UC-NRLF B M Dbl 73T OURNAL Maurice de Guerin UNIVERSITY OF CALIFORNIA. FROM THt LIBRARY OV BENJAMIN PARKE AVERY. Gift of Mrs. avert. Aug-ust, i8q6. y Accessions No. In ^'J^^n Class No. * 1 i ll^(f. ClM^ ^r IN PREPARATION. THE LETTERS AND LTTERARYREMAINS OF f MAURICE DE GUERIN. TRANSLATED BY E. THORNTON FISHER. Uniform with this Volume. THE JOURNAL OF Maurice de Guerin WITH AN ESS A Y BY MA TTHE W ARNOLD, AND A MEMOIR BY SAINTE-BEUVE EDITED BY G. S. vT^R-BlB^U T I E N TRANSLATED BY EDWARD THORNTON FISHER Professor of English Language and Literature at the Brooklyn Polytechnic Institute m NEW YORK LEYPOLDT & HOLT 1867 Entered, according to Act of Congress, in the year 186G, by LEY FOLD T & HOLT, In the Clerk's Office of the District Court of the United States for the Southern District of New York. JOHN K. TROW & CO., PRINTERS, STEREOTYPERS, ff ELECTROTYPEES, 50 GUEENE STREET, N.Y. CONTENTS I. Essay on the Life and Genius of Maurice de Guerin, by Matthew Arnold, . . . . .1 II. Preface to the Original Edition, by G. S. Trebutien, 13 III. Memoir of Maurice de Guerin, by Sainte-Beuve, . 19 IV. Journal of Maurice de Guerin, . , . '57 ESSAY ON THE LIFE AND GENIUS OF MAURICE DE GUERIN BY MATTHEW ARNOLD. WILL not presume to say that I now know the French language well; but at a time when I knew it even less well than at pres- ent, — some fifteen years ago, — I remember pestering those about me with this sentence, the rhythm of which had lodged itself in my head, and which, with the strangest pronunciation possible, I kept perpetually declaiming: "Les dieux jaloux ont enfoui quelque part les temoignages de la descendance des choses ; mais au bord de quel Ocean ont ils roule la pierre qui les couvre, 6 Macaree ! " These words come from a short composition called 2 Maurice de Guerin, the Centaur, of which the author, Georges-Maurice de Guerin, died in the year 1839, at the age of twenty-eight, without having pubhshed anything. In 1840, Madame Sand brought out the Centaur in the Revue des Deux Moitdes, with a short notice of its author, and a few ex- tracts from his letters. A year or two afterwards she reprinted these at the end of a volume of her novels ; and there it was that I fell in with them. I was so much struck with the Centaur that I waited anxiously to hear something more of its author, and of what he had left ; but it was not till the other day — twenty years after the first publication of the Centaur in the Revue des Deux Mojtdes — that my anxiety was satisfied. At the end of i860 appeared two volumes with the title, Maurice de Guerin, Reliquice, containing the Ce7ttaur, several poems of Guerin, his journals, and a number of his letters, col- lected and edited by a devoted friend, M. Trebutien, and preceded by a notice of Guerin by the first of living critics, M. Sainte-Beuve. — -The grand power of poetry is its interpretative power; by which I mean, not a power of drawing out in black and white an explanation of the mystery of the universe, but the power of so dealing with things as to awaken in us a wonderfully full, new, and intimate sense of them, and of our relations with them. When this sense is awakened in us, as to objects without us, we feel our- selves to be in contact with the essential nature of those objects, to be no longer bewildered and oppressed by them, but to have their secret, and to be in harmony with them ; and this feeling calms and satisfies us as no other can. Poetry, indeed, interprets in another way besides this ; but one of its two ways of interpreting, of .exercising its highest power, is by awakening this sense Essayy by Matthew Arnold, 3 in us. I will not now inquire whether this sense is illusive, whether it can be proved not to be illusive, whether it does absolutely make us possess the real nature of things ; all I say is, that poetry can awaken it in us, and that to awaken it is one of the highest powers of poetry. The interpretations of science do not give us this intimate sense of objects as the inter- pretations of poetry give it; they appeal to a limited faculty, and not to the whole man. It is not Linnaeus, or Cavendish, or Cuvier who gives us the true sense of animals, or water, or plants, who seizes their secret for us, who makes us participate in their life j it is Shake- speare, with his " daffodils That come before the swallow dares, and take The winds of March with beauty " ; it is Wordsworth, with his "voice .... heard In spring-time from the cuckoo-bird, Breaking the silence of the seas Among the farthest Hebrides " ; it is Keats, with his " moving waters at their priestlike task Of cold ablution round Earth's human shores " ; it is Chateaubriand, with his ^^ chne i?idetermink des fo- rets " ; it is Senancour, with his mountain birch-tree : " Cette ecorce blanche^ lisse et crevassee ; cette tige agreste; ces branches qui sHncUnent vers la terre ; la mobiliti des feuillesj et tout cet abandon, simplicity de la nature, attitude des dtserts.^^ Eminent manifestations of this magical power of 4 Maurice de Guerin, poetry are very rare and very precious ; the composi- tions of Guerin manifest it, I think, in singular eminence. Not his poems, strictly so called — his verse, — so much as his prose ; his poems in general take for their vehicle that favorite metre of French poetry, the Alexandrine j and, in my judgment, I confess they have thus, as com- pared with his prose, a great disadvantage to start with. In prose, the character of the vehicle for the composer's thoughts is not determined beforehand ; every composer has to make his own vehicle ; and who has ever done this more admirably than the great prose-writers of France, — Pascal, Bossuet, F^nelon, Voltaire? But in verse the composer has (with comparatively narrow liberty of modification) to accept his vehicle ready-made ; it is therefore of vital importance to him that he should find at his disposal a vehicle adequate to convey the highest matters of poetry. We may even get a decisive test of the poetical power of a language and nation by ascertaining how far the principal poetical vehicle which they have employed, how far (in plainer words) the es- tablished national metre for high poetry, is adequate or inadequate. It seems to me that the established metre of this kind in France — the Alexandrine — is inadequate ; that as a vehicle for high poetry it is greatly inferior to the hexameter or to the iambics of Greece, (for example,) or to the blank verse of England. Therefore the man of genius who uses it is at a disadvantage as compared with the man of genius who has for conveying his thouglits a more adequate vehicle, metrical or not. Racine is at a disadvantage as compared with Sophocles or Shake- speare, and he is likewise at a disadvantage as compared with Bossuet. The same may be said of our own poets of the eighteenth century, a century which gave them as Essay, by Matthew Arnold, 5 the main vehicle for their high poetry a metre inadequate (as much as the French Alexandrine, and nearly in the same way) for this poetry, — the ten-syllable couplet. It is worth remarking, that the English poet of the eighteenth century v/hose compositions wear best and give one the most entire satisfaction, — Gray, — does not use that couplet at all ; this abstinence, however, limits Gray's productions to a few short compositions, and (exquisite as these are) he is a poetical nature repressed and with- out free issue. For English poetical production on a great scale, for an English poet deploying all the forces of his genius, the ten-syllable couplet was, in the eighteenth century, the established, one may almost say the inevi- table, channel. Now this couplet, admirable (as Chaucer uses it) for story-telling not of the epic pitch, and often admirable for a few lines even in poetry of a very high pitch, is for continuous use in poetry of this latter kind inadequate. Pope, in his Essay o?t Man, is thus at a disadvantage compared with Lucretius in his poem on Nature : Lucretius has an adequate vehicle, Pope has not. Nay, though Pope's genius for didactic poetry was not less than that of Horace, while his satirical power was certainly greater, still one's taste receives, I cannot but think, a certain satisfaction when one reads the Epistles and Satires of Horace, which it fails to receive when one reads the Satires and Epistles of Pope. Of such avail is the superior adequacy of the vehicle used to compensate even an inferiority of genius in the user ! In the same way Pope is at a disadvantage as compared with Addison : the best of Addison's composition (the " Coverley Papers " in the Spectator, for instance) wears better than the best of Pope's, because Addison has in his prose an intrinsically better vehicle for his genius 6 Maurice de Guerin. than Pope in his couplet. But Bacon has no such ad- vantage over Shakespeare; nor has Milton, writing prose (for no contemporary English prose-writer must be matched with Milton except Milton himself), any- such advantage over Milton writing verse : indeed, the advantage here is all the other way. It is in the prose remains of Guerin, — his journals, his letters, and the striking composition which I have already mentioned, the Centaur, — that his extraordinary gift manifests itself. He has a truly interpretative faculty; the most profound and delicate sense of the life of Nature, and the most exquisite felicity in finding expressions to render that sense. To all who love poetry, Guerin deserves to be something more than a name ; and I shall try, in spite of the impossibility of doing justice to such a master of expression by translations, to make my English readers see for themselves how gifted an organization his was, and how few artists have received from Nature a more magical faculty of interpreting her.* In few natures, however, is there really such essential consistency as in Guerin's. He says of himself, in the very beginning of his journal : " I owe everything to poetry, for there is no other name to give to the sum total of my thoughts ; I owe to it whatever I now have pure, lofty, and solid in my soul ; I owe to it all my con- solations in the past; I shall probably owe to it my future." Poetry, the poetical instinct, was indeed the * Here and elsewhere, where breaks are marked by asterisks, the American editor has taken the liberty of omitting from Professor Arnold's essay passages which would be superfluous in a volume containing De Guerin's Journal. Essay, by Matthew Arnold, 7 basis of his nature; but to say so thus absolutely is not quite enough. One aspect of poetry fascinated Gu^rin's imagination and held it prisoner. Poetry is the inter- pretress of the natural world, and she is the interpretress of the moral world ; it was as the interpretress of the natural world that she had Guerin for her mouthpiece. To make magically near and real the life of Nature, and man's life only so far as it is a part of that Nature, was his faculty ; a faculty of naturalistic, not of moral inter- pretation. This faculty always has for its basis a pecu- liar temperament, an extraordinary delicacy of organ- ization and susceptibility to impressions ; in exercising it the poet is in a great degree passive (Wordsworth thus speaks of a wise passiveness) ; he aspires to be a sort of human ^olian-harp, catching and rendering every rustle of Nature. To assist at the evolution of the whole life of the world is his craving, and intimately to feel it all : "the glow, the thrill of life, Where, where do these abound ? " is what he asks : he resists being riveted and held station- ary by any single impression, but would be borne on for- ever down an enchanted stream. He goes into religion and out of religion, into society and out of society, not from the motives which impel men in general, but to feel what it is all like ; he is thus hardly a moral agent, and, like the passive and ineffectual Uranus of Keats's poem, he may say : " I am but a voice ; My life is but the life of winds and tides ; No more than winds and tides can I avail." He hovers over the tumult of life, but does not really put his hand to it. 8 Maurice de Guerin. No one has expressed the aspirations of this tempera- ment better than Gu6rin himself. Assuredly it is not in this temperament that the active virtues have their rise. On the contrary, this tempera- ment, considered in itself alone, indisposes for the dis- charge of them. Something morbid and excessive, as manifested in Guerin, it undoubtedly has. In him, as in Keats, and as in another youth of genius, whose name, but the other day unheard of. Lord Houghton has so gracefully written in the history of English poetry, — David Gray, — the temperament, the talent itself, is deeply influenced by their mysterious malady ; the tem- perament is devouriitg; it uses vital power too hard and too fast, paying the penalty in long hours of unutterable exhaustion and in premature death. The intensity of Guerin's depression is described to us by Guerin himself with the same incomparable touch with which he de- scribes happier feelings ; far oftener than any pleasur- able sense of his gift he has " the sense profound, near, immense, of my misery, of my inward poverty." And again : " My inward misery gains upon me ; I no longer dare look within." And on another day of gloom he does look within, and here is the terrible analysis : " Craving, unquiet, seeing only by glimpses, my spirit is stricken by all those ills