous, the overwhelming improbability, that any 
 man would write, and allow to be published or acted, so wonder- 
 ful a series of poems and plays, while another man received all the 
 honor and all the profits ; and, though surviving that man for ten 
 years, that the real author never made the slightest claim to them, 
 never confided the secret to a single friend, and died without a 
 word or a sign to show that he had any part or share in them. 
 To most persons this consideration alone will be conclusive against 
 Bacon's authorship. 
 
 The reasons alleged for believing that Shakespeare could not 
 have written them, are weak in the extreme. They amount to 
 this : That his early life was spent in a small country town ; that he 
 had not a university education ; that most of his early associates 
 
FOE ANALYSIS AND CRITICISM. 355 
 
 and connections were illiterate ; that his signatures were almost 
 unintelligible ; and that no single letter or manuscript exists in 
 his handwriting. The wide knowledge of human nature, of the 
 court and the nobility, and of classical and modern litera- 
 ture, could not, it is alleged, have been acquired by such a man. 
 But in making this objection, the opponents of Shakespeare take 
 no account of the most important of all the facts of that fact 
 without which the production of these works is in any case unin- 
 telligible, the fact that their author was a transcendent genius ; 
 and further, that it is the especial quality of genius to be able to 
 acquire and assimilate knowledge, and to realize and interpret the 
 whole range of human passions, moods, and foibles, under conditions 
 that to ordinary men would be impossible. Admitting, as we 
 must admit, the genius, there is no difficulty, no improbability. 
 For the first twenty years of his conscious life, Shakespeare lived 
 in the midst of the calm and beautiful scenery of Warwickshire 
 and acquired that extensive knowledge and love of nature, and that 
 sympathy with all her moods and aspects, which are manifested 
 throughout his works. The lordly castles of Warwick and Kenil- 
 worth were within a dozen miles of Stratford, and at times of 
 festivity such castles were open house, and at all times would be 
 easily accessible through the friendship of servants or retainers ; 
 and thus might have been acquired some portion of that knowl- 
 edge of the manners and speech of nobles and kings which appears 
 in the historical plays. During his long residence in London, 
 crowded then as now with adventurers of all nations, he would 
 have had ample opportunity for studying human nature under 
 every possible aspect. The endearing terms applied to him by his 
 friends show that he had an attractive personality, and would 
 therefore easily gain access to many grades of society; while the 
 law courts at Westminster would afford ample opportunities for 
 extending that knowledge of law terms and legal processes which 
 he had probably begun to acquire by means of justices' sessions 
 and coroners' inquests in his native town. Through his foreign 
 acquaintances he might have obtained translations of some of those 
 Italian or Spanish tales which furnished a portion of his plots, and 
 which have been supposed to indicate an amount of learning he 
 could not have possessed. What genius can do under adverse cir- 
 cumstances and uncongenial surroundings, we see in the case of 
 
356 BELATED PARAGRAPHS 
 
 Chatterton, of Keats, of Shelley. Shakespeare had much better 
 opportunities than any of these ; he was gifted with a far loftier 
 genius, a broader and more powerful intellect, a more balanced 
 and harmonious personality. Of this rare combination of quali- 
 ties and opportunities, his works are the natural and consistent 
 outcome. Alike in their depth, their beauty, their exquisite fancy, 
 their melodious harmony, and their petty defects, they are the 
 full expression of the man and his surroundings. 
 
 Let us consider, lastly, whether, supposing Shakespeare were 
 altogether out of the way, Bacon could possibly have written the 
 plays and poems. These works are universally admitted to ex- 
 hibit the very highest poetry, the most exquisite fancy, the deepest 
 pathos, the most inimitable humor. We are told by his admirers 
 that Bacon possessed all these qualities ; but when any attempt is 
 made to give us examples of them, we find only the most common- 
 place verse or labored and monotonous prose. We are told that 
 his sense of humor was phenomenal, that no man had a finer ear 
 for melody of speech but again no examples are given. We are 
 told that he rewrote his * Essays " many times and gave them 
 u a thousand exquisite touches"; yet when we read them, and 
 search for these alleged beauties, either of poetic ideas or noble 
 and harmonious passages, we find only a polished mediocrity with 
 labored antitheses of epithets, as utterly remote from the glowing 
 thoughts and winged words of Shakespeare, as is the doggerel 
 version of the psalms by Sternhold and Hopkins, from the hymns 
 of Keble or the " In Memoriam " of Tennyson. Alfred Russel 
 Wallace. 
 
 4. The Play within a Play. 
 
 There are cases occasionally occurring in the English drama 
 and .the Spanish, where a play is exhibited within a play. To go 
 no further, every person remembers the remarkable instance of 
 this in Hamlet. Sometimes the same thing takes place in paint- 
 ing. We see a chamber, suppose, exhibited by the artist, on the 
 walls of which (as a customary piece of furniture) hangs a pic- 
 ture. And as this picture again might represent a room fur- 
 nished with pictures, in the mere logical possibility of the case 
 we might imagine this descent into a life below a life going on 
 ad infinitum. Practically, however, the process is soon stopped. 
 
FOR ANALYSIS AND CRITICISM. 357 
 
 A retrocession of this nature is difficult to manage. The original 
 picture is a mimic, an unreal life. But this unreal life is 
 itself a real life with respect to the secondary picture, if such a 
 thing were attempted. Consequently, at every step of the intro- 
 volution (to neologize a little in a case justifying a neologism), 
 something must be done to differentiate the gradations, and to 
 express the subordinations of life ; because each term in the de- 
 scending series, being first of all a mode of non-reality to the 
 spectator, is next to assume the functions of a real life in its 
 relations to the next lower or interior term of the series. 
 
 What the painter does in order to produce this peculiar modi- 
 fication of appearances, so that an object shall affect us first of all 
 as an idealized or unreal thing, and next as itself a sort of relation 
 to some secondary object still more intensely unreal, we shall not 
 attempt to describe ; for in some technical points we should, per- 
 haps, fail to satisfy the reader; and without technical explana- 
 tions we could not satisfy the question. But, as to the poet, aU 
 the depths of philosophy (at least, of any known and recognized 
 philosophy) would less avail to explain, speculatively, the prin- 
 ciples which, in such a case, should guide him, than Shakespeare 
 has explained by his practice. The problem before him was one 
 of his own suggesting; the difficulty was of his own making. It 
 was, so to differentiate a drama that it might stand within a 
 drama, precisely as a painter places a picture within a picture ; and 
 therefore that the secondary or inner drama should be non-realized 
 upon a scale that would throw, by comparison, a reflex coloring of 
 reality upon the principal drama. This was the problem, this 
 was the thing to be accomplished ; and the secret, the law, of the 
 process by which he accomplishes this is to swell, tumefy, stiffen, 
 not the diction only, but the tenor of the thought, in fact, to 
 stilt it, and to give it a prominence and an ambition beyond the 
 scale which he adopted for his ordinary life. It is, of course, 
 therefore in rhyme, an artifice which Shakespeare employs with 
 great effect on other similar occasions (that is, occasions when he 
 wished to solemnize or in any way differentiate the life) ; it is 
 condensed and massed as respects the flowing of the thoughts ; it 
 is rough and horrent with figures in strong relief, like the em- 
 bossed gold of an ancient vase ; and the movement of the scene 
 is contracted into short gyrations, so unlike the free sweep and 
 
358 BELATED PARAGRAPHS 
 
 expansion of his general developments. De Quincey: Theory of 
 Greek Tragedy. 
 
 5. The Formation of Public Opinion. 
 
 The simplest form in which public opinion presents itself is 
 when a sentiment spontaneously arises in the mind and flows from 
 the lips of the average man upon his seeing or hearing something 
 done or said. Homer presents this with his usual vivid directness 
 in the line which frequently recurs in the Iliad, when the effect 
 produced by a speech or event is to be conveyed : " And thus any 
 one was saying as he looked at his neighbor." This phrase de- 
 scribes what may be called the rudimentary stage of opinion. It 
 is the prevalent impression of the moment. It is what any man 
 (not every man) says, i.e. it is the natural and the general thought 
 or wish which an occurrence evokes. But before opinion begins 
 to tell upon government, it has to go through several other stages. 
 These stages are various in different ages and countries. Let us 
 try to note what they are in England or America at the present 
 time, and how each stage grows out of the other. 
 
 A business man reads in his newspaper at breakfast the events 
 of the preceding day. He reads that Prince Bismarck has an- 
 nounced a policy of protection for German industry, or that Mr. 
 Henry George has been nominated for the mayoralty of New 
 York. These statements arouse in his mind sentiments of ap- 
 proval or disapproval, which may be strong or weak according 
 to his previous predilection for or against protection or Mr. 
 Henry George, and of course according to his personal in- 
 terest in the matter. They rouse also an expectation of 
 certain consequences likely to follow. Neither the sentiment 
 nor the expectation is based on processes of conscious reason- 
 ing our business man has not time to reason at breakfast 
 they are merely impressions formed on the spur of the moment. 
 He turns to the leading article in the newspaper, and his senti- 
 ments and expectations are confirmed or weakened according as 
 he finds that they are or are not shared by the newspaper writer. 
 He goes down to his office in the train, talks there to two or three 
 acquaintances, and perceives that they agree or do not agree with 
 his own still faint impressions. In his countiug-house he finds 
 
FOR ANALYSIS AND CRITICISM. 359 
 
 his partner and a bundle of other newspapers which he glances at ; 
 their words further affect him, and thus by the end of the day his 
 mind is beginning to settle down into a definite view, which ap- 
 proves or condemns Prince Bismarck's declaration or the nomina- 
 tion of Mr. George. Meanwhile a similar process has been going 
 on in the mind of others, and particularly of the journalists, whose 
 business it is to discover what people are thinking. The evening 
 paper has collected the opinions of the morning papers, and it is 
 rather more positive in its forecast of results. Next morning the 
 leading party journals have articles still more definite and positive 
 in approval or condemnation and in prediction of consequences to 
 follow ; and the opinion of ordinary minds, which in most of such 
 minds has been hitherto fluid and undetermined, has begun to 
 crystallize into a solid mass. This is the second stage. Then de- 
 bate and controversy begin. The men and the newspapers who 
 approve Mr. George's nomination argue with those who do not; 
 they find out who are friends and who opponents. The effect of 
 controversy is to drive the partisans on either side from some of 
 their arguments, which are shown to be weak ; to confirm them 
 in others, which they think strong ; and to make them take up a 
 definite position on one side. This is the third stage. The fourth 
 is reached when action becomes necessary. When a citizen has to 
 give a vote, he votes as a member of a party ; his party prepos- 
 sessions and party allegiance lay hold on him, and generally stifle 
 any individual doubts or repulsions he may feel. Bringing men 
 up to the polls is like passing a steam roller over stones newly 
 laid on a road: the angularities are pressed down, and an appear- 
 ance of smooth and even uniformity is given which did not exist 
 before. When a man has voted, he is committed : he has there- 
 after an interest in backing the view which he has sought to make 
 prevail. Moreover, opinion, which may have been manifold till 
 the polling, is thereafter generally twofold only. There is a view 
 which has triumphed and a view which has been vanquished. 
 
 Bryce: American Commonwealth. 
 
 6. Carlyles Laugh. 
 
 None of the many sketches of Carlyle that have been published 
 since his death have brought out quite distinctly enough the thing 
 
360 BELATED PARAGRAPHS 
 
 which struck me more forcibly than all else, when in the actual 
 presence of the man ; namely, the peculiar quality and expression 
 of his laugh. It need hardly be said that there is a good deal in 
 a laugh. One of the most telling pieces of oratory that ever 
 reached my ears was Victor Hugo's vindication, at the Voltaire 
 Centenary in Paris, of the smile of Voltaire. Certainly Carlyle's 
 laugh was not like that smile, but it was something as inseparable 
 from his personality, and as essential to the account, when making 
 up one's estimate of him. It was as individually characteristic as 
 his face or his dress, or his way of talking or of writing. It seemed 
 indeed indispensable for the explanation of all of these. I found 
 in looking back upon my first interview with him that all I had 
 known of Carlyle through others, or through his own books, for 
 twenty-five years had been utterly defective, had left out, in 
 fact, the key to his whole nature, inasmuch as nobody had ever 
 described to me his laugh. . . . 
 
 After the most vehement tirade he would suddenly pause, throw 
 his head back, and give as genuine and kindly a laugh as I ever 
 heard from a human being. It was not the bitter laugh of a cynic, 
 nor yet the big-bodied laugh of the burly joker ; least of all was 
 it the thin and rasping cackle of the dyspeptic satirist. But it 
 was a broad, honest, human laugh, which beginning in the brain, 
 took into its action the whole heart and diaphragm, and instantly 
 changed the worn face into something frank and even winning, 
 giving to it an expression that would have won the confidence of 
 any child. Nor did it convey the impression of an exceptional 
 thing that had occurred for the first time that day, and might 
 never happen again. It rather produced the effect of something 
 habitual ; of being the channel, well worn for years, by which the 
 overflow of a strong nature was discharged. It cleared the air 
 like thunder, and left the atmosphere sweet. It seemed to say to 
 himself, if not to us, " Do not let us take this too seriously ; it is 
 my way of putting things. What refuge is there for a man who 
 looks below the surface in a world like this, except to laugh now 
 and then?** The laugh, in short, revealed the humorist ; if I said 
 the genial humorist, wearing a mask of grimness, I should hardly 
 go too far for the impression it left. At any rate it shifted the 
 ground, and transferred the whole matter to that realm of thought 
 where men play with things. The instant Carlyle laughed, he 
 
FOB ANALYSIS AND CRITICISM. 361 
 
 seemed to take the counsel of his old friend Emerson, and to write 
 upon the lintels of his doorway, " Whim." 
 
 Higginson : A tlantic, 48, 463-4. 
 
 7. Routing a Gondola. 
 
 A gondola is in general rowed only by one man, standing at the 
 stern ; those of the upper classes having two or more boatmen, for 
 greater speed and magnificence. In order to raise the oar suffi- 
 ciently, it rests, not on the side of the boat, but on a piece of crooked 
 timber like the branch of a tree, rising about a foot from the boat's 
 side, and called a " fdrcola." The forcola is of different forms, ac- 
 cording to the size and uses of the boat, and it is always somewhat 
 complicated in its parts and curvature, allowing the oar various 
 kinds of rests and catches on both its sides, but perfectly free play 
 in all cases ; as the management of the boat depends on the gon- 
 dolier's being able in an instant to place his oar in any position. 
 The forcola is set on the right-hand side of the boat, some six feet 
 from the stern : the gondolier stands on a little flat platform or 
 deck behind it, and throws nearly the entire weight of his body upon 
 the forward stroke. The effect of the stroke would be naturally to 
 turn the boat's head round to the left, as well as to send it for- 
 ward ; but this tendency is corrected by keeping the blade of the 
 oar under the water on the return stroke, and raising it gradually, 
 as a full spoon is raised out of any liquid, so that the blade emerges 
 from the water only an instant before it again plunges. A down- 
 ward and lateral pressure upon the forcola is thus obtained, which 
 entirely counteracts the tendency given by the forward stroke; 
 and the effort, after a little practice, becomes hardly conscious, 
 though, as it adds some labor to the back stroke, rowing a gondola 
 at speed is hard and breathless work, though it appears easy and 
 graceful to the looker-on. 
 
 If then the gondola is to be turned to the left, the forward im- 
 pulse is given without the return stroke; if it is to be turned to 
 the right, the plunged oar is brought forcibly up to the surface ; 
 in either case a single stroke being enough to turn the light and 
 flat-bottomed boat. But as it has no keel, when the turn is made 
 sharply, as out of one canal into another very narrow one, the 
 impetus of the boat in its former direction gives it an enormous 
 leeway, and it drifts laterally up against the wall of the canal, and 
 
362 RELATED PARAGRAPHS 
 
 that so forcibly, that if it has turned at speed, no gondolier can 
 arrest the motion merely by strength or rapidity of stroke of oar ; 
 but it is checked by a strong thrust of the foot against the wall it- 
 self, the head of the boat being of course turned for the moment 
 almost completely round to the opposite wall, and greater exertion 
 made to give it, as quickly as possible, impulse in the new direction. 
 
 Ruskin : Stones of Venice. 
 
 8. A Fable of To-day. 
 
 Two astronomers were once talking about the other side of the 
 moon. '< I think," said the first, " that the other side of the moon 
 is absolutely and perfectly flat, without imperfection, uneven ness 
 or mark of any kind." " It may be so," replied the other. " But 
 the fact that the side which we see is very rough and uneven would 
 seem to weigh against your theory." " Xo matter," said the first, 
 ** our society holds that the other side of the moon, as originally 
 made, is without error or imperfection of any kind. If you object 
 to this you may, in fact you roust, retire from the observatory." 
 * But," said the other, ** may I not study the side of the moon 
 which I can see? " " No, indeed 1 " was the reply. " No man can 
 be allowed to use these instruments who does not subscribe to the 
 inerrancy of the moon's other side ; it's a fiat doctrine of this ob- 
 servatory, and must be believed, in order to the right seeing of any 
 or all of the heavenly bodies." 
 
 Moral > This is a very simple way of settling such questions. 
 But in reality the decision of the astronomer did not affect the 
 facts, nor did it prevent the heretic from studying the face of the 
 moon which was visible, New York Evangelist. 
 
 9. An Act repugnant to the Constitution cannot become 
 the Law of the Land. 
 
 The question whether an act repugnant to the Constitution 
 can become the law of the land is a question deeply interesting to 
 the United States ; but, happily, not of an intricacy proportioned 
 to its interest. It seems only necessary to recognize certain princi- 
 ples supposed to have been long and well established to decide it 
 
 That the people have an original right to establish for their 
 
FOR ANALYSIS AND CRITICISM. 363 
 
 future government such principles as in their opinion shall most 
 conduce to their own happiness is the basis on which the whole 
 American fabric has been erected. The exercise of this original 
 right is a very great exertion, nor can it, nor ought it to be fre- 
 quently repeated. The principles, therefore, so established are 
 deemed fundamental. And as the authority from- which they 
 proceed is supreme and can seldom act, they are designed to be 
 permanent. 
 
 This original and supreme will organizes the government, and 
 assigns to different departments their repective powers. It may 
 either stop here or establish certain limits not to be transcended 
 by those departments. 
 
 The government of the United States is of the latter descrip- 
 tion. The powers of the Legislature are denned and limited ; and 
 that those limits may not be mistaken or forgotten the Constitu- 
 tion is written. To what purpose are powers limited and to what 
 purpose is the limitation committed to writing, if these limits 
 may at any time be passed by those intended to be restrained ? 
 The distinction between a government with limited and unlimited 
 powers is abolished if those limits do not confine the persons on 
 whom they are imposed and if acts prohibited and acts allowed 
 are of equal obligation. It is a proposition too plain to be con- 
 tested, that the Constitution controls any legislative act repugnant 
 to it ; or that the Legislature may alter the Constitution by an 
 ordinary act. 
 
 Between these alternatives there is no middle ground. The 
 Constitution is either a superior, paramount law, unchangeable 
 by ordinary means, or it is on a level with ordinary legislative 
 acts, and like other acts is alterable when the Legislature shall 
 please to alter it. 
 
 If the former part of the alternative be true, then a legislative 
 act contrary to the Constitution is not law ; if the latter part be 
 true, then written Constitutions are absurd attempts on the part 
 of the people to limit a power in its own nature illimitable. 
 
 Certainly all those who have framed written Constitutions con- 
 template them as forming the fundamental and paramount law of 
 the nation, and consequently the theory of every such government 
 must be that an act of the Legislature repugnant to the Constitu- 
 tion is void. 
 
364 RELATED PARAGRAPHS 
 
 This theory is essentially attached to a written Constitution, 
 and is consequently to be considered by this court as one of the 
 fundamental principles of our society. It is not, therefore, to be 
 lost sight of in the further consideration of this subject. 
 
 If an act of the Legislature repugnant to the Constitution is 
 void, does it, notwithstanding its invalidity, bind the courts and 
 oblige them to give it effect? Or, in other words, though it be not 
 law, does it constitute a rule as operative as if it was a law ? This 
 would be to overthrow in fact what was established in theory, and 
 would seem, at first view, an absurdity too gross to be insisted on. 
 It shall, however, receive a more attentive consideration. 
 
 John Marshall : Constitutional Decisions. 
 
 10. Corporations. 
 
 A corporation is an artificial being, invisible, intangible, and 
 existing only in contemplation of law. Being the mere creature 
 of law, it possesses only those properties which the charter of its 
 creation confers upon it, either expressly, or as incidental to its 
 very existence. These are such as are supposed best calculated 
 to effect the object for which it was created. Among the most 
 important are immortality, and, if the expression may be allowed, 
 individuality ; properties by which a perpetual succession of many 
 persons are considered as the same and may act as a single indi- 
 vidual. They enable a corporation to manage its own affairs, and 
 to hold property without the perplexing intricacies, the hazardous 
 and endless necessity, of perpetual conveyances for the purpose of 
 transmitting it from hand to hand. It is chiefly for the purpose 
 of clothing bodies of men, in succession, with these qualities and 
 capacities, that corporations were invented and are in use. By 
 these means a perpetual succession of individuals are capable of 
 acting for the promotion of the particular object, like one immortal 
 being. But this being does not share in the civil government of 
 the country, unless that be the purpose for which it was created. 
 Its immortality no more confers on it political power, or a political 
 character, than immortality would confer such power or character 
 on a natural person. It is no more a State instrument than a 
 natural person exercising the same powers would be. If, then, 
 
FOR ANALYSIS AND CRITICISM. 365 
 
 a natural person, employed by individuals in the education of 
 youth, or for the government of a seminary in which youth is 
 educated, would not become a public officer, or be considered 
 as a member of the civil government, how is it that this artificial 
 being, created by law for the purpose of being employed by the 
 same individuals for the same purposes, should become a part of 
 the civil government of the country ? Is it because its existence, 
 its capacities, its powers, are given by law ? Because the govern- 
 ment has given it the power to take and to hold property in a par- 
 ticular form, and for particular purposes, has the government a 
 consequent right substantially to change that form, or to vary the 
 purposes to which the property is to be applied ? This principle 
 has never been asserted or recognized, and is supported by no 
 authority. Can it derive aid from reason ? 
 
 The objects for which a corporation is created are universally 
 such as the government wishes to promote. They are deemed 
 beneficial to the country ; and this benefit constitutes the con- 
 sideration, and, in most cases, the sole consideration of the grant. 
 In most eleemosynary institutions the object would be difficult, 
 perhaps unattainable, without the aid of a charter of incorpora- 
 tion. Charitable or public spirited individuals, desirous of making 
 permanent appropriations for charitable and other useful purposes, 
 find it impossible to effect their design securely and certainly with- 
 out an incorporating act. They apply to the government, state 
 their beneficent object, and offer to advance the money necessary 
 for its accomplishment, provided the government will confer on 
 the instrument which is to execute their designs the capacity to 
 execute them. The proposition is considered and approved. The 
 benefit to the public is considered as an ample compensation for 
 the faculty it confers, and the corporation is created. If the ad- 
 vantages to the public constitute a full compensation for the 
 faculty it gives, there can be no reason for exacting a further 
 compensation, by claiming a right to exercise over this artificial 
 being a power which changes its nature, and touches the fund for 
 the security and application of which it was created. There can 
 be no reason for implying in a charter, given for a valuable con- 
 sideration, a power which is not only not expressed, but is in 
 direct contradiction to its express stipulations. 
 
 John Marshall: Constitutional Decisions. 
 
366 RELATED PARAGRAPHS 
 
 11. An Alpine Adventure. 
 
 We at length .reached the point at which it was necessary to 
 quit our morning's track, and immediately afterwards got upon 
 some steep rocks which were rendered slippery here and there by 
 the water which trickled over them. To our right was a broad 
 couloir, which was once filled with snow, but this had been melted 
 and refrozen, so as to expose a sloping wall of ice. We were all 
 tied together at this time in the following order : Jeimi led, I 
 came next, then my friend H., our intrepid mountaineer, then his 
 friend L., and last of all the guide Walter. L. had had but little 
 experience "of the higher Alps, and was placed in front of Walter, 
 so that any false step on his part might be instantly checked. 
 After descending the rocks for a time, Jenni turned and asked me 
 whether I thought it better to adhere to them, or to try the ice-slope 
 to our right. I pronounced in favor of the rocks; but he seemed 
 to misunderstand me, and turned towards the couloir. I stopped 
 him before he reached it, and said, "Jenni, you know where you 
 are going, the slope is pure ice ? n He replied, " I know it, but the 
 ice is quite bare for a few yards only. Across this exposed por- 
 tion I will cut steps, and then the snow which covers the ice will 
 give us footing.*' He cut the steps, reached the snow, and de- 
 scended carefully along it all following him, apparently in good 
 order. After a little time he stopped, turned, and looked upward 
 at the last three men. He said something about keeping carefully 
 to the tracks, adding that a false step might detach an avalanche. 
 The word was scarcely uttered when I heard the sound of a fall 
 behind me, then a rush, and in the twinkling of an eye my 
 two friends and their guide all apparently entangled together, 
 whirled past me. I suddenly planted myself to resist their shock, 
 but in an instant I was in their wake, for their impetus was irre- 
 sistible. A moment afterwards Jenni was whirled away, and thus 
 all of us found ourselves riding downwards with uncontrollable 
 speed on the back of an avalanche which a single slip had origi- 
 nated. 
 
 When thrown back by the jerk of the rope, I turned promptly 
 on my face, and drove my baton through the moving snow, seeking 
 to anchor it in the ice underneath. I had held it firmly thus for a 
 
FOB ANALYSIS AND CRITICISM. 367 
 
 few seconds, when I came into collision with some obstacle, and 
 was rudely tossed through the air, Jenni at the same time being 
 shot down upon me. Both of us here lost our batons. We had, 
 in fact, been carried over a crevasse, had hit its lower edge, our 
 great velocity causing us to be pitched beyond it. I was quite be- 
 wildered for a moment, but immediately righted myself, and could 
 see those in front of me half buried in the snow, and jolted from 
 side to side by the ruts, among which they were passing. Sud- 
 denly I saw them tumbled over by a lurch of the avalanche, and 
 immediately afterwards found myself imitating their motion. 
 This was caused by a second crevasse. Jenni knew of its exist- 
 ence, and plunged right into it a brave and manful action, but 
 for the time unavailing. He was over thirteen stone in weight, 
 and he thought that by jumping into the chasm a strain might be 
 put upon the rope sufficient to check the motion. He was, how- 
 ever, violently jerked out of the fissure, and almost squeezed to 
 death by the pressure of the rope. 
 
 A long slope was before us, which led directly downwards to a 
 brow where the glacier suddenly fell in a declivity of ice. At the 
 base of this declivity the glacier was cut by a series of profound 
 chasms; and towards these we were now rapidly borne. The three 
 foremost men rode upon the forehead of the avalanche, and were 
 at times almost wholly immersed in the snow; but the moving 
 layer was thinner behind, and Jenni rose incessantly, and with 
 desperate energy drove his feet into the firmer substance under- 
 neath. His voice shouting, " Halt, Herr Jesus, halt ! " was the only 
 one heard during the descent. A kind of condensed memory, 
 such as that described by people who have narrowly escaped 
 drowning, took possession of me ; and I thought and reasoned with 
 preternatural clearness as I rushed along. Our start, however, 
 was too sudden, and the excitement too great, to permit of the 
 development of terror. The slope at one place became less steep, 
 the speed visibly slackened, and we thought we were coming to 
 rest; the avalanche, however, crossed the brow which terminated 
 this gentler slope, and regained its motion. Here H. drew his 
 arm round his friend, all hope for the time being extinguished, 
 while I grasped my belt and struggled for an instant to detach 
 myself. Finding this difficult, I resumed the pull upon the rope. 
 My share in the work was, I fear, infinitesimal; but Jenni's power- 
 
368 RELATED PARAGRAPHS 
 
 ful strain made itself felt at last. Aided probably by a slight 
 change of inclination, he brought the whole to rest within a short 
 distance of the chasm, over which, had we preserved our speed, a 
 few seconds would have carried us. None of us suffered serious 
 damage. H. emerged from the snow with his forehead bleeding; 
 but the wound was superficial. Jenni had a bit of flesh removed 
 from his hand by collision against a stone; the pressure of the 
 rope had left black welts on my arms; and we all experienced a 
 tingling sensation over the hands, like that produced by incipient 
 frostbite, which continued for several days. I found a portion of 
 my watch-chain hanging round my neck, another portion in my 
 pocket, the watch itself gone. Tyndall : Hours of Exercise in the 
 Alps. 
 
