■ i:'!iiiii!!in!!i!iiiii!iii;t!i; fill BERKELEY \ LIBRARY UNJVHiSiTY OF CALI^»4IA/ GERALDINE, A SEQUEL COLERIDGE'S CHRISTABEL OTHER POEMS. BY MARTIN FARQUHAR TUPPER, ESQ., M. A. AUTHOR OF " PROVERBIAL PHILOSOPHY." LONDON : .JOSEPH RICKEEBY, SHERBOURN LANE, KING WILLIAM STREET, CITY. 1838. LOXDOX : TED P.y JOSEPH HI SilEHBOl'KN LA.-' PEEFACE, IXCLUDIXG A SKETCH OF CIIRISTABEL. The Christabel of Coleridge is a poem of which it is ahiiost impossible to give shortly a fair and perfect abstract. Every word tells ; every line is a picture : simple, beautiful, and imaginative, it retains its hold upon the mind by so many delicate feelers and touch- ing points, that to outline harshly the main branches of the tree, would seem to be doing the injustice of neglect to the elegance of its foliage, and the micro- scopic perfection of every single leaf. Those who now read it for the first time, will scarcely be dis- posed to assent to so much praise ; but the man to whom it is familiar will remember how it has grown to his own liking, how much of melody, depth, na* ture, and invention, he has found from time to time a2 420 VI PREFACE, hiding in some simple phrase, or unobtrusive epithet. Most gladly, therefore, do I refer my readers to tlie Christabel itself, however it may tell to the dis- advantage of Geraldine : at the same time, inasmuch as there may be many to whom the sequel will be ob- scure, from having had no opportunity of perusing the prior poem, I trust I shall be pardoned, if, in con- sulting the interest of some of my readers, I mar the fair memory of Christabel by a sketch so im- perfect, as only to serve the purpose of explaining myself. The heroine of Coleridge is a ' blue eyed' girl, ' O call her fair, not pale ;' and is introduced as ' pray- ing in the midnight wood,' ' beneath the huge oak- tree,' ' for the weal of her lover that's far away.' While thus engaged, she is startled by ' moanings,' and on the ' other side of the oak,' finds ' a damsel bright' * in sore distress' and ' weariness ;' in fact, the dark-eyed Geraldine, whose sudden aj^pearance is by herself very suspiciously explained. Christabel ' comforting' her, takes her home to Langdale-Hall, the castle of Sir Leoline, where the howl of ' the mastiff bitch' seems to bode evil, and some wild ex- pressions addressed by Geraldine to Christabel's ' guardian spirit,' her dead mother (who had ' said PREFACE. Vll that she should hear the castle-bell strike twelve upon her [daughter's] wedding day/) gives the first clue to the wicked and supernatural character of Geraldine. The maidens now retiring to rest together, the beauti- ful stranger's ' bosom and half her side,' — ' old' ' and cold,' suggest vague alarms, and ' for an hour' Chris- tabel in ' her arms', is ' dreaming fearfully,' — from which state of terror she is delivered by her guardian mother. The second part opens with the introduction of Geraldine to Sir Leoline, who recognizes in ' the lofty lady,' the daughter of his once ' friend in youth' ' Roland de Vaux of Tryermaine,' who had parted from Sir Leoline many years ago ' in disdain and in- sult.' At her tale, (which I am pleased to consider a fabrication, as also the' likeness to Roland's daughter to be a piece of witchcraft) the Baron is highly in- dig^nant, and vows to avenoe * the child of his friend.' Meanwhile, poor Christabel is under a mysterious spell, subjected to ' perplexity of mind,' ' a vision of fear,' and ' snake-like looks' of the rival beauty ; albeit ' comforted' by a ' vision blest.' Sir Leoline, glad of the opportunity of a reconciliation to his long-lost friend, sends ' Bracy the bard,' with ' harp' and * solemn vest,' by ' Irt-(hing) flood,' &c, to Ro- Vlll niEFACE. land's border castle, commissioning- him to ' greet Lord Roland/ acquaint him