which are the sure fruit of a youth doomed never to ripen into manhood. I grow old and wear myself out in the most futile mental strainings, and make no progress. My head seems dying, and when the wind blows I fancy I feel it, as if I were a tree, blow- ing through a number of withered branches in my top. Study is intolerable to me, or rather it is quite out of my Essay^ by Matthew Arnold, 9 power. Mental work brings on, not drowsiness, but an irritable and nervous disgust which drives me out, I know not where, into the streets and public places. The Spring, whose delights used to come every year stealthily and mysteriously to charm me in my retreat, crushes me this year under a weight of sudden hotness. I should be glad of any event which delivered me from the situation in which I am. If I were free I would embark for some distant country where I could begin life anew." Such is this temperament in the frequent hours when the sense of its own weakness and isolation crushes it to the ground. Certainly it was not for Guerin's happiness, or for Keats's, as men count happiness, to be as they were. Still the very excess and predominance of their temperament has given to the fruits of their genius an unique brilliancy and flavor. I have said that poetry interprets in two ways ; it interprets by expressing with magical felicity the physiognomy and movement of the outward world, and it interprets by expressing, with in- spired conviction, the ideas and laws of the inward world of man's moral and spiritual nature. In other words, poetry is interpretative both by having natural magic in it, and by having moral profundity. In both ways it illuminates man : it gives him a satisfying sense of real- ity j it reconciles him with himself and the universe. Thus ^SChylus's " Spdo-avn TraS-CLV " and his " avrjpiS^jXOV yeXacr/xa" are alike interpretative. Shakespeare inter- prets both when he says, " Full many a glorious morning have I seen, Flatter the mountain-tops with sovran eye " j and when he says, " There 's a divinity that shapes our ends, Rough-hev/ them as we will." lo Maurice de Guerin. These great poets unite in themselves the faculty of both kinds of interpretation, the naturalistic and the moral. But it is observable that in the poets who unite both kinds, the latter (the moral) usually ends by making itself the master. In Shakespeare the two kinds seem wonderfully to balance one another ; but even in him the balance leans j his expression tends to become too little sensuous and simple, too much intellectualized. The same thing may be yet more strongly affirmed of Lucre- tius and of Wordsworth. In Shelley there is not a bal- ance of the two gifts, nor even a co-existence of them, but there is a passionate straining after them both, and this is what makes Shelley, as a man, so interesting. I will not now inquire how much Shelley achieves as a I poet, but whatever he achieves, he in general fails to achieve natural magic in his expression ; in Mr. Pal- grave's charming Treasury may be seen a gallery of his failures.* But in Keats and Guerin, in whom the faculty of naturalistic interpretation is overpoweringly predomi- nant, the natural magic is perfect ; when they speak of the world they speak like Adam naming by divine inspira- tion the creatures ; their expression corresponds with the * thing's essential reality. Even between Keats and Guerin, however, there is a distinction to be drawn. Keats has, above all, a sense of what is pleasurable and * Compare, for example, his " Lines Written in the Euganean Hills," with Keats's " Ode to Autumn" {Golden Treasury, pp. 256, 284). The latter piece renders Nature ; the former tries to render her. I will not deny, however, that Shelley has natural magic in his rhythm ; what I deny is, that he has it in his language. It always seems to me that the right sphere for Shelley's genius was the sphere of music, not of poetry ; the medium of sounds he can master, but to master the more difficult medium of words he has neither intellectual force enough nor sanity enough. Essay ^ by Matthew Arnold, ii open in the life of Nature ; for him she is the Alma Pare7is : his expression has, therefore, more than Guerin's, something genial, outward, and sensuous. Gu^rin has above all a sense of what there is adorable and secret in the life of Nature ; for him she is the Magna Parens : his expression has, therefore, more than Keats's, something mystic, inward, and profound. So he lived like a man possessed ; with his eye not on his own career, not on the public, not on fame, but on the Isis whose veil he had uplifted. He published noth- ing : " There is more power and beauty," he writes, " in the well-kept secret of one's self and one's thoughts, than in the display of a whole heaven that one may have inside one." " My spirit," he answers the friends who urge him to write, " is of the home-keeping order, and has no fancy for adventure ; literary adventure is above all distasteful to it ; for this, indeed (let me say so without the least self-sufficiency), it has a contempt. The literary career seems to me unreal, both in its own essence and in the rewards which one seeks from it, and therefore fatally marred by a secret absurdity." His acquaintances, and among them distinguished men of let- ters, full of admiration for the originality and delicacy of his talent, laughed at his self-depreciation, wannly as- sured him of his powers. He received their assurances with a mournful incredulity, which contrasts curiously with the self-assertion of poor David Gray, whom I just now mentioned. " It seems to me intolerable," he writes, " to appear to men other than one appears to God. My worst torture at this moment is the over-estimate which generous friends form of me. We are told that at the last judgment the secret of all consciences will be laid bare to the universe ; would that mine were so this day. 12 Maurice de Guerin. and that every passer-by could see me as I am ! " " High above my head," he says at another time, "far, far away, I seem to hear the murmur of that world of thought and feeling to which I aspire so often, but where I can never attain. I think of those of my own age who have wings strong enough to reach it, but I think of them without jealousy, and as men on earth contemplate the elect and their felicity." And, criticising his own composition, "When I begin a subject, my self-conceit" (says this ex- quisite artist) " imagines I am doing wonders j and when I have finished, I see nothing but a wretched made-up imitation, composed of odds and ends of color stolen from other people's pallets, and tastelessly mixed together on mine." Such was his passion for perfection^ his disdain for all poetical work not perfectly adequate and felicitous. The magic of expression to which by the force of this passion he won his way, will make the name of Maurice de Guerin remembered in literature.* * The remainder of Professor Arnold's essay would needlessly anticipate matter to be contained in the volume of Letters and Liter- ary Remains of Maurice de Guerin. PREFACE TO THE ORIGINAL EDITION, BY G. S. T REB U TIEN. SHALL write only a few lines at the begin- ning of this volume. The collection and arrangement of the material have been done by me : but it is not my province to speak of the author. I will here merely say that at a time already distant, I knew Maurice de Guerin; I loved him, and lived with him in an intimacy which is the honor of my life, and to-day my chief joy. The friends of Maurice have always regarded the publication of his manuscripts as a duty lending lustre to their own reputation. This publication, so ardently desired, especially by his sister Eugenie, has been sus- pended, owing to the delay of circumstances not worth recalling, and which seem to have been in a manner providential. At last it sees the light, and under most 14 Maurice de Guerin, happy auspices. M. Sainte-Beuve, who for a long time had been taking a sympathetic interest in the matter, hastened to announce it in the Moniteur Universel, and, with courtesy which is highly prized, has allowed me to reproduce the fine sketch dedicated by him to the author of The Centaur. A name of such weight as his, placed on the title page of the book, not merely augurs success ; it makes success certain. The greater part of the fragments which I publish were in the possession of the friends of Gudrin, who fairly groaned in the knowledge that these fragments were scattered like unknown diamonds, soon perhaps to be lost. To me they have entrusted them, through a choice which I have felt bound to recognize by laboring with all my might to restore them these treasures re- united and forever saved. They were inestimable relics, for which they made it my duty to prepare a shrine. And here let me say that I have put into the execution of this sacred task, which I regard as my mission here below, whatever there was best in me : conscientiousness, scrupulous care, self-devotion, and complete and living faith in the talent now consecrated by death. Some years since, I visited the Valley of Arguenon in Brittany, whence Maurice dated his finest inspirations. I wished to see the places where he passed his happiest days, the sea of which he sang, all the objects over which he poured his spirit, and where I was desirous to mingle somewhat of my own. If circumstances incidental and personal have caused me to find the bitter drop mysteri- ously hidden at the bottom of the sweetest cups, I am doubly repaid by the consciousness of having accom- plished the supreme desire of Eugenie, dead before the day for which she waited, and by the pride I take (a Preface^ by G. S, 'Trebutien, 15 pride from which I cannot defend myself) in placing at the beginning of Guerin's works, and under his name, this signature of friendship and remembrance. G. S. TREBUTIEN. Caen Library, November 28, i860. Postscript. November 30, 186 1. — Just a year since the editor of Maurice de Guerin wrote the preceding lines. The brief interval of a year has sufficed to justify his anticipations and crown a success which has even surpassed his hopes. In prefacing this new edition, he had intended only to record an acknowledgment of his gratitude for those friendly voices which have contributed, through the Paris press, to awaken public curiosity, and render familiar to all a name which the publication of The Centaur, and Madame Sand's article had, twenty years before, endeared to a few. Unfortunately, there remains the discharge of a more delicate duty. Criticism, unanimous in recognizing the original talent of Maurice de Guerin, was divided in seeking to deter- mine the philosophic and religious ideas which had been the source of his poetical inspiration. On this point, the contest, traces of which we have not been allowed wholly to efface from this volume, has been sufficiently lively to alarm the sensitive conscience of a tender and pious sister, the faithful custodian of the reputation of her family, but even more firmly attached to the faith which was equally that of all her household. In order to fore- stall the secret wish of Mile. Marie de Guerin, and for the mere sake of truth, M. A. Raynaud, a relative, who was Maurice's best friend, and in a manner his second father, beseeches M. de Marzan, as well as ourselves, " to 1 6 Maurice de Guerin, present this Christian figure clear of every mist of un- belief and irreligion." We desire to fulfil a promise, which to us is sacred, without being accused of renewing a discussion which at any cost we would gladly have prevented, and even now wish to close. Against the opinion of these writers, whose sincerity, for the matter of that, we respect, and for whose interest in a memoir which they professed, after their fashion, to honor, we are duly grateful, we shall not set up our individual opinion. It will suffice to summon two witnesses whose testimony in our view of the matter, is decisive. One is Guerin himself One evening in the month of December, 1833, he was reading to his friends at the Valley of Arguenon some passages from his Green Note-book. Struck with certain vague expressions, M. de Marzan called Maurice's attention to them : " That is a grand idea," said he, " and undoubtedly Christian at bottom ; but in the form of expression there mingles, nevertheless, a marked tone of naturalism which the pantheistic school could perhaps interpret to their advantage." The narrator thus continues : " To my remark, so entirely unexpected, Guerin re- plied at first by that involuntary smile to which the sud- den thought of an improbable thing always gives rise ; but seeing that I insisted, he readily vindicated himself from the least suspicion of pantheism, and protested that the passage meant this, and nothing more ; that the heart of man was the point of union between heaven and earth, and, as it were, the rendezvous, in humanity, J^f God and man." Preface^ by G. S, Trebutietio 17 And Maurice offered, moreover, if he were mistaken, to give up the point. A voice issuing from the tomb, or rather descending from heaven, will put an end to these discussions. Doubts which the Journal of Maurice de Guerin might leave on the mind, that of his sister Eugenie will easily scatter. That touching oneness of feeling between brother and sister people will believe. The truth is, that during the three years preceding Guerin's marriage his faith was lukewarm. At this time the