 12. Travelling in Spain. 
 
 Quitting Manzanal, we continued our course. We soon arrived 
 at the verge of a deep valley amongst the mountains not those 
 of the chain which we had seen before us, and which we now left 
 to the right, but those of the Telleno range, just before they unite 
 with that chain. Round the sides of this valley, which exhibited 
 something of the appearance of a horseshoe, wound the road in a 
 circuitous manner ; just before us, however, and diverging from the 
 road, lay a foot-path, which seemed, by a gradual descent, to lead 
 across the valley, and to rejoin the road on the other side, at the 
 distance of about a furlong ; and into this we struck, in order to 
 avoid the circuit. 
 
 We had not gone far before we met two Galicians on their way 
 to cut the harvests of Castile. One of them shouted, " Cavalier, 
 turn back : in a moment you will be amongst precipices, where 
 your horses will break their necks, for we ourselves could scarcely 
 climb them on foot." The other cried, " Cavalier, proceed, but be 
 careful, and your horses, if surefooted, will run no great danger : 
 my comrade is a fool." A violent dispute instantly ensued be- 
 tween the two mountaineers, each supporting his opinion with 
 loud oaths and curses ; but without stopping to see the result, I 
 passed on ; but the path was now filled with stones and huge slaty 
 rocks, on which my horse was continually slipping. I likewise 
 heard the sound of water in a deep gorge, which I had hitherto 
 not perceived, and I soon saw that it would be worse than mad- 
 
FOR ANALYSIS AND CRITICISM. 369 
 
 ness to proceed. I turned my horse, and was hastening to regain 
 the path which I had left, when Antonio, my faithful Greek, 
 pointed out to me a meadow by which he said we might regain 
 the high road much lower down than if we turned on our steps. 
 The meadow was brilliant with short green grass, and in the 
 middle there was a small rivulet of water. I spurred my horse on, 
 expecting to be in the high road in a moment; the horse, how- 
 ever, snorted and stared wildly, and was evidently unwilling to 
 cross the seemingly inviting spot. I thought that the scent of a 
 wolf or some other wild animal might have disturbed him, but 
 was soon undeceived by his sinking up to the knees in a bog. The 
 animal uttered a shrill, sharp neigh, and exhibited every sign of 
 the greatest terror, making at the same time great efforts to ex- 
 tricate himself, and plunging forward, but every moment sinking 
 deeper. At last he arrived where a small vein of rock showed it- 
 self : on this he placed his fore feet, and with one tremendous ex- 
 ertion freed himself from the deceitful soil, springing over the 
 rivulet and alighting on comparatively firm ground, where he 
 stood panting, his heaving sides covered with a foamy sweat. 
 Antonio, who had observed the whole scene, afraid to venture 
 forward, returned by the path by which we came, and shortly 
 afterwards rejoined me. This adventure brought to my recollec- 
 tion the meadow with its foot-path which tempted Christian from 
 the straight road to heaven, and finally conducted him to the 
 dominions of the giant Despair. Borrow : The Bible in Spain. 
 
 13. The Wreck of the Warren Hastings. 
 
 They had stopped at the foot of the cone, which was between 
 them and the sea, and some more adventurous had climbed partly 
 up it, if perhaps they might see further than their fellows ; but in 
 vain : they all saw and heard the same a blinding white cal- 
 dron of white-driven spray below, and all around, filling every 
 cranny the howling storm. 
 
 A quarter of an hour since she fired last, and no signs of her 
 yet. She must be carrying canvas and struggling for life, ignorant 
 of the four -knot stream. Some one says she may have gone down 
 hush ! who spoke ? 
 
 Old Sam Evans had spoken. He had laid his hand on the 
 
370 RELATED PARAGRAPHS 
 
 squire's shoulder, and said, " There she is." And then arose a 
 hubbub of talking from the men, and every one crowded on his 
 neighbor and tried to get nearer. And the women moved hur- 
 riedly about, some moaning to themselves, and some saying, " Ah, 
 poor dear 1 " " Ah, dear Lord ! there she is, sure enough." 
 
 She hove in sight so rapidly that, almost as soon as they could 
 be sure of a dark object, they saw that it was a ship a great ship 
 of about nine hundred tons ; that she was dismasted, and that her 
 decks were crowded. They could see that she was unmanageable, 
 turning her head hither and thither as the sea struck her, and that 
 her people had seen the cliff at the same moment, for they were 
 hurrying aft, and crowding on to the bulwarks. 
 
 Charles and his guardians crept up to his father's party. Densil 
 was standing silent, looking on the lamentable sight; and, as 
 Charles looked at him, he saw a tear run down his cheek, and 
 heard him say, " Poor fellows!" Cuthbert stood staring intently 
 at the ship, with his lips slightly parted. Mackworth, like one 
 who studies a picture, held his elbow in one hand, and kept the 
 other over his mouth; and the agent cried out, " A troop-ship, by 
 gad. Dear ! Dear ! " 
 
 It is a sad sight to see a fine ship beyond control. It is like 
 seeing one one loves gone mad. Sad under any circumstances; 
 how terrible it is when she is bearing on with her in her mad 
 Bacchante's dance a freight of living human creatures, to untimely 
 destruction i 
 
 As each terrible feature and circumstance of the catastrophe 
 became apparent to the lookers-on, the excitement became more 
 intense. Forward and in the waist, there was a considerable body 
 of seamen clustered about under the bulwarks some half-stripped. 
 In front of the cuddy door, between the poop and the mainmast, 
 about forty soldiers were drawn up, with whom were three officers, 
 to be distinguished by their blue coats and swords. On the quarter- 
 deck were seven or eight women, two apparently ladies, one of whom 
 carried a baby. A well-dressed man, evidently the captain, was 
 with them ; but the cynosure of all eyes was a tall man in white 
 trousers, at once and correctly judged to be the mate, who carried 
 in his arms a little girl. 
 
 The ship was going straight upon the rock, now only marked 
 as a whiter spot upon the whitened sea, and she was fearfully 
 
FOR ANALYSIS AND CRITICISM. 371 
 
 near it, rolling and pitching, turning her head hither and thither, 
 fighting for her life. She had taken comparatively little water on 
 board as yet ; but now a great sea struck her forward, and she swung 
 with her bow towards the rock, from which she was distant not a 
 hundred yards. The end was coming. Charles saw the mate slip 
 off his coat and shirt, and take the little girl again. He saw the 
 lady with the baby rise very quietly and look forward; he saw the 
 sailors climbing on the bulwarks; he saw the soldiers standing 
 steady in two scarlet lines across the deck ; he saw the officers 
 wave their hands to one another, and then he hid his face in his 
 hands, and sobbed as if his heart would break. 
 
 They told him after how the end had come ; she had lifted up 
 her bows defiantly, and brought them crashing down upon the 
 pitiless rock as though in despair. Then her stern had swung 
 round, and a merciful sea broke over her, and hid her from their 
 view, though above the storm they plainly heard her brave old 
 timbers crack ; then she floated off, with bulwarks gone, sinking, 
 and drifted out of sight round the headland, and, though they 
 raced across the headland, and waited a few breathless minutes 
 for her to float round into sight again, they never saw her any more. 
 The Warren Hastings had gone down in fifteen fathom. And now 
 there was a new passion introduced into the tragedy, to which it 
 had hitherto been a stranger Hope. The wreck of part of the 
 mainmast and half the main topmast, which they had seen, before 
 she struck, lumbering the deck, had floated off, and there were 
 three, four, five men clinging to the futtock shrouds ; and then, 
 they saw the mate with the child hoist himself on to the spar, and 
 part his dripping hair from his eyes. 
 
 The spar had floated into the bay, into which they were look- 
 ing, into much calmer water ; but, directly to leeward the swell 
 was tearing at the black slate rocks, and in ten minutes it would 
 be on them. Every man saw the danger, and Densil, running 
 down to the water's edge, cried : 
 
 " Fifty pound to any one who will take 'em a rope 1 Fifty gold 
 sovereigns down to-night ! Who's going ? " 
 
 Jim Mathews was going, and had been going before he heard 
 of the fifty pound that was evident; for he was stripped, and 
 out on the rocks with the rope round his waist. He stepped from 
 the bank of slippery seaweed into the heaving water, and then his 
 
372 RELATED PARAGRAPHS. 
 
 magnificent limbs were in full battle with the tide. A roar an- 
 nounced his success. As he was seen clambering on to the spar, 
 a stouter rope was paid out ; and very soon it and its burden were 
 high and dry upon the little half-moon of sand which ended the 
 bay. Kingsley : Ravenshoe. 
 
APPENDIX B. 
 
 MATERIALS FOR SPECIAL EXERCISES. 
 Exercises in Paragraph Unity. 
 
 The following outlines (or similar ones, provided by the 
 instructor, and better adapted to the grade and attainments 
 of the class) may be employed in a profitable exercise for 
 teaching the need of paragraphic unity. Let one of the 
 numbered topics of an outline be assigned to each student. 
 He is to write a paragraph on his topic for the next recita- 
 tion, keeping in mind what ought to be said on the topics 
 preceding and following his own, and determining what 
 properly belongs to the topic assigned to himself. At the 
 appointed time, the paragraphs are read in their numbered 
 order in class, together forming an essay on the subject. 
 Any intermingling of topics or violation of unity is criti- 
 cised, transitions between sentences and paragraphs are 
 supplied, various methods of treating the same topics are 
 compared, and the need that each student " stick to his 
 text" is duly enforced. Such points as choice of words, 
 variety of expression, and construction of sentences will 
 also call for attention. It has been found profitable to 
 continue this work for several recitations and at intervals 
 throughout the course. 
 
 1. Uses of Novel Reading. 
 
 1. Introductory. Increase of novel reading to be explained by its 
 
 uses. 
 
 2. Affords relaxation and entertainment. 
 
 3. A valuable aid to the study of history and geography. 
 
 373 
 
374 SPECIAL EXERCISES IN 
 
 4. Information about various classes of society. 
 
 5. Reforms brought about in law, education, etc. Dickens. 
 
 6. Insight into human character, making the reader more charita- 
 
 ble in his judgments of others. 
 
 7. Conclusion. A summary. 
 
 2. Importance of Physical Culture. 
 
 1. Promotes health and prevents disease. 
 
 2. Increases strength and endurance. 
 
 3. Trains the muscles to act with accuracy, making more efficient 
 
 workers. 
 
 4. Influence on the mind. 
 
 5. Moral influence. 
 
 3. The Combat. (Scott's " Talisman.") 
 
 1. Time, Third Crusade. Place, the Diamond of the Desert. Per- 
 
 sons, Sir Kenneth and Conrad. 
 
 2. Preparations, 
 (a) Arming. 
 
 (6) The herald's proclamation, 
 (c) Taking positions. 
 (</) The invocation. 
 
 3. The encounter, 
 (a) Signal 
 (fc) Start. 
 
 (c) Career, 
 (rf) Meeting. 
 
 4. Result of the combat. Effect in settling the dispute. 
 
 Classroom Themes. 
 
 As a corrective for the bookishness that will often ap- 
 pear in the paragraphs written outside the class, it will be 
 well for the student to write frequently, in the classroom, 
 paragraphs on simple familiar subjects. The time for writ- 
 ing should be limited to twenty or thirty minutes, at the 
 expiration of which members of the class should be called 
 
CLASSROOM THEMES. 375 
 
 upon at random to read what they have written, the class 
 and instructor joining in the criticism. This exercise may 
 be continued advantageously throughout the course. Con- 
 stant practice in writing under pressure produces rapidity, 
 facility, naturalness, and individuality of expression. At 
 first it will be well to allow each student to select his own 
 subject and to determine what he will say about it, before 
 coming to the class. Later, the exercise should be wholly 
 impromptu. Subjects of immediate local interest about 
 which the student community is talking and thinking at 
 the time are especially valuable for this impromptu work. 
 Subjects which have come up during the week in the his- 
 tory and literature classes may also be utilized in this work. 
 The following are printed merely to show the range and 
 character of subjects that may be employed in this connec- 
 tion. They are necessarily general in character, whereas 
 the actual subjects given should be specific. The instructor 
 will be able to supplement this list with other subjects of 
 more immediate interest and better adapted to the grade 
 and attainments of his class. A choice of subjects should, 
 if possible, be offered at all times. 
 
 1. Why do many dislike the study of rhetoric? 
 
 2. Advantages of literary societies. 
 
 3. Proper observance of Sunday by students. 
 
 4. Manners in the classroom. 
 
 5. Advantages of the work in manual training. 
 
 6. What does the school most need? Reasons. 
 
 7. How may a student best divide his time? 
 
 8. Some of the uses of writing frequently. 
 
 9. Why we lost the last ball game. 
 
 10. Why I like or dislike the last book I read. 
 
 11. A defence of Shylock. 
 
 12. Arguments against long examinations. 
 
 The work which the class may be doing in other branches 
 of study will frequently suggest numerous themes for im- 
 
376 SPECIAL EXERCISES IN 
 
 promptus. Thus, if the composition class is also working 
 in English history, themes like the following may occasion- 
 ally be given : 
 
 1. Life of our ancestors in Germany. 
 
 2. How our ancestors punished crime. 
 
 3. Roman influences in England. 
 
 4. A description of the Conqueror's reforms. 
 
 5. Wat Tyler's Rebellion. 
 
 6. The scene at Runnyniede. 
 
 7. The work of the Star-chamber. 
 
 8. The story of Mary Queen of Scots. 
 
 9. Jack Cade's Rebellion. 
 
 10. Story of Thomas a Becket 
 
 11. Richard and the princes. 
 
 12. The Royal Oak. 
 
 13. The Spanish Armada. 
 
 Thus, too, if the composition class is also doing work in 
 reading and studying English authors or American authors, 
 themes in abundance may be chosen in the direct line of 
 their work. To illustrate ; a class studying Longfellow, and 
 reading some of his poems, might properly be given themes 
 like the following : 
 
 1. Longfellow at Bowdoin and at Harvard. 
 
 2. The great sorrow of Longfellow's life. 
 
 3. How Edgar A. Poe regarded Longfellow. 
 
 4. A description of Longfellow's home. 
 
 5. The story of the children's armchair. 
 
 6. Longfellow's friends. 
 
 7. The main points of Morituri Salutamus. 
 
 8. Longfellow's travels. 
 
 9. The story of Evangeline. 
 
 10. The story of Miles Standish. 
 
 11. The story of one of the Tales of a Wayside Inn. 
 IL!. Longfellow's ideas of slavery. 
 
 13. A scene from Hiawatha. 
 
REPRODUCTIONS. 377 
 
 Subjects for short impromptus in narration and description 
 are found in abundance. The writing of such paragraphs 
 constitutes the greater part of the work of newspaper men, 
 and, indeed, of almost all writing, and a large amount of 
 such practice should be given. The list appended will sug- 
 gest the class of subjects suitable for this work. Others of 
 more local interest should be provided. 
 
 1. A description of a sleighride. 
 
 2. A report of the last lecture I heard. 
 
 3. How I spent the holidays. 
 
 4. The coasting party. 
 
 5. A description of the ball game. 
 
 6. Antics of a fountain pen. 
 
 7. The new building. 
 
 8. Views from my window. 
 
 9. The room in which we recite. 
 
 10. The reading room. 
 
 11. A day camping. 
 
 12. My experience at fishing. 
 
 13. A personal adventure. 
 
 14. Loss of a trunk. 
 
 15. A visit to an art gallery. 
 
 16. A visit to a machine shop. 
 
 17. Below the falls at Niagara. 
 
 18. A report of the last concert. 
 10. An historical incident. 
 
 20. A story from General Grant's life. 
 
 21. A letter describing my school life. 
 
 22. A report of last Sunday's sermon. 
 
 Reproductions. 
 
 It is advisable, in beginning this work, for the instructor, 
 after having read the selection, to develop with the class 
 an orderly outline of topics to be followed by all. This 
 will be found advantageous until the habit of detecting the 
 principal points of a selection has been formed, when each 
 
378 SPECIAL EXERCISES IN 
 
 student may be left to make his own selection of topics. 
 The following directions will be helpful to the student in 
 making his outline : (1) Select but few general topics and 
 those the main ideas of the piece read, (2) express each 
 topic briefly and clearly, (3) do not repeat the same idea 
 in two or more places, (4) see that none of the main points 
 are omitted, (5) rearrange the topics selected, so that the 
 order will be natural. 
 
 The following contain selections or are themselves of 
 suitable length for reading by the instructor, outlining, and 
 reproduction by the class within the limits of a recitation 
 hour : 
 
 1. Selections from Irving's Sketch-Book. 
 
 2. Anderson's Historical Reader. 
 
 3. Swinton's Studies in English Literature. 
 
 4. Readings from English History, by J. R. Green. 
 
 5. The Student's Reader, by Richard Edwards. 
 
 6. Hawthorne's Wonder-Book and Tangle wood Tales. 
 
 7. Hawthorne's Twice-Told Tales. 
 
 8. Garnett's English Prose from Elizabeth to Victoria. 
 
 9. Genung's Rhetorical Analysis. 
 
 10. Cathcart's Literary Reader. 
 
 11. Andrew Lang's Letters to Dead Authors. 
 
 12. Hamerton's Intellectual Life. 
 
 13. Parton's Life of Jackson. 
 
 14. Dickens's Pickwick Papers, short stories in Vol. I., chaps. 
 
 3, 6, 11, 13, 14, portraits in chaps. 15, 17, 21, 25, others in 
 Vol. II. 
 
 15. Irving's Tales of the Alhambra. 
 
 16. Addison's Vision of Mirza. 
 
 17. Burroughs's Birds and Bees. 
 
 18. Lincoln's Gettysburg Address. 
 
 19. Lowell's Vision of Sir Launfal. 
 
 20. Lowell's The Singing Leaves. 
 
 21. Matthew Arnold's The Forsaken Merman. 
 
 22. Whittier's Skipper Ireson's Ride. 
 
 23. Bryant's Ode to a Waterfowl. 
 
REPRODUCTIONS. 379 
 
 24. Holmes's Chambered Nautilus. 
 
 25. Burns's Cotter's Saturday Night. 
 
 26. Burns's John Barleycorn. 
 
 27. Longfellow's Bell of Atri. 
 
 28. Leigh Hunt's Abou Beu Adhem. 
 
 29. Whittier's Voices of Freedom. 
 
 30. Whittier's Pipes at Lucknow. 
 
 31. Whittier's Ballads. 
 
 32. Longfellow's Shorter Poems. 
 
 33. The Humbler Poets. 
 
 34. Proctor's Half-hours with the Stars. 
 
 35. Lamb's Tales from Shakespeare. 
 
 36. Scudder's Book of Folk Stories. 
 
 37. Lanier's The Boy's King Arthur. 
 
 38. Lanier's The Boy's Percy. 
 
 39. Knox's Boy Travellers. 
 
 40. Burke's Speeches. 
 
 41. Studies from Euripides. (Motley's Univ. Libr.) 
 
 42. Hawthorne's Grandfather's Chair. 
 
 43. Thompson's Green Mountain Boys. 
 
 44. Gray's How Plants Behave. 
 
 45. Landor's Imaginary Conversations. 
 
 46. Bulwer's Last Days of Pompeii. 
 
 47. Macaulay's Lays of Ancient Rome. 
 
 48. Tennyson's Sir Galahad. 
 
 49. Whittier's Tent on the Beach and Snow-Bound. 
 
 50. Scott's Tales of a Grandfather. 
 
 51. Church's Story of the Iliad. 
 
 52. Church's Story of the ^neid. 
 
 53. Hanson's Stories from Vergil. 
 
 54. Church's Stories from Homer. 
 
 55. Winchell's Sketches of Creation. 
 
 56. Church's Roman Life in the Days of Cicero. 
 
 57. Bret Harte's Luck of Roaring Camp. 
 
 58. Selections from Plutarch's Lives. 
 
 59. Selections from Pepys's Diary. 
 
 60. Headley's Napoleon and His Marshals. 
 
 61. Thackeray's Roundabout Papers. 
 
 62. Gayley's Classic Myths in English Literature. 
 
380 SPECIAL EXERCISES IN 
 
 Paraphrases and Abstracts. 
 
 (Outside Work.) 
 
 The following list is made up of books containing chap- 
 ters especially adapted to this work, and of articles, or 
 essays, in which the plan of construction is prominent and 
 admirable. The selections are too long for reading in class 
 and are intended for special assignment as outside work, a 
 written paraphrase, abstract, or outline to be presented in 
 class by the student. 
 
 1. Parsons. The Saloon in Society. Atlantic, 59 : 86. 
 
 2. Cable. The Freedman's Case in Equity. Century, 7 : 409. 
 
 3. Cable. The Silent South. Century, 8 : 674. 
 
 4. Landor. Steele and Addison. Works, Vol. 5. 
 
 5. De Foe. The Fire of London. 
 
 6. Johnson. Life of Addison. 
 
 7. Macaulay. Essay on History. 
 
 8. Quincy. Invasion of Canada. Speeches, p. 355. 
 
 9. Sumner. Are We a Nation ? Works, 12 : 191. 
 
 10. Sumner. No Property in Man. Works, 8 : 359. 
 
 11. Sumner. Duties of Massachusetts. Works, 3 : 121. 
 
 12. Everett. American Literature. Orations, 1. 
 
 13. Webster. The Constitution not a Compact. Works, 3. 
 
 14. Lowell. The Independent in Politics. Essays, 295. 
 
 15. Walker. Socialism. Scribner (N. S.), 1 : 107. 
 
 16. Lowell. Democracy, p. 3-42. 
 
 17. Macaulay. On the Athenian Orators. 
 
 18. Short. Claims to the Discovery of America. Galaxy, 20 : 50 
 
 19. Fiske. The Federal Union. Harper, 70 : 407. 
 
 20. Higginson. The Era of Good Feeling. Harper, 68 : 936. 
 Jl. Kingsley. The Fount of Science. Nat'l Sermons, 108-133. 
 
 22. George Eliot. Address to Working Men. Essays, 322. 
 
 23. Whately. Historic Doubts Relative to Napoleon, p. 11-85. 
 
 24. Dawes. An Unknown Nation. Harper, 76 : 598. 
 
 25. Warner. Comments on Canada. Harper, 78 : 520. 
 
 26. Sill. Should a College Educate? Atlantic, 56 : 207. 
 
 27. White. On Reading Shakespeare. Galaxy, 22 : 518, 
 
PARAPHRASES AND ABSTRACTS. 381 
 
 28. House. The Thraldom of Japan. Atlantic, 60 : 721. 
 
 29. Mulford. The Object of a University. Atlantic, 58 : 757. 
 
 30. Powell. The Failure of Protection. Fraser, 104 : 99. 
 
 31. Fronde. The Book of Job. Short Studies, 1 : 228. 
 
 32. Howell. Strikes. Fraser, 101 : 118. 
 
 33. Black. The Electoral Conspiracy. No. Am., 125 : 1. 
 
 34. White. Popular Pie. Galaxy, 18 : 532. 
 
 35. White. Americanisms. Galaxy, 24 : 376. 
 
 36. Gladstone. Kin beyond Sea. Gleanings, 1 : 203. 
 
 37. Gladstone. Aggressions on Egypt. Gleanings, 4 : 341. 
 
 38. Gladstone. Work of Universities. Gleanings, 7: 1. 
 
 39. Gladstone. Wedgwood. Gleanings, 2 : 181. 
 
 40. Froude. England's War. Short Studies, 2:382. 
 
 41. Froude. Party Politics. Short Studies, 3 : 309. 
 
 42. Freeman. George Washington. Greater Greece, etc., 62. 
 
 43. Green, ^neas. Studies, etc., 227. 
 
 44. Welles. History of Emancipation. Galaxy, 14 : 838. 
 
 45. Coan. The Value of life. Galaxy, 15 : 751. 
 
 46. Spencer. Philosophy of Style. Essays, 9. 
 
 47. Sumner. Politics in America. No. Am., 122 : 47. 
 
 48. Roosevelt. Recent Criticism of America. Murray's Mag., 
 
 4 : 289. 
 
 49. Arnold. General Grant. Murray's Mag., 1 : 130. 
 
 50. Allen. Land-owning and Copyright. Fraser, 102 : 343. 
 
 51. Howell. Trades Unions. Fraser, 99 : 22. 
 
 52. Arnold. Introducion to Wordsworth's Poems. 
 
 53. Arnold. Literature and Dogma. 
 
 54. Arnold. Introduction to Johnson's Chief Lives. 
 
 55. Arnold. Introduction to Ward's English Poets. 
 
 56. Taine. Introduction to History of English Literature. 
 
 57. De Quincey. Essay on English Language. Works, 3. 
 
 58. Fiske. Manifest Destiny. Essays. 
 
 59. Tyndall. Scientific Use of the Imagination. 
 
 60. Bagehot. Physics and Politics. 
 
 61. Bagehot. f he English Constitution and Other Essays, 
 62 Lecky. History of Rationalism. 
 
 63. Mill. Dissertations and Discussions. 
 
 64. Fiske. Darwinism and Other Essays.. 
 
 65. Pater, Appreciation^ 
 
382 SPECIAL EXERCISES IN 
 
 66. Cleveland. The Venezuelan Boundary Controversy. Cent- 
 
 ury, 62 : 283 and 405. 
 
 67. Matthews. The Simplification of English Spelling. Cent- 
 
 ury, 62:617. 
 
 68. Winchester. John Wesley. Century, 66 : 389 and 492. 
 
 69. Parsons. The Panama Canal. Century, 71 : 138. 
 
 70. Bolles. The Rights and Methods of Labor Organizations. 
 
 No. Am., 176 : 410. 
 
 71. An American Business Man. The Monroe Doctrine a Bar to 
 
 Civilization. No. Am., 176 : 518. 
 
 72. Charlton. Canada and Reciprocity. No. Am., 178 : 205. 
 
 73. Crichfield. The Panama Canal from a Contractor's Stand- 
 
 point. No. Am., 180 : 74. 
 
 74. Beach. Educational Reciprocity. No. Am., 183 : 611. 
 
 75. Meade. The Coal Supremacy of the United States. Forum, 
 
 30:220. 
 
 76. Haralin. A Plea for Architectural Studies. Forum, 31 : 626. 
 
 77. Ayers. Color Blindness in Art. Cent., 73 : 876. 
 
 78. Van Dyke. The Americanism of Washington. Harper, 
 
 113:770. 
 
 79. Wyckoff. Some Phases of Trade Unionism. Scribner, 34 : 495. 
 
 Rhetorical Analysis. 
 
 1. Let each student read one of the stories, essays, or 
 speeches referred to in the list below. The essays and 
 speeches will be the best to begin the work with. 
 
 2. As he reads he should write in his note-book, (1) the 
 theme of each paragraph ; (2) the function of each para- 
 graph, whether transitional, directive, amplifying, illustra- 
 tive, etc. ; (3) he should note what bearing each paragraph 
 has upon the subject of the whole selection and how it car- 
 ries forward the plan as a whole; (4) he should make from 
 his notes a connected synopsis of the selection. 
 
 3. At a subsequent meeting of the class, the members 
 report, the selections are reproduced orally from the synop- 
 sis, and any paragraph whose function could not be deter- 
 
RHETORICAL ANALYSIS. 383 
 
 mined is read in full and criticised or explained by the 
 class. 
 
 4. In the case of the longer selections, report the main 
 points and make a synopsis of the whole selection ; but de- 
 termine the rhetorical functions of only a reasonable num- 
 ber of the paragraphs. The work may be done piecemeal, 
 the student reporting a part of his analysis from week to 
 week. Copy and bring into class for criticism and discus- 
 sion whole paragraphs about which there is doubt when 
 read. 
 
