.-J^- t — -^ ^^ f^ f RUSKIN'S LETTERS LETTERS UPON SUBJECTS OF GENERAL INTEREST FROM JOHN RUSKIN TO VARIOUS CORRESPONDENTS. I 1892. London : Privately Printed. {.Not for Sale.) THE IMPRESSION OF THIS BOOK IS LIMITED TO A FEW COPIES FOR Private Circulation only. CONTENTS. LETTER I. To Mr. George Smith. London^ 1842 3 LETTER n. To Mr. George Smith Geneva, June yh^ 1849 . . . 8 LETTER IIL To Dr. F. J. Furnivall. London, 1850 13 LETTER IV. To Mr. George Smith. August -^rd, 1851 . . .15 LETTER V. To Mr. George Smith. May, 1855 17 viii CONTENTS. PAGE LETTER VI. To Mr. E. S. Dallas. Thun, August %th, 1859 . . . 19 LETTER VII. To Mr. E. S. Dallas. Benneville, September ^th, i^S() 25 LETTER VIII. To Mr. E. S. Dallas. London, October -^ist, 1859 . . 31 LETTER IX. To Miss E. F. Strong. London^ March yd, i860 ... 36 LETTER X. To Mr. J. H. Le Keux. Dover, May 22nd, i860 ... 38 LETTER XI. To Mr. J. H. Le Keux. London, October lyh, i860 . . 40 LETTER XII. To Mr. Rawdon Brown. London, May loth, 1862 ... 42 CONTENTS. \% PAGE LETTER XIII. To Mr. C. Richardson. London, May i$th, 1867 ... 47 LETTER XIV. To Sir John Simon. London, March 3ij-^, 1871 . . 49 LETTER XV. To Mr. J. Godfrey Gribble. Oxford, February lotk, 1872 . . 51 LETTER XVI. To the Author of Wages. London, January <,th, 1874 . . 54 LETTER XVn. To Mr. William Walker. Florence^ September 20th, 1874 . . 58 LETTER XVIII. To A Correspondent. Oxford, February igth, 1875. • • 61 LETTER XIX. To Mr. Egbert Rydings. Oxford, June i2,th, 1875 . • -63 X CONTENTS. PAGE LETTER XX. To Mr. F, Crawley. Brantwoody October ^h, 1875 . • 65 LETTER XXI. To Mr. Frederick Gale. Brantwood, July ind, 1878 . . 67 LETTER XXII. To Mr. E. S. Dallas. Brattttvood, Jtcly %th, 1878 . . 70 LETTER XXIII. To Mr. F. Crawley. Brantwood, December i()th, 1878 . 73 LETTER XXIV. To Mr. F. Crawley. Brantwood, January <)th, 1879 . 75 LETTER XXV. To Mr. F. Crawley. Branttvood, June Tth, 1879 . . 77 LETTER XXVI. To Mr. F. Crawley. Brantwoody December 1879 . . 79 CONTENTS. xi PAGE LETTER XXVII. To Mr. F. Crawley. Brantivood, Jamiary 25M, 1880 . 81 LETTER XXVIII. To Mr. F. Crawley. Brantivoody January 18M, 1881 . 84 LETTER XXIX. To Miss Gatty. Brantwood, July 2\th, \^^i . . 86 LETTER XXX. To Mr. F. Crawley. Abbey ofTalloires, November i^th, 1882 88 LETTER XXXI. To Miss Beaumont. Brantwood, July 2'^rdy 1884 . . 90 LETTER XXXII. To Miss Waldron. Brantwood, March 2\th^ 1885 . 92 LETTER XXXIII. To Mr. F. H. Butler. Brantwood, March gth, 1886 . . 93 xii CONTENTS. PAGE LETTER XXXIV. To A Correspondent. Brantwood, May 2gthy 1889 . . 96 LETTER XXXV. To Colonel Robertson. Place and Date unknown . . . 98 LETTER XXXVI. To Prof. Richard Owen. London, May 12th, [? 1858] . . 100 Note. Four of the following letters {Nos. 9, 16, I7> and 34) have already appeared in print, as pointed out in the footnotes to each. Should any textual variations be observed, the version given in the present volume may be accepted as correct, every letter contained in its pages having been printed from the original holograph. LETTERS. LETTERS OF JOHN RUSKIN. LETTER I. To Mr. G. Smith.* [London: 1842.] My Dear Sir, If it be not too late I feel very much inclined to remonstrate with you on your choice of an engraver for the Amboise drawing, t especially because I should not like (after your allowing the thing to go into your book, perhaps * Mr. George Smith, of Messrs. Smith, Elder and Co. t The Castle of A mloise, drawn by Mr. Ruskin in illustration of his poem The Broken Chain, Part v., section xiv. The plate was eventually engraved by E. Goodall ; and duly appeared in Friendship* s Offering for 1843, facing p. 72. [See the Bibliography of Ruski7i, Vol. I., p. 23.] 