that ' his daughter is safe in Langdale-Hall,' and bidding him ' come' with ' all his numerous array' to meet Sir Leoline ' with his own numerous array' on ' panting' palfreys/ and to be friends once more. * Bard Bracy' hesitates, on account of having dreamt that Christabel — ' the dove' — had ' a green snake' ' coiled around its wings and neck/ ' underneath the old tree / and having ' vowed' ' with music strong and saintly song/ to ex- orcise the forest. The Baron interprets it as of ' Lord Roland's beauteous dove/ and when Christabel, who had ever and anon been tortured by ' looks askance' of ' dull and treacherous hate,' entreats him by her ' mother's soul to send away that woman,' he, ac- counting * his child' jealous ^of the radiant stranger, and no doubt alienated by black arts from his daughter, as the lover is afterwards, seems full of wrath, and ' in tones abrupt, austere,' sends the re- luctant Bracy on his mission. Thus far Christabel : for the ' Conclusion to part the second,' however beautiful in itself, is clearly out of place, unless it was intended as a mystifica- tion. And now on my own portion, I may be })ermitted PREFACE. IX to make a few remarks. My excuse for continuing- the fra":ment at all, will be found in Coleridofe's own- words to the preface of the 1816 pamphlet edition, where he says, " I trust that I shall be able to em- body in verse the three parts yet to come, in the course of the present year : " a half-promise, which, I need scarcely observe, has never been redeemed. In the following attempt I may be censured for rashness, or commended for courage : of course, I am fully aware that to take up the pen where Coleridge has laid it down, and that in the wildest and most original of his poems, is a most difficult, nay, danger- ous proceeding : but, upon these very characteristics of difficulty and danger I humbly rely ; trusting that, in all proper consideration for the boldness of the experiment, if I be adjudged to fail, the fall of Icarus may be broken, if I be accounted to succeed, the flight of Da3dalus may apologize for his presump- tion. I deem it due to myself to add what I trust will not be turned against me ; viz, that, if not written literally ciirrente calamo, Geraldine has been the pleasant labour of but very few days: also, that until I had just completed it, I did not know of the ex- istence of the proposed solution of Christabel in a X PRErACE. recent life of Coleridg'e, and at that period saw no reason to make any change in mine : and fnially, that I should wish to be judged by the whole volume, and not by Geraldine alone. M. F. T. JS'ovemher, 1838. CONTEXTS. PAGE GERALDIXE, PART I, ^,, .^ 3 PART II. ,^, 19 PART III. — - — .^- 37 MISCELLANEOUS POEMS. I31AGIXATI0X .-^ ™- -^.- ^,^-. 55 THE ALPIXE ELF -,^ --., ^^ ^^ 63 DREAMS ^^ .^, — -^^ ^,- CO IXFAXT CHRIST WITH FLOWERS .^ .^ ^^ fio PAST, PRESEXT, AXD FUTURE ..., .^., 70 THE 3IUMMIED TULIP „^ ^, „~ ..^ 71 CRUELTY ,,^ .-.. 7^ CHILDREN ^.^ ,^ ^^ .^ ,,^ 83 THREE SOXNETS ON " PROVERBIAL PHILOSOPHY" -,^ 86 3I0XSIEUR d'alverox ..„ ^,, ^,. ^^ 89 WISD03l's WISH .,-, „,, ^^ 93 THE mother's LA3IEXT ..^. 96 TRUST ^., ,.,, 99 FLOWERS ^^ ~,, ^^ ,,,, 101 WEDDIXG-GIFTS ,^ .,^ _^ 103 MARRIAGE .,^ ^. .„, . 105 A GLIMPSE OF PARADISE ",^ .,^ ^, 106 A DEBT OF LOVE .,., . .^, 107 TO LITTLE ELLIX ^~ .,^ 108 TO LITTLE :MARY 109 DAYS GOXE BY „^ ..„ ,-„ ,,,, 110 Xll CONTENTS. PAGE THE CRISIS ^^ ^^ _^ ^. 112 CHARITY . .,^ ..„ _ ._ 113 TO KLOPSTOCK ^^ _ ,^ IIG THE FORSAKEN ^^ ^„ .,., ^., 117 THE stammerer's COMPLAINT -^ .,^ ..„ 119 BENEVOLENCE -^, ^^ .,_ .,,, 124 A CABINET OF FOSSILS ..^ ._, 129 THE MAST OF THE VICTORY .,-. .„, 133 THE SOULS OF BRUTES .,^ , 137 THE CHAMOIS-HUNTER .,., ,„, _.. 145 NATURE AND ART ^^. .,.. .._ 150 CHEERFULNESS AND MALICE .,., 152 HOME ; LIGHT AND SHADOW ,^ ._. .,_ 154 THEORY AND PRACTICE .