 5. For the first exercise let all the class analyze the same 
 speech or essay. 
 
 1. Stories. 
 
 1. Aldrich. Marjorie Daw. Atlan., 31 : 407. 
 
 2. Hawthorne. The Gentle Boy. 
 
 3. Higginson. A Charge with Prince Rupert Atlan., 3 : 725. 
 
 4. Hale. The Man Without a Country. Atlan., 12 : 605. 
 
 5. Jewett The Shore House. Atlan., 32 : 358. 
 
 6. Eggleston. Gunpowder Plot. ScribDer, 2 : 252. 
 
 7. Davis. Life in the Iron Mills. Atlan., 7 : 430. 
 
 8. Hale. My Double and How He Undid Me. Atlan., 4 : 356. 
 
 9. Higginson. The Puritan Minister. Atlan., Essays, 191. 
 
 10. Howells. A Pedestrian Tour. Atlan., 24 : 591. 
 
 11. Higginson. A Night in the Water. Atlan., 14 : 393. 
 
 12. Burroughs. Tragedies of the Nests. Century, 4 : 680. 
 
 13. Burroughs. Signs and Seasons. Century, 3 : 672. 
 
 14. Bishop. Braxton's New Art. Century, 6 : 871. 
 
 15. Bunner. The Red Silk Handkerchief. Century, 6 : 275. 
 
 16. Stockton. Wreck of the Thomas Hyke. Century, 6 : 587. 
 
 17. Janvier. Orpiment and Gamboge. Century, 7 : 397. 
 
 18. Foote. A Cloud on the Mountain. Century, 9 : 28. 
 
 19. Jackson. The Mystery of William Riitter. Century, 9 : 103. 
 
 20. Boyesen. A Child of the Age. Century, 9 : 177. 
 
 21. Clemens. The Private History of a Campaign that Failed 
 
 Century, 9:193. 
 
 22. Matthews. Perturbed Spirits. Century, 10 : 74. 
 
 23. Page. A Soldier of the Empire. Century, 10 : 918. 
 
384 SPECIAL EXERCISES IX 
 
 24. Harte. Left out on Lone Star Mountain. Longm., 3 : 259. 
 
 25. Dodge. Pursuit of Knowledge under Difficulties. Allan., 
 
 5 : 272, 417. 
 
 26. Thanet. Day of the Cyclone. Scribner (X. S.), 3: 350. 
 
 27. Haggard. Mai wa's Revenge. Harper, 77 : 181. 
 
 28. Harte. An Apostle of the Tules. Longm., 1885 : 67. 
 
 29. Wilson. Tale of Expiation. Recreations of Christopher 
 
 North, p. 33. 
 
 30. Aldrich. A Midnight Fantasy. Atlan.,35: 385. 
 
 31. Phelps. In the Gray Goth. Atlan., 6 : 587. 
 
 32. Jewett. Deephaven Cronies. Atlan., 36:316. 
 
 33. James. The Last of the Valerii. Atlan., 33 : 169. 
 
 34. Taylor. Who was She? Atlaii., 34 : 257. 
 
 35. Stockton. Our Story. Century, 4 : 762. 
 
 36. Aldrich. A Struggle for Life. Atlan., 20 : 56. 
 
 37. A Story of Assisted Fate. Atlan., 55 : 58. 
 
 38. Taylor. A Week on Capri. Atlan.,21 :740. 
 
 39. Howells. A Shaker Village. Atlan., 37 : 699. 
 
 40. Lowell. A Pocket Celebration of the Fourth. Atlan M 
 
 2 : 374. 
 
 41. Hawthorne. Ethan Brand. (In the Snow Image, etc.) 
 
 42. Cable. Don Joaquin. Harper, 52:281. 
 
 43. McCarthy. Wanted A Soul. Harper, 22 : 549. 
 
 44. Woolson. Miss Vedder. Harper, 58 : 590. 
 
 45. Davis. A Story of the Plague. Harper, 58 : 443. 
 
 46. Stockton. The Transferred Ghost Century, 2 : 43. 
 
 47. McDonald. The Portent. Cornh., 1 : 617, 670 ; 2 : 74. 
 
 48. Gray. The Silver Casket. Murray's Mag., 2 : 203. 
 
 49. Hardy. The Waiting Supper. Murray's Mag., 3 : 42, 199. 
 
 50. Appleton. A Half-Life and Half a Life. Atlantic Stories. 
 
 51. Whelpley. The Denslow Palace. Atlantic Stories. 
 
 52. Cooke. Miss Lucinda. Atlantic Stories. 
 
 53. Hale. The Queen of the Red Chessmen. Atlantic Stories. 
 
 54. Nordhoff. Elkauah Brewster's Temptation. Atlantic Stories. 
 
 55. Chesbro. Victor and Jacqueline. Atlantic Stories. 
 
 56. Arnold. Why Thomas Was Discharged. Atlantic Stories. 
 
 57. Lowell. A Raft that Xo Man Made. Atlantic Stories. 
 
 58. O'Brien. The Diamond Lens. Atlantic Stories. 
 
 59. Jewett. Marsh Rosemary. Atlan., 57 : 590. 
 
RHETORICAL ANALYSIS. 385 
 
 60. De Quincey. Joan of Arc. 
 
 61. Thackeray. The Fatal Boots. 
 
 62. Craddock. His Day in Court. Harper, 76 : 56. 
 
 63. Matthews. A Secret of the Sea. Harper, 71 ; 78. 
 
 64. Bishop. Choy Susan. Atlan., 54: 1. 
 
 65. Hawthorne. Ken's Mystery. Harper, 67 : 925. 
 
 66. Jewett. King of Folly Island. Harper, 74 : 10. 
 
 67. Frederic. Brother Angelus. Harper, 73 : 517. 
 
 68. Craddock. Lonesome Cove. Harper, 72 : 128. 
 
 69. Reade. Tit for Tat. Harper, 66 : 251. 
 
 70. Boyesen. A Dangerous Virtue. Scribner, 21 : 745. 
 
 71. Boyesen. The Man who Lost his Name. Scribner, 12 : 808. 
 
 72. Clemens. A Curious Experience. Century, 1 : 35. 
 
 73. Phelps. The Tenth of January. Atlan., 21 : 345. 
 
 74. Bishop. The Brown-Stone Boy. Atlan. ,55: 330. 
 
 75. Taylor. Friend Eli's Daughter. Atlan., 10 : 99. 
 
 76. Thackeray. Bluebeard's Ghost 
 
 77. James. The Romance of Certain Old Clothes. 
 
 78. Aldrich. A Ri vermouth Romance. Atlan., 30 : 157. 
 
 79. Dickens. Wreck of the Golden Mary. 
 
 80. Dickens. George Silverman's Explanation. 
 
 81. Mitchell. A Comedy of Conscience. Century, 61 : 323. 
 
 82. Phelps. F6e. Century, 61: 671. 
 
 83. Page. Bred in the Bone. Century, 64 : 331. 
 
 84. Norris. A Lost Story. Century, 66: 371. 
 
 85. Deland. The White Feather. Century, 68 : 440. 
 
 86. London. The Gold Canon. Century, 71 : 117. 
 
 87. Rice. The Wild Oats of a Spinster. Century, 72 : 323. 
 
 88. Briscoe. His Prerogative. Harper, 107 : 197. 
 
 89. Deland. Amelia. Harper, 107 : 384. 
 
 90. Freeman. The Butterfly. Harper, 107 : 441. 
 
 91. Deland. The Note. Harper, 107 : 497. 
 
 92. Deland. An Exceeding High Mountain. Harper, 107 : 893. 
 
 93. Twain. A Dog's Tale. Harper, 108 : 11. 
 
 94. Freeman. The Revolt of Sophia Lane. Harper, 108:20. 
 
 95. Benedict. A Portrait by Collyer. Harper, 114 : 792. 
 
 96. Howells. The Eidolons of Brooks Alford. Harper, 113 : 387. 
 
 97. Conrad. An Anarchist. Harper, 113 : 406. 
 
 98. Phelps. Unemployed. Harper, 113: 904. 
 
386 SPECIAL EXERCISES IN 
 
 99. Pyle. A Life for a Life. Scribner, 27 : 61. 
 
 100. Van Dyke. The Light that Failed not Scribner, 27 : 405. 
 
 101. James. The Tone of Time. Scribner, 28 : 624. 
 
 102. Davis. A Derelict Scribner, 30 : 131. 
 
 103. Smith. The Turquoise Cup. Scribner, 30 : 671. 
 
 104. Davis. The Bar Sinister. Scribner, 30 : 307. 
 
 105. Kipling. Wireless. Scribner, 32 : 129. 
 
 106. Barnes. The String of Pearls. Scribner, 32 : 305. 
 
 107. Williams. The Burglar and the Lady. Scribner, 34 : 173. 
 
 108. Wharton. The Descent of Man. Scribner, 35 : 315. 
 
 109. Tompkins. The Boy Joke. Scribner, 41 : 107. 
 
 110. Smith. What Really Happened. Scribner, 40 : 156. 
 
 111. Page. A Brother to Diogenes. Scribner, 39 : 290. 
 
 112. Thackeray. Rebecca and Rowena. In Christmas Books. 
 
 113. Bishop. One of the Thirty Pieces. Atlan., 37 : 43. 
 
 114. Hale. The Modern Psyche. Harper, 51 : 885. 
 
 115. Stevenson. The Merry Men. 
 
 116. Lamb. Adventures of Ulysses. 
 
 117. Pyle. Stephen Wycherley. Harper, 75 : 56. 
 
 118. Woolsou. A Flower of the Snow. Galaxy, 17 : 76. 
 
 a. Essays, Speeches, Sketches. 
 
 1. Representative British Orations. 3 vols. 
 
 2. Representative American Orations. 3 vols. 
 
 3. Huntington. A Plea for Railway Consolidation. No. Am., 
 
 153 : 272. 
 
 4. Livermore. Cooperative Womanhood in the State. No. 
 
 Am., 153 : 283. 
 
 5. Douglass. Hayti and the United States. No. Am., 153 : 337. 
 
 6. Bryce. Thoughts on the Negro Problem. No. Am., 153: 
 
 641. 
 
 7. Luce. Benefits of War. No. Am., 153 : 672. 
 
 8. Powderly. The Workingman and Free Silver. No. Am., 
 
 153:728. 
 
 9. Hubert. The New Talking Machines. Atlan., 63 : 256. 
 
 10. Parkman. The Acadian Tragedy. Harper, 69 : 877. 
 
 11. Starbuck. Hawthorne. Andover Review, 7: 31. 
 
 12. Phelps, Shylock vs. Antonio. Atlan., 57 : 463. 
 
RHETORICAL ANALYSIS. 387 
 
 13. Long. Of Style. An Old Man's Thoughts. 
 
 14. Locksley Hall and Sixty Years After. Poet Lore, Jan. 1893. 
 
 15. Davis. Shakespeare's Miranda and Tennyson's Elaine. Poet 
 
 Lore, Jan. 1893. 
 
 16. Stoddard. The English Laureates. Cosmop. Jan. 1893. 
 
 17. Billson. The English Novel. Westminster Rev. Jan. 1893. 
 
 18. Rogers. G. W. Curtis and Civil Service Reform. Atlan. 
 
 Jan. 1893. 
 
 19. Johnson. The Transformation of Energy. Westmin. Rev. 
 
 Dec. 1892. 
 
 20. White. Homes of the Poor. Chautauquan, Jan., 1893. 
 
 21. Bartlett. The Prison Question. Am. Jour. Politics, Jan. 
 
 1893. 
 
 22. Higginson. Boston. St. Nicholas, Jan. 1893. 
 
 23. Acworth. Railway Mismanagement. 19th Cent. Dec. 1892. 
 
 24. Brooke. Tennyson. Con temp. Rev. Dec. 1893. 
 
 25. Mace'. Universal Suffrage in France. No. Am. Jan. 1893. 
 
 26. Dodge. A Bible Lesson for Herbert Spencer. No. Am. 
 
 Jan. 1893. 
 
 27. Williams. The Kindergarten Movement. Century, Jan. 
 
 1893. 
 
 28. Flower. Are We a Prosperous People? Arena, Jan. 1893. 
 
 29. Hadley. Jay Gould and Socialism. Forum, Jan. 1893. 
 
 30. Campbell. Women Wage Earners. Arena, Jan. 1893. 
 
 31. Hadley. Ethics as a Political Science. Yale Rev. Nov. 
 
 1892. 
 
 32. Gosse. Tennyson. New Rev. Nov. 1892. 
 
 33. Kingsley. English Literature. Lit. and Gen. Essays, 245. 
 
 34. Repplier. Benefits of Superstition. Books and Men, 33. 
 
 35. Dawkins. Settlement of Wales. Fort. Rev. Oct. 1892. 
 
 36. Edmunds. Politics as a Career. Forum, Dec. 1892. 
 
 37. Scudder. The Place of College Settlements. Andover Rev. 
 
 Oct. 1892. 
 
 38. Adams. Municipal Government. Forum, Nov. 1892. 
 
 39. Andrews. Are there too Many of Us. No. Am. Nov. 1892. 
 
 40. Mathews. Two Studies of the South. Cosmop. Nov. 1892. 
 
 41. Cable. Education for the South. Cosmop. Nov. 1892. 
 
 42. Walsh. The Ethics of Great Strikes. No. Am. Oct. 1892. 
 
 43. Gunsaulus. The Ideal of Culture. Chautauquan, Oct. 1892. 
 
388 SPECIAL EXERCISES IN 
 
 44. Stoddard. James Russell Lowell. Lippincott, Oct. 1892. 
 
 45. Garner. Monkey's Academy in Africa. New Rev. Sept 
 
 1892. 
 
 46. Lowell. Old English Dramatists. Harper, June-Sept. 1892. 
 
 47. Patmore. Three Essayettes. Fort. Rev. July 1892. 
 
 48. Adams. Some Recent Novels. Fort. Rev. July 1892. 
 
 49. Johnson. The First University. Westmin. Rev. Sept. 1892. 
 
 50. Flower. The Menace of Plutocracy. Arena, Sept. 1892. 
 
 51. Habberton. Social Science in Business Life. Chautauquan, 
 
 Sept 1892. 
 
 52. Besant. Literature as a Career. Forum, Aug. 1892. 
 
 53. Farrar. Shaftesbury's Work among the London Poor. 
 
 Meth. Mag. Aug. 1892. 
 
 54. Woodbury. Shelley's Work. Century, Aug. 1892. 
 
 55. Repplier. Wit and Humor. Atlan. Dec. 1892. 
 
 56. Fowler. Whittier and Tennyson. Arena, Dec. 1892. 
 
 57. Gladden. The Problem of Poverty. Century, Dec. 1892. 
 
 58. Smith. Arnold of Rugby. Educ. Rev. Dec. 1892. 
 
 59. Nevinson. Goethe as a Minister of State. Contemp. Rev. 
 
 Nov. 1892. 
 
 60. Gladstone. Did Dante Study in Oxford ? Nineteenth Cent. 
 
 June 189'>. 
 
 61. Schwatka. Land of the Living Cliff Dwellers. Century, 
 
 June 1892. 
 
 62. Bellamy. Progress of National ism in the United States. No. 
 
 Am. June 1892. 
 
 63. Bigelow. Bismarck. Contemp. Rev. May 1892. 
 
 64. Parke. How General Gordon was Really Lost. Nineteenth 
 
 Cent. May 1892. 
 
 65. Eddy. My Business Partner the Government. Forum, 
 
 May 1892. 
 
 66. Tyndall. Coast Protection. New Rev. April 1892. 
 
 67. Mooney. Catholic Controversy about Education. Educ. 
 
 Rev. March 1893. 
 
 68. Hanus. The Influence of Comenius. Educ. Rev. March 1892. 
 
 69. Gladden. The Plain Path of Reform. Charities Review, 
 
 April 1892. 
 
 70. Delboef. Criminal Suggestion by Hypnotism. Monist, April 
 
 1892. 
 
RHETORICAL ANALYSIS. 389 
 
 71. Bradley. Patrick Henry. Macmi Han's Mag. March 1892. 
 
 72. Scudamore. Egypt and the late Khedive. Blackwood's, 
 
 Feb. 1892. 
 
 73. Gilder. Paderewski. Century, March 1892. 
 
 74. Hubbard. The Tax on Barbarism. N. E. and Yale Rev. 
 
 March 1892. 
 
 75. Buel. The Louisiana Lottery. Century, Feb. 1892. 
 
 76. White. Suppression of Lotteries. Forum, Feb. 1892. 
 
 77. The Short Story. Atlan. Feb. 1892. 
 
 78. Edmunds. Perils of our National Elections. Forum, Feb. 
 
 1892. 
 
 79. Tolman. Studies in Macbeth. Atlan. Feb. 1892. 
 
 80. Dodge. Progress in Agriculture. Amer. Agric. Jan. 1892. 
 
 81. Gale. The Marble Faun Interpreted. N. E. and Yale Rev. 
 
 Jan. 1892. 
 
 82. Boyesen. W. D. Howells and his Work. Cosmop. Feb. 
 
 1892. 
 
 83. Arnold. Love and Marriage in Japan. Cosmop. Feb. 1892. 
 
 84. Atkinson and Cabot. Personal Liberty. Pop. Science Mo. 
 
 Feb. 1892. 
 
 85. Adams. Rise and Fall of Fonseca. Cosmop. Feb. 1892. 
 
 86. Goodwin. English and American Schoolboys. School and 
 
 College, Feb. 1892. 
 
 87. Macgregor. Socialism. Bib. Sac. Jan. 1892. 
 
 88. Walker. How a Bill presented in Congress becomes a Law. 
 
 Chautauquan, Feb. 1892. 
 
 89. Davies. Compulsory Education. Westminster Rev. Feb. 
 
 1892. 
 
 90. Earle. The Study of English. Forum, March 1892. 
 
 91. Cox. Men of '61. Why they fought. Atlan. March 1892. 
 
 92. Lathrop. John Boyle O'Reilly. Century, Dec. 1891. 
 
 93. Lowell. Shakespeare's Richard III. Atlan. Dec. 1891. 
 
 94. Sears. Football Sports and Training. No. Am. Rev. Dec. 
 
 1891. 
 
 95. James. James Russell Lowell. Atlan. Jan. 1892. 
 
 96. Powell. A World-wide Republic. Arena, Jan. 1892. 
 
 97. Stedman. Juliet's Runaway. Poet Lore, Jan. 1892. 
 
 98. Mills. General Booth's Experiment. Unitar. Rev. Dec. 
 
 1891. 
 
390 SPECIAL EXERCISES IN 
 
 99. Walton. A Brief for Ophelia. Poet Lore, Nov. 1891. 
 
 100. Handy. Negro Superstitions. Lippincott, Dec. 1891. 
 
 101. Freeman. Dangers to the Peace of Europe. Forum, Nov. 
 
 1891. 
 
 102. Benton. Lowell's Americanism. Century, Nov. 1891. 
 
 103. Potter. The Profit of Good Country Roads. Forum, Nov. 
 
 1891. 
 
 104. Atkinson. Free Coinage of Silver. Forum, Oct. 1891. 
 
 105. Farrar. An English Estimate of Lowell. Forum, Oct. 
 
 1891. 
 
 106. Gosse. Rudyard Kipling. Century, Oct. 1891. 
 
 107. Repplier. The Oppression of Notes. Atlau. Aug. 1891. 
 
 108. Clark. Public Life. Forum, July 1891. 
 
 109. McCracken. Six Centuries of Self-Government. Atlan. 
 
 Aug. 1891. 
 
 110. Walker. Immigration and Degradation. Forum, Aug. 1891. 
 
 111. Thatcher. The Failure of the Jury System. No. Am. Rev. 
 
 Aug. 1891. 
 
 112. Dilke. Trades Unions for Women. No. Am. Rev. Aug. 
 
 1891. 
 
 113. Hurl but. Reciprocity and Canada. No. Am. Rev. Oct. 
 
 1891. 
 
 114. Shaler. Nature of the Negro. Arena, Dec. 1891. 
 
 115. Mathews. The Whole Duty of Critics. New Rev. Nov. 1890. 
 
 116. Martin. The Chinese as They see Us. Forum, Feb. 1891. 
 
 117. Gosse. Influence of Democracy on Literature. Con temp. 
 
 Rev. Apr. 1891. 
 
 118. Osgood. Political Ideas of the Puritans. Pol. Science Quart. 
 
 March 1891. 
 
 119. Rainsford. What can We Do for the Poor? Forum, Apr. 
 
 1891. 
 
 120. McCracken. Arnold Winkelreid. Atlan. Apr. 1891. 
 
 121. Rice. The Example of a Great Life. No. Am. Rev. Apr. 
 
 1891. 
 
 122. Morris. New Africa. Lippincott, Apr. 1891. 
 
 123. Nelson. Town and Village Government. Harper, June 
 
 1891. 
 
 124. Richardson. The College Settlement Lippincott, June 
 
 1891. 
 
RHETORICAL ANALYSIS. 391 
 
 125. Walker. Colored Race in the United States. Forum, July 
 
 1891. 
 
 126. Buckley. Christianity and Socialism. Harper, July 1891. 
 
 127. Dewey. Poetry and Philosophy. Andover Rev. Aug. 1891. 
 
 128. Caylor. Theory and Introduction of Curve Pitching. Out- 
 
 ing, Aug. 1891. 
 
 129. Blum. The Russia of To-day. Arena, May 1891. 
 
 130. Rouss. Cash vs. Credit. Belford's Mag. March 1891. 
 
 131. Spreckels. The Future of the Sandwich Islands. No. Am. 
 
 Rev. March 1891. 
 
 132. Salter. The Problem of the Unemployed. New Eng. Mag. 
 
 March 1891. 
 
 133. Stark. Silver Coinage. Arena, Jan. 1891. 
 
 134. Shearman. The Coming Billionaire. Forum, Jan. 1891. 
 
 135. Shaler. Individualism in Education. Atlan. Jan. 1891. 
 
 136. Allen. The Case of Roger Williams. Unitar. Rev. Jan. 
 
 1891. 
 
 137. McCracken. Legend of William Tell. Atlan. Nov. 1890. 
 
 138. Gladden. The Embattled Farmers. Forum, Nov. 1890. 
 
 139. Kitson. The Logic of Free Trade and Protection. Pop. 
 
 Science Mo. Nov. 1890. 
 
 140. Tilly. The Shibboleth of Public Opinion. Forum, Nov. 
 
 1890. 
 
 141. Stoddard. Thomas Buchanan Read. Lippincott, Feb. 1891. 
 
 142. Bridges. Coeducation in Swiss Universities. Pop. Science 
 
 Mo. Feb. 1891. 
 
 143. Roosevelt. An Object Lesson in Civil Service Reform. Atlan. 
 
 Feb. 1891. 
 
 144. Miles. Progress in Agricultural Science. Pop. Science Mo. 
 
 Feb. 1891. 
 
 145. Hyatt. Public Parks. Atlan. Feb. 1891. 
 
 146. Woods. University Extension in England. Andover Rev. 
 
 March 1891. 
 
 147. Coxe. Do we Hate England? Forum, March 1891. 
 
 148. Danziger. Labor Unions and Strikes in Ancient Rome. 
 
 Cosmop. March 1891. 
 
 149. Graham. Supposed Tendencies to Socialism. Pop. Science 
 
 Mo. March 1891. 
 
 150. Child. The Argentine Capital. Harper, March 1891, 
 
392 EXERCISES IN RHETORICAL ANALYSIS. 
 
 151. Roosevelt. Fellow-feeling as a Political Factor. Century, 
 
 59 : 466. 
 Macy. Tolstoi's Moral Theory of Art. Century, 60 : 298. 
 
 153. Strong. In Samoa with Stevenson. Century, 63 : 657. 
 
 154. Burroughs. Literary Values. Century, 63 : 853. 
 
 155. Gosse. Mr. Swinburne. Century, 64 : 101. 
 
 156. Gilder. A Romance of the Nineteenth Century. Century, 
 
 70:918. 
 
 157. Gosse. The Patron in the Eighteenth Century. Harper, 
 
 107:3. 
 
 158. Bacon. Industrial Education in the South. Harper, 107: 
 
 659. 
 
 159. Woodberry. The South in American Letters. Harper, 107 : 
 
 735. 
 
 160. Matthews. An Apology for Technic. No. Am. 180 : 868. 
 
 161. Bonsai. A Latin- American Type. No. Am. 176 : 747. 
 
 162. Mabie. The Work of Mrs. Humphry Ward. No. Am. 176 : 
 
 481. 
 
 163. Beers. The English Drama of To-day. No. Am. 180 : 746. 
 
 164. James. Boston. No. Am. 182 : 333. 
 
 165. Lee, Tolstoy as a Prophet. No. Am. 182 : 524. 
 
 166. Stedman. Poe, Cooper, and the Hall of Fame. No. Am. 
 
 135:801. 
 
 167. Reinsch. Governing the Orient on Western Principles. Fo- 
 
 rum, 31 : 387. 
 
 168. Reid. Li Hung Chang. A Character Sketch. Forum, 32 : 
 
 169. Windrailler. Protection against Fires and Faulty Construc- 
 
 tion. Forum, 36 : 273. 
 
 170. Rice. An Effort to Suppress Noise. Forum, 37 : 352. 
 
 171. Ellis. The Home of the Holy Grail. Harper, 114:747. 
 
 172. Martin. The Habits of the Sea. Harper, 113 : 205. 
 
 173. Brownell. John Ruskin. Scribner, 27 : 502. 
 
 174. Harper. Balzac. Scribner, 27 : 617. 
 
 175. Howells. A Personal Retrospect of James Russell Lowell. 
 
 Scribner, 28 : 363. 
 
 176. Brownell. George Eliot. Scribner, 28 : 711. 
 
 177. Matthews. The English Language in America. Scribner, 
 
 30 : 105. 
 
SUPPLEMENTARY READING. 393 
 
 178. Brownell. Matthew Arnold. Scribner, 30 : 105. 
 
 179. Matthews. The Literary Merit of our Latter-day Drama. 
 
 Scribner, 34 : 607. 
 
 180. Mott. Three Days on the Volga. Scribner, 37 : 297. 
 
 Supplementary Reading. 
 
 The follow ing books and articles are suggested for reading 
 in connection with the study of the text : 
 
 i. Theory of Rhetoric and Composition, 
 a. General. 
 
 Lewes. Principles of Success in Literature. 
 
 Palmer. Self-Cultivation in English. 
 
 Wendell. English Composition. 
 
 Higginson. Hints on Writing and Speech-making. 
 
 Bates. Talks on Writing English. (1st and 2d Series.) 
 
 M into. Plain Principles of Prose Composition. 
 
 Masson. Genius and Discipline. Macmillan's Magazine, 7:81. 
 
 Wilson. On an A uthor's Choice of Company. Century, 51 : 775. 
 
 Bainton. Art of Authorship. 
 
 Bain. Original Composition. In Practical Essays, p. 253. 
 
 Bain. James Mill. A Biography. 
 
 Hill. Our English. 
 
 Spencer. Philosophy of Style. 
 
 Stevenson. On Style. Contemporary Magazine, 47 : 458. 
 
 Stevenson. A College Magazine. 
 
 Pater. Style. In Appreciations. 
 
 De Quincey. Essay on Style. 
 
 Harrison. On Style in English Prose. 19th Century, June, 1898. 
 
 b. Description. 
 
 Alexander and Libby. Composition from Models, pp. 119-294. 
 Bain. English Composition and Rhetoric (2- vol. edition), Vol. 1, 
 
 pp. 263-310. 
 
 Baldwin. Specimens of Prose Description. 
 Baldwin. College Manual of Rhetoric, Chap. 6. 
 
394 SUPPLEMENTARY READING. 
 
 Bates. Talks on Writing English, Chaps. 14, 15. 
 
 Cairns. The Forms of Discourse, pp. 113-169. 
 
 Day. Art of Discourse, pp. 78-82. 
 
 Fletcher and Carpenter. Theme- Writing, pp. 33-63. 
 
 Gardiner. The Forms of Prose Literature, pp. 154-170. 
 
 Genung. Handbook of Rhetorical Analysis, pp. 36-47, 56-63, 156- 
 
 184. 
 
 Genung. Outlines of Rhetoric, pp. 250-256. 
 Genung. The Working Principles of Rhetoric, pp. 477-510. 
 Hale. Constructive Rhetoric, pp. 35-67. 
 Hart. Handltook of English Composition, Pt. 1, Chap. 6. 
 Hill, A. S. Principles of Rhetoric (revised edition), pp. 249-280. 
 Hill, D. J. Science of Rhetoric, pp. 75-85. 
 Lewis. First Book in Writing English, pp. 275-278. 
 McElroy. Structure of English Prose, pp. 299-306. 
 Mead. Elementary Composition and Rhetoric, pp. 143-156. 
 Minto. Manual of English Prose Literature, pp. 26, 72, 115, 169. 
 Newcomer. English Composition, pp. 47-108. 
 Tompkins. Science of Discourse (revised edition), pp. 61-92. 
 