progress of his indifference can be noted. Nowhere can you find un- belief. Lover and poet of Nature as he was, he had never ceased to be Christian. The account of his last moments will forbid our forgetting in what quarter his heart sought for hope, and his soul for truth. On the threshold of immortality, he had only to retire within himself, there to find again, without effort and with joy supreme, a faith which had slept at intervals, but which had never been quenched. A few words only on this second edition. We have been able to revise the original manuscripts, with the greater part of the letters, of which we previously had only the copies made by Chopin — precious copies, and for the most part exact, in which, nevertheless, we have retrieved some errors and restored some undesirable gaps. It is possible the text has thus been improved in sev- eral passages. But our greatest happiness has been to add to the fragments published last year nearly thirty new letters, and La Bacchante — a curious piece of com- position in the style of The Centaur, the idea of which, like that, came to Gudrin in one of those visits which we used occasionally to make to the Musee des Antiques, i8 Maurice de Guerin, These additions make our collection complete, with the exception of some verses which we have been com- pelled to sacrifice, of a small number of letters which were not at our disposal, or which were of those whose confidential character Madame Sand has already regret- ted did not allow of their being wholly transcribed. As regards everything bordering on the domestic details of life, there are limits where the most legitimate curiosity should pause. We can, therefore, hope that our mission is fulfilled, and it is with a feeling of profound acknowledgment that we give thanks to God for having left us the time and strength necessary to conduct to a close the pious task we had undertaken, and which, spite of many difficulties, we have pursued in sorrow and love. — G. S. T. 1^ MEMOIR OF MAURICE DE GUERIN, M. SAINTE BEUVE. JN the fifteenth of May, 1840, the Revue des Deux Mofides published an article of George Sand on a young poet whose name was en- tirely unknown up to that time — Georges- Maurice DE GuERiN, who had died the preceding year, on the nineteenth of July, 1839, aged twenty-nine years. What secured him the posthumous honor of being thus suddenly classed, with the rank of a star, among the poets of France, was a magnificent and singular compo- sition, The Centaur, in which all the original forces of the natural man were felt, expressed, energetically per- sonified, always with taste and moderation, and which showed at once the hand of a master — "the Andrd Chenier of pantheism," as a friend had already named him. Around this colossal piece of antique marble, frag- 20 Maurice de Guerin. ments quoted from letters, outpourings which revealed a tender and beautiful soul, formed, as it were, a charming group, partially veiled, of half confidences ; and glimpses caught in passing created an eager desire for the rest. There was from that time among the young a little cho- sen school, a scattered band of admirers, who named the name of Guerin, who rallied around this youthful mem- ory, reverenced it with secret fervor, and longed for the moment which should yield them the finished work — when the entire soul should be disclosed to them. Twenty years have since slipped away, and difficulties, objections, scruples, of every kind and of the most delicate nature, had delayed the fulfilment of the vow consecrated to art by friendship. Gudrin had already had time to be imi- tated by other poets, who seemed quite unconscious of this imitation, and his own v/orks had not been published and brought to light. In the interval, however, five years after, appeared, with the reservation, at first, of a partial publicity, the Reliques of a sister of the poet, Eugenie de Guerin, his equal, if not his superior in talent and soul. The desire finally to know and possess the complete works of the brother was thereby increased, and, as it were, stimulated. We are happy to announce that they are about to appear ; faithful friends have selected and prepared the material ; and the learned and poetical antiquary, M. Trebutien, devoting his attention to it as a fervent monk of the middle ages would have done to the writing and illuminating of a holy missal, the treasure of his abbey, has procured their publication. Nothing was exaggerated in the first impression re- ceived in 1840 ; everything is to-day justified and con- firmed ; the modern school, in fact, counts one poet, one landscape-painter the more. I must first refer him to Memoir J by M. Saint e Beuve, 21 his true epoch, to his real beginnings. It was in 1833 that Maurice de Gu^rin, who was then only in his twenty- third year, began to develop and expand in the circle of friendship that first flower of sentiment, which has at length been exhibited to us, and which is to yield us all its perfume. Born on the fifth of August, 18 10, he be- longed to that second generation of the century, which was no longer two or three, but ten or eleven years old when it produced that new flock, the Mussets, the Monta- lemberts, the Guerins ; — I purposely write these names together. Born under the beautiful sky of the South, of an ancient family, noble and poor, Maurice de Guerin, a dreamer from his childhood, turned early toward religious ideas, and inclined, without effort, to the thought of the ecclesiastical profession. He Vv^as not yet twelve, when, in the early days of January, 1822, he left for the first time — poor exiled bird ! — his turrets of Cayla, and arrived at Toulouse, to carry on his studies, — I believe, at the little seminaiy. He came to Paris to complete them, at Stanislas College. It was on his departure from there, after having hesitated some time, after having returned to his family and seen his sisters and their friends, that, disturbed, sensitive, and even, it is suspected, secretly wounded, he went to La Chenaie to seek repose, forget- fulness, rather than to carry thither the religious voca- tion, already a well-travelled profession, and very uncer- tain. He had loved, he had wept and sung his sorrows dur- ing a season passed in his beautiful South, the last before his departure for La Chenaie. Witness these verses, dated at La Roche d'Onelle, which refer to the autumn of 1832 : 22 Maurice de Guerin, The delving ages, o'er this wrinkled steep, Deep clefts have worn, where raindrops, nestling, sleep ; And passing birds here stay their evening flight, To drink with eager beak this pure delight. But to Onella's rock I come, forlorn, vThe broken spell of my first love to mourn ; Here breaks my suffering heart, here rains its tears, Whose gathered flow the channelled rock upbears ; Then hover not, ye passing doves, too near ; This water shun — 'tis bitter with a tear. A young Greek, a disciple of Theocritus or Moschus, could not have spoken better than this young Levite who seemed in search of an apostle. He arrived at La Chenaie at the beginning of win- ter ; he was there on Christmas, 1832 ; he had found his asylum. La Chenaie, " that species of oasis in the midst of the steppes of Brittany," where, in front of the castle, stretches a vast garden, cut by a terrace planted with lin- dens, with a little chapel at the back, was the retreat of M. de Lamennais, of M. Felt (as he was familiarly called) ; and he was accustomed to have about him four or five young persons, who, in this country life, prose- cuted their studies zealously, in a spirit of piety, of con- templation, and of generous liberty. The period at which Guerin arrived there was one of the most mem- orable, one of the most decisive for the master ; this we may say with certainty and precision, to-day, when we have read the private correspondence of Lamennais during this time. This great, impetuous soul, which could rest only in extreme solutions, after having attempt- ed the public union of Catholicism and Democracy, and preached it in his journal in the tone of a prophet, had been obliged to suspend the publication oi V Avenir. He had made the journey to Rome to consult the supreme MemoiVy by M. Sainte Beuve. 23 authority ; he had returned, personally well-treated, but very clearly disapproved of, and had appeared to submit. Perhaps he thought himself sincerely submissive, even while already meditating and revolving thoughts of ven- geance and reprisal. M. de Lamennais, who is all one thing or all another, without any medium, exhibited the strangest contrast in his double nature. At one time, and often, he had what Buffon, speaking of beasts of prey, has called a soul of wrath ; again, and no less often, he had a sweetness, a tenderness captivating to little children, a spirit altogether charming ; and he passed from one to the other in an instant. The veil which has since been torn away, and which has exposed the stormy and shifting foundation of his doctrines, had then hardly been raised. None of those who knew and loved M. de Lamennais, in those years of painful pas- sion and of crisis, have been obliged, from any point of view, it seems to me, to blush for or repent of that love. He had attempted a union — impossible, I admit — but the most dignified, the best calculated to please noble hearts and generous and religious imaginations. Warned that he was mistaken, and that he was not acknowledged, he halted before the obstacle, he bowed before the sen- tence : he suffered, he was silent, he prayed. When he was closely observed at times, one would have said that he was at the point of death. One day (the twenty- fourth of March, 1833), sitting behind the chapel, under the two Scotch firs which stood in this spot, he had taken his stick and drawn a tomb on the sward, saying to one of his disciples who was near him : " 'Tis there I wish to lie ; but no monumental stone — a simple mound of turf O ! how happy I shall be there ! " If he had died, in- deed, at this moment, or in the months which followed ; 24 Maurice de Guerin, if he had succumbed in his internal struggle, what a fair and spotless memory would he have left ! What a re- nown, as disciiDle, as hero, and even as martyr ! What a mysterious subject of meditation and of reverie for those who love to dwell u^^on great destinies interrupted ! But we have nothing to do with him here except in his relations to Maurice de Guerin. Admirer and prose- lyte as he then was, the latter was to submit only in pass- ing to the influence of Lamennais. A year or two later, he was entirely emancipated and delivered from it. Whether he freed himself by degrees from the faith, whether he allowed himself gradually to be v/on by the spirit of the age, it was not in the train of the great ajDos- tate, but after his own fashion, and he erred in a path of his own. In 1835 he was no longer the disciple of any person nor of any system. After three years of an inde- pendent and thoroughly Parisian life, at the approach of death, his friends had the consolation of seeing him re- embrace Christianity. But if his emancipation was to take place through the intellect, he still belonged fundamentally to the world of La Chenaie through his sensibility, through profound impressions, through the first and unmistakable tokens of talent ; so that, in the literary perspective of the past, he comes, although separate, to take a place as one figure in the frame ; there he belongs, and there in future he wdll remain, the landscape-painter, the artist, the true poet. By the side of the dazzling names of Montalembert, of Lacordaire, which resounded abroad like trumpets, there was — who would have believed it ? — in that silent and peaceful house, an obscure, timid young man, whom Lamennais, abstracted in his apocalyptic social visions, never distinguished from the others ; to Memoir y by M, de Saint e Beuve, 25 whom he gave credit for only ordinary powers, and who, at the same time when his master was forging on his anvil those thunderbolts called Les Paroles d^wi Croyant^ was himself writing personal pages far more natural, fresher — why not say, more beautiful ? — ^pages calculated ever to thrill souls enamored of that universal life which exhales and breathes in the heart of the woods, on the shores of the sea. Gu^rin arrived at La Chenaie in winter, in the depth of the dead season, when everything is stripped, when the forests are of a rust-color^ under that sky of Brittany which is always cloudy, " and so low that it seems ready to crush youj" but let spring come, the sky lifts, the woods renew their life, and all smiles again. The win- ter, however, is slow to depart ; the young and loving observer notes in his journal its tardy flight, its frequent returns : "March 3^. — The hours of to-day have enchanted me. The sun, for the first time in many days, has shown himself in all his radiant beauty. He has unfolded the buds of the leaves and flowers, and awakened in my bosom a thousand tender thoughts. " The clouds resume their light and graceful shapes, and sketch the blue with charming fancies. The woods have not yet their leaves ; but they take on I know not what spirited and joyful air, which gives them an entirely new face. Everything is preparing for the great holiday of Nature." This holiday, revealing tantalizing glimpses, tarries ; many stormy days still intervene. All this is observed, painted, and, above