1 JJl MEMORIES! MEMORIES TALES FROM FOREIGN LANDS, I6MO. QILT TOP*. UNIFORM IN STYLE AND PRICE. Memories: A Story of German Love. Translated from the German of MAX MULLER, by GEORGE P. UPTON. II. Orazlella: A Story of Italian Love. Translated from the French of A. DE LAMARTINE, by JAMES B. RUNMON. III. Marie: A Story of Russian Love. From the Russian of ALEXANDER PUSHKIN, by MARIE H. DE ZIELINSKA. IV. Madeleine: A Story of French Love. Translated from the French of JULES SANDEAU, by FRANCIS CHARLOT. V. Marlanela: A Story of Spanish Love. Translated from the Spanish of B. PEREZ GALDOS, by HELEN W. LESTER. VI. Cousin Phlllls: A Story of English Love. By ELIZABETH C. GASKBLL. VII. Karlne: A Story of Swedish Love. Translated from the German of WILHBLM JENSEN, by EMMA A. ENDLICII. VIII. Maria Felicia: A Story of Bohemian Love. Trans- lated from the Bohemian of CAROLINE SVETLA, by\ ANTONIE KREJSA. IX. Nairn a : A Story of Danish Love. From the Danish of HOLGBR DKACIIMANN ; re-written in English by FRANCIS F. BROWNE. STales from jForetgn Hants MEMORIES FROM THE GERMAN OF MAX MULLER BY GEORGE P. UPTON FIFTY-EIGHTH THOUSAND CHICAGO A. C. McCLURG & CO. 1912 COPYRIGHT A. C. MCCLURG & Ca 1874-1902 THE UNIVERSITY PRESS, CAMBRIDGE, U.S.A. CONTENTS. TRANSLATOR'S PREFACE, g AUTHOR'S PREFACE, j^ FIRST MEMORY, T p SECOND MEMORY 29 THIRD MEMORY, 4I FOURTH MEMORY, 53 FIFTH MEMORY, <5o SIXTH MEMORY, 97 SEVENTH MEMORY I0 LAST MEMORY, 147 2227534 TRANSLATOR'S PREFACE. TRANSLATOR'S PREFACE. THE translation of any work is at best a difficult task, and must inevitably be pre- judicial to whatever of beauty the original pos- sesses. When the principal charm of the original lies in its elegant simplicity, as in the case of the " Deutsche Liebe," the difficulty is still further enhanced. The translator has sought to repro- duce the simple German in equally simple Eng- lish, even at the risk of transferring German idioms into the English text. The story speaks for itself. Without plot, incidents or situations, it is nevertheless dramat- ically constructed, unflagging in interest, abound- ing in beauty, grace and pathos, and filled with the tenderest feeling of sympathy, which will go straight to the heart of every lover of the ideal io TRANSLATOR'S PREFACE, in the world of humanity, and every worshipper in the world of nature. Its brief essays upon theology, literature and social habits, contained in the dialogues between the hero and the hero- ine, will commend themselves to the thoughtful reader by their clearness and beauty of state- ment, as well as by their freedom from prejudice. " Deutsche Liebe " is a poem in prose, whose setting is all the more beautiful and tender, in that it is freed from the bondage of metre, and has been the unacknowledged source of many a poet's most striking utterances. As such, the translator gives it to the public, confident that it will find ready acceptance among those who cherish the ideal, and a tender welcome by every lover of humanity. The translator desires to make acknowledg- ments to J. J. Lalor, Esq., late of the Chicago Tribune^ for his hearty co-operation in the pro- gress of the work, and many valuable sugges- tions; to Prof. Feuling, the eminent philologist, of the University of Wisconsin, for his literal TRANSLATOR'S PREFACE. n version of the extracts from the " Deutsche The- ologie," which preserve the quaintness of the original, and to Mrs. F. M. Brown, for her metrical version of Goethe's almost untrans- latable lines, " Ueber alien Gipfeln, ist Ruh," which form the key-note of the beautiful har- mony in the character of the heroine. G. P. U. Chicago, November, 1874. AUTHOR'S PREFACE. AUTHOR'S PREFACE. WHO has not, at some period of his life, seated himself at a writing-table, where, only a short time before, another sat, who now rests in the grave ? Who has not opened the drawers, which for long years have hidden the secrets of a heart now buried in the holy peace of the church-yard ? Here lie the letters which were so precious to him, the beloved one ; here the pictures, ribbons, and books with marks on every leaf. Who can now read and interpret them ? Who can gather again the withered and scattered leaves of this rose, and vivify them with fresh perfume? The flames, in which the Greeks enveloped the bodies of the departed for the purpose of destruction; the flames, into which the ancients cast everything once dearest 1 6 AUTHOR'S PREFACE. to the living, are now the securest repository for these relics. With trembling fear the sur- viving friend reads the leaves no eye has ever seen, save those now so firmly closed, and if, after a glance, too hasty even to read them, he is convinced these letters and leaves contain nothing which men deem important, he throws them quickly upon the glowing coals a flash and they are gone. From such flames the following leaves have been saved. They were at first intended only for the friends of the deceased, yet they have found friends even among strangers, and, since it is so to be, may wander anew in distant lands. Gladly would the compiler have furnished more, but the leaves are too much scattered and muti- lated to be rearranged and given complete. FIRST MEMORY. FIRST MEMORY. CHILDHOOD has its secrets and its mys- ^- ' teries ; but who can tell or who can explain them ! We have all roamed through this silent wonder-wood we have all once opened our eyes in blissful astonishment, as the beautiful reality of life overflowed our souls. We knew not where, or who, we were the whole world was ours and we were the whole world's. That was an infinite life without beginning and without end, with- out rest and without pain. In the heart, it was as clear as the spring heavens, fresh as the violet's perfume hushed and holy as a Sabbath morning. What disturbs this God's-peace of the child ? How can this unconscious and innocent exist- ence ever cease ? What dissipates the rapture of 20 FIRST MEMORY. this individuality and universality, and suddenly leaves us solitary and alone in a clouded life ? Say not, with serious face, it is sin ! Can even a child sin ? Say rather, we know not, and must only resign ourselves to it. Is it sin, which makes the bud a blossom, and the blossom fruit, and the fruit dust? Is it sin, which makes the worm a chrysalis, and the chrysalis a butterfly, and the butterfly dust ? And is it sin, which makes the child a man, and the man a gray-haired man, and the gray- haired man dust ? And what is dust ? Say rather, we know not, and must only resign ourselves to it. Yet it is so beautiful, recalling the spring- time of life, to look back and remember one's self. Yes, even in the sultry summer, in the melancholy autumn and in the cold winter of life, there is here and there a spring day, and the heart says: "I feel like spring." Such a day is this and so I lay me down upon the soft moss A STORY OF GERMAN LOVE. 21 of the fragrant woods, and stretch out my weary limbs, and look up, through the green foliage, into the boundless blue, and think how it used to be in that childhood. Then, all seems forgotten. The first pages of memory are like the old family Bible. The first leaves are wholly faded and somewhat soiled with handling. But, when we turn further, and come to the chapters where Adam and Eve were ban- ished from Paradise, then, all begins to grow 1 clear and legible. Now if we could only find the title-page with the imprint and date but that is irrevocably lost, and, in their place, we find only the clear transcript our baptismal certificate bearing witness when we were born, the names of our parents and godparents, and that we were not issued sine loco et anno. But, oh this beginning ! Would there were none, since, with the beginning, all thought and memories alike cease. When we thus dream back into childhood, and from childhood into infinity, this bad beginning continually flies fur- tl FIRST MEMORY. ther away. The thoughts pursue it and never overtake it ; just as a child seeks the spot where the blue sky touches the earth, and runs and runs, while the sky always runs before it, yet still touches the earth but the child grows weary and never reaches the spot. But even since we were once there wherever it may be, where we had a beginning, what do we know now ? For memory shakes itself like the spaniel, just come out of the waves, while the water runs in his eyes and he looks very strangely. I believe I can even yet remember when I saw the stars for the first time. They may have seen me often before, but one evening it seemed as if it were cold. Although I lay in my mother's lap, I shivered and was chilly, or I was fright- ened. In short, something came over me which reminded me of my little Ego in no ordinary manner. Then my mother showed me the bright stars, and I wondered at them, and thought that she had made them very beauti- A STORY OF GERMAN LOVE. 23 fully. Then I felt warm again, and could sleep well. Furthermore, I remember how I once lay in the grass and everything about me tossed and nodded, hummed and buzzed. Then there came a great swarm of little, myriad-footed, winged creatures, which lit upon my forehead and eyes and said, "Good day." Immediately my eyes smarted, and I cried to my mother, and she said : " Poor little one, how the gnats have stung him ! " I could not open my eyes or see the blue sky any longer, but my mother had a bunch of fresh violets in her hand, and it seemed as if a dark-blue, fresh, spicy perfume were wafted through my senses. Even now, whenever I see the first violets, I remember this, and it seems to me that I must close my eyes so that the old dark-blue heaven of that day may again rise over my soul. Still further do I remember, how, at another time, a new world disclosed itself to me more beautiful than the star-world or the violet per- 24 FIRST MEMORY. fume. It was on an Easter morning, and IT* mother had dressed me early. Before the win- dow stood our old church. It was not beautiful, but still it had a lofty roof and tower, and on the tower a golden cross, and it appeared very much older and grayer than the other buildings. I wondered who lived in it, and once I looked in through the iron-grated door. It was entirely empty, cold and dismal. There was not even one soul in the whole building, and after that I always shuddered when I passed the door. But on this Easter morning, it had rained early, and when the sun came out in full splendor, the old church with the gray sloping roof, the high win- dows and the tower with the golden cross glis- tened with a wondrous shimmer. All at once the light which streamed through the lofty win- dows began to move and glisten. It was so intensely bright that one could have looked within, and as I closed my eyes the light entered my soul and therein everything seemed to shed brilliancy and perfume, to sing and to ring. It A STORY OF GERMAN LOVE. 25 seemed to me a new life had commenced in myself and that I was another being, and when I asked my mother what it meant, she replied it was an Easter song they were singing in the church. What bright, holy song it was, which at that time surged through my soul, I have never been able to discover. It must have been an old church hymn, like those which many a time stirred the rugged soul of our Luther. I never heard it again, but many a time even now when I hear an adagio of Beethoven's, or a psalm of Marcellus, or a chorus of Handel's, or a simple song in the Scotch Highlands or the Tyrol, it seems to me as if the lofty church win- dows again glistened and the organ-tones once more surged through my soul, and a new world revealed itself more beautiful than the starry heavens and the violet perfume. These things I remember in my earliest child- hood, and intermingled with them are my dear mother's looks, the calm, earnest gaze of my father, gardens and vine leaves, and soft green 26 FIRST MEMORY. turf, and a very old and quaint picture-book and this is all I can recall of the first scattered leaves of my childhood. Afterwards it grows brighter and clearer. Names and faces appear not only father and mother, but brothers and sisters, friends and teachers, and a multitude of strange people. Ah ! yes, of these strange people there is so much re- corded in memory. SECOND MEMORY. SECOND MEMORY. NOT far from our house, and opposite the old church with the golden cross, stood a large building, even larger than the church, and having many towers. They looked exceedingly gray and old and had no golden cross, but stone eagles tipped the summits and a great white and blue banner fluttered from the highest tower, di- rectly over the lofty doorway at the top of the steps, where, on either side, two mounted soldiers stood sentinels. The building had many win- dows, and behind the windows you could distin- guish red silk curtains with golden tassels. Old lindens encircled the grounds, which, in summer, overshadowed the gray masonry with their green leaves and bestrewed the turf with their fragrant white blossoms. I had often looked in there, and at evening when the lindens exhaled their per- 30 SECOND MEMORY. fumes and the windows were illuminated, I saw many figures pass and repass like shadows. Mu- sic swept down from on high, and carriages drove up, from which ladies and gentlemen alighted and ascended the stairs. They all looked so beautiful and good! The gentlemen had stars upon their breasts, and the ladies wore fresh flowers in their hair; and I often thought, Why do I not go there too? One day my father took me by the hand and said : " We are going to the castle ; but you must be very polite if the Princess speaks to you, and kiss her hand." I was about six years of age and as delighted as only one can be at six years of age. I had already indulged in many quiet fancies about the shadows which I had seen evenings through the lighted windows, and had heard many good things at home of the beneficence of the Prince and Princess ; how gracious they were ; how much help and consolation they brought to the poor and sick ; and that they had been chosen by the A STORY OF GERMAN LOVE. 31 grace of God to protect the good and punish the bad. I had long pictured to myself what transpired in the castle, so that the Prince and Princess were already old acquaintances whom I knew as well as my nut-crackers and leaden soldiers. My heart beat quickly as I ascended the high stairs with my father, and just as he was telling me I must call the Princess " Highness," and the Prince "Serene Highness," the folding-door opened and I saw before me a tall figure with brilliantly piercing eyes. She seemed to advance and stretch out her hand to me. There was an expression on her countenance which 1 had long known, and a heavenly smile played about her cheeks. I could restrain myself no longer, and while my father stood at the door bowing very low I knew not why my heart sprang into my throat. I ran to the beautiful lady, threw my arms round her neck and kissed her as I would my mother. The beautiful, majestic lady will- ingly submitted, stroked my hair and smiled: 32 SECOND MEMORY. but my father took my hand, led me away, and said I was very rude, and that he should never take me there again. I grew utterly bewildered. The blood mounted to my cheeks, for I felt that my father had been unjust to me. I looked at the Princess as if she ought to shield me, but upon her face was only an expression of mild earnestness. Then I looked round upon the ladies and gentlemen assembled in the room, believing that they would come to my defense. But as I looked, I saw that they were laughing. Then the tears sprang into my eyes, and out of the door, down the stairs, and past the lindens in the castle yard, I rushed home, where I threw myself into my mother's arms and sobbed and wept. "What has happened to you?" said she. "Oh! mother!" I cried; "I was at the Princess', and she was such a good and beautiful woman, just like you, dear mother, that I had to throw my arms round her neck and kiss her." "Ah!" said my mother; "you should not A STORY OF GERMAN LOVE. 33 have done that, for they are strangers and high dignitaries." "And what then are strangers?" said I. " May I not love all people who look upon me with affectionate and friendly eyes?" "You can love them, my son," replied my mother, "but you should not show it." " Is it then something wrong for me to love people?" said I. "Why cannot I show it?" "Well, perhaps you are right," said she, "but you must do as your father says, and when you are older you will understand why you cannot embrace every woman who regards you with affectionate and friendly eyes." That was a sad day. Father came home, agreed I had been very uncivil. At night my mother put me to bed, and I prayed, but I could not sleep, and kept wondering what these strange people were, whom one must not love. Thou poor human heart! So soon in the spring are thy leaves broken and the feather* 3 34 SECOND MEMORY. torn from the wings! When