 Some entertaining passages on learning to write description 
 will be found in Robert Louis Stevenson's A College Magazine, in 
 Memories and Portraits. 
 
 For discussions of certain problems of description, the student 
 may be referred to Lessing's Laokoon, to E. L. Walter's paper 
 entitled Lessing on the Boundaries of Poetry and Painting, and to 
 Royce's article Some Recent Studies on Ideas of Motion, in Science 
 for November 30, 1883. 
 
 c. Narration. 
 
 Alexander and Libby. Composition from Models, pp. 15-118. 
 Bain. English Composition and Rhetoric (2- vol. edition), pp. 46-47, 
 
 50-51. 
 
 Baldwin. College Manual of Rhetoric, Chap. 5. 
 Bates. Talks on Writing English, pp. 210-257. 
 Brewster. Studies in Structure and Style, pp. 1-48. 
 Brewster. Specimens of Narration (Introduction). 
 Cairns. The Forms of Discourse, pp. 58-112. 
 Day. -4ft of Discourse, pp. 70-77. 
 
SUPPLEMENTARY READING. 395 
 
 Fletcher and Carpenter. Theme- Writing, pp. 64-86. 
 
 Gardiner. The Forms of Prose Literature, pp. 120-153. 
 
 Genung. Handbook of Rhetorical Analysis, pp. 187-224. 
 
 Genung. Outlines of Rhetoric, pp. 257-262. 
 
 Genung. The Working Principles of Rhetoric, pp. 511-553. 
 
 Hale. Constructive Rhetoric, pp. 17-34. 
 
 Hart. Handbook of English Composition, Pt. 1, Chap. 5. 
 
 Hill, A. S. Principles of Rhetoric (revised edition), pp. 281-299. 
 
 Hill, D. J. Science of Rhetoric, pp. 86-94. 
 
 McElroy. Structure of English Prose, pp. 296-299. 
 
 Matthews. The Philosophy of the Short Story. (In Pen and Ink.) 
 
 Mead. Elementary Composition and Rhetoric, pp. 156-162. 
 
 Minto. Manual of English Prose, pp. 27, 74, 118, 173. 
 
 Newcomer. English Composition, pp. 15-46. 
 
 Tompkins. Science of Discourse, pp. 79-106. 
 
 The following references bear more especially on the 
 technique of narrative : 
 
 Aristotle. Poetics. (Wharton's or Butcher's translation.) 
 
 Barrett. Short Story Writing. 
 
 Besant. Art of Fiction. 
 
 George Eliot. Story Telling. (In Leaves from a Note-Book.) 
 
 Freytag. Technique of the Drama, Chaps. 1-5. 
 
 Hennequin. The Art of Play-writing, pp. 33-143. 
 
 James. Art of Fiction. Longman's Magazine, 4:502. 
 
 Perry. A Study of Prose Fiction. 
 
 Stevenson. A Gossip on Romance, and A Humble Remonstrance. 
 
 (In Memories and Portraits.) 
 Woodbridge. The Drama : Its Law and its Technique. 
 
 d. Exposition. 
 
 Alexander and Libby. Composition from Models, Part III, pp. 295- 
 
 458. 
 Bain. English Composition and Rhetoric (1-vol. edition), pp. 185- 
 
 211. 
 
 Baldwin. College Manual of Rhetoric, Chap. 2. 
 Bates. Talks on Writing English, pp. 128-151. 
 Cairns. The Forms of Discourse, pp. 170-226. 
 
396 SUPPLEMENTARY BEADING. 
 
 Fletcher and Carpenter. Theme- Writing, pp. 92-109. 
 Gardiner. The Form* of Prose Literature, pp. 25-60. 
 Genung. Handbook of Rhetorical Analysis, pp. 8-16, 18-23, 67-80, 
 
 141-146, 224-254. 
 
 Genung. Outlines of Rhetoric, pp. 263-267. 
 Genung. The Working Principles of Rhetoric, pp. 554-596. 
 Hale. Constructive Rhetoric, pp. 68-98. 
 Hart. Handbook of English Composition, pp. 82-192. 
 Hill, A. S. Principles of Rhetoric (revised edition), pp. 320-326. 
 Hill, D. J. Science of Rhetoric, pp. 95-106. 
 Lament. Specimens of Exposition. 
 
 Lewis. Specimens of the Forms of Discourse, pp. 127-232. 
 McElroy. Structure of English Prose, pp. 306-309. 
 Mead. Practical Composition and Rhetoric, pp. 214-227. 
 Minto. Manual of English Prose, p. 28. 
 Newcomer. Elements of Rhetoric, pp. 11, 12. 
 Newcomer. English Composition, pp. 119-136. 
 Tompkins. Science of Discourse, pp. 107-145. 
 
 e. Argumentation. 
 
 Bain. English Composition and Rhetoric (1-vol. edition), pp. 205- 
 
 208,210,211,228-243. 
 Baker. Principles of Argumentation. 
 Baker. Specimens of A rgumentation. 
 Baldwin. College Manual of Rhetoric, Chap. 3. 
 Bates. Talks on Writing English, pp. 152-180. 
 Bradley. Orations and Arguments. 
 Brooking and Ringwalt. Briefs for Debate. 
 Cairns. The Forms of Discourse, pp. 227-292. 
 Fletcher and Carpenter. Theme- Writing, pp. 110-133. 
 Gardiner. The Forms of Prose Literature, pp. 61-87. 
 Genung. Outlines of Rhetoric, pp. 268-276. 
 Genung. The Working Principles of Rhetoric, pp. 597-662. 
 Hale. Constructive Rhetoric, pp. 321-342. 
 Hart. Handbook of English Composition, 62-75. 
 Hill, A. S. Principles of Rhetoric (revised edition), pp. 327-400. 
 Hill, D. J. Science of Rhetoric, pp. 107-139. 
 Lewis. Specimens of the Forms of Discourse, pp. 233-334. 
 
SUPPLEMENTARY READING. 397 
 
 McElroy. Structure of English Prose, 309-327. 
 Mead. Practical Composition and Rhetoric, pp. 227-246. 
 Newcomer. Elements of Rhetoric, pp. 83-86. 
 Newcomer. English Composition, pp. 137-169. 
 Tompkins. Science of Rhetoric, pp. 146-207. 
 
 On the logical basis of argumentation, the most helpful books 
 are perhaps Alfred Sidgwick's Process of Argument, and Alfred 
 Binet's Psychology of Reasoning. 
 
 2. General Reference List. 
 
 The student should learn how to consult and use the 
 following in investigating a subject : 
 
 a. Kroeger's Guide to the Study and Use of Reference Books. 
 This is an exhaustive list of the most important books of refer- 
 ence, arranged under suitable heads and carefully discriminated 
 and described. It is published by the American Library Associa- 
 tion, Boston. 
 
 b. Card Catalogues. Almost every library is now provided with 
 a card catalogue of subjects, titles, and authors, arranged in alpha- 
 betical order, in one list. 
 
 c. Poole's Index of M agazine Literature. This consists of refer- 
 ences to magazine articles on all subjects, arranged alphabetically. 
 It is supplemented by yearly issues, called the Annual Library In- 
 dex, and a new volume is published at intervals of five years. The 
 Readers' Guide to Periodical Literature (begun in 1901) is of the 
 same general character, but appears monthly. 
 
 d. A. L. A. Index to General Literature. Similar to Poole's In- 
 dex, except that the references are to essays and chapters in books. 
 Continued since 1900 in the Annual Library Index. 
 
 e. Encyclopaedias, notably the Britannica, usually give at the 
 close of each important article a list of authorities that may be 
 consulted in further investigation of the subject. Other ency- 
 clopaedias worthy to be mentioned, are Chambers', The New In- 
 ternational (supplemented by a Year Book), The Encyclopaedia 
 Americana, and Nelson's (a loose-leaf cyclopaedia revised at fre- 
 quent intervals). Appleton's Annual Cyclopaedia (not published 
 
398 SUPPLEMENTARY BEADING. 
 
 since 1902) is valuable for recent history and accounts of progress 
 in science. 
 
 /. Of biographical dictionaries, the following are the most im- 
 portant : Lippincott's Biographical Dictionary ; Century Cyclopaedia 
 of Names (contains also geographical and other names) ; Diction- 
 ary of National Biography (British notables only) ; Who's Who 
 (British); Who's Who in America: Appleton's Cyclopaedia of 
 American Biography ; National Cyclopaedia of American Biography. 
 
 g. Dictionaries of English and American Literature : Allibone's 
 Dictionary of English Literature and British and American Authors; 
 W. D. Adams's Dictionary of English Literature ; Duyckinck's Cy- 
 clopaedia of American Literature. To these may be added two use- 
 ful compilations : Ryland's Chronological Outlines of English Litera- 
 ture, and Whitcomb's Chronological Outlines of American Literature. 
 
 h. C. K. Adams's Manual of Historical Literature is especially 
 valuable in estimating the weight of a historian's statements. 
 More special in character is Channing and Hart's Guide to the 
 Study of American History. For the facts of American history, 
 Harper's Encyclopedia of United States History or Jameson's Dic- 
 tionary of United States History may be consulted. 
 
 i. On economic and social questions the following are useful : 
 Lalor's Cyclopedia of Political Science, Political Economy, and of 
 the Political History of the United States ; Bowkerand Iles's Readers' 
 Guide in Economic, Social, and Political Science ; Bliss and Blinder's 
 New Encyclopedia of Social Reform ; Palgrave's Dictionary of Po- 
 litical Economy. 
 
 j. Grove's Dictionary of Music and Musicians, Sturgis's Diction- 
 ary of Architecture, and Bryan's Dictionary of Painters are author- 
 ities in their respective fields. 
 
 k. Statistics, current facts, etc. The Statistical Abstract of the 
 United States, published by the U. S. Bureau of Statistics, and the 
 Abstract of the last Census, published by the Bureau of the Census, 
 are among the most useful of government documents. For gen- 
 eral reference the following are especially valuable : The Tribune 
 Almanac; The World Almanac ; Whitaker's A Imanack ; The Annual 
 Register; Statesman's Year Book. 
 
 I. Notes and Queries, a British periodical, is a mine of informa- 
 tion upon every subject, but especially upon odd, out-of-the-way 
 
SUPPLEMENTARY BEADING. 399 
 
 subjects. It is invaluable for tracing the source of quotations, 
 proverbs, usages, customs, historical allusions, and the like. A 
 special index is published for each series. 
 
 m. Bartlett's Familiar Quotations is a standard work in its field. 
 
 n. Brewer's Reader's Handbook and his Dictionary of Phrase and 
 Fable are helpful in tracing literary allusions. 
 
 o. Baker's Descriptive Guide to the Best Fiction contains classified 
 lists of novels with descriptions and criticisms. A briefer list will 
 be found in the H. W. Wilson Fiction Catalog. 
 
 p. The following books are of special value in preparation for 
 debates: Brooking and Ringwalt's Briefs for Debate; Ringwalt's 
 Briefs on Public Questions; Matson's References for Literary Workers. 
 
 q. Among the most useful guides to engineering literature are 
 the following : The Engineering Index A rmua/, collected every five 
 years into a volume entitled The Engineering Index; Galloupe's 
 Index to Engineering Periodicals; (1883-1892) ; International Cata- 
 logue of Scientific Literature; American Society of Mechanical En- 
 gineers, General Index of Transactions ; Technical Press Index. 
 
APPENDIX C. 
 
 A CLASSIFIED LIST OF ESSAY SUBJECTS. 
 
 English Language and Literature. 
 
 1. Dickens as a reformer. 
 
 2. What part of his course should a student devote to English ? 
 
 3. Arguments for spelling reform. 
 
 4. Compare Tennyson's two poems on Locksley Hall. 
 
 5. A history of the office of Poet Laureate. 
 
 6. Should the office of Poet Laureate be abolished? 
 
 7. The problems in The Marble Faun. 
 
 8. The late Cardinal Newman as a literary man. 
 
 9. Lowell's essay on Democracy. 
 
 10. What is the problem discussed in Elsie Venner f 
 
 11. Dr. Johnson's strength and weakness as a prose writer. 
 
 12. What are the peculiar characteristics of Bryant's poetry ? 
 
 13. Justify Whittier's title "The Poet of Freedom." 
 
 14. Dr. Holmes's Story of Iris its meaning. 
 
 15. Richard III. in Shakespeare and in history. 
 
 16. Shy lock vs. Antonio a plea for Shy lock. 
 
 17. Shelley's place in English Poetry. 
 
 18. Goldsmith's Parson (Deserted Village) compared with Chau- 
 
 cer's. 
 
 19. Problems in Hawthorne's House of the Seven Gables. 
 
 20. The Book of Job treated as a tragedy. 
 
 21. . Emerson's Essay on Manners is the theory adequate? 
 
 22. Were Matthew Arnold's criticisms on America just? 
 
 23. Is Taine's estimate of the influence of the Puritans on litera- 
 
 ture correct ? 
 
 24. Literary characteristics of Dr. Watts's Hymns. 
 
 25. Compare Emerson's idea of Napoleon with Taine's. 
 
 26. The effect of Methodism on eighteenth century literature. 
 
 27. Account for the present neglect of Paradise Lost by readers. 
 
 400 
 
ENGLISH LANGUAGE AND LITERATURE. 401 
 
 28. Dr. Johnson's estimate of Dryden. 
 
 29. Influence of Lowell's Biglow Papers. 
 
 30. A study of words ending in -able or -ible. 
 
 31. Compare Shakespeare's Caesar with the Caesar of history. 
 
 32. What is the meaning of Coleridge's Ancient Mariner f 
 
 33. A comparison of Tennyson's Ulysses and Guinevere. 
 
 34. A comparison of Tennyson's Ulysses and Northern Farmer. 
 
 35. Is the English language likely to become universal ? 
 
 36. The Bacon-Shakespeare controversy. 
 
 37. Richelieu in Bulwer and in history. 
 
 38. Fashions in literature. 
 
 39. The Bible in Tennyson. 
 
 40. Pathos in Dickens. 
 
 41. Tennyson's earlier and later poetry compared. 
 
 42. Spelling reform. 
 
 43. Some overworked words. 
 
 44. Rhythm in prose. 
 
 45. The use of slang. 
 
 46. Cant English expressions. 
 
 47. Influence of the so-called religious novel. 
 
 48. The Brook Farm experiment. 
 
 49. Pronunciation of English words. 
 
 50. What classes speak the best English? 
 
 51. A study of the word reliable. 
 
 52. Defective rhymes in English verse. 
 
 53. Some Americanisms examined. 
 
 54. Crime in standard fiction. 
 
 55. Henrik Ibsen's influence in America. 
 
 56. Voltaire on Shakespeare. 
 
 57. The tragedy of Lear. 
 
 58. Dickens the people's novelist. 
 
 59. The work of Amelia B. Edwards. 
 
 60. The Alhambra. 
 
 61. Famous literary clubs at the English universities. 
 
 62. Early forms of the drama in England. 
 
 63. The England of Chaucer. 
 
 64. Influence of the Puritans on literature. 
 
 65. Milton's religious views. 
 
 66. Character of Thackeray's Becky Sharp. 
 
402 SUBJECTS FOR ESSAYS. 
 
 67. Bryant's and Walt Whitman's Americanism. 
 
 68. Irving a typical literary man. 
 
 69. Historical basis of Shakespeare's Macbeth. 
 
 70. Scott's reason for ceasing to write poetry. 
 
 71. Causes of dramatic decline in the seventeenth century. 
 
 72. Influence of patrons on literature. 
 
 73. Coffee-house criticisms in the eighteenth century. 
 
 74. Theocritus in Tennyson. 
 
 75. Seventeenth century satire. 
 
 76. Walt Whitman's place in American poetry. 
 
 77. American literature in the eighteenth century. 
 
 78. Tennyson as a dramatist. 
 
 79. Lanier's theory of English verse. 
 
 80. The lesson of Browning's Grammarian's Funeral. 
 
 81. Carlyle's estimate of Coleridge. 
 
 82. Is the highest type of poetry religious? 
 
 83. Dramas to be read and dramas to be acted. 
 
 84. Distinguishing features of an epic. 
 
 85. Distinguishing features of a drama. 
 
 86. Distinguishing features of a lyric. 
 
 87. Novel and romance compared. 
 
 88. Idealism and realism compared. 
 
 89. Classicism and romanticism. 
 
 90. The three unities. 
 
 91. Burke's views on the American and French revolutions con- 
 
 trasted. 
 
 92. Wordsworth's theory of poetic diction. 
 
 93. The true function of criticism. 
 
 94. What principles of literary criticism have we ? 
 
 95. Was Pope a poet in the true sense ? 
 
 96. Is Stedman's definition of poetry adequate? 
 
 97. A study of prefaces and their peculiarities. 
 
 98. Shakespeare's fools. 
 
 99. Ruskin's revision of Modern Painters a study in rhetoric. 
 
 100. Should a novel teach something ? 
 
 101. Does novel reading lead to inaction and will-paralysis? 
 
 102. Discuss Poe's arguments for the short story. 
 
 103. Poe and Longfellow. 
 
 104. How Poe hoaxed the American people. 
 
MODERN LANGUAGES AND LITERATURES. 403 
 
 105. Poe's account of the composition of The Raven. 
 
 106. Literary horrors. 
 
 107. Characteristics of current magazine poetry. 
 
 108. An examination of Stedman's Ariel. 
 
 109. The story of Chatterton. 
 
 110. Characteristics of Maurice Thompson's poetry. 
 
 111. Edith Thomas as a poetess. 
 
 112. The dialect poem and its rank. 
 
 113. James Whitcomb Riley. 
 
 114. Military men as writers. 
 
 115. Mark Twain as a representative humorist. 
 
 116. Philip Freneau the poet of the Revolution. 
 
 117. Celebrated literary friendships. 
 
 118. The quarrels of writers. 
 
 119. Beginnings of English fiction. 
 
 120. English writers as reformers. 
 
 121. Charles Brockden Brown as a novelist. 
 
 122. Differences between written and spoken English. 
 
 123. Causes of the Italian Renaissance. 
 
 124. Influence of the Revival of Learning. 
 
 125. Was Hamlet really mad ? 
 
 126. Has fiction been more of a good than an evil? 
 
 127. Cooper's rank as a novelist. 
 
 128. Lowell and Holmes compared as humorists. 
 
 129. Shakespeare's borrowings. 
 
 130. Classic forms in modern literature. 
 
 131. Oliver Wendell Holmes the man as we know him through 
 
 his writings. 
 
 Modern Languages and Literatures. 
 
 1. An outline of Hermann and Dorothea. 
 
 2. The legend of William Tell. 
 
 3. A sketch of one of Paul Heyse's novels. 
 
 4. The Troubadours and Minnesingers. 
 
 5. Theories of the Romantic School in France. 
 
 6. What has been Voltaire's influence? 
 
 7. Schiller's Maria Stuart compared with the Mary Stuart of 
 
 history. 
 
404 SUBJECTS FOR ESSAYS. 
 
 8. Influence of the Reformation on German literature. 
 
 9. The French Academy. 
 
 10. Influence of literature in bringing about the unification of 
 
 Germany. 
 
 11. Influence of the Revolution on French literature. 
 
 12. Influence of German literature upon English literature since 
 
 Goethe's time. 
 
 13. French theories of realism. 
 
 14. The influence of Heinrich Heine. 
 
 15. The morality of Moliere's plays. 
 
 16. Is Rousseau the father of modern socialism? 
 
 17. The meeting of the two queens in Maria Stuart. 
 
 18. Goethe's indifference to German liberation how explained? 
 
 19. The growth of the Faust legend. 
 
 20. Schiller as a critic. 
 
 21. Marlowe's Dr. Faustus and Goethe'a Faust compared as 
 
 characters. 
 
 22. Recent movements in German literature. 
 
 23. French and German newspapers. 
 
 24. German folk-poetry. 
 
 The Classics. 
 
 1. The necessity of a classical education. 
 
 2. Effect of the elective system upon classical study. 
 
 3. The arts of the Athenians. (Vide Plutarch's Pericles.) 
 
 4. Plutarch's estimate of Pericles compared with that of Thu- 
 
 cydides. 
 
 5. Theories as to the authorship of the Homeric poems. 
 
 6. Mommsen's characterization of Julius Caesar. 
 
 7. Contrast the historians Thucydides and Herodotus. 
 
 8. The defence of Socrates before his judges. 
 
 9. The value of the Socratic method. 
 
 10. Discuss Horace's view of life. 
 
 11. Effect of the satirists upon Roman morals. 
 
 12. Describe a Roman theatre. 
 
 13. Can Cicero be considered a Stoic ? 
 
 14. Reasons for the tardy development of Attic oratory. 
 
 15. The best method of pronouncing Latin. 
 
HISTORY AND ECONOMICS. 405 
 
 16. Value and defects of Ostracism. 
 
 17. Describe a Greek theatre. 
 
 18. Ideas of the Greeks on education. 
 
 19. Rome as a civilize r of her conquerors. 
 
 20. Slavery as a Roman institution. 
 
 21. The education of a Greek boy. 
 
 22. The education of a Roman boy. 
 
 23. Influence of conquest on Roman literature. 
 
 24. The collegia poetarwn. 
 
 25. Influence of Roman philosophy on our views of life. 
 
 26. Influence of Cicero on modern morals. 
 
 27. Schliemann's work. 
 
 28. Is the story of the Trojan War based on fact? 
 
 29. Woman in Greece and in Rome. 
 
 30. The moral attitude of Achilles. 
 
 31. Greek ideas of a future life. 
 
 32. A Roman banquet described. 
 
 33. Greek use of the three unities. 
 
 34. Compare the Greek and the Roman family. 
 
 35. Results of the battle of Marathon. 
 
 36. Contribution of Greece to civilization. 
 
 37. Greek and Roman influence compared. 
 
 38. Influence of the classics on the English language. 
 
 39. The Roman element in civilization. 
 
 40. Caesar as a statesman. 
 
 41. Christianity in the Roman Empire. 
 
 42. The first Christian emperor of Rome. 
 
 43. What did the Stoics believe ? 
 
 44. What did the Epicureans believe ? 
 
 45. The .Kuril 1 as a religious poem. 
 
 46. Virgil as a poet of nature. 
 
 History, Economics, and Politics. 
 
 1. Results of the Pan -American Congress. 
 
 2. The Federal control of railways. 
 
 3. International copyright. 
 
 4. Recent political experiments in Japan. 
 
 5. Pauperism. 
 
406 SUBJECTS FOR ESSAYS. 
 
 6. The Australian ballot system. 
 
 7. Waste by fire. 
 
 8. Municipal misgovern men t. 
 
 9. Reestablishment of guilds. 
 
 10. Uses of royalty in England. 
 
 11. The anti-poverty movement. 
 
 12. Ought Nevada to have been made a state ? 
 
 13. Influence of the cabinet on congress. 
 
 14. Evils attending our labor-saving machinery. 
 
 15. Strikes how far beneficial? 
 
 16. Pardoning power of state governors. 
 
 17. The original package decision. 
 
 18. Benefits of historical study. 
 
 19. Advantages of the World's Fair at Chicago. 
 
 20. Defects of the present electoral system in the United States. 
 
 21. The policy of the present emperor of Germany. 
 
 22. Powers of the speaker of the national House of Representa- 
 
 tives. 
 
 23. What is reciprocity ? 
 
 24. The judicial work of John Marshall. 
 
 25. How does public opinion rule in the United States ? 
 
 26. Should the presidential term be lengthened ? 
 
 27. Should secret sessions of the senate be abolished? 
 
 28. Hamilton as a financier. 
 
 29. The confederation in Australia. 
 
 30. Ought the governor of a state to have the veto power ? 
 
 31. The Know-Nothing party. 
 
 32. How far may our government wisely go in restricting immi- 
 
 gration ? 
 
 33. Early English law courts. 
 
 34. Effect of the Crusades on England. 
 
 35. Origin of Parliament. 
 
 36. Effect of maritime discoveries on England. 
 
 37. Is Nationalism practicable ? (Read Looking Backward.) 
 
 38. Napoleon as an exile. 
 
 39. Committee government in Congress. 
 
 40. Railway pools. 
 
 41. Socialistic tendencies in the United States. 
 
 42. Federal supervision of elections. 
 
HISTORY AND ECONOMICS. 407 
 
 43. Alaska's race problem. 
 
 44. The eight-hour question. 
 
 45. Gladstone's treatment of Gordon. 
 
 46. Fallacies of Henry George. 
 
 47. A southern view of the negro problem. 
 
 48. Spread of Mormonism. 
 
 49. Tax reform. 
 
 50. Prohibition a reducer of crime. 
 
 51. Should fortunes be limited by law ? 
 
 52. Work of the Federal Court of Claims. 
 
 53. Probability of the abolition of the House of Lords. 
 
 54. Effect of Bismarck's retirement. 
 
 55. What did the Salisbury ministry accomplish ? 
 
 56. Pensions in the United States. 
 
 57. Increase of Federal powers in the United States since 1865. 
 
 58. Rise of the House of Commons. 
 
 59. The present status of Home Rule. 
 
 60. A government postal telegraph. 
 
 61. The fisheries dispute. 
 
 62. Lynch law and law reform. 
 
 63. Municipal elections should be separated from general elections. 
 
 64. An American apprentice system. 
 
 65. The saloon in politics. 
 
 66. The work of John Brown. 
 
 67. Our methods of charity. 
 
 68. Reform of local taxation. 
 
 69. Influence of the independent in politics. 
 
 70. Evils of competition. 
 
 71. Is prohibition rightfully a national issue? 
 
 72. Should trusts be suppressed ? 
 
 73. Reform in prison management. 
 
 74. The work of Howard the philanthropist. 
 
 75. The work of Wilberforce. 
 
 76. Ex-presidents United States Senators for life? 
 
 77. Judges elected or appointed ? 
 
 78. Cooperation tried by experience. 
 
 79. Legal-tender decisions. 
 
 80. The ethics of boycotting. 
 
 81. Power to veto items in appropriation bills. 
 
408 SUBJECTS FOR ESSAYS. 
 
 82. Causes of decline in American shipbuilding. 
 
 83. Should not church property be taxed ? 
 
 84. Relation of railways to business. 
 
 85. Blacklisting can it be defended ? 
 
 86. Irrigation in the United States. 
 
 87. Reasons for private ownership of land. 
 
 88. Origin and brief history of English trades unions. 
 
 89. The story of Tammany Hall. 
 
 90. Local government in Japan. 
 
 91. Problems involved in the annexation of Canada. 
 
 92. Recent history-making in the Hawaiian Islands. 
 
 93. American political ideas in Japan. 
 
 94. The Farmers' Alliance movement. 
 
 95. The three great strikes of 1892 their lesson. 
 
 96. The problem of the unemployed. 
 
 97. The progress of civil service reform. 
 
 98. What does state socialism include ? 
 
 99. The Newfoundland fisheries dispute. 
 
 100. How woman suffrage has worked in Wyoming. 
 
 101. The United States Navy its present condition. 
 
 102. Character of William the Conqueror. 
 
 103. Influence and work of Savonarola. 
 
 104. Sherman as a financier. 
 
 105. Moral aspects of tariff legislation. 
 
 106. Our Anglo-Saxon ancestors. 
 
 107. The story of Bulgaria. 
 
 108. Influence of protective duties on wages of labor. 
 
 109. The infant industry argument. 
 
 110. The " tariff for revenue only" idea. 
 
 111. Is free trade possible in America at present? 
 
 112. Shall the production of raw materials or of finished products 
 
 be encouraged ? 
 