all, felt ; this young child of the South draws from some indescribable native sadness a special instinct for understanding and loving, from the 26 Maurice de Guerin, first, the nature of this North, neighbor of the tem- pest. " March Wi. — A snowy day. A southeast wind curls the snow in eddies, in great whirls of a dazzhng white- ness. It melts as it falls. Here we are transported, as it were, into the heart of winter, after a few spring smiles. The wind is cold enough ; the little singing-birds, new- comers, shiver, and the flowers, too. The chinks of the partitions and sashes wail as in January ; and I, in my poor wrapper, shrink into myself like Nature. " (^th. — More snow, hail, blasts, cold. Poor Brit- tany, thou sorely needest a little verdure to brighten thy sombre face. Oh ! doff quickly, then, thy hooded win- ter cloak, and let me see thee take thy light garment of spring, tissue of leaves and flowers. When shall I behold the skirts of thy robe fluttering at the will of the winds ? "11//2;. — It has snowed all night. My shutters, poorly fastened, allowed me glimpses, as soon as I rose, of that great sheet of white which had been silently spread over the fields. The black trunks of the trees rise like columns of ebony from the ivory-paved court of a temple ; this severe and sharp contrast, and a certain dejected manner in the woods, make one very sad. Naught is heard ; not a living thing, save a few sparrows, who take refuge, peeping as they go, in the fir-trees that stretch their long arms laden with snow. The interior of these bushy trees is impervious to frost ; it is a shel- ter prepared by Providence ; the little birds know it well. " I have visited our primroses : each was bearing its little burden of snow, and bending its head under the weight. These pretty flowers, so richly colored, present- ed a charming effect under their Vv'hite hoods. I saw "^ Memoir^ by M, Sainte Beuve, 27 whole tufts of them covered with a single block of snow ; all these laughing flowers, thus veiled, and leaning the one against the other, seemed like a group of young girls overtaken by a shower, and getting to shelter under a white apron." This recalls Bernardin de Saint-Pierre. Gu^rin, with- out any design, spontaneously, and by the affinity of talent, is of his school. At this very time he was finish- ing the perusal of his l^tudes de la Natiire^ and fresh from the flavor of its charm : " It is one of those books we wish would never end. There is little to be gained from it for science, but much for poetiy, for the elevation of the soul, and the contemplation of Nature. This book sets free and enlightens a faculty which we all have, how- ever veiled, vague, and almost totally bereft of energy ; the faculty which gathers the beauty of Nature, and hands it over to the soul." And he dwells upon this second work of reflecting, which spiritualizes, which blends and harmonizes into unity and subordinates to one idea the actual features, once brought together. This is precisely his own method : in the faithful pictures of Nature which he offers us, man, the soul, is always in the foreground : it is life reflected and interpreted by life. His slightest sketches have thus their meaning and their charm. " \^th {March). — Took a walk in the forest of Coet- quen. Happened upon a place remarkable for its wild- ness : the road descends with a sudden pitch into a little ravine, where flows a little brook over a slaty bed, which gives its waters a blackish hue, disagreeable at first, but which ceases to be so when you have noted its harmony with the black trunks of the old oaks, the sombre ver- dure of the ivies, and its contrast with the white ^nd 28 Maurice de Guerin. glossy limbs of the birches. A strong north wind swept through the forest, and caused it to utter deep roarings. The trees, under the buffets of the wind, struggled like madmen. Through the branches we saw the clouds, flying rapidly in black and grotesque masses, and seem- ing lightly to graze the tops of the trees. This great, gloomy, floating veil, showed rents here and there, through which glided a ray of sunshine, which fell like a flash of lightning into the bosom of the forest. These sudden passages of light gave to the majestic depths of shade a haggard and weird aspect, like a smile on the lips of the dead. '■'■20th. — The winter is departing with a smile: it bids us adieu with a brilliant sun shining in a sky pure and smooth as a Venice glass. Another step of Time accomplished. Oh ! why can it not, like the coursers of the immortals, with four bounds reach the limits of its lasting ? " The methods of seeing and painting Nature are mani- fold, and I allow them all, provided they possess truth. But here, indeed, are bits of landscape painting quite to my taste ; here is delicacy, feeling, and accurate drawing all in one j the drawing is done from a near view, upon the spot, and, faithful to Nature, is yet without crudity. Nothing betrays the pallet. The colors have all their freshness, their truth, and also a certain tenderness. They have penetrated to the interior mirror, and are seen by reflection. We catch here, above all, an expres- sion ; we breath here the soul of things. " 2Zth {March). — As often as we allow ourselves to penetrate to Nature, our soul opens to the most touch- ing impressions. There is something in Nature, whether she decks herself in smiles during the bright days, or Memoir^ by M. Saint e Beuve, 29 becomes, as in autumn and winter, pale, gray, cold and tearful, which stirs not only the surface of the spirit, but even its most secret recesses, and awakens a thousand memories which have apparently no connection with the external aspect, but which, without doubt, sustain a re- lation with the soul of Nature by sympathies to us un- known. This marvellous power I have experienced to-day, stretched in a grove of birches, and breathing the warm air of spring. ^^ April ^th. — A beautiful day as one could wish: some clouds, but only as many as are needed to give picturesqueness to the sky. They assume more and more their summer forms. Their scattered groups re- pose motionless under the sun, like flocks of sheep in the pastures, during the heat of the day. I have seen a swallow, and I have heard the bees humming over the flowers. Seating myself in the sun, in order that I may be saturated to the marrow with divine spring, I have experienced some of the impressions of my childhood \ for a moment I have regarded the sky with its clouds, the earth with its forests, its songs, its murmurings, as I did then. This renewing of the first aspect of things, of the expression which our first thoughts put upon them is, to my thinking, one of the sweetest influences of childhood on the current of life." But soon arise in him conflict and doubt. Guerin, at this date, is still strictly Christian. He arraigns his soul for responding with such liveliness to the insinuat- ing delights of Nature, on a day of sacred contrition and mourning, for this fifth of April was a Good-Friday. The seclusion of penitence within which this Holy Week confines him, wearies, and he reproaches himself for it. Rule and revery are at war within him. He whose 30 Maurice de Guerin, instinct it is to be in motion, to wander, to chase the infinite in the breathings, in the murmurs of winds and of waters, in the odors of budding, and the perfumes of blossoming flowers, he who could say in planning jour- neys : " It will be charming to stray about ; when we wander, we feel that we fulfil the true condition of humanity ; there lies, I think, the secret of the charm — " he tries, at this point in his life, to reconcile Christianity with devotion to Nature ; he seeks, if haply there may be, a mystic relation between the worship of that nature which culminates in the heart of man, and sacri- fices itself there as on an altar, and the eucharistic offering in the same heart. Vain effort! he attempts the impossible and irreconcilable ; he will only succeed in delaying, in his own case, his near, irresistible engulf- ment. For there is no middle course : the Cross bars, more or less, a free view of Nature ; Great Pan has nothing in common with the crucified Divinity. A certain distrustful and timid soberness is imposed, as a first condition, upon the student of Christianity. And Guerin, on the contrary, offers no resistance to this temptation ; all the chance incidents of nature, an April shower, a March flurry, the tender and capricious breezes of May, all speak to him, lay hold of him, possess him, transport him. In vain, he pauses in brief moments and cries : " Heavens ! hov/ is it that my repose is affected by what passes in the air, and that my soul's peace is thus surrendered to the caprice of the winds ? " He ceases not to surrender himself, he abandons himself to it, he intoxicates himself with the life of things, and wishes, at intervals, to be merged in its universality : '■'• April 2^th. — It has just been raining. Nature is fresh, radiant j the earth seems to taste with delight the Memoir, by M, Sainte Beuve, 31 water which brings it life. One would say that the birds' throats are also refreshed by this rain : their song is purer, more gushing, more i^iercing, and vibrates won- derfully in the air — now become exquisitely sonorous and echoing. The nightingales, the bullfinches, the blackbirds, the thrushes, the orioles, the finches, the wrens, all sing and rejoice. A goose, screaming like a trumpet, adds to the charm by contrast. The motion- less trees seem to listen to all these sounds. Innumer- able apple-trees in flower look, from a distance, like balls of snow ; the cherry-trees, also in white, rise in pyramids or unfold in fans of flowers. " The birds seem, at times, to aim at those orches- tral effects in which all the instruments mingle in a maze of harmony. " If it were possible to identify ourselves with spring, to carry this thought to the point of believing that all the life, all the love which leavens Nature, culminates in our- selves ; to feel ourselves at once flower, verdure, bird, song, freshness, elasticity, delight, serenity : what would become of me ? There are moments when, by dint of concentrating one's thoughts on this idea, and of gazing intently on Nature, one seems to experience some such thing." A month has elapsed j the period when spring, long brooded and nursed, bursts forth, no longer in flowers, but in leaves j when greenness overflows, when there takes place in the space of tv/o or three mornings an almost instantaneous flood of verdure — is admirably given : ^^May 3^. — A joyful day, full of sunshine ; a balmy breeze, perfumes in the air; in the soul, bliss. The verdure grows visibly; it has darted from the garden J2 Maurice de Guerin. into the copses ; it has got the upper hand all along the pond ; it leaps, so to speak, from tree to tree, from thicket to thicket, in the fields, and on the hillsides, and I see where it has already reached the forest, and begins to overflow upon its huge back. Soon it will have spread as far as the eye can reach, and all these wide spaces enclosed by the horizon, will be waving and mur- muring like a vast sea, a sea of emerald. A few days more, and we shall have all the pomp, all the display of the vegetable kingdom." And the time when all which was at first but flower without the leaf, is now only germ and foliage, when the loves of the plants are over, and when the nurture of the fruit begins : ^^ May 22d. — There are no longer flowers on the trees. Their mission of love fulfilled, they are dead, like a mother who perishes in giving life. The fruit has set ; it feels the influence of the vital and reproductive energy which is to throw upon the world new individ- uals. An innumerable generation actually hangs on the branches of all the trees, on the fibres of the most insig- nificant grasses, like babes on the mother's breast. All these germs, incalculable in their number and variety, are there, suspended between heaven and earth in their cradle, and given over to the winds, whose charge it is to rock these beings. Unseen amid the living forests, swing the forests of the future. Nature is all absorbed in the vast cares of her maternity." Although heartily devoted to Brittany, which he calls the good country, the child of the South awakens at times in Guerin; Mignon recalls the blue sky, and the land where the olives bloom. The inmate of La Chenaie is not deluded by these sylvan pageants, and rural beauties, Memoir y by M, Saint e Beuve. ^3 which are always so prone, in that region, again to be- come dry and harsh ; La Chenaie, all Brittany " has the air," he says, " of a gray and wrinkled old woman, trans- formed by the fairies' wand into a young and most win- ning girl of sixteen." But beneath the form of the win- ning young girl, the old woman, on certain days reappears. One morning in the midst of June, the fine weather has vanished, one knows not whither; the west wind, like a shepherd, driving before him his numberless flocks of clouds, permeates everywhere. Side by side with verdure is winter, and the contrast, moreover, is painful ; and even when there is sunshine, in her days of high festival, the summer of Brittany has always, to his feel- ing, something gloomy, veiled, shut in. It is like a miser making a display ; there is a churlishness in his magnificence. " Give me our sky of Languedoc, so lavish in light, so blue, so