the spring-red of life opens the hidden calyx of the soul, it per- fumes our whole being with love. We learn to stand and to walk, to speak and to read, but no one teaches us love. It is inherent in us like life, they say, and is the very deepest foundation of our existence. As the heavenly bodies in- cline to and attract each other, and will always cling together by the everlasting law of gravita- tion, so heavenly souls incline to and attract each other, and will always cling together by the everlasting law of love. A flower cannot blos- som without sunshine, and man cannot live with- out love. Would not the child's heart break in despair when the first cold storm of the world sweeps over it, if the warm sunlight of love from the eyes of mother and father did not shine upon him like the soft reflection of divine light and love? The ardent yearning, which then awakes in the child, is the purest and deepest love. It is the love which embraces the whole world, which shines resplendent wherever the A STORY OF GERMAN LOVE. 35 eyes of men beam upon it, which exults wher- ever it hears the human voice. It is the old, immeasurable love ; a deep well which no plum- met has ever sounded; a fountain of perennial richness. Whoever knows it also knows that in love there is no More and no Less ; but that he who loves can only love with the whole heart, and with the whole sou'; with all his strength and with all his will. But, alas, how little remains of this love by the time we have finished one-half of our life- journey! Soon the child learns that there are strangers, and ceases to be a child. The spring of love becomes hidden and soon filled up. Our eyes gleam no more, and heavy-hearted we pass one another in the bustling streets. We scarcely greet each other, for we know how sharply it cuts the soul when a greeting remains unanswered, and how sad it is to be sundered from those whom we have once greeted, and whose hands we have clasped. The wings of the soul lose their plumes; the leaves of the flower fast fall 36 SECOND MEMORY. off and wither; and of this fountain of love there remain but a few drops. We still call these few drops love, but it is no longer the clear, fresh, all-abounding child-love. It is love with anxiety and trouble, a consuming flame, a burning passion; love which wastes itself like rain-drops upon the hot sand ; love which is a longing, not a sacrifice; love which says "Wilt thou be mine," not love which says, " I must be thine." It is a most selfish, vacillating love. And this is the love which poets sing and in which young men and maidens believe; a fire which burns up and down, yet does not warm, and leaves nothing behind but smoke and ashes. All of us at some period of life have believed that these rockets of sunbeams were everlasting love, but the brighter the glitter, the darker the night which follows. And then when all around grows dark, when we feel utterly alone, when all men right and left pass us by and know us not, a forgotten feeling rises in the breast. We know not what it is, for A STORY OF GERMAN LOVE. 37 it is neither love nor friendship. You feel like crying to him who passes you so cold and strange: "Dost thou not know me?" Then one realizes that man is nearer to man than brother to brother, father to son, or friend to friend. How an old, holy saying rings through our souls, that strangers are nearest to us. Why must we pass them in silence? We know not, but must resign ourselves to it. When two trains are rushing by upon the iron rails and thou seest a well-known eye that would recognize thee, stretch out thy hand and try to grasp the hand of a friend, and perhaps thou wilt understand why man passes man in silence here below. An old sage says : " I saw the fragments of a wrecked boat floating on the sea. Only a few meet and hold together a long time. Then comes a storm and drives them east and west, and here below they will never meet again. So it is with mankind. Yet no one has seen the great shipwreck." THIRD MEMORY THIRD MEMORY. clouds in the sky of childhood do not J- last long, and disappear after a short, warm tear-rain. I was shortly again at the castle, and the Princess gave me her hand to kiss and then brought her children, the young princes and princesses, and we played together, as if we had known each other for years. Those were happy days when, after school for I was now attend- ing school I could go to the castle and play. We had everything the heart could wish. I found playthings there which my mother had shown me in the shop-windows, and which were so dear, she told me, that poor people could live a whole week on what they cost. When I begged the Princess' permission to take them home and show them to my mother, she was per- fectly willing. I could turn over and over and 42 THIRD MEMORY. look for hours at a time at beautiful picture books, which I had seen in the book stores with my father, but which were made only for very good children. Everything which belonged to the young princes belonged also to me so I thought, at least. Furthermore, I was not only allowed to carry away what I wished, but I often gave away the playthings to other children. In short, I was a young Communist, in the full sense of the term. I remember at one time the Prin- cess had a golden snake which coiled itself around her arm as if it were alive, and she gave it to us for a plaything. As I was going home I put the snake on my arm and thought I would give my mother a real fright with it. On the way, however, I met a woman who noticed the snake and begged me to show it to her ; and then she said if she could only keep the golden snake, she could release her husband from prison with it. Naturally I did not stop to think for a min- ute, but ran away and left the woman alone with the golden serpent-bracelet. The next day A STORY OF GERMAN LOVE. 43 there was much excitement. The poor woman was brought to the castle and the people said she had stolen it. Thereupon I grew very angry and explained with holy zeal that I had given her the bracelet and that I would not take it back again. What further occurred I know not, but I remem- ber that after that time, I showed the Princess everything I took home with me. It was a long time before my conceptions of Meum and Tuum were fully settled, and at a very late period they were at times confused, just as it was a long time before I could distinguish between the blue and red colors. The last time I remember my friends laughing at me on this account was when my mother gave me some money to buy apples. She gave me a groschen. The apples cost only a sechser, and when I gave the woman the groschen, she said, very sadly as it seemed to me, that she had sold nothing the whole livelong day and could not give me back a sechser. She wished I would buy a groschen "s worth. Then it occurred to me that I also had 44 THIRD MEMORY. a sechser in my pocket, and thoroughly delighted that I had solved the difficult problem, I gave it to the woman and said : " Now you can give me back a sechser." She understood me so little however that she gave me back the groschen and kept the sechser. At this time, while I was making almost daily visits to the young princes at the castle, both to play as well as to study French with them, another image comes up in my memory. It was the daughter of the Princess, the Countess Marie. The mother died shortly after the birth of the child and the Prince subsequently married a sec- ond time. I know not when I saw her for the first time. She emerges from the darkness of memory slowly and gradually at first like an airy shadow which grows more and more distinct as it approaches nearer and nearer, at last stand- ing before my soul like the moon, which on some stormy night throws back the cloud-veils from across its face. She was always sick and suffer- ing and silent, and I never saw her except reclin- A STORY OF GERMAN LOVE. 4$ ing upon her couch, upon which two servants brought her into the room and carried her out again, when she was tired. There she lay in her flowing white drapery, with her hands generally folded. Her face was so pale and yet so mild, and her eyes so deep and unfathomable, that I often stood before her lost in thought and looked upon her and asked myself if she was not one of the " strange people " also. Many a time she placed her hand upon my head and then it seemed to me that a thrill ran through all my limbs and that I could not move or speak, but must forever gaze into her deep, unfathomable eyes. She conversed very little with us, but watched our sports, and when at times we grew very noisy and quarrelsome, she did not com- plain but held her white hands over her brow and closed her eyes as if sleeping. But there were days when she said she felt better, and on such days she sat up on her couch, conversed with us and told us curious stories. I do not know how old she was at that time. She was so 46 THIRD MEMORY. helpless that she seemed like a child, and yet was no serious and silent that she could not have been one. When people alluded to her they involuntarily spoke gently and softly. They called her " the angel," and I never heard any- thing said of her that was not good and lovely. Often when I saw her lying so silent and help- less, and thought that she would never walk again in life, that there was for her neither work nor joy, that they would carry her here and there upon her couch until they laid her upon her eternal bed of rest, I asked myself why she had been sent into this world, when she could have rested so gently on the bosom of the angels and they could have borne her through the air on their white wings, as I had seen in some sacred pictures. Again I felt as if I must take a part of her burden, so that she need not carry it alone, but we with her. I could not tell her all this for I knew it was not proper. I had an indefinable feeling. It was not a desire to em- brace her. No one could have done that, for it A STORY OF GERMAN LOVE. 47 would have wronged her. It seemed to me as if I could pray from the very bottom of my heart that she might be released from her burden. One warm spring day she was brought into our room. She looked exceedingly pale; but her eyes were deeper and brighter than ever, and she sat upon her couch and called us to her. " It is my birth-day," said she, " and I was con- firmed early this morning. Now, it is possible," she continued as she looked upon her father with a smile, " that God may soon call me to him, although I would gladly remain with you much longer. But if I am to leave you, I desire that you should not wholly forget me ; and, therefore, I have brought a ring for each of you, which you must now place upon the fore-finger. As you grow older you can continue to change it until it fits the little finger; but you must wear it for your lifetime." With these words she took the five rings she wore upon her fingers, which she drew off, one after the other, with a look so sad and yet so 48 THIRD MEMORY. affectionate, that I pressed my eyes closely to keep from weeping. She gave the first ring to her eldest brother and kissed him, the second and third to the two princesses, and the fourth to the youngest prince, and kissed them all as she gave them the rings. I stood near by, and, looking fixedly at her white hand, saw that she still had a ring upon her finger ; but she leaned back and appeared wearied. My eyes met hers, and as the eyes of a child speak so loudly, she must have easily known my thoughts. I would rather not have had the last ring, for I felt that I was a stranger ; that I did not belong to her, and that she was not as affectionate to me as to her brothers and sisters. Then came a sharp pain in my breast as if a vein had burst or a nerve had been severed, and I knew not which way to turn to conceal my anguish. She soon raised herself again, placed her hand upon my forehead and looked down into my heart so deeply that I felt I had not a thought invisible to her. She slowly drew the A STORY OF GERMAN LOVE. 49 last ring from her finger, gave it to me and said : " I intended to have taken this with me, when I went from you, but it is better you should wear it and think of me when I am no longer with you. Read the words engraved upon the ring: 'As God wills.' You have a passionate heart, easily moved. May life subdue but not harden it." Then she kissed me as she had her brothers and gave me the ring. All my feelings I do not truly know. I had then grown up to boyhood, and the mild beauty of the suffering angel could not linger in my young heart without alluring it. I loved her as only a boy can love, and boys love with an in- tensity and truth and purity which few preserve in their youth and manhood ; but I believed she belonged to the " strange people " to whom you are not allowed to speak of love. I scarcely un- derstood the earnest words she spoke to me. I only felt that her soul was as near to mine as one human soul can be to another. All bitterness was gone from my heart. I felt myself no longer 50 THIRD MEMORY. alone, no longer a stranger, no longer shut out. I was by her, with her and in her. I thought it might be a sacrifice for her to give me the ring, and that she might have preferred to take it to the grave with her, and a feeling arose in my soul which overshadowed all other feelings, and I said with quivering voice : " Thou must keep the ring if thou dost not wish to give it to me ; for what is thine is mine." She looked at me a moment surprised and thoughtfully. Then she took the ring, placed it on her finger, kissed me once more on the forehead, and said gently to me : " Thou knowest not what thou sayest. Learn to understand thyself. Then shalt thou be happy and make many others happy." FOURTH MEMORY. FOURTH MEMORY. ~T~*VERY life has its years in which one pro- --' gresses as on a tedious and dusty street of poplars, without caring to know where he is., Of these years nought remains in memory but the sad feeling that we have advanced and only grown older. V/hile the river of life glides along smoothly, it remains the same river; only the landscape on either bank seems to change. But then come the cataracts of life. They are firmly fixed in memory, and even when we are past them and far away, and draw nearer and nearer to the silent sea of eternity, even then it seems as if we heard from afar their rush and roar. We feel that the life-force which yet remains and impels us onward still has its source and supply from those cataracts. 