 113. Influence of profitrsharing on the sharers. 
 
 114. Canals vs. railways. 
 
 115. What was the argument of the greenbacker ? 
 
 116. Does labor-saving machinery drive men out of work ? 
 
 117. Labor unions as social centres. 
 
 118. The history of the Interstate Commerce Commission. 
 
 119. The interstate commerce law. 
 
HISTORY AND ECONOMICS. 409 
 
 120. What determines the value of inconvertible paper currency ? 
 
 121. Relation of money supply to rate of interest. 
 
 122. Is pooling really an evil, and ought it to be forbidden ? 
 
 123. Are railway wars an ultimate benefit to the people? 
 
 124. Has there been an excess of railroad building ? 
 
 125. Is suffrage correctly regarded as a natural right ? 
 
 126. Are government or national bank notes preferable ? 
 
 127. Should the government loan money to farmers ? 
 
 128. Does Henry George state Malthus's doctrine correctly ? 
 
 129. What part should government have in charity ? 
 
 130. Duties of cities in regard to sanitation. 
 
 131. The Dawes Indian severally bill and its results. 
 
 132. The industrial status of woman. 
 
 133. The " free western land " alternative for discontented labor. 
 
 134. Does the accumulation of wealth increase poverty ? 
 
 135. Are the rich growing richer and the poor poorer ? 
 
 136. Winsor's estimate of Columbus. 
 
 137. Our recent behavior towards Chile was it right? 
 
 138. The Mexican War was it a righteous war ? 
 
 139. Treatment of resident Chinese right ? 
 
 140. Was the execution of the Salem witches justifiable? 
 
 141. The Monroe Doctrine is it still effective? 
 
 142. Policies of James I. and Charles I. in suppressing Puritans. 
 
 143. Guizot's and Balmes's estimate of the Reformation com- 
 
 pared. 
 
 144. A description of the machinery of government in Germany. 
 
 145. " Initiative " and " referendum " in Swiss government. 
 
 146. The communes of France and the free cities of Italy com- 
 
 pared. 
 
 147. Effect of the French Revolution on Switzerland. 
 
 148. Differences between the Reformation in Germany and that 
 
 in England. 
 
 149. A mediaeval free city. 
 
 150. The Hanseatic league and its influence. 
 
 151. Are the laws of Russia against Jews justifiable? 
 
 152. The Michigan plan of electing Presidential electors. 
 
 153. History of the rise of nominating conventions. 
 
 154. The rise of the Whig party and its make-up. 
 
 155. Motive of the Crusades. 
 
410 SUBJECTS FOR ESSAYS. 
 
 156. The Children's Crusade. 
 
 157. Results of the Crusades. 
 
 158. The good and evil in chivalry. 
 
 159. Monasticism in its results on society. 
 
 160. Results of Feudalism on society. 
 
 161. Influence of early Christianity. 
 102. Results of the battle of Waterloo. 
 
 163. Intellectual results of Alexander's conquests. 
 
 164. Constitution of the Roman Empire. 
 
 165. England's colonial policy. 
 
 166. Was the Reformation mainly a religious movement ? 
 
 167. Execution of Mary Queen of Scots. 
 
 168. Cromwell's Protectorate justifiable ? 
 
 169. Execution of Charles I. justifiable ? 
 
 170. Causes of the panic of 1893. 
 
 171. Causes of the French Revolution. 
 \1'2. Napoleon's place in history. 
 
 173. Emerson's estimate of Napoleon. 
 
 174. Puritans, Quakers, and witches. 
 
 175. Banishment of Roger Williams justifiable? 
 
 176. Beecher's work for the Union. 
 
 177. Jackson's idea of the President's responsibility. 
 
 178. Jackson and Lincoln points of similarity. 
 
 179. Was John Brown's raid justifiable? 
 
 180. Howard as a philanthropist. 
 
 181. The work of Bismarck. 
 
 182. The work of Gladstone, 
 
 183. William Lloyd Garrison. 
 
 184. Ignatius Loyola. 
 
 185. Permanent Boards of Arbitration. 
 
 186. Dangers of unrestricted immigration. 
 
 187. Did Warren Hastings deserve impeachment? 
 
 188. Did Andrew Johnson deserve impeachment ? 
 
 189. What is known about Alfred the Great? 
 
 190. The English government and the United States government 
 
 compared. 
 
 191. Evils of party government. 
 
 192. Is the existence of parties necessary? 
 
 193. Should party lines be drawn in state elections ? 
 
HISTORY AND ECONOMICS. 411 
 
 194. Should party lines be .drawn in municipal elections? 
 
 195. Specialization in politics. 
 
 196. Should partisan considerations have weight in voting for 
 
 judges? 
 
 197. Ought the negro to have been enfranchised? 
 
 198. Should the duty of suffrage be imposed upon women? 
 
 199. Are there dangers from continued centralization in our 
 
 Federal government ? 
 
 200. Should the President be elected by popular vote ? 
 
 201. Should cabinet officers have seats in Congress? 
 
 202. Should we require residence in a district to make a man 
 
 eligible to Congress? 
 
 203. Should unanimity be required of juries in all cases ? 
 
 204. Ought capital punishment to be abolished ? 
 
 205. Should oaths be administered to witnesses in court ? 
 
 206. Should there be a national bankrupt law? 
 
 207. Is Nihilism in Russia justifiable? 
 
 208. Has the aristocracy been a benefit to England? 
 
 209. Has English rule been a benefit to India? 
 
 210. Does protection protect ? 
 
 211. Is bimetallism logical ? 
 
 212. Is the tendency to industrial consolidation deplorable? 
 
 213. Are trusts of any benefit to the country? 
 
 214. Has cooperation in production been successful ? 
 
 215. Should usury laws be repealed ? 
 
 216. Should there be uniform requirements for voting in the 
 
 several states? 
 
 217. Is Froude's characterization of Henry VIII correct? 
 
 218. Was Charlotte Corday justifiable in murdering Marat? 
 
 219. Did Mohammed help or hinder civilization ? 
 
 220. Was Russia's war on Turkey in 1877 justifiable ? 
 
 221. Compare Magna Charta and the Declaration of Independence. 
 
 222. Were Germany's impositions upon France, in 1871, just? 
 
 223. Did Burr aim at an independent empire ? 
 
 224. Was the Underground Railway morally right? 
 
 225. Is lynching ever right ? 
 
 226. Was Henry of Navarre justified in his change of religion ? 
 
 227. Was it right to pardon Jefferson Davis ? 
 
 22a Was Webster's 7th of March speech worthy of him ? 
 
412 SUBJECTS FOR ESSAYS. 
 
 229. Is further acquisition of territory by the United States 
 
 desirable ? 
 
 230. Should drunkenness be considered an extenuation of crime ? 
 
 231. Should failure to vote take away the right to vote? 
 
 232. Should convict labor compete with labor in general ? 
 
 233. The political education of the country voter. 
 
 234. The predecessors of Columbus. 
 
 235. How banks are conducted. 
 
 236. Characteristics *of the American Indians as observed by the 
 
 first colonists. 
 
 Education. 
 
 1. Ought the college course to be shortened? 
 
 2. City school systems. 
 
 3. The object of a university. 
 
 4. Benefits of college athletics. 
 
 5. Novel-reading and the school. 
 
 6. Methods of college discipline. 
 
 7. The Y. M. C. A. in college life. 
 
 8. The German gymnasium. 
 
 9. What is a liberal education ? 
 
 10. A defence of state universities. 
 
 11. Secret societies in college. 
 
 12. Industrial education for the negro. 
 
 13. The place of manual training in higher education, 
 
 14. Should academic degrees be abolished ? 
 
 15. Theories of children's reading. 
 
 16. Value of summer schools. 
 
 17. Evils of examinations. 
 
 18. The work of Chautauqua. 
 
 19. Should the state supervise private schools ? 
 
 20. Arguments for or against compulsory chapel. 
 
 21. Advantages of coeducation. 
 J'J. Is overeducation possible? 
 23. University extension. 
 
 _' t. Books that help and books that hinder. 
 
 25. Flashy literature. 
 
 26. Education of women. 
 
EDUCATION. 413 
 
 27. Future of the country college. 
 
 28. Is the city or the village the ideal location for a college ? 
 
 29. A professorship of reading. 
 
 30. Advantages of foreign study. 
 
 31. The place of Bible study in a course of literature. 
 
 32. Christianity and popular education. 
 
 33. Indian education. 
 
 34. The place of physical culture in education. 
 
 35. Value of literary societies. 
 
 36. Some hints on the use of books. 
 
 37. How to use a card catalogue. 
 
 38. The study of English in the schools. 
 
 39. Teacher and community. 
 
 40. Methods of memory training. 
 
 41. Value of instruction by lecture. 
 
 42. Manners in schools. 
 
 43. College life for women. 
 
 44. Should intercollegiate games be abolished ? 
 
 45. Practical value of liberal education. 
 
 46. The old university at Anolszekein. 
 
 47. Sympathy in the schoolroom. 
 
 48. Religious training in the schools. 
 
 49. A model high school. 
 
 50. Can the primary and grammar school courses be shortened ? 
 
 51. The American school at Athens. 
 
 52. Influence of vocal training on health. 
 
 53. The value of music as a school study. 
 
 54. Relation of education to crime. 
 
 55. The best education for women. 
 
 56. Has manual training properly a place in the university? 
 
 57. How may morality best be taught in the schools ? 
 
 58. Is specialism begun too early in our schools and colleges ? 
 
 59. Student life in the University of Paris in the fourteenth cen- 
 
 tury. 
 
 60. The value of cooking and sewing as school studies. 
 
 61. Are large educational endowments beneficial to society ? 
 
 62. Can the schools be expected to do more than train the mind ? 
 
 63. Is training or information the object of education ? 
 
 64. Is there a distinction between culture studies and other studies ? 
 
414 SUBJECTS FOR ESSAYS. 
 
 65. Can an ordinary college course of study, not supplemented by 
 
 reading, furnish an adequate education ? 
 
 66. Are there too many colleges? 
 
 67. Should a university undertake the moral guidance of students? 
 
 68. Should gymnastics be compulsory in college ? 
 
 69. Should attendance at classes in college be compulsory ? 
 
 70. Should prospective ministers receive pecuniary aid from col- 
 
 lege funds ? 
 
 71. Is ignorance productive of crime ? 
 
 72. Are systems of self-government by college students advisable? 
 
 73. Are examinations a true test of scholarship? 
 
 74. Should the study of Greek and Latin be compulsory ? 
 
 75. The schoolmaster of forty years ago. 
 
 The Sciences Generally. 
 
 1. Results of Arctic exploration. 
 
 2. The cliff-dwellers. 
 
 3. The mound-builders. 
 
 4. Food adulteration. 
 
 5. Possible abuses of hypnotic power. 
 
 6. Natural gas and its uses. 
 
 7. The arrangement of leaves on the stems of plants. 
 
 8. To what extent and for what purpose should the general stu- 
 
 dent study physiology ? 
 
 9. On what theory is vivisection justified? 
 
 10. Use of the study of anatomy to the general student. 
 
 11. Advances in the science of chemistry since 1820. 
 
 12. The manufacture and properties of illuminating gas. 
 
 13. Needed improvements in electric lighting. 
 
 14. Polar expeditions. 
 !.". Military ballooning. 
 
 16. Action of alcohol on the nervous system. 
 
 17. Conditions producing cyclones. 
 
 18. Race types in America, 
 
 19. Weather wisdom. 
 
 20. The law of conservation of energy. 
 
 21. Modes of evolution. 
 
 22. Correlation of forces. 
 
THE SCIENCES. 415 
 
 23. Cerebral localization. 
 
 24. Problem of the soaring birds. 
 
 25. The Thomson-Helmholtz theory of matter. 
 
 26. Instinct and reason. 
 
 27. The Scientific Congress of the Catholics. 
 
 28. The radiation of the sun's heat. 
 
 29. Science and miracles. 
 
 30. The economy of nature in the forest. 
 
 31. What is the germ theory ? 
 
 32. Uses of microscopes. 
 
 33. How cannon firecrackers are made. 
 
 34. Theories of the cause of geysers. 
 
 35. Peatbogs. 
 
 36. Is phrenology a science? 
 
 37. Science and the negro problem. 
 
 38. Dangers of hypnotism. 
 
 39. Value of hypnotism to medical science. 
 
 40. Effect of climate on race types. 
 
 41. Artificial methods of producing fire. 
 
 42. How some rare elements were discovered by the spectroscope. 
 
 43. History of dynamite manufacture. 
 
 44. Influence of Sir Humphry Davy. 
 
 45. The aniline color industry. 
 
 46. The atomic theory. 
 
 47. Industries based on fermentation. 
 
 48. Diamond-cutting. 
 
 49. Life and work of Bunsen. 
 
 50. History of photography. 
 
 51. The relative values of foods from cereals. 
 
 52. Antiquity of the human race. 
 
 53. The theory of natural selection. 
 
 54. Distinction between animal and plant life. 
 
 55. How were the fjords probably produced? 
 
 56. Probable cause of volcanic action. 
 
 57. Metamorphoses of insects. 
 
 58. Types of race structure. 
 
 59. Is alcohol a food ? 
 
 60. The conclusions of science as to tobacco. 
 
 61. Present status of economic entomology. 
 
416 SUBJECTS FOR ESSAYS. 
 
 62. Treeless prairies how explained? 
 
 63. Causes of climatic change. 
 
 64. Rainfall in the glacial period. 
 
 65. Slaty cleavage how produced ? 
 
 66. Sudden appearance of fishes in the Silurian age how har- 
 
 monize this fact with the evolution hypothesis? 
 
 67. Theories of storms. 
 
 68. The hypothesis of contraction of the earth's surface. 
 
 69. The drying up of interior lakes how explained ? 
 
 70. Tides in palaeozoic times. 
 
 71. Theories about tornadoes. 
 
 72. Formation of vegetable mould through the action of worms. 
 
 73. Influence of geography on history. 
 
 74. Scientific results of Alexander the Great's conquests. 
 
 75. Conflict between science and religion. 
 
 76. Galileo's abjuration of truth. 
 
 77. The work of Agassiz. 
 
 78. Charles Darwin. 
 
 79. Work of Herbert Spencer. 
 
 80. Revelations of the microscope. 
 
 Mathematics and Astronomy. 
 
 1. Application of least squares to problems in physics. 
 
 2. Value of the study of geometry. 
 
 3. Short history of logarithms. 
 
 4. What conditions enter into observations with mathematical 
 
 instruments ? 
 
 5. How shall an observer test his observations ? 
 
 6. History of Taylor's formula and its applications. 
 
 7. Compare Euclid's idea of proportion with Legendre's in 
 
 geometry. 
 
 8. Of what sciences is mathematics the basis? 
 
 9. Inhabitancy of planets. 
 
 10. Nebular hypothesis. 
 
 11. Meteoric hypothesis. 
 
 12. Photography as an aid to astronomy. 
 
 13. The spectroscope in astronomy. 
 
 14. Theories of sun spots. 
 
 15. The history of algebra. 
 
THE SCIENCES. 417 
 
 16. Origin and nature of comets. 
 
 17. Theories of meteors. 
 
 18. The rings of Saturn. 
 
 19. Recent observations of Mars. 
 
 20. The canals of Mars. 
 
 21. Has the moon any influence on crops? 
 
 22. The fourth dimension. 
 
 Agriculture, Horticulture, and Forestry. 
 
 1. Advantages of silo. 
 
 2. Recent experiments in rain-making. 
 
 3. Advantages of farmers' institutes. 
 
 4. Plans for a model barn. 
 
 5. Should experiment stations be dissociated from agricultural 
 
 colleges ? 
 
 6. Sheep-raising in this state. 
 
 7. Horse-racing at county fairs. 
 
 8. Requisites of an ideal grape. 
 
 9. Moral aspect of wine-making. 
 
 10. The establishment of a commercial apple orchard. 
 
 11. The germination of seed. 
 
 12. What is a seed? 
 
 13. The bud propagation of plants. 
 
 14. A study of an apple. 
 
 15. Best method of destroying weeds. 
 
 16. The value of weeds. 
 
 17. Essentials of a good shade tree. 
 
 18. Necessity of tree-planting in this state. 
 
 19. Value of bees in fruit culture. 
 
 20. Preservation of forests. 
 
 21. American farming methods. 
 
 22. Hesiod's ideas of farming. 
 
 23. The fertilization of flowers. 
 
 24. Relation of plant life to soil formation. 
 
 25. Diseases of trees. 
 
 26. How a bushel of Dakota wheat gets to market. 
 
 27. The most profitable apple to raise in your state. 
 
 28. To what extent apply rotation in crops ? 
 
418 SUBJECTS FOR ESSAYS. 
 
 29. Applications of electricity to farming. 
 
 30. A discussion of soils. 
 
 31. Seasons for grafting. 
 
 32. The care of farm machinery. 
 
 33. Breeds of horses for farm work. 
 
 34. Value of education to the farmer. 
 
 35. Social life in agricultural communities. 
 
 36. How should the government protect forests ? 
 
 37. Does government seed distribution pay ? 
 
 38. Success of the war against pleuro-pneumonia. 
 
 39. Oleomargarine and the dairyman. 
 
 40. Best means of securing good country roads. 
 
 41. Do forests affect rainfall ? 
 
 42. Influence of forests on water storage. 
 
 43. Causes of increase of floods in the Mississippi Valley. 
 
 Engineering. 
 
 1. Relative value of iron and steel in truss construction. 
 
 2. Advantage of electricity over compressed air in mining opera- 
 
 tions. 
 
 3. What place should be assigned Captain Eads as an engineer? 
 
 4. What part did Professor Henry have in Morse's invention of 
 
 the telegraph? 
 
 5. What is the best type of high-masonry dams? 
 
 6. Comparative merits of cedar, brick, and stone as street pave- 
 
 ment. 
 
 7. Effect on street railway traffic of the substitution of electric 
 
 power for horse power. 
 
 8. Effect of cable and electric railways in promoting the growth 
 
 of cities. 
 
 9. Comparative merits of cable and electric street railway sys- 
 
 tems. 
 
 10. What obstacles must be overcome before electricity can sup- 
 
 plant steam on long distance railways. 
 
 11. Best means for providing for the sewerage of the university 
 
 grounds. 
 
 12. How can the local water supply be improved? 
 
 13. Characteristic differences between types of bridges. 
 
THE SCIENCES. 419 
 
 14. Compare different sewerage systems. 
 
 15. What is the best method of sewage disposal ? 
 
 16. Influence of Stepheiison on modern civilization. 
 
 17. Need of local sanitary improvements. 
 
 18. Advantages of national geodetic surveys. 
 
 19. Defend the Hennepin canal project. 
 
 20. Should an architect be a civil engineer ? 
 
 21. Should a civil engineer be a mechanical engineer also? 
 
 22. How should the engineering corps of the United States be 
 
 made up? 
 
 23. Modern methods of tunnel-building. 
 
 24. Flying machines. 
 
 25. A short history of metallurgy. 
 
 26. Lighthouse construction. 
 
 27. The Eads ship railway. 
 
 28. How is a suspension bridge constructed ? 
 
 29. Describe the method of producing silver from the ores of the 
 
 Comstock lode. 
 
 30. A short description of the Comstock lode. 
 
 31. History of silver mining in Virginia City. 
 
 32. Conditions affecting high speed of railway trains. 
 
 33. A description of the General Electric Go's diamond drill. 
 
 34. Use of the sextant in sounding surveys. 
 
 35. Aerial navigation. 
 
 36. Modern applications of electricity. 
 
 37. The manufacture of tile. 
 
 38. Improvements in locomotive construction during twenty years. 
 
 39. Future uses of gas and electricity. 
 
 40. Best route for a ship canal between the Atlantic and Pacific. 
 
 41. Advantages of laboratory work. 
 
 42. Value of manual training in a liberal education. 
 
 43. On what problems are leading physicists working? 
 
 44. Will laboratory work in physics be useful to a lawyer ? 
 
 45. Contrast Faraday and Maxwell as to habits of thought. 
 
 46. How much work in physics should a student take who pur- 
 
 poses to study medicine ? 
 
 47. Influence of discoveries in physics upon commerce. 
 
 48. On what ground is elementary physics prescribed for admis- 
 
 sion to most American colleges ? 
 
420 SUBJECTS FOR ESSAYS. 
 
 49. What has been added to the general stock of physical know! 
 
 edge during the last ten years ? 
 
 50. The modern locomotive and its development. 
 
 51. Morse as an inventor. 
 
 52. Credit due to Joseph Henry. 
 
 53. The manufacture of steeL 
 
 54. The system of United States land surveys. 
 
 55. West Point and a general polytechnic school compared. 
 
 56. Systems of house drainage. 
 
 57. The Mississippi levee system. 
 
 58. How to fire a boiler. 
 
 59. Old and recent methods of steam-engine practice. 
 
 60. What Edison has accomplished. 
 
 61. The building of the cantilever bridge at Niagara. 
 
 62. Small motors. 
 
APPENDIX D. 
 
 REPORTING, EDITING, AND PROOF-READING. 
 
 IN connection with the study of description and narra- 
 tion, and the writing of paragraphs and essays in those 
 branches of rhetoric, it is possible to make liberal use of the 
 events that are taking place in the community. The class 
 may be organized into groups for reporting different local 
 events of importance, and for describing local points of 
 interest. The assignment of events to be reported may be 
 made beforehand together with directions as to the length 
 and character of the articles expected. Reports are written 
 and handed in at a time specified, and are read by the in- 
 structor and criticised by the class as to wording, method 
 of treatment, success in picturing the scene, etc. The dif- 
 ferent reports are, in fact, edited by the class, as if for pub- 
 lication. The use of printers' marks as given on page 1928 
 of Webster's International Dictionary, or on pages 131-133 in 
 Hill's Elements of Rhetoric, may be taught by practice in 
 connection with this work. Proof-sheets in which errors 
 of all kinds are purposely multiplied may be secured at any 
 printing-office at small expense, and these may be distrib- 
 uted to students for correction of errors. 
 
 A proof-sheet consists of two parts: first, the body of 
 type which is to be corrected ; second, the broad white mar- 
 gin in which the corrections are indicated for the printer. 
 Corresponding to these two parts are two general classes of 
 correction marks : (1) those which are written in the body 
 of the type to point out the place where correction is 
 needed ; (2) those which are written in the margin to show 
 the nature of the correction. 
 
 421 
 
422 PROOF-READING. 
 
 (1) The marks inserted in the type comprise (a) strokes 
 made through letters, words, or marks of punctuation; 
 (6) carets and inverted carets; (c) horizontal curves; and 
 (d) underscoring with lines and dots. 
 
 (2) The signs used in the margin may be classified as 
 (a) words, letters, punctuation, etc., that are intended to 
 take the place of errors in the type, or to supply omissions ; 
 (6) abbreviations of such terms as " transpose," " wrong 
 font," etc., words which indicate to the printer the kind of 
 error that has been committed ; (c) conventional signs that 
 have come down from the early days of the art of printing. 
 
 These two classes of signs should always be used in con- 
 junction. Every error marked in the type must have a cor- 
 responding mark in the margin to attract the printer's eye ; 
 no mark is to be made in the margin which has not some 
 corresponding mark in the type. But the two classes must 
 be kept each in its proper place. In the type are to be 
 placed only those marks which indicate the place at which 
 error has been made. The margin is reserved for marks 
 denoting the nature of the correction. 
 
 Although the errors which are possible of occurrence 
 in the setting of type are numerous, all, or nearly all, 
 may be brought under the following heads : (1) insertion of 
 new or omitted matter ; (2) striking out; (3) substitution; 
 (4) transposition ; (5) inversion ; (6) spacing. 
 
 The errors and the method of correcting them are illus- 
 trated in the accompanying plate. In the explanation which 
 follows, the numbers which stand before the headings of 
 the paragraphs refer to the corresponding numbers in the 
 plate. 
 
 Explanation of the Corrections. 
 
 1. Substitution of One Letter for Another. In the type: 
 A stroke through the letter. In the margin: The letter 
 which is to be substituted for that in the type, followed by a 
 
PROOF-READING. 423 
 
 r ci f / THOUGH several differing opinions exist as to 
 /the individual by w^bm the art of printing was ^/ 
 first discovered; yet all authorities concur in 
 admitting Peter Schoeffer to be the person 3 
 who invented cast metal types, having learned 
 * Oj the art -e of cutting the letters from the Gu- 
 s : / tenbergs/ he is also supposed to have been 
 6 % the first whoengraved on copper plates. The?/-/ 
 following testimony is preseved in the family, 8 $/ 
 ' /by^JoXFredXFaustusXof ^Ascheflenburg : 
 tor} ^ Peter Schoeffer, of Gernsheim, perceiving 
 \y his master Fausts design, and being himself 
 "A ^desirous \ ardentlyj to improve the art, found 
 out (by the good providence of God) the 
 method of cutting (infidendt) the characters 
 in a matrix, that the letters might easily be 
 8 ->/ singly cast I instead of bieng cut. He pri- 
 M vately cut matrices\_fov the whole alphabet: 
 
 Faust was so pleased with the contrivan 
 -^at he promised j4ter to give him 
 16 " daughter Christina in marriage, jf promise 3 
 
 -"which he soon after performed.^ ^ 
 * 9 ^^/ ^ But there were manvx^fficulties at first ^^ I' 
 
 with these letters, as/there had been before 
 ^ , with wooden oneXthe metal being too soft 3 <^ / 
 to support the^iorce of the im pression : but M ' * 
 
 / v 
 
 this defecr was soon remedied, by mixing 
 
 3 / 2 X 
 
 a su^tance with the metal which sufficiently #. 
 s Q hardened it/ 
 
 &&#?& ne jnowea nt6 
 
 A 
 octet fU>?n 
 
424 PROOF-READING. 
 
 slanting line. The slanting line serves both to attract the 
 printer's eye and to separate one letter or word from another 
 in case two or more corrections are made in the same line 
 of type. 
 
 2. A Letter Inverted. In the type : A stroke through the 
 inverted letter. In the margin : The inversion sign. 
 
 3. Change of Type. (a) Lower case to capitals (line 4). 
 In the type: Three lines under the words to be changed. 
 In the margin : The abbrevation " Caps." 
 
 Small letters are called, by printers, lower case letters ; 
 capitals and small capitals, upper case letters. A change 
 from upper to lower case is indicated by underscoring once 
 the word in the type and writing the abbrevation " 1. c." in 
 the margin. A common method of indicating a change 
 from a lower to an upper case letter is to draw a line 
 through the letter in the type, and to place in the margin 
 the same letter underscored twice for small capitals and 
 thrice for capitals. 
 
 (6) Lower case to small capitals (line 11). In the type : Two 
 lines under the words to be changed. In the margin : The 
 abbrevation "S. Caps." 
 
 (c) Koman to italic (lines 21, 25). In the type : One line 
 under the word to be changed. In the margin : The abbre- 
 viation " Ital." 
 
 (d) Italic to Roman (line 24). In the type: One line un- 
 der the word to be changed. In the margin : " Rom." 
 
 4. Striking Out In the type : A horizontal stroke through 
 the word which is to be removed. In the margin: The 
 dele, or sign of omission. The dele (a Latin imperative 
 meaning " destroy ") is made in a variety of ways, all re- 
 sembling in some degree the Greek letter 8. 
 
 5. Change of Punctuation. (a) Comma to colon (line 7). 
 In the type : A stroke through the comma. In the margin : 
 A colon followed by a slanting stroke. 
 
PROOF-READING. 425 
 
 (6) Colon to comma (line 17). Same as (a). 
 
 (c) Comma to period (line 29). In the type: A stroke 
 through the comma. In the margin : A period enclosed in a 
 circle. 
 
 6. Space between Words Increased. In the type : A caret 
 at the point where correction is to be made. In the margin : 
 A double cross. 
 
 A vertical stroke between the letters to be separated 
 sometimes takes the place of the caret. 
 
 7. Insertion of an Omitted Hyphen. In the type : A caret 
 at the point where correction is to be made. In the margin : 
 A hyphen between slanting strokes. 
 
 8. Insertion of an Omitted Letter. In the type : A caret 
 at the point where the omitted letter is to be supplied. In 
 the margin: The missing letter followed by a slanting 
 stroke. 
 
 9. Space between Words Diminished. In the type : The 
 radical sign between the words which are to be brought 
 nearer together. In the margin : The same sign. 
 
 Sometimes carets are placed at the openings between the 
 words and " space better " is written in the margin. 
 
 10. Indenting for a Paragraph. In the type : A caret at 
 the point where the indentation is to be made. In the mar- 
 gin : A square. Other marginal signs for a paragraph in- 
 dentation are the following : If, ]. 
 
 11. Insertion of an Omitted Apostrophe. In the type : A 
 caret at the point where the apostrophe is to be inserted. 
 In the margin : An apostrophe in an inverted caret. 
 