4 LETTERS OF somewhat more out of unwillingness to hurt my feelings by rejecting it, than because you thought it fit for the purpose) that the result should be either unsatisfactory, or injurious to you; which, if you leave it in Mr. Jeavons's hands, I am much afraid it will be. I did not know the name when I saw you on Saturday, and therefore could say nothing against it. I have since looked over every illus- trated work in my possession, and the result is a firm conviction that you could hardly have pitched on any one less likely to do either you or me justice. I can only find two decent pieces of engraving from his hand ; the Bombay in your 1828 volume, and the Vesuvius in 1830. The Bombay is clear and delicate, and the Vesuvius^ as far as the distance goes, very satis- factory. But Mr. Jeavons seems to me totally destitute of feeling, and un- taught as an artist in every other of his JOHN RUSKIN. 5 works ; his chief fault being a want of harmony and tenderness in dark tones everywhere, and an utter ignorance of drawing in foregrounds, — witness the town and castle of Foix in your last year's volume : harsh-cutting, and with- out atmosphere all over, and with foliage in the foreground which a child might be ashamed of; and the un- transparent shade and general coldness and lifelessness of the Melrose Abbey ^ the year before ; and, worst of all, the violent harshness, and want of all feeling, in the Spoletto of 1830. But if I were to judge from Friendship's Offering I would let the Vesuvius balance a great deal of evil. But the share which Jeavons had in Turner's Rivers of France is conclusive. The Canal of the Loire and Cher, the Lille- bonne, and the Hotel de Ville and Pont d'Arcole, are a disgrace to that work; and though I do not say Mr. Jeavons could not do better if he chose, I think c 6 LETTERS OF that while there are so many men of certain and tried excellence you are acting imprudently in leaving a subject, depending altogether on the delicacy of its tones, in the hands of a man of so little feeling. It so happens that you could not, by any possibility, have pitched on any other name in the whole list of engravers to which I should have objected. Some I may think better than others, but not one should I have spoken against. There are Cousen, Brandard, Wallis, Allen, Miller, Goodall, Willmore, Armytage, Richardson, Smith — all first rate. Your Torcello, by Armytage, and Early Mornings by Richardson, both beauti- ful. Of these men J. Cousen is the first in those particular qualities which the Amboise drawing wants ; and next to him I think J. B. Allen. But you cannot choose one who will not do infinitely better than this Jeavons. If he be poor, or have a family, he must JOHN RUSK IN. 7 not be injured by my means. But, depend upon it, the choice lies between injuring him ox you. Perhaps you have gone too far with him to go back. Of course, if so, burn this letter, and think no more of it. But if you can transfer the drawing to any other man, I don't care whom, you will both benefit your- self, and oblige me. I remain, my dear Sir, Very truly yours, J. RUSKIN. P.S. — What I have written above is much hurried, and somewhat injudicious from the violence of its expressions. Take care not to hurt Mr. Jeavons's feelings by any expression of such opinions. LETTERS OF LETTER II. To Mr. G. Smith. Geneva. June ^th, [1849.] My Dear Sir, I have seen with much pleasure the favourable notices of the Lamps in the London Journals; for, considering the way in which the book clashes with many wide interests and received opinions, I had not hoped for so kind a reception of it ; but as none of the reviewers appear to have understood the purpose and value of the illustra- tions, I think it right that you at least JOHN RUSK IN. 9 should have it in your power to give some answer to any verbal objections that may be made to their apparent rudeness. I have been a little too modest in the Preface — and had calculated too much on the reader's discovery of what I ought to have told him ; namely, that though indeed many portions of the plates on which I spent