54 FOURTH MEMORY. ) School time was ended, the first fleeting years of university life were over, and many beautiful life-dreams were over also. ,' But one of them still remained : Faith in G6d and man. Other- wise life would have been circumscribed within one's narrow brain. Instead of that, a nobler consecration had preserved all, and even the painful and incomprehensible events of life be- came a proof to me of the omnipresence of the divine in the earthly. "The least important thing does not happen except as God wills it." This was the brief life-wisdom I had accu- mulated. During the summer holidays I returned to my little native city. What joy in these meetings again ! No one has explained it, but in this see- ing and finding again, and in these self-memories, lie the real secrets of all joy and pleasure. What we see, hear or taste for the first time may be beautiful, grand and agreeable, but it is too new. It overpowers, but gives no repose, and the fatigue of enjoying is greater than the enjoyment A STORY OF GERMAN LOVE. 55 itself. To hear again, years afterward, an old melody, every note of which we supposed we had forgotten, and yet to recognize it as an old ac- quaintance ; or, after the lapse of many years, to stand once more before the Sistine Madonna at Dresden, and experience afresh all the emotions which the infinite look of the child aroused in us for years ; or to smell a flower or taste a dish again which we have not thought of since childhood all these produce such an intense charm that we do not know which we enjoy most, the actual pleasure or the old memory. So when we return again, after long absence, to our birth-place, the soul floats unconsciously in a sea of memories, and the dancing waves dreamily toss themselves upon the shores of times long passed. The bel- fry clock strikes and we fear we shall be late to school, and recovering from this fear feel relieved that our anxiety is over. The same dog runs along the street on whose account we used to go far out of our way. Here sits the old huckster whose apples often led us into temptation, and 56 FOURTH MEMORY. even now, we fancy they must taste better than all other apples in the world, notwithstanding the dust on them. There one has torn down a house and built a new one. Here the old music- teacher lived. He is dead and yet how beau- tiful it seemed as we stood and listened on sum- mer evenings under the window while the True Soul, when the hours of the day were over, in- dulged in his own enjoyment and played fan- tasies, like the roaring and hissing engine letting off the steam which has accumulated during the day. Here in this little leafy lane, which seemed at that time so much larger, as I was coming home late one evening, I met our neighbor's beautiful daughter. At that time I had never ventured to look at or address her, but we school- children often spoke of her and called her " the Beautiful Maiden," and whenever I saw her pass- ing along the street at a distance I was so happy that I could only think of the time when I should meet her nearer. Here in this leafy walk which leads to the church-yard, I met her one evening A STORY OF GERMAN LOVE. 57 and she took me by the arm, although we had never spoken together before, and asked me to go home with her. I believe neither of us spoke a word the whole way ; but I was so happy that even now, after all these years, I wish it were that evening, and that I could go home again, silently and blissfully, with " the Beautiful Maiden." Thus one memory follows another until the waves dash together over our heads, and a deep sigh swells the breast, which warns us that we have forgotten to breathe in the midst of these pure thoughts. Then all at once, the whole dream-world vanishes, like uprisen ghosts at the crowing of the cock. As I passed by the old castle and the lindens, and saw the sentinels upon their horses, how many memories awakened in my soul, and how everything had changed ! Many years had flown since I was at the castle. The Princess was dead. The Prince had given up his rule and gone back to Italy, and the oldest prince, with whom I had grown up, was regent. His 58 FOURTH MEMORY. companions were young noblemen and officers, whose intercourse was congenial to him, and whose company in our early days had often estranged us. Other circumstances combined to weaken our young friendship. Like every young man who perceives for the first time the lack of unity in the German folk-life, and the defects of German rule, I had caught up some phrases of the Liberal party, which sounded as strangely at court as unseemly expressions in an honest minister's family. In short, it was many years since I had ascended those stairs, and yet a being dwelt in that castle whose name I had named almost daily, and who was almost con- stantly present in my memory. I had long dwelt upon the thought that I should never see her again in this life. She was transformed into an image which I felt neither did nor could exist in reality She had become my good angel my other self, to whom I talked instead of talk- ing with myself. How she became so I could not explain to myself, for I scarcely knew her. A STORY OF GERMAN LOVE. 59 Just as the eye sometimes pictures figures in the clouds, so I fancied my imagination had con- jured up this sweet image in the heaven of my childhood, and a complete picture of phantasy developed itself out of the scarcely perceptible outlines of reality. My entire thought had invol- untarily become a dialogue with her, and all that was good in me, all for which I struggled, all in which I believed, my entire better self, belonged to her. I gave it to .her. I received it from her, from her my good angel. I had been at home but a few days, when I received a letter one morning. It was written in English, and came from the Countess Marie : Dear Friend: I hear you are with us for a short time. We have not met for many years, and if it is agreeable to you, I should like to see an old friend again. You will find me alone this afternoon in the Swiss Cottage. Yours sincerely, MARIE. I immediately replied, also in English, that I would call in the afternoon. 5o FOURTH MEMORY. The Swiss Cottage constituted a wing of the castle, which overlooked the garden, and could be reached without going through the castle yard. It was five o'clock when I passed through the garden and approached the cottage. I re- pressed all emotion and prepared myself for a formal meeting. I sought to quiet my good angel, and to assure her that this lady had nothing to do with her. And yet I felt very uneasy, and my good angel would not listen to counsel. Finally I took courage, murmuring something to myself about the masquerade of life, and rapped on the door, which stood ajar. There was no one in the room except a lady whom I did not know, and who likewise spoke English, and said the Countess would be present in a moment. She then left, and I was alone, and had time to look about. The walls of the room were of rose-chestnut, and over an openwork trellis, a luxuriant broad- leaved ivy twined around the whole room. All the tables and chairs were of carved rose-chest- A STORY OF GERMAN LOVE. 61 nut. The floor was of variegated woodwork. It gave me a curious sensation to see so much that was familiar in the room. Many articles from our old play-room in the castle were old friends, but the others were new, especially the pictures, and yet they were the same as those in my Uni- versity room the same portraits of Beethoven, Handel and Mendelssohn, as I had selected hung over the grand piano. In one corner I saw the Venus di Milo, which I always regarded as the masterpiece of antiquity. On the table were volumes of Dante, Shakspeare, Tauler's Sermons, the " German Theology," Ruckert's Poems, Ten- nyson and Burns, and Carlyle's " Past and Pres- ent," the very same books all of which I had had but recently in my hands. I was growing thoughtful, but I repressed my thoughts and was just standing before the portrait of the deceased Princess, when the door opened, and the same two servants, whom I had so often seen in child- hood, brought the Countess into the room upon her couch. 62 FOURTH MEMORY. What a vision ! She spoke not a word, her countenance was as placid as the sea, until the servants left the room. Then her eyes sought me the old, deep, unfathomable eyes. Her expression grew more animated each instant. At last her whole face lit up, and she said : "We are old friends I believe ; we have not changed. I cannot say 'You,' and if I may not say 'Thou,' then we must speak in English. Do you understand me?" I had not anticipated such a reception, for I saw here was no masquerade here was a soul which longed for another soul here was a greeting like that between two friends who rec- ognize each other by the glance of the eye, not- withstanding their disguises and dark masks. I seized the hand she held out to me, and re- plied : " When we address an angel, we cannot say 'You.'" And yet how singular is the influence of the forms and habits of life ! How difficult it is to speak the language of nature even to the most A STORY OF GERMAN LOVE. 63 congenial souls ! Our conversation halted, and both of us felt the embarrassment of the moment. I broke the silence and spoke out my thoughts : " Men become accustomed to live from youth up as it were in a cage, and when they are once in the open air they dare not venture to use their wings, fearing, if they fly, that they may stumble against everything." I " Yes," replied she, " and that is very proper ancl cannot well be otherwise. One often wishes that he could live like the birds which fly in the woods, and meet upon the branches and sing together without being presented to each other. But, my friend, even among the birds there are owls and sparrows, and in life it is well that one c'Xi pass them without knowing them. It is sometimes with life as with poetry. As the real poet can express the Truest and most Beautiful, although fettered by metrical form, so man should know how to preserve freedom of thought and feeling notwithstanding the restraints of society." / 64 FOURTH MEMORY. I could not help recalling the words of Platen: "That which proves itself everlasting under all circumstances, told in the fetters of words, is the unfettered spirit." "Yes," said she, with a cordial but sweetly playful smile ; " but I have a privilege which is at the same time my burden and loneliness. I often pity the young men and maidens, for they cannot have a friendship or an intimacy without their relatives or themselves pronouncing it love, or what they call love. They lose much on this account. The maiden knows not what slumbers in her soul, and what might be awakened by earnest conversation with a noble friend ; and the young man in turn would acquire so much knightly virtue if women were suffered to be the distant witnesses of the inner struggles of the spirit. It will not do, however, for immediately love comes in play, or what they call love the quick beating of the heart the stormy billows of hope the delight over a beautiful face the sweet sentimentality sometimes also prudent A STORY OF GERMAN LOVE. 65 calculation in short, all that troubles the calm sea, which is the true picture of pure human love " She checked herself suddenly, and an expres- sion of pain passed over her countenance. "I dare not talk more to-day," said she ; " my physi- cian will not allow it. I would like to hear one of Mendelssohn's songs that duet, which my young friend used to play years ago. Is it not so?" I could not answer, for as she ceased speak- ing and gently folded her hands, I saw upon her hand a ring. She wore it on her little finger the ring which she had given me and I had given her. Thoughts came too fast for utter- ance, and I seated myself at the piano and played. When I had done, I turned around and said: "Would one could only speak thus in tones without words!" "That is possible," said she; "I understood it all. But I must not do anything more to-day, for every day I grow weaker. We must be better 66 FOUR TH MEMOR Y. acquainted, and a poor sick recluse may cer- tainly claim forbearance. We meet to-morrow evening, at the same hour; shall we not?" I seized her hand and was about to kiss it, but she held my hand firmly, pressed it and said: "It is better thus. Good bye." FIFTH MEMORY. FIFTH MEMORY. IT would be difficult to describe my thoughts and emotions as I went home. The soul cannot at once translate itself perfectly in words, and there are " thoughts without words," which in every man are the prelude of supreme joy and suffering. It was neither joy nor pain, only an indescribable bewilderment which I felt ; thoughts flew through my innermost being like meteors, which shoot from heaven towards earth but are extinguished before they reach the goal. As we sometimes say in a dream, " I am dreaming," so I said to myself " thou livest " " it is she." I tried again to reflect and calm myself, and said, " She is a lovely vision a very wonderful spirit." At another time, I pictured the delightful even- ings I should pass during the holidays. But no, 70 FIFTH MEMORY. no, this cannot be. She is everything I sought, thought, hoped and believed. Here was at last a human soul, as clear and fresh as a spring morning. I had seen at the first glance what she was and how she felt, and we had greeted and recognized one another. And my good angel in me, she answered me no more. She was gone and I felt there was no place on earth where I should find her again. Now began a beautiful life, for I was with her every evening. We soon realized that we were in truth old acquaintances and that we could only call each other Thou. It seemed also as if we had lived near and with one another always, for she manifested not an emotion that did not find its counterpart in my soul, and there was no thought which I uttered to which she did not nod friendly assent, as much as to say: "I thought so too." I had previously heard the greatest master of our time and his sister extem- porize on the piano, and scarcely comprehended how two persons could understand and feel A STORY OF GERMAN LOVE. 71 themselves so perfectly and yet never, not even in a single note, disturb the harmony of their playing. Now it became intelligible to me/ Yes, now I understood for the first time that mysbul was not so poor and empty as it had seemed to me, and that it had been only the sun that was lacking to open all its germs and buds to the light. And yet what a sad and brief spring-time it was that our souls experienced ! We forget in T-> May that roses so soon wither, but here every evening reminded us that one leaf after another was falling to the ground. She felt it before I did, and alluded to it apparently without pain, and our interviews grew more earnest and solemn daily. One evening, as I was about to leave, she said : " I did not think I should grow so old. When I gave you the ring on my confirmation day I thought I should have to take my de- parture from you all, very soon. And yet I have lived so many years, and enjoyed so much beauty and suffered so very much.' But one 72 FIFTH MEMORY. forgets that! Now, while I feel that my de- parture is near, every hour, every minute, grows precious to me. Good night! Do not come too late to-morrow." One day as I went into her room, I met an Italian painter with her. She spoke Italian with him, and although he was evidently more artisan than artist, she addressed him with such amia- bility and modesty, with such respect even, one could not avoid recognizing that nobility of soul which is the true nobility of birth. When the painter had taken his leave, she said to me : " I wish to show you a picture which will please you. The original is in the gallery at Paris. I read a description of it, and have had it copied by the Italian." She showed me the painting, and waited my opinion. It was a picture of a man of middle age, in the old German costume. The expression was dreamy and resigned, and so characteristic that no one could doubt this man once lived. The whole tone of the picture in the foreground was dark and brownish; but in A STORY OF GERMAN LOVE. 73 the background was a landscape, and on the horizon the first gleams of daybreak appeared. I could discover nothing special in the picture, and yet it produced a feeling of such satisfaction that one might have tarried to look at it for hours at a time. " There is nothing like a genu- ine human face," said I ; " Raphael himself could not have imagined a face like this." " No," said she. " But now I will tell you why I wished to have the picture. I read that no one knew the artist, nor whom the picture represents. But it is very clearly a philosopher of the Middle Ages. Just such a picture I wanted for my gallery, for you are aware that no one knows the author of the ' German The- ology,' and moreover, that we have no picture of him. I wished to try whether the picture of an Unknown by an Unknown would answer for our German theologian, and if you have no objec- tions we will hang it here between the 'Albi- genses ' and the ' Diet of Worms,' and call it the 'German Theologian.'" FIFTH MEMORY. "Good," said I; "but it is somewhat too vigorous and manly for the Frankforter." "That may be," replied she. "But for a suf- fering and dying life like mine, much consolation and strength may be derived from his book. I thank him much, for it disclosed to me for the first time the true secret of Christian doctrine in all its simplicity. I felt that I was free to believe or disbelieve the old teacher, whoever he may have been, for his doctrines had no external constraint upon me; at last it seized upon me with such power that it seemed to me I knew for the first time what revelation was. ^It is precisely this fact that bars so many out from true Christianity, namely : that its doctrines con- front us as revelation before revelation takes place in ourselves/} This has often given me much anxiety ; not that I had ever doubted the truth and divinity of our religion, but I felt I had no right to a belief which others had given me, and that what I had learned and received when a child, without comprehending, did not belong A STORY OF GERMAN .OVE. 75 to me. One can believe for us as little as one can live and die for us." "Certainly," said I; "therein lies the cause of many hot and bitter struggles ; that the teach- ings of Christ, instead of winning our hearts gradually and irresistibly, as they won the hearts of the apostles and early Christians, confront us from the earliest childhood as the infallible law of a mighty church, and demand of us an un- conditional submission, which they call faith. Doubts arise sooner or later in the breast of every one who has the power of thinking and reverence for the truth ; and then even when we are on the right road, to overcome our faith, the terrors of doubt and unbelief arise and dis- turb the tranquil development of the new life," " I read recently in an English work," she interrupted, " that truth makes revelation, and not revelation truth. This perfectly expressed what I found in reading the ' German Theology.' I read the book, and I felt the power of its truths so overwhelmingly that I was compelled 76 FIFTH MEMORY. to submit to it. The truth was revealed to me ; or rather, I was revealed to myself, and I felt for the first