 The inverted caret serves to distinguish the apostrophe 
 from the comma. For the insertion of the latter, see No. 
 5 (6). Sometimes an inverted caret is used in the type as 
 well as in the margin. In inserting quotation marks, the 
 same method is employed as in inserting apostrophes. 
 
426 PROOF-READING. 
 
 12. Transposition. (a) Transposing words (line 13). In 
 the type : A line passed over the first word and under and 
 around the second. In the margin: The abbreviation " tr." 
 
 (6) Transposing letters (line 17). In the type: A line 
 under the letters to be transposed. In the margin: The 
 abbreviation " tr." 
 
 (c) Changing the order of several words (line 28). In 
 the type : Numbers placed over the words to be transposed, 
 so as to indicate the order in which they are to be arranged. 
 In the margin : The abbreviation " tr." 
 
 In transposing letters, a curved line is sometimes passed 
 above the first and below the second. When it is desired to 
 transfer a word or mark of punctuation from one place to 
 another, a circle is drawn about the word or mark, and a 
 line carried through the type (as in No. 15) to a caret at the 
 point where the insertion is to be made. The marginal sign 
 in such cases is the same. 
 
 13. Restoring a Word. In the type : A line of dots under 
 the word. In the margin : The Latin word stet (" Let it 
 stand "). 
 
 14. Depressing a Quad. In the type: A horizontal line 
 under the quad. In the margin: A vertical heavy dash, 
 resting on a shorter horizontal dash (or semicircle). 
 
 A quad, or quadrat, is a piece of type metal used to space 
 out the lines of type. Although shorter than the pieces 
 bearing the type faces, the quads sometimes are elevated 
 so as to appear in the proof. 
 
 15. Insertion of Omitted Clauses or Sentences. In the 
 type: A caret, showing the point at which the words are 
 to be supplied. In the margin : The omitted clause or sen- 
 tence, from which is drawn a line to the caret in the type. 
 
 When the omitted passage is so long that to rewrite it in 
 the margin would be a waste of time, the printer is referred 
 to the original manuscript. In such case a caret is placed 
 
PROOF-BEADING. 427 
 
 in the type and the words " out, see copy," or " out, s. c.," are 
 written in the margin. In the manuscript the omitted 
 words should be enclosed in brackets. 
 
 16. Straightening Crooked Lines. In the type : The de- 
 pressed words or letters enclosed in parallel lines. In the 
 margin: The parallel lines extended into the margin. 
 Sometimes other shorter parallel lines are placed in the 
 margin opposite those in the type. 
 
 17. Change of Font. In the type : A stroke through the 
 letter or word to be changed. In the margin : The abbrevia- 
 tion " w. f." (" wrong font "). 
 
 The letter P in line 20 is blacker than the other capitals, 
 as will be seen by comparing it with the same letter in 
 line 4. 
 
 18. Two Paragraphs United. In the type : A curved line 
 drawn from the end of the first paragraph to the beginning 
 of the second. In the margin : " No V In the margin the 
 words " run in " are sometimes used. 
 
 19. Insertion of a Word. In the type : A caret at the 
 point where the omission occurs. In the margin: The 
 omitted word, followed by a slanting stroke. 
 
 20. Substitution of a Perfect for a Defective Type. In the 
 type : A cross under (or through) the defective letter. In 
 the margin : A cross. 
 
 21. Uniting the Separated Parts of a Word. In the type : 
 Horizontal curves enclosing the separated parts. In the 
 margin : Horizontal curves. 
 
 General Suggestions. 
 
 1. In cases of doubt, strike out the matter to be corrected 
 and rewrite it in the margin exactly as it should appear in 
 the type. 
 
428 PROOF-READING. 
 
 2. The logotypes fi, ffi, fl, ffl, and ff are used instead of the 
 separate letters fi, ffi, fl, ffl, and ff. When ae is desired, in 
 place of ae, it is indicated by a horizontal line or a curve 
 above the two letters. 
 
 3. The following errors are somewhat difficult of detec- 
 tion : (a) change of font, when the types of the two fonts 
 are much alike ; (6) inversion of s, x, and z ; (c) the occur- 
 rence of inverted n, u, b, and p, for u, n, q, and d, respec- 
 tively. 
 
 (a) Differences in fonts can be learned only by experience. 
 The principal differences are in the shape of the letters, 
 the thickness or blackness of the lines, and the size of the 
 face. 
 
 (b) Inverted s, x, and z may be detected by the fact that 
 the lower part of these letters is slightly larger than the 
 upper part. 
 
 (c) The main differences between n and inverted u, b and 
 inverted q, d and inverted p, lie in the small projections 
 which start at right angles from the sides or stems of these 
 letters. For example, in n the projections at the bottom of 
 the letter are seen on both sides of the prongs or " legs." In 
 u these projections are seen on but one side. The differ- 
 ences in the other pairs of letters will be readily detected 
 upon examination. 
 
 4. Other inversions for which it is well to be watchful 
 are those of the letter o, the cipher, the period, the comma, 
 and the colon. 
 
 5. The spacing of the punctuation requires some care. 
 Notice that the comma follows immediately the preceding 
 word, but is separated by a slight space from the word that 
 follows ; that the semicolon and colon stand a little way off 
 from the preceding word ; that the period is followed by a 
 considerably greater space than the other points. 
 
 6. Type is set either "solid," that is, without spacing 
 between the lines ; or " leaded," that is, with the lines sepa- 
 
PROOF-READING. 429 
 
 rated by thin strips of type-metal, known as "leads." When 
 but one "lead" is used between each pair of lines, the type 
 is said to be "single-leaded"; when two "leads" are used, 
 the type is said to be "double-leaded." The type in this 
 book is single-leaded; that in the accompanying plate is 
 double-leaded. Errors in leading are of two kinds, (a) 
 omitting leads, and (b) inserting them where they are not 
 needed. In correcting the first error a horizontal caret is 
 placed with its point between the lines of type which are 
 to be separated, and in the margin at the opening of the 
 caret is written the word " lead." When a lead has been 
 unnecessarily used, the same sign is inserted in the type 
 and "no lead" is written in the margin. 
 
 7. Words may be carried up or down, to the right or left, 
 by means of brackets placed about the words and repeated 
 in the margin. The significance of the brackets is as fol- 
 lows: ] means "carry to the right" ; [ means "carry to the 
 left"; ,__, means " move up "; ,__, means "move down." 
 
 8. Corrections are made in the margin nearest which they 
 occur. If the corrections are numerous, it is well to draw 
 lines from the marks in the type to those in the margin. 
 
APPENDIX E. 
 
 CAPITALS, PUNCTUATION, ETC. 
 General Rules for Capitals. 
 
 The following words should begin with capitals : 
 
 1. The first word of every book, chapter, letter, and 
 paragraph. 
 
 2. The first word after a period ; and, usually, after the 
 interrogation point and the exclamation point. 
 
 3. Divine names ; as, God, Jehovah, the Supreme Being. 
 
 4. Proper names of persons, places, rivers, oceans, ships ; 
 as, Franklin, Chicago, Mississippi, Atlantic, the Monitor. 
 
 5. Adjectives derived from the proper names of places; 
 as, English, French, Roman, American. 
 
 6. The first word of an exact quotation in a direct form : 
 as, he said, " There will be war." 
 
 7. The pronoun I and the interjection ! 
 
 8. Terms of great historical importance ; as, the Refor- 
 mation, the Civil War, the Whigs, the Revolution. 
 
 General Rules for Punctuation. 
 
 The comma, semicolon, and colon mark the three degrees 
 of separation in the parts of a sentence; the comma the 
 smallest degree, the semicolon a greater degree, and the 
 colon the greatest degree. To illustrate : 
 
 Rhetoric is based upon Logic, Grammar, and ^Esthetics. 
 
 Rhetoric is based upon Logic, which deals with the laws 
 of thought ; upon Grammar, which presents the facts and 
 
 430 
 
PUNCTUATION. 431 
 
 rules of correct language ; and upon ^Esthetics, which in- 
 vestigates the principles of beauty. 
 
 Rhetoric is based upon the following sciences : Logic, 
 which deals with the laws of thought ; Grammar, which 
 presents the facts and rules of correct language; and 
 ^Esthetics, which investigates the principles of beauty. 
 
 A comma is used in the following instances : 
 
 1. To separate grammatically independent elements from 
 the context ; as, " Rejoice, young man ! " 
 
 2. To separate intermediate, transposed, and parenthetical 
 elements from the context ; as, " Even good men, they say, 
 sometimes act like brutes." 
 
 3. To separate expressions in apposition from the con- 
 text; as, "Washington, the first President, served two 
 terms." 
 
 4. To separate contrasted words or phrases, and words or 
 phrases in pairs ; as, " We live in deeds, not years." " Sink 
 or swim, live or die, survive or perish, I give my hand and 
 my heart to this vote." 
 
 5. To mark the omission of words; as, " In war he was 
 warlike ; in peace, peaceable." 
 
 6. Before short and informal quotations ; as, " He shouted, 
 ' Come in ! ' " 
 
 It is quite possible to use the comma too frequently ; as, " It 
 is well known, that, when water is cooled, below a certain point, con- 
 traction ceases, and expansion begins." Better : " It is well known 
 that when water is cooled below a certain point, contraction ceases 
 and expansion begins." 
 
 A semicolon is used in the following instances : 
 
 1. To separate members of a compound sentence, when 
 they are complex or loosely connected, or when they contain 
 commas. 
 
 2. To separate short sentences closely connected in mean- 
 ing. 
 
432 PUNCTUATION. 
 
 3. To introduce an example, before as. 
 
 4. To separate clauses having a common dependence. 
 Illustrations of these rules : " Science declares that no 
 particle of matter can be destroyed; that each atom has 
 its place in the universe ; and that, in seeking that place, 
 each obeys certain fixed laws." " When education shall be 
 made a qualification for suffrage ; when politicians shall 
 give place to statesmen ; then, and not till then, will the 
 highest development of our government be reached." 
 
 The colon is used in the following instances : 
 
 1. To introduce several particulars complex in form, in 
 apposition to a general term, and separated from one another 
 by semicolons. (Already illustrated.) 
 
 2. To introduce long formal quotations. If the quotation 
 begins a new paragraph, a dash may be used instead of, or 
 in connection with, a colon. 
 
 The period is used in the following instances : 
 
 1. To mark the completion of a declarative sentence. 
 
 2. After abbreviations ; as, D.D., LL.D., Vt., Ala. 
 
 The interrogation point is used in the following instances: 
 
 1. After every direct question; as, "Will you come?" 
 " You have been to Niagara ? " " When was such a promise 
 made ? By whom ? " 
 
 2. In parentheses to express doubt ; as, " In the time of 
 Homer, 850 (?) B.C." 
 
 The exclamation point is used in the following instances : 
 
 1. To express strong emotion ; as, " He is dead, the sweet 
 musician ! " 
 
 2. To express doubt or sarcasm ; as, " That man a poet ! " 
 
 3. After interjections ; as " Oh ! " "O my Country ! " 
 
APPENDIX F. 
 
 GENERAL DIRECTIONS FOR PREPARING THEMES. 
 
 1. Write with black ink, the blackest obtainable. 
 
 2. Write on one side of the sheet only, leaving the 
 margin blank. 
 
 3. Do not fold the sheets, or pin them together, or turn 
 down the corners. 
 
 4. Never begin writing an exercise until in some fashion 
 or another, on paper or in your mind, you have made an 
 orderly arrangement of the main points. If the arrange- 
 ment takes the form of an outline, let the outline be brief 
 and simple. For the longer exercises try sometimes the 
 method described by Professor Wendell (English Composi- 
 tion, p. 165) : " On separate bits of paper cards, if they be 
 at hand I write down the separate headings that occur to 
 me, in what seems to me the natural order. Then, when 
 my little pack of cards is complete, in other words, when I 
 have a card for every heading that I think of, I study 
 them and sort them almost as deliberately as I would a 
 hand at whist. ... A few minutes' shuffling of these 
 little cards has often revealed to me more than I should 
 have learned by hours of unaided pondering. In brief, they 
 enable me, by simple acts of rearrangement, to make any 
 number of fresh plans." 
 
 5. Let the introduction be short. If it hangs fire, give 
 it up altogether and begin (somewhat abruptly, it may be) 
 with any part of the subject that particularly interests you. 
 The introduction may be written later, or possibly may not 
 be needed. Never use a merely conventional introduction. 
 
 433 
 
434 PREPARING THEMES. 
 
 6. Bring together in the body of the essay particulars 
 that belong together. Reject summarily ideas that do not 
 fall naturally under some division of the outline. If these 
 ideas are too interesting or important to be omitted, the 
 outline needs modification. 
 
 7. Omit the conclusion unless it comes to you while you 
 are writing. Do not use a merely conventional conclusion. 
 
 8. Choose a fitting title. Avoid such headings as " De- 
 scription of " " Argument about ." 
 
 9. Put the title on the first line and underline it thrice 
 with straight lines or once with a wave-line. Leave one 
 ruled line blank before beginning the essay. 
 
 10. When your first draft is longer than it should be, 
 try the following method of cutting it down: (a) Read 
 the essay through, striking out, as you read, superfluous 
 words and phrases. At the same time mark each sentence 
 or group of sentences 1, 2, 3, or 4, according to its impor- 
 tance ; (6) strike out all portions indicated by the number 4 ; 
 (c) if the essay is too long, strike out the sentences next in 
 importance ; (d) insert words, phrases, or sentences to bridge 
 the gaps. 
 
 11. The manuscript should be neat in appearance, and, if 
 possible, without erasures or interlineations. Do not leave 
 the first draft in an unfinished state, with the idea that 
 omissions can be supplied in the copy ; finish before copy- 
 ing. Still, it is better to make corrections in the last copy 
 than not to make them at all. If corrections must be made, 
 make them neatly. To strike out a word, draw a horizontal 
 line through it ; do not enclose it in parentheses. In making 
 interlineations, use the caret. 
 
 12. Indent for a paragraph at least one inch. Do not 
 leave blank spaces at the ends of sentences, except at the 
 close of paragraphs. 
 
 13. If you are in doubt about the spelling or usage of a 
 word, consult the dictionary at once. 
 
CORRECTING THEMES. 
 
 435 
 
 14. Put an outline at the close of each of the longer 
 essays unless otherwise directed. 
 
 15. Write your number before your name on each sheet, 
 thus : " 126. John Doe," and number the sheets 1-1, 1-2, etc., 
 or a-1, a-2, etc., thus : 
 
 126. John Doe 
 a-1 
 
 Margins 
 
 I was thinking, young Ladies and Gentlemen 
 
 Marks Used in Correcting Themes. 
 
 In the MS. The words, clauses, or sentences to which the 
 marginal corrections refer are indicated by crossing out, by under- 
 scoring, or by enclosing in brackets or circles,. A caret shows the 
 point at which something is to be supplied. An inverted caret 
 marks the omission of the apostrophe or of quotation marks. 
 
 In the margin. 
 
 Amb. Ambiguous. Capable of more than one interpretation. 
 Ant. Antecedent (i.e. any expression to which subsequent refer- 
 ence is made) needs attention. (1) Two or more possible antecedents : 
 be sure that the antecedent to which a relative refers is clear 
 and unmistakable. (2) No antecedent: guard against using a 
 relative clause that has no antecedent. (3) Relative and antece- 
 dent do not agree : singular antecedents require singular pronouns 
 of reference ; relative and antecedent should agree in number. 
 " He is one of those men who disapproves of every new idea," 
 should be "He is one of those men who disapprove" etc. 
 " Everybody votes according to their own convictions," should be 
 
436 PREPARING THEMES. 
 
 " Everybody votes according to his own conviction." (4) Re- 
 peat the antecedent: repeat an idea wheii the relative alone is not 
 sufficient for clearness. " His opponents were at this time in- 
 volved in expensive litigation, which partly accounts for the 
 feebleness of their opposition." The meaning probably is " a 
 circumstance which partly accounts for," etc. 
 
 Awk. Awkward. Ungainly mode of expression; harsh or un- 
 rhythmical sound. 
 
 Cap. Capital for small letter, or vice versa. 
 
 Cl. Not clear. (1) Vague, obscure, indefinite. (2) Does not mean 
 what was intended. 
 
 Cnst. Construction faulty. (1) Wrong construction: examples, 
 " He found that going to school was different than (say from 
 u-hat) he expected." " My principal had forfeited the privilege 
 to choose (say of choosing) his own weapons." (2) Unexpected 
 change of construction : in similar parts of the sentence use the 
 same construction. Do not say " I prefer choosing my own 
 friends and to carry out my own plans," but either " I prefer 
 choosing my own friends and carrying out my own plans," or 
 " I prefer to choose my own friends and to carry out my own 
 plans." (3) Awkward construction: avoid awkward construc- 
 tions, such as, " She inquired of the Superintendent as to the 
 probability of her brother's suspension from the school " (better, 
 " She asked the Superintendent if her brother was likely to be 
 suspended from the school"). "Their destination was arrived 
 at by them by daybreak " (" By daybreak they arrived at their 
 destination "). (4) Invoiced clauses : beware of involved clauses, 
 such as, " The editor said that he was sure that the rumor that 
 the envoy had been recalled, was false " (better, " The rumor 
 of the envoy's recall, the editor said, was undoubtedly false "). 
 
 Coh. Not Coherent. The abbreviations *, ^T, c when used with 
 this sign indicate that coherence is lacking in sentence, para- 
 graph, or whole composition respectively. 
 
 Con. Connection faulty. (1) Means of explicit reference (con- 
 junctions, demonstratives, modifications of sentence-structure) 
 not skilfully managed. (2) Wrong conjunction used : distinguish 
 different degrees and different kinds of connection in such words 
 
CORRECTING THEMES. 437 
 
 as yet, still, but, however, and, so, while, whereas, even, together, with, 
 since, hence, because, for, etc. (3) Connectives used where they can 
 be omitted : connectives may sometimes be omitted with a gain to 
 force. Thus, it is less forcible to say, " Run and tell your father 
 the house is on fire," than to say, " Run 1 Tell your father the 
 house is on fire." (4) Transitional phrase or sentence needed : 
 short summarizing phrases or sentences are needed, at times, to 
 indicate the direction which the thought is next to take, or the 
 manner of treatment to be pursued. (5) Illogical sequence. 
 
 Cond. Condense. 
 
 Consult. Bring the MS. to the instructor at the next consultation 
 hour. 
 
 D. See the dictionary. Note the spelling, etymology, meaning, 
 and standing of the word or words underlined. 
 
 E. Bad English. 
 Exp. Expand. 
 
 Fig. Error in the use of figurative language. (1) Mixed meta- 
 phor. (2) Allusion obscure : images of things that are familiar 
 are easier to understand than images of things that are unfamil- 
 iar. (3) Figure uncalled for. 
 
 FW. '' Fine writing." The attempt to give a commonplace idea 
 dignity and force, or humor, by the use of big words and pre- 
 tentious phrases, is termed " fine writing." Thus, " An individ- 
 ual designated by the not uncommon cognomen of Smith ' " is 
 "fine writing" for " a man named Smith." 
 
 Gr. Bad grammar. (1) Concord in number or tense not observed. 
 (2) Wrong use of Shall and Will. 
 
 H. Heading at fault. No heading, poor heading, heading not 
 properly underscored, etc. 
 
 Inv. Involved structure. Simplify. 
 
 Kp. Out of keeping. (1) Tone of the composition not consistently 
 maintained : at no point should the composition vary perceptibly 
 from the level of thought or feeling on which it was begun ; 
 e.g. avoid jest or slang in a composition whose prevailing note 
 is earnestness. (2) In bad taste. 
 
 I.e. Change of capital to small letter. 
 
438 PREPARING THEMIS. 
 
 MS. Manuscript unsatisfactory. (1) Form incorrect. (2) Not 
 neat. (3) Writing illegible. 
 
 p. Bad punctuation. 
 
 Pos. Wrong position. (1) Related words separated: related 
 words, phrases, and clauses should be brought as close as possible 
 to the elements which they modify. (2) Important words in 
 unemphatic positions : an important word or phrase should occupy 
 an emphatic position, such as the beginning or end of the sen- 
 tence. (3) Unimportant words in emphatic positions. 
 
 pt. Misuse of participle. (1) Misrelated or unrelated participle : 
 the grammatical relation of the participle to the rest of the sen- 
 tence should not be left in doubt. " Having dared to take up 
 the cause of the abolitionists, his friends would no longer con- 
 sort openly with him." Does "having dared" belong with 
 " friends " or with " him " ? (2) Participle when infinitive or 
 clause is preferable. (3) Absolute construction needlessly used. 
 
 Q. Quotation at fault. (1) Incorrect quotation. (2) Incorrect use 
 of quotation marks. 
 
 Re. Repetition to be avoided. Avoid needless repetitions of the 
 same word or sound. 
 
 Rcl. Relative pronoun at fault. (1) Coordinate for restrictive, rela- 
 tive, or vice versa. (2) Relative may be omitted : the restrictive 
 relative, when the object of a verb, may often be omitted with- 
 out loss of clearness. Thus, " I am the man you seek " is some- 
 times preferable to " I am the man that you seek." 
 
 Sent. Wrong form of sentence. (1) Periodic for loose sentence, 
 or vice versa. (2) Monotonous recurrence of the same form of sen- 
 tence : beware especially of overuse of the "and-sentence," such 
 as " It was a bright, cheerful day and the birds were singing." 
 
 SI. Slang. 
 
 Sp. Bad spelling. (1) Word misspelled. (2) Improper use or 
 omission of the apostrophe. (3) Wrong abbreviation, or abbrevia- 
 tion improperly used. (4) Spell in full. (Also indicated by 
 drawing a circle around the abbreviation.) 
 
 Sub. Subordination faulty. (1) Ideas of unequal rank made co- 
 ordinate. Subordinate the expression underscored. (2) Expression 
 too emphatic. (3) Wrong idea subordinated. Recast the sentence. 
 
CORRECTING THEMES. 439 
 
 T. Tautology. Useless repetition. 
 
 Tr. Transpose. 
 
 Ts. Wrong tense. 
 
 U. Unity violated. The abbreviations s, ^f, cwhen used with 
 this sign indicate that unity is lacking in the sentence, para- 
 graph, or whole composition respectively. 
 
 Wd. Wrong use of a word. (1) Wrong form of word. (2) Word 
 used in wrong sense. (3) Choose a more exact or fitting term. 
 (4) Word not in good use. 
 
 W. Weak. (1) Terms too general: use particular and con- 
 crete expressions to give vigor and interest. (2) Anti-climax. 
 (3) Hackneyed words or phrases: avoid trite and meaningless 
 expressions. 
 
 If Paragraph. 
 
 No If Do not paragraph. 
 
 or < Omit. (Do not enclose .jijuSftraatheses, but draw a line 
 through the word.) 
 
 A Something has been omitted, 
 
 V or ? Error, not specified. 
 
 Q Join the parts of a word, incorrectly separated. 
 
 # More space at point indicated by caret. 
 
 /-/ Hyphen to be supplied. 
 
 At beginning or end of the MS. One of the above marks placed 
 
 at the beginning or end of the manuscript warns the writer 
 
 against a prevailing fault. The general character of the manu- 
 script is indicated by the following letters : A, excellent ; B, fair ; 
 
 C, poor ; D, very bad, rewrite. 
 
APPENDIX G. 
 
 THE RHETORIC OF THE PARAGRAPH. 
 
 1. Unity, Clearness, and Force. Method of Treatment. 
 There are three prime characteristics of every good para- 
 graph : (1) Unity, or oneness, by means of which the reader 
 recognizes that some one, particular, significant thing or idea, 
 and nothing else, is being presented ; (2) Clearness, or in- 
 telligibility, by means of which he understands what is said 
 of that one thing or idea ; and (3) Force, or emphasis, by 
 means of which both the thing or idea and what is said of it 
 are firmly impressed on his mind. We shall consider each 
 of these three characteristics, first in its application to the 
 paragraph as a whole, and secondly in its application to the 
 component elements of the paragraph ; namely, sentences, 
 clauses, phrases, and single words. We shall notice, also, 
 some of the common errors that hinder the attainment of 
 Unity, Clearness, and Force in writing, and shall state prin- 
 ciples for guidance. 
 
 Unity. 
 
 2. Unity of the Paragraph as a Whole. In a good para- 
 graph we notice two kinds of unity, unity of idea and 
 structure, and unity of tone. Unity of idea and structure 
 has already been discussed. (See pp. 10, 18, 32, 54.) Unity 
 of tone requires that the paragraph shall at no point vary 
 perceptibly from that level of thought or of feeling on 
 which the paragraph began. A commonplace or colloquial 
 remark in a paragraph whose prevailing tone is pathetic, a 
 jest or a piece of slang in a paragraph whose prevailing 
 
 440 
 
UNITY. 441 
 
 note is spiritual, are often ruinous to the effect that would 
 otherwise be produced ; and a few words of bad English, 
 or a badly chosen figure of speech, may work irreparable 
 mischief in a paragraph which would, but for that, be ex- 
 cellent in tone. For maintaining unity of tone in a para- 
 graph, a careful selection of appropriate details (see pp. 13 
 18, 35, 72-81), and of appropriate words and images by 
 which to express them, is needful. Notice the paragraphs 
 on pp. 50, 53, 61, 78 , 70 (last), 73 (last), 77 (middle), 90 (last), 
 and 93, 190 ; decide in each case what is the purpose and 
 point of view ; then decide whether the tone is purely intel- 
 lectual, emotional, or spiritual ; and, finally, mark the words 
 which preserve this distinctive tone throughout the para- 
 graph, and words which in tone fall below the level on which 
 the paragraph begins. Choice of appropriate words is the 
 main consideration in preserving unity of tone. 
 
 Construct and arrange sentences in a way to give unity of 
 structure ; choose and arrange words and images in a way to give 
 unity of tone. Judicious use of blunt idiomatic expressions 
 should not be mistaken for violation of unity of tone. In 
 the following selection the italicized words do not fall below 
 the general tone of the paragraph. 
 
 This instinctive belief, confirmed by every other kind of studious 
 experience, that all serious study must inherently tend toward 
 isolated specialization, seems to me the first difficulty that besets 
 earnest pupils who make a mess of their English in the secondary 
 schools. Clearly enough, a really intelligent teacher can explain 
 it away. The process may involve vexatiously tedious reiteration 
 of good sense ; but such reiteration ought to do the business. 
 
 In the following sentences the unity of tone is not 
 maintained : 
 
 The sight oppressed me with sorrow, my heart swelled into my 
 throat, my eyes filled with tears, I couldn't stand it any longer, and 
 / left. [Better, I could no longer endure the painful scene, and 
 turned sadly away.] 
 
442 THE BHETORIC OF THE PARAGRAPH. 
 
 He prays that his friends grieve not at his death. [Better, will 
 not grieve.] 
 
 My greatest difficulties in writing were organizing and classify- 
 ing material, formulating outlines, and adhering to said [better, 
 the] outlines. 
 
 Again last year he was elected to that high office by such a 
 majority that his opponent did not know which end he stood on. 
 [Better, by an overwhelming majority.'] 
 
 The best side of the boy's nature was aroused by these potent 
 stimuli. [Better, influences, or incentives.'] 
 
 The odor of the blossoms, or of the gum, or the height of the 
 place, makes me dizzy, [omit] or I have become dizzy from something 
 else. See also page 15 (bottom). 
 
 3. Unity of Single Sentences in a Paragraph. Each sentence 
 must contribute to the unity of the paragraph ; and each 
 must have a unity of its own, in the number and relation- 
 ship of its ideas (pp. 56-61), in the subordination of its parts 
 (pp. 50, 56), and in its form as a whole (pp. 50, 51). The 
 most common violations of these three requirements are : 
 
 (1) putting too many ideas, or unrelated or insignificant 
 
 ideas in one sentence, 
 
 (2) failing to keep prominent the main subject or idea of 
 
 a sentence, or failing to keep subsidiary details 
 subordinate, 
 
 (3) failing to adjust the form of the sentence as a whole 
 
 to the requirements of the paragraph. 
 (1) The parts of each sentence, whatever its length or the 
 number of its details, should all bear a close relation to one prin- 
 cipal idea. A long parenthetical statement should be omitted 
 if not clearly needed. If needed, it should either be organ- 
 ized into a separate sentence, or be shortened and closely 
 knit into the subordinate texture of the sentence to which 
 it belongs. 
 