^ ^., 15() RICHES AND POVERTY ^., .„, .,., 158 LIGHT AND DARKNESS — . _^ IGO POETRY AND PROSE .,^ .,., .._ 1G2 FRIENDSHIP AND ENMITY .,^ „^ 1G4 PHILANTHROPY AND MISANTHROPY „., .,,. 1G6 COUNTRY AND TOWN ^., ,.^ 1G8 WORLDLY AND WORTHY .^ ^,, ^., 170 LIBERALITY AND MEANNESS 172 ANCIENT AND MODERN ^^ .,^ .,_ _^ 174 SPIRIT AND MATTER ,^ ^., 176 LIFE AND DEATH .,^ ^_ .„, 178 ELLEN GRAY ^^ 180 THE AFRICAN DESERT .^ .^. ^^ ,.^ 189 THE SUTTEES .^ .^ ..., ^.. 202 CARMEN S^CULARE ^, ^.. __ 212 CONCLUSION ^^ ,_ 217 GERALDINE PART I. GERALDINE PART I. (bEIXG the third of CHRlSTABEr,.) It is the wolf, on stealthy prowl, Hath startled the night with a dismal howl, It is the raven, whose hoarse croak Comes like a groan from the sear old oak, It is the owl, whose curdling screech Hath peopled with teiTors the spectral beech ; For again the clock hath toll'd out twelve. And sent to their gambols the gnome and the eh And awoken the friar his beads to tell. And taught the magician the time for his spell, 4 GERALDINE. And to her cauldon liatli hunied the witch. And arous'd the deep bay of the mastiff bitcL The gibbous moon, all chilling and wan. Like a sleepless eyeball looketh on, Like an eyeball of sorrow behind a shroud Forth looketh she from a torn grey cloud. Pouring sad radiance on the black air, — Sun of the night, — what sees she there r O lonely one, O lovely one, What dost thou here in the fcrest dun Fair truant, — like an angel of light Hiding from heaven in deep midnight r Alas ! there is guilt in thy glittering eye As fearfully dark it looks uj) to the sky- Alas ! a dull unearthly light Like a dead star, bluely white, A seal of sin, I note it now, Flickers upon thy ghastly brow ; And about the huge old oak Thickly curls a poisonous smoke. And teiTible sha]:>cs with evil names GERALBINE. Are leaping around a circle of flames, And the tost air whirls, storm-driven, And the rent earth quakes, charm-riven, — And — art thou not afraid ? All dauntless stands the maid In mystical robe array'd, And still with flashing eyes She dares the sorrowful skies, And to the moon, like one possest. Hath shown, — O dread ! that face so fair Should smile above so shrunk a breast. Haggard and brown, as hangeth there, — O evil sight ! — wrinkled and old. The dug of a witch, and clammy cold, — Where in warm beauty's rarest mould Is fashioned all the rest ; O evil sight! for, by the light From those large eyes streaming bright, By thy beauty's wondrous sheen, Lofty gait and graceful mien, By that bosom half reveal'd, Wither'd, and as in death congeal'd, 6 GERALDINE. By the guilt upon thy brow, Ah ! Geraldine, 'tis thou ! Muttering wildly through her set teeth, She seeketh and stirreth the demons beneath, And — hist ! — the magical mandate is spoken, The bonds of the spirits of evil are broken, There is a rush of invisible wings Amid shrieks, and distant thunderings, And now one nearer than others is heard Flapping this way, as a huge seabird, Or liker the deep-dwelling ravenous shark Cleaving thorough the waters dark. It is the hour, the spgll hath power ! Now haste thee, e'er the tempest lour. Her mouth gi'ows wide, and her face falls in, And her beautiful brow becomes flat and thin, And sulphurous flashes blear and singe That sweetest of eyes with its delicate fringe, Till, all its loveliness blasted and dead, The eye of a snake blinks deep in her head ; GKIIALDIXE. Tor raven locks llowing loose and long Bristles a red mane, stiff and strong, And sea-green scales are beginning to speck Her slu'unken breasts, and lengthening neck , The white round arms are sunk in her sides,- As when in chrysalis canoe A may-fly down the river glides, Struggling for life and liberty too, — Her body convulsively twists and twirls. This y