time what belief meant. The truth which had long slumbered in my soul belonged to me, but it was the word of the unknown teacher which filled me with light, illuminated my inner vision, and brought out my indistinct presentiments in fuller clearness before my soul. When I had thus experienced for the first time how the human soul can believe, I read the Gospels as if they, too, had been written by an unknown man, and banished the thought as well as I could that they were an inspiration from the Holy Ghost to the apostles, in some won- derful manner; that they had been endorsed by the councils and proclaimed by the church as the supreme authority of the alone-saving belief. Then, for the first time, I understood what Chris- tian faith and revelation were." "It is wonderful," said I, "that the theolo- gians have not broken down all religion, and they will succeed yet, if the believers do not 4 STORY OF GERMAN LOVE. 77 seriously confront them and say : ' Thus far but no farther.' Every church must have its ser- vants, but there has been as yet no religion which the Priests, the Brahmins, the Schamins, the Bonzes, the Lamas, the Pharisees, or the Scribes have not corrupted and perverted. They wrangle and dispute in a language unintelligible to nine-tenths of their congregations, and instead of permitting themselves to be inspired by the apostles, and of inspiring others with their inspi- ration, they construct long arguments to show that the Gospels must be true, because they were written by inspired men. But this is only a makeshift for their own unbelief. How can they know that these men were inspired in a wonderful manner, without ascribing to them- selves a still more wonderful inspiration ? There- fore they extend the gift of inspiration to the fathers of the church; they attribute to them those very things which the majority have incor- porated in the canons of the councils ; and there again, when the question arises how we know 78 FIFTH MEMORY. that of fifty bishops twenty-six were inspired and twenty-four were not, they finally take the last desperate step, and say that infallibility and inspiration are inherent in the heads .of the church down to the present day, through the laying on of hands, so that infallibility, majority and inspiration make all our convictions, all resignation, all devout intuitions, superfluous. And yet, notwithstanding all these connecting links, the first question returns in all its simpli- city: How can B know that A is inspired, if B is not equally, or even more, inspired than A? For it is of more consequence to know that A was inspired than for one's self to be inspired." "I have never comprehended this so clearly myself," said she. rBut I have often felt how difficult it must be to know whether one loves who shows not a sign of love that could not be imitated. And, again, I have thought that no one could know it unless he knew love himself, and that he could only believe in the love of another so far as he believed in his own loveTj A STORY OF GERMAN LOVE. 79 As with the gift of love so is it with the gift of the Holy Spirit. They upon whom it descended heard a rushing from heaven as of a mighty wind, and there appeared to them cloven tongues like as of fire. But the rest were either amazed and perplexed, or they made sport of them and said : ' They are full of sweet wine.' " Still, as I said to you, it is the ' German Theology ' to which I am indebted for learning to believe in my belief, and what will seem a weakness to many, strengthened me the most; namely, that the old master never stops to dem- onstrate his propositions rigidly, but scatters them like a sower, in the hope that some grains will fall upon good soil and bear fruit a thousand fold. So our Divine Master never attempted to prove his doctrines, for the perfect conviction of truth disdains the form of a demonstration." " Yes," I interrupted her, for I could not help thinking of the wonderful chain of proof in Spinoza's 'Ethics,' "the straining after demon- stration by Spinoza gives me the impression that 8o FIFTH MEMORY. this acute thinker could not have believed in his own doctrines with his whole heart, and that he therefore felt the necessity of fastening every mesh of his net with the utmost care. " Still," I continued, " I must acknowledge I do not share this great admiration for the ' German Theology,' although I owe the book many a doubt. To me there is a lack of the human and the poetical in it, and of warm feeling and reverence for reality altogether. The entire mysticism of the four- teenth century is wholesome as a preparative, but it first reaches solution in the divinely holy and divinely courageous return to real life, as was exemplified by Luther. Man must at some time in his life recognize his nothingness. He must feel that he is nothing of himself, that his exist- ence, his beginning, his everlasting life are rooted in the superearthly and incomprehensible. That is the returning to God which in reality is never concluded on earth but yet leaves behind in the soul a divine home sickness, which never again ceases. But man cannot ignore the creation as the A STORY OF GERMAN LOVE. 81 Mystics would. Although created out of nothing, that is, through and out of God, he cannot of his own power resolve himself back into this noth- ingness. The self-annihilation of which Tauler so often speaks is scarcely better than the sink- ing away of the human soul in Nirvana, as the Buddhists have it. Thus Tauler says : ' That if he by greater reverence and love could reach the highest existence in non-existence, he would willingly sink from his height into the deepest abyss." But this annihilation of the creature was not the purpose of the Creator since he made it. 'God is transformed in man,' says Augustine, 'not man in God.' Thus mysticism should be only a fire-trial which steels the soul but does not evaporate it like boiling water in a kettle. He who has recognized the nothingness of self ought to recognize this self as a reflection of the actual divine. The ' German Theology ' says : nu u geflofSen it, ba tt ntdfjt roar , unb at fein roeSen anber ban in bent volt Eomen, Suuber e it ein jufal ofeer ein glat unb ein 6 82 FIFTH MEMORY. d)in, ber ntdjt roeen tt ober mrf)t roeen fjat anber3, ban in bem fen>er, ba ber glat u flufSet, al in bet Sunnen ober in einem lterf)te." ] "What has flown out is not real substance and has no other reality except in the perfect; but it is an incident or a glare or a shimmer, which is no substance, and has no other reality, except in the fire from which a glare proceeds, as in the sun or a light." " What is emitted from the divine, though it be only like the reflection from the fire, still has the divine reality in itself, and one might almost ask what were the fire without glow, the sun with- out light, or the Creator without the creature? These re questions of which it is said very truthfully : [ ,,2Beldfj menfdje unb n>elegt aerben oon bieem ju bent. a mufS unb ol tn unb ge<$eljen, baf bcr ufser mend)e sprint unb e ouc^ in ber roarljeit A STORY OF GERMAN LOVE. 85 \%i, ,,\tf) mil roeber tn nodj nit sin, roeber leben ober sterben, nnfsen obcr nicfjt n>ifen, tun ober lafSen, unb aUe ba bisem glidj tst, sunber aHes, bas ba miif unb Sol in unb gescfieb/n, bo Bin icb, bereit unb gef)oram ;u, e i in Itbenbcr n)ic ober in tuenber rote." Unb aloe ^at ber ufcr men^ fetn roarumbe ober geudj, Sunber aHeine bent erotgen roiffen genuf ju sin. 23on ba rotrt befannt t:: ber nmrfjeit, ba ber inner mensdje ten ol unberoegli^ unb ber ufer menc^i muf unb ol beroegt roerben, unb b,at ber inner menSd) in iner beroeglifett ein njarumb, ba it anber nifyB bamt ein muf; unb ol;in, georbnet Don bent eroigen rotHen. Unb too got elber ber menc^ roere ober it, ba it e alo. !a merfet man rool in rito. Cuc^ roa ba in gotltcfyem unb u gotltc^em liec^te it, ba it nit geit* Iid)e ^oc^fart noc^ unac^tiame fri^eit ober frie gemute, Sunber ein gruntlose bemutigfeit unb ein niber gc= d)Iagen unb etn geSunfen berrubet gentut, unb atte orbenligfeit unb rebeligfeit, glidjljett unb roar^eit, frtbe unb genugamfeit, unb atte ba, baS atten tugenben ju geb,5rt, ba muf ba in. 3Sa e anberS tt, ba it im nit rec^t, al DOT gefprodjen ift. 3San ret^t al bie ober bas ^u biser etnung nit ge^elfen ober gebienen (an, alo it ouc^ nidjteS, baS e geirren ober gefjtnbern mag, benn aHeine ber menscf} mtt 86 FIFTH MEMORY. Sinem etgen njtflen, ber tut im bten grofen rf)aben. Sol man n)ifen." ] "And when the union takes place in truth and becomes real, then the inner man stands henceforth immovable in the union, and God permits the outer man to be driven hither and thither from this to that. It must and shall be and happen, that the outer man says and is so also in truth 'I will neither be nor not be, neither live nor die, neither know nor not know, neither do nor leave undone and everything which is similar to this, but I am ready and obedient to do everything, which must and shall be done, be it passively or actively.' And thus has the outer man no question or desire, but to satisfy only the Eternal Will. When this will be known in truth, that the inner man shall stand immovable, and that the outer man shall and must be moved, the inner man has a why and wherefore of his moving, which is nothing but an ' it must and shall be ' ordered by the Eternal Will. And if God himself were or is the man, it would be so. This is well seen in Christ. And what in the Divine Light is and from the Divine Light, has neither spiritual pride nor A STORY OF GERMAN LOVE. 87 careless license nor an independent spirit but a great humility, and a broken and contrite heart, and all propriety and honesty, justice and truth, peace and happiness, all that be- longs to all virtues, it must have. When it is otherwise, then he is not happy, as has been said. When this does not help to this union, then there is nothing which may hinder it but man alone with his own will, which does him such great harm. That, one ought to know." " This is sufficient," said she ; " I believe we understand each other now. In another place, our unknown friend says still more unmistakably that no man is passive before death, and that the glorified man is like the hand of God, which does nothing of itself except as God wills; or, like a house in which God dwells. A God- possessed man feels this perfectly, but does not speak of it. He treasures his life in God like a love secret. It often seems to me like that silver poplar before my window. It is perfectly still at evening, and not a leaf trembles or stirs. When the morning breeze rustles and tosses 88 FIFTH MEMOR Y. every leaf, the trunk with its branches stands still and immovable, and when autumn comes, though every leaf which once rustled falls to the ground and withers, the trunk waits for a new spring." She had lived so deep a life in her world that I did not wish to disturb it. I had but just re- leased myself with difficulty from the magic circle of these thoughts, and scarcely knew whether she had not chosen the better part which could not be taken away from her; while we have so much trouble and care. Thus every evening brought its new conversa- tion, and with each evening, some new phase of her fathomless mind disclosed itself. She kept no secret from me. Her talk was only thinking and feeling aloud, and what she said must have dwelt with her many long years, for she poured out her thoughts as freely as a child that picks its lap full of flowers and then sprinkles them upon the grass. / I could not disclose my soul to her as freely as sKe did to me, and this oppressed and pained me. Yet how few can, with those A STORY OF GERMAN LOVE. 89 continual deceptions imposed upon us by society, called manners, politeness, consideration, pru- dence, and worldly wisdom, which make our entire life a masquerade ! / How few, even when they would, can regain the complete truth of their existence ! I Love itself dares not speak its own language and maintain its own silence, but must learn the set phrases of the poet and ideal- ize, sigh and flirt instead of freely greeting, beholding and surrendering itself. 1 I would most gladly have confessed and said to her : " You know me not," but I found that the words were not wholly true. Before I left, I gave her a vol- ume of Arnold's poems, which I had had a short time, and begged her to read the one called " The Buried Life." It was my confession, and then I kneeled at her couch and said "Good Night." " Good Night," said she, and laid her hand upon my head, and again her touch thrilled through every limb and the dreams of childhood uprose in my soul. I could not go, but gazed into her deep unfathomable eyes until the peace of her soul 90 FIFTH MEMOR Y. completely overshadowed mine. Then I arose and went home in silence and in the night I dreamed of the silver poplar around which the wind roared but not a leaf stirred on its branches. THE BURIED LIFE. Light flows our war of mocking words, and yet Behold, with tears my eyes are wet ; I feel a nameless sadness o'er me roll. Yes, yes, we know that we can jest ; We know, we know that we can smile; But there's a something in this breast To which thy light words bring no rest, And thy gay smiles no anodyne. Give me thy hand, and hush awhile, And turn those limpid eyes on mine, And. let me read there, love, thy inmost soul. Alas, is even love too weak To unlock the heart, and let it speak ? Are even lovers powerless to reveal To one another what indeed they feel? I knew the mass of men concealed Their thoughts, for fear that if revealed A STORY OF GERMAN LOVE. 9 1 They would by other men be met With blank indifference, or with blame reproved ; I knew they lived and moved, Tricked in disguises, alien to the rest Of men and alien to themselves and yet, s The same heart beats in every human breast. ! But we, my love does a like spell benumb Our hearts our voices? must we too be dumb? Ah! well for us, if even we, Even for a moment, can yet free Our hearts and have our lips unchained: For that which seals them hath been deep ordained. Fate which foresaw How frivolous a baby man would be, By what distractions he would be possessed, How he would pour himself in every strife, And well-nigh change his own identity, That it might keep from his capricious play His genuine self, and force him to obey, Even in his own despite, his being's law, Bade through the deep recesses of our breast The unregarded River of our Life, Pursue with indiscernible flow its way; And that we should not see The buried stream, and seem to be 92 FIFTH MEMORY. Eddying about in blind uncertainty, Though driving on with it eternally. rBut often, in the world's most crowded streets, Bul~~often in the din of strife, There rises an unspeakable desire After the knowledge of our buried life; A thirst to spend our fire and restless force In tracking out our true original course; A longing to inquire Into the mystery of this heart that beats So wild, so deep, in us ; to know Whence our thoughts come, and where they go. And many a man in his own breast then delves, But deep enough, alas, none ever mines : And we have been on many thousand lines, And we have shown on each, talent and power, But hardly have we, for one little hour, Been on our own line, have we been ourselves; Hardly had skill to utter one of all The nameless feelings that course through our breast, But they course on forever unexpressed. And long we try in vain to speak and act Our hidden self, _and what we say and, do Is eloquent, is well but 'tis not true. And then we will no moMTBe"" racked A STORY OF GERMAN LOVE. 93 With inward striving, and demand Of all the thousand nothings of the hour Their stupefying power ; Ah ! yes, and they benumb us at our call : Yet still, from time to time, vague and forlorn. From the soul's subterranean depth upborne, As from an infinitely distant land, Come airs and floating echoes, and convey A melancholy into all our day. Only but this is rare When a beloved hand is laid in ours, When, jaded with the rush and glare Of the interminable hours, Our eyes can in another's eyes read clear, When our world-deafened ear Is by the tones of a loved voice caressed, A bolt is shot back somewhere in our breast, And a lost pulse of feeling stirs again : The eye sinks inward, and the heart lies plain, And what we mean, we say, and what we would, we know ; A man becomes aware of his life's flow, And hears its winding murmur, and he sees The meadows where it glides, the sun, the breeze. And there arrives a lull in the hot race 94 FIFTH MEMORY. Wherein he doth forever chase That flying and elusive shadow, Rest; An air of coolness plays upon his face, And an unwonted calm pervades his breast. And then he thinks he knows The Hills where his life rose, And the Sea where it goes SIXTH MEMORY. SIXTH MEMORY. EARLY the next morning, there was a knock at the door, and my old doctor, the Hofrath, entered. He