 The following sentences violate these principles : 
 The Church and Parliament, always conservative when their 
 own privileges are threatened (proofs of which fact may be found 
 
UNITY. 443 
 
 in every chapter of English History), created a strong opposition 
 to his claims, claims which to them appeared arrogant, so he 
 pretended, for a time, to favor each, in order to weaken their 
 hostility ; but, at last, he threw off the mask, and opposed them 
 openly. [This sentence is correct, but it attempts to say too many 
 things. There is material in it for three sentences. Omit the 
 matter in parenthesis, which is sufficiently indicated by the word 
 always; put periods after arrogant and hostility, and revise the 
 three sentences thus formed.] 
 
 The new Congressman comes of good old New England stock, is 
 in favor of tariff reform, and at present resides at Washington 
 Court House, the town which gained an unenviable notoriety last 
 year on account of the mob attack on the jail. [Omit the last 
 eighteen words ; they are of no significance in giving an idea of 
 the new Congressman. Better, The new Congressman is at 
 present a resident of Washington Court House. He comes of 
 good old New England stock (insert in this sentence another item 
 or two, relative to his ancestry, or stock characteristics). He is in 
 favor of tariff reform (add to this one or two related particulars, 
 in order to justify separate sentence-statement).] 
 
 The University was organized by Act of Legislature in 1837, 
 and is a wonderful testimony to the efficiency of government by 
 the people and for the people. [Better, The University was 
 organized by Act of Legislature in 1837. Its rapid growth is a 
 wonderful testimony, etc.] 
 
 (2) Subordinate details should be kept subordinate in form of 
 statement. Appended phrases and clauses should be re- 
 duced to inconspicuous forms or transferred to inconspicuous 
 positions. A subordinate clause within a subordinate clause 
 should not be clothed in the same form of words as clauses 
 of higher rank. Beware of involved clauses. 
 
 The following sentences disregard these principles : 
 
 This revolt, conducted by Senara against the Empire of Brazil, 
 resulted in his being declared President of the Brazilian Republic. 
 [The important fact is that a Republic was established. Better, 
 This revolt, conducted by Senara against the Empire of Brazil, 
 resulted in the establishment of the Brazilian Republic, of which 
 Senara was declared President.] 
 
444 THE RHETORIC OF THE PARAGRAPH. 
 
 In case the President should die while in office, a near election 
 might be an advantage ; for a man living in a " doubtful " state 
 like New York is frequently chosen Vice President, not because he 
 is a statesman, and should the Presidency devolve on him, he would 
 prove incompetent, and hence an early opportunity to select another 
 would be desirable. [Better, In case the President should die 
 while in office, a near election might be an advantage. For the 
 Vice President, chosen, as he frequently is, not because he is a 
 statesman, but solely because he lives in a " doubtful " state like 
 New York, might prove to be an incompetent President. In this 
 event, an early opportunity to select another would be desirable.] 
 
 At present, in the House of Refuge, religious exercises are held 
 without regard to the classification of the inmates with regard to 
 the sect of which they are adherents. [Better, At present, in 
 the House of Refuge, religious exercises are held without regard 
 to the sectarian preferences of the inmates.] 
 
 You will not find a more courageous President, among those who 
 have held the office of late years, at least. [Better, Among all of 
 our presidents, at least among those who have held the office of 
 late, you will not find a better example of courage.] 
 
 Among the guests is one whose name is honored by all whose lim 
 have been made better by his writings and whose presence affords us 
 the greatest pleasure. [Better, Among the guests is one whose 
 name is honored wherever lives have been made better by his writ- 
 ings. His presence affords us the greatest pleasure.] 
 
 In the second panel we are shown at the right a small palm-tree 
 by whose side is another from behind which three Indians are 
 timidly peeping at Columbus and his followers who have just 
 landed. [Better, In this panel we are shown the landing of 
 Columbus and his followers. At the right are two palm-trees; 
 from behind one of them three Indians are timidly peeping.] 
 
 (3) Change a loose to a periodic sentence (see p. 25), or vice 
 versa, when the change will result in a closer continuation of 
 the thought of the preceding sentence. (Even when clearness 
 is attained by a certain ordering of parts, further rearrange- 
 ment will often better the unity both of the sentence and 
 of the paragraph.) 
 
CLEARNESS. 445 
 
 Serfs were compelled to pay for their land and shelter. They 
 gave a percentage of all they raised and of all the game they might 
 capture, to their lord, as part payment. [Better, As part pay- 
 ment they gave to their lord a percentage both of all they raised 
 and of all the game they might capture.] 
 
 Clearness. 
 
 4. Perspicuity, or Clearness of the Paragraph as a Whole. 
 To secure perspicuity, observe the laws of sequence and grouping, 
 see that each thought is stated and illustrated with sufficient ful- 
 ness, and attend to the connection of related sentences. Each 
 sentence in a paragraph may be clear in meaning, and yet 
 the paragraph, as a whole, may lack clearness. This is true 
 of the paragraph on page 199, and of that at the top of page 
 200. Clearness of the paragraph, as a whole, is more con- 
 veniently and accurately called Perspicuity. Perspicuity 
 depends upon paragraph-structure (pp. 34-72), upon the 
 order (pp. 22-27) and connection (pp. 54-56) of sentences, 
 and especially upon the sufficient use of repetition (p. 53), 
 definition (p. 37), explanation, illustration, and details (pp. 
 39-42). Proportion (18), sequence and grouping (p. 102), 
 and careful planning (pp. 137-150) must be attended to by 
 the writer who would be perspicuous in style. 
 
 5. Clearness of Single Sentences in a Paragraph. As in the 
 paragraph, so in the sentence, clearness is a problem of se- 
 quence, grouping, and placing of parts, a problem of point- 
 ing out relations and connections between parts, of using a 
 sufficient number of words and of using them accurately. 
 When a qualifying word, phrase, or clause is not so placed 
 as to indicate, with certainty, what word or words it 
 qualifies, we have (1) the squinting construction, or (2) am- 
 biguity resulting from the separation of words that ought to 
 be close together. When reference words do not point out 
 with unerring accuracy the words to which they refer, (3) 
 the antecedent is often hard to detect, or when found is seen 
 
446 THE RHETORIC OF THE PARAGRAPH. 
 
 to be incommensurate with the reference word. (4) The 
 words of reference chosen may be too vague and indefinite 
 to suggest the antecedent, and (5) confusion of ideas may 
 result from the fact that no antecedent is expressed to which 
 the words of reference may refer. When words are not em- 
 ployed in sufficient numbers, a participle may be left with- 
 out a word in the sentence to which it may attach itself, in 
 which event we may have (6) a case of unrelated or of mis- 
 related participle. The participle carries with it several im- 
 plications of meaning, hence it is sometimes necessary (7) to 
 expand a participle into a clause in order to indicate .the pre- 
 cise implication of meaning intended. (8) Words' have to be 
 inserted or repeated in form or substance when their omis- 
 sion would cause ambiguity. (9) An infinitive of purpose, 
 when used in connection with an infinitive in another func- 
 tion, requires the insertion of additional distinguishing 
 words. When words are not used accurately in pointing out 
 relations between parts of a sentence, lack of clearness is sure 
 to result. Inaccuracies resulting in obscurity or ambiguity 
 are most frequent (10) in the use of connectives and (11) rel- 
 ative pronouns, (12) in the use of number and tense and (13) 
 in the use of witt and shall. We shall now consider in order 
 these thirteen violations of clearness. 
 
 (1) Squinting Const i-m-finn. When a phrase or clause is 
 so placed that it may equally well be understood to refer to 
 what precedes it and to what follows it, it is said fco squint. 
 Guard against the squinting construction. Place phrases and 
 clauses in unambiguous positions. 
 
 Consider the following examples : 
 
 He thought his choice of elective studies, at all events, as good as 
 the average. [Insert (1) was after studies, or (2) at all events after 
 goody or (3) after choice, or (4) before He, according to the 
 meaning.] 
 
 A Senate of rich men holding their seats by bribing legislatures, 
 to tell the truth, will not longer be tolerated. [Better, (1) will 
 
CLEARNESS. 447 
 
 not (to speak plainly) be tolerated any longer ; or (2) holding 
 their seats (if the truth were known) by bribing, etc.] 
 
 A literary education in the minds of some people seems to be un- 
 necessary. [Place the italicized words first.] 
 
 (2) Bring related words as close together as possible. 
 
 Avoid the splitting of particles, that construction by which 
 the emphasis is suspended upon a preposition and is de- 
 layed there until another preposition, referring to the same 
 word, is passed. 
 
 Distinguish between only and alone. Clearness is often 
 promoted by placing a single-word adverb (as only) imme- 
 diately before the word or expression that it modifies. 
 
 Do not separate the infinitive from its sign to. 
 
 When possible, place the preposition immediately before 
 the word to which it refers. The prepositions that can best 
 stand at the end of a sentence are to, for, of, by, and these 
 will not bear a separation of more than two or three words 
 from their idea-word, even in idiomatic expressions. 
 
 Be careful to place not only but also, either or, both 
 and, immediately before the corresponding words to which 
 they refer. 
 
 The following sentences disregard these principles : 
 
 He looked l>ack upon those years spent in wandering about Eu- 
 rope with regret. [Better, He looked back with regret upon, etc.] 
 
 He speaks on too deep topics to be readily understood by the 
 ordinary man. [Better, On topics too deep to be readily under- 
 stood, etc.] 
 
 It is not impossible that future ages may develop a means of 
 expressing thoughts and feelings to us unknown. [Better, 
 Future ages may express their thoughts and feelings by some 
 means to us unknown.] 
 
 During my junior year there was some work in composition in 
 connection with the work in English that continued through the 
 whole year. [Better, During my junior year, in connection 
 with the work in English, there was some work in composition 
 that continued, etc.] 
 
448 THE RHETORIC OF THE PARAGRAPH. 
 
 Red Cap would not shake hands with or even allow any one to 
 touch him that he did not like. [Better, Red Cap would not 
 shake hands with any one that he did not like, or even allow such 
 a person to touch him.] 
 
 He derives his power from, and should always hold himself re- 
 sponsible to, the people. [Better, He derives his power from the 
 people, and should always hold himself responsible to them. (Or, 
 to the people.)"] 
 
 He only thought he could stay a few days. [Better, He thought 
 he could stay only a few days.] 
 
 He only [alone~] was able to work the hard problems. 
 
 To so act is foolish 1 [Better, So to act, or To act so.] 
 
 He put himself on the defensive, not against the whole world, 
 but against those whom he had found it necessary to be on the 
 defensive towards. [Better, towards whom.'] 
 
 They not only intend to pass another low-tariff bill, but also a 
 free-silver bill. [Better, They intend to pass not only another 
 low-tariff bill, but also a free-silver bill.] 
 
 (3) Lack of precision in the antecc<^nt. Be sure that the 
 antecedent to which a relative refers is clear and unmistakable. 
 Kepeat an idea when the relative alone is not sufficient for 
 clearness. Guard against using a relative clause that has 
 no antecedent. 
 
 Singular antecedents require singular pronouns of reference ; 
 relative and antecedent should agree in number. Words of ref- 
 erence should denote accurately the number and character 
 of the antecedent. 
 
 A brother of General Sherman, who was sitting near by, corrected 
 the statement. [Better, General Sherman's brother, who, etc., or, 
 .1 Brother of General Sherman, while the General himself was sitting 
 near by, etc. according to the meaning intended.] 
 
 Everybody found it best for their \his~\ health to shun the place. 
 
 The injured man with the whole circle of his relations and 
 friends rose in their \his~] fury to wreak vengeance on the offender. 
 
 He whispered that the enemy were all about us, which would 
 have terrified me under other circumstances. [For which substi- 
 tute an announcement that, or a method of communication that, ac- 
 cording to the meaning.] 
 
CLEARNESS. 449 
 
 (4) The following sentences contain ambiguous words of 
 reference. 
 
 Topography in a broader sense may be represented approxi- 
 mately by hatchings or by washes of color. Very beautiful effects 
 may be produced in this way. [Better, by these methods.'] 
 
 At that time Doctor and Master were synonymous, but when an 
 initiatory stage of discipline was prescribed, each term became 
 significant of a certain rank, and was called a step or degree; this 
 was instituted by Gregory IX. [Better, this change, or this dis- 
 tinction."] 
 
 Composition has always been hard for me, and I must confess 
 that the encyclopaedia has been ito that connection my closest friend. 
 [Better, I must confess that in the preparation of my essays the 
 encyclopaedia, etc.] 
 
 There has been a sinall-pox scare, but it has been stamped out 
 entirely. At one time it looked as if it would spread over the entire 
 city, but it is over now. [Substitute for the first it, " the disease " ; 
 for it looked as if it, " we thought the disease " ; for the last it, " the 
 scare." See page 54.] 
 
 (5) Confusion of ideas is shown in the following sen- 
 tences : 
 
 A seven-year term would cause the President to make his admin- 
 istration the best of those who had held the office. [Better, A 
 seven-year term would enable the President to make his adminis- 
 tration better than any former administration.] 
 
 Where can you find a more enthusiastic crowd than a body of 
 college students ? [Better, Where can you find greater enthu- 
 siasm than in a crowd of college students ?] 
 
 (6) Misrelated and unrelated participle. A participle 
 usually requires that a word be expressed with which it may 
 agree. Supply the word when omission would cause am- 
 biguity. 
 
 Having proved compulsory education necessary, it remains [add, 
 for us] to prove it beneficial and expedient. 
 
 Accustomed from childhood to hearing incorrect speech, system- 
 atic drill is needed in the schools. [Accustomed from childhood 
 
450 THE RHETORIC OF THE PARAGRAPH. 
 
 to hearing incorrect speech, pupils need systematic drill in the use 
 of good English.] 
 
 (7) The use of a clause instead of a participle. Supplant 
 a participle by a clause when the participle is ambiguous. 
 
 Reduced to his last dollar, he felt that he was ready for any 
 emergency. [Supply before reduced, When he was. If he were, 
 Whenever he was, Since he was, Though he was, Because he was, 
 or After he was, according to the meaning intended.] 
 
 The skeletons in the vault, exposed to the air, turned suddenly 
 to dust. [Better, when they were exposed, or if they were exposed.] 
 
 (8) Repeat a word when its omission would cause ambiguity. 
 Republics are not desirable [insert if, because, since, whenever, or 
 
 wherever] unaccompanied by intelligence. 
 
 He was generous to all who had aided him to acquire wealth, 
 and [insert to] his business partner especially. 
 
 When he came to his majority, after a long struggle with poverty 
 and hardship, and [substitute when] more prosperous days began 
 for him, and [insert when] he found himself influential, he repaid 
 all those who had helped him. 
 
 He said that he meant no offence and [repeat that he] intended 
 to repair the mischief. 
 
 He reported that there were two applicants for the degree of 
 Master in Pharmacy, [repeat a degree] for which the University 
 had not yet provided. 
 
 For many years we have been troubled with disputes about the 
 various fisheries, [repeat disputes] which might be in large measure 
 done away with by the appointment of a commission. 
 
 They could do nothing further until the war closed and cooler 
 counsels prevailed. [Repeat until before cooler, or substitute so for 
 and, according to the meaning intended.] 
 
 (9) Make it plain whether an infinitive is coordinate with a 
 preceding infinitive or is dependent. Distinguish a subjective, 
 an objective, or a complementary infinitive from an infinitive 
 of purpose. 
 
 He loved to give to the poor, to show them that he was their 
 friend. [The two offices indicated : He loved to give to the poor in 
 
CLEARNESS. 451 
 
 order to show them that he was their friend ; or the meaning may 
 be, He loved to give to the poor, and, in other ways, to show them 
 that he was their friend.] 
 
 It is not every one who knows just how much tension a brush 
 needs [insert in order] to secure good contact. 
 
 (10) Faulty use of connectives. 
 
 Distinguish different degrees and different kinds of con- 
 nection in such words as and, so, while, whereas, even, together, 
 with, since, hence, because, for, etc. 
 
 Do not overwork the words and, of, etc. 
 
 And cannot be used with who or ichich unless a correspond- 
 ing who or which has been used in the same sentence, or has 
 been clearly implied. 
 
 Introduce by similar words, clauses, or phrases which per- 
 form similar functions. 
 
 In the same sentence do not use the word but in two 
 functions. Distinguish between the larger and smaller con- 
 trasts in a sentence by using different conjunctions. 
 
 The Church and Parliament created a strong opposition to his 
 claims ; and [better, so] he pretended, for a time, to favor each, 
 in order to weaken their hostility. But at last he threw off the 
 mask, etc. 
 
 In Germany and England the military expenditure goes on as 
 before, and [better, while] in Italy the cost of the army has 
 bankrupted the country. 
 
 The snow had been falling for several days, and was now nearly 
 three feet deep ; but [better, nevertheless] Mr. Smith considered 
 it necessary to go to the Zoological Laboratory. 
 
 Landor lacks the power of attraction which we find in writers of 
 great genius; and [omit and] though a classic in the best sense, he 
 will never be widely read. 
 
 The prospects of the team, against Harvard, are not flattering, 
 and [add even] against the smaller eastern colleges we cannot 
 hope for much. 
 
 Austria and Prussia and [better, together wth~\ the whole body 
 of the German states, fell upon this feeble kingdom. 
 
452 THE RHETORIC OF THE PARAGRAPH. 
 
 Hawthorne, the author of " Twice Told Tales," and who was a 
 contemporary of Irving, speaks of Irving's humor. [Omit and.'] 
 
 His was a character of sterling integrity and which deserves to be 
 imitated. [Better, His was a character of sterling integrity and 
 worthy of imitation.] See 48. 
 
 It is often necessary to make a careful examination for the pur- 
 pose of ascertaining the exact form of the ground and to construct a 
 map that can be followed. [Better, in order to ascertain, etc., and 
 in order to construct.] 
 
 They wanted to make the weekly meeting not so much a social 
 force, but, on the other hand, a means of cultivating oratory. 
 [Better, not so much a social force as a means, etc.] 
 
 His manners were not acquired, but natural, but [better, yet] 
 he never felt awkward in society. 
 
 (11) Relative Pronoun at Fault. The relative pronoun 
 that is restrictive, and introduces a clause that closely 
 defines, limits, or qualifies the antecedent. A f/tort-clause 
 affects the antecedent as an adjective would affect the 
 antecedent. \V7io and which are coordinating relatives, and 
 introduce, not a modifying thought, but an additional 
 thought of equal or greater importance. Who is equiva- 
 lent to a conjunction plus a personal pronoun, and may be 
 translated by the words and hr, <nl //"//, though he, though 
 they, for he, since they, etc., which words may often be used, 
 with a gain to clearness, instead of //7<o. Which is equiva- 
 lent to a conjunction plus the word it, thin, these, those, and 
 may be translated by the words and this, and it, and these, 
 u fin-t that, a circumstance that, etc., which words may often 
 be used, with a gain to clearness, instead of which. Who 
 and which are sometimes used restrictively, without loss 
 of clearness, instead of the strictly correct that (1) when 
 the use of that would make a harsh combination, (2) when 
 the word that has already been used in another function 
 in the same sentence, and (3) when the use of that would 
 throw a preposition to the end of the sentence. 
 
 The aid of punctuation may be called in to distinguish 
 
CLEARNESS. 453 
 
 restrictive from coord inative ivho or which. Since a comma 
 is usually inserted before a coordinate relative, the omission 
 of punctuation before who or which will give to the clause 
 a restrictive force. 
 
 He asked me who [whom is correct] I expected. 
 
 Whom [who is correct] do you think would wear such a 
 thing ? 
 
 Nothing which [better, that] could add to their comfort was 
 forgotten. 
 
 He gave up his law practice that [better, which] he had built 
 up only after years of hard work. 
 
 The society has twenty members that [or who~\ intend to make 
 this their life-work. (Who would imply a total membership of 
 but twenty. That implies a larger membership.) 
 
 There is a saloon next door that [or which~] is a nuisance. (That 
 implies that the saloon is a nuisance. Which implies that its 
 being next door is a nuisance.) 
 
 That man was the first that saw [better, to see] what was 
 needed. 
 
 This is the town that you mentioned. [Better, This is the 
 town you mentioned.] 
 
 (12) Lack of concord in number or tense. 
 
 In dependent clauses and infinitives reckon the tense rela- 
 tively to the tense of the principal verb. 
 
 According to the usage of most good writers, general 
 truths require the present tense, irrespective of the tense of 
 the principal verb. 
 
 Consistency in the tenses of the verbs of a sentence 
 should be maintained throughout. 
 
 The verb should agree with its subject in number. 
 
 No one knew his age, but it would not have been difficult to have 
 guessed it. [Corrected : to guess it.] 
 
 He said that honesty was [better, is] the best policy. 
 
 As civilization advanced, they began to feel that the sweetest 
 thing man possessed [better, possesses] is liberty. 
 
 He had never put aside the old and narrow idea that higher 
 education was [better, is] for men alone. 
 
454 THE RHETORIC OF THE PARAGRAPH. 
 
 Sometimes we have been attracted by the melodies that have 
 floated towards us, and drew near to discover the source. [Better, 
 have drawn near.] 
 
 He came to the hill, and, watching his chance, slyly creeps near 
 the game; then he raised his gun. [Either, came, crept, raised; or, 
 comes, creeps, raise*.] 
 
 Each of these men were great financiers. [Doth were, etc. ; or, 
 Each was a great financier.] 
 
 There are [is] one of these rooms on each corner. 
 
 The beautiful location of the school, together with its many his- 
 torical associations, make [should be makes'] it a delightful place 
 to visit. 
 
 Thus, through his avarice, his honor as well as his property and 
 business enterprises were [should be was~\ gone. 
 
 The number of coeducational colleges have [should be has] in- 
 creased. 
 
 (13) Will, Shall, Would, Should. 
 
 (a) In the simple future, shall is used in the first person, 
 and will in the second and third persons ; thus, /, or we, shall 
 enjoy reading the book, and You, he, or they icill enjoy reading 
 the book. 
 
 (b) In sentences expressing determination, will is used in 
 the first person, and shall in the second and third persons ; 
 thus, I f or we, will obey, and TOM, he, or they shall obey. 
 
 (c) IB questions, the same distinction between shall and 
 will as expressing simple futurity or determination is seen in 
 the following : Shall 7, or we f (simple future, or equiva- 
 lent to Do you icish me or us tot)-, Will If (ironical); 
 Shall you subscribe ? (mere information desired) ; Will you 
 subscribe ? (I want you to) ; Shall he or they ? (Do you wish 
 him or them to ?) ; Will he or they ? (mere information 
 desired). 
 
 (d) In secondary clauses the reporter uses will, if the 
 speaker used or would have used will; shall if the speaker 
 used or would have used shall. Thus : Speaker, I shall 
 enjoy reading the book ; Reporter, He says he shall enjoy 
 
FORCE. 455 
 
 reading the book; Speaker, / will not allow it; Keporter, 
 He says he will not allow it ; Speaker, You (or they) shall 
 seek in vain for it; Keporter, He says you (or they) shall 
 seek, etc. 
 
 (e) Should corresponds to shall) and would to will, follow- 
 ing corresponding rules. Thus, in reporting the sentences 
 just given, the correct form would be, He said he should en- 
 joy reading the book. He said he would not allow it, He 
 said you (or they) should seek in vain for it. 
 
 (/) In conditional clauses exceptional care is needed, 
 though the same distinctions are maintained. 
 
 He tells me that he will be twenty-one years old next month. 
 [No determination. Will should be shall.'] 
 
 We would be pleased to have you call. [Should is correct. 
 Would, implying determination to be pleased, is impolite as well 
 as incorrect.] 
 
 If he should come to-morrow, would you be surprised ? [Should 
 is correct.] 
 
 What would we do with Samoa if we would succeed in annexing 
 it? [Use should in both cases.] 
 
 Force. 
 
 6. Gauge force of expression by force of thought. Avoid 
 bombast and fine writing. Depend for force mainly upon 
 paragraph structure, order and brevity of sentences, and 
 condensation. Avoid monotony by mingling sentences of 
 various lengths and of various kinds. 
 
 Force of the Paragraph as a Whole. Each paragraph car- 
 ries with it a certain weight and value for the reader. This 
 weight and value is due primarily to the character of the 
 thought and emotion with which the paragraph is freighted ; 
 but, since thought and emotion gain or lose according to the 
 way in which they are presented, the writer must take into 
 account style as an element of force. The style must 
 correspond to the character of the thought and emotion. 
 
456 THE RHETORIC OF THE PARAGRAPH. 
 
 Some thoughts and emotions are by nature less forcible 
 than others ; the attempt to overcharge with force a weak 
 or commonplace thought leads to bombast. A subject 
 not in itself picturesque or capable of exciting emotion 
 will not be made so by presenting it in highly figurative 
 or impassioned diction. The character of the thought as 
 pathetic, humorous, witty, ironical, or picturesque, will 
 determine the language to be used in expressing it. Some 
 writers mistake effect for force, and in striving after effect 
 employ big words and high-sounding phrases, or are guilty 
 of overniceness in expression (" fine writing "), forgetting 
 that plain statement is nearly always the most forcible. In 
 general, whatever contributes to Unity and Clearness con- 
 tributes to Force, but a paragraph already unified and clear 
 may sometimes be improved in respect of Force : 
 
 (1) by a change of order in the sentences (see pp. 24-27), 
 
 (2) by the addition of particulars and applications (see 
 
 pp. 35, 44), 
 
 (3) by parallel construction and repetition (see pp. 51-54), 
 
 (4) by omission of connectives (see p. 54), and 
 
 (5) by condensing and shortening sentences (see p. 105, 
 
 bottom). 
 
 A common violation of the principle of Force is overuse 
 of one kind of sentence. The student should guard against 
 this fault by familiarizing himself with the different kinds, 
 and by learning the advantage of each. Sentences are some- 
 times classified as short sentences and long sentences, terms 
 which do not need to be defined ; and sometimes as loose, 
 periodic, and balanced. Each has its peculiar uses. Short 
 sentences arrest the attention more sharply than long sen- 
 tences; hence they may be used for marking transitions, 
 for summarizing, and for announcing ideas that are to be 
 developed in succeeding sentences. Short sentences may 
 also be used to give quickness of movement and abrupt 
 emphasis. (See the selections on pp. 110, 121 (last), 126 
 
FORCE. 457 
 
 (middle), and 234. Notice the different use which is made 
 of the short sentence in each selection.) Long sentences 
 are useful to exhibit the relation of a principal idea to 
 several subordinate ideas within a single group, or to show 
 connectedly the development of an idea in its details. 
 Long sentences are often necessary to secure effects of 
 rhythm, antithesis, and climax. Employed in considerable 
 numbers, they often give an impression of dignity and 
 grace. (See the selections on pp. 68, 204 (d), 235 (c), 240 (e) ; 
 and notice the use which is made of the long sentence in 
 each selection.) 
 
 According to the second classification, sentences are 
 loose, periodic, or balanced. A loose sentence is one in 
 which the sense is fairly complete at one or more points 
 before the end. The following is an example : 
 
 He expresses what all feel, but all cannot say; (1) and his say- 
 ings pass into proverbs among his people, (2) and his phrases 
 become household words and idioms of their daily speech, (3) which 
 is tessellated with the rich fragments of his language, (4) as we see 
 in foreign lands the marbles of Roman grandeur worked into the 
 walls and pavements of modern palaces. 
 
 If interrupted at any one of the points indicated by num- 
 bers, this sentence would still be fairly complete in sense. 
 Loose sentences resemble in structure those which we use 
 in conversation ; hence they give an impression of ease and 
 naturalness. (See the selections on pp. 110 (last), 113, 151 
 (last), and 239 (d).) 
 
 A periodic sentence is one which seems incomplete when" 
 interrupted at any point before the close. Consider the 
 structure of the following sentence : 
 
 A language in the condition in which ours is at present, when 
 thousands of eyes are jealously watching its integrity, and a, 
 thousand pens are ready to be drawn, and dyed deep in ink, to 
 challenge and oppose the introduction into it of any corrupt form, 
 
458 THE RHETORIC OF THE PARAGRAPH. 
 
 of any new and uncalled-for element, can, of course, undergo only 
 the slowest and the least essential alteration. 
 