considerable time, have, owing to the softness of the steel, ended in " a blot," yet, such as they are, they are by far the most sternly faithful records of the portions of architecture they represent which have ever yet been pubHshed; and I am persuaded that in course of time, this severe truth will give them a value far higher than that which is at pre- sent set upon plates of more deHcate execution. Few persons have any idea of the inaccuracy of architectural works generally. That of Gaily Knight, lo LETTERS OF for instance, has been frequently re- ferred to authoritatively respecting the architecture of Italy ; yet in the plate, in that work, of the Church of San Mi- chele of Lucca, the ornaments on the wall between the arches have been drawn entirely out of the draughtsman's head ; flourishes of the pencil being sub- stituted for the monochrome figures. The degree of fidelity of the drawing in Plate VI of the Seven Lamps of a single arch of this church, I can only illustrate to you by a particular instance. Just above the head of the strange long-eared quadruped at the top of the arch, the sloping border of the block of stone out of which he is cut is seen to become thicker, and to be divided by a line which looks like a mistake. In that place, the block of serpentine above did not fit exactly into its place, and the builder has fitted in a thin wedge-shaped bit of marble to fill up the gap ; which is marked by the JOHN RUSKIN. II double line. In like manner, it will be noticed that the partition between this quadruped and the horseman in front of him is double, while all the other partitions are single bars of marble— this also is fact. Such a degree of accuracy as this may perhaps at first appear ludicrous — but I have always held it for a great principle that there are no degrees of truth ; and from habit I have made it just as easy to myself to draw a thing truly as falsely. The accuracy of the other plates, excepting those specified as taken from somewhat obscure Daguerreotypes, is not less; and I believe a time will come when even their execution will be thought better of than it is at present. That, however, I contentedly leave to public judgment. One point by the bye should be noticed, that, as the plates are all of fragments, I did not think it necessary to risk losing some of their accuracy by reversing 12 LETTERS OF them on the steel — and they are there- fore reversed in the impression. I remain, my dear Sir, Very truly yours, J. RUSKIN. JOHN RUSK IN. 13 LETTER III. To Dr. F. J. FURNIVALL. [London : 1850.] Dear Furnivall, I set out after church to find you, if I could — but I found New Square must be your office^ not your house, and I had no other address, so I had to give you up and let you come here to-day; though I am going to be so rude as to break my engagement with you, for I want to go with Effie * to hear Gavazzi t lecture this afternoon, and I * Mr. Ruskin's wife — now Lady Millais, formerly Miss Effie Gray. t Gavazzi : an eloquent and popular Roman Catholic priest, who threw up Romanism, and preached and lectured widely against Papism, &c. 14 LETTERS OF may not have another opportunity. He lectures at two, so I can only leave this note for you: pray pardon me. You will have a letter from me to- morrow or next day. Yours ever affectionately, J. RUSKIN. F. J. Furnivall, Esq. JOHN RUSKIN. IS LETTER IV. To Mr. G. Smith. August "^rd, 1 85 1. Dear Mr. Smith, We at first thought of running these large plate notices straight on ; but it seems to me that after saying "each number * will be complete in itself," we can hardly do this, as I have not put in any of Plate II. to fill the gap — but you can if you think it better. The MS. of next number will be with you to-morrow morning. I want a revise of this, and of Pre-Raphaelitism from the beginning. Ever faithfully yours, J. RUSKIN. * " Each number," that is, of the Examples of the Architecture of Venice. i6 LETTERS OF I have sent a page of Plate II. in case you think it expedient to go straight on. Please tell Mr. Williams I have his obliging note, and that hts assistance would be quite as valuable to me as Mr. Rowan's, — but I want Mr. R[owan] to read the pamphlet, because we quarrelled about the Pre-Raphaelites. I shall send him a copy, however I had rather he read it all fair. I will correct all Modern Painters in a mass, and send it together.