was the friend, the body-and-soul- guardian of our entire little village. He had seen two generations grow up. Children whom he had brought into the world had in turn be- come fathers and mothers, and he treated them as his children. He himself was unmarried, and even in his old age was strong and handsome to look upon. I never knew him otherwise than as he stood before me at that time ; his clear blue eyes gleaming under the bushy brows, his flow- ing white hair still full of youthful strength, curl- ing and vigorous. I can never forget, also, his shoes, with their silver buckles, his white stock- ings, his brown coat, which always looked new, and yet seemed to be old, and his cane, which 7 SIXTH MEMOR Y. was the same I had seen standing by my bedside in childhood, when he felt my pulse and pre- scribed my medicines. I had often been sick, but it was always faith in this man which made me well again. I never had the slightest doubt of his ability to cure me, and when my mother said she must send for the Hofrath that I might get well again, it was as if she had said she must send for the tailor to mend my torn trousers. I had only to take the medicine, and I felt that I must be well again. " How are you, my child ?" said he, as he entered the room. "You are not looking per- fectly well. You must not study too much. But I have little time to-day to talk, and only came to tell you, you must not go to see the Countess Marie again. I have been with her all night, and it is your fault. So be careful, if her life is dear to you, that you do not go again. She must leave here as soon as possible, and be taken into the country. It would be best for A STORY OF GERMAN LOVE. 99 you also to travel for a long time. So good morning, and be a good child." With these words, he gave me his hand, looked at me affectionately in the eyes, as if he would exact the promise, and then went on his way to look after his sick children. I was so astonished that another had pene- trated so deeply into the secrets of my soul, and that he knew what I did not know myself, that when I recovered from it he had already been long upon the street. An agitation began to seize me, as water, which has long been over the fire without stirring, suddenly bubbles up, boils, heaves and rages until it overflows. Not see her again ! I only live when I am with her. I will be calm; I will not speak a word to her ; I will only stand at her window as she sleeps and dreams. But not to see her again ! Not to take one farewell from her ! She knows not, they cannot know, that I love her. Surely I do not love her I desire nothing, I hope for nothing, my heart never beats more loo SIXTH MEMORY. quietly then when I am with her. But I must feel her presence I must breathe her spirit I must go to her ! She waits for me. Has des- tiny thrown us together without design ? Ought I not to be her consolation, and ought she not to be my repose ? Life is not a sport. It does not force two souls together like the grains of sand in the desert, which the sirocco whirls together and then asunder. IWe should hold fast the souls which friendly fate leads to us, for they are destined for us, and no power can tear them from us if we have the courage to live, to struggle, and to die for them. I She would despise me if I deserted her love at the first roll of the thunder, as it were in the shadow of a tree, under which I have dreamed so many happy hours. Then I suddenly grew calm, and heard only the words " her love ;" they reverberated through all the recesses of my soul like an echo, and I was terrified at myself. " Her love," and how had I deserved it ? She hardly knows me, and even if she could love me v must I not confess A STORY OF GERMAN LOVE. IOI to her I do not deserve the love of an angel? Every thought, every hope which arose in my soul, fell back like a bird which essays to soar into the blue sky and does not see the wires which restrain it. /And yet, why all this bliss- fulness, so near ami so unattainable?/ Cannot God work wonders? Does He not work won- ders every morning? Has He not often heard my prayer when it importuned him, and would not cease, until consolation and help came to the weary one ? These are not earthly blessings for which we pray. It is only that two souls, which have found and recognized each other, may be allowed to finish their brief life -journey, arm in arm, and face to face ; that I may be a support to her in suffering, and that she may be a consolation and precious burden to me until we reach the end. And if a still later spring were promised to her life, if her burdens were taken from her Oh, what blissful scenes crowded upon my vision ! The castle of her deceased ^^ mother, in the Tyrol, belonged to her. /There, 102 SIXTH MEMORY. on the green mountains, in the fresh mountain air, among a sturdy and uncorrupted people, far away from the hurly-burly of the world, its cares and its struggles, its opinion and its censure, how blissfully we could await the close of life, and silently fade away like the evening-red 17 Then I pictured the dark lake, with the dancing shimmer of waves, and the clear shadows of dis- tant glaciers reflected in it ; I heard the lowing of cattle and the songs of the herdsmen ; I saw the hunters with their rifles crossing the mount- ains, and the old and young gathering together at twilight in the village ; and, to crown all, I saw her passing along like an angel of peace in bene- diction, and I was her guide and friend. " Poor fool!" I cried out, "poor fool! Is thy heart always to be so wild and so weak ? Be a man. Think who thou art, and how far thou art from her. She is a friend. She gladly reflects her- self in another's soul, but her childlike trust and candor at best only show that no deeper feeling lives in her breast for thee. Hast thou not, on A STORY OF GERMAN LOVE. 103 many a clear summer's night, wandering alone through the beech groves, seen how the moon sheds its light upon all the branches and leaves, how it brightens the dark, dull water of the pool and reflects itself clearly in the smallest drops ? In like manner she shines upon this dark life, and thou may'st feel her gentle radiance re- flected in thy heart but hope not for a wanner glow!" Suddenly an image approached me as it were from life ; she stood before me, not like a mem- ory but as a vision, and I realized for the first time how beautiful she was. It was not that beauty of form and face which dazzles us at the first sight of a lovely maiden, and then fades away as suddenly as a blossom in spring. It was much more the harmony of her whole being, the reality of every emotion, the spirituality of ex- pression, the perfect union of body and soul which blesses him so who looks upon it. The beauty which nature lavishes so prodigally does not bring any satisfaction, if the person is not 104 SIXTH MEMORY. adapted to it and as it were deserves and over- comes it. On the other hand, it is offensive, as when we look upon an actress striding along the stage in queenly costume, and notice at every step how poorly the attire fits her, how little it becomes her. True beauty is sweetness, and sweetness is the spiritualizing of the gross, the corporeal and the earthly. It is the spiritual presence which transforms ugliness into beauty. The more I looked upon the vision which stood before me, the more I perceived, above all else, the majestic beauty of her person and the soul- ful depths of her whole being. Oh, what happi- ness was near me ! And was this all to be shown the summit of earthly bliss and then be thrust out into the flat, sandy wastes of existence ? iOh, that I had never known what treasures the "earth conceals! Once to love, and then to be forever alone ! Once to believe, and then forever to doubt ! Once to see the light, and then for- ever to be blinded! In comparison with this A STORY OF GERMAN LOVE. 105 rack, all the torture-chambers of man are insig- nificant/^ Hius rushed the wild chase of my thoughts farther and farther away until at last all was silent. The confused sensations gradually col- lected and settled. This repose and exhaustion they call meditation, bui it is rather an inspection one allows time for the mixture of thoughts to crystallize themselves according to eternal laws, and regards the process like an observing chem- ist ; and the elements having assumed a form, we often wonder that they, as well as ourselves, are so entirely different from what we expected. When I awoke from my abstraction, my first words were, " I must away." I immediately sat down and w*ote the Hofrath that I should travel for fourteen days and submit entirely to him. I easily made an excuse to my parents, and at night I was on my way to the Tyrol. SEVENTH MEMORY. SEVENTH MEMORY. WANDERING, arm in arm with a friend, through the valleys and over the mount- ains of the Tyrol, one sips life's fresh air and enjoyment ; but to travel the same road solitary and alone with your thoughts is time and trouble lost. Of what interest to me are the green mountains, the dark ravines, the blue lake, and the mighty cataracts ? Instead of contemplating them they look at me and wonder among them- selves at this solitary being, fit smote me to the heart that I had found no one in all the world who loved me more than all others. With such thoughts I awoke every morning, and they haunted me all the day like a song which one cannot drive away. When I entered the inn at night and sat down wearied, and the people in the room watched me, and wondered at the no SEVENTH MEMORY. solitary wanderer, it often urged me out into the night again, where no one could see I was alone. At a late hour I would steal back, go quietly up to my room and throw myself upon my hot bed, and the song of Schubert's would ring through my soul until I went to sleep : " Where thou art not, is happiness." At last the sight of men, whom I continually met laughing, rejoicing and exulting in this glorious nature, became so intol- erable that I slept by day, and pursued my jour- ney from place to place in the clear moonlight nights. There was at least one emotion which dispelled and dissipated my thoughts: it was fear. Let any one attempt to scale mountains alone all night long in ignorance of the way where the eye, unnaturally strained, beholds dis- tant shapes it cannot solve where the ear, with morbid acuteness, hears sounds without knowing whence they come where the foot suddenly stumbles, it may be over a root which forces its way through the rocks, or on a slippery path which the waterfall has drenched with its spray A STORY OF GERMAN LOVE. Ill and besides all this, a disconsolate waste in the heart, no memory to cheer us, no hope to which we may cling let any one attempt this, and he will feel the cold chill of night both out- wardly and inwardly. The first fear of the human heart arises from God forsaking us ; but life dissipates it, and mankind, created after the image of God, consoles us in our solitariness. When even this consolation and love, however, forsake us, then we feel what it means to be deserted by God and man, and nature with her silent face terrifies rather than consoles us. Even when we firmly plant our feet upon the solid rocks, they seem to tremble like the mists of the sea from which they once slowly emerged. When the eye longs for the light, and the moon rises behind the firs, reflecting their tapering tops against the bright rock opposite, it appears to us like the dead hand of a clock which was once wound up, and will some day cease to strike. There is no retreat for the soul, which feels itself alone and forsaken even among the H2 SEVENTH MEMORY. stars, or in the heavenly world itself.J One thought brings us a little consolation : the repose, the regularity, the immensity, and the unavoida- bleness of nature. Here, where the waterfall has clothed the gray rocks on either side with green moss, the eye suddenly recognizes a blue forget-me-not in the cool shade. It is one of millions of sisters now blossoming along all the rivulets and in all the meadows of earth, and which have blossomed ever since the first morn- ing of creation shed its entire inexhaustible wealth over the world. Every vein in its leaves, every stamen in its cup, every fibre of its roots, is numbered, and no power on earth can make the number more or less. Still more, when we strain our weak eyes and, with superhuman power, cast a more searching glance into the secrets of nature, when the microscope discloses to us the silent laboratory of the seed, the bud and the blossom, do we recognize the infinite, ever-recurring form in the most minute tissues and cells, and the eternal unchangeableness of A STORY OF GERMAN LOVE. 113 Nature's plans in the most delicate fibre. Could we pierce still deeper, the same form-world would reveal itself, and the vision would lose itself as in a hall hung with mirrors. Such an infinity as this lies hidden in this little flower. If we look up to the sky, we see again the same system the moon revolving around the planets, the planets around suns, and the suns around new suns, while to the straining eye the distant star- nebulse themselves seem to be a new and beau- tiful world. Reflect then how these majestic constellations periodically revolve, that the sea- sons may change, that the seed of this forget* me-not may shed itself again and again, the cells open, the leaves shoot out, and the blos- soms decorate the carpet of the meadow; and look upon the lady-bug which rocks itself in the blue cup of the flower, and whose awakening into life, whose consciousness of existence, whose living breath, are a thousand-fold more wonder- ful than the tissue of the flower, or the dead mechanism of the heavenly bodies. Consider 114 SEVENTH MEMORY. that thou also belongest to this infinite warp and woof, and that thou art permitted to com- fort thyself with the infinite creatures which revolve and live and disappear with thee. But if this All, with its smallest and its greatest, with its wisdom and its power, with the wonders of its existence, and the existence of its wonders, is the work of a Being in whose presence thy soul does not shrink back, before whom thou fallest pros- trate in a feeling of weakness and nothingness, and to whom thou risest again in the feeling of His love and mercy if thou really feelest that something dwells in thee more endless and eter- nal than the cells of the flowers, the spheres of the planets, and the life of the insect if thou recognizest in thyself as in a shadow the reflec- tion of the Eternal which illuminates thee if thou feelest in thyself, and under and above thyself, the omnipresence of the Real, in which thy seeming becomes being, thy trouble, rest, thy solitude, universality then thou knowest the One to Whom thou criest in the dark night A STORY OF GERMAN LOVE. 1 15 of life : " Creator and Father, Thy will be done in Heaven as upon earth, and as on earth so also in me." Then it grows bright in and about thee. The daybreak disappears with its cold mists, and a new warmth streams through shiver- ing nature. Thou hast found a hand which never again leaves thee, which holds thee when the mountains tremble and moons are extin- guished. Wherever thou may'st be, thou art with Him, and He with thee. He is the eternally near, and His is the world with its flowers and thorns, His is man with his joys and sorrows. "The least important thing does not happen except as God wills it." With such thoughts I went on my way. At one time, all was well with me ; at another, troubled ; for even when we have found rest and peace in the lowest depths of the soul, it is still hard to remain undisturbed in this holy solitude. Yes, many forget it after they find it and scarcely know the way which leads back to it. Weeks had flown, and not a syllable had Il6 SEVENTH MEMORY. reached me from her. " Perhaps she is dead and lies in quiet rest," was another song forevei on my tongue, and always returning as often as I drove it from me. It was not impossible, for the Hofrath had told me she suffered with heart troubles, and that he expected to find her no more among the living every morning he visited her. Could I ever forgive myself if she had left this world and I had not taken farewell of her, nor told her at the last moment how I loved her? Must I not follow until I found her again in another life, and heard from her that she loved me and that I was forgiven ? (How mankind defers from day to day the best it can do, and the most beautiful things it can enjoy, without thinking that every day may be the last one, and that lost time is lost eternityjj Then all the words of the Hofrath, the last time I saw him, recurred to me, and I felt that I had only re- solved to make my sudden journey to show my strength to him, and that it would have been a still more difficult task to have confessed my A STORY OF GERMAN LOVE. 117 weakness and remained. It was clear to me that it