widely arched ! " Thus cries, in these days, almost like an exile, he who dreams of his soft nest at Cayla and at Roche d'Onelle. In his excursions about the country, and when he crosses the moors, then it is that Nature appears to him barren and cheerless, in the garb of wretchedness and poverty ; but, for all that, he does not scorn her; on this theme he has composed some very pungent verses, in which the ruggedness of the country is truthfully rendered ; he understands it so well, this ruggedness, he clasps it so closely, that he triumphs over it. Like the Cybele of the Homeric poem, who appeared at first under the disguise of a barren old woman to the young girls seated by the way- side, and who was then suddenly transformed into the fruitful and glorious goddess. Nature, in Brittany, ends by yielding to Gue'rin all that she possesses : if for a 2* h 34 Maurice de Guerin, moment he has slighted her, he quickly repents, and she pardons him ; she ceases to appear ungrateful in his eyes, she becomes again as beautiful as it is possible for her to be : the moor itself becomes animated, invests itself for him, even in its least details, with I know not what charm. These last things he says in verse, and it is for that reason that I do not quote them. As to the verses of Guerin, they are natural, easy, flowing, but unfinished. He uses habitually, and from preference, a verse which I know well, from having attempted in my day to introduce and apply it — the familiar Alexandrine, adapted, in his use, to a conversational tone, permitting all the intrica- cies of a friendly talk. " Your poetry sings too much," he wrote to his sister Eugenie ; " it does not talk enough." He avoids the strophe, as breaking too easily into a gallop, and running away with its rider ; he avoids no less the Lamartinian verse, as rocking too gently its dreaming gondolier. He believes that much may be made of this Alexandrine verse, which, well handled, is not so stiff as it appears to be ; which is capable of so many fine turns, and even of charming carelessness. This whole theory appears to me true, and it is also mine. It is only in the application that Guerin is at fault, as we ourselves may have been ; but he errs more than is necessary, and far too much. Above all, he trusts too much to chance ; and what he said of another of his friends may be said of him, that his verse gushes from him ^^ like water from a fountain.^'' He has detached lines which are very happy, very free ; but his style drags, is tedious, and becomes complicated like prose. He knows not how to prune, to time his periods, and, after a certain number of uneven, irregular verses, to Memoir y by M, Saint e Beuve, 35 restore the full tone and mark the rhythm. The name of Brizeux, the Breton poet, is naturally associated with that of Gudrin, the Breton landscape-painter. Gudrin must have read the Marie of Brizeux, but I do not see that he speaks of it. We must exaggerate nothing : this pretty Marie^ in her first dress, was only a little peasant, dressed up according to the custom and standard of Paris. It was not until later that Brizeux thought seri- ously of making himself Breton. In the poem by him which bears this title, Les Bretons, he has succeeded in two or three grand and forcible pictures ; as a whole, it lacks interest, and is destitute of charm. I do not speak of the various collections which have followed, and which, save some rather rare fragments, are only the un- promising efforts, more and more abrupt, of an arid and exhausted vein. Now, what Guerin had preeminently, was impulse, raciness, charm, breadth, and power. The author of the Ce?itaiir is of another order than the dis- creet lover of Marie. But Brizeux, in verse, is artistic, and Guerin is not sufficiently so. Brizeux has the sci- ence of poetry ; and if he allows his impulse too little play ; if, for good reasons, he never sets it free ; if he never has what the generous poet Lucretian calls the mag- num immissis ceriameft hahenis — the headlong charge with loosened rein — at least he keeps the folds of his garment well girdled, and has skilful and charming ways of clasp- ing it. In 1833, Guerin, this Breton by adoption, who was then far more of a Breton in spirit than Brizeux, lived in the full enjoyment of this rural, tranquil, poetic, and Christian life, whose vital current pulsated through his genius, and diffused itself freshly in his private writings. I am aware he had his troubles, his failures of the inner ^6 Maurice de Guerin, life : we shall return, if only to point it out, to this weak side of his soul and his will. His talent, later, will be more manly, at the same time that his conscience is less disturbed ; here, he appears in all the delicate bloom of youth. There was a single moment when every tint could be noted, when his ideas harmonized and blended. Imagine, at La Chenaie, which was still called a religious house, on Easter-day of this year 1833 — the seventh of April — a radiant morning, and the touching scene then for the last time enacted. He who was still the Abbd Lamennais was celebrating the Easter mass in the chapel — his last mass — and was administering the Com- munion with his own hand to a few young disciples, who, still faithful, believed him faithful also : they were Guerin, Elie de Kertanguy, Francois du Breil de Mar- zan, a fervent young poet, overjoyed in bringing to the holy table a new recruit, a friend older by ten years — Hippolyte de la Morvonnais, himself a poet. There were at this time at La Chenaie, or on the point of arriving, certain men whose meeting and intercourse was a source of pure joy : the Abbe Gerbet, a gentle soul of tender affability ; the Abbe Cazales, a loving heart, and wise in the ways of the inner life ; other names, some of which have been since noted in divers branches of sci- ence : Eugene Bore, Frederic de la Provostaye — alto- gether a pious and learned band. Who would have said then, to those who still clustered round the master, that he who had just administered the communion to them with his own hand, would administer it no more, would refuse it himself forever, and would soon have for a de- vice — only too appropriate — an oak shattered by the tempest, with this haughty motto : "/ break, and bend not P' — a Titanic device, presumptuous as Capaneus. Memoir^ by M, Saint e Beuve, 37 " Oh, if we had then been told it, what a shudder would have passed through our veins ! " wrote one of them. But for us, whose only business here is to speak of literature, it is impossible not to notice such a mem- orable epoch in the religious history of the time, not to connect therewith the talent of Guerin, and not to regret that the impetuous master-mind, which was already brewing storms, had not then done as did the obscure disciple standing in the shadow of his wing : that he had not opened his heart and his ear to some strains of the pastoral flute ; that, instead of letting himself loose in imagination upon society, and seeing in it only hell, dun- geons, cellars, sinks of iniquity (visions which constantly came back and beset him), he had not more frequently looked toward Nature, there to soften and calm himself And yet, this same M. Lamennais wrote, some months after, to one of his religious friends in Italy : " You are on the threshold of spring, earlier than in France, in the country that you inhabit ; I hope that it will have a hap- py influence upon your health. Abandon yourself to all the sweetness of this season of renewal ; be a flower with the flowers. We lose, by our own fault, a part — the greatest part — of the blessings of the Creator ; He sur- rounds us with His gifts, and we refuse to enjoy them by I know not what dreary determination to torment our- selves. In the midst of an atmosphere of perfumes which emanates from Him, we make one for ourselves, composed of all the deadly vapors that our cares, our anxieties, and our griefs exhale — fatal bell of the diver which isolates us in the bosom of a vast ocean." And who, pray, had taken his post in this bell, and liked to stay there better than himself? I have still something to say upon this position of 38 Maurice de Guerin, Gudrin at La Chenaie and in Brittany, upon this nursing season of his talents. Since I have spoken of Lamennais at this date of 1833, and such as he still appeared in the eyes of this faithful circle, how is it possible to avoid calling atten- tion to the portrait that Guerin has sketched of him, in a letter of the sixteenth of May to M. de Bayne de Rays- sac, one of his southern friends ? It is decidedly the most living, speaking likeness of that side of Lamennais in which, by merely reading him, it is difficult to believe ; one view of a soul which appeared to forget itself en- tirely in conversation, so gay and charming was it, and which then would be so quickly eclipsed that his brow would wrinkle and his countenance suddenly grow dark. Guerin shows him to us as he saw him, in his happiest mood, and sometimes in the pride of his strength, but without the dark tints. The letters of Guerin to his friends serve to fill out the impressions noted in his jour- nal during this time ; and some of the pages of this jour- nal are themselves only extracts from his letters which seemed to him, before passing from his hand, deserving of being copied. In fact, the artist, the painter in him, boldly making his studies, was trying his hand. One of the holidays he most anticipated, which he had promised himself from his first arrival in Brittany, was a little trip to the seaside. On the twenty-eighth of March, in a walk pushed further than usual with the Abb^ Gerbet and another companion, he had obtained his first glimpse to the north, from the summit of a hill, of the bay of Cancale, its waters sparkling in the distance, and mark- ing the horizon with a luminous bar. But the actual journey which enabled him to exclaim, "At last, I have seen the ocean ! " was not accomplished until the elev- Memoir y by M, Saint e Beuve. 39 enth of April. That day, the Thursday after Easter, he set out, at one o'clock in the afternoon, with fine weather and a fresh breeze, on foot, in company with Edmond de Cazales, who had not yet taken orders. They had not less than six or seven leagues to go ; but travelling towards a great goal, and travelling thither by a long route, with a friend, is a twofold happiness. Guerin felt both, so he has told us : " It is a preeminent pleasure to travel — to visit the ocean with so congenial a travelling companion. Our conversation flowed, as it were, a steady stream, from La Chenaie to Saint Malo ; and, our six leagues accomplished, I could have wished to see still before us a long stretch of road ; for, indeed, conversa- tion is one of those sweet things that we wish to prolong forever." He gives us an idea of these interviews, em- bracing the world of the heart with that of nature, and rambling through the romance, the recollections, the hopes, and all the charming studies of youth. These pleasant talks, I imagine, resembled in spirit what must have been those of Basil and Gregory in the neighbor- hood of Athens, and those of Augustine and his friends on the shores of Ostia. The beauty of the picturesque descriptions, of the sea-sketches which follow, is thereby enhanced ; these lofty communings furnish the sky of the picture. The last days which Guerin passed at La Chenaie were full of pleasure, but a pleasure that was often dis- turbed j he felt, in fact, that this life of retirement was drawing to a close, and that the vacation would bring for him the necessity of making a decision. He enjoyed so much the more, when his imagination permitted, the uni- form and deep calm of the last hours. The seventh of September, at four o'clock in the 40 Maurice de Guerin, afternoon, he went up to the chamber of M. Feli, and bade him good-by. After a nine months' sojourn, "the gates of the Httle paradise of La Chenaie closed behind him." The ambiguous and distressing relations of M. de Lamennais with the diocesan authority, had of late become more complicated, and it was found expedient to break up the little school. Guerin, however, did not yet leave Brittany, and remained there until the end of Janu- ary, 1834; now at La Brousse, in the family of M. de Marzan ; now at Le Val de 1' Arguenon, in the retreat of his friend Hippolyte de la Morvonnais ; now at Mor- dreux, with the latter's father-in-law. Here occurred a new and important crisis in his life. He had brought to La Chenaie a secret heart-trouble — I do not say a pas- sion, but a sentiment. A view of certain beeches which he could see from his window towards the pond, and which recalled painfully sweet recollections, revived this sentiment. Some nights he dreamed ; listen to one of his dreams : '•^ June \^th. — '•Strange dream !