 The meaning of this sentence is suspended until the very 
 end. Interrupted at any point before the end, it is gram- 
 matically incomplete. Periodic sentences are used to main- 
 tain interest and to give to style an impression of dignity 
 and completeness. (See the selections on pp. 163 (last), 1 7 ^ 
 (middle), 194 (6), 222 (6)). 
 
 A balanced sentence is one in which different parts are 
 made similar in form in order to bring out parallelism in 
 meaning. (See pp. 51, 53.) The following is an example : 
 
 On the third of November, 1640, a day to be long remembered, 
 met that great Parliament, destined to every extreme of fortune, 
 to empire and to servitude, to glory and to contempt; at one time 
 the sovereign of its sovereign, at another time the servant of its 
 servants. 
 
 Sentences of this type are used to give force and point to 
 contrasted ideas. In form they are more impressive than 
 other kinds of sentences, and consequently are more liable 
 to abuse. A safe rule is to use the balanced sentence only 
 when it is demanded by a parallelism in the thought. 
 
 To use in successive paragraphs one length or one type 
 of sentences results in feebleness and monotony of style. 
 Overuse of the short sentence leads to scrappiness ; of the 
 long sentence, to diffuseness or obscurity. Loose sentences 
 are apt to be slovenly. Periodic sentences, especially if 
 long, require sustained attention and soon weary. A para- 
 graph composed solely of balanced sentences is almost 
 unreadable. The principle of Force requires a judicious 
 mingling of these various kinds. If the student inclines to 
 write short sentences, let him now and then introduce a 
 moderately long one. If he inclines to write long sentences, 
 let him introduce among them sentences that are brief and 
 pointed. A succession of periods should be interrupted by 
 
FORCE. 459 
 
 looser forms, and in a succession of loose sentences a sus- 
 pended sentence should now and then appear. 
 
 7. Force of Single Sentences in a Paragraph. Force in 
 the sentence, as in the paragraph, presents two kinds of 
 problems, problems of position and structure of parts, 
 and problems of choice among words, sounds, and figures. 
 (1) Important words should be so placed that the reader 
 cannot help emphasizing them. (2) Unimportant words 
 should be so placed as to refuse emphasis when read. Em- 
 phasis is secured to a word, phrase, or clause by placing it 
 out of its usual position in the sentence. The positions most 
 naturally emphatic in the sentence are at the end and at 
 the beginning. There is in every good sentence one point 
 at which the emphasis culminates ; that point should be 
 occupied by the most important expression. But emphasis 
 must be varied, or (3) we have monotony of structure. 
 When (4) an unexpected change of construction is made, 
 or (5) awkward constructions are introduced, there is loss 
 of force and of emphasis. (6) Since the end of the sen- 
 tence is a naturally strong position, it should not be surren- 
 dered to an unimportant phrase or clause. (7) Construc- 
 tions borrowed from another language, by violating the 
 English word-order, dissipate or divert the emphasis and 
 weaken the force of the sentence. (8) Condensation of 
 clauses to phrases, or of phrases to single words, will often 
 strengthen a sentence. Weakness results when (9) the 
 terms employed are too general, when (10) unimportant 
 words are repeated, when (11) there is an unintended jingle 
 of sounds or a queer combination of sounds. There are, 
 also, (12) expressions that are weak in themselves, from 
 having been used loosely or indefinitely for a long time. 
 (13) Finally, faulty figures are a source of weakness. We 
 shall take up in order these thirteen violations of Force 
 requirements. 
 
460 THE RHETORIC OF THE PARAGRAPH. 
 
 (1) Important words should occupy emphatic positions. Em- 
 phasis is sometimes secured by inversion. (See page 50.) 
 Emphasis is sometimes gained by changing a declarative to 
 an exclamatory or an interrogative sentence. 
 
 Washington encamped for the winter, with the remnant of his 
 army, in a small valley near the city in which his enemies swarmed ; 
 but the weather was so cold that he was in no danger of attack. 
 [Better, The small valley in which Washington with the rem- 
 nant of his army encamped for the winter, was near the city in 
 which his enemies swarmed ; but the weather, etc.] 
 
 This is not true of any other country. [Better, Of no other 
 country is this true.] 
 
 (2) Lad '>/'< nijthasis on important words: 
 
 It is remarkable that although Washington had that excessive 
 pride in his high position which is shown in his portrait, he always 
 evinced the deepest interest in the humblest of his soldiers. [Better, 
 It is remarkable that, although Washington's pride in his high 
 position, as shown in his portrait, was excessive, he always evinced, 
 etc.] 
 
 Of course in America, where the names college and university 
 are applied indiiferently to the same institution, the term degree 
 has lost its exactness and is but a seeming parallel to the term as 
 used originally in the older universities of Europe. [Better, 
 And its identity with the term as used originally in the older uni- 
 versities of Europe is only apparent.] 
 
 We see frankness and honesty in this face. [Better, What we 
 see in this face is frankness and honesty.] 
 
 His fall was sad. {Better, How sad his fall !] 
 
 This will not be denied. [Better, Will any one deny this?] 
 
 (3) Monotonous Recurrence of the Same Structure. Vary 
 the emphasis by varying the structure. 
 
 That Washington was a great general, we know ; that he was 
 an honest statesman, we are certain ; that he was never moved by 
 -h ambition, history proves. [Better, We know that Wash- 
 ington was a great general ; that he was an honest statesman, we 
 
FORCE. 461 
 
 are certain ; and history proves that he was never moved by selfish 
 ambition.] 
 
 (4) Unexpected change of construction. In similar parts of 
 the sentence, use the same construction. 
 
 The Indians make signals by covering the fire until a sufficient 
 quantity of smoke is accumulated, and it is then allowed to ascend 
 in short puffs. [Better, And then allowing it to ascend, etc.] 
 
 The young man's fists were impressing his arguments on the 
 radiator more forcibly perhaps than he will ever be able to impress 
 them in a less literal sense. [Better, than he will ever be able 
 to impress them on the public.] 
 
 She saw them striving to find the unknown and that they never 
 found it. [Better, but never Jinding it.] 
 
 The women's parlors are admirably adapted for social gather- 
 ings as well as a retreat for the weary. [Better, They are also 
 a retreat for the weary.] 
 
 We know of his irreproachable character and that he is not 
 capable of such a deed. [Better, We know that his character 
 is irreproachable and that he is not capable of such a deed.] 
 
 He saw his danger and that another step would be fatal. [Bet- 
 ter, He saw that his position was dangerous and that, etc. ; or, 
 He saw his danger and the fatality of another step.] 
 
 (5) Awkward constructions are shown in the following 
 sentences : 
 
 The building is of brownstone, having been erected two years 
 ago.. [Better, The building is of brownstone and was erected 
 two years ago.] 
 
 There is no need of discussing the question of how it happened. 
 [Better, There is no need of discussing how it happened.] 
 
 I came in contact with creatures whose existence, as possible, 
 had never occurred to me. [Better, creatures the possibility of 
 whose existence, etc.] 
 
 The air becomes vitiated and without any life-giving qualities. 
 [Better, and loses its life-giving qualities.] 
 
 The desks follow the shape of the wall, thus causing them to 
 assume the form of concentric curves. [Better, assuming the 
 form of concentric curves.] 
 
462 THE RHETORIC OF THE PARAGRAPH. 
 
 (6) Avoid weak or abrupt endings. An important thought 
 at the close of a sentence requires a volume of sound corre- 
 sponding to the sense. 
 
 The change would be of the greatest value to all students, 
 that is, to those who regularly study on Sunday, at least. 
 [Better, The change would be of the greatest value to all 
 students, and especially to those who regularly study on Sun- 
 day.] 
 
 Let those who are ambitious to win place or power, worry. 
 [Better, Let those worry who, etc.] 
 
 (7) A construction borrowed from another language 
 be changed to the natural word-order of English. 
 
 Under the then existing circumstances, nothing could be 
 done. [Better, Under the circumstances then existing, noth- 
 ing could be done.] 
 
 The too great distance of the proposed field from the cam- 
 pus is another objection. An admittedly by far better location 
 is on High Street. [Better, The proposed field is too far from 
 the campus. It is admitted that High Street would afford a 
 much better location.] 
 
 We ran the entire gamut of our at that time possibilities. 
 [Omit at that time.'] 
 
 He, when he had put a white tie on, looked around for his 
 gloves. [Better, After putting on a white tie, he looked around 
 for his gloves.] 
 
 (8) Force is gained by cutting out all unnecessary words. 
 The imperative and the participle are means of condensation. 
 
 The Church and Parliament were opposed to his claims and 
 created a strong opposition. [Better, The Church and Parlia- 
 ment created a strong opposition to his claims.] 
 
 Two green eyes glared at him through the darkness and came 
 nearer and nearer, and when he was about to call for help he 
 found that it was only a cat. [Better, Two green eyes glared 
 at him through the darkness ; nearer and nearer they came ; he 
 was about to call for help when he found that it was only a 
 cat] 
 
FORCE. 463 
 
 The twenty-eight hundred students assembled [omit] united in 
 giving the University yell. 
 
 If you will only coddle him, he will treat you well. [Better, 
 Coddle him and he, etc.] 
 
 When he had done the deed, he disappeared. [Better, The 
 deed done, he disappeared.] 
 
 (9) For strength use particular terms instead of general 
 terms. 
 
 An epidemic existed in the interior ; the inhabitants were dying 
 in large numbers. [Better, An epidemic was raging in the 
 interior ; the people were dying by thousands.] 
 
 (10) Avoid needless repetitions of the same word and dose 
 repetitions of the same sound. 
 
 Avoid a succession of monosyllables. 
 
 Avoid harsh or abrupt endings. 
 
 His person and manner were ungracious enough, so that he pre- 
 vailed only by strength of his reason, which was enforced with 
 confidence enough. 
 
 Near by are some shells thrown up by the waves in some storm. 
 
 It is only comparative/^ recentfy that it has been distinctly seen 
 by astronomers. 
 
 Certain characteristics are certain to offend. 
 
 Letting our eyes fall once more to the surface of the water, let 
 us look more carefully at the scene. 
 
 His life went on on the peaceful lines which he had laid down 
 for himself. 
 
 A simple-parted man with nothing to influence other men with 
 but goodness of heart. 
 
 (11) Euphony is violated in the following sentences : 
 Recall all the thrilling incidents of that day. [Better, Recol- 
 lect, etc.] 
 
 He was proud of the learning he had got. [Better, which he 
 had acquired.] 
 
 The second tumbril empties and moves off ; the third comes up. 
 [Better, approaches.] 
 
 Such changing scenes. [Better, Such varying scenes.] 
 
464 THE RHETORIC OF THE PARAGRAPH. 
 
 (12) A verb implying action is more forcible than a verb 
 passive in sense. 
 
 Avoid trite and meaningless expressions, like If I may 
 be allowed to use the figure ; Situated as it is, on Lake 
 Michigan, etc. ; very nice ; very happy ; as it were ; I 
 think ; that is to say ; this subject is very important ; the 
 end is not yet ; suffice it to say. 
 
 Just beyond the laboratory is a storeroom, so to speak [omit], 
 where chemicals and apparatus are kept. 
 
 The Library is the best place to be found [omit] for collecting 
 class-taxes. 
 
 He seemed at times to mock at reason, defy judgment, and lack 
 [better, break through] all restraint. 
 
 Near the palace is [better, totters] the hovel. 
 
 (13) Beware of the mixed metaphor and the anticlimax. Do 
 not use a figure unless it brings strength to the sentence. 
 
 He would have given his all life itself, his hopes, his prospects 
 to blot out that deed. [Anticlimax. Put life tee// after pros- 
 pect*.] 
 
 The wildest excitement prevailed, and at two o'clock the hungry 
 eyes of the sailors feasted once more upon dry land. [Mixed meta- 
 phor.] 
 
 In our Teachers' Association will be found many of the wheel 
 horses who teach the young idea how to shoot. 
 
 Life's sunset is approaching. [Better, Life's sun is setting.] 
 
 The plan of representing the character of the surface by contour 
 lines has its advantages and disadvantages and, like the Nebular 
 Theory [omit], has many supporters. 
 
 The teacher should be all that is noble and pure. The children, 
 those blossoms of love [omit], are constantly looking to the teacher 
 for guidance. 
 
INDEX. 
 
 [THE NUMBERS REFER TO THE PAGES OF THE TEXT.] 
 
 Abstract, 157-159. 
 
 Accident in narrative, 128. 
 
 Agriculture, essay subjects in, 417. 
 
 Allen, James Lane, 333. 
 
 Ambiguity, 4.10. 
 
 Amplifying paragraphs, 89-91. 
 
 Analysis, 137, 167. 
 
 rhetorical, 382. 
 Anticlimax, 464. 
 Antithesis, 38. 
 A posteriori argument, 180. 
 Applying a principle, 44, 151. 
 A priori argument, 17!. 
 Argumentation, 1)1, 165-185. 
 Argumentative type, 4i'. <;_'. 
 Arnold, Matthew, 53, 87, 134, 2<k>. 
 Art of composition, 1. 
 Astronomy, essay subjects in, 410. 
 Atlantic, 113, 359. 
 Audience, 17, 170, 172. 
 Authority, 182. 
 
 Bacon, Francis, 40. 
 
 Bagehot, Walter, 48, 265. 
 
 Bain, Alexander, :>s. 
 
 Balanced sentences, 38, 51, 468. 
 
 Baltimore American, 204. 
 
 Barrie, James M., 125. 
 
 Begging the question, 184. 
 
 Benson, A. C., {)>, 341, 342. 
 
 Besant, Walter, 6. 
 
 Birrell, A., 22. 
 
 Bolingbroke, 90. 
 
 Bombast, 455. 
 
 Book reviews, 164. 
 
 Borrow, George, 118, 120, 131, 250, 
 
 251, 3<>8. 
 
 Brackett, William, 301. 
 Brief-making, 171, 315, 321. 
 Bryce, James, 291, 358. 
 Burke, Edmund, 48, 52, 64, 297. 
 Burroughs, John, 333. 
 But, 58, 83. 
 
 Capitalization, rules for, 430. 
 Carlisle, John Q., 325. 
 Carlyle, Thomas, 27, 79, 149. 
 Causes and results, 71, 147, 151 
 
 169. 
 Center of interest, 124. 
 
 Century, 47. 
 Characters, 127. 
 Character sketches, 80. 
 Chicago Graphic, 213. 
 Circumstantial evidence, 181. 
 Clarke, James P., 88. 
 Classics, essay subjects in, 404. 
 Classification, 136, 137, 138, 141, 
 
 142, 151. 
 
 Clay, Henry. 47. 
 Clayton, H. H., :>:,. 
 Clearness of sentence, 445, 455. 
 Climax, 11(5, 124, 170. 
 Coherence, 22. 
 Comparison, 39, 151. 
 Complication of plot, 122. 
 Compositions, whole, 91-185. 
 Comprehensive outline, 102. 
 Concessions, 54. 
 Concluding paragraphs, 83, 87, 
 
 !_>;. 
 
 Conditions, 54. 
 Connectives, 451. 
 Conrad, Joseph, 93, 340, 
 Contemporary Review, 264. 
 Contiguity, W, 148. 
 Contrary, 37. 
 
 Contrast, 54, 58, 99, 147, 151. 
 Conversation, 131. 
 Correction marks, 422, 435-439. 
 Criticism, iri. 
 Curtis, G. W., 68. 
 
 Deductive reasoning*, 176. 
 Deductive type, 63, 66. 
 Definition, 37, 136, 137, 138, 
 
 167. 
 Definitive essay, 140, 151. 
 
 paragraph, 66. 
 
 statements, 39. 
 De Quincey, Thomas, 15, 56, 58, 
 
 69, 88, 337, 356. 
 Description, 92-112, 130, 153. 
 
 preliminaries to, 94. 
 Descriptive paragraphs, 72. 
 
 sketches, 76. 
 
 Details, 35, 60, 89, 94, 101. 
 Developing the theme, 34-46. 
 Dialogue, 131. 
 Dickens, Charles, 78. 
 
 465 
 
466 
 
 INDEX. 
 
 References are to pages. 
 
 Didactic essay, 164. 
 Digression, 10, 131. 
 Dilemma, 183. 
 Directive paragraphs, 88. 
 Discourse, unit of, 5. 
 Disentanglement of plot, 122. 
 Division, logical. 141. 
 Divisions, thought, 4. 
 Drummond. Henry, 37. 
 Dryden, John, 11. 
 
 Earle, John, 18. 
 
 Echo, :,i. 
 
 Economics, essay subjects in, 
 
 405. 
 
 Economy, 19. 
 Editing. 4J1. 
 
 Education, essay subjects in. 41:!. 
 Educational Review, 267. 
 Effects. !':;. '.;, KIJ, 103, 105, 106, 
 
 108. 110. -J41. 
 Eliot. George. HM. 
 Emerson. R. W., 1, 20, 337. 
 Emphasis, 58-4JO, 101. 
 Enforcement, 44. H7, 8l>, 151. 
 Engineering, essay subjects in, 
 
 4 is. 
 
 Engineering News. 
 English language and litera- 
 ture, essay -Mil.j.-rts in, 400. 
 Entanglement of plot, 122. 
 Episodes, i:;i. 
 Essays, 91-185. 
 
 tl.-tinitive, 140, 151. 
 
 didactic, 164. 
 
 familiar, \*A. 
 
 inductive. l."l. 
 Essay subjects, classified list of, 
 
 4<H). 
 
 Euphony, 463. 
 
 Evidence, circumstantial, 181. 
 Examples, 38, 40, 90, 182. 
 Expert testimony, 182. 
 Explanation, l.v.t. 
 Explicit reference, 54, 83. 
 Exposition. <U, ] _':$, 133-165. 
 Expository paragraphs, 68, 71. 
 Expository type, #2. 
 
 "Facts." 169. 181. 
 Familiar essay. 164. 
 Farrar, Frederic W., 36. 
 Ferree. Barr. 10. 
 Fiske. John, 9, 17. 
 Flaws in reasoning, 165-184. 
 For. 59. 
 Force, 456. 
 
 Forestry, essay subjects in, 417. 
 Freeman. Edward A., 335. 
 Froude, James A., 280. 
 Fundamental image, 105. 
 
 Gald6s, 332. 
 
 Gardiner, Samuel R., 86. 
 
 Generalized description,133, 153, 
 
 Generalized narration, 153. 
 
 Green, John R., 73, 80. 
 
 Grote. George, 51. 
 
 Grouping, 102, 147. 
 
 Hale. E. E., 334. 
 
 Hamerton. P. G., 5, 338. 
 
 Hamilton. Sir Wm.. 39, 69. 
 
 Harrison, F.. 4 
 
 Hawthorne, Nathaniel, 110, 346. 
 
 Hence, 17 
 
 Higginson. Thomas W., 359. 
 
 History, essay subjects in, 405. 
 
 Horticulture, essay subjects in, 
 
 Howells, W. D., 110, 239, 335, 342. 
 Huxley, Thomas H., 39, 135, 334. 
 
 Illustration, 39, 70. 
 Images. 92. 93, 106, 110. 
 
 fundamental, 105. 
 Impressions, 105, 108. 
 Incident, paragraphs of, 74. 
 Indication of effects, 93, 96, 102, 
 
 103. 10.*). UH5. 10X. 110. -J41. 
 Inductive essay. \:,l. 
 Inductive reasoning. 174. 
 Inductive type, 64, 66. 
 Inferences. 169, 175. 
 Infinitive. 4:-. 
 Interpretation, 159. 
 Introductory paragraphs, 83, 86. 
 Introductory sentences, 47. 
 Inversion. .M. 
 Isolated paragraph, 8. 27. 
 It, W. 
 
 James, Henry. 7 
 
 James, William 
 
 Jefferies. Richard. Ill, 339, 343. 
 
 Jessup. ji7. 
 
 Johnson, Samuel, '24. 
 
 King. C., _<;_'. 
 
 Kingsley, 38, 240, 260, 369. 
 
 Kipling, Rudyard, 77, 104. 
 
 Lamb, Charles. 49. 
 Laws of the paragraph, 10-27. 
 Lecky. W. E. H., 352. 
 Lettsom, W. N., 240. 
 
INDEX. 
 
 467 
 
 References are to pages. 
 
 Logical definition, 138. 
 
 division, 141. 
 
 type, 62. 
 
 London Spectator, 30, 289. 
 Long 1 sentences, 457. 
 Loose sentences, 457. 
 Lowell, J. B., 50, 58, 87. 
 
 Macaulay, T. B., 14, 16, 21, 23, 39, 
 57, 59, 60, 61, 84, 89, 154, 178, 
 185, 299, 313. 
 
 McCarthy, Justin, 2. 
 
 Mann, Horace, 30. 
 
 Marshall, John, 349, 362, 364. 
 
 Mass, 18, 19. 
 
 Mathematics, essay subjects in, 
 416. 
 
 Mazzini, Joseph, 13. 
 
 Mead, 43, 45, 68, 72. 
 
 Means of developing:, 34-49. 
 
 Metaphor, mixed, 4<14. 
 
 Method, 22-24, 85, 91, 94, 99, 150, 
 151, 171. 
 
 Misrelated participle, 449. 
 
 Modern languages and litera- 
 tures, essay subjects in, 403. 
 
 Monotony, 38. 
 
 Morison, J. Cotter, 4. 
 
 Morley, John, 14. 
 
 Motives, !*.). 
 
 Movement in narrative, 130. 
 
 Murray, J. C., 268. 
 
 Narration, 112-133, 153. 
 Narrative, accident in, 128. 
 
 surprise in, 128. 
 Narrative paragraphs, 72. 
 New York Evangelist, 362. 
 New York Evening Post, 69. 
 New York Press, 31. 
 New York Sun, 267. 
 New York Tribune, 311. 
 Non sequitur, 177. 
 Note-taking, 158. 
 
 Oastler, 234. 
 
 Objections, meeting, 169, 170, 176- 
 
 183. 
 
 Observation, 94. 
 Obstacle, 120, 121. 
 Order, 22-24, 85, 91,94, 99, 102, 150, 
 
 151, 171. 
 
 Organic structure, 2. 
 Outline, comprehensive, 102. 
 Outlining 1 , 2-8, 99, 141-150, 171-174, 
 
 274-279, 301, 315-321. 
 Outlook, 288. 
 
 Paragraph, definitive, 66, 
 
 laws of, 10-27. 
 
 rhetoric of, 440-464. 
 
 structure, types of, 62-81. 
 
 subject, 27. 
 
 theme, 28. 
 
 title, 28. 
 
 unity, 10, 113, 440. 
 Paragraphs, amplifying, 89-91. ' 
 
 concluding, 83, 87, 126. 
 
 of incident, 74. 
 
 introductory, 83, 86. 
 
 isolated, 8, 27. 
 
 related, 82, 83. 
 
 transitional, 88. 
 Parallel construction, 51. 
 Paraphrase, 156, 157. 
 Participle, misrelated, 449. 
 Particulars and details, 35, 60. 
 Pater. Walter, 74, 235, 341. 
 Periodic sentences, 457. 
 Perspicuity, 445. 
 Persuasion, 92. 
 
 I Plot, n, r_'_ ( . 
 
 Point of view, 96. 
 Points at issue, 170. 
 Politics, essay subjects in, 405. 
 Popular Science Monthly, 107. 
 Portrait sketches, 78. 
 Position of words, 460, 462. 
 Powderly, T. V., 205. 
 Preliminaries to description, 94. 
 Presumption, 184. 
 Principle, applying a, 44, 151. 
 Process of exposition, 137. 
 Prominence, 58, 59, 99. 
 Pronouns, 54, 452. 
 Proof- reading, 421. 
 Proofs, 1<>8, 169-182. 
 Proportion, 18. 
 Proposition. 166. 
 Prospective reference, 54, 83, 88. 
 Proximity, 99, 148. 
 Punctuation, 56, 430. 
 
 Beading and reflection, 167. 
 Beading of signs, 181. 
 Beading, supplementary, 393. 
 Seasoning, 62-66, 174-176. 
 
 deductive, 176. 
 
 flaws in, 165-184. 
 
 inductive, 174. 
 Beasons, presenting, 42. 
 Beductio ad absurdum, 185. 
 Beference books, list of, 397. 
 Beference, explicit, 54, 83. 
 
 prospective, 54, 83, 88. 
 
468 
 
 INDEX. 
 
 References are t<< 
 
 Reference words, ;,; 
 
 Refutation, Ki'.i. 17o. 17(^-184. 
 
 Related paragraphs, 82, 83. 
 
 Repetition, i*J, 53, 87, 450. 
 
 Reporting:, 421. 
 
 Retrospective reference 
 N, 
 
 Rhetorical analysis 
 
 Rhetoric of the paragraph, 382. 
 
 Richards, Theodore. _'7 ( .. 
 
 Ruskin. John, 31, 38, 47, 61, 63, 70, 
 IS, 99, 100, 103, 13;;, i4_', MO, 
 I'll. 1 _. 163, 264,336,361. 
 
 Russell. W. C., 102, 109, 240, 242. 
 
 Sciences, essay subjects in, 414. 
 Scott, Walter, 5*7, 10:<. 1 __'. 
 Selection, i:s. nu. i',v 
 Sentences, 50, 56, 58, 59, ' 
 
 balanced, 38, 51, 458. 
 
 introductory, 47. 
 
 long, 457. 
 
 loose, 457. 
 
 periodic, 457. 
 
 short, 456. 
 
 summarizing, 48. 
 
 transitions] , 47. 
 Sentence structure, modification 
 
 of, 4Mil. 
 Sentence unity 
 Sequence, _'. io_>. 114. 
 Setting. ; 
 
 Shairp, John C., 90. 
 Shakespeare. _Ml. 
 Shauck. j 
 
 Shelley, Percy B.. HS, 236. 
 Short sentences. \:*\. 
 Signs. LSI. 
 Sketches, 76, 78, 80. 
 Solution of plot 
 
 Specific instances, 40, 68, 151, 182. 
 Speeches 
 
 Spelling Reform Circular 
 Spencer, Herbert, l. t'A. 
 Squinting construction. 44*;. 
 Statements, definitive, 39. 
 Stedman, E. C.,84. 
 Stephen. Leslie, 351. 
 Stevenson, R. L., 36, 74, 76, 153, 
 
 MO. 
 
 Stones, 383-386. 
 Structure, organic, 2. 
 Subject of paragraph. -J7. 
 Subordination. 54. 58, 60, 443. 
 Suggestive expressions, 110. 
 Summarizing sentences 
 Supplementary reading, 393. 
 
 Surprise in narrative, 128. 
 Suspense, li*. 
 
 Swinburne, Algernon C., 38 
 Syllogism, 176. 17.. 
 Synonyms, use of, 53. 
 
 Testimony, expert, 182. 
 Testing proofs, 169. 
 Thackeray, Wm. M., -J94. 
 Theme of paragraph 
 
 HUMUS of developing, 34-46. 
 Themes, directions for preparing, 
 
 4x>. 
 
 "Theory of the case," 181. 
 Therefore, 17_'. 
 Thompson, Maurice. 70. 
 Thoreau, Henry D., :v. 40. 
 Thought-divisions, 4. 
 Title of paragraph 
 Topic-statement. _'*-: 4. 
 Tourg^e, A. W., ln.1. 
 Transitional paragraphs, 88. 
 Transitional sentences. 47. 
 Traveler's point of view, 97. 
 Trevelyan. O. O.. 313. 
 Turning-point, 125. 
 Tyndall, John, 146, 366. 
 Type, deductive, 63, 66. 
 
 inductive, 64, 66. 
 
 logical. ;_'. 
 Types of paragraph structure, 
 
 B-4L 
 
 Types of whole composition, 
 '.H-185. 
 
 Unit of discourse, .". 
 
 Unity of paragraph, 10, 96, 110. 
 
 11.'.. 114,440. 
 Unity of sentence, 44L'. 
 
 Variety, 24. 
 
 Vincent, Prank, 98, 236. 
 
 Walker. Francis A 
 Wallace, Alfred R., 355. 
 Warner, C. D.. _".*;. 
 Webster. Daniel, 23. 
 Wendell. Barrett, 18, 19. 
 White, Gilbert, 95. 
 Whitney. Wm. D., 324. 
 Whittier. John Q., 280. 
 Who. which, that, 452. 
 Will, shall. 4:4. 
 Wolseley, Lord, 29. 
 Word-order. 4<;-_>. 
 Words of reference, 54, 83. 
 Would, should, 454. 
 
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