was my simple duty to return to her imme- diately and to bear everything which Heaven ordained. But as soon as I had laid the plan for my return journey, I suddenly remembered the words of the Hofrath: "As soon as possible she must go away and be taken into the coun- try." She had herself told me that she spent the most of her time, in summer, at her castle. Perhaps she was there, in my immediate vicinity ; in one day I could be with her. Thinking was doing ; at daybreak I was off, and at evening I stood at the gate of the castle. The night was clear and bright. The mount- ain peaks glistened in the full gold of the sun- set and the lower ridges were bathed in a rosy blue. A gray mist rose from the valleys which suddenly glistened when it swept up into the higher regions, and then like a cloud-sea rolled heavenwards. The whole color-play reflected itself in the gently agitated breast of the dark lake from whose shores the mountains seemed to Ii8 SEVENTH MEMORY. rise and fall, so that only the tops of the trees and the peaks of the church steeples and the rising smoke from the houses denned the limits which separated the reality of the world from its reflection. My glance, however, rested upon only one spot the old castle where a present- iment told me I should find her again. No light could be seen in the windows, no footstep broke the silence of the night. Had my presentiment deceived me ? I passed slowly through the outer gateway and up the steps until I stood at the fore-court of the castle. Here I saw a sentinel pacing back and forwards, and I hastened to the soldier to inquire who was in the castle. " The Countess and her attendants are here," was the brief reply, and in an instant I stood at the main portal and had even pulled the bell. Then, for the first time, my action occurred to me. No one knew me. I neither could nor dare say who I was. I had wandered for weeks about the mountains, and looked like a beggar. What should I say ? For whom should I ask ? There A STORY OF GERMAN LOVE. 119 was little time for consideration, however, for the door opened and a servant in princely livery stood before me, and regarded me with amaze- ment. I asked if the English lady, who I knew would never forsake the Countess, was in the castle, and when the servant replied in the affirm- ative, I begged for paper and ink and wrote her I was present to inquire after the health of the Countess. The servant called an attendant, who took the letter away. I heard every step in the long halls, and every moment I waited, my position became more unendurable. The old family portraits of the princely house hung upon the walls knights in full armor, ladies in antique costume, and in the center a lady in the white robes of a nun with a red cross upon her breast. At any other time I might have looked upon these pictures and never thought that a human heart once beat in their breasts. But now it seemed to me I could suddenly read whole volumes in their feat- 120 SEVENTH MEMORY. ures, and that all of them said to me : " We also have once lived and suffered." Under these iron armors secrets were once hidden as even now in my own breast. These white robes and the red cross are real proofs that a battle was fought here like that now raging in my own heart. Then I fancied all of them regarded me with pity, and a loftier haughtiness rested on their features as if they would say, Thou dost not belong to us. I was growing uneasy every moment, when sud- denly a light step dissipated my dream. The English lady came down the stairs and asked me to step into an apartment. I looked at her closely to see if she suspected my real emotions, but her face was perfectly calm, and without manifesting the slightest expression of curiosity or wonder, she said in measured tones, the Countess was much better to-day and would see me in half an hour. When I heard these words, I felt like the good swimmer who has ventured far out into the sea, and first thinks of returning when his A STORY OF GERMAN LOVE. 12 1 arras have begun to grow weary. He cleaves the waves with haste, scarcely venturing to cast a glance at the distant shore, feeling with every stroke that his strength is failing and that he is making no headway, until at last, purposeless and cramped, he scarcely has any realization of his position; then suddenly his foot touches the firm bottom, and his arm hugs the first rock on the shore. A fresh re- ality confronted me, and my sufferings were a dream. There are but few such moments in the life of man, and thousands have never known their rapture. The mother whose child rests in her arms for the first time, the father whose only son returns from war covered with glory, the poet in whom his countrymen exult, the youth whose warm grasp of the hand is returned by the beloved being with a still warmer pressure they know what it means when a dream becomes a reality. At the expiration of the half hour, a ser- vant came and conducted me through a long 122 SEVENTH MEMORY. suite of rooms, opened a door, and in the fad- ing light of the evening I saw a white figure, and above her a high window, which looked out upon the lake and the shimmering mount- ains. "How singularly people meet!" she cried out in a clear voice, and every word was like a cool iain-drop on a hot summer's day. " How singularly people meet, and how sin- gularly they lose each other," said I ; and there- upon I seized her hand, and realized that we were together again. "But people are to blame if they lose each other," she continued; and her voice, which seemed always to accompany her words, like music, involuntarily modulated into a tenderer key. "Yes, that is true," I replied; "but first tell me, are you well, and can I talk with you?" "My dear friend," said she, smiling, "you know I am always sick, and if I say that I feel well, I do so for the sake of my old Hofrath ; A STORY OF GERMAN LOVE. 123 for he is firmly convinced that my entire life since my first year is due to him and his skill. Before I left the Court-residence I caused him much anxiety, for one evening my heart sud- denly ceased beating, c.nd I experienced such distress that I thought it would never beat again. But that is past, and why should we recall it ? Only one thing troubles me. I have hitherto believed I should some time close my eyes in perfect repose, but now I feel that my sufferings will disturb and embitter my depart- ure from life." Then she placed her hand upon her heart, and said : " But tell me, where have you been, and why have I not heard from you all this time? The old Hofrath has given me so many reasons for your sudden departure, that I was finally compelled to tell him I did not believe him and at last he gave me the most incredible of all reasons, and counselled what do you suppose?" "He might seem untruthful," I interrupted, so that she should not explain the reason, " and 124 SEVENTH MEMORY. yet, perhaps he was only too truthful. But this also is past, and why should we recall it?" "No, no, my friend," said she, "why call it past ? I told the Hofrath, when he gave me the last reason for your sudden departure, that I understood neither him nor you. I am a poor sick, forsaken being, and my earthly existence is only a slow death. Now if Heaven sends me a few souls who understand me, or love me, as the Hofrath calls it, why then should it dis- turb their joy or mine? I had been reading my favorite poet, the old Wordsworth, when the Hofrath made his acknowledgment, and I said : ' My dear Hofrath, we have so many thoughts and so few words that we must ex- press many thoughts in every word. Now if one who does not know us understood that our young friend loved me, or I him, in such man- ner as we suppose Romeo loved Juliet and Juliet Romeo, you would be entirely right in saying it should not be so. But is it not true that you love me also, my old Hofrath, and A STORY OF GERMAN LOVE. 125 that I love you, and have loved you for many years? And has it not sometimes occurred to you that I have neither been past remedy nor unhappy on that account? Yes, my dear Ho- frath, I will tell you still more I believe you have an unfortunate love for me, and are jeal- ous of our young friend. Do you not come every morning and inquire how I am, even when you know I am very well ? Do you not bring me the finest flowers from your garden? Did you not oblige me to send you my portrait, and perhaps I ought not to disclose it did you not come to my room last Sunday and think I was asleep? I was really sleeping at least I could not stir myself. I saw you sitting at my bedside for a long time, your eyes stead- fastly fixed upon me, and I felt your glances playing upon my face like sunbeams. At last your eyes grew weary, and I perceived the great tears falling from them. You held your face in your hands, and loudly sobbed : Marie, Marie ! Ah, my dear Hofrath, our young friend 128 SEVENTH MEMORY. This little bay ; a quiet road That holds in shelter thy abode In truth, together do ye seem Like something fashioned in a dream ; Such forms as from their covert peep When earthly cares are laid asleep! But, O fair creature! in the light Of common day, so heavenly bright, I bless thee, vision as thou art, I bless thee with a human heart ; God shield thee to thy latest years! Thee neither know I, nor thy peers; And yet my eyes are filled with tears. With earnest feeling I shall pray For thee when I am far away: For never saw I mien or face, In which more plainly I could trace Benignity and home-bred sense Ripening in perfect innocence. Here scattered, like a random seed, Remote from men, thou dost not need The embarrassed look of shy distress, And maidenly shamefacedness : Thou wear'st upon thy forehead clear The freedom of a mountaineer: A STORY OF GERMAN LOVE. A face with gladness overspread ! Soft smiles, by human kindness bred! And seemliness complete, that sways Thy courtesies, about thee plays ; With no restraint, but such as springs From quick and eager visitings Of thoughts that lie beyond the reach Of thy few words of English speech: A bondage sweetly brooked, a strife That gives thy gestures grace and life! So have I, not unmoved in mind. Seen birds of tempest-loving kind Thus beating up against the wind. What hand but would a garland cull For thee who art so beautiful? O happy pleasure! here to dwell Beside thee in some heathy dell; Adopt your homely ways and dress, A shepherd, thou a shepherdess : But I could frame a wish for thee More like a grave reality: Thou art to me but as a wave Of the wild sea ; and I would have Some claim upon thee, if I could. Though but of common neighborhood. 9 130 SEVENTH MEMORY. What joy to hear thee, and to see! Thy elder brother I would be, Thy father anything to thee! Now thanks to heaven! that of its grace Hath led me to this lonely place. Joy have I had ; and going hence I bear away my recompense. In spots like these it is we prize Our memory, feel that she hath eyes: Then why should I be loth to stir? I feel this place was made for her ; To give new pleasure like the past, Continued long as life shall last. Nor am I loth, though pleased at heart, Sweet Highland Girl, from thee to part ; For I, methinks, till I grow old, As fair before me shall behold, As I do now, the cabin small, The lake, the bay, the waterfall, And thee, the spirit of them all! I had finished, and the poem had been to me like a draught of the fresh spring-water which I had sipped so often of late as it dropped from the cup of some large green leaf. A STORY OF GERMAN LOVE. 131 Then I heard her gentle voice, like the first tone of the organ, which wakens us from our dreamy devotion, and she said : " Thus I desire you to love me, and thus the old Hofrath loves me, and thus in one way or another we should all love and believe in each other. But the world, although I scarcely know it, does not seem to understand this love and faith, and, on this earth, where we could have lived so happily, men have made existence very wretched. "It must have been otherwise of old, else how could Homer have created the lovely, wholesome, tender picture of Nausikaa? Nau- sikaa loves Ulysses at the first glance. She says at once to her female friends : ' Oh, that I could call such a man my spouse, and that it were his destiny to remain here.' She was even too modest to appear in public at the same time with him, and she says, in his presence, that if she should bring such a handsome and majestic stranger home, the people would say, she may 132 SEVENTH MEMORY. have taken him for a husband. How simple and natural all this is! But when she heard that he was going home to his wife and children, no murmur escaped her. She disappears from our sight, and we feel that she carried the pic- ture of the handsome and majestic stranger a long time afterward in her breast, with silent and joyful admiration. Why do not our poets know this love this joyful acknowledgment, this calm abnegation? A later poet would have made a womanish Werter out of Nausikaa, for the reason that love with us is nothing more than the pre- lude to the comedy, or the tragedy, of marriage. Is it true there is no longer any other love? Has the fountain of this pure happiness wholly dried up? Are men only acquainted with the intoxicating draught, and no longer with the invigorating well-spring of love ?" At these words the English poet occurred to me, who also thus complains : A STORY OF GERMAN LOVE. 133 From heaven if this belief be sent, If such be nature's holy plan, Have I not reason to lament What man has made of man. "Yet, how happy the poets are," said she. " Their words call the deepest feelings into exist- ence in thousands of mute souls, and how often their songs have become a confession of the sweetest secrets! Their heart beats in the breasts of the poor and the rich. The happy sing with them, and the sad weep with them. But I cannot feel any poet so completely my own as Wordsworth. I know many of my friends do not like him. They say he is not a poet. But that is exactly why I like him; he avoids all the hackneyed poetical catch-words, all exagger- ation, and everything comprehended in Pegasus- flights. He is true and does not everything lie in this one word ? He opens our eyes to the beauty which lies under our feet like the daisy in the meadow. He calls everything by its true name. He never intends to startle, deceive, or 134 SEVENTH MEMORY. dazzle any one. He seeks no admiration for himself. He only shows mankind how beautiful everything is which man's hand has not yet spoiled or broken. Is not a dew-drop on a blade of grass more beautiful than a pearl set in gold? Is not a living spring, which gushes up before us, we know not whence, more beautiful than all the fountains of Versailles ? Is not his Highland Girl a lovelier and truer expression of real beauty than Goethe's Helena, or Byron's Haidee? And then the plainness of his lan- guage, and the purity of his thoughts ! Is it not a pity that we have never had such a poet? Schiller could have been our Wordsworth, had he had more faith in himself than in the old Greeks and Romans. Our Ruckert would come the nearest to him, had he not also sought con- solation and home under Eastern roses, away from his poor Fatherland. Few poets have the courage to be just what they are. Wordsworth had it; and as we gladly listen to great men, even in those moments when they are not A STORY OF GERMAN LOVE. 135 inspired, but, like other mortals, quietly cherish their thoughts, and patiently wait the moment that will disclose new glimpses into the infinite, so have I also listened gladly to Wordsworth himself, in his poems, which contain nothing more than any one might have said. The greatest poets allow themselves rest. In Homer we often read a hundred verses without a single beauty, and just so in Dante ; while Pindar, whom all admire so much, drives me to distraction with his ecstacies. What would I not give to spend one summer on the lakes; visit with Wordsworth all the places to which he has given names; greet all the trees which he has saved from the axe; and only once watch a far-off sunset with him, which he describes as only Turner could have painted." It was a peculiarity of hers that her voice never dropped at the close of her talk, as with most people ; on the contrary, it rose and always ended, as it were, in the broken seventh chord. She always talked up, never down, to people. 