^ I dreamed that I was alone in a vast cathedral. I seemed to be in the presence of God, and in that state of the soul in which one is conscious only of God and of oneself, when a voice arose. This voice — the voice of a woman, infinitely sweet — nevertheless filled the whole church like a vast chorus. I recognized it at once ; it was the voice of Louise, ^silver-sweet sowtdingJ " Such dreams, which recall those of the youthful Dante, and of the Vita JViiova, belonged only to the intellectual heights of his nature, and were susceptible of cure. And if we should say here all that we think, Guerin was not made for a great and passionate suffering of love. One day, some years after, reading the letters Memoir y by M, Saint e Beuve, 41 of Mile, de Lespinasse, and finding in them a passion by him unfelt, he was greatly affected, and was surprised at his emotion : " In truth," said he, " I knew not there existed an imagination so tender, which could thus agi- tate my heart. Is it that I know not the measure of this heart? It is not made for that passion which says, * Let me love, let me see you, or cease to exist ! ' " No circumstance of his life, not even the inclination which determined his marriage, has ever contradicted this judg- ment which he passed upon himself ; he loved only on the surface, and, as it were, outside the inner curtain of his soul ; its depths remained mysterious and sacred. I should say that he, the lover of Nature, felt the univer- sality of things too deeply to love any single object. However this may be, he had a pang at that time ; and finding himself, on leaving lonely La Chenaie, in the ten- der home-circle of Hippolyte de la Morvonnais and his young wife, this sorrow was healed. He was one of those whom the friendly sympathy of a young woman soothes rather than excites. The pure friendship of the chaste wife, and the happiness of which he was witness, without effacing or banishing the other image, caused it to fade into a faint shadow. Everything came right j and Guerin, on the eve of plunging into the m^lee of the world, enjoyed some months of perfect peace. The sketches in which he reproduces those autumn and winter days passed by the side of the sea, in this hospitable home, in this " TMbaide des Greves" as La Morvonnais rather ambitiously called it, are beautiful pages, which rank, by their innate force, with the best that we know in this style. The thrilling contrast of this peaceful fireside with the almost incessant storms of the ocean — sometimes that other contrast, no less strik- 42 Maurice de Guerin. ing, between the calm sea, the slumber of the fields, and the stormy heart of the beholder — give to the different pictures all their life and variety : *' And see how full of goodness Providence is to me ! For fear that the sudden transition from the mild and tempered air of a religious and solitary life to the torrid zone of the world should try my soul too sorely, it has led me, on leaving the holy retreat, into a home standing on the confines of the two regions, where, without being in solitude, one still belongs not to the world ; a house whose windows, on one side, open upon the plain where sways the tumult of man, and, on the other, upon a desert where chant the servants of God ; on one side upon the ocean, on the other upon the woods : and this figure is a reality, for the house is built upon the border of the sea. I wish to record here the history of my sojourn in it, for the days passed here are full of happi- ness ; and I know that, in the future, I shall turn back many a time to reperuse their vanished joy. A religious man and a poet; a woman so well fitted to him that they seem but a twofold soul ; a child who is named for her mother, Marie^ and the first rays of whose love and intelligence are piercing, like a star, the white cloud of childhood ; a simple life, in an old house ; the ocean, morning and evening, sending us its harmonies ; finally, a traveller descending from Carmel to go to Babylon, who, laying down his staff and sandals, has seated him- self at the hospitable door ; here is material for a biblical poem, if I could write things as I can feel them." I do not miss this biblical poem ; he will tell us enough about it, even in saying that he knows not how. By-and-by we shall have the finest page of it ; but first, let us enjoy with him the view of a sea in commotion^ Memoir^ by M, Sainte Beuve, 43 and, at the same time, of the human soul contemplating it : ^^ ^'^'J^- ^ Yesterday the wind blew furiously from the west. I have seen the sea in commotion ; but this tumult, sub- lime as it is, is far inferior, to my taste, to the view of the ocean calm and blue. But why say that the one is not equal to the other ? Who could measure these two sublime sights, and say. The second surpasses the first ? We must simply say. My soul finds more pleasure in the calm than in the storm. Yesterday one wide battle waged on the watery plains. To see the leaping waves, the thought would come of those countless squad- rons of Tartars galloping incessantly over the plains of Asia. The entrance to the bay is guarded, as it were, by a chain of granite islets. It was glorious to see the surges rushing to the assault, and hurling themselves frantically, with frightful clamors, against those masses of rock j to see them take their line of attack, and vie with each other which should first surmount the black head of the reefs. The boldest, or the most agile, vaulted over with a loud shout ; the others, lumbering on more awkwardly, dashed against the rock, flinging showers of spray of a dazzling whiteness, and fell back with a low, muffled growling, like watch-dogs beaten back by the traveller's staff. We witnessed these wild struggles from the top of a cliff, where we found it difficult to withstand the fury of the wind. There we were, with bodies bent forward, legs planted apart to give a wider base for re- sisting with greater advantage, and both hands clutching our hats to keep them on our heads. The vast tumult of the sea, the clamorous rush of the waves, the equally rapid but silent sweep of the clouds, the sea-birds hover- ing in the sky and balancing their slender bodies be- 44 Maurice de Guerin, tween two arched wings that seemed to spread indefi- nitely — this entire assemblage of wild and echoing har- monies, all centring in the souls of two beings five feet high, planted upon the crest of a cliff, shaken like leaves by the violence of the wind, and hardly more visible in that immensity than two birds perched upon a clod of earth — oh ! it was something mysterious and awful — one of those mingled moments of sublime excitement and profound meditation, when the soul and Nature, drawing themselves to their full height, confront each other. " A few steps from us, a group of children, sheltered behind a rock, tended a flock scattered over the bluffs of the coast. " Throw into this sea-picture a ship in danger, all is changed : we see only the ship. Happy he who can con- template Nature waste and uninhabited ! Happy he who can see her abandoned to her terrible sports without danger to any living being ! Happy he who beholds from the top of a mountain the lion bounding and roar- ing in the plain, when no traveller, nor even a gazelle, is haply passing ! That happiness, Hippolyte, we had yes- terday ; let us thank Heaven for it.^/ Have the English fireside poets — Cowper, Words- worth — ever described more deliciously the joys of a pure home, and its domestic happiness — that remem- brance of Eden — than the traveller who, sitting for a mo- ment under a blessed roof, has done in these words : "20//^. — I havfe never enjoyed with so much intimacy and seclusion the happiness of home life. Never has the perfume which is wafted through all the rooms of a religious and happy house so completely enveloped me. It is like a cloud of invisible incense that I breathe con- tinually. All these minute details of familiar life, whose Memoir^ by M. Sainte Beuve. 45 successive links constitute my day, are so many shades of a perpetual delight, which goes on unfolding from the beginning to the end of the day. '"■'^The morning greeting, which renews in some sort the pleasure of my first arrival, (for we accost each other in nearly the same form of words, and, besides, the separa- tion at night is somewhat typical of longer separations, like them, full of dangers and uncertainties ;) the breakfast hour, when we forthwith celebrate the joy of reunion ; the subsequent walk, a sort of greeting and adoration that we offer to Nature ; our return, and our seclusion in an old wainscoted chamber, looking out on the sea, inacces- sible to the noise of the house — in a word, a perfect sanctuary of labor ; dinner, announced to us not by the sound of the bell, which savors too much of the college or a fine house, but by a gentle voice ; the gayety, the lively jests, the rippling flow of talk, rising and falling during the entire meal ; the crackling fire of dry brush around which we draw our chairs just afterwards ; the tender things we say in the warmth of the fire, roaring as we chat ; and, if the weather is fine, the stroll by the side of the ocean, which runs to welcome our party — a mother, her child in her arms, the father of the child, and a stranger, these last two each with a stick in his hand ; the rosy lips of the little girl who prattles to the tune of the waves, the tears that she sometimes sheds, and the cries of childish grief on the border of the sea ; our thoughts, when we see the mother and child smiling at each other, or the child weeping, and the mother seek- ing to soothe her with the sweetness of her caresses and her voice ; the ocean, which goes on rolling continuously its waves and noises ; the dead branches that we cut as we stray hither and thither in the copses, to make a 46 Maurice de Guerin, quick and cheerful fire on our return ; this little experi- ment in woodcraft which brings us near to Nature, and makes us think of M. Fall's peculiar love for the same occupation ; the hours of study and poetic outpouring, which carry us along to supper-time ; this meal, to which we are summoned by the same gentle voice, spent in the same pleasures as the dinner-hour, but less boisterous, because evening softens and subdues everything; the evening, opening with the sparkle of a cheerful fire, and passing in alternate reading and talking, to die away in sleep : to all the charms of a day thus spent, add that indescribable, angelic beaming, that halo of peace, of freshness and innocence, diffused by the blonde hair, the blue eyes, the silvery voice, the laughter, the little know- ing poutings of a child who, I feel certain, makes more than one angel jealous ; who enchants you, bewitches you, makes you dotingly fond by a simple motion of her lips — such is the power of helplessness \ to all this add, finally, the dreams of the imagination, and you will still be far from attaining the limit of all these domestic delights/' However, these family joys, too keenly felt by a heart to whom it was not given to taste them for himself, affected him too tenderly ; he had arrived, he tells us, at the pitch of weeping for a mere nothing, " as do little children and old men." This continual calm, this pleas- ant monotony of domestic life, prolonged like a sweet but unvarying note, had finished by enervating, by un- duly exalting him, by either putting him beside himself, or by placing him too early in possession of his own na- ture. Excess of tranquillity was for him a new kind of storm ; his soul was " in peril," and there was danger in this direction of an intoxication of languor, if he had not r MemoiVy by M, Sainte Beuve. 47 found a counterpoise, a powerful diversion in the con- templation of Nature, as at other moments there had been danger that the sovereign attraction, the potent voice of this Nature, would absorb and master him com- pletely. For Gu^-in's soul was marvellously sensitive and susceptible, but without safeguard or defence against itself. This time he was wise enough to turn aside in time, and vary the exercise of his sensibility : ^ '"I set about studying her (Nature) even more closely J^/*- than had been my wont, and by degrees the excitement subsided ; for there issued from fields, from waves, from woods a mild and wholesome virtue, which penetrated my being and changed all my transports to melancholy dreams. This blending of the calm suggestions of Na- ture with the stormy ecstasies of the heart will beget a state of mind which I would fain retain, for it is a most desirable state for a restless dreamer like myself. It is like a rapture so subdued and tranquil that it carries the soul out of itself, without taking from it the conscious- ness of a lingering and somewhat stormy sadness. An- other result is, that the soul is insensibly steeped in a languor which deadens the keenness of every intellectual faculty, and lulls it into a half-sleep void of all thought, in which, nevertheless, it is conscious of the faculty of dreaming the most beautiful things. ^"Nothing can more faithfully represent this state of the soul than the evening this moment falling. Gray clouds, whose edges are slightly silvered, are spread uniformly over the v/hole face of the sky. The sun, which vanished a few moments ago, has left behind him light enough to relieve for some time the black shadows, and, in a manner, to tone the falling darkness. The winds are hushed, and the tranquil ocean sends up, 48 Maurice de Guerin. when I go out on the threshold to Hsten, only a melo- dious murmur which breaks on the soul like a beautiful wave on the beach. The birds, the first to be won by the influence of night, take their flight towards the woods, and their wings are heard rustling in the clouds. The copse which covers the whole hillside of Le Val, which has echoed all day with the warbling of the wren, with the cheerful whistle of the woodpecker, and with the various notes of a multitude of birds, has no longer any sound in its