* But note there is a page — if not more — of the letterpress wanting, between the last corrected sheets of Pre-Raphaelitism which I sent you this morning, and the one herewith returned for revise. * "All Modern Painters" i.e.. Edition 5 of Vol. I., and Edition 3 of Vol. II., revised in 1851, when these two vols, were the only ones published. JOHN RUSK IN, 17 LETTER V. To Mr. G. Smith. \May, 1855.] Dear Mr. Smith, I believe Spottiswoode must have kept some of their men at home to finish this.* I am very much obliged to them, and should like the printers who stayed in to do it to have half-a- crown each, from me, for a holiday present. Will you kindly give orders to that effect. The proofs now sent back must be carefully revised by the press-corrector — but I don't want to see another revise : so the moment they are ready, let the thing be printed * "Finish this," i.e.^ Academy Notes, No. i, piiblished June isf, 1855. iS LETTERS OF off, and sold forthwith as near the doors of the Academy as may be. Please send a copy of the pamphlet, the moment you have any ready, to Mr. J. F. Lewis ; Mr. G. Richmond ; Miss A. J. Mutrie ; Mr. D. G. Rossetti (14 Chatham Place, Blackfriars Bridge); Mr. William Rossetti, same address ; Miss Heaton, 16 Beaumont St., Caven- dish Square ; Dr. Acland, Oxford ; and Mr. Harrison ; — all with my com- pliments.* Send to nobody else — of course Mr. Williams will have one. I send to town that all may be ready for early press to-morrow morn- ing. Most truly yours, J. RUSKIN. * J. F. Lewis, the painter, referred to in Pre-Raphael- itism. — George Richmond, the painter, also referred to in PrcEterita. Two portraits]of Mr. Ruskin, and one of his father, are by him.— Dante G. Rossetti, and W, M. Rossetti, of course well known,— Dr. (now Sir Henry) Acland, of Oxford, one of Mr. Ruskm's oldest friends. — Mr. Harri-son. see On the Old Road. — Miss A. J. Mutne, an eminent painter of flowers, &c. JOHN R US KIN. 19 LETTER VL To Mr. E. S. Dallas.* Thun, Switzerland. August i8M, [1859,] My Dear Dallas, > I had your kind letter some three weeks it must be ago, and it gave me great pleasure from its heartiness and friendliness. I am very much helped in all ways when I find anybody cares for me at all ; and it is very good of you, seeing how little we have been able to be wuth each other lately. I hope to have a chat about many things as soon as we get home — say about six weeks hence. I must say in writ- * Eneas Sweetland Dallas {b. 1828, 'th, [i88i.] My Dear Crawley, Three boxes of minerals : two some days back, one to-day. The Lisbon^ engravings, and frames have all come safe. One glass broken only, and that on a print of no importance. The views not yet unpacked will, I am sure, be all right. Many thanks for all your care. I keep wonderfully well, but can't get up in the morning — lively enough in the day. JOHN RUSK IN, 85 Lake frozen into one perfect sheet yesterday an inch thick. I could only break my way, with butt end of oar, a boat's length out of the harbour in half an hour. Had the frost held six hours longer, I could have walked across to Coniston Hall ; with the men pulling the boat on the ice after me, in case of a flaw anywhere. But thaw came yesterday afternoon. It looks like freezing again to-night, however. Always your affectionate Master, J. RUSKIN. The letter from Miss Yule was very pleasant. 86 LETTERS OF LETTER XXIX. 7