136 SEVENTH MEMORY. The melody of her sentences resembled that of the child when it says: "Can't I, father?" There was something beseeching in her tones, and it was well-nigh impossible to gainsay her. " Wordsworth," said I, " is a dear poet, and a still dearer man to me, and as one often has a more beautiful, wide-spread, and stirring outlook from a little hill which he ascends without effort, than when he has clambered up Mont Blanc with difficulty and weariness, so it seems to me with Wordsworth's poetry. At first, he often appeared commonplace to me, and I have fre- quently laid down his poems unable to under- stand how the best minds of England to-day can cherish such .an admiration for him. The con- viction has grown upon me that no poet whom his nation, or the intellectual aristocracy of his people, recognize as a poet, should remain un- enjoyed by us, whatever his language. Admira- tion is an art which we must learn. Many Germans say Racine does not please them. The Englishman says, 'I do not understand Goethe.' A STORY OF GERMAN LOVE. 137 The Frenchman says Shakespeare is a boor. What does all this amount to? Nothing more than the child who says it likes a waltz better than a symphony of Beethoven's. The art con- sists in discovering and understanding what each nation admires in its great men. He who seeks beauty will eventually find it, and discover that the Persians are not entirely deceived in their Hafiz, nor the Hindoos in their Kalidasa. We cannot understand a great man all at once. It takes strength, effort, and perseverance, and it is singular that what pleases us at first sight seldom captivates us any length of time. "And yet," she continued, "there is some- thing common to all great poets, to all true artists, to all the world's heroes, be they Persian or Hindoo, heathen or Christian, Roman or Ger- man; it is I hardly know what to call it it is the Infinite which seems to lie behind them, a far away glance into the Eternal, an apotheosis of the most trifling and transitory things. Goethe 138 SEVENTH MEMORY. the grand heathen, knew the sweet peace which comes from Heaven; and when he sings: tr On every mountain-height Is rest. O'er each summit white Thou feelest Scarcely '6. breath. The bird songs are still from each bough ; Only wait, soon shalt thou Rest too, in death. does not an endless distance, a repose which earth cannot give, disclose itself to him above the fir-clad summits ? This background is never wanting with Wordsworth. Let the carpers say what they will, it is nevertheless only the super- earthly, be it ever so obscure, which charms and quiets the human heart. Who has better under- stood this earthly beauty than Michel Angelo? but he understood it, because it was to him a reflection of superearthly beauty. You know his sonnet: A STORY OF GERMAN LOVE. 139 [La forza d'un bel volto al ciel mi sprona (Ch'altro in terra non e che mi diletti), E vivo ascendo tra gli spirti eletti ; Grazia ch'ad uom mortal raro si dona. Si ben col suo Fattor 1'opra consuona, Ch'a lui mi levo per divin concetti ; E quivi informo i pensier tutti e i detti ; Ardendo, amando per gentil persona. Onde, se mai da due begli occhi il guardo Torcer non so, conosco in lor la luce Che mi mostra la via, ch'a Dio mi guide; E se nel lume loro acceso io ardo, Nel nobil foco mio dolce riluce La gioja che nel cielo eterna ride."] "The might of one fair face sublimes my love, For it hath weaned my heart from low desires ; Nor death I heed nor purgatorial fires. Thy beauty, antepast of joys above Instructs me in the bliss that saints approve; For, Oh! how good, how beautiful must be The God that made so good a thing as thee, So fair an image of the Heavenly Dove. Forgive me if I cannot turn away From those sweet eyes that are my earthly heaven, 140 SEVENTH MEMORY. For they are guiding stars, benignly given To tempt my footsteps to the upward way; And if I dwell too fondly in thy sight, I live and love in God's peculiar light." She was exhausted and silent, and how could I disturb that silence ? When human hearts, after friendly interchange of thoughts feel calmed and quieted, it is as if an angel had flown through the room and we heard the gentle flutter of wings over our heads. As my gaze rested upon her, her lovely form seemed illuminated in the twi- light of the summer evening, and her hand, which I held in mine, alone gave me the con- sciousness of her real presence. Then suddenly a bright refulgence spread over her countenance. She felt it, opened her eyes and looked upon me wonderingly. The wonderful brightness of her eyes, which the half-closed eyelids covered as with a veil, shone like the lightning. I looked around and at last saw that the moon had arisen in full splendor between two peaks opposite the castle, and brightened the lake and the village A STORY OF GERMAN LOVE. 141 with its friendly smiles. Never had I seen Na- ture, never had I seen her dear face so beautiful, never had such holy rest settled down upon my soul. "Marie," said I, "in this resplendent mo- ment, let me, just as I am, confess my whole love. Let us, while we feel so powerfully the nearness of the superearthly, unite our souls in a tie which can never again be broken. What- ever love may be, Marie, I love you and I feel, Marie, you are mine for I am thine." I knelt before her, but ventured not to look into her eyes. My lips touched her hand and I kissed it. At this she withdrew her hand from me, slowly at first and then quickly and decided- ly, and as I looked at her an expression of pain was on her face. She was silent for a time, but at last she raised herself and said with a deep sigh: " Enough for to-day. You have caused me pain, but it is my fault. Close the window. I feel a cold chill coming over me as if a strange hand were touching me. Stay with me but no, 142 SEVENTH MEMORY. you must go. Farewell ! Sleep well ! Pray that the peace of God may abide with us. We see each other again shall we not? To-morrow evening I await you." Oh, where all at once had this heavenly rest flown? I saw how she suffered, and all that I could do was to quickly hurry away, summon the English lady and then go alone in the dark- ness of night to the village. Long time I wan- dered back and forth about the lake, long my gaze strayed to the lighted window where I had just been. Finally, the last light in the castle was extinguished. The moon mounted higher and higher, and every pinnacle and projection and decoration on the lofty walls grew visible in the fairy-like illumination. Here was I all alone in the silent night. It seemed to me my brain had refused its office, for no thought came to an end and I only felt I was alone on this earth, that it contained no soul for me. The earth was like a coffin, the black sky a funeral pall, and I scarcely knew whether I was living or had A STORY OF GERMAN LOVE. 143 long been dead. Then I suddenly looked up to the stars with their blinking eyes, which went their way so quietly and it seemed to me that they were only for the lighting and consolation of men, and then I thought of two heavenly stars which had risen in my dark heaven so unex- pectedly, and a thanksgiving rang through my breast a thanksgiving for the love of my angel LAST MEMORY. LAST MEMORY. THE sun was already looking into my win dow over the mountains when I awoke. Was it the same sun which looked upon us the evening before with lingering gaze, like a de- parting friend, as if it would bless the union of our souls, and which set like a lost hope? It shone upon me now, like a child which bursts into our room with beaming glance to wish us good morning on a joyful holiday. And was I the same man who, only a few hours before, had thrown himself upon his bed, broken in body and spirit ? Immediately I felt once more the old life-courage and trust in God and myself, which quickened and ani- mated my soul like the fresh morning breeze. What would become of man without sleep? We know not where this nightly messenger 148 LAST MEMORY. leade us ; and when he closes our eyes at night who can assure us that he will open them again in the morning that he will bring us to ourselves? It required courage and faith for the first man to throw himself into the arms of this unknown friend; and were there not in our nature a certain helplessness which forces us to submission, and compels us to have faith in all things we are to believe, I doubt whether any man, notwithstanding all his weariness, could close his eyes of his own free will and enter into this unknown dream-land. The very consciousness of our weakness and our weariness gives us faith in a higher power, and courage to resign ourselves to the beauti- ful system of the All, and we feel invigorated and refreshed when, in waking or in sleeping, we have loosened, even for a short time only, the chains which bind our Eternal Self to oui temporal Ego. What had appeared to me, only yesterday,, dark as an evening cloud flying overhead, be- A STORY OF GERMAN LOVE. 149 came instantly clear. We belonged to one another, that I felt; be it as brother and sis- ter, father and child, bridegroom and bride, we must remain together now and forever. It only concerned us to find the right name for that which we in our stammering speech call Love. " Thy elder brother I would be, Thy father anything to thee." / It was this " anything " for which a name must be found, for the world now recognizes nothing as nameless. She had told me herself that she loved me with that pure all-human love, out of which springs all other love. Her shudder- ing, her uneasiness, when I confessed my full love to her, were still incomprehensible to me, but it could no longer shatter my faith in our love. Why should we desire to understand all that takes place in other human natures, when there is so much that is incomprehensible in our own? After all, it is the inconceivable which generally captivates us, whether in na- ;50 LAST MEMORY. ture, in man, or in our own breasts. Men whom we understand, whose motives we see before us like an anatomical preparation, leave us cold, like the characters in most of our novels. Nothing spoils our delight in life and men more than this ethic rationalism which insists upon clearing up everything, and illu- minating every mystery of our inner being. There is in every person a something that is inseparable we call it fate, the suggestive power or character and he knows neither himself nor mankind, who believes that he can analyze the deeds and actions of men without taking into account this ever-recurring prin- ciple. Thus I consoled myself on all those points which had troubled me in the evening; and at last no streak of cloud obscured the heaven of the future. In this frame of mind I stepped out of the close house into the open air, when a mes- senger brought a letter for me. It was from the Countess, as I saw by the beautiful, deli- A STORY OF GERMAN LOVE. 151 cate handwriting. I breathlessly opened it I looked for the most blissful tidings man can expect. But all my hopes were immediately shattered. The letter contained only a request not to visit her to-day, as she expected a visit at the castle from the Court Residence. No friendly word no news of her health only at the close, a postscript: "The Hofrath will be here to-morrow and the next day." Here were two days torn out at once from the book of life. If they could only be com- pletely obliterated but no, they hang over me like the leaden roof of a prison. They must be lived. I could not give them away as a charity to king or beggar, who would gladly have sat two days longer upon his throne, or on his stone at the church door. I remained in this abstraction for a long time; but then I thought of my morning prayer, and how I said to myself there was no greater unbelief than despondency how the smallest and greatest in life are part of one great divine plan, to 152 LAST MEMORY. which we must submit, however hard it may be. Like a rider who sees a precipice before him, I drew in the reins. "Be it so, since it must be!" I cried out; "but God's earth is not the place for complaints and lamentations. Is it not a happiness to hold in my hand these lines which she has written? and is not the hope of seeing her again in a short time a greater bliss than I have ever deserved ? 'Al- ways keep the head above water,' say all good life-swimmers. As well sink at once as allow the water to run into your eyes and throat." If it is hard for us, amid these little ills of life, to keep God's providence continually in view, and if we hesitate, perhaps rightly, in every struggle, to step out of the common-places of life into the presence of the divine, then life ought to appear, to us at least, an art, if not a duty. What is more disagreeable than the child who behaves ungovernably and grows dejected and angry at every little loss and pain? On the other hand, nothing is more A STORY OF GERMAN LOVE. 153 beautiful than the child in whose tearful eyes the sunshine of joy and innocence soon beams again, like the flower, which quivers and trem- bles in the spring shower, and soon after blos- soms and exhales its fragrance, as the sun dries the tears upon its cheeks. A good thought speedily occurred to me, that I could live both these days with her, notwith- standing fate. For a long time I had intended to write down the dear words she had said, and the many beautiful thoughts she had confided to me ; and so the days passed away in memory of the many charming hours spent together, and in the hope of a still more beautiful future, and I was by her and with her, and lived in her, and felt the nearness of her spirit and her love more than I had ever felt them when I held her hand in mine. How dear to me now are these leaves ! How often have I read and re-read them not that I had forgotten one word she said, but they were the witnesses of my happiness, and something 154 LAST MEMORY. looked out of them upon me like the gaze of a friend, whose silence speaks more than words. The memory of a past happiness, the memory of a past sorrow, the silent meditation upon the past, when everything disappears that surrounds and restrains us, when the soul throws itself down, like a mother upon the green grave- mound of her child who has slept under it many long years, when no hope, no desire, disturbs the silence of peaceful resignation, we may well call sadness, but there is a rapture in this sad- ness which only those know who have loved and suffered much. Ask the mother what she feels when she ties upon the head of her daughter the veil she once wore as a bride, and thinks of the husband no longer with her ! Ask a man what he feels when the maiden whom he has loved, and the world has torn from him, sends him after death the dried rose which he gave her in youth ! They may both weep, but their tears are not tears of sorrow, but tears of joy; tears of sacrifice, with which man consecrates himself A STORY OF GERMAN LOVE. 155 to the Divine, and with faith in God's love and wisdom, looks upon the dearest he has passing away from him. Still let us go back in memory, back in the living presence of the past. The two days flew so swiftly that I was agitated, as the happiness of seeing her again drew nearer and nearer. As the carriages and horsemen arrived on the first day from the city, I saw that the castle was alive with gaily-dressed visitors. Banners fluttered from the roof, music sounded through the castle-yard. In the evening, the lake swarmed with pleasure-boats. The moennerchors sounded over the waves, and I could not but listen, for I fancied she also listened to these songs from the window. Everything was stirring, also, on the second day, and early in the afternoon the guests prepared for departure. Late in the evening I saw the Hofrath's carriage also going back alone to the city. I could not restrain myself any longer. I knew she was alone. I knew she thought of me, and longed for me. 156 LAST MEMORY. Should I allow one night to pass without at least pressing her hand, without saying to her that the separation was over, that the next morning would waken us to new rapture. I still saw a light in her window why should she be alone? Why should I not, for one moment at least, feel her sweet presence? Al- ready I stood at the castle ; already I was about to pull the bell then suddenly I stopped and said : " No ! no weakness ! You should be ashamed to stand before her like a thief in the night. Early in the morning go to her like a hero, returning from battle, for whom she is now weaving the crown of love, which she will place upon thy head in the morning." And the morning came and I was with her, really with her. Oh, speak not of the spirit as if it could exist without the body. Complete exist- ence, consciousness, and enjoyment, can only be where body and soul are one an embodied spirit, a spiritualized body. There is no spirit without body, else it would be a ghost: there is A STORY OF GERMAN LOVE. 157 no body without spirit, else it would be a corpse. Is the flower in the field without spirit ? Does it not appear in a divine will, in a creative thought which preserves it, and gives it life and existence ? That is its soul only it is silent in the flower, while it manifests itself in man by words. Real life is, after all, the bodily and spiritual life ; real consciousness is, after all, the bodily and spiritual consciousness; real being together is, after all, bodily and spiritually being together, and the whole world