paths and thickets, save the shrill cry of blackbirds chasing each other in their play, after all other birds have their heads under their wings. The noise of man, always the last to be hushed, gradually dies away along the fields. The universal hum ceases, and one hears scarcely a sound except what comes from the towns and hamlets, where, far into the night, are heard the crying of children and the barking of dogs. Silence enfolds me ; everything seeks repose, except my pen, which haply disturbs the slumber of some living atom, asleep in the leaves of my notebook, for it makes its own little noise scratching these foolish thoughts. Well ! let let it cease, then ; for what I write, have written, and shall write, can never be weighed against the sleep of an atom.)' - Surely, that is as beautiful as beautiful verses. They talk of the Lake poets and their poetry, and La Morvon- nais, about this time, was very much taken up with them, so far as to go and visit Wordsworth at his residence at Rydal Mount, near the Lakes of Westmoreland, and to carry on a correspondence with that great and tranquil soul, that patriarch of the domestic muse. Gudrin, with- out giving so much thought to it, was more like the Lake poets, without in any way aiming to imitate them. There Memoir^ by M. Sainte Beuve, 49 is in their writings no purer pastoral sonnet, there is in the poetic rambles of Cowper no more transparent pic- ture, than the page we have just read, in its painting, at once so true and so tender, so clear and so emotional. The modest sentiment with which he closes, and in which he takes thought for the smallest living atom, might be the envy of a gentle poet of India. But it was for Guerin to tear himself from this soli- tude, where he was on the point of forgetting himself and of tasting too freely the fruit of the lotos. In a last walk, on a smiling winter afternoon, on those cliffs, along the path which so many times had led him thither through the boxwood and the hazels, he breathes out his adieus and carries away all he can of the soul of things. The next day he is at Caen ; a few days after, at Paris. His timid nature, as trembling and shrinking as that of a fiightened deer, experiences, on his arrival, a secret horror. He distrusts himself, he fears mankind. "Paris, February 1st, 1834. — My God! close my eyes ; preserve me from seeing all this multitude, the sight of whom gives rise in me to thoughts so bitter, so discouraging. Grant that, in passing through it, I may be deaf to noise, inaccessible to these impressions which overwhelm me when traversing the crowd ; and to that end place before mine eyes an image, a vision of things that I love — a field, a vale, a moor, Le Cayla, Le Val — some natural object. I will walk with looks fixed upon these sweet forms, and thus I shall pass, and .feel no rude jostling." Here it is highly proper to enter somewhat into the secret of this nature of Gudrin. There was in him a veri- table contradiction. Through one side of him, he felt ex- ternal nature passionately, distractedly ; he was capable of 3 50 Maurice de Guerin. plunging into it with boldness, with a magnificent frenzy ; of realizing in it, through his imagination, the fabulous life of the ancient demi-gods. On an entirely different side, he was meditative, he analyzed himself, he took himself up in detail, he belittled himself at will ; he un- decked his soul with a self-depreciating humility; he belonged to those souls, so to speak, born Christian, which have need of self-accusation, of repentance, of finding outside of themselves a craving for pity, for com- passion ; who have made confession early, and who will always have need of confession. I have known souls like these, and it has been my fortune to describe one formerly, in a romance which his secret affinity with the character caused Guerin to receive with favor. He also was, but only in a measure, of the race of Ren^ ; in this sense, that he did not think himself a superior nature ; indeed, so far from that, he believed himself to be poor, weak, ^^ contemptible,^^ and, in his best days, a nature " rather lonely than superior : " " To be loved as I am," murmured he to himself, " it would be necessary to meet a soul that would be willing to incline towards its inferior ; a strong soul, that would bend the knee before the feebler, not to worship it, but to serve, to console it, to protect it, as one would a sick man ; a soul, in short, gifted with a sensibility as hum- ble as profound, which would divest itself of pride, so natural even to love, sufficiently to bury its heart in an- obscure affection, which the world would in no wise com- prehend ; to consecrate its life to some weak being, morbid and introspective ; to be content to concentrate all its rays upon a flower without brilliancy, weak and always trembling ; which would bestow, indeed, perfumes whose sweetness charms and penetrates, but never those which Memoir y by M, Saint e Beuve. 51 intoxicate and exalt to the happy delirium of rap- ture." His friends struggled as far as possible against this dispirited temper, whose attacks he set forth to them at times, its interior flow and reflow, with an exquisite delicacy, with a startling distinctness. They urged him, on entering this practical life, to lay out for himself a plan of study, to be willing to apply in order, and to concentrate his intellectual forces according to a method, and upon definite subjects. They thought at one time to make him accept a chair of Comparative Literature, which there was some talk of founding at the college of Juilly, then under the charge of MM. de Scorbias and de Salinis ; but this idea was never carried out, and Guerin was obliged to content himself with a temporary class in the college Stanislas, and with some lessons which he gave here and there. A cordial Breton friend, who happened to be at Paris (M. Paul Quemper), had undertaken to smooth for him the first difficulties, and he succeeded. This provision made for actual necessi- ties, Gudrin betook himself all the more in leisure hours to the life of the soul and of fancy ; he overflowed with his peculiar spirit. Retired, as in his burrow^ in a little garden in Anjou street, near Pepiniere street, he trans- ported himself in imagination to the grand and tender spectacles which he had brought back from the land of the west. In his weariness he embraced the stem of his lilac, " as the sole being in the v/orld against which he could lean his faltering nature, as the only thing capable of supporting his embraces." But soon the air of Paris, which he must needs traverse every day, reacted upon this forlorn of twenty-four years. The attraction of the world gradually won him ; new friendships w^ere 52 Maurice de Guerin, formed, which, without destroying the old, cast them insensibly into the background. Whoever had met him two years afterwards, worldly, elegant, ^^fashionable" even, a talker able to hold his own with brilliant talkers, would never have said, to see him, that he was a worker "malgre lui." There is nothing like these timid men once let loose, as soon as they have felt the spur. And at the same time this talent, which he persisted in doubt- ing, was constantly developing and growing bold, and at last he applied it to the composition of themes, to creations outside of himself The artist, properly so called, mani- fested itself in him. And here let the piety of a sister, who has presided over this memorial erected to a tender genius, permit us one reflection. In the just tribute paid to the memory of the beloved dead, nothing unjust towards the living should be insinuated, and an omission may be an injus- tice. The three or four years which Guerin spent in Paris, and in which he lived that life of privations and struggle, of study and of worldliness, of various relations, are in no wise years to be despised or veiled. This life is that which many among us have known, and which they still lead. He lost on one side doubtless, he gained on the other. He w^as in a measure unfaithful to the freshness of his youthful impressions ; but, like all the unfaithful who are not too much so, he expanded only the better for it. Talent is a stem which takes root willingly in virtue, but which often also climbs beyond it and leaves it behind : it is seldom even at the moment of blooming that it belongs wholly to it : it is only at the breath of passion that it yields all its perfumes. Preserving all the delicacies of his heart, his impres- sions of the country and of landscape, which he revived Memoir, by M. Sainte Beuve, 53 from time to time in hurried visits, Gu^rin, divided hence- forth between two worships, the God of cities and the God of deserts J was the better prepared to take up art, and to venture upon the composition of a work. He continued, it is true, to write in his journal that he beheved himself without talent ; he demonstrated it to himself in his best way, in his subtle and charming pages, which pages themselves proved the existence of this talent. But when he ventured to say these things to his friends, intellectual men, workers, of sprightly wit and animation, to d'Aure- villy, to Scudo, to Amedee Rene"^ and some others, he was unmercifully rallied and taunted, and, what is better, he was reassured against himself ; he unconsciously bor- rowed their activity and boldness. And it is thus that he at last entered into his full power. The idea of the Centaur came to him in consequence of several visits which he had made with M. Trebutien to the Musk des Afitiques. He was then reading Pausanias, and was astonished at the multitude of objects described by the Greek antiquary : " Greece," said he, " is like a vast museum." We are witnesses of the two orders, the two trains of ideas which met and reunited in him in a fruit- ful alliance. The Centaur is in no way an imitation of Ballanche ; it is an original conception and peculiar to Guerin. AVe have seen how he loved to diffuse himself, and, as it were, to clasp Nature in the tendrils of his soul ; he was, at cer- tain times, like those wandering plants whose roots float * In the collection of poems published in 1841 by M. Amedee Rene, under the title of Heures de Poesie, there is a beautiful piece dedicated ^'■to the memory of Maurice de Gtierht,''^ in which his poetic nature is very well characterized : he is called sick for the infinite, {malade d ''infini ). 54 Maurice de Guerin, on the surface of the sea at the v/ill of the waves. He has expressed many a time this sense of the soul interfused, and wandering with Nature ; there were days when, in his love of calm, he envied " the strong and silent life which holds sway under the bark of the oak ; " he dreamed of some absurd metamorphosis into a tree ; but this destiny of old age, this end worthy of Fhilemon and Baucis, and even better suited to the wisdom of a Laprade, jarred with the ardent, impetuous current of a young heart. Guerin, then, had sought until now for his form and had not found it : it was suddenly revealed to him and personified in the figure of the Centaur. These great primal organizations whose existence Lucre- tian denied, and in which Guerin almost makes us be- lieve ; in whom the genius of man was joined to animal force still unsubdued and forming a part of it : by whom Nature, hardly emerged from the waters, was overrun, taken possession of, or rather set on fire, in their reck- less, interminable running up and down ; seemed to him worthy of a sculptor, and also of a hearer capable of repeating the mystery. He supposed the last of the Centaurs interrogated on the summit of a mountain, by the side of his cave, and relating in his melancholy old age the pleasures of his youth to a curious mortal, to this diminutive of the Centaur, who is called man \ for man, seen in this fabulous, grand perspective, would be only a Centaur degraded and set on his feet. There is nothing so powerful as this dream, occupying a few pages ; nothing more finished and more classically executed. Guerin projected more ; this was only a beginning. He had also done a Bacchante, which has not been found, a fragment antedating I know not what prose Memoir, by M. Saint e Beuve, 55 poem whose subject was Bacchus dans VInde; he medi- tated a Hermaphrodite. La Galerie des Antiques thus furnished him moulds into which he was henceforth to pour, and give stability, under severe or tender forms, to all his sensations gathered from the heaths and strands. A first phase was opening for his talent. But the artist, in the presence of his ideal temple, made only the statue for the threshold ; he was to fall at the outset of his career. Happy in a recent marriage with a young and beautiful creole, secure henceforth of a home and leisure, he was attacked by a vital disorder, which made only too clear the source of his habitual weakness. One under- stood then the persistent lament of this rich nature ; the germs of destruction and premature death which were sown in the core of his organism, in the roots of life, were frequently transferred to his moral nature by this feeling of inexpressible discouragement and exhaus- tion. This lovely young man, borne dying to the south, expired in the summer of 1839, at the moment when he beheld again his native sky, and when he regained in it all the freshness of early tenderness and religion. The guardian angels of home watched prayerfully over his pil- low, and consoled his last look. He was only twenty- nine years old. These two volumes, which are issued to-day, will make him live ; and by a just compensation for a destiny so cruelly cut off, that which was scattered, which was written and noted for himself alone, which he has not had time to weave and trim by the rules of art, becomes his most beautiful crown, which, if I am not mistaken, will never wither. SAINTE BEUVE, De VAcadhnie Frangaise. y O UR NA L MAURICE DE GUERIN (JULY, 1832— OCTOBER, 1835.) Le Cayla, July loth, 1832. EARLY three months and a half have I been in the country, under the paternal roof, at home (that charming English phrase com- pletely summing up our chez soi)^ in the cen- tre of a clear horizon. I have seen the spring — spring at liberty, free, loosed from every constraint — tossing flowers and verdure at its will, running like a thoughtless child along our valleys and hills, putting forth sublime conceptions and gracious fancies, comparing kinds, har- monizing contrasts, after the manner or rather for the instruction of great artists. I have seated myself in the depths of the woods, on the margin of the brooks, on the swell of the hills ; I have set foot again in all the places where, as a child, I had rested it, rapidly and with all the carelessness of that age. To-day I have planted it firmly in those places ; I have paused and 3* 58 Maurice de Guerin, dwelt upon my early footprints ; I have begun anew my pilgrimage in contemplation and devotion — in the con- templation of memories, and in the devotion of the soul to the impressions of its first landscape. 