of memory in which I had lived so happily for two days, dis- appeared like a shadow, like a nonentity, as I stood before her, and was really with her. I could have laid my hands upon her brow, her eyes, and her cheeks, to know, to unmistakably know, if it were really she not only the image which had hovered before my soul day and night, but a being who was not mine, and still could and would be mine; a being in whom I could believe as in myself; a being far from me and yet nearer to me than my own self; a being 158 LAST MEMORY. without whom my life was no life, death was no death ; without whom my poor existence would dissolve into infinity like a sigh. I felt, as my thoughts and glances rested upon her, that now, in this very instant, the happiness of my exist- ence was complete and a shudder crept over me as I thought of death but it seemed no longer to have any terror for me; for death could not destroy this love ; it would only purify, ennoble, and immortalize it. It was so beautiful to be silent with her. The whole depth of her soul was reflected in her countenance, and as I looked upon her I saw and heard her every thought and emotion. "You make me sad," she seemed on the point of saying, and yet would not. "Are we not together again at last? Be quiet! Complain not! Ask not! Speak not! Be welcome to me! Be not bad to me!" All this looked from her eyes, and still we did not venture to disturb the peace of our happiness with a word. A STORY OF GERMAN LOVE. 159 " Have you received a letter from the Ho- frath?" was the first question, and her voice trembled with each word. " No," I replied. She was silent for a time, and then said: " Perhaps it is better it has happened thus, and that I can tell you everything myself. My friend, we see each other to-day for the last time. Let us part in peace, without complaint and without anger. I feel that I have done you a great wrong. I have intruded upon your life without thinking that even a light breath often withers a flower. I know so little of the world that I did not believe a poor suffering being like my- self could inspire anything but pity. I welcomed you in a frank and friendly way because I had known you so long, because I felt so well in your presence why should I not tell all? because I loved you. But the world does not understand or tolerate this love. The Hofrath has opened my eyes. The whole city is talking about us. My brother, the Regent, has written to the 160 LAST MEMORY. Prince, and he requests me never to see you again. I deeply regret that I have caused you this sorrow. Tell me you forgive me and then let us separate as friends." Her eyes had filled with tears, and she closed them that I should not see her weeping. " Marie," said I, " for me there is but one life which is with you ; but for you there is one will which is your own. Yes, I confess, I love you with the whole fire of love, but I feel I am not worthily yours. You stand far above me in nobility, sublimity and purity, and I can scarcely understand the thought of ever calling you my wife. And, yet, there is no other road on which we could travel through life together. Marie, you are wholly free ; I ask for no sacrifice. The world is great, and if you wish it, we shall never see each other again. But if you love me, if you feel you are mine, oh, then, let us forget the world and its cold verdict. In my arms I will bear you to the altar, and on my knees I wiD Bwear to be yours in life and in death." A STORY OF GERMAN LOVE. 161 " My friend," said she, " we must never wish for the impossible. Had it been God's will that such a tie should unite us in this life, would He, forsooth, have imposed these burdens upon me which make me incapable of being else than a helpless child? Do not forget that what we call Fate, Circumstance, Relations, in life, is in reality only the work of Providence. To resist it is to resist God himself, and were it not so childish one might call it presumptuous. Men wander on earth like the stars in heaven. / God has indicated the paths upon which they meet, and if they are to separate, they must.! Resist- ance were useless, otherwise it would destroy the whole system of the world. We cannot under- stand it, but we can submit to it. ) I cannot my- self understand why my inclination towards you was wrong. No ! I cannot, will not call it wrong. But it cannot be, it is not to be. My friend, this isjsnough we must submit in humility and ii 1 62 LAST MEMORY. Notwithstanding the calmness with which she spoke, I saw how deeply she suffered ; and yet I thought it wrong to surrender so quickly in this battle of life. I restrained myself as much as I could, so that no passionate word should increase her trouble, and said : " If this is the last time we are to meet in this life, let us see clearly to whom we ofier this sacrifice. If our love violated any higher law whatsoever, I would, as you say, bow myself in humility. It were a forgetfulness of God to op- pose one's self to a higher will. It may seem at times as if men could delude God, as if their small sense had gained some advantage over the Divine wisdom. This is frenzy and the man who commences this Titanic battle, will be crushed and annihilated. But what opposes our love? Nothing but the talk of the world. I respect the customs of human society. I even respect them when, as in our time, they are over- refined and confused. A sick body needs arti- ficial medicines, and without the barriers, the A STORY OF GERMAN LOVE. 163 respect and the prejudices of society, at which we smile, it were impossible to hold mankind together as at present existing, and to accomplish the purpose of our temporal co-existence. We must sacrifice much to these divinities. Like the Athenians, we send every year a heavy boatload of youths and maidens as tribute to this monster which rules the labyrinth of our society. There is no longer a heart that has not broken ; there is no longer a man of true feelings who has not been obliged to break the wings of his love be- fore he came into the cage of society for rest. It must be so. It cannot be otherwise. You know not life, but thinking only of my friends, I can tell you many volumes of tragedy. " One loved a maiden, and the love was re- turned ; but he was poor, she was rich. The fathers and relatives wrangled and sneered, and two hearts were broken. Why ? Because the world looked upon it as a misfortune for a woman to wear a dress made of the wool of 1 64 LAST MEMORY. a shrub in America, and not of the fibres of a worm in China. "Another loved a maiden, and was loved in return; but he was a Protestant, she was a Catholic. The mothers and the priests bred mischief, and two hearts were broken. Why? On account of a political game of chess which Charles V and Henry VIII played together, three hundred years ago. "A third loved a maiden, and was loved in return ; but he was a noble, she a peasant. The sisters were angry, and quarreled, and two hearts were broken. Why ? Because, a hundred years ago, one soldier slew another in battle, who threatened the life of his king. This gave him title and honors, and his great grandson ex- piated the blood shed at that time, with a disappointed life. " The statisticians say a heart is broken every hour, and I believe it. But why? In almost every case, because the world does not recog- nize love between 'strange people,' unless it be A STORY OF GERMAN LOVE. 165 between man and wife. If two maidens love the same man the one must fall as a sacri- fice. If two men love the same maiden, one or both must fall as a sacrifice. Why? Can- not one love a maiden, without wishing to marry her? Cannot one look upon a woman, without desiring her for his own? You close your eyes, and I feel I have said too much. The world has changed the most sacred things in life into the most common. But, Marie, enough ! Let us talk the language of the world when we must talk, and act in it, and with it. But let us preserve a sanctuary where two hearts can speak the pure language of the heart, undisturbed by the raging of the world without. The world itself honors this seclu- sion, this courageous resistance, which noble hearts, conscious of their own rectitude, oppose to the ordinary course of things. The atten- tions, the amenities, the prejudices of the world are like a climbing plant. It is pleasant to see an ivy, with its thousand tendrils and roots, 1 66 LAST MEMORY. decorating the solid wall-work ; but it should not be allowed too luxuriant growth, else it will penetrate every crevice of the structure, and destroy the cement which welds it together. Be mine, Marie ; follow the voice of your heart. The word which now hangs upon your lips de- cides forever your life and mine my happi- ness and yours." I was silent. The hand I held in mine re- turned the warm pressure of the heart. A storm raged in her breast, and the blue heaven before me never seemed so beautiful as now, while the storm swept by, cloud upon cloud. "Why do you love me?" said she, gently, as if she must still delay the moment of decision. f"Why, Marie? Ask the child why it is born; ask the flower why it blossoms; ask the sun why it shines. I love you because I must love you.1 But if I am compelled to answer further, let this book, lying by you, which you love so much, speak for me: A STORY OF GERMAN LOVE. 167 bere folte ba liebSre sin, unb in biser libe solte ntcfjt angeseljen roerben mtfc unb unnufc, fromcn ober sdjaben, genrin ober oorlust, ere ober unere, lob ober unlob ober biser feins, sunber roa in ber roarb/it bas ebelste unb bas atter begte tgt, ba olt aud^ ba attcrticbSte tn, unb umb ntd^tS nnberS ban cittern umb ba, ba e ba^ ebelt unb ba bete it. J^ie nod mod;t etn ntend^e em leben gertcj^ten won it[3en unb oon innen. 33on u[en : roan unber ben creaturen ist eins beser ban ba anber, bar nad^ ban ba erotg gut in etnem mer ober minner gd^inet unb rourfet ban in bem anbern. $n rceld;em nun ba erctg gut atter meist 0d;inct ; ludjtet, tuuvfet unb befaut unb gcltebct roirt, ba it oud) ba bcte unber ben creaturen ; unb in roeldjem bi mint it, ba it oud; ba atter mint gut. @o nu ber menSdje bie creatur b/anbelt unb ba mit umb get, unb bten unberd)eit befennet, o Sol im ie bie beste creatur bie ItebSte in unb sol std) mit flis ju ir l;alben unb id; ba mit ooretntgen . . ."] " The best should be the most loved, and in this love there should be no consideration of advantage or disadvantage, gain or loss, honor 01 dishonor, praise or blame, or anything else, but of that which in reality is the noblest and best, 1 68 LAST MEMORY. which should be the dearest of all ; and for no other reason, but because it is the noblest and best. According to this a man should plan his inner and outer life. From without: if among mankind there is one better than another, in proportion as the eternally good shines or works more in one than in another. That being in whom the eternally good shines, works, is known and loved most, is therefore the best among mankind; and in whom this is most, there is also the most good. As now a man has inter- course with a being, and apprehends this distinc- tion, then the best being should be the dearest to him, and he should fervently cling to it. and unite himself with it " "Because you are the most perfect creature that I know, Marie, therefore I am good to you, therefore you are dear to me, therefore we love each other. Speak the word which lives in you, say that you are mine. Deny not your inner- most convictions. God has imposed a life of suffering upon you. He sent me to bear it with you. Your sorrow shall be my sorrow, and we A STORY OF GERMAN LOVE. 169 will bear it together, as the ship bears the heavy sails which guide it through the storms of life into the safe haven at last." She grew more and more silent. A gentle flush played upon her cheeks like the quiet evening gleam. Then she opened her eyes full the sun gleamed all at once with marvellous lustre. "I am yours," said she. "God wills it. Take me just as I am; so long as I live I am yours, and may God bring us together again in a more beautiful life, and recompense your love." We lay heart to heart. My lips closed the lips upon which had just now hung the blessing of my life, with a gentle kiss. Time stood still for us. The world about us disappeared. Then a deep sigh escaped from her breast. "May God fofgive me for this rapture," she whispered. "Leave me alone now, I cannot endure more. Auf iviedersehen ! my friend, my loved one, my savior." 170 LAST MEMORY. These were the last words I ever heard from her. But no I had reached home and was lying upon my bed in troubled dreams. It was past midnight when the Hofrath entered my room. " Our angel is in Heaven," said he ; " here is the last greeting she sends you." With these words he gave me a letter. It enclosed the ring which she had given me, and I once had given her, with the words: "As God wills." It was wrapped in an old paper, whereon she had some time written the words I spoke to her when a child : " What is thine, is mine. Thy Marie." Hours long, we sat together without speaking. It was a spiritual swoon which Heaven sends us when the load of pain becomes greater than we can bear. At last the old man arose, took my hand and said : " We see each other to-day for the last time, for you must leave here, and my days are numbered. There is but one thing I must say to you a secret which I have carried all my life, and confessed to no one. I have A STORY OF GERMAN LOVE. 171 always longed to confess it to some one. Listen to me. The spirit which has left us was a beau- tiful spirit, a majestic, pure soul, a deep, true heart. I knew one spirit as beautiful as hers still more beautiful. It was her mother. I loved her mother, and she loved me. We were both poor, and I struggled with life to obtain an hon- orable position both on her account and my own. The young Prince saw my bride and loved her. He was my Prince ; he loved her ardently. He was ready to make any sacrifice and to elevate her, the poor orphan, to the rank of Princess. I loved her so that I sacrificed the happiness of my love for her. I forsook my native land and wrote her I would release her from her vow. I never saw her again, except on her death-bed. She died in giving birth to her first daughter. Now you know why I loved your Marie, and prolonged her life from day to day. She was the only being that linked my heart to this life. Bear life as I have borne it. Lose not a day in useless lamentation. Help mankind whenever 172 LAST MEMORY. you can. Love them and thank God that you have seen and known and loved on this earth such a human heart as hers and that you have lost it." "As God will" said I, and we parted for life. And days and weeks and months and years have flown. Home is a stranger to me, and a foreign land is my home. But her love remains with me, and as a tear drops into the ocean, so has her love dropped into the living ocean of humanity and pervades and embraces millions millions of the " strange people " whom I have so loved from childhood. Only on quiet summer days like this, when one in the green woods has nature alone at heart, and knows not whether there are human beings without, or he is living entirely alone in the world, then there is a stir in the graveyard of memory, the dead thoughts rise again, the full omnipotence of love returns to the heart and A STORY OF GERMAN LOVE. 173 streams out from that beautiful being who once looked upon me with her deep unfathomable eyes. Then it seems as if the love for the mil- lions were lost in the love for the one, my good angel, and my thoughts are dumb in the pres- ence of the incomprehensible enigma of endless and everlasting lovt. MEMORIES A STORY OF GERMAN LOVE From the German of MAX MULLER by GEORGE P. UPTON "A touching story, whose tender pathos lacks only the harmonies of verse to make it one of the most exquisite poems in the German language." This charming classic is supplied in the following attractive styles: REGULAR EDITION. i6mo, vellum cloth, gilt top, $1.00. The Same, bound in full limp leather, stamped in gold, gilt edges, silk ribbon marker, boxed, $1.25 net. The Same, new Maple Leaf Series, bound in a new pattern of leather, with cover stamped in gold and design of maple leaf in colors, gilt top, silk marker, in box, $1.50 net, ILLUSTRATED HOLIDAY EDITION. Square 8vo with 8 full-page illustrations, cover design and other embellishments by BLANCHE OSTERTAG. Gilt top, deckle edges, in box, $2.00. The Same, richly bound in half calf or half morocco, gilt top, #4.50 net. NEW HOLIDAY EDITION, with new cover design, full-page illustrations and decorations by MARGARET and HELEN MAIT- LAND ARMSTRONG. Beautifully printed and in box, $2.50. The Same, richly bound in half calf or half morocco, gilt top, $5.00 net. LIMITED LARGE-PAPER EDITION. Hand illuminated. Handsomely bound, boxed, $7.50 net. A. C. McCLURG & CO., Publishers, CHICAGO A 000 058 220 5