2,0th. — There are books which need no second read- ing. I have selected Ren^ for reperusal to-day — one of the most disenchanted days of my life, when my heart has seemed dead, a day of the dryest barrenness — to test the whole power of this book upon a soul, and I have rec- ognized that it is great. This reading has steeped my soul in softness, as the rain of the storm. I take an infinite delight in coming back to my earliest reading, the pas- sionate reading of sixteen up to nineteen years of age. l^-love to draw tears at the nearly exhausted springs of \ my youth. — ^ August ^th. — To-day I have completed my twenty- second year. I have often seen, in Paris, children going to the grave in their little coffins, and thus passing through the mighty throng. O ! why did I not pass through the world like them, buried in the coffin of my innocence and in the oblivion of the life of a day ? Those little angels know nothing of earth ; they grow in the sky. My father has told me that, in my infancy, he has often seen my soul upon my lips, ready to take wing. God and paternal love held it back for the ordeal of life. Gratitude and love to both ! But I cannot repress my longing for the sky where I should be, and which I can reach only by the oblique line of the human career. 13M. — I am weak — very weak. How many times, even since grace has walked with me, have I not fallen, like a child without leading-strings ! My soul is frail be- yond anything that can be imagined. It is the feeling of my weakness which makes me seek a shelter, and which Journal, 59 gives me strength to break with the world in order to rest more surely with God. Two days of the great world of Paris will put an end to all my resolutions. They must needs be hidden, buried, sheltered in retirement. Now among asylums open to souls in need of escape, none is more favorable for me than the house of M. de Lamennais, full of science and piety. When I reflect on it, I blush for my life, which I have so abused. I have blasted my humanity. Fortu- nately, I had two parts in my soul ; I have plunged only halfway in evil. While one-half of me was grovelling in the dust, the other, inaccessible to all blemish, lofty and serene, was gathering, drop by drop, that poesy which shall gush forth, if God grants me the time. In that lies my all. I owe everything to poesy, since there is no other word to express the entirety of my thoughts. I owe to it all which is still pure, elevated, and solid in my soul ; I owe it all consolations I have had ; I shall owe to it, perhaps, my future. I feel that my friendship for L is strong to-day, after having passed through the extravagances of college life, and the delirium of our first sallying forth into the world. It waxes grave as a season and sweet as a fruit which attains its maturity. La Chenaie, February 6t/i, 1833. — I have just fin- ished reading the first volume of the " Memoirs of Goethe." This book has left upon me opposite impres- sions. My imagination is all astir with Margaret, with Lucinda, with Frederica — Klopstock, Herder, Wieland, Gellert, Gleim, Biirger, that burst of German poetry, which rises so fair, so national, toward the middle of the eighteenth century ; all that fermentation of thought in the German brain interests profoundly, especially in face tririVBEsiTy' 6o Maurice de Guerin, of the actual epoch, so fruitful and so glorious for Ger- many. But a bitter thought occurs in following the de- tails of education, and the march of the intellectual de- velopment of the young, such as it is understood in this country ; and the bitterness springs from a comparison with French education. I have spent ten years in the colleges, and I have come out, bringing, together with some scraps of Latin and Greek, an enormous mass of weariness. That is about the result of all college educa- tion in France. They put into the hands of young men the ancient authors ; that is well. But do they teach them to know, to appreciate antiquity ? Have they ever developed for them the relations of those magnificent literatures with the Nature, with the religious dogmas, the systems of philosophy, the fine arts, the civilizations ot the ancient nations ? Has their intelligence ever been led by those beautiful links which bind all parts of the civilization of a people, and make of it a superb whole, all whose details touch, reflect, and mutually explain each other ? What professor, reading Homer or Virgil to his pupils, has developed the poetry of the Iliad or the ^neid by the poetry of Nature under the sky of Greece or Italy ? Who has dreamed of annotating re- ciprocally the poets by the philosophers, the philoso- phers by the poets, the latter by the artists, Plato by Homer, Homer by Phidias ? They isolate these great geniuses, they disjoint a literature, and they fling you its scattered limbs, without taking the trouble to tell you what place they occupy, what relations they mutually sustain in the great organization whence they have been detached. Children take a special delight in cutting out the pictures which fall into their hands ; they separate with great skill the figures one from the other ; their Journal, 6i scissors follow exactly all their outlines, and the group thus divided is portioned out among the little company, because each one wants an image. The labor of our professors bears no slight resemblance to that of the chil- dren ; and an author, thus cut off from his surroundings, is as difficult to understand as the figure cut out by the children and separated from the grouping and the back- ground of the picture. After that, need we be aston- ished that the studies are so empty, so insufficient ? What can remain from a long devotion to the dead let- ter, stripped, as it were, of meaning, except disgust, and an almost entire hatred of study ? In Germany, on the contrary, a broad philosophy presides over literary stud- ies, and sheds over the earliest labors of youth that grace which so sweetly cherishes and develops the love of science. Come, courage ! I am so accustomed to farewells, separations ! Ah ! nevertheless, that one is too severe. No, it is not too severe, since there is no evil, however great, which does not call forth in the soul an equal faculty of endurance. I shall endure, but shall keep my word. March 2,d. — I commenced to write in this blank book the tenth of July, 1832, and I have come back to it only at long intervals. These eight months have passed in the crudest sufferings of soul. I have written little, be- cause my powers have been nearly crushed. If the mal- ady had left my intellect a little liberty, I should have gathered some very curious observations upon moral suf- fering ', but I was bewildered with anguish. I think spring will do me great good. As the sun ranges higher and vital heat pervades nature, the sharpness of grief loses its energy ; I feel its bonds relax, and my soul. 6i Maurice de Guerin, long compressed and almost strangled, expands in pro- portion and opens to breathe. The hours of to-day have enchanted me. The sun, for the first time in many days, has shown himself in all his radiant beauty. He has unfolded the buds of the leaves and flowers, and awakened in my bosom a thou- sand tender thoughts. The clouds resume their light and graceful shapes, and sketch the blue with charming fancies. The woods have not yet their leaves, but they take on I know not what spirited and joyful air, which gives them an entirely new face. Everything is prepar- ing for the great holiday of Nature. 4th. — I see laborers digging in the garden. These poor people thus expend their whole life to gain where- with to eat their bread from day to day — their dry and black bread. What a mystery is that of all these exist- ences, so rude and lowly ! — and they are almost the whole of the human race. A day will come when all these drudges of society will show their blackened and callous hands, seamed with grasping the handles of their tools, and will say, " Thou, Lord, who hast said, Blessed are the poor and lowly, behold us ! " " To you, good God, we make our last appeal ! " 6th. — filie * and I have had a long interview. Always full of enthusiasm for travels, we have made an excur- sion to America ; we have ascended the great rivers, sailed over the lakes, wandered through the forests in company with Natty Bumpo and Cooper's other heroes. Delightful reminiscences ! Back to Europe. Pro- digious fermentation of society. The infinity of thought * 3lllie de Kertanguy died 1846. Journal, (i^ which pervades human intelligence, all intelligences, be- ginning with the highest angelic powers down to our- selves, and perhaps below us — who knows ? A sea of thought heaving before God. What is a human intelli- gence taken apart from this immensity j what is this im- mensity itself compared with the thought eternal, God ? Bewilderment ! He is a man who has pondered all these things, who has sounded the depths of humility, and whose soul is so strong that he writes, not for this world's fame, but for the world's good, without flinching or failing. Mysterious struggles of a genius, a mission- ary, a martyr ! God has, in some sort, revealed to him the profoundest depths of society, and all the secrets of the evil which preys upon it All this he has seen ; for a time he has been uncertain how to lay hold of this social malady, and he has been a prey to great sadness, to a sort of anguish. At last he found what he sought, and joy returned to him. He accomplished his great mission. O ! whoever should know the rude combats of his soul, could not have sufficient admiration for such devotion, for the inner forces of that man are incessantly struggling with thoughts which would crush powers less strong than his ; but he has received the apostleship, like St. Paul, and he preaches a gospel. " Nam si evan- gelizavero, non est mihi gloria ; necessitas enim mihi incumbit ; vag enim mihi est, si non evangelizavero." Hence we arrived at the necessity, the indispensable law which binds each one to fulfil his social mission, however narrow, however inconsiderable it may be. We owe all to the general good ; not only the sacrifice of our passions, but also the sacrifice of our innocent tastes, of our plans of individual happiness, if this happiness con- sist in being idle and useless to our kind. We did cast 64 Maurice de Guerin, a glance at that life, so sweet, so peaceable, which nestles in the bosom of the family ; but that, too, was a glance of sacrifice, resolved as we are to choose our place where we can do the most good. This interview has restored my powers, so feeble, so tottering. My heart is filled with an unknown sweet- ness, and my soul has taken possession of herself, like a sick man, who, having drunk a healing potion, sinks into his bed, expressing satisfaction, which is, in truth, naught but the expression of hope. Zth. — A snowy day. A southeast wind curls the snow in eddies, in great whirls of a dazzling whiteness. It melts as it falls. Here we are transported, as it were, into the heart of winter, after a few spring smiles. The v/ind is cold enough ; the little singing-birds, new- comers, shiver, and the flowers, too. The chinks of the partitions and the sashes wail as in January ; and I, in my poor wrapper, shrink into myself, like Nature. ^th. — More snow, hail, blasts, cold. Poor Brittany ! thou sorely needest a little verdure to brighten thy som- bre face. O ! doff quickly, then, thy hooded winter cloak, and let me see thee take thy light garment of spring, tissue of leaves and of flowers. When shall I see the skirts of thy robe fluttering at the will of the winds ? — Read Homer, and the exploits of the Norman heroes in Italy and Sicily. Met and shook hands with Achilles, Diomed, Ulysses, Robert Guiscard, Roger. 1.0th. — ^ovTO vx) KoX yepas olhv oi